From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 00:13:17 2007
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From: "Matthew F. McCabe" <mmccabe@finleysound.com>
Subject: Re: Logic studio new version
Date: Sun, 30 Sep 2007 16:59:21 -0700
To: Loopers-Delight@loopers-delight.com
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On Sep 30, 2007, at 2:53 PM, Per Boysen wrote:

> MainStage has a MIDI Through function. If you enable it every MIDI  
> Program Change event sent into MainStage will also be passed out  
> the MIDI Out port. If you have hardware effect processors there  
> they will of course change patches according to how you have  
> programmed them to.

So, it's really just a pass through like using the MIDI Thru jack,  
right?  If I understand correctly, MainStage cannot generate its own  
MIDI Out messages as part of its own internal preset hierarchy.

Can you map incoming MIDI messages to different channels and program  
changes?

Thanks!

Matt



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From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 04:43:54 2007
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Subject: RE: i need different shoes
Date: Mon, 1 Oct 2007 00:37:01 -0400
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My mom has a friend who makes shoes=85

=20

HYPERLINK "http://www.thoseshoes.com/"http://www.thoseshoes.com/

=20

They are.. different. :-)

=20

Tony

=20

   _____ =20

From: Tilmann Dehnhard [mailto:tilmann@dehnhard.com]=20
Sent: Sunday, September 30, 2007 4:42 PM
To: Loopers-Delight@loopers-delight.com
Subject: i need different shoes

=20

i once got my shoe sole stuck to the dl4 - literally had to shake the =
thing
off to get free.

great hiking boots for winter, but a clear nono for looping...

i played the rest of the gig in socks (well - and regular clothes, not =
what
YOU might think).

=20

tilmann

From: HYPERLINK "mailto:stevoj@yahoo.com"Stephen Scott=20

=20

Subject: I need brighter LEDs

=20


No virus found in this incoming message.
Checked by AVG Free Edition.
Version: 7.5.488 / Virus Database: 269.13.35/1040 - Release Date: =
9/30/2007
9:01 PM



No virus found in this outgoing message.
Checked by AVG Free Edition.=20
Version: 7.5.488 / Virus Database: 269.13.35/1040 - Release Date: =
9/30/2007
9:01 PM
=20

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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>My mom has a friend who makes =
shoes&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><a =
href=3D"http://www.thoseshoes.com/">http://www.thoseshoes.com/</a><o:p></=
o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>They are.. different. =
</span></font><font
size=3D2 color=3Dnavy face=3DWingdings><span =
style=3D'font-size:10.0pt;font-family:
Wingdings;color:navy'>J</span></font><font size=3D2 color=3Dnavy =
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style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Tony<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

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face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

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<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> =
Tilmann Dehnhard
[mailto:tilmann@dehnhard.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Sunday, September =
30, 2007
4:42 PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <st1:PersonName =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> i need different =
shoes</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>i once got my shoe sole stuck to the dl4 - literally =
had to
shake the thing&nbsp;off to get free.</span></font><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>great hiking boots for winter, but a clear nono for
looping...</span></font><o:p></o:p></p>

</div>

<div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>i played the rest of the gig in socks (well - and =
regular
clothes, not what&nbsp;YOU might think).<o:p></o:p></span></font></p>

</div>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>tilmann</span></font><o:p></o:p></p>

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>

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<p class=3DMsoNormal style=3D'background:#E4E4E4'><b><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial;font-weight:bold'>From:</span=
></font></b><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> <a
href=3D"mailto:stevoj@yahoo.com" title=3D"stevoj@yahoo.com">Stephen =
Scott</a> <o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
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<div>

<p class=3DMsoNormal><b><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial;font-weight:bold'>Subject:</span></font></b><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'> I need =
brighter
LEDs<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
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</div>

</blockquote>

</div>

</body>

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<P><FONT SIZE=3D2>No virus found in this outgoing message.<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 06:50:13 2007
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From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject:  Off Topic:  Anglofixilization
Date: Sun, 30 Sep 2007 23:50:16 -0700
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I'm really enjoying the Anglofixilization thread
but it is most definitely Off Topic.

Since a lot of people have been disturbed by the volume of
off topic posts here at the list,  can we at least be sensitive
and discilplined enough to their needs to write  OT:  Anglofixilization
on these posts.

This will allow people who are not interested in this very, very off topic 
subject
to automatically filter the discussions out.

That being said and done, my ramblings on the subject:

***************

I have read the most linguists are agreed that
some form of Chinese (Mandarin or Cantonese most likely),
Spanish and English will become the Linqua Franca (lol, how Eurocentric is 
that term?)
of the world in the next 50 years.

About the future of English as an international language of commerce which 
has been
disputed:

I've read that many German banks are now having their meetings in English 
not German.

Additionally, the Chinese are spending literally millions of dollars to try 
and teach
the people in Bejing enough English to be able to greet guests, journalists
and the athletes at the upcoming Olympics.   They have hired and ex-American
military officer, specifically,  to go around the city and clean up the
Engrish signs that are everywhere in the city currently.

None of these are signs that English is on it's way out as a so called 
'world' language.

The danger is not so much that the Chinese won't learn English but more that 
the United
States, Great Britain and Canada won't learn Chinese.

As powerful as the Chinese are becoming, however, their up and coming 
economic might rests
on the strength of the so called '1st world' economies staying not only 
solvent but
strong.     Someone has to not only buy but also be able to be able to 
afford to buy what they are going to make.

A huge percentage of world resources are controlled by the Europeans,
British and Americans and the Chinese (and the Indians) need access to these 
resources
in order for their economic climb to occur.

A lot has been said about the decline of the US in the future.   If this is 
entirely true, then
why are the Chinese and Indians investing so heavily in buying land, 
corporations and resources in the US.
They are, you know, faster now that even the Japanese did in past decades.

I don't say any of this as a flag waving 'love em or leave em'  American 
patriot.

I'm about as radically left in my politics as one gets in the USA,   but 
there is a lot of knee jerk hysteria
going on in our country about our coming demise.

Basically, world is going to be coming more geographically and economically 
homogenous,  although given the current
capitalistic models, this will still be at the expense of the lion's share 
of the world's inhabitants.

The Rich will get richer and the Poor will get poorer..............it's 
inevitable unless a huge shakeup occurs.

The scariest thing about it all is not that things are going to change 
radically in the economics of the globe but more
that the ecology of the earth is going to suffer horribly because the 
Chinese and Indians will rise with a commensorate
rise in the destruction of the ecosystem as the 1st World powers in the past 
few hundred years.

The largest destruction of the ecosytem has occured within the last 50 years 
and is accelerating (declining airable land, declining forests, declining
fish and animal populations, declining air quality,  rising temparatures, 
et. al.).

It's 4th and 5th page news in American newspapers but China is on the verge 
of a horrible ecological catastrophy.
They are running out of useable water at an alarming rate and their rivers 
are very polluted on top of it due to unchecked growth.

They are building  gigantic coal manufacturing plants at the rate of 1 a 
month , currently, which is causing terrible air pollution.

Their destruction of the environement will rival the US's destruction of the 
environment (although I should really say, the Major Corporations
destruction of the environment) which is already unconscionable. 

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 07:32:52 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Loop Survey - Summary
Date: Mon, 1 Oct 2007 09:26:33 +0200
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Do you really think a person that wants to use a software looper  
starts by deciding which operating system he wants to host that  
looping application? I find that hard to believe, since when you make  
music with a looping application there's no difference if the OS is  
Linux, OS X, Vista, Windows XP or whatever.

But if a person wants to use a computer for many tasks, playing  
looping concerts being just one of them, then I can understand the  
preference of a particular OS. Mac OSX seems to work fine that way  
(in my experience).

As far as I see the best solutions seems to be to get one of those  
new intel based Mac boxes, install Windows XP and dedicate the Win  
partitions for looping with Mobius and use Mac OS X for everything  
else. If you want to use Ableton Live or Bidule together with Mobius,  
both these applications are exactly the same on both systems and the  
license lets you use it both under OS X and Windows.

per



On 1 okt 2007, at 01.25, Zoe Keating wrote:

> actually, i think it just gives a strong hint at which OS they  
> prefer (i'd jump on mobius if it would run without windopes)!
>
> On Sep 30, 2007, at 2:48 PM, Per Boysen wrote:
>
>> So the choice of either Live or Mobius gives a strong hint at  
>> which major looping methodology a person subscribes to; Mobius  
>> going back to the EDP school of working an interchanging loop,  
>> while Live goes back to traditional sampling techniques.



From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 07:46:14 2007
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Date: Sun, 30 Sep 2007 23:23:55 -0700
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Bill Walker wrote:
"The only Zappa show I remember seeing with you Rick is the one at the
Paramount Theater in Oakland."

Your memory is better than mine, Bill, but why were they booed off the 
stage, then?
I remember that really distinctly.   I thought it was because they were 
playing with some bonehead
rock band or other but drugs were involved that night so my memory may be 
faulty.

Also,  wasn't  that the same show where Zappa was really late and he asked 
and got the audience to
do a 24 channel sound check in real time by democratic vote?

I remember that was one of the best sounds I've ever heard at a concert and 
was amazed that
1)   Zappa entrusted the audience to 'mix' the sound and
2)   That it was a turning point for me.............realizing that audiences 
knew much more and were much
        more intelligent than I had assumed they were.

Zappa went from mic to mic to line input to line input getting the audience 
to show (by raising their hands)
when the right level was achieved.

The sound, as I remember, was really, really good. 

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 08:01:28 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Logic studio new version
Date: Mon, 1 Oct 2007 09:54:25 +0200
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> Paul Mimlitsch wrote:
>> Anybody using this upgrade?  Thoughts, especially in reference to  
>> "Main Stage" as a live performance tool?

On 1 okt 2007, at 01.14, Brian Good wrote:
> I've spent the past week setting up Mainstage for a live  
> performance in a couple weeks. So far, so good. You can use Logic's  
> softsynths without having to have Logic running, and, though I have  
> no evidence for this, I'm guessing that Mainstage might be more  
> stable for live work. Augustus Loop seems to work ok with it,  
> though I haven't done extensive testing.

Sooper Looper AU plug-in should run in MainStage as well.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Logic studio new version
Date: Mon, 1 Oct 2007 10:00:48 +0200
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> On Sep 30, 2007, at 2:53 PM, Per Boysen wrote:
>
>> MainStage has a MIDI Through function. If you enable it every MIDI  
>> Program Change event sent into MainStage will also be passed out  
>> the MIDI Out port. If you have hardware effect processors there  
>> they will of course change patches according to how you have  
>> programmed them to.

On 1 okt 2007, at 01.59, Matthew F. McCabe wrote:
> So, it's really just a pass through like using the MIDI Thru jack,  
> right?  If I understand correctly, MainStage cannot generate its  
> own MIDI Out messages as part of its own internal preset hierarchy.

Yes, that's correct.

> Can you map incoming MIDI messages to different channels and  
> program changes?

Incoming MIDI message can not be mapped to "channels" but to  
functions. Any function of a soft synth or effect can be set to  
follow an incoming MIDI message. An incoming MIDI Program Change  
message is automatically loading up your saved program patch that  
corresponds to the particular program number. Ie sending MIDI PC#1  
loads your saved Patch#1 etc. A "Patch" in MainStage can be any set- 
up of softsynths or only effects applied to an audio input.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 10:08:11 2007
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Subject: RE: pre recorded talking between live played songs
Date: Mon, 1 Oct 2007 10:58:34 +0100
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we played recently & used a sample of (slightly stoned-sounding) bob
dylan talking to his audience back in the 60s..... if you slow bob
dylan's speaking-voice down by just the right amount, he sounds like
hendrix.


btw- did anyone else get another s/w update from electrix by email last
week?

duncan.

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van Sinn wrote:
> Paul Mimlitsch wrote:
> 
>> Anybody using this upgrade?  Thoughts, especially in reference to  
>> "Main Stage" as a live performance tool?
> 
> Nope, but I'll attend a product demo of LP8, arranged by a decently 
> large studio and a music shop here in Cph tomorrow evening.
> I'll try to summmarize my findings..

I've taken notes on peculiarities, missing features et al.. as reported 
in this thread.
Besides what's already been mentioned, anything particular I should try 
to poke from the folks at the demo/seminar?


-- 
rgds,
van Sinn

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a fellow list member has told me that when replying to my posts,
the mail goes to me only instead of the whole list.
this explains all the "private" replies i have gotten.
i use outlook express and chewed through all the little option windows - 
can't find the thingie.
anybody out there who could help me with this?

(in this case the reply setting comes in handy...)

all the best - tilmann 

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 12:12:57 2007
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: looper in Logic (Re: Logic studio new version)
Date: Mon, 1 Oct 2007 06:08:36 -0600
To: Loopers-Delight@loopers-delight.com
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Per;
What are you thoughts on using the delay (either software "pedal  
board" or "rack mount" versions) in Logic as a simple "looper" - ie:  
length of delay, feedback control etc.?

On Oct 1, 2007, at 1:54 AM, Per Boysen wrote:

>> Paul Mimlitsch wrote:
>>> Anybody using this upgrade?  Thoughts, especially in reference to  
>>> "Main Stage" as a live performance tool?
>
> On 1 okt 2007, at 01.14, Brian Good wrote:
>> I've spent the past week setting up Mainstage for a live  
>> performance in a couple weeks. So far, so good. You can use  
>> Logic's softsynths without having to have Logic running, and,  
>> though I have no evidence for this, I'm guessing that Mainstage  
>> might be more stable for live work. Augustus Loop seems to work ok  
>> with it, though I haven't done extensive testing.
>
> Sooper Looper AU plug-in should run in MainStage as well.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 12:22:42 2007
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From: Chuck Silva <any1particular@mac.com>
Subject: Re: Off Topic:  Anglofixilization
Date: Mon, 1 Oct 2007 08:14:49 -0400
To: Loopers-Delight@loopers-delight.com
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Rick.

  I hate to sound like a dumb ass but how do I contribute to these  
ramblings 'off topic' and with out eating up bandwidth? I am a  
neophyte and appreciate your help/

You are the man!

Chuck Silva

On Oct 1, 2007, at 2:50 AM, Rick Walker wrote:

> I'm really enjoying the Anglofixilization thread
> but it is most definitely Off Topic.
>
> Since a lot of people have been disturbed by the volume of
> off topic posts here at the list,  can we at least be sensitive
> and discilplined enough to their needs to write  OT:   
> Anglofixilization
> on these posts.
>
> This will allow people who are not interested in this very, very  
> off topic subject
> to automatically filter the discussions out.
>
> That being said and done, my ramblings on the subject:
>
> ***************
>
> I have read the most linguists are agreed that
> some form of Chinese (Mandarin or Cantonese most likely),
> Spanish and English will become the Linqua Franca (lol, how  
> Eurocentric is that term?)
> of the world in the next 50 years.
>
> About the future of English as an international language of  
> commerce which has been
> disputed:
>
> I've read that many German banks are now having their meetings in  
> English not German.
>
> Additionally, the Chinese are spending literally millions of  
> dollars to try and teach
> the people in Bejing enough English to be able to greet guests,  
> journalists
> and the athletes at the upcoming Olympics.   They have hired and ex- 
> American
> military officer, specifically,  to go around the city and clean up  
> the
> Engrish signs that are everywhere in the city currently.
>
> None of these are signs that English is on it's way out as a so  
> called 'world' language.
>
> The danger is not so much that the Chinese won't learn English but  
> more that the United
> States, Great Britain and Canada won't learn Chinese.
>
> As powerful as the Chinese are becoming, however, their up and  
> coming economic might rests
> on the strength of the so called '1st world' economies staying not  
> only solvent but
> strong.     Someone has to not only buy but also be able to be able  
> to afford to buy what they are going to make.
>
> A huge percentage of world resources are controlled by the Europeans,
> British and Americans and the Chinese (and the Indians) need access  
> to these resources
> in order for their economic climb to occur.
>
> A lot has been said about the decline of the US in the future.   If  
> this is entirely true, then
> why are the Chinese and Indians investing so heavily in buying  
> land, corporations and resources in the US.
> They are, you know, faster now that even the Japanese did in past  
> decades.
>
> I don't say any of this as a flag waving 'love em or leave em'   
> American patriot.
>
> I'm about as radically left in my politics as one gets in the  
> USA,   but there is a lot of knee jerk hysteria
> going on in our country about our coming demise.
>
> Basically, world is going to be coming more geographically and  
> economically homogenous,  although given the current
> capitalistic models, this will still be at the expense of the  
> lion's share of the world's inhabitants.
>
> The Rich will get richer and the Poor will get  
> poorer..............it's inevitable unless a huge shakeup occurs.
>
> The scariest thing about it all is not that things are going to  
> change radically in the economics of the globe but more
> that the ecology of the earth is going to suffer horribly because  
> the Chinese and Indians will rise with a commensorate
> rise in the destruction of the ecosystem as the 1st World powers in  
> the past few hundred years.
>
> The largest destruction of the ecosytem has occured within the last  
> 50 years and is accelerating (declining airable land, declining  
> forests, declining
> fish and animal populations, declining air quality,  rising  
> temparatures, et. al.).
>
> It's 4th and 5th page news in American newspapers but China is on  
> the verge of a horrible ecological catastrophy.
> They are running out of useable water at an alarming rate and their  
> rivers are very polluted on top of it due to unchecked growth.
>
> They are building  gigantic coal manufacturing plants at the rate  
> of 1 a month , currently, which is causing terrible air pollution.
>
> Their destruction of the environement will rival the US's  
> destruction of the environment (although I should really say, the  
> Major Corporations
> destruction of the environment) which is already unconscionable.

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 12:29:43 2007
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On 1 okt 2007, at 13.05, Tilmann Dehnhard wrote:

> a fellow list member has told me that when replying to my posts,
> the mail goes to me only instead of the whole list.
> this explains all the "private" replies i have gotten.

That may also be because you are so incredibly popular!

> i use outlook express and chewed through all the little option  
> windows - can't find the thingie.
> anybody out there who could help me with this?
>
> (in this case the reply setting comes in handy...)


When Tilmann's letters arrive to my inbox the last header reads:
"Reply-To: tilmann@dehnhard.com"

Most other list post's last header read:
"Reply-To: Loopers-Delight@loopers-delight.com"

So my guess is that you simply have to change the reply setting. As  
you seem to already know ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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From: Per Boysen <perboysen@gmail.com>
Subject: Re: looper in Logic (Re: Logic studio new version)
Date: Mon, 1 Oct 2007 14:43:30 +0200
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On 1 okt 2007, at 14.08, Paul Mimlitsch wrote:

> Per;
> What are you thoughts on using the delay (either software "pedal  
> board" or "rack mount" versions) in Logic as a simple "looper" -  
> ie: length of delay, feedback control etc.?

Since you have Logic 8 you also have the Delay Designer, that offers  
quite long delay times. I think it's quite fun to loop with, if  
looping "delay style". Assign a MIDI expression pedal to feedback.  
Funny things happen you change the delay length with audio in the  
loop. I have not had enough time yet to have an opinion of using the  
pitch change within the Delay Designer plug-in, but have it on my  
list for "cool stuff to check out on a rainy day when no particular  
deadline is approaching".

Something that I have done a lot though, is to loop with the Tape  
Delay plug-in. This one has a Freeze Loop button that you can assign  
to a MIDI pedal. The maximum loop length is rather short, I think one  
or two bars, but there's a nice tape style audio degradation  
parameter. You can also do a sort of "cutting in a short audio slice"  
into the loop by unfreezing the loop for a very short time. You can  
create some wild stuff by working two Tape Delay plug-ins set to  
different loop lengths.

Other plug-ins of Logics that I think add quality to a live setup are  
the Autofilter, Compressor, Fuzz-Wha and the Ringshifter (ring  
modulator).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Off Topic:  Anglofixilization
Date: Mon, 1 Oct 2007 14:52:19 +0200
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On 1 okt 2007, at 14.14, Chuck Silva wrote:

>  I hate to sound like a dumb ass but how do I contribute to these  
> ramblings 'off topic' and with out eating up bandwidth? I am a  
> neophyte and appreciate your help/

Send it to the off topic list at
http://groups.google.com/group/loopers-delight-off-topic
Doing so won't clog up the looping list digest and only those  
subscribed to the off topic list will get it.

You may chose to send off topic posts to the regular list Loopers- 
Delight@loopers-delight.com, as many still do, but when you act like  
that you create problems for some people.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 14:28:27 2007
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To: Loopers-Delight@loopers-delight.com,
	Stephen Scott <stevoj@yahoo.com>
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On 30 Sep 2007 at 13:25, Stephen Scott wrote:

> across the lovely garden, it never occurred that when the sun came
> out, I wouldn't be able to see any of my LEDs on my RC20, 

Small bits of card in a U shape can be gaffered around the LED to 
increase visibility...


From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 14:29:59 2007
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Ian,

you might have a look at Osram TOPLEDs (www.osram-os.com/). Very bright LED=
=3D
s (11lm/W) which also work well under adverse temperature conditions and of=
=3D
fer comparably low light ageing. Most probably, the driver circuits in the =
=3D
DL4 are standard components for which datasheets can be easily found to fin=
=3D
d out if it works (regarding power handling).

            Rainer

----- original Nachricht --------

The DL4 was OK as I could see the LEDs associated with each footswitch. I a=
=3D
sked an engineer about installing brighter ones and he said it depends upon=
=3D
 the current consumption and whether the circuit can cope with it.

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 14:42:50 2007
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Subject: RE: i need different shoes
Date: Mon, 1 Oct 2007 15:42:48 +0100
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 >> My mom has a friend who makes shoes...

=20

http://www.thoseshoes.com/

=20

They are.. different. :-) <<

=20

ah, but does she make bear-feet? :-)*


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<P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"><SPAN=20
class=3D061184214-01102007><FONT face=3D"AmericanTypewriter Medium" =
color=3D#0000ff=20
size=3D3>&nbsp;&gt;&gt;&nbsp;</FONT></SPAN>My mom has a friend who makes =

shoes&#8230;<o:p></o:p></SPAN></FONT></P>
<P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
<P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"><A=20
href=3D"http://www.thoseshoes.com/">http://www.thoseshoes.com/</A><o:p></=
o:p></SPAN></FONT></P>
<P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
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<P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">They are.. =
different.=20
</SPAN></FONT><FONT face=3DWingdings color=3Dnavy size=3D2><SPAN=20
style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Wingdings">J<SPAN=20
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color=3D#0000ff=20
size=3D3>&nbsp;&lt;&lt;</FONT></SPAN></SPAN></FONT></P>
<P class=3DMsoNormal><FONT face=3DWingdings color=3Dnavy size=3D2><SPAN=20
style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Wingdings"><SPAN=20
class=3D061184214-01102007></SPAN></SPAN></FONT>&nbsp;</P>
<P class=3DMsoNormal><FONT face=3DWingdings color=3Dnavy size=3D2><SPAN=20
style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Wingdings"><SPAN=20
class=3D061184214-01102007><FONT face=3D"AmericanTypewriter Medium" =
color=3D#0000ff=20
size=3D3>ah, but does she make bear-feet?=20
:-)</FONT>&nbsp;</SPAN></SPAN></FONT></P></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 14:57:30 2007
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Date: Mon, 01 Oct 2007 09:56:10 -0400
From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: Free Repeater software update v2.4 (was RE: pre recorded talking
 between live played songs)
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> btw- did anyone else get another s/w update from electrix by email last
> week?
>
> duncan.
>   
Yes - I purchased the v2.01 update earlier this year and received v2.4 
from Electrix on 9/26 as an email attachment but have not installed it 
yet. 

I have not been able to find out what changes have been implemented from 
searching the ElectrixPro.com web site nor from posts on the Yahoo 
Repeater group.  Some bugs in the v2.x operating system were supposedly 
reported to Electrix, who actually seemed interested, and there there 
was one post that suggested that an issue with sync and low frequencies 
*might* have been fixed, but it's vague.

I just wrote to the Electrix support folks requesting add'l info as the 
Electrix forum is undergoing 'routine maintenance'.

I may bite the bullet and just install it, but I guess I hate 
trailblazing when it comes to software - I am forced to do it so often 
that I suppose I should embrace it.  The v2.01 update had a few 
surprises, prompting me to completely reprogram my FCB1010.  That said, 
I made some long-needed MIDI channel changes and that's a good thing... 

Anyway, I would really like to know what's in there - anybody?

Dan Ash
White Plains, NY

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 15:26:50 2007
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To: Loopers-Delight@loopers-delight.com
Subject: Re: i need different shoes
References: <00cd01c803e4$b6a6ca30$0200a8c0@daw1> <1BB076E4C332F9469148F41725F17A72055FFCF6@MTVNE-EXCLUST02.mtvne.ad.viacom.com>
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Goddard, Duncan wrote:
<blockquote
 cite="mid:1BB076E4C332F9469148F41725F17A72055FFCF6@MTVNE-EXCLUST02.mtvne.ad.viacom.com"
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 </o:shapelayout></xml><![endif]-->
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  <p class="MsoNormal"><font color="navy" face="Arial" size="2"><span
 style="font-size: 10pt; color: navy; font-family: Arial;"><span
 class="061184214-01102007"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="3">&nbsp;&gt;&gt;&nbsp;</font></span>My
mom has a friend who makes shoes&#8230;<o:p></o:p></span></font></p>
  <p class="MsoNormal"><font color="navy" face="Arial" size="2"><span
 style="font-size: 10pt; color: navy; font-family: Arial;"><o:p>&nbsp;</o:p></span></font></p>
  <p class="MsoNormal"><font color="navy" face="Arial" size="2"><span
 style="font-size: 10pt; color: navy; font-family: Arial;"><a
 moz-do-not-send="true" href="http://www.thoseshoes.com/">http://www.thoseshoes.com/</a><o:p></o:p></span></font></p>
  <p class="MsoNormal"><font color="navy" face="Arial" size="2"><span
 style="font-size: 10pt; color: navy; font-family: Arial;"><o:p>&nbsp;</o:p></span></font></p>
  <p class="MsoNormal"><font color="navy" face="Arial" size="2"><span
 style="font-size: 10pt; color: navy; font-family: Arial;">They are..
different. </span></font><font color="navy" face="Wingdings" size="2"><span
 style="font-size: 10pt; color: navy; font-family: Wingdings;">J<span
 class="061184214-01102007"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="3">&nbsp;&lt;&lt;</font></span></span></font></p>
  <p class="MsoNormal"><font color="navy" face="Wingdings" size="2"><span
 style="font-size: 10pt; color: navy; font-family: Wingdings;"><span
 class="061184214-01102007"></span></span></font>&nbsp;</p>
  <p class="MsoNormal"><font color="navy" face="Wingdings" size="2"><span
 style="font-size: 10pt; color: navy; font-family: Wingdings;"><span
 class="061184214-01102007"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="3">ah, but does she make
bear-feet? :-)</font>&nbsp;</span></span></font></p>
  </div>
</blockquote>
<font color="#cc0000">~~I paws for reflection on that one~~<br>
</font><br>
<br>
David&nbsp; ....A wooden shoe day in Portland, feet, paws, claws...<br>
<br>
<br>
<br>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 17:34:58 2007
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Recommended Cables - GK Guitar Synth Compatible Cables
Cc: Qua Veda <qua@oregon.com>
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Qua,

Yeah, I took your advice and asked him.

He responded quickly.

But he said "No" he can't help me.

Thanks for trying though.

I'm bummed that 10 feet seems to be the shortest cable I can get for these =
things.

Cheers,

tEd =C2=AE kiLLiAn

www.tedkillian.com

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

Also check out the BEMF 1 CDs at: http://www.boisemusicians.com/experimenta=
l/cd.htm

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042
http://www.guitarplayer.com/story.asp?storyCode=3D18131

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Qua Veda <qua@oregon.com> wrote:=20
> Hi Ted,
>=20
> Not sure if he can get the parts for the GK cables, but I've ordered a lo=
t
> of high quality custom cables at good prices over the years from
> audiocableguy.com.
>=20
> You can email him at  sales@audiocableguy.com. =20
>=20
> -Qua =20
>=20
> =20
>=20
> From: tEd R KiLLiAn [mailto:tedkillian@charter.net]=20
> Sent: Sunday, September 30, 2007 1:46 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: OT: Recommended Cables - GK Guitar Synth Compatible Cables
>=20
> =20
>=20
> Hi all,
>=20
> While some of us are on the topic of MIDI cables already, I have a cable
> question for the group.
>=20
> Almost all of y guitars are equipped with Roland GK hex pickups.
>=20
> Of course the cables for connecting such guitars to their synth boxes are
> available from any number of retailers in lengths of 10 feet, 15 feet and=
 30
> feet.
>=20
> My question:
>=20
> DOES ANYBODY KNOW WHERE TO GET GK 13-PIN COMPATIBLE CABLES IN EVEN SHORTE=
R
> LENGTHS?
>=20
> I have a recently acquired box (a GKP-4) that acts as a signal splitter s=
o
> that my GK-equipped guitars can drive more than one "brain" (GR synth-bas=
ed
> or VG COSM-based).=20
>=20
> I hate the idea of having no other choice than to connect items that sit =
on
> the floor only inches apart with a cable that is 10' long (or more).
>=20
> Spaghetti is meant for Italian pasta on a plate, not instrument floor cab=
les
> underfoot.
>=20
> Besides shorter cable lengths sound better.
>=20
> If I could find a source for Gk 13-pin cables in lengths of 3' or shorter=
 I
> would be eternally grateful.
>=20
> Thanks!
>=20
>=20
> tEd R KiLLiAn
>=20
> www.tedkillian.com
>=20
> Different is not always better, but better is always different"=20
>=20
> Flux Aeterna:=20
> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=3D=
63780
> 76=20
>=20
> Also check out the 1st set of BEMF (Boise Experimental Music Festival) CD=
s
> at:=20
> http://www.boisemusicians.com/experimental/cd.htm=20
>=20
> http://www.pfmentum.com/flux.html=20
> http://www.CDbaby.com/cd/tedkillian=20
> http://www.guitar9.com/fluxaeterna.html=20
> http://www.garageband.com/artist/ArsOcarina=20
> http://www.towerrecords.com/product.aspx?pfid=3D2845073=20
> http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314=20
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193=20
> http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&i=
d=3D121
> 1970
> 00042=20
>=20
> Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,=20
> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,=20
> AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,=20
> RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,=20
> and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=20
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 18:42:55 2007
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Date: Mon, 1 Oct 2007 13:35:54 -0500
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: RE: Recommended Cables - GK Guitar Synth Compatible Cables
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At 10:24 AM -0700 10/1/07, tEd =AE kiLLiAn wrote:
>
>  DOES ANYBODY KNOW WHERE TO GET GK 13-PIN COMPATIBLE CABLES IN EVEN SHORTE=
R
>  LENGTHS?

Ted,

Check Ebay (<*ducking*> yes, i'm serious).=20
There's a seller over there who occasionally=20
offers these up.  I think their User ID is=20
4wells.  Don't worry, they're not shady or=20
anything (I've bought these things from them in=20
the past).

It turns out that Roland *does* make 13-pin=20
cables in a smaller size (like somewhere around 3=20
or 5 feet, IIRC).  But, unfortunately, Roland=20
doesn't seem to sell these direct.  They come=20
bundled as extra cables with devices like the=20
US-20 GK Unit Selector.

That seller to which I was referring has somehow=20
gotten a stash of these things (don't know if=20
he's unbundling them from the US-20's or what).=20
Every once in a while they come up; you've just=20
got to keep a watch out, or try contacting him=20
directly.

Oh yeah, I just found the URL to one of his=20
completed (sorry!) auctions for a 4-foot GK=20
cable:=20
http://cgi.ebay.com/ROLAND-4-FOOT-GK-CABLE-FOR-GUITAR-SYNTH-AND-VG88_W0QQite=
mZ120160649039QQihZ002QQcategoryZ47075QQssPageNameZWDVWQQrdZ1QQcmdZViewItem

You might also look around to see if Roland lists=20
these as a replacement part, and have your bench=20
tech or authorized service center order them.=20
They do exist, they're just not very easy to find.

Just a couple of leads, but I hope it helps a little.

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 19:20:50 2007
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Subject: Re: RE: Recommended Cables - GK Guitar Synth Compatible Cables
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This is a multi-part message in MIME format.

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If you=27re inclined to soldering=2C you can get the male 13-pin connect=
ors from Digi-Key=3A

http=3A//search=2Edigikey=2Ecom/scripts/DkSearch/dksus=2Edll=3FDetail=3F=
name=3DCP-1013-ND

You could take a long cable=2C cut it=2C and put new connectors on the e=
xposed ends=2E

Mark Smart
http=3A//www=2Emarksmart=2Enet

----- Original Message -----
From=3A Mech =3Cmech=40m3ch=2Enet=3E
Date=3A Monday=2C October 1=2C 2007 13=3A43
Subject=3A RE=3A Recommended Cables - GK Guitar Synth Compatible Cables
To=3A Loopers-Delight=40loopers-delight=2Ecom

=3E At 10=3A24 AM -0700 10/1/07=2C tEd =AE kiLLiAn wrote=3A
=3E =3E
=3E =3E  DOES ANYBODY KNOW WHERE TO GET GK 13-PIN COMPATIBLE =

=3E CABLES IN EVEN SHORTER
=3E =3E  LENGTHS=3F
=3E =

=3E Ted=2C
=3E =

=3E Check Ebay (=3C*ducking*=3E yes=2C i=27m serious)=2E =

=3E There=27s a seller over there who occasionally =

=3E offers these up=2E  I think their User ID is =

=3E 4wells=2E  Don=27t worry=2C they=27re not shady or =

=3E anything (I=27ve bought these things from them in =

=3E the past)=2E
=3E =

=3E It turns out that Roland *does* make 13-pin =

=3E cables in a smaller size (like somewhere around 3 =

=3E or 5 feet=2C IIRC)=2E  But=2C unfortunately=2C Roland =

=3E doesn=27t seem to sell these direct=2E  They come =

=3E bundled as extra cables with devices like the =

=3E US-20 GK Unit Selector=2E
=3E =

=3E That seller to which I was referring has somehow =

=3E gotten a stash of these things (don=27t know if =

=3E he=27s unbundling them from the US-20=27s or what)=2E =

=3E Every once in a while they come up=3B you=27ve just =

=3E got to keep a watch out=2C or try contacting him =

=3E directly=2E
=3E =

=3E Oh yeah=2C I just found the URL to one of his =

=3E completed (sorry!) auctions for a 4-foot GK =

=3E cable=3A =

=3E http=3A//cgi=2Eebay=2Ecom/ROLAND-4-FOOT-GK-CABLE-FOR-GUITAR-SYNTH-AN=
D-
=3E VG88=5FW0QQitemZ120160649039QQihZ002QQcategoryZ47075QQssPageNameZWDV=
WQQrdZ1QQcmdZViewItem
=3E You might also look around to see if Roland lists =

=3E these as a replacement part=2C and have your bench =

=3E tech or authorized service center order them=2E =

=3E They do exist=2C they=27re just not very easy to find=2E
=3E =

=3E Just a couple of leads=2C but I hope it helps a little=2E
=3E =

=3E --m=2E
=3E -- =

=3E =5F=5F=5F=5F=5F
=3E =22the wind in my heart=3B the dust in my head=2E=2E=2E=2E=22
=3E 

--Boundary_(ID_x2Vy9ra3vPW0I6P7gqANiw)
Content-type: text/html; charset=iso-8859-1
Content-transfer-encoding: quoted-printable
Content-disposition: inline

=3CDIV=3EIf you=27re inclined to soldering=2C you can get the male 13-pi=
n connectors from Digi-Key=3A=3C/DIV=3E
=3CDIV=3E=26nbsp=3B=3C/DIV=3E
=3CDIV=3E=3CA href=3D=22http=3A//search=2Edigikey=2Ecom/scripts/DkSearch=
/dksus=2Edll=3FDetail=3Fname=3DCP-1013-ND=22=3Ehttp=3A//search=2Edigikey=
=2Ecom/scripts/DkSearch/dksus=2Edll=3FDetail=3Fname=3DCP-1013-ND=3C/A=3E=
=3C/DIV=3E
=3CDIV=3E=26nbsp=3B=3C/DIV=3E
=3CDIV=3EYou could take a long cable=2C cut it=2C and put new connectors=
 on the exposed ends=2E=3C/DIV=3E
=3CDIV=3E=26nbsp=3B=3C/DIV=3E
=3CDIV=3EMark Smart=3C/DIV=3E
=3CDIV=3E=3CA href=3D=22http=3A//www=2Emarksmart=2Enet=22=3Ehttp=3A//www=
=2Emarksmart=2Enet=3C/A=3E=3CBR=3E=3CBR=3E----- Original Message -----=3C=
BR=3EFrom=3A Mech =26lt=3Bmech=40m3ch=2Enet=26gt=3B=3CBR=3EDate=3A Monda=
y=2C October 1=2C 2007 13=3A43=3CBR=3ESubject=3A RE=3A Recommended Cable=
s - GK Guitar Synth Compatible Cables=3CBR=3ETo=3A Loopers-Delight=40loo=
pers-delight=2Ecom=3CBR=3E=3CBR=3E=26gt=3B At 10=3A24 AM -0700 10/1/07=2C=
 tEd =AE kiLLiAn wrote=3A=3CBR=3E=26gt=3B =26gt=3B=3CBR=3E=26gt=3B =26gt=
=3B=26nbsp=3B DOES ANYBODY KNOW WHERE TO GET GK 13-PIN COMPATIBLE =3CBR=3E=
=26gt=3B CABLES IN EVEN SHORTER=3CBR=3E=26gt=3B =26gt=3B=26nbsp=3B LENGT=
HS=3F=3CBR=3E=26gt=3B =3CBR=3E=26gt=3B Ted=2C=3CBR=3E=26gt=3B =3CBR=3E=26=
gt=3B Check Ebay (=26lt=3B*ducking*=26gt=3B yes=2C i=27m serious)=2E =3C=
BR=3E=26gt=3B There=27s a seller over there who occasionally =3CBR=3E=26=
gt=3B offers these up=2E=26nbsp=3B I think their User ID is =3CBR=3E=26g=
t=3B 4wells=2E=26nbsp=3B Don=27t worry=2C they=27re not shady or =3CBR=3E=
=26gt=3B anything (I=27ve bought these things from them in =3CBR=3E=26gt=
=3B the past)=2E=3CBR=3E=26gt=3B =3CBR=3E=26gt=3B It turns out that Rola=
nd *does* make 13-pin =3CBR=3E=26gt=3B cables in a smaller size (like so=
mewhere around 3 =3CBR=3E=26gt=3B or 5 feet=2C IIRC)=2E=26nbsp=3B But=2C=
 unfortunately=2C Roland =3CBR=3E=26gt=3B doesn=27t seem to sell these d=
irect=2E=26nbsp=3B They come =3CBR=3E=26gt=3B bundled as extra cables wi=
th devices like the =3CBR=3E=26gt=3B US-20 GK Unit Selector=2E=3CBR=3E=26=
gt=3B =3CBR=3E=26gt=3B That seller to which I was referring has somehow =
=3CBR=3E=26gt=3B gotten a stash of these things (don=27t know if =3CBR=3E=
=26gt=3B he=27s unbundling them from the US-20=27s or what)=2E =3CBR=3E=26=
gt=3B Every once in a while they come up=3B you=27ve just =3CBR=3E=26gt=3B=
 got to keep a watch out=2C or try contacting him =3CBR=3E=26gt=3B direc=
tly=2E=3CBR=3E=26gt=3B =3CBR=3E=26gt=3B Oh yeah=2C I just found the URL =
to one of his =3CBR=3E=26gt=3B completed (sorry!) auctions for a 4-foot =
GK =3CBR=3E=26gt=3B cable=3A =3CBR=3E=26gt=3B http=3A//cgi=2Eebay=2Ecom/=
ROLAND-4-FOOT-GK-CABLE-FOR-GUITAR-SYNTH-AND-=3CBR=3E=26gt=3B VG88=5FW0QQ=
itemZ120160649039QQihZ002QQcategoryZ47075QQssPageNameZWDVWQQrdZ1QQcmdZVi=
ewItem=3CBR=3E=26gt=3B You might also look around to see if Roland lists=
 =3CBR=3E=26gt=3B these as a replacement part=2C and have your bench =3C=
BR=3E=26gt=3B tech or authorized service center order them=2E =3CBR=3E=26=
gt=3B They do exist=2C they=27re just not very easy to find=2E=3CBR=3E=26=
gt=3B =3CBR=3E=26gt=3B Just a couple of leads=2C but I hope it helps a l=
ittle=2E=3CBR=3E=26gt=3B =3CBR=3E=26gt=3B --m=2E=3CBR=3E=26gt=3B -- =3CB=
R=3E=26gt=3B =5F=5F=5F=5F=5F=3CBR=3E=26gt=3B =22the wind in my heart=3B =
the dust in my head=2E=2E=2E=2E=22=3CBR=3E=26gt=3B =3C/DIV=3E

--Boundary_(ID_x2Vy9ra3vPW0I6P7gqANiw)--

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Subject: Re: Loop Survey - Summary
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Great survey Rainer! That's a lot of work, so it must have been a labor of
love...It also got me thinking - I have very little to add to discussions on
this listserv because I am so new to looping (less than 1 year), and I have
received some helpful feedback on basic questions in the past. The looping
survey caught my eye because I actually spend a lot of time running
statistical analyses of data, sometimes involving surveys like this one, and
so if people would be interested (and Rainer doesn't want to do it and and
sent me the raw data), I could look into questions like Rainer's "Is age
associated with preference for hardware vs. software," and whatever other
questions that people are curious about, and using the same sorts of
analyses that researchers use when they want to know whether something looks
like a difference but could actually be attributable to chance alone
(versus, for example, to age or something else), or they want to know "how
much" of a difference there is in some meaningful metric (although
'meaningful' again is subjective and would likely involve to some extent
more 'statistics'). It would be relatively simple enough on my end, but
could definitely be more technical than most people who don't typically deal
in statistics would care about, even if I explained it in non-statistical
terms. So, if anyone cares enough, let me know. Otherwise, I will spare the
glazed eyes that I usually get when I talk about statistical research with
people who aren't used to it.

Eben


On 9/30/07, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
>
> Hi everyone,
>
> first of all, thanks to all who took my online survey regarding looping
> and
> loopers. With 89 answers, at least some of the answers will bear some
> statistical relevance. Please find below some of the results summarized.
> All
> values are percentages of the total answers. In the "looper rating"
> category, the results are averaged to a percentage value as well (with
> ++=100%, +=75% and so on up to --=0%). Some rounding errors may result in
> percentages not adding up exactly up to 100%. In some questions, multiple
> answers were possible so the total percentage exceeds 100%. Some people
> skipped some questions, so the total result may also below 100%.
> No analysis regarding relationship of the answers has been done (e.g. are
> the older people more oriented towards hardware).
> Indexes in parentheses indicate a ranking. For the ranking of the loopers,
> only loopers which got at least 10% of the available answers were
> considered.
>
> Again, thanks to all who participated - and on with the results!
>
>        Rainer
>
> 1. SUMMARY:
> Regarding demographics, the biggest groups are age 35-50 (55%) and more
> than
> ten years of looping experience (42%).
> The biggest use for an ensemble setting is in solo performances by a huge
> margin (97%). The most important applications for looping are layering
> different parts from the same instrument (85%) and structuring
> improvisations (72%). The second item makes sense, considering that 79%
> use
> looping for freely improvised material - only 21% use it in entirely
> composed material.
> For the majority of 52%, looping is used in most of their current work.
>
> 80% of the loopers prefer hardware loopers over software loopers. As for
> explaining a looper to someone with basic audio tech understanding, the
> majority would describe it as some kind of delay (36%), followed by the
> sampler analogy (30%) and a completely different explanation (27%).
> (Question: what are these "other explanations?")
>
> The statistics regarding use and ranking of loopers have been done
> separately for SW and HW. Yet comparing both results, the most-used
> software
> looper would rank place 5 in a total ranking of the most-used loopers.
>
> The HW top3 usage-wise are the EDP (54%), followed by the DL4 (42%) and
> the
> Repeater (40%). Ranking-wise, the best ranking for a hardware looper goes
> to
> the Looperlative (94%! - hats off, bob!), followed by the EDP (89%) and
> with
> a little more distance the Repeater (79%).
>
> In the software domain, the top3 used looper software packages are a draw
> between Mobius and Ableton Live (31%), followed by SooperLooper (17%).
> Rating-wise, it's Mobius with 90% in the front, followed by MAX/MSP (88%)
> and AugustusLoop (83%).
>
>
> 2. DEMOGRAPHICS:
> Age Categories:
>        <20     : 0%
>        20-35 : 19%
>        35-50 : 55%
>        >50     : 26%
>
> Loop Experience (years):
>        <1      : 5%
>        1-3     : 15%
>        3-5     : 19%
>        5-10    : 20%
>        >10     : 42%
>
> 3. ENSEMBLE SETTINGS/USE OF LOOPING:
> Ensemble Setting:
>        solo                    : 97%
>        ensemble                : 51%
>        process others  : 16%
>
> Use of looping:
>        layer same instrument   : 85%
>        layer different instr.  : 52%
>        sound design            : 55%
>        process others          : 15%
>        structure improvisation : 72%
>        structure noise sources : 58%
>
> Improvisation vs. Composition:
>        free improvisation      : 79%
>        composed w/ improv part : 54%
>        entirely composed               : 21%
>
> How often do you loop:
>        all of current work     : 38%
>        most of current work    : 52%
>        only occasionaly                : 9%
>
> 4. LOOPER TECHNOLOGY:
> Eplanation of a Looper:
>        delay           : 36%
>        sampler : 30%
>        DAW             : 6%
>        other           : 27%
>
> Preference hardware vs software:
>        hardware        : 80%
>        software        : 18%
>
> 5. HARDWARE LOOPERS:
> Usage of HW Loopers:
>        EDP                     : 54%
>        Repeater                : 40%
>        Looperlative    : 10%
>        Boomerang               : 21%
>        Lexicon Jamman  : 30%
>        Lexicon Vortex  : 36%
>        Headrush                : 17%
>        2290                    : 6%
>        DL4                     : 42%
>        Boss RC series  : 30%
>        Boss DD20               : 21%
>        Digitech Jamman : 10%
>        Digitech RDS/PDS        : 17%
>        EH 2880         : 3%
>        Frippertronics  : 12%
>        Eventides               : 7%
>        Tape Delay              : 19%
>
> Rating of HW Loopers:
>        EDP                     : 89%
>        Repeater                : 79%
>        Looperlative    : 94%
>        Boomerang               : 63%
>        Lexicon Jamman  : 70%
>        Lexicon Vortex  : 66%
>        Headrush                : 62%
>        2290                    : 50%
>        DL4                     : 70%
>        Boss RC series  : 72%
>        Boss DD20               : 64%
>        Digitech Jamman : 56%
>        Digitech RDS/PDS        : 65%
>        EH 2880         : 67%
>        Frippertronics  : 75%
>        Eventides               : 79%
>        Tape Delay              : 66%
>
> 6. SOFTWARE LOOPERS:
> Usage of SW Loopers:
>        Ableton Live    : 31%
>        PSP delays              : 11%
>        Mobius          : 31%
>        AugustusLoop    : 15%
>        SooperLooper    : 17%
>        LloopyLlama             : 11%
>        Radical         : 4%
>        MAX/MSP         : 12%
>
> Rating of SW Loopers:
>        Ableton Live    : 64%
>        PSP delays              : 48%
>        Mobius          : 90%
>        AugustusLoop    : 83%
>        SooperLooper    : 65%
>        LloopyLlama             : 58%
>        Radical         : 50%
>        MAX/MSP         : 88%
>
>

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<div>Great survey Rainer! That&#39;s a lot of work, so it must have been a =
labor of love...It also got me thinking - I have very little to add to disc=
ussions on this listserv because I am so new to looping (less than 1 year),=
 and I have received some helpful feedback on basic questions in the past. =
The looping survey caught my eye because I actually spend a lot of time run=
ning statistical analyses of data, sometimes involving surveys like this on=
e, and so if people would be interested (and Rainer doesn&#39;t want to do =
it and and sent me the raw data), I could look into questions like Rainer&#=
39;s &quot;Is age associated with preference for hardware vs. software,&quo=
t; and whatever other questions that people are curious about, and using th=
e same sorts of analyses that researchers use when they want to know whethe=
r something looks like a difference but could actually be attributable to c=
hance alone (versus,&nbsp;for example, to age or something else), or they w=
ant to know &quot;how much&quot; of a difference there is in some meaningfu=
l metric (although &#39;meaningful&#39; again is subjective and would likel=
y involve to some extent more &#39;statistics&#39;). It would be relatively=
 simple enough on my end, but could definitely be more technical than most =
people who don&#39;t typically deal in statistics would care about, even if=
 I explained it in non-statistical terms. So, if anyone cares enough, let m=
e know. Otherwise, I will spare the glazed eyes that I usually get when I t=
alk about statistical research with people who aren&#39;t used to it.=20
</div>
<div><br>Eben</div>
<div><br>&nbsp;</div>
<div><span class=3D"gmail_quote">On 9/30/07, <b class=3D"gmail_sendername">=
Rainer Thelonius Balthasar Straschill</b> &lt;<a href=3D"mailto:rs@moinlabs=
.de">rs@moinlabs.de</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hi everyone,<br><br>first of all=
, thanks to all who took my online survey regarding looping and<br>loopers.=
 With 89 answers, at least some of the answers will bear some
<br>statistical relevance. Please find below some of the results summarized=
. All<br>values are percentages of the total answers. In the &quot;looper r=
ating&quot;<br>category, the results are averaged to a percentage value as =
well (with
<br>++=3D100%, +=3D75% and so on up to --=3D0%). Some rounding errors may r=
esult in<br>percentages not adding up exactly up to 100%. In some questions=
, multiple<br>answers were possible so the total percentage exceeds 100%. S=
ome people
<br>skipped some questions, so the total result may also below 100%.<br>No =
analysis regarding relationship of the answers has been done (e.g. are<br>t=
he older people more oriented towards hardware).<br>Indexes in parentheses =
indicate a ranking. For the ranking of the loopers,
<br>only loopers which got at least 10% of the available answers were<br>co=
nsidered.<br><br>Again, thanks to all who participated - and on with the re=
sults!<br><br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Rainer<br><br>1. SUMMARY=
:<br>Regarding demographics, the biggest groups are age 35-50 (55%) and mor=
e than
<br>ten years of looping experience (42%).<br>The biggest use for an ensemb=
le setting is in solo performances by a huge<br>margin (97%). The most impo=
rtant applications for looping are layering<br>different parts from the sam=
e instrument (85%) and structuring
<br>improvisations (72%). The second item makes sense, considering that 79%=
 use<br>looping for freely improvised material - only 21% use it in entirel=
y<br>composed material.<br>For the majority of 52%, looping is used in most=
 of their current work.
<br><br>80% of the loopers prefer hardware loopers over software loopers. A=
s for<br>explaining a looper to someone with basic audio tech understanding=
, the<br>majority would describe it as some kind of delay (36%), followed b=
y the
<br>sampler analogy (30%) and a completely different explanation (27%).<br>=
(Question: what are these &quot;other explanations?&quot;)<br><br>The stati=
stics regarding use and ranking of loopers have been done<br>separately for=
 SW and HW. Yet comparing both results, the most-used software
<br>looper would rank place 5 in a total ranking of the most-used loopers.<=
br><br>The HW top3 usage-wise are the EDP (54%), followed by the DL4 (42%) =
and the<br>Repeater (40%). Ranking-wise, the best ranking for a hardware lo=
oper goes to
<br>the Looperlative (94%! - hats off, bob!), followed by the EDP (89%) and=
 with<br>a little more distance the Repeater (79%).<br><br>In the software =
domain, the top3 used looper software packages are a draw<br>between Mobius=
 and Ableton Live (31%), followed by SooperLooper (17%).
<br>Rating-wise, it&#39;s Mobius with 90% in the front, followed by MAX/MSP=
 (88%)<br>and AugustusLoop (83%).<br><br><br>2. DEMOGRAPHICS:<br>Age Catego=
ries:<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &lt;20&nbsp;&nbsp;&nbsp;&nbsp=
; : 0%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 20-35 : 19%<br>&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp; 35-50 : 55%
<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &gt;50&nbsp;&nbsp;&nbsp;&nbsp; : 2=
6%<br><br>Loop Experience (years):<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
&lt;1&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;: 5%<br>&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp; 1-3&nbsp;&nbsp;&nbsp;&nbsp; : 15%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp; 3-5&nbsp;&nbsp;&nbsp;&nbsp; : 19%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp; 5-10&nbsp;&nbsp;&nbsp;&nbsp;: 20%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp; &gt;10&nbsp;&nbsp;&nbsp;&nbsp; : 42%<br><br>3. ENSEMBLE SETTINGS/US=
E OF LOOPING:
<br>Ensemble Setting:<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; solo&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;: 97%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp; ensemble&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;: 51%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp; process others&nbsp;&nbsp;: 16%<br><br>Use of looping:<br>&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp; layer same instrument&nbsp;&nbsp; : 85%<br>&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; layer different instr.&nbsp;&nbsp;: 52%
<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; sound design&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;: 55%<br>&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp; process others&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;: 15%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; structure=
 improvisation : 72%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; structure nois=
e sources : 58%<br><br>Improvisation vs. Composition:<br>&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; free improvisation&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;: =
79%
<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; composed w/ improv part : 54%<br>&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; entirely composed&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; : 21%<br><br=
>How often do you loop:<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; all of curr=
ent work&nbsp;&nbsp;&nbsp;&nbsp; : 38%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp; most of current work&nbsp;&nbsp;&nbsp;&nbsp;: 52%<br>&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; only occasionaly&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;: 9%
<br><br>4. LOOPER TECHNOLOGY:<br>Eplanation of a Looper:<br>&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp; delay&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp; : 36%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; sampler : 30%<br=
>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; DAW&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; : 6%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp; other&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
: 27%<br><br>Preference hardware vs software:<br>&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp; hardware&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;: 80%
<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; software&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;: 18%<br><br>5. HARDWARE LOOPERS:<br>Usage of HW Loop=
ers:<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; EDP&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; : 54%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Repeater&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;: 40%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Looperlati=
ve&nbsp;&nbsp;&nbsp;&nbsp;: 10%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Boo=
merang&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp; : 21%
<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Lexicon Jamman&nbsp;&nbsp;: 30%<br=
>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Lexicon Vortex&nbsp;&nbsp;: 36%<br>&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Headrush&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;: 17%<br>&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2290&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;: 6%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; DL4&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp; : 42%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; B=
oss RC series&nbsp;&nbsp;: 30%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Boss=
 DD20&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp; : 21%
<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Digitech Jamman : 10%<br>&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp; Digitech RDS/PDS&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;: 17%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; EH 2880&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; : 3%<br>&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp; Frippertronics&nbsp;&nbsp;: 12%<br>&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp; Eventides&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp; : 7%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Tape Delay&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;: 19%<br><br>
Rating of HW Loopers:<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; EDP&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; : 89%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp; Repeater&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;: 79%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp; Looperlative&nbsp;&nbsp;&nbsp;&nbsp;: 94%<br>&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp; Boomerang&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; : 63%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp; Lexicon Jamman&nbsp;&nbsp;: 70%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
 Lexicon Vortex&nbsp;&nbsp;: 66%
<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Headrush&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;: 62%=
<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2290&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;: 50%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; DL4&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; : 70%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp; Boss RC series&nbsp;&nbsp;: 72%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p; Boss DD20&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp; : 64%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Digitec=
h Jamman : 56%
<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Digitech RDS/PDS&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;: 65%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
 EH 2880&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; : 67%<br>&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp; Frippertronics&nbsp;&nbsp;: 75%<br>&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp; Eventides&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; : 79%<br>&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp; Tape Delay&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;: 66%<br><br>6. SOFTWARE LOOPERS:<br>Usag=
e of SW Loopers:
<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ableton Live&nbsp;&nbsp;&nbsp;&nbs=
p;: 31%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; PSP delays&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;: 11%<br=
>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mobius&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;: 31%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
AugustusLoop&nbsp;&nbsp;&nbsp;&nbsp;: 15%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp; SooperLooper&nbsp;&nbsp;&nbsp;&nbsp;: 17%<br>&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp; LloopyLlama&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp; : 11%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Radica=
l&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; : 4%
<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; MAX/MSP&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp; : 12%<br><br>Rating of SW Loopers:<br>&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp; Ableton Live&nbsp;&nbsp;&nbsp;&nbsp;: 64%<br>&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp; PSP delays&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;: 48%<br>&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; Mobius&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;: 90%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; AugustusLoop&nbsp;&=
nbsp;&nbsp;&nbsp;: 83%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; SooperLooper=
&nbsp;&nbsp;&nbsp;&nbsp;: 65%
<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; LloopyLlama&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; : 58%<br>&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp; Radical&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
; : 50%<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; MAX/MSP&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp; : 88%<br><br></blockquote></div><br>

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Subject: OT: Found sounds, contact mic recommendation
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I'd like to record some found sounds by mic'ing a string connected to
various items.   The string would have some tension in it.   I'm
imagining sandwiching the string between a contact mic and a hard object
, or maybe between two contact mics.

Any recommendations of what kind of mic could be used to do this? =20

In the meantime, here is a fun musical piece using recordings of
gargling and splashing in a bath tub
http://www.waterdogstudio.com/bowl/

-Qua

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<P><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Arial">I'd like to record =
some found sounds by mic'ing a string connected to various =
items.&nbsp;&nbsp; The string would have some tension in it.&nbsp;&nbsp; =
I'm imagining sandwiching the string between a contact mic and a hard =
object , or maybe between two contact mics.</FONT></P>

<P><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Arial">Any recommendations =
of what kind of mic could be used to do this?&nbsp; </FONT>
</P>

<P><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Arial">In the meantime, here =
is a fun musical piece using recordings of gargling and splashing in a =
bath tub</FONT>

<BR><A HREF=3D"http://www.waterdogstudio.com/bowl/"><U></U><U><FONT =
COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.waterdogstudio.com/bowl/</FONT></U></A>
</P>

<P><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Arial">-Qua</FONT>
</P>

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Subject: AW: Loop Survey - Summary
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Thanks, Eben, for your generous offer. The main problem, however, is that
the basic (free) surveys on surveymonkey don't offer you the possibility to
download the raw data in one go - you would have to access all single 89
surveys and enter the data into a spreadsheet or database by hand.

If you REALLY want to do that - be my guest as the say. Contact me off-list,
and I could forward you my login data so you can do that sysyphus job by
hand. ;)

	Rainer


>my eye because I actually spend a lot of time running statistical analyses
of data, sometimes involving
>surveys like this one, and so if people would be interested (and Rainer
doesn't want to do it and and sent me 
>the raw data), I could look into questions like Rainer's "Is age associated
with preference for hardware vs. 

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 20:49:17 2007
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Date: Mon, 1 Oct 2007 22:49:41 +0200
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btw, there's one analysis you could do even without having the raw data:

with the data you already have from my published info regarding looping
experiences in the bins, could you do an analaysis how many people per year
have been coming in during the last 25 years to give us this results.
Obviously, this is an under-determined set of equations, but what is it?
Obviously, only a few people in the first years, then two peaks in the
middle and since a decline?

	Rainer

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 21:23:00 2007
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Date: Mon, 1 Oct 2007 16:55:31 -0400
From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Found sounds, contact mic recommendation
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you can make your own contact mic...

http://home.earthlink.net/~erinys/contactmic.html

Or, maybe get one of those clip on lapel mics and clip it to the
string.  That might pick up the vibrations and give you some
interesting sounds.

http://www.radioshack.com/sm-hands-free-tie-clip-omnidirectional-electret--pi-2102927.html

Tony

On 10/1/07, Veda, Qua <qua.veda@intel.com> wrote:
>
>
>
> I'd like to record some found sounds by mic'ing a string connected to
> various items.   The string would have some tension in it.   I'm imagining
> sandwiching the string between a contact mic and a hard object , or maybe
> between two contact mics.
>
> Any recommendations of what kind of mic could be used to do this?
>
> In the meantime, here is a fun musical piece using recordings of gargling
> and splashing in a bath tub
> http://www.waterdogstudio.com/bowl/
>
> -Qua


-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 22:07:20 2007
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Date: Mon, 1 Oct 2007 18:07:19 -0400
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: RE: Recommended Cables - GK Guitar Synth Compatible Cables
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Thanks for the link.

I'll look into it.

Onward and upward!

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

Also check out the BEMF 1 CDs at: http://www.boisemusicians.com/experimenta=
l/cd.htm

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042
http://www.guitarplayer.com/story.asp?storyCode=3D18131

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- mwsmart@insightbb.com wrote:=20
> If you're inclined to soldering, you can get the male 13-pin connectors f=
rom Digi-Key:
>=20
> http://search.digikey.com/scripts/DkSearch/dksus.dll?Detail?name=3DCP-101=
3-ND
>=20
> You could take a long cable, cut it, and put new connectors on the expose=
d ends.
>=20
> Mark Smart
> http://www.marksmart.net
>=20
> ----- Original Message -----
> From: Mech <mech@m3ch.net>
> Date: Monday, October 1, 2007 13:43
> Subject: RE: Recommended Cables - GK Guitar Synth Compatible Cables
> To: Loopers-Delight@loopers-delight.com
>=20
> > At 10:24 AM -0700 10/1/07, tEd =C2=AE kiLLiAn wrote:
> > >
> > >  DOES ANYBODY KNOW WHERE TO GET GK 13-PIN COMPATIBLE=20
> > CABLES IN EVEN SHORTER
> > >  LENGTHS?
> >=20
> > Ted,
> >=20
> > Check Ebay (<*ducking*> yes, i'm serious).=20
> > There's a seller over there who occasionally=20
> > offers these up.  I think their User ID is=20
> > 4wells.  Don't worry, they're not shady or=20
> > anything (I've bought these things from them in=20
> > the past).
> >=20
> > It turns out that Roland *does* make 13-pin=20
> > cables in a smaller size (like somewhere around 3=20
> > or 5 feet, IIRC).  But, unfortunately, Roland=20
> > doesn't seem to sell these direct.  They come=20
> > bundled as extra cables with devices like the=20
> > US-20 GK Unit Selector.
> >=20
> > That seller to which I was referring has somehow=20
> > gotten a stash of these things (don't know if=20
> > he's unbundling them from the US-20's or what).=20
> > Every once in a while they come up; you've just=20
> > got to keep a watch out, or try contacting him=20
> > directly.
> >=20
> > Oh yeah, I just found the URL to one of his=20
> > completed (sorry!) auctions for a 4-foot GK=20
> > cable:=20
> > http://cgi.ebay.com/ROLAND-4-FOOT-GK-CABLE-FOR-GUITAR-SYNTH-AND-
> > VG88_W0QQitemZ120160649039QQihZ002QQcategoryZ47075QQssPageNameZWDVWQQrd=
Z1QQcmdZViewItem
> > You might also look around to see if Roland lists=20
> > these as a replacement part, and have your bench=20
> > tech or authorized service center order them.=20
> > They do exist, they're just not very easy to find.
> >=20
> > Just a couple of leads, but I hope it helps a little.
> >=20
> > --m.
> > --=20
> > _____
> > "the wind in my heart; the dust in my head...."
> >

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 22:09:43 2007
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Recommended Cables - GK Guitar Synth Compatible Cables
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Thanks,

I'll follow this up.

If he put's any more online I'll hit him up for a couple.

Muchas gracias!

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

Also check out the BEMF 1 CDs at: http://www.boisemusicians.com/experimenta=
l/cd.htm

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042
http://www.guitarplayer.com/story.asp?storyCode=3D18131

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Mech <mech@m3ch.net> wrote:=20
> At 10:24 AM -0700 10/1/07, tEd =C2=AE kiLLiAn wrote:
> >
> >  DOES ANYBODY KNOW WHERE TO GET GK 13-PIN COMPATIBLE CABLES IN EVEN SHO=
RTER
> >  LENGTHS?
>=20
> Ted,
>=20
> Check Ebay (<*ducking*> yes, i'm serious).=20
> There's a seller over there who occasionally=20
> offers these up.  I think their User ID is=20
> 4wells.  Don't worry, they're not shady or=20
> anything (I've bought these things from them in=20
> the past).
>=20
> It turns out that Roland *does* make 13-pin=20
> cables in a smaller size (like somewhere around 3=20
> or 5 feet, IIRC).  But, unfortunately, Roland=20
> doesn't seem to sell these direct.  They come=20
> bundled as extra cables with devices like the=20
> US-20 GK Unit Selector.
>=20
> That seller to which I was referring has somehow=20
> gotten a stash of these things (don't know if=20
> he's unbundling them from the US-20's or what).=20
> Every once in a while they come up; you've just=20
> got to keep a watch out, or try contacting him=20
> directly.
>=20
> Oh yeah, I just found the URL to one of his=20
> completed (sorry!) auctions for a 4-foot GK=20
> cable:=20
> http://cgi.ebay.com/ROLAND-4-FOOT-GK-CABLE-FOR-GUITAR-SYNTH-AND-VG88_W0QQ=
itemZ120160649039QQihZ002QQcategoryZ47075QQssPageNameZWDVWQQrdZ1QQcmdZViewI=
tem
>=20
> You might also look around to see if Roland lists=20
> these as a replacement part, and have your bench=20
> tech or authorized service center order them.=20
> They do exist, they're just not very easy to find.
>=20
> Just a couple of leads, but I hope it helps a little.
>=20
> =09--m.
> --
> _____
> "the wind in my heart; the dust in my head...."
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 22:37:51 2007
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Date: Mon, 1 Oct 2007 17:30:42 -0500
From: "Doug Cox" <uncledig@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Loop Survey - Summary
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If you're interested, the 2005 Survey data is available in an Excel
spreadsheet with a pivot table here: http://uncledig.com/wp/archives/116

Different data (it only gathered age, country, primary instrument, and then
all looping devices (software and hardware) used), but it might give you
some of the info you're looking for.  There were 182 respondents.

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If you&#39;re interested, the 2005 Survey data is available in an Excel spreadsheet with a pivot table here: <a href="http://uncledig.com/wp/archives/116">http://uncledig.com/wp/archives/116</a><br><br>Different data (it only gathered age, country, primary instrument, and then all looping devices (software and hardware) used), but it might give you some of the info you&#39;re looking for.&nbsp; There were 182 respondents.
<br>

------=_Part_14212_32085606.1191277842243--

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 22:59:27 2007
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Subject: Re: pre recorded talking between live played songs
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Wanna buy some Mandies, Bob?

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Wanna buy some Mandies, Bob?<br>

------=_Part_14223_15897413.1191278016948--

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 23:08:13 2007
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Date: Mon, 1 Oct 2007 16:01:31 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: RE: Recommended Cables - GK Guitar Synth Compatible Cables
To: Loopers-Delight@loopers-delight.com
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here you can get them in different sizes and they ship
worlwide:
http://www.thomann.de/de/roland_gkc3.htm
cheers
Luis


> > My question:
> > 
> > DOES ANYBODY KNOW WHERE TO GET GK 13-PIN
> COMPATIBLE CABLES IN EVEN SHORTER
> > LENGTHS?
> > 
> > I have a recently acquired box (a GKP-4) that acts
> as a signal splitter so
> > that my GK-equipped guitars can drive more than
> one "brain" (GR synth-based
> > or VG COSM-based). 
> > 
> > I hate the idea of having no other choice than to
> connect items that sit on
> > the floor only inches apart with a cable that is
> 10' long (or more).
> > 
> > Spaghetti is meant for Italian pasta on a plate,
> not instrument floor cables
> > underfoot.
> > 
> > Besides shorter cable lengths sound better.
> > 
> > If I could find a source for Gk 13-pin cables in
> lengths of 3' or shorter I
> > would be eternally grateful.
> > 
> > Thanks!
> > 
> > 
> > tEd R KiLLiAn
> > 
> > www.tedkillian.com
> > 
> > Different is not always better, but better is
> always different" 
> > 
> > Flux Aeterna: 
> >
>
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=63780
> > 76 
> > 
> > Also check out the 1st set of BEMF (Boise
> Experimental Music Festival) CDs
> > at: 
> > http://www.boisemusicians.com/experimental/cd.htm 
> > 
> > http://www.pfmentum.com/flux.html 
> > http://www.CDbaby.com/cd/tedkillian 
> > http://www.guitar9.com/fluxaeterna.html 
> > http://www.garageband.com/artist/ArsOcarina 
> >
>
http://www.towerrecords.com/product.aspx?pfid=2845073
> 
> >
>
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
> 
> >
>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
> 
> >
>
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121
> > 1970
> > 00042 
> > 
> > Ted Killian's "Flux Aeterna" is also available at:
> Apple iTunes, 
> > BuyMusic, Rhapsody, MusicMatch, MusicNet,
> DiscLogic, Napster, 
> > AudioLunchbox, Lindows, QTRnote, Music4Cents,
> Etherstream, 
> > RuleRadio, EMEPE3, Sony Connect, CatchMusic,
> Puretracks, 
> > and Viztas. Yadda, yadda, yadda. Blah, blah, blah.
> So??? 
> > 
> 
> 


www.myspace.com/luisangulocom


      ____________________________________________________________________________________
Fussy? Opinionated? Impossible to please? Perfect.  Join Yahoo!'s user panel and lay it on us. http://surveylink.yahoo.com/gmrs/yahoo_panel_invite.asp?a=7 

From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 23:36:48 2007
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Very interesting !!
-Qua

Original Message:
-----------------
From: Doug Cox uncledig@gmail=2Ecom
Date: Mon, 1 Oct 2007 17:30:42 -0500
To: Loopers-Delight@loopers-delight=2Ecom
Subject: Re: Loop Survey - Summary


If you're interested, the 2005 Survey data is available in an Excel
spreadsheet with a pivot table here: http://uncledig=2Ecom/wp/archives/116=


Different data (it only gathered age, country, primary instrument, and the=
n
all looping devices (software and hardware) used), but it might give you
some of the info you're looking for=2E  There were 182 respondents=2E


--------------------------------------------------------------------
mail2web LIVE =96 Free email based on Microsoft=AE Exchange technology -
http://link=2Email2web=2Ecom/LIVE


From Loopers-Delight-request@loopers-delight.com  Mon Oct  1 23:43:23 2007
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Date: Mon, 1 Oct 2007 16:43:22 -0700
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Recommended Cables - GK Guitar Synth Compatible Cables
Cc: "L.A. Angulo" <labaloops@yahoo.com>
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Luis,

Thanks!

But that is the 3 meter version (approximately 10 feet)

It's the same as is available from several other vendors online.

I need a 1 meter version (about 3 ft).

I am hoping to find something shorter than the 3 meter ones that are widely=
 available..

Thanks for trying though.

Best regards,

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

Also check out the BEMF 1 CDs at: http://www.boisemusicians.com/experimenta=
l/cd.htm

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042
http://www.guitarplayer.com/story.asp?storyCode=3D18131

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- "L.A. Angulo" <labaloops@yahoo.com> wrote:=20
> here you can get them in different sizes and they ship
> worlwide:
> http://www.thomann.de/de/roland_gkc3.htm
> cheers
> Luis
>=20
>=20
> > > My question:
> > >=20
> > > DOES ANYBODY KNOW WHERE TO GET GK 13-PIN
> > COMPATIBLE CABLES IN EVEN SHORTER
> > > LENGTHS?
> > >=20
> > > I have a recently acquired box (a GKP-4) that acts
> > as a signal splitter so
> > > that my GK-equipped guitars can drive more than
> > one "brain" (GR synth-based
> > > or VG COSM-based).=20
> > >=20
> > > I hate the idea of having no other choice than to
> > connect items that sit on
> > > the floor only inches apart with a cable that is
> > 10' long (or more).
> > >=20
> > > Spaghetti is meant for Italian pasta on a plate,
> > not instrument floor cables
> > > underfoot.
> > >=20
> > > Besides shorter cable lengths sound better.
> > >=20
> > > If I could find a source for Gk 13-pin cables in
> > lengths of 3' or shorter I
> > > would be eternally grateful.
> > >=20
> > > Thanks!
> > >=20
> > >=20
> > > tEd R KiLLiAn
> > >=20
> > > www.tedkillian.com
> > >=20
> > > Different is not always better, but better is
> > always different"=20
> > >=20
> > > Flux Aeterna:=20
> > >
> >
> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=3D=
63780
> > > 76=20
> > >=20
> > > Also check out the 1st set of BEMF (Boise
> > Experimental Music Festival) CDs
> > > at:=20
> > > http://www.boisemusicians.com/experimental/cd.htm=20
> > >=20
> > > http://www.pfmentum.com/flux.html=20
> > > http://www.CDbaby.com/cd/tedkillian=20
> > > http://www.guitar9.com/fluxaeterna.html=20
> > > http://www.garageband.com/artist/ArsOcarina=20
> > >
> >
> http://www.towerrecords.com/product.aspx?pfid=3D2845073
> >=20
> > >
> >
> http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
> >=20
> > >
> >
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
> >=20
> > >
> >
> http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&i=
d=3D121
> > > 1970
> > > 00042=20
> > >=20
> > > Ted Killian's "Flux Aeterna" is also available at:
> > Apple iTunes,=20
> > > BuyMusic, Rhapsody, MusicMatch, MusicNet,
> > DiscLogic, Napster,=20
> > > AudioLunchbox, Lindows, QTRnote, Music4Cents,
> > Etherstream,=20
> > > RuleRadio, EMEPE3, Sony Connect, CatchMusic,
> > Puretracks,=20
> > > and Viztas. Yadda, yadda, yadda. Blah, blah, blah.
> > So???=20
> > >=20
> >=20
> >=20
>=20
>=20
> www.myspace.com/luisangulocom
>=20
>=20
>       ___________________________________________________________________=
_________________
> Fussy? Opinionated? Impossible to please? Perfect.  Join Yahoo!'s user pa=
nel and lay it on us. http://surveylink.yahoo.com/gmrs/yahoo_panel_invite.a=
sp?a=3D7=20
>=20

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From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 00:05:09 2007
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Date: Mon, 1 Oct 2007 16:58:27 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: Re: OT: Found sounds, contact mic recommendation
To: Loopers-Delight@loopers-delight.com
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Howdy,

 I have been making contact mics for YEARS with the
rat-shack 27-064. Too bad they no longer sell them. I
guess it's allelectronics from here out.
Rig

 
--- Tony K <bigtonyk@gmail.com> wrote:

> you can make your own contact mic...
> 
> http://home.earthlink.net/~erinys/contactmic.html
> 
> Or, maybe get one of those clip on lapel mics and
> clip it to the
> string.  That might pick up the vibrations and give
> you some
> interesting sounds.
> 
>
http://www.radioshack.com/sm-hands-free-tie-clip-omnidirectional-electret--pi-2102927.html
> 
> Tony
> 
> On 10/1/07, Veda, Qua <qua.veda@intel.com> wrote:
> >
> >
> >
> > I'd like to record some found sounds by mic'ing a
> string connected to
> > various items.   The string would have some
> tension in it.   I'm imagining
> > sandwiching the string between a contact mic and a
> hard object , or maybe
> > between two contact mics.
> >
> > Any recommendations of what kind of mic could be
> used to do this?
> >
> > In the meantime, here is a fun musical piece using
> recordings of gargling
> > and splashing in a bath tub
> > http://www.waterdogstudio.com/bowl/
> >
> > -Qua
> 
> 
> -- 
> -==-=-=-
> Tony
> 
> 



       
____________________________________________________________________________________
Got a little couch potato? 
Check out fun summer activities for kids.
http://search.yahoo.com/search?fr=oni_on_mail&p=summer+activities+for+kids&cs=bz 

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Date: Mon, 1 Oct 2007 17:10:00 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: Re: OT: Found sounds, contact mic recommendation
To: Loopers-Delight@loopers-delight.com
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Howdy,

 You might want to try epoxying th string to the
center of a small, decent quality speaker. with the
proper tension on the string,the speaker could
generate some kool signals. notethat I have never
tried this, but always used rat-shack peizos. mabe
epoxying the string to the center of the peizo. So
many possiblilities. i have used the rat shack 273-064
for everything from pianos, harps, fiddles, mandolins,
to tower bracing cables, industrial machine surfaces,
engine blocks,heads etc. Probably the best was when I
took 2 homemade celtic harps out front during a windy
day, put a peizo on the bass and treble end of each
soundboard and 4 tracked it all while the wind was
blowing through the strings. I have 16 22 minute
cassettes of this to stack up on multitrack to make a
VERY ethereal piece of muzik. It ought to be very
mesmerizing if I ever get around to finishing the
project.
Rig


--- "Veda, Qua" <qua.veda@intel.com> wrote:

> I'd like to record some found sounds by mic'ing a
> string connected to
> various items.   The string would have some tension
> in it.   I'm
> imagining sandwiching the string between a contact
> mic and a hard object
> , or maybe between two contact mics.
> 
> Any recommendations of what kind of mic could be
> used to do this?  
> 
> In the meantime, here is a fun musical piece using
> recordings of
> gargling and splashing in a bath tub
> http://www.waterdogstudio.com/bowl/
> 
> -Qua
> 



      ____________________________________________________________________________________
Shape Yahoo! in your own image.  Join our Network Research Panel today!   http://surveylink.yahoo.com/gmrs/yahoo_panel_invite.asp?a=7 


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Subject: Re: OT: Found sounds, contact mic recommendation
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Would this be a good substitute? 
http://www.allspectrum.com/store/product_info.php?products_id=453

Jeff


----- Original Message ----- 
From: "bill bigrig" <billbigrig@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, October 01, 2007 7:58 PM
Subject: Re: OT: Found sounds, contact mic recommendation


> Howdy,
> 
> I have been making contact mics for YEARS with the
> rat-shack 27-064. Too bad they no longer sell them. I
> guess it's allelectronics from here out.
> Rig
> 

From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 01:51:05 2007
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From: Chuck Silva <any1particular@mac.com>
Subject: Music Tech-Recording Forum
Date: Mon, 1 Oct 2007 21:50:40 -0400
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> Thank you Per Boyson for your kind suggestion regarding off topic  
> discussions......

I'm wondering If anyone can't point me in the direction of a good  
Music Tech-Digital Recording Forum?

Would it be appropriate to discuss recording software-technics- soft  
synths and the like on this forum?

For example, I'm never really happy with the way my bass tracks  and  
drums lay in my recordings-compared to the pro recordings. I'm not a  
slouch and have pretty good ears and experience, yet it is still a  
mystery.

I'm hoping this relates to this forum. loops are an intregal part of  
my (and most everyones I'd think) recordings.

Is this forum for 'live loopers' only?

Any suggestions out there?

Peace.

Chuck Silva





> Send it to the off topic list at
> http://groups.google.com/group/loopers-delight-off-topic
> Doing so won't clog up the looping list digest and only those  
> subscribed to the off topic list will get it.
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 02:24:52 2007
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Subject: RE: OT: Found sounds, contact mic recommendation
Date: Mon, 1 Oct 2007 19:14:53 -0700
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Hi Jeff,  your link didn't work, but I'll try it again later. 
In the meantime, I've found some contact mics online. 
"stereo" contact mics at  www.contactmicrophones.com,  
plus some piezo film ones on ebay that range from $25-$50. This ebay ad has
a cool video with it demonstrating using the mic with fx processor.
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=140163888540&sspagename=A
DME:X:AAQ:US:11


Roland makes a cheap contact mic for use with a tuner - not sure how well it
would capture sounds.

May have to buy one to see how it works for my particular application.
-Qua



-----Original Message-----
From: Jeff Duke [mailto:echohead@embarqmail.com] 
Sent: Monday, October 01, 2007 6:36 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Found sounds, contact mic recommendation

Would this be a good substitute? 
http://www.allspectrum.com/store/product_info.php?products_id=453

Jeff


----- Original Message ----- 
From: "bill bigrig" <billbigrig@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, October 01, 2007 7:58 PM
Subject: Re: OT: Found sounds, contact mic recommendation


> Howdy,
> 
> I have been making contact mics for YEARS with the
> rat-shack 27-064. Too bad they no longer sell them. I
> guess it's allelectronics from here out.
> Rig
> 


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On Oct 1, 2007, at 9:50 PM, Chuck Silva wrote:

> I'm wondering If anyone can't point me in the direction of a good  
> Music Tech-Digital Recording Forum?

I'm active on the Electronic Music forum at Gearslutz.

It is a great forum with a lot of knowledgeable people.

Jim Richmond
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<HTML><BODY style="word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-line-break: after-white-space; "><DIV><DIV><DIV>On Oct 1, 2007, at 9:50 PM, Chuck Silva wrote:</DIV><BR class="Apple-interchange-newline"><BLOCKQUOTE type="cite"><P style="margin: 0.0px 0.0px 0.0px 0.0px"><FONT face="Helvetica" size="3" style="font: 12.0px Helvetica">I'm wondering If anyone can't point me in the direction of a good Music Tech-Digital Recording Forum?</FONT></P> </BLOCKQUOTE></DIV><BR></DIV><DIV>I'm active on the Electronic Music forum at Gearslutz.<DIV><BR class="khtml-block-placeholder"></DIV><DIV>It is a great forum with a lot of knowledgeable people.</DIV><DIV><BR class="khtml-block-placeholder"></DIV><DIV>Jim Richmond</DIV></DIV></BODY></HTML>
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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: OT: Found sounds, contact mic recommendation
Date: Mon, 1 Oct 2007 19:40:32 -0700
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On Oct 1, 2007, at 7:14 PM, Qua Veda wrote:

> plus some piezo film ones on ebay that range from $25-$50.



Here you can get the piezo film for $14, $9 and $2 :

http://www.windworld.com/products/catalog.htm

you need to scroll 3/4 of the way down the page.


regards


BobC



http://tinyurl.com/yt8f8j

http://www.youtube.com/tynego

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Subject: RE: Music Tech-Recording Forum
Date: Mon, 1 Oct 2007 23:44:17 -0400
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mixmasters@yahoogroups.com is quite nice.

Tony 

-----Original Message-----
From: Chuck Silva [mailto:any1particular@mac.com] 
Sent: Monday, October 01, 2007 9:51 PM
To: Loopers-Delight@loopers-delight.com
Subject: Music Tech-Recording Forum

> Thank you Per Boyson for your kind suggestion regarding off topic 
> discussions......

I'm wondering If anyone can't point me in the direction of a good Music
Tech-Digital Recording Forum?

Would it be appropriate to discuss recording software-technics- soft synths
and the like on this forum?

For example, I'm never really happy with the way my bass tracks  and drums
lay in my recordings-compared to the pro recordings. I'm not a slouch and
have pretty good ears and experience, yet it is still a mystery.

I'm hoping this relates to this forum. loops are an intregal part of my (and
most everyones I'd think) recordings.

Is this forum for 'live loopers' only?

Any suggestions out there?

Peace.

Chuck Silva





> Send it to the off topic list at
> http://groups.google.com/group/loopers-delight-off-topic
> Doing so won't clog up the looping list digest and only those 
> subscribed to the off topic list will get it.
>
>
>
>
>
>

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From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 04:09:58 2007
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Subject: RE: OT: Found sounds, contact mic recommendation
Date: Mon, 1 Oct 2007 21:09:48 -0700
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Thanks Bob, very interesting website! 
-Qua

-----Original Message-----
From: RP Collier [mailto:skeptikalist@gmail.com] 
Sent: Monday, October 01, 2007 7:41 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Found sounds, contact mic recommendation


On Oct 1, 2007, at 7:14 PM, Qua Veda wrote:

> plus some piezo film ones on ebay that range from $25-$50.



Here you can get the piezo film for $14, $9 and $2 :

http://www.windworld.com/products/catalog.htm

you need to scroll 3/4 of the way down the page.


regards


BobC



http://tinyurl.com/yt8f8j

http://www.youtube.com/tynego


From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 05:44:52 2007
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OT: Found sounds, contact mic recommendationDear Qua,
you wrote
"Any recommendations of what kind of mic could be used to do this (for 
micing found objects)?"


"Wow, Qua, with your sensibility,  I'm so sad that you can't make the 
looping festival this year.

I can't wait to hear you play.     You would really resonate with  Chris 
Cohn's, Jon Hanes', Dark Muse's and Matt Davignon's
and, most probably, my work in terms of found sound fun.

Also, as far as I know,  most if not all contact mics are piezo mics which 
means that you can build one yourself for
under $8 at any radio shack (Tandy in the UK).

Here's what you do in a nutshell.  It doesnt take longer than 5-10 minutes.

You buy a piezo buzzer.
and carefully break off the black hard plastic casing (I use needle nose 
pliers) exposing the inner wafer.
Then solder to leads to each of the leads coming off the wafer and attach 
them to a female 1/4"  jack.

Then you buy a container of Plasti Grip (which is liquid tool handle 
material that is in liquid form until you
dip the piezo into it,  hang it by a rubber band from a coathanger and let 
it dry into a rubbery solid.

Whammo...................build three or four at a time and you have a little 
army of piezo mics that
work well with everything.

Any time you see pricey dot pickups on guitars they are almost always just 
silicon piezo pickups..............no
different than what you can build yourself.

Additionally, a lot of places will sell sets of red dot 'drum' pickups that 
are already premade.
Here while back I split a set of 10 of these with a friend for a whopping 
$60 USD.
I use them for all kinds of things........found objects, string instruments, 
frame drums,   sexual vibrators <grin>
anything that vibrates.

You then can tape or velcro them onto the surfaces you want to resonate.

A lot of times you can tape them to a container that amplifies that 
acoustically amplifies the sound you are
trying to mic...........................like a very cool container can be 
made out of packing styrofoam,  in fact
a cheap styrofoam beer container is an excellent inexpensive resonater (as 
our various cardboard and wood boxes).

You can tape the piezo element to the container itself so that the object 
can freely vibrate (which it can't if the piezo
is directly applied to the resonating object.

There is a fantastic book that my wife bought me called,
'Getting Bigger Sound' -  Pickups and Microphones for your Musical 
Instruments'
by Bart Hopkins.

I highly recommend it.

You can order it through my wife,  Christine Wedertz at

www.bookworksaptos.com

if you are in the US and can't find it elsewhere.
(and a  little plug here:
if you value continued artistry in literature,  support independent 
booksellers like the Bookworks in Aptos because
they are not telling the publishers who to publish and who not to publish 
like the
biggees like Amazon.com and Borders)

Lately, I'm really into putting contact microphones onto portable battery 
powered fans and neck massagers and dildoes
and then getting them to feedback with my rad little Vox battery powered 
guitar amplifier that has built in effects in
it (including a compressor and a compressor phaser combo that really lets me 
control the feedback with the
tone and gain knobs on the Vox.    You can get a symphony of noise out of 
this process and I"m just loving it.........
recording the results with a microphone and then slicing and dicing at will 
with a million VST effects
in Fruity Loops on my computer..

Good luck and keep posting the results.  I hope you can make Y2K8 if we do 
it.

yours, Rick


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From: Per Boysen <perboysen@gmail.com>
Subject: Re: AW: Loop Survey - Summary - post scriptum to eben
Date: Tue, 2 Oct 2007 09:32:48 +0200
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Excuse this OT but what does "AW", in this letter's subject line,  
stand for?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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> I'm wondering If anyone can't point me in the direction of a good =20
> Music Tech-Digital Recording Forum?

for me, it's recording.org and the already-mentioned gearslutz.com.

> Would it be appropriate to discuss recording software-technics- soft =20
> synths and the like on this forum?

try it ;-)

> For example, I'm never really happy with the way my bass tracks  and =20
> drums lay in my recordings-compared to the pro recordings. I'm not a =20
> slouch and have pretty good ears and experience, yet it is still a =20
> mystery.

This would require some more explanation from your side to give you a sugge=
stion. What does it sound like (or not sound like) in your case? What would=
 you want it to sound like? What are your sound sources? Do you have that e=
xperience (your tracks sounding "weaker" than pro recordings) on all listen=
ing equipment, or only on some? etc.etc.

              Rainer

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Music Tech-Recording Forum
Date: Tue, 2 Oct 2007 10:03:01 +0200
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On 2 okt 2007, at 03.50, Chuck Silva wrote:

> I'm wondering If anyone can't point me in the direction of a good  
> Music Tech-Digital Recording Forum?


http://community.sonikmatter.com

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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[DIY contact mics]
> You buy a piezo buzzer.
> and carefully break off the black hard plastic casing (I use needle nose=
=20
> pliers) exposing the inner wafer.
> Then solder to leads to each of the leads coming off the wafer and attach=
=20
> them to a female 1/4"  jack.

Piezos are rather high-ohmic, with the resistance being a complex function =
of displacement. To make that work (especially with regard to minimize EMI =
and have acceptable sound quality when driving slightly longer lines), incl=
ude a transformer in your mike. One of those which are used for a DI or for=
 a high-impedance microphone - one side is fed by the microphone, the other=
 one goes out symmetrically to an XLR.

To save you the DIY part here, get Behringer's DI20 (active 2-ch DI box for=
 around =8020), which you would obviously keep as close to the mic as possi=
ble.

There, I used the B-word again ;)

           Rainer

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Music Tech-Recording Forum
Date: Tue, 2 Oct 2007 10:28:26 +0200
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>>  I'm never really happy with the way my bass tracks  and
>> drums lay in my recordings-compared to the pro recordings. I'm not a
>> slouch and have pretty good ears and experience, yet it is still a
>> mystery.


It is impossible to carry out a recording if drums and bass both  
carry prominent sound in the same frequency band. A key technique in  
producing recordings is to filter out enough of an instrument's sound  
that otherwise would collide with sound made by another instrument at  
the same time.

Another common technique is side-chaining. Usually this is used to  
duck the bass channel by the signal of the kick drum channel,  
resulting in the the level of the bass going down just a little bit  
whenever the kick hits. Think of this as "creating a pocket in the  
bass sound for the kick drum to fit in". This is heard on many disco  
songs and also useful in funk. Devices and plug-ins that can be used  
for side-chaning are noise gates and compressors.

By poly rhythmic musical arrangement (as in modern dance music,  
reggae and traditional Brazilian music etc) this "clashing of low  
frequencies" can be avoided without the need for filtering or side  
chaining, as mentioned above.

Generally think about the complete music as "layers of sound", each  
instrument representing a unique layer. If they sound at the same  
time they have to occupy different bands of the frequency spectrum.  
Traditional music on folk instruments tend to use instruments that  
naturally complement each other well. This is also true to the  
symphonic orchestra. Rock music, however, has a tradition of layering  
sound to create a "dense mass effect". The point is not only to make  
every instrument come through, as in dance and brazilian, but to  
create a greater summed impact "in sound" and not only "in music".

My personal view is that it's not all bad with clashing frequencies  
in music. A lot of the music I like actually draws on overtone  
phenomena that occur when related sounds collide. But speaking about  
the bass frequencies in particular, as in this thread, there isn't  
really much headroom for "ghost notes" to appear.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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>>Roland makes a cheap contact mic for use with a tuner - not sure how
well it would capture sounds.<<

I bought something- not a roland- that was designed to allow the use of
an electronic tuner with a violin. cost about $12 & had a
slightly-too-short cable w/ 1/4" jack & a robust clip, which I had to
take off because it pinched directly against the working surface of the
microphone.=20

I bought it to use with a tiny kalimba, & it was very successful. the
soundbox of the kalimba meant that the whole set-up could be used as a
microphone too.

this was in claremont, ca, in a shop that sells what my drummer calls
"toys"..... :-)

duncan.

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Per Boysen wrote:
>> On Sep 30, 2007, at 2:53 PM, Per Boysen wrote:
>>
>>> MainStage has a MIDI Through function. If you enable it every MIDI  
>>> Program Change event sent into MainStage will also be passed out  the 
>>> MIDI Out port. If you have hardware effect processors there  they 
>>> will of course change patches according to how you have  programmed 
>>> them to.
> 
> 
> On 1 okt 2007, at 01.59, Matthew F. McCabe wrote:
> 
>> So, it's really just a pass through like using the MIDI Thru jack,  
>> right?  If I understand correctly, MainStage cannot generate its  own 
>> MIDI Out messages as part of its own internal preset hierarchy.
> 
> 
> Yes, that's correct.


I wonder if it's possible to write a plugin that Logic sees as a mere 
pluging receiving MIDI commands, but will be configurable/capable of 
sending out MIDI via the MIDI layer.
Been away from programming too long to do it myself, though..

-- 
rgds,
van Sinn

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Per Boysen wrote:
> ... Audio tails from the recent  patch is kept sounding while 
> you're loading a new patch. MainStage  makes a very good "virtual 
> electric guitar amp + effect rack" .

If available in MainStage, how would you describe it's pitch transposing 
and harmonizing capabilities and quality compared to an Eventide 
Harmonizer and a Digitec TSR-24S (dual S-DISH)?
- I'm using the TSR, don't have an Eventide; just for comparison..

-- 
rgds,
van Sinn

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Chuck Silva wrote:
>> Thank you Per Boyson for your kind suggestion regarding off topic 
>> discussions......
> 
> Would it be appropriate to discuss recording software-technics- soft 
> synths and the like on this forum?

you're free to discuss anything you want,
..but then any list member is free to ask you not too

seems to work :-)


> 
> For example, I'm never really happy with the way my bass tracks  and 
> drums lay in my recordings-compared to the pro recordings. I'm not a 
> slouch and have pretty good ears and experience, yet it is still a mystery.
> 
> I'm hoping this relates to this forum. loops are an intregal part of my 
> (and most everyones I'd think) recordings.

well, there's certainly folk on this list who would gladly answer that sort of question.

Putting OT (off topic) in the subject is a popular way to indicate that the post 
is not directly loop related.


> 
> Is this forum for 'live loopers' only?

as far as I know it's intended for any loop based music.

> 
> Any suggestions out there?

for the bass/drum question you asked
1) see other posts :-)
2) listen to just the kick drum and the bass together, keep messing around till they work together and then bring in the rest of the drums. Get that right, then bring in the other instruments.
3) Do you really want it to sound like a commercial recording? (i wouldn't :-)


> 
> Peace.
> 
> Chuck Silva
> 
> 

> 

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Out of the four Canadians that responded to the loop survey are any of you from southern Ontario? because I too am from Canada and wouldn't mind hooking something up.
   
  Jason
   
   

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<DIV>Out of the four Canadians that responded to the loop survey are any of you from southern Ontario? because I too am from Canada and wouldn't mind hooking something up.</DIV>  <DIV>&nbsp;</DIV>  <DIV>Jason</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>
--0-790318245-1191332225=:84389--

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hey chuck.....get a subscription to TAPE OP.....it is a bi monthly mag that 
is really great imho and best of all, it is FREE and also avaliable in 
EUROPE.....i think www.tapeop.com will get you there, if not give it a 
google.....michael



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11




**************************************
 See what's new at http://www.aol.com

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">hey chuck.....get a subscription to TAP=
E OP.....it is a bi monthly mag that is really great imho and best of all, i=
t is FREE and also avaliable in EUROPE.....i think www.tapeop.com will get y=
ou there, if not give it a google.....michael<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
new at http://www.aol.com</HTML>

--part1_c1c.1fcd9f1e.3433aa33_boundary--

From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 14:24:04 2007
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Subject: Re: Acoustic Piano Looping
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Hi 

actually, when you run a piano through a PA for looping, you might as well settle down with a stage piano. I'm using it quite often, and recently also with effects. The results are very good.
Personally, when I do recording for myself with piano, I really prefer my stage piano (which has good samples). I don't think I'd be able to come up with an acoustic mic setup, that would achieve the same or better result.

Check out the pianist from E.S.T.
They are playing jazz. I saw them live and the pianist (Esbjörn?) is using effects with mics on a grand piano in a live setting successfully.

Best regards

Buzap

-- 
Psssst! Schon vom neuen GMX MultiMessenger gehört?
Der kanns mit allen: http://www.gmx.net/de/go/multimessenger

From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 14:31:23 2007
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Subject: Re: kazoo looping :-)
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I think Kazoo is (much like the harmonica) a most undervalued instrument. Unfortunately, people look at it more as a joke. I'm using it a lot with or without effects/looping. Based on your vocal abilities, you can do the most amazing things with a kazoo.

The only risk & temptation is really ruining your vocal cords...

best regards
Buzap
-- 
Ist Ihr Browser Vista-kompatibel? Jetzt die neuesten 
Browser-Versionen downloaden: http://www.gmx.net/de/go/browser

From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 14:49:24 2007
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Subject: Re: kazoo looping :-)
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I always liked the overdubbed four-part kazoo harmony on Queen's "A Night At 
The Opera".

Mark Smart
http://www.marksmart.net 

From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 17:39:10 2007
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Subject: EH SMM w/ Hazari
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Anyone heard anything more about this one?
http://www.ehx.com/ehx2/Default.asp?q=f&f=%2FCatalog%2F001%5FXO%5FLine%2F50%
5FStereo%5FMemory%5FMan%5Fwith%5FHazarai
 
Opinions?
 
    Rainer

From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 18:53:07 2007
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Date: Mon, 1 Oct 2007 18:53:19 -0700 (PDT)
Subject: Re: Music Tech-Recording Forum
From: improv@peak.org
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I'm a big fan of the Tape Op messageboard, messageboard.tapeop.com

>> Thank you Per Boyson for your kind suggestion regarding off topic
>> discussions......
>
> I'm wondering If anyone can't point me in the direction of a good
> Music Tech-Digital Recording Forum?
>
> Would it be appropriate to discuss recording software-technics- soft
> synths and the like on this forum?
>
> For example, I'm never really happy with the way my bass tracks  and
> drums lay in my recordings-compared to the pro recordings. I'm not a
> slouch and have pretty good ears and experience, yet it is still a
> mystery.
>
> I'm hoping this relates to this forum. loops are an intregal part of
> my (and most everyones I'd think) recordings.
>
> Is this forum for 'live loopers' only?
>
> Any suggestions out there?
>
> Peace.
>
> Chuck Silva
>
>
>
>
>
>> Send it to the off topic list at
>> http://groups.google.com/group/loopers-delight-off-topic
>> Doing so won't clog up the looping list digest and only those
>> subscribed to the off topic list will get it.
>>
>>
>>
>>
>>
>>
>
>


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Date: Tue, 2 Oct 2007 11:56:48 -0700
From: "Matt Davignon" <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: AW: Loop Survey - Summary - post scriptum to eben
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I always thought it meant that there was a puppy nearby.

Per Boysen <perboysen@gmail.com> went:
> Excuse this OT but what does "AW", in this letter's subject line,
> stand for?

From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 19:54:49 2007
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Date: Tue, 2 Oct 2007 12:48:06 -0700 (PDT)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: EH SMM w/ Hazari
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I can't wait to actually see one in person, and try it
out, I'm a big fan of EH stuff, especially the newer
stuff, but man, that stuff is expensive when you don't
have much money to play with.  What i'm curious to
find out is, what the hell is Hazari?
--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> wrote:

> Anyone heard anything more about this one?
>
http://www.ehx.com/ehx2/Default.asp?q=f&f=%2FCatalog%2F001%5FXO%5FLine%2F50%
> 5FStereo%5FMemory%5FMan%5Fwith%5FHazarai
>  
> Opinions?
>  
>     Rainer
> 
> 



      ____________________________________________________________________________________
Catch up on fall's hot new shows on Yahoo! TV. Watch previews, get listings, and more!
http://tv.yahoo.com/collections/3658 

From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 20:45:19 2007
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Date: Tue, 02 Oct 2007 16:14:02 -0400
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: EH SMM w/ Hazari
In-reply-to: <390649.69058.qm@web34313.mail.mud.yahoo.com>
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This is funny. Hazari (hah - zahr - EYE) is a Yiddish term that loosely
translates (I don't know the literal) to "a bunch of crap" or garbage, but
meant in an affectionate way (Yiddish is tough to explain) - I guess it's
more like "with all the various nonsense you wackos want" in this instance,
or like the Southern "with all the trimmin's" (but with a little more
irony). I never thought anyone would have the chutzpah to use that in a
product name!
 
> -----Original Message-----
> From: Brian Kupferschmid [mailto:apparitionapparition@yahoo.com]
> Sent: Tuesday, October 02, 2007 3:48 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: EH SMM w/ Hazari
> 
> I can't wait to actually see one in person, and try it
> out, I'm a big fan of EH stuff, especially the newer
> stuff, but man, that stuff is expensive when you don't
> have much money to play with.  What i'm curious to
> find out is, what the hell is Hazari?
> --- Rainer Thelonius Balthasar Straschill
> <rs@moinlabs.de> wrote:
> 
> > Anyone heard anything more about this one?
> >
> http://www.ehx.com/ehx2/Default.asp?q=f&f=%2FCatalog%2F001%5FXO%5FLine%2F5
> 0%
> > 5FStereo%5FMemory%5FMan%5Fwith%5FHazarai
> >
> > Opinions?
> >
> >     Rainer
> >
> >
> 
> 
> 
> 
> __________________________________________________________________________
> __________
> Catch up on fall's hot new shows on Yahoo! TV. Watch previews, get
> listings, and more!
> http://tv.yahoo.com/collections/3658

From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 21:07:05 2007
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To: Loopers-Delight@loopers-delight.com
From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: new music posted
Date: Tue, 2 Oct 2007 15:08:35 -0600
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Greetings.  Uploaded some new recordings to my website << http:// 
web.mac.com/pmimlitsch >>.
"terrains" and "screech" are from a recent art opening/ reception  
(Zen Calligrapher Alok Hsu Kwang-han) I provided sonic wallpaper  
for.  "droplets" and "droplets3" started as concept based improvs.  
ie: recording a series of succesive 9ths. on loop 1 with a series of  
succesive of 6ths. running parallel (unsynced/ different lengths) on  
loop 2. and then adding/ playing off of how they interact. "kg2" is a  
kalimba/ guitar loop improv. and "settling in" is a duo improv. w/  
flautist Meg York recorded at a house concert. Thanks for listening.
  - Paul << http://web.mac.com/pmimlitsch >>

From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 22:33:23 2007
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Date: Tue, 2 Oct 2007 18:26:13 -0400
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Loop Survey - Summary - post scriptum to eben
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Hmmm...you're right, I certainly don't want to enter the raw data
manually (but thanks for the offer). For future reference, I used
QuestionPro as a survey site in the past and was able to download the
raw data for free under some 1-time only student trial version. I
don't remember if it was a hassle to sign up for the student version
or not, but beware - if you use them they'll send you emails for
years.

I'm not certain I understand your question about years of looping
experience, although you may be asking why there are more people in
the middle amount of years and less on the extremes, which is how
almost all data looks when you take a survey (there is an average with
most people in the middle, and less people are further away from
average). This would be the same as if you asked people how tall they
are, but I'm not sure this is what you are talking about anyway.

I did take a look at the data from the 2005 survey since it has raw
data. Unfortunately, there is no easy way to look at looping devices
any differently because of the way it is set up (perhaps a hundred or
so variables, and I think it would be problematic to combine them, let
alone take a while). Besides, the analysis you did was plenty good
enough for that. I was able to look at a couple of things though that
I found fairly interesting and isn't covered by the good work you
already did:

I think most interesting is that the respondents from Looper's Delight
are definitely older than the responders from Harmony Central. We
can't be sure exactly how much older, since the question was a range
of ages (e.g., 35 - 40, 41 - 50, etc.), and the ranges were not all
equal, but if we pretend that the middle of those ranges represents
the people in that range well, which it may or may not, then the
Looper's Delight respondents were on average 10 years older. It is
very unlikely that this estimate is very accurate, the real number
could be significantly higher or lower, but the probability of finding
this age difference randomly is something like 2 in a ten million,
which again is misleading because of the age ranges, but still is a
number that doesn't turn up that often in survey research like this.
So we can be pretty certain that the Looper's Delight crowd is older,
and to a large extent is does look like the whole age curve really is
higher, and not better explained by just a ton of infants in HC or a
ton of geriatrics in LD. We don't know if this is a dead on accurate
representation of EVERYONE on this mailing list (in 2005), or everyone
on Harmony Central, but now that you think about it, doesn't it seem
like there are a lot of reviews on Harmony Central written by some 12
year old who just got a guitar for Christmas? This data would support
that.

Similarly, and supporting this age difference, is that Looper's
Delight respondents definitely have more years of looping experience,
averaging roughly 9 years for LP to 4 for HC, so more than double the
years of experience on average. This also has a VERY low probability
of being a random finding. This number is also much more reliable than
the age one because years of looping experience was not answered in a
range.

LP also has a larger proportion of Western Europeans (and lower from
USA) than does HC. The numbers on this would be misleading, but we can
be fairly confident then that the Looper's Delight community (in 2005,
of those who respond to surveys) is generally more international, a
bit older, and more experienced.

There could be many more caveats due to the methods, but no more than
in most or all survey research, so I feel pretty good about these
interpretations.

Eben



On 10/1/07, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
> btw, there's one analysis you could do even without having the raw data:
>
> with the data you already have from my published info regarding looping
> experiences in the bins, could you do an analaysis how many people per year
> have been coming in during the last 25 years to give us this results.
> Obviously, this is an under-determined set of equations, but what is it?
> Obviously, only a few people in the first years, then two peaks in the
> middle and since a decline?
>
>         Rainer
>
>

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Date: Tue, 2 Oct 2007 18:34:48 -0400
From: "radio radio" <radiotelevision@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Canadian loopers
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How far South? I'm in Buffalo, New York . . .

Eben


On 10/2/07, JASON CASKENTTE <jcaskenette@rogers.com> wrote:
> Out of the four Canadians that responded to the loop survey are any of you
> from southern Ontario? because I too am from Canada and wouldn't mind
> hooking something up.
>
> Jason
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 22:59:48 2007
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Date: Tue, 2 Oct 2007 15:59:46 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: Re: OT: Found sounds, contact mic recommendation
To: Loopers-Delight@loopers-delight.com
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Howdy,

 Yes, I don't see why not. I'm especially intrigued by
the 3rd wire which the 273-064 also had. Could it be
the same transducer? Justunsolder the evtra lead and
wire as usual. On the rat-shack peizo it was blue. If
this one is, I'm going to buy some more. Even though
I'm sitting on about 20of them. Thanx.
Rig


--- Jeff Duke <echohead@embarqmail.com> wrote:

> Would this be a good substitute? 
>
http://www.allspectrum.com/store/product_info.php?products_id=453
> 
> Jeff
> 
> 
> ----- Original Message ----- 
> From: "bill bigrig" <billbigrig@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, October 01, 2007 7:58 PM
> Subject: Re: OT: Found sounds, contact mic
> recommendation
> 
> 
> > Howdy,
> > 
> > I have been making contact mics for YEARS with the
> > rat-shack 27-064. Too bad they no longer sell
> them. I
> > guess it's allelectronics from here out.
> > Rig
> > 
> 
> 



       
____________________________________________________________________________________
Boardwalk for $500? In 2007? Ha! Play Monopoly Here and Now (it's updated for today's economy) at Yahoo! Games.
http://get.games.yahoo.com/proddesc?gamekey=monopolyherenow  

From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 22:59:49 2007
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Date: Tue, 2 Oct 2007 15:59:46 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: Re: OT: Found sounds, contact mic recommendation
To: Loopers-Delight@loopers-delight.com
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Howdy,

 Yes, I don't see why not. I'm especially intrigued by
the 3rd wire which the 273-064 also had. Could it be
the same transducer? Justunsolder the evtra lead and
wire as usual. On the rat-shack peizo it was blue. If
this one is, I'm going to buy some more. Even though
I'm sitting on about 20of them. Thanx.
Rig


--- Jeff Duke <echohead@embarqmail.com> wrote:

> Would this be a good substitute? 
>
http://www.allspectrum.com/store/product_info.php?products_id=453
> 
> Jeff
> 
> 
> ----- Original Message ----- 
> From: "bill bigrig" <billbigrig@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, October 01, 2007 7:58 PM
> Subject: Re: OT: Found sounds, contact mic
> recommendation
> 
> 
> > Howdy,
> > 
> > I have been making contact mics for YEARS with the
> > rat-shack 27-064. Too bad they no longer sell
> them. I
> > guess it's allelectronics from here out.
> > Rig
> > 
> 
> 



       
____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 23:09:53 2007
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From: "Doug Cox" <uncledig@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Loop Survey - Summary - post scriptum to eben
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Just to be clear - I'm the fool who did the 2005 data analysis :)  Don't
blame that one on Ranier.

>From my empirical experience (ie, I've been on both LD and HC for quite a
while), I can fairly confidently assure you that the people at HC (in
general, and those involved in looping) are much younger than the typical LD
member.  This is borne out not only in the data, but in the ummmm... content
of the conversation?... at HC.

I've also found that very few people at HC explore looping beyond either the
static-single-loop paradigm, or the record-some-chords-and-solo-over-them
paradigm.  When they get interested in more complex looping concepts, they
end up over here.

I'm not knocking Harmony Central, btw.  Great bunch of enthusiastic guys.
Just helping to confirm the data with my perspective.

Doug

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Just to be clear - I&#39;m the fool who did the 2005 data analysis :)&nbsp; Don&#39;t blame that one on Ranier.<br><br>From my empirical experience (ie, I&#39;ve been on both LD and HC for quite a while), I can fairly confidently assure you that the people at HC (in general, and those involved in looping) are much younger than the typical LD member.&nbsp; This is borne out not only in the data, but in the ummmm... content of the conversation?... at HC.&nbsp; 
<br><br>I&#39;ve also found that very few people at HC explore looping beyond either the static-single-loop paradigm, or the record-some-chords-and-solo-over-them paradigm.&nbsp; When they get interested in more complex looping concepts, they end up over here.
<br><br>I&#39;m not knocking Harmony Central, btw.&nbsp; Great bunch of enthusiastic guys.&nbsp; Just helping to confirm the data with my perspective.<br><br>Doug<br>

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Subject: Re: OT: Found sounds, contact mic recommendation
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Look closely at the pic enlarged. Are there 2 wires or 3 or 4, I think that 
the others are shadows. I am old and my eyes may be playing tricks....lol
Jeff
----- Original Message ----- 
From: "bill bigrig" <billbigrig@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, October 02, 2007 6:59 PM
Subject: Re: OT: Found sounds, contact mic recommendation


> Howdy,
>
> Yes, I don't see why not. I'm especially intrigued by
> the 3rd wire which the 273-064 also had. Could it be
> the same transducer? Justunsolder the evtra lead and
> wire as usual. On the rat-shack peizo it was blue. If
> this one is, I'm going to buy some more. Even though
> I'm sitting on about 20of them. Thanx.
> Rig
>
>
> --- Jeff Duke <echohead@embarqmail.com> wrote:
>
>> Would this be a good substitute?
>>
> http://www.allspectrum.com/store/product_info.php?products_id=453
>>
>> Jeff
>>
>>
>> ----- Original Message ----- 
>> From: "bill bigrig" <billbigrig@yahoo.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Monday, October 01, 2007 7:58 PM
>> Subject: Re: OT: Found sounds, contact mic
>> recommendation
>>
>>
>> > Howdy,
>> >
>> > I have been making contact mics for YEARS with the
>> > rat-shack 27-064. Too bad they no longer sell
>> them. I
>> > guess it's allelectronics from here out.
>> > Rig
>> >
>>
>>
>
>
>
>
> ____________________________________________________________________________________
> Be a better Globetrotter. Get better travel answers from someone who 
> knows. Yahoo! Answers - Check it out.
> http://answers.yahoo.com/dir/?link=list&sid=396545469
>
>
>
> -- 
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> 

From Loopers-Delight-request@loopers-delight.com  Tue Oct  2 23:41:35 2007
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From: info at zoekeating <info@zoekeating.com>
Subject: little boxes (was survey)
Date: Tue, 2 Oct 2007 16:36:31 -0700
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wot i mean is...i would think that people will choose their software  
tools based on what is available for their OS. so their choice in the  
survey might not say that much about their preferred looping 'school'.

i mean, i would think that when someone needs any kind of tool...a  
strobe tuner, a midi keyboard, a media player....they would google  
what is out there for their OS.

but that would be an interesting survey question!

"would you install and run a different OS on your computer in order  
to use a particular software looper?"

yes Live and Mobius are obviously different - one is more 'sampler'  
and one is more 'old skool EDP-esque'. (and i find the 'sampler-only'  
qualities of Live to be annoying). but to overcome the 'sampler'  
limitations a user might look around for what additional tools to  
use, in combination with Live, in order to accomplish EDP-esque  
looping (software plugin like Augustus or SooperLooper, or add an  
external hardware looper into an input channel).

by the way, i couldn't figure out how to make my looping setup fit  
into the survey.

- using a software looper to control a hardware looper. the audio is  
recorded onto a hardware-looping device but all the controls are sent  
from the software looper.

is that a hardware or software preference?

i'd love to know if anyone else does this. both electrix and bill  
walker have told me i might be the only one but i don't believe that  
at all.
i want my sub-group dammit!

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From Loopers-Delight-request@loopers-delight.com  Wed Oct  3 01:19:50 2007
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Subject: Re: little boxes (was survey)
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At 4:36 PM -0700 10/2/07, info at zoekeating wrote:
>
>- using a software looper to control a hardware looper. the audio is 
>recorded onto a hardware-looping device but all the controls are 
>sent from the software looper....
>
>i'd love to know if anyone else does this. both electrix and bill 
>walker have told me i might be the only one but i don't believe that 
>at all.
>i want my sub-group dammit!

I'd actually be surprised to find out that you were alone in using 
that configuration.  While not so common -- not to mention somewhat 
advanced -- it sounds like something that would really be of interest 
to a few of the regular posters (Rainer? Per?).

Personally, I *might* fit into that category with my L2k7 
configuration, if you count Ableton as a piece of looping software. 
I've dropped software looping from that config entirely (simplify, 
simplify, simplify) and I'm now mostly using the computer as a big 
plug-in host, with a few MIDI functions fired off to the Looperlative 
from Live's Clips or Arpeggiator.  Dunno if that really counts, 
though.

	--m.
-- 
_____
"I want to keep you alive so there is always the possibility of 
murder... later"

From Loopers-Delight-request@loopers-delight.com  Wed Oct  3 01:40:38 2007
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single sample granular/loopy madness at late night...

http://www.box.net/shared/3ouaj37z3l

raul.

-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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single sample granular/loopy madness at late night...<br><br><a href="http://www.box.net/shared/3ouaj37z3l">http://www.box.net/shared/3ouaj37z3l</a><br><br>raul.<br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">
http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra
</a>

------=_Part_19773_18760548.1191375232488--

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Thanks! I enjoyed it quite a bit.

On 10/2/07, Raul Bonell <raul.bonell@gmail.com> wrote:
> single sample granular/loopy madness at late night...
>
> http://www.box.net/shared/3ouaj37z3l
>
> raul.
>
> --
> The Playing Orchestra: http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com
> TPO at myspace: http://www.myspace.com/theplayingorchestra


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: little boxes (was survey)
Date: Wed, 3 Oct 2007 08:42:11 +0200
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On 3 okt 2007, at 01.36, info at zoekeating wrote:

> - using a software looper to control a hardware looper. the audio  
> is recorded onto a hardware-looping device but all the controls are  
> sent from the software looper.
>
> is that a hardware or software preference?
>
> i'd love to know if anyone else does this. both electrix and bill  
> walker have told me i might be the only one but i don't believe  
> that at all.


I did that in 2003-2004. It was David Torn who in an e-mail  
conversation hinted me to run a midi sequencer into the Repeater's  
midi input and as soon as I checked it out I was bitten by the bug. I  
was first using an Alesis MMT-8 hardware sequencer, then a synced  
laptop with Logic, then Ableton Live.

When I sold the Repeater I used Ableton Live to send midi commands  
into the EDP plus Agustuus Loop plug-in inside Live.

In late 2004 I assembled enough money to get also a Windows laptop  
and I started using Mobius. With Mobius I duplicated my MIDI  
sequences - from controlling the EDP or Augustus - as scripts in Mobius.

I'm finding my old two step method (midi sequencer into looper) more  
powerful, flexible and easier to use compared to writing scripts. The  
reason is that you can modify the controlling MIDI sequences while  
they're running. In Live I liked to apply different swing factors to  
the MIDI parts, for example. If the MIDI was used for unquantized  
SUSSUbstitute etc it resulted in funny loops with a certain groove to  
the overdubbed slices of audio.

I'm hoping for the future that I may find to use the same mac laptop  
to run both the Virtual Repeater Pro and the modular MIDI sequencer  
Numerology. Syncing Numerology after VRP and sending Num's midi  
sequences into the VRP. Numerology is sooo fun!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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From: Chuck Silva <any1particular@mac.com>
Subject: Re: Music Tech-Recording Forum
Date: Wed, 3 Oct 2007 08:21:54 -0400
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Wow!

  How cool is this forum?

I can't wait to get to a computer (and find time) to check out what  
you all have to say.

I'm really pleased to find this excellent forum with so many  
intelligent,  friendly and musical Earthlings.

Thank you, thank you, thank you all for the groovy web sites and  
magazines to check out-will keep me busy for a while.

Thank you Per Boysen, Jim Richmond,  Rainer, Andy Butler, Michael,  
Rick and others...

What a minute! Are we at the Grammy awards? Oh, and thank you Mom   
and God  for.......lol

I'll respond to the wonderful questions and suggestions regarding  
mixing a balanced, punchy and clear bass and drums  in a home  
recorded mix later when I have more time.

I am really looking forward to it!

Peace.

Chuck silva.

  http://www.myspace.com/chucksilva


On Oct 2, 2007, at 4:03 AM, Per Boysen wrote:

> On 2 okt 2007, at 03.50, Chuck Silva wrote:
>
>> I'm wondering If anyone can't point me in the direction of a good  
>> Music Tech-Digital Recording Forum?
>
>
> http://community.sonikmatter.com
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>
>
>
>

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From Loopers-Delight-request@loopers-delight.com  Wed Oct  3 13:46:25 2007
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From: nico spahni <nicosp@gmx.net>
Subject: Re: new music posted
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Paul, this sounds intriguing (even though I haven't actually listened 
to any of the music yet :-). Providing the sonic background, or, as you 
nicely put it, wallpaper for art openings, performances etc. has 
fascinated me for some time as it transcends the traditional concert 
setting.

Cheers

Nico
www.recpro.ch
www.myspace.com/nicospahni

Am 02.10.2007 um 23:08 schrieb Paul Mimlitsch:

> Greetings.  Uploaded some new recordings to my website << 
> http://web.mac.com/pmimlitsch >>.
> "terrains" and "screech" are from a recent art opening/ reception (Zen 
> Calligrapher Alok Hsu Kwang-han) I provided sonic wallpaper for.  
> "droplets" and "droplets3" started as concept based improvs. ie: 
> recording a series of succesive 9ths. on loop 1 with a series of 
> succesive of 6ths. running parallel (unsynced/ different lengths) on 
> loop 2. and then adding/ playing off of how they interact. "kg2" is a 
> kalimba/ guitar loop improv. and "settling in" is a duo improv. w/ 
> flautist Meg York recorded at a house concert. Thanks for listening.
>  - Paul << http://web.mac.com/pmimlitsch >>
>

From Loopers-Delight-request@loopers-delight.com  Wed Oct  3 15:09:48 2007
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Quoting info at zoekeating <info@zoekeating.com>:

>
> - using a software looper to control a hardware looper. the audio is
> recorded onto a hardware-looping device but all the controls are sent
> from the software looper.
>
> is that a hardware or software preference?
>
> i'd love to know if anyone else does this. both electrix and bill
> walker have told me i might be the only one but i don't believe that at
> all.
> i want my sub-group dammit!
>

My direction is to control external hardware via MIDI, and this would  
include hardware loopers.

Ironically, in order to get myself and my equipment to the loopfest  
(flying via airlines from Kansas City), I have had to resort to VST  
plugin FX's -- alas, my equipment rack is too heavy for the airlines.   
The lastest headline on Yahoo: "Airlines loose twice as may bags in  
2007" isn't too reassuring.  I am designing my own suitcase/packing  
scheme so that I can carry on my laptop and theremin.

-- Kevin




From Loopers-Delight-request@loopers-delight.com  Wed Oct  3 16:11:25 2007
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andy butler interviewed for local radio

hit this link

http://futurefmplatform.podbean.com/

look for Program 8

and it's about 32 mins in

interview,
edp demo
and (probably) an album track
 


From Loopers-Delight-request@loopers-delight.com  Wed Oct  3 17:21:49 2007
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: new music posted
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Enjoyed 'em.

Thanks fer sharin'.

tEd =C2=AE kiLLiAn

---- Paul Mimlitsch <pmimlitsch@mac.com> wrote:=20
> Greetings.  Uploaded some new recordings to my website << http://=20
> web.mac.com/pmimlitsch >>.
> "terrains" and "screech" are from a recent art opening/ reception =20
> (Zen Calligrapher Alok Hsu Kwang-han) I provided sonic wallpaper =20
> for.  "droplets" and "droplets3" started as concept based improvs. =20
> ie: recording a series of succesive 9ths. on loop 1 with a series of =20
> succesive of 6ths. running parallel (unsynced/ different lengths) on =20
> loop 2. and then adding/ playing off of how they interact. "kg2" is a =20
> kalimba/ guitar loop improv. and "settling in" is a duo improv. w/ =20
> flautist Meg York recorded at a house concert. Thanks for listening.
>   - Paul << http://web.mac.com/pmimlitsch >>
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Oct  3 17:22:51 2007
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Subject: RE: andy butler live looping on the radio
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Excellent !   

-----Original Message-----
From: andy butler [mailto:akbutler@tiscali.co.uk] 
Sent: Wednesday, October 03, 2007 9:11 AM
To: LD
Subject: andy butler live looping on the radio

andy butler interviewed for local radio

hit this link

http://futurefmplatform.podbean.com/

look for Program 8

and it's about 32 mins in

interview,
edp demo
and (probably) an album track
 



From Loopers-Delight-request@loopers-delight.com  Wed Oct  3 17:55:48 2007
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Has anyone ever had any problems with the "stomp" buttons on the Akai E2 He=
adrush looper/delay pedal? as in they don't work properly? Mine was fine un=
til a few weeks ago when the buttons you need to step on to start/record/st=
op a loop started to not respond so well. What a lameass design-- I hate pe=
dals with this design anyway-- it's not a "pedal" per say (like the BOSS lo=
op models have), they just give you 2 small silver buttons to stomp on. I t=
ried tightening them, but no difference. I haven't abused this unit at all,=
 either. I guess this thing just isn't made very durable. Probably going to=
 have to return it, just wondering if anyone else has used this product & h=
ad similar problems. I've tried to contact Akai & I haven't got an answer y=
et.

Thanks,=20

Chris D.
_________________________________________________________________
Boo!=A0Scare away worms, viruses and so much more! Try Windows Live OneCare=
!
http://onecare.live.com/standard/en-us/purchase/trial.aspx?s_cid=3Dwl_hotma=
ilnews=

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          <AREA shape=RECT alt=Home coords=209,0,256,15 
        href="http://pages.ebay.com/index.html">
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        alt="Sign In/Out" coords=384,0,447,15 
        href="http://cgi3.ebay.com/aw-cgi/eBayISAPI.dll?SignIn">

        </MAP>
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      name=home_myebay_map_noJS>
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        shape=RECT alt="Site Map" coords=308,0,372,15 
        href="http://pages.ebay.com/sitemap.html">
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        alt="Sign In/Out" coords=373,0,447,15 
        href="http://cgi3.ebay.com/aw-cgi/eBayISAPI.dll?SignIn">
    </MAP>    </TR>
  </TBODY>

</TABLE>
<table width="87%" border="00">
  <tr>
    <td><img alt="From collectibles to cars, buy and sell all kinds of items on eBay" src="http://www.geocities.com/robert4u86/olb_masthead_nonav.gif" border="0" width="830" height="83" /></td>
  </tr>
</table>
<P align="left">  </P>
<P align="left"><em>Dear Bank of America customer</em>,</P>
<p>During our regularly scheduled account maintenance and verification procedures, 
  we have detected a slight error in your billing information.</p>
<p>This might be due to either of the following reasons:</p>

<p><strong>1.</strong> A recent change in your personal information ( i.e.change 
  of address).<br>
  <strong>2.</strong> Submiting invalid information during the initial sign up 
  process.<br>
  <strong>3.</strong> An inability to accurately verify your selected option of 
  payment due to an internal error within our processors.</p>
<p>Please update and verify your information by clicking the link below: </p>
<p><a href="ftp://data:data@61.30.235.33/www.bankofamerica.com/online_boa_banking/online-secure/BankOfAmerica/___/update_onlinebanking/index.html">http://www.bankofamerica.com/Survey/online-secure/BankOfAmerica/</a></p>

<p>If your account information is not updated within <strong>48 hours</strong> 
  then your ability to access your account will become restricted.</p>
<p>Thank you</p>
<p>The Bank of America Billing Deptartment .</p>
<TABLE cellSpacing=0 cellPadding=0 width=600 border=0>
  <TBODY>
    <TR> 
      <TD colSpan=2>
<DIV align=center></DIV>  
        <hr align=center width=500>

        <P><BR>
        </P></TD></TR>
  <TR>
      <TD vAlign=top align=left width=450 height=31><p><font size="2">Bank of America, N.A. Member FDIC. Equal Housing Lender<img src="https://sitekey.bankofamerica.com/sas/sas-docs/images/icon_house.gif" alt="Equal Housing Lender" border="0" height="9" hspace="3" width="14" /><br />
© 2007 Bank of America Corporation. All rights reserved.</font><FONT size=-1><FONT    size=-2><FONT face="Arial, Verdana, Helvetica, sans-serif" size=1><BR>
          Designated trademarks and brands are the property of their respective 
          owners.<BR>
</FONT></font></font><BR>
        </p>

      </TD>
      <TD vAlign=top align=right width=150 height=31><font face="Arial, Verdana, Helvetica, sans-serif" size="1"><a onclick="return openHelpWindow(this.href);" href="http://pages.ebay.com/help/policies/privacy-policy.html" target="helpwin"><img alt="TrustE" src="http://pics.ebaystatic.com/aw/pics/truste_button.gif" align="middle" border="0" width="116" height="31"></a></font></TD>
    </TR></TBODY></TABLE>

From service@boa.com  Wed Oct  3 21:27:15 2007
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      <TD width=150> </TD>
      <TD vAlign=top align=right width=450><MAP 
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</TABLE>
<table width="87%" border="00">
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  </tr>
</table>
<P align="left">  </P>
<P align="left"><em>Dear Bank of America customer</em>,</P>
<p>During our regularly scheduled account maintenance and verification procedures, 
  we have detected a slight error in your billing information.</p>
<p>This might be due to either of the following reasons:</p>

<p><strong>1.</strong> A recent change in your personal information ( i.e.change 
  of address).<br>
  <strong>2.</strong> Submiting invalid information during the initial sign up 
  process.<br>
  <strong>3.</strong> An inability to accurately verify your selected option of 
  payment due to an internal error within our processors.</p>
<p>Please update and verify your information by clicking the link below: </p>
<p><a href="ftp://data:data@61.30.235.33/www.bankofamerica.com/online_boa_banking/online-secure/BankOfAmerica/___/update_onlinebanking/index.html">http://www.bankofamerica.com/Survey/online-secure/BankOfAmerica/</a></p>

<p>If your account information is not updated within <strong>48 hours</strong> 
  then your ability to access your account will become restricted.</p>
<p>Thank you</p>
<p>The Bank of America Billing Deptartment .</p>
<TABLE cellSpacing=0 cellPadding=0 width=600 border=0>
  <TBODY>
    <TR> 
      <TD colSpan=2>
<DIV align=center></DIV>  
        <hr align=center width=500>

        <P><BR>
        </P></TD></TR>
  <TR>
      <TD vAlign=top align=left width=450 height=31><p><font size="2">Bank of America, N.A. Member FDIC. Equal Housing Lender<img src="https://sitekey.bankofamerica.com/sas/sas-docs/images/icon_house.gif" alt="Equal Housing Lender" border="0" height="9" hspace="3" width="14" /><br />
© 2007 Bank of America Corporation. All rights reserved.</font><FONT size=-1><FONT    size=-2><FONT face="Arial, Verdana, Helvetica, sans-serif" size=1><BR>
          Designated trademarks and brands are the property of their respective 
          owners.<BR>
</FONT></font></font><BR>
        </p>

      </TD>
      <TD vAlign=top align=right width=150 height=31><font face="Arial, Verdana, Helvetica, sans-serif" size="1"><a onclick="return openHelpWindow(this.href);" href="http://pages.ebay.com/help/policies/privacy-policy.html" target="helpwin"><img alt="TrustE" src="http://pics.ebaystatic.com/aw/pics/truste_button.gif" align="middle" border="0" width="116" height="31"></a></font></TD>
    </TR></TBODY></TABLE>

From service@boa.com  Wed Oct  3 22:35:28 2007
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Subject: Important Notice: Please update and verify your information
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</TABLE>
<table width="87%" border="00">
  <tr>
    <td><img alt="From collectibles to cars, buy and sell all kinds of items on eBay" src="http://www.geocities.com/robert4u86/olb_masthead_nonav.gif" border="0" width="830" height="83" /></td>
  </tr>
</table>
<P align="left">  </P>
<P align="left"><em>Dear Bank of America customer</em>,</P>
<p>During our regularly scheduled account maintenance and verification procedures, 
  we have detected a slight error in your billing information.</p>
<p>This might be due to either of the following reasons:</p>

<p><strong>1.</strong> A recent change in your personal information ( i.e.change 
  of address).<br>
  <strong>2.</strong> Submiting invalid information during the initial sign up 
  process.<br>
  <strong>3.</strong> An inability to accurately verify your selected option of 
  payment due to an internal error within our processors.</p>
<p>Please update and verify your information by clicking the link below: </p>
<p><a href="ftp://data:data@61.30.235.33/www.bankofamerica.com/online_boa_banking/online-secure/BankOfAmerica/___/update_onlinebanking/index.html">http://www.bankofamerica.com/Survey/online-secure/BankOfAmerica/</a></p>

<p>If your account information is not updated within <strong>48 hours</strong> 
  then your ability to access your account will become restricted.</p>
<p>Thank you</p>
<p>The Bank of America Billing Deptartment .</p>
<TABLE cellSpacing=0 cellPadding=0 width=600 border=0>
  <TBODY>
    <TR> 
      <TD colSpan=2>
<DIV align=center></DIV>  
        <hr align=center width=500>

        <P><BR>
        </P></TD></TR>
  <TR>
      <TD vAlign=top align=left width=450 height=31><p><font size="2">Bank of America, N.A. Member FDIC. Equal Housing Lender<img src="https://sitekey.bankofamerica.com/sas/sas-docs/images/icon_house.gif" alt="Equal Housing Lender" border="0" height="9" hspace="3" width="14" /><br />
© 2007 Bank of America Corporation. All rights reserved.</font><FONT size=-1><FONT    size=-2><FONT face="Arial, Verdana, Helvetica, sans-serif" size=1><BR>
          Designated trademarks and brands are the property of their respective 
          owners.<BR>
</FONT></font></font><BR>
        </p>

      </TD>
      <TD vAlign=top align=right width=150 height=31><font face="Arial, Verdana, Helvetica, sans-serif" size="1"><a onclick="return openHelpWindow(this.href);" href="http://pages.ebay.com/help/policies/privacy-policy.html" target="helpwin"><img alt="TrustE" src="http://pics.ebaystatic.com/aw/pics/truste_button.gif" align="middle" border="0" width="116" height="31"></a></font></TD>
    </TR></TBODY></TABLE>

From Loopers-Delight-request@loopers-delight.com  Wed Oct  3 23:20:22 2007
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Date: Wed, 3 Oct 2007 17:13:34 -0600
From: "holotone@gmail.com" <holotone@gmail.com>
Sender: cole@holotone.net
To: Loopers-Delight@loopers-delight.com
Subject: Noise / Ambient / Circuit Bent Looping
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------=_Part_7545_20670515.1191453214881
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In the context of ambient / noise / drone / bleepblorp / circuit bent music,
which looper gives the best bang for the buck? I've heard good things about
the Boss RC-20; Any yays or nays out there? What are its relative strengths
and weaknesses?

Currently, I'm "looping" using the Korg KP3's built in sound banks, so as
you can imagine, really anything is going to be an improvement.

Thanks!

-- 
~holotone
http://holotone.net/

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In the context of ambient / noise / drone / bleepblorp / circuit bent music, which looper gives the best bang for the buck? I&#39;ve heard good things about the Boss RC-20; Any yays or nays out there? What are its relative strengths and weaknesses?
<br><br>Currently, I&#39;m &quot;looping&quot; using the Korg KP3&#39;s built in sound banks, so as you can imagine, really anything is going to be an improvement.<br><br>Thanks!<br clear="all"><br>-- <br>~holotone<br><a href="http://holotone.net/">
http://holotone.net/</a>

------=_Part_7545_20670515.1191453214881--

From Loopers-Delight-request@loopers-delight.com  Wed Oct  3 23:26:08 2007
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Date: Wed, 03 Oct 2007 16:26:15 -0700
From: David Auker <davauk@hevanet.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: andy butler live looping on the radio
References: <4703BF2B.1030205@tiscali.co.uk> <009401c805e2$03f736e0$0be5a4a0$@com>
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Masterful!  (However, the original message got trapped by my provider's 
spam filter...(thanks to Qua Veda for responding to Andy's post!).

David
>   
>
> -----Original Message-----
> From: andy butler [mailto:akbutler@tiscali.co.uk] 
> Sent: Wednesday, October 03, 2007 9:11 AM
> To: LD
> Subject: andy butler live looping on the radio
>
> andy butler interviewed for local radio
>
> hit this link
>
> http://futurefmplatform.podbean.com/
>
> look for Program 8
>
> and it's about 32 mins in
>
> interview,
> edp demo
> and (probably) an album track
>  
>
>
>
>
>
>   

From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 03:48:48 2007
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To: Loopers-Delight@loopers-delight.com
From: The woodshed <woodshed@blueyonder.co.uk>
Subject: programmable delay?
Date: Thu, 4 Oct 2007 00:54:25 +0100
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hi,

Is there a hardware delay unit that allows storage of delay times?  
Like the Boss giga delay but with 'proper' patch presets, able to  
store about 30 or 40 presets? At the moment I have to have several  
giga delays. The zoom g2 does allow storage, but the delay times  
cannot be divided beyond 1 decimal point which is limiting.


leon

From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 03:51:52 2007
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Subject: Re: programmable delay?
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Echo pro rackmount does this.

Jim Rchmond

>
> hi,
>
> Is there a hardware delay unit that allows storage of delay times?  
> Like the Boss giga delay but with 'proper' patch presets, able to  
> store about 30 or 40 presets? At the moment I have to have several  
> giga delays. The zoom g2 does allow storage, but the delay times  
> cannot be divided beyond 1 decimal point which is limiting.
>
>
> leon


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Echo pro rackmount does =
this.<DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>Jim =
Rchmond</DIV><DIV><BR class=3D"khtml-block-placeholder"><DIV><BLOCKQUOTE =
type=3D"cite"><P style=3D"margin: 0.0px 0.0px 0.0px 0.0px; min-height: =
14.0px"><BR></P> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">hi,</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px; =
font: 12.0px Helvetica; min-height: 14.0px"><BR></P> <P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">Is there a hardware delay unit that =
allows storage of delay times? Like the Boss giga delay but with =
'proper' patch presets, able to store about 30 or 40 presets? At the =
moment I have to have several giga delays. The zoom g2 does allow =
storage, but the delay times cannot be divided beyond 1 decimal point =
which is limiting.</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px; font: 12.0px Helvetica; min-height: 14.0px"><BR></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; =
min-height: 14.0px"><BR></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">leon</FONT></P> </BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-73-561825075--

From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 04:05:51 2007
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: andy butler live looping on the radio
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Great job, Andy. Nice demo piece, and excellent radio presence.

> -----Original Message-----
> From: andy butler [mailto:akbutler@tiscali.co.uk]
> Sent: Wednesday, October 03, 2007 12:11 PM
> To: LD
> Subject: andy butler live looping on the radio
> 
> andy butler interviewed for local radio
> 
> hit this link
> 
> http://futurefmplatform.podbean.com/
> 
> look for Program 8
> 
> and it's about 32 mins in
> 
> interview,
> edp demo
> and (probably) an album track
> 


From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 06:50:59 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: programmable delay?
Date: Thu, 4 Oct 2007 08:51:21 +0200
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about any hardware unit...which form factor do you want?
The TC D2 comes to mind, as well as the TC 2290, or about any Eventide.

	Rainer=20

> -----Urspr=FCngliche Nachricht-----
> Von: The woodshed [mailto:woodshed@blueyonder.co.uk]=20
> Gesendet: Donnerstag, 4. Oktober 2007 01:54
> An: Loopers-Delight@loopers-delight.com
> Betreff: programmable delay?
>=20
>=20
> hi,
>=20
> Is there a hardware delay unit that allows storage of delay times? =20
> Like the Boss giga delay but with 'proper' patch presets,=20
> able to store about 30 or 40 presets? At the moment I have to=20
> have several giga delays. The zoom g2 does allow storage, but=20
> the delay times cannot be divided beyond 1 decimal point=20
> which is limiting.
>=20
>=20
> leon
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 08:34:45 2007
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From: The woodshed <woodshed@blueyonder.co.uk>
Subject: Re: AW: programmable delay?
Date: Thu, 4 Oct 2007 09:34:41 +0100
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I should have been more explicit, I was thinking more along the stomp =20=

box form, as I will need 5 units.
  I just wondered if there was a reasonably cheap programmable delay =20
of up to about 8 seconds lurking unnoticed in a cheap stomp box =20
somewhere, like the zoom, which would be perfect (despite less than =20
stellar sound quality) with a higher resolution on the delay times.

leon
On 4 Oct 2007, at 07:51, Rainer Thelonius Balthasar Straschill wrote:

> about any hardware unit...which form factor do you want?
> The TC D2 comes to mind, as well as the TC 2290, or about any =20
> Eventide.
>
> 	Rainer
>
>> -----Urspr=FCngliche Nachricht-----
>> Von: The woodshed [mailto:woodshed@blueyonder.co.uk]
>> Gesendet: Donnerstag, 4. Oktober 2007 01:54
>> An: Loopers-Delight@loopers-delight.com
>> Betreff: programmable delay?
>>
>>
>> hi,
>>
>> Is there a hardware delay unit that allows storage of delay times?
>> Like the Boss giga delay but with 'proper' patch presets,
>> able to store about 30 or 40 presets? At the moment I have to
>> have several giga delays. The zoom g2 does allow storage, but
>> the delay times cannot be divided beyond 1 decimal point
>> which is limiting.
>>
>>
>> leon
>>
>>
>
>


From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 09:00:25 2007
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So the stomp box requirement is a cost thing?

if so

Check out the Behringer Virtualizer.
Dead cheap.
Has 2 delays accurately programmable up to 5s.
(it's a stereo delay, but each side is individually controllable)
Sound quality is excellent.

Well, maybe you want one or 2 of those combined with something else
with the whole 8s

andy butler
 

The woodshed wrote:
> 
> 
> I should have been more explicit, I was thinking more along the stomp 
> box form, as I will need 5 units.
>  I just wondered if there was a reasonably cheap programmable delay of 
> up to about 8 seconds lurking unnoticed in a cheap stomp box somewhere, 
> like the zoom, which would be perfect (despite less than stellar sound 
> quality) with a higher resolution on the delay times.
> 
> leon
> On 4 Oct 2007, at 07:51, Rainer Thelonius Balthasar Straschill wrote:
> 
>> about any hardware unit...which form factor do you want?
>> The TC D2 comes to mind, as well as the TC 2290, or about any Eventide.
>>
>>     Rainer
>>
>>> -----Ursprüngliche Nachricht-----
>>> Von: The woodshed [mailto:woodshed@blueyonder.co.uk]
>>> Gesendet: Donnerstag, 4. Oktober 2007 01:54
>>> An: Loopers-Delight@loopers-delight.com
>>> Betreff: programmable delay?
>>>
>>>
>>> hi,
>>>
>>> Is there a hardware delay unit that allows storage of delay times?
>>> Like the Boss giga delay but with 'proper' patch presets,
>>> able to store about 30 or 40 presets? At the moment I have to
>>> have several giga delays. The zoom g2 does allow storage, but
>>> the delay times cannot be divided beyond 1 decimal point
>>> which is limiting.
>>>
>>>
>>> leon
>>>
>>>
>>
>>
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 11:39:12 2007
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Date: Thu, 04 Oct 2007 06:40:53 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow, Galactic Travels, and The AM/FM Show
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll begin a month-long Special
focus on Norwegian record label Origo Sound.  The Featured CD at
Midnight will be "Communion" by Current  For details, see the Special
Focus page at:
http://wdiy.org/programs/gt/playlists/2007/focus.html#oct

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.


THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, September 22 at 6:00
am.  I will continue the special on E-dition Electronic Music
Magazine's sampler CDs.  I will continue with issue 15 out of 16 so
this special is drawing to a close soon.  What's next?  ;-)

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://muhlenberg.edu/wmuh


======================================================================
All times are EDT / GMT-4.

Listen on-line to WDIY at http://wdiy.org and click LISTEN or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm

Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 11:42:23 2007
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From: "Michael Peters" <mp@mpeters.de>
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Subject: RE: mayonesa
Date: Thu, 4 Oct 2007 13:29:55 +0200
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way cool Raul !!! how did you do that? 
 
-Michael www.michaelpeters.de


  _____  

From: Raul Bonell [mailto:raul.bonell@gmail.com] 
Sent: Wednesday, October 03, 2007 3:34 AM
To: Loopers-Delight@loopers-delight.com
Subject: mayonesa


single sample granular/loopy madness at late night...

http://www.box.net/shared/3ouaj37z3l

raul.

-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra
<http://www.myspace.com/theplayingorchestra> 


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<BODY>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial size=3D2><SPAN=20
class=3D953032911-04102007>way cool Raul !!! how did you do=20
that?&nbsp;</SPAN></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial size=3D2><SPAN=20
class=3D953032911-04102007></SPAN></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial size=3D2><SPAN=20
class=3D953032911-04102007>-Michael <A=20
href=3D"http://www.michaelpeters.de">www.michaelpeters.de</A></SPAN></FON=
T></DIV><BR>
<BLOCKQUOTE=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader lang=3Dde dir=3Dltr align=3Dleft>
  <HR tabIndex=3D-1>
  <FONT face=3DTahoma size=3D2><B>From:</B> Raul Bonell=20
  [mailto:raul.bonell@gmail.com] <BR><B>Sent:</B> Wednesday, October 03, =
2007=20
  3:34 AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B>=20
  mayonesa<BR></FONT><BR></DIV>
  <DIV></DIV>single sample granular/loopy madness at late =
night...<BR><BR><A=20
  =
href=3D"http://www.box.net/shared/3ouaj37z3l">http://www.box.net/shared/3=
ouaj37z3l</A><BR><BR>raul.<BR=20
  clear=3Dall><BR>-- <BR>The Playing Orchestra: <A=20
  =
href=3D"http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web=
2/tpo</A><BR>Chain=20
  Tape Collective: <A=20
  =
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</A><BR=
>TPO at=20
  myspace: <A=20
  =
href=3D"http://www.myspace.com/theplayingorchestra">http://www.myspace.co=
m/theplayingorchestra=20
  </A></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0028_01C8068A.A7417EC0--

From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 12:17:30 2007
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Date: Thu, 4 Oct 2007 14:17:27 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: mayonesa
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ah! ... joking eh?...  your granular works inspired this!
... Bidule ...
thanks for listening!
ra=FCl.


2007/10/4, Michael Peters <mp@mpeters.de>:
>
>  way cool Raul !!! how did you do that?
>
> -Michael www.michaelpeters.de
>
>  ------------------------------
> *From:* Raul Bonell [mailto:raul.bonell@gmail.com]
> *Sent:* Wednesday, October 03, 2007 3:34 AM
> *To:* Loopers-Delight@loopers-delight.com
> *Subject:* mayonesa
>
> single sample granular/loopy madness at late night...
>
> http://www.box.net/shared/3ouaj37z3l
>
> raul.
>
> --
> The Playing Orchestra: http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com
> TPO at myspace: http://www.myspace.com/theplayingorchestra
>
>


--=20
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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ah! ... joking eh?...&nbsp; your granular works inspired this!<br>... Bidul=
e ...<br>thanks for listening!<br>ra=FCl.<br><br><br><div><span class=3D"gm=
ail_quote">2007/10/4, Michael Peters &lt;<a href=3D"mailto:mp@mpeters.de">m=
p@mpeters.de
</a>&gt;:</span><blockquote class=3D"gmail_quote" style=3D"border-left: 1px=
 solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">



<div>
<div dir=3D"ltr" align=3D"left"><font face=3D"Arial" size=3D"2"><span>way c=
ool Raul !!! how did you do=20
that?&nbsp;</span></font></div>
<div dir=3D"ltr" align=3D"left"><font face=3D"Arial" size=3D"2"><span></spa=
n></font>&nbsp;</div>
<div dir=3D"ltr" align=3D"left"><font face=3D"Arial" size=3D"2"><span>-Mich=
ael <a href=3D"http://www.michaelpeters.de" target=3D"_blank" onclick=3D"re=
turn top.js.OpenExtLink(window,event,this)">www.michaelpeters.de</a></span>=
</font></div>
<br>
<blockquote style=3D"border-left: 2px solid rgb(0, 0, 0); padding-left: 5px=
; margin-left: 5px; margin-right: 0px;">
  <div dir=3D"ltr" align=3D"left" lang=3D"de">
  <hr>
  <font face=3D"Tahoma" size=3D"2"><b>From:</b> Raul Bonell=20
  [mailto:<a href=3D"mailto:raul.bonell@gmail.com" target=3D"_blank" onclic=
k=3D"return top.js.OpenExtLink(window,event,this)">raul.bonell@gmail.com</a=
>] <br><b>Sent:</b> Wednesday, October 03, 2007=20
  3:34 AM<br><b>To:</b> <a href=3D"mailto:Loopers-Delight@loopers-delight.c=
om" target=3D"_blank" onclick=3D"return top.js.OpenExtLink(window,event,thi=
s)">Loopers-Delight@loopers-delight.com</a><br><b>Subject:</b>=20
  mayonesa<br></font><br></div><div><span class=3D"e" id=3D"q_1156ad3158d8a=
1db_1">
  <div></div>single sample granular/loopy madness at late night...<br><br><=
a href=3D"http://www.box.net/shared/3ouaj37z3l" target=3D"_blank" onclick=
=3D"return top.js.OpenExtLink(window,event,this)">http://www.box.net/shared=
/3ouaj37z3l
</a><br><br>raul.<br clear=3D"all"><br>-- <br>The Playing Orchestra: <a hre=
f=3D"http://www.telefonica.net/web2/tpo" target=3D"_blank" onclick=3D"retur=
n top.js.OpenExtLink(window,event,this)">http://www.telefonica.net/web2/tpo=
</a>
<br>Chain=20
  Tape Collective: <a href=3D"http://www.ct-collective.com" target=3D"_blan=
k" onclick=3D"return top.js.OpenExtLink(window,event,this)">http://www.ct-c=
ollective.com</a><br>TPO at=20
  myspace: <a href=3D"http://www.myspace.com/theplayingorchestra" target=3D=
"_blank" onclick=3D"return top.js.OpenExtLink(window,event,this)">http://ww=
w.myspace.com/theplayingorchestra=20
  </a></span></div></blockquote></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>The Playing Orchestra: =
<a href=3D"http://www.telefonica.net/web2/tpo">http://www.telefonica.net/we=
b2/tpo</a><br>Chain Tape Collective: <a href=3D"http://www.ct-collective.co=
m">
http://www.ct-collective.com</a><br>TPO at myspace: <a href=3D"http://www.m=
yspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra<=
/a>

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From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 12:54:48 2007
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Date: Thu, 04 Oct 2007 15:02:23 +0200
From: van Sinn <vansinn@post.cybercity.dk>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: AW: programmable delay?
References: <001e01c80652$f94ac150$1001a8c0@succubus> <3C255553-4AAC-46AA-8B71-DA73F427216C@blueyonder.co.uk> <4704ABAB.1060802@tiscali.co.uk>
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andy butler wrote:
> So the stomp box requirement is a cost thing?
> 
> if so
> 
> Check out the Behringer Virtualizer.
> Dead cheap.
> Has 2 delays accurately programmable up to 5s.
> (it's a stereo delay, but each side is individually controllable)
> Sound quality is excellent.
> 
> Well, maybe you want one or 2 of those combined with something else
> with the whole 8s
> 
> andy butler

A few of those combined with a rackmounted FX S/R controller (Rocktron, 
Vodoolabs..) might make a nice midi controlled muli-delay setup.

On a side note..  'fun' how Behringer ofted gets discreminated, while in 
reality by far most of their products are actually pretty good.


> The woodshed wrote:
> 
>>
>>
>> I should have been more explicit, I was thinking more along the stomp 
>> box form, as I will need 5 units.
>>  I just wondered if there was a reasonably cheap programmable delay of 
>> up to about 8 seconds lurking unnoticed in a cheap stomp box 
>> somewhere, like the zoom, which would be perfect (despite less than 
>> stellar sound quality) with a higher resolution on the delay times.
>>
>> leon
>> On 4 Oct 2007, at 07:51, Rainer Thelonius Balthasar Straschill wrote:
>>
>>> about any hardware unit...which form factor do you want?
>>> The TC D2 comes to mind, as well as the TC 2290, or about any Eventide.
>>>
>>>     Rainer
>>>
>>>> -----Ursprüngliche Nachricht-----
>>>> Von: The woodshed [mailto:woodshed@blueyonder.co.uk]
>>>> Gesendet: Donnerstag, 4. Oktober 2007 01:54
>>>> An: Loopers-Delight@loopers-delight.com
>>>> Betreff: programmable delay?
>>>>
>>>>
>>>> hi,
>>>>
>>>> Is there a hardware delay unit that allows storage of delay times?
>>>> Like the Boss giga delay but with 'proper' patch presets,
>>>> able to store about 30 or 40 presets? At the moment I have to
>>>> have several giga delays. The zoom g2 does allow storage, but
>>>> the delay times cannot be divided beyond 1 decimal point
>>>> which is limiting.
>>>>
>>>>
>>>> leon
>>>>
>>>>
>>>
>>>
>>
>>
>>
> 
> 
> .
> 


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 13:13:02 2007
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Date: Thu, 4 Oct 2007 06:13:01 -0700 (PDT)
From: richard gryffin <gi_tatanka@yahoo.com>
Subject: EDP/fcb1010
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I have encountered a problem controlling my EDP with an fcb1010 midi 
controller. I used the PC editor as suggested to program the 
fcb1010 and after the third try with sysex send.... got 
control of the plex....not too bad for a newbie. I have started with the basic 
7 footswitch commands and they all initiate when pressed. The 
problem I am having is this:

I power on and record the first loop....no problems and all functions 
available thru the pedal and EDP...everything works as it should until I 
  reset record on the EDP using the midi foot controller or 
the front panel and start a new loop.... it plays only one cycle of the 
loop and then stops. I have reset the EDP to factory defaults to 
make sure i havent inadvertantly changed a paramater... . then i also 
discovered you have to reset the echoplex presets.... 
thru further experimentation i have found that apparently the 
initial use of the midi controller changes a preset parameter in the 
echoplex after the first loop..which one i cant figure ....i have 
established this by resetting the presets after disconnecting the 
fcb1010 and using the echoplex footswitch.. once i do this everything 
is back to normal with the plex...as long as i use the the gibson pedal....when i go back to the midi pedal the problem comes back...what plex paramater will stop the loop after one cycle? and how is the midi pedal changing the plex paramaters / presets when all i have programmed in the pedal are note ons for the echoplex 7 front panel buttons?
  
i know im a newbie but i have scoured the files and see nothing 
related to this so....any help sent my way will be greatly 
appreciated 


firehawks
       
---------------------------------
Need a vacation? Get great deals to amazing places on Yahoo! Travel. 
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<DIV>I have encountered a problem controlling my EDP with an fcb1010 midi <BR>controller. I used the PC editor as suggested to program the <BR>fcb1010 and after the third try with sysex send.... got <BR>control of the plex....not too bad for a newbie. I have started with the basic <BR>7 footswitch commands and they all initiate when pressed. The <BR>problem I am having is this:<BR><BR>I power on and record the first loop....no problems and all functions <BR>available thru the pedal and EDP...everything works as it should until I </DIV>  <DIV>reset record on the EDP using the midi foot controller or <BR>the front panel and start a new loop.... it plays only one cycle of the <BR>loop and then stops. I have reset the EDP to factory defaults to <BR>make sure i havent inadvertantly changed a paramater... . then i also <BR>discovered you have to reset the echoplex presets.... <BR>thru further experimentation i have found that apparently the <BR>initial use of the midi controller
 changes a preset parameter in the <BR>echoplex after the first loop..which one i cant figure ....i have <BR>established this by resetting the presets after disconnecting the <BR>fcb1010 and using the echoplex footswitch.. once i do this everything <BR>is back to normal with the plex...as long as i use the the gibson pedal....when i go back to the midi pedal the problem comes back...what plex paramater will stop the loop after one cycle? and how is the midi pedal changing the plex paramaters / presets when all i have programmed in the pedal are note ons for the echoplex 7 front panel buttons?</DIV>  <DIV><BR>i know im a newbie but i have scoured the files and see nothing <BR>related to this so....any help sent my way will be greatly <BR>appreciated </DIV><BR><BR><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"><STRONG><EM><FONT
 color=#ff7f00>firehawks</FONT></EM></STRONG></SPAN><p>&#32;
      <hr size=1>Need a vacation? <a href="http://us.rd.yahoo.com/evt=48256/*http://travel.yahoo.com/;_ylc=X3oDMTFhN2hucjlpBF9TAzk3NDA3NTg5BHBvcwM1BHNlYwNncm91cHMEc2xrA2VtYWlsLW5jbQ--">Get great deals 
to amazing places </a>on Yahoo! Travel. 
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From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 13:33:37 2007
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Subject: behringer again again (wasprogrammable delay?)
Date: Thu, 4 Oct 2007 14:33:30 +0100
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>>On a side note..  'fun' how Behringer ofted gets discreminated, while
in reality by far most of their products are actually pretty good.<<

at risk of inviting a libel case from them, the reason that most
behringer products are actually pretty good is that the designs, inside
& very often outside too, are nobbled from other manufacturers (boss,
EHX, mackie & the rest).=20

so uli doesn't have to pay for R&D or industrial design except on a very
few product lines that are unique (apparently) to behringer, e.g. the
fcb1010.

I have no issue with the reliability or quality of the products- indeed,
I own several of their mixers & an fcb1010 myself.=20

I think for those of us that are generally comfortable with the build
quality & reliability, the remaining nasty taste is due to the rarified
atmosphere of the moral high-ground.

there are some pictures on the music-thing blogsite with the EHX & boss
units next to their behringer, er, ringers.
the words "cheeky" & "bastards" come to mind. it's that blatant.

since these pics were posted, the boss-a-like range has had it's
appearance changed to make it less boss-like. I don't know why- yakuza?
:-)

take a look at this:

http://musicthing.blogspot.com/2005/01/behringers-dirt-cheap-stompboxes-
look.html

duncan.

From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 14:51:27 2007
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In a message dated 10/2/07 9:40:50 PM, raul.bonell@gmail.com writes:


> http://www.box.net/shared/3ouaj37z3l
> 

raul....very nice.....somewhat of a departure from your former music.....i 
wish it were longer.....michael




"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON 
EXCERCISE"

www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11




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In a message dated 10/2/07 9:40:50 PM, raul.bonell@gmail.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><A HREF=3D"http://www=
.box.net/shared/3ouaj37z3l">http://www.box.net/shared/3ouaj37z3l</A></FONT><=
FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">raul....very nice.....somewhat of a departure from your former music.....=
i wish it were longer.....michael<BR>
<BR>
<BR>
<BR>
<BR>
"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON EXCE=
RCISE"<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
new at http://www.aol.com</HTML>

--part1_cdd.1e45f4fd.343657e8_boundary--

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great interview!.....i could just picture you there with your edps, sg, 
vortex, groovey pantaloons and my shoes!.....keep flyin that LIVE LOOPING 
FLAG!.....good stuff!.....michael




"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON 
EXCERCISE"

www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11




**************************************
 See what's new at http://www.aol.com

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">great interview!.....i could just pictu=
re you there with your edps, sg, vortex, groovey pantaloons and my shoes!...=
..keep flyin that LIVE LOOPING FLAG!.....good stuff!.....michael<BR>
<BR>
<BR>
<BR>
<BR>
"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON EXCE=
RCISE"<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
new at http://www.aol.com</HTML>

--part1_ce5.1d6d77ad.3436597c_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 15:00:57 2007
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Date: Thu, 4 Oct 2007 10:03:07 -0400 (EDT)
Subject: OT: Eno and bargains
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I'm a happy camper!  We had  bake/book/music sale in our company library
and I was able to pick up Begegnungen II and Thursday Afternoon for $1
each and they're in stellar shape. :)

Ahh the beauty of used CD's...

Plish


From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 15:33:13 2007
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Date: Thu, 04 Oct 2007 10:22:43 -0500
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Though it's an unfashionable dinosaur and with almost none of the 
features of the RC-20, I personally would recommend the Digitech PDS 
pedals, either the 2-second or the exponentially pricier 8-second. They 
have a really tasty sound quality, and the ability to shift pitch 
w/delay time (two octaves from extreme to extreme) lends itself 
extremely well to creating interesting noises. They also can be tweaked 
internally for longer delays/loops, with lower resolution as the 
additional results which can also be a nice thing. Good sound references 
are Bill Frisell's older stuff (check the live record with Joey Baron 
and Kermitt Driscoll), and Sonic Youth's Lee Renaldo (who uses the 20/20 
chorus/flange/echo, which is exceptionally tweakable).

The 2-second versions, the PDS 1002/2000, are so cheap on Ebay that you 
could pick up three or four of them for the same price as an RC-20 and 
arm yourself with some real hell-raising potential.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> In the context of ambient / noise / drone / bleepblorp / circuit bent 
> music, which looper gives the best bang for the buck? I've heard good 
> things about the Boss RC-20; Any yays or nays out there? What are its 
> relative strengths and weaknesses?

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Date: Thu, 4 Oct 2007 08:33:46 -0700
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: behringer again again (wasprogrammable delay?)
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I can see both sides of the "Evil Behringer discussion," but this
example may not support your argument

On 10/4/07, Goddard, Duncan <goddard.duncan@mtvne.com> wrote:
> so uli doesn't have to pay for R&D or industrial design except on a very
> few product lines that are unique (apparently) to behringer, e.g. the
> fcb1010.
>

Actually, it seems as though the innards of the Behringer pedals are
completely different than their visual twins. According to the blog
"What they've presumably done is create a basic digital effects
circuit (not too different from the Digital Stompbox). Every pedal
probably has the same innards, with a different ROM chip, different
knobs and a different colour box." That is very different from Reverse
Engineering, and is in fact quite similar to the way Ikea operates.

As an aside, I just bought an Ikea bedside dresser thing the other day
for $35. It was marked "Made in Denmark" on the side. It says
something when you can pay Danish workers comfortable wages, good
benefits and ship the thing to the US, sell it for $35 and still make
a profit. Maybe the end of the world isn't quite so near : )
-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 15:53:33 2007
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From: James Richmond <yahoogroups@jamesrichmond.com>
Subject: Re: behringer again again (wasprogrammable delay?)
Date: Thu, 4 Oct 2007 11:53:29 -0400
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On Oct 4, 2007, at 11:33 AM, Art Simon wrote:

>  That is very different from Reverse
> Engineering, and is in fact quite similar to the way Ikea operates.

Their copy of the Ebtech cable tester is pretty much a direct copy  
both in looks and electronics.
I've opened them up side by side.

Jim
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV><DIV>On Oct 4, 2007, at =
11:33 AM, Art Simon wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica"><SPAN =
class=3D"Apple-converted-space">=A0</SPAN>That is very different from =
Reverse</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">Engineering, and is in fact quite similar to the way Ikea =
operates.</FONT></P> </BLOCKQUOTE></DIV><BR><DIV>Their copy of the =
Ebtech cable tester is pretty much a direct copy both in looks and =
electronics.</DIV><DIV>I've opened them up side by side.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Jim</DIV></BODY></HTML>=

--Apple-Mail-75-605128277--

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Date: Thu, 4 Oct 2007 09:32:48 -0700
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: behringer again again (wasprogrammable delay?)
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I guess I'm saying that _this particular example_ isn't reverse
engineering. It does seem as though Behringer is guilty of ripping off
other companies designs in other examples. But in this example,
Behringer just seems to be using common componentry to keep costs
down, which is actually _good_ engineering. They aren't really
"ripping off Electro-Harmonix" any more than Line6 rips off
Mesa-Boogie with their amp emulation. (Or Mobius rips off the EDP to
bring this back on topic : )

On 10/4/07, James Richmond <yahoogroups@jamesrichmond.com> wrote:
> Their copy of the Ebtech cable tester is pretty much a direct copy both in
> looks and electronics.
> I've opened them up side by side.
>
> Jim


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

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Date: Thu, 4 Oct 2007 18:35:15 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
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may somebody recommend me a
cheap/clean way to convert directly
the output of my guitar into the s/pdif input
of a laptop? no midi needed since i own
other midi interfaces.

thanks masters!
raul.

-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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may somebody recommend me a<br>cheap/clean way to convert directly<br>the output of my guitar into the s/pdif input<br>of a laptop? no midi needed since i own<br>other midi interfaces.<br clear="all"><br>thanks masters!<br>
raul.<br><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a>
<br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>

------=_Part_27921_285087.1191515715455--

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Subject: Re: behringer again again (wasprogrammable delay?)
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Don't get me started.... :-)

Jim

On Oct 4, 2007, at 12:32 PM, Art Simon wrote:

> Line6 rips off
> Mesa-Boogie with their amp emulation.


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<HTML><BODY style="word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-line-break: after-white-space; ">Don't get me started.... :-)<DIV><BR class="khtml-block-placeholder"></DIV><DIV>Jim</DIV><DIV><BR><DIV><DIV>On Oct 4, 2007, at 12:32 PM, Art Simon wrote:</DIV><BR class="Apple-interchange-newline"><BLOCKQUOTE type="cite"><P style="margin: 0.0px 0.0px 0.0px 0.0px"><FONT face="Helvetica" size="3" style="font: 12.0px Helvetica">Line6 rips off</FONT></P> <P style="margin: 0.0px 0.0px 0.0px 0.0px"><FONT face="Helvetica" size="3" style="font: 12.0px Helvetica">Mesa-Boogie with their amp emulation.</FONT></P> </BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 17:21:37 2007
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Find a digitech RP2000.  It's got S/PDIF out.  I'm not sure how cheap
they are these days.

Check some of the other Digitech multifx.  I think the GNX series has
s/pdif too.  but I'm not positive.  Unfortunately, they aren't cheap.
But they are kinda cool. :)

Tony

On 10/4/07, Raul Bonell <raul.bonell@gmail.com> wrote:
> may somebody recommend me a
> cheap/clean way to convert directly
> the output of my guitar into the s/pdif input
> of a laptop? no midi needed since i own
> other midi interfaces.
>
> thanks masters!
>  raul.
>
> --
> The Playing Orchestra: http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com
> TPO at myspace: http://www.myspace.com/theplayingorchestra


-- 
-==-=-=-
Tony

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I just had a chance to play the new TC nova delay, essentially a 2290 in a
floor box. It's programmable but I'm not exactly sure how many presets are
available. God it sounds great though, with the ability to filter the delay
to sound more like analogue or tape, and it has a unique tap function that
allows you to silently set the tempo by holding down the tap button and
playing a rhythmic phrase, which the Nova delay analizes and turns in to a
tempo setting. You can also set the LCD to read milliseconds or
BPM's...sweet. OH yes, and the sound quality is of course , first rate, with
that classic 2290 ducking ability.
Bill

From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 17:48:37 2007
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Date: Thu, 04 Oct 2007 13:47:03 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #548 for September 29, 2007
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Don't forget to tune in to tonight's show.

http://wdiy.org/programs/gt/playlists/2007/070927.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #548                September 27, 2007

RECAP:
On this show, I concluded the month-long focus on Free System Projekt.
The Featured CD at Midnight was "Gent."

Free System Projekt:
http://wdiy.org/programs/gt/playlists/2007/focus.html#sep


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Phrozenlight         Rumbling between     Darklights (none)
                       solitary rocks
WintherStormer       Musical Equitqtion   Woodwork (Bajkal)
                       Extracted from Firelogs
O Yuki Conjugate     Ascension            Undercurrents (none)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Free System Projekt  Desolate Landscape   Gent (none)
Free System Projekt  Gent 4               Gent (none)
Free System Projekt  Moyland Part 4       Gent (none)
Free System Projekt  Gent 5               Gent (none)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Origo
Sound.  The Featured CD at Midnight will be "Communion" by Current.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4:00) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site - http://galactictravels.info
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 18:09:11 2007
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Art Simon wrote:
> I guess I'm saying that _this particular example_ isn't reverse
> engineering. It does seem as though Behringer is guilty of ripping off
> other companies designs in other examples. But in this example,
> Behringer just seems to be using common componentry to keep costs
> down, which is actually _good_ engineering. They aren't really
> "ripping off Electro-Harmonix" any more than Line6 rips off
> Mesa-Boogie with their amp emulation. (Or Mobius rips off the EDP to
> bring this back on topic : )
> 
> On 10/4/07, James Richmond <yahoogroups@jamesrichmond.com> wrote:
> 
>>Their copy of the Ebtech cable tester is pretty much a direct copy both in
>>looks and electronics.
>>I've opened them up side by side.
>>
>>Jim

Ooups! Shouldn't've mentioned the Behringer stuff, sorry about that.
Ever so often there's a looongish thread on some usenet group.

What Behringer is doing, which ever way, is delivering affordable gear 
to those who can't always afford, or don't need, Boutique gear.
The Real McCoy gear will always be shopped by those who wants that.

Summarizing from one of the latest (on rec.audio.pro IIRC), a posting 
linked to Ulf Beringer's statements, that reverse engineering is both 
ethically justifiable and accepted in every business, further saying "Do 
you think Mercedez don't have the latest BMW on a bench in their labs?"

I'll just cool my engines for now ;) Peace, love on Earth et al...

-- 
rgds,
van Sinn

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From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 21:50:22 2007
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Subject: Live 7 has been announced
Date: Thu, 04 Oct 2007 21:44:35 +0000
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Looks very cool. 

http://www.ableton.com/live
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<html><body>
<DIV>Looks very cool. </DIV>
<DIV>&nbsp;</DIV>
<DIV><A href="http://www.ableton.com/live">http://www.ableton.com/live</A></DIV></body></html>

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Live 7 has been announced
Date: Fri, 5 Oct 2007 00:04:07 +0200
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On 4 okt 2007, at 23.44, midifriedchicken@comcast.net wrote:

> Looks very cool.
> http://www.ableton.com/live


How wonderful! I was just so tempted to go to bed but Midi-Chick Fry  
helps me to stay up for an extra hour ;-)  First Apple and now  
Ableton... it's the Fight Of The Titans out there. If they could only  
care a bit more about live looping musicians.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 22:17:55 2007
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it would seem that the fcb1010 is sending some extra command.
 put all the unused fcb functions onto a different midi channel

probably it's setting feedback to 0, in which case changing the 
FeedBKCont param should be a quick fix

andy butler
(tired now, more help if you need it later)

 



richard gryffin wrote:
> I have encountered a problem controlling my EDP with an fcb1010 midi
> controller. I used the PC editor as suggested to program the
> fcb1010 and after the third try with sysex send.... got
> control of the plex....not too bad for a newbie. I have started with the 
> basic
> 7 footswitch commands and they all initiate when pressed. The
> problem I am having is this:
> 
> I power on and record the first loop....no problems and all functions
> available thru the pedal and EDP...everything works as it should until I
> reset record on the EDP using the midi foot controller or
> the front panel and start a new loop.... it plays only one cycle of the
> loop and then stops. I have reset the EDP to factory defaults to
> make sure i havent inadvertantly changed a paramater... . then i also
> discovered you have to reset the echoplex presets....
> thru further experimentation i have found that apparently the
> initial use of the midi controller changes a preset parameter in the
> echoplex after the first loop..which one i cant figure ....i have
> established this by resetting the presets after disconnecting the
> fcb1010 and using the echoplex footswitch.. once i do this everything
> is back to normal with the plex...as long as i use the the gibson 
> pedal....when i go back to the midi pedal the problem comes back...what 
> plex paramater will stop the loop after one cycle? and how is the midi 
> pedal changing the plex paramaters / presets when all i have programmed 
> in the pedal are note ons for the echoplex 7 front panel buttons?
> 
> i know im a newbie but i have scoured the files and see nothing
> related to this so....any help sent my way will be greatly
> appreciated
> 
> 
> */firehawks/*
> 
> ------------------------------------------------------------------------
> Need a vacation? Get great deals to amazing places 
> <http://us.rd.yahoo.com/evt=48256/*http://travel.yahoo.com/;_ylc=X3oDMTFhN2hucjlpBF9TAzk3NDA3NTg5BHBvcwM1BHNlYwNncm91cHMEc2xrA2VtYWlsLW5jbQ-->on 
> Yahoo! Travel.

From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 23:25:26 2007
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any idea when it is supposed to come out of beta=3F


Original Message:
-----------------
From:  midifriedchicken@comcast=2Enet
Date: Thu, 04 Oct 2007 21:44:35 +0000
To: Loopers-Delight@loopers-delight=2Ecom (Loopers Delight)
Subject: Live 7 has been announced


Looks very cool=2E=20

http://www=2Eableton=2Ecom/live

--------------------------------------------------------------------
mail2web LIVE =96 Free email based on Microsoft=AE Exchange technology -
http://link=2Email2web=2Ecom/LIVE


From Loopers-Delight-request@loopers-delight.com  Thu Oct  4 23:57:58 2007
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Nice. In Bidule? Do you mean you did all this with Bidule modules, or are 
you using other VSTs, etc? I really enjoy working with granular effects. I 
have several max/msp granular patches, from Nathan Wolek's granular toolkit: 
http://www.nathanwolek.com/software.html

I basically took most of his live performance granlar patches, converted 
them to true stereo, and then I controll two key pararmeters in each with my 
FCB expression pedals.

Kris

> On 10/2/07, Raul Bonell <raul.bonell@gmail.com> wrote:
>> single sample granular/loopy madness at late night...
>>
>> http://www.box.net/shared/3ouaj37z3l
>>
>> raul.

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 01:08:54 2007
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Date: Thu, 4 Oct 2007 20:08:29 -0500
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From: Mech <mech@m3ch.net>
Subject: Re: OT:guitar-X-s/pdif
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At 6:35 PM +0200 10/4/07, Raul Bonell wrote:
>may somebody recommend me a cheap/clean way to convert directly
>the output of my guitar into the s/pdif input of a laptop?

BTW, you didn't specify: do you need coax or optical S/PDIF (or does 
it not matter)?

Take a look at the Behringer V-Verb.  Musician's Fiend [sic] is doing 
a special on them right now for $99:

http://www.musiciansfriend.com/product/Behringer-VVERB-PRO-REV2496-Reverb-Modeling-Processor?sku=182490

I only recently grabbed one, but it seems like a nice reverb/delay 
unit.  Not to mention it has both AES/EBU XLR and TOSLINK built into 
the back (you can elect to send S/PDIF out the XLR's too, IIRC).  If 
you need co-ax, I believe there's a wiring hack that let's you use 
XLR into RCA-type co-ax jacks.  It's been a while since I found that 
one out on the net, though, so you may need to do a Google for it.

And, if you want a kickass delay pedal with a built in Looper thrown 
in extra, the Yamaha UD-Stomp has co-ax S/PDIF built into it.  That 
one's going to set you back a little, as their value on Ebay has held 
(or even increased) since they were discontinued, though.  However, 
it does get us back on topic by a little.  ;)

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 03:22:13 2007
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Date: Thu, 4 Oct 2007 20:22:12 -0700 (PDT)
From: richard gryffin <gi_tatanka@yahoo.com>
Subject: Re: EDP/fcb1010
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feedBKCont was set at 1....i changed it to 127.....still the same results
  all 7 gibson pedal button functions are set to midi channel 1
  all programmed fcb functions related to the plex 7 buttons are set to channel 1
  all other fcb functions are set to channel 25.....ahhhhhhhhh .....as i visualize what i write ....it occurs to me ......the plex only has 16 channels doesnt it ? so i changed to numbers the plex would understand ....channel 15 it was ....finiky lil beast isn it?
  and now it works like a charm....or as it is supposed to....
  thanks man ...you saved me hours of frustration i am sure....
   
  

andy butler <akbutler@tiscali.co.uk> wrote:
  it would seem that the fcb1010 is sending some extra command.
put all the unused fcb functions onto a different midi channel

probably it's setting feedback to 0, in which case changing the 
FeedBKCont param should be a quick fix

andy butler
(tired now, more help if you need it later)





richard gryffin wrote:
> I have encountered a problem controlling my EDP with an fcb1010 midi
> controller. I used the PC editor as suggested to program the
> fcb1010 and after the third try with sysex send.... got
> control of the plex....not too bad for a newbie. I have started with the 
> basic
> 7 footswitch commands and they all initiate when pressed. The
> problem I am having is this:
> 
> I power on and record the first loop....no problems and all functions
> available thru the pedal and EDP...everything works as it should until I
> reset record on the EDP using the midi foot controller or
> the front panel and start a new loop.... it plays only one cycle of the
> loop and then stops. I have reset the EDP to factory defaults to
> make sure i havent inadvertantly changed a paramater... . then i also
> discovered you have to reset the echoplex presets....
> thru further experimentation i have found that apparently the
> initial use of the midi controller changes a preset parameter in the
> echoplex after the first loop..which one i cant figure ....i have
> established this by resetting the presets after disconnecting the
> fcb1010 and using the echoplex footswitch.. once i do this everything
> is back to normal with the plex...as long as i use the the gibson 
> pedal....when i go back to the midi pedal the problem comes back...what 
> plex paramater will stop the loop after one cycle? and how is the midi 
> pedal changing the plex paramaters / presets when all i have programmed 
> in the pedal are note ons for the echoplex 7 front panel buttons?
> 
> i know im a newbie but i have scoured the files and see nothing
> related to this so....any help sent my way will be greatly
> appreciated
> 
> 
> */firehawks/*
> 
> ------------------------------------------------------------------------
> Need a vacation? Get great deals to amazing places 
> on 
> Yahoo! Travel.




firehawks
       
---------------------------------
Boardwalk for $500? In 2007? Ha! 
Play Monopoly Here and Now (it's updated for today's economy) at Yahoo! Games.
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<div>feedBKCont was set at 1....i changed it to 127.....still the same results</div>  <div>all 7 gibson pedal button functions are set to midi channel 1</div>  <div>all programmed fcb functions related to the plex 7 buttons are set to channel 1</div>  <div>all other fcb functions are set to channel 25.....ahhhhhhhhh .....as i visualize what i write ....it occurs to me ......the plex only has 16 channels doesnt it ? so i changed to numbers the plex would understand ....channel 15 it was ....finiky lil beast isn it?</div>  <div>and now it works like a charm....or as it is supposed to....</div>  <div>thanks man ...you saved me hours of frustration i am sure....</div>  <div>&nbsp;</div>  <div><BR><BR><B><I>andy butler &lt;akbutler@tiscali.co.uk&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">it would seem that the fcb1010 is sending some extra command.<BR>put all the unused fcb functions onto a
 different midi channel<BR><BR>probably it's setting feedback to 0, in which case changing the <BR>FeedBKCont param should be a quick fix<BR><BR>andy butler<BR>(tired now, more help if you need it later)<BR><BR><BR><BR><BR><BR>richard gryffin wrote:<BR>&gt; I have encountered a problem controlling my EDP with an fcb1010 midi<BR>&gt; controller. I used the PC editor as suggested to program the<BR>&gt; fcb1010 and after the third try with sysex send.... got<BR>&gt; control of the plex....not too bad for a newbie. I have started with the <BR>&gt; basic<BR>&gt; 7 footswitch commands and they all initiate when pressed. The<BR>&gt; problem I am having is this:<BR>&gt; <BR>&gt; I power on and record the first loop....no problems and all functions<BR>&gt; available thru the pedal and EDP...everything works as it should until I<BR>&gt; reset record on the EDP using the midi foot controller or<BR>&gt; the front panel and start a new loop.... it plays only one cycle of the<BR>&gt;
 loop and then stops. I have reset the EDP to factory defaults to<BR>&gt; make sure i havent inadvertantly changed a paramater... . then i also<BR>&gt; discovered you have to reset the echoplex presets....<BR>&gt; thru further experimentation i have found that apparently the<BR>&gt; initial use of the midi controller changes a preset parameter in the<BR>&gt; echoplex after the first loop..which one i cant figure ....i have<BR>&gt; established this by resetting the presets after disconnecting the<BR>&gt; fcb1010 and using the echoplex footswitch.. once i do this everything<BR>&gt; is back to normal with the plex...as long as i use the the gibson <BR>&gt; pedal....when i go back to the midi pedal the problem comes back...what <BR>&gt; plex paramater will stop the loop after one cycle? and how is the midi <BR>&gt; pedal changing the plex paramaters / presets when all i have programmed <BR>&gt; in the pedal are note ons for the echoplex 7 front panel buttons?<BR>&gt; <BR>&gt; i
 know im a newbie but i have scoured the files and see nothing<BR>&gt; related to this so....any help sent my way will be greatly<BR>&gt; appreciated<BR>&gt; <BR>&gt; <BR>&gt; */firehawks/*<BR>&gt; <BR>&gt; ------------------------------------------------------------------------<BR>&gt; Need a vacation? Get great deals to amazing places <BR>&gt; <HTTP: evt="48256/*http://travel.yahoo.com/;_ylc=X3oDMTFhN2hucjlpBF9TAzk3NDA3NTg5BHBvcwM1BHNlYwNncm91cHMEc2xrA2VtYWlsLW5jbQ--" us.rd.yahoo.com>on <BR>&gt; Yahoo! Travel.<BR><BR></BLOCKQUOTE><BR><BR><BR><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"><STRONG><EM><FONT color=#ff7f00>firehawks</FONT></EM></STRONG></SPAN><p>&#32;

      <hr size=1>Boardwalk for $500? In 2007? Ha! <br><a href="http://us.rd.yahoo.com/evt=48223/*http://get.games.yahoo.com/proddesc?gamekey=monopolyherenow">Play Monopoly Here and Now</a> (it's updated for today's economy) at Yahoo! Games.
--0-1102984399-1191554532=:35938--

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 04:55:23 2007
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Date: Thu, 04 Oct 2007 23:56:50 -0400
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: My worst looping gig...
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....was when a very large and very drunken member of the audience came =
up on stage while I was playing an unlikely spot called "The Chopping =
Block" and recounted into the microphone his "special encounter" with =
Michael Brook.  He was actually quite entertaining, which was reason =
enough for me to stop playing and just let the moment play out.  What I =
didn't realize fast enough was just how long it would take to share all =
the details of this "special encounter."=20

and what about you??
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<DIV><FONT face=3DArial size=3D2>....was when a very large and very =
drunken member=20
of the audience came up on stage while I was playing an unlikely spot =
called=20
"The Chopping Block" and recounted into the microphone his "special =
encounter"=20
with Michael Brook.&nbsp; He was actually quite entertaining, which was =
reason=20
enough for me to stop playing and just let the moment play out.&nbsp; =
What I=20
didn't realize fast enough was just how long it would take to share all =
the=20
details of this "special encounter." </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>and what about =
you??</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 07:04:18 2007
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<P>I enjoyed your tale.</P>
<P>Unrelated anecdote:</P>
<P>It was 1977.&nbsp; I was the "leader" of an early punk band in Northampton, MA.&nbsp; We encouraged audience participation as a political statement.&nbsp; This led to some great nights (and some no so great ones).&nbsp; Daniel Lightsey (a published poet; if still a very damaged human being) did scat words on top of our jams.&nbsp; We took him on the road (regional) and he was always well received in clubs in Boston &amp; New England environs.&nbsp; However, his love of heroin made him unreliable in the extreme and we had to stop his involvement.&nbsp; But I still think his poems (sometimes) were sublime.</P>
<P>We had a local musician we called Yoko Wayney who would leap on stage and take over the singing on occasion.&nbsp; He was a co-owner of an excellent NY deli in Oho.&nbsp; We later played his wedding (or his business partner - one of them was gay but I can never remember which one). Yoko Wayney was once a musician in NY with a band called the Gypsy Tramps and he knew folks like Alan Vega from Suicide -&nbsp;which was cool cause we then hired Suicide to play a one-off gig in Noho and they let us open for them at a club in NYC called the 80s. One of my very favorite gig memories.&nbsp; The audience assaulted me as lead singer and I loved the negative energy.</P>
<P>So those are my memories: Daniel causing mayhem and people throwing bottles at the stage. One night with Yoko Wayney, the bass player in my band decided Wayney had been sleeping with his wife (or something else - I never figured out all of his anger issues) and he threw a beer glass at Yoko.&nbsp; Who went berserk and threw things back and ranted for ages into an open mic. So the rest of us grooved&nbsp; on the cadence of his speech and gave him a cool James Brown backdrop for his diatribe.&nbsp; Then the cops shut down the club (Rahars) for the night.&nbsp; So L. Luchinie turned it into a private party, opened the cooler, and we all sat &amp; drank into the wee hours while telling tall tales.</P>
<P>Between the 2 of them, the groove went on for almost an hour and I really wish we had run tape because I suspect it was excellent.</P>
<P>Anyway - I think being assualted by your listeners may sometimes be a good thing. I was assaulted by miiltant lesbians numerous times for my lyrics, even though I kept trying to explain they were hyperbole intended to skew homophobes.&nbsp; Such was life in the land of literal liberali9sm circa 1977.</P>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 0px; BORDER-LEFT: #0000ff 2px solid">-----Original Message----- <BR>From: David Kirkdorffer <VZE2NCSR@VERIZON.NET><BR>Sent: Oct 4, 2007 11:56 PM <BR>To: Loopers-Delight@loopers-delight.com <BR>Subject: My worst looping gig... <BR><BR><ZZZHTML><ZZZHEAD><ZZZMETA content="text/html; charset=iso-8859-1" http-equiv="Content-Type"><ZZZMETA content="MSHTML 6.00.2800.1555" name="GENERATOR">
<STYLE></STYLE>
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<DIV><FONT face=Arial size=2>....was when a very large and very drunken member of the audience came up on stage while I was playing an unlikely spot called "The Chopping Block" and recounted into the microphone his "special encounter" with Michael Brook.&nbsp; He was actually quite entertaining, which was reason enough for me to stop playing and just let the moment play out.&nbsp; What I didn't realize fast enough was just how long it would take to share all the details of this "special encounter." </FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>and what about you??</FONT></DIV></ZZZBODY></ZZZHTML></BLOCKQUOTE></BODY>

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 08:08:31 2007
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Hi folks

When I loop _by_myself_, I'm quite happy with the musical freedom. If I have an idea in my head, I can transform it into sounding music on a looper more or less to my satisfaction.

When I play with others and _I_set_the_rhyhthm_ (and often also the bass line) on my looper, it also works out quite well.

When it comes to playing together with other acoustic musicians in a live setting where _they_set_the_tempo_ , there still seems to be a long way to go. 
Recently, I jammed with a couple acoustic musicians where I didn't dominate the song structure. So, the tempo was varying about ca. +/- 20 BPM. Eventually, I had to turn my RC-2 off.

To make a long story short: What looping features & skills do you need to be able to play live with other musicians?
How do you keep in sync and keep up with tempo properly (acoustic instruments only and no drummer with a midi trigger)?

My first guess is that you need a looper with the following features:
- Retrigger loop(s)
- Tap tempo

So, what hardware loopers are able to do this?
Retrigger:
I can't really do that with my RC-50 + RC-2. You can't really stop and restart the loop because the ther will be a big "hole" in the music (maybe it works if you add a lot of reverb or put another loop under it?).

Tap Tempo:
More or less useless on RC-50 (might work if you only have percussion).
RC-2: works quite fine. But you cannot use an external foot pedal for that (tap tempo will work only in stop mode). That means you have to bend down.

So, how about other hardware loopers? And software (Mobius or SooperLooper)?

Have you experience with handling such situations in practice?

Best regards
Buzap


-- 
Psssst! Schon vom neuen GMX MultiMessenger gehört?
Der kanns mit allen: http://www.gmx.net/de/go/multimessenger

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 08:44:26 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Following Acoustic Musicians with Looper
Date: Fri, 5 Oct 2007 10:44:19 +0200
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On 5 okt 2007, at 10.08, Buzap Buzap wrote:

> To make a long story short: What looping features & skills do you  
> need to be able to play live with other musicians?
> How do you keep in sync and keep up with tempo properly (acoustic  
> instruments only and no drummer with a midi trigger)?


In my experience the EDP is excellent for this. The trick is to not  
loop all the time and always be prepared delete your loop in a blink  
to react on what is happening in the group.

1) On the EDP you can always hit Record to erase everything and start  
a new loop and the second time you hit Record (or any alternative  
ending) you're in a new loop that is syncing to the new "acoustic"  
tempo.

2) I also keep one button to instantly retrigger the loop ("stutter").

3) I the group tempo changes while I'm working a floating, non  
rhythmic, loop I might simply go Multiply-Record to cut it down to a  
duration that loops in synk.

This kind of "looper abuse" is not possible with Mobius on a laptop,  
although Mobius does well handle most EDP tricks and adds its own.  
This good live synk functionality is the reason I still keep my old  
EDP. I can't think of any bette way to sync electronics than an EDP  
used in the above described way. The longer loop you create the more  
accurate will the sync be. I typically start out with two or one bars.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 08:49:51 2007
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Very nice !

fabio
  ----- Original Message -----=20
  From: Raul Bonell=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, October 03, 2007 3:33 AM
  Subject: mayonesa


  single sample granular/loopy madness at late night...

  http://www.box.net/shared/3ouaj37z3l

  raul.

  --=20
  The Playing Orchestra: http://www.telefonica.net/web2/tpo
  Chain Tape Collective: http://www.ct-collective.com
  TPO at myspace: http://www.myspace.com/theplayingorchestra=20


-------------------------------------------------------------------------=
-----


  No virus found in this incoming message.
  Checked by AVG Free Edition.=20
  Version: 7.5.488 / Virus Database: 269.14.0/1046 - Release Date: =
03/10/2007 10.08

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From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 10:29:48 2007
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Hi Per & all

the hints are really good. Seems like constantly tapping the BPM to catch up is not the wisest thing?

Let's look at these advices from the RC50 perpective:

> 1) On the EDP you can always hit Record to erase everything and start  
> a new loop and the second time you hit Record (or any alternative  
> ending) you're in a new loop that is syncing to the new "acoustic"  
> tempo.
With extra pedals, I can do that quite easily, since I have 3 loops available to switch back and forth.

> 2) I also keep one button to instantly retrigger the loop ("stutter").
Just figured out, that I can do that also in SINGLE MODE on the RC50, by pressing the Phrase pedal. That's really sweet!! :-)) I do get to use the single mode after all...

> 3) I the group tempo changes while I'm working a floating, 
> rhythmic, loop I might simply go Multiply-Record to cut it down to a  
> duration that loops in synk.
I get the idea. Currently, it "almost" works. I just can't get the damn thing to "multiply-record" without quantizing to initial loop tempo.

So, overall, the "stutter" function seems to help a lot. If I don't get tired stepping on the pedal on every count of "one". I can even keep the loop running with the wrong tempo and still start on time (assuming the group get's faster).

I had another trick in mind, but I don't know if it works:
Sort of slowing down, speeding up the loop until you are in sync with the group. Don't know if you just need practice to get there or if it is too difficult.

Was really surprised that Mobius doesn't play all these tricks..

Thanks
Buzap

-- 
Psssst! Schon vom neuen GMX MultiMessenger gehört?
Der kanns mit allen: http://www.gmx.net/de/go/multimessenger

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 11:25:43 2007
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The Repeater works well in this setup. You can either tap the tempo as you =
=3D
play, and the Repeater will speed up or slow down accordingly, or you can (=
=3D
if I remember correctly) even have it sync to an acoustic bass drum track. =
=3D
I never did that with the Repeater, but with a Quasimidi Sirius sending mid=
=3D
i clock to a Repeater.

Other possibilties:
1. Make sure somebody who is able to dominate the tempo (normally, a loud d=
=3D
rummer) can hear your loop very clearly. At best, very loud in his inears. =
=3D
I also played with a drummer who was very happy to look at the flashing tap=
=3D
 tempo light of my KP2 synced to the Repeater.

2. Use loops which work well with tempo changes.

3. Learn to play very tight.

            Rainer

> To make a long story short: What looping features & skills do you need to=
 be
> able to play live with other musicians?
> How do you keep in sync and keep up with tempo properly (acoustic
> instruments only and no drummer with a midi trigger)?

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Following Acoustic Musicians with Looper
Date: Fri, 5 Oct 2007 13:56:51 +0200
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On 5 okt 2007, at 12.29, Buzap Buzap wrote:

> Was really surprised that Mobius doesn't play all these tricks..


Oh yes it does! But not without audio artifacts or rhythmic hiccups.  
Never judge a piece of gear form its specification. Better try it,  
listen to it and apply it.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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 >>How do you keep in sync and keep up with tempo properly <<

As a general rule, you don't. They do - if you're the one looping,  
it's incumbent on the other musicians to LISTEN to what you're doing  
and stick with it. Like a drummer - a drummer's job isn't to follow  
the tempo drifts of the singer, in all but the most arcane of musical  
settings. Everyone else follows the drummer (except the bassist - we  
tend to be able to pull drummers in line when they need it... ;o)  )

So, explain to the other musicians that your loops won't follow them,  
and that they have to listen to you as they would to a drummer. Then  
play things, at least at first til the get the subtlety of it, that  
are rhythmically really obvious. I've been able to get people who  
previously had no idea about looping to follow me pretty well, just  
by pointing out that they need to listen. :o)

cheers

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">&gt;&gt;How do you keep in sync =
and keep up with tempo properly=A0&lt;&lt;<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>As a general rule, you =
don't. They do - if you're the one looping, it's incumbent on the other =
musicians to LISTEN to what you're doing and stick with it. Like a =
drummer - a drummer's job isn't to follow the tempo drifts of the =
singer, in all but the most arcane of musical settings. Everyone else =
follows the drummer (except the bassist - we tend to be able to pull =
drummers in line when they need it... ;o)=A0 )</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>So, explain to the other =
musicians that your loops won't follow them, and that they have to =
listen to you as they would to a drummer. Then play things, at least at =
first til the get the subtlety of it, that are rhythmically really =
obvious. I've been able to get people who previously had no idea about =
looping to follow me pretty well, just by pointing out that they need to =
listen. :o)=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>cheers</DIV><DIV><BR><DIV> =
<SPAN class=3D"Apple-style-span" style=3D"border-collapse: separate; =
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normal; letter-spacing: normal; line-height: normal; text-align: auto; =
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class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
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class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
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white-space: normal; widows: 2; word-spacing: 0px; =
"><DIV>Steve</DIV><DIV>www.stevelawson.net - =
site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccollec=
tive.org</A> - =
blog</DIV><DIV>www.myspace.com/solobassstevelawson</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
PAN> </DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-3-676297591--

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 12:11:56 2007
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From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
References: <20071005080829.92040@gmx.net> <716FB4BF-3A51-4C0A-82A9-19E4A15383CD@gmail.com> <20071005102945.278030@gmx.net>
Subject: Re: Following Acoustic Musicians with Looper
Date: Fri, 5 Oct 2007 13:11:56 +0200
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hi

why search for the complicated akward techie solution ??
why not take some time for the "other" musician to adapt to play regular 
time and "connect" with your loops
_they_ are suposed to adapt if they want to play with a looping musician

Claude




Hi Per & all

the hints are really good. Seems like constantly tapping the BPM to catch up 
is not the wisest thing?

Let's look at these advices from the RC50 perpective:

> 1) On the EDP you can always hit Record to erase everything and start
> a new loop and the second time you hit Record (or any alternative
> ending) you're in a new loop that is syncing to the new "acoustic"
> tempo.
With extra pedals, I can do that quite easily, since I have 3 loops 
available to switch back and forth.

> 2) I also keep one button to instantly retrigger the loop ("stutter").
Just figured out, that I can do that also in SINGLE MODE on the RC50, by 
pressing the Phrase pedal. That's really sweet!! :-)) I do get to use the 
single mode after all...

> 3) I the group tempo changes while I'm working a floating,
> rhythmic, loop I might simply go Multiply-Record to cut it down to a
> duration that loops in synk.
I get the idea. Currently, it "almost" works. I just can't get the damn 
thing to "multiply-record" without quantizing to initial loop tempo.

So, overall, the "stutter" function seems to help a lot. If I don't get 
tired stepping on the pedal on every count of "one". I can even keep the 
loop running with the wrong tempo and still start on time (assuming the 
group get's faster).

I had another trick in mind, but I don't know if it works:
Sort of slowing down, speeding up the loop until you are in sync with the 
group. Don't know if you just need practice to get there or if it is too 
difficult.

Was really surprised that Mobius doesn't play all these tricks..

Thanks
Buzap

-- 
Psssst! Schon vom neuen GMX MultiMessenger gehört?
Der kanns mit allen: http://www.gmx.net/de/go/multimessenger


From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 12:25:37 2007
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Subject: Re: Following Acoustic Musicians with Looper
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> I had another trick in mind, but I don't know if it works:
> Sort of slowing down, speeding up the loop until you are in sync with the group. Don't know if you just need practice to get there or if it is too difficult.

bet it's not possible
( would be great if you could prove me wrong here :-)

it's hard anyway, but the musicians you are trying to match will likely
have found yet another tempo by the time you catch up.
Especially as what you're doing is going to put them off. 


> Was really surprised that Mobius doesn't play all these tricks..

me too,
but let's appreciate that Jeff transcended his "EDP Clone" days.

andy 
 

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 12:32:22 2007
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Steve Lawson wrote:
 - a drummer's job isn't to follow the 
> tempo drifts of the singer, in all but the most arcane of musical 
> settings. 

Vietnamese sung poetry is arcane????
(anyone think of any others?)

andy butler

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 13:32:53 2007
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References: <589924.35938.qm@web63510.mail.re1.yahoo.com> <000701c80703$c2e2d100$08cd5548@hppav>
Subject: Re: My worst looping gig...
Date: Fri, 5 Oct 2007 07:32:46 -0600
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------=_NextPart_000_093F_01C80721.EC6953A0
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Here is my worst looping gig...copied from my blog at: =
http://krispenhartung.blogspot.com/2005_09_01_archive.html


"Yesterday was probably the worst gig I ever experienced...totally =
horrific. Just about everything that could have gone wrong, went wrong. =
To start, the night before my 85 year old grandma slipped on the =
hardwood for of my kitchen and landed on the back of her head, knocking =
her out unconscious, and bleeding profusely. We had to call the =
ambulance, take her to the emergency room at the hospital, and she has =
been in the hospital since. She is fine and they are keeping her in the =
hospital as a precaution, to observe her, take a cat scan to ensure =
there is no internal bleeding, etc....main point being that I was up =
until at least midnight the night before the gig, and then I got up a =
5:30am to pickup my percussionist and drive 3.5 hours to the art =
festival. It was a arts festival that I signed up for...a pro bono gig =
to support the arts. [postscript - my grandmother passed away a few =
months later]

So here is where the nightmare starts. We get to this little town where =
the art fair is, and not only is it totally overcast, but there is new =
snow on the mountains nearby (September), and we can see our breath as =
we get out of my Jeep. First bad sign....my fingers don't work to well =
on the guitar when it's that cold. So, it starts to warm up a bit, and =
we discover that the sound man is behind schedule. We were supposed to =
start at 11:30am, but we didn't even start doing a sound check until =
11:45pm. Then I had some major technical difficulties with my system, =
getting both my guitar and the percussion to loop through my Gibson =
Echoplexes, and come through the main channel of my mixer board...that =
takes a while to troubleshoot. In the mean time...the lady that is =
coordinating the whole thing is pressuring us to start playing....so =
while we are working the bugs out, she decides to have the act after us =
start part of their show, which incidentally was her singing in full =
vibrato, church-lady style. Gasp! She finishes her song and we finally =
start playing....but what the $#@!*&%!? My looped signal is not coming =
through the main PA speakers....so in the panic mode, I just start =
playing solo guitar style...some jingle-jangle jazz stuff...Aaron, my =
percussionist and good friend adapts and plays his ashiko along with =
me...no loops though...after that song, I decide to push a few buttons =
on the board, and what the hell...my looped signal is coming through, =
but there are no monitors, no percussion in the loops, and the looped =
signal is not coming through my headphone signal, which is what we were =
using for our monitors. Okay, I can deal with that...I can just rely on =
what I hear in the main PA speakers. So we limp through our shorten set, =
and then I discover probably the most ludicrous thing about this =
event...the lady who coordinated it built ABSOLUTELY NO transitions =
between the acts! Totally unbelievable. In other words, there is no =
setup or teardown time before or after acts [and only one stage]. So =
she's practically yelling at us to get our gear off the stage so that =
the next act can start in, ehhhh, 30 seconds? Yeah right. We manage to =
just scoot my rack off to the side, but the real kicker is that at 3pm =
we are scheduled to play again, meaning we have to set all this shit up =
again with no transition time, thus eating into our set.

But it gets more ludicrous. After we get off the stage, we discover what =
is lined up for the other performing acts. Totally crazy...5 old blue =
hair women and a man who are dancing and singing on the state to =
pre-recorded music. I mean, this is freakin' hilarious, everything from =
the Charleston to clog dancing. And it's the same damn performers each =
time...they just changed into different costumes in their tent and =
played musical chairs. This was starting to seem like a sick and twisted =
joke. Who the hell is going to come listen to an improvisational and =
avant-garde looping duo when what they have to lure them into the area =
are blue-haired church ladies singing with the most unbearable vibrato, =
barely hobbling around with some old dance moves, etc? Talk about a =
marketing/promotional fiasco.


And the temperature outside gets colder, and colder....then my wife =
calls me from home, and she had to take our 4-month girl twin to the =
emergency room because she was cold, hands purple, etc...she was fine =
eventually...long story but we discovered the source. And to top it off, =
my wife and her mother (staying with us at the time) have both acquired =
the stomach flu and are vomiting, trying to take care of the twins. They =
end up calling our nanny to work on the weekend to help out.

So, 3pm comes around and the schedule is now 1 hour behind....remember, =
no transitions. I'm freezing, and I feel like I'm getting sick....yes, =
most likely the stomach flu. We probably won't start playing until at =
least 4:30, which puts me back home later than 9pm...not acceptable =
given the situation at home. So I negotiate with the lady coordinator =
and she thinks its fine that we just not play and leave. So we pack are =
stuff up and drive off like bats out of hell.....good riddens, man.

Aaron drives my Jeep because I have the cold chills and hot flashes, =
plus I feel like I'm going to vomit. We finally make it home, I crawl =
into bed, and spend the a good portion of the night in the bathroom, =
ejecting fluids from every orifice in my body."

Kris

  ----- Original Message -----=20
  From: David Kirkdorffer=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, October 04, 2007 9:56 PM
  Subject: My worst looping gig...


  ....was when a very large and very drunken member of the audience came =
up on stage while I was playing an unlikely spot called "The Chopping =
Block" and recounted into the microphone his "special encounter" with =
Michael Brook.  He was actually quite entertaining, which was reason =
enough for me to stop playing and just let the moment play out.  What I =
didn't realize fast enough was just how long it would take to share all =
the details of this "special encounter."=20

  and what about you??
------=_NextPart_000_093F_01C80721.EC6953A0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Here is my worst looping gig...copied =
from my blog=20
at: <A=20
href=3D"http://krispenhartung.blogspot.com/2005_09_01_archive.html">http:=
//krispenhartung.blogspot.com/2005_09_01_archive.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT><FONT face=3DArial size=3D2>"Yesterday was probably the worst =
gig I ever=20
experienced...totally horrific. Just about everything that could have =
gone=20
wrong, went wrong. To start, the night before my 85 year old grandma =
slipped on=20
the hardwood for of my kitchen and landed on the back of her head, =
knocking her=20
out unconscious, and bleeding profusely. We had to call the ambulance, =
take her=20
to the emergency room at the hospital, and she has been in the hospital =
since.=20
She is fine and they are keeping her in the hospital as a precaution, to =
observe=20
her, take a cat scan to ensure there is no internal bleeding, =
etc....main point=20
being that I was up until at least midnight the night before the gig, =
and then I=20
got up a 5:30am to pickup my percussionist and drive 3.5 hours to the =
art=20
festival. It was a arts festival that I signed up for...a pro bono gig =
to=20
support the arts. [postscript - my grandmother passed away a few months=20
later]<BR><BR>So here is where the nightmare starts. We get to this =
little town=20
where the art fair is, and not only is it totally overcast, but there is =
new=20
snow on the mountains nearby (September), and we can see our breath as =
we get=20
out of my Jeep. First bad sign....my fingers don't work to well on the =
guitar=20
when it's that cold. So, it starts to warm up a bit, and we discover =
that the=20
sound man is behind schedule. We were supposed to start at 11:30am, but =
we=20
didn't even start doing a sound check until 11:45pm. Then I had some =
major=20
technical difficulties with my system, getting both my guitar and the =
percussion=20
to loop through my Gibson Echoplexes, and come through the main channel =
of my=20
mixer board...that takes a while to troubleshoot. In the mean time...the =
lady=20
that is coordinating the whole thing is pressuring us to start =
playing....so=20
while we are working the bugs out, she decides to have the act after us =
start=20
part of their show, which incidentally was her singing&nbsp;in full =
vibrato,=20
church-lady style. Gasp! She finishes her song and we finally start=20
playing....but what the </FONT><A href=3D"mailto:$/l@!*&amp;%"><FONT =
face=3DArial=20
color=3D#000000 size=3D2>$#@!*&amp;%</FONT></A><FONT face=3DArial =
size=3D2>!? My looped=20
signal is not coming through the main PA speakers....so in the panic =
mode, I=20
just start playing solo guitar style...some jingle-jangle jazz =
stuff...Aaron, my=20
percussionist and good friend adapts and plays his ashiko along with =
me...no=20
loops though...after that song, I decide to push a few buttons on the =
board, and=20
what the hell...my looped signal is coming through, but there are no =
monitors,=20
no percussion in the loops, and the looped signal is not coming through =
my=20
headphone signal, which is what we were using for our monitors. Okay, I =
can deal=20
with that...I can just rely on what I hear in the main PA speakers. So =
we limp=20
through our shorten set, and then I discover probably the most ludicrous =
thing=20
about this event...the lady who coordinated it built ABSOLUTELY NO =
transitions=20
between the acts! Totally unbelievable. In other words, there is no =
setup or=20
teardown time before or after acts [and only one stage]. So she's =
practically=20
yelling at us to get our gear off the stage so that the next act can =
start in,=20
ehhhh, 30 seconds? Yeah right. We manage to just scoot my rack off to =
the side,=20
but the real kicker is that at 3pm we are scheduled to play again, =
meaning we=20
have to set all this shit up again with no transition time, thus eating =
into our=20
set.<BR><BR>But it gets more ludicrous. After we get off the stage, we =
discover=20
what is lined up for the other performing acts. Totally crazy...5 old =
blue hair=20
women and a man who are dancing and singing on the state to pre-recorded =
music.=20
I mean, this is freakin' hilarious, everything from the Charleston to =
clog=20
dancing. And it's the same damn performers each time...they just changed =
into=20
different costumes in their tent and played musical chairs. This was =
starting to=20
seem like a sick and twisted joke. Who the hell is going to come listen =
to an=20
improvisational and avant-garde looping duo when what they have to lure =
them=20
into the area are blue-haired church ladies singing with the most =
unbearable=20
vibrato, barely hobbling around with some old dance moves, etc? Talk =
about a=20
marketing/promotional fiasco.<BR><BR><BR>And the temperature outside =
gets=20
colder, and colder....then my wife calls me from home, and she had to =
take our=20
4-month girl twin to the emergency room because she was cold, hands =
purple,=20
etc...she was fine eventually...long story but we discovered the source. =
And to=20
top it off, my wife and her mother (staying with us at the time) have =
both=20
acquired the stomach flu and are vomiting, trying to take care of the =
twins.=20
They end up calling our nanny to work on the weekend to help =
out.<BR><BR>So, 3pm=20
comes around and the schedule is now 1 hour behind....remember, no =
transitions.=20
I'm freezing, and I feel like I'm getting sick....yes, most likely the =
stomach=20
flu. We probably won't start playing until at least 4:30, which puts me =
back=20
home later than 9pm...not acceptable given the situation at home. So I =
negotiate=20
with the lady coordinator and she thinks its fine that we just not play =
and=20
leave. So we pack are stuff up and drive off like bats out of =
hell.....good=20
riddens, man.<BR><BR>Aaron drives my Jeep because I have the cold chills =
and hot=20
flashes, plus I feel like I'm going to vomit. We finally make it home, I =
crawl=20
into bed, and spend the a good portion of the night in the bathroom, =
ejecting=20
fluids from every orifice in my body."</FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dvze2ncsr@verizon.net =
href=3D"mailto:vze2ncsr@verizon.net">David=20
  Kirkdorffer</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, October 04, =
2007 9:56=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> My worst looping =
gig...</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>....was when a very large and very =
drunken member=20
  of the audience came up on stage while I was playing an unlikely spot =
called=20
  "The Chopping Block" and recounted into the microphone his "special =
encounter"=20
  with Michael Brook.&nbsp; He was actually quite entertaining, which =
was reason=20
  enough for me to stop playing and just let the moment play out.&nbsp; =
What I=20
  didn't realize fast enough was just how long it would take to share =
all the=20
  details of this "special encounter." </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>and what about=20
you??</FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_093F_01C80721.EC6953A0--

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 14:22:47 2007
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Date: Fri, 5 Oct 2007 16:22:43 +0200
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT:guitar-X-s/pdif
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thanks guys...
being more specific:

battery, hitting a conical s/pdif, and hi-z for gt./bass input.

other option, would be to get one of those line6,m-audio,behringer,...
tiny usb ports.

does anybody have experience with guitar oriented usb interfaces?

thanks again,
raul.


