From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 00:27:29 2007
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Date: Wed, 28 Feb 2007 16:27:28 -0800
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: new experimental music project
Cc: Brian Good <bsgood@adelphia.net>
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Well, there's nothing new under the sun . . . and I'm sure it didn't origin=
ate with me either for that matter.

But I did a performance in 1989 in Ventura CA, with lovely Bay Area vocalli=
st Liz Stuart, called "Vox in Box" where she sang her own interpretation of=
 a non-standard graphic "score" I'd concocted for her while I looped her pe=
rformance with a pair of Electro Harmonix 16-second delays, ring modulators=
 and envelope followers . . . along with a Roland pitch-to-MIDI converter a=
nd an array of synths and samplers selectively shadowing her vocal gymnasti=
cs..

I've wanted to do it again ever since but just haven't found the opportunit=
y -- and I've sold off (or given away) most of that old gear in the meantim=
e.

--
tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Brian Good <bsgood@adelphia.net> wrote:=20
> nico spahni wrote:
> > I'm working on a new experimental music project by the name of CAM=20
> > (Coincidental Audio Manipulation). This is the concept in a nutshell:
> >=20
> > An improvising musician and a sound manipulator interact musically with=
=20
> > each other in real-time.
> >=20
> > Here are some first attempts with two piano players:
> >=20
> > http://www.recpro.ch/mp3/sylvie_leideritz_and_cam_1.mp3
> > http://www.recpro.ch/mp3/sylvie_leideritz_and_cam_2.mp3
> > http://www.recpro.ch/mp3/alain_bollag_and_cam.mp3
> >=20
> > I find the idea of looping someone else rather intriguing. Both=20
> > participants (the looper and the loopee :-) can explore new musical=20
> > territories that would have remained unapproachable by playing on their=
=20
> > own. Also, I can fully concentrate on sound processing while a musician=
=20
> > does the playing.
> >=20
> > Do you think this project is worth persuing? Is there anyone who has=20
> > worked in a similar direction? I'd love to hear about your sonic ventur=
es.
>=20
> I did something similar two or three years ago. I fed my soprano sax=20
> into Tim Walters' laptop, and he did all kinds of real-time damage with=
=20
> a bunch of Supercollider code he had written. Unlike your stuff, it was=
=20
> monophonic, but Tim's processing was so creative that the results were=20
> still interesting, at least to my ears.
>=20
>=20
> Brian
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 00:59:53 2007
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Date: Wed, 28 Feb 2007 16:59:51 -0800 (PST)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: cd covers...
To: Loopers-Delight@loopers-delight.com
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wonderful art Joe! i might just need u for my next CD
cover!
bests,
Luis





--- Richard Sales <richard@glasswing.com> wrote:

> Very cool stuff, Joe!
> 
> And... plug that RC50 in now!  A whole world of
> wonder awaits you.  
> Seriously.
> 
> 
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 28-Feb-07, at 11:00 AM, Joseph Allen Popp wrote:
> 
> > I know you're all creative and probably don't need
> it, but I am a 
> > visual
> > artist, as well as a Looper, and I would like to
> let you all know that 
> > I am
> > available to do CD cover art.  Some of my images
> may be viewed at:
> >
> > http://www.photomediacenter.org/popp/popphome.html
> >
> > I am new to Loopers Delight, but I'm 52 years old
> and have been 
> > playing with
> > layers of sound for many years.  I just purchased
> the RC-50, and have 
> > yet to
> > plug it in!  It just came in the mail TODAY!  Yum!
>  You can hear a 
> > sample of
> > my solo work at:
> >
> > http://playerie.com/artists/joe_popp/index.html
> >
> > You can hear my band:
> > Joseph Allen Popp's WEIRDO THEATRE at:
> >
> >
>
http://playerie.com/artists/weirdo_theater/index.html
> >
> > Let me know what you think, sound-wise and or
> visually...
> > Nice to be here...
> > Joe Popp
> > -- 
> >
> 


www.myspace.com/luisangulocom


 
____________________________________________________________________________________
Need a quick answer? Get one in minutes from people who know.
Ask your question on www.Answers.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 01:15:47 2007
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Date: Wed, 28 Feb 2007 20:16:03 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Monthly Top 20 Report for February, 2007
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http://wdiy.org/programs/gt/playlists/2007/top20feb.html

WDIY 88.1 FM "Galactic Travels" Top 20 for February, 2007.
Shows #514 to #517; 1-February-2007 to 22-February-2007
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox
website: http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/podcasts.xml


ARTIST - ALBUM TITLE - LABEL
===========================================================
Alpha Wave Movement - The Regions Between - Harmonic Resonance
Copal River - Copal River - Blue Water
Craig Padilla - The Light In The Shadow - Spotted Peccary
Dwight Ashley - Ataxia - Nepenthe
Fanger & Schonwalder - Analog Overdose: The Ricochet Dream Edition - 
Ricochet Dream
Gert Emmens - The Tale if the Warlock - Groove
Ian Boddy - Elemental - DiN
John Duval - Hell's Canyon - Hypnos/Binary
John Lakveet - Proportions - Groove
Joint Intelligence Committee - Excession - Bogus Focus
Klaus Schulze - Vanity of Sounds - Revisited
Maneki Neko - Auracle - Stray Pointer
Mark Jenkins - This Island Earth - Ricochet Dream/AMP
Max Corbacho - Moontribe - ad21
Max Corbacho - Nocturnal Emanations - Space for Music
Max Corbacho - The Resonant Memory of Earth - Space for Music
Max Corbacho - The Talisman - ad21
O Yuki Conjugate - Peyote - Projekt
Ololiuqui - Other Side of Odra - Ricochet Dream
Various Artists - Analogy Volume 2 - Groove

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EST (GMT-5:00) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 01:52:38 2007
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Date: Wed, 28 Feb 2007 17:52:33 -0800
From: "Matt Davignon" <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: new experimental music project
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Hi Nico,

Love the samples! Here in the San Francisco Bay Area, we have a lot of
that going on. I've been both the processor and the processee in these
sorts of setups. The trick is to leave the other musician room to play
in, but it sounds like you two already have that understanding.

Matt


>nico spahni <nicosp@gmx.net> was like:
>
> I'm working on a new experimental music project by the name of CAM
> (Coincidental Audio Manipulation). This is the concept in a nutshell:
>
> An improvising musician and a sound manipulator interact musically with
> each other in real-time.
>
> Here are some first attempts with two piano players:
>
> http://www.recpro.ch/mp3/sylvie_leideritz_and_cam_1.mp3
> http://www.recpro.ch/mp3/sylvie_leideritz_and_cam_2.mp3
> http://www.recpro.ch/mp3/alain_bollag_and_cam.mp3
>
> I find the idea of looping someone else rather intriguing. Both
> participants (the looper and the loopee :-) can explore new musical
> territories that would have remained unapproachable by playing on their
> own. Also, I can fully concentrate on sound processing while a musician
> does the playing.
>
> Do you think this project is worth persuing? Is there anyone who has
> worked in a similar direction? I'd love to hear about your sonic
> ventures.
>
> Cheers
>
> Nico
> www.recpro.ch
> www.myspace.com/nicospahni

From C06211101@spreadit.nl  Thu Mar  1 02:11:26 2007
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 02:18:08 2007
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Date: Wed, 28 Feb 2007 21:17:44 -0500
From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: Re: Immersive sound
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Very late chiming in here, but I was reminded of the amazing performance 
by Andre LaFosse at The Monkey - Dominic Frasca's 5.1 surround 
performance space in NYC (www.themonkeynyc.com ).  I  was  amazed by the 
sonic soup Andre created with 5 EDPs each directed to a different speaker.

http://www.loopers-delight.com/LDarchive/200503/msg00518.html
http://www.loopers-delight.com/LDarchive/200503/msg00589.html

I'm happy to see that The Monkey again has an active music calendar, as 
it appeared that not much was happening there for a while.  I suppose 
it's possible that Dominic was on the road himself - he's a very 
talented and unique player who I saw at the New York Guitar Festival 
Marathon at the 92nd Street 'Y'.

Anyway, talk about immersive!

Dan Ash
White Plains, NY

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Date: Wed, 28 Feb 2007 18:59:48 -0800
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A member asked me what the difference is between my home playing and my live
playing, and the answer warrants a new thread.

Its been my impression that the majority of members on this list play
"experimental" or "ambient" music. I really enjoy and appreciate it, too.
Sometimes there is nothing better than flipping through the list
listening to mp3s you guys have posted. Even so, my friends sometimes refer
to these styles as artsy fartsy, over their head, weird and/or boring (no
offense).

I'm also a big fan of standard folk tunes. And admittedly, I can't seem to
outgrow popular song structure. I write songs on my guitar in my rental
house just like the dude next door, with verses, choruses, lyrics, and I use
chords! ;) My loops are not very complex, I've got a beat, a rhythm guitar,
some back up vocals, and a few layers here and there. I originally started
looping because I got sick of trying to put a decent band together and
decided to be the whole band. Now I play popular bars and clubs around town,
and they like to hear "songs" that people can sing and dance to. Boy, that
sentence sure made me seem like a sell out. But read on:

Each song I've written has been composed in a very flexible way. I can pick
up my acoustic and perform without ever plugging in, but I also leave a
place in every song when I loop it to take it to places that are
experimental or ambient. I have the dynamic of performing one song dry, and
the next looped into outer space. Anyway, so I see the music I make as a
transitional vehicle. From the popular mundane, to what I like to think of
the fine wines of music, the experimental, and etc. You can take people who
don't listen to ambient music to places they wouldn't normally go by
tricking them into thinking they are listening to a popular song they could
hear on the radio. I give Budweiser drinkers a sip of Merlot, (that's you
guys).

When I'm playing at home, its more entertaining to me, the loops are much
longer and layers much deeper, effects much more dynamic. I'm experimenting.
But during a performance I tone it down, I sing catchy tunes so that they
like me, and throw in a few weird, noisy, ambient phrases to pique their
interest, and so I have a good time too.

David

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<div>A member asked me what the difference is between my home playing and my live playing, and the answer warrants a new thread.</div>
<div>&nbsp;</div>
<div>Its been my impression that the majority of members on this list play &quot;experimental&quot; or &quot;ambient&quot; music. I really enjoy and appreciate it, too. Sometimes there is nothing better than flipping through the list listening&nbsp;to mp3s you guys have posted. Even so, my friends sometimes refer to these styles as artsy fartsy, over their head, weird and/or boring (no offense). 
</div>
<div>&nbsp;</div>
<div>I&#39;m also a big fan of standard folk tunes. And admittedly, I can&#39;t seem to outgrow popular song structure. I write songs on my guitar in my rental house just like the dude next door, with verses, choruses, lyrics, and I use chords! ;) My loops are not very complex, I&#39;ve got a beat, a rhythm guitar, some back up vocals, and a few layers here and there. I originally started looping because I got sick of trying to put a decent band together and decided to be the whole band. Now I play popular bars and clubs around town, and they like to hear &quot;songs&quot; that people can&nbsp;sing and dance to. Boy, that sentence sure made me seem like a sell out. But read on:
</div>
<div>&nbsp;</div>
<div>Each song I&#39;ve written has been composed in a very flexible way. I can pick up my acoustic and perform without ever plugging in, but I also leave a place in every song when I loop it to take it to places that are experimental or ambient. I have the dynamic of performing one song dry, and the next looped into outer space. Anyway, so I see the music I make as a transitional vehicle. From the popular mundane, to what I like to think of the fine wines of music, the experimental, and etc. You can take people who don&#39;t listen to ambient music to places they wouldn&#39;t normally go by tricking them into thinking they are listening to a popular song they could hear on the radio. I give Budweiser drinkers a sip of Merlot, (that&#39;s you guys).
</div>
<div>&nbsp;</div>
<div>When I&#39;m playing at home, its more entertaining to me, the loops are much longer and layers much deeper, effects much more dynamic. I&#39;m experimenting. But during a performance I tone it down, I sing catchy tunes so that they like me, and throw in&nbsp;a few&nbsp;weird, noisy, ambient phrases to pique their interest, and so I have a good time too. 
</div>
<div>&nbsp;</div>
<div>David</div>
<div>&nbsp;</div>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 03:53:57 2007
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From: "RICK WALKER" <looppool@cruzio.com>
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Subject: Why contemporary music sounds terrible
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I enjoyed reading the article on the history of compression and brick wall 
limiting
in modern music and especially looking at the graphs of the examples.

I had a couple of thoughts about compression, both pro and con:


1) Only little of the music that this community makes,  even gets onto 
radio.
And, as the guy in this article points out,  even if you make a more dynamic 
CD  the Radio has
automatic and very sophisticated frequency controlled compression to even 
things out anyway:
This means that we might just start a trend back toward more dynamic 
recordings
here and away from brick wall compression in this community 
..............one that will allow our
fans to merely turn up the volume of their stereo if they want to hear the 
music louder.

2) Alternately, I am currently playing, listening to and composing a lot of 
music in the industrial/noise realm
(in between sensitive recording sessions with different world acoustic 
musicians..............lol)
and there is something really cool about a completely brick walled EBM or 
Power Noise track.

It has a sound that is really different and in your face in aggressive way 
that is part of the aesthetic appeal
(to some, of course) of the music to be produced this way.

I remember hearing the Simple Minds  "Don't you, Forget about Me"  at a 
movie theatre when it first came out
and it was just enormous using heavy compression in it's mix.   It was 
really powerful and I went out and
purchased it the next day because of it's sound.

Compressing the hell out of drumsets, as an example,  really makes the drum 
set sound different, timbrally
Not necessarily better mind you...........there's certainly room for both 
aesthetics but I
look at recording as almost a form of audio 'sculpture' if you will and this 
kind of over the top
compression and clipping just becomes a different texture of musical clay 
(thanks for bearing with that metaphor)

If you over compress you get 'pumping' or 'breathing' which is considered a 
bad thing in a lot of tradtional music.
I love that sound though when used in electronic music and use it for it's 
own purpose because of the timbral
quality it has.

Someone wisely said that one's worst character defect can be a powerful 
character asset if used with
conciousness and I imagine this is the wisest musical approach instead of an 
'all or none' tack. 

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 07:49:54 2007
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Qua Veda wrote:
> It would be interesting to build some algorithm in Max that generates a
> music form based on golden section or one of the other similarly pleasing
> mathematical series.
> 
> Maybe its already done.  

Oh yes, they all sound boring, unless you have some extra knobs to break 
the rules...

What I do if I create algorithmic music: listen to the result, try to 
formulate what I don't like about the result, create a parameter to 
change that, and start again listening/changing till I like it. Then a 
few days later I have to come back and adjust again, till I feel its 
right...

Within this process, the most important thing is to get rid of all 
thoughts and theories about good composition, its more like tuning in.
If you tune your instrument, you'd better not think about scales, you 
just listen and adjust...

You might find out afterwards, that you choose more often golden ratios 
than other ratios, but that doesn't mean anything...

If you start composing by following all these rules, you certainly will 
be able to safly create music that will please a majority of people, but 
pleasing in this case means, they won't run away, they feel kind of 
comfortable with it, you can play it on the radio. But it doesn't do 
anything...
This is not a good composition, its just pleasing.

A good composition will turn your inside out, there is no rule for 
achieving this unless you call honesty a rule, you have to find your own 
way to do it...

If you want to find some interesting attempts to create music like Bach 
look at this collection of 5000 !!! chorals:



But I still would always prefer the original - and who wants to listen 
to 5000 chorals all made with the same rules?...

Stefan

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 07:50:03 2007
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L.A. Angulo wrote:
> I am curious to know if anybody is using such
> micros,good brands for the buck, advantages
> disadvantages etc.

Not wireless, but since years I am singing into an AKG headset, for me 
the only way to move around , tweaking knobs and get sound into my Ondes 
Memorielles at the same time...
If I could afford it, I'd probably get DPA's nowadays. The ones you 
almost can't see...
Wireless is just an option, depends how much you move around...

Stefan

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 09:24:11 2007
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Daryl Shawn wrote:
> "What are the standards that we should set to judge all
> compositions?".

This is a good question, because its an absurd question.
Art is not in the category for US to judge, but it is in the category 
for ME to judge. This sounds like a contradiction...
It is not, but its the reason for so much confusion.
If I have friends which like the same music, its likely we find criteria 
which let us believe we found THE common argument and rule to describe 
what is the standard to judge.
But what you do, is lock yourself up and stop searching for the beauty 
in the music you don't like...
This isn't necessarily bad, it will protect us for waisting our time. 
Usually we need some other members of our community to unlock us and 
lead us to the beauty, for most of us our parents and teachers do this, 
and keep us open for the beauty...

> Would you argue that the question "What is Beauty?" is not a
> worthwhile topic for philosophical discussion?

Of course it is.
Beauty is not an attribute to an object, its about the relation between 
an object and you. Thats it. If you judge "this picture is ugly" then 
you just might have missed its beauty, like in Rick's story (Thanks for 
sharing this Rick!) when he missed the beauty of Coltrane, but as his 
father was hearing the beauty, he learned to stay open and finally found 
much more beauty than he could imagine at the age of 12.

If I don't like somethong I could assume I didn't get it.
Of course you always can judge about craft. Its not hard to trash badly 
reproduced cover music or these "I want to be a star" attempts. But in 
these cases there is no art involved at all...

Stefan


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From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 09:24:29 2007
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midifriedchicken@comcast.net wrote:
> And we move swiftly to the subject of "Who listens to this shit 
> anyway?" Answer: Not really anybody. I mean, I love it, but if you 
> play "New" music for most people, they get that glazed look in their 
> eye and start looking at their watch.

Yeah, that's the point where craft is important. If you love it, you
need to communicate your love with the audience. Most contemporary 
artists lack this craft...

> But WHY do you play? Art? Expression? Money? Girls? It would be nice 
> if all came together in one easy to digest package.

If your art is worthwhile, this should be no problem, look at
Stockhausen, he has one set for all of it, its even easy to digest (too 
easy for my taste...;-)

> Imagine hearing a hot chick say "Whoa did you see the size of his
> pedalboard?!!"

If a "Chick" would take the pedalboard instead of my music for a symbol 
of my other qualities, I guess I am not interested, this can't be a 
"hot" chick...

Stefan

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 09:24:48 2007
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Krispen Hartung wrote:
> Absolutely, especially when discussing with one's significant other.
> The last thing I would say at a romantic dinner is, "Dear, let me
> tell you about how I think the term 'beauty' is meaningless...[insert
> sound of plate flying through air and annihilating face with filet
> mignone]" :)

This vision should lead you directly to the (context sensitive) meaning 
of the word beauty. I used to call my 93 old neighbour a beauty, and she 
was... I only needed to imagine how she had been 60 years ago, and when 
I'd tell her, her smile immediatly uncovered that beauty...
(Sadly she died just before christmas without long suffering...:-(

Stefan

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I've been playing regularly with Jim Goodin via Ninjam since the 
Loopfest/Kyberfest last fall, both of us improvising on acoustic guitars 
(Jim often on fretless) with lots of four-track cassette looping, plus 
the occasional echo pedal or Dictaphone. We've gotten enthused enough 
about it to bestow a proper name on ourselves - Chinapainting - and now 
have a website (http://www.chinapaintingmusic.com) and everything. To 
date we still haven't met in person, so we're effectively a Ninjam-only 
band. Shout-out to CPR for supporting us through his server!

(We may be the only international, virtual, improvisational, acoustic, 
analog looping duo out there, but who knows...)

We put together one ten-song demo release a couple of months ago, then 
decided to take part in the February Record-Per-Month project. We 
managed to finish on time (in truth, since we're all-improv, it was more 
a matter of editing Ninjam sessions than actually composing) and are 
releasing the results as a full album, called "Trick of Amethyst". We're 
selling the physical disc, which has some lovely artwork, and half the 
tunes can be streamed or downloaded from our site (here's the streaming 
page - http://www.chinapaintingmusic.com/music.htm ).

We'd love to hear any comments.

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 11:08:42 2007
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Great post, Stefan.

I'm not sure if it's the sign of an open mind or just a weak one that in 
this discussion, I've found myself agreeing with those who contradicted 
me...

Daryl Shawn

> "What are the standards that we should set to judge all
>> compositions?".
>
> This is a good question, because its an absurd question.
> Art is not in the category for US to judge, but it is in the category 
> for ME to judge. This sounds like a contradiction...
> It is not, but its the reason for so much confusion.
> If I have friends which like the same music, its likely we find 
> criteria which let us believe we found THE common argument and rule to 
> describe what is the standard to judge.
> But what you do, is lock yourself up and stop searching for the beauty 
> in the music you don't like...
> This isn't necessarily bad, it will protect us for waisting our time. 
> Usually we need some other members of our community to unlock us and 
> lead us to the beauty, for most of us our parents and teachers do 
> this, and keep us open for the beauty...

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 11:30:31 2007
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Date: Thu, 01 Mar 2007 06:30:51 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
To: undisclosed-recipients: ;
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll begin a month-long Special
Focus on Paul Lawler from the UK.  The Featured CD at Midnight will be
"Gather Darkness" by Arcane on NeuHarmony Records.  The Vinyl Starter
will be from the LP "Kosmische Musik" by various artists on Ohr
Records.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2007/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, and on the internet.


All times are EST / GMT-5.


Listen on-line to WDIY at http://wdiy.org and click LISTEN or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm

Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 11:36:10 2007
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From: "Fabio Anile" <fabio.anile@tiscali.it>
To: <Loopers-Delight@loopers-delight.com>
Subject: =?iso-8859-1?Q?Andr=E8_LaFosse_mp3?=
Date: Thu, 1 Mar 2007 12:36:06 +0100
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This is a multi-part message in MIME format.

------=_NextPart_000_00A8_01C75BFE.2E75EE90
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

At http://www.altruistmusic.com/nyc3.html ther's the entire live =
performance=20
Andre LaFosse held at the Monkey (NY), January 19th, 2006, freely =
downloadable.
Tons of looping technics !
It's an year old, but maybe someone not have noticed it and i'm sure =
here
there are a lot of guitarist (not only...., like me) that may be =
interested in this.
Have a good day

Fabio
http://xoomer.alice.it/eterogeneo
www.myspace.com/eterogeneo

------=_NextPart_000_00A8_01C75BFE.2E75EE90
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3059" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>At <A=20
href=3D"http://www.altruistmusic.com/nyc3.html">http://www.altruistmusic.=
com/nyc3.html</A>&nbsp;ther's=20
the entire&nbsp;live performance&nbsp;</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Andre LaFosse held at =
the Monkey=20
(NY), January 19th, 2006, freely downloadable.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Tons of looping =
technics=20
!</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>It's an year old, but =
maybe someone=20
not have noticed it and i'm sure here</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>there are a lot of =
guitarist (not=20
only...., like me) that may be interested in this.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Have a good =
day</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio</FONT></DIV>
<DIV>
<DIV><A href=3D"">http://xoomer.alice.it/eterogeneo</A></DIV>
<DIV><A href=3D"">www.myspace.com/eterogeneo</A></DIV>
<DIV><FONT face=3D"Book Antiqua"=20
color=3D#000080></FONT>&nbsp;</DIV></DIV></BODY></HTML>

------=_NextPart_000_00A8_01C75BFE.2E75EE90--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 11:57:03 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Chinapainting RPM release
Date: Thu, 1 Mar 2007 12:56:51 +0100
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On 1 mar 2007, at 12.00, Daryl Shawn wrote:

>  http://www.chinapaintingmusic.com/
> We'd love to hear any comments.
> Daryl Shawn


I find the complete project very inviting and positively  
communicative. From the very first sight of the web site's splash  
page, with that great artwork by Ray Istorico, to the biography text,  
the streaming and download listening options and the PayPal link to  
purchase a physical cd. It just appears to be a true presentation. No  
boring "equipment lists", just the music and the pictures that go so  
well together. I like the music and the complete setup very much :-))

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 12:05:49 2007
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thanks for the tips. yeps, running it before the rc2 was the plan.
however, an unexpected plan-shift occured last night, triggered by the fact that i suddenly got the pcmcia port on my old laptop working again..
the idea was to have a computer-free simple looper solution in front of my amp in the other room (i dont fear the computers but as a programmer i already spend too much time with them...) but that was put on hold now:)
anyway, i have a (in/out latency=6ms) guitar-truh-audiomulch in-front-of-amp setup working now that kept me awake till early in the morning. currently controlling it with midi knobs/buttons, but i guess ill invest the money planned for the rc2 into a behringer fcb1010 now...:)
so heres the next question:
the fcb1010 does have lights on each pedal, right?
so i assume i can set them up as on/off switches, ie switching between cc 0 and cc128 , with the current status reported via the lights. right? (as opposed to 'momentary' buttons that only send when stomped upon)
i want to set this up so that i dont have to look at the screen...
thanks again
-a

-------- Original-Nachricht --------
Datum: Wed, 28 Feb 2007 12:11:52 -0800 (PST)
Von: scott hansen <evanpeewee@yahoo.com>
An: Loopers-Delight@loopers-delight.com
CC: 
Betreff: digitech x-delay

> i will say that i found the digitech x-delay a very useful tool for the
> price (99$).
>   the 4 sec of delay was more than enough for me most of the time, and i
> liked being able
>   to manipulate the decay (feedback rate) and mess w/ the time a
> bit-should not the messing w/ the time isn't perfect, but is useful (ie: short to
> long or long to short).
>   i liked that if you put the feedback at 100% it locks in, i think when
> you put the feedback knob at about 4o'clock allows you to continue to enter
> stuff to the delay-a handy option.
>   i didn't use the sound on sound which is more of a sample-based
> option-didn't use b/c i generally don't "STOMP" on my pedals-use mostly by hand....
>   i also liked the reverse delay, also very handy and useful.
>   the tape delays were good, and gave a good approx. of the echoplex
> messing w/ time, not as exact as actual sounds i've heard (think tommy bolin or
> steve stevens etc), but decent.
>    
>   i would think that if the x-delay is placed before the boss rc-2, you
> could do crazy delay maniplations and then capture them to the rc-2 to play
> over, etc.....
>   s----
>   ps-i should qualify that my xdelay is put away now in favor of using a
> digitech rp150 (which has 5 sec of delay) and my boss dd20. the rp150 is
> their new multieffects box, not a delay persay, but is handy. i was playing
> around w/ the analog delay on it the other night and it gets some nice
> twisted sounds....
> 
>  
> ---------------------------------
> TV dinner still cooling?
> Check out "Tonight's Picks" on Yahoo! TV.

-- 
Ist Ihr Browser Vista-kompatibel? Jetzt die neuesten 
Browser-Versionen downloaden: http://www.gmx.net/de/go/browser

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 12:09:08 2007
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Krispen Hartung wrote:
> "X is red" and "X is Good" are entirely different. One we can 
> verify, the other is empty.

Unfortunately language is sometimes used in an unprecise way. Depending 
on the context "X is good" can imply an empty meaningles statement, or 
is just short for "I like X and think its good, look at it, you might 
come to the same conclusion". If Krispens says "X is good" (Which he 
would only do in a context where the other part can't missunderstand it) 
I would replace it with the long sentence. If a virtuoso guitar teacher 
says Al DiMeola is a better guitar player than me adding "Thats what I 
call a good guitarist", I'd understand it as a comparison of technical 
skills etc...
And if you listen to the collection of "Thats what I call music", you 
know that statement is just meaningless bullshit, though its stated as a 
personal view of things --- its obviously not...

Yes Krispen I totally agree to your view, I just added some examplesof 
how all the confusion can come up...
I'd consider Wittgenstein a good reading on the topic as well...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 12:19:47 2007
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From: "Goddard, Duncan" <goddard.duncan@mtvne.com>
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 >> This is my current favorite "radio"  <<
=20
I have three sony cd-jukebox things at home, each with 400 discs. faced =
with so little prospect of finding time to enjoy the fruits of my =
avaricious purchasing, I bought a thing called a "slingbox", & hooked =
two of the machines up to it, so that they crossfade/shuffle from my =
collection, totally at random. then I pointed an old dv camera at the =
front of them so I can see what they're doing. thus, I can see & hear my =
own cd collection being played 24/7, wherever I can get on the internet. =
sadly, it only supports one user at a time,but one day I might have the =
web chops to stream the buggers properly & publish a link. folks ask me =
why I don't just get an i-pod or something similar- I guess I'm just =
old-fashioned.
=20
today the randomiser seems to be fixated on king crimson, the smiths & =
sonic youth. yesterday it was yes, bob dylan & hawkwind. all that's =
missing is a friendly knowledgable voice every now & then, but there are =
some bill hicks recordings in there, so.....
=20
duncan. =20
=20
=20

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<HTML><HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">


<META content=3D"MSHTML 6.00.2712.300" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D396581212-01032007><FONT face=3D"AmericanTypewriter =
Medium"=20
color=3D#0000ff size=3D2>&nbsp;&gt;&gt;&nbsp;</FONT></SPAN>This is my =
current=20
favorite "radio"&nbsp;<FONT face=3D"AmericanTypewriter Medium"><FONT=20
color=3D#0000ff><FONT size=3D2><SPAN=20
class=3D396581212-01032007>&nbsp;&lt;&lt;</SPAN></FONT></FONT></FONT></DI=
V>
<DIV><FONT face=3D"AmericanTypewriter Medium"><FONT =
color=3D#0000ff><FONT=20
size=3D2><SPAN =
class=3D396581212-01032007></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium"><FONT =
color=3D#0000ff><FONT=20
size=3D2><SPAN class=3D396581212-01032007>I have three sony cd-jukebox =
things at=20
home, each with 400 discs. faced with so little prospect of finding time =
to=20
enjoy the fruits of my avaricious purchasing, I bought a thing called a=20
"slingbox", &amp; hooked two of the machines up to it, so that they=20
crossfade/shuffle from my collection, totally at random. then I pointed =
an old=20
dv camera at the front of them&nbsp;so I can see what they're doing. =
thus, I can=20
see &amp; hear my own cd collection being played 24/7, wherever I can =
get on the=20
internet. sadly, it only supports one user at a time,but one day I might =
have=20
the web chops to stream the buggers properly &amp; publish a link. folks =
ask me=20
why I don't just get an i-pod or something similar- I guess I'm just=20
old-fashioned.</SPAN></FONT></FONT></FONT></DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium"><FONT =
color=3D#0000ff><FONT=20
size=3D2><SPAN =
class=3D396581212-01032007></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium"><FONT =
color=3D#0000ff><FONT=20
size=3D2><SPAN class=3D396581212-01032007>today the randomiser seems to =
be fixated=20
on king crimson, the smiths &amp; sonic youth. yesterday it was yes, bob =

dylan&nbsp;&amp; hawkwind. all that's missing is a friendly knowledgable =
voice=20
every now &amp; then, but there are some bill hicks recordings in there, =

so.....</SPAN></FONT></FONT></FONT></DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium"><FONT =
color=3D#0000ff><FONT=20
size=3D2><SPAN =
class=3D396581212-01032007></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium"><FONT =
color=3D#0000ff><FONT=20
size=3D2><SPAN class=3D396581212-01032007>duncan.&nbsp;</SPAN><SPAN=20
class=3D396581212-01032007>&nbsp;</SPAN></FONT></FONT></FONT></DIV>
<DIV><SPAN class=3D396581212-01032007><FONT face=3D"AmericanTypewriter =
Medium"=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D396581212-01032007>&nbsp;</SPAN></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 12:21:21 2007
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Subject: RE: Immersive sound
Date: Thu, 1 Mar 2007 12:21:19 -0000
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From: "Goddard, Duncan" <goddard.duncan@mtvne.com>
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>>Anyway, talk about immersive!

Dan Ash
White Plains, NY<<

you aren't the danny ash from bauhaus are you? :-)

duncan.

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 12:22:58 2007
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From: "Stephen Goodman" <spgoodman@earthlight.net>
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Subject: Re: Why contemporary music sounds terrible
Date: Thu, 1 Mar 2007 12:22:46 -0000
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Re: Radio station compression!

I'm remembering back to 1975-6, when I was at college for the first time 
with my first 'real' stereo.  20W RMS sounds different in a 9x12 
linoleum-floored room when you've been used to your larger, carpeted bedroom 
at home - duh! - and I was only slightly prepared for this by working in a 
stereo store before going to school.  This change of locale was also in 
terms of the kind of radio one could get (the difference between WQIV 'The 
Quadfather' or WNEW-FM in NYC, and the local station in Winston-Salem, NC 
was more than noticeable!): the midrange was particularly limited.  Every 
Sunday night the NC station would run a newly-released album; and one time 
it was Robin Trower's "For Earth Below"..  I recorded the album off-radio, 
and had listened to the tape for a week or two before buying it.  The 
difference in dynamics was really something noticeable, for instance snare 
drums with some reverb on them would continually hit a kind of audio 
ceiling.

Another example of this was the beginning of that old chestnut 
"Rollercoaster".  On the same station in Winston-Salem, what might have been 
normalization (?), one could hear the guitar riff separately from its 
reverb, and all were washed out by the kick-bass when it hit.  In NYC when I 
heard this on the radio nothing of the sort happened.  So I suspect that, in 
the beginnings of FM, all of the above affectations were up to the engineers 
at the station-in-question; while, in our ClearChannel universe, All Must Be 
The Same.

One thing I thought I should bring up since it hasn't been as yet: The 
possibility that studio engineers are putting everything up to near-0db in 
order to not only do mixing on a less competency-required basis, but compete 
with the commercials, which are loud enough at times to knock the Mute 
setting off altogether.  As we know, after all, commercials are FAR more 
important to executives than the mere fodder-bait they play between them, 
aka music.

Stephen Goodman
*
* Cartoons about DVDs and Stuff
* http://www.earthlight.net/HiddenTrack
* The Loop Of The Week since 1996!
* http://www.earthlight.net/Studios 

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 14:16:07 2007
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kkissinger@kevinkissinger.com wrote:
> Philosophy is a noble pursuit, to be sure.  Philosophy doesn't help me  
> to work out a difficult key change, though.  :)

It might though, but more likely indirect. Maybe you find out that being 
locked into thinking in keys is the main problem and finally you are 
able to break old rotten rules exactly at a point where it makes sense...

Philosophy is the key to break free...
(and I should switch to poetry...;-)

Stefan

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 14:23:42 2007
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Krispen Hartung wrote:
> violator of Occam's Razor.

That shall be the name of my next band, and I shall make better music no 
doubt...
(Its probably enough just to imagine it, and it will be better than 
anything this world has heard so far... ;-)

Stefan

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 15:09:20 2007
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I've gotten so used to "looping" music that it's now really a part of "my
sound".
It's a way for me to express what I am feeling in its purest form.  I don't
really think about what I'm doing,
I don't calculate, so if I can just get a moment of what I feel on tape, I'm
pretty happy.

But from an instrumentation perspective, or creative aspect, I lose the
opportunity to "push the envelope" with my music.
And that is actually my choice.  I want to leave my music in its most
natural form possible, mistakes and all.
But I still wanted to put myself in a situation where I had no control.
So I joined a band on the side.  A kind of wierd rock band.  And I feel out
of control each time I play with them,
and it has been exciting as hell.
But I've come to notice, that I've lost the ability to "write" with a band.
If they give me an idea, I can contribute, but to sit there and "write"
spontaneously has been difficult.
Because I'm still thinking in layers..I'm thinking slow...and somehow I've
lost something.

Do any of you guys know what I'm talking about?


-- 
kosukeweb
http://home.comcast.net/~kkatayama76

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I&#39;ve gotten so used to &quot;looping&quot; music that it&#39;s now really a part of &quot;my sound&quot;.<br>It&#39;s a way for me to express what I am feeling in its purest form.&nbsp; I don&#39;t really think about what I&#39;m doing,
<br>I don&#39;t calculate, so if I can just get a moment of what I feel on tape, I&#39;m pretty happy.<br><br>But from an instrumentation perspective, or creative aspect, I lose the opportunity to &quot;push the envelope&quot; with my music.
<br>And that is actually my choice.&nbsp; I want to leave my music in its most natural form possible, mistakes and all.<br>But I still wanted to put myself in a situation where I had no control.<br>So I joined a band on the side.&nbsp; A kind of wierd rock band.&nbsp; And I feel out of control each time I play with them,
<br>and it has been exciting as hell.<br>But I&#39;ve come to notice, that I&#39;ve lost the ability to &quot;write&quot; with a band.<br>If they give me an idea, I can contribute, but to sit there and &quot;write&quot; spontaneously has been difficult.
<br>Because I&#39;m still thinking in layers..I&#39;m thinking slow...and somehow I&#39;ve lost something.<br><br>Do any of you guys know what I&#39;m talking about? <br><br clear="all"><br>-- <br>kosukeweb<br><a href="http://home.comcast.net/~kkatayama76">
http://home.comcast.net/~kkatayama76</a>

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Quoting Os <os@collective.co.uk>:
>
> I've just released a beta of a new plugin which can do some pretty
> powerful and unusual looping type stuff:
>
> http://www.collective.co.uk/expertsleepers/xfadelooper.html

Os, you never cease to amaze me: this rocks just so hard!

In the past, I've posted about how much fun I've had with the previous versions
of Crossfade Loop Synth, especially assigning the sample start and end points
to the AXYZ dome on the Alesis Photon controller and manipulating the loop
points in realtime.

The only thing that ever nagged at me with the instrument was that it only
worked on pre-recorded sample files.  I'd be playing around with a sample and
would wish I could do the same while looping realtime input.  Any half-dozen
times I've almost written off a feature request for this (or, conversely, for
similar loop point manipulation capabilities in Augustus Loop), but then
sloughed it off thinking, "nah, I gotta be the only guy around interested in
this".

Now, here comes the Crossfade Loop Synth Effect, which sounds like exactly the
functionality I would've requested.

I'm off on travel (again!) but I'm going to add this one as a regular in my
little arsenal just as soon as I get back.

Bravo!  Like I said, Os, you rock!!!

     --m.


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From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 15:29:13 2007
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Date: Thu, 1 Mar 2007 16:28:22 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: From making music (home) - to giving out music (cd-itunes) - and getting gigs
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Hi !

If you are an amature ( I am) making music (at home)
and hoping to get the music out to people - and maybe
then be able to play this music at gigs - does anyone
of you have tips on how to do this - if one are not in
the position to get a record-deal. Are there record
-labels that are into the things we (loopers) do ?

Isnt it like this - if one dont get the music out -
there will not be any gigs - and then the music stays
inside my four walls. Are there ways different ways
to;

1. Making cd without a record-deal? What do you guys
do ? 
-covers- print - distributing - rights - and so on....

2. Is it possible to have ones music (without
record-deal) on Itunes ? 

How are one to get from making music at home to:
getting the music on cd - the getting it out there
(itunes) - how to getting it know - thats it out there
- and then maybe getting gigs ?

Not that I have the music ready - but how are one to
get this "snowball running" ?

Any thoughts ?

Sorry for my poor english.

best regards Rune F. 


	
	
		
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 15:37:48 2007
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Date: Thu,  1 Mar 2007 09:26:31 -0600
From: Mech <mech1@m3ch.net>
To: Loopers-Delight@loopers-delight.com,
	andy butler <akbutler@tiscali.co.uk>
Cc: Loopers-Delight@loopers-delight.com
Subject: Re: Immersive sound
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Quoting andy butler <akbutler@tiscali.co.uk>:
> Travis Hartnett wrote:
> > Have you tried the three speaker setup described by Eno (I think it's
> > in the liner notes for "On Land")?
>
> Yep, it's on the back cover of Ambient 4 on land....
>
> One unsatisfactory thing about this setup is that it's assymetric, the
> 3rd speaker is in phase with one of the main speakers and not the other
> so there's always a hole in the surround.

Sorry to chime in a bit late here (sporadic net access while out on the road;
i'm about 600 messages behind right now), but I'm wondering if one of the
variations I've used for this might help with this problem.

A lot of the cheeseball "vocal zapper" effects (used for things like preparing
karaoke tracks) use pretty much the same principal to function.  Their
designers figure that the main vocal is going to be dead center 99% of the
time, so they use polarity differences and a bit of EQ to eliminate the
programming in the center of the channel.  When summed into mono, this can work
pretty well for generating the signal for a third back speaker.  I never really
noticed a hole in the surround using one of these, although I wasn't really
looking, so YMMV.

Relatedly, I've also had some luck with increasing the stereo spread using only
two speakers and one of the old Crate SRS mini-units.  They come up cheap on
Ebay occasionally, and while they don't really go so far as to create a real 3D
sound image, they do increase the apparent stereo separation.

       --m.


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From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 15:47:45 2007
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Date: Thu, 1 Mar 2007 07:47:42 -0800 (PST)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: the side effects of looping
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I kind of do, but you have to try to make a part of
what you do a part of the band sound.  I've always
thought thet way, in the sense that I think in layers,
but mine was more of an orchestrated thing, I can hear
the complete song in my head.  really, all you have to
do is learn how to break those layers down into what
would be your part, then let the others figure out
their parts, while you'll have no control over what
they come up with, you know your part, and who knows,
if you think about it, you can still use those layers
to augment the rest of the band. Think of the studio
as one giant looper, the only difference being you are
looping in doses and not in real time.  Does this make
much sense?
--- Dan Katayama <dan.katayama@gmail.com> wrote:

> I've gotten so used to "looping" music that it's now
> really a part of "my
> sound".
> It's a way for me to express what I am feeling in
> its purest form.  I don't
> really think about what I'm doing,
> I don't calculate, so if I can just get a moment of
> what I feel on tape, I'm
> pretty happy.
> 
> But from an instrumentation perspective, or creative
> aspect, I lose the
> opportunity to "push the envelope" with my music.
> And that is actually my choice.  I want to leave my
> music in its most
> natural form possible, mistakes and all.
> But I still wanted to put myself in a situation
> where I had no control.
> So I joined a band on the side.  A kind of wierd
> rock band.  And I feel out
> of control each time I play with them,
> and it has been exciting as hell.
> But I've come to notice, that I've lost the ability
> to "write" with a band.
> If they give me an idea, I can contribute, but to
> sit there and "write"
> spontaneously has been difficult.
> Because I'm still thinking in layers..I'm thinking
> slow...and somehow I've
> lost something.
> 
> Do any of you guys know what I'm talking about?
> 
> 
> -- 
> kosukeweb
> http://home.comcast.net/~kkatayama76
> 



 
____________________________________________________________________________________
Don't pick lemons.
See all the new 2007 cars at Yahoo! Autos.
http://autos.yahoo.com/new_cars.html 

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 15:55:29 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <0db301c756b5$de9e63e0$b5b0ec0f@americas.hpqcorp.net> <45E6C25F.7040608@addcom.de>
Subject: Re: What do you think is necessary in order to have an excellentcomposition?
Date: Thu, 1 Mar 2007 08:55:26 -0700
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Wow! I leave for a business trip and come back to see that Stefan has 
carried the torch on. Excellent.  I'll just read here and not respond in 
detail. I've already taken this offline with Andy because the strings have 
become overally technical for the list. Interesting topic.

Wittgenstein...oh yes, some of my favorite readings (The Investigations, 
Blue Book, Brown Book, etc)....the real originator of logical atomism and 
language games in my opinion.  For him X is Red is also a logical atom, but 
the confusion from subjectivity is eliminated by what he called an 
"ostensive definition". So basically, all this fuzziness is worked on in 
human evolution of language. Don't know what I mean by "red"?  Here, let me 
point at this particular patch of red...."THIS is red"...and I do this over 
and over again with different shade of what I think of as red. Eventually, 
we can communicate, without observing the exact same thing, and without 
having to posit any objective data.  It's worked out based on subjective 
sensory perceptions and our common "wiring".  Whether we see slightly 
different shades is irrelevant. Our brains our designed so that we 
eventually establish a common understand and language, so that if I tell 
someone to go to the store and buy me a red t-shirt, chances are they will 
come back with a shirt I consider red.  It may not be my favorite shade, but 
chances are I will agree it is red. Human beings would have perished a long 
time ago if we didn't have this built in ability to generalize our language. 
Wittgenstein uses this interesting examples with the slab of wood...he 
starts with this really primitive, cave man style of language to illustrate 
how we build our language and understanding of terms like "red".  I point at 
the slab and grunt, "Slab!!!". Do I mean the color, the object, the shape? 
It takes a while to determine this based on the process of elimination. 
Eventually we build up this complex language based on sense data...and 
eventually, in my opinion, an abuse of the language in some areas, such as 
the term "Beauty".

Some philosophers have designated this usage as a fallacy, sometimes called 
the fallacy of false substantiation. It is when we assume just because there 
is a word that is a general noun, that it must somehow denote an actual 
entity. In other words, folks use the term "beauty", but doing so doesn't 
mean there is an actual thing out there we could say is beauty...unless we 
are Platonists. It turns out that many modern philosophers and linguists 
agree that these terms don't have any object associated with them, but are 
constructed to be truncated version of many other terms and observations. 
It is an abbreviated way of saying something else.  Imagine if everything 
time I said something was beautiful, I had to qualify exactly what I meant 
down the specific logical atoms that denoted my owen sensory data or 
memories of sensory data. It would take hours and we'd never be able to 
communicate. It's easier to just use the word and assume we have a common 
understand in absence of there being an actual "Thing" out there called 
beauty.

Anyone remember the remake of the Planet of the Apes, where the head ape 
pries open Taylor's mouth and ask where is his soul?  Very similar 
topic....albeit a very controversial one.

Kris

----- Original Message ----- 
From: "Stefan Tiedje" <Stefan-Tiedje@addcom.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 01, 2007 5:09 AM
Subject: Re: What do you think is necessary in order to have an 
excellentcomposition?


> Krispen Hartung wrote:
>> "X is red" and "X is Good" are entirely different. One we can verify, the 
>> other is empty.
>
> Unfortunately language is sometimes used in an unprecise way. Depending on 
> the context "X is good" can imply an empty meaningles statement, or is 
> just short for "I like X and think its good, look at it, you might come to 
> the same conclusion". If Krispens says "X is good" (Which he would only do 
> in a context where the other part can't missunderstand it) I would replace 
> it with the long sentence. If a virtuoso guitar teacher says Al DiMeola is 
> a better guitar player than me adding "Thats what I call a good 
> guitarist", I'd understand it as a comparison of technical skills etc...
> And if you listen to the collection of "Thats what I call music", you know 
> that statement is just meaningless bullshit, though its stated as a 
> personal view of things --- its obviously not...
>
> Yes Krispen I totally agree to your view, I just added some examplesof how 
> all the confusion can come up...
> I'd consider Wittgenstein a good reading on the topic as well...
>
> Stefan
>
> -- 
> Stefan Tiedje------------x-------
> --_____-----------|--------------
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()--------www.ccmix.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 15:58:04 2007
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Date: Thu, 1 Mar 2007 07:58:01 -0800 (PST)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: RE: Why contemporary music sounds terrible
To: Loopers-Delight@loopers-delight.com
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Speaking of iPods, and the like, I noticed my Zen
Micro has a Smart Sound feature, which for all in
tents and purposes, is a compressor.  It was meant to
use as a volume attenuator between song mastered as
different levels.  Does it work?  Kinda.  it tends to
keep songs from clipping, but I still hear distinct
volume differences between Led Zeppelin's No Quarter,
Jean Luc-Ponty's Cosmic Messenger, and Rebel Meets
Rebel(which is, by the way, mastered very LOUD).  I
love my mp3 player, because I can now listen to music
everywhere, but I lose the dynamics and purity of the
songs, the Tool album, 10,000 Days  sounds better on
the cd than it does on the mp3 player, then again, any
of my records still sounds better than the cds, minus
the crackle.
--- "Goddard, Duncan" <goddard.duncan@mtvne.com>
wrote:

>  >> This is my current favorite "radio"  <<
>  
> I have three sony cd-jukebox things at home, each
> with 400 discs. faced with so little prospect of
> finding time to enjoy the fruits of my avaricious
> purchasing, I bought a thing called a "slingbox", &
> hooked two of the machines up to it, so that they
> crossfade/shuffle from my collection, totally at
> random. then I pointed an old dv camera at the front
> of them so I can see what they're doing. thus, I can
> see & hear my own cd collection being played 24/7,
> wherever I can get on the internet. sadly, it only
> supports one user at a time,but one day I might have
> the web chops to stream the buggers properly &
> publish a link. folks ask me why I don't just get an
> i-pod or something similar- I guess I'm just
> old-fashioned.
>  
> today the randomiser seems to be fixated on king
> crimson, the smiths & sonic youth. yesterday it was
> yes, bob dylan & hawkwind. all that's missing is a
> friendly knowledgable voice every now & then, but
> there are some bill hicks recordings in there,
> so.....
>  
> duncan.  
>  
>  
> 



 
____________________________________________________________________________________
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with the Yahoo! Search movie showtime shortcut.
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Date: Thu, 01 Mar 2007 10:16:49 -0600
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Subject: Re: Well OT Re: What do you think is necessary in order to have an
	excellentcomposition?
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Quoting Stefan Tiedje <Stefan-Tiedje@addcom.de>:

> Maybe you find out that
> being locked into thinking in keys is the main problem and finally you
> are able to break old rotten rules exactly at a point where it makes
> sense...

Interesting point.  I have always found key signatures to be confining  
and I haven't composed with standard notation since the mid 80's.  I  
prefer a piano roll editor.  My only need for standard notation is so  
I can learn the music and play it myself.

Traditional theory, harmony, etc... is always there for me if I need  
it however I really don't think about it when I'm composing.

-- Kevin

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 16:44:56 2007
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Date: Thu, 01 Mar 2007 10:44:53 -0600
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: What do you think is necessary in order to have an
	excellentcomposition?
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Quoting Krispen Hartung <khartung@cableone.net>:

> Imagine if everything time I said something was
> beautiful, I had to qualify exactly what I meant down the specific
> logical atoms that denoted my owen sensory data or memories of sensory
> data. It would take hours and we'd never be able to communicate. It's
> easier to just use the word and assume we have a common understand in
> absence of there being an actual "Thing" out there called beauty.

This point is well-taken: that a word such as "beauty" is a shorthand =20
that we can use to communicate with the presumption that you and I =20
have enough in common that our respective approaches to "beauty" are =20
similar.

Having worked with live organ/choral music, a "good" acoustic suggests =20
a live space with reflective surfaces and enough reverb to carry the =20
sound without destroying clarity.  A "poor" space would be one that is =20
"dead" -- that is, a space with carpet, acoustical tile, and absorbent =20
properties.

One time a live-sound person commented to me that he had dealt with a =20
lot of "bad" rooms.  I asked him, "What to you is a bad room?"  And =20
his answer: "A room that has reverb."

Thus, when someone tells you they want to deliver to you a "good" or =20
"beautiful" product, you might want to investigate exactly what they =20
mean to avoid an unpleasant surprise.  :)

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 18:00:10 2007
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Subject: Re: What do you think is necessary in order to have an excellentcomposition?
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----- Original Message ----- 
From: "Stefan Tiedje" <Stefan-Tiedje@addcom.de>

> Krispen Hartung wrote:
>> Absolutely, especially when discussing with one's significant other.
>> The last thing I would say at a romantic dinner is, "Dear, let me
>> tell you about how I think the term 'beauty' is meaningless...[insert
>> sound of plate flying through air and annihilating face with filet
>> mignone]" :)
>
> This vision should lead you directly to the (context sensitive) meaning of 
> the word beauty.

That's right. In fact, I rarely ever use the term. I find it easier to cut 
to the
chase and just say what I mean, which is to clarify what I like or makes me
feel good. My ultimate goal is to communicate in such a way that I dispense 
with
all value language...no good, bad, beautiful, etc...just descriptive 
statements
that describe how I feel, what I observe, etc.  It's not always possible to 
do
this in complex settings, so the abbreviated, albeit nonsensical evaluative 
term
has to work. It's a lesser of two "evils"....heh heh....just kidding....but 
that is
an example. I don't believe in a thing such as evil, or that "evil" denotes 
any
real attribute in the world. But when I say "lesser of two evils" it is a 
truncated
way to say something that boils down to non-value based language for me.
So, one might ask me here, am I also an ethical non-cognitivist? Most 
certainly.

