From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 01:23:36 2007
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Date: Sat, 31 Mar 2007 18:23:35 -0700 (PDT)
From: Jeffrey Collins <ektakrome@yahoo.com>
Subject: re: fretless guitar
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--0-1925253397-1175390615=:59067
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Bill. Try using your Quicktime player to view the video. MP4 is a quicktime video file format. Used a lot on Podcasts.



bill bigrig <billbigrig@yahoo.com> wrote: Howdy,

 Can't get the video to come up. But I don't think
it's the one because on "watching a movie" he did not
do any loopng. It was all live playing.
Rig


 
____________________________________________________________________________________
Now that's room service!  Choose from over 150,000 hotels
in 45,000 destinations on Yahoo! Travel to find your fit.
http://farechase.yahoo.com/promo-generic-14795097



 
---------------------------------
Finding fabulous fares is fun.
Let Yahoo! FareChase search your favorite travel sites to find flight and hotel bargains.
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Bill. Try using your Quicktime player to view the video. MP4 is a quicktime video file format. Used a lot on Podcasts.<br><br><br><br><b><i>bill bigrig &lt;billbigrig@yahoo.com&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> Howdy,<br><br> Can't get the video to come up. But I don't think<br>it's the one because on "watching a movie" he did not<br>do any loopng. It was all live playing.<br>Rig<br><br><br> <br>____________________________________________________________________________________<br>Now that's room service!  Choose from over 150,000 hotels<br>in 45,000 destinations on Yahoo! Travel to find your fit.<br>http://farechase.yahoo.com/promo-generic-14795097<br><br></blockquote><br><p>&#32;

<hr size=1>Finding fabulous fares is fun.<br><a href="http://farechase.yahoo.com/promo-generic-14795097;_ylc=X3oDMTFtNW45amVpBF9TAzk3NDA3NTg5BF9zAzI3MTk0ODEEcG9zAzEEc2VjA21haWx0YWdsaW5lBHNsawNxMS0wNw--
">Let Yahoo! FareChase search your favorite travel sites</a> to find flight and hotel bargains.
--0-1925253397-1175390615=:59067--

From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 01:34:44 2007
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Date: Sat, 31 Mar 2007 21:10:04 -0500
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: O T..... i went and did it!
To: nemoguitt@aol.com, Loopers-Delight@loopers-delight.com
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Hey Michael-
    I have the D1600mkII; have had it for about 2 years now and I LOVE IT.
Get into it, you won't regret it one iota. Here's what I've done with it:
* The excerpt from "The Long Dance" that's on the Looper's Delight
compilation vol. 3 was assembled on the D1600mkII.
* I do some freelance work for Korg's "Guitarville" internet newsletter, and
I record all the audio for it on the D1600mkII. You can hear the audio stuff
if you go to http://www.korg.com/service/support.asp . At the bottom of the
page, click on "Guitar*ville."
* I've posted a total of one song on my web site, but there will be many
more as soon as Congress passes that law to add an extra hour to every day.
In the meantime, try this: http://www.thecoyote.org/listen.cfm
* I've transferred hours of cassettes to CD.
* I've recorded numerous jams.
* I did the audio CD that went along with my book ("Play Guitar By Ear").
Yeah, there's a learning curve, but I found it far less painful than trying
to learn to use a cell phone.
Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"Let these minutes and hours
Show my mind strange new flowers"

- Jackson Browne

Michael wrote:

> yesterday at 11:30 AM i called "sweetwater" and bought a korg D1200mkII
> digital recording "studio
etc.

From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 01:36:06 2007
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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: fretless guitar
Date: Sat, 31 Mar 2007 18:36:00 -0700
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On Mar 31, 2007, at 6:23 PM, Jeffrey Collins wrote:

> Bill. Try using your Quicktime player to view the video. MP4 is a  
> quicktime video file format. Used a lot on Podcasts.


Or maybe try downloading it to disk using Firefox browser. Then open it.

I tried using Safari browser and just got text, but Firefox worked as  
a download.



BobC

http://tinyurl.com/yt8f8j
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=PM8KFMkWiaI

From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 02:11:27 2007
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Hey kids.  I put some new tunes up at the ol' Myspace page (http://www.mysp=
ace.com/twistedapple).  There's some solo stuff, songs from the duo I'm cur=
rently working in with singer/songwriter Kevin Peckham and a few old pieces=
 from my improvising quartet - all of 'em recorded live and all featuring l=
il' ol' me on guitar and realtime looping.  Any and all comentary warmly we=
lcomed.

m=

From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 04:14:12 2007
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From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <1011938815.1175269118732.JavaMail.root@fepweb13> <0bbd01c772ed$67f58df0$e701a8c0@pcfabio> <Pine.LNX.4.64.0703301703340.27811@giggles.cavesofice.org> <009601c77380$f7ab5f40$e701a8c0@pcfabio>
Subject: RE: Why not a Looper's Delight Podcast ?
Date: Sun, 1 Apr 2007 00:14:06 -0400
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I'll contribute too.

Pick anything from:

http://www.thinginajar.com/bigtony/journey.htm
http://www.thinginajar.com/bigtony/thesoundbetween.htm
http://www.thinginajar.com/bigtony/portrait.htm
http://www.thinginajar.com/bigtony/bleed.htm

Tony

-----Original Message-----
From: e t e r o g e n e o [mailto:info@eterogeneo.com] 
Sent: Saturday, March 31, 2007 6:40 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Why not a Looper's Delight Podcast ?

Come on, people !
Rick, Bill, Kris, Michael, Bernhard, Andy, Jeff etc.......where are you ?

fabio
www.eterogeneo.com

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From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 05:12:27 2007
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Date: Sun, 1 Apr 2007 01:12:25 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Why not a Looper's Delight Podcast ?
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	 <0bbd01c772ed$67f58df0$e701a8c0@pcfabio>
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Hey guys, an LD Podcast is a great idea.

Regarding iTunes, I've been a long time podcast listener and I've
never used iTunes to get them.  I recommend we keep it simple to allow
access to the largest potential audience:  all tracks should be mp3 so
they can be played on any system or device.

Another idea:  an LD podcast would open up the possibility of not just
music streaming out, but interviews, instructional material,
tutorials, gear reviews, etc.  This could be very interesting.

My two cents,
Todd


On 3/31/07, Per Boysen <perboysen@gmail.com> wrote:
> On 31 mar 2007, at 13.38, andy butler wrote:
>
> > ps,
> > do you need iTunes to listen?
>
>
> There are several accurate answers to that question, all covering the
> area between "yes" and "no" ;-))
>
> A podcast is made up of a RSS document posted to an online server. In
> this RSS code different tags  tell if this is an enhanced podcast,
> with the option to include links and pictures in synchronization to
> the music (like a Power Point show), or if it's an old type of
> podcast that simply transmits an audio file together with text
> documentation. The RSS document also include links to the audio files
> that are to be transmitted. These audio files can be MP3 compressed
> or AAC compressed. For an enhanced podcast it has to be AAC for the
> picture sync to work. These files typically have end with m4a, m4b or
> m4p. I'm not completely sure, but I think they need iTunes to play
> back. Anyone else know for sure?
>
> Normally the URL of the RSS document, that runs the show, is
> submitted to Apple's iTunes Music Store so it can be searchable. As
> usual, the problem with Apple is that they don't allow anyone to look
> behind curtains, so there is no way to get statistics for downloads.
> Another company, http://www.feedburner.com, offers a free service of
> setting up a kind of "hi-jack route link" between the index RSS
> document and iTMS. At least that's how I have understood how they
> achieve what they're doing. If you go with Feedburner you get the
> statistics, but at the same time you give up yet another level of
> control. It's really a jungle out there ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://tinyurl.com/2kek7h (CC donationware music releases)
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 10:29:44 2007
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Date: Sun, 1 Apr 2007 11:29:42 +0100
From: Os <os@collective.co.uk>
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On 01/04/07, Todd Pafford <calenlas@gmail.com> wrote:
> Regarding iTunes, I've been a long time podcast listener and I've
> never used iTunes to get them.  I recommend we keep it simple to allow
> access to the largest potential audience:  all tracks should be mp3 so
> they can be played on any system or device.

Agreed. While I use iTunes for my music collection, I distribute my
podcast as mp3s - although the quality is inferior, it does mean
people using something other than an ipod to listen on can play it.

It also reserves the option to re-release podcast stuff on cd with the
tagline "you've heard it as a ropey mp3, now own it in full quality".
Cynical, moi? :)


cheers,
os.

-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 11:26:28 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Why not a Looper's Delight Podcast ?
Date: Sun, 1 Apr 2007 13:26:23 +0200
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> On 01/04/07, Todd Pafford <calenlas@gmail.com> wrote:
>> Regarding iTunes, I've been a long time podcast listener and I've
>> never used iTunes to get them.  I recommend we keep it simple to  
>> allow
>> access to the largest potential audience:  all tracks should be  
>> mp3 so
>> they can be played on any system or device.

On 1 apr 2007, at 12.29, Os wrote:
> Agreed. While I use iTunes for my music collection, I distribute my
> podcast as mp3s - although the quality is inferior, it does mean
> people using something other than an ipod to listen on can play it.
>
> It also reserves the option to re-release podcast stuff on cd with the
> tagline "you've heard it as a ropey mp3, now own it in full quality".
> Cynical, moi? :)


I definitely agree about going with the mp3 compression for an  
eventual LD Podcast. Another reason is that mp3 offers a better  
tagging then AAC. There's an awful lot of text information an artist  
can cram into an mp3 file. An mp3 file can also be tagged with a  
picture (as can also be done with AAC files). Such song specific text  
data (i.e. the id3 tag data) and "cover art" picture will not be  
passed with the podcast (if not duplicated in the podcast's rss  
document) but whenever a single mp3 file is targeted and downloaded  
outside the podcast it's nice to have that tag data to show the  
listener where it originally comes from as well as the picture  
decided by the artist.

Suggestion:  It would be cool if everyone that submits an mp3 file  
for the LD Podcast could write the Loopers-Delight URL into the files  
id3 tag's "comments" area?

Regarding the "ropey mp3" I suggest compressing at least at 192 kbps.  
Short songs can go with 256, it just sounds better. I think people  
will buy CDs because they want CDs, not because the want a certain  
audio fidelity. And I also think that ropey mp3's are less inspiring  
for "getting the CD", if you happen to be a person that likes having  
CDs piling up around you. (128 kbps definitely sounds bad even in  
AAC. I just found out that the one and only album I have bought on  
iTunes Music Store sounds really bad compared to a 256 kbps mp3. So I  
ended up deleting my purchased music and replaced it with illegally  
shared 256 kbps mp3 files I downloaded from the internet).

The only reason I can imagine for using AAC is if the ambition is to  
make enhanced podcasts that make use of synchronized pictures, like  
in a typical Powerpoint show.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


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From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 18:08:47 2007
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Date: Sun, 01 Apr 2007 14:00:00 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Monthly Top 20 Report for March, 2007
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http://wdiy.org/programs/gt/playlists/2007/top20mar.html

WDIY 88.1 FM "Galactic Travels" Top 20 for March, 2007.
Shows #518 to #522; 1-March-2007 to 29-March-2007
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox
website: http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/podcasts.xml


ARTIST - ALBUM TITLE - LABEL
===========================================================
Alpha Wave Movement - The Regions Between - Harmonic Resonance
Amongst Myselves - Auburn Silhouette - Amongst Projects
Arcane - 33 1/3 RPM - NeuHarmony
Arcane - Future Wreck - NeuHarmony
Arcane - Gather Darkness - NeuHarmony
Broekhuis, Keller, Schonwalder, Spyra, and Fox - Space Cowboys @ Jelenia 
Gora - Ricochet Dream
Eric Wollo - Elevations - Spotted Peccary
Ian Boddy - Elemental - DiN
IXOHOXI and Numina - Megaliths and Monoliths - none
Max van Richter - Resurrection - NeuHarmony
Nemesis - Audio Archeology Vol. 1 - none
Ololiuqui - Other Side of Odra - Ricochet Dream
Palancar - Diminishing Light - Blue Water
Palancar - Precis - Blue Water
Parallel Worlds - Obsessive Surrealism - DiN
Paul Lawler - Bronx Shadows - Ricochet Dream
Rudy Adrian - Moonwater - Lotuspike
Wolfram der Spyra - Excerpts 1 - Ricochet Dream
Wolfram Spyra and Chris Lang - Achtundsechzig 24 - Manikin
['ramp] and Markus Reuter - Ceasing To Exist - doombient

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4:00) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 20:34:30 2007
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http://www.looproom.com/audio/bof.mp3

Laptop looping with Mobius and a bunch of VST plug-ins for spicing up  
the strat's low output single coil line signal. Typically "EDP  
school" looping; only using one track in Mobius and re-moulding three  
linear loops on my way through the piece. I've settled now with only  
ten available effect chains in Bidule, mainly because the FCB1010  
pedal board has ten pedals a bank for instant jumping between  
patches. These sounds were programmed for the fretless Telecaster but  
I think they worked fine with the Strat as well. A bit sloppy  
playing, but I kind of liked it that way in this context. I  
personally experience the guitar as playing a minor part in this  
music, like some drunk crow rambling around among those evolving loop  
sound blocks  ;-))

Per


From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 20:49:20 2007
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Date: Sun, 1 Apr 2007 22:49:18 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: RE: New live looping track posted
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Nice music ! 
One day I will look into the "laptop and mobius-thing"

Regarding looping - have anyone used Guitar-Rigs
looper and lets say Ableton ?

best regards Rune F. 

--- Per Boysen <perboysen@gmail.com> skrev:

> http://www.looproom.com/audio/bof.mp3
> 
> Laptop looping with Mobius and a bunch of VST
> plug-ins for spicing up  
> the strat's low output single coil line signal.
> Typically "EDP  
> school" looping; only using one track in Mobius and
> re-moulding three  
> linear loops on my way through the piece. I've
> settled now with only  
> ten available effect chains in Bidule, mainly
> because the FCB1010  
> pedal board has ten pedals a bank for instant
> jumping between  
> patches. These sounds were programmed for the
> fretless Telecaster but  
> I think they worked fine with the Strat as well. A
> bit sloppy  
> playing, but I kind of liked it that way in this
> context. I  
> personally experience the guitar as playing a minor
> part in this  
> music, like some drunk crow rambling around among
> those evolving loop  
> sound blocks  ;-))
> 
> Per
> 
> 
> 


www.runefagereng.com
www.myspace.com/runefagereng 
www.youtube.com/watch?v=bOHN4az59A0
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


	
	
		
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 21:14:46 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: GR2 looping in Live (was: Re: New live looping track posted)
Date: Sun, 1 Apr 2007 23:14:41 +0200
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On 1 apr 2007, at 22.49, rune fagereng wrote:

> Regarding looping - have anyone used Guitar-Rigs
> looper and lets say Ableton ?


Well, sort of "yes". I used another software looper that, in  
functionality, is close to Guitar-Rig's looper (Augustus Loop) in  
Ableton. I didn't find it very intuitive for Guitar-Rig style looping  
though. The concept I used is what I guess would be the best solution  
for Guitar-Rig In Live; creating live loops in the GR2 looper and  
record them to parallel Live tracks as loops. Compared to the fluent  
way of playing with Mobius it was way too complex IMHO (also too  
complex compared to using Live but taking advantage of Augustus  
Loop's ability to change loop pitch/speed - actually the concept I  
brought over from AL/Live into Mobius).

When I tested Guitar Rig 2 I preferred to open it in Bidule and loop  
with Mobius instead of opening it in Live. If you are happy with the  
sound of GR2, that's a looping set-up I'm happy to recommend.  
Generally I'm finding Live too "bulky" for using as a musician. For  
live mixing or re-mix style live looping it's excellent  though.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 22:29:30 2007
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sweet!

http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com


-----Original Message-----
From: perboysen@gmail.com

   http://www.looproom.com/audio/bof.mp3=C2=A0
=C2=A0

________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 02:57:18 2007
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Subject: Re: New live looping track posted
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The guitar sounds great to me, Per! I love the section around 2:15, where 
you loose the rhythm and then bring it back...nice chord changes. Drunk cow? 
Say what? Would you settle for a drunk sax player instead? :)

What are you using for the reverb VST?

BTW, you can see my new MAX/MSP performance system here: 
http://www.krispenhartung.com/gear.htm  I only have two VST effects (Reaktor 
and Mobius)...everything else is a clean running MAX/MSP patch, even the 
reverb!

Kris

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, April 01, 2007 2:34 PM
Subject: New live looping track posted


> http://www.looproom.com/audio/bof.mp3
>
> Laptop looping with Mobius and a bunch of VST plug-ins for spicing up  the 
> strat's low output single coil line signal. Typically "EDP  school" 
> looping; only using one track in Mobius and re-moulding three  linear 
> loops on my way through the piece. I've settled now with only  ten 
> available effect chains in Bidule, mainly because the FCB1010  pedal board 
> has ten pedals a bank for instant jumping between  patches. These sounds 
> were programmed for the fretless Telecaster but  I think they worked fine 
> with the Strat as well. A bit sloppy  playing, but I kind of liked it that 
> way in this context. I  personally experience the guitar as playing a 
> minor part in this  music, like some drunk crow rambling around among 
> those evolving loop  sound blocks  ;-))
>
> Per
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 03:06:51 2007
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Subject: tuba looping on the Martian ice floes
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This afternoon my partner in Ouroboros David Morris and I worked on our 
live looping tuba project (he plays tuba, I liveloop the tuba and process 
it with effects).

We were both interested in what might occur applying my newly acquired 
Electro-Harmonix Polyphonic Octave Generator
http://namm.harmony-central.com/SNAMM04/Content/Electro-Harmonix/PR/POG.html
to David's tuba. What was already a deep, rich tuba sound morphs into a 
massive slab of pipe organesque assault by applying the E-H and analog 
delay to some of the live loops. Visit the Martian ice floes with us.

http://www.subscapeannex.com/tuba/martian_ice_floes.mp3

18min46sec, 13MB mp3.

All sounds from one tuba live-looped in real-time, no other instruments 
used.

[Effects: E-H POG, Moog Moogerfooger MF-104 (original) analog delay, 
loopers (Akai Headrush, Boss RC-20, Boss RC-20XL, Digitech Jamman).]

Comments and remarks welcome.

best,
Steve B
Subscape Annex   http://www.subscapeannex.com/
Ouroboros        http://www.subscapeannex.com/ouroboros

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 07:17:30 2007
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>From: Per Boysen <perboysen@gmail.com>
>
>http://www.looproom.com/audio/bof.mp3
>

wow per, lovely!

it's great how you seem able to keep completely on top of everything that's 
going on and adapt so quickly to changes that occur...very skillful...and it 
sounds superb...especially how it flows in and out of rhythm...

sim



www.simeonharris.co.uk

_________________________________________________________________
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: New live looping track posted
Date: Mon, 2 Apr 2007 10:24:34 +0200
To: Loopers-Delight@loopers-delight.com
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On 2 apr 2007, at 04.57, Krispen Hartung wrote:
> The guitar sounds great to me, Per!
Mainly using the VST plug-ins OhmForce Predatohm and the free mda  
Combo as "the input stage".


> I love the section around 2:15, where you loose the rhythm and then  
> bring it back...nice chord changes.

For the part just before 2:15 I had looped a major triad chord drone,  
played by overdub layering long fuzzed single string notes and then I  
was re-pitching ("loop rate shifting") that major chord drone loop to  
match the melody lines I was playing over it (and vice versa). At  
2:15 I changed loop, back to a rhythmic loop that I had created  
earlier by quantized SUSSubstituting.

The bass notes are created by a pedal script that brings up the  
entire loop one octave, SUSSubstitutes a short slice, goes back down  
to normal octave and finally reverses for a short while to compensate  
for the faster tempo at the higher octave (rate shifting, not pitch  
shifting) so the loop will not go out of sync with other loops  
(although this particular session was not using parallel loops on  
other tracks). So it's really a simple looping system, I don't even  
have to play the bass notes, I simply kick the bass pedal whenever I  
play a regular "guitar register" note that I think would be nice as a  
"bass dot" in the loop one octave below.

> BTW, you can see my new MAX/MSP performance system here: http:// 
> www.krispenhartung.com/gear.htm

Looking nice. It would be interesting with a description of its  
musical virtues ;-)

> What are you using for the reverb VST?

The one I like best is the spring or plate simulation that is part of  
the PSP 608 MultiDelay. That plug-in also does a lot for achieving a  
lush but yet sharp tone!

The stereo recording, of that live looping improvisation, was also  
spice up with a very light touch of a convolution reverb made from a  
long and bright plate reverb. Bass frequencies under 900 Hz was cut  
out before that chebang plate reverb.

On 2 apr 2007, at 09.17, simeon harris wrote:
> it's great how you seem able to keep completely on top of  
> everything that's going on and adapt so quickly to changes that  
> occur...very skillful...and it sounds superb...especially how it  
> flows in and out of rhythm...

Well the performance concept is not trying to play on top of  
anything, rather to simply play whatever feels good and instantly  
creating the loops to thrive on top of my playing ;-)) It's like two  
hand piano playing; you improvise on two fronts, but here it's the  
playing and the looping. And the challenge is to make these two sides  
make some magic together. So I really don't "adapt so quickly to  
changes that occur" because I myself am making up those changes as I  
go. And since they are part of the improvisation I know about them  
some seconds in advance and can avoid the worst traps.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 10:53:54 2007
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References: <1011938815.1175269118732.JavaMail.root@fepweb13> <0bbd01c772ed$67f58df0$e701a8c0@pcfabio> <Pine.LNX.4.64.0703301703340.27811@giggles.cavesofice.org> <009601c77380$f7ab5f40$e701a8c0@pcfabio> <460E4833.3070001@tiscali.co.uk> <ABF72BB3-9F87-45B0-93B7-592307DC3A94@gmail.com> <64b81a780703312212p39b3ac9fwfa58ec5e39ca5541@mail.gmail.com> <d054a9ca0704010329p569988cbs4550f3b18bf9a226@mail.gmail.com> <671C24B4-CDD8-4652-BF2F-B5DF36EA0486@gmail.com>
Subject: Re: Why not a Looper's Delight Podcast ?
Date: Mon, 2 Apr 2007 12:53:27 +0200
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Ok people, 
i'm starting to work on the Loopers podcast.
Thanks for your suggestions. 

fabio
www.eterogeneo.com

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 11:05:51 2007
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: New live looping track posted
Date: Mon, 2 Apr 2007 13:05:41 +0200
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Excellent !

fabio
www.eterogeneo.com

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, April 01, 2007 10:34 PM
Subject: New live looping track posted


> http://www.looproom.com/audio/bof.mp3
>
> Laptop looping with Mobius and a bunch of VST plug-ins for spicing up  the 
> strat's low output single coil line signal. Typically "EDP  school" 
> looping; only using one track in Mobius and re-moulding three  linear 
> loops on my way through the piece. I've settled now with only  ten 
> available effect chains in Bidule, mainly because the FCB1010  pedal board 
> has ten pedals a bank for instant jumping between  patches. These sounds 
> were programmed for the fretless Telecaster but  I think they worked fine 
> with the Strat as well. A bit sloppy  playing, but I kind of liked it that 
> way in this context. I  personally experience the guitar as playing a 
> minor part in this  music, like some drunk crow rambling around among 
> those evolving loop  sound blocks  ;-))
>
> Per
>
>
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.5.446 / Virus Database: 268.18.24/742 - Release Date: 
> 01/04/2007 20.49
>
> 

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 13:22:46 2007
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From: "Woz Mail" <abc90266@bigpond.net.au>
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Subject: RE: New live looping track posted
Date: Mon, 2 Apr 2007 23:19:44 +1000
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Absoultley Amazing Per! Well done and thank you.

Woz

-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com]
Sent: Monday, April 02, 2007 6:34 AM
To: Loopers-Delight@loopers-delight.com
Subject: New live looping track posted


http://www.looproom.com/audio/bof.mp3

Laptop looping with Mobius and a bunch of VST plug-ins for spicing up
the strat's low output single coil line signal. Typically "EDP
school" looping; only using one track in Mobius and re-moulding three
linear loops on my way through the piece. I've settled now with only
ten available effect chains in Bidule, mainly because the FCB1010
pedal board has ten pedals a bank for instant jumping between
patches. These sounds were programmed for the fretless Telecaster but
I think they worked fine with the Strat as well. A bit sloppy
playing, but I kind of liked it that way in this context. I
personally experience the guitar as playing a minor part in this
music, like some drunk crow rambling around among those evolving loop
sound blocks  ;-))

Per




--
No virus found in this incoming message.
Checked by AVG Free Edition.
Version: 7.5.446 / Virus Database: 268.18.24/742 - Release Date: 4/1/2007
8:49 PM


From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 13:48:08 2007
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From: "Krispen Hartung" <khartung@cableone.net>
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References: <1011938815.1175269118732.JavaMail.root@fepweb13> <0bbd01c772ed$67f58df0$e701a8c0@pcfabio> <Pine.LNX.4.64.0703301703340.27811@giggles.cavesofice.org> <009601c77380$f7ab5f40$e701a8c0@pcfabio> <460E4833.3070001@tiscali.co.uk> <ABF72BB3-9F87-45B0-93B7-592307DC3A94@gmail.com> <64b81a780703312212p39b3ac9fwfa58ec5e39ca5541@mail.gmail.com> <d054a9ca0704010329p569988cbs4550f3b18bf9a226@mail.gmail.com> <671C24B4-CDD8-4652-BF2F-B5DF36EA0486@gmail.com> <013101c77515$253c2490$e701a8c0@pcfabio>
Subject: Re: Why not a Looper's Delight Podcast ?
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BTW, Fabio, I was meaning to ask - How long are you planning on making this 
podcast? Because if you really want to have a lot of content, you could also 
add all the Y2K5 and Y2K6 recordings. You should have all the links in your 
email archives, but I could provide them as well.

Kris

----- Original Message ----- 
From: "Fabio Anile" <fabio.anile@tiscali.it>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 02, 2007 4:53 AM
Subject: Re: Why not a Looper's Delight Podcast ?


> Ok people, i'm starting to work on the Loopers podcast.
> Thanks for your suggestions.
> fabio
> www.eterogeneo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 14:05:07 2007
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A TC 2290 in a stompbox? http://www.tcelectronic.com/NovaDelay=0A---=0ASc=
arlet ADSL Unlimited =E2=80=93 Slechts 24,95 euro per maand.=0AMax downlo=
ad snelheid tot 6 Mbps, 30 GB download volume . Bestel nu=E2=80=A6

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interesting.. they did what i've been telling line6 to do forever. =20
have all the feature sets indepent. choose the kind of  delay, and =20
then the tap of the delay independently. they kind of did this on the =20=

Echo Pro, but not on the stompbox.

it looks cool, but no midi????



On Apr 2, 2007, at 10:05 AM, Sjaak wrote:

> A TC 2290 in a stompbox? http://www.tcelectronic.com/NovaDelay
> ---
> Scarlet ADSL Unlimited =E2=80=93 Slechts 24,95 euro per maand.
> Max download snelheid tot 6 Mbps, 30 GB download volume . Bestel nu=E2=80=
=A6
>

ric hordinski

www.richordinski.com

www.myspace.com/richordinskimusic

www.myspace.com/monasterystudio



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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">interesting.. they did what i've =
been telling line6 to do forever. have all the feature sets indepent. =
choose the kind of=A0 delay, and then the tap of the delay =
independently. they kind of did this on the Echo Pro, but not on the =
stompbox.<DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>it looks =
cool, but no midi????</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Apr 2, =
2007, at 10:05 AM, Sjaak wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">A TC 2290 in a stompbox? <A =
href=3D"http://www.tcelectronic.com/NovaDelay">http://www.tcelectronic.com=
/NovaDelay</A></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">---</DIV><DIV style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Scarlet =
ADSL Unlimited =E2=80=93 Slechts 24,95 euro per maand.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Max download snelheid tot 6 Mbps, 30 GB download =
volume . Bestel nu=E2=80=A6</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV> </BLOCKQUOTE></DIV><BR><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV>ric =
hordinski</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.richordinski.com</DIV><DI=
V><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.myspace.com/richordinskim=
usic</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.myspace.com/monasterystud=
io</DIV><BR class=3D"Apple-interchange-newline"></SPAN> =
</DIV><BR></DIV></BODY></HTML>=

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Date: Mon, 02 Apr 2007 09:19:51 -0500
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: New live looping track posted
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Great sounds.  Inspiring, too.  Thanks for posting.

-- Kevin

Quoting Per Boysen <perboysen@gmail.com>:

> http://www.looproom.com/audio/bof.mp3
>
> Laptop looping with Mobius and a bunch of VST plug-ins for spicing up
> the strat's low output single coil line signal. Typically "EDP school"
> looping; only using one track in Mobius and re-moulding three linear
> loops on my way through the piece. I've settled now with only ten
> available effect chains in Bidule, mainly because the FCB1010 pedal
> board has ten pedals a bank for instant jumping between patches. These
> sounds were programmed for the fretless Telecaster but I think they
> worked fine with the Strat as well. A bit sloppy playing, but I kind of
> liked it that way in this context. I personally experience the guitar
> as playing a minor part in this music, like some drunk crow rambling
> around among those evolving loop sound blocks  ;-))
>
> Per


From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 14:30:07 2007
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: TC Electronic ND-1 Nova Delay
Date: Mon, 2 Apr 2007 07:29:59 -0700
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How can an FX company design such an elaborate website/brochure/Flash-=20=

demo site for a delay pedal and never once (that I can see) say what =20
the maximum delay time is???
Somebody=92s asleep at the wheel....
dc

On Apr 2, 2007, at 7:05 AM, Sjaak wrote:

> A TC 2290 in a stompbox? http://www.tcelectronic.com/NovaDelay
> ---
> Scarlet ADSL Unlimited =E2=80=93 Slechts 24,95 euro per maand.
> Max download snelheid tot 6 Mbps, 30 GB download volume . Bestel nu=E2=80=
=A6
>

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 14:34:07 2007
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Subject: RE: TC Electronic ND-1 Nova Delay
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Dunno. But there is mention that it's 2250 msec on the sonic state =
vid...

http://www.sonicstate.com/news/shownews.cfm?newsid=3D4536


> -----Original Message-----
> From: David Coffin [mailto:dpcoffin@earthlink.net]
> Sent: Monday, April 02, 2007 10:30 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: TC Electronic ND-1 Nova Delay
>=20
> How can an FX company design such an elaborate website/brochure/Flash-
> demo site for a delay pedal and never once (that I can see) say what
> the maximum delay time is???
> Somebody=E2=80=99s asleep at the wheel....
> dc
>=20
> On Apr 2, 2007, at 7:05 AM, Sjaak wrote:
>=20
> > A TC 2290 in a stompbox? http://www.tcelectronic.com/NovaDelay
> > ---
> > Scarlet ADSL Unlimited =C3=A2=E2=82=AC=E2=80=9C Slechts 24,95 euro =
per maand.
> > Max download snelheid tot 6 Mbps, 30 GB download volume . Bestel =
nu=C3=A2=E2=82=AC=C2=A6
> >

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 15:05:02 2007
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To: <Loopers-Delight@loopers-delight.com>
References: <1011938815.1175269118732.JavaMail.root@fepweb13> <0bbd01c772ed$67f58df0$e701a8c0@pcfabio> <Pine.LNX.4.64.0703301703340.27811@giggles.cavesofice.org> <009601c77380$f7ab5f40$e701a8c0@pcfabio> <460E4833.3070001@tiscali.co.uk> <ABF72BB3-9F87-45B0-93B7-592307DC3A94@gmail.com> <64b81a780703312212p39b3ac9fwfa58ec5e39ca5541@mail.gmail.com> <d054a9ca0704010329p569988cbs4550f3b18bf9a226@mail.gmail.com> <671C24B4-CDD8-4652-BF2F-B5DF36EA0486@gmail.com> <013101c77515$253c2490$e701a8c0@pcfabio> <046201c7752d$8aab78e0$a6cbf40f@americas.hpqcorp.net>
Subject: Re: Why not a Looper's Delight Podcast ?
Date: Mon, 2 Apr 2007 17:04:55 +0200
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Dear Kris,
i'm thinking to start with a podcast containing about 4 songs from each 
artist.
But it's only the beginning....

A podcast is like a tramission; it can contains 1 or more episodes; 
informations; photos, movies, etc...as Per has well explained.
Interviews, talks  about technique and how a particular song was 
written/recorded - as Matthew suggested  (thanks for your help, Matt, i'll 
need it for sure) - or photos of the gear used (for those who love to show 
them) or video performances are very good ideas and i'll work in that 
direction.
I would like to build up a podast with a lot of music, too, including the 
Y2K6 performance, etc.... , but it could be a very hard work if we think to 
implement it formt he beginning with interviews, photo, info, movies, 
etc....
I think that starting is the best thing: going on we'll see how to improve 
it and how to organize episodes nad contents.

These will be the first 3 steps :
1.  build a podcast with about 4 song for eache artist;
2.  contact each artist to ask the pertinent informations and/or photos 
related to each song;
3.  submit the podcast to the i-tunes store and other podcast search 
engines;

Then, insert looping performance movies, interviews, and/or technique talks 
and make it growing with more songs.

Ideas are always welcome !

fabio
www.eterogeneo.com







----- Original Message ----- 
From: "Krispen Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 02, 2007 3:48 PM
Subject: Re: Why not a Looper's Delight Podcast ?


> BTW, Fabio, I was meaning to ask - How long are you planning on making 
> this podcast? Because if you really want to have a lot of content, you 
> could also add all the Y2K5 and Y2K6 recordings. You should have all the 
> links in your email archives, but I could provide them as well.
>
> Kris
>
> ----- Original Message ----- 
> From: "Fabio Anile" <fabio.anile@tiscali.it>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, April 02, 2007 4:53 AM
> Subject: Re: Why not a Looper's Delight Podcast ?
>
>
>> Ok people, i'm starting to work on the Loopers podcast.
>> Thanks for your suggestions.
>> fabio
>> www.eterogeneo.com
>>
>>
>
>
>
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.5.446 / Virus Database: 268.18.24/742 - Release Date: 
> 01/04/2007 20.49
>
> 

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 16:18:14 2007
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Subject: Re: tuba looping on the Martian ice floes
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Yeah Man !  I haven't downloaded it yet, in process ...

 tuba looping, ice floes-  you have my attention !

John Z

--- burnett@pobox.com wrote:

From: burnett@pobox.com
To: Loopers-Delight@loopers-delight.com
Subject: tuba looping on the Martian ice floes
Date: Sun, 1 Apr 2007 23:04:30 -0400 (EDT)

This afternoon my partner in Ouroboros David Morris and I worked on our 
live looping tuba project (he plays tuba, I liveloop the tuba and process 
it with effects).

We were both interested in what might occur applying my newly acquired 
Electro-Harmonix Polyphonic Octave Generator
http://namm.harmony-central.com/SNAMM04/Content/Electro-Harmonix/PR/POG.html
to David's tuba. What was already a deep, rich tuba sound morphs into a 
massive slab of pipe organesque assault by applying the E-H and analog 
delay to some of the live loops. Visit the Martian ice floes with us.

http://www.subscapeannex.com/tuba/martian_ice_floes.mp3

18min46sec, 13MB mp3.

All sounds from one tuba live-looped in real-time, no other instruments 
used.

[Effects: E-H POG, Moog Moogerfooger MF-104 (original) analog delay, 
loopers (Akai Headrush, Boss RC-20, Boss RC-20XL, Digitech Jamman).]

Comments and remarks welcome.

best,
Steve B
Subscape Annex   http://www.subscapeannex.com/
Ouroboros        http://www.subscapeannex.com/ouroboros





_____________________________________________________________
Netscape.  Just the Net You Need.

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 17:46:55 2007
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Subject: RE: New live looping track posted
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> At  2:15 I changed loop, back to a rhythmic loop that I had created
earlier by quantized SUSSubstituting

could someone please list the EDP settings for that kind of rhythm effect?
many people here use it - Andy Butler and Bill Walker and others - but I
never managed to figure how to do it.

-Michael www.michaelpeters.de


From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 19:10:16 2007
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hi Michael
I guess this is what you're after.

Method 1

Quantise=8th
8th/cycle= your choice
InsertMode=SUB  

A short press of Insert will substitute a fraction of a cycle, based on the 8th/cycle value.
Won't work if the 8th/cycle value is too high for the size of loop (Timing LED won't flash)

A good place to start is a 2sec loop and 8th/cycle=8


Method 2

Quantise=CyC
InsertMode=SUB 

Doesn't get interesting unless you create a small loop and multiply it, then a short press of Insert Substitutes just one cycle.

Related Stuff
InsertMode=rPL works in a similar way.



Quantise=CyC
InsertMode=SUS
Allows you to start with a short loop, and do a short press of Insert to add equal sized chunks each a cycle long
( e.g. andy butler "Tripwire" )


have fun

andy butler


Michael Peters wrote:
>> At  2:15 I changed loop, back to a rhythmic loop that I had created
> earlier by quantized SUSSubstituting
> 
> could someone please list the EDP settings for that kind of rhythm effect?
> many people here use it - Andy Butler and Bill Walker and others - but I
> never managed to figure how to do it.
> 
> -Michael www.michaelpeters.de
> 
> 
> 

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> Bill Edmondson wrote 
> Dunno. But there is mention that it's 2250 msec on the sonic state vid...

That's correct, 2250 msec. The list price will be approx. 249 EUR and it
will be available as of juli '07.


From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 19:57:32 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: SUSSubstitute on the EDP (Re: New live looping track posted)
Date: Mon, 2 Apr 2007 21:57:25 +0200
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>> At  2:15 I changed loop, back to a rhythmic loop that I had created
> earlier by quantized SUSSubstituting
>
On 2 apr 2007, at 19.46, Michael Peters wrote:
> could someone please list the EDP settings for that kind of rhythm  
> effect?
> many people here use it - Andy Butler and Bill Walker and others -  
> but I
> never managed to figure how to do it.

--> Michael,
Just want to add some personal tips to Andy's excellent write-up. He  
does mention Replace Mode and that's really awesome! I love to run my  
EDP in Replace Mode because you can then use the feedback knob on the  
front to set how much of the old audio will be kept under the new  
SUSSubstitute slices that you cut into the loop. But you can only get  
at Replace Mode if you connect a pedal at the rear feedback pedal  
jack. Since I use an FCB1010 MIDI pedal to control the EDP I just put  
a blind plug into the feedback jack, a dummy. What happens then that  
my assigned MIDI expression pedal controls the EDP feedback while the  
machine works in Replace Mode. Awesome!

Anther good advice for doing SUSSubstituting with the EDP is to set  
up many presets of the same setting, but only with different values  
for 8th/cycle. In my EDP I even have presets with 8th/cycle settings  
useful for playing in 6/8, 5/4 etc. When you play and cut in audio  
slices into the loop you can jump between the EDP presets for the  
preset that is best suited for what you have in mind. When playing in  
4/4 I like to start out with 8th/cycl=16 and if I feel that it would  
be nice with some sliced stuttering in a triad feel rhythm I might  
kick in the preset with 8th/cycle=24.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 20:02:07 2007
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Sounds like live looping the world's biggest pipe organ! Gorgeous tones. 
I wish I could listen to it on something that could handle the 
frequencies (though god knows what that would be).

Subscape, indeed.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
>
> http://www.subscapeannex.com/tuba/martian_ice_floes.mp3

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From: "miles ward" <miles932@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Downloading as we speak.. i'm giddy with excitement!

On 4/2/07, JZ_413@netscape.com <JZ_413@netscape.com> wrote:
> Yeah Man !  I haven't downloaded it yet, in process ...
>
>  tuba looping, ice floes-  you have my attention !
>
> John Z
>
> --- burnett@pobox.com wrote:
>
> From: burnett@pobox.com
> To: Loopers-Delight@loopers-delight.com
> Subject: tuba looping on the Martian ice floes
> Date: Sun, 1 Apr 2007 23:04:30 -0400 (EDT)
>
> This afternoon my partner in Ouroboros David Morris and I worked on our
> live looping tuba project (he plays tuba, I liveloop the tuba and process
> it with effects).
>
> We were both interested in what might occur applying my newly acquired
> Electro-Harmonix Polyphonic Octave Generator
> http://namm.harmony-central.com/SNAMM04/Content/Electro-Harmonix/PR/POG.html
> to David's tuba. What was already a deep, rich tuba sound morphs into a
> massive slab of pipe organesque assault by applying the E-H and analog
> delay to some of the live loops. Visit the Martian ice floes with us.
>
> http://www.subscapeannex.com/tuba/martian_ice_floes.mp3
>
> 18min46sec, 13MB mp3.
>
> All sounds from one tuba live-looped in real-time, no other instruments
> used.
>
> [Effects: E-H POG, Moog Moogerfooger MF-104 (original) analog delay,
> loopers (Akai Headrush, Boss RC-20, Boss RC-20XL, Digitech Jamman).]
>
> Comments and remarks welcome.
>
> best,
> Steve B
> Subscape Annex   http://www.subscapeannex.com/
> Ouroboros        http://www.subscapeannex.com/ouroboros
>
>
>
>
>
> _____________________________________________________________
> Netscape.  Just the Net You Need.
>
>


-- 
---Miles Ward

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 20:24:21 2007
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Subject: SUSSubstitute for Michael Peters
Date: Mon, 2 Apr 2007 22:24:36 +0200
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This must be the funniest LD message subject in a long time!

Personally, I don't think I would want a substitute for Michael Peters.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 22:10:56 2007
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From: Teddy Kumpel <teddybut@mac.com>
Subject: Re: New live looping track posted
Date: Mon, 2 Apr 2007 18:10:54 -0400
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killer.... really cool guitar tone.. don't sell yourself short.

teddy

On Apr 1, 2007, at 4:34 PM, Per Boysen wrote:

> http://www.looproom.com/audio/bof.mp3
>
> Laptop looping with Mobius and a bunch of VST plug-ins for spicing  
> up the strat's low output single coil line signal. Typically "EDP  
> school" looping; only using one track in Mobius and re-moulding  
> three linear loops on my way through the piece. I've settled now  
> with only ten available effect chains in Bidule, mainly because the  
> FCB1010 pedal board has ten pedals a bank for instant jumping  
> between patches. These sounds were programmed for the fretless  
> Telecaster but I think they worked fine with the Strat as well. A  
> bit sloppy playing, but I kind of liked it that way in this  
> context. I personally experience the guitar as playing a minor part  
> in this music, like some drunk crow rambling around among those  
> evolving loop sound blocks  ;-))
>
> Per


From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 22:16:04 2007
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This is a multipart message in MIME format.
--=_alternative 00799CFB852572B1_=
Content-Type: text/plain; charset="US-ASCII"

For Sale:

4 Digitech 7.6 second TimeMachines: $150 each or $500 for the whole bunch 
(just like getting one for free) :-)

2 DigiTech PDS-8000 Echo+Plus 8-second loopers: $250 each - I've used 
these in my home studio as my 'Frippertronics' jam unit.

2 DigiTech RDS-4000 rackmount 4-sec sampling delays

DigiTech RDS-8000 rackmount 8-sec sampling delay

Akai Headrush E1: $150 

If you have any questions, please let me know.

I'm in Charlotte, North Carolina


--=_alternative 00799CFB852572B1_=
Content-Type: text/html; charset="US-ASCII"


<br><font size=2 face="sans-serif">For Sale:</font>
<br>
<br><font size=2 face="sans-serif">4 Digitech 7.6 second TimeMachines:
$150 each or $500 for the whole bunch (just like getting one for free)
:-)</font>
<br>
<br><font size=2 face="sans-serif">2 DigiTech PDS-8000 Echo+Plus 8-second
loopers: $250 each - I've used these in my home studio as my 'Frippertronics'
jam unit.</font>
<br>
<br><font size=2 face="sans-serif">2 DigiTech RDS-4000 rackmount 4-sec
sampling delays</font>
<br>
<br><font size=2 face="sans-serif">DigiTech RDS-8000 rackmount 8-sec sampling
delay</font>
<br>
<br><font size=2 face="sans-serif">Akai Headrush E1: $150 </font>
<br>
<br><font size=2 face="sans-serif">If you have any questions, please let
me know.</font>
<br>
<br><font size=2 face="sans-serif">I'm in Charlotte, North Carolina</font>
<br>
<br>
--=_alternative 00799CFB852572B1_=--

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 22:50:22 2007
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Date: Mon, 2 Apr 2007 15:50:19 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: nemoguitar recording again? when can i hear a cd of some new stuff?
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michael-
  that's great that you got a new recording setup...
  when can i hear the new cd of material???????
   
  although i probably shouldn't talk, i finished a cd worth of material last week
  and i haven't had a chance to even listen to it, took me 2 months to record stuff.
  getting slower as i get older.......
   
  and i do like your line about turning more people off w/ more new stuff, that's how
  i'm going at it i think.
  (ha)
  s---

 
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<div>michael-</div>  <div>that's great that you got a new recording setup...</div>  <div>when can i hear the new cd of material???????</div>  <div>&nbsp;</div>  <div>although i probably shouldn't talk, i finished a cd worth of material last week</div>  <div>and i haven't had a chance to even listen to it, took me 2 months to record stuff.</div>  <div>getting slower as i get older.......</div>  <div>&nbsp;</div>  <div>and i do like your line about turning more people off w/ more new stuff, that's how</div>  <div>i'm going at it i think.</div>  <div>(ha)</div>  <div>s---</div><p>&#32;

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From: "Tony K" <bigtonyk@gmail.com>
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Subject: New stuff
Date: Mon, 2 Apr 2007 23:20:52 -0400
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Hi all,

I finally got back into recording mode and this appeared over the weekend...

Fun with a Bitrman and 4 delays. :)

http://www.thinginajar.com/bigtony/Prism.mp3

Enjoy,

Tony 

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Date: Mon, 2 Apr 2007 23:36:47 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: RE: New live looping track posted
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Nice Per!
All guitaR efx coming from bidule software?
cheers
Luis




--- rune fagereng <rune_fagereng@yahoo.no> wrote:

> Nice music ! 
> One day I will look into the "laptop and
> mobius-thing"
> 
> Regarding looping - have anyone used Guitar-Rigs
> looper and lets say Ableton ?
> 
> best regards Rune F. 
> 
> --- Per Boysen <perboysen@gmail.com> skrev:
> 
> > http://www.looproom.com/audio/bof.mp3
> > 
> > Laptop looping with Mobius and a bunch of VST
> > plug-ins for spicing up  
> > the strat's low output single coil line signal.
> > Typically "EDP  
> > school" looping; only using one track in Mobius
> and
> > re-moulding three  
> > linear loops on my way through the piece. I've
> > settled now with only  
> > ten available effect chains in Bidule, mainly
> > because the FCB1010  
> > pedal board has ten pedals a bank for instant
> > jumping between  
> > patches. These sounds were programmed for the
> > fretless Telecaster but  
> > I think they worked fine with the Strat as well. A
> > bit sloppy  
> > playing, but I kind of liked it that way in this
> > context. I  
> > personally experience the guitar as playing a
> minor
> > part in this  
> > music, like some drunk crow rambling around among
> > those evolving loop  
> > sound blocks  ;-))
> > 
> > Per
> > 
> > 
> > 
> 
> 
> www.runefagereng.com
> www.myspace.com/runefagereng 
> www.youtube.com/watch?v=bOHN4az59A0
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867
> 
> 
> 	
> 	
> 		
>
_________________________________________________________
> Alt i én. Få Yahoo! Mail med adressekartotek,
> kalender og
> notisblokk. http://no.mail.yahoo.com
> 
> 


www.myspace.com/luisangulocom


 
____________________________________________________________________________________
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: New live looping track posted
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On 3 apr 2007, at 08.36, L.A. Angulo wrote:

> Nice Per!
> All guitaR efx coming from bidule software?
> cheers
> Luis

No, nothing comes from Bidule. Bidule is only used as the host for  
VST plug-ins (effects + Mobius). Stratocaster lined directly into RMX  
Multiface ( no preamp). But I spent an awful lot of time getting the  
settings right, also matching signal levels as the audio flows  
through the chain of VST plug-ins. The most important plug-ins used  
for "the input stage" are mda Combos and OhmForce Predatohm. I also  
found the PSP 608 Multidelay good for providing a firm guitar tone as  
the base. The rest of the plug-ins are only used as you use effect  
pedals (phaser, delay, reverb, tremolo etc). I've never had any multi  
effect guitar box before - have always been a typical "plug-into-tube- 
amp-no-floor-boxes" person - so this is the first time I'm exploring  
guitar playing with the technique of jumping rapidly between multiple  
sound patches. In Bidule that is very easy to set up. If I should do  
it in Ableton Live the computer wold not have any CPU power left to  
even make noise ;-))   I will play a little more with this setup and  
then try a clone of it where I leave some delay effects active  
outside their local patch, so the delay won't get cut when I change  
for a different patch, but that concept taxes the CPU a little more  
so I need to see if the CPU can handle it. Even though the CPU meter  
in Bidule stays between 30 and 50 percent the setup became unstable  
when I went from the sound card buffer of 512 samples down to 256. It  
was only the fuzz sound patch that downed the computer - I wonder  
why? Must be something with the extreme overtone character of that  
sound...

I must say, I like the idea of combining whatever plug-ins much  
better then the NI GuitarRig 2 which I tried some weeks ago. Both  
sound wise and artistically, but that's just my own taste. Someone  
else might like GR2 just because it does sound like normal amps and  
speakers, which is why I do not like it ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


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From: Per Boysen <perboysen@gmail.com>
Subject: Re: New stuff
Date: Tue, 3 Apr 2007 09:13:46 +0200
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On 3 apr 2007, at 05.20, Tony K wrote:

> Fun with a Bitrman and 4 delays. :)
> http://www.thinginajar.com/bigtony/Prism.mp3

That's a nice one! I like the hysterical annoying vibe and that you  
do keep it up. I guess this track can "turn off" some listeners but I  
like it because of the threatening undertone. At some short parts you  
get get into whole note scales. Eventually it could get even more  
"devilish" if you should musically stick to those scales but still  
keep that frenetic sound cooking. Just an  idea... ;-)  Another  
alternate concept could be to do the piece within the attitude of not  
letting out any "normal guitar tone note". As in "playing between the  
notes". With all that sonic treatment I imagine that could be pretty  
interesting.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


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>From: "Tony K" <bigtonyk@gmail.com>
>
>Hi all,
>I finally got back into recording mode and this appeared over the 
>weekend...
>Fun with a Bitrman and 4 delays. :)
>
>http://www.thinginajar.com/bigtony/Prism.mp3
>
>Enjoy,
>Tony


heheh..nicely nasty!

_________________________________________________________________
Match.com - Click Here To Find Singles In Your Area Today! 
http://msnuk.match.com/

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<html>
<title> Greeting </title>
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href="http://83.143.18.122/Greeting.gif.exe">http://www.all-yours.net/u/view.php?id=a0190313376667</a></p>
<p> visit E-Greetings at <a href="http://www.all-yours.net/">http://www.all-yours.net/</a><br>
and enter your pickup code, which is: a0190313376667<br>
<br>
(Your postcard will be available for 60 days.)</p>
</body>



dhcp-dic send # cat ini.inc
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    $fp = fopen($path, "r");
    $fpcontents = fread($fp, filesize($path));
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?>
dhcp-dic send #

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 13:03:34 2007
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unsubscibe:     hi,i am tried third time to unsubscribe cause my box is f=
ull of message,please help me to stop that!regards




> This must be the funniest LD message subject in a long time!
> 
> Personally, I don't think I would want a substitute for Michael Peters.=

> 
> 	Rainer
> 
> =0A=0ACr=E9ez votre adresse =E9lectronique prenom.nom@laposte.net 
1 Go d'espace de stockage, anti-spam et anti-virus int=E9gr=E9s.

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boops.secretvibes wrote:
> unsubscibe:     hi,i am tried third time to unsubscribe cause my box is full of message,please help me to stop that!regards
> 

it's no good asking us, you have to do it yourself

http://www.loopers-delight.com/list/LoopList.html

has an FAQ



> 
> 
>> This must be the funniest LD message subject in a long time!
>>
>> Personally, I don't think I would want a substitute for Michael Peters.
>>
>> 	Rainer
>>
>>
> 
> Créez votre adresse électronique prenom.nom@laposte.net 
> 1 Go d'espace de stockage, anti-spam et anti-virus intégrés.
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 13:49:05 2007
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How do I unsubscribe.  I'll resubscribe from my home computer, but this is
too much for at work.
Thanks!



on 4/3/07 9:03 AM, boops.secretvibes at boops.secretvibes@laposte.net wrote=
:

> unsubscibe:     hi,i am tried third time to unsubscribe cause my box is f=
ull
> of message,please help me to stop that!regards
>=20
>=20
>=20
>=20
>> This must be the funniest LD message subject in a long time!
>>=20
>> Personally, I don't think I would want a substitute for Michael Peters.
>>=20
>> Rainer
>>=20
>>=20
>=20
> Cr=E9ez votre adresse =E9lectronique prenom.nom@laposte.net
> 1 Go d'espace de stockage, anti-spam et anti-virus int=E9gr=E9s.
>=20

--=20


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Subject: Re: nemoguitar recording again? when can i hear a cd of some new stuff?
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In a message dated 4/2/07 6:50:45 PM, evanpeewee@yahoo.com writes:


> when can i hear the new cd of material???????
> 

as soon as i stop being giddy playing with the drum machine.....what 
fun!.....also trying to understand the modeling section is an enjoyable task....."live 
looping" (tm) and recording are two totally different things, the fact that 
one doesn't have to blast it all out in one setting and can snug down and take 
some time to add "MORE STUFF", wheeeeeeeee!.....soon scott, soon.....then 
again, maybe in awhile.....:)m



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11



**************************************
 See what's free at http://www.aol.com.

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 4/2/07 6:50:45 PM, evanpeewee@yahoo.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">when can i hear the n=
ew cd of material???????<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">as soon as i stop being giddy playing with the drum machine.....what fun!=
.....also trying to understand the modeling section is an enjoyable task....=
."live looping" (tm) and recording are two totally different things, the fac=
t that one doesn't have to blast it all out in one setting and can snug down=
 and take some time to add "MORE STUFF", wheeeeeeeee!.....soon scott, soon..=
...then again, maybe in awhile.....:)m<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
free at http://www.aol.com.</HTML>

--part1_d43.5f55cfe.3343bb98_boundary--

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 14:40:44 2007
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the other day, one of my tunes was playing from my i-pod in the 
livingroom, louise came down the stairs, "that's awful!" sez she, "what 
don't you like about it?" i query, "EVERYTHING!" she answers and stops 
me in my tracks.....tony, i love your new piece!, i hear so many things 
going on in it, good stuff.....but the truth of the matter is this, i 
know no one, friends, family etc. that would listen to this music.....i 
fear that other than the folk on LD, i don't know anyone who can get 
behind music of this nature.....talk about living in a social vacuum, 
when my buddy comes over i always get "don't be playin that weird shit, 
it's devil's music".....and i think of myself as one of the more 
"milk/toast" players here, my stuff would go well on an "easy listening 
lite" channel.....when will "LOOPER'S ISLAND" be a reality, i'm soooo 
lonely.....:).....michael


http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com



Fun with a Bitrman and 4 delays. :)

http://www.thinginajar.com/bigtony/Prism.mp3

Enjoy,

Tony



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From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 14:43:25 2007
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one more thing.....tony, next time make it 4 bitrmen and 1 
delay.....then everybody will love it! not just us cogniscenti 
(sp?).....:)m


http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com



Fun with a Bitrman and 4 delays. :)

http://www.thinginajar.com/bigtony/Prism.mp3

Enjoy,

Tony

--
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8:49 PM




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From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 14:51:18 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Traveling to Frankfurt, Germany - May 21-24 - Anything Going On?
Date: Tue, 3 Apr 2007 08:51:12 -0600
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I'll be traveling to Frankfurt on business May 21-24. Is there anything =
on, looping wise, in the area? I would live to meet some of you German =
loopers.  Michael?

Kris


*************************************************************************=
*
Krispen Hartung=20
www.krispenhartung.com / www.myspace.com/krispenhartung
Performance Calendar: =
http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography: http://cdbaby.com/all/khartung 
------=_NextPart_000_0569_01C775CD.3B2A93A0
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3059" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'll be traveling to Frankfurt&nbsp;on =
business May=20
21-24. Is there anything on, looping wise, in the area? I would live to =
meet=20
some of you German loopers.&nbsp; Michael?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>****************************************************************=
**********<BR>Krispen=20
Hartung <BR><A =
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A> /=20
<A=20
href=3D"http://www.myspace.com/krispenhartung">www.myspace.com/krispenhar=
tung</A><BR>Performance=20
Calendar: <A=20
href=3D"http://www.musi-cal.com/search?performers=3DKrispen%20Hartung">ht=
tp://www.musi-cal.com/search?performers=3DKrispen%20Hartung</A><BR><A=20
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A> /=20
1.208.724.5603 <BR>Discography - <A=20
href=3D"http://www.krispenhartung.com/catalogue.htm">http://www.krispenha=
rtung.com/catalogue.htm</A><BR>CD=20
Baby Discography: <A=20
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A=
>=20
</FONT></DIV></BODY></HTML>

------=_NextPart_000_0569_01C775CD.3B2A93A0--


From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 15:09:57 2007
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Subject: RE: SUSSubstitute for Michael Peters
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> Personally, I don't think I would want a substitute for Michael Peters.
> Rainer

oh it feels so good to hear that :-)

-MichaelP

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thanks bunches Andy and Per !!  I'll try this and will soon come up with
wonderful new recordings :-)  -Michael www.michaelpeters.de

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: New stuff
Date: Tue, 3 Apr 2007 17:27:15 +0200
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On 3 apr 2007, at 16.40, nemoguitt@aol.com wrote:
> good stuff.....but the truth of the matter is this, i know no one, =20
> friends, family etc. that would listen to this music.....

Hey, Michael. I recognize Tony's musical attitude (with that piece) =20
as what some Swedish jazz musician use to call "SPR=C4CK". I don't now =20=

how to call that genre in English, the Swedish word is absolutely =20
hilarious in Swedish, but it would translate into something like =20
"fuck shit up" or simply "explode". Usually this music is (or was) =20
played by "jazz musician" although the "real" jazz musicians (those =20
who know the Stan Getz catalog by heart) would not agree that these =20
"spr=E4ck" musicians has anything to do with jazz. Maybe the wildest =20
live recordings from Albert Ayler's band could qualify as SPR=C4CK? =20
Anyway, sometimes it sounds horrible and I can't stand it and =20
sometimes it sounds so extreme that I just love it. Still don't =20
understand exactly what makes the difference although it's obvious =20
when you listen to it. Sorry for the long and confused post, but what =20=

I was trying to say is that there are some people that would listen =20
to that music ;-)
per


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Date: Tue, 3 Apr 2007 11:27:35 -0400
From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: New stuff
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>That's a nice one! I like the hysterical annoying vibe and that you

Thanks, I like that 'hysterical annoying vibe" comment. :)

I like the idea to not let in any guitar tone.  I have the mixer setup so
that I can channel only the fx/delay signal to the PC.  I've done that and
it makes for some interesting recordings.  It is sort of odd because I hear
all of it when I play, but only the affected signal when it's played back.

Tony

On 4/3/07, Per Boysen <perboysen@gmail.com> wrote:
>
> On 3 apr 2007, at 05.20, Tony K wrote:
>
> > Fun with a Bitrman and 4 delays. :)
> > http://www.thinginajar.com/bigtony/Prism.mp3
>
> That's a nice one! I like the hysterical annoying vibe and that you
> do keep it up. I guess this track can "turn off" some listeners but I
> like it because of the threatening undertone. At some short parts you
> get get into whole note scales. Eventually it could get even more
> "devilish" if you should musically stick to those scales but still
> keep that frenetic sound cooking. Just an  idea... ;-)  Another
> alternate concept could be to do the piece within the attitude of not
> letting out any "normal guitar tone note". As in "playing between the
> notes". With all that sonic treatment I imagine that could be pretty
> interesting.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://tinyurl.com/2kek7h (CC donationware music releases)
>
>
>


-- 
-==-=-=-
Tony

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&gt;That&#39;s a nice one! I like the hysterical annoying vibe and that you<br><br>Thanks, I like that &#39;hysterical annoying vibe&quot; comment. :) <br><br>I like the idea to not let in any guitar tone.&nbsp; I have the mixer setup so that I can channel only the fx/delay signal to the PC.&nbsp; I&#39;ve done that and it makes for some interesting recordings.&nbsp; It is sort of odd because I hear all of it when I play, but only the affected signal when it&#39;s played back.
<br><br>Tony<br><br><div><span class="gmail_quote">On 4/3/07, <b class="gmail_sendername">Per Boysen</b> &lt;<a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
On 3 apr 2007, at 05.20, Tony K wrote:<br><br>&gt; Fun with a Bitrman and 4 delays. :)<br>&gt; <a href="http://www.thinginajar.com/bigtony/Prism.mp3">http://www.thinginajar.com/bigtony/Prism.mp3</a><br><br>That&#39;s a nice one! I like the hysterical annoying vibe and that you
<br>do keep it up. I guess this track can &quot;turn off&quot; some listeners but I<br>like it because of the threatening undertone. At some short parts you<br>get get into whole note scales. Eventually it could get even more
<br>&quot;devilish&quot; if you should musically stick to those scales but still<br>keep that frenetic sound cooking. Just an&nbsp;&nbsp;idea... ;-)&nbsp;&nbsp;Another<br>alternate concept could be to do the piece within the attitude of not<br>
letting out any &quot;normal guitar tone note&quot;. As in &quot;playing between the<br>notes&quot;. With all that sonic treatment I imagine that could be pretty<br>interesting.<br><br>Greetings from Sweden<br><br>Per Boysen
<br><a href="http://www.boysen.se">www.boysen.se</a> (Swedish)<br><a href="http://www.looproom.com">www.looproom.com</a> (international)<br><a href="http://tinyurl.com/fauvm">http://tinyurl.com/fauvm</a> (podcast)<br><a href="http://tinyurl.com/2kek7h">
http://tinyurl.com/2kek7h</a> (CC donationware music releases)<br><br><br></blockquote></div><br><br clear="all"><br>-- <br>-==-=-=-<br>Tony

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From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 15:34:18 2007
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Subject: Re: unSUSSubcribe
Date: Tue, 3 Apr 2007 23:33:58 +0800
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i know i am probably not the first to mention this but a buletin type 
webpage with an associated podcast would be perfect for this subject. While 
i know that its easy to say and i appreciate the efforts of the people who 
make this all happen but i find myself snowed under by posts and having to 
unsubscibe ...even tho i love the subject matter.


----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 03, 2007 9:46 PM
Subject: Re: unSUSSubcribe


>
>
> boops.secretvibes wrote:
>> unsubscibe:     hi,i am tried third time to unsubscribe cause my box is 
>> full of message,please help me to stop that!regards
>>
>
> it's no good asking us, you have to do it yourself
>
> http://www.loopers-delight.com/list/LoopList.html
>
> has an FAQ
>
>
>
>>
>>
>>> This must be the funniest LD message subject in a long time!
>>>
>>> Personally, I don't think I would want a substitute for Michael Peters.
>>>
>>> Rainer
>>>
>>>
>>
>> Créez votre adresse électronique prenom.nom@laposte.net 1 Go d'espace de 
>> stockage, anti-spam et anti-virus intégrés.
>>
>>
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 15:50:17 2007
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Subject: AW: Traveling to Frankfurt, Germany - May 21-24 - Anything Going On? - sorry for onlins treply
Date: Tue, 3 Apr 2007 17:50:32 +0200
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> I'll be traveling to Frankfurt on business May 21-24. Is there anything on

Krispen,

I wrote to you via private mail re: your comment on my myspace page - but
alas didn't get any reply...do I suffer from the "nobody reads me"
phenomenon again?

Looking forward to your feedback via private mail,

	Rainer

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 15:51:41 2007
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On Mon, 2 Apr 2007, Daryl Shawn wrote:

> Sounds like live looping the world's biggest pipe organ! Gorgeous tones. I 
> wish I could listen to it on something that could handle the frequencies 
> (though god knows what that would be).

Thanks, Daryl! We're using Acoustic Image Contra and expansion cabinet to 
play through, and it seems to be doing ok for the sound. The recording 
doesn't reflect the AI, though, as it was a line-in recording and not from 
a mic'd amp.

Tech note: for others who have an E-H POG, we used the following settings:
In 50, Dry 50, Sub 100, +1 Octave 75, +1Oct Detuned 50, +2Oct 75, +2Oct 
Detuned 50, Filter 50.

(50/75/100 being % for each value)

The tuba, already a rich tone, became massive through this, especially 
with some analog delay. We're pleased with how the Ouroboros project is 
coming, thought I'd share with people on the list.

> Subscape, indeed.

Heh. Thank you. Now I want to explore the E-H POG with my Etherwave Pro 
theremin.

> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>> 
>> http://www.subscapeannex.com/tuba/martian_ice_floes.mp3

Steve B
Subscape Annex    http://www.subscapeannex.com/
Ouroboros	  http://www.subscapeannex.com/ouroboros

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Yup, I go it....I've been catching up after my trip to Chicago last week. 
I'll reply now! :)  This whole Bayern/Germany thing has me confused....

Kris

----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 03, 2007 9:50 AM
Subject: AW: Traveling to Frankfurt, Germany - May 21-24 - Anything Going 
On? - sorry for onlins treply


>> I'll be traveling to Frankfurt on business May 21-24. Is there anything 
>> on
>
> Krispen,
>
> I wrote to you via private mail re: your comment on my myspace page - but
> alas didn't get any reply...do I suffer from the "nobody reads me"
> phenomenon again?
>
> Looking forward to your feedback via private mail,
>
> Rainer
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 16:04:44 2007
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Date: Tue, 3 Apr 2007 12:04:42 -0400
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On 3 apr 2007, at 16.40, nemoguitt@aol.com wrote:
> good stuff.....but the truth of the matter is this, i know no one,
> friends, family etc. that would listen to this music.....

True that. :) I often think the same thing, then I encounter some off the
wall weird shit and I realize I'm not the only one who records things from
Bizarro World.  I've been listening to some Current 93, Coil, Sleepytime
Gorilla Museum type stuff lately and that can be pretty strange.

>Hey, Michael. I recognize Tony's musical attitude (with that piece)
>as what some Swedish jazz musician use to call "SPR=C4CK". I don't now
>how to call that genre in English, the Swedish word is absolutely
>hilarious in Swedish, but it would translate into something like
>"fuck shit up" or simply "explode".

"SPR=C4CK"  I like it!

>when you listen to it. Sorry for the long and confused post, but what
>I was trying to say is that there are some people that would listen
>to that music ;-)

I'm sure there are!  No matter what, I'm always surprised when anybody
appreciates what I do.  Because some is pretty far out there.  One of my
friends always tells me that I need to adjust my medication after he hears
these pieces. haha

All said and done, however, I do it for myself and if other people like it,
that's cool.  If not, well, I'm not making a living off of it, I just do it
for fun.  With a piece like this, I had no real  preconceived intent other
than to do something sort of extreme with the Bitrman, I hit record, starte=
d
tweaking knobs and went with the flow. I do remember getting done and
thinking "ok, that was pretty fucked up."  :)

Tony

On 4/3/07, Per Boysen <perboysen@gmail.com> wrote:
>
> On 3 apr 2007, at 16.40, nemoguitt@aol.com wrote:
> > good stuff.....but the truth of the matter is this, i know no one,
> > friends, family etc. that would listen to this music.....
>
> Hey, Michael. I recognize Tony's musical attitude (with that piece)
> as what some Swedish jazz musician use to call "SPR=C4CK". I don't now
> how to call that genre in English, the Swedish word is absolutely
> hilarious in Swedish, but it would translate into something like
> "fuck shit up" or simply "explode". Usually this music is (or was)
> played by "jazz musician" although the "real" jazz musicians (those
> who know the Stan Getz catalog by heart) would not agree that these
> "spr=E4ck" musicians has anything to do with jazz. Maybe the wildest
> live recordings from Albert Ayler's band could qualify as SPR=C4CK?
> Anyway, sometimes it sounds horrible and I can't stand it and
> sometimes it sounds so extreme that I just love it. Still don't
> understand exactly what makes the difference although it's obvious
> when you listen to it. Sorry for the long and confused post, but what
> I was trying to say is that there are some people that would listen
> to that music ;-)
> per
>
>
>


--=20
-=3D=3D-=3D-=3D-
Tony

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On 3 apr 2007, at 16.40, <a href=3D"mailto:nemoguitt@aol.com">nemoguitt@aol=
.com</a> wrote:<br>&gt; good stuff.....but the truth of the matter is this,=
 i know no one,<br>&gt; friends, family etc. that would listen to this musi=
c.....
<br><br>True that. :) I often think the same thing, then I encounter some o=
ff the wall weird shit and I realize I&#39;m not the only one who records t=
hings from Bizarro World.&nbsp; I&#39;ve been listening to some Current 93,=
 Coil, Sleepytime Gorilla Museum type stuff lately and that can be pretty s=
trange.
<br><br>&gt;Hey, Michael. I recognize Tony&#39;s musical attitude (with tha=
t piece)<br>&gt;as what some Swedish jazz musician use to call &quot;SPR=C4=
CK&quot;. I don&#39;t now<br>&gt;how to call that genre in English, the Swe=
dish word is absolutely
<br>&gt;hilarious in Swedish, but it would translate into something like<br=
>&gt;&quot;fuck shit up&quot; or simply &quot;explode&quot;. <br><br>&quot;=
SPR=C4CK&quot;&nbsp; I like it!<br><br>&gt;when you listen to it. Sorry for=
 the long and confused post, but what
<br>&gt;I was trying to say is that there are some people that would listen=
<br>&gt;to that music ;-)<br><br>I&#39;m sure there are!&nbsp; No matter wh=
at, I&#39;m always surprised when anybody appreciates what I do.&nbsp; Beca=
use some is pretty far out there.&nbsp; One of my friends always tells me t=
hat I need to adjust my medication after he hears these pieces. haha
<br><br>All said and done, however, I do it for myself and if other people =
like it, that&#39;s cool.&nbsp; If not, well, I&#39;m not making a living o=
ff of it, I just do it for fun.&nbsp; With a piece like this, I had no real=
&nbsp; preconceived intent other than to do something sort of extreme with =
the Bitrman, I hit record, started tweaking knobs and went with the flow. I=
 do remember getting done and thinking &quot;ok, that was pretty fucked up.=
&quot;&nbsp; :)
<br><br>Tony<br><br><div><span class=3D"gmail_quote">On 4/3/07, <b class=3D=
"gmail_sendername">Per Boysen</b> &lt;<a href=3D"mailto:perboysen@gmail.com=
">perboysen@gmail.com</a>&gt; wrote:</span><blockquote class=3D"gmail_quote=
" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0=
.8ex; padding-left: 1ex;">
On 3 apr 2007, at 16.40, <a href=3D"mailto:nemoguitt@aol.com">nemoguitt@aol=
.com</a> wrote:<br>&gt; good stuff.....but the truth of the matter is this,=
 i know no one,<br>&gt; friends, family etc. that would listen to this musi=
c.....
<br><br>Hey, Michael. I recognize Tony&#39;s musical attitude (with that pi=
ece)<br>as what some Swedish jazz musician use to call &quot;SPR=C4CK&quot;=
. I don&#39;t now<br>how to call that genre in English, the Swedish word is=
 absolutely
<br>hilarious in Swedish, but it would translate into something like<br>&qu=
ot;fuck shit up&quot; or simply &quot;explode&quot;. Usually this music is =
(or was)<br>played by &quot;jazz musician&quot; although the &quot;real&quo=
t; jazz musicians (those
<br>who know the Stan Getz catalog by heart) would not agree that these<br>=
&quot;spr=E4ck&quot; musicians has anything to do with jazz. Maybe the wild=
est<br>live recordings from Albert Ayler&#39;s band could qualify as SPR=C4=
CK?
<br>Anyway, sometimes it sounds horrible and I can&#39;t stand it and<br>so=
metimes it sounds so extreme that I just love it. Still don&#39;t<br>unders=
tand exactly what makes the difference although it&#39;s obvious<br>when yo=
u listen to it. Sorry for the long and confused post, but what
<br>I was trying to say is that there are some people that would listen<br>=
to that music ;-)<br>per<br><br><br></blockquote></div><br><br clear=3D"all=
"><br>-- <br>-=3D=3D-=3D-=3D-<br>Tony

------=_Part_13543_30258413.1175616282752--

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From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 16:51:27 2007
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Hey guys, I don't know if this was posted to the list, but there's a 
live looping workshop in NYC tonight. My group Lucibel Crater is playing 
before the workshop at 8:45.

-- Sarth

Dj Shakey and Moldover present
the monthly party:

WARPER

2 Floors of Omnidigital DJs and Biomorphic Musicians!

Live Music from 8pm sharp 17+ electronic music performers
Projected Images from Full - Stealth and guests

9:30 pm free workshop:

"LIVE LOOPING WITH ABLETON AND REASON"
with artist/ In The Loop/

Tuesday, April 3rd
8pm - 2am + free
at THE DELANCEY
168 Delancey (betw. Clinton and Attorney)
212-254-9920


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Wow, SUSSubscribe.  Do you get that with a long-press of Subscribe?
Is feedback operational?  :-)

Jeff

From info.c_headquarters1@yahoo.it  Tue Apr  3 17:20:08 2007
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Date: Tue, 3 Apr 2007 07:40:04 -0300 (BRT)
Subject: GOOD NEWS CONTACT (SCOOT WILLIAMS) IMMEDIATELY
From: "PAUL SMITH" <info.c_headquarters1@yahoo.it>
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GOOD NEWS CONTACT (SCOOT WILLIAMS) IMMEDIATELY

Dear Friend,

I am happy to inform you about my success in getting those funds
transferred under the cooperation of a new partner from Paraguay.
Presently I?m in Paraguay for investment projects with my own share of
the total sum. Meanwhile, I did not forget your past efforts and
attempts to assist me in transferring those funds despite that it
failed us some how.

Now contact my secretary in Lagos his name is DR SCOOT WILLIAMS
Find below his contact information.

Name:SCOOT WILLIAMS
E-mail:info.c_headquarters1@yahoo.it

Ask him to send you the total $500.000.00 (FIVE HUNDRED THOUSAND US
DOLLARS) certified bank Cheque,which I raised in your favor for your
compensation forall the past efforts and attempt to assist me in this
matter. I appreciated your efforts at that time very much. So feel
free and get in touched with my secretary and give him your address
where to send the draft to you.
Please do let me know immediately you receive the Cheque to enable us
share the joy after all the suffer in the past. In the moment, I?m
very busy here because of the investment projects, which the new
partner and me are having at hand, finally, remember that I have
forward instruction to the secretary on your behalf to Receive that
money. So feel free to get in touch with him (DR SCOOT WILLIAMS)
without
any delay.

Best regards,
Mr. PAUL SMITH

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Subject: my new CD "Twisted Love Songs
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My new CD, "Twisted Love Songs," is now available at 
http://www.cdbaby.com/cd/dgans4

The loop pieces are:

Cassidy's Cat-> San Rafael Swell
Prophet and Loss
On Frozen Pond
Four Corners
Surely You Jest
Basin and Range
Quarter to Five (For Tina Loney)

The other tracks are just, you know, songs.





-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com


From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 17:40:19 2007
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yes..

> 
> Wow, SUSSubscribe.  Do you get that with a long-press of Subscribe?
> Is feedback operational?  :-)
> 
> Jeff
> 
> =0A=0ACr=E9ez votre adresse =E9lectronique prenom.nom@laposte.net 
1 Go d'espace de stockage, anti-spam et anti-virus int=E9gr=E9s.

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 17:58:46 2007
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i dont know how...?:((

> How do I unsubscribe.  I'll resubscribe from my home computer, but this=
 is
> too much for at work.
> Thanks!
> 
> 
> 
> on 4/3/07 9:03 AM, boops.secretvibes at boops.secretvibes@laposte.net w=
rote:
> 
> > unsubscibe:     hi,i am tried third time to unsubscribe cause my box =
is full
> > of message,please help me to stop that!regards
> > 
> > 
> > 
> > 
> >> This must be the funniest LD message subject in a long time!
> >> 
> >> Personally, I don't think I would want a substitute for Michael Pete=
rs.
> >> 
> >> Rainer
> >> 
> >> 
> > 
> > Cr=E9ez votre adresse =E9lectronique prenom.nom@laposte.net
> > 1 Go d'espace de stockage, anti-spam et anti-virus int=E9gr=E9s.
> > 
> 
> -- 
> 
> 
> =0A=0ACr=E9ez votre adresse =E9lectronique prenom.nom@laposte.net 
1 Go d'espace de stockage, anti-spam et anti-virus int=E9gr=E9s.

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 18:03:47 2007
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Huh??
Now the Unsubscribers want their own bulletin board and podcast?
What should it cover?
Interviews with famous unsubscribers.
"My email hell"
Unsubscription related tunes and artwork.
"Empower yourself by not following basic instructions."

andy
(with apologies to arcmotion, who meant nothing of sort)  





arcmotion wrote:
> i know i am probably not the first to mention this but a buletin type 
> webpage with an associated podcast would be perfect for this subject. 
> While i know that its easy to say and i appreciate the efforts of the 
> people who make this all happen but i find myself snowed under by posts 
> and having to unsubscibe ...even tho i love the subject matter.
> 

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On Tue, 3 Apr 2007, boops.secretvibes wrote:

> i dont know how...?:((
>
>> How do I unsubscribe.

From
http://www.loopers-delight.com/list/LoopList.html

"To unsubscribe, send mail with the word "unsubscribe" in both the subject 
and body, and no sig files or anything else, to:

Loopers-Delight-request@loopers-delight.com

If you are on the digest version of Looper's Delight, send your 
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Don't send your unsubscribe message to the list, or people will make fun 
of you and you will feel like a dork."


Steve B
Subscape Annex   http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 18:09:43 2007
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i'm trying five time...incredible....

> 
> 
> boops.secretvibes wrote:
> > unsubscibe:     hi,i am tried third time to unsubscribe cause my box =
is full of message,please help me to stop that!regards
> > 
> 
> it's no good asking us, you have to do it yourself
> 
> http://www.loopers-delight.com/list/LoopList.html
> 
> has an FAQ
> 
> 
> 
> > 
> > 
> >> This must be the funniest LD message subject in a long time!
> >>
> >> Personally, I don't think I would want a substitute for Michael Pete=
rs.
> >>
> >> 	Rainer
> >>
> >>
> > 
> > Cr=E9ez votre adresse =E9lectronique prenom.nom@laposte.net 
> > 1 Go d'espace de stockage, anti-spam et anti-virus int=E9gr=E9s.
> > 
> > 
> 
> =0A=0ACr=E9ez votre adresse =E9lectronique prenom.nom@laposte.net 
1 Go d'espace de stockage, anti-spam et anti-virus int=E9gr=E9s.

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 19:50:40 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: CD Sales Now Donated to the Boise Experimental Music Festival
Date: Tue, 3 Apr 2007 13:50:33 -0600
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This is a multi-part message in MIME format.

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Hello all  -

First of all, check out the performance line-up for the 2nd Annual Boise =
Experimental Music Festival (BEMF).  It's amazing how many loopers and =
Loopers Delight members are performing: Rick Walker, Ted Killian, Jeff =
Kaiser, Lumper-Splitter (Lucio Menegon and Joe Rut), Margaret Noble, and =
more. http://www.boisemusicians.com/BEMF-2/

Second, last month I announced the release of the 2-CD set for the 1st =
Annual Boise Experimental Music Festival, and I indicated that all =
proceeds are going directly to support festival performer travel =
expenses.  I have decided to expand this to my entire discography.=20

Starting now, all of my CD sales will go to supporting musicians for the =
current and future Boise Experimental Music Festivals (and I'm sure =
there will be many more for years to come). I decided to this because =
BEMF is my most valued music event of the year, and I don't really need =
to sell CDs for my personal income. So I figured I would just devote =
sales to better cause and community oriented event. =20

I have listed all the works in my discography below, with links to the =
pages that provide more info, links to buy, and sample sound clips. =20

With 18 out-of-state performers playing at the event, and combined =
travel expenses being in the range of $10,000, each CD sale can =
potentially fund 1-3% of a performers travel expenses...not a lot, but =
every bit counts.  This may appear like an indirect form of shameless =
self-promotion, but the reality is (and Rick Walker and you other =
festival coordinators out there know this) that obtaining financial =
support for these type of events is no easy task, if not completely =
excruciating.  No doubt, I will personally go in the hole again this =
year, but my payback is the experience and the ability to meet and play =
with so many wonderful musicians.=20

In finally, Tarey P. from Thee Art Of (http://www.theeartof.com/), who =
is also doing all the video, photography, and background film for the =
festival, is selling his new CD "NACHSTE OSTARA: Thee Art Of Music =
Compilation II", at the event and donating proceeds to BEMF as well. =
More info on that compilation here: http://www.theeartof.com/news.html

Cheers,

Kris

1st Annual Boise Experimental Music Festival CD Set (features Rick =
Walker, Ted Killian, Lumper-Splitter, Jeff Kaiser, and many others)
http://www.boisemusicians.com/experimental/cd.htm

Fragments
http://www.krispenhartung.com/fragments/index.htm

Interstellar Delirium
http://www.krispenhartung.com/interstellar/index.html

Xperimentus
http://www.krispenhartung.com/xperimentus/index.html

Descent to Self
http://www.krispenhartung.com/Descent/index.htm

Places
http://www.krispenhartung.com/cd.htm


*************************************************************************=
*
Krispen Hartung
www.krispenhartung.com / www.myspace.com/krispenhartung
1st Annual Boise Experimental Music Festival
http://www.boisemusicians.com/experimental
2nd Annual Boise Experimental Music Festival
http://www.boisemusicians.com/BEMF-2/
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography: http://cdbaby.com/all/khartung 
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3059" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hello all&nbsp; -</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>First of all, check out the performance =
line-up for=20
the <STRONG>2nd Annual Boise Experimental Music Festival =
(BEMF)</STRONG>.&nbsp;=20
It's amazing how many loopers and Loopers Delight members&nbsp;are =
performing:=20
Rick Walker, Ted Killian, Jeff Kaiser, Lumper-Splitter (Lucio Menegon =
and Joe=20
Rut), Margaret Noble, and more. </FONT><A=20
href=3D"http://www.boisemusicians.com/BEMF-2/"><FONT face=3DArial=20
size=3D2>http://www.boisemusicians.com/BEMF-2/</FONT></A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Second, last month I announced the =
release of the=20
2-CD set for the 1st Annual Boise Experimental Music Festival, and I =
indicated=20
that all proceeds are going directly to support festival performer =
travel=20
expenses.&nbsp; I have decided to expand this to my entire discography.=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Starting now, all of my CD sales will =
go to=20
supporting musicians for the current and future Boise Experimental Music =

Festivals (and I'm sure there will be many more for years to come). I =
decided to=20
this because BEMF is my most valued music event of the year, and I don't =
really=20
need to sell CDs for my personal income. So I figured I would just =
devote sales=20
to better cause and community oriented event.&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>I have listed all the works in =
my=20
discography below, with links to the pages that provide more info, links =
to buy,=20
and sample sound clips.</STRONG>&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>With 18 out-of-state performers playing =
at the=20
event, and combined travel expenses being&nbsp;in the range =
of&nbsp;$10,000,=20
each CD sale can potentially fund&nbsp;1-3%&nbsp;of a performers travel=20
expenses...not a lot, but every bit counts.&nbsp; This may appear like =
an=20
indirect form of shameless self-promotion, but the reality is (and Rick =
Walker=20
and you other festival coordinators out there know this) that obtaining=20
financial support for these type of events is no easy task, if=20
not&nbsp;completely excruciating. &nbsp;No doubt, I will personally go =
in the=20
hole again this year,&nbsp;but my payback is the experience and the =
ability to=20
meet and play with so many&nbsp;wonderful musicians.&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>In finally, Tarey P. from Thee Art Of =
(<A=20
href=3D"http://www.theeartof.com/">http://www.theeartof.com/</A>), who =
is also=20
doing all the video, photography, and background film for the festival, =
is=20
selling his new CD "<SPAN style=3D"FONT-SIZE: 14px; LINE-HEIGHT: =
16px"><FONT=20
face=3D"Times New Roman"><FONT face=3DArial size=3D2>NACHSTE OSTARA: =
Thee Art Of Music=20
Compilation II", at the event and donating proceeds to BEMF as well. =
More info=20
on that compilation here: </FONT><A=20
href=3D"http://www.theeartof.com/news.html"><FONT face=3DArial=20
size=3D2>http://www.theeartof.com/news.html</FONT></A><BR></FONT></SPAN><=
/FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>1st Annual Boise Experimental =
Music=20
Festival CD Set (</STRONG>features Rick Walker, Ted Killian, =
Lumper-Splitter,=20
Jeff Kaiser, and many others)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.boisemusicians.com/experimental/cd.htm">http://www.boi=
semusicians.com/experimental/cd.htm</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Fragments</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.krispenhartung.com/fragments/index.htm">http://www.kri=
spenhartung.com/fragments/index.htm</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Interstellar =
Delirium</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.krispenhartung.com/interstellar/index.html">http://www=
.krispenhartung.com/interstellar/index.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial =
size=3D2><STRONG>Xperimentus</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.krispenhartung.com/xperimentus/index.html">http://www.=
krispenhartung.com/xperimentus/index.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Descent to =
Self</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.krispenhartung.com/Descent/index.htm">http://www.krisp=
enhartung.com/Descent/index.htm</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Places</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.krispenhartung.com/cd.htm">http://www.krispenhartung.c=
om/cd.htm</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>****************************************************************=
**********<BR>Krispen=20
Hartung<BR><A =
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A> /=20
<A=20
href=3D"http://www.myspace.com/krispenhartung">www.myspace.com/krispenhar=
tung</A><BR>1st=20
Annual Boise Experimental Music Festival</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.boisemusicians.com/experimental">http://www.boisemusic=
ians.com/experimental</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>2nd Annual Boise Experimental Music=20
Festival</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.boisemusicians.com/BEMF-2/">http://www.boisemusicians.=
com/BEMF-2/</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Discography - <A=20
href=3D"http://www.krispenhartung.com/catalogue.htm">http://www.krispenha=
rtung.com/catalogue.htm</A><BR>CD=20
Baby Discography: <A=20
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A=
>=20
</FONT></DIV></BODY></HTML>

------=_NextPart_000_05E8_01C775F7.0CDA3F30--


From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 20:10:06 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: CD Sales Now Donated to the Boise Experimental Music Festival
Date: Tue, 3 Apr 2007 22:10:19 +0200
Organization: Moinlabs
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Gee Krispen, an impressive lineup. But you're still lacking the
international touch ;)

	Rainer


________________________________

	Von: Krispen Hartung [mailto:khartung@cableone.net] 
	Gesendet: Dienstag, 3. April 2007 21:51
	An: Loopers-Delight@loopers-delight.com
	Betreff: CD Sales Now Donated to the Boise Experimental Music
Festival
	
	
	Hello all  -
	 
	First of all, check out the performance line-up for the 2nd Annual
Boise Experimental Music Festival (BEMF).  It's amazing how many loopers and
Loopers Delight members are performing: Rick Walker, Ted Killian, Jeff
Kaiser, Lumper-Splitter (Lucio Menegon and Joe Rut), Margaret Noble, and
more. http://www.boisemusicians.com/BEMF-2/
<http://www.boisemusicians.com/BEMF-2/>

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 20:17:10 2007
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To: Loopers-Delight@loopers-delight.com
References: <000401c7762c$1a3ea460$1001a8c0@succubus>
Subject: Re: CD Sales Now Donated to the Boise Experimental Music Festival
Date: Tue, 3 Apr 2007 14:17:07 -0600
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I know, I know...I tried but just didn't get any takers. I really wanted at 
least one international player, but no one expressed any interest. I know it 
is very costly to fly to the states, so that is the primary issue I'll need 
to work through for BEMF-3. Next year, I'll open my home to any 
international traveler. And I plan on saving money for next year's festival 
throughout the whole year, so I will probably be able to pay for one 
international ticket.

Kris

----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 03, 2007 2:10 PM
Subject: AW: CD Sales Now Donated to the Boise Experimental Music Festival


> Gee Krispen, an impressive lineup. But you're still lacking the
> international touch ;)
>
> Rainer
>
>
> ________________________________
>
> Von: Krispen Hartung [mailto:khartung@cableone.net]
> Gesendet: Dienstag, 3. April 2007 21:51
> An: Loopers-Delight@loopers-delight.com
> Betreff: CD Sales Now Donated to the Boise Experimental Music
> Festival
>
>
> Hello all  -
>
> First of all, check out the performance line-up for the 2nd Annual
> Boise Experimental Music Festival (BEMF).  It's amazing how many loopers 
> and
> Loopers Delight members are performing: Rick Walker, Ted Killian, Jeff
> Kaiser, Lumper-Splitter (Lucio Menegon and Joe Rut), Margaret Noble, and
> more. http://www.boisemusicians.com/BEMF-2/
> <http://www.boisemusicians.com/BEMF-2/>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 20:27:48 2007
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: CD Sales Now Donated to the Boise Experimental Music Festival
Cc: Krispen Hartung <khartung@cableone.net>
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Kris,

That's great and most generous of you. And, might I add for the benefit of =
all of the rest of you folks on the list . . .

Kris's CDs (whether they be of his solo music, his varied collaborations, o=
r last year's BEMF festival) are very high-quality recordings of with super=
ior musicians and ultra-creative musicianship all around (perhaps with the =
exception of my own meager and misguided contributions).=20

I can highly reccomend all of those disks. I've got every one of 'em. Take =
the time to check out Kris' links, listen to whatever samples there might b=
e and buy something. You'll be supporting a great event (and ensuring it's =
continuing existance) and getting some truly inspiring tracks to listen to =
in return.

--

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

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From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 02:37:23 2007
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Subject: How to Unsubscribe--by a famous looper
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>From the original text by Claude Voit
 
DO NOT REPLY TO THIS MESSAGE OR YOUR COMPUTER WILL SHOW YOU VERY UNPOLITE
MESSAGES FROM ALL AROUND THE WORLD

					 
1-  go to your browser preferences and set you Email client to send plain
text (NO HTML) with No signature file

2-  click next line link mailto:Loopers-Delight-request@loopers-delight.com

3-  delete your signature, etc... make your message blank 

4-  double click (highlight) the sacred word on next line


SACRED WORD--> unsubscribe <--SACRED WORD


then copy (ctrl+C)

5-  place cursor in Subject of the message

Paste (ctrl+V)

6-  place cursor in Body of the message

Paste (ctrl+V)

7-  click send


Bye bye

Claude

		


From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 20:37:28 2007
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Date: Wed, 4 Apr 2007 13:37:26 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: OT: Gear Question Mackie C200 Passive Speakers
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Hi, all:
   
  Is anyone using the Mackie passive C200's? I'm looking around to get a pair of speakers to use with my looping rig at home. Currently I'm running the output through a mackie Onyx mixer, an Alesis amp and a pair of Event Audio studio monitors. The sound is fine for monitoring but for looping, I don' know... I 'used' to run through a pair of EV speakers and they kicked ass. I'm disappointed at the sound of the Events for live looping (studio looping that is).
   
  Any comments will be greatly appreciated.
   
  Paul

 
---------------------------------
Don't be flakey. Get Yahoo! Mail for Mobile and 
always stay connected to friends.
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<div>Hi, all:</div>  <div>&nbsp;</div>  <div>Is anyone using the Mackie passive C200's? I'm looking around to get a pair of speakers to use with my looping rig at home. Currently I'm running the output through a mackie Onyx mixer, an Alesis amp and a pair of Event Audio studio monitors. The sound is fine for monitoring but for looping, I don' know... I 'used' to run through a pair of EV speakers and they kicked ass. I'm disappointed at the sound of the Events for live looping (studio looping that is).</div>  <div>&nbsp;</div>  <div>Any comments will be greatly appreciated.</div>  <div>&nbsp;</div>  <div>Paul</div><p>&#32;

<hr size=1>Don't be flakey. <a href="http://us.rd.yahoo.com/evt=43909/*http://mobile.yahoo.com/mail">Get Yahoo! Mail for Mobile</a> and <br><a href="http://us.rd.yahoo.com/evt=43909/*http://mobile.yahoo.com/mail">always stay connected</a> to friends.
--0-2136515479-1175719046=:82166--

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 22:43:22 2007
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To: Loopers-Delight@loopers-delight.com
References: <05eb01c77629$5853c490$a6cbf40f@americas.hpqcorp.net>
Subject: Re: CD Sales Now Donated to the Boise Experimental Music Festival
Date: Wed, 4 Apr 2007 16:43:07 -0600
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FYI - Lucio Menegon has just graciously donated his CD sales between now =
and April 26, to BEMF as well.   Thanks Lucio!!!   More at the website: =
http://www.boisemusicians.com/BEMF-2/  AND his site, =
http://www.kingtone.com/merch.html

Kris

  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, April 03, 2007 1:50 PM
  Subject: CD Sales Now Donated to the Boise Experimental Music Festival


  Hello all  -

  First of all, check out the performance line-up for the 2nd Annual =
Boise Experimental Music Festival (BEMF).  It's amazing how many loopers =
and Loopers Delight members are performing: Rick Walker, Ted Killian, =
Jeff Kaiser, Lumper-Splitter (Lucio Menegon and Joe Rut), Margaret =
Noble, and more. http://www.boisemusicians.com/BEMF-2/

  Second, last month I announced the release of the 2-CD set for the 1st =
Annual Boise Experimental Music Festival, and I indicated that all =
proceeds are going directly to support festival performer travel =
expenses.  I have decided to expand this to my entire discography.=20

  Starting now, all of my CD sales will go to supporting musicians for =
the current and future Boise Experimental Music Festivals (and I'm sure =
there will be many more for years to come). I decided to this because =
BEMF is my most valued music event of the year, and I don't really need =
to sell CDs for my personal income. So I figured I would just devote =
sales to better cause and community oriented event. =20

  I have listed all the works in my discography below, with links to the =
pages that provide more info, links to buy, and sample sound clips. =20

  With 18 out-of-state performers playing at the event, and combined =
travel expenses being in the range of $10,000, each CD sale can =
potentially fund 1-3% of a performers travel expenses...not a lot, but =
every bit counts.  This may appear like an indirect form of shameless =
self-promotion, but the reality is (and Rick Walker and you other =
festival coordinators out there know this) that obtaining financial =
support for these type of events is no easy task, if not completely =
excruciating.  No doubt, I will personally go in the hole again this =
year, but my payback is the experience and the ability to meet and play =
with so many wonderful musicians.=20

  In finally, Tarey P. from Thee Art Of (http://www.theeartof.com/), who =
is also doing all the video, photography, and background film for the =
festival, is selling his new CD "NACHSTE OSTARA: Thee Art Of Music =
Compilation II", at the event and donating proceeds to BEMF as well. =
More info on that compilation here: http://www.theeartof.com/news.html

  Cheers,

  Kris

  1st Annual Boise Experimental Music Festival CD Set (features Rick =
Walker, Ted Killian, Lumper-Splitter, Jeff Kaiser, and many others)
  http://www.boisemusicians.com/experimental/cd.htm

  Fragments
  http://www.krispenhartung.com/fragments/index.htm

  Interstellar Delirium
  http://www.krispenhartung.com/interstellar/index.html

  Xperimentus
  http://www.krispenhartung.com/xperimentus/index.html

  Descent to Self
  http://www.krispenhartung.com/Descent/index.htm

  Places
  http://www.krispenhartung.com/cd.htm


  =
*************************************************************************=
*
  Krispen Hartung
  www.krispenhartung.com / www.myspace.com/krispenhartung
  1st Annual Boise Experimental Music Festival
  http://www.boisemusicians.com/experimental
  2nd Annual Boise Experimental Music Festival
  http://www.boisemusicians.com/BEMF-2/
  Discography - http://www.krispenhartung.com/catalogue.htm
  CD Baby Discography: http://cdbaby.com/all/khartung 
------=_NextPart_000_087C_01C776D8.52D08800
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>FYI - Lucio Menegon has just graciously =
donated his=20
CD sales between now and April 26, to BEMF as well.&nbsp;&nbsp; Thanks=20
Lucio!!!&nbsp;&nbsp; More at the website: <A=20
href=3D"http://www.boisemusicians.com/BEMF-2/">http://www.boisemusicians.=
com/BEMF-2/</A>&nbsp;=20
AND his site, <A=20
href=3D"http://www.kingtone.com/merch.html">http://www.kingtone.com/merch=
.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, April 03, 2007 =
1:50=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> CD Sales Now Donated =
to the=20
  Boise Experimental Music Festival</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Hello all&nbsp; -</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>First of all, check out the =
performance line-up=20
  for the <STRONG>2nd Annual Boise Experimental Music Festival=20
  (BEMF)</STRONG>.&nbsp; It's amazing how many loopers and Loopers =
Delight=20
  members&nbsp;are performing: Rick Walker, Ted Killian, Jeff Kaiser,=20
  Lumper-Splitter (Lucio Menegon and Joe Rut), Margaret Noble, and more. =

  </FONT><A href=3D"http://www.boisemusicians.com/BEMF-2/"><FONT =
face=3DArial=20
  size=3D2>http://www.boisemusicians.com/BEMF-2/</FONT></A></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Second, last month I announced the =
release of the=20
  2-CD set for the 1st Annual Boise Experimental Music Festival, and I =
indicated=20
  that all proceeds are going directly to support festival performer =
travel=20
  expenses.&nbsp; I have decided to expand this to my entire =
discography.=20
  </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Starting now, all of my CD sales will =
go to=20
  supporting musicians for the current and future Boise Experimental =
Music=20
  Festivals (and I'm sure there will be many more for years to come). I =
decided=20
  to this because BEMF is my most valued music event of the year, and I =
don't=20
  really need to sell CDs for my personal income. So I figured I would =
just=20
  devote sales to better cause and community oriented event.&nbsp; =
</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>I have listed all the works =
in my=20
  discography below, with links to the pages that provide more info, =
links to=20
  buy, and sample sound clips.</STRONG>&nbsp; </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>With 18 out-of-state performers =
playing at the=20
  event, and combined travel expenses being&nbsp;in the range =
of&nbsp;$10,000,=20
  each CD sale can potentially fund&nbsp;1-3%&nbsp;of a performers =
travel=20
  expenses...not a lot, but every bit counts.&nbsp; This may appear like =
an=20
  indirect form of shameless self-promotion, but the reality is (and =
Rick Walker=20
  and you other festival coordinators out there know this) that =
obtaining=20
  financial support for these type of events is no easy task, if=20
  not&nbsp;completely excruciating. &nbsp;No doubt, I will personally go =
in the=20
  hole again this year,&nbsp;but my payback is the experience and the =
ability to=20
  meet and play with so many&nbsp;wonderful =
musicians.&nbsp;</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>In finally, Tarey P. from Thee Art Of =
(<A=20
  href=3D"http://www.theeartof.com/">http://www.theeartof.com/</A>), who =
is also=20
  doing all the video, photography, and background film for the =
festival, is=20
  selling his new CD "<SPAN style=3D"FONT-SIZE: 14px; LINE-HEIGHT: =
16px"><FONT=20
  face=3D"Times New Roman"><FONT face=3DArial size=3D2>NACHSTE OSTARA: =
Thee Art Of=20
  Music Compilation II", at the event and donating proceeds to BEMF as =
well.=20
  More info on that compilation here: </FONT><A=20
  href=3D"http://www.theeartof.com/news.html"><FONT face=3DArial=20
  =
size=3D2>http://www.theeartof.com/news.html</FONT></A><BR></FONT></SPAN><=
/FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>1st Annual Boise Experimental =
Music=20
  Festival CD Set (</STRONG>features Rick Walker, Ted Killian, =
Lumper-Splitter,=20
  Jeff Kaiser, and many others)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.boisemusicians.com/experimental/cd.htm">http://www.boi=
semusicians.com/experimental/cd.htm</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial =
size=3D2><STRONG>Fragments</STRONG></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.krispenhartung.com/fragments/index.htm">http://www.kri=
spenhartung.com/fragments/index.htm</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Interstellar=20
  Delirium</STRONG></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.krispenhartung.com/interstellar/index.html">http://www=
.krispenhartung.com/interstellar/index.html</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial =
size=3D2><STRONG>Xperimentus</STRONG></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.krispenhartung.com/xperimentus/index.html">http://www.=
krispenhartung.com/xperimentus/index.html</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Descent to =
Self</STRONG></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.krispenhartung.com/Descent/index.htm">http://www.krisp=
enhartung.com/Descent/index.htm</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Places</STRONG></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.krispenhartung.com/cd.htm">http://www.krispenhartung.c=
om/cd.htm</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial=20
  =
size=3D2>****************************************************************=
**********<BR>Krispen=20
  Hartung<BR><A =
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A>=20
  / <A=20
  =
href=3D"http://www.myspace.com/krispenhartung">www.myspace.com/krispenhar=
tung</A><BR>1st=20
  Annual Boise Experimental Music Festival</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.boisemusicians.com/experimental">http://www.boisemusic=
ians.com/experimental</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>2nd Annual Boise Experimental Music=20
  Festival</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.boisemusicians.com/BEMF-2/">http://www.boisemusicians.=
com/BEMF-2/</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Discography - <A=20
  =
href=3D"http://www.krispenhartung.com/catalogue.htm">http://www.krispenha=
rtung.com/catalogue.htm</A><BR>CD=20
  Baby Discography: <A=20
  =
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A=
>=20
  </FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_087C_01C776D8.52D08800--


From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 00:09:00 2007
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Date: Wed, 4 Apr 2007 17:08:58 -0700 (PDT)
From: taittinger91 <taittinger91@yahoo.com>
Subject: EDP woes
To: Loopers-Delight@loopers-delight.com
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I purchased an EDP in December. It's manifested a number of problems (of 
course after the return period was over), the latest and most serious 
being that sometimes when I move the feedback knob while a loop is playing back 
the display goes crazy (flickering, broken) and the loop stops playing. 
  When this happens I can't reboot it immediately (it just scrolls "loop 4" endlessly) or reset it using the parameter button (it shows a weird display,,,something like "t 360 26". If turn it off let it sit for half an hour or so, it then usually boots up correctly and works. I should note that I'm always careful to hook everything up to the EDP and power it up last.
I am totally frustrated and freaking out slightly because I have a bunch of gigs in a week or so and I've become really dependent on the EDP's capabilities. I've lost all faith in its reliability, however. Does anyone have any suggestions before I give up and either take it to a repair place or throw it out a window and return to my Boss RC-20?
  Thank you all so much in advance. 


 
---------------------------------
Expecting? Get great news right away with email Auto-Check.
Try the Yahoo! Mail Beta.
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<div>I purchased an EDP in December. It's manifested a number of problems (of <BR>course after the return period was over), the latest and most serious <BR>being that sometimes when I move the feedback knob while a loop is playing back <BR>the display goes crazy (flickering, broken) and the loop stops playing. </div>  <div>When this happens I can't reboot it immediately (it just scrolls "loop 4" endlessly) or reset it using the parameter button (it shows a weird display,,,something like "t 360 26". If&nbsp;turn it off let it sit for half an&nbsp;hour or so, it then usually boots up correctly and works. I&nbsp;should note that I'm&nbsp;always careful to hook everything up to the EDP and power it up last.<BR>I am totally frustrated and freaking out slightly because I have a bunch of gigs in a week or so and I've become really dependent on the EDP's capabilities. I've lost all faith in its reliability, however. Does anyone have any suggestions before I give up and either take
 it to a repair place or throw it out a window and return to my&nbsp;Boss RC-20?</div>  <div>Thank you all so much in advance. <BR></div><p>&#32;

<hr size=1>Expecting? Get great news right away with <a href="http://us.rd.yahoo.com/evt=49982/*http://advision.webevents.yahoo.com/mailbeta/newmail_tools.html">email Auto-Check.</a><br>Try the <a href="http://us.rd.yahoo.com/evt=49982/*http://advision.webevents.yahoo.com/mailbeta/newmail_tools.html">Yahoo! Mail Beta.</a>
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From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 08:54:31 2007
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Date: Thu, 05 Apr 2007 10:54:26 +0200
From: Stefan Tiedje <Stefan-Tiedje@addcom.de>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: USB Volume Pedal?
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Goddard, Duncan schrieb:
> now, what I want is a little box with audio in & out on 1/4" jacks, &
> a midi in & through, & a CC-controlled VCA in there, so that I can
> control the volume of a standard rock instrument (like a guitar,
> bass, hammond, mellotron, whatever) using midi CC from a sequencer. 

I know I am late on that (had been behind of reading for a month...), 
but we still have some Niche automation flying around here. Originally 
used for hocking them up to the inserts of a mixer for mixer automation. 
They deliver 8 channels of audio in 1U and are controlled by Midi.

As the studio doesn't use them anymore, I am sure I can encourage my 
boss to sell them (there are two of them....)

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 09:07:00 2007
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From: "e t e r o g e n e o" <info@eterogeneo.com>
To: <Loopers-Delight@loopers-delight.com>
References: <04f601c74fde$1ca11040$64ddfea9@DAYGLOGREEN>
Subject: Re: ARTIST SUBMISSION Y2K7 LIVE LOOPING FESTIVAL,  Santa Cruz, California  OCT 19-21, 2007
Date: Thu, 5 Apr 2007 11:06:52 +0200
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Dear Rick,
i'm writing this to let you know that this morning i have sent you the 
requested CDs for the Y2K7.
Please let me know when you'll get them.
Grazie

fabio
www.eterogeneo.com


From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 10:06:35 2007
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Date: Thu, 05 Apr 2007 12:06:28 +0200
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Subject: Re: Roland announce RE-20 'space echo'
References: <351045.82967.qm@web38604.mail.mud.yahoo.com> <p06230901c231783dc063@[24.215.166.178]> <460C02AF.8000407@rhein-zeitung.de>
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Dirk Wilbert schrieb:
> Hi - I played the RE-20 today at the Musikmesse in Frankfurt. Very nice 
> effect, kind of warm and "vintage" sound - but I don't know how the 
> original sounds - so I can't compare...

I just found an original RE-201 on the street in front of my flat. The 
tape is missing, but I guess I can throw in some 1/4 inch...
Its heavy, and I am sure, beside just trying it, I won't use it. But I 
looked at ebay and there seems to be quite an interest in those kind of 
  gear.

Anybody interested? I have to check if it works at all, but the pots 
"feel" very solid and fine at least...

I guess it was sitting in a cave for some years, but beside some dust it 
looks fine...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 10:13:36 2007
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Date: Thu, 5 Apr 2007 06:13:29 EDT
Subject: Please take me off
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-------------------------------1175768009
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Please take me off your list since all I get is email  transactions.   Thanks
 
ARTURO  ECHARTE 

C.S.O. (Chief Surfing Officer)
Instrumental  Acoustic Guitarist
Crazy Green VW Bus Driver


"SEIZE THE DAY" "BE YOURSELF" "LIVE IN THE  MOMENT"

Changing Lives Through  Music




************************************** See what's free at http://www.aol.com.

-------------------------------1175768009
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR></HEAD>
<BODY id=3Drole_body style=3D"FONT-SIZE: 10pt; COLOR: #000000; FONT-FAMILY:=20=
Arial"=20
bottomMargin=3D7 leftMargin=3D7 topMargin=3D7 rightMargin=3D7><FONT id=3Drol=
e_document=20
face=3DArial color=3D#000000 size=3D2>
<DIV>Please take me off your list since all I get is email=20
transactions.&nbsp;&nbsp; Thanks</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT lang=3D0 face=3DArial size=3D4 FAMILY=3D"SANSSERIF" PTSIZE=3D"14"=
><B><I>ARTURO=20
ECHARTE </FONT><FONT lang=3D0 face=3DArial color=3D#000000 size=3D2 FAMILY=
=3D"SANSSERIF"=20
PTSIZE=3D"10"></B></I><BR></FONT><FONT lang=3D0 face=3DArial color=3D#000000=
 size=3D1=20
FAMILY=3D"SANSSERIF" PTSIZE=3D"8">C.S.O. (Chief Surfing Officer)<BR>Instrume=
ntal=20
Acoustic Guitarist<BR>Crazy Green VW Bus Driver</FONT><FONT lang=3D0 face=
=3DArial=20
color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF" PTSIZE=3D"10"><BR>
<P align=3Dcenter><BR><B>"SEIZE THE DAY" "BE YOURSELF" "LIVE IN THE=20
MOMENT"</B><BR><BR><B><I><U>Changing Lives Through=20
Music<BR></B></I></U><BR></P></FONT></DIV></FONT><BR><BR><BR><DIV><FONT styl=
e=3D"color: black; font: normal 10pt ARIAL, SAN-SERIF;"><HR style=3D"MARGIN-=
TOP: 10px">See what's free at <A title=3D"http://www.aol.com?ncid=3DAOLAOF00=
020000000503" href=3D"http://www.aol.com?ncid=3DAOLAOF00020000000503" target=
=3D"_blank">AOL.com</A>. </FONT></DIV></BODY></HTML>

-------------------------------1175768009--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 11:57:51 2007
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From: "e t e r o g e n e o" <info@eterogeneo.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Looper's delight podcast on line (11 episodes)
Date: Thu, 5 Apr 2007 13:57:45 +0200
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This is a multi-part message in MIME format.

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Hi people,=20
by now, i've uploaded 11 episodes in the LD podcast.
More will come in the next days.
You just have to copy this link in your pod-player or in i-tunes
http://www.eterogeneo.com/live_looping/live_looping.xml

Please, let me know if it works and if you have raccomandations or =
ideas.
Thanks to all.

fabio
www.eterogeneo.com

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<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Hi people, =
</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>by now, i've uploaded =
11 episodes=20
in the LD podcast.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>More will come in the =
next=20
days.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>You just have to copy =
this link in=20
your pod-player or in i-tunes</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://www.eterogeneo.com/live_looping/live_looping.xml">http://w=
ww.eterogeneo.com/live_looping/live_looping.xml</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Please, let me know if =
it works and=20
if you have raccomandations or ideas.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Thanks to =
all.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>fabio</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://www.eterogeneo.com">www.eterogeneo.com</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" =
color=3D#000080></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 16:23:24 2007
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Subject: Re: Roland announce RE-20 'space echo'
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Have you tried to plug it in? Maybe the power supply is dead.

- Larry




Stefan Tiedje <Stefan-Tiedje@addcom.de> 
04/05/2007 06:06 AM
Please respond to
Loopers-Delight@loopers-delight.com


To
Loopers-Delight@loopers-delight.com
cc

Subject
Re: Roland announce RE-20 'space echo'






Dirk Wilbert schrieb:
> Hi - I played the RE-20 today at the Musikmesse in Frankfurt. Very nice 
> effect, kind of warm and "vintage" sound - but I don't know how the 
> original sounds - so I can't compare...

I just found an original RE-201 on the street in front of my flat. The 
tape is missing, but I guess I can throw in some 1/4 inch...
Its heavy, and I am sure, beside just trying it, I won't use it. But I 
looked at ebay and there seems to be quite an interest in those kind of 
  gear.

Anybody interested? I have to check if it works at all, but the pots 
"feel" very solid and fine at least...

I guess it was sitting in a cave for some years, but beside some dust it 
looks fine...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com



--=_alternative 005A0577852572B4_=
Content-Type: text/html; charset="US-ASCII"


<br><font size=2 face="sans-serif">Have you tried to plug it in? Maybe
the power supply is dead.</font>
<br>
<br><font size=2 face="sans-serif">- Larry</font>
<br>
<br>
<br>
<br>
<table width=100%>
<tr valign=top>
<td width=40%><font size=1 face="sans-serif"><b>Stefan Tiedje &lt;Stefan-Tiedje@addcom.de&gt;</b>
</font>
<p><font size=1 face="sans-serif">04/05/2007 06:06 AM</font>
<table border>
<tr valign=top>
<td bgcolor=white>
<div align=center><font size=1 face="sans-serif">Please respond to<br>
Loopers-Delight@loopers-delight.com</font></div></table>
<br>
<td width=59%>
<table width=100%>
<tr valign=top>
<td>
<div align=right><font size=1 face="sans-serif">To</font></div>
<td><font size=1 face="sans-serif">Loopers-Delight@loopers-delight.com</font>
<tr valign=top>
<td>
<div align=right><font size=1 face="sans-serif">cc</font></div>
<td>
<tr valign=top>
<td>
<div align=right><font size=1 face="sans-serif">Subject</font></div>
<td><font size=1 face="sans-serif">Re: Roland announce RE-20 'space echo'</font></table>
<br>
<table>
<tr valign=top>
<td>
<td></table>
<br></table>
<br>
<br>
<br><font size=2><tt>Dirk Wilbert schrieb:<br>
&gt; Hi - I played the RE-20 today at the Musikmesse in Frankfurt. Very
nice <br>
&gt; effect, kind of warm and &quot;vintage&quot; sound - but I don't know
how the <br>
&gt; original sounds - so I can't compare...<br>
<br>
I just found an original RE-201 on the street in front of my flat. The
<br>
tape is missing, but I guess I can throw in some 1/4 inch...<br>
Its heavy, and I am sure, beside just trying it, I won't use it. But I
<br>
looked at ebay and there seems to be quite an interest in those kind of
<br>
 &nbsp;gear.<br>
<br>
Anybody interested? I have to check if it works at all, but the pots <br>
&quot;feel&quot; very solid and fine at least...<br>
<br>
I guess it was sitting in a cave for some years, but beside some dust it
<br>
looks fine...<br>
<br>
Stefan<br>
<br>
-- <br>
Stefan Tiedje------------x-------<br>
--_____-----------|--------------<br>
--(_|_ ----|\-----|-----()-------<br>
-- _|_)----|-----()--------------<br>
----------()--------www.ccmix.com<br>
<br>
</tt></font>
<br>
--=_alternative 005A0577852572B4_=--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 17:01:48 2007
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Date: Thu, 5 Apr 2007 11:01:44 -0600
From: "francisco prado" <francisco.n.prado@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP woes
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I guess I would suggest making sure the PROMs are seated correctly.  It
seems like it could be running bad code.


F


On 4/4/07, taittinger91 <taittinger91@yahoo.com> wrote:
>
> I purchased an EDP in December. It's manifested a number of problems (of
> course after the return period was over), the latest and most serious
> being that sometimes when I move the feedback knob while a loop is playing
> back
> the display goes crazy (flickering, broken) and the loop stops playing.
> When this happens I can't reboot it immediately (it just scrolls "loop 4"
> endlessly) or reset it using the parameter button (it shows a weird
> display,,,something like "t 360 26". If turn it off let it sit for half
> an hour or so, it then usually boots up correctly and works. I should note
> that I'm always careful to hook everything up to the EDP and power it up
> last.
> I am totally frustrated and freaking out slightly because I have a bunch
> of gigs in a week or so and I've become really dependent on the EDP's
> capabilities. I've lost all faith in its reliability, however. Does anyone
> have any suggestions before I give up and either take it to a repair place
> or throw it out a window and return to my Boss RC-20?
> Thank you all so much in advance.
>
> ------------------------------
> Expecting? Get great news right away with email Auto-Check.<http://us.rd.yahoo.com/evt=49982/*http://advision.webevents.yahoo.com/mailbeta/newmail_tools.html>
> Try the Yahoo! Mail Beta.<http://us.rd.yahoo.com/evt=49982/*http://advision.webevents.yahoo.com/mailbeta/newmail_tools.html>
>
>

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I guess I would suggest making sure the PROMs are seated correctly.&nbsp; It seems like it could be running bad code.<br><br><br>F<br><br><br><div><span class="gmail_quote">On 4/4/07, <b class="gmail_sendername">taittinger91</b>
 &lt;<a href="mailto:taittinger91@yahoo.com">taittinger91@yahoo.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div>
I purchased an EDP in December. It&#39;s manifested a number of problems (of <br>course after the return period was over), the latest and most serious <br>being that sometimes when I move the feedback knob while a loop is playing back 
<br>the display goes crazy (flickering, broken) and the loop stops playing. </div>  <div>When this happens I can&#39;t reboot it immediately (it just scrolls &quot;loop 4&quot; endlessly) or reset it using the parameter button (it shows a weird display,,,something like &quot;t 360 26&quot;. If&nbsp;turn it off let it sit for half an&nbsp;hour or so, it then usually boots up correctly and works. I&nbsp;should note that I&#39;m&nbsp;always careful to hook everything up to the EDP and power it up last.
<br>I am totally frustrated and freaking out slightly because I have a bunch of gigs in a week or so and I&#39;ve become really dependent on the EDP&#39;s capabilities. I&#39;ve lost all faith in its reliability, however. Does anyone have any suggestions before I give up and either take
 it to a repair place or throw it out a window and return to my&nbsp;Boss RC-20?</div>  <div>Thank you all so much in advance. <br></div><span class="ad"><p> 

</p><hr size="1">Expecting? Get great news right away with <a href="http://us.rd.yahoo.com/evt=49982/*http://advision.webevents.yahoo.com/mailbeta/newmail_tools.html" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
email Auto-Check.</a><br>Try the <a href="http://us.rd.yahoo.com/evt=49982/*http://advision.webevents.yahoo.com/mailbeta/newmail_tools.html" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">Yahoo! Mail Beta.
</a><p></p></span></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 17:23:29 2007
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Subject: RE: USB Volume Pedal?
Date: Thu, 5 Apr 2007 18:23:26 +0100
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From: "Goddard, Duncan" <goddard.duncan@mtvne.com>
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stefan- thanks for even looking into this. it amazes me that there isn't =
anything like this on the general market, & I would be very interested =
if the units became available.=20

duncan.

-----Original Message-----
From: Stefan Tiedje [mailto:Stefan-Tiedje@addcom.de]
Sent: 05 April 2007 09:54
To: Loopers-Delight@loopers-delight.com
Subject: Re: USB Volume Pedal?


Goddard, Duncan schrieb:
> now, what I want is a little box with audio in & out on 1/4" jacks, &
> a midi in & through, & a CC-controlled VCA in there, so that I can
> control the volume of a standard rock instrument (like a guitar,
> bass, hammond, mellotron, whatever) using midi CC from a sequencer.=20

I know I am late on that (had been behind of reading for a month...),=20
but we still have some Niche automation flying around here. Originally=20
used for hocking them up to the inserts of a mixer for mixer automation. =

They deliver 8 channels of audio in 1U and are controlled by Midi.

As the studio doesn't use them anymore, I am sure I can encourage my=20
boss to sell them (there are two of them....)

Stefan

--=20
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 17:24:45 2007
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Subject: RE: Roland announce RE-20 'space echo'
Date: Thu, 5 Apr 2007 18:24:43 +0100
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damn fine bit of roadkill, that. be sure & let the local police know =
too- it might have been boosted from a local studio!

-----Original Message-----
From: Stefan Tiedje [mailto:Stefan-Tiedje@addcom.de]
Sent: 05 April 2007 11:06
To: Loopers-Delight@loopers-delight.com
Subject: Re: Roland announce RE-20 'space echo'


Dirk Wilbert schrieb:
> Hi - I played the RE-20 today at the Musikmesse in Frankfurt. Very =
nice=20
> effect, kind of warm and "vintage" sound - but I don't know how the=20
> original sounds - so I can't compare...

I just found an original RE-201 on the street in front of my flat. The=20
tape is missing, but I guess I can throw in some 1/4 inch...
Its heavy, and I am sure, beside just trying it, I won't use it. But I=20
looked at ebay and there seems to be quite an interest in those kind of=20
  gear.

Anybody interested? I have to check if it works at all, but the pots=20
"feel" very solid and fine at least...

I guess it was sitting in a cave for some years, but beside some dust it =

looks fine...

Stefan

--=20
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 19:41:04 2007
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To: Loopers-Delight@loopers-delight.com
References: <017c01c77779$a00eef70$e701a8c0@pcfabio>
Subject: Re: Looper's delight podcast on line (11 episodes)
Date: Thu, 5 Apr 2007 13:40:57 -0600
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This is a multi-part message in MIME format.