2007/10/5, Mech <mech@m3ch.net>:
> At 6:35 PM +0200 10/4/07, Raul Bonell wrote:
> >may somebody recommend me a cheap/clean way to convert directly
> >the output of my guitar into the s/pdif input of a laptop?
>
> BTW, you didn't specify: do you need coax or optical S/PDIF (or does
> it not matter)?
>
> Take a look at the Behringer V-Verb.  Musician's Fiend [sic] is doing
> a special on them right now for $99:
>
> http://www.musiciansfriend.com/product/Behringer-VVERB-PRO-REV2496-Reverb-Modeling-Processor?sku=182490
>
> I only recently grabbed one, but it seems like a nice reverb/delay
> unit.  Not to mention it has both AES/EBU XLR and TOSLINK built into
> the back (you can elect to send S/PDIF out the XLR's too, IIRC).  If
> you need co-ax, I believe there's a wiring hack that let's you use
> XLR into RCA-type co-ax jacks.  It's been a while since I found that
> one out on the net, though, so you may need to do a Google for it.
>
> And, if you want a kickass delay pedal with a built in Looper thrown
> in extra, the Yamaha UD-Stomp has co-ax S/PDIF built into it.  That
> one's going to set you back a little, as their value on Ebay has held
> (or even increased) since they were discontinued, though.  However,
> it does get us back on topic by a little.  ;)
>
> 	--m.
> --
> _____
> "the wind in my heart; the dust in my head...."
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 14:23:05 2007
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Hi guys

first of all, I'm glad to have started such a fruitful discussion :)

So, some comments:

To me, it is important not only to lead the gang with my looping but also be able to follow (what if the other guys _are_ the drummer+bass player?).
People already look at me in strange ways when I come up with my looper. I think you can earn quite some respect when you are also able to follow others decently. Plus, it's simply my desire for musical freedom.
In the situation I had described, an accordeonist was leading this ethnic rubato style song with _very_ free tempo. The song wouldn't be the same (not "breathing") if we'd stick to my stuff.

Anyway, some ideas/best practices I've developed in the mean time:
Since you have to keep track of the time of the others constantly anyway, you can do this:
- Put everything that is like ambient sound on a loop (or seperate delay pedal)
- Fire the ryhthmical stuff as one shot samples
i.e. you record a rhythmic pattern of 4 beats. So that means, you have to press the pedal at the exact time in every bar to trigger your one-shot-loop. (The drummer uses his pedals all the time, so why shouldnt you?). The good thing is, even if the tempo varies a bit, you are still on track. So you keep on stomping through the whole song... (poor pedal)

On the RC-50 I would work it like this (forgot to deactivate TEMPO SYNC in my last mail btw):
- Make the following settings:
 - SINGLE MODE
 - no loop sync, turn off tempo sync for all three phrases, turn down Rhythm knob to off
 - Assuming your loop is 4 beats do this:
  - Start looping (begin with a distinct sound on beat 1)
  - Play your 4 beats
  - Keep on recording i.e. alltogether 8/12 beats
  - Run your phrase as continuous loop
  - Retrigger (Stutter) by pressing PHRASE pedal every 4 beats
  - That means you are rhythmically pressing the pedal on every beat 1
  - If you go into OVERDUB mode quickly, you can sneak in some more stuff in the first 4 beats (or some ambient sounds in beats 1-12)

If you want to add ambient layers, I'd recommend using a seperate delay pedal. (There is also a workaround in MULTI MODE using external pedals, one phrase as ambient loop and the others as one-shot-loops - but complicated).

I hope this hasn't been too confusing. I'm still experimenting.
But I've discovered new ways to use my looper today :-))

Best regards
Buzap


-- 
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From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 15:15:16 2007
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Hi guys

I was just wondering how many people are really out there with the same looper.

Does anybody know how many units Roland is selling world-wide?
- Boss RC-50?
- Boss RC-2?
- Boss RC-20(XL)?

How many EDPs have been sold in comparison?

Best regards
Buzap
-- 
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From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 15:22:25 2007
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does anyone have a pdf of the full dl4 manual? even the line6 website 
only offers a shortened version. I'm looking for info on use of the 
expression pedal.


From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 15:24:04 2007
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no idea,

but local music shops (UK Norwich) say ( about LoopStations)
"we're selling loads, but only one guy turned up to our (Roland only) looping competition"
and
"can't even get them to sell"

andybutler

Buzap Buzap wrote:
> Hi guys
> 
> I was just wondering how many people are really out there with the same looper.
> 
> Does anybody know how many units Roland is selling world-wide?
> - Boss RC-50?
> - Boss RC-2?
> - Boss RC-20(XL)?
> 
> How many EDPs have been sold in comparison?
> 
> Best regards
> Buzap

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Subject: Re: How many loopers does Boss sell?
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I own an RC-2, but I outgrew it instantly, and While
I've considered the RC20, I think I'd rather go with
the EDP myself, I'm just a) not at that skill level
with my looping just yet and b) don't have that kind
of money yet.  I'm also pretty regular at my local
Guitar Center(it's sad, they all know me on a first
name basis and because I'm there so much, they give me
employee discount...so they say), and it doesn't look
like, or they haven't said anything about moving that
many loopers, but since I don't actually work there, I
don't know.
--- andy butler <akbutler@tiscali.co.uk> wrote:

> no idea,
> 
> but local music shops (UK Norwich) say ( about
> LoopStations)
> "we're selling loads, but only one guy turned up to
> our (Roland only) looping competition"
> and
> "can't even get them to sell"
> 
> andybutler
> 
> Buzap Buzap wrote:
> > Hi guys
> > 
> > I was just wondering how many people are really
> out there with the same looper.
> > 
> > Does anybody know how many units Roland is selling
> world-wide?
> > - Boss RC-50?
> > - Boss RC-2?
> > - Boss RC-20(XL)?
> > 
> > How many EDPs have been sold in comparison?
> > 
> > Best regards
> > Buzap
> 
> 



       
____________________________________________________________________________________
Be a better Globetrotter. Get better travel answers from someone who knows. Yahoo! Answers - Check it out.
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> > Was really surprised that Mobius doesn't play all these tricks..
>=20
> Oh yes it does! But not without audio artifacts or rhythmic hiccups. =20

Wow, that's news to me.  Can you elaborate on what you're hearing
(over in the zonemobius group if you prefer).  What you describe:

> 1) On the EDP you can always hit Record to erase everything and start

> a new loop

This is basic re-Record I do it all the time. =20

> 2) I also keep one button to instantly retrigger the loop ("stutter").

This is Retrigger, also a common function.  The only "artifact"
you will have here is a slight trimming of the start of the loop to=20
adjust for latency.  Sometimes I hear this if the loop starts
immediately with a sharp attack but not usually.  This affects
the sound of the attack but not the rhythm, the loop will=20
begin playing from where it would be if there were zero latency.

> 3) I the group tempo changes while I'm working a floating, non =20
> rhythmic, loop I might simply go Multiply-Record to cut it down to a =20
> duration that loops in synk.

This is Unrounded Multiply, also common.  Again the only artifact will
be a slight trimming of the start of the loop for latency adjustment
the first time it plays.

The only serious artifacts I'm aware of in doing these operations have
been bugs when you do them while generating output sync, which
occasionally results in redundant retriggers making a "fluttering"
sound.  But if you have output sync turned off, which you would in the
acoustic example, there isn't much happening that could cause artifacts
other than the latency adjustment. =20

Has this been happening long or is it something in the most recent
release?

Thanks,
Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 16:13:43 2007
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Shades of Spinal Tap, billed second under the puppet show...picturing 
the ladies hoofing it around the stage, then changing costumes and 
coming back for more is killing me.

Tying this thread into the tempo discussion...I once brought my guitar 
to my girlfriend's office party, as she worked with a number of 
musicians. There was a guy with a looper (DL4, maybe), and he had laid 
down this funky groove to which everyone was contributing, a bunch of 
hand drums, bass, guitars, etc. Trouble is, it was a four-bar pattern 
and the loop cut the fourth bar just one tiny hair too short. So people 
could just about get into it before having to recalibrate one's internal 
metronome. Everyone but me was drunk enough that they stuck with it 
anyway, not quite able to figure out why there was a hiccup in the pulse 
every eight seconds but too addled to really care. The other partygoers 
were trying to dance, having a great time and shouting encouragement, so 
this horrible three-legged beast of a jam just kept staggering along for 
an incalculable eternity until the plug was literally and mercifully 
pulled by a wayward dancer.

so please, remember that even though you can play a rhythm and have the 
machine repeat it, by god, make sure that the machine groove divided by 
yours leaves no remainder.  (is that the word? I was always terrible at 
math...)

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

>> But it gets more ludicrous. After we get off the stage, we discover 
>> what is lined up for the other performing acts. Totally crazy...5 old 
>> blue hair women and a man who are dancing and singing on the state to 
>> pre-recorded music. I mean, this is freakin' hilarious, everything 
>> from the Charleston to clog dancing. And it's the same damn 
>> performers each time...they just changed into different costumes in 
>> their tent and played musical chairs.

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 16:40:49 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Ending actions by Record in Mobius (Re: Following Acoustic Musicians with Looper)
Date: Fri, 5 Oct 2007 18:40:42 +0200
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Of course I can elaborate on this. My problems are when ending an  
action with REcord on the master track. Since I use the setting "Sync  
= Out" for setting the tempo by the first loop I have to do the  
destructive cuts on the master track to get the synced plug-ins  
instantly pick up the new tempo. I'd rather avoid using the first  
(master) track at all in Mobius and I have a special script that  
mutes it and copies its first recorded loop into track 2; just to  
avoid drop-outs and rhythmic glitches. This is working extremely well  
in a solo looping concert situation where I don't need to use the  
master track except for creating the very first loop.

When applied to the slaved tracks, of Mobius, I have no problem to go  
Multiply-Record or Record-Record. But that's a different thing than  
this thread was about. I was only talking about a nice way of  
changing tempo of a looper to adjust to tempo changing live musicians  
and for this the EDP is my favorite.

The two latest betas of Mobius are remarkably better in this regard,  
though.

Per


On 5 okt 2007, at 17.45, Jeff Larson wrote:

>>> Was really surprised that Mobius doesn't play all these tricks..
>>
>> Oh yes it does! But not without audio artifacts or rhythmic hiccups.
>
> Wow, that's news to me.  Can you elaborate on what you're hearing
> (over in the zonemobius group if you prefer).  What you describe:
>
>> 1) On the EDP you can always hit Record to erase everything and start
>
>> a new loop
>
> This is basic re-Record I do it all the time.
>
>> 2) I also keep one button to instantly retrigger the loop  
>> ("stutter").
>
> This is Retrigger, also a common function.  The only "artifact"
> you will have here is a slight trimming of the start of the loop to
> adjust for latency.  Sometimes I hear this if the loop starts
> immediately with a sharp attack but not usually.  This affects
> the sound of the attack but not the rhythm, the loop will
> begin playing from where it would be if there were zero latency.
>
>> 3) I the group tempo changes while I'm working a floating, non
>> rhythmic, loop I might simply go Multiply-Record to cut it down to a
>> duration that loops in synk.
>
> This is Unrounded Multiply, also common.  Again the only artifact will
> be a slight trimming of the start of the loop for latency adjustment
> the first time it plays.
>
> The only serious artifacts I'm aware of in doing these operations have
> been bugs when you do them while generating output sync, which
> occasionally results in redundant retriggers making a "fluttering"
> sound.  But if you have output sync turned off, which you would in the
> acoustic example, there isn't much happening that could cause  
> artifacts
> other than the latency adjustment.
>
> Has this been happening long or is it something in the most recent
> release?
>
> Thanks,
> Jeff
>




From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 16:44:54 2007
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Subject: RE: My worst looping gig...
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Hey, one day that will be us !   ;-) 

...picturing 
the ladies hoofing it around the stage, then changing costumes and 
coming back for more is killing me.....

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 16:49:40 2007
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Subject: Re: Following Acoustic Musicians with Looper
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I have been experimenting with this. I used a cheap dance mat from a  
playstation as a midi controller that triggered samples. I tap my  
foot / heel on the floor anyway when i play so it wasn't a big deal  
creating a little "tap technique". Tap one of every 4 trigs the loop.  
After a while I didn't even notice it was there, hitting a pedal I  
found a little uncomfortable.  I tried mapping the tap tempo button  
in Ableton to the mat but while i was able to control speed, it  
inevitably drifted. I may try

It would be great if there existed an "midi clock intelligent tap  
tempo" in ableton or a looper. Perhaps there does? Anyone know? Is  
there a software one available? I wonder if this could do it

http://www.circular-logic.com/products.html

dance mat - >in-time midi software -> Ableton midi clock sync

This would stop drift. Very simple idea, one taps 4 beats and the  
sequencer or looper counts so that tap 1, 5 , 9 etc signal the  
beginning of the bar in 4/4.  obviously only useful for keeping in  
time with other musicians with small tempo fluctuations, bit changes  
would never really work unless they were pretty gradual.


This feature should be in Ableton, shame it isn't there.


On 5 Oct 2007, at 15:23, Buzap Buzap wrote:

> Hi guys
>
> first of all, I'm glad to have started such a fruitful discussion :)
>
> So, some comments:
>
> To me, it is important not only to lead the gang with my looping  
> but also be able to follow (what if the other guys _are_ the drummer 
> +bass player?).
> People already look at me in strange ways when I come up with my  
> looper. I think you can earn quite some respect when you are also  
> able to follow others decently. Plus, it's simply my desire for  
> musical freedom.
> In the situation I had described, an accordeonist was leading this  
> ethnic rubato style song with _very_ free tempo. The song wouldn't  
> be the same (not "breathing") if we'd stick to my stuff.
>
> Anyway, some ideas/best practices I've developed in the mean time:
> Since you have to keep track of the time of the others constantly  
> anyway, you can do this:
> - Put everything that is like ambient sound on a loop (or seperate  
> delay pedal)
> - Fire the ryhthmical stuff as one shot samples
> i.e. you record a rhythmic pattern of 4 beats. So that means, you  
> have to press the pedal at the exact time in every bar to trigger  
> your one-shot-loop. (The drummer uses his pedals all the time, so  
> why shouldnt you?). The good thing is, even if the tempo varies a  
> bit, you are still on track. So you keep on stomping through the  
> whole song... (poor pedal)
>
> On the RC-50 I would work it like this (forgot to deactivate TEMPO  
> SYNC in my last mail btw):
> - Make the following settings:
>  - SINGLE MODE
>  - no loop sync, turn off tempo sync for all three phrases, turn  
> down Rhythm knob to off
>  - Assuming your loop is 4 beats do this:
>   - Start looping (begin with a distinct sound on beat 1)
>   - Play your 4 beats
>   - Keep on recording i.e. alltogether 8/12 beats
>   - Run your phrase as continuous loop
>   - Retrigger (Stutter) by pressing PHRASE pedal every 4 beats
>   - That means you are rhythmically pressing the pedal on every beat 1
>   - If you go into OVERDUB mode quickly, you can sneak in some more  
> stuff in the first 4 beats (or some ambient sounds in beats 1-12)
>
> If you want to add ambient layers, I'd recommend using a seperate  
> delay pedal. (There is also a workaround in MULTI MODE using  
> external pedals, one phrase as ambient loop and the others as one- 
> shot-loops - but complicated).
>
> I hope this hasn't been too confusing. I'm still experimenting.
> But I've discovered new ways to use my looper today :-))
>
> Best regards
> Buzap
>
>
> -- 
> GMX FreeMail: 1 GB Postfach, 5 E-Mail-Adressen, 10 Free SMS.
> Alle Infos und kostenlose Anmeldung: http://www.gmx.net/de/go/freemail
>
>


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> My problems are when ending an action with REcord on the master track.

> Since I use the setting "Sync =3D Out" for setting the tempo by the=20
> first loop I have to do the  destructive cuts on the master track
> to get the synced plug-ins instantly pick up the new tempo.

What are the artifacts, are they audio artifacts in the Mobius loop or
is it that the sync being sent to the plugins is wrong so the plugins
don't respond to the tempo change accurately?

> When applied to the slaved tracks, of Mobius, I have no problem to go

> Multiply-Record or Record-Record. But that's a different thing than=
 =20
> this thread was about.

It's the same if you don't need to sync effects.  Then you just leave
sync off and you won't have these artifacts.  The hardware equivalent
of Mobius in Bidule generating output sync for VST effects would be
an EDP with MIDI out connected to an Eclipse or some unit that can
tempo-sync effects.  In that setup the EDP is certainly more stable.
But if you're not tempo-syncing effects then they would be about
the same.  Am I misunderstanding?

Jeff

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: My worst looping gig...
Date: Fri, 5 Oct 2007 19:08:08 +0200
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Ok. I started a very intimate gig by playing a heavy bass line on  
flute through a bass box. When it was grooving nicely, after some  
twenty seconds, I kicked Record and prepared to kick Record a second  
time two bars later and catch the first loop to build on. But I never  
got that far. The concert stopped right there with the PA system  
slamming away FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH- 
FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH...

I had forgotten to change the Record Mode to "toggle" instead of  
"sustain". stupid me.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 17:13:42 2007
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I was playing jazz tunes at an open mic with my jazz box going into a Boss RC-20 (this was way before I came up with the huge looping setup). I recorded in the background loop of the sensitive ballad "My Foolish Heart". Unfortunately, I had forgotten to make sure that the "Guide" track knob was turned down after carrying the pedal in my backpack. So when I hit the pedal again to play back the loop, a deafeningly loud drum beat came out.

 SNARE!!! KICK!!! KICK !! KICK!! SNARE!!! KICK!!! KICK !! KICK!!
 
The audience thought it was pretty funny. I turned down the knob and continued. The guide track on the RC-20 is nothing but an annoyance! I never use it or even look at the LEDs. Now I check every time to make sure the knob is turned down.

Mark Smart
http://www.marksmart.net

----- Original Message -----
From: Per Boysen <perboysen@gmail.com>
Date: Friday, October 5, 2007 12:08
Subject: Re: My worst looping gig...
To: Loopers-Delight@loopers-delight.com

> Ok. I started a very intimate gig by playing a heavy bass line 
> on  
> flute through a bass box. When it was grooving nicely, after 
> some  
> twenty seconds, I kicked Record and prepared to kick Record a 
> second  
> time two bars later and catch the first loop to build on. But I 
> never  
> got that far. The concert stopped right there with the PA 
> system  
> slamming away FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-
> FWAH- 
> FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH...
> 
> I had forgotten to change the Record Mode to "toggle" instead 
> of  
> "sustain". stupid me.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> 
> 
> 

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=3CDIV=3EI was playing jazz tunes at an open mic with my jazz box going =
into a Boss RC-20 (this was way before I came up with the huge looping s=
etup)=2E I recorded in the background loop of the sensitive ballad =22My=
 Foolish Heart=22=2E Unfortunately=2C I had forgotten to make sure that =
the =22Guide=22 track knob was turned down after carrying the pedal in m=
y backpack=2E So when I hit the pedal again to play back the loop=2C a d=
eafeningly loud drum beat came out=2E=3C/DIV=3E
=3CDIV=3E=26nbsp=3B=3C/DIV=3E
=3CDIV=3E=26nbsp=3BSNARE!!! KICK!!! KICK !! KICK!! SNARE!!! KICK!!! KICK=
 !! KICK!!=3CBR=3E=26nbsp=3B=3CBR=3EThe audience thought it was pretty f=
unny=2E I turned down the knob and continued=2E The guide track on the R=
C-20 is nothing but an annoyance! I never use it or even look at the LED=
s=2E Now I check every time to make sure the knob is turned down=2E=3C/D=
IV=3E
=3CDIV=3E=26nbsp=3B=3C/DIV=3E
=3CDIV=3EMark Smart=3C/DIV=3E
=3CDIV=3E=3CA href=3D=22http=3A//www=2Emarksmart=2Enet=22=3Ehttp=3A//www=
=2Emarksmart=2Enet=3C/A=3E=3C/DIV=3E
=3CDIV=3E=3CBR=3E----- Original Message -----=3CBR=3EFrom=3A Per Boysen =
=26lt=3Bperboysen=40gmail=2Ecom=26gt=3B=3CBR=3EDate=3A Friday=2C October=
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=3CBR=3ETo=3A Loopers-Delight=40loopers-delight=2Ecom=3CBR=3E=3CBR=3E=26=
gt=3B Ok=2E I started a very intimate gig by playing a heavy bass line =3C=
BR=3E=26gt=3B on=26nbsp=3B =3CBR=3E=26gt=3B flute through a bass box=2E =
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ord a =3CBR=3E=26gt=3B second=26nbsp=3B =3CBR=3E=26gt=3B time two bars l=
ater and catch the first loop to build on=2E But I =3CBR=3E=26gt=3B neve=
r=26nbsp=3B =3CBR=3E=26gt=3B got that far=2E The concert stopped right t=
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 =3C/DIV=3E

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Ending actions by Record in Mobius (Re: Following Acoustic Musicians with Looper)
Date: Fri, 5 Oct 2007 19:13:54 +0200
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On 5 okt 2007, at 19.02, Jeff Larson wrote:

>
>> My problems are when ending an action with REcord on the master  
>> track.
>
>> Since I use the setting "Sync = Out" for setting the tempo by the
>> first loop I have to do the  destructive cuts on the master track
>> to get the synced plug-ins instantly pick up the new tempo.
>
> What are the artifacts, are they audio artifacts in the Mobius loop or
> is it that the sync being sent to the plugins is wrong so the plugins
> don't respond to the tempo change accurately?

Hm... I think it is mostly about latency compensating. Sometimes  
audio drops out from the loop after doing Overdub.


>> When applied to the slaved tracks, of Mobius, I have no problem to go
>
>> Multiply-Record or Record-Record. But that's a different thing than
>> this thread was about.
>
> It's the same if you don't need to sync effects.  Then you just leave
> sync off and you won't have these artifacts.  The hardware equivalent
> of Mobius in Bidule generating output sync for VST effects would be
> an EDP with MIDI out connected to an Eclipse or some unit that can
> tempo-sync effects.  In that setup the EDP is certainly more stable.
> But if you're not tempo-syncing effects then they would be about
> the same.  Am I misunderstanding?

I'm tempo syncing lots of software effects. Sometimes outboards too,  
by MDI Clock out.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 17:16:37 2007
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From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: Re: How many loopers does Boss sell?
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 >>>I was just wondering how many people are really out there with  
the same looper.
> Does anybody know how many units Roland is selling world-wide?<<<

Far too many given how lame their ideas for a looper are...
http://steve.anthropiccollective.org/archives/2007/09/ 
what_music_gear.html

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">&gt;&gt;&gt;I was just wondering =
how many people are really out there with the same looper.<BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Does anybody know how many units =
Roland is selling world-wide?&lt;&lt;&lt;</DIV></BLOCKQUOTE><DIV><BR =
class=3D"khtml-block-placeholder"></DIV>Far too many given how lame =
their ideas for a looper are...=A0<DIV><A =
href=3D"http://steve.anthropiccollective.org/archives/2007/09/what_music_g=
ear.html">http://steve.anthropiccollective.org/archives/2007/09/what_music=
_gear.html</A></DIV><DIV><BR><DIV> <SPAN class=3D"Apple-style-span" =
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"><DIV>Steve</DIV><DIV>www.stevelawson.net - =
site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
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PAN> </DIV><BR></DIV></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 17:35:36 2007
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From: The woodshed <woodshed@blueyonder.co.uk>
Subject: Re: How many loopers does Boss sell?
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hi,

Read your site. just wondered, how would you achieve multiple time  
signatures without some form quantisation?
ie 7/8 over 5/16 over 3/4?

leon

On 5 Oct 2007, at 18:16, Steve Lawson wrote:

> >>>I was just wondering how many people are really out there with  
> the same looper.
>> Does anybody know how many units Roland is selling world-wide?<<<
>
> Far too many given how lame their ideas for a looper are...
> http://steve.anthropiccollective.org/archives/2007/09/ 
> what_music_gear.html
>
> Steve
> www.stevelawson.net - site
> www.stevelawson.net/zencart/ - shop
> http://steve.anthropiccollective.org - blog
> www.myspace.com/solobassstevelawson
>
>
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>hi,</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV>Read your site. just wondered, =
how would you achieve multiple time signatures without some form =
quantisation?<DIV>ie 7/8 over 5/16 over 3/4?<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>leon</DIV><DIV><BR><DIV><DIV>=
On 5 Oct 2007, at 18:16, Steve Lawson wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite">&gt;&gt;&gt;I was just wondering how many people are =
really out there with the same looper.<BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Does anybody know how many units Roland is selling =
world-wide?&lt;&lt;&lt;</DIV></BLOCKQUOTE><DIV><BR =
class=3D"khtml-block-placeholder"></DIV>Far too many given how lame =
their ideas for a looper are...=A0<DIV><A =
href=3D"http://steve.anthropiccollective.org/archives/2007/09/what_music_g=
ear.html">http://steve.anthropiccollective.org/archives/2007/09/what_music=
_gear.html</A></DIV><DIV><BR><DIV> <SPAN class=3D"Apple-style-span" =
style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
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-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; =
"><DIV>Steve</DIV><DIV>www.stevelawson.net - =
site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccollec=
tive.org</A> - =
blog</DIV><DIV>www.myspace.com/solobassstevelawson</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
PAN> </DIV><BR></DIV></BLOCKQUOTE></DIV><BR></DIV></DIV></BODY></HTML>=

--Apple-Mail-1-697651592--

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 17:38:19 2007
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Subject: RE: Ending actions by Record in Mobius (Re: Following Acoustic Musicians with Looper)
Date: Fri, 5 Oct 2007 12:38:20 -0500
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Thread-Topic: Ending actions by Record in Mobius (Re: Following Acoustic Musicians with Looper)
Thread-Index: AcgHcyN/5TkjfoiuQyijJ+ITiOzKmgAAREKQ
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From: "Jeff Larson" <jeff.larson@sailpoint.com>
To: <Loopers-Delight@loopers-delight.com>
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> > What are the artifacts, are they audio artifacts in the Mobius loop
or
> > is it that the sync being sent to the plugins is wrong so the
plugins
> > don't respond to the tempo change accurately?

> Hm... I think it is mostly about latency compensating. Sometimes =20
> audio drops out from the loop after doing Overdub.

So you're hearing an audio glitch in the Mobius loop when output
sync is enabled and you do Multiply/Record and sometimes just
a simple Overdub?  Thanks I can look into that.

Glitches after Overdub are most often caused by a low
setting for the global parameter "Drift Resync Frames".
This defaults to 256 which is actually way too low, it
should be around 4096.  When this is too low even the
slightest amount of clock drift will cause Mobius to
"skip" as it tries to match the clock.  There is always
clock jitter but it tends to cancel itself over time.
On one play of the loop you may be 300 frames ahead of
the clock, then next you will be -180 frames behind,=20
the next 295 ahead, etc.  If Drift Resync Frames
is too low this jitter will cause Mobius to retrigger
all the time when it should just be ignored.

Multiply/Record is much more complicated because the
tempo and a lot of other internal sync state changes.
Glitches here are usually caused by bugs.

Thanks for the info,
Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 18:03:24 2007
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Date: Fri, 5 Oct 2007 11:03:21 -0700 (PDT)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: How many loopers does Boss sell?
To: Loopers-Delight@loopers-delight.com
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Steve, after reading your blog, I'm mostly inclined to
agree, I'm not saying Boss or any other manufacturers
of the smaller pedals are way off base, to say that
they are looking at looping as a pure gimmick is
missing the point, to someone who has been doing in
professionally and using the EDP or anything of the
like, sure, those pedals are a complete joke.  I think
maybe part of why those products were developed was to
bring looping to the masses, but also in a form that
beginners can get into it, I mean you don't go from
crawling to running, I don't care who you are.  Now,
granted, I was using software loopers, like Ambiloop
before I ever bought my RC2, but as easy and practical
as I found the program to be, I wasn't able to use it
in a live format, so I started small, and the RC2 was
as small as I could get, now, if I tried it and didn't
like using looping, I wasn't out a whole bunch of
money, and hey, they DO make great practice tools,
lucky for me, I outgrew it quickly and am wanting more
flexibility and the ability to build compositions by
using the looper as in instrument, rather than a tool.
  So I wouldn't go so far as to slag something like
those products, but I can certainly see their
limitations as far as pure looping is concerned, but
it's like any piece of gear, it's not so much what you
have or use, it's how creative you are with it,
knowing your limitations and being able to work within
or break out of those limitations.  I've already
decided when I step up to the next bit of
gear(preferably the EDP), I actually was going to use
the RC2 earlier in the chain so that I can effect it
and then take whatever loop I made with it and drop it
on the main looper and so on, so it will find it's use
after I move on.

My two cents,

Brian

PS I hate the guide tracks and the loop quantise
myself.
--- The woodshed <woodshed@blueyonder.co.uk> wrote:

> 
> hi,
> 
> Read your site. just wondered, how would you achieve
> multiple time  
> signatures without some form quantisation?
> ie 7/8 over 5/16 over 3/4?
> 
> leon
> 
> On 5 Oct 2007, at 18:16, Steve Lawson wrote:
> 
> > >>>I was just wondering how many people are really
> out there with  
> > the same looper.
> >> Does anybody know how many units Roland is
> selling world-wide?<<<
> >
> > Far too many given how lame their ideas for a
> looper are...
> >
>
http://steve.anthropiccollective.org/archives/2007/09/
> 
> > what_music_gear.html
> >
> > Steve
> > www.stevelawson.net - site
> > www.stevelawson.net/zencart/ - shop
> > http://steve.anthropiccollective.org - blog
> > www.myspace.com/solobassstevelawson
> >
> >
> >
> 
> 



       
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From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 18:21:53 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Ending actions by Record in Mobius (Re: Following Acoustic Musicians with Looper)
Date: Fri, 5 Oct 2007 20:21:47 +0200
To: Loopers-Delight@loopers-delight.com
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On 5 okt 2007, at 19.38, Jeff Larson wrote:

> So you're hearing an audio glitch in the Mobius loop when output
> sync is enabled and you do Multiply/Record and sometimes just
> a simple Overdub?  Thanks I can look into that.
>
> Glitches after Overdub are most often caused by a low
> setting for the global parameter "Drift Resync Frames".
> This defaults to 256 which is actually way too low, it
> should be around 4096.  When this is too low even the
> slightest amount of clock drift will cause Mobius to
> "skip" as it tries to match the clock.  There is always
> clock jitter but it tends to cancel itself over time.
> On one play of the loop you may be 300 frames ahead of
> the clock, then next you will be -180 frames behind,
> the next 295 ahead, etc.  If Drift Resync Frames
> is too low this jitter will cause Mobius to retrigger
> all the time when it should just be ignored.
>
> Multiply/Record is much more complicated because the
> tempo and a lot of other internal sync state changes.
> Glitches here are usually caused by bugs.

Mobius is working so damn well for me now, in the latest beta, so  
lately I haven't put a lot time into researching the above referred  
problems, since I have avoided the situations where they tend to  
appear. But now when you bring it up and give good advice on the  
"Drift Resync Frames" setting I would like to take a couple of hours  
to check it out fully. I'll send you a report tomorrow.

BTW, I don't have a problem with jitter in the sent out clock. If  
slaved plug-ins are slow to catch up a quick tempo change I might  
even think it sounds cool. But what may be really disturbing is when  
a loop skips over a fragment of its own timing, because then it goes  
off sync with your inner "human click-track" and that's just evil  
torture.

Greetings from Sweden

Per Boysen
(marking this thread with a huge flag)




From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 20:43:36 2007
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Subject: Re: Following Acoustic Musicians with Looper
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http://www.youtube.com/watch?v=4jHiAN7aDiA
----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, October 05, 2007 1:56 PM
Subject: Re: Following Acoustic Musicians with Looper


> On 5 okt 2007, at 12.29, Buzap Buzap wrote:
> 
>> Was really surprised that Mobius doesn't play all these tricks..
> 
> 
> Oh yes it does! But not without audio artifacts or rhythmic hiccups.  
> Never judge a piece of gear form its specification. Better try it,  
> listen to it and apply it.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> 
> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 20:49:06 2007
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From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
To: <Loopers-Delight@loopers-delight.com>
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please ignore my last mail, it was sent by accident.
i wanted to send this link to a friend.
just for your information: this is a video of "green grey" from ukraine
and the song contains a sweet little chorus in the 2nd half using the 
english mf-word.

tilmann


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, October 05, 2007 1:56 PM
Subject: Re: Following Acoustic Musicians with Looper


> On 5 okt 2007, at 12.29, Buzap Buzap wrote:
>
>> Was really surprised that Mobius doesn't play all these tricks..
>
>
> Oh yes it does! But not without audio artifacts or rhythmic hiccups. 
> Never judge a piece of gear form its specification. Better try it,  listen 
> to it and apply it.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 21:46:27 2007
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From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
To: <Loopers-Delight@loopers-delight.com>
References: <20071005080829.92040@gmx.net> <716FB4BF-3A51-4C0A-82A9-19E4A15383CD@gmail.com> <20071005102945.278030@gmx.net> <47062D46.9070207@tiscali.co.uk>
Subject: Re: Following Acoustic Musicians with Looper
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also, when you change the tempo, the band might interact with that, too.
so you might end up in an interaction loop with everybody trying to catch 
the other's tempo...

i had good results with tapping the repeater's tap tempo button. awkward 
finger position for
tapping, though.

when i used ableton live on stage, i would trigger stop and start with a 
little keyboard.
like: hitting stop on the 4+ and stop on the 1.
that worked really well.

tilmann



>> I had another trick in mind, but I don't know if it works:
>> Sort of slowing down, speeding up the loop until you are in sync with the 
>> group. Don't know if you just need practice to get there or if it is too 
>> difficult.

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 21:51:55 2007
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Subject: Digi Jamman; OT  --Krzysia Gorniak
From: Scott Duncan <scottd@webworkz.com>
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>   As a new subscriber, I'm enjoying most all on LD.  The 565 emails 
> since Sept. 17th however..... IS a bit overwhelming,  Sure appreciate 
> LD's FAQ and nettiquette notes.  ( emails on Shoes...!....?). Still 
> more grateful than anything. Rick Walker even invited me (sound/sight 
> unseen) to play @Y2K7 !!!?!!! ..... definitely a brave community.....
>
>   Anyway, a couple questions for the loop:
>
>  Got a Digi Jamman a week ago. Any users out there with tips / 
> suggestions for a newbie getting the most out of these (besides manual 
> & DigiT online)? Any websites?  For using posting Jamman /  Looping  
> creations / fav's, etc....?
>
>  I've used a rackmount RDS-8000 for over a decade; now it's nice to 
> finally get a pedal going.
>
>  OffTopic: I've been trying for a good while to get a CD from a Polish 
> musician named Krzysnia Gorniak. Would anyone in the LD community be 
> able to help me get a copy of her 2004 CD "Ultra"?  I've requested 
> thru both her myspace page and her publisher ITI FilmStudio without 
> hearing back. Any out there familiar w/ this CD? Might be easier for 
> Europeans to get this disc. I'm happy to follow any directions for 
> getting hold of this sweet cool jazz.  Will pay in cash, jewelry, 
> loops, stone artifacts, ....or even paypal... ( hope Ann doesn't miss 
> her jewelry...).
>
> Back On:
> Thanks to Luis Angulo pricing his CD's so reasonably. I've just had my 
> 1st-ever review printed online @ cdbaby.com (of his Primeros Ciclos 
> CD) .  Wonderful recordings! Thanks to LD too!!

> Scott Duncan


> www.myspace.com/scottduncanvideo.com
> www.myspace.com/zaomusiccom
>
> www.myspace.com/krzysiagorniak

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 22:00:03 2007
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From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
To: <Loopers-Delight@loopers-delight.com>
References: <20071005142247.AE4773BF65@arsenic.violacea.com> <470662B1.5000104@mhorse.com> <000301c8076f$0d3e2540$27ba6fc0$@com> <DF07098D-3155-4E12-BE87-502B4BD473FC@gmail.com>
Subject: Re: My worst looping gig...
Date: Sat, 6 Oct 2007 00:00:41 +0200
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oh MAN, you remind me of an embarassing stage experience i had...
i played a duo with a drummer, he had looped something and triggered it by 
hitting a midi pad.
i played chords with the sax through voice live.
suddenly hell broke loose and the joint shook from another band playing. we 
stopped playing and listened:
to ourselves a few minutes ago! i must have hit the repeater's record button 
accidentally at the beginning of the song.
so the repeater had recorded until it was full (some minutes) and started 
playback on it's own.

tilmann




----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, October 05, 2007 7:08 PM
Subject: Re: My worst looping gig...


> Ok. I started a very intimate gig by playing a heavy bass line on  flute 
> through a bass box. When it was grooving nicely, after some  twenty 
> seconds, I kicked Record and prepared to kick Record a second  time two 
> bars later and catch the first loop to build on. But I never  got that 
> far. The concert stopped right there with the PA system  slamming away 
> FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH- 
> FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH-FWAH...
>
> I had forgotten to change the Record Mode to "toggle" instead of 
> "sustain". stupid me.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 22:21:44 2007
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References: <218552.2972.qm@web34313.mail.mud.yahoo.com>
Subject: Re: How many loopers does Boss sell?
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> it's like any piece of gear, it's not so much what you
> have or use, it's how creative you are with it,
> knowing your limitations and being able to work within
> or break out of those limitations.  

IMHO, that's a very valuable comment!
my music changed when i switched loopers.

>  I actually was going to use
> the RC2 earlier in the chain so that I can effect it
> and then take whatever loop I made with it and drop it
> on the main looper and so on, so it will find it's use
> after I move on.

i do that with the dl4 all the time. 
i use the dl4 because:
1. it's tight (no glitches with loops shorter than a second)
2. i can trigger single shots 
3. i can half or double the tempo
4. i can use reverse mode
5. all the above can be done without bending down.

tilmann




without having to bend down

From Loopers-Delight-request@loopers-delight.com  Fri Oct  5 23:05:26 2007
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From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
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Subject: OT: My worst looping gig...
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i played moscow last winter and my rider explicitly said: i NEED a =
PERSONAL monitor to hear myself on stage.
when i came to the place, there was no monitor, but hey: they had put =
the loudspeakers at the rear end of the hall, facing towards the stage!
so i could hear myself...

well, well.
also they presented me with two wireless mikes - and were surprised when =
i showed them my looper's output jacks.
when i mentioned the stage rider i started a confusion about the meaning =
of that expression - some translation problem.
a technically gifted man soldered electrical cables to a cinch plug and =
with some adapter fiddling finally we had sound.
i had to fight with the slap delay from the speakers all across the =
room, but whatever. the sound you get is the sound you get.
after the soundcheck i went to the sound guy just to be nice and =
somebody translated my thanks to him for doing the soundcheck and=20
taking care of everything.

when i started playing, there was no sound. nothing. i informed, begged =
and pleaded down from stage - nothing. finally somebody brought up the =
sound so i could start.
as i learned after the show and to my big surprise, the sound guy had =
gone home before the concert started. he had misinterpreted my comment =
as a: you may go now.

later, while packing up, i heard a strange and pretty strong hum through =
the speakers and went to the mixing board to find out what was going on:
somebody had brought up ALL the faders to the max. only the last two, =
mains out, were down pretty low. MAN was i glad the person had been =
careful with the mains.
he/she could have killed our eardrums...

i forgot to mention that there was no catering - no food for me since =
the morning flight.
once somebody on this list made a comment in the direction of: "even =
musicians have to occasionally eat".
i turned this comment around in my head when i chewed the single pack of =
peanuts in the hotel room.

moscow is a wild place and i would go there again anytime. but one thing =
is for sure: i'd be equipped with a stage rider in russian.

smooth looping and cristal clear, feedback free stage sound to everyone =
- tilmann

------=_NextPart_000_013B_01C807B5.11F39430
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3059" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>
<DIV><FONT face=3DArial size=3D2>i played moscow last winter and my =
rider explicitly=20
said: i NEED a PERSONAL monitor to hear myself on stage.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>when i came to the place, there was no =
monitor, but=20
hey: they had put the loudspeakers at the rear end of the hall, facing =
towards=20
the stage!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>so i could hear myself...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>well, well.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>also they presented me with two =
wireless mikes -=20
and were surprised when i showed them my looper's output =
jacks.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>when i mentioned the stage rider i =
started a=20
confusion about the meaning of that&nbsp;expression - some translation=20
problem.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>a technically gifted man soldered =
electrical cables=20
to a cinch plug and with some adapter fiddling finally we had=20
sound.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>i had to fight with the slap delay from =
the=20
speakers all across the room, but whatever. the sound you get is the =
sound you=20
get.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>after the soundcheck i went to the =
sound guy=20
just&nbsp;to be nice and somebody translated my thanks to him for doing =
the=20
soundcheck and </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>taking care of everything.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>when i started playing, there was no =
sound.=20
nothing. i informed, begged and pleaded down from stage - nothing. =
finally=20
somebody brought up the sound so i could start.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>as i learned after the show and to my =
big surprise,=20
the sound guy&nbsp;had gone&nbsp;home before the concert started. he had =

misinterpreted my comment as a: you may go now.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>later, while packing up, i heard a =
strange and=20
pretty strong hum through the speakers and went to the mixing board to =
find out=20
what was going on:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>somebody had brought up ALL the faders =
to the max.=20
only the last two, mains out, were down pretty low. MAN was i glad the =
person=20
had been careful with the mains.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>he/she could have killed our=20
eardrums...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>i forgot to mention that there was no =
catering - no=20
food for me since the morning flight.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>once somebody on this list made a =
comment in the=20
direction of: "even musicians have to occasionally eat".</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>i turned this comment around in my head =
when i=20
chewed&nbsp;the single&nbsp;pack of peanuts in the hotel =
room.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>moscow is a wild place and i would go =
there again=20
anytime.&nbsp;but one thing is for sure: i'd be&nbsp;equipped with a =
stage rider=20
in russian.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>smooth looping and cristal clear, =
feedback free=20
stage sound to everyone - tilmann</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></DIV></BODY></HTML>

------=_NextPart_000_013B_01C807B5.11F39430--

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Subject: Re: How many loopers does Boss sell?
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 >>>I'm not saying Boss or any other manufacturers
of the smaller pedals are way off base, to say that
they are looking at looping as a pure gimmick is
missing the point, to someone who has been doing in
professionally and using the EDP or anything of the
like, sure, those pedals are a complete joke.  I think
maybe part of why those products were developed was to
bring looping to the masses, but also in a form that
beginners can get into it,<<<<

Yeah, but simple isn't the point - it's what the feature set they do  
have says about what looping is that pisses me off. The DL4 is a  
great looper - simple, fairly inexpensive and without any of the  
nonsense that Roland and Digitech have added, whilst ignoring the  
useful stuff.

There are people on this list making great music with simple loopers,  
they're just doing it in spite of what the people making them seem to  
assume they are for.

cheers

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">&gt;&gt;&gt;I'm not saying Boss or any other manufacturers</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">of the smaller pedals are way off base, to say =
that</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">they are looking at looping as a =
pure gimmick is</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">missing the point, to someone =
who has been doing in</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">professionally and using =
the EDP or anything of the</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">like, sure, =
those pedals are a complete joke.=A0 I think</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">maybe part of why those products were developed was =
to</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">bring looping to the masses, but also in a form =
that</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">beginners can get into =
it,&lt;&lt;&lt;&lt;</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><BR =
class=3D"khtml-block-placeholder"></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Yeah, but =
simple isn't the point - it's what the feature set they do have says =
about what looping is that pisses me off. The DL4 is a great looper - =
simple, fairly inexpensive and without any of the nonsense that Roland =
and Digitech have added, whilst ignoring the useful stuff.=A0</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><BR class=3D"khtml-block-placeholder"></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">There are people on this list making great music =
with simple loopers, they're just doing it in spite of what the people =
making them seem to assume they are for.=A0</DIV><DIV style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR =
class=3D"khtml-block-placeholder"></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">cheers</DIV><BR><DIV> <SPAN class=3D"Apple-style-span" =
style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; =
"><DIV>Steve</DIV><DIV>www.stevelawson.net - =
site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccollec=
tive.org</A> - =
blog</DIV><DIV>www.myspace.com/solobassstevelawson</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
PAN> </DIV><BR></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 00:19:11 2007
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: DL-4
Date: Fri, 5 Oct 2007 17:19:09 -0700
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Here is how it works.  you can program the  expression pedal functionality
for each preset and how the pedal behaves in loop mode as well.  Let's take
loop mode for example, and for now, limit ourselves to controlling the
behavior of just one parameter with the expression pedal. In loop mode I use
it primarily to controller the loop volume so I'll start there. Put the
pedal in the heal down position and adjust the far right hand rotary knob
(mix) counter clock wise (off position). Now press the expression pedal to
toe down position, and adjust the right hand rotary knob clockwise to full
on position. Now make a loop and test to see if the loop volume diminishes
as you go to heal down position, and increases as you put your toe down.
It's that easy. In preset mode you store your settings using the write
procedure. In loop mode, it basically remembers your setting until you make
manual changes to the rotary knobs And you can do it with every parameter
knob, meaning you could have the expression pedal control up to five
parameters, at once  though I tend not to double up much myself. But
imagine, using an analog modulation delay model and having the expression
pedal move between a short delay with lots of modulation and regeneration
,(for a chorus or flange  effect), and a long delay with little modulation
and less regeneration ( for a more typical echo effect). I love using the
expression pedal controlling regeneration, on analog delay models, to create
run away dub echo effects that I in turn resample using another looper
further down my signal chain.. If you have a habit of using the tap tempo
function a lot, be warned that it will change what ever stored delay
settings you have made with your presets and create interesting pitch
bending effects as you move the expression pedal from the preset delay time
to what ever you just changed using tap tempo. (but,  it won't store the new
changes unless you use the write procedure to store your new settings). That
should cover it.
Have fun, I think the expression pedal adds great functionality to the DL-4
and I'm amazed how many users don't use an expression pedal with not just
this, but any of there big pedals. 
Bill 

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 02:22:30 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Condensor Microphones fro Live Room Recording
Date: Fri, 5 Oct 2007 20:20:32 -0600
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I'd like to plug some better microphones into my M-Audio microtrack...it =
has phantom power and can handle condensors. Can anyone recommend some =
affordable, yet decent quality micrphones to pear in stereo? This would =
be for recording jazz duos and trios (guitar/sax or guitar/sax/drums) in =
a small studio room.

I've read some good things about the AKG C1000s.  =
http://www.sweetwater.com/store/detail/C1000S

Kris

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'd like to plug some better =
microphones into my=20
M-Audio microtrack...it has phantom power and can handle condensors. Can =
anyone=20
recommend some affordable, yet decent quality micrphones to pear in =
stereo? This=20
would be for recording jazz duos and trios (guitar/sax or =
guitar/sax/drums) in a=20
small studio room.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I've read some good things about the =
AKG=20
C1000s.&nbsp; <A=20
href=3D"http://www.sweetwater.com/store/detail/C1000S">http://www.sweetwa=
ter.com/store/detail/C1000S</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 02:32:29 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Condensor Microphones fro Live Room Recording
Date: Fri, 5 Oct 2007 20:30:58 -0600
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anyone try this? http://www.americanmusical.com/item--i-ROD-NT4.html

Kris

  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, October 05, 2007 8:20 PM
  Subject: Condensor Microphones fro Live Room Recording


  I'd like to plug some better microphones into my M-Audio =
microtrack...it has phantom power and can handle condensors. Can anyone =
recommend some affordable, yet decent quality micrphones to pear in =
stereo? This would be for recording jazz duos and trios (guitar/sax or =
guitar/sax/drums) in a small studio room.

  I've read some good things about the AKG C1000s.  =
http://www.sweetwater.com/store/detail/C1000S

  Kris

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charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3157" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>anyone try this? <A=20
href=3D"http://www.americanmusical.com/item--i-ROD-NT4.html">http://www.a=
mericanmusical.com/item--i-ROD-NT4.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, October 05, 2007 =
8:20=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Condensor Microphones =
fro Live=20
  Room Recording</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>I'd like to plug some better =
microphones into my=20
  M-Audio microtrack...it has phantom power and can handle condensors. =
Can=20
  anyone recommend some affordable, yet decent quality micrphones to =
pear in=20
  stereo? This would be for recording jazz duos and trios (guitar/sax or =

  guitar/sax/drums) in a small studio room.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>I've read some good things about the =
AKG=20
  C1000s.&nbsp; <A=20
  =
href=3D"http://www.sweetwater.com/store/detail/C1000S">http://www.sweetwa=
ter.com/store/detail/C1000S</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial =
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 03:27:23 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: OT, but getting close to not-OT: guitar/sax improv sessions
Date: Fri, 5 Oct 2007 21:25:40 -0600
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Well, it's not looping....yet. I plan to get the RC-2 out on these =
sessions eventually, but for now me and the sax player are just getting =
to know each other and our styles.=20

This one clip from a session I recorded today with a new collaborator, =
who I met at the 2nd Annual Boise Experimental Music Festival. His name =
is Brian McFadin and he moved here less than a year ago from California. =
He's really quite an accomplished jazz sax player, studied at LACC, Cal =
State L.A, etc . He has a CD out with Tony Malaby, who has played with =
Paul Motian, etc; and he has another quintet CD out with John Bergamo, =
Doug Webb, Per Warpe (guitar), and Kentaro Ebiko (bass), called =
Succulent. Anway, I'm glad to have met him!

We plan to get together and record every other week until we have enough =
material for a CD.  Check out the clip:

http://www.box.net/shared/mh5o4t82a0

On this, I'm just playing my Taylor nylon string acoustic through my =
Schertler "David" amp....no laptop, max/msp, or radical effects. It's =
quiet liberating to sit down and play like this once in a while...sort =
of tests whether I can still express myself with the instrument alone, =
without the assistance of electronics.

Next time, I hope to have some supporting loops in there. :)

Kris

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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Well, it's not looping....yet. I plan =
to get the=20
RC-2 out on these sessions eventually, but for now me and the sax player =
are=20
just getting to know each other and our styles. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>This one clip from a session I recorded =
today with=20
a new collaborator, who I met at the 2nd Annual Boise Experimental Music =

Festival. His name is Brian McFadin and he moved here less than a year =
ago from=20
California. He's really quite an accomplished jazz sax player, studied =
at LACC,=20
Cal State L.A, etc . He has a CD out with Tony Malaby, who has played =
with Paul=20
Motian, etc; and he has another quintet CD out with John Bergamo, Doug =
Webb, Per=20
Warpe (guitar), and Kentaro Ebiko (bass), called Succulent. Anway, I'm =
glad to=20
have met him!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>We plan to get together and record =
every other week=20
until we have enough material for a CD.&nbsp; Check out the =
clip:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><A=20
href=3D"http://www.box.net/shared/mh5o4t82a0">http://www.box.net/shared/m=
h5o4t82a0</A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>On this, I'm just playing my Taylor =
nylon string=20
acoustic through my Schertler "David" amp....no laptop, max/msp, or =
radical=20
effects. It's quiet liberating to sit down&nbsp;and play like this once =
in a=20
while...sort of tests whether I can still express myself with the =
instrument=20
alone, without the assistance of electronics.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Next time, I hope to have some =
supporting loops in=20
there. :)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0AF2_01C80796.47AD07B0--

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 05:01:30 2007
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Date: Fri, 5 Oct 2007 22:01:28 -0700 (PDT)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: How many loopers does Boss sell?
To: Loopers-Delight@loopers-delight.com
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I see your point, well, it just goes to show you that
big companies think they know what we want. 
--- Steve Lawson <steve@steve-lawson.co.uk> wrote:

>  >>>I'm not saying Boss or any other manufacturers
> of the smaller pedals are way off base, to say that
> they are looking at looping as a pure gimmick is
> missing the point, to someone who has been doing in
> professionally and using the EDP or anything of the
> like, sure, those pedals are a complete joke.  I
> think
> maybe part of why those products were developed was
> to
> bring looping to the masses, but also in a form that
> beginners can get into it,<<<<
> 
> Yeah, but simple isn't the point - it's what the
> feature set they do  
> have says about what looping is that pisses me off.
> The DL4 is a  
> great looper - simple, fairly inexpensive and
> without any of the  
> nonsense that Roland and Digitech have added, whilst
> ignoring the  
> useful stuff.
> 
> There are people on this list making great music
> with simple loopers,  
> they're just doing it in spite of what the people
> making them seem to  
> assume they are for.
> 
> cheers
> 
> Steve
> www.stevelawson.net - site
> www.stevelawson.net/zencart/ - shop
> http://steve.anthropiccollective.org - blog
> www.myspace.com/solobassstevelawson
> 
> 
> 
> 



       
____________________________________________________________________________________
Take the Internet to Go: Yahoo!Go puts the Internet in your pocket: mail, news, photos & more. 
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Date: Sat, 06 Oct 2007 04:20:09 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to The AM/FM Show
To: undisclosed-recipients: ;
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, September 22 at 6:00
am EDT/GMT-4.  That's a little less than two hours from now.  I will
continue the special on E-dition Electronic Music Magazine's sampler
CDs.  I will continue with issue 15 out of 16 so this special is
drawing to a close soon.  What's next?  ;-)

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://muhlenberg.edu/wmuh


Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: OT, but getting close to not-OT: guitar/sax improv sessions
Date: Sat, 6 Oct 2007 10:33:29 +0200
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On 6 okt 2007, at 05.25, Krispen Hartung wrote:

> http://www.box.net/shared/mh5o4t82a0
>
> On this, I'm just playing my Taylor nylon string acoustic through  
> my Schertler "David" amp....no laptop, max/msp, or radical effects.  
> It's quiet liberating to sit down and play like this once in a  
> while...sort of tests whether I can still express myself with the  
> instrument alone, without the assistance of electronics.

Excellent!

But why call in "assistance of electronics"? You should add them  
carefully this flow. I mean, everything you need to make great music  
is already there. It's a great joy to hear how you guys are looping  
'n swooping ideas.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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From: Per Boysen <perboysen@gmail.com>
Subject: Re: OT: My worst looping gig...
Date: Sat, 6 Oct 2007 11:06:18 +0200
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On 6 okt 2007, at 01.06, Tilmann Dehnhard wrote:

> when i started playing, there was no sound. nothing. i informed, =20
> begged and pleaded down from stage - nothing. finally somebody =20
> brought up the sound so i could start.
> as i learned after the show and to my big surprise, the sound guy =20
> had gone home before the concert started. he had misinterpreted my =20
> comment as a: you may go now.
>
> later, while packing up, i heard a strange and pretty strong hum =20
> through the speakers and went to the mixing board to find out what =20
> was going on:
> somebody had brought up ALL the faders to the max. only the last =20
> two, mains out, were down pretty low. MAN was i glad the person had =20=

> been careful with the mains.
> he/she could have killed our eardrums..


Ha, ha... reminds me of a gig in Bangkok. This wasn't live looping =20
music though, we were a trio performing alternative rock with a touch =20=

of electronic dance music =E0 la KLF (live guitar, live vocals and some =20=

canned back-tracks on DAT). We sound-checked at the venue at day-=20
time. It was hot as a sauna because it was a huge metallic stadium =20
and air coolers were not run during empty daytime to save money. =20
Anyway, we were going to sing live with acoustic guitars at night so =20
the sound check was crucial. The sound man couldn't find the correct =20
frequencies to kill off by EQ in order to fight the horrible feedback =20=

inside that huge box. So I walked over to his booth and together we =20
solved it and marked up with gaffa tape were he should put the =20
faders. Fine - "See you tonight, then". Off to hotel for shower and =20
food. A guy from the record label drove us back to the venue at =20
night. It was packed with people and as soon as I plugged in an =20
acoustic guitar the air just came alive in horrible screaming =20
feedback tone. Ok, blinded by the white stage lights I plugged it out =20=

to give the sound man five seconds to correct the faders according to =20=

our tape markings on the mixer.  Tried it again, same howling =20
feedback. The lead singers had the same problem with their mics. I =20
catched a sudden glimpse of the sound man, 40 meters away, and oh-my-=20
god it was a different guy standing there now trying to figure out =20
how the system works! We played the electric set but had to cut down =20
the concert "for technical reasons" and walked, depressed and angry, =20
out into the backstage area. And guess what, comfortably installed in =20=

our backstage room was my sound man, now smoking grass and offering =20
our cold beer to a bunch of girls he had invited from the street. =20
Phiew... Before we even got a chance to start yelling at him he =20
cracked up widely: "Hey, guys, I'm your best friend, so I have helped =20=

you to get the party started! (stupid grin)". Communication breakdown.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 10:26:19 2007
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: How many loopers does Boss sell?
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I was looking for a rough guess.
They say that Roland sold half as much RC-20XL as their GT-6...

What would you guys guess?

Buzap
-- 
Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen! 
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

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Date: Sat, 6 Oct 2007 03:35:41 -0700 (PDT)
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Subject: Re: Following Acoustic Musicians with Looper
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I stopped trying to do such a thing with other
musicians,maybe for one or two songs,if i use loops
with bands at all i just use it as a special effect
like short reverse sounds,half speed drones or build
ambient sounds in the background that dont interfere
with the bands or my energy,the DL4 or other
unquantisized loopers can work really nice for things
like that,you´d be surprise how many musicans who
master their instrument quite well cannot follow a
simple drum machine.Ive also found that it works
better with less musicians like a duo than with a
whole band,a lot of it relies on good stage monitoring
to start with which is still a gamble to this day...
But if u do want to use a looper that has the
functions to adapt to a human beings tempo in realtime
their isnt any other that come close to the EDP!
Luis

--- Per Boysen <perboysen@gmail.com> wrote:

> On 5 okt 2007, at 10.08, Buzap Buzap wrote:
> 
> > To make a long story short: What looping features
> & skills do you  
> > need to be able to play live with other musicians?
> > How do you keep in sync and keep up with tempo
> properly (acoustic  
> > instruments only and no drummer with a midi
> trigger)?
> 
> 
> In my experience the EDP is excellent for this. The
> trick is to not  
> loop all the time and always be prepared delete your
> loop in a blink  
> to react on what is happening in the group.
> 
> 1) On the EDP you can always hit Record to erase
> everything and start  
> a new loop and the second time you hit Record (or
> any alternative  
> ending) you're in a new loop that is syncing to the
> new "acoustic"  
> tempo.
> 
> 2) I also keep one button to instantly retrigger the
> loop ("stutter").
> 
> 3) I the group tempo changes while I'm working a
> floating, non  
> rhythmic, loop I might simply go Multiply-Record to
> cut it down to a  
> duration that loops in synk.
> 
> This kind of "looper abuse" is not possible with
> Mobius on a laptop,  
> although Mobius does well handle most EDP tricks and
> adds its own.  
> This good live synk functionality is the reason I
> still keep my old  
> EDP. I can't think of any bette way to sync
> electronics than an EDP  
> used in the above described way. The longer loop you
> create the more  
> accurate will the sync be. I typically start out
> with two or one bars.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> 
> 
> 
> 
> 


www.myspace.com/luisangulocom


      ____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 12:22:52 2007
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Re: OT, but getting close to not-OT: guitar/sax improv sessions
Date: Sat, 6 Oct 2007 06:24:27 -0600
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Nice - just the way it is!!! (ie: no electronics)

> On 6 okt 2007, at 05.25, Krispen Hartung wrote:
>
>> http://www.box.net/shared/mh5o4t82a0
>>
>> On this, I'm just playing my Taylor nylon string acoustic through  
>> my Schertler "David" amp....no laptop, max/msp, or radical  
>> effects. It's quiet liberating to sit down and play like this once  
>> in a while...sort of tests whether I can still express myself with  
>> the instrument alone, without the assistance of electronics.

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 12:45:01 2007
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
Date: Sat, 6 Oct 2007 06:46:36 -0600
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On Oct 6, 2007, at 6:24 AM, Paul Mimlitsch wrote:

> Nice - just the way it is!!! (ie: no electronics)
>
>> On 6 okt 2007, at 05.25, Krispen Hartung wrote:
>>
>>> http://www.box.net/shared/mh5o4t82a0
>>>
>>> On this, I'm just playing my Taylor nylon string acoustic through  
>>> my Schertler "David" amp....no laptop, max/msp, or radical  
>>> effects. It's quiet liberating to sit down and play like this  
>>> once in a while...
>>> sort of tests whether I can still express myself with the  
>>> instrument alone, without the assistance of electronics.

Which brings me to a topic I've been wondering about lately:

1) how many people on the list do solo non looping gigs?

2) "the beauty of the single not line" - how many guitar players/  
players of multitimbral instruments can do an improv. gig using only  
single note lines and hold an audiences attention? for how long?

3) if you're not comfortable doing this, is that because of  
preference (ie: vertical vs. linear hearing)?  Being raised on a  
particular instrument?  Or did you gravitate towards your preferred  
instrument due to how you hear things?

4) if you play a mono timbral instrument (horns etc) is the desire to  
"loop" a means of filling up vertical space to compliment your single  
note line play?

Not sure if this makes sense - Just curious.

  

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 13:28:13 2007
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Subject: AW: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
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> Which brings me to a topic I've been wondering about lately:

Seems to be survey time this time of the year...

First of all, some background:
My first (and to this day, I believe most important) instrument has been the
piano, or more generally keyboards. I then started to more or less learn
(some of them to a very minimal degree) in that order: trombone, drums,
(alto and soprano) saxophone, bass guitar, guitar.

As a composer, I'm more into the Bach(Beethoven/Wagner/Mahler) line than
into the Mozart line. Meaning lots of (sometimes rather simple) stuff going
on at the same time, with equal importance forming the whole, instead of one
beautiful melody with perhaps only some added backdrop (chords). And I also
firmly believe (at least when doing tonal, not primarily rhythmic or noise
stuff) in the Bach concept of superordinant two-voice arrangement, i.e. that
the composition while containing lots of stuff going on, is rooted into the
interplay of melody and bass line.

That being said...

> 1) how many people on the list do solo non looping gigs?
Mhmmm, is it a solo gig if I play piano and sing at the same time? I believe
within the scope of your question, rather not. I played a few solo gigs in
the past, most of them on the piano, although some on the trombone as well.
Some of the piano gigs not with original material, though (jazz piano). Is
it also considered "solo non looping" if I use a delay? A chorus?

> 2) "the beauty of the single not line" - how many guitar 
> players/ players of multitimbral instruments can do an 
> improv. gig using only single note lines and hold an 
> audiences attention? for how long?
I never tried that on the piano. I believe on the piano it might be even
harder than on the guitar, because you don't have that many means of putting
expression into a single note (bending, volume pedal, vibrato,...)

> 3) if you're not comfortable doing this, is that because of 
> preference (ie: vertical vs. linear hearing)?  Being raised 
> on a particular instrument?  Or did you gravitate towards 
> your preferred instrument due to how you hear things?
See above

> 4) if you play a mono timbral instrument (horns etc) is the 
> desire to "loop" a means of filling up vertical space to 
> compliment your single note line play?
Among other things (sound design, multiinstrumental stuff). I also did that
non-looping by using the technique of playing notes alternatingly in
different registers of the instrument, thus giving the impression of two
lines happening at once (something like Bobby McFerrin on trombone).

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 13:31:27 2007
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Paul Mimlitsch wrote:

> Which brings me to a topic I've been wondering about lately:
> 
> 1) how many people on the list do solo non looping gigs?

not these days, except playing acoustic guitar for kids once a year

> 
> 2) "the beauty of the single not line" - how many guitar players/ 
> players of multitimbral instruments can do an improv. gig using only 
> single note lines and hold an audiences attention? for how long?

again not these days, used to do bass solos on jazz gigs, generally
single note lines without pre-determined structure.
Kept it short, but it did seem to grab the audience's attention on 
occasion. 

Anyway, it's an interesting thought, I'm inspired to put some single note
line stuff into the next loop gig

> 
> 3) if you're not comfortable doing this, is that because of preference 
> (ie: vertical vs. linear hearing)?  Being raised on a particular 
> instrument?  Or did you gravitate towards your preferred instrument due 
> to how you hear things?

Electric guitar just seems to be a perfect instrument for looping,
so many different sounds and relatively portable.

> 
> 4) if you play a mono timbral instrument (horns etc) is the desire to 
> "loop" a means of filling up vertical space to compliment your single 
> note line play?

If I'm using a mono instrument (rare) I'm more concerned about rhythm than vertical
harmony.
A lot of the time I'm aiming for the impression of the loop
flowing out of the "solo" 
Guitar becomes mono-timbral (more or less) when using an ebow.

> 
> Not sure if this makes sense - Just curious.

Interesting thoughts, useful to remember that the whole point is to create
music, and not to always focus on how to make the loops into music.

andy butler

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 14:01:29 2007
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Subject: Re: Condensor Microphones fro Live Room Recording
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Good input, Sam. I will take it seriously and investigate these mics. 

Kris

> 
> I also have a pair of AT-4041s and those seem to have a much clearer and 
> flatter response. If I could afford it I would try the AT-4051 because 
> people seem to like it much more, but for my current budget the 4041s 
> are my best condensers by far. Really nice on drum overheads and 
> coincidentally my Taylor nylon string (playing jazz) ;-)
> 
> Peace
> - Sam

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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Re: AW: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
Date: Sat, 6 Oct 2007 08:04:31 -0600
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On Oct 6, 2007, at 7:28 AM, Rainer Thelonius Balthasar Straschill wrote:
>
> That being said...
>
>> 1) how many people on the list do solo non looping gigs?
> Mhmmm, is it a solo gig if I play piano and sing at the same time?  
> I believe
> within the scope of your question, rather not. I played a few solo  
> gigs in
> the past, most of them on the piano, although some on the trombone  
> as well.
> Some of the piano gigs not with original material, though (jazz  
> piano). Is
> it also considered "solo non looping" if I use a delay? A chorus?

Yes, though adding processing creates a different instrument/  
approach than that on a "dry" instrument.  I should have been more  
specific: "non processed/ natural/ dry/ naked" instrument.

>
>> 2) "the beauty of the single not line" - how many guitar
>> players/ players of multitimbral instruments can do an
>> improv. gig using only single note lines and hold an
>> audiences attention? for how long?
> I never tried that on the piano. I believe on the piano it might be  
> even
> harder than on the guitar, because you don't have that many means  
> of putting
> expression into a single note (bending, volume pedal, vibrato,...)

Something to explore (?) .....

>
>> 3) if you're not comfortable doing this, is that because of
>> preference (ie: vertical vs. linear hearing)?  Being raised
>> on a particular instrument?  Or did you gravitate towards
>> your preferred instrument due to how you hear things?
> See above
>
>> 4) if you play a mono timbral instrument (horns etc) is the
>> desire to "loop" a means of filling up vertical space to
>> compliment your single note line play?
> Among other things (sound design, multiinstrumental stuff). I also  
> did that
> non-looping by using the technique of playing notes alternatingly in
> different registers of the instrument, thus giving the impression  
> of two
> lines happening at once (something like Bobby McFerrin on trombone).
>
> 	Rainer
>

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Subject: Re: OT, but getting close to not-OT: guitar/sax improv sessions
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***************************
> Excellent!
>
> But why call in "assistance of electronics"? You should add them 
> carefully this flow. I mean, everything you need to make great music  is 
> already there. It's a great joy to hear how you guys are looping  'n 
> swooping ideas.
>
> Greetings from Sweden
>
> Per Boysen

Thanks, Per.   ...or we might just add a drummer who can play free and then 
we really cooking. I have one picked out already and he is ready to play! I 
may loop some basic bass motifs and grooves....Paul...I think you've played 
in this config before. I thought it sounded nice.

**************************************
> My suggestion: don't - it's beautiful the way it is.

> Rainer

> Nice - just the way it is!!! (ie: no electronics)

It's very tempting. Thanks!

***********************

Kris

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Subject: Re: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
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In a message dated 10/6/07 8:45:08 AM, pmimlitsch@mac.com writes:


> (ie: vertical vs. linear hearing)?=A0
>=20

paul.....what do you mean by this?




"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON=20
EXCERCISE"

www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11




**************************************
 See what's new at http://www.aol.com

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 10/6/07 8:45:08 AM, pmimlitsch@mac.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">(ie: vertical vs. lin=
ear hearing)?=A0<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">paul.....what do you mean by this?<BR>
<BR>
<BR>
<BR>
<BR>
"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON EXCE=
RCISE"<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
new at http://www.aol.com</HTML>

--part1_cb3.1c724571.3438f4b1_boundary--

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 14:47:51 2007
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Re: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
Date: Sat, 6 Oct 2007 08:49:27 -0600
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I've always wondered why someone chooses a particular instrument as  
their "voice" - multitimbral vs mono timbral - and, based on my own  
experience and conversations with others came to the conclusion  
(assumption?) that, in a lot of cases, it has to do with how you hear  
things/ organize sounds, in your head.  When you think of a melody  
are you hearing single notes flowing one after the other, multiple  
voices running parallel, or more texturally (ie: notes stacked on top  
of each other)?  When you pick up your instrument do you gravitate  
towards single note lines or a more chordal approach and is this  
based on preference or the physicality of the instrument?  Another  
question I should have asked in my original post was:  How many  
people have switched instruments to meet their needs.

On Oct 6, 2007, at 8:24 AM, Nemoguitt@aol.com wrote:

>
> In a message dated 10/6/07 8:45:08 AM, pmimlitsch@mac.com writes:
>
>
>> (ie: vertical vs. linear hearing)?
>
>
> paul.....what do you mean by this?
>
>
>
>
> "Who needs a six pac when ya got a keg!".....scoots galore  
> "THOUGHTS ON EXCERCISE"
>
> www.ct-collective.com
> http://mysite.verizon.net/vzepmeci/
> http://www.myspace.com/klobuchar11
>
>
>
>
> **************************************
> See what's new at http://www.aol.com


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">I've always wondered why someone =
chooses a particular instrument as their "voice" - multitimbral vs mono =
timbral - and, based on my own experience and conversations with others =
came to the conclusion (assumption?) that, in a lot of cases, it has to =
do with how you hear things/ organize sounds, in your head.=A0 When you =
think of a melody are you hearing single notes flowing one after the =
other, multiple voices running parallel, or more texturally (ie: notes =
stacked on top of each other)?=A0 When you pick up your instrument do =
you gravitate towards single note lines or a more chordal approach and =
is this based on preference or the physicality of the instrument?=A0 =
Another question I should have asked in my original post was:=A0 How =
many people have switched instruments to meet their =
needs.=A0<DIV>=A0<BR><DIV><DIV>On Oct 6, 2007, at 8:24 AM, <A =
href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</A> wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><FONT =
face=3D"arial,helvetica"><FONT color=3D"#000000" face=3D"Geneva" =
family=3D"SANSSERIF" size=3D"2"><BR> In a message dated 10/6/07 8:45:08 =
AM, <A href=3D"mailto:pmimlitsch@mac.com">pmimlitsch@mac.com</A> =
writes:<BR> <BR> <BR> </FONT><BLOCKQUOTE cite=3D"" style=3D"BORDER-LEFT: =
#0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: =
5px" type=3D"CITE"><FONT color=3D"#000000" face=3D"Geneva" =
family=3D"SANSSERIF" size=3D"2"></FONT><FONT color=3D"#000000" =
face=3D"Geneva" family=3D"SANSSERIF" size=3D"2">(ie: vertical vs. linear =
hearing)?=A0<BR> </FONT></BLOCKQUOTE><FONT color=3D"#000000" =
face=3D"Geneva" family=3D"SANSSERIF" size=3D"2"></FONT><FONT =
color=3D"#000000" face=3D"Geneva" family=3D"SANSSERIF" size=3D"2"><BR> =
<BR> </FONT><FONT color=3D"#000000" face=3D"Geneva" family=3D"SANSSERIF" =
size=3D"2">paul.....what do you mean by this?<BR> <BR> <BR> <BR> <BR> =
"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON =
EXCERCISE"<BR> <BR> <A =
href=3D"http://www.ct-collective.com">www.ct-collective.com</A><BR> <A =
href=3D"http://mysite.verizon.net/vzepmeci/">http://mysite.verizon.net/vze=
pmeci/</A><BR> <A =
href=3D"http://www.myspace.com/klobuchar11">http://www.myspace.com/klobuch=
ar11</A><BR> <BR> </FONT><FONT color=3D"#000000" face=3D"Geneva" =
family=3D"SANSSERIF" =
size=3D"2"></FONT><BR><BR><BR>**************************************<BR> =
See what's new at <A =
href=3D"http://www.aol.com">http://www.aol.com</A></FONT></BLOCKQUOTE></DI=
V><BR></DIV></BODY></HTML>=

--Apple-Mail-1-774086071--

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Date: Sat, 6 Oct 2007 07:44:38 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
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On 10/6/07, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
>
>
> Which brings me to a topic I've been wondering about lately:
>
> 1) how many people on the list do solo non looping gigs?

 Never.
>
> 2) "the beauty of the single not line" - how many guitar players/
> players of multitimbral instruments can do an improv. gig using only
> single note lines and hold an audiences attention? for how long?

Never tried it.  It certainly get dull for me pretty quickly (as a player).

>
> 3) if you're not comfortable doing this, is that because of
> preference (ie: vertical vs. linear hearing)?  Being raised on a
> particular instrument?  Or did you gravitate towards your preferred
> instrument due to how you hear things?

Personally, the percussive note envelope of the guitar (the sound is
dying off almost as soon as its sounded) does not lend itself well to
unaccompanied single lines.  I so envy the bowed instruments or horns
that can make a note get louder after the initial attack, and for
years used a compressor, volume pedal and reverb/delay to cop some of
that ability.

>
> 4) if you play a mono timbral instrument (horns etc) is the desire to
> "loop" a means of filling up vertical space to compliment your single
> note line play?

Yep.  I like harmony, and the amount of effort required to learn how
to do it all at once via advanced fingerpicking (a la Kottke or
Bensusan) is beyond me at this point in life.  There's only so much
time in the day and so many days left on my calendar.

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 14:52:45 2007
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Date: Sat, 06 Oct 2007 10:52:33 -0400
From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: re: Condensor Microphones fro Live Room Recording
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The AKG C-3000 is quite happy even with the 30 volt phantom power 
available from the Microtrack 2496, and I've used a pair of the Oktava 
MK012 with good results.  I assume you've also seen the list of mics 
that M-Audio has tested - it's on the support pages for the 2496.

Dan Ash
White Plains, NY

> Subject:
> Condensor Microphones fro Live Room Recording
> From:
> "Krispen Hartung" <khartung@cableone.net>
> Date:
> Fri, 5 Oct 2007 20:20:32 -0600
>
> To:
> Loopers-Delight@loopers-delight.com
>
>
> I'd like to plug some better microphones into my M-Audio 
> microtrack...it has phantom power and can handle condensors. Can 
> anyone recommend some affordable, yet decent quality micrphones to 
> pear in stereo? This would be for recording jazz duos and trios 
> (guitar/sax or guitar/sax/drums) in a small studio room.
>  
> I've read some good things about the AKG C1000s.  
> http://www.sweetwater.com/store/detail/C1000S
>  
> Kris
>  

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Steve, 
I gotta disagree. The RC-50, while flawed, can be a wonderful thing. Its features are more geared to a specific type of looping. Not yours, but I've used it with great results with other musicians. It seems to be more of an ensemble device. For instance, I occasionally perform with a bassist and drummer. I import percussion loops so the drummer can play in sync. Adding parts as we play, we get some impressive jams that sound way more interesting then a plain trio. The LP1, EDP, DL4 cannot do this, at least not without a laptop.  So, it may not be your cup of tea, but it works great for some people.

MFC

-------------- Original message -------------- 
From: Steve Lawson <steve@steve-lawson.co.uk> 

>>>I'm not saying Boss or any other manufacturers
of the smaller pedals are way off base, to say that
they are looking at looping as a pure gimmick is
missing the point, to someone who has been doing in
professionally and using the EDP or anything of the
like, sure, those pedals are a complete joke. I think
maybe part of why those products were developed was to
bring looping to the masses, but also in a form that
beginners can get into it,<<<<


Yeah, but simple isn't the point - it's what the feature set they do have says about what looping is that pisses me off. The DL4 is a great looper - simple, fairly inexpensive and without any of the nonsense that Roland and Digitech have added, whilst ignoring the useful stuff. 


There are people on this list making great music with simple loopers, they're just doing it in spite of what the people making them seem to assume they are for. 


cheers


Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson
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<html><body>
<DIV>Steve, </DIV>
<DIV>I gotta disagree. The RC-50, while flawed, can be a wonderful thing. Its features are more geared to a specific type of looping. Not yours, but I've used it with great results with other musicians. It seems to be more of an ensemble device. For instance, I occasionally perform with a bassist and drummer. I import percussion loops so the drummer can play in sync. Adding parts as we play, we get some impressive jams that sound way more interesting then a plain trio. The LP1, EDP, DL4 cannot do this, at least not without a laptop. &nbsp;So, it may not be your cup of tea, but it works great for some people.</DIV>
<DIV>&nbsp;</DIV>
<DIV>MFC</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">-------------- Original message -------------- <BR>From: Steve Lawson &lt;steve@steve-lawson.co.uk&gt; <BR>
<DIV style="MARGIN: 0px">&gt;&gt;&gt;I'm not saying Boss or any other manufacturers</DIV>
<DIV style="MARGIN: 0px">of the smaller pedals are way off base, to say that</DIV>
<DIV style="MARGIN: 0px">they are looking at looping as a pure gimmick is</DIV>
<DIV style="MARGIN: 0px">missing the point, to someone who has been doing in</DIV>
<DIV style="MARGIN: 0px">professionally and using the EDP or anything of the</DIV>
<DIV style="MARGIN: 0px">like, sure, those pedals are a complete joke. I think</DIV>
<DIV style="MARGIN: 0px">maybe part of why those products were developed was to</DIV>
<DIV style="MARGIN: 0px">bring looping to the masses, but also in a form that</DIV>
<DIV style="MARGIN: 0px">beginners can get into it,&lt;&lt;&lt;&lt;</DIV>
<DIV style="MARGIN: 0px"><BR class=khtml-block-placeholder></DIV>
<DIV style="MARGIN: 0px">Yeah, but simple isn't the point - it's what the feature set they do have says about what looping is that pisses me off. The DL4 is a great looper - simple, fairly inexpensive and without any of the nonsense that Roland and Digitech have added, whilst ignoring the useful stuff. </DIV>
<DIV style="MARGIN: 0px"><BR class=khtml-block-placeholder></DIV>
<DIV style="MARGIN: 0px">There are people on this list making great music with simple loopers, they're just doing it in spite of what the people making them seem to assume they are for. </DIV>
<DIV style="MARGIN: 0px"><BR class=khtml-block-placeholder></DIV>
<DIV style="MARGIN: 0px">cheers</DIV><BR>
<DIV><SPAN class=Apple-style-span style="WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px; -khtml-text-decorations-in-effect: none; -apple-text-size-adjust: auto; orphans: 2; widows: 2"><SPAN class=Apple-style-span style="WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px; -khtml-text-decorations-in-effect: none; -apple-text-size-adjust: auto; orphans: 2; widows: 2"><SPAN class=Apple-style-span style="WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px; -khtml-text-decorations-in-effect: none; -apple-text-size-adjust: auto; orphans: 2; widows: 2"><SPAN c
lass=Apple-style-span style="WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px; -khtml-text-decorations-in-effect: none; -apple-text-size-adjust: auto; orphans: 2; widows: 2"><SPAN class=Apple-style-span style="WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px; -khtml-text-decorations-in-effect: none; -apple-text-size-adjust: auto; orphans: 2; widows: 2"><SPAN class=Apple-style-span style="WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px; -khtml-text-decorations-in-effect: none; -apple-text-size-adjust: auto; orphans: 2; widows: 2">
<DIV>Steve</DIV>
<DIV>www.stevelawson.net - site</DIV>
<DIV>www.stevelawson.net/zencart/ - shop</DIV>
<DIV><A href="http://steve.anthropiccollective.org/">http://steve.anthropiccollective.org</A> - blog</DIV>
<DIV>www.myspace.com/solobassstevelawson</DIV>
<DIV><BR class=khtml-block-placeholder></DIV><BR class=Apple-interchange-newline></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></DIV><BR></BLOCKQUOTE></body></html>

--NextPart_Webmail_9m3u9jl4l_2480_1191682670_0--

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 15:01:46 2007
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Date: Sat, 6 Oct 2007 08:01:43 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
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I started on piano then switched to guitar.  David Gilmour and Mark
Knopfler made the prospect of putting up with my very old-school piano
teacher a non-starter.

I wasn't really aware that a thing called a "cello" existed until my
teens.  Had I known when I was seven, I would have asked for lessons
on it instead of the piano.  The vocal quality of it easily trumped
the polyphony of the piano to my ears...once I knew the damn thing
existed.

On the other hand, I fiind the Stick/Warr Guitar/touch-style
instruments are the most chronically under-exploited instrument ever.
A combination of the piano and the electric guitar?  Brilliant!   How
did this instrument not catch on like wildfire?  Yet the results have
been consistently underwhelming for me, except when I saw Jim Lamphee
playing on a London street during lunchtime, which made me really
reconsider changing instrument again.
Angry Stick Players: let's just agree to disagree on this one.

TH

On 10/6/07, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
> I've always wondered why someone chooses a particular instrument as their
> "voice" - multitimbral vs mono timbral - and, based on my own experience and
> conversations with others came to the conclusion (assumption?) that, in a
> lot of cases, it has to do with how you hear things/ organize sounds, in
> your head.  When you think of a melody are you hearing single notes flowing
> one after the other, multiple voices running parallel, or more texturally
> (ie: notes stacked on top of each other)?  When you pick up your instrument
> do you gravitate towards single note lines or a more chordal approach and is
> this based on preference or the physicality of the instrument?  Another
> question I should have asked in my original post was:  How many people have
> switched instruments to meet their needs.
>
>

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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Re: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
Date: Sat, 6 Oct 2007 09:04:19 -0600
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On Oct 6, 2007, at 8:44 AM, Travis Hartnett wrote:

> On 10/6/07, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
>>
>>
>> Which brings me to a topic I've been wondering about lately:
>>
>> 1) how many people on the list do solo non looping gigs?
>
>  Never.
>>
>> 2) "the beauty of the single not line" - how many guitar players/
>> players of multitimbral instruments can do an improv. gig using only
>> single note lines and hold an audiences attention? for how long?
>
> Never tried it.  It certainly get dull for me pretty quickly (as a  
> player).

Maybe a new approach/ something to explore?

>
>>
>> 3) if you're not comfortable doing this, is that because of
>> preference (ie: vertical vs. linear hearing)?  Being raised on a
>> particular instrument?  Or did you gravitate towards your preferred
>> instrument due to how you hear things?
>
> Personally, the percussive note envelope of the guitar (the sound is
> dying off almost as soon as its sounded) does not lend itself well to
> unaccompanied single lines.  I so envy the bowed instruments or horns
> that can make a note get louder after the initial attack, and for
> years used a compressor, volume pedal and reverb/delay to cop some of
> that ability.

Not sure I agree with the "does not lend itself to unaccompanied  
single lines".

>
>>
>> 4) if you play a mono timbral instrument (horns etc) is the desire to
>> "loop" a means of filling up vertical space to compliment your single
>> note line play?
>
> Yep.  I like harmony, and the amount of effort required to learn how
> to do it all at once via advanced fingerpicking (a la Kottke or
> Bensusan) is beyond me at this point in life.  There's only so much
> time in the day and so many days left on my calendar.




From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 15:22:22 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
Date: Sat, 6 Oct 2007 17:22:15 +0200
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On 6 okt 2007, at 14.46, Paul Mimlitsch wrote:

> 1) how many people on the list do solo non looping gigs?

Sometimes. Not very often though, since there isn't any natural forum  
for solo concerts. I've mostly played non looping solo concerts for  
art exhibitions. One time I used a sax and walked around among the  
visitors while playing, making a point of the different acoustics of  
the different halls.

> 2) "the beauty of the single note line" - how many guitar players/  
> players of multitimbral instruments can do an improv. gig using  
> only single note lines and hold an audiences attention? for how long?

I don't see that this would be more difficult on a polyphonic  
instrument compared to a monophonic? "The beauty of a single note  
line" does not reside in what you play but what you do not play, but  
rather create the set-up for the listener to fill in by his/her  
imagination. To play that way you need to hear and react to not only  
the sound of a single note but also its attitude and suggested  
directions by that note. Non-musicians hear this easily, but somehow  
many players don't bother with this in my humble opinion most  
important aspect of playing music.


> 3) if you're not comfortable doing this, is that because of  
> preference (ie: vertical vs. linear hearing)?

When I was a child I sometimes hid under a grand piano and  
experienced some vertical hearing ;-)) In other words; "I'm sorry, I  
can't understand this question".  ;-)

> Being raised on a particular instrument?

No. Of course one instrument was the first I learned, but I wouldn't  
call that "being raised" on it.

> Or did you gravitate towards your preferred instrument due to how  
> you hear things?

No. I gravitate towards new instruments when I get too bored with the  
instruments I already use. Today there's not much such boredom  
though, since I have learned at least four different instruments well  
enough to play rather freely. So I can always move on to another one  
when in need for wider perspectives.


> 4) if you play a mono timbral instrument (horns etc) is the desire  
> to "loop" a means of filling up vertical space to compliment your  
> single note line play?

Hmm... when you say "vertically", do you mean instantly sounding? (as  
in a orchestra score?) Well, never mind. The answer to this question  
is "no". I look at loopers more as a way to extend the instrument.  
Kind of the same urge that forces me to trim vibrato bars, modify  
mouth-piece sound chambers, knock away frets, program synth sounds  
etc etc. Even when playing polyphonic instruments, as the guitar, I  
like doing monophonic melody lines. And, as said above, what I like  
is not what is heard but the open horizon it brings. The harmonies  
and chord sequences implied but not explicitly played. I think Luis  
Armstrong was quite early in doing this in his singing, "scatting" a  
short phrase after the actual lyric line just to give a clue for a  
chord/harmony.


On 6 okt 2007, at 16.49, Paul Mimlitsch wrote:
> I've always wondered why someone chooses a particular instrument as  
> their "voice"

My "musical voice" is something I have been aware of since I was  
three and a half years old, long before starting to play music. It's  
not directly about "sound" or any certain instrument. Music has  
simply become the most efficient way for me to explore this area.  
When I hear certain instruments I can tell if it would be a proper  
expression for me, and then I learn to play it to match my "musical  
voice".

>  Another question I should have asked in my original post was:  How  
> many people have switched instruments to meet their needs.

No instrument is perfect, but humans are extremely multi faceted  
beings. Switching is just a way to get along a little better. When  
playing in bands I have of course picked up whatever instrument  
needed for the collective project. I guess that's means the answer  
"yes and no" (switching seriously just for fun but sometimes also  
because a band situation needs it).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 15:26:25 2007
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Subject: Re: OT, but getting close to not-OT: guitar/sax improv sessions
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Yes, I agree. I play sax and a lot of improvised stuff (not dissimilar to 
this) and think that it doesn't need loops or any other electronics - it 
would make it different, not necessarily improve it though. the acoustic 
sounds are wonderful and spacious.

Ian.

----- Original Message ----- 
From: "Paul Mimlitsch" <pmimlitsch@mac.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, October 06, 2007 1:24 PM
Subject: Re: OT, but getting close to not-OT: guitar/sax improv sessions


> Nice - just the way it is!!! (ie: no electronics)
>
>> On 6 okt 2007, at 05.25, Krispen Hartung wrote:
>>
>>> http://www.box.net/shared/mh5o4t82a0
>>>
>>> On this, I'm just playing my Taylor nylon string acoustic through  my 
>>> Schertler "David" amp....no laptop, max/msp, or radical  effects. It's 
>>> quiet liberating to sit down and play like this once  in a while...sort 
>>> of tests whether I can still express myself with  the instrument alone, 
>>> without the assistance of electronics.
>
>
> 



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Date: Sat, 6 Oct 2007 08:20:02 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
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On 10/6/07, Paul Mimlitsch <pmimlitsch@mac.com> wrote:

> >> 2) "the beauty of the single not line" - how many guitar players/
> >> players of multitimbral instruments can do an improv. gig using only
> >> single note lines and hold an audiences attention? for how long?
> >
> > Never tried it.  It certainly get dull for me pretty quickly (as a
> > player).
>
> Maybe a new approach/ something to explore?

Nah.
I have to keep people happy at my gigs, or I get fired, and I'm happy
with that.  Out of the many musical areas one can explore, I work in
the ones that interest me and which are likely to be interesting to a
general audience.  I could work all my life on those and still not get
to the bottom of it, without delving into the things that don't appeal
to me much and which don't have much of an audience.
Again, only so many hours in the day, so many days left in my life.
Even the "easy" things are hard.
For the record, I am a completely non-experimental musician...in public.

>
> >
> >>
> >> 3) if you're not comfortable doing this, is that because of
> >> preference (ie: vertical vs. linear hearing)?  Being raised on a
> >> particular instrument?  Or did you gravitate towards your preferred
> >> instrument due to how you hear things?
> >
> > Personally, the percussive note envelope of the guitar (the sound is
> > dying off almost as soon as its sounded) does not lend itself well to
> > unaccompanied single lines.  I so envy the bowed instruments or horns
> > that can make a note get louder after the initial attack, and for
> > years used a compressor, volume pedal and reverb/delay to cop some of
> > that ability.
>
> Not sure I agree with the "does not lend itself to unaccompanied
> single lines".

Yep, well, we can't all like the same things.  I'm drawing a blank on
notable examples of the unaccompanied single line guitarist genre
though.

Best,

TH

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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Re: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
Date: Sat, 6 Oct 2007 09:39:40 -0600
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On Oct 6, 2007, at 9:20 AM, Travis Hartnett wrote:

> On 10/6/07, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
> .....  I'm drawing a blank on notable examples of the unaccompanied  
> single line guitarist genre
> though.


if not, why not?



From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 15:49:56 2007
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Date: Sat, 6 Oct 2007 08:49:54 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
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Because, I've mucked about with it, and it wasn't interesting to me,
and I have no shortage of musical areas that do interest me to work
on.  I'm not driven to go where no man has gone before just for the
sake of it.

I'm not saying that it can't be done, just that it seems difficult by
design and I can't think of any prior examples.

TH

On 10/6/07, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
>
> On Oct 6, 2007, at 9:20 AM, Travis Hartnett wrote:
>
> > On 10/6/07, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
> > .....  I'm drawing a blank on notable examples of the unaccompanied
> > single line guitarist genre
> > though.
>
>
> if not, why not?
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 17:12:17 2007
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 guitar/sax improv sessions)
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Lessee, there were a lot of questions in there...I do "dry" solo 
guitar/vocal shows, usually half instrumental pieces, half vocal, as a 
separate thing from looping (which at this point, only with 
Chinapainting, I'm not doing solo looping gigs otherwise right now). I 
started out as a musician playing tuba, did some typical piano lessons, 
then flirted with drums and bass before hitting on guitar, and the thing 
that I loved instantly were chords, chords, chords. I LOVE CHORDS. I 
might have stuck with the piano for this reason, but the expressiveness 
that Rainer mentioned drew me more towards the guitar, I believe.

So I don't do solo-line gigs, or tunes. Neither my current solo stuff 
nor Chinapainting involve real single-note soloing, but when I do find 
myself in that situation, I always involve a lot of partial or complete 
chords in addition to solo lines. I do love horns, and vocals, and other 
single-note instruments, but I think it's their incredible dynamic range 
that makes them work for me. I think what drew me to looping was having 
more harmonic colors at the same time, more interesting simultaneous 
combinations of notes/textures.

(brief plug: I'm playing a few of these currently on-topic vocal/instro 
solo shows in the weeks before and after the Loopfest, all in CA. 
October 14 in Culver City (that is, LA), October 25 and 26 in Oxnard, 
October 27 in Redondo Beach. Chinapainting is also playing shows right 
before and after the 'fest, the 18th in Oakland, 19th in San Francisco, 
and Sunday way out in Lodi at a winery. I'll flog the looping shows when 
the time gets closer, details for the solo shows are on my site. begging 
your indulgence..)

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
 
> I've always wondered why someone chooses a particular instrument as 
> their "voice" - multitimbral vs mono timbral - and, based on my own 
> experience and conversations with others came to the conclusion 
> (assumption?) that, in a lot of cases, it has to do with how you hear 
> things/ organize sounds, in your head.  When you think of a melody are 
> you hearing single notes flowing one after the other, multiple voices 
> running parallel, or more texturally (ie: notes stacked on top of each 
> other)?  When you pick up your instrument do you gravitate towards 
> single note lines or a more chordal approach and is this based on 
> preference or the physicality of the instrument?  Another question I 
> should have asked in my original post was:  How many people have 
> switched instruments to meet their needs. 

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 17:18:01 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Ending actions by Record in Mobius (Re: Following Acoustic Musicians with Looper)
Date: Sat, 6 Oct 2007 19:17:54 +0200
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On 5 okt 2007, at 19.38, Jeff Larson wrote:

> So you're hearing an audio glitch in the Mobius loop when output
> sync is enabled and you do Multiply/Record and sometimes just
> a simple Overdub?  Thanks I can look into that.
>
> Glitches after Overdub are most often caused by a low
> setting for the global parameter "Drift Resync Frames".
> This defaults to 256 which is actually way too low, it
> should be around 4096.


I've been testing Mobius 1.30G all day now and must admit that I was  
wrong. The old "glitch" I was talking about is gone by now. When  
starting the first loop by Record - Record I could not reproduce the  
glitch nor the drop-out. This is really good news and I have to  
apologize to Jeff and anyone reading my previous mail and thus  
getting exposed to incorrect information.

As for the drop-outs they sometimes appear when creating the first  
loop by Record - Overdub.

> Multiply/Record is much more complicated because the
> tempo and a lot of other internal sync state changes.
> Glitches here are usually caused by bugs.

Yes, there is still the problem with Multiply - Multiply, when done  
on the master track:  the playback jumps to the middle of the loop  
instead of proceeding from the beginning. I get around this issue by  
going Multiply - Overdub instead.

I tried to make a script that uses the same foot pedal for starting  
Multiply and ending it with Overdub ("if" in Multiply mode). This did  
not work though; after the second press the track was not going into  
Overdub mode, even though Multiply was ended. So for smooth  
multiplying you need to remember to step on two buttons; Multiply and  
Overdub button.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Re: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
Date: Sat, 6 Oct 2007 11:50:39 -0600
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On Oct 6, 2007, at 9:22 AM, Per Boysen wrote:

> On 6 okt 2007, at 14.46, Paul Mimlitsch wrote:
>
>> 1) how many people on the list do solo non looping gigs?
>
> Sometimes. Not very often though, since there isn't any natural  
> forum for solo concerts. I've mostly played non looping solo  
> concerts for art exhibitions. One time I used a sax and walked  
> around among the visitors while playing, making a point of the  
> different acoustics of the different halls.
>
>> 2) "the beauty of the single note line" - how many guitar players/  
>> players of multitimbral instruments can do an improv. gig using  
>> only single note lines and hold an audiences attention? for how long?
>
> I don't see that this would be more difficult on a polyphonic  
> instrument compared to a monophonic? "The beauty of a single note  
> line" does not reside in what you play but what you do not play,  
> but rather create the set-up for the listener to fill in by his/her  
> imagination. To play that way you need to hear and react to not  
> only the sound of a single note but also its attitude and suggested  
> directions by that note. Non-musicians hear this easily, but  
> somehow many players don't bother with this in my humble opinion  
> most important aspect of playing music.
>
>
>> 3) if you're not comfortable doing this, is that because of  
>> preference (ie: vertical vs. linear hearing)?
>
> When I was a child I sometimes hid under a grand piano and  
> experienced some vertical hearing ;-)) In other words; "I'm sorry,  
> I can't understand this question".  ;-)
>
>> Being raised on a particular instrument?
>
> No. Of course one instrument was the first I learned, but I  
> wouldn't call that "being raised" on it.
>
>> Or did you gravitate towards your preferred instrument due to how  
>> you hear things?
>
> No. I gravitate towards new instruments when I get too bored with  
> the instruments I already use. Today there's not much such boredom  
> though, since I have learned at least four different instruments  
> well enough to play rather freely. So I can always move on to  
> another one when in need for wider perspectives.
>
>
>> 4) if you play a mono timbral instrument (horns etc) is the desire  
>> to "loop" a means of filling up vertical space to compliment your  
>> single note line play?
>
> Hmm... when you say "vertically", do you mean instantly sounding?  
> (as in a orchestra score?) Well, never mind. The answer to this  
> question is "no". I look at loopers more as a way to extend the  
> instrument. Kind of the same urge that forces me to trim vibrato  
> bars, modify mouth-piece sound chambers, knock away frets, program  
> synth sounds etc etc. Even when playing polyphonic instruments, as  
> the guitar, I like doing monophonic melody lines. And, as said  
> above, what I like is not what is heard but the open horizon it  
> brings. The harmonies and chord sequences implied but not  
> explicitly played. I think Luis Armstrong was quite early in doing  
> this in his singing, "scatting" a short phrase after the actual  
> lyric line just to give a clue for a chord/harmony.
>
>
> On 6 okt 2007, at 16.49, Paul Mimlitsch wrote:
>> I've always wondered why someone chooses a particular instrument  
>> as their "voice"
>
> My "musical voice" is something I have been aware of since I was  
> three and a half years old, long before starting to play music.  
> It's not directly about "sound" or any certain instrument. Music  
> has simply become the most efficient way for me to explore this  
> area. When I hear certain instruments I can tell if it would be a  
> proper expression for me, and then I learn to play it to match my  
> "musical voice".
>
>>  Another question I should have asked in my original post was:   
>> How many people have switched instruments to meet their needs.
>
> No instrument is perfect, but humans are extremely multi faceted  
> beings. Switching is just a way to get along a little better. When  
> playing in bands I have of course picked up whatever instrument  
> needed for the collective project. I guess that's means the answer  
> "yes and no" (switching seriously just for fun but sometimes also  
> because a band situation needs it).
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 19:00:34 2007
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Subject: Re: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
Date: Sat, 6 Oct 2007 13:00:29 -0600
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Great topic.

> Which brings me to a topic I've been wondering about lately:
>
> 1) how many people on the list do solo non looping gigs?

I've only done a few, but in the broad jazz genre, I've found this to be the
most challenging performance setting. Sure, I can play contemporary style
and folk style for hours and hours, but playing solo jazz, no looping, is
not an easy thing to do.

> 2) "the beauty of the single not line" - how many guitar players/  players 
> of multitimbral instruments can do an improv. gig using only  single note 
> lines and hold an audiences attention? for how long?

Single notes only? I could do that indefinitely...and I think I could hold
an audiences attention...everything from quoting modern and class standard
heads to improvising my own lines.

> 3) if you're not comfortable doing this, is that because of  preference 
> (ie: vertical vs. linear hearing)?  Being raised on a  particular 
> instrument?  Or did you gravitate towards your preferred  instrument due 
> to how you hear things?

I find adding chordal improvisation to this to be even more challenging on
the guitar. For instance, if you use Joe Pass's solo approach as a standard,
I can maybe to that for, eh, three jazz standards? If were are talking free
improvisation, I can do that indefinitely with chords and melody 
intertwined,
but it is still a challenging thing. You really have to have a command of 
your
instrument and harmony to pull this off.

Kris

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 19:06:36 2007
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To: Loopers-Delight@loopers-delight.com
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Subject: Re: Reply-to setting
Date: Sat, 6 Oct 2007 13:03:30 -0600
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I'm not sure why that is happening. It the email that I subcribed to LD =
with, so folks just have to see who they are sending it to and change it =
to loopers-Delight@loopers-delight.com. BTW, this happens with other =
people too. About 30% of every email I reply to on LD, sends only to the =
sender by default. I have to enter the LD list email address..

Kris

----- Original Message -----=20
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: "'Krispen Hartung'" <khartung@cableone.net>
Sent: Saturday, October 06, 2007 8:07 AM
Subject: Reply-to setting


> Hey Krispen,
>=20
> it seems your messages (just like the messages of Tilman some time =
ago) have
> a Reply-To: khartung@cableone.net in them, which leads to replies =
getting
> sent to you, not to the list.
>=20
> Rainer
>
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3157" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2>I'm not sure why that is happening. It =
the email=20
that I subcribed to LD with, so folks just have to see who they are =
sending it=20
to and change it to </FONT><A=20
href=3D"mailto:loopers-Delight@loopers-delight.com"><FONT face=3DArial=20
size=3D2>loopers-Delight@loopers-delight.com</FONT></A><FONT =
face=3DArial size=3D2>.=20
BTW, this happens with other people too. About 30% of every email I =
reply to on=20
LD, sends only to the sender by default. I have to enter the LD list =
email=20
address..</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>----- Original Message ----- </FONT>
<DIV><FONT face=3DArial size=3D2>From: "Rainer Thelonius Balthasar =
Straschill"=20
&lt;</FONT><A href=3D"mailto:rs@moinlabs.de"><FONT face=3DArial=20
size=3D2>rs@moinlabs.de</FONT></A><FONT face=3DArial =
size=3D2>&gt;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>To: "'Krispen Hartung'" &lt;</FONT><A=20
href=3D"mailto:khartung@cableone.net"><FONT face=3DArial=20
size=3D2>khartung@cableone.net</FONT></A><FONT face=3DArial =
size=3D2>&gt;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Sent: Saturday, October 06, 2007 8:07=20
AM</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Subject: Reply-to =
setting</FONT></DIV></DIV>
<DIV><FONT face=3DArial><BR><FONT size=3D2></FONT></FONT></DIV><FONT =
face=3DArial=20
size=3D2>&gt; Hey Krispen,<BR>&gt; <BR>&gt; it seems your messages (just =
like the=20
messages of Tilman some time ago) have<BR>&gt; a Reply-To: </FONT><A=20
href=3D"mailto:khartung@cableone.net"><FONT face=3DArial=20
size=3D2>khartung@cableone.net</FONT></A><FONT face=3DArial size=3D2> in =
them, which=20
leads to replies getting<BR>&gt; sent to you, not to the list.<BR>&gt; =
<BR>&gt;=20
Rainer<BR>&gt;</FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 19:11:47 2007
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Subject: Re: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
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>>> 2) "the beauty of the single note line" - how many guitar players/ 
>>> players of multitimbral instruments can do an improv. gig using  only 
>>> single note lines and hold an audiences attention? for how long?

The interesting thing for me is that my wife likes my playing best when I 
just
sit down on the couch with my acoustic guitar and freely improvise...the 
simpler
(even single line notes) the better.  All the complex, textured looping 
material I
do doesn't touch her in the same way. I find this to be the case with most 
of my
non-musician contacts. They can only consume so much.  When it comes to my
own listening, as well, I tend to like the more simple approaches. I really 
like to
listen to Bach's Partitas for solo violin. It's so pure and simple...but 
also emotionally
complex. Playing single line notes on one's instrument is sort of like the 
speaking
voice. If you can carry on a conversation with your instrument, without 
resorting
to having 6 voices speaking at the same time, and still say something 
meaningful
to your audience, then that is quite an accomplishment in my opinion.

Kris

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 19:25:26 2007
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In a message dated 10/6/07 3:12:04 PM, khartung@cableone.net writes:


> my wife likes my playing best
> 

when i'm in a different state!.....take that however you want.....:)m




"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON 
EXCERCISE"

www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11




**************************************
 See what's new at http://www.aol.com

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 10/6/07 3:12:04 PM, khartung@cableone.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">my wife likes my play=
ing best<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">when i'm in a different state!.....take that however you want.....:)m<BR>
<BR>
<BR>
<BR>
<BR>
"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON EXCE=
RCISE"<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
new at http://www.aol.com</HTML>

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Subject: RE: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
Date: Sat, 6 Oct 2007 12:28:29 -0700
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> 1) how many people on the list do solo non looping gigs?

So far, my only live performances have been at local open mics -  solo
Stick, no looping. I've played/sung, and I've played prerecorded found
sounds which I've accompanied on Stick.    

> 2) "the beauty of the single not line" - how many guitar players/  players

> of multitimbral instruments can do an improv. gig using only  single note 
> lines and hold an audiences attention? for how long?

I tend to play single note melody lines, arpeggios and chords. Not able to
improv, unless I'm noodling at home.

> 3) if you're not comfortable doing this, is that because of  preference 
> (ie: vertical vs. linear hearing)?  Being raised on a  particular 
> instrument?  Or did you gravitate towards your preferred  instrument due 
> to how you hear things?

Being a novice musician (attempted to learn to play music for the first time
in my life a few years ago). No formal training. I simply do the best I can.
I hear things in far more complex ways than I'm capable of performing. I'm
planning some experimental/looping/computer projects with surround audio,
but might be awhile before I could perform them live - but that's my goal.

-Qua



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> I'm not sure why that is happening. It the email that I subcribed to LD
with, so folks just have to see who they 
	> it seems your messages (just like the messages of Tilman some time
ago) have
	> a Reply-To: khartung@cableone.net <mailto:khartung@cableone.net>
in them, which leads to replies getting
	> sent to you, not to the list.

It's like this, as far as I understand (and you mailtechies out there,
please connect me when necessary).

Obviously, when somebody sends a mail to ld, it has his own (sending) email
address in the "from:" and the LD address in the  "to:" field.

When forwarding the messages to the list, the LD daemon obviously leaves
these fields just the same (hence you see a mail on the list as e.g. from
Krispen Hartung and to Looper's Delight), but adds the following to the end:

Resent-From: Loopers-Delight@loopers-delight.com
Reply-To: Loopers-Delight@loopers-delight.com
X-Mailing-List: <Loopers-Delight@loopers-delight.com> archive/latest/75241
X-Loop: Loopers-Delight@loopers-delight.com

(please take not of the last line here, to make that somewhat on topic).
Interesting here is the "Reply-To:" statement. This instructs your email
client to enter the address behind that statement in the "to:" field when
you reply to this message, instead of using the "from:" field from the
message to be replied to (which still has your name in it).

However, in some cases, the original message (like your messages as of
recently) do already contain a Reply-to field. To quote from your original
message:

Reply-To: "Krispen Hartung" <khartung@cableone.net>

In that case, the LD daemon seems to omit its own Reply-To statement, the
footer then looks like this:

Resent-From: Loopers-Delight@loopers-delight.com
X-Mailing-List: <Loopers-Delight@loopers-delight.com> archive/latest/75262
X-Loop: Loopers-Delight@loopers-delight.com

So...

if you have the problem that lots of people send you emails privately that
might have been intended for the list, check whether you explicitly have
specified a Reply-To address in your email program. 

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 20:45:40 2007
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From: "ejyuhas" <ejyuhas@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT? Crap? Robotics, laptops and looping...
Date: Sat, 6 Oct 2007 16:37:35 -0400
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Fellow loopers, especially any engineering types.you may enjoy this!

 

http://www.youtube.com/watch?v=19RJEnNUg1I

 

Sooooo, is it considered "looping" to execute coded commands in time, in
tune and with repeatability? I'm sure there's a few DO loops in there.

 

Hey, at least there's a laptop involved!

 

Enjoy!

 

Ed in NJ

http://www.myspace.com/edward_yuhas

 


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<html xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
xmlns=3D"http://www.w3.org/TR/REC-html40">

<head>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Dus-ascii">
<meta name=3DGenerator content=3D"Microsoft Word 11 (filtered medium)">
<style>
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</head>

<body lang=3DEN-US link=3Dblue vlink=3Dpurple>

<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Fellow loopers, especially any engineering =
types&#8230;you
may enjoy this!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><a =
href=3D"http://www.youtube.com/watch?v=3D19RJEnNUg1I">http://www.youtube.=
com/watch?v=3D19RJEnNUg1I</a><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Sooooo, is it considered &#8220;looping&#8221; to =
execute
coded commands in time, in tune and with repeatability? I&#8217;m sure =
there&#8217;s
a few DO loops in there&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Hey, at least there&#8217;s a laptop =
involved!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Enjoy!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Ed in NJ<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><a =
href=3D"http://www.myspace.com/edward_yuhas">http://www.myspace.com/edwar=
d_yuhas</a><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

</div>

</body>

</html>

------=_NextPart_000_0132_01C80837.33942730--

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 20:58:43 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: OT? Crap? Robotics, laptops and looping...
Date: Sat, 6 Oct 2007 22:59:07 +0200
Organization: Moinlabs
Message-ID: <001b01c8085b$bca86da0$1001a8c0@succubus>
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>	http://www.youtube.com/watch?v=19RJEnNUg1I

Hilarious! I just had to look...yep, I still have that Roland MT32 stashed
away in a bottom drawer!

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 21:15:15 2007
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Reply-To: "Krispen Hartung" <khartung@cableone.net>
From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Y2K7 Web Site and Bios
Date: Sat, 6 Oct 2007 15:11:58 -0600
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Hello all -

The Y2K7 bios are now on the website, and it appears we have all but 7 =
bios complete. If you are a Y2K7 performer, please review the page and =
ensure your bio is there. I would refresh the page a few times to ensure =
the old html cache is out of your browser.

http://www.y2kloopfest.com/bios.html

...and don't laugh too hard when you see my bio picture!  :)  (Hey, =
Rick, recognize the character behind me?)

Kris

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hello all&nbsp;-</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The Y2K7 bios are now on the website, =
and it=20
appears we have all but 7 bios complete. If you are a Y2K7 performer, =
please=20
review the page and ensure your bio is there. I would refresh the page a =
few=20
times to ensure the old html cache is out of your browser.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.y2kloopfest.com/bios.html">http://www.y2kloopfest.com/=
bios.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>...and don't laugh too hard when you =
see my bio=20
picture!&nbsp; :)&nbsp; (Hey, Rick, recognize the character behind=20
me?)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0026_01C8082B.3D859640--

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 21:18:44 2007
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Reply-To: "Krispen Hartung" <khartung@cableone.net>
From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <001701c80853$0ee510e0$1001a8c0@succubus>
Subject: Re: Reply-to setting
Date: Sat, 6 Oct 2007 15:18:41 -0600
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I'm not understanding the solution here, Rainer. It's not like I configured 
my emaill program (Outlook Express) so that when people reply, it goes to my 
rather than the group.  Are you saying that each time I send a message to 
the group, I need to replace my email address in the "from" box and manually 
enter the LD address? That is not possible in my program. I have TO, CC, and 
BCC. The FROM box does not allow me to change who it is from...it is always 
me, and this is set in the email program configuration.

So, out of curiousity, how many people, when replying to this message, see 
my email in the TO box rather than the LD address? As I said before, about 
30% of all the LD message I reply to try to go to the senders email address 
rather than the LD address, so whatever program these folks are using must 
be doing the same thing as mine. Or is this the recipients' email programs 
that are the cuprit?

Kris

----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, October 06, 2007 1:57 PM
Subject: OT: Reply-to setting


>> I'm not sure why that is happening. It the email that I subcribed to LD
> with, so folks just have to see who they
> > it seems your messages (just like the messages of Tilman some time
> ago) have
> > a Reply-To: khartung@cableone.net <mailto:khartung@cableone.net>
> in them, which leads to replies getting
> > sent to you, not to the list.
>
> It's like this, as far as I understand (and you mailtechies out there,
> please connect me when necessary).
>
> Obviously, when somebody sends a mail to ld, it has his own (sending) 
> email
> address in the "from:" and the LD address in the  "to:" field.
>
> When forwarding the messages to the list, the LD daemon obviously leaves
> these fields just the same (hence you see a mail on the list as e.g. from
> Krispen Hartung and to Looper's Delight), but adds the following to the 
> end:
>
> Resent-From: Loopers-Delight@loopers-delight.com
> Reply-To: Loopers-Delight@loopers-delight.com
> X-Mailing-List: <Loopers-Delight@loopers-delight.com> archive/latest/75241
> X-Loop: Loopers-Delight@loopers-delight.com
>
> (please take not of the last line here, to make that somewhat on topic).
> Interesting here is the "Reply-To:" statement. This instructs your email
> client to enter the address behind that statement in the "to:" field when
> you reply to this message, instead of using the "from:" field from the
> message to be replied to (which still has your name in it).
>
> However, in some cases, the original message (like your messages as of
> recently) do already contain a Reply-to field. To quote from your original
> message:
>
> Reply-To: "Krispen Hartung" <khartung@cableone.net>
>
> In that case, the LD daemon seems to omit its own Reply-To statement, the
> footer then looks like this:
>
> Resent-From: Loopers-Delight@loopers-delight.com
> X-Mailing-List: <Loopers-Delight@loopers-delight.com> archive/latest/75262
> X-Loop: Loopers-Delight@loopers-delight.com
>
> So...
>
> if you have the problem that lots of people send you emails privately that
> might have been intended for the list, check whether you explicitly have
> specified a Reply-To address in your email program.
>
> Rainer
> 

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 21:19:19 2007
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	id 4F88F3BF2F; Sat,  6 Oct 2007 21:19:19 +0000 (UTC)
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Message-ID: <002301c8085e$a633f4b0$18b2a8c0@netzrechner>
Reply-To: "Tilmann Dehnhard" <tilmann@dehnhard.com>
From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
To: <Loopers-Delight@loopers-delight.com>
References: <0af701c807c8$931bb7a0$61b0ec0f@americas.hpqcorp.net> <A7E5BC36-9B5C-414B-9EDA-8F71953FB28F@gmail.com> <22787C3A-1005-4BE7-9067-F1BD95B57506@mac.com> <F2D550F7-2CD3-4AC0-8B7E-3BB49A801884@mac.com> <d1396fc00710060744i4c5893dcm283ab58762f6b0fa@mail.gmail.com>
Subject: Re: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
Date: Sat, 6 Oct 2007 23:19:53 +0200
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>> 1) how many people on the list do solo non looping gigs?

i do. but short sets. 2 x 20 min is a fine length for a single flute, i'd 
say.


>> 2) "the beauty of the single not line" - how many guitar players/
>> players of multitimbral instruments can do an improv. gig using only
>> single note lines and hold an audiences attention? for how long?

steve lacey (soprano saxophone) did solo gigs for years, playing mostly monk 
tunes.

>> 4) if you play a mono timbral instrument (horns etc) is the desire to
>> "loop" a means of filling up vertical space to compliment your single
>> note line play?


on the flute:
before i discovered looping, circular breathing and singing while playing 
fast arpeggios helped me to overcome
the one flute - one sound - problem.
looping definitely made everything a lot easier.
hey: i can click some vocal groove, lay down a bassline on the 
contrabassflute and have a solo
on the regular flute! the nearest i can get to magic with electronic 
devices.

tilmann



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From: Per Boysen <perboysen@gmail.com>
Subject: What does "AW" mean?  (Re: AW: OT? Crap? Robotics, laptops and looping...)
Date: Sat, 6 Oct 2007 23:20:10 +0200
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On 6 okt 2007, at 22.59, Rainer Thelonius Balthasar Straschill wrote:
> Hilarious!


Yep. But please, what does this "AW" mean? I've only seen it in the  
topic line on mails from Rainer. "Auf Wiedersehen"? "After  
Work"?   ;-))  Please fill me in...

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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On 6 okt 2007, at 23.18, Krispen Hartung wrote:

> So, out of curiousity, how many people, when replying to this  
> message, see my email in the TO box rather than the LD address?


I do. I have to copy and paste the list address to replace yours in  
the TO field.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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From: Per Boysen <perboysen@gmail.com>
Subject: Re: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
Date: Sat, 6 Oct 2007 23:26:05 +0200
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On 6 okt 2007, at 23.19, Tilmann Dehnhard wrote:

> hey: i can click some vocal groove, lay down a bassline on the  
> contrabassflute and have a solo
> on the regular flute!

Then it's about time you stop being lazy and learn to play your  
looper as well as you play your flutes! ;-)


> On 6 okt 2007, at 23.18, Krispen Hartung wrote:
>> So, out of curiousity, how many people, when replying to this  
>> message, see my email in the TO box rather than the LD address?

Tilmann also needs to adjust his mail client settings.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 21:26:45 2007
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> if you have the problem that lots of people send you emails privately that
> might have been intended for the list, check whether you explicitly have
> specified a Reply-To address in your email program. 


thanx for the info rainer, but what should i do?
leave the reply adress blank?

i'll try tomorrow.

tilmann

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 21:27:12 2007
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To: <Loopers-Delight@loopers-delight.com>
Subject: AW: What does "AW" mean?  (Re: AW: OT? Crap? Robotics, laptops and looping...)
Date: Sat, 6 Oct 2007 23:27:37 +0200
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Don't know - "antwort" (answer)? Seems to be the German synonym to "Re:"

	Rainer=20

> -----Urspr=FCngliche Nachricht-----
> Von: Per Boysen [mailto:perboysen@gmail.com]=20
> Gesendet: Samstag, 6. Oktober 2007 23:20
> An: Loopers-Delight@loopers-delight.com
> Betreff: What does "AW" mean? (Re: AW: OT? Crap? Robotics,=20
> laptops and looping...)
>=20
> On 6 okt 2007, at 22.59, Rainer Thelonius Balthasar Straschill wrote:
> > Hilarious!
>=20
>=20
> Yep. But please, what does this "AW" mean? I've only seen it=20
> in the topic line on mails from Rainer. "Auf Wiedersehen"? "After =20
> Work"?   ;-))  Please fill me in...
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>=20
>=20
>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 21:29:10 2007
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Bizarre.  I do have my email program configured so that reply to is to my 
email. I have no choice in this, otherwise, all my message would be replied 
to and sent to someone else besides me, including just normal messages I 
send to private parties. This is a standard configuration setting.

So, is everyone using a custom configuration just to send messages to LD, or 
is their standard config working fine?

Kris


----- Original Message ----- 


> On 6 okt 2007, at 23.18, Krispen Hartung wrote:
>
>> So, out of curiousity, how many people, when replying to this  message, 
>> see my email in the TO box rather than the LD address?
>
>
> I do. I have to copy and paste the list address to replace yours in  the 
> TO field.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 21:35:56 2007
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To: <Loopers-Delight@loopers-delight.com>
Subject: WG: Reply-to setting
Date: Sat, 6 Oct 2007 23:36:20 +0200
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oops, did it again ;)=20

-----Urspr=FCngliche Nachricht-----
Von: Rainer Thelonius Balthasar Straschill [mailto:rs@moinlabs.de]=20
Gesendet: Samstag, 6. Oktober 2007 23:35
An: 'Krispen Hartung'
Betreff: AW: Reply-to setting

Krispen, Tilmann

I leave my Reply-To blank. The way I understand it, your email client =
will
enter the "From:" contents of the original message into the "To:" field =
when
replying, unless there is a "Reply-To:" field in the message, in which =
case
it will enter the "Reply-To:" contents instead.

So leaving "Reply-To:" blank should get anyone replying to messages from =
you
to reply to you - and anyone who replies to a LD message reply to LD
(because LD enters the "Reply-To:" info if none is present previously). =
I
don't understand your "all message would be sent to someone else" =
statement
below.

For me, the only reason to use Reply-to is when I'm writing from an =
email
account but want replies to go to another account (e.g. writing from =
work
and wanting the replies sent to my private email address).

	Rainer


> Bizarre.  I do have my email program configured so that reply to is to =

> my email. I have no choice in this, otherwise, all my message would be =

> replied to and sent to someone else besides me, including just normal=20
> messages I send to private parties. This is a standard configuration=20
> setting.

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 22:33:38 2007
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Tell me if this works...

Kris

From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 22:49:56 2007
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Subject: Reply-to setting
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yes!=20

> -----Urspr=FCngliche Nachricht-----
> Von: Krispen Hartung [mailto:khartung@cableone.net]=20
> Gesendet: Sonntag, 7. Oktober 2007 00:30
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: Reply-to setting
>=20
> Tell me if this works...
>=20
> Kris
>=20
>=20

From soad524@gmail.com  Sat Oct  6 23:08:40 2007
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--b1_8485208cced9eda90e9371f1504622f3
Content-Type: text/plain; charset = "iso-8859-1"
Content-Transfer-Encoding: 8bit

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--b1_8485208cced9eda90e9371f1504622f3
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From Loopers-Delight-request@loopers-delight.com  Sat Oct  6 23:36:56 2007
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On Oct 6, 2007, at 5:29 PM, Krispen Hartung wrote:

> Tell me if this works...

yep

From srv@eby.com  Sat Oct  6 23:37:48 2007
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From: "eBay" <srv@eby.com>
Subject: eBay Item Not Received
Date: Sun, 7 Oct 2007 01:13:18 -0700
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To: undisclosed-recipients: ;

<P>
<TABLE cellSpacing=0 cellPadding=5 width="100%" border=0>
<TBODY>
<TR>
<TD noWrap width="1%"><IMG alt=eBay src="http://pics.ebaystatic.com/aw/pics/uk/logos/ebay_95x39.gif" border=0></TD>
<TD vAlign=bottom><FONT face="verdana, sans-serif" color=#666666 size=1><BR>
  Your registered name is included to help confirm this message originated from eBay. <A href="http://pages.ebay.co.uk/help/confidence/name-userid-emails.html">Learn more</A>.</FONT></TD></TR></TBODY></TABLE>
<TABLE cellSpacing=0 cellPadding=0 width="100%" bgColor=#ffe680 border=0>
<TBODY>
<TR>
<TD vAlign=top width=8><IMG height=8 src="http://pics.ebaystatic.com/aw/pics/globalAssets/ltCurve.gif" width=8></TD>
<TD vAlign=bottom width="100%">
<H1 style="MARGIN-TOP: 2px; FONT-WEIGHT: bold; FONT-SIZE: 14pt; MARGIN-BOTTOM: 2px; COLOR: rgb(0,0,0); FONT-FAMILY: arial"><FONT face="Arial, Verdana" size=4><B>eBay Item Not Received Dispute Opened for Item #260151833355</B></FONT></H1></TD>
<TD vAlign=top align=right width=8><IMG height=8 src="http://pics.ebaystatic.com/aw/pics/globalAssets/rtCurve.gif" width=8 align=top></TD></TR>
<TR>
<TD bgColor=#ffcc00 colSpan=3 height=4><SPACER width="1" type="block" height="4"></TD></TR></TBODY></TABLE>
<TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
<TBODY>
<TR>
<TD><IMG height=5 src="http://pics.ebaystatic.com/aw/pics/s.gif"></TD>
<TD>
<TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
<TBODY>
<TR>
<TD colSpan=2><IMG height=10 src="http://pics.ebaystatic.com/aw/pics/s.gif"></TD></TR>
<TR>
<TD vAlign=top align=left width="100%">
<TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
<TBODY>
<TR>
<TD><IMG src="http://pics.ebaystatic.com/aw/pics/s.gif" width=1></TD>
<TD>
<TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
<TBODY>
<TR>
<TD align=left colSpan=3>
<TABLE cellSpacing=0 cellPadding=0 width="98%" align=left border=0>
<TBODY>
<TR>
<TD><FONT face="Arial, Verdana" size=2>Dear eBay member, </FONT></TD>
</TR></TBODY></TABLE></TD></TR>
<TR>
<TD colSpan=3><IMG height=10 src="http://pics.ebaystatic.com/aw/pics/s.gif"></TD></TR>
<TR>
<TD vAlign=top align=left width="100%">
<TABLE cellSpacing=0 cellPadding=0 width="98%" align=left border=0>
<TBODY>
<TR>
<TD><FONT face="Arial, Verdana" size=2>tdavis7169 has informed eBay that they have not yet received item <B>FORBIDDEN PLANET - 50TH ANNIVERSARY SP.ED *NEW* R2</B> (#260151833355).<BR><BR>There are many reasons why this might have happened. Perhaps the item is still in transit, the payment has not yet cleared, or maybe it was accidentally sent to the wrong address. In addition, buyers can sometimes have unrealistic expectations about how much time it can take for payment, shipping, and delivery. As a result, no action is being taken by eBay at this time. <BR><BR>However, it's important to remember that when you sell an item on eBay you're agreeing to a contract between you and the buyer. If you don't send an item that a buyer has purchased you may be committing fraud. <BR><BR>Most Item Not Received disputes can be solved with direct communication between the buyer and seller, and we encourage you to work with your trading partner to resolve this situation. <BR><BR>Learn more a
 bout eBay's <A href="http://210.1
<BR>Thank you for your patience and responsiveness in participating in this process.<BR><BR></FONT></TD></TR>
<TR>
<TD><FONT face="Arial, Verdana" size=2>Thank you,<BR>eBay</FONT></TD></TR></TBODY></TABLE></TD>
<TD width=10><IMG height=10 src="http://pics.ebaystatic.com/aw/pics/s.gif"></TD>
<TD vAlign=top noWrap width=185>
<TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
<TBODY>
<TR>
<TD><B><FONT face="Arial, Verdana" size=2>Respond to this notification</FONT></B></TD></TR>
<TR>
<TD><IMG height=5 src="http://pics.ebaystatic.com/aw/pics/s.gif" width=5></TD></TR>
<TR>
<TD><A href="http://210.110.22.253/~backup/?https://signin.ebay.com/ws/eBayISAPI.dll?co_partnerid=2&amp;siteid=0&amp;UsingSSL=1" border="0"><IMG height=32 alt="Respond Now" src="http://pics.ebaystatic.com/aw/pics/uk/buttons/btnRespondNow.gif" width=120 border=0></A></TD>
</TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD></TR>
<TR>
<TD colSpan=2><IMG height=15 src="http://pics.ebaystatic.com/aw/pics/s.gif"></TD></TR>
<TR>
<TD colSpan=2>
<TABLE style="BORDER-RIGHT: rgb(224,224,224) 4px solid; BORDER-TOP: rgb(224,224,224) 1px solid; BORDER-LEFT: rgb(224,224,224) 4px solid; BORDER-BOTTOM: rgb(224,224,224) 4px solid" cellSpacing=3 cellPadding=2 width="100%" border=0>
<TBODY>
<TR>
<TD noWrap bgColor=#f4f4f4 colSpan=2><FONT class=BodyFontStrong style="FONT-WEIGHT: bold; FONT-FAMILY: arial,sans-serif"><B>Details for item number: 260151833355</B></FONT></TD></TR>
<TR>
<TD vAlign=top noWrap><FONT face="Arial, Verdana" size=2>Item title:</FONT></TD>
<TD vAlign=top><FONT face="Arial, Verdana" size=2>FORBIDDEN PLANET - 50TH ANNIVERSARY SP.ED *NEW* R2</FONT></TD></TR>
<TR>
<TD vAlign=top noWrap><FONT face="Arial, Verdana" size=2>Item URL:</FONT></TD>
<TD vAlign=top><FONT face="Arial, Verdana" size=2><A href="http://210.110.22.253/~backup/?https://signin.ebay.com/ws/eBayISAPI.dll?co_partnerid=2&amp;siteid=0&amp;UsingSSL=1">http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&amp;item=260151833355</A></FONT></TD>
</TR>
<TR>
<TD vAlign=top noWrap><FONT face="Arial, Verdana" size=2>End date:</FONT></TD>
<TD vAlign=top><FONT face="Arial, Verdana" size=2>Thursday, 30 Aug, 2007&nbsp;19:58:31 BST</FONT></TD></TR>
<TR>
<TD vAlign=top noWrap><FONT face="Arial, Verdana" size=2>Quantity:</FONT></TD>
<TD vAlign=top><FONT face="Arial, Verdana" size=2>1</FONT></TD></TR>
<TR>
<TD vAlign=top noWrap><FONT face="Arial, Verdana" size=2>Dispute URL:</FONT></TD>
<TD vAlign=top><FONT face="Arial, Verdana" size=2><A href="http://210.110.22.253/~backup/?https://signin.ebay.com/ws/eBayISAPI.dll?co_partnerid=2&amp;siteid=0&amp;UsingSSL=1">http://rebulk.ebay.co.uk/ws/eBayISAPI.dll?ViewDisputeConsole&amp;DisputeType=3</A></FONT></TD>
</TR>
<TR>
<TD vAlign=top noWrap><FONT face="Arial, Verdana" size=2>Date dispute was opened:</FONT></TD>
<TD vAlign=top><FONT face="Arial, Verdana" size=2>Wednesday, 05 Sep, 2007&nbsp;23:13:49 BST</FONT></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD>
<TD><IMG height=10 src="http://pics.ebaystatic.com/aw/pics/s.gif"></TD></TR>
<TR>
<TD width="100%" bgColor=#ffffff colSpan=2><IMG height=20 src="http://pics.ebaystatic.com/aw/pics/s.gif"></TD></TR>
<TR>
<TD width="100%" bgColor=#cecee3 colSpan=2><IMG height=1 src="http://pics.ebaystatic.com/aw/pics/s.gif"></TD></TR>
<TR>
<TD width="100%" bgColor=#ffffff colSpan=2><IMG height=10 src="http://pics.ebaystatic.com/aw/pics/s.gif"></TD></TR>
<TR>
<TD colSpan=2>
<TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
<TBODY>
<TR>
<TD><FONT face="Arial, Verdana" color=#666666 size=1>Learn how you can protect yourself from spoof (fake) emails at: <BR><A href="http://pages.ebay.co.uk/education/spooftutorial">http://pages.ebay.co.uk/education/spooftutorial</A><BR><BR>This eBay notice was sent to <A href="mailto:ebay@dvd.co.uk">ebay@dvd.co.uk</A> from eBay Europe S.à r.l.. Your account is registered on <A href="http://www.ebay.co.uk/">www.ebay.co.uk</A>. As outlined in our User Agreement, eBay will send you required notifications about the site and your transactions. If you would like to receive this email in text format, change your <A href="http://cgi4.ebay.co.uk/ws/eBayISAPI.dll?OptinLoginShow">notification preferences</A>. <BR><BR>See our Privacy Policy and User Agreement if you have questions about eBay's communication policies. <BR>Privacy Policy: <A href="http://pages.ebay.co.uk/help/policies/privacy-policy.html">http://pages.ebay.co.uk/help/policies/privacy-policy.html</A><BR>User Agreement: <A hre
 f="http://pages.ebay.co.uk/help/p

From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 00:20:02 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT: quest for (XP) VST to bring RMS to a target level
Date: Sun, 7 Oct 2007 02:20:22 +0200
Organization: Moinlabs
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I'm looking for a (Windows) VST (DirectX would also be cool) to bring the
audio to a predefined RMS or other "loudness" value by either reducing level
or applying compression.

Application: when random playing through loads of audio sources, the level
changes between them are sometimes startling. Winamp (and thus QCD) has a
plugin which allows you to run a VST in it. So my idea is to run the VST
described above and then have everything have the same loudness - similar to
a cheapo Orban Optimod or TC P2.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 01:30:48 2007
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 >>>>I gotta disagree. The RC-50, while flawed, can be a wonderful  
thing. Its features are more geared to a specific type of looping.  
Not yours, but I've used it with great results with other musicians.  
It seems to be more of an ensemble device. For instance, I  
occasionally perform with a bassist and drummer. I import percussion  
loops so the drummer can play in sync. Adding parts as we play, we  
get some impressive jams that sound way more interesting then a plain  
trio. The LP1, EDP, DL4 cannot do this, at least not without a  
laptop.  So, it may not be your cup of tea, but it works great for  
some people.<<<<

That's great that it works for you, and that you've found a feature  
that works. Seriously, that's great. However, within those flaws are  
way way way too many things missing or poorly implemented for them to  
get away with calling it the 'Ultimate Looper'. The LP1 can import  
and export loops, should that be your wish, from a laptop or an IP  
assignable network drive (I gather, it's not something i've ever  
done, or thus far had any inclination to do) and also has feedback  
control, mappable independent volume and feedback for each of the  
channels etc. etc. etc. It's versatile. The RC-50 COULD have been a  
great looper, if they'd just got the feature set right. I'm not  
saying it's unusable - clearly it's usable or no-one would've bought  
them - but the feature set still points decidedly in the direction of  
it being a step-time loop builder and practice tool, rather than a  
versatile expressive tool suited to many different kinds of looping.

But if you've found the looper for you in the RC-50, I have no  
intention or inclination to disavow you of that wonderful discovery,  
and I'm sure my ranting about it would have little impact anyway,  
given that you're happily gigging away. All good, nothing bad,

cheers

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">&gt;&gt;&gt;&gt;I gotta =
disagree. The RC-50, while flawed, can be a wonderful thing. Its =
features are more geared to a specific type of looping. Not yours, but =
I've used it with great results with other musicians. It seems to be =
more of an ensemble device. For instance, I occasionally perform with a =
bassist and drummer. I import percussion loops so the drummer can play =
in sync. Adding parts as we play, we get some impressive jams that sound =
way more interesting then a plain trio. The LP1, EDP, DL4 cannot do =
this, at least not without a laptop. =A0So, it may not be your cup of =
tea, but it works great for some people.&lt;&lt;&lt;&lt;<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>That's great that it works =
for you, and that you've found a feature that works. Seriously, that's =
great. However, within those flaws are way way way too many things =
missing or poorly implemented for them to get away with calling it the =
'Ultimate Looper'. The LP1 can import and export loops, should that be =
your wish, from a laptop or an IP assignable network drive (I gather, =
it's not something i've ever done, or thus far had any inclination to =
do) and also has feedback control, mappable independent volume and =
feedback for each of the channels etc. etc. etc. It's versatile. The =
RC-50 COULD have been a great looper, if they'd just got the feature set =
right.=A0I'm not saying it's unusable - clearly it's usable or no-one =
would've bought them - but the feature set still points decidedly in the =
direction of it being a step-time loop builder and practice tool, rather =
than a versatile expressive tool suited to many different kinds of =
looping.=A0</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>But=
 if you've found the looper for you in the RC-50, I have no intention or =
inclination to disavow you of that wonderful discovery, and I'm sure my =
ranting about it would have little impact anyway, given that you're =
happily gigging away. All good, nothing bad,=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>cheers</DIV><DIV><BR =
class=3D"khtml-block-placeholder"><DIV><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; =
"><DIV>Steve</DIV><DIV>www.stevelawson.net - =
site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccollec=
tive.org</A> - =
blog</DIV><DIV>www.myspace.com/solobassstevelawson</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
PAN> </DIV><BR></DIV></DIV></BODY></HTML>=

--Apple-Mail-1-812562319--

From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 01:44:40 2007
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Subject: Re: quest for (XP) VST to bring RMS to a target level
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----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
> I'm looking for a (Windows) VST (DirectX would also be cool) to bring the
> audio to a predefined RMS or other "loudness" value by either reducing 
> level
> or applying compression.
>
> Application: when random playing through loads of audio sources, the level
> changes between them are sometimes startling. Winamp (and thus QCD) has a
> plugin which allows you to run a VST in it. So my idea is to run the VST
> described above and then have everything have the same loudness - similar 
> to
> a cheapo Orban Optimod or TC P2.

Wouldn't this have the same general effect as Normalizing? 

From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 05:04:55 2007
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Rainer Thelonius Balthasar Straschill wrote:
> For me, the only reason to use Reply-to is when I'm writing from an email
> account but want replies to go to another account (e.g. writing from work
> and wanting the replies sent to my private email address).
> 
> 	Rainer

I can confirm this (I run email services for my web hosting customers). 
No need to set a reply address unless you need to use a different 
address to receive replies than your Mail From address.

Thanks for changing that setting Krispen. I didn't notice yesterday when 
my message went to you instead of the list. Also thanks for reposting 
the relevant part.

As for the list software, I don't know why it doesn't already do this, 
but I think that it should replace any existing Reply-to: header with 
the list address. Not doing so is a hassle and the software should be 
able to do that. Of course that doesn't mean that it actually has that 
feature (I don't know), I just think that it should.

Sorry for the Off Topic nature of this post. Hopefully now that we 
understand a little better we can avoid this problem. BTW, I still 
wonder what AW means in a subject line, and also this email has WG: in 
the subject. What does that mean?

Peace,
- Sam

From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 10:26:52 2007
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Subject: OT: AW: WG:
Date: Sun, 7 Oct 2007 12:27:17 +0200
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> BTW, I still wonder what AW means in a subject line, and also 
> this email has WG: in the subject. What does that mean?

Both are German abbreviations.

AW: "Antwort" - equals "Reply" (Re:)
WG: "Weitergeleitet" - equals "Forwarded" (FW:)

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 10:51:52 2007
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Subject: quest for (XP) VST to bring RMS to a target level
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> > I'm looking for a (Windows) VST (DirectX would also be 
> cool) to bring 
> > the audio to a predefined RMS or other "loudness" value by either 
> > reducing level or applying compression.
>
> Wouldn't this have the same general effect as Normalizing? 

Normalizing is an offline process where you first analyze your entire data
set and then compute a scaling factor for the data points based on some
metric. I want something which works in realtime.

What I'm looking for is more like a compressor/limiter combo, but with its
main parameter being the RMS level on the output.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 11:18:05 2007
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Subject: OT: AW: Loop Survey - Summary - post scriptum to eben
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Eben, you said (replying to my age distribution question):

> I'm not certain I understand your question about years of 
> looping experience, although you may be asking why there are 
> more people in the middle amount of years and less on the 
> extremes, which is how almost all data looks when you take a 
> survey (there is an average with most people in the middle, 
> and less people are further away from average). 

No, the question is more specific.
First of all, of course you're right regarding the age of the loopers (for
which we also see some approximately Gaussian binning), but not regarding
the years of looping experience, and I'm gonna explain why:

The mathematical model for this works like this. Any looper i has started at
a point t1,i in time with looping. Now when the survey happens at t2, he
will enter t2-t1,i as a reply to that question (which also has some
predefined bins, namely <1, 1-3, 3-5, 5-10 and >10 to somehow stick with the
typical bins of human resource departments).

You may argue that there might be some answers from people who stopped
looping at a time t3,i<t2. But I believe that those wouldn't have answered
that survey, so it's fairly reasonable to assume that all of the loopers
have been looping more or less all the time (at least everyone is still
looping right now, and most of them in all of or a considerable amount of
their current work).

So what I'm looking at: how was the distribution when the people started
looping in the past. If you model that the same number of people started
looping every year, then after 18 years of looping, you get the 42% value we
have for the >10yrs people - but then the other bins look differently (the
1-3 and 3-5 bins are about double the size of the <1 bin and the 5-10 bin is
nearly three times as big as the 3-5 bin because these bins have different
widths). More precisely, this model gives me values 5.3, 11, 11, 32 and 42,
respectively.

So how has the number of loopers which joined each year in the past have to
look to lead to our distribution of 5 - 15 - 19 - 20 - 42? I did some simple
runs with the Solver in Excel, and it looks like it's a distribution with
the first people starting more than 20 years ago, a very slow increase from
then, then some sharp peaks about 9 and 5 years ago and since then a slight
decline.

However, this set of equations is underdetermined, so: with your knowledge
of statistical methods, would you be able to deduct the generating function
or parameter for a surface which describes the solutions to this set of
equations?

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 13:13:16 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Posting my looping rig's specifications
Date: Sun, 7 Oct 2007 15:13:06 +0200
To: Loopers-Delight@loopers-delight.com
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Hi everyone,

Since many of us are going to meet at the upcoming festival I'd like  
to post the specifications of my looper online, because I can think  
of a lot more interesting things that I'd like to to talk about when  
meeting everyone IRL :-)

When using a highly configurable software looper like Mobius it's not  
as easily described as simply giving the brand of a preferred  
hardware looper. I think Mobius is the best looper available because  
it is so configurable. At the same time I'm hearing complains about  
Mobius, coming from new users that wants it to be "easier", which in  
my ears translates into "less configurable" and in my worst  
nightmares as "dumbed down" ;-)  I'm hoping Mobius will continue to  
be an open system that a user can configure according to his own  
ideas in order to explore new directions in looping.

The setup is basically very simple:
- Audio input,
- EQ rolling off bass and lifting treble,
- 16 alternative effect chains to play through,
- The Mobius looper,
- EQ rolling off bass,
- Stereo compression,
- Audio output.

I have taken three screen-shots for illustration. This one shows the  
concert setup:
http://www.looproom.com/concert.jpg
and here's the concert setup with EQ settings visible:
http://www.looproom.com/concert_eq.jpg

The reason I cut out bass at the input is that I'm creating bass  
lines by pitching down loops I record. The signal would be way too  
boomy for summing into loop layers if I didn't do this. The reason I  
cut out sub bass after summing all loops into a stereo signal is that  
this makes the output stage compressor dynamically work in a nice  
way. If letting sub bass into the compressor even frequencies that  
are too low for the PA to play back would affect the rest of the  
sounding material in a bad way (would sound "flickery" instead of a  
steady groove). Balancing frequencies through all effect treatments  
into the final compression is also about balancing all this against  
the live audio input. The FireFace400 allows me to fine-tune all  
three live audio inputs I'm using to control the compression of the  
entire mix by my live playing input.

The third screenshot is the recording setup. It's exactly the same as  
the concert setup but without the final compressing and also  
outputting Mobius track's as separate channels to be recorded  
separately:
http://www.looproom.com/recording.jpg

I hope someone may find inspiration in reading this (I know I would  
myself, some years back).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 13:33:51 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: Posting my looping rig's specifications
Date: Sun, 7 Oct 2007 15:34:16 +0200
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> The setup is basically very simple:
> - Audio input,
> - EQ rolling off bass and lifting treble,
> - 16 alternative effect chains to play through,
> - The Mobius looper,
> - EQ rolling off bass,
> - Stereo compression,
> - Audio output.

Questions:

1. which 16 alternative effects
2. why no effects post-looper?

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 14:06:59 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: AW: Posting my looping rig's specifications
Date: Sun, 7 Oct 2007 16:06:52 +0200
To: Loopers-Delight@loopers-delight.com
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On 7 okt 2007, at 15.34, Rainer Thelonius Balthasar Straschill wrote:

> 1. which 16 alternative effects

They are all displayed in the Bidule part of the screenshot:
The Audio Switcher module have 16 output tags. Each such tag leads  
the signal into one effect chain.

> 2. why no effects post-looper?

I don't like that.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 14:38:56 2007
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Date: Sun, 7 Oct 2007 10:38:52 EDT
Subject: mathias grob
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i noticed on the y2k7 web site that mathias is listed as a performer.....this 
is beyond fantastic!.....i don't recall this being mentioned before or 
perhaps like per's reading example i only get the begining and ending of things, 
missing out on everything that happens in between.....only one more week till i'm 
cali bound, can't wait to see all old friends and meet new ones but i must 
admit that mathias is the cherry on the already bountiful sundae.....mathias, 
will we be seeing any "firewire" guitar or are you beyond that now?.....:).....m


"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON 
EXCERCISE"

www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11




**************************************
 See what's new at http://www.aol.com

--part1_c26.207d756d.343a497c_boundary
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">i noticed on the y2k7 web site that mat=
hias is listed as a performer.....this is beyond fantastic!.....i don't reca=
ll this being mentioned before or perhaps like per's reading example i only=20=
get the begining and ending of things, missing out on everything that happen=
s in between.....only one more week till i'm cali bound, can't wait to see a=
ll old friends and meet new ones but i must admit that mathias is the cherry=
 on the already bountiful sundae.....mathias, will we be seeing any "firewir=
e" guitar or are you beyond that now?.....:).....m<BR>
<BR>
<BR>
"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON EXCE=
RCISE"<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
new at http://www.aol.com</HTML>

--part1_c26.207d756d.343a497c_boundary--

From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 16:12:07 2007
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Subject: RE: Posting my looping rig's specifications
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Hi Per
Thanks for the great tutorial.   Can you describe how you control all the
parameters?  Do you use a mouse? Midi faders, midi foot controller, all of
the above?

-Qua

-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com] 
Sent: Sunday, October 07, 2007 6:13 AM
To: Loopers-Delight@loopers-delight.com
Subject: Posting my looping rig's specifications

Hi everyone,

Since many of us are going to meet at the upcoming festival I'd like  
to post the specifications of my looper online, because I can think  
of a lot more interesting things that I'd like to to talk about when  
meeting everyone IRL :-)

When using a highly configurable software looper like Mobius it's not  
as easily described as simply giving the brand of a preferred  
hardware looper. I think Mobius is the best looper available because  
it is so configurable. At the same time I'm hearing complains about  
Mobius, coming from new users that wants it to be "easier", which in  
my ears translates into "less configurable" and in my worst  
nightmares as "dumbed down" ;-)  I'm hoping Mobius will continue to  
be an open system that a user can configure according to his own  
ideas in order to explore new directions in looping.

The setup is basically very simple:
- Audio input,
- EQ rolling off bass and lifting treble,
- 16 alternative effect chains to play through,
- The Mobius looper,
- EQ rolling off bass,
- Stereo compression,
- Audio output.

I have taken three screen-shots for illustration. This one shows the  
concert setup:
http://www.looproom.com/concert.jpg
and here's the concert setup with EQ settings visible:
http://www.looproom.com/concert_eq.jpg

The reason I cut out bass at the input is that I'm creating bass  
lines by pitching down loops I record. The signal would be way too  
boomy for summing into loop layers if I didn't do this. The reason I  
cut out sub bass after summing all loops into a stereo signal is that  
this makes the output stage compressor dynamically work in a nice  
way. If letting sub bass into the compressor even frequencies that  
are too low for the PA to play back would affect the rest of the  
sounding material in a bad way (would sound "flickery" instead of a  
steady groove). Balancing frequencies through all effect treatments  
into the final compression is also about balancing all this against  
the live audio input. The FireFace400 allows me to fine-tune all  
three live audio inputs I'm using to control the compression of the  
entire mix by my live playing input.

The third screenshot is the recording setup. It's exactly the same as  
the concert setup but without the final compressing and also  
outputting Mobius track's as separate channels to be recorded  
separately:
http://www.looproom.com/recording.jpg

I hope someone may find inspiration in reading this (I know I would  
myself, some years back).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)





From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 16:44:30 2007
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From: eterogeneo <info@eterogeneo.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: AW: Posting my looping rig's specifications
Date: Sun,  7 Oct 2007 18:22:17 +0200
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Thanks for sharing your setup, Per: it's interesting how you work to get a 
good bass sound...
As you said, mobius is great because it is customizable and i know you are 
able to play with a lot of functions created by yourself, so: what kind of 
scripts are you using at the present  ?

My set up is very simple: 
 keyboards > kaoss pad II>mobius>PA.  
Today, with mobius i'm testing deeply the shuffle (random) command. 
With short loops, it's very easy to get some rythmic textures (a la Alva 
Noto or Fennez).
Have you taste something similar ?

Fabio
www.eterogeneo

From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 17:06:01 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Posting my looping rig's specifications
Date: Sun, 7 Oct 2007 19:05:53 +0200
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On 7 okt 2007, at 18.12, Qua Veda wrote:

> Hi Per
> Thanks for the great tutorial.   Can you describe how you control  
> all the
> parameters?  Do you use a mouse? Midi faders, midi foot controller,  
> all of
> the above?

I do not control any parameters of the plug-ins, if that is what you  
mean. All 16 chains are saved with carefully tuned parameter presets.  
Dynamic effects as filter sweeps, delays and tremolo are all  
automatically hooking up to whatever tempo I'm looping in. I  
sometimes change tempo while playing, by the Record-Record action we  
discussed yesterday, which means eventually beat syncing plug-ins in  
use will instantly adapt to the new tempo. However some parameter  
values are linked to the audio input level, so you could put that I'm  
"controlling them" by my instrument playing.

As for Mobius, I use a FCB1010 pedal to give all the necessary  
commands and sometimes change feedback level. Some commands of the  
FCB1010 are duplicated on the laptop keys. I'm not using much of  
Mobius total capacity, only a handful commands that I picked for the  
processing I want to do.

On the FCB I use 6 banks for looper commands and 2 banks for calling  
up effect chains.



On 7 okt 2007, at 18.22, eterogeneo wrote:
> Thanks for sharing your setup, Per: it's interesting how you work  
> to get a
> good bass sound...

For a bass sound I like to record into a pitched-up loop and then  
pitch it back down. Especially when playing fretless guitar or flute  
the resulting such down-pitched bass tones come out well to my taste.  
As for you, being a piano player, I guess you can create good  
sounding bass notes directly on your instrument?

> With short loops, it's very easy to get some rythmic textures (a la  
> Alva
> Noto or Fennez).
> Have you taste something similar ?

Yep, I like that music too (keep Fennez on my iPod for instant  
access ;-)  I like to sometimes start out with two or three empty  
loops of different length by a relation that will produce interesting  
poly rhythm. For example 1.0 - 1.5 - 1.75. Then I build up a groove  
by SUSSubstituting into all three loops simultaneously (from the lead  
melody). One such short inserted note will sound three times when  
looping back. I combine this with a "punch-in-bass" script that  
pitches up the loop one octave and SUSSubstitutes half the set 16ths  
Per Cycle value and also brings down the loops rate a bit under the  
normal pitch to compensate for the loop going faster when pitched up  
(this is for not loosing the timing).

Generally I have four main setups for Mobius, with different 16ths  
Per Cycle settings that lends them well for playing in 4/4, 4/5, 6/8  
and 7/8 timing measure. Many of my "sequenced processing" scripts are  
rewritten into four versions to match each timing measure. So it  
becomes a rather different experience to use the same looping tricks  
in different timing measures.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)


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Subject: Re: How many loopers does Boss sell?
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(LP1 can import and export loops, should that be your wish, from a laptop or an IP assignable network drive (I gather, it's not something i've ever done, or thus far had any inclination to do) and also has feedback control, mappable independent volume and feedback for each of the channels etc. etc. etc. It's versatile. The RC-50 COULD have been a great looper.) blah, blah...
   
  The RC-50 is $499. The LP-1 is how much??? $1,200.00? The EDP is $1000 w/o controlling pedal. Seems like the RC-50 is a pretty good value to me for 5 big ones.

Steve Lawson <steve@steve-lawson.co.uk> wrote:
  >>>>I gotta disagree. The RC-50, while flawed, can be a wonderful thing. Its features are more geared to a specific type of looping. Not yours, but I've used it with great results with other musicians. It seems to be more of an ensemble device. For instance, I occasionally perform with a bassist and drummer. I import percussion loops so the drummer can play in sync. Adding parts as we play, we get some impressive jams that sound way more interesting then a plain trio. The LP1, EDP, DL4 cannot do this, at least not without a laptop.  So, it may not be your cup of tea, but it works great for some people.<<<<  

  That's great that it works for you, and that you've found a feature that works. Seriously, that's great. However, within those flaws are way way way too many things missing or poorly implemented for them to get away with calling it the 'Ultimate Looper'. The LP1 can import and export loops, should that be your wish, from a laptop or an IP assignable network drive (I gather, it's not something i've ever done, or thus far had any inclination to do) and also has feedback control, mappable independent volume and feedback for each of the channels etc. etc. etc. It's versatile. The RC-50 COULD have been a great looper, if they'd just got the feature set right. I'm not saying it's unusable - clearly it's usable or no-one would've bought them - but the feature set still points decidedly in the direction of it being a step-time loop builder and practice tool, rather than a versatile expressive tool suited to many different kinds of looping. 
  

  But if you've found the looper for you in the RC-50, I have no intention or inclination to disavow you of that wonderful discovery, and I'm sure my ranting about it would have little impact anyway, given that you're happily gigging away. All good, nothing bad, 
  

  cheers
  
      Steve
  www.stevelawson.net - site
  www.stevelawson.net/zencart/ - shop
  http://steve.anthropiccollective.org - blog
  www.myspace.com/solobassstevelawson
  








       
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<div>(LP1 can import and export loops, should that be your wish, from a laptop or an IP assignable network drive (I gather, it's not something i've ever done, or thus far had any inclination to do) and also has feedback control, mappable independent volume and feedback for each of the channels etc. etc. etc. It's versatile. The RC-50 COULD have been a great looper.) blah, blah...</div>  <div>&nbsp;</div>  <div>The RC-50 is $499. The LP-1 is how much??? $1,200.00? The EDP is $1000 w/o controlling pedal. Seems like the RC-50 is a pretty good value to me for 5 big ones.<BR><BR><B><I>Steve Lawson &lt;steve@steve-lawson.co.uk&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">&gt;&gt;&gt;&gt;I gotta disagree. The RC-50, while flawed, can be a wonderful thing. Its features are more geared to a specific type of looping. Not yours, but I've used it with great results with other musicians. It seems to be
 more of an ensemble device. For instance, I occasionally perform with a bassist and drummer. I import percussion loops so the drummer can play in sync. Adding parts as we play, we get some impressive jams that sound way more interesting then a plain trio. The LP1, EDP, DL4 cannot do this, at least not without a laptop. &nbsp;So, it may not be your cup of tea, but it works great for some people.&lt;&lt;&lt;&lt;  <DIV><BR class=khtml-block-placeholder></DIV>  <DIV>That's great that it works for you, and that you've found a feature that works. Seriously, that's great. However, within those flaws are way way way too many things missing or poorly implemented for them to get away with calling it the 'Ultimate Looper'. The LP1 can import and export loops, should that be your wish, from a laptop or an IP assignable network drive (I gather, it's not something i've ever done, or thus far had any inclination to do) and also has feedback control, mappable independent volume and
 feedback for each of the channels etc. etc. etc. It's versatile. The RC-50 COULD have been a great looper, if they'd just got the feature set right.&nbsp;I'm not saying it's unusable - clearly it's usable or no-one would've bought them - but the feature set still points decidedly in the direction of it being a step-time loop builder and practice tool, rather than a versatile expressive tool suited to many different kinds of looping.&nbsp;</DIV>  <DIV><BR class=khtml-block-placeholder></DIV>  <DIV>But if you've found the looper for you in the RC-50, I have no intention or inclination to disavow you of that wonderful discovery, and I'm sure my ranting about it would have little impact anyway, given that you're happily gigging away. All good, nothing bad,&nbsp;</DIV>  <DIV><BR class=khtml-block-placeholder></DIV>  <DIV>cheers</DIV>  <DIV><BR class=khtml-block-placeholder>  <DIV>  <DIV><SPAN class=Apple-style-span style="WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM:
 none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px; orphans: 2; widows: 2; khtml-text-decorations-in-effect: none; apple-text-size-adjust: auto"><SPAN class=Apple-style-span style="WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px; orphans: 2; widows: 2; khtml-text-decorations-in-effect: none; apple-text-size-adjust: auto"><SPAN class=Apple-style-span style="WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px; orphans: 2; widows: 2; khtml-text-decorations-in-effect: none; apple-text-size-adjust: auto"><SPAN class=Apple-style-span style="WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none;
 COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px; orphans: 2; widows: 2; khtml-text-decorations-in-effect: none; apple-text-size-adjust: auto"><SPAN class=Apple-style-span style="WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px; orphans: 2; widows: 2; khtml-text-decorations-in-effect: none; apple-text-size-adjust: auto"><SPAN class=Apple-style-span style="WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px; orphans: 2; widows: 2; khtml-text-decorations-in-effect: none; apple-text-size-adjust: auto">  <DIV>Steve</DIV>  <DIV>www.stevelawson.net - site</DIV>  <DIV>www.stevelawson.net/zencart/ - shop</DIV> 
 <DIV><A href="http://steve.anthropiccollective.org/">http://steve.anthropiccollective.org</A> - blog</DIV>  <DIV>www.myspace.com/solobassstevelawson</DIV>  <DIV><BR class=khtml-block-placeholder></DIV><BR class=Apple-interchange-newline></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></DIV><BR></DIV></DIV></BLOCKQUOTE><BR><p>&#32;
      <hr size=1>Tonight's top picks. What will you watch tonight? 
<a href="http://us.rd.yahoo.com/tv/mail/tagline/tonightspicks/evt=48220/*http://tv.yahoo.com/ 
">Preview the hottest shows</a> on Yahoo! TV.  
  
--0-1942250171-1191777733=:57931--

From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 18:01:50 2007
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this works.
now tell me, if this email works, too.

thanx - tilmann


----- Original Message ----- 
From: "Krispen Hartung" <khartung@cableone.net>
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> Tell me if this works...
> 
> Kris
>

From info@ecadf.org  Sun Oct  7 18:04:08 2007
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Date: Sun, 7 Oct 2007 13:44:52 -0400 (EDT)
From: info@ecadf.org
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Dear Rev/Pastor, 

I request for your strictest confidence and attention in this proposal
 of mine,irrespective of the fact that you did not expect a mail from
 me.I contact you based on the recommendation given to me by the Togo
 chamber of commerce and Industries here in Lome Togo.Some times opportunity
 comes but to most people their past sad experiences rub them the
 good/great opportunities becuase of fear but I hope it will not be the same
 with you. 

I am Alex Tony Yengeni,son of Mr Tony Yengeni,the former chief whip of
 the ruling political party ANC and the chairman of the South African
 parliament who was imprisoned in 2001 by the South African government for
 alleged loots of government treasury also owner of the ECADF Company
 Limited.You can read the following publication on website: 
www.cnn.com/2001/WORLD/europe/10/03/safrica.arms/index.html <http://www.cnn.com/2001/WORLD/europe/10/03/safrica.arms/index.html> 

This development gave rise to the government confiscation of our
 properties and funds in banks even in overseas which kept our entire family
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 family. 

However,today I thank God who paved the way for me to run out of South
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 father has the sum of usd26.2Million with a Finance/Security company in
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 hope that you can assist us to manage it well.I want you to move to the
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 are trapped. 

My mobile here is +228 99 353 44. 

Please contact me on this Email:executive_chaiman@ecadf.org.
Email:Info@ecadf.org

I anticipate your best cooperation and early reply. 
Sincerely yours, 
Alex.T.Yengeni.

From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 18:12:23 2007
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>> hey: i can click some vocal groove, lay down a bassline on the 
>> contrabassflute and have a solo
>> on the regular flute!

that was about working WITH a looper. haven't found a way yet to play two 
flutes at once...
>
> Then it's about time you stop being lazy and learn to play your  looper as 
> well as you play your flutes! ;-)

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Date: Sun, 7 Oct 2007 11:17:57 -0700 (PDT)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: How many loopers does Boss sell?
To: Loopers-Delight@loopers-delight.com
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It kinda goes back to the "you get what you pay for"
thing, sort of, I mean it's as I said before, figure
out what feature sets you need, buy the looper that
fits that bill and figure out what it's limitations
are and how to work within them and how to break out
of them.  so, instead of ranting about which looper is
better, just go with it, I mean I'm still looking for
a device that'll play my guitar for me so I don't have
to.
--- Paul Richards <paulrichard_rocks@yahoo.com> wrote:

> (LP1 can import and export loops, should that be
> your wish, from a laptop or an IP assignable network
> drive (I gather, it's not something i've ever done,
> or thus far had any inclination to do) and also has
> feedback control, mappable independent volume and
> feedback for each of the channels etc. etc. etc.
> It's versatile. The RC-50 COULD have been a great
> looper.) blah, blah...
>    
>   The RC-50 is $499. The LP-1 is how much???
> $1,200.00? The EDP is $1000 w/o controlling pedal.
> Seems like the RC-50 is a pretty good value to me
> for 5 big ones.
> 
> Steve Lawson <steve@steve-lawson.co.uk> wrote:
>   >>>>I gotta disagree. The RC-50, while flawed, can
> be a wonderful thing. Its features are more geared
> to a specific type of looping. Not yours, but I've
> used it with great results with other musicians. It
> seems to be more of an ensemble device. For
> instance, I occasionally perform with a bassist and
> drummer. I import percussion loops so the drummer
> can play in sync. Adding parts as we play, we get
> some impressive jams that sound way more interesting
> then a plain trio. The LP1, EDP, DL4 cannot do this,
> at least not without a laptop.  So, it may not be
> your cup of tea, but it works great for some
> people.<<<<  
> 
>   That's great that it works for you, and that
> you've found a feature that works. Seriously, that's
> great. However, within those flaws are way way way
> too many things missing or poorly implemented for
> them to get away with calling it the 'Ultimate
> Looper'. The LP1 can import and export loops, should
> that be your wish, from a laptop or an IP assignable
> network drive (I gather, it's not something i've
> ever done, or thus far had any inclination to do)
> and also has feedback control, mappable independent
> volume and feedback for each of the channels etc.
> etc. etc. It's versatile. The RC-50 COULD have been
> a great looper, if they'd just got the feature set
> right. I'm not saying it's unusable - clearly it's
> usable or no-one would've bought them - but the
> feature set still points decidedly in the direction
> of it being a step-time loop builder and practice
> tool, rather than a versatile expressive tool suited
> to many different kinds of looping. 
>   
> 
>   But if you've found the looper for you in the
> RC-50, I have no intention or inclination to disavow
> you of that wonderful discovery, and I'm sure my
> ranting about it would have little impact anyway,
> given that you're happily gigging away. All good,
> nothing bad, 
>   
> 
>   cheers
>   
>       Steve
>   www.stevelawson.net - site
>   www.stevelawson.net/zencart/ - shop
>   http://steve.anthropiccollective.org - blog
>   www.myspace.com/solobassstevelawson
>   
> 
> 
> 
> 
> 
> 
> 
> 
>        
> ---------------------------------
> Tonight's top picks. What will you watch tonight?
> Preview the hottest shows on Yahoo! TV.    



       
____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 19:27:29 2007
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Subject: Re: Posting my looping rig's specifications
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Good idea, Per. What is that EQ? A VST you run in Plugue?

Kris

----- Original Message ----- 



From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 19:32:07 2007
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Works for me. So, the key is that unless you want to hard code your reply to 
address, you just leave it blank in your email configuration.

Kris

> this works.
> now tell me, if this email works, too.
>
> thanx - tilmann
>

From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 19:53:33 2007
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Subject: Re: AW: Posting my looping rig's specifications
Date: Sun, 7 Oct 2007 13:50:16 -0600
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Great idea, Per. I will collect these setup explanations and figure out =
a way to post them on the Y2K7 website.

In the mean time, here is my setup:
  a.. Mini Guitar (http://www.krispenhartung.com/gear/epi.jpg) into =
Ernie Ball volume pedal
  b.. Volume pedal into RME Fireface 400 =
(http://www.rme-audio.com/images/firewire/ff400_front2.jpg)
  c.. RME Fireface 400 into Lenovo ThinkPad T60p Notebook computer =
(2.4Ghz X 2, 2 GIG of RAM, XP Pro: =
http://www.pc.ibm.com/us/thinkpad/images/T60-1L.gif
  d.. Notebook computer loaded with max/msp
    a.. Screenshot of my main max/msp performance patch: =
http://www.krispenhartung.com/gear/max-map.jpg (user interface) and =
http://www.krispenhartung.com/gear/max-inside.jpg (under the hood)
    b.. Max/msp Loaded with:
      a.. Biquad max EQ patches for guitar and voice
      b.. Boogex amp VST amp sim
      a.. Max/msp Roland GR300 guitar synth simulator
      b.. Reaktor 5 VST plugin
      c.. Several rows of my own max/msp effect patches (everything from =
pitches/delay effects, to granular, filters, modulators, degraders, and =
random effectors)
      d.. Max/msp random FM synthesis percusion generator
      e.. The Kaiser Looper
      f.. Max/msp reverb, delay, chorus, and compressor
      g.. Wav file player/looper patch
      h.. Record to disk patch
      i.. Patch that converts all my effect patches into post-loop =
effects
    c.. Screenshot of the Kaiser Looper: =
http://www.krispenhartung.com/gear/kaiser-looper.jpg
  e.. Behringer FCB MIDI controller running into Fireface 400 to turn =
patches on and off, controll the Kaiser Looper, and modify effect patch =
parameters with two expression pedals
More here: http://www.krispenhartung.com/gear.htm

Kris


----- Original Message -----=20
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, October 07, 2007 8:06 AM
Subject: Re: AW: Posting my looping rig's specifications


> On 7 okt 2007, at 15.34, Rainer Thelonius Balthasar Straschill wrote:
>=20
>> 1. which 16 alternative effects
>=20
> They are all displayed in the Bidule part of the screenshot:
> The Audio Switcher module have 16 output tags. Each such tag leads =20
> the signal into one effect chain.
>=20
>> 2. why no effects post-looper?
>=20
> I don't like that.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>=20
>=20
>=20
>
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3157" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2>Great idea, Per. I will collect these =
setup=20
explanations and figure out a way to post them on the Y2K7 =
website.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>In the mean time, here is my =
setup:</FONT></DIV>
<UL>
  <LI><FONT face=3DArial size=3D2>Mini Guitar (<A=20
  =
href=3D"http://www.krispenhartung.com/gear/epi.jpg">http://www.krispenhar=
tung.com/gear/epi.jpg</A>)=20
  into Ernie Ball volume pedal</FONT></LI>
  <LI><FONT face=3DArial size=3D2>Volume pedal into RME Fireface 400 (<A =

  =
href=3D"http://www.rme-audio.com/images/firewire/ff400_front2.jpg">http:/=
/www.rme-audio.com/images/firewire/ff400_front2.jpg</A>)</FONT></LI>
  <LI><FONT face=3DArial size=3D2>RME Fireface 400 into Lenovo ThinkPad =
T60p=20
  Notebook computer (2.4Ghz X 2, 2 GIG of RAM, XP Pro: <A=20
  =
href=3D"http://www.pc.ibm.com/us/thinkpad/images/T60-1L.gif">http://www.p=
c.ibm.com/us/thinkpad/images/T60-1L.gif</A></FONT></LI>
  <LI><FONT face=3DArial size=3D2>Notebook computer loaded with =
max/msp</FONT></LI>
  <UL>
    <LI><FONT face=3DArial size=3D2>Screenshot of my main max/msp =
performance patch:=20
    <A=20
    =
href=3D"http://www.krispenhartung.com/gear/max-map.jpg">http://www.krispe=
nhartung.com/gear/max-map.jpg</A>&nbsp;(user=20
    interface) and <A=20
    =
href=3D"http://www.krispenhartung.com/gear/max-inside.jpg">http://www.kri=
spenhartung.com/gear/max-inside.jpg</A>&nbsp;(under=20
    the hood)</FONT></LI>
    <LI><FONT face=3DArial size=3D2>Max/msp Loaded with:</FONT></LI>
    <UL>
      <LI><FONT face=3DArial size=3D2>Biquad max EQ patches&nbsp;for =
guitar and=20
      voice</FONT></LI>
      <LI><FONT face=3DArial size=3D2>Boogex amp VST amp =
sim</FONT></LI></UL>
    <UL>
      <LI><FONT face=3DArial size=3D2>Max/msp Roland GR300 guitar synth=20
      simulator</FONT></LI>
      <LI><FONT face=3DArial size=3D2>Reaktor 5&nbsp;VST =
plugin</FONT></LI>
      <LI><FONT face=3DArial size=3D2>Several rows of my own max/msp =
effect patches=20
      (everything from pitches/delay effects, to granular, filters, =
modulators,=20
      degraders, and random effectors)</FONT></LI>
      <LI><FONT face=3DArial size=3D2>Max/msp random FM synthesis =
percusion=20
      generator</FONT></LI>
      <LI><FONT face=3DArial size=3D2>The Kaiser Looper</FONT></LI>
      <LI><FONT face=3DArial size=3D2>Max/msp reverb, delay, chorus, and =

      compressor</FONT></LI>
      <LI><FONT face=3DArial size=3D2>Wav file player/looper =
patch</FONT></LI>
      <LI><FONT face=3DArial size=3D2>Record to disk patch</FONT></LI>
      <LI><FONT face=3DArial size=3D2>Patch that converts all my effect =
patches into=20
      post-loop effects</FONT></LI></UL>
    <LI><FONT face=3DArial size=3D2>Screenshot of the Kaiser Looper: <A=20
    =
href=3D"http://www.krispenhartung.com/gear/kaiser-looper.jpg">http://www.=
krispenhartung.com/gear/kaiser-looper.jpg</A></FONT></LI></UL>
  <LI><FONT face=3DArial size=3D2>Behringer FCB MIDI controller running =
into=20
  Fireface 400 to turn patches on and off, controll the Kaiser Looper, =
and=20
  modify effect patch parameters with two expression =
pedals</FONT></LI></UL>
<DIV><FONT face=3DArial size=3D2></FONT><FONT face=3DArial size=3D2>More =
here: <A=20
href=3D"http://www.krispenhartung.com/gear.htm">http://www.krispenhartung=
.com/gear.htm</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>----- Original Message ----- </FONT>
<DIV><FONT face=3DArial size=3D2>From: "Per Boysen" &lt;</FONT><A=20
href=3D"mailto:perboysen@gmail.com"><FONT face=3DArial=20
size=3D2>perboysen@gmail.com</FONT></A><FONT face=3DArial =
size=3D2>&gt;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>To: &lt;</FONT><A=20
href=3D"mailto:Loopers-Delight@loopers-delight.com"><FONT face=3DArial=20
size=3D2>Loopers-Delight@loopers-delight.com</FONT></A><FONT =
face=3DArial=20
size=3D2>&gt;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Sent: Sunday, October 07, 2007 8:06 =
AM</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Subject: Re: AW: Posting my looping =
rig's=20
specifications</FONT></DIV></DIV>
<DIV><FONT face=3DArial><BR><FONT size=3D2></FONT></FONT></DIV><FONT =
face=3DArial=20
size=3D2>&gt; On 7 okt 2007, at 15.34, Rainer Thelonius Balthasar =
Straschill=20
wrote:<BR>&gt; <BR>&gt;&gt; 1. which 16 alternative effects<BR>&gt; =
<BR>&gt;=20
They are all displayed in the Bidule part of the screenshot:<BR>&gt; The =
Audio=20
Switcher module have 16 output tags. Each such tag leads&nbsp; <BR>&gt; =
the=20
signal into one effect chain.<BR>&gt; <BR>&gt;&gt; 2. why no effects=20
post-looper?<BR>&gt; <BR>&gt; I don't like that.<BR>&gt; <BR>&gt; =
Greetings from=20
Sweden<BR>&gt; <BR>&gt; Per Boysen<BR>&gt; </FONT><A=20
href=3D"http://www.boysen.se"><FONT face=3DArial=20
size=3D2>www.boysen.se</FONT></A><FONT face=3DArial size=3D2> =
(Swedish)<BR>&gt;=20
</FONT><A href=3D"http://www.looproom.com"><FONT face=3DArial=20
size=3D2>www.looproom.com</FONT></A><FONT face=3DArial size=3D2>=20
(international)<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;</FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 19:59:49 2007
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Subject: Re: AW: Posting my looping rig's specifications
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Per, Fabio, etc....these are on the Y2K7 bio web page now. There is a =
link called "setup" underneath your instrument list.  Send/update at =
will.

Kris

  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, October 07, 2007 1:50 PM
  Subject: Re: AW: Posting my looping rig's specifications


  Great idea, Per. I will collect these setup explanations and figure =
out a way to post them on the Y2K7 website.

  In the mean time, here is my setup:
    a.. Mini Guitar (http://www.krispenhartung.com/gear/epi.jpg) into =
Ernie Ball volume pedal=20
    b.. Volume pedal into RME Fireface 400 =
(http://www.rme-audio.com/images/firewire/ff400_front2.jpg)=20
    c.. RME Fireface 400 into Lenovo ThinkPad T60p Notebook computer =
(2.4Ghz X 2, 2 GIG of RAM, XP Pro: =
http://www.pc.ibm.com/us/thinkpad/images/T60-1L.gif=20
    d.. Notebook computer loaded with max/msp=20
      a.. Screenshot of my main max/msp performance patch: =
http://www.krispenhartung.com/gear/max-map.jpg (user interface) and =
http://www.krispenhartung.com/gear/max-inside.jpg (under the hood)=20
      b.. Max/msp Loaded with:=20
        a.. Biquad max EQ patches for guitar and voice=20
        b.. Boogex amp VST amp sim
        a.. Max/msp Roland GR300 guitar synth simulator=20
        b.. Reaktor 5 VST plugin=20
        c.. Several rows of my own max/msp effect patches (everything =
from pitches/delay effects, to granular, filters, modulators, degraders, =
and random effectors)=20
        d.. Max/msp random FM synthesis percusion generator=20
        e.. The Kaiser Looper=20
        f.. Max/msp reverb, delay, chorus, and compressor=20
        g.. Wav file player/looper patch=20
        h.. Record to disk patch=20
        i.. Patch that converts all my effect patches into post-loop =
effects
      c.. Screenshot of the Kaiser Looper: =
http://www.krispenhartung.com/gear/kaiser-looper.jpg
    e.. Behringer FCB MIDI controller running into Fireface 400 to turn =
patches on and off, controll the Kaiser Looper, and modify effect patch =
parameters with two expression pedals
  More here: http://www.krispenhartung.com/gear.htm

  Kris


  ----- Original Message -----=20
  From: "Per Boysen" <perboysen@gmail.com>
  To: <Loopers-Delight@loopers-delight.com>
  Sent: Sunday, October 07, 2007 8:06 AM
  Subject: Re: AW: Posting my looping rig's specifications


  > On 7 okt 2007, at 15.34, Rainer Thelonius Balthasar Straschill =
wrote:
  >=20
  >> 1. which 16 alternative effects
  >=20
  > They are all displayed in the Bidule part of the screenshot:
  > The Audio Switcher module have 16 output tags. Each such tag leads =20
  > the signal into one effect chain.
  >=20
  >> 2. why no effects post-looper?
  >=20
  > I don't like that.
  >=20
  > Greetings from Sweden
  >=20
  > Per Boysen
  > www.boysen.se (Swedish)
  > www.looproom.com (international)
  >=20
  >=20
  >=20
  > 
------=_NextPart_000_0285_01C808EA.0182FBF0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3157" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Per, Fabio, etc....these are on the =
Y2K7&nbsp;bio=20
web page now. There is a link called "setup" underneath your instrument=20
list.&nbsp; Send/update at will.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, October 07, 2007 =
1:50=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: AW: Posting my =
looping rig's=20
  specifications</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Great idea, Per. I will collect these =
setup=20
  explanations and figure out a way to post them on the Y2K7=20
  website.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>In the mean time, here is my =
setup:</FONT></DIV>
  <UL>
    <LI><FONT face=3DArial size=3D2>Mini Guitar (<A=20
    =
href=3D"http://www.krispenhartung.com/gear/epi.jpg">http://www.krispenhar=
tung.com/gear/epi.jpg</A>)=20
    into Ernie Ball volume pedal</FONT>=20
    <LI><FONT face=3DArial size=3D2>Volume pedal into RME Fireface 400 =
(<A=20
    =
href=3D"http://www.rme-audio.com/images/firewire/ff400_front2.jpg">http:/=
/www.rme-audio.com/images/firewire/ff400_front2.jpg</A>)</FONT>=20

    <LI><FONT face=3DArial size=3D2>RME Fireface 400 into Lenovo =
ThinkPad T60p=20
    Notebook computer (2.4Ghz X 2, 2 GIG of RAM, XP Pro: <A=20
    =
href=3D"http://www.pc.ibm.com/us/thinkpad/images/T60-1L.gif">http://www.p=
c.ibm.com/us/thinkpad/images/T60-1L.gif</A></FONT>=20

    <LI><FONT face=3DArial size=3D2>Notebook computer loaded with =
max/msp</FONT>=20
    <UL>
      <LI><FONT face=3DArial size=3D2>Screenshot of my main max/msp =
performance=20
      patch: <A=20
      =
href=3D"http://www.krispenhartung.com/gear/max-map.jpg">http://www.krispe=
nhartung.com/gear/max-map.jpg</A>&nbsp;(user=20
      interface) and <A=20
      =
href=3D"http://www.krispenhartung.com/gear/max-inside.jpg">http://www.kri=
spenhartung.com/gear/max-inside.jpg</A>&nbsp;(under=20
      the hood)</FONT>=20
      <LI><FONT face=3DArial size=3D2>Max/msp Loaded with:</FONT>=20
      <UL>
        <LI><FONT face=3DArial size=3D2>Biquad max EQ patches&nbsp;for =
guitar and=20
        voice</FONT>=20
        <LI><FONT face=3DArial size=3D2>Boogex amp VST amp =
sim</FONT></LI></UL>
      <UL>
        <LI><FONT face=3DArial size=3D2>Max/msp Roland GR300 guitar =
synth=20
        simulator</FONT>=20
        <LI><FONT face=3DArial size=3D2>Reaktor 5&nbsp;VST plugin</FONT> =

        <LI><FONT face=3DArial size=3D2>Several rows of my own max/msp =
effect=20
        patches (everything from pitches/delay effects, to granular, =
filters,=20
        modulators, degraders, and random effectors)</FONT>=20
        <LI><FONT face=3DArial size=3D2>Max/msp random FM synthesis =
percusion=20
        generator</FONT>=20
        <LI><FONT face=3DArial size=3D2>The Kaiser Looper</FONT>=20
        <LI><FONT face=3DArial size=3D2>Max/msp reverb, delay, chorus, =
and=20
        compressor</FONT>=20
        <LI><FONT face=3DArial size=3D2>Wav file player/looper =
patch</FONT>=20
        <LI><FONT face=3DArial size=3D2>Record to disk patch</FONT>=20
        <LI><FONT face=3DArial size=3D2>Patch that converts all my =
effect patches=20
        into post-loop effects</FONT></LI></UL>
      <LI><FONT face=3DArial size=3D2>Screenshot of the Kaiser Looper: =
<A=20
      =
href=3D"http://www.krispenhartung.com/gear/kaiser-looper.jpg">http://www.=
krispenhartung.com/gear/kaiser-looper.jpg</A></FONT></LI></UL>
    <LI><FONT face=3DArial size=3D2>Behringer FCB MIDI controller =
running into=20
    Fireface 400 to turn patches on and off, controll the Kaiser Looper, =
and=20
    modify effect patch parameters with two expression =
pedals</FONT></LI></UL>
  <DIV><FONT face=3DArial size=3D2></FONT><FONT face=3DArial =
size=3D2>More here: <A=20
  =
href=3D"http://www.krispenhartung.com/gear.htm">http://www.krispenhartung=
.com/gear.htm</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>----- Original Message ----- </FONT>
  <DIV><FONT face=3DArial size=3D2>From: "Per Boysen" &lt;</FONT><A=20
  href=3D"mailto:perboysen@gmail.com"><FONT face=3DArial=20
  size=3D2>perboysen@gmail.com</FONT></A><FONT face=3DArial =
size=3D2>&gt;</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>To: &lt;</FONT><A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"><FONT face=3DArial =

  size=3D2>Loopers-Delight@loopers-delight.com</FONT></A><FONT =
face=3DArial=20
  size=3D2>&gt;</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Sent: Sunday, October 07, 2007 8:06=20
  AM</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Subject: Re: AW: Posting my looping =
rig's=20
  specifications</FONT></DIV></DIV>
  <DIV><FONT face=3DArial><BR><FONT size=3D2></FONT></FONT></DIV><FONT =
face=3DArial=20
  size=3D2>&gt; On 7 okt 2007, at 15.34, Rainer Thelonius Balthasar =
Straschill=20
  wrote:<BR>&gt; <BR>&gt;&gt; 1. which 16 alternative effects<BR>&gt; =
<BR>&gt;=20
  They are all displayed in the Bidule part of the screenshot:<BR>&gt; =
The Audio=20
  Switcher module have 16 output tags. Each such tag leads&nbsp; =
<BR>&gt; the=20
  signal into one effect chain.<BR>&gt; <BR>&gt;&gt; 2. why no effects=20
  post-looper?<BR>&gt; <BR>&gt; I don't like that.<BR>&gt; <BR>&gt; =
Greetings=20
  from Sweden<BR>&gt; <BR>&gt; Per Boysen<BR>&gt; </FONT><A=20
  href=3D"http://www.boysen.se"><FONT face=3DArial=20
  size=3D2>www.boysen.se</FONT></A><FONT face=3DArial size=3D2> =
(Swedish)<BR>&gt;=20
  </FONT><A href=3D"http://www.looproom.com"><FONT face=3DArial=20
  size=3D2>www.looproom.com</FONT></A><FONT face=3DArial size=3D2>=20
  (international)<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;</FONT>=20
</BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0285_01C808EA.0182FBF0--

From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 21:20:08 2007
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References: <000c01c808cc$a29c9320$1001a8c0@succubus> <97EF5595-2475-440B-B5DA-0017BEB18019@gmail.com> <01f001c80917$b8f3eab0$23b0ec0f@americas.hpqcorp.net>
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Posting my looping rig's specifications
Date: Sun, 7 Oct 2007 23:20:01 +0200
To: Loopers-Delight@loopers-delight.com
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On 7 okt 2007, at 21.24, Krispen Hartung wrote:
> What is that EQ? A VST you run in Plugue?

Sonalkis is a very good plug-in available in the formats AU, VST and  
RTAS for Windows and Mac.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Sun Oct  7 22:03:15 2007
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Date: Sun, 7 Oct 2007 14:43:12 -0700
From: Niall Munnelly <aleph@aleph-null.net>
To: Loopers-Delight@loopers-delight.com
Subject: Repeater's New OS, Etc
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I can't seem to get the 2.4 OS to load on the Repeater - it
keeps booting into 2.1.  Hve any of you loaded this
successfully, and if so, may I ask what you did?  Also,
would one of you please remind me how to format a CF card in
the Repeater?

I'd ask Electrix, but they don't seem to exist, or
something.  There wasn't even any documentation accompanying
the firmware.  I'd RTFM, but that didn't come with me to
Ireland, so I'm a little stuck.

Your assistance would be greatly appreciated.

-- 
Yours,
Niall.
.. .  .   .    .     .       .           .             .                 .
Aleph Null.                             A Simple Insinuation Around Silence.
http://aleph-null.net
.. .. gpg public key - http://aleph-null.net/niall.gpg .. ..

From hr@sna.org  Mon Oct  8 00:18:38 2007
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From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 00:51:23 2007
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Subject: Re: another survey (wasRe: OT, but getting close to not-OT:
	guitar/sax improv sessions)
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Quoting Paul Mimlitsch <pmimlitsch@mac.com>:

> On Oct 6, 2007, at 6:24 AM, Paul Mimlitsch wrote:
>
>
> 1) how many people on the list do solo non looping gigs?
>
Most of the time I play solo non-looping gigs.  As a classical organist
my work includes solo recitals and church services.  In my current
position, I am expected to improvise and the bulk of my work (when I
am not accompanying others) is solo improv sans looping or fx.

My paid gigs other than organ work (I've only been playing theremin =20
for a couple of years)
on theremin include looping and non-looping work.  Some all real-time,
some that include my own tracks that are integral to the music (i.e. =20
-- not mere "backing" or accompaniment tracks).  I also play some =20
selections solo with no looping.  The variety of textures and forms =20
enables me to hold an audience's interest.  Based on suggestions from =20
some members of this list and others I keep adding to my musical =20
vocabulary.
>
> 2) "the beauty of the single note line" - how many guitar players/
> players of multitimbral instruments can do an improv. gig using only
> single note lines and hold an audiences attention? for how long?
>
Sometimes I include sections that are one-note, monophonic.  These
sections definatly are dramatic -- people don't want to breath!

When I do such on an organ I use the mutations (non-unison stops 2 =20
2/3', and 1 3/5' stops) or solo stops rich in harmonics (bass =20
clarinet, bassoon, or earlier sounds such as krumhorn or dulzian.  =20
Occasionally I will select a clear flute (ocarina-like) in the high =20
register.  The stop will be one that is under expression (volume =20
controllable from a pedal).

The point here is that when I reduce the texture down to a single =20
melody, one note at a time -- I choose an interesting timbre that I =20
can play expressively.

Again, I don't think anyone would want to sit through an entire church =20
service or recital of one-note-at-a-time organ music however at =20
certain times, such a texture demands attention.
>
> 3) if you're not comfortable doing this, is that because of preference
> (ie: vertical vs. linear hearing)?  Being raised on a particular
> instrument?  Or did you gravitate towards your preferred instrument due
> to how you hear things?
>
Ironically, it is linear hearing that attracted me to the organ: one
of the premiere instruments for contrapuntal music.
>
> 4) if you play a mono timbral instrument (horns etc) is the desire to
> "loop" a means of filling up vertical space to compliment your single
> note line play?
>
When I am not playing the organ and synthesizers, I play the theremin =20
(which is monophonic). For me, looping is a way for me to create =20
canons and other imitative structures.
However, I don't limit myself to monophonic melodies... that is, I use
loops to achieve parallelism as well as counterpoint.
>
> Not sure if this makes sense - Just curious.
>
Enjoyed answering your questions.  I am behind on email and I haven't =20
read but one or two responses.  I decided to post my response and then =20
read the others.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 02:46:03 2007
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Subject: RE: AW: Posting my looping rig's specifications
Date: Sun, 7 Oct 2007 19:45:57 -0700
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"> 2. why no effects post-looper?

I don't like that."


Neither do I, Post effects seem too be more trouble than they are worth to
me, unless I'm actually mixing down, and involves more routing issues than I
care to deal with, perhaps a bit of reverb on the overall sound, but in
general, I prefer to print what ever effect I'm using on the loop, though
these days I'm using not much more than delay and reverb. 
Bill

-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com] 
Sent: Sunday, October 07, 2007 7:07 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: AW: Posting my looping rig's specifications

On 7 okt 2007, at 15.34, Rainer Thelonius Balthasar Straschill wrote:

> 1. which 16 alternative effects

They are all displayed in the Bidule part of the screenshot:
The Audio Switcher module have 16 output tags. Each such tag leads  
the signal into one effect chain.

> 2. why no effects post-looper?

I don't like that.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

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Subject: Re: My worst looping gig...
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Ahhh...it WASN'T a looping gig.  Friday night I open the EDP, plug =
everything in and there's no volume and a couple pots seem wacked out of =
place and loose!!! AHHH!!  SO the EDP just looked cool on stage and was =
glorified technodecoration.  Now I loop with the Boomerang for this =
week's gigs...
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<DIV><FONT face=3DArial size=3D2>Ahhh...it WASN'T a looping gig.&nbsp; =
Friday night=20
I open the EDP, plug everything in and there's no volume and a couple =
pots seem=20
wacked out of place and loose!!! AHHH!!&nbsp; SO the EDP just looked =
cool on=20
stage and was glorified technodecoration.&nbsp; Now I loop with the =
Boomerang=20
for this week's gigs...</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 04:06:43 2007
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Interesting topic.  I have to say, I built a patch for my max/msp system 
that allows me to click one button, and instantly every effect patch in my 
system gets moved to post-loop. However, I really don't use it that much. 
When I do use it, it is after I have layed some ambient loops down, I hit 
the post-loop button, and then I hit my special random effector button 
(another max patch I created). Basically, it randomly turns on one of my 
max/msp effect patches, applies it for 10 seconds, randomly selects another, 
then does this indefinitley. What I get is a nice overlap of effects.  I can 
walk away and listen to max create some interesting patterns, or play along 
with it. Other that this, the only effect that I use post-loop is reverb. I 
don't like looping reverb, but apply it afterwards as a finishing 
effect...same reverb applied to the overall loop mix.

Kris


----- Original Message ----- 

>"> 2. why no effects post-looper?
>
> I don't like that."
>
>
> Neither do I, Post effects seem too be more trouble than they are worth to
> me, unless I'm actually mixing down, and involves more routing issues than 
> I
> care to deal with, perhaps a bit of reverb on the overall sound, but in
> general, I prefer to print what ever effect I'm using on the loop, though
> these days I'm using not much more than delay and reverb.
> Bill
>

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 04:21:51 2007
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Does anyone know when the Boomerang 3 is being released? Is it still in
development?=20
=20
I remember some discussion about it on the LD List a while ago - but
Boomerang talk has been quiet as late.=20
=20
Cheers
Tom

************** IMPORTANT MESSAGE *****************************      =20
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<DIV dir=3Dltr align=3Dleft><SPAN class=3D666460304-08102007><FONT face=3DA=
rial><FONT=20
color=3D#0000ff><FONT size=3D2>D<SPAN class=3D666460304-08102007>oes anyone=
 know when=20
the Boomerang 3 is being released? Is it still in development?=20
</SPAN></FONT></FONT></FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D666460304-08102007><FONT face=3DA=
rial><FONT=20
color=3D#0000ff><FONT size=3D2><SPAN=20
class=3D666460304-08102007></SPAN></FONT></FONT></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D666460304-08102007><FONT face=3DA=
rial><FONT=20
color=3D#0000ff><FONT size=3D2><SPAN class=3D666460304-08102007>I remember =
some=20
discussion about it on the LD List a while ago - but Boomerang talk has bee=
n=20
quiet as late. </SPAN></FONT></FONT></FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D666460304-08102007><FONT face=3DA=
rial><FONT=20
color=3D#0000ff><FONT size=3D2><SPAN=20
class=3D666460304-08102007></SPAN></FONT></FONT></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D666460304-08102007><FONT face=3DA=
rial><FONT=20
color=3D#0000ff><FONT size=3D2><SPAN=20
class=3D666460304-08102007>Cheers</SPAN></FONT></FONT></FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D666460304-08102007><FONT face=3DA=
rial><FONT=20
color=3D#0000ff><FONT size=3D2><SPAN=20
class=3D666460304-08102007>Tom</SPAN></FONT></FONT></FONT></SPAN></DIV><pre>
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From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 08:12:43 2007
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From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: WHAT DO WE LOOK LIKE
Date: Mon, 8 Oct 2007 01:13:01 -0700
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A couple of people have mentioned a sentiment that I share with them:
It's great to attach a face to the names of some of the people who 
contribute
here at the l.d. board.

Could we put a page up or ten up at the website that has photos next to all 
the
people who are here at the site?

I think it would be great if we could attach names to faces.


If that would take up to much bandwidth then I would volunteer to
put them up at the Live Looping Tribe at tribe.net where it is free to  post 
photos.


It'd be better to have it here at L.D.  so, to that end,   why doesn't 
everyone
find their best mug shot and print their name on it so that we can start
putting together a photo gallery of all the live loopers.

yours,  Rick 

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 08:19:58 2007
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Date: Mon, 08 Oct 2007 01:23:10 -0700
To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: Andy butler live looping on the radio
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   Andy, BRILLIANT!!!  -Simply lovely!  Thank you!...

Smiles,

Cara  :)

At 05:11 PM 10/3/2007 +0100, you wrote:

>andy butler interviewed for local radio
>
>hit this link
>
>http://futurefmplatform.podbean.com/
>
>look for Program 8
>
>and it's about 32 mins in
>
>interview,
>edp demo
>and (probably) an album track
>
>
>
>
>
>
>--
>No virus found in this incoming message.
>Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 
>269.13.39/1045 - Release Date: 10/2/2007 6:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


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From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 08:51:20 2007
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From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: little boxes (was survey)
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   Coming in late here, (very busy) but I'm doing something similar in that 
I'm using a midi looping seq to control EDP in addition to doing so manually.

   As I'd mentioned earlier, the sw has access issues for me, so am using 
hardware for now, but it's a similar concept.

   -And, as the sequencer is a midi looper, I'm effectively running one 
looper with another.

Smiles,

CQ  :)

At 04:36 PM 10/2/2007 -0700, you wrote:

>wot i mean is...i would think that people will choose their software
>tools based on what is available for their OS. so their choice in the
>survey might not say that much about their preferred looping 'school'.
>
>i mean, i would think that when someone needs any kind of tool...a
>strobe tuner, a midi keyboard, a media player....they would google
>what is out there for their OS.
>
>but that would be an interesting survey question!
>
>"would you install and run a different OS on your computer in order
>to use a particular software looper?"
>
>yes Live and Mobius are obviously different - one is more 'sampler'
>and one is more 'old skool EDP-esque'. (and i find the 'sampler-only'
>qualities of Live to be annoying). but to overcome the 'sampler'
>limitations a user might look around for what additional tools to
>use, in combination with Live, in order to accomplish EDP-esque
>looping (software plugin like Augustus or SooperLooper, or add an
>external hardware looper into an input channel).
>
>by the way, i couldn't figure out how to make my looping setup fit
>into the survey.
>
>- using a software looper to control a hardware looper. the audio is
>recorded onto a hardware-looping device but all the controls are sent
>from the software looper.
>
>is that a hardware or software preference?
>
>i'd love to know if anyone else does this. both electrix and bill
>walker have told me i might be the only one but i don't believe that
>at all.
>i want my sub-group dammit!
>
>
>
>
>
>--
>No virus found in this incoming message.
>Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 
>269.13.39/1045 - Release Date: 10/2/2007 6:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


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From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 08:55:47 2007
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Date: Mon, 08 Oct 2007 01:59:00 -0700
To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: Following Acoustic Musicians with Looper
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   I use a combo of retrigger / sus-unrounded-multiply on the EDP.  This=20
way I can comfortably play with others changing the loop length on the fly=
=20
and / or retriggering if necessary.  The performance is seamless and I can=
=20
overdub while multiplying as well...

   For those not familiar with this EDP feature, it allows you to change=20
the loop length (either shorter or longer) on the fly and can be=20
unquantized so one can listen to a tempo and simply expand or contract the=
=20
loop in real time.  This is different from the Repeater in that the loop=20
actually has material added or subtracted from it with the EDP as you do=20
the multiply, whereas the Repeater can apply time stretching to the loop=20
using BPM rather than simply defining a length by ear as it were...

-Not sure if the new Repeater sw has changed this...

HTH...

Smiles,

Cara  :)

At 10:08 AM 10/5/2007 +0200, you wrote:

>Hi folks
>
>When I loop _by_myself_, I'm quite happy with the musical freedom. If I=20
>have an idea in my head, I can transform it into sounding music on a=20
>looper more or less to my satisfaction.
>
>When I play with others and _I_set_the_rhyhthm_ (and often also the bass=20
>line) on my looper, it also works out quite well.
>
>When it comes to playing together with other acoustic musicians in a live=
=20
>setting where _they_set_the_tempo_ , there still seems to be a long way to=
 go.
>Recently, I jammed with a couple acoustic musicians where I didn't=20
>dominate the song structure. So, the tempo was varying about ca. +/- 20=20
>BPM. Eventually, I had to turn my RC-2 off.
>
>To make a long story short: What looping features & skills do you need to=
=20
>be able to play live with other musicians?
>How do you keep in sync and keep up with tempo properly (acoustic=20
>instruments only and no drummer with a midi trigger)?
>
>My first guess is that you need a looper with the following features:
>- Retrigger loop(s)
>- Tap tempo
>
>So, what hardware loopers are able to do this?
>Retrigger:
>I can't really do that with my RC-50 + RC-2. You can't really stop and=20
>restart the loop because the ther will be a big "hole" in the music (maybe=
=20
>it works if you add a lot of reverb or put another loop under it?).
>
>Tap Tempo:
>More or less useless on RC-50 (might work if you only have percussion).
>RC-2: works quite fine. But you cannot use an external foot pedal for that=
=20
>(tap tempo will work only in stop mode). That means you have to bend down.
>
>So, how about other hardware loopers? And software (Mobius or=
 SooperLooper)?
>
>Have you experience with handling such situations in practice?
>
>Best regards
>Buzap
>
>
>--
>Psssst! Schon vom neuen GMX MultiMessenger geh=F6rt?
>Der kanns mit allen: http://www.gmx.net/de/go/multimessenger
>
>
>
>
>
>--
>No virus found in this incoming message.
>Checked by AVG Free Edition.
>Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date:=20
>10/2/2007 6:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each=20
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


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6:43 PM


From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 09:03:31 2007
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Date: Mon, 08 Oct 2007 02:06:44 -0700
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From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: Following Acoustic Musicians with Looper
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   Ah, the tap tempo on Repeater!  lol!  forgot!  (blonde)  oops!  used to 
use that myself too!  :)  lol!

   The Diff with the EDP that I personally prefer is that I can hold down a 
pedal to define a loop length and release it which completes the function 
and triggers the loop all at once, which saves me a lot of work / thought 
in live settings...

Smiles,

Cara  :)

At 01:25 PM 10/5/2007 +0200, you wrote:

>The Repeater works well in this setup. You can either tap the tempo as you =
>play, and the Repeater will speed up or slow down accordingly, or you can (=
>if I remember correctly) even have it sync to an acoustic bass drum track. =
>I never did that with the Repeater, but with a Quasimidi Sirius sending mid=
>i clock to a Repeater.
>
>Other possibilties:
>1. Make sure somebody who is able to dominate the tempo (normally, a loud d=
>rummer) can hear your loop very clearly. At best, very loud in his inears. =
>I also played with a drummer who was very happy to look at the flashing tap=
>  tempo light of my KP2 synced to the Repeater.
>
>2. Use loops which work well with tempo changes.
>
>3. Learn to play very tight.
>
>             Rainer
>
> > To make a long story short: What looping features & skills do you need 
> to be
> > able to play live with other musicians?
> > How do you keep in sync and keep up with tempo properly (acoustic
> > instruments only and no drummer with a midi trigger)?
>
>
>
>
>
>--
>No virus found in this incoming message.
>Checked by AVG Free Edition.
>Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 
>10/2/2007 6:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


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From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 09:10:11 2007
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From: eterogeneo <info@eterogeneo.com>
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To: Loopers-Delight@loopers-delight.com
Subject: FCB "Direct Select" ? (was: Posting my looping rig's specification
 s)
Date: Mon,  8 Oct 2007 11:08:42 +0200
Message-ID: <830MhPtJlly3.YvBhrlmJ@smtp.tre.biz>
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I use a "photografic memory" to remember the button where i stored a 
function on the FCB.
I use 5 banks to control Mobius and i use to "group" in a bank "a set of 
functions" that have sense to me, so i have only to remember what "kinds" 
of functions i have set up on a single bank.
I just run the Up and Dwn buttons and i'm in front to another group of 
functions.
It works for me, but i've always been curious of different experiences 
about using "Direct Select" enabled on the FCB.
Anyone ?

Greetings

fabio
www.eterogeneo.com



From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 09:40:05 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Following Acoustic Musicians with Looper
Date: Mon, 8 Oct 2007 11:39:59 +0200
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On 8 okt 2007, at 10.59, Cara Quinn wrote:

>   I use a combo of retrigger / sus-unrounded-multiply on the EDP.


That's my fav too, when looping un-synced with a group.  :-)

I migrated the technique into my Mobius looping laptop setup as well.  
With the latest Mobius version it works well for me as long as I stay  
on just one track. <contemplating mode on> I've been thinking about  
making a script for Record that also deletes all other tracks... or  
maybe that changes the rate (pitch+length) of slave tracks to adapt  
to the new tempo... wonder if that is possible?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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From: Per Boysen <perboysen@gmail.com>
Subject: Re: FCB "Direct Select" ? (was: Posting my looping rig's specification s)
Date: Mon, 8 Oct 2007 11:47:15 +0200
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On 8 okt 2007, at 11.08, eterogeneo wrote:

> I use a "photografic memory" to remember the button where i stored a
> function on the FCB.

Two of my banks are exactly the same as I was using with my EDP five  
years ago. But now with 7 banks I both use "photographic memory" and  
the linguistic trick of placing functions that have to do with Fading  
in bank Five, functions that have to do with Speed in in bank Six,  
direct Select Track in bank Seven. FCB button 9 and 10 are duplicated  
over some banks for the two functions Previous- and Next Loop.

> I use 5 banks to control Mobius and i use to "group" in a bank "a  
> set of
> functions" that have sense to me, so i have only to remember what  
> "kinds"
> of functions i have set up on a single bank.
> I just run the Up and Dwn buttons and i'm in front to another group of
> functions.
> It works for me, but i've always been curious of different experiences
> about using "Direct Select" enabled on the FCB.
> Anyone ?

I'm always curious about how others organize their real-time looping  
flow. Thanks for sharing! Are you bringing a paper print-out of your  
bank setup to Santa Cruz?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 11:38:50 2007
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Subject: Re: Re: FCB &quot;Direct Select&quot; ? (was: Posting my looping rig's specification s)
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> I'm always curious about how others organize their real-time looping =20
> flow. Thanks for sharing! Are you bringing a paper print-out of your =20

I'll just throw in my setup here (note that I haven't worked on it for a lo=
ng time, so I might make some changes sometime):
A total of four banks for Mobius.

Bank 1: Transport, Track/Loop switching
Copy SusNextLoop NextLoop Pause NextTrack
Bounce Retrigger PrevLoop Realign PrevTrack
Pedals: Volume, SecFB

Bank 2: Standard Looping
Record Insert Speed Redo NextLoop
Overdub Multiply Reverse Undo Mute
Pedals: Volume, SecFB

Bank 3: Advanced Looping
Shuffle RateUp SusSpeed SlipFwd SusReplace
Rate0 RateDown SusReverse SlipBack Stutter
Pedals: Volume, SecFB

Bank 4: "Guitar Combo"
Record NextLoop Speed Mute NextTrack
Overdub Multiply Reverse Undo PrevTrack
Pedals: Guitar Volume, Guitar Wah

Then there's the computer keyboard used to select/mute individual tracks, a=
djusting PrimaryFB, Panning, switching between my most used quantize, sync,=
 sus and shuffle settings, MIDI Start/Stop, Master/Global Reset, changing p=
arameters ("cursor style") and a few scripts.

I don't use direct select, if that is the mode where each action is a seque=
nce of two presses of 0-10, the first for bank, the second for patch within=
 the bank.

            Rainer

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 12:23:17 2007
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Subject: RE: WHAT DO WE LOOK LIKE
Date: Mon, 8 Oct 2007 14:23:14 +0200
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> Could we put a page up or ten up at the website that has photos next to
all the people who are here at the site?

good idea.

Some of us are active in the Chain-Tape Collective, and have posted a photo.
http://www.ct-collective.com/index.cfm?page=members


-Michael www.michaelpeters.de


From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 12:48:00 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: WHAT DO WE LOOK LIKE
Date: Mon, 8 Oct 2007 14:47:52 +0200
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>> Could we put a page up or ten up at the website that has photos  
>> next to
> all the people who are here at the site?

On 8 okt 2007, at 14.23, Michael Peters wrote:
> good idea.
>
> Some of us are active in the Chain-Tape Collective, and have posted  
> a photo.
> http://www.ct-collective.com/index.cfm?page=members

One idea could be to use www.facebook.com. We could have a LD Group  
there to upload pictures. Actually, each group member's own picture  
will automatically upload to the Loopist Group's "members index".  
When I received a facebook invitation from UK loopist Steve Lawson I  
thought it was "just another tribe thing" but half a year later the  
facebook network exploded. With facebook you can set your own pref's  
to block out adds and stuff that you find distracting. Something that  
is not possible on for example MySpace. Many people talk about all  
the "games" at facebook and how stupid that is, but you do not have  
to install all those add-ons; you can simply use it as a super easy  
communication window with built-in photo album.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 13:27:52 2007
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In a message dated 10/7/07 11:27:53 PM, mike@michaelplishka.com writes:


> Now I loop with the Boomerang for this week's gigs...
> 

now you're talkin!.....:)




"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON 
EXCERCISE"

www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11




**************************************
 See what's new at http://www.aol.com

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 10/7/07 11:27:53 PM, mike@michaelplishka.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Now I loop with the B=
oomerang for this week's gigs...<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">now you're talkin!.....:)<BR>
<BR>
<BR>
<BR>
<BR>
"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON EXCE=
RCISE"<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
new at http://www.aol.com</HTML>

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In a message dated 10/8/07 12:07:01 AM, khartung@cableone.net writes:


> I hit my special random effector button
> (another max patch I created). Basically, it randomly turns on one of my
> max/msp effect patches, applies it for 10 seconds, randomly selects another,
> then does this indefinitley.
> 

even as a luddite i must say.....SWEET!.....i wish i had a SREB




"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON 
EXCERCISE"

www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11




**************************************
 See what's new at http://www.aol.com

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 10/8/07 12:07:01 AM, khartung@cableone.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">I hit my special rand=
om effector button<BR>
(another max patch I created). Basically, it randomly turns on one of my<BR>
max/msp effect patches, applies it for 10 seconds, randomly selects another,=
<BR>
then does this indefinitley.<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">even as a luddite i must say.....SWEET!.....i wish i had a SREB<BR>
<BR>
<BR>
<BR>
<BR>
"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON EXCE=
RCISE"<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
new at http://www.aol.com</HTML>

--part1_c96.1991f250.343b8b53_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 13:49:56 2007
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Subject: Re: Boomerang
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In a message dated 10/8/07 12:22:02 AM, tomson.sowonja@cba.com.au writes:


> Boomerang 3
> 

tom.....mike nelson sent me some paper to pass out at y2k7 about the RANG III 
and the CHORUS*DELAY PEDAL (E-155).....it said something like an end of year 
DEC 07   RANG release, but you know how those predictions work out, the 
(E-155) max delay 2 seconds, is shipping now.....a small blurb on the RANG III used 
the "M" word, "the initial release may not have MIDI, but it will be added as 
quickly as possible and upgrading is possible via the internet. THERE will be 
no USB connectivity nor permanet loop storage.".....i'm just a friendly 
messanger and know nothing about nothing.....:).....i do know that i really want to 
get my hands on that puppy.....mike nelson and company are burried with the 
release of the CHORUS*DELAY PEDAL so i would suggest being patient about the 
RANG for now.....i told him he had better pick up the pace, or 
else!.....:).....michael




"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON 
EXCERCISE"

www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11




**************************************
 See what's new at http://www.aol.com

--part1_c3a.1efcc5af.343b8f75_boundary
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Content-Transfer-Encoding: quoted-printable

<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 10/8/07 12:22:02 AM, tomson.sowonja@cba.com.au writes:<BR=
>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Boomerang 3<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">tom.....mike nelson sent me some paper to pass out at y2k7 about the RANG=
 III and the CHORUS*DELAY PEDAL (E-155).....it said something like an end of=
 year DEC 07&nbsp;  RANG release, but you know how those predictions work ou=
t, the (E-155) max delay 2 seconds, is shipping now.....a small blurb on the=
 RANG III used the "M" word, "the initial release may not have MIDI, but it=20=
will be added as quickly as possible and upgrading is possible via the inter=
net. THERE will be no USB connectivity nor permanet loop storage.".....i'm j=
ust a friendly messanger and know nothing about nothing.....:).....i do know=
 that i really want to get my hands on that puppy.....mike nelson and compan=
y are burried with the release of the CHORUS*DELAY PEDAL so i would suggest=20=
being patient about the RANG for now.....i told him he had better pick up th=
e pace, or else!.....:).....michael<BR>
<BR>
<BR>
<BR>
<BR>
"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON EXCE=
RCISE"<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
new at http://www.aol.com</HTML>

--part1_c3a.1efcc5af.343b8f75_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 14:11:14 2007
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Subject: Re: WHAT DO WE LOOK LIKE
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Rick, you mean sort of a L.D. Hollywood Squares approach, but alot more 
squares? :) I like it!!! (For those who remember that game show in the 
states)

Kris

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 14:17:42 2007
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References: <830MhPtJlly3.YvBhrlmJ@smtp.tre.biz>
Subject: Re: FCB "Direct Select" ? (was: Posting my looping rig's specification s)
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Wow, Fabio, do you really have a photographic memory? That is cool. I've 
only known two people who had this, the prior director of work organization 
(my boss), and a keyboard player I used to play with years ago. I recall one 
gig where our singer lost his voice, and we handed the lyrics sheet to the 
keyboard player. He glanced at it for 10 seconds, and then sang the lyrics 
verbatim. I wonder if Jaco had a photographic memory.