Kris


From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 19:11:45 2007
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: the side effects of looping
Cc: Dan Katayama <dan.katayama@gmail.com>
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Dan said,

> Do any of you guys know what I'm talking about?

Heheheh. From personal experience, I can only wish I did.=20

Since I could never sing and play at the same time (even now after 45 years=
 of guitaring and 25 years of loping) I never really got into "songs" and s=
uch -- as far as my own playing goes anyway.

I love a good "song" as much as the next person. But it's always been beyon=
d me to put one together -- or at least to do so AND to perform it.

I've been looping now for just a few years short of half as long as I've be=
en alive.

I started looping mostly because it seemed to fit into my limitations and t=
he way my brain naturally works.

I organise "tunes" and "compositions" in a sort of sideways to normal manne=
r anyway -- if I do so at all (even when I'm not looping).

Mostly I just extemporize.

I can try to understand a little bit how somone could get "out of the habit=
" of doing things a certain way because of looping.

But mostly I have only experienced benefits from the practice.

I can't lose a facility that I never actually had.

I admire the heck out of people who can write a good song though -- most of=
 all because I can't.

Just thought I'd toss in my 2 cents.

Cheers,

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Dan Katayama <dan.katayama@gmail.com> wrote:=20
> I've gotten so used to "looping" music that it's now really a part of "my
> sound".
> It's a way for me to express what I am feeling in its purest form.  I don=
't
> really think about what I'm doing,
> I don't calculate, so if I can just get a moment of what I feel on tape, =
I'm
> pretty happy.
>=20
> But from an instrumentation perspective, or creative aspect, I lose the
> opportunity to "push the envelope" with my music.
> And that is actually my choice.  I want to leave my music in its most
> natural form possible, mistakes and all.
> But I still wanted to put myself in a situation where I had no control.
> So I joined a band on the side.  A kind of wierd rock band.  And I feel o=
ut
> of control each time I play with them,
> and it has been exciting as hell.
> But I've come to notice, that I've lost the ability to "write" with a ban=
d.
> If they give me an idea, I can contribute, but to sit there and "write"
> spontaneously has been difficult.
> Because I'm still thinking in layers..I'm thinking slow...and somehow I'v=
e
> lost something.
>=20
> Do any of you guys know what I'm talking about?
>=20
>=20
> --=20
> kosukeweb
> http://home.comcast.net/~kkatayama76

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 19:38:59 2007
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This is a multi-part message in MIME format.

--Boundary_(ID_ZCEWJFy/HMekub4PDG6fPg)
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Wow, check this out!!
http://www.youtube.com/watch?v=IIO2qpSsUTA 

Mark Smart
http://www.marksmart.net

--Boundary_(ID_ZCEWJFy/HMekub4PDG6fPg)
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<P>Wow, check this out!!</P>
<P><A href="http://www.youtube.com/watch?v=IIO2qpSsUTA" target=_blank rel=nofollow><FONT color=#0000cc>http://www.youtube.com/watch?v=IIO2qpSsUTA</FONT></A> </P>
<P>&nbsp;</P>
<P>Mark Smart</P>
<P><A href="http://www.marksmart.net">http://www.marksmart.net</A><BR></P>

--Boundary_(ID_ZCEWJFy/HMekub4PDG6fPg)--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 19:43:59 2007
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Hi Loopers,

I'm a SciFi fan and well, given what I know of other computer and/or  
looping nerds, I'm GUESSING that there might be a few others on this  
list....
Also, I thought with all the discussion on the list recently about  
the "music biz", examples of alternative outlets for your music might  
be of interest.

Today is the premier of the internet-only "TV" show, Stranger Things.  
My song "Exurgency" is the theme music for the show (those of you  
who've seen me live in the last few months have heard me perform it  
live). From what I've seen of the show so far its beautifully shot in  
HD. Like you could touch the characters through your screen.

Even if I didn't have music in it, I don't have a TV and I'm excited  
to have another thing to watch on iTunes. It's free too...

Here's a trailer:
http://www.southernronin.com/st-ep2-trailer.m4v

Here's where to find it:
http://www.strangerthings.tv/?page_id=22
http://digg.com/television/ 
Podcast_First_Episodic_SciFi_Show_in_HD_called_Stranger_Things#c5469885

The first episode goes up tonight at 6pm pacific/ 9pm eastern.

Thanks for humoring my spam.

looping into the future,

Zoe

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 20:23:27 2007
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Hey scott,

WOndered if you could check serial numbers on your DK600 units you have 
there.  I had a few in here and was seeing a correlation on the serials 
as to whether they had poly mode I think.  btw can't recall if you got 
poly mode in yours.  I finally got an eprom burner that can make the 
chips here I think..if I can get it working on my machine right.  
Reading the manual now...  How's everything going?  I have a memorymoog 
on the way!  That'll be a fun project hopefully.  hehe. Tuning issues.  
I'm thinking of making a stick on heat sink with a thermal stabilizing 
circuit in it to preheat all the chips so when you turn it on they're 
ready to go.   -Bob

scott hansen wrote:

> my old loop setup is here:
>  
> http://launch.ph.groups.yahoo.com/group/EccentricLuthierySupportGroup/photos/view/2b58?b=2
>  
> handmade guitar w/ egg shaker mic in the center for feedback effects-
> digitech rp100
> zoom g2
> digitech digidelay to either direct or my amp
>  
> this is when i was moving away from my rack setup (hard to believe i 
> used to have
> a 4 space rack setup w/ stuff before it)....
>  
> my new setup is: roctron silver dragon-zoom g2-digitech rp150 -boss 
> dd20-out to either digital recorder or marshall 10 watt amp (which i 
> usually run clean)
> simple setup works for me.
> man looking at some people's setups w/ the pedals after pedals, 
> whooooa, i know for
> me setups like that would never work, i have the worst luck w/ my gear.
> fun to see others setups though.
> s---
>  
>
> ------------------------------------------------------------------------
> Need Mail bonding?
> Go to the Yahoo! Mail Q&A 
> <http://answers.yahoo.com/dir/index;_ylc=X3oDMTFvbGNhMGE3BF9TAzM5NjU0NTEwOARfcwMzOTY1NDUxMDMEc2VjA21haWxfdGFnbGluZQRzbGsDbWFpbF90YWcx?link=ask&sid=396546091> 
> for great tips from Yahoo! Answers 
> <http://answers.yahoo.com/dir/index;_ylc=X3oDMTFvbGNhMGE3BF9TAzM5NjU0NTEwOARfcwMzOTY1NDUxMDMEc2VjA21haWxfdGFnbGluZQRzbGsDbWFpbF90YWcx?link=ask&sid=396546091> 
> users. 

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Date: Thu, 1 Mar 2007 21:38:28 +0100
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groooooooovy!!!!!





2007/3/1, mwsmart@insightbb.com <mwsmart@insightbb.com>:
>
> Wow, check this out!!
>
> http://www.youtube.com/watch?v=IIO2qpSsUTA
>
>
>
> Mark Smart
>
> http://www.marksmart.net
>



-- 
Arne R. Skage jr.

91157204
arne@skage.com
www.skage.com

------=_Part_68992_22851792.1172781508500
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<div>groooooooovy!!!!!</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div><br><br>&nbsp;</div>
<div><span class="gmail_quote">2007/3/1, <a href="mailto:mwsmart@insightbb.com">mwsmart@insightbb.com</a> &lt;<a href="mailto:mwsmart@insightbb.com">mwsmart@insightbb.com</a>&gt;:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<p>Wow, check this out!!</p>
<p><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.youtube.com/watch?v=IIO2qpSsUTA" target="_blank" rel="nofollow"><font color="#0000cc">http://www.youtube.com/watch?v=IIO2qpSsUTA</font></a> </p>

<p>&nbsp;</p>
<p>Mark Smart</p>
<p><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.marksmart.net/" target="_blank">http://www.marksmart.net</a><br></p></blockquote></div><br><br clear="all"><br>-- <br>Arne R. Skage jr.<br><br>
91157204<br><a href="mailto:arne@skage.com">arne@skage.com</a><br><a href="http://www.skage.com">www.skage.com</a> 

------=_Part_68992_22851792.1172781508500--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 21:00:06 2007
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WOW! you guys are SO twenty oh six

-----Original Message-----
>From: "Arne R. Skage jr" <arneskage@gmail.com>
>Sent: Mar 1, 2007 12:38 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: KT Tunstall
>
>groooooooovy!!!!!
>
>
>
>
>
>2007/3/1, mwsmart@insightbb.com <mwsmart@insightbb.com>:
>>
>> Wow, check this out!!
>>
>> http://www.youtube.com/watch?v=IIO2qpSsUTA
>>
>>
>>
>> Mark Smart
>>
>> http://www.marksmart.net
>>
>
>
>
>-- 
>Arne R. Skage jr.
>
>91157204
>arne@skage.com
>www.skage.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 21:24:03 2007
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Playing at Home v. Playing Live
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I used to be pure pop music (though kind of on the
experimental side influenced by people like The
Beatles, XTC, Pink Floyd and Radiohead) and while I
found that works in a live situation, I often find my
looping doesn't... usually.  To the LD members, it
does. (I think) but I think we're a different animal
here.

Truth is, I got tired of performing pop songs live. 
Most people really want to hear music they know and
that sure isn't my original music.  I've decided that
my loop performances really aren't for live
performance in front of an audience either... even
though they are pure live performance in a sense.  I'm
performing the composing and the music at the same
time.  Wee!  Improvising is the best!

So while I hope to get my shit together and start
playing out from time to time, I find I don't really
crave it much.  Usually I can't hear myself well, feel
like I'm disconnected from the audience because of a
mountain of gear... ect.  Seems a million times more
fun in my home studio looping with my friend Andy. 
HEY ANDY!  If you're reading this it's LOOP NIGHT!

A few times a year I say this and usually get no
responses, but here goes.  Anyone in the SF Bay Area
want to come over for some loop'n?  Let me know.

Mark


--- David H <the.31st@gmail.com> wrote:

> A member asked me what the difference is between my
> home playing and my live
> playing, and the answer warrants a new thread.
> 
> Its been my impression that the majority of members
> on this list play
> "experimental" or "ambient" music. I really enjoy
> and appreciate it, too.
> Sometimes there is nothing better than flipping
> through the list
> listening to mp3s you guys have posted. Even so, my
> friends sometimes refer
> to these styles as artsy fartsy, over their head,
> weird and/or boring (no
> offense).
> 
> I'm also a big fan of standard folk tunes. And
> admittedly, I can't seem to
> outgrow popular song structure. I write songs on my
> guitar in my rental
> house just like the dude next door, with verses,
> choruses, lyrics, and I use
> chords! ;) My loops are not very complex, I've got a
> beat, a rhythm guitar,
> some back up vocals, and a few layers here and
> there. I originally started
> looping because I got sick of trying to put a decent
> band together and
> decided to be the whole band. Now I play popular
> bars and clubs around town,
> and they like to hear "songs" that people can sing
> and dance to. Boy, that
> sentence sure made me seem like a sell out. But read
> on:
> 
> Each song I've written has been composed in a very
> flexible way. I can pick
> up my acoustic and perform without ever plugging in,
> but I also leave a
> place in every song when I loop it to take it to
> places that are
> experimental or ambient. I have the dynamic of
> performing one song dry, and
> the next looped into outer space. Anyway, so I see
> the music I make as a
> transitional vehicle. From the popular mundane, to
> what I like to think of
> the fine wines of music, the experimental, and etc.
> You can take people who
> don't listen to ambient music to places they
> wouldn't normally go by
> tricking them into thinking they are listening to a
> popular song they could
> hear on the radio. I give Budweiser drinkers a sip
> of Merlot, (that's you
> guys).
> 
> When I'm playing at home, its more entertaining to
> me, the loops are much
> longer and layers much deeper, effects much more
> dynamic. I'm experimenting.
> But during a performance I tone it down, I sing
> catchy tunes so that they
> like me, and throw in a few weird, noisy, ambient
> phrases to pique their
> interest, and so I have a good time too.
> 
> David
> 



 
____________________________________________________________________________________
Any questions? Get answers on any topic at www.Answers.yahoo.com.  Try it now.

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oops..thought I was sending this to scott directly.  My apologies.

Bob Weigel wrote:

> Hey scott,
>

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Date: Thu, 1 Mar 2007 13:38:43 -0800
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: From making music (home) - to giving out music (cd-itunes) - and getting gigs
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If you want people to hear recordings of your music, make some
recordings and give them to people.  Burn CDs at home, or post your
music online, you don't need a record contract or someone's
permission.  If you can't afford the necessary hardware, odds are you
know someone who can let you make use of theirs.  You can ask people
to give you money if they like it--that works surprisingly well at the
individual level.

There are record labels that are interested in off-beat music of the
type that many loopers make, but given the small audience for that
sort of music, I'm not sure what the compelling reason is to pursue
getting signed by them is.  You're almost certainly not going to get
paid.

Yes, you can have your music on iTunes without being signed--you just
have to sign up with CDBaby, once you have a CD to sell.

If you want to get a gig somewhere, call them up and tell them you'd
like to play there.  They'll tell you what they want for them to make
the decision on whether or not to book you.  If you were in the
States, they'll probably just ask for a web address where they can
hear some samples of your stuff.   So, put together a myspace page and
upload some stuff, and you're in business in a couple of days.  Or
burn a few demo CD's if they booking person wants to hear a CD, it
doesn't need to have a fancy cover or anything.  They're only going to
listen to the 30 seconds of a few tracks in most cases.  Just make
sure your contact information is on every object you ever hand to a
booking person--they can lose anything.

TravisH

On 3/1/07, rune fagereng <rune_fagereng@yahoo.no> wrote:
>
>
> Hi !
>
> If you are an amature ( I am) making music (at home)
> and hoping to get the music out to people - and maybe
> then be able to play this music at gigs - does anyone
> of you have tips on how to do this - if one are not in
> the position to get a record-deal.
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 21:46:23 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: From making music (home) - to giving out music (cd-itunes) - and getting gigs
Date: Thu, 1 Mar 2007 22:45:59 +0100
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>     * From: rune fagereng <rune_fagereng@yahoo.no>
>
> Are there record
> -labels that are into the things we (loopers) do ?

Yes. But not for the reason of "looping used" as much as for the  
style and quality of the music. In your country for example you have  
Eyvind Aarset that uses some looping now and then. But I think his  
music is rather labeled as "Electro-Jazz" or something similar.


> Isnt it like this - if one dont get the music out -
> there will not be any gigs

No, it's not like that. Normally it is the other way around: you do a  
lot of gigs and that leads to a chance to have a CD out (commercially  
sponsored by a record label, the "old school way")


> 1. Making cd without a record-deal? What do you guys
> do ?
> -covers- print - distributing - rights - and so on....

Check the list archives. Many good pressing plants and CDR burning  
services was recommended some two, three months ago.


> 2. Is it possible to have ones music (without
> record-deal) on Itunes ?


Yes. You can turn directly to one of the aggregating services Apple  
uses to provide them material. I have used CD Baby once, which worked  
well, but there are today many services that do not require an issue  
of printer CDs. I remember there used to be a link from the iTunes  
web page to a listing. Do some Googling!


> How are one to get from making music at home to:
> getting the music on cd - the getting it out there
> (itunes) - how to getting it know - thats it out there
> - and then maybe getting gigs ?

Use email and phone. Call up venues and book gigs. Play at festivals  
that draw people that like the music you make. If you're looking for  
detailed advices and tricks I can recommend to read at CD Baby as  
well as subcribing to their Indie Contact Newsletter.


Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 22:15:14 2007
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Date: Thu, 01 Mar 2007 23:15:29 +0100
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Yes! I saw her on TV when she was performing at the SWR New Pop Festival 
in Germany - and fortunately I had "record" pressed on my video 
recorder. After that I tried to figure out what kind of gear she was 
using by rewinding and pressing "pause" again and again.... Trying to 
find out something about the Akai Headrush I landed on 
loopers-delight.com. This was when that "looping thing" started for me - 
got infected...

Dirk


mwsmart@insightbb.com schrieb:
>
> Wow, check this out!!
>
> http://www.youtube.com/watch?v=IIO2qpSsUTA
>
>  
>
> Mark Smart
>
> http://www.marksmart.net
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 22:18:41 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: short piece of music in a kind of cinematic style posted
Date: Thu, 1 Mar 2007 23:18:32 +0100
To: Loopers-Delight@loopers-delight.com
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Hi,

Today I recorded a short piece of music in a kind of cinematic style  
I like very much. If someone want to listen I put it online here:
http://www.looproom.com/audio/city_seventeen.m4a

This piece was not produced by live looping (as the guitar piece I  
posted some days ago) but the feel, the orchestration and the  
performance attitude is something I have directly learned from  
practicing looping (at home and at concerts ;-). Back in the days I  
would have had to compose to come up with this kind of music, but  
after the recent years of live looping it feels more natural to  
improvise the parts very quickly (when I succeed in disconnecting my  
brain a more interesting music is starting to happen). The idea is,  
as in solo looping, to do "questions and answers", taking on  
different roles by playing different instruments against each other.  
The instrument I played here was the EWI 4000s. But in a way I would  
also like say that Logic makes for a great deal of "the instrument".  
Logic's synths, sampler functionality and dynamic filtering effects  
makes it possible to find the sound I have been thinking about for  
years. To record unquantized MIDI with an EWI into a sequencer of  
that high resolution is the damn coolest palette IMHO! So this is why  
I want to daisy-chain a Mac in front of my Mobius looping laptop ;-)

per

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 22:54:20 2007
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Subject: Seattle Loopfest
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  Artis,you know the spoonbeing,wants to do a loopfest modelled on the y2k 
series ,in Seattle in the fall.Anyone on the list from that area interested 
in helping produce?Anyone have any good connects,ideas for venues,sponsors 
etc?

_________________________________________________________________
Mortgage rates as low as 4.625% - Refinance $150,000 loan for $579 a month. 
Intro*Terms  
https://www2.nextag.com/goto.jsp?product=100000035&url=%2fst.jsp&tm=y&search=mortgage_text_links_88_h27f6&disc=y&vers=743&s=4056&p=5117

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It's Arlis not Artis from what I remember, and I'd love to help, i've
got some connections around here :)

On 3/1/07, samba - <sambacomet@hotmail.com> wrote:
>
>   Artis,you know the spoonbeing,wants to do a loopfest modelled on the y2k
> series ,in Seattle in the fall.Anyone on the list from that area interested
> in helping produce?Anyone have any good connects,ideas for venues,sponsors
> etc?
>
> _________________________________________________________________
> Mortgage rates as low as 4.625% - Refinance $150,000 loan for $579 a month.
> Intro*Terms
> https://www2.nextag.com/goto.jsp?product=100000035&url=%2fst.jsp&tm=y&search=mortgage_text_links_88_h27f6&disc=y&vers=743&s=4056&p=5117
>
>


-- 
---Miles Ward

"The desired effect is what you get, when you improve your
interplanetary funksmanship."

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You're the man, Per!  I like the bassoon sounding guy in City 17.  Is 
that the EWI?

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 1-Mar-07, at 2:18 PM, Per Boysen wrote:

> Hi,
>
> Today I recorded a short piece of music in a kind of cinematic style I 
> like very much. If someone want to listen I put it online here:
> http://www.looproom.com/audio/city_seventeen.m4a
>
> This piece was not produced by live looping (as the guitar piece I 
> posted some days ago) but the feel, the orchestration and the 
> performance attitude is something I have directly learned from 
> practicing looping (at home and at concerts ;-). Back in the days I 
> would have had to compose to come up with this kind of music, but 
> after the recent years of live looping it feels more natural to 
> improvise the parts very quickly (when I succeed in disconnecting my 
> brain a more interesting music is starting to happen). The idea is, as 
> in solo looping, to do "questions and answers", taking on different 
> roles by playing different instruments against each other. The 
> instrument I played here was the EWI 4000s. But in a way I would also 
> like say that Logic makes for a great deal of "the instrument". 
> Logic's synths, sampler functionality and dynamic filtering effects 
> makes it possible to find the sound I have been thinking about for 
> years. To record unquantized MIDI with an EWI into a sequencer of that 
> high resolution is the damn coolest palette IMHO! So this is why I 
> want to daisy-chain a Mac in front of my Mobius looping laptop ;-)
>
> per
>

--Apple-Mail-2--937905395
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

You're the man, Per!  I like the bassoon sounding guy in City 17.  Is
that the EWI?


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 1-Mar-07, at 2:18 PM, Per Boysen wrote:


<excerpt>Hi,


Today I recorded a short piece of music in a kind of cinematic style I
like very much. If someone want to listen I put it online here:

http://www.looproom.com/audio/city_seventeen.m4a


This piece was not produced by live looping (as the guitar piece I
posted some days ago) but the feel, the orchestration and the
performance attitude is something I have directly learned from
practicing looping (at home and at concerts ;-). Back in the days I
would have had to compose to come up with this kind of music, but
after the recent years of live looping it feels more natural to
improvise the parts very quickly (when I succeed in disconnecting my
brain a more interesting music is starting to happen). The idea is, as
in solo looping, to do "questions and answers", taking on different
roles by playing different instruments against each other. The
instrument I played here was the EWI 4000s. But in a way I would also
like say that Logic makes for a great deal of "the instrument".
Logic's synths, sampler functionality and dynamic filtering effects
makes it possible to find the sound I have been thinking about for
years. To record unquantized MIDI with an EWI into a sequencer of that
high resolution is the damn coolest palette IMHO! So this is why I
want to daisy-chain a Mac in front of my Mobius looping laptop ;-)


per


</excerpt>
--Apple-Mail-2--937905395--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 23:09:36 2007
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I will be living there next fall .... so I can offer some assitance in the 
form of manual labor, etc.  If you need that.

Aaron





>From: "samba -" <sambacomet@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Seattle Loopfest
>Date: Thu, 01 Mar 2007 14:54:13 -0800
>
>
>  Artis,you know the spoonbeing,wants to do a loopfest modelled on the y2k 
>series ,in Seattle in the fall.Anyone on the list from that area interested 
>in helping produce?Anyone have any good connects,ideas for venues,sponsors 
>etc?
>
>_________________________________________________________________
>Mortgage rates as low as 4.625% - Refinance $150,000 loan for $579 a month. 
>Intro*Terms  
>https://www2.nextag.com/goto.jsp?product=100000035&url=%2fst.jsp&tm=y&search=mortgage_text_links_88_h27f6&disc=y&vers=743&s=4056&p=5117
>

_________________________________________________________________
Rates near 39yr lows!  $430K Loan for $1,399/mo - Paying Too Much? Calculate 
new payment 
http://www.lowermybills.com/lre/index.jsp?sourceid=lmb-9632-18226&moid=7581

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 23:17:17 2007
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Date: Thu, 1 Mar 2007 15:17:12 -0800
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Seattle Loopfest
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How many performers are you thinking?
Gallery 1412 would be the first venue I'd consider:

http://www.gallery1412.org/

TravisH
Seattle

On 3/1/07, samba - <sambacomet@hotmail.com> wrote:
>
>   Artis,you know the spoonbeing,wants to do a loopfest modelled on the y2k
> series ,in Seattle in the fall.Anyone on the list from that area interested
> in helping produce?Anyone have any good connects,ideas for venues,sponsors
> etc?
>
> _________________________________________________________________
> Mortgage rates as low as 4.625% - Refinance $150,000 loan for $579 a month.
> Intro*Terms
> https://www2.nextag.com/goto.jsp?product=100000035&url=%2fst.jsp&tm=y&search=mortgage_text_links_88_h27f6&disc=y&vers=743&s=4056&p=5117
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar  1 23:25:33 2007
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A looping fest in Seattle? That would be outstanding!!! That is just a short 
flight for me. Sony Felberg is in Seattle, I believe. I may still be lurking 
around on the list. I'll send you his email shortly.

Kris

----- Original Message ----- 
From: "samba -" <sambacomet@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 01, 2007 3:54 PM
Subject: Seattle Loopfest


>
>  Artis,you know the spoonbeing,wants to do a loopfest modelled on the y2k 
> series ,in Seattle in the fall.Anyone on the list from that area 
> interested in helping produce?Anyone have any good connects,ideas for 
> venues,sponsors etc?


From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 00:02:36 2007
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The date of the Santa Cruz Loopfest should, of course, be taken into 
serious consideration, since I'm sure a number of the same people would 
be interested in attending or playing both and it wouldn't be to the 
advantage of either to diminish the already-specialized audience. 
Obviously they shouldn't be the same weekend, at the very least.

On the other hand, if they were just a week apart or something, people 
(like me) traveling from some distance could try to attend both. Santa 
Cruz and Seattle are on the same coast and probably not too expensive to 
fly between.

Or maybe it'd be better to space them out more...hmm...

Daryl Shawn
www.swanwelder.com

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From: Richard Sales <richard@glasswing.com>
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--Apple-Mail-1--934382361
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Mileage!  I think it IS Artis.  I wish I could help but the latest is  
I'll be gone at that time.  Latest word is touring starts heavy and  
hard in May and I think I'll be pretty crunched for the duration....  
BUT MAYBE!

I'd love to do some looping with YOU there Miles!  Oh boy.  We could  
raise a serious ruckus!!!

Who knows?  I might get fed up and quit... or get fed up and get fired.  
Or be overfed and get too fat to get through the auditorium doors.  But  
for now it looks like I'll be pretty jammed up to the wall.

Artis is looping?  Oh man.  I'd love to see THAT!

Any of you in Toronto I'll be there 10 March (Canadian Music Week) with  
Hayley Sales at Healey's Blue Jay Way.  We go on at 11.  No looping -  
just straight stuff on my end.  I'll need a lot of coffee but I think I  
can stay awake for it.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 1-Mar-07, at 2:57 PM, miles ward wrote:

> It's Arlis not Artis from what I remember, and I'd love to help, i've
> got some connections around here :)
>
> On 3/1/07, samba - <sambacomet@hotmail.com> wrote:
>>
>>   Artis,you know the spoonbeing,wants to do a loopfest modelled on  
>> the y2k
>> series ,in Seattle in the fall.Anyone on the list from that area  
>> interested
>> in helping produce?Anyone have any good connects,ideas for  
>> venues,sponsors
>> etc?
>>
>> _________________________________________________________________
>> Mortgage rates as low as 4.625% - Refinance $150,000 loan for $579 a  
>> month.
>> Intro*Terms
>> https://www2.nextag.com/goto.jsp? 
>> product=100000035&url=%2fst.jsp&tm=y&search=mortgage_text_links_88_h27 
>> f6&disc=y&vers=743&s=4056&p=5117
>>
>>
>
>
> -- 
> ---Miles Ward
>
> "The desired effect is what you get, when you improve your
> interplanetary funksmanship."
>

--Apple-Mail-1--934382361
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

Mileage!  I think it IS Artis.  I wish I could help but the latest is
I'll be gone at that time.  Latest word is touring starts heavy and
hard in May and I think I'll be pretty crunched for the duration....
BUT MAYBE!  


I'd love to do some looping with YOU there Miles!  Oh boy.  We could
raise a serious ruckus!!!


Who knows?  I might get fed up and quit... or get fed up and get
fired. Or be overfed and get too fat to get through the auditorium
doors.  But for now it looks like I'll be pretty jammed up to the
wall.  


Artis is looping?  Oh man.  I'd love to see THAT!


Any of you in Toronto I'll be there 10 March (Canadian Music Week)
with Hayley Sales at Healey's Blue Jay Way.  We go on at 11.  No
looping - just straight stuff on my end.  I'll need a lot of coffee
but I think I can stay awake for it.


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 1-Mar-07, at 2:57 PM, miles ward wrote:


<excerpt>It's Arlis not Artis from what I remember, and I'd love to
help, i've

got some connections around here :)


On 3/1/07, samba - <<sambacomet@hotmail.com> wrote:

<excerpt>

  Artis,you know the spoonbeing,wants to do a loopfest modelled on the
y2k

series ,in Seattle in the fall.Anyone on the list from that area
interested

in helping produce?Anyone have any good connects,ideas for
venues,sponsors

etc?


_________________________________________________________________

Mortgage rates as low as 4.625% - Refinance $150,000 loan for $579 a
month.

Intro*Terms

https://www2.nextag.com/goto.jsp?product=100000035&url=%2fst.jsp&tm=y&search=mortgage_text_links_88_h27f6&disc=y&vers=743&s=4056&p=5117



</excerpt>


-- 

---Miles Ward


"The desired effect is what you get, when you improve your

interplanetary funksmanship."


</excerpt>
--Apple-Mail-1--934382361--

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Date: Thu, 1 Mar 2007 17:18:57 -0800 (PST)
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>
>   Artis,you know the spoonbeing,wants to do a loopfest modelled on the y2k
> series ,in Seattle in the fall.Anyone on the list from that area
> interested
> in helping produce?Anyone have any good connects,ideas for venues,sponsors
> etc?

I'd be down to participate, Seattle is a bit closer to Corvallis than
Santa Cruz :-). I'm so far out of the Seattle scene that I don't have any
ideas for venues, etc, but I could recommend a few places NOT to do it...


-- 
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dangerous content, and is believed to be clean.

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 01:22:26 2007
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Date: Thu, 1 Mar 2007 17:22:23 -0800
From: "miles ward" <miles932@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Seattle Loopfest
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Crap, you're right. I suck.

On 3/1/07, Richard Sales <richard@glasswing.com> wrote:
> Mileage!  I think it IS Artis.  I wish I could help but the latest is
> I'll be gone at that time.  Latest word is touring starts heavy and
> hard in May and I think I'll be pretty crunched for the duration....
> BUT MAYBE!
>
> I'd love to do some looping with YOU there Miles!  Oh boy.  We could
> raise a serious ruckus!!!
>
> Who knows?  I might get fed up and quit... or get fed up and get fired.
> Or be overfed and get too fat to get through the auditorium doors.  But
> for now it looks like I'll be pretty jammed up to the wall.
>
> Artis is looping?  Oh man.  I'd love to see THAT!
>
> Any of you in Toronto I'll be there 10 March (Canadian Music Week) with
> Hayley Sales at Healey's Blue Jay Way.  We go on at 11.  No looping -
> just straight stuff on my end.  I'll need a lot of coffee but I think I
> can stay awake for it.
>
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 1-Mar-07, at 2:57 PM, miles ward wrote:
>
> > It's Arlis not Artis from what I remember, and I'd love to help, i've
> > got some connections around here :)
> >
> > On 3/1/07, samba - <sambacomet@hotmail.com> wrote:
> >>
> >>   Artis,you know the spoonbeing,wants to do a loopfest modelled on
> >> the y2k
> >> series ,in Seattle in the fall.Anyone on the list from that area
> >> interested
> >> in helping produce?Anyone have any good connects,ideas for
> >> venues,sponsors
> >> etc?
> >>
> >> _________________________________________________________________
> >> Mortgage rates as low as 4.625% - Refinance $150,000 loan for $579 a
> >> month.
> >> Intro*Terms
> >> https://www2.nextag.com/goto.jsp?
> >> product=100000035&url=%2fst.jsp&tm=y&search=mortgage_text_links_88_h27
> >> f6&disc=y&vers=743&s=4056&p=5117
> >>
> >>
> >
> >
> > --
> > ---Miles Ward
> >
> > "The desired effect is what you get, when you improve your
> > interplanetary funksmanship."
> >
>


-- 
---Miles Ward

"The desired effect is what you get, when you improve your
interplanetary funksmanship."

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 01:39:37 2007
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I will be playing a solo set of ambient/industrial drone on looped and effected 
Chapman Stick this Saturday at the Philbog.

Venue:    the Philbog
URL:      http://myspace.com/thephilbog
Address:  404 Lindsay St., Chapel Hill NC 27516
Time:     Begins at 4pm.
Cover:    $3

Flyer:
http://www.subscapeannex.com/pics/flyer12.jpg

Other bands:
Carpet Violence (powerviolence / thrash / grind), Beelzebub Youth (darkwave), 
Snail Ears (twee), Nick Salomon (harsh noise / performance art), Wire Mother 
Cloth Mother (harsh noise), Pacific Before Tiger (minimal electronic), Femme 
Covert (synthpunk), The Drowsies (lofi pop punk), and The Puttys (rock)

best,
Steve B             steve@subscapeannex.com
Subscape Annex      http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 02:32:19 2007
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Date: Thu, 1 Mar 2007 19:32:15 -0700
From: "Doug Wellington" <dougwellington@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Playing at Home v. Playing Live
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On 3/1/07, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> Truth is, I got tired of performing pop songs live.

Yeah, I can understand that!

> So while I hope to get my shit together and start
> playing out from time to time, I find I don't really
> crave it much.  Usually I can't hear myself well, feel
> like I'm disconnected from the audience because of a
> mountain of gear...

Every now and then I have the urge to play out, but then I remember
the last time I did and the urge goes away.  On the other hand, I have
so much gear that I've collected for the job that it seems like a
waste of a perfectly good PA to not play out.  I think it would be
different if I had someone to collaborate with.  (And to share setup
and tear down duties!)  ;-)

> A few times a year I say this and usually get no
> responses, but here goes.  Anyone in the SF Bay Area
> want to come over for some loop'n?  Let me know.

Anybody near Tucson?

Doug

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 02:38:34 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Anything Going on in Chicago, March 25-28
Date: Thu, 1 Mar 2007 19:38:26 -0700
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This is a multi-part message in MIME format.

------=_NextPart_000_0220_01C75C39.2EA1DEC0
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	charset="iso-8859-1"
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I'm going to be in Chicago, March 25 (Sunday) through March 29 =
(Thursday) for work.  Anyone in the area up for a low-key performance or =
get-together? I'll be staying at the Intercontinental Hotel on Michigan =
Ave. Sunday or Monday night would be cool.  I'm bringing my 6-string =
mandolin and laptop.

Kris


*************************************************************************=
*
Krispen Hartung
www.krispenhartung.com / www.myspace.com/krispenhartung
Performance Calendar: =
http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography: http://cdbaby.com/all/khartung 
------=_NextPart_000_0220_01C75C39.2EA1DEC0
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3059" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'm going to be in Chicago, March 25 =
(Sunday)=20
through March 29 (Thursday) for work.&nbsp; Anyone in the area up for a =
low-key=20
performance or get-together? I'll be staying at the Intercontinental =
Hotel on=20
Michigan Ave. Sunday or Monday night would be cool.&nbsp; I'm bringing =
my=20
6-string mandolin and laptop.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>****************************************************************=
**********<BR>Krispen=20
Hartung<BR><A =
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A> /=20
<A=20
href=3D"http://www.myspace.com/krispenhartung">www.myspace.com/krispenhar=
tung</A><BR>Performance=20
Calendar: <A=20
href=3D"http://www.musi-cal.com/search?performers=3DKrispen%20Hartung">ht=
tp://www.musi-cal.com/search?performers=3DKrispen%20Hartung</A><BR><A=20
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A> /=20
1.208.724.5603 <BR>Discography - <A=20
href=3D"http://www.krispenhartung.com/catalogue.htm">http://www.krispenha=
rtung.com/catalogue.htm</A><BR>CD=20
Baby Discography: <A=20
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A=
>=20
</FONT></DIV></BODY></HTML>

------=_NextPart_000_0220_01C75C39.2EA1DEC0--


From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 04:26:50 2007
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Date: Thu, 01 Mar 2007 22:26:48 -0600
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: short piece of music in a kind of cinematic style posted
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	<74504F07-6045-4AFC-9F8C-92E8F632DEC8@gmail.com>
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Quoting Per Boysen <perboysen@gmail.com>:

> Hi,
>
> Today I recorded a short piece of music in a kind of cinematic style I
> like very much. If someone want to listen I put it online here:
> http://www.looproom.com/audio/city_seventeen.m4a

Nice work, Per.  Enjoyed it!

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 05:13:40 2007
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Date: Thu, 1 Mar 2007 21:13:37 -0800
From: "Neil Goldstein" <swamilove@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Projects in the RPMChallenge
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I submitted a solo album just mailed it off today. I got started Feb 23, so
it was a frenzied weekend.

Artist: Neil Goldstein
Album: Notice That Face

Live looping, and post production in Live & Logic with lots of Metasynth.
Dance music, rock-jazz fusion, and many surprises ;-)

(geez I hate the self promotion aspect of trying to be an artist) !

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I submitted a solo album just mailed it off today. I got started Feb 23, so it was a frenzied weekend.<br><br>Artist: Neil Goldstein<br>Album: Notice That Face<br><br>Live looping, and post production in Live &amp; Logic with lots of Metasynth.&nbsp; Dance music, rock-jazz fusion, and many surprises ;-)
<br><br>(geez I hate the self promotion aspect of trying to be an artist) !<br><br>

------=_Part_89158_31383447.1172812417409--

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Date: Thu, 1 Mar 2007 21:28:45 -0800
From: "Neil Goldstein" <swamilove@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Projects in the RPMChallenge
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On 3/1/07, Neil Goldstein <swamilove@gmail.com> wrote:
>
>
>
> (geez I hate the self promotion aspect of trying to be an artist) !



I meant for myself of course :-)

Hope you get a chance to check my stuff out, and I'm looking forward to
hearing yours Jim.

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<br><br><div><span class="gmail_quote">On 3/1/07, <b class="gmail_sendername">Neil Goldstein</b> &lt;<a href="mailto:swamilove@gmail.com">swamilove@gmail.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br><br>(geez I hate the self promotion aspect of trying to be an artist) !</blockquote><div><br><br>I meant for myself of course :-)&nbsp; <br><br>Hope you get a chance to check my stuff out, and I&#39;m looking forward to hearing yours Jim.
<br></div><br></div><br>

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Subject: Seattle Loopfest
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  It IS  Artis,he wants to do it a week or two after Santa Cruz. He was 
extremely enthusiastic at y2k6  which will sort of be the template..I'm 
goingf to try to make some hookups etc. I can't do a lot from here ,Santa 
Cruz ,but what is needed is a good small crew of Allies that can get the 
foundational stuff together,venue,promo tech,actual day of show 
production,also known as in and out.
  I think in Seattle it  should  be possible to draw a decent crowd,esp with 
all the emphasis on originality in the local music scene. When I was last 
there in th elate 90s it was totally uncool to play covers in club bands.

_________________________________________________________________
Find what you need at prices you’ll love. Compare products and save at MSN® 
Shopping. 
http://shopping.msn.com/default/shp/?ptnrid=37,ptnrdata=24102&tcode=T001MSN20A0701

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 05:47:23 2007
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Date: Thu, 1 Mar 2007 21:47:20 -0800
From: "Matt Davignon" <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: live drum-machining on the radio
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If anyone's interested, I'll be doing a live drum machine performance
(with looping) and an interview on KFJC this Saturday, 4pm Pacific
Standard Time.

http://www.kfjc.org/netcast/index.php

(Funny note on "Standard Time" in the USA - congress just recently
passed a thingy so that we're on "Daylight Savings Time" more often
than "Standard Time". This of course could cause some confusion. I'm
suggesting to my congresswoman that what is now Daylight Savings Time
be changed to "Standard Time", and what is now Standard Time be
renamed "Daylight Wasting Time". Makes sense, right?)

Matt Davignon
www.ribosomemusic.com

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Subject: Re: Anything Going on in Chicago, March 25-28
Date: Thu, 1 Mar 2007 23:59:52 -0600
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Kris, perhaps we can set something up. When are you open on those dates?

~peace~
Plish
  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, March 01, 2007 8:38 PM
  Subject: Anything Going on in Chicago, March 25-28


  I'm going to be in Chicago, March 25 (Sunday) through March 29 =
(Thursday) for work.  Anyone in the area up for a low-key performance or =
get-together? I'll be staying at the Intercontinental Hotel on Michigan =
Ave. Sunday or Monday night would be cool.  I'm bringing my 6-string =
mandolin and laptop.

  Kris


  =
*************************************************************************=
*
  Krispen Hartung
  www.krispenhartung.com / www.myspace.com/krispenhartung
  Performance Calendar: =
http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
  info@krispenhartung.com / 1.208.724.5603=20
  Discography - http://www.krispenhartung.com/catalogue.htm
  CD Baby Discography: http://cdbaby.com/all/khartung 
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Kris, perhaps we can set something up. =
When are you=20
open on those dates?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>~peace~</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Plish</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, March 01, 2007 =
8:38=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Anything Going on in =
Chicago,=20
  March 25-28</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>I'm going to be in Chicago, March 25 =
(Sunday)=20
  through March 29 (Thursday) for work.&nbsp; Anyone in the area up for =
a=20
  low-key performance or get-together? I'll be staying at the =
Intercontinental=20
  Hotel on Michigan Ave. Sunday or Monday night would be cool.&nbsp; I'm =

  bringing my 6-string mandolin and laptop.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial=20
  =
size=3D2>****************************************************************=
**********<BR>Krispen=20
  Hartung<BR><A =
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A>=20
  / <A=20
  =
href=3D"http://www.myspace.com/krispenhartung">www.myspace.com/krispenhar=
tung</A><BR>Performance=20
  Calendar: <A=20
  =
href=3D"http://www.musi-cal.com/search?performers=3DKrispen%20Hartung">ht=
tp://www.musi-cal.com/search?performers=3DKrispen%20Hartung</A><BR><A=20
  href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A> /=20
  1.208.724.5603 <BR>Discography - <A=20
  =
href=3D"http://www.krispenhartung.com/catalogue.htm">http://www.krispenha=
rtung.com/catalogue.htm</A><BR>CD=20
  Baby Discography: <A=20
  =
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A=
>=20
  </FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: UPDATE #1: 2nd Annual Boise Experimental Music Festival & BEMF CDs Released!
Date: Thu, 1 Mar 2007 23:00:24 -0700
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This is a pre-Press Release announcement of the 2nd Annual Boise =
Experimental Music Festival (BEMF 2).=20

BEMF 2 is going full steam ahead and is on target to occur on April =
26-28, 2007 at Boise's Visual Arts Collective.  Tickets are now on sale =
at the BEMF 2 website (http://www.boisemusicians.com/BEMF-2/), and at =
will go on sale at the Boise Co-Op (888 W Fort St.) and Visual Arts =
Collective (1419 Grove St.) on April 1.  Ticket prices are $10 a day or =
$15 for a three day pass (that's a mere $5 day for over 12 hours of some =
of the most creative music going in the United States).

BEMF 2 will feature 23 performances and 18 artists from around the =
country, including several major representatives of the experimental, =
avante-garde, and creative music genres from New York, Chicago, =
California, Seattle, Wisconsin, and British Columbia. This program will =
truly be a stellar and mind-blowing event for enthusiasts of creative =
and innovative music art.=20

The performance lineup for the festival is now set and the schedule is =
published on the website:=20
http://www.boisemusicians.com/BEMF-2/ (follow the "schedule" link at the =
top menu). =20

Event Times



April 26, (Thur), 8:30-10:30pm

April 27 (Fri), 8:30pm-Midnight

April 28 (Sat), 2:30pm-Midnight


BEMF 2 performers are:

Amy Vecchione (Boise, ID)
Breccia (Boise, ID)
Craig Green (Idaho Falls, ID)
Jeff Kaiser & Gregory Taylor (Ventura, CA, Madison, WI)
Gretchen Jude (Boise, ID)
Jared Hallock (Boise, ID)
Kris Hartung (Boise, ID)
Lumper-Splitter (Oakland, CA)
Margaret Noble (audio) and Edyta Stepien (video) (Chicago, IL)
Moe! Staiano (Oakland, CA)
Patrick Benolkin (Boise, ID)
Rick Walker (Santa Cruz, CA)
Rob Price & David Grollman (New York, NY)
Stefan Smulovitz (Vancouver, B.C.)
Ted Killian (Medford, OR)
Tom Baker (Seattle, WA)
The Transhumans (Ventura, CA)
Unicorn Feather (Boise, ID)=20

IMPORTANT: Because the Boise Experimental Music Festival is =
fundamentally a non-profit event, it cannot occur without the support =
from local businesses, organizations, and individuals, who value and =
wish to support artistic diversity in Boise and the surrounding Treasure =
Valley. In order to cover event costs and help fund travel expenses for =
top notch artists from around the country, this event cannot proceed =
without financial donations and sponsorship.

If you are or know of a business or individual who may be interested in =
supporting BEMF 2, please have them contact me at the email or phone =
number listed below. The website also has a PayPal button and link for =
people to donate using their Visa or Master cards. All proceeds will go =
directly to BEMF 2 costs and musician travel.

And finally, I have a very special announcement and opportunity for =
individuals to support this year's festival. Excerpts of the 1st Annual =
Boise Experimental Music Festival are now available on a two CDs (BEMF =
Vol. 1 and BEMF Vol. 2) for $11.99 each.  As with sponsors and those who =
donate, all proceeds will go directly to BEMF 2 event and musician =
travel costs with the ultmate goal of everyone breaking even!  You can =
view more information, listen to MP3 samplers, or buy the two CDs at =
this web page: http://www.boisemusicians.com/experimental/CD.htm

A very special thank you also goes to the musicians on these CDs, who =
were generous enough to allow the sale of their live performances to =
support the experimental music scene in Boise, Idaho, USA.  Hats off to =
you all, ladies and gentlemen! :)

Cheers,

*************************************************************************=
*
Krispen Hartung
www.krispenhartung.com / www.myspace.com/krispenhartung
info@krispenhartung.com / 1.208.724.5603=20
BEMF 2: http://www.boisemusicians.com/BEMF-2/
BEMF 1: http://www.boisemusicians.com/experimental
BEMF on Myspace: http://groups.myspace.com/bemf
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<DIV><FONT size=3D2><FONT face=3DArial size=3D3>This is a pre-Press =
Release=20
announcement of the <STRONG>2nd Annual Boise Experimental Music=20
Festival</STRONG> (BEMF 2). </FONT></DIV>
<DIV>
<DIV><FONT face=3DArial size=3D3></FONT>&nbsp;</DIV>
<DIV><FONT size=3D3><FONT face=3DArial><STRONG>BEMF 2</STRONG> is going =
full steam=20
ahead and is on target&nbsp;to occur on&nbsp;<STRONG>April 26-28, =
2007</STRONG>=20
at <STRONG>Boise's Visual Arts Collective</STRONG>.&nbsp; Tickets are =
now on=20
sale at the BEMF 2 website (</FONT></FONT><A=20
href=3D"http://www.boisemusicians.com/BEMF-2/"><FONT face=3DArial=20
size=3D3>http://www.boisemusicians.com/BEMF-2/</FONT></A><FONT =
face=3DArial=20
size=3D3>), and at will go on sale at the Boise Co-Op (888 W Fort St.) =
and Visual=20
Arts Collective (<EM><FONT color=3D#cccccc><FONT color=3D#000000>1419 =
Grove=20
St.)</FONT> </FONT></EM>on April 1.&nbsp; Ticket prices are <STRONG>$10 =
a=20
day</STRONG> or <STRONG>$15 for a three day pass </STRONG>(that's a mere =
$5 day=20
for over 12 hours of some of the most creative music going in the United =

States).</FONT></DIV>
<DIV><FONT face=3DArial size=3D3></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D3>BEMF 2 will feature <STRONG>23=20
performances</STRONG> and <STRONG>18 artists</STRONG> from around the =
country,=20
including several major representatives of the experimental, =
avante-garde, and=20
creative music genres from New York, Chicago, California, Seattle, =
Wisconsin,=20
and British Columbia. This program will truly be a stellar and =
mind-blowing=20
event for enthusiasts of creative and innovative music art. =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D3></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D3>The performance lineup for the festival =
is now set=20
and the schedule is published on the website: </FONT></DIV>
<DIV><A href=3D"http://www.boisemusicians.com/BEMF-2/"><FONT =
face=3DArial=20
size=3D3>http://www.boisemusicians.com/BEMF-2/</FONT></A><FONT =
face=3DArial=20
size=3D3>&nbsp;(follow the&nbsp;"schedule" link at the top menu).&nbsp;=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D3></FONT>&nbsp;</DIV>
<DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN lang=3DDA=20
style=3D"FONT-SIZE: 8pt; FONT-FAMILY: 'Book Antiqua'; mso-ansi-language: =
DA"><FONT=20
face=3DArial size=3D3><STRONG>Event Times</STRONG></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN lang=3DDA=20
style=3D"FONT-SIZE: 8pt; FONT-FAMILY: 'Book Antiqua'; mso-ansi-language: =
DA"><FONT=20
face=3DArial size=3D3></FONT></SPAN>&nbsp;</P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN lang=3DDA=20
style=3D"FONT-SIZE: 8pt; FONT-FAMILY: 'Book Antiqua'; mso-ansi-language: =
DA"><FONT=20
size=3D3><FONT face=3DArial>April 26, (Thur),=20
8:30=9610:30pm<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN lang=3DDA=20
style=3D"FONT-SIZE: 8pt; FONT-FAMILY: 'Book Antiqua'; mso-ansi-language: =
DA"><FONT=20
size=3D3><FONT face=3DArial>April 27 (Fri),=20
8:30pm=96Midnight<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN lang=3DDA=20
style=3D"FONT-SIZE: 8pt; FONT-FAMILY: 'Book Antiqua'; mso-ansi-language: =
DA"><FONT=20
size=3D3><FONT face=3DArial>April 28 (Sat),=20
2:30pm=96Midnight<o:p></o:p></FONT></FONT></SPAN></P></DIV>
<DIV><FONT face=3DArial size=3D3></FONT>&nbsp;</DIV>
<DIV><FONT size=3D3><FONT face=3DArial><STRONG>BEMF 2 =
performers</STRONG>=20
are:</FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D3></FONT>&nbsp;</DIV><FONT face=3DArial =
size=3D3>Amy=20
Vecchione (Boise, ID)<BR>Breccia (Boise, ID)<BR>Craig Green (Idaho =
Falls,=20
ID)<BR>Jeff Kaiser &amp; Gregory Taylor (Ventura, CA, Madison, =
WI)<BR>Gretchen=20
Jude (Boise, ID)<BR>Jared Hallock (Boise, ID)<BR>Kris Hartung (Boise,=20
ID)<BR>Lumper-Splitter (Oakland, CA)<BR>Margaret Noble (audio) and Edyta =
Stepien=20
(video) (Chicago, IL)<BR>Moe! Staiano (Oakland, CA)<BR>Patrick Benolkin =
(Boise,=20
ID)<BR>Rick Walker (Santa Cruz, CA)<BR>Rob Price &amp; David Grollman =
(New York,=20
NY)</FONT><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
Arial"><BR></SPAN><FONT=20
face=3DArial size=3D3>Stefan Smulovitz (Vancouver, B.C.)<BR>Ted Killian =
(Medford,=20
OR)<BR>Tom Baker (Seattle, WA)<BR>The Transhumans (Ventura, =
CA)<BR>Unicorn=20
Feather (Boise, ID) </FONT>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D3><FONT face=3DArial><STRONG>IMPORTANT:</STRONG> =
Because the=20
<STRONG>Boise Experimental Music Festival</STRONG> is fundamentally a =
non-profit=20
event, it cannot occur without the support from local businesses, =
organizations,=20
and individuals, who value and wish to support artistic diversity in =
Boise and=20
the surrounding Treasure Valley. In order to cover event costs and help =
fund=20
travel expenses for top notch artists from around the country, this =
event cannot=20
proceed without financial donations and sponsorship.</FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D3></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D3>If you are or know of a business or=20
individual&nbsp;who&nbsp;may be interested in supporting BEMF 2, please =
have=20
them contact me at the email or phone number listed below. The website =
also has=20
a <STRONG>PayPal</STRONG> button and link for people to donate using =
their Visa=20
or Master cards. All proceeds will go directly to BEMF 2 costs and =
musician=20
travel.</FONT></DIV>
<DIV><FONT face=3DArial size=3D3></FONT>&nbsp;</DIV>
<DIV><FONT size=3D3><FONT face=3DArial><FONT color=3D#000080>And =
finally, I have a=20
very special announcement and opportunity for individuals to support =
this year's=20
festival. Excerpts of the <STRONG>1st Annual Boise Experimental Music=20
Festival</STRONG> are now available on a two CDs (<STRONG>BEMF Vol. 1 =
and BEMF=20
Vol. 2</STRONG>) for $11.99 each.&nbsp; As with sponsors and those who =
donate,=20
all proceeds will go directly to BEMF 2 event and musician travel costs =
with the=20
ultmate goal of everyone breaking even!&nbsp; You can view more =
information,=20
listen to MP3 samplers,&nbsp;or buy the two CDs at this web page:</FONT> =

</FONT></FONT><A href=3D"http://www.boisemusicians.com/experimental"><A=20
href=3D"http://www.boisemusicians.com/experimental/CD.htm"><FONT =
face=3DArial=20
size=3D3>http://www.boisemusicians.com/experimental/CD.htm</FONT></A></DI=
V>
<DIV><FONT face=3DArial size=3D3></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#000080 size=3D3>A very special thank =
you also goes to=20
the musicians on these CDs, who were generous enough&nbsp;to allow the =
sale of=20
their live performances to support the experimental music scene in =
Boise, Idaho,=20
USA.&nbsp; Hats off to you all, ladies and gentlemen! :)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D3>Cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D3></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D3>****************************************************************=
**********<BR>Krispen=20
Hartung<BR></FONT><A href=3D"http://www.krispenhartung.com"><FONT =
face=3DArial=20
size=3D3>www.krispenhartung.com</FONT></A><FONT face=3DArial size=3D3> / =
</FONT><A=20
href=3D"http://www.myspace.com/krispenhartung"><FONT face=3DArial=20
size=3D3>www.myspace.com/krispenhartung</FONT></A><BR><A=20
href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial=20
size=3D3>info@krispenhartung.com</FONT></A><FONT face=3DArial size=3D3> =
/=20
1.208.724.5603 <BR>BEMF 2: </FONT><A=20
href=3D"http://www.boisemusicians.com/BEMF-2/"><FONT face=3DArial=20
size=3D3>http://www.boisemusicians.com/BEMF-2/</FONT></A></DIV>
<DIV><FONT face=3DArial size=3D3>BEMF 1: </FONT><A=20
href=3D"http://www.boisemusicians.com/experimental"><FONT face=3DArial=20
size=3D3>http://www.boisemusicians.com/experimental</FONT></A></DIV>
<DIV><FONT face=3DArial size=3D3>BEMF on Myspace: </FONT><A=20
href=3D"http://groups.myspace.com/bemf"><FONT face=3DArial=20
size=3D3>http://groups.myspace.com/bemf</FONT></A></DIV></FONT></DIV></BO=
DY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 06:05:16 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <022301c75c73$dcac9200$e1ccf40f@americas.hpqcorp.net> <001501c75c8f$ff908ad0$4201a8c0@MichaelPlishka>
Subject: Re: Anything Going on in Chicago, March 25-28
Date: Thu, 1 Mar 2007 23:05:13 -0700
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Probably any time after 7pm or so. If we can't get a gig lined up, it =
would be fun to have a drink with some local loopers!  :)

Kris

  ----- Original Message -----=20
  From: Michael Plishka=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, March 01, 2007 10:59 PM
  Subject: Re: Anything Going on in Chicago, March 25-28


  Kris, perhaps we can set something up. When are you open on those =
dates?