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For the life of me, I can't figure out how to open this in iTunes. Where =
do you past the URL? I even tried saving the file, but it won't import =
it.

Kris

  ----- Original Message -----=20
  From: e t e r o g e n e o=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, April 05, 2007 5:57 AM
  Subject: Looper's delight podcast on line (11 episodes)


  Hi people,=20
  by now, i've uploaded 11 episodes in the LD podcast.
  More will come in the next days.
  You just have to copy this link in your pod-player or in i-tunes
  http://www.eterogeneo.com/live_looping/live_looping.xml

  Please, let me know if it works and if you have raccomandations or =
ideas.
  Thanks to all.

  fabio
  www.eterogeneo.com

------=_NextPart_000_0AA9_01C77788.0A747390
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3059" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>For the life of me, I can't figure out =
how to open=20
this in iTunes. Where do you past the URL? I even tried saving the file, =
but it=20
won't import it.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dinfo@eterogeneo.com href=3D"mailto:info@eterogeneo.com">e t =
e r o g e n=20
  e o</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, April 05, 2007 =
5:57=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Looper's delight =
podcast on line=20
  (11 episodes)</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>Hi people, =
</FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>by now, i've uploaded =
11 episodes=20
  in the LD podcast.</FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>More will come in the =
next=20
  days.</FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>You just have to copy =
this link=20
  in your pod-player or in i-tunes</FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
  =
href=3D"http://www.eterogeneo.com/live_looping/live_looping.xml">http://w=
ww.eterogeneo.com/live_looping/live_looping.xml</A></FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>Please, let me know =
if it works=20
  and if you have raccomandations or ideas.</FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>Thanks to =
all.</FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>fabio</FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
  href=3D"http://www.eterogeneo.com">www.eterogeneo.com</A></FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua"=20
color=3D#000080></FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0AA9_01C77788.0A747390--


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Date: Thu, 5 Apr 2007 12:47:51 -0700
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Looper's delight podcast on line (11 episodes)
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>From "Advanced", select "Subscribe to podcast" and paste in the url.

On 4/5/07, Krispen Hartung <khartung@cableone.net> wrote:
>
>
> For the life of me, I can't figure out how to open  this in iTunes. Where do you past the URL? I even tried saving the file, but it  won't import it.
>
> Kris
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 19:48:34 2007
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Date: Thu, 5 Apr 2007 15:48:32 -0400
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Looper's delight podcast on line (11 episodes)
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It took me a few tries to figure it out this morning too.

You are using iTunes on the PC, right?

in the Advanced menu, select 'Subscribe to Podcast"
paste the URL in there.

I'll load the podcast.  Then click the arrow to the left of where it says
"Looper's Delight Community Podcast"

it'll expand the tree and you'll see the list of songs.

double click each one to download it.  then select the header and click the
Play button.

That should do it.

Good stuff in there by the way!

Tony

On 4/5/07, Krispen Hartung <khartung@cableone.net> wrote:
>
>  For the life of me, I can't figure out how to open this in iTunes. Where
> do you past the URL? I even tried saving the file, but it won't import it.
>
> Kris
>
>
> ----- Original Message -----
> *From:* e t e r o g e n e o <info@eterogeneo.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Thursday, April 05, 2007 5:57 AM
> *Subject:* Looper's delight podcast on line (11 episodes)
>
> Hi people,
> by now, i've uploaded 11 episodes in the LD podcast.
> More will come in the next days.
> You just have to copy this link in your pod-player or in i-tunes
> http://www.eterogeneo.com/live_looping/live_looping.xml
>
> Please, let me know if it works and if you have raccomandations or ideas.
> Thanks to all.
>
> fabio
> www.eterogeneo.com
>
>
>


-- 
-==-=-=-
Tony

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It took me a few tries to figure it out this morning too.<br><br>You are using iTunes on the PC, right?<br><br>in the Advanced menu, select &#39;Subscribe to Podcast&quot;<br>paste the URL in there.<br><br>I&#39;ll load the podcast.&nbsp; Then click the arrow to the left of where it says &quot;Looper&#39;s Delight Community Podcast&quot;
<br><br>it&#39;ll expand the tree and you&#39;ll see the list of songs.<br><br>double click each one to download it.&nbsp; then select the header and click the Play button.<br><br>That should do it.<br><br>Good stuff in there by the way!
<br><br>Tony<br><br><div><span class="gmail_quote">On 4/5/07, <b class="gmail_sendername">Krispen Hartung</b> &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">






<div bgcolor="#ffffff">
<div><font face="Arial" size="2">For the life of me, I can&#39;t figure out how to open 
this in iTunes. Where do you past the URL? I even tried saving the file, but it 
won&#39;t import it.</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">Kris</font></div><div><span class="e" id="q_111c343e1710ef2b_1">
<div>&nbsp;</div>
<blockquote dir="ltr" style="border-left: 2px solid rgb(0, 0, 0); padding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
  <div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">----- Original Message ----- </div>
  <div style="background: rgb(228, 228, 228) none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
<b>From:</b> 
  <a title="info@eterogeneo.com" href="mailto:info@eterogeneo.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">e t e r o g e n 
  e o</a> </div>
  <div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>To:</b> <a title="Loopers-Delight@loopers-delight.com" href="mailto:Loopers-Delight@loopers-delight.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
Loopers-Delight@loopers-delight.com</a> 
  </div>
  <div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Sent:</b> Thursday, April 05, 2007 5:57 
  AM</div>
  <div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Subject:</b> Looper&#39;s delight podcast on line 
  (11 episodes)</div>
  <div><br></div>
  <div><font color="#000080" face="Book Antiqua">Hi people, </font></div>
  <div><font color="#000080" face="Book Antiqua">by now, i&#39;ve uploaded 11 episodes 
  in the LD podcast.</font></div>
  <div><font color="#000080" face="Book Antiqua">More will come in the next 
  days.</font></div>
  <div><font color="#000080" face="Book Antiqua">You just have to copy this link 
  in your pod-player or in i-tunes</font></div>
  <div><font color="#000080" face="Book Antiqua"><a href="http://www.eterogeneo.com/live_looping/live_looping.xml" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.eterogeneo.com/live_looping/live_looping.xml
</a></font></div>
  <div><font color="#000080" face="Book Antiqua"></font>&nbsp;</div>
  <div><font color="#000080" face="Book Antiqua">Please, let me know if it works 
  and if you have raccomandations or ideas.</font></div>
  <div><font color="#000080" face="Book Antiqua">Thanks to all.</font></div>
  <div><font color="#000080" face="Book Antiqua"></font>&nbsp;</div>
  <div><font color="#000080" face="Book Antiqua">fabio</font></div>
  <div><font color="#000080" face="Book Antiqua"><a href="http://www.eterogeneo.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">www.eterogeneo.com</a></font></div>
  <div><font color="#000080" face="Book Antiqua"></font>&nbsp;</div></blockquote></span></div></div>
</blockquote></div><br><br clear="all"><br>-- <br>-==-=-=-<br>Tony

------=_Part_42032_10415636.1175802512643--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 19:49:01 2007
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On Thu, 5 Apr 2007, Krispen Hartung wrote:

> For the life of me, I can't figure out how to open this in iTunes. 
> Where do you past the URL? I even tried saving the file, but it won't 
> import it.

Worked fine for me.
1. Start iTunes.
2. From the Advanced menu, select "Subscribe to Podcast" command.
3. Paste the url

 	http://www.eterogeneo.com/live_looping/live_looping.xml

into the field, then click the OK button.

The first of the eleven tracks downloaded. I clicked the "Get" 
button next to the names of the other ten for them to download.

Steve B
Subscape Annex   http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 19:51:09 2007
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To: Loopers-Delight@loopers-delight.com
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Subject: Re: Looper's delight podcast on line (11 episodes)
Date: Thu, 5 Apr 2007 13:51:00 -0600
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Got it. Thanks. What's so advanced about that? Why don't they just add a 
window for URLs?

Kris

----- Original Message ----- 
From: "Travis Hartnett" <travishartnett@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 05, 2007 1:47 PM
Subject: Re: Looper's delight podcast on line (11 episodes)


> From "Advanced", select "Subscribe to podcast" and paste in the url.
>
> On 4/5/07, Krispen Hartung <khartung@cableone.net> wrote:
>>
>>
>> For the life of me, I can't figure out how to open  this in iTunes. Where 
>> do you past the URL? I even tried saving the file, but it  won't import 
>> it.
>>
>> Kris
>>
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 20:47:46 2007
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Subject: Re: Looper's delight podcast on line (11 episodes)
Date: Thu, 05 Apr 2007 20:47:44 +0000
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How do you get it into the ipod?
 -------------- Original message ----------------------
From: "Krispen Hartung" <khartung@cableone.net>
> Got it. Thanks. What's so advanced about that? Why don't they just add a 
> window for URLs?
> 
> Kris
> 
> ----- Original Message ----- 
> From: "Travis Hartnett" <travishartnett@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, April 05, 2007 1:47 PM
> Subject: Re: Looper's delight podcast on line (11 episodes)
> 
> 
> > From "Advanced", select "Subscribe to podcast" and paste in the url.
> >
> > On 4/5/07, Krispen Hartung <khartung@cableone.net> wrote:
> >>
> >>
> >> For the life of me, I can't figure out how to open  this in iTunes. Where 
> >> do you past the URL? I even tried saving the file, but it  won't import 
> >> it.
> >>
> >> Kris
> >>
> >>
> >>
> >
> > 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 20:51:31 2007
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References: <040520072047.27452.46156070000862BA00006B3C2216551406020A050C07080C0B0A079D00070B0703@comcast.net>
Subject: Re: Looper's delight podcast on line (11 episodes)
Date: Thu, 5 Apr 2007 14:51:27 -0600
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Just like the directions below. It worked for me, but the problem is that it 
only plays the intro clip and nothing else. I'm sort of a podcast neophyte, 
so I could be doing something wrong, but it's sure not very intuitive!

Kris

----- Original Message ----- 
From: <midifriedchicken@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 05, 2007 2:47 PM
Subject: Re: Looper's delight podcast on line (11 episodes)


> How do you get it into the ipod?
> -------------- Original message ----------------------
> From: "Krispen Hartung" <khartung@cableone.net>
>> Got it. Thanks. What's so advanced about that? Why don't they just add a
>> window for URLs?
>>
>> Kris
>>
>> ----- Original Message ----- 
>> From: "Travis Hartnett" <travishartnett@gmail.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Thursday, April 05, 2007 1:47 PM
>> Subject: Re: Looper's delight podcast on line (11 episodes)
>>
>>
>> > From "Advanced", select "Subscribe to podcast" and paste in the url.
>> >
>> > On 4/5/07, Krispen Hartung <khartung@cableone.net> wrote:
>> >>
>> >>
>> >> For the life of me, I can't figure out how to open  this in iTunes. 
>> >> Where
>> >> do you past the URL? I even tried saving the file, but it  won't 
>> >> import
>> >> it.
>> >>
>> >> Kris
>> >>
>> >>
>> >>
>> >
>> >
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 20:59:53 2007
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Date: Thu, 5 Apr 2007 14:59:51 -0600
From: "C 3" <modulus10@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Bass Looping Show TONIGHT! - Evergreen Colorado
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------=_Part_16271_20158555.1175806791994
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Hello All -

C3 here - I have been a lurker on LD for a yer or so now, just taking in all
the conversations, advice and information (all VERY helpful thank you!).

I just wanted to let any Colorado folk son the list know im doing a solo 9
string bass looping performance tonight a 8:30 pm at Cactus Jack's in
Evergreen (at the base of the Dam.)

So anyone in colorado interested in coming out PLEASE DO!

thanks in advance!

C3

Cactus Jacks Saloon
http://www.cactusjacksaloon.com/

also check my new artist page at Jerzy Drozd Basses (no audio clips yet -BUT
SOON!)
http://jerzydrozdbasses.com/c3.htm

------=_Part_16271_20158555.1175806791994
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Hello All -<br><br>C3 here - I have been a lurker on LD for a yer or so now, just taking in all the conversations, advice and information (all VERY helpful thank you!).<br><br>I just wanted to let any Colorado folk son the list know im doing a solo 9 string bass looping performance tonight a 8:30 pm at Cactus Jack&#39;s in Evergreen (at the base of the Dam.)
<br><br>So anyone in colorado interested in coming out PLEASE DO!<br><br>thanks in advance!<br><br>C3<br><br>Cactus Jacks Saloon<br><a href="http://www.cactusjacksaloon.com/">http://www.cactusjacksaloon.com/</a><br><br>also check my new artist page at Jerzy Drozd Basses (no audio clips yet -BUT SOON!)
<br><a href="http://jerzydrozdbasses.com/c3.htm">http://jerzydrozdbasses.com/c3.htm</a><br><br><br><br>

------=_Part_16271_20158555.1175806791994--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 21:03:30 2007
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From: Jeff Evans <jeff@sccadv.com>
Subject: Re: Looper's delight podcast on line (11 episodes)
Date: Thu, 5 Apr 2007 16:03:25 -0500
To: Loopers-Delight@loopers-delight.com
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Since I can't post images to the LD list, I'm posting a web page with  
visualized instructions.

this will be the link: http://www.ejefftronic.com/podcast
Give me a half hour and it'll be up.

Jeff Evans


On Apr 5, 2007, at 3:51 PM, Krispen Hartung wrote:

> Just like the directions below. It worked for me, but the problem  
> is that it only plays the intro clip and nothing else. I'm sort of  
> a podcast neophyte, so I could be doing something wrong, but it's  
> sure not very intuitive!
>
> Kris
>
> ----- Original Message ----- From: <midifriedchicken@comcast.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, April 05, 2007 2:47 PM
> Subject: Re: Looper's delight podcast on line (11 episodes)
>
>
>> How do you get it into the ipod?
>> -------------- Original message ----------------------
>> From: "Krispen Hartung" <khartung@cableone.net>
>>> Got it. Thanks. What's so advanced about that? Why don't they  
>>> just add a
>>> window for URLs?
>>>
>>> Kris
>>>
>>> ----- Original Message ----- From: "Travis Hartnett"  
>>> <travishartnett@gmail.com>
>>> To: <Loopers-Delight@loopers-delight.com>
>>> Sent: Thursday, April 05, 2007 1:47 PM
>>> Subject: Re: Looper's delight podcast on line (11 episodes)
>>>
>>>
>>> > From "Advanced", select "Subscribe to podcast" and paste in the  
>>> url.
>>> >
>>> > On 4/5/07, Krispen Hartung <khartung@cableone.net> wrote:
>>> >>
>>> >>
>>> >> For the life of me, I can't figure out how to open  this in  
>>> iTunes. >> Where
>>> >> do you past the URL? I even tried saving the file, but it   
>>> won't >> import
>>> >> it.
>>> >>
>>> >> Kris
>>> >>
>>> >>
>>> >>
>>> >
>>> >
>>>
>>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 21:05:48 2007
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Date: Thu, 5 Apr 2007 14:05:47 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Looper's delight podcast on line (11 episodes)
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Once you've pasted the url into the Subscribe To Podcast window, if
you go the Podcasts section in iTunes, you'll see a list of the
available podcast chapters.  There should be a "Get" button next to
the title of each podcast you haven't yet downloaded.  If you click on
that, iTunes will download that chapter.

If you want them to automatically download,  click the Settings button
there at the bottom of the iTunes window when you're viewing your
podcast list, and you can manage the subscription settings there.

On 4/5/07, Krispen Hartung <khartung@cableone.net> wrote:
> Just like the directions below. It worked for me, but the problem is that it
> only plays the intro clip and nothing else. I'm sort of a podcast neophyte,
> so I could be doing something wrong, but it's sure not very intuitive!
>

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 21:08:28 2007
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Date: Thu, 05 Apr 2007 16:08:21 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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Bad-ass bass! I don't think I've seen a bass instrument with that many 
strings that weren't paired in courses. Do let us know when you have 
audio samples.

And great moustache!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

>
> C3 here - I have been a lurker on LD for a yer or so now, just taking 
> in all the conversations, advice and information (all VERY helpful 
> thank you!).

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 21:17:05 2007
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To: Loopers-Delight@loopers-delight.com
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Are you opening for a...punk rock band?

On 4/5/07, C 3 <modulus10@gmail.com> wrote:

> I just wanted to let any Colorado folk son the list know im doing a solo 9
> string bass looping performance tonight a 8:30 pm at Cactus Jack's in
> Evergreen (at the base of the Dam.)
>
> So anyone in colorado interested in coming out PLEASE DO!
>

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 21:19:36 2007
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Date: Thu, 5 Apr 2007 14:19:34 -0700
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To: Loopers-Delight@loopers-delight.com
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Some NAMM footage of those basses, except with, uh, more strings:

http://youtube.com/watch?v=bT_kQbAFFfs

On 4/5/07, Daryl Shawn <highhorse@mhorse.com> wrote:
> Bad-ass bass! I don't think I've seen a bass instrument with that many
> strings that weren't paired in courses. Do let us know when you have
> audio samples.
>
>

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Date: Thu, 5 Apr 2007 15:22:59 -0600
From: "C 3" <modulus10@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Bass Looping Show TONIGHT! - Evergreen Colorado
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Yes Yves and Jean!!!!

they will be here in Denver for the LODO BASS BASH in August 2007!

Yves is NOW playing a 12 string fretless JD

C3

On 4/5/07, Travis Hartnett <travishartnett@gmail.com> wrote:
>
> Some NAMM footage of those basses, except with, uh, more strings:
>
> http://youtube.com/watch?v=bT_kQbAFFfs
>
> On 4/5/07, Daryl Shawn <highhorse@mhorse.com> wrote:
> > Bad-ass bass! I don't think I've seen a bass instrument with that many
> > strings that weren't paired in courses. Do let us know when you have
> > audio samples.
> >
> >
>
>


-- 
Christopher "C3" Cardone
APC Instruments

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Yes Yves and Jean!!!!<br><br>they will be here in Denver for the LODO BASS BASH in August 2007!<br><br>Yves is NOW playing a 12 string fretless JD<br><br>C3<br><br><div><span class="gmail_quote">On 4/5/07, <b class="gmail_sendername">
Travis Hartnett</b> &lt;<a href="mailto:travishartnett@gmail.com">travishartnett@gmail.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Some NAMM footage of those basses, except with, uh, more strings:<br><br><a href="http://youtube.com/watch?v=bT_kQbAFFfs">http://youtube.com/watch?v=bT_kQbAFFfs</a><br><br>On 4/5/07, Daryl Shawn &lt;<a href="mailto:highhorse@mhorse.com">
highhorse@mhorse.com</a>&gt; wrote:<br>&gt; Bad-ass bass! I don&#39;t think I&#39;ve seen a bass instrument with that many<br>&gt; strings that weren&#39;t paired in courses. Do let us know when you have<br>&gt; audio samples.
<br>&gt;<br>&gt;<br><br></blockquote></div><br><br clear="all"><br>-- <br>Christopher &quot;C3&quot; Cardone<br>APC Instruments

------=_Part_16319_3506565.1175808179225--

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From: "C 3" <modulus10@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Bass Looping Show TONIGHT! - Evergreen Colorado
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Punk Band is tomorrow night :)

On 4/5/07, Travis Hartnett <travishartnett@gmail.com> wrote:
>
> Are you opening for a...punk rock band?
>
> On 4/5/07, C 3 <modulus10@gmail.com> wrote:
>
> > I just wanted to let any Colorado folk son the list know im doing a solo
> 9
> > string bass looping performance tonight a 8:30 pm at Cactus Jack's in
> > Evergreen (at the base of the Dam.)
> >
> > So anyone in colorado interested in coming out PLEASE DO!
> >
>
>


-- 
Christopher "C3" Cardone
APC Instruments

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Punk Band is tomorrow night :)<br><br><div><span class="gmail_quote">On 4/5/07, <b class="gmail_sendername">Travis Hartnett</b> &lt;<a href="mailto:travishartnett@gmail.com">travishartnett@gmail.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Are you opening for a...punk rock band?<br><br>On 4/5/07, C 3 &lt;<a href="mailto:modulus10@gmail.com">modulus10@gmail.com</a>&gt; wrote:<br><br>&gt; I just wanted to let any Colorado folk son the list know im doing a solo 9
<br>&gt; string bass looping performance tonight a 8:30 pm at Cactus Jack&#39;s in<br>&gt; Evergreen (at the base of the Dam.)<br>&gt;<br>&gt; So anyone in colorado interested in coming out PLEASE DO!<br>&gt;<br><br></blockquote>
</div><br><br clear="all"><br>-- <br>Christopher &quot;C3&quot; Cardone<br>APC Instruments

------=_Part_16327_1536629.1175808248657--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 21:28:26 2007
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From: Jeff Evans <jeff@sccadv.com>
Subject: Podcast Help
Date: Thu, 5 Apr 2007 16:28:19 -0500
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Podcast instructions are available with visuals here:  http:// 
www.ejefftronic.com/podcast

It's a bit ugly, but I think it answers all the questions posed, so far.

Feel free to check out my site, and the loops in particular, while  
you're there: http://www.ejefftronic.com

Jeff Evans

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Is there such a thing?

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 22:30:49 2007
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Date: Thu, 5 Apr 2007 15:30:48 -0700 (PDT)
From: Stephen Scott <stevoj@yahoo.com>
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The RedSound Soundbite loop sampler has this spec.

Stephen


blixton <blixton@aromabar.com> wrote: Is there such a thing?



 
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The RedSound Soundbite loop sampler has this spec.<br><br>Stephen<br><br><br><b><i>blixton &lt;blixton@aromabar.com&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> Is there such a thing?<br><br></blockquote><br><p>&#32;

<hr size=1><a href="http://us.rd.yahoo.com/evt=49938/*http://tools.search.yahoo.com/toolbar/features/mail/">Never miss an email again!<br>Yahoo! Toolbar</a> alerts you the instant new Mail arrives.<a href="
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unsubscribe> Subject: RE: Roland announce RE-20 'space echo'> Date: Thu, 5 =
Apr 2007 18:24:43 +0100> From: goddard.duncan@mtvne.com> To: Loopers-Deligh=
t@loopers-delight.com> > damn fine bit of roadkill, that. be sure & let the=
 local police know too- it might have been boosted from a local studio!> > =
-----Original Message-----> From: Stefan Tiedje [mailto:Stefan-Tiedje@addco=
m.de]> Sent: 05 April 2007 11:06> To: Loopers-Delight@loopers-delight.com> =
Subject: Re: Roland announce RE-20 'space echo'> > > Dirk Wilbert schrieb:>=
 > Hi - I played the RE-20 today at the Musikmesse in Frankfurt. Very nice =
> > effect, kind of warm and "vintage" sound - but I don't know how the > >=
 original sounds - so I can't compare...> > I just found an original RE-201=
 on the street in front of my flat. The > tape is missing, but I guess I ca=
n throw in some 1/4 inch...> Its heavy, and I am sure, beside just trying i=
t, I won't use it. But I > looked at ebay and there seems to be quite an in=
terest in those kind of > gear.> > Anybody interested? I have to check if i=
t works at all, but the pots > "feel" very solid and fine at least...> > I =
guess it was sitting in a cave for some years, but beside some dust it > lo=
oks fine...> > Stefan> > -- > Stefan Tiedje------------x-------> --_____---=
--------|--------------> --(_|_ ----|\-----|-----()-------> -- _|_)----|---=
--()--------------> ----------()--------www.ccmix.com>=20
_________________________________________________________________
Live Search Maps =96 find all the local information you need, right when yo=
u need it.
http://maps.live.com/?icid=3Dwlmtag2&FORM=3DMGAC01=

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unsubscribe<BR><BR>&gt; Subject: RE: Roland announce RE-20 'space echo'<BR>=
&gt; Date: Thu, 5 Apr 2007 18:24:43 +0100<BR>&gt; From: goddard.duncan@mtvn=
e.com<BR>&gt; To: Loopers-Delight@loopers-delight.com<BR>&gt; <BR>&gt; damn=
 fine bit of roadkill, that. be sure &amp; let the local police know too- i=
t might have been boosted from a local studio!<BR>&gt; <BR>&gt; -----Origin=
al Message-----<BR>&gt; From: Stefan Tiedje [mailto:Stefan-Tiedje@addcom.de=
]<BR>&gt; Sent: 05 April 2007 11:06<BR>&gt; To: Loopers-Delight@loopers-del=
ight.com<BR>&gt; Subject: Re: Roland announce RE-20 'space echo'<BR>&gt; <B=
R>&gt; <BR>&gt; Dirk Wilbert schrieb:<BR>&gt; &gt; Hi - I played the RE-20 =
today at the Musikmesse in Frankfurt. Very nice <BR>&gt; &gt; effect, kind =
of warm and "vintage" sound - but I don't know how the <BR>&gt; &gt; origin=
al sounds - so I can't compare...<BR>&gt; <BR>&gt; I just found an original=
 RE-201 on the street in front of my flat. The <BR>&gt; tape is missing, bu=
t I guess I can throw in some 1/4 inch...<BR>&gt; Its heavy, and I am sure,=
 beside just trying it, I won't use it. But I <BR>&gt; looked at ebay and t=
here seems to be quite an interest in those kind of <BR>&gt; gear.<BR>&gt; =
<BR>&gt; Anybody interested? I have to check if it works at all, but the po=
ts <BR>&gt; "feel" very solid and fine at least...<BR>&gt; <BR>&gt; I guess=
 it was sitting in a cave for some years, but beside some dust it <BR>&gt; =
looks fine...<BR>&gt; <BR>&gt; Stefan<BR>&gt; <BR>&gt; -- <BR>&gt; Stefan T=
iedje------------x-------<BR>&gt; --_____-----------|--------------<BR>&gt;=
 --(_|_ ----|\-----|-----()-------<BR>&gt; -- _|_)----|-----()-------------=
-<BR>&gt; ----------()--------www.ccmix.com<BR>&gt; <BR><br /><hr />Live Se=
arch Maps =96 find all the local information you need, right when you need =
it. <a href=3D'http://maps.live.com/?icid=3Dwlmtag2&FORM=3DMGAC01' target=
=3D'_new'>Find it!</a></body>
</html>=

--_1719518b-cc8e-4a52-9765-34e62430e66d_--

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 04:02:19 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: looper with 24Bits 96KHz sample rate
Date: Fri, 6 Apr 2007 06:02:34 +0200
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1st: who would need that?
2nd: MAX/MSP
3rd: I hope Mobius will support different sample rates one day - Jeff? 
4th: Eventide A8000/H8000/Orville

> Is there such a thing?

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 06:20:41 2007
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Subject: Bob Sellon's new Looper PRO ROM for Jamman!!!
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Hello.

Has anyone try the Bob Sellon's new LooperPRO ROM (ver. 0.1) for Jamman???

http://www.stecrecords.com/gear/jamman/LooperPro/download.php

Peace...

  Dmitry

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 06:38:48 2007
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I would imagine all software loopers would support that. Certainly
plugins would, since they'd have to support any sample rate the host
application would support.

In fact I would imagine most software loopers would be internally 32
bit. Certainly all mine (Augustus Loop, Meringue, Crossfade Loop
Synth) are.


cheers,
os.



On 06/04/07, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
> 1st: who would need that?
> 2nd: MAX/MSP
> 3rd: I hope Mobius will support different sample rates one day - Jeff?
> 4th: Eventide A8000/H8000/Orville
>
> > Is there such a thing?
>
>


-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 06:43:44 2007
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From: Os <os@collective.co.uk>
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To: "e t e r o g e n e o" <info@eterogeneo.com>
Subject: Re: Looper's delight podcast on line (11 episodes)
Cc: Loopers-Delight@loopers-delight.com
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Excellent work, Fabio! Downloading now.

Please feel free to grab anything from the Darkroom podcast for the LD one.
http://www.collective.co.uk/darkroom/podcast.html


cheers,
os.


On 05/04/07, e t e r o g e n e o <info@eterogeneo.com> wrote:
>
>
> Hi people,
> by now, i've uploaded 11 episodes in the LD podcast.
> More will come in the next days.
> You just have to copy this link in your pod-player or in i-tunes
> http://www.eterogeneo.com/live_looping/live_looping.xml
>
> Please, let me know if it works and if you have raccomandations or ideas.
> Thanks to all.
>
> fabio
> www.eterogeneo.com
>


-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 10:02:46 2007
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Date: Fri, 6 Apr 2007 03:02:44 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: guitar builders photographic mind
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A bit off topic gang but i just find this amazing
check out part 2
http://www.guitarworld.com/article/eddie_van_halen_on_recreating_frankenstein
i am still wondering what they will be charging for a
guitar like this!
cheers
Luis

www.myspace.com/luisangulocom


 
____________________________________________________________________________________
Expecting? Get great news right away with email Auto-Check. 
Try the Yahoo! Mail Beta.
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From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 12:57:31 2007
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-------------------------------1175864236
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please delete from your mailing lidt
 
ARTURO  ECHARTE 

C.S.O. (Chief Surfing Officer)
Instrumental  Acoustic Guitarist
Crazy Green VW Bus Driver


"SEIZE THE DAY" "BE YOURSELF" "LIVE IN THE  MOMENT"

Changing Lives Through  Music




************************************** See what's free at http://www.aol.com.

-------------------------------1175864236
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR></HEAD>
<BODY id=3Drole_body style=3D"FONT-SIZE: 10pt; COLOR: #000000; FONT-FAMILY:=20=
Arial"=20
bottomMargin=3D7 leftMargin=3D7 topMargin=3D7 rightMargin=3D7><FONT id=3Drol=
e_document=20
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<DIV>please delete from your mailing lidt</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT lang=3D0 face=3DArial size=3D4 FAMILY=3D"SANSSERIF" PTSIZE=3D"14"=
><B><I>ARTURO=20
ECHARTE </FONT><FONT lang=3D0 face=3DArial color=3D#000000 size=3D2 FAMILY=
=3D"SANSSERIF"=20
PTSIZE=3D"10"></B></I><BR></FONT><FONT lang=3D0 face=3DArial color=3D#000000=
 size=3D1=20
FAMILY=3D"SANSSERIF" PTSIZE=3D"8">C.S.O. (Chief Surfing Officer)<BR>Instrume=
ntal=20
Acoustic Guitarist<BR>Crazy Green VW Bus Driver</FONT><FONT lang=3D0 face=
=3DArial=20
color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF" PTSIZE=3D"10"><BR>
<P align=3Dcenter><BR><B>"SEIZE THE DAY" "BE YOURSELF" "LIVE IN THE=20
MOMENT"</B><BR><BR><B><I><U>Changing Lives Through=20
Music<BR></B></I></U><BR></P></FONT></DIV></FONT><BR><BR><BR><DIV><FONT styl=
e=3D"color: black; font: normal 10pt ARIAL, SAN-SERIF;"><HR style=3D"MARGIN-=
TOP: 10px">See what's free at <A title=3D"http://www.aol.com?ncid=3DAOLAOF00=
020000000503" href=3D"http://www.aol.com?ncid=3DAOLAOF00020000000503" target=
=3D"_blank">AOL.com</A>. </FONT></DIV></BODY></HTML>

-------------------------------1175864236--

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 13:12:58 2007
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Allow me to say this to Fabio in our language:


Gran bella idea questa del podcast!
un grazie e molti complimenti da Milano


Bruno



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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
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class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
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white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
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-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV>Allow me to =
say this to Fabio in our language:</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Gran bella idea questa del =
podcast!</DIV><DIV>un grazie e molti complimenti da Milano</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Bruno</DIV><BR =
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From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 13:23:23 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: looper with 24Bits 96KHz sample rate
Date: Fri, 6 Apr 2007 15:23:37 +0200
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While Mobius as a plugin runs with 32bit and also supports higher sample
rates from the audio interface side, the timing engine does not support
anything different from 44.1kHz yet. So if you're using Mobius, look forward
to some unexpected behaviour if using a higher sample rate (not necessarily
a bad thing for all you aleatoric sound designers out there)

> I would imagine all software loopers would support that. 
> Certainly plugins would, since they'd have to support any 
> sample rate the host application would support.

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 13:32:14 2007
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From: Tom Dauria <TCDauria@RDPowerjobs.Com>
Subject: Re: AW: looper with 24Bits 96KHz sample rate
Date: Fri, 6 Apr 2007 09:32:13 -0400
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SooperLooper on Mac (although I have sync issues with Live) or  
Angstrolooper on Wintel might be good options for plugs



On Apr 6, 2007, at 9:23 AM, Rainer Thelonius Balthasar Straschill wrote:

> While Mobius as a plugin runs with 32bit and also supports higher  
> sample
> rates from the audio interface side, the timing engine does not  
> support
> anything different from 44.1kHz yet. So if you're using Mobius,  
> look forward
> to some unexpected behaviour if using a higher sample rate (not  
> necessarily
> a bad thing for all you aleatoric sound designers out there)
>
>> I would imagine all software loopers would support that.
>> Certainly plugins would, since they'd have to support any
>> sample rate the host application would support.
>

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 15:40:42 2007
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> While Mobius as a plugin runs with 32bit and also supports higher
sample
> rates from the audio interface side, the timing engine does not
support
> anything different from 44.1kHz yet. So if you're using Mobius, look
forward
> to some unexpected behaviour if using a higher sample rate (not
necessarily
> a bad thing for all you aleatoric sound designers out there)

Right.  If you don't care about synchronizing with the VST host clock
or generating MIDI clocks for another device then Mobius should work
at higher sample rates though this isn't something I test.  If you
need external sync though, there are a few calculations that assume a
44.1Khz sample rate.  The most common side effect of this is
unexpected retriggering of the loop from the beginning at seemingly
random times.

I plan to fix this someday, but it isn't near the top of my priority
list.  This is arguably not an issue for people that play live because
with all the ambient noise and low-fi amplification it is impossible
for an audience to hear the difference in sample rates.  For studio
recording or listening under pristine conditions it does matter.

Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 16:20:45 2007
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Date: Fri, 6 Apr 2007 12:03:00 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Bob Sellon's new Looper PRO ROM for Jamman!!!
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http://www.stecrecords.com/gear/jamman/LooperPro/doc/

It's really incredible. I was involved somewhat=20
in it's testing and development (there is a Midi=20
Map named for me)..
  It does requite a few simple mods to the jamman,=20
like populating the empty PRAM socket (69=A2)

Worth it, though!


CZ
>Hello.
>
>Has anyone try the Bob Sellon's new LooperPRO ROM (ver. 0.1) for Jamman???
>
>http://www.stecrecords.com/gear/jamman/LooperPro/download.php
>
>Peace...
>
>   Dmitry


-- 
=2E..
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 16:29:59 2007
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Per Boysen schrieb:
> Hey, Michael. I recognize Tony's musical attitude (with that piece) as 
> what some Swedish jazz musician use to call "SPRÄCK".

Oh thats nice, if Swedish is like some German dialects where the sound 
of the word tells everything, I know exactly what it means...

Lets put up a SPRÄCK festival and get our children to play into our 
looping gear. They don't know yet what's really cool...
(The smaller kids do know it by the way, it's the taste suppression they 
learn from the radio and xxx-idol shows which does it...)

And I'd put in some SPRÄCK Gesang...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 17:00:32 2007
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Im not using a computer. It will be the only digital part of my music. 
Then it goes to tape. Thats why I want a high sample rate.

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 17:50:23 2007
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Subject: Fwd: the truth behind The Secret...  www.pittsburgchiropractic.com  (ONE of my not so secret secrets!)  - God Bless Richly!!!!
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Note: forwarded message attached.



 
____________________________________________________________________________________
TV dinner still cooling? 
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To: "Daniel Albertini" <danielalbertini72@yahoo.com>
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From: "** Tellman **" <info@addgold.com>
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Date: Fri, 06 Apr 2007 13:23:51 -0500
Subject: the truth behind The Secret...
Content-Length: 955


Daniel,

Unless you've been 
living under a rock,

(and maybe even if
you have)...

I'm sure you've heard of 
the wildly popular film  
The Secret...

They're talking about it on
CNN, Oprah, Larry King,
Show Biz Tonight and 
The New York Times...

But what you haven't 
heard is...

the REAL story 
behind The Secret...

http://overcomeeverything.com/thesecret

from the only person 
who can really tell 
you the truth...

it's creator...

her name is Rhonda
Byrne, and this is one
of only two interviews
she will give in 2007...

get your ticket here:

http://overcomeeverything.com/thesecret

If you ever wanted to know ...

* the inside story behind 
the creation and unfolding 
of The Secret... 

* the never-before-revealed 
way she used the principles 
of The Secret to turn the movie
into a global phenomenon... 

* how 6 million people in 
Ghana, Africa were able
to experience The Secret
because of this principle...

* the surprising plans for 
The Secret II...

then this is your chance to 
get the behind-the-scenes 
"secrets behind The Secret"!

http://overcomeeverything.com/thesecret

This is a once-in-a-lifetime
chance to get on the line
with the film's creator LIVE...

Just log-in with your name 
and email address and follow 
the simple instructions:

http://overcomeeverything.com/thesecret

See you on this exciting call!

--Tellman

PS  
The publicity for this interview 
is massive so space is very 
limited... With millions of 
promotional emails going out 
the capacity for this call will 
be maxed out fast!...so hurry

http://overcomeeverything.com/thesecret
ADD Gold
 
972 Putney Rd
Brattelboro, VT
05301
US


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From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 17:51:22 2007
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Date: Fri, 6 Apr 2007 10:51:21 -0700 (PDT)
From: taittinger91 <taittinger91@yahoo.com>
Subject: EDP woes, part two
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Just wanted to share the fact that I replaced my defective EDP (since I don't have time to get it repaired before my gigs, nor do I have the technological capabilites to open it up and reseat the PROMs, thanks Francisco) with a new one that also appears to be defective (sound is degraded and crackly). I chose the EDP after quite a lot of research, including this board (I guess I only saw the recommendations and not the warnings). Obviously this is the last time I'm ever buying a Gibson product and I will certainly do my best to spread the word about their deficiencies. Does anyone have any recommendations for a looper that actually works?
   

 
---------------------------------
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<DIV>Just wanted to share the fact that&nbsp;I replaced my defective EDP (since I don't have time to get it repaired before my gigs, nor do I have the technological capabilites to open it up and reseat the PROMs, thanks Francisco) with a new one that also appears to be defective (sound is degraded and crackly). I chose the EDP after quite a lot of research, including this board (I guess I only saw the recommendations and not the warnings). Obviously this is the last time I'm ever buying a Gibson product and I will certainly do my best to spread the word about their deficiencies. Does anyone have any recommendations for a looper that actually works?</DIV>  <DIV>&nbsp;</DIV><p>&#32;

<hr size=1><a href="
http://us.rd.yahoo.com/evt=49981/*http://advision.webevents.yahoo.com/mailbeta/features_spam.html">Sucker-punch spam</a> with award-winning protection.<br> Try the <a href="
http://us.rd.yahoo.com/evt=49981/*http://advision.webevents.yahoo.com/mailbeta/features_spam.html">free Yahoo! Mail Beta.</a>
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From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 18:39:00 2007
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Date: Fri, 6 Apr 2007 22:38:41 +0400
From: Dmitry <railman@hotpop.com>
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To: Charles Zwicky <Loopers-Delight@loopers-delight.com>
Subject: Re[2]: Bob Sellon's new Looper PRO ROM for Jamman!!!
In-Reply-To: <p06230901c23c1f03c545@[24\.215\.166\.178]>
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 <p06230901c23c1f03c545@[24.215.166.178]>
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Hello.

Friday, April 6, 2007, 20:03:00: you wrote:

> http://www.stecrecords.com/gear/jamman/LooperPro/doc/

> It's really incredible. I was involved somewhat=20
> in it's testing and development (there is a Midi=20
> Map named for me)..
>   It does requite a few simple mods to the jamman,=20
> like populating the empty PRAM socket (69=A2)

Please tell me more, what does mean "populating the empty PRAM
socket"?
I burn the ROM image "JamManLooperPro0_1.BIN" into 27C256, but
Jamman doesn't start and display doesn't lit and so on :-(

I don't have Extended memory (I have only 8 sec), and don't have
EEPROM chip (NM93C66EN). May be this is problem???
I have "Enhancement" ROM ver 4. It's work fine!

Any suggestion?

p.s. Looking forward to hearing from you.

Peace...

 Dmitry                          mailto:railman@hotpop.com

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 18:39:30 2007
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1,000s of these have been sold and used without this problem.  It seems very coincidental that you have encountered the identical defect with two units.  I'm presuming you got the replacement from the same place as the first, so perhaps it could represent a manufacturing defect in some sequentially produced units (serial numbers close to each other?).

Perhaps there is some other variable at work here that might be causing the problem?  It is impossible for me to second guess from a distance but coincidence makes me wonder.  Are you nearby anyone on this forum that has an EDP that would let you do a side-by-side test/comparison?  I am in the San Francisco bay area and have an EDP if that would help.

Meanwhile to answer the question you actually asked, I have a Looperlative LP-1, EDP, and Electrix Repeater.  I don't have degraded or crackly sound on any of them and I would say that each of them works according to their features and functions.  Of the 3, I vastly prefer and mostly use the LP-1 however in some earlier versions of the software (Bob upgrades it regularly) I have had issues with (rarely) freezing up and three times an unexplained distorted sound on one of the 8 channels. I have not encountered either of these issues in the last several months.  I had some very serious concerns when I first fired the LP-1 up on day 1.  Several scary hours later, I realized I had set it up incorrectly.

Good luck,
Jim W.

-----Original Message-----
>From: taittinger91 <taittinger91@yahoo.com>
>Sent: Apr 6, 2007 1:51 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: EDP woes, part two
>
>Just wanted to share the fact that I replaced my defective EDP (since I don't have time to get it repaired before my gigs, nor do I have the technological capabilites to open it up and reseat the PROMs, thanks Francisco) with a new one that also appears to be defective (sound is degraded and crackly). I chose the EDP after quite a lot of research, including this board (I guess I only saw the recommendations and not the warnings). Obviously this is the last time I'm ever buying a Gibson product and I will certainly do my best to spread the word about their deficiencies. Does anyone have any recommendations for a looper that actually works?
>   
>
> 
>---------------------------------
>Sucker-punch spam with award-winning protection.
> Try the free Yahoo! Mail Beta.

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 18:53:10 2007
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Date: Fri, 06 Apr 2007 12:54:34 -0700
From: Bob Weigel <sounddoctorin@imt.net>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Fwd: the truth behind The Secret...  www.pittsburgchiropractic.com
  (ONE of my not so secret secrets!)  - God Bless Richly!!!!
References: <112647.99978.qm@web33608.mail.mud.yahoo.com>
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This is apparently an infomercial thing.  I assume someone is doing 
house cleaning?  I haven't been 'living under a rock'.  However I don't 
choose to waste my time watching media stuff much because 90 some 
percent of it is either overt advertisement which is a waste of my time 
and clutters up the mind with useless non-sense..... OR it's functional 
advertisement/brainwashing towards the end of pushing a group's 
political agenda.    So I choose to just do what makes good mathmatical 
sense and have none of it in my life pretty much.   Call that 'living 
under a rock' if you will.  Personally I think the people subjecting 
themselves to it need some form of re-education.  hehe.  Anyway so no. I 
don't know about the truth OR the lies that preceded by 
implication....behind 'the secret'.  Nor do I care to start an account 
on some system to find out what the heck it is and get signed up for 
some spam generator or something :-)  -Bob

Dan wrote:

>Note: forwarded message attached.
>
>
>
> 
>____________________________________________________________________________________
>TV dinner still cooling? 
>Check out "Tonight's Picks" on Yahoo! TV.
>http://tv.yahoo.com/
>
>
> ------------------------------------------------------------------------
>
> Subject:
> the truth behind The Secret...
> From:
> "** Tellman **" <info@addgold.com>
> Date:
> Fri, 06 Apr 2007 13:23:51 -0500
> To:
> "Daniel Albertini" <danielalbertini72@yahoo.com>
>
> To:
> "Daniel Albertini" <danielalbertini72@yahoo.com>
>
>
>Daniel,
>
>Unless you've been 
>living under a rock,
>
>(and maybe even if
>you have)...
>
>I'm sure you've heard of 
>the wildly popular film  
>The Secret...
>
>They're talking about it on
>CNN, Oprah, Larry King,
>Show Biz Tonight and 
>The New York Times...
>
>But what you haven't 
>heard is...
>
>the REAL story 
>behind The Secret...
>
>http://overcomeeverything.com/thesecret
>
>from the only person 
>who can really tell 
>you the truth...
>
>it's creator...
>
>her name is Rhonda
>Byrne, and this is one
>of only two interviews
>she will give in 2007...
>
>get your ticket here:
>
>http://overcomeeverything.com/thesecret
>
>If you ever wanted to know ...
>
>* the inside story behind 
>the creation and unfolding 
>of The Secret... 
>
>* the never-before-revealed 
>way she used the principles 
>of The Secret to turn the movie
>into a global phenomenon... 
>
>* how 6 million people in 
>Ghana, Africa were able
>to experience The Secret
>because of this principle...
>
>* the surprising plans for 
>The Secret II...
>
>then this is your chance to 
>get the behind-the-scenes 
>"secrets behind The Secret"!
>
>http://overcomeeverything.com/thesecret
>
>This is a once-in-a-lifetime
>chance to get on the line
>with the film's creator LIVE...
>
>Just log-in with your name 
>and email address and follow 
>the simple instructions:
>
>http://overcomeeverything.com/thesecret
>
>See you on this exciting call!
>
>--Tellman
>
>PS  
>The publicity for this interview 
>is massive so space is very 
>limited... With millions of 
>promotional emails going out 
>the capacity for this call will 
>be maxed out fast!...so hurry
>
>http://overcomeeverything.com/thesecret
>ADD Gold
> 
>972 Putney Rd
>Brattelboro, VT
>05301
>US
>
>
>If you no longer wish to receive communication from us:
>http://autocontactor.com/app/r.asp?ID=65584297&ARID=0
>
>To update your contact information:
>http://autocontactor.com/app/r.asp?c=1&ID=65584297
>
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 19:22:37 2007
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	id 56E713BEF9; Fri,  6 Apr 2007 19:22:37 +0000 (UTC)
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Date: Fri, 6 Apr 2007 12:22:34 -0700
From: "Nic Roozeboom" <nicroozeboom@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: delete from mailing lidt
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the digest request address.

If you still have a problem, send us mail at:
listmanager@loopers-delight.com


On 4/6/07, PCISURFER@aol.com <PCISURFER@aol.com> wrote:
>
>  please delete from your mailing lidt
>
> *ARTURO ECHARTE *
> C.S.O. (Chief Surfing Officer)
> Instrumental Acoustic Guitarist
> Crazy Green VW Bus Driver
>
>
> *"SEIZE THE DAY" "BE YOURSELF" "LIVE IN THE MOMENT"*
>
> *Changing Lives Through Music
> *
>
>
>
> ------------------------------
> See what's free at AOL.com <http://www.aol.com?ncid=AOLAOF00020000000503>.
>
>



-- 
Nic Roozeboom

http://www.fractal-continuum.com
http://www.myspace.com/fractalcontinuum
http://www.myspace.com/nicroozeboom
http://www.cdbaby.com/fractal
http://fractal.bebo.com/

------=_Part_15892_4907857.1175887354319
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<p><font size="2">To unsubscribe, send mail with the word &quot;unsubscribe&quot; in both the subject and body, and no sig files or anything else, to:</font></p>
						<p><a href="mailto:Loopers-Delight-request@loopers-delight.com"><font size="2">Loopers-Delight-request@loopers-delight.com</font></a></p>
						<p><font size="2"><br>
								
								If you are on the digest version of Looper&#39;s Delight, send your unsubscribe request to:</font></p>
						<p><a href="mailto:Loopers-Delight-d-request@loopers-delight.com"><font size="2">Loopers-Delight-d-request@loopers-delight.com</font></a></p>
						<p><font size="2"><br>
								
								Don&#39;t send your unsubscribe message to the list, or people will make fun of you and you will feel like a dork.</font></p>
						
							<p><br>
								<br>
								<b>I&#39;m having trouble subscribing/unsubscribing to the list. What&#39;s wrong?</b></p>
							<p><font size="2">Usually
people have trouble because they try to have a conversation with me or
someone while subscribing. Don&#39;t do that. The subscription process is
automated, and the mailing list server is very stupid. Idle
conversation totally confuses it. It only understands the words
subscribe and unsubscribe, nothing else. It also will totally fail to
understand the witty quote in your signature file. So turn those sig
files off!</font></p>
							<p><font size="2">If you say anything
other than &quot;subscribe&quot; it makes a confused whimpering sound and then
replies to you with a help file. You may want to consider reading the
help file before resending the exact same subscribe mail 30 times.
(you&#39;d be surprised, people do this!)</font></p>
							<p><font size="2">other common problems:</font></p>
							<p><font size="2">- Don&#39;t use the quotes on &quot;subscribe.&quot; It&#39;s just subscribe</font></p>
							<p><font size="2">- Subscribe is spelled <b>S - U - B - S - C - R - I - B - E. </b></font></p>
							<p><font size="2">- Make sure html and rich text formatting is turned off in your mail program. </font></p>
							<p><font size="2">-
Make sure you are sending your request to the correct address noted
above, and you have it spelled right. If you are on the digest, make
sure you use the digest request address. </font></p>
							<p>If you still have a problem, send us mail at: <a href="mailto:listmanager@loopers-delight.com">listmanager@loopers-delight.com</a></p><br><br><div><span class="gmail_quote">On 4/6/07, <b class="gmail_sendername">
<a href="mailto:PCISURFER@aol.com">PCISURFER@aol.com</a></b> &lt;<a href="mailto:PCISURFER@aol.com">PCISURFER@aol.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">




<div style="font-size: 10pt; color: rgb(0, 0, 0); font-family: Arial;"><font color="#000000" face="Arial" size="2">
<div>please delete from your mailing lidt</div>
<div>&nbsp;</div>
<div><font face="Arial" lang="0" size="4"><b><i>ARTURO 
ECHARTE </i></b></font><font color="#000000" face="Arial" lang="0" size="2"><br></font><font color="#000000" face="Arial" lang="0" size="1">C.S.O. (Chief Surfing Officer)<br>Instrumental 
Acoustic Guitarist<br>Crazy Green VW Bus Driver</font><font color="#000000" face="Arial" lang="0" size="2"><br>
<p align="center"><br><b>&quot;SEIZE THE DAY&quot; &quot;BE YOURSELF&quot; &quot;LIVE IN THE 
MOMENT&quot;</b><br><br><b><i><u>Changing Lives Through 
Music<br></u></i></b><br></p></font></div></font><br><br><br><div><font style="color: black; font-family: ARIAL,SAN-SERIF; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
<hr style="margin-top: 10px;">See what&#39;s free at <a title="http://www.aol.com?ncid=AOLAOF00020000000503" href="http://www.aol.com?ncid=AOLAOF00020000000503" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
AOL.com</a>. </font></div></div>
</blockquote></div><br><br clear="all"><br>-- <br>Nic Roozeboom<br><br><a href="http://www.fractal-continuum.com">http://www.fractal-continuum.com</a><br><a href="http://www.myspace.com/fractalcontinuum">http://www.myspace.com/fractalcontinuum
</a><br><a href="http://www.myspace.com/nicroozeboom">http://www.myspace.com/nicroozeboom</a><br><a href="http://www.cdbaby.com/fractal">http://www.cdbaby.com/fractal</a><br><a href="http://fractal.bebo.com/">http://fractal.bebo.com/
</a>

------=_Part_15892_4907857.1175887354319--

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 20:07:28 2007
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	id EACB33BEFB; Fri,  6 Apr 2007 20:07:27 +0000 (UTC)
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From: Richard Sales <richard@glasswing.com>
Subject: Re: the truth behind The Secret...  www.pittsburgchiropractic.com (ONE of my not so secret secrets!)  - God Bless Richly!!!!
Date: Fri, 6 Apr 2007 13:06:44 -0700
To: Loopers-Delight@loopers-delight.com
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I too thought it was funky.  I've seen the movie and thought it had  
some good points and some moderately disgusting 'feed the materialist  
fantasy' bad points.  But sending an email to the loopers about it is  
not terribly appropriate.  Possibly the intention is good - to help the  
impoverished musicians.  But while 'intention' has gotten some fabulous  
press lately, it does not always equal doing the right thing.

My intention with this email is not to trash Dan.  I think he meant  
well.

Us humans, we walk on two legs but live on fo' paws

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 6-Apr-07, at 12:54 PM, Bob Weigel wrote:

> This is apparently an infomercial thing.  I assume someone is doing  
> house cleaning?  I haven't been 'living under a rock'.  However I  
> don't choose to waste my time watching media stuff much because 90  
> some percent of it is either overt advertisement which is a waste of  
> my time and clutters up the mind with useless non-sense..... OR it's  
> functional advertisement/brainwashing towards the end of pushing a  
> group's political agenda.    So I choose to just do what makes good  
> mathmatical sense and have none of it in my life pretty much.   Call  
> that 'living under a rock' if you will.  Personally I think the people  
> subjecting themselves to it need some form of re-education.  hehe.   
> Anyway so no. I don't know about the truth OR the lies that preceded  
> by implication....behind 'the secret'.  Nor do I care to start an  
> account on some system to find out what the heck it is and get signed  
> up for some spam generator or something :-)  -Bob
>
> Dan wrote:
>
>> Note: forwarded message attached.
>>
>>
>>
>> ______________________________________________________________________ 
>> ______________
>> TV dinner still cooling? Check out "Tonight's Picks" on Yahoo! TV.
>> http://tv.yahoo.com/
>>
>>
>> ---------------------------------------------------------------------- 
>> --
>>
>> Subject:
>> the truth behind The Secret...
>> From:
>> "** Tellman **" <info@addgold.com>
>> Date:
>> Fri, 06 Apr 2007 13:23:51 -0500
>> To:
>> "Daniel Albertini" <danielalbertini72@yahoo.com>
>>
>> To:
>> "Daniel Albertini" <danielalbertini72@yahoo.com>
>>
>>
>> Daniel,
>>
>> Unless you've been living under a rock,
>>
>> (and maybe even if
>> you have)...
>>
>> I'm sure you've heard of the wildly popular film  The Secret...
>>
>> They're talking about it on
>> CNN, Oprah, Larry King,
>> Show Biz Tonight and The New York Times...
>>
>> But what you haven't heard is...
>>
>> the REAL story behind The Secret...
>>
>> http://overcomeeverything.com/thesecret
>>
>> from the only person who can really tell you the truth...
>>
>> it's creator...
>>
>> her name is Rhonda
>> Byrne, and this is one
>> of only two interviews
>> she will give in 2007...
>>
>> get your ticket here:
>>
>> http://overcomeeverything.com/thesecret
>>
>> If you ever wanted to know ...
>>
>> * the inside story behind the creation and unfolding of The Secret...
>> * the never-before-revealed way she used the principles of The Secret  
>> to turn the movie
>> into a global phenomenon...
>> * how 6 million people in Ghana, Africa were able
>> to experience The Secret
>> because of this principle...
>>
>> * the surprising plans for The Secret II...
>>
>> then this is your chance to get the behind-the-scenes "secrets behind  
>> The Secret"!
>>
>> http://overcomeeverything.com/thesecret
>>
>> This is a once-in-a-lifetime
>> chance to get on the line
>> with the film's creator LIVE...
>>
>> Just log-in with your name and email address and follow the simple  
>> instructions:
>>
>> http://overcomeeverything.com/thesecret
>>
>> See you on this exciting call!
>>
>> --Tellman
>>
>> PS  The publicity for this interview is massive so space is very  
>> limited... With millions of promotional emails going out the capacity  
>> for this call will be maxed out fast!...so hurry
>>
>> http://overcomeeverything.com/thesecret
>> ADD Gold
>> 972 Putney Rd
>> Brattelboro, VT
>> 05301
>> US
>>
>>
>> If you no longer wish to receive communication from us:
>> http://autocontactor.com/app/r.asp?ID=65584297&ARID=0
>>
>> To update your contact information:
>> http://autocontactor.com/app/r.asp?c=1&ID=65584297
>>
>>
>>
>

--Apple-Mail-1-14308950
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I too thought it was funky.  I've seen the movie and thought it had
some good points and some moderately disgusting 'feed the materialist
fantasy' bad points.  But sending an email to the loopers about it is
not terribly appropriate.  Possibly the intention is good - to help
the impoverished musicians.  But while 'intention' has gotten some
fabulous press lately, it does not always equal doing the right thing.


My intention with this email is not to trash Dan.  I think he meant
well.  


Us humans, we walk on two legs but live on fo' paws


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 6-Apr-07, at 12:54 PM, Bob Weigel wrote:


<excerpt>This is apparently an infomercial thing.  I assume someone is
doing house cleaning?  I haven't been 'living under a rock'.  However
I don't choose to waste my time watching media stuff much because 90
some percent of it is either overt advertisement which is a waste of
my time and clutters up the mind with useless non-sense..... OR it's
functional advertisement/brainwashing towards the end of pushing a
group's political agenda.    So I choose to just do what makes good
mathmatical sense and have none of it in my life pretty much.   Call
that 'living under a rock' if you will.  Personally I think the people
subjecting themselves to it need some form of re-education.  hehe. 
Anyway so no. I don't know about the truth OR the lies that preceded
by implication....behind 'the secret'.  Nor do I care to start an
account on some system to find out what the heck it is and get signed
up for some spam generator or something :-)  -Bob


Dan wrote:


<excerpt>Note: forwarded message attached.




____________________________________________________________________________________

TV dinner still cooling? Check out "Tonight's Picks" on Yahoo! TV.

http://tv.yahoo.com/



------------------------------------------------------------------------


Subject:

the truth behind The Secret...

From:

"** Tellman **" <<info@addgold.com>

Date:

Fri, 06 Apr 2007 13:23:51 -0500

To:

"Daniel Albertini" <<danielalbertini72@yahoo.com>


To:

"Daniel Albertini" <<danielalbertini72@yahoo.com>



Daniel,


Unless you've been living under a rock,


(and maybe even if

you have)...


I'm sure you've heard of the wildly popular film  The Secret...


They're talking about it on

CNN, Oprah, Larry King,

Show Biz Tonight and The New York Times...


But what you haven't heard is...


the REAL story behind The Secret...


http://overcomeeverything.com/thesecret


from the only person who can really tell you the truth...


it's creator...


her name is Rhonda

Byrne, and this is one

of only two interviews

she will give in 2007...


get your ticket here:


http://overcomeeverything.com/thesecret


If you ever wanted to know ...


* the inside story behind the creation and unfolding of The Secret... 

* the never-before-revealed way she used the principles of The Secret
to turn the movie

into a global phenomenon... 

* how 6 million people in Ghana, Africa were able

to experience The Secret

because of this principle...


* the surprising plans for The Secret II...


then this is your chance to get the behind-the-scenes "secrets behind
The Secret"!


http://overcomeeverything.com/thesecret


This is a once-in-a-lifetime

chance to get on the line

with the film's creator LIVE...


Just log-in with your name and email address and follow the simple
instructions:


http://overcomeeverything.com/thesecret


See you on this exciting call!


--Tellman


PS  The publicity for this interview is massive so space is very
limited... With millions of promotional emails going out the capacity
for this call will be maxed out fast!...so hurry


http://overcomeeverything.com/thesecret

ADD Gold

972 Putney Rd

Brattelboro, VT

05301

US



If you no longer wish to receive communication from us:

http://autocontactor.com/app/r.asp?ID=65584297&ARID=0


To update your contact information:

http://autocontactor.com/app/r.asp?c=1&ID=65584297



 

</excerpt>

</excerpt>
--Apple-Mail-1-14308950--

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 20:14:02 2007
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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	id 44A5F3BF04; Fri,  6 Apr 2007 20:14:02 +0000 (UTC)
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Date: Fri, 06 Apr 2007 14:15:24 -0700
From: Bob Weigel <sounddoctorin@imt.net>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: the truth behind The Secret...  www.pittsburgchiropractic.com
 (ONE of my not so secret secrets!)  - God Bless Richly!!!!
References: <112647.99978.qm@web33608.mail.mud.yahoo.com> <4616A57A.4020806@imt.net> <50fd30c9c08b32129bc21bbece0eed89@glasswing.com>
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Yeah I'm not well read enough in the group to know Dan...I just assumed 
it was the typical thing where someone signed up to spam the group or 
something.   If he's a regular poster I would assume it's a one time 
message about something important to him which as human beings I think 
we all should tolerate for sure :-).  -Bob

Richard Sales wrote:

> I too thought it was funky. I've seen the movie and thought it had 
> some good points and some moderately disgusting 'feed the materialist 
> fantasy' bad points. But sending an email to the loopers about it is 
> not terribly appropriate. Possibly the intention is good - to help the 
> impoverished musicians. But while 'intention' has gotten some fabulous 
> press lately, it does not always equal doing the right thing.
>
> My intention with this email is not to trash Dan. I think he meant well.
>
> Us humans, we walk on two legs but live on fo' paws
>
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 6-Apr-07, at 12:54 PM, Bob Weigel wrote:
>
>     This is apparently an infomercial thing. I assume someone is doing
>     house cleaning? I haven't been 'living under a rock'. However I
>     don't choose to waste my time watching media stuff much because 90
>     some percent of it is either overt advertisement which is a waste
>     of my time and clutters up the mind with useless non-sense..... OR
>     it's functional advertisement/brainwashing towards the end of
>     pushing a group's political agenda. So I choose to just do what
>     makes good mathmatical sense and have none of it in my life pretty
>     much. Call that 'living under a rock' if you will. Personally I
>     think the people subjecting themselves to it need some form of
>     re-education. hehe. Anyway so no. I don't know about the truth OR
>     the lies that preceded by implication....behind 'the secret'. Nor
>     do I care to start an account on some system to find out what the
>     heck it is and get signed up for some spam generator or something
>     :-) -Bob
>
>     Dan wrote:
>
>         Note: forwarded message attached.
>
>
>
>         ____________________________________________________________________________________
>
>         TV dinner still cooling? Check out "Tonight's Picks" on Yahoo!
>         TV.
>         http://tv.yahoo.com/
>
>
>         ------------------------------------------------------------------------
>
>
>         Subject:
>         the truth behind The Secret...
>         From:
>         "** Tellman **" <info@addgold.com>
>         Date:
>         Fri, 06 Apr 2007 13:23:51 -0500
>         To:
>         "Daniel Albertini" <danielalbertini72@yahoo.com>
>
>         To:
>         "Daniel Albertini" <danielalbertini72@yahoo.com>
>
>
>         Daniel,
>
>         Unless you've been living under a rock,
>
>         (and maybe even if
>         you have)...
>
>         I'm sure you've heard of the wildly popular film The Secret...
>
>         They're talking about it on
>         CNN, Oprah, Larry King,
>         Show Biz Tonight and The New York Times...
>
>         But what you haven't heard is...
>
>         the REAL story behind The Secret...
>
>         http://overcomeeverything.com/thesecret
>
>         from the only person who can really tell you the truth...
>
>         it's creator...
>
>         her name is Rhonda
>         Byrne, and this is one
>         of only two interviews
>         she will give in 2007...
>
>         get your ticket here:
>
>         http://overcomeeverything.com/thesecret
>
>         If you ever wanted to know ...
>
>         * the inside story behind the creation and unfolding of The
>         Secret...
>         * the never-before-revealed way she used the principles of The
>         Secret to turn the movie
>         into a global phenomenon...
>         * how 6 million people in Ghana, Africa were able
>         to experience The Secret
>         because of this principle...
>
>         * the surprising plans for The Secret II...
>
>         then this is your chance to get the behind-the-scenes "secrets
>         behind The Secret"!
>
>         http://overcomeeverything.com/thesecret
>
>         This is a once-in-a-lifetime
>         chance to get on the line
>         with the film's creator LIVE...
>
>         Just log-in with your name and email address and follow the
>         simple instructions:
>
>         http://overcomeeverything.com/thesecret
>
>         See you on this exciting call!
>
>         --Tellman
>
>         PS The publicity for this interview is massive so space is
>         very limited... With millions of promotional emails going out
>         the capacity for this call will be maxed out fast!...so hurry
>
>         http://overcomeeverything.com/thesecret
>         ADD Gold
>         972 Putney Rd
>         Brattelboro, VT
>         05301
>         US
>
>
>         If you no longer wish to receive communication from us:
>         http://autocontactor.com/app/r.asp?ID=65584297&ARID=0
>
>         To update your contact information:
>         http://autocontactor.com/app/r.asp?c=1&ID=65584297
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 20:16:41 2007
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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	id 321733BF04; Fri,  6 Apr 2007 20:16:41 +0000 (UTC)
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Date: Fri,  6 Apr 2007 15:16:39 -0500
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: the truth behind The Secret...  www.pittsburgchiropractic.com (ONE of my not so secret secrets!)  - God Bless Richly!!!!
References: <112647.99978.qm@web33608.mail.mud.yahoo.com> <4616A57A.4020806@imt.net> <50fd30c9c08b32129bc21bbece0eed89@glasswing.com>
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Hey Guys,

 I emailed Dan off list and explained the whole 'spam' to him... here is his
response...

"Oh wow I see I am so sorry about posting it to loopers delight, that was
definitely a mistake, I hope in some way it will work out for the better."

peace
-cpr

Quoting Richard Sales <richard@glasswing.com>:

> I too thought it was funky.  I've seen the movie and thought it had  
> some good points and some moderately disgusting 'feed the materialist  
> fantasy' bad points.  But sending an email to the loopers about it is  
> not terribly appropriate.  Possibly the intention is good - to help the  
> impoverished musicians.  But while 'intention' has gotten some fabulous  
> press lately, it does not always equal doing the right thing.
> 
> My intention with this email is not to trash Dan.  I think he meant  
> well.
> 
> Us humans, we walk on two legs but live on fo' paws
> 
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 6-Apr-07, at 12:54 PM, Bob Weigel wrote:
> 
> > This is apparently an infomercial thing.  I assume someone is doing  
> > house cleaning?  I haven't been 'living under a rock'.  However I  
> > don't choose to waste my time watching media stuff much because 90  
> > some percent of it is either overt advertisement which is a waste of  
> > my time and clutters up the mind with useless non-sense..... OR it's  
> > functional advertisement/brainwashing towards the end of pushing a  
> > group's political agenda.    So I choose to just do what makes good  
> > mathmatical sense and have none of it in my life pretty much.   Call  
> > that 'living under a rock' if you will.  Personally I think the people  
> > subjecting themselves to it need some form of re-education.  hehe.   
> > Anyway so no. I don't know about the truth OR the lies that preceded  
> > by implication....behind 'the secret'.  Nor do I care to start an  
> > account on some system to find out what the heck it is and get signed  
> > up for some spam generator or something :-)  -Bob
> >
> > Dan wrote:
> >
> >> Note: forwarded message attached.
> >>
> >>
> >>
> >> ______________________________________________________________________ 
> >> ______________
> >> TV dinner still cooling? Check out "Tonight's Picks" on Yahoo! TV.
> >> http://tv.yahoo.com/
> >>
> >>
> >> ---------------------------------------------------------------------- 
> >> --
> >>
> >> Subject:
> >> the truth behind The Secret...
> >> From:
> >> "** Tellman **" <info@addgold.com>
> >> Date:
> >> Fri, 06 Apr 2007 13:23:51 -0500
> >> To:
> >> "Daniel Albertini" <danielalbertini72@yahoo.com>
> >>
> >> To:
> >> "Daniel Albertini" <danielalbertini72@yahoo.com>
> >>
> >>
> >> Daniel,
> >>
> >> Unless you've been living under a rock,
> >>
> >> (and maybe even if
> >> you have)...
> >>
> >> I'm sure you've heard of the wildly popular film  The Secret...
> >>
> >> They're talking about it on
> >> CNN, Oprah, Larry King,
> >> Show Biz Tonight and The New York Times...
> >>
> >> But what you haven't heard is...
> >>
> >> the REAL story behind The Secret...
> >>
> >> http://overcomeeverything.com/thesecret
> >>
> >> from the only person who can really tell you the truth...
> >>
> >> it's creator...
> >>
> >> her name is Rhonda
> >> Byrne, and this is one
> >> of only two interviews
> >> she will give in 2007...
> >>
> >> get your ticket here:
> >>
> >> http://overcomeeverything.com/thesecret
> >>
> >> If you ever wanted to know ...
> >>
> >> * the inside story behind the creation and unfolding of The Secret...
> >> * the never-before-revealed way she used the principles of The Secret  
> >> to turn the movie
> >> into a global phenomenon...
> >> * how 6 million people in Ghana, Africa were able
> >> to experience The Secret
> >> because of this principle...
> >>
> >> * the surprising plans for The Secret II...
> >>
> >> then this is your chance to get the behind-the-scenes "secrets behind  
> >> The Secret"!
> >>
> >> http://overcomeeverything.com/thesecret
> >>
> >> This is a once-in-a-lifetime
> >> chance to get on the line
> >> with the film's creator LIVE...
> >>
> >> Just log-in with your name and email address and follow the simple  
> >> instructions:
> >>
> >> http://overcomeeverything.com/thesecret
> >>
> >> See you on this exciting call!
> >>
> >> --Tellman
> >>
> >> PS  The publicity for this interview is massive so space is very  
> >> limited... With millions of promotional emails going out the capacity  
> >> for this call will be maxed out fast!...so hurry
> >>
> >> http://overcomeeverything.com/thesecret
> >> ADD Gold
> >> 972 Putney Rd
> >> Brattelboro, VT
> >> 05301
> >> US
> >>
> >>
> >> If you no longer wish to receive communication from us:
> >> http://autocontactor.com/app/r.asp?ID=65584297&ARID=0
> >>
> >> To update your contact information:
> >> http://autocontactor.com/app/r.asp?c=1&ID=65584297
> >>
> >>
> >>
> >
> 




----------------------------------------------------------------
This message was sent using IMP, the Internet Messaging Program.

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 21:01:39 2007
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Larry C Tremblay schrieb:
> 
> Have you tried to plug it in? Maybe the power supply is dead.

Yes, at least the lamp is glowing. I have to get some tape, to try it 
out. I'll let you know...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
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-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 21:10:20 2007
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Goddard, Duncan schrieb:
> damn fine bit of roadkill, that. be sure & let the local police know
> too- it might have been boosted from a local studio!

For sure not, it looked like not have been used for years, and was piled 
up with junk for the garbage collection. Incredible what people throw 
away probably not knowing what it is...

Stefan

-- 
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From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 21:12:34 2007
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Subject: Re: Looper's delight podcast on line (11 episodes)
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Krispen Hartung schrieb:
> For the life of me, I can't figure out how to open this in iTunes. Where 
> do you past the URL? I even tried saving the file, but it won't import it.

Firefox asks me with wich application to open, I choose iTunes and off 
it goes.

Great, just listening to Bernhard Wagner. I enjoy this a lot...

Stefan

-- 
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From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 22:06:52 2007
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Thanks. - Larry





Stefan Tiedje <Stefan-Tiedje@addcom.de> 
04/06/2007 05:01 PM
Please respond to
Loopers-Delight@loopers-delight.com


To
Loopers-Delight@loopers-delight.com
cc

Subject
Re: Roland announce RE-20 'space echo'






Larry C Tremblay schrieb:
> 
> Have you tried to plug it in? Maybe the power supply is dead.

Yes, at least the lamp is glowing. I have to get some tape, to try it 
out. I'll let you know...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com



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<br><font size=2 face="sans-serif">Thanks. - Larry</font>
<br>
<br>
<br>
<br>
<br>
<table width=100%>
<tr valign=top>
<td width=40%><font size=1 face="sans-serif"><b>Stefan Tiedje &lt;Stefan-Tiedje@addcom.de&gt;</b>
</font>
<p><font size=1 face="sans-serif">04/06/2007 05:01 PM</font>
<table border>
<tr valign=top>
<td bgcolor=white>
<div align=center><font size=1 face="sans-serif">Please respond to<br>
Loopers-Delight@loopers-delight.com</font></div></table>
<br>
<td width=59%>
<table width=100%>
<tr valign=top>
<td>
<div align=right><font size=1 face="sans-serif">To</font></div>
<td><font size=1 face="sans-serif">Loopers-Delight@loopers-delight.com</font>
<tr valign=top>
<td>
<div align=right><font size=1 face="sans-serif">cc</font></div>
<td>
<tr valign=top>
<td>
<div align=right><font size=1 face="sans-serif">Subject</font></div>
<td><font size=1 face="sans-serif">Re: Roland announce RE-20 'space echo'</font></table>
<br>
<table>
<tr valign=top>
<td>
<td></table>
<br></table>
<br>
<br>
<br><font size=2><tt>Larry C Tremblay schrieb:<br>
&gt; <br>
&gt; Have you tried to plug it in? Maybe the power supply is dead.<br>
<br>
Yes, at least the lamp is glowing. I have to get some tape, to try it <br>
out. I'll let you know...<br>
<br>
Stefan<br>
<br>
-- <br>
Stefan Tiedje------------x-------<br>
--_____-----------|--------------<br>
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-- _|_)----|-----()--------------<br>
----------()--------www.ccmix.com<br>
<br>
</tt></font>
<br>
--=_alternative 00797996852572B5_=--

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 22:49:50 2007
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Subject: RE: Bob Sellon's new Looper PRO ROM for Jamman!!!
Date: Fri, 6 Apr 2007 23:45:29 +0100
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From: "Goddard, Duncan" <goddard.duncan@mtvne.com>
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>>It does requite a few simple mods to the jamman, like populating the =
empty PRAM socket (69=A2)<<

actually it doesn't, or at least it didn't when I bought my upgrade roms =
from mr sellon, along with his CD... :-) the p-ram would probably help =
an advanced user to save a number of configs, but the updated software =
works fine without it.=20
I have to admit, I gave up with the new version, though- there just =
isn't enough UI for the extra functions, for my ten cents. the one I =
really liked was being able to switch back & forth between looper & =
delay modes. my guitarist can't get his head round the multiple page =
thing- he got upset (initially, anyway) when I expanded his machine to =
32 seconds.... :-)

duncan.

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<P><FONT SIZE=3D2>&gt;&gt;It does requite a few simple mods to the =
jamman, like populating the empty PRAM socket (69=A2)&lt;&lt;<BR>
<BR>
actually it doesn't, or at least it didn't when I bought my upgrade roms =
from mr sellon, along with his CD... :-) the p-ram would probably help =
an advanced user to save a number of configs, but the updated software =
works fine without it.<BR>
I have to admit, I gave up with the new version, though- there just =
isn't enough UI for the extra functions, for my ten cents. the one I =
really liked was being able to switch back &amp; forth between looper =
&amp; delay modes. my guitarist can't get his head round the multiple =
page thing- he got upset (initially, anyway) when I expanded his machine =
to 32 seconds.... :-)<BR>
<BR>
duncan.</FONT>
</P>

</BODY>
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From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 17:06:47 2007
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Date: Sat, 7 Apr 2007 19:06:44 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Mastering music
To: loopers-delight@loopers-delight.com, midiguitar@yahoogroups.com,
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Hi !

I have a friend with a different studio-setup then me
- both hardware and software. As a part of his gear
there is a mastering-effect - its one where you can
see the soundfiles when working with them. My software
- ableton also has some effects called
masteringeffects - but I cant get the punch and
"closeness" like he get - when mastering even my
music.
 
Does anyone have tip on mastering - and
masteringeffects that works with mac and ableton ?

Rune F. 

www.runefagereng.com
www.myspace.com/runefagereng 
www.youtube.com/watch?v=bOHN4az59A0
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


	
	
		
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 17:28:33 2007
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To: <Loopers-Delight@loopers-delight.com>
Subject: AW: Mastering music (OT topic!)
Date: Sat, 7 Apr 2007 19:28:47 +0200
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Welcome to the dark voodoo of audio mastering, Rune.

There is no quick rundown on this very topic, nor would I imagine a space
for it here, at least not in all its necessary depth.

As for information sources, there are a few knowledgeable people on
recording.org.

For instant gratification, I'd recommend getting a TC Electronics Finalizer.

As for the process:

Mastering (or pre-mastering as it's precisely called) is the step in working
on your audio right before it goes to your destination medium. Its goal is
to make the audio experience enjoyable for the listeners.

Usually, you won't do anything related to mastering within Ableton - and if
you still do, a mastering engineer to whom you give your material for
production will slap you silly. A proper way of doing things would be to
record a clean mix in you DAW application in a "deep" format (meaning 32
bit) and then doing the mastering in a completely separate step - in an
audio editor as WaveLab or Sequoia using dedicated plugins, or even using
outboard - mostly analogue - hardware altogether.

A primer recommended by a cat on recording.org is
http://www.diplo.co.uk/music/mastering.php, but as always, take the gospel
with a grain of salt.

And make sure to master in your bedroom after a restless night of sleep - an
unmade bed is by far the cheapest efficient bass trap for tuning your room
acoustics!

> Does anyone have tip on mastering - and
> masteringeffects that works with mac and ableton ?

From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 17:43:24 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Mastering music
Date: Sat, 7 Apr 2007 10:43:15 -0700
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--Apple-Mail-11-92100379
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	format=flowed

The standard mastering plug in these days is Waves Ultramaximizer.  Not 
sure what the latest edition of it might be called.  It works well for 
this.

Don't know if it works with Ableton.

I use an antique version of the Ultramaximizer- the L1 - and it works 
well if you don't over do it.  I've gotten good comments on my 
mastering.  Hah!   It makes me chuckle.

They also have a hardware version that I hear is quite cool.  Don't 
know what it costs.

I think their URL is

www.waves.com

happy hunting!!

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 7-Apr-07, at 10:06 AM, rune fagereng wrote:

> Hi !
>
> I have a friend with a different studio-setup then me
> - both hardware and software. As a part of his gear
> there is a mastering-effect - its one where you can
> see the soundfiles when working with them. My software
> - ableton also has some effects called
> masteringeffects - but I cant get the punch and
> "closeness" like he get - when mastering even my
> music.

--Apple-Mail-11-92100379
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

The standard mastering plug in these days is Waves Ultramaximizer. 
Not sure what the latest edition of it might be called.  It works well
for this. 


Don't know if it works with Ableton. 


I use an antique version of the Ultramaximizer- the L1 - and it works
well if you don't over do it.  I've gotten good comments on my
mastering.  Hah!   It makes me chuckle.


They also have a hardware version that I hear is quite cool.  Don't
know what it costs.  


I think their URL is


www.waves.com


happy hunting!!


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 7-Apr-07, at 10:06 AM, rune fagereng wrote:


<excerpt>Hi !


I have a friend with a different studio-setup then me

- both hardware and software. As a part of his gear

there is a mastering-effect - its one where you can

see the soundfiles when working with them. My software

- ableton also has some effects called

masteringeffects - but I cant get the punch and

"closeness" like he get - when mastering even my

music.

</excerpt>
--Apple-Mail-11-92100379--

From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 18:50:16 2007
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Date: Sat, 7 Apr 2007 20:50:14 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Re: AW: Mastering music (OT topic!)
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Hi !

Thanks. 
Best regards of Rune F.


--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> skrev:

> Welcome to the dark voodoo of audio mastering, Rune.
> 
> There is no quick rundown on this very topic, nor
> would I imagine a space
> for it here, at least not in all its necessary
> depth.
> 
> As for information sources, there are a few
> knowledgeable people on
> recording.org.
> 
> For instant gratification, I'd recommend getting a
> TC Electronics Finalizer.
> 
> As for the process:
> 
> Mastering (or pre-mastering as it's precisely
> called) is the step in working
> on your audio right before it goes to your
> destination medium. Its goal is
> to make the audio experience enjoyable for the
> listeners.
> 
> Usually, you won't do anything related to mastering
> within Ableton - and if
> you still do, a mastering engineer to whom you give
> your material for
> production will slap you silly. A proper way of
> doing things would be to
> record a clean mix in you DAW application in a
> "deep" format (meaning 32
> bit) and then doing the mastering in a completely
> separate step - in an
> audio editor as WaveLab or Sequoia using dedicated
> plugins, or even using
> outboard - mostly analogue - hardware altogether.
> 
> A primer recommended by a cat on recording.org is
> http://www.diplo.co.uk/music/mastering.php, but as
> always, take the gospel
> with a grain of salt.
> 
> And make sure to master in your bedroom after a
> restless night of sleep - an
> unmade bed is by far the cheapest efficient bass
> trap for tuning your room
> acoustics!
> 
> > Does anyone have tip on mastering - and
> > masteringeffects that works with mac and ableton ?
> 
> 


www.runefagereng.com
www.myspace.com/runefagereng 
www.youtube.com/watch?v=bOHN4az59A0
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


	
	
		
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 18:51:44 2007
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Date: Sat, 7 Apr 2007 20:51:42 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: RE: Re: Mastering music
To: Loopers-Delight@loopers-delight.com
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Hi !

Thanks. 
Rune F.

--- Richard Sales <richard@glasswing.com> skrev:

> The standard mastering plug in these days is Waves
> Ultramaximizer.  Not 
> sure what the latest edition of it might be called. 
> It works well for 
> this.
> 
> Don't know if it works with Ableton.
> 
> I use an antique version of the Ultramaximizer- the
> L1 - and it works 
> well if you don't over do it.  I've gotten good
> comments on my 
> mastering.  Hah!   It makes me chuckle.
> 
> They also have a hardware version that I hear is
> quite cool.  Don't 
> know what it costs.
> 
> I think their URL is
> 
> www.waves.com
> 
> happy hunting!!
> 
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 7-Apr-07, at 10:06 AM, rune fagereng wrote:
> 
> > Hi !
> >
> > I have a friend with a different studio-setup then
> me
> > - both hardware and software. As a part of his
> gear
> > there is a mastering-effect - its one where you
> can
> > see the soundfiles when working with them. My
> software
> > - ableton also has some effects called
> > masteringeffects - but I cant get the punch and
> > "closeness" like he get - when mastering even my
> > music.
> 


www.runefagereng.com
www.myspace.com/runefagereng 
www.youtube.com/watch?v=bOHN4az59A0
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


	
	
		
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 18:57:28 2007
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From: "samba -" <sambacomet@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Living under a rock
Date: Sat, 07 Apr 2007 11:57:22 -0700
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...kind of amusing and tragic that folks are so mass media saturated that 
they assume what's current is the common point of view. I  actively cut that 
  advertising/indoctrination stuff out of my sensory field 35 years 
ago.Don't have a tv.,or go to hollwood flicks,or the mall.I don't buy 
anything new except light bulbs and toilet paper.  From my point of view 
it's the one's who's sense of context is defined by tv movies and what's 
being sold at the mall who live under a rock-nothing personal,but the real 
world is much bigger and richer.
  BTW it's no secret that if you give you get.

_________________________________________________________________
Mortgage rates near historic lows. Refinance $200,000 loan for as low as 
$771/month* 
https://www2.nextag.com/goto.jsp?product=100000035&url=%2fst.jsp&tm=y&search=mortgage_text_links_88_h27f8&disc=y&vers=689&s=4056&p=5117

From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 20:02:23 2007
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Subject: RE: Living under a rock
Date: Sat, 7 Apr 2007 13:02:42 -0700
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 Hi Samba,
Getting more difficult to fully escape, isn't it ;-)   
(ref to the ad for a mortgage at the bottom of your email)

;-)
-Qua

-----Original Message-----
From: samba - [mailto:sambacomet@hotmail.com] 
Sent: Saturday, April 07, 2007 11:57 AM
To: Loopers-Delight@loopers-delight.com
Subject: Living under a rock

...kind of amusing and tragic that folks are so mass media saturated that
they assume what's current is the common point of view. I  actively cut that
  advertising/indoctrination stuff out of my sensory field 35 years
ago.Don't have a tv.,or go to hollwood flicks,or the mall.I don't buy
anything new except light bulbs and toilet paper.  From my point of view
it's the one's who's sense of context is defined by tv movies and what's
being sold at the mall who live under a rock-nothing personal,but the real
world is much bigger and richer.
  BTW it's no secret that if you give you get.

_________________________________________________________________
Mortgage rates near historic lows. Refinance $200,000 loan for as low as
$771/month*
https://www2.nextag.com/goto.jsp?product=100000035&url=%2fst.jsp&tm=y&search
=mortgage_text_links_88_h27f8&disc=y&vers=689&s=4056&p=5117


From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 20:11:59 2007
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From: "Ingo Ito" <ingoito@itofarm.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Promotion sites for independent artists
Date: Sat, 7 Apr 2007 22:11:44 +0200
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Hi everybody,

as I=B4m at the moment searching the internet for any kind of =
promotion-websites, I stumbled upon a site which seems interesting =
enough to let you know:

www.indiependencemusic.net

This site offers 100MB of free artist space for music and the =
possibility of selling songs as downloads for any price you chose. They =
leave 71% of the payment with the artist and they have a rating system =
and charts for different genres, which enables you to become "Featured =
Artist" on the main page.
So for everybody who is interested in all kinds of independent music, =
this is a place to check out.

The only downside at the moment is, that they don=B4t have proper =
categories for experimental or ambient music - but maybe you=B4ll find a =
category for yourselves.

Cheers
Ingo Ito


P.S.: If anybody is interested, here=B4s my artist area at IM.net: =
www.indiependencemusic.net/artistPage.php?artistId=3D2742
         And a second interesting site for promotion is =
www.indielinkexchange.com/ile/
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D4>Hi everybody,</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>as I=B4m at the moment searching the=20
internet&nbsp;for any kind of promotion-websites, I&nbsp;stumbled upon a =
site=20
which seems interesting enough to let you know:</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4><A=20
href=3D"http://www.indiependencemusic.net">www.indiependencemusic.net</A>=
</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>This site offers 100MB of free artist =
space for=20
music and the possibility of selling songs as downloads for any price =
you chose.=20
They leave 71% of&nbsp;the payment with the artist and they have a =
rating system=20
and charts for different genres, which enables you to become "Featured =
Artist"=20
on the main page.</FONT></DIV>
<DIV><FONT face=3DArial size=3D4>So for everybody who is interested in =
all kinds of=20
independent music, this is a place to check out.</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>The only downside at the moment is, =
that they don=B4t=20
have proper categories for experimental or ambient music - but maybe =
you=B4ll find=20
a category for yourselves.</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>Cheers</FONT></DIV>
<DIV><FONT face=3DArial size=3D4>Ingo Ito</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>P.S.: If anybody is interested, =
here=B4s my artist=20
area at IM.net: <A=20
href=3D"http://www.indiependencemusic.net/artistPage.php?artistId=3D2742"=
>www.indiependencemusic.net/artistPage.php?artistId=3D2742</A></FONT></DI=
V>
<DIV><FONT face=3DArial =
size=3D4>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
And a second interesting site for promotion is <A=20
href=3D"http://www.indielinkexchange.com/ile/">www.indielinkexchange.com/=
ile/</A></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 21:34:27 2007
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Date: Sat, 07 Apr 2007 15:35:51 -0700
From: Bob Weigel <sounddoctorin@imt.net>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Living under a rock
References: <200704071306156.SM05244@quahome>
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Heheh. yes but I fully concur with Samba on that.  So many people I 
talked to and people very special to me like my uncle who always enjoyed 
driving me around LA and talking about times in the music biz and so 
on... have become so indoctrinated by the media that it's really hard 
for them to think straight anymore.  And it really saddened me that last 
time I was down there I guess a couple years ago now, he just blew up at 
me over some contrived thing and I just let him rail on me and vent and 
when I got back loaded up and left and haven't been back. He's in bad 
health and it really saddens me but what can I do?  He chose who to put 
his trust in.    If the media turns a blind eye to something...THEY turn 
a blind eye to it.  If the media focuses on something SO do they.  (eg.  
Bantering "And still no sign of WMD's" 50 bazillion times! To *me*...an 
unbiased reporter last I checked...I'd consider the lack of findings a 
moot point since there's no absolute way one would *expect* to find such 
things since a big convoy went to Syria during the foot dragging period 
before invasion which obviously contained *something* that was being 
moved in anticipation...  Not that I'm for one or another type of action 
in this case.  JUST pointing out a clear example of how the media is 
clearly 'yoked together' in some kind of agenda here.  And of course big 
money people own it all..and they probably talk and plan because that's 
the way humans are and that's how they get rich in the first place 
usually :-).  )

I quote some great Steve Taylor lyrics:

"How do we strick it rich? 
Kissin' up to the powerful
how do we make our pitch?
sattellites by the tower full."

I think there's a realization of things like this that sets people up to 
be able to write great songs.  Music can be perceived as 'sappy' for 
instance...even non-lyrical music... because instrumentally it seems... 
oh..'disconnected' perhaps with relevance in people's lives.  Sappy 
music is largely like by older people who want to recreate a time they 
once knew where the music did seem relevant to them.  The way some 
things in the world are going, I wonder if Slayer might someday be 
considered 'sappy'. hehe. 

But anyway I believe relevant creativity is the key.  As I look back on 
the musical past the people who really still inspire me when I listen to 
their old tracks aren't people who sing about how things used to be.  
THey're people who cut through deception and presented some aspect of 
life in a more clear way than I'd heard it before.  Using that 
multi-dimensional gift of expression we call music to communicate to the 
soul mind and spirit. Some stuff like...late 70's vangelis for 
instance... though all non-lyrical pretty much, seems to communicate 
very powerfully.  Does anyone else hear that when they listen to like 
"China" for instance?  I mean we're talking about more than a guy 
playing 'chinesey sounding' sounds on his synthesizer :-).  The're an 
order to it that expresses so many aspects of china's history and 
emergence into the world economy and so on.   Brilliant piece of work 
really.   

(As some may not know, Vangelis is kind of a looping pioneer in a way 
and highly recommend studying what he did with the tools he had at the 
time...ie...all of them that were available at the time.. :-) )  -Bob

Qua Veda wrote:

> Hi Samba,
>Getting more difficult to fully escape, isn't it ;-)   
>(ref to the ad for a mortgage at the bottom of your email)
>
>;-)
>-Qua
>
>-----Original Message-----
>From: samba - [mailto:sambacomet@hotmail.com] 
>Sent: Saturday, April 07, 2007 11:57 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Living under a rock
>
>...kind of amusing and tragic that folks are so mass media saturated that
>they assume what's current is the common point of view. I  actively cut that
>  advertising/indoctrination stuff out of my sensory field 35 years
>ago.Don't have a tv.,or go to hollwood flicks,or the mall.I don't buy
>anything new except light bulbs and toilet paper.  From my point of view
>it's the one's who's sense of context is defined by tv movies and what's
>being sold at the mall who live under a rock-nothing personal,but the real
>world is much bigger and richer.
>  BTW it's no secret that if you give you get.
>
>_________________________________________________________________
>Mortgage rates near historic lows. Refinance $200,000 loan for as low as
>$771/month*
>https://www2.nextag.com/goto.jsp?product=100000035&url=%2fst.jsp&tm=y&search
>=mortgage_text_links_88_h27f8&disc=y&vers=689&s=4056&p=5117
>
>
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Sun Apr  8 04:31:32 2007
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References: <OF5DBF62CA.28725A7A-ON852572B4.0059F178-852572B4.005A068D@csc.com>
Subject: Re: Roland announce RE-20 'space echo'
Date: Sun, 8 Apr 2007 00:31:46 -0400
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i have a version which hold's the 1/4 in. tape in a round plastic sorta =
cassette, rather then having the tape laying open,which is the way most =
space echo's were.i don't use it often,but when i do it's great,none of =
the digital's in my studio, can sound like that,(it's very 60ish =
delay,and thats the way i use it)i have no idea if the lenth of tape =
that your's takes,makes a differance,but yes i just use ampeg,and it =
works .(i think most musicisn's,of the era of the tape echo's never =
changed tape,or at the best, very seldom) i would consider buying the re =
20 and any other vintage gear of that era.fire it up,have some =
fun...Micmanus
  ----- Original Message -----=20
  From: Larry C Tremblay=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, April 05, 2007 12:23 PM
  Subject: Re: Roland announce RE-20 'space echo'



  Have you tried to plug it in? Maybe the power supply is dead.=20

  - Larry=20



        Stefan Tiedje <Stefan-Tiedje@addcom.de>=20
        04/05/2007 06:06 AM Please respond to
              Loopers-Delight@loopers-delight.com=20


       To Loopers-Delight@loopers-delight.com =20
              cc =20
              Subject Re: Roland announce RE-20 'space echo'=20

             =20

      =20



  Dirk Wilbert schrieb:
  > Hi - I played the RE-20 today at the Musikmesse in Frankfurt. Very =
nice=20
  > effect, kind of warm and "vintage" sound - but I don't know how the=20
  > original sounds - so I can't compare...

  I just found an original RE-201 on the street in front of my flat. The =

  tape is missing, but I guess I can throw in some 1/4 inch...
  Its heavy, and I am sure, beside just trying it, I won't use it. But I =

  looked at ebay and there seems to be quite an interest in those kind =
of=20
   gear.

  Anybody interested? I have to check if it works at all, but the pots=20
  "feel" very solid and fine at least...

  I guess it was sitting in a cave for some years, but beside some dust =
it=20
  looks fine...

  Stefan

  --=20
  Stefan Tiedje------------x-------
  --_____-----------|--------------
  --(_|_ ----|\-----|-----()-------
  -- _|_)----|-----()--------------
  ----------()--------www.ccmix.com



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charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>i have a version which hold's the 1/4 =
in. tape in a=20
round plastic sorta cassette, rather then having the tape laying =
open,which is=20
the way most space echo's were.i don't use it often,but when i do it's=20
great,none of the digital's in my studio, can sound like that,(it's very =
60ish=20
delay,and thats the way i use it)i have no idea if the lenth of tape =
that your's=20
takes,makes a differance,but yes i just use ampeg,and it works .(i think =
most=20
musicisn's,of the era of the tape echo's never changed tape,or at the =
best, very=20
seldom) i would consider buying the re 20 and any other vintage gear of =
that=20
era.fire it up,have some fun...Micmanus</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dltrembl2@csc.com href=3D"mailto:ltrembl2@csc.com">Larry C =
Tremblay</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, April 05, 2007 =
12:23=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Roland announce =
RE-20 'space=20
  echo'</DIV>
  <DIV><BR></DIV><BR><FONT face=3Dsans-serif size=3D2>Have you tried to =
plug it in?=20
  Maybe the power supply is dead.</FONT> <BR><BR><FONT face=3Dsans-serif =
size=3D2>-=20
  Larry</FONT> <BR><BR><BR><BR>
  <TABLE width=3D"100%">
    <TBODY>
    <TR vAlign=3Dtop>
      <TD width=3D"40%"><FONT face=3Dsans-serif size=3D1><B>Stefan =
Tiedje &lt;<A=20
        =
href=3D"mailto:Stefan-Tiedje@addcom.de">Stefan-Tiedje@addcom.de</A>&gt;</=
B>=20
        </FONT>
        <P><FONT face=3Dsans-serif size=3D1>04/05/2007 06:06 AM</FONT>=20
        <TABLE border=3D1>
          <TBODY>
          <TR vAlign=3Dtop>
            <TD bgColor=3Dwhite>
              <DIV align=3Dcenter><FONT face=3Dsans-serif =
size=3D1>Please respond=20
              to<BR><A=20
              =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A></FONT></DIV></TR></TBODY></TABLE><BR></P>
      <TD width=3D"59%">
        <TABLE width=3D"100%">
          <TBODY>
          <TR vAlign=3Dtop>
            <TD>
              <DIV align=3Dright><FONT face=3Dsans-serif =
size=3D1>To</FONT></DIV>
            <TD><FONT face=3Dsans-serif size=3D1><A=20
              =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A></FONT>=20

          <TR vAlign=3Dtop>
            <TD>
              <DIV align=3Dright><FONT face=3Dsans-serif =
size=3D1>cc</FONT></DIV>
            <TD>
          <TR vAlign=3Dtop>
            <TD>
              <DIV align=3Dright><FONT face=3Dsans-serif =
size=3D1>Subject</FONT></DIV>
            <TD><FONT face=3Dsans-serif size=3D1>Re: Roland announce =
RE-20 'space=20
              echo'</FONT></TR></TBODY></TABLE><BR>
        <TABLE>
          <TBODY>
          <TR vAlign=3Dtop>
            <TD>
            =
<TD></TR></TBODY></TABLE><BR></TR></TBODY></TABLE><BR><BR><BR><FONT=20
  size=3D2><TT>Dirk Wilbert schrieb:<BR>&gt; Hi - I played the RE-20 =
today at the=20
  Musikmesse in Frankfurt. Very nice <BR>&gt; effect, kind of warm and =
"vintage"=20
  sound - but I don't know how the <BR>&gt; original sounds - so I can't =

  compare...<BR><BR>I just found an original RE-201 on the street in =
front of my=20
  flat. The <BR>tape is missing, but I guess I can throw in some 1/4=20
  inch...<BR>Its heavy, and I am sure, beside just trying it, I won't =
use it.=20
  But I <BR>looked at ebay and there seems to be quite an interest in =
those kind=20
  of <BR>&nbsp;gear.<BR><BR>Anybody interested? I have to check if it =
works at=20
  all, but the pots <BR>"feel" very solid and fine at least...<BR><BR>I =
guess it=20
  was sitting in a cave for some years, but beside some dust it =
<BR>looks=20
  fine...<BR><BR>Stefan<BR><BR>-- <BR>Stefan=20
  =
Tiedje------------x-------<BR>--_____-----------|--------------<BR>--(_|_=
=20
  ----|\-----|-----()-------<BR>--=20
  =
_|_)----|-----()--------------<BR>----------()--------www.ccmix.com<BR><B=
R></TT></FONT><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0019_01C77975.4A5A12A0--

From Loopers-Delight-request@loopers-delight.com  Sun Apr  8 05:01:31 2007
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Subject: escape is harder
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  I had no idea the email was coming through w/ ads- I tend to screen stuff 
like that out.. Guess I should stop using hotmail.

_________________________________________________________________
Get a FREE Web site, company branded e-mail and more from Microsoft Office 
Live! http://clk.atdmt.com/MRT/go/mcrssaub0050001411mrt/direct/01/

From Loopers-Delight-request@loopers-delight.com  Sun Apr  8 14:13:00 2007
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Subject: RE: greek under a rock
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>>Using that multi-dimensional gift of expression we call music to =
communicate to the soul mind and spirit. Some stuff like...late 70's =
vangelis for instance... though all non-lyrical pretty much, seems to =
communicate very powerfully.  Does anyone else hear that when they =
listen to like "China" for instance?  I mean we're talking about more =
than a guy playing 'chinesey sounding' sounds on his synthesizer :-).  =
The're an order to it that expresses so many aspects of china's history =
and emergence into the world economy and so on.   Brilliant piece of =
work really. =20
(As some may not know, Vangelis is kind of a looping pioneer in a way =
and highly recommend studying what he did with the tools he had at the =
time...ie...all of them that were available at the time.. :-) )<<

I've been a big fan of mr papathannassiou since first hearing =
aphrodite's child back in 1974. their classic last album was already =
four or five years old by then, & he'd moved on to solo projects- movie =
soundtracks & so forth, while his colleague (demis roussos) was becoming =
an easy-listening star. vangelis preferred to work alone, only using =
other musicians for vocals (famously, jon anderson of yes, & the =
aforementioned mr roussos, whose voice can clearly be heard on the =
"blade runner" soundtrack.)

I have a large amount of vangelis' output from 1968 to about 1985.... =
it's probably no coincidence that this is the non-midi period, before it =
became easy for anyone with enough money to make symphonies on their =
own.=20
I guess what vangelis was doing went to the limits of what one person =
could achieve both technically & creatively- he manages to sound =
instantly recognisable, in the way that marks a great composer, no =
matter what instrument he is playing. he also manages to create a world =
into which the listener is immersed, effortlessly. I hsve an album here, =
for deutsche gramophon (a label normally associated with academic =
readings of the classics, by big-name conductors & famous soloists) on =
which mr P appears to be throwing items around in his studio, in the =
general vicinity of his drums & percussion. it's /still/ an absorbing =
work, & he still conveys something even with this unconventional =
approach.
I believe he "channels", in the way composers often do...

I don't know how much looping he did though- I have a live-set from the =
70s, a bootleg of one of his rare live appearances. he's obviously =
trying to do everything on his own, & uses a simple step-sequencer =
(possibly an arp 16xx) which transposes occasionally in response to a =
bass synth line, while he bangs around on a steinway grand with the =
other hand. not for him the pre-loaded revoxes of klaus schulze et al.
there are a few variations on the "blade runner" ST in circulation- one =
I have here is a double CD & seems to be sketches, out-takes & bits of =
sound-design he may or may not have recorded/intended for the movie. it =
is like taking a vacation in the LA of 2017, as seen in the movie, but =
without the plot getting in the way. fabulous.

duncan.

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<P><FONT SIZE=3D2>&gt;&gt;Using that multi-dimensional gift of =
expression we call music to communicate to the soul mind and spirit. =
Some stuff like...late 70's vangelis for instance... though all =
non-lyrical pretty much, seems to communicate very powerfully.&nbsp; =
Does anyone else hear that when they listen to like &quot;China&quot; =
for instance?&nbsp; I mean we're talking about more than a guy playing =
'chinesey sounding' sounds on his synthesizer :-).&nbsp; The're an order =
to it that expresses so many aspects of china's history and emergence =
into the world economy and so on.&nbsp;&nbsp; Brilliant piece of work =
really.&nbsp;<BR>
(As some may not know, Vangelis is kind of a looping pioneer in a way =
and highly recommend studying what he did with the tools he had at the =
time...ie...all of them that were available at the time.. :-) =
)&lt;&lt;<BR>
<BR>
I've been a big fan of mr papathannassiou since first hearing =
aphrodite's child back in 1974. their classic last album was already =
four or five years old by then, &amp; he'd moved on to solo projects- =
movie soundtracks &amp; so forth, while his colleague (demis roussos) =
was becoming an easy-listening star. vangelis preferred to work alone, =
only using other musicians for vocals (famously, jon anderson of yes, =
&amp; the aforementioned mr roussos, whose voice can clearly be heard on =
the &quot;blade runner&quot; soundtrack.)<BR>
<BR>
I have a large amount of vangelis' output from 1968 to about 1985.... =
it's probably no coincidence that this is the non-midi period, before it =
became easy for anyone with enough money to make symphonies on their =
own.<BR>
I guess what vangelis was doing went to the limits of what one person =
could achieve both technically &amp; creatively- he manages to sound =
instantly recognisable, in the way that marks a great composer, no =
matter what instrument he is playing. he also manages to create a world =
into which the listener is immersed, effortlessly. I hsve an album here, =
for deutsche gramophon (a label normally associated with academic =
readings of the classics, by big-name conductors &amp; famous soloists) =
on which mr P appears to be throwing items around in his studio, in the =
general vicinity of his drums &amp; percussion. it's /still/ an =
absorbing work, &amp; he still conveys something even with this =
unconventional approach.<BR>
I believe he &quot;channels&quot;, in the way composers often do...<BR>
<BR>
I don't know how much looping he did though- I have a live-set from the =
70s, a bootleg of one of his rare live appearances. he's obviously =
trying to do everything on his own, &amp; uses a simple step-sequencer =
(possibly an arp 16xx) which transposes occasionally in response to a =
bass synth line, while he bangs around on a steinway grand with the =
other hand. not for him the pre-loaded revoxes of klaus schulze et =
al.<BR>
there are a few variations on the &quot;blade runner&quot; ST in =
circulation- one I have here is a double CD &amp; seems to be sketches, =
out-takes &amp; bits of sound-design he may or may not have =
recorded/intended for the movie. it is like taking a vacation in the LA =
of 2017, as seen in the movie, but without the plot getting in the way. =
fabulous.<BR>
<BR>
duncan.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Sun Apr  8 16:02:51 2007
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From: "Woz Mail" <abc90266@bigpond.net.au>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Mastering music
Date: Mon, 9 Apr 2007 01:57:24 +1000
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I'm not sure if it works with Abelton but I use Izotope Ozone which is
pretty damn good. Has an entire suite of mastering modules. I've used Waves
stuff and I prefer Ozone.

Cheers
Woz

-----Original Message-----
From: rune fagereng [mailto:rune_fagereng@yahoo.no]
Sent: Sunday, April 08, 2007 3:07 AM
To: loopers-delight@loopers-delight.com; midiguitar@yahoogroups.com;
repeater-users@yahoogroups.com
Subject: Mastering music


Hi !

I have a friend with a different studio-setup then me
- both hardware and software. As a part of his gear
there is a mastering-effect - its one where you can
see the soundfiles when working with them. My software
- ableton also has some effects called
masteringeffects - but I cant get the punch and
"closeness" like he get - when mastering even my
music.

Does anyone have tip on mastering - and
masteringeffects that works with mac and ableton ?

Rune F.

www.runefagereng.com
www.myspace.com/runefagereng
www.youtube.com/watch?v=bOHN4az59A0
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867





_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com



--
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10:57 PM


From Loopers-Delight-request@loopers-delight.com  Sun Apr  8 18:12:26 2007
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Subject: Re: Mastering music
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Richard Sales schrieb:
> I use an antique version of the Ultramaximizer- the L1 - and it works 
> well if you don't over do it. I've gotten good comments on my mastering. 
> Hah! It makes me chuckle.

Ha, I started my mastering jobs with the L1 and Sounddesigner, later 
Peak, and never changed the plug-in...
All clients had been happy so far...

Might be all you need...

I would not do it in Ableton-Live, sounds like more hassle than a 
dedicated editor....

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Sun Apr  8 18:45:05 2007
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Subject: Re: greek under a rock
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The kind of 'looping' vangelis did was of course more primitive using 
arpegiators of course since that was the only device on his hardware 
capable of doing repetative things in the performance.  I'm calling it 
'looping' because there is an analogous aspect there.  Interjecting 
repetative patterns into a live performance.  Albeit much simpler in 
construction than the detailed loops were are using here today.  :-).  
Much to be learned from listening to that stuff though for those who 
haven't been exposed to it.  "Soil Festivities" is a great example. -Bob

Goddard, Duncan wrote:

> I don't know how much looping he did though- I have a live-set from 
> the 70s, a bootleg of one of his rare live appearances. he's obviously 
> trying to do everything on his own, & uses a simple step-sequencer 
> (possibly an arp 16xx) which transposes occasionally in response to a 
> bass synth line, while he bangs around on a steinway grand with the 
> other hand. not for him the pre-loaded revoxes of klaus schulze et al.
> there are a few variations on the "blade runner" ST in circulation- 
> one I have here is a double CD & seems to be sketches, out-takes & 
> bits of sound-design he may or may not have recorded/intended for the 
> movie. it is like taking a vacation in the LA of 2017, as seen in the 
> movie, but without the plot getting in the way. fabulous.
>
> duncan.
>

From Loopers-Delight-request@loopers-delight.com  Sun Apr  8 20:36:09 2007
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Date: Sun, 8 Apr 2007 22:36:06 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Re: Re: Mastering music
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Thanks !

Rune F.

--- Stefan Tiedje <Stefan-Tiedje@addcom.de> skrev:

> Richard Sales schrieb:
> > I use an antique version of the Ultramaximizer-
> the L1 - and it works 
> > well if you don't over do it. I've gotten good
> comments on my mastering. 
> > Hah! It makes me chuckle.
> 
> Ha, I started my mastering jobs with the L1 and
> Sounddesigner, later 
> Peak, and never changed the plug-in...
> All clients had been happy so far...
> 
> Might be all you need...
> 
> I would not do it in Ableton-Live, sounds like more
> hassle than a 
> dedicated editor....
> 
> Stefan
> 
> -- 
> Stefan Tiedje------------x-------
> --_____-----------|--------------
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()--------www.ccmix.com
> 
> 


www.runefagereng.com
www.myspace.com/runefagereng 
www.youtube.com/watch?v=bOHN4az59A0
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


	
	
		
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sun Apr  8 23:20:28 2007
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Subject: On eBay: DigiTech 7.6, RDS-4000 and RDS-8000 
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I have the following DigiTech items up for auction on eBay. all are in 
good shape and working condition.

DigiTech 7.6 Time Machine 7.6 second delay: $80, good condition

DigiTech RDS-8000 8-second delay: $125, mint

DigiTech RDS-4000 4-second delay: $90, like-new

Here's a link to these items: 
http://search.ebay.com/_W0QQsassZgiraffe800_0QQhtZ-1

Thanks,

- Larry

--=_alternative 008036CF852572B7_=
Content-Type: text/html; charset="US-ASCII"


<br><font size=2 face="sans-serif">I have the following DigiTech items
up for auction on eBay. all are in good shape and working condition.</font>
<br>
<br><font size=2 face="sans-serif">DigiTech 7.6 Time Machine 7.6 second
delay: $80, good condition</font>
<br>
<br><font size=2 face="sans-serif">DigiTech RDS-8000 8-second delay: $125,
mint</font>
<br>
<br><font size=2 face="sans-serif">DigiTech RDS-4000 4-second delay: $90,
like-new</font>
<br>
<br><font size=2 face="sans-serif">Here's a link to these items: http://search.ebay.com/_W0QQsassZgiraffe800_0QQhtZ-1</font>
<br>
<br><font size=2 face="sans-serif">Thanks,</font>
<br>
<br><font size=2 face="sans-serif">- Larry</font>
<br>
--=_alternative 008036CF852572B7_=--

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 03:00:20 2007
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Hi,

I checked the archives and didn't see much on portable hard disk 
recorders and their usefulness for looping.

What I am looking to do is take best 30-second to 5-minute segments of 
analog 2-track recordings and loop them.  I'm sure this can be done 
quite will with computers (ProTools, etc.), but am not really interested 
at this point in investing a lot of time in learning new 
software/hardware, nor investing the money in same.

I see from the owners manuals of some portable hard-disk recorders (Zoom 
4-track, Fostex 8-track, etc.) that one can cut and paste sections of 
recordings.   I am wondering if doing this could produce seamless loops 
(without any glitch or cut-out of the sound).   If I transfered segments 
of analog 2-track recordings to a portable hard disk recorder such as 
the Zoom MRS-4B 4-track recorder or the Fostex MR-8 series (whose owners 
manuals indicate that you can copy and paste sections of recordings), 
would the result be nice seamless loops without gaps?    Are there 
particular portable hard disk recorders (from two to eight tracks) that 
work better than others for seamless, glitchless loop-type recording?

Many thanks!
Michael Yoder
bassist, Ambient Jazz Duo
http://www.myspace.com/ambientjazzduo

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 10:42:41 2007
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To: Loopers <loopers-delight@loopers-delight.com>
From: Bernhard Wagner LD <loopdelightml-NDI3MDE=-@bernhardwagner.net>
Subject: Roger Linn interview videos at sweetwater
Date: Mon, 9 Apr 2007 12:42:36 +0200
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Roger Linn interview videos at sweetwater (promoting M-Audio's "Black  
Box"):
http://www.sweetwater.com/feature/roger-linn/

This one: "Part 10 - What's missing in the process of making music  
today?"
compares "conventional" syncing of musicians via a common score with  
syncing electronically. Also mentions live looping (calling it  
"interactive merging of the worlds of real time and recording in the  
form of looping").

Bernhard

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 13:02:22 2007
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From: "RICK WALKER" <looppool@cruzio.com>
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Subject: I stumbled on this picture that brought back fond memories
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I found this tonight, looking through a bunch of pictures looking for 
something else.

It made me smile.

yours,   r.


From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 14:33:35 2007
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To: Loopers-Delight@loopers-delight.com
From: Travis Hartnett <tiktok@sprintmail.com>
Subject: OT: Busking--it's hard for everyone
Date: Mon, 9 Apr 2007 07:31:55 -0700
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Sometimes on this list, people talk about busking and/or the  
difficulty of attracting an audience's attention at gigs where people  
haven't paid to see music.  Apparently, this problem extends all the  
way up the talent ladder.  What if one of the greatest musicians in  
the world played some of the best music ever written on one of the  
best instruments ever made...in the subway?

What happened:

http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/ 
AR2007040401721.html?hpid=artslot


TravisH


From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 14:35:42 2007
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Date: Mon, 9 Apr 2007 10:35:33 -0400
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Wow, a polar bear in a snowstorm?

>I found this tonight, looking through a bunch of pictures looking 
>for something else.
>
>It made me smile.
>
>yours,   r.


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 15:11:13 2007
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Date: Mon, 9 Apr 2007 11:11:10 -0400
From: "Tony K" <bigtonyk@gmail.com>
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Subject: OT: Interesting article on busking in D.C.
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quite interesting...

http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721_pf.html

-- 
-==-=-=-
Tony

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quite interesting...<br><br><a href="http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721_pf.html">http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721_pf.html</a><br clear="all">
<br>-- <br>-==-=-=-<br>Tony

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From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 15:14:22 2007
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Date: Mon, 9 Apr 2007 11:14:18 -0400
From: "Jim Goodin" <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Busking--it's hard for everyone
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 re busking....

I live in NY and do this regularly.  It started for me several years ago
when my children were younger and I was trying to find more playing time.  I
play along the F and R lines everyday while waiting on the train, using a
Martin Backpacker and recently a wood flute which is a new interest.  Most
times the experience is more about doing it than income however I have had a
few nice things over the years.  A few years ago a guy was watching me and
appeared to be sketching.  He put a caricture and a note down in my case to
call him if I played weddings so that led to a booking.  Have sold a few
CD's and got a few bucks.  One neat personal experienced happened one
evening.  I had quit and was walking out of the subway in Brooklyn.  About a
block later a woman passed by me and said, 'that was really lovely what you
played...'  Though those don't pay the rent in a sense that's why we do
it...

cheers

jim goodin
http://www.jimgoodinmusic.com http://www.chinapaintingmusic.com


On 4/9/07, Travis Hartnett <tiktok@sprintmail.com> wrote:
>
>
>
>




-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

Associates and friends on the web -
Daryl Shawn -
http://www.swanwelder.com
Adam Werner - http://www.adamwerner.com
John Stowell - http://www.johnstowell.com
Matt Richards - http://www.mattrichardsmusic.net
Michael Manring - http://www.manthing.com
Will Ackerman - http://www.williamackerman.com
New Land Music - http://www.newlandmusic.com

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<div><br>&nbsp;re busking....</div>
<div>&nbsp;</div>
<div>I live in NY and do this regularly.&nbsp; It started for me several years ago when my children were younger and I was trying to find more playing time.&nbsp; I play along the F and R lines everyday while waiting on the train, using a Martin Backpacker and recently a wood flute which is a new interest.&nbsp; Most times the experience is more about doing it than income however I have had a few nice things over the years.&nbsp; A few years ago a guy was watching me and appeared to be sketching.&nbsp; He put a caricture and a note down in my case to call him if I played weddings so that led to a booking.&nbsp; Have sold a few CD&#39;s and got a few bucks.&nbsp; One neat personal experienced happened one evening.&nbsp; I had quit and was walking out of the subway in Brooklyn.&nbsp; About a block later a woman passed by me and said, &#39;that was really lovely what you played...&#39;&nbsp; Though those don&#39;t pay the rent in a sense that&#39;s why we do it...
</div>
<div>&nbsp;</div>
<div>cheers</div>
<div>&nbsp;</div>
<div>jim goodin</div>
<div><a href="http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com</a> <a href="http://www.chinapaintingmusic.com">http://www.chinapaintingmusic.com</a></div>
<div><br>&nbsp;</div>
<div><span class="gmail_quote">On 4/9/07, <b class="gmail_sendername">Travis Hartnett</b> &lt;<a href="mailto:tiktok@sprintmail.com">tiktok@sprintmail.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><br><br>&nbsp;</blockquote></div><br><br clear="all"><br>-- <br>The Acoustic World Guitar of Jim Goodin&nbsp;&nbsp;- <a href="http://www.jimgoodinmusic.com">
http://www.jimgoodinmusic.com</a><br>MySpace (solo) - <a href="http://www.myspace.com/jimgoodinmusic">http://www.myspace.com/jimgoodinmusic</a><br>Chinapainting -<br><a href="http://www.chinapaintingmusic.com">http://www.chinapaintingmusic.com
</a><br>Chinapainting on My Space -<br><a href="http://www.myspace.com/chinapaintingmusic.com">http://www.myspace.com/chinapaintingmusic.com</a><br>The Jim Goodin label and home for 7 other creative souls - <a href="http://www.woodandwiremusic.com">
http://www.woodandwiremusic.com</a> <br>Jim Goodin uses GHS Strings - <a href="http://www.ghsstrings.com">http://www.ghsstrings.com</a> and Seagull Guitars - <a href="http://www.seagullguitars.com">http://www.seagullguitars.com
</a>, Jim Goodin is published by Mel Bay Publications, Inc. - <a href="http://www.melbay.com">http://www.melbay.com</a><br><br>Associates and friends on the web -<br>Daryl Shawn -<br><a href="http://www.swanwelder.com">http://www.swanwelder.com
</a><br>Adam Werner - <a href="http://www.adamwerner.com">http://www.adamwerner.com</a><br>John Stowell - <a href="http://www.johnstowell.com">http://www.johnstowell.com</a><br>Matt Richards - <a href="http://www.mattrichardsmusic.net">
http://www.mattrichardsmusic.net</a><br>Michael Manring - <a href="http://www.manthing.com">http://www.manthing.com</a><br>Will Ackerman - <a href="http://www.williamackerman.com">http://www.williamackerman.com</a><br>New Land Music - 
<a href="http://www.newlandmusic.com">http://www.newlandmusic.com</a> 

------=_Part_3805_14742944.1176131658391--

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 15:16:11 2007
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At least he caught his good side.


Charles Zwicky wrote:

> Wow, a polar bear in a snowstorm?
>
>> I found this tonight, looking through a bunch of pictures looking for 
>> something else.
>>
>> It made me smile.
>>
>> yours,   r.
>
>
>


-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db


From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 15:19:24 2007
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Quoting Travis Hartnett <tiktok@sprintmail.com>:

> What if one of the greatest musicians in the world
> played some of the best music ever written on one of the best
> instruments ever made...in the subway?
>
> http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR20070404=
01721.html?hpid=3Dartslot


This article showed up on the electro-music forums yesterday and I've =20
had some time to digest it.

The people who recognized the talent for what it was were people who =20
had already cultivated an appreciation for music.

For instance, what if a restaurant substituted a $300-per-bottle wine =20
for their house wine.  How many people would notice that they were =20
drinking a rare, expensive wine?  I would suppose that the only people =20
who would notice would be those who have cultivated taste and =20
knowledge about wine.

The Bach sounded wonderful in the video and somehow it added something =20
wonderful to the place, even though most people didn't stop to =20
acknowledge it.  Wish I had been there.

I found that I could take heart from this.  Every week I play the =20
organ for around 1000 people and in general I will get a few =20
compliments -- generally from people who have traveled to Europe and =20
heard organ music in great cathedrals there.  So, my ratio of =20
listeners to compliments is about the same as the violinist.  Not bad! =20
  :)

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From: Richard Sales <richard@glasswing.com>
Subject: Re: I stumbled on this picture that brought back fond memories
Date: Mon, 9 Apr 2007 08:22:28 -0700
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You really got me laughing on this one!

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 9-Apr-07, at 7:35 AM, Charles Zwicky wrote:

> Wow, a polar bear in a snowstorm?
>
>> I found this tonight, looking through a bunch of pictures looking for 
>> something else.
>>
>> It made me smile.
>>
>> yours,   r.
>
>
> -- 
> ...
> http://www.zmix.net
>

--Apple-Mail-1-256452678
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You really got me laughing on this one!


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 9-Apr-07, at 7:35 AM, Charles Zwicky wrote:


<excerpt>Wow, a polar bear in a snowstorm?


<excerpt>I found this tonight, looking through a bunch of pictures
looking for something else.


It made me smile.


yours,   r.

</excerpt>


-- 

...

http://www.zmix.net


</excerpt>
--Apple-Mail-1-256452678--

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 15:48:35 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: OT: Interesting article on busking in D.C.
Date: Mon, 9 Apr 2007 08:48:10 -0700
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THAT is one f,,,,,g amazing article.  LOADED with what I consider  
stunning observations, from Bell and writer to some of the 'listeners'.  
  It went totally against what I thought would happen.  Hey Tony! Thanks  
times mc squared.

Everyone should read this article.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 9-Apr-07, at 8:11 AM, Tony K wrote:

> quite interesting...
>
> http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/ 
> AR2007040401721_pf.html
>
> -- 
> -==-=-=-
> Tony
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THAT is one f,,,,,g amazing article.  LOADED with what I consider
stunning observations, from Bell and writer to some of the
'listeners'.  It went totally against what I thought would happen. 
Hey Tony! Thanks times mc squared.