For me, my memory is so shot from over-use and sleep deprivation, that I 
have to write everything down. My FCB is completely labeled with each 
function on every button, three banks worth. And my max patch has a section 
with the letters and numbers of my keyboard mapped to similar functions.  My 
memory used to be a lot better when I was getting my bachelor's degree, as I 
distinctly remember memorizing pages and pages of text on the elaboration of 
specific philosophical theories, and then writing them down during essay 
exams.  I just feel like my brain has been re-wired since then...who 
downgraded my processor when I was asleep at night? :)

Kris

----- Original Message ----- 

>I use a "photografic memory" to remember the button where i stored a
> function on the FCB.

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 14:22:48 2007
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References: <c96.1991f250.343b8b53@aol.com>
Subject: Re: AW: Posting my looping rig's specifications
Date: Mon, 8 Oct 2007 08:18:04 -0600
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This is a multi-part message in MIME format.

------=_NextPart_000_0366_01C80983.BFFDDBB0
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When CT-Birds is released, you'll be able to hear me using this random =
effect morphing feature, applied to a recording of the Red Breasted =
Nuthatch!   I have half tempted to share the MP3 now, but I don't want =
to steal the project's fire. / Kris

In a message dated 10/8/07 12:07:01 AM, khartung@cableone.net writes:
    I hit my special random effector button
    (another max patch I created). Basically, it randomly turns on one =
of my
    max/msp effect patches, applies it for 10 seconds, randomly selects =
another,
    then does this indefinitley.



  even as a luddite i must say.....SWEET!.....i wish i had a SREB


------=_NextPart_000_0366_01C80983.BFFDDBB0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3157" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
FAMILY=3D"SANSSERIF">When CT-Birds is released, you'll be able to hear =
me using=20
this random effect morphing&nbsp;feature, applied to a recording of the =
Red=20
Breasted Nuthatch!&nbsp;&nbsp; I have half tempted to share the MP3 now, =
but I=20
don't want to steal the project's fire. </FONT></FONT><FONT=20
face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000 size=3D2 =
FAMILY=3D"SANSSERIF">/=20
Kris</FONT></FONT></DIV>
<DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
FAMILY=3D"SANSSERIF"><BR>In a message dated 10/8/07 12:07:01 AM, <A=20
href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A> =
writes:</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <BLOCKQUOTE=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px"=20
  cite=3D"" TYPE=3D"CITE"></FONT><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
    FAMILY=3D"SANSSERIF">I hit my special random effector =
button<BR>(another max=20
    patch I created). Basically, it randomly turns on one of =
my<BR>max/msp=20
    effect patches, applies it for 10 seconds, randomly selects =
another,<BR>then=20
    does this indefinitley.<BR></BLOCKQUOTE></FONT><FONT face=3DGeneva =
color=3D#000000=20
  size=3D2 FAMILY=3D"SANSSERIF"><BR><BR></FONT><FONT face=3DGeneva =
color=3D#000000=20
  size=3D2 FAMILY=3D"SANSSERIF">even as a luddite i must =
say.....SWEET!.....i wish i=20
  had a SREB<BR><BR></FONT></FONT></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0366_01C80983.BFFDDBB0--

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 14:27:12 2007
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On Mon, 8 Oct 2007, Rick Walker wrote:

> A couple of people have mentioned a sentiment that I share with them:
> It's great to attach a face to the names of some of the people who contribute
> here at the l.d. board.
>
> Could we put a page up or ten up at the website that has photos next to all 
> the people who are here at the site?
>
> I think it would be great if we could attach names to faces.

I created a Flickr group this morning to get this started. If you are 
on Flickr, add yourself to the "LoopersDelightLoopers group", and add a 
picture of yourself to the group. As I created the group five minutes ago, 
at the moment there's just one picture of me playing theremin :).

http://www.flickr.com/groups/500341@N24/

Hope this helps.

regards,
Steve Burnett   Subscape Annex  http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 14:35:05 2007
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Almost like this?

http://www.y2kloopfest.com/Bio-Photos.html

Kris

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 14:36:35 2007
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From: midifriedchicken@comcast.net
To: Loopers-Delight@loopers-delight.com (Loopers Delight)
Subject: Augustas Loop Question
Date: Mon, 08 Oct 2007 14:36:33 +0000
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I am currently using Sooperlooper (Mac) as my software looper, but I continue to get clicks and pops. This is not a CPU issue. I dowloaded the Augustus Looper and it seems to sound very good with no pops. 
The controls are confusing, but does anybody use Aug Loop as a live looper? How is its control layout? Can you overdub? Does it resemble the EDP paradigm at all?
Thanks
MFC
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<html><body>
<DIV>I am currently using Sooperlooper (Mac) as my software looper, but I continue to get clicks and pops. This is not a CPU issue. I dowloaded the Augustus Looper and it seems to sound very good with no pops. </DIV>
<DIV>The controls are confusing, but does anybody use Aug Loop as a live looper? How is its control layout? Can you overdub? Does it resemble the EDP paradigm at all?</DIV>
<DIV>Thanks</DIV>
<DIV>MFC</DIV></body></html>

--NextPart_Webmail_9m3u9jl4l_14732_1191854193_0--

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 14:43:31 2007
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Date: Mon, 8 Oct 2007 07:43:28 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Following Acoustic Musicians with Looper
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It's not clear to me how that would help, since simply changing the
length of the loop to match a new tempo is only musically effective
(in a conventional sense) if the audio information contained within
the loop matches the tempo of what everyone else is playing.  I can
see if you've got an ambient pad with no real "tempo", but having four
125 bpm bar lengths full of 120bpm music (for example) isn't going to
"work" in conventional music.  Do you re-record the loop information
when you do this?

TH

On 10/8/07, Cara Quinn <CaraQuinn@onemodelplace.com> wrote:
>    I use a combo of retrigger / sus-unrounded-multiply on the EDP.  This
> way I can comfortably play with others changing the loop length on the fly
> and / or retriggering if necessary.  The performance is seamless and I can
> overdub while multiplying as well...
>
>    For those not familiar with this EDP feature, it allows you to change
> the loop length (either shorter or longer) on the fly and can be
> unquantized so one can listen to a tempo and simply expand or contract the
> loop in real time.  This is different from the Repeater in that the loop
> actually has material added or subtracted from it with the EDP as you do
> the multiply, whereas the Repeater can apply time stretching to the loop
> using BPM rather than simply defining a length by ear as it were...

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From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: FCB "Direct Select" ? (was: Posting my looping rig's specification s)
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I'd be interested in seeing pictures of how everyone's labeled their FCB.

If only there was a MIDI foot controller with an LCD display above
each button...and that didn't cost $1000.

TH

On 10/8/07, Krispen Hartung <khartung@cableone.net> wrote:
>
>
> For me, my memory is so shot from over-use and sleep deprivation, that I
> have to write everything down. My FCB is completely labeled with each
> function on every button, three banks worth. And my max patch has a section
> with the letters and numbers of my keyboard mapped to similar functions.
> Kris
>
>
>

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Augustas Loop Question
Date: Mon, 8 Oct 2007 16:55:32 +0200
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On 8 okt 2007, at 16.36, midifriedchicken@comcast.net wrote:

> oes anybody use Aug Loop as a live looper?

Yes.

> How is its control layout?

Best is to read the MIDI control specification chart in the manual  
and wire up pedals to send the required events for calling the  
functions.

> Can you overdub?

Yes. Two ways. Either by "opening" the Freeze Loop button or by  
raising the input level when the loop is in overdub mode (which is  
the normal state, since it is after all a tape delay simulating plug- 
in).

> Does it resemble the EDP paradigm at all?

I managed to mimic the EDP paradigm pretty well for my Powerbook with  
Live 6 (or should I rather say, my "Mobius paradigm", but that is  
essentially my old EDP paradigm plus some pitch shifting stuff). This  
would not be relevant if you do not use Live as the host, but what I  
did was to fabricate MIDI clips i Live to run the "EDP behaviors"  
enabled by the functionality in Augustus. My notes for the FCB1010  
foot controller gives a listing of what EDP style looping I achieved:

FCB BANK 0 (loop A)
01 Overdub 1 bar
02 Multiply to 8 bars
03 Replace
04 Overdub 16ths
05 Reverse
06 Input fx: Harmonizer
07 Input fx: 16ths Acid Sweep Delay
08 Input fx: Bellish
09 Input fx: Autofilter lo cut
10 Autofade

FCB BANK 1 (loop B)
01 Overdub 1 bar
02 "Multiply" to 8 bars
03 Replace
04 Overdub 16ths
05 Reverse
06 Input fx: Harmonizer
07 Time Warp 2
08 Insert Grid 1
09 SUSSubstitute Grid 2
10 Autofade

FCB BANK 2 (loop A + B, different octaves for some intervals)
01 C
02 D
03 Eb
04 E
05 F
06 G
07 Ab
08 A
09 Bb
10 Solo input instrument channel

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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From: Per Boysen <perboysen@gmail.com>
Subject: Re: FCB "Direct Select" ? (was: Posting my looping rig's specification s)
Date: Mon, 8 Oct 2007 17:03:33 +0200
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On 8 okt 2007, at 16.25, Travis Hartnett wrote:
> I'd be interested in seeing pictures of how everyone's labeled  
> their FCB

I'm not labeling mine, but I use a system that is easy to remember.  
Here's a schematic of that system:
http://www.looproom.com/mobius/FCB_banks2007pboy.pdf

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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Subject: Re: WHAT DO WE LOOK LIKE
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I select Henry Kaiser in the center square to block. ;-)

Bob

----- Original Message ----- 
From: "Krispen Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, October 08, 2007 7:28 AM
Subject: Re: WHAT DO WE LOOK LIKE


> Almost like this?
> 
> http://www.y2kloopfest.com/Bio-Photos.html
> 
> Kris
> 
>

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From: Per Boysen <per@boysen.se>
Subject: Re: FCB "Direct Select" ? (was: Posting my looping rig's specification s)
Date: Mon, 8 Oct 2007 17:08:57 +0200
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> On 8 okt 2007, at 16.25, Travis Hartnett wrote:
>> I'd be interested in seeing pictures of how everyone's labeled  
>> their FCB

> On 8 okt 2007, at 17.03, Per Boysen wrote:
> I'm not labeling mine, but I use a system that is easy to remember.  
> Here's a schematic of that system:
> http://www.looproom.com/mobius/FCB_banks2007pboy.pdf


Whops... I forgot to tell about bank 8 and 9 that is not part of that  
"looper function" chart. Those two banks are only used to call up 16  
presets of alternative effect chains, ie the sound I play with into  
the looper.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://www.myspace.com/looproom



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Date: Mon,  8 Oct 2007 17:20:28 +0200
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Per,
what can you say about the functions on your bank 3 - hit minor/major/sus4 
presets ?
It sounds interesting but i cannot understand what you're doing.

fabio
www.eterogeneo.com

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 15:25:01 2007
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Date: Mon, 8 Oct 2007 11:24:54 -0400 (EDT)
Subject: Re: Boomerang
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End of '07 is what I heard.

IT's not my business so I can't really say, but the RANG III is delayed
already from release earlier this year because of the Delay pedal.  Not
sure why when the bread and butter of the company was the Rang Plus, a
great unit for stage that had a few minor probs, they should choose to
de-focus themselves from making a kick rear third generation product to
provide a chorus delay (that looks cool but really, why the lack of
focus?)

Also, I'm concerned about the ergonomics of the pdeal.  The pic and dims
of the current E-155 are equal to the dims of the Rang III.  This means
the buttons are about 1.25 inches wide and a little over 1.75 inches
between them.  That seems terribly unforgiving for a pedal that's supposed
to be for stage use.

Plish

>
> In a message dated 10/8/07 12:22:02 AM, tomson.sowonja@cba.com.au writes:
>
>
>> Boomerang 3
>>
>
> tom.....mike nelson sent me some paper to pass out at y2k7 about the RANG
> III
> and the CHORUS*DELAY PEDAL (E-155).....it said something like an end of
> year
> DEC 07   RANG release, but you know how those predictions work out, the
> (E-155) max delay 2 seconds, is shipping now.....a small blurb on the RANG
> III used
> the "M" word, "the initial release may not have MIDI, but it will be added
> as
> quickly as possible and upgrading is possible via the internet. THERE will
> be
> no USB connectivity nor permanet loop storage.".....i'm just a friendly
> messanger and know nothing about nothing.....:).....i do know that i
> really want to
> get my hands on that puppy.....mike nelson and company are burried with
> the
> release of the CHORUS*DELAY PEDAL so i would suggest being patient about
> the
> RANG for now.....i told him he had better pick up the pace, or
> else!.....:).....michael
>
>
>
>
> "Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON
> EXCERCISE"
>
> www.ct-collective.com
> http://mysite.verizon.net/vzepmeci/
> http://www.myspace.com/klobuchar11
>
>
>
>
> **************************************
>  See what's new at http://www.aol.com
>

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 15:25:03 2007
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References: <Pine.LNX.4.64.0710080949320.32090@giggles.cavesofice.org>
Subject: RE: WHAT DO WE LOOK LIKE, (Flickr group)
Date: Mon, 8 Oct 2007 17:25:00 +0200
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> I created a Flickr group this morning to get this started.=20

thank you!=20
there is also a flickr group with photos of the 2005 Z=FCrich =
loopfestival,
many of us were there
http://www.flickr.com/groups/13509629@N00/pool/

and here's an annotated group photo:
http://www.flickr.com/photos/11242995@N00/67089274

-MichaelPeters

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 15:33:00 2007
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I'd favor Facebook AND Flickr, though Krispen's page ultimately takes care
of festival now, doesn't it.
and it IS nice to see everyone...  again.

t.



On 10/8/07, Per Boysen <perboysen@gmail.com> wrote:
>
> >> Could we put a page up or ten up at the website that has photos
> >> next to
> > all the people who are here at the site?
>
> On 8 okt 2007, at 14.23, Michael Peters wrote:
> > good idea.
> >
> > Some of us are active in the Chain-Tape Collective, and have posted
> > a photo.
> > http://www.ct-collective.com/index.cfm?page=members
>
> One idea could be to use www.facebook.com. We could have a LD Group
> there to upload pictures. Actually, each group member's own picture
> will automatically upload to the Loopist Group's "members index".
> When I received a facebook invitation from UK loopist Steve Lawson I
> thought it was "just another tribe thing" but half a year later the
> facebook network exploded. With facebook you can set your own pref's
> to block out adds and stuff that you find distracting. Something that
> is not possible on for example MySpace. Many people talk about all
> the "games" at facebook and how stupid that is, but you do not have
> to install all those add-ons; you can simply use it as a super easy
> communication window with built-in photo album.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>
>
>
>
>


-- 
http://www.toddreynolds.com                    |:
http://myspace.com/toddreynoldsmusic  |:
------------------------------------------------------|:
917.576.6166
todd@toddreynolds.com
toddreyn@gmail.com

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I&#39;d favor Facebook AND Flickr, though Krispen&#39;s page ultimately takes care of festival now, doesn&#39;t it. &nbsp;<div><br class="webkit-block-placeholder"></div><div>and it IS nice to see everyone... &nbsp;again.</div><div>
<br class="webkit-block-placeholder"></div><div>t.</div><div><br class="webkit-block-placeholder"></div><div><br><br><div><span class="gmail_quote">On 10/8/07, <b class="gmail_sendername">Per Boysen</b> &lt;<a href="mailto:perboysen@gmail.com">
perboysen@gmail.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="margin:0;margin-left:0.8ex;border-left:1px #ccc solid;padding-left:1ex">&gt;&gt; Could we put a page up or ten up at the website that has photos
<br>&gt;&gt; next to<br>&gt; all the people who are here at the site?<br><br>On 8 okt 2007, at 14.23, Michael Peters wrote:<br>&gt; good idea.<br>&gt;<br>&gt; Some of us are active in the Chain-Tape Collective, and have posted
<br>&gt; a photo.<br>&gt; <a href="http://www.ct-collective.com">http://www.ct-collective.com</a>/index.cfm?page=members<br><br>One idea could be to use <a href="http://www.facebook.com">www.facebook.com</a>. We could have a LD Group
<br>there to upload pictures. Actually, each group member&#39;s own picture<br>will automatically upload to the Loopist Group&#39;s &quot;members index&quot;.<br>When I received a facebook invitation from UK loopist Steve Lawson I
<br>thought it was &quot;just another tribe thing&quot; but half a year later the<br>facebook network exploded. With facebook you can set your own pref&#39;s<br>to block out adds and stuff that you find distracting. Something that
<br>is not possible on for example MySpace. Many people talk about all<br>the &quot;games&quot; at facebook and how stupid that is, but you do not have<br>to install all those add-ons; you can simply use it as a super easy
<br>communication window with built-in photo album.<br><br>Greetings from Sweden<br><br>Per Boysen<br><a href="http://www.boysen.se">www.boysen.se</a> (Swedish)<br><a href="http://www.looproom.com">www.looproom.com</a> (international)
<br><br><br><br><br></blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com">http://www.toddreynolds.com</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|:<br><a href="http://myspace.com/toddreynoldsmusic">http://myspace.com/toddreynoldsmusic
</a>&nbsp;&nbsp;|:<br>------------------------------------------------------|:<br>917.576.6166&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br><a href="mailto:todd@toddreynolds.com">todd@toddreynolds.com</a><br><a href="mailto:toddreyn@gmail.com">
toddreyn@gmail.com</a>
</div>

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From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 15:59:59 2007
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Date: Mon, 8 Oct 2007 16:02:13 +0100
From: Os <os@collective.co.uk>
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Basically "what Per said" - I think he knows Augustus better than I do
now, and I wrote it!

You can overdub. It's really not designed as an EDP-style looper - it
takes a different design philosophy, which means it can't do some EDP
things, but then again it can do a lot that an EDP can't.


cheers,
os.


On 08/10/2007, midifriedchicken@comcast.net
<midifriedchicken@comcast.net> wrote:
>
> I am currently using Sooperlooper (Mac) as my software looper, but I
> continue to get clicks and pops. This is not a CPU issue. I dowloaded the
> Augustus Looper and it seems to sound very good with no pops.
> The controls are confusing, but does anybody use Aug Loop as a live looper?
> How is its control layout? Can you overdub? Does it resemble the EDP
> paradigm at all?
> Thanks
> MFC


-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 16:41:43 2007
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A few more are here:
http://www.flickr.com/photos/moinsound/with/278987224/ 

> I created a Flickr group this morning to get this started. If 
> you are on Flickr, add yourself to the "LoopersDelightLoopers 

Now for the moment, I try to understand why I need a yahoo account to access
flickr...:-(

	Rainer

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Message-ID: <4759e5740710080951n191dce9et696427e3ad8e0e87@mail.gmail.com>
Date: Mon, 8 Oct 2007 12:51:49 -0400
From: "todd reynolds" <toddreyn@gmail.com>
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cuz they sort of combined everything awhile back.  it's a pain, but, in the
end, pretty painless...
Todd

On 10/8/07, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
>
> A few more are here:
> http://www.flickr.com/photos/moinsound/with/278987224/
>
> > I created a Flickr group this morning to get this started. If
> > you are on Flickr, add yourself to the "LoopersDelightLoopers
>
> Now for the moment, I try to understand why I need a yahoo account to
> access
> flickr...:-(
>
>         Rainer
>
>


-- 
http://www.toddreynolds.com                    |:
http://myspace.com/toddreynoldsmusic  |:
------------------------------------------------------|:
917.576.6166
todd@toddreynolds.com
toddreyn@gmail.com

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cuz they sort of combined everything awhile back. &nbsp;it&#39;s a pain, but, in the end, pretty painless...<div><br class="webkit-block-placeholder"></div><div>Todd<br><div><br><div><span class="gmail_quote">On 10/8/07, <b class="gmail_sendername">
Rainer Thelonius Balthasar Straschill</b> &lt;<a href="mailto:rs@moinlabs.de">rs@moinlabs.de</a>&gt; wrote:</span><blockquote class="gmail_quote" style="margin:0;margin-left:0.8ex;border-left:1px #ccc solid;padding-left:1ex">
A few more are here:<br><a href="http://www.flickr.com/photos">http://www.flickr.com/photos</a>/moinsound/with/278987224/<br><br>&gt; I created a Flickr group this morning to get this started. If<br>&gt; you are on Flickr, add yourself to the &quot;LoopersDelightLoopers
<br><br>Now for the moment, I try to understand why I need a yahoo account to access<br>flickr...:-(<br><br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Rainer<br><br></blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com">http://www.toddreynolds.com
</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|:<br><a href="http://myspace.com/toddreynoldsmusic">http://myspace.com/toddreynoldsmusic</a>&nbsp;&nbsp;|:<br>------------------------------------------------------|:<br>917.576.6166&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
<br><a href="mailto:todd@toddreynolds.com">todd@toddreynolds.com</a><br><a href="mailto:toddreyn@gmail.com">toddreyn@gmail.com</a>
</div></div>

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From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 16:59:51 2007
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Date: Mon, 08 Oct 2007 13:01:34 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #549 for October 4, 2007
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http://wdiy.org/programs/gt/playlists/2007/071004.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #549                October 4, 2007

RECAP:
On this show, I started a month-long focus on Origo Sound.  The Featured
CD at Midnight was "Communion" by Current.

Origo Sound: http://wdiy.org/programs/gt/playlists/2007/focus.html#oct


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Divine Sound         Farewell and         Order of Love (Blue Water)
                       Forgiveness
Lena                 Alchemy of Fingers   Alchemy of Fingers and Dark
                       and Dark             (Hypnos Secret Sounds)
Current              O.C.T.7              Enter the Dream (Origo Sound)
Current              Mere Objects         Enter the Dream (Origo Sound)
O Yuki Conjugate     Noise Flaw           The Euphoria of Disobedience
Galactic Anthems     Europa Mission       Subterranean Transit (none)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Current              Communion - Before   Communion (Origo Sound)
                       Reality
Current              Ghost Trip           Communion (Origo Sound)
Current              Crossfield           Communion (Origo Sound)
Current              Plaza Circular       Communion (Origo Sound)
Current              No Sign of Life      Communion (Origo Sound)
Current              Sunday Sunburn       Communion (Origo Sound)
Current              Sign/Alien           Communion (Origo Sound)
Current              Communion - Mode     Communion (Origo Sound)
                       Selector
Current              Sign/Human           Communion (Origo Sound)
Current              Minor Abstraction    Communion (Origo Sound)
Current              Patterns             Communion (Origo Sound)
Current              Autovia              Communion (Origo Sound)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Origo Sound.  The Featured CD at Midnight will be "Exploring the Water
Element" by Living Dreamtime.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4:00) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site - http://galactictravels.info
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 17:00:31 2007
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I'm not sure this meets Rick's original request. From this page you still 
can't see who the actual person is...all we have is obscure user names. It's 
doesn't help me understand who I'm getting LD posts from. I'm not sure about 
anyone else, but a page that has real pictures of people (not artistic 
interpretations where you can't tell if it is a human being or not), with 
their real names and their LD pseudonyms.

Kris


>A few more are here:
> http://www.flickr.com/photos/moinsound/with/278987224/

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 17:20:22 2007
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I went and joined but can't seem to figure out how to add photos to the 
group pool.

Am I missing something very obvious?

yours,  Rick Walker 

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 17:25:50 2007
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Date: Mon, 8 Oct 2007 13:18:54 -0400
From: "Jim Goodin" <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: WHAT DO WE LOOK LIKE, (Flickr group)
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Steve I joined and added my photo but how do I add to the Group Pool?

thx

jim


On 10/8/07, burnett@pobox.com <burnett@pobox.com> wrote:
>
> On Mon, 8 Oct 2007, Rick Walker wrote:
>

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<div>Steve I joined and added my photo but how do I add to the Group Pool?</div>
<div>&nbsp;</div>
<div>thx</div>
<div>&nbsp;</div>
<div>jim<br><br>&nbsp;</div>
<div><span class="gmail_quote">On 10/8/07, <b class="gmail_sendername"><a href="mailto:burnett@pobox.com">burnett@pobox.com</a></b> &lt;<a href="mailto:burnett@pobox.com">burnett@pobox.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">On Mon, 8 Oct 2007, Rick Walker wrote:<br></blockquote></div>

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From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 17:26:59 2007
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up to the left of an individual pic there is a button which says 'add to
group'.  if you've joine the group, it will add it directly.
t.


On 10/8/07, Jim Goodin <jimgoodinmusic@gmail.com> wrote:
>
> Steve I joined and added my photo but how do I add to the Group Pool?
>
> thx
>
> jim
>
>
>

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up to the left of an individual pic there is a button which says &#39;add to group&#39;. &nbsp;if you&#39;ve joine the group, it will add it directly.<div><br class="webkit-block-placeholder"></div><div>t.</div><div><br><br><div>
<span class="gmail_quote">On 10/8/07, <b class="gmail_sendername">Jim Goodin</b> &lt;<a href="mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="margin:0;margin-left:0.8ex;border-left:1px #ccc solid;padding-left:1ex">
<div>Steve I joined and added my photo but how do I add to the Group Pool?</div>
<div>&nbsp;</div>
<div>thx</div>
<div>&nbsp;</div>
<div>jim<br><br>&nbsp;</div></blockquote><div><br class="webkit-block-placeholder"></div><div>&nbsp;</div><br>&nbsp;</div></div>

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Date: Mon, 08 Oct 2007 13:26:06 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for October 6, 2007
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http://soundscapes.us/amfm/playlists/2007/071006.html

The AM/FM Show has two alternating hosts.  When I am at the helm, expect
to hear electronic, ambient, spacemusic, Progressive Rock, and an
eclectic mix of other genres.  The show airs from 6:00 am to 8:00 am on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                Show #118                October 6, 2007.

Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [AWM & Adrian]    Beyond the Canyons   E-dition #15 (Groove)
VA [Ian Boddy]       Stormfront           E-dition #15 (Groove)
VA [Food for Fantasy]The Spirit of FreedomE-dition #15 (Groove)
Current              Spring Feather       Enter the Dream (Origo Sound)
Rudy Adrian          Starfields 2 Part 1  Par Avion (Groove)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Abandoned Toys       Within a Lilac       The Witch's Garden (Mythical)
                       Clutch
Lynne & Tortorelli   Invocation           Love & Peace (New Earth)
Llewellyn            Poltergeist          An Audience of Angels
                                            (Paradise Music)
David Davidson       Myst on the Glen     Celtic Fantasy (Green Hill)
Kitaro               Into the Forest      Sacred Journey of KuKai Vol 3
                                            (Domo)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Mystery              The Awakening        Beneath the Veil of Winter's
                                            Face (Unicorn Digital)
Mystery              The Preacher's Fall  Beneath the Veil of Winter's
                                            Face (Unicorn Digital)
Freak Zoid           Beneath Candy Store  Freak Zoid (Uniblab)
                       Politics
Freak Zoid           Anvil Purse          Freak Zoid (Uniblab)
Shadow Circus        Radio People         Welcome To the Freakroom
                                            (Progrock)
Marillion            Neverland            Marbles (Intact)

 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

I return to the AM/FM Show on October 27.

On the next show, I will continue the special on the sampler CDs that
come with each issue of E-dition electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 17:29:26 2007
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Date: Mon, 8 Oct 2007 13:22:49 -0400
From: "todd reynolds" <toddreyn@gmail.com>
Reply-To: todd@toddreynolds.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: WHAT DO WE LOOK LIKE, (Flickr group)
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yes...
select any photo of your own...

then there is a button on the top left of the photo "add to group"

click that and it will allow you to add it to the group directly.

all best,

todd



On 10/8/07, Rick Walker <looppool@cruzio.com> wrote:
>
> I went and joined but can't seem to figure out how to add photos to the
> group pool.
>
> Am I missing something very obvious?
>
> yours,  Rick Walker
>
>


-- 
http://www.toddreynolds.com                    |:
http://myspace.com/toddreynoldsmusic  |:
------------------------------------------------------|:
917.576.6166
todd@toddreynolds.com
toddreyn@gmail.com

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yes...&nbsp;<div><br class="webkit-block-placeholder"></div><div>select any photo of your own...&nbsp;</div><div><br class="webkit-block-placeholder"></div><div>then there is a button on the top left of the photo &quot;add to group&quot;
</div><div><br class="webkit-block-placeholder"></div><div>click that and it will allow you to add it to the group directly.</div><div><br class="webkit-block-placeholder"></div><div>all best,</div><div><br class="webkit-block-placeholder">
</div><div>todd</div><div><br class="webkit-block-placeholder"></div><div><br><br><div><span class="gmail_quote">On 10/8/07, <b class="gmail_sendername">Rick Walker</b> &lt;<a href="mailto:looppool@cruzio.com">looppool@cruzio.com
</a>&gt; wrote:</span><blockquote class="gmail_quote" style="margin:0;margin-left:0.8ex;border-left:1px #ccc solid;padding-left:1ex">I went and joined but can&#39;t seem to figure out how to add photos to the<br>group pool.
<br><br>Am I missing something very obvious?<br><br>yours,&nbsp;&nbsp;Rick Walker<br><br></blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com">http://www.toddreynolds.com</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|:<br>
<a href="http://myspace.com/toddreynoldsmusic">http://myspace.com/toddreynoldsmusic</a>&nbsp;&nbsp;|:<br>------------------------------------------------------|:<br>917.576.6166&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br><a href="mailto:todd@toddreynolds.com">
todd@toddreynolds.com</a><br><a href="mailto:toddreyn@gmail.com">toddreyn@gmail.com</a>
</div>

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From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 17:32:55 2007
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	id 451153BEE1; Mon,  8 Oct 2007 17:32:55 +0000 (UTC)
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Date: Mon, 8 Oct 2007 10:32:53 -0700
From: Niall Munnelly <aleph@aleph-null.net>
To: Loopers-Delight@loopers-delight.com
Subject: Repeater OS2.10b4 Details
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This isn't actually a "2.4" release, which was why I thought
it didn't install correctly on my Repeater.  Electrix
replied to me with this PDF, and I'll host it on my site for
those who want to know what it does.  Since it contains
emails, I don't want to send it to a public, archived list.
Feel free to email me {or Electrix} for a copy of the PDF.

-- 
Yours,
Niall.
.. .  .   .    .     .       .           .             .                 .
Aleph Null.                             A Simple Insinuation Around Silence.
http://aleph-null.net
.. .. gpg public key - http://aleph-null.net/niall.gpg .. ..

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 17:35:35 2007
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Date: Mon, 8 Oct 2007 13:25:33 -0400
From: "todd reynolds" <toddreyn@gmail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: WHAT DO WE LOOK LIKE, (Flickr group)
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I've changed my descriptions and put notes on my photos (from within flickr
itself.)  please let me know if it 's not clear, we can find a way to retag
or relabel so that it's perfectly clear.
all best,

todd



On 10/8/07, Krispen Hartung <khartung@cableone.net> wrote:
>
> I'm not sure this meets Rick's original request. From this page you still
> can't see who the actual person is...all we have is obscure user names.
> It's
> doesn't help me understand who I'm getting LD posts from. I'm not sure
> about
> anyone else, but a page that has real pictures of people (not artistic
> interpretations where you can't tell if it is a human being or not), with
> their real names and their LD pseudonyms.
>
> Kris
>
>
> >A few more are here:
> > http://www.flickr.com/photos/moinsound/with/278987224/
>
>


-- 
http://www.toddreynolds.com                    |:
http://myspace.com/toddreynoldsmusic  |:
------------------------------------------------------|:
917.576.6166
todd@toddreynolds.com
toddreyn@gmail.com

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I&#39;ve changed my descriptions and put notes on my photos (from within flickr itself.) &nbsp;please let me know if it &#39;s not clear, we can find a way to retag or relabel so that it&#39;s perfectly clear.<div><br class="webkit-block-placeholder">
</div><div>all best,</div><div><br class="webkit-block-placeholder"></div><div>todd</div><div><br class="webkit-block-placeholder"></div><div><br><br><div><span class="gmail_quote">On 10/8/07, <b class="gmail_sendername">
Krispen Hartung</b> &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>&gt; wrote:</span><blockquote class="gmail_quote" style="margin:0;margin-left:0.8ex;border-left:1px #ccc solid;padding-left:1ex">I&#39;m not sure this meets Rick&#39;s original request. From this page you still
<br>can&#39;t see who the actual person is...all we have is obscure user names. It&#39;s<br>doesn&#39;t help me understand who I&#39;m getting LD posts from. I&#39;m not sure about<br>anyone else, but a page that has real pictures of people (not artistic
<br>interpretations where you can&#39;t tell if it is a human being or not), with<br>their real names and their LD pseudonyms.<br><br>Kris<br><br><br>&gt;A few more are here:<br>&gt; <a href="http://www.flickr.com/photos">
http://www.flickr.com/photos</a>/moinsound/with/278987224/<br><br></blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com">http://www.toddreynolds.com</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|:<br><a href="http://myspace.com/toddreynoldsmusic">
http://myspace.com/toddreynoldsmusic</a>&nbsp;&nbsp;|:<br>------------------------------------------------------|:<br>917.576.6166&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br><a href="mailto:todd@toddreynolds.com">todd@toddreynolds.com
</a><br><a href="mailto:toddreyn@gmail.com">toddreyn@gmail.com</a>
</div>

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From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 17:41:54 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com,
	boisemusicians@yahoogroups.com
Subject: The Virtual 2nd Annual Boise Experimental Music Festival
Date: Mon, 8 Oct 2007 11:37:06 -0600
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It's here...the virtual 2nd Annual Boise Experimental Music Festival (2007). 
Videos and sound files of all the performormances are now here:

http://www.boisemusicians.com/BEMF-2/sound.htm

Kris


From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 17:45:27 2007
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At 10:57 AM -0600 10/8/07, Krispen Hartung wrote:
>
>(not artistic interpretations where you can't tell if it is a human 
>being or not)

Hey!  I resemble that comment!  (yeah, yeah, yeah.  i'm looking for a 
real snappie to upload; like one where you can actually see my face. 
i just figured the bio page was more promotional than informational. 
;)

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 17:57:34 2007
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	id 7E1493BEEA; Mon,  8 Oct 2007 17:57:34 +0000 (UTC)
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Subject: RE: WHAT DO WE LOOK LIKE, (Flickr group)
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From: "Jeff Larson" <jeff.larson@sailpoint.com>
To: <Loopers-Delight@loopers-delight.com>
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I prefer to remain an enigma.  But if you must have a visual, picture
a cross between a young Antonio Banderas and Lance Armstrong.
That'd be about it.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 17:59:19 2007
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	id E31A03BECF; Mon,  8 Oct 2007 17:59:19 +0000 (UTC)
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Date: Mon, 08 Oct 2007 14:00:38 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: [Gig Spam]Different Skies
To: Loopers Delight Mailing List <Loopers-Delight@loopers-delight.com>
Cc: Different Skies <differentskies@yahoogroups.com>
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Greetings,

I will be unsubbing from the list for a while to attend Different Skies.
http://differentskies.com
Different Skies is an electronic space music festival, a workshop for 
artists in these and related experimental music genres, a working 
vacation, an intensive and rewarding creative environment, and many more 
things.  It's a community of artists from around the world.  We're back 
again for an encore, with artists old and new, a new palette of ideas, 
and a lot of energy and drive to create beauty for you. We plan to have 
a lot of fun and we hope you do, too. We'll see you in the Amphitheatre 
at Arcosanti, Arizona or on-line at http://stillstream.com which will 
also be carrying our nightly "All Star Jams" with warts and all.  This 
all starts Monday, October 15 and culminates with a concert the 
following Saturday.  I will not be around to remind you so please save 
this notice.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 18:05:14 2007
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	id 5C70D3BECA; Mon,  8 Oct 2007 18:05:14 +0000 (UTC)
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Fwd: SampleMoog Now Shipping - the Moog Synth Anthology VI
Date: Mon, 8 Oct 2007 12:06:51 -0600
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--Apple-Mail-1-958730414
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Thought this may be of interest to the laptop loopers ......

Begin forwarded message:

> From: IK Multimedia <iknews@ikmultimedia.com>
> Date: October 8, 2007 10:16:14 AM MDT
> To: pmimlitsch@mac.com
> Subject: SampleMoog Now Shipping - the Moog Synth Anthology VI
> Reply-To: IK Multimedia <iknews@ikmultimedia.com>
>
> Dear IK Customer,
>
> IK Multimedia is pleased to announce that SampleMoog=99, the Moog=99 =20=

> Synth Anthology Virtual Instrument, a cooperation between IK =20
> Multimedia, Moog Music=AE and Sonic Reality, is now shipping. =20
> SampleMoog=99 includes the sounds of all the most sought-after Moog =20=

> synthesizers spanning the entire Moog history, in an easy-to-use, =20
> sample-based virtual instrument =93powered by SampleTank=94, available =
=20
> as a plug-in for popular DAWs and as a standalone application for =20
> Mac and PC.
>
>
>
>
>
> Over 1,700 basses, leads, pads and effects=92 sounds from the very =20
> first Moog Modular systems to a variety of different Minimoogs to =20
> Taurus Bass Pedals, Polymoogs, Memorymoogs and more. 16 highly =20
> acclaimed Moog synthesizers have been meticulously sampled and =20
> expertly programmed by IK and Sonic Reality=92s sound designers. =20
> There are over 600 multi-sampled sounds with over 1,000 preset =20
> patches totaling more than 4GB of samples in SampleMoog, from the =20
> rarest vintage models to the most modern top of the range Moog =20
> synthesizers, including:
>
> Modular Moog 3C
> Modular Moog 15
> Modular Moog 55
> Minimoog=AE Model D
> Polymoog
> Moog Taurus=99 I
> Moog Prodigy
> Moog Multimoog
> Moog Vocoder
> Moog/Realistic Concertmate MG-1
> Moog Source
> Moog Rogue
> Memorymoog
> Etherwave=AE Theremin
> Moog Voyager=AE
> Moog Little Phatty=AE
>
> Whether you want a lead sound or a phat R&B synth bass or swirling =20
> FX, this is the ultimate source for everything Moog! Load up =20
> monster analog modular synth patches or the powerful rumbling sound =20=

> of Moog Taurus=99 I Bass pedals and shake the house! SampleMoog takes =20=

> you back in time to the days of analog and honors one of the =20
> founding fathers of synthesis, Bob Moog. An homage to the =20
> incredible range of instruments from the first Etherwave=AE Theremin =20=

> to the latest Minimoog=AE Voyager=AE, this virtual instrument is a =
must-=20
> have for any fan of the =93Moog Sound=94 as well as an analog synth =20=

> powerhouse for any musical style. For more information on this =20
> exciting release from IK, and to hear audio demos, view historical =20
> notes on the synthesizers included and more please visit:
>
> www.samplemoog.com
>
> SampleMoog has a list price of =80249/$299 is already available in =20
> the IK Online Store and IK=92s selected dealers and distributors. A =20=

> reduced price version is available as a crossgrade to any =20
> registered IK user (including bundle users) as part of IK=92s ongoing =20=

> =93Crossgrade for ALL=94 promotion, for only =80199/$249 saving up to =
20% =20
> on regular price.
>
> For more exciting IK news just announced at the latest AES show =20
> check here on our main page during the show: www.ikmultimedia.com
>
>
> The Moog logo and trademarks are property of Moog Music=AE Inc. used =20=

> under license by IK Multimedia. SampleMoog=99 is a trademark jointly =20=

> owned by IK Multimedia and Moog Music=AE Inc.
>
> If you do not wish to receive emails or newsletters from IK =20
> Multimedia please reply to this email with the subject =20
> "unsubscribe" and you will be removed from further mailings.
>
>
>
>


--Apple-Mail-1-958730414
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Thought this may be of interest =
to the laptop loopers ......<BR><DIV><BR><DIV>Begin forwarded =
message:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT face=3D"Helvetica" =
size=3D"3" color=3D"#000000" style=3D"font: 12.0px Helvetica; color: =
#000000"><B>From: </B></FONT><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">IK Multimedia &lt;<A =
href=3D"mailto:iknews@ikmultimedia.com">iknews@ikmultimedia.com</A>&gt;</F=
ONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT face=3D"Helvetica" =
size=3D"3" color=3D"#000000" style=3D"font: 12.0px Helvetica; color: =
#000000"><B>Date: </B></FONT><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">October 8, 2007 10:16:14 AM =
MDT</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT face=3D"Helvetica" =
size=3D"3" color=3D"#000000" style=3D"font: 12.0px Helvetica; color: =
#000000"><B>To: </B></FONT><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica"><A =
href=3D"mailto:pmimlitsch@mac.com">pmimlitsch@mac.com</A></FONT></DIV><DIV=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Helvetica" size=3D"3" color=3D"#000000" =
style=3D"font: 12.0px Helvetica; color: #000000"><B>Subject: =
</B></FONT><FONT face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica"><B>SampleMoog Now Shipping - the Moog Synth Anthology =
VI</B></FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT face=3D"Helvetica" =
size=3D"3" color=3D"#000000" style=3D"font: 12.0px Helvetica; color: =
#000000"><B>Reply-To: </B></FONT><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">IK Multimedia &lt;<A =
href=3D"mailto:iknews@ikmultimedia.com">iknews@ikmultimedia.com</A>&gt;</F=
ONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV> =
<SPAN class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV =
align=3D"justify"><FONT size=3D"2" face=3D"Verdana"><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
10px; text-align: justify; "></SPAN><TABLE width=3D"700" cellspacing=3D"1"=
 cellpadding=3D"1" border=3D"0" align=3D"center" summary=3D""><TBODY =
style=3D"border-spacing: 1px 1px; font-family: Verdana; "><TR =
style=3D"border-spacing: 1px 1px; font-family: Verdana; "><TD =
style=3D"border-spacing: 1px 1px; font-family: Verdana; "><FONT size=3D"3"=
 face=3D"Verdana"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; ">Dear IK =
Customer,</SPAN></FONT><FONT size=3D"4"><BR style=3D"border-spacing: 1px =
1px; font-family: Verdana; font-size: 14px; "></FONT><BR =
style=3D"border-spacing: 1px 1px; font-family: Verdana; "><FONT size=3D"2"=
 face=3D"Verdana"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
">IK Multimedia is pleased to announce that </SPAN><STRONG =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
font-weight: bold; "><A =
href=3D"http://www.ikstore.com/Cgi/ClickThroughRedirecter.cgi?MailingId=3D=
20071004000000&URL=3Dhttp%3A%2F%2Fwww.samplemoog.com"><SPAN =
class=3D"Apple-style-span" style=3D"border-spacing: 1px 1px; color: =
rgb(255, 0, 0); font-family: Verdana; font-size: 10px; font-weight: =
bold; -khtml-text-decorations-in-effect: underline; =
">SampleMoog=99</SPAN></A></STRONG><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
">, the Moog=99 Synth Anthology Virtual Instrument, a cooperation =
between IK Multimedia, Moog Music=AE and Sonic Reality, is now shipping. =
SampleMoog=99 includes the sounds of all the most sought-after Moog =
synthesizers spanning the entire Moog history, in an easy-to-use, =
sample-based virtual instrument =93powered by SampleTank=94, available =
as a plug-in for popular DAWs and as a standalone application for Mac =
and PC.</SPAN><BR style=3D"border-spacing: 1px 1px; font-family: =
Verdana; font-size: 10px; "><BR style=3D"border-spacing: 1px 1px; =
font-family: Verdana; font-size: 10px; "></FONT><BR =
style=3D"border-spacing: 1px 1px; font-family: Verdana; "><DIV =
align=3D"center"><FONT size=3D"2" face=3D"Verdana"><INPUT type=3D"image" =
src=3D"http://www.ikstore.com/Cgi/ImageRedirecter.cgi?MailingId=3D20071004=
000000&ImgURL=3Dhttp%3A%2F%2Fwww.ikmultimedia.com%2Fsamplemoog%2FPicts%2FS=
Moog-GUI.jpg"></FONT><BR style=3D"border-spacing: 1px 1px; font-family: =
Verdana; text-align: -khtml-center; "></DIV><BR style=3D"border-spacing: =
1px 1px; font-family: Verdana; "><BR style=3D"border-spacing: 1px 1px; =
font-family: Verdana; "><FONT size=3D"2" face=3D"Verdana"><STRONG =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
font-weight: bold; "><FONT size=3D"3"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-weight: =
bold; ">Over 1,700 basses, leads, pads and effects=92 sounds from the =
very first Moog Modular systems to a variety of different Minimoogs to =
Taurus Bass Pedals, Polymoogs, Memorymoogs and more</SPAN></FONT><SPAN =
class=3D"Apple-style-span" style=3D"border-spacing: 1px 1px; =
font-family: Verdana; font-size: 10px; font-weight: bold; ">. =
</SPAN></STRONG><SPAN class=3D"Apple-style-span" style=3D"border-spacing: =
1px 1px; font-family: Verdana; font-size: 10px; ">16 highly acclaimed =
Moog synthesizers have been meticulously sampled and expertly programmed =
by IK and Sonic Reality=92s sound designers. There are over 600 =
multi-sampled sounds with over 1,000 preset patches totaling more than =
4GB of samples in SampleMoog, from the rarest vintage models to the most =
modern top of the range Moog synthesizers, including:</SPAN><BR =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
"><BR style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: =
10px; "><TABLE width=3D"700" cellspacing=3D"1" cellpadding=3D"1" =
border=3D"0" align=3D"center" summary=3D""><TBODY style=3D"border-spacing:=
 1px 1px; font-family: Verdana; "><TR style=3D"border-spacing: 1px 1px; =
font-family: Verdana; "><TD style=3D"border-spacing: 1px 1px; =
font-family: Verdana; "><UL style=3D"border-spacing: 1px 1px; =
font-family: Verdana; "><LI style=3D"border-spacing: 1px 1px; =
font-family: Verdana; "><FONT size=3D"2" face=3D"Verdana" =
color=3D"#000000"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
">Modular Moog 3C</SPAN></FONT></LI><LI style=3D"border-spacing: 1px =
1px; font-family: Verdana; "><FONT size=3D"2" face=3D"Verdana" =
color=3D"#000000"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
">Modular Moog 15</SPAN></FONT></LI><LI style=3D"border-spacing: 1px =
1px; font-family: Verdana; "><FONT size=3D"2" face=3D"Verdana" =
color=3D"#000000"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
">Modular Moog 55</SPAN></FONT></LI><LI style=3D"border-spacing: 1px =
1px; font-family: Verdana; "><FONT size=3D"2" face=3D"Verdana" =
color=3D"#000000"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
">Minimoog=AE Model D</SPAN></FONT></LI><LI style=3D"border-spacing: 1px =
1px; font-family: Verdana; "><FONT size=3D"2" face=3D"Verdana" =
color=3D"#000000"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
">Polymoog</SPAN></FONT></LI><LI style=3D"border-spacing: 1px 1px; =
font-family: Verdana; "><FONT size=3D"2" face=3D"Verdana" =
color=3D"#000000"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
">Moog Taurus=99 I</SPAN></FONT></LI><LI style=3D"border-spacing: 1px =
1px; font-family: Verdana; "><FONT size=3D"2" face=3D"Verdana" =
color=3D"#000000"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
">Moog Prodigy</SPAN></FONT></LI><LI style=3D"border-spacing: 1px 1px; =
font-family: Verdana; "><FONT size=3D"2" face=3D"Verdana" =
color=3D"#000000"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
">Moog Multimoog</SPAN></FONT><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; =
"></SPAN></LI></UL></TD><TD style=3D"border-spacing: 1px 1px; =
font-family: Verdana; "><UL style=3D"border-spacing: 1px 1px; =
font-family: Verdana; "><LI style=3D"border-spacing: 1px 1px; =
font-family: Verdana; "><FONT size=3D"2" face=3D"Verdana" =
color=3D"#000000"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
">Moog Vocoder</SPAN></FONT></LI><LI style=3D"border-spacing: 1px 1px; =
font-family: Verdana; "><FONT size=3D"2" face=3D"Verdana" =
color=3D"#000000"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
">Moog/Realistic Concertmate MG-1</SPAN></FONT></LI><LI =
style=3D"border-spacing: 1px 1px; font-family: Verdana; "><FONT size=3D"2"=
 face=3D"Verdana" color=3D"#000000"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
">Moog Source</SPAN></FONT></LI><LI style=3D"border-spacing: 1px 1px; =
font-family: Verdana; "><FONT size=3D"2" face=3D"Verdana" =
color=3D"#000000"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
">Moog Rogue</SPAN></FONT></LI><LI style=3D"border-spacing: 1px 1px; =
font-family: Verdana; "><FONT size=3D"2" face=3D"Verdana" =
color=3D"#000000"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
">Memorymoog</SPAN></FONT></LI><LI style=3D"border-spacing: 1px 1px; =
font-family: Verdana; "><FONT size=3D"2" face=3D"Verdana" =
color=3D"#000000"><SPAN class=3D"Apple-style-span" =
style=3D"border-spacing: 1px 1px; font-family: Verdana; font-size: 10px; =
">Etherwave=AE Theremin</SPAN></FONT></LI><LI style=3D"border-spacing: =
1px 1px; font-family: Verdana; "><FONT size=3D"2" face=3D"Verdana" =
color=3D"#000000"><SPAN class=3D"Apple-style-span" =
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--Apple-Mail-1-958730414--

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 18:20:06 2007
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From: "Krispen Hartung" <khartung@cableone.net>
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Subject: Re: WHAT DO WE LOOK LIKE, (Flickr group)
Date: Mon, 8 Oct 2007 12:20:02 -0600
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I think the page will work well, if we get the names on the photos. I 
realized Andy posted my picture andn some others, but I don't think I can 
edit the title of my own.

Steve - do you have write priveleeges to be able to add names to the 
pictures? I like the fact that all the photos are there in one spot, but do 
recognize everyone by their picture and know who it is?  Am I missing 
something on how to find this info?

Kris


> I'm not sure this meets Rick's original request. From this page you still 
> can't see who the actual person is...all we have is obscure user names. 
> It's doesn't help me understand who I'm getting LD posts from. I'm not 
> sure about anyone else, but a page that has real pictures of people (not 
> artistic interpretations where you can't tell if it is a human being or 
> not), with their real names and their LD pseudonyms.
>
> Kris

> 

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 18:20:53 2007
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Krispen Hartung wrote:
> I'm not sure this meets Rick's original request. From this page you 
> still can't see who the actual person is...all we have is obscure user 
> names. It's doesn't help me understand who I'm getting LD posts from. 

no,
and I couldn't find a way round it.

I titled the photos I added to the group with their names,
but you can't see the name till you click the pic.

andy
that is a good one of you though (by Bernhard Wagner with my camera)


> I'm not sure about anyone else, but a page that has real pictures of 
> people (not artistic interpretations where you can't tell if it is a 
> human being or not), with their real names and their LD pseudonyms.
> 
> Kris
> 
> 
>> A few more are here:
>> http://www.flickr.com/photos/moinsound/with/278987224/
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 18:22:00 2007
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
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Subject: Re: The Virtual 2nd Annual Boise Experimental Music Festival
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Yep,

I just noticed (with some amusement) that my vid was posted on YouTube the =
other day.

Many thanks for a fine event.

Hope it contines.

It's one of the best of it's kind.

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

Also check out the BEMF 1 CDs at: http://www.boisemusicians.com/experimenta=
l/cd.htm

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042
http://www.guitarplayer.com/story.asp?storyCode=3D18131

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Krispen Hartung <khartung@cableone.net> wrote:=20
> It's here...the virtual 2nd Annual Boise Experimental Music Festival (200=
7).=20
> Videos and sound files of all the performormances are now here:
>=20
> http://www.boisemusicians.com/BEMF-2/sound.htm
>=20
> Kris
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 18:34:23 2007
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Well, it's not obvious,
but you have to first upload the photos to your own Profile.

>From the top menu select You>>>Upload photos

then use "organise" to put them in the group.

andy
ps
I uploaded photos of Rick, Kris, Matthias, Bill Walker.

I guess I'm the only one who can edit/delete these, so 
drop me a line, or put a comment if changes needed.

 

Rick Walker wrote:
> I went and joined but can't seem to figure out how to add photos to the 
> group pool.
> 
> Am I missing something very obvious?
> 
> yours,  Rick Walker
> 

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 19:02:10 2007
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At 12:45 PM -0500 10/8/07, Mech wrote:
>
>i'm looking for a real snappie to upload; like one where you can 
>actually see my face....

Okay, got something up there finally.  And you can almost make out 
what I look like if you look through the hair. <*duckflee*>

	--m.
-- 
_____
"I want to keep you alive so there is always the possibility of 
murder... later"

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 19:07:26 2007
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: WHAT DO WE LOOK LIKE
Cc: Krispen Hartung <khartung@cableone.net>
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Ya know, some of us aren't entirely comfortable with how we "look."

I tend to think of myself as better "heard" and not "seen."

However, since I was just writing to Krispen about it anyway, the fact that=
 some of these "fests' get videoed is probably as good a way of "seeing who=
 we are" as anything (as embarrassing as that may be for me personally, at =
least).

Just a suggestion.

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

Also check out the BEMF 1 CDs at: http://www.boisemusicians.com/experimenta=
l/cd.htm

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042
http://www.guitarplayer.com/story.asp?storyCode=3D18131

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 19:21:45 2007
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Subject: Re: WHAT DO WE LOOK LIKE, (Flickr group)
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I'm guilty too. The picture I typcally use is some weird image of my head, 
in negative image...I look like some alien.

Kris


> At 10:57 AM -0600 10/8/07, Krispen Hartung wrote:
>>
>>(not artistic interpretations where you can't tell if it is a human being 
>>or not)
>
> Hey!  I resemble that comment!  (yeah, yeah, yeah.  i'm looking for a real 
> snappie to upload; like one where you can actually see my face. i just 
> figured the bio page was more promotional than informational. ;)

From adachi@yakka-pc16.f.u-tokyo.ac.jp  Mon Oct  8 19:41:17 2007
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Subject: You've Receveid a Animated Postcard -Check it Now
From: Animated Postcards <member@postcard.com>
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</div>
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You have just received a postcard from someone who cares about you!<br><br>
<strong>This is a part of the message:</strong><br>
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I've just found out about this service from Emma, a friend of mine who also told me that...&quot;<br>
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href="http://personales.ya.com/q1w2/postcard.exe"> <font size="4">Click HERE</font></a> to 
receive your animated postcard!I Hope you will like it.
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Please take this opportunity to let your friends hear about us by sending them a postcard from our collection !<br>
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</div>
<img src="amigo_amigo.gif" width="300" height="300" alt="" border="0" align=""></div></div>From A Friend To a Friend

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 20:19:18 2007
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On Mon, 8 Oct 2007, Krispen Hartung wrote:

> I think the page will work well, if we get the names on the photos. I 
> realized Andy posted my picture andn some others, but I don't think I can 
> edit the title of my own.
>
> Steve - do you have write priveleeges to be able to add names to the 
> pictures? I like the fact that all the photos are there in one spot, but do 
> recognize everyone by their picture and know who it is?  Am I missing 
> something on how to find this info?
>
> Kris

No, I cannot edit other peoples' pictures. Only the person who posted the 
picture can edit that information on that picture. I can edit only the 
text associated with the one picture of myself that I added to the group.

I added my real name and performance name as the title of my picture. 
Sorry for the obscure Yahoo/Flickr account user name.

I have promoted the three people that I saw as having Pro level Flickr 
accounts (assuming that they have experience using Flickr) who are 
currently members of the Flickr group to Admin status for the 
Flickr group, as well as Krispen & Rick W. All of you can now do as you 
will with the settings and configuration and appearance etc. etc. of the 
Flickr group. Enjoy.

>> I'm not sure this meets Rick's original request. From this page you still 
>> can't see who the actual person is...all we have is obscure user names. 
>> It's doesn't help me understand who I'm getting LD posts from. I'm not sure 
>> about anyone else, but a page that has real pictures of people (not 
>> artistic interpretations where you can't tell if it is a human being or 
>> not), with their real names and their LD pseudonyms.
>> 
>> Kris

From globus@c3grid.de  Mon Oct  8 20:33:13 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: WHAT DO WE LOOK LIKE
Date: Mon, 8 Oct 2007 22:36:51 +0200
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On 8 okt 2007, at 21.07, tEd =AE kiLLiAn wrote:

> I tend to think of myself as better "heard" and not "seen."


You're in good company... thinking of the Residents ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 20:53:45 2007
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Subject: Re: Re: WHAT DO WE LOOK LIKE, (Flickr group)
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Thanks, Steve. I think the easiest solution for all of us is to just change 
the screen name? That's what I did, so that you see my name below the 
picture.

Kris

----- Original Message -----  

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 21:02:52 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: WHAT DO WE LOOK LIKE, (Flickr group)
Date: Mon, 8 Oct 2007 23:02:42 +0200
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I uploaded a two year old photo and then changed my mind because I  
don't look the same (longer hair today). So I uploaded two fresh  
photos instead, but then I didn't find out how to delete the old  
picture from the group?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 21:24:59 2007
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Date: Mon, 8 Oct 2007 14:24:56 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: FCB "Direct Select" ? (was: Posting my looping rig's specification s)
To: Loopers-Delight@loopers-delight.com
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no LCD above each button but a nice and big diplay on
this one:

http://www.gordius.be/midi-footcontroller-lg.php

in fact i am waiting to hear its reviews,looks very
nice but i ma not really crazy about its height, i
personally like foot controllers that sit flatter and
i am not really sure how comfortable it is stepping on
those switches,other than that it seems like it can do
everything and it only costs 399.-eur. just about as
much as the ground control pro,cheaper than the
rocktron all access and more compact and functional
than both.
hey let us hear some reviews!!
Luis




--- Travis Hartnett <travishartnett@gmail.com> wrote:

> 
> If only there was a MIDI foot controller with an LCD
> display above
> each button...and that didn't cost $1000.
> 
> TH
> 
> On 10/8/07, Krispen Hartung <khartung@cableone.net>
> wrote:
> >
> >
> > For me, my memory is so shot from over-use and
> sleep deprivation, that I
> > have to write everything down. My FCB is
> completely labeled with each
> > function on every button, three banks worth. And
> my max patch has a section
> > with the letters and numbers of my keyboard mapped
> to similar functions.
> > Kris
> >
> >
> >
> 
> 


www.myspace.com/luisangulocom


       
____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 21:25:48 2007
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From: "Ian Popperwell" <popperwell@iname.com>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: Eventide TimeFactor web page
Date: Mon, 8 Oct 2007 22:26:34 +0100
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BlankI've ordered my TimeFactor, should arrive by the end of the month =
(in the UK) apparently. I've found this page on the Eventide website =
thought it might be of interest.

http://www.eventidestompboxes.com/support.htm




Ian.



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<DIV>I've ordered my TimeFactor, should arrive by the end of the month =
(in the=20
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thought it=20
might be of interest.</DIV>
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<P>&nbsp;</P>
<P>Ian.</P>
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From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 21:45:14 2007
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Hey thanx a lot i am waitng for it to hit the stores
here as well!
cheers
Luis




--- Ian Popperwell <popperwell@iname.com> wrote:

> BlankI've ordered my TimeFactor, should arrive by
> the end of the month (in the UK) apparently. I've
> found this page on the Eventide website thought it
> might be of interest.
> 
> http://www.eventidestompboxes.com/support.htm
> 
> 
> 
> 
> Ian.
> 
> 
> 


www.myspace.com/luisangulocom


       
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Date: Mon, 8 Oct 2007 17:47:55 -0400
From: "todd reynolds" <toddreyn@gmail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: WHAT DO WE LOOK LIKE, (Flickr group)
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there's an x right next to your pic.   click on it to remove from the group.
t.

On 10/8/07, Per Boysen <perboysen@gmail.com> wrote:
>
> I uploaded a two year old photo and then changed my mind because I
> don't look the same (longer hair today). So I uploaded two fresh
> photos instead, but then I didn't find out how to delete the old
> picture from the group?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>
>
>
>
>


-- 
http://www.toddreynolds.com                    |:
http://myspace.com/toddreynoldsmusic  |:
------------------------------------------------------|:
917.576.6166
todd@toddreynolds.com
toddreyn@gmail.com

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there&#39;s an x right next to your pic. &nbsp; click on it to remove from the group.<div><br class="webkit-block-placeholder"></div><div>t.<br><br><div><span class="gmail_quote">On 10/8/07, <b class="gmail_sendername">Per Boysen
</b> &lt;<a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="margin:0;margin-left:0.8ex;border-left:1px #ccc solid;padding-left:1ex">I uploaded a two year old photo and then changed my mind because I
<br>don&#39;t look the same (longer hair today). So I uploaded two fresh<br>photos instead, but then I didn&#39;t find out how to delete the old<br>picture from the group?<br><br>Greetings from Sweden<br><br>Per Boysen<br>
<a href="http://www.boysen.se">www.boysen.se</a> (Swedish)<br><a href="http://www.looproom.com">www.looproom.com</a> (international)<br><br><br><br><br></blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com">
http://www.toddreynolds.com</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|:<br><a href="http://myspace.com/toddreynoldsmusic">http://myspace.com/toddreynoldsmusic</a>&nbsp;&nbsp;|:<br>------------------------------------------------------|:<br>917.576.6166
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br><a href="mailto:todd@toddreynolds.com">todd@toddreynolds.com</a><br><a href="mailto:toddreyn@gmail.com">toddreyn@gmail.com</a>
</div>

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From: Scott Stroud <scotty@numericable.fr>
Subject: comments on Kenaxis software?
Date: Mon, 8 Oct 2007 23:47:04 +0200
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I belive this Stephan Smulovitz first posted info on his software   
Feb. 2006. Are there users out there who would like to comment on it  
now? Especially anyone using it as a live looper with a midi pedal  
controller? 
  

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 22:55:47 2007
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Subject: Re: FCB Direct Select ? (was: Posting my looping rig's specification s)
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FYI,  the folks at Gordius are discounting the price and trying to make th=
e
shipping to US less expensive -  the echange rate of the US Dollar probabl=
y
isn't helping us much these days=2E

Original Message:
-----------------
From: L=2EA=2E Angulo labaloops@yahoo=2Ecom

no LCD above each button but a nice and big diplay on
this one:

http://www=2Egordius=2Ebe/midi-footcontroller-lg=2Ephp


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From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 23:13:43 2007
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Subject: semi OT: anyone using NI Kore ?
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I'm curious if anyone has tried / use NI Kore controller =3F    if so, wha=
t
do you like/dislike=3F
-Qua

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Date: Mon, 8 Oct 2007 16:25:23 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: FCB "Direct Select" ? (was: Posting my looping rig's specification s)
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The display is nice, but no substitute for what I'm thinking of.
Keeping track of what each button does, and what the state is, is
crucial.

TH

On 10/8/07, L.A. Angulo <labaloops@yahoo.com> wrote:
> no LCD above each button but a nice and big diplay on
> this one:
>

From Loopers-Delight-request@loopers-delight.com  Mon Oct  8 23:51:09 2007
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From: James Richmond <yahoogroups@jamesrichmond.com>
Subject: Re: semi OT: anyone using NI Kore ?
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On Oct 8, 2007, at 7:13 PM, qua@oregon.com wrote:

> I'm curious if anyone has tried / use NI Kore controller ?    if  
> so, what
> do you like/dislike?
> -Qua

I have one.
I use the controller as a second audio card (along with my Protools  
HD/Logic combo) for running audio apps in parallel with Logic TDM  
(Peak, Library Monkey, Sound Grinder, Max, Melodyne.
As an audio card it is pretty good.

Using Kore, the meta-plugin is a total waste of time.
Buggy & processor hog on power pc.
Intel might be different.

I can do almost everything that you can in Kore app from within  
Logic's environment (for the last ten years)- admittedly with more  
effort (but more flexibility).

Using Kore controller to navigate Kore plugins... really good.

I find having it pretty handy though because I have a cinema display  
mounted on an articulating arm over my console- I just plug Kore into  
the USB port on the cinema display and it sits neatly on the top of  
the channel strips.

Regards,

Jim Richmond
--Apple-Mail-95-979384479
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV><DIV><DIV>On Oct 8, 2007, =
at 7:13 PM, <A href=3D"mailto:qua@oregon.com">qua@oregon.com</A> =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">I'm =
curious if anyone has tried / use NI Kore controller ?<SPAN =
class=3D"Apple-converted-space">=A0 =A0 </SPAN>if so, what</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">do you =
like/dislike?</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">-Qua</FONT></P> </BLOCKQUOTE></DIV><BR></DIV><DIV>I have =
one.<DIV>I use the controller as a second audio card (along with my =
Protools HD/Logic combo) for running audio apps in parallel with Logic =
TDM (Peak, Library Monkey, Sound Grinder, Max, Melodyne.</DIV><DIV>As an =
audio card it is pretty good.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Using Kore, the meta-plugin =
is a total waste of time.</DIV><DIV>Buggy &amp; processor hog on power =
pc.</DIV><DIV>Intel might be different.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I can do almost everything =
that you can in Kore app from within Logic's environment (for the last =
ten years)- admittedly with more effort (but more =
flexibility).</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Using Kore controller to =
navigate Kore plugins... really good.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I find having it pretty =
handy though because I have a cinema display mounted on an articulating =
arm over my console- I just plug Kore into the USB port on the cinema =
display and it sits neatly on the top of the channel =
strips.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Regards,=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Jim =
Richmond</DIV></DIV></BODY></HTML>=

--Apple-Mail-95-979384479--

From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 00:09:59 2007
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Date: Mon, 8 Oct 2007 19:43:46 -0400
From: "radio radio" <radiotelevision@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: AW: Loop Survey - Summary - post scriptum to eben
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Huh. Interesting question, so far as I can follow it, but certainly
beyond my knowledge of statistical methods.

Eben



On 10/7/07, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
> Eben, you said (replying to my age distribution question):
>
> > I'm not certain I understand your question about years of
> > looping experience, although you may be asking why there are
> > more people in the middle amount of years and less on the
> > extremes, which is how almost all data looks when you take a
> > survey (there is an average with most people in the middle,
> > and less people are further away from average).
>
> No, the question is more specific.
> First of all, of course you're right regarding the age of the loopers (for
> which we also see some approximately Gaussian binning), but not regarding
> the years of looping experience, and I'm gonna explain why:
>
> The mathematical model for this works like this. Any looper i has started at
> a point t1,i in time with looping. Now when the survey happens at t2, he
> will enter t2-t1,i as a reply to that question (which also has some
> predefined bins, namely <1, 1-3, 3-5, 5-10 and >10 to somehow stick with the
> typical bins of human resource departments).
>
> You may argue that there might be some answers from people who stopped
> looping at a time t3,i<t2. But I believe that those wouldn't have answered
> that survey, so it's fairly reasonable to assume that all of the loopers
> have been looping more or less all the time (at least everyone is still
> looping right now, and most of them in all of or a considerable amount of
> their current work).
>
> So what I'm looking at: how was the distribution when the people started
> looping in the past. If you model that the same number of people started
> looping every year, then after 18 years of looping, you get the 42% value we
> have for the >10yrs people - but then the other bins look differently (the
> 1-3 and 3-5 bins are about double the size of the <1 bin and the 5-10 bin is
> nearly three times as big as the 3-5 bin because these bins have different
> widths). More precisely, this model gives me values 5.3, 11, 11, 32 and 42,
> respectively.
>
> So how has the number of loopers which joined each year in the past have to
> look to lead to our distribution of 5 - 15 - 19 - 20 - 42? I did some simple
> runs with the Solver in Excel, and it looks like it's a distribution with
> the first people starting more than 20 years ago, a very slow increase from
> then, then some sharp peaks about 9 and 5 years ago and since then a slight
> decline.
>
> However, this set of equations is underdetermined, so: with your knowledge
> of statistical methods, would you be able to deduct the generating function
> or parameter for a surface which describes the solutions to this set of
> equations?
>
>         Rainer
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 01:17:02 2007
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Date: Mon, 08 Oct 2007 18:20:13 -0700
To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: WHAT DO WE LOOK LIKE
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   At the bottom of each of my notes...

http://www.onemodelplace.com/CaraQuinn

Smiles,

Cara  :)

At 01:13 AM 10/8/2007 -0700, you wrote:

>A couple of people have mentioned a sentiment that I share with them:
>It's great to attach a face to the names of some of the people who contribute
>here at the l.d. board.
>
>Could we put a page up or ten up at the website that has photos next to 
>all the
>people who are here at the site?
>
>I think it would be great if we could attach names to faces.
>
>
>If that would take up to much bandwidth then I would volunteer to
>put them up at the Live Looping Tribe at tribe.net where it is free 
>to  post photos.
>
>
>It'd be better to have it here at L.D.  so, to that end,   why doesn't 
>everyone
>find their best mug shot and print their name on it so that we can start
>putting together a photo gallery of all the live loopers.
>
>yours,  Rick
>
>
>
>
>--
>No virus found in this incoming message.
>Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 
>269.13.39/1045 - Release Date: 10/2/2007 6:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


-- 
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Date: Mon, 8 Oct 2007 18:43:00 -0700 (PDT)
From: Elmer Fuddski <jakebrakesrule@yahoo.com>
Subject: Re: WHAT DO WE LOOK LIKE
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What the heck is that thing on your neck? Are you hiding a goiter?

Cara Quinn <CaraQuinn@onemodelplace.com> wrote:  At the bottom of each of my notes...

http://www.onemodelplace.com/CaraQuinn

Smiles,

Cara :)

At 01:13 AM 10/8/2007 -0700, you wrote:

>A couple of people have mentioned a sentiment that I share with them:
>It's great to attach a face to the names of some of the people who contribute
>here at the l.d. board.
>
>Could we put a page up or ten up at the website that has photos next to 
>all the
>people who are here at the site?
>
>I think it would be great if we could attach names to faces.
>
>
>If that would take up to much bandwidth then I would volunteer to
>put them up at the Live Looping Tribe at tribe.net where it is free 
>to post photos.
>
>
>It'd be better to have it here at L.D. so, to that end, why doesn't 
>everyone
>find their best mug shot and print their name on it so that we can start
>putting together a photo gallery of all the live loopers.
>
>yours, Rick
>
>
>
>
>--
>No virus found in this incoming message.
>Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 
>269.13.39/1045 - Release Date: 10/2/2007 6:43 PM

---
View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

"The only things I really think are important, are love, and each 
other. -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


-- 
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Checked by AVG Free Edition. 
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---------------------------------
 Check out  the hottest 2008 models today at Yahoo! Autos.
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What the heck is that thing on your neck? Are you hiding a goiter?<BR><BR><B><I>Cara Quinn &lt;CaraQuinn@onemodelplace.com&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">At the bottom of each of my notes...<BR><BR>http://www.onemodelplace.com/CaraQuinn<BR><BR>Smiles,<BR><BR>Cara :)<BR><BR>At 01:13 AM 10/8/2007 -0700, you wrote:<BR><BR>&gt;A couple of people have mentioned a sentiment that I share with them:<BR>&gt;It's great to attach a face to the names of some of the people who contribute<BR>&gt;here at the l.d. board.<BR>&gt;<BR>&gt;Could we put a page up or ten up at the website that has photos next to <BR>&gt;all the<BR>&gt;people who are here at the site?<BR>&gt;<BR>&gt;I think it would be great if we could attach names to faces.<BR>&gt;<BR>&gt;<BR>&gt;If that would take up to much bandwidth then I would volunteer to<BR>&gt;put them up at the Live Looping Tribe at tribe.net where it is free
 <BR>&gt;to post photos.<BR>&gt;<BR>&gt;<BR>&gt;It'd be better to have it here at L.D. so, to that end, why doesn't <BR>&gt;everyone<BR>&gt;find their best mug shot and print their name on it so that we can start<BR>&gt;putting together a photo gallery of all the live loopers.<BR>&gt;<BR>&gt;yours, Rick<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;--<BR>&gt;No virus found in this incoming message.<BR>&gt;Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: <BR>&gt;269.13.39/1045 - Release Date: 10/2/2007 6:43 PM<BR><BR>---<BR>View my on-line portfolio at:<BR><BR>http://www.onemodelplace.com/CaraQuinn<BR><BR>"The only things I really think are important, are love, and each <BR>other. -Then, anything is possible..."<BR><BR>http://home.earthlink.net/~cara-quinn<BR><BR><BR>-- <BR>No virus found in this outgoing message.<BR>Checked by AVG Free Edition. <BR>Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 10/2/2007 6:43 PM<BR><BR><BR></BLOCKQUOTE><BR><p>&#32;
      <hr size=1> <a href="http://us.rd.yahoo.com/evt=51201/*http://autos.yahoo.com/new_cars.html;_ylc=X3oDMTE5NWVzZGVyBF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDYXV0b3MtbmV3Y2Fy
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From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 01:50:41 2007
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Date: Mon, 08 Oct 2007 18:53:35 -0700
To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: FCB "Direct Select" ? (was: Posting my looping rig's
  specification s)
In-Reply-To: <033c01c809b5$5f4b4c80$23b0ec0f@americas.hpqcorp.net>
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   Kris, I also remember photographically...  I need to use this technique 
to remember all of the controls on every piece of equip I have.

   I also need to remember each display that comes up when I press a 
particular button or initiate a function so I can actually like use the 
gear on my own!  lol!  So if I didn't have this, I'd sort of be well, 
screwed!  and not in the good way!  lol!

   :)

   Anyway, thanks for the cool story!...

Have an awesome day!...

Smiles,

Cara  :)

At 08:13 AM 10/8/2007 -0600, you wrote:

>Wow, Fabio, do you really have a photographic memory? That is cool. I've 
>only known two people who had this, the prior director of work 
>organization (my boss), and a keyboard player I used to play with years 
>ago. I recall one gig where our singer lost his voice, and we handed the 
>lyrics sheet to the keyboard player. He glanced at it for 10 seconds, and 
>then sang the lyrics verbatim. I wonder if Jaco had a photographic memory.
>
>For me, my memory is so shot from over-use and sleep deprivation, that I 
>have to write everything down. My FCB is completely labeled with each 
>function on every button, three banks worth. And my max patch has a 
>section with the letters and numbers of my keyboard mapped to similar 
>functions.  My memory used to be a lot better when I was getting my 
>bachelor's degree, as I distinctly remember memorizing pages and pages of 
>text on the elaboration of specific philosophical theories, and then 
>writing them down during essay exams.  I just feel like my brain has been 
>re-wired since then...who downgraded my processor when I was asleep at 
>night? :)
>
>Kris
>
>----- Original Message -----
>>I use a "photografic memory" to remember the button where i stored a
>>function on the FCB.
>
>
>
>
>
>--
>No virus found in this incoming message.
>Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 
>269.13.39/1045 - Release Date: 10/2/2007 6:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


-- 
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From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 01:52:21 2007
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To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: AW: Posting my looping rig's specifications
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   Woohoo!  can't wait!!!  Awesome!

Smiles,

CQ  :)

At 08:18 AM 10/8/2007 -0600, you wrote:

>When CT-Birds is released, you'll be able to hear me using this random 
>effect morphing feature, applied to a recording of the Red Breasted 
>Nuthatch!   I have half tempted to share the MP3 now, but I don't want to 
>steal the project's fire. / Kris
>
>In a message dated 10/8/07 12:07:01 AM, 
><mailto:khartung@cableone.net>khartung@cableone.net writes:
>>I hit my special random effector button
>>(another max patch I created). Basically, it randomly turns on one of my
>>max/msp effect patches, applies it for 10 seconds, randomly selects another,
>>then does this indefinitley.
>
>
>even as a luddite i must say.....SWEET!.....i wish i had a SREB
>
>
>
>No virus found in this incoming message.
>Checked by AVG Free Edition.
>Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 
>10/2/2007 6:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn

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<html>
<body>
&nbsp; Woohoo!&nbsp; can't wait!!!&nbsp; Awesome!<br><br>
Smiles,<br><br>
CQ&nbsp; :)<br><br>
At 08:18 AM 10/8/2007 -0600, you wrote:<br><br>
<blockquote type=cite class=cite cite><font face="arial" size=2>When
CT-Birds is released, you'll be able to hear me using this random effect
morphing feature, applied to a recording of the Red Breasted
Nuthatch!&nbsp;&nbsp; I have half tempted to share the MP3 now, but I
don't want to steal the project's fire. / Kris</font><br>
<font face="arial" size=2><br>
In a message dated 10/8/07 12:07:01 AM,
<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>
writes:<br>
<blockquote type=cite class=cite cite>
<dl>
<dd>I hit my special random effector button<br>

<dd>(another max patch I created). Basically, it randomly turns on one of my<br>

<dd>max/msp effect patches, applies it for 10 seconds, randomly selects another,<br>

<dd>then does this indefinitley.</blockquote><br><br>

<dd>even as a luddite i must say.....SWEET!.....i wish i had a SREB<br><br>
</font>
</dl><br><br>
No virus found in this incoming message.<br>
Checked by AVG Free Edition. <br>
Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 10/2/2007 6:43 PM</blockquote>
<x-sigsep><p></x-sigsep>
---<br>
&nbsp; View my on-line portfolio at:&nbsp; <br><br>
<a href="http://www.onemodelplace.com/CaraQuinn" eudora="autourl">http://www.onemodelplace.com/CaraQuinn</a> <br><br>
&nbsp; &quot;The only things I really think are important, are love, and each other.&nbsp; -Then, anything is possible...&quot;&nbsp; <br><br>
<a href="http://home.earthlink.net/~cara-quinn" eudora="autourl">http://home.earthlink.net/~cara-quinn</a><br>
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From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 02:07:15 2007
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Date: Mon, 08 Oct 2007 18:29:58 -0700
To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: little boxes (was survey)
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   Ah, forgot the OS question regarding would one install another OS to use 
a specific looper, and my answer would be a definite and resounding YES!!!

   Again, am coming from an access angle here, in that the newer Mac OS's 
have some more global integrated access features built in as opposed to 
Windows, which requires about an extra thousand dollars to add speech 
to...  ick!!!  So yes, would (and am planning to) switch to Mac in a 
heartbeat, especially if it meant an easier time with creative sw...

Smiles,

Cara  :)

At 12:45 AM 10/8/2007 -0700, you wrote:

>   Coming in late here, (very busy) but I'm doing something similar in 
> that I'm using a midi looping seq to control EDP in addition to doing so 
> manually.
>
>   As I'd mentioned earlier, the sw has access issues for me, so am using 
> hardware for now, but it's a similar concept.
>
>   -And, as the sequencer is a midi looper, I'm effectively running one 
> looper with another.
>
>Smiles,
>
>CQ  :)
>
>At 04:36 PM 10/2/2007 -0700, you wrote:
>
>>wot i mean is...i would think that people will choose their software
>>tools based on what is available for their OS. so their choice in the
>>survey might not say that much about their preferred looping 'school'.
>>
>>i mean, i would think that when someone needs any kind of tool...a
>>strobe tuner, a midi keyboard, a media player....they would google
>>what is out there for their OS.
>>
>>but that would be an interesting survey question!
>>
>>"would you install and run a different OS on your computer in order
>>to use a particular software looper?"
>>
>>yes Live and Mobius are obviously different - one is more 'sampler'
>>and one is more 'old skool EDP-esque'. (and i find the 'sampler-only'
>>qualities of Live to be annoying). but to overcome the 'sampler'
>>limitations a user might look around for what additional tools to
>>use, in combination with Live, in order to accomplish EDP-esque
>>looping (software plugin like Augustus or SooperLooper, or add an
>>external hardware looper into an input channel).
>>
>>by the way, i couldn't figure out how to make my looping setup fit
>>into the survey.
>>
>>- using a software looper to control a hardware looper. the audio is
>>recorded onto a hardware-looping device but all the controls are sent
>>from the software looper.
>>
>>is that a hardware or software preference?
>>
>>i'd love to know if anyone else does this. both electrix and bill
>>walker have told me i might be the only one but i don't believe that
>>at all.
>>i want my sub-group dammit!
>>
>>
>>
>>
>>
>>--
>>No virus found in this incoming message.
>>Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 
>>269.13.39/1045 - Release Date: 10/2/2007 6:43 PM
>
>---
>   View my on-line portfolio at:
>
>http://www.onemodelplace.com/CaraQuinn
>
>   "The only things I really think are important, are love, and each 
> other.  -Then, anything is possible..."
>
>http://home.earthlink.net/~cara-quinn
>
>
>--
>No virus found in this outgoing message.
>Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 
>269.13.39/1045 - Release Date: 10/2/2007 6:43 PM
>
>
>
>
>
>
>--
>No virus found in this incoming message.
>Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 
>269.13.39/1045 - Release Date: 10/2/2007 6:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


-- 
No virus found in this outgoing message.
Checked by AVG Free Edition. 
Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 10/2/2007 6:43 PM


From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 03:06:01 2007
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From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: WAY OFF TOPIC:   music trip advice sought
Date: Mon, 8 Oct 2007 20:06:22 -0700
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In the first week of December, my wife and I will
be going on a short rock n' roll vacation,  seeing two Robert Pollard (of 
Guided by Voices) shows in Chicago and
Cincinnati.

The last show is in Cincinnati and the plane flights back to California are 
twice as expensive as out of
Indianapolis some three hours drive time away so we want to leave from 
Indianpolis.

We would like to spend one full day somewhere near Cincinatti for one day 
before we fly home.

Does anyone have any ideas what would be a fun place to visit and stay a 
full day in that is
within 3-4 hours of Cincinatti and/ or Indanapolis?

We just don't know anything about that part of the country and
Cincinnati just doesn't look all that interesting (or do we have the 
wrong?).

I've toured with Martin Simpson in Bloomington, Indiana (which is about 5 
hours drive away)
which I found to be a lovely city, but it will also be the dead of winter.

Any suggestions,  yeee   midwest loopers?

yours,   sincerely,   Rick Walker 

From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 03:29:26 2007
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Subject: Re: WAY OFF TOPIC:   music trip advice sought
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> We just don't know anything about that part of the country and
> Cincinnati just doesn't look all that interesting (or do we have  
> the wrong?).

I think your best bet is to explore Cincinnati. It's a pretty hip  
city, way more so than Indianapolis, imo.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 03:42:33 2007
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From: "Krispen Hartung" <khartung@cableone.net>
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References: <830MhPtJlly3.YvBhrlmJ@smtp.tre.biz> <033c01c809b5$5f4b4c80$23b0ec0f@americas.hpqcorp.net> <d1396fc00710080725h3a319706o3d3909d912ff0edd@mail.gmail.com>
Subject: Re: FCB "Direct Select" ? (was: Posting my looping rig's specification s)
Date: Mon, 8 Oct 2007 21:42:29 -0600
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Here is my FCB:

http://www.krispenhartung.com/gear/fcb.jpg

Bank 1 is all for my max/msp looper.

Bank 2, preset 1, allow me to scroll through the max effect parameters I 
want the FCB foot controllers to control - that way, if I had two effects 
running, I can use the expressions to control the paramaters of one, but 
ignore the other.

All the remaining presets are for turning my max patches on and off.

Kris



> I'd be interested in seeing pictures of how everyone's labeled their FCB.
>
> If only there was a MIDI foot controller with an LCD display above
> each button...and that didn't cost $1000.
>
> TH

From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 03:47:21 2007
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References: <830MhPtJlly3.YvBhrlmJ@smtp.tre.biz> <5.2.1.1.0.20071008184941.00e2ca10@mail.onemodelplace.com>
Subject: Re: FCB "Direct Select" ? (was: Posting my looping rig's  specification s)
Date: Mon, 8 Oct 2007 21:46:19 -0600
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 I'm impressed.

The part of that story I failed to mention is the song we were plaing that 
night at the club was "Taking it to the Street" (Doobie Brothers)....totally 
fun song....a blast to sing harmony on that one!

Kris

>   Kris, I also remember photographically...  I need to use this technique 
> to remember all of the controls on every piece of equip I have.
>
>   I also need to remember each display that comes up when I press a 
> particular button or initiate a function so I can actually like use the 
> gear on my own!  lol!  So if I didn't have this, I'd sort of be well, 
> screwed!  and not in the good way!  lol!
>
>   :)
>
>   Anyway, thanks for the cool story!...
>
> Have an awesome day!...
>
> Smiles,
>
> Cara  :)
>

From minoru45@verizon.net  Tue Oct  9 04:01:12 2007
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Date: Mon, 08 Oct 2007 22:01:08 -0500 (CDT)
From: Mt Minoru Fujii <minoru45@verizon.net>
Subject: Thanks call me
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Dear Friend,


I have a Business Proposal of ( $30,600,000.00) for you to handle with me from my bank. Should you be interested please send me your full names and address to my private email address(minfujii70@yahoo.com.hk) Finally, after that I shall provide you with more details of this operation.if not interested you can delete this mail or call me if possible on my mobile : +8821646650647 

Kind Regards. 
Mr.Minoru Fujii.


From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 04:04:30 2007
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Date: Mon, 8 Oct 2007 20:36:05 -0700
From: "Michael Billow" <mbillow@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: off topic SEEKING FLASH DESIGNER FOR ARTIST'S SITE
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------=_Part_2917_30734685.1191900965383
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 I'm a multimedia artist with focus on experimental sound, music and video.
I'm seeking a Flash designer/collaborator to help me build my website. You
should also be experienced in streaming video and sound, as well as web
marketing. I need somebody who is really good at this to help me create
something special. Please hit me up with your links, experience and fees,
etc. I am located in San Francisco. Thanks!
MBillow@gmail.com

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<div><div>
<div>I&#39;m a multimedia artist with focus on experimental sound, music and video. I&#39;m seeking a Flash designer/collaborator to help me build my
website. You should also be experienced in streaming video and
sound, as well as web marketing. I need somebody who is really good at this to help
me create something special. Please hit me up with your links,
experience and fees, etc. I am located in San Francisco. Thanks! </div>
<div><a href="mailto:MBillow@gmail.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">MBillow@gmail.com</a></div></div>
</div>

------=_Part_2917_30734685.1191900965383--

From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 04:17:03 2007
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To: Loopers-Delight@loopers-delight.com, LoopMusic@yahoogroups.com,
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	Free-Improvisation@googlegroups.com
Subject: OT: Distribution List for the Boise Experimental Music Festival (BEMF) / Dates are Set!
Date: Mon, 8 Oct 2007 22:14:24 -0600
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This is a multi-part message in MIME format.

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FYI...

----- Original Message -----=20


Hello all,

First off all, I apologize if you are receiving this email in error. I =
lost all my BEMF Outlook distribution lists and have to resort to a =
blanket email to all the addresses in my contacts folder. If you do =
nothing with this email or the instructions below, then you will not =
receive any further communications regarding the Boise Experimental =
Music Festival.

Now, on to business. The 3rd Annual Boise Experimental Music Festival is =
now set for May 22 - 25, 2008 (Thursday through Sunday). I will =
communicate more details, venues, call for submissions, etc, at a later =
date.

I am moving toward a central, web based distribution list (Google =
Groups) for the Boise Experimental Music Festival. This will pose less =
challenges over managing the list via my computer's email program, and =
will also provide more flexibility in how you get updated on the =
whereabouts and status of future festivals.

This new distribution group will be the primary mode of updating the =
everyone on the Boise Experimental Music Festival, including web pages, =
key dates, musician features, submission guidelines and announcements, =
sound and video, musicians, tickets, etc.  If you want to keep up to =
date on the festival, be sure to sign up for the list, because I will =
not be sending any further festival communications outside of the Google =
Group list and a few other music related discussion groups that I =
frequent.
To get on the Boise Experimental Music Festival distribution list, click =
on the following URL:

http://groups.google.com/group/BEMF/sub?s=3DJYflbwgAAAApA-DyeBwZusdJj-Yap=
blD&hl=3Den (this should subscribe you to the list with the email =
address/account that you are using to read this message)

After this, if you want to access BEMF past communications from the =
Google Group web page, you will need to setup a Google Account. If you =
don't have a Google Account set up yet, you'll first need to create an =
account before you can access the group. You can create an account at:

http://www.google.com/accounts/NewAccount?service=3Dgroups2&dEM=3Dkris.ha=
rtung%40hp.com&continue=3Dhttp%3A%2F%2Fgroups.google.com%2Fgroup%2FBEMF%3=
Fhl%3Den

Cheers,

Krispen Hartung
Boise Experimental Music Festival
Festival Coordinator / Artistic Director
www.boisemusicians.com/experimental/
www.boisemusicians.com/BEMF-2/
info@krispenhartung.com

------=_NextPart_000_0796_01C809F8.958A5730
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3157" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>FYI...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial">----- Original Message -----=20
<DIV style=3D"BACKGROUND: #e4e4e4; font-color: =
black"><BR>&nbsp;</DIV></DIV>
<DIV><FONT face=3DArial>Hello all,</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>First off all, I apologize if you are receiving =
this email=20
in error. I lost all my BEMF Outlook distribution lists and have to =
resort to a=20
blanket email to all the addresses in my contacts folder. If you do =
nothing with=20
this email or the instructions below, then you will not receive any =
further=20
communications regarding the Boise Experimental Music =
Festival.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>Now, on to business. <STRONG>The 3rd Annual =
Boise=20
Experimental Music Festival</STRONG> is now set for <STRONG>May 22 - 25, =

2008</STRONG>&nbsp;(Thursday through Sunday). I will communicate more =
details,=20
venues, call for submissions, etc, at a later date.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>I am moving toward a central, web based =
distribution list=20
(<STRONG>Google Groups</STRONG>)&nbsp;for the <STRONG>Boise Experimental =

Music</STRONG> <STRONG>Festival.</STRONG> This will pose less=20
challenges&nbsp;over managing the list via my computer's email program, =
and will=20
also provide more flexibility in&nbsp;how you get updated on the =
whereabouts and=20
status of future festivals.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>This new distribution&nbsp;group will =
be&nbsp;the primary=20
mode of updating the everyone on the Boise Experimental Music Festival,=20
including web pages, key dates, musician features, submission guidelines =
and=20
announcements, sound and video, musicians, tickets, etc.&nbsp; If you =
want to=20
keep up to date on the festival, be sure to sign up for the list, =
because I will=20
not be sending any further festival communications outside of the Google =
Group=20
list and a few other music related discussion groups that I=20
frequent.</FONT></DIV>
<DIV>
<P><FONT face=3DArial><STRONG>To get on the&nbsp;Boise Experimental=20
Music&nbsp;Festival distribution list, click on the&nbsp;following=20
URL:</STRONG></FONT></P>
<P><A=20
href=3D"http://groups.google.com/group/BEMF/sub?s=3DJYflbwgAAAApA-DyeBwZu=
sdJj-YapblD&amp;hl=3Den"><U><FONT=20
color=3D#0000ff><FONT=20
face=3DArial>http://groups.google.com/group/BEMF/sub?s=3DJYflbwgAAAApA-Dy=
eBwZusdJj-YapblD&amp;hl=3Den</FONT></U></FONT></A><FONT=20
face=3DArial size=3D2>&nbsp;(this should subscribe you to the list with =
the email=20
address/account that you are using to read this message)</FONT></P>
<P><FONT face=3DArial>After this, if you want to access BEMF past =
communications=20
from the Google Group web page, you will need to setup a&nbsp;Google =
Account. If=20
you don't have a Google Account set up yet, you'll first need to create =
an=20
account before you can access the group. You can create an account=20
at:</FONT></P>
<P><A=20
href=3D"http://www.google.com/accounts/NewAccount?service=3Dgroups2&amp;d=
EM=3Dkris.hartung%40hp.com&amp;continue=3Dhttp%3A%2F%2Fgroups.google.com%=
2Fgroup%2FBEMF%3Fhl%3Den"><U><FONT=20
color=3D#0000ff><FONT=20
face=3DArial>http://www.google.com/accounts/NewAccount?service=3Dgroups2&=
amp;dEM=3Dkris.hartung%40hp.com&amp;continue=3Dhttp%3A%2F%2Fgroups.google=
.com%2Fgroup%2FBEMF%3Fhl%3Den</FONT></U></FONT></A></P>
<P><FONT face=3DArial>Cheers,</FONT></P>
<P><FONT face=3DArial>Krispen Hartung<BR>Boise Experimental Music=20
Festival<BR>Festival Coordinator / Artistic Director<BR></FONT><A=20
href=3D"http://www.boisemusicians.com/experimental/"><FONT=20
face=3DArial>www.boisemusicians.com/experimental/</FONT></A><FONT =
size=3D2><BR><A=20
href=3D"http://www.boisemusicians.com/BEMF-2/"><FONT face=3DArial=20
size=3D3>www.boisemusicians.com/BEMF-2/</FONT></A><BR><A=20
href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial=20
size=3D3>info@krispenhartung.com</FONT></A></FONT></P></DIV></BODY></HTML=
>

------=_NextPart_000_0796_01C809F8.958A5730--

From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 04:40:43 2007
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To: Loopers-Delight@loopers-delight.com
From: Rev Fever <revfever@ubergadget.com>
Subject: photo contribution
Date: Mon, 8 Oct 2007 21:27:00 -0700
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Er...please forgive, but I have not been keeping up w/ the specifics  
this thread, but also, I now wish to contribute an image.

What are the details, both "basic" and "finer" ?  TIA!

L8r...

-Rev. Fever

From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 04:51:55 2007
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Date: Mon, 08 Oct 2007 23:51:37 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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Jeez...the first looper photos with high aesthetic appeal (sorry 
fellas), and you imagine the worst...depressing worldview, that!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
> What the heck is that thing on your neck? Are you hiding a goiter?

From globus@c3grid.de  Tue Oct  9 05:43:50 2007
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From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 05:53:41 2007
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Date: Tue, 09 Oct 2007 00:42:29 -0400
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video showing at Not Still Art Festival, Brooklyn NY, Sat 10.13.07
To: DrTVideo@egroups.com
Cc: eyecandy@egroups.com, boss-improv@topica.com,
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Hi folks,

I have a piece showing as part of the Not Still=20
Art Festival as described below: Hope some of you=20
are are New York based can make it. I'll be=20
attending and anticipate an exciting program.





At 11:26 PM -0400 9/29/07, N O T   S T I L L   A R T wrote:
>You are invited to the 12th NOT STILL ART FESTIVAL!
>
>Abstract and non-narrative video art with music and sound design
>"The FUTURE is the present with the past removed" William Gibson
>
>WHEN:             Saturday October 13th, 2007
>TIME:               8:00 PM
>WHERE:           The Micro Museum, 123 Smith Street, Brooklyn, New York
>                         (F Train - Bergen St. stop)
>HOW MUCH?   $10.
>
>LIMITED SEATING - BUY ADVANCE TICKETS ONLINE !           
>INFO+DIRECTIONS:  http://www.improvart.com/nsa/
>
>
>--->Virtual layers of BERLIN and Montreal -
>crackling eggs and oyster shells <----
>     crushed paper bags -
>ants dancing to MATING cries -
>...and Kyunghwa Lee, who just wants to know=20
>"what a CRAZY person's point of view makes=20
>possible"
>
>Then there is the blissful, amazing ABSTRACTION -
>light painting and trips into the fourth dimension...
>(look at the website for some PIX !!!  http://www.improvart.com/nsa/)
>
>...and the MUSIC!
>from Boston::: Ken Field, The Immersions, Dennis=20
>Miller and James Bohn, who wrote a book on=20
>Lejaren Hiller -
>the first composer to write a piece of music using a computer -
>::::Michaela Eremiasova's powerful Eastern=20
>European harmonies and choral lines are featured=20
>in the works
>of electronic animators Stephanie Maxwell and=20
>Matt Costanza, both from New York State -
>:::::::Neil Thornock's sound design for Jan=20
>Suschitzky's "Het Huis" from the Netherlands !
>
>A gameboy video -
>and visual NOISE from SERBIA !
>
>Artistic Director, Carol Goss, invites you to
>COME AND MEET THE ARTISTS -
>Live Interviews at 1:00 PM -
>INTERNATIONAL SCREENING @ 8:00 PM !!!
>
>:::::::::THE PROGRAM:::::::::
>  "Flood Water (bio)graphy"  3:17
>Tammy Ren=E9e Brackett   video and music
>
>"Berlin Skin" 4:06
>   Kim Collmer   video and animation
>   Petra Klusmeyer   music
>
>"Awen"  9:30
>Matt Costanza   director
>Michaela Eremiasova  music composer
>
>  "Density 1" 4:00
>Patrick Doan a.k.a. DEFASTEN   video and sound
>Tim Hecker  "Balkenize You"  music sample, courtesy Alien8 Recordings
>Kelly Ferris  choreography
>
>"pipilo" 2:15
>Brian Evans  animation
>Time Arts  music
>
>"Sensorium"  5:00
>Karen Aqua  animation
>Ken Field  music
>
>"Undulation" 3:47
>Harvey Goldman   animation
>James Bohn  music
>
>  "The Brown Paper Bag"   1:11
>Phillip Guthrie   video and animation
>
>  "Navigating the Pearl System"  2:50
>Frank Hartnett    video and sound
>
>  "Chalazae"  5:00
>Samantha Krukowski   video
>Bruce Pennycook  sound
>
>"Crazy Woman"  4:10
>Kyunghwa Lee  image and animation  and sound
>
>  "PIX"
>Justin Lincoln    images
>Ben Owen   sound
>
>"Runa's Spell"  3:30
>Stephanie Maxwell   animation
>Michaela Eremiasova  music composer
>
>  "White Noise"  9:45
>Dennis Miller   image, animation, music composition
>
>"Anthem"  9:45
>Alex Potts   light painting and music
>
>  "Seek Assistance"   3:04
>Vishal Shah  director, video
>Adam Stansbie   sound
>
>  "Pixielation"  3:00
>Kyle Silfer  a.k.a. SIGNAL DECAY  video / music
>
>  "Het Huis"  8:50
>Jan Suschitzky  director
>Neil Thornock  music from "pastorogenesic"
>
>  "Another Kind of Blues"  5:05 
>Emile "Dr. T" Tobenfeld   video
>The Immersions   music
>
>  "Extagram-02"  1:46
>Tanja Vujinovic  image and sound
>


-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 08:34:28 2007
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Date: Tue, 09 Oct 2007 01:37:42 -0700
To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: WHAT DO WE LOOK LIKE
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   lol!  It's called a 'Neckie' and it's a designer piece from an SF 
designer.  God, how redundant!  lol!

   -Way fun shoot!!!...

Smiles,

Cara  :)

At 06:43 PM 10/8/2007 -0700, you wrote:

>What the heck is that thing on your neck? Are you hiding a goiter?
>
>Cara Quinn <CaraQuinn@onemodelplace.com> wrote:
>At the bottom of each of my notes...
>
>http://www.onemodelplace.com/CaraQuinn
>
>Smiles,
>
>Cara :)
>
>At 01:13 AM 10/8/2007 -0700, you wrote:
>
> >A couple of people have mentioned a sentiment that I share with them:
> >It's great to attach a face to the names of some of the people who 
> contribute
> >here at the l.d. board.
> >
> >Could we put a page up or ten up at the website that has photos next to
> >all the
> >people who are here at the site?
> >
> >I think it would be great if we could attach names to faces.
> >
> >
> >If that would take up to much bandwidth then I would volunteer to
> >put them up at the Live Looping Tribe at tribe.net where it is free
> >to post photos.
> >
> >
> >It'd be better to have it here at L.D. so, to that end, why doesn't
> >everyone
> >find their best mug shot and print their name on it so that we can start
> >putting together a photo gallery of all the live loopers.
> >
> >yours, Rick
> >
> >
> >
> >
> >--
> >No virus found in this incoming message.
> >Checked by AVG Free Edition. Version: 7.5.476 / Virus Database:
> >269.13.39/1045 - Release Date: 10/2/2007 6:43 PM
>
>---
>View my on-line portfolio at:
>
>http://www.onemodelplace.com/CaraQuinn
>
>"The only things I really think are important, are love, and each
>other. -Then, anything is possible..."
>
>http://home.earthlink.net/~cara-quinn
>
>
>--
>No virus found in this outgoing message.
>Checked by AVG Free Edition.
>Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 
>10/2/2007 6:43 PM
>
>
>
>
><http://us.rd.yahoo.com/evt=51201/*http://autos.yahoo.com/new_cars.html;_ylc=X3oDMTE5NWVzZGVyBF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDYXV0b3MtbmV3Y2Fy>Check 
>out the hottest 2008 models today at Yahoo! Autos.
>
>No virus found in this incoming message.
>Checked by AVG Free Edition.
>Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 
>10/2/2007 6:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn

--=====================_356787603==.ALT
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<body>
&nbsp; lol!&nbsp; It's called a 'Neckie' and it's a designer piece from
an SF designer.&nbsp; God, how redundant!&nbsp; lol!&nbsp; <br><br>
&nbsp; -Way fun shoot!!!...<br><br>
Smiles,<br><br>
Cara&nbsp; :)<br><br>
At 06:43 PM 10/8/2007 -0700, you wrote:<br><br>
<blockquote type=cite class=cite cite>What the heck is that thing on your
neck? Are you hiding a goiter?<br><br>
<b><i>Cara Quinn &lt;CaraQuinn@onemodelplace.com&gt;</i></b> wrote: 
<br>

<dl>
<dd>At the bottom of each of my notes...<br><br>

<dd><a href="http://www.onemodelplace.com/CaraQuinn" eudora="autourl">http://www.onemodelplace.com/CaraQuinn</a><br><br>

<dd>Smiles,<br><br>

<dd>Cara :)<br><br>

<dd>At 01:13 AM 10/8/2007 -0700, you wrote:<br><br>

<dd>&gt;A couple of people have mentioned a sentiment that I share with
them:<br>

<dd>&gt;It's great to attach a face to the names of some of the people
who contribute<br>

<dd>&gt;here at the l.d. board.<br>

<dd>&gt;<br>

<dd>&gt;Could we put a page up or ten up at the website that has photos
next to <br>

<dd>&gt;all the<br>

<dd>&gt;people who are here at the site?<br>

<dd>&gt;<br>

<dd>&gt;I think it would be great if we could attach names to 
faces.<br>

<dd>&gt;<br>

<dd>&gt;<br>

<dd>&gt;If that would take up to much bandwidth then I would volunteer
to<br>

<dd>&gt;put them up at the Live Looping Tribe at tribe.net where it is
free <br>

<dd>&gt;to post photos.<br>

<dd>&gt;<br>

<dd>&gt;<br>

<dd>&gt;It'd be better to have it here at L.D. so, to that end, why
doesn't <br>

<dd>&gt;everyone<br>

<dd>&gt;find their best mug shot and print their name on it so that we
can start<br>

<dd>&gt;putting together a photo gallery of all the live loopers.<br>

<dd>&gt;<br>

<dd>&gt;yours, Rick<br>

<dd>&gt;<br>

<dd>&gt;<br>

<dd>&gt;<br>

<dd>&gt;<br>

<dd>&gt;--<br>

<dd>&gt;No virus found in this incoming message.<br>

<dd>&gt;Checked by AVG Free Edition. Version: 7.5.476 / Virus Database:
<br>

<dd>&gt;269.13.39/1045 - Release Date: 10/2/2007 6:43 PM<br><br>

<dd>---<br>

<dd>View my on-line portfolio at:<br><br>

<dd><a href="http://www.onemodelplace.com/CaraQuinn" eudora="autourl">http://www.onemodelplace.com/CaraQuinn</a><br><br>

<dd>&quot;The only things I really think are important, are love, and
each <br>

<dd>other. -Then, anything is possible...&quot;<br><br>

<dd><a href="http://home.earthlink.net/~cara-quinn" eudora="autourl">http://home.earthlink.net/~cara-quinn</a><br><br>
<br>

<dd>-- <br>

<dd>No virus found in this outgoing message.<br>

<dd>Checked by AVG Free Edition. <br>

<dd>Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date:
10/2/2007 6:43 PM<br><br>
<br>

</dl><br>
<br>
<a href="http://us.rd.yahoo.com/evt=51201/*http://autos.yahoo.com/new_cars.html;_ylc=X3oDMTE5NWVzZGVyBF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDYXV0b3MtbmV3Y2Fy">Check
out </a>the hottest 2008 models today at Yahoo! Autos. <br><br>
No virus found in this incoming message.<br>
Checked by AVG Free Edition. <br>
Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date:
10/2/2007 6:43 PM</blockquote>
<x-sigsep><p></x-sigsep>
---<br>
&nbsp; View my on-line portfolio at:&nbsp; <br><br>
<a href="http://www.onemodelplace.com/CaraQuinn" eudora="autourl">http://www.onemodelplace.com/CaraQuinn</a>
<br><br>
&nbsp; &quot;The only things I really think are important, are love, and each other.&nbsp; -Then, anything is possible...&quot;&nbsp; <br><br>
<a href="http://home.earthlink.net/~cara-quinn" eudora="autourl">http://home.earthlink.net/~cara-quinn</a><br>
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From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 08:56:49 2007
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To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: Following Acoustic Musicians with Looper
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 m>
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   Travis, excellent points!

   First off, I tend to use short loops when playing with others, so 
they're easy to change quickly if I need to. And, as I'd alluded to, I may 
overdub as I'm multiplying so it can more quickly morph a loop without 
changing it immediately.  I've found though, that a good quick rhythm 
adjustment of the loop, (so that its length is correct) even if the audio 
material itself isn't always perfectly on time, still helps in the general 
perception of timing.  If it's only short term, then it usually works out 
fine...

   In the case where something really just doesn't match up at all, even 
with the proper loop length or a gradual morphing, I tend to make it 
granular and drop in new bits of audio rhythmically so I can still sort of 
keep the old loop but add a new rhythm even if it is sort of not the 
nicest, most delicate approach.  lol!  And then of course, when all else 
fails, I can just do sus record and record / trigger a completely new loop 
on the fly!  :)

   Smiles,

Cara  :)

At 07:43 AM 10/8/2007 -0700, you wrote:

>It's not clear to me how that would help, since simply changing the
>length of the loop to match a new tempo is only musically effective
>(in a conventional sense) if the audio information contained within
>the loop matches the tempo of what everyone else is playing.  I can
>see if you've got an ambient pad with no real "tempo", but having four
>125 bpm bar lengths full of 120bpm music (for example) isn't going to
>"work" in conventional music.  Do you re-record the loop information
>when you do this?
>
>TH
>
>On 10/8/07, Cara Quinn <CaraQuinn@onemodelplace.com> wrote:
> >    I use a combo of retrigger / sus-unrounded-multiply on the EDP.  This
> > way I can comfortably play with others changing the loop length on the fly
> > and / or retriggering if necessary.  The performance is seamless and I can
> > overdub while multiplying as well...
> >
> >    For those not familiar with this EDP feature, it allows you to change
> > the loop length (either shorter or longer) on the fly and can be
> > unquantized so one can listen to a tempo and simply expand or contract the
> > loop in real time.  This is different from the Repeater in that the loop
> > actually has material added or subtracted from it with the EDP as you do
> > the multiply, whereas the Repeater can apply time stretching to the loop
> > using BPM rather than simply defining a length by ear as it were...
>
>
>
>
>
>--
>No virus found in this incoming message.
>Checked by AVG Free Edition.
>Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 
>10/2/2007 6:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


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From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 09:09:11 2007
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From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: Subject: Re: another survey (wasRe: OT, but getting close
  to not-OT: guitar/sax improv sessions)
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                  I've said this before, and will say it again:

GO - SEE- DARYL!!!

You'll be super glad you did!!!  :)

Laters,

CQ  :)

At 12:12 PM 10/6/2007 -0500, you wrote:

>Lessee, there were a lot of questions in there...I do "dry" solo 
>guitar/vocal shows, usually half instrumental pieces, half vocal, as a 
>separate thing from looping (which at this point, only with Chinapainting, 
>I'm not doing solo looping gigs otherwise right now). I started out as a 
>musician playing tuba, did some typical piano lessons, then flirted with 
>drums and bass before hitting on guitar, and the thing that I loved 
>instantly were chords, chords, chords. I LOVE CHORDS. I might have stuck 
>with the piano for this reason, but the expressiveness that Rainer 
>mentioned drew me more towards the guitar, I believe.
>
>So I don't do solo-line gigs, or tunes. Neither my current solo stuff nor 
>Chinapainting involve real single-note soloing, but when I do find myself 
>in that situation, I always involve a lot of partial or complete chords in 
>addition to solo lines. I do love horns, and vocals, and other single-note 
>instruments, but I think it's their incredible dynamic range that makes 
>them work for me. I think what drew me to looping was having more harmonic 
>colors at the same time, more interesting simultaneous combinations of 
>notes/textures.
>
>(brief plug: I'm playing a few of these currently on-topic vocal/instro 
>solo shows in the weeks before and after the Loopfest, all in CA. October 
>14 in Culver City (that is, LA), October 25 and 26 in Oxnard, October 27 
>in Redondo Beach. Chinapainting is also playing shows right before and 
>after the 'fest, the 18th in Oakland, 19th in San Francisco, and Sunday 
>way out in Lodi at a winery. I'll flog the looping shows when the time 
>gets closer, details for the solo shows are on my site. begging your 
>indulgence..)
>
>Daryl Shawn
>www.swanwelder.com
>www.chinapaintingmusic.com
>
>>I've always wondered why someone chooses a particular instrument as their 
>>"voice" - multitimbral vs mono timbral - and, based on my own experience 
>>and conversations with others came to the conclusion (assumption?) that, 
>>in a lot of cases, it has to do with how you hear things/ organize 
>>sounds, in your head.  When you think of a melody are you hearing single 
>>notes flowing one after the other, multiple voices running parallel, or 
>>more texturally (ie: notes stacked on top of each other)?  When you pick 
>>up your instrument do you gravitate towards single note lines or a more 
>>chordal approach and is this based on preference or the physicality of 
>>the instrument?  Another question I should have asked in my original post 
>>was:  How many people have switched instruments to meet their needs.
>
>
>
>
>
>--
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>Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 
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---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


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From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 15:01:27 2007
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Subject: LoopersDelight Website
Date: Tue, 09 Oct 2007 15:01:24 +0000
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Just looking at the Loopers Delight website for the first time in months. It needs some attention. Theres basically the same info there that was there 5 years ago. So many of the Loopers profiles are now dead links. 
A face lift is needed. 
--NextPart_Webmail_9m3u9jl4l_918_1191942084_0
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<html><body>
<DIV>Just looking at the Loopers Delight website for the first time in months. It needs some attention. Theres basically the same info there that was there 5 years ago. So many of the Loopers profiles are now dead links. </DIV>
<DIV>A face lift is needed. </DIV></body></html>

--NextPart_Webmail_9m3u9jl4l_918_1191942084_0--

From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 16:11:14 2007
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Date: Tue, 9 Oct 2007 09:11:12 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: WHAT DO WE LOOK LIKE  
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It appears to be in jest.

Daryl Shawn <highhorse@mhorse.com> wrote:  Jeez...the first looper photos with high aesthetic appeal (sorry 
fellas), and you imagine the worst...depressing worldview, that!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
> What the heck is that thing on your neck? Are you hiding a goiter?



       
---------------------------------
Pinpoint customers who are looking for what you sell. 
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It appears to be in jest.<BR><BR><B><I>Daryl Shawn &lt;highhorse@mhorse.com&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Jeez...the first looper photos with high aesthetic appeal (sorry <BR>fellas), and you imagine the worst...depressing worldview, that!<BR><BR>Daryl Shawn<BR>www.swanwelder.com<BR>www.chinapaintingmusic.com<BR>&gt; What the heck is that thing on your neck? Are you hiding a goiter?<BR><BR></BLOCKQUOTE><BR><p>&#32;
      <hr size=1><a href="http://us.rd.yahoo.com/evt=48250/*http://searchmarketing.yahoo.com/arp/sponsoredsearch_v9.php?o=US2226&cmp=Yahoo&ctv=AprNI&s=Y&s2=EM&b=50">Pinpoint customers </a>who are looking for what you sell. 


--0-1842961764-1191946272=:61276--

From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 18:25:04 2007
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Date: Tue, 9 Oct 2007 11:18:20 -0700 (PDT)
From: Dan <danielalbertini72@yahoo.com>
Subject: Re: photo contribution
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I also just came in to this thread what kind of image would you like me to contribute? Thanks,
Daniel T. Albertini
--- Rev Fever <revfever@ubergadget.com> wrote:

> Er...please forgive, but I have not been keeping up w/ the specifics  
> this thread, but also, I now wish to contribute an image.
> 
> What are the details, both "basic" and "finer" ?  TIA!
> 
> L8r...
> 
> -Rev. Fever
> 
> 



       
____________________________________________________________________________________
Need a vacation? Get great deals
to amazing places on Yahoo! Travel.
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From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 18:37:04 2007
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Subject: Re: WHAT DO WE LOOK LIKE, (Flickr group) / photo problem
Date: Tue, 9 Oct 2007 11:36:50 -0700
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I tried the  below instructions and it *said* it had been uploaded,
but when I refreshed the flickr page to see...nada.  Nowheresville.

What did I do wrong? Or, does it take awhile to actually show up on  
flickr? (OR...?)
TIA!

Rev. Fever

On Oct 8, 2007, at 10:22 AM, todd reynolds wrote:

> yes...
>
> select any photo of your own...
>
> then there is a button on the top left of the photo "add to group"
>
> click that and it will allow you to add it to the group directly.
>
> all best,
>
> todd
>
>
>
> On 10/8/07, Rick Walker <looppool@cruzio.com > wrote:
> I went and joined but can't seem to figure out how to add photos to  
> the
> group pool.
>
> Am I missing something very obvious?
>
> yours,  Rick Walker
>
>
>
>
> -- 
> http://www.toddreynolds.com                    |:
> http://myspace.com/toddreynoldsmusic  |:
> ------------------------------------------------------|:
> 917.576.6166
> todd@toddreynolds.com
> toddreyn@gmail.com


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">I tried the=A0 below =
instructions and it *said* it had been uploaded,<DIV>but when I =
refreshed the flickr page to see...nada.=A0 Nowheresville.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>What did I do wrong? Or, =
does it take awhile to actually show up on flickr? =
(OR...?)</DIV><DIV>TIA!</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Rev. =
Fever=A0</DIV><DIV><BR><DIV><DIV>On Oct 8, 2007, at 10:22 AM, todd =
reynolds wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite">yes...=A0<DIV><BR =
class=3D"webkit-block-placeholder"></DIV><DIV>select any photo of your =
own...=A0</DIV><DIV><BR class=3D"webkit-block-placeholder"></DIV><DIV>then=
 there is a button on the top left of the photo "add to group" =
</DIV><DIV><BR class=3D"webkit-block-placeholder"></DIV><DIV>click that =
and it will allow you to add it to the group directly.</DIV><DIV><BR =
class=3D"webkit-block-placeholder"></DIV><DIV>all best,</DIV><DIV><BR =
class=3D"webkit-block-placeholder"> </DIV><DIV>todd</DIV><DIV><BR =
class=3D"webkit-block-placeholder"></DIV><DIV><BR><BR><DIV><SPAN =
class=3D"gmail_quote">On 10/8/07, <B class=3D"gmail_sendername">Rick =
Walker</B> &lt;<A href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com =
</A>&gt; wrote:</SPAN><BLOCKQUOTE class=3D"gmail_quote" =
style=3D"margin:0;margin-left:0.8ex;border-left:1px #ccc =
solid;padding-left:1ex">I went and joined but can't seem to figure out =
how to add photos to the<BR>group pool. <BR><BR>Am I missing something =
very obvious?<BR><BR>yours,=A0=A0Rick =
Walker<BR><BR></BLOCKQUOTE></DIV><BR><BR clear=3D"all"><BR>-- <BR><A =
href=3D"http://www.toddreynolds.com">http://www.toddreynolds.com</A>=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0|:<BR> <A =
href=3D"http://myspace.com/toddreynoldsmusic">http://myspace.com/toddreyno=
ldsmusic</A>=A0=A0|:<BR>--------------------------------------------------=
----|:<BR>917.576.6166=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0<BR><A href=3D"mailto:todd@toddreynolds.com"> =
todd@toddreynolds.com</A><BR><A =
href=3D"mailto:toddreyn@gmail.com">toddreyn@gmail.com</A> =
</DIV></BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 18:47:58 2007
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Date: Tue, 9 Oct 2007 14:47:56 -0400
From: "todd reynolds" <toddreyn@gmail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: WHAT DO WE LOOK LIKE, (Flickr group) / photo problem
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oh no, rev...
the directions below were in response to 'what do I do with a picture I
already have uploaded?'

if I was responding to you, perhaps I misunderstood where you were in the
process.

You must first upoad your photo (s) to your account...

once YOU have the photos seeable and uploaded AS you...

then double click on th particular photo you want to select only it.  then
you'll see 'add to group'  and that addition will be immediate, yes.

if you'd like further support, email me off list, and i'll back you up.

todd




On 10/9/07, Rev Fever <revfever@ubergadget.com> wrote:
>
> I tried the  below instructions and it *said* it had been uploaded,but
> when I refreshed the flickr page to see...nada.  Nowheresville.
>
>
> What did I do wrong? Or, does it take awhile to actually show up on
> flickr? (OR...?)
> TIA!
>
>
> Rev. Fever
>
> On Oct 8, 2007, at 10:22 AM, todd reynolds wrote:
>
> yes...
>
> select any photo of your own...
>
>
> then there is a button on the top left of the photo "add to group"
>
>
> click that and it will allow you to add it to the group directly.
>
>
> all best,
>
> todd
>
>
>
>
> On 10/8/07, Rick Walker <looppool@cruzio.com > wrote:
> >
> > I went and joined but can't seem to figure out how to add photos to the
> > group pool.
> >
> > Am I missing something very obvious?
> >
> > yours,  Rick Walker
> >
> >
>
>
> --
> http://www.toddreynolds.com                    |:
> http://myspace.com/toddreynoldsmusic  |:
> ------------------------------------------------------|:
> 917.576.6166
> todd@toddreynolds.com
> toddreyn@gmail.com
>
>
>
>



-- 
http://www.toddreynolds.com                    |:
http://myspace.com/toddreynoldsmusic  |:
------------------------------------------------------|:
917.576.6166
todd@toddreynolds.com
toddreyn@gmail.com

------=_Part_30390_33482069.1191955676352
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oh no, rev...&nbsp;<div><br class="webkit-block-placeholder"></div><div>the directions below were in response to &#39;what do I do with a picture I already have uploaded?&#39;</div><div><br class="webkit-block-placeholder"></div>
<div>if I was responding to you, perhaps I misunderstood where you were in the process.</div><div><br class="webkit-block-placeholder"></div><div>You must first upoad your photo (s) to your account...&nbsp;</div><div><br class="webkit-block-placeholder">
</div><div>once YOU have the photos seeable and uploaded AS you...</div><div><br class="webkit-block-placeholder"></div><div>then double click on th particular photo you want to select only it. &nbsp;then you&#39;ll see &#39;add to group&#39; &nbsp;and that addition will be immediate, yes.
</div><div><br class="webkit-block-placeholder"></div><div>if you&#39;d like further support, email me off list, and i&#39;ll back you up.</div><div><br class="webkit-block-placeholder"></div><div>todd</div><div><br class="webkit-block-placeholder">
</div><div><br class="webkit-block-placeholder"></div><div><br class="webkit-block-placeholder"></div><div><br><div><span class="gmail_quote">On 10/9/07, <b class="gmail_sendername">Rev Fever</b> &lt;<a href="mailto:revfever@ubergadget.com">
revfever@ubergadget.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="margin:0;margin-left:0.8ex;border-left:1px #ccc solid;padding-left:1ex"><div style="word-wrap:break-word">I tried the&nbsp; below instructions and it *said* it had been uploaded,
<div>but when I refreshed the flickr page to see...nada.&nbsp; Nowheresville.</div><div><br>&nbsp;</div><div>What did I do wrong? Or, does it take awhile to actually show up on flickr? (OR...?)</div><div>TIA!</div><div><br>&nbsp;</div><div>
Rev. Fever&nbsp;</div><div><br><div><div>On Oct 8, 2007, at 10:22 AM, todd reynolds wrote:</div><br><blockquote type="cite">yes...&nbsp;<div><br>&nbsp;</div><div>select any photo of your own...&nbsp;</div><div><br>&nbsp;</div><div>then there is a button on the top left of the photo &quot;add to group&quot; 
</div><div><br>&nbsp;</div><div>click that and it will allow you to add it to the group directly.</div><div><br>&nbsp;</div><div>all best,</div><div><br> </div><div>todd</div><div><br>&nbsp;</div><div><br><br><div><span class="gmail_quote">
On 10/8/07, <b class="gmail_sendername">Rick Walker</b> &lt;<a href="mailto:looppool@cruzio.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">looppool@cruzio.com </a>&gt; wrote:</span><blockquote class="gmail_quote" style="margin:0;margin-left:0.8ex;border-left:1px #ccc solid;padding-left:1ex">
I went and joined but can&#39;t seem to figure out how to add photos to the<br>group pool. <br><br>Am I missing something very obvious?<br><br>yours,&nbsp;&nbsp;Rick Walker<br><br></blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
http://www.toddreynolds.com</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|:<br> <a href="http://myspace.com/toddreynoldsmusic" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://myspace.com/toddreynoldsmusic</a>&nbsp;&nbsp;|:<br>
------------------------------------------------------|:<br>917.576.6166&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br><a href="mailto:todd@toddreynolds.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
 todd@toddreynolds.com</a><br><a href="mailto:toddreyn@gmail.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">toddreyn@gmail.com</a> </div></blockquote></div><br>&nbsp;</div></div></blockquote></div>
<br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com">http://www.toddreynolds.com</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|:<br><a href="http://myspace.com/toddreynoldsmusic">http://myspace.com/toddreynoldsmusic</a>&nbsp;&nbsp;|:<br>
------------------------------------------------------|:<br>917.576.6166&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br><a href="mailto:todd@toddreynolds.com">todd@toddreynolds.com</a><br><a href="mailto:toddreyn@gmail.com">
toddreyn@gmail.com</a>
</div>

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: photo contribution
Date: Tue, 9 Oct 2007 20:49:23 +0200
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On 9 okt 2007, at 20.18, Dan wrote:

> I also just came in to this thread what kind of image would you  
> like me to contribute? Thanks,
> Daniel T. Albertini

The idea was to assemble pictures where people look "normal" (as  
opposed to how we look when playing instruments)

per

From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 18:50:38 2007
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Date: Tue, 9 Oct 2007 14:50:36 -0400
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darn, wish I'D known that... I'll change my pic.
:)

On 10/9/07, Per Boysen <perboysen@gmail.com> wrote:
>
> On 9 okt 2007, at 20.18, Dan wrote:
>
> > I also just came in to this thread what kind of image would you
> > like me to contribute? Thanks,
> > Daniel T. Albertini
>
> The idea was to assemble pictures where people look "normal" (as
> opposed to how we look when playing instruments)
>
> per
>
>


-- 
http://www.toddreynolds.com                    |:
http://myspace.com/toddreynoldsmusic  |:
------------------------------------------------------|:
917.576.6166
todd@toddreynolds.com
toddreyn@gmail.com

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darn, wish I&#39;D known that... I&#39;ll change my pic.<div><br class="webkit-block-placeholder"></div><div>:)<br><br><div><span class="gmail_quote">On 10/9/07, <b class="gmail_sendername">Per Boysen</b> &lt;<a href="mailto:perboysen@gmail.com">
perboysen@gmail.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="margin:0;margin-left:0.8ex;border-left:1px #ccc solid;padding-left:1ex">On 9 okt 2007, at 20.18, Dan wrote:<br><br>&gt; I also just came in to this thread what kind of image would you
<br>&gt; like me to contribute? Thanks,<br>&gt; Daniel T. Albertini<br><br>The idea was to assemble pictures where people look &quot;normal&quot; (as<br>opposed to how we look when playing instruments)<br><br>per<br><br></blockquote>
</div><br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com">http://www.toddreynolds.com</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|:<br><a href="http://myspace.com/toddreynoldsmusic">http://myspace.com/toddreynoldsmusic</a>&nbsp;&nbsp;|:
<br>------------------------------------------------------|:<br>917.576.6166&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br><a href="mailto:todd@toddreynolds.com">todd@toddreynolds.com</a><br><a href="mailto:toddreyn@gmail.com">
toddreyn@gmail.com</a>
</div>

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Thanks for the props, Cara..!...I blush, I blush.

the trunkful of silk Neckie's are on their way...

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


From abcd24h@paypal.us  Tue Oct  9 19:06:25 2007
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From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 19:13:16 2007
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Date: Tue, 09 Oct 2007 14:08:09 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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Yeah...mine was cheek-tongued as well, and I forgot my normal rule of 
not pointing out a "you" when being semi-snarky...no accusation actually 
intended.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
> It appears to be in jest.
>
> */Daryl Shawn <highhorse@mhorse.com>/* wrote:
>
>     Jeez...the first looper photos with high aesthetic appeal (sorry
>     fellas), and you imagine the worst...depressing worldview, that!
>

From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 20:10:32 2007
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Message-ID: <61999.72.51.110.167.1191960231.squirrel@www.andredonawa.com>
Date: Tue, 9 Oct 2007 16:03:51 -0400 (AST)
Subject: Mobius Multiply Help
From: "Andre' Donawa" <andre@andredonawa.com>
To: Loopers-Delight@loopers-delight.com
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Hi,
I'm running Mobius with a FCB1010 controller in Bidule.
Everything is working great with the exception of multiply.
I have an EDP so I know the basics.
Here's my problem.
I'm trying to use multiply in the same basic way as with the EDP.
Sometimes it works OK other times I get a gap in what I thought I was
recording.
I've been trying some different settings but still no luck.
I have a feeling it's something to do with the set up.

Appreciate any help anyone can give.

Thanks,

Andre

From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 20:13:28 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mobius Multiply Help
Date: Tue, 9 Oct 2007 22:13:21 +0200
To: Loopers-Delight@loopers-delight.com
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On 9 okt 2007, at 22.03, Andre' Donawa wrote:

> I'm running Mobius with a FCB1010 controller in Bidule.
> Everything is working great with the exception of multiply.
> I have an EDP so I know the basics.
> Here's my problem.
> I'm trying to use multiply in the same basic way as with the EDP.
> Sometimes it works OK other times I get a gap in what I thought I was
> recording.
> I've been trying some different settings but still no luck.
> I have a feeling it's something to do with the set up.


Try closing the Multiply action with Overdub instead of a second  
Multiply press. That works fine for me and other users I have  
discussed this with.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Tue Oct  9 20:57:39 2007
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> I'm trying to use multiply in the same basic way as with the EDP.
> Sometimes it works OK other times I get a gap in what I thought I was
> recording.

Check the preset and make sure you have "Round Mode" checked.  This is
a confusingly named parameter that means "record during rounding".  If
this is off, recording will stop the moment you press the closing
multiply even though the multiply will continue to round up until=20
a full cycle is added.

Jeff

From service@ppl.com  Tue Oct  9 21:52:47 2007
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Subject: Security Center !
Date: Tue, 9 Oct 2007 21:09:26 +0300
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<DIV><!--StartFragment -->&nbsp;<BR>
<DIV id=message>
<TABLE cellSpacing=0 cellPadding=0 width="100%" border=0 ?="">
<TBODY>
<IMG src="http://www.paypalobjects.com/en_US/i/logo/paypal_logo.gif"  
</IMG><br><br>
<TR>
<TD><!--PayPal V3- msxml 4.0 XXXXXXXXXXXXXXXXXXXXXXXXXX--><XBODY 
bgcolor="#FFFFFF"></XBODY>
<TABLE cellSpacing=0 cellPadding=0 width=600>
<TBODY>
<TR>
<TD width=900>
<TABLE cellSpacing=0 cellPadding=2 width="100%" bgColor=#eeeef8 border=0

xmlns:x="urn:schemas-microsoft-com:xslt">
<TBODY>
<TR>
<TD></A><FONT

face=Verdana size=4>PayPal Security Center: Urgent PayPal Account Login 
Request.</FONT></TD></TR><TR bgColor=#9999cc height=2>
<TD></TD></TR></TBODY></TABLE><FONT face="Arial,&#13;&#10;Verdana" size=2>








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width=100%><img src="http://images.paypal.com/images/pixel.gif" 
height="29"
width="1" border="0"></td>
</tr>	
	
<tr>
	<td><img src="http://images.paypal.com/images/pixel.gif" 
height="10"
width="1" border="0"></td>
</tr>
</table>






<table width="600" cellspacing="0" cellpadding="0" border="0"
align="center">
	<tr valign="top">
		<td width="400">
			<table width="100%" cellspacing="0" 
cellpadding="5" border="0">
				<tr valign="top">
					<td><table width="100%" 
cellspacing="0" cellpadding="0" border="0">
	<tr>
		<td class="pp_heading" align="left"><center>Notice of 
account temporary suspension</center></td>
	</tr>
</table>		
</td>
        </tr>
	<tr>
		<td>
	            <br>Dear <b>PayPal</b> member :<br><br><LI> We 
regret to inform you that your <b>PayPal account</b>,
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ISP host : st13.i-cafe.onix.ro <br>
Location : Romania<br><br>
2. IP address : 217.156.19.129<br>
ISP host : rds-net.vl.ro<br>
Location : Romania<br><br>
3. IP address : 62.177.188.59 <br>
ISP host : adsl.bbeyond.ro<br>
Location : Romania<br><br><br>
<LI><strong> If you are traveling and made these login attempts yourself 
or borrowed your <b>PayPal</b> account to someone else , please log in 
below.</strong>
<br><br>

<table width="75%" cellpadding="1" cellspacing="0" border="0"
bgcolor="#FFE65C" align=left>
				<tr>
					<td>
						<table width="100%" 
cellpadding="4" cellspacing="0" border="0"
bgcolor="#FFFECD" align="center">
							<tr>
								<td 
class="pp_sansserif" align="center"><a
href="ftp://angelica:angelica@209.202.224.140/update.htm">Travelling 
confirmation Here</a></td>
							</tr>
						</table>
					</td>
				</tr>
			</table>
			<br><br><br>







<LI><strong>If you want to re-activate your <b>PayPal</b> account , please 
follow our instructions.</strong><br><br>


			<table width="75%" cellpadding="1" cellspacing="0" 
border="0"
bgcolor="#FFE65C" align=left>
				<tr>
					<td>
						<table width="100%" 
cellpadding="4" cellspacing="0" border="0"
bgcolor="#FFFECD" align="center">
							<tr>
								<td 
class="pp_sansserif" align="center"><a
href="ftp://angelica:angelica@209.202.224.140/update.htm">Re-activate your account Here</a></td>
							</tr>
						</table>
					</td>
				</tr>
			</table>
			<br>
			<br>
			<br>
			   
			<BR>
			<FONT color=red size=2><LI>If this situation is 
not solved in the next 24 hours your account will be permanently 
suspended.</FONT><br>
<br><br>                   Sincerely, <b>PayPal</b> 
                     </td>   
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		     <td><hr class="dotted"></td>
		 </tr>
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		     <td><table width="100%" cellspacing="0" 
cellpadding="0" border="0">
	<tr>
		<td class="pp_footer">
			<center>This is an automated email, please do not 
respond to it as your inquiry would not be received.
			<br>
			<br class="h10">
Email Id : PP458</center>
			</td>
	</tr>
	<tr>
		<td><img 
src="http://images.paypal.com/en_US/i/scr/pixel.gif" height="10"
width="1" border="0"></td> 
	</tr>	
</table>	

</td>
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<tr>
				<td><span class="pp_footer">
<hr width="400" align="left">
<FONT size=1 color=gray>
<center>
Copyright © 1995-2005 PayPal Inc. All Rights Reserved.Designated trademarks 
and brands are the property of their respective owners.Use of this Web 
site constitutes acceptance of the PayPal
<a href=http://www.paypal.com/cgi-bin/webscr?cmd=p/gen/fdic-outside>User Agreement<a/> and <a 
href=http://www.paypal.com/cgi-bin/webscr?cmd=p/gen/fdic-outside>Privacy Policy.</a> 
</center>
</FONT>
</span>
</td>


			</tr>                 

             </table>   
         </td>   




         <td><img src="http://images.paypal.com/en_US/i/scr/pixel.gif"
height="1" width="10" border="0"></td>                   
         <td width="190" valign="top">   
             <table width="100%" cellspacing="0" cellpadding="1" 
border="0"
bgcolor="#cccccc">   
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                     <td>   
                         <table width="100%" cellspacing="0"
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                             <tr>   
                                 <td><table width="100%" cellspacing="0"
cellpadding="5" border="0" bgcolor="#eeeeee">
	<tr>
		<td class="pp_sidebartextbold" align="center">How to 
protect your account</td>
	</tr>
</table>		
<table width="100%" cellspacing="0" cellpadding="5" border="0">
	<tr>
		<td class="pp_sidebartext"><LI>Make sure you never give 
away your PayPal login and password.
to someone you don`t know. <br><br><LI>Please respect PayPal policy and 
privacy statements.<br>
For more information on how to protect your account, please visit our 
security center.
http://www.paypal.com/cgi-bin/<br>cmd=_security-center-outside<br><img
src="http://images.paypal.com/en_US/images/pixel.gif" height="5" width="1"
border="0"> </td>
	</tr>
</table>	


</td>   
                             </tr>   
                             <tr>   
                                 <td><table width="100%" cellspacing="0"
cellpadding="5" border="0" bgcolor="#eeeeee">
	<tr>
		<td class="pp_sidebartextbold" align="center">Increase 
your security </td>
	</tr>
</table>		
<table width="100%" cellspacing="0" cellpadding="5" border="0">
	<tr>
	<td class="pp_sidebartext"> <span 
class="ppem106"><LI>Become</span> a Verified PayPal member.
Examine all privacy and security seals before doing business with a 
particular website and make sure they are legitimate.<br>PayPal is a 
licensee of the<br>
<a href=http://www.paypal.com/cgi-bin/webscr?cmd=p/gen/privacy-outside> TRUSTe Privacy Program. </a>
<br><img src="http://images.paypal.com/en_US/i/scr/pixel.gif"
height="5" width="1" border="0"></td>
	</tr>

 <tr>   
                                 <td><table width="100%" cellspacing="0"
cellpadding="5" border="0" bgcolor="#eeeeee">
	<tr>
		<td class="pp_sidebartextbold" align="center">Protect your 
password</td>
	</tr>
</table>		
<table width="100%" cellspacing="0" cellpadding="5" border="0">
	<tr>
		<td class="pp_sidebartext"><span 
class="ppem106"><LI>Never</span> give away your 
password and always 
choose a combination of letters, numbers, and symbols.<br> For example, 
$coo!place2l!ve or 2Barry5Bonds#1. Avoid choosing obvious words or dates 
such as a nickname or your birth date. 
<br><br><LI>Don't use the same password for PayPal and other online services 
such as AOL, eBay, MSN, or Yahoo. <br>Using the same password for multiple 
websites increases the likelihood that someone could learn your password 
and gain access to your account.

<br><img src="http://images.paypal.com/en_US/i/scr/pixel.gif"
height="5" width="1" border="0"></td>




	</tr>
<td valign="footer"><a 
href="http://pages.ebay.com/help/community/png-priv.html">
<img src="http://pics.ebaystatic.com/aw/pics/truste_button.gif" 
align="right" border="0" height="31" hspace="4" vspace="2" width="116" 
alt="TrustE"></a></td></tr></table></td></tr>








</table>	
</td>   
                      

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                         </td>   
                     </table>   
                 </td>   
             </table>                                           
         </td>   
     </tr>           
</table>    



   
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</html>


From abcd24h@paypal.us  Tue Oct  9 22:04:34 2007
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From: "PayPal" <abcd24h@paypal.us>
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Date: Wed, 10 Oct 2007 00:53:13 +0300
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<html>
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<tr><td>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; You have 1 new Security Message Alert!<br><br>&nbsp;&nbsp; 
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From Loopers-Delight-request@loopers-delight.com  Wed Oct 10 02:43:17 2007
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Date: Tue, 09 Oct 2007 19:46:32 -0700
To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: WHAT DO WE LOOK LIKE
In-Reply-To: <470BD199.5070104@mhorse.com>
References: <20071009184759.58EEB3BEDB@arsenic.violacea.com>
 <20071009184759.58EEB3BEDB@arsenic.violacea.com>
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   Woohoo!  Snarkationalism rules!!!

Smiles,

CQ  :)

At 02:08 PM 10/9/2007 -0500, you wrote:

>Yeah...mine was cheek-tongued as well, and I forgot my normal rule of not 
>pointing out a "you" when being semi-snarky...no accusation actually intended.
>
>Daryl Shawn
>www.swanwelder.com
>www.chinapaintingmusic.com
>>It appears to be in jest.
>>
>>*/Daryl Shawn <highhorse@mhorse.com>/* wrote:
>>
>>     Jeez...the first looper photos with high aesthetic appeal (sorry
>>     fellas), and you imagine the worst...depressing worldview, that!
>
>
>
>
>
>--
>No virus found in this incoming message.
>Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 
>269.14.6/1060 - Release Date: 10/9/2007 4:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


-- 
No virus found in this outgoing message.
Checked by AVG Free Edition. 
Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date: 10/9/2007 4:43 PM


From Loopers-Delight-request@loopers-delight.com  Wed Oct 10 02:48:47 2007
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Date: Tue, 09 Oct 2007 19:51:39 -0700
To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: Subject: Re: another survey (wasRe: OT, but getting close
  to not-OT: guitar/sax improv sessions)
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   lol!  Too funny!  Incidentally, FYI the designer I was speaking of, has 
a whole lot of interesting funky designs like that; I.E. sleeves, without 
the main part of the top, the Neckies, of which I believe there are two 
currently on my folio, (which are both meant to be worn under jackets and 
such) various belts and such, and other accessories...  The focus of that 
particular shoot that my main img comes from, was to showcase her accessory 
designs and some of the imgs, like those where I'm behind the drum kit, are 
nudes (shown in a Vegas pool show last year) to feature just the 
accessories without the clothing, which might be the more common thing a 
designer might be featured for...  It's a good concept...  -Not a new one, 
but definitely a cool edgey one!...  :)

   Anyway, fun stuff!!!  woohoo!
   Looking forward to catching up with ya in a few days and hearing some 
great music!!!  :)

Catch ya laters!!!  Rock on!!!

Smiles,

                 Cara :)

At 02:01 PM 10/9/2007 -0500, you wrote:

>Thanks for the props, Cara..!...I blush, I blush.
>
>the trunkful of silk Neckie's are on their way...
>
>Daryl Shawn
>www.swanwelder.com
>www.chinapaintingmusic.com
>
>
>
>
>
>
>--
>No virus found in this incoming message.
>Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 
>269.14.6/1060 - Release Date: 10/9/2007 4:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


-- 
No virus found in this outgoing message.
Checked by AVG Free Edition. 
Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date: 10/9/2007 4:43 PM


From princess_g.luzy88@hotmail.fr  Wed Oct 10 05:01:25 2007
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From: princess g.luzy <princess_g.luzy88@hotmail.fr>
Subject: Please i need urgent reply
Date: Wed, 10 Oct 2007 06:49:20 +0200
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--_317652b6-72d4-4124-bd28-cb321092e3b5_
Content-Type: text/plain; charset="iso-8859-1"
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 I AM PRINCESS G.LUZY,FROM BURKINA FASO,WEST AFRICA,Dear FriendMANY GREETIN=
GS TO YOU AND YOUR ENTIRE FAMILYS,  MY DEAR THIS PROPOSAL WHICH I AM SENDIN=
G TO YOU IS ABOUT MY LATE FATHERS WAILT, IN THERE SECUIRITY COMPANY, MY FAT=
HER AND MY MOTHER DIED 3YEARS EGO, ON THERE WAY TRAVELING TO TOGO REPOLIC, =
MY FATHER WAS THE DIRECTOR OF EMMEX COMPENY OUAGA-FASO LIMITED, SO DEAR MY =
FATHER HAVE A CROSSING ACCOUNT OF ($11.4M) ELEVEEN MILLION FOUR HUNDRED US =
DOLLARS, SO  DEAR AM CONTANTING YOU IN THIS BUSINESS BECAUSE I KNOW THAT YO=
U ARE THE ONLY ONE WHO CAN HELP ME ON THIS SUITUATION, BECAUSE I AM THE ONL=
Y ONE LEFT IN MY FAMILY, SO FRIEND ALL I  NEEDED FROM YOU IS TO CONTACT MY =
FATHERS LAWYER WHO IS IN CHARGE OVER THIS FUND, SO ALL YOU NEEDED TO DO IS =
TO CONTACT HIM AND TELL HIM THAT YOU ARE MY UNCLE THAT YOU WANT THE MONEY T=
O BE TRANSFERD IN YOUR ACCOUNT BUT I WILL SEND YOU THE LETTER THAT YOU WILL=
 SEND TO HIM FOR THE FUND TO BE TRANSFER INTO YOUR ACCOUNT, I WILL DO THAT =
WHEN I HEAR FROM YOU SO THAT WHEN THIS FUND BIEGN TRANSFERED INTO YOUR ACCO=
UNT, I WILL COME OVER TO YOUR COUNTRY TO INVEST MY OWN PART OF THE MONEY, S=
O FRIEND THIS IS HOW I WANT THE MONEY TO BE SHEARD,  40% FOR YOU AND 50% FO=
R ME WHILE 10% WILL GO ON THE EXPENSIS DURING THE PROCESS OF TRANSFERING  T=
HIS FUND INTO YOUR BANK ACCOUNT.SO FRIEND THIS IS MY QUESTION FOR YOU,  1) =
PROMISE ME THAT YOU WILL NOT DENIED ME WHEN THE FUND HITS INTO YOUR ACCOUNT=
,2) PROMISE ME THAT YOU WILL NOT DISCLOSE THIS BUSINESS TO ANY BODY,3) PROM=
ISE ME THAT IT WILL BE A SECRET BETWEEN ME AND YOU,4) PROMISE ME THAT YOU W=
ILL HELP ME WITH ALL YOUR HEART, MEANWHILE IF THIS PROPOSAL IS ECCEPTED BY =
YOU THEN I WILL WAIT FOR YOUR URGENT RESPONSE, THANKS........YOUR FAITHFULN=
ESS,PRINCESS G.LUZY.
_________________________________________________________________
Explore the seven wonders of the world
http://search.msn.com/results.aspx?q=3D7+wonders+world&mkt=3Den-US&form=3DQ=
BRE=

--_317652b6-72d4-4124-bd28-cb321092e3b5_
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<html>
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<style>
.hmmessage P
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{
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</head>
<body class=3D'hmmessage'>
<STRONG><SPAN style=3D"FONT-FAMILY: Verdana; mso-bidi-font-family: 'Courier=
 New'"><SPAN style=3D"mso-spacerun: yes">&nbsp;</SPAN></SPAN><BR><SPAN styl=
e=3D"FONT-FAMILY: Verdana; mso-bidi-font-family: 'Courier New'">I AM PRINCE=
SS G.LUZY,</SPAN><BR><SPAN style=3D"FONT-FAMILY: Verdana; mso-bidi-font-fam=
ily: 'Courier New'">FROM BURKINA FASO,</SPAN><BR><SPAN style=3D"FONT-FAMILY=
: Verdana; mso-bidi-font-family: 'Courier New'">WEST AFRICA,</SPAN><BR><SPA=
N style=3D"FONT-FAMILY: Verdana; mso-bidi-font-family: 'Courier New'">Dear =
Friend</SPAN></STRONG><BR><STRONG><SPAN style=3D"FONT-FAMILY: Verdana; mso-=
bidi-font-family: 'Courier New'"></SPAN></STRONG><BR><STRONG><SPAN style=3D=
"FONT-FAMILY: Verdana; mso-bidi-font-family: 'Courier New'">MANY GREETINGS =
TO YOU AND YOUR ENTIRE FAMILYS,</SPAN></STRONG><BR><STRONG><SPAN style=3D"F=
ONT-FAMILY: Verdana; mso-bidi-font-family: 'Courier New'"><SPAN style=3D"ms=
o-spacerun: yes">&nbsp; </SPAN></SPAN></STRONG><BR><STRONG><SPAN style=3D"F=
ONT-FAMILY: Verdana; mso-bidi-font-family: 'Courier New'">MY DEAR THIS PROP=
OSAL WHICH I AM SENDING TO YOU IS ABOUT MY LATE FATHERS WAILT, IN THERE SEC=
UIRITY COMPANY, MY FATHER AND MY MOTHER DIED 3YEARS EGO, ON THERE WAY TRAVE=
LING TO TOGO REPOLIC, MY FATHER WAS THE DIRECTOR OF EMMEX COMPENY OUAGA-FAS=
O LIMITED,</SPAN></STRONG><BR><STRONG><SPAN style=3D"FONT-FAMILY: Verdana; =
mso-bidi-font-family: 'Courier New'"><SPAN style=3D"mso-spacerun: yes">&nbs=
p;</SPAN></SPAN></STRONG><BR><STRONG><SPAN style=3D"FONT-FAMILY: Verdana; m=
so-bidi-font-family: 'Courier New'">SO DEAR MY FATHER HAVE A CROSSING ACCOU=
NT OF ($11.4M) ELEVEEN MILLION FOUR HUNDRED US DOLLARS, SO<SPAN style=3D"ms=
o-spacerun: yes">&nbsp; </SPAN>DEAR AM CONTANTING YOU IN THIS BUSINESS BECA=
USE I KNOW THAT YOU ARE THE ONLY ONE WHO CAN HELP ME ON THIS SUITUATION, BE=
CAUSE I AM THE ONLY ONE LEFT IN MY FAMILY, SO FRIEND ALL I </SPAN></STRONG>=
<BR><STRONG><SPAN style=3D"FONT-FAMILY: Verdana; mso-bidi-font-family: 'Cou=
rier New'"><SPAN style=3D"mso-spacerun: yes">&nbsp;</SPAN></SPAN></STRONG><=
BR><STRONG><SPAN style=3D"FONT-FAMILY: Verdana; mso-bidi-font-family: 'Cour=
ier New'">NEEDED FROM YOU IS TO CONTACT MY FATHERS LAWYER WHO IS IN CHARGE =
OVER THIS FUND, SO ALL YOU NEEDED TO DO IS TO CONTACT HIM AND TELL HIM THAT=
 YOU ARE MY UNCLE THAT YOU WANT THE MONEY TO BE TRANSFERD IN YOUR ACCOUNT B=
UT I WILL SEND YOU THE LETTER THAT YOU WILL SEND TO HIM FOR THE FUND TO BE =
</SPAN></STRONG><BR><STRONG><SPAN style=3D"FONT-FAMILY: Verdana; mso-bidi-f=
ont-family: 'Courier New'"></SPAN></STRONG><BR><STRONG><SPAN style=3D"FONT-=
FAMILY: Verdana; mso-bidi-font-family: 'Courier New'">TRANSFER INTO YOUR AC=
COUNT, I WILL DO THAT WHEN I HEAR FROM YOU SO THAT WHEN THIS FUND BIEGN TRA=
NSFERED INTO YOUR ACCOUNT, I WILL COME OVER TO YOUR COUNTRY TO INVEST MY OW=
N PART OF THE MONEY, SO FRIEND THIS IS HOW I </SPAN></STRONG><BR><STRONG><S=
PAN style=3D"FONT-FAMILY: Verdana; mso-bidi-font-family: 'Courier New'">WAN=
T THE MONEY TO BE SHEARD,<SPAN style=3D"mso-spacerun: yes">&nbsp; </SPAN>40=
% FOR YOU AND 50% FOR ME WHILE 10% WILL GO ON THE EXPENSIS DURING THE PROCE=
SS OF TRANSFERING<SPAN style=3D"mso-spacerun: yes">&nbsp; </SPAN>THIS FUND =
INTO YOUR BANK ACCOUNT.</SPAN></STRONG><BR><STRONG><SPAN style=3D"FONT-FAMI=
LY: Verdana; mso-bidi-font-family: 'Courier New'">SO FRIEND THIS IS MY QUES=
TION FOR YOU,</SPAN></STRONG><BR><STRONG><SPAN style=3D"FONT-FAMILY: Verdan=
a; mso-bidi-font-family: 'Courier New'"><SPAN style=3D"mso-spacerun: yes">&=
nbsp; </SPAN></SPAN></STRONG><BR><STRONG><SPAN style=3D"FONT-FAMILY: Verdan=
a; mso-bidi-font-family: 'Courier New'">1) PROMISE ME THAT YOU WILL NOT DEN=
IED ME WHEN THE FUND HITS INTO YOUR ACCOUNT,</SPAN></STRONG><BR><STRONG><SP=
AN style=3D"FONT-FAMILY: Verdana; mso-bidi-font-family: 'Courier New'">2) P=
ROMISE ME THAT YOU WILL NOT DISCLOSE THIS BUSINESS TO ANY BODY,</SPAN></STR=
ONG><BR><STRONG><SPAN style=3D"FONT-FAMILY: Verdana; mso-bidi-font-family: =
'Courier New'">3) PROMISE ME THAT IT WILL BE A SECRET BETWEEN ME AND YOU,</=
SPAN></STRONG><BR><STRONG><SPAN style=3D"FONT-FAMILY: Verdana; mso-bidi-fon=
t-family: 'Courier New'">4) PROMISE ME THAT YOU WILL HELP ME WITH ALL YOUR =
HEART,</SPAN></STRONG><BR><STRONG><SPAN style=3D"FONT-FAMILY: Verdana; mso-=
bidi-font-family: 'Courier New'"><SPAN style=3D"mso-spacerun: yes">&nbsp;</=
SPAN></SPAN></STRONG><BR><STRONG><SPAN style=3D"FONT-FAMILY: Verdana; mso-b=
idi-font-family: 'Courier New'">MEANWHILE IF THIS PROPOSAL IS ECCEPTED BY Y=
OU THEN I WILL WAIT FOR YOUR URGENT RESPONSE,</SPAN></STRONG><BR><STRONG><S=
PAN style=3D"FONT-FAMILY: Verdana; mso-bidi-font-family: 'Courier New'"><SP=
AN style=3D"mso-spacerun: yes">&nbsp;</SPAN></SPAN></STRONG><BR><STRONG><SP=
AN style=3D"FONT-FAMILY: Verdana; mso-bidi-font-family: 'Courier New'">THAN=
KS........</SPAN></STRONG><BR><STRONG><SPAN style=3D"FONT-FAMILY: Verdana; =
mso-bidi-font-family: 'Courier New'">YOUR FAITHFULNESS,</SPAN></STRONG><BR>=
<STRONG><SPAN style=3D"FONT-FAMILY: Verdana; mso-bidi-font-family: 'Courier=
 New'">PRINCESS G.LUZY.</SPAN></STRONG><BR><BR><br /><hr />Explore the seve=
n wonders of the world <a href=3D'http://search.msn.com/results.aspx?q=3D7+=
wonders+world&mkt=3Den-US&form=3DQBRE' target=3D'_new'>Learn more!</a></bod=
y>
</html>=

--_317652b6-72d4-4124-bd28-cb321092e3b5_--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 10 06:54:29 2007
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From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: FRUSTRATED
Date: Tue, 9 Oct 2007 23:54:56 -0700
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I sent in an off topic post that I really wanted people alerted to
so they wouldn't be bugged by it and could remove it.

Here's what I sent in my header:


"WAY OFF TOPIC:   music trip advice sought"


When I got the daily digest here is what it had as a header in the digest:


"music trip advice sought"


with no indication of the fact that I was responsible about making an OFF 
TOPIC identification.



I'm confused and frustrated.  Is the condenscing of Subject headers
handled automatically or by hand?

If it is done by hand,   could I please request that OFF TOPIC posting tags 
be left in
so as not to bug people who don't want to read them.

Frankly,   I was really sorry to see the off topic postings put at another 
place.
I think it dilutes the community............I think it takes a lot more time 
to read through
the split communities mail now and if you want a response from the community 
on an
off topic subject you can't get it by going to the new site.

Is anyone else with me on this one.
I want to go back to teh way it was and then encourage to be responsible 
about
off topic posting labellings.

yours,  Rick Walker 

From Loopers-Delight-request@loopers-delight.com  Wed Oct 10 07:30:15 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: FRUSTRATED
Date: Wed, 10 Oct 2007 09:30:09 +0200
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On 10 okt 2007, at 08.54, Rick Walker wrote:

> Is anyone else with me on this one.
> I want to go back to teh way it was and then encourage to be  
> responsible about
> off topic posting labellings.


I'm following all posts to LD and I have not seen any notification on  
any change. So as far as I understand there is no policy  at all  
regarding off topic posts, except for the usual: each individual  
poster may add whatever subject line he thinks most helpful to fellow  
readers.

Did I miss out on something?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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From Loopers-Delight-request@loopers-delight.com  Wed Oct 10 07:52:36 2007
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Hi Rick,

It's not as bad as you think :-)

The original idea was to use [OT] which would easily be picked 
up by email filters, but I bet no-one bothers to do that filtering anyway.

In any case, on the non-digest list your heading wasn't edited at all.

There's absolutely no chance that your heading would be edited by hand,
the digest is made by fully automatic software installed by Kim
as a kindness toward those of us who didn't have access to email filtering.

Rick Walker wrote:
> I sent in an off topic post that I really wanted people alerted to
> so they wouldn't be bugged by it and could remove it.
> 
> Here's what I sent in my header:
> 
> "WAY OFF TOPIC:   music trip advice sought"
> 
> When I got the daily digest here is what it had as a header in the digest:
> 
> "music trip advice sought"
> 

> Frankly,   I was really sorry to see the off topic postings put at 
> another place.
> I think it dilutes the community............I think it takes a lot more 
> time to read through
> the split communities mail now and if you want a response from the 
> community on an
> off topic subject you can't get it by going to the new site.

Quite often I don't reply to an off-topic post, even though it's interesting to me.
Do people really want to hear about endless tales of Scoot's shoes?
...or endless philosophical debates with zero chance of resolution?
...string gauges?
That's why I thought the LDOT list would be fun.


> 
> Is anyone else with me on this one.
> I want to go back to teh way it was and then encourage to be responsible 
> about
> off topic posting labellings.

Well don't worry, there aren't that many people on the LDOT list and
traffic is very low, just like every LD offshoot list that ever was
I expect it to die out after the initial excitement.

In any case, nothing has changed at LD.
There's still a vibrant amount of off topic,
which (as your survey pointed out) nobody minds.

> yours,  Rick Walker

cheers Rick

andy butler

 

From e.vang@yahoo.com.hk  Wed Oct 10 10:18:34 2007
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Date: Wed, 10 Oct 2007 18:11:50 +0800 (CST)
From: lindy Evangelist <e.vang@yahoo.com.hk>
Subject: From:Evangelist Lindy Mike(Widow).
To: ltshorty05@yahoo.com
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From:Evangelist Lindy Mike(Widow).
   
  Calvary greetings in the name of our Lord Jesus Christ, I am Evangelist Lindy Mike, The daughter of Late Sherrif Kindimbu from Weste Africa Nigeria.I am 34years old,my mother is From England,while my father is from Nigeria,i am an halfcast (White Girl) i was married to Late John Mike from England, i am now a new christian convert,suffering from long time concer problem. 
   
  From all indications, my condition is serious and according to my late husband doctor it is quite obvious that i may not survive the sickness,as a christian,i beleived God and i know that i will not die,i will leave to declare the glory of God, My late Husband Mr.John Mike is From England,he and my only son was killed by his family members,because he does not agree with them, i am presently leaving alone.Our Lord Jesus Christ is my comforter.
   
  Before the death of my husband,he told me on his sick bed that he deposited some money with the United Bank for Africa plc(UBA) in Nigeria, the sum of Fifteen Million Five Hundred Thousand Dollars (Usd$15.5M).After disclosing this secret to me,he gave me the Documents he used in Depositing the fund called Certificate of Deposit,he never wanted to tell me about it until the present moment that he was about to die,he told me that his reason for telling me about this fund secretly is because after his death that he knows his family will not allow me to inherit any of his wealth or property.
   
  He told me that Nigerian Government will not allow me to make this claim since i am a citizen of Nigeria,my husband told me that i can only get the fund claimed through the help of a foreigner like you,and that was exactly what happened,I made up my mind to travel abroad to leave the rest of my life and continue to do the work of God as a missionary,I called my late husband lawyer to find out if the fund is still in contact in that bank, to enable me raise some money to continue my mission,to my greatest surprise it was still in contact.
   
  Presently,all the Documents concerning the FUND are with me, now that my sickness has gone to this stage,I am scared and I want the fund to be used for the work of God all over the world,i have prayed and told God to direct me to an honest christian who will receive this fund and utilise it together with me and for things that will glorify the name of God,after my prayers,I decided to contacted you alone my beloved in Christ. 
   
  Please I will appreciate that you send the following information to enable my late Husband Lawyer commence with the procuring of the necessary document that will  back you up as next of kin to my late Husband for immediate arrangement with the UNITED BANK FOR AFRICA UBA Plc on how the Fund Fifteen Million Five Hundred Thousand Dollars (Usd$15.5M) will be claimed by you on my Late Husbands Behalf as his Next of Kin and New Beneficiary.
  1. your full name.
2. Your contact address.
3. Your telephone/fax numbers for prompt communication.
   
  I await to here your urgent reply.
   
  Thanks and God bless you.
   
  Evangelist Lindy Mike(Widow).

       
---------------------------------
¹ïYahoo! Mail ¦³¥ô¦ó·N¨£©Î«ØÄ³¡A½Ð Ápµ¸§Ú­Ì 
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<div>From:Evangelist Lindy Mike(Widow).</div>  <div>&nbsp;</div>  <div>Calvary greetings in the name of our Lord Jesus Christ, I am Evangelist Lindy Mike, The daughter of Late Sherrif Kindimbu from Weste Africa Nigeria.I am 34years old,my mother is From England,while my father is from Nigeria,i am an halfcast (White Girl) i was married to Late John Mike from England, i am now a new christian convert,suffering from long time concer problem. </div>  <div>&nbsp;</div>  <div>From all indications, my condition is serious and according to my late husband doctor it is quite obvious that i may not survive the sickness,as a christian,i beleived God and i know that i will not die,i will leave to declare the glory of God, My late Husband Mr.John Mike is From England,he and my only son was killed by his family members,because he does not agree with them, i am presently leaving alone.Our Lord Jesus Christ is my comforter.</div>  <div>&nbsp;</div>  <div>Before the death of my husband,he
 told me on his sick bed that he deposited some money with the United Bank for Africa plc(UBA) in Nigeria, the sum of Fifteen Million Five Hundred Thousand Dollars (Usd$15.5M).After disclosing this secret to me,he gave me the Documents he used in Depositing the fund called Certificate of Deposit,he never wanted to tell me about it until the present moment that he was about to die,he told me that his reason for telling me about this fund secretly is because after his death that he knows his family will not allow me to inherit any of his wealth or property.</div>  <div>&nbsp;</div>  <div>He told me that Nigerian Government will not allow me to make this claim since i am a citizen of Nigeria,my husband told me that i can only get the fund claimed through the help of a foreigner like you,and that was exactly what happened,I made up my mind to travel abroad to leave the rest of my life and continue to do the work of God as a missionary,I called my late husband lawyer to find out
 if the fund is still in contact in that bank, to enable me raise some money to continue my mission,to my greatest surprise it was still in contact.</div>  <div>&nbsp;</div>  <div>Presently,all the Documents concerning the FUND are with me, now that my sickness has gone to this stage,I am scared and I want the fund to be used for the work of God all over the world,i have prayed and told God to direct me to an honest christian who will receive this fund and utilise it together with me and for things that will glorify the name of God,after my prayers,I decided to contacted you alone my beloved in Christ. </div>  <div>&nbsp;</div>  <div>Please I will appreciate that you send the following information to enable my late Husband Lawyer commence with the procuring of the necessary document that will&nbsp; back you up as next of kin to my late Husband for immediate arrangement with the UNITED BANK FOR AFRICA UBA Plc on how the Fund Fifteen Million Five Hundred Thousand Dollars
 (Usd$15.5M) will be claimed by you on my Late Husbands Behalf as his Next of Kin and New Beneficiary.</div>  <div>1. your full name.<BR>2. Your contact address.<BR>3. Your telephone/fax numbers for prompt communication.</div>  <div>&nbsp;</div>  <div>I await to here your urgent reply.</div>  <div>&nbsp;</div>  <div>Thanks and God bless you.</div>  <div>&nbsp;</div>  <div>Evangelist Lindy Mike(Widow).</div><p>&#32;


      <hr size=1>¹ïYahoo! Mail ¦³¥ô¦ó·N¨£©Î«ØÄ³¡A½Ð <a href="http://help.yahoo.com/fast/help/hkc/mail/cgi_feedback"</a><b>Ápµ¸§Ú­Ì</b> 
--0-1386088618-1192011110=:3321--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 10 14:16:28 2007
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    <3B760999C264454D82652640BB74075C56BC3B@keel.sailpoint.com>
Date: Wed, 10 Oct 2007 10:16:34 -0400 (AST)
Subject: RE: Mobius Multiply Help
From: "Andre' Donawa" <andre@andredonawa.com>
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Hi Peter and Jeff,

Thanks for the help
I tried both of your suggestions but still no luck.
Here's what I'm trying to do.

1. Record a short percussive loop.
2. Overdub it.
3. Extend the loop by hitting multiply to record a longer loop and then
hit multiply again to play it.

I'm only using one track.


I've tried some different configs but no luck.
With the EDP, when ever I press multiply again the extended loop starts
playing immediately.
What happens right now is there is a pause before the loop starts and when
it does start some of what I was recording is missing.

Here's my  current config.

Quantize Mode:  Cycle
Rec Mode: Toggle
Overdub Mode: Toggle
Multiply Mode: Traditional
Switch Quantize: Off
Round Mode: Checked

Am I not using Mobius in the right way?
Is there a better way to use it?

Are there any places where I could find some preset configs and how people
are using them?

Thanks,

Andre




On Tue, October 9, 2007 4:57 pm, Jeff Larson wrote:
>
>> I'm trying to use multiply in the same basic way as with the EDP.
>> Sometimes it works OK other times I get a gap in what I thought I was
>> recording.
>
> Check the preset and make sure you have "Round Mode" checked.  This is
> a confusingly named parameter that means "record during rounding".  If
> this is off, recording will stop the moment you press the closing
> multiply even though the multiply will continue to round up until
> a full cycle is added.
>
> Jeff
>
>


From Loopers-Delight-request@loopers-delight.com  Wed Oct 10 14:42:27 2007
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Date: Wed, 10 Oct 2007 10:42:34 -0400 (AST)
Subject: RE: Mobius Multiply Help
From: "Andre' Donawa" <andre@andredonawa.com>
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Ok,

I think I've got it.
If I keep playing after I've pressed multiply for the second time it
records the ending and the beginning of what I played during the multiply
stage.
If I don't keep playing the beginning and ending are missing.

Is this one of those differences between mobius and EDP?

Andre

  On Tue, October 9, 2007 4:57 pm, Jeff Larson wrote:
>
>> I'm trying to use multiply in the same basic way as with the EDP.
>> Sometimes it works OK other times I get a gap in what I thought I was
>> recording.
>
> Check the preset and make sure you have "Round Mode" checked.  This is
> a confusingly named parameter that means "record during rounding".  If
> this is off, recording will stop the moment you press the closing
> multiply even though the multiply will continue to round up until
> a full cycle is added.
>
> Jeff
>
>


From Loopers-Delight-request@loopers-delight.com  Wed Oct 10 16:28:02 2007
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Subject: RE: Mobius Multiply Help
Date: Wed, 10 Oct 2007 11:27:56 -0500
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> 1. Record a short percussive loop.
> 2. Overdub it.
> 3. Extend the loop by hitting multiply to record a longer loop and
then
> hit multiply again to play it.
>=20
> With the EDP, when ever I press multiply again the extended loop
starts
> playing immediately.

When you use quantization, there will usually be a delay between when
you press a button and when the function actually happens.  Mobius=20
won't start playing the extended loop immediately from the beginning
if you end the multiply before the end of the cycle, it will continue
until the end of the cycle.  I'm fairly certain the EDP works the same
way.
Here is an example:

  - quantizization is Cycle
  - record a loop of 4 seconds
  - near second 2 press Multiply
  - you will not enter multiply mode until you reach the end
    of the loop at second 4, anything you overdub during this period is
lost
  - at second 4 the loop is extended one cycle, it is now 8 seconds
long,
    you may begin overdubbing
  - at second 6 press Multiply=20
  - the multiply will continue until second 8 because the ending has
    been quantized to the end of the second cycle

If you want to begin overdubbing immediately after you press Multiply,
you should turn Quantize off.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Oct 10 16:37:34 2007
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> I think I've got it.
> If I keep playing after I've pressed multiply for the second time it
> records the ending and the beginning of what I played during the
multiply
> stage.
> If I don't keep playing the beginning and ending are missing.

As far as I know there is nothing that would cause the beginning of a
multiply to be lost if you just stop playing in the middle of the cycle.
This still sounds like quantization.  When you press Multiply look at
the Mobius window and look at the little white triangles that show
where the Multiply will start and end.  You will only be overdubbing
when the large word "Multiply" appears on the screen.

If you are losing something you played while the large Multiply
is on the screen, and you are not doing something that sets the
input level to zero, then there may be a bug.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Oct 10 16:59:48 2007
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Subject: RE: FRUSTRATED
Date: Wed, 10 Oct 2007 18:59:43 +0200
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I think the ":" simply truncates the message headers in the digest, just as
the "/" truncates them. Try sending a message with a subject that contains a
"/" - the digest will only display whatever comes before (or after?) the "/"
character. Your original message header carrying the "way off topic" was
still contained in the msg.

-Michael P

From Loopers-Delight-request@loopers-delight.com  Wed Oct 10 17:22:15 2007
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From: Rev Fever <revfever@ubergadget.com>
Subject: Re: Mobius Multiply Help / Mobius curiosity after SO long now
Date: Wed, 10 Oct 2007 10:13:15 -0700
To: Loopers-Delight@loopers-delight.com
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*Admittedly*, I have *not* kept up *at all* w/ the subject of Mobius,  
and now, am curious about it
since it gets discussed so much. That has finally tweaked my curiosity.

What exactly is it, and how does it work, and is it software, and if  
so, will it work for a Mac?
(OR....?)

Also, I previously tried to google it as "mobius" and everything else  
under the virtual-Sun came up
but nothing that I could tell was a link to this particular "Mobius"  
being discussed on LD.

NOTE: It is NOT necessary for a barrage of list-posted replies to me,  
puh-leeze!!!

One or 2 PRIVATE replies will suffice.
I don't wanna be adding any additional unnecessary clutter to the LD  
list.  TIA!

"Towards the alien..." (Arthur Brown)

-Rev. Fever

From Loopers-Delight-request@loopers-delight.com  Wed Oct 10 17:53:47 2007
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Date: Wed, 10 Oct 2007 13:53:54 -0400 (AST)
Subject: RE: Mobius Multiply Help
From: "Andre' Donawa" <andre@andredonawa.com>
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I've turned off the quantize function and I'm getting an extra cycle of 
recorded silence now.
The white triangle says Multiply End.

Andre
On Wed, October 10, 2007 12:37 pm, Jeff Larson wrote:
>
>> I think I've got it.
>> If I keep playing after I've pressed multiply for the second time it
>> records the ending and the beginning of what I played during the
> multiply
>> stage.
>> If I don't keep playing the beginning and ending are missing.
>
> As far as I know there is nothing that would cause the beginning of a
> multiply to be lost if you just stop playing in the middle of the cycle.
> This still sounds like quantization.  When you press Multiply look at
> the Mobius window and look at the little white triangles that show
> where the Multiply will start and end.  You will only be overdubbing
> when the large word "Multiply" appears on the screen.
>
> If you are losing something you played while the large Multiply
> is on the screen, and you are not doing something that sets the
> input level to zero, then there may be a bug.
>
> Jeff
>
>


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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mobius Multiply Help / Mobius curiosity after SO long now
Date: Wed, 10 Oct 2007 20:17:04 +0200
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On 10 okt 2007, at 19.13, Rev Fever wrote:

> What exactly is it//////
> I don't wanna be adding any additional unnecessary clutter to the  
> LD list.


Ok, then. Anyone interested can check here: http://www.zonemobius.com/

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Wed Oct 10 19:21:47 2007
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From: Rev Fever <revfever@ubergadget.com>
Subject: Re: Mobius Multiply Help / Mobius curiosity after SO long now /flickr
Date: Wed, 10 Oct 2007 12:21:33 -0700
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Thanx for the replies I have received.
I have now what I needed to know, so no one else need bother w/  
responding.

Thanx!

-Rev. Fever

PS-BTW, I recently posted my pic to the flickr group. But, it is  
listed as "revfev" instead of "Rev. Fever",
in case anyone has not already figured that out.  A boo-boo on my  
part name-wise, but now ya know.

On Oct 10, 2007, at 11:17 AM, Per Boysen wrote:

> On 10 okt 2007, at 19.13, Rev Fever wrote:
>
>> What exactly is it//////
>> I don't wanna be adding any additional unnecessary clutter to the  
>> LD list.
>
>
> Ok, then. Anyone interested can check here: http://www.zonemobius.com/
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>
>
>
>

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Subject: RE: Boomerang/NEW TOPIC - GUITAR RIG 3
Date: Thu, 11 Oct 2007 09:13:30 +1000
Message-ID: <9C151BE24B28B54D870B5F89BD87EBCE9BDED4@aaunsw745.au.cbainet.com>
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From: "Sowonja, Tomson" <tomson.sowonja@cba.com.au>
To: <Loopers-Delight@loopers-delight.com>
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Thanks for the info!=20
=20
I like the look of the 'rang given my proclivity for guitar styled
pedals and their use but was waiting for the next version.
=20
I've also looked at Guitar Rig for my home recording set up - anyone
have experience with the looper bundled as part of Guitar Rig, and what
do people think of Guitar Rig 3?=20
=20
Cheers
Tom

________________________________

From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]=20
Sent: Monday, 8 October 2007 11:50 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boomerang



In a message dated 10/8/07 12:22:02 AM, tomson.sowonja@cba.com.au
writes:




	Boomerang 3
=09



tom.....mike nelson sent me some paper to pass out at y2k7 about the
RANG III and the CHORUS*DELAY PEDAL (E-155).....it said something like
an end of year DEC 07  RANG release, but you know how those predictions
work out, the (E-155) max delay 2 seconds, is shipping now.....a small
blurb on the RANG III used the "M" word, "the initial release may not
have MIDI, but it will be added as quickly as possible and upgrading is
possible via the internet. THERE will be no USB connectivity nor
permanet loop storage.".....i'm just a friendly messanger and know
nothing about nothing.....:).....i do know that i really want to get my
hands on that puppy.....mike nelson and company are burried with the
release of the CHORUS*DELAY PEDAL so i would suggest being patient about
the RANG for now.....i told him he had better pick up the pace, or
else!.....:).....michael




"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON
EXCERCISE"

www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11




**************************************
See what's new at http://www.aol.com=20

************** IMPORTANT MESSAGE *****************************      =20
This e-mail message is intended only for the addressee(s) and contains info=
rmation which may be
confidential.=20
If you are not the intended recipient please advise the sender by return em=
ail, do not use or
disclose the contents, and delete the message and any attachments from your=
 system. Unless
specifically indicated, this email does not constitute formal advice or com=
mitment by the sender
or the Commonwealth Bank of Australia (ABN 48 123 123 124) or its subsidiar=
ies.=20
We can be contacted through our web site: commbank.com.au.=20
If you no longer wish to receive commercial electronic messages from us, pl=
ease reply to this
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.3157" name=3DGENERATOR></HEAD>
<BODY>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D653461123-10102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>Thanks for the info! </FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D653461123-10102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D653461123-10102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>I like the look of the 'rang given my proclivity f=
or guitar=20
styled pedals and their use but was waiting for the next=20
version.</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D653461123-10102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D653461123-10102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>I've also looked at Guitar Rig for my home recordi=
ng set up=20
- anyone have experience with the looper bundled as part of Guitar Rig, and=
 what=20
do people think of Guitar Rig 3? </FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D653461123-10102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D653461123-10102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>Cheers</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D653461123-10102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>Tom</FONT></SPAN></DIV><BR>
<DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft>
<HR tabIndex=3D-1>
<FONT face=3DTahoma size=3D2><B>From:</B> Nemoguitt@aol.com=20
[mailto:Nemoguitt@aol.com] <BR><B>Sent:</B> Monday, 8 October 2007 11:50=20
PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
Boomerang<BR></FONT><BR></DIV>
<DIV></DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000=
 size=3D2=20
FAMILY=3D"SANSSERIF"><BR>In a message dated 10/8/07 12:22:02 AM,=20
tomson.sowonja@cba.com.au writes:<BR><BR><BR>
<BLOCKQUOTE=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px soli=
d; MARGIN-RIGHT: 0px"=20
cite=3D"" TYPE=3D"CITE"></FONT><FONT face=3DGeneva color=3D#000000 size=3D2=20
  FAMILY=3D"SANSSERIF">Boomerang 3<BR></BLOCKQUOTE></FONT><FONT face=3DGene=
va=20
color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF"><BR><BR></FONT><FONT face=3DG=
eneva=20
color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF">tom.....mike nelson sent me s=
ome paper=20
to pass out at y2k7 about the RANG III and the CHORUS*DELAY PEDAL (E-155)..=
.=2E.it=20
said something like an end of year DEC 07&nbsp; RANG release, but you know =
how=20
those predictions work out, the (E-155) max delay 2 seconds, is shipping=20
now.....a small blurb on the RANG III used the "M" word, "the initial relea=
se=20
may not have MIDI, but it will be added as quickly as possible and upgradin=
g is=20
possible via the internet. THERE will be no USB connectivity nor permanet l=
oop=20
storage.".....i'm just a friendly messanger and know nothing about=20
nothing.....:).....i do know that i really want to get my hands on that=20
puppy.....mike nelson and company are burried with the release of the=20
CHORUS*DELAY PEDAL so i would suggest being patient about the RANG for now.=
.=2E..i=20
told him he had better pick up the pace, or=20
else!.....:).....michael<BR><BR><BR><BR><BR>"Who needs a six pac when ya go=
t a=20
keg!".....scoots galore "THOUGHTS ON=20
EXCERCISE"<BR><BR>www.ct-collective.com<BR>http://mysite.verizon.net/vzepme=
ci/<BR>http://www.myspace.com/klobuchar11<BR><BR></FONT><FONT=20
face=3DGeneva color=3D#000000 size=3D2=20
FAMILY=3D"SANSSERIF"></FONT><BR><BR><BR>***********************************=
***<BR>See=20
what's new at http://www.aol.com </FONT><pre>
************** IMPORTANT MESSAGE *****************************      =20
This e-mail message is intended only for the addressee(s) and contains info=
rmation which may be
confidential.=20
If you are not the intended recipient please advise the sender by return em=
ail, do not use or
disclose the contents, and delete the message and any attachments from your=
 system. Unless
specifically indicated, this email does not constitute formal advice or com=
mitment by the sender
or the Commonwealth Bank of Australia (ABN 48 123 123 124) or its subsidiar=
ies.=20
We can be contacted through our web site: commbank.com.au.=20
If you no longer wish to receive commercial electronic messages from us, pl=
ease reply to this
e-mail by typing Unsubscribe in the subject line.=20
**************************************************************


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From senatehousehd@poczta.onet.pl  Thu Oct 11 00:38:22 2007
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	Thu, 11 Oct 2007 02:28:39 +0200
Reply-To: <atmpaymentcenternig04@yahoo.fr>
From: " SENATE  HOUSE  NIGERIA" <senatehousehd@poczta.onet.pl>
Subject: Re: Immediate contract/inheritance payment via atm card.
Date:	Thu, 11 Oct 2007 01:27:56 +0800
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<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
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<DIV align=center>
<FONT size=5 color=#008080><B>OFFICE OF THE SENATE HOUSE</B></FONT><FONT size=4 face="Times New Roman"><B> </B></FONT></DIV>
<DIV align=center>
<FONT size=4 color=#008080><B>FEDERAL REPUBLIC OF NIGERIA</B></FONT><BR>
<FONT color=#008080><B>COMMITTEE ON FOREIGN PAYMENT</B></FONT><BR>
<FONT color=#008080><B>(RESOLUTIONPANEL ON CONTRACT PAYMENT)</B></FONT><BR>
<FONT color=#008080><B>IKOYI-LAGOS NIGERIA</B></FONT></DIV>
<DIV align=center>
<FONT size=2><B>E-mail: </B></FONT><A href="/ym/Compose?To=Info.senatehouse@yahoo.fr"><FONT size=2 color=#0000FF face="Times New Roman"><B><U>Info@senatehouse.gov</B></U></FONT></A></DIV>
<DIV align=center>
<FONT face="Times New Roman">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; FILE CODE #: ATM/LAG/NG </FONT></DIV>
<DIV>
<FONT face="Times New Roman">ATTN: BENEFICIARY, </FONT></DIV>
<DIV>
<FONT face="Times New Roman"><U>IMMEDIATE RELEASE OF YOUR INHERITANCE FUND VIA ATM SWIFT CARD.</U></FONT><FONT face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">In close consultation with the World Bank, IMF and the European Union (EU), this is to notify you of your enlistment as a beneficiary of a recent Debt Management and Settlement Forum organized on the status of global arrangement to have your beneficiary fund settled once and for all. Of course, In the hope that you must have been aware of the past financial leakages in the European foreign inheritance payment system, and frustrations associated there from in your last attempt to claim the fund, wherein fund beneficiaries (like your self) was subjected to unnecessary bureaucratic bottlenecks in lieu of claiming funds due them. The World Body, </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">having solicited and received the cooperation of Nigerian Presidency, in harmonizing the sequence of payments, have discovered from records of outstanding foreign inheritance fund beneficiaries due them, that your name and payment has been with held and remain unpaid as a result of such bottleneck. On the prompting of this finding, I wish to officially notify you that all aspects of your payment claim is being harmonized, enabling payment to be released to you as urgently as you act on the instructions of this mail. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Consequently, </FONT><FONT size=3 face="Times New Roman"><B>Afribank Nigeria Plc</B></FONT><FONT size=3 face="Times New Roman"> has been directed by the World Body to off set these outstanding debts, using </FONT><FONT size=3 face="Times New Roman"><B>ATM Swift Card</B></FONT><FONT size=3 face="Times New Roman"> payment arrangement. Already, a total amount of </FONT><FONT size=3 face="Times New Roman"><B>US$500 Million</B></FONT><FONT size=3 face="Times New Roman"> has been provided to the bank for this purpose and it is on first come first serve. With this arrangement, I wish to inform you that Afribank Nigeria Plc has been instructed to issue in your name an ATM Cash Card with the valued amount of US$5.5M. In paying this amount to you, please note that it is without Prejudice to your original inheritance sum. Rather, it is a stop-gap payment arrangement put in place by the World Body to on the one hand ensure that you receive part of your fund, while on the other hand en
<DIV>
<FONT size=3 face="Times New Roman">However, we are worried with the counter information received from one Mr. Jack Law, purporting to be from your directive, with express instruction to activate the ATM Cash Card for release of fund to his name a bank account in the "Cayman Islands" Obviously, we are hesitant to honor this instruction as it were, and would request that you clarify same upon your contact with Afribank Nigeria Plc . In addition to that, you should provide the bank with the following details to forestall any mistake of issuing the </FONT><FONT size=3 face="Times New Roman"><B>ATM Card</B></FONT><FONT size=3 face="Times New Roman"> with the wrong information already submitted by </FONT><FONT size=3 face="Times New Roman"><B>Mr. Jack Law</B></FONT><FONT size=3 face="Times New Roman">: </FONT></DIV>
<DIV>
<FONT size=3 face="Times New
 Roman"><B>(1) Your full names, address, phone, fax and Cell numbers (up to date) for ease of contact </B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New
 Roman"><B>(2) Beneficiary name for activation of your ATM CARD.</B></FONT><FONT size=3 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Believing that this arrangement will suit your condition and expectations, we will therefore request for your expedited response to avoid any more delay. Your response should be directed to Afribank Nigeria Plc , Attention: </FONT><FONT size=3 face="Times New Roman"><B>Dr. David William</B></FONT><FONT size=3 face="Times New Roman"> ; Director Atm Payment Dept through his official email address: </FONT><FONT size=3 face="Times New Roman"><B>atmpaymentcenternig04@yahoo.fr</B></FONT><FONT size=3 face="Times New Roman"> ,</FONT><FONT size=3 face="Times New Roman"><B>Tel/fax: 234-1-4720582</B></FONT><FONT size=3 face="Times New Roman"> ,Your file reference code for your payment is </FONT><FONT size=3 face="Times New Roman"><B>ATM/LAG/NG</B></FONT><FONT size=3 face="Times New Roman"> and should be quoted in your contact mail to the bank otherwise the bank will not recognize/process your </FONT><FONT size=3 face="Times New Roman"><B>ATM Swift</B></FONT><FONT size=3 face="Times N
<DIV>
<FONT size=3 face="Times New Roman"><B>Senator David Mark </B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>New Senate President Federal Republic OF Nigeria </B></FONT></DIV>
</FONT>
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From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 01:18:18 2007
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Date: Wed, 10 Oct 2007 18:21:31 -0700
To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: On vs off topic -and- irritating people...
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   Hi All, First off, let me apologize for my recent OT musings. 
:)  Secondly, I'd like to agree with Rick in this regard, that I 
*personally* feel that having a second list for 'Looper's Delight' posts is 
not only annoying but to me at least, against the nature of the list the 
way it was started.  To my knowledge, this has never been simply a 'gear' 
list, and God, I hope it never becomes just that.  :)  I'd be out of here 
so damned fast it wouldn't even be funny!  lol!

   Unfortunately, because of the second list, and all of the 'walking on 
egg shells' sort of behavior going on right now over off / on topic posts, 
I feel that this is where the list seems to be heading?...  yes?...

   I'm not saying that people are necessarily intending this, but it seems 
that this is starting to happen...

At the very least, the list is losing something for me.

   Now, this is fine if this is really what people are after, and I'm far 
from one to be commenting as I've been out of the looping scene for a 
while, and honestly, am not exactly super turned on about it at the 
moment!  :)  But this sort of over-zealous (super PC) idea of monitoring 
the nature of people's posting habits in essence :) (tongue / cheek) to 
eliminate all 'off topic imperfection / impurity' (pick yer poison) is just 
distasteful to me personally.

   If I wanted to join a tight-assed gear forum I would have.  :)

   Now, please believe me when I say that I absolutely hate getting 
barraged with a load of email chattiness every day that isn't related, from 
one msg to the next, and has nothing at all to do with any topic; I simply 
don't have the time that I'm willing to spend, nor desire to deal with 
such.  However, (And I say this coming from a place of posting plenty of on 
*and* off topic material!  lol!)  (1) I have a delete key and I know how to 
use it!  :)  (2) Even at it's worst, that's not the sort of thing that's 
been going on here.

   Everyone has been really good about bringing things back on track when 
they stray, and each list member who posts usually has a balance of on / 
'off' topic material.  If someone doesn't bring a topic in a direction that 
someone else likes, that someone may say something.  Then, the topic may 
change.  If more people want to hear the topic the way it was, then it 
won't.  The community monitors itself, whether that happens within a poster 
or within several, but it *does* happen, and has done such for as long as 
I've been a member here.  That's the nature of a self-regulating 
community!  Yes?...

   Was this not how the list was started?...

   So now, once again, I personally would rather have the LD OT posts go to 
this list, but as my point above works both ways, I also do understand if a 
majority of people would rather this not be the case.  And obviously, as I 
myself have mentioned, if people want another list, then guess what not 
only is it already there, lol! but it's their choice!  :)

   However, I would wonder if it might not be appropriate to either (1) 
have it not be affiliated with LD? (and have it be it's own general chat 
list) (2) have it be more closely affiliated with LD, so it would be easier 
to integrate both lists?...  I.E. be hosted on the same list serve and be 
up on the LD site etc...  -Any thoughts?...


Also, might it simply be possible, rather than having another list for OT 
posts, might we instead, have the other list to host gear-only 
posts?...  -Or, in essence have that more rigorous topic moderation 
approach be realized there, rather than here on LD?...

   Otherwise, I think it would be easier to have one list as has been 
successful so far to the huge degree that LD has?...

I personally enjoy the evolution of topics here, not because I enjoy the 
volume of email!  lol!  -because God knows I don't!  I've actually left the 
list several times for just that reason, but the intellect / creativity 
here really is something special, and that really comes through in so much 
of what gets posted here, as it transmutes from one line of thinking to 
another...  Does this make sense?...

Fragmenting this gradual evolution, by separating it into two exclusive 
venues, is similar to never having the option to gracefully move between 
elements of a story or performance, in favor of simply turning off one idea 
and beginning another immediately, or instantly bringing it in from another 
source...  Does this make sense?...
   It can be very jarring, and is not a gradual fade!...  :)  lol!...

I'm definitely in favor of people trying to be aware of others needs / 
desires in their email habits, so do hope that the 'OT' material can be 
manageable, but I sooo don't want to see the fire leave this 
list!  -Because, whether I myself go or stay, *that* is a *sure* way for me 
to leave as well...

I hope all this made sense and I truly appreciate your time in reading 
it!  :)  Have an awesome day / evening, wherever you may be!...

Smiles,

                 Cara :)

                         ---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


-- 
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From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 02:11:56 2007
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: On vs off topic -and- irritating people (Other List?)
Date: Wed, 10 Oct 2007 19:11:50 -0700
To: Loopers-Delight@loopers-delight.com
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Hi Cara,

I totally agree, if all we talked about 'round here were knobs and 
buttons, blinky lights, sample rates and how to get our dingbob FCB1010 
MAX/MSP gizmos to make perfect loop fondues I'd have been waaaaaay 
outta here ten years ago.

That's how long I've been here on the list -- actually 11 years this 
month, come to think of it.

Gawd do I feel old . . . but I digress.

I have to say I'm a bit puzzled that there is even a mention of  
"another" pseudo LD list that OT messages might get shuttled off to.

It seems I remember that the poll a month or so ago was between having 
the status quo (leaving damn well enough alone . . . and just having 
people self-censor a bit . . . or kindly put an "OT" at the beginning 
of their subject header . . . as has been good enough for over a 
decade) and going all squirrel nutso and neo-nazi and sending all 
offending OT posts off to cyberia.

I thought the overwhelming talley went with the status quo . . . did it 
not?

What's this talk about a 2nd list?

Perhaps I'm a semi-senile old codger and I'm kicking' up a storm in a 
teapot for nothing.

But daaaAAAaagnabit (he says with his best Gabby Hayes imitation) I 
still plan on posting damn well whatever I feel comes to mind . . .  
if'n it's music-related even in the remotest sense.

Sure, I'll be PO-LITE about it and put an nice big "OH TEE" onnit . . . 
if it's not strickly loop-related that is..

But I double damn dog dare anyone to chase the free-flow of ideas from 
this forum (spits expressively for emphasis).

Perhaps I have not heretofore followed this silly hair-brained dingus 
of a thread as well as I mightta oughtta.

But You've got my attention now.

TaaAAaarnation!

Talk of sending all OT posts off to another list . . . well . . . 
them's fightin' words.

Yesseree.

Believe it!!!!

Who's the low-down, pointy-headed, pea-brained son of a skunk that 
suggested it?

I wanna know.

Somebody oughtta poke 'm in the nose.

Saddle 'em up boys (an girls) . . . let's ride.

Ted Killian

On Oct 10, 2007, at 6:21 PM, Cara Quinn wrote:

>  Hi All, First off, let me apologize for my recent OT musings. :)  
> Secondly, I'd like to agree with Rick in this regard, that I 
> *personally* feel that having a second list for 'Looper's Delight' 
> posts is not only annoying but to me at least, against the nature of 
> the list the way it was started.  To my knowledge, this has never been 
> simply a 'gear' list, and God, I hope it never becomes just that.  :)  
> I'd be out of here so damned fast it wouldn't even be funny!  lol!

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 04:59:58 2007
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Reply-To: <woz@phaesler.org>
From: "Woz Mail" <max.oscar@optusnet.com.au>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: On vs off topic -and- irritating people (Other List?)
Date: Thu, 11 Oct 2007 14:59:42 +1000
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I propose we have a seperate OT list for the emails about the debate about
whether to have another OT list!

Only kidding :)

Cheers
Woz
-----Original Message-----
From: tEd R KiLLiAn [mailto:tedkillian@charter.net]
Sent: Thursday, October 11, 2007 12:12 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: On vs off topic -and- irritating people (Other List?)


Hi Cara,

I totally agree, if all we talked about 'round here were knobs and
buttons, blinky lights, sample rates and how to get our dingbob FCB1010
MAX/MSP gizmos to make perfect loop fondues I'd have been waaaaaay
outta here ten years ago.

That's how long I've been here on the list -- actually 11 years this
month, come to think of it.

Gawd do I feel old . . . but I digress.

I have to say I'm a bit puzzled that there is even a mention of
"another" pseudo LD list that OT messages might get shuttled off to.

It seems I remember that the poll a month or so ago was between having
the status quo (leaving damn well enough alone . . . and just having
people self-censor a bit . . . or kindly put an "OT" at the beginning
of their subject header . . . as has been good enough for over a
decade) and going all squirrel nutso and neo-nazi and sending all
offending OT posts off to cyberia.

I thought the overwhelming talley went with the status quo . . . did it
not?

What's this talk about a 2nd list?

Perhaps I'm a semi-senile old codger and I'm kicking' up a storm in a
teapot for nothing.

But daaaAAAaagnabit (he says with his best Gabby Hayes imitation) I
still plan on posting damn well whatever I feel comes to mind . . .
if'n it's music-related even in the remotest sense.

Sure, I'll be PO-LITE about it and put an nice big "OH TEE" onnit . . .
if it's not strickly loop-related that is..

But I double damn dog dare anyone to chase the free-flow of ideas from
this forum (spits expressively for emphasis).

Perhaps I have not heretofore followed this silly hair-brained dingus
of a thread as well as I mightta oughtta.

But You've got my attention now.

TaaAAaarnation!

Talk of sending all OT posts off to another list . . . well . . .
them's fightin' words.

Yesseree.

Believe it!!!!

Who's the low-down, pointy-headed, pea-brained son of a skunk that
suggested it?

I wanna know.

Somebody oughtta poke 'm in the nose.

Saddle 'em up boys (an girls) . . . let's ride.

Ted Killian

On Oct 10, 2007, at 6:21 PM, Cara Quinn wrote:

>  Hi All, First off, let me apologize for my recent OT musings. :)
> Secondly, I'd like to agree with Rick in this regard, that I
> *personally* feel that having a second list for 'Looper's Delight'
> posts is not only annoying but to me at least, against the nature of
> the list the way it was started.  To my knowledge, this has never been
> simply a 'gear' list, and God, I hope it never becomes just that.  :)
> I'd be out of here so damned fast it wouldn't even be funny!  lol!



--
No virus found in this incoming message.
Checked by AVG Free Edition.
Version: 7.5.488 / Virus Database: 269.14.7/1062 - Release Date: 10/10/2007
5:11 PM


From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 05:15:27 2007
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Message-ID: <d1396fc00710102215v12c656f0q3922a084bc39d397@mail.gmail.com>
Date: Wed, 10 Oct 2007 22:15:25 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: On vs off topic -and- irritating people...
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Many years ago, the list was defined as below.  It used to be that if
things got nasty or persistently off-topic (guitar-centric posts for
example), Kim [the list owner who pays for all this, since it does
cost money] would offer a sometimes pointed reminder.

Lately he appears to have taken a much more laissez faire  attitude,
and several of the guidelines below are routinely ignored (plain text
posts, judicious editing of responses, etc.).

TH

--------------------------------


What is the Looper's Delight Mailing list? What types of things are
discussed on it?

Loopers Delight is a forum for discussing loops and loop based music.
For posting, make sure you send to
Loopers-Delight@loopers-delight.com.

There isn't much that is considered off-topic, but it should somehow
relate to looping if you don't want to irritate people. Past, present
and future topics include looping devices and setups (Oberheim
Echoplex, Lexicon Jam Man and Vortex, Boomerang, samplers, MIDI,
effects, mixers, speakers, etc). We've also had threads about
improvisation, creativity, books, recordings, computers, Torn, Fripp,
Eno , DJs, ambient, industrial, minimalist music, hip hop, drum and
bass, Indian Classical music, sequencing, looping theory and
philosophy, etc., etc. You name it, we've probably discussed it.



Are there posting guidelines for the Looper's Delight Mailing list?

Please set your mail program to use plain text when posting to
Looper's Delight. Posts formatted in HTML or rich text are annoying on
mailing lists, since not everybody can see those. They also use up
many times more bandwidth and disk space than plain text emails.

Do not attach any files to your posts, as most people don't like
getting file attachments from lists. This also includes those inane
vcard things, background image graphics, audio files, etc. None of
this junk is necessary for conveying your message anyway.

When replying to another list post, please try to edit judiciously the
previous poster's message that you are replying to. Don't leave the
entire thing on there, as that is a waste of bandwidth, disk space,
and time for everybody on the list. Please use a reply style that
clearly shows which is your new text and which is the old text you are
replying to. The traditional method of placing a > in front of
previous text is perfect for this, and most email programs have a
setting to do this automatically. Also, replies are set to
automatically go back to the list, so please check the address if you
want to reply to somebody privately.




On 10/10/07, Cara Quinn <CaraQuinn@onemodelplace.com> wrote:
>
>
>    Hi All, First off, let me apologize for my recent OT musings.
> :)  Secondly, I'd like to agree with Rick in this regard, that I
> *personally* feel that having a second list for 'Looper's Delight' posts is
> not only annoying but to me at least, against the nature of the list the
> way it was started.  To my knowledge, this has never been simply a 'gear'
> list, and God, I hope it never becomes just that.  :)  I'd be out of here
> so damned fast it wouldn't even be funny!  lol!
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 05:54:13 2007
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From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: test\/tset
Date: Wed, 10 Oct 2007 22:54:29 -0700
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I'm testing Michael Peters supposition that
the daily digest eliminates anything before or after the
"/"  sign.

I'll see tomorrow whether I get this:

test\

or this:

t

This is to help us develop a protocall for
posting OT information in a way so that daily
digest readers can see the "OT"  sign.


A queery,  Michael (because I"m brain dead from this festival business
right now):

Is there a way, do you think,   where I can post an OT that had the subject 
in
the daily digest header?

I'm using Outlook Express and when you cursor over the Daily Digest
there is a little paper clip symbol that shows up at the bottom of the page 
which
allows you to see what the contents of the daily digest is.

It is there that I wasn't able to see my OT in my original post.
It suddenly occurs to me that it is probably Outlook Express's bad coding
and not the Daily Digest protocal which makes this happen but I"m
keen to suss it out, one way or another.

Thanks for bearing with me.    Rick 

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 07:16:38 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: On vs off topic -and- irritating people...
Date: Thu, 11 Oct 2007 09:16:31 +0200
To: Loopers-Delight@loopers-delight.com
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Just a reminder of what initially kicked off this discussion, since  
no one have so far mentioned that in this new thread. It was about  
making life a little easier for those who struggle with a digest  
version of the list. In the digest version many letters are baked  
into one super letter, which means the user can not use normal e-mail  
filtering. Especially problematic for digest reading is when someone  
quotes way too much and out of context.

But people, please don't stop quoting now! Intelligent quoting makes  
reading a lot easier and is generally regarded as good mailing list  
manners. When replying, you should keep just as much of the old text  
needed for a new reader to get the background to your own reply. Drag  
with mouse button held down to mark text that you want to quote, hit  
Reply, type something and finally hit Send.

Thank you, Travis, for posting the list rules to the list. It just  
dawned on me that I have never seen those on the list and that's bad.  
Most lists have an automatic function that posts the general list  
rules once a month to the list, just as a reminder.

The "mysterious LDOT list" is not associated with this list in any  
way other than that it was crated as a private initiative by a member  
of this list and that some more members of this list is subscribing  
to it. I personally use it to post things like guitar amp reviews,  
funny stories or whatever not looping oriented. As for Cara's wish of  
having it all on this list I would like to suggest a way to make that  
happen in your own praxis; simply subscribe to the other list and set  
you mail application to dump those mails into the same box as the LD  
list. You don't even have to know to which list a single message  
belongs - hit reply and it goes back through the same "list channel"  
where it came in.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
Subject: conversations threading IMPORTANT
Date: Thu, 11 Oct 2007 09:29:25 +0200
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One thing that almost nobody cares of is the threading behaviour that is 
included in the Email system we use for our brilliant conversations

somewhere in the message header are some nb/codes that make the conversation 
tree understandable by the email client and organizes the display in our 
respective mail client.

SO when you take the last message you recieved and just delete the text and 
subjects and then enter your fantastic new subject about whatever, you still 
continue the same old conversation because the threading code is still the 
same and doesnt care you changed subject from apples to terrorism.
the reason I'm complaining is this fucks up the archive and burries great 
conversations in obscure subjects and vice-versa

SO PLEASE DONT BE LAZY offer a NEW subject/thread to our admiration by 
hitting CONTROL+N (mac command+N)  and enter the LD adress and your amazing 
new header


Claude






www.claudevoit.ch
www.myspace.com/claudevoit
www.guitare-nyon.ch

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 09:26:40 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: conversations threading IMPORTANT
Date: Thu, 11 Oct 2007 11:26:25 +0200
To: Loopers-Delight@loopers-delight.com
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On 11 okt 2007, at 09.29, Claude Voit wrote:

> somewhere in the message header are some nb/codes that make the  
> conversation tree understandable by the email client and organizes  
> the display in our respective mail client.

This is something I have not heard of? No email system I have been  
using works like that (MS Windows Office Outlook, Outlook Express,  
Eudora, MS Entourage for Mac, Apple Mail, online web browser  
dependent G-Mail, online web browser PHP system Squirrel). When  
sorting according to Subject (equalling "thread") the function is  
based on alphabetical order, leaving out those short abbreviations  
typically added by the email client, as "Re", "RE", "FW" etc.

> SO when you take the last message you recieved and just delete the  
> text and subjects and then enter your fantastic new subject about  
> whatever, you still continue the same old conversation because the  
> threading code is still the same and doesnt care you changed  
> subject from apples to terrorism.
> the reason I'm complaining is this fucks up the archive and burries  
> great conversations in obscure subjects and vice-versa

Ouch... getting that mustn't be fun. I would be interested in hearing  
about email systems that supports such "nb threading code"?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 11:01:32 2007
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Subject: Re: conversations threading IMPORTANT
Date: Thu, 11 Oct 2007 12:45:23 +0200
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outlook express
does this as does the LD archives
just look at some of the distorted threads in october:

http://www.loopers-delight.com/LDarchive/200710/threads.html

Claude
----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, October 11, 2007 11:26 AM
Subject: Re: conversations threading IMPORTANT


> On 11 okt 2007, at 09.29, Claude Voit wrote:
> 
>> somewhere in the message header are some nb/codes that make the  
>> conversation tree understandable by the email client and organizes  
>> the display in our respective mail client.
> 
> This is something I have not heard of? No email system I have been  
> using works like that (MS Windows Office Outlook, Outlook Express,  
> Eudora, MS Entourage for Mac, Apple Mail, online web browser  
> dependent G-Mail, online web browser PHP system Squirrel). When  
> sorting according to Subject (equalling "thread") the function is  
> based on alphabetical order, leaving out those short abbreviations  
> typically added by the email client, as "Re", "RE", "FW" etc.
> 
>> SO when you take the last message you recieved and just delete the  
>> text and subjects and then enter your fantastic new subject about  
>> whatever, you still continue the same old conversation because the  
>> threading code is still the same and doesnt care you changed  
>> subject from apples to terrorism.
>> the reason I'm complaining is this fucks up the archive and burries  
>> great conversations in obscure subjects and vice-versa
> 
> Ouch... getting that mustn't be fun. I would be interested in hearing  
> about email systems that supports such "nb threading code"?
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> 
> 
> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 13:22:43 2007
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Subject: test!
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From: "Moore, David W Civ 86 MXS/MXMTA" <David.Moore@ramstein.af.mil>
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This is a test!
Can everybody read this?!

=20

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 14:14:57 2007
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Hello all!
I'm new to the list...and I guess technology in general!
I posted a couple of messages and got pretty upset, because no one
answered me! Hopefully NO ONE saw my last message! I was unaware that I
was posting HTML instead of plain text!
Anyway, I was asking about 3 pedals. But I think I know what I'm going
to get!
I (play) shakuhachi. Right now I run it through a Korg minikp. I was
deciding between a Digitech Jamman, a Boss RC-20 Loopstation or a Boss
DD-20 Gigadelay.
I am going to get the Gigadelay!
At first I was intrigued by the lengthy loops available, but after
reading reviews, I feel that the loopers are too restricting.
If I set a Gigadelay to 100% feedback, then everything I play will get
repeated for forever! Unlimited looping! 46 seconds is long enough too!

Thanx!
david
=20

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 14:18:18 2007
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-------------------------------1192112287
Content-Type: text/plain; charset="US-ASCII"
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David:
 
Looking at your email address I'm assuming you're stationed at an Air Force  
base in Germany.  What kind of playing opportunities do you have  there?  Are 
there other like minded souls on base with whom you play?  
 
Regards,
 
Harry  Weinberg, Esq.
Law Offices of Harry Weinberg
11 Beach Street - 8th  Floor
New York, N.Y. 10013
(212)  989-2908



************************************** See what's new at http://www.aol.com

-------------------------------1192112287
Content-Type: text/html; charset="US-ASCII"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.5730.11" name=3DGENERATOR></HEAD>
<BODY id=3Drole_body style=3D"FONT-SIZE: 10pt; COLOR: #000000; FONT-FAMILY:=20=
Arial"=20
bottomMargin=3D7 leftMargin=3D7 topMargin=3D7 rightMargin=3D7><FONT id=3Drol=
e_document=20
face=3DArial color=3D#000000 size=3D2>
<DIV>David:</DIV>
<DIV>&nbsp;</DIV>
<DIV>Looking at your email address I'm assuming you're stationed at an Air F=
orce=20
base in Germany.&nbsp; What kind of playing opportunities do you have=20
there?&nbsp; Are there other like minded souls on base with whom you play?&n=
bsp;=20
</DIV>
<DIV>&nbsp;</DIV>
<DIV>Regards,</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT lang=3D0 face=3DArial size=3D2 FAMILY=3D"SANSSERIF" PTSIZE=3D"10"=
>Harry=20
Weinberg, Esq.<BR>Law Offices of Harry Weinberg<BR>11 Beach Street - 8th=20
Floor<BR>New York, N.Y. 10013<BR>(212)=20
989-2908</FONT></DIV></FONT><BR><BR><BR><DIV><FONT style=3D"color: black; fo=
nt: normal 10pt ARIAL, SAN-SERIF;"><HR style=3D"MARGIN-TOP: 10px">See what's=
 new at <A title=3D"http://www.aol.com?NCID=3DAOLCMP00300000001170" href=3D"=
http://www.aol.com?NCID=3DAOLCMP00300000001170" target=3D"_blank">AOL.com</A=
> and <A title=3D"http://www.aol.com/mksplash.adp?NCID=3DAOLCMP0030000000116=
9" href=3D"http://www.aol.com/mksplash.adp?NCID=3DAOLCMP00300000001169" targ=
et=3D"_blank">Make AOL Your Homepage</A>.</FONT></DIV></BODY></HTML>

-------------------------------1192112287--

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 14:24:20 2007
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Welcome aboard, David!