  ~peace~
  Plish
    ----- Original Message -----=20
    From: Krispen Hartung=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Thursday, March 01, 2007 8:38 PM
    Subject: Anything Going on in Chicago, March 25-28


    I'm going to be in Chicago, March 25 (Sunday) through March 29 =
(Thursday) for work.  Anyone in the area up for a low-key performance or =
get-together? I'll be staying at the Intercontinental Hotel on Michigan =
Ave. Sunday or Monday night would be cool.  I'm bringing my 6-string =
mandolin and laptop.

    Kris


    =
*************************************************************************=
*
    Krispen Hartung
    www.krispenhartung.com / www.myspace.com/krispenhartung
    Performance Calendar: =
http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
    info@krispenhartung.com / 1.208.724.5603=20
    Discography - http://www.krispenhartung.com/catalogue.htm
    CD Baby Discography: http://cdbaby.com/all/khartung 
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Probably any time after 7pm or so. If =
we can't get=20
a gig lined up, it would be fun to have a drink with some local =
loopers!&nbsp;=20
:)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmike@michaelplishka.com =
href=3D"mailto:mike@michaelplishka.com">Michael=20
  Plishka</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, March 01, 2007 =
10:59=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Anything Going on =
in=20
  Chicago, March 25-28</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Kris, perhaps we can set something =
up. When are=20
  you open on those dates?</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>~peace~</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Plish</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
    Hartung</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, March 01, =
2007 8:38=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Anything Going on in =
Chicago,=20
    March 25-28</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>I'm going to be in Chicago, March =
25 (Sunday)=20
    through March 29 (Thursday) for work.&nbsp; Anyone in the area up =
for a=20
    low-key performance or get-together? I'll be staying at the =
Intercontinental=20
    Hotel on Michigan Ave. Sunday or Monday night would be cool.&nbsp; =
I'm=20
    bringing my 6-string mandolin and laptop.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial=20
    =
size=3D2>****************************************************************=
**********<BR>Krispen=20
    Hartung<BR><A=20
    href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A> / =
<A=20
    =
href=3D"http://www.myspace.com/krispenhartung">www.myspace.com/krispenhar=
tung</A><BR>Performance=20
    Calendar: <A=20
    =
href=3D"http://www.musi-cal.com/search?performers=3DKrispen%20Hartung">ht=
tp://www.musi-cal.com/search?performers=3DKrispen%20Hartung</A><BR><A=20
    href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A> =
/=20
    1.208.724.5603 <BR>Discography - <A=20
    =
href=3D"http://www.krispenhartung.com/catalogue.htm">http://www.krispenha=
rtung.com/catalogue.htm</A><BR>CD=20
    Baby Discography: <A=20
    =
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A=
>=20
    </FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 07:38:02 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: short piece of music in a kind of cinematic style posted
Date: Fri, 2 Mar 2007 08:37:46 +0100
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     * From: Richard Sales <richard@glasswing.com>

> You're the man, Per! I like the bassoon sounding guy in City 17. Is  
> that the EWI?


Yes. That particular sound is playing the EWI driving a sampler  
loaded with bass clarinet samples, patched through a virtual wha  
pedal and through a virtual slightly overdriven UK Combo 30W and a UK  
1x12 open cabinet. The whining sound that has some sitar and flute to  
it is the EWI driving Sculpture (modeling synth of Logic's). But he  
first part I recorded with the EWI was the strings. I used a multi  
sample set taken from old Mellotrone tapes with the sampler's LFO  
synced to the song tempo via a tempo division factor assigned to the  
EWI's breath control. So the harder I'm blowing into the mouthpiece  
the faster the tremolo goes with the string orchestra patch. That  
makes it possible to hold just one note and still make some rhythmic  
tension over time :-)

per

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Subject: Re: Subscape Annex at Breakfest March 3, Chapel Hill NC
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soundz like my kinda low frequency gang-
wish i were there
s

-----Original Message-----
>From: burnett@pobox.com
>Sent: Mar 1, 2007 8:38 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Subscape Annex at Breakfest March 3, Chapel Hill NC
>
>I will be playing a solo set of ambient/industrial drone on looped and effected 
>Chapman Stick this Saturday at the Philbog.
>
>Venue:    the Philbog
>URL:      http://myspace.com/thephilbog
>Address:  404 Lindsay St., Chapel Hill NC 27516
>Time:     Begins at 4pm.
>Cover:    $3
>
>Flyer:
>http://www.subscapeannex.com/pics/flyer12.jpg
>
>Other bands:
>Carpet Violence (powerviolence / thrash / grind), Beelzebub Youth (darkwave), 
>Snail Ears (twee), Nick Salomon (harsh noise / performance art), Wire Mother 
>Cloth Mother (harsh noise), Pacific Before Tiger (minimal electronic), Femme 
>Covert (synthpunk), The Drowsies (lofi pop punk), and The Puttys (rock)
>
>best,
>Steve B             steve@subscapeannex.com
>Subscape Annex      http://www.subscapeannex.com/
>

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: the side effects of looping
Date: Fri, 2 Mar 2007 09:15:49 +0100
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---- Dan Katayama <dan.katayama@gmail.com> wrote:

>> But I've come to notice, that I've lost the ability to "write"  
>> with a band.
>> If they give me an idea, I can contribute, but to sit there and  
>> "write"
>> spontaneously has been difficult.


I subscribe to the idea that "composition" can be described as "slow  
motion improvisation". This gives you can improve composition  
abilities by practicing looping - but only if you practice looping in  
a split vision mind set (see below).


>> Because I'm still thinking in layers..I'm thinking slow...and  
>> somehow I've
>> lost something.

Do you mean that you visualize music as layers? And because layers in  
a long loop are laid down in a linear way, one after the other, you  
have gotten used to proceed slowly? If that's the case you need some  
medicine to recover ;-)) As a healthy practice you can focus on  
looping much faster. Make short loops and put new layers in on every  
round. Never "wait", play something all the time, while taking out  
old stuff (by feedback or SUSSubstitute etc.). That praxis will teach  
your brain to visualize music not as "layers on a time line" but as  
"a mess of many layers heard at once". You need to re-learn how to  
see the forrest, not only the specific tree you walk by. I think this  
is the most important factor in all music making, not only in  
looping. You have to master it, since it's a foundation. The very  
same skill is learned by ice hockey players, then called "split  
vision" - the ability to keep a true vision of all players positions  
while still being able to fiddle around with the puck right in front  
of your toes.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 08:36:16 2007
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From: "RICK WALKER" <looppool@cruzio.com>
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Subject: Re: Seattle Loopfest
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The Y2K7 International Live Looping Festival will
be the third weekend in October (17-22)
and I'd greatly appreciate it if we didn't double
book with each other.   We've worked so hard to
try and build this festival into a successful one it would
be great not to have to split the west coast energy for such an
event.

Also,  I'd love to come up and perform at a Seattle Loop Fest
if one occurs and there is room for me.

repectfully,
Rick Walker
organizer Y2K Series Live Looping Festivals

ps  I've produced so many looping festivals in the past 7 years that you can
also contact me if you want any help with planning advice.
I've learned a lot of things about having a wonderful festival on a
ridiculously low budget.   Let me know if I can be of assistance
if this gets off the ground and good luck............it's exciting to 
contemplate. 

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 10:23:47 2007
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Subject: what looping tool?
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i'm about to enter the loops. could you please advise me as to which looping 
tool(s) will work well for me. this is the spec:
i want to perform spoken word poetry accompanied with improvised vocal 
loops. for example, i sing a 4 bar bass loop, then i want this to continuein 
time looping seamlessly (assuming i've hit it on time) while i add a vocal 
hi hat. once i've got a few loops working i'll perform the poem live over 
the top. the effect i want to generate is of a track growing organically in 
real time, so everything drops in from the live recording without any stops 
and starts.
i was looking at a boss RC50 - what d'you think?
md

www.myspace.com/martindawsquintet

_________________________________________________________________
Exclusive Ed Byrne daily comedy clips on MSN Video 
http://specials.uk.msn.com/edbyrne/

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 10:37:13 2007
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woops, further to the previous post, i also want to use foot pedals for the 
looping, i don't want to be bending over squinting at buttons (or a laptop) 
and ignoring the audience, and i want to keep my hands free.
ok. thanks.
md





i'm about to enter the loops. could you please advise me as to which looping 
tool(s) will work well for me. this is the spec:
i want to perform spoken word poetry accompanied with improvised vocal 
loops. for example, i sing a 4 bar bass loop, then i want this to continuein 
time looping seamlessly (assuming i've hit it on time) while i add a vocal 
hi hat. once i've got a few loops working i'll perform the poem live over 
the top. the effect i want to generate is of a track growing organically in 
real time, so everything drops in from the live recording without any stops 
and starts.
i was looking at a boss RC50 - what d'you think?
md

www.myspace.com/martindawsquintet

_________________________________________________________________
Get Messenger FREE on your Mobile https://livemessenger.mobile.uk.msn.com/

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 11:19:38 2007
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Wow, Per.
I really like it !!!
It's freesh and that touch my emotions.
Beautiful orchestration.
Thanks for sharing

fa
http://xoomer.alice.it/eterogeneo
www.myspace.com/eterogeneo



----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 01, 2007 11:18 PM
Subject: short piece of music in a kind of cinematic style posted


> Hi,
>
> Today I recorded a short piece of music in a kind of cinematic style  I 
> like very much. If someone want to listen I put it online here:
> http://www.looproom.com/audio/city_seventeen.m4a
>
> This piece was not produced by live looping (as the guitar piece I  posted 
> some days ago) but the feel, the orchestration and the  performance 
> attitude is something I have directly learned from  practicing looping (at 
> home and at concerts ;-). Back in the days I  would have had to compose to 
> come up with this kind of music, but  after the recent years of live 
> looping it feels more natural to  improvise the parts very quickly (when I 
> succeed in disconnecting my  brain a more interesting music is starting to 
> happen). The idea is,  as in solo looping, to do "questions and answers", 
> taking on  different roles by playing different instruments against each 
> other.  The instrument I played here was the EWI 4000s. But in a way I 
> would  also like say that Logic makes for a great deal of "the 
> instrument".  Logic's synths, sampler functionality and dynamic filtering 
> effects  makes it possible to find the sound I have been thinking about 
> for  years. To record unquantized MIDI with an EWI into a sequencer of 
> that high resolution is the damn coolest palette IMHO! So this is why  I 
> want to daisy-chain a Mac in front of my Mobius looping laptop ;-)
>
> per
>
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.5.446 / Virus Database: 268.18.5/707 - Release Date: 01/03/2007 
> 14.43
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 11:57:32 2007
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Hello Per - I like it a lot; there were pictures of some dark movie plot 
rising in my head...

Dirk

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 12:44:09 2007
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On Fri, 2 Mar 2007, stanitarium@earthlink.net wrote:
> Steve B wrote:
>> http://www.subscapeannex.com/pics/flyer12.jpg
> soundz like my kinda low frequency gang-
> wish i were there

Thanks, Stan, it should be fun. I don't know most of the other performers, 
so I'm looking forward to hearing new to me material.

best,
Steve B             steve@subscapeannex.com
Subscape Annex      http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 16:43:33 2007
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Hi Martin,
   What you want to do seems quite basic. I'm sure that a rc50 would work
great for you but I think the rc20xl would work just as well for you and is
cheaper. I have had one before and it had 16 minutes of loop time with
unlimited overdubs. It also saves your work when you turn it off and sounds
pretty good IMO.

On 3/2/07, martin daws <thepoetmd@hotmail.com> wrote:
>
> i'm about to enter the loops. could you please advise me as to which
> looping
> tool(s) will work well for me. this is the spec:
> i want to perform spoken word poetry accompanied with improvised vocal
> loops. for example, i sing a 4 bar bass loop, then i want this to
> continuein
> time looping seamlessly (assuming i've hit it on time) while i add a vocal
> hi hat. once i've got a few loops working i'll perform the poem live over
> the top. the effect i want to generate is of a track growing organically
> in
> real time, so everything drops in from the live recording without any
> stops
> and starts.
> i was looking at a boss RC50 - what d'you think?
> md
>
> www.myspace.com/martindawsquintet
>
> _________________________________________________________________
> Exclusive Ed Byrne daily comedy clips on MSN Video
> http://specials.uk.msn.com/edbyrne/
>
>

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Hi Martin,<br>&nbsp;&nbsp; What you want to do seems quite basic. I&#39;m sure that a rc50 would work great for you but I think the rc20xl would work just as well for you and is cheaper. I have had one before and it had 16 minutes of loop time with unlimited overdubs. It also saves your work when you turn it off and sounds pretty good IMO.
<br><br><div><span class="gmail_quote">On 3/2/07, <b class="gmail_sendername">martin daws</b> &lt;<a href="mailto:thepoetmd@hotmail.com">thepoetmd@hotmail.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
i&#39;m about to enter the loops. could you please advise me as to which looping<br>tool(s) will work well for me. this is the spec:<br>i want to perform spoken word poetry accompanied with improvised vocal<br>loops. for example, i sing a 4 bar bass loop, then i want this to continuein
<br>time looping seamlessly (assuming i&#39;ve hit it on time) while i add a vocal<br>hi hat. once i&#39;ve got a few loops working i&#39;ll perform the poem live over<br>the top. the effect i want to generate is of a track growing organically in
<br>real time, so everything drops in from the live recording without any stops<br>and starts.<br>i was looking at a boss RC50 - what d&#39;you think?<br>md<br><br><a href="http://www.myspace.com/martindawsquintet">www.myspace.com/martindawsquintet
</a><br><br>_________________________________________________________________<br>Exclusive Ed Byrne daily comedy clips on MSN Video<br><a href="http://specials.uk.msn.com/edbyrne/">http://specials.uk.msn.com/edbyrne/</a><br>
<br></blockquote></div><br>

------=_Part_86871_31601483.1172853809524--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 16:46:11 2007
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Another thing about the rc20xl. It only has 2 footswitches so it is very
basic and easy to use. It has several smaller buttons for programming your
settings and such but once you have done that, you only need one foot and
don't really have to even look at it since there are only 2 footswitches.

On 3/2/07, martin daws <thepoetmd@hotmail.com> wrote:
>
> woops, further to the previous post, i also want to use foot pedals for
> the
> looping, i don't want to be bending over squinting at buttons (or a
> laptop)
> and ignoring the audience, and i want to keep my hands free.
> ok. thanks.
> md
>
>
>
>
>
> i'm about to enter the loops. could you please advise me as to which
> looping
> tool(s) will work well for me. this is the spec:
> i want to perform spoken word poetry accompanied with improvised vocal
> loops. for example, i sing a 4 bar bass loop, then i want this to
> continuein
> time looping seamlessly (assuming i've hit it on time) while i add a vocal
> hi hat. once i've got a few loops working i'll perform the poem live over
> the top. the effect i want to generate is of a track growing organically
> in
> real time, so everything drops in from the live recording without any
> stops
> and starts.
> i was looking at a boss RC50 - what d'you think?
> md
>
> www.myspace.com/martindawsquintet
>
> _________________________________________________________________
> Get Messenger FREE on your Mobile https://livemessenger.mobile.uk.msn.com/
>
>

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Another thing about the rc20xl. It only has 2 footswitches so it is very basic and easy to use. It has several smaller buttons for programming your settings and such but once you have done that, you only need one foot and don&#39;t really have to even look at it since there are only 2 footswitches.
<br><br><div><span class="gmail_quote">On 3/2/07, <b class="gmail_sendername">martin daws</b> &lt;<a href="mailto:thepoetmd@hotmail.com">thepoetmd@hotmail.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
woops, further to the previous post, i also want to use foot pedals for the<br>looping, i don&#39;t want to be bending over squinting at buttons (or a laptop)<br>and ignoring the audience, and i want to keep my hands free.
<br>ok. thanks.<br>md<br><br><br><br><br><br>i&#39;m about to enter the loops. could you please advise me as to which looping<br>tool(s) will work well for me. this is the spec:<br>i want to perform spoken word poetry accompanied with improvised vocal
<br>loops. for example, i sing a 4 bar bass loop, then i want this to continuein<br>time looping seamlessly (assuming i&#39;ve hit it on time) while i add a vocal<br>hi hat. once i&#39;ve got a few loops working i&#39;ll perform the poem live over
<br>the top. the effect i want to generate is of a track growing organically in<br>real time, so everything drops in from the live recording without any stops<br>and starts.<br>i was looking at a boss RC50 - what d&#39;you think?
<br>md<br><br><a href="http://www.myspace.com/martindawsquintet">www.myspace.com/martindawsquintet</a><br><br>_________________________________________________________________<br>Get Messenger FREE on your Mobile <a href="https://livemessenger.mobile.uk.msn.com/">
https://livemessenger.mobile.uk.msn.com/</a><br><br></blockquote></div><br>

------=_Part_86939_31727769.1172853969552--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 18:12:42 2007
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Subject: RE: short piece of music in a kind of cinematic style posted
Date: Fri, 2 Mar 2007 10:13:16 -0800
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Very nice work Per! I love the juxtaposition of timbres; I'd love to hear
longer versions of this kind of work. Thanks for posting this.
~Greg

-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com] 
Sent: Thursday, March 01, 2007 2:19 PM
To: Loopers-Delight@loopers-delight.com
Subject: short piece of music in a kind of cinematic style posted

Hi,

Today I recorded a short piece of music in a kind of cinematic style  
I like very much. If someone want to listen I put it online here:
http://www.looproom.com/audio/city_seventeen.m4a

This piece was not produced by live looping (as the guitar piece I  
posted some days ago) but the feel, the orchestration and the  
performance attitude is something I have directly learned from  
practicing looping (at home and at concerts ;-). Back in the days I  
would have had to compose to come up with this kind of music, but  
after the recent years of live looping it feels more natural to  
improvise the parts very quickly (when I succeed in disconnecting my  
brain a more interesting music is starting to happen). The idea is,  
as in solo looping, to do "questions and answers", taking on  
different roles by playing different instruments against each other.  
The instrument I played here was the EWI 4000s. But in a way I would  
also like say that Logic makes for a great deal of "the instrument".  
Logic's synths, sampler functionality and dynamic filtering effects  
makes it possible to find the sound I have been thinking about for  
years. To record unquantized MIDI with an EWI into a sequencer of  
that high resolution is the damn coolest palette IMHO! So this is why  
I want to daisy-chain a Mac in front of my Mobius looping laptop ;-)

per

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 18:20:07 2007
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per....your music posts always works on my puter, but this time all i 
get is a long page of crazy letters and stuff that comes up when i hit 
the link.....i use safari on my emac.....what am i doing 
wrong?.....michael


www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

<<www.looproom.com/audio/city_seventeen.m4a>>

________________________________________________________________________
AOL now offers free email to everyone.  Find out more about what's free 
from AOL at AOL.com.

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 18:29:37 2007
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--Apple-Mail-4--868044695
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I haven't followed the show at all, but my wife brought this to my  
attention:

Audition for American Idol -
http://www.youtube.com/watch?v=1Rwe2Q3VXsw

Looping performance -  http://www.youtube.com/watch?v=Y2cj8XXzRC8
--Apple-Mail-4--868044695
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">I haven't followed the show at =
all, but my wife brought this to my attention:<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Audition for American Idol =
-=A0</DIV><DIV><A =
href=3D"http://www.youtube.com/watch?v=3D1Rwe2Q3VXsw">http://www.youtube.c=
om/watch?v=3D1Rwe2Q3VXsw</A><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Looping performance -=A0=A0<A=
 =
href=3D"http://www.youtube.com/watch?v=3DY2cj8XXzRC8">http://www.youtube.c=
om/watch?v=3DY2cj8XXzRC8</A></DIV></BODY></HTML>=

--Apple-Mail-4--868044695--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 18:33:31 2007
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From: nico spahni <nicosp@gmx.net>
Subject: Re: short piece of music in a kind of cinematic style posted
Date: Fri, 2 Mar 2007 19:33:15 +0100
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I finally got round to listening to the piece, Per. I can only second 
the opinions that I've read so far: very cool ambient stuff with lots 
of lush textures! As regards the production software, I'm one of those 
who needn't be convinced of LOGIC's merits. I've been using the 
software for years to produce all kinds of music.

Cheers

Nico

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 18:49:52 2007
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Same thing with me. I am also using safari.

I notice that your link is coded as M4a file as opposed to Mp3. Could  
this be the issue?

Yours in looping.

   joe


On Friday, March 2, 2007, at 10:19 AM, nemoguitt@aol.com wrote:

> per....your music posts always works on my puter, but this time all i  
> get is a long page of crazy letters and stuff that comes up when i hit  
> the link.....i use safari on my emac.....what am i doing  
> wrong?.....michael
>
>
> www.ct-collective.com
> http://mysite.verizon.net/vzepmeci/
> http://www.myspace.com/klobuchar11
>
> <<www.looproom.com/audio/city_seventeen.m4a>>
>
> _______________________________________________________________________ 
> _
> AOL now offers free email to everyone.  Find out more about what's  
> free from AOL at AOL.com.
>

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Date: Fri, 2 Mar 2007 10:51:44 -0800 (PST)
From: x031661-loopers@yahoo.com
Subject: Re: what looping tool? again
To: Loopers-Delight@loopers-delight.com
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I'd sat the RC-50 is overkill for what you describe.=0AI've used the digite=
ch jamman and I think it would work well for what you want to do.=0A=0A=0A-=
---- Original Message ----=0AFrom: martin daws <thepoetmd@hotmail.com>=0ATo=
: Loopers-Delight@loopers-delight.com=0ASent: Friday, March 2, 2007 5:37:06=
 AM=0ASubject: what looping tool? again=0A=0Awoops, further to the previous=
 post, i also want to use foot pedals for the =0Alooping, i don't want to b=
e bending over squinting at buttons (or a laptop) =0Aand ignoring the audie=
nce, and i want to keep my hands free.=0Aok. thanks.=0Amd=0A=0A=0A=0A=0A=0A=
i'm about to enter the loops. could you please advise me as to which loopin=
g =0Atool(s) will work well for me. this is the spec:=0Ai want to perform s=
poken word poetry accompanied with improvised vocal =0Aloops. for example, =
i sing a 4 bar bass loop, then i want this to continuein =0Atime looping se=
amlessly (assuming i've hit it on time) while i add a vocal =0Ahi hat. once=
 i've got a few loops working i'll perform the poem live over =0Athe top. t=
he effect i want to generate is of a track growing organically in =0Areal t=
ime, so everything drops in from the live recording without any stops =0Aan=
d starts.=0Ai was looking at a boss RC50 - what d'you think?=0Amd=0A=0Awww.=
myspace.com/martindawsquintet=0A=0A________________________________________=
_________________________=0AGet Messenger FREE on your Mobile https://livem=
essenger.mobile.uk.msn.com/=0A=0A=0A=0A

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 18:58:54 2007
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From: nico spahni <nicosp@gmx.net>
Subject: Re: short piece of music in a kind of cinematic style posted
Date: Fri, 2 Mar 2007 19:58:42 +0100
To: Loopers-Delight@loopers-delight.com
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I've just experienced the same problem on my Mac. Here's the solution:  
download the file from Per's website and open it in iTunes.

Nico


Am 02.03.2007 um 19:58 schrieb Sheila Olson:

> Same thing with me. I am also using safari.
>
> I notice that your link is coded as M4a file as opposed to Mp3. Could  
> this be the issue?
>
> Yours in looping.
>
>   joe
>
>
> On Friday, March 2, 2007, at 10:19 AM, nemoguitt@aol.com wrote:
>
>> per....your music posts always works on my puter, but this time all i  
>> get is a long page of crazy letters and stuff that comes up when i  
>> hit the link.....i use safari on my emac.....what am i doing  
>> wrong?.....michael
>>
>>
>> www.ct-collective.com
>> http://mysite.verizon.net/vzepmeci/
>> http://www.myspace.com/klobuchar11
>>
>> <<www.looproom.com/audio/city_seventeen.m4a>>
>>
>> ______________________________________________________________________ 
>> __
>> AOL now offers free email to everyone.  Find out more about what's  
>> free from AOL at AOL.com.
>>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 19:07:00 2007
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From: Josh Carroll <josh@infinivert.com>
Subject: Re: short piece of music in a kind of cinematic style posted
Date: Fri, 2 Mar 2007 13:06:51 -0600
To: Loopers-Delight@loopers-delight.com
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The issue is that your browser doesn't know that an m4a file should  
be treated as audio, so it's opening it as text, like an xml file.   
What you're seeing is the textual representation of the digital audio  
file.  If you will ctrl+click the link in Per's e-mail and save the  
file to your Mac first, you'll be able to listen to it from there.

--Josh



On Mar 2, 2007, at 12:19 PM, nemoguitt@aol.com wrote:

> per....your music posts always works on my puter, but this time all  
> i get is a long page of crazy letters and stuff that comes up when  
> i hit the link.....i use safari on my emac.....what am i doing  
> wrong?.....michael
>
>
> www.ct-collective.com
> http://mysite.verizon.net/vzepmeci/
> http://www.myspace.com/klobuchar11
>
> <<www.looproom.com/audio/city_seventeen.m4a>>
>
> ______________________________________________________________________ 
> __
> AOL now offers free email to everyone.  Find out more about what's  
> free from AOL at AOL.com.
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 19:07:53 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: short piece of music in a kind of cinematic style posted
Date: Fri, 2 Mar 2007 20:07:43 +0100
To: Loopers-Delight@loopers-delight.com
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Here's a temporary page for download: http://www.looproom.com/ 
temporary.php
Right click on the link, or option-click with a Mac to download the  
file.

Yes, it's an AAC file. I kind of like them better because they sound  
better, are smaller and not locked into patent ownership - as the mp3  
format.

How embarrassing for Apple that their own browser can't handle their  
own compression format! ;-)

per


On 2 mar 2007, at 19.58, nico spahni wrote:

> I've just experienced the same problem on my Mac. Here's the  
> solution: download the file from Per's website and open it in iTunes.
>
> Nico
>
>
> Am 02.03.2007 um 19:58 schrieb Sheila Olson:
>
>> Same thing with me. I am also using safari.


From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 19:09:49 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <E6EEE393-A1E4-4A6D-AE2C-500AC611FA4C@infinivert.com>
Subject: Re: Live Looper on American Idol
Date: Fri, 2 Mar 2007 12:09:44 -0700
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------=_NextPart_000_0465_01C75CC3.AA5DCA80
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yeah, Blake is one of my AI favorties. He sang a Jamiriqui tune earlier =
in the week (Virtual Reality), which I missed because I was traveling. =
Damn! I love that group.

I tell you one thing, he can scat like a mother f*cker, and any vocalist =
who can do that, loop, and not sound like some cheesy, stiff white guy =
trying to sound like a black vocliast has my vote. :)   Leslie Hunt's =
performance and scatting at the end of her tune made me cringe. Yucky, =
icky, stuff.

Though I still think the girls are kicking the guys asses on American =
Idol. Melinda's version of My Funny Valentine gave me the chills. That =
girl can really belt it out.=20

Uh oh...did I just reveal that I'm a major AI fan?

Kris

  ----- Original Message -----=20
  From: Josh Carroll=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, March 02, 2007 11:29 AM
  Subject: Live Looper on American Idol


  I haven't followed the show at all, but my wife brought this to my =
attention:


  Audition for American Idol -=20
  http://www.youtube.com/watch?v=3D1Rwe2Q3VXsw



  Looping performance -  http://www.youtube.com/watch?v=3DY2cj8XXzRC8
------=_NextPart_000_0465_01C75CC3.AA5DCA80
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3059" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>yeah,&nbsp;Blake is one of my AI =
favorties. He sang=20
a Jamiriqui tune earlier in the week (Virtual Reality), which I missed =
because I=20
was traveling. Damn! I love that group.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I tell you one thing, he can scat like =
a mother=20
f*cker, and any vocalist who can do that, loop, and not sound like some =
cheesy,=20
stiff&nbsp;white guy trying to sound like a black&nbsp;vocliast&nbsp;has =
my=20
vote. :)&nbsp;&nbsp; Leslie Hunt's performance and scatting at the end=20
of&nbsp;her tune made me cringe. Yucky, icky, stuff.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Though I still think the girls are =
kicking the guys=20
asses on American Idol. Melinda's version of My Funny Valentine gave me =
the=20
chills. That&nbsp;girl can&nbsp;really belt it out.&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Uh oh...did I just reveal that I'm a =
major AI=20
fan?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djosh@infinivert.com =
href=3D"mailto:josh@infinivert.com">Josh=20
  Carroll</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, March 02, 2007 =
11:29=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Live Looper on =
American=20
  Idol</DIV>
  <DIV><BR></DIV>I haven't followed the show at all, but my wife brought =
this to=20
  my attention:
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>Audition for American Idol -&nbsp;</DIV>
  <DIV><A=20
  =
href=3D"http://www.youtube.com/watch?v=3D1Rwe2Q3VXsw">http://www.youtube.=
com/watch?v=3D1Rwe2Q3VXsw</A><BR=20
  class=3Dkhtml-block-placeholder></DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>Looping performance -&nbsp;&nbsp;<A=20
  =
href=3D"http://www.youtube.com/watch?v=3DY2cj8XXzRC8">http://www.youtube.=
com/watch?v=3DY2cj8XXzRC8</A></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0465_01C75CC3.AA5DCA80--


From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 19:26:32 2007
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Subject: Re: Live Looper on American Idol
Date: Fri, 2 Mar 2007 13:26:21 -0600
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Ha!  I'd sure like to know what pedal(s) he's using to get those cool  
glitchy stutter-sounds in the second video...  Any ideas?

--Josh


On Mar 2, 2007, at 1:09 PM, Krispen Hartung wrote:

> yeah, Blake is one of my AI favorties. He sang a Jamiriqui tune  
> earlier in the week (Virtual Reality), which I missed because I was  
> traveling. Damn! I love that group.
>
> I tell you one thing, he can scat like a mother f*cker, and any  
> vocalist who can do that, loop, and not sound like some cheesy,  
> stiff white guy trying to sound like a black vocliast has my  
> vote. :)   Leslie Hunt's performance and scatting at the end of her  
> tune made me cringe. Yucky, icky, stuff.
>
> Though I still think the girls are kicking the guys asses on  
> American Idol. Melinda's version of My Funny Valentine gave me the  
> chills. That girl can really belt it out.
>
> Uh oh...did I just reveal that I'm a major AI fan?
>
> Kris
>
> ----- Original Message -----
> From: Josh Carroll
> To: Loopers-Delight@loopers-delight.com
> Sent: Friday, March 02, 2007 11:29 AM
> Subject: Live Looper on American Idol
>
> I haven't followed the show at all, but my wife brought this to my  
> attention:
>
> Audition for American Idol -
> http://www.youtube.com/watch?v=1Rwe2Q3VXsw
>
> Looping performance -  http://www.youtube.com/watch?v=Y2cj8XXzRC8
>


--Apple-Mail-1--864629955
Content-Transfer-Encoding: quoted-printable
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	charset=ISO-8859-1

<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Ha!=A0 I'd sure like to know =
what pedal(s) he's using to get those cool glitchy stutter-sounds in the =
second video...=A0 Any ideas?<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>--Josh</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Mar 2, =
2007, at 1:09 PM, Krispen Hartung wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Lucida =
Grande; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: =
0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV><FONT =
face=3D"Arial" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-family: Arial; font-size: 10px; ">yeah,=A0Blake is one of =
my AI favorties. He sang a Jamiriqui tune earlier in the week (Virtual =
Reality), which I missed because I was traveling. Damn! I love that =
group.</SPAN></FONT></DIV><DIV><FONT face=3D"Arial" =
size=3D"2"></FONT>=A0</DIV><DIV><FONT face=3D"Arial" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Arial; font-size: 10px; =
">I tell you one thing, he can scat like a mother f*cker, and any =
vocalist who can do that, loop, and not sound like some cheesy, =
stiff=A0white guy trying to sound like a black=A0vocliast=A0has my vote. =
:)=A0=A0 Leslie Hunt's performance and scatting at the end of=A0her tune =
made me cringe. Yucky, icky, stuff.</SPAN></FONT></DIV><DIV><FONT =
face=3D"Arial" size=3D"2"></FONT>=A0</DIV><DIV><FONT face=3D"Arial" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-family: Arial; =
font-size: 10px; ">Though I still think the girls are kicking the guys =
asses on American Idol. Melinda's version of My Funny Valentine gave me =
the chills. That=A0girl can=A0really belt it =
out.=A0</SPAN></FONT></DIV><DIV><FONT face=3D"Arial" =
size=3D"2"></FONT>=A0</DIV><DIV><FONT face=3D"Arial" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Arial; font-size: 10px; =
">Uh oh...did I just reveal that I'm a major AI =
fan?</SPAN></FONT></DIV><DIV><FONT face=3D"Arial" =
size=3D"2"></FONT>=A0</DIV><DIV><FONT face=3D"Arial" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Arial; font-size: 10px; =
">Kris</SPAN></FONT></DIV><DIV><FONT face=3D"Arial" =
size=3D"2"></FONT>=A0</DIV><BLOCKQUOTE dir=3D"ltr" style=3D"PADDING-RIGHT:=
 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px =
solid; MARGIN-RIGHT: 0px"><DIV style=3D"FONT: 10pt arial; font-family: =
arial; font-size: 13.3333px; "><SPAN class=3D"Apple-style-span" =
style=3D"font-family: arial; font-size: 13.3333px; ">----- Original =
Message -----</SPAN></DIV><DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt =
arial; font-color: black; font-family: arial; font-size: 13.3333px; "><B =
style=3D"font-family: arial; font-size: 13.3333px; font-weight: bold; =
"><SPAN class=3D"Apple-style-span" style=3D"font-family: arial; =
font-size: 13.3333px; font-weight: bold; ">From:</SPAN></B><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: =
13.3333px; "> </SPAN><A title=3D"josh@infinivert.com" =
href=3D"mailto:josh@infinivert.com"><SPAN class=3D"Apple-style-span" =
style=3D"color: rgb(0, 0, 238); font-family: arial; font-size: =
13.3333px; -khtml-text-decorations-in-effect: underline; ">Josh =
Carroll</SPAN></A><SPAN class=3D"Apple-style-span" style=3D"font-family: =
arial; font-size: 13.3333px; "></SPAN></DIV><DIV style=3D"FONT: 10pt =
arial; font-family: arial; font-size: 13.3333px; "><B =
style=3D"font-family: arial; font-size: 13.3333px; font-weight: bold; =
"><SPAN class=3D"Apple-style-span" style=3D"font-family: arial; =
font-size: 13.3333px; font-weight: bold; ">To:</SPAN></B><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: =
13.3333px; "> </SPAN><A title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com"><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 238); font-family: =
arial; font-size: 13.3333px; -khtml-text-decorations-in-effect: =
underline; ">Loopers-Delight@loopers-delight.com</SPAN></A><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: =
13.3333px; "></SPAN></DIV><DIV style=3D"FONT: 10pt arial; font-family: =
arial; font-size: 13.3333px; "><B style=3D"font-family: arial; =
font-size: 13.3333px; font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: =
13.3333px; font-weight: bold; ">Sent:</SPAN></B><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: =
13.3333px; "> Friday, March 02, 2007 11:29 AM</SPAN></DIV><DIV =
style=3D"FONT: 10pt arial; font-family: arial; font-size: 13.3333px; =
"><B style=3D"font-family: arial; font-size: 13.3333px; font-weight: =
bold; "><SPAN class=3D"Apple-style-span" style=3D"font-family: arial; =
font-size: 13.3333px; font-weight: bold; ">Subject:</SPAN></B><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: =
13.3333px; "> Live Looper on American Idol</SPAN></DIV><DIV><BR></DIV>I =
haven't followed the show at all, but my wife brought this to my =
attention:<DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>Audition =
for American Idol -=A0</DIV><DIV><A =
href=3D"http://www.youtube.com/watch?v=3D1Rwe2Q3VXsw"><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 238); =
-khtml-text-decorations-in-effect: underline; =
">http://www.youtube.com/watch?v=3D1Rwe2Q3VXsw</SPAN></A><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Looping performance -=A0=A0<A=
 href=3D"http://www.youtube.com/watch?v=3DY2cj8XXzRC8"><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 238); =
-khtml-text-decorations-in-effect: underline; =
">http://www.youtube.com/watch?v=3DY2cj8XXzRC8</SPAN></A></DIV></BLOCKQUOT=
E><BR =
class=3D"Apple-interchange-newline"></SPAN></BLOCKQUOTE></DIV><BR></DIV></=
BODY></HTML>=

--Apple-Mail-1--864629955--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 19:35:24 2007
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Date: Fri, 2 Mar 2007 11:43:45 -0800
Subject: Re: short piece of music in a kind of cinematic style posted
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Thanks for the tech help.

Very nice piece, thank you for sharing it with us.

            joe


On Friday, March 2, 2007, at 11:07 AM, Per Boysen wrote:

> Here's a temporary page for download: 
> http://www.looproom.com/temporary.php
> Right click on the link, or option-click with a Mac to download the 
> file.
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 19:35:32 2007
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Subject: RE: Live Looper on American Idol
Date: Fri, 2 Mar 2007 11:35:30 -0800
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>Uh oh...did I just reveal that I'm a major AI fan?
=A0
You sure revealed something=85 :)

~Greg



________________________________________
From: Krispen Hartung [mailto:khartung@cableone.net]=20
Sent: Friday, March 02, 2007 11:10 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Live Looper on American Idol

yeah,=A0Blake is one of my AI favorties. He sang a Jamiriqui tune =
earlier in
the week (Virtual Reality), which I missed because I was traveling. =
Damn! I
love that group.
=A0
I tell you one thing, he can scat like a mother f*cker, and any vocalist =
who
can do that, loop, and not sound like some cheesy, stiff=A0white guy =
trying to
sound like a black=A0vocliast=A0has my vote. :)=A0=A0 Leslie Hunt's =
performance and
scatting at the end of=A0her tune made me cringe. Yucky, icky, stuff.
=A0
Though I still think the girls are kicking the guys asses on American =
Idol.
Melinda's version of My Funny Valentine gave me the chills. That=A0girl
can=A0really belt it out.=A0
=A0
Uh oh...did I just reveal that I'm a major AI fan?
=A0
Kris
=A0
----- Original Message -----=20
From: Josh Carroll=20
To: Loopers-Delight@loopers-delight.com=20
Sent: Friday, March 02, 2007 11:29 AM
Subject: Live Looper on American Idol

I haven't followed the show at all, but my wife brought this to my
attention:=20

Audition for American Idol -=A0
http://www.youtube.com/watch?v=3D1Rwe2Q3VXsw

Looping performance -=A0=A0http://www.youtube.com/watch?v=3DY2cj8XXzRC8

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 19:38:16 2007
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To: Loopers-Delight@loopers-delight.com
References: <E6EEE393-A1E4-4A6D-AE2C-500AC611FA4C@infinivert.com> <046801c75cfe$57910980$e1ccf40f@americas.hpqcorp.net> <E613F85A-8875-41F0-B3B1-59C69A4AE32D@infinivert.com>
Subject: Re: Live Looper on American Idol
Date: Fri, 2 Mar 2007 12:38:11 -0700
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He was doing some of it live, accupello, on his audition. Are you sure =
he wasn't doing it himself?
  ----- Original Message -----=20
  From: Josh Carroll=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, March 02, 2007 12:26 PM
  Subject: Re: Live Looper on American Idol


  Ha!  I'd sure like to know what pedal(s) he's using to get those cool =
glitchy stutter-sounds in the second video...  Any ideas?


  --Josh




  On Mar 2, 2007, at 1:09 PM, Krispen Hartung wrote:


    yeah, Blake is one of my AI favorties. He sang a Jamiriqui tune =
earlier in the week (Virtual Reality), which I missed because I was =
traveling. Damn! I love that group.

    I tell you one thing, he can scat like a mother f*cker, and any =
vocalist who can do that, loop, and not sound like some cheesy, stiff =
white guy trying to sound like a black vocliast has my vote. :)   Leslie =
Hunt's performance and scatting at the end of her tune made me cringe. =
Yucky, icky, stuff.

    Though I still think the girls are kicking the guys asses on =
American Idol. Melinda's version of My Funny Valentine gave me the =
chills. That girl can really belt it out.=20

    Uh oh...did I just reveal that I'm a major AI fan?

    Kris

      ----- Original Message -----
      From: Josh Carroll
      To: Loopers-Delight@loopers-delight.com
      Sent: Friday, March 02, 2007 11:29 AM
      Subject: Live Looper on American Idol


      I haven't followed the show at all, but my wife brought this to my =
attention:


      Audition for American Idol -=20
      http://www.youtube.com/watch?v=3D1Rwe2Q3VXsw



      Looping performance -  =
http://www.youtube.com/watch?v=3DY2cj8XXzRC8




------=_NextPart_000_0489_01C75CC7.A38F3FF0
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<HTML><HEAD>
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charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3059" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>He was doing some of it live, =
accupello, on his=20
audition. Are you sure he wasn't doing it himself?</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djosh@infinivert.com =
href=3D"mailto:josh@infinivert.com">Josh=20
  Carroll</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, March 02, 2007 =
12:26=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Live Looper on =
American=20
  Idol</DIV>
  <DIV><BR></DIV>Ha!&nbsp; I'd sure like to know what pedal(s) he's =
using to get=20
  those cool glitchy stutter-sounds in the second video...&nbsp; Any =
ideas?
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>--Josh</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV><BR>
  <DIV>
  <DIV>On Mar 2, 2007, at 1:09 PM, Krispen Hartung wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: 12px Lucida Grande; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; =
border-spacing: 0px 0px; khtml-text-decorations-in-effect: none; =
apple-text-size-adjust: auto; orphans: 2; widows: 2">
    <DIV><FONT face=3DArial size=3D2><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 10px; FONT-FAMILY: Arial">yeah,&nbsp;Blake is =
one of my AI=20
    favorties. He sang a Jamiriqui tune earlier in the week (Virtual =
Reality),=20
    which I missed because I was traveling. Damn! I love that=20
    group.</SPAN></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 10px; FONT-FAMILY: Arial">I tell you one thing, =
he can=20
    scat like a mother f*cker, and any vocalist who can do that, loop, =
and not=20
    sound like some cheesy, stiff&nbsp;white guy trying to sound like a=20
    black&nbsp;vocliast&nbsp;has my vote. :)&nbsp;&nbsp; Leslie Hunt's=20
    performance and scatting at the end of&nbsp;her tune made me cringe. =
Yucky,=20
    icky, stuff.</SPAN></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 10px; FONT-FAMILY: Arial">Though I still think =
the girls=20
    are kicking the guys asses on American Idol. Melinda's version of My =
Funny=20
    Valentine gave me the chills. That&nbsp;girl can&nbsp;really belt it =

    out.&nbsp;</SPAN></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 10px; FONT-FAMILY: Arial">Uh oh...did I just =
reveal that=20
    I'm a major AI fan?</SPAN></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 10px; FONT-FAMILY: =
Arial">Kris</SPAN></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 13px arial"><SPAN class=3DApple-style-span=20
      style=3D"FONT-SIZE: 13px; FONT-FAMILY: arial">----- Original =
Message=20
      -----</SPAN></DIV>
      <DIV style=3D"BACKGROUND: #e4e4e4; FONT: 13px arial; font-color: =
black"><B=20
      style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: =
arial"><SPAN=20
      class=3DApple-style-span=20
      style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: =
arial">From:</SPAN></B><SPAN=20
      class=3DApple-style-span style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
arial">=20
      </SPAN><A title=3Djosh@infinivert.com=20
      href=3D"mailto:josh@infinivert.com"><SPAN class=3DApple-style-span =

      style=3D"FONT-SIZE: 13px; COLOR: rgb(0,0,238); FONT-FAMILY: arial; =
khtml-text-decorations-in-effect: underline">Josh=20
      Carroll</SPAN></A><SPAN class=3DApple-style-span=20
      style=3D"FONT-SIZE: 13px; FONT-FAMILY: arial"></SPAN></DIV>
      <DIV style=3D"FONT: 13px arial"><B=20
      style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: =
arial"><SPAN=20
      class=3DApple-style-span=20
      style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: =
arial">To:</SPAN></B><SPAN=20
      class=3DApple-style-span style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
arial">=20
      </SPAN><A title=3DLoopers-Delight@loopers-delight.com=20
      href=3D"mailto:Loopers-Delight@loopers-delight.com"><SPAN=20
      class=3DApple-style-span=20
      style=3D"FONT-SIZE: 13px; COLOR: rgb(0,0,238); FONT-FAMILY: arial; =
khtml-text-decorations-in-effect: =
underline">Loopers-Delight@loopers-delight.com</SPAN></A><SPAN=20
      class=3DApple-style-span=20
      style=3D"FONT-SIZE: 13px; FONT-FAMILY: arial"></SPAN></DIV>
      <DIV style=3D"FONT: 13px arial"><B=20
      style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: =
arial"><SPAN=20
      class=3DApple-style-span=20
      style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: =
arial">Sent:</SPAN></B><SPAN=20
      class=3DApple-style-span style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
arial">=20
      Friday, March 02, 2007 11:29 AM</SPAN></DIV>
      <DIV style=3D"FONT: 13px arial"><B=20
      style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: =
arial"><SPAN=20
      class=3DApple-style-span=20
      style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: =
arial">Subject:</SPAN></B><SPAN=20
      class=3DApple-style-span style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
arial"> Live=20
      Looper on American Idol</SPAN></DIV>
      <DIV><BR></DIV>I haven't followed the show at all, but my wife =
brought=20
      this to my attention:
      <DIV><BR class=3Dkhtml-block-placeholder></DIV>
      <DIV>Audition for American Idol -&nbsp;</DIV>
      <DIV><A =
href=3D"http://www.youtube.com/watch?v=3D1Rwe2Q3VXsw"><SPAN=20
      class=3DApple-style-span=20
      style=3D"COLOR: rgb(0,0,238); khtml-text-decorations-in-effect: =
underline">http://www.youtube.com/watch?v=3D1Rwe2Q3VXsw</SPAN></A><BR=20
      class=3Dkhtml-block-placeholder></DIV>
      <DIV><BR class=3Dkhtml-block-placeholder></DIV>
      <DIV>Looping performance -&nbsp;&nbsp;<A=20
      href=3D"http://www.youtube.com/watch?v=3DY2cj8XXzRC8"><SPAN=20
      class=3DApple-style-span=20
      style=3D"COLOR: rgb(0,0,238); khtml-text-decorations-in-effect: =
underline">http://www.youtube.com/watch?v=3DY2cj8XXzRC8</SPAN></A></DIV><=
/BLOCKQUOTE><BR=20
    =
class=3DApple-interchange-newline></SPAN></BLOCKQUOTE></DIV><BR></DIV></B=
LOCKQUOTE></BODY></HTML>

------=_NextPart_000_0489_01C75CC7.A38F3FF0--


From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 19:39:48 2007
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Date: Fri, 2 Mar 2007 11:39:43 -0800
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: short piece of music in a kind of cinematic style posted
Cc: Sheila Olson <onelonecrow@earthlink.net>
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Joe and Michael,

Download the file to your desktop and click just once on the NAME of the fi=
le selecting it.=20

Remove the ".txt" from the end of the filename and leave the ".m4a".=20

It should then play in Quicktime (or iTunes) just fine.=20

Who knows why the file is downloading as a text file (the web is a weird pl=
ace sometimes).=20

Cheers,

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Sheila Olson <onelonecrow@earthlink.net> wrote:=20
> Same thing with me. I am also using safari.
>=20
> I notice that your link is coded as M4a file as opposed to Mp3. Could =20
> this be the issue?
>=20
> Yours in looping.
>=20
>    joe
>=20
>=20
> On Friday, March 2, 2007, at 10:19 AM, nemoguitt@aol.com wrote:
>=20
> > per....your music posts always works on my puter, but this time all i =
=20
> > get is a long page of crazy letters and stuff that comes up when i hit =
=20
> > the link.....i use safari on my emac.....what am i doing =20
> > wrong?.....michael
> >
> >
> > www.ct-collective.com
> > http://mysite.verizon.net/vzepmeci/
> > http://www.myspace.com/klobuchar11
> >
> > <<www.looproom.com/audio/city_seventeen.m4a>>
> >
> > _______________________________________________________________________=
=20
> > _
> > AOL now offers free email to everyone.  Find out more about what's =20
> > free from AOL at AOL.com.
> >
>=20

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 19:41:08 2007
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From: Josh Carroll <josh@infinivert.com>
Subject: Re: Live Looper on American Idol
Date: Fri, 2 Mar 2007 13:40:57 -0600
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Oh yeah, on the audition video it was all live.  On the second video  
of the performance, though, there are times (toward the end  
especially) when he pulls the mic away and hits a pedal and makes the  
sound stutter.  Very cool.