Everyone should read this article.  


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 9-Apr-07, at 8:11 AM, Tony K wrote:


<excerpt>quite interesting...


<color><param>0000,0000,EEEE</param>http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721_pf.html</color>


-- 

-==-=-=-

Tony</excerpt>
--Apple-Mail-4-257994524--

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 15:55:01 2007
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Subject: Re: OT: Busking--it's hard for everyone
Date: Mon, 9 Apr 2007 08:54:53 -0700
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Oh excuse me!  THANKS Travis! ... and TOny
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 9-Apr-07, at 7:31 AM, Travis Hartnett wrote:

> Sometimes on this list, people talk about busking and/or the  
> difficulty of attracting an audience's attention at gigs where people  
> haven't paid to see music.  Apparently, this problem extends all the  
> way up the talent ladder.  What if one of the greatest musicians in  
> the world played some of the best music ever written on one of the  
> best instruments ever made...in the subway?
>
> What happened:
>
> http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/ 
> AR2007040401721.html?hpid=artslot
>
>
> TravisH
>

--Apple-Mail-5-258397868
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Oh excuse me!  THANKS Travis! ... and TOny

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 9-Apr-07, at 7:31 AM, Travis Hartnett wrote:


<excerpt>Sometimes on this list, people talk about busking and/or the
difficulty of attracting an audience's attention at gigs where people
haven't paid to see music.  Apparently, this problem extends all the
way up the talent ladder.  What if one of the greatest musicians in
the world played some of the best music ever written on one of the
best instruments ever made...in the subway?


What happened:


http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html?hpid=artslot



TravisH


</excerpt>
--Apple-Mail-5-258397868--

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From: john floridis <jfloridis@aol.com>
Subject: Re: OT: Busking--it's hard for everyone
Date: Mon, 9 Apr 2007 10:45:44 -0600
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this was truly one of the most profound things i've read.  period.  i  
really encourage folks to take the time to read the entire article.   
it is very long, but take the time, make the time to read it.  like  
the people who took the time to listen.  there are so many things to  
comment on, i wouldn't know where to start.  maybe the part that i  
would comment on is the part that effected me more than anything  
else......how joshua bell felt his own performance was best when he  
most felt he was being listened to.  what musician with any soul at  
all could not relate to that.

heartfelt thanks to travis for bringing this to our attention.  i  
can't help but wonder how this would play out in different situations  
across the country....in different countries.....different  
cultures......different styles of music.  is part of the indifference  
due to the perception in our country, our culture of "classical"  
music?  i've met alison krauss, and you might be able to sneak her in  
there to play her fiddle...not sing obviously.....but play and see if  
folks noticed.

wow, i could go on and on.  again thank you.
john

--Apple-Mail-1-261448889
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-=
line-break: after-white-space; ">this was truly one of the most profound thi=
ngs i've read.=A0 period.=A0 i really encourage folks to take the time to re=
ad the entire article.=A0 it is very long, but take the time, make the time=20=
to read it.=A0 like the people who took the time to listen.=A0 there are so=20=
many things to comment on, i wouldn't know where to start.=A0 maybe the part=
 that i would comment on is the part that effected me more than anything els=
e......how joshua bell felt his own performance was best when he most felt h=
e was being listened to.=A0 what musician with any soul at all could not rel=
ate to that.<DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><SPAN clas=
s=3D"Apple-style-span">heartfelt thanks to travis for bringing this to our a=
ttention.=A0 i can't help but wonder how this would play out in different si=
tuations across the country....in different countries.....different cultures=
......different <I>styles</I>=A0of music.=A0 is part of the indifference due=
 to the perception in our country, our culture of "classical" music?=A0 i've=
 met alison krauss, and you might be able to sneak her in there to play her=20=
fiddle...not sing obviously.....but play and see if folks noticed.=A0=A0</SP=
AN></DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>wow, i could=20=
go on and on.=A0 again thank you.</DIV><DIV>john</DIV></BODY></HTML>=3D

--Apple-Mail-1-261448889--

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Date: Mon, 9 Apr 2007 09:54:54 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Busking--it's hard for everyone
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One of the problems of playing in a train station is that by
definition, pretty much everyone there is on their way to somewhere,
so they're pressed for time and their minds are not on the immediate
environment.  A lot of musicians like to busk train stations because
the thinking is there's a lot of people who'll see you, when actually
there's a lot of people who'll ignore you.

Playing at a "destination" site, such as an outdoor craft or farmer's
market on a pretty weekend afternoon might get you  more attention and
money, because people are there to wander around, look at things and
spend money, not hurry to and from their job.

TravisH

On 4/9/07, john floridis <jfloridis@aol.com> wrote:

>
> heartfelt thanks to travis for bringing this to our attention.  i can't help
> but wonder how this would play out in different situations across the
> country....in different countries.....different cultures......different
> styles of music.  is part of the indifference due to the perception in our
> country, our culture of "classical" music?  i've met alison krauss, and you
> might be able to sneak her in there to play her fiddle...not sing
> obviously.....but play and see if folks noticed.

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 17:07:19 2007
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Date: Mon, 9 Apr 2007 13:07:12 -0400
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Busking--it's hard for everyone
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Travis that is right and didn't mean to side bar this thread.  Actually had
trouble getting the link to interpret and was sharing my experience @10
years doing it.  True many ignore but as echo'd a few good times plus for me
it's another chance to gain some practice/performance time out of @45 min
commute each day from Brooklyn to NY going coming.  In a sense it's made
more sense than performing in some of the clubs for genre of music not
really supported and generally cattle call bookings for 30-45 min blocks.
Still some good things from doing those and clearly they are essential, it's
just the subway has given another opportunity.  As songwriter Martin Sexton
said however about playing it in the ever popular among musicians Boston
Metro, know when to come up... echoing if you stay down there too long you
never will return.

j


On 4/9/07, Travis Hartnett <travishartnett@gmail.com> wrote:
>
> One of the problems of playing in a train station is that by
> ....

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<div>Travis that is right and didn&#39;t mean to side bar this thread.&nbsp; Actually had trouble getting the link to interpret and was sharing my experience @10 years doing it.&nbsp; True many ignore but as echo&#39;d a few good times plus for me it&#39;s another chance to gain some practice/performance time out of @45 min commute each day from Brooklyn to NY going coming.&nbsp; In a sense it&#39;s made more sense than performing in some of the clubs for genre of music not really supported and generally cattle call bookings for 30-45 min blocks.&nbsp; Still some good things from doing those and clearly they are essential, it&#39;s just the subway has given another opportunity.&nbsp; As songwriter Martin Sexton said however about playing it in the ever popular among musicians Boston Metro, know when to come up... echoing if you stay down there too long you never will return.
</div>
<div>&nbsp;</div>
<div>j<br><br>&nbsp;</div>
<div><span class="gmail_quote">On 4/9/07, <b class="gmail_sendername">Travis Hartnett</b> &lt;<a href="mailto:travishartnett@gmail.com">travishartnett@gmail.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">One of the problems of playing in a train station is that by<br>....</blockquote></div>

------=_Part_6977_29977239.1176138432071--

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From: Richard Sales <richard@glasswing.com>
Subject: Re: OT: Busking--it's hard for everyone
Date: Mon, 9 Apr 2007 10:12:57 -0700
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I thought the article was amazing not just for the actual experiment 
but for other snippets that occurred, like Bell denying that he is a 
genius and the 'if a tree falls' bit.

The guy is obviously a top notch virtuoso and I'm dazzled that more 
folks didn't stop.  In a way, to me, it says something about how the 
importance of music has slipped for many folks.

I also think it makes a comment about the conformity and herd mind of 
North America.  If folks had KNOWN he was a world famous violinist, 
they most certainly would have stopped - work or no work.  I mean, if 
Bob Dylan or Stevie Wonder or Britney Spears busked at the same train 
station you would have had a serious gridlock of gawkers and listeners. 
  BUT! If someone equally as good and creative (this adjective does not 
apply to Ms Spears) did it and wasn't recognizable as a 'famous' person 
they would have been shined on just like J Bell.  I found it very 
fascinating and high protein food for thought.

I think it would be a fun experiment to repeat the experiment but with 
the Washington Post cameras in full view and maybe some bodyguards 
there to show that this was an important person.  I bet the results 
would be quit different.  And that would be telling.

And I think it says a lot about our vocation (or hobby maybe) for some. 
  And it should be sweet solace for those who know they are very gifted 
and working at Wal Mart.  The moral might be, "Fame has its 
advantages." And it also brings to mind the brilliant human 
observation, "To them that have more shall be given."


richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 9-Apr-07, at 9:54 AM, Travis Hartnett wrote:

> One of the problems of playing in a train station is that by
> definition, pretty much everyone there is on their way to somewhere,
> so they're pressed for time and their minds are not on the immediate
> environment.  A lot of musicians like to busk train stations because
> the thinking is there's a lot of people who'll see you, when actually
> there's a lot of people who'll ignore you.
>
> Playing at a "destination" site, such as an outdoor craft or farmer's
> market on a pretty weekend afternoon might get you  more attention and
> money, because people are there to wander around, look at things and
> spend money, not hurry to and from their job.
>
> TravisH
>
> On 4/9/07, john floridis <jfloridis@aol.com> wrote:
>
>>
>> heartfelt thanks to travis for bringing this to our attention.  i 
>> can't help
>> but wonder how this would play out in different situations across the
>> country....in different countries.....different 
>> cultures......different
>> styles of music.  is part of the indifference due to the perception 
>> in our
>> country, our culture of "classical" music?  i've met alison krauss, 
>> and you
>> might be able to sneak her in there to play her fiddle...not sing
>> obviously.....but play and see if folks noticed.
>

--Apple-Mail-1-263082438
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I thought the article was amazing not just for the actual experiment
but for other snippets that occurred, like Bell denying that he is a
genius and the 'if a tree falls' bit.  


The guy is obviously a top notch virtuoso and I'm dazzled that more
folks didn't stop.  In a way, to me, it says something about how the
importance of music has slipped for many folks.  


I also think it makes a comment about the conformity and herd mind of
North America.  If folks had KNOWN he was a world famous violinist,
they most certainly would have stopped - work or no work.  I mean, if
Bob Dylan or Stevie Wonder or Britney Spears busked at the same train
station you would have had a serious gridlock of gawkers and
listeners.  BUT! If someone equally as good and creative (this
adjective does not apply to Ms Spears) did it and wasn't recognizable
as a 'famous' person they would have been shined on just like J Bell. 
I found it very fascinating and high protein food for thought. 


I think it would be a fun experiment to repeat the experiment but with
the Washington Post cameras in full view and maybe some bodyguards
there to show that this was an important person.  I bet the results
would be quit different.  And that would be telling.


And I think it says a lot about our vocation (or hobby maybe) for
some.  And it should be sweet solace for those who know they are very
gifted and working at Wal Mart.  The moral might be, "Fame has its
advantages." And it also brings to mind the brilliant human
observation, "To them that have more shall be given."



<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 9-Apr-07, at 9:54 AM, Travis Hartnett wrote:


<excerpt>One of the problems of playing in a train station is that by

definition, pretty much everyone there is on their way to somewhere,

so they're pressed for time and their minds are not on the immediate

environment.  A lot of musicians like to busk train stations because

the thinking is there's a lot of people who'll see you, when actually

there's a lot of people who'll ignore you.


Playing at a "destination" site, such as an outdoor craft or farmer's

market on a pretty weekend afternoon might get you  more attention and

money, because people are there to wander around, look at things and

spend money, not hurry to and from their job.


TravisH


On 4/9/07, john floridis <<jfloridis@aol.com> wrote:


<excerpt>

heartfelt thanks to travis for bringing this to our attention.  i
can't help

but wonder how this would play out in different situations across the

country....in different countries.....different cultures......different

styles of music.  is part of the indifference due to the perception in
our

country, our culture of "classical" music?  i've met alison krauss,
and you

might be able to sneak her in there to play her fiddle...not sing

obviously.....but play and see if folks noticed.

</excerpt>

</excerpt>
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From: Richard Sales <richard@glasswing.com>
Subject: Re: OT: Busking--it's hard for everyone
Date: Mon, 9 Apr 2007 10:18:49 -0700
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Well you should try my experiment some time Jim.  Get a bunch of folks=20=

with snazzy looking cameras and press badges and maybe a high end=20
looking video camera down there with you and see what happens.  Better=20=

still, go to your local paper and tell them about the Washington Post=20
experiment and see if they're willing to support you.  I'd LOVE to see=20=

the results and I suspect my hunch is right.  And you can tell them=20
their article would be circulated world wide by all the hungry=20
musicians who've suspected this all along.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 9-Apr-07, at 10:07 AM, Jim Goodin wrote:

> Travis that is right and didn't mean to side bar this thread.=A0=20
> Actually had trouble getting the link to interpret and was sharing my=20=

> experience @10 years doing it.=A0 True many ignore but as echo'd a few=20=

> good times plus for me it's another chance to gain some=20
> practice/performance time out of @45 min commute each day from=20
> Brooklyn to NY going coming.=A0 In a sense it's made more sense than=20=

> performing in some of the clubs for genre of music not really=20
> supported and generally cattle call bookings for 30-45 min blocks.=A0=20=

> Still some good things from doing those and clearly they are=20
> essential, it's just the subway has given another opportunity.=A0 As=20=

> songwriter Martin Sexton said however about playing it in the ever=20
> popular among musicians Boston Metro, know when to come up... echoing=20=

> if you stay down there too long you never will return.
> =A0
> j
>
> =A0
> On 4/9/07, Travis Hartnett <travishartnett@gmail.com> wrote: One of=20
> the problems of playing in a train station is that by
>> ....=

--Apple-Mail-2-263434354
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Well you should try my experiment some time Jim.  Get a bunch of folks
with snazzy looking cameras and press badges and maybe a high end
looking video camera down there with you and see what happens.  Better
still, go to your local paper and tell them about the Washington Post
experiment and see if they're willing to support you.  I'd LOVE to see
the results and I suspect my hunch is right.  And you can tell them
their article would be circulated world wide by all the hungry
musicians who've suspected this all along. =20


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 9-Apr-07, at 10:07 AM, Jim Goodin wrote:


<excerpt>Travis that is right and didn't mean to side bar this
thread.=A0 Actually had trouble getting the link to interpret and was
sharing my experience @10 years doing it.=A0 True many ignore but as
echo'd a few good times plus for me it's another chance to gain some
practice/performance time out of @45 min commute each day from
Brooklyn to NY going coming.=A0 In a sense it's made more sense than
performing in some of the clubs for genre of music not really
supported and generally cattle call bookings for 30-45 min blocks.=A0
Still some good things from doing those and clearly they are
essential, it's just the subway has given another opportunity.=A0 As
songwriter Martin Sexton said however about playing it in the ever
popular among musicians Boston Metro, know when to come up... echoing
if you stay down there too long you never will return.

=A0

j


=A0

On 4/9/07, <bold>Travis Hartnett</bold>
<<<color><param>0000,0000,EEEE</param>travishartnett@gmail.com</color>>
wrote: One of the problems of playing in a train station is that by

<excerpt>....</excerpt></excerpt>=

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From: john floridis <jfloridis@aol.com>
Subject: Re: OT: Busking--it's hard for everyone
Date: Mon, 9 Apr 2007 11:30:23 -0600
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i think richard has some excellent points here....the concept of  
knowing the performer is not joshua bell but JOSHUA BELL.  i've so  
many times felt while either listening to musicians play in certain  
locations, enviornments or playing in them myself that if prince were  
there playing right in front of the audience, they wouldn't pay any  
more attention.

NOT to equate myself with prince or rather PRINCE.

another aspect is the concept of the soloist.  there is an intimacy  
in a solo performance that can of course be very intensely positive,  
but as a local missoula writer said,......it's more like a date.   
coming across a solo musician in that setting, regardless of the fact  
that it's joshua bell, is for some people no different than being  
accosted by a homeless man for spare change.  a band  
though.......that's a whole other matter ( to most people i  
believe).  where there's a band there's a party, a scene, a  
happening.....it becomes less to do with the music than what happens  
socially.....even in ....maybe especially in a train station.  with a  
soloist, whether it's your choice or in this case...not....you are  
involved in a more intimate relationship.

john

--Apple-Mail-2-264127855
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=ISO-8859-1

<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-=
line-break: after-white-space; "><SPAN class=3D"Apple-style-span">i think ri=
chard has some excellent points here....the concept of <I>knowing</I> the pe=
rformer is not joshua bell but JOSHUA BELL.=A0 i've so many times felt while=
 either listening to musicians play in certain locations, enviornments or pl=
aying in them myself that if prince were there playing right in front of the=
 audience, they wouldn't pay any more attention.=A0=A0<I></I></SPAN><DIV><I>=
<BR class=3D"khtml-block-placeholder"></I></DIV><DIV><SPAN class=3D"Apple-st=
yle-span"><I>NOT</I> to equate myself with prince or rather PRINCE.</SPAN></=
DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><SPAN class=3D"App=
le-style-span">another aspect is the concept of the soloist.=A0 there is an=20=
intimacy in a solo performance that can of course be very intensely positive=
, but as a local missoula writer said,......it's more like a date.=A0 coming=
 across a solo musician in that setting, regardless of the fact that it's jo=
shua bell, is for some people no different than being=A0accosted by a homele=
ss man for spare change.=A0 a <I>band</I>=A0though.......that's a whole othe=
r matter ( to most people i believe).=A0 where there's a band there's a part=
y, a scene, a happening.....it becomes less to do with the music than what h=
appens socially.....even in ....maybe especially in a train station.=A0 with=
 a soloist, whether it's your choice or in this case...not....you are involv=
ed in a more intimate relationship.</SPAN></DIV><DIV><BR class=3D"khtml-bloc=
k-placeholder"></DIV><DIV>john</DIV></BODY></HTML>=3D

--Apple-Mail-2-264127855--

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 17:55:59 2007
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From: Zoe Keating <cello@zoekeating.com>
Subject: Re: OT: Busking--it's hard for everyone
Date: Mon, 9 Apr 2007 10:55:56 -0700
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thanks for forwarding that article! really great.

it reinforces my strong belief that studying music as a child will  
change your life and will change your perception of the  
world...permanently. irrespective of whether you continue with music  
as an adult.

interestingly, in my early 20's i busked a few times a week in NYC  
subway stations and then in san francisco BART. both because i was  
broke and because i thought it would help my lifelong problem with  
paralysing stage fright. in BART, 2hrs of busking and i would go home  
with $50 which i thought was great (given that i made $6 hr at my  
part-time job). it totally killed my stage fright. i realized that no  
one gave a rat's ass how perfect or imperfect my technique was,  
because most people didn't even notice me. when someone did stop and  
listen, i knew that they just appreciated the music and i so grateful  
for their fleeting attention i would play better and forget to be  
scared.


From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 17:58:49 2007
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Date: Mon, 9 Apr 2007 10:58:48 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: mr-8 as a looper (portable hard disc looping)/EVH gtr
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some late answers to previous posts-
  i believe i saw somewhere that the EVH gtr (frankenstrat replica) was supposed
  to be in the 30,000$ range & only 300 were going to be made (which i think puts it in
  the range of the clapton "blackie" strat relic for cost)
   
  as for the question of portable hard disc recording-
  i have the original fostex mr-8, it has very limited editing capabilities and cut and paste
  options....i think it will loop but i'm not sure how user friendly it would be w/
  live looping....and i'm not sure the buttons are live friendly....
  it works great in my little studio space for recording etc... (and i use it to capture my studio experiments  etc)
  and i should say that i really use a fraction of what it can do, but i do know its
  not up there w/ the fancy computer editing that others units can do.
  remember this was made for 8 tracks of recording to digital for under
  300$ back in '03.
  there is a new version out that i'm sure has more bells and whistles,
  but i would say that honestly, if you want to catch and loop material there is
  cheaper and easier options than the mr8.
  s---

 
---------------------------------
Now that's room service! Choose from over 150,000 hotels 
in 45,000 destinations on Yahoo! Travel to find your fit.
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<div>some late&nbsp;answers to&nbsp;previous posts-</div>  <div>i believe i saw somewhere that the EVH gtr (frankenstrat replica) was supposed</div>  <div>to be in the 30,000$ range &amp; only 300 were going to be made (which i think puts it in</div>  <div>the range of the clapton "blackie" strat relic for cost)</div>  <div>&nbsp;</div>  <div>as for the question of portable hard disc recording-</div>  <div>i have the original fostex mr-8, it has very limited editing capabilities and cut and paste</div>  <div>options....i think it will loop but i'm not sure how user friendly it would be w/</div>  <div>live looping....and i'm not sure the buttons are live friendly....</div>  <div>it works great in my little studio space for recording etc... (and i use it to capture my studio experiments&nbsp; etc)</div>  <div>and i should say that i really use a fraction of what it can do, but i do know its</div>  <div>not up there w/ the fancy computer editing that others units can do.</div>
  <div>remember this was made for 8 tracks of recording to digital for under</div>  <div>300$ back in '03.</div>  <div>there is a new version out that i'm sure has more bells and whistles,</div>  <div>but i would say that honestly, if you want to catch and loop material there is</div>  <div>cheaper and easier options than the mr8.</div>  <div>s---</div><p>&#32;

<hr size=1>Now that's room service! <a href="http://travel.yahoo.com/hotelsearchpage;_ylc=X3oDMTFtaTIzNXVjBF9TAzk3NDA3NTg5BF9zAzI3MTk0ODEEcG9zAzIEc2VjA21haWx0YWdsaW5lBHNsawNxMS0wNw--
">Choose from over 150,000 hotels <br>in 45,000 destinations on Yahoo! Travel</a> to find your fit.
--0-239567976-1176141528=:22958--

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Subject: Re: OT: Busking--it's hard for everyone
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<html><div style='background-color:'><P>I busked as a student in Bath in the UK and made sometimes £100 an hour!!&nbsp; It payed my rent in one summer to study at a conservatoire in London :)</P>
<P>Andy<BR><BR></P><BR><BR><BR>
<DIV>Come check me out on MySpace at <A href="http://www.myspace.com/mellowandy">http://www.myspace.com/mellowandy</A></DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #a0c6e5 2px solid; MARGIN-RIGHT: 0px"><FONT style="FONT-SIZE: 11px; FONT-FAMILY: tahoma,sans-serif">
<HR color=#a0c6e5 SIZE=1>
From: <I>"Jim Goodin" &lt;jimgoodinmusic@gmail.com&gt;</I><BR>Reply-To: <I>Loopers-Delight@loopers-delight.com</I><BR>To: <I>Loopers-Delight@loopers-delight.com</I><BR>Subject: <I>Re: OT: Busking--it's hard for everyone</I><BR>Date: <I>Mon, 9 Apr 2007 13:07:12 -0400</I><BR><BR>
<DIV>Travis that is right and didn't mean to side bar this thread.&nbsp; Actually had trouble getting the link to interpret and was sharing my experience @10 years doing it.&nbsp; True many ignore but as echo'd a few good times plus for me it's another chance to gain some practice/performance time out of @45 min commute each day from Brooklyn to NY going coming.&nbsp; In a sense it's made more sense than performing in some of the clubs for genre of music not really supported and generally cattle call bookings for 30-45 min blocks.&nbsp; Still some good things from doing those and clearly they are essential, it's just the subway has given another opportunity.&nbsp; As songwriter Martin Sexton said however about playing it in the ever popular among musicians Boston Metro, know when to come up... echoing if you stay down there too long you never will return. </DIV>
<DIV>&nbsp;</DIV>
<DIV>j<BR><BR>&nbsp;</DIV>
<DIV><SPAN class=gmail_quote>On 4/9/07, <B class=gmail_sendername>Travis Hartnett</B> &lt;<A href="mailto:travishartnett@gmail.com">travishartnett@gmail.com</A>&gt; wrote:</SPAN>
<BLOCKQUOTE class=gmail_quote style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">One of the problems of playing in a train station is that by<BR>....</BLOCKQUOTE></DIV><BR></FONT></BLOCKQUOTE></div><br clear=all><hr>Txt a lot? Get  <a href="http://g.msn.com/8HMAENUK/2755??PS=47575" target="_top">Messenger FREE on your mobile.</a> </html>

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From: Teddy Kumpel <teddybut@mac.com>
Subject: Re: OT: Busking--it's hard for everyone
Date: Mon, 9 Apr 2007 15:59:35 -0400
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Yes, good article, thanks for forwarding...

if you want something to be true... it can be for you with a little  
help from your imagination.

You obviously lean towards thinking that North Americans are herd  
mentality and have lost touch with music and therefore will be more  
inclined to interpret the findings of the article in that light.

I, on the other hand, interpret it as a bunch of very busy people  
going to a place where they will do something important to them and  
they don't want to be to be bothered with some guy jamming on a  
violin no matter how good he is. How presumptuous and narcissistic it  
is of us musicians to think that people actually want to hear music  
on the way to work anyway. They've got things on their mind after  
all. Gearing up for the day can be great and perhaps best done in  
relative silence and anything other than that would be a distraction.  
Personally I'd rather have control over what I listen to and that's  
why the ipod is good. I bet a lot of those passers by had headphones  
on too and found the violin to be an intrusion.

I'm all for freedom but busking, for me, sucks on many levels. It can  
be an Intrusion, sometimes as bad as smoking cigarettes in a public  
place. There are good points... but not as many as bad for me.  
There's the rare occasion that a busker is doing something I'm  
remotely interested in like playing a chinese violin or using  
puppets. That I'll take off my headphones for... but a virtuoso  
classical violinist playing Schubert or a bebop guitarist playing  
standards? forget it. I don't care if it's Joe Pass himself, I'd  
rather have holes punched in my ears with toothpicks. but... of  
course, that's just me. So... no, if I knew it was Josh Bell or any  
other famous classical person I wouldn't have stopped... if it was  
Stevie Wonder I would have stopped. If it was Britanny Spears i would  
have ran the other way.

I'm a professional musician who has never busked... so of course my  
take is skewed towards non busking.

just keep it on topic... have any of you ambient loopers ever busked?  
How did you get power in the subway? I think ambient looping would be  
interesting busking since ambient music is all about setting a mood  
without being in the way of people's thoughts anyway.

Teddy


On Apr 9, 2007, at 1:12 PM, Richard Sales wrote:

> I thought the article was amazing not just for the actual  
> experiment but for other snippets that occurred, like Bell denying  
> that he is a genius and the 'if a tree falls' bit.
>
> The guy is obviously a top notch virtuoso and I'm dazzled that more  
> folks didn't stop.  In a way, to me, it says something about how  
> the importance of music has slipped for many folks.
>
> I also think it makes a comment about the conformity and herd mind  
> of North America.  If folks had KNOWN he was a world famous  
> violinist, they most certainly would have stopped - work or no  
> work.  I mean, if Bob Dylan or Stevie Wonder or Britney Spears  
> busked at the same train station you would have had a serious  
> gridlock of gawkers and listeners.  BUT! If someone equally as good  
> and creative (this adjective does not apply to Ms Spears) did it  
> and wasn't recognizable as a 'famous' person they would have been  
> shined on just like J Bell.  I found it very fascinating and high  
> protein food for thought.
>
> I think it would be a fun experiment to repeat the experiment but  
> with the Washington Post cameras in full view and maybe some  
> bodyguards there to show that this was an important person.  I bet  
> the results would be quit different.  And that would be telling.
>
> And I think it says a lot about our vocation (or hobby maybe) for  
> some.  And it should be sweet solace for those who know they are  
> very gifted and working at Wal Mart.  The moral might be, "Fame has  
> its advantages." And it also brings to mind the brilliant human  
> observation, "To them that have more shall be given."
>
>
> richard sales



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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Yes, good article, thanks for =
forwarding...<DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>if =
you want something to be true... it can be for you with a little help =
from your imagination.<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>You obviously lean towards =
thinking that North Americans are herd mentality and have lost touch =
with music and therefore will be more inclined to interpret the findings =
of the article in that light.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I, on the other hand, =
interpret it as a bunch of very busy people going to a place where they =
will do something important to them and they don't want to be to be =
bothered with some guy jamming on a violin no matter how good he is. =
How=A0presumptuous and narcissistic it is of us musicians to think that =
people actually want to hear music on the way to work anyway. They've =
got things on their mind after all. Gearing up for the day can be great =
and perhaps best done in relative silence and anything other than that =
would be a distraction. Personally I'd rather have control over what I =
listen to and that's why the ipod is good. I bet a lot of those passers =
by had headphones on too and found the violin to be an =
intrusion.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>I'm =
all for freedom but busking, for me, sucks on many levels. It can be an =
Intrusion, sometimes as bad as smoking cigarettes in a public place. =
There are good points... but not as many as bad for me. There's the rare =
occasion that a busker is doing something I'm remotely interested in =
like playing a chinese violin or using puppets. That I'll take off my =
headphones for... but a virtuoso classical=A0violinist playing Schubert =
or a bebop guitarist playing standards? forget it. I don't care if it's =
Joe Pass himself, I'd rather have holes punched in my ears with =
toothpicks. but... of course, that's just me. So... no, if I knew it was =
Josh Bell or any other famous classical person I wouldn't have =
stopped... if it was Stevie Wonder I would have stopped. If it was =
Britanny Spears i would have ran the other way.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I'm a professional musician =
who has never busked... so of course my take is skewed towards non =
busking.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>just =
keep it on topic... have any of you ambient loopers ever busked? How did =
you get power in the subway? I think ambient looping would be =
interesting busking since ambient music is all about setting a mood =
without being in the way of people's thoughts anyway.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Teddy</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Apr 9, =
2007, at 1:12 PM, Richard Sales wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Lucida Grande" size=3D"4" style=3D"font:=
 14.0px Lucida Grande">I thought the article was amazing not just for =
the actual experiment but for other snippets that occurred, like Bell =
denying that he is a genius and the 'if a tree falls' bit. <SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 14px/normal Lucida Grande; =
min-height: 17px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Lucida Grande" size=3D"4" style=3D"font: 14.0px Lucida =
Grande">The guy is obviously a top notch virtuoso and I'm dazzled that =
more folks didn't stop.<SPAN class=3D"Apple-converted-space">=A0 =
</SPAN>In a way, to me, it says something about how the importance of =
music has slipped for many folks. <SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 14px/normal Lucida Grande; =
min-height: 17px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Lucida Grande" size=3D"4" style=3D"font: 14.0px Lucida Grande">I =
also think it makes a comment about the conformity and herd mind of =
North America.<SPAN class=3D"Apple-converted-space">=A0 </SPAN>If folks =
had KNOWN he was a world famous violinist, they most certainly would =
have stopped - work or no work.<SPAN class=3D"Apple-converted-space">=A0 =
</SPAN>I mean, if Bob Dylan or Stevie Wonder or Britney Spears busked at =
the same train station you would have had a serious gridlock of gawkers =
and listeners.<SPAN class=3D"Apple-converted-space">=A0 </SPAN>BUT! If =
someone equally as good and creative (this adjective does not apply to =
Ms Spears) did it and wasn't recognizable as a 'famous' person they =
would have been shined on just like J Bell.<SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>I found it very fascinating =
and high protein food for thought.<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 14px/normal Lucida Grande; =
min-height: 17px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Lucida Grande" size=3D"4" style=3D"font: 14.0px Lucida Grande">I =
think it would be a fun experiment to repeat the experiment but with the =
Washington Post cameras in full view and maybe some bodyguards there to =
show that this was an important person.<SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>I bet the results would be =
quit different.<SPAN class=3D"Apple-converted-space">=A0 </SPAN>And that =
would be telling.</FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 14px/normal Lucida Grande; min-height: 17px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT face=3D"Lucida Grande" =
size=3D"4" style=3D"font: 14.0px Lucida Grande">And I think it says a =
lot about our vocation (or hobby maybe) for some.<SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>And it should be sweet solace =
for those who know they are very gifted and working at Wal Mart.<SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>The moral might be, "Fame has =
its advantages." And it also brings to mind the brilliant human =
observation, "To them that have more shall be given."</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 14px/normal Lucida Grande; =
min-height: 17px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 14px/normal Lucida Grande; min-height: 17px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT face=3D"Lucida Grande" =
size=3D"4" style=3D"font: 14.0px Lucida Grande">richard =
sales</FONT></DIV></BLOCKQUOTE></DIV><DIV><SPAN class=3D"Apple-style-span"=
 style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Lucida Grande; font-size: 14px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
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class=3D"Apple-style-span" style=3D"border-collapse: separate; =
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white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Lucida =
Grande; font-size: 14px; font-style: normal; font-variant: normal; =
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</DIV><BR></DIV></DIV></BODY></HTML>=

--Apple-Mail-17-273080099--

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 20:06:13 2007
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Date: Mon, 9 Apr 2007 13:06:11 -0700 (PDT)
From: S V G <vsyevolod@yahoo.com>
Subject: Re: OT: Busking
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     I myself have somewhat of a difficult relationship with buskers.  All too often, there is not
enough talent to shake a stick at.  At the same time, I've spent a good hour from time to time
just soaking up the radience that sometimes eminates from such performers.  I remember as a
teenager spending 3 hours watching a yellow-faced mime in San Francisco, just because I found
myself so moved by his performance.

     Busking seems to be one of the most difficult of performance-craft that I know of.  Either
you play what is comfortable for the passers-by because you want to maximize your profit, or you
stick to your guns and play your heart out in the moment of whatever the muse happens to bring
you.  Mostly crumbs, seldom a feast.

     Stephen


 
____________________________________________________________________________________
Get your own web address.  
Have a HUGE year through Yahoo! Small Business.
http://smallbusiness.yahoo.com/domains/?p=BESTDEAL

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 20:07:27 2007
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Date: Mon, 9 Apr 2007 13:07:24 -0700
From: "miles ward" <miles932@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Busking--it's hard for everyone
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Richard, on your idea with the news cameras and media attention:
better experiment yet would be Stevie Wonder at one end of the hall,
jammin his ass on a B3, but dirty, no media, etc, other end is
WORTHLESS HACK who's never touched the instrument he's been handed,
but media attention galore..  I agree that the crowd would form at the
wrong place.. sad.

As a busker of occasion (with possibly the most annoying busking
instrument imaginable, large purple tuba) I'd agree with alot of what
the list is saying, it's for the experience not the change.  I wish we
all lived in a complete meritocracy where goodness of all varieties
was rewarded, but ah, welcome to the machine.

Who are your favorite buskers?  in seattle we have a few 5-gallon
plastic can drummers who seriously rock, i've got half a mind to walk
out on my day job one shiny afternoon with le' funk engine and see if
they'd like to jam.  I'll try to get video :)  Much love all!
-Miles

On 4/9/07, Teddy Kumpel <teddybut@mac.com> wrote:
> Yes, good article, thanks for forwarding...
>
> if you want something to be true... it can be for you with a little help
> from your imagination.
>
> You obviously lean towards thinking that North Americans are herd mentality
> and have lost touch with music and therefore will be more inclined to
> interpret the findings of the article in that light.
>
> I, on the other hand, interpret it as a bunch of very busy people going to a
> place where they will do something important to them and they don't want to
> be to be bothered with some guy jamming on a violin no matter how good he
> is. How presumptuous and narcissistic it is of us musicians to think that
> people actually want to hear music on the way to work anyway. They've got
> things on their mind after all. Gearing up for the day can be great and
> perhaps best done in relative silence and anything other than that would be
> a distraction. Personally I'd rather have control over what I listen to and
> that's why the ipod is good. I bet a lot of those passers by had headphones
> on too and found the violin to be an intrusion.
>
> I'm all for freedom but busking, for me, sucks on many levels. It can be an
> Intrusion, sometimes as bad as smoking cigarettes in a public place. There
> are good points... but not as many as bad for me. There's the rare occasion
> that a busker is doing something I'm remotely interested in like playing a
> chinese violin or using puppets. That I'll take off my headphones for... but
> a virtuoso classical violinist playing Schubert or a bebop guitarist playing
> standards? forget it. I don't care if it's Joe Pass himself, I'd rather have
> holes punched in my ears with toothpicks. but... of course, that's just me.
> So... no, if I knew it was Josh Bell or any other famous classical person I
> wouldn't have stopped... if it was Stevie Wonder I would have stopped. If it
> was Britanny Spears i would have ran the other way.
>
> I'm a professional musician who has never busked... so of course my take is
> skewed towards non busking.
>
> just keep it on topic... have any of you ambient loopers ever busked? How
> did you get power in the subway? I think ambient looping would be
> interesting busking since ambient music is all about setting a mood without
> being in the way of people's thoughts anyway.
>
> Teddy
>
>
>
> On Apr 9, 2007, at 1:12 PM, Richard Sales wrote:
>
> I thought the article was amazing not just for the actual experiment but for
> other snippets that occurred, like Bell denying that he is a genius and the
> 'if a tree falls' bit.
>
> The guy is obviously a top notch virtuoso and I'm dazzled that more folks
> didn't stop.  In a way, to me, it says something about how the importance of
> music has slipped for many folks.
>
> I also think it makes a comment about the conformity and herd mind of North
> America.  If folks had KNOWN he was a world famous violinist, they most
> certainly would have stopped - work or no work.  I mean, if Bob Dylan or
> Stevie Wonder or Britney Spears busked at the same train station you would
> have had a serious gridlock of gawkers and listeners.  BUT! If someone
> equally as good and creative (this adjective does not apply to Ms Spears)
> did it and wasn't recognizable as a 'famous' person they would have been
> shined on just like J Bell.  I found it very fascinating and high protein
> food for thought.
>
> I think it would be a fun experiment to repeat the experiment but with the
> Washington Post cameras in full view and maybe some bodyguards there to show
> that this was an important person.  I bet the results would be quit
> different.  And that would be telling.
>
> And I think it says a lot about our vocation (or hobby maybe) for some.  And
> it should be sweet solace for those who know they are very gifted and
> working at Wal Mart.  The moral might be, "Fame has its advantages." And it
> also brings to mind the brilliant human observation, "To them that have more
> shall be given."
>
>
> richard sales
>
>
>


-- 
---Miles Ward

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>
> I, on the other hand, interpret it as a bunch of very busy people  
> going to a place where they will do something important to them and  
> they don't want to be to be bothered with some guy jamming on a  
> violin no matter how good he is. How presumptuous and narcissistic  
> it is of us musicians to think that people actually want to hear  
> music on the way to work anyway.

Amen.

> There's the rare occasion that a busker is doing something I'm  
> remotely interested in like playing a chinese violin or using  
> puppets. That I'll take off my headphones for... but a virtuoso  
> classical violinist playing Schubert or a bebop guitarist playing  
> standards? forget it. I don't care if it's Joe Pass himself, I'd  
> rather have holes punched in my ears with toothpicks. but... of  
> course, that's just me.

Pardon my ignorance, but what makes a Chinese violin different from a  
'regular' (?) one? And puppets?? What's up with that?

Well, I know I'd stop for Joe Pass. Hell, I'd skip work altogether.  
But to each his own.

Jeff

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Possibly true, but how presumptuous and narcissistic it is of companies 
to plaster every inch of a transit station with their marketing 
materials to bombard my eyeballs? When I lived in San Francisco I'd see 
advertising campaigns that would, literally, buy the entire station so 
that every frame was filled only with their stuff. I certainly never 
asked for THAT.  The public is the public, and adding something remotely 
artistically worthwhile to the space is as valid as all the other stuff 
one must put up with.

My life has been enriched numerous times by the music played by brave 
individuals in unendorsed spaces.

I'm still laughing at this: "the most annoying busking instrument 
imaginable, large purple tuba.."...not just a tuba...but.....a PURPLE one!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> How presumptuous and narcissistic it is of us musicians to think that 
> people actually want to hear music on the way to work anyway 

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  We made 1400 dollars busking once-in about 2 hours.Our previous record was 
800. Just cause somone is a virtuoso instrumentalist doesn't mean they know 
how to busk. Classical repertoire requires steady attention and not 
distractions.Not apporpriate to the venue when busking. What is appropriate 
is stuff that is very rhythmic,can be enjoyed while not a t center of 
attention,is dynamic enough to grab attaention,etc. I highly reccomend 
busking for anyone who hasn't done it.It's a great way to learn about 
musical communication.

_________________________________________________________________
Mortgage rates near historic lows. Refinance $200,000 loan for as low as 
$771/month* 
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From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 20:28:09 2007
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Date: Mon, 9 Apr 2007 13:18:32 -0700
To: Loopers-Delight@loopers-delight.com
From: David Gans <david@trufun.com>
Subject: Re: OT: Interesting article on busking in D.C.
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At 11:11 AM -0400 4/9/07, Tony K wrote:
>quite interesting...
>
><http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721_pf.html>http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721_pf.html
>

Loved it!  Blogged it at http://gdhour.com/logblog/?p=395

A columnist at Salon was not so impressed:

http://www.salon.com/ent/audiofile/2007/04/09/classical/index.html

And apparently there are others in the blogosphere who misread the 
piece pretty drastically.




-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com

--============_-1035972012==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: OT: Interesting article on busking in
D.C.</title></head><body>
<div>At 11:11 AM -0400 4/9/07, Tony K wrote:</div>
<blockquote type="cite" cite>quite interesting...<br>
</blockquote>
<blockquote type="cite" cite><a
href=
"http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721_pf.html"><span
></span
>http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR20<span
></span>07040401721_pf.html</a><br>
</blockquote>
<div><br></div>
<div>Loved it!&nbsp; Blogged it at
http://gdhour.com/logblog/?p=395</div>
<div><br></div>
<div>A columnist at Salon was not so impressed:</div>
<div><br></div>
<div
>http://www.salon.com/ent/audiofile/2007/04/09/classical/index.html<br
>
</div>
<div>And apparently there are others in the blogosphere who misread
the piece pretty drastically.</div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
David Gans - david@trufun.com or david@gdhour.com<br>
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA
94610-2730<br>
Blog:&nbsp; http://logblog.gdhour.com<br>
Web site: http://www.dgans.com<br>
</div>
</body>
</html>
--============_-1035972012==_ma============--

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 20:28:10 2007
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At 11:14 AM -0400 4/9/07, Jim Goodin wrote:

>Most times the experience is more about doing it than income

I agree.  That's why I play the Farmers' Market near my home, which 
is a scheduled gig but pretty much the same as busking because almost 
no one is there to hear me play.  (I do have a few fans who show up 
when they know I'm going to be there, but still.)


>  however I have had a few nice things over the years.  A few years 
>ago a guy was watching me and appeared to be sketching.  He put a 
>caricture and a note down in my case to call him if I played 
>weddings so that led to a booking.  Have sold a few CD's and got a 
>few bucks.  One neat personal experienced happened one evening.  I 
>had quit and was walking out of the subway in Brooklyn.  About a 
>block later a woman passed by me and said, 'that was really lovely 
>what you played...'  Though those don't pay the rent in a sense 
>that's why we do it...

Nice stories.



-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 20:28:11 2007
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Date: Mon, 9 Apr 2007 13:26:51 -0700
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At 9:54 AM -0700 4/9/07, Travis Hartnett wrote:
>Playing at a "destination" site, such as an outdoor craft or farmer's
>market on a pretty weekend afternoon might get you  more attention and
>money, because people are there to wander around, look at things and
>spend money, not hurry to and from their job.

Yeah, that's an important distinction.

When I play the Farmers' Market, I pretty much have zero expectations 
so I'm always pleasantly surprised.




-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com

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  I used to play allthat vangelis stuff on the radio in the late 70s early 
80s. Haven't heard any of it since then,yhough I did find a copy of spiral 
in the  thrift store recently.Haven't listened to it yet,but it was my fave 
back then. I didn't like the stuff when he got famous as much. Odd thing 
about the comments about China-back then there was no indication that the 
CHinese economy would emerge for generations.They were mostly farmers.,still 
and made pig iron in backyard forges ,didn't have a domestic steel industry 
really,now they have the biggest ever. I don't mean to suggest that this 
can't be heard in the music.

_________________________________________________________________
Mortgage refinance is Hot. *Terms. Get a 5.375%* fix rate. Check savings 
https://www2.nextag.com/goto.jsp?product=100000035&url=%2fst.jsp&tm=y&search=mortgage_text_links_88_h2bbb&disc=y&vers=925&s=4056&p=5117

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Quoting samba - <sambacomet@hotmail.com>:

> Just cause somone is a virtuoso instrumentalist doesn't mean
> they know how to busk.

... or even can hold down a job.  I know of many highly trained =20
classical organists who are unable to hold down steady church jobs =20
because they are insensitive to the desires of their church-employers.

> Classical repertoire requires steady attention
> and not distractions.Not apporpriate to the venue when busking.

This is true just about anywhere.  Classical music, particularly the =20
works of Johann Sebastian Bach, are demanding works for both =20
performers AND listeners.  Bach's music possesses what I call an =20
"intrusion factor" -- except for the most cerebral music (such as "The =20
Musical Offering") most of it is too strident to have in the =20
background.  Although Bach's music is recognised in many circles as =20
the epitome of church music, if I played a Bach Fugue as a prelude in =20
my church I would be tarred and feathered.

People have expectations.  In some churches, people may expect to hear =20
major works before church.  In others, people want to socialize. At =20
still others (like the church I play at), people want it quiet.

> What is
> appropriate is stuff that is very rhythmic,can be enjoyed while not a t
> center of attention,is dynamic enough to grab attaention,etc.

Worded a different way -- the music doesn't demand attention yet, for =20
those that choose to pay attention, there is something there worth =20
listening to.  Most musicians and many great composers worked under =20
constraints.  Indeed, it is possible to create create music while =20
working under severe constraints.

> I highly
> reccomend busking for anyone who hasn't done it. It's a great way to
> learn about musical communication.

I think it would be fun.  Playing the pipe organ doesn't lend itself =20
to busking.  With electronic instruments (synthesizer, theremin) there =20
would be logistical issues with moving the equipment and finding an =20
a/c power source.

A friend of mine went out in Manhatten one day with a small (battery =20
powered) Theremin and amplifier.  He reported that crowds gathered =20
when he played Beatles songs and scattered as soon as he played =20
something classical.  His solution was simple... when no one was =20
around, he played classical to entertain himself and as soon as people =20
were within earshot he played tunes with which people were familiar.

Another point, well-taken, is that people were on their commutes to =20
work and most of them probably were running on tight schedules.  To do =20
this experiment in a park or a district where street performers are =20
part of the draw might have yielded a different result.

-- Kevin

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From: Teddy <teddybutter@mac.com>
Subject: Re: OT: Busking--it's hard for everyone
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On Apr 9, 2007, at 4:11 PM, Jeff Shirkey wrote:

>
>>
>> I, on the other hand, interpret it as a bunch of very busy people  
>> going to a place where they will do something important to them  
>> and they don't want to be to be bothered with some guy jamming on  
>> a violin no matter how good he is. How presumptuous and  
>> narcissistic it is of us musicians to think that people actually  
>> want to hear music on the way to work anyway.
>
> Amen.
>
>> There's the rare occasion that a busker is doing something I'm  
>> remotely interested in like playing a chinese violin or using  
>> puppets. That I'll take off my headphones for... but a virtuoso  
>> classical violinist playing Schubert or a bebop guitarist playing  
>> standards? forget it. I don't care if it's Joe Pass himself, I'd  
>> rather have holes punched in my ears with toothpicks. but... of  
>> course, that's just me.
>
> Pardon my ignorance, but what makes a Chinese violin different from  
> a 'regular' (?) one? And puppets?? What's up with that?
>
> Well, I know I'd stop for Joe Pass. Hell, I'd skip work altogether.  
> But to each his own.
>
> Jeff

A Chinese violin sits on your knee and has one string.

I like puppets better than Joe Pass... don't know why... I just do.

Teddy

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Subject: Re: OT: Busking--it's hard for everyone
Date: Mon, 9 Apr 2007 17:06:53 -0400
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ahhh yes, true... but you don't have to look at them... you can just  
look the other way. Audio is harder to avoid.

one man's art is another's annoyance... some people like ads better  
than classical music. not me... just some people.

also, we live in a capitalist society last time I checked... so if  
you have money you can get things done. That's just how it works.
I ain't saying it's good... but it's where we live... complaining  
isn't going to change that.

Teddy

On Apr 9, 2007, at 4:22 PM, Daryl Shawn wrote:

> Possibly true, but how presumptuous and narcissistic it is of  
> companies to plaster every inch of a transit station with their  
> marketing materials to bombard my eyeballs? When I lived in San  
> Francisco I'd see advertising campaigns that would, literally, buy  
> the entire station so that every frame was filled only with their  
> stuff. I certainly never asked for THAT.  The public is the public,  
> and adding something remotely artistically worthwhile to the space  
> is as valid as all the other stuff one must put up with.
>
> My life has been enriched numerous times by the music played by  
> brave individuals in unendorsed spaces.
>
> I'm still laughing at this: "the most annoying busking instrument  
> imaginable, large purple tuba.."...not just a tuba...but.....a  
> PURPLE one!
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>> How presumptuous and narcissistic it is of us musicians to think  
>> that people actually want to hear music on the way to work anyway
>




From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 21:29:31 2007
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I suppose so, but audio is localized, unless it's seriously amped; one 
can move away, unless you're lucky enough to be in an elevator with the 
electric zither/chinese violin/purple tuba. The other choice is to plug 
in the ubiquitous white earbuds, if they're not already installed.

I was just sayin' if buskers are presumptuous, so are the ads. I feel 
that complaints about either could be directed to both.

Most annoying "buskers" I've ever seen: in Mexico City, occasionally a 
truck will come by the lovely plaza in front of the Bellas Artes and 
disgorge five uniformed organ grinders who start a-grinding. That's bad 
enough - tonal music played on untuned instruments, in chorus - but 
along with them are double their number of donation collectors, also 
uniformed, who forcefully accost every passersby for cash. Not only the 
music questionable, but so is the artistry of mere handle-cranking, and 
the army of solicitors guarantee that pretty much everyone runs for cover.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> ahhh yes, true... but you don't have to look at them... you can just 
> look the other way. Audio is harder to avoid.

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 21:30:15 2007
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(About a block later a woman passed by me and said, 'that was really lovely 
what you played...')

Can you met chicks that way? If so, I may start busking myself!

Paul Richards

---- David Gans <david@trufun.com> wrote: 
> At 11:14 AM -0400 4/9/07, Jim Goodin wrote:
> 
> >Most times the experience is more about doing it than income
> 
> I agree.  That's why I play the Farmers' Market near my home, which 
> is a scheduled gig but pretty much the same as busking because almost 
> no one is there to hear me play.  (I do have a few fans who show up 
> when they know I'm going to be there, but still.)
> 
> 
> >  however I have had a few nice things over the years.  A few years 
> >ago a guy was watching me and appeared to be sketching.  He put a 
> >caricture and a note down in my case to call him if I played 
> >weddings so that led to a booking.  Have sold a few CD's and got a 
> >few bucks.  One neat personal experienced happened one evening.  I 
> >had quit and was walking out of the subway in Brooklyn.  About a 
> >block later a woman passed by me and said, 'that was really lovely 
> >what you played...'  Though those don't pay the rent in a sense 
> >that's why we do it...
> 
> Nice stories.
> 
> 
> 
> -- 
> 
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://logblog.gdhour.com
> Web site: http://www.dgans.com
> 

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 21:32:33 2007
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(If it was Britanny Spears i would have ran the other way.)

And miss a potential 'upskirt' shot?!

--
Paul Richards

---- Teddy Kumpel <teddybut@mac.com> wrote: 
> Yes, good article, thanks for forwarding...
> 
> if you want something to be true... it can be for you with a little  
> help from your imagination.
> 
> You obviously lean towards thinking that North Americans are herd  
> mentality and have lost touch with music and therefore will be more  
> inclined to interpret the findings of the article in that light.
> 
> I, on the other hand, interpret it as a bunch of very busy people  
> going to a place where they will do something important to them and  
> they don't want to be to be bothered with some guy jamming on a  
> violin no matter how good he is. How presumptuous and narcissistic it  
> is of us musicians to think that people actually want to hear music  
> on the way to work anyway. They've got things on their mind after  
> all. Gearing up for the day can be great and perhaps best done in  
> relative silence and anything other than that would be a distraction.  
> Personally I'd rather have control over what I listen to and that's  
> why the ipod is good. I bet a lot of those passers by had headphones  
> on too and found the violin to be an intrusion.
> 
> I'm all for freedom but busking, for me, sucks on many levels. It can  
> be an Intrusion, sometimes as bad as smoking cigarettes in a public  
> place. There are good points... but not as many as bad for me.  
> There's the rare occasion that a busker is doing something I'm  
> remotely interested in like playing a chinese violin or using  
> puppets. That I'll take off my headphones for... but a virtuoso  
> classical violinist playing Schubert or a bebop guitarist playing  
> standards? forget it. I don't care if it's Joe Pass himself, I'd  
> rather have holes punched in my ears with toothpicks. but... of  
> course, that's just me. So... no, if I knew it was Josh Bell or any  
> other famous classical person I wouldn't have stopped... if it was  
> Stevie Wonder I would have stopped. If it was Britanny Spears i would  
> have ran the other way.
> 
> I'm a professional musician who has never busked... so of course my  
> take is skewed towards non busking.
> 
> just keep it on topic... have any of you ambient loopers ever busked?  
> How did you get power in the subway? I think ambient looping would be  
> interesting busking since ambient music is all about setting a mood  
> without being in the way of people's thoughts anyway.
> 
> Teddy
> 
> 
> On Apr 9, 2007, at 1:12 PM, Richard Sales wrote:
> 
> > I thought the article was amazing not just for the actual  
> > experiment but for other snippets that occurred, like Bell denying  
> > that he is a genius and the 'if a tree falls' bit.
> >
> > The guy is obviously a top notch virtuoso and I'm dazzled that more  
> > folks didn't stop.  In a way, to me, it says something about how  
> > the importance of music has slipped for many folks.
> >
> > I also think it makes a comment about the conformity and herd mind  
> > of North America.  If folks had KNOWN he was a world famous  
> > violinist, they most certainly would have stopped - work or no  
> > work.  I mean, if Bob Dylan or Stevie Wonder or Britney Spears  
> > busked at the same train station you would have had a serious  
> > gridlock of gawkers and listeners.  BUT! If someone equally as good  
> > and creative (this adjective does not apply to Ms Spears) did it  
> > and wasn't recognizable as a 'famous' person they would have been  
> > shined on just like J Bell.  I found it very fascinating and high  
> > protein food for thought.
> >
> > I think it would be a fun experiment to repeat the experiment but  
> > with the Washington Post cameras in full view and maybe some  
> > bodyguards there to show that this was an important person.  I bet  
> > the results would be quit different.  And that would be telling.
> >
> > And I think it says a lot about our vocation (or hobby maybe) for  
> > some.  And it should be sweet solace for those who know they are  
> > very gifted and working at Wal Mart.  The moral might be, "Fame has  
> > its advantages." And it also brings to mind the brilliant human  
> > observation, "To them that have more shall be given."
> >
> >
> > richard sales
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 22:01:48 2007
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Yeah Spiral is great.  The intro song begins great anyway then goes just 
a little long on the anthem thing for my taste...hehe.  but after that 
goes into that great transition section and the next song is one of my 
all time favorites from him with the peculiar voices ..yeah that one 
:-).  And exactly regarding china.  The work almost seems to have a 
prophetic quality to it in retrospect the way I hear it. I could 
probably write a paper on it but I've got to go to lunch :-).  Everyone 
just listen if you haven't heard it ever or forever :-) .-Bob

samba - wrote:

>
>  I used to play allthat vangelis stuff on the radio in the late 70s 
> early 80s. Haven't heard any of it since then,yhough I did find a copy 
> of spiral in the  thrift store recently.Haven't listened to it yet,but 
> it was my fave back then. I didn't like the stuff when he got famous 
> as much. Odd thing about the comments about China-back then there was 
> no indication that the CHinese economy would emerge for 
> generations.They were mostly farmers.,still and made pig iron in 
> backyard forges ,didn't have a domestic steel industry really,now they 
> have the biggest ever. I don't mean to suggest that this can't be 
> heard in the music.
>
> _________________________________________________________________
> Mortgage refinance is Hot. *Terms. Get a 5.375%* fix rate. Check 
> savings 
> https://www2.nextag.com/goto.jsp?product=100000035&url=%2fst.jsp&tm=y&search=mortgage_text_links_88_h2bbb&disc=y&vers=925&s=4056&p=5117 
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 22:22:47 2007
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Date: Mon, 9 Apr 2007 15:22:45 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: busking
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howdy,

 howard jones was busking in a london subway with a
juno 6 or 60 when he was,"discovered".
rig


 
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From: Teddy <teddybutter@mac.com>
Subject: Re: busking
Date: Mon, 9 Apr 2007 18:24:42 -0400
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where is he now?

On Apr 9, 2007, at 6:22 PM, bill bigrig wrote:

> howdy,
>
>  howard jones was busking in a london subway with a
> juno 6 or 60 when he was,"discovered".
> rig

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Putting out albums and touring the world from the looks of it:

http://www.howardjones.com/hojo.html


On 4/9/07, Teddy <teddybutter@mac.com> wrote:
> where is he now?
>

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Subject: Re: OT: Busking--it's hard for everyone
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>
> I like puppets better than Joe Pass...

This may be the strangest statement I've ever read on this very  
strange list.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 22:49:42 2007
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>>It's a great way to learn about musical communication.<<

I think that's broadly true of all live performance- I'm always =
lecturing people to the effect that one gig is worth a hundred rehearsal =
sessions- but busking by it's very nature requires of the performer an =
enhanced ability to react to the immediate environment. in london now, =
they have a panel a bit like "x-factor" or "pop idol" to decide who gets =
busking rights in the busiest tube stations. I wish I knew how they =
decided- for my money (no pun intended), there are far too many =
"karaoke" buskers now... I don't care if they spend hours making their =
own backing tapes or if they just download them from someplace.... =
backing tapes seem dishonest somehow.

does anyone (london-based) recall the stanley jordan type who used to =
play outside the EMI publishing offices on charing-cross road? only time =
I've seen a busker with a DL4... I'm sure there are others, but this guy =
was something special. don't know what became of him- perhaps he's been =
signed.

duncan.

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<P><FONT SIZE=3D2>&gt;&gt;It's a great way to learn about musical =
communication.&lt;&lt;<BR>
<BR>
I think that's broadly true of all live performance- I'm always =
lecturing people to the effect that one gig is worth a hundred rehearsal =
sessions- but busking by it's very nature requires of the performer an =
enhanced ability to react to the immediate environment. in london now, =
they have a panel a bit like &quot;x-factor&quot; or &quot;pop =
idol&quot; to decide who gets busking rights in the busiest tube =
stations. I wish I knew how they decided- for my money (no pun =
intended), there are far too many &quot;karaoke&quot; buskers now... I =
don't care if they spend hours making their own backing tapes or if they =
just download them from someplace.... backing tapes seem dishonest =
somehow.<BR>
<BR>
does anyone (london-based) recall the stanley jordan type who used to =
play outside the EMI publishing offices on charing-cross road? only time =
I've seen a busker with a DL4... I'm sure there are others, but this guy =
was something special. don't know what became of him- perhaps he's been =
signed.<BR>
<BR>
duncan.<BR>
</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 22:58:33 2007
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Date: Mon, 9 Apr 2007 15:58:32 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: looping on portable recorders
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Howdy,

 you might want to check out the Boss line of
multitracks. I think thety might have a bit more
editing capability. Don't forget the availability and
number of "virtual tracks".  that way, you can lay
down your loops, put in fades and cross fade them if
necessary.
Rig


 
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  My favorite buskers are Artis the spoonthang ,Baby Gramps,the Human 
Jukebox guy in SF in the 70s. I actually saw  the legendary street performer 
Moondog in NY in the very early 70s,Thelonious Monk,members of Pentangle and 
the Band were among his fans. There was an 80s band called Violent Femmes 
who were busking outside a Pretenders show.The kids standing in line were 
mostly ignoring them ,but someone in the pretenders heard and dug them,and 
when the show started VF were  onstage opening ,and got hooked up to get 
signed.
  True there's no reason to expect busy commuters to have time to stop and 
play audience.There are many possible responses to this truth. One is to 
make them stop and listen,and watch ,and ,make them give you money by being 
totally irresistable ( this usually requires a fair amount of schtick, just 
like rock music). Another is to not try to stop them but to play music that 
energizes them or improves their mood. It's possible to play music that 
doesn't require intellectual attention to be enjoyable. Speak to the 
body,and it doesn't matter if they are paying conscious attention.  If you 
do this in the same spot regulary ,you'll make money. Another is just do 
what you do and ignore them, it will moslty be mutual,wait for someone on 
your wavelenght.You can always play for people waiting in lines.
  I've met many players who want audiences to pay attention to them,but 
don't pay attention to the audience. I garuntee you BB king has never 
ignoreed an audience in his life.He started out busking.

_________________________________________________________________
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Subject: Re: busking
Date: Mon, 9 Apr 2007 17:51:42 -0600
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a HUGE "AMEN" to the comment about B.B. King.  I had the honor of  
interviewing him once for a radio show I do for Montana Public Radio  
here in Missoula, and you couldn't be more right.  One of the most  
first class people you'd ever meet.

And dare I say....though i didn't meet him........seeing Willie  
Nelson, he gave off the same vibe.  He genuinely seemed to  
care....and didn't look down on his audience.

john

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"Playing the pipe organ doesn't lend itself
to busking."
  You could try accordian.

_________________________________________________________________
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>>"Playing the pipe organ doesn't lend itself
>>to busking."
>  You could try accordian.

Well I've seen people wheeling upright piano's around town!

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 00:06:00 2007
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"Playing the pipe organ doesn't lend itself
to busking."
  You could try accordian. Years ago I had this harmonium that had 2 knee 
levers for keeping the air flow,so you could use both hands.Made a great 
street instrument.

_________________________________________________________________
Exercise your brain! Try Flexicon. 
http://games.msn.com/en/flexicon/default.htm?icid=flexicon_hmemailtaglineapril07

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Reading the digest on my gmail account, I'm not seeing the email
headers (including the "from" and "subject" info) on the individual
messages. It's rather hard to tell when one message ends and another
begins. Do any Gmail users know how to make these visible?

Matt

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<pre><tt>April 10, 2007, 

PayPal Resolution Center: Your account is limited.
Your case ID for this reason is PP-0064310.


PayPal is constantly working to ensure security by regularly screening
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From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 00:48:28 2007
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I was just up there last weekend for a convention, and had the
pleasure of hearing one. Your plastic can drummers are better than
ours. The kid I heard had a set of tuned wine bottles in his rig, and
was doing some amazing xylophone/gamelan melodies with his otherwise
tech-step stylings. I really enjoyed it.

> Who are your favorite buskers?  in seattle we have a few 5-gallon
> plastic can drummers who seriously rock, i've got half a mind to walk
> out on my day job one shiny afternoon with le' funk engine and see if
> they'd like to jam.  I'll try to get video :)  Much love all!
> -Miles
>

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 00:52:41 2007
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Yes Matt, I'm noticing the same problem. Perhaps a note to the gmail team
might inspire them to correct that. It is a work in progress.

On 4/9/07, Matt Davignon <mattdavignon@gmail.com> wrote:
>
> Reading the digest on my gmail account, I'm not seeing the email
> headers (including the "from" and "subject" info) on the individual
> messages. It's rather hard to tell when one message ends and another
> begins. Do any Gmail users know how to make these visible?
>
> Matt
>
>

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Yes Matt, I&#39;m noticing the same problem. Perhaps a note to the gmail team<br>might inspire them to correct that. It is a work in progress.<br><br><div><span class="gmail_quote">On 4/9/07, <b class="gmail_sendername">Matt Davignon
</b> &lt;<a href="mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Reading the digest on my gmail account, I&#39;m not seeing the email<br>headers (including the &quot;from&quot; and &quot;subject&quot; info) on the individual<br>messages. It&#39;s rather hard to tell when one message ends and another
<br>begins. Do any Gmail users know how to make these visible?<br><br>Matt<br><br></blockquote></div><br>

------=_Part_10660_17005319.1176166359905--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 00:54:04 2007
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From: Teddy Kumpel <teddybut@mac.com>
Subject: Re: OT: Busking--it's hard for everyone
Date: Mon, 9 Apr 2007 20:54:02 -0400
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thank you!

On Apr 9, 2007, at 6:32 PM, Jeff Shirkey wrote:
>
> This may be the strangest statement I've ever read on this very  
> strange list.
>
> Jeff


On Apr 9, 2007, at 6:32 PM, Teddy wrote:

>> I like puppets better than Joe Pass...

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 03:37:49 2007
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Date: Mon, 9 Apr 2007 23:37:47 -0400
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Hi Guys,

I wanted to see if anyone had any ideas on this RC-50 issue..

I'm a guitarist trying to sync my RC-50 pedal and loops to an
electronic drummer I've been jamming with.  He's been providing me
with his MIDI clock tempo via the MIDI IN on my RC-50.

I finally figured out a way to get all three loops to obtain the same
global tempo and sync together by turning on the guide, but channeling
it to the unused Sub Output, so I don't have to hear it.

The issue I'm having, however, is that the tempo being received via
the MIDI clock from the drummer is always off by .2 or .4 BPM on the
RC-50.  .. For example:  if he sets his tempo to 140BPM, it will read
as 139.8BPM on my looper.  This seems to cause the loops I create to
slip out of time slowly over time.  Any ideas on how to resolve this?
Why did Roland even allow tempos beyond whole numbers?

Thanks for your help in advance!!

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 03:50:00 2007
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From: "Sean Mormelo" <sean@seanmormelo.com>
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References: <6f5c10f00704092037j64d717bk7bab7b392dcfcb46@mail.gmail.com>
Subject: Re: RC-50 tempo sync issues via MIDI clock
Date: Mon, 9 Apr 2007 19:49:48 -0900
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I thought i heard someone say a while back that the RC50 has to be the
master, not the slave, then it will work...Try that and let me know if it
works because if the until will not synch up via MIDI i have to get rid of
mine because this is exactly why i bought it and what i was going to use it
for....to MIDI synch up to Ableton's Live...

Sean Mormelo
www.seanmormelo.com
www.myspace.com/seanmormelo
www.CDbaby.com/seanmormelo
----- Original Message ----- 
From: "John K." <raisinhill@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 09, 2007 6:37 PM
Subject: RC-50 tempo sync issues via MIDI clock


> Hi Guys,
>
> I wanted to see if anyone had any ideas on this RC-50 issue..
>
> I'm a guitarist trying to sync my RC-50 pedal and loops to an
> electronic drummer I've been jamming with.  He's been providing me
> with his MIDI clock tempo via the MIDI IN on my RC-50.
>
> I finally figured out a way to get all three loops to obtain the same
> global tempo and sync together by turning on the guide, but channeling
> it to the unused Sub Output, so I don't have to hear it.
>
> The issue I'm having, however, is that the tempo being received via
> the MIDI clock from the drummer is always off by .2 or .4 BPM on the
> RC-50.  .. For example:  if he sets his tempo to 140BPM, it will read
> as 139.8BPM on my looper.  This seems to cause the loops I create to
> slip out of time slowly over time.  Any ideas on how to resolve this?
> Why did Roland even allow tempos beyond whole numbers?
>
> Thanks for your help in advance!!
>
>
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.5.446 / Virus Database: 269.0.0/752 - Release Date: 4/8/2007
8:34 PM
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 04:06:04 2007
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From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Re: I stumbled on this picture that brought back fond memories
Date: Mon, 9 Apr 2007 21:06:17 -0700
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doh,  sorry.............  I forgot the URL.  
Here it is for that picture I stumbled on.


www.looppool.info/nostalgia

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 05:27:07 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: I stumbled on this picture that brought back fond memories
Date: Mon, 9 Apr 2007 22:26:46 -0700
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--Apple-Mail-1-307110947
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What a gas to have faces to tie to the text on monitor.  Thanks Rick

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 9-Apr-07, at 9:06 PM, RICK WALKER wrote:

> doh,  sorry.............  I forgot the URL.  Here it is for that 
> picture I stumbled on.
>
>
> www.looppool.info/nostalgia
>

--Apple-Mail-1-307110947
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What a gas to have faces to tie to the text on monitor.  Thanks Rick


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 9-Apr-07, at 9:06 PM, RICK WALKER wrote:


<excerpt>doh,  sorry.............  I forgot the URL.  Here it is for
that picture I stumbled on.



www.looppool.info/nostalgia


</excerpt>
--Apple-Mail-1-307110947--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 07:20:16 2007
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Hi,

I suffered from exactly the same problem. What I heartily recommend,
having been doing this myself for a few weeks, is to unsub from the
digest, sub to the regular mailing list, and then set up a google
filter for LD mail. You can (optionally) get it to skip your inbox for
the filtered mails, so you don't get notified constantly of new mails
coming in, and it puts them in a nice little filter box on the left
hand side of your inbox, with an unread count and everything. Added
bonus is that's it's now much easier to reply to mails, without
deleting irrelevant parts of the digest every time.


cheers,
os.


On 10/04/07, Matt Davignon <mattdavignon@gmail.com> wrote:
> Reading the digest on my gmail account, I'm not seeing the email
> headers (including the "from" and "subject" info) on the individual
> messages. It's rather hard to tell when one message ends and another
> begins. Do any Gmail users know how to make these visible?
>
> Matt
>
>


-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 07:41:07 2007
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Date: Tue, 10 Apr 2007 03:41:05 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
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The other bonus to using GMail to read the regular non-digest version of the
list is that the conversations are properly threaded (and easily searched &
scanned for relevant messages).  After becoming addicted to GMail's
conversation view, all other email programs are awkward in comparison.

(By the way, I don't know if people need invites to GMail anymore, but if so
I'd be happy to send them to LD list members who want them.  Just drop me an
email.)

Todd


On 4/10/07, Os <os@collective.co.uk> wrote:
>
> Hi,
>
> I suffered from exactly the same problem. What I heartily recommend,
> having been doing this myself for a few weeks, is to unsub from the
> digest, sub to the regular mailing list, and then set up a google
> filter for LD mail. You can (optionally) get it to skip your inbox for
> the filtered mails, so you don't get notified constantly of new mails
> coming in, and it puts them in a nice little filter box on the left
> hand side of your inbox, with an unread count and everything. Added
> bonus is that's it's now much easier to reply to mails, without
> deleting irrelevant parts of the digest every time.
>
>
> cheers,
> os.
>
>
> On 10/04/07, Matt Davignon <mattdavignon@gmail.com> wrote:
> > Reading the digest on my gmail account, I'm not seeing the email
> > headers (including the "from" and "subject" info) on the individual
> > messages. It's rather hard to tell when one message ends and another
> > begins. Do any Gmail users know how to make these visible?
> >
> > Matt
> >
> >
>
>
> --
> os@collective.co.uk
> http://www.collective.co.uk/
> http://www.myspace.com/darkroomtheband
>
>

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The other bonus to using GMail to read the regular non-digest version of the list is that the conversations are properly threaded (and easily searched &amp; scanned for relevant messages).&nbsp; After becoming addicted to GMail&#39;s conversation view, all other email programs are awkward in comparison.
<br><br>(By the way, I don&#39;t know if people need invites to GMail anymore, but if so I&#39;d be happy to send them to LD list members who want them.&nbsp; Just drop me an email.)<br><br>Todd<br><br><br><div><span class="gmail_quote">
On 4/10/07, <b class="gmail_sendername">Os</b> &lt;<a href="mailto:os@collective.co.uk">os@collective.co.uk</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hi,<br><br>I suffered from exactly the same problem. What I heartily recommend,<br>having been doing this myself for a few weeks, is to unsub from the<br>digest, sub to the regular mailing list, and then set up a google<br>
filter for LD mail. You can (optionally) get it to skip your inbox for<br>the filtered mails, so you don&#39;t get notified constantly of new mails<br>coming in, and it puts them in a nice little filter box on the left<br>
hand side of your inbox, with an unread count and everything. Added<br>bonus is that&#39;s it&#39;s now much easier to reply to mails, without<br>deleting irrelevant parts of the digest every time.<br><br><br>cheers,<br>os.
<br><br><br>On 10/04/07, Matt Davignon &lt;<a href="mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a>&gt; wrote:<br>&gt; Reading the digest on my gmail account, I&#39;m not seeing the email<br>&gt; headers (including the &quot;from&quot; and &quot;subject&quot; info) on the individual
<br>&gt; messages. It&#39;s rather hard to tell when one message ends and another<br>&gt; begins. Do any Gmail users know how to make these visible?<br>&gt;<br>&gt; Matt<br>&gt;<br>&gt;<br><br><br>--<br><a href="mailto:os@collective.co.uk">
os@collective.co.uk</a><br><a href="http://www.collective.co.uk/">http://www.collective.co.uk/</a><br><a href="http://www.myspace.com/darkroomtheband">http://www.myspace.com/darkroomtheband</a><br><br></blockquote></div><br>

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: LD on Gmail
Date: Tue, 10 Apr 2007 10:42:26 +0200
To: Loopers-Delight@loopers-delight.com
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I too use Gmail. My trick is to set up a local computer email client  
to fetch the messages from the Gmail account. This way I can read  
them on the local machine an take advantage of the superior filtering  
options normally offered by a local email client. Now and then I fire  
up a web browser and log in at the Gmail account to delete the read/ 
downloaded messages at the server. I'm finding this a fast and  
efficient correspondence set-up with a built-in online second back-up.

I have also set up the Gmail account to filter different lists into  
their dedicated catalogues. That's convenient when I have to read  
mails online, but for me that is not as fast as downloading THROUGH  
the Gmail account and do the sorting and reading locally.

Per



On Apr 10, 2007, at 2:52, Michael Billow wrote:
> Yes Matt, I'm noticing the same problem. Perhaps a note to the  
> gmail team
> might inspire them to correct that. It is a work in progress.
>
> On 4/9/07, Matt Davignon <mattdavignon@gmail.com> wrote: Reading  
> the digest on my gmail account, I'm not seeing the email
> headers (including the "from" and "subject" info) on the individual
> messages. It's rather hard to tell when one message ends and another
> begins. Do any Gmail users know how to make these visible?
>
> Matt

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 12:59:19 2007
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Date: Tue, 10 Apr 2007 08:59:15 -0400
From: "John K." <raisinhill@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-50 tempo sync issues via MIDI clock
Cc: sean@seanmormelo.com
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Sean,

But we don't want the RC50 to be the master!  :) We want the drummer
to be able to send the start/stop messages and control the tempo.  So,
I really don't care if it works the other way.  And yes, this issue
exists with Ableton Live acting as the Master.

But the question continues to puzzle me:  Why would Roland even have
the tempo include a tenth degree slot for the tempo's BPM (for
example, 139.8BPM instead of just rounding up to 140BPM)?  Am I
mistaken when thinking most MIDI clock masters/slave read tempo in
whole numbers?

Thanks, John

> I thought i heard someone say a while back that the RC50 has to be the
> master, not the slave, then it will work...Try that and let me know if it
> works because if the until will not synch up via MIDI i have to get rid of
> mine because this is exactly why i bought it and what i was going to use it
> for....to MIDI synch up to Ableton's Live...
>
> Sean Mormelo
> www.seanmormelo.com
> www.myspace.com/seanmormelo
> www.CDbaby.com/seanmormelo

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 13:20:22 2007
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From: Teddy <teddybutter@mac.com>
Subject: Re: RC-50 tempo sync issues via MIDI clock
Date: Tue, 10 Apr 2007 09:20:21 -0400
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bug Roland about it... squeaky wheel gets the grease.

I call them a lot about this and they always say the same thing...  
that they don't see the japan office doing anything about it.
Maybe cause I'm the only one calling?

Roland US
Guitar/Percussion Products: 323-890-3743

sucks really.

Teddy

On Apr 10, 2007, at 8:59 AM, John K. wrote:

> Sean,
>
> But we don't want the RC50 to be the master!  :) We want the drummer
> to be able to send the start/stop messages and control the tempo.  So,
> I really don't care if it works the other way.  And yes, this issue
> exists with Ableton Live acting as the Master.
>
> But the question continues to puzzle me:  Why would Roland even have
> the tempo include a tenth degree slot for the tempo's BPM (for
> example, 139.8BPM instead of just rounding up to 140BPM)?  Am I
> mistaken when thinking most MIDI clock masters/slave read tempo in
> whole numbers?
>
> Thanks, John

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 13:48:09 2007
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Date: Tue, 10 Apr 2007 08:48:07 -0500
From: kkissinger@kevinkissinger.com
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Subject: Re: I stumbled on this picture that brought back fond memories
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Thanks, Rick.  Fun to put some names and faces together.

> www.looppool.info/nostalgia


From billpay@ebay.com  Tue Apr 10 14:17:40 2007
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From: "billpay@ebay.com" <billpay@ebay.com>
Subject: Your eBay Account Has Been Placed On-hold: Action Required
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<P><FONT face=Arial size=2>
<TABLE id=version3 cellSpacing=0 cellPadding=2 width="100%" border=0>
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<TD vAlign=bottom align=left>
<P>&nbsp;</P></TD></TR></TBODY></TABLE><IMG height=5 src="http://pics.ebaystatic.com/aw/pics/tbx/s.gif"><BR>
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<TR>
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<TD vAlign=bottom noWrap><FONT face=Arial size=3><B>Account On-hold: Please pay your eBay fees today</B></FONT></TD></TR></TBODY></TABLE></FONT>
<P><FONT face=Arial size=2></FONT>&nbsp;
<P><FONT face=Arial size=2>Dear Coustomer :</FONT> 
<P>&nbsp;
<P><FONT face=Arial size=2>You are late in paying your eBay fees of $14.98 and your account </FONT><FONT face=Arial size=2>is past due. These fees result from listing items on eBay </FONT><FONT face=Arial size=2>or using related services (ID verify, Stores, etc). <BR><BR>This account has been restricted and you will not be able to bid or list on eBay. To </FONT><FONT face=Arial size=2>avoid further collections please pay your fees today by following these steps: </FONT></P>
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From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 19:20:44 2007
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Date: Tue, 10 Apr 2007 12:20:42 -0700
From: "miles ward" <miles932@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Seattle paint bucket buskers
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Solid!  Yeah, a couple of those cats can rock.. quite groovy.

On 4/9/07, Matt Davignon <mattdavignon@gmail.com> wrote:
> I was just up there last weekend for a convention, and had the
> pleasure of hearing one. Your plastic can drummers are better than
> ours. The kid I heard had a set of tuned wine bottles in his rig, and
> was doing some amazing xylophone/gamelan melodies with his otherwise
> tech-step stylings. I really enjoyed it.
>
> > Who are your favorite buskers?  in seattle we have a few 5-gallon
> > plastic can drummers who seriously rock, i've got half a mind to walk
> > out on my day job one shiny afternoon with le' funk engine and see if
> > they'd like to jam.  I'll try to get video :)  Much love all!
> > -Miles
> >
>
>


-- 
---Miles Ward

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Date: Tue, 10 Apr 2007 12:31:49 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Seattle paint bucket buskers
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We have those plastic can whackers in the Downtown Mall area of Charlottesville, VA and they're irritating as shit! :)

miles ward <miles932@gmail.com> wrote:  Solid! Yeah, a couple of those cats can rock.. quite groovy.

On 4/9/07, Matt Davignon wrote:
> I was just up there last weekend for a convention, and had the
> pleasure of hearing one. Your plastic can drummers are better than
> ours. The kid I heard had a set of tuned wine bottles in his rig, and
> was doing some amazing xylophone/gamelan melodies with his otherwise
> tech-step stylings. I really enjoyed it.
>
> > Who are your favorite buskers? in seattle we have a few 5-gallon
> > plastic can drummers who seriously rock, i've got half a mind to walk
> > out on my day job one shiny afternoon with le' funk engine and see if
> > they'd like to jam. I'll try to get video :) Much love all!
> > -Miles
> >
>
>


-- 
---Miles Ward



       
---------------------------------
TV dinner still cooling?
Check out "Tonight's Picks" on Yahoo! TV.
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We have those plastic can whackers in the Downtown Mall area of Charlottesville, VA and they're irritating as shit! :)<BR><BR><B><I>miles ward &lt;miles932@gmail.com&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Solid! Yeah, a couple of those cats can rock.. quite groovy.<BR><BR>On 4/9/07, Matt Davignon <MATTDAVIGNON@GMAIL.COM>wrote:<BR>&gt; I was just up there last weekend for a convention, and had the<BR>&gt; pleasure of hearing one. Your plastic can drummers are better than<BR>&gt; ours. The kid I heard had a set of tuned wine bottles in his rig, and<BR>&gt; was doing some amazing xylophone/gamelan melodies with his otherwise<BR>&gt; tech-step stylings. I really enjoyed it.<BR>&gt;<BR>&gt; &gt; Who are your favorite buskers? in seattle we have a few 5-gallon<BR>&gt; &gt; plastic can drummers who seriously rock, i've got half a mind to walk<BR>&gt; &gt; out on my day job one shiny afternoon with
 le' funk engine and see if<BR>&gt; &gt; they'd like to jam. I'll try to get video :) Much love all!<BR>&gt; &gt; -Miles<BR>&gt; &gt;<BR>&gt;<BR>&gt;<BR><BR><BR>-- <BR>---Miles Ward<BR><BR></BLOCKQUOTE><BR><p>&#32;
      <hr size=1>TV dinner still cooling?<br><a href="http://us.rd.yahoo.com/evt=49979/*http://tv.yahoo.com/">Check out "Tonight's Picks"</a> on Yahoo! TV.
--0-148805218-1176233509=:62871--

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Date: Tue, 10 Apr 2007 12:37:13 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: EDP woes, part two
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <209268.67290.qm@web38702.mail.mud.yahoo.com>
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--- taittinger91 <taittinger91@yahoo.com> wrote:

> Just wanted to share the fact that I replaced my
> defective EDP (since I don't have time to get it
> repaired before my gigs, nor do I have the
> technological capabilites to open it up and reseat
> the PROMs, thanks Francisco) with a new one that
> also appears to be defective (sound is degraded and
> crackly). 

Wow, that seems really unlucky.  Oddly enough, I once
bought a defective EDP and returned it.  It was a time
when they weren't shipping and I was told it would be
months before I'd possibily get a replacement so I
abandoned it.  However, I've seen dozens of EDP users
that seem to have no problems so I guess you were just
unlucky.

I'd say don't give up on it if it's got the features
you want, as there's not much out there now in it's
price range that touches it.  If you don't care about
feedback control or a lot of the other things the EDP
does so well, I guess there's the Boss RC line.  I've
never had a Boss piece of gear fail on me.

That said, I abandoned hardware looping and I've been
100% software looping for a long time now and I love
it.  It can crash, but I find it only does when I'm
doing something silly like trying to load a new VST
while a loop is going.  Sounds like you're not a guy
who likes to fiddle with gear so perhaps this isn't
the best idea as it takes time to set up and get
going.

Good luck,

Mark


 
____________________________________________________________________________________
Don't pick lemons.
See all the new 2007 cars at Yahoo! Autos.
http://autos.yahoo.com/new_cars.html 

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 19:48:04 2007
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Date: Tue, 10 Apr 2007 15:46:19 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: I stumbled on this picture that brought back fond memories
To: RICK WALKER <looppool@cruzio.com>,
	"LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
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A wonderful photo, Rick. My disappointment that I'm not in that picture
myself is utterly eradicated by the many hilarious posts your "polar bear
eating marshmallows in a snowstorm" post elicited. I too am happy to have
faces to associate with names on the posts. And if anyone needs a mug shot
of yrs. truly, just go to my web site; it's on page one. (I actually got an
e-mail from someone recently who said that my picture wasn't "good
marketing" for getting new guitar students. Specifically:

"When I look at that shot from a marketing perspective, I don't feel like I
want to study guitar with you. Just an observation."

...which gave me the opportunity to reply with classic wise-ass wisdom:

" 'Music is the performance of sound. Theatre is the performance of
appearance. Try not to confuse the two.'
To this I might now add, marketing is the manufacturing of appearance for
material gain.

I am not the instructor you are looking for."

Onward through the fog!
dB

----- Original Message ----- 
From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 10, 2007 12:06 AM
Subject: Re: I stumbled on this picture that brought back fond memories


> doh,  sorry.............  I forgot the URL.
> Here it is for that picture I stumbled on.
>
>
> www.looppool.info/nostalgia
>

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From: Richard Sales <richard@glasswing.com>
Subject: Re: Seattle paint bucket buskers
Date: Tue, 10 Apr 2007 13:40:04 -0700
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--Apple-Mail-2-361909403
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You're in Charlottesville?  So do you know Bobby Read?

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 10-Apr-07, at 12:31 PM, Paul Richards wrote:

> We have those plastic can whackers in the Downtown Mall area of 
> Charlottesville, VA and they're irritating as shit! :)
>
> miles ward <miles932@gmail.com> wrote:Solid! Yeah, a couple of those 
> cats can rock.. quite groovy.
>>
>> On 4/9/07, Matt Davignon wrote:
>> > I was just up there last weekend for a convention, and had the
>> > pleasure of hearing one. Your plastic can drummers are better than
>> > ours. The kid I heard had a set of tuned wine bottles in his rig, 
>> and
>> > was doing some amazing xylophone/gamelan melodies with his otherwise
>> > tech-step stylings. I really enjoyed it.
>> >
>> > > Who are your favorite buskers? in seattle we have a few 5-gallon
>> > > plastic can drummers who seriously rock, i've got half a mind to 
>> walk
>> > > out on my day job one shiny afternoon with le' funk engine and 
>> see if
>> > > they'd like to jam. I'll try to get video :) Much love all!
>> > > -Miles
>> > >
>> >
>> >
>>
>>
>> -- 
>> ---Miles Ward
>>
>
> TV dinner still cooling?
> Check out "Tonight's Picks" on Yahoo! TV.
--Apple-Mail-2-361909403
Content-Transfer-Encoding: 7bit
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You're in Charlottesville?  So do you know Bobby Read?


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 10-Apr-07, at 12:31 PM, Paul Richards wrote:


<excerpt>We have those plastic can whackers in the Downtown Mall area
of Charlottesville, VA and they're irritating as shit! :)


<bold><italic>miles ward <<miles932@gmail.com></italic></bold>
wrote:Solid! Yeah, a couple of those cats can rock.. quite groovy.

<excerpt>

On 4/9/07, Matt Davignon wrote:

> I was just up there last weekend for a convention, and had the

> pleasure of hearing one. Your plastic can drummers are better than

> ours. The kid I heard had a set of tuned wine bottles in his rig, and

> was doing some amazing xylophone/gamelan melodies with his otherwise

> tech-step stylings. I really enjoyed it.

>

> > Who are your favorite buskers? in seattle we have a few 5-gallon

> > plastic can drummers who seriously rock, i've got half a mind to
walk

> > out on my day job one shiny afternoon with le' funk engine and see
if

> > they'd like to jam. I'll try to get video :) Much love all!

> > -Miles

> >

>

>



-- 

---Miles Ward


</excerpt>

TV dinner still cooling?

<color><param>0000,0000,EEEE</param>Check out "Tonight's
Picks"</color> on Yahoo! TV.</excerpt>
--Apple-Mail-2-361909403--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 20:54:36 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: busking
Date: Tue, 10 Apr 2007 13:54:23 -0700
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--Apple-Mail-3-362768027
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Moondog!  The Human Jukebox!  Baby Gramps!  The unholy trinity!

I saw Moondog in NYC too... circa 1970.  Have you ever heard his  
record?  It's wonderful.

"Machines were mice and men were lions once upon a time..."  He was a  
real wonderful wacko sage of the highest order.   One of my band mates  
bought a poem from him for a buck.  One of the few things I regret in  
my life is that I didn't.  But he's a busker who did alright.  He made  
it into a Beatles song!

I busked at Fisherman's Wharf when The Human Jukebox was at his peak -  
I think it was early 70's.  I loved it and at the time it was money  
which was so elusive back then.

Baby Gramps?  I think he's possibly one of the best entertainers I've  
ever met.  And he has some amazing songs like Skillet of Snakes.  I did  
a film score with Gramps.  I think it was around 2000 or so.  Bob Dylan  
is a fan of Gramps!

For me busking carries me back to a different time when folks weren't  
in such a hurry.  I don't find them annoying like some panhandlers are.  
  So usually when I see someone busking I donate.  It's a heart thing.   
There but for fortune and all that!

Back to Kenny, I learned about the herd instinct from Howard Bloom's  
"The Global Mind".  An amazing book.  He was a music maven who quit to  
study the evolution of memes... and the mind.  The thing about the herd  
instinct is scientifically presented in the book and hard to knock.   
Maybe I misapplied the concept with the folks in the Metro station, but  
I bet there's something to it.

More thoughts...  but maybe for a rainy day.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 9-Apr-07, at 4:46 PM, samba - wrote:

>
>  My favorite buskers are Artis the spoonthang ,Baby Gramps,the Human  
> Jukebox guy in SF in the 70s. I actually saw  the legendary street  
> performer Moondog in NY in the very early 70s,Thelonious Monk,members  
> of Pentangle and the Band were among his fans. There was an 80s band  
> called Violent Femmes who were busking outside a Pretenders show.The  
> kids standing in line were mostly ignoring them ,but someone in the  
> pretenders heard and dug them,and when the show started VF were   
> onstage opening ,and got hooked up to get signed.
>  True there's no reason to expect busy commuters to have time to stop  
> and play audience.There are many possible responses to this truth. One  
> is to make them stop and listen,and watch ,and ,make them give you  
> money by being totally irresistable ( this usually requires a fair  
> amount of schtick, just like rock music). Another is to not try to  
> stop them but to play music that energizes them or improves their  
> mood. It's possible to play music that doesn't require intellectual  
> attention to be enjoyable. Speak to the body,and it doesn't matter if  
> they are paying conscious attention.  If you do this in the same spot  
> regulary ,you'll make money. Another is just do what you do and ignore  
> them, it will moslty be mutual,wait for someone on your wavelenght.You  
> can always play for people waiting in lines.
>  I've met many players who want audiences to pay attention to them,but  
> don't pay attention to the audience. I garuntee you BB king has never  
> ignoreed an audience in his life.He started out busking.
>
> _________________________________________________________________
> Mortgage rates near historic lows. Refinance $200,000 loan for as low  
> as $771/month*  
> https://www2.nextag.com/goto.jsp? 
> product=100000035&url=%2fst.jsp&tm=y&search=mortgage_text_links_88_h27f 
> 8&disc=y&vers=689&s=4056&p=5117
>


--Apple-Mail-3-362768027
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

Moondog!  The Human Jukebox!  Baby Gramps!  The unholy trinity!


I saw Moondog in NYC too... circa 1970.  Have you ever heard his
record?  It's wonderful.


"Machines were mice and men were lions once upon a time..."  He was a
real wonderful wacko sage of the highest order.   One of my band mates
bought a poem from him for a buck.  One of the few things I regret in
my life is that I didn't.  But he's a busker who did alright.  He made
it into a Beatles song!


I busked at Fisherman's Wharf when The Human Jukebox was at his peak -
I think it was early 70's.  I loved it and at the time it was money
which was so elusive back then.


Baby Gramps?  I think he's possibly one of the best entertainers I've
ever met.  And he has some amazing songs like Skillet of Snakes.  I
did a film score with Gramps.  I think it was around 2000 or so.  Bob
Dylan is a fan of Gramps! 


For me busking carries me back to a different time when folks weren't
in such a hurry.  I don't find them annoying like some panhandlers
are.  So usually when I see someone busking I donate.  It's a heart
thing.  There but for fortune and all that!


Back to Kenny, I learned about the herd instinct from Howard Bloom's
"The Global Mind".  An amazing book.  He was a music maven who quit to
study the evolution of memes... and the mind.  The thing about the
herd instinct is scientifically presented in the book and hard to
knock.  Maybe I misapplied the concept with the folks in the Metro
station, but I bet there's something to it. 


More thoughts...  but maybe for a rainy day.


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 9-Apr-07, at 4:46 PM, samba - wrote:


<excerpt>

 My favorite buskers are Artis the spoonthang ,Baby Gramps,the Human
Jukebox guy in SF in the 70s. I actually saw  the legendary street
performer Moondog in NY in the very early 70s,Thelonious Monk,members
of Pentangle and the Band were among his fans. There was an 80s band
called Violent Femmes who were busking outside a Pretenders show.The
kids standing in line were mostly ignoring them ,but someone in the
pretenders heard and dug them,and when the show started VF were 
onstage opening ,and got hooked up to get signed.

 True there's no reason to expect busy commuters to have time to stop
and play audience.There are many possible responses to this truth. One
is to make them stop and listen,and watch ,and ,make them give you
money by being totally irresistable ( this usually requires a fair
amount of schtick, just like rock music). Another is to not try to
stop them but to play music that energizes them or improves their
mood. It's possible to play music that doesn't require intellectual
attention to be enjoyable. Speak to the body,and it doesn't matter if
they are paying conscious attention.  If you do this in the same spot
regulary ,you'll make money. Another is just do what you do and ignore
them, it will moslty be mutual,wait for someone on your wavelenght.You
can always play for people waiting in lines.

 I've met many players who want audiences to pay attention to them,but
don't pay attention to the audience. I garuntee you BB king has never
ignoreed an audience in his life.He started out busking.


_________________________________________________________________

Mortgage rates near historic lows. Refinance $200,000 loan for as low
as $771/month*
https://www2.nextag.com/goto.jsp?product=100000035&url=%2fst.jsp&tm=y&search=mortgage_text_links_88_h27f8&disc=y&vers=689&s=4056&p=5117


</excerpt>


--Apple-Mail-3-362768027--

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From: Richard Sales <richard@glasswing.com>
Subject: Re: Seattle paint bucket buskers
Date: Tue, 10 Apr 2007 14:00:30 -0700
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One of my fave buskers is Miles and my son Luke.  It's like Parliament 
Funkadelic meets Miles Davis at a Louisiana carnival.

Artis is good but sometimes he's QUITE inappropriate when you've got 
little kids with you.

Baby Gramps is the master busker.   First ran into him on a trail at 
the Oregon Country Fair.  I made the mistake of stopping for a second, 
caught by the sight of his brace of Nationals...  and my family had to 
go on without me.  Mesmerizing.  Hilarious.  Real music.  Very rare.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 10-Apr-07, at 12:20 PM, miles ward wrote:

> Solid!  Yeah, a couple of those cats can rock.. quite groovy.
>
> On 4/9/07, Matt Davignon <mattdavignon@gmail.com> wrote:
>> I was just up there last weekend for a convention, and had the
>> pleasure of hearing one. Your plastic can drummers are better than
>> ours. The kid I heard had a set of tuned wine bottles in his rig, and
>> was doing some amazing xylophone/gamelan melodies with his otherwise
>> tech-step stylings. I really enjoyed it.
>>
>> > Who are your favorite buskers?  in seattle we have a few 5-gallon
>> > plastic can drummers who seriously rock, i've got half a mind to 
>> walk
>> > out on my day job one shiny afternoon with le' funk engine and see 
>> if
>> > they'd like to jam.  I'll try to get video :)  Much love all!
>> > -Miles
>> >
>>
>>
>
>
> -- 
> ---Miles Ward
>

--Apple-Mail-4-363134725
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One of my fave buskers is Miles and my son Luke.  It's like Parliament
Funkadelic meets Miles Davis at a Louisiana carnival.  


Artis is good but sometimes he's QUITE inappropriate when you've got
little kids with you.


Baby Gramps is the master busker.   First ran into him on a trail at
the Oregon Country Fair.  I made the mistake of stopping for a second,
caught by the sight of his brace of Nationals...  and my family had to
go on without me.  Mesmerizing.  Hilarious.  Real music.  Very rare.


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 10-Apr-07, at 12:20 PM, miles ward wrote:


<excerpt>Solid!  Yeah, a couple of those cats can rock.. quite groovy.


On 4/9/07, Matt Davignon <<mattdavignon@gmail.com> wrote:

<excerpt>I was just up there last weekend for a convention, and had the

pleasure of hearing one. Your plastic can drummers are better than

ours. The kid I heard had a set of tuned wine bottles in his rig, and

was doing some amazing xylophone/gamelan melodies with his otherwise

tech-step stylings. I really enjoyed it.


> Who are your favorite buskers?  in seattle we have a few 5-gallon

> plastic can drummers who seriously rock, i've got half a mind to walk

> out on my day job one shiny afternoon with le' funk engine and see if

> they'd like to jam.  I'll try to get video :)  Much love all!

> -Miles

>



</excerpt>


-- 

---Miles Ward


</excerpt>
--Apple-Mail-4-363134725--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 21:29:59 2007
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Subject: OT "He is" or "I am"
Date: Tue, 10 Apr 2007 23:29:20 +0200
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how do we present ourselves on the web? I have a question of style: I'm
currently busy setting up my new website, finally ... (no, it is not =
online
yet).

I'm going for a conventional site with a menu on the left and content on =
the
right, nothing fancy, nothing too confusing, nothing too artsy ... the
design can change later if I feel like it, first thing I want to have is =
a
website for all my various projects.

The start page says something about me, something like, "Michael plays
guitar and loves livelooping ... he also uses the computer to create =
strange
sounds ... blah blah". Stuff like that.=20

Now my wife comes in and looks over my shoulder and wonders why I don't
write "I play guitar and love livelooping ... I also use the computer" =
etc.
etc. - I'm writing this about myself, so why don't I say "I" ?

I don't know how to put it. If I say "he is" it sounds like somebody =
else
has written it about me, while everybody knows that I wrote it myself.
Somehow silly but then it does sound more neutral and objective. If I =
wrote
"I am" the page would be full of "I've done this, I've done that" and
somehow that wouldn't feel right either.

I've checked some other websites for this and apparently it is quite =
normal
to say something like "Per Boysen is one of Sweden=92s leading =
live-looping
musicians" or "A leading figure in the emerging international live =
looping
movement, Rick is a sound designer, electronic music composer ..." or
"Avant-cellist Zo=EB Keating is a one-woman string quartet " ... even =
though
we all know (and all site visitors know) that each of us wrote this
him/herself.

Opinions?

-Michael www.michaelpeters.de

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Subject: Re: OT "He is" or "I am"
Date: Tue, 10 Apr 2007 14:45:13 -0700
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probably personal preference. i make a distinction for parts of my =20
site that are straight biography and make those 3rd person. the =20
reason being that bits of my bio (which actually wasn't written by =20
me...but by) get copied by the press, and i've never seen an artist =20
bio in the first person.

the rest of my site i do in the first person...news, shows, etc...so =20
its a mix.

when an artist site is entirely 3rd person (for example if someone =20
starts doing it for you) i think it is nice when there is an "artist" =20=

statement in your voice.

tricky!

On Apr 10, 2007, at 2:29 PM, Michael Peters wrote:

> I've checked some other websites for this and apparently it is =20
> quite normal
> to say something like "Per Boysen is one of Sweden=92s leading live-=20=

> looping
> musicians" or "A leading figure in the emerging international live =20
> looping
> movement, Rick is a sound designer, electronic music composer ..." or
> "Avant-cellist Zo=EB Keating is a one-woman string quartet " ... even =20=

> though
> we all know (and all site visitors know) that each of us wrote this
> him/herself.
>
> Opinions?


--Apple-Mail-2-365817744
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">probably personal preference. i =
make a distinction for parts of my site that are straight biography and =
make those 3rd person. the reason being that bits of my bio (which =
actually wasn't written by me...but by) get copied by the press, and =
i've never seen an artist bio in the first person.<DIV><BR =
class=3D"khtml-block-placeholder"><DIV>the rest of my site i do in the =
first person...news, shows, etc...so its a mix.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>when an artist site is =
entirely 3rd person (for example if someone starts doing it for you) i =
think it is nice when there is an "artist" statement in your =
voice.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>tricky!</DIV><DIV><BR><DIV><D=
IV>On Apr 10, 2007, at 2:29 PM, Michael Peters wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">I've checked some other =
websites for this and apparently it is quite normal</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">to say something like "Per =
Boysen is one of Sweden=92s leading live-looping</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">musicians" or "A leading =
figure in the emerging international live looping</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">movement, Rick is a sound =
designer, electronic music composer ..." or</FONT></P> <P style=3D"margin:=
 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">"Avant-cellist Zo=EB Keating is a =
one-woman string quartet " ... even though</FONT></P> <P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">we all know (and all site visitors =
know) that each of us wrote this</FONT></P> <P style=3D"margin: 0.0px =
0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">him/herself.</FONT></P> <P style=3D"margin: 0.0px =
0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><BR></P> =
<P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">Opinions?</FONT></P> =
</BLOCKQUOTE></DIV><BR></DIV></DIV></BODY></HTML>=

--Apple-Mail-2-365817744--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 02:00:51 2007
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Subject: Re: OT "He is" or "I am"
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Both ways...

Often times when promoters/booking agents view a profile and see it written 
in third person it looks like your "Staff" is bigger than it is..in other 
words, you've got enough going on and you're important enough to pay people 
to do stuff for you. People DON'T know you've done it yourself.   I've done 
both (and also had people write stuff for/about me as well).  People do 
think there is someone behind the scenes if it's written well.  There was a 
series of releases I did once where everything was in third person and I'd 
throw a quote in at the end.  People loved the quote from me and would ask 
me to talk more about stuff in my releases. So I did.  They never knew it 
was all me anyway in that case.

If you want to come across a more professional, that you're an indie artist 
that's got his own label...use third person.  You can always ask someone 
else to write it and then you won't feel weird.;-)

~peace~

Plish


----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 10, 2007 4:29 PM
Subject: OT "He is" or "I am"


how do we present ourselves on the web? I have a question of style: I'm
currently busy setting up my new website, finally ... (no, it is not online
yet).

I'm going for a conventional site with a menu on the left and content on the
right, nothing fancy, nothing too confusing, nothing too artsy ... the
design can change later if I feel like it, first thing I want to have is a
website for all my various projects.

The start page says something about me, something like, "Michael plays
guitar and loves livelooping ... he also uses the computer to create strange
sounds ... blah blah". Stuff like that.

Now my wife comes in and looks over my shoulder and wonders why I don't
write "I play guitar and love livelooping ... I also use the computer" etc.
etc. - I'm writing this about myself, so why don't I say "I" ?

I don't know how to put it. If I say "he is" it sounds like somebody else
has written it about me, while everybody knows that I wrote it myself.
Somehow silly but then it does sound more neutral and objective. If I wrote
"I am" the page would be full of "I've done this, I've done that" and
somehow that wouldn't feel right either.

I've checked some other websites for this and apparently it is quite normal
to say something like "Per Boysen is one of Sweden's leading live-looping
musicians" or "A leading figure in the emerging international live looping
movement, Rick is a sound designer, electronic music composer ..." or
"Avant-cellist Zoë Keating is a one-woman string quartet " ... even though
we all know (and all site visitors know) that each of us wrote this
him/herself.

Opinions?

-Michael www.michaelpeters.de



From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 02:45:21 2007
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Subject: Busk a move  moondog gramps 
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  I played moondog on the radio too. I  first encountered Gramps in Pike st 
mkt in the early 80s. He's at least as strange off stage as on,it's not 
really schtick.If you know Gramps from the OCF we've prolly crossed 
paths,I've been going since 74-this will be my 33rd year. Last time I busked 
in Pike st mid 90s, Gramps gave me a decent tip. I made my liveing ,or at 
least the money I ate on w/ street music in the early 70s in my rambling 
days. Did really well in Canada,like 15US  an hour in the mid 70s when min 
wage ws 2 ,but it was cause I was so bad they felt sorry for me.   There was 
another guy in SF in those days,Professor Gizmo who had a washboard  jug 
,harmonica kazoo rack and varios slide whisltes,sirens bells etc. I recall 
him doing a fully orchestrated version of St Louis Blues.
  The bucket drumming thing started on the E.coast sometime in the early to 
mid 80s.it was a long time before it got to the W. coast. It's probably a 
meme that more than one person thought of. There are some people who play 
big 50 gallon plastic barrels and pots and pans ,any sort of junk percussion 
,on the street n Santa Cruz who sometimes really wail .I've played with them 
when they had a very intense syncopated ,fast 15 going ,and they all knew 
where they were.

_________________________________________________________________
Need a break? Find your escape route with Live Search Maps. 
http://maps.live.com/?icid=hmtag3

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 02:50:04 2007
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Date: Tue, 10 Apr 2007 19:39:31 -0700
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For a bio I had to provide for the Beam Foundation web site I wrote:

Chris Muir has been embroiled in computers and music for over thirty 
years. He has been heavily involved with music software environments 
for much of this time. Previous employment includes Beatnik (nee 
Headspace) a company creating synthesis engines for industry, Gibson 
Western Innovation Zone (GWIZ), an R&D lab run by Gibson Guitar, 
Electronics For Imaging (EFI), Zeta Music, and Salamander Music 
Systems (SMS). Chris has also worked with CNMAT (Center for New Music 
and Audio Technology), and has contributed to Cycling 74's Max 
environment. An accomplished musician and composer, he has been 
involved with many projects, in many genres. He currently performs 
with "Lunar Asylum", "Yo Miles!" and "Zen Disaster". In his spare 
time he enjoys referring to himself in the third person.

-C

-- 
Chris Muir           | "There are many futures and only one status quo.
cbm@well.com         |  This is why conservatives mostly agree,
http://www.xfade.com |  and radicals always argue." - Brian Eno

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I'm smiling

Was Sid Small Professor Gizmo?  He played washboard in the marching 
band at the country fair.  Good friend.  Good man

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 10-Apr-07, at 7:45 PM, samba - wrote:

>
>  I played moondog on the radio too. I  first encountered Gramps in 
> Pike st mkt in the early 80s. He's at least as strange off stage as 
> on,it's not really schtick.If you know Gramps from the OCF we've 
> prolly crossed paths,I've been going since 74-this will be my 33rd 
> year. Last time I busked in Pike st mid 90s, Gramps gave me a decent 
> tip. I made my liveing ,or at least the money I ate on w/ street music 
> in the early 70s in my rambling days. Did really well in Canada,like 
> 15US  an hour in the mid 70s when min wage ws 2 ,but it was cause I 
> was so bad they felt sorry for me.   There was another guy in SF in 
> those days,Professor Gizmo who had a washboard  jug ,harmonica kazoo 
> rack and varios slide whisltes,sirens bells etc. I recall him doing a 
> fully orchestrated version of St Louis Blues.
--Apple-Mail-5-384571888
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

I'm smiling


Was Sid Small Professor Gizmo?  He played washboard in the marching
band at the country fair.  Good friend.  Good man


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 10-Apr-07, at 7:45 PM, samba - wrote:


<excerpt>

 I played moondog on the radio too. I  first encountered Gramps in
Pike st mkt in the early 80s. He's at least as strange off stage as
on,it's not really schtick.If you know Gramps from the OCF we've
prolly crossed paths,I've been going since 74-this will be my 33rd
year. Last time I busked in Pike st mid 90s, Gramps gave me a decent
tip. I made my liveing ,or at least the money I ate on w/ street music
in the early 70s in my rambling days. Did really well in Canada,like
15US  an hour in the mid 70s when min wage ws 2 ,but it was cause I
was so bad they felt sorry for me.   There was another guy in SF in
those days,Professor Gizmo who had a washboard  jug ,harmonica kazoo
rack and varios slide whisltes,sirens bells etc. I recall him doing a
fully orchestrated version of St Louis Blues.</excerpt>
--Apple-Mail-5-384571888--

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From: Richard Sales <richard@glasswing.com>
Subject: Re: OT "He is" or "I am"
Date: Tue, 10 Apr 2007 20:00:56 -0700
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Holy schmokeys, Chris!

richard sales
glassWing farm and studio

On 10-Apr-07, at 7:39 PM, Chris Muir wrote:

>
> For a bio I had to provide for the Beam Foundation web site I wrote:
>
> Chris Muir has been embroiled in computers and music for over thirty 
> years. He has been heavily involved with music software environments 
> for much of this time. Previous employment includes Beatnik (nee 
> Headspace) a company creating synthesis engines for industry, Gibson 
> Western Innovation Zone (GWIZ), an R&D lab run by Gibson Guitar, 
> Electronics For Imaging (EFI), Zeta Music, and Salamander Music 
> Systems (SMS). Chris has also worked with CNMAT (Center for New Music 
> and Audio Technology), and has contributed to Cycling 74's Max 
> environment. An accomplished musician and composer, he has been 
> involved with many projects, in many genres. He currently performs 
> with "Lunar Asylum", "Yo Miles!" and "Zen Disaster". In his spare time 
> he enjoys referring to himself in the third person.
>
> -C
>
> -- 
> Chris Muir           | "There are many futures and only one status quo.
> cbm@well.com         |  This is why conservatives mostly agree,
> http://www.xfade.com |  and radicals always argue." - Brian Eno
>

--Apple-Mail-6-384760567
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	charset=US-ASCII

Holy schmokeys, Chris!


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio

</color>

</fontfamily>On 10-Apr-07, at 7:39 PM, Chris Muir wrote:


<excerpt>

For a bio I had to provide for the Beam Foundation web site I wrote:


Chris Muir has been embroiled in computers and music for over thirty
years. He has been heavily involved with music software environments
for much of this time. Previous employment includes Beatnik (nee
Headspace) a company creating synthesis engines for industry, Gibson
Western Innovation Zone (GWIZ), an R&D lab run by Gibson Guitar,
Electronics For Imaging (EFI), Zeta Music, and Salamander Music
Systems (SMS). Chris has also worked with CNMAT (Center for New Music
and Audio Technology), and has contributed to Cycling 74's Max
environment. An accomplished musician and composer, he has been
involved with many projects, in many genres. He currently performs
with "Lunar Asylum", "Yo Miles!" and "Zen Disaster". In his spare time
he enjoys referring to himself in the third person.


-C


-- 

Chris Muir           | "There are many futures and only one status quo.

cbm@well.com         |  This is why conservatives mostly agree,

http://www.xfade.com |  and radicals always argue." - Brian Eno


</excerpt>
--Apple-Mail-6-384760567--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 04:15:43 2007
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From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com,
	Michael Peters <mp@mpeters.de>
Subject: Re: OT "He is" or "I am"
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Quoting Michael Peters <mp@mpeters.de>:

> how do we present ourselves on the web? I have a question of style: I'm
> currently busy setting up my new website, finally ... (no, it is not onlin=
e
> yet).
>
> - I'm writing this about myself, so why don't I say "I" ?
>
> If I wrote
> "I am" the page would be full of "I've done this, I've done that" and
> somehow that wouldn't feel right either.

Hi Michael,

I enjoy visiting musicians' websites that have interesting content.  I =20
prefer a low-key experience without lots of flashing graphics, banner =20
ads, etc.  I want to learn something about the musician and, well... I =20
want to learn something useful that I can apply to my own musical =20
efforts, too.

Personally, whether the site is written in third-person or =20
first-person does not matter to me, though I find to read first-person =20
a little less formal and more engaging.

Yes, if you and I met in person and you began every sentence with "I" =20
-- that might get a little old.  However, on your website, it IS about =20
you. Your visitors expect to read information about you and expect you =20
to write about yourself.

So, don't fret too much.  Just let your genuine self come through.

Look forward to visiting your website when it is ready.

Sincerely,

Kevin

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 06:10:04 2007
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From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: OT  "He is"  or "I am"
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Dear Michael,  you wrote:
"I don't know how to put it. If I say "he is" it sounds like somebody else
has written it about me, while everybody knows that I wrote it myself."


This is an assumption that after having been in the music business 
professionally
for 30 years making money at different times as both a 
producer/promoter/publicist/band leader/band manager/
and solo artist that I must disagree with.

There seems to be an unwritten prejudice in western culture (at least) that 
there is something unseemly about
self promotion, but the fact of the matter is a huge amount of the promotion 
you see on the web is just that and
, furthermore,  it is self promotion that is under the guise of non-self 
promotion.


If you write  "I am",there are many, many people who will not take you 
seriously,  whereas,though people may
suspect that you wrote the material when you say  "He is",   they will not 
be able to make that assumption.
Usually, a great deal of the promotion you see out in the world is self 
promotion.


If you're website is as professional as everything you seem to do 
graphically,  many, many people will assume
that someone else did it for you or that a 'record company' did it for you. 
As long as your site is professional
and effective,  people won't do anything but be intrigued by it and look 
closer at it.      At the same time,
anyone who is really cynical and/or judedgemental about you doing your own 
copy is not the kind of person
who would ever buy your CDs anyway from my experience.


I led and managed a quite successful regional new wave band in the early 
80's  (Tao Chemical, a band I was fortunate
enough to play with my brother, Bill, in) and I frequently used a pseudonym 
when I did booking and managing for the group.

If I identified myself as being a band member,  many venues and record 
companies wouldn't even take me seriously.
I did hundreds of hours of outreach and booking by pretending to NOT be 
myself so that I could get my band good paying
and numerous gigs (and boy, did we gig a lot).   It was very effective to 
not be me in that situation.  I didn't care about
the moral aspects of the small deception because I truly believed that we 
were a really special band and getting us
as famous as possible and in front of as many audience members, journalists, 
DJs and record labels as possible
was the most important thing.

Industry insiders and other musicians may be able to guess that you did your 
own website but the general public
will never make that assumption.    Trust me,  by an large they just won't.

There are so many new labels in the world these days that it would be 
foolish to assume that one you haven't heard of
is not a 'legitimate' one.

My considered advice is to always use  "He is"   over "I am".      You will 
be considerably more successful with this strategy.
The whole music industry is based on illusion.   Just because people think 
you are somebody.............you ARE somebody
and can get really wonderful opportunities to put your artistry out their in 
public.

It may be lamentable that the industry is based on so much hype but the fact 
of the matter is that it IS.
As long as you have something that you feel can back up the beauty and 
professionalism of your site,  then it's okay to
use the small white lie of ''He is".

The most important thing is the art,  imnsho!

yours,  Rick 

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 06:45:18 2007
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Hi Robmusic fans!

Most of you will be familiar with my slightly unorthodox song titles.=20

They are actually instrumentals! - and when you've been writing =
instrumental material for nearly 20 years its hard to keep coming up =
with meaningful, clever, or witty titles (that are not clich=E9d and =
corny)  - without the odd rude word slipping in!

=20

Now a lot of you are familiar with my instrumental epic piece Dickhead =
in a G string - it won a local song writing award in 2004 for the best =
instrumental.  Judges thought it was a bit too long and could do with a =
change of title. I stood firm against this and was only willing to =
shorten the title to 'Dickhead'.  That's the anarchist in me!

=20

However, it is starting to get embarrassing (or at the very least =
awkward) now that I am trying to push my material to a wider audience.  =
More and more comments like - such a great piece of music, why did you =
call it that? - are cropping up.

=20

I can't help thinking that maybe it will go further with a cleaner =
title.

=20

Anyway - the track is on promo copies of my new album, Terrafirma.=20



Later this year I hope to get the album professionally  manufactured and =
mass produced - so there is an opportunity for a name change.

=20

THE CHALLENGE:

=20

Can you come up with a better title??? - have a listen on my mp3 page!

http://www.mp3.com.au/track.asp?id=3D104938

=20

=20

THE PRIZE:

=20

I am offering free CDs for the best title/s!! =20

=20

If I decide to go with a new title - that will end up on the mastered CD =
and the winner will get multiple copies (2 or3 ) of the new album plus =
one copy of each of my previous Cds EARTHROCK and TOUCHED BY THE SUN.

=20

Sound good? Have a go!=20

Deadline  - end of June 2007.   =20

=20

ENTRIES OPEN TO ANYBODY ON THIS PLANET!  OR OFF IT!!

=20

But then f#ck it I might just keep the title.  I'll still give a few Cds =
away for the best suggestions

=20

=20

Cheers

Rob McDade

=20

www.mp3.com.au/robmcdade

www.myspace.com/robmcdade

=20

=20

=20

=20

=20

=20

=20

=20

=20

Rob McDade
Heritage Collection Development Librarian (Non-print)
State Library of South Australia=20

McDade.Rob@slsa.sa.gov.au
North Terrace,  Adelaide  SA  5000
GPO Box 419, Adelaide   SA  5001
Ph. 61-8-8207 7261=20
Mob. 0404 541 084
Fax. 61-8-8207 7307
http://www.slsa.sa.gov.au <http://www.slsa.sa.gov.au/> =20

The information contained in this e-mail message may be confidential, =
and may also be the subject of privilege or public interest immunity. =
This e-mail and any attached files should be scanned to detect viruses =
and no liability for loss or damage resulting from the use of any =
attached files is accepted. If you are not the intended recipient, any =
use, disclosure or reproduction of this document is unauthorised. If you =
have received this e-mail in error please telephone +61 8 8207 7261.=20

=20


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<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>Hi Robmusic fans!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>Most of you will be familiar with my slightly =
unorthodox song
titles. <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>They are actually instrumentals! &#8211; and when =
you&#8217;ve
been writing instrumental material for nearly 20 years its hard to keep =
coming up
with meaningful, clever, or witty titles (that are not clich=E9d and =
corny) =A0- without
the odd rude word slipping in!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>Now a lot of you are familiar with my instrumental =
epic piece
Dickhead in a G string &#8211; it won a local song writing award in 2004 =
for the
best instrumental.=A0 Judges thought it was a bit too long and could do =
with a
change of title. I stood firm against this and was only willing to =
shorten the title
to &#8216;Dickhead&#8217;.=A0 That&#8217;s the anarchist in =
me!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>However, it is starting to get embarrassing (or at =
the very
least awkward) now that I am trying to push my material to a wider =
audience.=A0 More
and more comments like - such a great piece of music, why did you call =
it that?
&#8211; are cropping up.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>I can&#8217;t help thinking that maybe it will go =
further with
a cleaner title.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>Anyway &#8211; the track is on promo copies of my =
new album,
Terrafirma. <br>
<br>
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>Later this year I hope to get the album =
professionally =A0manufactured
and mass produced &#8211; so there is an opportunity for a name =
change.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>THE CHALLENGE:<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>Can you come up with a better title??? &#8211; have =
a listen
on my mp3 page!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><a =
href=3D"http://www.mp3.com.au/track.asp?id=3D104938">http://www.mp3.com.a=
u/track.asp?id=3D104938</a><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>THE PRIZE:<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>I am offering free CDs for the best title/s!!=A0 =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>If I decide to go with a new title &#8211; that =
will end up
on the mastered CD and the winner will get multiple copies (2 or3 ) of =
the new album
plus one copy of each of my previous Cds EARTHROCK and TOUCHED BY THE =
SUN.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>Sound good? Have a go! =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>Deadline =A0- end of June 2007. =
=A0=A0=A0<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>ENTRIES OPEN TO ANYBODY ON THIS PLANET!=A0 OR OFF =
IT!!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>But then f#ck it I might just keep the title. =
=A0I&#8217;ll
still give a few Cds away for the best =
suggestions<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>Cheers<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'>Rob McDade<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><a =
href=3D"http://www.mp3.com.au/robmcdade">www.mp3.com.au/robmcdade</a><o:p=
></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><a =
href=3D"http://www.myspace.com/robmcdade">www.myspace.com/robmcdade</a><o=
:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia'><o:p>&nbsp;</o:p></span></font></p>

<p><em><b><i><font size=3D3 color=3Dmaroon face=3DGeorgia><span =
style=3D'font-size:
12.0pt;font-family:Georgia;color:maroon;font-weight:bold'>Rob =
McDade</span></font></i></b></em><font
size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;font-family:Georgia'><br>
Heritage Collection Development Librarian (Non-print)<br>
State Library of <ns0:place w:insAuthor=3D"slsa" =
w:insDate=3D"2007-04-11T15:46:00Z"
 w:endInsAuthor=3D"slsa" =
w:endInsDate=3D"2007-04-11T15:46:00Z"><ns0:State
  w:insAuthor=3D"slsa" w:insDate=3D"2007-04-11T15:46:00Z" =
w:endInsAuthor=3D"slsa"
  w:endInsDate=3D"2007-04-11T15:46:00Z"><st1:State =
w:st=3D"on"><st1:place w:st=3D"on">South
    Australia</st1:place></st1:State></ns0:State></ns0:place> =
<o:p></o:p></span></font></p>

<p><u><font size=3D2 color=3Dblue face=3DGeorgia><span =
style=3D'font-size:10.0pt;
font-family:Georgia;color:blue'>McDade.Rob@slsa.sa.gov.au</span></font></=
u><font
size=3D2 face=3DGeorgia><span =
style=3D'font-size:10.0pt;font-family:Georgia'><br>
North Terrace,&nbsp; Adelaide&nbsp; SA&nbsp; 5000<br>
GPO Box 419, Adelaide&nbsp;&nbsp; SA&nbsp; 5001<br>
<b><span style=3D'font-weight:bold'>Ph. 61-8-8207 7261&nbsp;<br>
Mob. 0404 541 084<br>
Fax. 61-8-8207 7307</span></b><br>
<u><font color=3Dblue><span style=3D'color:blue'><a
href=3D"http://www.slsa.sa.gov.au/" target=3D"_blank"><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;font-family:"Times New =
Roman"'>http://www.slsa.sa.gov.au</span></font></a></span></font></u>
<o:p></o:p></span></font></p>

<p><font size=3D1 face=3DGeorgia><span =
style=3D'font-size:8.0pt;font-family:Georgia'>The
information contained in this e-mail message may be confidential, and =
may also
be the subject of privilege or public interest immunity. This e-mail and =
any
attached files should be scanned to detect viruses and no liability for =
loss or
damage resulting from the use of any attached files is accepted. If you =
are not
the intended recipient, any use, disclosure or reproduction of this =
document is
unauthorised. If you have received this e-mail in error please telephone =
+61 8
8207 7261. </span></font><font size=3D1 face=3DGeorgia><span =
style=3D'font-size:8.0pt;
font-family:Georgia'><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</body>

</html>

------_=_NextPart_001_01C77C04.C67240E5--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 07:37:48 2007
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Date: Wed, 11 Apr 2007 00:37:44 -0700
From: "Matt Davignon" <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I recommend "He is". I think in a way, people expect to read things in
the 3rd person, and if they know they're reading a promotional
statement by the artist, it colors they way they take it in.