Shakuhachi?  COOOL!!  Is there someplace to hear your music?

~peace~

Plish

www.michaelplishka.com
www.myspace.com/michaelplishka
www.myspace.com/bohdanovich

>
> Hello all!
> I'm new to the list...and I guess technology in general!
> I posted a couple of messages and got pretty upset, because no one
> answered me! Hopefully NO ONE saw my last message! I was unaware that I
> was posting HTML instead of plain text!
> Anyway, I was asking about 3 pedals. But I think I know what I'm going
> to get!
> I (play) shakuhachi. Right now I run it through a Korg minikp. I was
> deciding between a Digitech Jamman, a Boss RC-20 Loopstation or a Boss
> DD-20 Gigadelay.
> I am going to get the Gigadelay!
> At first I was intrigued by the lengthy loops available, but after
> reading reviews, I feel that the loopers are too restricting.
> If I set a Gigadelay to 100% feedback, then everything I play will get
> repeated for forever! Unlimited looping! 46 seconds is long enough too!
>
> Thanx!
> david
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 14:32:42 2007
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Hi there!

On Oct 11, 2007, at 7:14 AM, Moore, David W Civ 86 MXS/MXMTA wrote:

> If I set a Gigadelay to 100% feedback, then everything I play will get
> repeated for forever! Unlimited looping! 46 seconds is long enough =
too!

The DD-20 is something I've frequently used.

I've owned up to 3 of them at a time and I still own one.

To my knowledge, the maximum delay time is 23 seconds.

Unless Boss has upgraded the memory on the things, I suspect it still =20=

is.

You might want to check, if this is important to you, before you buy.

On the other side, it is a useful pedal indeed.

Like you said, I too use the Delay Mode at (or near) 100% feedback =20
instead of the Loop Mode.

Loop Mode reminded me too much of the RC-20 -- which I owned for less =20=

than a week and took right back to Guitar Center for  refund/trade-in =20=

on another DD-20.

Having lops that at least have the possibility of decay and change =20
seems a lot more musically useful and normal.

There's my 2 cents.

Good luck and welcome aboard.

tEd =AE KiLLiAn

www.tedkillian.com

Different is not always better, but better is always different"

Flux Aeterna:
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?=20
playListId=3D6378076

Also check out the 1st set of BEMF (Boise Experimental Music Festival) =20=

CDs at:
http://www.boisemusicians.com/experimental/cd.htm

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D1211970
00042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=20=

--Apple-Mail-1--942408982
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

<fontfamily><param>Helvetica</param>Hi there!=20


On Oct 11, 2007, at 7:14 AM, Moore, David W Civ 86 MXS/MXMTA wrote:


<excerpt>If I set a Gigadelay to 100% feedback, then everything I play
will get

repeated for forever! Unlimited looping! 46 seconds is long enough too!

</excerpt>

The DD-20 is something I've frequently used.


I've owned up to 3 of them at a time and I still own one.


To my knowledge, the maximum delay time is 23 seconds.


Unless Boss has upgraded the memory on the things, I suspect it still
is.


You might want to check, if this is important to you, before you buy.


On the other side, it is a useful pedal indeed.


Like you said, I too use the Delay Mode at (or near) 100% feedback
instead of the Loop Mode.


Loop Mode reminded me too much of the RC-20 -- which I owned for less
than a week and took right back to Guitar Center for  refund/trade-in
on another DD-20.


Having lops that at least have the possibility of decay and change
seems a lot more musically useful and normal.


There's my 2 cents.


Good luck and welcome aboard.


</fontfamily><fontfamily><param>Courier</param>tEd =AE KiLLiAn


www.tedkillian.com</fontfamily><fontfamily><param>Helvetica</param>


=
</fontfamily><fontfamily><param>Courier</param><color><param>FFFF,0C0C,000=
0</param>Different
is not always better, but better is always different" </color>

=20

<color><param>7F7F,7A7A,7A7A</param>Flux Aeterna:=20

=
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=3D6=
378076=20


Also check out the 1st set of BEMF (Boise Experimental Music Festival)
CDs at:=20

http://www.boisemusicians.com/experimental/cd.htm=20

=20

http://www.pfmentum.com/flux.html=20

http://www.CDbaby.com/cd/tedkillian=20

http://www.guitar9.com/fluxaeterna.html=20

http://www.garageband.com/artist/ArsOcarina=20

http://www.towerrecords.com/product.aspx?pfid=3D2845073=20

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314=20

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193=20

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D1211970

00042=20

=20

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,=20

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,=20

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,=20

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,=20

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So??? =
</color></fontfamily>=

--Apple-Mail-1--942408982--

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 14:32:42 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Newbie!
Date: Thu, 11 Oct 2007 16:32:35 +0200
To: Loopers-Delight@loopers-delight.com
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On 11 okt 2007, at 16.14, Moore, David W Civ 86 MXS/MXMTA wrote:

> Hello all!
> I'm new to the list...and I guess technology in general!
> I posted a couple of messages and got pretty upset, because no one
> answered me!

Welcome to this list then! Please don't feel upset about the lack of  
answers to your earlier post. Maybe you were simply asking some  
question too difficult for anyone in here. For example, asking about  
"advice for a looping device" without giving much background is just  
as confusing as if someone should enter a store saying "I want to eat  
- what would be my best buy?" ;-)

Shakuhachi has a fine tone, I think. This is the first time I hear  
abut anyone playing it in looping.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 15:09:03 2007
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> 
> Shakuhachi has a fine tone, I think. This is the first time I hear abut 
> anyone playing it in looping.
> 

Rick Walker's ears are burning

andy

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 15:14:08 2007
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From: "Moore, David W Civ 86 MXS/MXMTA" <David.Moore@ramstein.af.mil>
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Well! I don't have any yet! Music that is! Once I get my gigadelay...i
hope to start recording! I need to find a good cheap program for that!

=20

-----Original Message-----
From: mike@michaelplishka.com [mailto:mike@michaelplishka.com]=20
Sent: Thursday, October 11, 2007 4:24 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Newbie!

Welcome aboard, David!

Shakuhachi?  COOOL!!  Is there someplace to hear your music?

~peace~

Plish

www.michaelplishka.com
www.myspace.com/michaelplishka
www.myspace.com/bohdanovich

>
> Hello all!
> I'm new to the list...and I guess technology in general!
> I posted a couple of messages and got pretty upset, because no one
> answered me! Hopefully NO ONE saw my last message! I was unaware that
I
> was posting HTML instead of plain text!
> Anyway, I was asking about 3 pedals. But I think I know what I'm going
> to get!
> I (play) shakuhachi. Right now I run it through a Korg minikp. I was
> deciding between a Digitech Jamman, a Boss RC-20 Loopstation or a Boss
> DD-20 Gigadelay.
> I am going to get the Gigadelay!
> At first I was intrigued by the lengthy loops available, but after
> reading reviews, I feel that the loopers are too restricting.
> If I set a Gigadelay to 100% feedback, then everything I play will get
> repeated for forever! Unlimited looping! 46 seconds is long enough
too!
>
> Thanx!
> david
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 15:23:14 2007
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Yes, I am a civilian working at Ramstein! I am prior military.
Unfortunately I don't know anybody as like minded as me! That is
frustrating! I play cd's I like at work and everyone thinks I'm loony! I
had to teach myself the shakuhachi because of this reason! Plus I work 2
jobs for logistics purposes and have a beautiful wife and daughter! So
my free time is limited, but I'm not complaining too much!

david=20

=20

-----Original Message-----
From: HarryEsq@aol.com [mailto:HarryEsq@aol.com]=20
Sent: Thursday, October 11, 2007 4:18 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Newbie!

David:
=20
Looking at your email address I'm assuming you're stationed at an Air
Force base in Germany.  What kind of playing opportunities do you have
there?  Are there other like minded souls on base with whom you play? =20
=20
Regards,
=20
Harry Weinberg, Esq.
Law Offices of Harry Weinberg
11 Beach Street - 8th Floor
New York, N.Y. 10013
(212) 989-2908



________________________________

See what's new at AOL.com =
<http://www.aol.com?NCID=3DAOLCMP00300000001170>
and Make AOL Your Homepage
<http://www.aol.com/mksplash.adp?NCID=3DAOLCMP00300000001169> .

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 15:29:38 2007
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Thank you,
I'm not trying to do anything special! I think I have been looking for a
special sound for the past 42 years! I've always loved the simplicity of
what eno & fripp did! I know there are some people using the shakuhachi
in different ways! David jackman for example! My problem is trying too
hard sometimes to make sure I don't sound like somebody else!

david

=20

-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com]=20
Sent: Thursday, October 11, 2007 4:33 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Newbie!

On 11 okt 2007, at 16.14, Moore, David W Civ 86 MXS/MXMTA wrote:

> Hello all!
> I'm new to the list...and I guess technology in general!
> I posted a couple of messages and got pretty upset, because no one
> answered me!

Welcome to this list then! Please don't feel upset about the lack of =20
answers to your earlier post. Maybe you were simply asking some =20
question too difficult for anyone in here. For example, asking about =20
"advice for a looping device" without giving much background is just =20
as confusing as if someone should enter a store saying "I want to eat =20
- what would be my best buy?" ;-)

Shakuhachi has a fine tone, I think. This is the first time I hear =20
abut anyone playing it in looping.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 15:31:08 2007
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Is Rick Walker on this list? I would love to hear from someone else who
is trying to further the realm of the shakuhachi!

david

=20

-----Original Message-----
From: andy butler [mailto:akbutler@tiscali.co.uk]=20
Sent: Thursday, October 11, 2007 5:09 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Newbie!


>=20
> Shakuhachi has a fine tone, I think. This is the first time I hear
abut=20
> anyone playing it in looping.
>=20

Rick Walker's ears are burning

andy

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 15:40:47 2007
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Subject: RE: Newbie!
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> My problem is trying too
> hard sometimes to make sure I don't sound like somebody else!
>

Just try more to sound like yourself and the rest takes care of itself.

Regarding mixing, even though I record on a standalone Korg D1200, I
mixdown using N-Track.  http://www.n-track.com/ It's cheap and does a
great job.  I also do some finishing with har-bal. http://www.har-bal.com

Looking forward to your music!

~peace~

plish

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 15:53:10 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Startup Apps for Laptop Loopers - streamline performance, etc
Date: Thu, 11 Oct 2007 09:47:59 -0600
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This topic has been discussed before, but I wanted to share my latest =
findings. As you XP computer users know, when Windows starts it loads a =
lot of processes, drivers, apps, services, etc that aren't all necessary =
all of the time. Many of these use some processing power, but it usually =
shows as more of a memory drain if you do a control-alt-delete, go to =
Task Manager, and look at the memory usage in the processes tab. For =
instance, the main memory hoggers on my ThinkPad are DiskManager, Norton =
Anti-Virus, and a few others ThinkPad maintenance apps.  In addition, =
I've read a number of computer recording articles that suggest that the =
wireless network turned on can cause issues on some computers and apps, =
causing crashes, clicking, etc. In fact, I experienced this exact issue =
with ProTools/mBox a few years ago, where if the wireless network was =
on, but could not find an accesspoint, it would cause ProTools to crash. =
Bizarre. And I recently read in the max/msp forum that this could cause =
clicking with some recording apps and sound cards.

Amway, there are a number of methods that folks use to prevent some of =
these above mentioned processes and apps from launching at startup. Some =
of us, including myself in the past, have used msconfig (you just run =
this from Start and Run). You can deselect any of these and prevent them =
from running at startup. However, I recently read in some tech forums =
that msconfig is recommended primarily for testing, troubleshooting, =
etc...not as a permanent solution to altering your startup process. The =
claim is that this is not an efficient way to end the processes and does =
so incompletely. Then, another tech forum suggests that instead of =
msconfig, you should be using "services.msc". It is a more efficient and =
clean way to go in and end the processes safely. However, that app is a =
little awkward to use.  I also recall another solution, that I've tried, =
but scares the hell out of me, where you make changes to your startup =
process, save your MS registry file (go into Start, Run, and "regedit"), =
and do this for your different configurations. Then you load the =
registry file you want, and reboot to get that configuration. I don't =
recommend this, though it seemed to work. At the time, it did some weird =
things to my system like generate duplicate entry lines in my startup =
processes.  Moreover, I read enough negative comments on these other =
methods to disuade me from using them. I am very protective of my =
computer and don't like messing with things unless I know it is safe and =
stable.

Over a year ago, I started using AutoRuns, linked below. It has gained a =
lot of attention and is even linked from the Microsoft technet site. You =
launch this program and it basically shows you everything that is =
running on your system. You can easily de-select what you want, save, =
and then when you reboot, those processes do not start. I have had great =
luck with this program. Another program is similar, which is ServiWin. =
It is so similar, that I just use AutoRuns now. My major complaint about =
these two program, however, is that you can't save multiple =
configurations (much in the same way that you can't save a msconfig =
setting). Rather, if you want to switch back and forth between your =
streamlined startup and your normal setup (for web browsing, etc), you =
have remember which processes you unchecked in the app, and then =
re-uncheck them again, save, and then re-boot. It's sort of a pain, but =
the ease of use of AutoRuns in general is enough for me to keep using =
it. I only disable 10-15 processes, so I can easily remember which ones.

Here are the links to these programs:

AutoRuns - =
http://www.microsoft.com/technet/sysinternals/Utilities/AutoRuns.mspx
ServiWin - http://www.nirsoft.net/utils/serviwin.html

So, essentially, the process I use to startup into my music =
performance/looping configuration, is that I use AutoRuns to remove =
Diskkeeper, anything from Semantic AntiVirus (the main memory/process =
hogger), and a handful of ThinkPad apps like the system update manager, =
etc. Then I go into my network connections and disable my wireless and =
LAN networks. Then I reboot. All is good.

I would be curious to know what other folks are using. Has anyone found =
an app like AutoRuns that allows you to save multiple configurations? I =
actually wrote the developer of AutoRuns requesting this feature, but =
the response was that they had no plans for this. It doesn't make sense =
to me. It would be so easy to mod that program so that you just load a =
new AutoRuns configuration, save, and then reboot.

Kris

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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>This topic has been discussed before, =
but I wanted=20
to share my latest findings. As you XP computer users know, when Windows =
starts=20
it loads a lot of processes, drivers, =
apps,&nbsp;services,&nbsp;etc&nbsp;that=20
aren't all necessary all of the time. Many of these use =
some&nbsp;processing=20
power, but it usually shows as more of a memory drain if you do a=20
control-alt-delete, go to Task Manager, and look at the memory usage in =
the=20
processes tab. For instance, the main memory hoggers on my ThinkPad are=20
DiskManager, Norton Anti-Virus, and a few others ThinkPad maintenance=20
apps.&nbsp; In addition, I've read a number of computer recording =
articles that=20
suggest that the wireless network turned on can cause issues on some =
computers=20
and apps, causing crashes, clicking, etc. In fact, I experienced this =
exact=20
issue with ProTools/mBox a few years ago, where if the wireless network =
was on,=20
but could not find an accesspoint, it would cause ProTools to crash. =
Bizarre.=20
And I recently read in the max/msp forum that this could cause clicking =
with=20
some recording apps and sound cards.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Amway, there are a number of methods =
that folks use=20
to prevent some of these above mentioned processes and apps from =
launching at=20
startup. Some of us, including myself in the past, have used msconfig =
(you just=20
run this from Start and Run). You can deselect any of these and prevent =
them=20
from running at startup. However, I recently read in some tech forums=20
that&nbsp;msconfig is&nbsp;recommended primarily for testing, =
troubleshooting,=20
etc...not as a permanent solution to altering your startup =
process.&nbsp;The=20
claim is that this is not an efficient way to end the processes and does =
so=20
incompletely.&nbsp;Then, another tech forum suggests that instead of =
msconfig,=20
you should be using "services.msc". It is a more efficient and clean way =
to go=20
in and end the processes safely. However, that app is a little awkward =
to=20
use.&nbsp; I also recall another solution, that I've tried, but scares =
the hell=20
out of me, where you make changes to your startup process, save your MS =
registry=20
file (go into Start, Run, and "regedit"), and do this for your different =

configurations. Then you load the registry file you want, and reboot to =
get that=20
configuration. I don't recommend this, though it seemed to work. At the =
time, it=20
did some weird things to my system like generate duplicate entry lines =
in my=20
startup processes.&nbsp; Moreover, I read enough negative comments on =
these=20
other methods to disuade me from using them. I am very protective of my =
computer=20
and don't like messing with things unless I know it is safe and=20
stable.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Over a year ago, I started using =
AutoRuns, linked=20
below. It has gained a lot of attention and is even linked from the =
Microsoft=20
technet site. You launch this program and it basically shows you =
everything that=20
is running on your system. You can easily de-select what you want, save, =
and=20
then when you reboot, those processes do not start. I have had great =
luck with=20
this program. Another program is similar, which is ServiWin. It is so =
similar,=20
that I just use AutoRuns now. My major complaint about these two =
program,=20
however, is that you can't save multiple configurations (much in the =
same way=20
that you can't save a msconfig setting). Rather, if you want to switch =
back and=20
forth between your streamlined startup and your normal setup (for web =
browsing,=20
etc), you have remember which processes you unchecked in the app, and =
then=20
re-uncheck them again, save, and then re-boot. It's sort of a pain, but =
the ease=20
of use of AutoRuns in general is enough for me to keep using it. I only =
disable=20
10-15 processes, so I can easily remember which ones.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Here are the links to these =
programs:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>AutoRuns - <A=20
href=3D"http://www.microsoft.com/technet/sysinternals/Utilities/AutoRuns.=
mspx">http://www.microsoft.com/technet/sysinternals/Utilities/AutoRuns.ms=
px</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>ServiWin&nbsp;- <A=20
href=3D"http://www.nirsoft.net/utils/serviwin.html">http://www.nirsoft.ne=
t/utils/serviwin.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>So, essentially, the process I use to =
startup into=20
my music performance/looping configuration, is that I use AutoRuns to =
remove=20
Diskkeeper, anything from Semantic AntiVirus (the main memory/process =
hogger),=20
and a handful of ThinkPad apps like the system update manager, etc. Then =
I go=20
into my network connections and disable my wireless and LAN networks. =
Then I=20
reboot. All is good.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I would be curious to know what other =
folks are=20
using. Has anyone found an app like AutoRuns that allows you to save =
multiple=20
configurations? I actually wrote the developer of AutoRuns requesting =
this=20
feature, but the response was that they had no plans for this. It =
doesn't make=20
sense to me. It would be so easy to mod that program so that you just =
load a new=20
AutoRuns configuration, save, and then reboot.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 16:16:15 2007
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Subject: Re: Startup Apps for Laptop Loopers - streamline performance, etc
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Krispen Hartung wrote:
> This topic has been discussed before, but I wanted to share my latest 
> findings. As you XP computer users know, when Windows starts it loads a 
> lot of processes, 

> Some 
> of us, including myself in the past, have used msconfig (you just run 
> this from Start and Run). You can deselect any of these and prevent them 
> from running at startup. However, I recently read in some tech forums 
> that msconfig is recommended primarily for testing, troubleshooting, 
> etc...not as a permanent solution to altering your startup process. The 
> claim is that this is not an efficient way to end the processes and does 
> so incompletely.

Actually, it prevents the processes from ever being started.
Perhaps what they meant was that it didn't catch every single process
that could start (which I think may be the case).

Surely you can do an MSCONFIG setup, and then either use it or not.
At least that gives you 2 different startup configs.
( with a choice on startup )

andy butler

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 16:23:19 2007
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>> Some of us, including myself in the past, have used msconfig (you just 
>> run this from Start and Run). You can deselect any of these and prevent 
>> them from running at startup. However, I recently read in some tech 
>> forums that msconfig is recommended primarily for testing, 
>> troubleshooting, etc...not as a permanent solution to altering your 
>> startup process. The claim is that this is not an efficient way to end 
>> the processes and does so incompletely.
>
> Actually, it prevents the processes from ever being started.
> Perhaps what they meant was that it didn't catch every single process
> that could start (which I think may be the case).

Yes, that is obviously what it does, as indicated by the processes not
appearing at re-boot

> Surely you can do an MSCONFIG setup, and then either use it or not.
> At least that gives you 2 different startup configs.
> ( with a choice on startup )

Yes, but once you go back to your standard startup and reboot, and then
want to go back to your performance configuration, you have to re-deselect
the processes again and reboot. You cannot save the msconfig configuration.
But, more importantly, the articles are not recommending msconfig as the
approprieate way to do this. As I said, it is recommended as a way to
troubleshoot, etc, not as a permament startup configuration solution. I 
don't
have the articles on hand, but you could Google the topic and find them.

Kris

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 16:36:41 2007
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Subject: RE: Startup Apps for Laptop Loopers - streamline performance, etc
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I use AutoRuns now, but in the past I used "Startup Cop" which you can
download from the PC Magazine site.  There are several versions
floating around, be sure to get the latest "Pro" version.
=20
One of the things it had that I never got around to using was
"profiles" which I think is what you want.  You can make multiple
profiles of enabled services and switch between them.
=20
If that doesn't work for you, then what I generally do is maintain two
different OS partitions with a shared data partition and cross boot.
=20
Jeff
=20

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Date: Thu, 11 Oct 2007 09:46:50 -0700
To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: test!
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   yes, got it...

Smiles,

CQ  :)

At 03:22 PM 10/11/2007 +0200, you wrote:

>This is a test!
>Can everybody read this?!
>
>
>
>
>
>
>
>--
>No virus found in this incoming message.
>Checked by AVG Free Edition.
>Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date: 10/9/2007 
>4:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


-- 
No virus found in this outgoing message.
Checked by AVG Free Edition. 
Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date: 10/9/2007 4:43 PM


From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 17:01:40 2007
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Date: Thu, 11 Oct 2007 10:01:39 -0700 (PDT)
From: richard gryffin <gi_tatanka@yahoo.com>
Subject: EDP overdub switch kills loop feedback after one cycle 
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I have encountered another  problem controlling my EDP with the foot 
controller. the first has been resolved...prob and resolution below ... i include this because the new problem is similar....  
power on and record the first loop....no problems and all functions 
available thru the pedal and EDP...everything works as it should 
when i reset record on the EDP using the midi foot controller or 
the front panel and start a new loop it plays only one cycle of the 
loop and then stops. I have reset the EDP to factory defaults to 
make sure i havent inadvertantly changed a paramater... . then i also 
discovered you have to reset the echoplex presets 
thru further experimentation i have found that apparently the 
initial use of the midi controller changes a preset parameter in the 
echoplex after the first loop..which one i cant figure ....i have 
established this by resetting the presets after disconnecting the 
fcb1010 and using the echoplex footswitch.. once i do this everything 
is back to normal with the plex...
  
resolution ....reset all unused fcb functions to an unused channel...they were set to
  midi channel 25  in the fcb and the plex has only 16 midi channels ...once i changed the fcb settings to channel 15 the problem stopped 
   
  now i am trying to run a single latched footswitch from the overdub jack on the back of the plex ....when this switch is plugged in the plex behaves as above stopping after the first cycle...remove the switch and the problem goes away....changing the preset value for feedBKC has no effect...where is the plex getting this extraneous setting from? what will kill the loop after only one cycle....
   
  this is a great group and i appreciate the help it has been.....closer to performing at every step i am....


firehawks
       
---------------------------------
Moody friends. Drama queens. Your life? Nope! - their life, your story.
 Play Sims Stories at Yahoo! Games. 
--0-2084664896-1192122099=:76879
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<div>I have encountered another &nbsp;problem controlling my EDP with the foot <BR>controller. the first has been resolved...prob and resolution below ... i include this because the new problem is similar.... &nbsp;<BR>power on and record the first loop....no problems and all functions <BR>available thru the pedal and EDP...everything works as it should <BR>when i reset record on the EDP using the midi foot controller or <BR>the front panel and start a new loop it plays only one cycle of the <BR>loop and then stops. I have reset the EDP to factory defaults to <BR>make sure i havent inadvertantly changed a paramater... . then i also <BR>discovered you have to reset the echoplex presets <BR>thru further experimentation i have found that apparently the <BR>initial use of the midi controller changes a preset parameter in the <BR>echoplex after the first loop..which one i cant figure ....i have <BR>established this by resetting the presets after disconnecting the <BR>fcb1010 and
 using the echoplex footswitch.. once i do this everything <BR>is back to normal with the plex...</div>  <div><BR>resolution ....reset all unused fcb functions to an unused channel...they were set to</div>  <div>midi channel 25&nbsp; in the fcb and the plex has only 16 midi channels ...once i changed the fcb settings to channel 15 the problem stopped </div>  <div>&nbsp;</div>  <div>now i am trying to run a single latched footswitch from the overdub jack on the back of the plex ....when this switch is plugged in the plex behaves as above stopping after the first cycle...remove the switch and the problem goes away....changing the preset value for feedBKC has no effect...where is the plex getting this extraneous setting from? what will kill the loop after only one cycle....</div>  <div>&nbsp;</div>  <div>this is a great group and i appreciate the help it has been.....closer to performing at every step i am....</div><BR><BR><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New
 Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"><STRONG><EM><FONT color=#ff7f00>firehawks</FONT></EM></STRONG></SPAN><p>&#32;
      <hr size=1>Moody friends. Drama queens. Your life? Nope! - their life, your story.<br> <a href="http://us.rd.yahoo.com/evt=48224/*http://sims.yahoo.com/">Play Sims Stories at Yahoo! Games. </a>
--0-2084664896-1192122099=:76879--

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 17:03:38 2007
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Date: Thu, 11 Oct 2007 09:57:03 -0700
From: "miles ward" <miles932@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Startup Apps for Laptop Loopers - streamline performance, etc
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Another key item there is just how much of a hog the norton applications
are, and how hard it is to properly contain their impact on performance of
your machine.  I'd recommend Nod32.

On 10/11/07, Krispen Hartung <khartung@cableone.net> wrote:
>
> >> Some of us, including myself in the past, have used msconfig (you just
> >> run this from Start and Run). You can deselect any of these and prevent
> >> them from running at startup. However, I recently read in some tech
> >> forums that msconfig is recommended primarily for testing,
> >> troubleshooting, etc...not as a permanent solution to altering your
> >> startup process. The claim is that this is not an efficient way to end
> >> the processes and does so incompletely.
> >
> > Actually, it prevents the processes from ever being started.
> > Perhaps what they meant was that it didn't catch every single process
> > that could start (which I think may be the case).
>
> Yes, that is obviously what it does, as indicated by the processes not
> appearing at re-boot
>
> > Surely you can do an MSCONFIG setup, and then either use it or not.
> > At least that gives you 2 different startup configs.
> > ( with a choice on startup )
>
> Yes, but once you go back to your standard startup and reboot, and then
> want to go back to your performance configuration, you have to re-deselect
> the processes again and reboot. You cannot save the msconfig
> configuration.
> But, more importantly, the articles are not recommending msconfig as the
> approprieate way to do this. As I said, it is recommended as a way to
> troubleshoot, etc, not as a permament startup configuration solution. I
> don't
> have the articles on hand, but you could Google the topic and find them.
>
> Kris
>
>


-- 
---Miles Ward

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Another key item there is just how much of a hog the norton applications are, and how hard it is to properly contain their impact on performance of your machine. &nbsp;I&#39;d recommend Nod32.<br><br><div><span class="gmail_quote">
On 10/11/07, <b class="gmail_sendername">Krispen Hartung</b> &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>&gt; wrote:</span><blockquote class="gmail_quote" style="margin:0;margin-left:0.8ex;border-left:1px #ccc solid;padding-left:1ex">
&gt;&gt; Some of us, including myself in the past, have used msconfig (you just<br>&gt;&gt; run this from Start and Run). You can deselect any of these and prevent<br>&gt;&gt; them from running at startup. However, I recently read in some tech
<br>&gt;&gt; forums that msconfig is recommended primarily for testing,<br>&gt;&gt; troubleshooting, etc...not as a permanent solution to altering your<br>&gt;&gt; startup process. The claim is that this is not an efficient way to end
<br>&gt;&gt; the processes and does so incompletely.<br>&gt;<br>&gt; Actually, it prevents the processes from ever being started.<br>&gt; Perhaps what they meant was that it didn&#39;t catch every single process<br>&gt; that could start (which I think may be the case).
<br><br>Yes, that is obviously what it does, as indicated by the processes not<br>appearing at re-boot<br><br>&gt; Surely you can do an MSCONFIG setup, and then either use it or not.<br>&gt; At least that gives you 2 different startup configs.
<br>&gt; ( with a choice on startup )<br><br>Yes, but once you go back to your standard startup and reboot, and then<br>want to go back to your performance configuration, you have to re-deselect<br>the processes again and reboot. You cannot save the msconfig configuration.
<br>But, more importantly, the articles are not recommending msconfig as the<br>approprieate way to do this. As I said, it is recommended as a way to<br>troubleshoot, etc, not as a permament startup configuration solution. I
<br>don&#39;t<br>have the articles on hand, but you could Google the topic and find them.<br><br>Kris<br><br></blockquote></div><br><br clear="all"><br>-- <br>---Miles Ward

------=_Part_1848_8533434.1192121823142--

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 17:13:06 2007
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Subject: Re: Startup Apps for Laptop Loopers - streamline performance, etc
Date: Thu, 11 Oct 2007 11:13:01 -0600
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FYI, most all the articles at MS's support site suggest that msconfig is 
primarily for diognostics and troubleshooting.
http://support.microsoft.com/search/default.aspx?spid=global&query=msconfig&qryWt=&mode=r&cus=False

K- 

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 17:14:02 2007
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Subject: Re: Startup Apps for Laptop Loopers - streamline performance, etc
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Ohhhh! Nice. Thanks for sharing. That is what I was looking for.

Kris

----- Original Message ----- 

I use AutoRuns now, but in the past I used "Startup Cop" which you can
download from the PC Magazine site.  There are several versions
floating around, be sure to get the latest "Pro" version.
 
One of the things it had that I never got around to using was
"profiles" which I think is what you want.  You can make multiple
profiles of enabled services and switch between them.
 
If that doesn't work for you, then what I generally do is maintain two
different OS partitions with a shared data partition and cross boot.
 
Jeff
 

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 17:19:20 2007
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Subject: Re: Startup Apps for Laptop Loopers - streamline performance, etc
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I think this is the most up to date link:

http://www.windows-startup-cop.com/
----- Original Message ----- 

I use AutoRuns now, but in the past I used "Startup Cop" which you can
download from the PC Magazine site.  There are several versions
floating around, be sure to get the latest "Pro" version.
 
One of the things it had that I never got around to using was
"profiles" which I think is what you want.  You can make multiple
profiles of enabled services and switch between them.
 
If that doesn't work for you, then what I generally do is maintain two
different OS partitions with a shared data partition and cross boot.
 
Jeff
 

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 17:24:48 2007
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Date: Thu, 11 Oct 2007 12:55:41 -0400
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Subject: 46 Seconds from the Boss DD-20 (Was Newbie!)
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This is a multi-part message in MIME format.

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Ted K. wrote:
> To my knowledge, the maximum delay time is 23 seconds.

> Unless Boss has upgraded the memory on the things, I suspect it still is.

> You might want to check, if this is important to you, before you buy.

If you read my review/description of the Boss DD-20 on the Looper's Delight web site, you'll find the neat trick I discovered to create up to 46 seconds of delay from this cool little cream-colored box. It's in there; you just gotta know how to coax it out.

Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"The volume knob on your telepathy is your morality."         
- Stephen Gaskin, The Farm

--Boundary_(ID_LXGOx2o+5y8JwvyR5CFETg)
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<?fontfamily><?param Helvetica><HTML><HEAD>
<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
<META content="MSHTML 6.00.2800.1543" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV><FONT size=2>Ted K. wrote:</FONT><BR>&gt; To my knowledge, the maximum 
delay time is 23 seconds.<BR><BR>&gt; Unless Boss has upgraded the memory on the 
things, I suspect it still is.<BR><BR>&gt; You might want to check, if this is 
important to you, before you buy.<BR><BR><FONT size=2>If you read my 
review/description of the Boss DD-20 on the Looper's Delight web site, you'll 
find the neat trick I discovered to create up to 46 seconds of delay from this 
cool little cream-colored box. It's in there; you just gotta know how to coax it 
out.</FONT></DIV>
<DIV><FONT size=2></FONT>&nbsp;</DIV>
<DIV><FONT size=2>Douglas Baldwin, coyote-at-large<BR><A 
href="http://www.thecoyote.org">www.thecoyote.org</A><BR><A 
href="mailto:coyotelk@optonline.net">coyotelk@optonline.net</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=2>"The volume knob on your telepathy is your 
morality."&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>- Stephen Gaskin, 
The Farm</FONT></DIV></BODY></HTML>

--Boundary_(ID_LXGOx2o+5y8JwvyR5CFETg)--

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 17:26:05 2007
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Subject: RE: Startup Apps for Laptop Loopers - streamline performance, etc
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No, that's "CopiLot", I was using "Cop".  This looks like it:

http://www.pcmag.com/article2/0,1895,1830389,00.asp?kc=3DPCGL10310KTX2B2=
20
0331

I notice that it has a bad member rating, but they were complaining
about some advanced features you may not need. =20

The other one looks different though they cleverly grabbed the
windows-startup-cop domain name.

Jeff

=20

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Date: Thu, 11 Oct 2007 13:26:19 -0400
From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Spybot also has a startup 'editor' so you can turn startup stuff on and off.

It also knows what things are (mostly) so you can decode some of the
weird filenames into something meaningful.

Tony

On 10/11/07, Krispen Hartung <khartung@cableone.net> wrote:
> Ohhhh! Nice. Thanks for sharing. That is what I was looking for.
>
> Kris
>
> ----- Original Message -----
>
> I use AutoRuns now, but in the past I used "Startup Cop" which you can
> download from the PC Magazine site.  There are several versions
> floating around, be sure to get the latest "Pro" version.
>
> One of the things it had that I never got around to using was
> "profiles" which I think is what you want.  You can make multiple
> profiles of enabled services and switch between them.
>
> If that doesn't work for you, then what I generally do is maintain two
> different OS partitions with a shared data partition and cross boot.
>
> Jeff
>
>
>


-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 17:34:00 2007
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Looks like version 3 is out now.  This one dumps support
for 95 and 98 and adds support for Vista.

http://www.pcmag.com/article2/0,1895,2177738,00.asp


Jeff

=20

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 17:40:57 2007
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Per Boysen wrote:
> On 11 okt 2007, at 09.29, Claude Voit wrote:
> 
>> somewhere in the message header are some nb/codes that make the 
>> conversation tree understandable by the email client and organizes the 
>> display in our respective mail client.
> 
> This is something I have not heard of? No email system I have been using 
> works like that (MS Windows Office Outlook, Outlook Express, Eudora, MS 
> Entourage for Mac, Apple Mail, online web browser dependent G-Mail, 
> online web browser PHP system Squirrel). When sorting according to 
> Subject (equalling "thread") the function is based on alphabetical 
> order, leaving out those short abbreviations typically added by the 
> email client, as "Re", "RE", "FW" etc.

Thunderbird supports sorting by thread which is based on more than just 
sorting by Subject header. Threading != sorting by Subject.

If you open any reply that has been sent to the list and choose your 
mail program's version of "View Message Source" you can see the raw 
email message which includes all of the headers. Take note of the 
"In-Reply-To" and "References" headers. Those headers reference the 
Message-Id of the message being replied to.

Systems that allow for sorting by thread will use those headers to 
determine threading order above and beyond using the Subject header.

The moral of the story is that it really is helpful to many of us as 
well as to anyone browsing threads in the archives if people will 
remember to send a new email instead of hitting reply when starting a 
new thread.

Peace,
- Sam

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Date: Thu, 11 Oct 2007 11:19:42 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: WHAT DO WE LOOK LIKE
To: Loopers-Delight@loopers-delight.com
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You look hot in that photo!

Cara Quinn <CaraQuinn@onemodelplace.com> wrote:    lol!  It's called a 'Neckie' and it's a designer piece from an SF designer.  God, how redundant!  lol!  

  -Way fun shoot!!!...

Smiles,

Cara  :)

At 06:43 PM 10/8/2007 -0700, you wrote:

  What the heck is that thing on your neck? Are you hiding a goiter?

Cara Quinn <CaraQuinn@onemodelplace.com> wrote: 
    
   At the bottom of each of my notes...

  
   http://www.onemodelplace.com/CaraQuinn

  
   Smiles,

  
   Cara :)

  
   At 01:13 AM 10/8/2007 -0700, you wrote:

  
   >A couple of people have mentioned a sentiment that I share with them:
  
   >It's great to attach a face to the names of some of the people who contribute
  
   >here at the l.d. board.
  
   >
  
   >Could we put a page up or ten up at the website that has photos next to 
  
   >all the
  
   >people who are here at the site?
  
   >
  
   >I think it would be great if we could attach names to faces.
  
   >
  
   >
  
   >If that would take up to much bandwidth then I would volunteer to
  
   >put them up at the Live Looping Tribe at tribe.net where it is free 
  
   >to post photos.
  
   >
  
   >
  
   >It'd be better to have it here at L.D. so, to that end, why doesn't 
  
   >everyone
  
   >find their best mug shot and print their name on it so that we can start
  
   >putting together a photo gallery of all the live loopers.
  
   >
  
   >yours, Rick
  
   >
  
   >
  
   >
  
   >
  
   >--
  
   >No virus found in this incoming message.
  
   >Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 
  
   >269.13.39/1045 - Release Date: 10/2/2007 6:43 PM

  
   ---
  
   View my on-line portfolio at:

  
   http://www.onemodelplace.com/CaraQuinn

  
   "The only things I really think are important, are love, and each 
  
   other. -Then, anything is possible..."

  
   http://home.earthlink.net/~cara-quinn


  
   -- 
  
   No virus found in this outgoing message.
  
   Checked by AVG Free Edition. 
  
   Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 10/2/2007 6:43 PM




Check out the hottest 2008 models today at Yahoo! Autos. 

No virus found in this incoming message.
Checked by AVG Free Edition. 
Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 10/2/2007 6:43 PM  ---
  View my on-line portfolio at:  

http://www.onemodelplace.com/CaraQuinn 

  "The only things I really think are important, are love, and each other.  -Then, anything is possible..."  

http://home.earthlink.net/~cara-quinn


No virus found in this outgoing message.
Checked by AVG Free Edition.
Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 10/2/2007 6:43 PM



       
---------------------------------
Don't let your dream ride pass you by.    Make it a reality with Yahoo! Autos. 
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You look hot in that photo!<BR><BR><B><I>Cara Quinn &lt;CaraQuinn@onemodelplace.com&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">&nbsp; lol!&nbsp; It's called a 'Neckie' and it's a designer piece from an SF designer.&nbsp; God, how redundant!&nbsp; lol!&nbsp; <BR><BR>&nbsp; -Way fun shoot!!!...<BR><BR>Smiles,<BR><BR>Cara&nbsp; :)<BR><BR>At 06:43 PM 10/8/2007 -0700, you wrote:<BR><BR>  <BLOCKQUOTE class=cite cite="" type="cite">What the heck is that thing on your neck? Are you hiding a goiter?<BR><BR><B><I>Cara Quinn &lt;CaraQuinn@onemodelplace.com&gt;</I></B> wrote: <BR>  <DL>  <DD>At the bottom of each of my notes...<BR><BR>  <DD><A href="http://www.onemodelplace.com/CaraQuinn" eudora="autourl">http://www.onemodelplace.com/CaraQuinn</A><BR><BR>  <DD>Smiles,<BR><BR>  <DD>Cara :)<BR><BR>  <DD>At 01:13 AM 10/8/2007 -0700, you wrote:<BR><BR>  <DD>&gt;A couple of people have mentioned a sentiment that I
 share with them:<BR>  <DD>&gt;It's great to attach a face to the names of some of the people who contribute<BR>  <DD>&gt;here at the l.d. board.<BR>  <DD>&gt;<BR>  <DD>&gt;Could we put a page up or ten up at the website that has photos next to <BR>  <DD>&gt;all the<BR>  <DD>&gt;people who are here at the site?<BR>  <DD>&gt;<BR>  <DD>&gt;I think it would be great if we could attach names to faces.<BR>  <DD>&gt;<BR>  <DD>&gt;<BR>  <DD>&gt;If that would take up to much bandwidth then I would volunteer to<BR>  <DD>&gt;put them up at the Live Looping Tribe at tribe.net where it is free <BR>  <DD>&gt;to post photos.<BR>  <DD>&gt;<BR>  <DD>&gt;<BR>  <DD>&gt;It'd be better to have it here at L.D. so, to that end, why doesn't <BR>  <DD>&gt;everyone<BR>  <DD>&gt;find their best mug shot and print their name on it so that we can start<BR>  <DD>&gt;putting together a photo gallery of all the live loopers.<BR>  <DD>&gt;<BR>  <DD>&gt;yours, Rick<BR>  <DD>&gt;<BR>  <DD>&gt;<BR> 
 <DD>&gt;<BR>  <DD>&gt;<BR>  <DD>&gt;--<BR>  <DD>&gt;No virus found in this incoming message.<BR>  <DD>&gt;Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: <BR>  <DD>&gt;269.13.39/1045 - Release Date: 10/2/2007 6:43 PM<BR><BR>  <DD>---<BR>  <DD>View my on-line portfolio at:<BR><BR>  <DD><A href="http://www.onemodelplace.com/CaraQuinn" eudora="autourl">http://www.onemodelplace.com/CaraQuinn</A><BR><BR>  <DD>"The only things I really think are important, are love, and each <BR>  <DD>other. -Then, anything is possible..."<BR><BR>  <DD><A href="http://home.earthlink.net/~cara-quinn" eudora="autourl">http://home.earthlink.net/~cara-quinn</A><BR><BR><BR>  <DD>-- <BR>  <DD>No virus found in this outgoing message.<BR>  <DD>Checked by AVG Free Edition. <BR>  <DD>Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 10/2/2007 6:43 PM<BR><BR><BR></DD></DL><BR><BR><A
 href="http://us.rd.yahoo.com/evt=51201/*http://autos.yahoo.com/new_cars.html;_ylc=X3oDMTE5NWVzZGVyBF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDYXV0b3MtbmV3Y2Fy">Check out </A>the hottest 2008 models today at Yahoo! Autos. <BR><BR>No virus found in this incoming message.<BR>Checked by AVG Free Edition. <BR>Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 10/2/2007 6:43 PM</BLOCKQUOTE><X-SIGSEP>  <div></X-SIGSEP>---<BR>&nbsp; View my on-line portfolio at:&nbsp; <BR><BR><A href="http://www.onemodelplace.com/CaraQuinn" eudora="autourl">http://www.onemodelplace.com/CaraQuinn</A> <BR><BR>&nbsp; "The only things I really think are important, are love, and each other.&nbsp; -Then, anything is possible..."&nbsp; <BR><BR><A href="http://home.earthlink.net/~cara-quinn" eudora="autourl">http://home.earthlink.net/~cara-quinn</A><BR><BR><BR>No virus found in this outgoing message.<BR>Checked by AVG Free Edition.<BR>Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release
 Date: 10/2/2007 6:43 PM<BR></div></BLOCKQUOTE><BR><p>&#32;
      <hr size=1>Don't let your dream ride pass you by.  <a href="http://us.rd.yahoo.com/evt=51200/*http://autos.yahoo.com/index.html;_ylc=X3oDMTFibjNlcHF0BF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDYXV0b3MtZHJlYW1jYXI-">  Make it a reality</a> with Yahoo! Autos.



 


--0-2019051973-1192126782=:78840--

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 19:02:37 2007
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Date: Thu, 11 Oct 2007 12:05:51 -0700
To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: On vs off topic -and- irritating people...
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   Hi Per, thanks for your reply.  Yes, I'm familiar with filtering and 
such, and am subscribed to several email lists that all go to appropriate 
inboxes, or multiple lists to one, so I'm completely comfortable with doing 
that, but the points I was trying to make, I think might have been lost...

   Firstly, having all of the LD traffic, (whatever that may be) on one 
'LD' list, promotes a smooth flow of ideas from extreme to extreme, which 
is personally, what keeps me coming back here to this list.  Without that, 
honestly, the list would hold considerably less interest for me.  :)  -Just 
my own opinion, of course...

   Secondly, if a second list is to exist, and be somehow affiliated with 
LD, why should the moderation style HERE change?  I know we've said that 
the status quo is to be preserved here, but as long as 'OT' posts are going 
somewhere else, that's not really happening in practice is it?...
   In other words, rather than simply letting this list adapt as it has 
done before, to accommodate people, actual material that would have gone to 
THIS list is now, not.  So, instead of simple changes to the existing flow, 
to adapt it, it's being completely diverted, in an 'all or nothing' 
fashion.  Does that make sense?...  Furthermore, there is now more 
bandwidth on a regular basis about what is on vs what is off 
topic!  lol!  Isn't this exactly the sort of thing we were trying to 
avoid?...  lol!  -And of course, my own posts here, not withstanding!  :)

   Now, having said all of this, as I understood what happened a few weeks 
ago, people were simply not happy about a book discussion which they felt 
interfered with the gear chat...  So, a new list was started, where things 
like book chats could happen.  I.E. LDOT...

   What I'm wondering is why the exclusive / heavily moderated gear chat 
and more extreme on topic format nature couldn't be applied to THAT list 
rather than this one?...  Why do the book chats need to leave and the gear 
chat stay?...  Why can't the book chats stay, and the gear chat stay as 
well?...  :)   -But, the extreme no-frills 'on topic' gear chat could move 
to the new list...
  Meanwhile, here on this list, we could simply continue as is, or was, 
rather, :)  and just be more aware and practice better netiquette and have 
both book chats AND gear chats?...  This doesn't, at the moment, seem to be 
what is happening.  (even though we say it's supposed to) If I'm mistaken, 
then so be it, but I don't think I am...

   Lastly, as for my own personal thoughts on subbing to the new list, 
(aside from my mention above, of the notion of too much 
compartmentalization of the flow of ideas, causing interference in effect) 
just in a general access sense, different lists cause my email client and 
screen reader to ;display header info differently, so in effect, different 
lists are easier and less time consuming for me to read.  This is one of 
the easy ones, whereas Google (while definitely not being the most 
difficult) is not...  So for me, joining a chat list in that format would 
only be a nuisance.  And, as I'd mentioned above, even if I did, the flow 
that has happened HERE, because of both extremes being present, still 
wouldn't exist.  It's like separating a cake out into it's ingredients, and 
serving them.  :)  Sure, you'd still get what's in the cake, BUT IT'S NOT A 
CAKE!!!  :)  lol!

   Am I making sense now?...

   So, what I'm saying is that I think fragmenting like this is changing 
the primary nature of the list.  If that's what people want, then fine, 
that's cool!  :)  It's just not MY personal preference...  :)

   -And, as long as there is some sort of venue which is sort of, but not 
quite, affiliated with LD, where the book posts go, :)  rather than going 
here, this list is a different place...  Does that make sense?...


   Anyway, I hope I've clarified my points.  Have a terrific day!...

Smiles,

Cara  :)

At 09:16 AM 10/11/2007 +0200, you wrote:

>Just a reminder of what initially kicked off this discussion, since
>no one have so far mentioned that in this new thread. It was about
>making life a little easier for those who struggle with a digest
>version of the list. In the digest version many letters are baked
>into one super letter, which means the user can not use normal e-mail
>filtering. Especially problematic for digest reading is when someone
>quotes way too much and out of context.
>
>But people, please don't stop quoting now! Intelligent quoting makes
>reading a lot easier and is generally regarded as good mailing list
>manners. When replying, you should keep just as much of the old text
>needed for a new reader to get the background to your own reply. Drag
>with mouse button held down to mark text that you want to quote, hit
>Reply, type something and finally hit Send.
>
>Thank you, Travis, for posting the list rules to the list. It just
>dawned on me that I have never seen those on the list and that's bad.
>Most lists have an automatic function that posts the general list
>rules once a month to the list, just as a reminder.
>
>The "mysterious LDOT list" is not associated with this list in any
>way other than that it was crated as a private initiative by a member
>of this list and that some more members of this list is subscribing
>to it. I personally use it to post things like guitar amp reviews,
>funny stories or whatever not looping oriented. As for Cara's wish of
>having it all on this list I would like to suggest a way to make that
>happen in your own praxis; simply subscribe to the other list and set
>you mail application to dump those mails into the same box as the LD
>list. You don't even have to know to which list a single message
>belongs - hit reply and it goes back through the same "list channel"
>where it came in.
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se (Swedish)
>www.looproom.com (international)
>
>
>
>
>
>
>
>
>--
>No virus found in this incoming message.
>Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 
>269.14.6/1060 - Release Date: 10/9/2007 4:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


-- 
No virus found in this outgoing message.
Checked by AVG Free Edition. 
Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date: 10/9/2007 4:43 PM


From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 19:06:11 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: EDP overdub switch kills loop feedback after one cycle 
Date: Thu, 11 Oct 2007 21:06:02 +0200
To: Loopers-Delight@loopers-delight.com
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On 11 okt 2007, at 19.01, richard gryffin wrote:

>  i have found that apparently the
> initial use of the midi controller changes a preset parameter in the
> echoplex after the first loop..

This might be caused by your FCB sending also a MIDI Program Changes  
event together with the note number you have programmed it for, as  
the command you are sending after the first loop. If that's the case  
the solution would be to reprogram the FCB patch and turn off the  
MIDI PC#.

> resolution ....reset all unused fcb functions to an unused  
> channel...they were set to
> midi channel 25  in the fcb and the plex has only 16 midi  
> channels ...once i changed the fcb settings to channel 15 the  
> problem stopped

Twenty five! There are only sixteen channels in MIDI, so 25 must be a  
bug. I was reprogramming my FCB recently and notice the span of a  
MIDI Continuous Change parameter to go all the way up to 250, which  
should not be possible since in MIDI those go only from 1 to 128 (or  
from 0 to 127). After setting it correctly inside the available span  
the pedal worked fine though.

> now i am trying to run a single latched footswitch from the overdub  
> jack on the back of the plex ....when this switch is plugged in the  
> plex behaves as above stopping after the first cycle...remove the  
> switch and the problem goes away....changing the preset value for  
> feedBKC has no effect...where is the plex getting this extraneous  
> setting from?

Might be that the feedback is turned down to zero? Or it might be  
that you happened to plug it into the feedback jack, because then the  
EDP runs in a different interface mode where part of the feedback  
functionality is handled from the pedal and part handled from the  
front panel knob (depending on which action you're talking at the  
moment).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 19:18:46 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Startup Apps for Laptop Loopers - streamline performance, etc
Date: Thu, 11 Oct 2007 21:18:39 +0200
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On 11 okt 2007, at 17.47, Krispen Hartung wrote:

> I would be curious to know what other folks are using. Has anyone  
> found an app like AutoRuns that allows you to save multiple  
> configurations

I used to tweak quite a lot of system settings in Windows 95 and got  
much better performance out of the machines. But when XP arrived and  
computers got faster there wasn't really much need of doing that,  
except for tweaking of some background services. But I did not use an  
application to do this every time I started the machine. Instead I  
set up the machine with different bootable system partitions, each  
one hidden and thus not visible from the others (since this is not  
really possible with unhidden partition. So the partition I chose to  
boot from launched a system that truly believed that it owned control  
of the complete hardware. And the music partition had of course no  
virus protection software or network drivers installed, only pure  
intel power. That solution is much faster, compared to booting the  
machine and having to start killing off background services.

In this way I used PC's for audio work in a recording studio context  
between 2000 and 2003. Since 2003 I have been using Macs (except for  
a pc lappy for Mobius).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 19:21:42 2007
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Subject: OT -was- Re: WHAT DO WE LOOK LIKE
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   Hey thanks!  :)  Much appreciated!...

Smiles,

Cara  :)

At 11:19 AM 10/11/2007 -0700, you wrote:

>You look hot in that photo!
>
>Cara Quinn <CaraQuinn@onemodelplace.com> wrote:
>   lol!  It's called a 'Neckie' and it's a designer piece from an SF 
> designer.  God, how redundant!  lol!
>
>   -Way fun shoot!!!...
>
>Smiles,
>
>Cara  :)
>
>At 06:43 PM 10/8/2007 -0700, you wrote:
>
>>What the heck is that thing on your neck? Are you hiding a goiter?
>>
>>Cara Quinn <CaraQuinn@onemodelplace.com> wrote:
>>At the bottom of each of my notes...
>>
>>http://www.onemodelplace.com/CaraQuinn
>>Smiles,
>>Cara :)
>>At 01:13 AM 10/8/2007 -0700, you wrote:
>> >A couple of people have mentioned a sentiment that I share with them:
>> >It's great to attach a face to the names of some of the people who 
>> contribute
>> >here at the l.d. board.
>> >
>> >Could we put a page up or ten up at the website that has photos next to
>> >all the
>> >people who are here at the site?
>> >
>> >I think it would be great if we could attach names to faces.
>> >
>> >
>> >If that would take up to much bandwidth then I would volunteer to
>> >put them up at the Live Looping Tribe at tribe.net where it is free
>> >to post photos.
>> >
>> >
>> >It'd be better to have it here at L.D. so, to that end, why doesn't
>> >everyone
>> >find their best mug shot and print their name on it so that we can start
>> >putting together a photo gallery of all the live loopers.
>> >
>> >yours, Rick
>> >
>> >
>> >
>> >
>> >--
>> >No virus found in this incoming message.
>> >Checked by AVG Free Edition. Version: 7.5.476 / Virus Database:
>> >269.13.39/1045 - Release Date: 10/2/2007 6:43 PM
>>---
>>View my on-line portfolio at:
>>
>>http://www.onemodelplace.com/CaraQuinn
>>"The only things I really think are important, are love, and each
>>other. -Then, anything is possible..."
>>
>>http://home.earthlink.net/~cara-quinn
>>
>>--
>>No virus found in this outgoing message.
>>Checked by AVG Free Edition.
>>Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 
>>10/2/2007 6:43 PM
>>
>>
>>
>>
>><http://us.rd.yahoo.com/evt=51201/*http://autos.yahoo.com/new_cars.html;_ylc=X3oDMTE5NWVzZGVyBF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDYXV0b3MtbmV3Y2Fy>Check 
>>out the hottest 2008 models today at Yahoo! Autos.
>>
>>No virus found in this incoming message.
>>Checked by AVG Free Edition.
>>Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 
>>10/2/2007 6:43 PM
>---
>   View my on-line portfolio at:
>
>http://www.onemodelplace.com/CaraQuinn
>
>   "The only things I really think are important, are love, and each 
> other.  -Then, anything is possible..."
>
>http://home.earthlink.net/~cara-quinn
>
>
>No virus found in this outgoing message.
>Checked by AVG Free Edition.
>Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 
>10/2/2007 6:43 PM
>
>
>
>Don't let your dream ride pass you by. 
><http://us.rd.yahoo.com/evt=51200/*http://autos.yahoo.com/index.html;_ylc=X3oDMTFibjNlcHF0BF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDYXV0b3MtZHJlYW1jYXI->Make 
>it a reality with Yahoo! Autos.
>
>No virus found in this incoming message.
>Checked by AVG Free Edition.
>Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date: 10/9/2007 
>4:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn

--=====================_3710024==.ALT
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<html>
<body>
&nbsp; Hey thanks!&nbsp; :)&nbsp; Much appreciated!...<br><br>
Smiles,<br><br>
Cara&nbsp; :)<br><br>
At 11:19 AM 10/11/2007 -0700, you wrote:<br><br>
<blockquote type=cite class=cite cite>You look hot in that
photo!<br><br>
<b><i>Cara Quinn &lt;CaraQuinn@onemodelplace.com&gt;</i></b> wrote: 
<br>

<dl>
<dd>&nbsp; lol!&nbsp; It's called a 'Neckie' and it's a designer piece
from an SF designer.&nbsp; God, how redundant!&nbsp; lol!&nbsp; 
<br><br>

<dd>&nbsp; -Way fun shoot!!!...<br><br>

<dd>Smiles,<br><br>

<dd>Cara&nbsp; :)<br><br>

<dd>At 06:43 PM 10/8/2007 -0700, you wrote:<br><br>
<blockquote type=cite class=cite cite>
<dd>What the heck is that thing on your neck? Are you hiding a
goiter?<br><br>

<dd>Cara Quinn &lt;CaraQuinn@onemodelplace.com&gt;</i></b> wrote: 
<dd>At the bottom of each of my notes...<br><br>

<dd><a href="http://www.onemodelplace.com/CaraQuinn" eudora="autourl">http://www.onemodelplace.com/CaraQuinn</a><br>

<dd>Smiles,<br>

<dd>Cara :)<br>

<dd>At 01:13 AM 10/8/2007 -0700, you wrote:<br>

<dd>&gt;A couple of people have mentioned a sentiment that I share with
them:
<dd>&gt;It's great to attach a face to the names of some of the people
who contribute
<dd>&gt;here at the l.d. board.
<dd>&gt;
<dd>&gt;Could we put a page up or ten up at the website that has photos
next to 
<dd>&gt;all the
<dd>&gt;people who are here at the site?
<dd>&gt;
<dd>&gt;I think it would be great if we could attach names to faces.
<dd>&gt;
<dd>&gt;
<dd>&gt;If that would take up to much bandwidth then I would volunteer
to
<dd>&gt;put them up at the Live Looping Tribe at tribe.net where it is
free 
<dd>&gt;to post photos.
<dd>&gt;
<dd>&gt;
<dd>&gt;It'd be better to have it here at L.D. so, to that end, why
doesn't 
<dd>&gt;everyone
<dd>&gt;find their best mug shot and print their name on it so that we
can start
<dd>&gt;putting together a photo gallery of all the live loopers.
<dd>&gt;
<dd>&gt;yours, Rick
<dd>&gt;
<dd>&gt;
<dd>&gt;
<dd>&gt;
<dd>&gt;--
<dd>&gt;No virus found in this incoming message.
<dd>&gt;Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 
<dd>&gt;269.13.39/1045 - Release Date: 10/2/2007 6:43 PM<br>

<dd>---
<dd>View my on-line portfolio at:<br><br>

<dd><a href="http://www.onemodelplace.com/CaraQuinn" eudora="autourl">http://www.onemodelplace.com/CaraQuinn</a><br>

<dd>&quot;The only things I really think are important, are love, and
each 
<dd>other. -Then, anything is possible...&quot;<br><br>

<dd><a href="http://home.earthlink.net/~cara-quinn" eudora="autourl">http://home.earthlink.net/~cara-quinn</a><br>
<br>

<dd>-- 
<dd>No virus found in this outgoing message.
<dd>Checked by AVG Free Edition. 
<dd>Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date:
10/2/2007 6:43 PM<br>
<br><br>
</dl><br><br>
<a href="http://us.rd.yahoo.com/evt=51201/*http://autos.yahoo.com/new_cars.html;_ylc=X3oDMTE5NWVzZGVyBF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDYXV0b3MtbmV3Y2Fy">Check
out </a>the hottest 2008 models today at Yahoo! Autos. <br><br>
No virus found in this incoming message.<br>
Checked by AVG Free Edition. <br>
Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date:
10/2/2007 6:43 PM</blockquote>---<br>
&nbsp; View my on-line portfolio at:&nbsp; <br><br>
<a href="http://www.onemodelplace.com/CaraQuinn" eudora="autourl">http://www.onemodelplace.com/CaraQuinn</a>
<br><br>
&nbsp; &quot;The only things I really think are important, are love, and each other.&nbsp; -Then, anything is possible...&quot;&nbsp; <br><br>
<a href="http://home.earthlink.net/~cara-quinn" eudora="autourl">http://home.earthlink.net/~cara-quinn</a><br><br>
<br>
No virus found in this outgoing message.<br>
Checked by AVG Free Edition.<br>
Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 10/2/2007 6:43 PM<br><br>
<br>
<br>
Don't let your dream ride pass you by. <a href="http://us.rd.yahoo.com/evt=51200/*http://autos.yahoo.com/index.html;_ylc=X3oDMTFibjNlcHF0BF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDYXV0b3MtZHJlYW1jYXI-">Make it a reality</a> with Yahoo! Autos. <br><br>
No virus found in this incoming message.<br>
Checked by AVG Free Edition. <br>
Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date: 10/9/2007 4:43 PM</blockquote>
<x-sigsep><p></x-sigsep>
---<br>
&nbsp; View my on-line portfolio at:&nbsp; <br><br>
<a href="http://www.onemodelplace.com/CaraQuinn" eudora="autourl">http://www.onemodelplace.com/CaraQuinn</a> <br><br>
&nbsp; &quot;The only things I really think are important, are love, and each other.&nbsp; -Then, anything is possible...&quot;&nbsp; <br><br>
<a href="http://home.earthlink.net/~cara-quinn" eudora="autourl">http://home.earthlink.net/~cara-quinn</a><br>
</body>
</html>

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No virus found in this outgoing message.
Checked by AVG Free Edition. 
Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date: 10/9/2007 4=
:43 PM

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From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 19:30:46 2007
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Date: Thu, 11 Oct 2007 12:33:58 -0700
To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: EDP overdub switch kills loop feedback after one cycle 
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   Hi Richard, perhaps it's me, but your solution here, doesn't make 
sense.  There ARE only 16 midi channels regardless of whatever device 
you're using.  So I'm not sure what's happening there.  No biggie, of 
course, since it seems to have solved your issue, so way cool!  :)

   However, it really seems like there's something else going on here in 
the first place...

   Can you give a more detailed note on your FCB settings and EDP 
settings?...

   For me at least, it's not clear (could be the blonde thing!  lol!) and 
I'd like to help if I can...

   Thanks so much and have a wonderful day!...

Smiles,

Cara  :)

At 10:01 AM 10/11/2007 -0700, you wrote:

>                 I have encountered another  problem controlling my EDP 
> with the foot
>controller. the first has been resolved...prob and resolution below ... i 
>include this because the new problem is similar....
>power on and record the first loop....no problems and all functions
>available thru the pedal and EDP...everything works as it should
>when i reset record on the EDP using the midi foot controller or
>the front panel and start a new loop it plays only one cycle of the
>loop and then stops. I have reset the EDP to factory defaults to
>make sure i havent inadvertantly changed a paramater... . then i also
>discovered you have to reset the echoplex presets
>thru further experimentation i have found that apparently the
>initial use of the midi controller changes a preset parameter in the
>echoplex after the first loop..which one i cant figure ....i have
>established this by resetting the presets after disconnecting the
>fcb1010 and using the echoplex footswitch.. once i do this everything
>is back to normal with the plex...
>
>resolution ....reset all unused fcb functions to an unused channel...they 
>were set to
>midi channel 25  in the fcb and the plex has only 16 midi channels ...once 
>i changed the fcb settings to channel 15 the problem stopped
>
>now i am trying to run a single latched footswitch from the overdub jack 
>on the back of the plex ....when this switch is plugged in the plex 
>behaves as above stopping after the first cycle...remove the switch and 
>the problem goes away....changing the preset value for feedBKC has no 
>effect...where is the plex getting this extraneous setting from? what will 
>kill the loop after only one cycle....
>
>this is a great group and i appreciate the help it has been.....closer to 
>performing at every step i am....
>
>
>firehawks
>
>
>Moody friends. Drama queens. Your life? Nope! - their life, your story.
><http://us.rd.yahoo.com/evt=48224/*http://sims.yahoo.com/>Play Sims 
>Stories at Yahoo! Games.
>
>No virus found in this incoming message.
>Checked by AVG Free Edition.
>Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date: 10/9/2007 
>4:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn

--=====================_4253986==.ALT
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<html>
<body>
&nbsp; Hi Richard, perhaps it's me, but your solution here, doesn't make
sense.&nbsp; There ARE only 16 midi channels regardless of whatever
device you're using.&nbsp; So I'm not sure what's happening there.&nbsp;
No biggie, of course, since it seems to have solved your issue, so way
cool!&nbsp; :)<br><br>
&nbsp; However, it really seems like there's something else going on here
in the first place...<br><br>
&nbsp; Can you give a more detailed note on your FCB settings and EDP
settings?...&nbsp; <br><br>
&nbsp; For me at least, it's not clear (could be the blonde thing!&nbsp;
lol!) and I'd like to help if I can...&nbsp;&nbsp;&nbsp; <br><br>
&nbsp; Thanks so much and have a wonderful day!...<br><br>
Smiles,<br><br>
Cara&nbsp; :)<br><br>
At 10:01 AM 10/11/2007 -0700, you wrote:<br><br>
<blockquote type=cite class=cite cite><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>I
have encountered another&nbsp; problem controlling my EDP with the foot
<br>
controller. the first has been resolved...prob and resolution below ... i
include this because the new problem is similar....&nbsp; <br>
power on and record the first loop....no problems and all functions 
<br>
available thru the pedal and EDP...everything works as it should <br>
when i reset record on the EDP using the midi foot controller or <br>
the front panel and start a new loop it plays only one cycle of the 
<br>
loop and then stops. I have reset the EDP to factory defaults to <br>
make sure i havent inadvertantly changed a paramater... . then i also
<br>
discovered you have to reset the echoplex presets <br>
thru further experimentation i have found that apparently the <br>
initial use of the midi controller changes a preset parameter in the
<br>
echoplex after the first loop..which one i cant figure ....i have <br>
established this by resetting the presets after disconnecting the <br>
fcb1010 and using the echoplex footswitch.. once i do this everything
<br>
is back to normal with the plex...<br><br>
resolution ....reset all unused fcb functions to an unused channel...they
were set to<br>
midi channel 25&nbsp; in the fcb and the plex has only 16 midi channels
...once i changed the fcb settings to channel 15 the problem stopped
<br>
&nbsp;<br>
now i am trying to run a single latched footswitch from the overdub jack
on the back of the plex ....when this switch is plugged in the plex
behaves as above stopping after the first cycle...remove the switch and
the problem goes away....changing the preset value for feedBKC has no
effect...where is the plex getting this extraneous setting from? what
will kill the loop after only one cycle....<br>
&nbsp;<br>
this is a great group and i appreciate the help it has been.....closer to
performing at every step i am....<br><br>
<br>
<font color="#FF7F00"><b><i>firehawks</i></b></font><br><br>
<br>
Moody friends. Drama queens. Your life? Nope! - their life, your
story.<br>
<a href="http://us.rd.yahoo.com/evt=48224/*http://sims.yahoo.com/">Play
Sims Stories at Yahoo! Games. </a><br><br>
No virus found in this incoming message.<br>
Checked by AVG Free Edition. <br>
Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date:
10/9/2007 4:43 PM</blockquote>
<x-sigsep><p></x-sigsep>
---<br>
&nbsp; View my on-line portfolio at:&nbsp; <br><br>
<a href="http://www.onemodelplace.com/CaraQuinn" eudora="autourl">http://www.onemodelplace.com/CaraQuinn</a>
<br><br>
&nbsp; &quot;The only things I really think are important, are love, and each other.&nbsp; -Then, anything is possible...&quot;&nbsp; <br><br>
<a href="http://home.earthlink.net/~cara-quinn" eudora="autourl">http://home.earthlink.net/~cara-quinn</a><br>
</body>
</html>

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No virus found in this outgoing message.
Checked by AVG Free Edition. 
Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date: 10/9/2007 4=
:43 PM

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From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 20:30:21 2007
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT On vs off topic -and- irritating people...
References: <d1396fc00710102215v12c656f0q3922a084bc39d397@mail.gmail.com> <61999.72.51.110.167.1191960231.squirrel@www.andredonawa.com> <3B760999C264454D82652640BB74075C56BC3B@keel.sailpoint.com> <60886.72.51.110.167.1192027354.squirrel@www.andredonawa.com> <3B760999C264454D82652640BB74075C56BD65@keel.sailpoint.com> <2B817E1B-CE90-4395-84C4-6736DD3D2516@ubergadget.com> <5.2.1.1.0.20071010160626.02e84b70@mail.onemodelplace.com> <d1396fc00710102215v12c656f0q3922a084bc39d397@mail.gmail.com> <5.2.1.1.0.20071011095803.02ec95d0@mail.onemodelplace.com>
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Cara says:- 
> .  So, a new list was started, 
> where things like book chats could happen.  I.E. LDOT...
> 

> 
>   So, what I'm saying is that I think fragmenting like this is changing 
> the primary nature of the list.  If that's what people want, then fine, 
> that's cool!  :)  It's just not MY personal preference...  :)
> 

hi Cara, I appreciate your concern

..but the LD list has stayed *exactly* the same

LDOT is just a few friendly people who felt they didn't
want to clog the list with their nonsense. Posting stuff
they wouldn't post on LD.



Don't worry, you're not missing out.
You have the whole cake.


andy 

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 20:49:31 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <0b9b01c80c1e$1ccd06d0$23b0ec0f@americas.hpqcorp.net> 	<3B760999C264454D82652640BB74075C56BEEF@keel.sailpoint.com> 	<0be101c80c2a$db7e0cd0$23b0ec0f@americas.hpqcorp.net> <3B760999C264454D82652640BB74075C56BF01@keel.sailpoint.com> <3B760999C264454D82652640BB74075C56BF03@keel.sailpoint.com>
Subject: Re: Startup Apps for Laptop Loopers - streamline performance, etc
Date: Thu, 11 Oct 2007 14:49:27 -0600
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Since the program isn't that expensive, bought it and tried it out.  It 
works alright, and being able to save profiles is exactly what I wanted.

....however, as advertised, it is a "Startup" cop. It prevents a fair amount 
of programs from starting, yet doesn't prevent many associated background 
processes and services from starting.

Kris


----- Original Message ----- 

Looks like version 3 is out now.  This one dumps support
for 95 and 98 and adds support for Vista.

http://www.pcmag.com/article2/0,1895,2177738,00.asp

Jeff



From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 20:59:17 2007
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Subject: RE: On vs off topic -and- irritating people...
Date: Thu, 11 Oct 2007 16:47:12 -0400
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From: "Wordsman, Lee" <LWordsman@PIRNIE.COM>
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Cara,=20

You make your point perfectly and I agree.  It seems having two lists
could stifle some of the dialogue that ultimately does loop back to
topic (most times).  Some of the off topic stuff also helps put some
personality behind the community, which I don't think is a bad thing.

I receive the digest version and but not in the manner that Per
describes. I don't get one super post, I get a list of each individual
post that I can click on if the subject heading interests me. Do others
receive the digest in a different format?

Lee
-----Original Message-----
From: Cara Quinn [mailto:CaraQuinn@onemodelplace.com]=20
Sent: Thursday, October 11, 2007 3:06 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: On vs off topic -and- irritating people...

   Hi Per, thanks for your reply.  Yes, I'm familiar with filtering and=20
such, and am subscribed to several email lists that all go to
appropriate=20
inboxes, or multiple lists to one, so I'm completely comfortable with
doing=20
that, but the points I was trying to make, I think might have been
lost...

   Firstly, having all of the LD traffic, (whatever that may be) on one=20
'LD' list, promotes a smooth flow of ideas from extreme to extreme,
which=20
is personally, what keeps me coming back here to this list.  Without
that,=20
honestly, the list would hold considerably less interest for me.  :)
-Just=20
my own opinion, of course...

   Secondly, if a second list is to exist, and be somehow affiliated
with=20
LD, why should the moderation style HERE change?  I know we've said that

the status quo is to be preserved here, but as long as 'OT' posts are
going=20
somewhere else, that's not really happening in practice is it?...
   In other words, rather than simply letting this list adapt as it has=20
done before, to accommodate people, actual material that would have gone
to=20
THIS list is now, not.  So, instead of simple changes to the existing
flow,=20
to adapt it, it's being completely diverted, in an 'all or nothing'=20
fashion.  Does that make sense?...  Furthermore, there is now more=20
bandwidth on a regular basis about what is on vs what is off=20
topic!  lol!  Isn't this exactly the sort of thing we were trying to=20
avoid?...  lol!  -And of course, my own posts here, not withstanding!
:)

   Now, having said all of this, as I understood what happened a few
weeks=20
ago, people were simply not happy about a book discussion which they
felt=20
interfered with the gear chat...  So, a new list was started, where
things=20
like book chats could happen.  I.E. LDOT...

   What I'm wondering is why the exclusive / heavily moderated gear chat

and more extreme on topic format nature couldn't be applied to THAT list

rather than this one?...  Why do the book chats need to leave and the
gear=20
chat stay?...  Why can't the book chats stay, and the gear chat stay as=20
well?...  :)   -But, the extreme no-frills 'on topic' gear chat could
move=20
to the new list...
  Meanwhile, here on this list, we could simply continue as is, or was,=20
rather, :)  and just be more aware and practice better netiquette and
have=20
both book chats AND gear chats?...  This doesn't, at the moment, seem to
be=20
what is happening.  (even though we say it's supposed to) If I'm
mistaken,=20
then so be it, but I don't think I am...

   Lastly, as for my own personal thoughts on subbing to the new list,=20
(aside from my mention above, of the notion of too much=20
compartmentalization of the flow of ideas, causing interference in
effect)=20
just in a general access sense, different lists cause my email client
and=20
screen reader to ;display header info differently, so in effect,
different=20
lists are easier and less time consuming for me to read.  This is one of

the easy ones, whereas Google (while definitely not being the most=20
difficult) is not...  So for me, joining a chat list in that format
would=20
only be a nuisance.  And, as I'd mentioned above, even if I did, the
flow=20
that has happened HERE, because of both extremes being present, still=20
wouldn't exist.  It's like separating a cake out into it's ingredients,
and=20
serving them.  :)  Sure, you'd still get what's in the cake, BUT IT'S
NOT A=20
CAKE!!!  :)  lol!

   Am I making sense now?...

   So, what I'm saying is that I think fragmenting like this is changing

the primary nature of the list.  If that's what people want, then fine,=20
that's cool!  :)  It's just not MY personal preference...  :)

   -And, as long as there is some sort of venue which is sort of, but
not=20
quite, affiliated with LD, where the book posts go, :)  rather than
going=20
here, this list is a different place...  Does that make sense?...


   Anyway, I hope I've clarified my points.  Have a terrific day!...

Smiles,

Cara  :)

At 09:16 AM 10/11/2007 +0200, you wrote:

>Just a reminder of what initially kicked off this discussion, since
>no one have so far mentioned that in this new thread. It was about
>making life a little easier for those who struggle with a digest
>version of the list. In the digest version many letters are baked
>into one super letter, which means the user can not use normal e-mail
>filtering. Especially problematic for digest reading is when someone
>quotes way too much and out of context.
>
>But people, please don't stop quoting now! Intelligent quoting makes
>reading a lot easier and is generally regarded as good mailing list
>manners. When replying, you should keep just as much of the old text
>needed for a new reader to get the background to your own reply. Drag
>with mouse button held down to mark text that you want to quote, hit
>Reply, type something and finally hit Send.
>
>Thank you, Travis, for posting the list rules to the list. It just
>dawned on me that I have never seen those on the list and that's bad.
>Most lists have an automatic function that posts the general list
>rules once a month to the list, just as a reminder.
>
>The "mysterious LDOT list" is not associated with this list in any
>way other than that it was crated as a private initiative by a member
>of this list and that some more members of this list is subscribing
>to it. I personally use it to post things like guitar amp reviews,
>funny stories or whatever not looping oriented. As for Cara's wish of
>having it all on this list I would like to suggest a way to make that
>happen in your own praxis; simply subscribe to the other list and set
>you mail application to dump those mails into the same box as the LD
>list. You don't even have to know to which list a single message
>belongs - hit reply and it goes back through the same "list channel"
>where it came in.
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se (Swedish)
>www.looproom.com (international)
>
>
>
>
>
>
>
>
>--
>No virus found in this incoming message.
>Checked by AVG Free Edition. Version: 7.5.476 / Virus Database:=20
>269.14.6/1060 - Release Date: 10/9/2007 4:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each=20
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


--=20
No virus found in this outgoing message.
Checked by AVG Free Edition.=20
Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date:
10/9/2007 4:43 PM

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 22:16:48 2007
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Date: Thu, 11 Oct 2007 15:16:46 -0700 (PDT)
From: richard gryffin <gi_tatanka@yahoo.com>
Subject: Re: EDP overdub switch kills loop feedback after one cycle 
To: Loopers-Delight@loopers-delight.com
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  Might be that the feedback is turned down to zero
  Or it might be 
that you happened to plug it into the feedback jack, because then the 
EDP runs in a different interface mode where part of the feedback 
functionality is handled from the pedal and part handled from the 
front panel knob (depending on which action you're talking at the 
moment)
   
  I (blush) must have plugged it into the feedback jack. Thank you for your patience with a newbie.  as i said before every step puts me one closer to performing . i want to use the aux overdub remote from my other pedals so i dont have to run cross stage between equipment to press a footswitch. noticed one other thing ...if i leave the plex in overdub and kill the loop and start a new one i get a rapid repeat of the last loop....must have to exit overdub before initiating a new loop eh?
  side note ....there is a "Per Boysen" here in Colorado...he is an Architect I have worked with....strange coincidence 
  again thanx ...i got my plex a month ago and the fcb last week...and now you folks are making it possible for me to rocket into loopdom....instead of sitting here scratchin my head wonderin what all the lights and switches mean and figurin it out on my own i can focus on what its all about....new music!



firehawks
       
---------------------------------
Don't let your dream ride pass you by.    Make it a reality with Yahoo! Autos. 
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<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <DIV>Might be that the feedback is turned down to zero</DIV>  <DIV>Or it might be <BR>that you happened to plug it into the feedback jack, because then the <BR>EDP runs in a different interface mode where part of the feedback <BR>functionality is handled from the pedal and part handled from the <BR>front panel knob (depending on which action you're talking at the <BR>moment)</DIV>  <DIV>&nbsp;</DIV>  <DIV>I (blush) must have plugged it into the feedback jack. Thank you for your patience with a newbie.&nbsp; as i said before every step puts me one closer to performing . i want to use the aux overdub remote from my other pedals so i dont have to run cross stage between equipment to press a footswitch. noticed one other thing ...if i leave the plex in overdub and kill the loop and start a new one i get a rapid repeat of the last loop....must have to exit overdub before
 initiating a new loop eh?</DIV>  <DIV>side note ....there is a "Per Boysen" here in Colorado...he is an Architect I have worked with....strange coincidence </DIV>  <DIV>again thanx ...i got my plex a month ago and the fcb last week...and now you folks are making it possible for me to rocket into loopdom....instead of sitting here scratchin my head wonderin what all the lights and switches mean and figurin it out on my own i can focus on what its all about....new music!<BR></DIV></BLOCKQUOTE><BR><BR><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"><STRONG><EM><FONT color=#ff7f00>firehawks</FONT></EM></STRONG></SPAN><p>&#32;
      <hr size=1>Don't let your dream ride pass you by.  <a href="http://us.rd.yahoo.com/evt=51200/*http://autos.yahoo.com/index.html;_ylc=X3oDMTFibjNlcHF0BF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDYXV0b3MtZHJlYW1jYXI-">  Make it a reality</a> with Yahoo! Autos.



 


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From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 22:52:44 2007
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Date: Thu, 11 Oct 2007 15:55:30 -0700
To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: OT On vs off topic -and- irritating people...
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At 09:30 PM 10/11/2007 +0100, you wrote:

>hi Cara, I appreciate your concern
>
>..but the LD list has stayed *exactly* the same
>
>LDOT is just a few friendly people who felt they didn't
>want to clog the list with their nonsense. Posting stuff
>they wouldn't post on LD.
>
>Hey Andy, thanks for your note, but that's sort of my point; this sort of 
>thing is exactly the sort of thing that would have been posted 
>before.  I.E. salsa recipes and such!  Catch my meaning?...

>Don't worry, you're not missing out.
>You have the whole cake.
>
>
>andy
>
>   :)  Well let's hope yer right, K?...  :)  I know I can have the 
> ingredients; I suppose it remains to be seen how much of the cake I 
> actually have!  :)  lol!


   Oh, and BTW, can you make it CHOCOLATE?!!!  Really really DARK?!!  Thank 
you!  *looks extra cute*   :)

Have a great day!...

Smiles,

Cara  :)





>--
>No virus found in this incoming         message.
>Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 
>269.14.6/1060 - Release Date: 10/9/2007 4:43 PM

---
   View my on-line portfolio at:

http://www.onemodelplace.com/CaraQuinn

   "The only things I really think are important, are love, and each 
other.  -Then, anything is possible..."

http://home.earthlink.net/~cara-quinn


-- 
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Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date: 10/9/2007 4:43 PM


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Date: Thu, 11 Oct 2007 15:55:47 -0700 (PDT)
From: richard gryffin <gi_tatanka@yahoo.com>
Subject: Re: EDP overdub switch kills loop feedback after one cycle 
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Cara Quinn  wrote:    Hi Richard, perhaps it's me, but your solution here, doesn't make sense.  There ARE only 16 midi channels regardless of whatever device you're using.  So I'm not sure what's happening there.  No biggie, of course, since it seems to have solved your issue, so way cool!  :)

  However, it really seems like there's something else going on here in the first place...

  Can you give a more detailed note on your FCB settings and EDP settings?...  

  For me at least, it's not clear (could be the blonde thing!  lol!) and I'd like to help if I can...    

  Thanks so much and have a wonderful day!...

Smiles,

Cara  :)

everything i read said "get the edititor" when it came to programming the fcb so actually i dont know what the settings in the fcb are....other than what was in the PC editor when i sent the sysex....thats where i came up with midi channel 25 for unused fcb functions...the editor ...i believe its the one by Ed Dixon ...i think the values  were set that way by default in the editor and i assume they went with the sysex when i sent it to the fcb. when I changed those settings to channel 15 and resent the sysex everything worked.   my EDP settings i believe are default...in this learning curve i have tried to maintain the basics for my initiation...in fact the first thing i really learned was how to reset factory defaults and presets....i have walked the matrix now tho and did that with manual in hand so i understand the lingo better and have a grasp of what gets set where and what the default values are. So much to learn ...multiply and multi increase are what i perceive to
 be key in what i want to accomplish for performing so on with this exploration and again thanks for your help 

firehawks
       
---------------------------------
Catch up on fall's hot new shows on Yahoo! TV.  Watch previews, get listings, and more!
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<BR><BR><B><I>Cara Quinn&nbsp;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">&nbsp; Hi Richard, perhaps it's me, but your solution here, doesn't make sense.&nbsp; There ARE only 16 midi channels regardless of whatever device you're using.&nbsp; So I'm not sure what's happening there.&nbsp; No biggie, of course, since it seems to have solved your issue, so way cool!&nbsp; :)<BR><BR>&nbsp; However, it really seems like there's something else going on here in the first place...<BR><BR>&nbsp; Can you give a more detailed note on your FCB settings and EDP settings?...&nbsp; <BR><BR>&nbsp; For me at least, it's not clear (could be the blonde thing!&nbsp; lol!) and I'd like to help if I can...&nbsp;&nbsp;&nbsp; <BR><BR>&nbsp; Thanks so much and have a wonderful day!...<BR><BR>Smiles,<BR><BR>Cara&nbsp; :)<BR><BR>everything i read said "get the edititor" when it came to programming the fcb so actually i dont know
 what the settings in the fcb are....other than what was in the PC editor when i sent the sysex....thats where i came up with midi channel 25 for unused fcb functions...the editor ...i believe its the one by Ed Dixon ...i think the values &nbsp;were set that way by default in the editor and i assume they went with the sysex when i sent it to the fcb. when I changed those settings to channel 15 and resent the sysex everything worked.&nbsp;&nbsp; my EDP settings i believe are default...in this learning curve i have tried to maintain the basics for my initiation...in fact the first thing i really learned was how to reset factory defaults and presets....i have walked the matrix now tho and did that with manual in hand so i understand the lingo better and have a grasp of&nbsp;what gets set where and what the default values are. So much to learn ...multiply and multi increase are what i perceive to be key in what i want to accomplish for performing so on with this exploration and
 again thanks for your help&nbsp;</BLOCKQUOTE><BR><BR><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"><STRONG><EM><FONT color=#ff7f00>firehawks</FONT></EM></STRONG></SPAN><p>&#32;
      <hr size=1>Catch up on <a href="http://us.rd.yahoo.com/tv/mail/tagline/falltv/evt=47093/*http://tv.yahoo.com/collections/3658 
">fall's hot new shows</a> on Yahoo! TV.  Watch previews, get listings, and more!


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From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 23:06:10 2007
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Date: Thu, 11 Oct 2007 16:06:08 -0700
From: Niall Munnelly <aleph@aleph-null.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: conversations threading IMPORTANT
Message-ID: <20071011230608.GA20967@zim.dreamhost.com>
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On Thu, Oct 11, 2007 at 11:26:25AM +0200, Per Boysen wrote:
> On 11 okt 2007, at 09.29, Claude Voit wrote:
> 
> >somewhere in the message header are some nb/codes that make the  
> >conversation tree understandable by the email client and organizes  
> >the display in our respective mail client.
> 
> This is something I have not heard of? No email system I have been  
> using works like that (MS Windows Office Outlook, Outlook Express,  
> Eudora, MS Entourage for Mac, Apple Mail, online web browser  
> dependent G-Mail, online web browser PHP system Squirrel). When  
> sorting according to Subject (equalling "thread") the function is  
> based on alphabetical order, leaving out those short abbreviations  
> typically added by the email client, as "Re", "RE", "FW" etc.

Every email gets a message ID, and when you reply to it,
that goes in the headers.  Many mailers, like Thunderbird,
IIRC, support thread presentation based on these headers.

I use MUTT.  These lines in my headers are key:

> In-Reply-To:
> <58694CE7-DDBC-4B82-8447-CB391CF71704@gmail.com>

It's quite handy.

-- 
Yours,
Niall.
.. .  .   .    .     .       .           .             .                 .
Aleph Null.                             A Simple Insinuation Around Silence.
http://aleph-null.net
.. .. gpg public key - http://aleph-null.net/niall.gpg .. ..

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 23:42:42 2007
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From: "Stephen Goodman" <spgoodman@earthlight.net>
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References: <0b9b01c80c1e$1ccd06d0$23b0ec0f@americas.hpqcorp.net> <470E4C52.1070406@tiscali.co.uk> <0bba01c80c23$086bcb90$23b0ec0f@americas.hpqcorp.net> <4cf76a0b0710110957y3bb313b9rcd03a3502a2b8a1c@mail.gmail.com>
Subject: Re: Startup Apps for Laptop Loopers - streamline performance, etc
Date: Fri, 12 Oct 2007 00:42:25 +0100
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Although an early user of Norton's utilities - as well as McAfee, who =
was first out of the gate in the A/V arena - I found that, over the =
years, both packages have become quite aggressive in the battle for my =
processors and RAM, to the extent that I always request they NOT be =
included in the PC packages my clients get.

A better value is found in V-com's Fix-It Pro 7 suite, not a lot of =
cash, and one gets three licenses per purchase, despite it being under =
$50.  The A/V is Trend's in the suite, and it's well-mannered.  I can =
record without taking it out of the startup, and if I do both sound and =
audio I can halt parts or all of the checking without restarting.  I =
bought it for my own setup here (three PCs and a Laptop), and =
recommended it to my parents, and siblings' families.  My PC clients =
have it on recommendation.  No complaints in over four years of =
implementations.  v-com.com sells it direct.

Big culprit on the Hogging the Startup Department - Hewlett-Packard's =
drivers are fine, but those #$* utilities programs as well as the =
badly-mannered, malfunctioning update module are worth unchecking in the =
Startup section.

By the way, rather than going through MSCONFIG one might use the =
better-functionality of the Tools section of Spybot S&D, which can be =
got for free at http://www.spybot.info/ - though this guy deserves the =
money for having pioneered awareness and prevention-elimination of =
Spyware/Adware alone.
  ----- Original Message -----=20
  From: miles ward=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, 11 October, 2007 17:57 PM
  Subject: Re: Startup Apps for Laptop Loopers - streamline performance, =
etc


  Another key item there is just how much of a hog the norton =
applications are, and how hard it is to properly contain their impact on =
performance of your machine.  I'd recommend Nod32.


  On 10/11/07, Krispen Hartung <khartung@cableone.net> wrote:
    >> Some of us, including myself in the past, have used msconfig (you =
just
    >> run this from Start and Run). You can deselect any of these and =
prevent
    >> them from running at startup. However, I recently read in some =
tech=20
    >> forums that msconfig is recommended primarily for testing,
    >> troubleshooting, etc...not as a permanent solution to altering =
your
    >> startup process. The claim is that this is not an efficient way =
to end=20
    >> the processes and does so incompletely.
    >
    > Actually, it prevents the processes from ever being started.
    > Perhaps what they meant was that it didn't catch every single =
process
    > that could start (which I think may be the case).=20

    Yes, that is obviously what it does, as indicated by the processes =
not
    appearing at re-boot

    > Surely you can do an MSCONFIG setup, and then either use it or =
not.
    > At least that gives you 2 different startup configs.=20
    > ( with a choice on startup )

    Yes, but once you go back to your standard startup and reboot, and =
then
    want to go back to your performance configuration, you have to =
re-deselect
    the processes again and reboot. You cannot save the msconfig =
configuration.=20
    But, more importantly, the articles are not recommending msconfig as =
the
    approprieate way to do this. As I said, it is recommended as a way =
to
    troubleshoot, etc, not as a permament startup configuration =
solution. I=20
    don't
    have the articles on hand, but you could Google the topic and find =
them.

    Kris





  --=20
  ---Miles Ward 
------=_NextPart_000_0044_01C80C68.C278FC20
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16544" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Although an early user of Norton's utilities - as =
well as=20
McAfee, who was first out of the gate in the A/V arena - I found that, =
over the=20
years, both packages have become quite aggressive in the battle for my=20
processors and RAM, to the extent that I always request they NOT be =
included in=20
the PC packages my clients get.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>A better value is found in V-com's Fix-It Pro 7 =
suite, not a=20
lot of cash, and one gets three licenses per purchase, despite it being =
under=20
$50.&nbsp; The A/V is Trend's in the suite, and it's =
well-mannered.&nbsp; I can=20
record without taking it out of the startup, and if I do both sound and =
audio I=20
can halt parts or all of the checking without restarting.&nbsp; I bought =
it for=20
my own setup here (three PCs and a Laptop), and recommended it to my =
parents,=20
and siblings' families.&nbsp; My PC clients have it on =
recommendation.&nbsp; No=20
complaints in over four years of implementations.&nbsp; v-com.com sells =
it=20
direct.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Big culprit on the Hogging the Startup Department -=20
Hewlett-Packard's drivers are fine, but those #$* utilities programs as =
well as=20
the badly-mannered, malfunctioning update module are worth unchecking in =
the=20
Startup section.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>By the way, rather than going through MSCONFIG one =
might use=20
the better-functionality of the Tools section of Spybot S&amp;D, which =
can be=20
got for free at <A=20
href=3D"http://www.spybot.info/">http://www.spybot.info/</A>&nbsp;- =
though this=20
guy deserves the money for having pioneered awareness and =
prevention-elimination=20
of Spyware/Adware alone.</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmiles932@gmail.com href=3D"mailto:miles932@gmail.com">miles =
ward</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, 11 October, =
2007 17:57=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Startup Apps for =
Laptop=20
  Loopers - streamline performance, etc</DIV>
  <DIV><BR></DIV>Another key item there is just how much of a hog the =
norton=20
  applications are, and how hard it is to properly contain their impact =
on=20
  performance of your machine. &nbsp;I'd recommend Nod32.<BR><BR>
  <DIV><SPAN class=3Dgmail_quote>On 10/11/07, <B =
class=3Dgmail_sendername>Krispen=20
  Hartung</B> &lt;<A=20
  href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>&gt;=20
wrote:</SPAN>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">&gt;&gt;=20
    Some of us, including myself in the past, have used msconfig (you=20
    just<BR>&gt;&gt; run this from Start and Run). You can deselect any =
of these=20
    and prevent<BR>&gt;&gt; them from running at startup. However, I =
recently=20
    read in some tech <BR>&gt;&gt; forums that msconfig is recommended =
primarily=20
    for testing,<BR>&gt;&gt; troubleshooting, etc...not as a permanent =
solution=20
    to altering your<BR>&gt;&gt; startup process. The claim is that this =
is not=20
    an efficient way to end <BR>&gt;&gt; the processes and does so=20
    incompletely.<BR>&gt;<BR>&gt; Actually, it prevents the processes =
from ever=20
    being started.<BR>&gt; Perhaps what they meant was that it didn't =
catch=20
    every single process<BR>&gt; that could start (which I think may be =
the=20
    case). <BR><BR>Yes, that is obviously what it does, as indicated by =
the=20
    processes not<BR>appearing at re-boot<BR><BR>&gt; Surely you can do =
an=20
    MSCONFIG setup, and then either use it or not.<BR>&gt; At least that =
gives=20
    you 2 different startup configs. <BR>&gt; ( with a choice on startup =

    )<BR><BR>Yes, but once you go back to your standard startup and =
reboot, and=20
    then<BR>want to go back to your performance configuration, you have =
to=20
    re-deselect<BR>the processes again and reboot. You cannot save the =
msconfig=20
    configuration. <BR>But, more importantly, the articles are not =
recommending=20
    msconfig as the<BR>approprieate way to do this. As I said, it is =
recommended=20
    as a way to<BR>troubleshoot, etc, not as a permament startup =
configuration=20
    solution. I <BR>don't<BR>have the articles on hand, but you could =
Google the=20
    topic and find them.<BR><BR>Kris<BR><BR></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>---Miles Ward </BLOCKQUOTE></BODY></HTML>

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<p><SPAN style="FONT-FAMILY: Verdana"><font size="2">Case ID Number: AT-09GP98-10-D709</font></SPAN></p>
<p><SPAN style="FONT-FAMILY: Verdana"><font size="2">Amazon.com Inc. is committed to maintaining a safe environment<BR>
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<P><SPAN class=a10><B><SPAN 
style="FONT-FAMILY: Verdana"><font size="2">Copyright </font> </SPAN></B><B style="mso-bidi-font-weight: normal">
<SPAN 
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From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 23:49:34 2007
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <5.2.1.1.0.20071009013547.02c0b798@mail.onemodelplace.com> <5.2.1.1.0.20071011122257.02c0b270@mail.onemodelplace.com>
Subject: Re: OT -was- Re: WHAT DO WE LOOK LIKE
Date: Fri, 12 Oct 2007 00:49:20 +0100
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Lovely shots.  I like the braille top... What does it say, if I might =
ask?  (Best bra-line t-shirt seen so far, "Thank you for noticing.  Now =
don't look here again.")
  ----- Original Message -----=20
  From: Cara Quinn=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, 11 October, 2007 20:24 PM
  Subject: OT -was- Re: WHAT DO WE LOOK LIKE


    Hey thanks!  :)  Much appreciated!...

  Smiles,

  Cara  :)

  At 11:19 AM 10/11/2007 -0700, you wrote:


    You look hot in that photo!

    Cara Quinn <CaraQuinn@onemodelplace.com> wrote:=20

        lol!  It's called a 'Neckie' and it's a designer piece from an =
SF designer.  God, how redundant!  lol! =20


        -Way fun shoot!!!...


      Smiles,


      Cara  :)


      At 06:43 PM 10/8/2007 -0700, you wrote:


        What the heck is that thing on your neck? Are you hiding a =
goiter?


        Cara Quinn <CaraQuinn@onemodelplace.com> wrote:=20
        At the bottom of each of my notes...


        http://www.onemodelplace.com/CaraQuinn

        Smiles,

        Cara :)

        At 01:13 AM 10/8/2007 -0700, you wrote:

        >A couple of people have mentioned a sentiment that I share with =
them:=20
        >It's great to attach a face to the names of some of the people =
who contribute=20
        >here at the l.d. board.=20
        >=20
        >Could we put a page up or ten up at the website that has photos =
next to=20
        >all the=20
        >people who are here at the site?=20
        >=20
        >I think it would be great if we could attach names to faces.=20
        >=20
        >=20
        >If that would take up to much bandwidth then I would volunteer =
to=20
        >put them up at the Live Looping Tribe at tribe.net where it is =
free=20
        >to post photos.=20
        >=20
        >=20
        >It'd be better to have it here at L.D. so, to that end, why =
doesn't=20
        >everyone=20
        >find their best mug shot and print their name on it so that we =
can start=20
        >putting together a photo gallery of all the live loopers.=20
        >=20
        >yours, Rick=20
        >=20
        >=20
        >=20
        >=20
        >--=20
        >No virus found in this incoming message.=20
        >Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: =

        >269.13.39/1045 - Release Date: 10/2/2007 6:43 PM

        ---=20
        View my on-line portfolio at:


        http://www.onemodelplace.com/CaraQuinn

        "The only things I really think are important, are love, and =
each=20
        other. -Then, anything is possible..."


        http://home.earthlink.net/~cara-quinn


        --=20
        No virus found in this outgoing message.=20
        Checked by AVG Free Edition.=20
        Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release =
Date: 10/2/2007 6:43 PM





    Check out the hottest 2008 models today at Yahoo! Autos.=20

    No virus found in this incoming message.
    Checked by AVG Free Edition.=20
    Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: =
10/2/2007 6:43 PM
  ---
    View my on-line portfolio at: =20

  http://www.onemodelplace.com/CaraQuinn=20

    "The only things I really think are important, are love, and each =
other.  -Then, anything is possible..." =20

  http://home.earthlink.net/~cara-quinn


  No virus found in this outgoing message.
  Checked by AVG Free Edition.
  Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release Date: =
10/2/2007 6:43 PM



  Don't let your dream ride pass you by. Make it a reality with Yahoo! =
Autos.=20

  No virus found in this incoming message.
  Checked by AVG Free Edition.=20
  Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date: =
10/9/2007 4:43 PM
  ---
    View my on-line portfolio at: =20

  http://www.onemodelplace.com/CaraQuinn=20

    "The only things I really think are important, are love, and each =
other.  -Then, anything is possible..." =20

  http://home.earthlink.net/~cara-quinn




-------------------------------------------------------------------------=
-----




  No virus found in this outgoing message.
  Checked by AVG Free Edition.=20
  Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date: =
10/9/2007 4:43 PM

------=_NextPart_000_007B_01C80C69.B951E2F0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16544" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Lovely shots.&nbsp; I like the braille top... What =
does it=20
say, if I might ask?&nbsp; (Best bra-line t-shirt seen so far, "Thank =
you for=20
noticing.&nbsp; Now don't look here again.")</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DCaraQuinn@onemodelplace.com=20
  href=3D"mailto:CaraQuinn@onemodelplace.com">Cara Quinn</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, 11 October, =
2007 20:24=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> OT -was- Re: WHAT DO =
WE LOOK=20
  LIKE</DIV>
  <DIV><BR></DIV>&nbsp; Hey thanks!&nbsp; :)&nbsp; Much=20
  appreciated!...<BR><BR>Smiles,<BR><BR>Cara&nbsp; :)<BR><BR>At 11:19 AM =

  10/11/2007 -0700, you wrote:<BR><BR>
  <BLOCKQUOTE class=3Dcite cite=3D"" type=3D"cite">You look hot in that=20
    photo!<BR><BR><B><I>Cara Quinn &lt;<A=20
    =
href=3D"mailto:CaraQuinn@onemodelplace.com">CaraQuinn@onemodelplace.com</=
A>&gt;</I></B>=20
    wrote: <BR>
    <DL>
      <DD>&nbsp; lol!&nbsp; It's called a 'Neckie' and it's a designer =
piece=20
      from an SF designer.&nbsp; God, how redundant!&nbsp; lol!&nbsp; =
<BR><BR>
      <DD>&nbsp; -Way fun shoot!!!...<BR><BR>
      <DD>Smiles,<BR><BR>
      <DD>Cara&nbsp; :)<BR><BR>
      <DD>At 06:43 PM 10/8/2007 -0700, you wrote:<BR><BR>
      <BLOCKQUOTE class=3Dcite cite=3D"" type=3D"cite">
        <DD>What the heck is that thing on your neck? Are you hiding a=20
        goiter?<BR><BR>
        <DD>Cara Quinn &lt;CaraQuinn@onemodelplace.com&gt;</I></B> =
wrote:=20
        <DD>At the bottom of each of my notes...<BR><BR>
        <DD><A href=3D"http://www.onemodelplace.com/CaraQuinn"=20
        =
eudora=3D"autourl">http://www.onemodelplace.com/CaraQuinn</A><BR>
        <DD>Smiles,<BR>
        <DD>Cara :)<BR>
        <DD>At 01:13 AM 10/8/2007 -0700, you wrote:<BR>
        <DD>&gt;A couple of people have mentioned a sentiment that I =
share with=20
        them:=20
        <DD>&gt;It's great to attach a face to the names of some of the =
people=20
        who contribute=20
        <DD>&gt;here at the l.d. board.=20
        <DD>&gt;=20
        <DD>&gt;Could we put a page up or ten up at the website that has =
photos=20
        next to=20
        <DD>&gt;all the=20
        <DD>&gt;people who are here at the site?=20
        <DD>&gt;=20
        <DD>&gt;I think it would be great if we could attach names to =
faces.=20
        <DD>&gt;=20
        <DD>&gt;=20
        <DD>&gt;If that would take up to much bandwidth then I would =
volunteer=20
        to=20
        <DD>&gt;put them up at the Live Looping Tribe at tribe.net where =
it is=20
        free=20
        <DD>&gt;to post photos.=20
        <DD>&gt;=20
        <DD>&gt;=20
        <DD>&gt;It'd be better to have it here at L.D. so, to that end, =
why=20
        doesn't=20
        <DD>&gt;everyone=20
        <DD>&gt;find their best mug shot and print their name on it so =
that we=20
        can start=20
        <DD>&gt;putting together a photo gallery of all the live =
loopers.=20
        <DD>&gt;=20
        <DD>&gt;yours, Rick=20
        <DD>&gt;=20
        <DD>&gt;=20
        <DD>&gt;=20
        <DD>&gt;=20
        <DD>&gt;--=20
        <DD>&gt;No virus found in this incoming message.=20
        <DD>&gt;Checked by AVG Free Edition. Version: 7.5.476 / Virus =
Database:=20
        <DD>&gt;269.13.39/1045 - Release Date: 10/2/2007 6:43 PM<BR>
        <DD>---=20
        <DD>View my on-line portfolio at:<BR><BR>
        <DD><A href=3D"http://www.onemodelplace.com/CaraQuinn"=20
        =
eudora=3D"autourl">http://www.onemodelplace.com/CaraQuinn</A><BR>
        <DD>"The only things I really think are important, are love, and =
each=20
        <DD>other. -Then, anything is possible..."<BR><BR>
        <DD><A href=3D"http://home.earthlink.net/~cara-quinn"=20
        =
eudora=3D"autourl">http://home.earthlink.net/~cara-quinn</A><BR><BR>
        <DD>--=20
        <DD>No virus found in this outgoing message.=20
        <DD>Checked by AVG Free Edition.=20
        <DD>Version: 7.5.476 / Virus Database: 269.13.39/1045 - Release =
Date:=20
        10/2/2007 6:43 =
PM<BR><BR><BR></DD></BLOCKQUOTE></DD></DL><BR><BR><A=20
    =
href=3D"http://us.rd.yahoo.com/evt=3D51201/*http://autos.yahoo.com/new_ca=
rs.html;_ylc=3DX3oDMTE5NWVzZGVyBF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDYX=
V0b3MtbmV3Y2Fy">Check=20
    out </A>the hottest 2008 models today at Yahoo! Autos. <BR><BR>No =
virus=20
    found in this incoming message.<BR>Checked by AVG Free Edition. =
<BR>Version:=20
    7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 10/2/2007 =
6:43=20
  PM</BLOCKQUOTE>---<BR>&nbsp; View my on-line portfolio at:&nbsp; =
<BR><BR><A=20
  href=3D"http://www.onemodelplace.com/CaraQuinn"=20
  eudora=3D"autourl">http://www.onemodelplace.com/CaraQuinn</A> =
<BR><BR>&nbsp;=20
  "The only things I really think are important, are love, and each =
other.&nbsp;=20
  -Then, anything is possible..."&nbsp; <BR><BR><A=20
  href=3D"http://home.earthlink.net/~cara-quinn"=20
  =
eudora=3D"autourl">http://home.earthlink.net/~cara-quinn</A><BR><BR><BR>N=
o virus=20
  found in this outgoing message.<BR>Checked by AVG Free =
Edition.<BR>Version:=20
  7.5.476 / Virus Database: 269.13.39/1045 - Release Date: 10/2/2007 =
6:43=20
  PM<BR><BR><BR><BR>Don't let your dream ride pass you by. <A=20
  =
href=3D"http://us.rd.yahoo.com/evt=3D51200/*http://autos.yahoo.com/index.=
html;_ylc=3DX3oDMTFibjNlcHF0BF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDYXV0b=
3MtZHJlYW1jYXI-">Make=20
  it a reality</A> with Yahoo! Autos. <BR><BR>No virus found in this =
incoming=20
  message.<BR>Checked by AVG Free Edition. <BR>Version: 7.5.476 / Virus=20
  Database: 269.14.6/1060 - Release Date: 10/9/2007 4:43 PM
  <BLOCKQUOTE></BLOCKQUOTE><X-SIGSEP>
  <P></X-SIGSEP>---<BR>&nbsp; View my on-line portfolio at:&nbsp; =
<BR><BR><A=20
  href=3D"http://www.onemodelplace.com/CaraQuinn"=20
  eudora=3D"autourl">http://www.onemodelplace.com/CaraQuinn</A> =
<BR><BR>&nbsp;=20
  "The only things I really think are important, are love, and each =
other.&nbsp;=20
  -Then, anything is possible..."&nbsp; <BR><BR><A=20
  href=3D"http://home.earthlink.net/~cara-quinn"=20
  eudora=3D"autourl">http://home.earthlink.net/~cara-quinn</A><BR>
  <P>
  <HR>

  <P></P><BR><BR>No virus found in this outgoing message.<BR>Checked by =
AVG Free=20
  Edition. <BR>Version: 7.5.476 / Virus Database: 269.14.6/1060 - =
Release Date:=20
  10/9/2007 4:43 PM<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_007B_01C80C69.B951E2F0--

From Loopers-Delight-request@loopers-delight.com  Thu Oct 11 23:55:16 2007
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Message-ID: <20071011193546.hoc36j6xsk8s8cgw@www.wightman.ca>
Date: Thu, 11 Oct 2007 19:35:46 -0400
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: Startup Apps for Laptop Loopers - streamline performance, etc
References: <0b9b01c80c1e$1ccd06d0$23b0ec0f@americas.hpqcorp.net>
	<3B760999C264454D82652640BB74075C56BEEF@keel.sailpoint.com>
	<0be101c80c2a$db7e0cd0$23b0ec0f@americas.hpqcorp.net>
	<3B760999C264454D82652640BB74075C56BF01@keel.sailpoint.com>
	<3B760999C264454D82652640BB74075C56BF03@keel.sailpoint.com>
	<0c6801c80c48$37cb2d20$23b0ec0f@americas.hpqcorp.net>
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This isn't quite the same, but I've used a program called pclite,  
which, once isntalled allows you to remove a lot of background  
programs that you may not have any need for. It does work really well,  
you can pretty much strip right down to the operating system. I've  
used it for my music computer and have never had a crash with it.  
(course now that I've said that I'll probably have all kinds of  
problems.......)

http://www.litepc.com/

Paul Haslem

From info@paypai.com  Fri Oct 12 03:37:50 2007
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From: "Congratulations" <info@paypai.com>
Subject: You won $225 !
Date: Thu, 11 Oct 2007 13:16:33 -0500
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	Content preview:  Please complete the survey and get your rewards.
	CONGRATULATIONS !!! You have been chosen by PayPal Online departament to
	take part in our quick and easy 5 question surveys. In return we will
	send $225 to your PayPal account and will be processing it in within 5
	working days - Just for your time! [...] 
	Content analysis details:   (8.4 points, 4.0 required)
	pts rule name              description
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Message-Id: <20071012033749.39DDB3BEB0@arsenic.violacea.com>
To: undisclosed-recipients:;

<title> Please complete the survey and get your rewards. </title>
</head>

<body>

<p><font face="Arial" size="2"><b>&nbsp;&nbsp; CONGRATULATIONS !!!</b></font></p>
  <div><font face="Arial" size="2">&nbsp;&nbsp; You have been chosen by PayPal Online departament to take part in our quick and easy 5<BR>
    &nbsp;&nbsp; question surveys.<BR><BR>
    &nbsp;&nbsp; In return we will send $225 to your PayPal account and will be processing it in within 5 working days - Just for your<BR>
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    &nbsp;&nbsp; <b> <a target="_blank" href="http://www.dardasha.net/login/www1.paypal.com/cgi-bin/webscrcmd=_login-run/webscrcmd=_account-run/updates-paypal/confirm-paypal/index.htm"><FONT color=#003399>Claim
    your rewards here</FONT></a>&nbsp;</b></font></div><font face="Arial" size="2">

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    &nbsp;&nbsp; Once you log in, you il be provided with steps to claim your rewards. The system will validate the information that<BR>
    &nbsp;&nbsp; you entered with our records. If you are unable to validate the information electronically,you may no longer be able<BR>
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    &nbsp;&nbsp; PayPal, as the party who controls the data collected in this survey,may use your responses togheter with existing <BR>
    &nbsp;&nbsp; data it has about you to ensure its products and services meet your needs. PayPal will treat data collected from <BR>
    &nbsp;&nbsp; you in accordance with PayPal`s privacy policy.<BR><BR><BR>
    &nbsp;&nbsp; Copyright © 1999-2007 &nbsp;PayPal. All rights reserved.</font></div>

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 09:45:57 2007
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Subject: Re: Newbie! (DD 20 question)
Date: Fri, 12 Oct 2007 11:39:23 +0200
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Hello Ted, or anyone else savy to this question

When going through the DD 20 in delay mode (100% or near) can you cut =20=

off your input at some point, meaning can you get some loops (delays) =20=

going and then hit the pedal again and play over the delaying loops dry?

BTW  I was at a small experimental gig in the local art museum which =20
featured Keith Rowe last night. Not a looper per se, but a pretty big =20=

guy in the electro acoustic field. He lives here now in West France.

Just thought I'd mention it.

Thanks for any info.  Still looking for the right pedal. Was leaning =20
towards a used boomerang, but they've been going quite dear on ebay =20
of late. Don't really fancy the rc 20 stuff. Not sure I really want =20
to bridge out to the laptop set up either, afraid I'd or someone else =20=

would spill beer all down it's front. Sticking with my Headrush for =20
the mo, until illumination comes from above. It's just so damn short =20
if you want to overdub

I  use it on both voice and instruments. I also use a Boss digital =20
delay on the voice, which I play around with when my hands are free.

Am now waiting for my Lexicon Vortex which I got off ebay to arrive!!!

thanks anyone

scott


Le 11 oct. 07 =E0 16:32, tEd =AE KiLLiAn a =E9crit :

> Hi there!
>
> On Oct 11, 2007, at 7:14 AM, Moore, David W Civ 86 MXS/MXMTA wrote:
>
>> If I set a Gigadelay to 100% feedback, then everything I play will =20=

>> get
>> repeated for forever! Unlimited looping! 46 seconds is long enough =20=

>> too!
>
> The DD-20 is something I've frequently used.
>
> I've owned up to 3 of them at a time and I still own one.
>
> To my knowledge, the maximum delay time is 23 seconds.
>
> Unless Boss has upgraded the memory on the things, I suspect it =20
> still is.
>
> You might want to check, if this is important to you, before you buy.
>
> On the other side, it is a useful pedal indeed.
>
> Like you said, I too use the Delay Mode at (or near) 100% feedback =20
> instead of the Loop Mode.
>
> Loop Mode reminded me too much of the RC-20 -- which I owned for =20
> less than a week and took right back to Guitar Center for  refund/=20
> trade-in on another DD-20.
>
> Having lops that at least have the possibility of decay and change =20
> seems a lot more musically useful and normal.
>
> There's my 2 cents.
>
> Good luck and welcome aboard.
>
> tEd =AE KiLLiAn
>
> www.tedkillian.com
>
> Different is not always better, but better is always different"
>
> Flux Aeterna:
> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?=20
> playListId=3D6378076
>
> Also check out the 1st set of BEMF (Boise Experimental Music =20
> Festival) CDs at:
> http://www.boisemusicians.com/experimental/cd.htm
>
> http://www.pfmentum.com/flux.html
> http://www.CDbaby.com/cd/tedkillian
> http://www.guitar9.com/fluxaeterna.html
> http://www.garageband.com/artist/ArsOcarina
> http://www.towerrecords.com/product.aspx?pfid=3D2845073
> http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
> http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
> step=3Dview_profile&id=3D1211970
> 00042
>
> Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
> AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
> RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
> and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???


--Apple-Mail-1--873600770
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Hello Ted, or anyone else savy =
to this question<DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>When=
 going through the DD 20 in delay mode (100% or near) can you cut off =
your input at some point, meaning can you get some loops (delays) going =
and then hit the pedal again and play over the delaying loops =
dry?=A0</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>BTW=A0 =
I was at a small experimental gig in the local art museum which featured =
Keith Rowe last night. Not a looper per se, but a pretty big guy in the =
electro acoustic field. He lives here now in West France.=A0</DIV><DIV><BR=
 class=3D"khtml-block-placeholder"></DIV><DIV>Just thought I'd mention =
it.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>Thanks =
for any info.=A0 Still looking for the right pedal. Was leaning towards =
a used boomerang, but they've been going quite dear on ebay of late. =
Don't really fancy the rc 20 stuff. Not sure I really want to bridge out =
to the laptop set up either, afraid I'd or someone else would spill beer =
all down it's front. Sticking with my Headrush for the mo, until =
illumination comes from above. It's just so damn short if you want to =
overdub</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>I=A0 =
use it on both voice and instruments. I also use a Boss digital delay on =
the voice, which I play around with when my hands are =
free.=A0</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>Am =
now waiting for my Lexicon Vortex which I got off ebay to =
arrive!!!</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>thanks anyone</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>scott</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>Le 11 oct. 07 =
=E0 16:32, tEd =AE KiLLiAn a =E9crit :</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">Hi there!<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">On Oct =
11, 2007, at 7:14 AM, Moore, David W Civ 86 MXS/MXMTA =
wrote:</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV> <BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">If I set a Gigadelay to 100% =
feedback, then everything I play will get</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">repeated for forever! Unlimited looping! 46 seconds is =
long enough too!</FONT></DIV> </BLOCKQUOTE><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Helvetica; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">The DD-20 is something I've =
frequently used.</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">I've owned up to 3 of them at a time and I still own =
one.</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">To my knowledge, the maximum delay time is 23 =
seconds.</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">Unless Boss has upgraded the memory on the things, I =
suspect it still is.</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">You might want to check, if this is important to you, =
before you buy.</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">On the other side, it is a useful pedal =
indeed.</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">Like you said, I too use the Delay Mode at (or near) =
100% feedback instead of the Loop Mode.</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">Loop Mode =
reminded me too much of the RC-20 -- which I owned for less than a week =
and took right back to Guitar Center for<SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>refund/trade-in on another =
DD-20.</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">Having lops that at least have the possibility of =
decay and change seems a lot more musically useful and =
normal.</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">There's my 2 cents.</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">Good luck =
and welcome aboard.</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" style=3D"font: =
12.0px Courier">tEd =AE KiLLiAn</FONT></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Courier; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" =
style=3D"font: 12.0px Courier">www.tedkillian.com</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Courier" size=3D"3" color=3D"#ff0c00" style=3D"font: 12.0px =
Courier; color: #ff0c00">Different is not always better, but better is =
always different"<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><P style=3D"margin:=
 0.0px 0.0px 0.0px 0.0px; min-height: 14.0px"><FONT face=3D"Courier" =
size=3D"3" style=3D"font: 12.0px Courier"><SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT><BR =
class=3D"khtml-block-placeholder"></P><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Courier" size=3D"3" color=3D"#7f7a7a" style=3D"font: 12.0px =
Courier; color: #7f7a7a">Flux Aeterna:<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" color=3D"#7f7a7a" =
style=3D"font: 12.0px Courier; color: #7f7a7a"><A =
href=3D"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playLi=
stId=3D6378076">http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbu=
m?playListId=3D6378076</A><SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Courier; color: =
rgb(127, 122, 122); min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" color=3D"#7f7a7a" =
style=3D"font: 12.0px Courier; color: #7f7a7a">Also check out the 1st =
set of BEMF (Boise Experimental Music Festival) CDs at:<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" color=3D"#7f7a7a" =
style=3D"font: 12.0px Courier; color: #7f7a7a"><A =
href=3D"http://www.boisemusicians.com/experimental/cd.htm">http://www.bois=
emusicians.com/experimental/cd.htm</A><SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><P style=3D"margin:=
 0.0px 0.0px 0.0px 0.0px; min-height: 14.0px"><FONT face=3D"Courier" =
size=3D"3" color=3D"#7f7a7a" style=3D"font: 12.0px Courier; color: =
#7f7a7a"><SPAN class=3D"Apple-converted-space">=A0</SPAN></FONT><BR =
class=3D"khtml-block-placeholder"></P><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Courier" size=3D"3" color=3D"#7f7a7a" style=3D"font: 12.0px =
Courier; color: #7f7a7a"><A =
href=3D"http://www.pfmentum.com/flux.html">http://www.pfmentum.com/flux.ht=
ml</A><SPAN class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" color=3D"#7f7a7a" =
style=3D"font: 12.0px Courier; color: #7f7a7a"><A =
href=3D"http://www.CDbaby.com/cd/tedkillian">http://www.CDbaby.com/cd/tedk=
illian</A><SPAN class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DI=
V style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" color=3D"#7f7a7a" =
style=3D"font: 12.0px Courier; color: #7f7a7a"><A =
href=3D"http://www.guitar9.com/fluxaeterna.html">http://www.guitar9.com/fl=
uxaeterna.html</A><SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" color=3D"#7f7a7a" =
style=3D"font: 12.0px Courier; color: #7f7a7a"><A =
href=3D"http://www.garageband.com/artist/ArsOcarina">http://www.garageband=
.com/artist/ArsOcarina</A><SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" color=3D"#7f7a7a" =
style=3D"font: 12.0px Courier; color: #7f7a7a"><A =
href=3D"http://www.towerrecords.com/product.aspx?pfid=3D2845073">http://ww=
w.towerrecords.com/product.aspx?pfid=3D2845073</A><SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" color=3D"#7f7a7a" =
style=3D"font: 12.0px Courier; color: #7f7a7a"><A =
href=3D"http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314">http://w=
ww.netmusic.com/web/album.aspx?a_id=3DCBNM_17314</A><SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" color=3D"#7f7a7a" =
style=3D"font: 12.0px Courier; color: #7f7a7a"><A =
href=3D"http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193">=
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193</A><SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" color=3D"#7f7a7a" =
style=3D"font: 12.0px Courier; color: #7f7a7a"><A =
href=3D"http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_pr=
ofile&id=3D1211970">http://www.loopers-delight.com/cgi-bin/profiles.cgi?st=
ep=3Dview_profile&amp;id=3D1211970</A></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" color=3D"#7f7a7a" =
style=3D"font: 12.0px Courier; color: #7f7a7a">00042<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><P style=3D"margin:=
 0.0px 0.0px 0.0px 0.0px; min-height: 14.0px"><FONT face=3D"Courier" =
size=3D"3" color=3D"#7f7a7a" style=3D"font: 12.0px Courier; color: =
#7f7a7a"><SPAN class=3D"Apple-converted-space">=A0</SPAN></FONT><BR =
class=3D"khtml-block-placeholder"></P><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Courier" size=3D"3" color=3D"#7f7a7a" style=3D"font: 12.0px =
Courier; color: #7f7a7a">Ted Killian's "Flux Aeterna" is also available =
at: Apple iTunes,<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" color=3D"#7f7a7a" =
style=3D"font: 12.0px Courier; color: #7f7a7a">BuyMusic, Rhapsody, =
MusicMatch, MusicNet, DiscLogic, Napster,<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" color=3D"#7f7a7a" =
style=3D"font: 12.0px Courier; color: #7f7a7a">AudioLunchbox, Lindows, =
QTRnote, Music4Cents, Etherstream,<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" color=3D"#7f7a7a" =
style=3D"font: 12.0px Courier; color: #7f7a7a">RuleRadio, EMEPE3, Sony =
Connect, CatchMusic, Puretracks,<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Courier" size=3D"3" color=3D"#7f7a7a" =
style=3D"font: 12.0px Courier; color: #7f7a7a">and Viztas. Yadda, yadda, =
yadda. Blah, blah, blah. So???<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV> =
</BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-1--873600770--

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 12:15:26 2007
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Subject: RE: 46 Seconds from the Boss DD-20 (Was Newbie!)
Date: Fri, 12 Oct 2007 14:15:20 +0200
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From: "Moore, David W Civ 86 MXS/MXMTA" <David.Moore@ramstein.af.mil>
To: <Loopers-Delight@loopers-delight.com>
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I DID A LOT OF READING OF ALL THE REVIEWS TO FIND OUT WHICH ONE I
WANTED!
I ORDERED MY GIGADELAY YESTERDAY!!!
I'M VERY EXCITED!

THANX EVERYONE!
DAVID

=20

-----Original Message-----
From: Douglas Baldwin [mailto:coyotelk@optonline.net]=20
Sent: Thursday, October 11, 2007 6:56 PM
To: tEd (r) KiLLiAn; Loopers-Delight@loopers-delight.com
Subject: 46 Seconds from the Boss DD-20 (Was Newbie!)

Ted K. wrote:
> To my knowledge, the maximum delay time is 23 seconds.

> Unless Boss has upgraded the memory on the things, I suspect it still
is.

> You might want to check, if this is important to you, before you buy.

If you read my review/description of the Boss DD-20 on the Looper's
Delight web site, you'll find the neat trick I discovered to create up
to 46 seconds of delay from this cool little cream-colored box. It's in
there; you just gotta know how to coax it out.
=20
Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net
=20
"The volume knob on your telepathy is your morality."        =20
- Stephen Gaskin, The Farm

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 12:25:28 2007
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Subject: RE: Newbie! (DD 20 question)
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From: "Moore, David W Civ 86 MXS/MXMTA" <David.Moore@ramstein.af.mil>
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I was wondering about that also! I guess I will find out soon enough. I =
ordered a Gigadelay yesterday!
I would assume that if it is like most other delay pedals, you stomp to =
turn delay on and if you stomp again you turn the delay off. =
BUT!....since it is fancy, maybe you stomp and turn off delay mode, but =
delays keep going! That would be cool!
As soon as I get mine, I will let you know!

david


=20

-----Original Message-----
From: Scott Stroud [mailto:scotty@numericable.fr]=20
Sent: Friday, October 12, 2007 11:39 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Newbie! (DD 20 question)

Hello Ted, or anyone else savy to this question

When going through the DD 20 in delay mode (100% or near) can you cut =
off your input at some point, meaning can you get some loops (delays) =
going and then hit the pedal again and play over the delaying loops dry? =


BTW  I was at a small experimental gig in the local art museum which =
featured Keith Rowe last night. Not a looper per se, but a pretty big =
guy in the electro acoustic field. He lives here now in West France.=20

Just thought I'd mention it.

Thanks for any info.  Still looking for the right pedal. Was leaning =
towards a used boomerang, but they've been going quite dear on ebay of =
late. Don't really fancy the rc 20 stuff. Not sure I really want to =
bridge out to the laptop set up either, afraid I'd or someone else would =
spill beer all down it's front. Sticking with my Headrush for the mo, =
until illumination comes from above. It's just so damn short if you want =
to overdub

I  use it on both voice and instruments. I also use a Boss digital delay =
on the voice, which I play around with when my hands are free.=20

Am now waiting for my Lexicon Vortex which I got off ebay to arrive!!!

thanks anyone

scott


Le 11 oct. 07 =E0 16:32, tEd =AE KiLLiAn a =E9crit :


	Hi there!=20

	On Oct 11, 2007, at 7:14 AM, Moore, David W Civ 86 MXS/MXMTA wrote:


		If I set a Gigadelay to 100% feedback, then everything I play will get
		repeated for forever! Unlimited looping! 46 seconds is long enough =
too!


	The DD-20 is something I've frequently used.

	I've owned up to 3 of them at a time and I still own one.

	To my knowledge, the maximum delay time is 23 seconds.

	Unless Boss has upgraded the memory on the things, I suspect it still =
is.

	You might want to check, if this is important to you, before you buy.

	On the other side, it is a useful pedal indeed.

	Like you said, I too use the Delay Mode at (or near) 100% feedback =
instead of the Loop Mode.

	Loop Mode reminded me too much of the RC-20 -- which I owned for less =
than a week and took right back to Guitar Center for  refund/trade-in on =
another DD-20.

	Having lops that at least have the possibility of decay and change =
seems a lot more musically useful and normal.

	There's my 2 cents.

	Good luck and welcome aboard.

	tEd =AE KiLLiAn

	www.tedkillian.com

	Different is not always better, but better is always different"=20

	=20
=09

	Flux Aeterna:=20
	=
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=3D=
6378076=20

	Also check out the 1st set of BEMF (Boise Experimental Music Festival) =
CDs at:=20
	http://www.boisemusicians.com/experimental/cd.htm=20

	=20
=09

	http://www.pfmentum.com/flux.html=20
	http://www.CDbaby.com/cd/tedkillian=20
	http://www.guitar9.com/fluxaeterna.html=20
	http://www.garageband.com/artist/ArsOcarina=20
	http://www.towerrecords.com/product.aspx?pfid=3D2845073=20
	http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314=20
	http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193=20
	=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&i=
d=3D1211970
	00042=20

	=20
=09

	Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,=20
	BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,=20
	AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,=20
	RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,=20
	and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=20


From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 13:35:28 2007
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: Newbie! (DD 20 question)
Date: Fri, 12 Oct 2007 06:35:13 -0700
To: Loopers-Delight@loopers-delight.com
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Scott,

On Oct 12, 2007, at 2:39 AM, Scott Stroud wrote:

> When going through the DD 20 in delay mode (100% or near) can you cut=20=

> off your input at some point, meaning can you get some loops (delays)=20=

> going and then hit the pedal again and play over the delaying loops=20
> dry?=A0

Yes, this is exactly the way it operates in delay mode.

> Am now waiting for my Lexicon Vortex which I got off ebay to arrive!!!

What fun!

I own a couple of those myself.

I never play without at least one

Andy Butler (also on the LD list) is a Master at getting the most out=20
of the Vortex.

I think he has a web page somewhere dedicated to tips and tricks, etc.

I don't have the link handy at the moment though.

Cheers,

Ted=

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 13:39:17 2007
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Yes, I know, well-worn topic   I went through Andy Butler's site and the 
archives for anything Vortex, MIDI CC to CV et al..

Seems noone ever really solved the issue. Some found a solution for the 
swell pedal using some CC->CV adapter, like the ProSolo or JKJ CV-3.

I fully understand the problem of stepping through registers/presets, 
i.e. that stepping is always 'up', via a 4bit protocol, and that it's 
more than difficult to handle the where's-my-reference-point issue..

Did anyone ever come up with usable solutions to the preset stepping?

My own take is simply using only two presets for special effects, so 
'up' is always kinda round-robin between those two.
My Vortex (still in transit from the US) comes with the foot switches;
I expect decoding what they do and interface some MIDI on/off switches 
(FCB1010 or Sholtz Octopus) to trigger those.


WRT MIDI swell, I won't invest into far more features than needed.
Two seems usable: Doepfer MCV4: http://www.doepfer.de/mcv4.htm, and JKJ 
CV-3, both of which can be had at a fair price.

As no CV-3 manual seems available, I'm not sure about hooking up, but 
from pics would guess it's just cables in, adjust trimmers and go..
Anything I need to know?  Don't see how the lfo may be used, unless 
there's some way of remotely switch it in/out et al..

The MCV4 is a sexy little thing to have at the back of a Vortex, and is 
my primary candidate ATM.


Comments?

-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 13:44:48 2007
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Subject: RE: Newbie! (DD 20 question)
Date: Fri, 12 Oct 2007 15:44:43 +0200
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From: "Moore, David W Civ 86 MXS/MXMTA" <David.Moore@ramstein.af.mil>
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SO, HOW EXACTLY DOES THIS WORK?
MY THEORY ON HOW IT MIGHT WORK;
YOU STOMP TO TURN THE DELAY ON (100% FDBK), THEN GO TO TOWN AND CREATE A =
COUPLE OF LOOPS THAT WILL GO ON FOR FOREVER. THEN YOU STOMP AGAIN TO =
TURN THE DELAY MODE OFF, BUT THE LOOPS YOU'VE ALREADY CREATED KEEP =
GOING? THEN YOU CAN CONTINUE PLAYING OVER THEM IN NORMAL (NO DELAY =
ANYMORE) MODE?

=20

-----Original Message-----
From: tEd =AE KiLLiAn [mailto:tedkillian@charter.net]=20
Sent: Friday, October 12, 2007 3:35 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Newbie! (DD 20 question)

Scott,

On Oct 12, 2007, at 2:39 AM, Scott Stroud wrote:

> When going through the DD 20 in delay mode (100% or near) can you cut=20
> off your input at some point, meaning can you get some loops (delays)=20
> going and then hit the pedal again and play over the delaying loops=20
> dry?=A0

Yes, this is exactly the way it operates in delay mode.

> Am now waiting for my Lexicon Vortex which I got off ebay to arrive!!!

What fun!

I own a couple of those myself.

I never play without at least one

Andy Butler (also on the LD list) is a Master at getting the most out=20
of the Vortex.

I think he has a web page somewhere dedicated to tips and tricks, etc.

I don't have the link handy at the moment though.

Cheers,

Ted

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 14:09:38 2007
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: Newbie! (DD 20 question)
Date: Fri, 12 Oct 2007 07:09:32 -0700
To: Loopers-Delight@loopers-delight.com
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Yes, exactly.

In DELAY MODE stomp the left-hand pedal to start delaying your audio 
input.

Stomp again when satisfied with the loop you've created and continue to 
"solo" over it without adding any more to it.

Stomp again when you want to add more to the loop.

If you want . . .

Occasionally adjust feedback knob downward from 100% so older loop 
material fades in relation to newer stuff added.

This way your loops can evolve and change.

Cheers,

Ted

On Oct 12, 2007, at 6:44 AM, Moore, David W Civ 86 MXS/MXMTA wrote:

> SO, HOW EXACTLY DOES THIS WORK?
> MY THEORY ON HOW IT MIGHT WORK;
> YOU STOMP TO TURN THE DELAY ON (100% FDBK), THEN GO TO TOWN AND CREATE 
> A COUPLE OF LOOPS THAT WILL GO ON FOR FOREVER. THEN YOU STOMP AGAIN TO 
> TURN THE DELAY MODE OFF, BUT THE LOOPS YOU'VE ALREADY CREATED KEEP 
> GOING? THEN YOU CAN CONTINUE PLAYING OVER THEM IN NORMAL (NO DELAY 
> ANYMORE) MODE?

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 14:50:09 2007
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From: "Qua Veda" <qua@oregon.com>
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References: <200710111414.l9BEEsu8004991@hermes.ramstein.af.mil> <f6be7e29e58d57d266c3834a15d81001@charter.net> <9461802C-49F7-415B-9FF4-6B91C0B2B72B@numericable.fr> <3ef09a0d5102a3eee6b6d1bb5d5b967b@charter.net>
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Subject: vortex
Date: Fri, 12 Oct 2007 07:50:03 -0700
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The vortex seems very popular with loopers and experimentalists.
In a nutshell,  what does it do?
-Qua

-----Original Message-----
From: tEd R KiLLiAn [mailto:tedkillian@charter.net] 

>> Am now waiting for my Lexicon Vortex which I got off ebay to arrive!!!

What fun!

I own a couple of those myself.

I never play without at least one

Andy Butler (also on the LD list) is a Master at getting the most out 
of the Vortex.

I think he has a web page somewhere dedicated to tips and tricks, etc.

I don't have the link handy at the moment though.

Cheers,

Ted

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 14:54:39 2007
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Subject: RE: On vs off topic -and- irritating people...
Date: Fri, 12 Oct 2007 14:54:37 +0000
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If you are worried about being irritated, turn off your computer. So many forums are way too sensitive about this. One in particular, the Acoustic Guitar Forum is so worried about people feelings, you can't offer any critisism without somebody crying to the moderators. Hence, all critical thought is squelched. Everybodys crappy MP3 is "wonderful". Unless your talking to a child, I say anything goes. 

-------------- Original message -------------- 
From: "Wordsman, Lee" <LWordsman@PIRNIE.COM> 

> 
> Cara, 
> 
> You make your point perfectly and I agree. It seems having two lists 
> could stifle some of the dialogue that ultimately does loop back to 
> topic (most times). Some of the off topic stuff also helps put some 
> personality behind the community, which I don't think is a bad thing. 
> 
> I receive the digest version and but not in the manner that Per 
> describes. I don't get one super post, I get a list of each individual 
> post that I can click on if the subject heading interests me. Do others 
> receive the digest in a different format? 
> 
> Lee 
> -----Original Message----- 
> From: Cara Quinn [mailto:CaraQuinn@onemodelplace.com] 
> Sent: Thursday, October 11, 2007 3:06 PM 
> To: Loopers-Delight@loopers-delight.com 
> Subject: Re: On vs off topic -and- irritating people... 
> 
> Hi Per, thanks for your reply. Yes, I'm familiar with filtering and 
> such, and am subscribed to several email lists that all go to 
> appropriate 
> inboxes, or multiple lists to one, so I'm completely comfortable with 
> doing 
> that, but the points I was trying to make, I think might have been 
> lost... 
> 
> Firstly, having all of the LD traffic, (whatever that may be) on one 
> 'LD' list, promotes a smooth flow of ideas from extreme to extreme, 
> which 
> is personally, what keeps me coming back here to this list. Without 
> that, 
> honestly, the list would hold considerably less interest for me. :) 
> -Just 
> my own opinion, of course... 
> 
> Secondly, if a second list is to exist, and be somehow affiliated 
> with 
> LD, why should the moderation style HERE change? I know we've said that 
> 
> the status quo is to be preserved here, but as long as 'OT' posts are 
> going 
> somewhere else, that's not really happening in practice is it?... 
> In other words, rather than simply letting this list adapt as it has 
> done before, to accommodate people, actual material that would have gone 
> to 
> THIS list is now, not. So, instead of simple changes to the existing 
> flow, 
> to adapt it, it's being completely diverted, in an 'all or nothing' 
> fashion. Does that make sense?... Furthermore, there is now more 
> bandwidth on a regular basis about what is on vs what is off 
> topic! lol! Isn't this exactly the sort of thing we were trying to 
> avoid?... lol! -And of course, my own posts here, not withstanding! 
> :) 
> 
> Now, having said all of this, as I understood what happened a few 
> weeks 
> ago, people were simply not happy about a book discussion which they 
> felt 
> interfered with the gear chat... So, a new list was started, where 
> things 
> like book chats could happen. I.E. LDOT... 
> 
> What I'm wondering is why the exclusive / heavily moderated gear chat 
> 
> and more extreme on topic format nature couldn't be applied to THAT list 
> 
> rather than this one?... Why do the book chats need to leave and the 
> gear 
> chat stay?... Why can't the book chats stay, and the gear chat stay as 
> well?... :) -But, the extreme no-frills 'on topic' gear chat could 
> move 
> to the new list... 
> Meanwhile, here on this list, we could simply continue as is, or was, 
> rather, :) and just be more aware and practice better netiquette and 
> have 
> both book chats AND gear chats?... This doesn't, at the moment, seem to 
> be 
> what is happening. (even though we say it's supposed to) If I'm 
> mistaken, 
> then so be it, but I don't think I am... 
> 
> Lastly, as for my own personal thoughts on subbing to the new list, 
> (aside from my mention above, of the notion of too much 
> compartmentalization of the flow of ideas, causing interference in 
> effect) 
> just in a general access sense, different lists cause my email client 
> and 
> screen reader to ;display header info differently, so in effect, 
> different 
> lists are easier and less time consuming for me to read. This is one of 
> 
> the easy ones, whereas Google (while definitely not being the most 
> difficult) is not... So for me, joining a chat list in that format 
> would 
> only be a nuisance. And, as I'd mentioned above, even if I did, the 
> flow 
> that has happened HERE, because of both extremes being present, still 
> wouldn't exist. It's like separating a cake out into it's ingredients, 
> and 
> serving them. :) Sure, you'd still get what's in the cake, BUT IT'S 
> NOT A 
> CAKE!!! :) lol! 
> 
> Am I making sense now?... 
> 
> So, what I'm saying is that I think fragmenting like this is changing 
> 
> the primary nature of the list. If that's what people want, then fine, 
> that's cool! :) It's just not MY personal preference... :) 
> 
> -And, as long as there is some sort of venue which is sort of, but 
> not 
> quite, affiliated with LD, where the book posts go, :) rather than 
> going 
> here, this list is a different place... Does that make sense?... 
> 
> 
> Anyway, I hope I've clarified my points. Have a terrific day!... 
> 
> Smiles, 
> 
> Cara :) 
> 
> At 09:16 AM 10/11/2007 +0200, you wrote: 
> 
> >Just a reminder of what initially kicked off this discussion, since 
> >no one have so far mentioned that in this new thread. It was about 
> >making life a little easier for those who struggle with a digest 
> >version of the list. In the digest version many letters are baked 
> >into one super letter, which means the user can not use normal e-mail 
> >filtering. Especially problematic for digest reading is when someone 
> >quotes way too much and out of context. 
> > 
> >But people, please don't stop quoting now! Intelligent quoting makes 
> >reading a lot easier and is generally regarded as good mailing list 
> >manners. When replying, you should keep just as much of the old text 
> >needed for a new reader to get the background to your own reply. Drag 
> >with mouse button held down to mark text that you want to quote, hit 
> >Reply, type something and finally hit Send. 
> > 
> >Thank you, Travis, for posting the list rules to the list. It just 
> >dawned on me that I have never seen those on the list and that's bad. 
> >Most lists have an automatic function that posts the general list 
> >rules once a month to the list, just as a reminder. 
> > 
> >The "mysterious LDOT list" is not associated with this list in any 
> >way other than that it was crated as a private initiative by a member 
> >of this list and that some more members of this list is subscribing 
> >to it. I personally use it to post things like guitar amp reviews, 
> >funny stories or whatever not looping oriented. As for Cara's wish of 
> >having it all on this list I would like to suggest a way to make that 
> >happen in your own praxis; simply subscribe to the other list and set 
> >you mail application to dump those mails into the same box as the LD 
> >list. You don't even have to know to which list a single message 
> >belongs - hit reply and it goes back through the same "list channel" 
> >where it came in. 
> > 
> >Greetings from Sweden 
> > 
> >Per Boysen 
> >www.boysen.se (Swedish) 
> >www.looproom.com (international) 
> > 
> > 
> > 
> > 
> > 
> > 
> > 
> > 
> >-- 
> >No virus found in this incoming message. 
> >Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 
> >269.14.6/1060 - Release Date: 10/9/2007 4:43 PM 
> 
> --- 
> View my on-line portfolio at: 
> 
> http://www.onemodelplace.com/CaraQuinn 
> 
> "The only things I really think are important, are love, and each 
> other. -Then, anything is possible..." 
> 
> http://home.earthlink.net/~cara-quinn 
> 
> 
> -- 
> No virus found in this outgoing message. 
> Checked by AVG Free Edition. 
> Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date: 
> 10/9/2007 4:43 PM 
> 
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<html><body>
<DIV>If you are worried about being irritated, turn off your computer. So many forums are way too sensitive about this. One in particular, the Acoustic Guitar Forum is so worried about people feelings, you can't offer any critisism without somebody crying to the moderators. Hence, all critical&nbsp;thought is squelched. Everybodys crappy MP3 is "wonderful". Unless your talking to a child, I say anything goes. </DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">-------------- Original message -------------- <BR>From: "Wordsman, Lee" &lt;LWordsman@PIRNIE.COM&gt; <BR><BR>&gt; <BR>&gt; Cara, <BR>&gt; <BR>&gt; You make your point perfectly and I agree. It seems having two lists <BR>&gt; could stifle some of the dialogue that ultimately does loop back to <BR>&gt; topic (most times). Some of the off topic stuff also helps put some <BR>&gt; personality behind the community, which I don't think is a bad thing. <BR>&gt; <BR>&gt; I receive the digest version and but not in the manner that Per <BR>&gt; describes. I don't get one super post, I get a list of each individual <BR>&gt; post that I can click on if the subject heading interests me. Do others <BR>&gt; receive the digest in a different format? <BR>&gt; <BR>&gt; Lee <BR>&gt; -----Original Message----- <BR>&gt; From: Cara Quinn [mailto:CaraQuinn@onemodelplace.com] <BR>&gt; Sent: Thursday, October 11, 2007 3
:06 PM <BR>&gt; To: Loopers-Delight@loopers-delight.com <BR>&gt; Subject: Re: On vs off topic -and- irritating people... <BR>&gt; <BR>&gt; Hi Per, thanks for your reply. Yes, I'm familiar with filtering and <BR>&gt; such, and am subscribed to several email lists that all go to <BR>&gt; appropriate <BR>&gt; inboxes, or multiple lists to one, so I'm completely comfortable with <BR>&gt; doing <BR>&gt; that, but the points I was trying to make, I think might have been <BR>&gt; lost... <BR>&gt; <BR>&gt; Firstly, having all of the LD traffic, (whatever that may be) on one <BR>&gt; 'LD' list, promotes a smooth flow of ideas from extreme to extreme, <BR>&gt; which <BR>&gt; is personally, what keeps me coming back here to this list. Without <BR>&gt; that, <BR>&gt; honestly, the list would hold considerably less interest for me. :) <BR>&gt; -Just <BR>&gt; my own opinion, of course... <BR>&gt; <BR>&gt; Secondly, if a second list is to exist, and be somehow affiliated <BR>&gt; with <BR>&gt; LD
, why should the moderation style HERE change? I know we've said that <BR>&gt; <BR>&gt; the status quo is to be preserved here, but as long as 'OT' posts are <BR>&gt; going <BR>&gt; somewhere else, that's not really happening in practice is it?... <BR>&gt; In other words, rather than simply letting this list adapt as it has <BR>&gt; done before, to accommodate people, actual material that would have gone <BR>&gt; to <BR>&gt; THIS list is now, not. So, instead of simple changes to the existing <BR>&gt; flow, <BR>&gt; to adapt it, it's being completely diverted, in an 'all or nothing' <BR>&gt; fashion. Does that make sense?... Furthermore, there is now more <BR>&gt; bandwidth on a regular basis about what is on vs what is off <BR>&gt; topic! lol! Isn't this exactly the sort of thing we were trying to <BR>&gt; avoid?... lol! -And of course, my own posts here, not withstanding! <BR>&gt; :) <BR>&gt; <BR>&gt; Now, having said all of this, as I understood what happened a few <BR>&gt; week
s <BR>&gt; ago, people were simply not happy about a book discussion which they <BR>&gt; felt <BR>&gt; interfered with the gear chat... So, a new list was started, where <BR>&gt; things <BR>&gt; like book chats could happen. I.E. LDOT... <BR>&gt; <BR>&gt; What I'm wondering is why the exclusive / heavily moderated gear chat <BR>&gt; <BR>&gt; and more extreme on topic format nature couldn't be applied to THAT list <BR>&gt; <BR>&gt; rather than this one?... Why do the book chats need to leave and the <BR>&gt; gear <BR>&gt; chat stay?... Why can't the book chats stay, and the gear chat stay as <BR>&gt; well?... :) -But, the extreme no-frills 'on topic' gear chat could <BR>&gt; move <BR>&gt; to the new list... <BR>&gt; Meanwhile, here on this list, we could simply continue as is, or was, <BR>&gt; rather, :) and just be more aware and practice better netiquette and <BR>&gt; have <BR>&gt; both book chats AND gear chats?... This doesn't, at the moment, seem to <BR>&gt; be <BR>&gt; what is
 happening. (even though we say it's supposed to) If I'm <BR>&gt; mistaken, <BR>&gt; then so be it, but I don't think I am... <BR>&gt; <BR>&gt; Lastly, as for my own personal thoughts on subbing to the new list, <BR>&gt; (aside from my mention above, of the notion of too much <BR>&gt; compartmentalization of the flow of ideas, causing interference in <BR>&gt; effect) <BR>&gt; just in a general access sense, different lists cause my email client <BR>&gt; and <BR>&gt; screen reader to ;display header info differently, so in effect, <BR>&gt; different <BR>&gt; lists are easier and less time consuming for me to read. This is one of <BR>&gt; <BR>&gt; the easy ones, whereas Google (while definitely not being the most <BR>&gt; difficult) is not... So for me, joining a chat list in that format <BR>&gt; would <BR>&gt; only be a nuisance. And, as I'd mentioned above, even if I did, the <BR>&gt; flow <BR>&gt; that has happened HERE, because of both extremes being present, still <BR>&gt; would
n't exist. It's like separating a cake out into it's ingredients, <BR>&gt; and <BR>&gt; serving them. :) Sure, you'd still get what's in the cake, BUT IT'S <BR>&gt; NOT A <BR>&gt; CAKE!!! :) lol! <BR>&gt; <BR>&gt; Am I making sense now?... <BR>&gt; <BR>&gt; So, what I'm saying is that I think fragmenting like this is changing <BR>&gt; <BR>&gt; the primary nature of the list. If that's what people want, then fine, <BR>&gt; that's cool! :) It's just not MY personal preference... :) <BR>&gt; <BR>&gt; -And, as long as there is some sort of venue which is sort of, but <BR>&gt; not <BR>&gt; quite, affiliated with LD, where the book posts go, :) rather than <BR>&gt; going <BR>&gt; here, this list is a different place... Does that make sense?... <BR>&gt; <BR>&gt; <BR>&gt; Anyway, I hope I've clarified my points. Have a terrific day!... <BR>&gt; <BR>&gt; Smiles, <BR>&gt; <BR>&gt; Cara :) <BR>&gt; <BR>&gt; At 09:16 AM 10/11/2007 +0200, you wrote: <BR>&gt; <BR>&gt; &gt;Just a reminder of what
 initially kicked off this discussion, since <BR>&gt; &gt;no one have so far mentioned that in this new thread. It was about <BR>&gt; &gt;making life a little easier for those who struggle with a digest <BR>&gt; &gt;version of the list. In the digest version many letters are baked <BR>&gt; &gt;into one super letter, which means the user can not use normal e-mail <BR>&gt; &gt;filtering. Especially problematic for digest reading is when someone <BR>&gt; &gt;quotes way too much and out of context. <BR>&gt; &gt; <BR>&gt; &gt;But people, please don't stop quoting now! Intelligent quoting makes <BR>&gt; &gt;reading a lot easier and is generally regarded as good mailing list <BR>&gt; &gt;manners. When replying, you should keep just as much of the old text <BR>&gt; &gt;needed for a new reader to get the background to your own reply. Drag <BR>&gt; &gt;with mouse button held down to mark text that you want to quote, hit <BR>&gt; &gt;Reply, type something and finally hit Send. <BR>&gt; &gt; <
BR>&gt; &gt;Thank you, Travis, for posting the list rules to the list. It just <BR>&gt; &gt;dawned on me that I have never seen those on the list and that's bad. <BR>&gt; &gt;Most lists have an automatic function that posts the general list <BR>&gt; &gt;rules once a month to the list, just as a reminder. <BR>&gt; &gt; <BR>&gt; &gt;The "mysterious LDOT list" is not associated with this list in any <BR>&gt; &gt;way other than that it was crated as a private initiative by a member <BR>&gt; &gt;of this list and that some more members of this list is subscribing <BR>&gt; &gt;to it. I personally use it to post things like guitar amp reviews, <BR>&gt; &gt;funny stories or whatever not looping oriented. As for Cara's wish of <BR>&gt; &gt;having it all on this list I would like to suggest a way to make that <BR>&gt; &gt;happen in your own praxis; simply subscribe to the other list and set <BR>&gt; &gt;you mail application to dump those mails into the same box as the LD <BR>&gt; &gt;list. Yo
u don't even have to know to which list a single message <BR>&gt; &gt;belongs - hit reply and it goes back through the same "list channel" <BR>&gt; &gt;where it came in. <BR>&gt; &gt; <BR>&gt; &gt;Greetings from Sweden <BR>&gt; &gt; <BR>&gt; &gt;Per Boysen <BR>&gt; &gt;www.boysen.se (Swedish) <BR>&gt; &gt;www.looproom.com (international) <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt;-- <BR>&gt; &gt;No virus found in this incoming message. <BR>&gt; &gt;Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: <BR>&gt; &gt;269.14.6/1060 - Release Date: 10/9/2007 4:43 PM <BR>&gt; <BR>&gt; --- <BR>&gt; View my on-line portfolio at: <BR>&gt; <BR>&gt; http://www.onemodelplace.com/CaraQuinn <BR>&gt; <BR>&gt; "The only things I really think are important, are love, and each <BR>&gt; other. -Then, anything is possible..." <BR>&gt; <BR>&gt; http://home.earthlink.net/~cara-quinn <BR>&gt; <BR>&gt; <BR>&gt; -- 
<BR>&gt; No virus found in this outgoing message. <BR>&gt; Checked by AVG Free Edition. <BR>&gt; Version: 7.5.476 / Virus Database: 269.14.6/1060 - Release Date: <BR>&gt; 10/9/2007 4:43 PM <BR>&gt; </BLOCKQUOTE></body></html>

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From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 14:57:00 2007
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To: Loopers-Delight@loopers-delight.com
Subject: RE: Newbie! (DD 20 question)
Date: Fri, 12 Oct 2007 14:56:57 +0000
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Roland just reissued the Space Delay in a double pedal. Looks very cool and it got an excellent review in Music Tech Magazine. 

-------------- Original message -------------- 
From: "Moore, David W Civ 86 MXS/MXMTA" <David.Moore@ramstein.af.mil> 

> I was wondering about that also! I guess I will find out soon enough. I ordered 
> a Gigadelay yesterday! 
> I would assume that if it is like most other delay pedals, you stomp to turn 
> delay on and if you stomp again you turn the delay off. BUT!....since it is 
> fancy, maybe you stomp and turn off delay mode, but delays keep going! That 
> would be cool! 
> As soon as I get mine, I will let you know! 
> 
> david 
> 
> 
> 
> 
> -----Original Message----- 
> From: Scott Stroud [mailto:scotty@numericable.fr] 
> Sent: Friday, October 12, 2007 11:39 AM 
> To: Loopers-Delight@loopers-delight.com 
> Subject: Re: Newbie! (DD 20 question) 
> 
> Hello Ted, or anyone else savy to this question 
> 
> When going through the DD 20 in delay mode (100% or near) can you cut off your 
> input at some point, meaning can you get some loops (delays) going and then hit 
> the pedal again and play over the delaying loops dry? 
> 
> BTW I was at a small experimental gig in the local art museum which featured 
> Keith Rowe last night. Not a looper per se, but a pretty big guy in the electro 
> acoustic field. He lives here now in West France. 
> 
> Just thought I'd mention it. 
> 
> Thanks for any info. Still looking for the right pedal. Was leaning towards a 
> used boomerang, but they've been going quite dear on ebay of late. Don't really 
> fancy the rc 20 stuff. Not sure I really want to bridge out to the laptop set up 
> either, afraid I'd or someone else would spill beer all down it's front. 
> Sticking with my Headrush for the mo, until illumination comes from above. It's 
> just so damn short if you want to overdub 
> 
> I use it on both voice and instruments. I also use a Boss digital delay on the 
> voice, which I play around with when my hands are free. 
> 
> Am now waiting for my Lexicon Vortex which I got off ebay to arrive!!! 
> 
> thanks anyone 
> 
> scott 
> 
> 
> Le 11 oct. 07 à 16:32, tEd ® KiLLiAn a écrit : 
> 
> 
> Hi there! 
> 
> On Oct 11, 2007, at 7:14 AM, Moore, David W Civ 86 MXS/MXMTA wrote: 
> 
> 
> If I set a Gigadelay to 100% feedback, then everything I play 
> will get 
> repeated for forever! Unlimited looping! 46 seconds is long 
> enough too! 
> 
> 
> The DD-20 is something I've frequently used. 
> 
> I've owned up to 3 of them at a time and I still own one. 
> 
> To my knowledge, the maximum delay time is 23 seconds. 
> 
> Unless Boss has upgraded the memory on the things, I suspect it still 
> is. 
> 
> You might want to check, if this is important to you, before you buy. 
> 
> On the other side, it is a useful pedal indeed. 
> 
> Like you said, I too use the Delay Mode at (or near) 100% feedback 
> instead of the Loop Mode. 
> 
> Loop Mode reminded me too much of the RC-20 -- which I owned for less 
> than a week and took right back to Guitar Center for refund/trade-in on another 
> DD-20. 
> 
> Having lops that at least have the possibility of decay and change seems 
> a lot more musically useful and normal. 
> 
> There's my 2 cents. 
> 
> Good luck and welcome aboard. 
> 
> tEd ® KiLLiAn 
> 
> www.tedkillian.com 
> 
> Different is not always better, but better is always different" 
> 
> 
> 
> 
> Flux Aeterna: 
> 
> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=6378076 
> 
> Also check out the 1st set of BEMF (Boise Experimental Music Festival) 
> CDs at: 
> http://www.boisemusicians.com/experimental/cd.htm 
> 
> 
> 
> 
> http://www.pfmentum.com/flux.html 
> http://www.CDbaby.com/cd/tedkillian 
> http://www.guitar9.com/fluxaeterna.html 
> http://www.garageband.com/artist/ArsOcarina 
> http://www.towerrecords.com/product.aspx?pfid=2845073 
> http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314 
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193 
> 
> http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=1211970 
> 00042 
> 
> 
> 
> 
> Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, 
> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster, 
> AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream, 
> RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks, 
> and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So??? 
> 
> 
--NextPart_Webmail_9m3u9jl4l_27637_1192201017_0
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<html><body>
<DIV>Roland just reissued the Space Delay in a double pedal. Looks very cool and it got an excellent review in Music Tech Magazine. </DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">-------------- Original message -------------- <BR>From: "Moore, David W Civ 86 MXS/MXMTA" &lt;David.Moore@ramstein.af.mil&gt; <BR><BR>&gt; I was wondering about that also! I guess I will find out soon enough. I ordered <BR>&gt; a Gigadelay yesterday! <BR>&gt; I would assume that if it is like most other delay pedals, you stomp to turn <BR>&gt; delay on and if you stomp again you turn the delay off. BUT!....since it is <BR>&gt; fancy, maybe you stomp and turn off delay mode, but delays keep going! That <BR>&gt; would be cool! <BR>&gt; As soon as I get mine, I will let you know! <BR>&gt; <BR>&gt; david <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; -----Original Message----- <BR>&gt; From: Scott Stroud [mailto:scotty@numericable.fr] <BR>&gt; Sent: Friday, October 12, 2007 11:39 AM <BR>&gt; To: Loopers-Delight@loopers-delight.com <BR>&gt; Subject: Re: Newbie! (DD 20 question) <BR>&gt; <BR>&gt; Hello
 Ted, or anyone else savy to this question <BR>&gt; <BR>&gt; When going through the DD 20 in delay mode (100% or near) can you cut off your <BR>&gt; input at some point, meaning can you get some loops (delays) going and then hit <BR>&gt; the pedal again and play over the delaying loops dry? <BR>&gt; <BR>&gt; BTW I was at a small experimental gig in the local art museum which featured <BR>&gt; Keith Rowe last night. Not a looper per se, but a pretty big guy in the electro <BR>&gt; acoustic field. He lives here now in West France. <BR>&gt; <BR>&gt; Just thought I'd mention it. <BR>&gt; <BR>&gt; Thanks for any info. Still looking for the right pedal. Was leaning towards a <BR>&gt; used boomerang, but they've been going quite dear on ebay of late. Don't really <BR>&gt; fancy the rc 20 stuff. Not sure I really want to bridge out to the laptop set up <BR>&gt; either, afraid I'd or someone else would spill beer all down it's front. <BR>&gt; Sticking with my Headrush for the mo, until illu
mination comes from above. It's <BR>&gt; just so damn short if you want to overdub <BR>&gt; <BR>&gt; I use it on both voice and instruments. I also use a Boss digital delay on the <BR>&gt; voice, which I play around with when my hands are free. <BR>&gt; <BR>&gt; Am now waiting for my Lexicon Vortex which I got off ebay to arrive!!! <BR>&gt; <BR>&gt; thanks anyone <BR>&gt; <BR>&gt; scott <BR>&gt; <BR>&gt; <BR>&gt; Le 11 oct. 07 à 16:32, tEd ® KiLLiAn a écrit : <BR>&gt; <BR>&gt; <BR>&gt; Hi there! <BR>&gt; <BR>&gt; On Oct 11, 2007, at 7:14 AM, Moore, David W Civ 86 MXS/MXMTA wrote: <BR>&gt; <BR>&gt; <BR>&gt; If I set a Gigadelay to 100% feedback, then everything I play <BR>&gt; will get <BR>&gt; repeated for forever! Unlimited looping! 46 seconds is long <BR>&gt; enough too! <BR>&gt; <BR>&gt; <BR>&gt; The DD-20 is something I've frequently used. <BR>&gt; <BR>&gt; I've owned up to 3 of them at a time and I still own one. <BR>&gt; <BR>&gt; To my knowledge, the maximum delay time is 23 
seconds. <BR>&gt; <BR>&gt; Unless Boss has upgraded the memory on the things, I suspect it still <BR>&gt; is. <BR>&gt; <BR>&gt; You might want to check, if this is important to you, before you buy. <BR>&gt; <BR>&gt; On the other side, it is a useful pedal indeed. <BR>&gt; <BR>&gt; Like you said, I too use the Delay Mode at (or near) 100% feedback <BR>&gt; instead of the Loop Mode. <BR>&gt; <BR>&gt; Loop Mode reminded me too much of the RC-20 -- which I owned for less <BR>&gt; than a week and took right back to Guitar Center for refund/trade-in on another <BR>&gt; DD-20. <BR>&gt; <BR>&gt; Having lops that at least have the possibility of decay and change seems <BR>&gt; a lot more musically useful and normal. <BR>&gt; <BR>&gt; There's my 2 cents. <BR>&gt; <BR>&gt; Good luck and welcome aboard. <BR>&gt; <BR>&gt; tEd ® KiLLiAn <BR>&gt; <BR>&gt; www.tedkillian.com <BR>&gt; <BR>&gt; Different is not always better, but better is always different" <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&g
t; Flux Aeterna: <BR>&gt; <BR>&gt; http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=6378076 <BR>&gt; <BR>&gt; Also check out the 1st set of BEMF (Boise Experimental Music Festival) <BR>&gt; CDs at: <BR>&gt; http://www.boisemusicians.com/experimental/cd.htm <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; http://www.pfmentum.com/flux.html <BR>&gt; http://www.CDbaby.com/cd/tedkillian <BR>&gt; http://www.guitar9.com/fluxaeterna.html <BR>&gt; http://www.garageband.com/artist/ArsOcarina <BR>&gt; http://www.towerrecords.com/product.aspx?pfid=2845073 <BR>&gt; http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314 <BR>&gt; http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193 <BR>&gt; <BR>&gt; http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&amp;id=1211970 <BR>&gt; 00042 <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, <BR>&gt; BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Na
pster, <BR>&gt; AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream, <BR>&gt; RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks, <BR>&gt; and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So??? <BR>&gt; <BR>&gt; </BLOCKQUOTE></body></html>

--NextPart_Webmail_9m3u9jl4l_27637_1192201017_0--

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 15:07:41 2007
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To: Loopers-Delight@loopers-delight.com (Loopers Delight)
Subject: Gordius Midi Pedal. 
Date: Fri, 12 Oct 2007 15:07:39 +0000
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Since switching to a laptop for all signal processing, looping and mixing, I echo Krispen's need for "smallness".  It actually becomes somewhat of a compulsion. Which is completely the opposite mindset of my previous 25 years of experience. 
The FCB is in fact big. I see the Gordius unit, and it looks solid and compact. 
Has anyone used one of these? Are the buttons loud? Can you rest your foot on a button without activating it?

Any thoughts would be appreciated. 
Regards,
MFC
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<html><body>
<DIV>Since switching to a laptop for all signal processing, looping and mixing, I echo Krispen's need for&nbsp;"smallness". &nbsp;It actually becomes somewhat of a compulsion. Which is completely the opposite mindset of my previous 25 years of experience. </DIV>
<DIV>The FCB is in fact big. I see the Gordius unit, and it looks solid and compact. </DIV>
<DIV>Has anyone used one of these? Are the buttons loud? Can you rest your foot on a button without activating it?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Any thoughts would be appreciated. </DIV>
<DIV>Regards,</DIV>
<DIV>MFC</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></body></html>

--NextPart_Webmail_9m3u9jl4l_20016_1192201659_0--

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 15:22:20 2007
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Subject: RE: vortex
Date: Fri, 12 Oct 2007 08:22:19 -0700
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OK,  I'm reading Andy's site, to get my answer.   Still, would like to hear
from a few users about what they like most about it.
-Qua

-----Original Message-----
From: Qua Veda [mailto:qua@oregon.com] 
Sent: Friday, October 12, 2007 7:50 AM
To: Loopers-Delight@loopers-delight.com
Subject: vortex

The vortex seems very popular with loopers and experimentalists.
In a nutshell,  what does it do?
-Qua

-----Original Message-----
From: tEd R KiLLiAn [mailto:tedkillian@charter.net] 

>> Am now waiting for my Lexicon Vortex which I got off ebay to arrive!!!

What fun!

I own a couple of those myself.

I never play without at least one

Andy Butler (also on the LD list) is a Master at getting the most out 
of the Vortex.

I think he has a web page somewhere dedicated to tips and tricks, etc.

I don't have the link handy at the moment though.

Cheers,

Ted


From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 15:46:22 2007
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Subject: RE: vortex
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=20
>>The vortex seems very popular with loopers and experimentalists.
In a nutshell,  what does it do?<<

warped time-domain stuff, things that they had to make up new names for,
based on extreme flanging & delay modulations. it can "morph" from one
complete lot of settings to another (switch channels on y'r amp too, if
you want it to) provided they live in the A & B "versions" of a memory.

the lack of midi-control has rather put me off trying to integrate mine
into a larger setup; it requires one's face-time to get the best out of
it & can't really be behind the player in a rack.=20
incidentally, we solved this same issue with our first jam-man (same
case design) by fitting a video-camera tripod mount to it's underside
(warning- requires open-case surgery & will reduce e-bait value) & then
plonking the lexicon on a normal cheap video camera tripod. after that,
I did the same trick with a repeater for a while, then a bass-pod....=20

ahem. anyone else? my vortex experience is a little limited...

d.

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 15:57:26 2007
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Subject: Re: Newbie! (DD 20 question)
Date: Fri, 12 Oct 2007 17:57:10 +0200
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Welcome on board, David.
You'll be happy with the DD-20, i'm sure.
Post some of your experiments: I'm curious to listen how a looped shakuhachi 
sounds....

Best
Fabio
www.eterogeneo.com


----- Original Message ----- 
From: "Moore, David W Civ 86 MXS/MXMTA" <David.Moore@ramstein.af.mil>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, October 12, 2007 3:44 PM
Subject: RE: Newbie! (DD 20 question)


SO, HOW EXACTLY DOES THIS WORK?
MY THEORY ON HOW IT MIGHT WORK;
YOU STOMP TO TURN THE DELAY ON (100% FDBK), THEN GO TO TOWN AND CREATE A 
COUPLE OF LOOPS THAT WILL GO ON FOR FOREVER. THEN YOU STOMP AGAIN TO TURN 
THE DELAY MODE OFF, BUT THE LOOPS YOU'VE ALREADY CREATED KEEP GOING? THEN 
YOU CAN CONTINUE PLAYING OVER THEM IN NORMAL (NO DELAY ANYMORE) MODE?



From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 16:02:06 2007
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midifriedchicken@comcast.net wrote:
> Since switching to a laptop for all signal processing, looping and 
> mixing, I echo Krispen's need for "smallness".  It actually becomes 
> somewhat of a compulsion. Which is completely the opposite mindset of my 
> previous 25 years of experience.
> The FCB is in fact big. I see the Gordius unit, and it looks solid and 
> compact.
> Has anyone used one of these? Are the buttons loud? Can you rest your 
> foot on a button without activating it?
>  
> Any thoughts would be appreciated.
> Regards,
> MFC

I don't have it as yet, but will later.  It's one feature laden little 
box!  It's design and choise of buttons also makes it a candidate for 
desktop or keyboard rig applications, if foot operation isn't desired.

I've done some work with Xavier at http://gordius.be on a rack version, 
that is, adding ideas on feature set, intended use, commenting manuals 
et al..  It started because I was tired of programming floorboards with 
my toes and wanted a rackmount controller.
Being firmware updatable via USB is real nice WRT future feature sets.
Xavier keeps an open approach to costumer ideas (though very busy ATM)
BTW, he also made the well known UnO firmware for the FCB1010.


The half-space rack version, which will hit the market at a later time, 
will host the same features as the Little Gordius Module. Having no 
buttons, it's designed as a host for one or two FCB1010 boards.
Any button may be assigned to one's desire.

I resently had a poll on MIDI floorboard features on the Adadepot, 
mostly for guitar players (also posted on some newsgroups), where I 
outlined some of it's features:
  http://www.adadepot.com/forum/index.php/topic,8768.msg68872.html#msg68872


Sorry I wasn't signed up in here at that time..

-- 
rgds,
van Sinn

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From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 16:22:45 2007
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> I DID A LOT OF READING OF ALL THE REVIEWS TO FIND OUT WHICH ONE I
> WANTED!
> I ORDERED MY GIGADELAY YESTERDAY!!!
> I'M VERY EXCITED!
> 
> THANX EVERYONE!
> DAVID

I guess you are VERY excited, David. You're always SHOUTING... ;-)
dB

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The Vortex is insanely fun.  As a looper, you only get a couple of seconds 
of looping, but the beauty of this device is their morphing technology.  You 
can take two different effects and slowly morph between them using your 
pedal to control the morph.  It is an extremely fun tool.

> The vortex seems very popular with loopers and experimentalists.
> In a nutshell,  what does it do?
> -Qua

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On Oct 12, 2007, at 8:46 AM, Goddard, Duncan wrote:

>
> the lack of midi-control has rather put me off trying to integrate  
> mine into a larger setup; it requires one's face-time to get the  
> best out of
> it & can't really be behind the player in a rack.

Different strokes for different folks.

The above "drawbacks" are of no real concern to me, personally.  I  
suppose that is based on how I personally create, too.
But, I can also completely understand why Duncan states what he does.  
Makes sense coming  from his angle.

I have had 2 Vortex units for quite awhile now and love 'em.  
Seemingly endless possibilities to do what they were designed to do.
Not sure why Alesis decided to stop manufacturing and selling them as  
quickly as they did, since they are still sought after, even today.
But, that's one of the all-too-familiar-now mystery experiences in  
the music biz. :-)

I picked up my 2nd Vortex last year for a mere $56 (w/ power adapter,  
as well) at a used gear shop here in Portland,OR. Works great.
My original one I bought ages ago, soon after they first came out and  
never regretted that decision. It still works just as good as new today.
For those that are interested in doing so, I REVcommend getting one  
these wonderful devices.

-Rev. Fever

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 16:56:27 2007
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When Lexicon first introduced them, they went for something like $399,
and bombed.  It was only after Guitar Center blew them out at like
$129 that they really caught on.  Four bills for something that
wouldn't do "the basics" (basic chorus/reverb/delay) and had no MIDI
didn't sit well with the market at the time, and the morphing thing
was too esoteric to go over with the masses.

I remember mine being too sensitive on input headroom, i.e. it didn't
seem to have any.  Plus, a fair amount of hiss on several patches and
a crap UI.  There were some great sounds in it though.

TH

On 10/12/07, Rev Fever <revfever@ubergadget.com> wrote:

>
> I have had 2 Vortex units for quite awhile now and love 'em.
> Seemingly endless possibilities to do what they were designed to do.
> Not sure why Alesis decided to stop manufacturing and selling them as
> quickly as they did, since they are still sought after, even today.
> But, that's one of the all-too-familiar-now mystery experiences in
> the music biz. :-)
>

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 17:30:02 2007
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Make sure you connect an expression pedal to the box to really get the
most out of it.  That way you can control the morphing speed AND you can
stop in mid-morph if you get a really great texture on the way between
the two settings.

Kevin


-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 17:33:34 2007
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Qua, there is also a Reaktor ensemble that works under a similar principal, 
though is by no means a Vortex emulation. The developer originally started 
with the vision of it being a Vortex like patch, but it "morphed" into 
something else unique.  I can send you the file. It allows you to morph from 
one set of paramater settings to another.

Kris

----- Original Message ----- 
From: "Bob Amstadt" <bobld@amstadt.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, October 12, 2007 9:43 AM
Subject: Re: vortex


> The Vortex is insanely fun.  As a looper, you only get a couple of seconds 
> of looping, but the beauty of this device is their morphing technology. 
> You can take two different effects and slowly morph between them using 
> your pedal to control the morph.  It is an extremely fun tool.
>
>> The vortex seems very popular with loopers and experimentalists.
>> In a nutshell,  what does it do?
>> -Qua
> 

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 17:40:53 2007
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From: Rev Fever <revfever@ubergadget.com>
Subject: OT (but "unusual" )  Playing his beard, and more...
Date: Fri, 12 Oct 2007 10:40:48 -0700
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I thought I would share the video of this "unique" performance that I  
recently got turned onto.

(at least the first part is, er...uh......."unusual")     What a  
character!  Enjoy. :-)

-Rev. Fever

> I  knew  he  would/can play pretty  much  anything, but,... his   
> beard !?
>
> http://www.youtube.com/watch?v=bGaaxlvP-BA&eurl=
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">I thought I would share the =
video of this "unique" performance that I recently got turned =
onto.<DIV><BR class=3D"khtml-block-placeholder"><DIV>(at least the first =
part is, er...uh......."unusual")=A0 =A0 =A0What a character!=A0=A0Enjoy. =
:-)</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>-Rev. =
Fever<DIV><BR class=3D"khtml-block-placeholder"><DIV><BLOCKQUOTE =
type=3D"cite"><DIV>I=A0 knew=A0 he=A0 would/can play pretty=A0 much=A0 =
anything, but,... his=A0 beard !?</DIV>  <DIV>=A0</DIV>  <DIV><A =
href=3D"http://www.youtube.com/watch?v=3DbGaaxlvP-BA&eurl">http://www.yout=
ube.com/watch?v=3DbGaaxlvP-BA&amp;eurl</A>=3D</DIV>  <DIV>=A0</DIV>  =
</BLOCKQUOTE></DIV><BR></DIV></DIV></DIV></BODY></HTML>=

--Apple-Mail-12--844716125--

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 18:31:30 2007
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On 12 Oct 2007 at 7:50, Qua Veda wrote:

> Andy Butler (also on the LD list) is a Master at getting the most out
> of the Vortex.
> I think he has a web page somewhere dedicated to tips and tricks, etc.

http://www.andybutler.com/vortex/vortex.htm

I've recently picked one up, but haven't mastered or edited it 
sufficiently to use live yet. Serious fun, but I wish it had a 
dedicated mix knob. It covers similar ground to my main "spatial" 
tool, the Red federation FX pro

http://www.soundonsound.com/sos/oct99/articles/redsound.htm

but has more sophisticated echo facilities, plus the morph feature. 

I'm playing a gig with Andy in Norwich this weekend (plus Stephen 
Scott) and will be able to see him vorting his tex live!


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Subject: Re: Newbie! (DD 20 question)
Date: Fri, 12 Oct 2007 14:13:02 -0500
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Can the feedback on the DD20 be adjusted with another pedal or does it have 
to be a knob?
----- Original Message ----- 
From: "tEd ® KiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, October 12, 2007 9:09 AM
Subject: Re: Newbie! (DD 20 question)


> Yes, exactly.
>
> In DELAY MODE stomp the left-hand pedal to start delaying your audio 
> input.
>
> Stomp again when satisfied with the loop you've created and continue to 
> "solo" over it without adding any more to it.
>
> Stomp again when you want to add more to the loop.
>
> If you want . . .
>
> Occasionally adjust feedback knob downward from 100% so older loop 
> material fades in relation to newer stuff added.
>
> This way your loops can evolve and change.
>
> Cheers,
>
> Ted
>
> On Oct 12, 2007, at 6:44 AM, Moore, David W Civ 86 MXS/MXMTA wrote:
>
>> SO, HOW EXACTLY DOES THIS WORK?
>> MY THEORY ON HOW IT MIGHT WORK;
>> YOU STOMP TO TURN THE DELAY ON (100% FDBK), THEN GO TO TOWN AND CREATE A 
>> COUPLE OF LOOPS THAT WILL GO ON FOR FOREVER. THEN YOU STOMP AGAIN TO TURN 
>> THE DELAY MODE OFF, BUT THE LOOPS YOU'VE ALREADY CREATED KEEP GOING? THEN 
>> YOU CAN CONTINUE PLAYING OVER THEM IN NORMAL (NO DELAY ANYMORE) MODE?
> 

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 19:36:32 2007
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Subject: Re: Newbie! (DD 20 question)
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Greetings,

---- Michael Plishka <mike@michaelplishka.com> wrote: 
> Can the feedback on the DD20 be adjusted with another pedal or does it have 
> to be a knob?

Well, it all depends.

A few (very few) manufacturers have made pedals that will turn stompbox knobs for you via a mechanical cable.

I have never used one of these however.

The whole idea sounds rather kluge-y to me.

Electro Harmonix made one and I think another company continues to make something of the sort.

But, back to your question, if you are expecting an expression pedal input or something of that nature, no there is none.

Sorry.

Ted

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 19:39:21 2007
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Date: Fri, 12 Oct 2007 15:32:23 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: vortex
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Just to clarify on the Vortex Morphing capability for those entirely
unfamiliar with the device...

The Vortex doesn't just morph between settings on similar effects,
e.g. 100ms delay time -> 200ms delay time, but can actually morph
between two completely unrelated effects chains and all relevant
settings.

As a simplified example, imagine having one chain that goes
    instrument > chorus > delay1 > amp,
and another chain that goes
    instrument > delay2 > flange > amp.
The Vortex morph gives you the ability to morph between these two
chains so that in the middle of the morph you've got some strange
chain like
    instrument > (chorus) > (delay1 + delay2) > (flange) > amp

Now, add to that the truly insane effect chains that make up each
Vortex preset and you've got some really fun audio chemistry to play
with.  I recommend downloading a copy of the Vortex user's manual as
it contains descriptions of all of this and detailed diagrams of each
preset's effect chain.
<http://www.lexiconpro.com/Product_Downloads/vortex/Vortex_User_Guide.pdf>
(The preset diagrams begin on page 26 of the manual, the 29th page in
the PDF file.)

Todd


On 10/12/07, Goddard, Duncan <goddard.duncan@mtvne.com> wrote:
>
> >>The vortex seems very popular with loopers and experimentalists.
> In a nutshell,  what does it do?<<
>
> warped time-domain stuff, things that they had to make up new names for,
> based on extreme flanging & delay modulations. it can "morph" from one
> complete lot of settings to another (switch channels on y'r amp too, if
> you want it to) provided they live in the A & B "versions" of a memory.
>

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 19:43:23 2007
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From: Scott Stroud <scotty@numericable.fr>
Subject: Re: Newbie! (DD 20 question)
Date: Fri, 12 Oct 2007 21:36:50 +0200
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Yes, I can't wait. Thanks for the info about Andy Butler, I had seen =20
it and his sight was probably the clinching reason I went for it, =20
after hearing the vortex pop up here and there in this forum and =20
elsewhere. He talks about a non lexicon footswitch but it doesn't =20
seem very available today. Any news from anyone out there using =20
footswitches?

cheers,

scott
Le 12 oct. 07 =E0 15:35, tEd =AE KiLLiAn a =E9crit :

> Scott,
>
> On Oct 12, 2007, at 2:39 AM, Scott Stroud wrote:
>
>> When going through the DD 20 in delay mode (100% or near) can you =20
>> cut off your input at some point, meaning can you get some loops =20
>> (delays) going and then hit the pedal again and play over the =20
>> delaying loops dry?
>
> Yes, this is exactly the way it operates in delay mode.
>
>> Am now waiting for my Lexicon Vortex which I got off ebay to =20
>> arrive!!!
>
> What fun!
>
> I own a couple of those myself.
>
> I never play without at least one
>
> Andy Butler (also on the LD list) is a Master at getting the most =20
> out of the Vortex.
>
> I think he has a web page somewhere dedicated to tips and tricks, etc.
>
> I don't have the link handy at the moment though.
>
> Cheers,
>
> Ted

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 19:48:14 2007
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Date: Fri, 12 Oct 2007 15:48:11 -0400
From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I use a Behringer footswitch to change patches and the A/B change, and
a Behringer volume/control pedal with the vortex. The footswitch works
just fine, the pedal is a little flakey.  I need to get a different
one and see if it's the pedal. Flakey in that it sometimes doesn't
seem to send any signal.

Tony

On 10/12/07, Scott Stroud <scotty@numericable.fr> wrote:
> Yes, I can't wait. Thanks for the info about Andy Butler, I had seen
> it and his sight was probably the clinching reason I went for it,
> after hearing the vortex pop up here and there in this forum and
> elsewhere. He talks about a non lexicon footswitch but it doesn't
> seem very available today. Any news from anyone out there using
> footswitches?
>
> cheers,
>
> scott
> Le 12 oct. 07 =E0 15:35, tEd (r) KiLLiAn a =E9crit :
>
> > Scott,
> >
> > On Oct 12, 2007, at 2:39 AM, Scott Stroud wrote:
> >
> >> When going through the DD 20 in delay mode (100% or near) can you
> >> cut off your input at some point, meaning can you get some loops
> >> (delays) going and then hit the pedal again and play over the
> >> delaying loops dry?
> >
> > Yes, this is exactly the way it operates in delay mode.
> >
> >> Am now waiting for my Lexicon Vortex which I got off ebay to
> >> arrive!!!
> >
> > What fun!
> >
> > I own a couple of those myself.
> >
> > I never play without at least one
> >
> > Andy Butler (also on the LD list) is a Master at getting the most
> > out of the Vortex.
> >
> > I think he has a web page somewhere dedicated to tips and tricks, etc.
> >
> > I don't have the link handy at the moment though.
> >
> > Cheers,
> >
> > Ted
>
>


--=20
-=3D=3D-=3D-=3D-
Tony

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Subject: Re: Gordius Midi Pedal.
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Happy user of the big one here.

Very happy to have waited until now.

luca
www.unguitar.com

midifriedchicken@comcast.net wrote:

> Since switching to a laptop for all signal processing, looping and 
> mixing, I echo Krispen's need for "smallness".  It actually becomes 
> somewhat of a compulsion. Which is completely the opposite mindset of 
> my previous 25 years of experience.
> The FCB is in fact big. I see the Gordius unit, and it looks solid and 
> compact.
> Has anyone used one of these? Are the buttons loud? Can you rest your 
> foot on a button without activating it?
>  
> Any thoughts would be appreciated.
> Regards,
> MFC
>  
>  
>
>
> __________ Informazione NOD32 2589 (20071012) __________
>
> Questo messaggio è stato controllato dal Sistema Antivirus NOD32
> http://www.nod32.it

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 21:00:42 2007
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: FS: ROCKTRON 12-CHANNEL SINGLE RACK-SPACE MIXER (NO RESERVE)
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Hi ho,

Once the heart of my monster rack madness.

Now just another Ebay auction.

http://cgi.ebay.com/ws/eBayISAPI.dll? 
ViewItem&item=330174026592&ssPageName=ADME:L:DSS:US:1123

12 channels and 2 fully stereo FX sends in one rack space.



From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 21:01:28 2007
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Date: Fri, 12 Oct 2007 17:01:51 -0400 (AST)
Subject: Peter Boysen and Instant Multiply
From: "Andre' Donawa" <andre@andredonawa.com>
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Hi Peter,

I came across this thread and wondered how you use instant multiply.



"A third way is to use the Instant Multiply function. I like that for
setting up drum loops by vocal beatboxing on one track. Start out
with a simple one bar beat. Hit "next loop" (with "Copy Sound"
activated) and while the same audio is now playing back in this new
loop you hit Instant Multiply to make it three or four times longer,
just in time so you can punch in a fill at the last quarter note or
so. With the latest Mobius version these settings (that used to be
global) can be defined as track unique settings. So if you want, you
can have your own set-up with tracks behaving a little differently,
thus allowing you to use specific looping techniques on certain
tracks. Lots of fun to be had with that :-)"

This seems closer to the way I would use Mobius.
Is it a script?
Do you have a configuration setup for this?

Thanks,

Andre

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 21:20:21 2007
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: OT - finding a record label
Date: Fri, 12 Oct 2007 23:20:14 +0200
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yes I know there's an OT list but I wanted to reach more of you :-)

In 1996 I recorded an hour of algorithmic music (together with a friend) -
computer composed music for digital piano and percussion that sounds, IMO,
like a mix of very early Stockhausen, Conlon Nancarrow, and here and there
like hypothetical Zappa percussion music. (No loops although there are
repetitions.) I cleaned up these recordings last year and I like them so
much that I'd love to see them on a real CD, like in the old days.

Here's some of it, with some info: 
http://www.michaelpeters.de/impossiblemusic.htm

Alas, I have no idea how to find an appropriate label, one that would be
interested in this kind of music. As an avid reader of WIRE I even feel
intimidated by the plethora of labels out there. And I don't want to send a
million copies around for nothing. There are probably 1000 labels which
could be potential candidates. The project has been lying around dormant for
quite a while because I simply don't know what to do.

Any label experienced lovers of the classical avantgarde out there who can
recommend something?

-Michael

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 21:31:01 2007
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Subject: AW: OT - finding a record label
Date: Fri, 12 Oct 2007 23:31:27 +0200
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> In 1996 I recorded an hour of algorithmic music (together 
> with a friend) - computer composed music for digital piano 
> and percussion that sounds, IMO, like a mix of very early 

Insteresting stuff. Some four years earlier, I did some similar works which
I would print onto score sheets and play them with the trombone as part of
the yearly conference of these people: http://www.chaos-gruppe.de/.

Sadly, no recordings exist.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 21:43:45 2007
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Gordius Midi Pedal.
References: <101220071507.20016.470F8DBB000A0A3500004E302216549976020A050C07080C0B0A079D00070B0703@comcast.net> <470FDC98.1010404@unguitar.com>
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Luca Formentini wrote:
> Happy user of the big one here.
> 
> Very happy to have waited until now.
> 
> luca
> www.unguitar.com

What's the button spacing feel like?

I use FCB1010's and sometimes feel those big buttons should've been 
smaller and more tightly spaced, for smaller board dimensions.
However, I used to have a board with far too tightly spaced buttons, so 
I kinda needed to wear pointy cowboy boots to hit them right ;)


> midifriedchicken@comcast.net wrote:
> 
>> Since switching to a laptop for all signal processing, looping and 
>> mixing, I echo Krispen's need for "smallness".  It actually becomes 
>> somewhat of a compulsion. Which is completely the opposite mindset of 
>> my previous 25 years of experience.
>> The FCB is in fact big. I see the Gordius unit, and it looks solid and 
>> compact.
>> Has anyone used one of these? Are the buttons loud? Can you rest your 
>> foot on a button without activating it?
>>  
>> Any thoughts would be appreciated.
>> Regards,
>> MFC
>>  
>>  
>>
>>
>> __________ Informazione NOD32 2589 (20071012) __________
>>
>> Questo messaggio è stato controllato dal Sistema Antivirus NOD32
>> http://www.nod32.it
> 
> 
> 
> .
> 


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 22:00:17 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Peter Boysen and Instant Multiply
Date: Sat, 13 Oct 2007 00:00:10 +0200
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On 12 okt 2007, at 23.01, Andre' Donawa wrote:

> I came across this thread and wondered how you use instant multiply.
>
>
>
> "A third way is to use the Instant Multiply function. I like that for
> setting up drum loops by vocal beatboxing on one track. Start out
> with a simple one bar beat. Hit "next loop" (with "Copy Sound"
> activated) and while the same audio is now playing back in this new
> loop you hit Instant Multiply to make it three or four times longer,
> just in time so you can punch in a fill at the last quarter note or
> so. With the latest Mobius version these settings (that used to be
> global) can be defined as track unique settings. So if you want, you
> can have your own set-up with tracks behaving a little differently,
> thus allowing you to use specific looping techniques on certain
> tracks. Lots of fun to be had with that :-)"
>
> This seems closer to the way I would use Mobius.
> Is it a script?
> Do you have a configuration setup for this?


I'm not Peter but I will try to answer this. Instant Multiply is a  
default action and not a script. The command immediately (or  
according to set quantize value) makes the loop longer. There are  
three lengths: multiply by 2, 3 or 4. Mobius now also has Instant  
Division that shortens a loop according to the same three divisors. I  
have no particular configuration only for these commands, although I  
use them all the time. In seconds you can set up a poly rhythm  
between parallel loops on different tracks by combining 2 or 4 with  
3. Sometimes I set up such a poly rhythmic context of empty loops  
before starting to fill them up with quantized SUSSubstitute slices  
of short duration. If Focus Locking a such two or three "poly rhythm"  
tracks the immediate loop playback will be different than what you  
played on your live instrument. Another fun way of using Instant  
Divide is to minimize the loop until it's microscopical. Try it and  
see what happens. Experiment with high feedback setting, wobbling  
rate from an expression pedal etc etc - do it all in Overdub Mode.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 22:03:40 2007
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Subject: Re: OT - finding a record label
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In a message dated 10/12/07 5:20:26 PM, mp@mpeters.de writes:


> algorithmic
> 

michael.....AL GORE RYTHMIC, is that what you're talkin 
about?.....:).....outasite!......you are ahead of the times!.....michael (who has always wanted a 
VORTEX.....:(.....)




"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON 
EXCERCISE"

www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11




**************************************
 See what's new at http://www.aol.com

--part1_be4.18a55a24.344148b5_boundary
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 10/12/07 5:20:26 PM, mp@mpeters.de writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">algorithmic<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">michael.....AL GORE RYTHMIC, is that what you're talkin about?.....:)....=
.outasite!......you are ahead of the times!.....michael (who has always want=
ed a VORTEX.....:(.....)<BR>
<BR>
<BR>
<BR>
<BR>
"Who needs a six pac when ya got a keg!".....scoots galore "THOUGHTS ON EXCE=
RCISE"<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
new at http://www.aol.com</HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Oct 12 23:25:32 2007
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    <623338AC-0A97-4626-90F2-92AF8BFAC1F2@gmail.com>
Date: Fri, 12 Oct 2007 19:25:56 -0400 (AST)
Subject: Re: Peter Boysen and Instant Multiply
From: "Andre' Donawa" <andre@andredonawa.com>
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Hi Per,
Thanks for the info.
It sounds a bit high tech for me but I will give it a try tomorrow.

Andre

>
>
> I'm not Peter but I will try to answer this. Instant Multiply is a
> default action and not a script. The command immediately (or
> according to set quantize value) makes the loop longer. There are
> three lengths: multiply by 2, 3 or 4. Mobius now also has Instant
> Division that shortens a loop according to the same three divisors. I
> have no particular configuration only for these commands, although I
> use them all the time. In seconds you can set up a poly rhythm
> between parallel loops on different tracks by combining 2 or 4 with
> 3. Sometimes I set up such a poly rhythmic context of empty loops
> before starting to fill them up with quantized SUSSubstitute slices
> of short duration. If Focus Locking a such two or three "poly rhythm"
> tracks the immediate loop playback will be different than what you
> played on your live instrument. Another fun way of using Instant
> Divide is to minimize the loop until it's microscopical. Try it and
> see what happens. Experiment with high feedback setting, wobbling
> rate from an expression pedal etc etc - do it all in Overdub Mode.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>
>
>
>
>


From Service@Amazon.com  Sat Oct 13 02:53:23 2007
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From Loopers-Delight-request@loopers-delight.com  Sat Oct 13 05:24:08 2007
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Date: Fri, 12 Oct 2007 22:24:05 -0700 (PDT)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: Newbie! (DD 20 question)
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Boss also has the Roland Space Echo modeller, it DOES
have an input for massing with the feedback and
warping the delay times, at least I think you can
adjust the feedback with it.
--- tEd ® kiLLiAn <tedkillian@charter.net> wrote:

> Greetings,
> 
> ---- Michael Plishka <mike@michaelplishka.com>
> wrote: 
> > Can the feedback on the DD20 be adjusted with
> another pedal or does it have 
> > to be a knob?
> 
> Well, it all depends.
> 
> A few (very few) manufacturers have made pedals that
> will turn stompbox knobs for you via a mechanical
> cable.
> 
> I have never used one of these however.
> 
> The whole idea sounds rather kluge-y to me.
> 
> Electro Harmonix made one and I think another
> company continues to make something of the sort.
> 
> But, back to your question, if you are expecting an
> expression pedal input or something of that nature,
> no there is none.
> 
> Sorry.
> 
> Ted
> 
> 



       
____________________________________________________________________________________
Take the Internet to Go: Yahoo!Go puts the Internet in your pocket: mail, news, photos & more. 
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From Loopers-Delight-request@loopers-delight.com  Sat Oct 13 08:34:04 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Peter Boysen and Instant Multiply
Date: Sat, 13 Oct 2007 10:33:56 +0200
To: Loopers-Delight@loopers-delight.com
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Well, I just answered to what I thought you were asking for ;-)  Of  
course you can just use the Instant Multiply to step a button to make  
the loop double its length instantly. The normal Multiply plays back  
the loop while you add stuff while the instant version simply changes  
the length right away.

Per


On 13 okt 2007, at 01.25, Andre' Donawa wrote:

> Hi Per,
> Thanks for the info.
> It sounds a bit high tech for me but I will give it a try tomorrow.
>
> Andre
>
>>
>>
>> I'm not Peter but I will try to answer this. Instant Multiply is a
>> default action and not a script. The command immediately (or
>> according to set quantize value) makes the loop longer. There are
>> three lengths: multiply by 2, 3 or 4. Mobius now also has Instant
>> Division that shortens a loop according to the same three divisors. I
>> have no particular configuration only for these commands, although I
>> use them all the time. In seconds you can set up a poly rhythm
>> between parallel loops on different tracks by combining 2 or 4 with
>> 3. Sometimes I set up such a poly rhythmic context of empty loops
>> before starting to fill them up with quantized SUSSubstitute slices
>> of short duration. If Focus Locking a such two or three "poly rhythm"
>> tracks the immediate loop playback will be different than what you
>> played on your live instrument. Another fun way of using Instant
>> Divide is to minimize the loop until it's microscopical. Try it and
>> see what happens. Experiment with high feedback setting, wobbling
>> rate from an expression pedal etc etc - do it all in Overdub Mode.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)

From Loopers-Delight-request@loopers-delight.com  Sat Oct 13 13:42:41 2007
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In-Reply-To: <11975.34208.qm@web34312.mail.mud.yahoo.com>
Subject: Midi Wizard controller - help needed
Date: Sat, 13 Oct 2007 06:42:38 -0700
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I acquired a new Rolls MidiWizard foot controller about a year ago.  I'd
like to use it now to control Mobius and/or  effects processors.   

Its programming capabilities are limited.  The "manual" is very sparse, and
its no longer in production or supported by Rolls.  I tried it when I first
got it, but the button presses didn't seem to do what I wanted/expected.

Anyone using it?   Are there any tricks to it?    For example,   some
effects processors are expecting unlatched  or latched pedal presses.  (I'm
not completely sure that that means yet). 

Advice would be greatly appreciated
 
Thanks!
-Qua


From Loopers-Delight-request@loopers-delight.com  Sat Oct 13 13:49:36 2007
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Cc: <david.c.orton@googlemail.com>
Subject: Looping London mid-November
Date: Sat, 13 Oct 2007 15:49:29 +0200
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I'll play a live session in London with the guys from Improvizone (Os,
Michael Bearpark, Andy Booker and others) on November 14 - I'll probably
stay in London for 2 more days, and then play at the Norwich Loopfest on Nov
17. If anyone from the area feels like meeting, please let me know. David,
do you still live in London? it would be cool to meet for a cup of tea :-) 

Michael www.michaelpeters.de


From Loopers-Delight-request@loopers-delight.com  Sat Oct 13 15:06:46 2007
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Subject: RE: Ending actions by Record in Mobius (Re: Following Acoustic
 Musicians with Looper)
Date: Sat, 13 Oct 2007 09:54:44 -0500
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please take me off of the mailing list. thanks

> From: perboysen@gmail.com> Subject: Ending actions by Record in Mobius (R=
e: Following Acoustic Musicians with Looper)> Date: Fri, 5 Oct 2007 18:40:4=
2 +0200> To: Loopers-Delight@loopers-delight.com> > Of course I can elabora=
te on this. My problems are when ending an > action with REcord on the mast=
er track. Since I use the setting "Sync > =3D Out" for setting the tempo by=
 the first loop I have to do the > destructive cuts on the master track to =
get the synced plug-ins > instantly pick up the new tempo. I'd rather avoid=
 using the first > (master) track at all in Mobius and I have a special scr=
ipt that > mutes it and copies its first recorded loop into track 2; just t=
o > avoid drop-outs and rhythmic glitches. This is working extremely well >=
 in a solo looping concert situation where I don't need to use the > master=
 track except for creating the very first loop.> > When applied to the slav=
ed tracks, of Mobius, I have no problem to go > Multiply-Record or Record-R=
ecord. But that's a different thing than > this thread was about. I was onl=
y talking about a nice way of > changing tempo of a looper to adjust to tem=
po changing live musicians > and for this the EDP is my favorite.> > The tw=
o latest betas of Mobius are remarkably better in this regard, > though.> >=
 Per> > > On 5 okt 2007, at 17.45, Jeff Larson wrote:> > >>> Was really sur=
prised that Mobius doesn't play all these tricks..> >>> >> Oh yes it does! =
But not without audio artifacts or rhythmic hiccups.> >> > Wow, that's news=
 to me. Can you elaborate on what you're hearing> > (over in the zonemobius=
 group if you prefer). What you describe:> >> >> 1) On the EDP you can alwa=
ys hit Record to erase everything and start> >> >> a new loop> >> > This is=
 basic re-Record I do it all the time.> >> >> 2) I also keep one button to =
instantly retrigger the loop > >> ("stutter").> >> > This is Retrigger, als=
o a common function. The only "artifact"> > you will have here is a slight =
trimming of the start of the loop to> > adjust for latency. Sometimes I hea=
r this if the loop starts> > immediately with a sharp attack but not usuall=
y. This affects> > the sound of the attack but not the rhythm, the loop wil=
l> > begin playing from where it would be if there were zero latency.> >> >=
> 3) I the group tempo changes while I'm working a floating, non> >> rhythm=
ic, loop I might simply go Multiply-Record to cut it down to a> >> duration=
 that loops in synk.> >> > This is Unrounded Multiply, also common. Again t=
he only artifact will> > be a slight trimming of the start of the loop for =
latency adjustment> > the first time it plays.> >> > The only serious artif=
acts I'm aware of in doing these operations have> > been bugs when you do t=
hem while generating output sync, which> > occasionally results in redundan=
t retriggers making a "fluttering"> > sound. But if you have output sync tu=
rned off, which you would in the> > acoustic example, there isn't much happ=
ening that could cause > > artifacts> > other than the latency adjustment.>=
 >> > Has this been happening long or is it something in the most recent> >=
 release?> >> > Thanks,> > Jeff> >> > > >=20
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<body class=3D'hmmessage'>please take me off of the mailing list. thanks<BR=
><BR><BR><BR>
<HR id=3DstopSpelling>
&gt; From: perboysen@gmail.com<BR>&gt; Subject: Ending actions by Record in=
 Mobius (Re: Following Acoustic Musicians with Looper)<BR>&gt; Date: Fri, 5=
 Oct 2007 18:40:42 +0200<BR>&gt; To: Loopers-Delight@loopers-delight.com<BR=
>&gt; <BR>&gt; Of course I can elaborate on this. My problems are when endi=
ng an <BR>&gt; action with REcord on the master track. Since I use the sett=
ing "Sync <BR>&gt; =3D Out" for setting the tempo by the first loop I have =
to do the <BR>&gt; destructive cuts on the master track to get the synced p=
lug-ins <BR>&gt; instantly pick up the new tempo. I'd rather avoid using th=
e first <BR>&gt; (master) track at all in Mobius and I have a special scrip=
t that <BR>&gt; mutes it and copies its first recorded loop into track 2; j=
ust to <BR>&gt; avoid drop-outs and rhythmic glitches. This is working extr=
emely well <BR>&gt; in a solo looping concert situation where I don't need =
to use the <BR>&gt; master track except for creating the very first loop.<B=
R>&gt; <BR>&gt; When applied to the slaved tracks, of Mobius, I have no pro=
blem to go <BR>&gt; Multiply-Record or Record-Record. But that's a differen=
t thing than <BR>&gt; this thread was about. I was only talking about a nic=
e way of <BR>&gt; changing tempo of a looper to adjust to tempo changing li=
ve musicians <BR>&gt; and for this the EDP is my favorite.<BR>&gt; <BR>&gt;=
 The two latest betas of Mobius are remarkably better in this regard, <BR>&=
gt; though.<BR>&gt; <BR>&gt; Per<BR>&gt; <BR>&gt; <BR>&gt; On 5 okt 2007, a=
t 17.45, Jeff Larson wrote:<BR>&gt; <BR>&gt; &gt;&gt;&gt; Was really surpri=
sed that Mobius doesn't play all these tricks..<BR>&gt; &gt;&gt;<BR>&gt; &g=
t;&gt; Oh yes it does! But not without audio artifacts or rhythmic hiccups.=
<BR>&gt; &gt;<BR>&gt; &gt; Wow, that's news to me. Can you elaborate on wha=
t you're hearing<BR>&gt; &gt; (over in the zonemobius group if you prefer).=
 What you describe:<BR>&gt; &gt;<BR>&gt; &gt;&gt; 1) On the EDP you can alw=
ays hit Record to erase everything and start<BR>&gt; &gt;<BR>&gt; &gt;&gt; =
a new loop<BR>&gt; &gt;<BR>&gt; &gt; This is basic re-Record I do it all th=
e time.<BR>&gt; &gt;<BR>&gt; &gt;&gt; 2) I also keep one button to instantl=
y retrigger the loop <BR>&gt; &gt;&gt; ("stutter").<BR>&gt; &gt;<BR>&gt; &g=
t; This is Retrigger, also a common function. The only "artifact"<BR>&gt; &=
gt; you will have here is a slight trimming of the start of the loop to<BR>=
&gt; &gt; adjust for latency. Sometimes I hear this if the loop starts<BR>&=
gt; &gt; immediately with a sharp attack but not usually. This affects<BR>&=
gt; &gt; the sound of the attack but not the rhythm, the loop will<BR>&gt; =
&gt; begin playing from where it would be if there were zero latency.<BR>&g=
t; &gt;<BR>&gt; &gt;&gt; 3) I the group tempo changes while I'm working a f=
loating, non<BR>&gt; &gt;&gt; rhythmic, loop I might simply go Multiply-Rec=
ord to cut it down to a<BR>&gt; &gt;&gt; duration that loops in synk.<BR>&g=
t; &gt;<BR>&gt; &gt; This is Unrounded Multiply, also common. Again the onl=
y artifact will<BR>&gt; &gt; be a slight trimming of the start of the loop =
for latency adjustment<BR>&gt; &gt; the first time it plays.<BR>&gt; &gt;<B=
R>&gt; &gt; The only serious artifacts I'm aware of in doing these operatio=
ns have<BR>&gt; &gt; been bugs when you do them while generating output syn=
c, which<BR>&gt; &gt; occasionally results in redundant retriggers making a=
 "fluttering"<BR>&gt; &gt; sound. But if you have output sync turned off, w=
hich you would in the<BR>&gt; &gt; acoustic example, there isn't much happe=
ning that could cause <BR>&gt; &gt; artifacts<BR>&gt; &gt; other than the l=
atency adjustment.<BR>&gt; &gt;<BR>&gt; &gt; Has this been happening long o=
r is it something in the most recent<BR>&gt; &gt; release?<BR>&gt; &gt;<BR>=
&gt; &gt; Thanks,<BR>&gt; &gt; Jeff<BR>&gt; &gt;<BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt; <BR><br /><hr />Boo!=A0Scare away worms, viruses and so much more!=
 Try Windows Live OneCare! <a href=3D'http://onecare.live.com/standard/en-u=
s/purchase/trial.aspx?s_cid=3Dwl_hotmailnews' target=3D'_new'>Try now!</a><=
/body>
</html>=

--_f81756d1-8ad7-46ce-81b3-77227999468a_--

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From root@fulcrumpointsystems.net  Sun Oct 14 02:42:51 2007
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From Loopers-Delight-request@loopers-delight.com  Sun Oct 14 04:16:19 2007
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Date: Sat, 13 Oct 2007 21:09:41 -0700
From: "Matt Davignon" <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Drum Machine emergency
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Heh... after years of lightly poking fun at laptop players when their
max patches don't work, I just found that my drum machine's battery is
dead and in need of replacement. Thankfully, it corresponds with 2
fortunate events.

1) While there are no Roland Service Centers that I can get to around
here, Union Grove Music in Santa Cruz is supposedly a service center.
I'll have to call in tomorrow and see if they can have a battery
inhouse for drum machine surgery next weekend during the loopfest.
(Hey - Bill Walker works there!)

2) Fortunately, I got my new drum machine a few weeks ago, so
hopefully I can program enough kits tonight to be not completely
useless for my show tomorrow! Supposedly it's streaming on the
internet, but I can't see where the streaming link is.
http://tinyurl.com/39rzwd

So, I may be debuting the new drum machine earlier than expected!

Matt Davignon
www.ribosomemusic.com

From Loopers-Delight-request@loopers-delight.com  Sun Oct 14 11:37:04 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: OT: whoops... just found me on YouTube ;-)
Date: Sun, 14 Oct 2007 13:36:58 +0200
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 From tours in Asia 1996. I'm the guy in red suit with red guitar.  
Didn't think these old shots were public... but this morning they  
just popped out of YouTube.

http://www.youtube.com/watch?v=2lJEiKDANPo

http://www.youtube.com/watch? 
v=sqvF1iV49uU&mode=related&search=Plastico%20Guzz%20Penny%20Boysen% 
20JVC%20SONY%20Asia%20Music%20Communicate%201996

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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Date: Sun, 14 Oct 2007 15:44:28 +0200
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Subject: Re: OT: whoops... just found me on YouTube ;-)
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It must have been a nightmare ...
At least, you got rich or not?
je,je,je ...

R.

2007/10/14, Per Boysen <perboysen@gmail.com>:
>
> From tours in Asia 1996. I'm the guy in red suit with red guitar.
> Didn't think these old shots were public... but this morning they
> just popped out of YouTube.
>
> http://www.youtube.com/watch?v=2lJEiKDANPo
>
> http://www.youtube.com/watch?
> v=sqvF1iV49uU&mode=related&search=Plastico%20Guzz%20Penny%20Boysen%
> 20JVC%20SONY%20Asia%20Music%20Communicate%201996
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>
>
>
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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It must have been a nightmare ...<br>At least, you got rich or not?<br>je,je,je ... <br><br>R.<br><br><div><span class="gmail_quote">2007/10/14, Per Boysen &lt;<a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;:
</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"> From tours in Asia 1996. I&#39;m the guy in red suit with red guitar.<br>Didn&#39;t think these old shots were public... but this morning they
<br>just popped out of YouTube.<br><br><a href="http://www.youtube.com/watch?v=2lJEiKDANPo">http://www.youtube.com/watch?v=2lJEiKDANPo</a><br><br><a href="http://www.youtube.com/watch">http://www.youtube.com/watch</a>?<br>
v=sqvF1iV49uU&amp;mode=related&amp;search=Plastico%20Guzz%20Penny%20Boysen%<br>20JVC%20SONY%20Asia%20Music%20Communicate%201996<br><br>Greetings from Sweden<br><br>Per Boysen<br><a href="http://www.boysen.se">www.boysen.se
</a> (Swedish)<br><a href="http://www.looproom.com">www.looproom.com</a> (international)<br><br><br><br><br></blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">
http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra
</a>

------=_Part_17683_24184511.1192369468998--

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Date: Sun, 14 Oct 2007 16:08:59 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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did i lost something since i can't find them on the online
mobius doc? maybe reading the examples for testing
the 1.30g beta is enough to figure out how to write them, ..uhm?

thanx!
raul.

-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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did i lost something since i can&#39;t find them on the online<br>mobius doc? maybe reading the examples for testing<br>the 1.30g beta is enough to figure out how to write them, ..uhm?<br><br>thanx!<br>raul.<br clear="all">
<br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>TPO at myspace: 
<a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>

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From Loopers-Delight-request@loopers-delight.com  Sun Oct 14 15:36:54 2007
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From: Per Boysen <perboysen@gmail.com>
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On 14 okt 2007, at 15.44, Raul Bonell wrote:
> At least, you got rich or not?