--Josh


On Mar 2, 2007, at 1:38 PM, Krispen Hartung wrote:

> He was doing some of it live, accupello, on his audition. Are you  
> sure he wasn't doing it himself?
> ----- Original Message -----
> From: Josh Carroll
> To: Loopers-Delight@loopers-delight.com
> Sent: Friday, March 02, 2007 12:26 PM
> Subject: Re: Live Looper on American Idol
>
> Ha!  I'd sure like to know what pedal(s) he's using to get those  
> cool glitchy stutter-sounds in the second video...  Any ideas?
>
> --Josh
>
>
> On Mar 2, 2007, at 1:09 PM, Krispen Hartung wrote:
>
>> yeah, Blake is one of my AI favorties. He sang a Jamiriqui tune  
>> earlier in the week (Virtual Reality), which I missed because I  
>> was traveling. Damn! I love that group.
>>
>> I tell you one thing, he can scat like a mother f*cker, and any  
>> vocalist who can do that, loop, and not sound like some cheesy,  
>> stiff white guy trying to sound like a black vocliast has my  
>> vote. :)   Leslie Hunt's performance and scatting at the end of  
>> her tune made me cringe. Yucky, icky, stuff.
>>
>> Though I still think the girls are kicking the guys asses on  
>> American Idol. Melinda's version of My Funny Valentine gave me the  
>> chills. That girl can really belt it out.
>>
>> Uh oh...did I just reveal that I'm a major AI fan?
>>
>> Kris
>>
>> ----- Original Message -----
>> From: Josh Carroll
>> To: Loopers-Delight@loopers-delight.com
>> Sent: Friday, March 02, 2007 11:29 AM
>> Subject: Live Looper on American Idol
>>
>> I haven't followed the show at all, but my wife brought this to my  
>> attention:
>>
>> Audition for American Idol -
>> http://www.youtube.com/watch?v=1Rwe2Q3VXsw
>>
>> Looping performance -  http://www.youtube.com/watch?v=Y2cj8XXzRC8
>>
>
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Oh yeah, on the audition video =
it was all live.=A0 On the second video of the performance, though, =
there are times (toward the end especially) when he pulls the mic away =
and hits a pedal and makes the sound stutter.=A0 Very cool.<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>--Josh</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"><DIV><DIV><DIV>On Mar 2, 2007, at 1:38 =
PM, Krispen Hartung wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Lucida =
Grande; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: =
0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV><FONT =
face=3D"Arial" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-family: Arial; font-size: 10px; ">He was doing some of it =
live, accupello, on his audition. Are you sure he wasn't doing it =
himself?</SPAN></FONT></DIV><BLOCKQUOTE dir=3D"ltr" =
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"><DIV style=3D"FONT: =
10pt arial; font-family: arial; font-size: 13.3333px; "><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: =
13.3333px; ">----- Original Message -----</SPAN></DIV><DIV =
style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black; =
font-family: arial; font-size: 13.3333px; "><B style=3D"font-family: =
arial; font-size: 13.3333px; font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: =
13.3333px; font-weight: bold; ">From:</SPAN></B><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: =
13.3333px; "> </SPAN><A title=3D"josh@infinivert.com" =
href=3D"mailto:josh@infinivert.com"><SPAN class=3D"Apple-style-span" =
style=3D"color: rgb(0, 0, 238); font-family: arial; font-size: =
13.3333px; -khtml-text-decorations-in-effect: underline; ">Josh =
Carroll</SPAN></A><SPAN class=3D"Apple-style-span" style=3D"font-family: =
arial; font-size: 13.3333px; "></SPAN></DIV><DIV style=3D"FONT: 10pt =
arial; font-family: arial; font-size: 13.3333px; "><B =
style=3D"font-family: arial; font-size: 13.3333px; font-weight: bold; =
"><SPAN class=3D"Apple-style-span" style=3D"font-family: arial; =
font-size: 13.3333px; font-weight: bold; ">To:</SPAN></B><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: =
13.3333px; "> </SPAN><A title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com"><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 238); font-family: =
arial; font-size: 13.3333px; -khtml-text-decorations-in-effect: =
underline; ">Loopers-Delight@loopers-delight.com</SPAN></A><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: =
13.3333px; "></SPAN></DIV><DIV style=3D"FONT: 10pt arial; font-family: =
arial; font-size: 13.3333px; "><B style=3D"font-family: arial; =
font-size: 13.3333px; font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: =
13.3333px; font-weight: bold; ">Sent:</SPAN></B><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: =
13.3333px; "> Friday, March 02, 2007 12:26 PM</SPAN></DIV><DIV =
style=3D"FONT: 10pt arial; font-family: arial; font-size: 13.3333px; =
"><B style=3D"font-family: arial; font-size: 13.3333px; font-weight: =
bold; "><SPAN class=3D"Apple-style-span" style=3D"font-family: arial; =
font-size: 13.3333px; font-weight: bold; ">Subject:</SPAN></B><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: =
13.3333px; "> Re: Live Looper on American =
Idol</SPAN></DIV><DIV><BR></DIV>Ha!=A0 I'd sure like to know what =
pedal(s) he's using to get those cool glitchy stutter-sounds in the =
second video...=A0 Any ideas?<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>--Josh</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Mar 2, =
2007, at 1:09 PM, Krispen Hartung wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"WORD-SPACING: 0px; FONT: 12px Lucida =
Grande; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; =
WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; =
border-spacing: 0px 0px; khtml-text-decorations-in-effect: none; =
apple-text-size-adjust: auto; orphans: 2; widows: 2"><DIV><FONT =
face=3D"Arial" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"FONT-SIZE: 10px; FONT-FAMILY: Arial"><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Arial; font-size: 10px; =
">yeah,=A0Blake is one of my AI favorties. He sang a Jamiriqui tune =
earlier in the week (Virtual Reality), which I missed because I was =
traveling. Damn! I love that group.</SPAN></SPAN></FONT></DIV><DIV><FONT =
face=3D"Arial" size=3D"2"></FONT>=A0</DIV><DIV><FONT face=3D"Arial" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"FONT-SIZE: 10px; =
FONT-FAMILY: Arial"><SPAN class=3D"Apple-style-span" style=3D"font-family:=
 Arial; font-size: 10px; ">I tell you one thing, he can scat like a =
mother f*cker, and any vocalist who can do that, loop, and not sound =
like some cheesy, stiff=A0white guy trying to sound like a =
black=A0vocliast=A0has my vote. :)=A0=A0 Leslie Hunt's performance and =
scatting at the end of=A0her tune made me cringe. Yucky, icky, =
stuff.</SPAN></SPAN></FONT></DIV><DIV><FONT face=3D"Arial" =
size=3D"2"></FONT>=A0</DIV><DIV><FONT face=3D"Arial" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"FONT-SIZE: 10px; FONT-FAMILY: =
Arial"><SPAN class=3D"Apple-style-span" style=3D"font-family: Arial; =
font-size: 10px; ">Though I still think the girls are kicking the guys =
asses on American Idol. Melinda's version of My Funny Valentine gave me =
the chills. That=A0girl can=A0really belt it =
out.=A0</SPAN></SPAN></FONT></DIV><DIV><FONT face=3D"Arial" =
size=3D"2"></FONT>=A0</DIV><DIV><FONT face=3D"Arial" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"FONT-SIZE: 10px; FONT-FAMILY: =
Arial"><SPAN class=3D"Apple-style-span" style=3D"font-family: Arial; =
font-size: 10px; ">Uh oh...did I just reveal that I'm a major AI =
fan?</SPAN></SPAN></FONT></DIV><DIV><FONT face=3D"Arial" =
size=3D"2"></FONT>=A0</DIV><DIV><FONT face=3D"Arial" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"FONT-SIZE: 10px; FONT-FAMILY: =
Arial"><SPAN class=3D"Apple-style-span" style=3D"font-family: Arial; =
font-size: 10px; ">Kris</SPAN></SPAN></FONT></DIV><DIV><FONT =
face=3D"Arial" size=3D"2"></FONT>=A0</DIV><BLOCKQUOTE dir=3D"ltr" =
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"><DIV style=3D"FONT: =
13px arial; font-family: arial; font-size: 13px; "><SPAN =
class=3D"Apple-style-span" style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
arial"><SPAN class=3D"Apple-style-span" style=3D"font-family: arial; =
font-size: 13px; ">----- Original Message -----</SPAN></SPAN></DIV><DIV =
style=3D"BACKGROUND: #e4e4e4; FONT: 13px arial; font-color: black; =
font-family: arial; font-size: 13px; "><B style=3D"FONT-WEIGHT: bold; =
FONT-SIZE: 13px; FONT-FAMILY: arial"><SPAN class=3D"Apple-style-span" =
style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: arial"><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: 13px; =
font-weight: bold; ">From:</SPAN></SPAN></B><SPAN =
class=3D"Apple-style-span" style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
arial"><SPAN class=3D"Apple-style-span" style=3D"font-family: arial; =
font-size: 13px; "> </SPAN></SPAN><A title=3D"josh@infinivert.com" =
href=3D"mailto:josh@infinivert.com"><SPAN class=3D"Apple-style-span" =
style=3D"FONT-SIZE: 13px; COLOR: rgb(0,0,238); FONT-FAMILY: arial; =
khtml-text-decorations-in-effect: underline; =
-khtml-text-decorations-in-effect: underline; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 238); font-family: =
arial; font-size: 13px; -khtml-text-decorations-in-effect: underline; =
">Josh Carroll</SPAN></SPAN></A><SPAN class=3D"Apple-style-span" =
style=3D"FONT-SIZE: 13px; FONT-FAMILY: arial"></SPAN></DIV><DIV =
style=3D"FONT: 13px arial; font-family: arial; font-size: 13px; "><B =
style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: arial"><SPAN =
class=3D"Apple-style-span" style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; =
FONT-FAMILY: arial"><SPAN class=3D"Apple-style-span" style=3D"font-family:=
 arial; font-size: 13px; font-weight: bold; ">To:</SPAN></SPAN></B><SPAN =
class=3D"Apple-style-span" style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
arial"><SPAN class=3D"Apple-style-span" style=3D"font-family: arial; =
font-size: 13px; "> </SPAN></SPAN><A =
title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com"><SPAN =
class=3D"Apple-style-span" style=3D"FONT-SIZE: 13px; COLOR: =
rgb(0,0,238); FONT-FAMILY: arial; khtml-text-decorations-in-effect: =
underline; -khtml-text-decorations-in-effect: underline; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 238); font-family: =
arial; font-size: 13px; -khtml-text-decorations-in-effect: underline; =
">Loopers-Delight@loopers-delight.com</SPAN></SPAN></A><SPAN =
class=3D"Apple-style-span" style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
arial"></SPAN></DIV><DIV style=3D"FONT: 13px arial; font-family: arial; =
font-size: 13px; "><B style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; =
FONT-FAMILY: arial"><SPAN class=3D"Apple-style-span" style=3D"FONT-WEIGHT:=
 bold; FONT-SIZE: 13px; FONT-FAMILY: arial"><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: 13px; =
font-weight: bold; ">Sent:</SPAN></SPAN></B><SPAN =
class=3D"Apple-style-span" style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
arial"><SPAN class=3D"Apple-style-span" style=3D"font-family: arial; =
font-size: 13px; "> Friday, March 02, 2007 11:29 =
AM</SPAN></SPAN></DIV><DIV style=3D"FONT: 13px arial; font-family: =
arial; font-size: 13px; "><B style=3D"FONT-WEIGHT: bold; FONT-SIZE: =
13px; FONT-FAMILY: arial"><SPAN class=3D"Apple-style-span" =
style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: arial"><SPAN =
class=3D"Apple-style-span" style=3D"font-family: arial; font-size: 13px; =
font-weight: bold; ">Subject:</SPAN></SPAN></B><SPAN =
class=3D"Apple-style-span" style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
arial"><SPAN class=3D"Apple-style-span" style=3D"font-family: arial; =
font-size: 13px; "> Live Looper on American =
Idol</SPAN></SPAN></DIV><DIV><BR></DIV>I haven't followed the show at =
all, but my wife brought this to my attention:<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Audition for American Idol =
-=A0</DIV><DIV><A =
href=3D"http://www.youtube.com/watch?v=3D1Rwe2Q3VXsw"><SPAN =
class=3D"Apple-style-span" style=3D"COLOR: rgb(0,0,238); =
khtml-text-decorations-in-effect: underline; =
-khtml-text-decorations-in-effect: underline; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 238); =
-khtml-text-decorations-in-effect: underline; =
">http://www.youtube.com/watch?v=3D1Rwe2Q3VXsw</SPAN></SPAN></A><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Looping performance -=A0=A0<A=
 href=3D"http://www.youtube.com/watch?v=3DY2cj8XXzRC8"><SPAN =
class=3D"Apple-style-span" style=3D"COLOR: rgb(0,0,238); =
khtml-text-decorations-in-effect: underline; =
-khtml-text-decorations-in-effect: underline; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 238); =
-khtml-text-decorations-in-effect: underline; =
">http://www.youtube.com/watch?v=3DY2cj8XXzRC8</SPAN></SPAN></A></DIV></BL=
OCKQUOTE><BR =
class=3D"Apple-interchange-newline"></SPAN></BLOCKQUOTE></DIV><BR></DIV></=
BLOCKQUOTE><BR =
class=3D"Apple-interchange-newline"></SPAN></BLOCKQUOTE></DIV><BR></DIV></=
DIV></BODY></HTML>=

--Apple-Mail-2--863754504--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 20:40:27 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: short piece of music in a kind of cinematic style posted
Date: Fri, 2 Mar 2007 12:40:08 -0800
To: Loopers-Delight@loopers-delight.com
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You should switch to Firefox.  Better, more secure etc,  Free.  Works  
great on my G5.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 2-Mar-07, at 10:58 AM, nico spahni wrote:

> I've just experienced the same problem on my Mac. Here's the solution:  
> download the file from Per's website and open it in iTunes.
>
> Nico
>
>
> Am 02.03.2007 um 19:58 schrieb Sheila Olson:
>
>> Same thing with me. I am also using safari.
>>
>> I notice that your link is coded as M4a file as opposed to Mp3. Could  
>> this be the issue?
>>
>> Yours in looping.
>>
>>   joe
>>
>>
>> On Friday, March 2, 2007, at 10:19 AM, nemoguitt@aol.com wrote:
>>
>>> per....your music posts always works on my puter, but this time all  
>>> i get is a long page of crazy letters and stuff that comes up when i  
>>> hit the link.....i use safari on my emac.....what am i doing  
>>> wrong?.....michael
>>>
>>>
>>> www.ct-collective.com
>>> http://mysite.verizon.net/vzepmeci/
>>> http://www.myspace.com/klobuchar11
>>>
>>> <<www.looproom.com/audio/city_seventeen.m4a>>
>>>
>>> _____________________________________________________________________ 
>>> ___
>>> AOL now offers free email to everyone.  Find out more about what's  
>>> free from AOL at AOL.com.
>>>
>>
>

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You should switch to Firefox.  Better, more secure etc,  Free.  Works
great on my G5.


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 2-Mar-07, at 10:58 AM, nico spahni wrote:


<excerpt>I've just experienced the same problem on my Mac. Here's the
solution: download the file from Per's website and open it in iTunes.


Nico



Am 02.03.2007 um 19:58 schrieb Sheila Olson:


<excerpt>Same thing with me. I am also using safari.


I notice that your link is coded as M4a file as opposed to Mp3. Could
this be the issue?


Yours in looping.


  joe



On Friday, March 2, 2007, at 10:19 AM, nemoguitt@aol.com wrote:


<excerpt>per....your music posts always works on my puter, but this
time all i get is a long page of crazy letters and stuff that comes up
when i hit the link.....i use safari on my emac.....what am i doing
wrong?.....michael



www.ct-collective.com

http://mysite.verizon.net/vzepmeci/

http://www.myspace.com/klobuchar11


<<<<www.looproom.com/audio/city_seventeen.m4a>>


________________________________________________________________________

AOL now offers free email to everyone.  Find out more about what's
free from AOL at AOL.com.


</excerpt>

</excerpt>

</excerpt>
--Apple-Mail-4--860203848--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  2 21:47:25 2007
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From: "martin daws" <thepoetmd@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: what looping tool? again
Date: Fri, 02 Mar 2007 21:47:21 +0000
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thanks for getting back to me.
its appreciated
md


>From: x031661-loopers@yahoo.com
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: what looping tool? again
>Date: Fri, 2 Mar 2007 10:51:44 -0800 (PST)
>
>I'd sat the RC-50 is overkill for what you describe.
>I've used the digitech jamman and I think it would work well for what you 
>want to do.
>
>
>----- Original Message ----
>From: martin daws <thepoetmd@hotmail.com>
>To: Loopers-Delight@loopers-delight.com
>Sent: Friday, March 2, 2007 5:37:06 AM
>Subject: what looping tool? again
>
>woops, further to the previous post, i also want to use foot pedals for the
>looping, i don't want to be bending over squinting at buttons (or a laptop)
>and ignoring the audience, and i want to keep my hands free.
>ok. thanks.
>md
>
>
>
>
>
>i'm about to enter the loops. could you please advise me as to which 
>looping
>tool(s) will work well for me. this is the spec:
>i want to perform spoken word poetry accompanied with improvised vocal
>loops. for example, i sing a 4 bar bass loop, then i want this to 
>continuein
>time looping seamlessly (assuming i've hit it on time) while i add a vocal
>hi hat. once i've got a few loops working i'll perform the poem live over
>the top. the effect i want to generate is of a track growing organically in
>real time, so everything drops in from the live recording without any stops
>and starts.
>i was looking at a boss RC50 - what d'you think?
>md
>
>www.myspace.com/martindawsquintet
>
>_________________________________________________________________
>Get Messenger FREE on your Mobile https://livemessenger.mobile.uk.msn.com/
>
>
>
>
>

_________________________________________________________________
Match.com - Click Here To Find Singles In Your Area Today!  
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From Loopers-Delight-request@loopers-delight.com  Sat Mar  3 05:14:14 2007
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Date: Fri, 2 Mar 2007 21:13:55 -0800 (PST)
Subject: Re: Live Looper on American Idol
From: improv@peak.org
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> I haven't followed the show at all, but my wife brought this to my
> attention:
>
> Audition for American Idol -
> http://www.youtube.com/watch?v=1Rwe2Q3VXsw
>
> Looping performance -  http://www.youtube.com/watch?v=Y2cj8XXzRC8

We've done some gigs in Seattle with Blake, very talented guy! With his
full electronics setup, he can really rock the house on his own. Pretty
funny to see him on th Idol, I've usually seen him jamming with people on
the more avant end of things.


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From Loopers-Delight-request@loopers-delight.com  Sat Mar  3 07:38:04 2007
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Date: Fri, 2 Mar 2007 23:38:02 -0800 (PST)
From: Stephen Scott <stevoj@yahoo.com>
Subject: Re: what looping tool? again
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--0-909764759-1172907482=:71763
Content-Type: text/plain; charset=iso-8859-1
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Don't forget, though, that the Jamman and RC20XL are both mono devices, so if stereo is an issue, these may not be suitable,

martin daws <thepoetmd@hotmail.com> wrote: thanks for getting back to me.
its appreciated
md


>From: x031661-loopers@yahoo.com
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: what looping tool? again
>Date: Fri, 2 Mar 2007 10:51:44 -0800 (PST)
>
>I'd sat the RC-50 is overkill for what you describe.
>I've used the digitech jamman and I think it would work well for what you 
>want to do.
>
>
>----- Original Message ----
>From: martin daws 
>To: Loopers-Delight@loopers-delight.com
>Sent: Friday, March 2, 2007 5:37:06 AM
>Subject: what looping tool? again
>
>woops, further to the previous post, i also want to use foot pedals for the
>looping, i don't want to be bending over squinting at buttons (or a laptop)
>and ignoring the audience, and i want to keep my hands free.
>ok. thanks.
>md
>
>
>
>
>
>i'm about to enter the loops. could you please advise me as to which 
>looping
>tool(s) will work well for me. this is the spec:
>i want to perform spoken word poetry accompanied with improvised vocal
>loops. for example, i sing a 4 bar bass loop, then i want this to 
>continuein
>time looping seamlessly (assuming i've hit it on time) while i add a vocal
>hi hat. once i've got a few loops working i'll perform the poem live over
>the top. the effect i want to generate is of a track growing organically in
>real time, so everything drops in from the live recording without any stops
>and starts.
>i was looking at a boss RC50 - what d'you think?
>md
>
>www.myspace.com/martindawsquintet
>
>_________________________________________________________________
>Get Messenger FREE on your Mobile https://livemessenger.mobile.uk.msn.com/
>
>
>
>
>

_________________________________________________________________
Match.com - Click Here To Find Singles In Your Area Today!  
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Don't forget, though, that the Jamman and RC20XL are both mono devices, so if stereo is an issue, these may not be suitable,<br><br><b><i>martin daws &lt;thepoetmd@hotmail.com&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> thanks for getting back to me.<br>its appreciated<br>md<br><br><br>&gt;From: x031661-loopers@yahoo.com<br>&gt;Reply-To: Loopers-Delight@loopers-delight.com<br>&gt;To: Loopers-Delight@loopers-delight.com<br>&gt;Subject: Re: what looping tool? again<br>&gt;Date: Fri, 2 Mar 2007 10:51:44 -0800 (PST)<br>&gt;<br>&gt;I'd sat the RC-50 is overkill for what you describe.<br>&gt;I've used the digitech jamman and I think it would work well for what you <br>&gt;want to do.<br>&gt;<br>&gt;<br>&gt;----- Original Message ----<br>&gt;From: martin daws <thepoetmd@hotmail.com><br>&gt;To: Loopers-Delight@loopers-delight.com<br>&gt;Sent: Friday, March 2, 2007 5:37:06 AM<br>&gt;Subject: what
 looping tool? again<br>&gt;<br>&gt;woops, further to the previous post, i also want to use foot pedals for the<br>&gt;looping, i don't want to be bending over squinting at buttons (or a laptop)<br>&gt;and ignoring the audience, and i want to keep my hands free.<br>&gt;ok. thanks.<br>&gt;md<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt;i'm about to enter the loops. could you please advise me as to which <br>&gt;looping<br>&gt;tool(s) will work well for me. this is the spec:<br>&gt;i want to perform spoken word poetry accompanied with improvised vocal<br>&gt;loops. for example, i sing a 4 bar bass loop, then i want this to <br>&gt;continuein<br>&gt;time looping seamlessly (assuming i've hit it on time) while i add a vocal<br>&gt;hi hat. once i've got a few loops working i'll perform the poem live over<br>&gt;the top. the effect i want to generate is of a track growing organically in<br>&gt;real time, so everything drops in from the live recording without any
 stops<br>&gt;and starts.<br>&gt;i was looking at a boss RC50 - what d'you think?<br>&gt;md<br>&gt;<br>&gt;www.myspace.com/martindawsquintet<br>&gt;<br>&gt;_________________________________________________________________<br>&gt;Get Messenger FREE on your Mobile https://livemessenger.mobile.uk.msn.com/<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br><br>_________________________________________________________________<br>Match.com - Click Here To Find Singles In Your Area Today!  <br>http://match.engb.msn.com/<br><br></thepoetmd@hotmail.com></blockquote><br><p>&#32;

<hr size=1>Expecting? Get great news right away with <a href="http://us.rd.yahoo.com/evt=49982/*http://advision.webevents.yahoo.com/mailbeta/newmail_tools.html">email Auto-Check.</a><br>Try the <a href="http://us.rd.yahoo.com/evt=49982/*http://advision.webevents.yahoo.com/mailbeta/newmail_tools.html">Yahoo! Mail Beta.</a>
--0-909764759-1172907482=:71763--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  3 15:44:18 2007
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thanks for the advice everyone!



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11



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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">thanks for the advice everyone!<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
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From Loopers-Delight-request@loopers-delight.com  Sat Mar  3 18:59:48 2007
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From: "Stephen Goodman" <spgoodman@earthlight.net>
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Subject: OT: Total Lunar Eclipse Tonight
Date: Sat, 3 Mar 2007 18:56:00 -0000
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For those of us who care:

Tonight the moon will be totally eclipsed world-wide.  Check your times!
http://www.bbc.co.uk/science/space/myspace/nightsky/observingnotes.shtml

S.

From elottouk@yahoo.com  Sun Mar  4 00:18:03 2007
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From: e-lottoUK <elottouk@yahoo.com>
Subject: Notification Letter!!!
Reply-To: claims_henrymoore07@yahoo.co.uk
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Date: Sat,  3 Mar 2007 17:55:55 -0600 (CST)
To: undisclosed-recipients:;


ONLINE NOTIFICATION UNIT.
UK NATIONAL ONLINE LOTTERY(HOME OFFICE).
1=
65 FULHAM PALACE ROAD W6 8JB
UNITED KINGDOM.
REFERENCE NUMBER:  BATCH =
NUMBER: 01/209/AD16G
OUR REF: 12190/14
TICKET NUMBER: 112-4540-525-106=

                  =

                 WINNING NOTIFICATION: FINAL ANNONCEMENT
We are pleased=
 to inform you of the final announcement today 2nd of March, 2007 of win=
ners of the UK NATIONAL LOTTERY ONLINE PROMOTION PROGRAMME held on the 1=
st of March, 2007. Your e-mail address attached to ticket number: 112-45=
40-525-106 with Serial number 0149-16 drew the lucky numbers:19-37-06-13=
-29, and a bonus number of 24 which subsequently won you the lottery in =
the second category. =


You have therefore been approved to claim a total of =A3480,152.00(Fou=
r hundred and eighty thousand one hundred and fifty-two Great Britain Po=
unds) in cash credited to file UXL/03920462943/07. This is from a total =
cash prize of =A33,361,064.00 shared equally amongst the first seven (7)=
 lucky winners in this category i.e Match 5 plus bonus.

Please note t=
hat your lucky winning number falls within our European booklet represen=
tative office in the United Kingdom as indicated in your play coupon. In=
 view of this, your =A3480,152.00 (Four hundred and eighty thousand one =
hundred and fifty-two Great Britain Pounds) would be released to you by =
any of our payment office in the United Kingdom.

Your assigned claims=
 agent will immediately commence the process to facilitate the release o=
f your funds as soon as you contact him via electronic mail (email) or o=
ther options made available to you.

Official: Mr. Henry Moore
Repres=
entative office.
10 Camelot close Thamesmead.
London E280 ES United Ki=
ngdom.
Email: claims_henrymoore07@yahoo.co.uk

Please remember to quo=
te your reference number as the subject of your correspondences with you=
r claims officer. Furthermore, should there be any change of your addres=
s, do inform your claims officer as soon as possible.
Congratulations o=
nce more from all members and staffs of this program thank you for being=
 part of our online promotional lottery program.

Yours Truly,
Sir. S=
tephen Smith.
Co-ordinator(Online Promo Programme).

From Loopers-Delight-request@loopers-delight.com  Sun Mar  4 05:33:24 2007
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From: Dion Stewart <dion.stewart@visi.com>
Subject: Re: OT, SPAM!! not live looping...but still looped music...
Date: Sat, 3 Mar 2007 23:33:20 -0600
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Hey Zoe,

I watched the show last night. I enjoyed it and you're right, the  
production values are excellent. I was glad to see the picture of you  
during the credits with your web site info. I see that the show has  
over 1000 subscribers now and I hope it leads a lot of people to your  
music.

Dion


On Mar 1, 2007, at 1:43 PM, Zoe Keating wrote:

> Today is the premier of the internet-only "TV" show, Stranger  
> Things. My song "Exurgency" is the theme music for the show (those  
> of you who've seen me live in the last few months have heard me  
> perform it live). From what I've seen of the show so far its  
> beautifully shot in HD. Like you could touch the characters through  
> your screen.


--Apple-Mail-2--741811251
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Hey Zoe,<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I watched the show last =
night. I enjoyed it and you're right, the production values are =
excellent. I was glad to see the picture of you during the credits with =
your web site info. I see that the show has over 1000 subscribers now =
and I hope it leads a lot of people to your music.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Dion</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Mar 1, =
2007, at 1:43 PM, Zoe Keating wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">Today is the premier of the =
internet-only "TV" show, Stranger Things. My song "Exurgency" is the =
theme music for the show (those of you who've seen me live in the last =
few months have heard me perform it live). =46rom what I've seen of the =
show so far its beautifully shot in HD. Like you could touch the =
characters through your screen.</FONT></P> =
</BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-2--741811251--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  4 05:45:46 2007
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Subject: OT New meditative looping song for download is up
Date: Sat, 3 Mar 2007 23:45:12 -0600
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Please feel free to check out and download Preterpivij, a meditative =
type of song...

It's at www.myspace.com/bohdanovich

~peace~

Michael Plishka
aka Bohdanovich

www.myspace.com/michaelplishka
------=_NextPart_000_0016_01C75DED.FC87F7B0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV>Please feel free to check out and download Preterpivij, a =
meditative type=20
of song...</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>It's at <A=20
href=3D"http://www.myspace.com/bohdanovich">www.myspace.com/bohdanovich</=
A></FONT><BR><BR>~peace~<BR><BR>Michael=20
Plishka<BR>aka Bohdanovich</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>www.myspace.com/michaelplishka</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Mar  4 16:09:03 2007
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Subject: Re: OT New meditative looping song for download is up
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This felt spiritual to me, very meditative!   Good work!
 =

Weg
www.myspace.com\noyestheater
 =


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<html><P>This felt spiritual to me, very meditative!&nbsp;&nbsp; Good wo=
rk!</P>
<P>&nbsp;</P>
<P>Weg</P>
<P><A href=3D"http://www.myspace.com\noyestheater">www.myspace.com\noyes=
theater</A></P>
<P>&nbsp;</P></html>

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Subject: Re: OT New meditative looping song for download is up
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Thanks Weg!

~peace~

Plish
  ----- Original Message -----=20
  From: Weg=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, March 04, 2007 10:06 AM
  Subject: Re: OT New meditative looping song for download is up


  This felt spiritual to me, very meditative!   Good work!



  Weg

  www.myspace.com\noyestheater



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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thanks Weg!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>~peace~</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Plish</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtheweg@netzero.net =
href=3D"mailto:theweg@netzero.net">Weg</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 04, 2007 =
10:06=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT New meditative =
looping=20
  song for download is up</DIV>
  <DIV><BR></DIV>
  <P>This felt spiritual to me, very meditative!&nbsp;&nbsp; Good =
work!</P>
  <P>&nbsp;</P>
  <P>Weg</P>
  <P><A=20
  =
href=3D"http://www.myspace.com\noyestheater">www.myspace.com\noyestheater=
</A></P>
  <P>&nbsp;</P></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000A_01C75E45.99DA1870--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  4 17:59:11 2007
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i'd love to trade my 2 srm 450's for 4 of the srm 150's.....thoughts?

http://www.myspace.com/klobuchar10
www.ct-collective.com
http://mysite.verizon.net/vzepmeci/


________________________________________________________________________
AOL now offers free email to everyone.  Find out more about what's free 
from AOL at AOL.com.

From Loopers-Delight-request@loopers-delight.com  Sun Mar  4 18:00:04 2007
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Date: Sun, 4 Mar 2007 19:00:01 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Live-looping on youtube 
To: loopers-delight@loopers-delight.com, midiguitar@yahoogroups.com,
	repeater-users@yahoogroups.com
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Hi !

I have just posted a video on youtube - with me
jamming with my Mac - ableton - repeater and the dl4.
Its my own tune "remember".

http://www.youtube.com/watch?v=bOHN4az59A0

best regards Rune Fagereng - Norway

 www.runefagereng.com

www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


	
	
		
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar  4 18:08:20 2007
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Subject: Re: mackie SRM 150's
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What are the SRM 150s? Have the 450's two...the powered 10". I love them.

kris

----- Original Message ----- 
From: <nemoguitt@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 04, 2007 10:59 AM
Subject: mackie SRM 150's


> i'd love to trade my 2 srm 450's for 4 of the srm 150's.....thoughts?
> 
> http://www.myspace.com/klobuchar10
> www.ct-collective.com
> http://mysite.verizon.net/vzepmeci/
> 
> 
> ________________________________________________________________________
> AOL now offers free email to everyone.  Find out more about what's free 
> from AOL at AOL.com.
> 
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar  4 18:22:13 2007
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> What are the SRM 150s? Have the 450's two...the powered 10". I love them.

http://mackie.com/products/srm150/

Mini PA -- 150 watts, 100-17K frequency response, 7.6 pounds, USD 300.


From Loopers-Delight-request@loopers-delight.com  Sun Mar  4 19:29:46 2007
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Date: Sun, 4 Mar 2007 11:29:44 -0800 (PST)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: OT: Total Lunar Eclipse Tonight
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i saw it sitting in front of the fire,very beautiful!
peace
Luis



--- Stephen Goodman <spgoodman@earthlight.net> wrote:

> For those of us who care:
> 
> Tonight the moon will be totally eclipsed
> world-wide.  Check your times!
>
http://www.bbc.co.uk/science/space/myspace/nightsky/observingnotes.shtml
> 
> S.
> 
> 


www.myspace.com/luisangulocom


 
____________________________________________________________________________________
Bored stiff? Loosen up... 
Download and play hundreds of games for free on Yahoo! Games.
http://games.yahoo.com/games/front

From Loopers-Delight-request@loopers-delight.com  Sun Mar  4 19:57:50 2007
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> http://mackie.com/products/srm150/

> Mini PA -- 150 watts, 100-17K frequency response, 7.6 pounds, USD 300.

By the way, here's the competition:

http://www.tc-helicon.tc/Default.asp?Id=7274

Same price, approximately same size.  It would be interesting to hear them
side by side.


From Loopers-Delight-request@loopers-delight.com  Sun Mar  4 20:03:30 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: OT: Total Lunar Eclipse Tonight
Date: Sun, 4 Mar 2007 21:03:24 +0100
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You Italians are so civilized! ;-)  I was lucky to look at my watch  
exactly right on time and ran out on the street in way too cold  
clothes (snowy dark bright winter night) to have a peep at "the  
orange colored moon" but it looked just the same as usual. Don't know  
if I was on wrong timing or geographically offside for the show, but  
I enjoyed it anyway ;-))   The web site was fascinating and simply  
knowing things like that do happen  once on a time out there is  
inspiring. Thanks for the tip.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


On 4 mar 2007, at 20.29, L.A. Angulo wrote:

> i saw it sitting in front of the fire,very beautiful!
> peace
> Luis
>
>
>
> --- Stephen Goodman <spgoodman@earthlight.net> wrote:
>
>> For those of us who care:
>>
>> Tonight the moon will be totally eclipsed
>> world-wide.  Check your times!
>>
> http://www.bbc.co.uk/science/space/myspace/nightsky/ 
> observingnotes.shtml
>>
>> S.



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While you're at it,  check out EV's products in this size.

I'm giving some thought to the Mackie 150's, plus a sub,  for my 'multiple
speaker' setup
-Qua
-----Original Message-----
From: Andrew Koenig [mailto:ark@acm.org] 
Sent: Sunday, March 04, 2007 11:59 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: mackie SRM 150's

> http://mackie.com/products/srm150/

> Mini PA -- 150 watts, 100-17K frequency response, 7.6 pounds, USD 300.

By the way, here's the competition:

http://www.tc-helicon.tc/Default.asp?Id=7274

Same price, approximately same size.  It would be interesting to hear them
side by side.



From Loopers-Delight-request@loopers-delight.com  Sun Mar  4 22:07:58 2007
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Oops,  I was thinking of the SRM350
http://www.sweetwater.com/store/detail/SRM350/


-----Original Message-----
From: Qua Veda [mailto:qua@oregon.com] 
Sent: Sunday, March 04, 2007 1:36 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: mackie SRM 150's

While you're at it,  check out EV's products in this size.

I'm giving some thought to the Mackie 150's, plus a sub,  for my 'multiple
speaker' setup -Qua -----Original Message-----
From: Andrew Koenig [mailto:ark@acm.org]
Sent: Sunday, March 04, 2007 11:59 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: mackie SRM 150's

> http://mackie.com/products/srm150/

> Mini PA -- 150 watts, 100-17K frequency response, 7.6 pounds, USD 300.

By the way, here's the competition:

http://www.tc-helicon.tc/Default.asp?Id=7274

Same price, approximately same size.  It would be interesting to hear them
side by side.




From Loopers-Delight-request@loopers-delight.com  Sun Mar  4 23:37:34 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <200703041338265.SM03880@quahome>
Subject: Re: mackie SRM 150's
Date: Sun, 4 Mar 2007 16:37:29 -0700
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I love the EV's. I have the SRM 450's, which I use for floor monitors, =
and then I have two EV SxA100 powered 1X12 cabs...they kick ass:

http://www.krispenhartung.com/gear/ev100.jpg

They are discontinued now and have a replacement, which I'm sure is good =
too. I'm a huge fan of EV cabs.

All I need is one powered sub, and I have a comlete system, along with =
my Mackie 1642-VLZ Pro Mixer Board

Kris

----- Original Message -----=20
From: "Qua Veda" <qua@oregon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 04, 2007 2:36 PM
Subject: RE: mackie SRM 150's


> While you're at it,  check out EV's products in this size.
>=20
> I'm giving some thought to the Mackie 150's, plus a sub,  for my =
'multiple
> speaker' setup
> -Qua
> -----Original Message-----
> From: Andrew Koenig [mailto:ark@acm.org]=20
> Sent: Sunday, March 04, 2007 11:59 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: mackie SRM 150's
>=20
>> http://mackie.com/products/srm150/
>=20
>> Mini PA -- 150 watts, 100-17K frequency response, 7.6 pounds, USD =
300.
>=20
> By the way, here's the competition:
>=20
> http://www.tc-helicon.tc/Default.asp?Id=3D7274
>=20
> Same price, approximately same size.  It would be interesting to hear =
them
> side by side.
>=20
>=20
>=20
>
------=_NextPart_000_07DB_01C75E7B.6642F140
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3059" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2>I love the EV's. I have the SRM 450's, =
which I use=20
for floor monitors, and then I have two EV SxA100 powered 1X12 =
cabs...they kick=20
ass:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><A href=3D"http://www.krispenhartung.com/gear/ev100.jpg"><FONT =
face=3DArial=20
size=3D2>http://www.krispenhartung.com/gear/ev100.jpg</FONT></A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>They are discontinued now and have a =
replacement,=20
which I'm sure is good too. I'm a huge fan of EV cabs.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>All I need is one powered sub, and I =
have a comlete=20
system, along with my Mackie 1642-VLZ Pro Mixer Board</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>----- Original Message ----- </FONT>
<DIV><FONT face=3DArial size=3D2>From: "Qua Veda" &lt;</FONT><A=20
href=3D"mailto:qua@oregon.com"><FONT face=3DArial=20
size=3D2>qua@oregon.com</FONT></A><FONT face=3DArial =
size=3D2>&gt;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>To: &lt;</FONT><A=20
href=3D"mailto:Loopers-Delight@loopers-delight.com"><FONT face=3DArial=20
size=3D2>Loopers-Delight@loopers-delight.com</FONT></A><FONT =
face=3DArial=20
size=3D2>&gt;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Sent: Sunday, March 04, 2007 2:36 =
PM</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Subject: RE: mackie SRM =
150's</FONT></DIV></DIV>
<DIV><FONT face=3DArial><BR><FONT size=3D2></FONT></FONT></DIV><FONT =
face=3DArial=20
size=3D2>&gt; While you're at it,&nbsp; check out EV's products in this=20
size.<BR>&gt; <BR>&gt; I'm giving some thought to the Mackie 150's, plus =
a=20
sub,&nbsp; for my 'multiple<BR>&gt; speaker' setup<BR>&gt; -Qua<BR>&gt;=20
-----Original Message-----<BR>&gt; From: Andrew Koenig =
[mailto:ark@acm.org]=20
<BR>&gt; Sent: Sunday, March 04, 2007 11:59 AM<BR>&gt; To: </FONT><A=20
href=3D"mailto:Loopers-Delight@loopers-delight.com"><FONT face=3DArial=20
size=3D2>Loopers-Delight@loopers-delight.com</FONT></A><BR><FONT =
face=3DArial=20
size=3D2>&gt; Subject: RE: mackie SRM 150's<BR>&gt; <BR>&gt;&gt; =
</FONT><A=20
href=3D"http://mackie.com/products/srm150/"><FONT face=3DArial=20
size=3D2>http://mackie.com/products/srm150/</FONT></A><BR><FONT =
face=3DArial=20
size=3D2>&gt; <BR>&gt;&gt; Mini PA -- 150 watts, 100-17K frequency =
response, 7.6=20
pounds, USD 300.<BR>&gt; <BR>&gt; By the way, here's the =
competition:<BR>&gt;=20
<BR>&gt; </FONT><A =
href=3D"http://www.tc-helicon.tc/Default.asp?Id=3D7274"><FONT=20
face=3DArial=20
size=3D2>http://www.tc-helicon.tc/Default.asp?Id=3D7274</FONT></A><BR><FO=
NT=20
face=3DArial size=3D2>&gt; <BR>&gt; Same price, approximately same =
size.&nbsp; It=20
would be interesting to hear them<BR>&gt; side by side.<BR>&gt; <BR>&gt; =

<BR>&gt; <BR>&gt;</FONT></BODY></HTML>

------=_NextPart_000_07DB_01C75E7B.6642F140--


From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 08:55:24 2007
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From: Mech <mech@m3ch.net>
To: Loopers-Delight@loopers-delight.com, Qua Veda <qua@oregon.com>
Cc: Loopers-Delight@loopers-delight.com
Subject: RE: mackie SRM 150's
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Quoting Qua Veda <qua@oregon.com>:
>
>> From: Andrew Koenig [mailto:ark@acm.org]
>> >
>> > http://mackie.com/products/srm150/
>> >
>> > Mini PA -- 150 watts, 100-17K frequency response, 7.6 pounds, USD 300.
>>
>> By the way, here's the competition:
>>
>> http://www.tc-helicon.tc/Default.asp?Id=7274
>
> While you're at it,  check out EV's products in this size.

Also, there's the Roland CM-30 Cube Monitor (
http://www.roland.com/products/en/CM-30/index.html ).  Goes for about $175
street.

I've got two that I'm using together in a stereo pair with a crossover and sub
for a 2.1 setup.  They work pretty well for what they do -- nice clarity and
volume without getting 'crispy' up at the top end.

Their biggest weakness is that they really start to roll off below about
200-300hz.  If you're playing guitar, for instance, they sound great; nice and
clean.  They won't do nearly as well with bass, although they don't start to
break up or fart unless you hit them really hard in the lows.

I use the crossover to whack everything below about 400hz and send it to a
single Gemini GX-350 (about the same as the Mackie SRM-450), which has a 12"
and can handle down to ~40hz.

Setup sounds great, although if I knew for a fact that I was sticking to the
same frequency range as a guitar, vocals, or most wind instruments, I'd have no
issue with merely taking the two Cubes by themselves.  They're also
ultra-portable -- only a few pounds apiece.

       --m.


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From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 10:03:06 2007
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Date: Mon,  5 Mar 2007 03:51:43 -0600
From: Mech <mech@m3ch.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: MIDI CC Resolution (was: Considering building an ultimate looper...)
References: <20070217230220.2080E38102@astra.telenet-ops.be> <45DC37F1.8010700@addcom.de> <1172077856.45dc7d2014846@webmail.musetrap.com>
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Quoting cpr@musetrap.com:
>
> One solution to this is to map the Pitch Wheel command (0xE0-0xEF)
> to volume..the Pitch Wheel command is 14bits, 0-16383.. no new
> hardware needed.. of course there is only 1 of these per channel,
> and 16 channels per cable (or device), but one should be able to
> work with that as well.. And, as well, the receiving device has to
> be able to work with this as well, so your milage may vary.. My
> reworking of the MIDI support in the LP1 supports this..

CPR,

My understanding is that it isn't actually the MIDI Spec at fault here.  From
what I can see, there are multiple Continuous Controllers that are designed to
be used in MSB/LSB pairs (just as the Pitch Wheel command is designed) in order
to provide much more discrete resolution than merely 7 bits.

IIRC, controller #'s 46-63 were originally designated for use as the LSB for
CC's 14-31, and then 101/100 & 99/98 were explicitly matched into MSB/LSB
pairs.  I'm sure there are others that I'm forgetting here (aren't there
'unused' LSB's for things like Mod Wheel and Breath Control?) too.

So, would I then be correct in assuming the biggest deficiency here would
actually be in the fact that few, if any, MIDI control devices (faders,
footpedals, whatever...) will send matched pairs for anything other than Pitch
Wheel?

Of course, the receiving device has to be able to make sense of the data stream
as well.  However, I'm assuming that if you can reprogram the MIDI support in
the LP-1 to accept MSB/LSB from the Pitch Wheel, it would be a reasonably
simple matter to do the same for a different pair of CC numbers.  If the LP-1
*could* accomodate greater resolution from using such pairs, is there any
device out there that could actually send them?

       --m.


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From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 10:30:29 2007
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To: Loopers-Delight@loopers-delight.com
Subject: Re: vst [audio >> mid]
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Raul Bonell wrote:
> does anybody know of a vst plugin able to convert an audio file or
> direct input to any kinf of midi data?

I could probably make you one, especialy as you say "any kind of midi 
data" I'd put up a 128 bin fft, have a envelope follower for each bin 
which would trigger random notes with aftertouch...

Probably nothing anybody (including me) had ever heard before... ;-)

But if you believe you could feed the Brandenburg concerto of Bach into 
a plug and expect it to convert it to proper mididata which would play 
along..., pretty hard...

You could automatically transcribe monophonic lines to a certain extent, 
it's much less fun than "any kind of midi data" though... ;-)

Stefan

-- 
Stefan Tiedje------------x-------
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: vst [audio >> mid]
Date: Mon, 5 Mar 2007 11:50:46 +0100
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> Raul Bonell wrote:
>> does anybody know of a vst plugin able to convert an audio file or
>> direct input to any kinf of midi data?


The ability of converting an audio file into MIDI data is a lot more  
common in contemporary music software than converting a real-time  
audio stream into MIDI data. I have tried converting files to MIDI  
note data plus controllers with Celemony and it worked extremely  
well. But since you ask specifically for the VST format, I'm not sure  
I can recommend Celomony. Check with their website if they offer it  
as VST. It's a quite expensive as well.

I have also used the audio file to MIDI note conversion that is built  
into Apple Logic and it works well. Not "extremely" well, as with  
Celemony that can also add CC's for vibrato etc) but good enough for  
tricks like creating a MIDI sequence out of a lead vocal recording  
and patch up some string synth sound to double the vocal melody.

I'm talking only monophonic signals here. Although Celemony boasts  
polyphonic conversion in their new plug-in, but I have not had the  
time to test that yet.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 11:30:11 2007
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From: Bernhard Wagner LD <loopdelightml-NDI3MDE=-@bernhardwagner.net>
Subject: Re: vst [audio >> mid]
Date: Mon, 5 Mar 2007 12:30:06 +0100
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http://crca.ucsd.edu/~tapel/software.html
~fiddle max/msp object for pitch following.
There's also a link to a technical paper on that page ""Real-time  
audio analysis tools for Pd and MSP""

There's also a percussion follower (~bonk)
Both apparently come with source code...

Bernhard

On 05.03.2007, at 11:50, Per Boysen wrote:

>> Raul Bonell wrote:
>>> does anybody know of a vst plugin able to convert an audio file or
>>> direct input to any kinf of midi data?

From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 15:22:53 2007
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From: "arcmotion" <andrzej@arcmotion.com>
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Subject: rc50 patches
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i have just noticed some talk on changing patches on the rc50.... in =
fact it has a pedal setting to move from one to the other but i have =
noticed that if you take a perfect loop and copy it you cannot move from =
one to the other without a definite pause.

The digitech jamman however can move move between prerecorded patches =
...no problem but seemingly the rc50 cannot.

So unless im missing something the rc50 is limited to the three phrases =
within a patch but the jamman can have 99 ...go figure.
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>i have just noticed some talk on =
changing patches=20
on the rc50.... in fact it has a pedal setting to move from one to the =
other but=20
i have noticed that if you take a perfect loop and copy it you cannot =
move from=20
one to the other without a definite pause.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The digitech jamman however&nbsp;can =
move move=20
between prerecorded patches ...no problem but seemingly the rc50=20
cannot.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>So unless im missing something the rc50 =
is limited=20
to the three phrases within a patch but the jamman can have 99 ...go=20
figure.</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 16:02:36 2007
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <456451.99709.qm@web38602.mail.mud.yahoo.com> <E62ACB05-C906-460C-8A17-561C84AB9175@gmail.com>
Subject: Re: OT: Total Lunar Eclipse Tonight
Date: Mon, 5 Mar 2007 16:02:31 -0000
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I hopped up on the roof just before it started at 2130, f**king cold in the 
wind up there!  Despite a little brain damage on the part of the Sony 
camcorder regarding exposure settings, I got it all the way through 
totality, before 7-year-old batteries lied to me, saying that there was more 
time than actually remained.  Zoink, off went the thing.  I got it zoomed 
in, though thanks to the exposure problem it looks a bit grainy, and I had 
to correct gamma to see the rusty color of the moon.  All that has to be 
dealt with is the constant panning to fit in-frame, which one can adjust 
during later editing to make everything centered.

Wrote a blueprint for a long piece while up there, puffing away and moving 
the camera, and occasionally speaking line-of-thought pseudo-poetry into the 
mic on the camcorder.  There will be drums in this piece - and since my 
finger's much, much better (though not perfect, as I'm still getting used to 
not avoiding the use of it while playing), it shouldn't be too long before 
the new untitled piece is available in audio *and* video. :)

From: "Per Boysen" <perboysen@gmail.com>
> You Italians are so civilized! ;-)  I was lucky to look at my watch 
> exactly right on time and ran out on the street in way too cold  clothes 
> (snowy dark bright winter night) to have a peep at "the  orange colored 
> moon" but it looked just the same as usual. Don't know  if I was on wrong 
> timing or geographically offside for the show, but  I enjoyed it anyway 
> ;-))   The web site was fascinating and simply  knowing things like that 
> do happen  once on a time out there is  inspiring. Thanks for the tip.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/2kek7h (latest music release)
>
>
> On 4 mar 2007, at 20.29, L.A. Angulo wrote:
>
>> i saw it sitting in front of the fire,very beautiful!
>> peace
>> Luis
>>
>>
>>
>> --- Stephen Goodman <spgoodman@earthlight.net> wrote:
>>
>>> For those of us who care:
>>>
>>> Tonight the moon will be totally eclipsed
>>> world-wide.  Check your times!
>>>
>> http://www.bbc.co.uk/science/space/myspace/nightsky/ observingnotes.shtml
>>>
>>> S.
>
>
>
>
>
>
> 

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Subject: FW: FW: Total Lunar Eclipse Tonight
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I sent Stephen's post to an astronomer friend and received this reply.

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Tom Heasley

www.tomheasley.com

www.myspace.com/tomheasley

www.myspace.com/heasleypanosduo

  _____  

Sent: Sunday, March 04, 2007 12:36 PM
To: tom@tomheasley.com
Subject: Re: FW: Total Lunar Eclipse Tonight

 

About a week ago I got the idea of emailing you guys all about the
upcoming lunar eclipse last  Sat. night. I looked up the times of ingress
and egress for the various stages etc etc .In so doing it did not take me
long to realize that the event was not visible in the western half of the
country and even  on the east coast the moon would be in eclilpse as it
rose.  And as it turned out it was cloudy over much of the east so no one
saw much of anything. The next lunar eclipse is set for August 28th  and
that one is going to be visible much more favorably from N. America.