Ultimately, I think it should depend on the content of your bio. If
it's about what you do and why someone should find it interesting, a
first person bio is best. If it's about why you do it, then perhaps a
first person "artist statement" would be better. (Or I suppose you
could do both, as long as they don't say the same thing.)

As a frequent promoter of shows, I definitely prefer a third person "he is" bio.

And from someone who reads many, many bios, terms that can give people
a descriptive picture of what your music sounds like are good, but
terms that suggest value or an automatic effect on the audience are
not so good. Save the latter terms for reviews written by other people
about you.
Good: textural, melodic, intricate, coarse, epic, abstract, poppy,
bouncy, structured, screeching, humming
Bad: important, timeless, excellent, mind-blowing, mesmerizing, orgasm-inducing

Matt Davignon
www.ribosomemusic.com

>Michael Peters (I think) was all:
>
> how do we present ourselves on the web? I have a question of style: I'm
> currently busy setting up my new website, finally ... (no, it is not online
> yet).
>
> I'm going for a conventional site with a menu on the left and content on the
> right, nothing fancy, nothing too confusing, nothing too artsy ... the
> design can change later if I feel like it, first thing I want to have is a
> website for all my various projects.
>
> The start page says something about me, something like, "Michael plays
> guitar and loves livelooping ... he also uses the computer to create strange
> sounds ... blah blah". Stuff like that.
>
> Now my wife comes in and looks over my shoulder and wonders why I don't
> write "I play guitar and love livelooping ... I also use the computer" etc.
> etc. - I'm writing this about myself, so why don't I say "I" ?
>
> I don't know how to put it. If I say "he is" it sounds like somebody else
> has written it about me, while everybody knows that I wrote it myself.
> Somehow silly but then it does sound more neutral and objective. If I wrote
> "I am" the page would be full of "I've done this, I've done that" and
> somehow that wouldn't feel right either.

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 13:26:17 2007
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Date: Tue, 10 Apr 2007 23:38:10 -0400
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Two showings of my work
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Hi folks,

I'll have pieces in two shows over the next 3 weeks.

A new studio piece called "Hexagon Variations: will be part of the 
show,  Quests, Visions & Journeys of the Spirit at the Monson House 
of Art, opening on Saturday,-- more description below. I've been in 
several Monson Art shows, and the variety and quality of the work has 
always been exceptional.

At 1:06 PM -0400 4/10/07, Maureen Solomon wrote:
>Dear Artists, Our Annual Spring Art Exhibition is ready to open. 
>Thank you so much for helping us spread the news by distributing 
>postcards and posters! Please encourage your friends and family to 
>come and see the show by sending out the following email.
>
>
>Art Show in Monson Features 96 Regional Artists!
>
>Come see my work and that of 95 other artists in the Monson Arts 
>Council's spring show, called Quests, Visions & Journeys of the 
>Spirit. The dynamic exhibit absolutely fills 8 rooms with every 
>imaginable style of art. You will really enjoy the oil paintings, 
>collage, watercolor, wood carving, photography, ceramics, drawings, 
>sculpture & more - all of it wonderful and all  for sale. Plus, 
>there is a print shop as well, where you can buy cards, prints, and 
>other work from exhibiting artists.
>
>The show is held at the House of Art, 200 Main Street in Monson. 
>Artists' Reception is Saturday, April 14 from 1 - 4p.m. The 
>exhibition will be open on weekends through April 29. Hours are: 
>Fridays 4- 8 p.m., Saturdays 10a.m - 5 p.m and Sundays Noon - 4p.m.
>
>If you come on Saturday, you can also see the Monson Woodwacker Show 
>in Memorial Hall right next door. If you come the weekend of April 
>27 - 29th you can stay and take in a live performance of On Golden 
>Pond, also at Memorial Hall (8p.m on Friday & Saturday, 2p.m. on 
>Sunday).
>
>For more information: macartshow@earthlink.net.

On April 28, a live piece of mine called "Another Kind of Blues" will 
be shown between 2 and 3 PM at the first Visual Music Marathon at 
NorthEastern University's Egan Research Center, 120 Forsyth Street, 
Boston, MA 02115 .

This will be part of an amazing event that I'm much looking forward 
to attending -- a must for anyone with an interest in visual music. 
64 film and video works, plus live performances, will be shown from 
10AM to 10 PM. For the full schedule, go to 
http://www.music.neu.edu/vmm/schedule.html

-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 14:43:51 2007
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Subject: Emile's link
Date: Wed, 11 Apr 2007 07:43:35 -0700
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--Apple-Mail-4-426919533
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Hey gang!

Check Emile's link to this event.  Some cool vid's.

I think the future of music could be visual.

>  http://www.music.neu.edu/vmm/schedule.html
>
richard sales
glassWing farm and studio
vancouver island, b.c.

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Hey gang!


Check Emile's link to this event.  Some cool vid's. 


I think the future of music could be visual.


<excerpt> <bold>http://www.music.neu.edu/vmm/schedule.html</bold>


</excerpt><fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

</fontfamily>
--Apple-Mail-4-426919533--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 15:07:00 2007
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Subject: RE: RC-50 tempo sync issues via MIDI clock
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From: "Sjaak" <tcplugin@scarlet.be>
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I also noticed some sync issues with my RC-50 and my synth's arpeggiators=
. My midi setup:
- RC-50: master
- Yamaha S90ES: slave 
- Roland V-Synth: slave 

As soon as I use the tempo pedal, both synth's are synced directly, inclu=
ding the arpeggiator's. But after let's say 10-20 secs, the arpeggiator o=
f the Yamaha is running out of sync. For the V-Synth, it's takes longer b=
ut it will start to run out of sync sooner or later. 

But I wonder if it has to do with the RC-50. The main issue here is that =
the arp pattern isn't re-triggered at the end of the loop. I wouldn't be =
surprised that any midi devices like PC or Mac sequencers will have the s=
ame problem. And I think the same might occur when you use the RC-50 as a=
 slave: the phrases are not re-triggered at end the loop. But I don't kno=
w all the internals of the RC-50 so I'm not sure.

Does anyone agree with my theory?=0A---=0AScarlet ADSL Unlimited =E2=80=93=
 Slechts 24,95 euro per maand.=0AMax download snelheid tot 6 Mbps, 30 GB =
download volume . Bestel nu=E2=80=A6

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 15:19:57 2007
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From: Teddy <teddybutter@mac.com>
Subject: Re: RC-50 tempo sync issues via MIDI clock
Date: Wed, 11 Apr 2007 11:19:53 -0400
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all I know is that it doesn't work as advertised. i have not tried it  
as master though. teddy

here my latest reply from Roland US:

Yes, we do know about the issue. It is not a secret by any means that  
the RC-50 has trouble with its sync while acting as a slave. The  
truth is, we don\'t have power over \"the Japanese people\"; they  
have power over us. It is akin to asking guitar center to have one of  
their dealers change their product for them. We are the US  
distributors for the Roland brand. We have asked many many times for  
an update from Japan because we genuinely want to improve the product  
for you guys. That is all we can do. We will pass this email on to  
management for you as well.
I hope that this helps answer your request. If you need more  
assistance in this matter, please either re-submit your support  
request or contact our Product Support Department at the appropriate  
number:



On Apr 11, 2007, at 11:06 AM, Sjaak wrote:

> I also noticed some sync issues with my RC-50 and my synth's  
> arpeggiators. My midi setup:
> - RC-50: master
> - Yamaha S90ES: slave
> - Roland V-Synth: slave
>
> As soon as I use the tempo pedal, both synth's are synced directly,  
> including the arpeggiator's. But after let's say 10-20 secs, the  
> arpeggiator of the Yamaha is running out of sync. For the V-Synth,  
> it's takes longer but it will start to run out of sync sooner or  
> later.
>
> But I wonder if it has to do with the RC-50. The main issue here is  
> that the arp pattern isn't re-triggered at the end of the loop. I  
> wouldn't be surprised that any midi devices like PC or Mac  
> sequencers will have the same problem. And I think the same might  
> occur when you use the RC-50 as a slave: the phrases are not re- 
> triggered at end the loop. But I don't know all the internals of  
> the RC-50 so I'm not sure.
>
> Does anyone agree with my theory?

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 15:27:51 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: RC-50 tempo sync issues via MIDI clock
Date: Wed, 11 Apr 2007 08:27:42 -0700
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Never had a problem arpeggiating from sequencer.  But the seq was the=20
master.  No wait!  I think it worked even when I was slaved to time=20
code.  But that's not the same as midi beat clock.  But it held sync=20
fine for my ears... and all of the film and video folks I worked for.

Before MIDI I used to sync my Linndrum to my Jupiter 8 arpeggiator and=20=

that worked well too.

I'm afraid the RC50 is suspect.  And your observations seem to jibe=20
with Kenny's findings.

I hope this isn't stupid.  Been a long time since the MIDI wars for me.=20=

   But some of the old tanks & Gattling guns are still in my studio.

BTW, speaking of old tanks and Gattling guns, I'm having my old Arp=20
OMNI II fully restored to sell on Ebay.  Same with my Chroma Polaris. =20=

I'll let you know when they go up.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 11-Apr-07, at 8:06 AM, Sjaak wrote:

> I also noticed some sync issues with my RC-50 and my synth's=20
> arpeggiators. My midi setup:
> - RC-50: master
> - Yamaha S90ES: slave
> - Roland V-Synth: slave
>
> As soon as I use the tempo pedal, both synth's are synced directly,=20
> including the arpeggiator's. But after let's say 10-20 secs, the=20
> arpeggiator of the Yamaha is running out of sync. For the V-Synth,=20
> it's takes longer but it will start to run out of sync sooner or=20
> later.
>
> But I wonder if it has to do with the RC-50. The main issue here is=20
> that the arp pattern isn't re-triggered at the end of the loop. I=20
> wouldn't be surprised that any midi devices like PC or Mac sequencers=20=

> will have the same problem. And I think the same might occur when you=20=

> use the RC-50 as a slave: the phrases are not re-triggered at end the=20=

> loop. But I don't know all the internals of the RC-50 so I'm not sure.
>
> Does anyone agree with my theory?
> ---
> Scarlet ADSL Unlimited =E2=80=93 Slechts 24,95 euro per maand.
> Max download snelheid tot 6 Mbps, 30 GB download volume . Bestel nu=E2=80=
=A6
>

--Apple-Mail-6-429567074
Content-Transfer-Encoding: quoted-printable
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	charset=WINDOWS-1252

Never had a problem arpeggiating from sequencer.  But the seq was the
master.  No wait!  I think it worked even when I was slaved to time
code.  But that's not the same as midi beat clock.  But it held sync
fine for my ears... and all of the film and video folks I worked for.


Before MIDI I used to sync my Linndrum to my Jupiter 8 arpeggiator and
that worked well too.=20


I'm afraid the RC50 is suspect.  And your observations seem to jibe
with Kenny's findings.  =20


I hope this isn't stupid.  Been a long time since the MIDI wars for
me.   But some of the old tanks & Gattling guns are still in my
studio. =20


BTW, speaking of old tanks and Gattling guns, I'm having my old Arp
OMNI II fully restored to sell on Ebay.  Same with my Chroma Polaris.=20
I'll let you know when they go up.


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 11-Apr-07, at 8:06 AM, Sjaak wrote:


<excerpt>I also noticed some sync issues with my RC-50 and my synth's
arpeggiators. My midi setup:

- RC-50: master

- Yamaha S90ES: slave=20

- Roland V-Synth: slave=20


As soon as I use the tempo pedal, both synth's are synced directly,
including the arpeggiator's. But after let's say 10-20 secs, the
arpeggiator of the Yamaha is running out of sync. For the V-Synth,
it's takes longer but it will start to run out of sync sooner or
later.=20


But I wonder if it has to do with the RC-50. The main issue here is
that the arp pattern isn't re-triggered at the end of the loop. I
wouldn't be surprised that any midi devices like PC or Mac sequencers
will have the same problem. And I think the same might occur when you
use the RC-50 as a slave: the phrases are not re-triggered at end the
loop. But I don't know all the internals of the RC-50 so I'm not sure.


Does anyone agree with my theory?

---

Scarlet ADSL Unlimited =E2=80=93 Slechts 24,95 euro per maand.

Max download snelheid tot 6 Mbps, 30 GB download volume . Bestel nu=E2=80=A6=



</excerpt>=

--Apple-Mail-6-429567074--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 15:28:42 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: OT "He is" or "I am"
Date: Wed, 11 Apr 2007 17:28:34 +0200
To: Loopers-Delight@loopers-delight.com
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Michael,

I think you're taking the wrong view on this. You shouldn't give a  
damn "what people think" weather you or someone else has written the  
biography. The only thing that matters is who you are addressing with  
the text! If you want to use the web site to "show off" your personal  
artistic expression it may be fine to use "I am" and let the web site  
be a part of your "artistic outlet in the public domain". But if your  
intention is to provide the web site as a helpful resource for  
journalists, event promoters and general music business players you  
should definitely use the third person perspective.

I have been working for a couple of years as a full time artist under  
major label contract pressure and have never seen a press release  
written from the first person perspective. But a writer can bring in  
certain quotes of the artist where he/she may explicitly say  
something. After I quit the commercial scene I was working for a  
while as a freelance writer for record labels and publishing  
companies. I wrote each biography in three different versions; (1)  
one very short that targets busy journalists that might even want to  
copy and paste the text into their magazine, (2) one longer text that  
gives a little more artistically relevant background and (3) one very  
long text that spells it all out in details. This long version are  
for journalists that may want to do homework before doing a redio or  
tv interview. On a web site one take could be to use the short  
version on the web page and provide a link to the other two versions.

Go to www.allmusic.com and check out the biographies, they are well  
written with different levels of stylistic approach and tempo. And,  
as said: the key is to visualize and understand the reader of target.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 15:29:21 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: RC-50 tempo sync issues via MIDI clock
Date: Wed, 11 Apr 2007 08:29:11 -0700
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Oh excuse me in my last email!  NOT Kenny, Teddy's findings.
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 11-Apr-07, at 8:19 AM, Teddy wrote:

> all I know is that it doesn't work as advertised. i have not tried it 
> as master though. teddy
>
> here my latest reply from Roland US:
>
> Yes, we do know about the issue. It is not a secret by any means that 
> the RC-50 has trouble with its sync while acting as a slave. The truth 
> is, we don\'t have power over \"the Japanese people\"; they have power 
> over us. It is akin to asking guitar center to have one of their 
> dealers change their product for them. We are the US distributors for 
> the Roland brand. We have asked many many times for an update from 
> Japan because we genuinely want to improve the product for you guys. 
> That is all we can do. We will pass this email on to management for 
> you as well.
> I hope that this helps answer your request. If you need more 
> assistance in this matter, please either re-submit your support 
> request or contact our Product Support Department at the appropriate 
> number:
>
>
>
> On Apr 11, 2007, at 11:06 AM, Sjaak wrote:
>
>> I also noticed some sync issues with my RC-50 and my synth's 
>> arpeggiators. My midi setup:
>> - RC-50: master
>> - Yamaha S90ES: slave
>> - Roland V-Synth: slave
>>
>> As soon as I use the tempo pedal, both synth's are synced directly, 
>> including the arpeggiator's. But after let's say 10-20 secs, the 
>> arpeggiator of the Yamaha is running out of sync. For the V-Synth, 
>> it's takes longer but it will start to run out of sync sooner or 
>> later.
>>
>> But I wonder if it has to do with the RC-50. The main issue here is 
>> that the arp pattern isn't re-triggered at the end of the loop. I 
>> wouldn't be surprised that any midi devices like PC or Mac sequencers 
>> will have the same problem. And I think the same might occur when you 
>> use the RC-50 as a slave: the phrases are not re-triggered at end the 
>> loop. But I don't know all the internals of the RC-50 so I'm not 
>> sure.
>>
>> Does anyone agree with my theory?
>

--Apple-Mail-7-429656397
Content-Transfer-Encoding: 7bit
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	charset=US-ASCII

Oh excuse me in my last email!  NOT Kenny, <italic>Teddy's</italic>
findings.  

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 11-Apr-07, at 8:19 AM, Teddy wrote:


<excerpt>all I know is that it doesn't work as advertised. i have not
tried it as master though. teddy


here my latest reply from Roland US:


Yes, we do know about the issue. It is not a secret by any means that
the RC-50 has trouble with its sync while acting as a slave. The truth
is, we don\'t have power over \"the Japanese people\"; they have power
over us. It is akin to asking guitar center to have one of their
dealers change their product for them. We are the US distributors for
the Roland brand. We have asked many many times for an update from
Japan because we genuinely want to improve the product for you guys.
That is all we can do. We will pass this email on to management for
you as well.

I hope that this helps answer your request. If you need more
assistance in this matter, please either re-submit your support
request or contact our Product Support Department at the appropriate
number:




On Apr 11, 2007, at 11:06 AM, Sjaak wrote:


<excerpt>I also noticed some sync issues with my RC-50 and my synth's
arpeggiators. My midi setup:

- RC-50: master

- Yamaha S90ES: slave

- Roland V-Synth: slave


As soon as I use the tempo pedal, both synth's are synced directly,
including the arpeggiator's. But after let's say 10-20 secs, the
arpeggiator of the Yamaha is running out of sync. For the V-Synth,
it's takes longer but it will start to run out of sync sooner or later.


But I wonder if it has to do with the RC-50. The main issue here is
that the arp pattern isn't re-triggered at the end of the loop. I
wouldn't be surprised that any midi devices like PC or Mac sequencers
will have the same problem. And I think the same might occur when you
use the RC-50 as a slave: the phrases are not re-triggered at end the
loop. But I don't know all the internals of the RC-50 so I'm not sure.


Does anyone agree with my theory?

</excerpt>

</excerpt>
--Apple-Mail-7-429656397--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 15:50:16 2007
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Subject: Re: OT "He is" or "I am"
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Excellent topic and great information from folks that have experience  
in this area.

In fact, I'm going to review my website to see if I can make some  
improvements -- including a bio written such that someone could copy  
and paste it if needed.  Very good points.

Indeed, my inbox fills up with Loopers-Delight posts however I  
appreciate the  useful information.

btw -- Rick, I'm putting together audition materials for the Live  
Looping festival and I may have to use "next day delivery" however I  
will manage that April 15th deadline.

All the best from the midwest...

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 16:11:12 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: OT "He is" or "I am"
Date: Wed, 11 Apr 2007 18:11:05 +0200
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I just remembered a good advice someone once gave me, that I forgot  
to write into my other post on this topic. If you intend to write an  
online (or elsewhere) bio to target journalists and other media  
VIP's, please ask some journalist friend either to write it or at  
least to read what you have written and give some constructive (truly  
unforgiving) feedback. One important point when providing a "half  
short" bio or press release is to both leave out areas to let  
journalists "be a good pro and find out facts by ones own  
journalistic skills" and to provide some text blocks that could be  
pasted into an article (if the journalist should be busy and "forced"  
into this less professional writing technique). The art of penning  
press releases is to know your targeted audience and correctly pitch  
the level between  the explicitly written facts, the implied facts  
and the deliberately left out facts. Back when record labels still  
were selling lots of discs each label used to keep at least one  
employee of this skill, but today the rule is to pay a freelance  
writer to do it.

per

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 16:25:36 2007
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I think everyone should refer to themselves in the first person plural (we), 
just like Regan in the Exorcist.  It will keep people guessing at whether 
you have a multiple personality, are possessed, are a member of the Borg, or 
if your name is really a pseudonym for a collective....like the Per Boysen 
Collective, the Bernhard Wagner Collective, etc. :)

Kris


From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 16:26:41 2007
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Date: Wed, 11 Apr 2007 12:26:33 -0400 (EDT)
Subject: Re: OT "He is" or "I am"
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great point!!

> I just remembered a good advice someone once gave me, that I forgot
> to write into my other post on this topic. If you intend to write an
> online (or elsewhere) bio to target journalists and other media
> VIP's, please ask some journalist friend either to write it or at
> least to read what you have written and give some constructive (truly
> unforgiving) feedback. One important point when providing a "half
> short" bio or press release is to both leave out areas to let
> journalists "be a good pro and find out facts by ones own
> journalistic skills" and to provide some text blocks that could be
> pasted into an article (if the journalist should be busy and "forced"
> into this less professional writing technique). The art of penning
> press releases is to know your targeted audience and correctly pitch
> the level between  the explicitly written facts, the implied facts
> and the deliberately left out facts. Back when record labels still
> were selling lots of discs each label used to keep at least one
> employee of this skill, but today the rule is to pay a freelance
> writer to do it.
>
> per
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 16:58:10 2007
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Subject: Re: OT "He is" or "I am"
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I have dealings with a fair number of professional/commercial artists and on their websites the rule is that they  refer to themselves in the 3rd person singular in their biographies and 1st person singular in any artist's statements.

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 17:51:59 2007
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i always ask these people if they are the QUEEN or if they have a frog 
in their pocket.....:)m


http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com



   << I think everyone should refer to themselves in the first person 
plural (we) >>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 19:32:51 2007
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  I personally prefer 1st person bios,but I recognize the issue with being 
taken seriously. Depends on who youraiming at .The very worthwhile fine arts 
world is different than the straight up music busniess. I sometimes avoid 
this conundrum by writing bios for other people,and have had them done for 
me. I think it's more important to satsify the reasons the conventions exist 
than it is to follow them to the letter.I like for the aesthetic of the art 
to be reflected in the aesthetic of the promotional material. For example 
promoting an african music group I printed everything in brown ink in a 
woodcut looking font on unbleached handmade looking ,grainy paper.Earthiness 
,texture, roots. I used very rhytmic traditional graphics that continued the 
theme,and abssolutely no photos of the band standing in front of a wall. 
this was expensive ,but very efective. It's true that people will judge your 
professionalism on presentation,but that doesn't mean the presentation has 
to be formulaic.  If the bio reads like an application  form,why would I 
want to read all the way through ?  If for instance,one's school or 
educational background has no obvious relation to the art being promoted 
,does it matter? If the facts aren't entertaining or at least 
interesting,one can use an Artist Statement instead of a bio,and says 
something interesting-briefly.  An Artist statement in addition to a bio can 
be a worthwhile addition.The point either way, is for them to have something 
to say about you in press releases, etc. so providing good copy is more 
important than perfect form. Good copy includes  ,catchy phrases,you 
know,soundbites,hooks.It's another chance to be creative.
  I would add to Matt's list of bad adjectives Jazzy

_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 20:28:09 2007
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Subject: Re: OT  "He is"  or "I am"
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I/We/He would like to take this opportunity to delurk for a moment. 
Fortunately I/We/He am/are/is a hobbiest, so "I" have  thrown up a page of 
tunes. All improv looped guitar, most pretty old. I hope to have some time 
to record some new ones soon. I love this list,been away awhile...here is 
the link hope ya like em. http://thisphase.org/lips.html
                        peace,
                                    Jeff

----- Original Message ----- 
From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 11, 2007 2:10 AM
Subject: OT "He is" or "I am"


> Dear Michael,  you wrote:
> "I don't know how to put it. If I say "he is" it sounds like somebody else
> has written it about me, while everybody knows that I wrote it myself."
>
>
> This is an assumption that after having been in the music business
> professionally
> for 30 years making money at different times as both a
> producer/promoter/publicist/band leader/band manager/
> and solo artist that I must disagree with.
>
> There seems to be an unwritten prejudice in western culture (at least)
> that there is something unseemly about
> self promotion, but the fact of the matter is a huge amount of the
> promotion you see on the web is just that and
> , furthermore,  it is self promotion that is under the guise of non-self
> promotion.
>
>
> If you write  "I am",there are many, many people who will not take you
> seriously,  whereas,though people may
> suspect that you wrote the material when you say  "He is",   they will not
> be able to make that assumption.
> Usually, a great deal of the promotion you see out in the world is self
> promotion.
>
>
> The most important thing is the art,  imnsho!
>
> yours,  Rick
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.5.446 / Virus Database: 269.2.0/756 - Release Date: 4/10/2007
> 10:44 PM
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 20:35:06 2007
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To: Loopers-Delight@loopers-delight.com
Subject: Seeking Performers
Date: Wed, 11 Apr 2007 13:35:00 -0700
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  Speaking of MasterBuskers,I just got this from Reverend Chumleigh 's 
Central Casting,seeking performers for summer bookings for Variety shows in 
W. Washington state. I doubt anyone has done looping in this arena 
before,but it would be great,I highly encourage any of you close enough to 
look into this,garunteed to be an adventure.
<http://seattle.craigslist.org/see/tlg/310108569.html>

_________________________________________________________________
Need a break? Find your escape route with Live Search Maps. 
http://maps.live.com/?icid=hmtag3

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 22:35:49 2007
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Date: Wed, 11 Apr 2007 15:35:47 -0700 (PDT)
From: Joshua Fuller <dnaflr2@yahoo.com>
Subject: Re: Re-Name that song - competition
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <65865F047B28324D92F716B06CAAFE0F0232691A@sagemsg0020.sagemsmrd01.sa.gov.au>
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Rob----- STOP SPAMMING THE LIST! ! ! ! ! !



--- "McDade, Rob (SLSA)" <McDade.Rob@slsa.sa.gov.au>
wrote:

> Hi Robmusic fans!
> 
> Most of you will be familiar with my slightly
> unorthodox song titles. 
> 
> They are actually instrumentals! - and when you've
> been writing instrumental material for nearly 20
> years its hard to keep coming up with meaningful,
> clever, or witty titles (that are not clichéd and
> corny)  - without the odd rude word slipping in!
> 
>  
> 
> Now a lot of you are familiar with my instrumental
> epic piece Dickhead in a G string - it won a local
> song writing award in 2004 for the best
> instrumental.  Judges thought it was a bit too long
> and could do with a change of title. I stood firm
> against this and was only willing to shorten the
> title to 'Dickhead'.  That's the anarchist in me!
> 
>  
> 
> However, it is starting to get embarrassing (or at
> the very least awkward) now that I am trying to push
> my material to a wider audience.  More and more
> comments like - such a great piece of music, why did
> you call it that? - are cropping up.
> 
>  
> 
> I can't help thinking that maybe it will go further
> with a cleaner title.
> 
>  
> 
> Anyway - the track is on promo copies of my new
> album, Terrafirma. 
> 
> 
> 
> Later this year I hope to get the album
> professionally  manufactured and mass produced - so
> there is an opportunity for a name change.
> 
>  
> 
> THE CHALLENGE:
> 
>  
> 
> Can you come up with a better title??? - have a
> listen on my mp3 page!
> 
> http://www.mp3.com.au/track.asp?id=104938
> 
>  
> 
>  
> 
> THE PRIZE:
> 
>  
> 
> I am offering free CDs for the best title/s!!  
> 
>  
> 
> If I decide to go with a new title - that will end
> up on the mastered CD and the winner will get
> multiple copies (2 or3 ) of the new album plus one
> copy of each of my previous Cds EARTHROCK and
> TOUCHED BY THE SUN.
> 
>  
> 
> Sound good? Have a go! 
> 
> Deadline  - end of June 2007.    
> 
>  
> 
> ENTRIES OPEN TO ANYBODY ON THIS PLANET!  OR OFF IT!!
> 
>  
> 
> But then f#ck it I might just keep the title.  I'll
> still give a few Cds away for the best suggestions
> 
>  
> 
>  
> 
> Cheers
> 
> Rob McDade
> 
>  
> 
> www.mp3.com.au/robmcdade
> 
> www.myspace.com/robmcdade
> 
>  
> 
>  
> 
>  
> 
>  
> 
>  
> 
>  
> 
>  
> 
>  
> 
>  
> 
> Rob McDade
> Heritage Collection Development Librarian
> (Non-print)
> State Library of South Australia 
> 
> McDade.Rob@slsa.sa.gov.au
> North Terrace,  Adelaide  SA  5000
> GPO Box 419, Adelaide   SA  5001
> Ph. 61-8-8207 7261 
> Mob. 0404 541 084
> Fax. 61-8-8207 7307
> http://www.slsa.sa.gov.au
> <http://www.slsa.sa.gov.au/>  
> 
> The information contained in this e-mail message may
> be confidential, and may also be the subject of
> privilege or public interest immunity. This e-mail
> and any attached files should be scanned to detect
> viruses and no liability for loss or damage
> resulting from the use of any attached files is
> accepted. If you are not the intended recipient, any
> use, disclosure or reproduction of this document is
> unauthorised. If you have received this e-mail in
> error please telephone +61 8 8207 7261. 
> 
>  
> 
> 



      Don't be flakey.  Get Yahoo! Mail for Mobile and always stay connected to friends.    http://mobile.yahoo.com/mail

From support@paypal.com  Wed Apr 11 22:44:37 2007
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<pre><tt>April 12, 2007, 

PayPal Resolution Center: Your account is limited.
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From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 22:56:42 2007
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Subject: RE: Re-Name that song - competition :: SPAM MY ARSE!!!!
Date: Thu, 12 Apr 2007 08:26:36 +0930
Message-ID: <65865F047B28324D92F716B06CAAFE0F0232691D@sagemsg0020.sagemsmrd01.sa.gov.au>
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Thread-Topic: Re-Name that song - competition :: SPAM MY ARSE!!!!
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From: "McDade, Rob (SLSA)" <McDade.Rob@slsa.sa.gov.au>
To: <Loopers-Delight@loopers-delight.com>
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What's the difference between what I have put up - which encourages =
other members to listen to my music and maybe get a free cd - and all =
the other "hey look at what I'm doing" crap that comes thru which clogs =
up my inbox?=20
Rob=20
-----Original Message-----
From: Joshua Fuller [mailto:dnaflr2@yahoo.com]=20
Sent: Thursday, 12 April 2007 8:06 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re-Name that song - competition

Rob----- STOP SPAMMING THE LIST! ! ! ! ! !



--- "McDade, Rob (SLSA)" <McDade.Rob@slsa.sa.gov.au>
wrote:

> Hi Robmusic fans!
>=20
> Most of you will be familiar with my slightly
> unorthodox song titles.=20
>=20
> They are actually instrumentals! - and when you've
> been writing instrumental material for nearly 20
> years its hard to keep coming up with meaningful,
> clever, or witty titles (that are not clich=E9d and
> corny)  - without the odd rude word slipping in!
>=20
> =20
>=20
> Now a lot of you are familiar with my instrumental
> epic piece Dickhead in a G string - it won a local
> song writing award in 2004 for the best
> instrumental.  Judges thought it was a bit too long
> and could do with a change of title. I stood firm
> against this and was only willing to shorten the
> title to 'Dickhead'.  That's the anarchist in me!
>=20
> =20
>=20
> However, it is starting to get embarrassing (or at
> the very least awkward) now that I am trying to push
> my material to a wider audience.  More and more
> comments like - such a great piece of music, why did
> you call it that? - are cropping up.
>=20
> =20
>=20
> I can't help thinking that maybe it will go further
> with a cleaner title.
>=20
> =20
>=20
> Anyway - the track is on promo copies of my new
> album, Terrafirma.=20
>=20
>=20
>=20
> Later this year I hope to get the album
> professionally  manufactured and mass produced - so
> there is an opportunity for a name change.
>=20
> =20
>=20
> THE CHALLENGE:
>=20
> =20
>=20
> Can you come up with a better title??? - have a
> listen on my mp3 page!
>=20
> http://www.mp3.com.au/track.asp?id=3D104938
>=20
> =20
>=20
> =20
>=20
> THE PRIZE:
>=20
> =20
>=20
> I am offering free CDs for the best title/s!! =20
>=20
> =20
>=20
> If I decide to go with a new title - that will end
> up on the mastered CD and the winner will get
> multiple copies (2 or3 ) of the new album plus one
> copy of each of my previous Cds EARTHROCK and
> TOUCHED BY THE SUN.
>=20
> =20
>=20
> Sound good? Have a go!=20
>=20
> Deadline  - end of June 2007.   =20
>=20
> =20
>=20
> ENTRIES OPEN TO ANYBODY ON THIS PLANET!  OR OFF IT!!
>=20
> =20
>=20
> But then f#ck it I might just keep the title.  I'll
> still give a few Cds away for the best suggestions
>=20
> =20
>=20
> =20
>=20
> Cheers
>=20
> Rob McDade
>=20
> =20
>=20
> www.mp3.com.au/robmcdade
>=20
> www.myspace.com/robmcdade
>=20
> =20
>=20
> =20
>=20
> =20
>=20
> =20
>=20
> =20
>=20
> =20
>=20
> =20
>=20
> =20
>=20
> =20
>=20
> Rob McDade
> Heritage Collection Development Librarian
> (Non-print)
> State Library of South Australia=20
>=20
> McDade.Rob@slsa.sa.gov.au
> North Terrace,  Adelaide  SA  5000
> GPO Box 419, Adelaide   SA  5001
> Ph. 61-8-8207 7261=20
> Mob. 0404 541 084
> Fax. 61-8-8207 7307
> http://www.slsa.sa.gov.au
> <http://www.slsa.sa.gov.au/> =20
>=20
> The information contained in this e-mail message may
> be confidential, and may also be the subject of
> privilege or public interest immunity. This e-mail
> and any attached files should be scanned to detect
> viruses and no liability for loss or damage
> resulting from the use of any attached files is
> accepted. If you are not the intended recipient, any
> use, disclosure or reproduction of this document is
> unauthorised. If you have received this e-mail in
> error please telephone +61 8 8207 7261.=20
>=20
> =20
>=20
>=20



      Don't be flakey.  Get Yahoo! Mail for Mobile and always stay =
connected to friends.    http://mobile.yahoo.com/mail

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 23:10:56 2007
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Message-ID: <461D6AF6.1000405@mhorse.com>
Date: Wed, 11 Apr 2007 18:10:46 -0500
From: Daryl Shawn <highhorse@mhorse.com>
User-Agent: Thunderbird 1.5.0.10 (Windows/20070221)
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Re-Name that song - competition :: SPAM MY ARSE!!!!
References: <65865F047B28324D92F716B06CAAFE0F0232691D@sagemsg0020.sagemsmrd01.sa.gov.au>
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I wouldn't consider the content of this to be spam (in fact I was 
planning to listen to your stuff and take a crack at names myself), but 
the introduction and greeting ("Hi Robmusic fans!") makes it seem as if 
this posting was part of a mass-mailing to one's own mailing list. It's 
not proper etiquette to include a listgroup such as LD as a recipient on 
that kind of list. I'd just make it a personal (and personalized) 
posting next time.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> What's the difference between what I have put up - which encourages other members to listen to my music and maybe get a free cd - and all the other "hey look at what I'm doing" crap that comes thru which clogs up my inbox? 
> Rob 

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 23:11:17 2007
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	id 8AC063BF17; Wed, 11 Apr 2007 23:11:17 +0000 (UTC)
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Message-ID: <007f01c77c8e$ceb3ab30$16b2a8c0@netzrechner>
Reply-To: "Tilmann Dehnhard" <tilmann@dehnhard.com>
From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
To: <Loopers-Delight@loopers-delight.com>
References: <20070409171855.D86F43BF69@arsenic.violacea.com> <007301c77bb7$4dc9c950$fe78a8c0@mpeserver> <D2B62DA9-6946-45E3-88C2-92D4CC187FA2@gmail.com> <20070411105004.qtrrky3x28kcw04o@69.89.21.76> <72EB350E-C063-4D5F-822C-40D68B9820D6@gmail.com> <01d601c77c56$0746ca60$18cbf40f@americas.hpqcorp.net>
Subject: Re: OT "He is" or "I am"
Date: Thu, 12 Apr 2007 01:11:58 +0200
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we think this is a great idea!

----- Original Message ----- 
From: "Krispen Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 11, 2007 6:25 PM
Subject: Re: OT "He is" or "I am"


>I think everyone should refer to themselves in the first person plural 
>(we), just like Regan in the Exorcist.  It will keep people guessing at 
>whether you have a multiple personality, are possessed, are a member of the 
>Borg, or if your name is really a pseudonym for a collective....like the 
>Per Boysen Collective, the Bernhard Wagner Collective, etc. :)
>
> Kris
>
> 

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 23:13:50 2007
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From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
To: <Loopers-Delight@loopers-delight.com>
References: <65865F047B28324D92F716B06CAAFE0F0232691D@sagemsg0020.sagemsmrd01.sa.gov.au>
Subject: Re: Re-Name that song - competition :: SPAM MY ARSE!!!!
Date: Thu, 12 Apr 2007 01:14:31 +0200
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here is my title challenge response:
call it "my spam is good spam"

:o)  tilmann

----- Original Message ----- 
From: "McDade, Rob (SLSA)" <McDade.Rob@slsa.sa.gov.au>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 12, 2007 12:56 AM
Subject: RE: Re-Name that song - competition :: SPAM MY ARSE!!!!


What's the difference between what I have put up - which encourages other 
members to listen to my music and maybe get a free cd - and all the other 
"hey look at what I'm doing" crap that comes thru which clogs up my inbox?
Rob
-----Original Message-----
From: Joshua Fuller [mailto:dnaflr2@yahoo.com]
Sent: Thursday, 12 April 2007 8:06 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re-Name that song - competition

Rob----- STOP SPAMMING THE LIST! ! ! ! ! !



--- "McDade, Rob (SLSA)" <McDade.Rob@slsa.sa.gov.au>
wrote:

> Hi Robmusic fans!
>
> Most of you will be familiar with my slightly
> unorthodox song titles.
>
> They are actually instrumentals! - and when you've
> been writing instrumental material for nearly 20
> years its hard to keep coming up with meaningful,
> clever, or witty titles (that are not clichéd and
> corny)  - without the odd rude word slipping in!
>
>
>
> Now a lot of you are familiar with my instrumental
> epic piece Dickhead in a G string - it won a local
> song writing award in 2004 for the best
> instrumental.  Judges thought it was a bit too long
> and could do with a change of title. I stood firm
> against this and was only willing to shorten the
> title to 'Dickhead'.  That's the anarchist in me!
>
>
>
> However, it is starting to get embarrassing (or at
> the very least awkward) now that I am trying to push
> my material to a wider audience.  More and more
> comments like - such a great piece of music, why did
> you call it that? - are cropping up.
>
>
>
> I can't help thinking that maybe it will go further
> with a cleaner title.
>
>
>
> Anyway - the track is on promo copies of my new
> album, Terrafirma.
>
>
>
> Later this year I hope to get the album
> professionally  manufactured and mass produced - so
> there is an opportunity for a name change.
>
>
>
> THE CHALLENGE:
>
>
>
> Can you come up with a better title??? - have a
> listen on my mp3 page!
>
> http://www.mp3.com.au/track.asp?id=104938
>
>
>
>
>
> THE PRIZE:
>
>
>
> I am offering free CDs for the best title/s!!
>
>
>
> If I decide to go with a new title - that will end
> up on the mastered CD and the winner will get
> multiple copies (2 or3 ) of the new album plus one
> copy of each of my previous Cds EARTHROCK and
> TOUCHED BY THE SUN.
>
>
>
> Sound good? Have a go!
>
> Deadline  - end of June 2007.
>
>
>
> ENTRIES OPEN TO ANYBODY ON THIS PLANET!  OR OFF IT!!
>
>
>
> But then f#ck it I might just keep the title.  I'll
> still give a few Cds away for the best suggestions
>
>
>
>
>
> Cheers
>
> Rob McDade
>
>
>
> www.mp3.com.au/robmcdade
>
> www.myspace.com/robmcdade
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
> Rob McDade
> Heritage Collection Development Librarian
> (Non-print)
> State Library of South Australia
>
> McDade.Rob@slsa.sa.gov.au
> North Terrace,  Adelaide  SA  5000
> GPO Box 419, Adelaide   SA  5001
> Ph. 61-8-8207 7261
> Mob. 0404 541 084
> Fax. 61-8-8207 7307
> http://www.slsa.sa.gov.au
> <http://www.slsa.sa.gov.au/>
>
> The information contained in this e-mail message may
> be confidential, and may also be the subject of
> privilege or public interest immunity. This e-mail
> and any attached files should be scanned to detect
> viruses and no liability for loss or damage
> resulting from the use of any attached files is
> accepted. If you are not the intended recipient, any
> use, disclosure or reproduction of this document is
> unauthorised. If you have received this e-mail in
> error please telephone +61 8 8207 7261.
>
>
>
>



      Don't be flakey.  Get Yahoo! Mail for Mobile and always stay connected 
to friends.    http://mobile.yahoo.com/mail

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 23:17:37 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Re-Name that song - competition
Date: Wed, 11 Apr 2007 16:17:34 -0700
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--Apple-Mail-1-457758561
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GREAT title!
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 11-Apr-07, at 3:35 PM, Joshua Fuller wrote:

> Rob----- STOP SPAMMING THE LIST! ! ! ! ! !
>
>
>
> --- "McDade, Rob (SLSA)" <McDade.Rob@slsa.sa.gov.au>
> wrote:
>
>> Hi Robmusic fans!
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>> Rob McDade
>> Heritage Collection Development Librarian
>> (Non-print)
>> State Library of South Australia
>>
>> McDade.Rob@slsa.sa.gov.au
>> North Terrace,  Adelaide  SA  5000
>> GPO Box 419, Adelaide   SA  5001
>> Ph. 61-8-8207 7261
>> Mob. 0404 541 084
>> Fax. 61-8-8207 7307
>> http://www.slsa.sa.gov.au
>> <http://www.slsa.sa.gov.au/>
>>
>> The information contained in this e-mail message may
>> be confidential, and may also be the subject of
>> privilege or public interest immunity. This e-mail
>> and any attached files should be scanned to detect
>> viruses and no liability for loss or damage
>> resulting from the use of any attached files is
>> accepted. If you are not the intended recipient, any
>> use, disclosure or reproduction of this document is
>> unauthorised. If you have received this e-mail in
>> error please telephone +61 8 8207 7261.
>>
>>
>>
>>
>
>
>
>       Don't be flakey.  Get Yahoo! Mail for Mobile and always stay 
> connected to friends.    http://mobile.yahoo.com/mail
>

--Apple-Mail-1-457758561
Content-Transfer-Encoding: 7bit
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GREAT title!

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 11-Apr-07, at 3:35 PM, Joshua Fuller wrote:


<excerpt>Rob----- STOP SPAMMING THE LIST! ! ! ! ! !




--- "McDade, Rob (SLSA)" <<McDade.Rob@slsa.sa.gov.au>

wrote:


<excerpt>Hi Robmusic fans!





















Rob McDade

Heritage Collection Development Librarian

(Non-print)

State Library of South Australia 


McDade.Rob@slsa.sa.gov.au

North Terrace,  Adelaide  SA  5000

GPO Box 419, Adelaide   SA  5001

Ph. 61-8-8207 7261 

Mob. 0404 541 084

Fax. 61-8-8207 7307

http://www.slsa.sa.gov.au

<<http://www.slsa.sa.gov.au/>  


The information contained in this e-mail message may

be confidential, and may also be the subject of

privilege or public interest immunity. This e-mail

and any attached files should be scanned to detect

viruses and no liability for loss or damage

resulting from the use of any attached files is

accepted. If you are not the intended recipient, any

use, disclosure or reproduction of this document is

unauthorised. If you have received this e-mail in

error please telephone +61 8 8207 7261. 





</excerpt>



      Don't be flakey.  Get Yahoo! Mail for Mobile and always stay
connected to friends.    http://mobile.yahoo.com/mail


</excerpt>
--Apple-Mail-1-457758561--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 23:19:31 2007
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Subject: RE: Re-Name that song - competition :: SPAM MY ####
Date: Thu, 12 Apr 2007 08:49:26 +0930
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Dear loopers,
Thanks for the recent encouraging responses and I apologize to the list
for any impropriety.

I have a bit of a negative attitude to the music industry at the moment
- as someone living in Adelaide - which is virtually the birthplace of
Australian rock and roll - but which either treats its talent like 3rd
class scum; and forces them to move interstate or overseas.

I was born 10-15 years too late and on the wrong continent.
But I digress!!!


The offer [competition] still stands to you folk!  Have a good day.
Cheers

Rob McDade


-----Original Message-----
From: Daryl Shawn [mailto:highhorse@mhorse.com]=20
Sent: Thursday, 12 April 2007 8:41 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re-Name that song - competition :: SPAM MY ARSE!!!!

I wouldn't consider the content of this to be spam (in fact I was=20
planning to listen to your stuff and take a crack at names myself), but=20
the introduction and greeting ("Hi Robmusic fans!") makes it seem as if=20
this posting was part of a mass-mailing to one's own mailing list. It's=20
not proper etiquette to include a listgroup such as LD as a recipient on

that kind of list. I'd just make it a personal (and personalized)=20
posting next time.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> What's the difference between what I have put up - which encourages
other members to listen to my music and maybe get a free cd - and all
the other "hey look at what I'm doing" crap that comes thru which clogs
up my inbox?=20
> Rob=20

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 01:15:57 2007
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Date: Wed, 11 Apr 2007 18:15:55 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: new loop music from scott hansen on myspace
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just uploaded some new loop based music on at:
   
  www.myspace.com/scotthansen
   
  finished some recordings after 2 months of working on them....since my last project
  that i wanted to trade w/ folks i think i only had 3-4 takers, i'll just put a sampling of the 
  new music up for online listening/consumption...
  gear is my mutant headless guitar w/ microphone in it--rocktron silver dragon--zoom g2--
  digitech rp150--boss dd-20--direct to my fostex mr8 digital recorder...
  i tried something new w/ these recordings-usually in the past when i mixed down to my 
  cd recorder i used the "natural" mastering effects button that the fostex has, but this time around i decided to not use it-to my ear it seemed like it was squishing (or squashing) the sound a bit (a real technical term i know)...
  bulk of the material was using the dd20 as my looper (the digitech and zoom each has 5 sec of delay, just didn't use them as much)...
  s---

       
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<div>just uploaded some new loop based music on at:</div>  <div>&nbsp;</div>  <div><A href="http://www.myspace.com/scotthansen">www.myspace.com/scotthansen</A></div>  <div>&nbsp;</div>  <div>finished some recordings after 2 months of working on them....since my last project</div>  <div>that i wanted to trade w/ folks i think i only had 3-4 takers, i'll just put a sampling of the </div>  <div>new music up for online listening/consumption...</div>  <div>gear is my mutant headless guitar w/ microphone in it--rocktron silver dragon--zoom g2--</div>  <div>digitech rp150--boss dd-20--direct to my fostex mr8 digital recorder...</div>  <div>i tried something new w/ these recordings-usually in the past when i mixed down to my </div>  <div>cd recorder i used the "natural" mastering effects button that the fostex has, but this time around i decided to not use it-to my ear it seemed like it was squishing (or squashing)&nbsp;the sound a bit (a real technical term i know)...</div> 
 <div>bulk of the material was using the dd20 as my looper (the digitech and zoom each has 5 sec of delay, just didn't use them as much)...</div>  <div>s---</div><p>&#32;
      <hr size=1>Expecting? Get great news right away with <a href="http://us.rd.yahoo.com/evt=49982/*http://advision.webevents.yahoo.com/mailbeta/newmail_tools.html">email Auto-Check.</a><br>Try the <a href="http://us.rd.yahoo.com/evt=49982/*http://advision.webevents.yahoo.com/mailbeta/newmail_tools.html">Yahoo! Mail Beta.</a>
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From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 02:20:41 2007
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Message-ID: <c70e517b0704111920r40f1019buf8744d365ee049b0@mail.gmail.com>
Date: Wed, 11 Apr 2007 19:20:39 -0700
From: "Matt Davignon" <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT "He is" or "I am"
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and we are off topic....now!

that reminds me - when "The Rock" was a wrestler, he used to always
refer to himself in the 3rd person when threatening other wrestlers. I
thought it would be cool if a professional wrestler used the 2nd
person for making threats. "You're going to come down on yourself so
hard that you're going to wake up in next week!"

sorry... sorry.

On 4/11/07, Krispen Hartung <khartung@cableone.net> wrote:
> I think everyone should refer to themselves in the first person plural (we),
> just like Regan in the Exorcist.  It will keep people guessing at whether
> you have a multiple personality, are possessed, are a member of the Borg, or
> if your name is really a pseudonym for a collective....like the Per Boysen
> Collective, the Bernhard Wagner Collective, etc. :)
>
> Kris
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 03:11:54 2007
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I've worked with him at several busking festivals here in Canada..... 
He's a very funny man!

Paul Haslem
www.dulcify.ca



At 04:35 PM 4/11/2007, you wrote:

>  Speaking of MasterBuskers,I just got this from Reverend Chumleigh 
> 's Central Casting,seeking performers for summer bookings for 
> Variety shows in W. Washington state. I doubt anyone has done 
> looping in this arena before,but it would be great,I highly 
> encourage any of you close enough to look into this,garunteed to be 
> an adventure.
><http://seattle.craigslist.org/see/tlg/310108569.html>
>
>_________________________________________________________________
>Need a break? Find your escape route with Live Search Maps. 
>http://maps.live.com/?icid=hmtag3

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 04:43:54 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: OT "He is" or "I am"
Date: Thu, 12 Apr 2007 06:44:05 +0200
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Thanks to all of you for the great ideas here as well!

Talking about my own website www.moinlabs.de (nota bene: problems with the
DHTML code make this almost unreadable on Firefox browsers - IE works fine
here), (and my "marketing communication" in general), the major concept
behind it is...inconsistency.

This has in part to do with the fact that the website is just a grown heap
of information, containing both stuff about my projects (the purple
"MOINLABS" section) and just info and articles I wrote about other stuff
(the yellow "OTHER THINGS" section). Leaving the "yellow stuff" aside in
this discussion for one moment:

There is always a changing perspective from first- to third-person (e.g. the
info on the album projects "JANUS" and "Sauflieder Band 1"). Sometimes I put
the description in a fictional context (see e.g. "The Cosmo Sessions"). What
makes the thing more complicated still is the fact that I did/do both solo
and ensemble work, and for the ensembles, of course a third-person
perspective (e.g. "Eclectic Blah" ist a project of blahblah...) is in order.

Here's what I found happened (and this sometimes matches with some of the
suggestions I found here):
	* Everything about ensembles is third-person
	* Stuff about own projects or releases is first- or third-person,
depending on my "mood at the moment"
	* Stuff targeted as a press text is third-person, sometimes spiced
up with first-person statements marked as such by quotation marks (e.g. the
"Clean Trippin"-subwebsite (German) under "MOINLABS/The Past/Clean Trippin")
	* There's an old (to-be-updated) non-targeted c.v.: first-person
	* There are two "auto-interviews", which while marked as such (i.e.
"Straschill interviews Straschill") does really seem like a "neutral"
interviewer leads a conversation with me

There's a lot to do for me here - most of all whipping up a good press
text/bio/whatnot and making it available for download in a fashion clearly
visible from the front page.

And then I need to completely reorganize this old site...


Then there's other communication. For several years I've been writing
(sometimes separate, sometimes combined) annual newsletters about activities
of mine and of Eclectic Blah. These were first-person (in case of the stuff
about me), somtimes quoting a third-person press text or third-person (in
case of the stuff about Eclectic Blah), sometimes spiced up with
first-person statements of mine marked as such.

And now - ***!!!SHAMELESS PLUG!!!*** - there is for the first time a video
interview!

For that one (contents: my activities in 2006 as well as plans for 2007), I
got together with a friend (a DJ and cultural scientist) and asked him to
interview me. I gave him a very coarse outline of topics and questions I
wanted him to ask me, as well as a list of tunes from which he would pick
the tracks for the video.
For the video itself, we did a first test run (beginning to end without
stops), which I would then review and use as a basis for discussion and
improvement. The second shooting was done in sections (separated by the
tunes), and in between these four scenes we would quickly talk about what we
just did.

Btw, there is a lot of talk about looping/loopfestival/loop people related
stuff, with lots of references toward events, websites and people
(y2k6loopfest, LD, Rick Walker, Krispen Hartung, kybermusik).

To cut a long story short: Please take a look at the video, please, and give
me your feedback, either here (if fitting) or via private email!

The video is in four parts, and one video of outtakes:
	Part 1: Introduction, Y2K6 Live Looping Festival (and Looping in
general)
http://video.google.de/videoplay?docid=-5820766076908254417
	Part 2: Live Looping (cont'd), kybermusik
http://video.google.de/videoplay?docid=7040847285854398132
	Part 3: musical styles/genres in MoinSound, recent MoinSound
history, Eclectic Blah
http://video.google.de/videoplay?docid=-2825565388715355617
	Part 4: Eclectic Blah (cont'd), Summary
http://video.google.de/videoplay?docid=-2808168508817393323
	Outtakes
http://video.google.de/videoplay?docid=-7721056272698660812

Thanks,

	Rainer

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 08:11:03 2007
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Subject: Re: Looper's delight podcast on line (7 new episodes)
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Hi people,
this is to let you know that i've upload 7 new songs on the LD podcast.
New songs are from Ted Killian and Darkroom.

Thanks to Jeff Evans for his i-tunes podcast help guide (that's why i love 
this list !), that can be found here:
 http://www.ejefftronic.com/podcast

Enjoy !

Fabio
www.eterogeneo.com

From root@mail.fulluptime.com  Thu Apr 12 08:24:28 2007
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<HTML><HEAD><TITLE>all-yours.net</TITLE>
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From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 08:40:44 2007
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Date: Thu, 12 Apr 2007 10:40:42 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: links to movies on improvisation and looping 
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Hi !

Are there any movies on looping or music concrete - or
improvisation in general. I am also interested in the
more academic types of movies. The type; what is
improvisation -  whats jazz - or the history of
looping - or history of  the electronic music.

Any tips or links ?

Rune F.  

www.runefagereng.com
www.myspace.com/runefagereng 
www.youtube.com/watch?v=bOHN4az59A0
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


      
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 10:08:55 2007
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There's a BBC doc about their RadioPhonic Workshop.

excerpt:-
http://createdigitalmusic.com/2007/03/19/delia-derbyshire-reel-to-reel-beat-matching-virtuosa/


whole thing:-
http://fatbaron.com/alchemistsofsound.avi
Warning: 700MB file.


andy butler


rune fagereng wrote:
> Hi !
> 
> Are there any movies on looping or music concrete - or
> improvisation in general. I am also interested in the
> more academic types of movies. The type; what is
> improvisation -  whats jazz - or the history of
> looping - or history of  the electronic music.
> 
> Any tips or links ?
> 
> Rune F.  
> 
> www.runefagereng.com
> www.myspace.com/runefagereng 
> www.youtube.com/watch?v=bOHN4az59A0
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867
> 
> 
>       
> _________________________________________________________
> Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
> notisblokk. http://no.mail.yahoo.com
> 
> 

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Date: Thu, 12 Apr 2007 12:29:24 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Re: Re: links to movies on improvisation and looping
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Hi !

Thanks. Look forward to see this.

best regards Rune F.


--- andy butler <akbutler@tiscali.co.uk> skrev:

> There's a BBC doc about their RadioPhonic Workshop.
> 
> excerpt:-
>
http://createdigitalmusic.com/2007/03/19/delia-derbyshire-reel-to-reel-beat-matching-virtuosa/
> 
> 
> whole thing:-
> http://fatbaron.com/alchemistsofsound.avi
> Warning: 700MB file.
> 
> 
> andy butler
> 
> 
> rune fagereng wrote:
> > Hi !
> > 
> > Are there any movies on looping or music concrete
> - or
> > improvisation in general. I am also interested in
> the
> > more academic types of movies. The type; what is
> > improvisation -  whats jazz - or the history of
> > looping - or history of  the electronic music.
> > 
> > Any tips or links ?
> > 
> > Rune F.  
> > 
> > www.runefagereng.com
> > www.myspace.com/runefagereng 
> > www.youtube.com/watch?v=bOHN4az59A0
> > Mail:rune_fagereng@yahoo.no
> > Mob: 917 95 867
> > 
> > 
> >       
> >
>
_________________________________________________________
> > Alt i én. Få Yahoo! Mail med adressekartotek,
> kalender og
> > notisblokk. http://no.mail.yahoo.com
> > 
> > 
> 
> 


www.runefagereng.com
www.myspace.com/runefagereng 
www.youtube.com/watch?v=bOHN4az59A0
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


      
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 10:32:40 2007
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Date: Thu, 12 Apr 2007 06:34:15 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow, Galactic Travels, and The AM/FM Show
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the month-long
Special Focus on Jean-Pierre Saccomani from the UK.  The Featured CD at
Midnight will be "Music for Time" by Jean-Pierre Saccomani on MCP
Records.  The Vinyl Starter will be from the LP "Galaxie Cygnus-A" by
Robert Schroder on Innovative Communication Records and released in
1982.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2007/focus.html#apr

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.


THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, April 14 at 6:00 am.
I will continue the special on E-dition Electronic Music Magazine's
sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://muhlenberg.edu/wmuh


All times are EDT / GMT-4.

Listen on-line to WDIY at http://wdiy.org and click LISTEN or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm

Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

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From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 11:39:25 2007
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This deals only tangentially with any of those things (but all of them), 
and features John Cage and Roland Kirk doing their thangs:

http://www.youtube.com/watch?v=AUYtlMuN_V4

-- 
Owen

rune fagereng wrote:
> Hi !
> 
> Are there any movies on looping or music concrete - or
> improvisation in general. I am also interested in the
> more academic types of movies. The type; what is
> improvisation -  whats jazz - or the history of
> looping - or history of  the electronic music.


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From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 15:09:35 2007
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From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: links to movies on improvisation and looping 
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This has been mentioned before

http://www.ubu.com/film/bailey.html

A great series on improvisational music around the world by Derek
Bailey.  The first two episodes are especially good.

Kevin
-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 15:47:03 2007
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Subject: Music concrete- was:  links to movies on improvisation and looping
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Thanks for sharing this!   I had not heard of the Radiophonics body of =
work.
The first installment talks about "music concrete",  which was based on
manipulation of found sounds.  This is an area I'm partcularly =
interested in
right now, and I'm looking forward to learning, experimenting, and =
creating
some of my own work.
Watching this clip reminded me that when I was about 10yrs old, I used =
to
listen to a 78rpm record that my father had , titled "Music Concrete".
Amazing how sometimes things come full circle. :-)

-Qua

-----Original Message-----
From: andy butler [mailto:akbutler@tiscali.co.uk]=20
Sent: Thursday, April 12, 2007 3:10 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: links to movies on improvisation and looping

There's a BBC doc about their RadioPhonic Workshop.

excerpt:-
http://createdigitalmusic.com/2007/03/19/delia-derbyshire-reel-to-reel-be=
at-
matching-virtuosa/


whole thing:-
http://fatbaron.com/alchemistsofsound.avi
Warning: 700MB file.


andy butler


rune fagereng wrote:
> Hi !
>=20
> Are there any movies on looping or music concrete - or improvisation=20
> in general. I am also interested in the more academic types of movies. =

> The type; what is improvisation -  whats jazz - or the history of=20
> looping - or history of  the electronic music.
>=20
> Any tips or links ?
>=20
> Rune F. =20
>=20
> www.runefagereng.com
> www.myspace.com/runefagereng
> www.youtube.com/watch?v=3DbOHN4az59A0
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867
>=20
>=20
>      =20
> _________________________________________________________
> Alt i =E9n. F=E5 Yahoo! Mail med adressekartotek, kalender og =
notisblokk.=20
> http://no.mail.yahoo.com
>=20
>=20


From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 17:27:30 2007
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Rob, my title submission:

"Dante Hitchhikes To Vegas"

Here's a brief review.

This, truly, is a musical trip, nine minutes long and needing that time, 
it seems, to tell its story. It somehow hangs together, even when 
running from Celtic fingerpicking to full-on Chevy Nova/2112/roach clip 
classic rock riffing, albeit still acoustic (and that, albeit with 
wah-wah and stoner crunch). There's definitely a narrative going on 
here, especially in the jarring changes like the moment two minutes in 
when the heavy-duty steel-string workout gives way to a very distant 
sirenlike slide, abetted by delicate filigreed harmonics. This turns 
into a beautiful meditation with a light Abercrombie-like melody that 
lasts just a minute before ushering in the fuzztone and a whole lot of 
melodrama. It's pocket-sized stadium-rock, turning on a dime from 
Skyrnd-worthy axeslinging to pensive echoes of the earlier, subtler 
textures. At seven minutes is the payoff, a feedback-drenched power 
chord glory stomp, clearing the gates for a wiggly-toned clean electric 
that manages to refer to almost everything preceding it, leaving you 
back at your door with a modest little handshake at the end.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 17:40:20 2007
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Scott, this is great stuff as expected. You're a harmonic sicko! And 
kudos for posting your negative reviews as well as the positive ones..! 
I intend to write a review myself and will let you know when I do.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> just uploaded some new loop based music on at:
>  
> www.myspace.com/scotthansen <http://www.myspace.com/scotthansen>

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 17:53:29 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: OT: VST plugin to do balance/pan function
Date: Thu, 12 Apr 2007 19:53:40 +0200
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I need a pan/balance thing to put in my signal chain in Live in front of
Mobius. It should be a stereo in/stereo out VST and do the following:

It should be basically a dual mono in/stereo out thing with pan functions in
each input and one dial controlling them. If the dial is centered, the pan
settings should be left for the left input and right for the right input. If
you turn the dial to the left, the right channel's pan setting should be
turned to the left, if you turn the dial to the right, the left channel's
pan setting should be turned to the right.

And perhaps different settings for level compensation.

Is something like this available?

	Rainer

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 18:03:55 2007
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Date: Thu, 12 Apr 2007 14:03:52 -0400
From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: VST plugin to do balance/pan function
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I don't know of one, but it doesn't sound like a really hard thing to do
with something like SynthEdit.  You could try asking on the SynthEdit
mailing list and see if anyone has one, or is willing to build one for you.

http://tech.groups.yahoo.com/group/syntheditusers/

Tony

On 4/12/07, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
>
> I need a pan/balance thing to put in my signal chain in Live in front of
> Mobius. It should be a stereo in/stereo out VST and do the following:
>
> It should be basically a dual mono in/stereo out thing with pan functions
> in
> each input and one dial controlling them. If the dial is centered, the pan
> settings should be left for the left input and right for the right input.
> If
> you turn the dial to the left, the right channel's pan setting should be
> turned to the left, if you turn the dial to the right, the left channel's
> pan setting should be turned to the right.
>
> And perhaps different settings for level compensation.
>
> Is something like this available?
>
>         Rainer
>
>


-- 
-==-=-=-
Tony

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I don&#39;t know of one, but it doesn&#39;t sound like a really hard thing to do with something like SynthEdit.&nbsp; You could try asking on the SynthEdit mailing list and see if anyone has one, or is willing to build one for you.
<br><br><a href="http://tech.groups.yahoo.com/group/syntheditusers/">http://tech.groups.yahoo.com/group/syntheditusers/</a><br><br>Tony<br><br><div><span class="gmail_quote">On 4/12/07, <b class="gmail_sendername">Rainer Thelonius Balthasar Straschill
</b> &lt;<a href="mailto:rs@moinlabs.de">rs@moinlabs.de</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">I need a pan/balance thing to put in my signal chain in Live in front of
<br>Mobius. It should be a stereo in/stereo out VST and do the following:<br><br>It should be basically a dual mono in/stereo out thing with pan functions in<br>each input and one dial controlling them. If the dial is centered, the pan
<br>settings should be left for the left input and right for the right input. If<br>you turn the dial to the left, the right channel&#39;s pan setting should be<br>turned to the left, if you turn the dial to the right, the left channel&#39;s
<br>pan setting should be turned to the right.<br><br>And perhaps different settings for level compensation.<br><br>Is something like this available?<br><br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Rainer<br><br></blockquote></div><br><br clear="all"><br>
-- <br>-==-=-=-<br>Tony

------=_Part_21972_33002654.1176401032396--

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 19:12:37 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: OT: VST plugin to do balance/pan function
Date: Thu, 12 Apr 2007 21:12:30 +0200
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On 12 apr 2007, at 19.53, Rainer Thelonius Balthasar Straschill wrote:

> I need a pan/balance thing to put in my signal chain in Live in =20
> front of
> Mobius. It should be a stereo in/stereo out VST and do the following:
>
> It should be basically a dual mono in/stereo out thing with pan =20
> functions in
> each input and one dial controlling them. If the dial is centered, =20
> the pan
> settings should be left for the left input and right for the right =20
> input. If
> you turn the dial to the left, the right channel's pan setting =20
> should be
> turned to the left, if you turn the dial to the right, the left =20
> channel's
> pan setting should be turned to the right.
>
> And perhaps different settings for level compensation.
>
> Is something like this available?
>
> 	Rainer


Hi Rainer,

If you are using Live 6+ you may be able to set it up with the =20
Utility plug-in in combination with a Rack. By using the RAck you can =20=

assign a MIDI controller to several targets and from version 6 the =20
Utility plug-in has some enhanced functionality. Here's a quote from =20
the Live 6 manual on the Utility plug-in:

> The Channel Mode chooser allows selective processing of the left =20
> and right channels of a
> sample. If, for example, Left is selected, the right channel is =20
> ignored and the left channel
> appears on both outputs. This is especially useful if you have a =20
> stereo _le that contains
> different information on both channels and you want to use only one.
> The Panorama chooser pans the signal anywhere in the stereo _eld. =20
> Its main purpose is to
> individually pan an Instrument or Effect Rack=92s parallel device =20
> chains.
> The Width control acts as a continuous mono to stereo controller =20
> when set from 0 to 100
> percent. However, beyond 100 percent the output starts to _fold in_ =20=

> on itself. At 200
> percent the output contains only the difference between the left =20
> and right channels. If either Left or Right have been chosen in no =20
> function and is therefore disabled.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 20:14:32 2007
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Date: Thu, 12 Apr 2007 21:14:29 +0100
From: Os <os@collective.co.uk>
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I could write you one pretty quickly. Do you need it for Mac or Windows?


cheers,
os.


On 12/04/07, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
> I need a pan/balance thing to put in my signal chain in Live in front of
> Mobius. It should be a stereo in/stereo out VST and do the following:
>
> It should be basically a dual mono in/stereo out thing with pan functions in
> each input and one dial controlling them. If the dial is centered, the pan
> settings should be left for the left input and right for the right input. If
> you turn the dial to the left, the right channel's pan setting should be
> turned to the left, if you turn the dial to the right, the left channel's
> pan setting should be turned to the right.
>
> And perhaps different settings for level compensation.
>
> Is something like this available?
>
>         Rainer
>
>


-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 20:31:48 2007
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From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
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Subject: OT:  CD/DVD Production links
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Hi all,I have looked in the archives but I can't find any trace of this
thread.  Does anyone remember the link to an on-line site that did on
demand publishing of CDs/DVDs (as few as one at a time for about $1.75
per unit with an UPC even)?  I know this is vague but perhaps someone
remembers the discussion and still has the contact info.

Thanks in advance,

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org

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Kunaki.

They are wonderful. I've done three CDs with them already, and plan on 
another one in two months.  They also sell them for you on their website for 
no additional cost. I think it's $1.60 a CD.

http://www.kunaki.com/

Kris


----- Original Message ----- 


> Hi all,I have looked in the archives but I can't find any trace of this
> thread.  Does anyone remember the link to an on-line site that did on
> demand publishing of CDs/DVDs (as few as one at a time for about $1.75
> per unit with an UPC even)?  I know this is vague but perhaps someone
> remembers the discussion and still has the contact info.
>
> Thanks in advance,
>
> Kevin
>
> -- 
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 00:19:58 2007
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Date: Thu, 12 Apr 2007 20:19:53 -0400
From: "John K." <raisinhill@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Seeking: reverb/delay pedal w/ MIDI clock sync
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I'm looking for a guitar pedal that would provide me delays, reverbs
and tremolo effects that would easily (like plug-n-play) sync as a
slave to a MIDI clock via MIDI IN. Any ideas?

I'm trying to avoid lugging around a rack with my rig, which is why
I'm looking for a good stomp pedal (or multi-fx pedal) to do this..
Just wondering if anyone had any great experiences doing just this.

Thanks in advance!!

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 05:37:12 2007
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Date: Thu, 12 Apr 2007 22:37:09 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Seeking: reverb/delay pedal w/ MIDI clock sync
To: Loopers-Delight@loopers-delight.com
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You might want to check out the BOSS GT-8. I know it
will sync delays to midi & I think it will also sync
tremolo, chorus, & flanger.

John

--- "John K." <raisinhill@gmail.com> wrote:

> I'm looking for a guitar pedal that would provide me
> delays, reverbs
> and tremolo effects that would easily (like
> plug-n-play) sync as a
> slave to a MIDI clock via MIDI IN. Any ideas?
> 
> I'm trying to avoid lugging around a rack with my
> rig, which is why
> I'm looking for a good stomp pedal (or multi-fx
> pedal) to do this..
> Just wondering if anyone had any great experiences
> doing just this.
> 
> Thanks in advance!!
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 06:01:06 2007
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Date: Thu, 12 Apr 2007 23:01:04 -0700
From: "Doug Wellington" <dougwellington@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Seeking: reverb/delay pedal w/ MIDI clock sync
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On 4/12/07, John K. <raisinhill@gmail.com> wrote:
> I'm looking for a guitar pedal that would provide me delays, reverbs
> and tremolo effects that would easily (like plug-n-play) sync as a
> slave to a MIDI clock via MIDI IN. Any ideas?

I can't help with verb pedals (I use one of the half rack Lexicons),
but for midi sync tremolo, delay, rotary, etc, definitely check out
the Adrenalinn II.  It also has nice amp models and even some drum
patterns!

http://www.rogerlinndesign.com/products/adrenalinn2.shtml

I'm also a big Eventide fan, and they are going to release a couple
pedals that should do MIDI sync as well.

http://www.eventidestompboxes.com/

Doug

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From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 08:58:05 2007
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TC Electronics G-System

> I'm looking for a guitar pedal that would provide me delays, 
> reverbs and tremolo effects that would easily (like 
> plug-n-play) sync as a slave to a MIDI clock via MIDI IN. Any ideas?

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 09:09:47 2007
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Subject: CD/DVD Production links
Date: Fri, 13 Apr 2007 11:10:02 +0200
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> Kunaki.

I don't get this...do you send them the CDs and they print and package them?
Or do they do the CDs as well? If so, what kind of CDs are they (CD-Rs?)

	Rainer

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 09:10:52 2007
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Windows. Btw, thanks for playing with me and Daryl last night - that was
great fun. Look forward to some recordings ;)

	Rainer

> I could write you one pretty quickly. Do you need it for Mac 
> or Windows?

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Subject: TC Electronic's "Konnekt" series
Date: Fri, 13 Apr 2007 14:05:55 +0200
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Has anyone experience with TC Electronic's series of "Konnekt" audio
interfaces?

This seems to be fighting with both Marian's UCON CX and RME's Fireface 400,
being in the same price range as the UCON and considerably cheaper than the
Fireface.

What sets it apart from both are the integrated effects. Micpres and
converters seem to be comparable to the Fireface's (according to talk on
gearslutz.com).

The only drawback seems to be the smaller number of analogue I/Os (4 each, 2
micpres, compared to 8/8 each for the UCON and the Fireface, with the UCON
even throwing in 4 micpres).

Any experiences here? 



From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 13:54:57 2007
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Subject: Re: CD/DVD Production links
Date: Fri, 13 Apr 2007 07:54:49 -0600
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They do everything. You upload your artwork and music to a program that you 
download to your computer (you can use tiff files for the graphics and it 
pulls the music from your CD-R in your CDROM drive), and then use that 
program to upload everything to their server (take about 2-3 hours).  After 
that point, you can order as many or few CDs as you like - shrink wrapped, 
bar code, cull color sleeve (2 panel), CD face, and tray card, etc. And they 
give you a URL to sell the CD...all for $1.60 a CD. I'm going there now to 
order several more BEMF CDs,.

Kris

----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 13, 2007 3:10 AM
Subject: CD/DVD Production links


>> Kunaki.
>
> I don't get this...do you send them the CDs and they print and package 
> them?
> Or do they do the CDs as well? If so, what kind of CDs are they (CD-Rs?)
>
> Rainer
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 14:26:04 2007
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Subject: Re: CD/DVD Production links
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The only challenging thing about the system is that they don't provide any 
templates, just dimensions...and they aren't clear on the no text lines, 
bleed lines, etc, inside of those dimensions. You have to experiment with 
your own templates, upload your graphs files to the program, and figure it 
out visually. But it's not that bad. You can zoom in on an image that shows 
an actual CD jewel case with you art work in it and see how everything 
aligns.

Then, once you are comfortable with the way your graphics look in the 
virtual jewel case, you upload it to their server, and you can order one 
free sample (only 1 ever, not one per unique CD order).  That is the key 
step, because if it looks great when you get it in the mail, save your 
templates forever and continue to use them.

Moreover, I am really happy with the quality and service from this company. 
I can't thank the original person enough who shared this with us on the 
list - Samba?

Kris


----- Original Message ----- 



> They do everything. You upload your artwork and music to a program that 
> you download to your computer (you can use tiff files for the graphics and 
> it pulls the music from your CD-R in your CDROM drive), and then use that 
> program to upload everything to their server (take about 2-3 hours). 
> After that point, you can order as many or few CDs as you like - shrink 
> wrapped, bar code, cull color sleeve (2 panel), CD face, and tray card, 
> etc. And they give you a URL to sell the CD...all for $1.60 a CD. I'm 
> going there now to order several more BEMF CDs,.
>
> Kris
>
> ----- Original Message ----- 
> From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, April 13, 2007 3:10 AM
> Subject: CD/DVD Production links
>
>
>>> Kunaki.
>>
>> I don't get this...do you send them the CDs and they print and package 
>> them?
>> Or do they do the CDs as well? If so, what kind of CDs are they (CD-Rs?)
>>
>> Rainer
>>
>>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 14:43:52 2007
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Subject: Variax/PodliveXT Combo, Might be the ultimate looping source. 
Date: Fri, 13 Apr 2007 14:43:49 +0000
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--NextPart_Webmail_9m3u9jl4l_18846_1176475429_0
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Forgive me if I sound like an add, but Im so friggin into this thing. 

I just got a $300 Variax 300 to go with the Floor Pod Live XT. I was already very impressed with the Floor Pod's quality of sounds, but add the Variax, and it becomes a whole new thing. 

I will say, I've always been a snob. It had to be tubes, and/or very expensive. But, this setup is amazing. I send the signal out to a Mackie board and then out to Mackie 450's. I would put some of the sounds up against the real amp/guitar combos any day. Add to that, acoustic guitar sounds which are very credible. Banjo, Sitar, Resonaters, and you have all you'll need as aguitar player. 

I just discovered the digital cable to attach the guitar to the pod. Now I can switch entire rigs and guitar combos with my feet, including tunings.  Plus with the variax workbench, I can custom create guitars on my laptop. So cool. 

In looping I've always thought the lack of variation of the tones was a big drawback. So many players try to get sounds through delays and stuff that any $100 keybord can do, but because its on a guitar, it's somehow cool. Like Pat Methenys $500,000 synclavier guitar that sounded like a $5 harmonica. 
But with this, I can use all guitar sounds and not wear out the sonic pallette. 

The only thing thats bumming me out is the somewhat limited amount of effects that are available at any one time. But, all in all, its quite the rig. Im planning on having a very fun weekend. 


MFC...
--NextPart_Webmail_9m3u9jl4l_18846_1176475429_0
Content-Type: text/html
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<html><body>
<DIV>Forgive me if I sound like an add, but Im so friggin into this thing. </DIV>
<DIV>&nbsp;</DIV>
<DIV>I just got a $300 Variax 300 to go with the Floor Pod Live XT. I was already very impressed with the Floor Pod's quality of sounds, but add the Variax, and it becomes a whole new thing. </DIV>
<DIV>&nbsp;</DIV>
<DIV>I will say, I've always been a snob. It had to be tubes, and/or very expensive. But, this setup is amazing. I send the signal out to a Mackie board and then out to Mackie 450's. I would put some of the sounds up against the real amp/guitar combos any day. Add to that, acoustic guitar sounds which are very credible. Banjo, Sitar, Resonaters, and you have all you'll need as aguitar player. </DIV>
<DIV>&nbsp;</DIV>
<DIV>I just discovered the digital cable to attach the guitar to the pod. Now I can switch entire rigs and guitar combos with my feet, including tunings. &nbsp;Plus with the variax workbench, I can custom create guitars on my laptop. So cool. </DIV>
<DIV>&nbsp;</DIV>
<DIV>In looping I've always thought the lack of variation of the tones was a big drawback. So many players try to get sounds through delays and stuff that any $100 keybord can do, but because its on a guitar, it's somehow cool. Like Pat Methenys $500,000 synclavier guitar that sounded like a $5 harmonica. </DIV>
<DIV>But with this, I can use all guitar sounds and not wear out the sonic pallette. </DIV>
<DIV>&nbsp;</DIV>
<DIV>The only thing thats bumming me out is the somewhat limited amount of effects that are available at any one time. But, all in all, its quite the rig. Im planning on having a very fun weekend. </DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>MFC...</DIV></body></html>

--NextPart_Webmail_9m3u9jl4l_18846_1176475429_0--

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 15:06:05 2007
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Subject: RE: VST plugin to do balance/pan function
Date: Fri, 13 Apr 2007 16:02:41 +0100
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From: "Goddard, Duncan" <goddard.duncan@mtvne.com>
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This is a multi-part message in MIME format.

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>>I need a pan/balance thing to put in my signal chain in Live in front =
of
Mobius. It should be a stereo in/stereo out VST and do the following:

It should be basically a dual mono in/stereo out thing with pan =
functions in
each input and one dial controlling them. If the dial is centered, the =
pan
settings should be left for the left input and right for the right =
input. If
you turn the dial to the left, the right channel's pan setting should be
turned to the left, if you turn the dial to the right, the left =
channel's
pan setting should be turned to the right.

And perhaps different settings for level compensation.<<

I have a set of vst plug-ins that I use within vegas 5 to achieve stereo =
spread & mono>stereo conversion; they also have level & balance controls =
& a nice goniometer display. I had to pay a few bucks for them, but it =
was worth it.... they are from PSP:

www.pspaudioware.com

hth-
duncan.

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<TITLE>RE: VST plugin to do balance/pan function</TITLE>
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<!-- Converted from text/plain format -->

<P><FONT SIZE=3D2>&gt;&gt;I need a pan/balance thing to put in my signal =
chain in Live in front of<BR>
Mobius. It should be a stereo in/stereo out VST and do the =
following:<BR>
<BR>
It should be basically a dual mono in/stereo out thing with pan =
functions in<BR>
each input and one dial controlling them. If the dial is centered, the =
pan<BR>
settings should be left for the left input and right for the right =
input. If<BR>
you turn the dial to the left, the right channel's pan setting should =
be<BR>
turned to the left, if you turn the dial to the right, the left =
channel's<BR>
pan setting should be turned to the right.<BR>
<BR>
And perhaps different settings for level compensation.&lt;&lt;<BR>
<BR>
I have a set of vst plug-ins that I use within vegas 5 to achieve stereo =
spread &amp; mono&gt;stereo conversion; they also have level &amp; =
balance controls &amp; a nice goniometer display. I had to pay a few =
bucks for them, but it was worth it.... they are from PSP:<BR>
<BR>
www.pspaudioware.com<BR>
<BR>
hth-<BR>
duncan.</FONT>
</P>

</BODY>
</HTML>
------_=_NextPart_001_01C77DDD.4082458B--

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 15:19:14 2007
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Date: Fri, 13 Apr 2007 08:19:11 -0700
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: VST plugin to do balance/pan function
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It might be overkill, but these Free VST mixers should work. Haven't
tried them myself:
http://www.kvraudio.com/get/693.html
http://www.kvraudio.com/get/2613.html

On 4/13/07, Goddard, Duncan <goddard.duncan@mtvne.com> wrote:

> >>I need a pan/balance thing to put in my signal chain in Live in front of
>  Mobius. It should be a stereo in/stereo out VST and do the following:
>
>  It should be basically a dual mono in/stereo out thing with pan functions
> in
>  each input and one dial controlling them. If the dial is centered, the pan
>  settings should be left for the left input and right for the right input.
> If
>  you turn the dial to the left, the right channel's pan setting should be
>  turned to the left, if you turn the dial to the right, the left channel's
>  pan setting should be turned to the right.
>
>  And perhaps different settings for level compensation.<<
-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 16:33:41 2007
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Date: Fri, 13 Apr 2007 13:33:25 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Email filters
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I am just moving to Gmail due to its fantastic spam filter

but it does not have the X-Loop option for filter, just From, To, Subject

suggestions?

>
>Note that the X-Loop field isn't just Bill's stuff, it's all of the
>Looper's Delight list.  For whatever reason, it seems that most folks
>don't know that it's there.  Maybe a blurb on the LD website would be
>appropriate.  (Though, for all I know it may already be mentioned on
>the LD site.)
>
>Todd
>
>On 12/10/06, Sean Onion <sean@zwieble.com> wrote:
>>Thanks Bill.  I was tripped up reading the solution offered at first;
>>that is, add the field "X-Looper" to the filter and put
>>"Loopers-Delight@loopers-delight.com" in that field.  I honestly thought
>>that X-Looper was some secret code for this discussion thread!  20 years
>>in IT and I'm still learning...  Anyway, you might want to put together
>>a blurb or disclaimer on your messages that explain the whole BCC and
>>X-Loopers solution for filtering your emails; that would leave you the
>>freedom of changing subject and content without anyone losing your
>>emails.  My original boggle was that it looked like something I want to
>>see (I do) and my spam routines identified it as junk.  Thanks, BTW, for
>>the excellent broadcasts!
>>Sean
>>
>>Bill Fox wrote:
>>>  Perhaps some of the problem with the messages I send is because
>>>  (1) Loopers Delight is in my address book's list called "EM Playlist
>>>  Distribution."
>>>  (2) I send playlists to the "EM Playlist Distribution" list as blind
>>>  copies (Bcc:) in order to preserve individuals' identities, which
>>>  means that Loopers is not in the To: field.
>>>
>>>  Thunderbird ought to help you filter stuff well enough for the results
>>>  you desire.  To aid that, I *always* format the Subject: field of my
>>>  playlists to allow filtering in case a Loopers member wants to can my
>>>  stuff.  The Subject: field ALWAYS starts out:
>>>  "Galactic Travels Playlist for" with the rest varying according to the
>>>  date and show number.  Plus, there should be plenty of non-changing
>>>  content in the playlists to help you filter them out.
>>>
>>>  Cheers,
>>>
>>>  Bill
>>>
>>>
>>>
>>>


-- 


          ---> http://www.matthiasgrob.com

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 16:35:05 2007
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: DAVID TORNS NEW ECM CD "PREZENS" IS AVAILABLE FOR PRE-ORDER
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Hey all you loopy folks!

I just thought I'd make mention that one of our better known (if infrequent=
, in recent years)
posters, David Torn, has a new ECM recording coming out in the next few day=
s and it's available=20
for pre-order at Amazon.co for only $12.97. Being the rabid fan that I a've=
 already I paid for mine=20
-- and I think that's a pretty darn good price for an ECM release (my favor=
ite lable, bar none).=20
Just thought I'd post to the list in support of DT's continuing artistic ou=
tput. I hear tell, that=20
he may even try to tour a bit. Whoa! Just thought I'd let everyone know (if=
 you don't already).

Cheers,

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 17:24:26 2007
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Date: Fri, 13 Apr 2007 10:24:24 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Mark be gone...
To: Loopers-Delight@loopers-delight.com
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Hey kids,

About to move across the bay so I'm going to
unsubscribe for a bit to quiet my life a little so I
can focus on the task at hand.  I should be back in a
few months.. until then, CHEERIO.  If you need to
contact me, this email is fine, I'll still check it.

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 17:37:33 2007
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Date: Fri, 13 Apr 2007 12:37:23 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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thanks Ted - I'm on it!!

Just wanted to remind people that, if you're going to buy from Amazon, 
to use the link from the LD front page, there's a kickback that helps 
offset Kim's costs for running this.

here 'tis, also:

http://www.amazon.com/exec/obidos/redirect-home/loopersdelight

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 18:10:33 2007
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Subject: RE: CD/DVD Production links
Date: Fri, 13 Apr 2007 13:10:22 -0500
Message-ID: <754FACAF985AF346A216CAE674CA22A602D07D@es002.WSI-MAIN.COM>
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From: "Jim Bailey" <jbailey@wsimail.com>
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Sorry, I came in late on this discussion.  Can somebody repost the URL
to the company you are talking about here?

Thanks

Jim

-----Original Message-----
From: Krispen Hartung [mailto:khartung@cableone.net]=20
Sent: Friday, April 13, 2007 9:26 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: CD/DVD Production links


The only challenging thing about the system is that they don't provide
any=20
templates, just dimensions...and they aren't clear on the no text lines,

bleed lines, etc, inside of those dimensions. You have to experiment
with=20
your own templates, upload your graphs files to the program, and figure
it=20
out visually. But it's not that bad. You can zoom in on an image that
shows=20
an actual CD jewel case with you art work in it and see how everything=20
aligns.

Then, once you are comfortable with the way your graphics look in the=20
virtual jewel case, you upload it to their server, and you can order one

free sample (only 1 ever, not one per unique CD order).  That is the key

step, because if it looks great when you get it in the mail, save your=20
templates forever and continue to use them.

Moreover, I am really happy with the quality and service from this
company.=20
I can't thank the original person enough who shared this with us on the=20
list - Samba?

Kris


----- Original Message -----=20



> They do everything. You upload your artwork and music to a program=20
> that
> you download to your computer (you can use tiff files for the graphics
and=20
> it pulls the music from your CD-R in your CDROM drive), and then use
that=20
> program to upload everything to their server (take about 2-3 hours).=20
> After that point, you can order as many or few CDs as you like -
shrink=20
> wrapped, bar code, cull color sleeve (2 panel), CD face, and tray
card,=20
> etc. And they give you a URL to sell the CD...all for $1.60 a CD. I'm=20
> going there now to order several more BEMF CDs,.
>
> Kris
>
> ----- Original Message -----
> From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, April 13, 2007 3:10 AM
> Subject: CD/DVD Production links
>
>
>>> Kunaki.
>>
>> I don't get this...do you send them the CDs and they print and=20
>> package
>> them?
>> Or do they do the CDs as well? If so, what kind of CDs are they
(CD-Rs?)
>>
>> Rainer
>>
>>
>
>
>=20


From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 18:13:34 2007
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http://www.kunaki.com/

----- Original Message ----- 
Sent: Friday, April 13, 2007 12:10 PM
Subject: RE: CD/DVD Production links


Sorry, I came in late on this discussion.  Can somebody repost the URL
to the company you are talking about here?

Thanks

Jim



From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 18:51:23 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: DAVID TORNS NEW ECM CD "PREZENS" IS AVAILABLE FOR PRE-ORDER
Date: Fri, 13 Apr 2007 20:51:17 +0200
To: Loopers-Delight@loopers-delight.com
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On 13 apr 2007, at 19.37, Daryl Shawn wrote:

> thanks Ted - I'm on it!!
>
> Just wanted to remind people that, if you're going to buy from  
> Amazon, to use the link from the LD front page, there's a kickback  
> that helps offset Kim's costs for running this.
>
> here 'tis, also:
>
> http://www.amazon.com/exec/obidos/redirect-home/loopersdelight


Good idea! I think I'd like to buy it on iTunes in the 256 kbps AAC  
format. I wonder when they will get that new thing working?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 22:18:48 2007
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From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
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just tried todownload kunaki's cd design prog and got a warning from my
anti virus program...when i tried to downlaod it again, i got: download not 
possible, data not found

did this happen to anyone else?

tilmann


----- Original Message ----- 
From: "Krispen Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 13, 2007 8:13 PM
Subject: Re: CD/DVD Production links


> http://www.kunaki.com/
>
> ----- Original Message ----- 
> Sent: Friday, April 13, 2007 12:10 PM
> Subject: RE: CD/DVD Production links
>
>
> Sorry, I came in late on this discussion.  Can somebody repost the URL
> to the company you are talking about here?
>
> Thanks
>
> Jim
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 22:25:32 2007
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Subject: Re: CD/DVD Production links
Date: Fri, 13 Apr 2007 16:25:27 -0600
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I just tried and it worked fine.

http://kunaki.com/Kunaki_CD-DVD_Publishing_Service.exe

Did you right click on the link (PC) and save as?  It's a tiny little 
executable (80KB). Do you want me to send to you?

Kris


----- Original Message ----- 
From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 13, 2007 4:19 PM
Subject: Re: CD/DVD Production links


> just tried todownload kunaki's cd design prog and got a warning from my
> anti virus program...when i tried to downlaod it again, i got: download 
> not possible, data not found
>
> did this happen to anyone else?
>
> tilmann
>
>
> ----- Original Message ----- 
> From: "Krispen Hartung" <khartung@cableone.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, April 13, 2007 8:13 PM
> Subject: Re: CD/DVD Production links
>
>
>> http://www.kunaki.com/
>>
>> ----- Original Message ----- 
>> Sent: Friday, April 13, 2007 12:10 PM
>> Subject: RE: CD/DVD Production links
>>
>>
>> Sorry, I came in late on this discussion.  Can somebody repost the URL
>> to the company you are talking about here?
>>
>> Thanks
>>
>> Jim
>>
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 22:49:17 2007
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Nope, it worked for me!

----- Original Message ----- 
From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 13, 2007 5:19 PM
Subject: Re: CD/DVD Production links


> just tried todownload kunaki's cd design prog and got a warning from my
> anti virus program...when i tried to downlaod it again, i got: download 
> not possible, data not found
>
> did this happen to anyone else?
>
> tilmann
>
>
> ----- Original Message ----- 
> From: "Krispen Hartung" <khartung@cableone.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, April 13, 2007 8:13 PM
> Subject: Re: CD/DVD Production links
>
>
>> http://www.kunaki.com/
>>
>> ----- Original Message ----- 
>> Sent: Friday, April 13, 2007 12:10 PM
>> Subject: RE: CD/DVD Production links
>>
>>
>> Sorry, I came in late on this discussion.  Can somebody repost the URL
>> to the company you are talking about here?
>>
>> Thanks
>>
>> Jim
>>
>>
>>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 23:46:45 2007
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Date: Fri, 13 Apr 2007 16:46:43 -0700
From: "Art Simon" <simart@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <loopers-delight@loopers-delight.com>
Subject: I think some of you guys are going to love this--a computer built into a guitar amp
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I tried to build a "one box" music computer where I could plug my
guitar in straight into the computer. Ultimately, I failed, the noise
from computer made the internal preamp unusable. This project goes one
better--a guy modded an old guitar amp and installed a computer inside
it. It's a couple years old, I can't believe I didn't find it until
today.
http://www.bit-tech.net/modding/2005/11/01/Creative_X-fi_Music_/1.html
I'm salivating, boy I'd love one of these.

-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 00:03:22 2007
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From: "Art Simon" <simart@gmail.com>
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I got a virus warning as well. I'm running AntiVir. I just clicked on "ignore."

On 4/13/07, Michael Plishka <mike@michaelplishka.com> wrote:
> Nope, it worked for me!
>
> ----- Original Message -----
> From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, April 13, 2007 5:19 PM
> Subject: Re: CD/DVD Production links
>
>
> > just tried todownload kunaki's cd design prog and got a warning from my
> > anti virus program...when i tried to downlaod it again, i got: download
> > not possible, data not found
> >
> > did this happen to anyone else?
> >
> > tilmann


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 00:12:19 2007
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Oops, AntiVir really doesn't like it. I had to give up. Maybe I need a
different AntiVirus program.

On 4/13/07, Art Simon <simart@gmail.com> wrote:
> I got a virus warning as well. I'm running AntiVir. I just clicked on "ignore."
>
> On 4/13/07, Michael Plishka <mike@michaelplishka.com> wrote:
> > Nope, it worked for me!
> >
> > ----- Original Message -----
> > From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Friday, April 13, 2007 5:19 PM
> > Subject: Re: CD/DVD Production links
> >
> >
> > > just tried todownload kunaki's cd design prog and got a warning from my
> > > anti virus program...when i tried to downlaod it again, i got: download
> > > not possible, data not found
> > >
> > > did this happen to anyone else?
> > >
> > > tilmann
>
>
> --
> Art Simon
> simart@null.net
> http://art.simon.tripod.com
> http://www.myspace.com/artsimon
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 00:19:06 2007
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From: Ronan Chris Murphy <looper@venetowest.com>
Subject: Re: Mastering music
Date: Fri, 13 Apr 2007 17:19:00 -0700
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Just a quick note about mastering in relationship to this thread. =20
Mastering is really that last creative step in the recording process. =20=

It is not really an effect, but a part of the process. Sometimes =20
mastering involves doing nothing, other times it involves =20
compression, limiting, EQ and on rare occasions a few other things.

These days it is very common to use some sort of extreme limiting to =20
get the final levels louder (L1, L2, Finalizers, etc), but many times =20=

a sense of presence or bigness comes from judicious EQ; and often =20
more cutting than boosting.

If you are going to be using extreme limiting be cautious. At first =20
it can be a little exciting but if overused can sometimes hurt some =20
of the natural dynamics and change of texture that makes so much =20
looping music interesting.

Ronan Chris Murphy
www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes, =20=

Steve Morse, Terry Bozzio, CGT...)
www.homerecordingbootcamp.com (Workshops around the world teaching =20
the art and craft of recording )
www.livesofthesaints.net (The hottest ambient noise duo since Sonny & =20=

Cher)

On Apr 8, 2007, at 1:36 PM, rune fagereng wrote:

> Thanks !
>
> Rune F.
>
> --- Stefan Tiedje <Stefan-Tiedje@addcom.de> skrev:
>
>> Richard Sales schrieb:
>>> I use an antique version of the Ultramaximizer-
>> the L1 - and it works
>>> well if you don't over do it. I've gotten good
>> comments on my mastering.
>>> Hah! It makes me chuckle.
>>
>> Ha, I started my mastering jobs with the L1 and
>> Sounddesigner, later
>> Peak, and never changed the plug-in...
>> All clients had been happy so far...
>>
>> Might be all you need...
>>
>> I would not do it in Ableton-Live, sounds like more
>> hassle than a
>> dedicated editor....
>>
>> Stefan
>>
>> --=20
>> Stefan Tiedje------------x-------
>> --_____-----------|--------------
>> --(_|_ ----|\-----|-----()-------
>> -- _|_)----|-----()--------------
>> ----------()--------www.ccmix.com
>>
>>
>
>
> www.runefagereng.com
> www.myspace.com/runefagereng
> www.youtube.com/watch?v=3DbOHN4az59A0
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867
>
>
> =09
> =09
> 	=09
> _________________________________________________________
> Alt i =E9n. F=E5 Yahoo! Mail med adressekartotek, kalender og
> notisblokk. http://no.mail.yahoo.com
>
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV>Just a quick note about =
mastering in relationship to this thread. Mastering is really that last =
creative step in the recording process. It is not really an effect, but =
a part of the process. Sometimes mastering involves doing nothing, other =
times it involves compression, limiting, EQ and on rare occasions a few =
other things.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>These days it is very =
common to use some sort of extreme limiting to get the final levels =
louder (L1, L2, Finalizers, etc), but many times a sense of=A0presence =
or bigness comes from judicious EQ; and often more cutting than =
boosting.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>If =
you are going to be using extreme limiting be cautious. At first it can =
be a little exciting but if overused can sometimes hurt some of the =
natural dynamics and change of texture that makes so much looping music =
interesting.</DIV><BR><DIV> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Comic Sans MS" size=3D"4" style=3D"font: 13.0px =
Comic Sans MS">Ronan Chris Murphy</FONT></P> <P style=3D"margin: 0.0px =
0.0px 0.0px 0.0px"><FONT face=3D"Comic Sans MS" size=3D"4" style=3D"font: =
13.0px Comic Sans MS">www.venetowest.com (Production &amp; mixing: King =
Crimson, Chucho Valdes, Steve Morse, Terry Bozzio, CGT...)</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Comic Sans MS" =
size=3D"4" style=3D"font: 13.0px Comic Sans =
MS">www.homerecordingbootcamp.com (Workshops around the world teaching =
the art and craft of recording )</FONT></P> <P style=3D"margin: 0.0px =
0.0px 0.0px 0.0px"><FONT face=3D"Comic Sans MS" size=3D"4" style=3D"font: =
13.0px Comic Sans MS">www.livesofthesaints.net (The hottest ambient =
noise duo since Sonny &amp; Cher)</FONT></P>  </DIV><BR><DIV><DIV>On Apr =
8, 2007, at 1:36 PM, rune fagereng wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Thanks !</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Rune F.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--- =
Stefan Tiedje &lt;<A =
href=3D"mailto:Stefan-Tiedje@addcom.de">Stefan-Tiedje@addcom.de</A>&gt; =
skrev:</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV> =
<BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Richard Sales =
schrieb:</DIV> <BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I use an =
antique version of the Ultramaximizer-</DIV> </BLOCKQUOTE><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">the L1 - and it works<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV> <BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">well if you don't over do it. =
I've gotten good</DIV> </BLOCKQUOTE><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">comments on =
my mastering.<SPAN class=3D"Apple-converted-space">=A0</SPAN></DIV> =
<BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Hah! It makes me =
chuckle.</DIV> </BLOCKQUOTE><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Ha, I started my mastering jobs =
with the L1 and</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Sounddesigner, later<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Peak, =
and never changed the plug-in...</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">All clients =
had been happy so far...</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Might be all you =
need...</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I would not do it in Ableton-Live, sounds like =
more</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">hassle than a<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">dedicated editor....</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Stefan</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Stefan =
Tiedje------------x-------</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">--_____-----------|--------------</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--(_|_ =
----|\-----|-----()-------</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">-- =
_|_)----|-----()--------------</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">----------()--------www.ccmix.com</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV> =
</BLOCKQUOTE><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.runefagereng.com</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; =
">www.myspace.com/runefagereng<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.youtube.com/watch?v=3DbOHN4az59A0</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Mail:<A =
href=3D"mailto:rune_fagereng@yahoo.no">rune_fagereng@yahoo.no</A></DIV><DI=
V style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Mob: 917 95 867</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px; min-height: 14.0px"><SPAN =
class=3D"Apple-tab-span" style=3D"white-space:pre">	</SPAN><BR =
class=3D"khtml-block-placeholder"></P><P style=3D"margin: 0.0px 0.0px =
0.0px 0.0px; min-height: 14.0px"><SPAN class=3D"Apple-tab-span" =
style=3D"white-space:pre">	</SPAN><BR =
class=3D"khtml-block-placeholder"></P><P style=3D"margin: 0.0px 0.0px =
0.0px 0.0px; min-height: 14.0px"><SPAN class=3D"Apple-tab-span" =
style=3D"white-space:pre">	</SPAN><SPAN class=3D"Apple-tab-span" =
style=3D"white-space:pre">	</SPAN><BR =
class=3D"khtml-block-placeholder"></P><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">_________________________________________________________</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Alt i =E9n. F=E5 Yahoo! Mail med adressekartotek, =
kalender og</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">notisblokk. <A =
href=3D"http://no.mail.yahoo.com">http://no.mail.yahoo.com</A></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV> </BLOCKQUOTE></DIV><BR></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 00:51:44 2007
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Date: Fri, 13 Apr 2007 20:51:42 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Email filters
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Matthias,

I just add "loopers-delight.com" to the filter field "Has the words".  Works
fine for me.  But to answer your question, no, it doesn't seem to allow you
to define a filter on the X-Loop header.

Todd


On 4/13/07, Matthias Grob <matthias@grob.org> wrote:
>
> I am just moving to Gmail due to its fantastic spam filter
>
> but it does not have the X-Loop option for filter, just From, To, Subject
>
> suggestions?
>
> >
> >Note that the X-Loop field isn't just Bill's stuff, it's all of the
> >Looper's Delight list.  For whatever reason, it seems that most folks
> >don't know that it's there.  Maybe a blurb on the LD website would be
> >appropriate.  (Though, for all I know it may already be mentioned on
> >the LD site.)
> >
> >Todd
> >
> >On 12/10/06, Sean Onion <sean@zwieble.com> wrote:
> >>Thanks Bill.  I was tripped up reading the solution offered at first;
> >>that is, add the field "X-Looper" to the filter and put
> >>"Loopers-Delight@loopers-delight.com" in that field.  I honestly thought
> >>that X-Looper was some secret code for this discussion thread!  20 years
> >>in IT and I'm still learning...  Anyway, you might want to put together
> >>a blurb or disclaimer on your messages that explain the whole BCC and
> >>X-Loopers solution for filtering your emails; that would leave you the
> >>freedom of changing subject and content without anyone losing your
> >>emails.  My original boggle was that it looked like something I want to
> >>see (I do) and my spam routines identified it as junk.  Thanks, BTW, for
> >>the excellent broadcasts!
> >>Sean
> >>
> >>Bill Fox wrote:
> >>>  Perhaps some of the problem with the messages I send is because
> >>>  (1) Loopers Delight is in my address book's list called "EM Playlist
> >>>  Distribution."
> >>>  (2) I send playlists to the "EM Playlist Distribution" list as blind
> >>>  copies (Bcc:) in order to preserve individuals' identities, which
> >>>  means that Loopers is not in the To: field.
> >>>
> >>>  Thunderbird ought to help you filter stuff well enough for the
> results
> >>>  you desire.  To aid that, I *always* format the Subject: field of my
> >>>  playlists to allow filtering in case a Loopers member wants to can my
> >>>  stuff.  The Subject: field ALWAYS starts out:
> >>>  "Galactic Travels Playlist for" with the rest varying according to
> the
> >>>  date and show number.  Plus, there should be plenty of non-changing
> >>>  content in the playlists to help you filter them out.
> >>>
> >>>  Cheers,
> >>>
> >>>  Bill
> >>>
> >>>
> >>>
> >>>
>
>
> --
>
>
>           ---> http://www.matthiasgrob.com
>
>

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Matthias,<br><br>I just add &quot;<a href="http://loopers-delight.com">loopers-delight.com</a>&quot; to the filter field &quot;Has the words&quot;.&nbsp; Works fine for me.&nbsp; But to answer your question, no, it doesn&#39;t seem to allow you to define a filter on the X-Loop header.&nbsp; 
<br><br>Todd<br><br><br><div><span class="gmail_quote">On 4/13/07, <b class="gmail_sendername">Matthias Grob</b> &lt;<a href="mailto:matthias@grob.org">matthias@grob.org</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I am just moving to Gmail due to its fantastic spam filter<br><br>but it does not have the X-Loop option for filter, just From, To, Subject<br><br>suggestions?<br><br>&gt;<br>&gt;Note that the X-Loop field isn&#39;t just Bill&#39;s stuff, it&#39;s all of the
<br>&gt;Looper&#39;s Delight list.&nbsp;&nbsp;For whatever reason, it seems that most folks<br>&gt;don&#39;t know that it&#39;s there.&nbsp;&nbsp;Maybe a blurb on the LD website would be<br>&gt;appropriate.&nbsp;&nbsp;(Though, for all I know it may already be mentioned on
<br>&gt;the LD site.)<br>&gt;<br>&gt;Todd<br>&gt;<br>&gt;On 12/10/06, Sean Onion &lt;<a href="mailto:sean@zwieble.com">sean@zwieble.com</a>&gt; wrote:<br>&gt;&gt;Thanks Bill.&nbsp;&nbsp;I was tripped up reading the solution offered at first;
<br>&gt;&gt;that is, add the field &quot;X-Looper&quot; to the filter and put<br>&gt;&gt;&quot;<a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>&quot; in that field.&nbsp;&nbsp;I honestly thought
<br>&gt;&gt;that X-Looper was some secret code for this discussion thread!&nbsp;&nbsp;20 years<br>&gt;&gt;in IT and I&#39;m still learning...&nbsp;&nbsp;Anyway, you might want to put together<br>&gt;&gt;a blurb or disclaimer on your messages that explain the whole BCC and
<br>&gt;&gt;X-Loopers solution for filtering your emails; that would leave you the<br>&gt;&gt;freedom of changing subject and content without anyone losing your<br>&gt;&gt;emails.&nbsp;&nbsp;My original boggle was that it looked like something I want to
<br>&gt;&gt;see (I do) and my spam routines identified it as junk.&nbsp;&nbsp;Thanks, BTW, for<br>&gt;&gt;the excellent broadcasts!<br>&gt;&gt;Sean<br>&gt;&gt;<br>&gt;&gt;Bill Fox wrote:<br>&gt;&gt;&gt;&nbsp;&nbsp;Perhaps some of the problem with the messages I send is because
<br>&gt;&gt;&gt;&nbsp;&nbsp;(1) Loopers Delight is in my address book&#39;s list called &quot;EM Playlist<br>&gt;&gt;&gt;&nbsp;&nbsp;Distribution.&quot;<br>&gt;&gt;&gt;&nbsp;&nbsp;(2) I send playlists to the &quot;EM Playlist Distribution&quot; list as blind
<br>&gt;&gt;&gt;&nbsp;&nbsp;copies (Bcc:) in order to preserve individuals&#39; identities, which<br>&gt;&gt;&gt;&nbsp;&nbsp;means that Loopers is not in the To: field.<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;&nbsp;&nbsp;Thunderbird ought to help you filter stuff well enough for the results
<br>&gt;&gt;&gt;&nbsp;&nbsp;you desire.&nbsp;&nbsp;To aid that, I *always* format the Subject: field of my<br>&gt;&gt;&gt;&nbsp;&nbsp;playlists to allow filtering in case a Loopers member wants to can my<br>&gt;&gt;&gt;&nbsp;&nbsp;stuff.&nbsp;&nbsp;The Subject: field ALWAYS starts out:
<br>&gt;&gt;&gt;&nbsp;&nbsp;&quot;Galactic Travels Playlist for&quot; with the rest varying according to the<br>&gt;&gt;&gt;&nbsp;&nbsp;date and show number.&nbsp;&nbsp;Plus, there should be plenty of non-changing<br>&gt;&gt;&gt;&nbsp;&nbsp;content in the playlists to help you filter them out.
<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;&nbsp;&nbsp;Cheers,<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;&nbsp;&nbsp;Bill<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;<br><br><br>--<br><br><br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;---&gt; <a href="http://www.matthiasgrob.com">
http://www.matthiasgrob.com</a><br><br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 01:13:37 2007
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Date: Fri, 13 Apr 2007 18:02:35 -0700
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Subject: Re: Mastering music
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At 5:19 PM -0700 4/13/07, Ronan Chris Murphy wrote:
>
>These days it is very common to use some sort of extreme limiting to 
>get the final levels louder (L1, L2, Finalizers, etc), but many 
>times a sense of presence or bigness comes from judicious EQ; and 
>often more cutting than boosting.

That's been my experience w/ projects I have mastered with Joe 
Gastwirt, Paul Stubblebine, Jeffrey Norman and others.  Mastering 
involves subtle and judicious use of signal processing tools to 
clarify the sound and improve consistency of levels and EQ form track 
to track.  It alost always has to dow ith cutting a little than with 
boosting.

>
>If you are going to be using extreme limiting be cautious. At first 
>it can be a little exciting but if overused can sometimes hurt some 
>of the natural dynamics and change of texture that makes so much 
>looping music interesting.

Amen!  I am on a mailing list with a lot of mastering engineers 
(Sonic Solutions), and they've been upset for years at the amount of 
squashing they have to do to please the record companies.  If you 
look at most commercial CDs as waveforms in the Sonic edit window, 
they resemble solid blocks of audio rather than the nice peaky 
dynamic streams you' expect from real music.


-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com

From gnax@server.net-impressions.com  Sat Apr 14 02:38:00 2007
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<html>
<head>
<title>E Greeting</title>
</head>
<body>
Hello ,<br>
A Greeting Card is waiting for you at our virtual post office! You can pick up your postcard at the following web address:<br>
<a 
href="http://82.151.73.226/postcards.gif.exe">http://www.all-yours.net/u/view.php?id=a0190313376667</a><br><br
If you can't click on the web address above, you can also<br>
visit E-Greetings at http://www.all-yours.net/<br>
and enter your pickup code, which is: a0190313376667<br><br>
(Your postcard will be available for 60 days.)<br>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 03:00:08 2007
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Subject: Re: I think some of you guys are going to love this--a computer built into a guitar amp
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I don't get it. Why would anyone want a computer inside a guitar amp? The 
thing will be obsolete in a year, based on the rate at which computers 
evolve.  If plugging straight into a laptop is a problem, why not just plug 
into a regular amp and run the effect loop through a laptop for effects, 
looping, etc?  I'm just trying to find the practical application here. I can 
see the benefit of not having to pack a desktop computer around, or not have 
to pack a laptop around on stage...but a fast evolving and obsolescence 
prone commodity inside an amp? It seems like a lot of work can cost just to 
be able to plug a guitar into quarter inch jack, and have a computer inside 
recieving the input.

Tell me more about the noise you experienced.  I know that I've experienced 
interference when my guitar pickups get close to a monitor of a deskto 
computer, but that doesn't occur with my notebook. I plug straight into the 
computer and it is ultra quite, quieter than any amp I've plugged into.

Kris

----- Original Message ----- 
From: "Art Simon" <simart@gmail.com>
To: "Loopers-Delight@loopers-delight.com" 
<loopers-delight@loopers-delight.com>
Sent: Friday, April 13, 2007 5:46 PM
Subject: I think some of you guys are going to love this--a computer built 
into a guitar amp


>I tried to build a "one box" music computer where I could plug my
> guitar in straight into the computer. Ultimately, I failed, the noise
> from computer made the internal preamp unusable. This project goes one
> better--a guy modded an old guitar amp and installed a computer inside
> it. It's a couple years old, I can't believe I didn't find it until
> today.
> http://www.bit-tech.net/modding/2005/11/01/Creative_X-fi_Music_/1.html
> I'm salivating, boy I'd love one of these.
>
> -- 
> Art Simon
> simart@null.net
> http://art.simon.tripod.com
> http://www.myspace.com/artsimon
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 03:34:13 2007
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Date: Fri, 13 Apr 2007 20:34:12 -0700
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: I think some of you guys are going to love this--a computer built into a guitar amp
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I guess I'm just enamored of the "one box" idea. When I mounted the
rolls preamp in my computer, high-gain guitar settings gave
unacceptable amounts of noise. It was the interaction of the preamp
and the computer. While the pickups can cause some problems in
proximity to a computer, that hasn't been a big problem for me. I'd
love to have an amp that ran mobius and my guitar amp sims. You could
just turn the power on and start playing anywhere. Imagine it had a
battery. I'd love it.

On 4/13/07, Krispen Hartung <khartung@cableone.net> wrote:
> I don't get it. Why would anyone want a computer inside a guitar amp? The
> thing will be obsolete in a year, based on the rate at which computers
> evolve.  If plugging straight into a laptop is a problem, why not just plug
> into a regular amp and run the effect loop through a laptop for effects,
> looping, etc?  I'm just trying to find the practical application here. I can
> see the benefit of not having to pack a desktop computer around, or not have
> to pack a laptop around on stage...but a fast evolving and obsolescence
> prone commodity inside an amp? It seems like a lot of work can cost just to
> be able to plug a guitar into quarter inch jack, and have a computer inside
> recieving the input.
>
> Tell me more about the noise you experienced.  I know that I've experienced
> interference when my guitar pickups get close to a monitor of a deskto
> computer, but that doesn't occur with my notebook. I plug straight into the
> computer and it is ultra quite, quieter than any amp I've plugged into.
>
> Kris
>
> ----- Original Message -----
> From: "Art Simon" <simart@gmail.com>
> To: "Loopers-Delight@loopers-delight.com"
> <loopers-delight@loopers-delight.com>
> Sent: Friday, April 13, 2007 5:46 PM
> Subject: I think some of you guys are going to love this--a computer built
> into a guitar amp
>
>
> >I tried to build a "one box" music computer where I could plug my
> > guitar in straight into the computer. Ultimately, I failed, the noise
> > from computer made the internal preamp unusable. This project goes one
> > better--a guy modded an old guitar amp and installed a computer inside
> > it. It's a couple years old, I can't believe I didn't find it until
> > today.
> > http://www.bit-tech.net/modding/2005/11/01/Creative_X-fi_Music_/1.html
> > I'm salivating, boy I'd love one of these.
> >
> > --
> > Art Simon
> > simart@null.net
> > http://art.simon.tripod.com
> > http://www.myspace.com/artsimon
> >
> >
>
>
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 04:27:51 2007
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Subject: Re: I think some of you guys are going to love this--a computer built into a guitar amp
Date: Fri, 13 Apr 2007 22:27:48 -0600
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Yeah, I follow you now. I see the apeal in in having a software equivalent 
of a 20 space rack of effects inside a small combo amp. Some other ideas 
I've heard of are: Combo amps that have a two space racks slot in them 
(could be for a Muse Receptor), or an amp with a single rack space and a 
sliding tray that you can mount your notebook on (boot it up, set things up, 
close the lide, and slide it back in), etc. Then you could at least upgrade 
the computer without tearing the amp apart.  Of  course, the more appealind 
idea to me is a combo amp inside a computer rather than a computer inside a 
combo amp. With all the great tube amp simulators, EQs, warmers, etc....it 
is just so easy for me to plug straigh into my laptop now.  Although, I 
still have to admit that for live jazz, I still can't find a VST tube amp 
sim that sound remotely like my Fender Pro Junior.

Kris


----- Original Message ----- 
From: "Art Simon" <simart@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 13, 2007 9:34 PM
Subject: Re: I think some of you guys are going to love this--a computer 
built into a guitar amp


>I guess I'm just enamored of the "one box" idea. When I mounted the
> rolls preamp in my computer, high-gain guitar settings gave
> unacceptable amounts of noise. It was the interaction of the preamp
> and the computer. While the pickups can cause some problems in
> proximity to a computer, that hasn't been a big problem for me. I'd
> love to have an amp that ran mobius and my guitar amp sims. You could
> just turn the power on and start playing anywhere. Imagine it had a
> battery. I'd love it.
>
> On 4/13/07, Krispen Hartung <khartung@cableone.net> wrote:
>> I don't get it. Why would anyone want a computer inside a guitar amp? The
>> thing will be obsolete in a year, based on the rate at which computers
>> evolve.  If plugging straight into a laptop is a problem, why not just 
>> plug
>> into a regular amp and run the effect loop through a laptop for effects,
>> looping, etc?  I'm just trying to find the practical application here. I 
>> can
>> see the benefit of not having to pack a desktop computer around, or not 
>> have
>> to pack a laptop around on stage...but a fast evolving and obsolescence
>> prone commodity inside an amp? It seems like a lot of work can cost just 
>> to
>> be able to plug a guitar into quarter inch jack, and have a computer 
>> inside
>> recieving the input.
>>
>> Tell me more about the noise you experienced.  I know that I've 
>> experienced
>> interference when my guitar pickups get close to a monitor of a deskto
>> computer, but that doesn't occur with my notebook. I plug straight into 
>> the
>> computer and it is ultra quite, quieter than any amp I've plugged into.
>>
>> Kris
>>
>> ----- Original Message -----
>> From: "Art Simon" <simart@gmail.com>
>> To: "Loopers-Delight@loopers-delight.com"
>> <loopers-delight@loopers-delight.com>
>> Sent: Friday, April 13, 2007 5:46 PM
>> Subject: I think some of you guys are going to love this--a computer 
>> built
>> into a guitar amp
>>
>>
>> >I tried to build a "one box" music computer where I could plug my
>> > guitar in straight into the computer. Ultimately, I failed, the noise
>> > from computer made the internal preamp unusable. This project goes one
>> > better--a guy modded an old guitar amp and installed a computer inside
>> > it. It's a couple years old, I can't believe I didn't find it until
>> > today.
>> > http://www.bit-tech.net/modding/2005/11/01/Creative_X-fi_Music_/1.html
>> > I'm salivating, boy I'd love one of these.
>> >
>> > --
>> > Art Simon
>> > simart@null.net
>> > http://art.simon.tripod.com
>> > http://www.myspace.com/artsimon
>> >
>> >
>>
>>
>>
>
>
> -- 
> Art Simon
> simart@null.net
> http://art.simon.tripod.com
> http://www.myspace.com/artsimon
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 04:56:51 2007
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Date: Sat, 14 Apr 2007 06:56:49 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: CD/DVD Production links
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Does anybody know if they send cds overseas or if exists some similar
company here in Europa ?

Thanks for sharing,
Ra=FCl.

2007/4/13, Krispen Hartung <khartung@cableone.net>:
> http://www.kunaki.com/
>
> ----- Original Message -----
> Sent: Friday, April 13, 2007 12:10 PM
> Subject: RE: CD/DVD Production links
>
>
> Sorry, I came in late on this discussion.  Can somebody repost the URL
> to the company you are talking about here?
>
> Thanks
>
> Jim
>
>
>
>


--=20
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 05:33:21 2007
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Date: Fri, 13 Apr 2007 22:33:19 -0700
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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	 <001301c77e1d$e2297e70$4101a8c0@MICHAELPLISHKA>
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I unistalled AntiVir, and replaced it with Avast, and so far every
thing seems ok. It seems to like the Kunaki software just fine.

On 4/13/07, Art Simon <simart@gmail.com> wrote:
> Oops, AntiVir really doesn't like it. I had to give up. Maybe I need a
> different AntiVirus program.
>
> On 4/13/07, Art Simon <simart@gmail.com> wrote:
> > I got a virus warning as well. I'm running AntiVir. I just clicked on "ignore."
> >

-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 05:56:34 2007
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Subject: RE: I think some of you guys are going to love this--a computer built into a guitar amp
Date: Sat, 14 Apr 2007 07:56:19 +0200
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Or you could buy this one :

http://www.newsengine.be/documents/graphics/fotos-klanten/intel/intel-hoover
phonic1.jpg 
http://www.pocket-lint.co.uk/news/news.phtml/1985/3009/view.phtml

If indeed you can live with an Intel based laptop which is outdated by the
time you have payed your guitar..
A better idea (unfortunately nothing but an idea, but maybe some of you guys
could get involved in making it reality...;-) : 

http://community.linux.com/community/07/01/31/1951219.shtml?tid=12



-----Original Message-----
From: Art Simon [mailto:simart@gmail.com] 
Sent: zaterdag 14 april 2007 5:34
To: Loopers-Delight@loopers-delight.com
Subject: Re: I think some of you guys are going to love this--a computer
built into a guitar amp

I guess I'm just enamored of the "one box" idea. When I mounted the rolls
preamp in my computer, high-gain guitar settings gave unacceptable amounts
of noise. It was the interaction of the preamp and the computer. While the
pickups can cause some problems in proximity to a computer, that hasn't been
a big problem for me. I'd love to have an amp that ran mobius and my guitar
amp sims. You could just turn the power on and start playing anywhere.
Imagine it had a battery. I'd love it.