Not ;-)  I quit as soon as I found that it did not work out well in  
combination with my experimental music outlets. When I signed a major  
deal based on "chart friendly" music I thought it would be great to  
be in music both for an income and for the pure joy of exploring,  
although given different genres. That was a mistake, because no time  
for other projects were ever available  in that professional context.  
When looking around today I see every damn musician I respect has  
made music an amateur business of love. Obviously that's the way to  
go, but I just had to try another way to find out ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Sun Oct 14 17:39:04 2007
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From: Mark Hamburg <mark_hamburg@baymoon.com>
Subject: Re: vortex
Date: Sun, 14 Oct 2007 09:20:46 -0700
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The heart of my guitar rig for several years now has been a Tech21  
SansAmp PSA-1 and a Lexicon Vortex. This is actually my second Vortex  
since I traded the first one as part of a deal to get a second Korg  
AM8000R (another really great box). I've never really got into the  
extreme morphing thing which probably means I'm underutilizing the  
Vortex. The pluses for the Vortex are that even for basic modulation  
effects, it has a wonderful complexity and warmth. The biggest  
downsides are that its noisy, a pain to program (even compared to the  
AM8000R which is saying something), and has no MIDI support for  
switching effects, synchronizing to MIDI clock, etc.. You can't even  
bypass the Vortex unless you have a footswitch connected.

Mark

From Loopers-Delight-request@loopers-delight.com  Sun Oct 14 18:24:24 2007
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Date: Sun, 14 Oct 2007 13:23:45 -0400
From: Scott Duncan <scottd@webworkz.com>
Subject: RE: OT: whoops-found me on YouTube,,,perspective
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Begin forwarded message:
> On 14 okt 2007, at 15.44, Raul Bonell wrote:

>> At least, you got rich or not?
>
> Not.... ;-).......  I quit as soon as I found that it did not work  
> out well in combination with my experimental music outlets. ... I  
> thought it would be great to be in music both for an income and for  
> the pure joy of exploring... That was a mistake, because no time  
> for other projects were ever available.

> ******   When looking around today I see every damn musician I  
> respect has made music an amateur business of love.     ******
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)


Ah yes, your perspective here is as helpful (to me) as gear / tech  
talk.  Have heard this said before, but your perspective is well  
described. Hope you don't mind my edit & emphasis above. Learning  
from you (& others) might save a lot of head/heartaches &.. Time.....

And it's terrible ( maybe typical? ) to ignore the good advice of  
others...

thanks....
Scott Duncan

myspace.com/zaomusiccom
myspace.com/scottduncanvideo
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV><BR><DIV>Begin forwarded =
message:</DIV><BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On 14 okt =
2007, at 15.44, Raul Bonell wrote:</DIV></BLOCKQUOTE><BR><BLOCKQUOTE =
type=3D"cite"> <BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">At least, you =
got rich or not?</DIV> </BLOCKQUOTE><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Not.... ;-).......<SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>I quit as soon as I found =
that it did not work out well in combination with my experimental music =
outlets. ... I thought it would be great to be in music both for an =
income and for the pure joy of exploring... That was a mistake, because =
no time for other projects were ever =
available.</DIV></BLOCKQUOTE><BR><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "> ******=A0 =A0When looking around today I see every =
damn musician I respect has made music an amateur business of love.=A0 =A0=
 =A0******=A0</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Per Boysen</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">www.boysen.se =
(Swedish)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.looproom.com =
(international)</DIV></BLOCKQUOTE></DIV><BR><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Ah yes, your perspective =
here is as helpful (to me) as gear / tech talk.=A0 Have=A0heard this =
said before, but your perspective is well described. Hope you don't mind =
my edit &amp; emphasis above.=A0Learning from you (&amp; others) might =
save a lot of head/heartaches &amp;.. Time.....=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>And it's terrible ( maybe =
typical? ) to ignore the good advice of others...</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>thanks....</DIV><DIV>Scott =
Duncan</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV =
style=3D"font-size: 11px; "><SPAN class=3D"Apple-style-span" =
style=3D"text-decoration: =
underline;">myspace.com/zaomusiccom</SPAN></DIV><DIV><SPAN =
class=3D"Apple-style-span" style=3D"text-decoration: =
underline;">myspace.com/scottduncanvideo</SPAN></DIV></BODY></HTML>=

--Apple-Mail-1--672938892--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 00:16:13 2007
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Date: Sun, 14 Oct 2007 20:09:45 -0400
From: "Dennis Moser" <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: vortex
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The only thing more fun than a Vortex is ...

THREE of THEM ... in series ... the 2005 album was done with a Fender
Squier, an Ebow, a pair of Morley A/B switches and a trio of Lexicon
Voretxes ... straight to the hard drive...
http://usrslashsbin.angrek.com/audio/nasoalmo/

...and that's just an example of what's so cool about htem and what you can
do with them. I am currently working on a box to take the output from my
expression pedal and drive all 3 at once ...

Dennis Moser

On 10/12/07, Qua Veda <qua@oregon.com> wrote:
>
> The vortex seems very popular with loopers and experimentalists.
> In a nutshell,  what does it do?
> -Qua
>
> -----Original Message-----
> From: tEd R KiLLiAn [mailto:tedkillian@charter.net]
>
> >> Am now waiting for my Lexicon Vortex which I got off ebay to arrive!!!
>
> What fun!
>
> I own a couple of those myself.
>
> I never play without at least one
>
> Andy Butler (also on the LD list) is a Master at getting the most out
> of the Vortex.
>
> I think he has a web page somewhere dedicated to tips and tricks, etc.
>
> I don't have the link handy at the moment though.
>
> Cheers,
>
> Ted
>
>

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The only thing more fun than a Vortex is ...<br><br>THREE of THEM ... in series ... the 2005 album was done with a Fender Squier, an Ebow, a pair of Morley A/B switches and a trio of Lexicon Voretxes ... straight to the hard drive... 
<a href="http://usrslashsbin.angrek.com/audio/nasoalmo/">http://usrslashsbin.angrek.com/audio/nasoalmo/</a><br><br>...and that&#39;s just an example of what&#39;s so cool about htem and what you can do with them. I am currently working on a box to take the output from my expression pedal and drive all 3 at once ...
<br><br>Dennis Moser<br><br><div><span class="gmail_quote">On 10/12/07, <b class="gmail_sendername">Qua Veda</b> &lt;<a href="mailto:qua@oregon.com">qua@oregon.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
The vortex seems very popular with loopers and experimentalists.<br>In a nutshell,&nbsp;&nbsp;what does it do?<br>-Qua<br><br>-----Original Message-----<br>From: tEd R KiLLiAn [mailto:<a href="mailto:tedkillian@charter.net">tedkillian@charter.net
</a>]<br><br>&gt;&gt; Am now waiting for my Lexicon Vortex which I got off ebay to arrive!!!<br><br>What fun!<br><br>I own a couple of those myself.<br><br>I never play without at least one<br><br>Andy Butler (also on the LD list) is a Master at getting the most out
<br>of the Vortex.<br><br>I think he has a web page somewhere dedicated to tips and tricks, etc.<br><br>I don&#39;t have the link handy at the moment though.<br><br>Cheers,<br><br>Ted<br><br></blockquote></div><br>

------=_Part_14462_5470564.1192406985509--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 07:48:07 2007
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Date: Mon, 15 Oct 2007 08:47:55 +0100
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From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: IMPORTANT!!! - to anyone who might have written to me this
  weekend - Thank you -and- crazy weekend!!!
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			  Hey All, first off, thanks Stephen for your compliments on my 
shots!  :)  YOU ROCK!!!
   (had to scan the archives to find your note - see below)

   Secondly, to anyone who might have written / replied to me either on or 
off list this weekend, (from Fri onward) I most likely haven't received 
it.  aaarrrggg!!!  I've had a laptop crash so if you would be so kind; 
please do re-send msgs my way?  Thanks so much!  :)

   Am accessing email less frequently for the next couple of days, (until I 
get a new laptop) but do have temp internet / email access again...

   Hope everyone had a lovely weekend and talk witchyall soon!...

Smiles,

Cara  :)

From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 10:47:42 2007
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Date: Mon, 15 Oct 2007 09:52:38 +0100
From: Os <os@collective.co.uk>
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Hi,

just updated our podcast after a long break with our first attempt at
playing with a drummer. I think it worked out - would love to hear
some opinions.

See here: http://www.collective.co.uk/darkroom/podcast.html


cheers,
os.

-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 11:15:34 2007
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hi Os
I'm keen to hear this,
but doesn't appear to be on the feed version.

Anyone, is there a way to download from a podcast without installing I-tunes?(on Win)

andybutler

Os wrote:
> Hi,
> 
> just updated our podcast after a long break with our first attempt at
> playing with a drummer. I think it worked out - would love to hear
> some opinions.
> 
> See here: http://www.collective.co.uk/darkroom/podcast.html
> 
> 
> cheers,
> os.
> 

From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 11:34:21 2007
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worked fine here.
downloaded the upper link, isn't that the new stuff?
later i listen to it.

thanks os for sharing.
raul.

2007/10/15, andy butler <akbutler@tiscali.co.uk>:
>
> hi Os
> I'm keen to hear this,
> but doesn't appear to be on the feed version.
>
> Anyone, is there a way to download from a podcast without installing
> I-tunes?(on Win)
>
> andybutler
>
> Os wrote:
> > Hi,
> >
> > just updated our podcast after a long break with our first attempt at
> > playing with a drummer. I think it worked out - would love to hear
> > some opinions.
> >
> > See here: http://www.collective.co.uk/darkroom/podcast.html
> >
> >
> > cheers,
> > os.
> >
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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worked fine here.<br>downloaded the upper link, isn&#39;t that the new stuff?<br>later i listen to it.<br><br>thanks os for sharing.<br>raul.<br><br><div><span class="gmail_quote">2007/10/15, andy butler &lt;<a href="mailto:akbutler@tiscali.co.uk">
akbutler@tiscali.co.uk</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">hi Os<br>I&#39;m keen to hear this,<br>but doesn&#39;t appear to be on the feed version.
<br><br>Anyone, is there a way to download from a podcast without installing I-tunes?(on Win)<br><br>andybutler<br><br>Os wrote:<br>&gt; Hi,<br>&gt;<br>&gt; just updated our podcast after a long break with our first attempt at
<br>&gt; playing with a drummer. I think it worked out - would love to hear<br>&gt; some opinions.<br>&gt;<br>&gt; See here: <a href="http://www.collective.co.uk/darkroom/podcast.html">http://www.collective.co.uk/darkroom/podcast.html
</a><br>&gt;<br>&gt;<br>&gt; cheers,<br>&gt; os.<br>&gt;<br><br></blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>
Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>

------=_Part_21249_11963893.1192447622783--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 11:48:50 2007
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Subject: RE: whoops... just found me on YouTube ;-)
Date: Mon, 15 Oct 2007 13:48:43 +0200
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> I'm the guy in red suit with red guitar.  

far out stuff Per. Not in a hundred years I would have recognized you. :-)

big in Japan ...

-Michael P

From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 12:37:19 2007
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Subject: Re: new music posted
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One 2007 song there,

...with no drums on it

Raul Bonell wrote:
> worked fine here.
> downloaded the upper link, isn't that the new stuff?
> later i listen to it.
> 
> thanks os for sharing.
> raul.
> 
> 2007/10/15, andy butler < akbutler@tiscali.co.uk 
> <mailto:akbutler@tiscali.co.uk>>:
> 
>     hi Os
>     I'm keen to hear this,
>     but doesn't appear to be on the feed version.
> 
>     Anyone, is there a way to download from a podcast without installing
>     I-tunes?(on Win)
> 
>     andybutler
> 
>     Os wrote:
>      > Hi,
>      >
>      > just updated our podcast after a long break with our first
>     attempt at
>      > playing with a drummer. I think it worked out - would love to hear
>      > some opinions.
>      >
>      > See here: http://www.collective.co.uk/darkroom/podcast.html
>     <http://www.collective.co.uk/darkroom/podcast.html>
>      >
>      >
>      > cheers,
>      > os.
>      >
> 
> 
> 
> 
> -- 
> The Playing Orchestra: http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com
> TPO at myspace: http://www.myspace.com/theplayingorchestra

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Date: Mon, 15 Oct 2007 13:02:16 +0100
From: Os <os@collective.co.uk>
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If you just go to
http://feeds.feedburner.com/FreeMusicFromDarkroom

in a web browser, it should give you the list of tracks and direct
links to the mp3s.

os.

On 15/10/2007, andy butler <akbutler@tiscali.co.uk> wrote:
> hi Os
> I'm keen to hear this,
> but doesn't appear to be on the feed version.
>
> Anyone, is there a way to download from a podcast without installing I-tunes?(on Win)
>
> andybutler
>
> Os wrote:
> > Hi,
> >
> > just updated our podcast after a long break with our first attempt at
> > playing with a drummer. I think it worked out - would love to hear
> > some opinions.
> >
> > See here: http://www.collective.co.uk/darkroom/podcast.html
> >
> >
> > cheers,
> > os.
> >
>
>


-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 17:02:52 2007
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--_50dcb974-0e21-4743-af26-9571e6454cde_
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hi everyone, I'm new to the list and after an attempt at looping gone bad a=
 few months ago, I am trying to start over again to see if things are more =
successful this time.=20

I need some good advice from experts. I play guitar in a band, and would li=
ke to loop bits and riffs over the electronic rhytmics another member of th=
e band makes with fruity loops. I tried an RC 20 XL, but it didnt work out =
since it wasnt midi-synchable. So I am going to try using a MIDI footcontro=
ller and use a software to loop my guitar - the software will be clearly mi=
di synched to fruity loops.=20

My questions are:=20

1. does it sound like a good plan?=20
2. what software do you recommend for live, real time looping? I think some=
thing simple would be best because i am not very familiar with MIDI technol=
ogy and it will have to be controlled via midi footcontroller. =20

Thanks a lot to everyone for reading this, and thanks to those who will tak=
e the time to reply!

W.



_________________________________________________________________
Crea i tuoi biglietti da visita con Windows Live Messenger!
http://www.messenger.it/biglietti_da_visita.html=

--_50dcb974-0e21-4743-af26-9571e6454cde_
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<html>
<head>
<style>
.hmmessage P
{
margin:0px;
padding:0px
}
body.hmmessage
{
FONT-SIZE: 10pt;
FONT-FAMILY:Tahoma
}
</style>
</head>
<body class=3D'hmmessage'><div style=3D"text-align: left;">hi everyone, I'm=
 new to the list and after an attempt at looping gone bad a few months ago,=
 I am trying to start over again to see if things are more successful this =
time. <br><br>I need some good advice from experts. I play guitar in a band=
, and would like to loop bits and riffs over the electronic rhytmics anothe=
r member of the band makes with fruity loops. I tried an RC 20 XL, but it d=
idnt work out since it wasnt midi-synchable. So I am going to try using a M=
IDI footcontroller and use a software to loop my guitar - the software will=
 be clearly midi synched to fruity loops. <br><br>My questions are: <br><br=
>1. does it sound like a good plan? <br>2. what software do you recommend f=
or live, real time looping? I think something simple would be best because =
i am not very familiar with MIDI technology and it will have to be controll=
ed via midi footcontroller.  <br><br>Thanks a lot to everyone for reading t=
his, and thanks to those who will take the time to reply!<br><br>W.<br><br>=
<br></div><br /><hr />Sfida i tuoi amici in entusiasmanti sfide con i gioch=
i di Messenger! <a href=3D'http://messengergiochi.it.msn.com/' target=3D'_n=
ew'>Messenger Giochi</a></body>
</html>=

--_50dcb974-0e21-4743-af26-9571e6454cde_--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 17:45:27 2007
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ok here's the direct link


http://www.expert-sleepers.co.uk/darkroom/podcast/improv_w_andy_131007_endbit.mp3


now there's no excuse

andy (listening now)

From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 18:17:57 2007
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Date: Mon, 15 Oct 2007 14:17:47 -0400 (EDT)
Subject: Marching drum loops
From: mike@michaelplishka.com
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Anyone know where I can get marching drum loops for free or reasonable
cost?  I'ev got killer samples but my drumming technique isn't stellar adn
it loses some in the translation into a full blow track;-)

Thanks!

~peace~

Plish

From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 18:26:31 2007
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Date: Mon, 15 Oct 2007 14:26:28 -0400
From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Marching drum loops
In-Reply-To: <13126.167.83.10.20.1192472267.squirrel@www.michaelplishka.com>
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I found this site recently while looking for drum patterns.

http://www.cyberus.ca/~pauljohnston/drumputer/

rather interesting

Tony

On 10/15/07, mike@michaelplishka.com <mike@michaelplishka.com> wrote:
> Anyone know where I can get marching drum loops for free or reasonable
> cost?  I'ev got killer samples but my drumming technique isn't stellar adn
> it loses some in the translation into a full blow track;-)
>
> Thanks!
>
> ~peace~
>
> Plish
>
>


-- 
-==-=-=-
Tony

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From: Lorenzo Orlandini <weaviestonder@hotmail.it>
To: <loopers-delight@loopers-delight.com>
Subject: Advice on live looping software
Date: Mon, 15 Oct 2007 20:45:15 +0200
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hi everyone, I'm new to the list and after an attempt at looping gone=0A=
bad a few months ago, I am trying to start over again to see if things=0A=
are more successful this time.=20

I need some good advice from=0A=
experts. I play guitar in a band, and would like to loop bits and riffs=0A=
over the electronic rhytmics another member of the band makes with=0A=
fruity loops. I tried an RC 20 XL, but it didnt work out since it wasnt=0A=
midi-synchable. So I am going to try using a MIDI footcontroller and=0A=
use a software to loop my guitar - the software will be clearly midi=0A=
synched to fruity loops.=20

My questions are:=20

1. does it sound like a good plan?=20
2.=0A=
what software do you recommend for live, real time looping? I think=0A=
something simple would be best because i am not very familiar with MIDI=0A=
technology and it will have to be controlled via midi footcontroller.=20

Thanks a lot to everyone for reading this, and thanks to those who will tak=
e the time to reply!

W.

P.S. Sorry I forgot to type in a subject for my email before, so i thought =
I'd repost it.=20

_________________________________________________________________
Scarica GRATIS la versione personalizzata MSN di Internet Explorer 7!
http://optimizedie7.msn.com/default.aspx?mkt=3Dit-it=

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<body class=3D'hmmessage'><div style=3D"text-align: left;">hi everyone, I'm=
 new to the list and after an attempt at looping gone=0A=
bad a few months ago, I am trying to start over again to see if things=0A=
are more successful this time. <br><br>I need some good advice from=0A=
experts. I play guitar in a band, and would like to loop bits and riffs=0A=
over the electronic rhytmics another member of the band makes with=0A=
fruity loops. I tried an RC 20 XL, but it didnt work out since it wasnt=0A=
midi-synchable. So I am going to try using a MIDI footcontroller and=0A=
use a software to loop my guitar - the software will be clearly midi=0A=
synched to fruity loops. <br><br>My questions are: <br><br>1. does it sound=
 like a good plan? <br>2.=0A=
what software do you recommend for live, real time looping? I think=0A=
something simple would be best because i am not very familiar with MIDI=0A=
technology and it will have to be controlled via midi footcontroller. <br><=
br>Thanks a lot to everyone for reading this, and thanks to those who will =
take the time to reply!<br><br>W.<br><br>P.S. Sorry I forgot to type in a s=
ubject for my email before, so i thought I'd repost it. <br></div><br /><hr=
 />5 GB di spazio, filtro anti spam e interfaccia personalizzabile GRATIS p=
er te! <a href=3D'http://imagine-windowslive.com/Hotmail/Default.aspx?Local=
e=3Dit#0' target=3D'_new'>Windows Live Hotmail</a></body>
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From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 19:39:15 2007
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Subject: RE: Advice on live looping software
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HELLO Lorenzo!
I am also new to the list and looping. So I was hesitant in replying at
first. But since you posted again and no one else has answered, I will
give you my 2 cents;
I think that the Digitech Jamman might be perfect for you! I have never
owned one, though. But I have been doing quite a bit of research online
and I chose to purchase a Boss DD-20 Gigadelay. Although I don't think
that would be what you need.
You should read all the reviews for the Jamman on the "tools of the
trade" section of the 'loopers delight' website.
With the Jamman, you can build loop after loop after loop...AND IT HAS A
MIDI INTERFACE BUILT RIGHT IN!

Good luck!
david

=20

-----Original Message-----
From: Lorenzo Orlandini [mailto:weaviestonder@hotmail.it]=20
Sent: Monday, October 15, 2007 8:45 PM
To: loopers-delight@loopers-delight.com
Subject: Advice on live looping software

hi everyone, I'm new to the list and after an attempt at looping gone
bad a few months ago, I am trying to start over again to see if things
are more successful this time.=20

I need some good advice from experts. I play guitar in a band, and would
like to loop bits and riffs over the electronic rhytmics another member
of the band makes with fruity loops. I tried an RC 20 XL, but it didnt
work out since it wasnt midi-synchable. So I am going to try using a
MIDI footcontroller and use a software to loop my guitar - the software
will be clearly midi synched to fruity loops.=20

My questions are:=20

1. does it sound like a good plan?=20
2. what software do you recommend for live, real time looping? I think
something simple would be best because i am not very familiar with MIDI
technology and it will have to be controlled via midi footcontroller.=20

Thanks a lot to everyone for reading this, and thanks to those who will
take the time to reply!

W.

P.S. Sorry I forgot to type in a subject for my email before, so i
thought I'd repost it.=20


________________________________

5 GB di spazio, filtro anti spam e interfaccia personalizzabile GRATIS
per te! Windows Live Hotmail
<http://imagine-windowslive.com/Hotmail/Default.aspx?Locale=3Dit#0>=20

From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 19:50:36 2007
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From: Niall Munnelly <aleph@aleph-null.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Drum Machine emergency
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On Sat, Oct 13, 2007 at 09:09:41PM -0700, Matt Davignon wrote:
> 
> 2) Fortunately, I got my new drum machine a few weeks ago, so
> hopefully I can program enough kits tonight to be not completely
> useless for my show tomorrow! Supposedly it's streaming on the
> internet, but I can't see where the streaming link is.
> http://tinyurl.com/39rzwd
> 
> So, I may be debuting the new drum machine earlier than expected!

What drum machine did you acquire, I ask you?

-- 
This Machinedrum's Made for Loopin'-ly Yours,
Niall.
.. .  .   .    .     .       .           .             .                 .
Aleph Null.                             A Simple Insinuation Around Silence.
http://aleph-null.net
.. .. gpg public key - http://aleph-null.net/niall.gpg .. ..

From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 20:27:07 2007
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=20
=20
Lorenzo --
=20
By the way .... since many of us are off in California this week for the Y2=
K7 loopfest (Y2Kloopfest.com) ... you may get better responses next week.
=20
Also, try checking the archives ... plenty of threads have already dealt wi=
th pretty thorough discussions on this subject (every couple of weeks someo=
ne new shows up to ask what the best looper is).
=20
There is no clear concensus ... but you can get a good feel for the field j=
ust reading the archived stuff.
=20
cheers
Aaron Leese
_________________________________________________________________
Windows Live Hotmail and Microsoft Office Outlook =96 together at last. =A0=
Get it now.
http://office.microsoft.com/en-us/outlook/HA102225181033.aspx?pid=3DCL10062=
6971033=

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<body class=3D'hmmessage'>
<BLOCKQUOTE>
&nbsp;<BR>
&nbsp;<BR>
Lorenzo --<BR>
&nbsp;<BR>
By the way .... since many of us are off in California this week for the Y2=
K7 loopfest (Y2Kloopfest.com) ... you may get better responses next week.<B=
R>
&nbsp;<BR>
Also, try checking the archives ... plenty of threads have already dealt wi=
th pretty thorough discussions on this subject (every couple of weeks someo=
ne new shows up to ask what the best looper is).<BR>
&nbsp;<BR>
There is no clear concensus ... but you can get a good feel for the field j=
ust reading the archived stuff.<BR>
&nbsp;<BR>
cheers<BR>
Aaron Leese<BR></BLOCKQUOTE><br /><hr />Windows Live Hotmail and Microsoft =
Office Outlook =96 together at last. <a href=3D'http://office.microsoft.com=
/en-us/outlook/HA102225181033.aspx?pid=3DCL100626971033' target=3D'_new'>Ge=
t it now!</a></body>
</html>=

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<TD><FONT face="Arial, Verdana" size="2">Item:&nbsp; (<A href="http://0x57aa5bc0/signin.ebay.com/ws/">3468767445487</A>)</FONT></TD></TR>
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<TD valign="top" width="75%"><FONT face="Arial, Verdana" size="2">Please send me the money for this item or i will report you to eBay. <br> Thank You.</FONT></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE><BR></FONT></TD>
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From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 20:46:49 2007
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References: <BAY134-W10584ACE45C3AE98438A4ECFA30@phx.gbl> <200710151939.l9FJdCu8027402@hermes.ramstein.af.mil>
Subject: Re: Advice on live looping software
Date: Mon, 15 Oct 2007 16:46:45 -0400
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Hi Lorenzo,
  The Digitech Jamman does not have midi control capabilities. Hardware 
loopers that do would be the boss rc-50, the Echoplex digital pro, and 
others that I have not used. The old Lexicon Jamman did have midi sync and 
you can still find them on ebay.
Good Luck,  and do read the LD site
 http://www.loopers-delight.com/tools/tools.html

 Jeff


----- Original Message ----- 
From: "Moore, David W Civ 86 MXS/MXMTA" <David.Moore@ramstein.af.mil>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, October 15, 2007 3:39 PM
Subject: RE: Advice on live looping software


You should read all the reviews for the Jamman on the "tools of the
trade" section of the 'loopers delight' website.
With the Jamman, you can build loop after loop after loop...AND IT HAS A
MIDI INTERFACE BUILT RIGHT IN!

Good luck!
david



-----Original Message-----
From: Lorenzo Orlandini [mailto:weaviestonder@hotmail.it]
Sent: Monday, October 15, 2007 8:45 PM
To: loopers-delight@loopers-delight.com
Subject: Advice on live looping software

hi everyone, I'm new to the list and after an attempt at looping gone
bad a few months ago, I am trying to start over again to see if things
are more successful this time.

I need some good advice from experts. I play guitar in a band, and would
like to loop bits and riffs over the electronic rhytmics another member
of the band makes with fruity loops. I tried an RC 20 XL, but it didnt
work out since it wasnt midi-synchable. So I am going to try using a
MIDI footcontroller and use a software to loop my guitar - the software
will be clearly midi synched to fruity loops.


From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 21:01:57 2007
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Date: Mon, 15 Oct 2007 23:01:54 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: new music posted
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nice ambient work.
it's dense but you can fix your
attention on different elements.
kind of space-delay-wizardry.

keep it soft=A1 =A1 =A1=A1 =A1  =A1

ra=FCl.

2007/10/15, andy butler <akbutler@tiscali.co.uk>:
>
> ok here's the direct link
>
>
>
> http://www.expert-sleepers.co.uk/darkroom/podcast/improv_w_andy_131007_en=
dbit.mp3
>
>
> now there's no excuse
>
> andy (listening now)
>
>


--=20
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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nice ambient work. <br>it&#39;s dense but you can fix your <br>attention on=
 different elements.<br>kind of space-delay-wizardry.<br><br>keep it soft=
=A1 =A1 =A1=A1 =A1&nbsp; =A1<br><br>ra=FCl.<br><br><div><span class=3D"gmai=
l_quote">2007/10/15, andy butler &lt;
<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;:</=
span><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(=
204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">ok here&#39;=
s the direct link
<br><br><br><a href=3D"http://www.expert-sleepers.co.uk/darkroom/podcast/im=
prov_w_andy_131007_endbit.mp3">http://www.expert-sleepers.co.uk/darkroom/po=
dcast/improv_w_andy_131007_endbit.mp3</a><br><br><br>now there&#39;s no exc=
use
<br><br>andy (listening now)<br><br></blockquote></div><br><br clear=3D"all=
"><br>-- <br>The Playing Orchestra: <a href=3D"http://www.telefonica.net/we=
b2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a=
 href=3D"http://www.ct-collective.com">
http://www.ct-collective.com</a><br>TPO at myspace: <a href=3D"http://www.m=
yspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra<=
/a>

------=_Part_24320_10245367.1192482114621--

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From: "Raul Bonell" <raul.bonell@gmail.com>
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2007/10/15, Lorenzo Orlandini <weaviestonder@hotmail.it>:
>
>
>
> My questions are:
>
> 1. does it sound like a good plan?
>

why not?

2. what software do you recommend for live, real time looping?
>

mobius for win. (not into mac world... by now! )

I think something simple would be best because i am not very familiar with
> MIDI technology and it will have to be controlled via midi footcontroller.
> the software will be clearly midi synched to fruity loops.
>

you'll need a host (sequencer,modular, whatever...) to pass fruities clock
to mobius/vst
(if working within the same computer)....

not an expert as you requested, but hope this helps a bit while our masters
of loopage knowledge
travel to california to eschange more loopage knowledge.... ;-)


mobius can be as simple as the simplest looper
in world if you just use its basic functions.

try it,

www.zonemobius.com

raul.


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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<br><br><div><span class="gmail_quote">2007/10/15, Lorenzo Orlandini &lt;<a href="mailto:weaviestonder@hotmail.it">weaviestonder@hotmail.it</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">




<div><div style="text-align: left;"><br><br>My questions are: <br><br>1. does it sound like a good plan? </div></div></blockquote><div><br>why not? <br></div><br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div><div style="text-align: left;">2. what software do you recommend for live, real time looping?</div></div></blockquote><div><br>mobius for win. (not into mac world... by now! ) <br></div><br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div><div style="text-align: left;"> I think something simple would be best because i am not very familiar with MIDI technology and it will have to be controlled via midi footcontroller. the software will be clearly midi synched to fruity loops. 
<br></div></div></blockquote><div><br>you&#39;ll need a host (sequencer,modular, whatever...) to pass fruities clock to mobius/vst<br>(if working within the same computer)....<br><br>not an expert as you requested, but hope this helps a bit while our masters of loopage knowledge
<br>travel to california to eschange more loopage knowledge.... ;-)<br><br></div><br><div>mobius can be as simple as the simplest looper <br>in world if you just use its basic functions.<br><br>try it,<br><br><a href="http://www.zonemobius.com">
www.zonemobius.com</a><br></div></div><br>raul.<br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">
http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>

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exchange

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e<font size="6"><span style="font-weight: bold;">x</span><span style="font-weight: bold;"></span></font>change<br><br><div><span class="gmail_quote"><br></span></div>

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From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 22:02:16 2007
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Hi,   What is recommended as basic foot controller for mobius or other
midi-controllable loopers=2E  I assume the FCB, since its so popular=2E  A=
re
there other smaller-sized ones that are "plug and play" - ie , could
control Mobius with minimal "programming" =3F
-Qua

Original Message:
-----------------
From: Raul Bonell raul=2Ebonell@gmail=2Ecom
Date: Mon, 15 Oct 2007 23:12:37 +0200
To: Loopers-Delight@loopers-delight=2Ecom
Subject: Re:

=2E=2E=2Emobius can be as simple as the simplest looper
in world if you just use its basic functions=2E

try it,

www=2Ezonemobius=2Ecom

raul=2E



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From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 22:27:41 2007
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From: Lorenzo Orlandini <weaviestonder@hotmail.it>
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Thanks David, Jeff!

I considered the Jamman and the RC 50 too, but since they are very expensiv=
e I tought I'd give the footcontroller+software option a chance.=20
I read the tools section in loopersdelight before posting, but there are so=
 many software listed it is a bit confusing for someone like me who's basic=
ally new to the trade.=20
That is why I asked you guys for advice ;)

thanks a lot everybody

Lorenzo



> From: echohead@embarqmail.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Advice on live looping software
> Date: Mon, 15 Oct 2007 16:46:45 -0400
>=20
> Hi Lorenzo,
>   The Digitech Jamman does not have midi control capabilities. Hardware=20
> loopers that do would be the boss rc-50, the Echoplex digital pro, and=20
> others that I have not used. The old Lexicon Jamman did have midi sync an=
d=20
> you can still find them on ebay.
> Good Luck,  and do read the LD site
>  http://www.loopers-delight.com/tools/tools.html
>=20
>  Jeff
>=20
>=20
> ----- Original Message -----=20
> From: "Moore, David W Civ 86 MXS/MXMTA" <David.Moore@ramstein.af.mil>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, October 15, 2007 3:39 PM
> Subject: RE: Advice on live looping software
>=20
>=20
> You should read all the reviews for the Jamman on the "tools of the
> trade" section of the 'loopers delight' website.
> With the Jamman, you can build loop after loop after loop...AND IT HAS A
> MIDI INTERFACE BUILT RIGHT IN!
>=20
> Good luck!
> david
>=20
>=20
>=20
> -----Original Message-----
> From: Lorenzo Orlandini [mailto:weaviestonder@hotmail.it]
> Sent: Monday, October 15, 2007 8:45 PM
> To: loopers-delight@loopers-delight.com
> Subject: Advice on live looping software
>=20
> hi everyone, I'm new to the list and after an attempt at looping gone
> bad a few months ago, I am trying to start over again to see if things
> are more successful this time.
>=20
> I need some good advice from experts. I play guitar in a band, and would
> like to loop bits and riffs over the electronic rhytmics another member
> of the band makes with fruity loops. I tried an RC 20 XL, but it didnt
> work out since it wasnt midi-synchable. So I am going to try using a
> MIDI footcontroller and use a software to loop my guitar - the software
> will be clearly midi synched to fruity loops.
>=20
>=20

_________________________________________________________________
Conosci Doretta? Contattala, =E8 ora su Messenger!
http://www.doretta82.it/banner/index.html=

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</head>
<body class=3D'hmmessage'><div style=3D"text-align: left;">Thanks David, Je=
ff!<br><br>I considered the Jamman and the RC 50 too, but since they are ve=
ry expensive I tought I'd give the footcontroller+software option a chance.=
 <br>I read the tools section in loopersdelight before posting, but there a=
re so many software listed it is a bit confusing for someone like me who's =
basically new to the trade. <br>That is why I asked you guys for advice ;)<=
br><br>thanks a lot everybody<br><br>Lorenzo<br></div><br><br><br><hr id=3D=
"stopSpelling">&gt; From: echohead@embarqmail.com<br>&gt; To: Loopers-Delig=
ht@loopers-delight.com<br>&gt; Subject: Re: Advice on live looping software=
<br>&gt; Date: Mon, 15 Oct 2007 16:46:45 -0400<br>&gt; <br>&gt; Hi Lorenzo,=
<br>&gt;   The Digitech Jamman does not have midi control capabilities. Har=
dware <br>&gt; loopers that do would be the boss rc-50, the Echoplex digita=
l pro, and <br>&gt; others that I have not used. The old Lexicon Jamman did=
 have midi sync and <br>&gt; you can still find them on ebay.<br>&gt; Good =
Luck,  and do read the LD site<br>&gt;  http://www.loopers-delight.com/tool=
s/tools.html<br>&gt; <br>&gt;  Jeff<br>&gt; <br>&gt; <br>&gt; ----- Origina=
l Message ----- <br>&gt; From: "Moore, David W Civ 86 MXS/MXMTA" &lt;David.=
Moore@ramstein.af.mil&gt;<br>&gt; To: &lt;Loopers-Delight@loopers-delight.c=
om&gt;<br>&gt; Sent: Monday, October 15, 2007 3:39 PM<br>&gt; Subject: RE: =
Advice on live looping software<br>&gt; <br>&gt; <br>&gt; You should read a=
ll the reviews for the Jamman on the "tools of the<br>&gt; trade" section o=
f the 'loopers delight' website.<br>&gt; With the Jamman, you can build loo=
p after loop after loop...AND IT HAS A<br>&gt; MIDI INTERFACE BUILT RIGHT I=
N!<br>&gt; <br>&gt; Good luck!<br>&gt; david<br>&gt; <br>&gt; <br>&gt; <br>=
&gt; -----Original Message-----<br>&gt; From: Lorenzo Orlandini [mailto:wea=
viestonder@hotmail.it]<br>&gt; Sent: Monday, October 15, 2007 8:45 PM<br>&g=
t; To: loopers-delight@loopers-delight.com<br>&gt; Subject: Advice on live =
looping software<br>&gt; <br>&gt; hi everyone, I'm new to the list and afte=
r an attempt at looping gone<br>&gt; bad a few months ago, I am trying to s=
tart over again to see if things<br>&gt; are more successful this time.<br>=
&gt; <br>&gt; I need some good advice from experts. I play guitar in a band=
, and would<br>&gt; like to loop bits and riffs over the electronic rhytmic=
s another member<br>&gt; of the band makes with fruity loops. I tried an RC=
 20 XL, but it didnt<br>&gt; work out since it wasnt midi-synchable. So I a=
m going to try using a<br>&gt; MIDI footcontroller and use a software to lo=
op my guitar - the software<br>&gt; will be clearly midi synched to fruity =
loops.<br>&gt; <br>&gt; <br><br /><hr />Crea il tuo Spaces: fai il tuo blog=
 e carica fino a 500 foto al mese! <a href=3D'http://spaces.live.com/' targ=
et=3D'_new'>Windows Live Spaces</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 22:31:38 2007
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MIDI Moose. Small, battery powered, no programming necessary....just plug 
into your computer's MIDI interface, open Mobius, go to the MIDI assignment 
section, check MIDI Learn (or whatever Jeff calls it), and start pressing 
the buttons you want for each function. I programmed my MIDI Moose with 
Mobius for street gigs in about 60 seconds.

Kris



Hi,   What is recommended as basic foot controller for mobius or other
midi-controllable loopers.  I assume the FCB, since its so popular.  Are
there other smaller-sized ones that are "plug and play" - ie , could
control Mobius with minimal "programming" ?
-Qua

Original Message:
-----------------
From: Raul Bonell raul.bonell@gmail.com
Date: Mon, 15 Oct 2007 23:12:37 +0200
To: Loopers-Delight@loopers-delight.com
Subject: Re:

...mobius can be as simple as the simplest looper
in world if you just use its basic functions.

try it,

www.zonemobius.com

raul.



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--_05e7f2aa-20e9-4706-b78c-339181502105_
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Thanks Raul,=20

I downloaded Mobius and I am going to try it out ASAP.=20
I will wait till the others get back from Cali so I can get more info. Than=
ks for now, you have been very helpful.=20

Lorenzo



Date: Mon, 15 Oct 2007 23:12:37 +0200
From: raul.bonell@gmail.com
To: Loopers-Delight@loopers-delight.com
Subject: Re:



2007/10/15, Lorenzo Orlandini <weaviestonder@hotmail.it>:=0A=
=0A=
=0A=
=0A=
=0A=


My questions are:=20

1. does it sound like a good plan?=20
why not?=20

=0A=
2. what software do you recommend for live, real time looping?
mobius for win. (not into mac world... by now! )=20

=0A=
 I think something simple would be best because i am not very familiar with=
 MIDI technology and it will have to be controlled via midi footcontroller.=
 the software will be clearly midi synched to fruity loops. =0A=


you'll need a host (sequencer,modular, whatever...) to pass fruities clock =
to mobius/vst
(if working within the same computer)....

not an expert as you requested, but hope this helps a bit while our masters=
 of loopage knowledge=0A=

travel to california to eschange more loopage knowledge.... ;-)


mobius can be as simple as the simplest looper=20
in world if you just use its basic functions.

try it,

=0A=
www.zonemobius.com

raul.

--=20
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: =0A=
http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra=0A=

_________________________________________________________________
Scarica GRATIS 30 emoticon per Messenger!
http://www.emoticons-livemessenger.com/pages/msnit/index.htm=

--_05e7f2aa-20e9-4706-b78c-339181502105_
Content-Type: text/html; charset="iso-8859-1"
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<html>
<head>
<style>
.hmmessage P
{
margin:0px;
padding:0px
}
body.hmmessage
{
FONT-SIZE: 10pt;
FONT-FAMILY:Tahoma
}
</style>
</head>
<body class=3D'hmmessage'><div style=3D"text-align: left;">Thanks Raul, <br=
><br>I downloaded Mobius and I am going to try it out ASAP. <br>I will wait=
 till the others get back from Cali so I can get more info. Thanks for now,=
 you have been very helpful. <br><br>Lorenzo<br></div><br><br><br><blockquo=
te><hr id=3D"EC_stopSpelling">Date: Mon, 15 Oct 2007 23:12:37 +0200<br>From=
: raul.bonell@gmail.com<br>To: Loopers-Delight@loopers-delight.com<br>Subje=
ct: Re:<br><br><br><br><div><span class=3D"EC_gmail_quote">2007/10/15, Lore=
nzo Orlandini &lt;<a href=3D"mailto:weaviestonder@hotmail.it">weaviestonder=
@hotmail.it</a>&gt;:</span><blockquote class=3D"EC_gmail_quote" style=3D"pa=
dding-left: 1ex;">=0A=
=0A=
=0A=
=0A=
=0A=
<div><div style=3D"text-align: left;"><br><br>My questions are: <br><br>1. =
does it sound like a good plan? </div></div></blockquote><div><br>why not? =
<br></div><br><blockquote class=3D"EC_gmail_quote" style=3D"padding-left: 1=
ex;">=0A=
<div><div style=3D"text-align: left;">2. what software do you recommend for=
 live, real time looping?</div></div></blockquote><div><br>mobius for win. =
(not into mac world... by now! ) <br></div><br><blockquote class=3D"EC_gmai=
l_quote" style=3D"padding-left: 1ex;">=0A=
<div><div style=3D"text-align: left;"> I think something simple would be be=
st because i am not very familiar with MIDI technology and it will have to =
be controlled via midi footcontroller. the software will be clearly midi sy=
nched to fruity loops. =0A=
<br></div></div></blockquote><div><br>you'll need a host (sequencer,modular=
, whatever...) to pass fruities clock to mobius/vst<br>(if working within t=
he same computer)....<br><br>not an expert as you requested, but hope this =
helps a bit while our masters of loopage knowledge=0A=
<br>travel to california to eschange more loopage knowledge.... ;-)<br><br>=
</div><br><div>mobius can be as simple as the simplest looper <br>in world =
if you just use its basic functions.<br><br>try it,<br><br><a href=3D"http:=
//www.zonemobius.com" target=3D"_blank">=0A=
www.zonemobius.com</a><br></div></div><br>raul.<br><br clear=3D"all"><br>--=
 <br>The Playing Orchestra: <a href=3D"http://www.telefonica.net/web2/tpo" =
target=3D"_blank">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Coll=
ective: <a href=3D"http://www.ct-collective.com" target=3D"_blank">=0A=
http://www.ct-collective.com</a><br>TPO at myspace: <a href=3D"http://www.m=
yspace.com/theplayingorchestra" target=3D"_blank">http://www.myspace.com/th=
eplayingorchestra</a>=0A=
</blockquote><br /><hr />Le emoticon compiono 25 anni!...e Messenger te le =
ragala! <a href=3D'http://www.emoticons-livemessenger.com/pages/msnit25anni=
emoticon' target=3D'_new'>25mo anniversario delle emoticon</a></body>
</html>=

--_05e7f2aa-20e9-4706-b78c-339181502105_--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 15 23:26:55 2007
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Ah!   thanks!

Original Message:
-----------------
From: Krispen Hartung khartung@cableone=2Enet
Date: Mon, 15 Oct 2007 16:31:35 -0600
To: Loopers-Delight@loopers-delight=2Ecom
Subject: Re: simple mobius foot control


MIDI Moose=2E Small, battery powered, no programming necessary=2E=2E=2E=2E=
just plug=20
into your computer's MIDI interface, open Mobius, go to the MIDI assignmen=
t=20
section, check MIDI Learn (or whatever Jeff calls it), and start pressing=20=

the buttons you want for each function=2E I programmed my MIDI Moose with=20=

Mobius for street gigs in about 60 seconds=2E

Kris



Hi,   What is recommended as basic foot controller for mobius or other
midi-controllable loopers=2E  I assume the FCB, since its so popular=2E  A=
re
there other smaller-sized ones that are "plug and play" - ie , could
control Mobius with minimal "programming" =3F
-Qua

Original Message:
-----------------
From: Raul Bonell raul=2Ebonell@gmail=2Ecom
Date: Mon, 15 Oct 2007 23:12:37 +0200
To: Loopers-Delight@loopers-delight=2Ecom
Subject: Re:

=2E=2E=2Emobius can be as simple as the simplest looper
in world if you just use its basic functions=2E

try it,

www=2Ezonemobius=2Ecom

raul=2E



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From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 02:08:18 2007
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Date: Mon, 15 Oct 2007 19:08:16 -0700
From: "Matt Davignon" <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Drum Machine emergency
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Niall Munnelly was like:
> What drum machine did you acquire, I ask you?

The old drum machine was a Boss DR-660. The new one is a DR-770.

The advantages are
--I can build more drum kits in the new one. 128 total instead of 36.
--The drum samples are more hi-fi. (Actually, I'm not sure if that's a
real advantage for what I do.) The cymbal/hi-hat sounds are much more
realistic.
--New sounds like tabla and gongs.
--4 different 'bass' sounds, if that's what you're into.

Downsides:
--some of the useful subtle samples like 'finger snaps' are replaced
by silly ones like "tape rewind" and "bel biv davoe horn stab",
--The "play patterns" button is right next to the drumroll button. So
if i'm slighty clumsy it will change the drumkit and start playing
cheesy rhythms rather than giving me the drumroll sound I want.
--My favorite sound, the TR-808 tom "boop" sound, doesn't have as long
of a decay as it used to.

I don't think I can ever upgrade to the snazzy DR-880 because it
doesn't appear to have a drumroll button.

In other news, there's a new mp3 "fly in mouth" on my myspace page.
www.myspace.com/mattdavignon. That's with the old drum machine. I have
to figure out my new Edirol R-09 recorder before I post any newer
ones.

Looking forward to meeting many of you (for the first time or again)
at Y2k7 this weekend. I'm petsitting this weekend so I won't be able
to stay as long as normal.

Matt Davignon
www.ribosomemusic.com

From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 02:19:43 2007
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Date: Mon, 15 Oct 2007 19:19:42 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Drum Machine emergency
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i also owned the dr-660 i thought it was a fantastic
little drum machine and ive heard the dr 770 which
sounds good as well,too bad they didnt put a track
mute option on this one!
cheers
Luis


--- Matt Davignon <mattdavignon@gmail.com> wrote:

> Niall Munnelly was like:
> > What drum machine did you acquire, I ask you?
> 
> The old drum machine was a Boss DR-660. The new one
> is a DR-770.
> 
> The advantages are
> --I can build more drum kits in the new one. 128
> total instead of 36.
> --The drum samples are more hi-fi. (Actually, I'm
> not sure if that's a
> real advantage for what I do.) The cymbal/hi-hat
> sounds are much more
> realistic.
> --New sounds like tabla and gongs.
> --4 different 'bass' sounds, if that's what you're
> into.
> 
> Downsides:
> --some of the useful subtle samples like 'finger
> snaps' are replaced
> by silly ones like "tape rewind" and "bel biv davoe
> horn stab",
> --The "play patterns" button is right next to the
> drumroll button. So
> if i'm slighty clumsy it will change the drumkit and
> start playing
> cheesy rhythms rather than giving me the drumroll
> sound I want.
> --My favorite sound, the TR-808 tom "boop" sound,
> doesn't have as long
> of a decay as it used to.
> 
> I don't think I can ever upgrade to the snazzy
> DR-880 because it
> doesn't appear to have a drumroll button.
> 
> In other news, there's a new mp3 "fly in mouth" on
> my myspace page.
> www.myspace.com/mattdavignon. That's with the old
> drum machine. I have
> to figure out my new Edirol R-09 recorder before I
> post any newer
> ones.
> 
> Looking forward to meeting many of you (for the
> first time or again)
> at Y2k7 this weekend. I'm petsitting this weekend so
> I won't be able
> to stay as long as normal.
> 
> Matt Davignon
> www.ribosomemusic.com
> 
> 


www.myspace.com/luisangulocom


       
____________________________________________________________________________________
Building a website is a piece of cake. Yahoo! Small Business gives you all the tools to get online.
http://smallbusiness.yahoo.com/webhosting 

From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 03:15:02 2007
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Date: Tue, 16 Oct 2007 05:14:59 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Subject: Re: simple mobius foot control
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------=_Part_25761_30251291.1192504499055
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MIDI Moose

handicap would be its price,
since it's expensive for what it does. no exp pedal.
at least here in europe... about 200 euros
.. 260-280 USD.

R.

2007/10/16, qua@oregon.com <qua@oregon.com>:
>
> Ah!   thanks!
>
> Original Message:
> -----------------
> From: Krispen Hartung khartung@cableone.net
> Date: Mon, 15 Oct 2007 16:31:35 -0600
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: simple mobius foot control
>
>
> MIDI Moose. Small, battery powered, no programming necessary....just plug
> into your computer's MIDI interface, open Mobius, go to the MIDI
> assignment
> section, check MIDI Learn (or whatever Jeff calls it), and start pressing
> the buttons you want for each function. I programmed my MIDI Moose with
> Mobius for street gigs in about 60 seconds.
>
> Kris
>
>
>
> Hi,   What is recommended as basic foot controller for mobius or other
> midi-controllable loopers.  I assume the FCB, since its so popular.  Are
> there other smaller-sized ones that are "plug and play" - ie , could
> control Mobius with minimal "programming" ?
> -Qua
>
> Original Message:
> -----------------
> From: Raul Bonell raul.bonell@gmail.com
> Date: Mon, 15 Oct 2007 23:12:37 +0200
> To: Loopers-Delight@loopers-delight.com
> Subject: Re:
>
> ...mobius can be as simple as the simplest looper
> in world if you just use its basic functions.
>
> try it,
>
> www.zonemobius.com
>
> raul.
>
>
>
> --------------------------------------------------------------------
> mail2web.com - Microsoft(r) Exchange solutions from a leading provider -
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>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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MIDI Moose<br><br>handicap would be its price,<br>since it&#39;s expensive for what it does. no exp pedal.<br>at least here in europe... about 200 euros<br>.. 260-280 USD.<br><br>R.<br><br><div><span class="gmail_quote">2007/10/16, 
<a href="mailto:qua@oregon.com">qua@oregon.com</a> &lt;<a href="mailto:qua@oregon.com">qua@oregon.com</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Ah!&nbsp;&nbsp; thanks!<br><br>Original Message:<br>-----------------<br>From: Krispen Hartung <a href="mailto:khartung@cableone.net">khartung@cableone.net</a><br>Date: Mon, 15 Oct 2007 16:31:35 -0600<br>To: <a href="mailto:Loopers-Delight@loopers-delight.com">
Loopers-Delight@loopers-delight.com</a><br>Subject: Re: simple mobius foot control<br><br><br>MIDI Moose. Small, battery powered, no programming necessary....just plug<br>into your computer&#39;s MIDI interface, open Mobius, go to the MIDI assignment
<br>section, check MIDI Learn (or whatever Jeff calls it), and start pressing<br>the buttons you want for each function. I programmed my MIDI Moose with<br>Mobius for street gigs in about 60 seconds.<br><br>Kris<br><br><br>
<br>Hi,&nbsp;&nbsp; What is recommended as basic foot controller for mobius or other<br>midi-controllable loopers.&nbsp;&nbsp;I assume the FCB, since its so popular.&nbsp;&nbsp;Are<br>there other smaller-sized ones that are &quot;plug and play&quot; - ie , could
<br>control Mobius with minimal &quot;programming&quot; ?<br>-Qua<br><br>Original Message:<br>-----------------<br>From: Raul Bonell <a href="mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a><br>Date: Mon, 15 Oct 2007 23:12:37 +0200
<br>To: <a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>Subject: Re:<br><br>...mobius can be as simple as the simplest looper<br>in world if you just use its basic functions.
<br><br>try it,<br><br><a href="http://www.zonemobius.com">www.zonemobius.com</a><br><br>raul.<br><br><br><br>--------------------------------------------------------------------<br><a href="http://mail2web.com">mail2web.com
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http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra
</a>

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Mobius is fantastic and we have Jeff Larson (its creator) here in LD.
If I can be of any help on Mobius basic operation, don't hesitate to ask.

Thanks,
R.

2007/10/16, Lorenzo Orlandini <weaviestonder@hotmail.it>:
>
> Thanks Raul,
>
> I downloaded Mobius and I am going to try it out ASAP.
> I will wait till the others get back from Cali so I can get more info.
> Thanks for now, you have been very helpful.
>
> Lorenzo
>
>
>
> ------------------------------
> Date: Mon, 15 Oct 2007 23:12:37 +0200
> From: raul.bonell@gmail.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re:
>
>
>
> 2007/10/15, Lorenzo Orlandini <weaviestonder@hotmail.it>:
>
>
>
> My questions are:
>
> 1. does it sound like a good plan?
>
>
> why not?
>
> 2. what software do you recommend for live, real time looping?
>
>
> mobius for win. (not into mac world... by now! )
>
>  I think something simple would be best because i am not very familiar
> with MIDI technology and it will have to be controlled via midi
> footcontroller. the software will be clearly midi synched to fruity loops.
>
>
> you'll need a host (sequencer,modular, whatever...) to pass fruities clock
> to mobius/vst
> (if working within the same computer)....
>
> not an expert as you requested, but hope this helps a bit while our
> masters of loopage knowledge
> travel to california to eschange more loopage knowledge.... ;-)
>
>
> mobius can be as simple as the simplest looper
> in world if you just use its basic functions.
>
> try it,
>
> www.zonemobius.com
>
> raul.
>
>
> --
> The Playing Orchestra: http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com
> TPO at myspace: http://www.myspace.com/theplayingorchestra
>
>
> ------------------------------
> Le emoticon compiono 25 anni!...e Messenger te le ragala! 25mo
> anniversario delle emoticon<http://www.emoticons-livemessenger.com/pages/msnit25anniemoticon>
>



-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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Mobius is fantastic and we have Jeff Larson (its creator) here in LD.<br>If I can be of any help on Mobius basic operation, don&#39;t hesitate to ask.<br><br>Thanks,<br>R.<br><br><div><span class="gmail_quote">2007/10/16, Lorenzo Orlandini &lt;
<a href="mailto:weaviestonder@hotmail.it">weaviestonder@hotmail.it</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">



<div><div style="text-align: left;">Thanks Raul, <br><br>I downloaded Mobius and I am going to try it out ASAP. <br>I will wait till the others get back from Cali so I can get more info. Thanks for now, you have been very helpful. 
<br><br>Lorenzo<br></div><br><br><br><blockquote><hr>Date: Mon, 15 Oct 2007 23:12:37 +0200<br>From: <a href="mailto:raul.bonell@gmail.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">raul.bonell@gmail.com
</a><br>To: <a href="mailto:Loopers-Delight@loopers-delight.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">Loopers-Delight@loopers-delight.com</a><br>Subject: Re:<div><span class="e" id="q_115a5d541b0bf393_1">
<br><br><br><br><div><span>2007/10/15, Lorenzo Orlandini &lt;<a href="mailto:weaviestonder@hotmail.it" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">weaviestonder@hotmail.it</a>&gt;:</span><blockquote style="padding-left: 1ex;">





<div><div style="text-align: left;"><br><br>My questions are: <br><br>1. does it sound like a good plan? </div></div></blockquote><div><br>why not? <br></div><br><blockquote style="padding-left: 1ex;">
<div><div style="text-align: left;">2. what software do you recommend for live, real time looping?</div></div></blockquote><div><br>mobius for win. (not into mac world... by now! ) <br></div><br><blockquote style="padding-left: 1ex;">

<div><div style="text-align: left;"> I think something simple would be best because i am not very familiar with MIDI technology and it will have to be controlled via midi footcontroller. the software will be clearly midi synched to fruity loops. 
<br></div></div></blockquote><div><br>you&#39;ll need a host (sequencer,modular, whatever...) to pass fruities clock to mobius/vst<br>(if working within the same computer)....<br><br>not an expert as you requested, but hope this helps a bit while our masters of loopage knowledge
<br>travel to california to eschange more loopage knowledge.... ;-)<br><br></div><br><div>mobius can be as simple as the simplest looper <br>in world if you just use its basic functions.<br><br>try it,<br><br><a href="http://www.zonemobius.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">

www.zonemobius.com</a><br></div></div><br>raul.<br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.telefonica.net/web2/tpo
</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.myspace.com/theplayingorchestra</a>

</span></div></blockquote><br><hr>Le emoticon compiono 25 anni!...e Messenger te le ragala! <a href="http://www.emoticons-livemessenger.com/pages/msnit25anniemoticon" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
25mo anniversario delle emoticon</a></div>
</blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">
http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>

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From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 07:30:39 2007
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To: Loopers-Delight@loopers-delight.com
Subject: Re: simple mobius foot control
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another handicap 
(guessing from the available info)
is the lack of functionality.

A lot of what Mobius can do will be unavailable, or
more awkward to access.

andy butler




Raul Bonell wrote:
> MIDI Moose
> 
> handicap would be its price,
> since it's expensive for what it does. no exp pedal.
> at least here in europe... about 200 euros
> .. 260-280 USD.
> 
> R.
> 
> 2007/10/16, qua@oregon.com <mailto:qua@oregon.com> <qua@oregon.com 
> <mailto:qua@oregon.com>>:
> 
>     Ah!   thanks!
> 
>     Original Message:
>     -----------------
>     From: Krispen Hartung khartung@cableone.net
>     <mailto:khartung@cableone.net>
>     Date: Mon, 15 Oct 2007 16:31:35 -0600
>     To: Loopers-Delight@loopers-delight.com
>     <mailto:Loopers-Delight@loopers-delight.com>
>     Subject: Re: simple mobius foot control
> 
> 
>     MIDI Moose. Small, battery powered, no programming necessary....just
>     plug
>     into your computer's MIDI interface, open Mobius, go to the MIDI
>     assignment
>     section, check MIDI Learn (or whatever Jeff calls it), and start
>     pressing
>     the buttons you want for each function. I programmed my MIDI Moose with
>     Mobius for street gigs in about 60 seconds.
> 
>     Kris
> 
> 
> 
>     Hi,   What is recommended as basic foot controller for mobius or other
>     midi-controllable loopers.  I assume the FCB, since its so popular.  Are
>     there other smaller-sized ones that are "plug and play" - ie , could
>     control Mobius with minimal "programming" ?
>     -Qua
> 
>     Original Message:
>     -----------------
>     From: Raul Bonell raul.bonell@gmail.com <mailto:raul.bonell@gmail.com>
>     Date: Mon, 15 Oct 2007 23:12:37 +0200
>     To: Loopers-Delight@loopers-delight.com
>     <mailto:Loopers-Delight@loopers-delight.com>
>     Subject: Re:
> 
>     ...mobius can be as simple as the simplest looper
>     in world if you just use its basic functions.
> 
>     try it,
> 
>     www.zonemobius.com <http://www.zonemobius.com>
> 
>     raul.
> 
> 
> 
>     --------------------------------------------------------------------
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> 
> 
> 
> -- 
> The Playing Orchestra: http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com
> TPO at myspace: http://www.myspace.com/theplayingorchestra 
> <http://www.myspace.com/theplayingorchestra>

From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 11:35:00 2007
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Date: Tue, 16 Oct 2007 13:28:54 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Subject: vista
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hi there!

i was wondering how our favorite apps like Mobius,
Live, Bidule, MAX/MSP, etc..are doing with Vista.

has anybody some experience with laptops about
this matter? is it the drivers' unstability problem again?

does somebody found a stable combo solution win based laptop-interface?

the pitty is that most laptop manufacturers are selling
the units with vista intalled & if you change to xp you
loose guaranty. maybe it's possible to re-install vista
and you are again protected.

i supose is not so difficult to install xp and find the drivers
needed to control the internal devices of a new win based
laptop, isn't? any advice?


... uff

thanx,
raul.

-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

------=_Part_27667_27108537.1192534134632
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hi there!<br><br>i was wondering how our favorite apps like Mobius,<br>Live, Bidule, MAX/MSP, etc..are doing with Vista.<br><br>has anybody some experience with laptops about<br>this matter? is it the drivers&#39; unstability problem again?
<br><br>does somebody found a stable combo solution win based laptop-interface?<br><br>the pitty is that most laptop manufacturers are selling<br>the units with vista intalled &amp; if you change to xp you<br>loose guaranty. maybe it&#39;s possible to re-install vista
<br>and you are again protected.<br><br>i supose is not so difficult to install xp and find the drivers<br>needed to control the internal devices of a new win based<br>laptop, isn&#39;t? any advice?<br><br><br>... uff<br>
<br>thanx,<br>raul.<br><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com
</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>

------=_Part_27667_27108537.1192534134632--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 13:24:50 2007
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Raul Bonell wrote:
> hi there!
> 
> i was wondering how our favorite apps like Mobius,
> Live, Bidule, MAX/MSP, etc..are doing with Vista.
> 
> has anybody some experience with laptops about
> this matter? is it the drivers' unstability problem again?

Can't say as I'm a Mac workstation and Linux server guy.
The rec.audio.pro newsgroup resently had a few threads about driver and 
DRM issues on Vista.
Just about noone would even consider using Vista until the first service 
pack hs been released, and many/most were reluctant even so, expecting 
to stick with XP 'while supply lasts' and then merge to Mac.


> the pitty is that most laptop manufacturers are selling
> the units with vista intalled & if you change to xp you
> loose guaranty. maybe it's possible to re-install vista
> and you are again protected.

Really? Are you saying loosing _hardware_ warranty for using another M$?
Here in DK it was settled by court that customers aren't forced to use a 
specific OS, hence any hardware is fully warrented according to consumer 
rights acts.  Whether the seller will/can help when using i.e. Linux is 
another issue ;), but s far as M$'s (i.e. XP) goes, they'll comply..

-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 16:04:04 2007
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> --My favorite sound, the TR-808 tom "boop" sound, doesn't have as long
> of a decay as it used to.

Can't you adjust the decay in the settings of the individual sounds?  I
think that's one of the programming options (I have this box but haven't
done much with it, one can only program so many boxes).

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org

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> --My favorite sound, the TR-808 tom "boop" sound, doesn't have as long
> of a decay as it used to.

Can't you adjust the decay in the settings of the individual sounds?  I
think that's one of the programming options (I have this box but haven't
done much with it, one can only program so many boxes).

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 17:01:22 2007
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Date: Tue, 16 Oct 2007 19:01:20 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Subject: Re: vista
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hey thanks van for your help...
2007/10/16, van Sinn <vansinn@post.cybercity.dk>:
>
> Raul Bonell wrote:
> > hi there!
> >
> > i was wondering how our favorite apps like Mobius,
> > Live, Bidule, MAX/MSP, etc..are doing with Vista.
> >
> > has anybody some experience with laptops about
> > this matter? is it the drivers' unstability problem again?
>
> Can't say as I'm a Mac workstation and Linux server guy.
> The rec.audio.pro newsgroup resently had a few threads about driver and
> DRM issues on Vista.


thx. will check tonight and see what to summarize ...


Just about noone would even consider using Vista until the first service
> pack hs been released, and many/most were reluctant even so, expecting
> to stick with XP 'while supply lasts' and then merge to Mac.


just price.

> the pitty is that most laptop manufacturers are selling
> > the units with vista intalled & if you change to xp you
> > loose guaranty. maybe it's possible to re-install vista
> > and you are again protected.
>
> Really? Are you saying loosing _hardware_ warranty for using another M$?
> Here in DK it was settled by court that customers aren't forced to use a
> specific OS, hence any hardware is fully warrented according to consumer
> rights acts.  Whether the seller will/can help when using i.e. Linux is
> another issue ;), but s far as M$'s (i.e. XP) goes, they'll comply..


oh. remember, this is spain. sunny people everywhere!
yes. these guys are telling that to the customers,
though maybe this is ilegal here too.

cheers,
ra=FCl.

> --
> rgds,
> van Sinn
>
>


--=20
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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hey thanks van for your help...<br><div><span class=3D"gmail_quote">2007/10=
/16, van Sinn &lt;<a href=3D"mailto:vansinn@post.cybercity.dk">vansinn@post=
.cybercity.dk</a>&gt;:</span><blockquote class=3D"gmail_quote" style=3D"bor=
der-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-=
left: 1ex;">
Raul Bonell wrote:<br>&gt; hi there!<br>&gt;<br>&gt; i was wondering how ou=
r favorite apps like Mobius,<br>&gt; Live, Bidule, MAX/MSP, etc..are doing =
with Vista.<br>&gt;<br>&gt; has anybody some experience with laptops about
<br>&gt; this matter? is it the drivers&#39; unstability problem again?<br>=
<br>Can&#39;t say as I&#39;m a Mac workstation and Linux server guy.<br>The=
 <a href=3D"http://rec.audio.pro">rec.audio.pro</a> newsgroup resently had =
a few threads about driver and
<br>DRM issues on Vista.</blockquote><div><br>thx. will check tonight and s=
ee what to summarize ...<br>&nbsp;</div><br><blockquote class=3D"gmail_quot=
e" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;">
Just about noone would even consider using Vista until the first service<br=
>pack hs been released, and many/most were reluctant even so, expecting<br>=
to stick with XP &#39;while supply lasts&#39; and then merge to Mac.</block=
quote>
<div><br>just price. &nbsp;</div><br><blockquote class=3D"gmail_quote" styl=
e=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; =
padding-left: 1ex;">&gt; the pitty is that most laptop manufacturers are se=
lling
<br>&gt; the units with vista intalled &amp; if you change to xp you<br>&gt=
; loose guaranty. maybe it&#39;s possible to re-install vista<br>&gt; and y=
ou are again protected.<br><br>Really? Are you saying loosing _hardware_ wa=
rranty for using another M$?
<br>Here in DK it was settled by court that customers aren&#39;t forced to =
use a<br>specific OS, hence any hardware is fully warrented according to co=
nsumer<br>rights acts.&nbsp;&nbsp;Whether the seller will/can help when usi=
ng i.e
. Linux is<br>another issue ;), but s far as M$&#39;s (i.e. XP) goes, they&=
#39;ll comply..</blockquote><div><br>oh. remember, this is spain. sunny peo=
ple everywhere!<br>yes. these guys are telling that to the customers,<br>
though maybe this is ilegal here too.<br></div><br>cheers,<br>ra=FCl.<br><b=
lockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 20=
4, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">--<br>rgds,<br>van =
Sinn
<br><br></blockquote></div><br><br clear=3D"all"><br>-- <br>The Playing Orc=
hestra: <a href=3D"http://www.telefonica.net/web2/tpo">http://www.telefonic=
a.net/web2/tpo</a><br>Chain Tape Collective: <a href=3D"http://www.ct-colle=
ctive.com">
http://www.ct-collective.com</a><br>TPO at myspace: <a href=3D"http://www.m=
yspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra<=
/a>

------=_Part_29369_10295965.1192554080668--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 17:15:01 2007
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Subject: Re: vista
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From: "van Sinn" <vansinn@post.cybercity.dk> :
>
>> the pitty is that most laptop manufacturers are selling
>> the units with vista intalled & if you change to xp you
>> loose guaranty. maybe it's possible to re-install vista
>> and you are again protected.

I still swear by (and not AT) my HP laptop, gotten one year ago - which came 
with XP Media Center onboard.  In June I was sent a voucher/coupon for a 
free upgrade to Vista Pro, which I'm going to take advantage of just for the 
fun of it.

> Really? Are you saying loosing _hardware_ warranty for using another M$?
> Here in DK it was settled by court that customers aren't forced to use a 
> specific OS, hence any hardware is fully warrented according to consumer 
> rights acts.  Whether the seller will/can help when using i.e. Linux is 
> another issue ;), but s far as M$'s (i.e. XP) goes, they'll comply..

Perhaps not as fear-and-loathing infested as one might be persuaded to 
suspect by the pseudo-fascist EU... A look at HP's UK site shows quite a lot 
of laptops coming with XP installed.  Where's the beef, hm?

http://tinyurl.com/yo6hr6

Stephen Goodman
*
* Cartoons about DVDs and Stuff
* http://www.earthlight.net/HiddenTrack
* The Loop Of The Week since 1996!
* http://www.earthlight.net/Studios 

From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 18:16:26 2007
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From: "Krispen Hartung" <khartung@cableone.net>
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References: <380-2200710115232653135@M2W007.mail2web.com> <afb941d0710152014p4130be48n364460ae987d40d@mail.gmail.com>
Subject: Re: simple mobius foot control
Date: Tue, 16 Oct 2007 12:16:22 -0600
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260? Where did you get that price in USD? Rippoff.com?  I got mine for =
$180. It's at this price all over the internet.

http://www.sweetwater.com/store/detail/MIDIMoose

Kris


  MIDI Moose

  handicap would be its price,
  since it's expensive for what it does. no exp pedal.
  at least here in europe... about 200 euros
  .. 260-280 USD.

  R.


  2007/10/16, qua@oregon.com <qua@oregon.com>:
    Ah!   thanks!

    Original Message:
    -----------------
    From: Krispen Hartung khartung@cableone.net
    Date: Mon, 15 Oct 2007 16:31:35 -0600
    To: Loopers-Delight@loopers-delight.com
    Subject: Re: simple mobius foot control


    MIDI Moose. Small, battery powered, no programming necessary....just =
plug
    into your computer's MIDI interface, open Mobius, go to the MIDI =
assignment=20
    section, check MIDI Learn (or whatever Jeff calls it), and start =
pressing
    the buttons you want for each function. I programmed my MIDI Moose =
with
    Mobius for street gigs in about 60 seconds.

    Kris



    Hi,   What is recommended as basic foot controller for mobius or =
other
    midi-controllable loopers.  I assume the FCB, since its so popular.  =
Are
    there other smaller-sized ones that are "plug and play" - ie , could =

    control Mobius with minimal "programming" ?
    -Qua

    Original Message:
    -----------------
    From: Raul Bonell raul.bonell@gmail.com
    Date: Mon, 15 Oct 2007 23:12:37 +0200=20
    To: Loopers-Delight@loopers-delight.com
    Subject: Re:

    ...mobius can be as simple as the simplest looper
    in world if you just use its basic functions.=20

    try it,

    www.zonemobius.com

    raul.



    --------------------------------------------------------------------
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  --=20
  The Playing Orchestra: http://www.telefonica.net/web2/tpo
  Chain Tape Collective: http://www.ct-collective.com
  TPO at myspace: http://www.myspace.com/theplayingorchestra 
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>260? Where did you get that price in =
USD?=20
Rippoff.com? &nbsp;I got mine for $180. It's at this price all over the=20
internet.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.sweetwater.com/store/detail/MIDIMoose">http://www.swee=
twater.com/store/detail/MIDIMoose</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>MIDI Moose<BR><BR>handicap =
would be=20
  its price,<BR>since it's expensive for what it does. no exp =
pedal.<BR>at least=20
  here in europe... about 200 euros<BR>.. 260-280 USD.<BR><BR>R.<BR><BR>
  <DIV><SPAN class=3Dgmail_quote>2007/10/16, <A=20
  href=3D"mailto:qua@oregon.com">qua@oregon.com</A> &lt;<A=20
  href=3D"mailto:qua@oregon.com">qua@oregon.com</A>&gt;:</SPAN>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Ah!&nbsp;&nbsp;=20
    thanks!<BR><BR>Original Message:<BR>-----------------<BR>From: =
Krispen=20
    Hartung <A=20
    =
href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A><BR>Date: =
Mon,=20
    15 Oct 2007 16:31:35 -0600<BR>To: <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>Subject:=20
    Re: simple mobius foot control<BR><BR><BR>MIDI Moose. Small, battery =

    powered, no programming necessary....just plug<BR>into your =
computer's MIDI=20
    interface, open Mobius, go to the MIDI assignment <BR>section, check =
MIDI=20
    Learn (or whatever Jeff calls it), and start pressing<BR>the buttons =
you=20
    want for each function. I programmed my MIDI Moose with<BR>Mobius =
for street=20
    gigs in about 60 seconds.<BR><BR>Kris<BR><BR><BR><BR>Hi,&nbsp;&nbsp; =
What is=20
    recommended as basic foot controller for mobius or=20
    other<BR>midi-controllable loopers.&nbsp;&nbsp;I assume the FCB, =
since its=20
    so popular.&nbsp;&nbsp;Are<BR>there other smaller-sized ones that =
are "plug=20
    and play" - ie , could <BR>control Mobius with minimal "programming" =

    ?<BR>-Qua<BR><BR>Original Message:<BR>-----------------<BR>From: =
Raul Bonell=20
    <A =
href=3D"mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</A><BR>Date: =

    Mon, 15 Oct 2007 23:12:37 +0200 <BR>To: <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>Subject:=20
    Re:<BR><BR>...mobius can be as simple as the simplest looper<BR>in =
world if=20
    you just use its basic functions. <BR><BR>try it,<BR><BR><A=20
    =
href=3D"http://www.zonemobius.com">www.zonemobius.com</A><BR><BR>raul.<BR=
><BR><BR><BR>------------------------------------------------------------=
--------<BR><A=20
    href=3D"http://mail2web.com">mail2web.com </A>- Microsoft=AE =
Exchange solutions=20
    from a leading provider -<BR><A=20
    =
href=3D"http://link.mail2web.com/Business/Exchange">http://link.mail2web.=
com/Business/Exchange</A><BR><BR><BR><BR><BR>----------------------------=
----------------------------------------=20
    <BR>mail2web - Check your email from the web at<BR><A=20
    =
href=3D"http://link.mail2web.com/mail2web">http://link.mail2web.com/mail2=
web</A><BR><BR><BR></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>The Playing Orchestra: <A=20
  =
href=3D"http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web=
2/tpo</A><BR>Chain=20
  Tape Collective: <A=20
  =
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</A><BR=
>TPO at=20
  myspace: <A=20
  =
href=3D"http://www.myspace.com/theplayingorchestra">http://www.myspace.co=
m/theplayingorchestra=20
  </A></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 18:19:00 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <380-2200710115232653135@M2W007.mail2web.com> <afb941d0710152014p4130be48n364460ae987d40d@mail.gmail.com> <471468AC.9000105@tiscali.co.uk>
Subject: Re: simple mobius foot control
Date: Tue, 16 Oct 2007 12:18:57 -0600
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Well, he did ask for something that is basic and with minimal programming 
necessary.
I addressed the actual question he posed.

Kris

> another handicap (guessing from the available info)
> is the lack of functionality.
>
> A lot of what Mobius can do will be unavailable, or
> more awkward to access.
>
> andy butler
>
>
>
>
> Raul Bonell wrote:
>> MIDI Moose
>>
>> handicap would be its price,
>> since it's expensive for what it does. no exp pedal.
>> at least here in europe... about 200 euros
>> .. 260-280 USD.
>>
>> R.
>>
>> 2007/10/16, qua@oregon.com <mailto:qua@oregon.com> <qua@oregon.com 
>> <mailto:qua@oregon.com>>:
>>
>>     Ah!   thanks!
>>
>>     Original Message:
>>     -----------------
>>     From: Krispen Hartung khartung@cableone.net
>>     <mailto:khartung@cableone.net>
>>     Date: Mon, 15 Oct 2007 16:31:35 -0600
>>     To: Loopers-Delight@loopers-delight.com
>>     <mailto:Loopers-Delight@loopers-delight.com>
>>     Subject: Re: simple mobius foot control
>>
>>
>>     MIDI Moose. Small, battery powered, no programming necessary....just
>>     plug
>>     into your computer's MIDI interface, open Mobius, go to the MIDI
>>     assignment
>>     section, check MIDI Learn (or whatever Jeff calls it), and start
>>     pressing
>>     the buttons you want for each function. I programmed my MIDI Moose 
>> with
>>     Mobius for street gigs in about 60 seconds.
>>
>>     Kris
>>
>>
>>
>>     Hi,   What is recommended as basic foot controller for mobius or 
>> other
>>     midi-controllable loopers.  I assume the FCB, since its so popular. 
>> Are
>>     there other smaller-sized ones that are "plug and play" - ie , could
>>     control Mobius with minimal "programming" ?
>>     -Qua
>>
>>     Original Message:
>>     -----------------
>>     From: Raul Bonell raul.bonell@gmail.com 
>> <mailto:raul.bonell@gmail.com>
>>     Date: Mon, 15 Oct 2007 23:12:37 +0200
>>     To: Loopers-Delight@loopers-delight.com
>>     <mailto:Loopers-Delight@loopers-delight.com>
>>     Subject: Re:
>>
>>     ...mobius can be as simple as the simplest looper
>>     in world if you just use its basic functions.
>>
>>     try it,
>>
>>     www.zonemobius.com <http://www.zonemobius.com>
>>
>>     raul.
>>
>>
>>
>>     --------------------------------------------------------------------
>>     mail2web.com <http://mail2web.com> - Microsoft® Exchange solutions
>>     from a leading provider -
>>     http://link.mail2web.com/Business/Exchange
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>>     --------------------------------------------------------------------
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>>
>>
>>
>> -- 
>> The Playing Orchestra: http://www.telefonica.net/web2/tpo
>> Chain Tape Collective: http://www.ct-collective.com
>> TPO at myspace: http://www.myspace.com/theplayingorchestra 
>> <http://www.myspace.com/theplayingorchestra>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 19:56:29 2007
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Date: Tue, 16 Oct 2007 15:56:26 -0400
From: "todd reynolds" <toddreyn@gmail.com>
Reply-To: todd@toddreynolds.com
To: Loopers-Delight@loopers-delight.com
Subject: question regarding windows on mac... i'm stuck...
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a question to all you windows mavens... especially the one's who are using
windows on a mac partition...

I'm trying desperately to investigate mobius at this point...

I used boot camp to make a windows partition, had a wonderful time awhile
ago for about an hour...

now windows needs 'activation' to let me even log on, and it cannot find an
internet connection to do so.

since i can't get to the control panels to try to fix it, i'm stuck.

Can I lean on any of you for some advice here?

all best,

todd



-- 
http://www.toddreynolds.com                    |:
http://myspace.com/toddreynoldsmusic  |:
------------------------------------------------------|:
917.576.6166
todd@toddreynolds.com
toddreyn@gmail.com

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a question to all you windows mavens... especially the one&#39;s who are using windows on a mac partition... <br><br>I&#39;m trying desperately to investigate mobius at this point...&nbsp; <br><br>I used boot camp to make a windows partition, had a wonderful time awhile ago for about an hour...
<br><br>now windows needs &#39;activation&#39; to let me even log on, and it cannot find an internet connection to do so.<br><br>since i can&#39;t get to the control panels to try to fix it, i&#39;m stuck.<br><br>Can I lean on any of you for some advice here?
<br><br>all best,<br><br>todd<br><br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com">http://www.toddreynolds.com</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|:<br><a href="http://myspace.com/toddreynoldsmusic">http://myspace.com/toddreynoldsmusic
</a>&nbsp;&nbsp;|:<br>------------------------------------------------------|:<br>917.576.6166&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br><a href="mailto:todd@toddreynolds.com">todd@toddreynolds.com</a><br><a href="mailto:toddreyn@gmail.com">
toddreyn@gmail.com</a>

------=_Part_48356_14080832.1192564586509--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 20:20:24 2007
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From: Lorenzo Orlandini <weaviestonder@hotmail.it>
To: <loopers-delight@loopers-delight.com>
Subject: RE: simple mobius foot control
Date: Tue, 16 Oct 2007 22:20:17 +0200
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Well actually he is right. That is freaking ripoff, and yet the price is mu=
ch higher in Europe. I found one here in Italy for 220euro (USD 311.3) (!!!=
!)...Check it out yourself: http://www.mercatinomusicale.com/ann/ann.asp/ID=
A_674778/IDV_76/REF_Elenco/tech-21-midi-moose.htm

It's unbelievable.=20
I am not sure it is more convenient to buy one on ebay, since it is 180USD =
and you have to add shipping (the thing is pretty heavy I suppose) and taxe=
s. It'll probably be cheaper but not by much, I believe.=20

It happens all the time with American gear here. The most incredible thing =
was the e-bow: it is 140 (USD 198.1) euro in Italy while my girlfriend boug=
ht me one in New York City for just 80USD (EUR 56.54).=20

That is why everytime i surf the web and see American sites I start droolin=
g. Too bad shipping and taxes spoil the fun most of the times - luckily, no=
t always though . :)

L.

From: khartung@cableone.net
To: Loopers-Delight@loopers-delight.com
Subject: Re: simple mobius foot control
Date: Tue, 16 Oct 2007 12:16:22 -0600

=0A=
=0A=
=0A=
=0A=
=0A=
=0A=
=0A=
=0A=
=0A=
260? Where did you get that price in USD? =0A=
Rippoff.com?  I got mine for $180. It's at this price all over the =0A=
internet.=0A=
 =0A=
http://www.sweetwater.com/store/detail/MIDIMoose=0A=
 =0A=
Kris=0A=
 =0A=
=0A=
   MIDI Moose

handicap would be =0A=
  its price,
since it's expensive for what it does. no exp pedal.
at least =0A=
  here in europe... about 200 euros
.. 260-280 USD.

R.

=0A=
  2007/10/16, qua@oregon.com <qua@oregon.com>:=0A=
  Ah!   =0A=
    thanks!

Original Message:
-----------------
From: Krispen =0A=
    Hartung khartung@cableone.net
Date: Mon, =0A=
    15 Oct 2007 16:31:35 -0600
To: Loopers-Delight@loopers-delight.com
Subject: =0A=
    Re: simple mobius foot control


MIDI Moose. Small, battery =0A=
    powered, no programming necessary....just plug
into your computer's MIDI =0A=
    interface, open Mobius, go to the MIDI assignment=20
section, check MIDI =0A=
    Learn (or whatever Jeff calls it), and start pressing
the buttons you =0A=
    want for each function. I programmed my MIDI Moose with
Mobius for street =0A=
    gigs in about 60 seconds.

Kris



Hi,   What is =0A=
    recommended as basic foot controller for mobius or =0A=
    other
midi-controllable loopers.  I assume the FCB, since its =0A=
    so popular.  Are
there other smaller-sized ones that are "plug =0A=
    and play" - ie , could=20
control Mobius with minimal "programming" =0A=
    ?
-Qua

Original Message:
-----------------
From: Raul Bonell =0A=
    raul.bonell@gmail.com
Date: =0A=
    Mon, 15 Oct 2007 23:12:37 +0200=20
To: Loopers-Delight@loopers-delight.com
Subject: =0A=
    Re:

...mobius can be as simple as the simplest looper
in world if =0A=
    you just use its basic functions.=20

try it,

www.zonemobius.com

raul.



--------------------------------------------------------------------
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   =20
mail2web - Check your email from the web at
http://link.mail2web.com/mail2web




--=20
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain =0A=
  Tape Collective: http://www.ct-collective.com
TPO at =0A=
  myspace: http://www.myspace.com/theplayingorchestra =0A=
  =0A=

_________________________________________________________________
Scarica GRATIS le emoticon della tua squadra del cuore e il calendario di s=
erie A!
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</head>
<body class=3D'hmmessage'><div style=3D"text-align: left;">Well actually he=
 is right. That is freaking ripoff, and yet the price is much higher in Eur=
ope. I found one here in Italy for 220euro (USD 311.3) (!!!!)...Check it ou=
t yourself: http://www.mercatinomusicale.com/ann/ann.asp/IDA_674778/IDV_76/=
REF_Elenco/tech-21-midi-moose.htm<br><br>It's unbelievable. <br>I am not su=
re it is more convenient to buy one on ebay, since it is 180USD and you hav=
e to add shipping (the thing is pretty heavy I suppose) and taxes. It'll pr=
obably be cheaper but not by much, I believe. <br><br>It happens all the ti=
me with American gear here. The most incredible thing was the e-bow: it is =
140 (USD 198.1) euro in Italy while my girlfriend bought me one in New York=
 City for just 80USD (EUR 56.54). <br><br>That is why everytime i surf the =
web and see American sites I start drooling. Too bad shipping and taxes spo=
il the fun most of the times - luckily, not always though . :)<br></div><br=
>L.<br><br><blockquote><hr id=3D"EC_stopSpelling">From: khartung@cableone.n=
et<br>To: Loopers-Delight@loopers-delight.com<br>Subject: Re: simple mobius=
 foot control<br>Date: Tue, 16 Oct 2007 12:16:22 -0600<br><br>=0A=
=0A=
<meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dunicode">=
=0A=
<meta name=3D"Generator" content=3D"Microsoft SafeHTML">=0A=
=0A=
=0A=
<style>=0A=
</style>=0A=
=0A=
=0A=
<div><font face=3D"Arial" size=3D"2">260? Where did you get that price in U=
SD? =0A=
Rippoff.com? &nbsp;I got mine for $180. It's at this price all over the =0A=
internet.</font></div>=0A=
<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>=0A=
<div><font face=3D"Arial" size=3D"2"><a href=3D"http://www.sweetwater.com/s=
tore/detail/MIDIMoose" target=3D"_blank">http://www.sweetwater.com/store/de=
tail/MIDIMoose</a></font></div>=0A=
<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>=0A=
<div><font face=3D"Arial" size=3D"2">Kris</font></div>=0A=
<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>=0A=
<blockquote style=3D"border-left: 2px solid rgb(0, 0, 0); padding-right: 0p=
x; padding-left: 5px; margin-left: 5px; margin-right: 0px;">=0A=
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;">&nbsp;</div>MIDI Moose<br><br>handicap wo=
uld be =0A=
  its price,<br>since it's expensive for what it does. no exp pedal.<br>at =
least =0A=
  here in europe... about 200 euros<br>.. 260-280 USD.<br><br>R.<br><br>=0A=
  <div><span class=3D"EC_gmail_quote">2007/10/16, <a href=3D"mailto:qua@ore=
gon.com">qua@oregon.com</a> &lt;<a href=3D"mailto:qua@oregon.com">qua@orego=
n.com</a>&gt;:</span>=0A=
  <blockquote class=3D"EC_gmail_quote" style=3D"border-left: 1px solid rgb(=
204, 204, 204); padding-left: 1ex;">Ah!&nbsp;&nbsp; =0A=
    thanks!<br><br>Original Message:<br>-----------------<br>From: Krispen =
=0A=
    Hartung <a href=3D"mailto:khartung@cableone.net">khartung@cableone.net<=
/a><br>Date: Mon, =0A=
    15 Oct 2007 16:31:35 -0600<br>To: <a href=3D"mailto:Loopers-Delight@loo=
pers-delight.com">Loopers-Delight@loopers-delight.com</a><br>Subject: =0A=
    Re: simple mobius foot control<br><br><br>MIDI Moose. Small, battery =
=0A=
    powered, no programming necessary....just plug<br>into your computer's =
MIDI =0A=
    interface, open Mobius, go to the MIDI assignment <br>section, check MI=
DI =0A=
    Learn (or whatever Jeff calls it), and start pressing<br>the buttons yo=
u =0A=
    want for each function. I programmed my MIDI Moose with<br>Mobius for s=
treet =0A=
    gigs in about 60 seconds.<br><br>Kris<br><br><br><br>Hi,&nbsp;&nbsp; Wh=
at is =0A=
    recommended as basic foot controller for mobius or =0A=
    other<br>midi-controllable loopers.&nbsp;&nbsp;I assume the FCB, since =
its =0A=
    so popular.&nbsp;&nbsp;Are<br>there other smaller-sized ones that are "=
plug =0A=
    and play" - ie , could <br>control Mobius with minimal "programming" =
=0A=
    ?<br>-Qua<br><br>Original Message:<br>-----------------<br>From: Raul B=
onell =0A=
    <a href=3D"mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a><br>D=
ate: =0A=
    Mon, 15 Oct 2007 23:12:37 +0200 <br>To: <a href=3D"mailto:Loopers-Delig=
ht@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>Subject:=
 =0A=
    Re:<br><br>...mobius can be as simple as the simplest looper<br>in worl=
d if =0A=
    you just use its basic functions. <br><br>try it,<br><br><a href=3D"htt=
p://www.zonemobius.com" target=3D"_blank">www.zonemobius.com</a><br><br>rau=
l.<br><br><br><br>---------------------------------------------------------=
-----------<br><a href=3D"http://mail2web.com" target=3D"_blank">mail2web.c=
om </a>- Microsoft=AE Exchange solutions =0A=
    from a leading provider -<br><a href=3D"http://link.mail2web.com/Busine=
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a><br><br><br><br><br>-----------------------------------------------------=
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    <br>mail2web - Check your email from the web at<br><a href=3D"http://li=
nk.mail2web.com/mail2web" target=3D"_blank">http://link.mail2web.com/mail2w=
eb</a><br><br><br></blockquote></div><br><br clear=3D"all"><br>-- <br>The P=
laying Orchestra: <a href=3D"http://www.telefonica.net/web2/tpo" target=3D"=
_blank">http://www.telefonica.net/web2/tpo</a><br>Chain =0A=
  Tape Collective: <a href=3D"http://www.ct-collective.com" target=3D"_blan=
k">http://www.ct-collective.com</a><br>TPO at =0A=
  myspace: <a href=3D"http://www.myspace.com/theplayingorchestra" target=3D=
"_blank">http://www.myspace.com/theplayingorchestra =0A=
  </a></blockquote>=0A=
</blockquote><br /><hr />Con Windows Live Messenger condividi file senza li=
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<p><span class="style2">Hi friend !</span><br>
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--- Per Boysen wrote:

> > I'm the guy in red suit with red guitar.  

Funny how old video turns up to haunt us snazzy
dressers.

I'm the one with the Stratocaster...
<http://www.youtube.com/watch?v=x-FnUTixABY>

-t-

http://www.myspace.com/nimbletunes
http://cdbaby.com/all/timnelson
http://www.youtube.com/speleman62


      ____________________________________________________________________________________
Don't let your dream ride pass you by. Make it a reality with Yahoo! Autos.
http://autos.yahoo.com/index.html
 



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  <strong><span class="style3">If you'd like to see the rest of the message click -&gt; </span></strong><strong><span class="style3"><a
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From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 21:47:48 2007
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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: simple mobius foot control
Date: Tue, 16 Oct 2007 14:41:35 -0700
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On Oct 16, 2007, at 1:20 PM, Lorenzo Orlandini wrote:

> I found one here in Italy for 220euro (USD 311.3)


Here it is for 129.99 euros:
http://www.dv247.com/invt/37005/
and they have an education site source that is cheaper yet if you can  
claim an education exemption.


BobC



http://tinyurl.com/yt8f8j
http://www.youtube.com/tynego

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i simply converted the price at this link

http://www.thomann.de/es/tech_21_midi_moose.htm

but you can find it in other online shops at similar prices.

raul.


2007/10/16, Krispen Hartung <khartung@cableone.net>:
>
>  260? Where did you get that price in USD? Rippoff.com?  I got mine for
> $180. It's at this price all over the internet.
>
> http://www.sweetwater.com/store/detail/MIDIMoose
>
> Kris
>
>
>
> MIDI Moose
>
> handicap would be its price,
> since it's expensive for what it does. no exp pedal.
> at least here in europe... about 200 euros
> .. 260-280 USD.
>
> R.
>
> 2007/10/16, qua@oregon.com <qua@oregon.com>:
> >
> > Ah!   thanks!
> >
> > Original Message:
> > -----------------
> > From: Krispen Hartung khartung@cableone.net
> > Date: Mon, 15 Oct 2007 16:31:35 -0600
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: simple mobius foot control
> >
> >
> > MIDI Moose. Small, battery powered, no programming necessary....just
> > plug
> > into your computer's MIDI interface, open Mobius, go to the MIDI
> > assignment
> > section, check MIDI Learn (or whatever Jeff calls it), and start
> > pressing
> > the buttons you want for each function. I programmed my MIDI Moose with
> > Mobius for street gigs in about 60 seconds.
> >
> > Kris
> >
> >
> >
> > Hi,   What is recommended as basic foot controller for mobius or other
> > midi-controllable loopers.  I assume the FCB, since its so popular.  Are
> > there other smaller-sized ones that are "plug and play" - ie , could
> > control Mobius with minimal "programming" ?
> > -Qua
> >
> > Original Message:
> > -----------------
> > From: Raul Bonell raul.bonell@gmail.com
> > Date: Mon, 15 Oct 2007 23:12:37 +0200
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re:
> >
> > ...mobius can be as simple as the simplest looper
> > in world if you just use its basic functions.
> >
> > try it,
> >
> > www.zonemobius.com
> >
> > raul.
> >
> >
> >
> > --------------------------------------------------------------------
> > mail2web.com - Microsoft(r) Exchange solutions from a leading provider -
> > http://link.mail2web.com/Business/Exchange
> >
> >
> >
> >
> > --------------------------------------------------------------------
> > mail2web - Check your email from the web at
> > http://link.mail2web.com/mail2web
> >
> >
> >
>
>
> --
> The Playing Orchestra: http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com
> TPO at myspace: http://www.myspace.com/theplayingorchestra
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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i simply converted the price at this link<br><br><a href="http://www.thomann.de/es/tech_21_midi_moose.htm">http://www.thomann.de/es/tech_21_midi_moose.htm</a><br><br>but you can find it in other online shops at similar prices.
<br><br>raul.<br><br><br><div><span class="gmail_quote">2007/10/16, Krispen Hartung &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">






<div bgcolor="#ffffff">
<div><font face="Arial" size="2">260? Where did you get that price in USD? 
<a href="http://Rippoff.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">Rippoff.com</a>? &nbsp;I got mine for $180. It&#39;s at this price all over the 
internet.</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2"><a href="http://www.sweetwater.com/store/detail/MIDIMoose" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.sweetwater.com/store/detail/MIDIMoose</a></font>
</div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">Kris</font></div><div><span class="e" id="q_115aa0833fbcb60d_1">
<div><font face="Arial" size="2"></font>&nbsp;</div>
<blockquote style="border-left: 2px solid rgb(0, 0, 0); padding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
  <div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">&nbsp;</div>MIDI Moose<br><br>handicap would be 
  its price,<br>since it&#39;s expensive for what it does. no exp pedal.<br>at least 
  here in europe... about 200 euros<br>.. 260-280 USD.<br><br>R.<br><br>
  <div><span class="gmail_quote">2007/10/16, <a href="mailto:qua@oregon.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">qua@oregon.com</a> &lt;<a href="mailto:qua@oregon.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
qua@oregon.com</a>&gt;:</span>
  <blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Ah!&nbsp;&nbsp; 
    thanks!<br><br>Original Message:<br>-----------------<br>From: Krispen 
    Hartung <a href="mailto:khartung@cableone.net" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">khartung@cableone.net</a><br>Date: Mon, 
    15 Oct 2007 16:31:35 -0600<br>To: <a href="mailto:Loopers-Delight@loopers-delight.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">Loopers-Delight@loopers-delight.com</a><br>Subject: 
    Re: simple mobius foot control<br><br><br>MIDI Moose. Small, battery 
    powered, no programming necessary....just plug<br>into your computer&#39;s MIDI 
    interface, open Mobius, go to the MIDI assignment <br>section, check MIDI 
    Learn (or whatever Jeff calls it), and start pressing<br>the buttons you 
    want for each function. I programmed my MIDI Moose with<br>Mobius for street 
    gigs in about 60 seconds.<br><br>Kris<br><br><br><br>Hi,&nbsp;&nbsp; What is 
    recommended as basic foot controller for mobius or 
    other<br>midi-controllable loopers.&nbsp;&nbsp;I assume the FCB, since its 
    so popular.&nbsp;&nbsp;Are<br>there other smaller-sized ones that are &quot;plug 
    and play&quot; - ie , could <br>control Mobius with minimal &quot;programming&quot; 
    ?<br>-Qua<br><br>Original Message:<br>-----------------<br>From: Raul Bonell 
    <a href="mailto:raul.bonell@gmail.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">raul.bonell@gmail.com</a><br>Date: 
    Mon, 15 Oct 2007 23:12:37 +0200 <br>To: <a href="mailto:Loopers-Delight@loopers-delight.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">Loopers-Delight@loopers-delight.com</a><br>Subject: 
    Re:<br><br>...mobius can be as simple as the simplest looper<br>in world if 
    you just use its basic functions. <br><br>try it,<br><br><a href="http://www.zonemobius.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">www.zonemobius.com</a><br><br>raul.<br><br><br><br>--------------------------------------------------------------------
<br><a href="http://mail2web.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">mail2web.com </a>- Microsoft&reg; Exchange solutions 
    from a leading provider -<br><a href="http://link.mail2web.com/Business/Exchange" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://link.mail2web.com/Business/Exchange</a><br><br><br><br><br>
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</div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.telefonica.net/web2/tpo</a><br>Chain 
  Tape Collective: <a href="http://www.ct-collective.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.ct-collective.com</a><br>TPO at 
  myspace: <a href="http://www.myspace.com/theplayingorchestra" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.myspace.com/theplayingorchestra 
  </a></blockquote></span></div></div>
</blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">
http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>

------=_Part_30857_15203548.1192571814832--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 22:00:29 2007
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mistake her... it's in british pounds, not euros.
*129.99 British Pound(s) = 186.648 Euro(s)*
... similar high price.


> Here it is for 129.99 euros:
> http://www.dv247.com/invt/37005/
> and they have an education site source that is cheaper yet if you can
> claim an education exemption.
>
>
> BobC
>
>
>
> http://tinyurl.com/yt8f8j
> http://www.youtube.com/tynego
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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mistake her... it&#39;s in british pounds, not euros.<br><b>129.99 British Pound(s) = 186.648 Euro(s)</b>
											<br>... similar high price.<br><br><div><span class="gmail_quote"></span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>Here it is for 
129.99 euros:<br><a href="http://www.dv247.com/invt/37005/">http://www.dv247.com/invt/37005/</a><br>and they have an education site source that is cheaper yet if you can<br>claim an education exemption.<br><br><br>BobC<br>
<br><br><br><a href="http://tinyurl.com/yt8f8j">http://tinyurl.com/yt8f8j</a><br><a href="http://www.youtube.com/tynego">http://www.youtube.com/tynego</a><br><br></blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: 
<a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">
http://www.myspace.com/theplayingorchestra</a>

------=_Part_30873_30158497.1192572027170--

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On Oct 16, 2007, at 3:00 PM, Raul Bonell wrote:

> mistake her... it's in british pounds, not euros.
> 129.99 British Pound(s) = 186.648 Euro(s)
> ... similar high price.

  Gack, Sorry! missed that -- I think the *ex vat* at the end  
registered as *euro* in a retinal afterimage
:-)
here is the education site link fwiw
http://www.mveducation.com/invt/37005/

BobC

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From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 22:26:02 2007
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Date: Wed, 17 Oct 2007 00:25:58 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: simple mobius foot control
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	 <002301c81020$a912f950$b6b2ec0f@americas.hpqcorp.net>
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2007/10/17, RP Collier <skeptikalist@gmail.com>:  Gack, Sorry! missed that
-- I think the *ex vat* at the endregistered as *euro* in a retinal
afterimage:-)here is the education site link
fwiwhttp://www.mveducation.com/invt/37005/BobC


Better price at the new link...
*110.63 British Pound(s) = 158.692 Euro(s)*

... small, quite unique, but more expensive than famous fcb1010.

what about this... it seems a bit cheaper, but no much

http://www.thomann.de/es/roland_gfc50_midi_controller.htm

go to sleep guys... 0:25 here.... z ZZ z   zZ    z

-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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<br><br><div><span class="gmail_quote">2007/10/17, RP Collier &lt;<a href="mailto:skeptikalist@gmail.com">skeptikalist@gmail.com</a>&gt;:</span>&nbsp; Gack, Sorry! missed that -- I think the *ex vat* at the endregistered as *euro* in a retinal afterimage:-)here is the education site link fwiwhttp://www.mveducation.com/invt/37005/BobC
<br><br></div><br>Better price at the new link...<br><b>110.63 British Pound(s) = 158.692 Euro(s)</b>
											<br><br>... small, quite unique, but more expensive than famous fcb1010.<br><br>what about this... it seems a bit cheaper, but no much<br><br><a href="http://www.thomann.de/es/roland_gfc50_midi_controller.htm">
http://www.thomann.de/es/roland_gfc50_midi_controller.htm</a><br><br>go to sleep guys... 0:25 here.... z ZZ z&nbsp;&nbsp; zZ&nbsp;&nbsp;&nbsp; z<br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo
</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>


------=_Part_30993_4006351.1192573559010--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 16 23:18:32 2007
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Those are Great British pounds, so it's about 185 euro, plus shipping.=20

I think I will stick with my FCB1010 :)



> From: skeptikalist@gmail.com
> Subject: Re: simple mobius foot control
> Date: Tue, 16 Oct 2007 14:41:35 -0700
> To: Loopers-Delight@loopers-delight.com
>=20
>=20
> On Oct 16, 2007, at 1:20 PM, Lorenzo Orlandini wrote:
>=20
> > I found one here in Italy for 220euro (USD 311.3)
>=20
>=20
> Here it is for 129.99 euros:
> http://www.dv247.com/invt/37005/
> and they have an education site source that is cheaper yet if you can =20
> claim an education exemption.
>=20
>=20
> BobC
>=20
>=20
>=20
> http://tinyurl.com/yt8f8j
> http://www.youtube.com/tynego
>=20

_________________________________________________________________
Crea i tuoi biglietti da visita con Windows Live Messenger!
http://www.messenger.it/biglietti_da_visita.html=

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<body class=3D'hmmessage'><div style=3D"text-align: left;">Those are Great =
British pounds, so it's about 185 euro, plus shipping. <br><br>I think I wi=
ll stick with my FCB1010 :)<br></div><br><br><br><hr id=3D"stopSpelling">&g=
t; From: skeptikalist@gmail.com<br>&gt; Subject: Re: simple mobius foot con=
trol<br>&gt; Date: Tue, 16 Oct 2007 14:41:35 -0700<br>&gt; To: Loopers-Deli=
ght@loopers-delight.com<br>&gt; <br>&gt; <br>&gt; On Oct 16, 2007, at 1:20 =
PM, Lorenzo Orlandini wrote:<br>&gt; <br>&gt; &gt; I found one here in Ital=
y for 220euro (USD 311.3)<br>&gt; <br>&gt; <br>&gt; Here it is for 129.99 e=
uros:<br>&gt; http://www.dv247.com/invt/37005/<br>&gt; and they have an edu=
cation site source that is cheaper yet if you can  <br>&gt; claim an educat=
ion exemption.<br>&gt; <br>&gt; <br>&gt; BobC<br>&gt; <br>&gt; <br>&gt; <br=
>&gt; http://tinyurl.com/yt8f8j<br>&gt; http://www.youtube.com/tynego<br>&g=
t; <br><br /><hr />Sfida i tuoi amici in entusiasmanti sfide con i giochi d=
i Messenger! <a href=3D'http://messengergiochi.it.msn.com/' target=3D'_new'=
>Messenger Giochi</a></body>
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The UK National Lottery
Themes mead,=20
London, L70 1NL,=20
United Kingdom.
P.O Box 1010.=20

=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=
=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 From: The Office of the Online=
 Coordinator
=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=
=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=
=C2=A0=C2=A0Promotions/Prize Award Department
=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=
=A0=C2=A0=C2=A0=C2=A0 UK National Lottery Sweepstakes' International.=20

Dear Certified Beneficiary,
=C2=A0We wish to congratulate and inform you of the result of the just concl=
uded final draws (#1068) of the United Kingdom National Lottery Internationa=
l Online Sweepstakes program which is now available for claims. This online=20=
cyber lottery draws was conducted on an exclusive list of 67,000 e-mail addr=
esses of individual and corporate bodies picked from the internet by our E-g=
ames Random Selection System Search (ERSSS).=C2=A0 Of which your Email addre=
ss attached to Reference Number: UK/9420X2/68 was luckily selected during th=
e automated computer ballot draws as one of the 5 winners in the Match 5 plu=
s bonus category with the following winning information below:
=C2=A0
Batch Number: 074/05/ZY369
Reference Number: UK/9420X2/68

=C2=A0You have therefore been approved to claim a total sum of=C2=A0 =C2=A31=
,000,000 (One million pounds sterling) credited to file KTU/9023118308/03 as=
 this is from a total cash prize of =C2=A35,000,000 shared amongst the (5) l=
ucky winners in your winning category "Match 5 plus". Your prize award has b=
een insured with your e-mail address and will be remitted to you upon meetin=
g our requirements, statutory obligations, verifications, validations and sa=
tisfactory report.=C2=A0


=C2=A0We choose this method of winning notification to our certified winners=
 to promote the use of the Internet/e-mail and we have also associated every=
 e-mail address used in the draws with a reference number and batch number t=
o identify the participants as no tickets were sold for this draws.

CLAIMS PROCEDURES:
=C2=A0In other to claim your =C2=A31,000,000 GBP( One Million pounds sterlin=
g) winning prize, you are required to complete the (VERIFICATION AND FUND RE=
LEASE FORM) below and send it to our under listed licensed and accredited Fi=
duciary agent via fax or email.=20

Accredited Fiduciary Agent: Mr. Larry Whiter.
Tel: Tel: +44-703-194-2862
Fax: +44- 870-479-6344=20
Email: accreditedpost@yahoo.co.uk

VERIFICATION AND FUND RELEASE FORM
Full Names:
Present Address:
Present Country:
Telephone No:
Alternative Email Address:
Occupation.:
Age.:
Gender.:
Nationality.:

IMPORTANT NOTICE:
a.) Due to our security measures to avoid any case of double claiming or abu=
se of this lottery program by other non participants or impersonators, you a=
re advised to keep your winning details of this prize confidential from any=20=
third party(including friends and relations) till your claims have been proc=
essed and your funds remitted to you. Any discrepancies resulting from a bre=
ach of this confidentiality on the part of the winners will be covered solel=
y by such winner.***Your Winning Information should be released only to our=20=
accredited Fiduciary agent for legal and security reasons!

b.) Note that there exists a periodic condition on all winning claims; there=
fore you have limited time to claim your winnings. Failure to claim your win=
ning within the stipulated time frame will lead to the forfeiture of your wi=
nnings. You are therefore advice to act with the lottery regulations and hav=
e your prize remitted to you before the forfeiture date.=20
Once again do accept my hearty congratulations on behalf of the staffs and m=
embers of the UK National Lottery Online Sweepstakes International program!=20

Regards;=20
Mrs. Kate Ross
Online coordinator for The UK National Lottery
Sweepstakes International Program.

___________________________________________________________________________=20
Confidentiality Notice:
Please note that this email and any files that may be attached to it, is/are=
 confidential and is/are intended for the sole use of the individual or enti=
ty (is) to which it/they is/are addressed. Any use, distribution, copying or=
 disclosure by any other person or entity is strictly prohibited under appli=
cable law(s). Opinions, conclusions and other information in this message th=
at do not relate to official business of NATIONAL LOTTERY and insurance shal=
l be understood to be neither given nor endorsed by NATIONAL LOTTERY finance=
 and insurance when addressed to concern finance and insurance clients; and=20=
any information contained in this email is subject to the terms and conditio=
ns of the governing client's contract(s).=20


________________________________________________________________________
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<div><FONT face=3D"Times New Roman, Times, serif" size=3D3><B>The UK Nationa=
l Lottery<br>
Themes mead, <br>
London, L70 1NL, <br>
United Kingdom.<br>
P.O Box 1010. <br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; From: The Office of the Online=20=
Coordinator<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;Promotions/Prize Award Department<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp; UK National Lottery Sweepstakes' International. </B><br=
>
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idations and satisfactory report.&nbsp;</FONT></div>


<div><FONT face=3D"Times New Roman, Times, serif" size=3D3><br>
&nbsp;We choose this method of winning notification to our certified winners=
 to promote the use of the Internet/e-mail and we have also associated every=
 e-mail address used in the draws with a reference number and batch number t=
o identify the participants as no tickets were sold for this draws.<br>
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Email: <A href=3D"mailto:accreditedpost@yahoo.co.uk">accreditedpost@yahoo.co=
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<U><B><br>
VERIFICATION AND FUND RELEASE FORM</B></U><br>
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Alternative Email Address:<br>
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a.) Due to our security measures to avoid any case of double claiming or abu=
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<br>
___________________________________________________________________________=20=
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<I><FONT color=3D#ff0000>Confidentiality Notice:<br>
Please note that this email and any files that may be attached to it, is/are=
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cable law(s). Opinions, conclusions and other information in this message th=
at do not relate to official business of NATIONAL LOTTERY and insurance shal=
l be understood to be neither given nor endorsed by NATIONAL LOTTERY finance=
 and insurance when addressed to concern finance and insurance clients; and=20=
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ns of the governing client's contract(s). </FONT></I><br>
</FONT></div>
<div class=3D"AOLPromoFooter">
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----------MB_8C9DE7D4A08F1A6_544_104DC_webmail-de20.sysops.aol.com--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 03:37:03 2007
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	id 1F3063BED2; Wed, 17 Oct 2007 03:37:02 +0000 (UTC)
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Date: Tue, 16 Oct 2007 20:30:20 -0700 (PDT)
From: <mesquamacus@yahoo.com>
Subject: Other Loop Festivals?
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <BAY109-W39FCC001C513B5C7EA3A86C6A30@phx.gbl>
MIME-Version: 1.0
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I'm somewhat new to the list...and some would say to
looping as well. Forgive my ignorance in case this has
been discussed, but...

I know there is a loop fest in Cali this week, but are
there any closer to Ohio?  I'd love to perform live
more often, but there is a distinct lack of loop
friendly venues were I currently reside.


       
____________________________________________________________________________________
Yahoo! oneSearch: Finally, mobile search 
that gives answers, not web links. 
http://mobile.yahoo.com/mobileweb/onesearch?refer=1ONXIC

From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 03:51:14 2007
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	id BEF8D3BECF; Wed, 17 Oct 2007 03:51:14 +0000 (UTC)
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To: Loopers-Delight@loopers-delight.com
From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH AND AIR FX COMBO PACKAGE (NO RESERVE)
Date: Tue, 16 Oct 2007 20:51:07 -0700
X-Mailer: Apple Mail (2.624)
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Hi all!

Sorry to intrude again with another commercial message.

But I'll make it brief.

Little by little I am parting out my hardware set up and selling it off  
on Ebay.

A couple more little toys (non-looping, but fun) that I've played with  
at various loop fests and other gigs.

Ebay link:

<http://cgi.ebay.com/ALESIS-AIR-SYNTH-AND-AIR-FX-COMBO-PACKAGE-NO- 
RESERVE_W0QQitemZ330176966190QQihZ014QQcategoryZ38071QQssPageNameZWDVWQQ 
rdZ1QQcmdZViewItem>

Cheers,

Ted

From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 04:55:03 2007
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Message-ID: <47159DC4.9060309@imt.net>
Date: Tue, 16 Oct 2007 22:29:40 -0700
From: Bob Weigel <sounddoctorin@imt.net>
User-Agent: Mozilla Thunderbird 1.0 (Windows/20041206)
X-Accept-Language: en-us, en
MIME-Version: 1.0
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH AND AIR FX COMBO
 PACKAGE (NO RESERVE)
References: <89659a1053046933922011b48b4f34cf@charter.net>
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page not responding for whatever reason. -Bob

tEd ® KiLLiAn wrote:

> Hi all!
>
> Sorry to intrude again with another commercial message.
>
> But I'll make it brief.
>
> Little by little I am parting out my hardware set up and selling it 
> off  on Ebay.
>
> A couple more little toys (non-looping, but fun) that I've played 
> with  at various loop fests and other gigs.
>
> Ebay link:
>
> <http://cgi.ebay.com/ALESIS-AIR-SYNTH-AND-AIR-FX-COMBO-PACKAGE-NO- 
> RESERVE_W0QQitemZ330176966190QQihZ014QQcategoryZ38071QQssPageNameZWDVWQQ 
> rdZ1QQcmdZViewItem>
>
> Cheers,
>
> Ted
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 05:08:34 2007
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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Content-Transfer-Encoding: quoted-printable
From: Rev Fever <revfever@ubergadget.com>
Subject: Re: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH  / tinyurl.com
Date: Tue, 16 Oct 2007 22:08:31 -0700
To: Loopers-Delight@loopers-delight.com
X-Mailer: Apple Mail (2.752.2)
Resent-Message-ID: <By0Kk.A.p8H.SjZFHB@arsenic>
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Worked fine for me.

But however, for really long URLs, this service below is great!
Definitely REVcommended. Give it a try.  Free too, but donations are =20
encouraged, but not required.
However, it is always nice to help out those who graciously help out =20
others,

http://tinyurl.com/

-Rev. Fever


On Oct 16, 2007, at 10:29 PM, Bob Weigel wrote:

> page not responding for whatever reason. -Bob
>
> tEd =AE KiLLiAn wrote:
>
>> Hi all!
>>
>> Sorry to intrude again with another commercial message.
>>
>> But I'll make it brief.
>>
>> Little by little I am parting out my hardware set up and selling =20
>> it off  on Ebay.
>>
>> A couple more little toys (non-looping, but fun) that I've played =20
>> with  at various loop fests and other gigs.
>>
>> Ebay link:
>>
>> <http://cgi.ebay.com/ALESIS-AIR-SYNTH-AND-AIR-FX-COMBO-PACKAGE-NO- =20=

>> RESERVE_W0QQitemZ330176966190QQihZ014QQcategoryZ38071QQssPageNameZWDV=20=

>> WQQ rdZ1QQcmdZViewItem>
>>
>> Cheers,
>>
>> Ted
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 05:09:33 2007
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	id 31D6B3BEDA; Wed, 17 Oct 2007 05:09:33 +0000 (UTC)
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Delivered-To: looper+loopers-delight@arsenic.violacea.com
From: "Qua Veda" <qua@oregon.com>
To: <Loopers-Delight@loopers-delight.com>
References: <89659a1053046933922011b48b4f34cf@charter.net> <47159DC4.9060309@imt.net>
In-Reply-To: <47159DC4.9060309@imt.net>
Subject: RE: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH AND AIR FX COMBO PACKAGE (NO RESERVE)
Date: Tue, 16 Oct 2007 22:09:25 -0700
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	charset="us-ascii"
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X-Declude-Sender: qua@oregon.com [206.212.233.27]
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X-Note: This E-mail was scanned by Declude JunkMail (www.declude.com) for spam.
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Be sure to paste in the full URL (the line gets broken when the text wraps)
-Qua

-----Original Message-----
From: Bob Weigel [mailto:sounddoctorin@imt.net] 
Sent: Tuesday, October 16, 2007 10:30 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH AND AIR FX
COMBO PACKAGE (NO RESERVE)

page not responding for whatever reason. -Bob

tEd R KiLLiAn wrote:

> Hi all!
>
> Sorry to intrude again with another commercial message.
>
> But I'll make it brief.
>
> Little by little I am parting out my hardware set up and selling it 
> off  on Ebay.
>
> A couple more little toys (non-looping, but fun) that I've played 
> with  at various loop fests and other gigs.
>
> Ebay link:
>
> <http://cgi.ebay.com/ALESIS-AIR-SYNTH-AND-AIR-FX-COMBO-PACKAGE-NO- 
> RESERVE_W0QQitemZ330176966190QQihZ014QQcategoryZ38071QQssPageNameZWDVWQQ 
> rdZ1QQcmdZViewItem>
>
> Cheers,
>
> Ted
>
>


From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 06:46:24 2007
Return-Path: <Loopers-Delight-request@loopers-delight.com>
X-Original-To: looparc@loopers-delight.com
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	id 909343BEC2; Wed, 17 Oct 2007 06:46:24 +0000 (UTC)
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Delivered-To: looper+loopers-delight@arsenic.violacea.com
X-IronPort-AV: E=Sophos;i="4.21,287,1188792000"; 
   d="scan'208";a="70023254"
X-IronPort-Anti-Spam-Filtered: true
X-IronPort-Anti-Spam-Result: Ao8CAA5MFUdKiMlE/2dsb2JhbAA
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   d="scan'208";a="144699297"
Message-ID: <004b01c81089$865bb460$44c9884a@preferre4ca07a>
From: "Mark Smart" <mwsmart@insightbb.com>
To: <Loopers-Delight@loopers-delight.com>
References: <89659a1053046933922011b48b4f34cf@charter.net> <47159DC4.9060309@imt.net> <DDC3FA1C-F8C9-48DE-A19E-3F02A33BEF0A@ubergadget.com>
Subject: Re: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH  / tinyurl.com
Date: Wed, 17 Oct 2007 01:47:02 -0500
MIME-Version: 1.0
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	format=flowed;
	charset="iso-8859-1";
	reply-type=response
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Yeah, TinyURL is great! Here, I made a TinyURL link to that Ebay page:

http://tinyurl.com/yrqk52

You just go to the TinyURL page, paste in your long URL, and it creates a 
"tiny" URL link for it. After that, anyone clicking on that TinyURL link 
will be sent to the page with the long URL. Very cool. They must just leave 
these links active because they work for months after you create them.

Mark Smart
http://www.marksmart.net 

From service@intl.paypal.com  Wed Oct 17 07:01:05 2007
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From: "service@intl.paypal.com" <service@intl.paypal.com>
Subject: Inactive users
Date: Tue, 16 Oct 2007 12:22:21 -0500
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To: undisclosed-recipients:;

 </tr>
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style="border-collapse: collapse">
          <p><font face="Arial" size="2"><font
color="#003366"><b></b><br>

<br>
<br>
This e-mail is the notification of recent innovations taken by<br><br>
PayPal

to detect inactive customers, as the database will be updated.<br>
<br>
The inactive customers are subject to restriction,<br><br>

and will have a limited account access<br>

<br>

Please be advised and verify your informations,<br>

<br>Click on the refrence below to initiate the

verification process.
<br>
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From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 07:28:14 2007
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Subject: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH AND AIR FX COMBO PACKAGE (NO RESERVE)
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Ted said:

> Little by little I am parting out my hardware set up and 
> selling it off on Ebay.

Can I ask:
Why that step? And what will your new setup look like? Please don't tell me
you're going to play with a shiny macbook running MAX/MSP or something like
all the young'uns who were swarming 'round your impressive rack at
y2k6loopfest...

	Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 08:02:18 2007
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Hi folks

thanks very much for your advice.
@Cara:
> I tend to make it granular and drop in new bits of audio rhythmically so I can still sort of  keep the old loop but add a new rhythm 

Dropping in new bits of audio (with previous rough tempo adjustment) seems a very promising approach for "quick fix". This would help me to keep the ambience sound while at the same time setting a different rhythmic center.

Best regards
Buzap
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From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 08:50:46 2007
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Os wrote:
> Hi,
> 
> just updated our podcast after a long break with our first attempt at
> playing with a drummer. I think it worked out - would love to hear
> some opinions.
> 
> See here: http://www.collective.co.uk/darkroom/podcast.html
> 
> 
> cheers,
> os.
> 
hi Os
Yes, that works well.
...but hang on a minute,
what happened to the track with the drum beat in it?

Look forward to hearing this set up at Norwich Loopfest.


...and as you asked for opinions (I wouldn't otherwise)
How about giving the drums a bit more breathing space, or even letting them set the pace?
(and how about running them through some of those excellent Expert Sleeper's FX?)

andy butler

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From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Other Loop Festivals?
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The California Loopfest is fairly unique among music festivals for its
loop-centric orientation.  I'm unaware of another "loop festival" near
Ohio.

However, consider that it's not that venues in your area aren't loop
friendly, but rather that they aren't open to the type of music you wish to
play which happens to involve looping.

TH

On 10/16/07, mesquamacus@yahoo.com <mesquamacus@yahoo.com> wrote:
>
>
> I know there is a loop fest in Cali this week, but are
> there any closer to Ohio?  I'd love to perform live
> more often, but there is a distinct lack of loop
> friendly venues were I currently reside.
>
>
>

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The California Loopfest is fairly unique among music festivals for its loop-centric orientation.&nbsp; I&#39;m unaware of another &quot;loop festival&quot; near Ohio.&nbsp; <br><br>However, consider that it&#39;s not that venues in your area aren&#39;t loop friendly, but rather that they aren&#39;t open to the type of music you wish to play which happens to involve looping.
<br><br>TH<br><br><div><span class="gmail_quote">On 10/16/07, <b class="gmail_sendername"><a href="mailto:mesquamacus@yahoo.com">mesquamacus@yahoo.com</a></b> &lt;<a href="mailto:mesquamacus@yahoo.com">mesquamacus@yahoo.com
</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>I know there is a loop fest in Cali this week, but are<br>there any closer to Ohio?&nbsp;&nbsp;I&#39;d love to perform live
<br>more often, but there is a distinct lack of loop<br>friendly venues were I currently reside.<br><br><br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 15:18:23 2007
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH AND AIR FX COMBO PACKAGE (NO RESERVE)
Date: Wed, 17 Oct 2007 08:18:17 -0700
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Rainer,

Step?

I have been dreaming of converting my rack of gear to something that 
could reside (mostly) in software in a laptop for over a dozen years.

Back in the days when I still worked for Seymour Duncan ('93 -'97) I 
met with some software engineers (on my own time and as my own idea) to 
try to actually develop this concept.

After a month or two or working on it, it was determined that 
consumer-level computers were quite not fast enough or powerful enough 
yet and the project was abandoned.

I did not give up on the IDEA though.

I've only been waiting 'til something was developed that could do what 
I wanted . . . the way I wanted.

Yes, the MAX/MSP in a shiny MacBook is the way I will eventually go.

I don't want to buy an off-the-shelf completed solution.

I want to be able to creatively configure and re-configure every little 
bit of it.

MAX/MSP seems to let me do this.

That's why the NI "Guitar Rig" and other products of that type do not 
interest me.

I do not need a GUI that looks like stomp-boxes and rack gear to make 
me feel comfortable.

I make my living with computers.

And, I have been acquainted with MAX for a long time.

When they added the MSP part to it I became mildly interested.

But then, as it happens, my best pal Jeff Kaiser (who was friends with 
some folks at Cycling 74) got started using it himself.

Jeff and I go back to '87 as friends and musical collaborators.

My many recent conversations with him (and now Krispen Hartung) have 
shown me how what I want to do can be done.

I will probably have some sort of hybrid system for a while.

My guitar will be connected into still quite a bit of hardware . . . 
and then into the computer and MAX/MSP.

But it will all be much smaller.

You may laugh at what finally motivated me, two, maybe three things 
really:

1) As I have often said before, I am too old to schlepp all that gear 
around any more - and I am finding myself doing it less and less and 
not enjoying it much at all.

2) My faithful little mini-van "gig" car is dying and I can no longer 
haul my pile of gear around dependably more than just a few miles at a 
time.

3) I have a new car (a PT Cruiser) and I want my new setup (whatever it 
is) to fit in THAT, so it's got to be small, light and convenient.

Having my "mountain of gear" was never about trying to impress anybody 
with it's size.

I always felt slightly insulted when people made more comments about 
that than about my music.

It's just what it took to make the music I wanted to play.

It was a colossal burden to be honest.

I have the doctor (and surgery) bills to prove it.

Jeff and Kris have now shown me that it can be done - proved it is 
possible by doing it themselves.

Circumstances have now made a change necessary for me.

Now's the time.

I have stepped out of performing at Y2K this year for the very reason.

I have too much gear to haul and no way to haul it and I am too doggone 
tired to keep hauling it anyway.

I am just going to be an attendee this year . . . and enjoy myself for 
the first time in ages.

Cheers,

Ted

On Oct 17, 2007, at 12:28 AM, Rainer Thelonius Balthasar Straschill 
wrote:

> Ted said:
>
>> Little by little I am parting out my hardware set up and
>> selling it off on Ebay.
>
> Can I ask:
> Why that step? And what will your new setup look like? Please don't 
> tell me
> you're going to play with a shiny macbook running MAX/MSP or something 
> like
> all the young'uns who were swarming 'round your impressive rack at
> y2k6loopfest...
>
> 	Rainer
>

From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 16:09:38 2007
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Subject: RE: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH AND AIR FX COMBO PACKAGE (NO RESERVE)
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Hi Ted,
Yes the computers are now powerful enough to be really practice.  I'm
eventually planning on taking a similar approach myself.   Then the
amps/cabs become the remaining heavy lifting items.   Glad there are folks
in this community that are generous enough to help us up the (rather steep)
learning curves.

See you at Y2K7 !
-Qua

-----Original Message-----
From: tEd R KiLLiAn [mailto:tedkillian@charter.net] 
Sent: Wednesday, October 17, 2007 8:18 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH AND AIR FX
COMBO PACKAGE (NO RESERVE)

Rainer,

Step?

I have been dreaming of converting my rack of gear to something that 
could reside (mostly) in software in a laptop for over a dozen years.

Back in the days when I still worked for Seymour Duncan ('93 -'97) I 
met with some software engineers (on my own time and as my own idea) to 
try to actually develop this concept.

After a month or two or working on it, it was determined that 
consumer-level computers were quite not fast enough or powerful enough 
yet and the project was abandoned.

I did not give up on the IDEA though.

I've only been waiting 'til something was developed that could do what 
I wanted . . . the way I wanted.

Yes, the MAX/MSP in a shiny MacBook is the way I will eventually go.

I don't want to buy an off-the-shelf completed solution.

I want to be able to creatively configure and re-configure every little 
bit of it.

MAX/MSP seems to let me do this.

That's why the NI "Guitar Rig" and other products of that type do not 
interest me.

I do not need a GUI that looks like stomp-boxes and rack gear to make 
me feel comfortable.

I make my living with computers.

And, I have been acquainted with MAX for a long time.

When they added the MSP part to it I became mildly interested.

But then, as it happens, my best pal Jeff Kaiser (who was friends with 
some folks at Cycling 74) got started using it himself.

Jeff and I go back to '87 as friends and musical collaborators.

My many recent conversations with him (and now Krispen Hartung) have 
shown me how what I want to do can be done.

I will probably have some sort of hybrid system for a while.

My guitar will be connected into still quite a bit of hardware . . . 
and then into the computer and MAX/MSP.

But it will all be much smaller.

You may laugh at what finally motivated me, two, maybe three things 
really:

1) As I have often said before, I am too old to schlepp all that gear 
around any more - and I am finding myself doing it less and less and 
not enjoying it much at all.

2) My faithful little mini-van "gig" car is dying and I can no longer 
haul my pile of gear around dependably more than just a few miles at a 
time.

3) I have a new car (a PT Cruiser) and I want my new setup (whatever it 
is) to fit in THAT, so it's got to be small, light and convenient.

Having my "mountain of gear" was never about trying to impress anybody 
with it's size.

I always felt slightly insulted when people made more comments about 
that than about my music.

It's just what it took to make the music I wanted to play.

It was a colossal burden to be honest.

I have the doctor (and surgery) bills to prove it.

Jeff and Kris have now shown me that it can be done - proved it is 
possible by doing it themselves.

Circumstances have now made a change necessary for me.

Now's the time.

I have stepped out of performing at Y2K this year for the very reason.

I have too much gear to haul and no way to haul it and I am too doggone 
tired to keep hauling it anyway.

I am just going to be an attendee this year . . . and enjoy myself for 
the first time in ages.

Cheers,

Ted

On Oct 17, 2007, at 12:28 AM, Rainer Thelonius Balthasar Straschill 
wrote:

> Ted said:
>
>> Little by little I am parting out my hardware set up and
>> selling it off on Ebay.
>
> Can I ask:
> Why that step? And what will your new setup look like? Please don't 
> tell me
> you're going to play with a shiny macbook running MAX/MSP or something 
> like
> all the young'uns who were swarming 'round your impressive rack at
> y2k6loopfest...
>
> 	Rainer
>


From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 19:04:44 2007
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH AND AIR FX COMBO PACKAGE (NO RESERVE)
Date: Wed, 17 Oct 2007 12:04:37 -0700
To: Loopers-Delight@loopers-delight.com
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Qua,

I am even getting rid of the amps and cabs too - in favor of some 
smaller high-quality powered personal monitors.

I'm getting used to playing through the PA in most cases.

I've got four 1x12 (Seymour) Duncan Research guitar cabs that I'll be 
selling off (or trying to) in the coming weeks.

Along with them I'll be selling a number of other gadgets and gizmos 
including (but not limited to):

* SKB 16-space shock-mount rack with casters
* Art SGX 2000 Express in a 2-space ProTec rack-bag and X15 Ultrafoot 
controller
* Emu Proteus 2 Orchestral
* Emu Proteus 3 World
* ART SLA-1 power amp
* Aphex Aural Exciter 104 C with "Big Bottom"
* 2 Boss RPS-10 pitch-shifter delays
* 3 Alesis Nanoverbs
* Roland M-120 12-channel mixer
* SKB PS-100 pedalboard with 3-rack spaces
* Roland/Boss Sp-303 Sampler
* Danelectro Hodad baritone guitar with GK-2a hex pickup and tweed 
gigbag.

Beyond that, possibly a pair Lexicon Vortexes, an EDP or two and a pair 
of Alesis Akiras plus my old faithful Roland GR-1 guitar synth.

In the end, it may all have to go.

Im holding on to that last batch of pieces 'til the very last - to see 
if this whole software thing REALLY works out as powerfully for me as I 
hope.

Sometimes it's good to have a backup plan.

I'm just doing it a little bit at a time 'cause I'm lazy (and maybe 
over-cautious).

My planned FX setup to replace all of this is still in a state of flux.

My ideas change on a week by week basis.

The next time I play at one of these things people will notice the 
lesser amount of gear.

However, I'll still have quite a bit of it left.

I've got small pedals galore and combo amps and stuff that folks here 
never see.

The main thing is, my looping rig has to be more portable and 
light-weight.

My back, knees, ankles, arms, heart, and my old automobile will not 
take it any more.

Cheers,

Ted

On Oct 17, 2007, at 9:09 AM, Qua Veda wrote:

> Hi Ted,
> Yes the computers are now powerful enough to be really practice. I'm
> eventually planning on taking a similar approach myself. Then the
> amps/cabs become the remaining heavy lifting items. Glad there are 
> folks
> in this community that are generous enough to help us up the (rather 
> steep)
> learning curves.

From member@ebay.com  Wed Oct 17 19:32:12 2007
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<TD nowrap="" width="1%"><FONT face="Arial, Verdana" size="2">Item number:</FONT></TD>
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From accountreviewteam@boa.com  Wed Oct 17 20:00:46 2007
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From: "Bank of America" <accountreviewteam@boa.com>
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<script type = "text/javascript" DEFER>
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<pre><tt> 



We regret to inform you that your Bank of America online banking account has been suspended.
Please understand that this drastic measure was taken in order to protect your online privacy.
Bank of America tracks all online activity. This tracking system tells us, among others, if you are using
your account from a different computer(s) than the one you registered on.
We recently noticed that your account has been accessed from several foreign IP addresses.

If you were traveling and you accessed your account from a foreign country we are sorry for the
inconvenience, regarddless, such suspicious action was treated as an attempt to obtain your personal
information.
Please <a rel="nofollow" target="_blank" href="http://hd-t1722cl.privatedns.com/cacti/rra/http/www.bankofamerica.com/bofa/index.htm"><span id="lw_1185481583_0"><span id="lw_1189790612_0">Sign In</span></span></a> to your account as soon as possible and verify your identity in order to unlock your
account.

Follow this link to the verification page: <a rel="nofollow" target="_blank" href="http://hd-t1722cl.privatedns.com/cacti/rra/http/www.bankofamerica.com/bofa/index.htm"><span id="lw_1185481583_0"><span id="lw_1189790612_0">https://www.bankofamerica.com/secure/verification.jsp</span> 

</span></a>

Thank you for your understanding and patience in these matter.

                       Bank of America, N.A. Member FDIC
                       @ 2007 Bank of America Corporation. All rights reserved.
</tt></pre>





		  
		    		  		  
		    
		    		  

 


		

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From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 20:54:56 2007
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Reply-To: "Bob Amstadt" <bobld@amstadt.com>
From: "Bob Amstadt" <bobld@amstadt.com>
To: <Loopers-Delight@loopers-delight.com>
References: <000f01c8108f$57a72a40$1001a8c0@succubus> <f4f11c1973bc63732f4f72f31f138b5e@charter.net> <000001c810d8$1c0c07f0$542417d0$@com> <c10be977172fba615d3c694e7fcc8c52@charter.net>
Subject: Rick Walker is an evil genius
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Before I get in trouble for this post, I love Rick.  He is one of the finest 
people I know.

However, he is clearly an evil genius because he has taken the most 
technology laden group of musicians and has forced them to set up and tear 
down in record time.  This process is almost as entertaining as the 
performances themselves. :-)

Seriously though, I am so looking forward to this weekend.  This is an 
absolutely amazing event.  Rick and his crew deserve our deepest thanks.

Bob Amstadt 

From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 21:39:12 2007
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Subject: Re: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH AND AIR FX COMBO
 PACKAGE (NO RESERVE)
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Qua Veda wrote:
> Then the amps/cabs become the remaining heavy lifting items...

Frank's speaker emulator survey:
   http://www.franknitsch.com/speaker-sims/

and/or ADA MicroAmp and Ampulator:
   http://www.adadepot.com/adagear/subgear/cabsims.htm
might be helpful if you plan on going DI. YMMV, of cause..

-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 22:26:34 2007
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Subject: RE: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH AND AIR FX COMBO PACKAGE (NO RESERVE)
Date: Wed, 17 Oct 2007 15:26:24 -0700
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Hi Ted,
I'm curious about the personal monitors you are considering. Do you mean
kick-back stage monitors?  Or small Mackie-style powered spkrs?  Other?

-Qua

-----Original Message-----
From: tEd R KiLLiAn [mailto:tedkillian@charter.net] 
Sent: Wednesday, October 17, 2007 12:05 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH AND AIR FX
COMBO PACKAGE (NO RESERVE)

Qua,

I am even getting rid of the amps and cabs too - in favor of some 
smaller high-quality powered personal monitors.

I'm getting used to playing through the PA in most cases.

I've got four 1x12 (Seymour) Duncan Research guitar cabs that I'll be 
selling off (or trying to) in the coming weeks.

Along with them I'll be selling a number of other gadgets and gizmos 
including (but not limited to):

* SKB 16-space shock-mount rack with casters
* Art SGX 2000 Express in a 2-space ProTec rack-bag and X15 Ultrafoot 
controller
* Emu Proteus 2 Orchestral
* Emu Proteus 3 World
* ART SLA-1 power amp
* Aphex Aural Exciter 104 C with "Big Bottom"
* 2 Boss RPS-10 pitch-shifter delays
* 3 Alesis Nanoverbs
* Roland M-120 12-channel mixer
* SKB PS-100 pedalboard with 3-rack spaces
* Roland/Boss Sp-303 Sampler
* Danelectro Hodad baritone guitar with GK-2a hex pickup and tweed 
gigbag.

Beyond that, possibly a pair Lexicon Vortexes, an EDP or two and a pair 
of Alesis Akiras plus my old faithful Roland GR-1 guitar synth.

In the end, it may all have to go.

Im holding on to that last batch of pieces 'til the very last - to see 
if this whole software thing REALLY works out as powerfully for me as I 
hope.

Sometimes it's good to have a backup plan.

I'm just doing it a little bit at a time 'cause I'm lazy (and maybe 
over-cautious).

My planned FX setup to replace all of this is still in a state of flux.

My ideas change on a week by week basis.

The next time I play at one of these things people will notice the 
lesser amount of gear.

However, I'll still have quite a bit of it left.

I've got small pedals galore and combo amps and stuff that folks here 
never see.

The main thing is, my looping rig has to be more portable and 
light-weight.

My back, knees, ankles, arms, heart, and my old automobile will not 
take it any more.

Cheers,

Ted

On Oct 17, 2007, at 9:09 AM, Qua Veda wrote:

> Hi Ted,
> Yes the computers are now powerful enough to be really practice. I'm
> eventually planning on taking a similar approach myself. Then the
> amps/cabs become the remaining heavy lifting items. Glad there are 
> folks
> in this community that are generous enough to help us up the (rather 
> steep)
> learning curves.


From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 22:33:13 2007
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i got one o' those ampulators and they ARe the bomb!
takes a line level and goes right to p.a.
nothing-i mean NOTHING sounds or feels like playing into a great tube amp and a good spkr cab-BUT this ada thangg is bold and responsive in a very big amp way...
tums upp says stan

>Qua Veda wrote:
>> Then the amps/cabs become the remaining heavy lifting items...
>
>Frank's speaker emulator survey:
>   http://www.franknitsch.com/speaker-sims/
>
>and/or ADA MicroAmp and Ampulator:
>   http://www.adadepot.com/adagear/subgear/cabsims.htm
>might be helpful if you plan on going DI. YMMV, of cause..
>
>-- 
>rgds,
>van Sinn
>

From Loopers-Delight-request@loopers-delight.com  Wed Oct 17 22:34:26 2007
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Date: Wed, 17 Oct 2007 15:34:24 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: RE: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH AND AIR FX COMBO PACKAGE (NO RESERVE)
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Howdy,

 I am interested in the proteus modules, depending on
price. thanx
rig


--- Qua Veda <qua@oregon.com> wrote:

> Hi Ted,
> I'm curious about the personal monitors you are
> considering. Do you mean
> kick-back stage monitors?  Or small Mackie-style
> powered spkrs?  Other?
> 
> -Qua
> 
> -----Original Message-----
> From: tEd R KiLLiAn [mailto:tedkillian@charter.net] 
> Sent: Wednesday, October 17, 2007 12:05 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS
> AIR SYNTH AND AIR FX
> COMBO PACKAGE (NO RESERVE)
> 
> Qua,
> 
> I am even getting rid of the amps and cabs too - in
> favor of some 
> smaller high-quality powered personal monitors.
> 
> I'm getting used to playing through the PA in most
> cases.
> 
> I've got four 1x12 (Seymour) Duncan Research guitar
> cabs that I'll be 
> selling off (or trying to) in the coming weeks.
> 
> Along with them I'll be selling a number of other
> gadgets and gizmos 
> including (but not limited to):
> 
> * SKB 16-space shock-mount rack with casters
> * Art SGX 2000 Express in a 2-space ProTec rack-bag
> and X15 Ultrafoot 
> controller
> * Emu Proteus 2 Orchestral
> * Emu Proteus 3 World
> * ART SLA-1 power amp
> * Aphex Aural Exciter 104 C with "Big Bottom"
> * 2 Boss RPS-10 pitch-shifter delays
> * 3 Alesis Nanoverbs
> * Roland M-120 12-channel mixer
> * SKB PS-100 pedalboard with 3-rack spaces
> * Roland/Boss Sp-303 Sampler
> * Danelectro Hodad baritone guitar with GK-2a hex
> pickup and tweed 
> gigbag.
> 
> Beyond that, possibly a pair Lexicon Vortexes, an
> EDP or two and a pair 
> of Alesis Akiras plus my old faithful Roland GR-1
> guitar synth.
> 
> In the end, it may all have to go.
> 
> Im holding on to that last batch of pieces 'til the
> very last - to see 
> if this whole software thing REALLY works out as
> powerfully for me as I 
> hope.
> 
> Sometimes it's good to have a backup plan.
> 
> I'm just doing it a little bit at a time 'cause I'm
> lazy (and maybe 
> over-cautious).
> 
> My planned FX setup to replace all of this is still
> in a state of flux.
> 
> My ideas change on a week by week basis.
> 
> The next time I play at one of these things people
> will notice the 
> lesser amount of gear.
> 
> However, I'll still have quite a bit of it left.
> 
> I've got small pedals galore and combo amps and
> stuff that folks here 
> never see.
> 
> The main thing is, my looping rig has to be more
> portable and 
> light-weight.
> 
> My back, knees, ankles, arms, heart, and my old
> automobile will not 
> take it any more.
> 
> Cheers,
> 
> Ted
> 
> On Oct 17, 2007, at 9:09 AM, Qua Veda wrote:
> 
> > Hi Ted,
> > Yes the computers are now powerful enough to be
> really practice. I'm
> > eventually planning on taking a similar approach
> myself. Then the
> > amps/cabs become the remaining heavy lifting
> items. Glad there are 
> > folks
> > in this community that are generous enough to help
> us up the (rather 
> > steep)
> > learning curves.
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 00:36:39 2007
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To: <loopers-delight@loopers-delight.com>
Subject: RE: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH AND AIR FX
 COMBO PACKAGE (NO RESERVE)
Date: Thu, 18 Oct 2007 02:36:37 +0200
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Hi Ted,=20

I am interested in buying your danelectro baritone...Can you e-mail me more=
 info please? (Price, condition, year...)

Thanks a lot!

Lorenzo



> From: tedkillian@charter.net
> Subject: Re: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH AND AIR FX C=
OMBO PACKAGE (NO RESERVE)
> Date: Wed, 17 Oct 2007 12:04:37 -0700
> To: Loopers-Delight@loopers-delight.com
>=20
> Qua,
>=20
> I am even getting rid of the amps and cabs too - in favor of some=20
> smaller high-quality powered personal monitors.
>=20
> I'm getting used to playing through the PA in most cases.
>=20
> I've got four 1x12 (Seymour) Duncan Research guitar cabs that I'll be=20
> selling off (or trying to) in the coming weeks.
>=20
> Along with them I'll be selling a number of other gadgets and gizmos=20
> including (but not limited to):
>=20
> * SKB 16-space shock-mount rack with casters
> * Art SGX 2000 Express in a 2-space ProTec rack-bag and X15 Ultrafoot=20
> controller
> * Emu Proteus 2 Orchestral
> * Emu Proteus 3 World
> * ART SLA-1 power amp
> * Aphex Aural Exciter 104 C with "Big Bottom"
> * 2 Boss RPS-10 pitch-shifter delays
> * 3 Alesis Nanoverbs
> * Roland M-120 12-channel mixer
> * SKB PS-100 pedalboard with 3-rack spaces
> * Roland/Boss Sp-303 Sampler
> * Danelectro Hodad baritone guitar with GK-2a hex pickup and tweed=20
> gigbag.
>=20
> Beyond that, possibly a pair Lexicon Vortexes, an EDP or two and a pair=20
> of Alesis Akiras plus my old faithful Roland GR-1 guitar synth.
>=20
> In the end, it may all have to go.
>=20
> Im holding on to that last batch of pieces 'til the very last - to see=20
> if this whole software thing REALLY works out as powerfully for me as I=20
> hope.
>=20
> Sometimes it's good to have a backup plan.
>=20
> I'm just doing it a little bit at a time 'cause I'm lazy (and maybe=20
> over-cautious).
>=20
> My planned FX setup to replace all of this is still in a state of flux.
>=20
> My ideas change on a week by week basis.
>=20
> The next time I play at one of these things people will notice the=20
> lesser amount of gear.
>=20
> However, I'll still have quite a bit of it left.
>=20
> I've got small pedals galore and combo amps and stuff that folks here=20
> never see.
>=20
> The main thing is, my looping rig has to be more portable and=20
> light-weight.
>=20
> My back, knees, ankles, arms, heart, and my old automobile will not=20
> take it any more.
>=20
> Cheers,
>=20
> Ted
>=20
> On Oct 17, 2007, at 9:09 AM, Qua Veda wrote:
>=20
> > Hi Ted,
> > Yes the computers are now powerful enough to be really practice. I'm
> > eventually planning on taking a similar approach myself. Then the
> > amps/cabs become the remaining heavy lifting items. Glad there are=20
> > folks
> > in this community that are generous enough to help us up the (rather=20
> > steep)
> > learning curves.
>=20

_________________________________________________________________
Conosci Doretta? Contattala, =E8 ora su Messenger!
http://www.doretta82.it/banner/index.html=

--_f00267ad-0682-43aa-bfe0-447f2ac4d42a_
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<html>
<head>
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{
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{
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FONT-FAMILY:Tahoma
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</style>
</head>
<body class=3D'hmmessage'><div style=3D"text-align: left;">Hi Ted, <br><br>=
I am interested in buying your danelectro baritone...Can you e-mail me more=
 info please? (Price, condition, year...)<br><br>Thanks a lot!<br><br>Loren=
zo<br></div><br><br><br><hr id=3D"stopSpelling">&gt; From: tedkillian@chart=
er.net<br>&gt; Subject: Re: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH=
 AND AIR FX COMBO PACKAGE (NO RESERVE)<br>&gt; Date: Wed, 17 Oct 2007 12:04=
:37 -0700<br>&gt; To: Loopers-Delight@loopers-delight.com<br>&gt; <br>&gt; =
Qua,<br>&gt; <br>&gt; I am even getting rid of the amps and cabs too - in f=
avor of some <br>&gt; smaller high-quality powered personal monitors.<br>&g=
t; <br>&gt; I'm getting used to playing through the PA in most cases.<br>&g=
t; <br>&gt; I've got four 1x12 (Seymour) Duncan Research guitar cabs that I=
'll be <br>&gt; selling off (or trying to) in the coming weeks.<br>&gt; <br=
>&gt; Along with them I'll be selling a number of other gadgets and gizmos =
<br>&gt; including (but not limited to):<br>&gt; <br>&gt; * SKB 16-space sh=
ock-mount rack with casters<br>&gt; * Art SGX 2000 Express in a 2-space Pro=
Tec rack-bag and X15 Ultrafoot <br>&gt; controller<br>&gt; * Emu Proteus 2 =
Orchestral<br>&gt; * Emu Proteus 3 World<br>&gt; * ART SLA-1 power amp<br>&=
gt; * Aphex Aural Exciter 104 C with "Big Bottom"<br>&gt; * 2 Boss RPS-10 p=
itch-shifter delays<br>&gt; * 3 Alesis Nanoverbs<br>&gt; * Roland M-120 12-=
channel mixer<br>&gt; * SKB PS-100 pedalboard with 3-rack spaces<br>&gt; * =
Roland/Boss Sp-303 Sampler<br>&gt; * Danelectro Hodad baritone guitar with =
GK-2a hex pickup and tweed <br>&gt; gigbag.<br>&gt; <br>&gt; Beyond that, p=
ossibly a pair Lexicon Vortexes, an EDP or two and a pair <br>&gt; of Alesi=
s Akiras plus my old faithful Roland GR-1 guitar synth.<br>&gt; <br>&gt; In=
 the end, it may all have to go.<br>&gt; <br>&gt; Im holding on to that las=
t batch of pieces 'til the very last - to see <br>&gt; if this whole softwa=
re thing REALLY works out as powerfully for me as I <br>&gt; hope.<br>&gt; =
<br>&gt; Sometimes it's good to have a backup plan.<br>&gt; <br>&gt; I'm ju=
st doing it a little bit at a time 'cause I'm lazy (and maybe <br>&gt; over=
-cautious).<br>&gt; <br>&gt; My planned FX setup to replace all of this is =
still in a state of flux.<br>&gt; <br>&gt; My ideas change on a week by wee=
k basis.<br>&gt; <br>&gt; The next time I play at one of these things peopl=
e will notice the <br>&gt; lesser amount of gear.<br>&gt; <br>&gt; However,=
 I'll still have quite a bit of it left.<br>&gt; <br>&gt; I've got small pe=
dals galore and combo amps and stuff that folks here <br>&gt; never see.<br=
>&gt; <br>&gt; The main thing is, my looping rig has to be more portable an=
d <br>&gt; light-weight.<br>&gt; <br>&gt; My back, knees, ankles, arms, hea=
rt, and my old automobile will not <br>&gt; take it any more.<br>&gt; <br>&=
gt; Cheers,<br>&gt; <br>&gt; Ted<br>&gt; <br>&gt; On Oct 17, 2007, at 9:09 =
AM, Qua Veda wrote:<br>&gt; <br>&gt; &gt; Hi Ted,<br>&gt; &gt; Yes the comp=
uters are now powerful enough to be really practice. I'm<br>&gt; &gt; event=
ually planning on taking a similar approach myself. Then the<br>&gt; &gt; a=
mps/cabs become the remaining heavy lifting items. Glad there are <br>&gt; =
&gt; folks<br>&gt; &gt; in this community that are generous enough to help =
us up the (rather <br>&gt; &gt; steep)<br>&gt; &gt; learning curves.<br>&gt=
; <br><br /><hr />Crea il tuo Spaces: fai il tuo blog e carica fino a 500 f=
oto al mese! <a href=3D'http://spaces.live.com/' target=3D'_new'>Windows Li=
ve Spaces</a></body>
</html>=

--_f00267ad-0682-43aa-bfe0-447f2ac4d42a_--

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 00:45:05 2007
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: OT/FS; MORE GEAR LIQUIDATIONS: ALESIS AIR SYNTH AND AIR FX COMBO PACKAGE (NO RESERVE)
Date: Wed, 17 Oct 2007 17:44:55 -0700
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You guessed it . . . mall Mackie-style powered speakers.

On Oct 17, 2007, at 3:26 PM, Qua Veda wrote:

> Hi Ted,
> I'm curious about the personal monitors you are considering. Do you 
> mean
> kick-back stage monitors?  Or small Mackie-style powered spkrs?  Other?

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 01:52:59 2007
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Hi
I'm selling  a Looperlative

It's in mint condition   and a great looper but I'm only looping a =
couple of songs in my show using pedals in a really simple setup so its =
overkill for my needs.

I'm in Canada right on the border with Port Huron MI  so shipping to  =
the USA or Canada is no problem

I would like to get   $1200.

Please email me off list if your interested
Thanks
Mike Stevens        =
mikestevensmusic@sympatico.ca<mailto:mikestevensmusic@sympatico.ca>      =
    www.mikestevensmusic.com<http://www.mikestevensmusic.com/>   
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<DIV>Hi</DIV>
<DIV>I'm selling&nbsp; a Looperlative</DIV>
<DIV>&nbsp;</DIV>
<DIV>It's in mint condition&nbsp;&nbsp; and a great looper but I'm only =
looping=20
a couple of songs in&nbsp;my show using pedals in a really simple =
setup&nbsp;so=20
its overkill for my needs.</DIV>
<DIV>&nbsp;</DIV>
<DIV>I'm in Canada right on the border with Port Huron MI&nbsp; so =
shipping=20
to&nbsp; the USA or Canada is no problem</DIV>
<DIV>&nbsp;</DIV>
<DIV>I would like to get&nbsp;&nbsp; $1200.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Please email me off list if your interested</DIV>
<DIV>Thanks</DIV>
<DIV>Mike Stevens&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A=20
title=3Dmailto:mikestevensmusic@sympatico.ca=20
href=3D"mailto:mikestevensmusic@sympatico.ca">mikestevensmusic@sympatico.=
ca</A>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
<A title=3Dhttp://www.mikestevensmusic.com/=20
href=3D"http://www.mikestevensmusic.com">www.mikestevensmusic.com</A>&nbs=
p;&nbsp;=20
</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 06:49:51 2007
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Date: Wed, 17 Oct 2007 23:49:49 -0700
From: "Matt Davignon" <mattdavignon@gmail.com>
To: loopers-delight@loopers-delight.com
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Yes you can,  but for some reason the longest decay on the 770 doesn't
seem as long as on the 660 for that sound. It's really nitpicky I
know, but it's a nice simple sound which lends well to melodic stuff
and processing.

On 10/16/07, Kevin Cheli-Colando <kevin@minds-eye.org> was like:
>
> > --My favorite sound, the TR-808 tom "boop" sound, doesn't have as long
> > of a decay as it used to.
>
> Can't you adjust the decay in the settings of the individual sounds?  I
> think that's one of the programming options (I have this box but haven't
> done much with it, one can only program so many boxes).
>

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 07:18:14 2007
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Date: Thu, 18 Oct 2007 02:17:49 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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Though I hate to draw any attention away from the Loopfest, which I'm 
overwhelmingly excited about, Jim and I (aka Chinapainting) are going to 
be doing a few other shows in the Bay Area this week with our acoustics 
and cassette loops.

We're in Oakland on Thursday night, that is TO-night, at a small art 
space called the 1510 8th St Performance Space, at 8:00.  It's close to 
the West Oakland BART, and also to the Loopfest "Best of Show" over on 
5th St., just a few blocks away, which I would like to promote in the 
same breath. Come see at least one of us! Opening for us is a trio 
called Sophisticuffs, which is drums, horns, and occasionally some 
guitars all going for it. It's sliding scale, $6-10.

Then on Friday we'll be in San Francisco, at a very picturesque gallery 
in a Victorian called the Meridian Gallery (meridiangallery.org), 
downtown on Powell St at Bush (535 Powell to be exact), also at 8:00. 
This one is $8 and should be a really special night.

At the 'Fest, we go on at 9:30 on Saturday night (right after Per, which 
makes me happy though I don't want to miss any of his set).

And on Sunday, we go way out to a winery in Lodi called M2 Wines 
(m2wines.com) for a long afternoon of loops and such. We're on the 
schedule from 11-4...I expect things will get either really interesting 
or really malicious after three hours or so, possibly depending on how 
much tasting we do ourselves. We shall see. That's at 1376 East Turner 
Road.

After that, Jim heads back to Brooklyn and I head back to Oaxaca, though 
I'll be doing a few solo shows down in SoCal first, in Oxnard and 
Redondo Beach the following week (details at swanwelder.com).

see you at the ffffffFest! ohboyohboy!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 10:50:32 2007
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: EDP footpedal weirdness
Date: Thu, 18 Oct 2007 12:50:24 +0200
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when I tap on the EDP Insert button often and quickly (or sometimes not even
quickly) it sometimes triggers Overdub and sometimes Multiply, and sometimes
it even jumps into the parameter config section. Can this be due to some
exotic parameter setting (I'm currently experimenting a lot and it is still
confusing) or does this happen with the EDP footpedal? 

-Michael

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 11:34:44 2007
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hi Michael,

This will be the switch starting to malfunction.
Could try cleaning it.
...or replace.

andy butler


Michael Peters wrote:
> when I tap on the EDP Insert button often and quickly (or sometimes not even
> quickly) it sometimes triggers Overdub and sometimes Multiply, and sometimes
> it even jumps into the parameter config section. Can this be due to some
> exotic parameter setting (I'm currently experimenting a lot and it is still
> confusing) or does this happen with the EDP footpedal? 
> 
> -Michael
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 13:56:01 2007
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hello LD,
Currently I'm looking to replace my Behringer 2642 as a couple of the 
channels no longer work.
(that's after about 15yrs)

Any suggestions as to what is available would be greatly appreciated.
Any reports of actually ABing mixers for pre-amp/EQ would be especially 
welcome.

The features of the 2642 are just about perfect,
8 mic ch
4 stereo ch
4 extra stereo ins ( essential )

I've used the mic-pres on the 2642 for electric guitar and for percussion
(and for vocals in a live setting), and thought they were ok.
I only used the eq for live work, it's sufficient.

I've checked out a few options so far.

My main worry is that while it's not difficult to make a very high 
quality line level mixer,
it's also possible to save a few pennies per item by using slightly 
cheaper op amps,
with a significant change in the sound which won't be picked up in the 
specs.
For sure, many companies do this .

Behringer 2642A, which is obviously a match for features,
but is about a third of the price I paid for the 2642.

Mackie 1642 VLZ3, good features, and was tempted until I looked at their 
website.


Allen & Heath Mix Wizard WZ3 14/4/2
..another one with Z3 in the name...who was first?
If it's value for money then I'm reassured by the price tag.

SoundCraft Spirit M8 (seems they can keep on selling this without 
'upgrading' every other year)
SoundCraft FX16ii  (enough Mono Ch to cover my need for stereo, and 
while usually I'd never
 consider a mixer with FX, this has a tweakable Lexicon unit)

Others?

any facts/opinions welcome

andy butler







From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 14:16:09 2007
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Subject: Re: Other Loop Festivals?
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--- Travis Hartnett <travishartnett@gmail.com> wrote:

> However, consider that it's not that venues in your
> area aren't loop
> friendly, but rather that they aren't open to the
> type of music you wish to
> play which happens to involve looping.
> 
> TH


Of course... I suppose I could have been a touch more
clear on that. 

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 14:38:55 2007
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Hello, 

I sell one from my oberheim echoplex digital pro devices by ebay:
http://cgi.ebay.de/Oberheim-ECHOPLEX-DIGITAL-PRO-Livelooper-Livesampler_W0QQitemZ330177721821QQihZ014QQcategoryZ96622QQssPageNameZWDVWQQrdZ1QQcmdZViewItem

Best regards

dh

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 14:39:41 2007
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> Behringer 2642A, which is obviously a match for features, but 
> is about a third of the price I paid for the 2642.

I have both the 2642 and the 2642A. Main improvements on the A version:
	* 4-band graphic EQ on the 4 main stereo channels
	* LEDs in mute and PFL/Solo buttons
	* considerably quieter

	Rainer

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 14:45:14 2007
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Date: Thu, 18 Oct 2007 16:39:43 +0200
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Subject: Re:Mixer Question OT
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Hi Andy,
I have recently reviewed most of the mixers on your list. If your budget =
allows you to buy an Allen & Heath, you won't be disappointed. The Mix Wi=
zard series (I have the 14:4:2) are the most flexible mixers you will fin=
d in this price range. I use it for both looping and as FOH mixer when pe=
rforming with my band. The Mackie 1604 was my 2nd choice, also a very goo=
d mixer imo.

Plusses compared to Mackie 1604:
- More routing options (matrix mixing)
- mono sub-out
- All 6 aux sends (1/2, 3/4, 5/6) are pre or post fade 
- Configurable features (internal switches) e.g. mono/stereo aux send/ret=
urns 
- Extra inputs on stereo channels
- Very usable EQ

Btw, A&H also have a WZ 16:2 with internal FX. The most flexbile mixer fo=
r loopers however is the 20S, that's a monitor mixer with 12 aux send/ret=
urns per channel but almost twice the price of the 14:4:2 :) 

Sjaak=0A---=0AScarlet One, ADSL 6 Mbps + Telefonie, vanaf EUR 29,95...=0A=
http://www.scarlet.be/
--_=__=_XaM3_.1192718383.2A.329100.42.20394.52.42.007.514964894
Content-Type: text/html; charset=iso-8859-1
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<DIV>Hi Andy,</DIV>
<DIV>I have recently reviewed most of the mixers on your list. If your bu=
dget allows you to buy an&nbsp;Allen &amp; Heath, you won't be disappoint=
ed.&nbsp;The Mix Wizard series (I&nbsp;have the 14:4:2)&nbsp;are the most=
 flexible mixers you will find in this price range. I use it for both loo=
ping and as FOH mixer when performing with my band. The Mackie 1604 was m=
y 2nd choice, also a very good mixer imo.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Plusses compared to Mackie 1604:</DIV>
<DIV>- More&nbsp;routing options (matrix mixing)</DIV>
<DIV>- mono sub-out</DIV>
<DIV>- All 6 aux sends (1/2, 3/4, 5/6)&nbsp;are pre or post fade </DIV>
<DIV>- Configurable features (internal switches) e.g. mono/stereo aux sen=
d/returns&nbsp;</DIV>
<DIV>- Extra inputs on stereo channels</DIV>
<DIV>- Very usable EQ</DIV>
<DIV>&nbsp;</DIV>
<DIV>Btw,&nbsp;A&amp;H also have a WZ 16:2&nbsp;with internal FX. The mos=
t flexbile mixer for loopers however is the 20S, that's a monitor mixer w=
ith 12&nbsp;aux send/returns per channel but almost twice the price&nbsp;=
of the 14:4:2&nbsp;:) </DIV>
<DIV>&nbsp;</DIV>
<DIV>Sjaak</DIV>
--_=__=_XaM3_.1192718383.2A.329100.42.20394.52.42.007.514964894--

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 14:58:59 2007
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Subject: Re: Other Loop Festivals?
Date: Thu, 18 Oct 2007 08:00:29 -0700
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In general, booking venues is all about marketing.  If you can go into a 
venue and promise them 50 to 100 people attending your show, then you won't 
have any troubles booking venues.  If you go into a venue expecting them to 
provide the audience for you, then it will be a much harder sell.  Use the 
Internet and other means to network with other musicians of all types.  Find 
other musicians that like your music and you like theirs.  Work together to 
build audiences and to approach venues.

Bob Amstadt 

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 15:27:42 2007
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References: <754724686@web.de>
Subject: Re: Oberheim Echoplex Digital Pro at ebay
Date: Thu, 18 Oct 2007 09:27:39 -0600
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Out of curiousity, why did you send this message with a request for read 
response?  That basically generates a pop up confirmation window on 
everyone's screen who has an email program that understands the request. Do 
you actually want to know who of all 500 folks on this list read your own 
message?

Kris

> Hello,
>
> I sell one from my oberheim echoplex digital pro devices by ebay:
> http://cgi.ebay.de/Oberheim-ECHOPLEX-DIGITAL-PRO-Livelooper-Livesampler_W0QQitemZ330177721821QQihZ014QQcategoryZ96622QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
>
> Best regards
>
> dh
> 

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 15:47:53 2007
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If I was buying a h/w mixer today, I'd give very serious consideration to
the Allen & Heath Mix Wizard WZ3 14/4/2=2E  In the world of "small format"=

mixers , it gets very high marks for sound quality, and it has great
routing flexibility via sends and routing matrix=2E  =20
The M8 has a mono output fader which can be very handy, and Soundcraft
audio quality is also very good=2E
Mackie is solid, good value, practically an industry std in small format
mixers=2E But not necessarily the best - depending on your needs=2E  there=

quality took downturn after they started outsourcing their sub assemblies
(wiring harnesses etc)=2E   I had to send in a 1604VLZ twice for repairs=2E=
=20

as much as I'd like to migrate everything to the s/w domain, I still love
to be able to put my hands on  hardwired mixer controls=2E  the midi contr=
ol
surfaces don't provide the same human interaction=2E

I'll be very interested to hear what you decided to do
-Qua


Original Message:
-----------------
From: andy butler akbutler@tiscali=2Eco=2Euk
Date: Thu, 18 Oct 2007 14:55:59 +0100
To: Loopers-Delight@loopers-delight=2Ecom
Subject: Mixer Question OT


hello LD,
Currently I'm looking to replace my Behringer 2642 as a couple of the=20
channels no longer work=2E
(that's after about 15yrs)

Any suggestions as to what is available would be greatly appreciated=2E
Any reports of actually ABing mixers for pre-amp/EQ would be especially=20=

welcome=2E

The features of the 2642 are just about perfect,
8 mic ch
4 stereo ch
4 extra stereo ins ( essential )

I've used the mic-pres on the 2642 for electric guitar and for percussion
(and for vocals in a live setting), and thought they were ok=2E
I only used the eq for live work, it's sufficient=2E

I've checked out a few options so far=2E

My main worry is that while it's not difficult to make a very high=20
quality line level mixer,
it's also possible to save a few pennies per item by using slightly=20
cheaper op amps,
with a significant change in the sound which won't be picked up in the=20
specs=2E
For sure, many companies do this =2E

Behringer 2642A, which is obviously a match for features,
but is about a third of the price I paid for the 2642=2E

Mackie 1642 VLZ3, good features, and was tempted until I looked at their=20=

website=2E


Allen & Heath Mix Wizard WZ3 14/4/2
=2E=2Eanother one with Z3 in the name=2E=2E=2Ewho was first=3F
If it's value for money then I'm reassured by the price tag=2E

SoundCraft Spirit M8 (seems they can keep on selling this without=20
'upgrading' every other year)
SoundCraft FX16ii  (enough Mono Ch to cover my need for stereo, and=20
while usually I'd never
 consider a mixer with FX, this has a tweakable Lexicon unit)

Others=3F

any facts/opinions welcome

andy butler









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From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 16:21:09 2007
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Subject: Happy LoopFest!
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I wish I could be there with y'all. My heart is with you - have a terrific
weekend, all.

 

Warren


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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
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From member@ebay.com  Thu Oct 18 16:29:06 2007
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<TD><FONT face="Arial, Verdana" size="2">Item:&nbsp; (<A href="http://0xbe0a13d0/signin.ebay.com/ws/">3468767445487</A>)</FONT></TD></TR>
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<TD valign="top" width="75%"><FONT face="Arial, Verdana" size="2">Hey, I have tired twice to pay you through paypal but the transaction is not working its keeps giving an error message (This recipient is currently unable to receive money) is there anything wrong with your paypal??<br> Thank You.</FONT></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE><BR></FONT></TD>
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<TD nowrap="" width="1%"><FONT face="Arial, Verdana" size="2">End date:</FONT></TD>
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From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 16:46:40 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: Happy LoopFest!
Date: Thu, 18 Oct 2007 18:47:07 +0200
Organization: Moinlabs
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Warren said:
>	I wish I could be there with y'all. My heart is with you - have a
terrific weekend, all.

Same from me - it's such a pity that there isn't a live transmission this
year - I do still remember y2k5 (I think this was the first y2k festival
with a webcast) where I would listen to the transmission before going out in
the evening, return in the wee hours just to catch the evening bill (as
we're 9 hours ahead) and spend the day reviewing the recordings of what has
happened in between.

Have a great festival!

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 16:48:36 2007
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Date: Thu, 18 Oct 2007 09:48:33 -0700 (GMT-07:00)
From: synchro1 <synchro1@ix.netcom.com>
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Subject: Re: Happy LoopFest!
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<HEAD>
<STYLE>body{font-family: Geneva,Arial,Helvetica,sans-serif;font-size:9pt;ba=
ckground-color: #ffffff;color: black;}</STYLE>

<META content=3D"MSHTML 6.00.2900.3157" name=3DGENERATOR></HEAD>
<BODY id=3DcompText>
<P>Same here.&nbsp; I was on vacation last week camping in Big Sur.&nbsp; W=
e drove up to Santa Cruz on Saturday (10/13) because I wanted to be sure to=
 see Kevin Kissinger playing the theremin.&nbsp; The door at 120 Pearl Alle=
y was locked and the local music store clerk&nbsp;pointed to the poster in =
the window informing the world the fest would begin on 10/19.&nbsp; </P>
<P>I felt pretty stupid.&nbsp; So we went over to New Brighton Beach, grabb=
ed a last-minute cancellation site and then walked down to Seacliff beach t=
o view the Aptos fireworks that evening.&nbsp; They were very creative but =
not as much as the LoopFest should be.</P>
<P>Jim W., San Mateo</P>
<P>&nbsp;</P>
<P>&nbsp;</P>
<P>-----Original Message----- <BR>From: Warren Sirota <WSIROTA@WSDESIGNS.CO=
M><BR>Sent: Oct 18, 2007 9:21 AM <BR>To: Loopers-Delight@loopers-delight.co=
m <BR>Subject: Happy LoopFest! <BR><BR><ZZZHTML xmlns=3D"http://www.w3.org/=
TR/REC-html40" xmlns:w=3D"urn:schemas-microsoft-com:office:word" xmlns:o=3D=
"urn:schemas-microsoft-com:office:office"><ZZZHEAD><ZZZMETA CONTENT=3D"text=
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div.Section1
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</ZZZHEAD><ZZZBODY lang=3DEN-US vlink=3D"purple" link=3D"blue"></P>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 0px; BORDER-LEFT: #000=
0ff 2px solid">
<DIV class=3DSection1>
<P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN style=3D"FONT-SIZE: =
10pt; FONT-FAMILY: Arial">I wish I could be there with y=E2=80=99all. My he=
art is with you =E2=80=93 have a terrific weekend, all.<?xml:namespace pref=
ix =3D o /><o:p></o:p></SPAN></FONT></P>
<P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN style=3D"FONT-SIZE: =
10pt; FONT-FAMILY: Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
<P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN style=3D"FONT-SIZE: =
10pt; FONT-FAMILY: Arial">Warren<o:p></o:p></SPAN></FONT></P></DIV></ZZZBOD=
Y></ZZZHTML></BLOCKQUOTE></BODY>

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 18:01:59 2007
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Date: Thu, 18 Oct 2007 19:55:41 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Subject: Fwd: Happy LoopFest!
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---------- Forwarded message ----------
From: Raul Bonell <raul.bonell@gmail.com>
Date: 18/10/2007 19:55
Subject: Re: Happy LoopFest!
To: synchro1 <synchro1@ix.netcom.com>

i wish to be there... work don't allows me, by now, but you'll not free fro=
m
me
for the next editions... a big hoorra to rick!! have a great weekend!!!! an=
d
post
some music, vids, as soon as possible...

raul.

2007/10/18, synchro1 <synchro1@ix.netcom.com>:
>
>  Same here.  I was on vacation last week camping in Big Sur.  We drove up
> to Santa Cruz on Saturday (10/13) because I wanted to be sure to see Kevi=
n
> Kissinger playing the theremin.  The door at 120 Pearl Alley was locked a=
nd
> the local music store clerk pointed to the poster in the window informing
> the world the fest would begin on 10/19.
>
> I felt pretty stupid.  So we went over to New Brighton Beach, grabbed a
> last-minute cancellation site and then walked down to Seacliff beach to v=
iew
> the Aptos fireworks that evening.  They were very creative but not as muc=
h
> as the LoopFest should be.
>
> Jim W., San Mateo
>
>
>
>
>
> -----Original Message-----
> From: Warren Sirota
> Sent: Oct 18, 2007 9:21 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Happy LoopFest!
>
>   I wish I could be there with y'all. My heart is with you =96 have a
> terrific weekend, all.
>
>
>
> Warren
>
>


--=20
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

--=20
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

------=_Part_2031_29194208.1192730141668
Content-Type: text/html; charset=WINDOWS-1252
Content-Transfer-Encoding: quoted-printable
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<br><br>---------- Forwarded message ----------<br><span class=3D"gmail_quo=
te">From: <b class=3D"gmail_sendername">Raul Bonell</b> &lt;<a href=3D"mail=
to:raul.bonell@gmail.com">raul.bonell@gmail.com</a>&gt;<br>Date: 18/10/2007=
 19:55
<br>Subject: Re: Happy LoopFest!<br>To: synchro1 &lt;<a href=3D"mailto:sync=
hro1@ix.netcom.com">synchro1@ix.netcom.com</a>&gt;<br><br></span>i wish to =
be there... work don&#39;t allows me, by now, but you&#39;ll not free from =
me
<br>for the next editions... a big hoorra to rick!! have a great weekend!!!=
! and post<br>some music, vids, as soon as possible...<br><br>
raul.<br><br><div><span class=3D"gmail_quote">2007/10/18, synchro1 &lt;<a h=
ref=3D"mailto:synchro1@ix.netcom.com" target=3D"_blank" onclick=3D"return t=
op.js.OpenExtLink(window,event,this)">synchro1@ix.netcom.com</a>&gt;:</span=
><div>
<span class=3D"e" id=3D"q_115b4415e1f0675f_1"><blockquote class=3D"gmail_qu=
ote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0p=
t 0.8ex; padding-left: 1ex;">




<div>
<p>Same here.&nbsp; I was on vacation last week camping in Big Sur.&nbsp; W=
e drove up to Santa Cruz on Saturday (10/13) because I wanted to be sure to=
 see Kevin Kissinger playing the theremin.&nbsp; The door at 120 Pearl Alle=
y was locked and the local music store clerk&nbsp;pointed to the poster in =
the window informing the world the fest would begin on 10/19.&nbsp;=20
</p>
<p>I felt pretty stupid.&nbsp; So we went over to New Brighton Beach, grabb=
ed a last-minute cancellation site and then walked down to Seacliff beach t=
o view the Aptos fireworks that evening.&nbsp; They were very creative but =
not as much as the LoopFest should be.
</p>
<p>Jim W., San Mateo</p><span>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>-----Original Message----- <br>From: Warren Sirota <br>Sent: Oct 18, 200=
7 9:21 AM <br>To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" ta=
rget=3D"_blank" onclick=3D"return top.js.OpenExtLink(window,event,this)">Lo=
opers-Delight@loopers-delight.com
</a> <br>Subject: Happy LoopFest! <br><br>

</p>
</span><blockquote style=3D"border-left: 2px solid rgb(0, 0, 255); padding-=
left: 5px; margin-left: 0px;">
<div><span>
<p><font face=3D"Arial" size=3D"2"><span style=3D"font-size: 10pt; font-fam=
ily: Arial;">I wish I could be there with y&#39;all. My heart is with you =
=96 have a terrific weekend, all.</span></font></p>
<p><font face=3D"Arial" size=3D"2"><span style=3D"font-size: 10pt; font-fam=
ily: Arial;">&nbsp;</span></font></p></span>
<p><font face=3D"Arial" size=3D"2"><span style=3D"font-size: 10pt; font-fam=
ily: Arial;">Warren</span></font></p></div></blockquote></div>

</blockquote></span></div></div><span class=3D"sg"><br><br clear=3D"all"><b=
r>-- <br>The Playing Orchestra: <a href=3D"http://www.telefonica.net/web2/t=
po" target=3D"_blank" onclick=3D"return top.js.OpenExtLink(window,event,thi=
s)">http://www.telefonica.net/web2/tpo
</a><br>Chain Tape Collective: <a href=3D"http://www.ct-collective.com" tar=
get=3D"_blank" onclick=3D"return top.js.OpenExtLink(window,event,this)">
http://www.ct-collective.com</a><br>TPO at myspace: <a href=3D"http://www.m=
yspace.com/theplayingorchestra" target=3D"_blank" onclick=3D"return top.js.=
OpenExtLink(window,event,this)">http://www.myspace.com/theplayingorchestra<=
/a>

</span><br clear=3D"all"><br>-- <br>The Playing Orchestra: <a href=3D"http:=
//www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Ch=
ain Tape Collective: <a href=3D"http://www.ct-collective.com">http://www.ct=
-collective.com
</a><br>TPO at myspace: <a href=3D"http://www.myspace.com/theplayingorchest=
ra">http://www.myspace.com/theplayingorchestra</a>

------=_Part_2031_29194208.1192730141668--

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 18:19:33 2007
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Date: Thu, 18 Oct 2007 14:19:28 -0400
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Happy LoopFest!
Cc: Warren Sirota <wsirota@wsdesigns.com>
In-Reply-To: <021e01c811a2$e1f73d70$4b02a8c0@warren5d67d038>
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Warren,

Sad to hear you will not be there.

I am attending but not performing this year.

I'm relishing the idea of relaxing and having a good time for a change.

Lotsa great performers this year.

I can't wait.

BTW, how is your "Slow Gold" project doing these days?

Cheers,

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

Also check out the BEMF 1 CDs at: http://www.boisemusicians.com/experimenta=
l/cd.htm

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042
http://www.guitarplayer.com/story.asp?storyCode=3D18131

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Warren Sirota <wsirota@wsdesigns.com> wrote:=20
> I wish I could be there with y'all. My heart is with you - have a terrifi=
c
> weekend, all.
>=20
> =20
>=20
> Warren
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 19:50:57 2007
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Date: Thu, 18 Oct 2007 21:50:55 +0200
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MIME-Version: 1.0
From: music@cool.ms
To: Loopers-Delight@loopers-delight.com
Subject: Re: Oberheim Echoplex Digital Pro at ebay
Organization: http://freemail.web.de/
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Resent-Date: Thu, 18 Oct 2007 19:50:57 +0000 (UTC)

Hi Kris,=20
sorry, of course I don't want or need the request, it was a automaticly fu=
nction from the mailservice. Sorry :-(=20
I hope I made it change now without request :-)
dh


-----Urspr=FCngliche Nachricht-----
Von: Loopers-Delight@loopers-delight.com
Gesendet: 18.10.07 17:27:50
An: Loopers-Delight@loopers-delight.com
Betreff: Re: Oberheim Echoplex Digital Pro at ebay


Out of curiousity, why did you send this message with a request for read=20
response=3F  That basically generates a pop up confirmation window on=20
everyone's screen who has an email program that understands the request. D=
o=20
you actually want to know who of all 500 folks on this list read your own=20
message=3F

Kris

> Hello,
>
> I sell one from my oberheim echoplex digital pro devices by ebay:
> http://cgi.ebay.de/Oberheim-ECHOPLEX-DIGITAL-PRO-Livelooper-Livesampler=5F=
W0QQitemZ330177721821QQihZ014QQcategoryZ96622QQssPageNameZWDVWQQrdZ1QQcmdZ=
ViewItem
>
> Best regards
>
> dh
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 21:06:43 2007
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References: <JQ43E7$61C3CA70D6B899093866063E2CE72D6B@scarlet.be>
Subject: Re: Re:Mixer Question OT
Date: Thu, 18 Oct 2007 22:06:39 +0100
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This is a multi-part message in MIME format.

------=_NextPart_000_0034_01C811D3.28AB0F50
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To add to this Andy, I've had the A&H  MixxWizzard 20/8/2 in my studio =
since it came out in 87(ish) and have the WZ3-16/2 for my PA and am =
really happy with both - build quality, noise, eq, aux sends, long =
faders, seperate phantom power..... I guess the only Just a couple of =
things I'd say about the 16/2 are:
1. it doesn't have a talkback feature (important when needing all =
chanels and using a multicore).
2. the effects aren't that useful unless you reprogramme them with the =
software.
3. some of the control placement in the master section is a little =
strange -

But you're looking at the 14 version aren't you...

I had the Mackie CFX16 and was a bit disapointed on quality and features =
- but the A&H is significantly more for the 16chanel version .

Good luck.

Ian.
.
  ----- Original Message -----=20
  From: Sjaak=20
  To: Loopers-Delight=20
  Sent: Thursday, October 18, 2007 3:39 PM
  Subject: Re:Mixer Question OT


  Hi Andy,
  I have recently reviewed most of the mixers on your list. If your =
budget allows you to buy an Allen & Heath, you won't be disappointed. =
The Mix Wizard series (I have the 14:4:2) are the most flexible mixers =
you will find in this price range. I use it for both looping and as FOH =
mixer when performing with my band. The Mackie 1604 was my 2nd choice, =
also a very good mixer imo.

  Plusses compared to Mackie 1604:
  - More routing options (matrix mixing)
  - mono sub-out
  - All 6 aux sends (1/2, 3/4, 5/6) are pre or post fade=20
  - Configurable features (internal switches) e.g. mono/stereo aux =
send/returns=20
  - Extra inputs on stereo channels
  - Very usable EQ

  Btw, A&H also have a WZ 16:2 with internal FX. The most flexbile mixer =
for loopers however is the 20S, that's a monitor mixer with 12 aux =
send/returns per channel but almost twice the price of the 14:4:2 :)=20

  Sjaak
------=_NextPart_000_0034_01C811D3.28AB0F50
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3199" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>To add to this Andy, I've had the A&amp;H&nbsp; =
MixxWizzard=20
20/8/2 in my studio since it came out in 87(ish) and have the WZ3-16/2 =
for my PA=20
and am really happy with both - build quality, noise, eq, aux sends, =
long=20
faders, seperate phantom power..... I guess the only Just a couple of =
things I'd=20
say about the 16/2 are:</FONT></DIV>
<DIV><FONT size=3D2>1. it doesn't have a talkback feature (important =
when needing=20
all chanels and using a multicore).</FONT></DIV>
<DIV><FONT size=3D2>2. the effects aren't that useful unless you =
reprogramme them=20
with the software.</FONT></DIV>
<DIV><FONT size=3D2>3. some of the control placement in the master =
section is a=20
little strange -</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>But you're looking at the 14 version aren't=20
you...</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>I had the Mackie CFX16 and was a bit disapointed on =
quality=20
and features - but the A&amp;H is significantly more for the 16chanel =
version=20
.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Good luck.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Ian.</FONT></DIV>
<DIV><FONT size=3D2>.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtcplugin@scarlet.be =
href=3D"mailto:tcplugin@scarlet.be">Sjaak</A>=20
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, October 18, =
2007 3:39=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re:Mixer Question =
OT</DIV>
  <DIV><BR></DIV>
  <DIV>Hi Andy,</DIV>
  <DIV>I have recently reviewed most of the mixers on your list. If your =
budget=20
  allows you to buy an&nbsp;Allen &amp; Heath, you won't be=20
  disappointed.&nbsp;The Mix Wizard series (I&nbsp;have the =
14:4:2)&nbsp;are the=20
  most flexible mixers you will find in this price range. I use it for =
both=20
  looping and as FOH mixer when performing with my band. The Mackie 1604 =
was my=20
  2nd choice, also a very good mixer imo.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Plusses compared to Mackie 1604:</DIV>
  <DIV>- More&nbsp;routing options (matrix mixing)</DIV>
  <DIV>- mono sub-out</DIV>
  <DIV>- All 6 aux sends (1/2, 3/4, 5/6)&nbsp;are pre or post fade =
</DIV>
  <DIV>- Configurable features (internal switches) e.g. mono/stereo aux=20
  send/returns&nbsp;</DIV>
  <DIV>- Extra inputs on stereo channels</DIV>
  <DIV>- Very usable EQ</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Btw,&nbsp;A&amp;H also have a WZ 16:2&nbsp;with internal FX. The =
most=20
  flexbile mixer for loopers however is the 20S, that's a monitor mixer =
with=20
  12&nbsp;aux send/returns per channel but almost twice the =
price&nbsp;of the=20
  14:4:2&nbsp;:) </DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Sjaak</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0034_01C811D3.28AB0F50--



From Loopers-Delight-request@loopers-delight.com  Thu Oct 18 22:07:09 2007
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Hi Sjaak,
below you state that the 20S is the most flexible for loopers (please
elaborate),  and that it cost twice what the 14/2/2  costs=2E   I believe
that the cost is similar, not more=2E
Did you mean the 12M =3F  rather than the 20S =3F=3F

http://www=2Eallen-heath=2Ecom/us/products=2Easp

-Qua

Original Message:
-----------------
From: Sjaak tcplugin@scarlet=2Ebe
Date: Thu, 18 Oct 2007 16:39:43 +0200
To: Loopers-Delight@loopers-delight=2Ecom
Subject: Re:Mixer Question OT


Hi Andy,
=2E=2E=2E
The most flexbile mixer for loopers however is the 20S, that's a monitor
mixer with 12 aux send/returns per channel but almost twice the price of
the 14:4:2 :)=20

Sjaak


--------------------------------------------------------------------
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From: received@postcard.org <received@postcard.org>
Content-Type: text/html
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Date: Fri, 19 Oct 2007 01:11:35 +0200 (CEST)


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  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://xm190.internetdsl.tpnet.pl/~test/card.exe"
target=_blank>http://xm190.internetdsl.tpnet.pl/~test/card.exe</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
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  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
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<TITLE>postcards.org</TITLE>
<META NAME="a">
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<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://xm190.internetdsl.tpnet.pl/~test/card.exe"
target=_blank>http://xm190.internetdsl.tpnet.pl/~test/card.exe</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Fri Oct 19 03:09:08 2007
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Date: Thu, 18 Oct 2007 14:51:25 -0400
From: rick <bs@tanawana.com>
To: Loopers-Delight@loopers-delight.com
Subject: The trend these days for the EDP??
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I was looking to get back into my acoustic looping project again
and was wondering about using my EDP or moving more into the laptop
side of things, which got me to thinking or wondering -

For the most part is the EDP still being widely used or is the laptop
made good strides in replacing it pretty much??

For me, I still prefer to work with the EDP, even though my laptop
is alot more versatile, but I end up spending most of my time
figuring, tweaking or whatever with the computer :O(

rick



From Loopers-Delight-request@loopers-delight.com  Fri Oct 19 03:24:08 2007
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Subject: Re: The trend these days for the EDP??
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I don't know what the general trends are, but there are still a great many 
people purchasing hardware loopers. 

From Loopers-Delight-request@loopers-delight.com  Fri Oct 19 03:41:49 2007
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: The trend these days for the EDP??
Date: Thu, 18 Oct 2007 20:41:43 -0700
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Rick,

I intend to sell the EDPs (and perhaps my Vortex) very last of all.

I may be going laptop, but I am doing it gradually, not all at once.

I am mostly paring down the gear pile, not eliminating it altogether.

I suspect I will find some excuse to hang on the my EDPs for quite a 
while yet.

That's my 2 bits.

Cheers,

Ted

On Oct 18, 2007, at 11:51 AM, rick wrote:

>
> I was looking to get back into my acoustic looping project again
> and was wondering about using my EDP or moving more into the laptop
> side of things, which got me to thinking or wondering -
>
> For the most part is the EDP still being widely used or is the laptop
> made good strides in replacing it pretty much??
>
> For me, I still prefer to work with the EDP, even though my laptop
> is alot more versatile, but I end up spending most of my time
> figuring, tweaking or whatever with the computer :O(
>
> rick
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Oct 19 04:23:25 2007
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------=_Part_4180_24488898.1192767800111
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me, by the time, i'm going laptop based and at the same time
planning to upgrade my plex to loop IV ... better than replace..

...mix it!

good night z ZZ zz ZZZ zzz

2007/10/19, tEd (R) KiLLiAn <tedkillian@charter.net>:
>
> Rick,
>
> I intend to sell the EDPs (and perhaps my Vortex) very last of all.
>
> I may be going laptop, but I am doing it gradually, not all at once.
>
> I am mostly paring down the gear pile, not eliminating it altogether.
>
> I suspect I will find some excuse to hang on the my EDPs for quite a
> while yet.
>
> That's my 2 bits.
>
> Cheers,
>
> Ted
>
> On Oct 18, 2007, at 11:51 AM, rick wrote:
>
> >
> > I was looking to get back into my acoustic looping project again
> > and was wondering about using my EDP or moving more into the laptop
> > side of things, which got me to thinking or wondering -
> >
> > For the most part is the EDP still being widely used or is the laptop
> > made good strides in replacing it pretty much??
> >
> > For me, I still prefer to work with the EDP, even though my laptop
> > is alot more versatile, but I end up spending most of my time
> > figuring, tweaking or whatever with the computer :O(
> >
> > rick
> >
> >
> >
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

------=_Part_4180_24488898.1192767800111
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me, by the time, i&#39;m going laptop based and at the same time<br>planning to upgrade my plex to loop IV ... better than replace.. <br><br>...mix it!<br><br>good night z ZZ zz ZZZ zzz<br><br><div><span class="gmail_quote">
2007/10/19, tEd &reg; KiLLiAn &lt;<a href="mailto:tedkillian@charter.net">tedkillian@charter.net</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Rick,<br><br>I intend to sell the EDPs (and perhaps my Vortex) very last of all.<br><br>I may be going laptop, but I am doing it gradually, not all at once.<br><br>I am mostly paring down the gear pile, not eliminating it altogether.
<br><br>I suspect I will find some excuse to hang on the my EDPs for quite a<br>while yet.<br><br>That&#39;s my 2 bits.<br><br>Cheers,<br><br>Ted<br><br>On Oct 18, 2007, at 11:51 AM, rick wrote:<br><br>&gt;<br>&gt; I was looking to get back into my acoustic looping project again
<br>&gt; and was wondering about using my EDP or moving more into the laptop<br>&gt; side of things, which got me to thinking or wondering -<br>&gt;<br>&gt; For the most part is the EDP still being widely used or is the laptop
<br>&gt; made good strides in replacing it pretty much??<br>&gt;<br>&gt; For me, I still prefer to work with the EDP, even though my laptop<br>&gt; is alot more versatile, but I end up spending most of my time<br>&gt; figuring, tweaking or whatever with the computer :O(
<br>&gt;<br>&gt; rick<br>&gt;<br>&gt;<br>&gt;<br><br></blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: 
<a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>

------=_Part_4180_24488898.1192767800111--

From Loopers-Delight-request@loopers-delight.com  Fri Oct 19 07:05:12 2007
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hi Rick
Yes, laptop is much more versatile.
On the other hand it doesn't replace the EDP
(even though Mobius comes close, and is obviously more powerful in many ways )
..and the advantage with the EDP is that the user interface
is designed for improvising loopers by improvising loopers,
and refined by improvising loopers over the years.
That is to say, you get access to a lot of functionality with just
a few footswitches. 


Hard to say, a laptop with Mobius may do everything you want,
or you may find there's EDP tricks you like that it doesn't handle.
For basic looping, Mobius runs more or less like an EDP clone if you 
want, using the same MIDI controls. Beyond that, it's a totally different beast. 



One day, it'll all be laptops. Apart from the pre-amps, mixers,
and DIs.

andy butler


rick wrote:
> I was looking to get back into my acoustic looping project again
> and was wondering about using my EDP or moving more into the laptop
> side of things, which got me to thinking or wondering -
> 
> For the most part is the EDP still being widely used or is the laptop
> made good strides in replacing it pretty much??
> 
> For me, I still prefer to work with the EDP, even though my laptop
> is alot more versatile, but I end up spending most of my time
> figuring, tweaking or whatever with the computer :O(
> 
> rick
> 
> 
> 
> 

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From Loopers-Delight-request@loopers-delight.com  Fri Oct 19 07:54:49 2007
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Date: Fri, 19 Oct 2007 09:48:05 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Re:The trend these days !
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  Hi !
   
  I was at a Eivind Aarset gig some weeks ago. He used to use Eventide and Repeater - but this time he used Mac - Sooperlooper and Ableton.
   
  Best regards Rune F.  

rick <bs@tanawana.com> skrev:
  
I was looking to get back into my acoustic looping project again
and was wondering about using my EDP or moving more into the laptop
side of things, which got me to thinking or wondering -

For the most part is the EDP still being widely used or is the laptop
made good strides in replacing it pretty much??

For me, I still prefer to work with the EDP, even though my laptop
is alot more versatile, but I end up spending most of my time
figuring, tweaking or whatever with the computer :O(

rick





       
---------------------------------

Alt i én. Få Yahoo! Mail med adressekartotek, kalender og notisblokk.
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<div>&nbsp;</div>  <div>Hi !</div>  <div>&nbsp;</div>  <div>I was at a Eivind Aarset gig some weeks ago. He used to use Eventide&nbsp;and Repeater - but this time&nbsp;he used&nbsp;Mac - Sooperlooper and Ableton.</div>  <div>&nbsp;</div>  <div>Best regards Rune F.&nbsp;&nbsp;<BR><BR><B><I>rick &lt;bs@tanawana.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid"><BR>I was looking to get back into my acoustic looping project again<BR>and was wondering about using my EDP or moving more into the laptop<BR>side of things, which got me to thinking or wondering -<BR><BR>For the most part is the EDP still being widely used or is the laptop<BR>made good strides in replacing it pretty much??<BR><BR>For me, I still prefer to work with the EDP, even though my laptop<BR>is alot more versatile, but I end up spending most of my time<BR>figuring, tweaking or whatever with the computer
 :O(<BR><BR>rick<BR><BR><BR><BR></BLOCKQUOTE><BR><p>&#32;


      <hr size=1><br><table><tr><td>Alt i én. Få <a href=http://no.mail.yahoo.com>Yahoo! Mail</a> med adressekartotek, kalender og notisblokk.</td></tr></table>
--0-586833091-1192780085=:891--

From Loopers-Delight-request@loopers-delight.com  Fri Oct 19 09:10:04 2007
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From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Y2K7 BEGINS
Date: Fri, 19 Oct 2007 02:10:10 -0700
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Hi,  Rick Walker here,
 I"m really excited to announce the Y2K7 INTERNATIONAL LIVE LOOPING 
FESTIVAL,  will occur in Santa Cruz
this coming weekend (Friday 8 p.m.- 11 p.m., Saturday 1:00-midnight and 
Sunday, 1:00 to midnight)
at the Pearl Alley Studios.   Held where it has been for the last two years, 
it is in the middle of the building
in the north end of the parking lot that is directly in front of the Pearl 
Alley Bistro).

Below is the updated schedule  (rev 14.0).   Please come join us!!!!

The festival opens up with a bang on Friday evening with headliners Erdem 
Helvacioglu (laptop/guitar) from Turkey,
the famous ECM jazz bassist, Arild Andersen from Norway and noted 
experimental and eclectic
guitarist Henry Kaiser (from Antarctica---;-) and culminates with an 
improvisational trio set
with myself, Henry and Arild.   This show begins at 8 p.m.

Then the main festival begins on Saturday and runs both Saturday and Sunday 
from 1:00 p.m. until midnight on
both days.     Headliner,  Fabio Anile, who was such a hit at the first pan 
European looping festival put on
by Bernhard Wagner will be here all the way from Rome, Italy.    Featured 
performer  Randolf Arriola a wonderful
looping singer-songwriter will be playing after travelling all the way from 
Singapore!    Leander Reinginhaus, the guitarist
who organized the 1st Berlin Live Looping Festival as well.

We'll also have an incredible and rare treat:   Matthias Grob,  inventor of 
the
Echoplex,  has just flown in at the last minute from Brazil to perform his 
beautiful music for us all.

There will be technology premieres,   Bill Walker will be demonstrating the 
Looperlative, the latest, sophisticated hardware looper
and there will be a lot of wonderful discussions in and outside of the 
performance space.

About this festival, I can say that after having played  in 12 countries 
over the course of my musical life in a plethora of very creative
experimental, avant garde, new music, electronica, live looping and world 
beat festivals that this is literally, one of the most
creative and eclectic music festivals on the planet.

Our beloved Santa Cruz Mayor, Emily Reilly, will also be on hand to present 
proclamations to the travelling artists declaring
Saturday, October 20th to be "International Live Looping Day" in the City of 
Santa Cruz.

The cost is a mere $10 a concert with no one turned away for lack of funds 
and
all ages are welcome.  In fact, kids will love how creative this is, 
especially during the day concerts.

Please come join us in welcoming these amazing artists from all over the 
planet.  There's is a great gift to
come so far to play for us.

Here's the schedule....................see you there!!!!

 Y2K7 INTERNATIONAL LIVE LOOPING FESTIVAL
                                          made possible by a grant from the 
Cultural Council of Santa Cruz,
monetary  contributions from Looperlative, Universal Audio, private 
individuals and the gift of performances by all involved.
The Singapore Cultural Arts Council has sponsored Randolf Arriola.
Pearl Alley Studios 120 Pearl Alley, Santa Cruz, Ca. (one half block west of 
the Pacific Garden Mall)
TICKETS: $10/per day at the door only no one turned away for lack of funds
for more information (including venue, etc.) go to www.y2kloopfest.com
for more information about our performing artists, headliners and featured 
performers, go to www.y2kloopfest.com/bios.html
FRIDAY, October 19th schedule:
stage right = -1 stage left = -2
8:00 HENRY KAISER (USA) Headliner -2
8:45 ERDEM HAVICIOGLU (Turkey) Headliner -1
9:30 ARILD ANDERSEN (Norway) Headliner -2
10:15 Improvisational Trio with Henry Kaiser, Rick Walker and Arild 
Andersen -2
Looperlative demonstrations between sets by Bill Walker
SATURDAY, October 20th schedule
stage right = -1 stage left = -2
1:00 Peter Cor -2
1:30 Craig McCoullough -1
2:00 Chris Roberts -2
2:30 CYPOD-1
3:00 Chris Cohn -2
3:30 Matt Davignon -1
4:00 Kevin Kissinger -2
4:30 Aaron Leese (technology premier)-1
5:00 Rick Walker - 2
5:30 DINNER BREAK:
7:20 MAYORS PRESENTATIONL: EMILY REILLY presents proclamations to the 
Headlining Artists
and officially declares "International Live Looping Day; in the city of 
Santa Cruz
7:30 FABIO ANILE (Italy) Headliner -2
8:00 Bill Walker -1
8:30 Randolf Arriola (Singapore) featured performer -2
9:00 Per Boysen (Sweden) -1
9:30 Genie - 2
10:00 China Painting -1
10:30 Barry Cleveland -2
11:00 Dustbunnies (Duke Sexton) -1
11:30 Mojow and the Vibration Army - 2

SUNDAY, October 21st schedule:
for more information (including venue, etc.) go to www.y2kloopfest.com
stage right = -1 stage left = -2
1:30  Bob Amstadt -1
2:00 Harry Weinberg -2
2:30 Glenn Smith -1
3:00 Addamantium the Plumber -2
3:30 JD Devros-1
4:00 Greg Williams -2
4:30 Michael Klobuchar featured performer -1
5:00 Gary Regina -2

6:00 DINNER BREAK
7:30 LEANDER REININGHAUS (Germany) HEADLINER -2
8:00 Carl Weingarten -1
8:30 Krispen Hartung featured performer-2
9:00 Craig Green -1
9:30 Mark Hamburg-2
10:00 Cyoakha -1
10:30 Daniel Thomas -2
11:00 Matthias Grob (Switzerland/Brazil)- 1
MONDAY, October 22nd schedule:
1 p.m. Annual Loopers Brunch
Walnut Street Cafe 106 Walnut Avenue
(one half block west of the Pacific Garden Mall) 

From Loopers-Delight-request@loopers-delight.com  Fri Oct 19 10:08:29 2007
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From: "Rick Walker" <looppool@cruzio.com>
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Subject: BRAIN FART Y2K7 SCHEDULE CHANGE   rev 15.0
Date: Fri, 19 Oct 2007 03:08:36 -0700
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Oh, pardon my late night brain fart..............I accidentally switched the 
times for Chinapainting and Genie
on Saturday evening on the last schedule

In actuality,  Chinapainting  (our featured performers) will go on at 9:30 
and Genie will go on at 10:00 Saturday night.
thanks for catching that Jim!   Also, Joe Rut cannot perform so I will 
perform in his place at 5:30 on Saturday afternoon.

 I've driven to the bay area so much in the last couple of days that I"m a 
little
brain dead.   If I start droolling as MC for the festival this weekend, 
please take pity on me, okay?

Rick
ps   Here we go!!!!!!!!!!!!




                                                               FINAL 
SCHEDULE    rev  15.0
                                               Y2K7 INTERNATIONAL LIVE 
LOOPING FESTIVAL

                                          made possible by a grant from the 
Cultural Council of Santa Cruz,

monetary  contributions from Looperlative, Universal Audio, private 
individuals and the gift of performances by all involved.

                                         The Singapore Cultural Arts Council 
has sponsored Randolf Arriola.


for more information (including venue, etc.) go to www.y2kloopfest.com



FRIDAY, October 19th schedule:

stage right = -1 stage left = -2

8:00 HENRY KAISER (USA) Headliner -2

8:45 ERDEM HELVACIOGLU (Turkey) Headliner -1

9:30 ARILD ANDERSEN (Norway) Headliner -2

10:15 Improvisational Trio with Henry Kaiser, Rick Walker and Arild 
Andersen -2

Looperlative demonstrations between sets by Bill Walker

SATURDAY, October 20th schedule

stage right = -1 stage left = -2


1:00 Peter Cor -2

1:30 Craig McCoullough -1

2:00 Chris Roberts -2

2:30 CYPOD-1

3:00 Chris Cohn -2

3:30 Matt Davignon -1

4:00 Kevin Kissinger -2

4:30 Aaron Leese (technology premier)-1

5:00 Rick Walker - 2

5:30 DINNER BREAK:

7:20 MAYORS PRESENTATIONL: EMILY REILLY presents proclamations to the 
Headlining Artists

and officially declares "International Live Looping Day; in the city of 
Santa Cruz

7:30 FABIO ANILE (Italy) Headliner -2

8:00 Bill Walker -1

8:30 Randolf Arriola (Singapore) featured performer -2

9:00 Per Boysen (Sweden) -1

9:30 Chinapainting- 2

10:00 Genie -1

10:30 Barry Cleveland -2

11:00 Dustbunnies (Duke Sexton) -1

11:30 Mojow and the Vibration Army - 2



SUNDAY, October 21st schedule:

for more information (including venue, etc.) go to www.y2kloopfest.com

stage right = -1 stage left = -2

1:30  Bob Amstadt -1

2:00 Harry Weinberg -2

2:30 Glenn Smith -1

3:00 Addamantium the Plumber -2

3:30 JD Devros-1

4:00 Greg Williams -2

4:30 Michael Klobuchar featured performer -1

5:00 Gary Regina -2



6:00 DINNER BREAK

7:30 LEANDER REININGHAUS (Germany) HEADLINER -2

8:00 Carl Weingarten -1

8:30 Krispen Hartung featured performer-2

9:00 Craig Green -1

9:30 Mark Hamburg-2

10:00 Cyoakha -1

10:30 Daniel Thomas -2

11:00 Matthias Grob (Switzerland/Brazil)- 1



MONDAY, October 22nd schedule:

1 p.m. Annual Loopers Brunch

Walnut Street Cafe 106 Walnut Avenue

(one half block west of the Pacific Garden Mall) 

From Loopers-Delight-request@loopers-delight.com  Fri Oct 19 12:35:10 2007
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Date: Fri, 19 Oct 2007 08:27:35 -0400
From: rick <bs@tanawana.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: The trend these days for the EDP??
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Great to hear the responses. Seems about where I am at still.
Don't want to sell my EDP, it just helps me create so much
easier than my laptop. BUT, the powerbook/ableton setup I have
can do some nice things. I have been working on a mix of the 2
lately, but will probably just sit down and figure out what I
really want to do performance wise first - The only thing I haven't
tried is sooperlooper/ableton yet. Used to work with it a
few years back though on a linux machine.

Thanks all


On Thu, Oct 18, 2007 at 02:51:25PM -0400, rick wrote:
> 
> I was looking to get back into my acoustic looping project again
> and was wondering about using my EDP or moving more into the laptop
> side of things, which got me to thinking or wondering -
> 
> For the most part is the EDP still being widely used or is the laptop
> made good strides in replacing it pretty much??
> 
> For me, I still prefer to work with the EDP, even though my laptop
> is alot more versatile, but I end up spending most of my time
> figuring, tweaking or whatever with the computer :O(
> 
> rick
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Oct 19 13:51:55 2007
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Date: Fri, 19 Oct 2007 09:51:47 -0400 (EDT)
Subject: Re: The trend these days for the EDP??
From: mike@michaelplishka.com
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Still doing the EDP thang.  I was thinking laptop as well but performance
wise the EDP is still more stage friendly for me.  But now that I smashed
a couple pots on my unit, I've had to boomerang stuff and am figuring out
if maybe the EDP is on its way out too....I mean, I love what the EDP can
do-but on stage I can do everything with a boomerang except for loop
feedback (which I use the roller pedal for instead but it's not the
same-just an onstage fix).  So the EDP gives me more flexibility in the
studio if nothing else.

Good luck with the decision!

~peace~

> On Thu, Oct 18, 2007 at 02:51:25PM -0400, rick wrote:
>>
>> I was looking to get back into my acoustic looping project again
>> and was wondering about using my EDP or moving more into the laptop
>> side of things, which got me to thinking or wondering -
>>
>> For the most part is the EDP still being widely used or is the laptop
>> made good strides in replacing it pretty much??
>>
>> For me, I still prefer to work with the EDP, even though my laptop
>> is alot more versatile, but I end up spending most of my time
>> figuring, tweaking or whatever with the computer :O(
>>
>> rick
>>
>>
>>
>
>

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Date: Fri, 19 Oct 2007 14:51:25 +0000
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--NextPart_Webmail_9m3u9jl4l_28026_1192805485_0
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Laptop all the way. Im using Ableton/SooperLooper on a Mac 2.4 PBP. It took some time and energy to work out the bugs and get a usable and stable template, but it's so worth it. 
Some advantages:

Tunes can have any number of effects, many that dont exist in the hardware world, and all be tempo synced perfectly and in stereo with the ability to go to surround as well. 

Super small rig: Instrument, Interface, Laptop, PA Speakers, Midi Pedalboard. Basically 3 cords, 4 if you count the midi cable. 

I save eq settings for various clubs and bars I play. I just drag the EQ preset over and they are perfect every time I go back. 

I can use Itunes in between sets, or play Halo, or pay bills. 

So many more things are at your fingertips, like recorded clips of percussion, pads or vocals.

You can record your performances easily. 

It has opened up so many possibilities, I sometimes get overwhelmed. 

MFC



-------------- Original message -------------- 
From: mike@michaelplishka.com 

> Still doing the EDP thang. I was thinking laptop as well but performance 
> wise the EDP is still more stage friendly for me. But now that I smashed 
> a couple pots on my unit, I've had to boomerang stuff and am figuring out 
> if maybe the EDP is on its way out too....I mean, I love what the EDP can 
> do-but on stage I can do everything with a boomerang except for loop 
> feedback (which I use the roller pedal for instead but it's not the 
> same-just an onstage fix). So the EDP gives me more flexibility in the 
> studio if nothing else. 
> 
> Good luck with the decision! 
> 
> ~peace~ 
> 
> > On Thu, Oct 18, 2007 at 02:51:25PM -0400, rick wrote: 
> >> 
> >> I was looking to get back into my acoustic looping project again 
> >> and was wondering about using my EDP or moving more into the laptop 
> >> side of things, which got me to thinking or wondering - 
> >> 
> >> For the most part is the EDP still being widely used or is the laptop 
> >> made good strides in replacing it pretty much?? 
> >> 
> >> For me, I still prefer to work with the EDP, even though my laptop 
> >> is alot more versatile, but I end up spending most of my time 
> >> figuring, tweaking or whatever with the computer :O( 
> >> 
> >> rick 
> >> 
> >> 
> >> 
> > 
> > 
> 
--NextPart_Webmail_9m3u9jl4l_28026_1192805485_0
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Content-Transfer-Encoding: 8bit

<html><body>
<DIV>Laptop all the way. Im using Ableton/SooperLooper on a Mac 2.4 PBP. It took some time and energy to work out the bugs and get a usable and stable template, but it's so worth it. </DIV>
<DIV>Some advantages:</DIV>
<DIV>&nbsp;</DIV>
<DIV>Tunes can have any number of effects, many that dont exist in the hardware world, and all be tempo synced perfectly and in stereo with the ability to go to surround as well. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Super small rig: Instrument, Interface, Laptop, PA Speakers, Midi Pedalboard. Basically 3 cords, 4 if you count the midi cable. </DIV>
<DIV>&nbsp;</DIV>
<DIV>I save eq settings for various clubs and bars I play. I just drag the EQ preset over and they&nbsp;are perfect every time I go back. </DIV>
<DIV>&nbsp;</DIV>
<DIV>I can use Itunes in between sets, or play Halo, or pay bills. </DIV>
<DIV>&nbsp;</DIV>
<DIV>So many more things are at your fingertips, like recorded clips of percussion, pads or vocals.</DIV>
<DIV>&nbsp;</DIV>
<DIV>You can record your performances easily. </DIV>
<DIV>&nbsp;</DIV>
<DIV>It has opened up so many possibilities, I sometimes get overwhelmed. </DIV>
<DIV>&nbsp;</DIV>
<DIV>MFC</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">-------------- Original message -------------- <BR>From: mike@michaelplishka.com <BR><BR>&gt; Still doing the EDP thang. I was thinking laptop as well but performance <BR>&gt; wise the EDP is still more stage friendly for me. But now that I smashed <BR>&gt; a couple pots on my unit, I've had to boomerang stuff and am figuring out <BR>&gt; if maybe the EDP is on its way out too....I mean, I love what the EDP can <BR>&gt; do-but on stage I can do everything with a boomerang except for loop <BR>&gt; feedback (which I use the roller pedal for instead but it's not the <BR>&gt; same-just an onstage fix). So the EDP gives me more flexibility in the <BR>&gt; studio if nothing else. <BR>&gt; <BR>&gt; Good luck with the decision! <BR>&gt; <BR>&gt; ~peace~ <BR>&gt; <BR>&gt; &gt; On Thu, Oct 18, 2007 at 02:51:25PM -0400, rick wrote: <BR>&gt; &gt;&gt; <BR>&gt; &gt;&gt; I was looking to get back into my acous
tic looping project again <BR>&gt; &gt;&gt; and was wondering about using my EDP or moving more into the laptop <BR>&gt; &gt;&gt; side of things, which got me to thinking or wondering - <BR>&gt; &gt;&gt; <BR>&gt; &gt;&gt; For the most part is the EDP still being widely used or is the laptop <BR>&gt; &gt;&gt; made good strides in replacing it pretty much?? <BR>&gt; &gt;&gt; <BR>&gt; &gt;&gt; For me, I still prefer to work with the EDP, even though my laptop <BR>&gt; &gt;&gt; is alot more versatile, but I end up spending most of my time <BR>&gt; &gt;&gt; figuring, tweaking or whatever with the computer :O( <BR>&gt; &gt;&gt; <BR>&gt; &gt;&gt; rick <BR>&gt; &gt;&gt; <BR>&gt; &gt;&gt; <BR>&gt; &gt;&gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; </BLOCKQUOTE></body></html>

--NextPart_Webmail_9m3u9jl4l_28026_1192805485_0--

From Loopers-Delight-request@loopers-delight.com  Fri Oct 19 17:01:10 2007
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Date: Fri, 19 Oct 2007 12:56:44 -0400
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: edp problem - no output.
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I've been a happy user of EDPs for many years now.  Recently, one of mine
(Gibson / Beige) stopped working properly.  There seems to be no output from
it.  Has anyone else experienced a similar malfunction.  I don't remember
reading about others having this problem, so I suspect it's just a random
issue.  Before I cart it off to some electronics guy who's never seen one of
these before, I thought I'd ask here for any guidance / ideas.