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<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Eras Demi =
ITC"><span
style=3D'font-size:10.0pt;font-family:"Eras Demi ITC";color:blue'>I sent =
Stephen&#8217;s
post to an astronomer friend and received this =
reply.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Eras Demi =
ITC"><span
style=3D'font-size:10.0pt;font-family:"Eras Demi =
ITC";color:blue'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Eras Demi =
ITC"><span
style=3D'font-size:10.0pt;font-family:"Eras Demi =
ITC";color:blue'>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~</span></font><font
color=3Dblue><span style=3D'color:blue'><o:p></o:p></span></font></p>

<p class=3DMsoNormal><em><i><font size=3D3 color=3Dblack face=3D"Times =
New Roman"><span
style=3D'font-size:12.0pt;color:black'>Tom&nbsp;Heasley</span></font></i>=
</em><font
color=3Dblue><span style=3D'color:blue'><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Eras Demi =
ITC"><span
style=3D'font-size:10.0pt;font-family:"Eras Demi ITC";color:blue'><a
href=3D"http://www.tomheasley.com">www.tomheasley.com</a></span></font><f=
ont
color=3Dblue><span style=3D'color:blue'><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Eras Demi =
ITC"><span
style=3D'font-size:10.0pt;font-family:"Eras Demi ITC";color:blue'><a
href=3D"http://www.myspace.com/tomheasley">www.myspace.com/tomheasley</a>=
</span></font><font
color=3Dblue><span style=3D'color:blue'><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Eras Demi =
ITC"><span
style=3D'font-size:10.0pt;font-family:"Eras Demi ITC";color:blue'><a
href=3D"http://www.myspace.com/heasleypanosduo">www.myspace.com/heasleypa=
nosduo</a></span></font><o:p></o:p></p>

</div>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>Sent:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> =
Sunday, March
04, 2007 12:36 PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> =
tom@tomheasley.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: FW: Total =
Lunar
Eclipse Tonight</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3DArial><span =
style=3D'font-size:12.0pt;
font-family:Arial'>About a week ago I got the idea of emailing you guys =
all
about the
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;upcoming
lunar eclipse last &nbsp;Sat. night. I looked up the times of ingress =
and
egress for the various stages etc etc .In so doing it did not take me =
long to
realize that the event was not visible in the western half of the =
country and
even &nbsp;on the east coast the moon would be in eclilpse as it rose.
&nbsp;And as it turned out it was cloudy over much of the east so no one =
saw
much of anything. The next lunar eclipse is set for August 28th =
&nbsp;and that
one is going to be visible much more favorably from <st1:place =
w:st=3D"on">N.
 America</st1:place>.</span></font><o:p></o:p></p>

</div>

</body>

</html>

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per has been trying to help me change mpeg4's into mp3's but we have had no 
sucess.....i googled this and found some sw that costs some $ and i tried as 
per suggested to put the mpeg into "quicktime" and save it as an mp3 but i would 
have to buy an upgrade.....any ideas.....i use a emac and all my music is in 
i-tunes.....i really want to get some tunes up on myspace so i can be kool 
like all you cats.....thnaks.....michael

www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar10



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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">per has been trying to help me change m=
peg4's into mp3's but we have had no sucess.....i googled this and found som=
e sw that costs some $ and i tried as per suggested to put the mpeg into "qu=
icktime" and save it as an mp3 but i would have to buy an upgrade.....any id=
eas.....i use a emac and all my music is in i-tunes.....i really want to get=
 some tunes up on myspace so i can be kool like all you cats.....thnaks.....=
michael<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar10<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML><BR><BR><BR>**************************************<BR> AOL=20=
now offers free email to everyone.  Find out more about what's free from AOL=
 at http://www.aol.com.

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From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 16:23:43 2007
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Date: Mon, 5 Mar 2007 11:23:42 -0500
From: "Grahame Davies" <nudnik@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: mpeg4 into mp3
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This would probably work, using iTunes:

Set your iTunes preference to "import to 192 mp3"

Copy your file into iTunes (it'll still be an MP4)

Go to Advanced > Convert to MP3

You should see a copy of the file, now an MP3

Done.


Hope that helps!

-- Grahame





On 3/5/07, Nemoguitt@aol.com <Nemoguitt@aol.com> wrote:
>
> per has been trying to help me change mpeg4's into mp3's but we have had
> no sucess.....i googled this and found some sw that costs some $ and i tried
> as per suggested to put the mpeg into "quicktime" and save it as an mp3 but
> i would have to buy an upgrade.....any ideas.....i use a emac and all my
> music is in i-tunes.....i really want to get some tunes up on myspace so i
> can be kool like all you cats.....thnaks.....michael
>
> www.ct-collective.com
> http://mysite.verizon.net/vzepmeci/
> http://www.myspace.com/klobuchar10
>
>
>
> **************************************
> AOL now offers free email to everyone. Find out more about what's free
> from AOL at http://www.aol.com.

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<div>&nbsp;</div>
<div>This would probably work,&nbsp;using iTunes:</div>
<div>&nbsp;</div>
<div>Set your iTunes preference to &quot;import to 192 mp3&quot;</div>
<div>&nbsp;</div>
<div>Copy&nbsp;your file into iTunes (it&#39;ll still be an MP4)</div>
<div>&nbsp;</div>
<div>Go to Advanced &gt; Convert to MP3</div>
<div>&nbsp;</div>
<div>You should see a copy of the file, now an MP3</div>
<div>&nbsp;</div>
<div>Done.</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>Hope that helps!</div>
<div>&nbsp;</div>
<div>-- Grahame</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div><br><br>&nbsp;</div>
<div><span class="gmail_quote">On 3/5/07, <b class="gmail_sendername"><a href="mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</a></b> &lt;<a href="mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><font face="arial,helvetica"><font face="Geneva" color="#000000" size="2">per has been trying to help me change mpeg4&#39;s into mp3&#39;s but we have had no sucess.....i googled this and found some sw that costs some $ and i tried as per suggested to put the mpeg into &quot;quicktime&quot; and save it as an mp3 but i would have to buy an upgrade.....any ideas.....i use a emac and all my music is in i-tunes.....i really want to get some tunes up on myspace so i can be kool like all you cats.....thnaks.....michael
<br><br><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.ct-collective.com/" target="_blank">www.ct-collective.com</a><br><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://mysite.verizon.net/vzepmeci/" target="_blank">
http://mysite.verizon.net/vzepmeci/</a><br><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.myspace.com/klobuchar10" target="_blank">http://www.myspace.com/klobuchar10</a><br></font><font face="Geneva" color="#000000" size="2">
</font><br><br><br>**************************************<br>AOL now offers free email to everyone. Find out more about what&#39;s free from AOL at <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.aol.com/" target="_blank">
http://www.aol.com</a>. </font></blockquote></div><br>

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Subject: Re: mpeg4 into mp3
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i just went to my i-tnes preferences and could not find that option.....am i 
looking in the right place?.....m





www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar10



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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">i just went to my i-tnes preferences an=
d could not find that option.....am i looking in the right place?.....m<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar10<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
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From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 16:29:45 2007
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Date: Mon, 5 Mar 2007 11:29:43 -0500
From: "Grahame Davies" <nudnik@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: mpeg4 into mp3
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Open Preferences

Look for the Advanced tab

In there, look for the Import tab

There's a drop down menu for format, bitrate etc

Try that, let me know if it works

- Grahame





On 3/5/07, Nemoguitt@aol.com <Nemoguitt@aol.com> wrote:
>
> i just went to my i-tnes preferences and could not find that option.....am
> i looking in the right place?.....m
>
>
>
>
>
> www.ct-collective.com
> http://mysite.verizon.net/vzepmeci/
> http://www.myspace.com/klobuchar10
>
>
>
> **************************************
> AOL now offers free email to everyone. Find out more about what's free
> from AOL at http://www.aol.com.

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<div>&nbsp;</div>
<div>&nbsp;</div>
<div>Open Preferences</div>
<div>&nbsp;</div>
<div>Look for the Advanced tab</div>
<div>&nbsp;</div>
<div>In there, look for the Import tab</div>
<div>&nbsp;</div>
<div>There&#39;s a drop down menu for format, bitrate etc</div>
<div>&nbsp;</div>
<div>Try that, let me know if it works</div>
<div>&nbsp;</div>
<div>- Grahame</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div><br><br>&nbsp;</div>
<div><span class="gmail_quote">On 3/5/07, <b class="gmail_sendername"><a href="mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</a></b> &lt;<a href="mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><font face="arial,helvetica"><font face="Geneva" color="#000000" size="2">i just went to my i-tnes preferences and could not find that option.....am i looking in the right place?.....m
<span class="q"><br><br><br><br><br><br><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.ct-collective.com/" target="_blank">www.ct-collective.com</a><br><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://mysite.verizon.net/vzepmeci/" target="_blank">
http://mysite.verizon.net/vzepmeci/</a><br><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.myspace.com/klobuchar10" target="_blank">http://www.myspace.com/klobuchar10</a><br></span></font><span class="q">
<font face="Geneva" color="#000000" size="2"></font><br><br><br>**************************************<br>AOL now offers free email to everyone. Find out more about what&#39;s free from AOL at <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.aol.com/" target="_blank">
http://www.aol.com</a>. </span></font></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 17:47:03 2007
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Subject: RE: OT: MIDI CC Resolution (was: Considering building an ultimate looper...)
Date: Mon, 5 Mar 2007 17:46:59 -0000
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>>If the LP-1 *could* accomodate greater resolution from using such =
pairs, is there any device out there that could actually send them?<<

the peavey pc1600 or 1600x is pretty well equipped for custom midi =
commands. I used to use mine to send NRPNs, some of them 14-bit, to one =
of those damned roland mini-modules that were around in the mid 90s.

duncan.

From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 17:55:47 2007
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Though I still think the girls are kicking the guys asses on American Idol.
Melinda's version of My Funny Valentine gave me the chills. That girl can
really belt it out. 
 
Uh oh...did I just reveal that I'm a major AI fan?
 
Kris
 


[WS: ] 
We watch it all the time here. The shtick amongst the judges was more fun
when it was just Simon being honest instead of intentionally irascible as he
is now (and the other two are increasingly clownish are ridiculous). But you
are so right about Melinda - not only can she belt it out, but that was the
first originally-conceived version of MFV I've heard in decades, and it was
fantastic. Also, it's quite moving to watch this humble background session
singer discover the star that she really is. Maybe I'm a soft touch, but it
brought me to tears.
 


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  <DIV><FONT face=Arial size=2>Though I still think the girls are kicking the 
  guys asses on American Idol. Melinda's version of My Funny Valentine gave me 
  the chills. That&nbsp;girl can&nbsp;really belt it out.&nbsp;</FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2>Uh oh...did I just reveal that I'm a major AI 
  fan?</FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2>Kris</FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE dir=ltr 
  style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV><BR><SPAN class=984224317-05032007><FONT face=Arial color=#0000ff 
    size=2>[WS: ]&nbsp;</FONT></SPAN></DIV>
    <DIV><SPAN class=984224317-05032007><FONT face=Arial color=#0000ff size=2>We 
    watch it all the time here. The shtick&nbsp;amongst the judges was more fun 
    when it was just Simon being honest instead of intentionally irascible as he 
    is now (and the other two are increasingly clownish are ridiculous). But you 
    are so right about Melinda - not only can she belt it out, but that was the 
    first originally-conceived version of</FONT>&nbsp;<FONT face=Arial 
    color=#0000ff size=2>MFV I've heard in decades, and it was fantastic. Also, 
    it's quite moving to watch this humble background session singer discover 
    the star that she really is. Maybe I'm a soft touch, but it brought me to 
    tears.</FONT></SPAN></DIV>
    <DIV><SPAN class=984224317-05032007><FONT face=Arial color=#0000ff 
    size=2></FONT></SPAN>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_+gCxpAe12gE4eEyV7g/ttw)--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 17:56:11 2007
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Subject: RC-50 Software update question
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Has anybody tried the RC50 software update? Its supposed to solve the momentary silence when going directly from record to play. I installed it and still can't tell a difference. Im quickly losing patience with Roland. 
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<DIV>Has anybody tried the RC50 software update? Its supposed to solve the momentary silence when going directly from record to play. I installed it and still can't tell a difference. Im quickly losing patience with Roland. </DIV></body></html>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 18:02:32 2007
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Subject: RE: Live Looper on American Idol
Date: Mon, 05 Mar 2007 18:02:31 +0000
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Yeah ya did. I am SO opposed to that show. Success should be achieved the old fashoned way. Playing gigs, hitting the road, maxing out credit cards to pay for a record or sucking cock. Or a combination of the 4. 

NOT WINNING A GAME SHOW. 

Of course this isnt as shameful as replacing a dead member using a game show. (Inxs). 


-------------- Original message -------------- 
From: Warren Sirota <wsirota@wsdesigns.com> 

Though I still think the girls are kicking the guys asses on American Idol. Melinda's version of My Funny Valentine gave me the chills. That girl can really belt it out. 

Uh oh...did I just reveal that I'm a major AI fan?

Kris


[WS: ] 
We watch it all the time here. The shtick amongst the judges was more fun when it was just Simon being honest instead of intentionally irascible as he is now (and the other two are increasingly clownish are ridiculous). But you are so right about Melinda - not only can she belt it out, but that was the first originally-conceived version of MFV I've heard in decades, and it was fantastic. Also, it's quite moving to watch this humble background session singer discover the star that she really is. Maybe I'm a soft touch, but it brought me to tears.
--NextPart_Webmail_9m3u9jl4l_347_1173117751_0
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<html><body>
<DIV>Yeah ya did. I am SO opposed to that show. Success should be achieved the old fashoned way. Playing gigs, hitting the road, maxing out credit cards to pay for a record or sucking cock. Or a combination of the 4. </DIV>
<DIV>&nbsp;</DIV>
<DIV>NOT WINNING A GAME SHOW. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Of course this isnt as&nbsp;shameful as replacing a dead member using a game show. (Inxs). </DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">-------------- Original message -------------- <BR>From: Warren Sirota &lt;wsirota@wsdesigns.com&gt; <BR>
<META content="MSHTML 6.00.6000.16414" name=GENERATOR>
<STYLE></STYLE>

<DIV>
<DIV><FONT face=Arial size=2></FONT></DIV><FONT face=Arial size=2></FONT></DIV>
<BLOCKQUOTE dir=ltr style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
<DIV><FONT face=Arial size=2>Though I still think the girls are kicking the guys asses on American Idol. Melinda's version of My Funny Valentine gave me the chills. That&nbsp;girl can&nbsp;really belt it out.&nbsp;</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Uh oh...did I just reveal that I'm a major AI fan?</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Kris</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=ltr style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV><BR><SPAN class=984224317-05032007><FONT face=Arial color=#0000ff size=2>[WS: ]&nbsp;</FONT></SPAN></DIV>
<DIV><SPAN class=984224317-05032007><FONT face=Arial color=#0000ff size=2>We watch it all the time here. The shtick&nbsp;amongst the judges was more fun when it was just Simon being honest instead of intentionally irascible as he is now (and the other two are increasingly clownish are ridiculous). But you are so right about Melinda - not only can she belt it out, but that was the first originally-conceived version of</FONT>&nbsp;<FONT face=Arial color=#0000ff size=2>MFV I've heard in decades, and it was fantastic. Also, it's quite moving to watch this humble background session singer discover the star that she really is. Maybe I'm a soft touch, but it brought me to tears.</FONT></SPAN></DIV>
<DIV><SPAN class=984224317-05032007><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></body></html>


--NextPart_Webmail_9m3u9jl4l_347_1173117751_0--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 18:20:57 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Live Looper on American Idol
Date: Mon, 5 Mar 2007 10:19:53 -0800
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--Apple-Mail-4--609418843
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I met Paula Abdul and she seemed a bit embarrassed about it.  And she=20
was actually a pretty savvy music person.

There's always been stuff like this on TV though.  I SORT OF remember=20
Arthur Godfrey's Amateur Hour... I think it was... had new talent=20
showcases etc.  But I don't think it had the voting thing.

But I've never watched American Idol.  I don't get TV where I am! =20
Never saw Seinfeld either.

One of the reasons I moved here.

Wanna hear some good guitar?

http://www.gregv.us/Music.htm

Ran into this site through Swart Amps.  He's got some great demo stuff=20=

on the Swart Amp site too.

Back to the woodshed!

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 5-Mar-07, at 10:02 AM, midifriedchicken@comcast.net wrote:

> Yeah ya did. I am SO opposed to that show. Success should be achieved=20=

> the old fashoned way. Playing gigs, hitting the road, maxing out=20
> credit cards to pay for a record or sucking cock. Or a combination of=20=

> the 4.
> =A0
> NOT WINNING A GAME SHOW.
> =A0
> Of course this isnt as=A0shameful as replacing a dead member using a=20=

> game show. (Inxs).
> =A0
> =A0
>> -------------- Original message --------------
>> From: Warren Sirota <wsirota@wsdesigns.com>
>>> Though I still think the girls are kicking the guys asses on=20
>>> American Idol. Melinda's version of My Funny Valentine gave me the=20=

>>> chills. That=A0girl can=A0really belt it out.=A0
>>> =A0
>>> Uh oh...did I just reveal that I'm a major AI fan?
>>> =A0
>>> Kris
>>> =A0
>>>>
>>>> [WS: ]=A0
>>>> We watch it all the time here. The shtick=A0amongst the judges was=20=

>>>> more fun when it was just Simon being honest instead of=20
>>>> intentionally irascible as he is now (and the other two are=20
>>>> increasingly clownish are ridiculous). But you are so right about=20=

>>>> Melinda - not only can she belt it out, but that was the first=20
>>>> originally-conceived version of=A0MFV I've heard in decades, and it=20=

>>>> was fantastic. Also, it's quite moving to watch this humble=20
>>>> background session singer discover the star that she really is.=20
>>>> Maybe I'm a soft touch, but it brought me to tears.
>>>> =A0=

--Apple-Mail-4--609418843
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

I met Paula Abdul and she seemed a bit embarrassed about it.  And she
was actually a pretty savvy music person.=20


There's always been stuff like this on TV though.  I SORT OF remember
Arthur Godfrey's Amateur Hour... I think it was... had new talent
showcases etc.  But I don't think it had the voting thing. =20


But I've never watched American Idol.  I don't get TV where I am!=20
Never saw Seinfeld either. =20


One of the reasons I moved here.


Wanna hear some good guitar?


http://www.gregv.us/Music.htm


Ran into this site through Swart Amps.  He's got some great demo stuff
on the Swart Amp site too. =20


Back to the woodshed!


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 5-Mar-07, at 10:02 AM, midifriedchicken@comcast.net wrote:


<excerpt>Yeah ya did. I am SO opposed to that show. Success should be
achieved the old fashoned way. Playing gigs, hitting the road, maxing
out credit cards to pay for a record or sucking cock. Or a combination
of the 4.

=A0

NOT WINNING A GAME SHOW.

=A0

Of course this isnt as=A0shameful as replacing a dead member using a
game show. (Inxs).

=A0

=A0

<excerpt>-------------- Original message --------------=20

From: Warren Sirota <<wsirota@wsdesigns.com>

<excerpt><fontfamily><param>Arial</param><smaller>Though I still think
the girls are kicking the guys asses on American Idol. Melinda's
version of My Funny Valentine gave me the chills. That=A0girl can=A0really=

belt it out.=A0</smaller></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>Uh oh...did I just reveal
that I'm a major AI fan?</smaller></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>Kris</smaller></fontfamily>

=A0

<excerpt>

=
<fontfamily><param>Arial</param><color><param>0000,0000,FFFF</param><small=
er>[WS:
]=A0</smaller></color></fontfamily>

=
<fontfamily><param>Arial</param><color><param>0000,0000,FFFF</param><small=
er>We
watch it all the time here. The shtick=A0amongst the judges was more fun
when it was just Simon being honest instead of intentionally irascible
as he is now (and the other two are increasingly clownish are
ridiculous). But you are so right about Melinda - not only can she
belt it out, but that was the first originally-conceived version
=
of</smaller></color></fontfamily>=A0<fontfamily><param>Arial</param><color=
><param>0000,0000,FFFF</param><smaller>MFV
I've heard in decades, and it was fantastic. Also, it's quite moving
to watch this humble background session singer discover the star that
she really is. Maybe I'm a soft touch, but it brought me to =
tears.</smaller></color></fontfamily>

=A0</excerpt></excerpt></excerpt></excerpt>=

--Apple-Mail-4--609418843--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 18:45:38 2007
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Date: Mon, 05 Mar 2007 12:45:36 -0600
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-50 Software update question
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Quoting midifriedchicken@comcast.net:

> Has anybody tried the RC50 software update? Its supposed to solve   
> the momentary silence when going directly from record to play.

The V1.01 update allows you to switch between "Rhythm priority" and  
"Sound priority".

To choose the priority, hold down the switches as you switch on the power:

Rhythm Priority: [LOOP SYNC]+[PHRASE 1]
Sound Priority:  [LOOP SYNC]+[PHRASE 2]

Note: the setting is saved in memory, so you don't need to carry out  
this procedure every time you start up.

Rhythm Priority has a delay as it syncs up the loops starting  
position.  In essence, the loop starts on the correct beat however is  
muted for a moment before it kicks in.  This is the "gap" to which  
people refer.

Sound Priority starts the playback from the beginning of the recorded  
data.  Note, however, that for the rhythm guide, recorded phrases, or  
recordings synchronized with MIDI, playback starts with "Rhythm  
priority".


From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 18:47:00 2007
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Date: Mon,  5 Mar 2007 12:44:18 -0600
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: MIDI CC Resolution (was: Considering building an ultimate looper...)
References: <20070217230220.2080E38102@astra.telenet-ops.be> <45DC37F1.8010700@addcom.de> <1172077856.45dc7d2014846@webmail.musetrap.com> <1173088303.45ebe82f7d3a8@webmail.m3ch.net>
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Mech,

 You are correct.. I had forgotten about that, and did not continue forth in my
reading once I thought I had my answer.. :)

 So, I think, instead of the a new ultimate looper, we need an ultimate midi
pedal.. which is not a new topic either.. :) a device where the knobs, sliders,
and/or pedals have the ability to send not only standard midi, but the ability
to pair up CC's for the improved resolution.. of course, since we are moving
out of the 'spec', we could go as far as combining more than 2 CC's for an even
greater resolution... timing becomes more important as we chain the commands
together, as a full CC message on midi hardware takes 1ms to make it's trip...
but, if the sending device correctly supports 'running status' the two CC
version will only take 1.6ms, instead of 2ms.. and if we jumped up up to a 4
message CC (for a 32766 resolution) it would be 2.8ms, instead of 4ms.. anyways,
fun stuff.. :)

 While we are talking about controllers, I think coming up with a pedal that can
have it's current position set (like knobs with halos, or motorized faders)
would be cool as well.. Nate Pease and I talked about a 'roller' with the
current position represented by LED's (like the knob with halo)... 

peace
-cpr

Quoting Mech <mech@m3ch.net>:

> Quoting cpr@musetrap.com:
> >
> > One solution to this is to map the Pitch Wheel command (0xE0-0xEF)
> > to volume..the Pitch Wheel command is 14bits, 0-16383.. no new
> > hardware needed.. of course there is only 1 of these per channel,
> > and 16 channels per cable (or device), but one should be able to
> > work with that as well.. And, as well, the receiving device has to
> > be able to work with this as well, so your milage may vary.. My
> > reworking of the MIDI support in the LP1 supports this..
> 
> CPR,
> 
> My understanding is that it isn't actually the MIDI Spec at fault here. 
> From
> what I can see, there are multiple Continuous Controllers that are designed
> to
> be used in MSB/LSB pairs (just as the Pitch Wheel command is designed) in
> order
> to provide much more discrete resolution than merely 7 bits.
> 
> IIRC, controller #'s 46-63 were originally designated for use as the LSB for
> CC's 14-31, and then 101/100 & 99/98 were explicitly matched into MSB/LSB
> pairs.  I'm sure there are others that I'm forgetting here (aren't there
> 'unused' LSB's for things like Mod Wheel and Breath Control?) too.
> 
> So, would I then be correct in assuming the biggest deficiency here would
> actually be in the fact that few, if any, MIDI control devices (faders,
> footpedals, whatever...) will send matched pairs for anything other than
> Pitch
> Wheel?
> 
> Of course, the receiving device has to be able to make sense of the data
> stream
> as well.  However, I'm assuming that if you can reprogram the MIDI support
> in
> the LP-1 to accept MSB/LSB from the Pitch Wheel, it would be a reasonably
> simple matter to do the same for a different pair of CC numbers.  If the
> LP-1
> *could* accomodate greater resolution from using such pairs, is there any
> device out there that could actually send them?
> 
>        --m.
> 
> 
> ----------------------------------------------------------------
> This message was sent using IMP, the Internet Messaging Program.
> 
> 




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From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 18:48:37 2007
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: MIDI CC Resolution (was: Considering building an ultimate looper...)
References: <20070217230220.2080E38102@astra.telenet-ops.be> <45DC37F1.8010700@addcom.de> <1172077856.45dc7d2014846@webmail.musetrap.com> <1173088303.45ebe82f7d3a8@webmail.m3ch.net>
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Mech,

 You are correct.. I had forgotten about that, and did not continue forth in my
reading once I thought I had my answer.. :)

 So, I think, instead of the a new ultimate looper, we need an ultimate midi
pedal.. which is not a new topic either.. :) a device where the knobs, sliders,
and/or pedals have the ability to send not only standard midi, but the ability
to pair up CC's for the improved resolution.. of course, since we are moving
out of the 'spec', we could go as far as combining more than 2 CC's for an even
greater resolution... timing becomes more important as we chain the commands
together, as a full CC message on midi hardware takes 1ms to make it's trip...
but, if the sending device correctly supports 'running status' the two CC
version will only take 1.6ms, instead of 2ms.. and if we jumped up up to a 4
message CC (for a 32766 resolution) it would be 2.8ms, instead of 4ms..
anyways,
fun stuff.. :)

 While we are talking about controllers, I think coming up with a pedal that
can
have it's current position set (like knobs with halos, or motorized faders)
would be cool as well.. Nate Pease and I talked about a 'roller' with the
current position represented by LED's (like the knob with halo)... 

peace
-cpr

Quoting Mech <mech@m3ch.net>:

> Quoting cpr@musetrap.com:
> >
> > One solution to this is to map the Pitch Wheel command (0xE0-0xEF)
> > to volume..the Pitch Wheel command is 14bits, 0-16383.. no new
> > hardware needed.. of course there is only 1 of these per channel,
> > and 16 channels per cable (or device), but one should be able to
> > work with that as well.. And, as well, the receiving device has to
> > be able to work with this as well, so your milage may vary.. My
> > reworking of the MIDI support in the LP1 supports this..
> 
> CPR,
> 
> My understanding is that it isn't actually the MIDI Spec at fault here. 
> From
> what I can see, there are multiple Continuous Controllers that are designed
> to
> be used in MSB/LSB pairs (just as the Pitch Wheel command is designed) in
> order
> to provide much more discrete resolution than merely 7 bits.
> 
> IIRC, controller #'s 46-63 were originally designated for use as the LSB for
> CC's 14-31, and then 101/100 & 99/98 were explicitly matched into MSB/LSB
> pairs.  I'm sure there are others that I'm forgetting here (aren't there
> 'unused' LSB's for things like Mod Wheel and Breath Control?) too.
> 
> So, would I then be correct in assuming the biggest deficiency here would
> actually be in the fact that few, if any, MIDI control devices (faders,
> footpedals, whatever...) will send matched pairs for anything other than
> Pitch
> Wheel?
> 
> Of course, the receiving device has to be able to make sense of the data
> stream
> as well.  However, I'm assuming that if you can reprogram the MIDI support
> in
> the LP-1 to accept MSB/LSB from the Pitch Wheel, it would be a reasonably
> simple matter to do the same for a different pair of CC numbers.  If the
> LP-1
> *could* accomodate greater resolution from using such pairs, is there any
> device out there that could actually send them?
> 
>        --m.
> 
> 
> ----------------------------------------------------------------
> This message was sent using IMP, the Internet Messaging Program.
> 
> 




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From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 19:04:23 2007
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Subject: Re: RC-50 Software update question
Date: Mon, 05 Mar 2007 19:04:20 +0000
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And...? Have you noticed a difference?

-------------- Original message -------------- 
From: kkissinger@kevinkissinger.com 

> Quoting midifriedchicken@comcast.net: 
> 
> > Has anybody tried the RC50 software update? Its supposed to solve 
> > the momentary silence when going directly from record to play. 
> 
> The V1.01 update allows you to switch between "Rhythm priority" and 
> "Sound priority". 
> 
> To choose the priority, hold down the switches as you switch on the power: 
> 
> Rhythm Priority: [LOOP SYNC]+[PHRASE 1] 
> Sound Priority: [LOOP SYNC]+[PHRASE 2] 
> 
> Note: the setting is saved in memory, so you don't need to carry out 
> this procedure every time you start up. 
> 
> Rhythm Priority has a delay as it syncs up the loops starting 
> position. In essence, the loop starts on the correct beat however is 
> muted for a moment before it kicks in. This is the "gap" to which 
> people refer. 
> 
> Sound Priority starts the playback from the beginning of the recorded 
> data. Note, however, that for the rhythm guide, recorded phrases, or 
> recordings synchronized with MIDI, playback starts with "Rhythm 
> priority". 
> 
> 
--NextPart_Webmail_9m3u9jl4l_25471_1173121460_0
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<html><body>
<DIV>And...? Have you noticed a difference?</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">-------------- Original message -------------- <BR>From: kkissinger@kevinkissinger.com <BR><BR>&gt; Quoting midifriedchicken@comcast.net: <BR>&gt; <BR>&gt; &gt; Has anybody tried the RC50 software update? Its supposed to solve <BR>&gt; &gt; the momentary silence when going directly from record to play. <BR>&gt; <BR>&gt; The V1.01 update allows you to switch between "Rhythm priority" and <BR>&gt; "Sound priority". <BR>&gt; <BR>&gt; To choose the priority, hold down the switches as you switch on the power: <BR>&gt; <BR>&gt; Rhythm Priority: [LOOP SYNC]+[PHRASE 1] <BR>&gt; Sound Priority: [LOOP SYNC]+[PHRASE 2] <BR>&gt; <BR>&gt; Note: the setting is saved in memory, so you don't need to carry out <BR>&gt; this procedure every time you start up. <BR>&gt; <BR>&gt; Rhythm Priority has a delay as it syncs up the loops starting <BR>&gt; position. In essence, the loop starts on the correct beat however i
s <BR>&gt; muted for a moment before it kicks in. This is the "gap" to which <BR>&gt; people refer. <BR>&gt; <BR>&gt; Sound Priority starts the playback from the beginning of the recorded <BR>&gt; data. Note, however, that for the rhythm guide, recorded phrases, or <BR>&gt; recordings synchronized with MIDI, playback starts with "Rhythm <BR>&gt; priority". <BR>&gt; <BR>&gt; </BLOCKQUOTE></body></html>

--NextPart_Webmail_9m3u9jl4l_25471_1173121460_0--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 19:20:01 2007
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Subject: RE: OT: MIDI CC Resolution (was: Considering building an ultimate looper...)
Date: Mon, 5 Mar 2007 19:19:58 -0000
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>>While we are talking about controllers, I think coming up with a pedal =
that can have it's current position set (like knobs with halos, or =
motorized faders) would be cool as well.. <<

hey- let's get on to penny & giles, see if they can make a beefed-up =
version of a motorised pot to go in a pedal. I would volunteer my =
guitarist to try this thing out, so's I could knock him over by =
recalling a patch while he's in the middle of one of his hendrix =
wank-a-thons. :-)

d.

From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 19:27:46 2007
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Subject: Re: RC-50 Software update question
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Quoting midifriedchicken@comcast.net:

> And...? Have you noticed a difference?  (regarding RC50 v1.01)
>

Yes, when the rhythm guide is off (that is, when not syncing) as soon  
as I switch out of record to "overdub" the loop starts as soon as I  
hit the pedal without the momentary "mute".

I haven't used the RC50 much lately -- I have some projects that are  
pressing so I have little spare time to experiment with the RC50 now.   
Look forward to returning to the RC50 in the future.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 20:20:47 2007
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Subject: RE: OT: MIDI CC Resolution (was: Considering building an ultimate looper...)
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lol... yeah, that's why I suggested the halo version, instead of the motorized..
:)


Quoting "Goddard, Duncan" <goddard.duncan@mtvne.com>:

> >>While we are talking about controllers, I think coming up with a pedal that
> can have it's current position set (like knobs with halos, or motorized
> faders) would be cool as well.. <<
> 
> hey- let's get on to penny & giles, see if they can make a beefed-up version
> of a motorised pot to go in a pedal. I would volunteer my guitarist to try
> this thing out, so's I could knock him over by recalling a patch while he's
> in the middle of one of his hendrix wank-a-thons. :-)
> 
> d.
> 
> 




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From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 21:24:09 2007
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From: monk <monk@fuse.net>
Subject: repeater cfc card
Date: Mon, 5 Mar 2007 16:24:01 -0500
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is anyone using the new-ish pretec 256 card? with luck?

any other currently available cards to recommend?


thanks


monk@fuse.net



From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 21:26:49 2007
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From: john floridis <jfloridis@aol.com>
Subject: Re: RC-50 Software update question
Date: Mon, 5 Mar 2007 14:26:41 -0700
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i've found that it can make a big difference, the "sound priority"  
vs. the "rhythm priority"......however, i have found that it does not  
always store in the memory, and i need to test it to make sure it is  
set correctly.

having gone back to working occasionally with the edp and berhinger  
pedal, that still seems more smooth, but with the software update the  
rc50 is improved.

john

From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 21:39:44 2007
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--NextPart_Webmail_9m3u9jl4l_23470_1173130782_0
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Ah, so it doesn't store the preset. Makes sense now. Roland's software leaves a lot to be desired. 

-------------- Original message -------------- 
From: john floridis <jfloridis@aol.com> 

> i've found that it can make a big difference, the "sound priority" 
> vs. the "rhythm priority"......however, i have found that it does not 
> always store in the memory, and i need to test it to make sure it is 
> set correctly. 
> 
> having gone back to working occasionally with the edp and berhinger 
> pedal, that still seems more smooth, but with the software update the 
> rc50 is improved. 
> 
> john 
> 
--NextPart_Webmail_9m3u9jl4l_23470_1173130782_0
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<html><body>
<DIV>Ah, so it doesn't store the preset. Makes sense now. Roland's software leaves a lot to be desired. </DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">-------------- Original message -------------- <BR>From: john floridis &lt;jfloridis@aol.com&gt; <BR><BR>&gt; i've found that it can make a big difference, the "sound priority" <BR>&gt; vs. the "rhythm priority"......however, i have found that it does not <BR>&gt; always store in the memory, and i need to test it to make sure it is <BR>&gt; set correctly. <BR>&gt; <BR>&gt; having gone back to working occasionally with the edp and berhinger <BR>&gt; pedal, that still seems more smooth, but with the software update the <BR>&gt; rc50 is improved. <BR>&gt; <BR>&gt; john <BR>&gt; </BLOCKQUOTE></body></html>

--NextPart_Webmail_9m3u9jl4l_23470_1173130782_0--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 22:22:14 2007
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Date: Mon, 5 Mar 2007 23:22:12 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject:  Myspace tune
To: loopers-delight@loopers-delight.com, midiguitar@yahoogroups.com,
	repeater-users@yahoogroups.com
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> Hi !
> 
> I made a little tribute thing to Jon Hassell -
> called
> Hazel-nut. Its on Myspace.
> 
>  http://www.myspace.com/runefagereng  

Best regards Rune Fagereng
> 
> 
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867
> 
> 
> 	
> 	
> 		
>
_________________________________________________________
> Alt i én. Få Yahoo! Mail med adressekartotek,
> kalender og
> notisblokk. http://no.mail.yahoo.com
> 


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


	
	
		
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 22:25:50 2007
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To: Loopers-Delight@loopers-delight.com
Subject: Re: new experimental music project
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nico spahni schrieb:
> Do you think this project is worth persuing? Is there anyone who has 
> worked in a similar direction? I'd love to hear about your sonic ventures.

Yeah, doing this since 20 Years, if it didn't stop me from doing it, I 
guess its worth persuing...

Go ahead and have fun... (As you seem to have already... ;-)
I liked especially your nice usage of backward playback in the examples 
you posted....

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 22:41:14 2007
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Zipper Noise, an example
References: <20070221165352.13106.qmail@web81013.mail.mud.yahoo.com> <45DC96FE.7070702@tiscali.co.uk> <45E3FB79.2060905@addcom.de> <A2FD5B04-6228-4FFA-B719-7E7654F89BAE@gmail.com>
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Per Boysen schrieb:
> You hear the zipper noise (of the TC Electronix FireworX) when I use the 
> MIDI expression pedal to adjust the volume, something you do a lot when 
> playing guitar (but never with wind instruments). It's a little annoying 
> but not that bad that I wouldn't use the volume pedal at concert. 
> Strange thing is that when I use a MIDI expression pedal to adjust the 
> beat sync tempo division for the LFO bound filter (on the reverb return) 
> there is no such noise.

Its very likely not an interference, its just unsmoothed direct control 
of the amplitude. 128 steps are not fine enough...
You can test this, as its more audible on low frequency sine waves. if 
you feed a sound without much overtones/treble and control the volume is 
it more audible? Its hard to believe, that they don't smooth it.
In my Max patches I usually smooth it with 20 ms which creates an 
acceptable latency for volume control...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 22:53:14 2007
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Date: Mon, 5 Mar 2007 17:52:54 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Zipper Noise, an example
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The zipper noise can easily be supressed by interpolating those 
steps in the gain control algorhythm.

Most programmers don't listen too closely, apparently.


>Per Boysen schrieb:
>>You hear the zipper noise (of the TC Electronix FireworX) when I 
>>use the MIDI expression pedal to adjust the volume, something you 
>>do a lot when playing guitar (but never with wind instruments). 
>>It's a little annoying but not that bad that I wouldn't use the 
>>volume pedal at concert. Strange thing is that when I use a MIDI 
>>expression pedal to adjust the beat sync tempo division for the LFO 
>>bound filter (on the reverb return) there is no such noise.
>
>Its very likely not an interference, its just unsmoothed direct 
>control of the amplitude. 128 steps are not fine enough...
>You can test this, as its more audible on low frequency sine waves. 
>if you feed a sound without much overtones/treble and control the 
>volume is it more audible? Its hard to believe, that they don't 
>smooth it.
>In my Max patches I usually smooth it with 20 ms which creates an 
>acceptable latency for volume control...
>
>Stefan
>
>--
>Stefan Tiedje------------x-------
>--_____-----------|--------------
>--(_|_ ----|\-----|-----()-------
>-- _|_)----|-----()--------------
>----------()--------www.ccmix.com


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 23:36:01 2007
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Date: Mon,  5 Mar 2007 17:18:15 -0600
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Zipper Noise, an example
References: <20070221165352.13106.qmail@web81013.mail.mud.yahoo.com> <45DC96FE.7070702@tiscali.co.uk> <45E3FB79.2060905@addcom.de> <A2FD5B04-6228-4FFA-B719-7E7654F89BAE@gmail.com> <45EC9C86.2020706@addcom.de> <p06230901c2124ee83e2d@[69.86.208.154]>
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Not to defend programmers who don't do thier own level of testing, but
professional audio companies should have someone besides the programmers who
verifies that the quality of the output meets the company standard.. But, it is
also my experience that the 'test dept', or more accurately 'quality assurance'
is usually the most understaffed department.. and, on top of staffing issues,
they are often not given control over WHEN something ships.. management will
often override concerns of quality to hit a ship date.. just my two cents from
the trenches.. :)

peace
-cpr 
 
Quoting Charles Zwicky <cazwicky@earthlink.net>:

> 
> 
> The zipper noise can easily be supressed by interpolating those 
> steps in the gain control algorhythm.
> 
> Most programmers don't listen too closely, apparently.
> 
> 
> >Per Boysen schrieb:
> >>You hear the zipper noise (of the TC Electronix FireworX) when I 
> >>use the MIDI expression pedal to adjust the volume, something you 
> >>do a lot when playing guitar (but never with wind instruments). 
> >>It's a little annoying but not that bad that I wouldn't use the 
> >>volume pedal at concert. Strange thing is that when I use a MIDI 
> >>expression pedal to adjust the beat sync tempo division for the LFO 
> >>bound filter (on the reverb return) there is no such noise.
> >
> >Its very likely not an interference, its just unsmoothed direct 
> >control of the amplitude. 128 steps are not fine enough...
> >You can test this, as its more audible on low frequency sine waves. 
> >if you feed a sound without much overtones/treble and control the 
> >volume is it more audible? Its hard to believe, that they don't 
> >smooth it.
> >In my Max patches I usually smooth it with 20 ms which creates an 
> >acceptable latency for volume control...
> >
> >Stefan
> >
> >--
> >Stefan Tiedje------------x-------
> >--_____-----------|--------------
> >--(_|_ ----|\-----|-----()-------
> >-- _|_)----|-----()--------------
> >----------()--------www.ccmix.com
> 
> 
> -- 
> ...
> http://www.zmix.net
> 
> 




----------------------------------------------------------------
This message was sent using IMP, the Internet Messaging Program.

From Loopers-Delight-request@loopers-delight.com  Mon Mar  5 23:54:55 2007
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Date: Mon, 5 Mar 2007 15:54:53 -0800 (PST)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: mackie SRM 150's
To: Loopers-Delight@loopers-delight.com
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wow Kris srm450 for floor monitors? not exactly
compact those babies are heavy,i am actually
considering buying them to use them as my main PA
speakers and use my yamahas ms150 as monitors(although
my back problems make me still flirt with the bose
PAS! 
Luis
--- Krispen Hartung <khartung@cableone.net> wrote:

> I love the EV's. I have the SRM 450's, which I use
> for floor monitors, and then I have two EV SxA100
> powered 1X12 cabs...they kick ass:
> 
> http://www.krispenhartung.com/gear/ev100.jpg
> 
> They are discontinued now and have a replacement,
> which I'm sure is good too. I'm a huge fan of EV
> cabs.
> 
> All I need is one powered sub, and I have a comlete
> system, along with my Mackie 1642-VLZ Pro Mixer
> Board
> 
> Kris
> 
> ----- Original Message ----- 
> From: "Qua Veda" <qua@oregon.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, March 04, 2007 2:36 PM
> Subject: RE: mackie SRM 150's
> 
> 
> > While you're at it,  check out EV's products in
> this size.
> > 
> > I'm giving some thought to the Mackie 150's, plus
> a sub,  for my 'multiple
> > speaker' setup
> > -Qua
> > -----Original Message-----
> > From: Andrew Koenig [mailto:ark@acm.org] 
> > Sent: Sunday, March 04, 2007 11:59 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: RE: mackie SRM 150's
> > 
> >> http://mackie.com/products/srm150/
> > 
> >> Mini PA -- 150 watts, 100-17K frequency response,
> 7.6 pounds, USD 300.
> > 
> > By the way, here's the competition:
> > 
> > http://www.tc-helicon.tc/Default.asp?Id=7274
> > 
> > Same price, approximately same size.  It would be
> interesting to hear them
> > side by side.
> > 
> > 
> > 
> >


www.myspace.com/luisangulocom


 
____________________________________________________________________________________
Have a burning question?  
Go to www.Answers.yahoo.com and get answers from real people who know.

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 01:40:03 2007
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Date: Mon, 5 Mar 2007 17:40:01 -0800 (PST)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Playing at Home v. Playing Live
To: Loopers-Delight@loopers-delight.com
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Hey Mark!
Although i still sometimes ask myself why i do it
there is still something very appealing about playing
live to me.Perhaps the strange experiences of
audiences behavior.This is why i think there is no
point of taking ones self too seriously.Last saturday
i had a looping gig with a non looper sax player
friend of mine at a beautiful old mansion where an art
expo took place.We played in one of the rooms where
they setup some chairs right in front of us.It was
really funny because people where chilling out
watching the paintings all around talking drinking
wine and when we started playing without saying
anything everybody rushed to sit down and get a
seat.So my friend felt obligated to say something to
the audience about what we were doing.But since he is
not a looper,he just introduced me and le me do the 
explanation,so without going to much into detail i
just did a demonstration even looping my friend
without him knowing and he was just as thrilled as the
audience and i was having a blast observing him and
the audience ;-))
But the funny thing is that after they applauded
enthusiastically to our demonstration,suddently they
all got up together like a flock of seagulls and
splitted right away to the bar!
after that we had the most fun because we felt
liberated and started to play really strange stuff and
just having a laugh and i had a blast just watching my
friends face reacting to the echoes of his sax plugged
to a DL4 and being looped and not having any control
over it.Yes,getting paid for having fun!
(well until you have to tear down your gear and carry
it back 3 floors down)







--- mark sottilaro <zerocrossing2001@yahoo.com> wrote:

> I used to be pure pop music (though kind of on the
> experimental side influenced by people like The
> Beatles, XTC, Pink Floyd and Radiohead) and while I
> found that works in a live situation, I often find
> my
> looping doesn't... usually.  To the LD members, it
> does. (I think) but I think we're a different animal
> here.
> 
> Truth is, I got tired of performing pop songs live. 
> Most people really want to hear music they know and
> that sure isn't my original music.  I've decided
> that
> my loop performances really aren't for live
> performance in front of an audience either... even
> though they are pure live performance in a sense. 
> I'm
> performing the composing and the music at the same
> time.  Wee!  Improvising is the best!
> 
> So while I hope to get my shit together and start
> playing out from time to time, I find I don't really
> crave it much.  Usually I can't hear myself well,
> feel
> like I'm disconnected from the audience because of a
> mountain of gear... ect.  Seems a million times more
> fun in my home studio looping with my friend Andy. 
> HEY ANDY!  If you're reading this it's LOOP NIGHT!
> 
> A few times a year I say this and usually get no
> responses, but here goes.  Anyone in the SF Bay Area
> want to come over for some loop'n?  Let me know.
> 
> Mark
> 
> 
> --- David H <the.31st@gmail.com> wrote:
> 
> > A member asked me what the difference is between
> my
> > home playing and my live
> > playing, and the answer warrants a new thread.
> > 
> > Its been my impression that the majority of
> members
> > on this list play
> > "experimental" or "ambient" music. I really enjoy
> > and appreciate it, too.
> > Sometimes there is nothing better than flipping
> > through the list
> > listening to mp3s you guys have posted. Even so,
> my
> > friends sometimes refer
> > to these styles as artsy fartsy, over their head,
> > weird and/or boring (no
> > offense).
> > 
> > I'm also a big fan of standard folk tunes. And
> > admittedly, I can't seem to
> > outgrow popular song structure. I write songs on
> my
> > guitar in my rental
> > house just like the dude next door, with verses,
> > choruses, lyrics, and I use
> > chords! ;) My loops are not very complex, I've got
> a
> > beat, a rhythm guitar,
> > some back up vocals, and a few layers here and
> > there. I originally started
> > looping because I got sick of trying to put a
> decent
> > band together and
> > decided to be the whole band. Now I play popular
> > bars and clubs around town,
> > and they like to hear "songs" that people can sing
> > and dance to. Boy, that
> > sentence sure made me seem like a sell out. But
> read
> > on:
> > 
> > Each song I've written has been composed in a very
> > flexible way. I can pick
> > up my acoustic and perform without ever plugging
> in,
> > but I also leave a
> > place in every song when I loop it to take it to
> > places that are
> > experimental or ambient. I have the dynamic of
> > performing one song dry, and
> > the next looped into outer space. Anyway, so I see
> > the music I make as a
> > transitional vehicle. From the popular mundane, to
> > what I like to think of
> > the fine wines of music, the experimental, and
> etc.
> > You can take people who
> > don't listen to ambient music to places they
> > wouldn't normally go by
> > tricking them into thinking they are listening to
> a
> > popular song they could
> > hear on the radio. I give Budweiser drinkers a sip
> > of Merlot, (that's you
> > guys).
> > 
> > When I'm playing at home, its more entertaining to
> > me, the loops are much
> > longer and layers much deeper, effects much more
> > dynamic. I'm experimenting.
> > But during a performance I tone it down, I sing
> > catchy tunes so that they
> > like me, and throw in a few weird, noisy, ambient
> > phrases to pique their
> > interest, and so I have a good time too.
> > 
> > David
> > 
> 
> 
> 
>  
>
____________________________________________________________________________________
> Any questions? Get answers on any topic at
> www.Answers.yahoo.com.  Try it now.
> 
> 


www.myspace.com/luisangulocom


 
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From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 02:42:48 2007
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Date: Mon, 5 Mar 2007 21:42:18 -0500
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Zipper Noise, an example
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It really falls on the Beta testers. If they don't use the devices 
the way that us on the cutting edge might then these things slip past 
them. This is why the RC-50 gets complaints here but the LP-1 and 
2880 don't...and vice versa in the mainstream press.


>Not to defend programmers who don't do thier own level of testing, but
>professional audio companies should have someone besides the programmers who
>verifies that the quality of the output meets the company standard.. 
>But, it is
>also my experience that the 'test dept', or more accurately 'quality 
>assurance'
>is usually the most understaffed department.. and, on top of staffing issues,
>they are often not given control over WHEN something ships.. management will
>often override concerns of quality to hit a ship date.. just my two cents from
>the trenches.. :)
>
>peace
>-cpr
>
>Quoting Charles Zwicky <cazwicky@earthlink.net>:
>
>>
>>
>>  The zipper noise can easily be supressed by interpolating those
>>  steps in the gain control algorhythm.
>>
>>  Most programmers don't listen too closely, apparently.
>>
>>
>>  >Per Boysen schrieb:
>>  >>You hear the zipper noise (of the TC Electronix FireworX) when I
>>  >>use the MIDI expression pedal to adjust the volume, something you
>>  >>do a lot when playing guitar (but never with wind instruments).
>>  >>It's a little annoying but not that bad that I wouldn't use the
>>  >>volume pedal at concert. Strange thing is that when I use a MIDI
>>  >>expression pedal to adjust the beat sync tempo division for the LFO
>>  >>bound filter (on the reverb return) there is no such noise.
>>  >
>>  >Its very likely not an interference, its just unsmoothed direct
>>  >control of the amplitude. 128 steps are not fine enough...
>>  >You can test this, as its more audible on low frequency sine waves.
>>  >if you feed a sound without much overtones/treble and control the
>>  >volume is it more audible? Its hard to believe, that they don't
>>  >smooth it.
>>  >In my Max patches I usually smooth it with 20 ms which creates an
>>  >acceptable latency for volume control...
>>  >
>>  >Stefan
>>  >
>>  >--
>>  >Stefan Tiedje------------x-------
>>  >--_____-----------|--------------
>>  >--(_|_ ----|\-----|-----()-------
>>  >-- _|_)----|-----()--------------
>>  >----------()--------www.ccmix.com
>>
>>
>>  --
>>  ...
>>  http://www.zmix.net
>>
>>
>
>
>
>
>----------------------------------------------------------------
>This message was sent using IMP, the Internet Messaging Program.


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 02:52:42 2007
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Subject: Well... it SORT OF has something to do with looping
Date: Mon, 5 Mar 2007 18:52:38 -0800
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--Apple-Mail-5--578653134
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Oh my goodness!  Check it out:

http://www.jet-man.com/actuel_eng.html

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
>

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Oh my goodness!  Check it out:


http://www.jet-man.com/actuel_eng.html


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

<excerpt>

</excerpt>
--Apple-Mail-5--578653134--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 03:15:17 2007
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Subject: Introducing myself :: Rob McDade (South Australia)
Date: Tue, 6 Mar 2007 13:45:13 +1030
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Hi,
This is my first post to this email list and I thought I'd introduce
myself.

My name is Rob McDade  - I live in Adelaide in South Australia. I have
been playing guitar for 20 years now - and am a long time prog rock fan.
I have recently gotten heavily into looping. In a way I began a long
time ago with my first delay pedal - but I recently discovered the
potential with the equipment that is around today.

I am a solo performer - I play a mixture of solo acoustic guitar (akin
to Steve Howe, Michael Hedges and Will Ackerman); and electric loops
which enable me to produce a band sound  - a mini Pink Floyd or Mike
Oldfield!

My set up revolves around the BOSS DD20 which I bought for its delay
functions - not aware that it has a sound on sound looping setting. Now
that is my mainstay effect.  I run a normal guitar -> boss pedal effects
set up into a small behringer mixer, into which I also patch my acoustic
guitar and a drum machine (Alesis HR16) the FX send of the Mixer runs
thru the DD20.
Despite its limitations at 23 seconds - the DD20 does give me quite a
lot of flexibility with performance - esp if I run the SOS as the manual
setting and pre set some long delays into the 4 memory banks.