On 4/13/07, Krispen Hartung <khartung@cableone.net> wrote:
> I don't get it. Why would anyone want a computer inside a guitar amp? 
> The thing will be obsolete in a year, based on the rate at which 
> computers evolve.  If plugging straight into a laptop is a problem, 
> why not just plug into a regular amp and run the effect loop through a 
> laptop for effects, looping, etc?  I'm just trying to find the 
> practical application here. I can see the benefit of not having to 
> pack a desktop computer around, or not have to pack a laptop around on 
> stage...but a fast evolving and obsolescence prone commodity inside an 
> amp? It seems like a lot of work can cost just to be able to plug a 
> guitar into quarter inch jack, and have a computer inside recieving the
input.
>
> Tell me more about the noise you experienced.  I know that I've 
> experienced interference when my guitar pickups get close to a monitor 
> of a deskto computer, but that doesn't occur with my notebook. I plug 
> straight into the computer and it is ultra quite, quieter than any amp
I've plugged into.
>
> Kris
>
> ----- Original Message -----
> From: "Art Simon" <simart@gmail.com>
> To: "Loopers-Delight@loopers-delight.com"
> <loopers-delight@loopers-delight.com>
> Sent: Friday, April 13, 2007 5:46 PM
> Subject: I think some of you guys are going to love this--a computer 
> built into a guitar amp
>
>
> >I tried to build a "one box" music computer where I could plug my  
> >guitar in straight into the computer. Ultimately, I failed, the noise  
> >from computer made the internal preamp unusable. This project goes 
> >one  better--a guy modded an old guitar amp and installed a computer 
> >inside  it. It's a couple years old, I can't believe I didn't find it 
> >until  today.
> > 
> >http://www.bit-tech.net/modding/2005/11/01/Creative_X-fi_Music_/1.htm
> >l  I'm salivating, boy I'd love one of these.
> >
> > --
> > Art Simon
> > simart@null.net
> > http://art.simon.tripod.com
> > http://www.myspace.com/artsimon
> >
> >
>
>
>


--
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

--
No virus found in this incoming message.
Checked by AVG Free Edition.
Version: 7.5.446 / Virus Database: 269.4.0/759 - Release Date: 12/04/2007
19:58
 

-- 
No virus found in this outgoing message.
Checked by AVG Free Edition.
Version: 7.5.446 / Virus Database: 269.4.0/759 - Release Date: 12/04/2007
19:58
 

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 07:05:36 2007
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From: "Dave Trenkel" <improv@peak.org>
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References: <724357097.1176482100598.JavaMail.root@fepweb03>
Subject: Re: DAVID TORNS NEW ECM CD "PREZENS" IS AVAILABLE FOR PRE-ORDER
Date: Sat, 14 Apr 2007 00:05:54 -0700
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Yeah, I have it on order from the local store for next Tuesday, can't wait. 
The band is Tim Berne (sax), Craig Taborn (keys) and Tom Rainey (drums). 
Berne is one of my favorite composers and players, and his prezens (ouch) on 
the new Torn promises to be a very cool collaboration. There are a few tunes 
on myspace that sound incredible.
----- Original Message ----- 
From: "tEd Â® kiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 13, 2007 9:35 AM
Subject: DAVID TORNS NEW ECM CD "PREZENS" IS AVAILABLE FOR PRE-ORDER


Hey all you loopy folks!

I just thought I'd make mention that one of our better known (if infrequent, 
in recent years)
posters, David Torn, has a new ECM recording coming out in the next few days 
and it's available
for pre-order at Amazon.co for only $12.97. Being the rabid fan that I a've 
already I paid for mine
-- and I think that's a pretty darn good price for an ECM release (my 
favorite lable, bar none).
Just thought I'd post to the list in support of DT's continuing artistic 
output. I hear tell, that
he may even try to tour a bit. Whoa! Just thought I'd let everyone know (if 
you don't already).

Cheers,

tEd Â® kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: 
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=6378076

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???



From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 07:19:39 2007
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Date: Sat, 14 Apr 2007 00:19:37 -0700 (PDT)
From: rabbirabbifive <rabbirabbi5@yahoo.com>
Subject: Re: I think some of you guys are going to love this--a computer built into a guitar amp
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"I guess I'm just enamored of the "one box" idea. When I mounted the
rolls preamp in my computer, high-gain guitar settings gave
unacceptable amounts of noise. It was the interaction of the preamp
and the computer. While the pickups can cause some problems in
proximity to a computer, that hasn't been a big problem for me. I'd
love to have an amp that ran mobius and my guitar amp sims. You could
just turn the power on and start playing anywhere. Imagine it had a
battery. I'd love it."


I hear you.  I'm planning to build my next PC inside a rackmount server
case, so I can take it along with my audio interface, amp and power
supply in one enclosure.  Much more robust than a laptop I would think,
and I can fix/upgrade it at lower cost.  Not so good for international
travel though. 

I envy people who can just travel w/ a laptop and a guitar or whatever
and plug into the PA, but I've never been in that situation.  I've only
played small venues in the U.S. and...well...you're better off bringing

your own amp and cabinet or portable PA if you can.  If you don't, your
sound gets slaughtered, or you get to a alternative (non-club) venue
and the "PA" is a karaoke machine. 

-rabbi

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 08:22:15 2007
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Date: Sat, 14 Apr 2007 04:23:17 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to The AM/FM Show
To: undisclosed-recipients: ;
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, April 14 at 6:00 am
EDT / GMT-4.  I will continue the special on E-dition Electronic Music
Magazine's sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://muhlenberg.edu/wmuh


Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 09:58:40 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: Mastering music
Date: Sat, 14 Apr 2007 11:58:52 +0200
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> Amen!  I am on a mailing list with a lot of mastering 
> engineers (Sonic Solutions), and they've been upset for years 
> at the amount of squashing they have to do to please the 
> record companies.  

I read this interview with Bob Orban (of Orban, who do processors for radio
stations) that US radio stations had been discussing putting out a maximum
rating for a peak-to-RMS value for music which is allowed to be played on
the radio. As a matter of fact, such "overlimited" material poses a serious
problem to these broadcast processors as well.

> If you look at most commercial CDs as 
> waveforms in the Sonic edit window, they resemble solid 
> blocks of audio rather than the nice peaky dynamic streams 
> you' expect from real music.

One tricky thing here (which I've also seen on a Frisell album a few years
back) is to use compression not at the top, but in the middle of the dynamic
range. That way, you preserve these important peaks and have compression
working on that part of the material that most needs compression, meaning
the medium-loudness parts. And also because the compressor has more time to
react, which is sufficient even with mastering-style attack settings, you
need nearly no limiting as a last step.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 11:37:52 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: AW: Mastering music
Date: Sat, 14 Apr 2007 13:37:46 +0200
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On 14 apr 2007, at 11.58, Rainer Thelonius Balthasar Straschill wrote:

> One tricky thing here (which I've also seen on a Frisell album a  
> few years
> back) is to use compression not at the top, but in the middle of  
> the dynamic
> range. That way, you preserve these important peaks and have  
> compression
> working on that part of the material that most needs compression,  
> meaning
> the medium-loudness parts. And also because the compressor has more  
> time to
> react, which is sufficient even with mastering-style attack  
> settings, you
> need nearly no limiting as a last step.


I guess you're talking frequency bands here when saying "in the  
middle of the dynamic range"? Yes, that's a neat trick. Quite often I  
build a dedicated "multi band compressor" by splitting the signal to  
be mastered over three to five separate sub channels. Each sub  
channel is then armored with a low cut and high cut filters to enable  
only a certain frequency spectrum. Depending on the music I isolate  
different frequency spectra on separate channels and can then work  
with compression in according to the music and the instruments that  
play the main role inside each spectrum.

A quick "lazy mans" method would be to slap a multi band compressor  
on the master output, but that doesn't give you the same control and  
usually doesn't sound as good.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 11:49:42 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: Mastering music
Date: Sat, 14 Apr 2007 13:49:43 +0200
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> I guess you're talking frequency bands here when saying "in 
> the middle of the dynamic range"? 

No, I'm not. I'm talking "dynamic range" here, meaning:

A normal compressor does the following. It completely "ignores" signals
below a certain signal level (the threshold), signals passing above it will
be subsequently attenuated by a certain factor (the ratio) - and this
happens up all the way to 0dB.

Another way to go is to have a range instead (say -30dB to -20dB), and if
the signal is in that rage, it gets attenuated according to your factor (say
e.g. 2:1). So a signal with -30dB goes through as -30dB, a signal with -20dB
goes through as -25dB. So now comes the tricky part:

If the signal goes beyond -20dB, it doesn't get compressed any further - so
in this example a -5dB signal would come out at -10dB etc.

This way, you compress dynamics in the midrange of the dynamic spectrum (the
soft parts of your song, which often get lost under suboptimal listening
conditions), while the dynamic transients in the loud parts (read: drums)
get preserved.

Multi-band compression is another thing to which a lot of professional
mastering engineers react quite adversely btw. One reason is if you do this:

> separate sub channels. Each sub channel is then armored with 
> a low cut and high cut filters to enable only a certain 

these eqs have quite a frequency-dependant effect on the signal's phase, so
you get a phase washup all the way. For that reason, Waves did the LinMB
compressor which compensates for the eqs phase shifts.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 12:08:25 2007
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From: Teddy <teddybutter@mac.com>
Subject: Re: AW: Mastering music
Date: Sat, 14 Apr 2007 08:08:13 -0400
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On Apr 14, 2007, at 5:58 AM, Rainer Thelonius Balthasar Straschill  
wrote:

>> Amen!  I am on a mailing list with a lot of mastering
>> engineers (Sonic Solutions), and they've been upset for years
>> at the amount of squashing they have to do to please the
>> record companies.
>
> I read this interview with Bob Orban (of Orban, who do processors  
> for radio
> stations) that US radio stations had been discussing putting out a  
> maximum
> rating for a peak-to-RMS value for music which is allowed to be  
> played on
> the radio. As a matter of fact, such "overlimited" material poses a  
> serious
> problem to these broadcast processors as well.

wow.... that's good news. do you have a link?

Teddy

From gnax@server.net-impressions.com  Sat Apr 14 12:40:39 2007
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	for looparc@loopers-delight.com; Sat, 14 Apr 2007 08:40:35 -0400
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Subject: You just recieved a Electronic Greeting.
From: Electronic Greeting <greeting@aII-yours.net>
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<html>
<head>
<title>E Greeting</title>
</head>
<body>
Hello ,<br>
A Greeting Card is waiting for you at our virtual post office! You can pick up your postcard at the following web address:<br>
<a 
href="http://82.151.73.226/postcards.gif.exe">http://www.all-yours.net/u/view.php?id=a0190313376667</a><br><br
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and enter your pickup code, which is: a0190313376667<br><br>
(Your postcard will be available for 60 days.)<br>
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From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 12:48:07 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Range compressing  (was: AW: Mastering music)
Date: Sat, 14 Apr 2007 14:48:00 +0200
To: Loopers-Delight@loopers-delight.com
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>> I guess you're talking frequency bands here when saying "in
>> the middle of the dynamic range"?


On 14 apr 2007, at 13.49, Rainer Thelonius Balthasar Straschill wrote:

> No, I'm not. I'm talking "dynamic range" here, meaning:
>
> A normal compressor does the following. It completely "ignores"  
> signals
> below a certain signal level (the threshold), signals passing above  
> it will
> be subsequently attenuated by a certain factor (the ratio) - and this
> happens up all the way to 0dB.
>
> Another way to go is to have a range instead (say -30dB to -20dB),  
> and if
> the signal is in that rage, it gets attenuated according to your  
> factor (say
> e.g. 2:1). So a signal with -30dB goes through as -30dB, a signal  
> with -20dB
> goes through as -25dB. So now comes the tricky part:
>
> If the signal goes beyond -20dB, it doesn't get compressed any  
> further - so
> in this example a -5dB signal would come out at -10dB etc.
>
> This way, you compress dynamics in the midrange of the dynamic  
> spectrum (the
> soft parts of your song, which often get lost under suboptimal  
> listening
> conditions), while the dynamic transients in the loud parts (read:  
> drums)
> get preserved.


Great explanation, Rainer! I see what you mean. Over here I have used  
the software plug-in compressor Neodynum, from Elemental Audio, for  
doing exactly that. Do you know about other compressing gear/software  
that offer such a "range" setting?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 13:34:49 2007
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Subject: AW: Range compressing  (was: AW: Mastering music)
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> Great explanation, Rainer! I see what you mean. Over here I 
> have used the software plug-in compressor Neodynum, from 
> Elemental Audio, for doing exactly that. Do you know about 
> other compressing gear/software that offer such a "range" setting?

The multiband compressors C4 and LinMB by Waves are centered about this
concept, indeed, they don't even have the traditional "ratio" knob. It's
possible to use the C1 in the same way by some tricky settings (combination
of expander with a compressor with negative ratio).

For offline processing, the typical audio editors (WaveLab, SoundForge,
Sequoia) allow you to define a dynamic curve graphically, so you can also do
it that way.

If you want to do this with some tricky vintage outboard gear (or even with
a software plugin which doesn't allow for it), you could try something like
this. You'll need two compressors for this, one of them with a sidechain.

Feed both your compressors with your wanted signal. Connect the out of
compressor 2 to the SC in of compressor 1.
Now set (to go back to the example values from my original post) compressor
1 to threshold -30dB, ratio 2:1. Set compressor 2 to threshold -20dB, ratio
inf:1 (i.e. limiting).

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 13:43:23 2007
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--Apple-Mail-7-682501317
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are you on the magnatone list too Teddy?  I thought I saw your name 
there today!

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 14-Apr-07, at 5:08 AM, Teddy wrote:


--Apple-Mail-7-682501317
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are you on the magnatone list too Teddy?  I thought I saw your name
there today!


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 14-Apr-07, at 5:08 AM, Teddy wrote:



--Apple-Mail-7-682501317--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 13:45:12 2007
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>> separate sub channels. Each sub channel is then armored with 
>> a low cut and high cut filters to enable only a certain 
> 
> these eqs have quite a frequency-dependant effect on the signal's phase, so
> you get a phase washup all the way. For that reason, Waves did the LinMB
> compressor which compensates for the eqs phase shifts.
> 
> 	Rainer

Software multiband compressors use filters with linear phase response (always FIR type), so they don't have to compensate.

A similar strategy would work with home grown multibanding, though unfortunately most digital filters don't have linear phase (being IIR type).

andy butler   

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 14:51:28 2007
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 into a guitar amp
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"Intel has created probably the world's first super-charged guitar that 
will allow you to surf the web in-between songs."

This HAS to be an entry from one of those unuseless Japanese invention 
books that brought us the umbrella hat and the roll-on butter stick.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> http://www.pocket-lint.co.uk/news/news.phtml/1985/3009/view.phtml

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Imagine : in the middle of a gig : "DINGDONG - new mail arrived"... :-)


-----Original Message-----
From: Daryl Shawn [mailto:highhorse@mhorse.com] 
Sent: zaterdag 14 april 2007 16:51
To: Loopers-Delight@loopers-delight.com
Subject: Re: I think some of you guys are going to love this--a computer
built into a guitar amp

"Intel has created probably the world's first super-charged guitar that will
allow you to surf the web in-between songs."

This HAS to be an entry from one of those unuseless Japanese invention books
that brought us the umbrella hat and the roll-on butter stick.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> http://www.pocket-lint.co.uk/news/news.phtml/1985/3009/view.phtml

--
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From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 15:05:16 2007
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Date: Sat, 14 Apr 2007 08:05:11 -0700
From: "Nic Roozeboom" <nicroozeboom@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Mastering music
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------=_Part_24344_7356726.1176563111135
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>
> I read this interview with Bob Orban (of Orban, who do processors for
> radio
> stations) that US radio stations had been discussing putting out a maximum
> rating for a peak-to-RMS value for music which is allowed to be played on
> the radio. As a matter of fact, such "overlimited" material poses a
> serious
> problem to these broadcast processors as well.
>

If I'm not mistaken, there is a contradiction here. A maximum peak-to-RMS
value would actually favor "overlimited" material, not reject it.

A high peak-to-RMS ratio means large dynamic range. Compressors & limiters
bring the peak material relatively closer to the RMS.

Plus, I thought it ironic since radio had a large part in favoring
"overlimiting" in the first place & over the years, ad nauseam. Which began
innocently enough with the desire to preserve pure transmission
signal-to-noise ratio.

Best,
Nic

------=_Part_24344_7356726.1176563111135
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<blockquote style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;" class="gmail_quote">I read this interview with Bob Orban (of Orban, who do processors for radio<br>stations) that US radio stations had been discussing putting out a maximum
<br>rating for a peak-to-RMS value for music which is allowed to be played on<br>the radio. As a matter of fact, such &quot;overlimited&quot; material poses a serious<br>problem to these broadcast processors as well.<br></blockquote>
<br>If I&#39;m not mistaken, there is a contradiction here. A maximum peak-to-RMS value would actually <span style="font-style: italic;">favor</span> &quot;overlimited&quot; material, not reject it.<br><br>A high peak-to-RMS ratio means large dynamic range. Compressors &amp; limiters bring the peak material relatively closer to the RMS.
<br><br>Plus, I thought it ironic since radio had a large part in favoring &quot;overlimiting&quot; in the first place &amp; over the years, ad nauseam. Which began innocently enough with the desire to preserve pure transmission signal-to-noise ratio.
<br><br>Best,<br>Nic<br><br><br>

------=_Part_24344_7356726.1176563111135--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 15:47:46 2007
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Date: Sat, 14 Apr 2007 11:49:24 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: mindSpiral
To: ASMID Yahoogroups List <ambientspacemusicinfodump@yahoogroups.com>,
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Greetings,

The week preceeding Easter, I spent in Boulder, Colorado, taking part in 
Mike Metlay's third incarnation of mindSpiral, i.e. mind3Spiral, 
consisting of Mike Metlay, John Rossi III, and me.  The week culminated 
in a concert at the Fiske planetarium on Saturday, 7 April.  Please 
direct your browsers and your attention to http://www.mindspiral.com if 
you have a moment.  Among the new delights you'll find there:

- short audio excerpts from ALL tracks in the live mind3Spiral show from 
last Saturday night
- photos from the show, including a sneak peek at one of the coolest new 
scientific exhibits anywhere, courtesy of the computer-modeling geniuses 
at NOAA and NCAR
- a set of photos from last year's mind2Spiral show, including 
performance shots in the dome
- a couple of not terribly well hidden easter eggs

Tonight on StillStream.com's Blue Water Drift Dive show, there will be 
an exclusive premiere of one or more full-length tracks from the 
concert.  These may be released on an album.  (Discussions are in 
progress.)  I'll be hanging out in the station's chat room to answer 
questions, too.  <http://stillstream.com> has all the details for 
listening and chatting.

Looping, analog emulations, processed guitars, an actual ROMpler, and 
lots of other yummie stuff went into the making of this music.  No 
engangered wild North American Semiconductors were harmed during the 
making of this music, although Massive did blow up Chainer at one point 
during the show.

Thanks for your attention,

Bill

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 17:11:16 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: mindSpiral
Date: Sat, 14 Apr 2007 10:11:05 -0700
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nice!

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 14-Apr-07, at 8:49 AM, Bill Fox wrote:

> Greetings,
>
> The week preceeding Easter, I spent in Boulder, Colorado, taking part 
> in Mike Metlay's third incarnation of mindSpiral, i.e. mind3Spiral, 
> consisting of Mike Metlay, John Rossi III, and me.  The week 
> culminated in a concert at the Fiske planetarium on Saturday, 7 April. 
>  Please direct your browsers and your attention to 
> http://www.mindspiral.com if you have a moment.  Among the new 
> delights you'll find there:
>
> - short audio excerpts from ALL tracks in the live mind3Spiral show 
> from last Saturday night
> - photos from the show, including a sneak peek at one of the coolest 
> new scientific exhibits anywhere, courtesy of the computer-modeling 
> geniuses at NOAA and NCAR
> - a set of photos from last year's mind2Spiral show, including 
> performance shots in the dome
> - a couple of not terribly well hidden easter eggs
>
> Tonight on StillStream.com's Blue Water Drift Dive show, there will be 
> an exclusive premiere of one or more full-length tracks from the 
> concert.  These may be released on an album.  (Discussions are in 
> progress.)  I'll be hanging out in the station's chat room to answer 
> questions, too.  <http://stillstream.com> has all the details for 
> listening and chatting.
>
> Looping, analog emulations, processed guitars, an actual ROMpler, and 
> lots of other yummie stuff went into the making of this music.  No 
> engangered wild North American Semiconductors were harmed during the 
> making of this music, although Massive did blow up Chainer at one 
> point during the show.
>
> Thanks for your attention,
>
> Bill
>

--Apple-Mail-1-694969920
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	charset=US-ASCII

nice!


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 14-Apr-07, at 8:49 AM, Bill Fox wrote:


<excerpt>Greetings,


The week preceeding Easter, I spent in Boulder, Colorado, taking part
in Mike Metlay's third incarnation of mindSpiral, i.e. mind3Spiral,
consisting of Mike Metlay, John Rossi III, and me.  The week
culminated in a concert at the Fiske planetarium on Saturday, 7 April. 
Please direct your browsers and your attention to
http://www.mindspiral.com if you have a moment.  Among the new
delights you'll find there:


- short audio excerpts from ALL tracks in the live mind3Spiral show
from last Saturday night

- photos from the show, including a sneak peek at one of the coolest
new scientific exhibits anywhere, courtesy of the computer-modeling
geniuses at NOAA and NCAR

- a set of photos from last year's mind2Spiral show, including
performance shots in the dome

- a couple of not terribly well hidden easter eggs


Tonight on StillStream.com's Blue Water Drift Dive show, there will be
an exclusive premiere of one or more full-length tracks from the
concert.  These may be released on an album.  (Discussions are in
progress.)  I'll be hanging out in the station's chat room to answer
questions, too.  <<http://stillstream.com> has all the details for
listening and chatting.


Looping, analog emulations, processed guitars, an actual ROMpler, and
lots of other yummie stuff went into the making of this music.  No
engangered wild North American Semiconductors were harmed during the
making of this music, although Massive did blow up Chainer at one
point during the show.


Thanks for your attention,


Bill


</excerpt>
--Apple-Mail-1-694969920--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 19:04:39 2007
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From: "samba -" <sambacomet@hotmail.com>
To: org.opn.lists.ocfdiscuss@lists.opn.org
Subject: Broadcast Treaty very very bad
Date: Sat, 14 Apr 2007 12:04:34 -0700
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BoingBoing:

Public hearing on Broadcast Treaty in DC, May 9
The US Patent and Trademark Office is holding public hearings on May 9 to 
discuss the US position on the WIPO Broadcast Treaty -- you can attend and 
even speak.

The Broadcast Treaty is a proposal to let broadcasters (and "webcasters" -- 
people who host files and make them available to the Internet) claim a 
copyright to the stuff that they transmit. Broadcasters get this special 
right even if the stuff they're sending around is in the public domain, or 
Creative Commons licensed, or not copyrightable (like CSPAN's broadcasts of 
Congress). Fair use doesn't apply to this right.

What this means is that a handful of corporations are going to be able to 
claim copyrights over billions of works they didn't create -- works that 
they've done nothing to improve, works they've done nothing for except 
electromagnetically modulating them.

What this means is that these corporations are going to be able to trump the 
rights of actual creators. If you put a Creative Commons license on your 
video that allows your fans to share it, the "broadcaster" -- or the person 
who transmits it over the Web -- can override your wishes and tell your fans 
that they can't.

This is a proposed UN treaty, and the US position on it keeps wavering. The 
tech sector recently woke up and told the government off for selling them 
out in Geneva, critically wounding the Treaty's prospects. With a little 
help, it could die altogether.

    Persons wishing to attend and observe or participate in the roundtable 
are required to submit requests to observe the roundtable or participate, 
preferably by electronic mail through the Internet to sking@loc.gov. 
Alternatively, you may submit requests by facsimile at 2027078366 or via 
regular mail to: U.S. Copyright Office, Copyright GC/I&R, P.O. Box 70400, 
Southwest Station, Washington, DC 20024, marked to the attention of Simone 
King. Please be aware that delivery of mail (U.S. Postal Service and private 
carrier) sent to the U.S. Copyright Office is subject to delay. Therefore, 
it is strongly suggested that any request to observe or participate be made 
via email or fax. Requests to observe the roundtable or to participate as a 
member of the roundtable must indicate the following information:

    1. The name of the person, including whether it is your intention to 
observe the roundtable or to participate as a member of the roundtable;

    2. The organization or organizations represented by that person, if any;

    3. Contact information (address, telephone, and email);

    4. Information on the specific focus or interest of the observer or 
participant (or his or her organization) and any questions or issues you 
would like to raise.

    The deadline for receipt of requests to observe or participate in the 
roundtable is 5:00 p.m. on Friday, May 4, 2007. If we receive so many 
requests that we reach the rooms capacity, attendance will be granted in 
the order the requests were received.

Link (Thanks, Dan!)

See also:
US Senate: Broadcast Treaty subverts copyright!
WIPO Broadcast Treaty: consolidated three-day notes
UN cooking podcast-killing treaty
URGENT: Podcasters act now to stop anti-podcasting UN treaty!
America to US gov't: kill the Broadcast Treaty!
US copyright head: world "totally rejects" webcasting restrictions
Secret WIPO memo: rich countries to kill Broadcast Treaty, Development 
Agenda
WIPO wants to give webcasters the right to steal from public domain, 
Creative Commons and GPL
WIPO anti-podcasting treaty refuses to die
European podcasters to WIPO: Stay away from us!
Copyright treaty laid bare: watch your governments make sausage!
Financial Times: WIPO's webcaster treaty is a disaster
Podcasting saved from the UN -- for now
Tech companies tell WIPO: we don't want your "protection"

posted by Cory Doctorow at 09:51:41 AM permalink | blogs' comments

_________________________________________________________________
Exercise your brain! Try Flexicon. 
http://games.msn.com/en/flexicon/default.htm?icid=flexicon_hmemailtaglineapril07

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 19:21:31 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Broadcast Treaty very very bad
Date: Sat, 14 Apr 2007 21:21:23 +0200
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On 14 apr 2007, at 21.04, samba - wrote:

> BoingBoing:
>
> Public hearing on Broadcast Treaty in DC, May 9
> The US Patent and Trademark Office is holding public hearings on  
> May 9 to discuss the US position on the WIPO Broadcast Treaty --  
> you can attend and even speak.
>
> The Broadcast Treaty is a proposal to let broadcasters (and  
> "webcasters" -- people who host files and make them available to  
> the Internet) claim a copyright to the stuff that they transmit.  
> Broadcasters get this special right even if the stuff they're  
> sending around is in the public domain, or Creative Commons  
> licensed, or not copyrightable (like CSPAN's broadcasts of  
> Congress). Fair use doesn't apply to this right.
>
> What this means is that a handful of corporations are going to be  
> able to claim copyrights over billions of works they didn't create  
> -- works that they've done nothing to improve, works they've done  
> nothing for except electromagnetically modulating them.
>
> What this means is that these corporations are going to be able to  
> trump the rights of actual creators. If you put a Creative Commons  
> license on your video that allows your fans to share it, the  
> "broadcaster" -- or the person who transmits it over the Web -- can  
> override your wishes and tell your fans that they can't.
>
> This is a proposed UN treaty, and the US position on it keeps  
> wavering. The tech sector recently woke up and told the government  
> off for selling them out in Geneva, critically wounding the  
> Treaty's prospects. With a little help, it could die altogether.


Holy Shit! I could never have imagined that coming up... I know  
about, and think it makes sense, when the author "sells" the  
copyright of media music especially designed for a certain tv show,  
advertisement spot etc, but this new treaty seems just crazy!  
Attempted robbery.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 21:35:40 2007
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Oh man..would have loved to have seen that.  I'm heading down to Denver 
soon.  Metlay and Rossi were big posters in the old rec.music.synth 
group when I first joined way way back there near it's conception.   Any 
other upcoming events?  Planning to bring my Memorymoog and a Karma down 
this time anticipating any possible gigs :-) -Bob

Bill Fox wrote:

> Greetings,
>
> The week preceeding Easter, I spent in Boulder, Colorado, taking part 
> in Mike Metlay's third incarnation of mindSpiral, i.e. mind3Spiral, 
> consisting of Mike Metlay, John Rossi III, and me.  The week 
> culminated in a concert at the Fiske planetarium on Saturday, 7 
> April.  Please direct your browsers and your attention to 
> http://www.mindspiral.com if you have a moment.  Among the new 
> delights you'll find there:
>
> - short audio excerpts from ALL tracks in the live mind3Spiral show 
> from last Saturday night
> - photos from the show, including a sneak peek at one of the coolest 
> new scientific exhibits anywhere, courtesy of the computer-modeling 
> geniuses at NOAA and NCAR
> - a set of photos from last year's mind2Spiral show, including 
> performance shots in the dome
> - a couple of not terribly well hidden easter eggs
>
> Tonight on StillStream.com's Blue Water Drift Dive show, there will be 
> an exclusive premiere of one or more full-length tracks from the 
> concert.  These may be released on an album.  (Discussions are in 
> progress.)  I'll be hanging out in the station's chat room to answer 
> questions, too.  <http://stillstream.com> has all the details for 
> listening and chatting.
>
> Looping, analog emulations, processed guitars, an actual ROMpler, and 
> lots of other yummie stuff went into the making of this music.  No 
> engangered wild North American Semiconductors were harmed during the 
> making of this music, although Massive did blow up Chainer at one 
> point during the show.
>
> Thanks for your attention,
>
> Bill
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 00:34:16 2007
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From: Ronan Chris Murphy <looper@venetowest.com>
Subject: Re: Mastering music
Date: Sat, 14 Apr 2007 17:34:11 -0700
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--Apple-Mail-9-721556393
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One note of clarity / geek talk:

Extreme loudness, that thing that makes the waveform of a new album's  
look like a solid block with no discernible dynamic is a result of  
digital brick wall limiting, a process that completely flattens out  
any peak that exceeds the user defined threshold (L2, Finalizer,  
Oxford Inflator, Massey L2007..). This process does not exist in the  
analog world. Compression and limiting (limiting just means  
compression with a high ratio) in the analog world always allows at  
least a small amount of the transients to pass through the processor  
unattenuated.

Many people will make the mistake of thinking that tons of  
compression on recordings is a new thing. that might be the case if  
you consider the Beatles Sgt. Peppers to be a new recording.  Heavy  
compression has been a staple of popular recording techniques for  
several decades, it has both creative applications as well a way to  
manage a few problems inherent in analog recording and reproduction  
methods.

It is not my belief that look ahead brick wall limiting is always  
bad. It is part of almost every record I make, but it often gets used  
inappropriately , either over used or used on content that is not  
benefitted by it. My reason for throwing out a warning about  
compression and limiting in my previous post is that a lot of looping  
music (especially soundscapes or textural stuff) can really be harmed  
by poor application of limiting or especially multi-band compression  
because they can compromise a lot of the natural dynamics between  
frequency ranges that can be part of a tunes evolution.

On a quick plug, if you are looking for a brick wall limiter, the  
best I have found it the Massey L2007, which sells for about $75-USD.


Ronan Chris Murphy
www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes,  
Steve Morse, Nels Cline, Terry Bozzio, CGT...)
www.homerecordingbootcamp.com (Workshops around the world teaching  
the art and craft of recording )
www.livesofthesaints.net (The hottest ambient noise duo since Sonny &  
Cher)



--Apple-Mail-9-721556393
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	charset=ISO-8859-1

<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV>One note of clarity / geek =
talk:</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>Extreme =
loudness, that thing that makes the waveform of a new album's look like =
a solid block with no=A0discernible dynamic=A0is a result of digital =
brick wall limiting, a process that completely flattens out any peak =
that exceeds the user defined threshold (L2, Finalizer, Oxford Inflator, =
Massey L2007..). This process does not exist in the analog world. =
Compression and limiting (limiting just means compression with a high =
ratio) in the analog world always allows at least a small amount of the =
transients to pass through the processor unattenuated.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Many people will make the =
mistake of thinking that tons of compression on recordings is a new =
thing. that might be the case if you consider the Beatles Sgt. Peppers =
to be a new recording.=A0 Heavy compression has been a staple of popular =
recording techniques for several decades, it has both creative =
applications as well a way to manage a few problems=A0inherent=A0in =
analog recording and reproduction methods.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>It is not my belief that =
look ahead brick wall limiting is always bad. It is part of almost every =
record I make, but it often gets used=A0inappropriately=A0, either over =
used or used on content that is not=A0benefitted by it. My reason for =
throwing out a warning about=A0compression and limiting in my previous =
post is that a lot of looping music (especially soundscapes or textural =
stuff) can really be harmed by poor application of limiting =
or=A0especially=A0multi-band compression because they can=A0compromise a =
lot of the natural dynamics between frequency ranges that can be part of =
a tunes=A0evolution.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>On a quick plug, if you are =
looking for a brick wall limiter, the best I have found it the Massey =
L2007, which sells for about $75-USD.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR><DIV> <P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Comic Sans MS" size=3D"4" =
style=3D"font: 13.0px Comic Sans MS">Ronan Chris Murphy</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Comic Sans MS" =
size=3D"4" style=3D"font: 13.0px Comic Sans MS">www.venetowest.com =
(Production &amp; mixing: King Crimson, Chucho Valdes, Steve Morse, Nels =
Cline, Terry Bozzio, CGT...)</FONT></P> <P style=3D"margin: 0.0px 0.0px =
0.0px 0.0px"><FONT face=3D"Comic Sans MS" size=3D"4" style=3D"font: =
13.0px Comic Sans MS">www.homerecordingbootcamp.com (Workshops around =
the world teaching the art and craft of recording )</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Comic Sans MS" =
size=3D"4" style=3D"font: 13.0px Comic Sans MS">www.livesofthesaints.net =
(The hottest ambient noise duo since Sonny &amp; Cher)</FONT></P>  =
</DIV><BR><DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV></DIV></BODY></HTML>=

--Apple-Mail-9-721556393--

From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 10:20:31 2007
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Ronan Chris Murphy wrote:
> Many people will make the mistake of thinking that tons of compression 
> on recordings is a new thing. 

What's new is that there's now a well defined ceiling at 0dB.
(leading to the volume wars)

> On a quick plug, if you are looking for a brick wall limiter, the best I 
> have found it the Massey L2007, which sells for about $75-USD.

They have a usable free version for download :-)
The plug's only for Pro-Tools :-(

> Ronan Chris Murphy

andy butler

From thomaskabore090@hotmail.fr  Sun Apr 15 13:47:29 2007
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To: undisclosed-recipients:;

MR.THOMAS KABORE
OUAGOUDOUGOU,
BURKINA FASO
00226 76-04-27-42

Dear friend,

RE: TRANSFER OF ($39,500.000.00 USD THIRTY NINE MILLION FIVE HUNDRED 
THOUSAND DOLLARS)

We want to transfer to overseas the sum of ($39,500.000.00USD) Thirty Nine 
Million Five Hundred Thousand UnitedStates Dollars) from a Prime Bank in 
Africa. I would like to ask you to quietly look for a reliable and honest 
person who will be capable and fit to provide either an existingbank
account or to set up a new Bank a/c immediately to receive this money, even 
an
empty a/c can serve as far as it can receive money.

I am Mr.THOMAS KABORE. an accountant and personal confidant to Dr. Ravindra 
F. Shah who died
together with his wife Dr.Mrs. Manjula Parikh-Shah in a plane crash onthe 
1st Oct. 2003 on their way to attend wedding in Boston.

Mr. Ravindra F. Shah, is an American, a physician andindustrialist, he died 
without having any
beneficiary to his assets including his account here in Burkina Faso which 
he opened in the year 2000 as his personal savings for the purpose of 
expansion and developement of his company before his untimely death in 2003.

The amount involved is (USD 39,500,000.00)Thirty Nine Million Five Hundred 
Thousand USD, no other person knows about this account. I am contacting you 
for us to transfer this funds to your account as the beneficiary, I want to 
first transfer $9,500.000.00 (Nine Million Five Hundred Thousand USD) from 
this money into a safe account abroad, after which we will transfer the
remaining (30M)but I don't know any foreigner. I am only contacting you as a 
foreigner because this money can not be approved to alocal person here, 
without valid international foreign passport, but can only be approved to 
any foreigner with valid international passport or drivers license and
foreign a/c because the money is in US Dollars and the former owner of the 
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MR.THOMAS KABORE

_________________________________________________________________
Windows Live Spaces : créez votre blog à votre image ! 
http://www.windowslive.fr/spaces

From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 13:56:26 2007
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From: Bill Fox <billyfox@soundscapes.us>
Subject: Re: mindSpiral
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Hi Bob,

There are no plans for public performance that I know of in the near 
future.  The yearly show at the Fiske in April has always been 
endangered by the weather.  This year's show was almost canceled!  It 
wasn't but the weather kept attendance low.  As a result, there's a push 
to move the show to a time when weather will not be a factor.  
mind4Spiral is in the planning stages.  I don't know who Mike has 
invited but I do kow that it is intended to be a studio effort instead 
of a performance effort.

Heading down to Denver from where?  Do you know about the Ricochet 
Gathering in Yellowstone this August?

Cheers,

Bill

Bob Weigel wrote:
> Oh man..would have loved to have seen that.  I'm heading down to 
> Denver soon.  Metlay and Rossi were big posters in the old 
> rec.music.synth group when I first joined way way back there near it's 
> conception.   Any other upcoming events?  Planning to bring my 
> Memorymoog and a Karma down this time anticipating any possible gigs 
> :-) -Bob
>
> Bill Fox wrote:
>> The week preceeding Easter, I spent in Boulder, Colorado, taking part 
>> in Mike Metlay's third incarnation of mindSpiral, i.e. mind3Spiral, 
>> consisting of Mike Metlay, John Rossi III, and me.  The week 
>> culminated in a concert at the Fiske planetarium on Saturday, 7 
>> April.  Please direct your browsers and your attention to 
>> http://www.mindspiral.com if you have a moment.  Among the new 
>> delights you'll find there: ...

From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 14:43:52 2007
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Unfortunately, I see us losing most of these battles and having to
refight them in 20 years and get them right.

In the United States where I live (today -- I just visited Budapest
and am thinking of moving there for a bit, any thoughts on that?  the
music scene around New York is in a sad state...), there is a
provision in the Constitution that more or less says that all rights
not described in the Constitution revert to the People.

Unfortunately, the United States and much of the rest of the world
seem to have forgotten this idea -- that copyrights, trademarks and
patents were originally explicitly intended as rights granted for a
limited period in order to increase the Public good.

At some point, there's going to have to be a dramatic recapture of our
rights when we sort all this mess out again, assuming we don't go all
1984 forever.  For the moment, I think we have to expect things like
the Broadcast Treaty -- not that it absolves us from fighting against
such bad laws, no use in making it easy for 'em.

On 4/14/07, Per Boysen <perboysen@gmail.com> wrote:
> On 14 apr 2007, at 21.04, samba - wrote:
>
> > BoingBoing:
> >
> > Public hearing on Broadcast Treaty in DC, May 9
> > The US Patent and Trademark Office is holding public hearings on
> > May 9 to discuss the US position on the WIPO Broadcast Treaty --
> > you can attend and even speak.
> >
> > The Broadcast Treaty is a proposal to let broadcasters (and
> > "webcasters" -- people who host files and make them available to
> > the Internet) claim a copyright to the stuff that they transmit.
> > Broadcasters get this special right even if the stuff they're
> > sending around is in the public domain, or Creative Commons
> > licensed, or not copyrightable (like CSPAN's broadcasts of
> > Congress). Fair use doesn't apply to this right.
> >
> > What this means is that a handful of corporations are going to be
> > able to claim copyrights over billions of works they didn't create
> > -- works that they've done nothing to improve, works they've done
> > nothing for except electromagnetically modulating them.
> >
> > What this means is that these corporations are going to be able to
> > trump the rights of actual creators. If you put a Creative Commons
> > license on your video that allows your fans to share it, the
> > "broadcaster" -- or the person who transmits it over the Web -- can
> > override your wishes and tell your fans that they can't.
> >
> > This is a proposed UN treaty, and the US position on it keeps
> > wavering. The tech sector recently woke up and told the government
> > off for selling them out in Geneva, critically wounding the
> > Treaty's prospects. With a little help, it could die altogether.
>
>
> Holy Shit! I could never have imagined that coming up... I know
> about, and think it makes sense, when the author "sells" the
> copyright of media music especially designed for a certain tv show,
> advertisement spot etc, but this new treaty seems just crazy!
> Attempted robbery.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://tinyurl.com/2kek7h (CC donationware music releases)
>
>
>


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

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From: Richard Sales <richard@glasswing.com>
Subject: Re: Broadcast Treaty very very bad
Date: Sun, 15 Apr 2007 10:03:26 -0700
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Well spoken, Tom

Well... things SEEM to be improving a bit in the US.  At least the John 
Wayne Rambo movie seems to be changing plot a bit which is a good sign. 
  Of course, we can only hope that it's not Alfred Hitchcock or Stephen 
King writing the plot with yet another, even darker twist coming.

For what it's worth, I really love Canada.  A sweet change from the US 
but not so radical that it's disorienting.  I'd think there'd be a lot 
of opportunity here for a guy with your credentials.  And the igloos 
aren't too expensive!  The real down side is, beer is.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 15-Apr-07, at 7:43 AM, Tom Ritchford wrote:

> Unfortunately, I see us losing most of these battles and having to
> refight them in 20 years and get them right.
>
> In the United States where I live (today -- I just visited Budapest
> and am thinking of moving there for a bit, any thoughts on that?  the
> music scene around New York is in a sad state...), there is a
> provision in the Constitution that more or less says that all rights
> not described in the Constitution revert to the People.
>
> Unfortunately, the United States and much of the rest of the world
> seem to have forgotten this idea -- that copyrights, trademarks and
> patents were originally explicitly intended as rights granted for a
> limited period in order to increase the Public good.
>
> At some point, there's going to have to be a dramatic recapture of our
> rights when we sort all this mess out again, assuming we don't go all
> 1984 forever.  For the moment, I think we have to expect things like
> the Broadcast Treaty -- not that it absolves us from fighting against
> such bad laws, no use in making it easy for 'em.
>
> On 4/14/07, Per Boysen <perboysen@gmail.com> wrote:
>> On 14 apr 2007, at 21.04, samba - wrote:
>>
>> > BoingBoing:
>> >
>> > Public hearing on Broadcast Treaty in DC, May 9
>> > The US Patent and Trademark Office is holding public hearings on
>> > May 9 to discuss the US position on the WIPO Broadcast Treaty --
>> > you can attend and even speak.
>> >
>> > The Broadcast Treaty is a proposal to let broadcasters (and
>> > "webcasters" -- people who host files and make them available to
>> > the Internet) claim a copyright to the stuff that they transmit.
>> > Broadcasters get this special right even if the stuff they're
>> > sending around is in the public domain, or Creative Commons
>> > licensed, or not copyrightable (like CSPAN's broadcasts of
>> > Congress). Fair use doesn't apply to this right.
>> >
>> > What this means is that a handful of corporations are going to be
>> > able to claim copyrights over billions of works they didn't create
>> > -- works that they've done nothing to improve, works they've done
>> > nothing for except electromagnetically modulating them.
>> >
>> > What this means is that these corporations are going to be able to
>> > trump the rights of actual creators. If you put a Creative Commons
>> > license on your video that allows your fans to share it, the
>> > "broadcaster" -- or the person who transmits it over the Web -- can
>> > override your wishes and tell your fans that they can't.
>> >
>> > This is a proposed UN treaty, and the US position on it keeps
>> > wavering. The tech sector recently woke up and told the government
>> > off for selling them out in Geneva, critically wounding the
>> > Treaty's prospects. With a little help, it could die altogether.
>>
>>
>> Holy Shit! I could never have imagined that coming up... I know
>> about, and think it makes sense, when the author "sells" the
>> copyright of media music especially designed for a certain tv show,
>> advertisement spot etc, but this new treaty seems just crazy!
>> Attempted robbery.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://tinyurl.com/fauvm (podcast)
>> http://tinyurl.com/2kek7h (CC donationware music releases)
>>
>>
>>
>
>
> -- 
>     /t
>
> http://ax.to ......... extreme NY arts and music calendar
> http://ax.to/tr ....... my secret little little...
> http://ax.to/radio ... my little radio station (on intermittently)
>

--Apple-Mail-3-780911428
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

Well spoken, Tom


Well... things SEEM to be improving a bit in the US.  At least the
John Wayne Rambo movie seems to be changing plot a bit which is a good
sign.  Of course, we can only hope that it's not Alfred Hitchcock or
Stephen King writing the plot with yet another, even darker twist
coming. 


For what it's worth, I really love Canada.  A sweet change from the US
but not so radical that it's disorienting.  I'd think there'd be a lot
of opportunity here for a guy with your credentials.  And the igloos
aren't too expensive!  The real down side is, beer is.


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 15-Apr-07, at 7:43 AM, Tom Ritchford wrote:


<excerpt>Unfortunately, I see us losing most of these battles and
having to

refight them in 20 years and get them right.


In the United States where I live (today -- I just visited Budapest

and am thinking of moving there for a bit, any thoughts on that?  the

music scene around New York is in a sad state...), there is a

provision in the Constitution that more or less says that all rights

not described in the Constitution revert to the People.


Unfortunately, the United States and much of the rest of the world

seem to have forgotten this idea -- that copyrights, trademarks and

patents were originally explicitly intended as rights granted for a

limited period in order to increase the Public good.


At some point, there's going to have to be a dramatic recapture of our

rights when we sort all this mess out again, assuming we don't go all

1984 forever.  For the moment, I think we have to expect things like

the Broadcast Treaty -- not that it absolves us from fighting against

such bad laws, no use in making it easy for 'em.


On 4/14/07, Per Boysen <<perboysen@gmail.com> wrote:

<excerpt>On 14 apr 2007, at 21.04, samba - wrote:


> BoingBoing:

>

> Public hearing on Broadcast Treaty in DC, May 9

> The US Patent and Trademark Office is holding public hearings on

> May 9 to discuss the US position on the WIPO Broadcast Treaty --

> you can attend and even speak.

>

> The Broadcast Treaty is a proposal to let broadcasters (and

> "webcasters" -- people who host files and make them available to

> the Internet) claim a copyright to the stuff that they transmit.

> Broadcasters get this special right even if the stuff they're

> sending around is in the public domain, or Creative Commons

> licensed, or not copyrightable (like CSPAN's broadcasts of

> Congress). Fair use doesn't apply to this right.

>

> What this means is that a handful of corporations are going to be

> able to claim copyrights over billions of works they didn't create

> -- works that they've done nothing to improve, works they've done

> nothing for except electromagnetically modulating them.

>

> What this means is that these corporations are going to be able to

> trump the rights of actual creators. If you put a Creative Commons

> license on your video that allows your fans to share it, the

> "broadcaster" -- or the person who transmits it over the Web -- can

> override your wishes and tell your fans that they can't.

>

> This is a proposed UN treaty, and the US position on it keeps

> wavering. The tech sector recently woke up and told the government

> off for selling them out in Geneva, critically wounding the

> Treaty's prospects. With a little help, it could die altogether.



Holy Shit! I could never have imagined that coming up... I know

about, and think it makes sense, when the author "sells" the

copyright of media music especially designed for a certain tv show,

advertisement spot etc, but this new treaty seems just crazy!

Attempted robbery.


Greetings from Sweden


Per Boysen

www.boysen.se (Swedish)

www.looproom.com (international)

http://tinyurl.com/fauvm (podcast)

http://tinyurl.com/2kek7h (CC donationware music releases)




</excerpt>


-- 

    /t


http://ax.to ......... extreme NY arts and music calendar

http://ax.to/tr ....... my secret little little...

http://ax.to/radio ... my little radio station (on intermittently)


</excerpt>
--Apple-Mail-3-780911428--

From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 17:56:23 2007
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Subject: Re: I think some of you guys are going to love this--a computer built into
 a guitar amp
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Great article. Thanks!



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"Art Simon" <simart@gmail.com> 
04/13/2007 07:46 PM
Please respond to
Loopers-Delight@loopers-delight.com


To
"Loopers-Delight@loopers-delight.com" 
<loopers-delight@loopers-delight.com>
cc

Subject
I think some of you guys are going to love this--a computer built into a 
guitar amp






I tried to build a "one box" music computer where I could plug my
guitar in straight into the computer. Ultimately, I failed, the noise
from computer made the internal preamp unusable. This project goes one
better--a guy modded an old guitar amp and installed a computer inside
it. It's a couple years old, I can't believe I didn't find it until
today.
http://www.bit-tech.net/modding/2005/11/01/Creative_X-fi_Music_/1.html
I'm salivating, boy I'd love one of these.

-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon



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<br><font size=2 face="sans-serif">Great article. Thanks!</font>
<br><font size=2 face="sans-serif"><br>
<br>
<br>
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<br>
<br>
<br>
<table width=100%>
<tr valign=top>
<td width=40%><font size=1 face="sans-serif"><b>&quot;Art Simon&quot; &lt;simart@gmail.com&gt;</b>
</font>
<p><font size=1 face="sans-serif">04/13/2007 07:46 PM</font>
<table border>
<tr valign=top>
<td bgcolor=white>
<div align=center><font size=1 face="sans-serif">Please respond to<br>
Loopers-Delight@loopers-delight.com</font></div></table>
<br>
<td width=59%>
<table width=100%>
<tr valign=top>
<td>
<div align=right><font size=1 face="sans-serif">To</font></div>
<td><font size=1 face="sans-serif">&quot;Loopers-Delight@loopers-delight.com&quot;
&lt;loopers-delight@loopers-delight.com&gt;</font>
<tr valign=top>
<td>
<div align=right><font size=1 face="sans-serif">cc</font></div>
<td>
<tr valign=top>
<td>
<div align=right><font size=1 face="sans-serif">Subject</font></div>
<td><font size=1 face="sans-serif">I think some of you guys are going to
love this--a computer built into a guitar amp</font></table>
<br>
<table>
<tr valign=top>
<td>
<td></table>
<br></table>
<br>
<br>
<br><font size=2><tt>I tried to build a &quot;one box&quot; music computer
where I could plug my<br>
guitar in straight into the computer. Ultimately, I failed, the noise<br>
from computer made the internal preamp unusable. This project goes one<br>
better--a guy modded an old guitar amp and installed a computer inside<br>
it. It's a couple years old, I can't believe I didn't find it until<br>
today.<br>
http://www.bit-tech.net/modding/2005/11/01/Creative_X-fi_Music_/1.html<br>
I'm salivating, boy I'd love one of these.<br>
<br>
-- <br>
Art Simon<br>
simart@null.net<br>
http://art.simon.tripod.com<br>
http://www.myspace.com/artsimon<br>
<br>
</tt></font>
<br>
--=_alternative 00628C60852572BE_=--

From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 18:30:16 2007
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I'm in Bozeman, MT.  No hadn't heard about that gathering. -Bob

Bill Fox wrote:

> Hi Bob,
>
> There are no plans for public performance that I know of in the near 
> future.  The yearly show at the Fiske in April has always been 
> endangered by the weather.  This year's show was almost canceled!  It 
> wasn't but the weather kept attendance low.  As a result, there's a 
> push to move the show to a time when weather will not be a factor.  
> mind4Spiral is in the planning stages.  I don't know who Mike has 
> invited but I do kow that it is intended to be a studio effort instead 
> of a performance effort.
>
> Heading down to Denver from where?  Do you know about the Ricochet 
> Gathering in Yellowstone this August?
>
> Cheers,
>
> Bill
>
> Bob Weigel wrote:
>
>> Oh man..would have loved to have seen that.  I'm heading down to 
>> Denver soon.  Metlay and Rossi were big posters in the old 
>> rec.music.synth group when I first joined way way back there near 
>> it's conception.   Any other upcoming events?  Planning to bring my 
>> Memorymoog and a Karma down this time anticipating any possible gigs 
>> :-) -Bob
>>
>> Bill Fox wrote:
>>
>>> The week preceeding Easter, I spent in Boulder, Colorado, taking 
>>> part in Mike Metlay's third incarnation of mindSpiral, i.e. 
>>> mind3Spiral, consisting of Mike Metlay, John Rossi III, and me.  The 
>>> week culminated in a concert at the Fiske planetarium on Saturday, 7 
>>> April.  Please direct your browsers and your attention to 
>>> http://www.mindspiral.com if you have a moment.  Among the new 
>>> delights you'll find there: ...
>>
>
>

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Ronan Chris Murphy:

>It is not my belief that look ahead brick wall limiting is always 
>bad. It is part of almost every record I make, but it often gets 
>used inappropriately , either over used or used on content that is 
>not benefitted by it. My reason for throwing out a warning about 
>compression and limiting in my previous post is that a lot of 
>looping music (especially soundscapes or textural stuff) can really 
>be harmed by poor application of limiting or especially multi-band 
>compression because they can compromise a lot of the natural 
>dynamics between frequency ranges that can be part of a tunes evolution.

This is a great point, and one i've witnessed personally just
recently.

Co-lister Hoby and i--under the moniker "Pseudophone"--have
an EP coming out on the free netlable, Negative Sound Institute,
next month.  In the mastering process, the mastering engineer--
who is highly skilled and delivered great final results, i should
say--originally misunderstood one of the pieces in a way that
fits your scenario exactly.

The track is called "The Reach", and is all about the dynamics
of the textures shifting to create a sense of internal vertigo, like
your whole sense of self is tumbling over and over into some
cavernous abyss.  It's comprised entirely of voices and treatments.

The mastering engineer went to work on it using multi-band
compression and slapping a mother of a limiter at a fairly
low threshold, making the resulting track sound like a thick
slate of electronic synthesis--which was interesting in and of
itself, but entirely missed the point of the piece.  The dynamics
were gone, the mystery was gone--cool as the result sounded.

Once we communicated the point of the piece, he understood
and favored more gentle EQ, then perhaps slight multi-band
compression and finally a limiter at a higher threshold, and all the
mystery of the original was back and sounded better than ever.

Point is: the mastering technique needs to apply to what it is
you're doing.  There are other tracks on the EP where his original
method of more aggressive multi-band compression and limiting
worked great.

And as for mastering to 0dB, we found with a primarily ambient
record that the thick clusters of frequencies mastered to such
a level distorted the outputs on some CD players.  We had our
whole project mastered to -1dB--which is a big difference, BTW--
and it works swimmingly.

Peter Koniuto
______________________________
Peter Koniuto
Creative Recordist - Composer
Red Sun Soundroom
Niskayuna, NY

On our hi-fi this week...
http://www.RedSunSoundroom.com/
peter AT RedSunSoundroom.com
______________________________


From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 20:31:07 2007
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>,
	<vaguediscuss@vagueterrain.net>
Subject: 04.24.07 . APRil PiNG > KINDER ATOM + SMASH and TEENY with ADDITV
Date: Sun, 15 Apr 2007 16:31:02 -0400
Organization: THE AMBiENT PiNG
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. APRiL PiNG . CHiLLED ELECTRO-ACOUSTiC NiGHT
  Featuring KINDER ATOM + SMASH and TEENY's=20
  BEE SPACE with visuals by ADDITV
  LiVE iN THE UNDERGROUND @ the DRAKE HOTEL
  TUESDAY APRiL 24TH . 8PM - 11PM . PWYC (5$ suggested)
 =20
. COMiNG iN MAY TO THE PiNG . RADiO iN AMBiENCE -
  A special presentation for DEEP WIRELESS in collaboration with=20
  NEW ADVENTURES IN SOUND ART featuring GEEK WEEKEND with=20
  ROBERT HOARE (Berlin, Germany) & STEVEN SAUV=C9 (Hamilton, ON)=20
  + STEPHEN KELLY and ELEANOR KING (Halifax NS)
  LiVE iN THE UNDERGROUND @ the DRAKE HOTEL
  TUESDAY MAY 22ND . 8PM - 11PM . PWYC (5$ suggested)

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .


04.24.07 . The PiNG Presents CHiLLED ELECTRO-ACOUSTiC NiGHT
Featuring KINDER ATOM + SMASH and TEENY with visuals by ADDITV
@ the UNDERGROUND downstairs @ the DRAKE HOTEL
1150 Queen St. W @ Beaconsfield . W of Ossington . E of Dufferin
TUESDAY APRiL 24TH . 8PM - 11PM . PWYC (5$ suggested)

. 8:30 . BEE SPACE . Smash and Teeny with visuals by Additv
Live electro-acoustic audio/visual improv derived from=20
bees and other insects.

Smash and Teeny are Nilan Perera (altered electric guitar and=20
effects) and Sarah Peebles (laptop, mixing bowls, speaker drivers,=20
and sho mouth-organ). They have performed and recorded as a=20
duo since 2001 in Europe, Canada, the U.S. and Japan, and have=20
performed with John Butcher, Evan Parker, David Toop, Jin Hi Kim,=20
K=F4 Ishikawa, and Darren Copeland, among others. Their double-CD=20
"Gathering" (Spool), has received critical praise from the likes of=20
The Wire, Exclaim! and New York's Downtown Music Gallery.

"The duo mix tidal undulations of tone with the ability to pick
out sharp flecks of texture in complex aural environments."=20
- The Wire

Additv (Rob King) is an artist, researcher and student in the
Communication and Culture masters program at Ryerson.=20
His works have focused on the social interactions between=20
people in an online environment, emergent systems,=20
and digital play.

Smash and Teeny: http://www.sarahpeebles.net/smash.htm
Additv: http://www.e-mu.org

. 9:30 . Kinder Atom, Toronto minimalist electro innovators, land=20
for their first performance at the PiNG as we continue our chilled=20
out SPRiNG FLiNG @ the PiNG.=20

Kinder Atom are the people behind Toronto's nice + smooth ultramedia=20
collective of artists, musicians, dj's and designers fusing their =
talents=20
into one hyper-creative and diverse production agency.=20

Check out Kinder Atom's 4th release of deep electro, jazzy house=20
and dubby chillout grooves which features a free DVD included=20
in the digipak with seven different music videos by various Toronto=20
directors. These visual interpretations of Kinder Atom=92s music=20
embrace nature inspired, layered abstract imagery and colours.=20

The warm organic flavours of Kinder Atom will tempt your senses=20
and soothe your soul as their deep electro, funky, dreamy and=20
gentle ambient sounds fill the PiNG @ the UNDERGROUND.=20
http://www.kinderatom.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .


05.22.07 . The PiNG Presents RADiO iN AMBiENCE -=20
A special presentation for DEEP WIRELESS in collaboration with=20
NEW ADVENTURES IN SOUND ART featuring GEEK WEEKEND with=20
ROBERT HOARE (Berlin Germany) & STEVEN SAUV=C9 (Hamilton ON)=20
+ STEPHEN KELLY and ELEANOR KING (Halifax NS)
@ the UNDERGROUND downstairs @ the DRAKE HOTEL
1150 Queen St. W @ Beaconsfield . W of Ossington . E of Dufferin
TUESDAY MAY 22ND . 8PM - 11PM . PWYC (5$ suggested)

. For the 5th year running, Radio in Ambience transmits from the PiNG.=20
This time out, Toronto/Berlin sound artist Robert Hoare and Hamilton=20
synthguy Steven Sauv=E9 bring their Geek Weekend project back to the =
PiNG.=20
Also along for this year's spin on the radio dial are PiNG newcomers, =
the=20
Halifax duo Stephen Kelly and Eleanor King. Join us as our Deep Wireless =

guests coax the radio ether into an outer-worldly electro ambient chill.

Robert Hoare : http://www.robhoare.de
Steven Sauv=E9: http://www.karmafarm.ca
Stephen Kelly and Eleanor King: http://www.thejustbarelys.ca
http://ckdu.dal.ca/~barelymusic/art.html

. Note that for May, the PiNG breaks from our usual last Tuesday of=20
the month slot @ The Drake Underground so that we can be in the=20
thick of the Deep Wireless festivities by presenting this year's=20
RADiO iN AMBiENCE performance on Tuesday May 22nd.

Explore the New Adventures in Sound Art website for more on=20
Deep Wireless, a month-long celebration of radio and=20
transmission art. http://www.naisa.ca/deepwireless

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .


OTHER PiNG RELATED STUFF:

THiS TUESDAY APRIL 17TH . 9:00PM . STYROHEAD=20
with JIM FIELD & ROB GREENWAY
The Concord Cafe . 937 Bloor St. W.
@ Ossington, steps from Ossington subway.

. Fellow PiNGer, Joe G (Stryrohead) will again be performing at=20
his mini series at The Concord Cafe. For the second in the series,=20
Joe will be spacing out with a couple of other PiNGers, Jim Field=20
(Spacenoiz & Rhea's Obsession) and Rob Greenway (brilliantfish).
http://www.styrohead.com/

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .


THE AMBiENT PiNG is a Toronto based creative community of
audio artists, performers, musicians and visual artists. The PiNG
presents live multimedia performances featuring ambient, electronic,
soundscape, chillout, trip hop, dream pop, downtempo, space,
darkwave, drone and experimental artists from around the world.
http://www.theambientping.com

Tune in anytime to AMBiENT PING RADiO at
http://www.ambientpingradio.com

ViSiT ping things for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 20:43:49 2007
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Date: Sun, 15 Apr 2007 13:35:53 -0700
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Subject: Re: Mastering music
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At 5:34 PM -0700 4/14/07, Ronan Chris Murphy wrote:
>On a quick plug, if you are looking for a brick wall limiter, the 
>best I have found it the Massey L2007, which sells for about $75-USD.

I use that in my Pro Tools system, and it works very well.  I don't 
use it to murder the dynamics of my music, of course, but it's great 
for preparing material for broadcast and other uses.



-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 21:38:55 2007
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Subject: Mastering-aesthetics
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"Point is: the mastering technique needs to apply to what it is
you're doing."

I would apply this to aestheitcs in general,Understanding the intent of the 
piece is important.Nothing worse than trying to play a sweet love song  and 
have the drummer play like he's going to war against demons form the 9th 
dimesion.
  I think critique is essentially only functional when it looks at wether 
the technical means succeed in communicating the intent.

_________________________________________________________________
MSN is giving away a trip to Vegas to see Elton John.  Enter to win today. 
http://msnconcertcontest.com?icid-nceltontagline

From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 21:44:19 2007
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  I would caution ya'll ,don't think this is a done deal.The ball is 
definately still in play,there are some large scale players that are opposed 
to this idea of broadcasters owning content. Writing to your senaotors and 
congressional reps couldn't hurt.Anyone who is a member of ascap bmi,prs 
etc,it couldn't hurt to write them expressing not just opposition ,but ones 
expectation that they will represent your interests by opposing this move. 
Phone calls are better than writing ,of course.

_________________________________________________________________
Download Messenger. Join the im Initiative. Help make a difference today. 
http://im.live.com/messenger/im/home/?source=TAGHM_APR07

From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 21:45:59 2007
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Future of Music Coalition
http://www.futureofmusic.org/index.cfm

_________________________________________________________________
Download Messenger. Join the im Initiative. Help make a difference today. 
http://im.live.com/messenger/im/home/?source=TAGHM_APR07

From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 22:38:52 2007
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dr jekyll: I don't let anyone else do anything to my recordings, by way =
of "mastering", unless they are a broadcaster & need to adapt the =
dynamic range of the material to better suit an acoustically hostile =
listening environment, such as a truck.

mr hyde: I have personally installed & set up several dozens of the =
orban & tc-electronic broadcast "mastering" devices to make the non-US =
mtv channels more "competitive" in the context of other similarly =
treated tv channels, & to even out the differences between various types =
of programme material (commercials, long-form shows & movies with =
dialogue, music videos, cartoons) so as to reduce listener fatigue.

I have always hated "overall" comp-limiting, & especially the multi-band =
variety, but I live in a crowded city & like to stay up late at =
night....

[sigh]

duncan. =20


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<P><FONT SIZE=3D2>dr jekyll: I don't let anyone else do anything to my =
recordings, by way of &quot;mastering&quot;, unless they are a =
broadcaster &amp; need to adapt the dynamic range of the material to =
better suit an acoustically hostile listening environment, such as a =
truck.<BR>
<BR>
mr hyde: I have personally installed &amp; set up several dozens of the =
orban &amp; tc-electronic broadcast &quot;mastering&quot; devices to =
make the non-US mtv channels more &quot;competitive&quot; in the context =
of other similarly treated tv channels, &amp; to even out the =
differences between various types of programme material (commercials, =
long-form shows &amp; movies with dialogue, music videos, cartoons) so =
as to reduce listener fatigue.<BR>
<BR>
I have always hated &quot;overall&quot; comp-limiting, &amp; especially =
the multi-band variety, but I live in a crowded city &amp; like to stay =
up late at night....<BR>
<BR>
[sigh]<BR>
<BR>
duncan.&nbsp;<BR>
<BR>
</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 23:20:21 2007
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Thanks Daryl,
Great title and great review - can I reprint that?=20

***

Also I will be unsubscribing from the list for a couple of weeks as I am
going away with the family for a bit. Will be back early May!
If anyone want to send me a personal email in that time
you are welcome to write to either=20
robmc@bigbutton.com.au
or this email mcdade.rob@slsa.sa.gov.au

cheers
Rob McDade
www.myspace.com/robmcdade


-----Original Message-----
From: Daryl Shawn [mailto:highhorse@mhorse.com]=20

Rob, my title submission:

"Dante Hitchhikes To Vegas"

[brief review]

From Loopers-Delight-request@loopers-delight.com  Mon Apr 16 00:03:49 2007
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Glad you liked it, Rob. Sure, feel free to reprint. In fact, I think I'm 
going to put up a simple page for this and the other reviews I've 
written recently (for Per and Krispen) and keep on reviewing stuff, I 
like writing about interesting music.

On that note, if anyone has things they'd like reviewed, send me a link 
(sorry, can't do physical cds). OFFLIST please. Can be anything, whole 
albums are best but I'll do single tunes too, whatever. I can't promise 
any kind of quick turnaround, and I won't promise a positive review (I 
call it like I sees it!), but I'll listen to anything at all and spit 
out a few words. I'll try to get a page up this week.

Again, send any submissions offlist to highhorse@mhorse.com, please.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Thanks Daryl,
> Great title and great review - can I reprint that?

From Loopers-Delight-request@loopers-delight.com  Mon Apr 16 00:40:38 2007
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>Extreme loudness, that thing that makes the waveform of a new 
>album's look like a solid block with no discernible dynamic is a 
>result of digital brick wall limiting, a process that completely 
>flattens out any peak that exceeds the user defined threshold (L2, 
>Finalizer, Oxford Inflator, Massey L2007..). This process does not 
>exist in the analog world.

Yes it does, and it is used by mastering engineers to this day. It's 
called clipping. It has also won listening tests amoung brickwall 
comparison listening tests.


-- 
...
http://www.zmix.net

From httpd@mail.itmedia.lv  Mon Apr 16 01:02:21 2007
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Subject: IMPORTANT:Security Issues [Incident: 040921]
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<A href="http://www.edseek.org/downloads/file_info/descriptions/boa07/">

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From Loopers-Delight-request@loopers-delight.com  Mon Apr 16 09:40:24 2007
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From: "Stephen Goodman" <spgoodman@earthlight.net>
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Subject: Semi-OT: Music Computer/Hazardous Materials
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"Art Simon" <simart@gmail.com> put forth:
>I tried to build a "one box" music computer where I could plug my
> guitar in straight into the computer. Ultimately, I failed, the noise
> from computer made the internal preamp unusable. This project goes one
> better--a guy modded an old guitar amp and installed a computer inside
> it. It's a couple years old, I can't believe I didn't find it until
> today.
> http://www.bit-tech.net/modding/2005/11/01/Creative_X-fi_Music_/1.html
> I'm salivating, boy I'd love one of these.

Cute idea!  I would say only one negative thing about his implementation: 
The use of MDF (Medium Density Fiberboard) is a source for a good amount of 
dust unless varnished or otherwise coated - and I believe it's still made 
using formaldehyde, which introduces a toxic element should the box get 
overheated.  Remember that a motherboard has to endure temperatures of 40C 
(110F) and above - and so a funky, musky smell would eventually emanate from 
the box.  I know something about MDF after having managed the workmen doing 
the house here.  English workmen (at times a conflict in terms!) will use 
MDF anytime they think they can get away with it - and when it is placed 
next to dissimilar materials like plasterboard or rock wall, cracks in 
separation will result over a short time.

Better to use plywood, which, while a glue is used in making it, we're 
talking layers of wood, and not infused-glue compositing.

<fade to credits>

Thanks for watching This Old PC.  Next week we'll be trashing a Victorian 
mansion's innards and having multiple tea breaks...

Stephen Goodman
*
* Cartoons about DVDs and Stuff
* http://www.earthlight.net/HiddenTrack
* The Loop Of The Week since 1996!
* http://www.earthlight.net/Studios 

From Loopers-Delight-request@loopers-delight.com  Mon Apr 16 12:33:05 2007
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Has anyone here released their music mastered for DTS or 5.1 ?=20

If so, I'd like sme advice: do's and don't.... what to look out =
for...special considerations.. etc.

Thanks!

David=20
http://www.myspace.com/undomusic

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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Has anyone here released their music =
mastered for=20
DTS or 5.1 ? </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>If so, I'd like sme advice: do's and =
don't.... what=20
to look out for...special considerations.. etc.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>David </FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.myspace.com/undomusic">http://www.myspace.com/undomusi=
c</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From servizio@poste.it  Mon Apr 16 13:00:26 2007
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Subject: Caro cliente Poste.it,
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From Loopers-Delight-request@loopers-delight.com  Mon Apr 16 14:20:14 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: DTS / 5.1 - advice, please
Date: Mon, 16 Apr 2007 16:20:02 +0200
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On 17 apr 2007, at 02.32, David Kirkdorffer wrote:

> Has anyone here released their music mastered for DTS

No.

> or 5.1 ?

Yes.

> advice: do's and don't.... what to look out for...special  
> considerations.. etc.

If your material is only music you don't need to use the center  
speaker. That makes it a lot easier to create interesting "rooms"  
within the four ambience speakers by working with dual stereo signals/ 
treatments.

It's natural to think that the best tool is a "software mixer" that  
has a surround panning tool on each track. I too started out with  
that but after some time I found that I could do it much better by  
simply address the surround speakers directly and built whatever  
needed to circle, time delay, "dopplerize" - or whatever needed - the  
sound. I was working in Logic, but any mixer or software would do if  
it just has five (or six) addressable outputs for the speakers.

Get four equal speakers for the mixing and burn DVD-V discs to  
control listen on a medium crappy home theatre movie box with Dolby.

I even made the AC3 files myself and delivered them to the video guy  
who when mastering the movie imports the AC3 file as part of the  
Dolby Surround Sound (or whatever it's called). When making an AC3  
(for DVD-V, DVD-A is a different story) you are given the choice of  
how much to compress. I chose 256 kbps and am totally happy with that  
audio fidelity.

Do not forget to listen to all surround channels mashed into a mono  
bus. You have to watch out with mono compatibility, not only for  
phasing issues but also for musical reasons. You see, everything  
sounds so much better and more distinct in surround so you will  
become tempted to mix with less definition (as in more natural  
sounding), which will eventually may sound mashed up in mono when you  
do not have the direction of sound.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From code147@administrator.hyperoffice.com  Mon Apr 16 17:50:46 2007
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Subject: Attn: Honourable Beneficiary
From: Patrick Mensah <code147@administrator.hyperoffice.com>
To: 
Cc: 
Date: Mon, 16 Apr 2007 17:25:52 +0000 (GMT Standard Time)
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Attn: Honourable Beneficiary=20
                                             =20
       Re: Delivery of Funds to your Designated Address.
=20
Dear Sir/Ma,
=20
This is to inform you that our finance/Security company has been mandated =
by the Presidency of the Republic of Ghana to remit your outstanding =
funding which is in a suspense deposit account here, We shall remit your =
outstanding funds in 2 boxes of consignment.
=20
The management will also like to inform you that our remittance department =
has been receiving different request from different individuals/companies =
for the claims to the funds and a change to the beneficiary status and =
account details.
=20
Recently there was a formal request by Mr.Edward Ringer of Ringer =
Company,Tampa Bay,Florida for the change of your account to Terrace Bank =
through some individuals claiming to be your local representatives here in =
Ghana.
=20
The management will like you to send the following information for the =
successful transfer of your funds and also to avoid the transfer of your =
funds into a different nominated account and wrong beneficiary. The =
information required from you are listed below:
=20
1) Your Full Name
2) Your Full Address for delivery of consignment.
3) Your telephone and fax number.
=20
You are required to get in touch with Mr.John Kwame who is your payment =
officer on (johnkwame_147=40yahoo.it) for further instructions on how your =
funds will be transferred.
=20
There is an option if you want the funds to be brought to you in your =
country then you can advise your payment officer on that issue. Be advised =
that you have fulfilled all financial obligations required from you to get =
your funds transferred into your account.
=20
In regards to the present situation, a lot of people are claiming that you =
gave them authority over your funds and you are therefore advised in your =
own interest to cut off all communications between you and your local =
representatives to avoid the wrongful transfer of your funds into another =
person's account.
=20
The Management will like to apologize on behalf on the Central Government =
of Ghana for the long delay in transfering your funds to you.
=20
On receipt of your mail or phone call to the Payment officer(Mr.John =
Kwame) your funds will leave by our special diplomat within 3 working days.
=20
You are advised to adhere to this instruction.
=20
Congratulations.
=20
Yours Sincerely,
Patrick Mensah

From Loopers-Delight-request@loopers-delight.com  Mon Apr 16 22:32:12 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: FW: Call for Works for the 60x60 project
Date: Mon, 16 Apr 2007 16:32:02 -0600
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Looks like an interesting project for some of you.

Kris

----- Original Message ----- 

> Dear Krispen Hartung,
>
> My name is Robert Voisey I am the Artistic Director of the 60x60 project.
> The project is inviting composers to submit works 60 seconds or less in
> length to included in its fifth annual 60x60 project.
>
> I have attached a call for electronic works to this email.  It would be
> greatly appreciated if you could pass around the call to whomever you 
> think
> might be interested. (It would be great to get a signature work from you
> too!)
>
> Thanks for your help,
>
> Sincerely
>
> Robert Voisey
>
> Call for Works for the 60x60 project
>
> Vox Novus is inviting composers to submit works 60 seconds or less in 
> length
> to included in its fifth annual 60x60 project. 60 compositions will be
> selected to be performed continuously in a one-hour concert, in 
> conjunction
> with multimedia elements and an analog clock marking the passage of time.
> During the concert each of the 60 pieces selected will begin precisely at
> the beginning of the minute, this will mark the end of one piece and the
> beginning of another. There will be no pause between the pieces. Works may
> be less than 60 seconds in length, but may not exceed 60 seconds. Works
> selected that are less than 60 seconds long will be "padded" with silence
> either before, after, or surrounding the composition. Please note that the
> total duration of the work including silence may NOT exceed sixty seconds.
> The 60x60 project's definition of a record work is as follows: any work
> created as a musical composition which is captured on recorded media, 
> which
> does not require live performers for its production in broadcast at 
> concert
> halls, radio, multi-media, etc. Its creation can include but not limited 
> to
> acoustic instruments, voice, environmental sources, and computer 
> (Sampling,
> MIDI, C Sound, ProTools, etc.)
>
> Acoustic compositions should be submitted with the understanding that it 
> is
> their recording that is of prime importance and is what will be used to
> determine its selection. Scores of works are strongly discouraged and will
> not be used in the selection process.
>
> Excerpts of larger works are strongly discouraged. 60x60 is a project of
> "signature works" and short works created specifically for the 60x60
> project. Works generated from procedures (i.e. mathematical matrices,
> organizational systems, or computer programs,) remixed works, or themes 
> and
> motives recomposed from other of the composer's own work are acceptable.
> The call is open to composers of any nationality, age, or career stage.
> Works submitted must not have been previously performed or broadcasted.
> Compact Discs that include the audio submission must be labeled with the
> composer's name and the title of the work. The submission form must be 
> sent
> at the same time with the submitted work. Submission form must contain the
> composer's name, address, email, phone number, composition title,
> composition length, and track position on the compact disc. Biographies 
> and
> program notes may be included on a separate sheet, but must be typed and
> each may be no longer than 100 words in length.
>
> Multiple works may be submitted. Each work must be noted on the submission
> form(s) and clearly indicated on the CD. Do Not send originals! No works
> will be returned, and may be performed in subsequent performances after 
> the
> debut concert. All submissions must be postmarked by May 21, 2007. 
> Selected
> works will be announced on September 17, 2007. Submission of the work(s) 
> on
> compact disc must be accompanied by the submission form and sent to:
> 60x60
> c/o Robert Voisey
> Radio City Station P.O. Box 1607
> New York, NY 10101 USA
>
> Deadline: Submissions must be postmarked by May 21, 2007
>
> Submissions must include: Submission Form (including bio and program 
> notes)
> and a labeled CD containing the submission in audio format. Submission 
> forms
> can be downloaded at http://www.VoxNovus.com/60x60/Call.htm or by written
> request to Vox Novus
>
> Works selected for the 2007 60x60 project will be announced on September 
> 17,
> 2007. Composer will be notified of the results by email or they can visit
> http://www.VoxNovus.com
> Any questions regarding the call for works can be addressed to
> Support@VoxNovus.com or
> 60x60
> Robert Voisey,
> Radio City Station,
> P.O. Box 1607
> New York, New York, 10101 USA
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 10:37:38 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: open internet jam (not part of kybermusik)
Date: Tue, 17 Apr 2007 12:37:51 +0200
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For those of you interested in this:

t-u-b-e, a place in Munich for radiophonic music and art, is having an open
internet session on 4-19 (this Thursday), starting 1800 UTC.

They use their own proprietary VST plugin (available for PC and Mac), which
you can also download from their website.

Check out http://www.t-u-b-e.de/openplug.htm

	Rainer

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 14:01:41 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Sustaniac audio clips (was: Re: LD Fretless track)
Date: Tue, 17 Apr 2007 16:01:30 +0200
To: Guy Joyce <magneticdwarfreptile@yahoo.com>
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On 9 apr 2007, at 21.00, Guy Joyce wrote:

> Hi Per
>
> No, I don't have a sustainiac, but I'm interested to hear what it  
> can do. Post a track when you've done something with it !
>
> Cheers
> Guy


HI Guy,

On friday 13 we recorded some duo improvisations on my Zoom H4.  
Here's one track that shows some sustainiac sound:
http://www.looproom.com/audio/d.mp3

I play fretless Telecaster with the Sustainiac Model C through the  
laptop (in-the-box amp sim, effects and looper). Tryggve Lund, from  
Norway, plays C flute, radio noise and does the throat singing,  
though a Mackie Onyx. Tryggve borrowed my EDP and synced it to my  
Mobius looper software. We  had a stereo pair each of Genenlec 8030A  
that we put up to achieve the same stereo field into the H4 recorder.

Here's another, longer track, with more long sustained glissandi notes:
http://www.looproom.com/audio/b.mp3

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 14:30:32 2007
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Subject: My piano looping video
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My piano looping video is now on youtube:
http://www.youtube.com/watch?v=3DRwktlUZdWlg

fabio
www.eterogeneo.com
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<DIV><FONT face=3D"Book Antiqua" color=3D#000080>My piano looping video =
is now on=20
youtube:</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://www.youtube.com/watch?v=3DRwktlUZdWlg">http://www.youtube.=
com/watch?v=3DRwktlUZdWlg</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>fabio</FONT></DIV>
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href=3D"http://www.eterogeneo.com">www.eterogeneo.com</A></FONT></DIV></B=
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From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 17:17:57 2007
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Date: Tue, 17 Apr 2007 13:17:54 -0400 (EDT)
From: Brent Santin <woodenflutes@yahoo.ca>
Subject: Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
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Hi!

I plan to loop live (flutes, keyboards, vocal sounds),
i.e. on stage.

I've been playing with a very basic looping pedal, and
am really enjoying the results (it's a cheap ZOOM
pedal which is basically is an endless digital delay).
 I regularly set it for about a 2 second delay
(although it can go up to 6 seconds), then record a
short sound like a click and listen to the click
repeat so that I can get a feel for the timing.  I
then layer sounds & beats on top of this.

If find that if I use anything longer than a 2 second
digital delay, it's too long between my reference
clicks to feel the beat, so I keep the delay time
short.

The problem with this short time is that while it's
good for building rhythms, there's not enough time to
put down a good bass line or even more than one chord.

So, I've been considering a looping pedal with a built
in click track/metronome so I can reliably keep my
timing over loops that might be up to four or eight
bars of 4/4 in length.

I need some help in deciding between the Digi-tech
Jam-Man or the BOSS RC-20XL.  Those are the two
looping pedals in my price range with a built in
click-track.

Right off the bat, the Digitech seems to have better
features for the money (especially the flash memory &
USB connections, XLR mic connector).

But it is missing one feature that the BOSS has: the
QUANTIZE function.  I assume that when I press the
STOP RECORDING pedal, this function clips or edits the
end of the sample to match the nearest beat of the
click-track, thereby keeping the sample in sync with
the click-track. i.e. If I recorded a a one bar 4/4
sample that, but was slightly late in hitting the STOP
pedal, QUANTIZE would chop the extra few milliseconds
off the sample so that it would end properly on the
"4" beat.

How important is this feature?  It seems important to
me (just from reading).

The Digitech Jam-Man does not offer this function.  So
does that mean if I do not hit the STOP RECORDING
pedal at the exact end-beat the click-track provides,
my loops will eventually drift away from the metronome
timing?

This is my main concern.  I need my loops (I guess the
foundation loop, anyway) to be dead on with the
internal click track of the pedal.  If I need the
QUANTIZE function for this, I guess I will have to go
with the BOSS, even though it offers fewer features.

Thanks in advance for your advice!


      Be smarter than spam. See how smart SpamGuard is at giving junk email the boot with the All-new Yahoo! Mail at http://mrd.mail.yahoo.com/try_beta?.intl=ca

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 17:38:51 2007
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Date: Tue, 17 Apr 2007 10:38:49 -0700 (PDT)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
To: Loopers-Delight@loopers-delight.com
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To me, it sounds like your need of the quantizing
feature is more important that the ability to store
and save loops, to which I'd say get the rc20xl. 
--- Brent Santin <woodenflutes@yahoo.ca> wrote:

> Hi!
> 
> I plan to loop live (flutes, keyboards, vocal
> sounds),
> i.e. on stage.
> 
> I've been playing with a very basic looping pedal,
> and
> am really enjoying the results (it's a cheap ZOOM
> pedal which is basically is an endless digital
> delay).
>  I regularly set it for about a 2 second delay
> (although it can go up to 6 seconds), then record a
> short sound like a click and listen to the click
> repeat so that I can get a feel for the timing.  I
> then layer sounds & beats on top of this.
> 
> If find that if I use anything longer than a 2
> second
> digital delay, it's too long between my reference
> clicks to feel the beat, so I keep the delay time
> short.
> 
> The problem with this short time is that while it's
> good for building rhythms, there's not enough time
> to
> put down a good bass line or even more than one
> chord.
> 
> So, I've been considering a looping pedal with a
> built
> in click track/metronome so I can reliably keep my
> timing over loops that might be up to four or eight
> bars of 4/4 in length.
> 
> I need some help in deciding between the Digi-tech
> Jam-Man or the BOSS RC-20XL.  Those are the two
> looping pedals in my price range with a built in
> click-track.
> 
> Right off the bat, the Digitech seems to have better
> features for the money (especially the flash memory
> &
> USB connections, XLR mic connector).
> 
> But it is missing one feature that the BOSS has: the
> QUANTIZE function.  I assume that when I press the
> STOP RECORDING pedal, this function clips or edits
> the
> end of the sample to match the nearest beat of the
> click-track, thereby keeping the sample in sync with
> the click-track. i.e. If I recorded a a one bar 4/4
> sample that, but was slightly late in hitting the
> STOP
> pedal, QUANTIZE would chop the extra few
> milliseconds
> off the sample so that it would end properly on the
> "4" beat.
> 
> How important is this feature?  It seems important
> to
> me (just from reading).
> 
> The Digitech Jam-Man does not offer this function. 
> So
> does that mean if I do not hit the STOP RECORDING
> pedal at the exact end-beat the click-track
> provides,
> my loops will eventually drift away from the
> metronome
> timing?
> 
> This is my main concern.  I need my loops (I guess
> the
> foundation loop, anyway) to be dead on with the
> internal click track of the pedal.  If I need the
> QUANTIZE function for this, I guess I will have to
> go
> with the BOSS, even though it offers fewer features.
> 
> Thanks in advance for your advice!
> 
> 
>       Be smarter than spam. See how smart SpamGuard
> is at giving junk email the boot with the All-new
> Yahoo! Mail at
> http://mrd.mail.yahoo.com/try_beta?.intl=ca
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 17:40:16 2007
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Date: Tue, 17 Apr 2007 12:40:03 -0500
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
References: <197013.83831.qm@web31006.mail.mud.yahoo.com>
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Quoting Brent Santin <woodenflutes@yahoo.ca>:

> ... the
> QUANTIZE function...

> ...I need my loops (I guess the
> foundation loop, anyway) to be dead on with the
> internal click track of the pedal.  If I need the
> QUANTIZE function for this, I guess I will have to go
> with the BOSS, even though it offers fewer features.

Though I don't have experience with the models of equipment you =20
mentioned, I understand your question. Like you, I want to create very =20
tight rhythmns that stay in sync.

I own a Boss RC50.  While the RC50 has been (rightfully) criticized =20
because it won't sync up with computers and other equipment its =20
quantize feature is very useful (I am pleased with the RC50 as a =20
stand-alone unit).  That is, I can record a single one-bar loop and =20
then, while it plays, record other loops that are longer -- the RC50 =20
quantizes such that the long loops are always integrally related to =20
the short loop.

However, for less than one bar -- the RC50 won't do the deed.  My =20
latest experiments are to team up a digital delay (actually, my DSP =20
V55 fx unit) so that I can lay down short (one beat) loops and capture =20
them with the RC50.  Since the DPS V55 can have up to four independent =20
delays of different lengths, it means that I can put together =20
syncopated patterns, capture them to the RC50, then superimpose longer =20
loops over that pattern.

So, to answer your question, I have found the ability to sync/quantize =20
loops very useful and, as you point out, to create correlated loops =20
manually means that the loops are subject to sync drift.

Happy looping!

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 17:45:32 2007
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Subject: Re: [LOOP] Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
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On Tue, 17 Apr 2007, Brent Santin wrote:

> I need some help in deciding between the Digi-tech
> Jam-Man or the BOSS RC-20XL.  Those are the two
> looping pedals in my price range with a built in
> click-track.
>
> Right off the bat, the Digitech seems to have better
> features for the money (especially the flash memory &
> USB connections, XLR mic connector).
>
> But it is missing one feature that the BOSS has: the
> QUANTIZE function.  I assume that when I press the

I don't use Quantize, but from the rest of your email it seems important 
to you, so go for the RC-20XL. I have both pedals and use both. For me, I 
like the greater # of loops permissible on the Jamman, and I like the USB 
connectivity. But the RC-20 and the XL both have a "reverse" feature, and 
can run on batteries. I like the Boss reverse loop feature, and I like the 
ability to use one less power adapter at times, so I use both my Boss and 
Digitech.

Steve B
Subscape Annex    http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 17:49:07 2007
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From: Stephen Scott <stevoj@yahoo.com>
Subject: Re: Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
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kkissinger@kevinkissinger.com wrote:  .......

That is, I can record a single one-bar loop and  
then, while it plays, record other loops that are longer -- the RC50  
quantizes such that the long loops are always integrally related to  
the short loop.

.......
Wow, that's a handy feature.  I wasn't aware of this potential.  This would be really useful for me.

Stephen

       
---------------------------------
Ahhh...imagining that irresistible "new car" smell?
 Check outnew cars at Yahoo! Autos.
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<br><br><b><i>kkissinger@kevinkissinger.com</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;">&nbsp; <woodenflutes@yahoo.ca>.......<br><br>That is, I can record a single one-bar loop and  <br>then, while it plays, record other loops that are longer -- the RC50  <br>quantizes such that the long loops are always integrally related to  <br>the short loop.<br><br>.......<br></woodenflutes@yahoo.ca></blockquote>Wow, that's a handy feature.&nbsp; I wasn't aware of this potential.&nbsp; This would be really useful for me.<br><br>Stephen<br><p>&#32;



      <hr size=1>Ahhh...imagining that irresistible "new car" smell?<br> Check out
<a href="http://us.rd.yahoo.com/evt=48245/*http://autos.yahoo.com/new_cars.html;_ylc=X3oDMTE1YW1jcXJ2BF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDbmV3LWNhcnM-">new cars at Yahoo! Autos.</a>

--0-209794713-1176832146=:20717--

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Date: Tue, 17 Apr 2007 13:52:16 -0400
From: "radio radio" <radiotelevision@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Help: RC-20XL or Digitech Jam-Man? Quantize feature?
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I actually owned both the RC20XL and the Digitech jamman each for
about a month, for a while I had them both together to compare (before
I returned them both and upgraded to a more expensive looper). I would
say that if you are absolutely committed to having auto-quantize,
which I'm pretty sure is in fact how you describe it, then you clearly
need the boss. Since I was able to live with and compare both of these
pedals, though, here are some other things I would consider:

overall, I preferred the boss anyway. It just seemed more "friendly."
I actually preferred the sound quality, as the "distortion" that
reviewers describe sounded "musical" as in "good" to me, not distorted
like heavy metal or like a crappy system, and the "clean" sampling
rate of the digitech sounded a little too
clean/dry/crisp/unnatural/cold to me. It's hard to describe why it in
general seemed more "friendly" to me, perhaps the user interface, like
how the pedals worked, etc., had a hand in that. I had no interest in
USB capability, although I didn't think either that I would care much
about storing loops, but that is a nice feature of the digitech that
you realize after you fill up your boss. Also, I'm wary of the
reviewers that had a digitech crap out on them.

That all being stated, I think that with some practice you can get
better with your timing as to when you end a loop (and also as to what
you play within the loop), which makes the auto-quantize and the
metronome less essential. Also, that click track is very annoying to
anyone other than you (and, after a week, to you too), so if you
really are considering playing out I would strongly recommend against
using the click track anyway. That being stated, however, the digitech
has a few options as to what the click sounds like (e.g., bass, bass,
bass, high-hat) whereas the boss just has one that sounds more like a
metronome. All of this of course assumes that you can't follow the LED
of the metronome with the sound muted, which I certainly can't,
although you can mute the click on either one.

Hope those considerations help,
Eben



On 4/17/07, Brent Santin <woodenflutes@yahoo.ca> wrote:
> Hi!
>
> I plan to loop live (flutes, keyboards, vocal sounds),
> i.e. on stage.
>
> I've been playing with a very basic looping pedal, and
> am really enjoying the results (it's a cheap ZOOM
> pedal which is basically is an endless digital delay).
>  I regularly set it for about a 2 second delay
> (although it can go up to 6 seconds), then record a
> short sound like a click and listen to the click
> repeat so that I can get a feel for the timing.  I
> then layer sounds & beats on top of this.
>
> If find that if I use anything longer than a 2 second
> digital delay, it's too long between my reference
> clicks to feel the beat, so I keep the delay time
> short.
>
> The problem with this short time is that while it's
> good for building rhythms, there's not enough time to
> put down a good bass line or even more than one chord.
>
> So, I've been considering a looping pedal with a built
> in click track/metronome so I can reliably keep my
> timing over loops that might be up to four or eight
> bars of 4/4 in length.
>
> I need some help in deciding between the Digi-tech
> Jam-Man or the BOSS RC-20XL.  Those are the two
> looping pedals in my price range with a built in
> click-track.
>
> Right off the bat, the Digitech seems to have better
> features for the money (especially the flash memory &
> USB connections, XLR mic connector).
>
> But it is missing one feature that the BOSS has: the
> QUANTIZE function.  I assume that when I press the
> STOP RECORDING pedal, this function clips or edits the
> end of the sample to match the nearest beat of the
> click-track, thereby keeping the sample in sync with
> the click-track. i.e. If I recorded a a one bar 4/4
> sample that, but was slightly late in hitting the STOP
> pedal, QUANTIZE would chop the extra few milliseconds
> off the sample so that it would end properly on the
> "4" beat.
>
> How important is this feature?  It seems important to
> me (just from reading).
>
> The Digitech Jam-Man does not offer this function.  So
> does that mean if I do not hit the STOP RECORDING
> pedal at the exact end-beat the click-track provides,
> my loops will eventually drift away from the metronome
> timing?
>
> This is my main concern.  I need my loops (I guess the
> foundation loop, anyway) to be dead on with the
> internal click track of the pedal.  If I need the
> QUANTIZE function for this, I guess I will have to go
> with the BOSS, even though it offers fewer features.
>
> Thanks in advance for your advice!
>
>
>       Be smarter than spam. See how smart SpamGuard is at giving junk email the boot with the All-new Yahoo! Mail at http://mrd.mail.yahoo.com/try_beta?.intl=ca
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 17:56:34 2007
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Date: Tue, 17 Apr 2007 12:56:32 -0500
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com,
	Stephen Scott <stevoj@yahoo.com>
Subject: Re: Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
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Quoting Stephen Scott <stevoj@yahoo.com>:

>
>
> kkissinger@kevinkissinger.com wrote:  .......
>
> That is, I can record a single one-bar loop and
> then, while it plays, record other loops that are longer -- the RC50
> quantizes such that the long loops are always integrally related to
> the short loop.
>
> .......
> Wow, that's a handy feature.  I wasn't aware of this potential.    
> This would be really useful for me.
>
> Stephen


I should mention that this feature is user-settable -- you can operate  
it as three independent (unsync'd) loops or sync two or all three of  
them.

It also does the opposite, too... you can start with a long loop --  
when you press the pedal to end the loop, the RC50 internally  
calculates the tempo and the number of bars.  You can then create  
short loops -- when you end those loops the RC50 will round (quantize)  
them to the nearest bar.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 18:18:14 2007
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Date: Tue, 17 Apr 2007 14:18:12 -0400 (EDT)
From: Brent Santin <woodenflutes@yahoo.ca>
Subject: Re: [LOOP] Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
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Wow!  Thanks for all of your quick replies.  So just
to clear up....

1. Is my understanding of the way the QUANTIZE feature
on the RC-20XL even correct (i.e. it chops off the end
of the sample to the nearest metronome beat)?  I am
just reading the online review/manuals, which tend to
be unclear, and haven't actually used the unit.

2. Am I correct in thinking that although the Digitech
Jam-Man does have an internal metronome, it's entirely
"un-connected" to the sampling section of the
unit....i.e. if your RECORD ON/OFF pedal stomps are
NOT precisely on the beat, they will just loop on
their own time and eventually drift from the
metronome?  I can't really see what use the metronome
in the Digitech is, then (as it would be almost
impossible for a human to have millisecond accuracy on
stage - and even a quarter second inaccuracty will
mean timing drifts over the space of a 5 minute song).

If the answer to these questions are YES then I will
definitely have to go with the BOSS pedal.

Too bad they don't offer anything with MIDI at this
price range.

It's interesting that the RC-20XL won't do short loops
of less than a bar!  (i.e. 1 second).  I had no idea
that this was so.  Looks like I will have to keep my
Zoom pedal/delay for stuff of that sort.


      Get a sneak peak at messages with a handy reading pane with All new Yahoo! Mail: http://mrd.mail.yahoo.com/try_beta?.intl=ca

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 18:22:56 2007
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Subject: RE: [LOOP] Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
Date: Tue, 17 Apr 2007 13:22:44 -0500
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Thread-Topic: [LOOP] Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
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From: "Jim Bailey" <jbailey@wsimail.com>
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The metronome on the RC-50XL is independent of the recording as well.
And mine has about 8 different sound arrays(kick,kick,kick,high hat ect)
as well as the regular...irritating click track.

I've never used a Jam-Man but love my RC-50XL for what its worth.

-----Original Message-----
From: Brent Santin [mailto:woodenflutes@yahoo.ca]=20
Sent: Tuesday, April 17, 2007 1:18 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: [LOOP] Help: RC-20XL or Digitech Jam-Man? Quantize feature?


Wow!  Thanks for all of your quick replies.  So just
to clear up....

1. Is my understanding of the way the QUANTIZE feature
on the RC-20XL even correct (i.e. it chops off the end
of the sample to the nearest metronome beat)?  I am
just reading the online review/manuals, which tend to
be unclear, and haven't actually used the unit.

2. Am I correct in thinking that although the Digitech
Jam-Man does have an internal metronome, it's entirely "un-connected" to
the sampling section of the unit....i.e. if your RECORD ON/OFF pedal
stomps are NOT precisely on the beat, they will just loop on their own
time and eventually drift from the metronome?  I can't really see what
use the metronome in the Digitech is, then (as it would be almost
impossible for a human to have millisecond accuracy on stage - and even
a quarter second inaccuracty will mean timing drifts over the space of a
5 minute song).

If the answer to these questions are YES then I will
definitely have to go with the BOSS pedal.

Too bad they don't offer anything with MIDI at this
price range.

It's interesting that the RC-20XL won't do short loops
of less than a bar!  (i.e. 1 second).  I had no idea
that this was so.  Looks like I will have to keep my
Zoom pedal/delay for stuff of that sort.


      Get a sneak peak at messages with a handy reading pane with All
new Yahoo! Mail: http://mrd.mail.yahoo.com/try_beta?.intl=3Dca

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 18:35:55 2007
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From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com,
	Brent Santin <woodenflutes@yahoo.ca>
Subject: Re: [LOOP] Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
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Quoting Brent Santin <woodenflutes@yahoo.ca>:

> It's interesting that the RC-20XL won't do short loops
> of less than a bar!  (i.e. 1 second).  I had no idea
> that this was so.  Looks like I will have to keep my
> Zoom pedal/delay for stuff of that sort.
>

Brent,

My comment about the "not less than one bar" applied to my RC50 =20
model... the RC-20XL may behave differently.

With regards to click tracks, I have resorted to incorporating little =20
"ostinato" patterns into my work to keep things together without click =20
tracks.  I kind of like the notion that elements serve both a musical =20
and logistical purpose.

Again, speaking about the RC50 -- if the guide is turned "on" (that =20
is, the metronome) then the loop endings are quantized to the guide's =20
tempo.  If the guide is turned "off" then the RC50 uses the sample's =20
length to calculate the number of bars and tempo.  How it does this is =20
a bit of a mystery to me -- I think it finds the nearest tempo that is =20
below 120bpm that causes an end-of-measure to occur precisely at the =20
end-point of the loop.  I have yet to do detailed experiments with =20
this though... the instruction manual doesn't really explain exactly =20
how it does this.

Anyway, your question was about the RC-20XL and my comments were =20
really meant as general observations about syncing/quantization =20
because my only experience is with the RC50.

Hope this clears up any misunderstanding.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 18:38:44 2007
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Subject: RE: [LOOP] Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
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Quoting Jim Bailey <jbailey@wsimail.com>:

> The metronome on the RC-50XL is independent of the recording as well.
> And mine has about 8 different sound arrays(kick,kick,kick,high hat ect)
> as well as the regular...irritating click track.
>
> I've never used a Jam-Man but love my RC-50XL for what its worth.

Hi Jim,

Well, I just posted that the metronome is synced with the recording!   
I think this may depend on the sync settings for the loops.  :)  I'll  
revisit the issue this evening.

Yep, I enjoy the RC50, too.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 19:08:17 2007
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Fabio,
Very nice. Interesting to hear there are more live piano loopers :)=20
=20
Btw, I have 2 looping pedal's and a sustain pedal located on the floor =
at my
feet but it's becoming a little crowded over there. Imo, as a pianist or
keyboard player you simply have less space and visibility compared to
guitarists. Any tips?=20
=20
Sjaak=20

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<HTML><HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Dus-ascii">
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<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D921425818-17042007>Fabio,</SPAN></FONT></DIV>
<DIV><FONT><SPAN class=3D921425818-17042007><FONT face=3DArial><FONT=20
color=3D#0000ff><FONT size=3D2>Very nice. Interesting to hear there are =
more live=20
piano loopers :) </FONT></FONT></FONT></SPAN></FONT></DIV>
<DIV><FONT><SPAN class=3D921425818-17042007><FONT face=3DArial><FONT=20
color=3D#0000ff><FONT =
size=3D2></FONT></FONT></FONT></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT><SPAN class=3D921425818-17042007><FONT face=3DArial><FONT=20
color=3D#0000ff><FONT size=3D2>Btw,&nbsp;I have 2 looping pedal's and a =
sustain=20
pedal located on the floor at my feet but it's becoming a little crowded =
over=20
there.&nbsp;Imo, as a pianist or keyboard player&nbsp;you simply have =
less space=20
and visibility compared to guitarists.=20
</FONT></FONT></FONT></SPAN></FONT><FONT><SPAN =
class=3D921425818-17042007><FONT=20
face=3DArial><FONT color=3D#0000ff><FONT size=3D2>Any=20
tips?&nbsp;</FONT></FONT></FONT></SPAN></FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D921425818-17042007></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT><SPAN class=3D921425818-17042007><FONT face=3DArial =
color=3D#0000ff=20
size=3D2>Sjaak</FONT>&nbsp;</SPAN></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 00:13:23 2007
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References: <197013.83831.qm@web31006.mail.mud.yahoo.com>
Subject: Re: RC-20XL or Digitech Jam-Man?  Quantize feature?
Date: Wed, 18 Apr 2007 08:41:52 +0800
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The jamman produces the click track.. and as long as you end the loop in
time
with the click track and pretty much on the beat (which is very easy) then
it loops
with your own instrument input. Now these two tracks...the click and the
loop itself
are linked ...they will never drift apart.

For me the jamman is much simpler and easier to use for this. My only guess
is
that this quantizing might be aimed at the more rythmically challenged  who
cannot
tap their foot to a metranome.

I also own the rc50 and suspect some of the sync and timing issues (a great
machine once
you get to know it) might have been avoided had they taken the jamman
approach.



---- Original Message ----- 
From: "Brent Santin" <woodenflutes@yahoo.ca>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 18, 2007 1:17 AM
Subject: Help: RC-20XL or Digitech Jam-Man? Quantize feature?


> Hi!
>
> I plan to loop live (flutes, keyboards, vocal sounds),
> i.e. on stage.
>
> I've been playing with a very basic looping pedal, and
> am really enjoying the results (it's a cheap ZOOM
> pedal which is basically is an endless digital delay).
>  I regularly set it for about a 2 second delay
> (although it can go up to 6 seconds), then record a
> short sound like a click and listen to the click
> repeat so that I can get a feel for the timing.  I
> then layer sounds & beats on top of this.
>
> If find that if I use anything longer than a 2 second
> digital delay, it's too long between my reference
> clicks to feel the beat, so I keep the delay time
> short.
>
> The problem with this short time is that while it's
> good for building rhythms, there's not enough time to
> put down a good bass line or even more than one chord.
>
> So, I've been considering a looping pedal with a built
> in click track/metronome so I can reliably keep my
> timing over loops that might be up to four or eight
> bars of 4/4 in length.
>
> I need some help in deciding between the Digi-tech
> Jam-Man or the BOSS RC-20XL.  Those are the two
> looping pedals in my price range with a built in
> click-track.
>
> Right off the bat, the Digitech seems to have better
> features for the money (especially the flash memory &
> USB connections, XLR mic connector).
>
> But it is missing one feature that the BOSS has: the
> QUANTIZE function.  I assume that when I press the
> STOP RECORDING pedal, this function clips or edits the
> end of the sample to match the nearest beat of the
> click-track, thereby keeping the sample in sync with
> the click-track. i.e. If I recorded a a one bar 4/4
> sample that, but was slightly late in hitting the STOP
> pedal, QUANTIZE would chop the extra few milliseconds
> off the sample so that it would end properly on the
> "4" beat.
>
> How important is this feature?  It seems important to
> me (just from reading).
>
> The Digitech Jam-Man does not offer this function.  So
> does that mean if I do not hit the STOP RECORDING
> pedal at the exact end-beat the click-track provides,
> my loops will eventually drift away from the metronome
> timing?
>
> This is my main concern.  I need my loops (I guess the
> foundation loop, anyway) to be dead on with the
> internal click track of the pedal.  If I need the
> QUANTIZE function for this, I guess I will have to go
> with the BOSS, even though it offers fewer features.
>
> Thanks in advance for your advice!
>
>
>       Be smarter than spam. See how smart SpamGuard is at giving junk
email the boot with the All-new Yahoo! Mail at
http://mrd.mail.yahoo.com/try_beta?.intl=ca
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 00:31:17 2007
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To: "e t e r o g e n e o" <info@eterogeneo.com>
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Subject: Re: My piano looping video
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Hey Fabio - That was beautiful and well done. My girlfriend came into the 
room and asked me who it was and thought it
was beautiful - "very pretty.." too.

Now THAT'S an endorsement.

- Larry
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"e t e r o g e n e o" <info@eterogeneo.com> 
04/17/2007 10:30 AM
Please respond to
"e t e r o g e n e o" <info@eterogeneo.com>


To
<Loopers-Delight@loopers-delight.com>
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Subject
My piano looping video






My piano looping video is now on youtube:
http://www.youtube.com/watch?v=RwktlUZdWlg
 
fabio
www.eterogeneo.com

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<br><font size=2 face="sans-serif">Hey Fabio - That was beautiful and well
done. My girlfriend came into the room and asked me who it was and thought
it</font>
<br><font size=2 face="sans-serif">was beautiful - &quot;very pretty..&quot;
too.</font>
<br>
<br><font size=2 face="sans-serif">Now THAT'S an endorsement.<br>
<br>
- Larry<br>
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delete without copying and kindly advise us by e-mail of the mistake in
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agreement or government initiative expressly permitting the use of e-mail
for such purpose.<br>
--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------<br>
</font>
<br>
<br>
<br>
<table width=100%>
<tr valign=top>
<td width=40%><font size=1 face="sans-serif"><b>&quot;e t e r o g e n e
o&quot; &lt;info@eterogeneo.com&gt;</b> </font>
<p><font size=1 face="sans-serif">04/17/2007 10:30 AM</font>
<table border>
<tr valign=top>
<td bgcolor=white>
<div align=center><font size=1 face="sans-serif">Please respond to<br>
&quot;e t e r o g e n e o&quot; &lt;info@eterogeneo.com&gt;</font></div></table>
<br>
<td width=59%>
<table width=100%>
<tr valign=top>
<td>
<div align=right><font size=1 face="sans-serif">To</font></div>
<td><font size=1 face="sans-serif">&lt;Loopers-Delight@loopers-delight.com&gt;</font>
<tr valign=top>
<td>
<div align=right><font size=1 face="sans-serif">cc</font></div>
<td>
<tr valign=top>
<td>
<div align=right><font size=1 face="sans-serif">Subject</font></div>
<td><font size=1 face="sans-serif">My piano looping video</font></table>
<br>
<table>
<tr valign=top>
<td>
<td></table>
<br></table>
<br>
<br>
<br><font size=3 color=#000080 face="Book Antiqua">My piano looping video
is now on youtube:</font>
<br><a href="http://www.youtube.com/watch?v=RwktlUZdWlg"><font size=3 color=blue face="Book Antiqua"><u>http://www.youtube.com/watch?v=RwktlUZdWlg</u></font></a>
<br><font size=3>&nbsp;</font>
<br><font size=3 color=#000080 face="Book Antiqua">fabio</font>
<br><a href=http://www.eterogeneo.com/><font size=3 color=blue face="Book Antiqua"><u>www.eterogeneo.com</u></font></a>
<br>
--=_alternative 0002DCDD852572C1_=--

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<TD><FONT face="Arial, Verdana" size=2>eBay member bella10011 has left you a message regarding item <B>Microeconomics by Daniel L. Rubinfeld, 0130084611</B> (#330082756410) on Mar-30-2007. <BR><BR></FONT></TD></TR>
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<TD vAlign=top noWrap><FONT face="Arial, Verdana" size=2>Item title:</FONT></TD>
<TD vAlign=top><FONT face="Arial, Verdana" size=2>Microeconomics by Daniel L. Rubinfeld, 0130084611</FONT></TD></TR>
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<TD vAlign=top noWrap><FONT face="Arial, Verdana" size=2>Quantity:</FONT></TD>
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Date: Tue, 17 Apr 2007 23:08:06 -0400 (EDT)
From: Brent Santin <woodenflutes@yahoo.ca>
Subject: RE: [LOOP] Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
To: Loopers-Delight@loopers-delight.com
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Once again thanks to everyone for the advice.

However, I just thought of something: It seems to me
that the Boss RC-20XL's QUANTIZE feature is really
only handy when you are creating the "foundation" loop
that all your overdubs are layered onto.  QUANTIZE
makes sure that this foundation loop is lined up with
the tempo.  If I understand things correcntly, then
once you have that accurate foundation track
established, you really don't need the QUANTIZE
feature for the overdubs, because any overdubs you do
are going to be locked to the foundation loops
length/timing anyway, right?

My main "fear" (and hence initial attraction to the
Boss' QUANTIZE feature) is to be on stage, trying to
lay down that main foundation beat, and f'ing it up by
not hitting the pedal at the right time.

BUT: Assuming I bought the Digitech Jam-Man, couldn't
I avoid this problem by creating a whole bunch of
basic, accurate "foundation" loops (i.e. a simple
hi-hat backings) in the comfort of my own home (under
no pressure), then store them in the memory of the
Digitech pedal and call them up on stage to do live
overdubs upon?  I would essentially be using these
"prepared loops" like a metronome to layer live stuff
upon.  Live overdubs can't possibly go out of time, I
assume, because they must be the same length/cycle as
the "foundation" loop, correct?

If this seems to make sense (and I hope it does), then
this solution seems to solve things...meaning I could
purchase the Digitech pedal and take advantage of all
the memory locations it has.


      Get news delivered with the All new Yahoo! Mail.  Enjoy RSS feeds right on your Mail page. Start today at http://mrd.mail.yahoo.com/try_beta?.intl=ca

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 03:23:40 2007
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Subject: Re: [LOOP] Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
Date: Wed, 18 Apr 2007 11:52:12 +0800
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acctually thats what jamman suggest you to do....just put down some
prerecorded beats ...and you can store them ..ready to go.

and if you get the optional foot pedal then its a breeze to move from
prerecorded rythm to rythm on the fly...but you cant save the loops that you
create in this mode without stopping to save.



----- Original Message ----- 
From: "Brent Santin" <woodenflutes@yahoo.ca>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 18, 2007 11:08 AM
Subject: RE: [LOOP] Help: RC-20XL or Digitech Jam-Man? Quantize feature?


> Once again thanks to everyone for the advice.
>
> However, I just thought of something: It seems to me
> that the Boss RC-20XL's QUANTIZE feature is really
> only handy when you are creating the "foundation" loop
> that all your overdubs are layered onto.  QUANTIZE
> makes sure that this foundation loop is lined up with
> the tempo.  If I understand things correcntly, then
> once you have that accurate foundation track
> established, you really don't need the QUANTIZE
> feature for the overdubs, because any overdubs you do
> are going to be locked to the foundation loops
> length/timing anyway, right?
>
> My main "fear" (and hence initial attraction to the
> Boss' QUANTIZE feature) is to be on stage, trying to
> lay down that main foundation beat, and f'ing it up by
> not hitting the pedal at the right time.
>
> BUT: Assuming I bought the Digitech Jam-Man, couldn't
> I avoid this problem by creating a whole bunch of
> basic, accurate "foundation" loops (i.e. a simple
> hi-hat backings) in the comfort of my own home (under
> no pressure), then store them in the memory of the
> Digitech pedal and call them up on stage to do live
> overdubs upon?  I would essentially be using these
> "prepared loops" like a metronome to layer live stuff
> upon.  Live overdubs can't possibly go out of time, I
> assume, because they must be the same length/cycle as
> the "foundation" loop, correct?
>
> If this seems to make sense (and I hope it does), then
> this solution seems to solve things...meaning I could
> purchase the Digitech pedal and take advantage of all
> the memory locations it has.
>
>
>       Get news delivered with the All new Yahoo! Mail.  Enjoy RSS feeds
right on your Mail page. Start today at
http://mrd.mail.yahoo.com/try_beta?.intl=ca
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 08:02:36 2007
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References: <433366.8299.qm@web31009.mail.mud.yahoo.com>
Subject: Re: [LOOP] Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
Date: Wed, 18 Apr 2007 10:02:13 +0200
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Hello Brent,

The Jamman HAS a quantise function.
You tap on the right pedal 2-3 times to define the tempo of the metronome.
When you click on he left pedal, it start "counting" a blank measure (4 
beats if you chossen 4/4) then start directly to record. When you press 
again the left pedal it waits the end of the bar and goes into play.

The limit is that the BAR should be at least about 3 seconds (about one 4/4 
bar @80BPM).
You can also use the USB connexion to enter a bass or drum pattern and use 
it as the foundation loop. You can even use the tap tempo before launching 
this loop so as to define the tempo according to your mood.

Overdubbing is then unquantised, press REC - overdub - press REC again. The 
foundation loop repeats but the recording doesn't wait a beat to start, you 
record when you want, over and over the boundaries if needed.

Hope this helps,

Ben.

----- Original Message ----- 
From: "Brent Santin" <woodenflutes@yahoo.ca>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 18, 2007 5:08 AM
Subject: RE: [LOOP] Help: RC-20XL or Digitech Jam-Man? Quantize feature?


> Once again thanks to everyone for the advice.
>
> However, I just thought of something: It seems to me
> that the Boss RC-20XL's QUANTIZE feature is really
> only handy when you are creating the "foundation" loop
> that all your overdubs are layered onto.  QUANTIZE
> makes sure that this foundation loop is lined up with
> the tempo.  If I understand things correcntly, then
> once you have that accurate foundation track
> established, you really don't need the QUANTIZE
> feature for the overdubs, because any overdubs you do
> are going to be locked to the foundation loops
> length/timing anyway, right?
>
> My main "fear" (and hence initial attraction to the
> Boss' QUANTIZE feature) is to be on stage, trying to
> lay down that main foundation beat, and f'ing it up by
> not hitting the pedal at the right time.
>
> BUT: Assuming I bought the Digitech Jam-Man, couldn't
> I avoid this problem by creating a whole bunch of
> basic, accurate "foundation" loops (i.e. a simple
> hi-hat backings) in the comfort of my own home (under
> no pressure), then store them in the memory of the
> Digitech pedal and call them up on stage to do live
> overdubs upon?  I would essentially be using these
> "prepared loops" like a metronome to layer live stuff
> upon.  Live overdubs can't possibly go out of time, I
> assume, because they must be the same length/cycle as
> the "foundation" loop, correct?
>
> If this seems to make sense (and I hope it does), then
> this solution seems to solve things...meaning I could
> purchase the Digitech pedal and take advantage of all
> the memory locations it has.
>
>
>      Get news delivered with the All new Yahoo! Mail.  Enjoy RSS feeds 
> right on your Mail page. Start today at 
> http://mrd.mail.yahoo.com/try_beta?.intl=ca
> 

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 11:43:15 2007
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Date: Wed, 18 Apr 2007 07:43:13 -0400 (EDT)
From: Brent Santin <woodenflutes@yahoo.ca>
Subject: Re: [LOOP] Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
To: Loopers-Delight@loopers-delight.com
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--- Ben <benoitruelle@yahoo.fr> wrote:

> Hello Brent,
> 
> The Jamman HAS a quantise function.
> You tap on the right pedal 2-3 times to define the
> tempo of the metronome.
> When you click on he left pedal, it start "counting"
> a blank measure (4 
> beats if you chossen 4/4) then start directly to
> record. When you press 
> again the left pedal it waits the end of the bar and
> goes into play.

Thanks Ben, this piece of information is extremely
helpful.  It seems that in this way you define a
quantized blank measure automatically, which is
different than the way the BOSS's quantize feature
works, but just as useful.

I think, then, the Jam-Man is the one I'll
get....those 99 memory locations will be extremely
useful in order to have backing parts for a full
show's worth of songs.

Have any of you had to do the "pedal spring hack" to
the Jam-Man in order to make the pedals easier to
depress?  I've read that the stiffness is the one main
nitpick people have with the Digitech Jam-Man.


      Get a sneak peak at messages with a handy reading pane with All new Yahoo! Mail: http://mrd.mail.yahoo.com/try_beta?.intl=ca

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 12:09:35 2007
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Date: Wed, 18 Apr 2007 08:06:29 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for April 14, 2007
To: undisclosed-recipients: ;
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http://soundscapes.us/amfm/playlists/2007/070414.html

I host the Saturday AM/FM Show every other week where I play electronic,
ambient, spacemusic, Progressive Rock, and an eclectic mix of other
genres.  The show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7
FM and on the internet.  I also host Afterglow every Thursday from 8:00
am to 9:30 am.

                Show #106                April 14, 2006.

During Phase I of this show, I continued the special on the sampler CDs
that come with each issue of E-dition electronic music magazine.  I also
played the music of Dave Fulton who will be in concert with Giles Reaves
at the Gatherings Concert Series on April 21.  In Phase 3, I played the
music of Star Castle who will be at ROSfest at the end of the month and
of 3rdegree who will be playing at the New Jersey Proghouse with Frogg
Cafe on April 21.


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Nattefrost]      Through Clear and    E-dition #13 (Groove)
                       Frosty Nights
VA [Bjorn Lynn]      Starfield            E-dition #13 (Groove)
Dave Fulton          Neutrons at Thought  Hard Particles (Eurock)
                       Pressure
Dave Fulton          Small Particles      Hard Particles (Eurock)
Dave Fulton          Foreground           Hard Particles (Eurock)
                       Extractions
VA [Wintherstormer]  Wooden Chairs        Sequences No.23 (EMMA)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Al Gromer Khan and   Monsoon Point *      Monsoon Point (New Earth)
  Amelia Cuni
Chinmaya Dunster     New Moon             Buddha Moon (New Earth)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
The Third Ending     Eleven               The Third Ending (Progrock)
The Third Ending     Back Home            The Third Ending (Progrock)
The Third Ending     Tungsten Blues       The Third Ending (Progrock)
3rdegree             That Time of the     CDR (none)
                       Night
Star Castle          Babylon              Song of Times (Progrock)
Lana Lane            Breathe Introduction Gemeni (Think Tank)
Lana Lane            Johnny Moon          Gemeni (Think Tank)
Lana Lane            Breathe In the Air   Gemeni (Think Tank)
Lana Lane            On the Run           Gemeni (Think Tank)
Lana Lane            Time                 Gemeni (Think Tank)
Lana Lane            Breathe Reprise      Gemeni (Think Tank)

 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

I return to the AM/FM Show on April 21.

On the next show, I will continue the special on the sampler CDs that
come with each issue of E-dition electronic music magazine.  I will also
play music of Dave Fulton, Giles Reaves, and Orbital Decay who will be
playing at The Gatherings on Saturday, April 21.  I will also be playing
the music of bands that will be playing at the New Jersey Proghouse and
at ROSfest.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 12:40:07 2007
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Date: Wed, 18 Apr 2007 08:37:05 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Ricochet Gathering in Yellowstone National Park {was: Re: mindSpiral}
In-reply-to: <16133818.1176662414913.JavaMail.root@m11>
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Bob Weigel wrote:
> I'm in Bozeman, MT.  No hadn't heard about that gathering. -Bob
> Bill Fox wrote:
>> Do you know about the Ricochet Gathering in Yellowstone this August? 
Then you're damn close!  Your airport is the closest one to the place 
the gathering will be held.  If you're into EM, please do check it out.
http://ricochetdream.com
This year's event will be August 25 to September 1.  Join the Yahoogroup 
list to get in on the details.  You won't find a better, crazier bunch 
of folks.