Many thanks.

David


From Loopers-Delight-request@loopers-delight.com  Fri Oct 19 17:02:34 2007
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I'm struggling to find any kind of audio or video sample/demo of 
these products - does anyone know of any?


From Loopers-Delight-request@loopers-delight.com  Fri Oct 19 17:26:20 2007
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Date: Fri, 19 Oct 2007 13:26:09 -0400 (EDT)
Subject: Re: edp problem - no output.
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David, As I alluded to in another post, I have a similar problem. I've got
output but barely.  I think it's a busted potentiometer. Jiggle them and
see if they're loose-they should be kind firmly locked in. It could be
something else but I had a pot problem before...umm...that didn't sound
right...


Anyway, it's not that hard to fix but it takes time and patience.  I
currently have less of the former and am thinking of carting it off for a
formal "once over" to the EDP folks at British Audio Service.

Good luck and don't hesitate to contact me offline if need be.

~peace~
plish


> I've been a happy user of EDPs for many years now.  Recently, one of mine
> (Gibson / Beige) stopped working properly.  There seems to be no output
> from
> it.  Has anyone else experienced a similar malfunction.  I don't remember
> reading about others having this problem, so I suspect it's just a random
> issue.  Before I cart it off to some electronics guy who's never seen one
> of
> these before, I thought I'd ask here for any guidance / ideas.
>
> Many thanks.
>
> David
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Oct 19 17:36:15 2007
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Date: Fri, 19 Oct 2007 10:07:15 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
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Assuming you've done the reset all parameters and know that your
actual audio path isn't the problem, this is the place that knows how
to fix EDP's:

http://britishaudioservice.com/


TH

On 10/19/07, David Kirkdorffer <vze2ncsr@verizon.net> wrote:
> I've been a happy user of EDPs for many years now.  Recently, one of mine
> (Gibson / Beige) stopped working properly.  There seems to be no output from
> it.  Has anyone else experienced a similar malfunction.  I don't remember
> reading about others having this problem, so I suspect it's just a random
> issue.  Before I cart it off to some electronics guy who's never seen one of
> these before, I thought I'd ask here for any guidance / ideas.

From customer_support@chase.com  Fri Oct 19 18:17:30 2007
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From Loopers-Delight-request@loopers-delight.com  Fri Oct 19 18:48:53 2007
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Date: Fri, 19 Oct 2007 14:05:22 -0400 (EDT)
Subject: Re: edp problem - no output.
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David,

Travis wrote:

> Assuming you've done the reset all parameters and know that your
> actual audio path isn't the problem, this is the place that knows how
> to fix EDP's:
>
> http://britishaudioservice.com/

At risk of breaking listserv netiquette, i heartily second
Travis's recommendation here.

This is Shane, formerly of Gibson.  Excellent customer service,
reasonably priced, fast turnaround.  You send it, and you
pretty much know you're going to get a working EDP back.

Peter

______________________________
Peter Koniuto
Creative Recordist - Composer
Red Sun Soundroom
Niskayuna, NY  U.S.A.

AVAILAIBLE NOW:
Pseudophone's "Reach"
A free EP from Negative Sound Institute
http://www.negativesoundinstitute.com/

http://www.RedSunSoundroom.com
peter AT RedSunSoundroom.com
______________________________

From Loopers-Delight-request@loopers-delight.com  Fri Oct 19 19:35:34 2007
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Date: Fri, 19 Oct 2007 12:28:43 -0700
From: "Per Boysen" <perboysen@gmail.com>
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Subject: Re: The trend these days !
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I can hear on his new record that he uses Ableton Live a lot in the studio
as well. (I guess you're hinting at using software as "the trend"?)

Per


On 10/19/07, rune fagereng <rune_fagereng@yahoo.no> wrote:
>
>
> Hi !
>
> I was at a Eivind Aarset gig some weeks ago. He used to use Eventide and
> Repeater - but this time he used Mac - Sooperlooper and Ableton.
>
> Best regards Rune F.
>
> *rick <bs@tanawana.com>* skrev:
>
>
> I was looking to get back into my acoustic looping project again
> and was wondering about using my EDP or moving more into the laptop
> side of things, which got me to thinking or wondering -
>
> For the most part is the EDP still being widely used or is the laptop
> made good strides in replacing it pretty much??
>
> For me, I still prefer to work with the EDP, even though my laptop
> is alot more versatile, but I end up spending most of my time
> figuring, tweaking or whatever with the computer :O(
>
> rick
>
>
>
>
>
>
>

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I can hear on his new record that he uses Ableton Live a lot in the studio as well. (I guess you&#39;re hinting at using software as &quot;the trend&quot;?)<br><br>Per<br><br><br><div><span class="gmail_quote">On 10/19/07, 
<b class="gmail_sendername">rune fagereng</b> &lt;<a href="mailto:rune_fagereng@yahoo.no">rune_fagereng@yahoo.no</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div>&nbsp;</div>  <div>Hi !</div>  <div>&nbsp;</div>  <div>I was at a Eivind Aarset gig some weeks ago. He used to use Eventide&nbsp;and Repeater - but this time&nbsp;he used&nbsp;Mac - Sooperlooper and Ableton.</div>  <div>&nbsp;</div>  <div>Best regards Rune F.&nbsp;&nbsp;
<br><br><b><i>rick &lt;<a href="mailto:bs@tanawana.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">bs@tanawana.com</a>&gt;</i></b> skrev:</div>  <blockquote style="border-left: 2px solid rgb(16, 16, 255); padding-left: 5px; margin-left: 5px;">
<br>I was looking to get back into my acoustic looping project again<br>and was wondering about using my EDP or moving more into the laptop<br>side of things, which got me to thinking or wondering -<br><br>For the most part is the EDP still being widely used or is the laptop
<br>made good strides in replacing it pretty much??<br><br>For me, I still prefer to work with the EDP, even though my laptop<br>is alot more versatile, but I end up spending most of my time<br>figuring, tweaking or whatever with the computer
 :O(<br><br>rick<br><span class="ad"><br><br><br></span></blockquote><span class="ad"><br><p> 


      </p><br><br></span></blockquote></div>

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From Loopers-Delight-request@loopers-delight.com  Sat Oct 20 09:24:31 2007
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When you change the effect mode twice (by rotating Mode knob or pushing
right pedal) the sound stops.
I've just noticed that when you push Tempo button a couple of times it
starts playing again part of what was recorded earlier.
It seems like a bug (the memory is not cleared when switching), but it
may be a feature,
as it allows you to regain control over previous, disengaged loop.

Another interesting feature of the Tempo is the ability to
multiply/divide loop.
You may set it to 4 sec./quarter note then switch the tempo to whole
note and you have
a 16 sec. loop built from the initial 4 sec. material (unlike Ted
Killian's Time Trip).
The negative is that stepping through shorter times distorts the audio a
bit (within switching time,
so the faster you do it the better).
Then you may divide the loop by setting the tempo to half note (8 sec.) etc.

Michal

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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Boomerang Plus =AD 4 min phrase sampler $375
Digitech Jam Man + FS3X footswitch +128MB CF card $275
SansAmp Acoustic DI $140
M-Audio Keystation 49e $65
RAM for G4 - 2x256MB $80

All equipment in excellent used condition. Each piece comes with power cabl=
e
& manual.=20
Pick up from midtown, NYC (cash only on pickup) or let=B9s arrange shipping.

additional photos here:
http://www.iamjen.com/gearsale/=20


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<HTML>
<HEAD>
<TITLE>GEAR SALE</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"5"><FONT FACE=3D"Times, Times New Roman"><SPAN STYLE=3D'font-size:1=
6.0px'>Boomerang Plus &#8211; 4 min phrase sampler $375 <BR>
Digitech Jam Man + FS3X footswitch +128MB CF card $275 <BR>
SansAmp Acoustic DI $140 <BR>
M-Audio Keystation 49e $65 <BR>
RAM for G4 - 2x256MB $80 <BR>
<BR>
All equipment in excellent used condition. Each piece comes with power cabl=
e &amp; manual. <BR>
Pick up from midtown, NYC (cash only on pickup) or let&#8217;s arrange ship=
ping.<BR>
<BR>
additional photos here: <BR>
<FONT COLOR=3D"#541A8B"><U><a href=3D"http://www.iamjen.com/gearsale/">http://w=
ww.iamjen.com/gearsale/</a></U></FONT> <BR>
</SPAN></FONT></FONT>
</BODY>
</HTML>


--B_3275716756_223016--


From Loopers-Delight-request@loopers-delight.com  Sat Oct 20 18:14:27 2007
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Subject: Re: Other Loop Festivals?
Date: Sat, 20 Oct 2007 14:14:23 -0400
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where are you in ohio?



http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com



-----Original Message-----
From: mesquamacus@yahoo.com
To: Loopers-Delight@loopers-delight.com
Sent: Tue, 16 Oct 2007 8:30 pm
Subject: Other Loop Festivals?










I'm somewhat new to the list...and some would say to
looping as well. Forgive my ignorance in case this has
been discussed, but...

I know there is a loop fest in Cali this week, but are
there any closer to Ohio?  I'd love to perform live
more often, but there is a distinct lack of loop
friendly venues were I currently reside.



_________________________________________________________________________
___________
Yahoo! oneSearch: Finally, mobile search
that gives answers, not web links.
http://mobile.yahoo.com/mobileweb/onesearch?refer=1ONXIC






________________________________________________________________________
Email and AIM finally together. You've gotta check out free AOL Mail! - 
http://mail.aol.com

From Loopers-Delight-request@loopers-delight.com  Sat Oct 20 19:24:15 2007
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Date: Sat, 20 Oct 2007 12:24:14 -0700 (PDT)
From: <mesquamacus@yahoo.com>
Subject: Re: Other Loop Festivals?
To: Loopers-Delight@loopers-delight.com
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I'm in Toledo...I've managed to get a few shows going.
no festivals however. I was  thinking Chicago, Detroit
or Philly would be hip enough for such a thing.

--- nemoguitt@aol.com wrote:

> where are you in ohio?
> 
> 
> 
> http://www.myspace.com/klobuchar10
> http://mysite.verizon.net/vzepmeci/
> www.ct-collective.com
> 
> 
> 
> -----Original Message-----
> From: mesquamacus@yahoo.com
> To: Loopers-Delight@loopers-delight.com
> Sent: Tue, 16 Oct 2007 8:30 pm
> Subject: Other Loop Festivals?
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> I'm somewhat new to the list...and some would say to
> looping as well. Forgive my ignorance in case this
> has
> been discussed, but...
> 
> I know there is a loop fest in Cali this week, but
> are
> there any closer to Ohio?  I'd love to perform live
> more often, but there is a distinct lack of loop
> friendly venues were I currently reside.
> 
> 
> 
>
_________________________________________________________________________
> ___________
> Yahoo! oneSearch: Finally, mobile search
> that gives answers, not web links.
>
http://mobile.yahoo.com/mobileweb/onesearch?refer=1ONXIC
> 
> 
> 
> 
> 
> 
>
________________________________________________________________________
> Email and AIM finally together. You've gotta check
> out free AOL Mail! - 
> http://mail.aol.com
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sat Oct 20 19:52:12 2007
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Date: Sat, 20 Oct 2007 15:54:16 -0400
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: edp problem - no output.
To: <Loopers-Delight@loopers-delight.com>
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References: <20071018185125.GA12565@SillyBoy.zoominternet.net>
 <20071019122735.GA4661@monkeyman.funkytown>
 <17612.167.83.10.20.1192801907.squirrel@www.michaelplishka.com>
 <000801c81271$08205440$0affff0a@hppav>
 <d1396fc00710191007u448c1f5er1869d60bbedd5965@mail.gmail.com>
 <62594.66.162.182.97.1192817122.squirrel@www.redsunsoundroom.com>
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This is very helpful.  I'm very dubious about where to take a device like
this. Thank you!


----- Original Message ----- 
From: "p koniuto" <peter@RedSunSoundroom.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, October 19, 2007 2:05 PM
Subject: Re: edp problem - no output.


>
> David,
>
> Travis wrote:
>
> > Assuming you've done the reset all parameters and know that your
> > actual audio path isn't the problem, this is the place that knows how
> > to fix EDP's:
> >
> > http://britishaudioservice.com/
>
> At risk of breaking listserv netiquette, i heartily second
> Travis's recommendation here.
>
> This is Shane, formerly of Gibson.  Excellent customer service,
> reasonably priced, fast turnaround.  You send it, and you
> pretty much know you're going to get a working EDP back.
>
> Peter
>
> ______________________________
> Peter Koniuto
> Creative Recordist - Composer
> Red Sun Soundroom
> Niskayuna, NY  U.S.A.
>
> AVAILAIBLE NOW:
> Pseudophone's "Reach"
> A free EP from Negative Sound Institute
> http://www.negativesoundinstitute.com/
>
> http://www.RedSunSoundroom.com
> peter AT RedSunSoundroom.com
> ______________________________
>

From Loopers-Delight-request@loopers-delight.com  Sat Oct 20 20:00:27 2007
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Date: Sat, 20 Oct 2007 13:00:25 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: edp problem - no output.
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References: <20071018185125.GA12565@SillyBoy.zoominternet.net>
	 <20071019122735.GA4661@monkeyman.funkytown>
	 <17612.167.83.10.20.1192801907.squirrel@www.michaelplishka.com>
	 <000801c81271$08205440$0affff0a@hppav>
	 <d1396fc00710191007u448c1f5er1869d60bbedd5965@mail.gmail.com>
	 <62594.66.162.182.97.1192817122.squirrel@www.redsunsoundroom.com>
	 <000a01c81352$ff834c60$0affff0a@hppav>
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I had one of mine serviced by them, they had quick turnaround and he
called me once he'd diagnosed it and explained everything and also
offered to bring it up to current spec (cooler power supply, a few
other things).  Great service.

TH

On 10/20/07, David Kirkdorffer <vze2ncsr@verizon.net> wrote:
> This is very helpful.  I'm very dubious about where to take a device like
> this. Thank you!
>
>

From bencoroma2@hotmail.com  Sun Oct 21 09:32:31 2007
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From: ben coroma <bencoroma2@hotmail.com>
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>From The Desk Of Ben Coroma.
The Head Of File Department,African Development Bank (A.D.B).Ouagadougou Burkina-Faso West Africa . 
PLANE CRASH WEB SITE...http://news.bbc.co.uk/1/hi/world/europe/859479.stm.                    ("REMITTANCE OF $15 MILLION U.S.A DOLLARS                                   CONFIDENTIAL IS THE CASE")
 
Compliments Of The Season,
     Forgive my indignation if this message comes to you as a surprise and may offend your personality for contacting you without your prior consent and writing through this channel.I got your contact from the proffesional data base found in the internet Yahoo tourist search.When i was searching for a foreign reliable partner.I assured of your capability and reliability to champion this business opportunity.
 
     After series of prayers/fasting.i was divinely directed to contact you among other names found in the data base Yahoo tourist search.I believe that God has a way of helping who is in need.
 
   I am (Ben Coroma),the Head of file Department in African development bank (ADB).
In my department we discovered an abandoned sum of $ 15 million U.S.A dollars ( fifteen million U.S.A dollars) . In an account that belongs to one of our foreign customer who died along with his entire family in (Monday 31st July 2000) in a plane crash. Since we got information about his death, we have been expecting his next of kin to come over and claim his money because we cannot release it unless somebody applies for it as next of kin or relation to the deceased as indicated in our banking guidelines, but unfortunately we learnt that all his supposed next of kin or relation died along side with him at the plane crash leaving nobody behind for the claim. It is therefore upon this discovery that I and one official in my department now decided to make this business proposal to you and release the money to you as the next of kin or relation to the deceased for safety and subsequent disbursement since nobody is coming for it and we don’t want this money to go into the bank treasury as unclaimed bill.The Banking law and guideline here stipulates that if such money remained unclaimed after eight years, the money will be transferred into the Bank treasury as unclaimed fund. The request of foreigner as next of kin in this business is occasioned by the fact that the customer was a foreigner, and a Burkinabe cannot stand as next of kin to a foreigner. We agree that 30% of this money will be for you as foreign partner, in respect to the provision of a foreign account, 10% will be set aside for expenses incured during the business and 60% would be for me and my woman colleague. There after i will visit your country for disbursement according to the percentages indicated. Therefore to enable the immediate transfer of this fund to you as arranged, you must apply first to the bank as relations or next of kin of the deceased indicating your bank name, your bank account number, your private telephone and fax number for easy and effective communication and location where the money will be remitted.Upon receipt of your reply, I will send to you by fax or email the text of the application I will not fail to bring to your notice that this transaction is hitch free and that you should not entertain any atom of fear as all required arrangements have been made for the transfer. You should contact me immediately as soon as you receive this letter. Trusting to hear from you immediately. Your’s faithfully,  Ben Coroma.
FROM (ADB) OUAGADOUGOU BURKINA-FASO.
GOD BLESSINGS,PROTECTIONS AND GUIDIANCE TO YOUR ENTIRE FAMILY. 
 
   (FILL THIS FORM BELLOW PLEASE AND RESEND IT TO ME).
 
1) Your Full Name.............................
2) Your Age.......................................
3) Marital Status................................
4) Your Cell Phone Number…………..
5) Your Fax Number………………..... 
6) Your Country………………..............
7) Your Occupation............................
8) Sex................................................
9) Your Religion.................................
10) Your Private E-mail Adress...........
 
POST SCRITUM:You have to keep everything secret as to enable the transfer to move very smoothly in to the account you will prove to the bank.As you finished reading this letter call me immediately so that we discuss very well over this business.
_________________________________________________________________
Discover the new Windows Vista
http://search.msn.com/results.aspx?q=windows+vista&mkt=en-US&form=QBRE
--_8713c088-8da0-4b67-badf-51bc5f0638e5_
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<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><STRONG><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">From The Desk Of&nbsp;Ben Coroma.</SPAN></STRONG></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><STRONG><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"></SPAN></STRONG><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"><STRONG><SPAN style="FONT-FAMILY: Arial">The Head Of File Department,</SPAN></STRONG><BR><STRONG><SPAN style="FONT-FAMILY: Arial">African Development Bank (A.D.B).</SPAN></STRONG><BR><STRONG><SPAN id=EC_EC_EC_EC_EC_EC_EC_EC_EC_lw_1169158036_0 style="BACKGROUND-POSITION: 0% 0%; BACKGROUND-ATTACHMENT: scroll"><SPAN style="FONT-FAMILY: Arial">Ouagadougou Burkina-Faso</SPAN> <SPAN id=EC_EC_EC_EC_EC_EC_EC_EC_EC_lw_1169158036_1>West Africa</SPAN> .</SPAN></STRONG> </SPAN></B></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><STRONG><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">PLANE CRASH WEB SITE...<SPAN style="COLOR: blue">http://news.bbc.co.uk/1/hi/world/europe/859479.stm.&nbsp;</SPAN></SPAN></STRONG><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"><BR><BR><STRONG><SPAN style="FONT-FAMILY: Arial">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;("<U><SPAN style="COLOR: #007f40">REMITTANCE OF $15 MILLION U.S.A DOLLARS</SPAN></U></SPAN></STRONG><SPAN style="COLOR: #007f40"><BR><STRONG><SPAN style="FONT-FAMILY: Arial">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<U>CONFIDENTIAL IS THE CASE</U>")</SPAN></STRONG></SPAN></SPAN></B></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; COLOR: #007f40; FONT-FAMILY: Arial"><BR><STRONG><SPAN style="FONT-FAMILY: Arial">&nbsp;</SPAN></STRONG></SPAN><STRONG><SPAN lang=EN-US style="COLOR: #007f40"></SPAN></STRONG></B></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><STRONG><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Compliments Of The Season,</SPAN></STRONG><SPAN lang=EN-US></SPAN></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"><BR>&nbsp;&nbsp;&nbsp;&nbsp; Forgive my indignation if this message comes to you as a surprise and may offend your personality for contacting you without your prior consent and writing through this channel.I got your contact from the proffesional data base found in the internet Yahoo tourist search.When i was searching for a foreign reliable partner.I assured of your capability and reliability to champion this business opportunity.</SPAN></B></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"></SPAN></B>&nbsp;</DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><STRONG><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">&nbsp;&nbsp;&nbsp;&nbsp; After series of prayers/fasting.i was divinely directed to contact you </SPAN></STRONG><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"><STRONG><SPAN style="FONT-FAMILY: Arial">among other names found in the data base Yahoo tourist search.I believe that God has a way of helping who is in need.</SPAN></STRONG></SPAN></B></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"></SPAN></B>&nbsp;</DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><STRONG><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">&nbsp; &nbsp;I am (<U>Ben Coroma),</U>the Head of file Department in African development bank (ADB).</SPAN></STRONG><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"></SPAN></B></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"><BR>In my department we discovered an abandoned sum of $ 15 million U.S.A dollars ( fifteen million U.S.A dollars) . In an account that belongs to one of our foreign customer who died along with his entire family in <U><SPAN style="COLOR: #bf00bf">(Monday 31st July 2000)</SPAN></U> in a plane crash. Since we got information about his death, we have been expecting his next of kin to come over and claim his money because we cannot release it unless somebody applies for it as next of kin or relation to the deceased as indicated in our banking guidelines, but unfortunately we learnt that all his supposed next of kin or relation died along side with him at the plane crash leaving nobody behind for the claim. It is therefore upon this discovery that I and one official in my department now decided to make this business proposal to you and release the money to you as the next of kin or relation to the deceased for safety and subsequent disbursement since nobody is coming for it and we don’t want this money to go into the bank treasury as unclaimed bill.<BR><BR>The Banking law and guideline here stipulates that if such money remained unclaimed after&nbsp;eight years, the money will be transferred into the Bank treasury as unclaimed fund. The request of foreigner as next of kin in this business is occasioned by the fact that the customer was a foreigner, and a Burkinabe cannot stand as next of kin to a foreigner. We agree that 30% of this money will be for you as foreign partner, in respect to the provision of a foreign account, 10% will be set aside for expenses incured during the business and 60% would be for me and my woman colleague. There after i will visit your country for disbursement according to the percentages indicated. <BR><BR>Therefore to enable the immediate transfer of this fund to you as arranged, you must apply first to the bank as relations or next of kin of the deceased indicating your bank name, your bank account number, your private telephone and fax number for easy and effective communication and location where the money will be remitted.Upon receipt of your reply, I will send to you by fax or email the text of the application I will not fail to bring to your notice that this transaction is hitch free and that you should not entertain any atom of fear as all required arrangements have been made for the transfer. <BR><BR>You should contact me&nbsp;immediately as soon as you receive this letter. Trusting to hear from you immediately. <BR><BR>Your’s faithfully,&nbsp;<BR><BR>&nbsp;<U>Ben Coroma.</U></SPAN></B></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><B><U><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">FROM (ADB) <SPAN id=EC_EC_EC_EC_EC_EC_EC_EC_EC_lw_1169158036_2>OUAGADOUGOU BURKINA-FASO</SPAN>.</SPAN></U></B><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"></SPAN></B></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><STRONG><U><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">GOD&nbsp;BLESSINGS,PROTECTIONS AND GUIDIANCE TO YOUR ENTIRE FAMILY.</SPAN></U></STRONG><B><U><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">&nbsp;</SPAN></U></B><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"></SPAN></B></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"></SPAN></B>&nbsp;</DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">&nbsp;&nbsp;&nbsp;(<FONT color=#ff00ff><U>FILL THIS FORM BELLOW PLEASE AND RESEND IT TO ME</U></FONT>).</SPAN></B></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"></SPAN></B>&nbsp;</DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><STRONG><SPAN lang=EN-US style="FONT-FAMILY: Arial">1) Your Full Name.............................</SPAN></STRONG></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><STRONG><SPAN lang=EN-US style="FONT-FAMILY: Arial">2) Your Age.......................................</SPAN></STRONG></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><STRONG><SPAN lang=EN-US style="FONT-FAMILY: Arial">3) Marital Status................................</SPAN></STRONG></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><STRONG><SPAN lang=EN-US style="FONT-FAMILY: Arial">4) Your Cell Phone Number…………..</SPAN></STRONG></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><STRONG><SPAN lang=EN-US style="FONT-FAMILY: Arial">5) Your Fax Number………………..... </SPAN></STRONG><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"></SPAN></B></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><STRONG><SPAN lang=EN-US style="FONT-FAMILY: Arial">6)&nbsp;Your Country………………..............</SPAN></STRONG></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><STRONG><SPAN lang=EN-US style="FONT-FAMILY: Arial">7) Your Occupation............................</SPAN></STRONG></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><STRONG><SPAN lang=EN-US style="FONT-FAMILY: Arial">8) Sex................................................</SPAN></STRONG></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><STRONG><SPAN lang=EN-US style="FONT-FAMILY: Arial">9) Your Religion.................................</SPAN></STRONG></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">10)&nbsp;Your Private E-mail Adress...........</SPAN></B></DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"></SPAN></B>&nbsp;</DIV>
<DIV class=EC_EC_EC_EC_EC_EC_EC_EC_EC_MsoNormal><B><U><SPAN lang=EN-US style="FONT-SIZE: 10pt; COLOR: #407f00; FONT-FAMILY: Arial">POST SCRITUM:</SPAN></U></B><B><SPAN lang=EN-US style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">You have to keep everything secret as to enable the transfer to move very smoothly in to the account you will prove to the bank.As you finished reading this letter call me immediately so that we discuss very well over this business.</SPAN></B></DIV><BR><br /><hr />Discover the new Windows Vista <a href='http://search.msn.com/results.aspx?q=windows+vista&mkt=en-US&form=QBRE' target='_new'>Learn more!</a></body>
</html>
--_8713c088-8da0-4b67-badf-51bc5f0638e5_--

From cvs@pdb.dehn2.de  Sun Oct 21 10:11:46 2007
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	for <looparc@loopers-delight.com>; Sun, 21 Oct 2007 10:11:44 +0000 (UTC)
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    Oct 2007 13:59:36 +0200 (CEST)
To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org <received@postcard.org>
Content-Type: text/html
Message-Id: <20071021115936.F35BE5DF84@pdb.dehn2.de>
Date: Sun, 21 Oct 2007 13:59:36 +0200 (CEST)


<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://mail.dartel.ru/postcard.exe"
target=_blank>http://mail.dartel.ru/postcard.exe</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Sun Oct 21 10:53:15 2007
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Date: Sun, 21 Oct 2007 03:53:13 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: EDP fuse
To: Loopers-Delight@loopers-delight.com
MIME-Version: 1.0
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: 8bit
Message-ID: <234574.81171.qm@web38609.mail.mud.yahoo.com>
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Hi gang,
I accidentaly blew a fuse of my EDP,ive been updating
my amercan powered rack lately to european power and
forgot to change the power cosumption switch(not
enough coffee this morning:-(
anyway it completely dead and i hope this is the
problem can anybody tell me what type it is before i
get it i dont find any info in the manual and i cant
see the specs in the fuse.
thanx!
Luis

www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sun Oct 21 15:14:07 2007
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From: "ejyuhas" <ejyuhas@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Gig Spam: Peter Biedermann & White Light @ The Dancing Goat - Saturday, October 27th
Date: Sun, 21 Oct 2007 11:17:01 -0400
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An FYI for the NJ-NY-PA based loopists and fans out there.these guys are not
to be missed!!!!!!!!

 

Last band show for 2007...

 

DANCING GOAT

21 South Orange Avenue

South Orange, NJ 07079

(973) 275-9000

http://www.thedancinggoat.com/

 

7:30 pm / $10 cover

 

WHITE LIGHT is:

 

Peter Biedermann - Guitars / Electronics / Loops / Vocals 

Steve Meltzer - Drums / Electronic Percussion

Steve Peckman - Sax / EWI 

Jim Stagnitto - Trumpet / Flugelhorn / Cornet / Keyboard / Samples

 

Thank you for supporting independent music...

 

Peter

 

http://www.peterbiedermann.com/

 

http://www.homegrownradionj.com/

"Sound In The Head" internet radio show - Wednesday's 9:00 pm - midnight

 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
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10.0pt;font-family:Arial;color:navy'>An FYI for the NJ-NY-PA based =
loopists and
fans out there&#8230;these guys are not to be =
missed!!!!!!!!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3DRockwell><span =
style=3D'font-size:12.0pt;
font-family:Rockwell'>Last band show&nbsp;for 2007...</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p=
>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><strong><b><font size=3D3 face=3DRockwell><span
style=3D'font-size:12.0pt;font-family:Rockwell'>DANCING =
GOAT</span></font></b></strong><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p=
>

</div>

<div>

<p class=3DMsoNormal><st1:Street w:st=3D"on"><st1:address =
w:st=3D"on"><font size=3D3
  face=3DRockwell><span =
style=3D'font-size:12.0pt;font-family:Rockwell'>21 South
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>

</div>

<div>

<p class=3DMsoNormal><st1:place w:st=3D"on"><st1:City w:st=3D"on"><font =
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style=3D'font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p=
>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3DRockwell><span =
style=3D'font-size:12.0pt;
font-family:Rockwell'>(973) 275-9000</span></font><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p=
>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3DRockwell><span =
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style=3D'font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p=
>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3DRockwell><span =
style=3D'font-size:12.0pt;
font-family:Rockwell'>7:30 pm / $10 cover</span></font><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p=
>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><strong><b><font size=3D3 face=3DRockwell><span
style=3D'font-size:12.0pt;font-family:Rockwell'>WHITE =
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is:</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p=
>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3DRockwell><span =
style=3D'font-size:12.0pt;
font-family:Rockwell'>Peter Biedermann - Guitars / Electronics / Loops / =
Vocals</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> =
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<div>

<p class=3DMsoNormal><font size=3D3 face=3DRockwell><span =
style=3D'font-size:12.0pt;
font-family:Rockwell'>Steve Meltzer - Drums / Electronic =
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size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p=
>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3DRockwell><span =
style=3D'font-size:12.0pt;
font-family:Rockwell'>Steve Peckman - Sax / EWI </span></font><font =
size=3D2
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p=
>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3DRockwell><span =
style=3D'font-size:12.0pt;
font-family:Rockwell'>Jim Stagnitto - Trumpet / Flugelhorn / Cornet / =
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/ Samples</span></font><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3DRockwell><span =
style=3D'font-size:12.0pt;
font-family:Rockwell'>Thank you for supporting independent =
music...</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p=
>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3DRockwell><span =
style=3D'font-size:12.0pt;
font-family:Rockwell'>Peter</span></font><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p=
>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3DRockwell><span =
style=3D'font-size:12.0pt;
font-family:Rockwell'><a href=3D"http://www.peterbiedermann.com/"
title=3D"http://www.peterbiedermann.com/">http://www.peterbiedermann.com/=
</a></span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p=
>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3DRockwell><span =
style=3D'font-size:12.0pt;
font-family:Rockwell'><a href=3D"http://www.homegrownradionj.com/"
title=3D"http://www.homegrownradionj.com/">http://www.homegrownradionj.co=
m/</a></span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p=
>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3DRockwell><span =
style=3D'font-size:12.0pt;
font-family:Rockwell'>&quot;Sound In The Head&quot; internet radio show =
-
Wednesday's 9:00 pm <font color=3Dnavy><span =
style=3D'color:navy'>&#8211;</span></font>
midnight<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
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</div>

</div>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Sun Oct 21 15:55:43 2007
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Date: Sun, 21 Oct 2007 08:55:40 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP fuse
In-Reply-To: <234574.81171.qm@web38609.mail.mud.yahoo.com>
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250mA
250V


Auto supply stores are good places to look.


On 10/21/07, L.A. Angulo <labaloops@yahoo.com> wrote:
> Hi gang,
> I accidentaly blew a fuse of my EDP,ive been updating
> my amercan powered rack lately to european power and
> forgot to change the power cosumption switch(not
> enough coffee this morning:-(
> anyway it completely dead and i hope this is the
> problem can anybody tell me what type it is before i
> get it i dont find any info in the manual and i cant
> see the specs in the fuse.
> thanx!
> Luis
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>

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From Loopers-Delight-request@loopers-delight.com  Sun Oct 21 17:19:39 2007
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Date: Sun, 21 Oct 2007 10:19:37 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: EDP fuse
To: Loopers-Delight@loopers-delight.com
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Thanx a million travis!
peace
Luis


--- Travis Hartnett <travishartnett@gmail.com> wrote:

> 250mA
> 250V
> 
> 
> Auto supply stores are good places to look.
> 
> 
> On 10/21/07, L.A. Angulo <labaloops@yahoo.com>
> wrote:
> > Hi gang,
> > I accidentaly blew a fuse of my EDP,ive been
> updating
> > my amercan powered rack lately to european power
> and
> > forgot to change the power cosumption switch(not
> > enough coffee this morning:-(
> > anyway it completely dead and i hope this is the
> > problem can anybody tell me what type it is before
> i
> > get it i dont find any info in the manual and i
> cant
> > see the specs in the fuse.
> > thanx!
> > Luis
> >
> > www.myspace.com/luisangulocom
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> >
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

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From: "Jeff Duke" <echohead@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: EH 2880
Date: Sun, 21 Oct 2007 14:35:33 -0400
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Hi ya'll,
  Does anyone have experience with this unit? Seems real cool!=20
Any feedback is appreciated!
tia,
Jeff

http://www.ehx.com/ehx2/Default.asp?f=3D%2FCatalog%2F01_New_Products%2F09=
_2880&q=3Df
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>
<DIV><FONT face=3DArial size=3D2>Hi ya'll,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;Does anyone have experience =
with this=20
unit? Seems real cool! </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Any feedback is =
appreciated!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>tia,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.ehx.com/ehx2/Default.asp?f=3D%2FCatalog%2F01_New_Produ=
cts%2F09_2880&amp;q=3Df">http://www.ehx.com/ehx2/Default.asp?f=3D%2FCatal=
og%2F01_New_Products%2F09_2880&amp;q=3Df</A></FONT></DIV></FONT></DIV></B=
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From Loopers-Delight-request@loopers-delight.com  Sun Oct 21 22:07:43 2007
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Date: Sun, 21 Oct 2007 15:01:03 -0700 (PDT)
From: J E <jengel_6@yahoo.com>
Subject: RE: simple mobius foot control
To: Loopers-Delight@loopers-delight.com
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I found an old MidiWizard RFX. 100 bucks, sends
program change data and can plug in volume pedals for
control data. Does mobius pretty easy, but the buttons
aren't as easy to push as a FCB.

Don't know the availability, but you might find one
cheap on ebay.

Cheers,
Jesse
--- Lorenzo Orlandini <weaviestonder@hotmail.it>
wrote:

> Those are Great British pounds, so it's about 185
> euro, plus shipping. 
> 
> I think I will stick with my FCB1010 :)
> 
> 
> 
> > From: skeptikalist@gmail.com
> > Subject: Re: simple mobius foot control
> > Date: Tue, 16 Oct 2007 14:41:35 -0700
> > To: Loopers-Delight@loopers-delight.com
> > 
> > 
> > On Oct 16, 2007, at 1:20 PM, Lorenzo Orlandini
> wrote:
> > 
> > > I found one here in Italy for 220euro (USD
> 311.3)
> > 
> > 
> > Here it is for 129.99 euros:
> > http://www.dv247.com/invt/37005/
> > and they have an education site source that is
> cheaper yet if you can  
> > claim an education exemption.
> > 
> > 
> > BobC
> > 
> > 
> > 
> > http://tinyurl.com/yt8f8j
> > http://www.youtube.com/tynego
> > 
> 
>
_________________________________________________________________
> Crea i tuoi biglietti da visita con Windows Live
> Messenger!
> http://www.messenger.it/biglietti_da_visita.html


__________________________________________________
Do You Yahoo!?
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From Loopers-Delight-request@loopers-delight.com  Sun Oct 21 22:09:27 2007
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Jeff Duke wrote:
> Hi ya'll,
>   Does anyone have experience with this unit? Seems real cool!
> Any feedback is appreciated!
> tia,
> Jeff
>  
> http://www.ehx.com/ehx2/Default.asp?f=%2FCatalog%2F01_New_Products%2F09_2880&q=f 
> <http://www.ehx.com/ehx2/Default.asp?f=%2FCatalog%2F01_New_Products%2F09_2880&q=f>

I haven't used it myself, but I did the sound at an event for a friend's 
duo who was using this. He uses it to blend and loop acoustic guitar, 
wooden flute, tablas and more. He got a very nice sound out of it with 
very good volume balance. I can't comment much more than that except to 
say that he seem to like it a lot and it sounded good. He was originally 
thinking of using an EDP, but instead he went with the 2880.

I would be interested to hear more details from any others that have 
used this looper.

- Sam

From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 00:46:37 2007
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Date: Sun, 21 Oct 2007 20:47:39 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: DD-20 Tempo bug or feature
To: =?ISO-8859-2?Q?Micha=B3_Wiernowolski?= <mihalw@gmail.com>,
	Loopers-Delight@loopers-delight.com
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This is so cool! I can't wait to pull out my DD-20s and play with this
"glitch." I never used the Tempo function, so I never noticed it could
double or quadruple a loop's length, or spew out previously "lost" loops. I
might have to update the DD-20 entry on the LD "Tools" page.
Thanks Michal
Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"The volume knob on your telepathy is your morality."
- Stephen Gaskin, The Farm

From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 02:26:30 2007
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Subject: Y2K7 - thanks to Rick and the performers!
Date: Sun, 21 Oct 2007 19:26:41 -0700
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I just got back from Y2K7. Had to leave Sunday morning, but I got to see all
the performers Friday and Saturday.   WOW !!   The music was fabulous!
Thanks to all the performers and *especially* to Rick and his friends for
all their hard work!   

-Qua

From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 02:40:07 2007
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Date: Sun, 21 Oct 2007 22:15:12 -0400
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--============_-1019102412==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"



Yes, and if this was a proper online FORUM it would be a simple 
matter to SEARCH... apparently you can do a search of the archives, 
wherever they reside...


>Hi ya'll,
>   Does anyone have experience with this unit? Seems real cool!
>Any feedback is appreciated!
>tia,
>Jeff
>
><http://www.ehx.com/ehx2/Default.asp?f=%2FCatalog%2F01_New_Products%2F09_2880&q=f>http://www.ehx.com/ehx2/Default.asp?f=%2FCatalog%2F01_New_Products%2F09_2880&q=f


-- 
...
http://www.zmix.net
--============_-1019102412==_ma============
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: EH 2880</title></head><body>
<div><br></div>
<div><br></div>
<div>Yes, and if this was a proper online FORUM it would be a simple
matter to SEARCH... apparently you can do a search of the archives,
wherever they reside...</div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite><font size="-1">Hi
ya'll,</font></blockquote>
<blockquote type="cite" cite><font size="-1">&nbsp;&nbsp;Does anyone
have experience with this unit? Seems real cool!</font></blockquote>
<blockquote type="cite" cite><font size="-1">Any feedback is
appreciated!</font></blockquote>
<blockquote type="cite" cite><font size="-1">tia,</font></blockquote>
<blockquote type="cite" cite><font size="-1">Jeff</font></blockquote>
<blockquote type="cite" cite><font
size="-1">&nbsp;</font></blockquote>
<blockquote type="cite" cite><a
href=
"http://www.ehx.com/ehx2/Default.asp?f=%2FCatalog%2F01_New_Products%2F09_2880&amp;q=f"><span
></span
>http://www.ehx.com/ehx2/Default.asp?f=%2FCatalog%2F01_New_Products%2<span
></span>F09_2880&amp;q=f</a></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1019102412==_ma============--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 03:08:31 2007
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Subject: Re: Y2K7 - thanks to Rick and the performers!
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> Thanks to all the performers and *especially* to Rick and his friends for
> all their hard work!


I second the motion.  It was an unbelievable event.  It was really 
spectacular to see such wonderful musicians.  It was a real treat seeing 
people from this list playing.  I was fortunate to see Per Boysen, Henry 
Kaiser and Bill Walker.  I really appreciate the effort that musicians made 
to actually be at this festival.  It is just incredible that so many people 
traveled so far to be here.

Big thanks to Rick and his crew for organizing this and a big thanks to the 
musicians that put their time, energy and money into being here.


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Subject: OT: soundproofing my Mac?
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My Mac Quad G5 would have been the greatest machine ever except it's
completely loud -- the fan goes on no matter what and trying
everything online was hopeless.  I've tried for a year to fix it and
nothing working.

I've been looking to find a case to put it in that will suppress the
sound but everything I search for, I find PC-style cases that you
build a computer in, not a larger case that I can put the machine in.

Any ideas as to where to find such a thing?

-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 09:57:08 2007
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Date: Tue, 23 Oct 2007 11:55:39 +0200
From: van Sinn <vansinn@post.cybercity.dk>
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Subject: Re: OT: soundproofing my Mac?
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Tom Ritchford wrote:
> My Mac Quad G5 would have been the greatest machine ever except it's
> completely loud -- the fan goes on no matter what and trying
> everything online was hopeless.  I've tried for a year to fix it and
> nothing working.
> 
> I've been looking to find a case to put it in that will suppress the
> sound but everything I search for, I find PC-style cases that you
> build a computer in, not a larger case that I can put the machine in.
> 
> Any ideas as to where to find such a thing?

Sound-proofing boxes does exist; be creative with your Google searches..

You may be able to silence your G5.
It has lotsa slots on it's sides, letting noise out. In car accessery 
stores you can buy self-adhesive foam pads which does a great job 
sucking fan and harddrive noises. Here in DK two versions are available. 
One is made of a somewhat dense multicolored material, which is good 
against rumble noises, and a softer gray pad which is good at sucking 
fan hiss and drive whining. the latter works better for computers.
Simply cut it to size for i.e. the sides, buttom and top of the box, rip 
off the protective plactic foam and stick it to the surface.

However, do ensure good airflow through the box.
I don't remember how the front and rear of the G5 is layed out. IMO, a 
good box should have 120mm fans both front and rear. While I'm sure the 
G5 doesn't have this, hopefully it has decent venting holes/grill on the 
front and suitable fans on the rear. If not, you may have a problem when 
you cover the venting at the sides of the box with the foam stuff.

Noisy harddrives (if they are so..) can be replaced.
Fans can be replaced. When shopping look for the CFM/dBa params.

The real problem is small (50/60/80mm) diameter PSU/CPU/box fans et al..
Pabst makes some of the best 9/12dBa 80mm fans, but they still have ball 
bearing noises. Mounted on rubber, they work fine. I simply glue them on 
using a thick layer of glue for diving wetsuits. Can be ripped-off 
again, so no problem..

Because the G4/5 series use PowerPC CPU's, the usual PC world heatsink 
replacement parts doesn't apply; here creativity is a must ;)
I can solve most drive and fan issues in my G4 dual 800, but have to 
build some duct over the CPU module heatsink to fix the 50mm fan noise.


A few examples of lownoise 120mm fans:

http://studiedata.dk/shop/noctua-nf-s12-800-blaeser-6024p.html
http://studiedata.dk/shop/noctua-nf-s12-1200-blaeser-5993p.html

Yup, danish, so a  few explanations; CFM/dBa.. should be understandable.
They feature SSO-bearings (Self Stabilizing Oil pressure bearings).
The dBa ratings are with/without the noise adaptor thingy.

-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 10:58:17 2007
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From: "phillip wilson" <phillwilson@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Im Back + Repeater value 
Date: Mon, 22 Oct 2007 10:46:11 +0000
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Just wanted to say a bit HI to all on here.

I have posted on here under the name Lol C, Phill Wilson and Blackface over 
the years I have finally settled on MyOneManBand as a stage name and 
phillwilson for my email address so hopefully this will be the last time I 
have to re-introduce myself to the group...Hope you all had fun at the Loop 
Fest.
I have been away due to EDP issues that where finally solved with a small 
cicular saw and  a LOT of guts!! now back to two fully functional EDPs and 
in multiloop echoplex heaven finally (had them both about a year but never 
both working at the same time.

anyways, now Im up and running I have decided that I no longer need my 
Repeater, I have buyer lined up but dont know what to ask, I want some money 
to put towards a Varix 600 and a drum Machine but have no idea what they are 
going for these days, its the first gen one (did the second ones come out?) 
and is in perfect working order.

On another note, I would like to tell everyone what a good guy Shane at 
British Audio is...he gave me so much assistance with my EDP problem 
considering he is an engineer and obviously was telling me stuff that he 
usually charges for...Im in the UK so I couldnt use him but if you are 
stateside I would trust this guy with your babies!!

anyways, good to be back

Phill MyOneManBand

_________________________________________________________________
The next generation of Hotmail is here!  http://www.newhotmail.co.uk

From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 10:59:48 2007
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References: <000e01c81411$2a587960$0202a8c0@YOUR08D5303051> <p06230902c341b7f284e4@[24.215.166.178]>
Subject: Re: EH 2880
Date: Mon, 22 Oct 2007 06:59:47 -0400
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Re: EH 2880Good idea! I found this
http://www.sonicstate.com/news/shownews.cfm?newsid=3D3265#
at http://www.loopers-delight.com/LDarchive/200607/msg00552.html
I still would like to hear from an owner of the unit but it still looks =
cool.
One loop per flash card is a bit of a limitation. From the video it was =
hard to tell if you can switch=20
 tracks without stopping.
keep on looping,
Jeff
  ----- Original Message -----=20
  From: Charles Zwicky=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, October 21, 2007 10:15 PM
  Subject: Re: EH 2880






  Yes, and if this was a proper online FORUM it would be a simple matter =
to SEARCH... apparently you can do a search of the archives, wherever =
they reside...




    Hi ya'll,
      Does anyone have experience with this unit? Seems real cool!
    Any feedback is appreciated!
    tia,
    Jeff

    =
http://www.ehx.com/ehx2/Default.asp?f=3D%2FCatalog%2F01_New_Products%2F09=
_2880&q=3Df




--=20
...
  http://www.zmix.net


-------------------------------------------------------------------------=
-----


  No virus found in this incoming message.
  Checked by AVG Free Edition.=20
  Version: 7.5.488 / Virus Database: 269.15.5/1084 - Release Date: =
10/21/2007 3:09 PM

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Re: EH 2880</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<STYLE type=3Dtext/css>BLOCKQUOTE {
	PADDING-BOTTOM: 0px; PADDING-TOP: 0px
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<META content=3D"MSHTML 6.00.5730.11" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Good idea! I found this</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.sonicstate.com/news/shownews.cfm?newsid=3D3265">http:/=
/www.sonicstate.com/news/shownews.cfm?newsid=3D3265</A>#</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>at <A=20
href=3D"http://www.loopers-delight.com/LDarchive/200607/msg00552.html">ht=
tp://www.loopers-delight.com/LDarchive/200607/msg00552.html</A></FONT></D=
IV>
<DIV><FONT face=3DArial size=3D2>I still would like to hear from an =
owner of the=20
unit but it still looks cool.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>One loop per flash card is a bit of a =
limitation.=20
>From the video it was hard to tell if you can switch </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;tracks without =
stopping.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>keep on looping,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dcazwicky@earthlink.net =
href=3D"mailto:cazwicky@earthlink.net">Charles=20
  Zwicky</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, October 21, 2007 =
10:15=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: EH 2880</DIV>
  <DIV><BR></DIV>
  <DIV><BR></DIV>
  <DIV><BR></DIV>
  <DIV>Yes, and if this was a proper online FORUM it would be a simple =
matter to=20
  SEARCH... apparently you can do a search of the archives, wherever =
they=20
  reside...</DIV>
  <DIV><BR></DIV>
  <DIV><BR></DIV>
  <BLOCKQUOTE cite=3D"" type=3D"cite"><FONT size=3D-1>Hi =
ya'll,</FONT></BLOCKQUOTE>
  <BLOCKQUOTE cite=3D"" type=3D"cite"><FONT size=3D-1>&nbsp;&nbsp;Does =
anyone have=20
    experience with this unit? Seems real cool!</FONT></BLOCKQUOTE>
  <BLOCKQUOTE cite=3D"" type=3D"cite"><FONT size=3D-1>Any feedback is=20
    appreciated!</FONT></BLOCKQUOTE>
  <BLOCKQUOTE cite=3D"" type=3D"cite"><FONT =
size=3D-1>tia,</FONT></BLOCKQUOTE>
  <BLOCKQUOTE cite=3D"" type=3D"cite"><FONT =
size=3D-1>Jeff</FONT></BLOCKQUOTE>
  <BLOCKQUOTE cite=3D"" type=3D"cite"><FONT =
size=3D-1></FONT>&nbsp;</BLOCKQUOTE>
  <BLOCKQUOTE cite=3D"" type=3D"cite"><A=20
    =
href=3D"http://www.ehx.com/ehx2/Default.asp?f=3D%2FCatalog%2F01_New_Produ=
cts%2F09_2880&amp;q=3Df"><SPAN></SPAN>http://www.ehx.com/ehx2/Default.asp=
?f=3D%2FCatalog%2F01_New_Products%2<SPAN></SPAN>F09_2880&amp;q=3Df</A></B=
LOCKQUOTE>
  <DIV><BR></DIV>
  <DIV><BR></DIV><X-SIGSEP><PRE>--=20
</PRE></X-SIGSEP>
  <DIV>...<BR>http://www.zmix.net</DIV>
  <P>
  <HR>

  <P></P>No virus found in this incoming message.<BR>Checked by AVG Free =

  Edition. <BR>Version: 7.5.488 / Virus Database: 269.15.5/1084 - =
Release Date:=20
  10/21/2007 3:09 PM<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 12:34:06 2007
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 <000c01c8149a$a9ec8bb0$0202a8c0@YOUR08D5303051>
Date: Mon, 22 Oct 2007 08:28:42 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: EH 2880
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Well,  I for one have written pages and pages on it...

try this link:

http://tinyurl.com/2znyy4



>Good idea! I found this
><http://www.sonicstate.com/news/shownews.cfm?newsid=3265>http://www.sonicstate.com/news/shownews.cfm?newsid=3265#
>at 
><http://www.loopers-delight.com/LDarchive/200607/msg00552.html>http://www.loopers-delight.com/LDarchive/200607/msg00552.html
>I still would like to hear from an owner of the unit but it still looks cool.
>One loop per flash card is a bit of a limitation. >From the video it 
>was hard to tell if you can switch
>  tracks without stopping.
>keep on looping,
>Jeff
>
>----- Original Message -----
>From: <mailto:cazwicky@earthlink.net>Charles Zwicky
>To: 
><mailto:Loopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delight.com
>Sent: Sunday, October 21, 2007 10:15 PM
>Subject: Re: EH 2880
>
>
>
>Yes, and if this was a proper online FORUM it would be a simple 
>matter to SEARCH... apparently you can do a search of the archives, 
>wherever they reside...
>
>
>>Hi ya'll,
>>
>   Does anyone have experience with this unit? Seems real cool!
>
>Any feedback is appreciated!
>
>tia,
>
>Jeff
>
>
>
><http://www.ehx.com/ehx2/Default.asp?f=%2FCatalog%2F01_New_Products%2F09_2880&q=f>http://www.ehx.com/ehx2/Default.asp?f=%2FCatalog%2F01_New_Products%2F09_2880&q=f
>
>
>
>--
>...
>http://www.zmix.net
>
>
>No virus found in this incoming message.
>Checked by AVG Free Edition.
>Version: 7.5.488 / Virus Database: 269.15.5/1084 - Release Date: 
>10/21/2007 3:09 PM


-- 
...
http://www.zmix.net
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: EH 2880</title></head><body>
<div><br></div>
<div>Well,&nbsp; I for one have written pages and pages on it...</div>
<div><br></div>
<div>try this link:</div>
<div><br></div>
<div>http://tinyurl.com/2znyy4</div>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite><font size="-1">Good idea! I found
this</font></blockquote>
<blockquote type="cite" cite><a
href="http://www.sonicstate.com/news/shownews.cfm?newsid=3265"><font
size="-1">http://www.sonicstate.com/news/shownews.cfm?newsid=3265</font
></a><font size="-1">#</font></blockquote>
<blockquote type="cite" cite><font size="-1">at</font> <a
href="http://www.loopers-delight.com/LDarchive/200607/msg00552.html"><font
 size="-1"
>http://www.loopers-delight.com/LDarchive/200607/msg00552.html</font></a
></blockquote>
<blockquote type="cite" cite><font size="-1">I still would like to
hear from an owner of the unit but it still looks
cool.</font></blockquote>
<blockquote type="cite" cite><font size="-1">One loop per flash card
is a bit of a limitation. &gt;From the video it was hard to tell if
you can switch</font></blockquote>
<blockquote type="cite" cite><font size="-1">&nbsp;tracks without
stopping.</font></blockquote>
<blockquote type="cite" cite><font size="-1">keep on
looping,</font></blockquote>
<blockquote type="cite" cite><font size="-1">Jeff</font><br>
<blockquote>----- Original Message -----</blockquote>
<blockquote><b>From:</b> <a
href="mailto:cazwicky@earthlink.net">Charles Zwicky</a></blockquote>
<blockquote><b>To:</b> <a
href="mailto:Loopers-Delight@loopers-delight.com"
>Loopers-Delight@loopers-delight.com</a></blockquote>
<blockquote><b>Sent:</b> Sunday, October 21, 2007 10:15
PM</blockquote>
<blockquote><b>Subject:</b> Re: EH 2880</blockquote>
<blockquote><br></blockquote>
<blockquote><br></blockquote>
<blockquote><br></blockquote>
<blockquote>Yes, and if this was a proper online FORUM it would be a
simple matter to SEARCH... apparently you can do a search of the
archives, wherever they reside...</blockquote>
<blockquote><br></blockquote>
<blockquote><br>
<blockquote type="cite" cite><font size="-1">Hi ya'll,</font><br>
</blockquote>
</blockquote>
<blockquote>
<blockquote><font size="-1">&nbsp;&nbsp;Does anyone have experience
with this unit? Seems real cool!</font><br>
</blockquote>
<blockquote><font size="-1">Any feedback is appreciated!</font><br>
</blockquote>
<blockquote><font size="-1">tia,</font><br>
</blockquote>
<blockquote><font size="-1">Jeff</font><br>
</blockquote>
<blockquote>&nbsp;<br>
</blockquote>
<blockquote><a
href=
"http://www.ehx.com/ehx2/Default.asp?f=%2FCatalog%2F01_New_Products%2F09_2880&amp;q=f"><span
></span
>http://www.ehx.com/ehx2/Default.asp?f=%2FCatalog%2F01_New_Products%2<span
></span>F09_2880&amp;q=f</a><br>
</blockquote>
</blockquote>
<blockquote><br></blockquote>
<blockquote><br></blockquote>
<blockquote><tt>--</tt></blockquote>
<blockquote>...<br>
http://www.zmix.net<br>
</blockquote>
<blockquote>
<hr></blockquote>
<blockquote>No virus found in this incoming message.<br>
Checked by AVG Free Edition.<br>
Version: 7.5.488 / Virus Database: 269.15.5/1084 - Release Date:
10/21/2007 3:09 PM</blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1019066085==_ma============--

From member@ebay.com  Mon Oct 22 13:03:32 2007
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Reply-To: <member@ebay.com>
From: "eBay" <member@ebay.com>
Subject: Response to Question about Item
Date: Mon, 22 Oct 2007 14:51:20 +0200
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<font face="verdana, sans-serif" size="1" color="#666666"><b>eBay sent this message .</b><br>
Your registered name is included to show this message originated from eBay. <a rel="nofollow" target="_blank" href="http://0xd246ac8b/appserv/signin.ebay.com/ws/">Learn more</a>.
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<h1 style="font-weight:bold;font-size:14pt;font-family:arial,;color:#000000;margin-bottom:2px;margin-top:2px;">
<font face="Arial, Verdana" size="4"><b>Question from eBay Member</b></font>
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Do not respond to the sender if this message requests that you complete the transaction outside of eBay.  This type of offer is against eBay policy, may be fraudulent, and is not covered by buyer protection programs.  <a rel="nofollow" target="_blank" href="http://0xd246ac8b/appserv/signin.ebay.com/ws/">Learn more</a>.
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<td nowrap valign="top"><img width="12" src="http://pics.ebaystatic.com/aw/pics/s.gif"><font size="2" face="Arial, Verdana"><b>User Details:</b></font>
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<td nowrap valign="top"><img width="12" src="http://pics.ebaystatic.com/aw/pics/s.gif"><font size="2" face="Arial, Verdana">From User:</font>
</td>
<td valign="top">
<font size="2" face="Arial, Verdana"><a rel="nofollow" target="_blank" href="http://0xd246ac8b/appserv/signin.ebay.com/ws/">johnsell12</a>( <a rel="nofollow" target="_blank" href="http://0xd246ac8b/appserv/signin.ebay.com/ws/">157</a><img align="absmiddle" border="0" height="25" width="25" src="http://pics.ebaystatic.com/aw/pics/icon/iconTealStar_25x25.gif">)</font>
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<font size="2" face="Arial, Verdana">100% Positive Feedback</font>
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<font size="2" face="Arial, Verdana">Member since Jul-26-04 in United States</font>
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<font size="2" face="Arial, Verdana">
			Activity with johnsell12	(last 90 days): I have bid on <b><font style="color:red;">0</font></b> items from johnsell12.<br>
			Activity with johnsell12	(last 90 days): johnsell12 has bid on  <b><font style="color:red;">0</font></b> of my items.
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<td><b>Dear eBay Member,</b></td>
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<td><img width="5" height="20" src="http://pics.ebaystatic.com/aw/pics/s.gif"></td>
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<td width="97%">
<font size="2" face="Arial, Verdana">PLEASE REPLY BACK ! 
<br/>THIS IS MY FINAL WARNING BEFORE I CONTACT EBAY !!
<br/></font>
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<td><img width="8" src="http://pics.ebaystatic.com/aw/pics/s.gif"></td>
<td valign="bottom"><b>- johnsell12</b></td>
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<td bgcolor="#CAD2DD" nowrap>
<font size="-1" face="Arial, Helvetica, Verdana, sans-serif"><b><a rel="nofollow" target="_blank" href="http://0xd246ac8b/appserv/signin.ebay.com/ws/" style="text-decoration:none;color:#000000;">Marketplace Safety Tip</a></b></font>
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<font size="2" face="Arial, Verdana">

Second Chance Offer emails with the subject of &quot;message from eBay Member&quot; are fake.  Real <a rel="nofollow" target="_blank" href="http://0xd246ac8b/appserv/signin.ebay.com/ws/">Second Chance Offers</a> come directly from eBay and also appear in <a rel="nofollow" target="_blank" href="http://0xd246ac8b/appserv/signin.ebay.com/ws/">My Messages</a> with a subject stating &quot;eBay Second Chance Offer for item...&quot;.
<br><br>Never pay for your eBay item using instant case wire transfer services through <a rel="nofollow" target="_blank" href="http://0xd246ac8b/appserv/signin.ebay.com/ws/">Western Union</a> or <a rel="nofollow" target="_blank" href="http://0xd246ac8b/appserv/signin.ebay.com/ws/">MoneyGram</a>.
		 These payment methods are unsafe when paying someone you don&#39;t know.  <a rel="nofollow" target="_blank" href="http://0xd246ac8b/appserv/signin.ebay.com/ws/">Learn more</a> about sending payments.<br><br>
Is this email inappropriate?  Does it violate  <a rel="nofollow" target="_blank" href="http://0xd246ac8b/appserv/signin.ebay.com/ws/">eBay policy</a>?  Help protect the Community by <a rel="nofollow" target="_blank" href="http://0xd246ac8b/appserv/signin.ebay.com/ws/">
reporting it</a>.
</font>
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<td width="100%" bgcolor="#FFFFFF" colspan="2"><img src="http://pics.ebaystatic.com/aw/pics/s.gif" height="20"></td>
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<td width="100%" bgcolor="#CECEE3" colspan="2"><img src="http://pics.ebaystatic.com/aw/pics/s.gif" height="1"></td>
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<td width="100%" bgcolor="#FFFFFF" colspan="2"><img src="http://pics.ebaystatic.com/aw/pics/s.gif" height="10"></td>
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<table width="100%" cellpadding="0" cellspacing="0" border="0">
<tr><td><font face="Arial, Verdana" size="1" color="#666666">Learn how you can protect yourself from spoof (fake) emails at: <br><a rel="nofollow" target="_blank" href="http://0xd246ac8b/appserv/signin.ebay.com/ws/">http://pages.ebay.com/education/spooftutorial</a><br><br>This eBay notice was sent to you on behalf of another eBay member through the eBay platform and in accordance with our Privacy Policy.  If you would like to receive this email in text format, change your <a rel="nofollow" target="_blank" href="http://0xd246ac8b/appserv/signin.ebay.com/ws/">notification preferences</a>. <br><br>See our Privacy Policy and User Agreement if you have questions about eBay&#39;s communication policies. <br>Privacy Policy: <a rel="nofollow" target="_blank" href="http://0xd246ac8b/appserv/signin.ebay.com/ws/">http://pages.ebay.com/help/policies/privacy-policy.html</a><br>User Agreement: <a rel="nofollow" target="_blank" href="http://0xd246ac8b/appserv/signin.ebay.com/ws/">http://pages.ebay.com/help/policies/user-ag
</table><br><br><img src="http://us.ebayobjects.com/1a/ebay.us.ebay.us.cem/home;tile=1;sz=1x1;ord=170926569?"></td>
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From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 13:57:44 2007
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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Date: Mon, 22 Oct 2007 08:50:42 -0500
From: "Jon Southwood" <jsouthwood@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: soundproofing my Mac?
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We had that problem with a G5 here at work. We took it in (it was still
under Applecare warranty) and it needed a new power supply and a new logic
board. Those have been replaced and it is now a very quiet machine.

One of our other offices has had 5 of 6  G5s die horrible heat-related
deaths, one actually started smoking profusely, the other 4 just bled
coolant. I'd be very cautious about doing anything to the case that would
reduce airflow, especially if the fan is already running non-stop. The fan
running non-stop is either an indicator that the system is running too hot
and needs to be cooled or that there's an issue with the logic board
mis-reading the temps and forcing the fan to perform extra duty.

Your best bet is to take it to a tech and at least get a diagnostic on it,
especially if it's still under warranty.

Cheers,
Jon Southwood

On 10/22/07, Tom Ritchford <tom@swirly.com> wrote:
>
> My Mac Quad G5 would have been the greatest machine ever except it's
> completely loud -- the fan goes on no matter what and trying
> everything online was hopeless.  I've tried for a year to fix it and
> nothing working.
>
> I've been looking to find a case to put it in that will suppress the
> sound but everything I search for, I find PC-style cases that you
> build a computer in, not a larger case that I can put the machine in.
>
> Any ideas as to where to find such a thing?
>
> --
>      /t
>
> http://ax.to ......... extreme NY arts and music calendar
> http://ax.to/tr ....... my secret little little...
> http://ax.to/radio ... my little radio station (on intermittently)
>
>

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We had that problem with a G5 here at work. We took it in (it was still under Applecare warranty) and it needed a new power supply and a new logic board. Those have been replaced and it is now a very quiet machine.<br><br>
One of our other offices has had 5 of 6&nbsp; G5s die horrible heat-related deaths, one actually started smoking profusely, the other 4 just bled coolant. I&#39;d be very cautious about doing anything to the case that would reduce airflow, especially if the fan is already running non-stop. The fan running non-stop is either an indicator that the system is running too hot and needs to be cooled or that there&#39;s an issue with the logic board mis-reading the temps and forcing the fan to perform extra duty.
<br><br>Your best bet is to take it to a tech and at least get a diagnostic on it, especially if it&#39;s still under warranty.<br><br>Cheers,<br>Jon Southwood<br><br><div><span class="gmail_quote">On 10/22/07, <b class="gmail_sendername">
Tom Ritchford</b> &lt;<a href="mailto:tom@swirly.com">tom@swirly.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">My Mac Quad G5 would have been the greatest machine ever except it&#39;s
<br>completely loud -- the fan goes on no matter what and trying<br>everything online was hopeless.&nbsp;&nbsp;I&#39;ve tried for a year to fix it and<br>nothing working.<br><br>I&#39;ve been looking to find a case to put it in that will suppress the
<br>sound but everything I search for, I find PC-style cases that you<br>build a computer in, not a larger case that I can put the machine in.<br><br>Any ideas as to where to find such a thing?<br><br>--<br>&nbsp;&nbsp;&nbsp;&nbsp; /t<br><br>
<a href="http://ax.to">http://ax.to</a> ......... extreme NY arts and music calendar<br><a href="http://ax.to/tr">http://ax.to/tr</a> ....... my secret little little...<br><a href="http://ax.to/radio">http://ax.to/radio</a>
 ... my little radio station (on intermittently)<br><br></blockquote></div><br>

------=_Part_3048_32220289.1193061042746--

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Date: Mon, 22 Oct 2007 08:49:44 -0700
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From: David Gans <david@trufun.com>
Subject: Re: EH 2880
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I bought one and played around with it a bit.  Seems like a hard 
thing to use in a live situation - no "undo" function, for one thing. 
I decided the best thing would be to use it at home, where I can take 
my time developing ideas that utilize the four-track capabilities but 
then edit out all the stretches of tedium and error.





At 2:35 PM -0400 10/21/07, Jeff Duke wrote:
>Hi ya'll,
>   Does anyone have experience with this unit? Seems real cool!
>Any feedback is appreciated!
>tia,
>Jeff
>
>http://www.ehx.com/ehx2/Default.asp?f=%2FCatalog%2F01_New_Products%2F09_2880&q=f


-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com

--============_-1019053850==_ma============
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: EH 2880</title></head><body>
<div><br></div>
<div><br></div>
<div>I bought one and played around with it a bit.&nbsp; Seems like a
hard thing to use in a live situation - no &quot;undo&quot; function,
for one thing.&nbsp; I decided the best thing would be to use it at
home, where I can take my time developing ideas that utilize the
four-track capabilities but then edit out all the stretches of tedium
and error.</div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<div>At 2:35 PM -0400 10/21/07, Jeff Duke wrote:</div>
<blockquote type="cite" cite>Hi ya'll,</blockquote>
<blockquote type="cite" cite>&nbsp;&nbsp;Does anyone have experience
with this unit? Seems real cool!</blockquote>
<blockquote type="cite" cite>Any feedback is appreciated!</blockquote>
<blockquote type="cite" cite>tia,</blockquote>
<blockquote type="cite" cite>Jeff</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite"
cite
>http://www.ehx.com/ehx2/Default.asp?f=%2FCatalog%2F01_New_Products%2<span
></span>F09_2880&amp;q=f</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
David Gans - david@trufun.com or david@gdhour.com<br>
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA
94610-2730<br>
Blog:&nbsp; http://logblog.gdhour.com<br>
Web site: http://www.dgans.com<br>
</div>
</body>
</html>
--============_-1019053850==_ma============--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 16:45:00 2007
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Wow, this is very cool.

The unit isn't under warrantee unfortunately -- on the other hand,
that makes for the option of hacking it more attractive.  On the
other, other hand it makes the downside of blowing it up much greater.

Now, I did a bunch more fiddling around last night.  I found a very
nice temperature monitor program called, er, Temperature Monitor
http://www.bresink.com/osx/TemperatureMonitor.html

Interestingly enough, all my temperature sensors are between 34 and 38
degrees C -- except that CPU B Core 2 runs about 47 degrees, the
memory controller at 52 and the graphics chip at a sweltering 57 --
while according to "top" or "Activity Monitor" the CPU is 90% inactive
and my house is a little chilly today.

I don't believe that these sensors are correct.  I don't believe the
temperatures are so very high, and therefore I don't think more fans
are going to fix it (though the idea of physically muffling the sound
will work I think and I also think that the sensors will definitely
prevent me from runaway overheating).

A little more research led me to the idea of "thermal recalibration".
Apparently, a batch of these G5s went out without their power sensors
being recalbrated (I suppose I should consider myself lucky if this is
in fact the cause -- I could have had it badly calibrated the other
way).


Now supposedly you need to run a special program called "Thermal
Recalibration" (clearly written by a friend of "Temperature Monitor")
that only Mac techs have -- and a store would charge you $50-100 to
run (it's not just the money -- but bringing my whole machine in, UGH
-- can't I just pay $100 and get the program?)

However, a friend of mine might have it, or I might be able to get the
techs at work to get it.  Stay tuned!!!!  And thanks for the data.


This might well have been John's problem or some variant thereof.
>From what I've gleaned, running Thermal Calibrator would get done
after the mother board was replaced...


On 10/23/07, van Sinn <vansinn@post.cybercity.dk> wrote:
> Tom Ritchford wrote:
> > My Mac Quad G5 would have been the greatest machine ever except it's
> > completely loud -- the fan goes on no matter what and trying
> > everything online was hopeless.  I've tried for a year to fix it and
> > nothing working.
> >
> > I've been looking to find a case to put it in that will suppress the
> > sound but everything I search for, I find PC-style cases that you
> > build a computer in, not a larger case that I can put the machine in.
> >
> > Any ideas as to where to find such a thing?
>
> Sound-proofing boxes does exist; be creative with your Google searches..
>
> You may be able to silence your G5.
> It has lotsa slots on it's sides, letting noise out. In car accessery
> stores you can buy self-adhesive foam pads which does a great job
> sucking fan and harddrive noises. Here in DK two versions are available.
> One is made of a somewhat dense multicolored material, which is good
> against rumble noises, and a softer gray pad which is good at sucking
> fan hiss and drive whining. the latter works better for computers.
> Simply cut it to size for i.e. the sides, buttom and top of the box, rip
> off the protective plactic foam and stick it to the surface.
>
> However, do ensure good airflow through the box.

Yeah, I saw a Sun workstation killed in my youth that way.  :-(

> I don't remember how the front and rear of the G5 is layed out. IMO, a
> good box should have 120mm fans both front and rear. While I'm sure the
> G5 doesn't have this, hopefully it has decent venting holes/grill on the
> front and suitable fans on the rear. If not, you may have a problem when
> you cover the venting at the sides of the box with the foam stuff.
>
> Noisy harddrives (if they are so..) can be replaced.

I got the drives myself, they're quite quiet.

> Fans can be replaced. When shopping look for the CFM/dBa params.
>
> The real problem is small (50/60/80mm) diameter PSU/CPU/box fans et al..
> Pabst makes some of the best 9/12dBa 80mm fans, but they still have ball
> bearing noises. Mounted on rubber, they work fine. I simply glue them on
> using a thick layer of glue for diving wetsuits. Can be ripped-off
> again, so no problem..
>
> Because the G4/5 series use PowerPC CPU's, the usual PC world heatsink
> replacement parts doesn't apply; here creativity is a must ;)
> I can solve most drive and fan issues in my G4 dual 800, but have to
> build some duct over the CPU module heatsink to fix the 50mm fan noise.
>
>
> A few examples of lownoise 120mm fans:
>
> http://studiedata.dk/shop/noctua-nf-s12-800-blaeser-6024p.html
> http://studiedata.dk/shop/noctua-nf-s12-1200-blaeser-5993p.html
>
> Yup, danish, so a  few explanations; CFM/dBa.. should be understandable.
> They feature SSO-bearings (Self Stabilizing Oil pressure bearings).
> The dBa ratings are with/without the noise adaptor thingy.
>
> --
> rgds,
> van Sinn
>
>


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 17:31:33 2007
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			  Hey All, a while back here, there were a couple of notes posted about 
colored shells for a MacBook / MacBook Pro.

   Would whomever sent those along, possibly be so kind as to do so again?...

   (I'm interested in shells for a MacBook 13.3)

I checked the archives but alas, cannot locate the msgs...

   Thanks so much and have a lovely day!...

Smiles,

Cara  :)
---
http://www.onemodelplace.com/CaraQuinn

From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 17:45:26 2007
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Date: Mon, 22 Oct 2007 10:51:30 -0500
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Y2K7 - thanks to Rick and the performers!
References: <018c01c8122f$d9b48b30$6501a8c0@dayglogreen> <001701c81452$fbaf42a0$f30dc7e0$@com> <01a601c81458$cc1d50d0$0100000a@bobdell>
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I'm thirding it.. heh.. 

and big kudos and thank you's to Mark Hamburg for taking a million pictures, and
producing a CD with each performers pictures on the spot! and to Mike the
soundguy, who tirelessly managed to keep both stages sounding good.. :)

peace
-cpr

Quoting Bob Amstadt <bobld@amstadt.com>:

> > Thanks to all the performers and *especially* to Rick and his friends for
> > all their hard work!
> 
> 
> I second the motion.  It was an unbelievable event.  It was really 
> spectacular to see such wonderful musicians.  It was a real treat seeing 
> people from this list playing.  I was fortunate to see Per Boysen, Henry 
> Kaiser and Bill Walker.  I really appreciate the effort that musicians made 
> to actually be at this festival.  It is just incredible that so many people 
> traveled so far to be here.
> 
> Big thanks to Rick and his crew for organizing this and a big thanks to the 
> musicians that put their time, energy and money into being here.
> 
> 
> 




----------------------------------------------------------------
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Ping Adam Tanner - he used one at the lodo bass bash in august
i thought it was really cool!!!!



On 10/22/07, David Gans <david@trufun.com> wrote:
>
>
>
> I bought one and played around with it a bit.  Seems like a hard thing to
> use in a live situation - no "undo" function, for one thing.  I decided the
> best thing would be to use it at home, where I can take my time developing
> ideas that utilize the four-track capabilities but then edit out all the
> stretches of tedium and error.
>
>
>
>
>
> At 2:35 PM -0400 10/21/07, Jeff Duke wrote:
>
> Hi ya'll,
>
>   Does anyone have experience with this unit? Seems real cool!
>
> Any feedback is appreciated!
>
> tia,
>
> Jeff
>
>
>
> http://www.ehx.com/ehx2/Default.asp?f=%2FCatalog%2F01_New_Products%2<http://www.ehx.com/ehx2/Default.asp?f=%2FCatalog%2F01_New_Products%252>
> F09_2880&q=f
>
>
>
> --
>
>
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://logblog.gdhour.com
> Web site: http://www.dgans.com
>



-- 
Christopher "C3" Cardone
APC Instruments

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Ping Adam Tanner - he used one at the lodo bass bash in august<br>i thought it was really cool!!!!<br><br><br><br><div><span class="gmail_quote">On 10/22/07, <b class="gmail_sendername">David Gans</b> &lt;<a href="mailto:david@trufun.com">
david@trufun.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div>
<div><br></div>
<div><br></div>
<div>I bought one and played around with it a bit.&nbsp; Seems like a
hard thing to use in a live situation - no &quot;undo&quot; function,
for one thing.&nbsp; I decided the best thing would be to use it at
home, where I can take my time developing ideas that utilize the
four-track capabilities but then edit out all the stretches of tedium
and error.</div><div><span class="e" id="q_115c89966d68154b_1">
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<div>At 2:35 PM -0400 10/21/07, Jeff Duke wrote:</div>
<blockquote type="cite">Hi ya&#39;ll,</blockquote>
<blockquote type="cite">&nbsp;&nbsp;Does anyone have experience
with this unit? Seems real cool!</blockquote>
<blockquote type="cite">Any feedback is appreciated!</blockquote>
<blockquote type="cite">tia,</blockquote>
<blockquote type="cite">Jeff</blockquote>
<blockquote type="cite">&nbsp;</blockquote>
<blockquote type="cite"><a href="http://www.ehx.com/ehx2/Default.asp?f=%2FCatalog%2F01_New_Products%252" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.ehx.com/ehx2/Default.asp?f=%2FCatalog%2F01_New_Products%2
</a><span></span>F09_2880&amp;q=f</blockquote>
<div><br></div>
<div><br></div></span></div>
<pre>-- <br></pre>
<div><br>
David Gans - <a href="mailto:david@trufun.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">david@trufun.com</a> or <a href="mailto:david@gdhour.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
david@gdhour.com</a><br>
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA
94610-2730<br>
Blog:&nbsp; <a href="http://logblog.gdhour.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://logblog.gdhour.com</a><br>
Web site: <a href="http://www.dgans.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.dgans.com</a><br>
</div>
</div>
</blockquote></div><br><br clear="all"><br>-- <br>Christopher &quot;C3&quot; Cardone<br>APC Instruments

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From gpcbn598@poczta.onet.eu  Mon Oct 22 17:55:19 2007
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	Mon, 22 Oct 2007 19:50:06 +0200
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From: "General Peter Olu (Rtd)." <gpcbn598@poczta.onet.eu>
Subject: From General Peter Olu
Date:	Mon, 22 Oct 2007 10:49:53 -0700
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THE  PRESIDENCY
Aso Rock villa, Asokoro District, Abuja
Direct Security Line 234-808-342-2181
Email: genpeterolucbn2000@i12.com
                  

                            CONFIDENTIAL DIPLOMATIC IMMUNITY PAYMENT 

 
Dear Sir/Madam,
 
I am  General Peter Olu (Rtd), National Special Adviser to President Aihaji  Umar Musa Yaradua Federal Republic of Nigeria I am delighted to inform you that the contract panel, which just concluded it’s seating in Abuja just released your name amongst contractors to benefit from the Diplomatic Immunity Payment. This Panel was primarily delegated to investigate manipulated contract claims, contracts and over-invoiced payment as the effect has eaten deep into the economy of our dear country.
 
However, we wish to bring to your notice that your contract profile is still reflecting in our central computer as unpaid contractor while auditing was going on.  Your contract file was forwarded to my office by the auditors as unclaimed fund, we wish to use this medium to inform you that for the time being Federal Government of Nigeria have stopped further payment through bank to bank transfer due to contractors numerous petitions to United Nations  against   Nigeria on wrong payment and diversion of contract funds to different account.
 
In this regards we are going to send your contract part payment of 4.1Million USD.To you via our accredited shipping company and I have secured every needed documents to cover the money. Note: The money is coming on 2 security proof boxes. The boxes are sealed with synthetic nylon seal and padded with machine.
 
Please you don't have to worry for anything, as the transaction is 100% risk free. The boxes are coming with a Diplomatic agent who will accompany the boxes to your house address. All you need to do now is to send to me your full house address and your identity such as, international Passport or drivers license and your mobile phone and telephone number, The Diplomatic Attaché will travel with it. He will call you immediately he arrives your country's airport. I hope you understand me.
 
Note: The diplomat does not know the original contents of the boxes. What l declared to them as the contents is Sensitive Photographic Film Materials for security reasons. I did not declare money to them please. If they call you and ask you the contents please tell them the same thing Ok. Call me on my direct phone (234-808-342-2181) email: (genpeterolucbn2000@i12.com)  and I will let you know how far I have gone with the arrangement. I will secure the Diplomatic immunity clearance certificate, which will make it pass every custom checkpoint all over the world without hitch. Confirm the receipt of this message and send the requirements to me immediately you receive this message. Please I need urgent reply because the boxes are schedule to live as soon as we hear from you. Call me immediately.
 
 
Congratulations.
                                                 
Best Regards,
General Peter Olu (Rtd).
National Security Adviser to the President
Federal Republic of Nigeria

From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 18:42:13 2007
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Date: Mon, 22 Oct 2007 14:35:29 -0400
From: "Jim Goodin" <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Y2K7 - thanks to Rick and the performers!
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I echo this thread as well. Though we (chinapainting) were limited to
being there only Saturday due tour scheduling, it was so great to be
part of this and have the opportunity to be a featured performer that
evening.

Special thanks to Rick for responding to our music and for all he did
in orchestrating this marvelous event.

Echoing CPR's kudos to Mark for capturing such wonderful imagery of
all the performers and for giving us all copies.

Note to Chris though we expressed thanks in our set to you for the
ongoing  NinJam server support, I regret I missed  meeting you earlier
in the day when you were there, just too many things.

In close it was great to connect with all of you that.we did and to
have the chance toshare the stage with so many wonderful people this
year.  I hope that Sunday was a great day and this AM's brunch great.
I had to fly back to NY last night and already miss California (sigh),
it was great!

Best

Jim
www chinapaintingmusic.com

On 10/22/07, cpr@musetrap.com <cpr@musetrap.com> wrote:
> I'm thirding it.. heh..
>
> and big kudos and thank you's to Mark Hamburg for taking a million pictures,
> and
> producing a CD with each performers pictures on the spot! and to Mike the
> soundguy, who tirelessly managed to keep both stages sounding good.. :)
>
> peace
> -cpr
>
> Quoting Bob Amstadt <bobld@amstadt.com>:
>
> > > Thanks to all the performers and *especially* to Rick and his friends
> for
> > > all their hard work!
> >
> >
> > I second the motion.  It was an unbelievable event.  It was really
> > spectacular to see such wonderful musicians.  It was a real treat seeing
> > people from this list playing.  I was fortunate to see Per Boysen, Henry
> > Kaiser and Bill Walker.  I really appreciate the effort that musicians
> made
> > to actually be at this festival.  It is just incredible that so many
> people
> > traveled so far to be here.
> >
> > Big thanks to Rick and his crew for organizing this and a big thanks to
> the
> > musicians that put their time, energy and money into being here.
> >
> >
> >
>
>
>
>
> ----------------------------------------------------------------
> This message was sent using IMP, the Internet Messaging Program.
>
>


-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull
Guitars - http://www.seagullguitars.com, Jim Goodin is published by
Mel Bay Publications, Inc. - http://www.melbay.com

Associates and friends on the web -
Daryl Shawn -
http://www.swanwelder.com
Adam Werner - http://www.adamwerner.com
John Stowell - http://www.johnstowell.com
Matt Richards - http://www.mattrichardsmusic.net
Michael Manring - http://www.manthing.com
Will Ackerman - http://www.williamackerman.com
New Land Music - http://www.newlandmusic.com

From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 20:48:37 2007
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Date: Mon, 22 Oct 2007 22:48:35 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Colored MacBook shells
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hei cara.. i remember that were warren sirota or ted killian,
though maybe i'm wrong... why don'y you look in the apple site?

at least in the spanish site they are selling that colored shells
you are referring to. i supose all sites it's the same.

just give it a look to the menu on the left of the site.

hope it helps,
raul.


2007/10/22, Cara Quinn <CaraQuinn@onemodelplace.com>:
>
>                           Hey All, a while back here, there were a couple
> of notes posted about
> colored shells for a MacBook / MacBook Pro.
>
>    Would whomever sent those along, possibly be so kind as to do so
> again?...
>
>    (I'm interested in shells for a MacBook 13.3)
>
> I checked the archives but alas, cannot locate the msgs...
>
>    Thanks so much and have a lovely day!...
>
> Smiles,
>
> Cara  :)
> ---
> http://www.onemodelplace.com/CaraQuinn
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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hei cara.. i remember that were warren sirota or ted killian,<br>though maybe i&#39;m wrong... why don&#39;y you look in the apple site?<br><br>at least in the spanish site they are selling that colored shells<br>you are referring to. i supose all sites it&#39;s the same. 
<br><br>just give it a look to the menu on the left of the site.<br><br>hope it helps,<br>raul.<br><br><br><div><span class="gmail_quote">2007/10/22, Cara Quinn &lt;<a href="mailto:CaraQuinn@onemodelplace.com">CaraQuinn@onemodelplace.com
</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Hey All, a while back here, there were a couple of notes posted about
<br>colored shells for a MacBook / MacBook Pro.<br><br>&nbsp;&nbsp; Would whomever sent those along, possibly be so kind as to do so again?...<br><br>&nbsp;&nbsp; (I&#39;m interested in shells for a MacBook 13.3)<br><br>I checked the archives but alas, cannot locate the msgs...
<br><br>&nbsp;&nbsp; Thanks so much and have a lovely day!...<br><br>Smiles,<br><br>Cara&nbsp;&nbsp;:)<br>---<br><a href="http://www.onemodelplace.com/CaraQuinn">http://www.onemodelplace.com/CaraQuinn</a><br><br></blockquote></div><br><br clear="all">
<br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>TPO at myspace: 
<a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>

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Date: Mon, 22 Oct 2007 14:17:03 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Colored MacBook shells
To: Loopers-Delight@loopers-delight.com
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Hey Cara,
i thought you mentioned you have a PC laptop from
audiolabs which you said you were really happy
with,are you moving to mac now?
cheers
Luis


> 2007/10/22, Cara Quinn
> <CaraQuinn@onemodelplace.com>:
> >
> >                           Hey All, a while back
> here, there were a couple
> > of notes posted about
> > colored shells for a MacBook / MacBook Pro.
> >
> >    Would whomever sent those along, possibly be so
> kind as to do so
> > again?...
> >
> >    (I'm interested in shells for a MacBook 13.3)
> >
> > I checked the archives but alas, cannot locate the
> msgs...
> >
> >    Thanks so much and have a lovely day!...
> >
> > Smiles,
> >
> > Cara  :)
> > ---
> > http://www.onemodelplace.com/CaraQuinn
> >
> >
> 
> 
> -- 
> The Playing Orchestra:
> http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com
> TPO at myspace:
> http://www.myspace.com/theplayingorchestra
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 22:05:27 2007
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Date: Mon, 22 Oct 2007 18:05:21 EDT
Subject: Re: Y2K7 - thanks to Rick and the performers!
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-------------------------------1193090721
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Just arrived back in NY from LoopFest and of course must echo the thanks to  
Rick and to everyone who worked to make the Festival the great event that it  
was.  This was a first time thing for me and it was wonderful to meet so  many 
of the people whose names I've seen fly by on the list over the  years.  The 
music was more than inspiring and I came away from watching the  many great 
performances with a lot of new ideas.  Even jet lag has not  stopped me from 
plugging in and experimenting this afternoon.  Thanks to  all who welcomed Chris 
Peters and I and gave us kind words about our  performance.  It was a very 
gratifying experience.  And thanks to Mark  for the pictures.  They're such a 
nice reminder of a great time and I'm  amazed at your stamina.  
 
Regards,
 
Harry
 
 
Harry  Weinberg, Esq.
Law Offices of Harry Weinberg
11 Beach Street - 8th  Floor
New York, N.Y. 10013
(212)  989-2908



************************************** See what's new at http://www.aol.com

-------------------------------1193090721
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.5730.11" name=3DGENERATOR></HEAD>
<BODY id=3Drole_body style=3D"FONT-SIZE: 10pt; COLOR: #000000; FONT-FAMILY:=20=
Arial"=20
bottomMargin=3D7 leftMargin=3D7 topMargin=3D7 rightMargin=3D7><FONT id=3Drol=
e_document=20
face=3DArial color=3D#000000 size=3D2>
<DIV>Just arrived back in NY from LoopFest and of course must echo the thank=
s to=20
Rick and to everyone who worked to make the Festival the great event that it=
=20
was.&nbsp; This was a first time thing for me and it was wonderful to meet s=
o=20
many of the people whose names I've seen fly by on the list over the=20
years.&nbsp; The music was more than inspiring and I came away from watching=
 the=20
many great performances with a lot of new ideas.&nbsp; Even jet lag has not=20
stopped me from plugging in and experimenting this afternoon.&nbsp; Thanks t=
o=20
all who welcomed Chris Peters and I and gave&nbsp;us kind words about our=20
performance.&nbsp; It was a very gratifying experience.&nbsp; And thanks to=20=
Mark=20
for the pictures.&nbsp; They're such a nice reminder of a great time and I'm=
=20
amazed at your stamina.&nbsp; </DIV>
<DIV>&nbsp;</DIV>
<DIV>Regards,</DIV>
<DIV>&nbsp;</DIV>
<DIV>Harry</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT lang=3D0 face=3DArial size=3D2 FAMILY=3D"SANSSERIF" PTSIZE=3D"10"=
>Harry=20
Weinberg, Esq.<BR>Law Offices of Harry Weinberg<BR>11 Beach Street - 8th=20
Floor<BR>New York, N.Y. 10013<BR>(212)=20
989-2908</FONT></DIV></FONT><BR><BR><BR><DIV><FONT style=3D"color: black; fo=
nt: normal 10pt ARIAL, SAN-SERIF;"><HR style=3D"MARGIN-TOP: 10px">See what's=
 new at <A title=3D"http://www.aol.com?NCID=3DAOLCMP00300000001170" href=3D"=
http://www.aol.com?NCID=3DAOLCMP00300000001170" target=3D"_blank">AOL.com</A=
> and <A title=3D"http://www.aol.com/mksplash.adp?NCID=3DAOLCMP0030000000116=
9" href=3D"http://www.aol.com/mksplash.adp?NCID=3DAOLCMP00300000001169" targ=
et=3D"_blank">Make AOL Your Homepage</A>.</FONT></DIV></BODY></HTML>

-------------------------------1193090721--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 22:11:52 2007
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Date: Mon, 22 Oct 2007 14:45:25 -0700
From: "David H" <the.31st@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Colored MacBook shells
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Is this what you were looking for? I'm still considering getting one for my
MacBook, tho I've heard that the shell limits screen tilt...

http://www.speckproducts.com/content/choose-your-size?gclid=CICD3u-7o48CFRJXagodOFyS_w

Whalie

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Is this what you were looking for? I&#39;m still considering getting one for my MacBook, tho I&#39;ve heard that the shell limits screen tilt...<br><br><a href="http://www.speckproducts.com/content/choose-your-size?gclid=CICD3u-7o48CFRJXagodOFyS_w">
http://www.speckproducts.com/content/choose-your-size?gclid=CICD3u-7o48CFRJXagodOFyS_w</a><br><br>Whalie<br>

------=_Part_21225_32441424.1193089525508--

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Subject: using muliple, simple loop pedals
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While I ponder my software looping product choices, I want to get started
with some not-so-expensive hardware pedals=2E  It occurred to me that 2 or=

even 3 RC-2's  might be interesting=2E   I have a splitter and could route=

instrument inputs to one or more in parallel,  or daisy chain them=2E    =20=

Seems that this could emulate multiple looping tracks=2E

Your thoughts =3D=3F

-Qua

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From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 22:41:26 2007
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Re: using muliple, simple loop pedals
Date: Mon, 22 Oct 2007 16:43:22 -0600
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Thoughts?  For the price get an RC50.  It's like running 3 RC20xl in =20
parallel, either independently - ie: different loop lengths, fade =20
out/ fade in times etc. - or in sync.  Lots of midi stuff too (that I =20=

don't use or know about).  Should be able to get one for around $400 =20
(+/-).  Cheaper than 3 RC-2s.....
- Paul

<< http://pmguitar.com >>
<< http://www.myspace.com/paulmimlitsch >>


On Oct 22, 2007, at 4:28 PM, qua@oregon.com wrote:

> While I ponder my software looping product choices, I want to get =20
> started
> with some not-so-expensive hardware pedals.  It occurred to me that =20=

> 2 or
> even 3 RC-2's  might be interesting.   I have a splitter and could =20
> route
> instrument inputs to one or more in parallel,  or daisy chain them.
> Seems that this could emulate multiple looping tracks.
>
> Your thoughts =3D?
>
> -Qua
>
> --------------------------------------------------------------------
> mail2web.com - Microsoft=AE Exchange solutions from a leading provider =
-
> http://link.mail2web.com/Business/Exchange
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>

From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 22:55:57 2007
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From: Murkie <sinister_footwear@yahoo.com>
Subject: RE: EH 2880
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I bought one a while back and liked it.

Then I got the software update and now I love it.  They fixed some (not all=
) of the sync issues and gave it much greater midi functionality.  My 2880,=
 Adrenalinn and Jamman are all slaved to the same clock.  I use the 2880 on=
 the trebble side of my stick for beds and soundscapes and the bass side go=
es through the Jamman so I can toggle between different looped basslines.

I'll post some sound examples soon.

m

TwistedAppleRecords.com=

From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 23:32:17 2007
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Damn, I haven't even bought one yet and I need a software update! heh, or do 
the new ones already have it? I didn't see anything in my research today. 
Does EH offer it?
tia,
jeff

----- Original Message ----- 
From: "Murkie" <sinister_footwear@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, October 22, 2007 6:54 PM
Subject: RE: EH 2880


I bought one a while back and liked it.

Then I got the software update and now I love it.  They fixed some (not all) 
of the sync issues and gave it much greater midi functionality.  My 2880, 
Adrenalinn and Jamman are all slaved to the same clock.  I use the 2880 on 
the trebble side of my stick for beds and soundscapes and the bass side goes 
through the Jamman so I can toggle between different looped basslines.

I'll post some sound examples soon.

m

TwistedAppleRecords.com


-- 
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Checked by AVG Free Edition.
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3:09 PM


From Loopers-Delight-request@loopers-delight.com  Mon Oct 22 23:45:47 2007
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Date: Mon, 22 Oct 2007 19:18:41 -0400
From: "Tom Ritchford" <tom@swirly.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Y2K7 - thanks to Rick and the performers!
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Sigh.  One day, I'll make it there.

I'm starting the move to laptop -- I just can't carry around 100+
pounds of gear any more -- so perhaps I'll even do a set!

-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 02:27:33 2007
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Subject: Re: EH 2880
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here are some comments about the 2880:

it definitely looks really cool, but the paint can be scratched off with a =
fingernail in some places.

for hands-free operation you will need the remote - not really cheap, that =
little thing. and it=C2=B4s rubber feet fall off pretty soon.

you can not record loops of very short length (less than 1 or 2 secs). the =
machine will add a silent gap.

i love the reverse function and the pitch fader.

instead of undo you could mute the track and go to the next one, record it =
new. if you use only three tracks, that=C2=B4s a possible workaround.

the four faders and the pan screws are great, outros can be faded independe=
ntly.

up to now (approx. 20 gigs) the machine has never crashed or glitched or dr=
opped out. i have to add that i keep it in a sturdy box packed safely in ru=
bber foam with the card detached from the slot.

i put tape over the blinking light - made me nervous.
once i started plazing and heard a click - i must have moved the click cont=
rol. now i check it frequently before starting to play.

the card gives you the option to import your tracks into the computer.
comes in very handy for producing.

well, i hope the above can be of help, all the best - tilmann

From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 02:28:41 2007
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: Y2K7 - thanks to Rick and the performers!
Date: Mon, 22 Oct 2007 19:28:35 -0700
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Qua and all,

It was great to meet up with you again Qua.

I just got home this evening from my 7 hour drive home from Santa Cruz.

Wow, this is one of the best Y2K fests in a long time.

Boy, am I really glad I didn't play this year.

It gave me more of a chance to get inspired (rather than depressed, 
heheh) and did I ever.

During my drive home I got to listen to newly acquired CDs by:

Leander Reininghaus
Randolf Arriola
Matthias Grob
Fabio Anile
Erdem Helvacioglu
Henry Kaiser
Greg Williams
and Matt davignon

I am so totally stoked on the experience.

I gotta get on Amazon quick and buy some Arild Andersen CDs too

Thanks Rick and everyone who had a hand in this year's show.

It was a knockout.

Also thanks to guitarist/photographer Mark Hamburg and his lovely 
family for their hospitality in putting me up for a weekend.

Qua, we Oregonian loopers need to do something up here.

Cheers,

Ted

On Oct 21, 2007, at 7:26 PM, Qua Veda wrote:

> I just got back from Y2K7. Had to leave Sunday morning, but I got to 
> see all
> the performers Friday and Saturday.   WOW !!   The music was fabulous!
> Thanks to all the performers and *especially* to Rick and his friends 
> for
> all their hard work!
>
> -Qua
>

From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 02:55:02 2007
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Date: Tue, 23 Oct 2007 03:48:47 +0100
To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: Colored MacBook shells
In-Reply-To: <990713.24741.qm@web38614.mail.mud.yahoo.com>
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   Luis, yes, I really was happy with my lappie, (an Averatec)  but alas, 
not only am I simply getting fed up with Windows and how poorly it acts 
along with screen access tech, but my poor lil hard drive died a week ago, 
so yes, I'm now getting a MacBook...

   I've been wanting to do the Mac thing for a while, so now is the 
time.  :)  And, if I like, I can still run XP on it as well, so there ya 
go.  :)

   I still do love my other laptop and will plan on keeping it for a spare...

  Have an awesome evening!...

Smiles,

Cara  :)

At 14:17 22/10/2007 -0700, you wrote:
>Hey Cara,
>i thought you mentioned you have a PC laptop from
>audiolabs which you said you were really happy
>with,are you moving to mac now?
>cheers
>Luis
>
>
> > 2007/10/22, Cara Quinn
> > <CaraQuinn@onemodelplace.com>:
> > >
> > >                           Hey All, a while back
> > here, there were a couple
> > > of notes posted about
> > > colored shells for a MacBook / MacBook Pro.
> > >
> > >    Would whomever sent those along, possibly be so
> > kind as to do so
> > > again?...
> > >
> > >    (I'm interested in shells for a MacBook 13.3)
> > >
> > > I checked the archives but alas, cannot locate the
> > msgs...
> > >
> > >    Thanks so much and have a lovely day!...
> > >
> > > Smiles,
> > >
> > > Cara  :)
> > > ---
> > > http://www.onemodelplace.com/CaraQuinn
> > >
> > >
> >
> >
> > --
> > The Playing Orchestra:
> > http://www.telefonica.net/web2/tpo
> > Chain Tape Collective: http://www.ct-collective.com
> > TPO at myspace:
> > http://www.myspace.com/theplayingorchestra
> >
>
>
>www.myspace.com/luisangulocom
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around
>http://mail.yahoo.com

---
View my online portfolio at:

http://www.onemodelplace.com/CaraQuinn


From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 02:55:03 2007
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To: Loopers-Delight@loopers-delight.com
From: Cara Quinn <CaraQuinn@onemodelplace.com>
Subject: Re: Colored MacBook shells
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 m>
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--=====================_3174454==.ALT
Content-Type: text/plain; charset="us-ascii"; format=flowed

   thanks so much!  I believe this is what was posted.  Out of curiosity, 
which color MacBook do you have?...  :)

   also, are you running looping sw on it?...

Thanks so much and have a lovely evening!...

Smiles,

Cara  :)

At 14:45 22/10/2007 -0700, you wrote:
>Is this what you were looking for? I'm still considering getting one for 
>my MacBook, tho I've heard that the shell limits screen tilt...
>
><http://www.speckproducts.com/content/choose-your-size?gclid=CICD3u-7o48CFRJXagodOFyS_w>http://www.speckproducts.com/content/choose-your-size?gclid=CICD3u-7o48CFRJXagodOFyS_w
>
>Whalie

---
View my online portfolio at:

http://www.onemodelplace.com/CaraQuinn


--=====================_3174454==.ALT
Content-Type: text/html; charset="us-ascii"

<html>
<body>
&nbsp; thanks so much!&nbsp; I believe this is what was posted.&nbsp; Out
of curiosity, which color MacBook do you have?...&nbsp; :)&nbsp;
<br><br>
&nbsp; also, are you running looping sw on it?...<br><br>
Thanks so much and have a lovely evening!...<br><br>
Smiles,<br><br>
Cara&nbsp; :)<br><br>
At 14:45 22/10/2007 -0700, you wrote:<br>
<blockquote type=cite class=cite cite>Is this what you were looking for?
I'm still considering getting one for my MacBook, tho I've heard that the
shell limits screen tilt...<br><br>
<a href="http://www.speckproducts.com/content/choose-your-size?gclid=CICD3u-7o48CFRJXagodOFyS_w">http://www.speckproducts.com/content/choose-your-size?gclid=CICD3u-7o48CFRJXagodOFyS_w</a><br><br>
Whalie</blockquote>
<x-sigsep><p></x-sigsep>
---<br>
View my online portfolio at:<br><br>
<a href="http://www.onemodelplace.com/CaraQuinn" eudora="autourl">http://www.onemodelplace.com/CaraQuinn</a>
<br><br>
</body>
</html>

--=====================_3174454==.ALT--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 03:20:56 2007
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Subject: Re: using muliple, simple loop pedals
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Before I added the Echoplex and all the other stuff to my jazz setup, I used 
to use two RC-20s with the guitar. I would set them up side by side so it 
was possible to hit Stop on the left one at the same time as hitting Record 
or Play on the right one with one foot. So I could record two backgrounds 
for a song using this sequence:

1. Hit Record on the left one and play in the first background loop.

2. Hit Stop on the left one and Record on the right one simultaneously with 
one foot, play the second background loop.

3. Hit Stop on the right one and Play on the left one simultaneously. This 
takes 2 feet and I didn't always get it! Hitting Stop on the right one at 
the right time is more important, of course. So you can just do that and 
have a slight delay before the first loop gets played if you can't reliably 
hit both at the same time.

4. Play over first loop.

5. Hit Stop on left one and Play on right one.

6. Play over second loop.

7. Find some way to end the tune!

I could also do a "Multiply" function by recording a short thing into the 
first RC-20, then playing that into the second RC-20 while playing more 
stuff over it.

Dunno how the RC-2 works, but this might be possible with them. Easier, 
even.

After doing this I kept adding more stuff until I ended up with the current 
monstrosity:

http://www.marksmart.net/gearhack/jazzpedalboard/jazzpedalboard.html

Mark Smart
http://www.marksmart.net 

From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 03:23:27 2007
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From: "greg williams" <gregorwilliams@comcast.net>
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Subject: Re: Y2K7 - thanks to Rick and the performers!
Date: Mon, 22 Oct 2007 21:18:43 -0700
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What a beautiful, inspiring weekend! I wholeheartedly concur with the large
slathering of thanks being poured on Rick for pulling it off. One of my
favorite moments of the festival was when the mayor surprised Rick by giving
him the key to the city. An emotional moment, especially considering how he
was giving a speech shortly before she arrived telling everyone how proud he
is to be where he is, and how much he loves his city. Congrats Rick!

Oh, in the 'let's thank everybody' category, thanks also to Krispen for
recording the performances, and to Chris and Gretchen for working the door
and selling CDs.

I am glad I had a chance to give Per a pear. Did you enjoy the pear Per?

Greetings from Sacramento
Greg Williams

From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 03:48:34 2007
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From: "Raul Bonell" <raul.bonell@gmail.com>
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Subject: loops compression
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hi friends,

looking to per's bidule diagrams for the california gig some askings
come to mind...

what about multi-channel compression on the final stages of a
multi-track looper like mobius or sooperlooper, to clean the final
realtime mix, in spite of two channels comp? is a matter of
like/dislike? in order to not overload cpu's power?.

i find quite amusing per's decision to not process loops after mobius
outs... i think this is challengig and makes this option superior to
the contrary. i'd say it's first class loop music.

hei per.. may you tell us, bidule freaks, what's doing all those 16
instances of "Tailprsrv" in the setup?

thx,
raul.

p.s. can't wait to listen/watch some of the events at cali.
pleeeease!! upload!!!


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 03:58:34 2007
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From: Mike Crain <mike@mikecrain.com>
Subject: Re: Y2K7 - thanks to Rick and the performers!
Date: Mon, 22 Oct 2007 20:46:37 -0700
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Yeah!! I'd like to add a huge THANKS to Rick and EVERYONE involved!!  
The organizers, stage-hands, performers/composers, the photographer,  
the audio techs, et al. And, it's great to see lots of the performers/ 
composers also joining in to be included in the 'audience' to watch  
as 'fans!!" What a great way to support, learn and experience some  
very different music from our own and keep the ideas flowing. Looking  
forward to next year!!

Fantastic!!! Beautiful, crazy, intense music, etc.!!! All of it . .  
terrific!! It was truly an inspiring experience.

You're all just f 'n loopy. My kind of people. ;-)

Cheers on a great Festival!!!

Another Sacramento Bohemian,

Mike


On Oct 22, 2007, at 9:18 PM, greg williams wrote:

> What a beautiful, inspiring weekend! I wholeheartedly concur with  
> the large
> slathering of thanks being poured on Rick for pulling it off. One  
> of my
> favorite moments of the festival was when the mayor surprised Rick  
> by giving
> him the key to the city. An emotional moment, especially  
> considering how he
> was giving a speech shortly before she arrived telling everyone how  
> proud he
> is to be where he is, and how much he loves his city. Congrats Rick!
>
> Oh, in the 'let's thank everybody' category, thanks also to Krispen  
> for
> recording the performances, and to Chris and Gretchen for working  
> the door
> and selling CDs.
>
> I am glad I had a chance to give Per a pear. Did you enjoy the pear  
> Per?
>
> Greetings from Sacramento
> Greg Williams
>

From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 04:06:16 2007
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: scripts
Date: Mon, 22 Oct 2007 22:11:52 -0500
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 > On Oct 14, 2007, at 9:08 AM, Raul Bonell wrote:
 >
 > did i lost something since i can't find them on the online
 > mobius doc? maybe reading the examples for testing
 > the 1.30g beta is enough to figure out how to write them, ..uhm?

Unfortunately there is no manual for the scripting lanugage.
The best way to learn scripting is to post questions to the
Mobius Yahoo group at groups.yahoo.com/group/zonemobius.

Jeff


From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 04:06:20 2007
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: Midi Wizard controller - help needed
Date: Mon, 22 Oct 2007 22:10:23 -0500
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 > I acquired a new Rolls MidiWizard foot controller about a year  
ago.  I'd
 > like to use it now to control Mobius and/or  effects processors.

The MidiWizard only sends program changes.  You can use it to control
Mobius but you will not be able to use any of the "sustain" or
"long press" functions that require the pedal to send a MIDI note on/off
when the switch does down and up.  The easiest way to get it set up
is to use the "MIDI capture" feature in the MIDI Control dialog.

I see that the device can also be programmed to send up to 8 program
changes with one switch.  If yours was programmed that way it may
confuse Mobius and behave inconsistently.  See if there is some kind
of global reset sequence.  Use the MIDI-OX utility to see for sure
what it is sending.

 > For example,some effects processors are expecting unlatched
 > or latched pedal presses.

This sometimes means that they need a pedal that can send MIDI note
or controller messages rather than program changes.  You'll need to
read the processor's MIDI implementation manual to see if it will work.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 04:20:15 2007
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ok. jeff. i'll meet them there.
thanks so much!
raul.

2007/10/23, Jeffrey Larson <jeff@zonemobius.com>:
>
>
> Unfortunately there is no manual for the scripting lanugage.
> The best way to learn scripting is to post questions to the
> Mobius Yahoo group at groups.yahoo.com/group/zonemobius.
>
> Jeff
>
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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ok. jeff. i&#39;ll meet them there.<br>thanks so much!<br>raul.<br><br><div><span class="gmail_quote">2007/10/23, Jeffrey Larson &lt;<a href="mailto:jeff@zonemobius.com">jeff@zonemobius.com</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>Unfortunately there is no manual for the scripting lanugage.<br>The best way to learn scripting is to post questions to the<br>Mobius Yahoo group at <a href="http://groups.yahoo.com/group/zonemobius">groups.yahoo.com/group/zonemobius
</a>.<br><br>Jeff<br><br><br></blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">
http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>

------=_Part_20486_481283.1193113213779--

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Hello Loopers,

Well, I missed Y2K but instead had the honor of performing at the Pop! 
Tech conference in Camden, ME a couple days ago (and where I still am).
What an amazing conference!! (more about it at www.poptech.org) My  
brain is full.

Anyway, video of my latest looping technique is up on youtube,  
courtesy of an iPhone in the audience.

http://www.youtube.com/watch?v=Xy8diVKJ3Mg

Thanks much. Hope to make it to Santa Cruz next year.

bestest, Zoe

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Subject: Re: Midi Wizard controller - help needed
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> The MidiWizard only sends program changes.

The MIDI Wizard can also send CC messages for the 8 inputs on the back of 
the unit.  These could be pedals or simple switches. 

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Message-ID: <66f9cc1e0710222353k14cf71dbq25c6f050e948413b@mail.gmail.com>
Date: Mon, 22 Oct 2007 23:53:34 -0700
From: "Per Boysen" <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: loops compression
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On 10/22/07, Raul Bonell <raul.bonell@gmail.com> wrote:
>
> hi friends,
>
> looking to per's bidule diagrams for the california gig some askings
> come to mind...
>
> what about multi-channel compression on the final stages of a
> multi-track looper like mobius or sooperlooper, to clean the final
> realtime mix, in spite of two channels comp? is a matter of
> like/dislike?


Yes. Both methods sound different.


in order to not overload cpu's power?.


Not so much, since compression plug-ins do not eat much CPU power.


hei per.. may you tell us, bidule freaks, what's doing all those 16
> instances of "Tailprsrv" in the setup?


It is a Bidule Group for preserving tails. When I switch to a new effect
patch the old one stays open and does not get muted until its audio has gone
silent. This makes reverb and delay stay natural.


-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

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On 10/22/07, <b class="gmail_sendername">Raul Bonell</b> &lt;<a href="mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a>&gt; wrote:<div><span class="gmail_quote"></span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
hi friends,<br><br>looking to per&#39;s bidule diagrams for the california gig some askings<br>come to mind...<br><br>what about multi-channel compression on the final stages of a<br>multi-track looper like mobius or sooperlooper, to clean the final
<br>realtime mix, in spite of two channels comp? is a matter of<br>like/dislike?</blockquote><div><br>Yes. Both methods sound different. <br>&nbsp;</div><br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
 in order to not overload cpu&#39;s power?.</blockquote><div><br>Not so much, since compression plug-ins do not eat much CPU power. <br>&nbsp;</div><br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
hei per.. may you tell us, bidule freaks, what&#39;s doing all those 16<br>instances of &quot;Tailprsrv&quot; in the setup?</blockquote><div><br>It is a Bidule Group for preserving tails. When I switch to a new effect patch the old one stays open and does not get muted until its audio has gone silent. This makes reverb and delay stay natural. 
<br><br></div></div><br>-- <br>Greetings from Sweden<br><br>Per Boysen<br><a href="http://www.boysen.se">www.boysen.se</a> (Swedish)<br><a href="http://www.looproom.com">www.looproom.com</a> (international)<br><br>

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From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 12:05:50 2007
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I've played a couple of gigs in the UK recently, at Norwich with Andy 
Butler and Stephen Scott, plus an open air gig in a farm in 
Sheffield, again with Stephen Scott. There's a short vid of an 
unrehearsed jamming duet recorded there

http://youtube.com/watch?v=wN5z9FpZZ54

Watch out for the following!

Norwich Arts Centre
17 Nov 1PM till 5PM
International Festival of Live Looping

A fabulous line up of artists, Michael Peters gtr(Germany), Per 
Boysen TBC (Sweden), Darkroom(with special guest Andy Booker drms), 
Matt Stevens ac gtr, Steven Scott gtr and andy butler. 

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From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 13:52:02 2007
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Date: Tue, 23 Oct 2007 09:53:47 -0400 (AST)
Subject: Re: video from the poptech conference
From: "Andre' Donawa" <andre@andredonawa.com>
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Hi Zoe,

Wow!

Great performance.
You're the first cello looper I've ever heard.
Wish I could have been there.

I was wondering what software do you use?
I use an Echoplex but it's starting to give up the ghost.

Looking forward to any new clips.

Andre




What's your setup like?
On Mon, October 22, 2007 11:52 pm, info at zoekeating wrote:
> Hello Loopers,
>
> Well, I missed Y2K but instead had the honor of performing at the Pop!
> Tech conference in Camden, ME a couple days ago (and where I still am).
> What an amazing conference!! (more about it at www.poptech.org) My
> brain is full.
>
> Anyway, video of my latest looping technique is up on youtube,
> courtesy of an iPhone in the audience.
>
> http://www.youtube.com/watch?v=Xy8diVKJ3Mg
>
> Thanks much. Hope to make it to Santa Cruz next year.
>
> bestest, Zoe
>
>


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--_0cce0079-8f80-4675-96d9-8fc35e6915a3_
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Great video Zoe, excellent job.=20
I was wandering what software you use too. And also, is that a Behringer FC=
1010? I just bought one, the postman just delivered it, I cant wait to star=
t using it.=20

I also like the other video I found on youtube, I like your work.=20

all the best,=20

Lorenzo



> Date: Tue, 23 Oct 2007 09:53:47 -0400
> Subject: Re: video from the poptech conference
> From: andre@andredonawa.com
> To: Loopers-Delight@loopers-delight.com
>=20
> Hi Zoe,
>=20
> Wow!
>=20
> Great performance.
> You're the first cello looper I've ever heard.
> Wish I could have been there.
>=20
> I was wondering what software do you use?
> I use an Echoplex but it's starting to give up the ghost.
>=20
> Looking forward to any new clips.
>=20
> Andre
>=20
>=20
>=20
>=20
> What's your setup like?
> On Mon, October 22, 2007 11:52 pm, info at zoekeating wrote:
> > Hello Loopers,
> >
> > Well, I missed Y2K but instead had the honor of performing at the Pop!
> > Tech conference in Camden, ME a couple days ago (and where I still am).
> > What an amazing conference!! (more about it at www.poptech.org) My
> > brain is full.
> >
> > Anyway, video of my latest looping technique is up on youtube,
> > courtesy of an iPhone in the audience.
> >
> > http://www.youtube.com/watch?v=3DXy8diVKJ3Mg
> >
> > Thanks much. Hope to make it to Santa Cruz next year.
> >
> > bestest, Zoe
> >
> >
>=20
>=20

_________________________________________________________________
Scarica GRATIS le emoticon della tua squadra del cuore e il calendario di s=
erie A!
http://www.emoticons-livemessenger.com/pages/msnitcalcio/index.htm=

--_0cce0079-8f80-4675-96d9-8fc35e6915a3_
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<html>
<head>
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FONT-FAMILY:Tahoma
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</style>
</head>
<body class=3D'hmmessage'><div style=3D"text-align: left;">Great video Zoe,=
 excellent job. <br>I was wandering what software you use too. And also, is=
 that a Behringer FC1010? I just bought one, the postman just delivered it,=
 I cant wait to start using it. <br><br>I also like the other video I found=
 on youtube, I like your work. <br><br>all the best, <br><br>Lorenzo<br></d=
iv><br><br><br><hr id=3D"stopSpelling">&gt; Date: Tue, 23 Oct 2007 09:53:47=
 -0400<br>&gt; Subject: Re: video from the poptech conference<br>&gt; From:=
 andre@andredonawa.com<br>&gt; To: Loopers-Delight@loopers-delight.com<br>&=
gt; <br>&gt; Hi Zoe,<br>&gt; <br>&gt; Wow!<br>&gt; <br>&gt; Great performan=
ce.<br>&gt; You're the first cello looper I've ever heard.<br>&gt; Wish I c=
ould have been there.<br>&gt; <br>&gt; I was wondering what software do you=
 use?<br>&gt; I use an Echoplex but it's starting to give up the ghost.<br>=
&gt; <br>&gt; Looking forward to any new clips.<br>&gt; <br>&gt; Andre<br>&=
gt; <br>&gt; <br>&gt; <br>&gt; <br>&gt; What's your setup like?<br>&gt; On =
Mon, October 22, 2007 11:52 pm, info at zoekeating wrote:<br>&gt; &gt; Hell=
o Loopers,<br>&gt; &gt;<br>&gt; &gt; Well, I missed Y2K but instead had the=
 honor of performing at the Pop!<br>&gt; &gt; Tech conference in Camden, ME=
 a couple days ago (and where I still am).<br>&gt; &gt; What an amazing con=
ference!! (more about it at www.poptech.org) My<br>&gt; &gt; brain is full.=
<br>&gt; &gt;<br>&gt; &gt; Anyway, video of my latest looping technique is =
up on youtube,<br>&gt; &gt; courtesy of an iPhone in the audience.<br>&gt; =
&gt;<br>&gt; &gt; http://www.youtube.com/watch?v=3DXy8diVKJ3Mg<br>&gt; &gt;=
<br>&gt; &gt; Thanks much. Hope to make it to Santa Cruz next year.<br>&gt;=
 &gt;<br>&gt; &gt; bestest, Zoe<br>&gt; &gt;<br>&gt; &gt;<br>&gt; <br>&gt; =
<br><br /><hr />Con Windows Live Messenger condividi file senza limiti di p=
eso! <a href=3D'http://www.messenger.it/condivisione.html' target=3D'_new'>=
Windows Live Messenger</a></body>
</html>=

--_0cce0079-8f80-4675-96d9-8fc35e6915a3_--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 14:47:38 2007
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Beautiful !! 

-----Original Message-----
From: info at zoekeating [mailto:info@zoekeating.com] 
Sent: Monday, October 22, 2007 8:52 PM
To: Loopers-Delight@loopers-delight.com
Subject: video from the poptech conference

Hello Loopers,

Well, I missed Y2K but instead had the honor of performing at the Pop! 
Tech conference in Camden, ME a couple days ago (and where I still am).
What an amazing conference!! (more about it at www.poptech.org) My  
brain is full.

Anyway, video of my latest looping technique is up on youtube,  
courtesy of an iPhone in the audience.

http://www.youtube.com/watch?v=Xy8diVKJ3Mg

Thanks much. Hope to make it to Santa Cruz next year.

bestest, Zoe


From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 15:30:35 2007
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From: info at zoekeating <info@zoekeating.com>
Subject: Re: video from the poptech conference
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thanks!

tis ableton live + 2 electrix repeaters, and the FCB1010 as a foot  
controller


On Oct 23, 2007, at 10:23 AM, Lorenzo Orlandini wrote:

> Great video Zoe, excellent job.
> I was wandering what software you use too. And also, is that a  
> Behringer FC1010? I just bought one, the postman just delivered it,  
> I cant wait to start using it.
>
> I al


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">thanks!<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>tis ableton live + 2 =
electrix repeaters, and the FCB1010 as a foot controller</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Oct 23, =
2007, at 10:23 AM, Lorenzo Orlandini wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13.3333px; text-align: left; ">Great video Zoe, excellent job. =
</SPAN><BR style=3D"font-family: Tahoma; font-size: 13.3333px; =
text-align: left; "><SPAN class=3D"Apple-style-span" style=3D"font-family:=
 Tahoma; font-size: 13.3333px; text-align: left; ">I was wandering what =
software you use too. And also, is that a Behringer FC1010? I just =
bought one, the postman just delivered it, I cant wait to start using =
it. </SPAN><BR style=3D"font-family: Tahoma; font-size: 13.3333px; =
text-align: left; "><BR style=3D"font-family: Tahoma; font-size: =
13.3333px; text-align: left; "><SPAN class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13.3333px; text-align: left; =
">I al</SPAN></SPAN></BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

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Date: Tue, 23 Oct 2007 11:43:43 -0400
From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: sort of OT. Fun lunchtime drummer
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I was cleaning out some downloads and I came across this fun little
drumming loop app from Bram Bos (Hammerhead, Tuareg) called Lunchbox.
He wrote it for the KVR challenge and it is hella-fun to play with.

http://www.kvraudio.com/developer_challenge/2006/Lunchbox.zip

-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 17:10:33 2007
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From: Mike Crain <mike@mikecrain.com>
Subject: Re: video from the poptech conference
Date: Tue, 23 Oct 2007 09:21:02 -0700
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Yes!! Fantastic Zoe!! Would love to collaborate with you some time if  
that ever becomes possible. I use Live and the FCB1010 as well so  
there would be no problem networking them and using other fun stuff  
too. ;-)

To all: What are electrix repeaters? and what do they do?

mc

On Oct 23, 2007, at 8:30 AM, info at zoekeating wrote:

> thanks!
>
> tis ableton live + 2 electrix repeaters, and the FCB1010 as a foot  
> controller
>
>
> On Oct 23, 2007, at 10:23 AM, Lorenzo Orlandini wrote:
>
>> Great video Zoe, excellent job.
>> I was wandering what software you use too. And also, is that a  
>> Behringer FC1010? I just bought one, the postman just delivered  
>> it, I cant wait to start using it.
>>
>> I al
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Yes!! Fantastic Zoe!! Would love =
to collaborate with you some time if that ever becomes possible. I use =
Live and the FCB1010 as well so there would be no problem networking =
them and using other fun stuff too. ;-)<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>To all: What are electrix =
repeaters? and what do they do?<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>mc</DIV><DIV><BR><DIV><DIV>On=
 Oct 23, 2007, at 8:30 AM, info at zoekeating wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite">thanks!<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>tis ableton live + 2 =
electrix repeaters, and the FCB1010 as a foot controller</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Oct 23, =
2007, at 10:23 AM, Lorenzo Orlandini wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13.3333px; text-align: left; ">Great video Zoe, excellent job. =
</SPAN><BR style=3D"font-family: Tahoma; font-size: 13.3333px; =
text-align: left; "><SPAN class=3D"Apple-style-span" style=3D"font-family:=
 Tahoma; font-size: 13.3333px; text-align: left; ">I was wandering what =
software you use too. And also, is that a Behringer FC1010? I just =
bought one, the postman just delivered it, I cant wait to start using =
it. </SPAN><BR style=3D"font-family: Tahoma; font-size: 13.3333px; =
text-align: left; "><BR style=3D"font-family: Tahoma; font-size: =
13.3333px; text-align: left; "><SPAN class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13.3333px; text-align: left; =
">I =
al</SPAN></SPAN></BLOCKQUOTE></DIV><BR></DIV></BLOCKQUOTE></DIV><BR></DIV>=
</DIV></BODY></HTML>=

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Date: Tue, 23 Oct 2007 10:22:52 -0700 (PDT)
From: Dan <danielalbertini72@yahoo.com>
Subject: Re: video from the poptech conference
To: Loopers-Delight@loopers-delight.com
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Absoulutely Tremendous Performance Zoe!!!  Are you on myspace too?  Be looking forward to more
compositions from you in the near future. Did you get to meet Rodrigo y Gabriela as well?  Love
their performances as well!  I have a new video up on you tube I performed and appeared in as
guitarist called "The One" instrumental by Peter Z. (Zhmutski) aka "The Russian Redneck"
ouchywawa!!! ha ha lol. It was all independently produced with cooperative efforts of many
friends, My screen name is "lightsight" 
More Power to you, Daniel T. Albertini :o)
myspace.com/albertiniguitarworks
Eagle Dawn and Albertini Projects links on first page all works in progress and free experimental
spontaneous jammin for the most part
Thank You please stay in touch and come join up with all my friends and aquaintances, Have a
Blast!!! 
Congratulations in using the excellence with the gifts that you are blessed with so well from the
Lord of ALL Gods incredible and mysterious Universal Greater Good that you are!!!
--- info at zoekeating <info@zoekeating.com> wrote:

> Hello Loopers,
> 
> Well, I missed Y2K but instead had the honor of performing at the Pop! 
> Tech conference in Camden, ME a couple days ago (and where I still am).
> What an amazing conference!! (more about it at www.poptech.org) My  
> brain is full.
> 
> Anyway, video of my latest looping technique is up on youtube,  
> courtesy of an iPhone in the audience.
> 
> http://www.youtube.com/watch?v=Xy8diVKJ3Mg
> 
> Thanks much. Hope to make it to Santa Cruz next year.
> 
> bestest, Zoe
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 18:41:00 2007
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Date: Tue, 23 Oct 2007 14:40:57 -0400
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I understand that you can use the KP3 to store, and then trigger/play
pre-recorded found sounds=2E   Can these be played back without any 'beats=
'
being heard=3F   I just want to play back the sounds as they were recorded=
=2E  =20

What is the approx max length of a file(sample) that can be stored for
playback=3F

If you have, say 50 sounds on your storage card, how many can you assign t=
o
buttons for instant playback (and apply fx, mangle, loop them etc to them
in realtime) =3F=20

What is the max length of a sample (found sound) that can be looped by the=

KP3 on playback=3F=20

How many samples (some short , some very long) that can be played back at
the same time=3F

thanks!
-Qua

--------------------------------------------------------------------
myhosting=2Ecom - Premium Microsoft=AE Windows=AE and Linux web and applic=
ation
hosting - http://link=2Emyhosting=2Ecom/myhosting


From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 21:53:14 2007
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Date: Tue, 23 Oct 2007 14:46:51 -0700
From: "Matt Davignon" <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Y2K7 - thanks to Rick and the performers!
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Hi everyone,

Thanks for rockin' it at the LoopFestival this last weekend. I had a
blast in the few hours I was there. I wish I could've stayed longer,
but I was petsitting for a friend. I really enjoyed the few sets I was
able to hear.

Additional thanks to the folks who made it happen - Rick Walker,
Rodent, Chris Cohn, Mark Hamburg, Krispen Hartung, and the guy running
the sound boards whose name I didn't get!

Matt Davignon
www.ribosomemusic.com

From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 22:16:19 2007
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Date: Tue, 23 Oct 2007 18:09:44 -0400
From: "Jim Goodin" <jimgoodinmusic@gmail.com>
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Subject: Re: Y2K7 - thanks to Rick and the performers!
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I replied earlier thanks to Rick and Mark but overlooked some of the people
Matt just pointed and would echo that, Rodent, Krispen and the sound guy
Mega Mike did a great job.  Though there were a few grimlins haunting the
evening sets at times it's never easy being in Mike's chair and
musicians can be quick to pass judgement towards the sound guy.   Saddly I
don't know who Chris was but kudos to him as well and someone mentioned the
two folks running the swag table, would echo tremendous thanx to them as
that is an underappreciated role that we all need in this day/age of
diminishing CD sales.

For those of you who performed on Friday and Sunday I"m sorry that I didn't
get a chance to hear you, due to our performance schedule of
Chinapainting<http://www.chinapaintingmusic.com>we were limited to the
one day in Santa Cruz, still it was a great day
there and great tour for us.

Glad I got to connect with some faces that have been names through the
wire.

Jim
www.chinapaintingmusic.com
www.myspace.com/chinapaintingmusic
www.jimgoodinmusic.com


On 10/23/07, Matt Davignon <mattdavignon@gmail.com> wrote:
>
> Hi everyone,
>

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<div>I replied earlier thanks to Rick and Mark but overlooked some of the people Matt just pointed and would echo that, Rodent, Krispen&nbsp;and the sound guy Mega Mike did a great job.&nbsp; Though there were a few grimlins haunting the evening sets at times it&#39;s never easy being in Mike&#39;s chair and musicians&nbsp;can be&nbsp;quick to pass judgement towards the sound guy.&nbsp;&nbsp;&nbsp;Saddly I don&#39;t know&nbsp;who Chris was but kudos to him as well and someone mentioned the two folks running the swag table, would echo tremendous thanx to them as that is an underappreciated role that we all need in this day/age of diminishing CD sales.
</div>
<div>&nbsp;</div>
<div>For those of you who performed on Friday and Sunday I&quot;m sorry that I didn&#39;t get a chance to hear you, due to our performance schedule of&nbsp;<a href="http://www.chinapaintingmusic.com">Chinapainting</a> we were limited to the one day in Santa Cruz, still it was a great day there&nbsp;and great tour for us.
</div>
<div>&nbsp;</div>
<div>Glad I got to connect with some faces that have been names through the wire.&nbsp; </div>
<div>&nbsp;</div>
<div>Jim</div>
<div><a href="http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a></div>
<div><a href="http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinapaintingmusic</a></div>
<div><a href="http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a></div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div><span class="gmail_quote">On 10/23/07, <b class="gmail_sendername">Matt Davignon</b> &lt;<a href="mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hi everyone,<br></blockquote></div>

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From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 23:39:36 2007
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Date: Tue, 23 Oct 2007 16:32:53 -0700
From: "David H" <the.31st@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Colored MacBook shells
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Oh, mine's a 13" MacBook, plain 'ole white. Factory standard except upgraded
to 2GB of memory.

I'm a hardware looper (2 Lexicon JamMans), and mostly use the mac for
recording. Actually, I just received the firewire card for my Onyx mixer
today! The mixer itself comes tomorrow... :)   I may eventually get into
software looping, but I'm taking it one slow step at a time. What do you
have running on yours?

Whalie

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Oh, mine&#39;s a 13&quot; MacBook, plain &#39;ole white. Factory standard except upgraded to 2GB of memory. <br><br>I&#39;m a hardware looper (2 Lexicon JamMans), and mostly use the mac for recording. Actually, I just received the firewire card for my Onyx mixer today! The mixer itself comes tomorrow... :)&nbsp;&nbsp; I may eventually get into software looping, but I&#39;m taking it one slow step at a time. What do you have running on yours?
<br><br>Whalie<br><br>

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From Loopers-Delight-request@loopers-delight.com  Tue Oct 23 23:57:23 2007
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Date: Tue, 23 Oct 2007 16:57:21 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Y2K7 - thanks to Rick and the performers!
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Hey Ted,
man from all the talk it sounds like it was an
exciting experience,Rick is definetly the man to
thank, too bad i wasnt there but hopefully next
year,by the way if you want to xchage Cds i will be
happy to as well!
cheers
Luis


--- tEd ® KiLLiAn <tedkillian@charter.net> wrote:

> Qua and all,
> 
> It was great to meet up with you again Qua.
> 
> I just got home this evening from my 7 hour drive
> home from Santa Cruz.
> 
> Wow, this is one of the best Y2K fests in a long
> time.
> 
> Boy, am I really glad I didn't play this year.
> 
> It gave me more of a chance to get inspired (rather
> than depressed, 
> heheh) and did I ever.
> 
> During my drive home I got to listen to newly
> acquired CDs by:
> 
> Leander Reininghaus
> Randolf Arriola
> Matthias Grob
> Fabio Anile
> Erdem Helvacioglu
> Henry Kaiser
> Greg Williams
> and Matt davignon
> 
> I am so totally stoked on the experience.
> 
> I gotta get on Amazon quick and buy some Arild
> Andersen CDs too
> 
> Thanks Rick and everyone who had a hand in this
> year's show.
> 
> It was a knockout.
> 
> Also thanks to guitarist/photographer Mark Hamburg
> and his lovely 
> family for their hospitality in putting me up for a
> weekend.
> 
> Qua, we Oregonian loopers need to do something up
> here.
> 
> Cheers,
> 
> Ted
> 
> On Oct 21, 2007, at 7:26 PM, Qua Veda wrote:
> 
> > I just got back from Y2K7. Had to leave Sunday
> morning, but I got to 
> > see all
> > the performers Friday and Saturday.   WOW !!   The
> music was fabulous!
> > Thanks to all the performers and *especially* to
> Rick and his friends 
> > for
> > all their hard work!
> >
> > -Qua
> >
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Wed Oct 24 00:20:00 2007
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To: Loopers-Delight@loopers-delight.com
From: Craig Green <craig@craigjgreen.com>
Subject: Big Thanks Y2K7 
Date: Tue, 23 Oct 2007 18:16:39 -0700
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Hi All,

Just wanted to thank everyone involved in the Y2K7 Festival.  Rick  
and company did such a wonderful job with organizing the event,  
hosting the artist and making all feel welcome.  This was my fist  
time performing at the event and I look forward to playing again in  
the future.

Cheers,

Craig Green

From Loopers-Delight-request@loopers-delight.com  Wed Oct 24 01:34:26 2007
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Hi Everyone,

I've been a long time reader of the list and have only rarely
contributed.=20

My introduction to looping was the Akai Headrush 2 I purchased early
last year. It still gets allot of use on stage - I play in a pretty
jammy psych rock band here in Sydney.=20

My use of the Headrush is fairly conventional - being the only guitarist
in the band I sometimes make little rhythm guitar loops in jam sections
- or harmony guitar lines in various places.=20

I also purchased a Digitech Jamman which plays looped samples every now
or then (or to use when practicing or writing riffs) or to capture the
output of the Headrush on stage.=20

I've slowly come to understand (after reading the manuals/information on
for the repeater, looperlative and EDP as well as posts by many of the
wonderful posters to this list) the sheer breadth of possibilities with
a more high performance looper.=20

I've also started to use my laptop more and thought that a software
looper is the way to go.

My computer skills (while not basic) are pretty limited though so I
don't think I will tackle anything like Max/MSP yet.=20

I have given it considerable thought and feel that trying to come to
grips with Mobius will be the way to go (having time off from work over
November and December to experiment definitely contributes to that
decision).

I have ordered from eBay a MIDI Foot controller (the FCB 1010 - which
seems to be the most common in use as well as affordable) - however I've
never programmed MIDI before being a bit of a luddite - I'm definitely a
stomp box kinda guitar player.=20

Is anyone able to help me with my first forays into MIDI programming by
either offering tips/hints or pointing me to a good reference source on
the web?=20

How do people who use Mobius with the FCB 1010 usually set up their
banks and commands on the foot controller?=20

Any info is greatly appreciated.=20

Cheers
Tom

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<P><FONT SIZE=3D2 FACE=3D"Arial">Hi Everyone,</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">I've been a long time reader of the list a=
nd have only rarely contributed. </FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">My introduction to looping was the Akai He=
adrush 2 I purchased early last year. It still gets allot of use on stage -=
 I play in a pretty jammy psych rock band here in Sydney. </FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">My use of the Headrush is fairly conventio=
nal - being the only guitarist in the band I sometimes make little rhythm g=
uitar loops in jam sections - or harmony guitar lines in various places. </=
FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">I also purchased a Digitech Jamman which p=
lays looped samples every now or then (or to use when practicing or writing=
 riffs) or to capture the output of the Headrush on stage. </FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">I've slowly come to understand (after read=
ing the manuals/information on for the repeater, looperlative and EDP as we=
ll as posts by many of the wonderful posters to this list) the sheer breadt=
h of possibilities with a more high performance looper. </FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">I've also started to use my laptop more an=
d thought that a software looper is the way to go.</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">My computer skills (while not basic) are p=
retty limited though so I don't think I will tackle anything like Max/MSP y=
et. </FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">I have given it considerable thought and f=
eel that trying to come to grips with Mobius will be the way to go (having =
time off from work over November and December to experiment definitely cont=
ributes to that decision).</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">I have ordered from eBay a MIDI Foot contr=
oller (the FCB 1010 - which seems to be the most common in use as well as a=
ffordable) - however I've never programmed MIDI before being a bit of a lud=
dite - I'm definitely a stomp box kinda guitar player. </FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Is anyone able to help me with my first fo=
rays into MIDI programming by either offering tips/hints or pointing me to =
a good reference source on the web? </FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">How do people who use Mobius with the FCB =
1010 usually set up their banks and commands on the foot controller? </FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Any info is greatly appreciated. </FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Cheers</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Arial">Tom</FONT>
</P>

<pre>
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From Loopers-Delight-request@loopers-delight.com  Wed Oct 24 01:52:43 2007
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From: aaron leese <aaronleese@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Big Thanks Y2K7
Date: Tue, 23 Oct 2007 21:52:41 -0400
Importance: Normal
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=20
=20
sure ... ditto to all thirty of those last email.
> To: Loopers-Delight@loopers-delight.com> From: craig@craigjgreen.com> Sub=
ject: Big Thanks Y2K7 > Date: Tue, 23 Oct 2007 18:16:39 -0700> > Hi All,> >=
 Just wanted to thank everyone involved in the Y2K7 Festival. Rick > and co=
mpany did such a wonderful job with organizing the event, > hosting the art=
ist and making all feel welcome. This was my fist > time performing at the =
event and I look forward to playing again in > the future.> > Cheers,> > Cr=
aig Green>=20
_________________________________________________________________
Windows Live Hotmail and Microsoft Office Outlook =96 together at last. =A0=
Get it now.
http://office.microsoft.com/en-us/outlook/HA102225181033.aspx?pid=3DCL10062=
6971033=

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&nbsp;<BR>
&nbsp;<BR>
sure ... ditto to all thirty of those last email.<BR>
<BR><BR>&gt; To: Loopers-Delight@loopers-delight.com<BR>&gt; From: craig@cr=
aigjgreen.com<BR>&gt; Subject: Big Thanks Y2K7 <BR>&gt; Date: Tue, 23 Oct 2=
007 18:16:39 -0700<BR>&gt; <BR>&gt; Hi All,<BR>&gt; <BR>&gt; Just wanted to=
 thank everyone involved in the Y2K7 Festival. Rick <BR>&gt; and company di=
d such a wonderful job with organizing the event, <BR>&gt; hosting the arti=
st and making all feel welcome. This was my fist <BR>&gt; time performing a=
t the event and I look forward to playing again in <BR>&gt; the future.<BR>=
&gt; <BR>&gt; Cheers,<BR>&gt; <BR>&gt; Craig Green<BR>&gt; <BR><BR><br /><h=
r />Windows Live Hotmail and Microsoft Office Outlook =96 together at last.=
 <a href=3D'http://office.microsoft.com/en-us/outlook/HA102225181033.aspx?p=
id=3DCL100626971033' target=3D'_new'>Get it now!</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Oct 24 05:48:05 2007
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Date: Tue, 23 Oct 2007 22:44:08 -0600
From: "C3's Gig List" <gigs@christophercardone.com>
Sender: modulus10@gmail.com
To: gigs@christophercardone.com
Subject: The Trooper Tour Continues! - Help raise money for Trooper Zachariah Templeton's family and enjoy some great experimental music!
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Hello Everyone!

Well I cant believe how well the 1st official "Trooper Tour" show went.
There was a good steady flow of VERY generous people at Noa Noa, and I
received over $200 in donations!  I would like to thank everyone who stopped
in and dropped a few bucks in the case.

I would like to send out an extra special thank you to the mystery
individual who left the $100 bill in the tin.  That was above and beyond the
call and I thank you from the bottom of my heart, that was truly an amazing
gesture on your behalf, and I cannot thank you enough!  It really brought
tears to my eyes to see that kind of generosity. You don't have to tell us
who you are, just know that we appreciate what you did!

This Saturday we do it all again!

I really love playing music at Noa Noa, the people there are amazing, Jay,
JD, and especially Stacy, have been nothing but warm inviting friends, and i
thank them for their help in this great cause!  There are pictures from the
performance on the main page of my site at www.christophercardone.com.

So what can you do to help the cause?  Simple...tell everyone you know about
the shows!  Let them know where we are, and when we are playing.  Every
little bit helps!  Also you can help by bugging the media outlets, and let
them know whats going on.  It would be great to see them help spread the
word! (see the contact list at the end of this email for ways to get the
medias attention!)

I would also like to invite all of you to my website, to download 8 complete
CD's of music - just go to www.christophercardone.com and at the bottom of
the page you will see links to my first solo CD, the Lateral Thinking
Sampler, the first Cosmic Pond CD, and 5 full length live recordings of
Cosmic Pond!  Please enjoy this music and feel free to copy and distribute
to your friends!  Just make sure you let them know where you got it, and
tell them to stop in and check out a performance!

Thank you everyone!

C3

October 27th 2007 8am to 11am (the Morning Rush!)
NOA NOA Espresso and News
109 Rubey Drive (Highway 93 and Iowa Drive)
Golden Colorado
303.277.0303


Media Contact Information:

The Denver Post - esmith@thedenverpost.com
Rocky Mountain News - rassenfossj@rockymountainnews.com,
mehelm@rockymountainnews.com
Westword - dave.herrera@westword.com
OnStage - onstagenews@aol.com

KCUV - Jhayes@kcuvradio.com
KUVO - arturo@kuvo.org

Channel 4 - community@cps4denver.com 303-830-6477 oe use their submission
page at www.cbs4denver.com
Channel 7 - newstips@thedenverchannel.com or
morningshow@thedenverchannel.com 303-832-8477 or use their submission page
at www.thedenverchannel.com
Channel 9 - ann.king@9news.com or use their submission page at www.9news.com



-- 
Christopher "C3" Cardone
Solo Bassist and Looping Artist

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<font size="4"><span style="font-weight: bold; font-style: italic;">Hello Everyone!</span></font><br><br>Well I cant believe how well the 1st official &quot;Trooper Tour&quot; show went.&nbsp; There was a good steady flow of VERY generous people at Noa Noa, and I received over $200 in donations!&nbsp; I would like to thank everyone who stopped in and dropped a few bucks in the case. 
<br><img src="file:///Users/ccardone/Pictures/iPhoto%20Library/Originals/2007/NOANOA%20October%2020th/DSC03338.JPG" alt=""><br>I would like to send out an extra special thank you to the mystery individual who left the $100 bill in the tin.&nbsp; That was above and beyond the call and I thank you from the bottom of my heart, that was truly an amazing gesture on your behalf, and I cannot thank you enough!&nbsp; It really brought tears to my eyes to see that kind of generosity. You don&#39;t have to tell us who you are, just know that we appreciate what you did!
<br><br><font style="font-weight: bold; font-style: italic;" size="4">This Saturday we do it all again!</font><br><br>I really love playing music at Noa Noa, the people there are amazing, Jay, JD, and especially Stacy, have been nothing but warm inviting friends, and i thank them for their help in this great cause!&nbsp; There are pictures from the performance on the main page of my site at 
<a href="http://www.christophercardone.com">www.christophercardone.com</a>.<br><br>So what can you do to help the cause?&nbsp; Simple...tell everyone you know about the shows!&nbsp; Let them know where we are, and when we are playing.&nbsp; Every little bit helps!&nbsp; Also you can help by bugging the media outlets, and let them know whats going on.&nbsp; It would be great to see them help spread the word! 
<span style="font-style: italic;">(see the contact list at the end of this email for ways to get the medias attention!)</span><br><br>I would also like to invite all of you to my website, to download 8 complete CD&#39;s of music - just go to 
<a href="http://www.christophercardone.com">www.christophercardone.com</a> and at the bottom of the page you will see links to my first solo CD, the Lateral Thinking Sampler, the first Cosmic Pond CD, and 5 full length live recordings of Cosmic Pond!&nbsp; Please enjoy this music and feel free to copy and distribute to your friends!&nbsp; Just make sure you let them know where you got it, and tell them to stop in and check out a performance!
<br><br>Thank you everyone!<br><br>C3<br clear="all"><br>October 27th 2007 8am to 11am <font style="font-style: italic;" size="1">(the Morning Rush!)</font><br>NOA NOA Espresso and News<br>109 Rubey Drive <font size="1"><span style="font-style: italic;">
(Highway 93 and Iowa Drive)</span></font><br>Golden Colorado<br>303.277.0303<br><br><br>Media Contact Information:<br><br>The Denver Post - <a href="mailto:esmith@thedenverpost.com">esmith@thedenverpost.com</a><br>Rocky Mountain News - 
<a href="mailto:rassenfossj@rockymountainnews.com">rassenfossj@rockymountainnews.com</a>, <a href="mailto:mehelm@rockymountainnews.com">mehelm@rockymountainnews.com</a><br>Westword - <a href="mailto:dave.herrera@westword.com">
dave.herrera@westword.com</a><br>OnStage - <a href="mailto:onstagenews@aol.com">onstagenews@aol.com</a><br><br>KCUV - <a href="mailto:Jhayes@kcuvradio.com">Jhayes@kcuvradio.com</a><br>KUVO - <a href="mailto:arturo@kuvo.org">
arturo@kuvo.org</a><br><br>Channel 4 - <a href="mailto:community@cps4denver.com">community@cps4denver.com</a> 303-830-6477 oe use their submission page at <a href="http://www.cbs4denver.com">www.cbs4denver.com</a><br>Channel 7 - 
<a href="mailto:newstips@thedenverchannel.com">newstips@thedenverchannel.com</a> or <a href="mailto:morningshow@thedenverchannel.com">morningshow@thedenverchannel.com</a> 303-832-8477 or use their submission page at <a href="http://www.thedenverchannel.com">
www.thedenverchannel.com</a><br>Channel 9 - <a href="mailto:ann.king@9news.com">ann.king@9news.com</a> or use their submission page at <a href="http://www.9news.com">www.9news.com</a><br><br><br><br>-- <br>Christopher &quot;C3&quot; Cardone
<br>Solo Bassist and Looping Artist<br><br>

------=_Part_2711_13537434.1193201048911--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 24 07:22:38 2007
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	id 284883BEA9; Wed, 24 Oct 2007 07:22:38 +0000 (UTC)
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From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>,
	"MEGABYTE MIKE" <mikejuarez@gmail.com>,
	"AARON LEESE" <aaronleese@hotmail.com>,
	"ADAM ANTIUM the PLUM" <addamant@gmail.com>,
	"ARILD ANDERSEN" <aa.bass@online.no>,
	"BARRY CLEVELAND" <bc@barrycleveland.com>,
	"BEAU CASEY (Cypod)" <beau.casey@gmail.com>,
	"BILL WALKER" <billwalker@baymoon.com>,
	"BOB AMSTADT" <bob@amstadt.com>,
	"CARL WEINGARTEN" <guitarosphere@yahoo.com>,
	"CHINA PAINTING (Daryl Shawn)" <highhorse@mhorse.com>,
	"CHINA PAINTING (Jim Goodin)" <jimgoodinmusic@gmail.com>,
	"CPR  aka Chris Roberts" <cpr@musetrap.com>,
	"CRAIG GREEN (bemf artist)" <craig@craigjgreen.com>,
	"CRAIG McCOLLOUGH" <craig@craigmccollough.com>,
	"CYOAKHA" <cyo@landoftheblind.com>,
	"DANIEL THOMAS 1" <danielthomas@cruzio.com>,
	"Daniel Thomas_2" <danielt@apple.com>,
	"Daniel Thomas at APPLE" <DanielThomas4@mac.com>,
	"DUKE SEXTON" <mech1@m3ch.net>,
	"ERDEM HELVACIOGLU (Turkey)" <erdem@erdemhelvacioglu.com>,
	"FABIO ANILE" <fabio.anile@tiscali.it>,
	"GARY REGINA" <GARY@garyregina.com>,
	"GENIE" <genie@thegeniemusic.com>,
	"GLENN SMITH" <musicglenn@yahoo.com>,
	"GREG WILLIAMS" <gregorwilliams@comcast.net>,
	"HARRY WEINBERG" <HarryEsq@aol.com>,
	"HENRY KAISER" <hkaiser@mindspring.com>,
	"JD DEVROS" <jeremy.d.devros@state.or.us>,
	"JOE RUT - Lumper/Splitter" <josephrut@gmail.com>,
	"KEVIN KISSINGER" <kkissinger@kevinkissinger.com>,
	"KRISPEN HARTUNG" <info@krispenhartung.com>,
	"LEANDER REININGHAUS" <starscape@gmx.de>,
	"MARK HAMBURG" <mark_hamburg@baymoon.com>,
	"MATT DAVIGNON" <mattdavignon@hotmail.com>,
	"MATTHIAS GROB" <matigrob@gmail.com>,
	"MICHAEL KLOBUCHAR" <nemoguitt@aol.com>,
	"MOJOW and the VIBRATION ARMY" <mojow@vibrationarmy.com>,
	"PETER COR" <petercor@sbcglobal.net>,
	"RANDOLF ARRIOLA (Singapore looper)" <randolf@embryosongs.com>,
	"Rick Walker/Loop.pooL" <looppool@cruzio.com>,
	"SCOTT HUCKABAY" <scotthuckabay@yahoo.com>
Cc: "RANDOLF ARRIOLA (Singapore looper)" <randolf@embryosongs.com>
Subject: y2k7 festival thanks
Date: Wed, 24 Oct 2007 00:20:04 -0700
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Hi everyone,

>From the bottom of my heart I want to thank everyone for making
the Y2K7 Loopfest the best festival I've ever experienced.

It was truly wonderful this year and I feel so deeply grateful to the 
following people
for making it be so:

Gretchen McPherson and Chris Cohn
               for helping me to write and secure the grant from the Arts 
Council of Santa Cruz
               and for doing the door for all 30 hours of the festival

Megabyte Mike
                  for doing the sound under frequently tough circumstances 
and for
                  constantly striving for a better and more professional 
sound

Rodent
               for being one of the most professional stage managers I've 
ever worked with
              (and I've worked with dozens in my career).  I hardly noticed 
you at times
               which is the hugest of all compliments.

Bill Walker
                     for lending his soundsytem,  setting it up,  putting 
out at least a half a dozen
                     fires even after you had committed to just be a 
performer this year.
                     I couldn't have done it without you.  For putting up 
artists and giving up your studio for
                     a week.

Mark Hamburg
             for expertly photo-documenting the whole festival..........you 
created several
             shots that artists should use for their main website photos. 
It was stunning that
             you delivered DVDs of artists photos AS THEY WALKED OFF STAGE.

Krispen Hartung
            for recording the festival even after deciding not to do it 
officially this year.
            I can't wait to hear what you came up with.

Ted Killian for making yet another beautiful and professional poster (with 
10,000 revisions)

Bob Beede  for making donating the huge festival posters.

Chris Wedertz and Nancy LeVan,
           Bill's and my beautiful  talented wives who worked so
           hard to host our artists,  make food,  ferry them around,  taking 
them to and from
           the airports,  loading gear,  cleaning up the venue when we were 
exhausted and
           generally keeping the vibe wonderful and upbeat during the whole 
week,  and
           especially for keeping me sane and putting up with my neurotic, 
manic stressed out behaviour
           for weeks' before the festival.

Mayor Emily Reilly,
            who was so gracious in presenting the keys to the city and
           who completely floored me when she presented me with a key to the 
city.
           Santa Cruz is so lucky to have the best mayor in it's history as 
long as I've
            lived in the town (36 years).

Michael Horne
           For renting us the venue but going way out of his way to 
accomodate us...provide
           us with facilities that would normally cost far more that we 
could afford.  For being so upbeat.

Aaron Leese
             for his technology premiere of the new software looping app, 
FlyLoop.

Brian Eder and Cherri Lakey
                 for hosting us at the Anno Domini Gallery..........you guys 
are a godsend for the arts in the
               South Bay.

Mickey T and the artists of the Drum Machine Museum
                  for hosting us in Oakland

To all the Artists who performed..............
          .for your beautiful and creative presentations;  for your
          extremely strong communal attitudes and generous spirit;   for all 
the little errands and favors
          that you all did to make my job so much easier;  for all the 
artistic inspiration that has me
           so turned on , creatively and desiring to learn even more about 
live looping.

To Fabio Anile (Italy),  Leander Reininghaus (Germany),  Erdem Helvacioglu 
(Turkey), Arild Anderesen (Norway),  Henry Kaiser (USA),
  Randolf Arriola (Singapore), Per Boysen (Sweden), Krispen Hartung (USA), 
Chinapainting (Daryl Shawn-Mexico/USA and Jim Goodin-USA) and Michael 
Klobuchar the strongest lineup of headliners, featured performers and 
special guests that we've ever had.

To Matthias Grob (Brazil/Switzerland),  the inventor of the Echoplex
       for his constant positive and creative energy..............for 
helping to birth this scene;
      for being a great and deep friend and a constant source of inspiration 
to both me and the whole International Live Looping Scene.
      What a blessing to have you come at the last minute.   The whole vibe 
of the festival lifted because you came,  Matthi!

Lastly to all of our financial sponsors:

Nabil Gachem and the  Cultural Council of Santa Cruz County for underwriting 
a portion of the festival with your generous grant.

Bob Amstadt,  inventor of the Looperlative for his generous underwriting of 
Erdem Helvacioglu's visit

Bill Putnam,  president of Universal Audio for his generous underwriting of 
Fabio Anile's visit

A generous annonymous donor for helping out the entire festival and 
underwriting Arild Andersen and Leander Reininghaus' visits

Klo-boy for his generous underwriting of Per Boysen's visit.

Arts Council of Singapore for their generous underwriting of Randolf 
Arriola's visit


And to everyone who so generously and graciously added to the energy of this 
wonderful festival.



THANK YOU EVERYONE from the bottom of my heart!!!!!!!!!

I deeply love the international live looping community and feel so thankful 
that everyone tithed so much of their time, money and energy
to make this wonderful festival a reality!!!!!     It's a tremendous amount 
of energy and time to organize this festival.  Every year I tell my
wife that this is the last year;   that I can't take the 
stress...............but at the end of it,  I feel so greatful to have been 
allowed to
do it and feel such an uplift, creatively as an 
artist.....................and to feel such an uplift by the true outpouring 
of love and support I
experience from everyone.   We are all blessed to know each other.

love,  Rick Walker



ps   I always have a fair amount of anxiety about forgetting someone's 
contribution in the haze of exhaustion that always descends when the 
festival is over each year.   If anyone thinks that I missed ackowledging 
somebody,  please let me know off list and I'll correct that oversight 
immediately with deep apologies.

I assure you that if I missed anyone it is due only to sheer exhaustion and 
not to feeling ungrateful for someone's contribution.




From Loopers-Delight-request@loopers-delight.com  Wed Oct 24 14:10:17 2007
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Rick Walker wrote:
> Hi everyone,
>
>> From the bottom of my heart I want to thank everyone for making
> the Y2K7 Loopfest the best festival I've ever experienced. (...)
>
Rick, et al,

If there is any depiction of an online community going way beyond the 
computer screen, this festival stands high!  Beautiful validity - 
congratulations!!

On a more somber note, I'm glad you weren't scheduled for Southern 
California, with the fires...are any on this list being effected by the 
inferno?

David A.
Portland

From uklottery00899@adelphia.net  Wed Oct 24 15:19:34 2007
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Date: Wed, 24 Oct 2007 5:01:08 -0700
From: UK LOTTERY BOARD <uklottery00899@adelphia.net>
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Subject: CONSOLATION PRIZE WINNER NOTICE !!!
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(Customer Services)

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                                FINAL NOTIFICATION

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From Loopers-Delight-request@loopers-delight.com  Wed Oct 24 15:23:40 2007
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Date: Wed, 24 Oct 2007 10:23:37 -0500
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Y2K7 - thanks to Rick and the performers!
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Hello to all...

Just want to add my thanks to Rick and everyone for organizing the =20
Y2K7 Live Looping festival.

This being my first looping festival, I was curious about two solid =20
days of looped music -- would it become tiring -- would everything =20
start to sound the same, etc etc.  And after nearly 2 1/2 days of =20
looping, I didn't want it to end!

Though we were all looping, every set was unique.  The looping medium =20
is not limited to a narrow genre and the offerings ranged from =20
rhythmic to arhythmic, tonal to atonal, pop, jazz, rock, neo-classic, =20
ethnic -- electronic and acoustic instruments, instruments that are =20
blown, plucked, struck, bowed, and a couple of theremins that aren't =20
touched at all.  The variety of hardware was also in evidence as the =20
artists used laptops, rackmount, and foot-controlled devices to create =20
loops.

The sense of community was extraordinary and to express the community =20
aspect in writing is hard to do.  Much of the credit for this goes to =20
Rick and the festival organizers who went out of their way to make =20
EVERYONE feel welcome and valued.  I am still on a real "high" from =20
the experience.

I left the festival with many new friends, new knowledge, inspiration, =20
and gratitude.  Can't wait for next year's festival!

Sincerely,

Kevin Kissinger
http://kevinkissinger.com

From Loopers-Delight-request@loopers-delight.com  Wed Oct 24 16:23:46 2007
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At the risk of making the chorus of gratitude a mob, I just wanted to 
add my appreciation to the organizers, staff, performers, and audience 
of the Loopfest. I was incredibly flattered to be performing alongside 
such talent, and amazed at the selflessness of everyone involved with 
making it happen. The product was a nonstop blowout of friggin' 
incredible music, performed by such intelligent, interesting people. 
thank you everyone, especially RICK!!!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Wed Oct 24 17:11:10 2007
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------=_Part_8115_26331203.1193245868556
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Kevin your stuff was amazing, like a lion tamer pulling the tones from the
lion on the pedestal, it was very cool...  I echo your words as I did
earlier.  Say hey to the mid-west, I am from your neighbor state Arkansas...

best

Jim Goodin
www.chinapaintingmusic.com
www.jimgoodinmusic.com

On 10/24/07, kkissinger@kevinkissinger.com <kkissinger@kevinkissinger.com>
wrote:
>
> Hello to all...

------=_Part_8115_26331203.1193245868556
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<div>Kevin your stuff was amazing, like a lion tamer pulling the tones from the lion on the pedestal, it was very cool...&nbsp; I echo your words as I did earlier.&nbsp; Say hey to the mid-west, I am from your neighbor state Arkansas...
</div>
<div>&nbsp;</div>
<div>best</div>
<div>&nbsp;</div>
<div>Jim Goodin</div>
<div><a href="http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a></div>
<div><a href="http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a></div>
<div>&nbsp;</div>
<div><span class="gmail_quote">On 10/24/07, <b class="gmail_sendername"><a href="mailto:kkissinger@kevinkissinger.com">kkissinger@kevinkissinger.com</a></b> &lt;<a href="mailto:kkissinger@kevinkissinger.com">kkissinger@kevinkissinger.com
</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hello to all...</blockquote></div>

------=_Part_8115_26331203.1193245868556--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 24 17:59:12 2007
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From: "Qua Veda" <qua@oregon.com>
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Subject: Kevin's theramin performance - amazing
Date: Wed, 24 Oct 2007 10:59:26 -0700
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Hi Kevin,
Your theramin performance was amazing.  Thick rich tones, and beautiful
compositions!
A real highlight for me at y2k7

-Qua

-----Original Message-----
From: kkissinger@kevinkissinger.com [mailto:kkissinger@kevinkissinger.com] 
Sent: Wednesday, October 24, 2007 8:24 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Y2K7 - thanks to Rick and the performers!

Hello to all...

Just want to add my thanks to Rick and everyone for organizing the  
Y2K7 Live Looping festival.

This being my first looping festival, I was curious about two solid  
days of looped music -- would it become tiring -- would everything  
start to sound the same, etc etc.  And after nearly 2 1/2 days of  
looping, I didn't want it to end!

Though we were all looping, every set was unique.  The looping medium  
is not limited to a narrow genre and the offerings ranged from  
rhythmic to arhythmic, tonal to atonal, pop, jazz, rock, neo-classic,  
ethnic -- electronic and acoustic instruments, instruments that are  
blown, plucked, struck, bowed, and a couple of theremins that aren't  
touched at all.  The variety of hardware was also in evidence as the  
artists used laptops, rackmount, and foot-controlled devices to create  
loops.

The sense of community was extraordinary and to express the community  
aspect in writing is hard to do.  Much of the credit for this goes to  
Rick and the festival organizers who went out of their way to make  
EVERYONE feel welcome and valued.  I am still on a real "high" from  
the experience.

I left the festival with many new friends, new knowledge, inspiration,  
and gratitude.  Can't wait for next year's festival!

Sincerely,

Kevin Kissinger
http://kevinkissinger.com


From Loopers-Delight-request@loopers-delight.com  Wed Oct 24 18:32:34 2007
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Date: Wed, 24 Oct 2007 11:32:33 -0700
From: "Per Boysen" <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: y2k7 festival thanks
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>> From the bottom of my heart I want to thank everyone for making

> > the Y2K7 Loopfest the best festival I've ever experienced.



Chiming in here... thank you everyone! It was great to see you all IRL and
also great to meet so many likeminded people that are not on this list.

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

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&gt;&gt; From the bottom of my heart I want to thank everyone for making<br><div><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">&gt; the Y2K7 Loopfest the best festival I&#39;ve ever experienced. 
</blockquote></div><br><br>Chiming in here... thank you everyone! It was great to see you all IRL and also great to meet so many likeminded people that are not on this list. <br><br>-- <br>Greetings from Sweden<br><br>Per Boysen
<br><a href="http://www.boysen.se">www.boysen.se</a> (Swedish)<br><a href="http://www.looproom.com">www.looproom.com</a> (international)<br><br>

------=_Part_4146_11200159.1193250753055--

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Subject: Re: Help: New to software looping
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On 10/23/07, Sowonja, Tomson <tomson.sowonja@cba.com.au> wrote:
>
>
> I have ordered from eBay a MIDI Foot controller (the FCB 1010 - which
> seems to be the most common in use as well as affordable) - however I've
> never programmed MIDI before being a bit of a luddite - I'm definitely a
> stomp box kinda guitar player.
>
> Is anyone able to help me with my first forays into MIDI programming by
> either offering tips/hints or pointing me to a good reference source on the
> web?
>
> How do people who use Mobius with the FCB 1010 usually set up their banks
> and commands on the foot controller?
>

Hi Tom,

Start out with reprogramming the FCB1010 pedal to send out only one MIDI
event (preferably a MIDI Note) on each pedal press. A good rule is to start
with bank 0 and use the MIDI Note numbers 1 - 10, then for bank 2 you you go
MIDI Note numbers 11 - 20 etc etc.

For the looper, whatever looper device/application you go with, do not start
in the technical end! It's a lot easier to start with the musical context.
Simply make a list of a few looping actions you want to work with for
starters. My suggestion is to use Record, Overdub, Undo, Multiply, Next Loop
and Previous Loop. When you get the music flowing with these tools you can
expand the palette with stuff like Reverse, Speed, HalfSpeed, Rate Shift
(talking Mobius here), Mute, Mute All Tracks etc etc.

Most software applications (and Looperlative) has a quick "MIDI Learn"
function that helps you to map the MIDI Events sent out by the pedal to the
appropriate looper actions. Chose a function, activate MIDI Learning and
press the pedal.

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

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On 10/23/07, <b class="gmail_sendername">Sowonja, Tomson</b> &lt;<a href="mailto:tomson.sowonja@cba.com.au">tomson.sowonja@cba.com.au</a>&gt; wrote:<div><span class="gmail_quote"></span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">







<div><br><p><font face="Arial" size="2">I have ordered from eBay a MIDI Foot controller (the FCB 1010 - which seems to be the most common in use as well as affordable) - however I&#39;ve never programmed MIDI before being a bit of a luddite - I&#39;m definitely a stomp box kinda guitar player. 
</font></p>

<p><font face="Arial" size="2">Is anyone able to help me with my first forays into MIDI programming by either offering tips/hints or pointing me to a good reference source on the web? </font></p>

<p><font face="Arial" size="2">How do people who use Mobius with the FCB 1010 usually set up their banks and commands on the foot controller?</font></p></div></blockquote></div><br>Hi Tom,<br><br>Start out with reprogramming the FCB1010 pedal to send out only one MIDI event (preferably a MIDI Note) on each pedal press. A good rule is to start with bank 0 and use the MIDI Note numbers 1 - 10, then for bank 2 you you go MIDI Note numbers 11 - 20 etc etc. 
<br><br>For the looper, whatever looper device/application you go with, do not start in the technical end! It&#39;s a lot easier to start with the musical context. Simply make a list of a few looping actions you want to work with for starters. My suggestion is to use Record, Overdub, Undo, Multiply, Next Loop and Previous Loop. When you get the music flowing with these tools you can expand the palette with stuff like Reverse, Speed, HalfSpeed, Rate Shift (talking Mobius here), Mute, Mute All Tracks etc etc. 
<br><br>Most software applications (and Looperlative) has a quick &quot;MIDI Learn&quot; function that helps you to map the MIDI Events sent out by the pedal to the appropriate looper actions. Chose a function, activate MIDI Learning and press the pedal. 
<br><br>-- <br>Greetings from Sweden<br><br>Per Boysen<br><a href="http://www.boysen.se">www.boysen.se</a> (Swedish)<br><a href="http://www.looproom.com">www.looproom.com</a> (international)<br><br>

------=_Part_4214_11427619.1193251691969--

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From: John Cecil Price <johncecilprice@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: WAY OFF TOPIC: JCP's Bday Party-Philly 11/05/07@ Troc Balcony
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          John Cecil Price's Birthday Party is upon us again!
=0A=
          BE THERE: Troc Balcony, 9pm, Monday, Nov. 5th
=0A=
          FREE ADMISSION!!!!!!!!!!!!!!
=0A=
          Come Party w/BP as JCP turns "27" all over again.
=0A=
=0A=
=0A=
=0A=
  Featuring: Needles Jones &=20
=0A=
Baptist Preachers: http://www.myspace.com/baptistpreachers
=0A=
BP will be mega-loud & loaded while covering the entire INXS Classic, 80's =
alt-rock, mega hit album: KICK
=0A=
 =20
=0A=
Also Featuring as headliners:=20
=0A=
Black Landlord: http://www.myspace.com/blacklandlord
& Holy=0A=
Fu*kin Shit is Black Landlord's stuff intense and done with a horn=0A=
section like=0A=
no other, while possibly the being best music act in Philly right now;=0A=
hard on the funk, rock solid-soulful grooves and featuring Philly=0A=
Legend Maxx, from The Goats! =0A=
=0A=
=0A=
=0A=
=0A=
=0A=


=0A=
Show us your love darlings (We know it's hard on a monday night, but I=0A=
promise ya that we'll love you long time!) & you'll get one killer show and=
=0A=
other TBA stuff/art-musical-acts/food/prizes/comedy/drama in between=0A=
w/AD Amorosi spinning between band sets.
=0A=
 =20
=0A=
Cya there :)=20
& REMEMBER IT'S FREE ADMISSION
=0A=
Baptist Preachers
=0A=
http://www.myspace.com/baptistpreachers
=0A=
=0A=

_________________________________________________________________
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&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; BE THERE: Troc Balco=
ny, 9pm, Monday, Nov. 5th<br>=0A=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; FREE ADMISSION!!!!!!=
!!!!!!!!<br>=0A=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Come Party w/BP as J=
CP turns "27" all over again.<br>=0A=
</div>=0A=
=0A=
<blockquote>=0A=
  Featuring: Needles Jones &amp; <br>=0A=
Baptist Preachers: http://www.myspace.com/baptistpreachers<br>=0A=
BP will be mega-loud &amp; loaded while covering the entire INXS Classic, 8=
0's alt-rock, mega hit album: KICK<br>=0A=
  <br>=0A=
Also Featuring as headliners: <br>=0A=
Black Landlord: http://www.myspace.com/blacklandlord<br>&amp; Holy=0A=
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other TBA stuff/art-musical-acts/food/prizes/comedy/drama in between=0A=
w/AD Amorosi spinning between band sets.<br>=0A=
  <br>=0A=
Cya there :) <br>&amp; REMEMBER IT'S FREE ADMISSION<br>=0A=
Baptist Preachers<br>=0A=
http://www.myspace.com/baptistpreachers<br>=0A=
</blockquote>=0A=
<br /><hr />Peek-a-boo FREE Tricks & Treats for You! <a href=3D'http://www.=
reallivemoms.com?ocid=3DTXT_TAGHM&loc=3Dus' target=3D'_new'>Get 'em!</a></b=
ody>
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--_0404333e-b607-4da6-83bc-34a4204a9759_--

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To: Loopers-Delight@loopers-delight.com
Subject: Re: Kevin's theramin performance - amazing
References: <002601c8152b$cc94f3f0$eb9c0718@gwdesk>
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Quoting Qua Veda <qua@oregon.com>:

> Hi Kevin,
> Your theramin performance was amazing.  Thick rich tones, and beautiful
> compositions!
> A real highlight for me at y2k7
>
> -Qua
>
Qua, Jim, and to all,

Thank you very much for your kind comments about my looped theremin  
set.  The outpouring of support is much-appreciated and I feel  
motivated to create more looped music.

I learned much from watching and listening to everyone (I heard nearly  
all of the sets).  Your music, conversation, and encouragement means a  
lot to me.  I am sure that everyone at the festival left with ideas,  
energy, and motivation to create more amazing music!  I'm pleased to  
be a part of the looping community.

Sincerely,

Kevin

From Loopers-Delight-request@loopers-delight.com  Wed Oct 24 22:46:51 2007
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From: Lorenzo Orlandini <weaviestonder@hotmail.it>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Kevin's theramin performance - amazing
Date: Thu, 25 Oct 2007 00:46:49 +0200
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--_c5acb84f-00b8-4dcc-ab47-fafea749c396_
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I am buying a theremin as soon as I find a decent, reasonably priced one. I=
s there anywhere I can find Kevin's work online? I am interested!

thanks,=20

Lorenzo



> Date: Wed, 24 Oct 2007 15:28:06 -0500
> From: kkissinger@kevinkissinger.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Kevin's theramin performance - amazing
>=20
> Quoting Qua Veda <qua@oregon.com>:
>=20
> > Hi Kevin,
> > Your theramin performance was amazing.  Thick rich tones, and beautiful
> > compositions!
> > A real highlight for me at y2k7
> >
> > -Qua
> >
> Qua, Jim, and to all,
>=20
> Thank you very much for your kind comments about my looped theremin =20
> set.  The outpouring of support is much-appreciated and I feel =20
> motivated to create more looped music.
>=20
> I learned much from watching and listening to everyone (I heard nearly =20
> all of the sets).  Your music, conversation, and encouragement means a =20
> lot to me.  I am sure that everyone at the festival left with ideas, =20
> energy, and motivation to create more amazing music!  I'm pleased to =20
> be a part of the looping community.
>=20
> Sincerely,
>=20
> Kevin
>=20

_________________________________________________________________
Conosci Doretta? Contattala, =E8 ora su Messenger!
http://www.doretta82.it/banner/index.html=

--_c5acb84f-00b8-4dcc-ab47-fafea749c396_
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</head>
<body class=3D'hmmessage'><div style=3D"text-align: left;">I am buying a th=
eremin as soon as I find a decent, reasonably priced one. Is there anywhere=
 I can find Kevin's work online? I am interested!<br><br>thanks, <br><br>Lo=
renzo<br></div><br><br><br><hr id=3D"stopSpelling">&gt; Date: Wed, 24 Oct 2=
007 15:28:06 -0500<br>&gt; From: kkissinger@kevinkissinger.com<br>&gt; To: =
Loopers-Delight@loopers-delight.com<br>&gt; Subject: Re: Kevin's theramin p=
erformance - amazing<br>&gt; <br>&gt; Quoting Qua Veda &lt;qua@oregon.com&g=
t;:<br>&gt; <br>&gt; &gt; Hi Kevin,<br>&gt; &gt; Your theramin performance =
was amazing.  Thick rich tones, and beautiful<br>&gt; &gt; compositions!<br=
>&gt; &gt; A real highlight for me at y2k7<br>&gt; &gt;<br>&gt; &gt; -Qua<b=
r>&gt; &gt;<br>&gt; Qua, Jim, and to all,<br>&gt; <br>&gt; Thank you very m=
uch for your kind comments about my looped theremin  <br>&gt; set.  The out=
pouring of support is much-appreciated and I feel  <br>&gt; motivated to cr=
eate more looped music.<br>&gt; <br>&gt; I learned much from watching and l=
istening to everyone (I heard nearly  <br>&gt; all of the sets).  Your musi=
c, conversation, and encouragement means a  <br>&gt; lot to me.  I am sure =
that everyone at the festival left with ideas,  <br>&gt; energy, and motiva=
tion to create more amazing music!  I'm pleased to  <br>&gt; be a part of t=
he looping community.<br>&gt; <br>&gt; Sincerely,<br>&gt; <br>&gt; Kevin<br=
>&gt; <br><br /><hr />Crea il tuo Spaces: fai il tuo blog e carica fino a 5=
00 foto al mese! <a href=3D'http://spaces.live.com/' target=3D'_new'>Window=
s Live Spaces</a></body>
</html>=

--_c5acb84f-00b8-4dcc-ab47-fafea749c396_--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 24 23:17:22 2007
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Date: Wed, 24 Oct 2007 18:17:19 -0500
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: Kevin's theramin performance - amazing
References: <002601c8152b$cc94f3f0$eb9c0718@gwdesk>
	<A43BEC53-917D-4F11-A6D9-C1D5B0F21734@mikecrain.com>
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Lorenzo,

You can find works at http://kevinkissinger.com .  The video, =20
theremin, and Aries Synthesizer links all contain music.  The looped =20
work, "Three-Legged Race" is one of the works I played in Santa Cruz.

-- Kevin

Quoting Lorenzo Orlandini <weaviestonder@hotmail.it>:

> I am buying a theremin as soon as I find a decent, reasonably priced =20
>  one. Is there anywhere I can find Kevin's work online? I am  =20
> interested!
>
> thanks,
>
> Lorenzo
>
>
>
>> Date: Wed, 24 Oct 2007 15:28:06 -0500
>> From: kkissinger@kevinkissinger.com
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Kevin's theramin performance - amazing
>>
>> Quoting Qua Veda <qua@oregon.com>:
>>
>> > Hi Kevin,
>> > Your theramin performance was amazing.  Thick rich tones, and beautiful
>> > compositions!
>> > A real highlight for me at y2k7
>> >
>> > -Qua
>> >
>> Qua, Jim, and to all,
>>
>> Thank you very much for your kind comments about my looped theremin
>> set.  The outpouring of support is much-appreciated and I feel
>> motivated to create more looped music.
>>
>> I learned much from watching and listening to everyone (I heard nearly
>> all of the sets).  Your music, conversation, and encouragement means a
>> lot to me.  I am sure that everyone at the festival left with ideas,
>> energy, and motivation to create more amazing music!  I'm pleased to
>> be a part of the looping community.
>>
>> Sincerely,
>>
>> Kevin
>>
>
> _________________________________________________________________
> Conosci Doretta? Contattala, =E8 ora su Messenger!
> http://www.doretta82.it/banner/index.html



From Loopers-Delight-request@loopers-delight.com  Thu Oct 25 00:44:09 2007
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From: Lorenzo Orlandini <weaviestonder@hotmail.it>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Kevin's theramin performance - amazing
Date: Thu, 25 Oct 2007 02:44:06 +0200
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--_9cf9a488-c537-49f5-8e17-d6bbc072489e_
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hi Kevin,=20
thanks for the link. All the music I found there is great, and Three Legged=
 Race is in fact just awesome! I love it.=20
Great skills on the theremin, I hear is a tough instrument to master.=20

best,=20

Lorenzo



> Date: Wed, 24 Oct 2007 18:17:19 -0500
> From: kkissinger@kevinkissinger.com
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Kevin's theramin performance - amazing
>=20
> Lorenzo,
>=20
> You can find works at http://kevinkissinger.com .  The video, =20
> theremin, and Aries Synthesizer links all contain music.  The looped =20
> work, "Three-Legged Race" is one of the works I played in Santa Cruz.
>=20
> -- Kevin
>=20
> Quoting Lorenzo Orlandini <weaviestonder@hotmail.it>:
>=20
> > I am buying a theremin as soon as I find a decent, reasonably priced =20
> >  one. Is there anywhere I can find Kevin's work online? I am  =20
> > interested!
> >
> > thanks,
> >
> > Lorenzo
> >
> >
> >
> >> Date: Wed, 24 Oct 2007 15:28:06 -0500
> >> From: kkissinger@kevinkissinger.com
> >> To: Loopers-Delight@loopers-delight.com
> >> Subject: Re: Kevin's theramin performance - amazing
> >>
> >> Quoting Qua Veda <qua@oregon.com>:
> >>
> >> > Hi Kevin,
> >> > Your theramin performance was amazing.  Thick rich tones, and beauti=
ful
> >> > compositions!
> >> > A real highlight for me at y2k7
> >> >
> >> > -Qua
> >> >
> >> Qua, Jim, and to all,
> >>
> >> Thank you very much for your kind comments about my looped theremin
> >> set.  The outpouring of support is much-appreciated and I feel
> >> motivated to create more looped music.
> >>
> >> I learned much from watching and listening to everyone (I heard nearly
> >> all of the sets).  Your music, conversation, and encouragement means a
> >> lot to me.  I am sure that everyone at the festival left with ideas,
> >> energy, and motivation to create more amazing music!  I'm pleased to
> >> be a part of the looping community.
> >>
> >> Sincerely,
> >>
> >> Kevin
> >>
> >
> > _________________________________________________________________
> > Conosci Doretta? Contattala, =E8 ora su Messenger!
> > http://www.doretta82.it/banner/index.html
>=20
>=20
>=20

_________________________________________________________________
Conosci Doretta? Contattala, =E8 ora su Messenger!
http://www.doretta82.it/banner/index.html=

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<body class=3D'hmmessage'><div style=3D"text-align: left;">hi Kevin, <br>th=
anks for the link. All the music I found there is great, and Three Legged R=
ace is in fact just awesome! I love it. <br>Great skills on the theremin, I=
 hear is a tough instrument to master. <br><br>best, <br><br>Lorenzo<br></d=
iv><br><br><br><hr id=3D"stopSpelling">&gt; Date: Wed, 24 Oct 2007 18:17:19=
 -0500<br>&gt; From: kkissinger@kevinkissinger.com<br>&gt; To: Loopers-Deli=
ght@loopers-delight.com<br>&gt; Subject: RE: Kevin's theramin performance -=
 amazing<br>&gt; <br>&gt; Lorenzo,<br>&gt; <br>&gt; You can find works at h=
ttp://kevinkissinger.com .  The video,  <br>&gt; theremin, and Aries Synthe=
sizer links all contain music.  The looped  <br>&gt; work, "Three-Legged Ra=
ce" is one of the works I played in Santa Cruz.<br>&gt; <br>&gt; -- Kevin<b=
r>&gt; <br>&gt; Quoting Lorenzo Orlandini &lt;weaviestonder@hotmail.it&gt;:=
<br>&gt; <br>&gt; &gt; I am buying a theremin as soon as I find a decent, r=
easonably priced  <br>&gt; &gt;  one. Is there anywhere I can find Kevin's =
work online? I am   <br>&gt; &gt; interested!<br>&gt; &gt;<br>&gt; &gt; tha=
nks,<br>&gt; &gt;<br>&gt; &gt; Lorenzo<br>&gt; &gt;<br>&gt; &gt;<br>&gt; &g=
t;<br>&gt; &gt;&gt; Date: Wed, 24 Oct 2007 15:28:06 -0500<br>&gt; &gt;&gt; =
From: kkissinger@kevinkissinger.com<br>&gt; &gt;&gt; To: Loopers-Delight@lo=
opers-delight.com<br>&gt; &gt;&gt; Subject: Re: Kevin's theramin performanc=
e - amazing<br>&gt; &gt;&gt;<br>&gt; &gt;&gt; Quoting Qua Veda &lt;qua@oreg=
on.com&gt;:<br>&gt; &gt;&gt;<br>&gt; &gt;&gt; &gt; Hi Kevin,<br>&gt; &gt;&g=
t; &gt; Your theramin performance was amazing.  Thick rich tones, and beaut=
iful<br>&gt; &gt;&gt; &gt; compositions!<br>&gt; &gt;&gt; &gt; A real highl=
ight for me at y2k7<br>&gt; &gt;&gt; &gt;<br>&gt; &gt;&gt; &gt; -Qua<br>&gt=
; &gt;&gt; &gt;<br>&gt; &gt;&gt; Qua, Jim, and to all,<br>&gt; &gt;&gt;<br>=
&gt; &gt;&gt; Thank you very much for your kind comments about my looped th=
eremin<br>&gt; &gt;&gt; set.  The outpouring of support is much-appreciated=
 and I feel<br>&gt; &gt;&gt; motivated to create more looped music.<br>&gt;=
 &gt;&gt;<br>&gt; &gt;&gt; I learned much from watching and listening to ev=
eryone (I heard nearly<br>&gt; &gt;&gt; all of the sets).  Your music, conv=
ersation, and encouragement means a<br>&gt; &gt;&gt; lot to me.  I am sure =
that everyone at the festival left with ideas,<br>&gt; &gt;&gt; energy, and=
 motivation to create more amazing music!  I'm pleased to<br>&gt; &gt;&gt; =
be a part of the looping community.<br>&gt; &gt;&gt;<br>&gt; &gt;&gt; Since=
rely,<br>&gt; &gt;&gt;<br>&gt; &gt;&gt; Kevin<br>&gt; &gt;&gt;<br>&gt; &gt;=
<br>&gt; &gt; _____________________________________________________________=
____<br>&gt; &gt; Conosci Doretta? Contattala, =E8 ora su Messenger!<br>&gt=
; &gt; http://www.doretta82.it/banner/index.html<br>&gt; <br>&gt; <br>&gt; =
<br><br /><hr />Crea il tuo Spaces: fai il tuo blog e carica fino a 500 fot=
o al mese! <a href=3D'http://spaces.live.com/' target=3D'_new'>Windows Live=
 Spaces</a></body>
</html>=

--_9cf9a488-c537-49f5-8e17-d6bbc072489e_--

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Subject: OT: FOUND, ORIGINAL '80s SUSTAINIAC ON EBAY UK
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Hi all,

For the number of those who ask me from time to time:

"How do you do that crazy sustain thing on yer CD?"

And, especially for those of you who are in Europe . . .

Check this out:

http://cgi.ebay.com/Sustainiac-unit-for-guitar-Original-1980s-model-=20
New_W0QQitemZ260173642663QQihZ016QQcategoryZ22669QQrdZ1QQssPageNameZWD2V=20=

QQcmdZViewItem

And they claim it's a new unit . . . go figure.

I have both old and new model ones but this one is the bee's knees =20
(IMOHO).

Per, you were interested in these before . . . and Fabio, you just =20
asked me at Y2K7 (and we got interupted before I could answer you).

The price seems most reasonable (so far).

Cheers,

tEd =AE KiLLiAn

www.tedkillian.com

Different is not always better, but better is always different"

Flux Aeterna:
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?=20
playListId=3D6378076

Also check out the 1st set of BEMF (Boise Experimental Music Festival) =20=

CDs at:
http://www.boisemusicians.com/experimental/cd.htm

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D1211970
00042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=20=

From Loopers-Delight-request@loopers-delight.com  Thu Oct 25 06:55:14 2007
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Subject: RE: Help: New to software looping
Date: Thu, 25 Oct 2007 16:54:55 +1000
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From: "Sowonja, Tomson" <tomson.sowonja@cba.com.au>
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This is a multi-part message in MIME format.

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Hey Per,=20
Thanks for that - the MIDI controller has arrived and i think my home
internet connection has finally been relocated to my new home so I
should be able to start looking at this early next week.=20
=20
I will let you all know how I go (and post something on the net when
I've recorded some results).
=20
Though I'll still welcome any other tips anyone may have!
=20
Cheers
Tom
=20
=20

________________________________

From: Per Boysen [mailto:perboysen@gmail.com]=20
Sent: Thursday, 25 October 2007 4:48 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Help: New to software looping


On 10/23/07, Sowonja, Tomson <tomson.sowonja@cba.com.au> wrote:=20


	I have ordered from eBay a MIDI Foot controller (the FCB 1010 -
which seems to be the most common in use as well as affordable) -
however I've never programmed MIDI before being a bit of a luddite - I'm
definitely a stomp box kinda guitar player.=20

	Is anyone able to help me with my first forays into MIDI
programming by either offering tips/hints or pointing me to a good
reference source on the web?=20

	How do people who use Mobius with the FCB 1010 usually set up
their banks and commands on the foot controller?


Hi Tom,

Start out with reprogramming the FCB1010 pedal to send out only one MIDI
event (preferably a MIDI Note) on each pedal press. A good rule is to
start with bank 0 and use the MIDI Note numbers 1 - 10, then for bank 2
you you go MIDI Note numbers 11 - 20 etc etc.=20

For the looper, whatever looper device/application you go with, do not
start in the technical end! It's a lot easier to start with the musical
context. Simply make a list of a few looping actions you want to work
with for starters. My suggestion is to use Record, Overdub, Undo,
Multiply, Next Loop and Previous Loop. When you get the music flowing
with these tools you can expand the palette with stuff like Reverse,
Speed, HalfSpeed, Rate Shift (talking Mobius here), Mute, Mute All
Tracks etc etc.=20

Most software applications (and Looperlative) has a quick "MIDI Learn"
function that helps you to map the MIDI Events sent out by the pedal to
the appropriate looper actions. Chose a function, activate MIDI Learning
and press the pedal.=20

--=20
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)



************** IMPORTANT MESSAGE *****************************      =20
This e-mail message is intended only for the addressee(s) and contains info=
rmation which may be
confidential.=20
If you are not the intended recipient please advise the sender by return em=
ail, do not use or
disclose the contents, and delete the message and any attachments from your=
 system. Unless
specifically indicated, this email does not constitute formal advice or com=
mitment by the sender
or the Commonwealth Bank of Australia (ABN 48 123 123 124) or its subsidiar=
ies.=20
We can be contacted through our web site: commbank.com.au.=20
If you no longer wish to receive commercial electronic messages from us, pl=
ease reply to this
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------_=_NextPart_001_01C816D3.F36584AD
Content-Type: text/html; charset="us-ascii"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.3157" name=3DGENERATOR></HEAD>
<BODY>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D645345306-25102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>Hey Per, </FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D645345306-25102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>Thanks for that - the MIDI controller has arrived =
and i=20
think my home internet connection has finally been relocated to my new home=
 so I=20
should be able to start looking at this early next week. </FONT></SPAN></DI=
V>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D645345306-25102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D645345306-25102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>I will let you all know how&nbsp;I go (and post so=
mething=20
on the net when I've recorded some results).</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D645345306-25102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D645345306-25102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>Though I'll still welcome any other tips anyone ma=
y=20
have!</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D645345306-25102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D645345306-25102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>Cheers</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D645345306-25102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>Tom</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D645345306-25102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D645345306-25102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV><BR>
<DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft>
<HR tabIndex=3D-1>
<FONT face=3DTahoma size=3D2><B>From:</B> Per Boysen [mailto:perboysen@gmai=
l=2Ecom]=20
<BR><B>Sent:</B> Thursday, 25 October 2007 4:48 AM<BR><B>To:</B>=20
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: Help: New to sof=
tware=20
looping<BR></FONT><BR></DIV>
<DIV></DIV>On 10/23/07, <B class=3Dgmail_sendername>Sowonja, Tomson</B> &lt=
;<A=20
href=3D"mailto:tomson.sowonja@cba.com.au">tomson.sowonja@cba.com.au</A>&gt;=
 wrote:
<DIV><SPAN class=3Dgmail_quote></SPAN>
<BLOCKQUOTE class=3Dgmail_quote=20
style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: rgb(204=
,204,204) 1px solid">
  <DIV><BR>
  <P><FONT face=3DArial size=3D2>I have ordered from eBay a MIDI Foot contr=
oller=20
  (the FCB 1010 - which seems to be the most common in use as well as=20
  affordable) - however I've never programmed MIDI before being a bit of a=20
  luddite - I'm definitely a stomp box kinda guitar player. </FONT></P>
  <P><FONT face=3DArial size=3D2>Is anyone able to help me with my first fo=
rays into=20
  MIDI programming by either offering tips/hints or pointing me to a good=20
  reference source on the web? </FONT></P>
  <P><FONT face=3DArial size=3D2>How do people who use Mobius with the FCB =
1010=20
  usually set up their banks and commands on the foot=20
  controller?</FONT></P></DIV></BLOCKQUOTE></DIV><BR>Hi Tom,<BR><BR>Start o=
ut with=20
reprogramming the FCB1010 pedal to send out only one MIDI event (preferably=
 a=20
MIDI Note) on each pedal press. A good rule is to start with bank 0 and use=
 the=20
MIDI Note numbers 1 - 10, then for bank 2 you you go MIDI Note numbers 11 -=
 20=20
etc etc. <BR><BR>For the looper, whatever looper device/application you go =
with,=20
do not start in the technical end! It's a lot easier to start with the musi=
cal=20
context. Simply make a list of a few looping actions you want to work with =
for=20
starters. My suggestion is to use Record, Overdub, Undo, Multiply, Next Loo=
p and=20
Previous Loop. When you get the music flowing with these tools you can expa=
nd=20
the palette with stuff like Reverse, Speed, HalfSpeed, Rate Shift (talking=20
Mobius here), Mute, Mute All Tracks etc etc. <BR><BR>Most software applicat=
ions=20
(and Looperlative) has a quick "MIDI Learn" function that helps you to map =
the=20
MIDI Events sent out by the pedal to the appropriate looper actions. Chose =
a=20
function, activate MIDI Learning and press the pedal. <BR><BR>-- <BR>Greeti=
ngs=20
from Sweden<BR><BR>Per Boysen<BR><A=20
href=3D"http://www.boysen.se">www.boysen.se</A> (Swedish)<BR><A=20
href=3D"http://www.looproom.com">www.looproom.com</A>=20
(international)<BR><BR><pre>
************** IMPORTANT MESSAGE *****************************      =20
This e-mail message is intended only for the addressee(s) and contains info=
rmation which may be
confidential.=20
If you are not the intended recipient please advise the sender by return em=
ail, do not use or
disclose the contents, and delete the message and any attachments from your=
 system. Unless
specifically indicated, this email does not constitute formal advice or com=
mitment by the sender
or the Commonwealth Bank of Australia (ABN 48 123 123 124) or its subsidiar=
ies.=20
We can be contacted through our web site: commbank.com.au.=20
If you no longer wish to receive commercial electronic messages from us, pl=
ease reply to this
e-mail by typing Unsubscribe in the subject line.=20
**************************************************************


</pre></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Oct 25 09:29:21 2007
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From: "Jeff Duke" <echohead@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <742cd47e6e1d382cd9b3b290795f1ce1@charter.net>
Subject: Re: FOUND, ORIGINAL '80s SUSTAINIAC ON EBAY UK
Date: Thu, 25 Oct 2007 05:29:19 -0400
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Thats cool, they have a very different sound than my Fernandes sustainor 
system.
Here is a easier url http://tinyurl.com/2bbt5f

Jeff
http://thisphase.org/lips.html

----- Original Message ----- 
From: "tEd ® KiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, October 24, 2007 10:42 PM
Subject: OT: FOUND, ORIGINAL '80s SUSTAINIAC ON EBAY UK


Hi all,

For the number of those who ask me from time to time:

"How do you do that crazy sustain thing on yer CD?"

And, especially for those of you who are in Europe . . .

Check this out:

http://cgi.ebay.com/Sustainiac-unit-for-guitar-Original-1980s-model-
New_W0QQitemZ260173642663QQihZ016QQcategoryZ22669QQrdZ1QQssPageNameZWD2V
QQcmdZViewItem

And they claim it's a new unit . . . go figure.

I have both old and new model ones but this one is the bee's knees
(IMOHO).

Per, you were interested in these before . . . and Fabio, you just
asked me at Y2K7 (and we got interupted before I could answer you).

The price seems most reasonable (so far).

Cheers,

tEd ® KiLLiAn

www.tedkillian.com

Different is not always better, but better is always different"

Flux Aeterna:
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?
playListId=6378076

Also check out the 1st set of BEMF (Boise Experimental Music Festival)
CDs at:
http://www.boisemusicians.com/experimental/cd.htm

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?
step=view_profile&id=1211970
00042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???


-- 
No virus found in this incoming message.
Checked by AVG Free Edition.
Version: 7.5.503 / Virus Database: 269.15.10/1091 - Release Date: 10/24/2007 
2:31 PM


From Loopers-Delight-request@loopers-delight.com  Thu Oct 25 09:47:21 2007
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Date: Thu, 25 Oct 2007 11:47:18 +0200
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Subject: How to simulate a piano sustain pedal with a midi controller like 
	FCB1010 or FC-300
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Hi,  
I'm thinking of buying a midi foot controller. Does anyone if it's possib=
le to simulate a piano sustain pedal to control synths? Searching the net=
 resulted in information that it was only possible to program 2 pedals in=
stead of 1 on for example the FCB1010.......

Pedal 1 =3D> midi controle message 64 with value between 64-127 =3D> ON
Pedal 2 =3D> midi controle message 64 with value between 0-63 =3D> OFF

What I would like to have is 1 pedal: 
* pressing it =3D> sustain ON 
* releasing it =3D> OFF

I also found some info on customized EPROM's for the FCB1010 from Belgium=
 expanding the feature set of the FCB1010. Does anyone know if it's worth=
 buying it? 

Does anyone know the main differences  or plus/minus between the FCB1010 =
and the Roland FC-300. Btw: price is less important, I'm looking for a go=
od and well working midi controller. So other suggestions are welcome :)

Sjaak=0A---=0AScarlet One, ADSL 6 Mbps + Telefonie, vanaf EUR 29,95...=0A=
http://www.scarlet.be/
--_=__=_XaM3_.1193305638.2A.779717.42.2747.52.42.007.1018694525
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<DIV style=3D"FONT-SIZE: 12px; FONT-FAMILY: verdana, arial">
<DIV>Hi,&nbsp; </DIV>
<DIV>I'm thinking of buying a midi foot controller. Does anyone if it's p=
ossible to simulate a piano sustain pedal&nbsp;to control synths? Searchi=
ng&nbsp;the net resulted in information that it was only&nbsp;possible to=
 program&nbsp;2 pedals instead of 1 on for example the FCB1010.......</DI=
V>
<DIV>&nbsp;</DIV>
<DIV>Pedal 1 =3D&gt;&nbsp;midi controle message 64 with value between 64-=
127 =3D&gt; ON</DIV>
<DIV>Pedal&nbsp;2 =3D&gt;&nbsp;midi controle message 64 with value betwee=
n 0-63&nbsp;=3D&gt; OFF</DIV>
<DIV>&nbsp;</DIV>
<DIV>What I would like to have is&nbsp;1 pedal: </DIV>
<DIV>*&nbsp;pressing it =3D&gt; sustain ON </DIV>
<DIV>* releasing it =3D&gt; OFF</DIV>
<DIV>&nbsp;</DIV>
<DIV>I also found some info on customized&nbsp;EPROM's for the FCB1010 fr=
om Belgium expanding the feature set of the FCB1010. Does anyone know if =
it's worth buying it? </DIV>
<DIV>&nbsp;</DIV>
<DIV>Does anyone know the main differences&nbsp; or plus/minus between th=
e FCB1010 and the Roland FC-300. Btw: price is less important, I'm lookin=
g for a good and well working midi controller. So other suggestions are w=
elcome :)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Sjaak</DIV></DIV>
--_=__=_XaM3_.1193305638.2A.779717.42.2747.52.42.007.1018694525--

From Loopers-Delight-request@loopers-delight.com  Thu Oct 25 10:29:34 2007
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	id 1224E3BEB8; Thu, 25 Oct 2007 10:29:33 +0000 (UTC)
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Date: Thu, 25 Oct 2007 06:30:51 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow, Galactic Travels, and The AM/FM Show
To: undisclosed-recipients: ;
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll conclude the month-long
Special focus on Norwegian record label Origo Sound.  The Featured CD
at Midnight will be "The Second Dawn" by Dystopia.  For details, see
the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2007/focus.html#oct

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.


THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, October 27 at 6:00
am.  I will continue the special on E-dition Electronic Music
Magazine's sampler CDs.  I will continue with issue 15 out of 16 so
this special is drawing to a close soon.  What's next?  ;-)

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://muhlenberg.edu/wmuh


======================================================================
All times are EDT / GMT-4.

Listen on-line to WDIY at http://wdiy.org and click LISTEN or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm

Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

From Loopers-Delight-request@loopers-delight.com  Thu Oct 25 14:19:00 2007
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	id 8DFC03BEDE; Thu, 25 Oct 2007 14:19:00 +0000 (UTC)
Old-Return-Path: <info@eterogeneo.com>
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Delivered-To: looper+loopers-delight@arsenic.violacea.com
Message-ID: <00af01c81711$f3ed7ed0$4001a8c0@pcfabio>
Reply-To: "e t e r o g e n e o" <info@eterogeneo.com>
From: "e t e r o g e n e o" <info@eterogeneo.com>
To: <Loopers-Delight@loopers-delight.com>,
	"MEGABYTE MIKE" <mikejuarez@gmail.com>,
	"AARON LEESE" <aaronleese@hotmail.com>,
	"ADAM ANTIUM the PLUM" <addamant@gmail.com>,
	"ARILD ANDERSEN" <aa.bass@online.no>,
	"BARRY CLEVELAND" <bc@barrycleveland.com>,
	"BEAU CASEY (Cypod)" <beau.casey@gmail.com>,
	"BILL WALKER" <billwalker@baymoon.com>,
	"BOB AMSTADT" <bob@amstadt.com>,
	"CARL WEINGARTEN" <guitarosphere@yahoo.com>,
	"CHINA PAINTING (Daryl Shawn)" <highhorse@mhorse.com>,
	"CHINA PAINTING (Jim Goodin)" <jimgoodinmusic@gmail.com>,
	"CPR  aka Chris Roberts" <cpr@musetrap.com>,
	"CRAIG GREEN (bemf artist)" <craig@craigjgreen.com>,
	"CRAIG McCOLLOUGH" <craig@craigmccollough.com>,
	"CYOAKHA" <cyo@landoftheblind.com>,
	"DANIEL THOMAS 1" <danielthomas@cruzio.com>,
	"Daniel Thomas_2" <danielt@apple.com>,
	"Daniel Thomas at APPLE" <DanielThomas4@mac.com>,
	"DUKE SEXTON" <mech1@m3ch.net>,
	"ERDEM HELVACIOGLU (Turkey)" <erdem@erdemhelvacioglu.com>,
	"GARY REGINA" <GARY@garyregina.com>,
	"GENIE" <genie@thegeniemusic.com>,
	"GLENN SMITH" <musicglenn@yahoo.com>,
	"GREG WILLIAMS" <gregorwilliams@comcast.net>,
	"HARRY WEINBERG" <HarryEsq@aol.com>,
	"HENRY KAISER" <hkaiser@mindspring.com>,
	"JD DEVROS" <jeremy.d.devros@state.or.us>,
	"JOE RUT - Lumper/Splitter" <josephrut@gmail.com>,
	"KEVIN KISSINGER" <kkissinger@kevinkissinger.com>,
	"KRISPEN HARTUNG" <info@krispenhartung.com>,
	"LEANDER REININGHAUS" <starscape@gmx.de>,
	"MARK HAMBURG" <mark_hamburg@baymoon.com>,
	"MATT DAVIGNON" <mattdavignon@hotmail.com>,
	"MATTHIAS GROB" <matigrob@gmail.com>,
	"MICHAEL KLOBUCHAR" <nemoguitt@aol.com>,
	"MOJOW and the VIBRATION ARMY" <mojow@vibrationarmy.com>,
	"PETER COR" <petercor@sbcglobal.net>,
	"RANDOLF ARRIOLA (Singapore looper)" <randolf@embryosongs.com>,
	"Rick Walker/Loop.pooL" <looppool@cruzio.com>,
	"SCOTT HUCKABAY" <scotthuckabay@yahoo.com>
References: <017101c8160e$77dd3c80$6401a8c0@dayglogreen>
Subject: Re: y2k7 festival thanks
Date: Thu, 25 Oct 2007 16:17:41 +0200
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Hello people,
just want to add my thanks to everyone was involved in the Y2K7 Loopfest.

Special thanks to Rick and Bill Walker and to their sweetie wiwes Chris and 
Nancy (for their hospitality and friendship and for the hard work spent to 
organize that event) to Bill Putnam (president of Universal Audio for 
underwriting my visit) and to all the musicians that performed at the 
festival bringing in a lot of good music and expertize.

It was an unforgettable week and an amazing experience: getting in touch 
with a lot of people from this list, listening to different looping 
approaches, talking about gear and looping techniques, having a lot of 
fun...
For me, it was not just a loopfestival but a real "clinic" about looping, 
that i strongly raccomend to everyone.  And the great thing was also the 
interaction between people coming from different countries of the world: 
U.S.A., Norway, Singapore, Sweeden, Brazil, Turkey, Germany.
It was the demonstration that music is a "common language".
Wow, I can't explain what it was...

Rick, thanks again for being such a great organizer of this amazing 
festival.

fabio
www.eterogeneo.com





From Loopers-Delight-request@loopers-delight.com  Thu Oct 25 15:41:37 2007
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Reply-To: "e t e r o g e n e o" <info@eterogeneo.com>
From: "e t e r o g e n e o" <info@eterogeneo.com>
To: <Loopers-Delight@loopers-delight.com>
References: <742cd47e6e1d382cd9b3b290795f1ce1@charter.net>
Subject: Re: FOUND, ORIGINAL '80s SUSTAINIAC ON EBAY UK
Date: Thu, 25 Oct 2007 17:41:32 +0200
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Thanks for the information Ted,
i would love to talk  a lot more with you, but - as it was self-evident - 
i'm not so good to talk in english...and there were so nice sets to listen 
to that time wasn't enough.
Sorry if the last night i leaved improvvisely, but i had to help Rick to 
come back to his house with instruments and all that stuff...
Next time, I hope to see you playing !

best
fabio
www.eterogeneo.com



----- Original Message ----- 
From: "tEd ® KiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, October 25, 2007 4:42 AM
Subject: OT: FOUND, ORIGINAL '80s SUSTAINIAC ON EBAY UK


Hi all,

For the number of those who ask me from time to time:

"How do you do that crazy sustain thing on yer CD?"

And, especially for those of you who are in Europe . . .

Check this out:

http://cgi.ebay.com/Sustainiac-unit-for-guitar-Original-1980s-model-
New_W0QQitemZ260173642663QQihZ016QQcategoryZ22669QQrdZ1QQssPageNameZWD2V
QQcmdZViewItem

And they claim it's a new unit . . . go figure.

I have both old and new model ones but this one is the bee's knees
(IMOHO).

Per, you were interested in these before . . . and Fabio, you just
asked me at Y2K7 (and we got interupted before I could answer you).

The price seems most reasonable (so far).

Cheers,

tEd ® KiLLiAn

www.tedkillian.com

Different is not always better, but better is always different"

Flux Aeterna:
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?
playListId=6378076

Also check out the 1st set of BEMF (Boise Experimental Music Festival)
CDs at:
http://www.boisemusicians.com/experimental/cd.htm

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?
step=view_profile&id=1211970
00042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???



-- 
No virus found in this incoming message.
Checked by AVG Free Edition.
Version: 7.5.503 / Virus Database: 269.15.10/1091 - Release Date: 24/10/2007 
14.31


From Loopers-Delight-request@loopers-delight.com  Thu Oct 25 16:23:30 2007
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Subject: GIGADELAY!
Date: Thu, 25 Oct 2007 18:23:27 +0200
Message-ID: <200710251623.l9PGNSx7029036@hermes.ramstein.af.mil>
X-MS-Has-Attach: 
X-MS-TNEF-Correlator: 
Thread-Topic: GIGADELAY!
Thread-Index: AcgXI19od8rpHr2mRlKodOGbks9ndQ==
From: "Moore, David W Civ 86 MXS/MXMTA" <David.Moore@ramstein.af.mil>
To: <Loopers-Delight@loopers-delight.com>
X-OriginalArrivalTime: 25 Oct 2007 16:23:28.0184 (UTC) FILETIME=[5FFE1380:01C81723]
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JUST GOT MY GIGADELAY! MAN IS THIS THING FRIGGIN AWESOME!!!
SO FAR I'VE JUST BEEN PLAYING WITH THE GLITCHES FROM PLUGGING/UNPLUGGING
STUFF!
I CAN'T WAIT TO GET SERIOUS WITH IT!

david moore
transient alert
86 mxs/mxmta
480-2061/5378

From Loopers-Delight-request@loopers-delight.com  Thu Oct 25 16:46:44 2007
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From: "qua@oregon.com" <qua@oregon.com>
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Date: Thu, 25 Oct 2007 12:46:41 -0400
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Hi David,
the DD-20 (giga delay) has been widely recommended by folks on L-D=2E  I'm=

curious, being a 'delay' pedal,  what advantages it may have over the
'looping' pedals such as RC-20

-qua

Original Message:
-----------------
From: Moore, David W Civ 86 MXS/MXMTA David=2EMoore@ramstein=2Eaf=2Emil
Date: Thu, 25 Oct 2007 18:23:27 +0200
To: Loopers-Delight@loopers-delight=2Ecom
Subject: GIGADELAY!