My performances involve setting up some Fripp-esque soundscapes using
the long delay settings (particularly nice if using an ebow - and a
standard digital delay pedal!).  Switching the DD20 delay on and off -
allows for normal decay of the delays (which might take a few minutes)
and soloing over those - or whatever!  Then switching to the SOS
function (again while the delay 'soundscapes' decay naturally over
several minutes) and setting up a loop - I mostly use 2 or 3 chord  -
chord progressions then enhancing with some percussion sounds which I
tap in manually from the drum machine; and play a bass line using an
octave pedal. When it works it sounds pretty cool - and has impressed
quite a few punters when playing live.  Solo over the top! =20

Ending the performance is the trick - I can either fade out the loop
using the mixer. I am thinking of getting a 2nd volume pedal to put
after the output of the DD20 so I can fade out using my foot - while
still playing lead - as opposed to fading out with one hand and soloing
with the other - or just fading the loop on its own.  Another option is
to end the piece with a big, abrupt finish - stopping the loop dead and
playing a huge chord or sustained note  ; or while the loop is still
running, switch back into one of the delay settings and build up another
soundscape - then switch off the loop (rather abrupt finish) but the
soundscape runs on. The footswitch settings need to be set up a special
way to do that. Basically by stomping on both pedals at the same time
you can switch between the memory banks.


I am investigating another dedicated looping device such as the Boss RC
20 (XL) or the RC2 (more in my price range) and coming up with a more
complicated signal flow using both DD20 and RC side by side.
One option is to split the FX send into 2 signals, one into the DD one
into the RC and then have 2 FX returns. Then they should not conflict
with one another - I can have a soundscape running along side a loop and
have more flexibility with each without affecting the other.

One of the other visual performance highlights of all this is say
swapping guitars mid song - start off a loop on acoustic guitar - play
along for a bit and then switch to electric and build the piece.

I suppose the next step is to get a guitar stand for my acoustic (ready
to play) so I can have seamless interchange between the two instruments.

It's about now that it's all getting very w@nky and nerdy and probably
time I got some friends to jam with!!

All good fun - and all very interesting to you readers, I'm sure.

Hope to hear from fellow loopers soon. I'm sure I know some of you out
there!
cheers

Rob McDade
www.myspace.com/robmcdade
www.mp3.com.au/robmcdade

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 04:00:26 2007
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Subject: Re: Introducing myself :: Rob McDade (South Australia)
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Welcome!

Plish

www.myspace.com/bohdanovich
www.myspace.com/michaelplishka
www.michaelplishka.com


----- Original Message ----- 
From: "McDade, Rob (SLSA)" <McDade.Rob@slsa.sa.gov.au>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, March 05, 2007 9:15 PM
Subject: Introducing myself :: Rob McDade (South Australia)


Hi,
This is my first post to this email list and I thought I'd introduce
myself.

My name is Rob McDade  - I live in Adelaide in South Australia. I have
been playing guitar for 20 years now - and am a long time prog rock fan.
I have recently gotten heavily into looping. In a way I began a long
time ago with my first delay pedal - but I recently discovered the
potential with the equipment that is around today.

I am a solo performer - I play a mixture of solo acoustic guitar (akin
to Steve Howe, Michael Hedges and Will Ackerman); and electric loops
which enable me to produce a band sound  - a mini Pink Floyd or Mike
Oldfield!

My set up revolves around the BOSS DD20 which I bought for its delay
functions - not aware that it has a sound on sound looping setting. Now
that is my mainstay effect.  I run a normal guitar -> boss pedal effects
set up into a small behringer mixer, into which I also patch my acoustic
guitar and a drum machine (Alesis HR16) the FX send of the Mixer runs
thru the DD20.
Despite its limitations at 23 seconds - the DD20 does give me quite a
lot of flexibility with performance - esp if I run the SOS as the manual
setting and pre set some long delays into the 4 memory banks.

My performances involve setting up some Fripp-esque soundscapes using
the long delay settings (particularly nice if using an ebow - and a
standard digital delay pedal!).  Switching the DD20 delay on and off -
allows for normal decay of the delays (which might take a few minutes)
and soloing over those - or whatever!  Then switching to the SOS
function (again while the delay 'soundscapes' decay naturally over
several minutes) and setting up a loop - I mostly use 2 or 3 chord  -
chord progressions then enhancing with some percussion sounds which I
tap in manually from the drum machine; and play a bass line using an
octave pedal. When it works it sounds pretty cool - and has impressed
quite a few punters when playing live.  Solo over the top!  

Ending the performance is the trick - I can either fade out the loop
using the mixer. I am thinking of getting a 2nd volume pedal to put
after the output of the DD20 so I can fade out using my foot - while
still playing lead - as opposed to fading out with one hand and soloing
with the other - or just fading the loop on its own.  Another option is
to end the piece with a big, abrupt finish - stopping the loop dead and
playing a huge chord or sustained note  ; or while the loop is still
running, switch back into one of the delay settings and build up another
soundscape - then switch off the loop (rather abrupt finish) but the
soundscape runs on. The footswitch settings need to be set up a special
way to do that. Basically by stomping on both pedals at the same time
you can switch between the memory banks.


I am investigating another dedicated looping device such as the Boss RC
20 (XL) or the RC2 (more in my price range) and coming up with a more
complicated signal flow using both DD20 and RC side by side.
One option is to split the FX send into 2 signals, one into the DD one
into the RC and then have 2 FX returns. Then they should not conflict
with one another - I can have a soundscape running along side a loop and
have more flexibility with each without affecting the other.

One of the other visual performance highlights of all this is say
swapping guitars mid song - start off a loop on acoustic guitar - play
along for a bit and then switch to electric and build the piece.

I suppose the next step is to get a guitar stand for my acoustic (ready
to play) so I can have seamless interchange between the two instruments.

It's about now that it's all getting very w@nky and nerdy and probably
time I got some friends to jam with!!

All good fun - and all very interesting to you readers, I'm sure.

Hope to hear from fellow loopers soon. I'm sure I know some of you out
there!
cheers

Rob McDade
www.myspace.com/robmcdade
www.mp3.com.au/robmcdade



From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 04:15:52 2007
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Subject: Reactable
Date: Mon, 5 Mar 2007 23:15:28 -0500
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So has anyone else seen the videos for the Reactable @
http://www.youtube.com/watch?v=vR0IBdoPiho
Yeah, it is weird. From the video, it looks like there is more looping than
actual sequencing, but it looks pretty fun to play with and create Atari
1977 sounds. I'd like a whole wall make out of this stuff, really.


Dave Eichenberger 
http://www.daveeichenberger.com



From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 04:48:00 2007
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i did the upgrade but i cant seem to hear much difference at all.

also there are no display messages which confirm that its rythm of sound 
priority.

there is a patch called cool groove (number 6)

i copied it to 7 and 8 and had it change on loop end.

but the rythm guide seems to put the first beat in twice when you switch 
between 7 and 8.....but these patches loop perfectly on their own!!

my main concern is that it might be something i can work around because i 
want to use this machine as a glorified song creation sketchpad and 
switching between patches is pretty fundamental to this....using copies of 
patches with phrases varying but some the same....and the beat a constant.

what baffels me is that boss obviously went to a lot of trouble to include 
"change at loop end" and control instructions that can move up and down 
patches while you are playing. ....but these features are useless if it 
stops and puts another beat in everytime it changes.

i just cannot believe this .....it must be something im doing wrong ...or 
can this be true??


----- Original Message ----- 
From: "john floridis" <jfloridis@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 06, 2007 5:26 AM
Subject: Re: RC-50 Software update question


> i've found that it can make a big difference, the "sound priority"  vs. 
> the "rhythm priority"......however, i have found that it does not  always 
> store in the memory, and i need to test it to make sure it is  set 
> correctly.
>
> having gone back to working occasionally with the edp and berhinger 
> pedal, that still seems more smooth, but with the software update the 
> rc50 is improved.
>
> john
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 05:47:41 2007
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From: john floridis <jfloridis@aol.com>
Subject: Re: RC-50 Software update question
Date: Mon, 5 Mar 2007 22:47:27 -0700
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it would have been nice if roland had included some kind of display  
"notification" for lack of a better word that would tell you which  
mode you were in, i agree with that wholeheartedly.

the person posting on this group that seems to have this unit dialed  
in like crazy is buzzap (not sure i have that exactly right).  his  
posts seem to be the most comprehensive and thorough, and he might  
know better how to address what you're asking.  (certainly better  
than roland, he says dripping with sarcasm).  i personally have not  
used the unit in quite the same way you're describing.  i tend to  
just build pieces within a given patch, using the three patterns to  
create loops of different lengths, directions, etc.

john

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 05:56:09 2007
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From: john floridis <jfloridis@aol.com>
Subject: Re: RC-50 Software update question
Date: Mon, 5 Mar 2007 22:55:53 -0700
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i didin't exactly use the word sarcasm well there.......meant to  
convey frustration with roland and compliment the poster buzzap.

john

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 06:49:37 2007
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To: Loopers-Delight@loopers-delight.com
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Subject: Re: mackie SRM 150's
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:) Yeah, but I'm using them for floor monitors at big bigs, like the Boise 
Experimental Music Festival, where you have a raised stage that is at least 
30 feet wide, giant PA speakers and powered subs as mains, snake, mixer 
board, soundman, etc

At this years's festival, I think I'm going to have a MONSTER PA. Passive 
15" Cabs/horns with their own power amp, and two massive 1X15 sub cabs on 
each side...and MAJOR wattage in the cottage. This things could run a hard 
rock band with a 1000 person croud, easy.

Kris

----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, March 05, 2007 4:54 PM
Subject: Re: mackie SRM 150's


> wow Kris srm450 for floor monitors? not exactly
> compact those babies are heavy,i am actually
> considering buying them to use them as my main PA
> speakers and use my yamahas ms150 as monitors(although
> my back problems make me still flirt with the bose
> PAS!
> Luis
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>> I love the EV's. I have the SRM 450's, which I use
>> for floor monitors, and then I have two EV SxA100
>> powered 1X12 cabs...they kick ass:
>>
>> http://www.krispenhartung.com/gear/ev100.jpg
>>
>> They are discontinued now and have a replacement,
>> which I'm sure is good too. I'm a huge fan of EV
>> cabs.
>>
>> All I need is one powered sub, and I have a comlete
>> system, along with my Mackie 1642-VLZ Pro Mixer
>> Board
>>
>> Kris
>>
>> ----- Original Message ----- 
>> From: "Qua Veda" <qua@oregon.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Sunday, March 04, 2007 2:36 PM
>> Subject: RE: mackie SRM 150's
>>
>>
>> > While you're at it,  check out EV's products in
>> this size.
>> >
>> > I'm giving some thought to the Mackie 150's, plus
>> a sub,  for my 'multiple
>> > speaker' setup
>> > -Qua
>> > -----Original Message-----
>> > From: Andrew Koenig [mailto:ark@acm.org]
>> > Sent: Sunday, March 04, 2007 11:59 AM
>> > To: Loopers-Delight@loopers-delight.com
>> > Subject: RE: mackie SRM 150's
>> >
>> >> http://mackie.com/products/srm150/
>> >
>> >> Mini PA -- 150 watts, 100-17K frequency response,
>> 7.6 pounds, USD 300.
>> >
>> > By the way, here's the competition:
>> >
>> > http://www.tc-helicon.tc/Default.asp?Id=7274
>> >
>> > Same price, approximately same size.  It would be
>> interesting to hear them
>> > side by side.
>> >
>> >
>> >
>> >
>
>
> www.myspace.com/luisangulocom
>
>
>
> ____________________________________________________________________________________
> Have a burning question?
> Go to www.Answers.yahoo.com and get answers from real people who know.
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 07:11:55 2007
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Tony K schrieb:
> This is my current favorite "radio" station.
> 
> www.last.fm <http://www.last.fm>
> 
> type in a band name and the station plays related bands.  I put in King 
> Crimson and got  Van der Graaf Generator, Spock's Beard, Camel, Caravan, 
> Gong, Gentle Giant, Mahavishnu Orch., Soft Machine, Doors, The Mars 
> Volta, Tool, Zappa...

That looks damn interesting, much better than MySpace...
but no tag "loops", did you put your music up? does it get played there?

It seems that Imogen Heap is the most successful looper there...
Krispen and Per are a bit underated in comparison... ;-)

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Introducing myself :: Rob McDade (South Australia)
Date: Tue, 6 Mar 2007 09:03:19 +0100
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On 6 mar 2007, at 04.15, McDade, Rob (SLSA) wrote:

> Hi,
> This is my first post to this email list and I thought I'd introduce
> myself.


Hi Rob,

and welcome to this list. Interesting idea you have about building  
stands for your instruments. I know some musician friends that did  
that. If you have a stand for your acoustic you could simply swing  
over the electric at your back when approaching the acoustic. That  
would be fun to watch, being in the audience ;-)

I too play many instruments, but I have more or less chosen not to  
bring them all at gigs - rather focusing on techniques to use one  
instruments for many musical roles. Like bringing a cello bow and a  
flute with an electric guitar or like using a pitch shifter to make a  
tenor sax sound a little differently on some occasions. My newest  
love is an EWI and for this instrument I have created multi layered  
and cross-faded sampler patches of my stratocaster played through a  
cranked tube amp top plus marshal cabinet, so I can play those sounds  
with this little clarinet-like thing of metal and plastics. Very  
portable and good sounding but not quite as cool looking on stage as  
the top and cab with the strat ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 08:48:58 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Zipper Noise, an example
Date: Tue, 6 Mar 2007 09:48:52 +0100
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> Per Boysen schrieb:
>> You hear the zipper noise (of the TC Electronix FireworX) when I  
>> use the MIDI expression pedal to adjust the volume, something you  
>> do a lot when playing guitar (but never with wind instruments).  
>> It's a little annoying but not that bad that I wouldn't use the  
>> volume pedal at concert. Strange thing is that when I use a MIDI  
>> expression pedal to adjust the beat sync tempo division for the  
>> LFO bound filter (on the reverb return) there is no such noise.

On 5 mar 2007, at 23.41, Stefan Tiedje wrote:

> Its very likely not an interference, its just unsmoothed direct  
> control of the amplitude. 128 steps are not fine enough...
> You can test this, as its more audible on low frequency sine waves.  
> if you feed a sound without much overtones/treble and control the  
> volume is it more audible? Its hard to believe, that they don't  
> smooth it.
> In my Max patches I usually smooth it with 20 ms which creates an  
> acceptable latency for volume control...

Hi Stefan,

Smothing was the first fix I tried with the FireworX, but it did not  
change the noise. I have noticed the same zipper noise also when (1)  
controlling other FireworX parameters than volume by MICI CC's and  
(2) in other software when controlling anything by external MIDI CC#  
(Ableton Live, NI Guitar Rig 2).

Anyway, I did a check on what you said about overtone/treble rich  
sounds. But there is no difference to the noise added by moving the  
pedal when I feed the box low notes with no treble and when I feed it  
high and sparkly stuff.

Applications I have been using a lot and where I have never noticed  
any such zipper noise when controlling a continuous parameter with a  
MIDI CC# are Logic and Numerology. Logic has a fader resolution far  
higher than the 128 steps of MIDI and Numerology has a built-in  
"scaling" (i.e. what you call "smoothing").

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 09:09:06 2007
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Subject: Re: Zipper , an example (software testing)
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Charles Zwicky wrote:
> 
> It really falls on the Beta testers. If they don't use the devices the 
> way that us on the cutting edge might then these things slip past them. 

Roland knew about some of the RC-50 issues already.
Don't think they have much of a clue really, apart from being top notch at profits.

Complex loop devices really need something more than to rely on the poor old "Beta Tester", as in someone who plays their music in the way they like to see if it works out on the new device.

Indeed, it's highly desirable to have a beta tester like Andre Lafosse who'll push the technology to it's limit, but  how realistic is that hope?

As cpr hints, it's either down to the programmer to ensure that there's no way to crash the device for any possible sequence of button presses, or they should get someone else to do it. Typically, the programmer isn't the best tester of their own product, as they already "know to use it". 

As looping devices increase in capability, there's 2 ways I can see this going.

1) Actually pay someone to test, it's a skilled job.
2) Make it known that purchasers/users are "testers" right from the beginning, and have good provision for dealing with that.

> This is why the RC-50 gets complaints here but the LP-1 and 2880 
> don't...and vice versa in the mainstream press.

The reason the LP-1 doesn't get complaints here is that these are dealt with on the LP-1 forum.
There's not that many LP-1's in the world, so users get their answers direct from Bob Amstadt.
Probably the 2880 is just too simple to have a lot of problems.


Isn't the RC-50 the first looper by a major company to have these sort of problems?
It's a lot easier to create bug free software if all the features are known before programming starts, and I'm guessing that's how the majors do it. The independent loop developers are usually open to change their product on the fly, which is no bad thing, but eventually tends to create difficulties and complications in the software. 


If we want to be on the "cutting edge" as loopers, I think we're going to be testers :-)

andy butler
  

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 09:46:10 2007
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Subject: response today from boss regarding the rc50
Date: Tue, 6 Mar 2007 17:45:49 +0800
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"As the pedal exists today, there is no way around that slight delay when 
you change patches. Although there may be an update some day which addresses 
this, this is how the pedal works for now. If you need it to be fixed soon, 
you had better take it back.
I hope that this helps answer your request. If you need more assistance in 
this matter, please either re-submit your support request or contact our 
Product Support Department at the appropriate number:

Digital Recorders and Mixers: 323-890-3741
Guitar/Percussion Products: 323-890-3743
Pianos, Organs, Arrangers: 323-890-3744
Synths/Sound Modules/Groove Products: 323-890-3745
Product Support Main: 323-890-3740

Sincerely,
Roland Product Support"


if i knew it would be fixed one day then i could live with it but they wont 
even say that much.

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 09:48:40 2007
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Imo the RC-50 is works fine since the 1.01 update. But I have the impress=
ion some users don't exactly know how the device works regarding tempo sy=
nc, loop sync and loop quantize. There are excellent PDF support doc's on=
 the Roland web site that cover these subject, highly recommended :)

Personally, I think the RC-50 and offers good value for the money. But yo=
u can't and should not compare it to high end devices such as the EDP or =
LP-1; it offers less features, it's more a phrase sampler than a "delay" =
type of looper. 

Sjaak=0A---=0AScarlet One Unlimited=0AFree national calls, surf up to 6 M=
bit/s, 50 GB download volume=0AFor only EUR 49,95 per month. No Belgacom =
subscription needed.  All in!=0Ahttp://www.scarlet.be

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 10:00:27 2007
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kkissinger@kevinkissinger.com schrieb:
> Quoting Krispen Hartung <khartung@cableone.net>:
> 
>> Imagine if everything time I said something was
>> beautiful, I had to qualify exactly what I meant down the specific
>> logical atoms that denoted my owen sensory data or memories of sensory
>> data. It would take hours and we'd never be able to communicate. It's
>> easier to just use the word and assume we have a common understand in
>> absence of there being an actual "Thing" out there called beauty.
> 
> This point is well-taken: that a word such as "beauty" is a shorthand 
> that we can use to communicate with the presumption that you and I have 
> enough in common that our respective approaches to "beauty" are similar.

I don't think its a shorthand for something else... If I talk about 
beauty, I talk about beauty!
To come back to Wittgenstein, he claimed the meaning and function of a 
word is defined by its usage. We learn how to use the word beauty, and 
have a feeling when its used correctly. But a term like "beauty" is much 
less defined than a term like "red". Sooner or later we will find 
somebody who uses it in a context which seems contradictory to the way 
we used to use it.

There are two ways to react.
Recontextualise the word, learn that its only valid in a subjective 
context - or fight for the correct use we have learned so far.
How many flamewars are based on simple missunderstandings?...

All this depends a lot on our social context. A father would always 
teach his children his way of usage, correctly assuming the kids have 
not enough experience to judge yet, and for the child it's the other way 
around. We can't learn our language without teachers...

In on-line communities the ability to judge the experience of a member 
is much more difficult, that's why flame wars are quite common...

And the meaning of words like "beauty" we usually learn from stories. 
Music can be a purely emotional told story without words.

I remember exactly how my father was excited about the string quartets 
from Schubert, played by the Melos Quartet. This opened me certainly for 
the beauty of that music...
(If I tell a story like that, I probably do not need to explain the word 
beauty any further, its short, clear and obvious, and any further 
explanation would destroy the beauty of the story... ;-)

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 10:02:49 2007
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Subject: Re: RC-50 Software update question
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so you could do a chord progression say with a beat that loops. Then copy 
that patch to the next number ...and then freely move between each patch 
without a glitch in the beat?? is that possible.



Imo the RC-50 is works fine since the 1.01 update. But I have the impression 
some users don't exactly know how the device works regarding tempo sync, 
loop sync and loop quantize. There are excellent PDF support doc's on the 
Roland web site that cover these subject, highly recommended :)

Personally, I think the RC-50 and offers good value for the money. But you 
can't and should not compare it to high end devices such as the EDP or LP-1; 
it offers less features, it's more a phrase sampler than a "delay" type of 
looper.

Sjaak
---
Scarlet One Unlimited
Free national calls, surf up to 6 Mbit/s, 50 GB download volume
For only EUR 49,95 per month. No Belgacom subscription needed.  All in!
http://www.scarlet.be


From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 11:30:50 2007
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Subject: Re: response today from boss regarding the rc50
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> "As the pedal exists today, there is no way around that slight delay 
> when you change patches. Although there may be an update some day which 
> addresses this, this is how the pedal works for now. If you need it to 
> be fixed soon, you had better take it back.
> I hope that this helps answer your request. If you need more assistance 
> in this matter, please either re-submit your support request or contact 
> our Product Support Department at the appropriate number:

> Sincerely,
> Roland Product Support"
> 

My guess is that "Roland Product Support" is some poor guy with a stack of manuals to read and no official way to communicate with the product designers.

( I think this because that's exactly what happens with Yamaha )


andy butler

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 12:37:14 2007
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Subject: Re: RC-50 Software update question
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> so you could do a chord progression say with a beat that loops. Then co=
py 
> that patch to the next number ...and then freely move between each patc=
h 
> without a glitch in the beat?? is that possible.

Nope....you're only alternative is to work with the 3 indivudual phrases =
within a patch. But agree, it would be nice if Boss would implement a gli=
tch free patch change in a future update. My other wishes: 

1) midi feedback control per phrase
2) improved midi tempo sync bases on midi clock only (without the need fo=
r a midi start message)
3) phrase half speed 

Sjaak=0A---=0AScarlet One Unlimited=0AFree national calls, surf up to 6 M=
bit/s, 50 GB download volume=0AFor only EUR 49,95 per month. No Belgacom =
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From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 13:01:21 2007
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Date: Tue,  6 Mar 2007 06:49:57 -0600
From: Mech <mech@m3ch.net>
To: Loopers-Delight@loopers-delight.com
Subject: RE: OT: MIDI CC Resolution....
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Quoting "Goddard, Duncan" <goddard.duncan@mtvne.com>:
> >>
> >>If the LP-1 *could* accomodate greater resolution from using such > >>pairs,
is there any device out there that could actually send
> >>them?
>
> the peavey pc1600 or 1600x is pretty well equipped for custom
> midi commands.

You're right Duncan, and I sort of had it in the back of my mind that the
PC1600x might be able to handle it.  Unfortunately, I haven't done as much as I
should with my 1600 since getting a PMC-10 about a year ago.  The Digitech
floorpedal is a bit less 'spaghetti-ish' than my previous setup of using the
PC1600x fader controller with a couple of footpedals.  However, even the PMC-10
seems a bit limited in this respect, since the pedals are more constrained in
their assignments (not so with the switches, but that'll only get you snapshot
control).

So we've identified one controller that can probably send the appropriate
resolution, even if it's not primarily geared for floor use.  I would imagine
the Kenton faderbox might be able to do similar, since it's a fairly close
competitor to the Peavey, but I don't know that for certain.  Any others out
there (particularly floor pedals)?

       --m.


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From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 13:05:16 2007
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Subject: Re: RC-50 Software update question
Date: Tue, 6 Mar 2007 21:04:59 +0800
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Thanks Sjaak ...for a clarification...at least i can put that one to rest 
for now.

if i look upon the rc50 as a three loop stereo device with midi out basic 
drum and  a decay workaround in one package....the price its not too bad at 
all. Just hope in time that roland will fix the problems. Limitations can be 
a good thing...right!!


----- Original Message ----- 
From: "Sjaak" <tcplugin@scarlet.be>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 06, 2007 8:37 PM
Subject: Re: RC-50 Software update question


> so you could do a chord progression say with a beat that loops. Then copy
> that patch to the next number ...and then freely move between each patch
> without a glitch in the beat?? is that possible.

Nope....you're only alternative is to work with the 3 indivudual phrases 
within a patch. But agree, it would be nice if Boss would implement a glitch 
free patch change in a future update. My other wishes:

1) midi feedback control per phrase
2) improved midi tempo sync bases on midi clock only (without the need for a 
midi start message)
3) phrase half speed

Sjaak
---
Scarlet One Unlimited
Free national calls, surf up to 6 Mbit/s, 50 GB download volume
For only EUR 49,95 per month. No Belgacom subscription needed.  All in!
http://www.scarlet.be


From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 13:44:18 2007
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From: "Ben" <benoitruelle@yahoo.fr>
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Subject: Re: Reactable
Date: Tue, 6 Mar 2007 14:43:52 +0100
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It looks more like a modular synth like the moog or clavia modular, I'd say.
Now, speaking of looping, I guess a LFO modulating the frequency or a 
16-steps sequencer controlling the filter cutoff of a droning OSC can be 
also called looping.
I think the modular guru's call this noodling.

Some cool stuff in the same "midi" looping categories are appearing:
yamaha tenori-on
a.. http://www.sonicstate.com/news/shownews.cfm?newsid=4357
a.. www.global.yamaha.com/design/tenori-on
a.. www.tenorion.blogspot.com
or
the nintendo electroPlankton:
http://electroplankton.nintendods.com/flash.html

It's a beautiful world we are living in ;-)

Ben

----- Original Message ----- 
From: "hazard factor" <artists@hazardfactor.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 06, 2007 5:15 AM
Subject: Reactable


> So has anyone else seen the videos for the Reactable @
> http://www.youtube.com/watch?v=vR0IBdoPiho
> Yeah, it is weird. From the video, it looks like there is more looping 
> than
> actual sequencing, but it looks pretty fun to play with and create Atari
> 1977 sounds. I'd like a whole wall make out of this stuff, really.
>
>
> Dave Eichenberger
> http://www.daveeichenberger.com
>
>
> 


	

	
		
___________________________________________________________________________ 
Yahoo! Mail réinvente le mail ! Découvrez le nouveau Yahoo! Mail et son interface révolutionnaire.
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From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 13:47:41 2007
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Subject: Re: OT: MIDI CC Resolution (was: Considering building an ultimate looper...)
References: <20070217230220.2080E38102@astra.telenet-ops.be> <45DC37F1.8010700@addcom.de> <1172077856.45dc7d2014846@webmail.musetrap.com> <1173088303.45ebe82f7d3a8@webmail.m3ch.net> <1173120258.45ec6502aa013@webmail.musetrap.com>
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Quoting cpr@musetrap.com:
>
>  You are correct.. I had forgotten about that, and did not continue
> forth in my reading once I thought I had my answer.. :)

Hey, thanks for the verification that I'd read the spec correctly.  But I'd say,
given the current state of controllers out there, that the original solution
you hit upon is the most compatible, since most pedals can be set to manipulate
Pitch Wheel.  I'd wonder if there are any pedals other than the ones that we've
mentioned that will even merely transmit proper MSB/LSB Mod Wheel, rather than
dumbing it down to MSB only.

>  So, I think, instead of the a new ultimate looper, we need an
>  ultimate midi pedal.. which is not a new topic either.. :)

I heard you there!  The sad thing is that I've actually gone through and done
some design work for a MIDI widget that could fairly easily incorporate
something like this.  Problem is, while I can put stuff together on paper, I
know crap about programming embedded systems or, for that matter, doing
hardware manufacture in general.  I've played at fabricating some boutique
stompbox 'ideas', but that's a fur piece from what would be required for the
circuit of a data project like the one I've in mind.  Ah well....  :P

       --m.



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From: Per Boysen <perboysen@gmail.com>
Subject: mp3 clip posted
Date: Tue, 6 Mar 2007 15:44:34 +0100
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Humbly posting a clip of todays live looping practice, if anyone  
cares to listen:
http://www.looproom.com/audio/abc.mp3

per

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 15:02:45 2007
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Date: Tue, 6 Mar 2007 09:19:05 -0500
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Andy,
  I think this assesment is too cynical. I have done beta testing with 
several pro audio manufaturers (I am a professional recording 
engineer) and the reality is that the "programmer " is often a part 
of a team of developers and programmers, and in DSP driven products, 
there are programmers dedicated to user interface, DSP coding, 
algorhythm design API integration (if it's software) etc.  As a beta 
tester, I was perhaps the only member of the 'team' who dealt 
extensively and exclusivly with the end product. The basic reality is 
that the alpha and beta devices are broken and malfunctioning and 
need sombody with excellent troubleshooting -and particularly 
communication - skills to sus them out.  At some point, there is a 
'drop dead' date and the thing gets released, warts and all.

-CZ

>Charles Zwicky wrote:
>>
>>It really falls on the Beta testers. If they don't use the devices 
>>the way that us on the cutting edge might then these things slip 
>>past them.
>
>Roland knew about some of the RC-50 issues already.
>Don't think they have much of a clue really, apart from being top 
>notch at profits.
>
>Complex loop devices really need something more than to rely on the 
>poor old "Beta Tester", as in someone who plays their music in the 
>way they like to see if it works out on the new device.
>
>Indeed, it's highly desirable to have a beta tester like Andre 
>Lafosse who'll push the technology to it's limit, but  how realistic 
>is that hope?
>
>As cpr hints, it's either down to the programmer to ensure that 
>there's no way to crash the device for any possible sequence of 
>button presses, or they should get someone else to do it. Typically, 
>the programmer isn't the best tester of their own product, as they 
>already "know to use it".
>As looping devices increase in capability, there's 2 ways I can see 
>this going.
>
>1) Actually pay someone to test, it's a skilled job.
>2) Make it known that purchasers/users are "testers" right from the 
>beginning, and have good provision for dealing with that.
>
>>This is why the RC-50 gets complaints here but the LP-1 and 2880 
>>don't...and vice versa in the mainstream press.
>
>The reason the LP-1 doesn't get complaints here is that these are 
>dealt with on the LP-1 forum.
>There's not that many LP-1's in the world, so users get their 
>answers direct from Bob Amstadt.
>Probably the 2880 is just too simple to have a lot of problems.
>
>
>Isn't the RC-50 the first looper by a major company to have these 
>sort of problems?
>It's a lot easier to create bug free software if all the features 
>are known before programming starts, and I'm guessing that's how the 
>majors do it. The independent loop developers are usually open to 
>change their product on the fly, which is no bad thing, but 
>eventually tends to create difficulties and complications in the 
>software.
>
>If we want to be on the "cutting edge" as loopers, I think we're 
>going to be testers :-)
>
>andy butler
>


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 15:38:48 2007
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Subject: Re: RC-50 Software update question
Date: Tue, 06 Mar 2007 15:38:43 +0000
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Yes. I can do that. I cant switch between banks without a pause, but between loops (when set to single) you should be able to do that. 
-------------- Original message -------------- 
From: "arcmotion" <andrzej@arcmotion.com> 

> 
> so you could do a chord progression say with a beat that loops. Then copy 
> that patch to the next number ...and then freely move between each patch 
> without a glitch in the beat?? is that possible. 
> 
> 
> 
> Imo the RC-50 is works fine since the 1.01 update. But I have the impression 
> some users don't exactly know how the device works regarding tempo sync, 
> loop sync and loop quantize. There are excellent PDF support doc's on the 
> Roland web site that cover these subject, highly recommended :) 
> 
> Personally, I think the RC-50 and offers good value for the money. But you 
> can't and should not compare it to high end devices such as the EDP or LP-1; 
> it offers less features, it's more a phrase sampler than a "delay" type of 
> looper. 
> 
> Sjaak 
> --- 
> Scarlet One Unlimited 
> Free national calls, surf up to 6 Mbit/s, 50 GB download volume 
> For only EUR 49,95 per month. No Belgacom subscription needed. All in! 
> http://www.scarlet.be 
> 
> 
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<html><body>
<DIV>&nbsp;</DIV>
<DIV>Yes. I can do that. I cant switch between banks without a pause, but between loops (when set to single) you should be able to do that. </DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">-------------- Original message -------------- <BR>From: "arcmotion" &lt;andrzej@arcmotion.com&gt; <BR><BR>&gt; <BR>&gt; so you could do a chord progression say with a beat that loops. Then copy <BR>&gt; that patch to the next number ...and then freely move between each patch <BR>&gt; without a glitch in the beat?? is that possible. <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; Imo the RC-50 is works fine since the 1.01 update. But I have the impression <BR>&gt; some users don't exactly know how the device works regarding tempo sync, <BR>&gt; loop sync and loop quantize. There are excellent PDF support doc's on the <BR>&gt; Roland web site that cover these subject, highly recommended :) <BR>&gt; <BR>&gt; Personally, I think the RC-50 and offers good value for the money. But you <BR>&gt; can't and should not compare it to high end devices such as the EDP or LP-1; <BR>&gt; it offers less features, it's more
 a phrase sampler than a "delay" type of <BR>&gt; looper. <BR>&gt; <BR>&gt; Sjaak <BR>&gt; --- <BR>&gt; Scarlet One Unlimited <BR>&gt; Free national calls, surf up to 6 Mbit/s, 50 GB download volume <BR>&gt; For only EUR 49,95 per month. No Belgacom subscription needed. All in! <BR>&gt; http://www.scarlet.be <BR>&gt; <BR>&gt; </BLOCKQUOTE></body></html>


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From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 15:40:52 2007
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Introducing myself :: Rob McDade (South Australia)
Date: Tue, 6 Mar 2007 07:40:45 -0800
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Hi Rob!

I could not listen to all of your tracks -- gotta leave to go to work =20=

now.

I enjoyed what I heard though.

Perhaps I'l get a chance to listen later from the office.

Your "rock" splaying on "Rob's Freakout" is wonderfully, funky and =20
"retro."

And, I do hear a Will Ackerman influence in "Something Green" too.

You'll find folks who play in lottsa different styles on this list.

Just about everything but polka I think -- but you never know.

Welcome aboard.

Peace,

tEd =AE kiLLiAn

http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?=20
playListId=3D6378076

=93It may be true that my desk here is really "nothing but" a transient =20=

eddy of electrons in the flux of universal process. Nevertheless, I =20
find that it continues to support my feet, my revolver, and my cigars =20=

all day long. What happens when my back is turned I don't know. Or much =20=

care. That's no concern of mine.=94 -- Edward Abbey

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, =20
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster, =20
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream, RuleRadio, =20=

EMEPE3, Sony Connect, CatchMusic, Puretracks, and Viztas. Yadda, yadda, =20=

yadda. Blah, blah, blah. So???

"Different is not always better, but better is always different"

On Mar 5, 2007, at 7:15 PM, McDade, Rob (SLSA) wrote:

> Hi,
> This is my first post to this email list and I thought I'd introduce
> myself.

(Snip)

> Hope to hear from fellow loopers soon. I'm sure I know some of you out
> there!
> cheers
>
> Rob McDade
> www.myspace.com/robmcdade
> www.mp3.com.au/robmcdade
>

--Apple-Mail-4--532566768
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Hi Rob!=20


I could not listen to all of your tracks -- gotta leave to go to work
now.


I enjoyed what I heard though.


Perhaps I'l get a chance to listen later from the office.


Your "rock" splaying on "Rob's Freakout" is wonderfully, funky and
"retro."


And, I do hear a Will Ackerman influence in "Something Green" too.


You'll find folks who play in lottsa different styles on this list.


Just about everything but polka I think -- but you never know.


Welcome aboard.=20


Peace,


tEd =AE kiLLiAn


=
<color><param>0000,0000,8080</param>http://phobos.apple.com/WebObjects/MZS=
tore.woa/wa/viewAlbum?playListId=3D6378076</color>


<color><param>8080,0000,0000</param>=93It may be true that my desk here
is really "nothing but" a transient eddy of electrons in the flux of
universal process. Nevertheless, I find that it continues to support
my feet, my revolver, and my cigars all day long. What happens when my
back is turned I don't know. Or much care. That's no concern of mine.=94
-- Edward Abbey

</color>

<color><param>8080,8080,8080</param> http://www.pfmentum.com/flux.html

 http://www.CDbaby.com/cd/tedkillian

 http://www.guitar9.com/fluxaeterna.html

 http://www.garageband.com/artist/ArsOcarina

 http://www.towerrecords.com/product.aspx?pfid=3D2845073

 http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

 http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193


=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream, RuleRadio,
EMEPE3, Sony Connect, CatchMusic, Puretracks, and Viztas. Yadda,
yadda, yadda. Blah, blah, blah. So???</color>


<color><param>8080,0000,0000</param>"Different is not always better,
but better is always different"</color>


On Mar 5, 2007, at 7:15 PM, McDade, Rob (SLSA) wrote:


<excerpt>Hi,

This is my first post to this email list and I thought I'd introduce

myself.=20

</excerpt>

(Snip)


<excerpt>Hope to hear from fellow loopers soon. I'm sure I know some
of you out

there!

cheers


Rob McDade

www.myspace.com/robmcdade

www.mp3.com.au/robmcdade


</excerpt>=

--Apple-Mail-4--532566768--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 16:00:25 2007
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Subject: Re: Zipper , an example (software testing)
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Charles Zwicky wrote:
> 
> 
> Andy,
>  I think this assesment is too cynical. 

sure, :-) fit's the facts though.

Where are the bug free DSP devices? 
( other than simple ones )

> I have done beta testing with 
> several pro audio manufaturers (I am a professional recording engineer) 
> and the reality is that the "programmer " is often a part of a team of 
> developers and programmers, and in DSP driven products, there are 
> programmers dedicated to user interface, DSP coding, algorhythm design 
> API integration (if it's software) etc.

Right, and that would be the case with Roland.

Actually I don't think Roland have a lot of bugs in their gear.

I'd be fairly certain they have guys to systematically test their products.
( but who wouldn't conceive what LDers would want to do with it)


>  As a beta tester, I was perhaps 
> the only member of the 'team' who dealt extensively and exclusivly with 
> the end product.
> The basic reality is that the alpha and beta devices 
> are broken and malfunctioning and need sombody with excellent 
> troubleshooting -and particularly communication - skills to sus them 
> out.

wanna job ?   :-)

>  At some point, there is a 'drop dead' date and the thing gets 
> released, warts and all.

Well, I'd agree with that.

That's why the LP-1 thing works so well.
There's no cut off date.
The buyer is a tester, and possibly a contributor.
...and generally buyers end up happy.

The same model works for software loopers.

andy butler

> 
> -CZ
> 
>> Charles Zwicky wrote:
>>>
>>> It really falls on the Beta testers. If they don't use the devices 
>>> the way that us on the cutting edge might then these things slip past 
>>> them.
>>
>> Roland knew about some of the RC-50 issues already.
>> Don't think they have much of a clue really, apart from being top 
>> notch at profits.
>>
>> Complex loop devices really need something more than to rely on the 
>> poor old "Beta Tester", as in someone who plays their music in the way 
>> they like to see if it works out on the new device.
>>
>> Indeed, it's highly desirable to have a beta tester like Andre Lafosse 
>> who'll push the technology to it's limit, but  how realistic is that 
>> hope?
>>
>> As cpr hints, it's either down to the programmer to ensure that 
>> there's no way to crash the device for any possible sequence of button 
>> presses, or they should get someone else to do it. Typically, the 
>> programmer isn't the best tester of their own product, as they already 
>> "know to use it".
>> As looping devices increase in capability, there's 2 ways I can see 
>> this going.
>>
>> 1) Actually pay someone to test, it's a skilled job.
>> 2) Make it known that purchasers/users are "testers" right from the 
>> beginning, and have good provision for dealing with that.
>>
>>> This is why the RC-50 gets complaints here but the LP-1 and 2880 
>>> don't...and vice versa in the mainstream press.
>>
>> The reason the LP-1 doesn't get complaints here is that these are 
>> dealt with on the LP-1 forum.
>> There's not that many LP-1's in the world, so users get their answers 
>> direct from Bob Amstadt.
>> Probably the 2880 is just too simple to have a lot of problems.
>>
>>
>> Isn't the RC-50 the first looper by a major company to have these sort 
>> of problems?
>> It's a lot easier to create bug free software if all the features are 
>> known before programming starts, and I'm guessing that's how the 
>> majors do it. The independent loop developers are usually open to 
>> change their product on the fly, which is no bad thing, but eventually 
>> tends to create difficulties and complications in the software.
>>
>> If we want to be on the "cutting edge" as loopers, I think we're going 
>> to be testers :-)
>>
>> andy butler
>>
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 16:17:18 2007
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I've been listening to "Fragments" for weeks now since Krispen sent it 
off free (thanks!) and thought I should do a brief review. It's 
impossible to get away from the space metaphors, like everybody else...I 
think there's no question, this album is out there!

On this particular recording (Krispen's a /wide-ranging/ artist) he 
specializes in interplanetary soundscapes, full of oddly twisted guitars 
that repeat like babbling creatures and all kinds of far-off noises that 
may or may not be powered by solar wind. "Mork og Iser" sounds like 
gyoto monks being encircled by serpents. "Attack of the Mini Tabla" 
somehow finds a sexy rhythm in the confusion, unlikely as that is. That 
plus the shocking bongo solo make it seems like a scrap of Jobim that 
made its way to another galaxy through a rip in the fabric of the 
universe, and somehow managed to jam along with the three-headed 
natives. The last track, "Nebula", is gorgeous, its lush emotion brought 
into even sharper relief by the stark obliquity of the preceding tracks. 
All in all, it's a wonderful and strange ride through a place very few 
have visited, and only those with powerful telescopes and deep 
imagination have even glimpsed.

thanks again Krispen.

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 16:22:02 2007
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Date: Tue, 6 Mar 2007 11:21:38 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Zipper , an example (software testing)
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>Actually I don't think Roland have a lot of bugs in their gear.
>
>I'd be fairly certain they have guys to systematically test their products.
>( but who wouldn't conceive what LDers would want to do with it)


But the major complaints so far with the RC-50 have to to with audio 
interruptions, either from recording or switching loops. How is it 
that the Lexicon Jamman has no such issues and the RC-50 does? Too 
many features and not enough DSP / memory to go around. Is this a 
bug? The official reply is "If you don't like it, don't use that 
feature".  Defining a 'bug' is tricky. Sometimes a 'bug' is let 
through because it's not considered a problem in normal use. On the 
other hand... The EH 16 second delay has a time stretch feature. It's 
really wacky and can be used with the tempo slider in real time to 
add odd textures to the loop. The designer excluded this feature on 
the 2880 because he didn't like the sound.  In one sense this 
'feature' was a 'bug' and 'fixed' in the next product.
>
>>  As a beta tester, I was perhaps the only member of the 'team' who 
>>dealt extensively and exclusivly with the end product.
>>The basic reality is that the alpha and beta devices are broken and 
>>malfunctioning and need sombody with excellent troubleshooting -and 
>>particularly communication - skills to sus them out.
>
>wanna job ?   :-)

What need testing?


>
>>  At some point, there is a 'drop dead' date and the thing gets 
>>released, warts and all.
>
>Well, I'd agree with that.
>
>That's why the LP-1 thing works so well.
>There's no cut off date.
>The buyer is a tester, and possibly a contributor.
>...and generally buyers end up happy.
>
>The same model works for software loopers.
>
>andy butler

-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 17:18:55 2007
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From: "Krispen Hartung" <khartung@cableone.net>
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Subject: Re: Hartung's 'Fragments'
Date: Tue, 6 Mar 2007 10:18:48 -0700
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This is one of the best reviews I have received. Thanks, Daryl.  I owe you 
one...a nice beer at Y2K7? :)

Kris

----- Original Message ----- 
From: "Daryl Shawn" <highhorse@mhorse.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 06, 2007 9:17 AM
Subject: Re: Hartung's 'Fragments'


> I've been listening to "Fragments" for weeks now since Krispen sent it off 
> free (thanks!) and thought I should do a brief review. It's impossible to 
> get away from the space metaphors, like everybody else...I think there's 
> no question, this album is out there!
>
> On this particular recording (Krispen's a /wide-ranging/ artist) he 
> specializes in interplanetary soundscapes, full of oddly twisted guitars 
> that repeat like babbling creatures and all kinds of far-off noises that 
> may or may not be powered by solar wind. "Mork og Iser" sounds like gyoto 
> monks being encircled by serpents. "Attack of the Mini Tabla" somehow 
> finds a sexy rhythm in the confusion, unlikely as that is. That plus the 
> shocking bongo solo make it seems like a scrap of Jobim that made its way 
> to another galaxy through a rip in the fabric of the universe, and somehow 
> managed to jam along with the three-headed natives. The last track, 
> "Nebula", is gorgeous, its lush emotion brought into even sharper relief 
> by the stark obliquity of the preceding tracks. All in all, it's a 
> wonderful and strange ride through a place very few have visited, and only 
> those with powerful telescopes and deep imagination have even glimpsed.
>
> thanks again Krispen.
>
> Daryl Shawn
> www.swanwelder.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 17:27:34 2007
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cpr@musetrap.com schrieb:
> So, I think, instead of the a new ultimate looper, we need an
> ultimate midi pedal.. which is not a new topic either.. :) a device
> where the knobs, sliders, and/or pedals have the ability to send not
> only standard midi, but the ability to pair up CC's for the improved
> resolution.. of course, since we are moving out of the 'spec', we
> could go as far as combining more than 2 CC's for an even greater
> resolution...

This isn't moving out of the specs, 14-bit controllers are well defined.
But resolution isn't a problem with foot pedals, I doubt you could
control more than the 128 steps with your foot. Its about the curve on 
how you control parameters. If you want finer resolution on the low end, 
you need to be able to shape it somehow...
If you linearly map 96 dB to 128 steps, you'd have less than one dB of
resolution per step. But half way through you have already -48 dB
compared to full blast, which is in a noise environment already silence.
Now if you'd just map 48 dB to 128 steps, you have a problem in the low
end, you need a nonlinear mapping to feel comfortable. Even if you push
the resolution to 16384 steps (14-bit) it won't help with the curve....

> timing becomes more important as we chain the commands together, as a
> full CC message on midi hardware takes 1ms to make it's trip... but,
> if the sending device correctly supports 'running status' the two CC 
> version will only take 1.6ms, instead of 2ms.. and if we jumped up up
> to a 4 message CC (for a 32766 resolution) it would be 2.8ms

A 4 message CC would spans 28-bits wich is 268435455 resolution (3 
messages would span 2097151 steps)
I have no idea what this should be good for. Usually the highest 
resolution on faders you get on commercial fader boxes is 10-bit, for 
two reasons. You can't really control it more precise (its 1024 steps) 
and you'd likely have noise on the line, which would let the MSB 
fluctuate and you'd stream Midi always and not only if you change 
something meaningful...

The timing by the way is much less critical on continuous controllers, 
you don't hit them like drums...

> While we are talking about controllers, I think coming up with a
> pedal that can have it's current position set (like knobs with halos,
> or motorized faders) would be cool as well.. Nate Pease and I talked
> about a 'roller' with the current position represented by LED's (like
> the knob with halo)...

I like that idea a lot, and I recall that I have seen something like 
that somewhere...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 17:30:44 2007
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On Fri, 2 Mar 2007, burnett@pobox.com wrote:

> On Fri, 2 Mar 2007, stanitarium@earthlink.net wrote:
>> Steve B wrote:
>>> http://www.subscapeannex.com/pics/flyer12.jpg
>> soundz like my kinda low frequency gang-
>> wish i were there

As followup to this show: it went *great*, good people, good music from 
everyone. I recorded my set, here:

http://www.subscapeannex.com/other/at_the_philbog.mp3

"Live at the Philbog": 15MB, 23minutes, live looping improvisational 
Chapman Stick with E-Bow.

####################
In addition, later that same evening, I played an outdoor concert in the 
middle of nowhere with Projexorcism.
http://www.myspace.com/projexorcism

Projexorcism's bit is to use 4 16mm film projectors hanging from a frame, 
and trigger/swing them in and out of usage and cut them on and off, 
remixing the video live in a sequential cut up / mashup technique. I've 
played with them several times before.

I didn't record the audio of the bonfire concert, but I took pictures 
of the video and fire, (and people got a couple of me with Chapman Stick 
against the bonfire), up on flickr:
http://www.flickr.com/photos/52422536@N00/tags/totaleclipseofthemoon/


best,
Steve B             steve@subscapeannex.com
Subscape Annex      http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 17:30:47 2007
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That would be perfectly adequate compensation, I'll look forward to 
it..! I'm sure discussing analog vs. digital looping ought to last us a 
round!

cheers-

Daryl Shawn
www.swanwelder.com
> This is one of the best reviews I have received. Thanks, Daryl.  I owe 
> you one...a nice beer at Y2K7? :)
>
> Kris
>
> ----- Original Message ----- From: "Daryl Shawn" <highhorse@mhorse.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, March 06, 2007 9:17 AM
> Subject: Re: Hartung's 'Fragments'
>
>
>> I've been listening to "Fragments" for weeks now since Krispen sent 
>> it off free (thanks!) and thought I should do a brief review. It's 
>> impossible to get away from the space metaphors, like everybody 
>> else...I think there's no question, this album is out there!
>>
>> On this particular recording (Krispen's a /wide-ranging/ artist) he 
>> specializes in interplanetary soundscapes, full of oddly twisted 
>> guitars that repeat like babbling creatures and all kinds of far-off 
>> noises that may or may not be powered by solar wind. "Mork og Iser" 
>> sounds like gyoto monks being encircled by serpents. "Attack of the 
>> Mini Tabla" somehow finds a sexy rhythm in the confusion, unlikely as 
>> that is. That plus the shocking bongo solo make it seems like a scrap 
>> of Jobim that made its way to another galaxy through a rip in the 
>> fabric of the universe, and somehow managed to jam along with the 
>> three-headed natives. The last track, "Nebula", is gorgeous, its lush 
>> emotion brought into even sharper relief by the stark obliquity of 
>> the preceding tracks. All in all, it's a wonderful and strange ride 
>> through a place very few have visited, and only those with powerful 
>> telescopes and deep imagination have even glimpsed.
>>
>> thanks again Krispen.
>>
>> Daryl Shawn
>> www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 17:41:48 2007
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Date: Tue, 6 Mar 2007 18:41:46 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: re: mp3 clip posted
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Hi !

I thought you played sax - this sounds like a
guitar-hero..
It was guitar ?

Nice !

best regards Rune F. 

--- Per Boysen <perboysen@gmail.com> skrev:

> Humbly posting a clip of todays live looping
> practice, if anyone  
> cares to listen:
> http://www.looproom.com/audio/abc.mp3
> 
> per
> 
> 


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


	
	
		
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 18:10:15 2007
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From: Per Boysen <perboysen@gmail.com>
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Date: Tue, 6 Mar 2007 19:10:04 +0100
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On 6 mar 2007, at 18.41, rune fagereng wrote:

> I thought you played sax - this sounds like a
> guitar-hero..
> It was guitar ?
>
> Nice !