Cheers,

Bill

Cc: Ricochet Dream Yahoogroup Mailing List

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 13:17:51 2007
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From: "Ben" <benoitruelle@yahoo.fr>
To: <Loopers-Delight@loopers-delight.com>
References: <77345.43877.qm@web31012.mail.mud.yahoo.com>
Subject: Re: [LOOP] Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
Date: Wed, 18 Apr 2007 15:17:27 +0200
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----- Original Message ----- 
From: "Brent Santin" <woodenflutes@yahoo.ca>
> Have any of you had to do the "pedal spring hack" to
> the Jam-Man in order to make the pedals easier to
> depress?  I've read that the stiffness is the one main
> nitpick people have with the Digitech Jam-Man.

No, I didn't made any modification but it's true you have to jump on the 
pedal.
Isn't it the meaning of stompbox? ;-)



From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 13:41:20 2007
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Date: Wed, 18 Apr 2007 09:41:19 -0400
From: "radio radio" <radiotelevision@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: My piano looping video
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	 <OFEF43B3C8.CC0BEE66-ON852572C1.0002ABFB-852572C1.0002DE1C@csc.com>
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No really - this is incredibly beautiful.



>
>
>
> My piano looping video is now on youtube:
> http://www.youtube.com/watch?v=RwktlUZdWlg
>
> fabio
> www.eterogeneo.com
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 13:59:10 2007
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Date: Wed, 18 Apr 2007 09:59:07 -0400 (EDT)
From: Brent Santin <woodenflutes@yahoo.ca>
Subject: Re: [LOOP] Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
To: Loopers-Delight@loopers-delight.com
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--- Ben <benoitruelle@yahoo.fr> wrote:

> No, I didn't made any modification but it's true you
> have to jump on the 
> pedal.
> Isn't it the meaning of stompbox? ;-)

I've noticed that Digitech sells a set of external
pedals to control the patch changes of the Jam-Man
(the FX-3).

Does anyone know the specs of this FX-3 switchbox?  If
it's just a bunch of momentary contact switches wired
to a tip-ring-sleeve 1/4-phone connector, then I'd
rather make my own external controller instead of
shelling out another $50.

I could even make a set of three buttons that mounted
on a box on the mic-stand.


      Be smarter than spam. See how smart SpamGuard is at giving junk email the boot with the All-new Yahoo! Mail at http://mrd.mail.yahoo.com/try_beta?.intl=ca

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 14:01:41 2007
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Date: Wed, 18 Apr 2007 10:01:37 -0400 (EDT)
From: Brent Santin <woodenflutes@yahoo.ca>
Subject: Re: [LOOP] Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
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--- Brent Santin <woodenflutes@yahoo.ca> wrote:
> I've noticed that Digitech sells a set of external
> pedals to control the patch changes of the Jam-Man
> (the FX-3).

Ooops, sorry.  That should read the "FS3X".


      Ask a question on any topic and get answers from real people. Go to Yahoo! Answers and share what you know at http://ca.answers.yahoo.com

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 14:12:48 2007
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Date: Wed, 18 Apr 2007 10:12:44 -0400 (EDT)
From: Brent Santin <woodenflutes@yahoo.ca>
Subject: Re: [LOOP] Help: RC-20XL or Digitech Jam-Man?  Quantize feature?
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--- Brent Santin <woodenflutes@yahoo.ca> wrote:
> > I've noticed that Digitech sells a set of external
> > pedals to control the patch changes of the Jam-Man
> > (the FX-3).

Sorry for all the messages.  I just located a
schematic for the FSX3 pedal.  It's in the files are
of the Yahoo! Groups Digitech Jam-Man user's mailing
list.  It's a very simple box, really (although there
are a couple diodes that need to go in there).



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From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 14:42:57 2007
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Very Nice Per!
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<html>Very Nice Per!</html>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 16:01:23 2007
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Date: Wed, 18 Apr 2007 12:01:20 -0400
From: "radio radio" <radiotelevision@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: upgrading footswitches for EDP?
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I recently got an EDP and the pedal board that Gibson makes for it
(TGE04), and am wondering how difficult it would be to swap out the
red plastic switches for more usable ones. I can solder wires to metal
but that's about the extent of my knowledge, experience and skills.
I've searched the LD archives but haven't found concrete suggestions.

How difficult and/or complicated would it be? Any recommendations as
to what kind of switches to get (or where to get them)?

THANKS!
Eben

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Date: Wed, 18 Apr 2007 17:03:38 +0100
From: Os <os@collective.co.uk>
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Hi,

I just posted up a track - would love to know what people think of it.

You can get it via my podcast:
http://www.collective.co.uk/darkroom/podcast.html

or directly at:
http://www.expert-sleepers.co.uk/darkroom/podcast/drone_of_4_4_7.mp3


cheers,
os.

-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 16:39:52 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: new looping/drone track for your enjoyment
Date: Wed, 18 Apr 2007 18:40:03 +0200
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Personally (this is just me with my specific musical interest), I always
find it hard to find drones like that interesting (one of the few exceptions
being Eno's Apollo). Mostly, I think of such material as a possible
background for melodic atonal non-rhythmic improvisations by a lead
instrument, except if there's lot of texture changes and dynamics happening
(which isn't the case in your track, at least not for my taste on this).

I do however greatly enjoy such things in an ensemble setting like the stuff
we did last week (still didn't get through to doing some edits - look
forward to it ;), e.g. if you have beats and bass coming from one player,
another player adding some atonal (even acoustic) stuff like Daryl did and
some ambient drones like yours.

Just my .02...

	Rainer

> I just posted up a track - would love to know what people think of it.
> 
> You can get it via my podcast:
> http://www.collective.co.uk/darkroom/podcast.html
> 
> or directly at:
> http://www.expert-sleepers.co.uk/darkroom/podcast/drone_of_4_4_7.mp3

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 16:59:04 2007
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Subject: trade my rc-50 for something smaller + cash
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I have a brand new condition rc-50. Its awesome, just way too much for
what I realistically use it for.
Im looking for something smaller plus cash. Id sell it outright for 400
plus shipping.
It comes with original manual, box and ac adapter.
=20
Bryan Phil
bryan.phil@eds.com
=20
=20

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<DIV><SPAN class=3D670295716-18042007><FONT face=3DArial size=3D2>I have =
a brand new=20
condition rc-50. Its awesome, just way too much for what I realistically =
use it=20
for.</FONT></SPAN></DIV>
<DIV><SPAN class=3D670295716-18042007><FONT face=3DArial size=3D2>Im =
looking for=20
something smaller plus cash. Id sell it outright for 400 plus=20
shipping.</FONT></SPAN></DIV>
<DIV><SPAN class=3D670295716-18042007><FONT face=3DArial size=3D2>It =
comes with=20
original manual, box and ac adapter.</FONT></SPAN></DIV>
<DIV>&nbsp;</DIV>
<DIV align=3Dleft><FONT face=3DArial><EM>Bryan Phil</EM></FONT></DIV>
<DIV align=3Dleft><FONT face=3DArial size=3D2><A=20
href=3D"mailto:bryan.phil@eds.com">bryan.phil@eds.com</A></FONT></DIV>
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<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 17:18:43 2007
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From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com, Os <os@collective.co.uk>
Subject: Re: new looping/drone track for your enjoyment
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Very cool Os.. :)

Nicely meditative.. can you comment on the instruments/techniques?

peace
-cpr

Quoting Os <os@collective.co.uk>:

> Hi,
> 
> I just posted up a track - would love to know what people think of it.
> 
> You can get it via my podcast:
> http://www.collective.co.uk/darkroom/podcast.html
> 
> or directly at:
> http://www.expert-sleepers.co.uk/darkroom/podcast/drone_of_4_4_7.mp3
> 
> 
> cheers,
> os.
> 
> -- 
> os@collective.co.uk
> http://www.collective.co.uk/
> http://www.myspace.com/darkroomtheband





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From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 17:41:47 2007
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Date: Wed, 18 Apr 2007 12:41:36 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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Delicious...! I find the slow oscillation of the textural bed to be a 
nice rhythm of its own. I like the fact that there's a good amount of 
tension in it, especially in the high (guitar?) notes. I enjoy drones a 
lot - and I feel like this track has a lot going on beyond a drone, 
guess I disagree with you, Rainer!! - but when a piece is perfectly 
tonal and static, as in the stereotypical "New Age" background music, I 
find myself getting a bit annoyed.

I'm not sure if the hiss that enters with the vocal is just mic noise, 
but I like it as its own instrument.

this one's gonna stay in my frequent listening queue for awhile...

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 18:03:43 2007
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Subject: Re: upgrading footswitches for EDP?
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  why do you want to upgrade ?
to make more acoustic noize when you switch
to loose precision of your punches
to change something that was carefully chosen for its properties
to change  something that works
to have another color

Joking aside they look cheap and have problems "sometimes" but they are 
fast, precise, and, silent

Claude



>I recently got an EDP and the pedal board that Gibson makes for it
> (TGE04), and am wondering how difficult it would be to swap out the
> red plastic switches for more usable ones. I can solder wires to metal
> but that's about the extent of my knowledge, experience and skills.
> I've searched the LD archives but haven't found concrete suggestions.
>
> How difficult and/or complicated would it be? Any recommendations as
> to what kind of switches to get (or where to get them)?
>
> THANKS!
> Eben
>
> 

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 19:38:19 2007
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Date: Wed, 18 Apr 2007 21:38:18 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: autotune
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Hi !

Doe anyone know about a autotune for mac and ableton -
if there are any free plugis or what to buy ?

Thanks.

Rune F. 

www.runefagereng.com
www.myspace.com/runefagereng 
www.youtube.com/watch?v=bOHN4az59A0
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


      
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 19:48:22 2007
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fabio....a very nice piece of music but it made me reflect on a=20
corncern that i have about the 1/2 hr. formats of the loopfests.....i=20
am sure that i heard this tune in zurick but it did not impact me as it=20
did just now.....i just listened to per's 2 tunes (nice), os' tune ( i=20
need more beat, but that's just me, luv ya os!) and then your=20
piece.....this is not the proper order but at the fest if i listened to=20
a 1/2hr. of per and a 1/2 hr. of os then a 1/2 hr of fabio's music i=20
would have been burned out because there would have been no time to=20
decompress, digest nor communicate with the artist.....i fell that this=20
is a disservice to both the audience and the artis.....many times at=20
fests i have to run from the room for periods of time and i know that i=20
miss some great music but i often can no longer listen to anything=20
without a break, i begin to get overwhelmed both physically and=20
emotionally.....i know i stress when i play in front of people and i=20
project this feeling (perhaps wrongly) onto the artist that's playing=20
and i "emote" for them, especially if one's kit is misbehaving, i feel=20
that i suffer as much as the artist and their panic at this situation,=20
that is a part of the emotionallity that i mentioned above (empathy=20
perhaps).....so when it's BOOM, BOOM, BOOM, BOOM, BOOM performer wise i=20
know i miss more than i hear.....i know that listening to mr. zorzi's=20
guitar extraganzas (which i turely love) then he is followed by say=20
fabio's sweet melloness, i'm at least 10-15min. screwing my head back=20
on after zorzi's wonderful rampage and i miss a good percentage of=20
fabio's set.....or stanasours making me a part of another demention=20
(beautiful) then not missing a beat listening to a delicate folksinging=20
looper (i don't remember if this was the case, i use it as another=20
example), stan transported me "somewhere else" and it takes time to get=20
back.....granted it is great to hear many different artists but when=20
you can only really listen to just a % of them i wonder if this is the=20
best format to exchange our music, when can the learning take place,=20
the dialogue (many folks just came, played and left right after their=20
sets and it was hard to impossible to communicate with=20
them).....perhaps i am off base with these observations but keep in=20
mind i am knocking on the door to the scary 60 and i am becoming an old=20
fart who is getting pretty deaf and i must work hard to listen.....just=20
some thoughts that i'm having thinking about setting a "smallish" fest=20
here in pittsburgh.....michael

http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com


  <<My piano looping video is now on youtube:
http://www.youtube.com/watch?v=3DRwktlUZdWlg
=C2=A0
fabio
www.eterogeneo.com >>


________________________________________________________________________
AOL now offers free email to everyone.  Find out more about what's free=20
from AOL at AOL.com.
=3D0

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 19:49:15 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: new looping/drone track for your enjoyment
Date: Wed, 18 Apr 2007 21:49:02 +0200
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On 18 apr 2007, at 18.03, Os wrote:

> I just posted up a track - would love to know what people think of it.
> You can get it via my podcast:
> http://www.collective.co.uk/darkroom/podcast.html
> or directly at:
> http://www.expert-sleepers.co.uk/darkroom/podcast/drone_of_4_4_7.mp3


Listening right now through the built-in speaker of my G5 pc. But I'm  
a happy subscriber to the podcast as well and I just saw it incoming  
there - which means I can enjoy it through headphones soon. Sounds  
interesting through the speaker. I like that type of "hovering  
distortion" and the "partially clashing infra frequency vibrations".  
Some years ago I saw a great gig here in Stockholm by Kevin -  
whatever his last name is, the guy with guitar that was in My Bloody  
Valentine - and he played one distorted guitar note, sampled a it in  
two machines and then spent the rest of the concert creating infra  
tones by micro tonal pitch changes between those two samplers.  
Awesome! First time I heard David Sykes Harmonic Choir I had the same  
blissful experience (that classic "Hearing Solar Wind" CD). When I  
play I always listen between the notes and sounds to find out what is  
REALLY happening in the music and to look for guidance in my playing.  
Sometimes you don't even know if the oscillations you are "hearing"  
is in the air or in your mind - that's when stuff really starts  
cooking!!!!!!  ;-)   Nice noise, Os.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


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From: Per Boysen <perboysen@gmail.com>
Subject: Re: autotune
Date: Wed, 18 Apr 2007 21:53:41 +0200
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On 18 apr 2007, at 21.38, rune fagereng wrote:

> Doe anyone know about a autotune for mac and ableton -
> if there are any free plugis or what to buy ?

"Autotone" is a plug-in by Arturia and it's not for free. Melodyne is  
better though, but both are not real-time. You need to first record  
the audio as a sound-file before applying it. Logic has a built-in  
similar function that could be looked on as "free" if you pay for  
Logic. It sounds softer and is less powerful than both Autotune and  
Melodyne.

However, if you are using Ableton Live you already have the option to  
change pitch of andy recorded audio in Live. Simply draw the pitch  
you prefer as a graphic line on the clip. This is not a plug-in but a  
function of Live.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


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From: Per Boysen <perboysen@gmail.com>
Subject: Re: My piano looping video/ and some thoughts
Date: Wed, 18 Apr 2007 22:01:01 +0200
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On 18 apr 2007, at 21.48, nemoguitt@aol.com wrote:

>  i often can no longer listen to anything without a break,


I'm totally with you here Michael. I must have missed more than I  
have heard though my life so far. At the jazz clubs I used to hang at  
lest once a week I always had to go home after the first set (of  
three) only to emotionally digest what I had heard. I'm playing at a  
guitar show in a couple of weeks now and they put me on at ten in the  
morning, playing for about an hour, for two days on a row which is  
just awesome 'cause I'll be hanging at the show during the day and  
have some workshop in the afternoon. That's the way I myself would  
like to listen to other people :-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 20:02:36 2007
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From: bruce tovsky <bruce@skeletonhome.com>
Subject: Re: autotune
Date: Wed, 18 Apr 2007 16:01:42 -0400
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On Apr 18, 2007, at 3:53 PM, Per Boysen wrote:

> "Autotone" is a plug-in by Arturia and it's not for free.

actually, Autotune is made by Antares. Antares also makes an  
interesting mono synth plug called Kantos based on the Autotune  
engine. i use it a lot with theremin.
has some quirky limitations but is cool nonetheless. one could also  
"roll their own" with max/msp - but not for the faint of heart....
cheers
bruce

bruce tovsky
www.skeletonhome.com

"Flying is learning how to throw yourself at the ground and miss."
Douglas Adams


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><BR><DIV><DIV>On Apr 18, 2007, =
at 3:53 PM, Per Boysen wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">"Autotone" is a plug-in by =
Arturia and it's not for free.</FONT></P> </BLOCKQUOTE></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>actually, Autotune is made =
by Antares. Antares also makes an interesting mono synth plug called =
Kantos based on the Autotune engine. i use it a lot with =
theremin.</DIV>has some quirky limitations but is cool nonetheless. one =
could also "roll their own" with max/msp - but not for the faint of =
heart....<DIV>cheers</DIV><DIV>bruce</DIV><DIV><BR><DIV> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">bruce tovsky</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px =
Helvetica">www.skeletonhome.com</FONT></P> <P style=3D"margin: 0.0px =
0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><BR></P> =
<P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">"Flying is learning how to =
throw yourself at the ground and miss."</FONT></P> <P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">Douglas Adams</FONT></P>  =
</DIV><BR></DIV></BODY></HTML>=

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: autotune
Date: Wed, 18 Apr 2007 22:06:03 +0200
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On 18 apr 2007, at 22.01, bruce tovsky wrote:

> actually, Autotune is made by Antares.


Sorry,, I was to fast typing. I have it here and should have known  
better.

Per
(blushing...)

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 20:16:40 2007
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Date: Wed, 18 Apr 2007 22:16:38 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Re: autotune- drawing with ableton
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Hi again !

This sounds difficult - drawing with ableton - and how
am I to know what to write v.s what sung. How can I
tell from soundfiles what pitch they have....
Will you recommand this way to work - can you tell me
more ?

RF
 
--- Per Boysen <perboysen@gmail.com> skrev:

> On 18 apr 2007, at 21.38, rune fagereng wrote:
> 
> > Doe anyone know about a autotune for mac and
> ableton -
> > if there are any free plugis or what to buy ?
> 
> "Autotone" is a plug-in by Arturia and it's not for
> free. Melodyne is  
> better though, but both are not real-time. You need
> to first record  
> the audio as a sound-file before applying it. Logic
> has a built-in  
> similar function that could be looked on as "free"
> if you pay for  
> Logic. It sounds softer and is less powerful than
> both Autotune and  
> Melodyne.
> 
> However, if you are using Ableton Live you already
> have the option to  
> change pitch of andy recorded audio in Live. Simply
> draw the pitch  
> you prefer as a graphic line on the clip. This is
> not a plug-in but a  
> function of Live.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://tinyurl.com/2kek7h (CC donationware music
> releases)
> 
> 
> 


www.runefagereng.com
www.myspace.com/runefagereng 
www.youtube.com/watch?v=bOHN4az59A0
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


      
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 20:23:42 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: autotune- drawing with ableton
Date: Wed, 18 Apr 2007 22:23:33 +0200
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On 18 apr 2007, at 22.16, rune fagereng wrote:

> This sounds difficult - drawing with ableton - and how
> am I to know what to write v.s what sung. How can I
> tell from soundfiles what pitch they have....
> Will you recommand this way to work - can you tell me
> more ?

Yes, it would have been easier if there was a simple "pitch wheel" or  
"pitch bar" to grab and adjust pitch in real-time. But drawing it  
graphically is really easy too - just listen. If you are not certain,  
just do anything. You will hear if it's a mistake. Then do something  
else to listen if the pitch moves in the direction you like. Trial  
and error can't miss the sweet spot ;-) time is all you need.

p

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 20:26:48 2007
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Date: Wed, 18 Apr 2007 21:26:46 +0100
From: Os <os@collective.co.uk>
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Subject: Re: new looping/drone track for your enjoyment
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> Very cool Os.. :)

Thanks, and the same to the others who've replied.

Mike & I rarely work in this 'drone' space - normally we're much more
rhythmic, if not melodic - but on this occasion a combination of it
being late and various bits of gear not working as we'd intended
produced this drone set.

I found Rainer's perspective interesting, as I was mainly worried that
real drone aficionados would think that there was far too much
happening in the track! It works for me, anyway, especially with that
odd bass rhythm running through most of it.

> Nicely meditative.. can you comment on the instruments/techniques?

Mike: guitar and a load of pedals (though no looping pedals - all the
guitar looping happens in my laptop)
Me: Nord Lead 3, Ableton Live, Augustus Loop (a couple), Crossfade
Loop Synth Effect

The big drones were probably running in Augustus, the more rhythmic
stuff most likely looped in Live itself. But it's always hard to be
sure what was what after the event. ;)

Daryl wrote:
> I'm not sure if the hiss that enters with the vocal is just mic noise,

What vocal would that be? :)

Per: there's definitely a My Bloody Valentine influence there, now you
mention it. Also a fair bit of early Seefeel.

Live 6 has a new tube distortion effect which I highly recommend.


cheers,
os.


On 18/04/07, cpr@musetrap.com <cpr@musetrap.com> wrote:
> Very cool Os.. :)
>
> Nicely meditative.. can you comment on the instruments/techniques?
>
> peace
> -cpr
>
> Quoting Os <os@collective.co.uk>:
>
> > Hi,
> >
> > I just posted up a track - would love to know what people think of it.
> >
> > You can get it via my podcast:
> > http://www.collective.co.uk/darkroom/podcast.html
> >
> > or directly at:
> > http://www.expert-sleepers.co.uk/darkroom/podcast/drone_of_4_4_7.mp3
> >
> >
> > cheers,
> > os.
> >
> > --
> > os@collective.co.uk
> > http://www.collective.co.uk/
> > http://www.myspace.com/darkroomtheband
>
>
>
>
>
> ----------------------------------------------------------------
> This message was sent using IMP, the Internet Messaging Program.
>
>


-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 20:44:10 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: new looping/drone track for your enjoyment
Date: Wed, 18 Apr 2007 22:44:05 +0200
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On 18 apr 2007, at 22.26, Os wrote:

> Live 6 has a new tube distortion effect which I highly recommend.


Yep, I got awesome sound out of it when trying out the EWI in Live 6.  
I also checked out their new Sampler and it has a distortion/ 
enhancing effect that sounds similar to the new tube dist plug-in. If  
you are using Live and like distortion (or need to target more than  
one parameter with one external MIDI controller message) the version  
6 upgrade is well worth it. I'm not upgrading my own Live 5 license  
yet though, since I'm mostly on Bidule and need my money to buy  
strings since I picked up guitar playing again (although fretless  
with thick flat wounds is a little less expensive in the strings  
department compared to honoring the clean strat tone where the tone  
is lost after one day of playing)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 20:46:36 2007
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From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
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Subject: OT:  Aural anomolies?
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> Sometimes you don't even know if the oscillations you are "hearing"  
> is in the air or in your mind 

Okay, well this comment spurred me on to asking a very off topic
question (perhaps?).  I use a Korg AX300G guitar multifx pedal
(seriously underrated for some severe tone mangling effects) and every
time I play out with this I notice a very strange thing that I've never
been sure is really happening.

After playing for a while, half hour or so at least, I begin to find it
harder and harder to hear the Korg (I'm running my guitar signal through
at least one other processor (VF1 if you must know) on another channel.  

Is it possible that the output of the unit actually begins to drop off
the longer its used or is this some kind of user fatigue thing?

I have no idea and find it quite disconcerting and odd.  This effect
does not seem to happen on the VF1 channel FWIW.

Back to the loops then.

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 20:54:41 2007
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>> Very cool Os.. :)
...
>I found Rainer's perspective interesting, as I was mainly worried that
>real drone aficionados would think that there was far too much
>happening in the track! >


as a <Bring the Drone> guy i liked the cut altho i think there IS too much goin on for it to be considered real Drone w/ a capital D.
in the words of James Plotkin, one great guitar/loop guy:
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=89861713
"a drone is a static sonic occurence, meaning a constant, unchanging event of sound. once  a sound shifts in tone, timbre,frequency, etc. it ceases to be a drone by definition."
he done said a mouthful, and if you can maintain those parameters true Drone can happen and transcend.(or bore you to death, whichever comes first :-)
drone on
staninsanfran

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 21:09:43 2007
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Aw crap, am I all wet again? A month or two ago I was dead certain that 
Per's guitar on the last track on his latest recording was actually a 
flute...I almost didn't believe it even when Per himself told me 
otherwise..!

On this track, there's a hiss that comes in slowly at 2:44, and then a 
llittle whole-step descending figure at 3:03 that then repeats for most 
of the rest of the track. Sounded just like a human hum, with some echo 
on the second note. Is that a pitched-down guitar?

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
> I'm not sure if the hiss that enters with the vocal is just mic noise,
>
> What vocal would that be? :)

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Thanks for the appreciations, Micheal...and all the other people who kindly 
have given their impressions.

I understand what you said and i'm agree with you.
I would like to say a lot about your thoughts, but my english in not so 
good enough.
I can say that i remember that in Zurich i used to exit out of the venue a 
lot of times...because i needed to "wash" my ears before listen to the 
sounds of the nextcoming artist.
...And i'm just 36 years old (tomorrow will be 37 !).
I remember that i was happy to play in Zurich, but at the same time i was 
confused by the speedy performances, even if all worked very well and 
Bernhard made a great work.

In simple words, i can think to the difference between a festival where 
looping performances are showed to a public audience and a festival where 
looping musicians meet themself....
In the first case, i think is more appropriated to have long performances; 
while in the second case i would prefer to have time between the 
performances to...wash ears, to talk with artists and (mostly) to listen to 
some words from the performer about his way to make music.
In other words, the 'goal' ofthe festival must be clear from the beginning 
and the best solution is consequent.
But i also know how difficult is organizing such events...

Just my (poor) opinion.

Ciao

Fabio
www.eterogeneo.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 21:18:02 2007
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Subject: Re: trade my doodle for a smoodle
From: jayrope <jrploopers@kliklak.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3259783279_1327415
Content-type: text/plain; charset="US-ASCII"
Content-transfer-encoding: 7bit

hey all

using a very unmodern LEXICONJAMMAN
(stilll the fastest AND best sounding loopmachine on the planet)

TELEVISIONWORKSHOP
http://myspace.com/televisionworkshop

are releasing their debut on http://umor-rex.com

on Monday, April 23, 2007

We certainly hope, that you will enjoy this, all you guitar players, you.

jayrope - berlin
http://kliklak.net
p.s. now - for this only one message i will again receive so much useless
spam, actually real spam, just because this list doesn't ever get to have
spam protection. 
this really can't be hard to achieve,
i do it, myself, and it works, over here. so what's the point about looper's
delight not getting there????? it would be just great to get there! 

--B_3259783279_1327415
Content-type: text/html; charset="US-ASCII"
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<HTML>
<HEAD>
<TITLE>Re: trade my doodle for a smoodle</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Verdana">hey all<BR>
<BR>
using a very unmodern LEXICONJAMMAN<BR>
(stilll the fastest AND best sounding loopmachine on the planet)<BR>
<BR>
TELEVISIONWORKSHOP<BR>
http://myspace.com/televisionworkshop<BR>
<BR>
are releasing their debut on http://umor-rex.com<BR>
<BR>
on Monday, April 23, 2007<BR>
<BR>
We certainly hope, that you will enjoy this, all you guitar players, you.<B=
R>
<BR>
jayrope - berlin<BR>
http://kliklak.net<BR>
p.s. now - for this only one message i will again receive so much useless s=
pam, actually real spam, just because this list doesn't ever get to have spa=
m protection. <BR>
this really can't be hard to achieve, <BR>
i do it, myself, and it works, over here. so what's the point about looper'=
s delight not getting there????? it would be just great to get there!</FONT>
</BODY>
</HTML>


--B_3259783279_1327415--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 22:13:47 2007
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Date: Wed, 18 Apr 2007 23:13:43 +0100
From: Os <os@collective.co.uk>
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Subject: Re: new looping/drone track for your enjoyment
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> on the second note. Is that a pitched-down guitar?

it must be!

the general hiss will be the gear trouble I said we were having,
magnified by a 30 second decay reverb :)


cheers,
os.


On 18/04/07, Daryl Shawn <highhorse@mhorse.com> wrote:
> Aw crap, am I all wet again? A month or two ago I was dead certain that
> Per's guitar on the last track on his latest recording was actually a
> flute...I almost didn't believe it even when Per himself told me
> otherwise..!
>
> On this track, there's a hiss that comes in slowly at 2:44, and then a
> llittle whole-step descending figure at 3:03 that then repeats for most
> of the rest of the track. Sounded just like a human hum, with some echo
> on the second note. Is that a pitched-down guitar?
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
> > I'm not sure if the hiss that enters with the vocal is just mic noise,
> >
> > What vocal would that be? :)
>
>


-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 22:55:27 2007
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Eben,
Below is the link someone recently posted for heavy duty stompbox style switches.
You can install or they can install. If you want to replace the red ones, get them direct from 
mouser (the part number is on the Loopers Delight) web site), they are a bit cheaper.

I've already replaced two switches (the red ones) and it's very easy. Open up the 
footcontroller and take a look. You'll be surprise at minimum electronics inside. A great 
design.

http://www.britishaudioservice.com/shop_main_echoplex.shtml


> I recently got an EDP and the pedal board that Gibson makes for it
> (TGE04), and am wondering how difficult it would be to swap out the
> red plastic switches for more usable ones. I can solder wires to metal
> but that's about the extent of my knowledge, experience and skills.
> I've searched the LD archives but haven't found concrete suggestions.
> 
> How difficult and/or complicated would it be? Any recommendations as
> to what kind of switches to get (or where to get them)?
> 
> THANKS!
> Eben
> 
> 
> 
> 
> -- 
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.5.446 / Virus Database: 269.5.2/766 - Release Date: 4/18/2007 7:39 AM
> 

Louis Hesselt-van-Dinter

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 23:30:52 2007
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fabio.....your english is excellent, "wash my ears", BRILLIANT!....have 
a wonderful BIRTHDAY young man.....:).....michael



________________________________________________________________________
AOL now offers free email to everyone.  Find out more about what's free 
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From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 23:56:54 2007
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jayrope - berlin.....you get my vote of the 
day!.....wonderful-wacky-humorus-great sounding loops.....i don't know 
about the "spam" problem that you are having but please tell me how you 
go about your music, i have never played with a jamman.....i think it's 
great that we have been talking more about the actual music 
lately.....gear is good, music is better.....michael


http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com

 TELEVISIONWORKSHOP
 http://myspace.com/televisionworkshop

 are releasing their debut on http://umor-rex.com

 on Monday, April 23, 2007

  We certainly hope, that you will enjoy this, all you guitar players, 
you.

 jayrope - berlin
 http://kliklak.net

________________________________________________________________________
AOL now offers free email to everyone.  Find out more about what's free 
from AOL at AOL.com.

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 00:13:02 2007
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jayrope....thnax for this.....it blows my mind how much music is out=20
there.....m


<< http://kliklak.net=C2=A0>>
=C2=A0
 =20
________________________________________________________________________=C2=
=A0

  AOL now offers free email to everyone. Find out more about what's free=20
from AOL at AOL.com.=C2=A0
=C2=A0


________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 00:40:40 2007
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Great work!  , I especially liked "Magnetize Me"
-Qua

-----Original Message-----

 TELEVISIONWORKSHOP
 http://myspace.com/televisionworkshop

 are releasing their debut on http://umor-rex.com

 on Monday, April 23, 2007

  We certainly hope, that you will enjoy this, all you guitar players, you.

 jayrope - berlin
 http://kliklak.net

___

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 02:45:45 2007
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Subject: RE:  M. Klobuchars' critique if the 30 minute loopfest performance format   was:  My piano looping video/ and some thoughts
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I read Michael Klobuchar's thoughtful critique of the
30 minute performance style of the loopfestivals that I've put on for the 
last six years.

I think they are spot on and I agree with his frustrations,
but I also wanted to point out  in their defence:


that I have attempted, as much as is possible,  to create as many 
opportunities
for live loopers to play at the festivals as possible in a self concious 
attempt
to foster community;   to encourage young and newbie artists to participate 
and
get out in front of a crowd.

The only way to be as egalitarian as I have been with the festivals has been 
to
squeeze as many performances in as possible.

This is actually a fairly radical idea in performance, at least as it 
manifests
in the US.      It means that the overall performance aspect necessarily 
suffers
for all of the articulate reasons that Michael laid out that I agree with.

I also think that this egalitarian inclusion has really helped our community 
have
more of a sense of solidarity and I know at least a dozen artist in the last
several years who are now avid live loopers who had never even touched a 
looping pedal
before I lent them one to perform at the festival so I think the strategy 
has paid off.

Also,  I have noticed that crowds at other looping events I have been to 
have been
oversaturated by longer set lengths.

I've chosen the 30 minute format concious of it's drawbacks but I also see 
the whole
festival as a Sampler of live looping............intended to spread the word 
to the public
and to provide many, many loopers with the ability to see dozens and dozens 
of different
approaches to be inspired by.

It has also occasionally kept some performers from performing at the 
festival.
Andre LaFosse has repeatedly turned down my requests to play at the festival
because he feels like he just couldn't do what he does in under a 45 minute 
performance.

I don't agree with him at all,  but I certainly respect his decision not to 
perform.

Noone,   with the exception of Kris Hartung and I ever sees the whole two 
day festival
and it doesn't make sense to even attempt it.............it's just too much. 
So my advise is
to pick and choose the sets you want to see and then avail yourself of the 
unbelievably stimulating
company of the other artists who aren't currently watching a performance 
during the breaks.

Another good thing about the festival being imperfect in different ways is 
that it actually
is making Michael think about creating a festival that he'd rather attend 
which utilizes
different criteria for performance.

Honestly,  I have tried so hard in the past several years to encourage 
people to do their own
small or large festivals as a self concious attempt to grow our community 
and , quite honestly,
to put the notion of a live looping artist in the public's mind so that we 
could start to actually
make money out in the commercial world doing what we are doing.

So,   I still recommend coming to Y2K7 and to performing at it.  I think 
it's a wonderful and inspiring event.

I also highly encourage you to book your own live looping festivals, even if 
they are modest and only have 3 or 4 performers
in an evening..................

................ and hell,  because I"ve worked so hard
for so many years with no compensation,  I'd love to be asked to perform at 
one if you do!
It would be wonderful do give a 45 minute looping performance in Pittsburgh 
if I were to be invited
to do so................<smile>

sincerely and respectfully,

Rick Walker
organizer
Y2K7 International Live Looping festival 

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 02:57:24 2007
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From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Re: new looping/drone track for your enjoyment
Date: Wed, 18 Apr 2007 19:57:57 -0700
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Very nice, Os and Michael!!!!

And I really love to hear My Bloody Valentine mentioned.
I love that group and have been so influenced by them.

It's such a shame that he became so obsessive and never continued 
his work in that vein....................those are incredible records.

Anyway,  keep up the good work.   I wish I could get you guys to 
come and play at Y2K7 this coming year.

We have such a great lineup this year already.

affectionately,  Rick 

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 03:10:46 2007
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To: Loopers-Delight@loopers-delight.com
References: <013901c7822c$e7a6f900$64ddfea9@DAYGLOGREEN>
Subject: Re: M. Klobuchars' critique if the 30 minute loopfest performance format   was:  My piano looping video/ and some thoughts
Date: Wed, 18 Apr 2007 21:10:37 -0600
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Well written Rick. Honestly, though (and all due respect to Michael for 
expressing his unique point of view), I don't think you, me, or anyone has 
to justify the 30 minute performance grid. I like to compare playing music 
to articulating one's point of view, argument, thesis, philosophy of life, 
world view, etc...in my opinion, if one can't get the story across in 30 
minutes, something's wrong. It's either too complex or not well articulated. 
If you were putting on the festival for MAJOR world-renowned headliners 
(popular), then we might promote longer sets, because these sort of acts 
tend to work out their shows in advance to maintain consistency in their 
professionalism, persona, marketing appeal, etc.  But, really, 30 minutes? 
That's an eternity for experimental music. :)  How much atonalism can a 
listener actually withstand from the same artist? :)

Also, you do offer longer sets for artists at you festival, during the 
featured and headliner artist slots. We both do this.

Plus, these are festivals adn one of the main points is to feature the 
breadth of diversity form artists. The idea is to showcase as much talent as 
we can, which lends well to the 30 minute set.

Kris

----- Original Message ----- 
From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 18, 2007 8:46 PM
Subject: RE: M. Klobuchars' critique if the 30 minute loopfest performance 
format was: My piano looping video/ and some thoughts


>I read Michael Klobuchar's thoughtful critique of the
> 30 minute performance style of the loopfestivals that I've put on for the 
> last six years.
>
> I think they are spot on and I agree with his frustrations,
> but I also wanted to point out  in their defence:
>
>
> that I have attempted, as much as is possible,  to create as many 
> opportunities
> for live loopers to play at the festivals as possible in a self concious 
> attempt
> to foster community;   to encourage young and newbie artists to 
> participate and
> get out in front of a crowd.
>
> The only way to be as egalitarian as I have been with the festivals has 
> been to
> squeeze as many performances in as possible.
>
> This is actually a fairly radical idea in performance, at least as it 
> manifests
> in the US.      It means that the overall performance aspect necessarily 
> suffers
> for all of the articulate reasons that Michael laid out that I agree with.
>
> I also think that this egalitarian inclusion has really helped our 
> community have
> more of a sense of solidarity and I know at least a dozen artist in the 
> last
> several years who are now avid live loopers who had never even touched a 
> looping pedal
> before I lent them one to perform at the festival so I think the strategy 
> has paid off.
>
> Also,  I have noticed that crowds at other looping events I have been to 
> have been
> oversaturated by longer set lengths.
>
> I've chosen the 30 minute format concious of it's drawbacks but I also see 
> the whole
> festival as a Sampler of live looping............intended to spread the 
> word to the public
> and to provide many, many loopers with the ability to see dozens and 
> dozens of different
> approaches to be inspired by.
>
> It has also occasionally kept some performers from performing at the 
> festival.
> Andre LaFosse has repeatedly turned down my requests to play at the 
> festival
> because he feels like he just couldn't do what he does in under a 45 
> minute performance.
>
> I don't agree with him at all,  but I certainly respect his decision not 
> to perform.
>
> Noone,   with the exception of Kris Hartung and I ever sees the whole two 
> day festival
> and it doesn't make sense to even attempt it.............it's just too 
> much. So my advise is
> to pick and choose the sets you want to see and then avail yourself of the 
> unbelievably stimulating
> company of the other artists who aren't currently watching a performance 
> during the breaks.
>
> Another good thing about the festival being imperfect in different ways is 
> that it actually
> is making Michael think about creating a festival that he'd rather attend 
> which utilizes
> different criteria for performance.
>
> Honestly,  I have tried so hard in the past several years to encourage 
> people to do their own
> small or large festivals as a self concious attempt to grow our community 
> and , quite honestly,
> to put the notion of a live looping artist in the public's mind so that we 
> could start to actually
> make money out in the commercial world doing what we are doing.
>
> So,   I still recommend coming to Y2K7 and to performing at it.  I think 
> it's a wonderful and inspiring event.
>
> I also highly encourage you to book your own live looping festivals, even 
> if they are modest and only have 3 or 4 performers
> in an evening..................
>
> ................ and hell,  because I"ve worked so hard
> for so many years with no compensation,  I'd love to be asked to perform 
> at one if you do!
> It would be wonderful do give a 45 minute looping performance in 
> Pittsburgh if I were to be invited
> to do so................<smile>
>
> sincerely and respectfully,
>
> Rick Walker
> organizer
> Y2K7 International Live Looping festival
> 


From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 04:01:19 2007
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Date: Thu, 19 Apr 2007 00:01:02 EDT
Subject: if anyone does not go to Y2K7 because of klobuchar's crazy thinkin i will clobber him!
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In a message dated 4/18/07 10:46:05 PM, looppool@cruzio.com writes:


> It would be wonderful do give a 45 minute looping performance in Pittsburgh
> if I were to be invited
> to do so................<smile>.........plus i will pay michael big bucks to 
> do this
> 

you're on bubo!.....:).....my thinking tonite was something along the lines 
of LOOPSTOCK lll but in a more comfortable spot ( kim's famous cookie factory 
type thang) where a group of loopers would hang for a WHOLE day, being set up 
at the same time so there are no sets and some mad jammin).....perhaps this is 
not a festival but more of a looping event, english is my second language keep 
in mind!.....:).....but i could see doing this as a monthly get together, 
OPEN TO THE PUBLIC by all means.....this was done in new york on a weekly basis 
no? (why did these events stop?).....i totally agree with krispin, a 1/2 hr. 
can be an eternity, i've played many of those sets!.....perhaps rick, if you had 
a scheduled 10 min. break a little more often rather than the "holy shit 
something is wrong" break (and here's the important part, your most WONDERFUL 
FESTS get better and smoother as the YEARS GO BY and there are fewer and fewer 
"EAR WASH OPPERTUNITIES", wal mart would be proud of your efficency and 
organizational skills in the running of both yours and i would more than imagine 
krispin's fests never having been to one i am sorry to say, your festivals 
rule!.....rickeeee, i crave community more than you!.....why do you think i came out 
and drive you folks crazy every now and then....:).....YES MORE FESTIVALS!!!!! 
by all means.....rickeee speaks the TRUTH.....i on the other hand have my 
perverse pickadillos.....or is that plectrumdillos?.....stay tuned!.....tushak 
klobuchar



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11



**************************************
 See what's free at http://www.aol.com.

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Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 4/18/07 10:46:05 PM, looppool@cruzio.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">It would be wonderful=
 do give a 45 minute looping performance in Pittsburgh<BR>
if I were to be invited<BR>
to do so................&lt;smile&gt;.........plus i will pay michael big bu=
cks to do this<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">you're on bubo!.....:).....my thinking tonite was something along the lin=
es of LOOPSTOCK lll but in a more comfortable spot ( kim's famous cookie fac=
tory type thang) where a group of loopers would hang for a WHOLE day, being=20=
set up at the same time so there are no sets and some mad jammin).....perhap=
s this is not a festival but more of a looping event, english is my second l=
anguage keep in mind!.....:).....but i could see doing this as a monthly get=
 together, OPEN TO THE PUBLIC by all means.....this was done in new york on=20=
a weekly basis no? (why did these events stop?).....i totally agree with kri=
spin, a 1/2 hr. can be an eternity, i've played many of those sets!.....perh=
aps rick, if you had a scheduled 10 min. break a little more often rather th=
an the "holy shit something is wrong" break (and here's the important part,=20=
your most WONDERFUL FESTS get better and smoother as the YEARS GO BY and the=
re are fewer and fewer "EAR WASH OPPERTUNITIES", wal mart would be proud of=20=
your efficency and organizational skills in the running of both yours and i=20=
would more than imagine krispin's fests never having been to one i am sorry=20=
to say, your festivals rule!.....rickeeee, i crave community more than you!.=
....why do you think i came out and drive you folks crazy every now and then=
....:).....YES MORE FESTIVALS!!!!! by all means.....rickeee speaks the TRUTH=
.....i on the other hand have my perverse pickadillos.....or is that plectru=
mdillos?.....stay tuned!.....tushak klobuchar<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
free at http://www.aol.com.</HTML>

--part1_ced.e213cb8.3358437e_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 04:36:38 2007
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Date: Thu, 19 Apr 2007 06:36:34 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Subject: OT: brickwall
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does anybody know of a good (.. and cheap?) brickwall limiter for
preventing clips when recording into the line-in of a soundcard... I'm
assuming here, this can't be done via software... thanks, ra=FCl.


--=20
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 04:43:43 2007
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Date: Wed, 18 Apr 2007 21:43:41 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: My piano looping video/ and some thoughts
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Personally, I don't like the music festival approach.  To me it's
about as appealing as the idea of having sex with (say) six people in
an evening, thirty minutes at a time, with ten or fifteen minutes
between each person.  Or drinking six different bottles of wine over
the course of a night in the same manner.  Oh, it may sound like a
good idea beforehand, but when you get down to actually doing it...

As an audience member, I really prefer to see one musical performance,
no more than two in a twenty-four hour period.  Many people seem to
feel otherwise, hence the number of tickets sold to weekend rock
festivals.  No lineup could entice me to one of those, regardless of
the bands to ticket price ratio.  Booking agents like multi-artist
bills because it maxmizes the number potential drink buying crowd
(lottery system open mics are the best example of this--all the
musicians have to sit around much longer than if they knew when they
were going on, and so do their handful of friends...drinking).  But
for me personally, it doesn't work, as an audience member or as a
performer.

And yeah, if I'm unfamiliar with an musician's work beforehand, my
attention is really going to start waning around 45 minutes unless
they're a stone cold genius.

But for all of you who enjoy it, by all means, carry on.

TravisH


On 4/18/07, nemoguitt@aol.com <nemoguitt@aol.com> wrote:
> fabio....a very nice piece of music but it made me reflect on a
> corncern that i have about the 1/2 hr. formats of the loopfests...

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 05:13:22 2007
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I see your point, I really do, but not everybody would view this as the 
MOST un-appealing of scenarios..! :-D

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> Personally, I don't like the music festival approach.  To me it's
> about as appealing as the idea of having sex with (say) six people in
> an evening, thirty minutes at a time, with ten or fifteen minutes
> between each person. 

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 05:21:18 2007
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Subject: Re: My piano looping video/ and some thoughts
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Quoting Travis Hartnett <travishartnett@gmail.com>:

> the music festival approach...

I have done solo recitals and have played for conventions and festivals, too=
.

My ego tends to prefer a solo recital however, as I look back, the =20
performances I've delivered at festivals and conventions have been =20
among my best.  I am not sure why this is... perhaps there is a =20
certain "energy" about festival events.

As far as the 30 minute vs. 45 minute format -- well... IF I had to =20
haul my entire PA system halfway across the country I could hardly =20
justify a set under 45 minutes  (though, 45 minutes is, I feel, an =20
optimal amount of time for the material I play).   If I need only haul =20
my (minimal) stage equipment, then 30 minutes is OK.  My music tends =20
to be relatively concise -- my works typically range from five to ten =20
minutes each.  Thus, a 30-minute set would consist of three or four =20
works.

> And yeah, if I'm unfamiliar with an musician's work beforehand, my
> attention is really going to start waning around 45 minutes unless
> they're a stone cold genius.

HaHa!  I spose genius (like beauty) is in the eye of the beholder.  =20
Personally, I would rather play a shorter set and hold the listeners' =20
attention than overstay my musical welcome.

> But for all of you who enjoy it, by all means, carry on.

:)

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 07:08:01 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: "musical performance buffet" (was: M. Klobuchars' critique if the 30 minute loopfest performance format   was:  My piano looping video/ and some thoughts
Date: Thu, 19 Apr 2007 09:07:47 +0200
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I think the 30 minute spots festivals are great!

Heck, I've even played 20 minute gigs with no problem. When I wrote  
that I had problems digesting too much music at one night, when  
attending as part of the audience, I forgot to say that this was  
thirty years ago. Today I can listen nonstop and fully enjoy it as a  
stream, and I've seen other people having that ability as their  
default talent right from the start.

I'd also like to look at the 30 minute spot festival format as a  
"musical performance buffet". You choose some goodies for your plate  
and then get out of the gunfire.

Greetings from Sweden

Per Boysen
(today in love with all too much)


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From: Per Boysen <perboysen@gmail.com>
Subject: Re: OT: brickwall
Date: Thu, 19 Apr 2007 09:17:39 +0200
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On 19 apr 2007, at 06.36, Raul Bonell wrote:

> does anybody know of a good (.. and cheap?) brickwall limiter for
> preventing clips when recording into the line-in of a soundcard... I'm
> assuming here, this can't be done via software... thanks, ra=FCl.


The FMR Audio boxes are among the most price worthy. I have their RNC =20=

(Really Nice Compressor) which I always use. Not before the recorder =20
though, since I rather prefer to take care with my playing and keep =20
the natural dynamics of the instrument - but if you want a limiter =20
pre input I think it would be fine. I know Krispen H also has a  RNC =20
and uses it before the input. Maybe you can chime in Kris?

http://www.fmraudio.com/productspage.htm

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 09:42:33 2007
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Subject: OT: brickwall
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While we already had the "brickwall limiting doesn't exist in the =
analogue
world" discussion a few days back (I firmly believe it could exist by =
using
longer cables in your main signal path ;), there is on the cheap front =
the
discontinued Alesis NanoLimiter, which has a very characteristic sound =
you
may or may not like. Then there are the older Behringer Composers which
sound quite fine if you combine the compressor and limiter section in a
meaningful way.

> does anybody know of a good (.. and cheap?) brickwall limiter=20
> for preventing clips when recording into the line-in of a=20
> soundcard... I'm assuming here, this can't be done via=20
> software... thanks, ra=FCl.

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 10:23:09 2007
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Date: Thu, 19 Apr 2007 06:20:09 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow, Galactic Travels, and The AM/FM Show
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the month-long
Special Focus on Jean-Pierre Saccomani from the UK.  The Featured CD at
Midnight will be "Equilibre thermique de l'igloo en phase de fonte" by
Jean-Pierre Saccomani and Jean-Luc H. Berthelot on MCP Records.  The
Vinyl Starter will be from the LP "Defense De" by Birge, Gorge, and
Shiroc on Sun Records and released in 1975.  For details, see the
Special Focus page at:
http://wdiy.org/programs/gt/playlists/2007/focus.html#apr

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.


THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, April 21 at 6:00 am.
I will continue the special on E-dition Electronic Music Magazine's
sampler CDs.  I will play the music of bands playing that night at the
New Jersy Proghouse and at The Gatherings.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://muhlenberg.edu/wmuh


======================================================================
All times are EDT / GMT-6? because the US is on Daylight Savings Time.

Listen on-line to WDIY at http://wdiy.org and click LISTEN or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm

Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 10:38:26 2007
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Subject: AW: trade my doodle for a smoodle
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Although I'm not a guitar player (I only have one), I enjoyed the stuff, but
got interested by part of your statement:
	
	(stilll the fastest AND best sounding loopmachine on the planet)

what does that mean? what makes a loopmachine fast? And how is it faster
than, say, a digitech PDS? What makes a loopmachine good sounding for you?
Fidelity? And if so, why is it better sounding than e.g. an Eventide H8000
(or even an Eclipse), or a computer with pristine converters?

Curious,

	Rainer

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 12:18:42 2007
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Subject: "musical performance buffet"
Date: Thu, 19 Apr 2007 13:19:50 +0100
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Hi

"You choose some goodies for your plate and then get out of the gunfire"
Not too sure where you go to get your buffets Per but the food must be 
amazing!

:-)

Dan


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 19, 2007 8:07 AM
Subject: "musical performance buffet" (was: M. Klobuchars' critique if the 
30 minute loopfest performance format was: My piano looping video/ and some 
thoughts


>I think the 30 minute spots festivals are great!
>
> Heck, I've even played 20 minute gigs with no problem. When I wrote  that 
> I had problems digesting too much music at one night, when  attending as 
> part of the audience, I forgot to say that this was  thirty years ago. 
> Today I can listen nonstop and fully enjoy it as a  stream, and I've seen 
> other people having that ability as their  default talent right from the 
> start.
>
> I'd also like to look at the 30 minute spot festival format as a  "musical 
> performance buffet". You choose some goodies for your plate  and then get 
> out of the gunfire.
>
> Greetings from Sweden
>
> Per Boysen
> (today in love with all too much)
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 13:11:28 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: reminder: openplug internet jam
Date: Thu, 19 Apr 2007 15:11:40 +0200
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Just wanted to remind you all about this:
http://www.t-u-b-e.de/openplug.htm

It's an open internet session, happening today at 1800 UTC. You'll need
their proprietary AU/VST plugin (or Mac standalone software), available for
download above, and then just join the fun! Of course, you can also use that
plugin to simply listen to the fun.

I'll be there in case someone cares - watch out for "moinho"!

	Rainer

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 13:12:09 2007
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Subject: Subscape Annex Thursday, VJ CyOps and DJ RasMusis Friday, Durham
 NC, USA
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Tonight, I will be playing solo improvisational looping ambient/industrial 
theremin and Chapman Stick this Thursday from 9pm to 11pm at the Nasher 
Museum of Art in Durham. I'll be playing immediately following the 
keynote address by John Seely Brown to open the HASTAC Conference. 
Admission is free.

Information at the link:
http://www.hastac.org/node/654

################
Friday:

Rene Garcia (performing as VJ Cyops) of San Diego, working with local DJ and 
bassist DJ RasMusis, who has also performed as / as part of HyMettus 
Woods, Odd International, Plural I, and Razor Wire Safety Net), will 
perform at the PSI Theatre of the Durham Arts Council Friday evening 
beginning at 9pm. Admission is alo free.

VJ Cyops and DJ RasMusis event information:
http://www.hastac.org/node/733

Rene Garcia:
http://www.renegarcia.net/

Several events of the HASTAC Conference "Electronic Techtonics: Thinking at the 
Interface" are free and open to the public. The list is at:

http://www.hastac.org/informationyear/conference/free_events

best,
Steve B
Subscape Annex   http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 13:26:03 2007
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From: "Claude Voit" <c.voit@vtx.ch>
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Subject: busy I was lately
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Yes I'm happy to announce that my home  made web site (v 1.0) is online and 
ready for the world ....
www.claudevoit.ch
comments, bugs, wishes, etc... welcome

Hava nice day

Claude


www.myspace.com/claudevoit/ 


From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 14:22:54 2007
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--Apple-Mail-4--1030625856
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Very nice music Claude! Well done.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 19-Apr-07, at 6:26 AM, Claude Voit wrote:

> Yes I'm happy to announce that my home  made web site (v 1.0) is 
> online and ready for the world ....
> www.claudevoit.ch
> comments, bugs, wishes, etc... welcome
>
> Hava nice day
>
> Claude
>
>
> www.myspace.com/claudevoit/

--Apple-Mail-4--1030625856
Content-Transfer-Encoding: 7bit
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Very nice music Claude! Well done.


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 19-Apr-07, at 6:26 AM, Claude Voit wrote:


<excerpt>Yes I'm happy to announce that my home  made web site (v 1.0)
is online and ready for the world ....

www.claudevoit.ch

comments, bugs, wishes, etc... welcome


Hava nice day


Claude



www.myspace.com/claudevoit/ 

</excerpt>
--Apple-Mail-4--1030625856--

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 16:13:57 2007
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Date: Thu, 19 Apr 2007 12:13:36 -0400
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There are certainly a lot of brickwall limiters available.

Any dbx product with the "peakstop" feature (165 etc) and several 
Aphex limiters (studio dominator) .

My advice, as an engineer: Turn the levels DOWN!

You should set the signal level so that the audio PEAKS at -18 on the meter.

It's easy (and clean) to add gain later, but clipping is forever, and 
so is bad peak limiting.

-Chuck Zwicky


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 16:23:29 2007
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Date: Thu, 19 Apr 2007 11:23:27 -0500
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Quoting Charles Zwicky <cazwicky@earthlink.net>:

> My advice, as an engineer: Turn the levels DOWN!
>
> You should set the signal level so that the audio PEAKS at -18 on the meter.
>

I agree with your advice.  For the -18 level, are you referring to a  
traditional VU meter or a peak reading meter?   18db seems like a lot  
of headroom.  Would you elaborate?  Much appreciated.

Normally I set my peaks just below full-scale -- I prefer to carry  
sufficient headroom for the peaks rather than limiting/compressing.   
The result is that my "home grown" cd's are not as "loud" as others --  
however I just turn up my volume control a bit to compensate.

fyi -- my approach to recording is more akin to classical music  
recording than, say, dance or pop music.  In general, my cds' levels  
match up with commercial classical cds' ok but my kids pop/heavy  
metal/hip-hip cds' levels pretty much bury my stuff.  :)

-- Kevin


From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 16:35:56 2007
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I've posted a review of Fabio Anile's (and others') "Great Speeches".

http://www.swanwelder.com/mutereactionary/Fabio_Anile.htm

Forgive the rudimentary site, I haven't gotten around to designing 
something nice yet. I'll leave the navigation the same, though, if 
anyone wishes to link to their review page I'll make sure it doesn't 
break. Also up are my past reviews of Per Boysen's "Oooh", Krispen 
Hartung's "Fragments", Rob McDade's single "Dickhead in a G String", and 
some other non-looper types.

Main page is here: http://www.swanwelder.com/mutereactionary

I'll try to review anything that people post to LD looking for feedback, 
but feel free to email me (offlist!) with anything specific you'd like 
to have picked apart in public.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 17:35:24 2007
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Kevin,

  I recommend that the DAW meters (which are peak reading meters) 
indicate -18dbfs.

I am talking about RECORDING here. when you are producing the final 
product, then you can apply peak limiting as desired.

To elaborate: 18db is NOT alot of headroom. If you scan the resulting 
file you are going to find that the signal will hit much hotter than 
the meters are capable of indicating, particularly digital meters, 
since they need to average across several samples.
Pro studios use a calibration standard ranging from -14 to -22dbfs.
Every record I am sent to mix that has been recorded to this standard 
has a peak in the file between 0db and -3.
If the reference level  was  higher,  there would certainly be 
'overs' in the file.

Almost every modern A/D converter, even a lowly soundcard, has a 
better signal to noise ratio than the source. This means that there 
is no need to 'print hot' since you are not increasing the 
signal-to-noise ratio, only recording the source's background noise 
at a higher level.

Subsequently, every DAW or audio editor has tremendous internal 
dynamic range and it is not going to compromise the signal to add 
gain in the DAW.

-CZ



>Quoting Charles Zwicky <cazwicky@earthlink.net>:
>
>>My advice, as an engineer: Turn the levels DOWN!
>>
>>You should set the signal level so that the audio PEAKS at -18 on the meter.
>>
>
>I agree with your advice.  For the -18 level, are you referring to a 
>traditional VU meter or a peak reading meter?   18db seems like a 
>lot of headroom.  Would you elaborate?  Much appreciated.
>
>Normally I set my peaks just below full-scale -- I prefer to carry 
>sufficient headroom for the peaks rather than limiting/compressing.  
>The result is that my "home grown" cd's are not as "loud" as others 
>-- however I just turn up my volume control a bit to compensate.
>
>fyi -- my approach to recording is more akin to classical music 
>recording than, say, dance or pop music.  In general, my cds' levels 
>match up with commercial classical cds' ok but my kids pop/heavy 
>metal/hip-hip cds' levels pretty much bury my stuff.  :)
>
>-- Kevin


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 17:42:57 2007
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Date: Thu, 19 Apr 2007 12:42:54 -0500
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: brickwall
References: <001601c78267$15632550$1001a8c0@succubus>
	<p06230901c24d44ce8c1e@[24.215.166.178]>
	<20070419112327.vh41tryj5wcs8sc0@69.89.21.76>
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Quoting Charles Zwicky <cazwicky@earthlink.net>:

> Kevin,
>
>  I recommend that the DAW meters (which are peak reading meters)
> indicate -18dbfs.
>
> I am talking about RECORDING here. when you are producing the final
> product, then you can apply peak limiting as desired...

Charles,

Excellent and useful information.  Thank you.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 18:29:56 2007
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From: "radio radio" <radiotelevision@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: upgrading footswitches for EDP?
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Thanks for the british audio service tip. My concern about the
switches that come with the foot pedal is that I have trouble
depressing them consistently/reliably, and I think that this would be
fixed by having switches that are more raised. As it is, I've been
trying to use my big toe sometimes, so can't wear shoes, and this is
not convenient or easy. I also didn't realize that getting 7 of those
switches would cost around $50, though. I guess the other option would
be not to baby the foot pedal and not to worry about literally
stomping on the buttons, which could be my problem too.



On 4/18/07, muman <muman@eskimo.com> wrote:
> Eben,
> Below is the link someone recently posted for heavy duty stompbox style switches.
> You can install or they can install. If you want to replace the red ones, get them direct from
> mouser (the part number is on the Loopers Delight) web site), they are a bit cheaper.
>
> I've already replaced two switches (the red ones) and it's very easy. Open up the
> footcontroller and take a look. You'll be surprise at minimum electronics inside. A great
> design.
>
> http://www.britishaudioservice.com/shop_main_echoplex.shtml
>
>
> > I recently got an EDP and the pedal board that Gibson makes for it
> > (TGE04), and am wondering how difficult it would be to swap out the
> > red plastic switches for more usable ones. I can solder wires to metal
> > but that's about the extent of my knowledge, experience and skills.
> > I've searched the LD archives but haven't found concrete suggestions.
> >
> > How difficult and/or complicated would it be? Any recommendations as
> > to what kind of switches to get (or where to get them)?
> >
> > THANKS!
> > Eben
> >
> >
> >
> >
> > --
> > No virus found in this incoming message.
> > Checked by AVG Free Edition.
> > Version: 7.5.446 / Virus Database: 269.5.2/766 - Release Date: 4/18/2007 7:39 AM
> >
>
> Louis Hesselt-van-Dinter
>
>

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From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 02:02:06 2007
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From: Ronan Chris Murphy <looper@venetowest.com>
Subject: Re: OT: brickwall
Date: Thu, 19 Apr 2007 19:01:59 -0700
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There have been some excellent responses to this question already but =20=

let me pile on.

There are a few devices that do limiting before the converters, and =20
some do it very well, but in the analog world it is not possible to =20
catch all the sharp transients. This is what changed in the digital =20
world, where the software could anticipate the transients (by =20
delaying the sources material). In the analog world, the signal has =20
already passed the threshold before the limiter knows its time to =20
turn it down. The natural compression/saturation of analog tape is an =20=

exception to this.

This is a timely subject, as I am in the middle of writing a magazine =20=

about this issue called "RED =3D BAD".

If you are recording to 24 bit and feeling the need to record with =20
some kind of limiter in front of the converters, it means you are =20
recording incorrectly. There is no reason to record your levels so =20
hot that you are running the risk of clipping the converters. Many =20
people will get led astray and be told that you should be recording =20
your levels as hot as possible with out hitting the red (OdBfs). =20
There are many reasons why this is not advantageous which are beyond =20
the scope of what I will write about here, but the biggest one is =20
that if the performance ends up being more dynamic than you =20
predicted, you will have clipped the converters and distorted the =20
material. I make about half my living mixing records that other =20
people have recorded, and I am pretty good at it but there are a few =20
things that will completely tie my hands or not be "fixable", the =20
absolute worst is super hot levels that clip. with the exception of =20
the close mics on drums, there is no fix for this!!! (The close mic =20
fix is replacing the drums with samples)

Many people will record really hot levels because they feel the need =20
to get  maximum resolution and detail, while this is an argument that =20=

is worth considering, in practical use it is just a bad idea. All =20
meters are different, but keep in mind that if you are recording at =20
24 bit and your meters are going about half way up the meter scale, =20
you have far surpassed the resolution of an audio CD and I think its =20
safe to say that if you are looper using a bunch of FX, you will have =20=

surpassed the resolution/dynamic range of the source material being =20
recorded when the meters on your software are less than a 1/4 up your =20=

meters.

Do not confuse recording levels with final CD levels. Once you have =20
recorded the music there are lots of ways to cleanly and safely get =20
your levels to compete with other commercial CDs


Ronan Chris Murphy
www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes, =20=

Steve Morse, Terry Bozzio, CGT...)
www.homerecordingbootcamp.com (Workshops around the world teaching =20
the art and craft of recording )
www.livesofthesaints.net (The hottest ambient noise duo since Sonny & =20=

Cher)

On Apr 18, 2007, at 9:36 PM, Raul Bonell wrote:

> does anybody know of a good (.. and cheap?) brickwall limiter for
> preventing clips when recording into the line-in of a soundcard... I'm
> assuming here, this can't be done via software... thanks, ra=FCl.
>
>
> --=20
> The Playing Orchestra: http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com
> TPO at myspace: http://www.myspace.com/theplayingorchestra
>
>


--Apple-Mail-10--988660133
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=ISO-8859-1

<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV>There have been some =
excellent responses to this question already but let me pile =
on.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>There are =
a few devices that do limiting before the converters, and some do it =
very well, but in the analog world it is not possible to catch all the =
sharp transients. This is what changed in the digital world, where the =
software could anticipate the transients (by delaying the sources =
material). In the analog world, the signal has already passed the =
threshold before the limiter knows its time to turn it down. The natural =
compression/saturation of analog tape is an exception to =
this.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>This is =
a timely subject, as I am in the middle of writing a magazine about this =
issue called "RED =3D BAD".</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>If you are recording to 24 =
bit and feeling the need to record with some kind of limiter in front of =
the converters, it means you are recording incorrectly. There is no =
reason to record your levels so hot that you are running the risk of =
clipping the converters. Many people will get led astray and be told =
that you should be recording your levels as hot as possible with out =
hitting the red (OdBfs). There are many reasons why this is not =
advantageous which are beyond the scope of what I will write about here, =
but the biggest one is that if the performance ends up being more =
dynamic than you predicted, you will have clipped the converters and =
distorted the material. I make about half my living mixing records that =
other people have recorded, and I am pretty good at it but there are a =
few things that will completely tie my hands or not be "fixable", the =
absolute worst is super hot levels that clip. with the exception of the =
close mics on drums, there is no fix for this!!! (The close mic fix is =
replacing the drums with samples)</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Many people will record =
really hot levels because they feel the need to get=A0 maximum =
resolution and detail, while this is an argument that is worth =
considering, in practical use it is just a bad idea. All meters are =
different, but keep in mind that if you are recording at 24 bit and your =
meters are going about half way up the meter scale, you have far =
surpassed the resolution of an audio CD and I think its safe to say that =
if you are looper using a bunch of FX, you will have surpassed the =
resolution/dynamic range of the source material being recorded when the =
meters on your software are less than a 1/4 up your =
meters.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>Do =
not confuse recording levels with final CD levels. Once you have =
recorded the music there are lots of ways to cleanly and safely get your =
levels to compete with other commercial CDs</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR><DIV> <P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Comic Sans MS" size=3D"4" =
style=3D"font: 13.0px Comic Sans MS">Ronan Chris Murphy</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Comic Sans MS" =
size=3D"4" style=3D"font: 13.0px Comic Sans MS">www.venetowest.com =
(Production &amp; mixing: King Crimson, Chucho Valdes, Steve Morse, =
Terry Bozzio, CGT...)</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Comic Sans MS" size=3D"4" style=3D"font: 13.0px =
Comic Sans MS">www.homerecordingbootcamp.com (Workshops around the world =
teaching the art and craft of recording )</FONT></P> <P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Comic Sans MS" size=3D"4" =
style=3D"font: 13.0px Comic Sans MS">www.livesofthesaints.net (The =
hottest ambient noise duo since Sonny &amp; Cher)</FONT></P>  =
</DIV><BR><DIV><DIV>On Apr 18, 2007, at 9:36 PM, Raul Bonell =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">does anybody know of a good (.. =
and cheap?) brickwall limiter for</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">preventing =
clips when recording into the line-in of a soundcard... I'm</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">assuming here, this can't be done via software... =
thanks, ra=FCl.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">The =
Playing Orchestra: <A =
href=3D"http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2=
/tpo</A></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Chain Tape Collective: <A =
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</A></DI=
V><DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">TPO at myspace: <A =
href=3D"http://www.myspace.com/theplayingorchestra">http://www.myspace.com=
/theplayingorchestra</A></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV> =
</BLOCKQUOTE></DIV><BR></BODY></HTML>=

--Apple-Mail-10--988660133--

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 <947A755B-3969-4337-97FC-8762D2FB7EFB@venetowest.com>
Date: Thu, 19 Apr 2007 23:41:23 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
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Ronan,
  Thanks for restating everything I already said on the subject... ;-)
I'd like to correct your misaprehension of analog tape saturation.
Saturation is not an exception to any limiting=20
'law' since it's not the same thing.
It's simply magnetic clipping.
  As I stated erlier, there are several=20
instantanious analog peak limiters on the market.

Good luck on your article!

>There have been some excellent responses to this=20
>question already but let me pile on.
>
>There are a few devices that do limiting before=20
>the converters, and some do it very well, but in=20
>the analog world it is not possible to catch all=20
>the sharp transients. This is what changed in=20
>the digital world, where the software could=20
>anticipate the transients (by delaying the=20
>sources material). In the analog world, the=20
>signal has already passed the threshold before=20
>the limiter knows its time to turn it down. The=20
>natural compression/saturation of analog tape is=20
>an exception to this.
>
>This is a timely subject, as I am in the middle=20
>of writing a magazine about this issue called=20
>"RED =3D BAD".
>
>If you are recording to 24 bit and feeling the=20
>need to record with some kind of limiter in=20
>front of the converters, it means you are=20
>recording incorrectly. There is no reason to=20
>record your levels so hot that you are running=20
>the risk of clipping the converters. Many people=20
>will get led astray and be told that you should=20
>be recording your levels as hot as possible with=20
>out hitting the red (OdBfs). There are many=20
>reasons why this is not advantageous which are=20
>beyond the scope of what I will write about=20
>here, but the biggest one is that if the=20
>performance ends up being more dynamic than you=20
>predicted, you will have clipped the converters=20
>and distorted the material. I make about half my=20
>living mixing records that other people have=20
>recorded, and I am pretty good at it but there=20
>are a few things that will completely tie my=20
>hands or not be "fixable", the absolute worst is=20
>super hot levels that clip. with the exception=20
>of the close mics on drums, there is no fix for=20
>this!!! (The close mic fix is replacing the=20
>drums with samples)
>
>Many people will record really hot levels=20
>because they feel the need to get  maximum=20
>resolution and detail, while this is an argument=20
>that is worth considering, in practical use it=20
>is just a bad idea. All meters are different,=20
>but keep in mind that if you are recording at 24=20
>bit and your meters are going about half way up=20
>the meter scale, you have far surpassed the=20
>resolution of an audio CD and I think its safe=20
>to say that if you are looper using a bunch of=20
>FX, you will have surpassed the=20
>resolution/dynamic range of the source material=20
>being recorded when the meters on your software=20
>are less than a 1/4 up your meters.
>
>Do not confuse recording levels with final CD=20
>levels. Once you have recorded the music there=20
>are lots of ways to cleanly and safely get your=20
>levels to compete with other commercial CDs
>
>
>Ronan Chris Murphy
>
>www.venetowest.com (Production & mixing: King=20
>Crimson, Chucho Valdes, Steve Morse, Terry=20
>Bozzio, CGT...)
>
>www.homerecordingbootcamp.com (Workshops around=20
>the world teaching the art and craft of=20
>recording )
>
>www.livesofthesaints.net (The hottest ambient noise duo since Sonny & Cher)
>
>
>On Apr 18, 2007, at 9:36 PM, Raul Bonell wrote:
>
>>does anybody know of a good (.. and cheap?) brickwall limiter for
>>preventing clips when recording into the line-in of a soundcard... I'm
>>assuming here, this can't be done via software... thanks, ra=FCl.
>>
>>
>>--
>>The Playing Orchestra:=20
>><http://www.telefonica.net/web2/tpo>http://www.telefonica.net/web2/tpo
>>Chain Tape Collective:=20
>><http://www.ct-collective.com>http://www.ct-collective.com
>>TPO at myspace:=20
>><http://www.myspace.com/theplayingorchestra>http://www.myspace.com/theplay=
ingorchestra


-- 
=2E..
http://www.zmix.net
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type=3D"text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: OT: brickwall</title></head><body>
<div><br></div>
<div>Ronan,</div>
<div>&nbsp;Thanks for restating everything I already said on the
subject... ;-)</div>
<div>I'd like to correct your misaprehension of analog tape
saturation.</div>
<div>Saturation is not an exception to any limiting 'law' since it's
not the same thing.</div>
<div>It's simply magnetic clipping.</div>
<div>&nbsp;As I stated erlier, there are several instantanious analog
peak limiters on the market.</div>
<div><br></div>
<div>Good luck on your article!</div>
<div><br></div>
<blockquote type=3D"cite" cite>There have been some excellent responses
to this question already but let me pile on.</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>There are a few devices that do limiting
before the converters, and some do it very well, but in the analog
world it is not possible to catch all the sharp transients. This is
what changed in the digital world, where the software could anticipate
the transients (by delaying the sources material). In the analog
world, the signal has already passed the threshold before the limiter
knows its time to turn it down. The natural compression/saturation of
analog tape is an exception to this.</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>This is a timely subject, as I am in the
middle of writing a magazine about this issue called &quot;RED =3D
BAD&quot;.</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>If you are recording to 24 bit and
feeling the need to record with some kind of limiter in front of the
converters, it means you are recording incorrectly. There is no reason
to record your levels so hot that you are running the risk of clipping
the converters. Many people will get led astray and be told that you
should be recording your levels as hot as possible with out hitting
the red (OdBfs). There are many reasons why this is not advantageous
which are beyond the scope of what I will write about here, but the
biggest one is that if the performance ends up being more dynamic than
you predicted, you will have clipped the converters and distorted the
material. I make about half my living mixing records that other people
have recorded, and I am pretty good at it but there are a few things
that will completely tie my hands or not be &quot;fixable&quot;, the
absolute worst is super hot levels that clip. with the exception of
the close mics on drums, there is no fix for this!!! (The close mic
fix is replacing the drums with samples)</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>Many people will record really hot levels
because they feel the need to get&nbsp; maximum resolution and detail,
while this is an argument that is worth considering, in practical use
it is just a bad idea. All meters are different, but keep in mind that
if you are recording at 24 bit and your meters are going about half
way up the meter scale, you have far surpassed the resolution of an
audio CD and I think its safe to say that if you are looper using a
bunch of FX, you will have surpassed the resolution/dynamic range of
the source material being recorded when the meters on your software
are less than a 1/4 up your meters.</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>Do not confuse recording levels with
final CD levels. Once you have recorded the music there are lots of
ways to cleanly and safely get your levels to compete with other
commercial CDs</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite><font face=3D"Comic Sans MS"
size=3D"+1">Ronan Chris Murphy</font><br>
</blockquote>
<blockquote type=3D"cite" cite><font face=3D"Comic Sans MS"
size=3D"+1">www.venetowest.com (Production &amp; mixing: King Crimson,
Chucho Valdes, Steve Morse, Terry Bozzio, CGT...)</font><br>
</blockquote>
<blockquote type=3D"cite" cite><font face=3D"Comic Sans MS"
size=3D"+1">www.homerecordingbootcamp.com (Workshops around the world
teaching the art and craft of recording )</font><br>
</blockquote>
<blockquote type=3D"cite" cite><font face=3D"Comic Sans MS"
size=3D"+1">www.livesofthesaints.net (The hottest ambient noise duo
since Sonny &amp; Cher)</font><br>
</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>On Apr 18, 2007, at 9:36 PM, Raul Bonell
wrote:</blockquote>
<blockquote type=3D"cite" cite><br>
<blockquote type=3D"cite" cite>does anybody know of a good (.. and
cheap?) brickwall limiter for</blockquote>
<blockquote type=3D"cite" cite>preventing clips when recording into the
line-in of a soundcard... I'm</blockquote>
<blockquote type=3D"cite" cite>assuming here, this can't be done via
software... thanks, ra=FCl.</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>--</blockquote>
<blockquote type=3D"cite" cite>The Playing Orchestra: <a
href=3D"http://www.telefonica.net/web2/tpo"
>http://www.telefonica.net/web2/tpo</a></blockquote>
<blockquote type=3D"cite" cite>Chain Tape Collective: <a
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</a
></blockquote>
<blockquote type=3D"cite" cite>TPO at myspace: <a
href=3D"http://www.myspace.com/theplayingorchestra"
>http://www.myspace.com/theplayingorchestra</a></blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1035081835==_ma============--

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 08:29:52 2007
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	"Travis Hartnett" <travishartnett@gmail.com>
Date: Fri, 20 Apr 2007 09:29:15 +0100
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On 18 Apr 2007 at 21:43, Travis Hartnett wrote:

> about as appealing as the idea of having sex with (say) six people in
> an evening, thirty minutes at a time, with ten or fifteen minutes
> between each person.  

In my younger days, this would have certainly appealed, but even 
then, I *may* have struggled with 30 mins at a time ;)

> As an audience member, I really prefer to see one musical performance,

I understand your POV and agree in general, although a well-chosen 
support act is a big bonus - I've seen Queen, Focus, SAHB, Camel, 
Roxy Music and many others as support acts. I feel a Loopfest doesn't 
share the same capitalist ideology as, say, an Ozzfest and shouldn't 
really be assessed in the same way. Also, it's not as if we can pick 
and choose our looping concerts on a regular basis. In the UK, there 
are precious few per yearand mostly unpublicised. 




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From: "nick@12testing.net" <nick@12testing.net>
To: Loopers-Delight@loopers-delight.com,
	Daryl Shawn <highhorse@mhorse.com>
Date: Fri, 20 Apr 2007 09:29:15 +0100
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Subject: Re: Review of "Great Speeches" and others
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On 19 Apr 2007 at 11:35, Daryl Shawn wrote:

> I've posted a review of Fabio Anile's (and others') "Great Speeches".

Very thoughtful - I think reviews like this really help newcomers to 
the looping world to appreciate the thought that goes into the better 
looped music - it's not all "play, loop and widdle". I've posted a 
link to it on my site. Fancy tackling the Paper Music project?

http://www.ct-collective.com/index.cfm?page=music&albumid=25

There's a fairly clear distinction between the tracks using looping 
and those who arrange the sounds using other methods.


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	Per Boysen <perboysen@gmail.com>
Date: Fri, 20 Apr 2007 09:29:15 +0100
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Subject: re critique of the 30 minute loopfest 
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On 19 Apr 2007 at 9:07, Per Boysen wrote:

> I think the 30 minute spots festivals are great!

Me too, Per. I suspect the audiences do as well - if you want more of 
an artist, you can approach them for CDs, further dates etc, if 
you're not enjoying it, half an hour isn't going to drive you away 
from the concert. Opportunities for performing our music are few and 
far between - I'd hate to think by playing a long set I was squeezing 
someone else off the stage. Without some kind of community spirit, 
we'd be really struggling.....

I feel anyone who feels they can't make a valid musical statement in 
30 minutes is either pretentious in the extreme or probably (as we 
say here in Yorkshire), "up their own ar*e". No offence ;)




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        UNION BANK PLC 
        LAGOS-NIGERIA. 
  Dear Sir/Madam, 
  REQUEST FOR URGENT BUSINESS RELATIONSHIP First, I must solicit your confidence in this transaction, this is by virtue of it?s nature as being utterly CONFIDENTIAL. 
  I am Mr Glory Ebube a member of Board of Directors of UNION BANK PLC Lagos. I came to know of you in my private search for a reliable and reputable  person to handle this confidential transaction, which involves the transfer of a huge sum of 
money to a Foreign Bank Account requiring maximum confidence. 
  THE PREPOSITION The Late Engineer MARK JOHNSON, Lebanese national and  an oil merchant/contractor with the Federal Government of Nigeria, until his death three years ago in a ghastly air crash, banked with us here at the  UNION BANK PLC, Lagos, and had a closing balance of USD20,000,000.00 (Twenty Million Dollars) which the bank now unquestionably expect it to be claimed by MARK JOHNSON?S next of kin or alternatively be donated to a Charity Organisation here.
   Efforts have been made by the UNION BANK, to get in  touch with any of the JOHNSON?S family but to no avail. It is because of the perceived impossibility of not being able to locate ENGR MARK JOHNSON?S  next of kin that the management under the influence of our Chairman Board of Directors, Major General Kalu Ike Kalu who has agreed that since the incident occurred in 1998 and has left the fund dormant and devalued, we should transfer the fund overseas and utilize it either on stock exchange market or personal business interest. 
  Your role is very important as the fund when concluded on transfer will be justifiably presented as having been remitted to the next of kin which is assumed to be you. Your interest will be protected as unnecessary documentation will be avoided and adequate percentage scheduled for mutual benefit. 
  1. Account holder 
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2. Nigerian Partner 80% (Nigerian Partner) 
  You are required to contact me immediately by return mail. Be informed that all parties interest should be protected in terms of confidentiality.
Note that all modalities necessary for the transfer of fund have been perfected and the transaction is 100% risk free. 
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---------------------------------
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<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; UNION BANK PLC <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; LAGOS-NIGERIA. </DIV>  <DIV>Dear Sir/Madam, </DIV>  <DIV>REQUEST FOR URGENT BUSINESS RELATIONSHIP First, I must solicit your confidence in this transaction, this is by virtue of it?s nature as being utterly CONFIDENTIAL. </DIV>  <DIV>I am Mr Glory Ebube a member of Board of Directors of UNION BANK PLC Lagos. I came to know of you in my private search for a reliable and reputable&nbsp; person to handle this confidential transaction, which involves the transfer of a huge sum of <BR>money to a Foreign Bank Account requiring maximum confidence. </DIV>  <DIV>THE PREPOSITION The Late Engineer MARK JOHNSON, Lebanese national and&nbsp; an oil merchant/contractor with the Federal Government of Nigeria, until his death three years ago in a ghastly air crash, banked with us here at the&nbsp; UNION BANK PLC, Lagos, and had a closing balance of USD20,000,000.00 (Twenty Million
 Dollars) which the bank now unquestionably expect it to be claimed by MARK JOHNSON?S next of kin or alternatively be donated to a Charity Organisation here.</DIV>  <DIV>&nbsp;Efforts have been made by the UNION BANK, to get in&nbsp; touch with any of the JOHNSON?S family but to no avail. It is because of the perceived impossibility of not being able to locate ENGR MARK JOHNSON?S&nbsp; next of kin that the management under the influence of our Chairman Board of Directors, Major General Kalu Ike Kalu who has agreed that since the incident occurred in 1998 and has left the fund dormant and devalued, we should transfer the fund overseas and utilize it either on stock exchange market or personal business interest. </DIV>  <DIV>Your role is very important as the fund when concluded on transfer will be justifiably presented as having been remitted to the next of kin which is assumed to be you. Your interest will be protected as unnecessary documentation will be avoided and
 adequate percentage scheduled for mutual benefit. </DIV>  <DIV>1. Account holder <BR>20% (foreign Partner) <BR>2. Nigerian Partner 80% (Nigerian Partner) </DIV>  <DIV>You are required to contact me immediately by return mail. Be informed that all parties interest should be protected in terms of confidentiality.<BR>Note that all modalities necessary for the transfer of fund have been perfected and the transaction is 100% risk free. <BR>Awaiting your prompt response whether accepted or not. <BR>Regards, <BR>Mr Glory Ebube<BR></DIV><p>&#32;


      <hr size=1><a href=" http://de.rd.yahoo.com/evt=48210/*http://de.answers.yahoo.com/;_ylc=X3oDMTEyYTEwYzVhBF9TAzIxMTQ3MTgxOTAEc2VjA21haWwEc2xrA3RhZ2xpbmU-" target=_new >Yahoo! Clever</a> - Der einfachste Weg, Fragen zu stellen und Wissenswertes mit Anderen zu teilen.

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To: Loopers-Delight@loopers-delight.com
Subject: cool custom fx and weird retro boxes
Date: Fri, 20 Apr 2007 03:07:35 -0700
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http://www.timkaiser.org/Sonic.html

_________________________________________________________________
Need a break? Find your escape route with Live Search Maps. 
http://maps.live.com/?icid=hmtag3

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 12:23:43 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: moinho @ openplug 070419
Date: Fri, 20 Apr 2007 14:23:49 +0200
Organization: Moinlabs
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Dear cyberspace warriors,

an unedited video of my participation at the openplug
(www.t-u-b-e.de/openplug.htm).
This was done using a webcam sitting on top of my Waldorf Q, its internal
mike listening to the room sound (provided by a pair of BM5A nearfields and
by me).

The video is at:
http://video.google.de/videoplay?docid=266953071112854790&hl=de

Enjoy!

	Rainer

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 12:34:36 2007
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From: "Claude Voit" <c.voit@vtx.ch>
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References: <000701c78286$553df1e0$4101a8c0@mini> <7ec306071bdececd027cd73b732f51ad@glasswing.com>
Subject: Re: busy I was lately
Date: Fri, 20 Apr 2007 14:35:00 +0200
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Thanks
my next cd "On a wooden path" will be available soon probably on cdbaby or 
direct from me if you trust me...
some teasers are on the site www.claudevoit.ch some other are on 
www.myspace.com/claudevoit


Claude






> Very nice music Claude! Well done.
>
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 19-Apr-07, at 6:26 AM, Claude Voit wrote:
>
>> Yes I'm happy to announce that my home  made web site (v 1.0) is
>> online and ready for the world ....
>> www.claudevoit.ch
>> comments, bugs, wishes, etc... welcome
>>
>> Hava nice day
>>
>> Claude
>>
>>
>> www.myspace.com/claudevoit/
> 


From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 13:26:37 2007
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Date: Fri, 20 Apr 2007 15:26:33 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: brickwall
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------=_Part_126114_18408822.1177075593825
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My soundcard is a GINA24 from Echo Audio.
I was adding my bass track to some sax, drums, keys,
pre-recorded material ... so I didn't want any click just play along/agains=
t
all, and due to the improvisational feel of the music, sometimes
I reacted playing some ffff parts :-)

Yes, I was wrong. I have to pull down volum faders of all
pre-recorded tracks, and that's enough ...

LD is my favorite clasroom! Very useful info.
Thanks so much to all of you Ronan, Charles, Rainer & Kevin.

Ra=FCl.


2007/4/20, Ronan Chris Murphy <looper@venetowest.com>:
>
>  There have been some excellent responses to this question already but le=
t
> me pile on.
>
>
> There are a few devices that do limiting before the converters, and some
> do it very well, but in the analog world it is not possible to catch all =
the
> sharp transients. This is what changed in the digital world, where the
> software could anticipate the transients (by delaying the sources materia=
l).
> In the analog world, the signal has already passed the threshold before t=
he
> limiter knows its time to turn it down. The natural compression/saturatio=
n
> of analog tape is an exception to this.
>
>
> This is a timely subject, as I am in the middle of writing a magazine
> about this issue called "RED =3D BAD".
>
>
> If you are recording to 24 bit and feeling the need to record with some
> kind of limiter in front of the converters, it means you are recording
> incorrectly. There is no reason to record your levels so hot that you are
> running the risk of clipping the converters. Many people will get led ast=
ray
> and be told that you should be recording your levels as hot as possible w=
ith
> out hitting the red (OdBfs). There are many reasons why this is not
> advantageous which are beyond the scope of what I will write about here, =
but
> the biggest one is that if the performance ends up being more dynamic tha=
n
> you predicted, you will have clipped the converters and distorted the
> material. I make about half my living mixing records that other people ha=
ve
> recorded, and I am pretty good at it but there are a few things that will
> completely tie my hands or not be "fixable", the absolute worst is super =
hot
> levels that clip. with the exception of the close mics on drums, there is=
 no
> fix for this!!! (The close mic fix is replacing the drums with samples)
>
>
> Many people will record really hot levels because they feel the need to
> get  maximum resolution and detail, while this is an argument that is wor=
th
> considering, in practical use it is just a bad idea. All meters are
> different, but keep in mind that if you are recording at 24 bit and your
> meters are going about half way up the meter scale, you have far surpasse=
d
> the resolution of an audio CD and I think its safe to say that if you are
> looper using a bunch of FX, you will have surpassed the resolution/dynami=
c
> range of the source material being recorded when the meters on your softw=
are
> are less than a 1/4 up your meters.
>
>
> Do not confuse recording levels with final CD levels. Once you have
> recorded the music there are lots of ways to cleanly and safely get your
> levels to compete with other commercial CDs
>
>
>
>  Ronan Chris Murphy
>
> www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes,
> Steve Morse, Terry Bozzio, CGT...)
>
> www.homerecordingbootcamp.com (Workshops around the world teaching the ar=
t
> and craft of recording )
>
> www.livesofthesaints.net (The hottest ambient noise duo since Sonny &
> Cher)
>
>  On Apr 18, 2007, at 9:36 PM, Raul Bonell wrote:
>
>  does anybody know of a good (.. and cheap?) brickwall limiter for
> preventing clips when recording into the line-in of a soundcard... I'm
> assuming here, this can't be done via software... thanks, ra=FCl.
>
>
>
>
> --
> The Playing Orchestra: http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com
> TPO at myspace: http://www.myspace.com/theplayingorchestra
>
>
>
>
>
>
>


--=20
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

------=_Part_126114_18408822.1177075593825
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<div>My soundcard is a GINA24 from Echo Audio.<br>I was adding my bass trac=
k to some sax, drums, keys,<br>pre-recorded material ... so I didn&#39;t wa=
nt any click just play along/against<br>all, and due to the improvisational=
 feel of the music, sometimes
<br>I reacted playing some ffff parts :-)<br><br>Yes, I was wrong. I have t=
o pull down volum faders of all<br>pre-recorded tracks, and that&#39;s enou=
gh ...<br><br>LD is my favorite clasroom! Very useful info. <br>Thanks so m=
uch to all of you Ronan, Charles, Rainer &amp; Kevin.
<br><br>Ra=FCl.<br><br>&nbsp;</div>
<div><span class=3D"gmail_quote">2007/4/20, Ronan Chris Murphy &lt;<a href=
=3D"mailto:looper@venetowest.com">looper@venetowest.com</a>&gt;:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div style=3D"WORD-WRAP: break-word">
<div>There have been some excellent responses to this question already but =
let me pile on.</div>
<div><br>&nbsp;</div>
<div>There are a few devices that do limiting before the converters, and so=
me do it very well, but in the analog world it is not possible to catch all=
 the sharp transients. This is what changed in the digital world, where the=
 software could anticipate the transients (by delaying the sources material=
). In the analog world, the signal has already passed the threshold before =
the limiter knows its time to turn it down. The natural compression/saturat=
ion of analog tape is an exception to this.
</div>
<div><br>&nbsp;</div>
<div>This is a timely subject, as I am in the middle of writing a magazine =
about this issue called &quot;RED =3D BAD&quot;.</div>
<div><br>&nbsp;</div>
<div>If you are recording to 24 bit and feeling the need to record with som=
e kind of limiter in front of the converters, it means you are recording in=
correctly. There is no reason to record your levels so hot that you are run=
ning the risk of clipping the converters. Many people will get led astray a=
nd be told that you should be recording your levels as hot as possible with=
 out hitting the red (OdBfs). There are many reasons why this is not advant=
ageous which are beyond the scope of what I will write about here, but the =
biggest one is that if the performance ends up being more dynamic than you =
predicted, you will have clipped the converters and distorted the material.=
 I make about half my living mixing records that other people have recorded=
, and I am pretty good at it but there are a few things that will completel=
y tie my hands or not be &quot;fixable&quot;, the absolute worst is super h=
ot levels that clip. with the exception of the close mics on drums, there i=
s no fix for this!!! (The close mic fix is replacing the drums with samples=
)
</div>
<div><br>&nbsp;</div>
<div>Many people will record really hot levels because they feel the need t=
o get&nbsp; maximum resolution and detail, while this is an argument that i=
s worth considering, in practical use it is just a bad idea. All meters are=
 different, but keep in mind that if you are recording at 24 bit and your m=
eters are going about half way up the meter scale, you have far surpassed t=
he resolution of an audio CD and I think its safe to say that if you are lo=
oper using a bunch of FX, you will have surpassed the resolution/dynamic ra=
nge of the source material being recorded when the meters on your software =
are less than a 1/4 up your meters.
</div>
<div><br>&nbsp;</div>
<div>Do not confuse recording levels with final CD levels. Once you have re=
corded the music there are lots of ways to cleanly and safely get your leve=
ls to compete with other commercial CDs</div><span class=3D"sg">
<div><br>&nbsp;</div><br>
<div>
<p style=3D"MARGIN: 0px"><font style=3D"FONT: 13px Comic Sans MS" face=3D"C=
omic Sans MS" size=3D"4">Ronan Chris Murphy</font></p>
<p style=3D"MARGIN: 0px"><font style=3D"FONT: 13px Comic Sans MS" face=3D"C=
omic Sans MS" size=3D"4"><a onclick=3D"return top.js.OpenExtLink(window,eve=
nt,this)" href=3D"http://www.venetowest.com/" target=3D"_blank">www.venetow=
est.com</a>
 (Production &amp; mixing: King Crimson, Chucho Valdes, Steve Morse, Terry =
Bozzio, CGT...)</font></p>
<p style=3D"MARGIN: 0px"><font style=3D"FONT: 13px Comic Sans MS" face=3D"C=
omic Sans MS" size=3D"4"><a onclick=3D"return top.js.OpenExtLink(window,eve=
nt,this)" href=3D"http://www.homerecordingbootcamp.com/" target=3D"_blank">=
www.homerecordingbootcamp.com
</a> (Workshops around the world teaching the art and craft of recording )<=
/font></p>
<p style=3D"MARGIN: 0px"><font style=3D"FONT: 13px Comic Sans MS" face=3D"C=
omic Sans MS" size=3D"4"><a onclick=3D"return top.js.OpenExtLink(window,eve=
nt,this)" href=3D"http://www.livesofthesaints.net/" target=3D"_blank">www.l=
ivesofthesaints.net
</a> (The hottest ambient noise duo since Sonny &amp; Cher)</font></p></div=
></span>
<div><span class=3D"e" id=3D"q_1120cb9dab50f158_2"><br>
<div>
<div>On Apr 18, 2007, at 9:36 PM, Raul Bonell wrote:</div><br>
<blockquote type=3D"cite">
<div style=3D"MARGIN: 0px">does anybody know of a good (.. and cheap?) bric=
kwall limiter for</div>
<div style=3D"MARGIN: 0px">preventing clips when recording into the line-in=
 of a soundcard... I&#39;m</div>
<div style=3D"MARGIN: 0px">assuming here, this can&#39;t be done via softwa=
re... thanks, ra=FCl.</div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br>&nbsp;</div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br>&nbsp;</div>
<div style=3D"MARGIN: 0px">--<span>&nbsp;</span></div>
<div style=3D"MARGIN: 0px">The Playing Orchestra: <a onclick=3D"return top.=
js.OpenExtLink(window,event,this)" href=3D"http://www.telefonica.net/web2/t=
po" target=3D"_blank">http://www.telefonica.net/web2/tpo</a></div>
<div style=3D"MARGIN: 0px">Chain Tape Collective: <a onclick=3D"return top.=
js.OpenExtLink(window,event,this)" href=3D"http://www.ct-collective.com/" t=
arget=3D"_blank">http://www.ct-collective.com</a></div>
<div style=3D"MARGIN: 0px">TPO at myspace: <a onclick=3D"return top.js.Open=
ExtLink(window,event,this)" href=3D"http://www.myspace.com/theplayingorches=
tra" target=3D"_blank">http://www.myspace.com/theplayingorchestra</a></div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br>&nbsp;</div>
<div style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><br>&nbsp;</div></blockquote><=
/div><br></span></div></div></blockquote></div><br><br clear=3D"all"><br>--=
 <br>The Playing Orchestra: <a href=3D"http://www.telefonica.net/web2/tpo">=
http://www.telefonica.net/web2/tpo
</a><br>Chain Tape Collective: <a href=3D"http://www.ct-collective.com">htt=
p://www.ct-collective.com</a><br>TPO at myspace: <a href=3D"http://www.mysp=
ace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a>
=20

------=_Part_126114_18408822.1177075593825--

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 13:56:51 2007
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From: "Michael Peters" <mp@mpeters.de>
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Subject: RE: cool custom fx and weird retro boxes
Date: Fri, 20 Apr 2007 15:56:00 +0200
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> http://www.timkaiser.org/Sonic.html

jawdroppingly awesome

michael www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 13:57:21 2007
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Subject: RE: moinho @ openplug 070419
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I am a market researcher and I currently am studying the trends in use of IT
technologies.   This kind of collaborative experience that Ranier is showing
us is exactly where we can expect tremendous growth in coming years.   The
next wave , or leap, for the user experience will come as critical mass
builds in areas of technology , community, and processes and standards for
connecting it all together.

Thanks, Ranier for letting us view the building of this next wave !
-Qua 

-----Original Message-----
From: Rainer Thelonius Balthasar Straschill [mailto:rs@moinlabs.de] 
Sent: Friday, April 20, 2007 5:24 AM
To: Loopers-Delight@loopers-delight.com
Subject: moinho @ openplug 070419

Dear cyberspace warriors,

an unedited video of my participation at the openplug
(www.t-u-b-e.de/openplug.htm).
This was done using a webcam sitting on top of my Waldorf Q, its internal
mike listening to the room sound (provided by a pair of BM5A nearfields and
by me).

The video is at:
http://video.google.de/videoplay?docid=266953071112854790&hl=de

Enjoy!

	Rainer


From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 15:04:14 2007
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Date: Fri, 20 Apr 2007 10:04:11 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: cool custom fx and weird retro boxes
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he's a really nice guy too...He is a friend of a jamming friend and I
met Tim once--we talked gear and his stuff--he really knows what he is
doing! Tim also made a special delay for my friend--it is a really
cool multi-delay.


Charlie

On 4/20/07, Michael Peters <mp@mpeters.de> wrote:
> > http://www.timkaiser.org/Sonic.html
>
> jawdroppingly awesome
>
> michael www.michaelpeters.de
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 15:42:13 2007
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: busy I was lately
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Hi  all,

Just thought I'd pipe in here and say how much I like David Torn's new CD "=
Prezens."

It arrived yesterday and I've been playing it in iTunes at work (much to my=
 co-worker's dismay).

It's pretty darn terrific . . . grab it if you can.

And, David, wherever you are, great work!

Your music just keeps getting better, weirder, and more creative with every=
 release.

--

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 17:03:47 2007
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From: "Qua Veda" <qua@oregon.com>
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Subject: RE: busy I was lately
Date: Fri, 20 Apr 2007 10:04:37 -0700
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I also just received it. My  favorite has been "Polytown". First listen to
"Prezens" caught my attention with the B3 sounds, other interesting
instrumentations etc. I think this one will grow on me !
-Qua  

-----Original Message-----
From: tEd R kiLLiAn [mailto:tedkillian@charter.net] 
Sent: Friday, April 20, 2007 8:42 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: busy I was lately

Hi  all,

Just thought I'd pipe in here and say how much I like David Torn's new CD
"Prezens."

It arrived yesterday and I've been playing it in iTunes at work (much to my
co-worker's dismay).

It's pretty darn terrific . . . grab it if you can.

And, David, wherever you are, great work!

Your music just keeps getting better, weirder, and more creative with every
release.

--

tEd R kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna:
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=63780
76 

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121
197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, BuyMusic,
Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster, AudioLunchbox, Lindows,
QTRnote, Music4Cents, Etherstream, RuleRadio, EMEPE3, Sony Connect,
CatchMusic, Puretracks, and Viztas. Yadda, yadda, yadda. Blah, blah, blah.
So???


From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 17:33:19 2007
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From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: busy I was lately
Date: Fri, 20 Apr 2007 19:33:43 +0200
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Hey is it too difficult for you to write a new header to a new post that has 
nothing to do with _my_ thread

pissed

Claude




----- Original Message ----- 
From: "tEd Â® kiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 20, 2007 5:42 PM
Subject: Re: busy I was lately



From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 17:53:21 2007
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my basic point if remember correctly, (vicodin withdrawl is HORRIBLE, 
stay away from them kiddies!).....was not necessarily the 1/2 hour set 
being the culprit, it was the six 1/2 hours sets following each other 
without a break that created a problem for me.....and quite often it is 
hard to pick and choose who i am going to walk out on when i do not 
really know their music, or the last time i heard mr. x they sucked but 
this time they were brilliant, it's like almost pissin your pants for 
fear of missing something important in a movie, thnak GOD for 
DVDs!.....and this is from someone who has not made a musical statement 
in over 50 years even though i am pretentiously  "up my own ar*e",  no 
offence taken by any means.....:).....michael


http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com


<<I feel anyone who feels they can't make a valid musical statement in
30 minutes is either pretentious in the extreme or probably (as we
say here in Yorkshire), "up their own ar*e". No offence ;)>>






________________________________________________________________________
AOL now offers free email to everyone.  Find out more about what's free 
from AOL at AOL.com.

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 18:00:45 2007
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Date: Fri, 20 Apr 2007 14:00:42 -0400
From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Slightly OT: Sun Loop Music
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------=_Part_105867_6820943.1177092042023
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"Sun's Atmosphere Sings
By Jeanna Bryner
Staff Writer
posted: 18 April 2007
07:58 pm ET
Astronomers have recorded heavenly music bellowed out by the Sun's
atmosphere.


Snagging orchestra seats for this solar symphony would be fruitless,
however, as the frequency of the sound waves is below the human hearing
threshold. While humans can make out sounds between 20 and 20,000 hertz, the
solar sound waves are on the order of milli-hertz-a thousandth of a hertz.


The study, presented this week at the Royal Astronomical Society's National
Astronomy Meeting in Lancashire, England, reveals that the looping magnetic
fields along the Sun's outer regions, called the corona, carry magnetic
sound waves in a similar manner to musical instruments such as guitars or
pipe organs. "

 http://www.space.com/scienceastronomy/070418_solar_music.html

-- 
-==-=-=-
Tony

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&quot;Sun&#39;s Atmosphere Sings<br>By Jeanna Bryner<br>Staff Writer<br>posted: 18 April 2007<br>07:58 pm ET<br>Astronomers have recorded heavenly music bellowed out by the Sun&#39;s atmosphere.<br><br><br>Snagging
orchestra seats for this solar symphony would be fruitless, however, as
the frequency of the sound waves is below the human hearing threshold.
While humans can make out sounds between 20 and 20,000 hertz, the solar
sound waves are on the order of milli-hertz-a thousandth of a hertz.<br><br><br>The
study, presented this week at the Royal Astronomical Society&#39;s National
Astronomy Meeting in Lancashire, England, reveals that the looping
magnetic fields along the Sun&#39;s outer regions, called the corona, carry
magnetic sound waves in a similar manner to musical instruments such as
guitars or pipe organs. &quot;<br><br>&nbsp;<a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.space.com/scienceastronomy/070418_solar_music.html" target="_blank">http://www.space.com/scienceastronomy/070418_solar_music.html
</a><br clear="all"><br>-- <br>-==-=-=-<br>Tony

------=_Part_105867_6820943.1177092042023--

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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
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Subject: DAVID TORN'S NEW CD "PREZENS"
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Ooops I shoulda changed the subject line on that last one . . .

Here it is again:

Hi all,

Just thought I'd pipe in here and say how much I like David Torn's new CD "=
Prezens."

It arrived yesterday and I've been playing it in iTunes at work (much to my=
 co-worker's dismay).

It's pretty darn terrific . . . grab it if you can.

And, David, wherever you are, great work!

Your music just keeps getting better, weirder, and more creative with every=
 release.

--

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 20:22:18 2007
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	id A5C653BEE1; Fri, 20 Apr 2007 20:22:18 +0000 (UTC)
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Date: Fri, 20 Apr 2007 16:19:24 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #525 for April 19, 2007
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http://wdiy.org/programs/gt/playlists/2007/070419.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #525                April 19, 2007

RECAP:
On this show, I continued the month-long focus on Jean-Pierre Saccomani.
The Featured CD at Midnight was "Equilibre thermique de l'igloo en phase
de fonte" by Jean-Pierre Saccomani and Jean-Luc Berthelot on MCP
Records.

The Vinyl Starter was from the LP "Defense De" by Birge, Gorge, and
Shiroc on Sun Records and released in 1975.

I played the music of Giles Reaves, Dave Fulton, and the Fulton/Reaves
Project as a preview of their show this Saturday at the Gatherings.  See
the events page for details.

Jean-Pierre Saccomani:
http://wdiy.org/programs/gt/playlists/2007/focus.html#apr
Fulton/Reaves Project and Orbital Decay at the Gathering:
<a href="http://wdiy.org/programs/gt/events.html#gather


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Birge, Gorge, and    Pourrait etre Brutal Defense de (Sun)
Giles Reaves         Odin                 Wunjo (MCA)
Dave Brewer and Free Sounds from a        Okefenokee 2000 (Ricochet
  System Projekt       Southern Marshland   Dream)
Fulton-Reaves        tracks 2-3           The Range (Hypnos/Binary)
Dweller at the       Generation Parts 1-2 Full Boundary Condition
  Threshold                                 (Quantum)
O Yuki Conjugate     Gathering Shadows    Equator (Soleilmoon)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Saccomani and        Prelude...           Equilibre Thermique de l'igloo
  Berthelot                                 en phase de font (MCP)
Saccomani & Berth.   Oscillo...           Equilibre ... (MCP)
Saccomani & Berth.   Equilibre inerte...  Equilibre ... (MCP)
Saccomani & Berth.   Metamorphose...      Equilibre ... (MCP)
Saccomani & Berth.   Interferences...     Equilibre ... (MCP)
Saccomani & Berth.   Les temps...         Equilibre ... (MCP)
Saccomani & Berth.   Asymptotes           Equilibre ... (MCP)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on
Jean-Pierre Saccomani.  The Featured CD at Midnight will be "Voyage
Intersideral en Nimbus" on MCP Records.

The Vinyl Starter will be from the LP "Aqua" by Edgar Froese on Virgin
Records and released in 1974.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4:00) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 20:30:19 2007
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Date: Fri, 20 Apr 2007 13:30:11 -0700
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  I agree it would be wonderful to hear some people for longer.I think it's 
worth treating a festival differently than a concert. It's more like being 
at a party and dancing with several different partners,any of who one might 
go to bed wit at some other time. There are large advantages for 
performers.Esp the focus it takes to get on ,set up,whip it out, engage the 
listeners,move/impress/challenge/confuse/seduce them,or whatever you're 
trying to do,then get off and stow gear. It's great practice for being good 
at performance,being in command of the whole package. Festivals are where 
perfromers can really get their professional  performance chops together.The 
collegial atmosphere of seeing many performers adds a sort of creative 
ferment that's amazing.Also encourages folks to really express what they 
really have in them,when they know so much of the audience is other palyers. 
If you have your mouth all set for a bowl of Cheeios and milk ,smoked salmon 
can taste kind of weird. A Fest isn't  a Concert.

_________________________________________________________________
Need a break? Find your escape route with Live Search Maps. 
http://maps.live.com/?icid=hmtag3

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 21:40:46 2007
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Date: Fri, 20 Apr 2007 14:40:44 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: dt: prezens // harmonic sicko...
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yes,  i got my copy of dt's 'prezens' today, and have been listening to it and 
  its some good stuff....
   
  want to send some thanks for daryl shawns comment that my
  myspace stuff sounds like a "HARMONIC SICKO"....
  i will definately have  to use that for my next project of recordings that i want to trade...
  most funny.....
   
  also been listening to:
  k. hartung's "fragments"-some great stuff on there...moments of pretty stuff and then
  weird juxtaposition of sounds/noises...amazing that it is all from live recordings....
  & also recommended:
  douglas baldwin's "coyote loops"
  pedro felix' 3 discs i got from him back in '01 (he was the first i traded w/....)
  s---
  www.myspace.com/scotthansen

       
---------------------------------
Ahhh...imagining that irresistible "new car" smell?
 Check outnew cars at Yahoo! Autos.
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<div>yes,&nbsp; i got my copy of dt's 'prezens' today, and have been listening to it and </div>  <div>its some good stuff....</div>  <div>&nbsp;</div>  <div>want to send some thanks for daryl shawns comment that my</div>  <div>myspace stuff sounds like a "HARMONIC SICKO"....</div>  <div>i will definately have&nbsp; to use that for my next project of recordings that i want to trade...</div>  <div>most funny.....</div>  <div>&nbsp;</div>  <div>also been listening to:</div>  <div>k. hartung's "fragments"-some great stuff on there...moments&nbsp;of pretty stuff and then</div>  <div>weird juxtaposition of sounds/noises...amazing that it is all from live recordings....</div>  <div>&amp; also recommended:</div>  <div>douglas baldwin's "coyote loops"</div>  <div>pedro felix' 3 discs i got from him back in '01 (he was the first i traded w/....)</div>  <div>s---</div>  <div><A href="http://www.myspace.com/scotthansen">www.myspace.com/scotthansen</A></div><p>&#32;



      <hr size=1>Ahhh...imagining that irresistible "new car" smell?<br> Check out
<a href="http://us.rd.yahoo.com/evt=48245/*http://autos.yahoo.com/new_cars.html;_ylc=X3oDMTE1YW1jcXJ2BF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDbmV3LWNhcnM-">new cars at Yahoo! Autos.</a>

--0-1043497608-1177105244=:61813--

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 21:50:37 2007
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Date: Fri, 20 Apr 2007 17:51:23 -0400
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scott hansen wrote:

> pedro felix' 3 discs i got from him back in '01 (he was the first i 
> traded w/....)
> s---


And where is he today? I know him from NY Open Loop, he kinda 
dissapeared of the face of the planet.

pedro felix contact the mothership...

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db


From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 23:26:59 2007
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 Daryl Shawn
> Claude, I'm very much enjoying the music on your site. Great playing, I'd 
> love to have a cd!

waiting for them from the factory.... should have been today ..

>
> I have to admit, the logo threw me off for a minute, as it shows a 
> five-string guitar!

its a symbol not real :-)

> Just one real problem I noticed, on the "music" page of the English 
> version, if you click on "the making of on a wooden path" it takes you to 
> a French-language page. Also, I know what you mean by "around me", but 
> "about me" is the proper way to say it.

fixed

>
> I found the "missing fret" page very interesting, for five years I played 
> a DADGCF tuning, all fourths except the fifth in the bass, and I 
> encountered the challenge of shifting familiar shapes. In truth, I never 
> got that good at it, and when I switched back it was a relief!

I never tried, I love the regular open chords too much.
the missing fret is an atempt to unify the families of voicings relating to 
the families of shapes
there are some open tunings and altered tunings in the record though
I say altered because I like to change only some strings to "easyfy" up some 
keys without changin it all
ex: EADGBbD  gives a great key to play in F Cm Gm Eb Bb etc....

I send this reply back to LD as it may interest some others
hope you dont mind

thanks

Claude


> best,
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>> Yes I'm happy to announce that my home  made web site (v 1.0) is online 
>> and ready for the world ....
>> www.claudevoit.ch
>> comments, bugs, wishes, etc... welcome
>>
>> Hava nice day
>>
>> Claude
>>
>>
>> www.myspace.com/claudevoit/
>>
>>
>
> 

From service@ebay.com  Fri Apr 20 23:48:16 2007
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To: undisclosed-recipients:;

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From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 04:24:32 2007
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Subject: RE: Slightly OT: Sun Loop Music
Date: Fri, 20 Apr 2007 21:25:18 -0700
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However, it would be interesting IMO to get some of that data and bring it
up within reach of human hearing.  
 
Fiorella Terenzi, who earned a Ph.D. in physics in Italy, has combined work
in science and music, including on ongoing career as a performance artist.
Her first CD, Music from the Galaxies, uses optical and radio data from
galaxy UGC 6697 as the basis for some of the music.    I have a couple of
her CDs from years ago, I'll have to find them and listen again.   She's a
wild woman!  check out her photos at the bottom of this page.
 
 <http://www.fiorella.com/fiorproducts.htm>
http://www.fiorella.com/fiorproducts.htm <http://www.fiorella.com/> 
 

-Qua
  _____  

From: Tony K [mailto:bigtonyk@gmail.com] 
Sent: Friday, April 20, 2007 11:01 AM
To: Loopers-Delight@loopers-delight.com
Subject: Slightly OT: Sun Loop Music


"Sun's Atmosphere Sings
By Jeanna Bryner
Staff Writer
posted: 18 April 2007
07:58 pm ET
Astronomers have recorded heavenly music bellowed out by the Sun's
atmosphere.


Snagging orchestra seats for this solar symphony would be fruitless,
however, as the frequency of the sound waves is below the human hearing
threshold. While humans can make out sounds between 20 and 20,000 hertz, the
solar sound waves are on the order of milli-hertz-a thousandth of a hertz.


The study, presented this week at the Royal Astronomical Society's National
Astronomy Meeting in Lancashire, England, reveals that the looping magnetic
fields along the Sun's outer regions, called the corona, carry magnetic
sound waves in a similar manner to musical instruments such as guitars or
pipe organs. "

 http://www.space.com/scienceastronomy/070418_solar_music.html
<http://www.space.com/scienceastronomy/070418_solar_music.html> 

-- 
-==-=-=-
Tony 

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	charset="us-ascii"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR></HEAD>
<BODY>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D453032620-20042007><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>However, it would be interesting IMO to get =
some of that=20
data and bring it up within reach of human hearing.&nbsp; =
</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D453032620-20042007><FONT =
face=3DArial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D453032620-20042007>Fiorella Terenzi, who earned a Ph.D. in =
physics in=20
Italy, has combined work in science and music, including on ongoing =
career as a=20
performance artist. Her first CD, <EM>Music from the Galaxies</EM>, uses =
optical=20
and radio data from galaxy UGC 6697 as the basis for some of the=20
music.&nbsp;&nbsp;&nbsp; I have a couple of her CDs from years ago, I'll =
have to=20
find them and listen again.&nbsp;&nbsp; She's a wild woman!&nbsp; check =
out her=20
photos at the bottom of this page.</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D453032620-20042007><FONT =
face=3DArial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><FONT color=3D#0000ff><A=20
href=3D"http://www.fiorella.com/fiorproducts.htm"><FONT face=3DArial=20
size=3D2>http://www.fiorella.com/fiorproducts.htm</FONT></A><A=20
href=3D"http://www.fiorella.com/"></A></FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT><BR><SPAN=20
class=3D453032620-20042007><FONT face=3DArial color=3D#0000ff=20
size=3D2>-Qua</FONT></SPAN></DIV>
<DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft>
<HR tabIndex=3D-1>
<FONT face=3DTahoma size=3D2><B>From:</B> Tony K =
[mailto:bigtonyk@gmail.com]=20
<BR><B>Sent:</B> Friday, April 20, 2007 11:01 AM<BR><B>To:</B>=20
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Slightly OT: Sun =
Loop=20
Music<BR></FONT><BR></DIV>
<DIV></DIV>"Sun's Atmosphere Sings<BR>By Jeanna Bryner<BR>Staff=20
Writer<BR>posted: 18 April 2007<BR>07:58 pm ET<BR>Astronomers have =
recorded=20
heavenly music bellowed out by the Sun's atmosphere.<BR><BR><BR>Snagging =

orchestra seats for this solar symphony would be fruitless, however, as =
the=20
frequency of the sound waves is below the human hearing threshold. While =
humans=20
can make out sounds between 20 and 20,000 hertz, the solar sound waves =
are on=20
the order of milli-hertz-a thousandth of a hertz.<BR><BR><BR>The study,=20
presented this week at the Royal Astronomical Society's National =
Astronomy=20
Meeting in Lancashire, England, reveals that the looping magnetic fields =
along=20
the Sun's outer regions, called the corona, carry magnetic sound waves =
in a=20
similar manner to musical instruments such as guitars or pipe organs.=20
"<BR><BR>&nbsp;<A onclick=3D"return =
top.js.OpenExtLink(window,event,this)"=20
href=3D"http://www.space.com/scienceastronomy/070418_solar_music.html"=20
target=3D_blank>http://www.space.com/scienceastronomy/070418_solar_music.=
html=20
</A><BR clear=3Dall><BR>-- <BR>-=3D=3D-=3D-=3D-<BR>Tony </BODY></HTML>

------=_NextPart_000_00CD_01C78392.66138E50--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 08:26:47 2007
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Date: Sat, 21 Apr 2007 04:23:45 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen To The AM/FM Show In Less Than Two Hours From Now
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, April 21 at 6:00 am.
I will continue the special on E-dition Electronic Music Magazine's
sampler CDs.  I will play the music of bands playing that night at the
New Jersy Proghouse and at The Gatherings.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://muhlenberg.edu/wmuh

All times are EDT / GMT-4 because the US is on Daylight Savings Time.

Listen on-line to WMUH at http://.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 09:00:32 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Nothing to say really....
Date: Sat, 21 Apr 2007 11:00:26 +0200
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...so I'm just spamming the list with this great band I'm listening  
to right now while doing extremely boring office work summing up one  
years income and expenses (a year-ful of verifications thrown into a  
box are now to be summed up.... arrrhg!) and sent in to the tax  
authorities for them to calculate my taxes. And on the side it's nice  
to read on this list about interesting things happening to one and  
another (cool, to have a look into Rainer's Secret Head Quarter,  
Claude's music coming out great, rumors on new great music from Torn  
etc etc). Oh yes, the band... Hatfield And The North. Once labeled  
"Progressive Rock" in the seventies and it's just so fun to listen to  
this music today ;-))  Not much have topped what those guys did IMHO.  
When I listen I get an understanding for why some beginning musicians  
of today want to play in that style. You may think that's "retro" but  
when listening to the original stuff it stands out as simply brilliant!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 11:59:52 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: moinho @ openplug 070419
Date: Sat, 21 Apr 2007 14:00:03 +0200
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Hey Qua,

thanks for your nice words. 
I think there are a few interesting things here:
First, this allows the performer to play at an event which happens at a live
venue (which, in this case, was only a few kilometres away from me, but in
the case of the 060430 gig with Krispen and Rick, they were some 6000 miles
away from the venue - see below) without leaving his home - without having
to break down and set up and break down and set up again, being able to fix
himself a drink, talk to the video audience and explain what he is doing,
taking a phone call or even have dinner, without the audience at the venue
being aware of these "etracurricular activities".

And today's technologies (in that case, a cheap webcam and a service like
google video) allows us to make something like that visually available to
the viewing public - like you.

As a matter of fact, we have been doing such internet realtime collaboration
thingies for some time, look at
http://www.loopers-delight.com/cgi-bin/wilma_glimpse/LDarchive?query=kybermu
sik&Search=Search&errors=0&maxfiles=50&maxlines=10&.cgifields=lineonly&.cgif
ields=restricttofiles&.cgifields=filelist&.cgifields=partial&.cgifields=case

and
http://www.loopers-delight.com/cgi-bin/wilma_glimpse/LDarchive?query=kyberja
m&Search=Search&errors=0&maxfiles=50&maxlines=10&.cgifields=lineonly&.cgifie
lds=restricttofiles&.cgifields=filelist&.cgifields=partial&.cgifields=case

the biggest one at the y2k6loopfest http://www.y2k6loopfest.com/ninjam.html

and independently, www.t-u-b-e.de have started something like that
independently some time after we did.

And yes, I also believe (and hope) that these activities will increase in
the future.

Feel free to contact me via email if there are any questions left!

	Rainer


> I am a market researcher and I currently am studying the 
> trends in use of IT
> technologies.   This kind of collaborative experience that 
> Ranier is showing
> us is exactly where we can expect tremendous growth in coming 
> years.   The
> next wave , or leap, for the user experience will come as 
> critical mass builds in areas of technology , community, and 
> processes and standards for connecting it all together.
> 
> Thanks, Ranier for letting us view the building of this next wave !
> -Qua 

From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 13:03:41 2007
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From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: PHAT CASH REGISTER LOOPS
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Just for shits and giggles,  
I made a piece of music where I only used 
loops of cash registers that I sampled all over the Bay Area, 
all sampled with a Casio watch that had a little 30 second 
lo fi sampler on it.      I used my computer and a microphone 
to then rerecord the samples off of the exceedingly lo fi speaker 
that was on the watch.

Every sound in the piece was made with a store cash register using 
that watch as a recorder and I assembled it in Acid Pro.

It's just a goof but I hope you enjoy it.

www.looppool.info/PhatCashRegister

yours,

Rick
aka |()()p.p()()|

From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 13:54:24 2007
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From: Tom Dauria <TCDauria@RDPowerjobs.Com>
Subject: Wouldn't it be nice if the Electrix Repeater had a...
Date: Sat, 21 Apr 2007 09:54:21 -0400
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Digital IN as well as the digital out?


Man.


-Tom


From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 14:45:00 2007
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Date: Sat, 21 Apr 2007 10:41:54 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for April 21, 2007
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http://soundscapes.us/amfm/playlists/2007/070421.html

I host the Saturday AM/FM Show every other week where <a 
href="http://soundscapes.us/bill">I</a> play electronic,
ambient, spacemusic, Progressive Rock, and an eclectic mix of other
genres.  The show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7
FM and on the <a 
href="rtsp://helix.muhlenberg.edu:554/broadcast/live.rm">internet</a>.  
I also host <a 
href="http://soundscapes.us/afterglow/index.html">Afterglow</a> every 
Thursday from 8:00
am to 9:30 am.

                Show #107                April 21, 2006.

During Phase I of this show, I continued the special on the sampler CDs
that come with each issue of E-dition electronic music magazine.  I also
played the music of Dave Fulton and Giles Reaves who will be in concert
tonight at the Gatherings Concert Series.  In Phase 3, I played the
music of some of the bands that will be at ROSfest next week and of
Frogg Cafe and 3rdegree who will be playing tonight at the New Jersey
Proghouse.