JUST GOT MY GIGADELAY! MAN IS THIS THING FRIGGIN AWESOME!!!
SO FAR I'VE JUST BEEN PLAYING WITH THE GLITCHES FROM PLUGGING/UNPLUGGING
STUFF!
I CAN'T WAIT TO GET SERIOUS WITH IT!

david moore
transient alert
86 mxs/mxmta
480-2061/5378



--------------------------------------------------------------------
mail2web=2Ecom =96 What can On Demand Business Solutions do for you=3F
http://link=2Email2web=2Ecom/Business/SharePoint


From alfatah3e@hotmail.fr  Thu Oct 25 17:20:33 2007
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Reply-To: <alfatah_001@yahoo.fr>
From: MR ALFATAH MUJAHIDEN <alfatah3e@hotmail.fr>
Subject: URGENT AND CONFIDENTIAL
Date: Thu, 25 Oct 2007 16:32:11 +0000
Importance: Normal
MIME-Version: 1.0
X-OriginalArrivalTime: 25 Oct 2007 16:32:12.0158 (UTC) FILETIME=[984E29E0:01C81724]
To: undisclosed-recipients:;

--_0a642b48-839b-4f1b-accc-a7f77b7d12b9_
Content-Type: text/plain; charset="iso-8859-1"
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FROM THE DESK OF MR MUJAHIDEEN ALFATAH=20
MANAGER AUDIT AND ACCOUNTING DEPARTMENT=20

BANK  OF AFRICA( B.O.A )=20

BURKINAFASO W/AFRICA=20
=20
I am Mr. Mujahideen Alfatah, Manager Audit Accounting Department  BANK  OF =
AFRICA( B.O.A )I would like to know if this proposal will be worth while fo=
r your acceptance.=20


     I have a Foreign Customer,Manfred Hoffman from Germany who is an Inves=
tor, Crude Oil Merchant and Federal Government Contractor that was a victim=
 with Concord Air Line, flight  AF4590 killing 113 peole crashed on 25 July=
  2000 near Paris    leaving a closing balance of  Twelve  =20

Million Eight Hundred Thousand United States Dollars ($12.8m) in one of his=
 Private US Dollar Accountthat is been managed by me as the Customer's Acco=
unt Officer.=20
=20


    Base on my security report, these funds can be claimed without any hitc=
hes as no one is aware of the funds and its closing balance except me and t=
he customer (Now Deceased) therefore, I can present you as the Next of Kin =
and we will work out the modalities for the claiming of the funds in=20

accordance with the law.=20
=20


     If you are interested, Please call me to discuss in further details an=
d our sharing ratio will be 60% for me and 30% for you.while 10% will be fo=
r the neccesary expenses that might occur along the line. +226 766 42 303=20
=20


Thank you,=20

Sincerely=20

Mujahideen Alfatah.=20


N.B.In other for you to beleive me honestly try and go through this=20

(website)before you start with me.=20


Below is the website.=20

(http://news.bbc.co.uk/1/hi/world/europe/859479.stm)=20
_________________________________________________________________
Invite your mail contacts to join your friends list with Windows Live Space=
s. It's easy!
http://spaces.live.com/spacesapi.aspx?wx_action=3Dcreate&wx_url=3D/friends.=
aspx&mkt=3Den-us=

--_0a642b48-839b-4f1b-accc-a7f77b7d12b9_
Content-Type: text/html; charset="iso-8859-1"
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<html>
<head>
<style>
.hmmessage P
{
margin:0px;
padding:0px
}
body.hmmessage
{
FONT-SIZE: 10pt;
FONT-FAMILY:Tahoma
}
</style>
</head>
<body class=3D'hmmessage'>
<DIV class=3DRTE>
<DIV class=3DRTE><STRONG>FROM THE DESK OF MR&nbsp;MUJAHIDEEN ALFATAH</STRON=
G><STRONG>&nbsp;</STRONG></DIV>
<DIV class=3DRTE><STRONG>MANAGER AUDIT AND ACCOUNTING DEPARTMENT </STRONG><=
/DIV>
<DIV class=3DRTE><STRONG></STRONG></DIV>
<DIV class=3DRTE><STRONG>BANK&nbsp;&nbsp;OF AFRICA( B.O.A ) </STRONG></DIV>
<DIV class=3DRTE><STRONG></STRONG></DIV>
<DIV class=3DRTE><STRONG>BURKINAFASO W/AFRICA </STRONG></DIV>
<DIV class=3DRTE>&nbsp;</DIV>
<P class=3DRTE><STRONG>I am Mr.&nbsp;Mujahideen Alfatah, Manager Audit Acco=
unting Department&nbsp;&nbsp;BANK&nbsp;&nbsp;OF AFRICA( B.O.A )I would like=
 to know if this proposal will be worth while for your acceptance. </STRONG=
></P>
<DIV class=3DRTE><STRONG></STRONG></DIV>
<DIV class=3DRTE><STRONG></STRONG></DIV>
<DIV class=3DRTE><STRONG>&nbsp;&nbsp;&nbsp;&nbsp; I have a Foreign Customer=
,Manfred Hoffman from Germany who is an Investor, Crude Oil Merchant and Fe=
deral Government Contractor that was a victim with Concord Air Line, flight=
&nbsp;&nbsp;AF4590 killing 113 peole crashed on 25 July&nbsp;&nbsp;2000 nea=
r Paris&nbsp;&nbsp;&nbsp;&nbsp;leaving a closing balance of&nbsp;&nbsp;Twel=
ve&nbsp;&nbsp; </STRONG></DIV>
<DIV class=3DRTE><STRONG></STRONG></DIV>
<DIV class=3DRTE><STRONG>Million Eight Hundred Thousand United States Dolla=
rs ($12.8m) in one of his Private US Dollar Accountthat is been managed by =
me as the Customer's Account Officer. </STRONG></DIV>
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<DIV class=3DRTE><STRONG>&nbsp;&nbsp;&nbsp;&nbsp;Base on my security report=
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refore, I can present you as the Next of Kin and we will work out the modal=
ities for the claiming of the funds in </STRONG></DIV>
<DIV class=3DRTE><STRONG></STRONG></DIV>
<DIV class=3DRTE><STRONG>accordance with the law. </STRONG></DIV>
<DIV class=3DRTE><STRONG></STRONG>&nbsp;</DIV>
<DIV class=3DRTE><STRONG></STRONG></DIV>
<DIV class=3DRTE><STRONG></STRONG></DIV>
<DIV class=3DRTE><STRONG>&nbsp;&nbsp;&nbsp;&nbsp; If you are interested, Pl=
ease call me to discuss in further details and our sharing ratio will be 60=
% for me and 30% for you.while 10% will be for the neccesary expenses that =
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<DIV class=3DRTE><STRONG></STRONG></DIV>
<DIV class=3DRTE><STRONG></STRONG></DIV>
<DIV class=3DRTE><STRONG>Thank you, </STRONG></DIV>
<DIV class=3DRTE><STRONG></STRONG></DIV>
<DIV class=3DRTE><STRONG>Sincerely </STRONG></DIV>
<DIV class=3DRTE><STRONG></STRONG></DIV>
<DIV class=3DRTE><STRONG>Mujahideen Alfatah. </STRONG></DIV>
<DIV class=3DRTE><STRONG></STRONG></DIV>
<DIV class=3DRTE><STRONG></STRONG></DIV>
<DIV class=3DRTE><STRONG>N.B.In other for you to beleive me honestly try an=
d go through this </STRONG></DIV>
<DIV class=3DRTE><STRONG></STRONG></DIV>
<DIV class=3DRTE><STRONG>(website)before you start with me. </STRONG></DIV>
<DIV class=3DRTE><STRONG></STRONG></DIV>
<DIV class=3DRTE><STRONG></STRONG></DIV>
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<DIV class=3DRTE><STRONG>(http://news.bbc.co.uk/1/hi/world/europe/859479.st=
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</html>=

--_0a642b48-839b-4f1b-accc-a7f77b7d12b9_--

From Loopers-Delight-request@loopers-delight.com  Thu Oct 25 17:34:34 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <qua@oregon.com>, <Loopers-Delight@loopers-delight.com>
Subject: AW: dd-20
Date: Thu, 25 Oct 2007 19:34:57 +0200
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Hi Qua,

(forwarding this to LD as well, because this might be of interest to =
others)

first of all, I believe that it doesn't matter that much with which =
looper
you start - you'll rather quickly discover what you like about it and =
what
you don't like and can then take that into consideration when "venturing
into more full featured products".

Of course, from a ROI standpoint, it would make sense to get something =
which
you'll continue to use even when you switch to EDP, Mobius, MAX/MSP,
Looperlative, Repeater or whatever.
In the realm of the rather cheap yet still powerful loop pedals, I
personally do know two devices more deeply, but will also comment a =
little
on the Boss RC series (but please consider that I haven't ever played =
one of
those).


First, an excursion:
There are basically two concepts how to see (and to design) a looper. =
One is
a delay. The other one is a phrase sampler with overdub capability. The
simple loopers are from their implementation and user interface either =
one
or the other, the more powerful ones, while being either one from their
implementation, can be used in either way.

Delay-oriented loopers have a variable feedback setting which is used =
all
the time. There is no real record vs. overdub difference - you set the =
delay
length, and when you send something into the input, you record into the
loop, and when you turn the input off, you don't. The delay time can be =
set
either by manually selecting it, or by tap tempo (if available). =
"Unrounded
Multiply" (lengthening the loop by repeating its contents or shortening =
it
by only keeping a part of it) may be possible. If it's not possible, =
chances
are that you can varispeed the loop.
There are no transport controls like reverse, stutter, halfspeed (safe =
for
possibly varispeed, see above) or even stop/start. There's sometimes not
even a quick way to erase the loop - you have to turn feedback to 0 and =
wait
for one cycle.

Sampler-oriented loopers work like this: You hit a button, start =
playing,
hit that button again, and the loop plays. You can then hit a button to =
go
in and out of overdub. When not in overdub, feedback is always 100%, =
it's
below that during overdub (but not configurable on the simpler loopers).
Normally, you can't unrounded multiply or varispeed, but you may be able =
to
stop/restart, stutter, reverse and halfspeed.

As I said before, the more powerful loopers allow you to have all these
functions and to work more delay- or sampler-like as you wish.


Now my two recommendations:
1. Delay-oriented: Boss DD-20 Gigadelay
Here, I don't talk about its Sound-On-Sound mode, because that is =
rubbish.
This is about the normal delay modes.
You get a 23s stereo delay. You can have two delays of up to 23s (in =
stereo)
sounding at the same time, and you can even do a trick and extend the =
loop
time to 46s in mono (I think Ted developed that).
You can do unrounded multiply, adjusting the delay length of a running =
loop
causes slight pitching or when doing it more radically weird artifacts.

2. Sampler-oriented: Line6 DL4
You get 14s of loop length (28s in halfspeed) in mono, plus a pre-loop =
800ms
delay (with great varispeed effects) plus modulation. Transport controls =
are
record/overdub, stop/start, stutter and reverse/halfspeed. Feeback =
during
overdub ist (I think) 90%, no way to control that.
Apart from that, the delay modes of the DL4 are also great.

So, which one to get? I don't know...both are great tools. A lot of =
looping
artists have worked deeply with the DL4 (the Walkers are two examples =
who
did a lot with one or two of them. You might also check out Genie for =
some
very showoff-effect-ladden material played with just a guitar into the =
DL4).
On the LD site's "tools of the trade" section, there's also lots of info =
on
the DD20, and I use one myself in my microrig (Zoom G2.u into DD20), and =
the
feature to have two independent loops going at the same time sets it =
apart
from...well almost every other hardware looper (exception being the
Looperlative).
Both are also tools which you're most probably going to keep when =
someday
you switch to a more powerful looper. In that realm, the DL4 might be
slightly superior because its delay models are (imho) more useable than
those of the DD20 for "interesting delay sounds". Perhaps just go to a =
music
store, try both, try also to connect them in series, and see what you =
like
better - most probably you'll end up getting both.

About the Boss RC series:
These seem to me very much oriented at people who want to lay down a =
chord
progression and then solo over it. Not that much of tricky sound =
mangling -
just pure phrase sampling with overdub.

	Rainer

> -----Urspr=FCngliche Nachricht-----
> Von: qua@oregon.com [mailto:qua@oregon.com]=20
> Gesendet: Donnerstag, 25. Oktober 2007 19:02
> An: rs@moinlabs.de
> Betreff: dd-20
>=20
> Hi,
> a few folks have recommended the dd-20 for me as a good one=20
> to start with to get the 'feel' of looping and experimenting,=20
> and having creative fun ... before venturing into more full=20
> featured products like Mobius (s/w) or
> EDP (h/w) that also have bigger learning curves  =20
>=20
> would you agree?   =20
> -Qua
>=20
> Original Message:
> -----------------
> From: Rainer Thelonius Balthasar Straschill rs@moinlabs.de
> Date: Thu, 25 Oct 2007 18:52:33 +0200
> To: qua@oregon.com
> Subject: AW: GIGADELAY!
>=20
>=20
> > on L-D.  I'm curious, being a 'delay' pedal,  what=20
> advantages it may=20
> > have over the 'looping' pedals such as RC-20
>=20
> The short answer: it's a delay pedal.
>=20
> The slightly longer answer: control of feedback (in the EDP=20
> sense), unrounded multiply, weird artifacts.
>=20
> (I have to admit here that I've never used a RC-20, RC-2 or=20
> RC-50. I have been using a DL4 for quite a long time - and=20
> like its looper mode for what it does, but would have liked=20
> it if the delay modes had 14s delay time as well).
>=20
> Keep in mind, though, that the looper mode of the DD20 sucks.
>=20
> 	Rainer
>=20
>=20
>=20
> --------------------------------------------------------------------
> mail2web LIVE =96 Free email based on Microsoft=AE Exchange=20
> technology - http://link.mail2web.com/LIVE
>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Oct 25 17:35:19 2007
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Date: Thu, 25 Oct 2007 10:35:17 -0700
From: "Per Boysen" <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: How to simulate a piano sustain pedal with a midi controller like FCB1010 or FC-300
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------=_Part_1922_8519490.1193333717773
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On 10/25/07, Sjaak <tcplugin@scarlet.be> wrote:

> simulate a piano sustain pedal to control synths? What I would like to
> have is 1 pedal:
> * pressing it => sustain ON
> * releasing it => OFF
>

That should work fine by;
Pressing down = MIDI CC#64 value 127
Releasing = MIDI CC#64 value 0

The trick in simulating piano sustain with synth sounds is how you program
the synth sound, ie the setting of the hold and decay parameters. I made a
bunch of such patches for an all synth looping set-up I play with an EWI.

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

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On 10/25/07, <b class="gmail_sendername">Sjaak</b> &lt;<a href="mailto:tcplugin@scarlet.be">tcplugin@scarlet.be</a>&gt; wrote:<div><span class="gmail_quote"></span><br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div style="font-size: 12px; font-family: verdana,arial;"><div>simulate a piano sustain pedal&nbsp;to control synths? What I would like to have is&nbsp;1 pedal: </div>
<div>*&nbsp;pressing it =&gt; sustain ON </div>
<div>* releasing it =&gt; OFF</div></div></blockquote></div><br>That should work fine by; <br>Pressing down = MIDI CC#64 value 127<br>Releasing = MIDI CC#64 value 0<br clear="all"><br>The trick in simulating piano sustain with synth sounds is how you program the synth sound, ie the setting of the hold and decay parameters. I made a bunch of such patches for an all synth looping set-up I play with an EWI.
<br><br>-- <br>Greetings from Sweden<br><br>Per Boysen<br><a href="http://www.boysen.se">www.boysen.se</a> (Swedish)<br><a href="http://www.looproom.com">www.looproom.com</a> (international)<br><br>

------=_Part_1922_8519490.1193333717773--

From Loopers-Delight-request@loopers-delight.com  Thu Oct 25 17:47:45 2007
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To: <Loopers-Delight@loopers-delight.com>
References: <002601c8172d$5caa7020$1001a8c0@succubus>
Subject: Re: dd-20
Date: Thu, 25 Oct 2007 13:47:42 -0400
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Yes Rainer thats what happened to me, I bought both and I love both, I feed 
the dl4 w/ expression pedal into the dd20 and have not run out of really 
cool stuff, I think the EH 2880 is next.

peace out,
Jeff
http://thisphase.org/lips.html


----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <qua@oregon.com>; <Loopers-Delight@loopers-delight.com>
Sent: Thursday, October 25, 2007 1:34 PM
Subject: AW: dd-20


>Hi Qua,
>snipped<
>Now my two recommendations:
>1. Delay-oriented: Boss DD-20 Gigadelay
>2. Sampler-oriented: Line6 DL4
 >Perhaps just go to a music
.store, try both, try also to connect them in series, and see what you like
>better - most probably you'll end up getting both.
>Rainer

> -----Ursprüngliche Nachricht-----
> Von: qua@oregon.com [mailto:qua@oregon.com]
> Gesendet: Donnerstag, 25. Oktober 2007 19:02
> An: rs@moinlabs.de
> Betreff: dd-20
>
> Hi,
> a few folks have recommended the dd-20 for me as a good one
> to start with to get the 'feel' of looping and experimenting,
> and having creative fun ... before venturing into more full
> featured products like Mobius (s/w) or
> EDP (h/w) that also have bigger learning curves
>
> would you agree?
> -Qua
>
> Original Message:
> -----------------
> From: Rainer Thelonius Balthasar Straschill rs@moinlabs.de
> Date: Thu, 25 Oct 2007 18:52:33 +0200
> To: qua@oregon.com
> Subject: AW: GIGADELAY!
>
>
> > on L-D.  I'm curious, being a 'delay' pedal,  what
> advantages it may
> > have over the 'looping' pedals such as RC-20
>
> The short answer: it's a delay pedal.
>
> The slightly longer answer: control of feedback (in the EDP
> sense), unrounded multiply, weird artifacts.
>
> (I have to admit here that I've never used a RC-20, RC-2 or
> RC-50. I have been using a DL4 for quite a long time - and
> like its looper mode for what it does, but would have liked
> it if the delay modes had 14s delay time as well).
>
> Keep in mind, though, that the looper mode of the DD20 sucks.
>
> Rainer
>
>
>
> --------------------------------------------------------------------
> mail2web LIVE - Free email based on Microsoft® Exchange
> technology - http://link.mail2web.com/LIVE
>
>
>



-- 
No virus found in this incoming message.
Checked by AVG Free Edition.
Version: 7.5.503 / Virus Database: 269.15.10/1091 - Release Date: 10/24/2007 
2:31 PM


From Loopers-Delight-request@loopers-delight.com  Thu Oct 25 17:50:45 2007
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Hi Rainer, Thanks so much for taking time to explain things so well!  This=

is very useful information for me (and perhaps others who may be lurking o=
n
LD)=2E  I live in a rural area and seldom am able to spend time in a music=

store=2E  Many have responded with helpful suggestions to my posted questi=
ons
on this topic=2E  Your response has really given me the extra bit of
information that is exactly what I needed :-)

-Qua

Original Message:
-----------------
From: Rainer Thelonius Balthasar Straschill rs@moinlabs=2Ede
Date: Thu, 25 Oct 2007 19:34:57 +0200
To: qua@oregon=2Ecom, Loopers-Delight@loopers-delight=2Ecom
Subject: AW: dd-20


Hi Qua,

(forwarding this to LD as well, because this might be of interest to other=
s)

first of all, I believe that it doesn't matter that much with which looper=

you start - you'll rather quickly discover what you like about it and what=

you don't like and can then take that into consideration when "venturing
into more full featured products"=2E

Of course, from a ROI standpoint, it would make sense to get something whi=
ch
you'll continue to use even when you switch to EDP, Mobius, MAX/MSP,
Looperlative, Repeater or whatever=2E
In the realm of the rather cheap yet still powerful loop pedals, I
personally do know two devices more deeply, but will also comment a little=

on the Boss RC series (but please consider that I haven't ever played one =
of
those)=2E


First, an excursion:
There are basically two concepts how to see (and to design) a looper=2E On=
e is
a delay=2E The other one is a phrase sampler with overdub capability=2E Th=
e
simple loopers are from their implementation and user interface either one=

or the other, the more powerful ones, while being either one from their
implementation, can be used in either way=2E

Delay-oriented loopers have a variable feedback setting which is used all
the time=2E There is no real record vs=2E overdub difference - you set the=
 delay
length, and when you send something into the input, you record into the
loop, and when you turn the input off, you don't=2E The delay time can be =
set
either by manually selecting it, or by tap tempo (if available)=2E "Unroun=
ded
Multiply" (lengthening the loop by repeating its contents or shortening it=

by only keeping a part of it) may be possible=2E If it's not possible, cha=
nces
are that you can varispeed the loop=2E
There are no transport controls like reverse, stutter, halfspeed (safe for=

possibly varispeed, see above) or even stop/start=2E There's sometimes not=

even a quick way to erase the loop - you have to turn feedback to 0 and wa=
it
for one cycle=2E

Sampler-oriented loopers work like this: You hit a button, start playing,
hit that button again, and the loop plays=2E You can then hit a button to =
go
in and out of overdub=2E When not in overdub, feedback is always 100%, it'=
s
below that during overdub (but not configurable on the simpler loopers)=2E=

Normally, you can't unrounded multiply or varispeed, but you may be able t=
o
stop/restart, stutter, reverse and halfspeed=2E

As I said before, the more powerful loopers allow you to have all these
functions and to work more delay- or sampler-like as you wish=2E


Now my two recommendations:
1=2E Delay-oriented: Boss DD-20 Gigadelay
Here, I don't talk about its Sound-On-Sound mode, because that is rubbish=2E=

This is about the normal delay modes=2E
You get a 23s stereo delay=2E You can have two delays of up to 23s (in ste=
reo)
sounding at the same time, and you can even do a trick and extend the loop=

time to 46s in mono (I think Ted developed that)=2E
You can do unrounded multiply, adjusting the delay length of a running loo=
p
causes slight pitching or when doing it more radically weird artifacts=2E

2=2E Sampler-oriented: Line6 DL4
You get 14s of loop length (28s in halfspeed) in mono, plus a pre-loop 800=
ms
delay (with great varispeed effects) plus modulation=2E Transport controls=
 are
record/overdub, stop/start, stutter and reverse/halfspeed=2E Feeback durin=
g
overdub ist (I think) 90%, no way to control that=2E
Apart from that, the delay modes of the DL4 are also great=2E

So, which one to get=3F I don't know=2E=2E=2Eboth are great tools=2E A lot=
 of looping
artists have worked deeply with the DL4 (the Walkers are two examples who
did a lot with one or two of them=2E You might also check out Genie for so=
me
very showoff-effect-ladden material played with just a guitar into the DL4=
)=2E
On the LD site's "tools of the trade" section, there's also lots of info o=
n
the DD20, and I use one myself in my microrig (Zoom G2=2Eu into DD20), and=
 the
feature to have two independent loops going at the same time sets it apart=

from=2E=2E=2Ewell almost every other hardware looper (exception being the
Looperlative)=2E
Both are also tools which you're most probably going to keep when someday
you switch to a more powerful looper=2E In that realm, the DL4 might be
slightly superior because its delay models are (imho) more useable than
those of the DD20 for "interesting delay sounds"=2E Perhaps just go to a m=
usic
store, try both, try also to connect them in series, and see what you like=

better - most probably you'll end up getting both=2E

About the Boss RC series:
These seem to me very much oriented at people who want to lay down a chord=

progression and then solo over it=2E Not that much of tricky sound manglin=
g -
just pure phrase sampling with overdub=2E

=09Rainer

> -----Urspr=FCngliche Nachricht-----
> Von: qua@oregon=2Ecom [mailto:qua@oregon=2Ecom]=20
> Gesendet: Donnerstag, 25=2E Oktober 2007 19:02
> An: rs@moinlabs=2Ede
> Betreff: dd-20
>=20
> Hi,
> a few folks have recommended the dd-20 for me as a good one=20
> to start with to get the 'feel' of looping and experimenting,=20
> and having creative fun =2E=2E=2E before venturing into more full=20
> featured products like Mobius (s/w) or
> EDP (h/w) that also have bigger learning curves  =20
>=20
> would you agree=3F   =20
> -Qua
>=20
> Original Message:
> -----------------
> From: Rainer Thelonius Balthasar Straschill rs@moinlabs=2Ede
> Date: Thu, 25 Oct 2007 18:52:33 +0200
> To: qua@oregon=2Ecom
> Subject: AW: GIGADELAY!
>=20
>=20
> > on L-D=2E  I'm curious, being a 'delay' pedal,  what=20
> advantages it may=20
> > have over the 'looping' pedals such as RC-20
>=20
> The short answer: it's a delay pedal=2E
>=20
> The slightly longer answer: control of feedback (in the EDP=20
> sense), unrounded multiply, weird artifacts=2E
>=20
> (I have to admit here that I've never used a RC-20, RC-2 or=20
> RC-50=2E I have been using a DL4 for quite a long time - and=20
> like its looper mode for what it does, but would have liked=20
> it if the delay modes had 14s delay time as well)=2E
>=20
> Keep in mind, though, that the looper mode of the DD20 sucks=2E
>=20
> =09Rainer
>=20
>=20
>=20
> --------------------------------------------------------------------
> mail2web LIVE =96 Free email based on Microsoft=AE Exchange=20
> technology - http://link=2Email2web=2Ecom/LIVE
>=20
>=20
>=20



--------------------------------------------------------------------
mail2web=2Ecom =96 Enhanced email for the mobile individual based on Micro=
soft=AE
Exchange - http://link=2Email2web=2Ecom/Personal/EnhancedEmail


From Loopers-Delight-request@loopers-delight.com  Thu Oct 25 17:59:57 2007
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To: Loopers-Delight@loopers-delight.com
Subject: Re: How to simulate a piano sustain pedal with a midi controller
 like 	FCB1010 or FC-300
References: <JQGOIU$D83D550AEACC4AA0962D9A6C9C270AE0@scarlet.be>
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Sjaak wrote:
> Hi, 
> I'm thinking of buying a midi foot controller. Does anyone if it's 
> possible to simulate a piano sustain pedal to control synths? 
> Searching the net resulted in information that it was only possible to 
> program 2 pedals instead of 1 on for example the FCB1010.......
>  
> Pedal 1 => midi controle message 64 with value between 64-127 => ON
> Pedal 2 => midi controle message 64 with value between 0-63 => OFF
>  
> What I would like to have is 1 pedal:
> * pressing it => sustain ON
> * releasing it => OFF
>  
> I also found some info on customized EPROM's for the FCB1010 from 
> Belgium expanding the feature set of the FCB1010. Does anyone know if 
> it's worth buying it?
>  
> Does anyone know the main differences  or plus/minus between the FCB1010 
> and the Roland FC-300. Btw: price is less important, I'm looking for a 
> good and well working midi controller. So other suggestions are welcome :)
>  
> Sjaak

The UnO chip from Xavier implements 5 PC and 5 CC buttons instead of the 
normal 10 PC ones, plus programming and dumps is done without powering 
the FCB1010 on/off while holding down buttons.
I can't tell if it'll let you do what you want, though it looks like it.

If you need lotsa flexibility, take a look at his own pedals at 
http://gordius.be; he's also very good at talking about requirements.

-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Thu Oct 25 19:33:23 2007
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Date: Thu, 25 Oct 2007 15:27:23 -0400
From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: re: How to simulate a piano sustain pedal with a midi controller like
 FCB1010 or FC-300
To: Loopers-Delight@loopers-delight.com
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Not familiar with the FC-300, but I believe there are others on the list 
that are - check the LD archives.

There are two Yahoo! groups that host discussions about the FCB1010:  
'fcb1010' and 'fcb1010_uno'.  The UnO firmware upgrade is probably the 
one you referred to - it stands for 'UnOfficial' - so Behringer 
presumably won't support it.
> Pedal 1 => midi controle message 64 with value between 64-127 => ON
> Pedal 2 => midi controle message 64 with value between 0-63 => OFF
The FAQ page for  the fcb1010_uno group specifically refers to a feature 
'CC momentary toggling'.  It sounds like this may be what you're looking 
for.

I know that the stock chip enables toggling CC64 on/off using the same 
pedal but two key presses.  I have also used the rocker pedals to do 
this.  Clumsy, but it works.

HTH,
Dan Ash
White Plains, NY


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From Loopers-Delight-request@loopers-delight.com  Thu Oct 25 20:15:38 2007
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Subject: RE: How to simulate a piano sustain pedal with a midi controller like FCB1010 or FC-300
Date: Thu, 25 Oct 2007 16:10:22 -0400
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I will say, the UnO firmware doesn't allow you to change banks while holding
down a pedal. It puts the FCB into 'transpose' mode, which transposes
incoming note-on messages by a specific amount.

dave eichenberger
www.daveeichenberger.com

> Pedal 1 => midi controle message 64 with value between 64-127 => ON
> Pedal 2 => midi controle message 64 with value between 0-63 => OFF
The FAQ page for  the fcb1010_uno group specifically refers to a feature 
'CC momentary toggling'.  It sounds like this may be what you're looking 
for.



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=20
=20
Hey Kim -- or whoever.
=20
Could you please switch the subscription to this listserv to aaronleese@fly=
loops.com (and remove aaronleese@hotmail.com).
=20
Makes things easier for me.
=20
Thanks,
Aaron Leese
=20
> From: dave@daveeichenberger.com> To: Loopers-Delight@loopers-delight.com>=
 Subject: RE: How to simulate a piano sustain pedal with a midi controller =
like FCB1010 or FC-300> Date: Thu, 25 Oct 2007 16:10:22 -0400> > I will say=
, the UnO firmware doesn't allow you to change banks while holding> down a =
pedal. It puts the FCB into 'transpose' mode, which transposes> incoming no=
te-on messages by a specific amount.> > dave eichenberger> www.daveeichenbe=
rger.com> > > Pedal 1 =3D> midi controle message 64 with value between 64-1=
27 =3D> ON> > Pedal 2 =3D> midi controle message 64 with value between 0-63=
 =3D> OFF> The FAQ page for the fcb1010_uno group specifically refers to a =
feature > 'CC momentary toggling'. It sounds like this may be what you're l=
ooking > for.> > >=20
_________________________________________________________________
Boo!=A0Scare away worms, viruses and so much more! Try Windows Live OneCare=
!
http://onecare.live.com/standard/en-us/purchase/trial.aspx?s_cid=3Dwl_hotma=
ilnews=

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<body class=3D'hmmessage'>
&nbsp;<BR>
&nbsp;<BR>
Hey Kim -- or whoever.<BR>
&nbsp;<BR>
Could you please switch the subscription to this listserv to <A href=3D"mai=
lto:aaronleese@flyloops.com">aaronleese@flyloops.com</A> (and remove <A hre=
f=3D"mailto:aaronleese@hotmail.com">aaronleese@hotmail.com</A>).<BR>
&nbsp;<BR>
Makes things easier for me.<BR>
&nbsp;<BR>
Thanks,<BR>
Aaron Leese<BR>
&nbsp;<BR>
<BR><BR>&gt; From: dave@daveeichenberger.com<BR>&gt; To: Loopers-Delight@lo=
opers-delight.com<BR>&gt; Subject: RE: How to simulate a piano sustain peda=
l with a midi controller like FCB1010 or FC-300<BR>&gt; Date: Thu, 25 Oct 2=
007 16:10:22 -0400<BR>&gt; <BR>&gt; I will say, the UnO firmware doesn't al=
low you to change banks while holding<BR>&gt; down a pedal. It puts the FCB=
 into 'transpose' mode, which transposes<BR>&gt; incoming note-on messages =
by a specific amount.<BR>&gt; <BR>&gt; dave eichenberger<BR>&gt; www.daveei=
chenberger.com<BR>&gt; <BR>&gt; &gt; Pedal 1 =3D&gt; midi controle message =
64 with value between 64-127 =3D&gt; ON<BR>&gt; &gt; Pedal 2 =3D&gt; midi c=
ontrole message 64 with value between 0-63 =3D&gt; OFF<BR>&gt; The FAQ page=
 for the fcb1010_uno group specifically refers to a feature <BR>&gt; 'CC mo=
mentary toggling'. It sounds like this may be what you're looking <BR>&gt; =
for.<BR>&gt; <BR>&gt; <BR>&gt; <BR><BR><br /><hr />Boo!=A0Scare away worms,=
 viruses and so much more! Try Windows Live OneCare! <a href=3D'http://onec=
are.live.com/standard/en-us/purchase/trial.aspx?s_cid=3Dwl_hotmailnews' tar=
get=3D'_new'>Try now!</a></body>
</html>=

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From: All-Yours Greeting Cards <noreply@all-yours.net>
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<pre><tt>
Hello,
				
A Greeting Card is waiting for you at our virtual post office!
				
Sender: a friend
				
If you don't pick up your Greeting Card within 4 weeks, our postal
 clerk may discard it!

Just CLICK this pick-up address to view your virtual postcard:

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Provided as a free service by All-Yours Greeting Cards
<a href="http://www.all-yours.net/" target=_blank >http://www.all-yours.net/</a>
</tt></pre>

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From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 02:02:40 2007
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Date: Thu, 25 Oct 2007 19:02:39 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: RE: Kevin's theramin performance - amazing
To: Loopers-Delight@loopers-delight.com
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Howdy,

 You could alwayys try a Paia kit. I love mine. But
you have to build it. I think they will build it for
you for a nominal fee.
Rig



--- Lorenzo Orlandini <weaviestonder@hotmail.it>
wrote:

> I am buying a theremin as soon as I find a decent,
> reasonably priced one. Is there anywhere I can find
> Kevin's work online? I am interested!
> 
> thanks, 
> 
> Lorenzo
> 
> 
> 
> > Date: Wed, 24 Oct 2007 15:28:06 -0500
> > From: kkissinger@kevinkissinger.com
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: Kevin's theramin performance -
> amazing
> > 
> > Quoting Qua Veda <qua@oregon.com>:
> > 
> > > Hi Kevin,
> > > Your theramin performance was amazing.  Thick
> rich tones, and beautiful
> > > compositions!
> > > A real highlight for me at y2k7
> > >
> > > -Qua
> > >
> > Qua, Jim, and to all,
> > 
> > Thank you very much for your kind comments about
> my looped theremin  
> > set.  The outpouring of support is
> much-appreciated and I feel  
> > motivated to create more looped music.
> > 
> > I learned much from watching and listening to
> everyone (I heard nearly  
> > all of the sets).  Your music, conversation, and
> encouragement means a  
> > lot to me.  I am sure that everyone at the
> festival left with ideas,  
> > energy, and motivation to create more amazing
> music!  I'm pleased to  
> > be a part of the looping community.
> > 
> > Sincerely,
> > 
> > Kevin
> > 
> 
>
_________________________________________________________________
> Conosci Doretta? Contattala, è ora su Messenger!
> http://www.doretta82.it/banner/index.html


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 02:49:16 2007
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Date: Fri, 26 Oct 2007 04:49:15 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Subject: aurisis
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------=_Part_4911_24729941.1193366955040
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does anybody know if kim or somebody is
still behind of aurisis research?
is the online shop operative?

thnx!
raul.


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

------=_Part_4911_24729941.1193366955040
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does anybody know if kim or somebody is<br>still behind of aurisis research?<br>is the online shop operative?<br><br>thnx!<br>raul.<br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">
http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra
</a>

------=_Part_4911_24729941.1193366955040--

From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 08:42:12 2007
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	"Sjaak" <tcplugin@scarlet.be>
Date: Fri, 26 Oct 2007 09:42:03 +0100
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On 25 Oct 2007 at 11:47, Sjaak wrote:

> I also found some info on customized EPROM's for the FCB1010 from
> Belgium expanding the feature set of the FCB1010. Does anyone know if
> it's worth buying it? 

the Uno chip for the FCB is VERY cheap and offers a lot of extra 
options, including the one you're looking for. You can progam a 
switch to send alternate CC values (you set them)  - it's then simply 
a matter of finding what CC number controls the sound source.

The FCB yahoo groups offer huge amounts of info...

http://launch.groups.yahoo.com/group/fcb1010_uno


From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 14:06:32 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: "Krispen Hartung" <khartung@cableone.net>,
	"Erdem Helvacioglu" <erdem@erdemhelvacioglu.com>,
	"Rick Walker" <looppool@cruzio.com>,
	"LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>,
	"MEGABYTE MIKE" <mikejuarez@gmail.com>,
	"AARON LEESE" <aaronleese@hotmail.com>,
	"ADAM ANTIUM the PLUM" <addamant@gmail.com>,
	"ARILD ANDERSEN" <aa.bass@online.no>,
	"BARRY CLEVELAND" <bc@barrycleveland.com>,
	"BEAU CASEY (Cypod)" <beau.casey@gmail.com>,
	"BILL WALKER" <billwalker@baymoon.com>,
	"BOB AMSTADT" <bob@amstadt.com>,
	"CARL WEINGARTEN" <guitarosphere@yahoo.com>,
	"CHINA PAINTING (Daryl Shawn)" <highhorse@mhorse.com>,
	"CHINA PAINTING (Jim Goodin)" <jimgoodinmusic@gmail.com>,
	"CPR  aka Chris Roberts" <cpr@musetrap.com>,
	"CRAIG GREEN (bemf artist)" <craig@craigjgreen.com>,
	"CRAIG McCOLLOUGH" <craig@craigmccollough.com>,
	"CYOAKHA" <cyo@landoftheblind.com>,
	"DANIEL THOMAS 1" <danielthomas@cruzio.com>,
	"Daniel Thomas_2" <danielt@apple.com>,
	"Daniel Thomas at APPLE" <DanielThomas4@mac.com>,
	"DUKE SEXTON" <mech1@m3ch.net>,
	"FABIO ANILE" <fabio.anile@tiscali.it>,
	"GARY REGINA" <GARY@garyregina.com>,
	"GENIE" <genie@thegeniemusic.com>,
	"GLENN SMITH" <musicglenn@yahoo.com>,
	"GREG WILLIAMS" <gregorwilliams@comcast.net>,
	"HARRY WEINBERG" <HarryEsq@aol.com>,
	"HENRY KAISER" <hkaiser@mindspring.com>,
	"JD DEVROS" <jeremy.d.devros@state.or.us>,
	"JOE RUT - Lumper/Splitter" <josephrut@gmail.com>,
	"KEVIN KISSINGER" <kkissinger@kevinkissinger.com>,
	"KRISPEN HARTUNG" <info@krispenhartung.com>,
	"LEANDER REININGHAUS" <starscape@gmx.de>,
	"MARK HAMBURG" <mark_hamburg@baymoon.com>,
	"MATT DAVIGNON" <mattdavignon@hotmail.com>,
	"MATTHIAS GROB" <matigrob@gmail.com>,
	"MICHAEL KLOBUCHAR" <nemoguitt@aol.com>,
	"MOJOW and the VIBRATION ARMY" <mojow@vibrationarmy.com>,
	"PETER COR" <petercor@sbcglobal.net>,
	"RANDOLF ARRIOLA (Singapore looper)" <randolf@embryosongs.com>,
	"SCOTT HUCKABAY" <scotthuckabay@yahoo.com>
References: <017101c8160e$77dd3c80$6401a8c0@dayglogreen> <074101c81721$b0777ec0$0400000a@erdem> <007801c8174f$97c192c0$32b3ec0f@americas.hpqcorp.net>
Subject: Y2K7 Mp3s
Date: Fri, 26 Oct 2007 08:05:32 -0600
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Hello all,

I have uploaded the first batch of MP3s to my server. Please reveiw your =
clips. If you are fine with them, let me know and I'll post them on the =
website. Also, don't forget to send me your favorite picture taken by =
Mark.

A few notes. Last year I recorded directly from the board and the =
recordings sounded much more studio like and higher quality. This year, =
as you saw, I was recording live from two condensor mics. Hence, don't =
expect perfection on these.  On occasion, you can hear audience chatter, =
things moving around in the back of the room, etc. But I did the best I =
could to cut out dead air space and bring the recordings up to line =
level so they are audible. They are a decent documentation of the event, =
but not CD worthy, in my honest opnion.

http://www.box.net/shared/o1cqrfgf5k

On the server now are MP3s from:

Aaron Leese
Arild Andersen
Chris Cohn
Chris Roberts
Criaig McCoullough
CYPOD
Duke Sexton (Dust Bunnies)
Fabior Anile
Gene
Hendry Kaiser
Kaiser-Walker-Andersen
Kevin Kissinger
Per Boysen
Peter Cor
Randolf Arriola
Rick Walker
Erdem Helvacioglu
Mojo and the Vibration Army
Krispen Hartung

I will post Sunday's clips this weekend.


Kris


------=_NextPart_000_00C7_01C817A6.FB340700
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3199" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hello all,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I have uploaded the first batch of MP3s =
to my=20
server. Please reveiw your clips. If you are fine with them, let me know =
and=20
I'll post them on the website. Also, don't forget to send me your =
favorite=20
picture taken by Mark.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>A few notes. Last year I recorded =
directly from the=20
board and the recordings sounded much more studio like and higher =
quality. This=20
year, as you saw, I was recording live from two condensor mics. Hence, =
don't=20
expect perfection on these.&nbsp; On occasion, you can hear audience =
chatter,=20
things moving around in the back of the room, etc. But I did the best I =
could to=20
cut out dead air space and bring the recordings up to line level so they =
are=20
audible. They are a decent documentation of the event, but not CD =
worthy, in my=20
honest opnion.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/shared/o1cqrfgf5k">http://www.box.net/shared/o=
1cqrfgf5k</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>On the server now are MP3s =
from:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Aaron Leese</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Arild Andersen</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Chris Cohn</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Chris Roberts</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Criaig McCoullough</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>CYPOD</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Duke Sexton (Dust Bunnies)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Fabior Anile</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Gene</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Hendry Kaiser</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Kaiser-Walker-Andersen</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Kevin Kissinger</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Per Boysen</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Peter Cor</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Randolf Arriola</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Rick Walker</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Erdem Helvacioglu</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Mojo and the Vibration =
Army</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Krispen Hartung</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I will post Sunday's clips this=20
weekend.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_00C7_01C817A6.FB340700--

From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 14:45:16 2007
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Date: Fri, 26 Oct 2007 10:45:11 -0400
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Y2K7 Mp3s
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Thanks, Kris. I now have a great soundtrack for the day. Listening to Per's
lovely work right now. It is just so cool. Ahhhhh... Like a dip in a fresh
mountain stream.  

 

I think "document" is a good description for the sound - having been at a
couple of the LoopFests including Y2K6 at the same location, this brings me
right into the experience, which is so great. So I dig the "room tone" -
it's certainly good enough (so far) to make for an exciting and uplifting
experience. It might even be more involving than a more perfect recording,
at least for some.

 

  _____  

From: Krispen Hartung [mailto:khartung@cableone.net] 
Sent: Friday, October 26, 2007 10:06 AM

Subject: Y2K7 Mp3s

 

Hello all,

 

I have uploaded the first batch of MP3s to my server. Please reveiw your
clips. If you are fine with them, let me know and I'll post them on the
website. Also, don't forget to send me your favorite picture taken by Mark.

 

A few notes. Last year I recorded directly from the board and the recordings
sounded much more studio like and higher quality. This year, as you saw, I
was recording live from two condensor mics. Hence, don't expect perfection
on these.  On occasion, you can hear audience chatter, things moving around
in the back of the room, etc. But I did the best I could to cut out dead air
space and bring the recordings up to line level so they are audible. They
are a decent documentation of the event, but not CD worthy, in my honest
opnion.

 

http://www.box.net/shared/o1cqrfgf5k

 

 


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<div class=Section1>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Thanks, Kris. I now have a great
soundtrack for the day. Listening to Per&#8217;s lovely work right now. It is
just <i><span style='font-style:italic'>so</span></i> cool. Ahhhhh... Like a
dip in a fresh mountain stream.&nbsp; <o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>I think &#8220;document&#8221; is a good
description for the sound &#8211; having been at a couple of the LoopFests
including Y2K6 at the same location, this brings me right into the experience,
which is so great. So I dig the &#8220;room tone&#8221; &#8211; it&#8217;s
certainly good enough (so far) to make for an exciting and uplifting experience.
It might even be more involving than a more perfect recording, at least for
some.<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div style='border:none;border-left:solid blue 1.5pt;padding:0in 0in 0in 4.0pt'>

<div>

<div class=MsoNormal align=center style='text-align:center'><font size=3
face="Times New Roman"><span style='font-size:12.0pt'>

<hr size=2 width="100%" align=center tabindex=-1>

</span></font></div>

<p class=MsoNormal><b><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'> Krispen Hartung
[mailto:khartung@cableone.net] <br>
<b><span style='font-weight:bold'>Sent:</span></b> Friday, October 26, 2007 10:06
AM<br>
<br>
<b><span style='font-weight:bold'>Subject:</span></b> Y2K7 Mp3s</span></font><o:p></o:p></p>

</div>

<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Hello all,</span></font><o:p></o:p></p>

</div>

<div>

<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>I have uploaded the first batch of MP3s to my server. Please
reveiw your clips. If you are fine with them, let me know and I'll post them on
the website. Also, don't forget to send me your favorite picture taken by Mark.</span></font><o:p></o:p></p>

</div>

<div>

<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>A few notes. Last year I recorded directly from the board
and the recordings sounded much more studio like and higher quality. This year,
as you saw, I was recording live from two condensor mics. Hence, don't expect
perfection on these.&nbsp; On occasion, you can hear audience chatter, things
moving around in the back of the room, etc. But I did the best I could to cut
out dead air space and bring the recordings up to line level so they are
audible. They are a decent documentation of the event, but not CD worthy, in my
honest opnion.</span></font><o:p></o:p></p>

</div>

<div>

<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><a href="http://www.box.net/shared/o1cqrfgf5k">http://www.box.net/shared/o1cqrfgf5k</a></span></font><o:p></o:p></p>

</div>

<div>

<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

</div>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 15:15:38 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <02c301c817de$d00e5d40$4b02a8c0@warren5d67d038>
Subject: Re: Y2K7 Mp3s
Date: Fri, 26 Oct 2007 09:15:33 -0600
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Ahhh...I did not mean to send this to LD. Sorry.=20

Kris

  ----- Original Message -----=20


  Thanks, Kris. I now have a great soundtrack for the day. Listening to =
Per's lovely work right now. It is just so cool. Ahhhhh... Like a dip in =
a fresh mountain stream. =20

  =20

  I think "document" is a good description for the sound - having been =
at a couple of the LoopFests including Y2K6 at the same location, this =
brings me right into the experience, which is so great. So I dig the =
"room tone" - it's certainly good enough (so far) to make for an =
exciting and uplifting experience. It might even be more involving than =
a more perfect recording, at least for some.

  =20


-------------------------------------------------------------------------=
-----

  From: Krispen Hartung [mailto:khartung@cableone.net]=20
  Sent: Friday, October 26, 2007 10:06 AM

  Subject: Y2K7 Mp3s

  =20

  Hello all,

  =20

  I have uploaded the first batch of MP3s to my server. Please reveiw =
your clips. If you are fine with them, let me know and I'll post them on =
the website. Also, don't forget to send me your favorite picture taken =
by Mark.

  =20

  A few notes. Last year I recorded directly from the board and the =
recordings sounded much more studio like and higher quality. This year, =
as you saw, I was recording live from two condensor mics. Hence, don't =
expect perfection on these.  On occasion, you can hear audience chatter, =
things moving around in the back of the room, etc. But I did the best I =
could to cut out dead air space and bring the recordings up to line =
level so they are audible. They are a decent documentation of the event, =
but not CD worthy, in my honest opnion.

  =20

  http://www.box.net/shared/o1cqrfgf5k

  =20

  =20

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<DIV><FONT face=3DArial size=3D2>Ahhh...I did not mean to send this to =
LD. Sorry.=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><BR>&nbsp;</DIV>
  <DIV class=3DSection1>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Thanks, =
Kris. I now=20
  have a great soundtrack for the day. Listening to Per=92s lovely work =
right now.=20
  It is just <I><SPAN style=3D"FONT-STYLE: italic">so</SPAN></I> cool. =
Ahhhhh...=20
  Like a dip in a fresh mountain stream.&nbsp; =
<o:p></o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">I think =
=93document=94 is=20
  a good description for the sound =96 having been at a couple of the =
LoopFests=20
  including Y2K6 at the same location, this brings me right into the =
experience,=20
  which is so great. So I dig the =93room tone=94 =96 it=92s certainly =
good enough (so=20
  far) to make for an exciting and uplifting experience. It might even =
be more=20
  involving than a more perfect recording, at least for=20
  some.<o:p></o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
  <DIV=20
  style=3D"BORDER-RIGHT: medium none; PADDING-RIGHT: 0in; BORDER-TOP: =
medium none; PADDING-LEFT: 4pt; PADDING-BOTTOM: 0in; BORDER-LEFT: blue =
1.5pt solid; PADDING-TOP: 0in; BORDER-BOTTOM: medium none">
  <DIV>
  <DIV class=3DMsoNormal style=3D"TEXT-ALIGN: center" =
align=3Dcenter><FONT=20
  face=3D"Times New Roman" size=3D3><SPAN style=3D"FONT-SIZE: 12pt">
  <HR tabIndex=3D-1 align=3Dcenter width=3D"100%" SIZE=3D2>
  </SPAN></FONT></DIV>
  <P class=3DMsoNormal><B><FONT face=3DTahoma size=3D2><SPAN=20
  style=3D"FONT-WEIGHT: bold; FONT-SIZE: 10pt; FONT-FAMILY: =
Tahoma">From:</SPAN></FONT></B><FONT=20
  face=3DTahoma size=3D2><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
Tahoma"> Krispen=20
  Hartung [mailto:khartung@cableone.net] <BR><B><SPAN=20
  style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Friday, October 26, 2007 =
10:06=20
  AM<BR><BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> =
Y2K7=20
  Mp3s</SPAN></FONT><o:p></o:p></P></DIV>
  <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
  style=3D"FONT-SIZE: 12pt"><o:p>&nbsp;</o:p></SPAN></FONT></P>
  <DIV>
  <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">Hello=20
  all,</SPAN></FONT><o:p></o:p></P></DIV>
  <DIV>
  <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
  style=3D"FONT-SIZE: 12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
  <DIV>
  <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">I have uploaded the =
first batch of=20
  MP3s to my server. Please reveiw your clips. If you are fine with =
them, let me=20
  know and I'll post them on the website. Also, don't forget to send me =
your=20
  favorite picture taken by Mark.</SPAN></FONT><o:p></o:p></P></DIV>
  <DIV>
  <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
  style=3D"FONT-SIZE: 12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
  <DIV>
  <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">A few notes. Last year I =
recorded=20
  directly from the board and the recordings sounded much more studio =
like and=20
  higher quality. This year, as you saw, I was recording live from two =
condensor=20
  mics. Hence, don't expect perfection on these.&nbsp; On occasion, you =
can hear=20
  audience chatter, things moving around in the back of the room, etc. =
But I did=20
  the best I could to cut out dead air space and bring the recordings up =
to line=20
  level so they are audible. They are a decent documentation of the =
event, but=20
  not CD worthy, in my honest opnion.</SPAN></FONT><o:p></o:p></P></DIV>
  <DIV>
  <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
  style=3D"FONT-SIZE: 12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
  <DIV>
  <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><A=20
  =
href=3D"http://www.box.net/shared/o1cqrfgf5k">http://www.box.net/shared/o=
1cqrfgf5k</A></SPAN></FONT><o:p></o:p></P></DIV>
  <DIV>
  <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
  style=3D"FONT-SIZE: 12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
  <DIV>
  <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
  style=3D"FONT-SIZE: =
12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV></DIV></DIV></BLOCKQUOTE><=
/BODY></HTML>

------=_NextPart_000_0114_01C817B0.C2D52290--

From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 15:21:05 2007
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Date: Fri, 26 Oct 2007 08:21:01 -0700 (PDT)
From: Dan <danielalbertini72@yahoo.com>
Subject: Fwd: URGENT VIRUS ALERT....READ AND PASS ON ASAP!!! 
To: Brian Good <loopers-delight@loopers-delight.com>,
	Rochelle Gordon <rochelle@myhealthwealthandhappiness.com>,
	stan greve <stangreve@hotmail.com>,
	Todd Hallawell <Toddhallawell@soundset.com>,
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	Roy Hatcher <rhatcher@pittstate.edu>,
	Kevin Hiatt <kevrayhiya@yahoo.com>,
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	Garrick Hudson <manofthestreet@yahoo.com>,
	SEBRON JACKSON <sebronjackson@mac.com>,
	Walker James <ecopeland05@hotmail.com>,
	Dennis Jamison <d_jam_is_on66762@yahoo.com>,
	Bethea Jenner <forbethea@myhealthwealthandhappiness.com>,
	jfreund@pittstate.edu, jlutt69@yahoo.com,
	Joel <hulettlawfirm@aol.com>,
	"John Vs.the Jukebox" <juanmerlot@hotmail.com>, keith@kmarshall.com,
	Joe Klinkon <jklinkon@ckt.net>, Marci Klotz <marciklotz@hotmail.com>,
	Gary Lehmann <hqr@cox.net>, Linz <wakeupdreamer@yahoo.com>,
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	raineyamanda@hotmail.com,
	ShIronbutterfly Ray <barebonesfilmfestivals@yahoo.com>,
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Note: forwarded message attached.


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 
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Date: Fri, 26 Oct 2007 06:53:36 -0700 (PDT)
From: Wade T Judith Heilig <w.heilig@sbcglobal.net>
Subject: Fwd: URGENT VIRUS ALERT....READ AND PASS ON ASAP!!! 
To: D A <danielamusic@sbcglobal.net>,
  Kevin Shannon Arensman <karensman0074@esagelink.com>,
  Chuck Blackwell <blackwells@valornet.com>,
  Romayne Blackwell <ro741@aol.com>, Deborah Blake <deb@deborahblake.com>,
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Note: forwarded message attached.
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<BR><BR>Note: forwarded message attached.
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Date: Thu, 25 Oct 2007 18:31:38 -0700 (PDT)
From: Lisa Miller <lmm402@sbcglobal.net>
Subject: URGENT VIRUS ALERT....READ AND PASS ON ASAP!!! 
To: Jon Crane <jcrane85@yahoo.com>, crystal <frogger369@hotmail.com>,
        dmeats@pittstate.edu,
        Marianne Evans-Lombe <mama_art_is_beautiful@yahoo.com>,
        Chris Fogliasso <chrisfog@pittstate.edu>,
        Wade Heilig <w.heilig@sbcglobal.net>,
        Mel R Heilig <heilig_mel_08@hotmail.com>,
        Brody Heilig <hemi402_black@sbcglobal.net>,
        Jessica Hinch <N01S3NK1SS3S@yahoo.com>,
        Liane Hinch <lhinch1mk@yahoo.com>, Angie Hine <angie.hine@gmail.com>,
        Jade <Jade@maroofing.com>, Jamie <jamielynnvanpeursem@gmail.com>,
        Jasmin <jazanahiramirez@yahoo.com>, jasondtolley@yahoo.com,
        JimK@maroofing.com, Myriam T Krepps <mkrepps@pittstate.edu>,
        Kristina <krissy_bortmes@hotmail.com>,
        Anil Lal <alal@mail.pittstate.edu>,
        Alicia Mitchell <southernbybirth@sbcglobal.net>,
        mkmarler@gimail.af.mil, David Oldham <doldham@pittstate.edu>,
        "Mr. Oldham" <jdo549@yahoo.com>
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Body: Anyone-using Internet mail such as Yahoo, Hotmail, AOL and so on.

This information arrived this morning, Direct from both Microsoft and Norton.

Please send it to everybody you know who has access to the Internet.

You may receive an apparently harmless e-mail with a Power Point
presentation ' Life is Beautiful'
If you receive it DO NOT OPEN THE FILE UNDER ANY CIRCUMSTANCES, and
delete it immediately.

If you open this file, a message will appear on your screen saying:
'It is too late now, your life is no longer beautiful.'

Subsequently you will LOSE EVERYTHING IN YOUR PC, And the person who
sent it to you will gain access to your name, e-mail and password.

This is a new virus which started to circulate on Saturday afternoon.
AOL has already confirmed the severity, and the anti virus software's are not capable of destroying it.

The virus has been created by a hacker who calls himself 'life owner'.

PLEASE SEND A COPY OF THIS E-MAIL TO ALL YOUR FRIENDS, 
And ask them to
PASS IT ON IMMEDIATELY! 

THIS HAS BEEN CONFIRMED BY SNOPES
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Body: Anyone-using Internet mail such as Yahoo, Hotmail, AOL and so on.<BR><BR>This information arrived this morning, Direct from both Microsoft and Norton.<BR><BR>Please send it to everybody you know who has access to the Internet.<BR><BR>You may receive an apparently harmless e-mail with a Power Point<BR>presentation ' Life is Beautiful'<BR>If you receive it DO NOT OPEN THE FILE UNDER ANY CIRCUMSTANCES, and<BR>delete it immediately.<BR><BR>If you open this file, a message will appear on your screen saying:<BR>'It is too late now, your life is no longer beautiful.'<BR><BR>Subsequently you will LOSE EVERYTHING IN YOUR PC, And the person who<BR>sent it to you will gain access to your name, e-mail and password.<BR><BR>This is a new virus which started to circulate on Saturday afternoon.<BR>AOL has already confirmed the severity, and the anti virus software's are not capable of destroying it.<BR><BR>The virus has been created by a hacker who calls himself 'life
 owner'.<BR><BR>PLEASE SEND A COPY OF THIS E-MAIL TO ALL YOUR FRIENDS, <BR>And ask them to<BR>PASS IT ON IMMEDIATELY! <BR><BR>THIS HAS BEEN CONFIRMED BY SNOPES
--0-1930517461-1193362298=:96238--

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From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 15:26:38 2007
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Date: Fri, 26 Oct 2007 11:25:55 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Fwd: URGENT VIRUS ALERT....READ AND PASS ON ASAP!!!
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Idiot...
-- 
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<html><head><style type="text/css"><!--
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 --></style><title>Re: Fwd: URGENT VIRUS ALERT....READ AND PASS ON
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<div><font size="+2">Idiot...</font></div>
<x-sigsep><pre>-- 
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From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 17:01:14 2007
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Message-ID: <1811.208.97.187.133.1193417599.squirrel@webmail.helpwantedproductions.com>
Date: Fri, 26 Oct 2007 09:53:19 -0700 (PDT)
Subject: FS: MIJ 1970s Les Paul copy
From: legion@helpwantedproductions.com
To: Loopers-Delight@loopers-delight.com
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I didn't want to post this but local sales are dragging their footsies so
here we go:

I'm selling a Lori Japanese Les Paul. It was made in the 1970s and has
model # P-90 on the back. Typical Les Paul Setup of two humbuckers two
vol/tone, three way switch. Bolt on neck, pearl inlay fret board, very
well made and it's an AMAZING player.

A few months ago I had it set up at Bluebond in Phila. It has upgraded
pots, wires, output jack, and pickguard to make it that perfect creme
black beauty style. Also has a HOT a Dimarzio and one original which mix
together wonderfully for a variety of thick tones.

This guitar has it's share of nicks and such but is in excellent shape. If
you're familiar with the various Ibanez lawsuit models from the 1970s
(they had a number of Bolt on necks as well and currently go for $500+)
this is comparable in every way. These 70s Japanese guitars were VERY well
built

Pic here: http://www.helpwantedproductions.com/ebay/LESPAUL.JPG
(enlarge for more detail)

I am asking $200 and that price is firm. It's worth that plus. If you're
looking for an amazing guitar that sounds great and plays like a dream at
a super affordable price this is it. It also looks pretty damn cool and
beats the HELL out of the EPIs out there today.

Trades for weird effects, synthesizer stuff, odd instruments possible.
Cyndustries and Modcan gear of particular interest. Please include a phone
# you actually answer (heh) to speed things up.

Shipping is from Phila PA and I have a nice big double box setup but buyer
pays shipping (figure about $40 US). Pickup is swell too and I can do the
paypal thang.

Thanks!

   ------------------------------------------------
      Weird, Scary, and Beautiful Music and Art:
        Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 17:52:17 2007
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Date: Fri, 26 Oct 2007 13:52:14 -0400
From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: FS: MIJ 1970s Les Paul copy
In-Reply-To: <1811.208.97.187.133.1193417599.squirrel@webmail.helpwantedproductions.com>
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I love these old MIJ guitars (I have 1/2 a dozen of them.)  If this
Lori is anything like the Electra's from the 70's, it's a nice guitar.
 Lori is an odd brand though.  Any history on it?

Tony

On 10/26/07, legion@helpwantedproductions.com
<legion@helpwantedproductions.com> wrote:
> I didn't want to post this but local sales are dragging their footsies so
> here we go:
>
> I'm selling a Lori Japanese Les Paul. It was made in the 1970s and has
> model # P-90 on the back. Typical Les Paul Setup of two humbuckers two
> vol/tone, three way switch. Bolt on neck, pearl inlay fret board, very
> well made and it's an AMAZING player.
>
> A few months ago I had it set up at Bluebond in Phila. It has upgraded
> pots, wires, output jack, and pickguard to make it that perfect creme
> black beauty style. Also has a HOT a Dimarzio and one original which mix
> together wonderfully for a variety of thick tones.
>
> This guitar has it's share of nicks and such but is in excellent shape. If
> you're familiar with the various Ibanez lawsuit models from the 1970s
> (they had a number of Bolt on necks as well and currently go for $500+)
> this is comparable in every way. These 70s Japanese guitars were VERY well
> built
>
> Pic here: http://www.helpwantedproductions.com/ebay/LESPAUL.JPG
> (enlarge for more detail)
>
> I am asking $200 and that price is firm. It's worth that plus. If you're
> looking for an amazing guitar that sounds great and plays like a dream at
> a super affordable price this is it. It also looks pretty damn cool and
> beats the HELL out of the EPIs out there today.
>
> Trades for weird effects, synthesizer stuff, odd instruments possible.
> Cyndustries and Modcan gear of particular interest. Please include a phone
> # you actually answer (heh) to speed things up.
>
> Shipping is from Phila PA and I have a nice big double box setup but buyer
> pays shipping (figure about $40 US). Pickup is swell too and I can do the
> paypal thang.
>
> Thanks!
>
>    ------------------------------------------------
>       Weird, Scary, and Beautiful Music and Art:
>         Http://www.HelpWantedProductions.com
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 18:26:01 2007
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From: "murkie" <sinister_footwear@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Stick and 2880
Date: Fri, 26 Oct 2007 14:25:57 -0400
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here's a couple of rough improvised pieces that were done (while practicing)
using a Stick and a 2880.

it's just me and the Adrenalinn/Drum machine.  oh and the bass loop parts
are done with a JamMan.
it's the stereo out of my rig directly into a minidisc recorder.
 
http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%201.mp3

http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%202.mp3

hope you like.

m
http://www.TwistedAppleRecords.com


From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 18:26:22 2007
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Date: Fri, 26 Oct 2007 11:26:20 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: AW: dd-20
To: Loopers-Delight@loopers-delight.com
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This is absolutely true Rainer, on the other hand i
find the DD-20´s tap tempo function a lot more
accurate than the DL4s,i can´t even set a simple the
edge type delay tempo with the DL4s, it doesnt sound 
as clear and its quite unpredictable,or am i doing
something wrong?
cheers
Luis





> you switch to a more powerful looper. In that realm,
> the DL4 might be
> slightly superior because its delay models are
> (imho) more useable than
> those of the DD20 for "interesting delay sounds".
> Perhaps just go to a music
> store, try both, try also to connect them in series,
> and see what you like
> better - most probably you'll end up getting both.
> 
> 

www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 18:33:29 2007
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Subject: RE: AW: dd-20
Date: Fri, 26 Oct 2007 20:33:26 +0200
Message-ID: <200710261833.l9QIXQx7017512@hermes.ramstein.af.mil>
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From: "Moore, David W Civ 86 MXS/MXMTA" <David.Moore@ramstein.af.mil>
To: <Loopers-Delight@loopers-delight.com>
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I've only used my dd-20 very briefly so far, but here's a stupid =
question; when I tried the tap tempo I could here a tap noise (imagine =
that). When I go to record, will that be audible?

david moore
transient alert
86 mxs/mxmta
480-2061/5378

-----Original Message-----
From: L.A. Angulo [mailto:labaloops@yahoo.com]=20
Sent: Friday, October 26, 2007 8:26 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: AW: dd-20

This is absolutely true Rainer, on the other hand i
find the DD-20=B4s tap tempo function a lot more
accurate than the DL4s,i can=B4t even set a simple the
edge type delay tempo with the DL4s, it doesnt sound=20
as clear and its quite unpredictable,or am i doing
something wrong?
cheers
Luis





> you switch to a more powerful looper. In that realm,
> the DL4 might be
> slightly superior because its delay models are
> (imho) more useable than
> those of the DD20 for "interesting delay sounds".
> Perhaps just go to a music
> store, try both, try also to connect them in series,
> and see what you like
> better - most probably you'll end up getting both.
>=20
>=20

www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around=20
http://mail.yahoo.com=20

From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 18:52:40 2007
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Subject: RE: Stick and 2880
Date: Fri, 26 Oct 2007 20:52:38 +0200
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From: "Moore, David W Civ 86 MXS/MXMTA" <David.Moore@ramstein.af.mil>
To: <Loopers-Delight@loopers-delight.com>
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That sounds really great! Those are the first links I've been able to
listen to on my work (govt) computer!=20
I want to start recording! I don't have a computer at home and I can't
add music programs to my work computer! I want to record the same way
you did, straight from my setup to some sort of a good/cheap recorder.=20
I've never had a minidisk recorder...is it that easy?
I have an Olympus digital voice recorder with a mic input?
Could you please let me know exactly what kind to get and how it works?
I think it sounded great!

david moore
transient alert
86 mxs/mxmta
480-2061/5378

-----Original Message-----
From: murkie [mailto:sinister_footwear@yahoo.com]=20
Sent: Friday, October 26, 2007 8:26 PM
To: Loopers-Delight@loopers-delight.com
Subject: Stick and 2880

here's a couple of rough improvised pieces that were done (while
practicing)
using a Stick and a 2880.

it's just me and the Adrenalinn/Drum machine.  oh and the bass loop
parts
are done with a JamMan.
it's the stereo out of my rig directly into a minidisc recorder.
=20
http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%201
.mp3

http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%202
.mp3

hope you like.

m
http://www.TwistedAppleRecords.com


From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 19:00:55 2007
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Date: Fri, 26 Oct 2007 11:50:17 -0700
To: Loopers-Delight@loopers-delight.com,
	Rochelle Gordon <rochelle@myhealthwealthandhappiness.com>,
	stan greve <stangreve@hotmail.com>,
	Todd Hallawell <Toddhallawell@soundset.com>,
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	"John Vs.the Jukebox" <juanmerlot@hotmail.com>, keith@kmarshall.com,
	Joe Klinkon <jklinkon@ckt.net>, Marci Klotz <marciklotz@hotmail.com>,
	Gary Lehmann <hqr@cox.net>, Linz <wakeupdreamer@yahoo.com>,
	Lisa <lisaworld@aol.com>,
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	JP Nickel <jp@fivecentproductions.com>,
	JP Nickel <fcpnewsletter09@fivecentproductions.com>,
	JP Nickel <jpnickel@gmail.com>, Nikki <ngoodpasture@yahoo.com>,
	MLPeace <mlpeace@yahoo.com>,
	Doug or Marsha Phillips <phil50@chibardun.net>,
	raineyamanda@hotmail.com,
	ShIronbutterfly Ray <barebonesfilmfestivals@yahoo.com>,
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	Thomas Rhodes <tomcatanzaro@hotmail.com>,
	Rhonda <rhondaunlimited@juno.com>
From: Chris Muir <cbm@well.com>
Subject: Re: Fwd: URGENT VIRUS ALERT....READ AND PASS ON ASAP!!!
Content-Type: text/plain; charset="us-ascii" ; format="flowed"
X-Virus-Scanned: ClamAV 0.91.2/4599/Fri Oct 26 04:27:38 2007 on paz.well.com
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A five year old hoax. Before spamming the world, you should really 
check something like Snopes first:
http://www.snopes.com/computer/virus/life.asp

-C

-- 
Chris Muir           | "There are many futures and only one status quo.
cbm@well.com         |  This is why conservatives mostly agree,
http://www.xfade.com |  and radicals always argue." - Brian Eno

From kouadio1232003@yahoo.co.jp  Fri Oct 26 19:07:37 2007
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Date: Sat, 27 Oct 2007 04:00:47 +0900 (JST)
From: "kouadio1232003@yahoo.co.jp" <kouadio1232003@yahoo.co.jp>
Reply-To: f_kouadio123@yahoo.fr
Subject: Hello Dearest one,
To: kouadio1232003@yahoo.co.jp
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--0-493469561-1193425247=:558
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>From Florence Kouadio  
      Treichville Abidjan Ivory coast,
       How are you and your health that is very important to me? I am Florence Kouadio, The only child of late Mr and Mrs Kouadio, My Late father was a very wealthy Cocoa Merchant based in Abidjan, the Economic Capital of Ivory Coast before he was poisoned to death by his Business Associates in
 connection with my uncle who was with him that day on the business outing to discuss on a business deal with some of his foreign business partner.  


      With bitter tears am typing this today,my heart is heavy of sadness and my soul is dying at my tender age of 19. My father was a very rich Cocoa Merchant here in Cote 'd'ivoire and he was a very popular man before he died,so when he was about to die he told me that he had some amount of huge
 money (US 10.3m) ten million three hundred thousand United States dollars in his fixed / suspense account here in cote d'ivoire and he also told me that he wanted me to go abroad and study because l am a very brilliant girl . 
        He also told me that l should seek for a foreign partner that l should send the money to because for the fear of his family member and after the money is confirmed received by my partner in oversea l should then go there to continue my education while my partner should invest the money in
 a very profitable business of his or her choice since l know nothing or less about investment and the profit must be shared between me and my partner so  i am honorably seeking your assistance in the following ways .

1) To provide a NEW BANK ACCOUNT (please not your own account) where this money would be transferred.
2) To serve as the guardian of this fund.
3) To make arrangement for me to come over to your country to further my
 education and to secure a residential permit for me in your country.
  
     Moreover, dear, i am willing to offer you 15% of the total sum as compensation for your effort input after the successful transfer of this fund to your nominated account oversea.
Please am appealing to you to please assist me so that l can smile again, l am writing this mail to you with full of bitter tears flowing down my eyes because l can say you are the only one that is left for me in this whole world.
     Just yesterday my late fathers relative came and threatened me that they will kill me if l don't give them the document of my late fathers money so l went to bank where the money was saved to inform the bank director and the bank director told me that l should transfer the money abroad with
 immediate effect as instructed by my late father so that this people 
will not be able to kill me as they killed my Dad,the bank director said he will do his best to make sure that the money is transferred abroad,l need someone  who will be truthful , loyal  financial capable enough so that l cansend the  money my late father left for me to, once you agree to assist
 me by this time next week l will be waiting to hear a good news from you that you have received the money into A NEW ACCOUNT (please open a new account to avoid mistrust).
    Please l will be waiting to hear from you if you're really serious and interested and capable to help me get this money transfer, so that l can send the contact of the bank where my late father saved the money before he died to you so that you can request for quick transfer requirement and
 information which you will use to receive the money my late father left for me and please when you receive the money. please l will like you to keep it secret for the safety of the money and my life. More importantly, l will send the bank address to you and how you will contact them if you really
 serious and capable  to help me in transferring this money abroad.
    I have the believe that one day I will become a person in life if you could help me out, I pray that God will also help you, (amen).

  Hoping to hear from you soonest.

  Thanks And God Bless.
Best regards.
Florence Kouadio
  
 
 

 
---------------------------------
Easy + Joy + Powerful = Yahoo! Bookmarks x Toolbar

--0-493469561-1193425247=:558
Content-Type: text/html; charset=iso-2022-jp

<DIV>From&nbsp;Florence Kouadio&nbsp; </DIV>  <DIV>  <DIV id=RTEContent>  <DIV>Treichville Abidjan Ivory coast,<BR>

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<FONT face=arial><SPAN lang=EN-US style="COLOR: black; FONT-FAMILY: 'Arial Black'"><SPAN lang=EN-US style="COLOR: black; FONT-FAMILY: 'Arial Black'"><FONT face=arial>How are you and your health that is very important to
 me?</FONT></SPAN></SPAN></FONT>&nbsp;I am Florence Kouadio, The only child of late Mr and Mrs Kouadio, My Late father was a very wealthy Cocoa Merchant based in Abidjan, the Economic Capital of Ivory Coast before he was poisoned to death by his Business Associates in connection with my uncle who
 was with&nbsp;him that day&nbsp;on the business outing to discuss on a business deal with some of his foreign&nbsp;business partner.&nbsp;&nbsp;</DIV></DIV></DIV>  <DIV>&nbsp;&nbsp;&nbsp; With bitter tears am typing this today,my heart is heavy of sadness and my soul is dying at my tender age of
 19. My father was a very rich Cocoa Merchant here in Cote 'd'ivoire and he&nbsp;was a very popular man before he died,so when he was about to die he told me&nbsp;that he had some amount of huge money (US 10.3m) ten million&nbsp;three hundred thousand United States dollars in his fixed / suspense
 account here in cote d'ivoire and he also told me that he wanted me to go abroad and study&nbsp;because l am a very brilliant girl . </DIV>  <DIV>&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;He also told me that l should seek for a foreign partner that l should send the money to because for the fear of
 his&nbsp;family member and after the money is confirmed received by my partner in oversea l should then go there to continue my education while my partner should invest the money in a very profitable business of his or her choice&nbsp;since l know nothing or less about investment and the profit
 must be shared between me and my partner so&nbsp; i am honorably seeking your assistance in&nbsp;the following ways .<BR>

<BR>

1) To provide a NEW BANK ACCOUNT (please not your own account) where this&nbsp;money would be transferred.<BR>

2) To serve as the guardian of this fund.<BR>

3) To make arrangement for me to come over to your country to further my<BR>

&nbsp;education and to secure a residential permit for me in your country.<BR>

&nbsp; </DIV>  <DIV>&nbsp;&nbsp; Moreover, dear, i am willing to offer you 15% of the total sum as compensation for your effort input after the successful transfer of this&nbsp;fund to your nominated account oversea.<BR>

Please am appealing to you to please assist me so that l can smile again, l am writing this mail to you with full of bitter tears flowing down my eyes because l can say you are the only one that is left for me in this whole world.<BR>

&nbsp;&nbsp;&nbsp;&nbsp; Just yesterday my late fathers relative came and threatened me that&nbsp;they&nbsp;will kill me if l don't give them the document of my late fathers money so l&nbsp;went to bank where the money was saved to inform the bank director and the bank director told me that l
 should transfer the money abroad with immediate effect as instructed by my late father so that this people <BR>

will&nbsp;not be able to kill me as they killed my Dad,the bank director said he will do his best to make sure that the money is transferred abroad,l need someone &nbsp;who will be truthful , loyal&nbsp; financial capable enough so that l cansend the&nbsp; money my late father left for me to, once
 you agree to assist me by this time next week l will be waiting to hear a good news from you that you have received the money into A NEW ACCOUNT (please open a new account to avoid mistrust).<BR>

&nbsp;&nbsp; &nbsp;Please l will be waiting to hear from you if you're really&nbsp;serious&nbsp;and interested and capable&nbsp;to help me get this money transfer, so that l can send the contact of the bank where my late father saved the money before he died to you so that you can request for
 quick transfer requirement and information which you will use to receive the money my late father left for me and please when you receive the money.&nbsp;please l will like you to keep it secret for the safety of the money and my life. More importantly, l will send the bank address to you and how
 you will contact them if you really serious and capable&nbsp; to help me in transferring this money abroad.<BR>

&nbsp;&nbsp;&nbsp; I have the believe that one day I will become a person in life if you could help me out, I pray that God will also help you, (amen).<BR>

</DIV>  <DIV>Hoping to hear from you soonest.<BR>

</DIV>  <DIV>Thanks And God Bless.<BR>

Best regards.<BR>

Florence Kouadio</DIV>  <DIV style="CLEAR: both; WIDTH: 0px; LINE-HEIGHT: 0; HEIGHT: 5px"></DIV>
<div style="line-height: 0; width: 0; height: 5px; clear: both;">&nbsp;</div>

<div style="line-height: 0; width: 0; height: 5px; clear: both;">&nbsp;</div>
<p>&#32;

<hr size=1><a href=http://pr.mail.yahoo.co.jp/toolbar/ target="new">Easy + Joy + Powerful = Yahoo! Bookmarks x Toolbar</a><br>

--0-493469561-1193425247=:558--

From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 19:34:33 2007
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From: "Qua Veda" <qua@oregon.com>
To: <Loopers-Delight@loopers-delight.com>
References: <20071022225557.22F433BF40@arsenic.violacea.com> <20071026182600.CFE033BECA@arsenic.violacea.com> <200710261852.l9QIqcx7021392@hermes.ramstein.af.mil>
In-Reply-To: <200710261852.l9QIqcx7021392@hermes.ramstein.af.mil>
Subject: RE: Stick and 2880
Date: Fri, 26 Oct 2007 12:34:49 -0700
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HI David
Thanks for sharing.  Cool sounds on the ...202.mp3.   are those from the
2880 ?
-Qua

-----Original Message-----
From: Moore, David W Civ 86 MXS/MXMTA [mailto:David.Moore@ramstein.af.mil] 
Sent: Friday, October 26, 2007 11:53 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Stick and 2880

That sounds really great! Those are the first links I've been able to
listen to on my work (govt) computer! 
I want to start recording! I don't have a computer at home and I can't
add music programs to my work computer! I want to record the same way
you did, straight from my setup to some sort of a good/cheap recorder. 
I've never had a minidisk recorder...is it that easy?
I have an Olympus digital voice recorder with a mic input?
Could you please let me know exactly what kind to get and how it works?
I think it sounded great!

david moore
transient alert
86 mxs/mxmta
480-2061/5378

-----Original Message-----
From: murkie [mailto:sinister_footwear@yahoo.com] 
Sent: Friday, October 26, 2007 8:26 PM
To: Loopers-Delight@loopers-delight.com
Subject: Stick and 2880

here's a couple of rough improvised pieces that were done (while
practicing)
using a Stick and a 2880.

it's just me and the Adrenalinn/Drum machine.  oh and the bass loop
parts
are done with a JamMan.
it's the stereo out of my rig directly into a minidisc recorder.
 
http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%201
.mp3

http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%202
.mp3

hope you like.

m
http://www.TwistedAppleRecords.com



From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 19:38:56 2007
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Subject: RE: Stick and 2880
Date: Fri, 26 Oct 2007 21:38:53 +0200
Message-ID: <200710261938.l9QJcsx7002908@hermes.ramstein.af.mil>
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From: "Moore, David W Civ 86 MXS/MXMTA" <David.Moore@ramstein.af.mil>
To: <Loopers-Delight@loopers-delight.com>
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Those aren't mine! I was just replying to that email!

david moore
transient alert
86 mxs/mxmta
480-2061/5378

-----Original Message-----
From: Qua Veda [mailto:qua@oregon.com]=20
Sent: Friday, October 26, 2007 9:35 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Stick and 2880

HI David
Thanks for sharing.  Cool sounds on the ...202.mp3.   are those from the
2880 ?
-Qua

-----Original Message-----
From: Moore, David W Civ 86 MXS/MXMTA
[mailto:David.Moore@ramstein.af.mil]=20
Sent: Friday, October 26, 2007 11:53 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Stick and 2880

That sounds really great! Those are the first links I've been able to
listen to on my work (govt) computer!=20
I want to start recording! I don't have a computer at home and I can't
add music programs to my work computer! I want to record the same way
you did, straight from my setup to some sort of a good/cheap recorder.=20
I've never had a minidisk recorder...is it that easy?
I have an Olympus digital voice recorder with a mic input?
Could you please let me know exactly what kind to get and how it works?
I think it sounded great!

david moore
transient alert
86 mxs/mxmta
480-2061/5378

-----Original Message-----
From: murkie [mailto:sinister_footwear@yahoo.com]=20
Sent: Friday, October 26, 2007 8:26 PM
To: Loopers-Delight@loopers-delight.com
Subject: Stick and 2880

here's a couple of rough improvised pieces that were done (while
practicing)
using a Stick and a 2880.

it's just me and the Adrenalinn/Drum machine.  oh and the bass loop
parts
are done with a JamMan.
it's the stereo out of my rig directly into a minidisc recorder.
=20
http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%201
.mp3

http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%202
.mp3

hope you like.

m
http://www.TwistedAppleRecords.com



From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 19:43:47 2007
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From: "Qua Veda" <qua@oregon.com>
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Cc: <sinister_footwear@yahoo.com>
References: <20071022225557.22F433BF40@arsenic.violacea.com> <20071026182600.CFE033BECA@arsenic.violacea.com> <200710261852.l9QIqcx7021392@hermes.ramstein.af.mil> <000801c81807$4638e2b0$d2aaa810$@com> <200710261938.l9QJcsx7002908@hermes.ramstein.af.mil>
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Subject: RE: Stick and 2880
Date: Fri, 26 Oct 2007 12:43:58 -0700
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Oops!  sorry David,  hit <send> too quickly.   
OK,  Murkie ,  please see below

-Qua

-----Original Message-----
From: Moore, David W Civ 86 MXS/MXMTA [mailto:David.Moore@ramstein.af.mil] 
Sent: Friday, October 26, 2007 12:39 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Stick and 2880

Those aren't mine! I was just replying to that email!

david moore
transient alert
86 mxs/mxmta
480-2061/5378

-----Original Message-----
From: Qua Veda [mailto:qua@oregon.com] 
Sent: Friday, October 26, 2007 9:35 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Stick and 2880

HI David
Thanks for sharing.  Cool sounds on the ...202.mp3.   are those from the
2880 ?
-Qua

-----Original Message-----
From: Moore, David W Civ 86 MXS/MXMTA
[mailto:David.Moore@ramstein.af.mil] 
Sent: Friday, October 26, 2007 11:53 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Stick and 2880

That sounds really great! Those are the first links I've been able to
listen to on my work (govt) computer! 
I want to start recording! I don't have a computer at home and I can't
add music programs to my work computer! I want to record the same way
you did, straight from my setup to some sort of a good/cheap recorder. 
I've never had a minidisk recorder...is it that easy?
I have an Olympus digital voice recorder with a mic input?
Could you please let me know exactly what kind to get and how it works?
I think it sounded great!

david moore
transient alert
86 mxs/mxmta
480-2061/5378

-----Original Message-----
From: murkie [mailto:sinister_footwear@yahoo.com] 
Sent: Friday, October 26, 2007 8:26 PM
To: Loopers-Delight@loopers-delight.com
Subject: Stick and 2880

here's a couple of rough improvised pieces that were done (while
practicing)
using a Stick and a 2880.

it's just me and the Adrenalinn/Drum machine.  oh and the bass loop
parts
are done with a JamMan.
it's the stereo out of my rig directly into a minidisc recorder.
 
http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%201
.mp3

http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%202
.mp3

hope you like.

m
http://www.TwistedAppleRecords.com




From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 19:45:23 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: dd-20 vs. DL4
Date: Fri, 26 Oct 2007 21:45:47 +0200
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> This is absolutely true Rainer, on the other hand i find the=20
> DD-20=B4s tap tempo function a lot more accurate than the=20
> DL4s,i can=B4t even set a simple the edge type delay tempo with=20
> the DL4s, it doesnt sound as clear and its quite=20
> unpredictable,or am i doing something wrong?

Personally, I find the DL4's footswitches somewhat hard to press
mechanically, this might lead to your experience with tapping tempo on =
the
DL4. Apart from that, no problems with timing accuracy, but then again, =
I'm
horribly untight.

What do you mean by "simple the edge type delay tempo" - is this a =
reference
to "The Edge" of U2 (who, judging from the contentx, obviously uses very
short rhytmic delays)? You might get better results (if you do not need =
the
"creative sound" delays in that application) by using the rhythmic delay
algorithm and tapping longer intervals.

I don't use the DL4 for clean delays (because for that, I have the D2 or =
the
Eclipse), and never use it "in line" (as opposed to a send effect) =
except
for rehearsal room situations. And obviously, when using the filter =
delay or
space echo algorithm, I don't look that much for clear sound.

Again, what do you mean by "unpredictable"? What I found to be sometimes
unpredictable (unless you use some precautions) is how the expression =
pedal
works when switching between user presets. Apart from that, it seems =
quite
deterministic to me...

	Rainer

From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 19:54:13 2007
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The original message had this text in it:
THIS HAS BEEN CONFIRMED BY SNOPES

So it must have been true.


At 2007.10.26 10:50 AM, Chris Muir wrote:

>A five year old hoax. Before spamming the world, you should really 
>check something like Snopes first:
>http://www.snopes.com/computer/virus/life.asp


ps for those that might think I'm being serious, I'm not.  this is my 
form of very dry bitingly sarcastic wit.

From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 20:19:08 2007
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References: <1811.208.97.187.133.1193417599.squirrel@webmail.helpwantedproductions.com>
Subject: Re: MIJ 1970s Les Paul copy
Date: Fri, 26 Oct 2007 19:43:50 +0100
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Do you have any recordings of the sound of this guit online?


>I didn't want to post this but local sales are dragging their footsies so
> here we go:
>
> I'm selling a Lori Japanese Les Paul. It was made in the 1970s and has
> model # P-90 on the back. Typical Les Paul Setup of two humbuckers two
> vol/tone, three way switch. Bolt on neck, pearl inlay fret board, very
> well made and it's an AMAZING player.
>
> A few months ago I had it set up at Bluebond in Phila. It has upgraded
> pots, wires, output jack, and pickguard to make it that perfect creme
> black beauty style. Also has a HOT a Dimarzio and one original which mix
> together wonderfully for a variety of thick tones.
>
> This guitar has it's share of nicks and such but is in excellent shape. If
> you're familiar with the various Ibanez lawsuit models from the 1970s
> (they had a number of Bolt on necks as well and currently go for $500+)
> this is comparable in every way. These 70s Japanese guitars were VERY well
> built
>
> Pic here: http://www.helpwantedproductions.com/ebay/LESPAUL.JPG
> (enlarge for more detail)
>
> I am asking $200 and that price is firm. It's worth that plus. If you're
> looking for an amazing guitar that sounds great and plays like a dream at
> a super affordable price this is it. It also looks pretty damn cool and
> beats the HELL out of the EPIs out there today.
>
> Trades for weird effects, synthesizer stuff, odd instruments possible.
> Cyndustries and Modcan gear of particular interest. Please include a phone
> # you actually answer (heh) to speed things up.
>
> Shipping is from Phila PA and I have a nice big double box setup but buyer
> pays shipping (figure about $40 US). Pickup is swell too and I can do the
> paypal thang.
>
> Thanks!
>
>   ------------------------------------------------
>      Weird, Scary, and Beautiful Music and Art:
>        Http://www.HelpWantedProductions.com
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Oct 26 20:26:55 2007
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Date: Fri, 26 Oct 2007 13:26:53 -0700 (PDT)
Subject: Re: FS: MIJ 1970s Les Paul copy
From: legion@helpwantedproductions.com
To: "Tony K" <bigtonyk@gmail.com>
Cc: loopers-delight@loopers-delight.com
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I've had this for about two years and did a lot of searching. All I could
come up with is Lori made some strat type copies. I know I have seen these
older ones around but I'll be damned where. One guy on HC wrote they're
built in Japan, "either at the Matsumoku or Ibanez factory" but I'm an Ibz
freak and never heard of these at Hoshino.

The punchline is I got this from an Engineer with too much money and too
much time on his hands. He had a Jimmy page fetish so he put about $150+
in upgrades into it getting all new Gibson humbucker mounts, pickguard,
all new pots, the Dimarzio and redid all the wiring. Then he got a Gibson
for a "steal" ($2k he hold me) so he sold this one. I got it set up for
recording but only have jammed in the basement with it.

Since I have an Ibanez fetish and found two axes of joy this year I figure
it's time to share the wealth. I priced it super low for what it is but I
figure most folks won't know this sleeper so that's a price I'd be happy
with if it got to a good home. Anything less and I'll continue to enjoy it
for many many years to come myself :)


> I love these old MIJ guitars (I have 1/2 a dozen of them.)  If this
> Lori is anything like the Electra's from the 70's, it's a nice guitar.
>  Lori is an odd brand though.  Any history on it? Tony
>
> On 10/26/07, legion@helpwantedproductions.com
> <legion@helpwantedproductions.com> wrote:

>> I'm selling a Lori Japanese Les Paul. It was made in the 1970s and has
>> model # P-90 on the back. Typical Les Paul Setup of two humbuckers two
>> vol/tone, three way switch. Bolt on neck, pearl inlay fret board, very
>> well made and it's an AMAZING player.
>>
>> A few months ago I had it set up at Bluebond in Phila. It has upgraded
>> pots, wires, output jack, and pickguard to make it that perfect creme
>> black beauty style. Also has a HOT a Dimarzio and one original which mix
>> together wonderfully for a variety of thick tones.
>>
>> This guitar has it's share of nicks and such but is in excellent shape.
>> If you're familiar with the various Ibanez lawsuit models from the 1970s
>> (they had a number of Bolt on necks as well and currently go for $500+)
>> this is comparable in every way. These 70s Japanese guitars were VERY
>> well built
>>
>> Pic here: http://www.helpwantedproductions.com/ebay/LESPAUL.JPG
>> (enlarge for more detail)
>>
>> I am asking $200 and that price is firm. It's worth that plus. If you're
>> looking for an amazing guitar that sounds great and plays like a dream
>> at a super affordable price this is it. It also looks pretty damn cool
>> and beats the HELL out of the EPIs out there today.

>> Trades for weird effects, synthesizer stuff, odd instruments possible.
>> Cyndustries and Modcan gear of particular interest. Please include a
>> phone # you actually answer (heh) to speed things up.
>> Shipping is from Phila PA and I have a nice big double box setup but
>> buyer pays shipping (figure about $40 US). Pickup is swell too and I
>> can do  the paypal thang.

    ------------------------------------------------
       Weird, Scary, and Beautiful Music and Art:
         Http://www.HelpWantedProductions.com


From mustafa_alain2@latinmail.com  Sat Oct 27 01:03:06 2007
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FROM THE DESK OF DR .MUSTAFA ALAIN
BILL AND EXCHANGE MANAGER
BANK OF AFRICA.
OUAGADOUGOU,BURKINA FASO.
TOP SECRET

DEAR FRIEND
=20
I AM DR.MUSTAFA ALAIN. THE BILL AND EXCHANGE MANAGER AT THE FOREIGN REM=
ITTANCE DEPARTMENT OF BANK OF AFRICA. I GOT YOUR CONTACT FROM THE INTER=
NET ,WHILE SEACHING FOR AN HONEST AND TRUST WORTHY PERSON, WHO WILL ASS=
IST ME TO IMPLEMENT THIS TRANSFER.L DISCOVERED THE SUM OF TWENTY TWO MI=
LLION AND FIVE HUNDRED THOUSAND UNITED STATES DOLLARS (USD22.5M) BELONG=
ING TO A DECEASED CUSTOMER OF THIS BANK.
=20
 THE FUND HAS BEEN LYING IN A SUSPENCE ACCOUNT WITHOUT ANYBODY COMING T=
O
PUT CLAIM OVER THE MONEY SINCE THE ACCOUNT OWNER LATE MR JOHN KOROVO FR=
OM JORDAN , WHO WAS INVOLVED IN THE DECEMBER 25TH  2003 BENIN PLANE CRA=
SH.
 HERE IS THE AIR CRASH  WEBSITE ON CN
HTTP://WWW.CNN.COM/2003/WORLD/AFRICA/12/26/BENIN.CRASH/INDEX.HTML

THE SAID FUND IS NOW READY FOR TRANSFER TO A FORIEGN ACCOUNT WHOSE OWNE=
R WILL BE PORTRAYED AS THE BENEFICIARY AND NEXT OF KIN TO THE DECEASED =
CUSTOMER OF THE BANK. SINCE WE GOT INFORMATION ABOUT HIS DEATH, WE HAVE=
 BEEN EXPECTING HIS NEXT OF KIN TO COME OVER AND CLAIM HIS MONEY BECAUS=
E WE CANNOT RELEASE IT UNLESS SOMEBODY APPLIES FOR IT AS NEXT OF KIN OR=
 RELATION TO THE DECEASED AS INDICATED IN OUR BANKING GUIDLINES AND LAW=
S BUT UNFORTUNATELY WE LEARNT THAT ALL HIS SUPPOSED NEXT OF KIN OR RELA=
TION DIED ALONGSIDE WITH HIM AT THE PLANE CRASH LEAVING NOBODY BEHIND F=
OR THE CLAIM.
=20
IT IS THEREFORE UPON THIS DISCOVERY THAT I DECIDED TO MAKE THIS BUSINES=
S PROPOSAL TO YOU AND RELEASE THE MONEY TO YOU AS THE NEXT OF KIN OR RE=
LATION TO THE DECEASED FOR SAFETY AND SUBSEQUENT DISBURSEMENT SINCE NOB=
ODY IS COMING FOR IT AND I DON'T WANT THIS MONEY TO GO INTO THE BANK TR=
EASURY AS UNCLAIMED BILL.
=20
THE BANKING LAW AND GUIDLINE HERE STIPULATES THAT IF SUCH MONEY REMAINE=
D UNCLAIMED AFTER FIVE YEARS, THE MONEY WILL BE TRANSFERED INTO THE BAN=
K TREASURY AS UNCLAIMED FUND. THE REQUEST OF FOREIGNER AS NEXT OF KIN I=
N THIS BUSINESS IS OCCASSIONED BY THE FACT THAT THE CUSTOMER WAS A FORE=
IGNER AND A BURKINABE CANNOT STAND AS NEXT OF KIN TO A FOREIGNER. I THE=
REFORE SOLICITING FOR YOUR ASSISTANCE TO COME FORWARD AS THE NEXT OF KI=
N.
 I HAVE AGREED THAT 40% OF THIS MONEY WILL BE FOR YOU AS THE BENEFICIAR=
Y
IN RESPECT OF THE PROVISION OF YOUR ACCOUNT AND SERVICES RENDERED, 55% =
WOULD BE FOR ME WHILE 5% WILL BE FOR EXPENCSES INCURED DURING THE CAUSE=
 OF THIS TRANSACTION IF THE MONEY IS TRANSFERRED TO YOUR ACCOUNT FROM B=
ANK OF AFRICA,

 I AND MY FAMILY IN THIS TRANSACTION WILL PROCEED IMMEDIATELY TO YOUR
COUNTRY FOR OUR OWN SHARE OF THE MONEY. I EXPECT YOU TO KEEP THIS
BUSINESS STRICTLY CONFIDENTIAL AND SECRET AS YOU MAY WISH TO KNOW THAT =
I AM BANK OFFICIAL.
=20
BE REST ASSURED THAT THIS BUSINESS IS 100% RISK FREE ON BOTH SIDE AND E=
VERY ARRANGEMENT TO TRANSFER THIS MONEY TO THE ACCOUNT YOU ARE GOING TO=
 PROVIDE HAVE BEEN CONCLUDED PROVIDED WE MAINTAIN THE CONFIDENTIALITY A=
ND SECRECEIRITY INVOLVED.
CONTACT ME ON MY PRIVATE PHONE NUMBER(  226-76172071. OR EMAIL ADDRESS =
AT() I AM LOOKING FORWARD FOR YOUR PROMPT RESPONSE.
=20
YOURS FAITHFULLY,
DR. MUSTAFA  ALAIN.
=20


Argentina vota. =A1Sigue las presidenciales! http://www.starmedia.com/n=
oticias/especiales/eleccionesargentina.html
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FROM THE DESK OF DR .MUSTAFA ALAIN
BILL AND EXCHANGE MANAGER
BANK OF AFRICA.
OUAGADOUGOU,BURKINA FASO.
TOP SECRET

DEAR FRIEND
=20
I AM DR.MUSTAFA ALAIN. THE BILL AND EXCHANGE MANAGER AT THE FOREIGN REM=
ITTANCE DEPARTMENT OF BANK OF AFRICA. I GOT YOUR CONTACT FROM THE INTER=
NET ,WHILE SEACHING FOR AN HONEST AND TRUST WORTHY PERSON, WHO WILL ASS=
IST ME TO IMPLEMENT THIS TRANSFER.L DISCOVERED THE SUM OF TWENTY TWO MI=
LLION AND FIVE HUNDRED THOUSAND UNITED STATES DOLLARS (USD22.5M) BELONG=
ING TO A DECEASED CUSTOMER OF THIS BANK.
=20
 THE FUND HAS BEEN LYING IN A SUSPENCE ACCOUNT WITHOUT ANYBODY COMING T=
O
PUT CLAIM OVER THE MONEY SINCE THE ACCOUNT OWNER LATE MR JOHN KOROVO FR=
OM JORDAN , WHO WAS INVOLVED IN THE DECEMBER 25TH  2003 BENIN PLANE CRA=
SH.
 HERE IS THE AIR CRASH  WEBSITE ON CN
HTTP://WWW.CNN.COM/2003/WORLD/AFRICA/12/26/BENIN.CRASH/INDEX.HTML

THE SAID FUND IS NOW READY FOR TRANSFER TO A FORIEGN ACCOUNT WHOSE OWNE=
R WILL BE PORTRAYED AS THE BENEFICIARY AND NEXT OF KIN TO THE DECEASED =
CUSTOMER OF THE BANK. SINCE WE GOT INFORMATION ABOUT HIS DEATH, WE HAVE=
 BEEN EXPECTING HIS NEXT OF KIN TO COME OVER AND CLAIM HIS MONEY BECAUS=
E WE CANNOT RELEASE IT UNLESS SOMEBODY APPLIES FOR IT AS NEXT OF KIN OR=
 RELATION TO THE DECEASED AS INDICATED IN OUR BANKING GUIDLINES AND LAW=
S BUT UNFORTUNATELY WE LEARNT THAT ALL HIS SUPPOSED NEXT OF KIN OR RELA=
TION DIED ALONGSIDE WITH HIM AT THE PLANE CRASH LEAVING NOBODY BEHIND F=
OR THE CLAIM.
=20
IT IS THEREFORE UPON THIS DISCOVERY THAT I DECIDED TO MAKE THIS BUSINES=
S PROPOSAL TO YOU AND RELEASE THE MONEY TO YOU AS THE NEXT OF KIN OR RE=
LATION TO THE DECEASED FOR SAFETY AND SUBSEQUENT DISBURSEMENT SINCE NOB=
ODY IS COMING FOR IT AND I DON'T WANT THIS MONEY TO GO INTO THE BANK TR=
EASURY AS UNCLAIMED BILL.
=20
THE BANKING LAW AND GUIDLINE HERE STIPULATES THAT IF SUCH MONEY REMAINE=
D UNCLAIMED AFTER FIVE YEARS, THE MONEY WILL BE TRANSFERED INTO THE BAN=
K TREASURY AS UNCLAIMED FUND. THE REQUEST OF FOREIGNER AS NEXT OF KIN I=
N THIS BUSINESS IS OCCASSIONED BY THE FACT THAT THE CUSTOMER WAS A FORE=
IGNER AND A BURKINABE CANNOT STAND AS NEXT OF KIN TO A FOREIGNER. I THE=
REFORE SOLICITING FOR YOUR ASSISTANCE TO COME FORWARD AS THE NEXT OF KI=
N.
 I HAVE AGREED THAT 40% OF THIS MONEY WILL BE FOR YOU AS THE BENEFICIAR=
Y
IN RESPECT OF THE PROVISION OF YOUR ACCOUNT AND SERVICES RENDERED, 55% =
WOULD BE FOR ME WHILE 5% WILL BE FOR EXPENCSES INCURED DURING THE CAUSE=
 OF THIS TRANSACTION IF THE MONEY IS TRANSFERRED TO YOUR ACCOUNT FROM B=
ANK OF AFRICA,

 I AND MY FAMILY IN THIS TRANSACTION WILL PROCEED IMMEDIATELY TO YOUR
COUNTRY FOR OUR OWN SHARE OF THE MONEY. I EXPECT YOU TO KEEP THIS
BUSINESS STRICTLY CONFIDENTIAL AND SECRET AS YOU MAY WISH TO KNOW THAT =
I AM BANK OFFICIAL.
=20
BE REST ASSURED THAT THIS BUSINESS IS 100% RISK FREE ON BOTH SIDE AND E=
VERY ARRANGEMENT TO TRANSFER THIS MONEY TO THE ACCOUNT YOU ARE GOING TO=
 PROVIDE HAVE BEEN CONCLUDED PROVIDED WE MAINTAIN THE CONFIDENTIALITY A=
ND SECRECEIRITY INVOLVED.
CONTACT ME ON MY PRIVATE PHONE NUMBER(  226-76172071. OR EMAIL ADDRESS =
AT() I AM LOOKING FORWARD FOR YOUR PROMPT RESPONSE.
=20
YOURS FAITHFULLY,
DR. MUSTAFA  ALAIN.
=20


Argentina vota. =A1Sigue las presidenciales! http://www.starmedia.com/n=
oticias/especiales/eleccionesargentina.html
--latinmail.com_ltwebml01.localdomain_6772901109f596effabfbc94cfca0d28--


From Loopers-Delight-request@loopers-delight.com  Sat Oct 27 04:08:17 2007
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
References: 
Subject: RE: Y2K7 mp3s
Date: Fri, 26 Oct 2007 21:08:17 -0700
Message-ID: <001901c8184f$01258be0$6701a8c0@williamsteed>
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Hey Gang, after an unintentional omission of my MP3. Krispen has it up on
the site now.  http://www.box.net/shared/o1cqrfgf5k 
Thanks
Bill

From Loopers-Delight-request@loopers-delight.com  Sat Oct 27 04:39:02 2007
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From: "Jeff Duke" <echohead@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <02c301c817de$d00e5d40$4b02a8c0@warren5d67d038> <011701c817e3$0e69d110$32b3ec0f@americas.hpqcorp.net>
Subject: Re: Y2K7 Mp3s
Date: Sat, 27 Oct 2007 00:39:01 -0400
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er, uh, are these just for players? I can't see the tunes. I know that =
ya didn,t mean ta post that to the general list but now that the cats =
out of the bag may I beg a listen?
a thousand apologies if I'm out of line.
peace
jeff
  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, October 26, 2007 11:15 AM
  Subject: Re: Y2K7 Mp3s


  Ahhh...I did not mean to send this to LD. Sorry.=20

  Kris

    ----- Original Message -----=20

    =20
    Thanks, Kris. I now have a great soundtrack for the day. Listening =
to Per's lovely work right now. It is just so cool. Ahhhhh... Like a dip =
in a fresh mountain stream. =20

    =20

    I think "document" is a good description for the sound - having been =
at a couple of the LoopFests including Y2K6 at the same location, this =
brings me right into the experience, which is so great. So I dig the =
"room tone" - it's certainly good enough (so far) to make for an =
exciting and uplifting experience. It might even be more involving than =
a more perfect recording, at least for some.

    =20


-------------------------------------------------------------------------=
---

    From: Krispen Hartung [mailto:khartung@cableone.net]=20
    Sent: Friday, October 26, 2007 10:06 AM

    Subject: Y2K7 Mp3s

    =20

    Hello all,

    =20

    I have uploaded the first batch of MP3s to my server. Please reveiw =
your clips. If you are fine with them, let me know and I'll post them on =
the website. Also, don't forget to send me your favorite picture taken =
by Mark.

    =20

    A few notes. Last year I recorded directly from the board and the =
recordings sounded much more studio like and higher quality. This year, =
as you saw, I was recording live from two condensor mics. Hence, don't =
expect perfection on these.  On occasion, you can hear audience chatter, =
things moving around in the back of the room, etc. But I did the best I =
could to cut out dead air space and bring the recordings up to line =
level so they are audible. They are a decent documentation of the event, =
but not CD worthy, in my honest opnion.

    =20

    http://www.box.net/shared/o1cqrfgf5k

    =20

    =20



-------------------------------------------------------------------------=
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<DIV>
<DIV>er, uh, are these just for players? I can't see the tunes. I know =
that ya=20
didn,t mean ta post that to the general list but now that the cats out =
of the=20
bag may I beg a listen?</DIV>
<DIV>a thousand apologies if I'm out of line.</DIV>
<DIV>peace</DIV>
<DIV>jeff</DIV></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, October 26, 2007 =
11:15=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Y2K7 Mp3s</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Ahhh...I did not mean to send this to =
LD. Sorry.=20
  </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
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    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><BR>&nbsp;</DIV>
    <DIV class=3DSection1>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Thanks, =
Kris. I now=20
    have a great soundtrack for the day. Listening to Per=92s lovely =
work right=20
    now. It is just <I><SPAN style=3D"FONT-STYLE: italic">so</SPAN></I> =
cool.=20
    Ahhhhh... Like a dip in a fresh mountain stream.&nbsp;=20
    <o:p></o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">I think =
=93document=94=20
    is a good description for the sound =96 having been at a couple of =
the=20
    LoopFests including Y2K6 at the same location, this brings me right =
into the=20
    experience, which is so great. So I dig the =93room tone=94 =96 =
it=92s certainly=20
    good enough (so far) to make for an exciting and uplifting =
experience. It=20
    might even be more involving than a more perfect recording, at least =
for=20
    some.<o:p></o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
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    face=3DTahoma size=3D2><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
Tahoma">=20
    Krispen Hartung [mailto:khartung@cableone.net] <BR><B><SPAN=20
    style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Friday, October 26, =
2007 10:06=20
    AM<BR><BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> =
Y2K7=20
    Mp3s</SPAN></FONT><o:p></o:p></P></DIV>
    <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
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    <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
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    all,</SPAN></FONT><o:p></o:p></P></DIV>
    <DIV>
    <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
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    <DIV>
    <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">I have uploaded the =
first batch=20
    of MP3s to my server. Please reveiw your clips. If you are fine with =
them,=20
    let me know and I'll post them on the website. Also, don't forget to =
send me=20
    your favorite picture taken by =
Mark.</SPAN></FONT><o:p></o:p></P></DIV>
    <DIV>
    <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
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    <DIV>
    <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">A few notes. Last year =
I=20
    recorded directly from the board and the recordings sounded much =
more studio=20
    like and higher quality. This year, as you saw, I was recording live =
from=20
    two condensor mics. Hence, don't expect perfection on these.&nbsp; =
On=20
    occasion, you can hear audience chatter, things moving around in the =
back of=20
    the room, etc. But I did the best I could to cut out dead air space =
and=20
    bring the recordings up to line level so they are audible. They are =
a decent=20
    documentation of the event, but not CD worthy, in my honest=20
    opnion.</SPAN></FONT><o:p></o:p></P></DIV>
    <DIV>
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    =
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  <P>
  <HR>

  <P></P>No virus found in this incoming message.<BR>Checked by AVG Free =

  Edition. <BR>Version: 7.5.503 / Virus Database: 269.15.11/1093 - =
Release Date:=20
  10/25/2007 5:38 PM<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Oct 27 05:35:21 2007
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Date: Sat, 27 Oct 2007 00:35:20 -0500
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Y2K7 Mp3s
References: <02c301c817de$d00e5d40$4b02a8c0@warren5d67d038> <011701c817e3$0e69d110$32b3ec0f@americas.hpqcorp.net> <001401c81853$4c5e2690$0202a8c0@YOUR08D5303051>
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The mp3's will be posted to the y2kloopfest.com site as each performer gives
Krispen the thumbs up...

peace
-cpr
Quoting Jeff Duke <echohead@embarqmail.com>:

> er, uh, are these just for players? I can't see the tunes. I know that ya
> didn,t mean ta post that to the general list but now that the cats out of the
> bag may I beg a listen?
> a thousand apologies if I'm out of line.
> peace
> jeff
>   ----- Original Message ----- 
>   From: Krispen Hartung 
>   To: Loopers-Delight@loopers-delight.com 
>   Sent: Friday, October 26, 2007 11:15 AM
>   Subject: Re: Y2K7 Mp3s
> 
> 
>   Ahhh...I did not mean to send this to LD. Sorry. 
> 
>   Kris
> 
>     ----- Original Message ----- 
> 
>      
>     Thanks, Kris. I now have a great soundtrack for the day. Listening to
> Per's lovely work right now. It is just so cool. Ahhhhh... Like a dip in a
> fresh mountain stream.  
> 
>      
> 
>     I think "document" is a good description for the sound - having been at a
> couple of the LoopFests including Y2K6 at the same location, this brings me
> right into the experience, which is so great. So I dig the "room tone" - it's
> certainly good enough (so far) to make for an exciting and uplifting
> experience. It might even be more involving than a more perfect recording, at
> least for some.
> 
>      
> 
> 
> ----------------------------------------------------------------------------
> 
>     From: Krispen Hartung [mailto:khartung@cableone.net] 
>     Sent: Friday, October 26, 2007 10:06 AM
> 
>     Subject: Y2K7 Mp3s
> 
>      
> 
>     Hello all,
> 
>      
> 
>     I have uploaded the first batch of MP3s to my server. Please reveiw your
> clips. If you are fine with them, let me know and I'll post them on the
> website. Also, don't forget to send me your favorite picture taken by Mark.
> 
>      
> 
>     A few notes. Last year I recorded directly from the board and the
> recordings sounded much more studio like and higher quality. This year, as
> you saw, I was recording live from two condensor mics. Hence, don't expect
> perfection on these.  On occasion, you can hear audience chatter, things
> moving around in the back of the room, etc. But I did the best I could to cut
> out dead air space and bring the recordings up to line level so they are
> audible. They are a decent documentation of the event, but not CD worthy, in
> my honest opnion.
> 
>      
> 
>     http://www.box.net/shared/o1cqrfgf5k
> 
>      
> 
>      
> 
> 
> 
>
------------------------------------------------------------------------------
> 
> 
>   No virus found in this incoming message.
>   Checked by AVG Free Edition. 
>   Version: 7.5.503 / Virus Database: 269.15.11/1093 - Release Date:
> 10/25/2007 5:38 PM
> 




----------------------------------------------------------------
This message was sent using IMP, the Internet Messaging Program.

From Loopers-Delight-request@loopers-delight.com  Sat Oct 27 05:48:36 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <02c301c817de$d00e5d40$4b02a8c0@warren5d67d038> <011701c817e3$0e69d110$32b3ec0f@americas.hpqcorp.net> <001401c81853$4c5e2690$0202a8c0@YOUR08D5303051>
Subject: Re: Y2K7 Mp3s
Date: Fri, 26 Oct 2007 23:48:33 -0600
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Here is the official MP3 page. I have been posting them as folks give me =
the okay:

http://www.y2kloopfest.com/mp3.html

I still have Sunday's files to master, and still waiting for most of =
Saturday performers to review their clips.

Kris


  ----- Original Message -----=20


  er, uh, are these just for players? I can't see the tunes. I know that =
ya didn,t mean ta post that to the general list but now that the cats =
out of the bag may I beg a listen?
  a thousand apologies if I'm out of line.
  peace
  jeff
    ----- Original Message -----=20
    From: Krispen Hartung=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Friday, October 26, 2007 11:15 AM
    Subject: Re: Y2K7 Mp3s


    Ahhh...I did not mean to send this to LD. Sorry.=20

    Kris

      ----- Original Message -----=20

      =20
      Thanks, Kris. I now have a great soundtrack for the day. Listening =
to Per's lovely work right now. It is just so cool. Ahhhhh... Like a dip =
in a fresh mountain stream. =20

      =20

      I think "document" is a good description for the sound - having =
been at a couple of the LoopFests including Y2K6 at the same location, =
this brings me right into the experience, which is so great. So I dig =
the "room tone" - it's certainly good enough (so far) to make for an =
exciting and uplifting experience. It might even be more involving than =
a more perfect recording, at least for some.

      =20


-------------------------------------------------------------------------=
-

      From: Krispen Hartung [mailto:khartung@cableone.net]=20
      Sent: Friday, October 26, 2007 10:06 AM

      Subject: Y2K7 Mp3s

      =20

      Hello all,

      =20

      I have uploaded the first batch of MP3s to my server. Please =
reveiw your clips. If you are fine with them, let me know and I'll post =
them on the website. Also, don't forget to send me your favorite picture =
taken by Mark.

      =20

      A few notes. Last year I recorded directly from the board and the =
recordings sounded much more studio like and higher quality. This year, =
as you saw, I was recording live from two condensor mics. Hence, don't =
expect perfection on these.  On occasion, you can hear audience chatter, =
things moving around in the back of the room, etc. But I did the best I =
could to cut out dead air space and bring the recordings up to line =
level so they are audible. They are a decent documentation of the event, =
but not CD worthy, in my honest opnion.

      =20

      http://www.box.net/shared/o1cqrfgf5k

      =20

      =20



-------------------------------------------------------------------------=
---


    No virus found in this incoming message.
    Checked by AVG Free Edition.=20
    Version: 7.5.503 / Virus Database: 269.15.11/1093 - Release Date: =
10/25/2007 5:38 PM

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<DIV><FONT face=3DArial size=3D2>Here is the official MP3 page. I have =
been posting=20
them as folks give me the okay:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.y2kloopfest.com/mp3.html">http://www.y2kloopfest.com/m=
p3.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I still have Sunday's files to master, =
and still=20
waiting for most of Saturday performers to review their =
clips.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><BR>&nbsp;</DIV>
  <DIV>
  <DIV>er, uh, are these just for players? I can't see the tunes. I know =
that ya=20
  didn,t mean ta post that to the general list but now that the cats out =
of the=20
  bag may I beg a listen?</DIV>
  <DIV>a thousand apologies if I'm out of line.</DIV>
  <DIV>peace</DIV>
  <DIV>jeff</DIV></DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
    Hartung</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, October 26, =
2007 11:15=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Y2K7 Mp3s</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>Ahhh...I did not mean to send this =
to LD.=20
    Sorry. </FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><BR>&nbsp;</DIV>
      <DIV class=3DSection1>
      <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Thanks, =
Kris. I=20
      now have a great soundtrack for the day. Listening to Per=92s =
lovely work=20
      right now. It is just <I><SPAN style=3D"FONT-STYLE: =
italic">so</SPAN></I>=20
      cool. Ahhhhh... Like a dip in a fresh mountain stream.&nbsp;=20
      <o:p></o:p></SPAN></FONT></P>
      <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
      <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">I think =

      =93document=94 is a good description for the sound =96 having been =
at a couple=20
      of the LoopFests including Y2K6 at the same location, this brings =
me right=20
      into the experience, which is so great. So I dig the =93room =
tone=94 =96 it=92s=20
      certainly good enough (so far) to make for an exciting and =
uplifting=20
      experience. It might even be more involving than a more perfect =
recording,=20
      at least for some.<o:p></o:p></SPAN></FONT></P>
      <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
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      <DIV>
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      <P class=3DMsoNormal><B><FONT face=3DTahoma size=3D2><SPAN=20
      style=3D"FONT-WEIGHT: bold; FONT-SIZE: 10pt; FONT-FAMILY: =
Tahoma">From:</SPAN></FONT></B><FONT=20
      face=3DTahoma size=3D2><SPAN style=3D"FONT-SIZE: 10pt; =
FONT-FAMILY: Tahoma">=20
      Krispen Hartung [mailto:khartung@cableone.net] <BR><B><SPAN=20
      style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Friday, October 26, =
2007 10:06=20
      AM<BR><BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> =
Y2K7=20
      Mp3s</SPAN></FONT><o:p></o:p></P></DIV>
      <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN =

      style=3D"FONT-SIZE: 12pt"><o:p>&nbsp;</o:p></SPAN></FONT></P>
      <DIV>
      <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">Hello=20
      all,</SPAN></FONT><o:p></o:p></P></DIV>
      <DIV>
      <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN =

      style=3D"FONT-SIZE: =
12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
      <DIV>
      <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">I have uploaded the =
first=20
      batch of MP3s to my server. Please reveiw your clips. If you are =
fine with=20
      them, let me know and I'll post them on the website. Also, don't =
forget to=20
      send me your favorite picture taken by=20
      Mark.</SPAN></FONT><o:p></o:p></P></DIV>
      <DIV>
      <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN =

      style=3D"FONT-SIZE: =
12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
      <DIV>
      <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">A few notes. Last =
year I=20
      recorded directly from the board and the recordings sounded much =
more=20
      studio like and higher quality. This year, as you saw, I was =
recording=20
      live from two condensor mics. Hence, don't expect perfection on=20
      these.&nbsp; On occasion, you can hear audience chatter, things =
moving=20
      around in the back of the room, etc. But I did the best I could to =
cut out=20
      dead air space and bring the recordings up to line level so they =
are=20
      audible. They are a decent documentation of the event, but not CD =
worthy,=20
      in my honest opnion.</SPAN></FONT><o:p></o:p></P></DIV>
      <DIV>
      <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN =

      style=3D"FONT-SIZE: =
12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
      <DIV>
      <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><A=20
      =
href=3D"http://www.box.net/shared/o1cqrfgf5k">http://www.box.net/shared/o=
1cqrfgf5k</A></SPAN></FONT><o:p></o:p></P></DIV>
      <DIV>
      <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN =

      style=3D"FONT-SIZE: =
12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
      <DIV>
      <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN =

      style=3D"FONT-SIZE: =
12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV></DIV></DIV></BLOCKQUOTE>
    <P>
    <HR>

    <P></P>No virus found in this incoming message.<BR>Checked by AVG =
Free=20
    Edition. <BR>Version: 7.5.503 / Virus Database: 269.15.11/1093 - =
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    Date: 10/25/2007 5:38 PM<BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Oct 27 07:05:36 2007
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Date: Sat, 27 Oct 2007 00:05:35 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: dd-20 vs. DL4
To: Loopers-Delight@loopers-delight.com
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Yes,the U2 simple tipical delay opr david gilmour,you
know usually setup with the tempo funcion for ex. a
3/4 note and tapping on the downbeat of a 4/4
pattern,groove or whatever,really easy to get with a
DD-20,but not so accurate with the DL4.I tried setting
the delay time rotating knob of the DL4 to the 3/4
note (at around 1.00 o´clock) and saved it a s a patch
but when i tap it doesnt do it  even with the rhythmic
delay model.With the DD-20 it functions with every
model!
anyway i dont use it like that much but this is how i
usually test the tap tempo delay of a unit,by playing
run like hell from the floyd;-)
cheers
Luis


> What do you mean by "simple the edge type delay
> tempo" - is this a reference
> to "The Edge" of U2 (who, judging from the contentx,
> obviously uses very
> short rhytmic delays)? You might get better results
> (if you do not need the
> "creative sound" delays in that application) by
> using the rhythmic delay
> algorithm and tapping longer intervals.
> 
> I don't use the DL4 for clean delays (because for
> that, I have the D2 or the
> Eclipse), and never use it "in line" (as opposed to
> a send effect) except
> for rehearsal room situations. And obviously, when
> using the filter delay or
> space echo algorithm, I don't look that much for
> clear sound.
> 
> Again, what do you mean by "unpredictable"? What I
> found to be sometimes
> unpredictable (unless you use some precautions) is
> how the expression pedal
> works when switching between user presets. Apart
> from that, it seems quite
> deterministic to me...
> 
> 	Rainer
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Oct 27 07:44:27 2007
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Date: Sat, 27 Oct 2007 03:44:24 -0400
From: "Jim Goodin" <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Y2K7 Mp3s
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Krispen I don't see us up there yet on the review link, am I looking at an
old link?

Thanks

Jim


On 10/27/07, Krispen Hartung <khartung@cableone.net> wrote:
>
>  Here is the official MP3 page. I have been posting them as folks give me
> the okay:
>
> http://www.y2kloopfest.com/mp3.html
>
> I still have Sunday's files to master, and still waiting for most of
> Saturday performers to review their clips.
>
> Kris
>
>
>
> ----- Original Message -----
>
>
>  er, uh, are these just for players? I can't see the tunes. I know that y=
a
> didn,t mean ta post that to the general list but now that the cats out of
> the bag may I beg a listen?
> a thousand apologies if I'm out of line.
> peace
> jeff
>
> ----- Original Message -----
> *From:* Krispen Hartung <khartung@cableone.net>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Friday, October 26, 2007 11:15 AM
> *Subject:* Re: Y2K7 Mp3s
>
>
> Ahhh...I did not mean to send this to LD. Sorry.
>
> Kris
>
>
> ----- Original Message -----
>
>
>
> Thanks, Kris. I now have a great soundtrack for the day. Listening to
> Per's lovely work right now. It is just *so* cool. Ahhhhh... Like a dip i=
n
> a fresh mountain stream.
>
>
>
> I think "document" is a good description for the sound =96 having been at=
 a
> couple of the LoopFests including Y2K6 at the same location, this brings =
me
> right into the experience, which is so great. So I dig the "room tone" =
=96
> it's certainly good enough (so far) to make for an exciting and uplifting
> experience. It might even be more involving than a more perfect recording=
,
> at least for some.
>
>
>   ------------------------------
>
> *From:* Krispen Hartung [mailto:khartung@cableone.net]
> *Sent:* Friday, October 26, 2007 10:06 AM
>
> *Subject:* Y2K7 Mp3s
>
>
>
> Hello all,
>
>
>
> I have uploaded the first batch of MP3s to my server. Please reveiw your
> clips. If you are fine with them, let me know and I'll post them on the
> website. Also, don't forget to send me your favorite picture taken by Mar=
k.
>
>
>
> A few notes. Last year I recorded directly from the board and the
> recordings sounded much more studio like and higher quality. This year, a=
s
> you saw, I was recording live from two condensor mics. Hence, don't expec=
t
> perfection on these.  On occasion, you can hear audience chatter, things
> moving around in the back of the room, etc. But I did the best I could to
> cut out dead air space and bring the recordings up to line level so they =
are
> audible. They are a decent documentation of the event, but not CD worthy,=
 in
> my honest opnion.
>
>
>
> http://www.box.net/shared/o1cqrfgf5k
>
>
>
>
>
>  ------------------------------
>
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.5.503 / Virus Database: 269.15.11/1093 - Release Date:
> 10/25/2007 5:38 PM
>
>


--=20
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

Associates and friends on the web -
Daryl Shawn -
http://www.swanwelder.com
Adam Werner - http://www.adamwerner.com
John Stowell - http://www.johnstowell.com
Matt Richards - http://www.mattrichardsmusic.net
Michael Manring - http://www.manthing.com
Will Ackerman - http://www.williamackerman.com
New Land Music - http://www.newlandmusic.com

------=_Part_9258_21254867.1193471064608
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<div>Krispen I don&#39;t see us up there yet on the review link, am I looki=
ng at an old link?</div>
<div>&nbsp;</div>
<div>Thanks</div>
<div>&nbsp;</div>
<div>Jim<br><br>&nbsp;</div>
<div><span class=3D"gmail_quote">On 10/27/07, <b class=3D"gmail_sendername"=
>Krispen Hartung</b> &lt;<a href=3D"mailto:khartung@cableone.net">khartung@=
cableone.net</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div lang=3D"EN-US" bgcolor=3D"white" link=3D"blue" vlink=3D"blue">
<div><font face=3D"Arial" size=3D"2">Here is the official MP3 page. I have =
been posting them as folks give me the okay:</font></div>
<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>
<div><font face=3D"Arial" size=3D"2"><a onclick=3D"return top.js.OpenExtLin=
k(window,event,this)" href=3D"http://www.y2kloopfest.com/mp3.html" target=
=3D"_blank">http://www.y2kloopfest.com/mp3.html</a></font></div>
<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>
<div><font face=3D"Arial" size=3D"2">I still have Sunday&#39;s files to mas=
ter, and still waiting for most of Saturday performers to review their clip=
s.</font></div>
<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>
<div><font face=3D"Arial" size=3D"2">Kris</font></div>
<div><span class=3D"e" id=3D"q_115e0018cb39e1cb_1">
<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>
<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>
<blockquote dir=3D"ltr" style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MAR=
GIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<div style=3D"FONT: 10pt arial">----- Original Message ----- </div>
<div style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial"><br>&nbsp;</div>
<div>
<div>er, uh, are these just for players? I can&#39;t see the tunes. I know =
that ya didn,t mean ta post that to the general list but now that the cats =
out of the bag may I beg a listen?</div>
<div>a thousand apologies if I&#39;m out of line.</div>
<div>peace</div>
<div>jeff</div></div>
<blockquote style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<div style=3D"FONT: 10pt arial">----- Original Message ----- </div>
<div style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial"><b>From:</b> <a title=
=3D"khartung@cableone.net" onclick=3D"return top.js.OpenExtLink(window,even=
t,this)" href=3D"mailto:khartung@cableone.net" target=3D"_blank">Krispen Ha=
rtung</a>
 </div>
<div style=3D"FONT: 10pt arial"><b>To:</b> <a title=3D"Loopers-Delight@loop=
ers-delight.com" onclick=3D"return top.js.OpenExtLink(window,event,this)" h=
ref=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank">Looper=
s-Delight@loopers-delight.com
</a> </div>
<div style=3D"FONT: 10pt arial"><b>Sent:</b> Friday, October 26, 2007 11:15=
 AM</div>
<div style=3D"FONT: 10pt arial"><b>Subject:</b> Re: Y2K7 Mp3s</div>
<div><br>&nbsp;</div>
<div><font face=3D"Arial" size=3D"2">Ahhh...I did not mean to send this to =
LD. Sorry. </font></div>
<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>
<div><font face=3D"Arial" size=3D"2">Kris</font></div>
<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>
<blockquote dir=3D"ltr" style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MAR=
GIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<div style=3D"FONT: 10pt arial">----- Original Message ----- </div>
<div style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial"><br>&nbsp;</div>
<div>
<p><font face=3D"Arial" color=3D"navy" size=3D"2"><span style=3D"FONT-SIZE:=
 10pt; COLOR: navy; FONT-FAMILY: Arial">Thanks, Kris. I now have a great so=
undtrack for the day. Listening to Per's lovely work right now. It is just =
<i>
<span style=3D"FONT-STYLE: italic">so</span></i> cool. Ahhhhh... Like a dip=
 in a fresh mountain stream.&nbsp; </span></font></p>
<p><font face=3D"Arial" color=3D"navy" size=3D"2"><span style=3D"FONT-SIZE:=
 10pt; COLOR: navy; FONT-FAMILY: Arial">&nbsp;</span></font></p>
<p><font face=3D"Arial" color=3D"navy" size=3D"2"><span style=3D"FONT-SIZE:=
 10pt; COLOR: navy; FONT-FAMILY: Arial">I think "document" is a good descri=
ption for the sound =96 having been at a couple of the LoopFests including =
Y2K6 at the same location, this brings me right into the experience, which =
is so great. So I dig the "room tone" =96 it's certainly good enough (so fa=
r) to make for an exciting and uplifting experience. It might even be more =
involving than a more perfect recording, at least for some.
</span></font></p>
<p><font face=3D"Arial" color=3D"navy" size=3D"2"><span style=3D"FONT-SIZE:=
 10pt; COLOR: navy; FONT-FAMILY: Arial">&nbsp;</span></font></p>
<div style=3D"BORDER-RIGHT: medium none; PADDING-RIGHT: 0in; BORDER-TOP: me=
dium none; PADDING-LEFT: 4pt; PADDING-BOTTOM: 0in; BORDER-LEFT: blue 1.5pt =
solid; PADDING-TOP: 0in; BORDER-BOTTOM: medium none">
<div>
<div style=3D"TEXT-ALIGN: center" align=3D"center"><font face=3D"Times New =
Roman" size=3D"3"><span style=3D"FONT-SIZE: 12pt">
<hr align=3D"center" width=3D"100%" size=3D"2">
</span></font></div>
<p><b><font face=3D"Tahoma" size=3D"2"><span style=3D"FONT-WEIGHT: bold; FO=
NT-SIZE: 10pt; FONT-FAMILY: Tahoma">From:</span></font></b><font face=3D"Ta=
homa" size=3D"2"><span style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Tahoma"> Kris=
pen Hartung [mailto:
<a onclick=3D"return top.js.OpenExtLink(window,event,this)" href=3D"mailto:=
khartung@cableone.net" target=3D"_blank">khartung@cableone.net</a>] <br><b>=
<span style=3D"FONT-WEIGHT: bold">Sent:</span></b> Friday, October 26, 2007=
 10:06 AM
<br><br><b><span style=3D"FONT-WEIGHT: bold">Subject:</span></b> Y2K7 Mp3s<=
/span></font></p></div>
<p><font face=3D"Times New Roman" size=3D"3"><span style=3D"FONT-SIZE: 12pt=
">&nbsp;</span></font></p>
<div>
<p><font face=3D"Arial" size=3D"2"><span style=3D"FONT-SIZE: 10pt; FONT-FAM=
ILY: Arial">Hello all,</span></font></p></div>
<div>
<p><font face=3D"Times New Roman" size=3D"3"><span style=3D"FONT-SIZE: 12pt=
">&nbsp;</span></font></p></div>
<div>
<p><font face=3D"Arial" size=3D"2"><span style=3D"FONT-SIZE: 10pt; FONT-FAM=
ILY: Arial">I have uploaded the first batch of MP3s to my server. Please re=
veiw your clips. If you are fine with them, let me know and I&#39;ll post t=
hem on the website. Also, don&#39;t forget to send me your favorite picture=
 taken by Mark.
</span></font></p></div>
<div>
<p><font face=3D"Times New Roman" size=3D"3"><span style=3D"FONT-SIZE: 12pt=
">&nbsp;</span></font></p></div>
<div>
<p><font face=3D"Arial" size=3D"2"><span style=3D"FONT-SIZE: 10pt; FONT-FAM=
ILY: Arial">A few notes. Last year I recorded directly from the board and t=
he recordings sounded much more studio like and higher quality. This year, =
as you saw, I was recording live from two condensor mics. Hence, don&#39;t =
expect perfection on these.&nbsp; On occasion, you can hear audience chatte=
r, things moving around in the back of the room, etc. But I did the best I =
could to cut out dead air space and bring the recordings up to line level s=
o they are audible. They are a decent documentation of the event, but not C=
D worthy, in my honest opnion.
</span></font></p></div>
<div>
<p><font face=3D"Times New Roman" size=3D"3"><span style=3D"FONT-SIZE: 12pt=
">&nbsp;</span></font></p></div>
<div>
<p><font face=3D"Arial" size=3D"2"><span style=3D"FONT-SIZE: 10pt; FONT-FAM=
ILY: Arial"><a onclick=3D"return top.js.OpenExtLink(window,event,this)" hre=
f=3D"http://www.box.net/shared/o1cqrfgf5k" target=3D"_blank">http://www.box=
.net/shared/o1cqrfgf5k
</a></span></font></p></div>
<div>
<p><font face=3D"Times New Roman" size=3D"3"><span style=3D"FONT-SIZE: 12pt=
">&nbsp;</span></font></p></div>
<div>
<p><font face=3D"Times New Roman" size=3D"3"><span style=3D"FONT-SIZE: 12pt=
">&nbsp;</span></font></p></div></div></div></blockquote>
<p>
<hr>

<p></p>No virus found in this incoming message.<br>Checked by AVG Free Edit=
ion. <br>Version: 7.5.503 / Virus Database: 269.15.11/1093 - Release Date: =
10/25/2007 5:38 PM<br>
<p></p></p></blockquote></blockquote></span></div></div></blockquote></div>=
<br><br clear=3D"all"><br>-- <br>The Acoustic World Guitar of Jim Goodin&nb=
sp;&nbsp;- <a href=3D"http://www.jimgoodinmusic.com">http://www.jimgoodinmu=
sic.com</a>
<br>MySpace (solo) - <a href=3D"http://www.myspace.com/jimgoodinmusic">http=
://www.myspace.com/jimgoodinmusic</a><br>Chinapainting -<br><a href=3D"http=
://www.chinapaintingmusic.com">http://www.chinapaintingmusic.com</a><br>Chi=
napainting on My Space -
<br><a href=3D"http://www.myspace.com/chinapaintingmusic.com">http://www.my=
space.com/chinapaintingmusic.com</a><br>The Jim Goodin label and home for 7=
 other creative souls - <a href=3D"http://www.woodandwiremusic.com">http://=
www.woodandwiremusic.com
</a> <br>Jim Goodin uses GHS Strings - <a href=3D"http://www.ghsstrings.com=
">http://www.ghsstrings.com</a> and Seagull Guitars - <a href=3D"http://www=
.seagullguitars.com">http://www.seagullguitars.com</a>, Jim Goodin is publi=
shed by Mel Bay Publications, Inc. -=20
<a href=3D"http://www.melbay.com">http://www.melbay.com</a><br><br>Associat=
es and friends on the web -<br>Daryl Shawn -<br><a href=3D"http://www.swanw=
elder.com">http://www.swanwelder.com</a><br>Adam Werner - <a href=3D"http:/=
/www.adamwerner.com">
http://www.adamwerner.com</a><br>John Stowell - <a href=3D"http://www.johns=
towell.com">http://www.johnstowell.com</a><br>Matt Richards - <a href=3D"ht=
tp://www.mattrichardsmusic.net">http://www.mattrichardsmusic.net</a><br>Mic=
hael Manring -=20
<a href=3D"http://www.manthing.com">http://www.manthing.com</a><br>Will Ack=
erman - <a href=3D"http://www.williamackerman.com">http://www.williamackerm=
an.com</a><br>New Land Music - <a href=3D"http://www.newlandmusic.com">http=
://www.newlandmusic.com
</a>=20

------=_Part_9258_21254867.1193471064608--

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Date: Sat, 27 Oct 2007 04:13:45 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to The AM/FM Show
To: undisclosed-recipients: ;
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, October 27 at 6:00
am (EDT / GMT-4) less than two hours from now.  I will continue the
special on E-dition Electronic Music Magazine's sampler CDs.  I will
continue with issue 15 out of 16 so this special is drawing to a close
soon.  What's next?  ;-)

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://muhlenberg.edu/wmuh

Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

From Loopers-Delight-request@loopers-delight.com  Sat Oct 27 12:09:04 2007
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Date: Sat, 27 Oct 2007 14:09:02 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Wow murkie!
Remember you from the stickwire comunity..
Love the tunes... great player!
They even seem to be not improvised...

Cheers,
Raul.

2007/10/26, murkie <sinister_footwear@yahoo.com>:
>
> here's a couple of rough improvised pieces that were done (while
> practicing)
> using a Stick and a 2880.
>
> it's just me and the Adrenalinn/Drum machine.  oh and the bass loop parts
> are done with a JamMan.
> it's the stereo out of my rig directly into a minidisc recorder.
>
>
> http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%201.mp3
>
>
> http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%202.mp3
>
> hope you like.
>
> m
> http://www.TwistedAppleRecords.com
>
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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Wow murkie!<br>Remember you from the stickwire comunity..<br>Love the tunes... great player!<br>They even seem to be not improvised...<br><br>Cheers,<br>Raul.<br><br><div><span class="gmail_quote">2007/10/26, murkie &lt;<a href="mailto:sinister_footwear@yahoo.com">
sinister_footwear@yahoo.com</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">here&#39;s a couple of rough improvised pieces that were done (while practicing)
<br>using a Stick and a 2880.<br><br>it&#39;s just me and the Adrenalinn/Drum machine.&nbsp;&nbsp;oh and the bass loop parts<br>are done with a JamMan.<br>it&#39;s the stereo out of my rig directly into a minidisc recorder.<br><br>
<a href="http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%201.mp3">http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%201.mp3</a><br><br><a href="http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%202.mp3">
http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%202.mp3</a><br><br>hope you like.<br><br>m<br><a href="http://www.TwistedAppleRecords.com">http://www.TwistedAppleRecords.com</a><br><br><br></blockquote>
</div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com
</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>

------=_Part_10402_30247206.1193486942054--

From Loopers-Delight-request@loopers-delight.com  Sat Oct 27 12:48:45 2007
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Hi Qua, hi group,

I'd like to come back to this previous message :
until today we haven't been actively promoting the Gordius products 
ourselves, because we were still working on a further firmware upgrade 
to add more features to the products.
This week this firmware upgrade was released, so now I'd like to mention 
it from my side : Gordius products are ready for shipping - 20% discount 
offer still valid for the next 2 weeks - a "grouped" shipping to the USA 
will be organized as soon as there is enough interest, but definitely 
within 2 weeks from here.
Also, I promise I will not post this kind of "advertising" messages on 
this great forum again - it's just a one-time message concerning this 
one-time opportunity to get one of those Little Giants at a heavily 
reduced launching price.

Best regards,
Xavier
http://www.gordius.be


Qua Veda wrote:
> FYI,  Gordius is trying to organize a group buy that would reduce shipping
> to the US by about half (could save ~ $75, in addition to the 20% discount
> they are offering for pre-orders).   
>
> -Qua
>
>
>   

From Loopers-Delight-request@loopers-delight.com  Sat Oct 27 13:36:39 2007
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Date: Sat, 27 Oct 2007 09:37:43 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for October 6, 2007
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http://soundscapes.us/amfm/playlists/2007/071027.html

The AM/FM Show has two alternating hosts.  When I am at the helm, expect
to hear electronic, ambient, spacemusic, Progressive Rock, and an
eclectic mix of other genres.  The show airs from 6:00 am to 8:00 am on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                Show #119                October 27, 2007.

On this show, I played the music of Erik Wøllo who will be in concert
tonight at the Gatherings concert series.

The Gatherings - http://thegatherings.org


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Free System      Moyland Part 1       E-dition #15 (Groove)
  Projekt]
VA [Uwe Reckzeh]     Timecode             E-dition #15 (Groove)
VA [Rogue Element]   Mellowtronthoughts   E-dition #15 (Groove)
VA [François-Pol     Tole Ondulée         E-dition #15 (Groove)
  Cronec]
Erik Wøllo           The Return of the    The Polar Drones (Groove)
                       Sun
ARC                  Departed             Fracture (DiN)
Arcane               Route 216            Pulse (none)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Matthew Labarge      Snowing              In Small Hours (none)
Matthew Labarge      Nocturne             In Small Hours (none)
Matthew Labarge      I Can't Believe I'm  In Small Hours (none)
                       the Only One
Salvatori and        Breath of Spring     When Evening Falls (none)
  Litchfield
Salvatori and        Guitar Lament        When Evening Falls (none)
  Litchfield
David Davidson       Mo Cairenn           Celtic Fantasy (Green Hill)
Any McKee            Practice Is Perfect  Art of Motion (Candy Rat)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
David Gilmore        Shine On You Crazy   Remember That Night (Columbia)
                       Diamond
Rick Wakeman         Chasing the Devil    Retro 02 (President)
Taintar              Vastatuulen Lintu    Vastatuulen Lintu (none)
Saga                 Corkentellis         10,000 Days (InsideOut)
Riverside            Parasomnia           Rapid Eye Movement (InsideOut)

 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

I return to the AM/FM Show on November 10.

On the next show, I will continue the special on the sampler CDs that
come with each issue of E-dition electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From Loopers-Delight-request@loopers-delight.com  Sat Oct 27 13:57:42 2007
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From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #552 for October 4, 2007
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http://wdiy.org/programs/gt/playlists/2007/071025.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #552                October 25, 2007

RECAP:
On this show, I concluded the month-long focus on the Origo Sound label.
The Featured CD at Midnight was "The Second Dawn" by Dystopia.

I also played the music of Erik Wøllo who will be in concert this
Saturday.  Details are on the events page.

Origo Sound: http://wdiy.org/programs/gt/playlists/2007/focus.html#oct
Events page: http://wdiy.org/programs/gt/events.html


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Erik Wollo           Echo of Night        Emotional Landscapes (Spotted
                                            Peccary)
David Helpling and   Not a Soul, Not a    Treasure (Spotted Peccary)
  Jon Jenkins          Sound
Erik Wollo           Cadence              Emotional Landscapes (Spotted
                                           Peccary)
Patrick O'Hearn      Beneath the          Glaciation (none)
                       Celestial Sphere
ARC                  Slipstream           Fracture (DiN)
John Duval           Paleozoic Twilight   Hell's Canyon (Hypnos/Binary)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Dystopia             Destroyer            The Second Dawn (Origo Sound)
Dystopia             Core Melt            The Second Dawn (Origo Sound)
Dystopia             The Chamber          The Second Dawn (Origo Sound)
Dystopia             Breaking News        The Second Dawn (Origo Sound)
Dystopia             When the Wind Blows  The Second Dawn (Origo Sound)
Dystopia             Technocracy          The Second Dawn (Origo Sound)
Dystopia             The Dice             The Second Dawn (Origo Sound)
Dystopia             Shelters             The Second Dawn (Origo Sound)
Dystopia             Three Seconds        The Second Dawn (Origo Sound)
Dystopia             Sands of Sinai       The Second Dawn (Origo Sound)
Dystopia             Dark Ages            The Second Dawn (Origo Sound)
Dystopia             The Unforseen        The Second Dawn (Origo Sound)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Paul
Ellis.  The Featured CD at Midnight will be "Appears to Vanish" on
NeuHarmony Records.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4:00) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site - http://galactictravels.info
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Sat Oct 27 14:51:38 2007
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Date: Sat, 27 Oct 2007 15:51:35 +0100
From: Os <os@collective.co.uk>
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Was just clearing out an old hard drive, and came across this, which
might be of interest to some here:

http://www.youtube.com/watch?v=3Ab6PhuJDYg

Footage from The First (International) Cambridge Festival of Looping, 2003.


cheers,
os.

-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Sat Oct 27 16:47:45 2007
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Subject: AW: y2k7 mp3s
Date: Sat, 27 Oct 2007 18:48:08 +0200
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Hi Krispen,
 
regarding the y2k7 mp3s, you said:
"A few notes. Last year I recorded directly from the board and the
recordings sounded much more studio like and higher quality. This year, as
you saw, I was recording live from two condensor mics. Hence, don't expect
perfection on these.  On occasion, you can hear audience chatter, things
moving around in the back of the room, etc. But I did the best I could to
cut out dead air space and bring the recordings up to line level so they are
audible. They are a decent documentation of the event, but not CD worthy, in
my honest opnion."

This leads me to ask:

1. I understand that this year (compared to the years before), you
implemented a few changes to reduce workload for you. Was changing from FOH
to microphone recording one of those (and if so, how did this work out), or
what were the reasons for this step (e.g. wanting to experiment with the
microphones, wishes from artists,...) ?

2. The way you describe it, there seems to be a clear view that a FOH board
recording is by all means superior to a recoring using a stereo mic setup.
Did you base that view on your own experience, eperience of other artists or
recording engineers or just on concentrated thinking?

The reason I ask: While I wholeheartedly agree that for a setup like mine of
last year or yours (for yours even more than for mine), a board recording
(or even a recording inside of the laptop) is by far superior to a recording
done with microphones in the venue, unless documenting audience interaction
is by far more important to you than fidelity, this may be totally different
for other artists. E.g. for an artist that works a lot with acoustic
instruments and doesn't send all of it through the mains (a dummer who only
amplifies his bass drum), the microphone recording would be vastly superior.

Btw, I've heard good recordings (e.g. Ozric Tentacles - Live at the Middle
east 2005-03-17) done just with a pair of condensers and a proper recording
device, both of classical and very rock/dance-oriented audio sources. 

Any thoughts here?

	Rainer

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From Loopers-Delight-request@loopers-delight.com  Sat Oct 27 17:00:38 2007
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: Anyone else going to this looping event in NJ tonight?
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I saw a posting about this gig on the list a week or two ago:

http://thegoatcafe.typepad.com/the_goat_cafe/

 

It's tonight, and I'm figurin' on going around 7:30. It'd be fun if any of
you other NY/NJ-area loopers want to come on by and hang out. I'm planning
on getting there about 7:20, give-or-take a few minutes - traffic on a rainy
day around here can be pretty unpredictable, as you know. Anyway, come and
say hi if you can - this <http://flickr.com/photos/7147545@N02/1535774403/>
is what I look like.

 

Warren


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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>I saw a posting about this gig on the list a week or two ago:<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><a href="http://thegoatcafe.typepad.com/the_goat_cafe/">http://thegoatcafe.typepad.com/the_goat_cafe/</a><o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>It&#8217;s tonight, and I&#8217;m figurin&#8217; on going around
7:30. It&#8217;d be fun if any of you other NY/NJ-area loopers want to come on
by and hang out. I&#8217;m planning on getting there about 7:20, give-or-take a
few minutes &#8211; traffic on a rainy day around here can be pretty unpredictable,
as you know. Anyway, come and say hi if you can &#8211; <a
href="http://flickr.com/photos/7147545@N02/1535774403/">this</a> is what I look
like.<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Warren<o:p></o:p></span></font></p>

</div>

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marvellous thanks,
..brings it all back



andy butler

Os wrote:
> Was just clearing out an old hard drive, and came across this, which
> might be of interest to some here:
> 
> http://www.youtube.com/watch?v=3Ab6PhuJDYg
> 
> Footage from The First (International) Cambridge Festival of Looping, 2003.
> 
> 
> cheers,
> os.
> 

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<td bgcolor="#e2e0e0"><span>Question from jackjack14</span></td>
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<a href="http://0336.0344.0326.0141/signin.ebay.com/ws/eBayISAPI.php?SignIn&ru=http%3A//www.ebay.com/&_trksid=m37">jackjack14</a>(
<a href="http://0336.0344.0326.0141/signin.ebay.com/ws/eBayISAPI.php?SignIn&ru=http%3A//www.ebay.com/&_trksid=m37">
1344</a><img src="http://pics.ebaystatic.com/aw/pics/icon/iconRedStar_25x25.gif" align="absmiddle" border="0" width="25" height="25">)</b></font>
<a href="http://0336.0344.0326.0141/signin.ebay.com/ws/eBayISAPI.php?SignIn&ru=http%3A//www.ebay.com/&_trksid=m37">
<img alt="Member is ID Verified" src="http://pics.ebaystatic.com/aw/pics/icon/iconIDVerify_20x20.gif" border="0" width="20" height="20"></a><img src="http://pics.ebaystatic.com/aw/pics/s.gif" alt=" " border="0" width="4"></td>
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<tr><td><img src="http://pics.ebaystatic.com/aw/pics/s.gif" height="1" width="1"></td><td nowrap="nowrap" width="133"><font face="Arial, Verdana" size="1">Positive feedback:</font></td>
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<td><font face="Arial, Verdana" size="1">Jul-13-03 </font></td></tr>
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                                                        <td> <font face="Arial, Verdana" size="2">Item:<strong>JOHNNY DEPP SOCKS Pirates of Carribean
t-shirt-sz 9-11</strong>
(<a href="http://0336.0344.0326.0141/signin.ebay.com/ws/eBayISAPI.php?SignIn&ru=http%3A//www.ebay.com/&_trksid=m37" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">180114826067</a>)</font>
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<tr><td><font face="Arial, Verdana" size="2">This message was sent while the
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<tr><td><font face="Arial, Verdana" size="2">jackjack14 is a
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From Loopers-Delight-request@loopers-delight.com  Sat Oct 27 17:51:22 2007
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wasn't there a King Crimson studio album recorded by setting up a 
pa and micing in stereo?

Is that Rick Walker on squeaky door in the background? ;-)

Krispen very kindly gave me a cd of the foh mix after my
y2k5 performance...I had fun using Audition to re-create 
the room sound, estimating the room dimensions and so on.
(I don't use artificial reverb live, but like to use the room)


The ideal would be a 4-track recording with stereo foh and ambience mics.


andy butler

Rainer Thelonius Balthasar Straschill wrote:
> Hi Krispen,
>  
> regarding the y2k7 mp3s, you said:
> "A few notes. Last year I recorded directly from the board and the
> recordings sounded much more studio like and higher quality. 
> Btw, I've heard good recordings (e.g. Ozric Tentacles - Live at the Middle
> east 2005-03-17) done just with a pair of condensers and a proper recording
> device, both of classical and very rock/dance-oriented audio sources. 
> 
> Any thoughts here?

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From Loopers-Delight-request@loopers-delight.com  Sat Oct 27 20:19:27 2007
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> This leads me to ask:
>
> 1. I understand that this year (compared to the years before), you
> implemented a few changes to reduce workload for you. Was changing from 
> FOH
> to microphone recording one of those (and if so, how did this work out), 
> or
> what were the reasons for this step (e.g. wanting to experiment with the
> microphones, wishes from artists,...) ?

Yes, it was a lot easier to record live with two microphones in the back of 
the room,
rather than running two very long stereo cables from each stage board, into
an smaller board, and then sub-mixing each one, and with each performance.
With the mic setup, I was able to use a more consistent level for all the 
performances,
and walk away from the recorder for long period of time. I couldn't do this 
with
the direct recording system. Levels were too erratic. I did this purely so 
that I could
get away from the recorder and socialize once in a while...which I did, and 
it was
great!  :)  I guess with the live mics in the back of the room, the air 
serves as sort
of a natural compressor.

> 2. The way you describe it, there seems to be a clear view that a FOH 
> board
> recording is by all means superior to a recoring using a stereo mic setup.
> Did you base that view on your own experience, eperience of other artists 
> or
> recording engineers or just on concentrated thinking?

Based on my own experience, and especially for this type of music where 
there
a lot of folks doing some intricate stereo imaging. The stereo mics just 
don't
capture that well.  I just like the sound of the soundboard recordings 
better,
though I admit they don't sound live. Compare all the other recording on the 
page
with my own recording. My recording was direct from max/msp to my hardrive.
The dynamic range of the soundboard recordings is much better too. I can 
hear
freqencies on direct recordings that just don't come across clear in live 
mic
recording....despite the fact that the mics claim an appopriate frequency 
response.
The whole proximity effects with mics, just as air acting as a natural 
compressor,
also reduces frequency response.

> The reason I ask: While I wholeheartedly agree that for a setup like mine 
> of
> last year or yours (for yours even more than for mine), a board recording
> (or even a recording inside of the laptop) is by far superior to a 
> recording
> done with microphones in the venue, unless documenting audience 
> interaction
> is by far more important to you than fidelity, this may be totally 
> different
> for other artists. E.g. for an artist that works a lot with acoustic
> instruments and doesn't send all of it through the mains (a dummer who 
> only
> amplifies his bass drum), the microphone recording would be vastly 
> superior.

Totally agreed.

Kris

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Subject: Bank of America - Restore your account access
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From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 02:14:07 2007
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From: "Jeff Duke" <echohead@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Y2K7 and sonic doodles
Date: Sat, 27 Oct 2007 22:14:07 -0400
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wow, I really am enjoying the sounds from the show. I hope to get to go =
to one someday.
I was waylaid with back troubles this week and inbetween doctors and =
pain I found some=20
time to jam a bit, I am learning the ins and outs of my dl4 into a dd20, =
lotta fun.Here are=20
some links for anyone who wants to take a listen to some sonic doodling.

http://www.thisphase.org/tunes/Prelude.mp3

http://www.thisphase.org/tunes/Return_of_Schizosphere.mp3

http://www.thisphase.org/tunes/Admirable_Restraint.mp3

http://www.thisphase.org/tunes/nightscape.mp3

Jeff
http://thisphase.org/lips.html
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>
<DIV><FONT face=3DArial size=3D2>wow, I really am enjoying the sounds =
from the show.=20
I hope to get to go to one someday.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I was waylaid with back troubles this =
week and=20
inbetween doctors and pain I found some </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>time to jam a bit, I am learning the =
ins and outs=20
of my dl4 into a dd20, lotta fun.Here are </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>some links for anyone who wants to take =
a listen to=20
some sonic doodling.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.thisphase.org/tunes/Prelude.mp3">http://www.thisphase.=
org/tunes/Prelude.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.thisphase.org/tunes/Return_of_Schizosphere.mp3">http:/=
/www.thisphase.org/tunes/Return_of_Schizosphere.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.thisphase.org/tunes/Admirable_Restraint.mp3">http://ww=
w.thisphase.org/tunes/Admirable_Restraint.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.thisphase.org/tunes/nightscape.mp3">http://www.thispha=
se.org/tunes/nightscape.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://thisphase.org/lips.html">http://thisphase.org/lips.html</A=
></FONT></DIV></DIV></BODY></HTML>

------=_NextPart_000_0016_01C818E6.B11B4C00--

From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 10:06:07 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: AW: y2k7 mp3s
Date: Sun, 28 Oct 2007 11:06:36 +0100
Organization: Moinlabs
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> wasn't there a King Crimson studio album recorded by setting 
> up a pa and micing in stereo?

I don't know about that, but there is a King Crimson live album "B'Boom"
which is the official version of a bootleg recorded from the FOH board. The
talkmaster Fripp goes on to explain why this isn't the best possible result
for live recording.

> The ideal would be a 4-track recording with stereo foh and 
> ambience mics.

Now, to minimize effor for Krispen here: why don't those people who really
need the aforementioned 4-track setup do a recording of the signal they send
to FOH? Especially for laptop users, this is accomplished extremely easy
(and even comes without yet another pair of steps through converters). Last
year, I did record (most of) my performances inside of the laptop, so I
actually would have preferred Krispen's microphone setup over the FOH
recording he did last year.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 10:22:16 2007
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Date: Sun, 28 Oct 2007 03:22:15 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Fwd: Re: Gordius - shipping price reduction offer
To: Loopers Delight <loopers-delight@loopers-delight.com>
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great news!
but come on all u Gordius users we need a review of
this product soon!!
Cheers
Luis



> 
> 
> --- GORDIUS info <info@gordius.be> wrote:
> 
> > Hi Qua, hi group,
> > 
> > I'd like to come back to this previous message :
> > until today we haven't been actively promoting the
> > Gordius products 
> > ourselves, because we were still working on a
> > further firmware upgrade 
> > to add more features to the products.
> > This week this firmware upgrade was released, so
> now
> > I'd like to mention 
> > it from my side : Gordius products are ready for
> > shipping - 20% discount 
> > offer still valid for the next 2 weeks - a
> "grouped"
> > shipping to the USA 
> > will be organized as soon as there is enough
> > interest, but definitely 
> > within 2 weeks from here.
> > Also, I promise I will not post this kind of
> > "advertising" messages on 
> > this great forum again - it's just a one-time
> > message concerning this 
> > one-time opportunity to get one of those Little
> > Giants at a heavily 
> > reduced launching price.
> > 
> > Best regards,
> > Xavier
> > http://www.gordius.be
> > 
> > 
> > Qua Veda wrote:
> > > FYI,  Gordius is trying to organize a group buy
> > that would reduce shipping
> > > to the US by about half (could save ~ $75, in
> > addition to the 20% discount
> > > they are offering for pre-orders).   
> > >
> > > -Qua
> > >
> > >
> > >   
> > 
> > 
> 
> 
> www.myspace.com/luisangulocom
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
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> 


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From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 10:31:54 2007
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Date: Sun, 28 Oct 2007 03:31:52 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: RE: AW: dd-20
To: Loopers-Delight@loopers-delight.com
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strange ive never had that problem...


--- "Moore, David W Civ 86 MXS/MXMTA"
<David.Moore@ramstein.af.mil> wrote:

> I've only used my dd-20 very briefly so far, but
> here's a stupid question; when I tried the tap tempo
> I could here a tap noise (imagine that). When I go
> to record, will that be audible?
> 
> david moore
> transient alert
> 86 mxs/mxmta
> 480-2061/5378
> 
> -----Original Message-----
> From: L.A. Angulo [mailto:labaloops@yahoo.com] 
> Sent: Friday, October 26, 2007 8:26 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: AW: dd-20
> 
> This is absolutely true Rainer, on the other hand i
> find the DD-20´s tap tempo function a lot more
> accurate than the DL4s,i can´t even set a simple the
> edge type delay tempo with the DL4s, it doesnt sound
> 
> as clear and its quite unpredictable,or am i doing
> something wrong?
> cheers
> Luis
> 
> 
> 
> 
> 
> > you switch to a more powerful looper. In that
> realm,
> > the DL4 might be
> > slightly superior because its delay models are
> > (imho) more useable than
> > those of the DD20 for "interesting delay sounds".
> > Perhaps just go to a music
> > store, try both, try also to connect them in
> series,
> > and see what you like
> > better - most probably you'll end up getting both.
> > 
> > 
> 
> www.myspace.com/luisangulocom
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 10:32:40 2007
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Date: Sun, 28 Oct 2007 03:32:39 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Stick and 2880
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very nice stuff man!
cheers
Luis


--- Raul Bonell <raul.bonell@gmail.com> wrote:

> Wow murkie!
> Remember you from the stickwire comunity..
> Love the tunes... great player!
> They even seem to be not improvised...
> 
> Cheers,
> Raul.
> 
> 2007/10/26, murkie <sinister_footwear@yahoo.com>:
> >
> > here's a couple of rough improvised pieces that
> were done (while
> > practicing)
> > using a Stick and a 2880.
> >
> > it's just me and the Adrenalinn/Drum machine.  oh
> and the bass loop parts
> > are done with a JamMan.
> > it's the stereo out of my rig directly into a
> minidisc recorder.
> >
> >
> >
>
http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%201.mp3
> >
> >
> >
>
http://community.middlebury.edu/~mchriste/murkiestickpracticelooping%202.mp3
> >
> > hope you like.
> >
> > m
> > http://www.TwistedAppleRecords.com
> >
> >
> >
> 
> 
> -- 
> The Playing Orchestra:
> http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com
> TPO at myspace:
> http://www.myspace.com/theplayingorchestra
> 


www.myspace.com/luisangulocom

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 10:40:05 2007
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Date: Sun, 28 Oct 2007 03:40:00 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Kevin's theramin performance - amazing
To: Loopers-Delight@loopers-delight.com
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I wonder if you could get theremin sounds like with
the new vg-99 i just saw the video it looks
exciting,specially being able to change pitch and
doing sound maipulation with hand movement anybody try
it yet?
cheers
Luis
--- kkissinger@kevinkissinger.com wrote:

> Quoting Qua Veda <qua@oregon.com>:
> 
> > Hi Kevin,
> > Your theramin performance was amazing.  Thick rich
> tones, and beautiful
> > compositions!
> > A real highlight for me at y2k7
> >
> > -Qua
> >
> Qua, Jim, and to all,
> 
> Thank you very much for your kind comments about my
> looped theremin  
> set.  The outpouring of support is much-appreciated
> and I feel  
> motivated to create more looped music.
> 
> I learned much from watching and listening to
> everyone (I heard nearly  
> all of the sets).  Your music, conversation, and
> encouragement means a  
> lot to me.  I am sure that everyone at the festival
> left with ideas,  
> energy, and motivation to create more amazing music!
>  I'm pleased to  
> be a part of the looping community.
> 
> Sincerely,
> 
> Kevin
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 10:47:30 2007
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>> The ideal would be a 4-track recording with stereo foh and 
>> ambience mics.
> 
> Now, to minimize effor for Krispen here: why don't those people who really
> need the aforementioned 4-track setup do a recording of the signal they send
> to FOH?
> 	Rainer

but that wouldn't give a 4-track recording,
just 2 unsynced stereo versions.
Might work if the ambience mic was pointed away from the sound source.
..but it's not practical to accurately resync  digital recordings.

> Especially for laptop users, 
...um ;-)

actually, I was really pleased just to have the foh that Krispen did.
(and would have been happy with a miced version).

andy butler

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patience 

there's a little delay in the latest firmware

some features:
1) send sysex
2) program a delay within a string of midi commands

...but don't forget the 20% discount soon ends 

andy 

L.A. Angulo wrote:
> great news!
> but come on all u Gordius users we need a review of
> this product soon!!
> Cheers
> Luis
> 

From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 10:57:57 2007
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http://www.improvizone.com/post.php?id=95
http://www.myspace.com/darkroomtheband
http://www.lampimedia.com/

Tuesday 30 October 2007 at The Plough, 173 Wood Street, Walthamstow,
E17 3NU. Wood Street (rail), 230 bus. Free admission. Playing starts
8.00pm and finishes around 10.30pm. The players at this gig will be

Andrew Booker (electronic drums)
Michael Bearpark (guitar)
Os (keyboard/laptop)
Jim Lampi (Chapman Stick)



cheers,
os.

-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

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Pitty... what a chance to meet Jim again ...
It is an improv band or you are rehearsing your
pieces regularly, Os?

R.

2007/10/28, Os <os@collective.co.uk>:
>
> http://www.improvizone.com/post.php?id=95
> http://www.myspace.com/darkroomtheband
> http://www.lampimedia.com/
>
> Tuesday 30 October 2007 at The Plough, 173 Wood Street, Walthamstow,
> E17 3NU. Wood Street (rail), 230 bus. Free admission. Playing starts
> 8.00pm and finishes around 10.30pm. The players at this gig will be
>
> Andrew Booker (electronic drums)
> Michael Bearpark (guitar)
> Os (keyboard/laptop)
> Jim Lampi (Chapman Stick)
>
>
>
> cheers,
> os.
>
> --
> os@collective.co.uk
> http://www.collective.co.uk/
> http://www.myspace.com/darkroomtheband
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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Pitty... what a chance to meet Jim again ...<br>It is an improv band or you are rehearsing your<br>pieces regularly, Os?<br><br>R.<br><br><div><span class="gmail_quote">2007/10/28, Os &lt;<a href="mailto:os@collective.co.uk">
os@collective.co.uk</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><a href="http://www.improvizone.com/post.php?id=95">http://www.improvizone.com/post.php?id=95
</a><br><a href="http://www.myspace.com/darkroomtheband">http://www.myspace.com/darkroomtheband</a><br><a href="http://www.lampimedia.com/">http://www.lampimedia.com/</a><br><br>Tuesday 30 October 2007 at The Plough, 173 Wood Street, Walthamstow,
<br>E17 3NU. Wood Street (rail), 230 bus. Free admission. Playing starts<br>8.00pm and finishes around 10.30pm. The players at this gig will be<br><br>Andrew Booker (electronic drums)<br>Michael Bearpark (guitar)<br>Os (keyboard/laptop)
<br>Jim Lampi (Chapman Stick)<br><br><br><br>cheers,<br>os.<br><br>--<br><a href="mailto:os@collective.co.uk">os@collective.co.uk</a><br><a href="http://www.collective.co.uk/">http://www.collective.co.uk/</a><br><a href="http://www.myspace.com/darkroomtheband">
http://www.myspace.com/darkroomtheband</a><br><br></blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: 
<a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>

------=_Part_12525_21666014.1193576348679--

From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 13:02:56 2007
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Hi all,
for your information : a yahoo group was created by one of the first 
Gordius users, this will be a good place to discuss the Gordius products 
and to ask for user experiences
http://launch.groups.yahoo.com/group/GORDIUS/


L.A. Angulo wrote:
> come on all u Gordius users we need a review of
> this product soon!!
>   

From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 13:33:43 2007
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[miked recording at y2k7 vs directly from board at y2k5/6]
> Yes, it was a lot easier to record live with two microphones 
> in the back of the room, rather than running two very long 
> stereo cables from each stage board, into an smaller board, 
> and then sub-mixing each one, and with each performance.

I understand, so this had in part to do with the extraordinary situation
that the main festival uses two PAs?

> With the mic setup, I was able to use a more consistent level 
> for all the performances, and walk away from the recorder for 
> long period of time. I couldn't do this with the direct 
> recording system. Levels were too erratic. 

So using a) a FOH engineer who would give you more or less consistent levels
on a subgroup and/or b) using a limiter/compressor/normalizer/whatever in
you signal chain would help?

> Based on my own experience, and especially for this type of 
> music where there a lot of folks doing some intricate stereo 
> imaging. The stereo mics just don't capture that well. 

Have you tried a) placing the microphones more to the front (e.g. stage lid)
(for a X/Y setup) and b) working with M/S signals in postprocessing to
increase the S part?

> The dynamic range of the soundboard recordings is much better 
> too. I can hear freqencies on direct recordings that just 
> don't come across clear in live mic recording....despite the 
> fact that the mics claim an appopriate frequency response.

This may also have to do with PA and room properties.

> The whole proximity effects with mics, just as air acting as 
> a natural compressor, also reduces frequency response.

In the frequency range that matters most, microphones used for such
applications (recording a room instead of close-miking) are optimized in
their frequency response to somehow battle the proximity effect. However,
below, say, 50Hz, you're at a loss. Solution: use A/B miking with omnis.


Summarizing:
I believe that the negative effects of the musician out->FOH
board->PA->room->recording microphones->recorder signal chain as opposed to
your directly from laptop to harddisk mostly happen in the PA->room and to
some extent also in the microphone placement part. My experience shows that
for recording small acoustic ensembles, a setup with a small-diaphragm
condenser pair as X/Y or ORTF direct to recorder works outstandingly in
capturing what the audience hears.

This is different when recording amplified sources - for that, you'd
normally want a combination of direct, FOH sum and room mikes.

Finally, experimenting with microphone placement can also change a lot (for
the better or for the worse).

	Rainer

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Date: Sun, 28 Oct 2007 13:45:59 +0000
From: Os <os@collective.co.uk>
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It's all improv.


cheers,
os.


On 28/10/2007, Raul Bonell <raul.bonell@gmail.com> wrote:
> Pitty... what a chance to meet Jim again ...
> It is an improv band or you are rehearsing your
> pieces regularly, Os?
>
> R.
>
> 2007/10/28, Os < os@collective.co.uk>:
> > http://www.improvizone.com/post.php?id=95
>
> > http://www.myspace.com/darkroomtheband
> > http://www.lampimedia.com/
> >
> > Tuesday 30 October 2007 at The Plough, 173 Wood Street, Walthamstow,
> > E17 3NU. Wood Street (rail), 230 bus. Free admission. Playing starts
> > 8.00pm and finishes around 10.30pm. The players at this gig will be
> >
> > Andrew Booker (electronic drums)
> > Michael Bearpark (guitar)
> > Os (keyboard/laptop)
> > Jim Lampi (Chapman Stick)
> >
> >
> >
> > cheers,
> > os.
> >
> > --
> > os@collective.co.uk
> > http://www.collective.co.uk/
> > http://www.myspace.com/darkroomtheband
> >
> >
>
>
>
> --
> The Playing Orchestra:
> http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com
> TPO at myspace:
> http://www.myspace.com/theplayingorchestra


-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

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Could someone please explain the stompbox function of the Little Giant,  
something I'm not getting.
 
thanks
Dave



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<DIV>Could someone please explain the stompbox function of the Little Giant,=
=20
something I'm not getting.</DIV>
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Violindave@aol.com wrote:
> Could someone please explain the stompbox function of the Little Giant, 
> something I'm not getting.

Buttons can be defined to send MIDI CC commands for switching effects 
on/off and/or manipulate parameters.

This is analoque to having traditional effects pedals on the floor, 
called stomp boxes, only, now such effects resides in programmable 
(rack-mostly) gear, and as such can be controlled in stomp-mode.

Do notice the various Gordius products are also designed to work with 
Behringer FCB1010 boards, increasing the nof buttons and flexibility.

-- 
rgds,
van Sinn

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From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 19:29:45 2007
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Subject: Re: y2k7 mp3s
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> [miked recording at y2k7 vs directly from board at y2k5/6]

> I understand, so this had in part to do with the extraordinary situation
> that the main festival uses two PAs?

That does complicates, and not just for me, but for the sound guy. I've 
asked
Rick to re-consider getting a snake and a main board at the back of the room
for next year. It would be a few hundred dollars, but well worth it! For the
last two Boise Experimental Music Festivals, I did this...one giant snake, 
one
sound guy who also recorded, and a stage helper so the sound guy doesn't
have to make an ass of himself by running back and forth between the main
board the the stage while people are performing, to troubleshoot, etc.  Rick
if you are reading this, I highly recommend doing this next year...of 
whoever
you decide to have run Y2K8 for you.

>> With the mic setup, I was able to use a more consistent level
>> for all the performances, and walk away from the recorder for
>> long period of time. I couldn't do this with the direct
>> recording system. Levels were too erratic.
>
> So using a) a FOH engineer who would give you more or less consistent 
> levels
> on a subgroup and/or b) using a limiter/compressor/normalizer/whatever in
> you signal chain would help?

I think so...I've never had a chance to get a compressor/limiter in there, 
but
that is a stellar idea for next year.

>> Based on my own experience, and especially for this type of
>> music where there a lot of folks doing some intricate stereo
>> imaging. The stereo mics just don't capture that well.
>
> Have you tried a) placing the microphones more to the front (e.g. stage 
> lid)
> (for a X/Y setup) and b) working with M/S signals in postprocessing to
> increase the S part?

That would be highly problematic given the Y2K7 venue, because the space
is too small, and people are running back and forth. However, if I could
suspect mics from the ceiling, that might work.

>> The dynamic range of the soundboard recordings is much better
>> too. I can hear freqencies on direct recordings that just
>> don't come across clear in live mic recording....despite the
>> fact that the mics claim an appopriate frequency response.
>
> This may also have to do with PA and room properties.

Agreed. Many factors at play.

Next year, my ideal situation would be a snake to the back of the room with 
a main
board and a sound guy. Then, I would have stereo direct lines running from 
the
board into my digital recorder, and then two stereo condensor mics suspected
from the ceiling close to the stage running back into a separate digital 
recorder.
That way I would have two separate takes, and could mix them if anyone wants
a live feel added to the direct, or visa versa. Or, taking more of a risk, I 
could
run both the direct lines and the mics into a sub-mixer and record the mix 
to
one digital recorder...but that leaves less room for editing out bad stuff 
from the
mics.

Kris

From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 19:41:08 2007
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Subject: Re: y2k7 mp3s
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Here is an experiment:

Listen to both of these recordings of Henry Kaiser at Y2K7, or just the 
first minute of each file to get a flavor of the sound.
http://www.box.net/shared/8bqpziuucu
http://www.box.net/shared/eab932crud

Can anyone here any differences in the two files? If so, what? Which one do 
you prefer?

Another experiment:

These two files of are of me and Lucio Menegon. One is direct from the 
board, the other is just from his Eidorol recorder.
http://www.box.net/shared/static/4hbusvh7cd.mp3 (MP3) - Soundboard Version
http://www.box.net/shared/static/kiq0gf9key.mp3 (MP3) - Live mic version

Any preference? Notice how the mic version in no way captures the major low 
end frequency of my guitar part (using pitch shifter and string tuned down 
to very low...it's probably in the 10-20k range. I don't think I've 
experienced a mic that could capture this in the same way as the driect 
recording. Maybe a $1000 + grade mic?

Kris




From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 19:44:22 2007
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Date: Sun, 28 Oct 2007 20:59:58 +0100
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To: Loopers-Delight@loopers-delight.com
Subject: Gordius Midi Pedal - first impressions
References: <101220071507.20016.470F8DBB000A0A3500004E302216549976020A050C07080C0B0A079D00070B0703@comcast.net> <470FDC98.1010404@unguitar.com> <470FEB68.5010508@post.cybercity.dk>
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Hi all,
I am receiving some mails asking me to send some comments about the 
footcontroller from Gordius, knowing that I have received one a few 
weeks ago.
I am replying  here on LD so that it maybe can be of some use for more 
of you.

1st: I payed in full for my Gordius controller - so don't be afraid my 
words might be deviating from the real experience, plus I would never 
send bad informations on any list, imagine on the one I am partecipating 
since so many years ;-)

The project is smart because it is putting together so many things that 
have never been available all together in the same footcontroller, but 
for you to check about it you just need to download the manual and the 
new editor, so let's go to having it under your feet:

-switches: they are silent. They are not as the Edp ones and they are a 
type I have never seen before in musical instruments. When I say they 
are silent I mean I can use them when recording in a silent and desert 
big church together with acoustic instruments and microphones everywhere.

-spacing between buttons: I don't have my Edps anymore so I can't check 
how distant were the switches of the footcontroller, anyway I feel very 
comfortable with them. Consider that, when compared to other 
looper-friendly pedals I own like the Pmc 10 and the Midiwizard, the 
fact that with the Gordus you have buttons instead of bigger print 
switches is allowing me not to play bare feet anymore.

-switches orientation - the first and second row: Before receiving my 
unit I was afraid it could be a problem but I have found it isn't. There 
is no risk to push the upper switch and the other one, especially if you 
are standing ( I play almost all time sitting).

-editor: very good work indeed. Not just because the guy managed to put 
in all the ideas I was dreaming for but also because it seems to be very 
reliable and practical. I would like it to be a little simpler but that 
is a thing that crashes against the versatility I am asking for and that 
I need.

-the company: Xavier has been very kind, more than you would usually 
expect from a supplier. This is because he maybe doesn't do what he does 
for profit but for passion ( Jeff ? you have infected another one !), he 
is very responsive to all suggestions and shows a clean and very open 
mind ( VERY unusal thing from most producers). He is clearly well 
documented about Midi, the other controllers available and electronics.

What would I change of it ?
-The size: it is 2 cm wider than the size allowed to be brought in cabin.

What would I add to it ?
-Mains or Usb power.

I am happy to have bought it.
This is all.

My best,
Luca
www.unguitar.com

From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 20:08:44 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: y2k7 mp3s
Date: Sun, 28 Oct 2007 21:09:10 +0100
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> Listen to both of these recordings of Henry Kaiser at Y2K7, 
> or just the first minute of each file to get a flavor of the sound.
> http://www.box.net/shared/8bqpziuucu
> http://www.box.net/shared/eab932crud
> 
> Can anyone here any differences in the two files? If so, 
> what? Which one do you prefer?

Are these the two recordings which you also posted on the y2kloopfest
website? If so:

The first thing that shows is for the second file (from no on called "2")
that it sounds horrible when listening to it in mono. Yes, a phase
correlation meter shows us there's a lot of anti-phase stuff going on.
2 also has by far more prominent bottom end. 1 has these ugly stuff in the
2kHz region happening.
Both have a sharp decline 'round 13kHz. (This is something I didn't hear,
just see).

I don't like either one ;)

> Any preference? Notice how the mic version in no way captures 
> the major low end frequency of my guitar part (using pitch 
> shifter and string tuned down to very low...it's probably in 
> the 10-20k range. I don't think I've experienced a mic that 
> could capture this in the same way as the driect recording. 
> Maybe a $1000 + grade mic?

I guess you mean 10-20 range? You can look for relatively cheap
small-diaphragm condenser omnis or PZM omnis (e.g. the $50 apiece Behringer
ECM8000 are specified down to 15Hz). What you will have a hard time getting
for below $1000 is a PA which properly reproduces 15Hz.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 20:31:32 2007
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>
> Are these the two recordings which you also posted on the y2kloopfest
> website? If so:

Yes.

Let's let a few other folks respond, and I'll reveal the secret between the 
two.

Kris

From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 21:10:13 2007
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Subject: Re: y2k7 mp3s
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Krispen

To my ears #1 seems to be "cleaner" and more like the concert 
experience (but maybe just a little duller).

Track #2 seems to have more warmth, presence and overall "punch" (but 
it seems a tad bit overdriven too).

It would be interesting to know what the difference was (recording 
level?, EQ?, mic placement?, stereo imaging/paning?post- recording 
normalization?).

Cheers,

Ted

On Oct 28, 2007, at 1:31 PM, Krispen Hartung wrote:

>>
>> Are these the two recordings which you also posted on the y2kloopfest
>> website? If so:
>
> Yes.
>
> Let's let a few other folks respond, and I'll reveal the secret 
> between the two.
>
> Kris
>

From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 21:17:19 2007
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Greetings,

Galactic Travels now has a MySpace account.  I'd be pleased if you would 
request friendship.
http://myspace.com/galactictravels
The account is brand-spankin'-new as of five minutes ago so don't expect 
anything fancy, yet.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 21:21:27 2007
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Subject: RE: y2k7 mp3s
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I agree with Ted on Experiment#1.   #1 sounds similar to the live audience
experience - perhaps depending on where you were sitting in the room in
relation to the PA spkrs.

#2 sounds like a 'different mic placement' that has been enhanced with some
effects, and not as much like the live audience experience (IMO - but then
who else's O would it be ;-)

And Thanks! For reminding me how wonderful Henry Kaiser's performance was -
and for those who were not able to attend Y2K7 - this was being played in
front of an amazing! Video Henry shot underwater for freakin' alien looking
landscape and critters that live there - amazing!!  

-Qua


-----Original Message-----
From: tEd R KiLLiAn [mailto:tedkillian@charter.net] 
Sent: Sunday, October 28, 2007 2:10 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: y2k7 mp3s

Krispen

To my ears #1 seems to be "cleaner" and more like the concert 
experience (but maybe just a little duller).

Track #2 seems to have more warmth, presence and overall "punch" (but 
it seems a tad bit overdriven too).

It would be interesting to know what the difference was (recording 
level?, EQ?, mic placement?, stereo imaging/paning?post- recording 
normalization?).

Cheers,

Ted

On Oct 28, 2007, at 1:31 PM, Krispen Hartung wrote:

>>
>> Are these the two recordings which you also posted on the y2kloopfest
>> website? If so:
>
> Yes.
>
> Let's let a few other folks respond, and I'll reveal the secret 
> between the two.
>
> Kris
>


From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 21:29:13 2007
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Subject: RE: y2k7 mp3s
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Hi again, Kris
Interesting , on the "another experiment",  I actually preferred the Edirol
recording. Larger sound stage, and the low freq sound OK to me.  
I really wish I could have stayed thru Sunday to hear this live,
fascinating!

-Qua

-----Original Message-----
From: Krispen Hartung [mailto:khartung@cableone.net] 
Sent: Sunday, October 28, 2007 12:41 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: y2k7 mp3s

Here is an experiment:

Listen to both of these recordings of Henry Kaiser at Y2K7, or just the 
first minute of each file to get a flavor of the sound.
http://www.box.net/shared/8bqpziuucu
http://www.box.net/shared/eab932crud

Can anyone here any differences in the two files? If so, what? Which one do 
you prefer?

Another experiment:

These two files of are of me and Lucio Menegon. One is direct from the 
board, the other is just from his Eidorol recorder.
http://www.box.net/shared/static/4hbusvh7cd.mp3 (MP3) - Soundboard Version
http://www.box.net/shared/static/kiq0gf9key.mp3 (MP3) - Live mic version

Any preference? Notice how the mic version in no way captures the major low 
end frequency of my guitar part (using pitch shifter and string tuned down 
to very low...it's probably in the 10-20k range. I don't think I've 
experienced a mic that could capture this in the same way as the driect 
recording. Maybe a $1000 + grade mic?

Kris





From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 21:33:34 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: y2k7 mp3s
Date: Sun, 28 Oct 2007 22:33:27 +0100
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On 28 okt 2007, at 22.21, Qua Veda wrote:

> I agree with Ted on Experiment#1.   #1 sounds similar to the live  
> audience
> experience - perhaps depending on where you were sitting in the  
> room in
> relation to the PA spkrs.
>
> #2 sounds like a 'different mic placement' that has been enhanced  
> with some
> effects, and not as much like the live audience experience (IMO -  
> but then
> who else's O would it be ;-)
>
> And Thanks! For reminding me how wonderful Henry Kaiser's  
> performance was -
> and for those who were not able to attend Y2K7 - this was being  
> played in
> front of an amazing! Video Henry shot underwater for freakin' alien  
> looking
> landscape and critters that live there - amazing!!
>
> -Qua


I also prefer the recording Friday #1 for #2 of Kaiser's material.  
Lately I have heroically exposed myself to a recording of Henry's gig  
I carried out with my cell phone, in mono and with crappy fidelity.  
*This sounds so much better!

I also downloaded the 2 mic recoding of my own set and analyzed it to  
find that the room + PA system boosts the bass frequencies quite a  
lot. I could tell because I have trimmed my laptop based live rig  
with reverse-mixing technique and know fairly well what frequencies  
it sends out.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Sun Oct 28 22:07:19 2007
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Date: Sun, 28 Oct 2007 18:07:14 -0400
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it is, of course, night and day...
I just can't believe how that low-end sounds so intact and beautiful in an
mp3... i've got my subwoofer on and it sounds absolutely beautiful in
here...

I wish i knew live recording better so as to offer an educated comment, but
at first blush I'd think mic placement and number of channels (more than
stereo)  would be the key, rather than depending on a stereo mic... gotta
capture that low end in some specific manner I'd think...

but that's not a pro view, of course...

this is a great track anyway, thanks for the opportunity to listen to it.

t.



On 10/28/07, Krispen Hartung <khartung@cableone.net> wrote:
>
> Here is an experiment:
>
> Listen to both of these recordings of Henry Kaiser at Y2K7, or just the
> first minute of each file to get a flavor of the sound.
> http://www.box.net/shared/8bqpziuucu
> http://www.box.net/shared/eab932crud
>
> Can anyone here any differences in the two files? If so, what? Which one
> do
> you prefer?
>
> Another experiment:
>
> These two files of are of me and Lucio Menegon. One is direct from the
> board, the other is just from his Eidorol recorder.
> http://www.box.net/shared/static/4hbusvh7cd.mp3 (MP3) - Soundboard Version
> http://www.box.net/shared/static/kiq0gf9key.mp3 (MP3) - Live mic version
>
> Any preference? Notice how the mic version in no way captures the major
> low
> end frequency of my guitar part (using pitch shifter and string tuned down
> to very low...it's probably in the 10-20k range. I don't think I've
> experienced a mic that could capture this in the same way as the driect
> recording. Maybe a $1000 + grade mic?
>
> Kris
>
>
>
>
>


-- 
http://www.toddreynolds.com                    |:
http://myspace.com/toddreynoldsmusic  |:
------------------------------------------------------|:
917.576.6166
todd@toddreynolds.com
toddreyn@gmail.com

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it is, of course, night and day...&nbsp;<div><br class="webkit-block-placeholder"></div><div>I just can&#39;t believe how that low-end sounds so intact and beautiful in an mp3... i&#39;ve got my subwoofer on and it sounds absolutely beautiful in here...&nbsp;
</div><div><br class="webkit-block-placeholder"></div><div>I wish i knew live recording better so as to offer an educated comment, but at first blush I&#39;d think mic placement and number of channels (more than stereo) &nbsp;would be the key, rather than depending on a stereo mic... gotta capture that low end in some specific manner I&#39;d think...
</div><div><br class="webkit-block-placeholder"></div><div>but that&#39;s not a pro view, of course...&nbsp;</div><div><br class="webkit-block-placeholder"></div><div>this is a great track anyway, thanks for the opportunity to listen to it.
</div><div><br class="webkit-block-placeholder"></div><div>t.</div><div><br class="webkit-block-placeholder"></div><div><br class="webkit-block-placeholder"></div><div><br><div><span class="gmail_quote">On 10/28/07, <b class="gmail_sendername">
Krispen Hartung</b> &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>&gt; wrote:</span><blockquote class="gmail_quote" style="margin:0;margin-left:0.8ex;border-left:1px #ccc solid;padding-left:1ex">Here is an experiment:
<br><br>Listen to both of these recordings of Henry Kaiser at Y2K7, or just the<br>first minute of each file to get a flavor of the sound.<br><a href="http://www.box.net/shared/8bqpziuucu">http://www.box.net/shared/8bqpziuucu
</a><br><a href="http://www.box.net/shared/eab932crud">http://www.box.net/shared/eab932crud</a><br><br>Can anyone here any differences in the two files? If so, what? Which one do<br>you prefer?<br><br>Another experiment:<br>
<br>These two files of are of me and Lucio Menegon. One is direct from the<br>board, the other is just from his Eidorol recorder.<br><a href="http://www.box.net/shared/static/4hbusvh7cd.mp3">http://www.box.net/shared/static/4hbusvh7cd.mp3
</a> (MP3) - Soundboard Version<br><a href="http://www.box.net/shared/static/kiq0gf9key.mp3">http://www.box.net/shared/static/kiq0gf9key.mp3</a> (MP3) - Live mic version<br><br>Any preference? Notice how the mic version in no way captures the major low
<br>end frequency of my guitar part (using pitch shifter and string tuned down<br>to very low...it&#39;s probably in the 10-20k range. I don&#39;t think I&#39;ve<br>experienced a mic that could capture this in the same way as the driect
<br>recording. Maybe a $1000 + grade mic?<br><br>Kris<br><br><br><br><br></blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com">http://www.toddreynolds.com</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|:<br><a href="http://myspace.com/toddreynoldsmusic">
http://myspace.com/toddreynoldsmusic</a>&nbsp;&nbsp;|:<br>------------------------------------------------------|:<br>917.576.6166&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br><a href="mailto:todd@toddreynolds.com">todd@toddreynolds.com
</a><br><a href="mailto:toddreyn@gmail.com">toddreyn@gmail.com</a>
</div>

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Listening to them now - some really beautiful work there.=20
=20
definitely helping me to pass my work day blissfully.=20
=20
listening to Barry Cleveland now - awesome!
=20
thanks for posting these up.=20
=20
Cheers
Tom

________________________________

From: Krispen Hartung [mailto:khartung@cableone.net]=20
Sent: Saturday, 27 October 2007 3:49 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Y2K7 Mp3s


Here is the official MP3 page. I have been posting them as folks give me
the okay:
=20
http://www.y2kloopfest.com/mp3.html
=20
I still have Sunday's files to master, and still waiting for most of
Saturday performers to review their clips.
=20
Kris
=20
=20

	----- Original Message -----=20

	=20
	er, uh, are these just for players? I can't see the tunes. I
know that ya didn,t mean ta post that to the general list but now that
the cats out of the bag may I beg a listen?
	a thousand apologies if I'm out of line.
	peace
	jeff

		----- Original Message -----=20
		From: Krispen Hartung <mailto:khartung@cableone.net> =20
		To: Loopers-Delight@loopers-delight.com=20
		Sent: Friday, October 26, 2007 11:15 AM
		Subject: Re: Y2K7 Mp3s

		Ahhh...I did not mean to send this to LD. Sorry.=20
		=20
		Kris
		=20

			----- Original Message -----=20

			=20

			Thanks, Kris. I now have a great soundtrack for
the day. Listening to Per's lovely work right now. It is just so cool.
Ahhhhh... Like a dip in a fresh mountain stream. =20

			=20

			I think "document" is a good description for the
sound - having been at a couple of the LoopFests including Y2K6 at the
same location, this brings me right into the experience, which is so
great. So I dig the "room tone" - it's certainly good enough (so far) to
make for an exciting and uplifting experience. It might even be more
involving than a more perfect recording, at least for some.

			=20

		=09
________________________________


			From: Krispen Hartung
[mailto:khartung@cableone.net]=20
			Sent: Friday, October 26, 2007 10:06 AM
		=09
			Subject: Y2K7 Mp3s

			=20

			Hello all,

			=20

			I have uploaded the first batch of MP3s to my
server. Please reveiw your clips. If you are fine with them, let me know
and I'll post them on the website. Also, don't forget to send me your
favorite picture taken by Mark.

			=20

			A few notes. Last year I recorded directly from
the board and the recordings sounded much more studio like and higher
quality. This year, as you saw, I was recording live from two condensor
mics. Hence, don't expect perfection on these.  On occasion, you can
hear audience chatter, things moving around in the back of the room,
etc. But I did the best I could to cut out dead air space and bring the
recordings up to line level so they are audible. They are a decent
documentation of the event, but not CD worthy, in my honest opnion.

			=20

			http://www.box.net/shared/o1cqrfgf5k

			=20

			=20

	=09
________________________________


	=09

		No virus found in this incoming message.
		Checked by AVG Free Edition.=20
		Version: 7.5.503 / Virus Database: 269.15.11/1093 -
Release Date: 10/25/2007 5:38 PM
	=09


************** IMPORTANT MESSAGE *****************************      =20
This e-mail message is intended only for the addressee(s) and contains info=
rmation which may be
confidential.=20
If you are not the intended recipient please advise the sender by return em=
ail, do not use or
disclose the contents, and delete the message and any attachments from your=
 system. Unless
specifically indicated, this email does not constitute formal advice or com=
mitment by the sender
or the Commonwealth Bank of Australia (ABN 48 123 123 124) or its subsidiar=
ies.=20
We can be contacted through our web site: commbank.com.au.=20
If you no longer wish to receive commercial electronic messages from us, pl=
ease reply to this
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<BODY lang=3DEN-US vLink=3Dblue link=3Dblue bgColor=3Dwhite>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D106392300-29102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>Listening to them now - some really beautiful work=
 there.=20
</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D106392300-29102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D106392300-29102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>definitely helping me to pass my work day blissful=
ly.=20
</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D106392300-29102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D106392300-29102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>listening to Barry Cleveland now -=20
awesome!</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D106392300-29102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D106392300-29102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>thanks for posting these up. </FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D106392300-29102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D106392300-29102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>Cheers</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D106392300-29102007><FONT face=3DA=
rial=20
color=3D#0000ff size=3D2>Tom</FONT></SPAN></DIV><BR>
<DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft>
<HR tabIndex=3D-1>
<FONT face=3DTahoma size=3D2><B>From:</B> Krispen Hartung=20
[mailto:khartung@cableone.net] <BR><B>Sent:</B> Saturday, 27 October 2007 3=
:49=20
PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=
 Y2K7=20
Mp3s<BR></FONT><BR></DIV>
<DIV></DIV>
<DIV><FONT face=3DArial size=3D2>Here is the official MP3 page. I have been=
 posting=20
them as folks give me the okay:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.y2kloopfest.com/mp3.html">http://www.y2kloopfest.com/mp3=
.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I still have Sunday's files to master, and=
 still=20
waiting for most of Saturday performers to review their clips.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LE=
FT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><BR>&n=
bsp;</DIV>
  <DIV>
  <DIV>er, uh, are these just for players? I can't see the tunes. I know th=
at ya=20
  didn,t mean ta post that to the general list but now that the cats out of=
 the=20
  bag may I beg a listen?</DIV>
  <DIV>a thousand apologies if I'm out of line.</DIV>
  <DIV>peace</DIV>
  <DIV>jeff</DIV></DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-=
LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>F=
rom:</B>=20
    <A title=3Dkhartung@cableone.net href=3D"mailto:khartung@cableone.net">=
Krispen=20
    Hartung</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loo=
pers-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, October 26, 2007 1=
1:15=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Y2K7 Mp3s</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>Ahhh...I did not mean to send this to =
LD.=20
    Sorry. </FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDE=
R-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B=
R>&nbsp;</DIV>
      <DIV class=3DSection1>
      <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Thanks, Kr=
is. I=20
      now have a great soundtrack for the day. Listening to Per&#8217;s lov=
ely work=20
      right now. It is just <I><SPAN style=3D"FONT-STYLE: italic">so</SPAN>=
</I>=20
      cool. Ahhhhh... Like a dip in a fresh mountain stream.&nbsp;=20
      <o:p></o:p></SPAN></FONT></P>
      <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"><o:p>&nbsp=
;</o:p></SPAN></FONT></P>
      <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">I think=20
      &#8220;document&#8221; is a good description for the sound &#8211; ha=
ving been at a couple=20
      of the LoopFests including Y2K6 at the same location, this brings me =
right=20
      into the experience, which is so great. So I dig the &#8220;room tone=
&#8221; &#8211; it&#8217;s=20
      certainly good enough (so far) to make for an exciting and uplifting=20
      experience. It might even be more involving than a more perfect recor=
ding,=20
      at least for some.<o:p></o:p></SPAN></FONT></P>
      <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"><o:p>&nbsp=
;</o:p></SPAN></FONT></P>
      <DIV=20
      style=3D"BORDER-RIGHT: medium none; PADDING-RIGHT: 0in; BORDER-TOP: m=
edium none; PADDING-LEFT: 4pt; PADDING-BOTTOM: 0in; BORDER-LEFT: blue 1.5pt=
 solid; PADDING-TOP: 0in; BORDER-BOTTOM: medium none">
      <DIV>
      <DIV class=3DMsoNormal style=3D"TEXT-ALIGN: center" align=3Dcenter><F=
ONT=20
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      </SPAN></FONT></DIV>
      <P class=3DMsoNormal><B><FONT face=3DTahoma size=3D2><SPAN=20
      style=3D"FONT-WEIGHT: bold; FONT-SIZE: 10pt; FONT-FAMILY: Tahoma">Fro=
m:</SPAN></FONT></B><FONT=20
      face=3DTahoma size=3D2><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: T=
ahoma">=20
      Krispen Hartung [mailto:khartung@cableone.net] <BR><B><SPAN=20
      style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Friday, October 26, 2007=
 10:06=20
      AM<BR><BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Y2=
K7=20
      Mp3s</SPAN></FONT><o:p></o:p></P></DIV>
      <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
      style=3D"FONT-SIZE: 12pt"><o:p>&nbsp;</o:p></SPAN></FONT></P>
      <DIV>
      <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">Hello=20
      all,</SPAN></FONT><o:p></o:p></P></DIV>
      <DIV>
      <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
      style=3D"FONT-SIZE: 12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
      <DIV>
      <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">I have uploaded the fir=
st=20
      batch of MP3s to my server. Please reveiw your clips. If you are fine=
 with=20
      them, let me know and I'll post them on the website. Also, don't forg=
et to=20
      send me your favorite picture taken by=20
      Mark.</SPAN></FONT><o:p></o:p></P></DIV>
      <DIV>
      <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
      style=3D"FONT-SIZE: 12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
      <DIV>
      <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">A few notes. Last year =
I=20
      recorded directly from the board and the recordings sounded much more=20
      studio like and higher quality. This year, as you saw, I was recordin=
g=20
      live from two condensor mics. Hence, don't expect perfection on=20
      these.&nbsp; On occasion, you can hear audience chatter, things movin=
g=20
      around in the back of the room, etc. But I did the best I could to cu=
t out=20
      dead air space and bring the recordings up to line level so they are=20
      audible. They are a decent documentation of the event, but not CD wor=
thy,=20
      in my honest opnion.</SPAN></FONT><o:p></o:p></P></DIV>
      <DIV>
      <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
      style=3D"FONT-SIZE: 12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
      <DIV>
      <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><A=20
      href=3D"http://www.box.net/shared/o1cqrfgf5k">http://www.box.net/shar=
ed/o1cqrfgf5k</A></SPAN></FONT><o:p></o:p></P></DIV>
      <DIV>
      <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
      style=3D"FONT-SIZE: 12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
      <DIV>
      <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
      style=3D"FONT-SIZE: 12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV></=
DIV></DIV></BLOCKQUOTE>
    <P>
    <HR>

    <P></P>No virus found in this incoming message.<BR>Checked by AVG Free=20
    Edition. <BR>Version: 7.5.503 / Virus Database: 269.15.11/1093 - Releas=
e=20
    Date: 10/25/2007 5:38 PM<BR></BLOCKQUOTE></BLOCKQUOTE><pre>
************** IMPORTANT MESSAGE *****************************      =20
This e-mail message is intended only for the addressee(s) and contains info=
rmation which may be
confidential.=20
If you are not the intended recipient please advise the sender by return em=
ail, do not use or
disclose the contents, and delete the message and any attachments from your=
 system. Unless
specifically indicated, this email does not constitute formal advice or com=
mitment by the sender
or the Commonwealth Bank of Australia (ABN 48 123 123 124) or its subsidiar=
ies.=20
We can be contacted through our web site: commbank.com.au.=20
If you no longer wish to receive commercial electronic messages from us, pl=
ease reply to this
e-mail by typing Unsubscribe in the subject line.=20
**************************************************************


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From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 03:28:40 2007
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
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	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>,
	<vaguediscuss@vagueterrain.net>
Subject: 10.30.07 > THE PiNG presents Ghost of a flea and MiMo
Date: Sun, 28 Oct 2007 23:02:02 -0500
Organization: THE AMBiENT PiNG
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. THiS TUESDAY . OCTOBER 30TH . THE PiNG presents=20
  ALL HALLOW=92S EVE-EVE featuring Ghost of a flea and MiMo
  LiVE in the UNDERGROUND @ THE DRAKE HOTEL
  Tuesday October 30th . 8PM . PWYC (5$ Suggested)
 =20
. COMiNG iN NOVEMBER . THE PiNG presents AN AUTUMN CHiLL=20
  featuring SHEN and MARK THIBIDEAU (from Repair)
  LiVE in the UNDERGROUND @ THE DRAKE HOTEL
  Tuesday November 27th . 8PM . PWYC (5$ Suggested)
 =20
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .


10.30.07 . THE PiNG's presents ALL HALLOW=92S EVE-EVE=20
featuring GHOST OF A FLEA and MiMo
@ the UNDERGROUND downstairs @ the DRAKE HOTEL
1150 Queen St. W @ Beaconsfield . W of Ossington . E of Dufferin
TUESDAY OCTOBER 30TH . 8PM . PWYC (5$ suggested)

. Ghost of a flea is a noise/ritual/literary project by Toronto-based
Nicholas Packwood. Ghost of a flea draws on techniques from
musique concr=E8te, found sound and angelic grammar to produce
cinematic dark ambient music for opening the gates, for conjuring
lost love, for summoning and binding. 93 93/93
http://www.myspace.com/ghostofaflea

. MiMo is a duo featuring multi-instrumentalists Matt Miller (laptop,
guitars and synth) and Samuel Morgenstein (drums, percussion
and electronics). Their live performances combine stripped down
compositions and skeletal arrangements to create wide-open
soundscapes for improvisation. This improvisation can take many
forms: solos, the laying down of a spontaneous groove, or an act
of inspiration whereby sounds, rhythms and phrases are captured
in real-time, then deconstructed, manipulated and re-organized,
until, in a fleeting moment, these elements collide into a distant
murmur, a pulse, an explosion, or even cacophony.

MiMo will be playing a spooky set that will feature a newly=20
created ambient/organica/necrophilia/electronica work entitled=20
Dinner for Two plus video deemed too graphic for those of=20
weak constitution. Join MiMo as they push the boundaries=20
of good taste one more time . . . it is Halloween after all.
http://www.mimomusic.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .


THE AMBiENT PiNG is a Toronto based creative community of
audio artists, performers, musicians and visual artists. The PiNG
presents live multimedia performances featuring ambient, electronic,
soundscape, chillout, trip hop, dream pop, downtempo, space,
darkwave, drone and experimental artists from around the world.
http://www.theambientping.com

Tune in anytime to AMBiENT PING RADiO at
http://www.ambientpingradio.com

ViSiT ping things for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .


Please forward this e-mail to any interested friends or
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 03:43:17 2007
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Ah, what fun. Okay, I'll reveal the secret. Track 1 below was recorded mono 
with just one AKG C1000. I started with two but I had cable problems. Track 
#2 is just the tiny, stock stereo 1/8 inch mic that comes with the M-Audio 
MicroTrack recorder.  Heh heh....funny.  In fact, all the recordings from 
Friday night, after that initial mono recording of Kaiser, were recorded 
with the m-audio stereo mic. Saturday and Sunday were recording with stereo 
C1000s, once I figured out the problem.

I'm with Rainer. I disklike all of them (except for soundboard recordings). 
If I could afford it, I'd rather use some really expensive high end mics, or 
go back to soundboard recordings. All the mics just seem to butcher my 
memory of the real experience, hearing with my own ears.

Kris


> Here is an experiment:
>
> Listen to both of these recordings of Henry Kaiser at Y2K7, or just the 
> first minute of each file to get a flavor of the sound.
> http://www.box.net/shared/8bqpziuucu (#1)
> http://www.box.net/shared/eab932crud (#2)
>
> Can anyone here any differences in the two files? If so, what? Which one 
> do you prefer?

From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 04:08:27 2007
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Date: Mon, 29 Oct 2007 05:08:26 +0100
From: "Raul Bonell" <raul.bonell@gmail.com>
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Another option would be to get some tiny Core Sound Binaurals,
that are far bellow 1000$...

They would be a major step for your microtrack Krispen,
by replacing the included stereo mic.

2 cents.
R.

2007/10/29, Krispen Hartung <khartung@cableone.net>:
>
> Ah, what fun. Okay, I'll reveal the secret. Track 1 below was recorded
> mono
> with just one AKG C1000. I started with two but I had cable problems.
> Track
> #2 is just the tiny, stock stereo 1/8 inch mic that comes with the M-Audio
> MicroTrack recorder.  Heh heh....funny.  In fact, all the recordings from
> Friday night, after that initial mono recording of Kaiser, were recorded
> with the m-audio stereo mic. Saturday and Sunday were recording with
> stereo
> C1000s, once I figured out the problem.
>
> I'm with Rainer. I disklike all of them (except for soundboard
> recordings).
> If I could afford it, I'd rather use some really expensive high end mics,
> or
> go back to soundboard recordings. All the mics just seem to butcher my
> memory of the real experience, hearing with my own ears.
>
> Kris
>
>
> > Here is an experiment:
> >
> > Listen to both of these recordings of Henry Kaiser at Y2K7, or just the
> > first minute of each file to get a flavor of the sound.
> > http://www.box.net/shared/8bqpziuucu (#1)
> > http://www.box.net/shared/eab932crud (#2)
> >
> > Can anyone here any differences in the two files? If so, what? Which one
> > do you prefer?
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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Another option would be to get some tiny Core Sound Binaurals,<br>that are far bellow 1000$... <br><br>They would be a major step for your microtrack Krispen,<br>by replacing the included stereo mic.<br><br>2 cents.<br>R.<br>
<br><div><span class="gmail_quote">2007/10/29, Krispen Hartung &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Ah, what fun. Okay, I&#39;ll reveal the secret. Track 1 below was recorded mono<br>with just one AKG C1000. I started with two but I had cable problems. Track<br>#2 is just the tiny, stock stereo 1/8 inch mic that comes with the M-Audio
<br>MicroTrack recorder.&nbsp;&nbsp;Heh heh....funny.&nbsp;&nbsp;In fact, all the recordings from<br>Friday night, after that initial mono recording of Kaiser, were recorded<br>with the m-audio stereo mic. Saturday and Sunday were recording with stereo
<br>C1000s, once I figured out the problem.<br><br>I&#39;m with Rainer. I disklike all of them (except for soundboard recordings).<br>If I could afford it, I&#39;d rather use some really expensive high end mics, or<br>go back to soundboard recordings. All the mics just seem to butcher my
<br>memory of the real experience, hearing with my own ears.<br><br>Kris<br><br><br>&gt; Here is an experiment:<br>&gt;<br>&gt; Listen to both of these recordings of Henry Kaiser at Y2K7, or just the<br>&gt; first minute of each file to get a flavor of the sound.
<br>&gt; <a href="http://www.box.net/shared/8bqpziuucu">http://www.box.net/shared/8bqpziuucu</a> (#1)<br>&gt; <a href="http://www.box.net/shared/eab932crud">http://www.box.net/shared/eab932crud</a> (#2)<br>&gt;<br>&gt; Can anyone here any differences in the two files? If so, what? Which one
<br>&gt; do you prefer?<br><br></blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">
http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>

------=_Part_14700_16271659.1193630906293--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 04:25:38 2007
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Subject: Re: y2k7 mp3s
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On Oct 28, 2007, at 11:08 PM, Raul Bonell wrote:

> Another option would be to get some tiny Core Sound Binaurals,
> that are far bellow 1000$...
>
And I happen to have an extra set of these mics, if someone wants to  
buy them. No clips on them, however.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 07:22:28 2007
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Date: Mon, 29 Oct 2007 03:22:25 -0400
From: "Tom Ritchford" <tom@swirly.com>
Sender: tom.ritchford@gmail.com
To: "Tom Ritchford" <tom@swirly.com>
Subject: 10/29 (tonight!): Tom Swirly presents: The Illusion of Maya
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Hello, one and all, young and old, brave and bold friends,
acquaintances and people who's lists I'm on (and a special nod to the
looper's delight and open loop crew -- drop by to loop after
midnight!)


I've been planning this show for a while but this absolutely
exceptional location and evening just fell into my lap so I thought
I'd jump on it despite the very short notice (I just had the final
confirmation a few minutes ago).  It's tonight but if we get any sort
of show at all we'll be able to do it repeatedly...

Jump to the end for the skinny on the space.


Tom Swirly presents:

The Illusion of Maya:
   an avant-garde talk show and variety act.
       featuring Maya Sky
       with Tom Swirly playing himself

"Under Maya's influence, the soul mistakenly identifies with the body"


On the bill:

  Tom Swirly and Maya Sky: 8:00
  Dr. Steam Whipple: 8:25
  Puppies Hold Hands: 8:50
  Han Tammen/Tom Shad/Joshua Fried trio: 9:15

-- ten minute break --

  The Illusion: 10:05
  Joshua Fried's Radio Wonderland: 10:15
  Dan Jones: 10:50
  Kid Lucky: 11:20
  Sky and Swirly and the cast: 11:45

midnight and later:
  open loop (all performers of all types)

There will likely be dancers, including the illustrious Valmonte Sprout.


Monday, October 29, 8PM sharp till late.

at the basement of Lucky Cheng's
http://www.planetluckychengs.com/
24 1st Ave. between E1st and East 2nd.

(Note that we will unfortunately not have many if any of the drag
queens in the basement part of the bar...)

We'll be starting at 8 promptly.


Ask for the Early Bird Buyback special.

First five guests get a free drink!!!  (always tip your bartender!)
  First ten guests get free admission!!
    Next ten guests pay $3!
        ... but only if you ask for it.

Otherwise $5.

    (always $3 after midnight!)


Notes on the show:

  Maya hosts
  The guests play music (or do other things but tonight it's all music)
  Tom interviews the guests
  Maya and Tom play with the guests.
  Repeat.


(My personal) notes on the performers:

  Maya is an illusion but will sing for you.

  Tom Swirly (open loop, Verge, etc) plays electronic wind instrument,
sings, manipulates machines, and does various other entertaining
activities.

  Dr. Steam Whipple will entertain you on the classical guitar.

  Puppies Hold Hands has Touching You (Liquid Tapedeck, Haunted Pussy,
etc) and Tom Swirly (henceforth TS), together again after almost five
years and a show that was raided by the police.

  Han Tammen plays endangered guitar. Tom Shad plays bass. Joshua
Fried plays...er... things.

  The Illusion may or may not appear.

  Dan Jones is the Welsh guitar wizard from open loop and TS's summer
street fair.

  Kid Lucky is the groundbreaking beatboxer.  This marks his first
time on the same stage as TS since their a cappella hip hop duo
Volectrix self-released two CD titles in 2000.

  Valmonte Sprout is a home-grown mime/Butoh/performance dancer whose
dark, ritualistic show Node Be The Altas (with TS performing the
music) was one of the last things at the old Ludlow Collective:
Unconscious space.


Notes on the space:

  It's super-fantastic for the audience and performers alike.  The
performance area is in the back, comfortable, nice big stage, good PA,
we can hardly go wrong.

There's a nice bar area in the front separated by a hall from the
performance area so you can go away and chat and then come back and
watch again.

Mind the step on the way in!!

  Patrick Bucklew (ex-Mo Pitkins) is manning the bar.  He's a great
guy, a serious artist and performer himself, and very supportive of
our attempts.