Yes, I play sax but guitar is my premier instrument. However this  
looping jam was played with the EWI through a guitar rig.  I spent  
some time setting up my EWI to get close to the floating vibrato  
machinery feel of my Stratocaster - i.e. that you can bend notes both  
upwards and downwards, and also that a wide vibrato goes both over  
and under the correct pitch (where you tend to land it when stopping  
the vibrato). I think the "guitarishness" comes from how I'm starting  
the notes that are going to slide into other notes. When you have  
learned guitar as the first instrument you tend to do those slides at  
certain points in the scales and it spills over into other  
instruments you play.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 18:33:01 2007
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Charles Zwicky wrote:
>> Actually I don't think Roland have a lot of bugs in their gear.
>>
>> I'd be fairly certain they have guys to systematically test their 
>> products.
>> ( but who wouldn't conceive what LDers would want to do with it)
> 
> 
> But the major complaints so far with the RC-50 have to to with audio 
> interruptions, either from recording or switching loops. How is it that 
> the Lexicon Jamman has no such issues and the RC-50 does? 

oh, there's issues with the JamMan.
Just not quite so obvious as the RC-50 blank spaces. 

Bob Sellon (designer) uses the JamMan for his music.

> Too many 
> features and not enough DSP / memory to go around.

Probably they wrote the code without thinking seamless playback was an issue.
Then it would be a big expensive re-write to fix it.


> Is this a bug? The 
> official reply is "If you don't like it, don't use that feature".  
> Defining a 'bug' is tricky.

I think it would be pushing it to describe the RC-50 gap as a feature.
( Although I've heard speculation along those lines) .

> Sometimes a 'bug' is let through because 
> it's not considered a problem in normal use. On the other hand... The EH 
> 16 second delay has a time stretch feature. It's really wacky and can be 
> used with the tempo slider in real time to add odd textures to the loop. 
> The designer excluded this feature on the 2880 because he didn't like 
> the sound.  In one sense this 'feature' was a 'bug' and 'fixed' in the 
> next product.

More complicated with the EDP. In loop3 there were bugs that users loved, so they became features in Loop4.

andy butler

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 20:08:43 2007
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To: Loopers <loopers-delight@loopers-delight.com>
From: Bernhard Wagner LD <loopdelightml-NDI3MDE=-@bernhardwagner.net>
Subject: New D.Torn project "prezens"
Date: Tue, 6 Mar 2007 21:08:37 +0100
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New D.Torn project "prezens" was pointed out by lealoop (http:// 
www.myspace.com/lealoop):

http://www.myspace.com/prezens

Bernhard

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From: Richard Sales <richard@glasswing.com>
Subject: Re: New D.Torn project "prezens"
Date: Tue, 6 Mar 2007 12:23:17 -0800
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--Apple-Mail-2--515614815
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VERY VERY VERY cool
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 6-Mar-07, at 12:08 PM, Bernhard Wagner LD wrote:

>
> New D.Torn project "prezens" was pointed out by lealoop 
> (http://www.myspace.com/lealoop):
>
> http://www.myspace.com/prezens
>
> Bernhard
>

--Apple-Mail-2--515614815
Content-Transfer-Encoding: 7bit
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	charset=US-ASCII

VERY VERY VERY cool

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 6-Mar-07, at 12:08 PM, Bernhard Wagner LD wrote:


<excerpt>

New D.Torn project "prezens" was pointed out by lealoop
(http://www.myspace.com/lealoop):


http://www.myspace.com/prezens


Bernhard


</excerpt>
--Apple-Mail-2--515614815--

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--Apple-Mail-3--515341381
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Liked Lealoop's stuff too.  I'm wondering if that's a MIDI guitar???

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 6-Mar-07, at 12:08 PM, Bernhard Wagner LD wrote:

>
> New D.Torn project "prezens" was pointed out by lealoop 
> (http://www.myspace.com/lealoop):
>
> http://www.myspace.com/prezens
>
> Bernhard
>

--Apple-Mail-3--515341381
Content-Transfer-Encoding: 7bit
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	charset=US-ASCII

Liked Lealoop's stuff too.  I'm wondering if that's a MIDI guitar???


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 6-Mar-07, at 12:08 PM, Bernhard Wagner LD wrote:


<excerpt>

New D.Torn project "prezens" was pointed out by lealoop
(http://www.myspace.com/lealoop):


http://www.myspace.com/prezens


Bernhard


</excerpt>
--Apple-Mail-3--515341381--

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: New D.Torn project "prezens"
Date: Tue, 6 Mar 2007 21:28:32 +0100
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On 6 mar 2007, at 21.08, Bernhard Wagner LD wrote:

> New D.Torn project "prezens" was pointed out by lealoop (http:// 
> www.myspace.com/lealoop):
> http://www.myspace.com/prezens
> Bernhard


Thanks, Bernhard! Fascinating audio clips. I want to hear more! Need  
to look for the record. And what a great bio written by Bradley  
Bambarger.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


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From: Per Boysen <perboysen@gmail.com>
Subject: Re: New D.Torn project "prezens"
Date: Tue, 6 Mar 2007 21:52:05 +0100
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On 6 mar 2007, at 21.27, Richard Sales wrote:

> Liked Lealoop's stuff too.  I'm wondering if that's a MIDI guitar???


Shall we guess? I put mine on "a normal electric guitar played  
through an Eclipse" (or maybe an Orville?). Fantastic volume fade  
playing whatever he uses for the sound shaping.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 21:03:26 2007
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It's not a MIDI guitar, it's his latest favorite though I forget the 
maker (it's custom), and has 3 p-90s and a microphone built in. He 
used the mic to capture and manipulate the ensemble live into his 
PCM-42.


>On 6 mar 2007, at 21.27, Richard Sales wrote:
>
>>Liked Lealoop's stuff too.  I'm wondering if that's a MIDI guitar???
>
>
>Shall we guess? I put mine on "a normal electric guitar played 
>through an Eclipse" (or maybe an Orville?). Fantastic volume fade 
>playing whatever he uses for the sound shaping.
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se (Swedish)
>www.looproom.com (international)
>http://tinyurl.com/2kek7h (latest music release)


-- 
...
http://www.zmix.net

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I think you're right Per.  I went to Eventide's site and... sure enough 
- there was that sound!

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 6-Mar-07, at 12:52 PM, Per Boysen wrote:

> On 6 mar 2007, at 21.27, Richard Sales wrote:
>
>> Liked Lealoop's stuff too.  I'm wondering if that's a MIDI guitar???
>
>
> Shall we guess? I put mine on "a normal electric guitar played through 
> an Eclipse" (or maybe an Orville?). Fantastic volume fade playing 
> whatever he uses for the sound shaping.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/2kek7h (latest music release)
>

--Apple-Mail-5--512634575
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

I think you're right Per.  I went to Eventide's site and... sure
enough - there was that sound!


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 6-Mar-07, at 12:52 PM, Per Boysen wrote:


<excerpt>On 6 mar 2007, at 21.27, Richard Sales wrote:


<excerpt>Liked Lealoop's stuff too.  I'm wondering if that's a MIDI
guitar???

</excerpt>


Shall we guess? I put mine on "a normal electric guitar played through
an Eclipse" (or maybe an Orville?). Fantastic volume fade playing
whatever he uses for the sound shaping.


Greetings from Sweden


Per Boysen

www.boysen.se (Swedish)

www.looproom.com (international)

http://tinyurl.com/2kek7h (latest music release)


</excerpt>
--Apple-Mail-5--512634575--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 21:17:13 2007
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From: monk <monk@fuse.net>
Subject: Re: New D.Torn project "prezens"
Date: Tue, 6 Mar 2007 16:17:04 -0500
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it's a guitar made by Koll ( i think he's in portland.) it's a really  
nice guitar, i played when i was last in new york.



On Mar 6, 2007, at 4:02 PM, Charles Zwicky wrote:

>
> It's not a MIDI guitar, it's his latest favorite though I forget  
> the maker (it's custom), and has 3 p-90s and a microphone built in.  
> He used the mic to capture and manipulate the ensemble live into  
> his PCM-42.
>
>
>> On 6 mar 2007, at 21.27, Richard Sales wrote:
>>
>>> Liked Lealoop's stuff too.  I'm wondering if that's a MIDI guitar???
>>
>>
>> Shall we guess? I put mine on "a normal electric guitar played  
>> through an Eclipse" (or maybe an Orville?). Fantastic volume fade  
>> playing whatever he uses for the sound shaping.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://tinyurl.com/2kek7h (latest music release)
>
>
> -- 
> ...
> http://www.zmix.net
>

ric hordinski

www.richordinski.com

www.myspace.com/richordinskimusic

www.myspace.com/monasterystudio



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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">it's a guitar made by Koll ( i =
think he's in portland.) it's a really nice guitar, i played when i was =
last in new york.=A0<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Mar 6, =
2007, at 4:02 PM, Charles Zwicky wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">It's not =
a MIDI guitar, it's his latest favorite though I forget the maker (it's =
custom), and has 3 p-90s and a microphone built in. He used the mic to =
capture and manipulate the ensemble live into his PCM-42.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
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min-height: 14px; "><BR></DIV> <BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">On 6 mar 2007, at 21.27, Richard Sales =
wrote:</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV> =
<BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Liked Lealoop's stuff =
too.<SPAN class=3D"Apple-converted-space">=A0 </SPAN>I'm wondering if =
that's a MIDI guitar???</DIV> </BLOCKQUOTE><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Shall we guess? I put mine on "a =
normal electric guitar played through an Eclipse" (or maybe an =
Orville?). Fantastic volume fade playing whatever he uses for the sound =
shaping.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Greetings from Sweden</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Per =
Boysen</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.boysen.se =
(Swedish)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.looproom.com =
(international)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><A =
href=3D"http://tinyurl.com/2kek7h">http://tinyurl.com/2kek7h</A> (latest =
music release)</DIV> </BLOCKQUOTE><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
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style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">--<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">...</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><A =
href=3D"http://www.zmix.net">http://www.zmix.net</A></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV> =
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style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
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hordinski</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.richordinski.com</DIV><DI=
V><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.myspace.com/richordinskim=
usic</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.myspace.com/monasterystud=
io</DIV><BR class=3D"Apple-interchange-newline"></SPAN> =
</DIV><BR></DIV></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 21:18:04 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: New D.Torn project "prezens"
Date: Tue, 6 Mar 2007 22:17:58 +0100
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On 6 mar 2007, at 22.12, Richard Sales wrote:
> I think you're right Per.  I went to Eventide's site and... sure  
> enough - there was that sound!


I once had access to an Eclipse for two months ;-))

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 21:22:08 2007
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Per Boysen wrote:

> On 6 mar 2007, at 22.12, Richard Sales wrote:
>
>> I think you're right Per.  I went to Eventide's site and... sure  
>> enough - there was that sound!
>
>
>
> I once had access to an Eclipse for two months ;-))



I saw an eclipse the other night.


-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db


From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 21:53:13 2007
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Date: Tue, 6 Mar 2007 13:53:11 -0800 (PST)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: New D.Torn project "prezens"
To: Loopers-Delight@loopers-delight.com
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Does 'his latest favorite' refer to Leander or to dt?

If it's Leander, it's "a guitar, efx and two loop
machines." (Not sure what type, though; he used to
have a tele in his MySpace pic.)

As for dt, he's been using his Kolls
<http://reviews.harmony-central.com/reviews/Guitar/product/Koll/Naugahyde+Tornado/10/1>
a lot lately, although he also used a Tyler Classic on
Prezens. (Despite the misleading name, it's a
strat-type, not a classical...)

-t-

--- Charles Zwicky <cazwicky@earthlink.net> wrote:

> 
> It's not a MIDI guitar, it's his latest favorite
> though I forget the 
> maker (it's custom), and has 3 p-90s and a
> microphone built in. He 
> used the mic to capture and manipulate the ensemble
> live into his 
> PCM-42.
> 
> 
> >On 6 mar 2007, at 21.27, Richard Sales wrote:
> >
> >>Liked Lealoop's stuff too.  I'm wondering if
> that's a MIDI guitar???





 
____________________________________________________________________________________
Don't pick lemons.
See all the new 2007 cars at Yahoo! Autos.
http://autos.yahoo.com/new_cars.html 

From Loopers-Delight-request@loopers-delight.com  Tue Mar  6 22:07:16 2007
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Date: Tue, 6 Mar 2007 23:07:14 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vs: Re: New D.Torn project "prezens"
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> 
> Per Boysen wrote:
> 
> > On 6 mar 2007, at 22.12, Richard Sales wrote:
> >
> >> I think you're right Per.  I went to Eventide's
> site and... sure  
> >> enough - there was that sound!
> >
> >
> >
> > I once had access to an Eclipse for two months
> ;-))
> 
> 
> 
> I saw an eclipse the other night.

    I took a picture of Aarsets Eclipse once. :)
    And after that - I`ve been looking at many on
ebay. Maybe some day...
 
Rune F.
> 
> 
> -- 
> * David Beardsley
> * microtonal guitar
> * http://biink.com/db
> 
> 
> 


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


	
	
		
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

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mark sottilaro schrieb:
Wee!  Improvising is the best!

Double WheeWhee...

> A few times a year I say this and usually get no
> responses, but here goes.  Anyone in the SF Bay Area
> want to come over for some loop'n?  Let me know.

Too bad, I'm on the other side of the ocean...
What about Ile de France?...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
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----------()--------www.ccmix.com

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To: Loopers-Delight@loopers-delight.com
Subject: Re: vst [audio >> mid]
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Bernhard Wagner LD schrieb:
> There's also a percussion follower (~bonk)
> Both apparently come with source code...

Do you have a link to the source of fiddle~ and bonk~? I couldn't find 
it as such, might be inside all of the Pd sources...

Stefan

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Subject: Re: Zipper Noise, an example
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Per Boysen schrieb:
> Smothing was the first fix I tried with the FireworX, but it did not 
> change the noise.

I doubt that you can set smoothing in the fireworx, because that's 
something which has to be done internally, it will create the missing 
inbetween values for the volume. As Midi values will be at least 0.6 ms 
appart you'd have to do this always.

> Anyway, I did a check on what you said about overtone/treble rich 
> sounds. But there is no difference to the noise added by moving the 
> pedal when I feed the box low notes with no treble and when I feed it 
> high and sparkly stuff.

They don't get masked? Maybe its noise on the pedal itself, kind of 
jittering while moving. A crackling sensor would create jumping values.
Did you try with a different Pedal?

> Applications I have been using a lot and where I have never noticed any 
> such zipper noise when controlling a continuous parameter with a MIDI 
> CC# are Logic and Numerology. Logic has a fader resolution far higher 
> than the 128 steps of MIDI and Numerology has a built-in "scaling" (i.e. 
> what you call "smoothing").

I refer to smoothing as a ramp of maybe 10 or 20 ms in audiorate (much 
faster than Midi ;-) creating 44/88 values between two Midivalues. This 
would also smooth out sudden jumps caused by a crackling Pedal...

I bet Logic is using this. They need for other reasons some smoothing 
algorithms, to limit the number of events they want to store into a 
track. (You should be able to switch this off though...)

Stefan

-- 
Stefan Tiedje------------x-------
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-- _|_)----|-----()--------------
----------()--------www.ccmix.com

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Subject: Re: OT: MIDI CC Resolution
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Mech schrieb:
> Hey, thanks for the verification that I'd read the spec correctly.  But I'd say,
> given the current state of controllers out there, that the original solution
> you hit upon is the most compatible, since most pedals can be set to manipulate
> Pitch Wheel.  I'd wonder if there are any pedals other than the ones that we've
> mentioned that will even merely transmit proper MSB/LSB Mod Wheel, rather than
> dumbing it down to MSB only.

If you can set it to pitch wheel does not mean at all it will transmit a 
resolution of 14-bit, even pitch wheels in keyboards do it rarely. Hook 
up a midi monitor and watch the values...
In keyboards you would need the resolution if you set the wheel range of 
the synth to octaves and don't want jumps in the pitch. Most keyboard 
players aren't even aware that you can set it differently and won't 
recognize the poor resolution, as they move the pitch only a second up 
or down...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
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-- _|_)----|-----()--------------
----------()--------www.ccmix.com

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From: Bernhard Wagner LD <loopdelightml-NDI3MDE=-@bernhardwagner.net>
Subject: Re: vst [audio >> mid]
Date: Wed, 7 Mar 2007 00:06:24 +0100
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http://www-crca.ucsd.edu/~tapel/bonk1.3Mach-O.zip contains a folder  
source, containing bonk~.c
The link is on the page: http://crca.ucsd.edu/~tapel/software.html  
named "bonk~ version 1.3 for Macintosh Max/MSP OS X Mach-O Universal  
Binary with source."
I guess the same applies for fiddle~.

Bernhard

On 06.03.2007, at 23:54, Stefan Tiedje wrote:

> Do you have a link to the source of fiddle~ and bonk~? I couldn't  
> find it as such, might be inside all of the Pd sources...

From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 00:09:58 2007
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Date: Tue, 6 Mar 2007 16:09:56 -0800 (PST)
From: bill bigrig <billbigrig@yahoo.com>
Subject: Re: New D.Torn project "prezens"
To: Loopers-Delight@loopers-delight.com
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Howdy,

 This is VERY off topic, but my family lives just
south of alderwood B.C. i've beenwanting to go to
Sproat lake and see the giant martin airplane. Id
there a public day? I've heard that they let the
public come and go in for a tour of the plane.i've
also heard that they take it on routine maintenance
flights and you can buy a ride. Do you knowanything
aboutthis/ Any info would be GREATLY appreciated.
Whereabouts on the island do you live? I remember
watching The Beachcombers years ago. Every week old
Relic (sp.?) would get his due. Quite a show. Since
moving t othe east side of the state I don't get my
weekly Red Green fix any more. 6 years of withdrawal.
Awful.
Rig

 
--- Richard Sales <richard@glasswing.com> wrote:

> VERY VERY VERY cool
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 6-Mar-07, at 12:08 PM, Bernhard Wagner LD wrote:
> 
> >
> > New D.Torn project "prezens" was pointed out by
> lealoop 
> > (http://www.myspace.com/lealoop):
> >
> > http://www.myspace.com/prezens
> >
> > Bernhard
> >
> 



 
____________________________________________________________________________________
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Koll is a great luthier=2E He did the custom inlay work on my Stick=2E  He=
's a
great guy, too !

-Qua


Original Message:
-----------------
From: Tim Nelson psychle62@yahoo=2Ecom
Date: Tue, 6 Mar 2007 13:53:11 -0800 (PST)
To: Loopers-Delight@loopers-delight=2Ecom
Subject: Re: New D=2ETorn project "prezens"


Does 'his latest favorite' refer to Leander or to dt=3F

If it's Leander, it's "a guitar, efx and two loop
machines=2E" (Not sure what type, though; he used to
have a tele in his MySpace pic=2E)

As for dt, he's been using his Kolls
<http://reviews=2Eharmony-central=2Ecom/reviews/Guitar/product/Koll/Naugah=
yde+To
rnado/10/1>
a lot lately, although he also used a Tyler Classic on
Prezens=2E (Despite the misleading name, it's a
strat-type, not a classical=2E=2E=2E)

-t-

--- Charles Zwicky <cazwicky@earthlink=2Enet> wrote:

>=20
> It's not a MIDI guitar, it's his latest favorite
> though I forget the=20
> maker (it's custom), and has 3 p-90s and a
> microphone built in=2E He=20
> used the mic to capture and manipulate the ensemble
> live into his=20
> PCM-42=2E
>=20
>=20
> >On 6 mar 2007, at 21=2E27, Richard Sales wrote:
> >
> >>Liked Lealoop's stuff too=2E  I'm wondering if
> that's a MIDI guitar=3F=3F=3F





=20
=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=
=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=
=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=
=5F
=5F=5F=5F=5F=5F=5F=5F=5F
Don't pick lemons=2E
See all the new 2007 cars at Yahoo! Autos=2E
http://autos=2Eyahoo=2Ecom/new=5Fcars=2Ehtml=20



--------------------------------------------------------------------
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>Does 'his latest favorite' refer to Leander or to dt?

I was referring to David's latest favorite being that guitar. He's 
got quite a few hat he'll travel with, his previous favorite was the 
Tesla...
-- 
...
http://www.zmix.net

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Playing at Home v. Playing Live
Date: Wed, 7 Mar 2007 10:29:01 +0100
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> mark sottilaro schrieb:
> Wee!  Improvising is the best!
>
> Double WheeWhee...
>
>> A few times a year I say this and usually get no
>> responses, but here goes.  Anyone in the SF Bay Area
>> want to come over for some loop'n?  Let me know.

On 6 mar 2007, at 23.53, Stefan Tiedje wrote:

> Too bad, I'm on the other side of the ocean...
> What about Ile de France?...


No, Stefan. It's Mark that is at the other side of the ocean ;-)
Whenever you decide to cross over, Mark, please pop by Stockholm as  
well!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 09:52:14 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Zipper Noise, an example
Date: Wed, 7 Mar 2007 10:52:03 +0100
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On 6 mar 2007, at 23.54, Stefan Tiedje wrote:

> I refer to smoothing as a ramp of maybe 10 or 20 ms in audiorate  
> (much faster than Midi ;-) creating 44/88 values between two  
> Midivalues. This would also smooth out sudden jumps caused by a  
> crackling Pedal...

Ok, now I understand what you're talking about; an interpolation  
processing of the controller data. The "smoothing" in the FireworX I  
was referring to is rather an interpolation of the actual machines  
envelope for a given parameter change.

> I bet Logic is using this. They need for other reasons some  
> smoothing algorithms, to limit the number of events they want to  
> store into a track. (You should be able to switch this off though...)

To be specific, Logic uses a 14 bit resolution. That means 16384  
available values for a parameter, as opposed to 128 values available  
in MIDI. This comes because Logic was not at first hand designed to  
be controlled by external MIDI but by dedicated control surface  
devices that use that higher resolution.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 13:11:58 2007
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Date: Wed, 7 Mar 2007 07:59:53 -0500
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Subject: Re: Zipper Noise, an example
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>>
>
>To be specific, Logic uses a 14 bit resolution. That means 16384 
>available values for a parameter, as opposed to 128 values available 
>in MIDI. This comes because Logic was not at first hand designed to 
>be controlled by external MIDI but by dedicated control surface 
>devices that use that higher resolution.


However, this is not why logic's automation is smooth.
All logic automation is simply MIDI data.
The volume faders are only quantized as 7 bits, if you 'view as number'
rather than 'view as dB' you will see that the faders range from 0 to 127.
Internally Logic uses an interpolation algo to smooth parameter changes.
Many parameters in logic have only 127 steps available.


As another example, consider a volume mute. This is only ONE step. If 
it is not smoothed there will certainly be a loud 'click' or 'pop' in 
the audio.
-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 13:40:52 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Zipper Noise, an example
Date: Wed, 7 Mar 2007 14:40:37 +0100
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>> To be specific, Logic uses a 14 bit resolution. That means 16384  
>> available values for a parameter, as opposed to 128 values  
>> available in MIDI. This comes because Logic was not at first hand  
>> designed to be controlled by external MIDI but by dedicated  
>> control surface devices that use that higher resolution.

On 7 mar 2007, at 13.59, Charles Zwicky wrote:

> However, this is not why logic's automation is smooth.
> All logic automation is simply MIDI data.

I'm afraid you are misinformed on this. The internal data flow in  
Logic is handled by an application specific format. That's why you  
have to change any channel's automation functionality into "MIDI  
mode" to record MIDI for automation (other modes being Read, Touch,  
Latch and Write)

I don't have time to make an experiment that proofs it but if it  
matters for you you might try something like writing track automation  
of a repeated sound (some loop) for a rather long period, let's say  
ten minutes. Graphically set the volume to increase or decrease very  
little over that time span. I suggest something like using the mouse  
to set the volume at the beginning and then increase it by the  
smallest optional number for the end. Bounce the resulting audio to  
disc as an audio file. Open that audio file in a sample editor and  
study the curve of the actual audio produced. I think this curve  
should give a true representation of the resolution of the automation.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 14:05:44 2007
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Date: Wed, 7 Mar 2007 09:05:17 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Zipper Noise, an example
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Per,

  I am not misinformed, my friend.

Your test proves that the automation data is interpolated. Nothing else.

Logic has a preference setting for the automation interpolation. The 
default is something like 50ms

I found that towards the end of a mix I was getting an "Error while 
synching Audio and Midi" warning  even though I was using NO midi.

Apple officially suggested that to fix the "Error while synching 
Audio and Midi"
  you need to turn off the "Sample accurate automation".

Why?

Because Logic automation is MIDI data.

So says Apple.

In fact the Mackie Logic control sends note on and note off data for 
the switches, and the faders are CC.

Greetings from New York.

-CZ


>
>>However, this is not why logic's automation is smooth.
>>All logic automation is simply MIDI data.
>
>I'm afraid you are misinformed on this. The internal data flow in 
>Logic is handled by an application specific format. That's why you 
>have to change any channel's automation functionality into "MIDI 
>mode" to record MIDI for automation (other modes being Read, Touch, 
>Latch and Write)
>
>I don't have time to make an experiment that proofs it but if it 
>matters for you you might try something like writing track 
>automation of a repeated sound (some loop) for a rather long period, 
>let's say ten minutes. Graphically set the volume to increase or 
>decrease very little over that time span. I suggest something like 
>using the mouse to set the volume at the beginning and then increase 
>it by the smallest optional number for the end. Bounce the resulting 
>audio to disc as an audio file. Open that audio file in a sample 
>editor and study the curve of the actual audio produced. I think 
>this curve should give a true representation of the resolution of 
>the automation.
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se (Swedish)
>www.looproom.com (international)
>http://tinyurl.com/2kek7h (latest music release)


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 15:15:34 2007
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Date: Wed, 07 Mar 2007 09:15:28 -0600
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I've uploaded a short video of looping with my cassette four-track and 
dictaphone.

http://www.youtube.com/watch?v=Bm_rH7XceXo&eurl=

I'm still figuring out video, this looked very sharp on my own computer, 
but on Youtube it has a bit of that rain-on-the-lens quality. I saved it 
as a .wmv at 640x480, which was recommended on a couple of sites, but it 
seems I could do better. What do other people use?

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 15:24:06 2007
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Date: Wed, 7 Mar 2007 16:24:03 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: re: Cassette looping video
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Hi !

Very cool and artistic.

Rune F. Norway

--- Daryl Shawn <highhorse@mhorse.com> skrev:

> I've uploaded a short video of looping with my
> cassette four-track and 
> dictaphone.
> 
> http://www.youtube.com/watch?v=Bm_rH7XceXo&eurl=
> 
> I'm still figuring out video, this looked very sharp
> on my own computer, 
> but on Youtube it has a bit of that rain-on-the-lens
> quality. I saved it 
> as a .wmv at 640x480, which was recommended on a
> couple of sites, but it 
> seems I could do better. What do other people use?
> 
> Daryl Shawn
> www.swanwelder.com
> 
> 


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


	
	
		
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 15:39:16 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Cassette looping video
Date: Wed, 7 Mar 2007 16:39:04 +0100
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On 7 mar 2007, at 16.15, Daryl Shawn wrote:

> I've uploaded a short video of looping with my cassette four-track  
> and dictaphone.
> http://www.youtube.com/watch?v=Bm_rH7XceXo&eurl=

That was a cool setup! Those two machines with cables hanging all  
out... very nice! Would look good on some particular stages I  
recall ;-)  Sounds interesting when you alter the tape speed.

I also enjoyed Rune's video posted yesterday. What cameras are you  
guys using? DV or simple PC webcams?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 15:46:26 2007
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thanks for the nice words, Rune and Per.

I use a Canon Powershot A540, which is essentially a still camera that 
can take three minutes of video. I plan to get a small desktop tripod so 
I don't have to depend on my girlfriend's good graces as cameraperson.

Those machines haven't made it onto any stage yet!!

Daryl Shawn
www.swanwelder.com

> I've uploaded a short video of looping with my cassette four-track and 
> dictaphone.
>> http://www.youtube.com/watch?v=Bm_rH7XceXo&eurl=
>
> That was a cool setup! Those two machines with cables hanging all 
> out... very nice! Would look good on some particular stages I recall 
> ;-)  Sounds interesting when you alter the tape speed.
>
> I also enjoyed Rune's video posted yesterday. What cameras are you 
> guys using? DV or simple PC webcams?

From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 16:01:22 2007
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coool!
i like it.
so youre using a prepared endless-loop cassette, i guess?

-a
-------- Original-Nachricht --------
Datum: Wed, 07 Mar 2007 09:15:28 -0600
Von: Daryl Shawn <highhorse@mhorse.com>
An: Loopers-Delight@loopers-delight.com
CC: 
Betreff: Cassette looping video

> I've uploaded a short video of looping with my cassette four-track and 
> dictaphone.
> 
> http://www.youtube.com/watch?v=Bm_rH7XceXo&eurl=
> 
> I'm still figuring out video, this looked very sharp on my own computer, 
> but on Youtube it has a bit of that rain-on-the-lens quality. I saved it 
> as a .wmv at 640x480, which was recommended on a couple of sites, but it 
> seems I could do better. What do other people use?
> 
> Daryl Shawn
> www.swanwelder.com

-- 
Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen! 
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 16:11:04 2007
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thanks, andreas. Yes, I'm using a homemade loop cassette in the 
four-track, and a standard microcassette in the dictating machine. It's 
possible to buy pre-made loop tapes (used in the old-style answering 
machines), but they don't allow you to flip the tape over for reverse 
effects.

I wrote an article about my process for LD some time ago, I need to 
update with pictures and samples but I'll pimp it again here:

http://www.loopers-delight.com/tips/multitrack.html

Daryl Shawn
www.swanwelder.com
> coool!
> i like it.
> so youre using a prepared endless-loop cassette, i guess?
>   

From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 16:25:48 2007
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Date: Wed, 7 Mar 2007 8:25:40 -0800
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: mp3 clip posted
Cc: Per Boysen <perboysen@gmail.com>
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Per,

I have enjoyed both this  MP3 "Aggressive Basket Case" and the other one=20
"City Seventeen" you posted the other day as much as anything I've heard=20
on LD for a long while. Right now I think I'' give another listen to your "=
Art=20
of Leadership" and "Organizational Culture Loops" MP3s I've also got.=20

That guitar trick with the EWI sounds amazing. Jeff Beck would be proud

Great stuff.=20

--

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Per Boysen <perboysen@gmail.com> wrote:=20
> Humbly posting a clip of todays live looping practice, if anyone =20
> cares to listen:
> http://www.looproom.com/audio/abc.mp3
>=20
> per
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 17:29:54 2007
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Date: Wed, 7 Mar 2007 09:29:52 -0800 (PST)
From: DrXparaMental <heavyfuzzbass@yahoo.com>
Subject: I seek help/most believe I am beyond (loop related)
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--0-228471380-1173288592=:1317
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Howdy
  New here/been playing crazy stuff on the electric bass for about 30 years/grateful to be here.
   
  After using hard floor controlled phrase samplers for the last 10 years or so, I have been attempting to move into the 21st via a soft flying saucer. Only problem, forget folding space and all that jazz. I might as well be folding dinner napkins cause me auto pilot's dial is currently set to ignoramus. My hope is to become adept and much less inept via my understanding of the midi controlled soft universe.
   
  Currently I am using Ableton's LIVE 5.2.2 & Stylus RMX. Are there other PC soft loop programs that are recommended "here"?
   
  My objectives are live performance oriented. The hardware I am hoping to incorporate into these performances are Bass/V Bass/Korg MS2000B/Boss RC-50/Laptop/Motu Traveler/Axiom 49 controller & midi foot controller/16 channel mixer.  
   
  No matter what my chops are like, I FULLY realize I know NOT. I have been just trying to "put it together" With your help, maybe I can...
   
  <help>
   
  Thanks,
  DrXPM

 
---------------------------------
Don't be flakey. Get Yahoo! Mail for Mobile and 
always stay connected to friends.
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<DIV>Howdy</DIV>  <DIV>New here/been playing crazy stuff on the electric bass for about 30 years/grateful to be here.</DIV>  <DIV>&nbsp;</DIV>  <DIV>After using&nbsp;hard floor controlled phrase samplers for the last 10 years or so, I have been attempting to move into the 21st via&nbsp;a soft flying saucer. Only problem, forget folding space and all that jazz. I might as well be folding dinner napkins cause me auto pilot's dial is&nbsp;currently&nbsp;set to&nbsp;ignoramus. My hope is to become adept and much less inept&nbsp;via&nbsp;my understanding of the&nbsp;midi controlled soft universe.</DIV>  <DIV>&nbsp;</DIV>  <DIV>Currently I am using Ableton's LIVE 5.2.2 &amp; Stylus RMX. Are there other&nbsp;PC soft loop programs&nbsp;that are&nbsp;recommended "here"?</DIV>  <DIV>&nbsp;</DIV>  <DIV>My objectives are live performance oriented. The hardware I am hoping to incorporate into these performances are Bass/V Bass/Korg MS2000B/Boss RC-50/Laptop/Motu Traveler/Axiom 49
 controller &amp; midi foot controller/16 channel mixer. &nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>No matter what my chops are like, I FULLY realize I know NOT. I have been just trying to "put it together" With your help, maybe I can...</DIV>  <DIV>&nbsp;</DIV>  <DIV>&lt;help&gt;</DIV>  <DIV>&nbsp;</DIV>  <DIV>Thanks,</DIV>  <DIV>DrXPM</DIV><p>&#32;

<hr size=1>Don't be flakey. <a href="http://us.rd.yahoo.com/evt=43909/*http://mobile.yahoo.com/mail">Get Yahoo! Mail for Mobile</a> and <br><a href="http://us.rd.yahoo.com/evt=43909/*http://mobile.yahoo.com/mail">always stay connected</a> to friends.
--0-228471380-1173288592=:1317--

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Subject: Re: I seek help/most believe I am beyond (loop related)
Date: Wed, 7 Mar 2007 11:36:57 -0600
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PC or Mac?


On Mar 7, 2007, at 11:29 AM, DrXparaMental wrote:

> Howdy
> New here/been playing crazy stuff on the electric bass for about 30  
> years/grateful to be here.
>
> After using hard floor controlled phrase samplers for the last 10  
> years or so, I have been attempting to move into the 21st via a  
> soft flying saucer. Only problem, forget folding space and all that  
> jazz. I might as well be folding dinner napkins cause me auto  
> pilot's dial is currently set to ignoramus. My hope is to become  
> adept and much less inept via my understanding of the midi  
> controlled soft universe.
>
> Currently I am using Ableton's LIVE 5.2.2 & Stylus RMX. Are there  
> other PC soft loop programs that are recommended "here"?
>
> My objectives are live performance oriented. The hardware I am  
> hoping to incorporate into these performances are Bass/V Bass/Korg  
> MS2000B/Boss RC-50/Laptop/Motu Traveler/Axiom 49 controller & midi  
> foot controller/16 channel mixer.
>
> No matter what my chops are like, I FULLY realize I know NOT. I  
> have been just trying to "put it together" With your help, maybe I  
> can...
>
> <help>
>
> Thanks,
> DrXPM
>
> Don't be flakey. Get Yahoo! Mail for Mobile and
> always stay connected to friends.


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">PC or Mac?<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Mar 7, =
2007, at 11:29 AM, DrXparaMental wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV>Howdy</DIV>  <DIV>New here/been playing crazy stuff =
on the electric bass for about 30 years/grateful to be here.</DIV>  =
<DIV>=A0</DIV>  <DIV>After using=A0hard floor controlled phrase samplers =
for the last 10 years or so, I have been attempting to move into the =
21st via=A0a soft flying saucer. Only problem, forget folding space and =
all that jazz. I might as well be folding dinner napkins cause me auto =
pilot's dial is=A0currently=A0set to=A0ignoramus. My hope is to become =
adept and much less inept=A0via=A0my understanding of the=A0midi =
controlled soft universe.</DIV>  <DIV>=A0</DIV>  <DIV>Currently I am =
using Ableton's LIVE 5.2.2 &amp; Stylus RMX. Are there other=A0PC soft =
loop programs=A0that are=A0recommended "here"?</DIV>  <DIV>=A0</DIV>  =
<DIV>My objectives are live performance oriented. The hardware I am =
hoping to incorporate into these performances are Bass/V Bass/Korg =
MS2000B/Boss RC-50/Laptop/Motu Traveler/Axiom 49 controller &amp; midi =
foot controller/16 channel mixer. =A0</DIV>  <DIV>=A0</DIV>  <DIV>No =
matter what my chops are like, I FULLY realize I know NOT. I have been =
just trying to "put it together" With your help, maybe I can...</DIV>  =
<DIV>=A0</DIV>  <DIV>&lt;help&gt;</DIV>  <DIV>=A0</DIV>  =
<DIV>Thanks,</DIV>  <DIV>DrXPM</DIV><DIV>  <BR =
class=3D"khtml-block-placeholder"></DIV><HR size=3D"1">Don't be flakey. =
<A =
href=3D"http://us.rd.yahoo.com/evt=3D43909/*http://mobile.yahoo.com/mail">=
Get Yahoo! Mail for Mobile</A> and <BR><A =
href=3D"http://us.rd.yahoo.com/evt=3D43909/*http://mobile.yahoo.com/mail">=
always stay connected</A> to =
friends.</BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-1--439194052--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 17:53:42 2007
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Date: Wed, 7 Mar 2007 09:53:40 -0800 (PST)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: mp3 clip posted
To: Loopers-Delight@loopers-delight.com
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Dude, is that guitar or synth?  I like some of those
growling sounds, how do you do that?
--- Per Boysen <perboysen@gmail.com> wrote:

> Humbly posting a clip of todays live looping
> practice, if anyone  
> cares to listen:
> http://www.looproom.com/audio/abc.mp3
> 
> per
> 
> 



 
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From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 18:14:50 2007
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On Wed, 7 Mar 2007, DrXparaMental wrote:

> Howdy
>  New here/been playing crazy stuff on the electric bass for about 30 years/grateful to be here.

Nice to have you here. Got anything online that we might hear?

>  My objectives are live performance oriented. The hardware I am hoping 
> to incorporate into these performances are Bass/V Bass/Korg MS2000B/Boss 
> RC-50/Laptop/Motu Traveler/Axiom 49 controller & midi foot controller/16 
> channel mixer.

Memo to self: use my own V-Bass more often. Thanks for the reminder.

best,
Steve B
Subscape Annex  http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 19:28:01 2007
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From: Zoe Keating <cello@zoekeating.com>
Subject: borrow/rent a Repeater in LA or SF this weekend?
Date: Wed, 7 Mar 2007 11:27:52 -0800
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Hi Loopers,

One of my F***ING REPEATERS is on the blink, again. No input audio on  
front or back, no output audio to back or headphone out. Reloaded OS,  
but seems like a hardware issue.

Is there anyone in the SF Bay Area or LA who can loan me one for this  
weekend??

In exchange, if you're in LA I'll get you in to my gig on March 10,  
which is at a Hollywood party at the Henry Fonda Theater. Cheapest  
tickets are normally 150 clams and you might get to hobnob with  
George Clooney and lord knows who else. (http:// 
www.lifethroughartfoundation.org/)

Or, if you prefer cash, or if you're in the SF Bay Area, I'll rent it  
from you for a week for $100.

As you can tell, I'm desperate. Please....anyone out there? Thank you  
very much!!!

Zoe

after this I'VE HAD IT. no more Repeaters.


From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 19:54:09 2007
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muy koolisto!.....what great sound, loverly.....thnax per!.....michael


http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com


--- Per Boysen <perboysen@gmail.com> wrote:
> Humbly posting a clip of todays live looping practice, if anyone
> cares to listen:
> http://www.looproom.com/audio/abc.mp3
>
> per
>


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From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 20:12:56 2007
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Date: Wed,  7 Mar 2007 10:27:28 -0600
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: MIDI CC Resolution
References: <20070217230220.2080E38102@astra.telenet-ops.be> <45DC37F1.8010700@addcom.de> <1172077856.45dc7d2014846@webmail.musetrap.com> <1173088303.45ebe82f7d3a8@webmail.m3ch.net> <1173120258.45ec6502aa013@webmail.musetrap.com> <45EDA482.5090807@addcom.de>
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Thanks for getting the math right Stefan.. :) I was thinking while I was typing,
and oviously doing more typing than thinking when I simply doubled the range...
lol.. :)

peace
-cpr

Quoting Stefan Tiedje <Stefan-Tiedje@addcom.de>:

> cpr@musetrap.com schrieb:
> > So, I think, instead of the a new ultimate looper, we need an
> > ultimate midi pedal.. which is not a new topic either.. :) a device
> > where the knobs, sliders, and/or pedals have the ability to send not
> > only standard midi, but the ability to pair up CC's for the improved
> > resolution.. of course, since we are moving out of the 'spec', we
> > could go as far as combining more than 2 CC's for an even greater
> > resolution...
> 
> This isn't moving out of the specs, 14-bit controllers are well defined.
> But resolution isn't a problem with foot pedals, I doubt you could
> control more than the 128 steps with your foot. Its about the curve on 
> how you control parameters. If you want finer resolution on the low end, 
> you need to be able to shape it somehow...
> If you linearly map 96 dB to 128 steps, you'd have less than one dB of
> resolution per step. But half way through you have already -48 dB
> compared to full blast, which is in a noise environment already silence.
> Now if you'd just map 48 dB to 128 steps, you have a problem in the low
> end, you need a nonlinear mapping to feel comfortable. Even if you push
> the resolution to 16384 steps (14-bit) it won't help with the curve....
> 
> > timing becomes more important as we chain the commands together, as a
> > full CC message on midi hardware takes 1ms to make it's trip... but,
> > if the sending device correctly supports 'running status' the two CC 
> > version will only take 1.6ms, instead of 2ms.. and if we jumped up up
> > to a 4 message CC (for a 32766 resolution) it would be 2.8ms
> 
> A 4 message CC would spans 28-bits wich is 268435455 resolution (3 
> messages would span 2097151 steps)
> I have no idea what this should be good for. Usually the highest 
> resolution on faders you get on commercial fader boxes is 10-bit, for 
> two reasons. You can't really control it more precise (its 1024 steps) 
> and you'd likely have noise on the line, which would let the MSB 
> fluctuate and you'd stream Midi always and not only if you change 
> something meaningful...
> 
> The timing by the way is much less critical on continuous controllers, 
> you don't hit them like drums...
> 
> > While we are talking about controllers, I think coming up with a
> > pedal that can have it's current position set (like knobs with halos,
> > or motorized faders) would be cool as well.. Nate Pease and I talked
> > about a 'roller' with the current position represented by LED's (like
> > the knob with halo)...
> 
> I like that idea a lot, and I recall that I have seen something like 
> that somewhere...
> 
> Stefan
> 
> -- 
> Stefan Tiedje------------x-------
> --_____-----------|--------------
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()--------www.ccmix.com
> 
> 




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From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 21:38:20 2007
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Date: Wed, 7 Mar 2007 22:38:17 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject:  Re: Cassette looping video (DV camera)
To: Loopers-Delight@loopers-delight.com
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Hi !

I used dv camera - and I am sure you all figured it
out -  I did the filming when playing. If I were to do
it again - I would us more time - and maybe try to get
a more artistic approach  - like Zoe Keatings video -
or if it were to be a more technical (gear) oriented
thing - I still think I would like help to do the
filming- but I was so eager - just had to do it at
once.

Rune F. 


--- Per Boysen <perboysen@gmail.com> skrev:

> On 7 mar 2007, at 16.15, Daryl Shawn wrote:
> 
> > I've uploaded a short video of looping with my
> cassette four-track  
> > and dictaphone.
> > http://www.youtube.com/watch?v=Bm_rH7XceXo&eurl=
> 
> That was a cool setup! Those two machines with
> cables hanging all  
> out... very nice! Would look good on some particular
> stages I  
> recall ;-)  Sounds interesting when you alter the
> tape speed.
> 
> I also enjoyed Rune's video posted yesterday. What
> cameras are you  
> guys using? DV or simple PC webcams?
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/2kek7h (latest music release)
> 
> 
> 


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


	
	
		
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From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 22:01:28 2007
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Subject: RE: Cassette looping video
Date: Wed, 7 Mar 2007 14:01:34 -0800
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That's wicked Daryl; very cool. Thanks for the link.
~Greg

-----Original Message-----
From: Daryl Shawn [mailto:highhorse@mhorse.com] 
Sent: Wednesday, March 07, 2007 7:15 AM
To: Loopers-Delight@loopers-delight.com
Subject: Cassette looping video

I've uploaded a short video of looping with my cassette four-track and 
dictaphone.

http://www.youtube.com/watch?v=Bm_rH7XceXo&eurl=

I'm still figuring out video, this looked very sharp on my own computer, 
but on Youtube it has a bit of that rain-on-the-lens quality. I saved it 
as a .wmv at 640x480, which was recommended on a couple of sites, but it 
seems I could do better. What do other people use?

Daryl Shawn
www.swanwelder.com

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Subject: RE: Introducing myself :: Rob McDade (South Australia)
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Hi tEd

Thanks for the kind words.  Funny thing about 'Freak out' -  that was
more or less an 'accident' in the studio. I was demonstrating to my
engineer friend what I could do with my looper - next thing I realise he
was recording it.  Something green was written in less time than it
takes to play.

Sometimes 'magic' happens and great music results. Other times you gotta
work long and hard.

=20

I will check out some of your links soon.

Cheers

=20

Rob McDade



[edited response from tEd (r) kiLLiAn]

=20

Hi Rob!=20

=20

Your "rock" splaying on "Rob's Freakout" is wonderfully, funky and
"retro."=20

=20

And, I do hear a Will Ackerman influence in "Something Green" too.=20

=20

You'll find folks who play in lottsa different styles on this list.=20

=20

Just about everything but polka I think -- but you never know.=20

=20

Welcome aboard.=20

=20

Peace,=20

=20

tEd (r) kiLLiAn=20

	=20


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Hi tEd<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Thanks for the kind words.&nbsp; =
Funny thing about
&#8216;Freak out&#8217; - &nbsp;that was more or less an =
&#8216;accident&#8217; in the
studio. I was demonstrating to my engineer friend what I could do with =
my looper
&#8211; next thing I realise he was recording it. &nbsp;Something green =
was written in
less time than it takes to play.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Sometimes &#8216;magic&#8217; =
happens and great
music results. Other times you gotta work long and =
hard.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I will check out some of your links =
soon.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Cheers<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><b><font size=3D5 color=3Dmaroon =
face=3DGeorgia><span
style=3D'font-size:18.0pt;font-family:Georgia;color:maroon;font-weight:bo=
ld'>Rob
McDade</span></font></b><font size=3D2 color=3Dnavy face=3DGeorgia><span
style=3D'font-size:10.0pt;font-family:Georgia;color:navy'><br>
<br>
</span></font><font color=3Dblack><span lang=3DEN-US =
style=3D'color:black'><o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:black'>[edited response from tEd &reg; =
kiLLiAn]<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Hi Rob! <o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Your &quot;rock&quot; splaying on &quot;Rob's Freakout&quot; is
wonderfully, funky and &quot;retro.&quot; <o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>And, I do hear a Will Ackerman influence in &quot;Something =
Green&quot;
too. <o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>You'll find folks who play in lottsa different styles on this =
list. <o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Just about everything but polka I think -- but you never know. =
<o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Welcome aboard. <o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Peace, <o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>tEd &reg; kiLLiAn <o:p></o:p></span></font></p>

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<blockquote style=3D'margin-top:5.0pt;margin-bottom:5.0pt'>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
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</blockquote>

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</body>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar  7 22:23:23 2007
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Subject: RE: Introducing myself :: Rob McDade (South Australia)
Date: Thu, 8 Mar 2007 08:53:20 +1030
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From: "McDade, Rob (SLSA)" <McDade.Rob@slsa.sa.gov.au>
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Hi Per, (and tEd)
I usually bring 3 guitars to a gig plus my 'small' rig.
One acoustic and two electrics (my Fender Strat) and a backup guitar
just in case of a string break mid song. It is a good idea to try to get
diverse sounds with one instrument and I try to do that with my electric
and different pedal settings. I recently bought a behringer multi FX
pedal for $50AUS. Which I can tweak and get some interesting sounds -
tremolo, chorus, flanger, etc. For $50 its pretty good!  Most of my
sound revolves around delays - and different distortion settings. I have
a boss turbo OD (set to a standard OD setting) and  boss Heavy Metal
pedal. I usually use that one with the OD to get crazy super distortion
/ sustain (ala Robert Fripp ca. 1973/74).  For extra tone control I have
a morley wah pedal which I usually leave ON and just adjust for
different tones. Sometimes I do the standard wah thing - but usually its
just for the tone.
When I want to lay down a bass line I use my SUPER OCTAVE - I set it to
POLY mode so it only effects the bottom two or three strings, and is a
bit more stable. Then I move the wah toward the heel position and it
gets a nice sort of rumble sound - more of a f*cked up bass / guitar
sound than a proper bass sound.

Gigging tomorrow nite - will play Freakout live for the first time!

Rob McDade

-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com]=20
Sent: Tuesday, 6 March 2007 6:33 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Introducing myself :: Rob McDade (South Australia)

On 6 mar 2007, at 04.15, McDade, Rob (SLSA) wrote:

> Hi,
> This is my first post to this email list and I thought I'd introduce
> myself.


Hi Rob,

and welcome to this list. Interesting idea you have about building =20
stands for your instruments. I know some musician friends that did =20
that. If you have a stand for your acoustic you could simply swing =20
over the electric at your back when approaching the acoustic. That =20
would be fun to watch, being in the audience ;-)

I too play many instruments, but I have more or less chosen not to =20
bring them all at gigs - rather focusing on techniques to use one =20
instruments for many musical roles. Like bringing a cello bow and a =20
flute with an electric guitar or like using a pitch shifter to make a =20
tenor sax sound a little differently on some occasions. My newest =20
love is an EWI and for this instrument I have created multi layered =20
and cross-faded sampler patches of my stratocaster played through a =20
cranked tube amp top plus marshal cabinet, so I can play those sounds =20
with this little clarinet-like thing of metal and plastics. Very =20
portable and good sounding but not quite as cool looking on stage as =20
the top and cab with the strat ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


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Date: Wed, 7 Mar 2007 15:59:36 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: I seek help/most believe I am beyond (loop related)
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--- DrXparaMental <heavyfuzzbass@yahoo.com> wrote:

>   Currently I am using Ableton's LIVE 5.2.2 & Stylus
> RMX. Are there other PC soft loop programs that are
> recommended "here"?

Here?  You mean in my cube at work?  Are you here with
me? 

I'm using a similar setup but I augment Ableton's
looping with Mobius (an amazing free software looper
based on the Echoplex Digital Pro x 16) and sometimes
angstromloop or ELOTTRONIX XL.  That's all on the XP
side.  On the Mac OSX side the pick'ns are slim, but
Augustus Loop is a fine software looper.  I'd bring up
PSP42 but it's loop time is too short to be useful in
my world.  Not worth the money IMO.  There's this too:

http://www.loopersdelight.com/tools/tools.html

>    
>   My objectives are live performance oriented. The
> hardware I am hoping to incorporate into these
> performances are Bass/V Bass/Korg MS2000B/Boss
> RC-50/Laptop/Motu Traveler/Axiom 49 controller &
> midi foot controller/16 channel mixer.

Sounds like the making of a great loop setup. 
Welcome.  

Mark


 
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Well, since I'm originally a guitar player it came out rather  
"guitarrish" as I played the EWI though the guitar rig. As for the  
vision, the phrasing and intonation I guess you could say that "it is  
guitar", but in a strictly technical sense I was using the EWI to  
"play guitar". Glad you liked the stuff, because I was amazed myself.  
I'm pretty new to playing the EWI and I kind of get the same feeling  
for it as for my old Strat set up with floating whammy. I used the  
EWI's built-in synth here, but you can also use it to drive some  
other synth or sampler via MIDI. And looping of course done in Mobius  
by feet while playing.

per

On 7 mar 2007, at 18.53, Brian Kupferschmid wrote:

> Dude, is that guitar or synth?  I like some of those
> growling sounds, how do you do that?
> --- Per Boysen <perboysen@gmail.com> wrote:
>
>> Humbly posting a clip of todays live looping
>> practice, if anyone
>> cares to listen:
>> http://www.looproom.com/audio/abc.mp3
>>
>> per


From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 01:09:33 2007
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Hi all, I have been looping for about 2 years now, 1st with an EDP,
then with a Looperlative, and now with Mobius.  I make music that most
people don't get.  [:-(]  But I keep doing it [:-)] I recently finished
a tribute to Robert Anton Wilson.  The tracks (ogg files) are here-

http://www.esnips.com/web/13thEye

Please feel free to comment, privately or publicly.