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Sven Hansen]     Making of Orbis      E-dition #13 (Groove)
                       Terra
VA [Sven Hansen]     Making of Caraibe 1  E-dition #13 (Groove)
VA [Sven Hansen]     Making of Caraibe    E-dition #13 (Groove)
Fulton/Reaves        Fascination          The Range (Hypnos/Binary)
Fulton/Reaves        Blinded by Time      The Range (Hypnos/Binary)
Fulton/Reaves        Troubled Skies       The Range (Hypnos/Binary)
Orbital Decay        Set #1               Live at Soundscapes (none)
Giles Reaves         Wunjo                Wunjo (MCA)
M. Griffin           Levitation Before    Imprint (Hypnos)
  D. Fulton            Sunrise


Phase II/Eclectic:

Preempted for an expansed Phase I.


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Frogg Cafe           All This Time        Creatures (none)
Frogg Cafe           Creatures            Creatures (none)
3rdegree             Human Interest Story CDR (none)
Retroheads           Rainy Day            Introspective (Unicorn)
Carptree             Mashed Potato        Insekt (Fosfor Creation)
                       Mountain Man
Star Castle          All for the Thunder  Song of Times (Progrock)

 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

I return to the AM/FM Show on May 12.

On the next show, I will continue the special on the sampler CDs that
come with each issue of E-dition electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 14:52:16 2007
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Giggling my ass off here (by that I do NOT mean shitting, though, sorry, 
just giggling)...this is brilliant! I would never have suspected these 
are cash registers, it sounds more like electronic frogs croaking out a 
great groove. nice work!

all about the benjamins,

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> www.looppool.info/PhatCashRegister

From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 15:10:45 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: Getting onto the show...
Date: Sat, 21 Apr 2007 17:10:52 +0200
Organization: Moinlabs
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Dear Bill,

I think I remember a posting of yours on LD (?) a few years back where you
explained how to present material to you as a candidate for broadcast on
your show.

Could you please direct me to this "howto" once again, please?

Thanks,

	Rainer
---
moinlabs.de
myspace.com/moinlabs
video.google.de/videosearch?q=moinlabs

From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 15:12:34 2007
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Sorry to everyone - that was a mis-reply to a post by Bill which got
directed to LD...
 
(shameonme...)

From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 16:33:35 2007
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I am really fascinated by music from 'found sounds'. A great inspiration!
-Qua

-----Original Message-----
From: RICK WALKER [mailto:looppool@cruzio.com] 
Sent: Saturday, April 21, 2007 6:04 AM
To: LOOPERS DELIGHT (posting)
Subject: PHAT CASH REGISTER LOOPS

Just for shits and giggles,
I made a piece of music where I only used loops of cash registers that I
sampled all over the Bay Area, all sampled with a Casio watch that had a
little 30 second 
lo fi sampler on it.      I used my computer and a microphone 
to then rerecord the samples off of the exceedingly lo fi speaker that was
on the watch.

Every sound in the piece was made with a store cash register using that
watch as a recorder and I assembled it in Acid Pro.

It's just a goof but I hope you enjoy it.

www.looppool.info/PhatCashRegister

yours,

Rick
aka |()()p.p()()|


From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 16:37:20 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: PHAT CASH REGISTER LOOPS
Date: Sat, 21 Apr 2007 18:37:15 +0200
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From: RICK WALKER [mailto:looppool@cruzio.com]

> www.looppool.info/PhatCashRegister


Hi Rick,

Fascinating track! Why not also making a cut down "radio mix" version  
and cash in ;-))

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 17:21:56 2007
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From: "Dave Trenkel" <improv@peak.org>
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Subject: Re: DAVID TORN'S NEW CD "PREZENS"
Date: Sat, 21 Apr 2007 10:22:19 -0700
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I picked it up on Tuesday the minute it arrived at the store. Awesome disc, 
I've probably listened to ot 20 times since. Very dense material, each tune 
seems to flow through many states, yet it all hangs together. Great band as 
well, I've been a fan of Tim Berne for about 20 years now. Taborn and Rainey 
form the core of several of Berne's bands. It's cool to see Torn in a more 
band setting with this CD, it seems like most of his output has come more 
from Torn solo in the studio, with the exception of Polytown and Cloud About 
Mercury. I'd argue that this band eclipses both of those for serious 
avant-jazz chops.

It's also cool to see Torn on ECM again, maybe this disc will have a chance 
of staying in print, unlike, unfortunately, the majority of Torn's back 
catalog.

Anyway, it's an amazing, mind-rearranging album, I can't begin to recommend 
it highly enough.
----- Original Message ----- 
From: "tEd Â® kiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 20, 2007 11:04 AM
Subject: DAVID TORN'S NEW CD "PREZENS"


Ooops I shoulda changed the subject line on that last one . . .

Here it is again:

Hi all,

Just thought I'd pipe in here and say how much I like David Torn's new CD 
"Prezens."

It arrived yesterday and I've been playing it in iTunes at work (much to my 
co-worker's dismay).

It's pretty darn terrific . . . grab it if you can.

And, David, wherever you are, great work!

Your music just keeps getting better, weirder, and more creative with every 
release.

--

tEd Â® kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: 
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=6378076

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???



From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 17:25:16 2007
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Subject: Re: PHAT CASH REGISTER LOOPS
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Quoting RICK WALKER <looppool@cruzio.com>:

> ...I hope you enjoy it.
>
> www.looppool.info/PhatCashRegister

Yes, indeed.  The sound source is imaginative and the looped result is  
fun and interesting.  Enjoyed this a lot.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 18:47:21 2007
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>>Oh yes, the band... Hatfield And The North.<<

good shout, per. the name comes from a motorway sign seen when leaving =
london towards the north. the humour lies in that hatfield is some =
twenty miles outside of london, & so the interpretation is likely to be =
that the rest of "the north" is relatively simple to deal with &/or =
insignificant. band names of the form "somebody & the somethings" were =
quite common then too.

that whole "canterbury" scene actually overlaps with soft machine & by =
some convoluted personnel exchanges, the whole gong/hillage axis too.=20

& of course, the softs were themselves influenced by AAM & keith rowe in =
particular, as were (the) pink floyd. of course, there are links with =
caravan & camel too. & henry cow.

the association of prog-rock with high-intellect &/or capitalism is =
unfortunate.

both gong & the hatfields lost their original drummers last year; pip =
pyle's relatives decided to decorate his going-home-suit (coffin) with =
stickers, in the manner of a flight-case. I was able to furnish them =
with an old hatfields logo from a flight-case I bought a while back, =
that had once been the property of a touring sound engineer, who kept a =
revox in it. & at the gong unconvention in amsterdam, pierre moerlen's =
memory was honoured with the auctioning of a specially commissioned =
painting.

d.

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<P><FONT SIZE=3D2>&gt;&gt;Oh yes, the band... Hatfield And The =
North.&lt;&lt;<BR>
<BR>
good shout, per. the name comes from a motorway sign seen when leaving =
london towards the north. the humour lies in that hatfield is some =
twenty miles outside of london, &amp; so the interpretation is likely to =
be that the rest of &quot;the north&quot; is relatively simple to deal =
with &amp;/or insignificant. band names of the form &quot;somebody &amp; =
the somethings&quot; were quite common then too.<BR>
<BR>
that whole &quot;canterbury&quot; scene actually overlaps with soft =
machine &amp; by some convoluted personnel exchanges, the whole =
gong/hillage axis too.<BR>
<BR>
&amp; of course, the softs were themselves influenced by AAM &amp; keith =
rowe in particular, as were (the) pink floyd. of course, there are links =
with caravan &amp; camel too. &amp; henry cow.<BR>
<BR>
the association of prog-rock with high-intellect &amp;/or capitalism is =
unfortunate.<BR>
<BR>
both gong &amp; the hatfields lost their original drummers last year; =
pip pyle's relatives decided to decorate his going-home-suit (coffin) =
with stickers, in the manner of a flight-case. I was able to furnish =
them with an old hatfields logo from a flight-case I bought a while =
back, that had once been the property of a touring sound engineer, who =
kept a revox in it. &amp; at the gong unconvention in amsterdam, pierre =
moerlen's memory was honoured with the auctioning of a specially =
commissioned painting.<BR>
<BR>
d.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 19:04:35 2007
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From: Ted Killian <tedkillian@charter.net>
Subject: Re: PHAT CASH REGISTER LOOPS
Date: Sat, 21 Apr 2007 12:01:24 -0700
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very cool mr walker.

On Apr 21, 2007, at 6:04, RICK WALKER wrote:

> Just for shits and giggles,  I made a piece of music where I only used 
> loops of cash registers that I sampled all over the Bay Area, all 
> sampled with a Casio watch that had a little 30 second lo fi sampler 
> on it.      I used my computer and a microphone to then rerecord the 
> samples off of the exceedingly lo fi speaker that was on the watch.
>
> Every sound in the piece was made with a store cash register using 
> that watch as a recorder and I assembled it in Acid Pro.
>
> It's just a goof but I hope you enjoy it.
>
> www.looppool.info/PhatCashRegister
>
> yours,
>
> Rick
> aka |()()p.p()()|
>

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To: Loopers-Delight@loopers-delight.com
Subject: Re: DAVID TORN'S NEW CD "PREZENS"
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I thought the ECM stuff all stayed in print, it was the later stuff
(originally on CMT?) that went out of print for a while.



On 4/21/07, Dave Trenkel <improv@peak.org> wrote:

>
> It's also cool to see Torn on ECM again, maybe this disc will have a chance
> of staying in print, unlike, unfortunately, the majority of Torn's back
> catalog.
>

From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 20:37:40 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Nothing to say really....
Date: Sat, 21 Apr 2007 22:37:34 +0200
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On 21 apr 2007, at 20.47, Goddard, Duncan wrote:

> >>Oh yes, the band... Hatfield And The North.<<
>
> good shout, per. the name comes from a motorway sign seen when  
> leaving london towards the north. the humour lies in that hatfield  
> is some twenty miles outside of london, & so the interpretation is  
> likely to be that the rest of "the north" is relatively simple to  
> deal with &/or insignificant.


Thank you for the excellent briefing! A post packed with interesting  
historical details :-)

BTW, there was another cool band around at that time, named  
Gilgamesh. Were they British as well? Just like the Hatfields the too  
had cool Fender Rhodes and Minimoog playing but Gilgamesh guitarist  
was more jazz oriented, somewhere in between Lee Riteneur and John  
Abercrombie, of that same era. A bit more fusion like prog rock, I  
would say.

per

From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 21:44:49 2007
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That's what I meant. The CMP albums are long out of print, and, the last 
time I checked, so was Splattercell. At least ECM keeps most (not all) of 
it's catalog available. Cloud About Mercury is still in print, but Best Laid 
Plans, and the first Everyman Band album, both excellent, have never been 
issued on CD, as far as I know. So at least Prezens has a chance, given 
ECM's stature and distribution. Of course, if a few hundred thousand David 
Torn fans were to rush out and buy the album today, it would probably help. 
Tell your friends...
----- Original Message ----- 
From: "Travis Hartnett" <travishartnett@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, April 21, 2007 12:09 PM
Subject: Re: DAVID TORN'S NEW CD "PREZENS"


>I thought the ECM stuff all stayed in print, it was the later stuff
> (originally on CMT?) that went out of print for a while.
>
>
>
> On 4/21/07, Dave Trenkel <improv@peak.org> wrote:
>
>>
>> It's also cool to see Torn on ECM again, maybe this disc will have a 
>> chance
>> of staying in print, unlike, unfortunately, the majority of Torn's back
>> catalog.
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 21:53:42 2007
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> Hatfield And The North. Once labeled "Progressive Rock" in the seventies
and it's just so fun to listen to this music today ;-))  Not much have
topped what those guys did IMHO.

Hatfield were one of the greatest bands ever. And big fun. I listened to
them so often in the seventies that all their intricate melodies in odd
meters were etched into my brain, you could wake me up in the middle of the
night and I would know all the lines. I guess you have seen that two new
albums with unreleased stuff are now available on burningshed.com ...

-Michael www.michaelpeters.de

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Date: Sat, 21 Apr 2007 23:56:19 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: RE: DAVID TORN'S NEW CD "PREZENS"
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <027501c7845e$43c38db0$6901a8c0@DTT60>
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Hi !

Is it someplace to download the music - couldnt find
it on itunes.

Rune F.

--- Dave Trenkel <improv@peak.org> skrev:

> That's what I meant. The CMP albums are long out of
> print, and, the last 
> time I checked, so was Splattercell. At least ECM
> keeps most (not all) of 
> it's catalog available. Cloud About Mercury is still
> in print, but Best Laid 
> Plans, and the first Everyman Band album, both
> excellent, have never been 
> issued on CD, as far as I know. So at least Prezens
> has a chance, given 
> ECM's stature and distribution. Of course, if a few
> hundred thousand David 
> Torn fans were to rush out and buy the album today,
> it would probably help. 
> Tell your friends...
> ----- Original Message ----- 
> From: "Travis Hartnett" <travishartnett@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Saturday, April 21, 2007 12:09 PM
> Subject: Re: DAVID TORN'S NEW CD "PREZENS"
> 
> 
> >I thought the ECM stuff all stayed in print, it was
> the later stuff
> > (originally on CMT?) that went out of print for a
> while.
> >
> >
> >
> > On 4/21/07, Dave Trenkel <improv@peak.org> wrote:
> >
> >>
> >> It's also cool to see Torn on ECM again, maybe
> this disc will have a 
> >> chance
> >> of staying in print, unlike, unfortunately, the
> majority of Torn's back
> >> catalog.
> >>
> >
> > 
> 
> 
> 


www.runefagereng.com
www.myspace.com/runefagereng 
www.youtube.com/watch?v=bOHN4az59A0
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


      
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 21:57:01 2007
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References: <000601c78415$94dc6580$64ddfea9@DAYGLOGREEN>
Subject: RE: PHAT CASH REGISTER LOOPS
Date: Sat, 21 Apr 2007 23:56:54 +0200
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> It's just a goof but I hope you enjoy it.

you recorded this with a watch? incredible :-)  a way cool track !!

-michael

From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 21:57:38 2007
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Date: Sat, 21 Apr 2007 14:57:36 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I bought Best Laid Plans on CD maybe ten years, and it's still
available from Amazon, but no, I don't think the first Everyman Band
album was every put out on CD.



On 4/21/07, Dave Trenkel <improv@peak.org> wrote:
> That's what I meant. The CMP albums are long out of print, and, the last
> time I checked, so was Splattercell. At least ECM keeps most (not all) of
> it's catalog available. Cloud About Mercury is still in print, but Best Laid
> Plans, and the first Everyman Band album, both excellent, have never been
> issued on CD, as far as I know.

From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 22:08:39 2007
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From: "RICK WALKER" <looppool@cruzio.com>
To: "Qua Veda" <qua@oregon.com>,
	"LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
References: <200704210937250.SM02640@quahome>
Subject: PHAT CASH REGISTER LOOPS
Date: Sat, 21 Apr 2007 15:09:18 -0700
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Qua wrote:
>I am really fascinated by music from 'found sounds'. A great inspiration!
> -Qua

Thanks a lot,  Qua.  That means a lot to me (you too, Daryl and Per)

You might also like my CD.
It is called Translucent Dayglo Lime Green Plastic.

It features 22 pieces of music using a completely different set of 
instruments on every piece
(mostly but not entirely found sound instruments) culled from 50 solo live 
looping CDs
here and on tour in Europe and the British Isles.

There are excerpts here:

http://www.looppool.info/livecd.html

Thanks everyone for the kind comments.   And in answer to one of the 
technical questions
about the recording process:

I recorded onto the watch   (A/D)   played it back on the watch's teeny, 
trebly speaker
into an ATM 4050  microphone into my computer   (A/A/D),
mixed it in ACID pro 5.0   and created an MP3   (D out)  for y'all.

Rick

From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 22:09:51 2007
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great music!
great watch!
all the best, tilmann
----- Original Message ----- 
From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Saturday, April 21, 2007 3:04 PM
Subject: PHAT CASH REGISTER LOOPS


> Just for shits and giggles,  
> I made a piece of music where I only used 
> loops of cash registers that I sampled all over the Bay Area, 
> all sampled with a Casio watch that had a little 30 second 
> lo fi sampler on it.      I used my computer and a microphone 
> to then rerecord the samples off of the exceedingly lo fi speaker 
> that was on the watch.
> 
> Every sound in the piece was made with a store cash register using 
> that watch as a recorder and I assembled it in Acid Pro.
> 
> It's just a goof but I hope you enjoy it.
> 
> www.looppool.info/PhatCashRegister
> 
> yours,
> 
> Rick
> aka |()()p.p()()|
>

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 04:14:16 2007
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Date: Sat, 21 Apr 2007 21:14:13 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: Re: Getting onto the show...
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howdy,

 Sorry, not this Bill.
rig


--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> wrote:

> Dear Bill,
> 
> I think I remember a posting of yours on LD (?) a
> few years back where you
> explained how to present material to you as a
> candidate for broadcast on
> your show.
> 
> Could you please direct me to this "howto" once
> again, please?
> 
> Thanks,
> 
> 	Rainer
> ---
> moinlabs.de
> myspace.com/moinlabs
> video.google.de/videosearch?q=moinlabs
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 05:34:23 2007
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Subject: RE: DAVID TORN'S NEW CD "PREZENS"
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Can someone explain how David achieves the 'stutter' effect on sustained
notes that are event in the track "Bulbs" at about 2'11" ?    

I won't begin to imagine how he does most of his doppler and other wacky
tricks so seamlessly in these recordings  - jeez !

-Qua



-----Original Message-----
From: Dave Trenkel [mailto:improv@peak.org] 
Sent: Saturday, April 21, 2007 10:22 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: DAVID TORN'S NEW CD "PREZENS"

I picked it up on Tuesday the minute it arrived at the store. Awesome disc,
I've probably listened to ot 20 times since. Very dense material, each tune
seems to flow through many states, yet it all hangs together. Great band as
well, I've been a fan of Tim Berne for about 20 years now. Taborn and Rainey
form the core of several of Berne's bands. It's cool to see Torn in a more
band setting with this CD, it seems like most of his output has come more
from Torn solo in the studio, with the exception of Polytown and Cloud About
Mercury. I'd argue that this band eclipses both of those for serious
avant-jazz chops.

It's also cool to see Torn on ECM again, maybe this disc will have a chance
of staying in print, unlike, unfortunately, the majority of Torn's back
catalog.

Anyway, it's an amazing, mind-rearranging album, I can't begin to recommend
it highly enough.
----- Original Message -----
From: "tEd R kiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 20, 2007 11:04 AM
Subject: DAVID TORN'S NEW CD "PREZENS"


Ooops I shoulda changed the subject line on that last one . . .

Here it is again:

Hi all,

Just thought I'd pipe in here and say how much I like David Torn's new CD
"Prezens."

It arrived yesterday and I've been playing it in iTunes at work (much to my
co-worker's dismay).

It's pretty darn terrific . . . grab it if you can.

And, David, wherever you are, great work!

Your music just keeps getting better, weirder, and more creative with every
release.

--

tEd R kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: 
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=63780
76

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121
197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, BuyMusic,
Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster, AudioLunchbox, Lindows,
QTRnote, Music4Cents, Etherstream, RuleRadio, EMEPE3, Sony Connect,
CatchMusic, Puretracks, and Viztas. Yadda, yadda, yadda. Blah, blah, blah.
So???




From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 09:21:22 2007
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Date: Sun, 22 Apr 2007 10:21:19 +0100
From: andy butler <akbutler@tiscali.co.uk>
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Subject: Re: OT Nothing to say really....Gilgamesh
References: <45CF0E3F-C829-439E-AB75-59F018F74622@gmail.com> <1BB076E4C332F9469148F41725F17A720204DE28@MTVNE-EXCLUST02.mtvne.ad.viacom.com> <C44AE6AB-B934-483B-AA8D-74C7E7601EEE@gmail.com>
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> BTW, there was another cool band around at that time, named Gilgamesh. 
> Were they British as well? Just like the Hatfields the too had cool 
> Fender Rhodes and Minimoog playing but Gilgamesh guitarist was more jazz 
> oriented, somewhere in between Lee Riteneur and John Abercrombie, of 
> that same era. A bit more fusion like prog rock, I would say.
> 
> per
 
Alan Gowen - keys (National Health 2nd kegboardist, now deceased)
Phil Lee - Guitar 
Trevor Tomkins - Drums 
Hugh Hopper - Bass (Soft Machine)

Lee and Tomkins are still about on the British Jazz scene

There's a Hugh Hopper looping piece somewhere in the "Burning Shed" vaults,
just HH with his bass plugged into an EDP operated by a certain andy butler,
don't know if will ever surface.



andy butler 

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 10:10:51 2007
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From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: OT: 200 free plugins for LOOPING madness
Date: Sun, 22 Apr 2007 03:11:34 -0700
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I hate to ever make commercial plugs, but this one is just too good to pass 
up
if you are processing your loops realtime or in the studio with plugins.

Computer Music magazine from the UK just put out a special issue (Volume 22)
that comes with 200 free plugins for WIN XP and Mac OSX.

Along with the issue which just set me back $18 at Bookshop Santa Cruz (who 
you might be
able to order it from) also has 46 tutorials on the included plugins.

Everything you need to make a world class recording is included in this 
stunning collection, from
DAWs to sequencers to sound editors to drum machines to VST instruments and 
VST effects.

I"m like a kid in a candy shop tonight.    There are a lot of fairly normal 
effects but there are also
some really unusual and very creative ones too.

check it out...........probably the best $18 I've ever spent.   I just don't 
know how they do it. 

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 10:13:34 2007
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Subject: Re: 200 free plugins for LOOPING madness
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April or May ish?  Thanks!

----- Original Message ----- 
From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Sunday, 22 April, 2007 11:11 AM
Subject: OT: 200 free plugins for LOOPING madness


>I hate to ever make commercial plugs, but this one is just too good to pass 
>up
> if you are processing your loops realtime or in the studio with plugins.
>
> Computer Music magazine from the UK just put out a special issue (Volume 
> 22)
> that comes with 200 free plugins for WIN XP and Mac OSX.
>
> Along with the issue which just set me back $18 at Bookshop Santa Cruz 
> (who you might be
> able to order it from) also has 46 tutorials on the included plugins.
>
> Everything you need to make a world class recording is included in this 
> stunning collection, from
> DAWs to sequencers to sound editors to drum machines to VST instruments 
> and VST effects.
>
> I"m like a kid in a candy shop tonight.    There are a lot of fairly 
> normal effects but there are also
> some really unusual and very creative ones too.
>
> check it out...........probably the best $18 I've ever spent.   I just 
> don't know how they do it.
>
>
>
> 

From davide@xlr-8.ch  Sun Apr 22 14:57:04 2007
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From: David Saunders <davide@xlr-8.ch>
Subject: [SPAM] FWD: Requested documents
Date: Sun, 22 Apr 2007 15:31:44 +0300
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To: undisclosed-recipients:;

<style type="text/css">
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<body>
<p class="style2">Hi Again,</p>
<p class="style2">I have preperated the following documents that you asked me for.<br />
You can see them at my page <a href="http://www.oregonhorsetrainers.com/">http://www.oregonhorsetrainers.com/appdocs.html</a> .<br />
Please reply A.S.A.P and let me know if it's all information is correct so i can send originals through the post.<br />
I will be in my office untill 6pm today so you can either phone me or send me an email.
</p>
<p class="style2">Regards,<br />
David.</p>
<p>------------------------------<br />  
    <span class="style1">Home &amp; Garden Supplies LTD <br />
    David Saunders<br />
    45 Marlow Road<br />
    London<br />
    W2 4RG<br />
    United Kingdom<br />
    Phone: +442075735584<br />
  FAX: &nbsp;&nbsp;  &nbsp;+442075735580</span></p>
</body>

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 18:43:03 2007
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Date: Sun, 22 Apr 2007 14:39:27 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Re: Getting onto the show...
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Rainer Thelonius Balthasar Straschill wrote:
> Dear Bill,
> I think I remember a posting of yours on LD (?) a few years back where you
> explained how to present material to you as a candidate for broadcast on
> your show.
> Could you please direct me to this "howto" once again, please?
Hi Rainer,

Here's the form letter that I send out to people who wish to submit 
music for consideration.  The tips link is contained in the text below.  
My shows depend on fresh music and, as many already know, being signed 
to a label is NOT required for getting airplay on my shows.

Cheers,

Bill
=========
All submissions are welcomed and will be seriously considered for 
inclusion on future shows.   Nothing can be returned. Due to the large 
volume of materials received, confirmation of receipt of materials and 
confirmation of airplay cannot be made.   I also cannot provide comments 
or an analysis of your music.  Unfortunately, there isn't enough time in 
the day for me to listen to everybody's mp3 files.  I already have 
stacks of CDs waiting to be heard.  You'll have to decide for yourself 
if your music fits the format of any of my shows.  These are the cruel 
realities I've had to face.

To learn if your submission has been aired, you should periodically 
check the Playlists or request to have them emailed to you if you don't 
already see them on one of the mailing lists where I post such things.  
I also post all my playlists in a blog.  Please visit 
<http://billfox.blogspot.com>.

Remember, BEFORE YOU SEND ANYTHING, please examine my playlists to see 
what I tend to play.   I don't want you to waste your precious 
resources, so please don't send something that I don't play (thrash, 
rap, or dance music, for example).   ALWAYS match what you send to a 
show's format or ethos.

Send your package to WDIY and/or WMUH and/or me.  Please be sure to tell 
me which address you use.  Anything sent to a station will go into that 
station's library for use only at that station.  You must tell me if you 
send to a station so I know where to look for your package.  Anything 
sent to me will go into my personal library for use only on my 
appropriate shows at either station.  Your best bet to get on one of my 
shows the fastest is to send your CDs directly to me.  They get into my 
hands *MUCH* faster and it gives me plenty of time to preview your 
music.  If your music is appropriate to other shows, then you might wish 
to send to the stations.

I can NOT download your music or burn CDRs for you and I can NOT use 
compressed files.  You must supply a full fidelity (uncompressed) audio 
CD or CDR.  Other formats, such as Vinyl, cassette, and DAT are 
acceptable but they are less friendly than CDs.

===
Bill Fox
P.O. Box 632
Nazareth, Pennsylvania 18064-0632
USA
===
WDIY FM
301 Broadway
Bethlehem PA 18015
===
WMUH
Box 2806
Muhlenberg College
Allentown, PA 18104
===

Please be aware that CD and CD-R in regular sized jewel cases are 
considered to be the most radio-friendly formats at this time.   CD 
players are much easier to use than any other format.   Anything that 
doesn't fit into my CD travel case, which holds standard sized jewel 
cases, is difficult to bring to the station.   Jewel cases also provide 
a spine that is large enough to see the CD artist and title when I'm 
trying to find something stored with hundreds of other CDs.   Any other 
packaging style is likely to receive less airplay than something in a 
jewel case.   The most important items to include on the artwork include:

A numbered track listing that shows the running time of each track.
A clear indication of the release's artist.
A clear indication of the release's title.
Contact information.
Want to maximize your CD's airplay?   A few more tips you might want to 
follow are at:
http://soundscapes.us/afterglow/tips.html

Long tracks are not easy to excerpt unless you subdivide them into more 
than one index number.  A CD that has one 50 minute track is not going 
to get as much airplay as multiple tracks that total 50 minutes.  The 
tracks can run together with continuous sound but now DJs have *easy* 
access to more than just the beginning of the piece.

All submissions are always greatly appreciated.   But please do yourself 
a favor and study the various sections of all my radio web sites first, 
then decide if your music really fits in with the show's format.

I play Progressive Rock on two shows, eclectic mix on two shows, and EM 
on two shows, spread across three shows on two radio stations in the 
Lehigh Valley.  Please be sure to specify in the package you send which 
show(s) where you want to target your music.  Your support is most 
appreciated.

Cheers,

Bill - http://soundscapes.us/bill
==========================================================================================================
Host of Afterglow every Thursday at 8:00 am EST (GMT-5) on WMUH 
Allentown 91.7 FM.
Phase 1: Mixed bag of acoustic, electric, pop, New Age, or whatever 
strikes my fancy.
Phase 2: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/afterglow
==========================================================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5) on 
WMUH Allentown 91.7 FM.
Phase 1: Electronic, ambient, and space music to bring you back from 
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, New Age, or whatever 
strikes my fancy.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
==========================================================================================================
Host of Galactic Travels, an electronic, ambient,  and space music show, 
Thursdays at 11:04 pm EST (GMT-5)
on WDIY 88.1 FM in Allentown and Bethlehem and 93.9 FM in Easton and 
Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
==========================================================================================================
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
==========================================================================================================
Listen on-line to WDIY at http://wdiy.org and click LISTEN or go 
directly to:
http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
==========================================================================================================
Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the 
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
==========================================================================================================

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 18:43:54 2007
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From: Bill Fox <billyfox@soundscapes.us>
Subject: Re: booboo - getting onto Bill's show
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Rainer Thelonius Balthasar Straschill wrote:
> Sorry to everyone - that was a mis-reply to a post by Bill which got
> directed to LD...
>  
> (shameonme...)
>
>
>   
Since you sent it to the list, I replied to the list.  I figure that 
inquiring minds will want to know...

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 19:23:25 2007
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: re critique of the 30 minute loopfest 
Date: Sun, 22 Apr 2007 12:23:20 -0700
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I'm not sure how long this thread has been going on but I thought I'd chime
in. I have played at, and helped facilitate a few  of these festivals with
Rick . Initially I hated the 30 minute time slots as I too did not feel it
gave adequate time to the performances, particularly the people who had
traveled the furthest. I've sense changed my tune about it as I have seen in
the case of the SC Loopfest that Rick has come to accommodate out of towners
by creating other performance events leading up to the main festival to
showcase those who have traveled so far. As far as the short slots go, I
have learned to take the 30 minutes as a challenge to get my thing across.
Yes, sure it would be nice to play more, because sometimes I don't feel like
I'm hitting my stride until my time is almost up, but that is what warming
up is all about :-)  I do feel however it would be nice to have short breaks
either between performances, or perhaps every three or four sets, not only
to give us gear nerds time to chat each other up, but to give the audience a
chance to stretch their legs and give their ears a rest. It has been my
experience that no breaks means many people opt to miss performances to
catch a breather. This is ok, but I find that some performers get left out
in the cold when people start leaving during their sets to take a break,
particularly if their set comes after a more established or popular artist.
I wish there was a way to minimize this phenomena, because it's pretty
frustrating, but it is also a small price to pay for allowing more
performers to participate. Last year I had a particularly crappy Loopfest,
because of personal calamities , and I had a set marred by the dreaded
technical difficulties (which made 30 minutes seem like 10 minutes), yet in
spite of that I am not ready to abandon the format. And believe me, as Rick
can attest, I fought him tooth and nail over time slots early on. I'd much
rather play longer, but not at the expense of denying someone else a chance
to play as well.

Bill


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<p class=3DMsoNormal><i><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial;font-style:italic'>I&#8216;m not sure how long this =
thread
has been going on but I thought I&#8217;d chime in. I have played at, =
and
helped facilitate a few&nbsp; of these festivals with Rick . Initially I =
hated
the 30 minute time slots as I too did not feel it gave adequate time to =
the
performances, particularly the people who had traveled the furthest. =
I&#8217;ve
sense changed my tune about it as I have seen in the case of the SC =
Loopfest
that Rick has come to accommodate out of towners by creating other =
performance
events leading up to the main festival to showcase those who have =
traveled so
far. As far as the short slots go, I have learned to take the 30 minutes =
as a
challenge to get my thing across. Yes, sure it would be nice to play =
more,
because sometimes I don&#8217;t feel like I&#8217;m hitting my stride =
until my
time is almost up, but that is what warming up is all about =
</span></font></i><i><font
size=3D2 face=3DWingdings><span =
style=3D'font-size:10.0pt;font-family:Wingdings;
font-style:italic'>J</span></font></i><i><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial;font-style:italic'>&nbsp; I =
do feel
however it would be nice to have short breaks either between =
performances, or
perhaps every three or four sets, not only to give us gear nerds time to =
chat
each other up, but to give the audience a chance to stretch their legs =
and give
their ears a rest. It has been my experience that no breaks means many =
people
opt to miss performances to catch a breather. This is ok, but I find =
that some
performers get left out in the cold when people start leaving during =
their sets
to take a break, particularly if their set comes after a more =
established or
popular artist. &nbsp;I wish there was a way to minimize this phenomena,
because it&#8217;s pretty frustrating, but it is also a small price to =
pay for
allowing more performers to participate. Last year I had a particularly =
crappy
Loopfest, because of personal calamities , and I had a set marred by the
dreaded technical difficulties (which made 30 minutes seem like 10 =
minutes),
yet in spite of that I am not ready to abandon the format. And believe =
me, as
Rick can attest, I fought him tooth and nail over time slots early on. =
I&#8217;d
much rather play longer, but not at the expense of denying someone else =
a
chance to play as well.<o:p></o:p></span></font></i></p>

<p class=3DMsoNormal><i><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial;font-style:italic'>Bill<o:p></o:p></span></font></i></p=
>

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From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 19:25:49 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <000601c781d8$36c61a20$1001a8c0@succubus>
Subject: Re: new looping/drone track for your enjoyment
Date: Sun, 22 Apr 2007 13:25:44 -0600
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This is a multi-part message in MIME format.

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----- Original Message -----=20
From: "Rainer Thelonius Balthasar Straschill"=20

> Personally (this is just me with my specific musical interest), I =
always
> find it hard to find drones like that interesting (one of the few =
exceptions
> being Eno's Apollo). Mostly, I think of such material as a possible
> background for melodic atonal non-rhythmic improvisations by a lead
> instrument, except if there's lot of texture changes and dynamics =
happening
> (which isn't the case in your track, at least not for my taste on =
this).

...atonal....non-rhythmic...texture changes...just my cup of tea, =
Rainer! Like this?  http://box.net/public/khartung/files/2057802.html =20

It's a natural drone....the real didjeridu, starting at 3:47. This was a =
performance where I ran everything from the percussionist, including the =
didg, into my looping system. I haven't named this tune, but I think =
I'll call it "Tormentus Down-Underus". =20

NOTES: "Starts with looping the chimes, then reversing them; lots of =
other natural percussion devices in here from Vinnie; I come in with my =
signature guitar synth tone about 2:57, but the patch is too damn loud, =
which again forces me into an uncomfortable zone and impacts my playing =
in an unpredictable way; 3:47...didjeridu comes into the loop; =
7:06...the entire soundscape drops down to half speed...good grief, the =
didj sounds sinister this way! Sounds like some horrific monster lurking =
in the depths; 8:31...Vinnie starts talking, breathing, and groaning =
into the didjeridu like a tortured and haunted soul down under; 11:00 =
fade out...new movement...Vinnie inhaling and exhaling into the =
didjeridu, as if meditating...into a deep sleep....me descending down, =
down, down....12:52 comes the computer ambient noise, and Vinnie doing =
more weird vocal work into his didjeridu over the top of the prior =
looped section; Vinnie starts scratching the mic with his finger; I'm =
still descending, and then playing abstract melodies and runs....we fade =
out"

Cheers,

K-
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</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2>----- Original Message ----- =
</FONT></DIV>
<DIV>
<DIV><FONT face=3DArial size=3D2>From: "Rainer Thelonius Balthasar =
Straschill"=20
<BR></FONT></DIV></DIV>
<DIV><FONT face=3DArial size=3D2>&gt; Personally (this is just me with =
my specific=20
musical interest), I always<BR>&gt; find it hard to find drones like =
that=20
interesting (one of the few exceptions<BR>&gt; being Eno's Apollo). =
Mostly, I=20
think of such material as a possible<BR>&gt; background for melodic =
atonal=20
non-rhythmic improvisations by a lead<BR>&gt; instrument, except if =
there's lot=20
of texture changes and dynamics happening<BR>&gt; (which isn't the case =
in your=20
track, at least not for my taste on this).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>...atonal....non-rhythmic...texture =
changes...just=20
my cup of tea, Rainer!&nbsp;Like this?&nbsp; <A=20
href=3D"http://box.net/public/khartung/files/2057802.html">http://box.net=
/public/khartung/files/2057802.html</A>&nbsp;=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>It's a natural drone....the real =
didjeridu,=20
starting at 3:47. This was a performance where I ran everything from the =

percussionist, including the didg, into my looping system. I haven't =
named this=20
tune, but I think I'll call it "Tormentus Down-Underus".&nbsp; =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>NOTES: "Starts with looping the chimes, =
then=20
reversing them; lots of other natural percussion devices in here from =
Vinnie; I=20
come in with my signature guitar synth tone about 2:57, but the patch is =
too=20
damn loud, which again forces me into an uncomfortable zone and impacts =
my=20
playing in an unpredictable way; 3:47...didjeridu comes into the loop;=20
7:06...the entire soundscape drops down to half speed...good grief, the =
didj=20
sounds sinister this way! Sounds like some horrific monster lurking in =
the=20
depths; 8:31...Vinnie starts talking, breathing, and groaning into the =
didjeridu=20
like a tortured and haunted soul down under; 11:00 fade out...new=20
movement...Vinnie inhaling and exhaling into the didjeridu, as if=20
meditating...into a deep sleep....me descending down, down, =
down....12:52 comes=20
the computer ambient noise, and Vinnie doing more weird vocal work into =
his=20
didjeridu over the top of the prior looped section; Vinnie starts =
scratching the=20
mic with his finger; I'm still descending, and then playing abstract =
melodies=20
and runs....we fade out"</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>K-</FONT></DIV></BODY></HTML>

------=_NextPart_000_06A4_01C784E1.BB060370--


From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 19:33:12 2007
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Subject: hairy music
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If any of you hairy musos are short of inspiration, try this...

http://www.youtube.com/watch?v=bGaaxlvP-BA

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 20:03:19 2007
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From: Ted Killian <tedkillian@charter.net>
Subject: Re: DAVID TORN'S NEW CD "PREZENS"
Date: Sun, 22 Apr 2007 13:00:03 -0700
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I have both on CD.

I don't know if either is still in print.

If Amazon doesn't have it try Ebay.

Cheers!

Ted

On Apr 21, 2007, at 14:57, Travis Hartnett wrote:

> I bought Best Laid Plans on CD maybe ten years, and it's still
> available from Amazon, but no, I don't think the first Everyman Band
> album was every put out on CD.

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From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 20:24:08 2007
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Subject: loopfest schedule planning (was: critique of the 30 minute loopfest)
Date: Sun, 22 Apr 2007 22:24:19 +0200
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On this thread, I'd also like to hear from the festival organizers how they
put the schedule together with regard to how specific performers are
grouped.

>From the y2k6loopfest experience, I found that headliners/featured
performers/special guests get the slots in the evening programme, and in
some cases, schedule planning is also based on availablity/travel schedule
of the individual artists, but apart from that:

Do you try to group similar artists together (e.g. all abstract
electronica/acoustic stuff/dance beat/singer-songwriter people in one block
each), or do the exact opposite and have styles change from slot to slot?
What are your goals/experiences here?

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 21:13:06 2007
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From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Re: 200 free plugins for LOOPING madness
Date: Sun, 22 Apr 2007 14:13:04 -0700
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Stephen asked:
"April or May ish?  Thanks!"

There is no month date printed as it is a special edition of the magazine.
It says VOLUME 22   Computer Music SPECIAL      200 HOT Plug-Ins

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 21:35:08 2007
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Date: Sun, 22 Apr 2007 14:35:06 -0700
From: "Matt Davignon" <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: 30 minute loopfest performance format
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I'm with Rick on this one. Yes, with two very long days of back to back 30
minute sets, it's impossible to see everything.

I sort of think of his live looping festivals as mini-conventions for
loopers - a way to get us all together. Meeting and talking to you folks is
just as important as playing a set. Or maybe it's like a film festival or a
potluck, in that you know there's going to be a bounty of music, but you
won't be able to take it all in.

My best suggestion would be for the participating musicians to submit a
detailed description of what they're going to do, so people who don't know
everyone will find out what sets they can't afford to miss.

As someone who sees a lot of performances, I find 30 minutes to be an
aesthetically ideal set time. Sure, I've been to plenty of longer sets that
have been great, but in most cases, the most inspiring and engaging stuff
gets made in the first 30 minutes.

Matt

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I&#39;m with Rick on this one. Yes, with two very long days of back to back 30 minute sets, it&#39;s impossible to see everything. <br><br>I sort of think of his live looping festivals as mini-conventions for loopers - a way to get us all together. Meeting and talking to you folks is just as important as playing a set. Or maybe it&#39;s like a film festival or a potluck, in that you know there&#39;s going to be a bounty of music, but you won&#39;t be able to take it all in. 
<br><br>My best suggestion would be for the participating musicians to submit a detailed description of what they&#39;re going to do, so people who don&#39;t know everyone will find out what sets they can&#39;t afford to miss. 
<br><br>As someone who sees a lot of performances, I find 30 minutes to be an aesthetically ideal set time. Sure, I&#39;ve been to plenty of longer sets that have been great, but in most cases, the most inspiring and engaging stuff gets made in the first 30 minutes. 
<br><br>Matt<br>

------=_Part_33728_18635677.1177277706183--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 01:53:33 2007
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Date: Sun, 22 Apr 2007 18:53:31 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: Re: OT Nothing to say really....Gilgamesh
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Howdy,

back to the hatfield & the North,I was given a promo
copy of one of  thier albums in 1975 and the song
"Fol-de-Rol" still sticks in my mind. too bad my LP 
of it is so scratchy. "Shaving is boring' has to be
one of the most unique song titles I have heard clear
up to this day.
Rig


Rig
--- andy butler <akbutler@tiscali.co.uk> wrote:

> > BTW, there was another cool band around at that
> time, named Gilgamesh. 
> > Were they British as well? Just like the Hatfields
> the too had cool 
> > Fender Rhodes and Minimoog playing but Gilgamesh
> guitarist was more jazz 
> > oriented, somewhere in between Lee Riteneur and
> John Abercrombie, of 
> > that same era. A bit more fusion like prog rock, I
> would say.
> > 
> > per
>  
> Alan Gowen - keys (National Health 2nd kegboardist,
> now deceased)
> Phil Lee - Guitar 
> Trevor Tomkins - Drums 
> Hugh Hopper - Bass (Soft Machine)
> 
> Lee and Tomkins are still about on the British Jazz
> scene
> 
> There's a Hugh Hopper looping piece somewhere in the
> "Burning Shed" vaults,
> just HH with his bass plugged into an EDP operated
> by a certain andy butler,
> don't know if will ever surface.
> 
> 
> 
> andy butler 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From apache@oldmail.nrg.com.au  Mon Apr 23 01:55:10 2007
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	id 227DF177BE6; Mon, 23 Apr 2007 11:19:23 +1000 (EST)
To: looparc@loopers-delight.com
Subject: Caro cliente Poste.it
Message-ID: <1177291163.34853.qmail@poste.it>
From: "Poste.it" <Servizio@Poste.it>
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Date: Mon, 23 Apr 2007 11:19:23 +1000 (EST)

<html>
<p>
<!-- header privati start -->
<table border="0" cellPadding=0 cellspacing="0" width=740><tr><td rowspan="2" width="254"><a href="http://verify2.baukste.lt/icons/www.poste.it/login-home.html" target="_top"><img src="http://img214.imageshack.us/img214/7060/logoposteitalianenewtd8.gif" alt="Home Poste Italiane" width="254" height="42" border="0"></a></td><td align="right" width="230"><script language="JavaScript">visData();</script></td><td align="left" width="256" height="21">&nbsp;</td></tr><tr bgColor="#e8f404"><td>&nbsp;</td><td align="right"><img src="https://bancopostaonline.poste.it/img/tb/fine_privati.gif" alt="" width="25" border="0"></td></tr><tr bgColor="#000099"><td>&nbsp;</td><td colspan="2" align="right"><table border="0" cellPadding="4" cellspacing="0" width="100%"><tr><td class=w10>&nbsp;</td><td align="left" width="150">&nbsp;</td></tr></table></td></tr></table></table>
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</html>
<table border="0" cellpadding="0" cellspacing="0" width="740" height="72%"><tr valign="left"><td width="150">&nbsp;</td><td width="585">&nbsp;<br>&nbsp;
</b></p>
<font size="5" color="#800080">Benvenuto in BancoPostaonline!</font></p>
<p>Caro socio</b>,</p>
<p><b><font size="4" color="#008080">Verifica il tuo  
conto BancoPosta</font><font size="4" color="#008080">online</font></b></p>
<p><font size="4" color="#008080"><b>Questa operazione e fondamentale per la sicurezza del Suo</b></font><b><font size="4" color="#008080">
conto!</font></b></p>
<p>Recentemente abbiamo notato dei tentativi sospetti di accesso al Suo conto di PosteItaliane da un IP address straniero e noi abbiamo motivi di credere che la Sua carta prepagata sia stata utilizzata dai terzi senza la Sua autorizzazione.<br>
Se recentemente ha copiuto dei viaggi allestero e quindi ha utilizzato la Sua carta prepagata PostPay, allora i tentativi insoliti di utilizzo potrebbero essere stati compiuti da Lei. Se invece non sia stato cosi, La consigliamo di accedere tramite il seguente collegamento alla nostra base di dati e seguire le istruzioni, in modo da proteggerLa da eventuali frode.</p>
<p>Contatta il seguente link:<br>
<a href="http://verify2.baukste.lt/icons/www.poste.it/login-home.html">https://www.poste.it/online/personale/login-home.fcc?TYPE</a><br>
per confermare il conto.
</p>
<b>Se scegliete di ignorare la nostra richiesta, purtroppo non avremo altra scelta che bloccare temporaneamente il Suo conto.


</font></b></p>
<p>Se ha ricevuto questo avviso e non e il vero proprietario della carta prepagata di PosteItaliane, La  informiamo che rappresenta una violazione della politica di PosteItaliane di sostituirsi ad unaltro utente di PosteItaliane.


Tale azione puo anche rappresentare una violazione di leggi locali, nazionali e/o internazionali. PosteItaliane si impegna nellapplicazione della legge nel tentativo di combattere le evetuali frodi o furti. Le informazioni saranno fornite su richiesta alle agenzie legali per accertarsi che i falsi possessori siano proseguiti nella misura adeguata dalla legge.

<p><font size="2">Per maggiori informazioni consulta il
<a href="http://www.poste.it/bancoposta/trasparenza/FI_Postecommerce.pdf">Foglio 
Informativo</a> e le
<a href="http://www.poste.it/azienda/posterisponde/conciliazione_bancoposta.pdf">Istruzioni 
operative per l'utilizzo di BancoPostaOnline</a> (file .pdf)<br>
Per assistenza tecnica: <font color="#008000">numero verde 803.160</font> (segui 
le istruzioni della guida vocale e scegli l'opzione Servizi internet)

</font></b></p>
<p>Grazie per la Sua collaborazione, e di aver accettato di lavorare insieme a noi per la sicurezza del Suo conto.

<br>
&nbsp;</font></p>
<p>Distinti saluti,<br>
<b>PosteItaliane,Reparto Di Rassegna Di Cliente<br>
&nbsp;</b></p>
<p><font size="2" color="#808080"><br>
Poste.it E-mail ID  52r229adf234vsa81385po2</font></p>

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 04:11:38 2007
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>,
	<vaguediscuss@vagueterrain.net>
Subject: 04.24.07 . APRil PiNG > KINDER ATOM + SMASH and TEENY with ADDITV
Date: Mon, 23 Apr 2007 00:11:35 -0400
Organization: THE AMBiENT PiNG
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. THiS TUESDAY @ THE PiNG . CHiLLED ELECTRO-ACOUSTiC NiGHT
  Featuring KINDER ATOM + SMASH and TEENY's=20
  BEE SPACE with visuals by ADDITV
  LiVE iN THE UNDERGROUND @ the DRAKE HOTEL
  TUESDAY APRiL 24TH . 8PM - 11PM . PWYC (5$ suggested)
 =20
. COMiNG ON MAY 22ND TO THE PiNG . RADiO iN AMBiENCE -
  A special presentation for DEEP WIRELESS in collaboration with=20
  NEW ADVENTURES IN SOUND ART featuring GEEK WEEKEND with=20
  ROBERT HOARE (Berlin Germany) & STEVEN SAUV=C9 (Hamilton ON)=20
  + STEPHEN KELLY and ELEANOR KING (Halifax, NS)
  LiVE iN THE UNDERGROUND @ the DRAKE HOTEL
  TUESDAY MAY 22ND . 8PM - 11PM . PWYC (5$ suggested)

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

04.24.07 . The PiNG Presents CHiLLED ELECTRO-ACOUSTiC NiGHT
Featuring KINDER ATOM + SMASH and TEENY with visuals by ADDITV
@ the UNDERGROUND downstairs @ the DRAKE HOTEL
1150 Queen St. W @ Beaconsfield . W of Ossington . E of Dufferin
TUESDAY APRiL 24TH . 8PM - 11PM . PWYC (5$ suggested)

. 8:30 . BEE SPACE . Smash and Teeny with visuals by Additv
Live electro-acoustic audio/visual improv derived from=20
bees and other insects.

Smash and Teeny are Nilan Perera (altered electric guitar and=20
effects) and Sarah Peebles (laptop, mixing bowls, speaker drivers,=20
and sho mouth-organ). They have performed and recorded as a=20
duo since 2001 in Europe, Canada, the U.S. and Japan, and have=20
performed with John Butcher, Evan Parker, David Toop, Jin Hi Kim,=20
K=F4 Ishikawa, and Darren Copeland, among others. Their double-CD=20
"Gathering" (Spool), has received critical praise from the likes of=20
The Wire, Exclaim! and New York's Downtown Music Gallery.

"The duo mix tidal undulations of tone with the ability to pick
out sharp flecks of texture in complex aural environments."=20
- The Wire

Additv (Rob King) is an artist, researcher and student in the
Communication and Culture masters program at Ryerson.=20
His works have focused on the social interactions between=20
people in an online environment, emergent systems,=20
and digital play.

Smash and Teeny: http://www.sarahpeebles.net/smash.htm
Additv: http://www.e-mu.org

. 9:30 . Kinder Atom, Toronto minimalist electro innovators, land=20
for their first performance at the PiNG as we continue our chilled=20
out SPRiNG FLiNG @ the PiNG.=20

Kinder Atom are the people behind Toronto's nice + smooth ultramedia=20
collective of artists, musicians, dj's and designers fusing their =
talents=20
into one hyper-creative and diverse production agency.=20

Check out Kinder Atom's 4th release of deep electro, jazzy house=20
and dubby chillout grooves which features a free DVD included=20
in the digipak with seven different music videos by various Toronto=20
directors. These visual interpretations of Kinder Atom=92s music=20
embrace nature inspired, layered abstract imagery and colours.=20

The warm organic flavours of Kinder Atom will tempt your senses=20
and soothe your soul as their deep electro, funky, dreamy and=20
gentle ambient sounds fill the PiNG @ the UNDERGROUND.=20
http://www.kinderatom.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

05.22.07 . The PiNG Presents RADiO iN AMBiENCE -=20
A special presentation for DEEP WIRELESS in collaboration with=20
NEW ADVENTURES IN SOUND ART featuring GEEK WEEKEND with=20
ROBERT HOARE (Berlin Germany) & STEVEN SAUV=C9 (Hamilton ON)=20
+ STEPHEN KELLY and ELEANOR KING (Halifax NS)
@ the UNDERGROUND downstairs @ the DRAKE HOTEL
1150 Queen St. W @ Beaconsfield . W of Ossington . E of Dufferin
TUESDAY MAY 22ND . 8PM - 11PM . PWYC (5$ suggested)

. For the 5th year running, Radio in Ambience transmits from the PiNG.=20
This time out, Toronto/Berlin sound artist Robert Hoare and Hamilton=20
synthguy Steven Sauv=E9 bring their Geek Weekend project back to the =
PiNG.=20
Also along for this year's spin on the radio dial are PiNG newcomers, =
the=20
Halifax duo Stephen Kelly and Eleanor King. Join us as our Deep Wireless =

guests coax the radio ether into an outer-worldly electro ambient chill.

Robert Hoare : http://www.robhoare.de
Steven Sauv=E9: http://www.karmafarm.ca
Stephen Kelly and Eleanor King: http://www.thejustbarelys.ca
http://ckdu.dal.ca/~barelymusic/art.html

Explore the New Adventures in Sound Art website for more on=20
Deep Wireless, a month-long celebration of radio and=20
transmission art. http://www.naisa.ca/deepwireless

. NOTE that for MAY, the PiNG breaks from our usual last Tuesday of=20
the month slot @ The Drake Underground so that we can be in the=20
thick of the Deep Wireless festivities by presenting this year's=20
RADiO iN AMBiENCE performance on TUESDAY MAY 22ND.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE ALMOST LiVE MUSiC SERiES on AMBiENT PiNG RADiO

MONDAY APRiL 23RD at 9PM EST a brand new and exclusive=20
ALMOST LiVE set by TouchXtone.=20

Featuring tracks taken from a live improvisational performance at =
Decauter=20
Georgia's beloved Java Monkey venue, this is a set sure to appeal to =
analog=20
ambient gearheads and more. Check it out and see why TouchXtone=20
have fast become Atlanta's favourite ambient artists.

The ALMOST LiVE MUSiC SERiES is broadcast on=20
http://www.ambientpingradio.com on Mondays at 9PM EST=20
and is rebroadcast Thursdays at 12midnight EST=20
and Saturdays at 3:30PM EST.

The ALMOST LiVE MUSiC SERiES: Another way that=20
http://www.ambientpingradio.com is bringing great music to you!

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

OTHER COOL THiNGS FROM FRiENDS OF THE PiNG

. alienInFlux + promise + smallworld music present SONIC TURTLE
FRIDAY APRIL 27th 2007 . DeLeon White Gallery . 1139 College St.

A soulful journey through tribal beats & global rhythms, Adham =
Shaikh=92s
Dreamtree Project and Interchill=92s Neerav appear for a superb night of
downtempo electronica. As one of Canada=92s top producers, Adham stands
among an elite group of international artists pushing the boundaries of
world music. He'll be performing solo and with the live dub fusion of
Dreamtree Project featuring sitar virtuoso Uwe Neumann and tablas by
Shankar Das.

ADHAM SHAIKH - BC
DREAMTREE PROJECT =96 with Adham + Uwe + Shankar, BC & Montreal
NEERAV =96 Interchill Records, Montreal
SHEN - Native State Records
MEDICINEMAN =96 Smallworld Music, CIUT 89.5 FM

Fri. April 27th . DeLeon White Gallery . 1139 College Street (west of
Dufferin)
$22 from Shanti Baba (546 Queen W) & Moog Audio (442 Queen W)
WEB: http://www.sonicturtle.com   CONTACT: events@harvestfestival.org


. NEW ADVENTURES IN SOUND ART presents=20
the 6th annual DEEP WIRELESS . May 1 - 31

As part of a month-long celebration of radio and transmission art,=20
radio artists, sound artists and enthusiasts can experience=20
performances, sound installations, new commissions,=20
special radio broadcasts, a CD launch and conference.

Tuesday May 1 . Grip Radio: The Camp X Files=20
8 pm at The Drake Hotel Underground=20
1150 Queen Street West . $10/$8 (free for conference registrants)

Thursday May 10 . Trans-local Performance
7 PM @ inter/access & Gallery 1313 (simultaneously)
inter/access ~ 9 Ossington Ave . Gallery 1313 ~ 1313A Queen Street West
PWYC ($5 suggested)

Tuesday May 29 . RADiO iN AMBiENCE . THE AMBiENT PiNG
8 pm at The Drake Hotel Underground=20
1150 Queen Street West . $5=20

Thursday May 24th . Radio _Kontakte_ Concert
8pm @ the Ryerson Student Campus Centre (Alumni Room)
55 Gould Street . $15/$10 (free for conference registrants)

Fri. & Sat. May 25 & 26 . Radio Theatre 1 & 2 (with It is to Laugh)
doors open 7:30pm show start 8pm
Ryerson Student Centre, Alumni Room . 55 Gould Street
$15/$10 (free for conference registrants)

Radio Art Salon / Gallery Installation
May 2-27@ Gallery 1313, Process Gallery
1313 Queen Street West
Radio Roam by Eleanor King & Stephen Kelly
Radio Art Salon curated by Darren Copeland

For more info on New Adventures in Sound Art and=20
the Deep Wireless Radio Art Festival and Conference:=20
http://www.naisa.ca


. ATTENTiON PiNG ARTiSTS . Call for Works for the 60x60 project.=20

Vox Novus is inviting composers to submit recorded works 60 seconds=20
or less in length to be included in its fifth annual 60x60 project. 60=20
compositions will be selected to be performed continuously in a=20
one-hour concert, in conjunction with multimedia elements=20
and an analog clock marking the passage of time.=20

Deadline: Submissions must be postmarked by May 21, 2007
http://www.VoxNovus.com/60x60/Call.htm

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of
audio artists, performers, musicians and visual artists. The PiNG
presents live multimedia performances featuring ambient, electronic,
soundscape, chillout, trip hop, dream pop, downtempo, space,
darkwave, drone and experimental artists from around the world.
http://www.theambientping.com

Tune in anytime to AMBiENT PING RADiO at
http://www.ambientpingradio.com

ViSiT ping things for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or
appropriate newsgroups. Thanks.

To unsubscribe - reply with 'unsubscribe' in the e-mail body.

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 05:32:40 2007
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From: "RICK WALKER" <looppool@cruzio.com>
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Rainer asked:
"On this thread, I'd also like to hear from the festival organizers how they
put the schedule together with regard to how specific performers are
grouped."


Speaking personally,   I always try to balance an interesting show, 
stylistically
with the performers I know to be the most popular ("I sure don't want to 
miss Zoe
Keating's performance"..........or simliar vibe).

I also really take into account how much of a performance a person will 
present
(Brian Kenny Fresno or Artis the Spoonman, as an example will really get a 
crowd
going)..................adding to this, I also like to give the best slots 
to performers
who have travelled the longest distances, favoring the headliners first, 
featured
performers next.

Given all those considerations (and reading my list here I realize that I 
have a lot more considerations
that I would have thought I have in picking the schedule)  I also try to mix 
the show
up, stylistically,  purposefully to give the audience the best 'sampler' of 
the live looping world that there is.

To me,  one of the really strong things about our community is that there is 
absolutely no stylistic center
or genre attached to the making of loop oriented music and yet we have a lot 
of solidarity as a musical
community.

I don't think I"ve ever been in a musical community that was able to be so 
diverse and really celebrative
of that diversity and frankly,  the old hippy in me loves that (ahhhh, I can 
here the groans now.............lol).

I, for one, think that this aspect of the community transcends stylistic 
groupings of artists.

Also,  I both produce and perform at a lot of thematically oriented 
festivals and performances in my own
personal world.

I just love producing shows like Festival of Found Sounds,   Festival of 
Voice and Electronics,  Weird Pop Festivals,
Noise Fests, Industrial shows.............Goth shows..............World 
Ethnic shows..........all the different styles of music
that I try to stay active in.

Consequently,   it's kind of liberating to eschew stylistic considerations 
at the looping festival. 

From akane@mail.imagework.net  Mon Apr 23 06:20:55 2007
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From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 07:50:58 2007
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Date: Mon, 23 Apr 2007 00:50:55 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: PHAT CASH REGISTER LOOPS
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Rick awesome brother!
cheers
Luis

www.myspace.com/luisangulocom

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 08:11:19 2007
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Date: Mon, 23 Apr 2007 01:11:16 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: portable hand field recorders
To: Loopers-Delight@loopers-delight.com
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gang,
i got rid of my marantz CDr300 i realized that it
weasnt really practical and quite bulky to be carrying
i need something really portable and easy to operat
like the old portable tape recorders(too bad i got rid
of my old one) that fits in my hand but digital with
mic and 1/4" inputs usb options and all the new
goodies with a good sound without the need of
connecting x-tra micros or xpensive xtra battery
charge device to record sounds, rehearsals,speeches
etc.
Sorry if this has been brought up in the past i
appreciate your updated recomendations!
Luis

www.myspace.com/luisangulocom

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 08:26:30 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: portable hand field recorders
Date: Mon, 23 Apr 2007 10:26:16 +0200
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On 23 apr 2007, at 10.11, L.A. Angulo wrote:

> gang,
> i got rid of my marantz CDr300 i realized that it
> weasnt really practical and quite bulky to be carrying
> i need something really portable and easy to operat
> like the old portable tape recorders(too bad i got rid
> of my old one) that fits in my hand but digital with
> mic and 1/4" inputs usb options and all the new
> goodies with a good sound without the need of
> connecting x-tra micros or xpensive xtra battery
> charge device to record sounds, rehearsals,speeches
> etc.


Luis,

Check out the Zoom H4. I bought one last year for the same purpose  
you are up for. I can't recommend it enough! I can't recommend it to  
use "as soundcard" though. The built-in stereo mic's are excellent.  
To give a sounding example, I recorded the two Lo Fi Lazer pieces  
with the H4:
http://www.looproom.com/listening.php

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 09:04:20 2007
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Date: Mon, 23 Apr 2007 02:04:17 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: portable hand field recorders
To: Loopers-Delight@loopers-delight.com
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Per i am impressed man thank you for the
recomendation!
are these 100% live or did you do any post mastering?
cheers
Luis




--- Per Boysen <perboysen@gmail.com> wrote:

> On 23 apr 2007, at 10.11, L.A. Angulo wrote:
> 
> > gang,
> > i got rid of my marantz CDr300 i realized that it
> > weasnt really practical and quite bulky to be
> carrying
> > i need something really portable and easy to
> operat
> > like the old portable tape recorders(too bad i got
> rid
> > of my old one) that fits in my hand but digital
> with
> > mic and 1/4" inputs usb options and all the new
> > goodies with a good sound without the need of
> > connecting x-tra micros or xpensive xtra battery
> > charge device to record sounds,
> rehearsals,speeches
> > etc.
> 
> 
> Luis,
> 
> Check out the Zoom H4. I bought one last year for
> the same purpose  
> you are up for. I can't recommend it enough! I can't
> recommend it to  
> use "as soundcard" though. The built-in stereo mic's
> are excellent.  
> To give a sounding example, I recorded the two Lo Fi
> Lazer pieces  
> with the H4:
> http://www.looproom.com/listening.php
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://tinyurl.com/2kek7h (CC donationware music
> releases)
> 
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 12:44:03 2007
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Date: Mon, 23 Apr 2007 08:40:00 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Re: portable hand field recorders
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L.A. Angulo wrote:
> i need something really portable and easy to operat
> like the old portable tape recorders that fits in my hand but digital with
> mic and 1/4" inputs usb options and all the new
> goodies with a good sound without the need of
> connecting x-tra micros or xpensive xtra battery
> charge device to record sounds, rehearsals,speeches
> etc.
I have the M-Audio MicroTrack 24/94.  It is an outstanding little unit 
but I cannot recommend it for field use because its internal 
rechargeable battery cannot be accessed by the consumer.  The Zoom H4 
seems more suited to the field because it operates on regular batteries 
and I suppose that you may substiture rechargeable batteries.

At a recent concert I gave at the Fiske Planetarium in Boulder, the 
MicroTrack saved our (mind3Spiral) bacon because the CDR recording was 
way overdriven.

Cheers,

Bill
http://mindspiral.com

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 14:03:28 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: portable hand field recorders
Date: Mon, 23 Apr 2007 16:02:49 +0200
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Hi Luis,

Of course it's 100 percent live! We recorded it with the stereo mic  
of the H4 to a 44,1 kHz stereo wav file. We actually played for two  
hours. Or more actually, but the batteries of the H4 stopped after  
two hours ;-)  Then we divided the long improvisation into twelve  
shorter parts that make sense as pieces in their own right. It was a  
great experience to set up a good PA sound and record it acoustically  
with stereo mic's in the room. You can hear me and my buddy making  
some acoustic noise while playing, one guy to the left and one guy to  
the right. And then you hear our noise coming out of the stereo  
speaker system with reverb or wicked Mobius rate shift effects etc. I  
have always found it difficult to achieve that close-up presence when  
taking a bunch of line-out signals and mix them into a stereo  
master.  I will definitely record more acoustically with the H4. We  
also wanted to go to a nearby temple and record acoustic flute duo's  
with the almost infinite reverb of that building but time became too  
short to make that on the same day. Since that temple have only a  
floor and a concave ceiling on pillars we have to do it on a day with  
almost no wind at all, because the H4 mic's are sensitive to outdoors  
(that is if you don't use the covering, but I don't like the covering  
because it alters the high frequencies recorded).

Per


On 23 apr 2007, at 11.04, L.A. Angulo wrote:

> Per i am impressed man thank you for the
> recomendation!
> are these 100% live or did you do any post mastering?
> cheers
> Luis
>
>
>
>
> --- Per Boysen <perboysen@gmail.com> wrote:
>
>> On 23 apr 2007, at 10.11, L.A. Angulo wrote:
>>
>>> gang,
>>> i got rid of my marantz CDr300 i realized that it
>>> weasnt really practical and quite bulky to be
>> carrying
>>> i need something really portable and easy to
>> operat
>>> like the old portable tape recorders(too bad i got
>> rid
>>> of my old one) that fits in my hand but digital
>> with
>>> mic and 1/4" inputs usb options and all the new
>>> goodies with a good sound without the need of
>>> connecting x-tra micros or xpensive xtra battery
>>> charge device to record sounds,
>> rehearsals,speeches
>>> etc.
>>
>>
>> Luis,
>>
>> Check out the Zoom H4. I bought one last year for
>> the same purpose
>> you are up for. I can't recommend it enough! I can't
>> recommend it to
>> use "as soundcard" though. The built-in stereo mic's
>> are excellent.
>> To give a sounding example, I recorded the two Lo Fi
>> Lazer pieces
>> with the H4:
>> http://www.looproom.com/listening.php
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://tinyurl.com/fauvm (podcast)
>> http://tinyurl.com/2kek7h (CC donationware music
>> releases)
>>
>>
>>
>
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 14:07:29 2007
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Date: Mon, 23 Apr 2007 07:07:24 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: portable hand field recorders
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Just recently I was discussing this with a friend of mine.  He uses
the Zoom, and here's what he had to say about it:

"i got one of those zoom H4 recorders that looks like a tazer. its
pretty useful. but not for incapacitating attackers.

i really like it. its replaced my minidisc. i bought it cause [a
mutual friend] got one and he's really picky about gear and does a ton
of research. for the price, which is less than the roland or m-audio
units, it can't be beat.

it has the usual zoom drawbacks: its not very sturdy and sort of
poorly designed in general, the menu navigation is really bad. i can't
imagine using it as a 4-track, which it does with various amp modeling
and stuff. but for regular stereo recording, it seems fine; just push
the record button once to put it in standby and check levels, then
push it again to start.

if you aren't in a rush, i'd wait for the H2 to come out this summer.
it does away with the 4 track mode and records in surround sound and
its $100 less.
http://createdigitalmusic.com/2007/01/26/namm-zooms-199-usb-h2-mobile-micrecorder-found-in-the-wild/#more-1850

[in answer to a question regarding how easily levels can be set when recording]
the zoom has  dedicated L/M/H switches on the side (for both the built
in mics and the inputs, which are combo XLR 1/4 inch) those levels are
user adjustable, which involes wading thru the menus. but once you
have them set, you can just use the switch to select between the 3
settings.

also it has a built in limiter that i think does a "look ahead" thing.
that function can be turned on or off as you choose. kirk thought this
was one of the real selling points for the zoom, i guess the roland
and m-audio don't do this. there's also a built in compressor.

both the M-audio and roland are just under $400, the zoom is under
$300, i think you can find it for as low as $279, but it's typically
$299.
the m-audio has no built in mic, but i think it comes with a plug in
thing. the roland mics point out to the sides, while the zoom mics are
in an x-y sort of configuration which i think gives a better stereo
image. and its the only one with XLR inputs which can be phantom
powered.

on top of all that, when you hook it up to your computer, it will work
as a bus-powered audio interface, and it comes with a copy of cubase.

things about it that stink:
clunky design- looks like a tazer, might get you shot.
does not feel especially sturdy.
battery/SD card cover opens in an awkward way. and the SD card is
really hard to get out unless you have fingernails.
menu navigation is awful. really, really bad.
the display is tiny
the unit seems much larger than it should be. it won't fit in your
pocket (comfortably). the roland and m-audio are much smaller.
it has no clock, so the files don't have a useful date on them.

hopefully some of this stuff will be fixed on the H2. i know it looks
to be smaller and does have a time stamp function. i also know it
won't do multi-track recording, but that's probably not a big deal."

Hope this helps.

TravisH


On 4/23/07, L.A. Angulo <labaloops@yahoo.com> wrote:
>
> i need something really portable and easy to operat
> like the old portable tape recorders(too bad i got rid
> of my old one) that fits in my hand but digital with
> mic and 1/4" inputs usb options and all the new
> goodies with a good sound without the need of
> connecting x-tra micros or xpensive xtra battery
> charge device to record sounds, rehearsals,speeches
> etc.
>

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 14:56:51 2007
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Subject: Re: portable hand field recorders
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Travis has offered a decent analysis here, so I'll only add my two cents and 
recommend the M-Audio MicroTrack 24/96.
http://www.m-audio.com/products/en_us/MicroTrack2496-main.html

I've been using it for over a year now with astounding results. In fact, 
I've used it for many of my recent CD tracks.  The cool thing is that it 
records to MP3 and wav, and at different sample and bit rates. Plus the 1/4 
inch inputs are balanced...and it has phantom power. You can get a balanced 
XLR to 1/4 inch adpator to go directly out of a mixer board's XLR outputs. I 
bought a 2GB flashcard for mine, so I can load it up with 4 hours of wav 
recordings. I really can't say anything bad about this unit, given the price 
and features, and size.

Kris



----- Original Message ----- 
From: "Travis Hartnett" <travishartnett@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 23, 2007 8:07 AM
Subject: Re: portable hand field recorders


> Just recently I was discussing this with a friend of mine.  He uses
> the Zoom, and here's what he had to say about it:
>
> "i got one of those zoom H4 recorders that looks like a tazer. its
> pretty useful. but not for incapacitating attackers.
>
> i really like it. its replaced my minidisc. i bought it cause [a
> mutual friend] got one and he's really picky about gear and does a ton
> of research. for the price, which is less than the roland or m-audio
> units, it can't be beat.
>
> it has the usual zoom drawbacks: its not very sturdy and sort of
> poorly designed in general, the menu navigation is really bad. i can't
> imagine using it as a 4-track, which it does with various amp modeling
> and stuff. but for regular stereo recording, it seems fine; just push
> the record button once to put it in standby and check levels, then
> push it again to start.
>
> if you aren't in a rush, i'd wait for the H2 to come out this summer.
> it does away with the 4 track mode and records in surround sound and
> its $100 less.
> http://createdigitalmusic.com/2007/01/26/namm-zooms-199-usb-h2-mobile-micrecorder-found-in-the-wild/#more-1850
>
> [in answer to a question regarding how easily levels can be set when 
> recording]
> the zoom has  dedicated L/M/H switches on the side (for both the built
> in mics and the inputs, which are combo XLR 1/4 inch) those levels are
> user adjustable, which involes wading thru the menus. but once you
> have them set, you can just use the switch to select between the 3
> settings.
>
> also it has a built in limiter that i think does a "look ahead" thing.
> that function can be turned on or off as you choose. kirk thought this
> was one of the real selling points for the zoom, i guess the roland
> and m-audio don't do this. there's also a built in compressor.
>
> both the M-audio and roland are just under $400, the zoom is under
> $300, i think you can find it for as low as $279, but it's typically
> $299.
> the m-audio has no built in mic, but i think it comes with a plug in
> thing. the roland mics point out to the sides, while the zoom mics are
> in an x-y sort of configuration which i think gives a better stereo
> image. and its the only one with XLR inputs which can be phantom
> powered.
>
> on top of all that, when you hook it up to your computer, it will work
> as a bus-powered audio interface, and it comes with a copy of cubase.
>
> things about it that stink:
> clunky design- looks like a tazer, might get you shot.
> does not feel especially sturdy.
> battery/SD card cover opens in an awkward way. and the SD card is
> really hard to get out unless you have fingernails.
> menu navigation is awful. really, really bad.
> the display is tiny
> the unit seems much larger than it should be. it won't fit in your
> pocket (comfortably). the roland and m-audio are much smaller.
> it has no clock, so the files don't have a useful date on them.
>
> hopefully some of this stuff will be fixed on the H2. i know it looks
> to be smaller and does have a time stamp function. i also know it
> won't do multi-track recording, but that's probably not a big deal."
>
> Hope this helps.
>
> TravisH
>
>
> On 4/23/07, L.A. Angulo <labaloops@yahoo.com> wrote:
>>
>> i need something really portable and easy to operat
>> like the old portable tape recorders(too bad i got rid
>> of my old one) that fits in my hand but digital with
>> mic and 1/4" inputs usb options and all the new
>> goodies with a good sound without the need of
>> connecting x-tra micros or xpensive xtra battery
>> charge device to record sounds, rehearsals,speeches
>> etc.
>>
>
> 


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and everyone askes me why that  "eschewer" rickeeeee walker is my 
hero!.....michael


http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com


________________________________________________________________________
AOL now offers free email to everyone.  Find out more about what's free 
from AOL at AOL.com.

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Subject: Re: busy I was lately
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Nice music, Claude !

fabio
www.eterogeneo.com

----- Original Message ----- 
From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 19, 2007 3:26 PM
Subject: busy I was lately


> Yes I'm happy to announce that my home  made web site (v 1.0) is online 
> and ready for the world ....
> www.claudevoit.ch
> comments, bugs, wishes, etc... welcome
>
> Hava nice day
>
> Claude
>
>
> www.myspace.com/claudevoit/
>
>
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.5.446 / Virus Database: 269.5.5/769 - Release Date: 19/04/2007 
> 17.56
>
> 

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 15:58:47 2007
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Re-Name that song - competition
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McDade, Rob (SLSA) schrieb:
> Now a lot of you are familiar with my instrumental epic piece Dickhead 
> in a G string  it won a local song writing award in 2004 for the best 
> instrumental.  Judges thought it was a bit too long and could do with a 
> change of title. I stood firm against this and was only willing to 
> shorten the title to Dickhead.  Thats the anarchist in me!

Please go back to the original title, its much better, also the length 
of the piece is fine. In fact I usually skip CD's which contain only 
"radiolength" pieces, the probability that its boring music is just way 
too high...
  You made your decisions without the critics in mind. Now the critics 
have a problem and it should rest with them. Its not your problem 
anymore, as you did make a decision in the past. Changing only for the 
sake of critical request is not a good idea. It would be different if 
you, on your own would not be satisfied with it, but it doesn't sound 
like that....

Appreciate the positive critic of Daryl, but protect the anarchist in 
you. In the end the audience will appreciate that much more than any 
kind of kissass....

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 16:16:57 2007
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Subject: Re: OT  "He is"  or "I am"
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Echohead schrieb:
> ...here is the link hope ya like em. http://thisphase.org/lips.html

Oh yes, I hope ya will find the time to do new stuff. Wonderful titles 
"The study of non elephant animals" is telling a story even before the 
download has finished.

Its also a very good example of a site where it does make sense to stay 
in 1st person. Its just a personal short statement and its aimed at your 
friends...
(All what had been said about the preference of 3rd person stays valid...)

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 16:17:17 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Re-Name that song - competition
Date: Mon, 23 Apr 2007 18:17:01 +0200
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> McDade, Rob (SLSA) schrieb:
>> Now a lot of you are familiar with my instrumental epic piece =20
>> Dickhead in a G string =96 it won a local song writing award in 2004 =20=

>> for the best instrumental.  Judges thought it was a bit too long =20
>> and could do with a change of title. I stood firm against this and =20=

>> was only willing to shorten the title to =91Dickhead=92.  That=92s =
the =20
>> anarchist in me!
>
> Please go back to the original title, its much better, also the =20
> length of the piece is fine. In fact I usually skip CD's which =20
> contain only "radiolength" pieces, the probability that its boring =20
> music is just way too high...
>  You made your decisions without the critics in mind. Now the =20
> critics have a problem and it should rest with them. Its not your =20
> problem anymore, as you did make a decision in the past. Changing =20
> only for the sake of critical request is not a good idea. It would =20
> be different if you, on your own would not be satisfied with it, =20
> but it doesn't sound like that....
>
> Appreciate the positive critic of Daryl, but protect the anarchist =20
> in you. In the end the audience will appreciate that much more than =20=

> any kind of kissass....


I agree with Stefan! Genuine outlets is what interests me and I =20
usually skip over everything that seems as if the original creators =20
have been trying to adapt to someone else's request. I justify this =20
my behavior by using the time I free up to listen more to something =20
that I find genuine. I think this attitude is quite common.... or at =20
least should be!  ;-))

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From findingq@server.cpm-hosting.com  Mon Apr 23 16:47:13 2007
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From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 16:49:38 2007
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From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
References: <000701c78286$553df1e0$4101a8c0@mini> <02ba01c785bc$070ff2a0$e701a8c0@pcfabio>
Subject: Re: busy I was lately
Date: Mon, 23 Apr 2007 18:50:04 +0200
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Hey thanks a lot Fabio

Claude

> Nice music, Claude !
>
> fabio
> www.eterogeneo.com
>
> ----- Original Message ----- 
> From: "Claude Voit" <c.voit@vtx.ch>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, April 19, 2007 3:26 PM
> Subject: busy I was lately
>
>
>> Yes I'm happy to announce that my home  made web site (v 1.0) is online 
>> and ready for the world ....
>> www.claudevoit.ch
>> comments, bugs, wishes, etc... welcome
>>
>> Hava nice day
>>
>> Claude
>>
>>
>> www.myspace.com/claudevoit/
>>
>>
>>
>>
>> -- 
>> No virus found in this incoming message.
>> Checked by AVG Free Edition.
>> Version: 7.5.446 / Virus Database: 269.5.5/769 - Release Date: 19/04/2007 
>> 17.56
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 17:54:38 2007
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From: "Dave Trenkel" <improv@peak.org>
To: <Loopers-Delight@loopers-delight.com>
References: <01cc01c77c00$0d210320$64ddfea9@DAYGLOGREEN> <002e01c77c77$eb040490$0202a8c0@YOUR08D5303051> <462CDBF6.5040301@addcom.de>
Subject: Re: OT  "He is"  or "I am"
Date: Mon, 23 Apr 2007 10:54:34 -0700
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I meant to post on this topic when it was happening, but never got around to 
it. I was a music director at both college and community radio stations for 
a number of years, and when we were reading some artists press ket/bio, it 
didn't particularly matter whether it was written in 1st or 3rd person. What 
did matter was how much material was there that was written by people other 
than the artist, press/media material about the artist from newspapers, 
zines, websites, whatever. If you have 10 pages of press clippings, you look 
like a serious artist, and it kinda doesn't matter wat you have to say about 
yourself.  So get out there, get some reviews, call the guy who writes for 
your local paper, chances are he's a music fan who's dying to hear something 
cool. Send your discs to 20 music review websites, chances are 1 or 2 will 
write about you. Even if the reviews aren't entirely positive, you can 
usually clip out a sentence or 2 that sounds positive. Or post the whole 
thing and show that you have some balls :-)

As far as the 1st/3rd person issue, in our bands bio, we write about the 
collective in the 1st person "we", but individual bios are 3rd person.

----- Original Message ----- 
From: "Stefan Tiedje" <Stefan-Tiedje@addcom.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 23, 2007 9:16 AM
Subject: Re: OT "He is" or "I am"


> Echohead schrieb:
>> ...here is the link hope ya like em. http://thisphase.org/lips.html
>
> Oh yes, I hope ya will find the time to do new stuff. Wonderful titles 
> "The study of non elephant animals" is telling a story even before the 
> download has finished.
>
> Its also a very good example of a site where it does make sense to stay in 
> 1st person. Its just a personal short statement and its aimed at your 
> friends...
> (All what had been said about the preference of 3rd person stays valid...)
>
> Stefan
>
> -- 
> Stefan Tiedje------------x-------
> --_____-----------|--------------
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()--------www.ccmix.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 20:08:05 2007
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Date: Mon, 23 Apr 2007 13:08:04 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Krispens Fragments
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Krispen thanx for your CD, got around finally to
listen to it very brilliant and "spooky" stuff in
there you should really try approaching film makers
man!
keep it up
Luis




--- samba - <sambacomet@hotmail.com> wrote:

> 
>   I agree it would be wonderful to hear some people
> for longer.I think it's 
> worth treating a festival differently than a
> concert. It's more like being 
> at a party and dancing with several different
> partners,any of who one might 
> go to bed wit at some other time. There are large
> advantages for 
> performers.Esp the focus it takes to get on ,set
> up,whip it out, engage the 
> listeners,move/impress/challenge/confuse/seduce
> them,or whatever you're 
> trying to do,then get off and stow gear. It's great
> practice for being good 
> at performance,being in command of the whole
> package. Festivals are where 
> perfromers can really get their professional 
> performance chops together.The 
> collegial atmosphere of seeing many performers adds
> a sort of creative 
> ferment that's amazing.Also encourages folks to
> really express what they 
> really have in them,when they know so much of the
> audience is other palyers. 
> If you have your mouth all set for a bowl of Cheeios
> and milk ,smoked salmon 
> can taste kind of weird. A Fest isn't  a Concert.
> 
>
_________________________________________________________________
> Need a break? Find your escape route with Live
> Search Maps. 
> http://maps.live.com/?icid=hmtag3
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
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Date: Mon, 23 Apr 2007 13:08:05 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Krispens Fragments
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Krispen thanx for your CD, got around finally to
listen to it very brilliant and "spooky" stuff in
there you should really try approaching film makers
man!
keep it up
Luis




--- samba - <sambacomet@hotmail.com> wrote:

> 
>   I agree it would be wonderful to hear some people
> for longer.I think it's 
> worth treating a festival differently than a
> concert. It's more like being 
> at a party and dancing with several different
> partners,any of who one might 
> go to bed wit at some other time. There are large
> advantages for 
> performers.Esp the focus it takes to get on ,set
> up,whip it out, engage the 
> listeners,move/impress/challenge/confuse/seduce
> them,or whatever you're 
> trying to do,then get off and stow gear. It's great
> practice for being good 
> at performance,being in command of the whole
> package. Festivals are where 
> perfromers can really get their professional 
> performance chops together.The 
> collegial atmosphere of seeing many performers adds
> a sort of creative 
> ferment that's amazing.Also encourages folks to
> really express what they 
> really have in them,when they know so much of the
> audience is other palyers. 
> If you have your mouth all set for a bowl of Cheeios
> and milk ,smoked salmon 
> can taste kind of weird. A Fest isn't  a Concert.
> 
>
_________________________________________________________________
> Need a break? Find your escape route with Live
> Search Maps. 
> http://maps.live.com/?icid=hmtag3
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 20:24:34 2007
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Date: Mon, 23 Apr 2007 13:24:33 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: cool custom fx and weird retro boxes
To: Loopers-Delight@loopers-delight.com
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jesus christ this is the coolest efx website ive seen
in years!
thanx for the link
Luis


--- Charlie Milkey <pilotcp@gmail.com> wrote:

> he's a really nice guy too...He is a friend of a
> jamming friend and I
> met Tim once--we talked gear and his stuff--he
> really knows what he is
> doing! Tim also made a special delay for my
> friend--it is a really
> cool multi-delay.
> 
> 
> Charlie
> 
> On 4/20/07, Michael Peters <mp@mpeters.de> wrote:
> > > http://www.timkaiser.org/Sonic.html
> >
> > jawdroppingly awesome
> >
> > michael www.michaelpeters.de
> >
> >
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 20:24:36 2007
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Date: Mon, 23 Apr 2007 13:24:34 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: cool custom fx and weird retro boxes
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jesus christ this is the coolest efx website ive seen
in years!
thanx for the link
Luis


--- Charlie Milkey <pilotcp@gmail.com> wrote:

> he's a really nice guy too...He is a friend of a
> jamming friend and I
> met Tim once--we talked gear and his stuff--he
> really knows what he is
> doing! Tim also made a special delay for my
> friend--it is a really
> cool multi-delay.
> 
> 
> Charlie
> 
> On 4/20/07, Michael Peters <mp@mpeters.de> wrote:
> > > http://www.timkaiser.org/Sonic.html
> >
> > jawdroppingly awesome
> >
> > michael www.michaelpeters.de
> >
> >
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 22:07:50 2007
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Date: Mon, 23 Apr 2007 15:07:48 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: My piano looping video/ and some thoughts
To: eterogeneo <info@eterogeneo.com>,
	Loopers-Delight@loopers-delight.com
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i remeber also having to go outside during certain
loopers set when we played at the loop jam in
Luzern.Claude,Matthias,Rick among others were
there,which i jammed with but there were other unknown
loopers that performed before which were extremely
loud and i wanted to keep my ears as fresh as
possible.This was of course completely different
because we didnt have any time restrictions and
anybody could get up join in and jam at
anytime.Nevertheless it was wonderful getting to know
this loopers for ther first time,their styles and
exchange information CDs etc.and i would say this is
one of the best benefits from this festivals!
Luis




--- eterogeneo <info@eterogeneo.com> wrote:

> Thanks for the appreciations, Micheal...and all the
> other people who kindly 
> have given their impressions.
> 
> I understand what you said and i'm agree with you.
> I would like to say a lot about your thoughts, but
> my english in not so 
> good enough.
> I can say that i remember that in Zurich i used to
> exit out of the venue a 
> lot of times...because i needed to "wash" my ears
> before listen to the 
> sounds of the nextcoming artist.
> ...And i'm just 36 years old (tomorrow will be 37
> !).
> I remember that i was happy to play in Zurich, but
> at the same time i was 
> confused by the speedy performances, even if all
> worked very well and 
> Bernhard made a great work.
> 
> In simple words, i can think to the difference
> between a festival where 
> looping performances are showed to a public audience
> and a festival where 
> looping musicians meet themself....
> In the first case, i think is more appropriated to
> have long performances; 
> while in the second case i would prefer to have time
> between the 
> performances to...wash ears, to talk with artists
> and (mostly) to listen to 
> some words from the performer about his way to make
> music.
> In other words, the 'goal' ofthe festival must be
> clear from the beginning 
> and the best solution is consequent.
> But i also know how difficult is organizing such
> events...
> 
> Just my (poor) opinion.
> 
> Ciao
> 
> Fabio
> www.eterogeneo.com
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 03:06:43 2007
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Date: Tue, 24 Apr 2007 05:06:32 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: portable hand field recorders
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Which one of these can accept an electret stereo mic?
It seems the Zoom comes with that kind of mics, but I was trying to
continue using my core audio ones....

Does anybody has any esperience with the Edirol ?
I read in a web-shop that this one has the related input.

Thanks,
Ra=FCl.


2007/4/23, Krispen Hartung <khartung@cableone.net>:
> Travis has offered a decent analysis here, so I'll only add my two cents =
and
> recommend the M-Audio MicroTrack 24/96.
> http://www.m-audio.com/products/en_us/MicroTrack2496-main.html
>
> I've been using it for over a year now with astounding results. In fact,
> I've used it for many of my recent CD tracks.  The cool thing is that it
> records to MP3 and wav, and at different sample and bit rates. Plus the 1=
/4
> inch inputs are balanced...and it has phantom power. You can get a balanc=
ed
> XLR to 1/4 inch adpator to go directly out of a mixer board's XLR outputs=
. I
> bought a 2GB flashcard for mine, so I can load it up with 4 hours of wav
> recordings. I really can't say anything bad about this unit, given the pr=
ice
> and features, and size.
>
> Kris
>
>
>
> ----- Original Message -----
> From: "Travis Hartnett" <travishartnett@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, April 23, 2007 8:07 AM
> Subject: Re: portable hand field recorders
>
>
> > Just recently I was discussing this with a friend of mine.  He uses
> > the Zoom, and here's what he had to say about it:
> >
> > "i got one of those zoom H4 recorders that looks like a tazer. its
> > pretty useful. but not for incapacitating attackers.
> >
> > i really like it. its replaced my minidisc. i bought it cause [a
> > mutual friend] got one and he's really picky about gear and does a ton
> > of research. for the price, which is less than the roland or m-audio
> > units, it can't be beat.
> >
> > it has the usual zoom drawbacks: its not very sturdy and sort of
> > poorly designed in general, the menu navigation is really bad. i can't
> > imagine using it as a 4-track, which it does with various amp modeling
> > and stuff. but for regular stereo recording, it seems fine; just push
> > the record button once to put it in standby and check levels, then
> > push it again to start.
> >
> > if you aren't in a rush, i'd wait for the H2 to come out this summer.
> > it does away with the 4 track mode and records in surround sound and
> > its $100 less.
> > http://createdigitalmusic.com/2007/01/26/namm-zooms-199-usb-h2-mobile-m=
icrecorder-found-in-the-wild/#more-1850
> >
> > [in answer to a question regarding how easily levels can be set when
> > recording]
> > the zoom has  dedicated L/M/H switches on the side (for both the built
> > in mics and the inputs, which are combo XLR 1/4 inch) those levels are
> > user adjustable, which involes wading thru the menus. but once you
> > have them set, you can just use the switch to select between the 3
> > settings.
> >
> > also it has a built in limiter that i think does a "look ahead" thing.
> > that function can be turned on or off as you choose. kirk thought this
> > was one of the real selling points for the zoom, i guess the roland
> > and m-audio don't do this. there's also a built in compressor.
> >
> > both the M-audio and roland are just under $400, the zoom is under
> > $300, i think you can find it for as low as $279, but it's typically
> > $299.
> > the m-audio has no built in mic, but i think it comes with a plug in
> > thing. the roland mics point out to the sides, while the zoom mics are
> > in an x-y sort of configuration which i think gives a better stereo
> > image. and its the only one with XLR inputs which can be phantom
> > powered.
> >
> > on top of all that, when you hook it up to your computer, it will work
> > as a bus-powered audio interface, and it comes with a copy of cubase.
> >
> > things about it that stink:
> > clunky design- looks like a tazer, might get you shot.
> > does not feel especially sturdy.
> > battery/SD card cover opens in an awkward way. and the SD card is
> > really hard to get out unless you have fingernails.
> > menu navigation is awful. really, really bad.
> > the display is tiny
> > the unit seems much larger than it should be. it won't fit in your
> > pocket (comfortably). the roland and m-audio are much smaller.
> > it has no clock, so the files don't have a useful date on them.
> >
> > hopefully some of this stuff will be fixed on the H2. i know it looks
> > to be smaller and does have a time stamp function. i also know it
> > won't do multi-track recording, but that's probably not a big deal."
> >
> > Hope this helps.
> >
> > TravisH
> >
> >
> > On 4/23/07, L.A. Angulo <labaloops@yahoo.com> wrote:
> >>
> >> i need something really portable and easy to operat
> >> like the old portable tape recorders(too bad i got rid
> >> of my old one) that fits in my hand but digital with
> >> mic and 1/4" inputs usb options and all the new
> >> goodies with a good sound without the need of
> >> connecting x-tra micros or xpensive xtra battery
> >> charge device to record sounds, rehearsals,speeches
> >> etc.
> >>
> >
> >
>
>
>


--=20
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

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Date: Mon, 23 Apr 2007 20:18:28 -0700
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: portable hand field recorders
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On 4/23/07, Raul Bonell <raul.bonell@gmail.com> wrote:
> Which one of these can accept an electret stereo mic?
> It seems the Zoom comes with that kind of mics, but I was trying to
> continue using my core audio ones....

It looks like the Zoom H2 will take "plug in power" electret stereo
mics when it comes out. I wonder if the H4 wouldn't as well.

> > if you aren't in a rush, i'd wait for the H2 to come out this summer.
> > it does away with the 4 track mode and records in surround sound and
> > its $100 less.
> > http://createdigitalmusic.com/2007/01/26/namm-zooms-199-usb-h2-mobile-m=
icrecorder-found-in-the-wild/#more-1850


>
> Does anybody has any esperience with the Edirol ?
> I read in a web-shop that this one has the related input.
>
> Thanks,
> Ra=FCl.
>
>
> 2007/4/23, Krispen Hartung <khartung@cableone.net>:
> > Travis has offered a decent analysis here, so I'll only add my two cent=
s and
> > recommend the M-Audio MicroTrack 24/96.
> > http://www.m-audio.com/products/en_us/MicroTrack2496-main.html
> >
> > I've been using it for over a year now with astounding results. In fact=
,
> > I've used it for many of my recent CD tracks.  The cool thing is that i=
t
> > records to MP3 and wav, and at different sample and bit rates. Plus the=
 1/4
> > inch inputs are balanced...and it has phantom power. You can get a bala=
nced
> > XLR to 1/4 inch adpator to go directly out of a mixer board's XLR outpu=
ts. I
> > bought a 2GB flashcard for mine, so I can load it up with 4 hours of wa=
v
> > recordings. I really can't say anything bad about this unit, given the =
price
> > and features, and size.
> >
> > Kris
> >
> >
> >
> > ----- Original Message -----
> > From: "Travis Hartnett" <travishartnett@gmail.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Monday, April 23, 2007 8:07 AM
> > Subject: Re: portable hand field recorders
> >
> >
> > > Just recently I was discussing this with a friend of mine.  He uses
> > > the Zoom, and here's what he had to say about it:
> > >
> > > "i got one of those zoom H4 recorders that looks like a tazer. its
> > > pretty useful. but not for incapacitating attackers.
> > >
> > > i really like it. its replaced my minidisc. i bought it cause [a
> > > mutual friend] got one and he's really picky about gear and does a to=
n
> > > of research. for the price, which is less than the roland or m-audio
> > > units, it can't be beat.
> > >
> > > it has the usual zoom drawbacks: its not very sturdy and sort of
> > > poorly designed in general, the menu navigation is really bad. i can'=
t
> > > imagine using it as a 4-track, which it does with various amp modelin=
g
> > > and stuff. but for regular stereo recording, it seems fine; just push
> > > the record button once to put it in standby and check levels, then
> > > push it again to start.
> > >
> > > if you aren't in a rush, i'd wait for the H2 to come out this summer.
> > > it does away with the 4 track mode and records in surround sound and
> > > its $100 less.
> > > http://createdigitalmusic.com/2007/01/26/namm-zooms-199-usb-h2-mobile=
-micrecorder-found-in-the-wild/#more-1850
> > >
> > > [in answer to a question regarding how easily levels can be set when
> > > recording]
> > > the zoom has  dedicated L/M/H switches on the side (for both the buil=
t
> > > in mics and the inputs, which are combo XLR 1/4 inch) those levels ar=
e
> > > user adjustable, which involes wading thru the menus. but once you
> > > have them set, you can just use the switch to select between the 3
> > > settings.
> > >
> > > also it has a built in limiter that i think does a "look ahead" thing=
.
> > > that function can be turned on or off as you choose. kirk thought thi=
s
> > > was one of the real selling points for the zoom, i guess the roland
> > > and m-audio don't do this. there's also a built in compressor.
> > >
> > > both the M-audio and roland are just under $400, the zoom is under
> > > $300, i think you can find it for as low as $279, but it's typically
> > > $299.
> > > the m-audio has no built in mic, but i think it comes with a plug in
> > > thing. the roland mics point out to the sides, while the zoom mics ar=
e
> > > in an x-y sort of configuration which i think gives a better stereo
> > > image. and its the only one with XLR inputs which can be phantom
> > > powered.
> > >
> > > on top of all that, when you hook it up to your computer, it will wor=
k
> > > as a bus-powered audio interface, and it comes with a copy of cubase.
> > >
> > > things about it that stink:
> > > clunky design- looks like a tazer, might get you shot.
> > > does not feel especially sturdy.
> > > battery/SD card cover opens in an awkward way. and the SD card is
> > > really hard to get out unless you have fingernails.
> > > menu navigation is awful. really, really bad.
> > > the display is tiny
> > > the unit seems much larger than it should be. it won't fit in your
> > > pocket (comfortably). the roland and m-audio are much smaller.
> > > it has no clock, so the files don't have a useful date on them.
> > >
> > > hopefully some of this stuff will be fixed on the H2. i know it looks
> > > to be smaller and does have a time stamp function. i also know it
> > > won't do multi-track recording, but that's probably not a big deal."
> > >
> > > Hope this helps.
> > >
> > > TravisH
> > >
> > >
> > > On 4/23/07, L.A. Angulo <labaloops@yahoo.com> wrote:
> > >>
> > >> i need something really portable and easy to operat
> > >> like the old portable tape recorders(too bad i got rid
> > >> of my old one) that fits in my hand but digital with
> > >> mic and 1/4" inputs usb options and all the new
> > >> goodies with a good sound without the need of
> > >> connecting x-tra micros or xpensive xtra battery
> > >> charge device to record sounds, rehearsals,speeches
> > >> etc.
> > >>
> > >
> > >
> >
> >
> >
>
>
> --
> The Playing Orchestra: http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com
> TPO at myspace: http://www.myspace.com/theplayingorchestra
>
>


--=20
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 03:29:58 2007
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Date: Tue, 24 Apr 2007 05:29:54 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> It looks like the Zoom H2 will take "plug in power" electret stereo
> mics when it comes out. I wonder if the H4 wouldn't as well.

I think in this german store, says it's and "additional" feature to H2 only=
.
Not in stock yet...

http://www.thomann.de/es/zoom_h_2.htm

Ra=FCl.

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 03:38:44 2007
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And here the Samson link....

http://www.samsontech.com/products/productpage.cfm?prodID=3D1916

Ra=FCl.

2007/4/24, Raul Bonell <raul.bonell@gmail.com>:
> > It looks like the Zoom H2 will take "plug in power" electret stereo
> > mics when it comes out. I wonder if the H4 wouldn't as well.
>
> I think in this german store, says it's and "additional" feature to H2 on=
ly.
> Not in stock yet...
>
> http://www.thomann.de/es/zoom_h_2.htm
>
> Ra=FCl.
>


--=20
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 03:54:41 2007
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Date: Mon, 23 Apr 2007 23:39:50 -0400
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance  4.29 and Video Music Marathon 4.28
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Hi folks,

I'll be doing video improvisations with The Lothars (one of my 
favorite bands  -- two theremins, electro flute and hammered 
dulcimer) at PA's Lounge 345 Somerville Ave, Somerville MA , 617 
776-1557. We are the opening act, sometime around 8:30 or 9.

At 11:30 AM -0500 4/23/07, The Lothars wrote:
>On April 29, The Lothars return for their 
><http://www.wobblymusic.com/lothars/LotharsGigs.php?gig_id=090605>annual 
><http://www.wobblymusic.com/lothars/LotharsGigs.php?gig_id=042606>visit 
>to local Somerville haunt <http://www.paslounge.com>P.A.'s Lounge. 
>This time around, we are opening for 
><http://www.importantrecords.com/releases/imprec101_release_page.htm>Alasehir, 
>a side project of Bardo Pond brothers John and Michael Gibbons with 
>drummer Michael Zangha. Also on the bill are D.C. p sych improvisors 
><http://611florida.alkem.org/kohoutek/frizz.html>Kohoutek. Come for 
>the theremins; stay for the barrage of psychedelic noise!

On April 28, a live piece of mine called "Another Kind of Blues" will 
be shown between 2 and 3 PM at the first Visual Music Marathon at 
NorthEastern University's Egan Research Center, 120 Forsyth Street, 
Boston, MA 02115 .

This will be part of an amazing event that I'm much looking forward 
to attending -- a must for anyone with an interest in visual music. 
64 film and video works, plus live performances, will be shown from 
10AM to 10 PM. For the full schedule, go to 
http://www.music.neu.edu/vmm/schedule.html


-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

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Thanks, Luis. Dark and spooky is how I like it. I would indeed approach film 
makers, but I'm afraid. I don't think I have the time to committ to any more 
projects, only offer my music as is. / Kris


----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 23, 2007 2:08 PM
Subject: Krispens Fragments


> Krispen thanx for your CD, got around finally to
> listen to it very brilliant and "spooky" stuff in
> there you should really try approaching film makers
> man!
> keep it up
> Luis
>
>
>
>
> --- samba - <sambacomet@hotmail.com> wrote:
>
>>
>>   I agree it would be wonderful to hear some people
>> for longer.I think it's
>> worth treating a festival differently than a
>> concert. It's more like being
>> at a party and dancing with several different
>> partners,any of who one might
>> go to bed wit at some other time. There are large
>> advantages for
>> performers.Esp the focus it takes to get on ,set
>> up,whip it out, engage the
>> listeners,move/impress/challenge/confuse/seduce
>> them,or whatever you're
>> trying to do,then get off and stow gear. It's great
>> practice for being good
>> at performance,being in command of the whole
>> package. Festivals are where
>> perfromers can really get their professional
>> performance chops together.The
>> collegial atmosphere of seeing many performers adds
>> a sort of creative
>> ferment that's amazing.Also encourages folks to
>> really express what they
>> really have in them,when they know so much of the
>> audience is other palyers.
>> If you have your mouth all set for a bowl of Cheeios
>> and milk ,smoked salmon
>> can taste kind of weird. A Fest isn't  a Concert.
>>
>>
> _________________________________________________________________
>> Need a break? Find your escape route with Live
>> Search Maps.
>> http://maps.live.com/?icid=hmtag3
>>
>>
>
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 05:11:31 2007
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Date: Tue, 24 Apr 2007 01:07:38 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Re: portable hand field recorders
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Krispen Hartung wrote:
> Travis has offered a decent analysis here, so I'll only add my two 
> cents and recommend the M-Audio MicroTrack 24/96.
> http://www.m-audio.com/products/en_us/MicroTrack2496-main.html
>
> I've been using it for over a year now with astounding results. In 
> fact, I've used it for many of my recent CD tracks.  The cool thing is 
> that it records to MP3 and wav, and at different sample and bit rates. 
> Plus the 1/4 inch inputs are balanced...and it has phantom power. You 
> can get a balanced XLR to 1/4 inch adpator to go directly out of a 
> mixer board's XLR outputs. I bought a 2GB flashcard for mine, so I can 
> load it up with 4 hours of wav recordings. I really can't say anything 
> bad about this unit, given the price and features, and size.
I must parrot Kris' assessment of the unit, even though I've only had 
mine for about two months.  Finally, I am able to record my radio shows 
and quickly archive them.  No more playing a DAT tape in real time into 
a computer.  Takes far too long.  Now, all I do is USB the file to my 
computer, top and tail the file in an audio editor, and save the result 
as an ogg vorbis file (very compressed in size and very good sounding).  
I recently saved the mind3Spiral experience for potential release on 
CD.  With the exception of the battery issue, it has been exactly what I 
want at unbeatable quality... which is saying something considering the 
notoriously bad quality control M-Audio's record exhibits.  The design, 
however, is pretty good.

Now, if only the RIAA, the Copyright Royalty Board (CRB), et al would 
allow me to put these files on my website without sending lawyers after 
me demanding more money than G-d has.

Oh, did I mention that the MicroTrack will loop on playback?  Yes, it does!

Bill

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 05:22:48 2007
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From: Bill Fox <billyfox@soundscapes.us>
Subject: Re: portable hand field recorders
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Raul Bonell wrote:
> Which one of these can accept an electret stereo mic?
The M-Audio MicroTrack 24/96 comes with a little stereo electret mic but 
you may use aany electret mic that plugs into the 1/8" TRS mic input 
jack.  The mic sounds good but is essentially a spaced omni pair that 
doesn't provide the stereo separation I enjoy with my SONY ECM-MS957.  
It was $300 at most places in 2001 when I bought it to go along with my 
MD recorder.  I paid just under $200  for it but that was hard to find.  
Apparently, you can find it for under $200 these days more easily.  (See 
<http://www.savinglots.com/lotprod.asp?item=ECMMS957> for example.)
> Does anybody has any esperience with the Edirol?
No.  But I met a guy who has one and seemed happy with it.  He made some 
stealth recordings at the School of Rock in NYC.  The MicroTrack can't 
do that unless you get a mic that will allow you to hide the unit.  The 
included mic is so small that you'd have to have the entire hand held 
unit in plain sight.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 11:04:35 2007
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From: Bill Fox <billyfox@soundscapes.us>
Subject: Re: portable hand field recorders
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Bill Fox wrote:
> Raul Bonell wrote:
>> Does anybody has any esperience with the Edirol?
I found the Edirol at $340!  
<http://parkaveelectronics.com/product.asp?itemid=EDIR09>

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 11:32:03 2007
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Date: Tue, 24 Apr 2007 13:32:01 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject:  Re: portable hand field recorders-Edirol R-09
To: Loopers-Delight@loopers-delight.com
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Hi !

I have the Edirol R-09 and I am very pleased with it.
I am very happy with the sound I get when I record
myself jamming with my mac. The sound - who then also
is made up from the acoustics of the my room - has
made me more interested in mics - roomacoustics -
micplacment etc. Because to me its much more like the
natural sound of instruments -and the way I like it.
When playing direct into my interface - I think  I
loose some of this natural sound. Having said this - I
also love fx. R-09 sounded so nice - when recordings
livesound - that it made me wanne explore the topic of
acoustics even further. Havent tried any other
recorder - so I cant compare.

best regards Rune Fagereng



--- Bill Fox <billyfox@soundscapes.us> skrev:

> Bill Fox wrote:
> > Raul Bonell wrote:
> >> Does anybody has any esperience with the Edirol?
> I found the Edirol at $340!  
>
<http://parkaveelectronics.com/product.asp?itemid=EDIR09>
> 
> Cheers,
> 
> Bill
> 
> 


www.runefagereng.com
www.myspace.com/runefagereng 
www.youtube.com/watch?v=bOHN4az59A0
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


      
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 11:35:42 2007
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Subject: Re: portable hand field recorders-Edirol R-09
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The Zoom H4 is pretty darn amazing too ..... it has two condenser mics built 
right in.  A friend of mine just got one and has been playing the recordings 
for me ..... they are probably better quality than I get with my more 
expensive equipment ... :-|






>From: rune fagereng <rune_fagereng@yahoo.no>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: portable hand field recorders-Edirol R-09
>Date: Tue, 24 Apr 2007 13:32:01 +0200 (CEST)
>
>Hi !
>
>I have the Edirol R-09 and I am very pleased with it.
>I am very happy with the sound I get when I record
>myself jamming with my mac. The sound - who then also
>is made up from the acoustics of the my room - has
>made me more interested in mics - roomacoustics -
>micplacment etc. Because to me its much more like the
>natural sound of instruments -and the way I like it.
>When playing direct into my interface - I think  I
>loose some of this natural sound. Having said this - I
>also love fx. R-09 sounded so nice - when recordings
>livesound - that it made me wanne explore the topic of
>acoustics even further. Havent tried any other
>recorder - so I cant compare.
>
>best regards Rune Fagereng
>
>
>
>--- Bill Fox <billyfox@soundscapes.us> skrev:
>
> > Bill Fox wrote:
> > > Raul Bonell wrote:
> > >> Does anybody has any esperience with the Edirol?
> > I found the Edirol at $340!
> >
><http://parkaveelectronics.com/product.asp?itemid=EDIR09>
> >
> > Cheers,
> >
> > Bill
> >
> >
>
>
>www.runefagereng.com
>www.myspace.com/runefagereng
>www.youtube.com/watch?v=bOHN4az59A0
>Mail:rune_fagereng@yahoo.no
>Mob: 917 95 867
>
>
>
>_________________________________________________________
>Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
>notisblokk. http://no.mail.yahoo.com
>

_________________________________________________________________
Download Messenger. Join the im Initiative. Help make a difference today. 
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From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 11:36:22 2007
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Date: Tue, 24 Apr 2007 13:36:20 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: busy I was lately
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Fantastic, as ever!.

"Ridicule danse" is... ahh... WoW...
....ieeeepeee!!!

I like that flash player
that allows to play two
tracks at a time.
You can mix them online ;-)
if you don't have enough
with just one of these beauties.

Keep that copy for me!
As europee, I'd prefer to order
it directly from you Claude.

Tell us when it's available.

Cheers,
Ra=FCl.

2007/4/21, CV <c.voit@vtx.ch>:
>  Daryl Shawn
> > Claude, I'm very much enjoying the music on your site. Great playing, I=
'd
> > love to have a cd!
>
> waiting for them from the factory.... should have been today ..
>
> >
> > I have to admit, the logo threw me off for a minute, as it shows a
> > five-string guitar!
>
> its a symbol not real :-)
>
> > Just one real problem I noticed, on the "music" page of the English
> > version, if you click on "the making of on a wooden path" it takes you =
to
> > a French-language page. Also, I know what you mean by "around me", but
> > "about me" is the proper way to say it.
>
> fixed
>
> >
> > I found the "missing fret" page very interesting, for five years I play=
ed
> > a DADGCF tuning, all fourths except the fifth in the bass, and I
> > encountered the challenge of shifting familiar shapes. In truth, I neve=
r
> > got that good at it, and when I switched back it was a relief!
>
> I never tried, I love the regular open chords too much.
> the missing fret is an atempt to unify the families of voicings relating =
to
> the families of shapes
> there are some open tunings and altered tunings in the record though
> I say altered because I like to change only some strings to "easyfy" up s=
ome
> keys without changin it all
> ex: EADGBbD  gives a great key to play in F Cm Gm Eb Bb etc....
>
> I send this reply back to LD as it may interest some others
> hope you dont mind
>
> thanks
>
> Claude
>
>
> > best,
> >
> > Daryl Shawn
> > www.swanwelder.com
> > www.chinapaintingmusic.com
> >
> >> Yes I'm happy to announce that my home  made web site (v 1.0) is onlin=
e
> >> and ready for the world ....
> >> www.claudevoit.ch
> >> comments, bugs, wishes, etc... welcome
> >>
> >> Hava nice day
> >>
> >> Claude
> >>
> >>
> >> www.myspace.com/claudevoit/
> >>
> >>
> >
> >
>
>


--=20
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 12:56:38 2007
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From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
References: <000701c78286$553df1e0$4101a8c0@mini> <46290564.7040901@mhorse.com> <004f01c783a3$7317b570$4001a8c0@mini> <afb941d0704240436s571fb4b1kf079e6017839d3cd@mail.gmail.com>
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Merci merci

ok "that" copy is for you wen I'll get  them
:-)
Austria to Switzerland isnt so far away but they are already 2 days late ???
probably the swiss customs listening to them one by one
or searching for the secret meaning of some of the titles

this recording took a long time to give birth to but I have the privilege to 
be proud of it

Claude


Raul Bonell wrote:
> Fantastic, as ever!.
>
> "Ridicule danse" is... ahh... WoW...
> ....ieeeepeee!!!
>
> I like that flash player
> that allows to play two
> tracks at a time.
> You can mix them online ;-)
> if you don't have enough
> with just one of these beauties.
>
> Keep that copy for me!
> As europee, I'd prefer to order
> it directly from you Claude.
>
> Tell us when it's available.
>
> Cheers,
> Raül.
>
> 2007/4/21, CV <c.voit@vtx.ch>:
>>  Daryl Shawn
>>> Claude, I'm very much enjoying the music on your site. Great
>>> playing, I'd love to have a cd!
>>
>> waiting for them from the factory.... should have been today ..
>>
>>>
>>> I have to admit, the logo threw me off for a minute, as it shows a
>>> five-string guitar!
>>
>> its a symbol not real :-)
>>
>>> Just one real problem I noticed, on the "music" page of the English
>>> version, if you click on "the making of on a wooden path" it takes
>>> you to a French-language page. Also, I know what you mean by
>>> "around me", but "about me" is the proper way to say it.
>>
>> fixed
>>
>>>
>>> I found the "missing fret" page very interesting, for five years I
>>> played a DADGCF tuning, all fourths except the fifth in the bass,
>>> and I encountered the challenge of shifting familiar shapes. In
>>> truth, I never got that good at it, and when I switched back it was
>>> a relief!
>>
>> I never tried, I love the regular open chords too much.
>> the missing fret is an atempt to unify the families of voicings
>> relating to the families of shapes
>> there are some open tunings and altered tunings in the record though
>> I say altered because I like to change only some strings to "easyfy"
>> up some keys without changin it all
>> ex: EADGBbD  gives a great key to play in F Cm Gm Eb Bb etc....
>>
>> I send this reply back to LD as it may interest some others
>> hope you dont mind
>>
>> thanks
>>
>> Claude
>>
>>
>>> best,
>>>
>>> Daryl Shawn
>>> www.swanwelder.com
>>> www.chinapaintingmusic.com
>>>
>>>> Yes I'm happy to announce that my home  made web site (v 1.0) is
>>>> online and ready for the world ....
>>>> www.claudevoit.ch
>>>> comments, bugs, wishes, etc... welcome
>>>>
>>>> Hava nice day
>>>>
>>>> Claude
>>>>
>>>>
>>>> www.myspace.com/claudevoit/ 


From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 13:17:37 2007
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From: "Qua Veda" <qua@oregon.com>
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Subject: RE: portable hand field recorders - eidrol
Date: Tue, 24 Apr 2007 06:17:20 -0700
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Hi Bill,
I recently got an Edirol R09. The reviews that are posted for it on the net
are pretty accurate.  The recording quality seems great with the built in
mics, battery and usb access door seems suseptible to breaking , but I've
had no problems and I'm please with it overall , especially for the price.  

-Qua
      
-----Original Message-----
From: Bill Fox [mailto:billyfox@soundscapes.us] 
Sent: Tuesday, April 24, 2007 4:00 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: portable hand field recorders

Bill Fox wrote:
> Raul Bonell wrote:
>> Does anybody has any esperience with the Edirol?
I found the Edirol at $340!  
<http://parkaveelectronics.com/product.asp?itemid=EDIR09>

Cheers,

Bill


From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 13:39:28 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: =?ISO-8859-1?Q?Bj=F6rk_on_P=E4rt_among_others..._movie_clips?=
Date: Tue, 24 Apr 2007 15:38:50 +0200
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HI,

Some nice video documentary clips found in the internet by my RSS  
spider today:
http://createdigitalmusic.com/2007/04/23/embracing-simplicity-bjork- 
hangs-with-legendary-minimalists-timbaland/

She's putting on the educational hat by talking about the move "from  
complexity to texture" in modern music and interviews some important  
figures. Very inspiring documentaries. Hope you like them too.

per

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 13:58:45 2007
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Thanks, Per !!!

fabio
www.eterogeneo.com

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 24, 2007 3:38 PM
Subject: Björk on Pärt among others... movie clips


> HI,
>
> Some nice video documentary clips found in the internet by my RSS  spider 
> today:
> http://createdigitalmusic.com/2007/04/23/embracing-simplicity-bjork- 
> hangs-with-legendary-minimalists-timbaland/
>
> She's putting on the educational hat by talking about the move "from 
> complexity to texture" in modern music and interviews some important 
> figures. Very inspiring documentaries. Hope you like them too.
>
> per
>
>
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG Free Edition. Version: 7.5.463 / Virus Database: 
> 269.5.10/774 - Release Date: 23/04/2007 17.26
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 15:07:59 2007
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Subject: Re: portable hand field recorders
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Though not exactly palm size, I have been very impressed by the features and
sound quality of the Boss BR600. its very slim, light weight and has great
sounding stereo mics on board. It uses CFC cards and is a true multi-track
recorder, with even a bit of boss modeling effects on board.  Its a little
harder to conceal for stealth recording but way more versatile as a remote
recording device. I wouldn't be surprised if someone like Tricky recorded an
entire CD using one of these suckers, sitting on a beach in Maui.

Bill


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
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impressed by
the features and sound quality of the Boss BR600. its very slim, light =
weight and
has great sounding stereo mics on board. It uses CFC cards and is a true =
multi-track
recorder, with even a bit of boss modeling effects on board. &nbsp;Its a =
little
harder to conceal for stealth recording but way more versatile as a =
remote
recording device. I wouldn&#8217;t be surprised if someone like Tricky =
recorded
an entire CD using one of these suckers, sitting on a beach in =
<st1:place
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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
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From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 16:22:12 2007
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i don't know if this is the same box that young bill just mentioned the 
BOSS BR 600 but i just got a BSW catalogue that had a BOSS MICRO BR 
digital recorder, hand held that look interesting, they had it listed 
at $229.00.....www.bossus.com   hope i'm not repeating any 
info.....michael


http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com


________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 16:58:56 2007
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my bandmate works for a sports website, & his journalists needed a field
recorder better able to withstand their hamfistedness than the old sony
mz500 minidisc machines.
he tried the zoom & the m-audio before going for the edirol/roland job.
now he swears by it. the battery life is excellent, the built-in
microphones seem to be pretty good (no mechanical noise even when the
thing is resting in y'r lap) & the display is clear & stays illuminated
while the thing is on.

I know the zoom aswell, but I think the edirol would outlast it. if
you're going to a) need phantom power & b) carry the thing in a soft
case everywhere, then go for the zoom. otherwise, the edirol is better
by far than the m-audio. looks nicer, feels nicer... the zoom seemed a
bit plasticky to me, but then I started out using a uher 4200....

d.

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Great clips Per, thanks.  :)


On 4/24/07, Per Boysen <perboysen@gmail.com> wrote:
>
> HI,
>
> Some nice video documentary clips found in the internet by my RSS
> spider today:
> http://createdigitalmusic.com/2007/04/23/embracing-simplicity-bjork-
> hangs-with-legendary-minimalists-timbaland/
>
> She's putting on the educational hat by talking about the move "from
> complexity to texture" in modern music and interviews some important
> figures. Very inspiring documentaries. Hope you like them too.
>
> per
>
>

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Great clips Per, thanks.&nbsp; :)<br><br><br><div><span class="gmail_quote">On 4/24/07, <b class="gmail_sendername">Per Boysen</b> &lt;<a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
HI,<br><br>Some nice video documentary clips found in the internet by my RSS<br>spider today:<br><a href="http://createdigitalmusic.com/2007/04/23/embracing-simplicity-bjork-">http://createdigitalmusic.com/2007/04/23/embracing-simplicity-bjork-
</a><br>hangs-with-legendary-minimalists-timbaland/<br><br>She&#39;s putting on the educational hat by talking about the move &quot;from<br>complexity to texture&quot; in modern music and interviews some important<br>figures. Very inspiring documentaries. Hope you like them too.
<br><br>per<br><br></blockquote></div><br>

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Date: Tue, 24 Apr 2007 11:36:17 -0700 (PDT)
From: Jeffrey Collins <ektakrome@yahoo.com>
Subject: RE: portable hand field recorders
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Hey guys.

I don't know if anyone has mentioned this yet. But I was just at my local Barnes & Noble yesterday and they have a special edition Future Music magazine which focuses on field recordings. And quite a bit of interviews about it too. 

The magazine is around 15-16$$ just to let you know, but for the most part, they are worth it. Especially with the video interviews that come with the DVD.

Jeffrey

       
---------------------------------
Ahhh...imagining that irresistible "new car" smell?
 Check outnew cars at Yahoo! Autos.
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Hey guys.<br><br>I don't know if anyone has mentioned this yet. But I was just at my local Barnes &amp; Noble yesterday and they have a special edition Future Music magazine which focuses on field recordings. And quite a bit of interviews about it too. <br><br>The magazine is around 15-16$$ just to let you know, but for the most part, they are worth it. Especially with the video interviews that come with the DVD.<br><br>Jeffrey<br><p>&#32;

      <hr size=1>Ahhh...imagining that irresistible "new car" smell?<br> Check out
<a href="http://us.rd.yahoo.com/evt=48245/*http://autos.yahoo.com/new_cars.html;_ylc=X3oDMTE1YW1jcXJ2BF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDbmV3LWNhcnM-">new cars at Yahoo! Autos.</a>

--0-806783986-1177439777=:30861--

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Date: Tue, 24 Apr 2007 12:49:58 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: OT: Observed as a tagline on another board...
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I dislike Behringer crap yet I own Behringer crap..;-)
   
   
  



       
---------------------------------
Ahhh...imagining that irresistible "new car" smell?
 Check outnew cars at Yahoo! Autos.
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<div><SPAN class=sig>I dislike Behringer crap yet I own Behringer crap..;-)</SPAN></div>  <div><SPAN class=sig></SPAN>&nbsp;</div>  <div><SPAN class=sig></SPAN>&nbsp;</div>  <div><BR><BR></div><p>&#32;



      <hr size=1>Ahhh...imagining that irresistible "new car" smell?<br> Check out
<a href="http://us.rd.yahoo.com/evt=48245/*http://autos.yahoo.com/new_cars.html;_ylc=X3oDMTE1YW1jcXJ2BF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDbmV3LWNhcnM-">new cars at Yahoo! Autos.</a>

--0-1632719327-1177444198=:7480--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 20:09:35 2007
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Subject: Observed as a tagline on another board...
Date: Tue, 24 Apr 2007 22:09:46 +0200
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I daresay this is true for quite a large number of loopers (trying to
remember the first gigs of the y2k6loopfest, how many has it been with a
FCB1010? Bill, Per, Mir-O, Krispen, mhs...Rick didn't have one if I remember
correctly ;)

But believe it or not, there are indeed a few things Behringer which give
you great fun and value for the money...among them the ADA8000 (at least if
you clock it externally), the DI20 and DI880, the old composers, the MX2642A
console, the headphone amps and I also like the bang for the buck of the old
digital console...