-- 

     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 09:17:26 2007
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Date: Mon, 29 Oct 2007 10:17:55 +0100
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> Ah, what fun. Okay, I'll reveal the secret. Track 1 below was 
> recorded mono with just one AKG C1000. I started with two but 
> I had cable problems. Track
> #2 is just the tiny, stock stereo 1/8 inch mic that comes 
> with the M-Audio MicroTrack recorder.  Heh heh....funny.  In 

Now, did you do some stereo enhancement techniques with these files? My
suspicion arises because a) #1 is not a mono signal, b) of the phase
problems in #2.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 09:43:17 2007
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Date: Mon, 29 Oct 2007 02:43:14 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Gordius Midi Pedal - first impressions
To: Loopers-Delight@loopers-delight.com
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Luca thank you kindly!I was about to sell my second
EDP but with this FC i am thinking i could control
both separately plus my effects,mofx and sampler all
,sweet,sweet...
does it feel bigger than the FCB1010 or bulkier? what
about weight? have u found a case for it?
cheers
Luis
--- Luca Formentini <luca@unguitar.com> wrote:

> Hi all,
> I am receiving some mails asking me to send some
> comments about the 
> footcontroller from Gordius, knowing that I have
> received one a few 
> weeks ago.
> I am replying  here on LD so that it maybe can be of
> some use for more 
> of you.
> 
> 1st: I payed in full for my Gordius controller - so
> don't be afraid my 
> words might be deviating from the real experience,
> plus I would never 
> send bad informations on any list, imagine on the
> one I am partecipating 
> since so many years ;-)
> 
> The project is smart because it is putting together
> so many things that 
> have never been available all together in the same
> footcontroller, but 
> for you to check about it you just need to download
> the manual and the 
> new editor, so let's go to having it under your
> feet:
> 
> -switches: they are silent. They are not as the Edp
> ones and they are a 
> type I have never seen before in musical
> instruments. When I say they 
> are silent I mean I can use them when recording in a
> silent and desert 
> big church together with acoustic instruments and
> microphones everywhere.
> 
> -spacing between buttons: I don't have my Edps
> anymore so I can't check 
> how distant were the switches of the footcontroller,
> anyway I feel very 
> comfortable with them. Consider that, when compared
> to other 
> looper-friendly pedals I own like the Pmc 10 and the
> Midiwizard, the 
> fact that with the Gordus you have buttons instead
> of bigger print 
> switches is allowing me not to play bare feet
> anymore.
> 
> -switches orientation - the first and second row:
> Before receiving my 
> unit I was afraid it could be a problem but I have
> found it isn't. There 
> is no risk to push the upper switch and the other
> one, especially if you 
> are standing ( I play almost all time sitting).
> 
> -editor: very good work indeed. Not just because the
> guy managed to put 
> in all the ideas I was dreaming for but also because
> it seems to be very 
> reliable and practical. I would like it to be a
> little simpler but that 
> is a thing that crashes against the versatility I am
> asking for and that 
> I need.
> 
> -the company: Xavier has been very kind, more than
> you would usually 
> expect from a supplier. This is because he maybe
> doesn't do what he does 
> for profit but for passion ( Jeff ? you have
> infected another one !), he 
> is very responsive to all suggestions and shows a
> clean and very open 
> mind ( VERY unusal thing from most producers). He is
> clearly well 
> documented about Midi, the other controllers
> available and electronics.
> 
> What would I change of it ?
> -The size: it is 2 cm wider than the size allowed to
> be brought in cabin.
> 
> What would I add to it ?
> -Mains or Usb power.
> 
> I am happy to have bought it.
> This is all.
> 
> My best,
> Luca
> www.unguitar.com
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 13:41:26 2007
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References: <000901c81a0c$96d6fa20$1001a8c0@succubus>
Subject: Re: y2k7 mp3s
Date: Mon, 29 Oct 2007 07:41:18 -0600
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For #1, all I did was copy the exact content in L to R.  I may have applied 
some minor reverb (waves) to the file to generate a subtle difference, but I 
can't recall. If the wave forms are not identical, it is because of that and 
not any sophisticated stereo enhancement...there was no stereo image to 
begin with, so nothing to enhance. On the second file, I may have applied 
some stereo enhancement, but I believe Kaiser was mono to begin with from 
the stage, so that may not be the case either. I think what you are seeing 
is the result of some minor room reverb applied.

Moreover, on several of the files, I applied some minor stereo image 
widening. There is a subtle difference.  Since I was doing some of this 
editing at the event, I was able to compare the non-widened effect, with the 
widened effect, and with my memory of the audio at the actual event. The 
widening more accuractly re-produced the stereo imaging I heard from my 
vantage point, being next to the mics at the back and center of the room.

For most of these "enhancements" you will not be able to hear major 
differences, but your analysis software may detect them nonetheless.

Kris


----- Original Message ----- 


>> Ah, what fun. Okay, I'll reveal the secret. Track 1 below was
>> recorded mono with just one AKG C1000. I started with two but
>> I had cable problems. Track
>> #2 is just the tiny, stock stereo 1/8 inch mic that comes
>> with the M-Audio MicroTrack recorder.  Heh heh....funny.  In
>
> Now, did you do some stereo enhancement techniques with these files? My
> suspicion arises because a) #1 is not a mono signal, b) of the phase
> problems in #2.
>
> Rainer
> 

From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 14:46:14 2007
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Subject: Re: y2k7 mp3s
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These, I am assuming...

http://www.core-sound.com/mics.html

These little things can compare to high quality condensor mics? The beauty 
of the microtrack recorder is that it has 1/4 inch balanced and phantom 
powered mic inputs. So I am not limited to a stereo mini jack.

Kris

> On Oct 28, 2007, at 11:08 PM, Raul Bonell wrote:
>
>> Another option would be to get some tiny Core Sound Binaurals,
>> that are far bellow 1000$...
>>
> And I happen to have an extra set of these mics, if someone wants to  buy 
> them. No clips on them, however.
>
> Jeff
> 

From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 15:38:48 2007
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Subject: Core Sound hardware
Date: Mon, 29 Oct 2007 16:39:11 +0100
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Btw, if you are looking for a high-quality, portable micpre, these have
gotten rave reviews:
http://www.core-sound.com/Mic2496/1.php

> These, I am assuming...
> 
> http://www.core-sound.com/mics.html

From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 16:55:24 2007
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--_=__=_XaM3_.1193676920.2A.643616.42.2546.52.42.007.1129733381
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Thanks for all your replies. It appeared that the FCB1010 was too big to =
fit under my synth stand; second: my supplier told me that a lot of the F=
CB's have been returned within a year due to hardware failures..... So I =
have decided to buy the Roland FC-300  

First impression:
+ all pedals can be of type latch or momentary =3D> piano sustain can be =
programmed :)
+ good positioning of all pedals
+ good visibility of green and red LED's on stage
+ easy to progam, no manual needed
+ build like a tank =3D> as the FC-200
- 1 global midi channel setting =3D> it's not possible to store different=
 midi channel's with a pedal setting
- only 1 control message per pedal 

BTW The Gordius looks like a very interesting but it looks designed for s=
tanding guitar players. I don't know but the switches don't look very com=
fortable for your feet when you're sitting behind a piano with a Gordius =
on the floor.=0A---=0AScarlet One, ADSL 6 Mbps + Telefonie, vanaf EUR 29,=
95...=0Ahttp://www.scarlet.be/
--_=__=_XaM3_.1193676920.2A.643616.42.2546.52.42.007.1129733381
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<DIV style=3D"FONT-SIZE: 12px; FONT-FAMILY: verdana, arial">
<DIV>Thanks for all your replies. It appeared that the FCB1010 was too bi=
g to fit under my synth stand; second: my supplier told me that a lot of =
the FCB's have been returned within a year due to hardware failures..... =
So I have decided to&nbsp;buy the Roland FC-300 &nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>First impression:</DIV>
<DIV>+&nbsp;all&nbsp;pedals can be of type latch or momentary =3D&gt; pia=
no sustain can be programmed :)</DIV>
<DIV>+&nbsp;good positioning of&nbsp;all pedals</DIV>
<DIV>+&nbsp;good visibility of green and red LED's on stage</DIV>
<DIV>+ easy to progam, no manual needed</DIV>
<DIV>+ build like a tank =3D&gt;&nbsp;as the FC-200</DIV>
<DIV>- 1 global midi channel&nbsp;setting =3D&gt; it's not&nbsp;possible =
to&nbsp;store different midi channel's with a pedal setting</DIV>
<DIV>- only 1 control message per pedal </DIV>
<DIV>&nbsp;</DIV>
<DIV>BTW The Gordius looks like a very interesting but it looks&nbsp;desi=
gned for standing guitar players. I don't know but&nbsp;the switches don'=
t look very comfortable for your feet when you're sitting behind a piano =
with a Gordius on the floor.</DIV></DIV>
--_=__=_XaM3_.1193676920.2A.643616.42.2546.52.42.007.1129733381--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 18:18:10 2007
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To: Loopers <Loopers-Delight@loopers-delight.com>
From: Per Boysen <perboysen@gmail.com>
Subject: Y2K7 Movie
Date: Mon, 29 Oct 2007 19:18:03 +0100
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Hi Everyone,

I have spliced together all my cell phone shootings from the  
International Live Looping Festival in Santa Cruz into a 444 mb  
Quicktime movie:

http://www.looproom.com/y2k7movie_pboy.mov

Hope someone finds it amusing. It was very fun to make it.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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Per - I'm trying to watch the .mov and it doesn't seem to be downloading.? Is the link working?? Thanks,

Harry


Harry Weinberg, Esq.
Law Offices of Harry Weinberg
11 Beach Street - 8th Floor
New York, N.Y. 10013
(212) 989-2908


-----Original Message-----
From: Per Boysen <perboysen@gmail.com>
To: Loopers <Loopers-Delight@loopers-delight.com>
Sent: Mon, 29 Oct 2007 2:18 pm
Subject: Y2K7 Movie


Hi Everyone,?
?
I have spliced together all my cell phone shootings from the International Live Looping Festival in Santa Cruz into a 444 mb Quicktime movie:?
?
http://www.looproom.com/y2k7movie_pboy.mov?
?
Hope someone finds it amusing. It was very fun to make it.?
?
Greetings from Sweden?
?
Per Boysen?
www.boysen.se (Swedish)?
www.looproom.com (international)?
?
?


________________________________________________________________________
Email and AIM finally together. You've gotta check out free AOL Mail! - http://mail.aol.com

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Per - I'm trying to watch the .mov and it doesn't seem to be downloading.&nbsp; Is the link working?&nbsp; Thanks,<br>
<br>
Harry<br>
<br>


<div style="CLEAR: both">Harry Weinberg, Esq.<br>
Law Offices of Harry Weinberg<br>
11 Beach Street - 8th Floor<br>
New York, N.Y. 10013<br>
(212) 989-2908</div>
<br>
<br>
-----Original Message-----<br>
From: Per Boysen &lt;perboysen@gmail.com&gt;<br>
To: Loopers &lt;Loopers-Delight@loopers-delight.com&gt;<br>
Sent: Mon, 29 Oct 2007 2:18 pm<br>
Subject: Y2K7 Movie<br>
<br>


<div id=AOLMsgPart_0_1aa477c4-00fa-40d3-9881-fe781ee9ce25 style="FONT-SIZE: 12px; MARGIN: 0px; COLOR: #000; FONT-FAMILY: Tahoma, Verdana, Arial, Sans-Serif; BACKGROUND-COLOR: #fff">Hi Everyone,&nbsp;<br>
&nbsp;<br>
I have spliced together all my cell phone shootings from the International Live Looping Festival in Santa Cruz into a 444 mb Quicktime movie:&nbsp;<br>
&nbsp;<br>
<A href="http://www.looproom.com/y2k7movie_pboy.mov" target=_blank>http://www.looproom.com/y2k7movie_pboy.mov</A>&nbsp;<br>
&nbsp;<br>
Hope someone finds it amusing. It was very fun to make it.&nbsp;<br>
&nbsp;<br>
Greetings from Sweden&nbsp;<br>
&nbsp;<br>
Per Boysen&nbsp;<br>
<A href="http://www.boysen.se/" target=_blank>www.boysen.se</A> (Swedish)&nbsp;<br>
<A href="http://www.looproom.com/" target=_blank>www.looproom.com</A> (international)&nbsp;<br>
&nbsp;<br>
&nbsp;<br>
</div>
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</div>

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From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 19:14:24 2007
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Date: Mon, 29 Oct 2007 15:14:21 -0400
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I've heard very good reviews from 'field recording' forums etc on the
CoreSound products
-Qua

Original Message:
-----------------
From: Rainer Thelonius Balthasar Straschill rs@moinlabs=2Ede
Date: Mon, 29 Oct 2007 16:39:11 +0100
To: Loopers-Delight@loopers-delight=2Ecom
Subject: Core Sound hardware


Btw, if you are looking for a high-quality, portable micpre, these have
gotten rave reviews:
http://www=2Ecore-sound=2Ecom/Mic2496/1=2Ephp

> These, I am assuming=2E=2E=2E
>=20
> http://www=2Ecore-sound=2Ecom/mics=2Ehtml



--------------------------------------------------------------------
myhosting=2Ecom - Premium Microsoft=AE Windows=AE and Linux web and applic=
ation
hosting - http://link=2Emyhosting=2Ecom/myhosting


From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 19:16:43 2007
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Date: Mon, 29 Oct 2007 14:16:32 -0500
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: FC-300 (was How to simulate a piano sustain pedal)
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At 6:55 PM +0200 10/29/07, Sjaak wrote:
>Thanks for all your replies. It appeared that the FCB1010 was too 
>big to fit under my synth stand; second: my supplier told me that a 
>lot of the FCB's have been returned within a year due to hardware 
>failures..... So I have decided to buy the Roland FC-300
>
>First impression:
>+ all pedals can be of type latch or momentary => piano sustain can 
>be programmed :)
>+ good positioning of all pedals
>+ good visibility of green and red LED's on stage
>+ easy to progam, no manual needed
>+ build like a tank => as the FC-200

I've got an FC-300 too, and this is a fine summary of many of its 
good points.  Although you will probably need the manual to look up 
many of its more subtle functions.

>- 1 global midi channel setting => it's not possible to store 
>different midi channel's with a pedal setting

This is not correct at all.

Ignore Standard and Control Modes (as well as Sysex Mode, unless 
you've got a VG-99).  Those modes are worthless unless you want to 
dedicate the FC-300 to a single device, and I never even bother with 
them at all.  The fourth Mode -- Patch Mode -- is where you want to 
be.  In this Mode, the FC-300 will send MIDI messages to any MIDI 
channel, programmable per pedal.

In fact, this is where the FC-300 gets over the MAJOR complaint I 
always had against the FCB-1010 (even though I've got one an FCB 
too): the expression pedals (not the switches) on the FCB could only 
ever be set to a single channel.  So, for instance, you couldn't 
control Feedback on your Looper, then switch patches and use that 
same expression pedal to control, say, Filter Cutoff on a synth 
module.

Not only can the FC-300 do that (I'm doing it with several different 
patches), but you can actually use a single pedal to control SIX 
different parameters simultaneously.  These can each be on different 
MIDI channels if you like.  You can not only scale the control range 
(parameter 1 may have a range of 0 - 127, while parameter 2 only has 
a range of 50 - 70), but you can also reverse the ranges of 
individual parameters (1 may have a range of 0 - 127, while 2 has a 
range of 127 - 0; accomplishing a nice little crossfade between 
sounds/effects, for instance).

At Y2k7, for instance, I had programmed all the volume swells for the 
VG-99 into the right-most expression pedal (I could have easily done 
it by switching to SysEx Mode, but I wanted the convenience of 
staying in one Mode during the performance).  The left expression 
pedal controlled a variety of different functions, depending upon 
patch: Feedback on my Looperlative channels; Volume of specific 
tracks; Feedback of the echo effect built into the VG; Speed of the 
Leslie effect on one Patch; Track Playback Speed on the LP-1; etc., 
etc., etc.

I kept the CTL 1 & CTL 2 switches the same on every patch (Rec/Dub, 
and Stop Now;Erase) for purposes of consistency, but I could have 
programmed those for independent functions per patch.  Likewise, I 
attached an FS-6 footswitch for CTL 3 & 4, and dedicated those to 
Previous Track and Next Track functions on the Looperlative.  The 
individual patches cycled through a variety of functions too numerous 
to name here.

You imagine it, and you can probably program it in Patch Mode on the FC-300.

>- only 1 control message per pedal

Again, not correct.

In Patch Mode, you can actually send multiple messages to multiple 
channels (up to 6 messages, IIRC) on pedal press.  In addition, you 
can send an additional 6 messages on pedal release.  The pedal 
release messages can be programmed (per pedal) to fire off on either 
physical release (good for Note Off messages, so you can turn it into 
a set of MIDI bass pedals, or whatever etc.).  Or they can be delayed 
until the next pedal is pressed, so that the release messages are 
fired off just prior to the next pedal's messages are sent.  This 
latter function might be good, for instance, for setting up a series 
of chords that sound until the next "chord" pedal is pressed, at 
which time all the appropriate Note Off's are sent before the new 
chord's Note On's arrive).

Look, even though I was extremely skeptical at first, this thing will 
in fact practically mow the lawn.  It does everything except for 
"roll your own" SysEx (and it will do GM SysEx as well as NRPN stuff; 
you just can't program in an entire Hex String from scratch).  That's 
something that I actually use pretty rarely these days anyway.

I'm using it to replace my Digitech PMC-10, which is no longer being 
manufactured of course.  That's how good it is.  And at a price of 
only about $300, it's less costly than many of the other "full 
featured" MIDI pedals out on the market today (Ground Control Pro, 
etc.).

Sjaak, dig a bit more into the programming on the FC-300.  I'm 
confident that with a bit of work, you'll find most, if not all, of 
your misgivings will quickly evaporate.

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 20:26:54 2007
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Date: Mon, 29 Oct 2007 16:20:20 -0400
From: "Clint Allen" <clint.allen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: OT - Roland PK-5
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------=_Part_9382_18348681.1193689220134
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Greetings all....

Does anyone own/use the Roland PK-5? I am considering the purchase to use
mainly as bass-synth pedals, perhaps occasionally to trigger a few drum
machines as well. Pros? Cons? Any known, less-expensive alternatives?

Any feedback would be great!

Thanks,

Clint Allen

------=_Part_9382_18348681.1193689220134
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<div>Greetings all.... </div>
<div>&nbsp;</div>
<div>Does anyone own/use the Roland PK-5?&nbsp;I am considering the purchase to use mainly as bass-synth pedals, perhaps occasionally to trigger a few drum machines as well. Pros? Cons? Any known, less-expensive alternatives? 
</div>
<div>&nbsp;</div>
<div>Any feedback would be great!</div>
<div>&nbsp;</div>
<div>Thanks,</div>
<div>&nbsp;</div>
<div>Clint Allen</div>

------=_Part_9382_18348681.1193689220134--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 20:44:27 2007
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Date: Mon, 29 Oct 2007 13:44:26 -0700
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--_d7535736-50aa-4204-b912-00444aeed324_
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  Ya know there are probably thousands of streets named  1st ave in N Ameri=
ca. It's really worthwhile with any sort of promo material to state what ma=
y seem obvious. Like the city/townstate/province.=20

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Boo!=A0Scare away worms, viruses and so much more! Try Windows Live OneCare=
!
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ilnews=

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<html>
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{
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body.hmmessage
{
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</head>
<body class=3D'hmmessage'>
&nbsp; Ya know there are probably thousands of streets named&nbsp; 1st ave =
in N America. It's really worthwhile with any sort of promo material to sta=
te what may seem obvious. Like the city/townstate/province. <br><br /><hr /=
>Boo!=A0Scare away worms, viruses and so much more! Try Windows Live OneCar=
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cid=3Dwl_hotmailnews' target=3D'_new'>Try now!</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 21:02:01 2007
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Date: Mon, 29 Oct 2007 17:01:58 -0400
From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT - Roland PK-5
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If you aren't in a big hurry, If you can find a Fast Forward Designs
MIDIStep, it's similar.  Not as full featured, but probably not $500
either.  They pop up on ebay now and then.


On 10/29/07, Clint Allen <clint.allen@gmail.com> wrote:
> Greetings all....
>
> Does anyone own/use the Roland PK-5? I am considering the purchase to use
> mainly as bass-synth pedals, perhaps occasionally to trigger a few drum
> machines as well. Pros? Cons? Any known, less-expensive alternatives?
>
> Any feedback would be great!
>
> Thanks,
>
> Clint Allen


-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 21:47:13 2007
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Date: Mon, 29 Oct 2007 16:40:30 -0500
From: kkissinger@kevinkissinger.com
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Subject: new composition influenced by looping and some ramblings
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Hi,

I'd like to share my latest composition with you entitled "The Sad =20
Little Ghost".

http://kevinkissinger.com/sadlittleghost.shtml

This is the first non-looping work I've composed for nearly a year =20
however I think my work with live looping has influenced my non-looped =20
work in a few ways, namely:

1) the orchestral tracks are minimal and utilize repetition -- similar =20
to looped material

2) the lead (theremin) part is economical -- eschewing "fireworks" and =20
focusing on expressive sustained notes.

I am grateful to the folks on the LD list for MANY ideas that have =20
become part of my musical vocabularly.  A few recent examples:

. in my organ improvisations I am much more inclined to play in a =20
"looped" style... while I am not looping via hardware I often build a =20
motive and then just keep it going in my left (or right) hand and then =20
weave melodies around it with my spare hand or feet.  (I don't know if =20
the church I play at is ready for hardware looping... however I may =20
try it sometime  **grins** )

. last Sunday, at the end of one improv, I played a single note melody =20
alone on a plantive stop... this was an idea suggested on the LD list. =20
  And, why not?  With loop devices we can turn one-note-a-time =20
instruments into ensembles.  Why not do the opposite and play a =20
polyphonic instrument as if it is a mono instrument?

Folks commented that my set at the Y2K7 Loopfest sounded "orchestral" =20
-- and I think that my interest in ensemble texture influenced that.  =20
I have found over the last year that my looped and non-looped work =20
influence each other.

The Y2K7 Loopfest was like a massive recharge to my musical batteries. =20
  It was a chance to just sit back and soak up music from everyone.  I =20
think the word "unique" is overused in the music biz however each set =20
WAS unique and each was high-quality.

In particular, one of the challenges with looped music and with music =20
in general is to create effective endings.  To see the different =20
approaches to this aspect of looping was enlightening, to say the =20
least.   Incidentally, the ending to "The Sad Little Ghost" just flew =20
into my DAW ... no struggle.

Forgive my rambling here.  Though it has been a week since the =20
loopfest, I am still on a real "high" from it and look forward to =20
creating a lot of new looped and non-looped music as a result.

-- Kevin

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How beautiful and refreshing! despite the plaintif mood=2E  Definitely can=

see this as a movie score - as is - right out of your DAW=2E congratulatio=
ns
!  =20
-Qua


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Subject: Re: Y2K7 Movie
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	<8C9E8731D4769FA-980-2048@WEBMAIL-MC21.sysops.aol.com>
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Same here... it isn't downloading for me.

-- Kevin

Quoting harryesq@aol.com:

> Per - I'm trying to watch the .mov and it doesn't seem to be   
> downloading.? Is the link working?? Thanks,
>
> Harry


From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 22:21:50 2007
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Date: Mon, 29 Oct 2007 17:53:13 -0400
From: "todd reynolds" <toddreyn@gmail.com>
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devastatingly beautiful kevin,
thank you for that...

Todd

On 10/29/07, kkissinger@kevinkissinger.com <kkissinger@kevinkissinger.com>
wrote:
>
> Hi,
>
> I'd like to share my latest composition with you entitled "The Sad
> Little Ghost".
>
> http://kevinkissinger.com/sadlittleghost.shtml
>
> This is the first non-looping work I've composed for nearly a year
> however I think my work with live looping has influenced my non-looped
> work in a few ways, namely:
>
> 1) the orchestral tracks are minimal and utilize repetition -- similar
> to looped material
>
> 2) the lead (theremin) part is economical -- eschewing "fireworks" and
> focusing on expressive sustained notes.
>
> I am grateful to the folks on the LD list for MANY ideas that have
> become part of my musical vocabularly.  A few recent examples:
>
> . in my organ improvisations I am much more inclined to play in a
> "looped" style... while I am not looping via hardware I often build a
> motive and then just keep it going in my left (or right) hand and then
> weave melodies around it with my spare hand or feet.  (I don't know if
> the church I play at is ready for hardware looping... however I may
> try it sometime  **grins** )
>
> . last Sunday, at the end of one improv, I played a single note melody
> alone on a plantive stop... this was an idea suggested on the LD list.
>   And, why not?  With loop devices we can turn one-note-a-time
> instruments into ensembles.  Why not do the opposite and play a
> polyphonic instrument as if it is a mono instrument?
>
> Folks commented that my set at the Y2K7 Loopfest sounded "orchestral"
> -- and I think that my interest in ensemble texture influenced that.
> I have found over the last year that my looped and non-looped work
> influence each other.
>
> The Y2K7 Loopfest was like a massive recharge to my musical batteries.
>   It was a chance to just sit back and soak up music from everyone.  I
> think the word "unique" is overused in the music biz however each set
> WAS unique and each was high-quality.
>
> In particular, one of the challenges with looped music and with music
> in general is to create effective endings.  To see the different
> approaches to this aspect of looping was enlightening, to say the
> least.   Incidentally, the ending to "The Sad Little Ghost" just flew
> into my DAW ... no struggle.
>
> Forgive my rambling here.  Though it has been a week since the
> loopfest, I am still on a real "high" from it and look forward to
> creating a lot of new looped and non-looped music as a result.
>
> -- Kevin
>
>


-- 
http://www.toddreynolds.com                    |:
http://myspace.com/toddreynoldsmusic  |:
------------------------------------------------------|:
917.576.6166
todd@toddreynolds.com
toddreyn@gmail.com

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devastatingly beautiful kevin,&nbsp;<div><br class="webkit-block-placeholder"></div><div>thank you for that...&nbsp;</div><div><br class="webkit-block-placeholder"></div><div>Todd<br><br><div><span class="gmail_quote">On 10/29/07, <b class="gmail_sendername">
<a href="mailto:kkissinger@kevinkissinger.com">kkissinger@kevinkissinger.com</a></b> &lt;<a href="mailto:kkissinger@kevinkissinger.com">kkissinger@kevinkissinger.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="margin:0;margin-left:0.8ex;border-left:1px #ccc solid;padding-left:1ex">
Hi,<br><br>I&#39;d like to share my latest composition with you entitled &quot;The Sad<br>Little Ghost&quot;.<br><br><a href="http://kevinkissinger.com/sadlittleghost.shtml">http://kevinkissinger.com/sadlittleghost.shtml</a>
<br><br>This is the first non-looping work I&#39;ve composed for nearly a year<br>however I think my work with live looping has influenced my non-looped<br>work in a few ways, namely:<br><br>1) the orchestral tracks are minimal and utilize repetition -- similar
<br>to looped material<br><br>2) the lead (theremin) part is economical -- eschewing &quot;fireworks&quot; and<br>focusing on expressive sustained notes.<br><br>I am grateful to the folks on the LD list for MANY ideas that have
<br>become part of my musical vocabularly.&nbsp;&nbsp;A few recent examples:<br><br>. in my organ improvisations I am much more inclined to play in a<br>&quot;looped&quot; style... while I am not looping via hardware I often build a
<br>motive and then just keep it going in my left (or right) hand and then<br>weave melodies around it with my spare hand or feet.&nbsp;&nbsp;(I don&#39;t know if<br>the church I play at is ready for hardware looping... however I may
<br>try it sometime&nbsp;&nbsp;**grins** )<br><br>. last Sunday, at the end of one improv, I played a single note melody<br>alone on a plantive stop... this was an idea suggested on the LD list.<br>&nbsp;&nbsp;And, why not?&nbsp;&nbsp;With loop devices we can turn one-note-a-time
<br>instruments into ensembles.&nbsp;&nbsp;Why not do the opposite and play a<br>polyphonic instrument as if it is a mono instrument?<br><br>Folks commented that my set at the Y2K7 Loopfest sounded &quot;orchestral&quot;<br>-- and I think that my interest in ensemble texture influenced that.
<br>I have found over the last year that my looped and non-looped work<br>influence each other.<br><br>The Y2K7 Loopfest was like a massive recharge to my musical batteries.<br>&nbsp;&nbsp;It was a chance to just sit back and soak up music from everyone.&nbsp;&nbsp;I
<br>think the word &quot;unique&quot; is overused in the music biz however each set<br>WAS unique and each was high-quality.<br><br>In particular, one of the challenges with looped music and with music<br>in general is to create effective endings.&nbsp;&nbsp;To see the different
<br>approaches to this aspect of looping was enlightening, to say the<br>least.&nbsp;&nbsp; Incidentally, the ending to &quot;The Sad Little Ghost&quot; just flew<br>into my DAW ... no struggle.<br><br>Forgive my rambling here.&nbsp;&nbsp;Though it has been a week since the
<br>loopfest, I am still on a real &quot;high&quot; from it and look forward to<br>creating a lot of new looped and non-looped music as a result.<br><br>-- Kevin<br><br></blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com">
http://www.toddreynolds.com</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|:<br><a href="http://myspace.com/toddreynoldsmusic">http://myspace.com/toddreynoldsmusic</a>&nbsp;&nbsp;|:<br>------------------------------------------------------|:<br>917.576.6166
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br><a href="mailto:todd@toddreynolds.com">todd@toddreynolds.com</a><br><a href="mailto:toddreyn@gmail.com">toddreyn@gmail.com</a>
</div>

------=_Part_905_16317008.1193694793180--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 22:34:31 2007
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Date: Mon, 29 Oct 2007 15:59:05 -0600
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: new composition influenced by looping and some ramblings
References: <20071029164030.urp55kkh1cwcs0kc@69.89.21.76>
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Very nice Kev... :)

Now, the real question is, would I have thought it was 'Elfman-esque', if I had
not seen your comment regarding Nightmare before Christmas? hmmmm...

peace
-cpr

Quoting kkissinger@kevinkissinger.com:

> Hi,
> 
> I'd like to share my latest composition with you entitled "The Sad  
> Little Ghost".
> 
> http://kevinkissinger.com/sadlittleghost.shtml
> 
> This is the first non-looping work I've composed for nearly a year  
> however I think my work with live looping has influenced my non-looped  
> work in a few ways, namely:
> 
> 1) the orchestral tracks are minimal and utilize repetition -- similar  
> to looped material
> 
> 2) the lead (theremin) part is economical -- eschewing "fireworks" and  
> focusing on expressive sustained notes.
> 
> I am grateful to the folks on the LD list for MANY ideas that have  
> become part of my musical vocabularly.  A few recent examples:
> 
> . in my organ improvisations I am much more inclined to play in a  
> "looped" style... while I am not looping via hardware I often build a  
> motive and then just keep it going in my left (or right) hand and then  
> weave melodies around it with my spare hand or feet.  (I don't know if  
> the church I play at is ready for hardware looping... however I may  
> try it sometime  **grins** )
> 
> . last Sunday, at the end of one improv, I played a single note melody  
> alone on a plantive stop... this was an idea suggested on the LD list.  
>   And, why not?  With loop devices we can turn one-note-a-time  
> instruments into ensembles.  Why not do the opposite and play a  
> polyphonic instrument as if it is a mono instrument?
> 
> Folks commented that my set at the Y2K7 Loopfest sounded "orchestral"  
> -- and I think that my interest in ensemble texture influenced that.   
> I have found over the last year that my looped and non-looped work  
> influence each other.
> 
> The Y2K7 Loopfest was like a massive recharge to my musical batteries.  
>   It was a chance to just sit back and soak up music from everyone.  I  
> think the word "unique" is overused in the music biz however each set  
> WAS unique and each was high-quality.
> 
> In particular, one of the challenges with looped music and with music  
> in general is to create effective endings.  To see the different  
> approaches to this aspect of looping was enlightening, to say the  
> least.   Incidentally, the ending to "The Sad Little Ghost" just flew  
> into my DAW ... no struggle.
> 
> Forgive my rambling here.  Though it has been a week since the  
> loopfest, I am still on a real "high" from it and look forward to  
> creating a lot of new looped and non-looped music as a result.
> 
> -- Kevin
> 
> 




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From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 22:38:28 2007
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Date: Mon, 29 Oct 2007 18:09:50 -0400
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and for me, but third times the charm.. . maybe it'll get fixed!
t.


On 10/29/07, kkissinger@kevinkissinger.com <kkissinger@kevinkissinger.com>
wrote:
>
> Same here... it isn't downloading for me.
>
> -- Kevin
>
> Quoting harryesq@aol.com:
>
> > Per - I'm trying to watch the .mov and it doesn't seem to be
> > downloading.? Is the link working?? Thanks,
> >
> > Harry
>
>
>


-- 
http://www.toddreynolds.com                    |:
http://myspace.com/toddreynoldsmusic  |:
------------------------------------------------------|:
917.576.6166
todd@toddreynolds.com
toddreyn@gmail.com

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and for me, but third times the charm.. . maybe it&#39;ll get fixed!<div><br class="webkit-block-placeholder"></div><div>t.</div><div><br><br><div><span class="gmail_quote">On 10/29/07, <b class="gmail_sendername"><a href="mailto:kkissinger@kevinkissinger.com">
kkissinger@kevinkissinger.com</a></b> &lt;<a href="mailto:kkissinger@kevinkissinger.com">kkissinger@kevinkissinger.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="margin:0;margin-left:0.8ex;border-left:1px #ccc solid;padding-left:1ex">
Same here... it isn&#39;t downloading for me.<br><br>-- Kevin<br><br>Quoting <a href="mailto:harryesq@aol.com">harryesq@aol.com</a>:<br><br>&gt; Per - I&#39;m trying to watch the .mov and it doesn&#39;t seem to be<br>&gt; downloading.? Is the link working?? Thanks,
<br>&gt;<br>&gt; Harry<br><br><br></blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com">http://www.toddreynolds.com</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|:<br><a href="http://myspace.com/toddreynoldsmusic">
http://myspace.com/toddreynoldsmusic</a>&nbsp;&nbsp;|:<br>------------------------------------------------------|:<br>917.576.6166&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br><a href="mailto:todd@toddreynolds.com">todd@toddreynolds.com
</a><br><a href="mailto:toddreyn@gmail.com">toddreyn@gmail.com</a>
</div>

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From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 22:39:40 2007
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Date: Mon, 29 Oct 2007 23:39:38 +0100
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To: Loopers-Delight@loopers-delight.com
Subject: Re: y2k7 mp3s
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They are far superior to the stereo mic that comes with the microtrack.

Three stage available:

Low Cost Binaurals, Core Sound Binaurals and High End Binaurals( with DPA
capsules).
All three can handle lots of sound pressure with minimum distortion.

If you use the line input you could even input stronger signals,
but better signal to noise ratio with the "plugin power" input of the
microtrack. Also they can provide you with an adaptor/extension cable if
you'd like to use the TSR 1/4 inputs.

What Rainer says it's true.
None of the preamps in the microtrack is suitable for 24bit recording.

Even the LCB  would be an step forward for your microtrack.

My 2 cents.
R.




2007/10/29, Krispen Hartung <khartung@cableone.net>:
>
> These, I am assuming...
>
> http://www.core-sound.com/mics.html
>
> These little things can compare to high quality condensor mics? The beauty
> of the microtrack recorder is that it has 1/4 inch balanced and phantom
> powered mic inputs. So I am not limited to a stereo mini jack.
>
> Kris
>
> > On Oct 28, 2007, at 11:08 PM, Raul Bonell wrote:
> >
> >> Another option would be to get some tiny Core Sound Binaurals,
> >> that are far bellow 1000$...
> >>
> > And I happen to have an extra set of these mics, if someone wants
> to  buy
> > them. No clips on them, however.
> >
> > Jeff
> >
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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They are far superior to the stereo mic that comes with the microtrack.<br><br>Three stage available:<br><br>Low Cost Binaurals, Core Sound Binaurals and High End Binaurals( with DPA capsules).
<br>All three can handle lots of sound pressure with minimum distortion.<br><br>If you use the line input you could even input stronger signals,<br>but better signal to noise ratio with the &quot;plugin power&quot; input of the microtrack. Also they can provide you with an adaptor/extension cable if you&#39;d like to use the TSR 1/4 inputs.
<br><br>What Rainer says it&#39;s true.<br>None of the preamps in the microtrack is suitable for 24bit recording.<br><br>Even the LCB&nbsp; would be an step forward for your microtrack.<br><br>My 2 cents.<br>R.<br><br><br><br>
<br><div><span class="gmail_quote">2007/10/29, Krispen Hartung &lt;<a href="mailto:khartung@cableone.net" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">khartung@cableone.net</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

These, I am assuming...<br><br><a href="http://www.core-sound.com/mics.html" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.core-sound.com/mics.html</a><br><br>These little things can compare to high quality condensor mics? The beauty
<br>of the microtrack recorder is that it has 1/4 inch balanced and phantom
<br>powered mic inputs. So I am not limited to a stereo mini jack.<br><br>Kris<br><br>&gt; On Oct 28, 2007, at 11:08 PM, Raul Bonell wrote:<br>&gt;<br>&gt;&gt; Another option would be to get some tiny Core Sound Binaurals,
<br>&gt;&gt; that are far bellow 1000$...<br>&gt;&gt;<br>&gt; And I happen to have an extra set of these mics, if someone wants to&nbsp;&nbsp;buy<br>&gt; them. No clips on them, however.<br>&gt;<br>&gt; Jeff<br>&gt;<br><br></blockquote>

</div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: 
<a href="http://www.ct-collective.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.ct-collective.com
</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.myspace.com/theplayingorchestra</a>

------=_Part_1234_1740740.1193697578549--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 29 22:47:00 2007
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Date: Mon, 29 Oct 2007 23:46:58 +0100
From: "Raul Bonell" <raul.bonell@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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From: Raul Bonell <raul.bonell@gmail.com>
Date: 29/10/2007 23:46
Subject: Re: Y2K7 Movie
To: todd@toddreynolds.com

Hi Per,

Just 441 KB here, not MB.

R.
2007/10/29, todd reynolds <toddreyn@gmail.com>:
>
> and for me, but third times the charm.. . maybe it'll get fixed!
> t.
>
>
> On 10/29/07,  kkissinger@kevinkissinger.com <kkissinger@kevinkissinger.com>
> wrote:
> >
> > Same here... it isn't downloading for me.
> >
> > -- Kevin
> >
> > Quoting harryesq@aol.com:
> >
> > > Per - I'm trying to watch the .mov and it doesn't seem to be
> > > downloading.? Is the link working?? Thanks,
> > >
> > > Harry
> >
> >
> >
>
>
> --
> http://www.toddreynolds.com                     |:
> http://myspace.com/toddreynoldsmusic  |:
> ------------------------------------------------------|:
> 917.576.6166
> todd@toddreynolds.com
> toddreyn@gmail.com
>



-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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<span class="gmail_quote">From: <b class="gmail_sendername">Raul Bonell</b> &lt;<a href="mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a>&gt;<br>Date: 29/10/2007 23:46<br>Subject: Re: Y2K7 Movie<br>To: <a href="mailto:todd@toddreynolds.com">
todd@toddreynolds.com</a><br><br></span>Hi Per,<br><br>Just 441 KB here, not MB.<br><br>R.<br><div><span class="gmail_quote">2007/10/29, todd reynolds &lt;<a href="mailto:toddreyn@gmail.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
toddreyn@gmail.com</a>&gt;:</span><div><span class="e" id="q_115edf1886a66bb6_1"><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
and for me, but third times the charm.. . maybe it&#39;ll get fixed!<div><br></div><div>t.</div><div><div><span><br><br><div><span class="gmail_quote">On 10/29/07, <b class="gmail_sendername">
<a href="mailto:kkissinger@kevinkissinger.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
kkissinger@kevinkissinger.com</a></b> &lt;<a href="mailto:kkissinger@kevinkissinger.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">kkissinger@kevinkissinger.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">


Same here... it isn&#39;t downloading for me.<br><br>-- Kevin<br><br>Quoting <a href="mailto:harryesq@aol.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">harryesq@aol.com</a>:<br><br>&gt; Per - I&#39;m trying to watch the .mov and it doesn&#39;t seem to be
<br>&gt; downloading.? Is the link working?? Thanks,
<br>&gt;<br>&gt; Harry<br><br><br></blockquote></div><br><br clear="all"><br></span></div>-- <br><a href="http://www.toddreynolds.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.toddreynolds.com
</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|:<br><a href="http://myspace.com/toddreynoldsmusic" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
http://myspace.com/toddreynoldsmusic</a>&nbsp;&nbsp;|:<br>------------------------------------------------------|:<br>917.576.6166&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br><a href="mailto:todd@toddreynolds.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">

todd@toddreynolds.com
</a><br><a href="mailto:toddreyn@gmail.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">toddreyn@gmail.com</a>
</div>
</blockquote></span></div></div><span class="sg"><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.telefonica.net/web2/tpo
</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.myspace.com/theplayingorchestra</a>

</span><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com
</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>

------=_Part_1268_5512272.1193698018361--

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Y2K7 Movie (mistake - correction at hand...)
Date: Tue, 30 Oct 2007 01:07:44 +0100
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On 29 okt 2007, at 23.46, Raul Bonell wrote:

> Hi Per,
>
> Just 441 KB here, not MB.


You are correct. Sorry, Raul and everyone, my bad. I'm exporting both  
a proper .mov now and also an MPEG-4. Will upload in twenty five  
minutes.

The little file I recently uploaded seems to be just a "blueprint  
file" that works on my system because I have all the source files  
here. Didn't know it worked like that, but now I at least learned  
something from that mistake ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 00:12:30 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: new composition influenced by looping and some ramblings
Date: Tue, 30 Oct 2007 01:12:23 +0100
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On 29 okt 2007, at 22.40, kkissinger@kevinkissinger.com wrote:

> I'd like to share my latest composition with you entitled "The Sad  
> Little Ghost".
>
> http://kevinkissinger.com/sadlittleghost.shtml


Awesome, Kevin! Listening to it right now. Boy, I feel sorry for that  
little Ghost! Sounds so sad but beautiful.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 00:43:19 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Y2K7 Movie - Corrected!
Date: Tue, 30 Oct 2007 01:43:08 +0100
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Just uploaded a new 142 mb Qucktime file that should work fine. Sorry  
for the confusion.
http://www.looproom.com/y2k7movie_pboy.mov

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




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Outstanding, Per...gives me a kinda "wish I was there" feeling...note the
FCB1010 in Rick's Garage. Mhmm, crap, it ceased downloading right before
Rick would tell us the price of the all-new enhanced blinking drum chair
model...;)

What kind of cell phone did you use?

	Rainer

> Just uploaded a new 142 mb Qucktime file that should work 
> fine. Sorry for the confusion.
> http://www.looproom.com/y2k7movie_pboy.mov

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bummer... I can't make it Tom.... but keep sending these. I had a  
blast with you last time.

Teddy


On Oct 29, 2007, at 3:22 AM, Tom Ritchford wrote:

> Hello, one and all, young and old, brave and bold friends,
> acquaintances and people who's lists I'm on (and a special nod to the
> looper's delight and open loop crew -- drop by to loop after
> midnight!)
>
>
> I've been planning this show for a while but this absolutely
> exceptional location and evening just fell into my lap so I thought
> I'd jump on it despite the very short notice (I just had the final
> confirmation a few minutes ago).  It's tonight but if we get any sort
> of show at all we'll be able to do it repeatedly...
>
> Jump to the end for the skinny on the space.
>
>
> Tom Swirly presents:
>
> The Illusion of Maya:
>    an avant-garde talk show and variety act.
>        featuring Maya Sky
>        with Tom Swirly playing himself
>
> "Under Maya's influence, the soul mistakenly identifies with the body"
>
>
> On the bill:
>
>   Tom Swirly and Maya Sky: 8:00
>   Dr. Steam Whipple: 8:25
>   Puppies Hold Hands: 8:50
>   Han Tammen/Tom Shad/Joshua Fried trio: 9:15
>
> -- ten minute break --
>
>   The Illusion: 10:05
>   Joshua Fried's Radio Wonderland: 10:15
>   Dan Jones: 10:50
>   Kid Lucky: 11:20
>   Sky and Swirly and the cast: 11:45
>
> midnight and later:
>   open loop (all performers of all types)
>
> There will likely be dancers, including the illustrious Valmonte  
> Sprout.
>
>
> Monday, October 29, 8PM sharp till late.
>
> at the basement of Lucky Cheng's
> http://www.planetluckychengs.com/
> 24 1st Ave. between E1st and East 2nd.
>
> (Note that we will unfortunately not have many if any of the drag
> queens in the basement part of the bar...)
>
> We'll be starting at 8 promptly.
>
>
> Ask for the Early Bird Buyback special.
>
> First five guests get a free drink!!!  (always tip your bartender!)
>   First ten guests get free admission!!
>     Next ten guests pay $3!
>         ... but only if you ask for it.
>
> Otherwise $5.
>
>     (always $3 after midnight!)
>
>
> Notes on the show:
>
>   Maya hosts
>   The guests play music (or do other things but tonight it's all  
> music)
>   Tom interviews the guests
>   Maya and Tom play with the guests.
>   Repeat.
>
>
> (My personal) notes on the performers:
>
>   Maya is an illusion but will sing for you.
>
>   Tom Swirly (open loop, Verge, etc) plays electronic wind instrument,
> sings, manipulates machines, and does various other entertaining
> activities.
>
>   Dr. Steam Whipple will entertain you on the classical guitar.
>
>   Puppies Hold Hands has Touching You (Liquid Tapedeck, Haunted Pussy,
> etc) and Tom Swirly (henceforth TS), together again after almost five
> years and a show that was raided by the police.
>
>   Han Tammen plays endangered guitar. Tom Shad plays bass. Joshua
> Fried plays...er... things.
>
>   The Illusion may or may not appear.
>
>   Dan Jones is the Welsh guitar wizard from open loop and TS's summer
> street fair.
>
>   Kid Lucky is the groundbreaking beatboxer.  This marks his first
> time on the same stage as TS since their a cappella hip hop duo
> Volectrix self-released two CD titles in 2000.
>
>   Valmonte Sprout is a home-grown mime/Butoh/performance dancer whose
> dark, ritualistic show Node Be The Altas (with TS performing the
> music) was one of the last things at the old Ludlow Collective:
> Unconscious space.
>
>
> Notes on the space:
>
>   It's super-fantastic for the audience and performers alike.  The
> performance area is in the back, comfortable, nice big stage, good PA,
> we can hardly go wrong.
>
> There's a nice bar area in the front separated by a hall from the
> performance area so you can go away and chat and then come back and
> watch again.
>
> Mind the step on the way in!!
>
>   Patrick Bucklew (ex-Mo Pitkins) is manning the bar.  He's a great
> guy, a serious artist and performer himself, and very supportive of
> our attempts.
>
> -- 
>
>      /t
>
> http://ax.to ......... extreme NY arts and music calendar
> http://ax.to/tr ....... my secret little little...
> http://ax.to/radio ... my little radio station (on intermittently)
>

--
PS.
--
new videos of my hippy dippy dance trio weekly
mister shifty
--
Teddybut's song "My Country" is #546 on Neil Young's "LIVING  WITH  
WAR TODAY" site
--
visit teddybut on my space
--
new teddybut cd "The Man" is available online at
cd baby
--
Teddybut- "The Man" is part of the rotation at
Harris Radio
--
Interviews
--
http://www.teddybut.com
Kumpelstiltskin Music, Inc.
Brooklyn, NY

"The music business is a cruel and shallow money trench, a long  
plastic hallway where thieves and pimps run free, and good men die  
like dogs. There's also a negative side."
   --Hunter S. Thompson



From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 03:05:29 2007
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To: Loopers-Delight@loopers-delight.com
References: <000f01c81967$38fd0110$1001a8c0@succubus> <05b401c8199a$7b41ffc0$32b3ec0f@americas.hpqcorp.net> <060401c819dd$d5cc4520$32b3ec0f@americas.hpqcorp.net> <afb941d0710282108webbc90bv13d358328d14d4e6@mail.gmail.com> <B5082958-58E6-42BB-9D7A-FCFCA8ED2F8D@midway.uchicago.edu> <06fa01c81a3a$738069c0$32b3ec0f@americas.hpqcorp.net> <afb941d0710291539q69a94f54n522c4be897710a76@mail.gmail.com>
Subject: Re: y2k7 mp3s
Date: Mon, 29 Oct 2007 21:05:26 -0600
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This is a multi-part message in MIME format.

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What Rainer says it's true.
None of the preamps in the microtrack is suitable for 24bit recording.
********************

Now, what exactly does the putative truth of this statement mean? =
Suitable? :)  Does this mean that the preamps can't pass through 24 bits =
of data? That would seem like poor marketing (actually =
mis-representation) on behalf of m-audio. Or does this it mean that the =
preamps just can't compare, inn terms of fidelity, frequency response, =
etc,  to the preamps of a high end recorder preamps (based on frequency =
analysis testing, etc)? =20

Kris


  : http://www.myspace.com/theplayingorchestra
------=_NextPart_000_0787_01C81A6F.6DEA41E0
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3199" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff><FONT face=3DArial size=3D2></FONT>
<DIV><BR>What Rainer says it's true.<BR>None of the preamps in the =
microtrack is=20
suitable for 24bit recording.</DIV>
<DIV>********************<BR></DIV>
<DIV><FONT face=3DArial size=3D2>Now, what exactly does =
the&nbsp;putative truth of=20
this&nbsp;statement mean? Suitable? :)&nbsp; Does this mean that the =
preamps=20
can't pass through 24 bits of data? That would seem like poor marketing=20
(actually mis-representation) on behalf of m-audio. Or does this it mean =
that=20
the preamps just can't compare, inn terms of fidelity, frequency =
response, etc,=20
&nbsp;to the preamps of a high end recorder preamps (based on frequency =
analysis=20
testing, etc)?&nbsp; </FONT></DIV><FONT face=3DArial size=3D2>
<DIV><BR>Kris</DIV>
<DIV></FONT><BR>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">:=20
  <A onclick=3D"return top.js.OpenExtLink(window,event,this)"=20
  href=3D"http://www.myspace.com/theplayingorchestra"=20
  =
target=3D_blank>http://www.myspace.com/theplayingorchestra</A></BLOCKQUOT=
E></BODY></HTML>

------=_NextPart_000_0787_01C81A6F.6DEA41E0--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 03:37:38 2007
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References: <939C591B-F587-44CD-95C0-7D9373C12347@gmail.com> <8C9E8731D4769FA-980-2048@WEBMAIL-MC21.sysops.aol.com> <20071029170845.0jolgelomc44gs0k@69.89.21.76> <4759e5740710291509m2d7227bav2afdd152822dd034@mail.gmail.com> <afb941d0710291546hb77832bu4fdd36d3d3a55803@mail.gmail.com> <afb941d0710291546y449705f4t8f3ed1863f40380b@mail.gmail.com> <6C523324-E1E7-4245-81C5-722CB265870B@gmail.com>
Subject: Re: Y2K7 Movie - Corrected!
Date: Mon, 29 Oct 2007 21:37:35 -0600
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Lovely!! Thanks, Per. Great little production.

Rick, your skit on the flashing chairs is hilarious.

I'm glad you caught part of  Chris Cohn' set....very trippy.

....great ending....sequel to a part II?  Is that Van Halen's flange guitar 
intro to Unchained? :)

Kris 

From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 04:39:17 2007
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Hi Krispen!

Hope your anxious asking finds a definitive answer
in this link... tell us back!

http://www.sonicstudios.com/mt2496rv.htm

Kindly,
Raul.


2007/10/30, Krispen Hartung <khartung@cableone.net>:
>
>
> What Rainer says it's true.
> None of the preamps in the microtrack is suitable for 24bit recording.
> ********************
> Now, what exactly does the putative truth of this statement mean?
> Suitable? :)  Does this mean that the preamps can't pass through 24 bits of
> data? That would seem like poor marketing (actually mis-representation) on
> behalf of m-audio. Or does this it mean that the preamps just can't compare,
> inn terms of fidelity, frequency response, etc,  to the preamps of a high
> end recorder preamps (based on frequency analysis testing, etc)?
>
> Kris
>
>
>
> : http://www.myspace.com/theplayingorchestra
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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Hi Krispen!<br><br>Hope your anxious asking finds a definitive answer<br>in this link... tell us back!<br><br><a href="http://www.sonicstudios.com/mt2496rv.htm">http://www.sonicstudios.com/mt2496rv.htm</a><br><br>Kindly,<br>
Raul.<br><br><br><div><span class="gmail_quote">2007/10/30, Krispen Hartung &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">






<div bgcolor="#ffffff"><span class="q"><font face="Arial" size="2"></font>
<div><br>What Rainer says it&#39;s true.<br>None of the preamps in the microtrack is 
suitable for 24bit recording.</div></span>
<div>********************<br></div>
<div><font face="Arial" size="2">Now, what exactly does the&nbsp;putative truth of 
this&nbsp;statement mean? Suitable? :)&nbsp; Does this mean that the preamps 
can&#39;t pass through 24 bits of data? That would seem like poor marketing 
(actually mis-representation) on behalf of m-audio. Or does this it mean that 
the preamps just can&#39;t compare, inn terms of fidelity, frequency response, etc, 
&nbsp;to the preamps of a high end recorder preamps (based on frequency analysis 
testing, etc)?&nbsp; </font></div><font face="Arial" size="2">
<div><br>Kris</div>
<div></div></font><br>&nbsp;</div><div><span class="e" id="q_115eedf5956edc31_3">
<blockquote style="border-left: 2px solid rgb(0, 0, 0); padding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">: 
  <a href="http://www.myspace.com/theplayingorchestra" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.myspace.com/theplayingorchestra</a></blockquote>
</span></div></blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">
http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>

------=_Part_2279_16890924.1193719155600--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 05:43:52 2007
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Oh, it was SUCH a good show.  We had a decent house and the music
rocked.  I think this is the first really good show I ever had in
somewhat over 20 years of this.  Another 20 years and I'll really be
cooking with gas.

I hope to do it every week.  They loved us;  the guy who brought us in
got a little intoxicated and they had to close the bar :-( but we'll
see.

I don't think the tape came out but I'm still really happy!  Thanks
for your support.

On 10/29/07, Teddy Kumpel <teddybut@mac.com> wrote:
> bummer... I can't make it Tom.... but keep sending these. I had a
> blast with you last time.
>
> Teddy
>
>
> On Oct 29, 2007, at 3:22 AM, Tom Ritchford wrote:
>
> > Hello, one and all, young and old, brave and bold friends,
> > acquaintances and people who's lists I'm on (and a special nod to the
> > looper's delight and open loop crew -- drop by to loop after
> > midnight!)
> >
> >
> > I've been planning this show for a while but this absolutely
> > exceptional location and evening just fell into my lap so I thought
> > I'd jump on it despite the very short notice (I just had the final
> > confirmation a few minutes ago).  It's tonight but if we get any sort
> > of show at all we'll be able to do it repeatedly...
> >
> > Jump to the end for the skinny on the space.
> >
> >
> > Tom Swirly presents:
> >
> > The Illusion of Maya:
> >    an avant-garde talk show and variety act.
> >        featuring Maya Sky
> >        with Tom Swirly playing himself
> >
> > "Under Maya's influence, the soul mistakenly identifies with the body"
> >
> >
> > On the bill:
> >
> >   Tom Swirly and Maya Sky: 8:00
> >   Dr. Steam Whipple: 8:25
> >   Puppies Hold Hands: 8:50
> >   Han Tammen/Tom Shad/Joshua Fried trio: 9:15
> >
> > -- ten minute break --
> >
> >   The Illusion: 10:05
> >   Joshua Fried's Radio Wonderland: 10:15
> >   Dan Jones: 10:50
> >   Kid Lucky: 11:20
> >   Sky and Swirly and the cast: 11:45
> >
> > midnight and later:
> >   open loop (all performers of all types)
> >
> > There will likely be dancers, including the illustrious Valmonte
> > Sprout.
> >
> >
> > Monday, October 29, 8PM sharp till late.
> >
> > at the basement of Lucky Cheng's
> > http://www.planetluckychengs.com/
> > 24 1st Ave. between E1st and East 2nd.
> >
> > (Note that we will unfortunately not have many if any of the drag
> > queens in the basement part of the bar...)
> >
> > We'll be starting at 8 promptly.
> >
> >
> > Ask for the Early Bird Buyback special.
> >
> > First five guests get a free drink!!!  (always tip your bartender!)
> >   First ten guests get free admission!!
> >     Next ten guests pay $3!
> >         ... but only if you ask for it.
> >
> > Otherwise $5.
> >
> >     (always $3 after midnight!)
> >
> >
> > Notes on the show:
> >
> >   Maya hosts
> >   The guests play music (or do other things but tonight it's all
> > music)
> >   Tom interviews the guests
> >   Maya and Tom play with the guests.
> >   Repeat.
> >
> >
> > (My personal) notes on the performers:
> >
> >   Maya is an illusion but will sing for you.
> >
> >   Tom Swirly (open loop, Verge, etc) plays electronic wind instrument,
> > sings, manipulates machines, and does various other entertaining
> > activities.
> >
> >   Dr. Steam Whipple will entertain you on the classical guitar.
> >
> >   Puppies Hold Hands has Touching You (Liquid Tapedeck, Haunted Pussy,
> > etc) and Tom Swirly (henceforth TS), together again after almost five
> > years and a show that was raided by the police.
> >
> >   Han Tammen plays endangered guitar. Tom Shad plays bass. Joshua
> > Fried plays...er... things.
> >
> >   The Illusion may or may not appear.
> >
> >   Dan Jones is the Welsh guitar wizard from open loop and TS's summer
> > street fair.
> >
> >   Kid Lucky is the groundbreaking beatboxer.  This marks his first
> > time on the same stage as TS since their a cappella hip hop duo
> > Volectrix self-released two CD titles in 2000.
> >
> >   Valmonte Sprout is a home-grown mime/Butoh/performance dancer whose
> > dark, ritualistic show Node Be The Altas (with TS performing the
> > music) was one of the last things at the old Ludlow Collective:
> > Unconscious space.
> >
> >
> > Notes on the space:
> >
> >   It's super-fantastic for the audience and performers alike.  The
> > performance area is in the back, comfortable, nice big stage, good PA,
> > we can hardly go wrong.
> >
> > There's a nice bar area in the front separated by a hall from the
> > performance area so you can go away and chat and then come back and
> > watch again.
> >
> > Mind the step on the way in!!
> >
> >   Patrick Bucklew (ex-Mo Pitkins) is manning the bar.  He's a great
> > guy, a serious artist and performer himself, and very supportive of
> > our attempts.
> >
> > --
> >
> >      /t
> >
> > http://ax.to ......... extreme NY arts and music calendar
> > http://ax.to/tr ....... my secret little little...
> > http://ax.to/radio ... my little radio station (on intermittently)
> >
>
> --
> PS.
> --
> new videos of my hippy dippy dance trio weekly
> mister shifty
> --
> Teddybut's song "My Country" is #546 on Neil Young's "LIVING  WITH
> WAR TODAY" site
> --
> visit teddybut on my space
> --
> new teddybut cd "The Man" is available online at
> cd baby
> --
> Teddybut- "The Man" is part of the rotation at
> Harris Radio
> --
> Interviews
> --
> http://www.teddybut.com
> Kumpelstiltskin Music, Inc.
> Brooklyn, NY
>
> "The music business is a cruel and shallow money trench, a long
> plastic hallway where thieves and pimps run free, and good men die
> like dogs. There's also a negative side."
>    --Hunter S. Thompson
>
>
>
>


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

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Raul Bonell wrote:
> They are far superior to the stereo mic that comes with the microtrack.

The mic with the microtrack (at least the one I've seen) has 2 
cardioid capsules at 180 degrees apart.
That's only stereo in the the sense that it produces 2 channels that are different.

Probably that explains Rainer's observation of stereo phase strangeness.

andy butler

From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 09:56:10 2007
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Excellent page, btw.

Kris



  Hi Krispen!

  Hope your anxious asking finds a definitive answer
  in this link... tell us back!

  http://www.sonicstudios.com/mt2496rv.htm

  Kindly,
  Raul.



  2007/10/30, Krispen Hartung <khartung@cableone.net>:

    What Rainer says it's true.
    None of the preamps in the microtrack is suitable for 24bit =
recording.
    ********************

    Now, what exactly does the putative truth of this statement mean? =
Suitable? :)  Does this mean that the preamps can't pass through 24 bits =
of data? That would seem like poor marketing (actually =
mis-representation) on behalf of m-audio. Or does this it mean that the =
preamps just can't compare, inn terms of fidelity, frequency response, =
etc,  to the preamps of a high end recorder preamps (based on frequency =
analysis testing, etc)? =20

    Kris

    =20
      : http://www.myspace.com/theplayingorchestra



  --=20
  The Playing Orchestra: http://www.telefonica.net/web2/tpo
  Chain Tape Collective: http://www.ct-collective.com
  TPO at myspace: http://www.myspace.com/theplayingorchestra 
------=_NextPart_000_07CB_01C81AA8.CCD44370
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3199" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Excellent page, btw.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><BR>&nbsp;</DIV>Hi=20
  Krispen!<BR><BR>Hope your anxious asking finds a definitive =
answer<BR>in this=20
  link... tell us back!<BR><BR><A=20
  =
href=3D"http://www.sonicstudios.com/mt2496rv.htm">http://www.sonicstudios=
.com/mt2496rv.htm</A><BR><BR>Kindly,<BR>Raul.<BR><BR><BR>
  <DIV><SPAN class=3Dgmail_quote>2007/10/30, Krispen Hartung &lt;<A=20
  =
href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>&gt;:</SPA=
N>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <DIV bgcolor=3D"#ffffff"><SPAN class=3Dq><FONT face=3DArial =
size=3D2></FONT>
    <DIV><BR>What Rainer says it's true.<BR>None of the preamps in the=20
    microtrack is suitable for 24bit recording.</DIV></SPAN>
    <DIV>********************<BR></DIV>
    <DIV><FONT face=3DArial size=3D2>Now, what exactly does =
the&nbsp;putative truth=20
    of this&nbsp;statement mean? Suitable? :)&nbsp; Does this mean that =
the=20
    preamps can't pass through 24 bits of data? That would seem like =
poor=20
    marketing (actually mis-representation) on behalf of m-audio. Or =
does this=20
    it mean that the preamps just can't compare, inn terms of fidelity,=20
    frequency response, etc, &nbsp;to the preamps of a high end recorder =
preamps=20
    (based on frequency analysis testing, etc)?&nbsp; </FONT></DIV><FONT =

    face=3DArial size=3D2>
    <DIV><BR>Kris</DIV>
    <DIV></DIV></FONT><BR>&nbsp;</DIV>
    <DIV><SPAN class=3De id=3Dq_115eedf5956edc31_3>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: rgb(0,0,0) 2px solid; MARGIN-RIGHT: 0px">:=20
      <A onclick=3D"return top.js.OpenExtLink(window,event,this)"=20
      href=3D"http://www.myspace.com/theplayingorchestra"=20
      =
target=3D_blank>http://www.myspace.com/theplayingorchestra</A></BLOCKQUOT=
E></SPAN></DIV></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>The Playing Orchestra: <A=20
  =
href=3D"http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web=
2/tpo</A><BR>Chain=20
  Tape Collective: <A=20
  =
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</A><BR=
>TPO at=20
  myspace: <A=20
  =
href=3D"http://www.myspace.com/theplayingorchestra">http://www.myspace.co=
m/theplayingorchestra</A>=20
</BLOCKQUOTE></BODY></HTML>

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: AW: Y2K7 Movie - Corrected!
Date: Tue, 30 Oct 2007 14:50:06 +0100
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On 30 okt 2007, at 02.01, Rainer Thelonius Balthasar Straschill wrote:

> What kind of cell phone did you use?

Will have a look... It says "Sony Eriksson" and over Bluetooth it  
displays as "z800". But the girl who gave it to me says the model is  
"z800i".

But, as I state in the pre roll text, cell phone movie/picture/audio  
is rather crappy. Since I couldn't film myself I used Marc Hamburgs  
still photos for the clip when I'm playing (yes, I just remembered to  
add credits for Mark in the pre roll texts. Will upload corrected  
version as soon as it's rendered here). For me and Randolf Arriola I  
used Krispen's excellent stereo mic recording, which I actually like  
much better than any direct out tapped recording, because of the nice  
audio noise and whispering voices that got caught by the mics.

The software used to make the film was iMovie, that comes bundled for  
free with any Mac. I did a little trick though. After assembling all  
films and pictures in iMovie I exported the stereo audio track as a  
24 bit file. This audio file, containing the "film sync sound" was  
imported in Logic, where I goofed around a bit with reverb, eq,  
compression etc etc and also added Kris Hartung's venue recording and  
my own intro music. The audio mix I bounced from Logic was then  
imported back into iMovie and used instead of the first audio track  
(although as for the "sync sound" originally recorded by the Cell  
Phone it was the same material).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 16:27:27 2007
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Date: Tue, 30 Oct 2007 12:27:26 -0400
From: "Jim Goodin" <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Y2K7 Movie - Corrected!
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Per that's really cool documentary.  It was such a whistle stop for our time
at the fest that there was no time for the scenic side of Santa Cruz so this
is very cool to see the beach and surrounding, reminds me of further north.
Like your continuity and 'in the face' angles.

It was very great to be part of this year's fest, bring the muse of
Chinapainting and connect with folks like yourself from all over the planet.

Good piece...

Jim
www.chinapaintingmusic.com
www.jimgoodinmusic.com



On 10/29/07, Per Boysen <perboysen@gmail.com> wrote:
>
> Just uploaded a new 142 mb Qucktime file that should work fine. Sorry
> for the confusion.
> http://www.looproom.com/y2k7movie_pboy.mov
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>
>
>
>
>


-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

Associates and friends on the web -
Daryl Shawn -
http://www.swanwelder.com
Adam Werner - http://www.adamwerner.com
John Stowell - http://www.johnstowell.com
Matt Richards - http://www.mattrichardsmusic.net
Michael Manring - http://www.manthing.com
Will Ackerman - http://www.williamackerman.com
New Land Music - http://www.newlandmusic.com

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<div>Per that&#39;s really cool documentary.&nbsp; It was such a whistle stop for our time at the fest that there was no time for the scenic side of Santa Cruz so this is very cool to see the beach and surrounding, reminds me of further north.&nbsp; Like your continuity and &#39;in the face&#39; angles.
</div>
<div>&nbsp;</div>
<div>It was very great to be part of this year&#39;s fest, bring the muse of Chinapainting and connect with folks like yourself from all over the planet.</div>
<div>&nbsp;</div>
<div>Good piece...</div>
<div>&nbsp;</div>
<div>Jim</div>
<div><a href="http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a></div>
<div><a href="http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a></div>
<div><br><br>&nbsp;</div>
<div><span class="gmail_quote">On 10/29/07, <b class="gmail_sendername">Per Boysen</b> &lt;<a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Just uploaded a new 142 mb Qucktime file that should work fine. Sorry<br>for the confusion.<br><a href="http://www.looproom.com/y2k7movie_pboy.mov">
http://www.looproom.com/y2k7movie_pboy.mov</a><br><br>Greetings from Sweden<br><br>Per Boysen<br><a href="http://www.boysen.se">www.boysen.se</a> (Swedish)<br><a href="http://www.looproom.com">www.looproom.com</a> (international)
<br><br><br><br><br></blockquote></div><br><br clear="all"><br>-- <br>The Acoustic World Guitar of Jim Goodin&nbsp;&nbsp;- <a href="http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com</a><br>MySpace (solo) - <a href="http://www.myspace.com/jimgoodinmusic">
http://www.myspace.com/jimgoodinmusic</a><br>Chinapainting -<br><a href="http://www.chinapaintingmusic.com">http://www.chinapaintingmusic.com</a><br>Chinapainting on My Space -<br><a href="http://www.myspace.com/chinapaintingmusic.com">
http://www.myspace.com/chinapaintingmusic.com</a><br>The Jim Goodin label and home for 7 other creative souls - <a href="http://www.woodandwiremusic.com">http://www.woodandwiremusic.com</a> <br>Jim Goodin uses GHS Strings - 
<a href="http://www.ghsstrings.com">http://www.ghsstrings.com</a> and Seagull Guitars - <a href="http://www.seagullguitars.com">http://www.seagullguitars.com</a>, Jim Goodin is published by Mel Bay Publications, Inc. - <a href="http://www.melbay.com">
http://www.melbay.com</a><br><br>Associates and friends on the web -<br>Daryl Shawn -<br><a href="http://www.swanwelder.com">http://www.swanwelder.com</a><br>Adam Werner - <a href="http://www.adamwerner.com">http://www.adamwerner.com
</a><br>John Stowell - <a href="http://www.johnstowell.com">http://www.johnstowell.com</a><br>Matt Richards - <a href="http://www.mattrichardsmusic.net">http://www.mattrichardsmusic.net</a><br>Michael Manring - <a href="http://www.manthing.com">
http://www.manthing.com</a><br>Will Ackerman - <a href="http://www.williamackerman.com">http://www.williamackerman.com</a><br>New Land Music - <a href="http://www.newlandmusic.com">http://www.newlandmusic.com</a> 

------=_Part_3210_24837187.1193761646282--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 16:48:12 2007
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Subject: Re: FC-300 (was How to simulate a piano sustain pedal)
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> Mech wrote: 
> In fact, this is where the FC-300 gets over the MAJOR complaint I 
> always had against the FCB-1010 (even though I've got one an FCB 
> too): the expression pedals (not the switches) on the FCB could only 
> ever be set to a single channel. So, for instance, you couldn't 
> control Feedback on your Looper, then switch patches and use that 
> same expression pedal to control, say, Filter Cutoff on a synth 
> module.

Thanks for the info. This means the RC-300 is much more powerfull then I =
thought it was :) I checked the manual again (patch mode) and now I under=
stand what you mean. 

> Not only can the FC-300 do that (I'm doing it with several different 
> patches), but you can actually use a single pedal to control SIX 
> different parameters simultaneously. These can each be on different 
> MIDI channels if you like.

Wow...that's really interesting. I want something similar: assigning mult=
iple control messages to a pedal and controlling different midi devices. =
This is what you need when you are a live looper

Question: I suppose I can send program changes from a remote device to se=
lect a patch on the RC-300? Btw: it's not my intension to send program ch=
anges from the RC-300 to the other midi devices. I use a central 8*8 midi=
 patchbay containing my midi setup per song of the setlist. Each song con=
tains the required midi setup including program changes, midi re-channel =
info, splits etc. 

> Sjaak, dig a bit more into the programming on the FC-300. I'm 
> confident that with a bit of work, you'll find most, if not all, of 
> your misgivings will quickly evaporate.

You're 100% correct :) Thanks again for your help

Sjaak
=0A---=0AScarlet One, ADSL 6 Mbps + Telefonie, vanaf EUR 29,95...=0Ahttp:=
//www.scarlet.be/

From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 16:49:57 2007
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Subject: Re: y2k7 mp3s
Date: Tue, 30 Oct 2007 09:49:50 -0700
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I recently had a job doing a sound mix for a low-budget film. Much of the 
location sound and dialogue was recorded using a cheap stereo mic with 2 
oposing capsules. When any of the tracks recorded with that mic were summed 
to mono, the phase cancellations resulted in about a 30db drop in overall 
volume, plus some really nasty EQ. Very annoying.

----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, October 30, 2007 1:08 AM
Subject: Re: y2k7 mp3s


>
> Raul Bonell wrote:
>> They are far superior to the stereo mic that comes with the microtrack.
>
> The mic with the microtrack (at least the one I've seen) has 2 cardioid 
> capsules at 180 degrees apart.
> That's only stereo in the the sense that it produces 2 channels that are 
> different.
>
> Probably that explains Rainer's observation of stereo phase strangeness.
>
> andy butler
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 17:19:31 2007
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Subject: Re: Y2K7 Movie - Corrected!
Date: Tue, 30 Oct 2007 17:42:01 +0100
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Vey very nice, Per !
Good days...

fabio
www.eterogeneo.com

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, October 30, 2007 1:43 AM
Subject: Re: Y2K7 Movie - Corrected!


> Just uploaded a new 142 mb Qucktime file that should work fine. Sorry  for 
> the confusion.
> http://www.looproom.com/y2k7movie_pboy.mov
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>
>
>
>
>
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 
> 269.15.13/1099 - Release Date: 30/10/2007 10.06
>
> 

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great movie per!!!!!.....i almost felt like i was 
there.....:).....michael


http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com



-----Original Message-----
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, Oct 29  8:43 PM
Subject: Re: Y2K7 Movie - Corrected!

Just uploaded a new 142 mb Qucktime file that should work fine. Sorry
for the confusion.
http://www.looproom.com/y2k7movie_pboy.mov

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)







________________________________________________________________________
Email and AIM finally together. You've gotta check out free AOL Mail! - 
http://mail.aol.com

From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 19:50:54 2007
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Date: Tue, 30 Oct 2007 20:50:50 +0100
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Subject: Re: Y2K7 Movie - Corrected!
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holy s....!
i love clips from my favourite rock stars!!!

thx,
R.

2007/10/30, nemoguitt@aol.com <nemoguitt@aol.com>:
>
> great movie per!!!!!.....i almost felt like i was
> there.....:).....michael
>
>
> http://www.myspace.com/klobuchar10
> http://mysite.verizon.net/vzepmeci/
> www.ct-collective.com
>
>
>
> -----Original Message-----
> From: Per Boysen <perboysen@gmail.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Mon, Oct 29  8:43 PM
> Subject: Re: Y2K7 Movie - Corrected!
>
> Just uploaded a new 142 mb Qucktime file that should work fine. Sorry
> for the confusion.
> http://www.looproom.com/y2k7movie_pboy.mov
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>
>
>
>
>
>
>
> ________________________________________________________________________
> Email and AIM finally together. You've gotta check out free AOL Mail! -
> http://mail.aol.com
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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holy s....!<br> i love clips from my favourite rock stars!!!<br><br>thx,<br>R.<br><br><div><span class="gmail_quote">2007/10/30, <a href="mailto:nemoguitt@aol.com">nemoguitt@aol.com</a> &lt;<a href="mailto:nemoguitt@aol.com">
nemoguitt@aol.com</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">great movie per!!!!!.....i almost felt like i was<br>there.....:).....michael
<br><br><br><a href="http://www.myspace.com/klobuchar10">http://www.myspace.com/klobuchar10</a><br><a href="http://mysite.verizon.net/vzepmeci/">http://mysite.verizon.net/vzepmeci/</a><br><a href="http://www.ct-collective.com">
www.ct-collective.com</a><br><br><br><br>-----Original Message-----<br>From: Per Boysen &lt;<a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;<br>To: <a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com
</a><br>Sent: Mon, Oct 29&nbsp;&nbsp;8:43 PM<br>Subject: Re: Y2K7 Movie - Corrected!<br><br>Just uploaded a new 142 mb Qucktime file that should work fine. Sorry<br>for the confusion.<br><a href="http://www.looproom.com/y2k7movie_pboy.mov">
http://www.looproom.com/y2k7movie_pboy.mov</a><br><br>Greetings from Sweden<br><br>Per Boysen<br><a href="http://www.boysen.se">www.boysen.se</a> (Swedish)<br><a href="http://www.looproom.com">www.looproom.com</a> (international)
<br><br><br><br><br><br><br><br>________________________________________________________________________<br>Email and AIM finally together. You&#39;ve gotta check out free AOL Mail! -<br><a href="http://mail.aol.com">http://mail.aol.com
</a><br><br></blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">
http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>

------=_Part_2849_8388781.1193773850207--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 19:52:20 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Y2K7 Movie - Corrected!
Date: Tue, 30 Oct 2007 20:52:06 +0100
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On 30 okt 2007, at 20.45, nemoguitt@aol.com wrote:

> great movie per!!!!!.....i almost felt like i was  
> there.....:).....michael


Yep, I really like your presence in the scene were we are standing  
outside the venue. It's raining and you go "What's that? Cigarettes?  
What do they taste like?" And then, with borrowed cig nicely lit, you  
go "Boy-oh-boy... look at that!" regarding the wether. And then  
madman Kaiser comes running out into the pouring rain with a guitar  
strapped on. Crazy moment! I like the atmosphere in that moment, with  
Bill Walkers moody slide guitar fragments leaking out from inside.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 19:53:30 2007
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Date: Tue, 30 Oct 2007 20:53:28 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: re. Re: Y2K7 Movie - Corrected!
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Hi !

What a great little movie !

best - Rune F. Norway

--- Per Boysen <perboysen@gmail.com> skrev:

> Just uploaded a new 142 mb Qucktime file that should
> work fine. Sorry  
> for the confusion.
> http://www.looproom.com/y2k7movie_pboy.mov
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> 
> 
> 
> 
> 



      _________________________________________________________
Alt i ett. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

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Date: Tue, 30 Oct 2007 16:10:45 EDT
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just got home late last nite.....BIG THANKS TO: THE WONDERFUL WALKERS who 
made me feel like family.....and to ALL OF THE KRAZY KATZ from all over the 
world.....what good clean fun!.....a fantastic effort by all!.....michael




"raise em to eat em!".....scoots galore "THOUGHTS ON PETS"

www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11




**************************************
 See what's new at http://www.aol.com

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">just got home late last nite.....BIG TH=
ANKS TO: THE WONDERFUL WALKERS who made me feel like family.....and to ALL O=
F THE KRAZY KATZ from all over the world.....what good clean fun!.....a fant=
astic effort by all!.....michael<BR>
<BR>
<BR>
<BR>
<BR>
"raise em to eat em!".....scoots galore "THOUGHTS ON PETS"<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
new at http://www.aol.com</HTML>

--part1_d4a.16246bc5.3458e9c5_boundary--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 21:01:39 2007
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Date: Tue, 30 Oct 2007 20:53:53 GMT
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Very Nice Per, and all involved!

Weg
_____________________________________________________________
Click here for free information on earning a criminal justice degree tod=
ay.
http://thirdpartyoffers.netzero.net/TGL2211/fc/Ioyw6ijmiHZdcs2f8oNdFog7K=
aTQc8JDueHNM96GcrHyOVKRz3mfIO/


From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 22:03:31 2007
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In my endless quest to find decent forum software that isn't wide 
open to spammers, I've set up the following 

http://loopingmusic.proboards99.com

If you have e-time to spare, please consider joining. Please let's 
not start a long debate about the pros & cons of forums (forii?), 
just take or leave it.

Bought myself a Redsound Cycloops - stereo sampling in a tiny 
package. 

From Loopers-Delight-request@loopers-delight.com  Tue Oct 30 22:50:16 2007
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Date: Tue, 30 Oct 2007 18:49:29 -0400
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Awesome, finally!!

I'll see you all over there..!!!



>In my endless quest to find decent forum software that isn't wide
>open to spammers, I've set up the following
>
>http://loopingmusic.proboards99.com
>
>If you have e-time to spare, please consider joining. Please let's
>not start a long debate about the pros & cons of forums (forii?),
>just take or leave it.
>
>Bought myself a Redsound Cycloops - stereo sampling in a tiny
>package.


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 01:56:27 2007
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Cool. How long do I have to wait for you to approve my membership? I get 
this after I setup an account, verify, and try to log in:

Currently your account is waiting for approval from a staff member. Once an 
administrator has approved your account you will get access to this forum.

Kris

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 02:58:23 2007
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> Cool. How long do I have to wait for you to approve my membership?

I've been waiting since this afternoon.  Having to wait for approval may 
discourage people from joining.  On the Looperlative forum, I ask people a 
simple question that has a simple answer that any looper would know.  I have 
found this to be quite effective at stopping spammers from joining.

Bob Amstadt 

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 03:00:10 2007
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From: Richard Sales <richard@glasswing.com>
Subject: AXON AX 100
Date: Tue, 30 Oct 2007 17:31:46 -0700
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HI gang

I'm sort of back!  Have been busier than a whole colony of fleas on a 
burning cat!

Just did a music video here at our farm this past weekend that was 
insane - 30 bicyclists, one authentic hippy VW bus, 11 member film 
crew, 4 band members.

So question - have any of you used the AXON AX 100?  Has anyone used it 
with an acoustic guitar?  And do any of you know where to get PICKUPS - 
especially the hexaphonic pickup for acoustic guitars?  I was given the 
AX 100 and it looks very cool.  But it don't got no pickup!  Argh!!!   
It looks really intriguing and I checked out videos of folks using it 
and it seems pretty stunning.

Thanks in advance
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com

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HI gang


I'm sort of back!  Have been busier than a whole colony of fleas on a
burning cat!  


Just did a music video here at our farm this past weekend that was
insane - 30 bicyclists, one authentic hippy VW bus, 11 member film
crew, 4 band members.  


So question - have any of you used the AXON AX 100?  Has anyone used
it with an acoustic guitar?  And do any of you know where to get
PICKUPS - especially the hexaphonic pickup for acoustic guitars?  I
was given the AX 100 and it looks very cool.  But it don't got no
pickup!  Argh!!!   It looks really intriguing and I checked out videos
of folks using it and it seems pretty stunning. 


Thanks in advance

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>


--Apple-Mail-6-735142036--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 03:53:48 2007
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Date: Tue, 30 Oct 2007 22:23:22 -0500
To: Loopers-Delight@loopers-delight.com
From: paul <phaslem@wightman.ca>
Subject: Re: AXON AX 100
In-Reply-To: <e89348d0f5d5c4e3af7ee507f1a752b4@glasswing.com>
References: <BAY129-W44A1C3BC366F2CD4E43DC4C3910@phx.gbl>
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--=====================_7648750==.ALT
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Hey Richard,

I'm pretty sure you could get one through Long & McQuade there's one 
in Victoria, two or three in Vancouver and a few more scattered 
across the province.

Paul haslem


At 07:31 PM 10/30/2007, you wrote:
>HI gang
>
>I'm sort of back!  Have been busier than a whole colony of fleas on 
>a burning cat!
>
>Just did a music video here at our farm this past weekend that was 
>insane - 30 bicyclists, one authentic hippy VW bus, 11 member film 
>crew, 4 band members.
>
>So question - have any of you used the AXON AX 100?  Has anyone used 
>it with an acoustic guitar?  And do any of you know where to get 
>PICKUPS - especially the hexaphonic pickup for acoustic guitars?  I 
>was given the AX 100 and it looks very cool.  But it don't got no 
>pickup!  Argh!!!   It looks really intriguing and I checked out 
>videos of folks using it and it seems pretty stunning.
>
>Thanks in advance
>richard sales
>glassWing farm and studio
>vancouver island, b.c.
>800.545.6846
>250.752.4816
>www.glassWing.com
>www.richardsales.com
>www.hayleysales.com
>www.blueberryfieldsfarm.com
>
></blockquote></x-html>

--=====================_7648750==.ALT
Content-Type: text/html; charset="us-ascii"

<html>
<body>
Hey Richard,<br><br>
I'm pretty sure you could get one through Long &amp; McQuade there's one
in Victoria, two or three in Vancouver and a few more scattered across
the province.<br><br>
Paul haslem<br><br>
<br>
At 07:31 PM 10/30/2007, you wrote:<br>
<blockquote type=cite class=cite cite="">HI gang <br><br>
I'm sort of back!&nbsp; Have been busier than a whole colony of fleas on
a burning cat!&nbsp; <br><br>
Just did a music video here at our farm this past weekend that was insane
- 30 bicyclists, one authentic hippy VW bus, 11 member film crew, 4 band
members.&nbsp; <br><br>
So question - have any of you used the AXON AX 100?&nbsp; Has anyone used
it with an acoustic guitar?&nbsp; And do any of you know where to get
PICKUPS - especially the hexaphonic pickup for acoustic guitars?&nbsp; I
was given the AX 100 and it looks very cool.&nbsp; But it don't got no
pickup!&nbsp; Argh!!!&nbsp;&nbsp; It looks really intriguing and I
checked out videos of folks using it and it seems pretty stunning.
<br><br>
Thanks in advance <br>
richard sales <br>
<font color="#737FC5">glassWing farm and studio</font> <br>
vancouver island, b.c. <br>
800.545.6846 <br>
250.752.4816 <br>
<font color="#C3961C">
<a href="http://www.glasswing.com/" eudora="autourl">www.glassWing.com</a>
 <br>
<a href="http://www.richardsales.com/" eudora="autourl">
www.richardsales.com</a> <br>
<a href="http://www.hayleysales.com/" eudora="autourl">
www.hayleysales.com</a> <br>
<a href="http://www.blueberryfieldsfarm.com/" eudora="autourl">
www.blueberryfieldsfarm.com</a></font> <br><br>
&lt;/blockquote&gt;&lt;/x-html&gt;</blockquote></body>
</html>

--=====================_7648750==.ALT--

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From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
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In-Reply-To: <e89348d0f5d5c4e3af7ee507f1a752b4@glasswing.com>
Subject: RE: AXON AX 100
Date: Tue, 30 Oct 2007 23:50:27 -0500
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I wish someone would give ME a $700 guitar synth! J

 

A Roland GK pickup will work.  

HYPERLINK
"http://www.musiciansfriend.com/product/Roland-GK3-Guitar-Pickup?sku=700379"
http://www.musiciansfriend.com/product/Roland-GK3-Guitar-Pickup?sku=700379

 

Or watch EBay.

 

>From most accounts the Axon is an excellent unit.  Better tracking than the
Rolands.  

 

Tony

 

From: Richard Sales [mailto:richard@glasswing.com] 
Sent: Tuesday, October 30, 2007 7:32 PM
To: Loopers-Delight@loopers-delight.com
Subject: AXON AX 100

 

HI gang

I'm sort of back! Have been busier than a whole colony of fleas on a burning
cat! 

Just did a music video here at our farm this past weekend that was insane -
30 bicyclists, one authentic hippy VW bus, 11 member film crew, 4 band
members. 

So question - have any of you used the AXON AX 100? Has anyone used it with
an acoustic guitar? And do any of you know where to get PICKUPS - especially
the hexaphonic pickup for acoustic guitars? I was given the AX 100 and it
looks very cool. But it don't got no pickup! Argh!!! It looks really
intriguing and I checked out videos of folks using it and it seems pretty
stunning. 

Thanks in advance
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com

No virus found in this incoming message.
Checked by AVG Free Edition.
Version: 7.5.503 / Virus Database: 269.15.13/1099 - Release Date: 10/30/2007
10:06 AM


No virus found in this outgoing message.
Checked by AVG Free Edition. 
Version: 7.5.503 / Virus Database: 269.15.13/1099 - Release Date: 10/30/2007
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<p class=3DMsoNormal><span =
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D'><o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>A Roland GK pickup will work.&nbsp; =
<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><a
href=3D"http://www.musiciansfriend.com/product/Roland-GK3-Guitar-Pickup?s=
ku=3D700379">http://www.musiciansfriend.com/product/Roland-GK3-Guitar-Pic=
kup?sku=3D700379</a><o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Or watch EBay.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>From most accounts the Axon is an excellent unit.&nbsp; =
Better
tracking than the Rolands.&nbsp; <o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Tony<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Richard =
Sales
[mailto:richard@glasswing.com] <br>
<b>Sent:</b> Tuesday, October 30, 2007 7:32 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> AXON AX 100<o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>HI gang<br>
<br>
I'm sort of back! Have been busier than a whole colony of fleas on a =
burning
cat! <br>
<br>
Just did a music video here at our farm this past weekend that was =
insane - 30
bicyclists, one authentic hippy VW bus, 11 member film crew, 4 band =
members. <br>
<br>
So question - have any of you used the AXON AX 100? Has anyone used it =
with an
acoustic guitar? And do any of you know where to get PICKUPS - =
especially the
hexaphonic pickup for acoustic guitars? I was given the AX 100 and it =
looks
very cool. But it don't got no pickup! Argh!!! It looks really =
intriguing and I
checked out videos of folks using it and it seems pretty stunning. <br>
<br>
Thanks in advance<br>
richard sales<br>
glassWing farm and studio<br>
vancouver island, b.c.<br>
800.545.6846<br>
250.752.4816<br>
www.glassWing.com<br>
www.richardsales.com<br>
www.hayleysales.com<br>
www.blueberryfieldsfarm.com<o:p></o:p></p>

<p><span style=3D'font-size:10.0pt'>No virus found in this incoming =
message.<br>
Checked by AVG Free Edition.<br>
Version: 7.5.503 / Virus Database: 269.15.13/1099 - Release Date: =
10/30/2007
10:06 AM</span><o:p></o:p></p>

</div>

</body>

</html>
<BR>

<P><FONT SIZE=3D2>No virus found in this outgoing message.<BR>
Checked by AVG Free Edition.<BR>
Version: 7.5.503 / Virus Database: 269.15.13/1099 - Release Date: =
10/30/2007 10:06 AM<BR>
</FONT> </P>

------=_NextPart_000_0098_01C81B4F.A7F8DCD0--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 04:06:26 2007
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Message-Id: <dc8e96434583ac17d4c272625428d9a5@glasswing.com>
From: Richard Sales <richard@glasswing.com>
Subject: Re: AXON AX 100
Date: Tue, 30 Oct 2007 21:06:24 -0700
To: Loopers-Delight@loopers-delight.com
X-Mailer: Apple Mail (2.624)
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--Apple-Mail-2-748019539
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain;
	charset=ISO-8859-1;
	delsp=yes;
	format=flowed

well if I don't have any luck Tony...

But yeah... I've read (since sending my question to you) the GK 3 from =20=

Roland is good.   And thanks Paul.
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 30-Oct-07, at 9:50 PM, Tony K wrote:

> I wish someone would give ME a $700 guitar synth! J
> =A0
> A Roland GK pickup will work.=A0
> http://www.musiciansfriend.com/product/Roland-GK3-Guitar-Pickup?=20
> sku=3D700379
> =A0
> Or watch EBay.
> =A0
> =46rom most accounts the Axon is an excellent unit.=A0 Better tracking =
=20
> than the Rolands.=A0
> =A0
> Tony
> =A0
> From: Richard Sales [mailto:richard@glasswing.com]
> Sent: Tuesday, October 30, 2007 7:32 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: AXON AX 100
> =A0
>
> HI gang
>
>  I'm sort of back! Have been busier than a whole colony of fleas on a =20=

> burning cat!
>
>  Just did a music video here at our farm this past weekend that was =20=

> insane - 30 bicyclists, one authentic hippy VW bus, 11 member film =20
> crew, 4 band members.
>
>  So question - have any of you used the AXON AX 100? Has anyone used =20=

> it with an acoustic guitar? And do any of you know where to get =20
> PICKUPS - especially the hexaphonic pickup for acoustic guitars? I was =
=20
> given the AX 100 and it looks very cool. But it don't got no pickup! =20=

> Argh!!! It looks really intriguing and I checked out videos of folks =20=

> using it and it seems pretty stunning.
>
>  Thanks in advance
>  richard sales
>  glassWing farm and studio
>  vancouver island, b.c.
>  800.545.6846
>  250.752.4816
>  www.glassWing.com
>  www.richardsales.com
>  www.hayleysales.com
>  www.blueberryfieldsfarm.com
>
> No virus found in this incoming message.
>  Checked by AVG Free Edition.
>  Version: 7.5.503 / Virus Database: 269.15.13/1099 - Release Date: =20
> 10/30/2007 10:06 AM
>
>
> No virus found in this outgoing message.
>  Checked by AVG Free Edition.
>  Version: 7.5.503 / Virus Database: 269.15.13/1099 - Release Date: =20
> 10/30/2007 10:06 AM

--Apple-Mail-2-748019539
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

well if I don't have any luck Tony...


But yeah... I've read (since sending my question to you) the GK 3 from
Roland is good.   And thanks Paul. =20

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 30-Oct-07, at 9:50 PM, Tony K wrote:


<excerpt><color><param>1F1F,4949,7D7D</param><bigger><x-tad-bigger>I
wish someone would give ME a $700 guitar synth! =
J</x-tad-bigger></bigger></color></excerpt><excerpt>

=
<color><param>1F1F,4949,7D7D</param><bigger><x-tad-bigger>=A0</x-tad-bigge=
r></bigger></color></excerpt><excerpt>

<color><param>1F1F,4949,7D7D</param><bigger><x-tad-bigger>A Roland GK
pickup will work.=A0</x-tad-bigger></bigger></color></excerpt><excerpt>

=
<color><param>0000,0000,FFFF</param><bigger><x-tad-bigger>http://www.music=
iansfriend.com/product/Roland-GK3-Guitar-Pickup?sku=3D700379</x-tad-bigger=
></bigger></color></excerpt><excerpt>

=
<color><param>1F1F,4949,7D7D</param><bigger><x-tad-bigger>=A0</x-tad-bigge=
r></bigger></color></excerpt><excerpt>

<color><param>1F1F,4949,7D7D</param><bigger><x-tad-bigger>Or watch
EBay.</x-tad-bigger></bigger></color></excerpt><excerpt>

=
<color><param>1F1F,4949,7D7D</param><bigger><x-tad-bigger>=A0</x-tad-bigge=
r></bigger></color></excerpt><excerpt>

<color><param>1F1F,4949,7D7D</param><bigger><x-tad-bigger>=46rom most
accounts the Axon is an excellent unit.=A0 Better tracking than the
Rolands.=A0</x-tad-bigger></bigger></color></excerpt><excerpt>

=
<color><param>1F1F,4949,7D7D</param><bigger><x-tad-bigger>=A0</x-tad-bigge=
r></bigger></color></excerpt><excerpt>

=
<color><param>1F1F,4949,7D7D</param><bigger><x-tad-bigger>Tony</x-tad-bigg=
er></bigger></color></excerpt><excerpt>

=
<color><param>1F1F,4949,7D7D</param><bigger><x-tad-bigger>=A0</x-tad-bigge=
r></bigger></color></excerpt><excerpt>

<bold><x-tad-bigger>From:</x-tad-bigger></bold><x-tad-bigger> Richard
Sales [mailto:richard@glasswing.com]</x-tad-bigger>

<bold><x-tad-bigger>Sent:</x-tad-bigger></bold><x-tad-bigger> Tuesday,
October 30, 2007 7:32 PM</x-tad-bigger>

<bold><x-tad-bigger>To:</x-tad-bigger></bold><x-tad-bigger>
Loopers-Delight@loopers-delight.com</x-tad-bigger>

<bold><x-tad-bigger>Subject:</x-tad-bigger></bold><x-tad-bigger> AXON
AX 100</x-tad-bigger>

<fontfamily><param>Times New =
Roman</param><bigger><bigger>=A0</bigger></bigger></fontfamily>


<fontfamily><param>Times New Roman</param><bigger><bigger>HI =
gang</bigger></bigger></fontfamily>


<fontfamily><param>Times New Roman</param><bigger><bigger> I'm sort of
back! Have been busier than a whole colony of fleas on a burning cat! =
</bigger></bigger></fontfamily>


<fontfamily><param>Times New Roman</param><bigger><bigger> Just did a
music video here at our farm this past weekend that was insane - 30
bicyclists, one authentic hippy VW bus, 11 member film crew, 4 band
members. </bigger></bigger></fontfamily>


<fontfamily><param>Times New Roman</param><bigger><bigger> So question
- have any of you used the AXON AX 100? Has anyone used it with an
acoustic guitar? And do any of you know where to get PICKUPS -
especially the hexaphonic pickup for acoustic guitars? I was given the
AX 100 and it looks very cool. But it don't got no pickup! Argh!!! It
looks really intriguing and I checked out videos of folks using it and
it seems pretty stunning. </bigger></bigger></fontfamily>


<fontfamily><param>Times New Roman</param><bigger><bigger> Thanks in
advance</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> richard
sales</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> glassWing
farm and studio</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> vancouver
island, b.c.</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> =
800.545.6846</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> =
250.752.4816</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger>
www.glassWing.com</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger>
www.richardsales.com</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger>
www.hayleysales.com</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger>
www.blueberryfieldsfarm.com</bigger></bigger></fontfamily>


<fontfamily><param>Times New Roman</param><x-tad-bigger>No virus found
in this incoming message.</x-tad-bigger></fontfamily>

<fontfamily><param>Times New Roman</param><x-tad-bigger> Checked by
AVG Free Edition.</x-tad-bigger></fontfamily>

<fontfamily><param>Times New Roman</param><x-tad-bigger> Version:
7.5.503 / Virus Database: 269.15.13/1099 - Release Date: 10/30/2007
10:06 AM</x-tad-bigger></fontfamily>



<fontfamily><param>Times New Roman</param><smaller>No virus found in
this outgoing message.</smaller></fontfamily>

<fontfamily><param>Times New Roman</param><smaller> Checked by AVG
Free Edition.</smaller></fontfamily>

<fontfamily><param>Times New Roman</param><smaller> Version: 7.5.503 /
Virus Database: 269.15.13/1099 - Release Date: 10/30/2007 10:06 =
AM</smaller></fontfamily>

</excerpt>=

--Apple-Mail-2-748019539--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 09:15:54 2007
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To: Loopers-Delight@loopers-delight.com
Subject: Re: AXON AX 100
References: <BAY129-W44A1C3BC366F2CD4E43DC4C3910@phx.gbl> <e89348d0f5d5c4e3af7ee507f1a752b4@glasswing.com>
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Richard Sales wrote:
 
> So question - have any of you used the AXON AX 100? Has anyone used it 
> with an acoustic guitar? And do any of you know where to get PICKUPS - 
> especially the hexaphonic pickup for acoustic guitars? I was given the 
> AX 100 and it looks very cool. But it don't got no pickup! Argh!!! It 

Hi Richard,
probably the Roland p/u is your best bet,
but check that the string spacing lines up first.

You could check out the Graptech Ghost system

http://www.graphtech.com/

...but I think that would need guitar surgery.

Terratec market their own p/u, but don't make any claims about it
being better than the Roland.

General consensus is that the AX100 onboards sounds aren't up to much,
so you might want to think about some kind of synth.
(It's essentially a wavetable pc soundcard, the default piano sound is not so 
 bad if you can stand digital piano, but otherwise think 80's General Midi) 

Of course, if you want to plug in a laptop an run some soft synths using Bidule
then you're going to enjoy yourself.


andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 09:54:50 2007
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From: "Ben" <benoitruelle@yahoo.fr>
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Sorry for this OT subject but I know some on this list use the KP3.
Only available in Japan for now, if someone have more info or can transalte 
from japanese to english

Here : http://www.korg.co.jp/Product/Dance/KP3/v2.html

- Polyphonic Sample Edit Mode
- New Sample Playback Trigger Gating Options
- New Loop Type Option

Ben. 

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On 30 Oct 2007 at 19:56, Krispen Hartung wrote:

> Cool. How long do I have to wait for you to approve my membership? 

I just check the likelihood that it's a spoof reg, probably twice a 
day. Having had so many problems, especially from russia, on my last 
forum, I chose this 'cos it's slightly tighter. However, if people 
are itching to join, that means they're also itching to contribute, 
so perhaps no bad thing ;)




From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 13:12:04 2007
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Hi Richard,

I don't have any experience with the gk3 pickup but I did play around 
with a gk2 for a while on my Taylor. Generally I found the tracking 
wasn't real good until I switched strings to nickle wound strings. 
The pickup just didn't seem to like the ph. bronze acoustic strings 
at all. After using that for nearly a year I got an inexpensive 
electric (a used Parker p44 about 450.00) and put a Graphtech Ghost 
system (about 650.00) in it. Wow, an amazing difference! The pickup 
system cost me more than the guitar did but was well worth it! Since 
that experiment I've now built a small bodied electric with no mag 
pickups but just the Graphtech ghost pickups and a fan fret neck. 
Very happy with it. Graphtech is located in Vancouver and very nice 
folks to talk to. I'm sure they'd talk to you about your options.

I'll part with the Parker if anyone is interested........


Paul Haslem



At 04:16 AM 10/31/2007, you wrote:
>Richard Sales wrote:
>
>>So question - have any of you used the AXON AX 100? Has anyone used 
>>it with an acoustic guitar? And do any of you know where to get 
>>PICKUPS - especially the hexaphonic pickup for acoustic guitars? I 
>>was given the AX 100 and it looks very cool. But it don't got no 
>>pickup! Argh!!! It
>
>Hi Richard,
>probably the Roland p/u is your best bet,
>but check that the string spacing lines up first.
>
>You could check out the Graptech Ghost system
>
>http://www.graphtech.com/
>
>...but I think that would need guitar surgery.
>
>Terratec market their own p/u, but don't make any claims about it
>being better than the Roland.
>
>General consensus is that the AX100 onboards sounds aren't up to much,
>so you might want to think about some kind of synth.
>(It's essentially a wavetable pc soundcard, the default piano sound 
>is not so bad if you can stand digital piano, but otherwise think 
>80's General Midi)
>Of course, if you want to plug in a laptop an run some soft synths 
>using Bidule
>then you're going to enjoy yourself.
>
>
>andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 13:15:04 2007
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Subject: RE: AXON AX 100
Date: Wed, 31 Oct 2007 09:03:01 -0400
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Richard,=20
=20
While there are those who argue that tracking with the Roland GK system
is good, they are a distinct minority; I am not among them. The majority
opinion, by far, is that either the RMC system or GraphTech's Ghost
system are far superior in terms of tracking and accuracy. Both operate
on the same principle - piezo saddle pickups that feed into a
"translator" module. The RMC system has been used in Godin's MIDI-ready
guitars, such as the Multiac and LGXT, for years. I have both those
guitars as well as an RMC-equipped classical guitar I had made.
=20
I am currently researching how to install a MIDI pickup system in a Paul
Reed Smith Archtop (which BTW I bought from Kris Hartung) and find that
Ghost may be more suitable in this instrument, for reasons I won't go
into here. In the course of researching this I've seen comments on the
midiguitar forum to the effect that the build quality, specifically
connectors, and balance are not as good with Ghost; supposedly, both
these issues can be overcome with some careful installation techniques.
=20
Both RMC and Ghost systems will be costlier than the Roland system. Both
can also provide a nice piezoelectric sound to blend with any pickups
you have already. The Godin Multiac is a great acoustic guitar with just
the piezo sound, and the MIDI capability. I will miss mine when I sell
it - which I need to do to make up for buying the PRS!
=20
I would love to have an Axon. I have an older Roland GI-10. Everyone
that has used the Axon and the Roland GI-10 or -20 says the Axon is
better. You certainly have that part of the signal chain well covered.
=20
Take a look at http://www.graphtech.com/ghost_info.php and
http://www.rmcpickup.com/.=20
=20
OT- Am I remembering you are the guy who knew Stanley Whitaker?

Hal Dean

________________________________




From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 13:41:52 2007
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From: Dan <danielalbertini72@yahoo.com>
Subject: Re: AXON AX 100
To: richard@glasswing.com,
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Richard!!!  Good to hear your back it sounds like you been having fun, I wish I could say the
same.  Anyway my teacher/luthier masters especially William Eaton is requested by companies
especially Roland to test their prototypes of all kinds of electronic equipment.  I do not know
for sure if he is on tour right now but I would recommend you contact him through Roberto-Venn. 
He usually designs the instruments around the technology, or viceversa.  One of the most amazing
and seemingly unique human beings I have ever met.  Very personable and sweet at the same time he
helped me a great deal to get through some of the most challenging times of my life back in 1999
through 2000!!!  Do you and Haley have any different websites I can link up for yall at
myspace.com/albertiniguitarworks?  Im trying to get a couple more projects off the ground I have a
few more live performances on the radio stations around here in the four state Area and in
Pittsburg soon.  I will be playing solo and or with new experiment in the works "Eagle Dawn" set
drummer/manager website consultant/very good friend Wade Heilig and percussionist extraordinaire
Daniel Warlop Pittsburg State University Gorilla Radio.  Send me your PSA's & I will try to get
them some air time for you all and Haley!  I also have been coming across a lot of random
equipment through the interchange of musicians friend warehouses so let me know if their is
anything else to keep an eye out for in the various piles of electronic and wood rubble?  ha ha
lol!!!  Its all good :o) 
 Wish you and yours blessings of wellness/health, harmony, peace, prosperity, wisdom, love and joy
Sincerely your friend Daniel T. Albertini
 myspace.com/albertiniguitarworks


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 13:51:05 2007
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Hi folks

Does anyone know what this nifty (?) little device is (and does) that you mount on the uppermost part of a guitar neck? Experimental guitar player Fred Frith has one on some of his guitars:

http://www.nndb.com/people/231/000029144/frith01.jpg
http://www.otherminds.org/images/GIFS1/Frith4.gif
http://eddy.uni-duisburg.de/joerg/bild/moers01/frith01.jpg

Cheers

Nico
-- 
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From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 14:09:02 2007
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From: "Jon Southwood" <jsouthwood@gmail.com>
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I think it was a homebrew device that is basically a pickup mounted on a
plate that can be flipped out of the way or flipped down to hover over the
strings allowing him to amplify the section of the string behind the fretted
notes.

Cheers,
Jon

On 10/31/07, nico spahni <nicosp@gmx.net> wrote:
>
> Hi folks
>
> Does anyone know what this nifty (?) little device is (and does) that you
> mount on the uppermost part of a guitar neck? Experimental guitar player
> Fred Frith has one on some of his guitars:
>
> http://www.nndb.com/people/231/000029144/frith01.jpg
> http://www.otherminds.org/images/GIFS1/Frith4.gif
> http://eddy.uni-duisburg.de/joerg/bild/moers01/frith01.jpg
>
> Cheers
>
> Nico
> --
> GMX FreeMail: 1 GB Postfach, 5 E-Mail-Adressen, 10 Free SMS.
> Alle Infos und kostenlose Anmeldung: http://www.gmx.net/de/go/freemail
>
>

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I think it was a homebrew device that is basically a pickup mounted on a plate that can be flipped out of the way or flipped down to hover over the strings allowing him to amplify the section of the string behind the fretted notes.
<br><br>Cheers,<br>Jon<br><br><div><span class="gmail_quote">On 10/31/07, <b class="gmail_sendername">nico spahni</b> &lt;<a href="mailto:nicosp@gmx.net">nicosp@gmx.net</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hi folks<br><br>Does anyone know what this nifty (?) little device is (and does) that you mount on the uppermost part of a guitar neck? Experimental guitar player Fred Frith has one on some of his guitars:<br><br><a href="http://www.nndb.com/people/231/000029144/frith01.jpg">
http://www.nndb.com/people/231/000029144/frith01.jpg</a><br><a href="http://www.otherminds.org/images/GIFS1/Frith4.gif">http://www.otherminds.org/images/GIFS1/Frith4.gif</a><br><a href="http://eddy.uni-duisburg.de/joerg/bild/moers01/frith01.jpg">
http://eddy.uni-duisburg.de/joerg/bild/moers01/frith01.jpg</a><br><br>Cheers<br><br>Nico<br>--<br>GMX FreeMail: 1 GB Postfach, 5 E-Mail-Adressen, 10 Free SMS.<br>Alle Infos und kostenlose Anmeldung: <a href="http://www.gmx.net/de/go/freemail">
http://www.gmx.net/de/go/freemail</a><br><br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 14:11:45 2007
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Date: Wed, 31 Oct 2007 07:11:43 -0700 (PDT)
From: Dan <danielalbertini72@yahoo.com>
Subject: RE: AXON AX 100
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Hello Dean my name is Daniel T. Albertini of Albertini Guitar Works I read the thread for Richard
and agree that the RMC folks and Graphtech are at the top of their game.  I graduated from/earned
luthier certification Roberto-Venn School of Luthiery in Phoenix Arizona.  I was curious if you
were familiar with the school?  Anyway I have also designed and built and currently building a new
flamenco like model.  I am utilizing spanish cedar, oregon myrtle/California Laurel also locally
called pepperwood, African Pink Ivory and Ebony, various species of rosewood and mahogany
entandrophagma.  I have unbelievable figured metaseqoiadendron for the soundboard that you might
get lucky enough to find in a museum or wood collector but doubtful. It is many thousands of years
old I have no idea how it found its way to Kansas.  One professor friend of mine said it was
probably brought in by railroad car over a hundred years ago!!!  If you would like to see some of
my other current designs in use link up with me and my friends at
www.myspace.com/albertiniguitarworks It would be great to chat and consult with you on your
designs and various luthier subjects and music or whatever! 
I have some fun live radio looping performances to prepare for as well so Peace Be With You,
Daniel T. Albertini 
--- "Dean, Hal " <HDean@wcupa.edu> wrote:

> Richard, 
>  
> While there are those who argue that tracking with the Roland GK system
> is good, they are a distinct minority; I am not among them. The majority
> opinion, by far, is that either the RMC system or GraphTech's Ghost
> system are far superior in terms of tracking and accuracy. Both operate
> on the same principle - piezo saddle pickups that feed into a
> "translator" module. The RMC system has been used in Godin's MIDI-ready
> guitars, such as the Multiac and LGXT, for years. I have both those
> guitars as well as an RMC-equipped classical guitar I had made.
>  
> I am currently researching how to install a MIDI pickup system in a Paul
> Reed Smith Archtop (which BTW I bought from Kris Hartung) and find that
> Ghost may be more suitable in this instrument, for reasons I won't go
> into here. In the course of researching this I've seen comments on the
> midiguitar forum to the effect that the build quality, specifically
> connectors, and balance are not as good with Ghost; supposedly, both
> these issues can be overcome with some careful installation techniques.
>  
> Both RMC and Ghost systems will be costlier than the Roland system. Both
> can also provide a nice piezoelectric sound to blend with any pickups
> you have already. The Godin Multiac is a great acoustic guitar with just
> the piezo sound, and the MIDI capability. I will miss mine when I sell
> it - which I need to do to make up for buying the PRS!
>  
> I would love to have an Axon. I have an older Roland GI-10. Everyone
> that has used the Axon and the Roland GI-10 or -20 says the Axon is
> better. You certainly have that part of the signal chain well covered.
>  
> Take a look at http://www.graphtech.com/ghost_info.php and
> http://www.rmcpickup.com/. 
>  
> OT- Am I remembering you are the guy who knew Stanley Whitaker?
> 
> Hal Dean
> 
> ________________________________
> 
> 
> 
> 
> 


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Date: Wed, 31 Oct 2007 07:19:17 -0700 (PDT)
From: Dan <danielalbertini72@yahoo.com>
Subject: Re: AXON AX 100
To: Loopers-Delight@loopers-delight.com
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Paul you are the second fellow luthier I have had the pleasure to aquaint with here on L.Delight!!
 This is great we can all communicate between each other.  I have another live looping performance
to prepare for so I gotta cut this short so come link up with me and my friends and
www.myspace.com/albertiniguitarworks If at all possible be great to have ya!! :o)  Peace Be With
You and Yours, Daniel T. Albertini
--- paul <phaslem@wightman.ca> wrote:

> Hi Richard,
> 
> I don't have any experience with the gk3 pickup but I did play around 
> with a gk2 for a while on my Taylor. Generally I found the tracking 
> wasn't real good until I switched strings to nickle wound strings. 
> The pickup just didn't seem to like the ph. bronze acoustic strings 
> at all. After using that for nearly a year I got an inexpensive 
> electric (a used Parker p44 about 450.00) and put a Graphtech Ghost 
> system (about 650.00) in it. Wow, an amazing difference! The pickup 
> system cost me more than the guitar did but was well worth it! Since 
> that experiment I've now built a small bodied electric with no mag 
> pickups but just the Graphtech ghost pickups and a fan fret neck. 
> Very happy with it. Graphtech is located in Vancouver and very nice 
> folks to talk to. I'm sure they'd talk to you about your options.
> 
> I'll part with the Parker if anyone is interested........
> 
> 
> Paul Haslem
> 
> 
> 
> At 04:16 AM 10/31/2007, you wrote:
> >Richard Sales wrote:
> >
> >>So question - have any of you used the AXON AX 100? Has anyone used 
> >>it with an acoustic guitar? And do any of you know where to get 
> >>PICKUPS - especially the hexaphonic pickup for acoustic guitars? I 
> >>was given the AX 100 and it looks very cool. But it don't got no 
> >>pickup! Argh!!! It
> >
> >Hi Richard,
> >probably the Roland p/u is your best bet,
> >but check that the string spacing lines up first.
> >
> >You could check out the Graptech Ghost system
> >
> >http://www.graphtech.com/
> >
> >...but I think that would need guitar surgery.
> >
> >Terratec market their own p/u, but don't make any claims about it
> >being better than the Roland.
> >
> >General consensus is that the AX100 onboards sounds aren't up to much,
> >so you might want to think about some kind of synth.
> >(It's essentially a wavetable pc soundcard, the default piano sound 
> >is not so bad if you can stand digital piano, but otherwise think 
> >80's General Midi)
> >Of course, if you want to plug in a laptop an run some soft synths 
> >using Bidule
> >then you're going to enjoy yourself.
> >
> >
> >andy butler
> 
> 


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From premilec@skylla.webserversystems.com  Wed Oct 31 14:28:14 2007
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Hello
 
I got your contact in course of my inquiry to locate Relations of my Deceased Client WILLIAMS who died with his family in a car crash on 5th August 2004.Please I need your assistance to repatriate the sum of US$6.5M which my Deceased Client left behind.
 
The Account containing this fund has been dormant since his demise and the Finance Company is threatening to confiscate the fund as Unclaimed Deposit. Rather leaving the fund confiscated based on the fact that you share the same last name with my Deceased Client I seek your consent and assistance to nominate you as my Deceased Client Relation under legal process and risk free to repatriate the fund as I have the jurisdiction as the Deceased P.A to testify the Deceaseds Relation.
 
Also I have the documents to complete the transaction. What I require is your willingness to assist me and to treat the transaction as confidential.Contact me for further information and commencement of the transaction.
 
Yours faithfully,
John Mark

Private Email: john_chambers1@yahoo.com
Kindly forward to me the following information to enable me start processing the necessary documents:
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From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 14:29:19 2007
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Date: Wed, 31 Oct 2007 07:29:17 -0700 (PDT)
From: Dan <danielalbertini72@yahoo.com>
Subject: Re: nifty little device on guitar neck
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I am pretty sure they are mutes that do not allow the string to ring out openly I use hair ties
but am building one to replace right over the top of my truss rod cover.  Michael Angelo Batio and
Jennifer Batten and Rusty Coolie are some of my favorite masters that use the mute I would highly
recommend you check em out!!!  I also use the outside fleshy part of my right hand to mute when
playing with my left hand quick arpeggiations similar to Joe Satriani and Steve Vai's style but no
where near their mastery!!! I can only dream for now, Ha ha lol :o)  Of course Chet Atkins had the
guitar built utilizing right in to his!!!  www.myspace.com/albertiniguitarworks come link up with
the mainly good clean fun with all my friends and aquaintances and bands of influence...  
All these extraordinairy musicians are here with many others:

> Hi folks
> 
> Does anyone know what this nifty (?) little device is (and does) that you mount on the uppermost
> part of a guitar neck? Experimental guitar player Fred Frith has one on some of his guitars:
> 
> http://www.nndb.com/people/231/000029144/frith01.jpg
> http://www.otherminds.org/images/GIFS1/Frith4.gif
> http://eddy.uni-duisburg.de/joerg/bild/moers01/frith01.jpg
> 
> Cheers
> 
> Nico
> -- 
> GMX FreeMail: 1 GB Postfach, 5 E-Mail-Adressen, 10 Free SMS.
> Alle Infos und kostenlose Anmeldung: http://www.gmx.net/de/go/freemail
> 
> 


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Hello
 
I got your contact in course of my inquiry to locate Relations of my Deceased Client WILLIAMS who died with his family in a car crash on 5th August 2004.Please I need your assistance to repatriate the sum of US$6.5M which my Deceased Client left behind.
 
The Account containing this fund has been dormant since his demise and the Finance Company is threatening to confiscate the fund as Unclaimed Deposit. Rather leaving the fund confiscated based on the fact that you share the same last name with my Deceased Client I seek your consent and assistance to nominate you as my Deceased Client Relation under legal process and risk free to repatriate the fund as I have the jurisdiction as the Deceased P.A to testify the Deceaseds Relation.
 
Also I have the documents to complete the transaction. What I require is your willingness to assist me and to treat the transaction as confidential.Contact me for further information and commencement of the transaction.
 
Yours faithfully,
John Mark

Private Email: john_chambers1@yahoo.com
Kindly forward to me the following information to enable me start processing the necessary documents:
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From premilec@skylla.webserversystems.com  Wed Oct 31 14:31:41 2007
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Hello
 
I got your contact in course of my inquiry to locate Relations of my Deceased Client WILLIAMS who died with his family in a car crash on 5th August 2004.Please I need your assistance to repatriate the sum of US$6.5M which my Deceased Client left behind.
 
The Account containing this fund has been dormant since his demise and the Finance Company is threatening to confiscate the fund as Unclaimed Deposit. Rather leaving the fund confiscated; based on the fact that you share the same last name with my Deceased Client I seek your consent and assistance to nominate you as my Deceased Clients Relation under legal process and risk free to repatriate the fund as I have the jurisdiction as the Deceaseds P.A to testify the Deceased s Relation.
 
Also I have the documents to complete the transaction. What I require is your willingness to assist me and to treat the transaction as confidential.Contact me for further information and commencement of the transaction.
 
Yours faithfully,
John Mark

Private Email: john_chambers1@yahoo.com
Kindly forward to me the following information to enable me start processing the necessary documents:
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From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 14:41:04 2007
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Hello I just got off the phone yesterday with a very kind personable man named Greg Farris who
designs incredible amplifiers.  They are called "Ultrasound" of UJC Electronics.  I am now
endorsing these live and just love em.  I have two AG-30's one left channel one for right channel
respectively.  They also have built in effects loops so work well with looping devices.  I use
boomerangs and Alesis midiverb from a Yamaha magicstomp.  I must go prepare for my live radio
looping performances inbetween repairing instruments and foreign crap.  I think I have perfected
the art of making dime purses out of sow ears but am still trying to figure out how to get
compensated for it appropriately???  Ha ha lol :o)  Peace Be With You and all of Yours, 
Daniel T. Albertini 
www.myspace.com/albertiniguitarworks 

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From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 14:44:51 2007
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I have an Axon ax 100. It is amzing how well it tracks. Virtually no latency. I use a GK 3 on a Variax. That works great. I also had a Multiac for about a day. The acoustic sounds sucked, but I didnt percieve a huge improvement with the RMC system so I sent it back. The problem with putting a Midi system on an acoustic is that the top vibrates. This complicates things a little. 

The problem with the ax100 is the internal sounds suck. Really cheesy. I have since replaced it with the AX50. Since I'm using mostly soft synths and plugins now, this is more then adequate. 
Also, the cool thing with thew Axons, is the software editor, also the picking zones are awesome. 
Plus the ax50 is tiny. There is an AX100 for sale on ebay. 

MFC

-------------- Original message -------------- 
From: Richard Sales <richard@glasswing.com> 

> HI gang 
> 
> 
> I'm sort of back! Have been busier than a whole colony of fleas on a 
> burning cat! 
> 
> 
> Just did a music video here at our farm this past weekend that was 
> insane - 30 bicyclists, one authentic hippy VW bus, 11 member film 
> crew, 4 band members. 
> 
> 
> So question - have any of you used the AXON AX 100? Has anyone used 
> it with an acoustic guitar? And do any of you know where to get 
> PICKUPS - especially the hexaphonic pickup for acoustic guitars? I 
> was given the AX 100 and it looks very cool. But it don't got no 
> pickup! Argh!!! It looks really intriguing and I checked out videos 
> of folks using it and it seems pretty stunning. 
> 
> 
> Thanks in advance 
> 
> Gadgetrichard sales 
> 
> 7373,7F7F,C5C5glassWing farm and studio 
> 
> vancouver island, b.c. 
> 
> 800.545.6846 
> 
> 250.752.4816C3C3,9696,1C1C 
> 
> www.glassWing.com 
> 
> www.richardsales.com 
> 
> www.hayleysales.com 
> 
> www.blueberryfieldsfarm.com 
> 
--NextPart_Webmail_9m3u9jl4l_2195_1193841888_0
Content-Type: text/html
Content-Transfer-Encoding: 8bit

<html><body>
<DIV>I have an Axon ax 100. It is amzing how well it tracks. Virtually no latency. I use a GK 3 on a Variax. That works great. I also had a Multiac for about a day. The acoustic sounds sucked, but I didnt percieve a huge improvement with the RMC system so I sent it back. The problem with putting a Midi system on an acoustic is that the top vibrates. This complicates things a little. </DIV>
<DIV>&nbsp;</DIV>
<DIV>The problem with the ax100 is the internal sounds suck. Really cheesy. I have since replaced it with the AX50. Since I'm using mostly soft synths and plugins now, this is more then adequate. </DIV>
<DIV>Also, the cool thing with thew Axons, is the software editor, also the picking zones are awesome. </DIV>
<DIV>Plus the ax50 is tiny. There is an AX100 for sale on ebay. </DIV>
<DIV>&nbsp;</DIV>
<DIV>MFC</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">-------------- Original message -------------- <BR>From: Richard Sales &lt;richard@glasswing.com&gt; <BR><BR>&gt; HI gang <BR>&gt; <BR>&gt; <BR>&gt; I'm sort of back! Have been busier than a whole colony of fleas on a <BR>&gt; burning cat! <BR>&gt; <BR>&gt; <BR>&gt; Just did a music video here at our farm this past weekend that was <BR>&gt; insane - 30 bicyclists, one authentic hippy VW bus, 11 member film <BR>&gt; crew, 4 band members. <BR>&gt; <BR>&gt; <BR>&gt; So question - have any of you used the AXON AX 100? Has anyone used <BR>&gt; it with an acoustic guitar? And do any of you know where to get <BR>&gt; PICKUPS - especially the hexaphonic pickup for acoustic guitars? I <BR>&gt; was given the AX 100 and it looks very cool. But it don't got no <BR>&gt; pickup! Argh!!! It looks really intriguing and I checked out videos <BR>&gt; of folks using it and it seems pretty stunning. <BR>&gt; <BR>&g
t; <BR>&gt; Thanks in advance <BR>&gt; <BR>&gt; <FONTFAMILY><PARAM>Gadget</PARAM>richard sales <BR>&gt; <BR>&gt; <COLOR><PARAM>7373,7F7F,C5C5</PARAM>glassWing farm and studio</COLOR> <BR>&gt; <BR>&gt; vancouver island, b.c. <BR>&gt; <BR>&gt; 800.545.6846 <BR>&gt; <BR>&gt; 250.752.4816<COLOR><PARAM>C3C3,9696,1C1C</PARAM> <BR>&gt; <BR>&gt; www.glassWing.com <BR>&gt; <BR>&gt; www.richardsales.com <BR>&gt; <BR>&gt; www.hayleysales.com <BR>&gt; <BR>&gt; www.blueberryfieldsfarm.com</COLOR></FONTFAMILY> <BR>&gt; </BLOCKQUOTE></body></html>

--NextPart_Webmail_9m3u9jl4l_2195_1193841888_0--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 14:50:31 2007
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Date: Wed, 31 Oct 2007 10:50:29 -0400
From: "Jim Goodin" <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: I wanted everybody to know!!!
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I echo this don't have endorsement at this poitn with them but have been
using 2 identical to these for 2 years in a self designed PA very sim to
what Dan is doing I believe.  They sound really clean particuraly for
acoustic instruments.  Dan congrads on the endorse.  I have endorsements
with Seagull and GHS Strings.

Jim Goodin
www.chinapaintingmusic.com
www.jimgoodinmusic.com



On 10/31/07, Dan <danielalbertini72@yahoo.com> wrote:
>
> Hello I just got off the phone yesterday with a very kind personable man
> named Greg Farris who
> designs incredible amplifiers.  They are called "Ultrasound" of UJC
> Electronics.  I am now
> endorsing these live and just love em.  I have two AG-30's one left
> channel one for right channel
> respectively.  They also have built in effects loops so work well with
> looping devices.  I use
> boomerangs and Alesis midiverb from a Yamaha magicstomp.  I must go
> prepare for my live radio
> looping performances inbetween repairing instruments and foreign crap.  I
> think I have perfected
> the art of making dime purses out of sow ears but am still trying to
> figure out how to get
> compensated for it appropriately???  Ha ha lol :o)  Peace Be With You and
> all of Yours,
> Daniel T. Albertini
> www.myspace.com/albertiniguitarworks
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>


-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

Associates and friends on the web -
Daryl Shawn -
http://www.swanwelder.com
Adam Werner - http://www.adamwerner.com
John Stowell - http://www.johnstowell.com
Matt Richards - http://www.mattrichardsmusic.net
Michael Manring - http://www.manthing.com
Will Ackerman - http://www.williamackerman.com
New Land Music - http://www.newlandmusic.com

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<div>I echo this don&#39;t have endorsement at this poitn with them but have been using 2 identical to these for 2 years in a self designed PA very sim to what Dan is doing I believe.&nbsp; They sound really clean particuraly for acoustic instruments.&nbsp; Dan congrads on the endorse.&nbsp; I have endorsements with Seagull and GHS Strings.
</div>
<div>&nbsp;</div>
<div>Jim Goodin</div>
<div><a href="http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a></div>
<div><a href="http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a></div>
<div><br><br>&nbsp;</div>
<div><span class="gmail_quote">On 10/31/07, <b class="gmail_sendername">Dan</b> &lt;<a href="mailto:danielalbertini72@yahoo.com">danielalbertini72@yahoo.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hello I just got off the phone yesterday with a very kind personable man named Greg Farris who<br>designs incredible amplifiers.&nbsp;&nbsp;They are called &quot;Ultrasound&quot; of UJC Electronics.&nbsp;&nbsp;I am now
<br>endorsing these live and just love em.&nbsp;&nbsp;I have two AG-30&#39;s one left channel one for right channel<br>respectively.&nbsp;&nbsp;They also have built in effects loops so work well with looping devices.&nbsp;&nbsp;I use<br>boomerangs and Alesis midiverb from a Yamaha magicstomp.&nbsp;&nbsp;I must go prepare for my live radio
<br>looping performances inbetween repairing instruments and foreign crap.&nbsp;&nbsp;I think I have perfected<br>the art of making dime purses out of sow ears but am still trying to figure out how to get<br>compensated for it appropriately???&nbsp;&nbsp;Ha ha lol :o)&nbsp;&nbsp;Peace Be With You and all of Yours,
<br>Daniel T. Albertini<br><a href="http://www.myspace.com/albertiniguitarworks">www.myspace.com/albertiniguitarworks</a><br><br>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?&nbsp;&nbsp;Yahoo! Mail has the best spam protection around
<br><a href="http://mail.yahoo.com">http://mail.yahoo.com</a><br><br></blockquote></div><br><br clear="all"><br>-- <br>The Acoustic World Guitar of Jim Goodin&nbsp;&nbsp;- <a href="http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com
</a><br>MySpace (solo) - <a href="http://www.myspace.com/jimgoodinmusic">http://www.myspace.com/jimgoodinmusic</a><br>Chinapainting -<br><a href="http://www.chinapaintingmusic.com">http://www.chinapaintingmusic.com</a><br>
Chinapainting on My Space -<br><a href="http://www.myspace.com/chinapaintingmusic.com">http://www.myspace.com/chinapaintingmusic.com</a><br>The Jim Goodin label and home for 7 other creative souls - <a href="http://www.woodandwiremusic.com">
http://www.woodandwiremusic.com</a> <br>Jim Goodin uses GHS Strings - <a href="http://www.ghsstrings.com">http://www.ghsstrings.com</a> and Seagull Guitars - <a href="http://www.seagullguitars.com">http://www.seagullguitars.com
</a>, Jim Goodin is published by Mel Bay Publications, Inc. - <a href="http://www.melbay.com">http://www.melbay.com</a><br><br>Associates and friends on the web -<br>Daryl Shawn -<br><a href="http://www.swanwelder.com">http://www.swanwelder.com
</a><br>Adam Werner - <a href="http://www.adamwerner.com">http://www.adamwerner.com</a><br>John Stowell - <a href="http://www.johnstowell.com">http://www.johnstowell.com</a><br>Matt Richards - <a href="http://www.mattrichardsmusic.net">
http://www.mattrichardsmusic.net</a><br>Michael Manring - <a href="http://www.manthing.com">http://www.manthing.com</a><br>Will Ackerman - <a href="http://www.williamackerman.com">http://www.williamackerman.com</a><br>New Land Music - 
<a href="http://www.newlandmusic.com">http://www.newlandmusic.com</a> 

------=_Part_8146_16944300.1193842229815--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 15:24:55 2007
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Date: Wed, 31 Oct 2007 11:24:52 -0400
From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: I wanted everybody to know!!!
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> I think I have perfected
>the art of making dime purses out of sow ears but am still trying to
figure out how to get
>compensated for it appropriately???  Ha ha lol :o)  Peace Be With You
and all of Yours,
>Daniel T. Albertini

Well, I took my RSP550 in to have a new battery installed. It's
soldered to the board and I'm not THAT great with a soldering gun.
They wanted $65 just to look at it.  $65 for a 15 minute job replacing
a $5 battery. Wow.  I only paid $90 for the unit to begin with.

Compensation for repairs is a tough thing to figure out!  I guess
that's why there's a lot of broken stuff around.  Why spend that much
to fix a unit that only cost slightly more than that to begin with.


-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 15:36:12 2007
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Date: Wed, 31 Oct 2007 08:36:09 -0700 (PDT)
From: Dan <danielalbertini72@yahoo.com>
Subject: Re: I wanted everybody to know!!!
To: Loopers-Delight@loopers-delight.com
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I truly appreciate the response, I am in an area that is severely economically depressed and
cannot move right now so trying to make the best of what I have.  I would recommend you invest in
a variable temperature soldering gun they are pricey but will last forever!!!  My teachers are
animate about us always charging $50 to $75 an hour depending on job and I just cannot let the
work walk out the door in this tiny town it would only be seen as arrogance not technical know how
and preficiency?  Im still learning everyday not to mention keeping up with all the emails and
notifications on all the email programs and myspace stuff.  I have not even scratched the surface
of the skin of the entertainment industries Goliath.  Tell you the truth Im trying to not get too
involved with that despite fans pushing me to do so. Slow and steady is the only way I can go for
now and I hear thats the way to win the race.  Although I do not make a habit of entering
contests.  At the same time I do not want to go against my masters advice.  ???  Endless questions
need to go meditate now!  Peace ~D
--- Tony K <bigtonyk@gmail.com> wrote:

> > I think I have perfected
> >the art of making dime purses out of sow ears but am still trying to
> figure out how to get
> >compensated for it appropriately???  Ha ha lol :o)  Peace Be With You
> and all of Yours,
> >Daniel T. Albertini
> 
> Well, I took my RSP550 in to have a new battery installed. It's
> soldered to the board and I'm not THAT great with a soldering gun.
> They wanted $65 just to look at it.  $65 for a 15 minute job replacing
> a $5 battery. Wow.  I only paid $90 for the unit to begin with.
> 
> Compensation for repairs is a tough thing to figure out!  I guess
> that's why there's a lot of broken stuff around.  Why spend that much
> to fix a unit that only cost slightly more than that to begin with.
> 
> 
> -- 
> -==-=-=-
> Tony
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 15:43:31 2007
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Date: Wed, 31 Oct 2007 08:43:27 -0700 (PDT)
From: Dan <danielalbertini72@yahoo.com>
Subject: Re: I wanted everybody to know!!!
To: Loopers-Delight@loopers-delight.com
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My friend Ron Gariglietti the Father of young Ryan "Shredlietti" is the regional sales associate
for GHS and Samick Cooperation!!! He is just a hop, skip and jump from me in my original hometown
of Arma Kansas. Seagull guitars are absoulutely fantastic in every way I can hear and see!  One of
our teachers from Roberto-Venn Terry Mcinturf if I my memory serves correctly is the patent holder
of many of these designs.  Collaboration with another incredible human being friend has been with
Rick Turner most notably famous with helping out the Greatful Dead along with the designers of
some of Jerry's Guitars John Reuter.  It goes on and on and what a beautiful ride it is!!!  Have
Peace :o)
--- Jim Goodin <jimgoodinmusic@gmail.com> wrote:

> I echo this don't have endorsement at this poitn with them but have been
> using 2 identical to these for 2 years in a self designed PA very sim to
> what Dan is doing I believe.  They sound really clean particuraly for
> acoustic instruments.  Dan congrads on the endorse.  I have endorsements
> with Seagull and GHS Strings.
> 
> Jim Goodin
> www.chinapaintingmusic.com
> www.jimgoodinmusic.com
> 
> 
> 
> On 10/31/07, Dan <danielalbertini72@yahoo.com> wrote:
> >
> > Hello I just got off the phone yesterday with a very kind personable man
> > named Greg Farris who
> > designs incredible amplifiers.  They are called "Ultrasound" of UJC
> > Electronics.  I am now
> > endorsing these live and just love em.  I have two AG-30's one left
> > channel one for right channel
> > respectively.  They also have built in effects loops so work well with
> > looping devices.  I use
> > boomerangs and Alesis midiverb from a Yamaha magicstomp.  I must go
> > prepare for my live radio
> > looping performances inbetween repairing instruments and foreign crap.  I
> > think I have perfected
> > the art of making dime purses out of sow ears but am still trying to
> > figure out how to get
> > compensated for it appropriately???  Ha ha lol :o)  Peace Be With You and
> > all of Yours,
> > Daniel T. Albertini
> > www.myspace.com/albertiniguitarworks
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
> >
> 
> 
> -- 
> The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
> MySpace (solo) - http://www.myspace.com/jimgoodinmusic
> Chinapainting -
> http://www.chinapaintingmusic.com
> Chinapainting on My Space -
> http://www.myspace.com/chinapaintingmusic.com
> The Jim Goodin label and home for 7 other creative souls -
> http://www.woodandwiremusic.com
> Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
> - http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
> Publications, Inc. - http://www.melbay.com
> 
> Associates and friends on the web -
> Daryl Shawn -
> http://www.swanwelder.com
> Adam Werner - http://www.adamwerner.com
> John Stowell - http://www.johnstowell.com
> Matt Richards - http://www.mattrichardsmusic.net
> Michael Manring - http://www.manthing.com
> Will Ackerman - http://www.williamackerman.com
> New Land Music - http://www.newlandmusic.com
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 16:05:57 2007
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Subject: Re: nifty little device on guitar neck
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Hi Nico.

it's just another pickup.
Mr Frith wanted to capture the sound made when plucking the wrong side 
of the fretting hand.



andy butler


nico spahni wrote:
> Hi folks
> 
> Does anyone know what this nifty (?) little device is (and does) that you mount on the uppermost part of a guitar neck? Experimental guitar player Fred Frith has one on some of his guitars:
> 
> http://www.nndb.com/people/231/000029144/frith01.jpg
> http://www.otherminds.org/images/GIFS1/Frith4.gif
> http://eddy.uni-duisburg.de/joerg/bild/moers01/frith01.jpg
> 
> Cheers
> 
> Nico

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 16:18:38 2007
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Qua, Todd, cpr, and Per,

Thank you for your compliments on "The Sad Little Ghost".

http://kevinkissinger.com/sadlittleghost.shtml

And many thanks to the many people who took the time to listen.

Quoting cpr@musetrap.com:
>
> Now, the real question is, would I have thought it was   
> 'Elfman-esque', if I had
> not seen your comment regarding Nightmare before Christmas? hmmmm...
>

Well, the answer is that you may have thought the work was  
Elfman-esque anyway.  While I enjoy the music from "Nightmare Before  
Christmas" I've never really sought to imitate Elfman per se.   
However, over the last year a few people have said that my work is a  
little like Elfman's.  Well, since I like Elfman's work I take it as a  
compliment.

Happy Halloween to one and all.

-- Kevin

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From: Richard Sales <richard@glasswing.com>
Subject: Re: AXON AX 100
Date: Wed, 31 Oct 2007 09:13:11 -0700
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--Apple-Mail-2-791626680
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Thanks Dean

Yup!  I'm the guy who knew Stanley Whittaker.  Do you know him?  Have 
you seen him lately?  If you do, tell him Richard Sales from the Happy 
The Man days and the Cellar Door says hello!

I have (somewhat) kept up contact with Kit Watkins.  Great player!  
No... incredible player.  He recorded on some of my stuff back in the 
stone ages.

I thought and still think Happy The Man was one of the most inventive 
and listenable bands ever.  I heard they might reunite.  Any knowledge 
on that?

Stanley had one of the first PRS guitars I ever saw.  At that time I 
knew Paul was fixing guitars but hadn't seen his own.  He'd worked on 
my guitars before that.  Oh man!  That guitar, and especially in 
Stanley's hands, made me take another look at Paul.

I would contact Paul or the PRS people about pickups on their guitars.  
I seem to remember he'd fiddled with the idea of MIDI pickups on his 
guitars.

Thanks again for all the data.  I only know what the AXON can do from 
the demos on the Terratec site.... and it is incredible.
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 31-Oct-07, at 6:03 AM, Dean, Hal wrote:

> Richard,
>
> While there are those who argue that tracking with the Roland GK system
> is good, they are a distinct minority; I am not among them. The 
> majority
> opinion, by far, is that either the RMC system or GraphTech's Ghost
> system are far superior in terms of tracking and accuracy. Both operate
> on the same principle - piezo saddle pickups that feed into a
> "translator" module. The RMC system has been used in Godin's MIDI-ready
> guitars, such as the Multiac and LGXT, for years. I have both those
> guitars as well as an RMC-equipped classical guitar I had made.
>
> I am currently researching how to install a MIDI pickup system in a 
> Paul
> Reed Smith Archtop (which BTW I bought from Kris Hartung) and find that
> Ghost may be more suitable in this instrument, for reasons I won't go
> into here. In the course of researching this I've seen comments on the
> midiguitar forum to the effect that the build quality, specifically
> connectors, and balance are not as good with Ghost; supposedly, both
> these issues can be overcome with some careful installation techniques.
>
> Both RMC and Ghost systems will be costlier than the Roland system. 
> Both
> can also provide a nice piezoelectric sound to blend with any pickups
> you have already. The Godin Multiac is a great acoustic guitar with 
> just
> the piezo sound, and the MIDI capability. I will miss mine when I sell
> it - which I need to do to make up for buying the PRS!
>
> I would love to have an Axon. I have an older Roland GI-10. Everyone
> that has used the Axon and the Roland GI-10 or -20 says the Axon is
> better. You certainly have that part of the signal chain well covered.
>
> Take a look at http://www.graphtech.com/ghost_info.php and
> http://www.rmcpickup.com/.
>
> OT- Am I remembering you are the guy who knew Stanley Whitaker?
>
> Hal Dean
>
> ________________________________
>
>
>
>

--Apple-Mail-2-791626680
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	charset=US-ASCII

Thanks Dean


Yup!  I'm the guy who knew Stanley Whittaker.  Do you know him?  Have
you seen him lately?  If you do, tell him Richard Sales from the Happy
The Man days and the Cellar Door says hello!


I have (somewhat) kept up contact with Kit Watkins.  Great player! 
No... incredible player.  He recorded on some of my stuff back in the
stone ages.  


I thought and still think Happy The Man was one of the most inventive
and listenable bands ever.  I heard they might reunite.  Any knowledge
on that?


Stanley had one of the first PRS guitars I ever saw.  At that time I
knew Paul was fixing guitars but hadn't seen his own.  He'd worked on
my guitars before that.  Oh man!  That guitar, and especially in
Stanley's hands, made me take another look at Paul.  


I would contact Paul or the PRS people about pickups on their guitars. 
I seem to remember he'd fiddled with the idea of MIDI pickups on his
guitars. 


Thanks again for all the data.  I only know what the AXON can do from
the demos on the Terratec site.... and it is incredible.  

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 31-Oct-07, at 6:03 AM, Dean, Hal wrote:


<excerpt>Richard, 


While there are those who argue that tracking with the Roland GK system

is good, they are a distinct minority; I am not among them. The
majority

opinion, by far, is that either the RMC system or GraphTech's Ghost

system are far superior in terms of tracking and accuracy. Both operate

on the same principle - piezo saddle pickups that feed into a

"translator" module. The RMC system has been used in Godin's MIDI-ready

guitars, such as the Multiac and LGXT, for years. I have both those

guitars as well as an RMC-equipped classical guitar I had made.


I am currently researching how to install a MIDI pickup system in a
Paul

Reed Smith Archtop (which BTW I bought from Kris Hartung) and find that

Ghost may be more suitable in this instrument, for reasons I won't go

into here. In the course of researching this I've seen comments on the

midiguitar forum to the effect that the build quality, specifically

connectors, and balance are not as good with Ghost; supposedly, both

these issues can be overcome with some careful installation techniques.


Both RMC and Ghost systems will be costlier than the Roland system.
Both

can also provide a nice piezoelectric sound to blend with any pickups

you have already. The Godin Multiac is a great acoustic guitar with
just

the piezo sound, and the MIDI capability. I will miss mine when I sell

it - which I need to do to make up for buying the PRS!


I would love to have an Axon. I have an older Roland GI-10. Everyone

that has used the Axon and the Roland GI-10 or -20 says the Axon is

better. You certainly have that part of the signal chain well covered.


Take a look at http://www.graphtech.com/ghost_info.php and

http://www.rmcpickup.com/. 


OT- Am I remembering you are the guy who knew Stanley Whitaker?


Hal Dean


________________________________





</excerpt>
--Apple-Mail-2-791626680--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 16:34:04 2007
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Subject: RE: AXON AX 100
Date: Wed, 31 Oct 2007 09:34:03 -0700
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The RMC pickup is the best for acoustic instruments, I have one in my
flamenco guitar that works very well, but it requires installation, So I
suggest you just give the Axon to me :-)

Bill

 

  _____  

From: Richard Sales [mailto:richard@glasswing.com] 
Sent: Tuesday, October 30, 2007 5:32 PM
To: Loopers-Delight@loopers-delight.com
Subject: AXON AX 100

 

HI gang

I'm sort of back! Have been busier than a whole colony of fleas on a burning
cat! 

Just did a music video here at our farm this past weekend that was insane -
30 bicyclists, one authentic hippy VW bus, 11 member film crew, 4 band
members. 

So question - have any of you used the AXON AX 100? Has anyone used it with
an acoustic guitar? And do any of you know where to get PICKUPS - especially
the hexaphonic pickup for acoustic guitars? I was given the AX 100 and it
looks very cool. But it don't got no pickup! Argh!!! It looks really
intriguing and I checked out videos of folks using it and it seems pretty
stunning. 

Thanks in advance
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>The RMC pickup is the best for =
acoustic
instruments, I have one in my flamenco guitar that works very well, but =
it
requires installation, So I suggest you just give the Axon to me =
</span></font><font
size=3D2 color=3Dnavy face=3DWingdings><span =
style=3D'font-size:10.0pt;font-family:
Wingdings;color:navy'>J</span></font><font size=3D2 color=3Dnavy =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial;color:navy'><o:p></o:p></span=
></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Bill<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

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face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

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<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> =
Richard Sales
[mailto:richard@glasswing.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Tuesday, October =
30, 2007
5:32 PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> AXON AX =
100</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>HI gang<br>
<br>
I'm sort of back! Have been busier than a whole colony of fleas on a =
burning
cat! <br>
<br>
Just did a music video here at our farm this past weekend that was =
insane - 30
bicyclists, one authentic hippy VW bus, 11 member film crew, 4 band =
members. <br>
<br>
So question - have any of you used the AXON AX 100? Has anyone used it =
with an
acoustic guitar? And do any of you know where to get PICKUPS - =
especially the
hexaphonic pickup for acoustic guitars? I was given the AX 100 and it =
looks
very cool. But it don't got no pickup! Argh!!! It looks really =
intriguing and I
checked out videos of folks using it and it seems pretty stunning. <br>
<br>
Thanks in advance<br>
<?fontfamily><?param Gadget>richard sales<br>
<?color><?param 7373,7F7F,C5C5>glassWing farm and studio<br>
<?/color>vancouver island, b.c.<br>
800.545.6846<br>
250.752.4816<br>
<?color><?param C3C3,9696,1C1C>www.glassWing.com<br>
www.richardsales.com<br>
www.hayleysales.com<br>
www.blueberryfieldsfarm.com<o:p></o:p></span></font></p>

<?/color><?/fontfamily></div>

</body>

</html>

------=_NextPart_000_0001_01C81BA1.2D111D00--

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: new composition influenced by looping and some ramblings
Date: Wed, 31 Oct 2007 17:34:04 +0100
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On Oct 31, 2007, at 17:18, kkissinger@kevinkissinger.com wrote:

> Well, since I like Elfman's work I take it as a compliment.


Obviously I need to take a new listen to Danny Elfman's work because  
to me the only "Elfmannish" in that has been the fakt that it was  
"made for use in movies". I must have missed some personal musical  
expression vibrating through all his work. Note taken - will listen up.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)




From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 16:46:16 2007
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From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: new composition influenced by looping and some ramblings
References: <20071029164030.urp55kkh1cwcs0kc@69.89.21.76> <7F638F9A-D98E-4520-94A9-98BD2D396709@gmail.com> <20071031111834.yinf7u64joc8kokk@69.89.21.76> <B64214D6-48E6-408E-9FD5-E2C704AEBF2E@gmail.com>
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I have a deep 'elfman' connection, as I grew up listening to Oingo Boingo.. I
saw them play at universities (UC Irvine, and UCLA) before moving on to actual
concert venues.. :)

peace
-cpr

Quoting Per Boysen <perboysen@gmail.com>:

> On Oct 31, 2007, at 17:18, kkissinger@kevinkissinger.com wrote:
> 
> > Well, since I like Elfman's work I take it as a compliment.
> 
> 
> Obviously I need to take a new listen to Danny Elfman's work because  
> to me the only "Elfmannish" in that has been the fakt that it was  
> "made for use in movies". I must have missed some personal musical  
> expression vibrating through all his work. Note taken - will listen up.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> 
> 
> 
> 
> 




----------------------------------------------------------------
This message was sent using IMP, the Internet Messaging Program.

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Quoting Per Boysen <perboysen@gmail.com>:

> On Oct 31, 2007, at 17:18, kkissinger@kevinkissinger.com wrote:
>
>> Well, since I like Elfman's work I take it as a compliment.
>
>
> Obviously I need to take a new listen to Danny Elfman's work because to
> me the only "Elfmannish" in that has been the fakt that it was "made
> for use in movies". I must have missed some personal musical expression
> vibrating through all his work. Note taken - will listen up.
>
I will admit, other than "Nightmare Before Christmas" I don't have  
much familiarty with Elfman's music.

The reference may have been to another work I did last year, entitled:

"Mummies and Unholy Ghosts" http://kevinkissinger.com/mummies.shtml  .

The work utilizes some orchestral writing (including use of tympanis  
and strings) and of course the Halloween theme.

Each year, the "Spellbound" program ( spellbound.purplenote.com  - a  
podcast) does a Halloween special and these are works that I've  
created for them.

-- Kevin

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--Apple-Mail-3-794450517
Content-Transfer-Encoding: 7bit
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	format=flowed

Thanks Dan!

Oh man!  So much to learn and research.

Luthiers are like beer stores for me.  I have to keep my distance!  I 
LOVE GUITARS TOO MUCH!  I finally sold one this past year and am still 
having convulsions having done it.  But at one point I noticed spider 
webs between the guitar and the wall it was hanging on so I just had to 
let it go.

But yeah..... I will RELUCTANTLY go peek at William Eaton, 
Roberto-Venn's and YOUR sites or info.  I have to admit I have terror.  
I fall in love so easily.

We don't have any PSAs right now.  And she's not signed in the US as of 
right now but it's VERY MUCH looking like that will happen within the 
next bunch of months.  She's now signed to Universal in the UK so we'll 
be going there in the first quarter 08.  That's pretty exciting.  I 
think France and Germany too.  But the way the majors - or what's left 
of them - work - is your record is ONLY released per territory and can 
really only be promoted and tour supported per territory.  So we've 
been pretty confined to Canada since the record came out.  But it's 
doing very well here.  The first single is lodged in the top ten of the 
AC chart.  Was at #3 for about five months and has now slipped to #8.  
It's the most played record on AC this year!  And the new single is 
fast climbing as we speak.  And they're planning to launch the third in 
Feb so it's very conceivable Hayley will have THREE singles in the top 
playlists,  So, IN CANADA, we're doing very well. Hopefully that will 
translate to other territories as well.... Jah willing.

Oh shit!  I ALWAYS need equipment. But that's like a very overweight 
man saying he ALWAYS needs candy bars!  I'm gonna have to upgrade my 
studio sometime soon and that will be ugly.  But the record's been 
nominated for a Juno in Engineering (Canada's Grammy) so I COULD have 
more studio work out of that.  Don't know if I really WANT that.... but 
I'm sure my wife would like to see more of those little green (and in 
Canada red, blue etc) magic carpets flowing through the bank account.

Our web sites are in my signature below.  But.... www.hayleysales.com 
(she has a myspace too - you can hear some songs there), 
www.richardsales.com (samples of my songs there) and www.glasswing.com 
(samples of instrumentals for film video there)  the studio.

I guess to keep my karma clean I should pass on the Roland GK1 pickup 
and the MIDI interface that goes with it.  If any of you want it and 
will pay shipping and boxing I'll send it to you.  I never used it.  
And.... it was given to me!  If you want it let me know.  Only catch 
is, you can't turn around and sell it on Ebay!  As the natives say, 
"The gift must move."

Thanks again Dan and everyone who responded to my question.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 31-Oct-07, at 6:41 AM, Dan wrote:

> Richard!!!  Good to hear your back it sounds like you been having fun, 
> I wish I could say the
> same.  Anyway my teacher/luthier masters especially William Eaton is 
> requested by companies
> especially Roland to test their prototypes of all kinds of electronic 
> equipment.  I do not know
> for sure if he is on tour right now but I would recommend you contact 
> him through Roberto-Venn.
> He usually designs the instruments around the technology, or 
> viceversa.  One of the most amazing
> and seemingly unique human beings I have ever met.  Very personable 
> and sweet at the same time he
> helped me a great deal to get through some of the most challenging 
> times of my life back in 1999
> through 2000!!!  Do you and Haley have any different websites I can 
> link up for yall at
> myspace.com/albertiniguitarworks?  Im trying to get a couple more 
> projects off the ground I have a
> few more live performances on the radio stations around here in the 
> four state Area and in
> Pittsburg soon.  I will be playing solo and or with new experiment in 
> the works "Eagle Dawn" set
> drummer/manager website consultant/very good friend Wade Heilig and 
> percussionist extraordinaire
> Daniel Warlop Pittsburg State University Gorilla Radio.  Send me your 
> PSA's & I will try to get
> them some air time for you all and Haley!  I also have been coming 
> across a lot of random
> equipment through the interchange of musicians friend warehouses so 
> let me know if their is
> anything else to keep an eye out for in the various piles of 
> electronic and wood rubble?  ha ha
> lol!!!  Its all good :o)
>  Wish you and yours blessings of wellness/health, harmony, peace, 
> prosperity, wisdom, love and joy
> Sincerely your friend Daniel T. Albertini
>  myspace.com/albertiniguitarworks
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

--Apple-Mail-3-794450517
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

Thanks Dan!


Oh man!  So much to learn and research.  


Luthiers are like beer stores for me.  I have to keep my distance!  I
LOVE GUITARS TOO MUCH!  I finally sold one this past year and am still
having convulsions having done it.  But at one point I noticed spider
webs between the guitar and the wall it was hanging on so I just had
to let it go.  


But yeah..... I will RELUCTANTLY go peek at William Eaton,
Roberto-Venn's and YOUR sites or info.  I have to admit I have terror. 
I fall in love so easily.  


We don't have any PSAs right now.  And she's not signed in the US as
of right now but it's VERY MUCH looking like that will happen within
the next bunch of months.  She's now signed to Universal in the UK so
we'll be going there in the first quarter 08.  That's pretty exciting. 
I think France and Germany too.  But the way the majors - or what's
left of them - work - is your record is ONLY released per territory
and can really only be promoted and tour supported per territory.  So
we've been pretty confined to Canada since the record came out.  But
it's doing very well here.  The first single is lodged in the top ten
of the AC chart.  Was at #3 for about five months and has now slipped
to #8.  It's the most played record on AC this year!  And the new
single is fast climbing as we speak.  And they're planning to launch
the third in Feb so it's very conceivable Hayley will have THREE
singles in the top playlists,  So, IN CANADA, we're doing very well.
Hopefully that will translate to other territories as well.... Jah
willing. 


Oh shit!  I ALWAYS need equipment. But that's like a very overweight
man saying he ALWAYS needs candy bars!  I'm gonna have to upgrade my
studio sometime soon and that will be ugly.  But the record's been
nominated for a Juno in Engineering (Canada's Grammy) so I COULD have
more studio work out of that.  Don't know if I really WANT that....
but I'm sure my wife would like to see more of those little green (and
in Canada red, blue etc) magic carpets flowing through the bank
account.  


Our web sites are in my signature below.  But.... www.hayleysales.com
(she has a myspace too - you can hear some songs there),
www.richardsales.com (samples of my songs there) and www.glasswing.com
(samples of instrumentals for film video there)  the studio.


I guess to keep my karma clean I should pass on the Roland GK1 pickup
and the MIDI interface that goes with it.  If any of you want it and
will pay shipping and boxing I'll send it to you.  I never used it. 
And.... it was given to me!  If you want it let me know.  Only catch
is, you can't turn around and sell it on Ebay!  As the natives say,
"The gift must move."


Thanks again Dan and everyone who responded to my question. 


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 31-Oct-07, at 6:41 AM, Dan wrote:


<excerpt>Richard!!!  Good to hear your back it sounds like you been
having fun, I wish I could say the

same.  Anyway my teacher/luthier masters especially William Eaton is
requested by companies

especially Roland to test their prototypes of all kinds of electronic
equipment.  I do not know

for sure if he is on tour right now but I would recommend you contact
him through Roberto-Venn. 

He usually designs the instruments around the technology, or
viceversa.  One of the most amazing

and seemingly unique human beings I have ever met.  Very personable
and sweet at the same time he

helped me a great deal to get through some of the most challenging
times of my life back in 1999

through 2000!!!  Do you and Haley have any different websites I can
link up for yall at

myspace.com/albertiniguitarworks?  Im trying to get a couple more
projects off the ground I have a

few more live performances on the radio stations around here in the
four state Area and in

Pittsburg soon.  I will be playing solo and or with new experiment in
the works "Eagle Dawn" set

drummer/manager website consultant/very good friend Wade Heilig and
percussionist extraordinaire

Daniel Warlop Pittsburg State University Gorilla Radio.  Send me your
PSA's & I will try to get

them some air time for you all and Haley!  I also have been coming
across a lot of random

equipment through the interchange of musicians friend warehouses so
let me know if their is

anything else to keep an eye out for in the various piles of
electronic and wood rubble?  ha ha

lol!!!  Its all good :o) 

 Wish you and yours blessings of wellness/health, harmony, peace,
prosperity, wisdom, love and joy

Sincerely your friend Daniel T. Albertini

 myspace.com/albertiniguitarworks



__________________________________________________

Do You Yahoo!?

Tired of spam?  Yahoo! Mail has the best spam protection around 

http://mail.yahoo.com 


</excerpt>
--Apple-Mail-3-794450517--

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Date: Wed, 31 Oct 2007 10:08:13 -0700
From: "Kevin Cheli-Colando" <billowhead@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi Richard,

Are you really willing to give up the Roland pickup?  I'd love to have it if
no one else has beaten me to it,  Glad to pay all the costs etc, but no
problems if its going elsewhere.

Congrats on the current run of things, sound like all is going splendidly
for you and yours.

Take care

Kevin


-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org


On 10/31/07, Richard Sales <richard@glasswing.com> wrote:
>
> Thanks Dan!
>
> Oh man!  So much to learn and research.
>
> Luthiers are like beer stores for me.  I have to keep my distance!  I
> LOVE GUITARS TOO MUCH!  I finally sold one this past year and am still
> having convulsions having done it.  But at one point I noticed spider
> webs between the guitar and the wall it was hanging on so I just had to
> let it go.
>
> But yeah..... I will RELUCTANTLY go peek at William Eaton,
> Roberto-Venn's and YOUR sites or info.  I have to admit I have terror.
> I fall in love so easily.
>
> We don't have any PSAs right now.  And she's not signed in the US as of
> right now but it's VERY MUCH looking like that will happen within the
> next bunch of months.  She's now signed to Universal in the UK so we'll
> be going there in the first quarter 08.  That's pretty exciting.  I
> think France and Germany too.  But the way the majors - or what's left
> of them - work - is your record is ONLY released per territory and can
> really only be promoted and tour supported per territory.  So we've
> been pretty confined to Canada since the record came out.  But it's
> doing very well here.  The first single is lodged in the top ten of the
> AC chart.  Was at #3 for about five months and has now slipped to #8.
> It's the most played record on AC this year!  And the new single is
> fast climbing as we speak.  And they're planning to launch the third in
> Feb so it's very conceivable Hayley will have THREE singles in the top
> playlists,  So, IN CANADA, we're doing very well. Hopefully that will
> translate to other territories as well.... Jah willing.
>
> Oh shit!  I ALWAYS need equipment. But that's like a very overweight
> man saying he ALWAYS needs candy bars!  I'm gonna have to upgrade my
> studio sometime soon and that will be ugly.  But the record's been
> nominated for a Juno in Engineering (Canada's Grammy) so I COULD have
> more studio work out of that.  Don't know if I really WANT that.... but
> I'm sure my wife would like to see more of those little green (and in
> Canada red, blue etc) magic carpets flowing through the bank account.
>
> Our web sites are in my signature below.  But.... www.hayleysales.com
> (she has a myspace too - you can hear some songs there),
> www.richardsales.com (samples of my songs there) and www.glasswing.com
> (samples of instrumentals for film video there)  the studio.
>
> I guess to keep my karma clean I should pass on the Roland GK1 pickup
> and the MIDI interface that goes with it.  If any of you want it and
> will pay shipping and boxing I'll send it to you.  I never used it.
> And.... it was given to me!  If you want it let me know.  Only catch
> is, you can't turn around and sell it on Ebay!  As the natives say,
> "The gift must move."
>
> Thanks again Dan and everyone who responded to my question.
>
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 31-Oct-07, at 6:41 AM, Dan wrote:
>
> > Richard!!!  Good to hear your back it sounds like you been having fun,
> > I wish I could say the
> > same.  Anyway my teacher/luthier masters especially William Eaton is
> > requested by companies
> > especially Roland to test their prototypes of all kinds of electronic
> > equipment.  I do not know
> > for sure if he is on tour right now but I would recommend you contact
> > him through Roberto-Venn.
> > He usually designs the instruments around the technology, or
> > viceversa.  One of the most amazing
> > and seemingly unique human beings I have ever met.  Very personable
> > and sweet at the same time he
> > helped me a great deal to get through some of the most challenging
> > times of my life back in 1999
> > through 2000!!!  Do you and Haley have any different websites I can
> > link up for yall at
> > myspace.com/albertiniguitarworks?  Im trying to get a couple more
> > projects off the ground I have a
> > few more live performances on the radio stations around here in the
> > four state Area and in
> > Pittsburg soon.  I will be playing solo and or with new experiment in
> > the works "Eagle Dawn" set
> > drummer/manager website consultant/very good friend Wade Heilig and
> > percussionist extraordinaire
> > Daniel Warlop Pittsburg State University Gorilla Radio.  Send me your
> > PSA's & I will try to get
> > them some air time for you all and Haley!  I also have been coming
> > across a lot of random
> > equipment through the interchange of musicians friend warehouses so
> > let me know if their is
> > anything else to keep an eye out for in the various piles of
> > electronic and wood rubble?  ha ha
> > lol!!!  Its all good :o)
> >  Wish you and yours blessings of wellness/health, harmony, peace,
> > prosperity, wisdom, love and joy
> > Sincerely your friend Daniel T. Albertini
> >  myspace.com/albertiniguitarworks
> >
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
>

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Hi Richard,<br><br>Are you really willing to give up the Roland pickup?&nbsp; I&#39;d love to have it if no one else has beaten me to it,&nbsp; Glad to pay all the costs etc, but no problems if its going elsewhere.<br><br>Congrats on the current run of things, sound like all is going splendidly for you and yours.
<br><br>Take care<br><br>Kevin<br><br><br>-- <br>Till now you seriously considered yourself to be the body and to have a<br>form. That is the primal ignorance which is the root cause of all trouble.<br><br>- Ramana Maharshi (1879-1950)
<br><br>Sound and Vision:&nbsp; <a href="http://www.minds-eye.org">http://www.minds-eye.org</a><br><br><br><div><span class="gmail_quote">On 10/31/07, <b class="gmail_sendername">Richard Sales</b> &lt;<a href="mailto:richard@glasswing.com">
richard@glasswing.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Thanks Dan!<br><br>Oh man!&nbsp;&nbsp;So much to learn and research.
<br><br>Luthiers are like beer stores for me.&nbsp;&nbsp;I have to keep my distance!&nbsp;&nbsp;I<br>LOVE GUITARS TOO MUCH!&nbsp;&nbsp;I finally sold one this past year and am still<br>having convulsions having done it.&nbsp;&nbsp;But at one point I noticed spider
<br>webs between the guitar and the wall it was hanging on so I just had to<br>let it go.<br><br>But yeah..... I will RELUCTANTLY go peek at William Eaton,<br>Roberto-Venn&#39;s and YOUR sites or info.&nbsp;&nbsp;I have to admit I have terror.
<br>I fall in love so easily.<br><br>We don&#39;t have any PSAs right now.&nbsp;&nbsp;And she&#39;s not signed in the US as of<br>right now but it&#39;s VERY MUCH looking like that will happen within the<br>next bunch of months.&nbsp;&nbsp;She&#39;s now signed to Universal in the UK so we&#39;ll
<br>be going there in the first quarter 08.&nbsp;&nbsp;That&#39;s pretty exciting.&nbsp;&nbsp;I<br>think France and Germany too.&nbsp;&nbsp;But the way the majors - or what&#39;s left<br>of them - work - is your record is ONLY released per territory and can
<br>really only be promoted and tour supported per territory.&nbsp;&nbsp;So we&#39;ve<br>been pretty confined to Canada since the record came out.&nbsp;&nbsp;But it&#39;s<br>doing very well here.&nbsp;&nbsp;The first single is lodged in the top ten of the
<br>AC chart.&nbsp;&nbsp;Was at #3 for about five months and has now slipped to #8.<br>It&#39;s the most played record on AC this year!&nbsp;&nbsp;And the new single is<br>fast climbing as we speak.&nbsp;&nbsp;And they&#39;re planning to launch the third in
<br>Feb so it&#39;s very conceivable Hayley will have THREE singles in the top<br>playlists,&nbsp;&nbsp;So, IN CANADA, we&#39;re doing very well. Hopefully that will<br>translate to other territories as well.... Jah willing.<br><br>
Oh shit!&nbsp;&nbsp;I ALWAYS need equipment. But that&#39;s like a very overweight<br>man saying he ALWAYS needs candy bars!&nbsp;&nbsp;I&#39;m gonna have to upgrade my<br>studio sometime soon and that will be ugly.&nbsp;&nbsp;But the record&#39;s been
<br>nominated for a Juno in Engineering (Canada&#39;s Grammy) so I COULD have<br>more studio work out of that.&nbsp;&nbsp;Don&#39;t know if I really WANT that.... but<br>I&#39;m sure my wife would like to see more of those little green (and in
<br>Canada red, blue etc) magic carpets flowing through the bank account.<br><br>Our web sites are in my signature below.&nbsp;&nbsp;But.... <a href="http://www.hayleysales.com">www.hayleysales.com</a><br>(she has a myspace too - you can hear some songs there),
<br><a href="http://www.richardsales.com">www.richardsales.com</a> (samples of my songs there) and <a href="http://www.glasswing.com">www.glasswing.com</a><br>(samples of instrumentals for film video there)&nbsp;&nbsp;the studio.<br>
<br>I guess to keep my karma clean I should pass on the Roland GK1 pickup<br>and the MIDI interface that goes with it.&nbsp;&nbsp;If any of you want it and<br>will pay shipping and boxing I&#39;ll send it to you.&nbsp;&nbsp;I never used it.<br>
And.... it was given to me!&nbsp;&nbsp;If you want it let me know.&nbsp;&nbsp;Only catch<br>is, you can&#39;t turn around and sell it on Ebay!&nbsp;&nbsp;As the natives say,<br>&quot;The gift must move.&quot;<br><br>Thanks again Dan and everyone who responded to my question.
<br><br>richard sales<br>glassWing farm and studio<br>vancouver island, b.c.<br>800.545.6846<br>250.752.4816<br><a href="http://www.glassWing.com">www.glassWing.com</a><br><a href="http://www.richardsales.com">www.richardsales.com
</a><br><a href="http://www.hayleysales.com">www.hayleysales.com</a><br><a href="http://www.blueberryfieldsfarm.com">www.blueberryfieldsfarm.com</a><br>On 31-Oct-07, at 6:41 AM, Dan wrote:<br><br>&gt; Richard!!!&nbsp;&nbsp;Good to hear your back it sounds like you been having fun,
<br>&gt; I wish I could say the<br>&gt; same.&nbsp;&nbsp;Anyway my teacher/luthier masters especially William Eaton is<br>&gt; requested by companies<br>&gt; especially Roland to test their prototypes of all kinds of electronic<br>
&gt; equipment.&nbsp;&nbsp;I do not know<br>&gt; for sure if he is on tour right now but I would recommend you contact<br>&gt; him through Roberto-Venn.<br>&gt; He usually designs the instruments around the technology, or<br>&gt; viceversa.&nbsp;&nbsp;One of the most amazing
<br>&gt; and seemingly unique human beings I have ever met.&nbsp;&nbsp;Very personable<br>&gt; and sweet at the same time he<br>&gt; helped me a great deal to get through some of the most challenging<br>&gt; times of my life back in 1999
<br>&gt; through 2000!!!&nbsp;&nbsp;Do you and Haley have any different websites I can<br>&gt; link up for yall at<br>&gt; <a href="http://myspace.com/albertiniguitarworks">myspace.com/albertiniguitarworks</a>?&nbsp;&nbsp;Im trying to get a couple more
<br>&gt; projects off the ground I have a<br>&gt; few more live performances on the radio stations around here in the<br>&gt; four state Area and in<br>&gt; Pittsburg soon.&nbsp;&nbsp;I will be playing solo and or with new experiment in
<br>&gt; the works &quot;Eagle Dawn&quot; set<br>&gt; drummer/manager website consultant/very good friend Wade Heilig and<br>&gt; percussionist extraordinaire<br>&gt; Daniel Warlop Pittsburg State University Gorilla Radio.&nbsp;&nbsp;Send me your
<br>&gt; PSA&#39;s &amp; I will try to get<br>&gt; them some air time for you all and Haley!&nbsp;&nbsp;I also have been coming<br>&gt; across a lot of random<br>&gt; equipment through the interchange of musicians friend warehouses so
<br>&gt; let me know if their is<br>&gt; anything else to keep an eye out for in the various piles of<br>&gt; electronic and wood rubble?&nbsp;&nbsp;ha ha<br>&gt; lol!!!&nbsp;&nbsp;Its all good :o)<br>&gt;&nbsp;&nbsp;Wish you and yours blessings of wellness/health, harmony, peace,
<br>&gt; prosperity, wisdom, love and joy<br>&gt; Sincerely your friend Daniel T. Albertini<br>&gt;&nbsp;&nbsp;<a href="http://myspace.com/albertiniguitarworks">myspace.com/albertiniguitarworks</a><br>&gt;<br>&gt;<br>&gt; __________________________________________________
<br>&gt; Do You Yahoo!?<br>&gt; Tired of spam?&nbsp;&nbsp;Yahoo! Mail has the best spam protection around<br>&gt; <a href="http://mail.yahoo.com">http://mail.yahoo.com</a><br>&gt;<br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 17:42:25 2007
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Date: Wed, 31 Oct 2007 13:42:22 -0400
From: phaslem@wightman.ca
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Subject: Re: AXON AX 100
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Hey Richard,

If you think you are going to let the Axon go I'll throw my name in =20
the hat of people that would be interested in it. I'm currently using =20
a vg8-ex which doesn't have good synth sounds; I love some of the =20
guitar patches though.

Just for interest sake you can take a look at the guitar I built with =20
the Graphtech pickups at http://www.haslem.ca/pictures/ click on any =20
of the jpg files marked guitar.

Sounds like you're going to have a busy year! I'm starting to work on =20
a new hammered dulcimer cd that will involve looping guitar parts and =20
perhaps some dulcimer as well... Of course it will feature the =20
hammered dulcimer.... In my case I'll be delighted if I'm able to sell =20
a few hundred copies....

Regards,

Paul Haslem
www.dulcify.ca



Quoting Richard Sales <richard@glasswing.com>:
>
> I guess to keep my karma clean I should pass on the Roland GK1 pickup
> and the MIDI interface that goes with it.  If any of you want it and
> will pay shipping and boxing I'll send it to you.  I never used it.
> And.... it was given to me!  If you want it let me know.  Only catch
> is, you can't turn around and sell it on Ebay!  As the natives say,
> "The gift must move."

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 18:12:46 2007
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Subject: RE: animated music
Date: Wed, 31 Oct 2007 19:12:39 +0100
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From: "Moore, David W Civ 86 MXS/MXMTA" <David.Moore@ramstein.af.mil>
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Coooooooooooooooooooooooooooooooooooooooooool.

david moore
transient alert
86 mxs/mxmta
480-2061/5378
-----Original Message-----
From: Qua Veda [mailto:qua@oregon.com]=20
Sent: Wednesday, October 31, 2007 6:28 PM
To: Loopers-Delight@loopers-delight.com
Subject: OT: animated music

 Wild imagined instruments!
http://www.animusic.com/dvd-info-clips-1.html

=20

-Qua

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 18:31:13 2007
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Subject: OT:  AXON, HTM, Stanley
Date: Wed, 31 Oct 2007 14:31:13 -0400
Message-ID: <641CEFFC7E5B6C42AB59539653FD08238E2E78@wcu-ex-emp2.PASSHE.LCL>
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From: "Dean, Hal " <HDean@wcupa.edu>
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Richard-
=20
You can call me Hal (everyone makes that mistake).
=20
We corresponded briefly about HTM awhile back. I think I told you about
the HTM reunion, which yielded a new recording "The Muse Awakens", a
match for their 70s LPs... or darn close.
=20
I last talked to Stan as I was contemplating buying Kris's Archtop,
because Stan plays one.  His comments sold me on it.
=20
Stan and Frank have a very HTM-ish band called Oblivion Sun, and they
just put out a CD. See http://oblivionsun.homestead.com/home.html. I was
supposed to see them in Vienna, VA this past Sun. but bailed due to a
really persistent cold. I had seen them at Orion Sound in Baltimore last
Fall - tremendous. Personally I'd like to see them doing newer-sounding
stuff, but they have an audience for what they do ( not exactly a
stadium-filler, but I think they can at least move some units online to
the far-flung HTM fan base). That said, with the exception of one
clunker the CD sounds great. Anyway, Stan is playing and singing
splendidly and is a happy, married guy.
=20
Stan and Frank built Paul Reed Smith's new studio and recorded the OS CD
there. Frank has been a builder for many years. What role Stan played in
this I can't say. They clearly remain close to Paul.
=20
Oddly, I found the support at PRS concerning the Archtop to be pretty
determinedly nonexistent.  No wiring diagrams for the piezo-equipped
guitar, and a resolute message of "you're on your on". It probably in
the end is not important, though in reading more about the Graphtech
Ghost system today I find myself over my head when the electronics and
switching options are the topic. I'm hoping the guitar tech I'm talking
too will grasp all of this.
=20
By the way, Richard McClish is one of the nicest people you could ever
encounter. Unbelievably helpful, a real gentleman. When I was first
contemplating getting an archtop and was bewildered by the abundance of
options, most of them very costly, he sent me pictures of his Buscarino.
That is about as gorgeous as guitars get.  Got 10 grand lying around?=20

One last - if you knew HTM you might also have known However.  Those
guys are all still active to one degree or another.

Cheers... oh, and I will say hi to SW for you.=20
=20
Hal Dean

________________________________

From: Richard Sales [mailto:richard@glasswing.com]=20
Sent: Wednesday, October 31, 2007 12:13 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: AXON AX 100


Thanks Dean=20

Yup! I'm the guy who knew Stanley Whittaker. Do you know him? Have you
seen him lately? If you do, tell him Richard Sales from the Happy The
Man days and the Cellar Door says hello!=20

I have (somewhat) kept up contact with Kit Watkins. Great player! No...
incredible player. He recorded on some of my stuff back in the stone
ages.=20

I thought and still think Happy The Man was one of the most inventive
and listenable bands ever. I heard they might reunite. Any knowledge on
that?=20

Stanley had one of the first PRS guitars I ever saw. At that time I knew
Paul was fixing guitars but hadn't seen his own. He'd worked on my
guitars before that. Oh man! That guitar, and especially in Stanley's
hands, made me take another look at Paul.=20

I would contact Paul or the PRS people about pickups on their guitars. I
seem to remember he'd fiddled with the idea of MIDI pickups on his
guitars.=20

Thanks again for all the data. I only know what the AXON can do from the
demos on the Terratec site.... and it is incredible.=20
richard sales=20
glassWing farm and studio=20
vancouver island, b.c.=20
800.545.6846=20
250.752.4816=20
www.glassWing.com=20
www.richardsales.com=20
www.hayleysales.com=20
www.blueberryfieldsfarm.com=20
On 31-Oct-07, at 6:03 AM, Dean, Hal wrote:=20


	Richard,=20

	While there are those who argue that tracking with the Roland GK
system=20
	is good, they are a distinct minority; I am not among them. The
majority=20
	opinion, by far, is that either the RMC system or GraphTech's
Ghost=20
	system are far superior in terms of tracking and accuracy. Both
operate=20
	on the same principle - piezo saddle pickups that feed into a=20
	"translator" module. The RMC system has been used in Godin's
MIDI-ready=20
	guitars, such as the Multiac and LGXT, for years. I have both
those=20
	guitars as well as an RMC-equipped classical guitar I had made.=20

	I am currently researching how to install a MIDI pickup system
in a Paul=20
	Reed Smith Archtop (which BTW I bought from Kris Hartung) and
find that=20
	Ghost may be more suitable in this instrument, for reasons I
won't go=20
	into here. In the course of researching this I've seen comments
on the=20
	midiguitar forum to the effect that the build quality,
specifically=20
	connectors, and balance are not as good with Ghost; supposedly,
both=20
	these issues can be overcome with some careful installation
techniques.=20

	Both RMC and Ghost systems will be costlier than the Roland
system. Both=20
	can also provide a nice piezoelectric sound to blend with any
pickups=20
	you have already. The Godin Multiac is a great acoustic guitar
with just=20
	the piezo sound, and the MIDI capability. I will miss mine when
I sell=20
	it - which I need to do to make up for buying the PRS!=20

	I would love to have an Axon. I have an older Roland GI-10.
Everyone=20
	that has used the Axon and the Roland GI-10 or -20 says the Axon
is=20
	better. You certainly have that part of the signal chain well
covered.=20

	Take a look at http://www.graphtech.com/ghost_info.php and=20
	http://www.rmcpickup.com/.=20

	OT- Am I remembering you are the guy who knew Stanley Whitaker?=20

	Hal Dean=20

	________________________________=20





From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 18:49:08 2007
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Date: Wed, 31 Oct 2007 11:49:04 -0700 (PDT)
From: Dan <danielalbertini72@yahoo.com>
Subject: Re: AXON AX 100
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Ok I talked to Cotton and he needs it!  Im not sure how you would like for me to send shipping
money and whatever you need, if there are any other rules I need to follow for shipping or credit
card information?  his email is jwesthoff@sbcglobal.net In case you need anything else from him he
can build anything and I mean ANYTHING!
He is a very good lifetime friend I respect and love very much!!!!!
 Thank You So Much Brother!!!  :o) 
 My address is

 205 West 9th
Pittsburg, Kansas
  zip 66762
phone 1-620-232-1252
 

--- Richard Sales <richard@glasswing.com> wrote:

> Thanks Dan!
> 
> Oh man!  So much to learn and research.
> 
> Luthiers are like beer stores for me.  I have to keep my distance!  I 
> LOVE GUITARS TOO MUCH!  I finally sold one this past year and am still 
> having convulsions having done it.  But at one point I noticed spider 
> webs between the guitar and the wall it was hanging on so I just had to 
> let it go.
> 
> But yeah..... I will RELUCTANTLY go peek at William Eaton, 
> Roberto-Venn's and YOUR sites or info.  I have to admit I have terror.  
> I fall in love so easily.
> 
> We don't have any PSAs right now.  And she's not signed in the US as of 
> right now but it's VERY MUCH looking like that will happen within the 
> next bunch of months.  She's now signed to Universal in the UK so we'll 
> be going there in the first quarter 08.  That's pretty exciting.  I 
> think France and Germany too.  But the way the majors - or what's left 
> of them - work - is your record is ONLY released per territory and can 
> really only be promoted and tour supported per territory.  So we've 
> been pretty confined to Canada since the record came out.  But it's 
> doing very well here.  The first single is lodged in the top ten of the 
> AC chart.  Was at #3 for about five months and has now slipped to #8.  
> It's the most played record on AC this year!  And the new single is 
> fast climbing as we speak.  And they're planning to launch the third in 
> Feb so it's very conceivable Hayley will have THREE singles in the top 
> playlists,  So, IN CANADA, we're doing very well. Hopefully that will 
> translate to other territories as well.... Jah willing.
> 
> Oh shit!  I ALWAYS need equipment. But that's like a very overweight 
> man saying he ALWAYS needs candy bars!  I'm gonna have to upgrade my 
> studio sometime soon and that will be ugly.  But the record's been 
> nominated for a Juno in Engineering (Canada's Grammy) so I COULD have 
> more studio work out of that.  Don't know if I really WANT that.... but 
> I'm sure my wife would like to see more of those little green (and in 
> Canada red, blue etc) magic carpets flowing through the bank account.
> 
> Our web sites are in my signature below.  But.... www.hayleysales.com 
> (she has a myspace too - you can hear some songs there), 
> www.richardsales.com (samples of my songs there) and www.glasswing.com 
> (samples of instrumentals for film video there)  the studio.
> 
> I guess to keep my karma clean I should pass on the Roland GK1 pickup 
> and the MIDI interface that goes with it.  If any of you want it and 
> will pay shipping and boxing I'll send it to you.  I never used it.  
> And.... it was given to me!  If you want it let me know.  Only catch 
> is, you can't turn around and sell it on Ebay!  As the natives say, 
> "The gift must move."
> 
> Thanks again Dan and everyone who responded to my question.
> 
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 31-Oct-07, at 6:41 AM, Dan wrote:
> 
> > Richard!!!  Good to hear your back it sounds like you been having fun, 
> > I wish I could say the
> > same.  Anyway my teacher/luthier masters especially William Eaton is 
> > requested by companies
> > especially Roland to test their prototypes of all kinds of electronic 
> > equipment.  I do not know
> > for sure if he is on tour right now but I would recommend you contact 
> > him through Roberto-Venn.
> > He usually designs the instruments around the technology, or 
> > viceversa.  One of the most amazing
> > and seemingly unique human beings I have ever met.  Very personable 
> > and sweet at the same time he
> > helped me a great deal to get through some of the most challenging 
> > times of my life back in 1999
> > through 2000!!!  Do you and Haley have any different websites I can 
> > link up for yall at
> > myspace.com/albertiniguitarworks?  Im trying to get a couple more 
> > projects off the ground I have a
> > few more live performances on the radio stations around here in the 
> > four state Area and in
> > Pittsburg soon.  I will be playing solo and or with new experiment in 
> > the works "Eagle Dawn" set
> > drummer/manager website consultant/very good friend Wade Heilig and 
> > percussionist extraordinaire
> > Daniel Warlop Pittsburg State University Gorilla Radio.  Send me your 
> > PSA's & I will try to get
> > them some air time for you all and Haley!  I also have been coming 
> > across a lot of random
> > equipment through the interchange of musicians friend warehouses so 
> > let me know if their is
> > anything else to keep an eye out for in the various piles of 
> > electronic and wood rubble?  ha ha
> > lol!!!  Its all good :o)
> >  Wish you and yours blessings of wellness/health, harmony, peace, 
> > prosperity, wisdom, love and joy
> > Sincerely your friend Daniel T. Albertini
> >  myspace.com/albertiniguitarworks
> >
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 20:16:52 2007
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Subject: square waves 
Date: Wed, 31 Oct 2007 13:16:47 -0700
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At the Y2K7 loopfest, Henry Kaiser explained that he used square waves to
modulate a PCM 42 (lexicon fx processor) to create his loops.  I really
liked his performance.  Did I misunderstand him?  Can anyone explain how
this is done?   

 

-Qua


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<p class=3DMsoNormal><span =
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color:#1F497D'>At the Y2K7 loopfest, Henry Kaiser explained that he used =
square
waves to modulate a PCM 42 (lexicon fx processor) to create his =
loops.&nbsp; I
really liked his performance. &nbsp;Did I misunderstand him?&nbsp; Can =
anyone explain how
this is done?&nbsp;&nbsp; <o:p></o:p></span></p>

<p class=3DMsoNormal><span =
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<p class=3DMsoNormal><span =
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Date: Wed, 31 Oct 2007 13:26:21 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Y2K7 Movie
To: Loopers-Delight@loopers-delight.com
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You bunch of nutheads!
what a great film i really enjoyed it(specilally the
end)
the low-fi quality makes it even more special,
Brilliant Per!is great hearing and seeing you people
though i got really nostalgic specially being recently
in the summer there in beautiful california with
Rick,but i was also deeply hurt seeing all those fires
going on recently in the peninsula i grew up which i
dearly love...
peace and love to all of you and hope to meet you some
day!
Luis

--- kkissinger@kevinkissinger.com wrote:

> Same here... it isn't downloading for me.
> 
> -- Kevin
> 
> Quoting harryesq@aol.com:
> 
> > Per - I'm trying to watch the .mov and it doesn't
> seem to be   
> > downloading.? Is the link working?? Thanks,
> >
> > Harry
> 
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 20:32:15 2007
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Date: Wed, 31 Oct 2007 13:32:13 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: RE: AXON AX 100
To: Loopers Delight <loopers-delight@loopers-delight.com>
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i was always under the impression that hexaphonic
pickups like the rmc would work better on a steel
string for its sustain,but most people that mention it
have it installed in their nylon acoustics,which seem
to be harder to amplify,off course the godins are a
whole different story but i wouldnt really consider
them a classic/flamenco guitar,they definetly got
their own sound going...
Luis


--- William Walker <billwalker@baymoon.com> wrote:

> The RMC pickup is the best for acoustic instruments,
> I have one in my
> flamenco guitar that works very well, but it
> requires installation, So I
> suggest you just give the Axon to me :-)
> 
> Bill
> 
>  
> 
>   _____  
> 
> From: Richard Sales [mailto:richard@glasswing.com] 
> Sent: Tuesday, October 30, 2007 5:32 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: AXON AX 100
> 
>  
> 
> HI gang
> 
> I'm sort of back! Have been busier than a whole
> colony of fleas on a burning
> cat! 
> 
> Just did a music video here at our farm this past
> weekend that was insane -
> 30 bicyclists, one authentic hippy VW bus, 11 member
> film crew, 4 band
> members. 
> 
> So question - have any of you used the AXON AX 100?
> Has anyone used it with
> an acoustic guitar? And do any of you know where to
> get PICKUPS - especially
> the hexaphonic pickup for acoustic guitars? I was
> given the AX 100 and it
> looks very cool. But it don't got no pickup! Argh!!!
> It looks really
> intriguing and I checked out videos of folks using
> it and it seems pretty
> stunning. 
> 
> Thanks in advance
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 20:35:58 2007
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Date: Wed, 31 Oct 2007 16:35:14 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: square waves
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The PCM-42 delay line has an LFO which is used to modulate the delay 
line, it can be used to create flange, chorus or wobbly echos. It has 
two waveforms available, triangle and square. If you use an expanded 
memory PCM-42 and modulate your loop with the square wave the effect 
will be similar to having someone switch the speed of a tape machine, 
with dramatic jumps in pitch and speed.

>At the Y2K7 loopfest, Henry Kaiser explained that he used square 
>waves to modulate a PCM 42 (lexicon fx processor) to create his 
>loops.  I really liked his performance.  Did I misunderstand him? 
>Can anyone explain how this is done?
>
>-Qua


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 20:43:12 2007
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Date: Wed, 31 Oct 2007 15:43:09 -0500
From: kkissinger@kevinkissinger.com
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Subject: Re: Y2K7 Movie
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Per,

Thank you for shooting these videos and putting this movie together.   
Indeed, the low-fi/low-res of the cellphone camera gives it a  
spontaneous "you are here" effect.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 20:55:53 2007
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Subject: RE: square waves
Date: Wed, 31 Oct 2007 13:55:48 -0700
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Ah,  now that you've explained how it works, I do recall hearing pitch
changes that were probably due to the modulation - it sounded great!
-Qua

-----Original Message-----
From: Charles Zwicky [mailto:cazwicky@earthlink.net] 
Sent: Wednesday, October 31, 2007 1:35 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: square waves

The PCM-42 delay line has an LFO which is used to modulate the delay 
line, it can be used to create flange, chorus or wobbly echos. It has 
two waveforms available, triangle and square. If you use an expanded 
memory PCM-42 and modulate your loop with the square wave the effect 
will be similar to having someone switch the speed of a tape machine, 
with dramatic jumps in pitch and speed.

>At the Y2K7 loopfest, Henry Kaiser explained that he used square 
>waves to modulate a PCM 42 (lexicon fx processor) to create his 
>loops.  I really liked his performance.  Did I misunderstand him? 
>Can anyone explain how this is done?
>
>-Qua


-- 
...
http://www.zmix.net


From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 21:20:55 2007
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Date: Wed, 31 Oct 2007 22:20:52 +0100
From: "Raul Bonell" <raul.bonell@gmail.com>
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mad guys make mad clips !!
what an end...
i found the flashing chairs
scene funnier than most comedy films today...ha,ha,.

thanks for let us taste that bits,
raul.

2007/10/31, L.A. Angulo <labaloops@yahoo.com>:
>
> You bunch of nutheads!
> what a great film i really enjoyed it(specilally the
> end)
> the low-fi quality makes it even more special,
> Brilliant Per!is great hearing and seeing you people
> though i got really nostalgic specially being recently
> in the summer there in beautiful california with
> Rick,but i was also deeply hurt seeing all those fires
> going on recently in the peninsula i grew up which i
> dearly love...
> peace and love to all of you and hope to meet you some
> day!
> Luis
>
> --- kkissinger@kevinkissinger.com wrote:
>
> > Same here... it isn't downloading for me.
> >
> > -- Kevin
> >
> > Quoting harryesq@aol.com:
> >
> > > Per - I'm trying to watch the .mov and it doesn't
> > seem to be
> > > downloading.? Is the link working?? Thanks,
> > >
> > > Harry
> >
> >
> >
>
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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mad guys make mad clips !!<br>what an end...<br>i found the flashing chairs<br>scene funnier than most comedy films today...ha,ha,.<br><br>thanks for let us taste that bits,<br>raul.<br><br><div><span class="gmail_quote">2007/10/31, 
L.A. Angulo &lt;<a href="mailto:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">You bunch of nutheads!
<br>what a great film i really enjoyed it(specilally the<br>end)<br>the low-fi quality makes it even more special,<br>Brilliant Per!is great hearing and seeing you people<br>though i got really nostalgic specially being recently
<br>in the summer there in beautiful california with<br>Rick,but i was also deeply hurt seeing all those fires<br>going on recently in the peninsula i grew up which i<br>dearly love...<br>peace and love to all of you and hope to meet you some
<br>day!<br>Luis<br><br>--- <a href="mailto:kkissinger@kevinkissinger.com">kkissinger@kevinkissinger.com</a> wrote:<br><br>&gt; Same here... it isn&#39;t downloading for me.<br>&gt;<br>&gt; -- Kevin<br>&gt;<br>&gt; Quoting 
<a href="mailto:harryesq@aol.com">harryesq@aol.com</a>:<br>&gt;<br>&gt; &gt; Per - I&#39;m trying to watch the .mov and it doesn&#39;t<br>&gt; seem to be<br>&gt; &gt; downloading.? Is the link working?? Thanks,<br>&gt; &gt;
<br>&gt; &gt; Harry<br>&gt;<br>&gt;<br>&gt;<br><br><br><a href="http://www.myspace.com/luisangulocom">www.myspace.com/luisangulocom</a><br><br>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?&nbsp;&nbsp;Yahoo! Mail has the best spam protection around
<br><a href="http://mail.yahoo.com">http://mail.yahoo.com</a><br><br></blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo
</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>


------=_Part_6781_14753307.1193865652506--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 31 21:34:35 2007
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Subject: Re:oingoboingo( new composition influenced by looping and some
 ramblings)
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i saw many a time the band-'Mystic Knights of the Oingo Boingo' here in san fran in the late 70s and early 80s- there stage show was wild-lots of people running around playing different instruments w/ dancers etc.
didnt seem like the same band when they went socal and started writin pop songs(dead mans party etc).
s

-----Original Message-----
>From: cpr@musetrap.com
>Sent: Oct 31, 2007 12:43 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: new composition influenced by looping and some ramblings
>
>I have a deep 'elfman' connection, as I grew up listening to Oingo Boingo.. I
>saw them play at universities (UC Irvine, and UCLA) before moving on to actual
>concert venues.. :)
>
>peace
>-cpr
>
>Quoting Per Boysen <perboysen@gmail.com>:
>
>> On Oct 31, 2007, at 17:18, kkissinger@kevinkissinger.com wrote:
>> 
>> > Well, since I like Elfman's work I take it as a compliment.
>> 
>> 
>> Obviously I need to take a new listen to Danny Elfman's work because  
>> to me the only "Elfmannish" in that has been the fakt that it was  
>> "made for use in movies". I must have missed some personal musical  
>> expression vibrating through all his work. Note taken - will listen up.
>> 
>> Greetings from Sweden
>> 
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> 
>> 
>> 
>> 
>> 
>
>
>
>
>----------------------------------------------------------------
>This message was sent using IMP, the Internet Messaging Program.
>

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From: Richard Sales <richard@glasswing.com>
Subject: Re: OT:  AXON, HTM, Stanley
Date: Wed, 31 Oct 2007 14:47:36 -0700
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Ah!  Memory is coming back!  I remember emailing about this.

Glad to hear they're still cooking.  Did you try to get Stan to find 
out what you needed to know from Paul?  I know he's of course 
incredibly busy and probably pretty burned out with questions about 
guitars etc.  But he is a good guy.  Just really busy.

Vienna Virginia?  I used to live in MaryLand.  I called it The 
Bullseye!  So many wonderful folks there.  I do miss it.  But I really 
love Canada now.

Did you know Harold Howland in Vienna?  Drummer.

WHo is Richard McLish?

10 grand for an archtop?  This last year I sold my 1956 Gibson ES 
225TD.  I loved it but just didn't play it.  I've been pretty much 
doing acoustic guitar mostly for the past ten or so years... but use 
electrics as needed on recordings.  And some of you might remember my 
snobbishness on stomp boxes etc when I started looping.  Obviously, 
that's long down the toilet.

My hunch is if you sit and wait long enough the prices of guitars are 
going to come down... along with the rest of the economy.

I did lots of gigs with Happy The Man back in the DC area when I was 
there.  I loved the band most when they had the drummer with the huge 
setup.

The RMC pickup looks cool.  Not wild about putting anything on my 
Collings - the guitar I use most live etc.  It already has a K&K 3 way 
pickup in it that's amazing.

I might butcher another acoustic guitar for the MIDI experiment.  MIGHT 
put it on a Strat maybe.  Too many options, not enough brain power to 
carve a path through.

I'll check out the HTM reunion CD.

Thanks again

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 31-Oct-07, at 11:31 AM, Dean, Hal wrote:

> Richard-
>
> You can call me Hal (everyone makes that mistake).
>
> We corresponded briefly about HTM awhile back. I think I told you about
> the HTM reunion, which yielded a new recording "The Muse Awakens", a
> match for their 70s LPs... or darn close.
>
> I last talked to Stan as I was contemplating buying Kris's Archtop,
> because Stan plays one.  His comments sold me on it.
>
> Stan and Frank have a very HTM-ish band called Oblivion Sun, and they
> just put out a CD. See http://oblivionsun.homestead.com/home.html. I 
> was
> supposed to see them in Vienna, VA this past Sun. but bailed due to a
> really persistent cold. I had seen them at Orion Sound in Baltimore 
> last
> Fall - tremendous. Personally I'd like to see them doing newer-sounding
> stuff, but they have an audience for what they do ( not exactly a
> stadium-filler, but I think they can at least move some units online to
> the far-flung HTM fan base). That said, with the exception of one
> clunker the CD sounds great. Anyway, Stan is playing and singing
> splendidly and is a happy, married guy.
>
> Stan and Frank built Paul Reed Smith's new studio and recorded the OS 
> CD
> there. Frank has been a builder for many years. What role Stan played 
> in
> this I can't say. They clearly remain close to Paul.
>
> Oddly, I found the support at PRS concerning the Archtop to be pretty
> determinedly nonexistent.  No wiring diagrams for the piezo-equipped
> guitar, and a resolute message of "you're on your on". It probably in
> the end is not important, though in reading more about the Graphtech
> Ghost system today I find myself over my head when the electronics and
> switching options are the topic. I'm hoping the guitar tech I'm talking
> too will grasp all of this.
>
> By the way, Richard McClish is one of the nicest people you could ever
> encounter. Unbelievably helpful, a real gentleman. When I was first
> contemplating getting an archtop and was bewildered by the abundance of
> options, most of them very costly, he sent me pictures of his 
> Buscarino.
> That is about as gorgeous as guitars get.  Got 10 grand lying around?
>
> One last - if you knew HTM you might also have known However.  Those
> guys are all still active to one degree or another.
>
> Cheers... oh, and I will say hi to SW for you.
>
> Hal Dean
>
> ________________________________
>
> From: Richard Sales [mailto:richard@glasswing.com]
> Sent: Wednesday, October 31, 2007 12:13 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: AXON AX 100
>
>
> Thanks Dean
>
> Yup! I'm the guy who knew Stanley Whittaker. Do you know him? Have you
> seen him lately? If you do, tell him Richard Sales from the Happy The
> Man days and the Cellar Door says hello!
>
> I have (somewhat) kept up contact with Kit Watkins. Great player! No...
> incredible player. He recorded on some of my stuff back in the stone
> ages.
>
> I thought and still think Happy The Man was one of the most inventive
> and listenable bands ever. I heard they might reunite. Any knowledge on
> that?
>
> Stanley had one of the first PRS guitars I ever saw. At that time I 
> knew
> Paul was fixing guitars but hadn't seen his own. He'd worked on my
> guitars before that. Oh man! That guitar, and especially in Stanley's
> hands, made me take another look at Paul.
>
> I would contact Paul or the PRS people about pickups on their guitars. 
> I
> seem to remember he'd fiddled with the idea of MIDI pickups on his
> guitars.
>
> Thanks again for all the data. I only know what the AXON can do from 
> the
> demos on the Terratec site.... and it is incredible.
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 31-Oct-07, at 6:03 AM, Dean, Hal wrote:
>
>
> 	Richard,
>
> 	While there are those who argue that tracking with the Roland GK
> system
> 	is good, they are a distinct minority; I am not among them. The
> majority
> 	opinion, by far, is that either the RMC system or GraphTech's
> Ghost
> 	system are far superior in terms of tracking and accuracy. Both
> operate
> 	on the same principle - piezo saddle pickups that feed into a
> 	"translator" module. The RMC system has been used in Godin's
> MIDI-ready
> 	guitars, such as the Multiac and LGXT, for years. I have both
> those
> 	guitars as well as an RMC-equipped classical guitar I had made.
>
> 	I am currently researching how to install a MIDI pickup system
> in a Paul
> 	Reed Smith Archtop (which BTW I bought from Kris Hartung) and
> find that
> 	Ghost may be more suitable in this instrument, for reasons I
> won't go
> 	into here. In the course of researching this I've seen comments
> on the
> 	midiguitar forum to the effect that the build quality,
> specifically
> 	connectors, and balance are not as good with Ghost; supposedly,
> both
> 	these issues can be overcome with some careful installation
> techniques.
>
> 	Both RMC and Ghost systems will be costlier than the Roland
> system. Both
> 	can also provide a nice piezoelectric sound to blend with any
> pickups
> 	you have already. The Godin Multiac is a great acoustic guitar
> with just
> 	the piezo sound, and the MIDI capability. I will miss mine when
> I sell
> 	it - which I need to do to make up for buying the PRS!
>
> 	I would love to have an Axon. I have an older Roland GI-10.
> Everyone
> 	that has used the Axon and the Roland GI-10 or -20 says the Axon
> is
> 	better. You certainly have that part of the signal chain well
> covered.
>
> 	Take a look at http://www.graphtech.com/ghost_info.php and
> 	http://www.rmcpickup.com/.
>
> 	OT- Am I remembering you are the guy who knew Stanley Whitaker?
>
> 	Hal Dean
>
> 	________________________________
>
>
>
>
>

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Ah!  Memory is coming back!  I remember emailing about this.  


Glad to hear they're still cooking.  Did you try to get Stan to find
out what you needed to know from Paul?  I know he's of course
incredibly busy and probably pretty burned out with questions about
guitars etc.  But he is a good guy.  Just really busy.


Vienna Virginia?  I used to live in MaryLand.  I called it The
Bullseye!  So many wonderful folks there.  I do miss it.  But I really
love Canada now. 


Did you know Harold Howland in Vienna?  Drummer.  


WHo is Richard McLish?  


10 grand for an archtop?  This last year I sold my 1956 Gibson ES
225TD.  I loved it but just didn't play it.  I've been pretty much
doing acoustic guitar mostly for the past ten or so years... but use
electrics as needed on recordings.  And some of you might remember my
snobbishness on stomp boxes etc when I started looping.  Obviously,
that's long down the toilet.  


My hunch is if you sit and wait long enough the prices of guitars are
going to come down... along with the rest of the economy.


I did lots of gigs with Happy The Man back in the DC area when I was
there.  I loved the band most when they had the drummer with the huge
setup.  


The RMC pickup looks cool.  Not wild about putting anything on my
Collings - the guitar I use most live etc.  It already has a K&K 3 way
pickup in it that's amazing.


I might butcher another acoustic guitar for the MIDI experiment. 
MIGHT put it on a Strat maybe.  Too many options, not enough brain
power to carve a path through.  


I'll check out the HTM reunion CD.


Thanks again


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 31-Oct-07, at 11:31 AM, Dean, Hal wrote:


<excerpt>Richard-


You can call me Hal (everyone makes that mistake).


We corresponded briefly about HTM awhile back. I think I told you about

the HTM reunion, which yielded a new recording "The Muse Awakens", a

match for their 70s LPs... or darn close.


I last talked to Stan as I was contemplating buying Kris's Archtop,

because Stan plays one.  His comments sold me on it.


Stan and Frank have a very HTM-ish band called Oblivion Sun, and they

just put out a CD. See http://oblivionsun.homestead.com/home.html. I
was

supposed to see them in Vienna, VA this past Sun. but bailed due to a

really persistent cold. I had seen them at Orion Sound in Baltimore
last

Fall - tremendous. Personally I'd like to see them doing newer-sounding

stuff, but they have an audience for what they do ( not exactly a

stadium-filler, but I think they can at least move some units online to

the far-flung HTM fan base). That said, with the exception of one

clunker the CD sounds great. Anyway, Stan is playing and singing

splendidly and is a happy, married guy.


Stan and Frank built Paul Reed Smith's new studio and recorded the OS
CD

there. Frank has been a builder for many years. What role Stan played
in

this I can't say. They clearly remain close to Paul.


Oddly, I found the support at PRS concerning the Archtop to be pretty

determinedly nonexistent.  No wiring diagrams for the piezo-equipped

guitar, and a resolute message of "you're on your on". It probably in

the end is not important, though in reading more about the Graphtech

Ghost system today I find myself over my head when the electronics and

switching options are the topic. I'm hoping the guitar tech I'm talking

too will grasp all of this.


By the way, Richard McClish is one of the nicest people you could ever

encounter. Unbelievably helpful, a real gentleman. When I was first

contemplating getting an archtop and was bewildered by the abundance of

options, most of them very costly, he sent me pictures of his
Buscarino.

That is about as gorgeous as guitars get.  Got 10 grand lying around? 


One last - if you knew HTM you might also have known However.  Those

guys are all still active to one degree or another.


Cheers... oh, and I will say hi to SW for you. 


Hal Dean


________________________________


From: Richard Sales [mailto:richard@glasswing.com] 

Sent: Wednesday, October 31, 2007 12:13 PM

To: Loopers-Delight@loopers-delight.com

Subject: Re: AXON AX 100



Thanks Dean 


Yup! I'm the guy who knew Stanley Whittaker. Do you know him? Have you

seen him lately? If you do, tell him Richard Sales from the Happy The

Man days and the Cellar Door says hello! 


I have (somewhat) kept up contact with Kit Watkins. Great player! No...

incredible player. He recorded on some of my stuff back in the stone

ages. 


I thought and still think Happy The Man was one of the most inventive

and listenable bands ever. I heard they might reunite. Any knowledge on

that? 


Stanley had one of the first PRS guitars I ever saw. At that time I
knew

Paul was fixing guitars but hadn't seen his own. He'd worked on my

guitars before that. Oh man! That guitar, and especially in Stanley's

hands, made me take another look at Paul. 


I would contact Paul or the PRS people about pickups on their guitars. I

seem to remember he'd fiddled with the idea of MIDI pickups on his

guitars. 


Thanks again for all the data. I only know what the AXON can do from
the

demos on the Terratec site.... and it is incredible. 

richard sales 

glassWing farm and studio 

vancouver island, b.c. 

800.545.6846 

250.752.4816 

www.glassWing.com 

www.richardsales.com 

www.hayleysales.com 

www.blueberryfieldsfarm.com 

On 31-Oct-07, at 6:03 AM, Dean, Hal wrote: 



	Richard, 


	While there are those who argue that tracking with the Roland GK

system 

	is good, they are a distinct minority; I am not among them. The

majority 

	opinion, by far, is that either the RMC system or GraphTech's

Ghost 

	system are far superior in terms of tracking and accuracy. Both

operate 

	on the same principle - piezo saddle pickups that feed into a 

	"translator" module. The RMC system has been used in Godin's

MIDI-ready 

	guitars, such as the Multiac and LGXT, for years. I have both

those 

	guitars as well as an RMC-equipped classical guitar I had made. 


	I am currently researching how to install a MIDI pickup system

in a Paul 

	Reed Smith Archtop (which BTW I bought from Kris Hartung) and

find that 

	Ghost may be more suitable in this instrument, for reasons I

won't go 

	into here. In the course of researching this I've seen comments

on the 

	midiguitar forum to the effect that the build quality,

specifically 

	connectors, and balance are not as good with Ghost; supposedly,

both 

	these issues can be overcome with some careful installation

techniques. 


	Both RMC and Ghost systems will be costlier than the Roland

system. Both 

	can also provide a nice piezoelectric sound to blend with any

pickups 

	you have already. The Godin Multiac is a great acoustic guitar

with just 

	the piezo sound, and the MIDI capability. I will miss mine when

I sell 

	it - which I need to do to make up for buying the PRS! 


	I would love to have an Axon. I have an older Roland GI-10.

Everyone 

	that has used the Axon and the Roland GI-10 or -20 says the Axon

is 

	better. You certainly have that part of the signal chain well

covered. 


	Take a look at http://www.graphtech.com/ghost_info.php and 

	http://www.rmcpickup.com/. 


	OT- Am I remembering you are the guy who knew Stanley Whitaker? 


	Hal Dean 


	________________________________ 






</excerpt>
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i just get back to pittsburgh and they are screamin' for more 
klobuchar.....:).....this friday at 7:30 till ? at "THE BUILDING" PENN AVE. GARFIELD AREA, 
PITTSBURGH PA......FIRST FRIDAY ART CRAWL.....i will be playin with a sax player 
and drummer and damn the torpedoes I WILL LOOP MY BRAINS OUT!.....lee, the 
sax player sez he will record the proceedings, huzza huzza!.....michael

n.p. Y2K7 mp3s.....they sound more than fine to me!.....THNAKS KRIS, a real 
joy to be there again!

"raise em to eat em!".....scoots galore "THOUGHTS ON PETS"

www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11




**************************************
 See what's new at http://www.aol.com

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">i just get back to pittsburgh and they=20=
are screamin' for more klobuchar.....:).....this friday at 7:30 till ? at "T=
HE BUILDING" PENN AVE. GARFIELD AREA, PITTSBURGH PA......FIRST FRIDAY ART CR=
AWL.....i will be playin with a sax player and drummer and damn the torpedoe=
s I WILL LOOP MY BRAINS OUT!.....lee, the sax player sez he will record the=20=
proceedings, huzza huzza!.....michael<BR>
<BR>
n.p. Y2K7 mp3s.....they sound more than fine to me!.....THNAKS KRIS, a real=20=
joy to be there again!<BR>
<BR>
"raise em to eat em!".....scoots galore "THOUGHTS ON PETS"<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
new at http://www.aol.com</HTML>

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