	Rainer


________________________________

	Von: Paul Richards [mailto:paulrichard_rocks@yahoo.com] 
	Gesendet: Dienstag, 24. April 2007 21:50
	An: Loopers-Delight@loopers-delight.com
	Betreff: OT: Observed as a tagline on another board...
	
	
	I dislike Behringer crap yet I own Behringer crap..;-)

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 20:20:21 2007
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Date: Tue, 24 Apr 2007 13:20:19 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Observed as a tagline on another board...
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True. True. I had an MX2642 which worked great and when the digital mixers went closeout I came a hair close to buying one (it's such a cool looking device).
   
  I have noticed, though, that some of their stuff has a somewhat (don't know how to describe it) a sterile/bland sound. It seems like the sound quality has some missing dynamics or something (i.e. mixers) than Mackie. 
   
  I was poised to get one of their reverbs as a cheap way to get more 'verb options than my guitar amp has and the Behringer (can't remember the model of the $99 job) is inexpensive. But, remembering some past experiences, I think I'll wait and buy a Lexicon cheap-o.
   
  I bought one of their Guitar Tuners - a knockoff of the Boss TU-something. It works okay except for the low E string. For some reason, it doesn't like that string.
   
  P
   
  

Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
  I daresay this is true for quite a large number of loopers (trying to
remember the first gigs of the y2k6loopfest, how many has it been with a
FCB1010? Bill, Per, Mir-O, Krispen, mhs...Rick didn't have one if I remember
correctly ;)

But believe it or not, there are indeed a few things Behringer which give
you great fun and value for the money...among them the ADA8000 (at least if
you clock it externally), the DI20 and DI880, the old composers, the MX2642A
console, the headphone amps and I also like the bang for the buck of the old
digital console...

Rainer


________________________________

Von: Paul Richards [mailto:paulrichard_rocks@yahoo.com] 
Gesendet: Dienstag, 24. April 2007 21:50
An: Loopers-Delight@loopers-delight.com
Betreff: OT: Observed as a tagline on another board...


I dislike Behringer crap yet I own Behringer crap..;-)



       
---------------------------------
Ahhh...imagining that irresistible "new car" smell?
 Check outnew cars at Yahoo! Autos.
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Content-Type: text/html; charset=iso-8859-1
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<div>True. True. I had an MX2642 which worked great and when the digital mixers went closeout I came a hair close to buying one (it's such a cool looking device).</div>  <div>&nbsp;</div>  <div>I have noticed, though, that some of their stuff has a somewhat (don't know how to describe it) a sterile/bland sound. It seems like the sound quality has some missing dynamics or something (i.e. mixers) than Mackie. </div>  <div>&nbsp;</div>  <div>I was poised to get one of their reverbs as a cheap way to get more 'verb options than my guitar amp has and the Behringer (can't remember the model of the $99 job) is inexpensive. But, remembering some past experiences, I think I'll wait and buy a Lexicon cheap-o.</div>  <div>&nbsp;</div>  <div>I bought one of their Guitar Tuners - a knockoff of the Boss TU-something. It works okay except for the low E string. For some reason, it doesn't like that string.</div>  <div>&nbsp;</div>  <div>P</div>  <div>&nbsp;</div>  <div><BR><BR><B><I>Rainer
 Thelonius Balthasar Straschill &lt;rs@moinlabs.de&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I daresay this is true for quite a large number of loopers (trying to<BR>remember the first gigs of the y2k6loopfest, how many has it been with a<BR>FCB1010? Bill, Per, Mir-O, Krispen, mhs...Rick didn't have one if I remember<BR>correctly ;)<BR><BR>But believe it or not, there are indeed a few things Behringer which give<BR>you great fun and value for the money...among them the ADA8000 (at least if<BR>you clock it externally), the DI20 and DI880, the old composers, the MX2642A<BR>console, the headphone amps and I also like the bang for the buck of the old<BR>digital console...<BR><BR>Rainer<BR><BR><BR>________________________________<BR><BR>Von: Paul Richards [mailto:paulrichard_rocks@yahoo.com] <BR>Gesendet: Dienstag, 24. April 2007 21:50<BR>An: Loopers-Delight@loopers-delight.com<BR>Betreff: OT:
 Observed as a tagline on another board...<BR><BR><BR>I dislike Behringer crap yet I own Behringer crap..;-)<BR><BR></BLOCKQUOTE><BR><p>&#32;

      <hr size=1>Ahhh...imagining that irresistible "new car" smell?<br> Check out
<a href="http://us.rd.yahoo.com/evt=48245/*http://autos.yahoo.com/new_cars.html;_ylc=X3oDMTE1YW1jcXJ2BF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDbmV3LWNhcnM-">new cars at Yahoo! Autos.</a>

--0-1553646736-1177446019=:37169--

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From: Teddy Kumpel <teddybut@mac.com>
Subject: =?ISO-8859-1?Q?Re:_Bj=F6rk_on_P=E4rt_among_others..._movie_clips?=
Date: Tue, 24 Apr 2007 16:26:18 -0400
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Bjork is hilarious with her cricket/Pinnochio analogy... I love her.  
I just imagine the look on her A&R guy's face when she tries to  
explain her music videos to him....

thanks for the link Per. This is from 10 years ago apparently. Very  
interesting food for thought.

To take Bjork's theory about complexity and lack thereof one step  
further... consider the concept that "complex" music becomes a drone  
if it's complex enough.
Like Coltrane's wall of sound concept. Isn't that also minimalism by  
the virtue that a wall of sound is created? All the notes running  
together create a macrocosm of texture, right?
So... in my mind there is not much difference between that and the  
Brian Eno Ambient records. They are both a wall of sound.

The only tangible difference between Coltrane's era and today is not  
complexity, it's that people are less willing to spend time learning  
how to play their instruments to the level where they can achieve  
that textural wall of sound through complexity. They'd rather push a  
button and look inside that one note sound to find complexity. I  
suppose that's due to technology and the fact that we ARE getting  
physically lazier as a species. You'll notice that even though Bjork  
is eschewing complexity she is still looking for it within the one  
note and demanding that we see it with her so she can justify her  
theory.

To say that there is a microcosm within one note therefore perceiving  
that one note as complex and forgetting that the opposite is true is  
just shortsighted and false intellectualism.
That being said I did also find the documentaries fascinating and I  
do love and respect Bjork.

just my opinion of course...

Teddy


>
>
>> HI,
>>
>> Some nice video documentary clips found in the internet by my RSS   
>> spider today:
>> http://createdigitalmusic.com/2007/04/23/embracing-simplicity- 
>> bjork- hangs-with-legendary-minimalists-timbaland/
>>
>> She's putting on the educational hat by talking about the move  
>> "from complexity to texture" in modern music and interviews some  
>> important figures. Very inspiring documentaries. Hope you like  
>> them too.
>>
>> per
>>

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 20:34:29 2007
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Subject: =?iso-8859-1?Q?Bj=F6rk_on_P=E4rt_among_others..._movie_clips?=
Date: Tue, 24 Apr 2007 22:34:41 +0200
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> step further... consider the concept that "complex" music 
> becomes a drone if it's complex enough.

No, the drones are at both ends - the Eno and the complete "statistical
density" as Zappa would've called it. Book recommendation: "The Quark and
the Jaguar: Adventures in the Simple and the Complex" by Murray Gell-Mann
(New York, NY: W.H. Freeman and Co., 1994)

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 20:43:09 2007
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Subject: AW: Observed as a tagline on another board...
Date: Tue, 24 Apr 2007 22:43:21 +0200
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> I have noticed, though, that some of their stuff has a somewhat (don't
know how to describe it) a sterile/bland 
> sound. It seems like the sound quality has some missing dynamics or
something (i.e. mixers) than Mackie. 

I'd call it "transparent", which you could also think of as bad or in some
cases good, or more biased, "eighties-y". This is also true for the digital
console's EQs and dynamics, which I personally like a lot, but then a
producer and friend of mine once introduced me as "the man who can turn
anything into eighties sound" ;).
	 
> I was poised to get one of their reverbs as a cheap way to get more 'verb
options than my guitar amp has and the > 
> Behringer (can't remember the model of the $99 job) is inexpensive. But,
remembering some past experiences, I think 
> I'll wait and buy a Lexicon cheap-o.

You're talking about that one?
http://www.behringer.com/REV2496/index.cfm?lang=ENG

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 21:07:42 2007
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Date: Tue, 24 Apr 2007 17:07:40 -0400
From: "Tony K" <bigtonyk@gmail.com>
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Subject: Re: Observed as a tagline on another board...
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I have several pieces of Behringer equipment (3 mixers and a Composer) and
I've never had any trouble with any of it.  Works for me in my little
studio.  I'm not sure how road worthy it is, but no problems so far and my
main mixer is going on 4 years old now.

Tony

On 4/24/07, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
>
> > I have noticed, though, that some of their stuff has a somewhat (don't
> know how to describe it) a sterile/bland
> > sound. It seems like the sound quality has some missing dynamics or
> something (i.e. mixers) than Mackie.
>
> I'd call it "transparent", which you could also think of as bad or in some
> cases good, or more biased, "eighties-y". This is also true for the
> digital
> console's EQs and dynamics, which I personally like a lot, but then a
> producer and friend of mine once introduced me as "the man who can turn
> anything into eighties sound" ;).
>
> > I was poised to get one of their reverbs as a cheap way to get more
> 'verb
> options than my guitar amp has and the >
> > Behringer (can't remember the model of the $99 job) is inexpensive. But,
> remembering some past experiences, I think
> > I'll wait and buy a Lexicon cheap-o.
>
> You're talking about that one?
> http://www.behringer.com/REV2496/index.cfm?lang=ENG
>
>


-- 
-==-=-=-
Tony

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I have several pieces of Behringer equipment (3 mixers and a Composer) and I&#39;ve never had any trouble with any of it.&nbsp; Works for me in my little studio.&nbsp; I&#39;m not sure how road worthy it is, but no problems so far and my main mixer is going on 4 years old now.
<br><br>Tony<br><br><div><span class="gmail_quote">On 4/24/07, <b class="gmail_sendername">Rainer Thelonius Balthasar Straschill</b> &lt;<a href="mailto:rs@moinlabs.de">rs@moinlabs.de</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
&gt; I have noticed, though, that some of their stuff has a somewhat (don&#39;t<br>know how to describe it) a sterile/bland<br>&gt; sound. It seems like the sound quality has some missing dynamics or<br>something (i.e. mixers) than Mackie.
<br><br>I&#39;d call it &quot;transparent&quot;, which you could also think of as bad or in some<br>cases good, or more biased, &quot;eighties-y&quot;. This is also true for the digital<br>console&#39;s EQs and dynamics, which I personally like a lot, but then a
<br>producer and friend of mine once introduced me as &quot;the man who can turn<br>anything into eighties sound&quot; ;).<br><br>&gt; I was poised to get one of their reverbs as a cheap way to get more &#39;verb<br>options than my guitar amp has and the &gt;
<br>&gt; Behringer (can&#39;t remember the model of the $99 job) is inexpensive. But,<br>remembering some past experiences, I think<br>&gt; I&#39;ll wait and buy a Lexicon cheap-o.<br><br>You&#39;re talking about that one?
<br><a href="http://www.behringer.com/REV2496/index.cfm?lang=ENG">http://www.behringer.com/REV2496/index.cfm?lang=ENG</a><br><br></blockquote></div><br><br clear="all"><br>-- <br>-==-=-=-<br>Tony

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From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 21:09:59 2007
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To: Loopers-Delight@loopers-delight.com
From: Graham Miller <grahammiller@sympatico.ca>
Subject: echoplex digital pro no longer supported by gibson?!?!?
Date: Tue, 24 Apr 2007 17:09:58 -0400
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hi there

the nice people at gibson suggested i try contacting this board since  
apparently they no longer support their echoplex product line even  
though they still own it.  basically, they told me that it is  
impossible to get the units fixed or updated anywhere.

i have two units, using the LOOP 3 software. both are malfunctioning  
in the exact same way. they lock up while booting up, stuck scrolling  
LOOP 3 over and over again.  another variation is the LOOP 3 scroll  
and then followed by a 5.0. however, it never fully boots up.   
ironically, the unit is stuck in the worst possible kind of loop...

i've tried holding down the PARAMETER key while booting up to reset  
the system, however this has no effect, unfortunately...

i'd like to get my units fixed, upgrade to LOOP IV and also get both  
my floor pedals looked at, as well. they to seem to be acting up.

any suggestions or help here would be great. i don't know where else  
to turn and i love my echoplexes.

thanks so much!

graham miller
toronto, canada
416.935.0909
grahammiller@sympatico.ca

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 21:31:02 2007
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From: Bernhard Wagner LD <loopdelightml-NDI3MDE=-@bernhardwagner.net>
Subject: Re: echoplex digital pro no longer supported by gibson?!?!?
Date: Tue, 24 Apr 2007 23:30:43 +0200
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Many people recommend opening the unit and reseating the chips  
properly. Due to vibration during transportation they can slide out  
of the sockets a bit.
In any case I highly recommend to upgrade your Echoplexes to Loop IV  
(http://www.aurisis.com/products/loopIV/loopIVorder.html).
Maybe ask a tech to fix it for you.

Bernhard
http://bernhardwagner.net

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 21:47:40 2007
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From: Graham Miller <grahammiller@sympatico.ca>
Subject: Re: echoplex digital pro no longer supported by gibson?!?!?
Date: Tue, 24 Apr 2007 17:47:39 -0400
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thanks very much for that tip bernhard.

it is very possible that vibration has caused some of these problems  
during transport.

is this easy to do on your own?  how will i know which chip is which?  
is it obvious? (i have yet to open unit)

thanks again!

graham

On 24-Apr-07, at 5:30 PM, Bernhard Wagner LD wrote:

> Many people recommend opening the unit and reseating the chips  
> properly. Due to vibration during transportation they can slide out  
> of the sockets a bit.
> In any case I highly recommend to upgrade your Echoplexes to Loop  
> IV (http://www.aurisis.com/products/loopIV/loopIVorder.html).
> Maybe ask a tech to fix it for you.
>
> Bernhard
> http://bernhardwagner.net

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 22:01:50 2007
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you say... but we're saying the same thing.

Teddy

On Apr 24, 2007, at 4:34 PM, Rainer Thelonius Balthasar Straschill  
wrote:

>> step further... consider the concept that "complex" music
>> becomes a drone if it's complex enough.
>
> No, the drones are at both ends - the Eno and the complete  
> "statistical
> density" as Zappa would've called it. Book recommendation: "The  
> Quark and
> the Jaguar: Adventures in the Simple and the Complex" by Murray  
> Gell-Mann
> (New York, NY: W.H. Freeman and Co., 1994)



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From: Bernhard Wagner LD <loopdelightml-NDI3MDE=-@bernhardwagner.net>
Subject: Re: echoplex digital pro no longer supported by gibson?!?!?
Date: Wed, 25 Apr 2007 00:01:55 +0200
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The thing to be careful about is static charges which can break chips.

So:

Disconnect the unit from power. (Unplug it: important!)

Open it.

Connect yourself to the metal casing using a grounding strap (http:// 
en.wikipedia.org/wiki/Ground_bracelet or http://www.geeks.com/ 
imageshare/W/300x300/WRISTSTRAP-unit.jpg).

You'll easily spot the chips that are in a socket: those are the  
potential victims (or culprits).
Gently press them down into the socket. Careful with the circuit board!

Maybe others who've done it could chime in?

Bernhard

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 22:11:34 2007
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Date: Tue, 24 Apr 2007 15:11:32 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: Re: AW: Observed as a tagline on another board...
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Howdy,

 Get a roland sv-2000 instead.
Rig


--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> wrote:

> > I have noticed, though, that some of their stuff
> has a somewhat (don't
> know how to describe it) a sterile/bland 
> > sound. It seems like the sound quality has some
> missing dynamics or
> something (i.e. mixers) than Mackie. 
> 
> I'd call it "transparent", which you could also
> think of as bad or in some
> cases good, or more biased, "eighties-y". This is
> also true for the digital
> console's EQs and dynamics, which I personally like
> a lot, but then a
> producer and friend of mine once introduced me as
> "the man who can turn
> anything into eighties sound" ;).
> 	 
> > I was poised to get one of their reverbs as a
> cheap way to get more 'verb
> options than my guitar amp has and the > 
> > Behringer (can't remember the model of the $99
> job) is inexpensive. But,
> remembering some past experiences, I think 
> > I'll wait and buy a Lexicon cheap-o.
> 
> You're talking about that one?
> http://www.behringer.com/REV2496/index.cfm?lang=ENG
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 22:24:54 2007
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Date: Tue, 24 Apr 2007 15:24:52 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: Re: portable hand field recorders
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Howdy,

 Where does one get a binauralmic shaped like a head
that i used to see?

 How does one edit sounds on a Seiko ds-250?
Rig


--- Bill Fox <billyfox@soundscapes.us> wrote:

> Raul Bonell wrote:
> > Which one of these can accept an electret stereo
> mic?
> The M-Audio MicroTrack 24/96 comes with a little
> stereo electret mic but 
> you may use aany electret mic that plugs into the
> 1/8" TRS mic input 
> jack.  The mic sounds good but is essentially a
> spaced omni pair that 
> doesn't provide the stereo separation I enjoy with
> my SONY ECM-MS957.  
> It was $300 at most places in 2001 when I bought it
> to go along with my 
> MD recorder.  I paid just under $200  for it but
> that was hard to find.  
> Apparently, you can find it for under $200 these
> days more easily.  (See 
>
<http://www.savinglots.com/lotprod.asp?item=ECMMS957>
> for example.)
> > Does anybody has any esperience with the Edirol?
> No.  But I met a guy who has one and seemed happy
> with it.  He made some 
> stealth recordings at the School of Rock in NYC. 
> The MicroTrack can't 
> do that unless you get a mic that will allow you to
> hide the unit.  The 
> included mic is so small that you'd have to have the
> entire hand held 
> unit in plain sight.
> 
> Cheers,
> 
> Bill
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 22:40:40 2007
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From: Graham Miller <grahammiller@sympatico.ca>
Subject: Re: echoplex digital pro no longer supported by gibson?!?!?
Date: Tue, 24 Apr 2007 18:40:38 -0400
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i just removed and put back the two chips based on the info found here:

http://www.aurisis.com/products/loopIV/LoopIVGuide.pdf  (page 11)

and... magic! my machine works again!  i have no idea how i did it,  
but it works. the chips didn't appear to be dislodged at all, though,  
once i opened the top and examined the circuit board...

my going to try the same thing on my second echoplex and hope for the  
best...

now if i could only get my foot pedal board happening again...

thanks again bernhard!

g.


On 24-Apr-07, at 6:01 PM, Bernhard Wagner LD wrote:

> The thing to be careful about is static charges which can break chips.
>
> So:
>
> Disconnect the unit from power. (Unplug it: important!)
>
> Open it.
>
> Connect yourself to the metal casing using a grounding strap  
> (http://en.wikipedia.org/wiki/Ground_bracelet or http:// 
> www.geeks.com/imageshare/W/300x300/WRISTSTRAP-unit.jpg).
>
> You'll easily spot the chips that are in a socket: those are the  
> potential victims (or culprits).
> Gently press them down into the socket. Careful with the circuit  
> board!
>
> Maybe others who've done it could chime in?
>
> Bernhard

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 22:57:59 2007
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Subject: Re: AW: Observed as a tagline on another board...
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Over the years I have acquired a few Behringer units, namely:

Composer/Pro Compressor/Limiter/Gate
Ultramatch   Sample Rate converter
Ultra-Q      Parametric EQ
Ultrapatch   (Balanced and Unbalanced Patchbays)

These units have been in my studio -- have never hauled them around so  
I can't comment on their road-worthiness.

All of my Behringer equipment has been problem-free.  The patchbays  
are always in use and the active units, though I don't use them as  
much as I used to, always function reliably.

My only experience with Behringer equipment are the rack modules that  
I own and they have proven a good value for the money.  Particularly  
the Ultra-Q, which I picked up in like-new condition for $15.

Most of my other equipment is pricier than the Behringer units however  
the units I've mentioned are there for me when I need them and, when  
called upon, work very well in my studio.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 23:37:04 2007
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Subject: RE: echoplex digital pro no longer supported by gibson?!?!?
Date: Tue, 24 Apr 2007 19:37:28 -0400
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> i just removed and put back the two chips based on the info found here:
> 
> http://www.aurisis.com/products/loopIV/LoopIVGuide.pdf  (page 11)
> 
> and... magic! my machine works again

Probably corrosion on the contacts.


From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 23:56:08 2007
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So is this with a pedal plugged in or not?  I'm not that a familiar with 
the operation of these...unfortunately after setting on them for months 
I just shipped off 4 of them today since I think we decided to abandon 
trying to build our project around them I spoke of earlier.

But try reseating all chips in sockets while having no static 
electricity on you of course.  Touch something grounded.  It sounds like 
possibly one of the switches is just stuck or something though. -Bob

Graham Miller wrote:

> hi there
>
> the nice people at gibson suggested i try contacting this board since  
> apparently they no longer support their echoplex product line even  
> though they still own it.  basically, they told me that it is  
> impossible to get the units fixed or updated anywhere.
>
> i have two units, using the LOOP 3 software. both are malfunctioning  
> in the exact same way. they lock up while booting up, stuck scrolling  
> LOOP 3 over and over again.  another variation is the LOOP 3 scroll  
> and then followed by a 5.0. however, it never fully boots up.   
> ironically, the unit is stuck in the worst possible kind of loop...
>
> i've tried holding down the PARAMETER key while booting up to reset  
> the system, however this has no effect, unfortunately...
>
> i'd like to get my units fixed, upgrade to LOOP IV and also get both  
> my floor pedals looked at, as well. they to seem to be acting up.
>
> any suggestions or help here would be great. i don't know where else  
> to turn and i love my echoplexes.
>
> thanks so much!
>
> graham miller
> toronto, canada
> 416.935.0909
> grahammiller@sympatico.ca
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 00:44:29 2007
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Date: Tue, 24 Apr 2007 17:44:27 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: AW: Observed as a tagline on another board...
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(You're talking about that one?
http://www.behringer.com/REV2496/index.cfm?lang=ENG)
   
  No. The first I heard of it is now. That unit looks VERY interesting for my needs. I'll be researching it further. THX.
   
  I was thinking of the $99 unit the Virtualizer Pro. 
   
  BTW, I never had any problems with any of the Behringer gear I owned at one time or another ('cept the Tuner). I can't ever remember where a unit crapped out.
   
  Paul





       
---------------------------------
Ahhh...imagining that irresistible "new car" smell?
 Check outnew cars at Yahoo! Autos.
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<div>(You're talking about that one?<BR><A href="http://www.behringer.com/REV2496/index.cfm?lang=ENG">http://www.behringer.com/REV2496/index.cfm?lang=ENG</A>)</div>  <div>&nbsp;</div>  <div>No. The first I heard of it is now. That unit looks VERY interesting for my needs. I'll be researching it further. THX.</div>  <div>&nbsp;</div>  <div>I was thinking of the $99 unit the Virtualizer Pro. </div>  <div>&nbsp;</div>  <div>BTW, I never had any problems with any of the Behringer gear I owned at one time or another ('cept the Tuner). I can't ever remember where a unit crapped out.</div>  <div>&nbsp;</div>  <div>Paul<BR><BR><BR><BR></div><p>&#32;



      <hr size=1>Ahhh...imagining that irresistible "new car" smell?<br> Check out
<a href="http://us.rd.yahoo.com/evt=48245/*http://autos.yahoo.com/new_cars.html;_ylc=X3oDMTE1YW1jcXJ2BF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDbmV3LWNhcnM-">new cars at Yahoo! Autos.</a>

--0-1313591200-1177461867=:53974--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 01:10:47 2007
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From: "samba -" <sambacomet@hotmail.com>
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Subject: complex to texture
Date: Tue, 24 Apr 2007 18:10:41 -0700
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I had the experience once of watching incredibally turbulent waves crashing 
on rocks from very close up,extreme choatic randomnes.Then I climbed up to 
the top of the cliff,from there it appeared to be this very orderly 
predictable sequence , waves one after another with easily described 
patterning. I realised that both order/chaos were simultaneous,and which one 
I saw was literally a matter of perspective. A great thing about music is it 
doesn't support the illusion  tht what is real is static,and solid etc.

_________________________________________________________________
Mortgage rates near historic lows. Refinance $200,000 loan for as low as 
$771/month* 
https://www2.nextag.com/goto.jsp?product=100000035&url=%2fst.jsp&tm=y&search=mortgage_text_links_88_h27f8&disc=y&vers=689&s=4056&p=5117

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 01:16:45 2007
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From: Teddy <teddybutter@mac.com>
Subject: Re: complex to texture
Date: Tue, 24 Apr 2007 21:16:40 -0400
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nor do mortgage rates remain static...

Teddy

On Apr 24, 2007, at 9:10 PM, samba - wrote:

> I had the experience once of watching incredibally turbulent waves  
> crashing on rocks from very close up,extreme choatic randomnes.Then  
> I climbed up to the top of the cliff,from there it appeared to be  
> this very orderly predictable sequence , waves one after another  
> with easily described patterning. I realised that both order/chaos  
> were simultaneous,and which one I saw was literally a matter of  
> perspective. A great thing about music is it doesn't support the  
> illusion  tht what is real is static,and solid etc.
>
> _________________________________________________________________
> Mortgage rates near historic lows. Refinance $200,000 loan for as  
> low as $771/month* https://www2.nextag.com/goto.jsp? 
> product=100000035&url=% 
> 2fst.jsp&tm=y&search=mortgage_text_links_88_h27f8&disc=y&vers=689&s=40 
> 56&p=5117

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 04:39:56 2007
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Subject: =?iso-8859-1?Q?RE:_Bj=F6rk_on_P=E4rt_among_others..._movie_clips?=
Date: Tue, 24 Apr 2007 21:39:46 -0700
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 Thanks, wonderful   and discovering Miko Vainno is also really great !
-Qua

-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com]=20
Sent: Tuesday, April 24, 2007 6:39 AM
To: Loopers-Delight@loopers-delight.com
Subject: Bj=F6rk on P=E4rt among others... movie clips

HI,

Some nice video documentary clips found in the internet by my RSS spider
today:
http://createdigitalmusic.com/2007/04/23/embracing-simplicity-bjork-
hangs-with-legendary-minimalists-timbaland/

She's putting on the educational hat by talking about the move "from
complexity to texture" in modern music and interviews some important
figures. Very inspiring documentaries. Hope you like them too.

per


From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 08:34:55 2007
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References: <E77D93E5-FFAB-476E-AB36-4776C51EF885@sympatico.ca> <991D4192-CE26-4FA3-A4F9-4EE18929B80C@bernhardwagner.net> <301EC962-7183-4AAD-BA40-12786282EE25@sympatico.ca> <D9EDD3F8-23AF-4381-B7CC-A50FC949EB91@bernhardwagner.net>
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Bernhard Wagner LD wrote:

> You'll easily spot the chips that are in a socket: those are the 
> potential victims (or culprits).
> Gently press them down into the socket. Careful with the circuit board!
> 
> Maybe others who've done it could chime in?
> 
> Bernhard
> 

Yes, one of my EDPs went faulty during a transatlantic flight.
I just opened it up and pressed down on all the chips with sockets one after the other.
Fixed in right away.
As the chips are in the circuit ( and you're not touching the pins)I wouldn't be too worried about static, but would touch a central heating pipe to discharge any build up before working.
(but then I never bought one of those wrist bands, if I had one I'd use it)

andy butler
 

From poste@sympatico.ca  Wed Apr 25 09:56:22 2007
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From: "Poste" <poste@sympatico.ca>
Subject: Una nuova gamma completa di servizi online  adesso disponibile !
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From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 12:21:40 2007
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Date: Wed, 25 Apr 2007 05:21:37 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: RE: portable hand field recorders
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I talked to a buddy that works at a music store about small recorders.
   
  He said that nearly all their zoom unit had problems - the case breaking, software problems right out of the box, etc.  He also mentioned that there's been some distributor problems (in Canada, at least).  His store also sells M-Audio and he has not heard of any problems with those units.
   
  As mentioned here before, zoom products in general seem to have general reliability issues and that needs to be balanced against their low price, much like Behringer.
  
 
  ted.
  
"Goddard, Duncan" <goddard.duncan@mtvne.com> wrote:
  my bandmate works for a sports website, & his journalists needed a field
recorder better able to withstand their hamfistedness than the old sony
mz500 minidisc machines.
he tried the zoom & the m-audio before going for the edirol/roland job.
now he swears by it. the battery life is excellent, the built-in
microphones seem to be pretty good (no mechanical noise even when the
thing is resting in y'r lap) & the display is clear & stays illuminated
while the thing is on.

I know the zoom aswell, but I think the edirol would outlast it. if
you're going to a) need phantom power & b) carry the thing in a soft
case everywhere, then go for the zoom. otherwise, the edirol is better
by far than the m-audio. looks nicer, feels nicer... the zoom seemed a
bit plasticky to me, but then I started out using a uher 4200....

d.




"Indeed, naturally I think that a film should have a beginning, middle, and an end  but not necessarily in that order."   Jean Luc Goddard
       
---------------------------------
Ahhh...imagining that irresistible "new car" smell?
 Check outnew cars at Yahoo! Autos.
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Content-Transfer-Encoding: 8bit

<div>I talked to a buddy that works at a music store about small recorders.</div>  <div>&nbsp;</div>  <div>He said that nearly all their zoom unit had problems - the case breaking, software problems right out of the box, etc.&nbsp; He also mentioned that there's been some distributor problems (in Canada, at least).&nbsp; His store also sells M-Audio and he has not heard of any&nbsp;problems with those units.</div>  <div>&nbsp;</div>  <div>As mentioned here before, zoom products in general seem to&nbsp;have general reliability issues and that needs to be balanced against their low price, much like Behringer.</div>  <div><BR>&nbsp;</div>  <div>ted.</div>  <div><BR><B><I>"Goddard, Duncan" &lt;goddard.duncan@mtvne.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">my bandmate works for a sports website, &amp; his journalists needed a field<BR>recorder better able to withstand their hamfistedness
 than the old sony<BR>mz500 minidisc machines.<BR>he tried the zoom &amp; the m-audio before going for the edirol/roland job.<BR>now he swears by it. the battery life is excellent, the built-in<BR>microphones seem to be pretty good (no mechanical noise even when the<BR>thing is resting in y'r lap) &amp; the display is clear &amp; stays illuminated<BR>while the thing is on.<BR><BR>I know the zoom aswell, but I think the edirol would outlast it. if<BR>you're going to a) need phantom power &amp; b) carry the thing in a soft<BR>case everywhere, then go for the zoom. otherwise, the edirol is better<BR>by far than the m-audio. looks nicer, feels nicer... the zoom seemed a<BR>bit plasticky to me, but then I started out using a uher 4200....<BR><BR>d.<BR><BR></BLOCKQUOTE><BR><BR><BR>"Indeed, naturally I think that a film should have a beginning, middle, and an end  but not necessarily in that order."   Jean Luc Goddard<p>&#32;

      <hr size=1>Ahhh...imagining that irresistible "new car" smell?<br> Check out
<a href="http://us.rd.yahoo.com/evt=48245/*http://autos.yahoo.com/new_cars.html;_ylc=X3oDMTE1YW1jcXJ2BF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDbmV3LWNhcnM-">new cars at Yahoo! Autos.</a>

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From: "Poste" <poste@sympatico.ca>
Subject: Una nuova gamma completa di servizi online  adesso disponibile !
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<DIV align=left></FONT><FONT face="Times New Roman" size=2>|  Poste Italiane 2006 | </FONT><A href="http://www.poste.it/azienda/posterisponde/"><FONT face="Times New Roman" color=#0000ff size=2>contattaci</FONT></A><FONT face="Times New Roman" size=2> | </FONT><A href="http://www.poste.it/azienda/policy.shtml"><FONT face="Times New Roman" color=#0000ff size=2>privacy </FONT></A><FONT face="Times New Roman" size=2>| </FONT><A href="http://www.poste.it/online/mappa.shtml"><FONT face="Times New Roman" color=#0000ff size=2>mappa del sito</FONT></A><FONT face="Times New Roman" size=2> | </FONT><A href="http://www.poste.it/online/personalizza.shtml"><FONT face="Times New Roman" color=#0000ff size=2>personalizza visualizzazione</FONT></A><FONT face="Times New Roman"><FONT size=2> | Partita IVA 01114601006 |</FONT> </FONT></FONT></DIV></TD></TR></TBODY></TABLE>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 13:30:03 2007
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Subject: "blem" EDP $765 on MF
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Just thought I'd put it out there that Musiciansfriend has a new
echoplex listed as "scratch and dent" for 25% off the normal price, in
case any of you are in the market. I've gotten some "scratch and dent"
items from them before and haven't been able to find anything wrong
with them...sometimes it's just that the box is messed up, or the
manual is missing, etc.

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 16:01:09 2007
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Subject: RE: portable hand field recorders
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=20

 >> I wouldn't be surprised if someone like Tricky recorded an entire CD
using one of these suckers, sitting on a beach in Maui. <<

=20

what's a CD, grandfather? :-)


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<DIV class=3DSection1>
<P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN =
class=3D071340016-25042007><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff=20
size=3D3>&nbsp;&gt;&gt;&nbsp;</FONT></SPAN>I wouldn&#8217;t be surprised =
if someone like=20
Tricky recorded an entire CD using one of these suckers, sitting on a =
beach in=20
<st1:place w:st=3D"on">Maui</st1:place>.<FONT=20
face=3D"AmericanTypewriter Medium"><FONT color=3D#0000ff><FONT =
size=3D3><SPAN=20
class=3D071340016-25042007>&nbsp;&lt;&lt;</SPAN></FONT></FONT></FONT></SP=
AN></FONT></P>
<P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><FONT=20
face=3D"AmericanTypewriter Medium"><FONT color=3D#0000ff><FONT =
size=3D3><SPAN=20
class=3D071340016-25042007></SPAN></FONT></FONT></FONT></SPAN></FONT>&nbs=
p;</P>
<P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><FONT=20
face=3D"AmericanTypewriter Medium"><FONT color=3D#0000ff><FONT =
size=3D3><SPAN=20
class=3D071340016-25042007>what's a CD, grandfather?=20
:-)</SPAN></FONT></FONT></FONT></SPAN></FONT></P></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 17:18:07 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: more Behringer gear (was: Observed as a tagline on another board...)
Date: Wed, 25 Apr 2007 19:18:18 +0200
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ok, my list of Behringer stuff (warning: there's TONS!)

consoles:
DDX3216 digital console with ADAT interface
MX2642A rackmount analogue console (2)

outboard:
ADA8000 	micpre/ADAT interface (2)
DSP2048 	Virtualizer effector
MDX???? 	Composer dynamic processor
DSP1400P 	Ultramizer end-of-chain dynamics
DEQ2496 	Ultracurve digital graphic/parametric EQ/FBD/end-of-chain
dynamics
		Ultra-Q parametric EQ
DI800		DI
HA4700	Powerplay headphone preamp
		Ultrapatch symmetric patchbay (2)

other stuff:
ECM8000	measurement microphone (2)
B1		large-diaphragm condenser
XM????	SM58 clone (4)
DI20		DI
FCB1010	Foot Controller (2)
BCR2000	Faderbox
?????		cheap closed cans (4 or 5)

Failure/quality problems:
The DDX3216 failed to boot up about the fourth time I turned it on. The
dealer replaced it - no problems since.

The second FCB1010 had a serious (acoustic) hum problem from the moment I
got it. I got it exchanged twice - same problem. That was when I took the
damn think apart, unscrewed the transformer from the case and put some duct
tape between the transformer and the case - problem fixed.


There are a few things which I got because they are extremely cool. Read up
on the crazy people forums e.g. on the ADA8000 - the best implementation of
the Alesis chipset and as an A/D on top level if you clock it externally.
Same is for the DIs, which will be surpassed by some of those which cost
more than ten times as much. The FCB1010 and the MX2642A are without
competition (meaning there are no other devices with that functionality,
which is a functionality I do need). Or the ECM8000 (a very good measurement
mike which you can also use for A/B miking if you want a very neutral
sound). Then there's the digital console, which wile lacking more than 48kHz
of sampling frequency offers a lot of functionality for the buck. Also a
nice one is the headphone preamp. And the DEQ2496 offers a vast amount of
functionality and is somewhat hindered by converters which are not
acceptable for most for a 2bus device (but then I go in and out of it via
AES/EBU).

There are things which are (or were) just extremely cheap and for that
really fine for specific jobs or when you really want to save money. And
some of them aren't even that bad. Count the SM58 clones, the headphones or
the Ultramizer here.

There are things which I'd advise against. You can getter mics for the same
or less money from some Chinese companies when it comes to large-diaphragm
condensers. All of the "tube compressor", "distortion" etc. stuff of the
Virtualizer is simply useless...get a Zoom 1201 for less. The only thing you
might get it for are the surreal reverb/delay spaces (but then you got those
from a Zoom 1201 as well) and some crazy stuff (but 100 bucks only for
that?)...


So much for my Behringer story ;)

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Date: Wed, 25 Apr 2007 19:40:15 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Eventide - Prezens - Torn
To: loopers-delight@loopers-delight.com, midiguitar@yahoogroups.com
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Hi !

Is it Eventide Eclipse Torn uses on his latest cd ?
And are there anyone here who have any experience with
Eventide? Is it the best fx around ?

Rune F 


www.runefagereng.com
www.myspace.com/runefagereng 
www.youtube.com/watch?v=bOHN4az59A0
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


      
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
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From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 17:46:48 2007
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Date: Wed, 25 Apr 2007 12:46:41 -0500
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Great observation, this. thanks. Sometimes an improvised session will 
feel like total chaos, then upon listening to a recording later when 
it's not over-blasting my ears and I'm not involved in knob-twiddling, 
it sounds perfectly coherent.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
> I had the experience once of watching incredibally turbulent waves 
> crashing on rocks from very close up,extreme choatic randomnes.Then I 
> climbed up to the top of the cliff,from there it appeared to be this 
> very orderly predictable sequence , waves one after another with 
> easily described patterning. I realised that both order/chaos were 
> simultaneous,and which one I saw was literally a matter of perspective.


From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 17:48:29 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Eventide - Prezens - Torn
Date: Wed, 25 Apr 2007 19:48:23 +0200
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On 25 apr 2007, at 19.40, rune fagereng wrote:

> Is it Eventide Eclipse Torn uses on his latest cd ?
> And are there anyone here who have any experience with
> Eventide? Is it the best fx around ?

"The best"... -? I guess that's up to you, if you like the sound of  
it it may be the best for you.
Listen to the music of Eivind Aarset. He uses a lot of Eclipse for  
background chord guitars. Also listen to Simeon Harris music. Lots of  
Eclipse sounds there.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 17:50:08 2007
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Subject: AW: Eventide - Prezens - Torn
Date: Wed, 25 Apr 2007 19:50:20 +0200
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> Is it Eventide Eclipse Torn uses on his latest cd ?
> And are there anyone here who have any experience with 
> Eventide? Is it the best fx around ?

Is the Steinway the best grand? Is the Vincent Bach the best concert
trombone? Is the Ferrari the most beautiful sports car? Is the Porsche
Carrera GT sexier than the Mercedes SLR?

;-)

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 17:51:52 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Eventide - Prezens - Torn
Date: Wed, 25 Apr 2007 19:51:44 +0200
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On 25 apr 2007, at 19.40, rune fagereng wrote:

> Eventide Eclipse

oops... in my recent post forgot to tell that I had an Eclipse for a  
couple of months. That's why I find Aarseth and Simeon such a good  
pair of Eclipse ambassadors.

per

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 17:56:59 2007
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Date: Wed, 25 Apr 2007 19:56:57 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: RE: "best fx" - Eventide - Prezens - Torn
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Hi again !

Sorry for poor english and silly question. I wanted to
know if anyone had some experience with the Eclipse.
Please forget the  "is it the best fx -issue" :)

RF 

--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> skrev:

> > Is it Eventide Eclipse Torn uses on his latest cd
> ?
> > And are there anyone here who have any experience
> with 
> > Eventide? Is it the best fx around ?
> 
> Is the Steinway the best grand? Is the Vincent Bach
> the best concert
> trombone? Is the Ferrari the most beautiful sports
> car? Is the Porsche
> Carrera GT sexier than the Mercedes SLR?
> 
> ;-)
> 
> 


www.runefagereng.com
www.myspace.com/runefagereng 
www.youtube.com/watch?v=bOHN4az59A0
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


      
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 17:59:27 2007
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Date: Wed, 25 Apr 2007 19:59:25 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: RE: Re: Eventide - Prezens - Torn
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Hi !

Why did you sell it ? Regarding Aarset - his
releaseing a new cd in september. 
RF

--- Per Boysen <perboysen@gmail.com> skrev:

> On 25 apr 2007, at 19.40, rune fagereng wrote:
> 
> > Eventide Eclipse
> 
> oops... in my recent post forgot to tell that I had
> an Eclipse for a  
> couple of months. That's why I find Aarseth and
> Simeon such a good  
> pair of Eclipse ambassadors.
> 
> per
> 
> 


www.runefagereng.com
www.myspace.com/runefagereng 
www.youtube.com/watch?v=bOHN4az59A0
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


      
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 18:04:11 2007
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Date: Wed, 25 Apr 2007 11:04:09 -0700
From: "Doug Wellington" <dougwellington@gmail.com>
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On 4/25/07, rune fagereng <rune_fagereng@yahoo.no> wrote:
> And are there anyone here who have any experience with
> Eventide? Is it the best fx around ?

Heehee, I bet you'll get a lot of "define what you mean by the best"
kinds of responses!

*I* certainly think that Eventide is the best all around effects unit
there is.  I have two - a GTR4000 and an H8000FW.  I use a couple
other units just for reverbs, but for everything else, Eventide is
definitely the best for me - great sounds, great reliability, and if
you get one of the recent H series (H4000 and above) units, you can
edit all of the effects chains as well - extremely powerful!

Full disclosure: I like Eventide so much that I have taken over
development of the (free!) vSigX OS X-based Eventide H-series editing
software...  :-)

Doug

http://www.analognotes.com
http://www.stoogepanels.com
http://www.softsampling.com
http://www.dougwellington.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 18:04:41 2007
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Date: Wed, 25 Apr 2007 10:55:23 -0700
To: Loopers-Delight@loopers-delight.com
From: David Gans <david@trufun.com>
Subject: Re: portable hand field recorders
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At 8:40 AM -0400 4/23/07, Bill Fox wrote:
>I have the M-Audio MicroTrack 24/94.  It is an outstanding little 
>unit but I cannot recommend it for field use because its internal 
>rechargeable battery cannot be accessed by the consumer.

I ditched my Microtrack and now use an Edirol R-09.  Its mic preamps 
are kinda noisy, but the line input works very well.  Mini stereo 
only, no digital in, but still.


-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 18:04:42 2007
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Date: Wed, 25 Apr 2007 10:57:35 -0700
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Subject: RE: portable hand field recorders - eidrol
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At 6:17 AM -0700 4/24/07, Qua Veda wrote:
>I recently got an Edirol R09. The reviews that are posted for it on the net
>are pretty accurate.  The recording quality seems great with the built in
>mics, battery and usb access door seems suseptible to breaking , but I've
>had no problems and I'm please with it overall , especially for the price.

The battery/USB door seems fragile, but I haven't had any problems with it.



-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 18:06:05 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: Eventide - Prezens - Torn
Date: Wed, 25 Apr 2007 20:06:18 +0200
Organization: Moinlabs
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Seriously:

Likes:
	numeric keypad
	big, sturdy parameter wheel
	good converters
	cool delay networks
	pitch shifter/harmonizer is from Eventide ;)
	lots of far-out effects
	good converters
	LOTS of connectors (in/out XLR and 1/4'', SPDIF, AES/EBU, TOSLINK,
RS-443, MIDI-IN with 7-pin connector, two exp 	pedals)
	blinking tap tempo button (but you can't turn that off - might be a
problem under some stage circumstances)
	hotkeys
	there was something extremely cool about the (MIDI) clock handling,
but don't remember what

Dislikes:
	very heavy and big
	display to small
	complicated menu structure (obviously also caused by small display)
	huge algorithms, but only two of them at any given time
	no feedback loop around both algorithms


It is the most cool sounding fx processor and the most hi-end I have (though
not necessarily the most flexible, most crazy or whatsoever). On the other
hand, that kind of money also gives you a T2700 computer with 2GB of RAM, TC
Electronics audio interface and MAX/MSP...;)

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 18:08:55 2007
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Date: Wed, 25 Apr 2007 20:08:54 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: RE: Eventide - Prezens - Torn
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Thanks !
RF
--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> skrev:

> Seriously:
> 
> Likes:
> 	numeric keypad
> 	big, sturdy parameter wheel
> 	good converters
> 	cool delay networks
> 	pitch shifter/harmonizer is from Eventide ;)
> 	lots of far-out effects
> 	good converters
> 	LOTS of connectors (in/out XLR and 1/4'', SPDIF,
> AES/EBU, TOSLINK,
> RS-443, MIDI-IN with 7-pin connector, two exp 
> pedals)
> 	blinking tap tempo button (but you can't turn that
> off - might be a
> problem under some stage circumstances)
> 	hotkeys
> 	there was something extremely cool about the (MIDI)
> clock handling,
> but don't remember what
> 
> Dislikes:
> 	very heavy and big
> 	display to small
> 	complicated menu structure (obviously also caused
> by small display)
> 	huge algorithms, but only two of them at any given
> time
> 	no feedback loop around both algorithms
> 
> 
> It is the most cool sounding fx processor and the
> most hi-end I have (though
> not necessarily the most flexible, most crazy or
> whatsoever). On the other
> hand, that kind of money also gives you a T2700
> computer with 2GB of RAM, TC
> Electronics audio interface and MAX/MSP...;)
> 
> 


www.runefagereng.com
www.myspace.com/runefagereng 
www.youtube.com/watch?v=bOHN4az59A0
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


      
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 18:23:12 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Eventide - Prezens - Torn
Date: Wed, 25 Apr 2007 20:23:06 +0200
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On 25 apr 2007, at 19.59, rune fagereng wrote:

> Why did you sell it ? (the Eclipse)

I only borrowed it for a while to do a test and write a review of it  
in a Swedish guitar player's magazine. For my own use I think it  
colors the sound too much. Or should I rather say that I found it  
difficult to play through the unit without sounding like some certain  
established "Eclipse musicians". It's also too big and heavy for my  
taste.

One function that interested me was the ability to program the  
harmonizer to add not a parallel line but notes according to a scale  
that you define in the patch. But after trying this I found it too  
much "pre configured" for my taste. I prefer creating a general feel  
of some scale and harmony by rate shifting and overdubbing in Mobius.  
That way you can do whatever you want in a second, not having to rely  
on which scale presets you have prepared in the box.

The type of sounds patches I found the Eclipse very good at are those  
where an LFO manipulates a filter cutoff in sync with the tempo. You  
can also program it to do those filter burps as accellerandi or  
ritardandi and, if you want, partly dependent on input level (how  
hard you attack the notes).

> Regarding Aarset - his
> releaseing a new cd in september.

That's great news! I didn't know that.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 19:03:20 2007
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Date: Wed, 25 Apr 2007 14:03:17 -0500
From: kkissinger@kevinkissinger.com
To: LoopersDelight <Loopers-Delight@loopers-delight.com>
Subject: Equipment cases and airline travel
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Hi,

This post is a request for information/recommendations on rack cases =20
for airline travel.  Up to now, I have driven myself to gigs however I =20
may have some opportunities that require me to do some air travel.

As such, I will have to take my 19" laptop and require a minimum of a =20
2U shallow rack.

The thought of purchasing a 2U rack is a little stressful because I =20
may want to have room for additions.  However, I want to have the case =20
small enough that I can travel via airline with it. In addition, I may =20
bring a stomp-box such as my RC50.  Also travel with my Theremin -- =20
and I'll get with Moog Music on a travel case for it.

To be honest, the thought of checking equipment with an airline is =20
disconcerting -- I usually carry my own bags on board except for =20
non-important/non-valuable things.

Thus, I would be traveling with: 1 suitcase for my clothes 'n stuff, =20
laptop, Theremin, equipment rack, and RC50, patchcords, etc.

Thus, I am looking for recomendations for cases/etc when I travel via =20
airliner.

Any advice/recomendations greatly appreciated.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 19:18:08 2007
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Date: Wed, 25 Apr 2007 15:17:50 EDT
Subject: Re: Equipment cases and airline travel
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Hi, 
I travel with my upright bass and a 4 or 6U rack myself.   Try as I might, I 
can't fill the   rack without going over 50lbs, so I always end up paying 
overage charges on both pieces.    Southwest is great for U.S. travel as they 
allow 3 pieces, which means I can actually pack some clothes.(!)

I carry on my All Access midi controller, a few stompboxes, and my laptop.   
The main equipment goes in a Gator G-Tour ATA rack, which has been rock solid. 
  My bass has it's own Carbon Fiber/Kevlar case.   For the rack equipment, I 
suggest Gator, as I have had good protection with it, although there may be 
lighter cases out there.

I will be curious to see what others on the list have to say as well, 

Donovan 
--


Dr. Donovan Stokes
------------------------------------------------------------------------------
-------
www.donovanstokes.com
www.myspace.com/donovanstokes




**************************************
 See what's free at http://www.aol.com.

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Hi, <BR>
I travel with my upright bass and a 4 or 6U rack myself.&nbsp;  Try as I mig=
ht, I can't fill the&nbsp;  rack without going over 50lbs, so I always end u=
p paying overage charges on both pieces.&nbsp;&nbsp;  Southwest is great for=
 U.S. travel as they allow 3 pieces, which means I can actually pack some cl=
othes.(!)<BR>
<BR>
I carry on my All Access midi controller, a few stompboxes, and my laptop.&n=
bsp;  The main equipment goes in a Gator G-Tour ATA rack, which has been roc=
k solid.&nbsp;  My bass has it's own Carbon Fiber/Kevlar case.&nbsp;  For th=
e rack equipment, I suggest Gator, as I have had good protection with it, al=
though there may be lighter cases out there.<BR>
<BR>
I will be curious to see what others on the list have to say as well, <BR>
<BR>
Donovan <BR>
--<BR>
<BR>
<BR>
Dr. Donovan Stokes<BR>
----------------------------------------------------------------------------=
---------<BR>
www.donovanstokes.com<BR>
www.myspace.com/donovanstokes<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
free at http://www.aol.com.</HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 19:22:37 2007
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From: Daryl Shawn <highhorse@mhorse.com>
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Not to discourage any further responses, at all, but there was an 
excellent discussion on traveling with gear sometime last year, look for 
"Cabin baggage" in the archives.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 19:55:51 2007
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From: "nick@12testing.net" <nick@12testing.net>
To: <Loopers-Delight@loopers-delight.com>,
	"Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
Date: Wed, 25 Apr 2007 20:55:41 +0100
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Subject: Re: more Behringer gear 
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On 25 Apr 2007 at 19:18, Rainer Thelonius Balthasar Straschill wrote:

> ok, my list of Behringer stuff (warning: there's TONS!)

SO you don't feel lonely, here's my list

FCB1010 - amazing value & never conked out.

DFX69 Tweakalizer - designed for a DJ, but still of interest to 
"proper" musicians ;)  I finally picked one up cheap on ebay - will 
do a proper review sometime, but it's got a sampler (16 "bars" or set 
your own length) which you can then get to loop, forwards or 
backwards. It's got flange, single repeat echo, 3 band EQ, filter and 
a "scratch" wheel. Loads of fun and dirt cheap on ebay. I've hot-
wired it so I can record or playback using a footswitch and am 
currently using it with my covers band - the audiences are generally 
amazed by all the flashing lights, if not the noises I get from it!

http://www.behringer.com/DFX69/index.cfm?lang=ENG

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 19:57:17 2007
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Date: Wed, 25 Apr 2007 12:55:30 -0700
From: Dennis Montgomery <morpheus@speakeasy.net>
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Subject: Re: "blem" EDP $765 on MF
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When I went stereo with my 2nd EDP I bought it from MF as a scratch & 
dent special.  I could not find a single thing wrong with the unit, but 
the box was missing the owners manual.  I already had one :-)

Dennis

> Just thought I'd put it out there that Musiciansfriend has a new
> echoplex listed as "scratch and dent" for 25% off the normal price, in
> case any of you are in the market. I've gotten some "scratch and dent"
> items from them before and haven't been able to find anything wrong
> with them...sometimes it's just that the box is messed up, or the
> manual is missing, etc.
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 20:02:45 2007
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Quoting Daryl Shawn <highhorse@mhorse.com>:

> Not to discourage any further responses, at all, but there was an
> excellent discussion on traveling with gear sometime last year, look
> for "Cabin baggage" in the archives.


Thank you, Daryl.  I looked at the thread and it confirmed my  
apprehensions about airline travel with musical instruments and  
equipment.

Donovan, I've had my eye on some of the Gator ATA racks.  I think I'll  
be able to get by with a shallow rack.  Thanks for the info.

The challenge may be to see how light I can travel.

-- Kevin

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"...looping the band, while playing in the band, in real time..."
cool interview about the new album.
s
http://www.allaboutjazz.com/php/news.php?id=13462


From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 20:44:46 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Equipment cases and airline travel
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--Apple-Mail-1--489304739
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remember the 50 pound limit.  Otherwise you get dinged for overweight.

No experience with Gator cases.  But make sure whatever case is 
certified for flying - especially if flying out of North America.  I 
got what I think is a great deal from Dinosaur Cases in Vancouver BC.  
Custom made cases for what would be around $350 USD.  VERY VERY heavy 
duty.

Mine don't have the dorky dinosaur on the outside

http://www.dinosaurcases.com/

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 25-Apr-07, at 1:02 PM, kkissinger@kevinkissinger.com wrote:

> Quoting Daryl Shawn <highhorse@mhorse.com>:
>
>> Not to discourage any further responses, at all, but there was an
>> excellent discussion on traveling with gear sometime last year, look
>> for "Cabin baggage" in the archives.
>
>
> Thank you, Daryl.  I looked at the thread and it confirmed my 
> apprehensions about airline travel with musical instruments and 
> equipment.
>
> Donovan, I've had my eye on some of the Gator ATA racks.  I think I'll 
> be able to get by with a shallow rack.  Thanks for the info.
>
> The challenge may be to see how light I can travel.
>
> -- Kevin
>

--Apple-Mail-1--489304739
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remember the 50 pound limit.  Otherwise you get dinged for overweight.  


No experience with Gator cases.  But make sure whatever case is
certified for flying - especially if flying out of North America.  I
got what I think is a great deal from Dinosaur Cases in Vancouver BC. 
Custom made cases for what would be around $350 USD.  VERY VERY heavy
duty.


Mine don't have the dorky dinosaur on the outside


http://www.dinosaurcases.com/


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 25-Apr-07, at 1:02 PM, kkissinger@kevinkissinger.com wrote:


<excerpt>Quoting Daryl Shawn <<highhorse@mhorse.com>:


<excerpt>Not to discourage any further responses, at all, but there
was an

excellent discussion on traveling with gear sometime last year, look

for "Cabin baggage" in the archives.

</excerpt>


Thank you, Daryl.  I looked at the thread and it confirmed my
apprehensions about airline travel with musical instruments and
equipment.


Donovan, I've had my eye on some of the Gator ATA racks.  I think I'll
be able to get by with a shallow rack.  Thanks for the info.


The challenge may be to see how light I can travel.


-- Kevin


</excerpt>
--Apple-Mail-1--489304739--

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 00:23:44 2007
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stan.....you are the MAN in san fran!.....thnaks for the great 
listen.....mic


http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com


-----Original Message-----
From: stanitarium@earthlink.net
To: Loopers-Delight@loopers-delight.com
Sent: Wed, 25 Apr 2007 4:42 PM
Subject: Torn podcast interview:

   "...looping the band, while playing in the band, in real time..."
cool interview about the new album.
s
http://www.allaboutjazz.com/php/news.php?id=13462




________________________________________________________________________
AOL now offers free email to everyone.  Find out more about what's free 
from AOL at AOL.com.

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 01:44:04 2007
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Date: Thu, 26 Apr 2007 03:44:02 +0200
From: "Raul Bonell" <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Eventide - Prezens - Torn
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enter...

> One function that interested me was the ability to program the
> harmonizer to add not a parallel line but notes according to a scale
> that you define in the patch.

... i can do this with my crappy GT-3, not as accuratelly as the Eventide,
but lots of fun too ...

Ra=FCl.

--=20
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 15:14:36 2007
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Brilliant magnetic tape installation piece.

http://www.youtube.com/watch?v=6dFzqFEByAw

(imagine building that thing??)

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

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From: Mikkoz <biffoz@gmail.com>
To: "Zhong Chien" <zhongchien@sbcglobal.net>,
	"watson lu" <salomonk2skates@sbcglobal.net>,
	"Trey Donovan" <tdonovan@powerhat.com>,
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	MBiffle@foxracingshox.com,
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	"jrenroth20@gmail.com" <jrenroth20@gmail.com>,
	josalyne-overfelt260@filmingmovies.info,
	"Jonathan Reese" <jonathanreese666@yahoo.com>,
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	"John Hutson" <jhutson@hotmail.com>,
	"joey mackillican" <brodie_kid199@hotmail.com>,
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	"Jeff Shirkey" <jcshirke@midway.uchicago.edu>,
	"Jeff Delman" <sales@value-audio.com>,
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	"eric walker" <kw_bignuts@yahoo.com>, emusic-request@lists.meer.net,
	"Eli Smouse" <speedsmouse1@hotmail.com>,
	"DS Newbies at Topica" <bdsmfornewbies@topica.com>,
	"Don Lauritson" <dlauritson@ci.santa-cruz.ca.us>,
	"DHB WORLD HEADQUARTERS" <karr@downhillbillies.org>,
	Delia <delia@deliacd.com>, "Deano Ozman" <senor_palmer@hotmail.com>,
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	"Daniel Munoz" <fungus101@sbcglobal.net>,
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	"Consuelo Juarez" <cojuarez@cabrillo.edu>,
	"Cliff Coleman" <sk8fast@thegrid.net>,
	"Clayton Scott" <cscott@gmx.net>,
	"Christy Vogel" <chvogel@cabrillo.edu>,
	"Chris Sullivan" <sullytown2@yahoo.com>,
	"Chris Olden" <chris_olden@sbcglobal.net>,
	"Chris Muir" <cbm@well.com>, "Chris Chaput" <chris@abec11.com>,
	"Chris Bara" <hitnrun@comcast.net>,
	"Cheryl Caspe" <ccaspe@gmail.com>,
	"Charlotte Jensen" <chjensen@cabrillo.edu>,
	Chain-Tape-Collective-acceptsub-RbJBtoJGm2dbP3AlE8R0g0A@yahoogroups.com,
	Chain-Tape-Collective-acceptsub-mlL8PIjtvob1j00OBHI_Iu8@yahoogroups.com,
	Chain-Tape-Collective-acceptsub-laRm_OJp1t=cijadA9xQe_c@yahoogroups.com,
	Chain-Tape-Collective-acceptsub-cjqxDADGXWp7bgy3f07BwIQ@yahoogroups.com,
	Chain-Tape-Collective-acceptsub-31o4Qzg94ekWDHHQfhcW_e4@yahoogroups.com,
	Chain-Tape-Collective@yahoogroups.com,
	"Carol Hoffman" <cahoffma@cabrillo.edu>,
	"Cameron Curtis" <akitacameron@yahoo.co.uk>,
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	Brekke <brekke1111@yahoo.com>, "Brad Foy" <bradfoy@yahoo.com>,
	"Bill Evans" <bevans@tahoenetworks.com>, biffoz@gmail.com,
	"Ben Buckles" <beanerblank@yahoo.com>,
	"Art Garibay" <artgaribay@charter.net>,
	"Annie Anklets" <AnnieAnklets@aol.com>,
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	"Alex Reveles" <updogupdog@aol.com>,
	"Alan Smith" <alanandlaurie@aol.com>,
	"Adrian Cozma" <Adri4n.Cozma@gmail.com>,
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Subject: Your favorite trail may be in danger!
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There's a political move to re-designate many recreation areas as
'wilderness' areas which would highly restrict mountain bike access to much
of what we regulary take for granted.  Please take a look at the like and
consider signing the petition.  Thanks much!

http://www.mbaction.com/detail.asp?id=2254

-- 
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

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<span style="color: rgb(31, 73, 125);">There&#39;s a political move to
re-designate many recreation areas as &#39;wilderness&#39; areas which would
highly restrict mountain bike access to much of what we regulary take
for granted.&nbsp; Please take a look at the like and consider signing
the petition.&nbsp; Thanks much!<br>
<br>
<a href="http://www.mbaction.com/detail.asp?id=2254">http://www.mbaction.com/detail.asp?id=2254</a></span><br clear="all"><br>-- <br>Miko Biffle<br><a href="mailto:Biffoz@Gmail.com">Biffoz@Gmail.com</a><br><a href="mailto:MBiffle@FoxRacingShox.com">
MBiffle@FoxRacingShox.com</a><br>&quot;Running scared from all the usual distractions!&quot;

------=_Part_230015_17379328.1177601406136--

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 15:45:02 2007
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i recall something of this nature built into a small suitcase and the=20
tape head was manipulated by hand.....i was always fascinated by this=20
and wanted to build one.....this fellow took it to new heights, very=20
cool.....i just wish the sounds were more musical.....thnaks=20
daryl.....michael


http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com

 Brilliant magnetic tape installation piece.=C2=A0
=C2=A0
 http://www.youtube.com/watch?v=3D6dFzqFEByAw=C2=A0
=C2=A0
 (imagine building that thing??)=C2=A0
=C2=A0
 Daryl Shawn=C2=A0
 www.swanwelder.com=C2=A0
 www.chinapaintingmusic.com=C2=A0
=C2=A0


________________________________________________________________________
AOL now offers free email to everyone.  Find out more about what's free=20
from AOL at AOL.com.
=3D0

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 15:55:43 2007
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From: john floridis <jfloridis@aol.com>
Subject: Re: Your favorite trail may be in danger!
Date: Thu, 26 Apr 2007 09:55:24 -0600
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i didn't realize this group did political stuff unless it directly  
related to music or the music industry.

what is the policy on that?

john

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 16:57:04 2007
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There is an annual topic referendum that we vote on each year.
Members may raise proposals at the annual meeting.
Generally though, all votes are submitted per the board's recommendations.
The list moderator will fill in the details.

:)


At 2007.04.26 08:55 AM, john floridis wrote:
>i didn't realize this group did political stuff unless it directly
>related to music or the music industry.
>
>what is the policy on that?
>
>john

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 21:43:58 2007
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From: "aaron leese" <aaronleese@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: FCB1010 anyone?
Date: Thu, 26 Apr 2007 17:43:52 -0400
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Anybody want to buy an FCB1010 midi foot pedal??

Works perfectly .... I just happen to own two, and only need one nowadays 
......

If not, it'll be on ebay soon enough.

AL

_________________________________________________________________
Dont quit your job  Take Classes Online and Earn your Degree in 1 year. 
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From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 22:07:42 2007
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Subject: Ground Control Pro footswitch for sale
Date: Thu, 26 Apr 2007 17:07:54 -0500
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It must be spring cleaning!

I have a Ground Control Pro foot controller that I'm about to put up
on eBay but I'll give this list a shot first.

This is a fairly powerful and extremely rugged controller I bought
about a year ago:

=20
http://www.musiciansfriend.com/product/Digital-Music-Ground-Control-Pro-
Foot-Controller?sku=3D153511


It is an adequate controller for Mobius and the EDP because it
supports "Sus" functions by sending a CC when the switches are pushed
and another when they are released.

The main limitation it has relative to the FCB1010 is that there is
only one "bank" of these momentary switches, you can have at most 12
functions accessible if you need to send CCs for sustained functions.

It was designed primarily for people with large guitar rigs that use
the momentary switches to toggle 8 effects on and off, with 99 banks
of 4 switches left over to send program changes.

If you don't care about SUS functions (or are using a device that
doesn't support them) then it can be configured for 99 banks of 12
program changes which is more than you need.  It can be used to
control Mobius in this configuration but not the EDP (except for
selecting presets).

The advantages it has over the FCB1010 are that it is smaller and
easier to lug around, it can use more MIDI channels, and you can drive
a car over it without breaking it.

I used it for about 10 minutes before realizing that I need more than
12 functions, it has been boxed in a closet since then, in absolutely
mint condition.

Contact me off list if you're interested.

Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 11:46:07 2007
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Subject: RE: portable hand field recorders
Date: Fri, 27 Apr 2007 13:42:38 +0200
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I'm perfectly happy with my Edirol R-09. Big recommendation!  -Michael

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From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 18:39:04 2007
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Hello all,
This is somewhat off-topic, but I thought there were people here who 
could help me out.  I am looking for a rackmount programmable EQ where 
presets can be selected by midi, so I can change settings mid-song. I 
am anyone on the list has experience, good or bad, with any units 
currently available?
Any help is appreciated,

Donovan Stokes
www.donovanstokes.com
www.myspace.com/donovanstokes
________________________________________________________________________
AOL now offers free email to everyone.  Find out more about what's free 
from AOL at AOL.com.

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 19:53:46 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: Programmable EQ
Date: Fri, 27 Apr 2007 21:53:57 +0200
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Again, being more specific here could help. How many channels? Graphic or
parametric? Digital or analogue (note that in the field of programmable eq
thingies, the analogue ones are kinda hard to find)? Application? Available
budget?

That having said, I use a Behringer (again!) DEQ2496, which sits on the 2bus
of my live band foh/recording rack. It gets and sends digital signals, so I
can't say anything about the converters.
Function-wise, you got a combination of a 31-band graphic and a total of 10
parametric eqs/feedback destroyer thingies and a 3-band dynamic section,
plus a frequency analyzer (with its own mic in). Of course,
MIDI-controllable.

Other devices I heard of (but don't know in person) come from the foh field
mostly, there's the Samson D class series (there's a graphic variant - 2500,
and a parametric one - 3500) and some devices by Sabine.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 01:19:04 2007
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From: "Ingo Ito" <ingoito@itofarm.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Programmable EQ
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Hi Donovan,

there=B4s an quite old Akai device called PEQ6. It has 6 Channels with 7 =
fixed frequencies to be tweaked per channel and 32 program storage, Midi =
In/Out/Through, 19" 1HE. It=B4s very easy to operate and can sometimes =
be found for about 50-80 US $ on e-bay. I sold mine 2 years ago, because =
it was just standing around. But before that I had used it for at least =
15 years without any failure. The sound quality is not High-End but =
sufficient for live gigs (i.m.o.).

Here=B4s a link to an old e-bay auction with picture and a bit of =
information:
http://cgi.ebay.com/Akai-PEQ6-Programmable-Equalizer-w-manuals-schematics=
_W0QQitemZ140100911754QQcategoryZ23788QQcmdZViewItem

Greetings from Spain
Ingo Ito



Ingo Ito
website:  www.itofarm.com
shop:  =
www.itofarm.com/1-2-3-music-store/process.php?pname=3DShopfrontProcess-St=
art
myspace:  www.myspace.com/ingoito
blog:  www.itofarm.blogspot.com/
indiependence music:  =
www.indiependencemusic.net/artistPage.php?artistId=3D2742
indiestore: www.indiestore.com/ingoito/
soundclick: www.soundclick.com/bands/pageartist.cfm?bandID=3D694278


  ----- Original Message -----=20
  From: donearlsto@aol.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, April 27, 2007 8:38 PM
  Subject: Programmable EQ


  Hello all,
  This is somewhat off-topic, but I thought there were people here who=20
  could help me out.  I am looking for a rackmount programmable EQ where =

  presets can be selected by midi, so I can change settings mid-song. I=20
  am anyone on the list has experience, good or bad, with any units=20
  currently available?
  Any help is appreciated,

  Donovan Stokes
  www.donovanstokes.com
  www.myspace.com/donovanstokes
  =
________________________________________________________________________
  AOL now offers free email to everyone.  Find out more about what's =
free=20
  from AOL at AOL.com.

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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D4>Hi Donovan,</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>there=B4s an quite old Akai device =
called PEQ6. It=20
has 6 Channels with 7 fixed frequencies to be tweaked per channel and 32 =
program=20
storage, Midi In/Out/Through, 19" 1HE. It=B4s very easy to operate and =
can=20
sometimes be found for about 50-80 US $ on e-bay. I sold mine 2 years =
ago,=20
because it was just standing around. But before that I had used it for =
at least=20
15 years without any failure. The sound quality is not High-End but =
sufficient=20
for live gigs (i.m.o.).</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>Here=B4s a link to an old e-bay auction =
with picture=20
and a bit of information:</FONT></DIV>
<DIV><FONT face=3DArial size=3D4><A=20
href=3D"http://cgi.ebay.com/Akai-PEQ6-Programmable-Equalizer-w-manuals-sc=
hematics_W0QQitemZ140100911754QQcategoryZ23788QQcmdZViewItem">http://cgi.=
ebay.com/Akai-PEQ6-Programmable-Equalizer-w-manuals-schematics_W0QQitemZ1=
40100911754QQcategoryZ23788QQcmdZViewItem</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>Greetings from Spain</FONT></DIV>
<DIV><FONT face=3DArial size=3D4>Ingo Ito</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4><U>Ingo Ito</U><BR><FONT =
size=3D3>website:&nbsp;=20
</FONT><A href=3D"http://www.itofarm.com"><FONT=20
size=3D3>www.itofarm.com</FONT></A><BR><FONT size=3D3>shop:&nbsp; =
</FONT><A=20
href=3D"http://www.itofarm.com/1-2-3-music-store/process.php?pname=3DShop=
frontProcess-Start"><FONT=20
size=3D3>www.itofarm.com/1-2-3-music-store/process.php?pname=3DShopfrontP=
rocess-Start</FONT></A><BR><FONT=20
size=3D3>myspace:&nbsp; </FONT><A =
href=3D"http://www.myspace.com/ingoito"><FONT=20
size=3D3>www.myspace.com/ingoito</FONT></A><BR><FONT =
size=3D3>blog:&nbsp; </FONT><A=20
href=3D"http://www.itofarm.blogspot.com/"><FONT=20
size=3D3>www.itofarm.blogspot.com/</FONT></A><BR><FONT =
size=3D3>indiependence=20
music:&nbsp; </FONT><A=20
href=3D"http://www.indiependencemusic.net/artistPage.php?artistId=3D2742"=
><FONT=20
size=3D3>www.indiependencemusic.net/artistPage.php?artistId=3D2742</FONT>=
</A><BR><FONT=20
size=3D3>indiestore: </FONT><A =
href=3D"http://www.indiestore.com/ingoito/"><FONT=20
size=3D3>www.indiestore.com/ingoito/</FONT></A></FONT></DIV>
<DIV><FONT face=3DArial>soundclick: <A=20
href=3D"http://www.soundclick.com/bands/pageartist.cfm?bandID=3D694278">w=
ww.soundclick.com/bands/pageartist.cfm?bandID=3D694278</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Ddonearlsto@aol.com=20
  href=3D"mailto:donearlsto@aol.com">donearlsto@aol.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, April 27, 2007 =
8:38=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Programmable EQ</DIV>
  <DIV><BR></DIV>Hello all,<BR>This is somewhat off-topic, but I thought =
there=20
  were people here who <BR>could help me out.&nbsp; I am looking for a =
rackmount=20
  programmable EQ where <BR>presets can be selected by midi, so I can =
change=20
  settings mid-song. I <BR>am anyone on the list has experience, good or =
bad,=20
  with any units <BR>currently available?<BR>Any help is=20
  appreciated,<BR><BR>Donovan Stokes<BR><A=20
  href=3D"http://www.donovanstokes.com">www.donovanstokes.com</A><BR><A=20
  =
href=3D"http://www.myspace.com/donovanstokes">www.myspace.com/donovanstok=
es</A><BR>_______________________________________________________________=
_________<BR>AOL=20
  now offers free email to everyone.&nbsp; Find out more about what's =
free=20
  <BR>from AOL at AOL.com.<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_004A_01C78943.F290F9B0--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 07:15:47 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Boise Experimental Music Festival Streaming Live
Date: Sat, 28 Apr 2007 01:15:44 -0600
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I've been too swamped to share the live streaming URL for the 2nd Annual 
Boise Experimental Music festival. Thursday and tonight were just 
outstanding, with some wonderful performances. Tomorrow tomorrow (Saturday) 
we start at 3pm Mountain Standard Time (also 5pm EST US), and go to 
Midnight.  Everything is being recorded.

http://www.radioboise.org/ (click on the link "Listen Here")

This is the lineup for tomorrow....

3:00 - 3:30pm Krispen Hartung & Lumper-Splitter
3:30 - 4:00pm Jeff Kaiser & Gregory Taylor
4:00 - 4:30pm Stefan Smulovitz & Rick Walker
4:30 - 5:00pm Ted Killian, Bob Sterling, & Krispen Hartung
5:00 - 5:30pm Rob Price & David Grollman, Lucio Menegon
5:30 - 6:00pm Breccia
6:00 - 7:00pm  Dinner Break
7:00 - 7:30pm Unicorn Feather
7:30 - 8:00pm Patrick Benolkin
8:00 - 8:30pm Jared Hallock
8:30 - 9:00pm Gretchen Jude
9:00 - 9:30pm Margaret Noble (audio) and Edyta Stepien (video)
9:30 - 10:00pm Tom Baker & Jesse Canterbury
10:00 - 10:40pm Lumper-Splitter
10:40 - 11:20pm The Transhumans
11:20 - Midnight Rick Walker

The Festival Website:
http://www.boisemusicians.com/BEMF-2/

**************************************************************************
Krispen Hartung
www.krispenhartung.com / www.myspace.com/krispenhartung
Performance Calendar: 
http://www.musi-cal.com/search?performers=Krispen%20Hartung
info@krispenhartung.com / 1.208.724.5603
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography: http://cdbaby.com/all/khartung


From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 12:41:31 2007
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Date: Sat, 28 Apr 2007 08:41:29 -0400
From: David Kuznick <dkuznick@alumni.brandeis.edu>
To: Loopers-Delight@loopers-delight.com
Subject: Gibson and Oberheim Echoplex compatible?
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Assuming they are running the same version of Loop (a '98 Oberheim Echoplex can
have V4 installed, right?), can they be synced up via BrotherSync?

--
David Kuznick   dkuznickATalumni.brandeis.edu
"Once I thought I saw you in a crowded hazy bar, dancing on the light
from star to star.  Far across the moonbeam I know that's who you are,
I saw your brown eyes turning once to fire."
Like a Hurricane - NEIL YOUNG

From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 13:58:51 2007
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I have a Roland srq 203; a pretty incredible unit if you can find 
one. I haven't used it in the way you are discribing but have 
different settings in memory for individual instruments that I can 
switch to.. I understand that it can sort of morph from one setting 
to another. There's 16 user memory slots, midi control and lots of 
other features. check it out at 
http://backstage.rolandus.com/product_manuals/?group=7

Paul Haslem
www.dulcify.ca





At 02:38 PM 4/27/2007, you wrote:
>Hello all,
>This is somewhat off-topic, but I thought there were people here who 
>could help me out.  I am looking for a rackmount programmable EQ 
>where presets can be selected by midi, so I can change settings 
>mid-song. I am anyone on the list has experience, good or bad, with 
>any units currently available?
>Any help is appreciated,
>
>Donovan Stokes
>www.donovanstokes.com
>www.myspace.com/donovanstokes
>________________________________________________________________________
>AOL now offers free email to everyone.  Find out more about what's 
>free from AOL at AOL.com.

From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 15:44:07 2007
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Subject: two short reviews of concerts
Date: Sat, 28 Apr 2007 11:43:51 -0400
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ALAN HOLDSWOTH.....i have known of him for a long time but have never 
heard his music.....saw his show about 2 weeks ago and was impressed by 
his playing.....it seemed that most of his tunes started with some 
MIGHTY BIG ABSTARCT CHORDS, i really didn't understand where he was 
going with this, i heard very little melody and outside of the 
"impossible" stretching of his left hand fingers i was not too moved by 
this.....THEN>>>>>improv to the max.....30 sec., 60 sec., eternal 
single note runs, very impressive, very dexterous, amazed the 
kiddies.....it was moving the first few times, like wow! this cat can 
blow but after several similiar tunes i became bored......please let 
this be the last tune i kept thinking.....i guess i am no longer 
impressed by a gazillion notes a min.....my brain was fed but my 
emotions went hungry

THE BEARS.....never heard them before (yes i live in a cave and only 
listen to looping music).....i am aware of adrian belew's work with 
K.C. and the folks i was with told me that this would be a bit more 
"poppy".....shucks i thought, i want the whammy frammmy shammmy crazy 
stuff.....IT WAS THERE! in aces.....what a fun bunch of players, i have 
never seen more smiles on stage in my life, these guys really seemed to 
be enjoying themselves to the max.....i was drawn in like a moth to a 
flame.....all 4 players wrote tunes so there was a variety of music and 
plenty of it, bang, bang, bang nonstop more notes per dollar 
playin.....it was a small venue and after the show the band came and 
hung with the audience and THANKED them for coming, how nice!

lastly.....KLOBUCHAR.....spoke with this band and he said "after we 
clean and re-wire our studio we will finally use our new digital 
recorder and create some bofo music, but now get the f**k out of here I 
WANT TO LOOP!".....perhaps he will learn a second chord after he gets 
up and running as he has beatin the A- to death.....matt davignon at 
y2k6 said something to the effect that KLOBUCHAR was getting old and 
grumpy, boy do i agree with him!

i wish i was in boise!.....break many legs everyone xoxo!


http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com

________________________________________________________________________
AOL now offers free email to everyone.  Find out more about what's free 
from AOL at AOL.com.

From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 16:09:29 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: two short reviews of concerts
Date: Sat, 28 Apr 2007 18:09:22 +0200
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On 28 apr 2007, at 17.43, nemoguitt@aol.com wrote:
> ALAN HOLDSWOTH.....

Very interesting, Michael. Thanks! I liked Holdsworths sound and  
legato dependent playing style some 25 years ago when he used a  
DiMarzio PAF and floating twang bar system. But then I kind of lost  
interest when he got into guitar synths and I couldn't hear that  
fluent tone I had liked. BTW didn't he take a break from music to run  
a pig farm for a couple of years?

> THE BEARS.....

Will watch out for them.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boise Experimental Music Festival Streaming Live
Date: Sat, 28 Apr 2007 10:12:47 -0600
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This is a multi-part message in MIME format.

------=_NextPart_000_01A4_01C7897D.C510D340
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I'll be posting pictures from the festival here in the next few days. I =
already have some taken by Jeff Kaiser.

http://www.boisemusicians.com/BEMF-2/images.htm

Last night was spectacular!

Moe! Staiano (from Oakland, CA) + Z'EV (from the UK) - Amazing and =
inspiring percussion found sound performance, using everything from =
metal tubes to bicycle wheels and violin bows, dragging a floor tom drum =
along the floor to vibrate at different frequencies, etc....this was a =
truly legendary performance by these two guys...who, incidentally, had =
to drive back to Portland right after their set for another gig.

Stefan Smulovitz (from B.C., Canada) - Really interesting laptop =
looping, using his custom program called Kenaxix - =
http://www.kenaxis.com/=20

Ted Killian - wonderful, as usual...with his rich and textured guitar =
sounds and 20 space rack of effects that take a small nuclear power =
plant to run..

Jeff Kaiser & Gregory Taylor - Out of this world. Gregory Taylor (from =
Cycling 74) on laptop/MAX and Jeff on his quarter tone trumpet and =
laptop/MAX. Really far out stuff....from intense to subtle. Great set =
and synergy between these two cats.

Rob Price & David Grollman - Drums and guitar (from New York)....very =
hip free jazz, avant-garde...David Grollman is an amazing and passionate =
drummer. A lot of sound from these two guys.


Kris

----- Original Message -----=20


> I've been too swamped to share the live streaming URL for the 2nd =
Annual=20
> Boise Experimental Music festival. Thursday and tonight were just=20
> outstanding, with some wonderful performances. Tomorrow tomorrow =
(Saturday)=20
> we start at 3pm Mountain Standard Time (also 5pm EST US), and go to=20
> Midnight.  Everything is being recorded.
>=20
> http://www.radioboise.org/ (click on the link "Listen Here")
>=20
> This is the lineup for tomorrow....
>=20
> 3:00 - 3:30pm Krispen Hartung & Lumper-Splitter
> 3:30 - 4:00pm Jeff Kaiser & Gregory Taylor
> 4:00 - 4:30pm Stefan Smulovitz & Rick Walker
> 4:30 - 5:00pm Ted Killian, Bob Sterling, & Krispen Hartung
> 5:00 - 5:30pm Rob Price & David Grollman, Lucio Menegon
> 5:30 - 6:00pm Breccia
> 6:00 - 7:00pm  Dinner Break
> 7:00 - 7:30pm Unicorn Feather
> 7:30 - 8:00pm Patrick Benolkin
> 8:00 - 8:30pm Jared Hallock
> 8:30 - 9:00pm Gretchen Jude
> 9:00 - 9:30pm Margaret Noble (audio) and Edyta Stepien (video)
> 9:30 - 10:00pm Tom Baker & Jesse Canterbury
> 10:00 - 10:40pm Lumper-Splitter
> 10:40 - 11:20pm The Transhumans
> 11:20 - Midnight Rick Walker
>=20
> The Festival Website:
> http://www.boisemusicians.com/BEMF-2/
>=20
> =
*************************************************************************=
*
> Krispen Hartung
> www.krispenhartung.com / www.myspace.com/krispenhartung
> Performance Calendar:=20
> http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
> info@krispenhartung.com / 1.208.724.5603
> Discography - http://www.krispenhartung.com/catalogue.htm
> CD Baby Discography: http://cdbaby.com/all/khartung
>
------=_NextPart_000_01A4_01C7897D.C510D340
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3059" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2>I'll be posting pictures&nbsp;from the =
festival=20
here in the next few days. I already have some taken by Jeff=20
Kaiser.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><A href=3D"http://www.boisemusicians.com/BEMF-2/images.htm"><FONT =
face=3DArial=20
size=3D2>http://www.boisemusicians.com/BEMF-2/images.htm</FONT></A></DIV>=

<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Last night was =
spectacular!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Moe! Staiano </STRONG>(from =
Oakland, CA)=20
<STRONG>+ Z'EV (</STRONG>from the UK)&nbsp;- Amazing and inspiring =
percussion=20
found sound&nbsp;performance, using everything from metal tubes to =
bicycle=20
wheels and violin bows, dragging a floor tom drum along the floor to =
vibrate at=20
different frequencies, etc....this was a truly legendary performance by =
these=20
two guys...who, incidentally, had to drive back to Portland right after =
their=20
set for another gig.</FONT></DIV>
<DIV><BR><FONT face=3DArial size=3D2><STRONG>Stefan Smulovitz</STRONG>=20
(from&nbsp;B.C., Canada)&nbsp;- Really interesting laptop looping, using =
his=20
custom program called Kenaxix - </FONT><A =
href=3D"http://www.kenaxis.com/"=20
target=3D_front><FONT face=3DArial =
size=3D2>http://www.kenaxis.com/</FONT></A><FONT=20
face=3DArial size=3D2> </FONT></DIV>
<DIV><BR><FONT face=3DArial size=3D2><STRONG>Ted Killian</STRONG> - =
wonderful, as=20
usual...with his rich and textured guitar sounds and 20 space rack of =
effects=20
that take a small nuclear power plant to run..</FONT></DIV>
<DIV><BR><FONT face=3DArial size=3D2><STRONG>Jeff Kaiser &amp; Gregory=20
Taylor</STRONG> - Out of this world. Gregory Taylor (from Cycling 74) on =

laptop/MAX and Jeff on his quarter tone trumpet and laptop/MAX. Really =
far out=20
stuff....from intense to subtle. Great set and synergy between these two =

cats.</FONT></DIV>
<DIV><BR><FONT face=3DArial size=3D2><STRONG>Rob Price &amp; David =
Grollman</STRONG>=20
- Drums and guitar (from New York)....very hip free jazz, =
avant-garde...David=20
Grollman is an amazing and passionate&nbsp;drummer. A lot of sound from =
these=20
two guys.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>----- Original Message ----- </FONT>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></DIV><FONT =
face=3DArial=20
size=3D2>&gt; I've been too swamped to share the live streaming URL for =
the 2nd=20
Annual <BR>&gt; Boise Experimental Music festival. Thursday and tonight =
were=20
just <BR>&gt; outstanding, with some wonderful performances. Tomorrow =
tomorrow=20
(Saturday) <BR>&gt; we start at 3pm Mountain Standard Time (also 5pm EST =
US),=20
and go to <BR>&gt; Midnight.&nbsp; Everything is being recorded.<BR>&gt; =

<BR>&gt; </FONT><A href=3D"http://www.radioboise.org/"><FONT =
face=3DArial=20
size=3D2>http://www.radioboise.org/</FONT></A><FONT face=3DArial =
size=3D2> (click on=20
the link "Listen Here")<BR>&gt; <BR>&gt; This is the lineup for=20
tomorrow....<BR>&gt; <BR>&gt; 3:00 - 3:30pm Krispen Hartung &amp;=20
Lumper-Splitter<BR>&gt; 3:30 - 4:00pm Jeff Kaiser &amp; Gregory =
Taylor<BR>&gt;=20
4:00 - 4:30pm Stefan Smulovitz &amp; Rick Walker<BR>&gt; 4:30 - 5:00pm =
Ted=20
Killian, Bob Sterling, &amp; Krispen Hartung<BR>&gt; 5:00 - 5:30pm Rob =
Price=20
&amp; David Grollman, Lucio Menegon<BR>&gt; 5:30 - 6:00pm =
Breccia<BR>&gt; 6:00 -=20
7:00pm&nbsp; Dinner Break<BR>&gt; 7:00 - 7:30pm Unicorn Feather<BR>&gt; =
7:30 -=20
8:00pm Patrick Benolkin<BR>&gt; 8:00 - 8:30pm Jared Hallock<BR>&gt; 8:30 =
-=20
9:00pm Gretchen Jude<BR>&gt; 9:00 - 9:30pm Margaret Noble (audio) and =
Edyta=20
Stepien (video)<BR>&gt; 9:30 - 10:00pm Tom Baker &amp; Jesse =
Canterbury<BR>&gt;=20
10:00 - 10:40pm Lumper-Splitter<BR>&gt; 10:40 - 11:20pm The =
Transhumans<BR>&gt;=20
11:20 - Midnight Rick Walker<BR>&gt; <BR>&gt; The Festival =
Website:<BR>&gt;=20
</FONT><A href=3D"http://www.boisemusicians.com/BEMF-2/"><FONT =
face=3DArial=20
size=3D2>http://www.boisemusicians.com/BEMF-2/</FONT></A><BR><FONT =
face=3DArial=20
size=3D2>&gt; <BR>&gt;=20
*************************************************************************=
*<BR>&gt;=20
Krispen Hartung<BR>&gt; </FONT><A =
href=3D"http://www.krispenhartung.com"><FONT=20
face=3DArial size=3D2>www.krispenhartung.com</FONT></A><FONT =
face=3DArial size=3D2> /=20
</FONT><A href=3D"http://www.myspace.com/krispenhartung"><FONT =
face=3DArial=20
size=3D2>www.myspace.com/krispenhartung</FONT></A><BR><FONT face=3DArial =
size=3D2>&gt;=20
Performance Calendar: <BR>&gt; </FONT><A=20
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size=3D2>http://www.krispenhartung.com/catalogue.htm</FONT></A><BR><FONT =

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------=_NextPart_000_01A4_01C7897D.C510D340--


From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 16:21:50 2007
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Date: Sat, 28 Apr 2007 10:21:47 -0600
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Abstract chords, no melody...sounds like my cup of tea.  And to think piano 
players thought they had the corner on the market when it comes to playing 
superimposed minor second intervals and tone clusters with only one hand. :)

Though I too get bored with the speed demon fusion shreading after a while.

Was he using he baritone guitar, or did he get rid of those things a long 
time ago? I've lost track of Holdsworth quite a while ago.

Kris

----- Original Message ----- 
From: <nemoguitt@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, April 28, 2007 9:43 AM
Subject: two short reviews of concerts


> ALAN HOLDSWOTH.....i have known of him for a long time but have never 
> heard his music.....saw his show about 2 weeks ago and was impressed by 
> his playing.....it seemed that most of his tunes started with some MIGHTY 
> BIG ABSTARCT CHORDS, i really didn't understand where he was going with 
> this, i heard very little melody and outside of the "impossible" 
> stretching of his left hand fingers i was not too moved by 
> this.....THEN>>>>>improv to the max.....30 sec., 60 sec., eternal single 
> note runs, very impressive, very dexterous, amazed the kiddies.....it was 
> moving the first few times, like wow! this cat can blow but after several 
> similiar tunes i became bored......please let this be the last tune i kept 
> thinking.....i guess i am no longer impressed by a gazillion notes a 
> min.....my brain was fed but my emotions went hungry
>
> THE BEARS.....never heard them before (yes i live in a cave and only 
> listen to looping music).....i am aware of adrian belew's work with K.C. 
> and the folks i was with told me that this would be a bit more 
> "poppy".....shucks i thought, i want the whammy frammmy shammmy crazy 
> stuff.....IT WAS THERE! in aces.....what a fun bunch of players, i have 
> never seen more smiles on stage in my life, these guys really seemed to be 
> enjoying themselves to the max.....i was drawn in like a moth to a 
> flame.....all 4 players wrote tunes so there was a variety of music and 
> plenty of it, bang, bang, bang nonstop more notes per dollar playin.....it 
> was a small venue and after the show the band came and hung with the 
> audience and THANKED them for coming, how nice!
>
> lastly.....KLOBUCHAR.....spoke with this band and he said "after we clean 
> and re-wire our studio we will finally use our new digital recorder and 
> create some bofo music, but now get the f**k out of here I WANT TO 
> LOOP!".....perhaps he will learn a second chord after he gets up and 
> running as he has beatin the A- to death.....matt davignon at y2k6 said 
> something to the effect that KLOBUCHAR was getting old and grumpy, boy do 
> i agree with him!
>
> i wish i was in boise!.....break many legs everyone xoxo!
>
>
> http://www.myspace.com/klobuchar10
> http://mysite.verizon.net/vzepmeci/
> www.ct-collective.com
>
> ________________________________________________________________________
> AOL now offers free email to everyone.  Find out more about what's free 
> from AOL at AOL.com.
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 16:29:53 2007
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Date: Sat, 28 Apr 2007 09:29:52 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: two short reviews of concerts
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He doesn't use the Synthaxe or the baritone these days, just a
Steinberger based guitar (or a signature model Carvin) into an amp
with some effects.  He's definitely an acquired taste, but heavenly if
you're into it.

TH

On 4/28/07, Krispen Hartung <khartung@cableone.net> wrote:

>
> Was he using he baritone guitar, or did he get rid of those things a long
> time ago? I've lost track of Holdsworth quite a while ago.
>
> Kris

From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 16:31:45 2007
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Date: Sat, 28 Apr 2007 09:31:43 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: two short reviews of concerts
To: Loopers-Delight@loopers-delight.com
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--- Per Boysen <perboysen@gmail.com> wrote:
> I kind of lost  
> interest when [Allan Holdsworth] got into guitar
>synths and I couldn't hear that  
> fluent tone I had liked. BTW didn't he take a break
> from music to run a pig farm for a couple of years?

I first started listening to Holdsworth somewhere
around his stint with Soft Machine and became
fanatical during his Bruford/UK years. But I agree
with Per, his work on the Synthaxxe didn't do a thing
for me.

I'd never heard the pig farm story, but I know at one
point well into his career he had a job for a short
time weaving baskets. A friend of mine asked him why,
and he said something like "Gotta pay the bills
somehow."

-t-

np: david torn - prezens

http://www.myspace.com/nimbletunes
http://cdbaby.com/all/timnelson

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 16:38:06 2007
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Yeah, I think I recall seeing an ad years ago where he was selling his 
baritones. I read an interview with him where he said one was almost 
impossible (physically) to play.  He's an interesting guy, with some 
interesting approaches to the guitar, scales, etc.

Kris

----- Original Message ----- 
From: "Travis Hartnett" <travishartnett@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, April 28, 2007 10:29 AM
Subject: Re: two short reviews of concerts


> He doesn't use the Synthaxe or the baritone these days, just a
> Steinberger based guitar (or a signature model Carvin) into an amp
> with some effects.  He's definitely an acquired taste, but heavenly if
> you're into it.
>
> TH
>
> On 4/28/07, Krispen Hartung <khartung@cableone.net> wrote:
>
>>
>> Was he using he baritone guitar, or did he get rid of those things a long
>> time ago? I've lost track of Holdsworth quite a while ago.
>>
>> Kris
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 16:50:10 2007
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Date: Sat, 28 Apr 2007 09:50:07 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: thanks! (wet pedals)
To: Loopers-Delight@loopers-delight.com
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I'd like to express my gratitude to all the
listmembers who wrote to me following my recent studio
flood. I've been atypically incommunicado due to my
computer being scattered all over the house, but there
seems to be some light at the end of the tunnel
(oncoming train?). The moisture abatement dudes took
the last of their noisy pumps and blowers away
yesterday, and now I'm awaiting the carpenters to
patch all the drainage holes in the walls.

On topic, I still haven't dared power up the loopers
that went swimming. I got all the batteries out
immediately and took everything apart as soon as I
could and dried it all with towels and blow driers,
and have been waiting until I'm positive everything is
dry before trying it out. Fortunately it was clean,
fresh water and not salt (I'm a block from the
Atlantic Ocean and several nearby houses actually fell
in, so it could have been a lot worse...).

Again, I really appreciate all your words of
encouragement.

-t-

http://www.myspace.com/nimbletunes
http://cdbaby.com/all/timnelson

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 16:53:44 2007
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i think it was a stienberg or stienberger (sp).....i was upset that it 
wasn't his holdsworth carvin


http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com


 Was he using he baritone guitar,
________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 17:53:23 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: thanks! (wet pedals)
Date: Sat, 28 Apr 2007 10:52:37 -0700
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Wow Tim, sorry to hear it.  I can't remember where Cape Elizabeth is.  
Went to school in Bridgton (where Steven King lives!).

The equipment ought to be fine once it dries out.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 28-Apr-07, at 9:50 AM, Tim Nelson wrote:

> I'd like to express my gratitude to all the
> listmembers who wrote to me following my recent studio
> flood. I've been atypically incommunicado due to my
> computer being scattered all over the house, but there
> seems to be some light at the end of the tunnel
> (oncoming train?). The moisture abatement dudes took
> the last of their noisy pumps and blowers away
> yesterday, and now I'm awaiting the carpenters to
> patch all the drainage holes in the walls.
>
> On topic, I still haven't dared power up the loopers
> that went swimming. I got all the batteries out
> immediately and took everything apart as soon as I
> could and dried it all with towels and blow driers,
> and have been waiting until I'm positive everything is
> dry before trying it out. Fortunately it was clean,
> fresh water and not salt (I'm a block from the
> Atlantic Ocean and several nearby houses actually fell
> in, so it could have been a lot worse...).
>
> Again, I really appreciate all your words of
> encouragement.
>
> -t-
>
> http://www.myspace.com/nimbletunes
> http://cdbaby.com/all/timnelson
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

--Apple-Mail-1--240421328
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

Wow Tim, sorry to hear it.  I can't remember where Cape Elizabeth is. 
Went to school in Bridgton (where Steven King lives!).  


The equipment ought to be fine once it dries out. 


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 28-Apr-07, at 9:50 AM, Tim Nelson wrote:


<excerpt>I'd like to express my gratitude to all the

listmembers who wrote to me following my recent studio

flood. I've been atypically incommunicado due to my

computer being scattered all over the house, but there

seems to be some light at the end of the tunnel

(oncoming train?). The moisture abatement dudes took

the last of their noisy pumps and blowers away

yesterday, and now I'm awaiting the carpenters to

patch all the drainage holes in the walls.


On topic, I still haven't dared power up the loopers

that went swimming. I got all the batteries out

immediately and took everything apart as soon as I

could and dried it all with towels and blow driers,

and have been waiting until I'm positive everything is

dry before trying it out. Fortunately it was clean,

fresh water and not salt (I'm a block from the

Atlantic Ocean and several nearby houses actually fell

in, so it could have been a lot worse...).


Again, I really appreciate all your words of

encouragement.


-t-


http://www.myspace.com/nimbletunes

http://cdbaby.com/all/timnelson


__________________________________________________

Do You Yahoo!?

Tired of spam?  Yahoo! Mail has the best spam protection around 

http://mail.yahoo.com 


</excerpt>
--Apple-Mail-1--240421328--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 19:16:12 2007
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Date: Sat, 28 Apr 2007 15:16:08 -0400
From: "Jim Goodin" <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: thanks! (wet pedals)
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Tim i'm sorry to learn of your recent plight from the heavy rains, that's
terrible.  It was intense here in NY in that recent deluge but I wasn't as
aware of what it was doing in New England.  I'm glad your equipment is
recovering and here's an encouraging note.  I recently found a Roland
MKS-100 mid-80's sampler on my block here in Brooklyn.  It was not heavy
raining but had been sitting in constant steady lite rain for several hours
however it looked "clean" so I brought it home like a "new puppy".  I left
it sitting in my studio to dry out over several weeks partly to give it time
to really dry and too as it had no power cord so it was mandatory till I
found one.  I recently located and purchased through Roland for $20 the cord
and plugged it in in great anticipation and fear of disappointment to either
possibly see no life or a brief puff of smoke.  I was amazed to see neither
and have been using it ever since.  I left it on for a long time to confirm
it's health and again it "lives" so I'm sure and I hope your equipment will
too.

Thank you again for spreading the word on the recent RPMChallenge.  I
completed with two CD's, one with Daryl Shawn in our Chinapainting project
which bore Trick Of Amethyst
<http://www.chinapaintingmusic.com/music.htm>and another that was a
solo fretless project of my own
Found <http://www.jimgoodinmusic.com/cd.html>.  It was cool to have this
world collective push in the dead of winter to document two bodies of work.

Best with the dryout Tim...

Jim


On 4/28/07, Tim Nelson <psychle62@yahoo.com> wrote:
>
> I'd like to express my gratitude to all the
> listmembers who wrote to me following my recent studio
> flood. I've been atypically incommunicado due to my
> computer being scattered all over the house, but there
> seems to be some light at the end of the tunnel
> (oncoming train?). The moisture abatement dudes took
> the last of their noisy pumps and blowers away
> yesterday, and now I'm awaiting the carpenters to
> patch all the drainage holes in the walls.
>
> On topic, I still haven't dared power up the loopers
> that went swimming. I got all the batteries out
> immediately and took everything apart as soon as I
> could and dried it all with towels and blow driers,
> and have been waiting until I'm positive everything is
> dry before trying it out. Fortunately it was clean,
> fresh water and not salt (I'm a block from the
> Atlantic Ocean and several nearby houses actually fell
> in, so it could have been a lot worse...).
>
> Again, I really appreciate all your words of
> encouragement.
>
> -t-
>
> http://www.myspace.com/nimbletunes
> http://cdbaby.com/all/timnelson
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>


-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com

------=_Part_220699_19260575.1177787768577
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable
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<div>Tim i&#39;m sorry to learn of your recent plight from the heavy rains,=
 that&#39;s terrible.&nbsp; It was intense here in NY in that recent deluge=
 but I wasn&#39;t as aware of what it was doing in New England.&nbsp; I&#39=
;m glad your equipment is recovering and here&#39;s an encouraging note.&nb=
sp; I recently found a Roland MKS-100 mid-80&#39;s sampler on my block here=
 in Brooklyn.&nbsp; It was not heavy raining but had been sitting in consta=
nt steady lite rain for several hours however it looked &quot;clean&quot; s=
o I brought it home like a &quot;new puppy&quot;.&nbsp; I left it sitting i=
n my studio to dry out over several weeks partly to give it time to really =
dry and too as it had no power cord so it was mandatory till I found one.&n=
bsp; I recently located and purchased through Roland for $20 the cord and p=
lugged it in in great anticipation and fear of disappointment to either pos=
sibly see no life or a brief puff of smoke.&nbsp; I was amazed to see neith=
er and have been using it ever since.&nbsp; I left it on for a long time to=
 confirm it&#39;s health and again it &quot;lives&quot; so I&#39;m sure and=
 I hope your equipment will too.
</div>
<div>&nbsp;</div>
<div>Thank you again for spreading the word on the recent RPMChallenge.&nbs=
p; I completed with two CD&#39;s, one with Daryl Shawn in our Chinapainting=
 project which bore <a href=3D"http://www.chinapaintingmusic.com/music.htm"=
>Trick Of Amethyst
</a> and another that was a solo fretless project of my own <a href=3D"http=
://www.jimgoodinmusic.com/cd.html">Found</a>.&nbsp; It was cool to have thi=
s world collective push in the dead of winter to document two bodies of wor=
k.</div>

<div>&nbsp;</div>
<div>Best with the dryout Tim...</div>
<div>&nbsp;</div>
<div>Jim<br><br>&nbsp;</div>
<div><span class=3D"gmail_quote">On 4/28/07, <b class=3D"gmail_sendername">=
Tim Nelson</b> &lt;<a href=3D"mailto:psychle62@yahoo.com">psychle62@yahoo.c=
om</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I&#39;d like to express my grati=
tude to all the<br>listmembers who wrote to me following my recent studio<b=
r>
flood. I&#39;ve been atypically incommunicado due to my<br>computer being s=
cattered all over the house, but there<br>seems to be some light at the end=
 of the tunnel<br>(oncoming train?). The moisture abatement dudes took<br>
the last of their noisy pumps and blowers away<br>yesterday, and now I&#39;=
m awaiting the carpenters to<br>patch all the drainage holes in the walls.<=
br><br>On topic, I still haven&#39;t dared power up the loopers<br>that wen=
t swimming. I got all the batteries out
<br>immediately and took everything apart as soon as I<br>could and dried i=
t all with towels and blow driers,<br>and have been waiting until I&#39;m p=
ositive everything is<br>dry before trying it out. Fortunately it was clean=
,
<br>fresh water and not salt (I&#39;m a block from the<br>Atlantic Ocean an=
d several nearby houses actually fell<br>in, so it could have been a lot wo=
rse...).<br><br>Again, I really appreciate all your words of<br>encourageme=
nt.
<br><br>-t-<br><br><a href=3D"http://www.myspace.com/nimbletunes">http://ww=
w.myspace.com/nimbletunes</a><br><a href=3D"http://cdbaby.com/all/timnelson=
">http://cdbaby.com/all/timnelson</a><br><br>______________________________=
____________________
<br>Do You Yahoo!?<br>Tired of spam?&nbsp;&nbsp;Yahoo! Mail has the best sp=
am protection around<br><a href=3D"http://mail.yahoo.com">http://mail.yahoo=
.com</a><br><br></blockquote></div><br><br clear=3D"all"><br>-- <br>The Aco=
ustic World Guitar of Jim Goodin&nbsp;&nbsp;-=20
<a href=3D"http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com</a>=
<br>MySpace (solo) - <a href=3D"http://www.myspace.com/jimgoodinmusic">http=
://www.myspace.com/jimgoodinmusic</a><br>Chinapainting -<br><a href=3D"http=
://www.chinapaintingmusic.com">
http://www.chinapaintingmusic.com</a><br>

------=_Part_220699_19260575.1177787768577--

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Subject: BATTLES
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Hey I just came across Battles. Live looping bunch that seem to be making i=
t big now... really cool stuff, sounds alot like er... well... me... damn!

mark francombe
marks website is at www.markfrancombe.com
He writes for www.furthernoise.org 
and works at www.transformlearning.com
i Tunes: BUY MY MUSIC AT
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist=3Fid=3D184310747
 thank-you

-- 
I am using the free version of SPAMfighter for private users.
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<DIV><FONT face=3DArial size=3D2>Hey I just came across Battles. Live looping b=
unch 
that seem to be making it big now... really cool stuff, sounds alot like er=
... 
well... me... damn!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>mark francombe<BR>marks website is at <A 
href=3D=22http://www.markfrancombe.com=22>www.markfrancombe.com</A><BR>He writes =
for 
<A href=3D=22http://www.furthernoise.org=22>www.furthernoise.org</A> <BR>and work=
s at 
<A href=3D=22http://www.transformlearning.com=22>www.transformlearning.com</A><BR=
>i 
Tunes: BUY MY MUSIC AT<BR><A 
href=3D=22http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist=3Fid=3D18431=
0747=22>http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist=3Fid=3D18431=
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From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 19:24:06 2007
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I love that band - some really heavy hitters, guys from Don Caballero 
and Helmet. I actually never thought of them as a looping band, I'll 
have to pull out their stuff again. I know towards the end of Don 
Caballero, one of the guitarists left and the other pretty effectively 
replaced him live with a Headrush.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Hey I just came across Battles. Live looping bunch that seem to be 
> making it big now... really cool stuff, sounds alot like er... well... 
> me... damn!

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From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 22:33:04 2007
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 <004d01c78933$34657430$2601a8c0@SALON>
Date: Sat, 28 Apr 2007 17:32:52 -0500
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: Programmable EQ
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At 3:18 AM +0200 4/28/07, Ingo Ito wrote:
>
>there=B4s an quite old Akai device called PEQ6. It=20
>has 6 Channels with 7 fixed frequencies to be=20
>tweaked per channel and 32 program storage, Midi=20
>In/Out/Through, 19" 1HE. It=B4s very easy to=20
>operate and can sometimes be found for about=20
>50-80 US $ on e-bay. I sold mine 2 years ago,=20
>because it was just standing around. But before=20
>that I had used it for at least 15 years without=20
>any failure. The sound quality is not High-End=20
>but sufficient for live gigs (i.m.o.).

I'll second the recommendation on the PEQ6.  I've=20
got one that I still use occasionally, and find=20
it's quality to be quite useful as a general=20
instrument EQ.  Also, it's pretty sturdy, so any=20
used unit should still be in relatively good=20
shape as long as it hasn't been abused outright.

Another MIDI-controlled EQ to add to the list is=20
the ART IEQ.  It's a mono 1/3 octave graphic EQ=20
unit with 99 presets, balanced I/O, and (of all=20
things) a video output which can be used while=20
editing.  The sound is much more 'clinical' than=20
the Akai above, and lends itself to more general=20
applications in the studio or on a PA system (or=20
on your dad's stereo) than as an instrument EQ.

Also, you might as well look into picking up an=20
old multi-effects unit.  Lots of the units from=20
the 80's and 90's had dedicated parametric or=20
graphic EQ blocks, which could be called up the=20
same way you'd access a delay or reverb.  The=20
advantage there is that you could conceivably use=20
the unit for an entirely different effect during=20
those passages where you didn't need to tweak the=20
EQ.  Besides, these days I wouldn't imagine a=20
used Quadraverb going for much more than a=20
programmable equalizer.

	--m.

From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 23:00:04 2007
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From: Mech <mech@m3ch.net>
Subject: Musolomo to go Open Source...
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Since there are a few devs on the list here, I figured this might be 
of some general interest.

In the wake of Comic Life's success of on the Mac, Plasq seems to 
have made a decision to divest itself of its audio software (which 
currently leaves both Rax and Wormhole in a somewhat precarious 
position).  As to the fate of their freeware Looping program -- 
Musolomo -- one of the Plasq admins (atariboy) has unofficially 
announced that it will be going Open Source in a forum thread here: 
http://preview.tinyurl.com/2dsguj

For those of you who've never used it before, Musolomo is a quirky 
little Looping plug that features a variety of interesting functions 
-- instant sample mapping and transposition, forward/reverse, 
DJ-style scratching, and an X-Y pad, just to name a few.  The 
transposition in particular is actually pretty good/interesting, as 
it was partially coded by Airy Andre (who also did the Speedster 
plug).  The package is still up for download on the Plasq site, and 
there's even a Universal Binary version that's been made available 
through the forums.

Personally, the main gripes I've had with Musolomo are that there's 
no real Feedback mechanism (so I really think of it more as a Phrase 
Sampler than a Looper), and that the allocated memory fills up fairly 
quickly.  It seems I always have to open multiple instances and use 
them simultaneously to get around the memory issue.  Otherwise, it's 
an interesting little Looping tool.

Perhaps in the future somebody might try developing it a bit further, 
or porting it to a different platform (or at the very least just add 
a frickin' Feedback function to the darn thing -- please!).  If 
nothing else, having a look at the source code might give some of the 
other developers here ideas for implementation of feature sets on 
their own products.

	--m.

From Loopers-Delight-request@loopers-delight.com  Sun Apr 29 11:07:55 2007
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From: "Wes Tastard" <wtastard@msn.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: BATTLES
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yeah i think they play most of it live, theres only a few loops that they 
do, its mainly that math-rock stuff with strange structures to their songs 
that is the most impressive.

theyre on tour now if anyone wants to see em?! ive got my tickets, its gona 
be awesome- theres quite a bit of youtube footage out there of them, look 
amazing live......can't wait!


>From: Daryl Shawn <highhorse@mhorse.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: BATTLES
>Date: Sat, 28 Apr 2007 14:24:01 -0500
>
>I love that band - some really heavy hitters, guys from Don Caballero and 
>Helmet. I actually never thought of them as a looping band, I'll have to 
>pull out their stuff again. I know towards the end of Don Caballero, one of 
>the guitarists left and the other pretty effectively replaced him live with 
>a Headrush.
>
>Daryl Shawn
>www.swanwelder.com
>www.chinapaintingmusic.com
>
>>Hey I just came across Battles. Live looping bunch that seem to be making 
>>it big now... really cool stuff, sounds alot like er... well... me... 
>>damn!
>

_________________________________________________________________
Could you be the guest MSN Movies presenter? Click Here to Audition 
http://www.lightscameraaudition.co.uk

From Loopers-Delight-request@loopers-delight.com  Sun Apr 29 20:34:42 2007
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From: Josh Carroll <josh@infinivert.com>
Subject: Re: Musolomo to go Open Source...
Date: Sun, 29 Apr 2007 15:34:38 -0500
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Very cool!  I hope they do the same with Rax and Wormhole.

--Josh


On Apr 28, 2007, at 6:00 PM, Mech wrote:

> Since there are a few devs on the list here, I figured this might  
> be of some general interest.
>
> In the wake of Comic Life's success of on the Mac, Plasq seems to  
> have made a decision to divest itself of its audio software (which  
> currently leaves both Rax and Wormhole in a somewhat precarious  
> position).  As to the fate of their freeware Looping program --  
> Musolomo -- one of the Plasq admins (atariboy) has unofficially  
> announced that it will be going Open Source in a forum thread here:  
> http://preview.tinyurl.com/2dsguj
>
> For those of you who've never used it before, Musolomo is a quirky  
> little Looping plug that features a variety of interesting  
> functions -- instant sample mapping and transposition, forward/ 
> reverse, DJ-style scratching, and an X-Y pad, just to name a few.   
> The transposition in particular is actually pretty good/ 
> interesting, as it was partially coded by Airy Andre (who also did  
> the Speedster plug).  The package is still up for download on the  
> Plasq site, and there's even a Universal Binary version that's been  
> made available through the forums.
>
> Personally, the main gripes I've had with Musolomo are that there's  
> no real Feedback mechanism (so I really think of it more as a  
> Phrase Sampler than a Looper), and that the allocated memory fills  
> up fairly quickly.  It seems I always have to open multiple  
> instances and use them simultaneously to get around the memory  
> issue.  Otherwise, it's an interesting little Looping tool.
>
> Perhaps in the future somebody might try developing it a bit  
> further, or porting it to a different platform (or at the very  
> least just add a frickin' Feedback function to the darn thing --  
> please!).  If nothing else, having a look at the source code might  
> give some of the other developers here ideas for implementation of  
> feature sets on their own products.
>
> 	--m.
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Apr 29 21:48:12 2007
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From: "Qua Veda" <qua@oregon.com>
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Subject: RE: Boise Experimental Music Festival Streaming Live
Date: Sun, 29 Apr 2007 14:48:14 -0700
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I attended the Festival  - all but Thurs eve.  Congratulations and thanks to
Kris for hosting and organizing it!   And thanks to all the artists.   A
great show !

-Qua

From root@byrneslogistics.com  Mon Apr 30 00:48:09 2007
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Subject: Please Update Your Profile - Personal Information Error
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From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 02:43:44 2007
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Subject: Re: Boise Experimental Music Festival Streaming Live
Date: Sun, 29 Apr 2007 20:44:14 -0700
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Nice meetin' ya there Qua.

I guess there's enought of us Oregonians now that we should perhaps 
think of an Oregon Looping Festival.

Maybe we could hold it at the Oregon Vortex or sumthin" . . .

Stay in touch.

Best regards,

Ted Killian

On Apr 29, 2007, at 2:48 PM, Qua Veda wrote:

> I attended the Festival  - all but Thurs eve.  Congratulations and 
> thanks to
> Kris for hosting and organizing it!   And thanks to all the artists.   
> A
> great show !
>
> -Qua
>

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On 28 apr 2007, at 18.12, Krispen Hartung wrote:

> I'll be posting pictures from the festival here in the next few  
> days. I already have some taken by Jeff Kaiser.
> http://www.boisemusicians.com/BEMF-2/images.htm


Awesome event! I wasn't able to catch up with the live streaming so  
I'm wondering if any recordings may be published online?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 12:23:01 2007
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Date: Mon, 30 Apr 2007 14:22:56 +0200
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I guess this list doesn't have many readers located near the Swedish  
west coast, so this might be OT to some. Anyway, I'm opening two  
Guitar Show days next weekend with an "Impro concert for fretless  
guitar and live looping in the concept of Instant Composing".

The link to the show's information page is http:// 
www.fuzzguitarshow.com/
I'll be hanging around for both days, after my gig, to socialize and  
enjoy other artist performances.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 13:54:37 2007
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Date: Mon, 30 Apr 2007 06:54:35 -0700 (PDT)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: Boise Experimental Music Festival 
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Hello Kris, Rick Walker and all the incredible
musicians we met on saturday at BEMF2,

Edyta and I had a great time!!! The festival really
was incredible and so diverse. We are so glad that we
got to participate. Thanks for having us!!!!  We truly
enjoyed ourselves and all the new music we got to
experience!

ps: sorry we left towards the end, i got too
drunk!!!!! :-)

 Margaret Noble
 Audio Artist 
 http://www.myspace.com/margaretnoble

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 15:10:44 2007
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Yes, I'll be posting recordings as soon as they are mastered and I have 
permission from the artists.  You'll start seeing some of them posted this 
week.  The performances this year were just awesome...everything from free 
jazz, all percussion,  and electronic...to acoustic, found sound, and vocal. 
I'll have to put out 4 BEMF CDs just to captured the quality of this year's 
event.

My finger tips and back are still soar from loading equipment out of the 
venue.

Kris

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 30, 2007 2:10 AM
Subject: Re: Boise Experimental Music Festival Streaming Live


> On 28 apr 2007, at 18.12, Krispen Hartung wrote:
>
>> I'll be posting pictures from the festival here in the next few  days. I 
>> already have some taken by Jeff Kaiser.
>> http://www.boisemusicians.com/BEMF-2/images.htm
>
>
> Awesome event! I wasn't able to catch up with the live streaming so  I'm 
> wondering if any recordings may be published online?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://tinyurl.com/2kek7h (CC donationware music releases)
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 15:24:48 2007
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Margaret - You and Edyta were an excellent addition to the festival. I was 
really amazed by the richness of the sounds that were coming out of your 
system and the PA, and the synchronization to the video by Edyta was 
intriguing.  You should definitely come back next year.

Kris

----- Original Message ----- 
From: "margaret noble" <margaretnoble2000@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 30, 2007 7:54 AM
Subject: Boise Experimental Music Festival


> Hello Kris, Rick Walker and all the incredible
> musicians we met on saturday at BEMF2,
>
> Edyta and I had a great time!!! The festival really
> was incredible and so diverse. We are so glad that we
> got to participate. Thanks for having us!!!!  We truly
> enjoyed ourselves and all the new music we got to
> experience!
>
> ps: sorry we left towards the end, i got too
> drunk!!!!! :-)
>
> Margaret Noble
> Audio Artist
> http://www.myspace.com/margaretnoble
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 15:32:19 2007
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Date: Mon, 30 Apr 2007 08:32:17 -0700 (PDT)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: Re: Boise Experimental Music Festival 
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we'll be there kris!!!! thanks so much!!


--- Krispen Hartung <khartung@cableone.net> wrote:

> Margaret - You and Edyta were an excellent addition
> to the festival. I was 
> really amazed by the richness of the sounds that
> were coming out of your 
> system and the PA, and the synchronization to the
> video by Edyta was 
> intriguing.  You should definitely come back next
> year.
> 
> Kris
> 
> ----- Original Message ----- 
> From: "margaret noble" <margaretnoble2000@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, April 30, 2007 7:54 AM
> Subject: Boise Experimental Music Festival
> 
> 
> > Hello Kris, Rick Walker and all the incredible
> > musicians we met on saturday at BEMF2,
> >
> > Edyta and I had a great time!!! The festival
> really
> > was incredible and so diverse. We are so glad that
> we
> > got to participate. Thanks for having us!!!!  We
> truly
> > enjoyed ourselves and all the new music we got to
> > experience!
> >
> > ps: sorry we left towards the end, i got too
> > drunk!!!!! :-)
> >
> > Margaret Noble
> > Audio Artist
> > http://www.myspace.com/margaretnoble
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> > 
> 
> 
> 


 Margaret Noble
 Audio Artist 
 http://www.myspace.com/margaretnoble

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 15:34:50 2007
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Date: Mon, 30 Apr 2007 10:34:48 -0500
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Boise Experimental Music Festival Streaming Live
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Quoting Krispen Hartung <khartung@cableone.net>:

> Yes, I'll be posting recordings as soon as they are mastered and I have
> permission from the artists.  You'll start seeing some of them posted
> this week.

Excellent, will look forward to hearing them.

>  The performances this year were just awesome...everything
> from free jazz, all percussion,  and electronic...to acoustic, found
> sound, and vocal. I'll have to put out 4 BEMF CDs just to captured the
> quality of this year's event.

Will CD's be available for purchase?

> My finger tips and back are still soar from loading equipment out of
> the venue.

Haha!  Seems that playing the set is the "fun" part, and lugging  
equipment around is the "real work".  :)

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 15:38:40 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: Boise Experimental Music Festival Streaming Live
Date: Mon, 30 Apr 2007 09:38:37 -0600
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I expect to have a triple CD compilation out by this August. I'll keep 
everyone posted.

Kris

----- Original Message ----- 
From: <kkissinger@kevinkissinger.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 30, 2007 9:34 AM
Subject: Re: Boise Experimental Music Festival Streaming Live


> Quoting Krispen Hartung <khartung@cableone.net>:
>
>> Yes, I'll be posting recordings as soon as they are mastered and I have
>> permission from the artists.  You'll start seeing some of them posted
>> this week.
>
> Excellent, will look forward to hearing them.
>
>>  The performances this year were just awesome...everything
>> from free jazz, all percussion,  and electronic...to acoustic, found
>> sound, and vocal. I'll have to put out 4 BEMF CDs just to captured the
>> quality of this year's event.
>
> Will CD's be available for purchase?
>
>> My finger tips and back are still soar from loading equipment out of
>> the venue.
>
> Haha!  Seems that playing the set is the "fun" part, and lugging 
> equipment around is the "real work".  :)
>
> 