And now a question- I am only a little bothered by the (seeming?)
inaccessability of my music.  Should I be more bothered?  Not an easy
question, but one meant to provoke reflection.

-rabbi




 
____________________________________________________________________________________
No need to miss a message. Get email on-the-go 
with Yahoo! Mail for Mobile. Get started.
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 02:14:42 2007
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Ive just discovered the joys of looping and i am so happy find this group of dedicated musicians.

I own an RC-50XL looper which I am a bit frustrated using trying to accurately time my live looping.  

I am sure alot comes down to the player and your timing, etc. but is there a better unit I should be looking for?  Are there some hints and tricks for this unit that I may be missing? Does using a drum machine w/ a midi sequencer help the unit get extra  functionality?

I play guitar with a 70/80/90 cover band and would like to lay down a rhythm parts live and then jump over to leads. We have only 1 guitarist (I want to keep it that way!!) Never seems to be on que, and the beat seems to wander off.   Secondly I would like to use it to do one or 2 man shows playing a more house/groove type of sound. Should I be thinking PC/MAC softsynths?

Ron aka Reggie B

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 02:27:12 2007
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make sure the rc50 is the master and not the slave ...otherwise things will 
wander due to a technical problem with the rc50......maybe fixed one day by 
roland.
----- Original Message ----- 
From: <rmbaylin@starpower.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 08, 2007 10:14 AM
Subject: Some advice about the RC-50XL


> Ive just discovered the joys of looping and i am so happy find this group 
> of dedicated musicians.
>
> I own an RC-50XL looper which I am a bit frustrated using trying to 
> accurately time my live looping.
>
> I am sure alot comes down to the player and your timing, etc. but is there 
> a better unit I should be looking for?  Are there some hints and tricks 
> for this unit that I may be missing? Does using a drum machine w/ a midi 
> sequencer help the unit get extra  functionality?
>
> I play guitar with a 70/80/90 cover band and would like to lay down a 
> rhythm parts live and then jump over to leads. We have only 1 guitarist (I 
> want to keep it that way!!) Never seems to be on que, and the beat seems 
> to wander off.   Secondly I would like to use it to do one or 2 man shows 
> playing a more house/groove type of sound. Should I be thinking PC/MAC 
> softsynths?
>
> Ron aka Reggie B
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 02:52:14 2007
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On Mar 7, 2007, at 5:09 PM, rabbirabbifive wrote:

> And now a question- I am only a little bothered by the (seeming?)
> inaccessability of my music.  Should I be more bothered?

Can't answer your question since it depends what you want and these  
things change over time and often from project to project.

But it might be worth checking out Derek Bailey interviews for a  
perspective on being inaccessible. He talks about giving concerts  
where only 3 people show up as audience and 2 of them leave before  
half time.

There are many interviews and profiles of him around, a good place to  
start is ubu:

http://www.ubu.com/sound/bailey.html


regards


BobC



http://www.flickr.com/photos/41969054@N00/sets/72157594240725240
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=PM8KFMkWiaI
http://www.youtube.com/watch?v=sn--iF6a4Xo

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Well... why .ogg? MP3 or MP4s are more accessible.  Never ran into .ogg  
before!

Could that explain the inaccessibility of your work?

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 7-Mar-07, at 5:09 PM, rabbirabbifive wrote:

> Hi all, I have been looping for about 2 years now, 1st with an EDP,
> then with a Looperlative, and now with Mobius.  I make music that most
> people don't get.  [:-(]  But I keep doing it [:-)] I recently finished
> a tribute to Robert Anton Wilson.  The tracks (ogg files) are here-
>
> http://www.esnips.com/web/13thEye
>
> Please feel free to comment, privately or publicly.
>
> And now a question- I am only a little bothered by the (seeming?)
> inaccessability of my music.  Should I be more bothered?  Not an easy
> question, but one meant to provoke reflection.
>
> -rabbi
>
>
>
>
>
> _______________________________________________________________________ 
> _____________
> No need to miss a message. Get email on-the-go
> with Yahoo! Mail for Mobile. Get started.
> http://mobile.yahoo.com/mail
>

--Apple-Mail-16--404662755
Content-Transfer-Encoding: 7bit
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	charset=US-ASCII

Well... why .ogg? MP3 or MP4s are more accessible.  Never ran into
.ogg before! 


Could that explain the inaccessibility of your work?


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 7-Mar-07, at 5:09 PM, rabbirabbifive wrote:


<excerpt>Hi all, I have been looping for about 2 years now, 1st with
an EDP,

then with a Looperlative, and now with Mobius.  I make music that most

people don't get.  [:-(]  But I keep doing it [:-)] I recently finished

a tribute to Robert Anton Wilson.  The tracks (ogg files) are here-


http://www.esnips.com/web/13thEye


Please feel free to comment, privately or publicly.


And now a question- I am only a little bothered by the (seeming?)

inaccessability of my music.  Should I be more bothered?  Not an easy

question, but one meant to provoke reflection.


-rabbi






____________________________________________________________________________________

No need to miss a message. Get email on-the-go 

with Yahoo! Mail for Mobile. Get started.

http://mobile.yahoo.com/mail 


</excerpt>
--Apple-Mail-16--404662755--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 03:25:45 2007
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To: Loopers-Delight@loopers-delight.com
From: Zoe Keating <cello@zoekeating.com>
Subject: repeater: problem solved (fingers crossed)
Date: Wed, 7 Mar 2007 19:25:35 -0800
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Hello,

THANK YOU to everyone who responded, kindly offering their Repeater.  
Everyone who wrote categorically refused to accept compensation for  
the use of their valuable looping device, which I think speaks to the  
real community spirit on this list. I am grateful, thank you.

Anyway....I solved my problem (I think).

Here's what I did. Went to hardware store. Bought a torq wrench. Took  
repeater apart. Made sure all the visible connections were solidly  
connected (pressed in all the ribbon cables for example).
Put it back together. It worked! I think I'm golden (until the next  
time it konks out). I think it might have happened on my flight back  
from the UK. The units are shock mounted, and travel in a foam lined  
case, but nothing can really protect your gear from the alternate,  
throw-your-case-20-feet-in-the-air, reality it enters when handled by  
airline employees.

Really, I feel like I have some debt to pay here, maybe I should  
invite the entire Loopers Delight list over for a dinner/annoy-the- 
neighbours--group-jam????

hugs and kisses all round (!), Zoe


From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 03:44:47 2007
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We just loves us some Zoe, that's all.

On 3/7/07, Zoe Keating <cello@zoekeating.com> wrote:
>
> Hello,
>
> THANK YOU to everyone who responded, kindly offering their Repeater.
> Everyone who wrote categorically refused to accept compensation for
> the use of their valuable looping device, which I think speaks to the
> real community spirit on this list. I am grateful, thank you.
>
> Anyway....I solved my problem (I think).
>
> Here's what I did. Went to hardware store. Bought a torq wrench. Took
> repeater apart. Made sure all the visible connections were solidly
> connected (pressed in all the ribbon cables for example).
> Put it back together. It worked! I think I'm golden (until the next
> time it konks out). I think it might have happened on my flight back
> from the UK. The units are shock mounted, and travel in a foam lined
> case, but nothing can really protect your gear from the alternate,
> throw-your-case-20-feet-in-the-air, reality it enters when handled by
> airline employees.
>
> Really, I feel like I have some debt to pay here, maybe I should
> invite the entire Loopers Delight list over for a dinner/annoy-the-
> neighbours--group-jam????
>
> hugs and kisses all round (!), Zoe
>
>
>

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We just loves us some Zoe, that&#39;s all.<br><br><div><span class="gmail_quote">On 3/7/07, <b class="gmail_sendername">Zoe Keating</b> &lt;<a href="mailto:cello@zoekeating.com">cello@zoekeating.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hello,<br><br>THANK YOU to everyone who responded, kindly offering their Repeater.<br>Everyone who wrote categorically refused to accept compensation for<br>the use of their valuable looping device, which I think speaks to the
<br>real community spirit on this list. I am grateful, thank you.<br><br>Anyway....I solved my problem (I think).<br><br>Here&#39;s what I did. Went to hardware store. Bought a torq wrench. Took<br>repeater apart. Made sure all the visible connections were solidly
<br>connected (pressed in all the ribbon cables for example).<br>Put it back together. It worked! I think I&#39;m golden (until the next<br>time it konks out). I think it might have happened on my flight back<br>from the UK. The units are shock mounted, and travel in a foam lined
<br>case, but nothing can really protect your gear from the alternate,<br>throw-your-case-20-feet-in-the-air, reality it enters when handled by<br>airline employees.<br><br>Really, I feel like I have some debt to pay here, maybe I should
<br>invite the entire Loopers Delight list over for a dinner/annoy-the-<br>neighbours--group-jam????<br><br>hugs and kisses all round (!), Zoe<br><br><br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 03:45:33 2007
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To: Loopers-Delight@loopers-delight.com
From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: derek bailey
Date: Wed, 7 Mar 2007 20:45:29 -0700
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Thought this might be of interest:

http://www.ubu.com/film/bailey.html


- Paul

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 03:59:23 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: derek bailey
Date: Wed, 7 Mar 2007 19:59:21 -0800
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David Sylvian just put out a GREAT record of Derek Bailey.  On 
Samhadisound Records.  It's so inaccessible it's accessible!  I like 
it.  My daughter liked it!  Here boyfriend liked it.  I was blown away 
that they liked it cause they're youngin's who listen to Jack Johnson 
and semi mellow roots kind of stuff.

Just him and guitar.  A very cool purity to it.

David's got a whole cool string of new records coming out.  I think you 
can seem them at Samhadisound.com (or something like that).  Check 'em 
out.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 7-Mar-07, at 7:45 PM, Paul Mimlitsch wrote:

> Thought this might be of interest:
>
> http://www.ubu.com/film/bailey.html
>
>
> - Paul
>

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David Sylvian just put out a <italic>GREAT</italic> record of Derek
Bailey.  On Samhadisound Records.  It's so inaccessible it's
accessible!  I like it.  My daughter liked it!  Here boyfriend liked
it.  I was blown away that they liked it cause they're youngin's who
listen to Jack Johnson and semi mellow roots kind of stuff. 


Just him and guitar.  A very cool purity to it. 


David's got a whole cool string of new records coming out.  I think
you can seem them at Samhadisound.com (or something like that).  Check
'em out. 


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 7-Mar-07, at 7:45 PM, Paul Mimlitsch wrote:


<excerpt>Thought this might be of interest:


http://www.ubu.com/film/bailey.html



- Paul


</excerpt>
--Apple-Mail-1--401850249--

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> Thought this might be of interest:
>
> http://www.ubu.com/film/bailey.html
>
>
>
Those are really great shows (at least the first couple, I seem to 
recall the latter episodes to be a little less inspiring).  The first 
segment at the school in Chinatown blew me away.  Wish I had had an 
education like that (or a formalized education like that I guess).  
Recommended viewing.

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org


From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 05:26:49 2007
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From: Chris Smart <chris_s@sympatico.ca>
Subject: Composition Contest: in search of the lost chords
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The following is exerpted from the blog called=20
"Score", connected to the New York Times online at:
http://thescore.blogs.nytimes.com/?excamp=3Dmkt_at12

March 6, 2007,  11:13 pm
The =91In Search of the Lost Chords=92 Contest

By
Glenn Branca
glenn@glennbranca.com

The sweetest sounds I=92ve ever heard are still=20
inside my head.=97 Richard Rogers

We discussed the widespread contempt in which=20
ukulele players are held - traceable, we=20
concluded, to the uke=92s all-but-exclusive=20
employment as a producer of chords - single,=20
timeless events apprehended all at once instead=20
of serially. Notes of a linear melody, up and=20
down a staff, being a record of pitch versus=20
time, to play a melody is to introduce the=20
element of time, and hence of mortality. Our=20
perceived reluctance to leave the timelessness of=20
the struck chord has earned ukulele players our=20
reputation as feckless, clownlike children who=20
will not grow up. =97 Thomas Pynchon from "Against The Day=94


Yes, this is a contest.

And it=92s open to any and everyone.

Here are the rules. Write and record up to three=20
minutes of startlingly new and original=20
instrumental chords. They can be scored in any=20
fashion whatsoever, using any instrumentation or=20
sound producing devices. You can submit a static=20
series of chords or you can perturb the chords in=20
any fashion. You can just submit one big gorgeous chord if you wish.

The submissions can be sent here in the form of a=20
posted link to a site where a recording of the=20
piece can be heard (like MySpace, for example).=20
Leave the link in a comment at the end of this=20
post. Don=92t send any music files.

At the end of the month I will announce the=20
winners on my last blog entry.

I was hoping to be able to have some kind of=20
small rewards for the winners, but it=92s not=20
possible at this time. The links to all of the=20
entries will stay posted in the comment section=20
so that people can judge for themselves if they=20
don=92t like my choices. But I will only post=20
entries that seem to be within the spirit of the contest.

[Legal Note: By submitting a link to music you=20
represent and warrant that the music found there=20
is your original creation and that it does not=20
infringe on any existing copyright.]

Anyone who can=92t post an entry because they=92re=20
not a member of TimesSelect can just send the=20
link to me at glenn@glennbranca.com and I=92ll post it.

In searching for lost chords there can only be=20
one method, and that is the method that eschews=20
all pre-existing methods.

THE SECRETS OF HARMONY

Are there natural laws of music? Are the rules of=20
harmony like a science that reveals to us the=20
inner workings of a system? Are modulations and=20
cadences like formulae that will produce accurate=20
results? Is the history of music more or less a=20
map which if followed to a logical conclusion=20
will leads us to the perfect destination? Or is=20
music a mysterious, irrational problem that even=20
a gifted savant could not solve without the help=20
of an intuitive muse and perhaps a little white-hot inspiration?

The secrets of harmony are buried in a safe place=20
beneath hundreds of years of music theory.=20
Originally theory was called counterpoint and was invented
solely as an instruction manual for rural=20
choirmasters. It was cheaper than commissioning=20
the likes of a Bach to give your town its own=20
musical identity. Since theory was necessarily=20
derived from an analysis of previously existing=20
music, then any music based on that theory must=20
itself sound like the music that the theory was=20
derived from. In fact that was the whole point.=20
Of course my point is that if you want to write=20
something that doesn=92t sound anything like=20
anything you=92ve ever heard before then this kind=20
of self-referential theory can=92t get you there.

But there are other reasons to support=20
anti-theory. If there were a natural law of music=20
it would be the harmonic series:
http://cnx.org/content/m11118/latest/
  Being infinite it contains within it all music:=20
every interval, every mode, key or cluster in=20
every possible tuning or temperament, all=20
resonating in multifarious rhythms and melodies=20
from a single fundamental tone. To create a=20
system based on a particular set of intervals,=20
chords or keys over any other is a matter of=20
cultural preference that becomes entrenched over=20
time, attaching meaning that is illusory.

PSYCHO-ACOUSTIC SUBJECTIVITY

Music must be heard. This is the corollary to=20
Varese=92s =93music must sound.=94 Unlike the other=20
arts music can never be literal. By its very=20
nature it is abstract. But it can move a listener=20
in ways that no words or pictures can ever do.

When a major triad is voiced in a particular way=20
and is heard in a resonant acoustic space,=20
sometimes voices or even choirs seem to be heard.=20
This psycho-acoustic phenomenon can be explained=20
simply by the fact that the music is voiced in a=20
manner that people associate with a choir. This=20
is the reason why early dissonant music often=20
reminded people of traffic jams, or certain types=20
of clusters sounded to them like a swarm of bees.=20
The mind must categorize what it hears based on=20
previous reference. Music sounds like music=20
because it sounds like music.

Composers can=92t ignore this subjective aspect of=20
perception. But they can exploit it in the gray=20
area between perceived musical sound and=20
non-musical sound. This is the point at which a=20
moment of perceptual tabula rasa can imprint=20
music that=92s never been heard before.

FULL RANGE CHORDS

Nicholas Slonimsky once wrote that it had been=20
determined that there are 479,001,600=20
permutations of a single musical phrase based on=20
the 12 tones of the chromatic scale. In that same=20
light it can be shown that there are 4095=20
different chords that can be derived from those=20
same 12 tones. But if one thinks in terms of=20
chords that extend over the full orchestral=20
range, using the 88 keys of the piano as=20
reference, there are approximately=20
300,000,000,000,000,000,000,000,000 different=20
chords that can be derived from those 88 tones.=20
That=92s 2 to the 88th power. Of course this=20
calculation does not take into account microtonal=20
intervals which would increase the size of the=20
number astronomically considering that it is possible to get meaningful
audible differences down to at least an eighth tone.

The point of such a demonstration, similar to=20
what Slonimsky was trying to show, is that the=20
number of possible chords is inexhaustible. And=20
of course with timbre and orchestration=20
introduced the potential is virtually infinite.

AMBIGUOUS TONALITY

One example of a chord that defies analysis is=20
the =93unison cluster.=94 This is a type of dense=20
cluster in which the tones are placed very close=20
together using small microtonal intervals. The=20
effect is neither of a cluster nor a unison. But=20
the sound is rich with a strange, singing=20
choir-like quality. The clash of harmonics which=20
occurs in a standard cluster does not occur here=20
because the harmonic interaction that creates the=20
harsh sound is so high that it=92s outside the range of hearing.

In fact this quality is at work to a subtle=20
degree in the sound of an orchestral string=20
section that can never be perfectly in tune. Some=20
conductors will even use the trick of having the=20
string players tune slightly out to get a=20
=93richer=94 sound. It is also why an out of tune=20
piano can have an oddly appealing sound. A piano=20
doubles and triples unison strings in most of the range.

Music is not pure. It cannot be pure. Sound is=20
noise. In the 70s it was popular for studio=20
engineers to try to get the =93cleanest=94 possible=20
sound, a vogue that lasted for years and was a=20
complete failure. The only clean sound is silence.

Schoenberg in his =93Harmonielehre=94 refers to what=20
he calls =93tone colors.=94 This was his way of=20
describing ambiguous pitch or sounds that cannot=20
be analyzed in terms of pitch alone. In fact he=20
went so far as to say that there could be no=20
system or theory to define such music.

Ironically this work led to the rejection of=20
tonality by many 20th century 12-tonalists and=20
serialists. Instead of opening the potential for tonal variety
it became severely limited. They believed that an=20
ambiguous or neutral tonal landscape could not be=20
achieved using consonant chords. They also had a=20
reliance on specific pitch that could be dealt=20
with like numbers in a mathematical equation.=20
There is a reason why art is not science. To=20
=93prove=94 the efficacy of a musical pattern in some=20
rational system means nothing if it sounds bad.=20
Strangely few had seemed to notice the success=20
that Webern had had introducing consonance into atonality.

MATERIALS FOR BUILDING LOST CHORDS

It should be kept in mind that when building lost=20
chords the sound of a chord is relative. A=20
dissonant chord can sound almost consonant when=20
preceded by a chord or cluster that is far more=20
dissonant. As well, a series of consonant chords=20
can sound saccharine without contrast. Following=20
are a few hints on mechanics:

TIMBRE: The use of untempered sound such as steel=20
chicken wire instead of guitar or piano strings,=20
copper plumbing pipes, bowed cymbals or a kazoo,=20
homemade instruments, =93ethnic=94 instruments such=20
as a hurdy-gurdy, bagpipes or sarangi, synth=20
effects and EQ that can be found on any sampler=20
to alter a conventional instrument sound.=20
Altering timbre entirely changes the harmonic=20
content of a sound. With this type of sound the=20
fundamental often no longer dominates. The=20
harmonic interaction is unpredictable and can=20
create unusual relationships.

MICROTONALITY: Tones based on the intervals of=20
the harmonic series or any division of the octave=20
smaller than a half tone.

WEIGHTING: Using dynamics or instrument doubling,=20
the balance of the tones within a chord can be=20
drastically altered. For example if one were to=20
use a cluster and a major triad in the same=20
chord, emphasizing the cluster would give a very=20
different chord than emphasizing the triad. Of=20
course this technique can be used in far more subtle ways.

VOICING AND RANGE: Three notes spread out over=20
the entire range is a very different chord than=20
the same three notes voiced within a single=20
octave. A chord in the high range is very=20
different than the same chord in the low range.=20
This is not trivial. Voicing change and note=20
change are equally important. Think in terms of a=20
full seven-octave range.

AMBIGUITY: This technique includes unison=20
clusters and ambiguous tonality discussed=20
earlier. Introducing an unfamiliar sound into a=20
familiar context or vice versa is an effective tool.

CHANGE: Here is a trick of the trade. When making=20
a change always change at least two elements.=20
This is the concept of contrary motion but=20
extrapolated across the entire field of possible change.

Combining these various types will give the best=20
results. In short, composing lost chords requires=20
attention to detail and carefully constructed contrast.


Anyone who is interested in finding out about=20
recordings of music that transcend the=20
predictable can go to Massimo Ricci=92s
www.touchingextremes.org.


-- 
No virus found in this outgoing message.
Checked by AVG Free Edition.
Version: 7.5.446 / Virus Database: 268.18.7/713 - Release Date: 3/7/2007 9:2=
4 AM


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Subject: Re: Allow me to introduce myself...
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At 10:12 PM 3/7/2007, you wrote:

>Well... why .ogg? MP3 or MP4s are more accessible.  Never ran into 
>.ogg before!

.ogg is open source, can play in Winamp, MediaPlayer, and a host of 
others, and according to lots of people besides myself, sounds 
better than an mp3 file at the same bit rate.

It's been around a long time. Try encoding something into .ogg 
format at 128K, then make an mp3 at the same bitrate. Listen 
especially to the highs.



-- 
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Checked by AVG Free Edition.
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 06:47:38 2007
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Date: Wed, 7 Mar 2007 22:47:36 -0800 (PST)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: mp3 clip posted
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That was very guitar-like.  I have also heard some of
your other looping with the sax(EWI also?), very good
stuff indeed.  Have you ever tried to use the looper
to make chord progressions by layering note of a chord
on top of each other with your sax?
--- Per Boysen <perboysen@gmail.com> wrote:

> Well, since I'm originally a guitar player it came
> out rather  
> "guitarrish" as I played the EWI though the guitar
> rig. As for the  
> vision, the phrasing and intonation I guess you
> could say that "it is  
> guitar", but in a strictly technical sense I was
> using the EWI to  
> "play guitar". Glad you liked the stuff, because I
> was amazed myself.  
> I'm pretty new to playing the EWI and I kind of get
> the same feeling  
> for it as for my old Strat set up with floating
> whammy. I used the  
> EWI's built-in synth here, but you can also use it
> to drive some  
> other synth or sampler via MIDI. And looping of
> course done in Mobius  
> by feet while playing.
> 
> per
> 
> On 7 mar 2007, at 18.53, Brian Kupferschmid wrote:
> 
> > Dude, is that guitar or synth?  I like some of
> those
> > growling sounds, how do you do that?
> > --- Per Boysen <perboysen@gmail.com> wrote:
> >
> >> Humbly posting a clip of todays live looping
> >> practice, if anyone
> >> cares to listen:
> >> http://www.looproom.com/audio/abc.mp3
> >>
> >> per
> 
> 
> 



 
____________________________________________________________________________________
8:00? 8:25? 8:40? Find a flick in no time 
with the Yahoo! Search movie showtime shortcut.
http://tools.search.yahoo.com/shortcuts/#news

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 08:59:43 2007
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Subject: inaccessability of music
Date: Thu, 8 Mar 2007 10:01:15 +0100
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Hi,
this surely is an interesting aspect of music. I also had live-performances
with my looping
or also with my band Zeitloop where just a few people showed up. It was more
than 3 ,
but even if it was 15 it frustrated me
a bit. The question is what you expect from it. Isn´t it worth even playing
before just a few
guys who came to the concert and are really interested in what you doing.
And don´t forget
to notice that your live-practising will help you to be more secure, getting
better on stage.
But I know it´s tough sometimes to keep up the good vibes and don´t care
about the attendance.
I definetely will listen to this Derek Bailey interview within the next
couple days.
By the way, check out my music if you like to.  As I´m new in this
discussion-group I´m not sure
if it´s o.k. to do a link at my websites. Maybe no promotion here, mmmhh.
But I just do it....
Have a nice day!
CHRISTO JOTA
www.myspace.com/christojota
www.myspace.com/zeitloop


----- Original Message -----
From: RP Collier <skeptikalist@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 08, 2007 3:52 AM
Subject: Re: Allow me to introduce myself...


> On Mar 7, 2007, at 5:09 PM, rabbirabbifive wrote:
>
> > And now a question- I am only a little bothered by the (seeming?)
> > inaccessability of my music.  Should I be more bothered?
>
> Can't answer your question since it depends what you want and these
> things change over time and often from project to project.
>
> But it might be worth checking out Derek Bailey interviews for a
> perspective on being inaccessible. He talks about giving concerts
> where only 3 people show up as audience and 2 of them leave before
> half time.
>
> There are many interviews and profiles of him around, a good place to
> start is ubu:
>
> http://www.ubu.com/sound/bailey.html
>
>
> regards
>
>
> BobC
>
>
>
> http://www.flickr.com/photos/41969054@N00/sets/72157594240725240
> http://tinyurl.com/cr25j
> http://www.youtube.com/watch?v=PM8KFMkWiaI
> http://www.youtube.com/watch?v=sn--iF6a4Xo
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 10:09:30 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: mp3 clip posted
Date: Thu, 8 Mar 2007 11:09:25 +0100
To: Loopers-Delight@loopers-delight.com
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On 8 mar 2007, at 07.47, Brian Kupferschmid wrote:

> That was very guitar-like.  I have also heard some of
> your other looping with the sax(EWI also?),0


No, that's my tenor sax. A 1914 silver Conn with a nine star Otto  
Link mouthpiece armed with a soft fibracell reed (plastic coated  
bamboo). Gives a tone I like, but is a bit hard to play. Not for  
playing in a big band but great for improvised music where you can  
set the pace according to how much you're lip muscles can put up with  
before you loose the ability of correct intonation.

> very good
> stuff indeed.  Have you ever tried to use the looper
> to make chord progressions by layering note of a chord
> on top of each other with your sax?


Yes. I actually thought that was what you had heard me doing in those  
live looping releases ;-)
The first time on record where I used that looping technique was this  
tune: http://www.looproom.com/aol/01_Patterns.mp3 where I played sax  
(through a wha pedal) into an EDP and ran the EDP output (the loops)  
through different effects. While playing the lead sax line I  
overdubbed accurate notes (not all) into three loops to form three  
different chords that I could step between with foot pedals. So you  
could say that the harmony voicing of those three chords grew thicker  
the longer the lead sax line had been going.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)




> --- Per Boysen <perboysen@gmail.com> wrote:
>
>> Well, since I'm originally a guitar player it came
>> out rather
>> "guitarrish" as I played the EWI though the guitar
>> rig. As for the
>> vision, the phrasing and intonation I guess you
>> could say that "it is
>> guitar", but in a strictly technical sense I was
>> using the EWI to
>> "play guitar". Glad you liked the stuff, because I
>> was amazed myself.
>> I'm pretty new to playing the EWI and I kind of get
>> the same feeling
>> for it as for my old Strat set up with floating
>> whammy. I used the
>> EWI's built-in synth here, but you can also use it
>> to drive some
>> other synth or sampler via MIDI. And looping of
>> course done in Mobius
>> by feet while playing.
>>
>> per
>>
>> On 7 mar 2007, at 18.53, Brian Kupferschmid wrote:
>>
>>> Dude, is that guitar or synth?  I like some of
>> those
>>> growling sounds, how do you do that?
>>> --- Per Boysen <perboysen@gmail.com> wrote:
>>>
>>>> Humbly posting a clip of todays live looping
>>>> practice, if anyone
>>>> cares to listen:
>>>> http://www.looproom.com/audio/abc.mp3
>>>>
>>>> per





From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 11:17:44 2007
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Date: Thu, 08 Mar 2007 06:17:45 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow, Galactic Travels, and The AM/FM Show
To: undisclosed-recipients: ;
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the month-long
Special Focus on Paul Lawler from the UK.  The Featured CD at Midnight
will be "Bronx Shadows" by Lawler on Ricochet Dream Records.  The Vinyl
Starter will be from the LP "Time Actor" by Richard Wahnfried on IC
Records.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2007/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, and on the internet.


THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, March 10 at 6:00
am.  I will continue the special on E-dition Electronic Music
Magazine's sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://muhlenberg.edu/wmuh


======================================================================
All times are EST / GMT-5.
======================================================================
Listen on-line to WDIY at http://wdiy.org and click LISTEN or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
======================================================================
Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
======================================================================

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 11:42:48 2007
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Subject: Re: RC-50 Software update question
Date: Thu, 8 Mar 2007 19:42:31 +0800
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had a late answer from roland support in the us regarding the rc50....but i 
have already let the matter go in my mind....still interesting tho.......he 
sounds a bit worn down by my questions...




"The RC-50 has had a few quirks in its short life. One, a short skip in the 
audio playback upon using it live to loop, was addressed in an update. These 
updates come from Japan where the product is designed, developed and 
manufactured. When they get to the US, they are complete and ready to go on 
the shelf. If they need fixes, such as the RC-50 needed, it requires us to 
contact Roland Japan and ask their engineers to stop the development on 
upcoming products and to turn their attention to developing this software 
update. Needless to say, it can sometimes be difficult to convince our 
parent company that they NEED to do something for us. Although we here at 
Roland US seem like we own and operate the entire Roland world, the real 
truth is that we are merely distributors of the Roland brand here in the US. 
We are the Guitar Center that ONLY sells Roland, you could say.

Anyhow, long explanations aside, this is the reason behind the "That is the 
way it works" answer you seem to keep getting. We don't HAVE engineers here 
in the US that we can tell to "get on it" or to devote to, what we consider, 
an important update. We don't have a way to fix this problem you are having 
and it seems that we may not have a way in the near future. We were very 
lucky to get the one update we did receive and it would seem that there are 
no more coming down the pipeline. I realize this may be a little 
disillusioning for you, but I guess sometimes the truth can do that. In the 
end, if the pedal seems unstable and unusable to you, it may not be the 
product for you.

Again, sorry for the lengthy message, but you seemed to want a rock solid 
answer. This explanation is literally THE best answer you can get from 
anyone in the entire US on this product.
I hope that this helps answer your request. If you need more assistance in 
this matter, please either re-submit your support request or contact our 
Product Support Department at the appropriate number:

Digital Recorders and Mixers: 323-890-3741
Guitar/Percussion Products: 323-890-3743
Pianos, Organs, Arrangers: 323-890-3744
Synths/Sound Modules/Groove Products: 323-890-3745
Product Support Main: 323-890-3740

Sincerely,
Roland Product Support"

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 12:15:25 2007
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Has anyone performed the RC-50 update?  it's v1.01 and 'fixes' the short break before playback.  I think I did it correctly, but I get no visual feedback on the LCD display telling me which playback mode I am using.  THe choice is Rhythm or Sound Priority.  I can't hear any difference.

Ron

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 12:33:27 2007
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: RC-50 Software update question (patch change glitch problem)
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Hi folks

Thanks for the Kudos :-) 
All I did, when I got the unit was to check thoroughly what's in it. I guess I'm so eager to find out since this is my first real hardware looper :-) And there really is so much possible that you don't realize due to the somewhat cumbersome manual & settings.

Haven't found a solution to the "PATCH change - glitch problem", though. Again I haven't done the upgrade yet (I'm still reluctant since it is irreversible). This feature would be really very beneficial. I have a friend who uses this feature very effectively on live gigs with the RC-20XL. 

Best regards
Buzap

-- 
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: derek bailey
Date: Thu, 8 Mar 2007 13:38:41 +0100
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On 8 mar 2007, at 04.45, Paul Mimlitsch wrote:

> Thought this might be of interest:
> http://www.ubu.com/film/bailey.html


Fantastic! Thank you so much! I had not seen those before.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 12:58:19 2007
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Date: Thu, 8 Mar 2007 13:58:18 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject:  Re: derek bailey -video on improvisation
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Hi !

I am just about to sit down and see the movie on impro
of Bailey. Great ! I love this things.

Do any of you know about links to other movies on
topics like;
groove - sound - jazz - electronica - looping -music
concrete....

best regards Rune F. 

--- Per Boysen <perboysen@gmail.com> skrev:

> On 8 mar 2007, at 04.45, Paul Mimlitsch wrote:
> 
> > Thought this might be of interest:
> > http://www.ubu.com/film/bailey.html
> 
> 
> Fantastic! Thank you so much! I had not seen those
> before.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/2kek7h (latest music release)
> 
> 
> 


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867


	
	
		
_________________________________________________________
Alt i én. Få Yahoo! Mail med adressekartotek, kalender og
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 13:22:22 2007
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From: "simeon harris" <simeonharris@hotmail.com>
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Subject: thanks...and another tune
Date: Thu, 08 Mar 2007 13:22:18 +0000
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thanks to everyone who sent me link to looping vids...i'm collating them now 
and they'll be up on my site in the next few days

here is a new tune...

http://www.simeonharris.co.uk/08_Mar_1644.mp3

quite textural (and loopy)

cheers!

sim

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 14:39:20 2007
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Date: Thu, 8 Mar 2007 06:39:18 -0800 (PST)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: inaccessability of music
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I played a gig in Toronto about two weeks ago where there the players outnumbered the one person that showed up.
   
  After some discussion, we all agreed that the singular form of audience is 'audient'.
   
   
  ted.

"Chris@jtc.de" <chris@jtc.de> wrote:
  Hi,
this surely is an interesting aspect of music. I also had live-performances
with my looping
or also with my band Zeitloop where just a few people showed up. It was more
than 3 ,
but even if it was 15 it frustrated me
a bit. The question is what you expect from it. Isn´t it worth even playing
before just a few
guys who came to the concert and are really interested in what you doing.
And don´t forget
to notice that your live-practising will help you to be more secure, getting
better on stage.
But I know it´s tough sometimes to keep up the good vibes and don´t care
about the attendance.
I definetely will listen to this Derek Bailey interview within the next
couple days.
By the way, check out my music if you like to. As I´m new in this
discussion-group I´m not sure
if it´s o.k. to do a link at my websites. Maybe no promotion here, mmmhh.
But I just do it....
Have a nice day!
CHRISTO JOTA
www.myspace.com/christojota
www.myspace.com/zeitloop


----- Original Message -----
From: RP Collier 
To: 
Sent: Thursday, March 08, 2007 3:52 AM
Subject: Re: Allow me to introduce myself...


> On Mar 7, 2007, at 5:09 PM, rabbirabbifive wrote:
>
> > And now a question- I am only a little bothered by the (seeming?)
> > inaccessability of my music. Should I be more bothered?
>
> Can't answer your question since it depends what you want and these
> things change over time and often from project to project.
>
> But it might be worth checking out Derek Bailey interviews for a
> perspective on being inaccessible. He talks about giving concerts
> where only 3 people show up as audience and 2 of them leave before
> half time.
>
> There are many interviews and profiles of him around, a good place to
> start is ubu:
>
> http://www.ubu.com/sound/bailey.html
>
>
> regards
>
>
> BobC
>
>
>
> http://www.flickr.com/photos/41969054@N00/sets/72157594240725240
> http://tinyurl.com/cr25j
> http://www.youtube.com/watch?v=PM8KFMkWiaI
> http://www.youtube.com/watch?v=sn--iF6a4Xo
>




"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that order."   Jean Luc Goddard
 
---------------------------------
Food fight? Enjoy some healthy debate
in the Yahoo! Answers Food & Drink Q&A.
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<div>I played a gig in Toronto about&nbsp;two weeks ago where there the players&nbsp;outnumbered the one person that showed up.</div>  <div>&nbsp;</div>  <div>After some discussion, we all agreed that the singular form of audience is 'audient'.</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>ted.<BR><BR><B><I>"Chris@jtc.de" &lt;chris@jtc.de&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Hi,<BR>this surely is an interesting aspect of music. I also had live-performances<BR>with my looping<BR>or also with my band Zeitloop where just a few people showed up. It was more<BR>than 3 ,<BR>but even if it was 15 it frustrated me<BR>a bit. The question is what you expect from it. Isn´t it worth even playing<BR>before just a few<BR>guys who came to the concert and are really interested in what you doing.<BR>And don´t forget<BR>to notice that your live-practising will help you to be more secure,
 getting<BR>better on stage.<BR>But I know it´s tough sometimes to keep up the good vibes and don´t care<BR>about the attendance.<BR>I definetely will listen to this Derek Bailey interview within the next<BR>couple days.<BR>By the way, check out my music if you like to. As I´m new in this<BR>discussion-group I´m not sure<BR>if it´s o.k. to do a link at my websites. Maybe no promotion here, mmmhh.<BR>But I just do it....<BR>Have a nice day!<BR>CHRISTO JOTA<BR>www.myspace.com/christojota<BR>www.myspace.com/zeitloop<BR><BR><BR>----- Original Message -----<BR>From: RP Collier <SKEPTIKALIST@GMAIL.COM><BR>To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>Sent: Thursday, March 08, 2007 3:52 AM<BR>Subject: Re: Allow me to introduce myself...<BR><BR><BR>&gt; On Mar 7, 2007, at 5:09 PM, rabbirabbifive wrote:<BR>&gt;<BR>&gt; &gt; And now a question- I am only a little bothered by the (seeming?)<BR>&gt; &gt; inaccessability of my music. Should I be more bothered?<BR>&gt;<BR>&gt; Can't
 answer your question since it depends what you want and these<BR>&gt; things change over time and often from project to project.<BR>&gt;<BR>&gt; But it might be worth checking out Derek Bailey interviews for a<BR>&gt; perspective on being inaccessible. He talks about giving concerts<BR>&gt; where only 3 people show up as audience and 2 of them leave before<BR>&gt; half time.<BR>&gt;<BR>&gt; There are many interviews and profiles of him around, a good place to<BR>&gt; start is ubu:<BR>&gt;<BR>&gt; http://www.ubu.com/sound/bailey.html<BR>&gt;<BR>&gt;<BR>&gt; regards<BR>&gt;<BR>&gt;<BR>&gt; BobC<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt; http://www.flickr.com/photos/41969054@N00/sets/72157594240725240<BR>&gt; http://tinyurl.com/cr25j<BR>&gt; http://www.youtube.com/watch?v=PM8KFMkWiaI<BR>&gt; http://www.youtube.com/watch?v=sn--iF6a4Xo<BR>&gt;<BR><BR></BLOCKQUOTE><BR><BR><BR>"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that
 order."   Jean Luc Goddard<p>&#32;

<hr size=1><a href="http://answers.yahoo.com/dir/index;_ylc=X3oDMTFvbGNhMGE3BF9TAzM5NjU0NTEwOARfcwMzOTY1NDUxMDMEc2VjA21haWxfdGFnbGluZQRzbGsDbWFpbF90YWcx?link=ask&sid=396545367">Food fight?</a> Enjoy some healthy debate<br>in the <a href="http://answers.yahoo.com/dir/index;_ylc=X3oDMTFvbGNhMGE3BF9TAzM5NjU0NTEwOARfcwMzOTY1NDUxMDMEc2VjA21haWxfdGFnbGluZQRzbGsDbWFpbF90YWcx?link=ask&sid=396545367">Yahoo! Answers Food & Drink Q&A.</a>
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From: "Miles Ward" <miles932@gmail.com>
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Subject: RE: Allow me to introduce myself...
Date: Thu, 8 Mar 2007 07:10:30 -0800
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There is a good long term reason why .ogg: MP3 isn't free.  For eons
Fraunhofer has very openly "licensed" MP3 compression and playback
technology, but they do so at a cost, and the source code for the central
algorithms is patented.  In addition, Alcatel-Lucent has started to assert
their mutual rights to this original patent that they helped with, to the
tune of a 1.35 BILLION dollar lawsuit which they just WON against Microsoft.
Certainly this will go to appeal, but in general it's now clear that given
the value of this format, inventors are seeking to cash in. 

 

Ogg Vorbis (the full name of the compression technology used to create .ogg
audio files) is open source and patent free. Free = Good.

 

That being said, .ogg is only playable on a tiny range of hardware and
software, and no company has a financial incentive to add .ogg to the files
they handle, there's no royalties or business deals or $$$ with .ogg unless
zillions of consumers demand support for it.  Sucks.

-Miles

 

  _____  

From: Richard Sales [mailto:richard@glasswing.com] 
Sent: Wednesday, March 07, 2007 7:12 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Allow me to introduce myself...

 

Well... why .ogg? MP3 or MP4s are more accessible. Never ran into .ogg
before! 

Could that explain the inaccessibility of your work?

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 7-Mar-07, at 5:09 PM, rabbirabbifive wrote:

Hi all, I have been looping for about 2 years now, 1st with an EDP,
then with a Looperlative, and now with Mobius. I make music that most
people don't get. [:-(] But I keep doing it [:-)] I recently finished
a tribute to Robert Anton Wilson. The tracks (ogg files) are here-

http://www.esnips.com/web/13thEye

Please feel free to comment, privately or publicly.

And now a question- I am only a little bothered by the (seeming?)
inaccessability of my music. Should I be more bothered? Not an easy
question, but one meant to provoke reflection.

-rabbi





____________________________________________________________________________
________
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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>There is a good long term reason =
why .ogg:
MP3 isn&#8217;t free.&nbsp; For eons Fraunhofer has very openly =
&#8220;licensed&#8221;
MP3 compression and playback technology, but they do so at a cost, and =
the
source code for the central algorithms is patented.&nbsp; In addition,
Alcatel-Lucent has started to assert their mutual rights to this =
original
patent that they helped with, to the tune of a 1.35 BILLION dollar =
lawsuit
which they just WON against Microsoft.&nbsp; Certainly this will go to =
appeal,
but in general it&#8217;s now clear that given the value of this format,
inventors are seeking to cash in. <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Ogg Vorbis (the full name of the
compression technology used to create .ogg audio files) is open source =
and
patent free. Free =3D Good.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>That being said, .ogg is only =
playable on
a tiny range of hardware and software, and no company has a financial =
incentive
to add .ogg to the files they handle, there&#8217;s no royalties or =
business
deals or $$$ with .ogg unless zillions of consumers demand support for
it.&nbsp; Sucks.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>-Miles<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> =
Richard Sales
[mailto:richard@glasswing.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Wednesday, March =
07, 2007
7:12 PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <st1:PersonName =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: Allow me to =
introduce
myself...</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>Well... why =
.ogg? MP3 or
MP4s are more accessible. Never ran into .ogg before! <br>
<br>
Could that explain the inaccessibility of your work?<br>
<br>
<?fontfamily><?param Gadget>richard sales<br>
<?color><?param 7373,7F7F,C5C5>glassWing farm and studio<br>
<?/color>vancouver island, b.c.<br>
800.545.6846<br>
250.752.4816<br>
<?color><?param C3C3,9696,1C1C>www.glassWing.com<br>
www.richardsales.com<br>
www.hayleysales.com<br>
www.blueberryfieldsfarm.com<br>
<?/color><?/fontfamily>On 7-Mar-07, at 5:09 PM, rabbirabbifive =
wrote:<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>Hi all, I have =
been
looping for about 2 years now, 1st with an EDP,<br>
then with a Looperlative, and now with Mobius. I make music that =
most<br>
people don't get. [:-(] But I keep doing it [:-)] I recently =
finished<br>
a tribute to Robert Anton Wilson. The tracks (ogg files) are here-<br>
<br>
http://www.esnips.com/web/13thEye<br>
<br>
Please feel free to comment, privately or publicly.<br>
<br>
And now a question- I am only a little bothered by the (seeming?)<br>
inaccessability of my music. Should I be more bothered? Not an easy<br>
question, but one meant to provoke reflection.<br>
<br>
-rabbi<br>
<br>
<br>
<br>
<br>
<br>
_________________________________________________________________________=
___________<br>
No need to miss a message. Get email on-the-go <br>
with Yahoo! Mail for <st1:City w:st=3D"on"><st1:place =
w:st=3D"on">Mobile</st1:place></st1:City>.
Get started.<br>
http://mobile.yahoo.com/mail <o:p></o:p></span></font></p>

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From: DrXparaMental <heavyfuzzbass@yahoo.com>
Subject: One Question Please & Some Thoughts On Accessibility
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#1 Is it possible to access a Loopers Delight posted message archive? In one day I have found enough projected post remnants with respect to original topic information put forth prior to my joining LD, that it would be cool to go "back" and dig through these from start to finish.
   
  If accessibility can be equated to popular or attraction based acceptability, I found out too long ago, you might as well count me out. Isn't it this projected self ideal as manifest within our artistic format of "oneness" that makes us who we are?
   
  To me, the world of experimental music with respect to technique and construction is like an open door through which the self's non-linear *eigenvalue has no choice but to come fourth. It's "forced" to do so by the specific path we have come to choose. We really can't expect others by merit of social recognition, let alone sonic appreciation, to truly identify with what we're doing as stand alone entertainment. The element within what we have chosen to musically undertake, that we ourselves by nature of our continually morphing muse are most attracted to, is mostly based on it's unpredictable interpretation and outcome.
   
  One would have to be able to control too many factors within the experience of our performances to insure accessibility for the average listener. Diversity is a powerful tool with respect to experimental music presentation. Most people's minds simply cannot handle what we on this artistic path have come to take, not so much for granted, but rather as an "acceptable" art form. They need a "guide"
   
  Looking around to the high profile (yeah right) figures within this artistic scheme it seems we find one of two types of "players" with respect to the guided approach. They either buffer and market what they personally strive for via their artistic pursuits/projects by means of self identification (name recognition) or media application (film). That is NOT to say however that the aforementioned 2 types of guides are by any means limited to the two examples given.  
   
  I would have to say that if the mind were to be brought to bare, with respect to our incredible powers of imagination, on the diverse effective marketing of our unique artistry, we may in fact achieve accessibility on our own terms. 
   
  DrXPM
   
  * A statistic that quantifies variation in a group of variables and its accountability by a particular factor

 
---------------------------------
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<DIV>#1 Is it possible to access a Loopers Delight posted message archive? In one day I have found enough projected post remnants with respect to original topic information put forth prior to my joining LD, that it would be cool to go "back" and dig through these&nbsp;from start to finish.</DIV>  <DIV>&nbsp;</DIV>  <DIV>If accessibility can be equated to&nbsp;popular or attraction based acceptability, I found out too long ago, you might as well count me out. Isn't it this projected self ideal as manifest within our&nbsp;artistic format of "oneness" that makes us who we are?</DIV>  <DIV>&nbsp;</DIV>  <DIV>To me,&nbsp;the world of experimental music with respect to technique and construction&nbsp;is like an open door through which&nbsp;the self's&nbsp;non-linear *eigenvalue&nbsp;has no choice but to come fourth. It's "forced" to do so&nbsp;by the specific&nbsp;path we have come to choose. We really can't expect others by merit of social recognition, let alone&nbsp;sonic
 appreciation, to truly identify with what we're doing as stand alone&nbsp;entertainment. The element within what we have chosen to&nbsp;musically&nbsp;undertake, that&nbsp;we ourselves&nbsp;by nature of our continually morphing muse are most attracted to, is&nbsp;mostly based on it's unpredictable interpretation and outcome.</DIV>  <DIV>&nbsp;</DIV>  <DIV>One would have to be able to control too many factors within the experience of our performances to insure accessibility for the average&nbsp;listener. Diversity is a powerful tool with respect to experimental music presentation. Most people's minds simply cannot handle what we on this artistic path have come to take,&nbsp;not so much for&nbsp;granted, but rather as an "acceptable" art form. They need a "guide"</DIV>  <DIV>&nbsp;</DIV>  <DIV>Looking around to the high profile (yeah right) figures within this artistic scheme it seems we find one of two types of "players" with respect to the guided approach. They either
 buffer and market&nbsp;what they personally strive for via their artistic pursuits/projects by means of self identification (name recognition) or media application (film). That is NOT to say however that the aforementioned 2 types of guides are by any means limited to the two examples given.&nbsp;&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>I would have to say that if the mind were to be brought to bare, with respect to our incredible powers of imagination, on the diverse effective marketing of our unique artistry, we&nbsp;may in fact&nbsp;achieve accessibility on our own terms. </DIV>  <DIV>&nbsp;</DIV>  <DIV>DrXPM</DIV>  <DIV>&nbsp;</DIV>  <DIV>*&nbsp;A statistic that quantifies variation in a group of variables and its accountability by a particular factor</DIV><p>&#32;

<hr size=1>Expecting? Get great news right away with <a href="http://us.rd.yahoo.com/evt=49982/*http://advision.webevents.yahoo.com/mailbeta/newmail_tools.html">email Auto-Check.</a><br>Try the <a href="http://us.rd.yahoo.com/evt=49982/*http://advision.webevents.yahoo.com/mailbeta/newmail_tools.html">Yahoo! Mail Beta.</a>
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On Thu, 8 Mar 2007, DrXparaMental wrote:

> #1 Is it possible to access a Loopers Delight posted message archive?

http://www.loopers-delight.com/cgi-bin/wilma/LDarchive

As regards accessibility, someone recently asked me "What kind of music do 
you play?" She didn't know what to make of my answer "Non-commercial" :).

Yes, I explained a bit more usefully after that, but that was my first 
thought at the time :).

best,
Steve B
Subscape Annex http://www.subscapeannex.com/

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Date: Thu, 08 Mar 2007 11:20:15 -0500
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From: Chris Smart <chris_s@sympatico.ca>
Subject: Re: inaccessability of music
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At 09:39 AM 3/8/2007, you wrote:

>I played a gig in Toronto about two weeks ago where there the 
>players outnumbered the one person that showed up.
>
>After some discussion, we all agreed that the singular form of 
>audience is 'audient'.

*LOL* Did you just invite him'her up to participate?


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Date: Thu, 8 Mar 2007 09:15:15 -0800 (PST)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: inaccessability of music
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No, but we should've!
   
  Of course, given that it was improv/free/creative music (read: non-commerical) gig, I don't think anybody would've objected if he did...
   
   
  ted.
  

Chris Smart <chris_s@sympatico.ca> wrote:
  At 09:39 AM 3/8/2007, you wrote:

>I played a gig in Toronto about two weeks ago where there the 
>players outnumbered the one person that showed up.
>
>After some discussion, we all agreed that the singular form of 
>audience is 'audient'.

*LOL* Did you just invite him'her up to participate?


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"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that order."   Jean Luc Goddard
 
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<div>No, but we should've!</div>  <div>&nbsp;</div>  <div>Of course, given that it was improv/free/creative music (read: non-commerical)&nbsp;gig, I don't think anybody would've objected&nbsp;if he did...</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>ted.</div>  <div><BR><BR><B><I>Chris Smart &lt;chris_s@sympatico.ca&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">At 09:39 AM 3/8/2007, you wrote:<BR><BR>&gt;I played a gig in Toronto about two weeks ago where there the <BR>&gt;players outnumbered the one person that showed up.<BR>&gt;<BR>&gt;After some discussion, we all agreed that the singular form of <BR>&gt;audience is 'audient'.<BR><BR>*LOL* Did you just invite him'her up to participate?<BR><BR><BR>-- <BR>No virus found in this outgoing message.<BR>Checked by AVG Free Edition.<BR>Version: 7.5.446 / Virus Database: 268.18.8/714 - Release Date: 3/8/2007 10:58
 AM<BR><BR><BR></BLOCKQUOTE><BR><BR><BR>"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that order."   Jean Luc Goddard<p>&#32;

<hr size=1>8:00? 8:25? 8:40? <a href="
http://tools.search.yahoo.com/shortcuts/?fr=oni_on_mail&#news"> Find a flick</a> in no time<br> with the<a href="
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 17:24:11 2007
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Date: Thu, 8 Mar 2007 09:24:09 -0800 (PST)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: derek bailey
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...and don't forget that Derek wrote a wonderful book called 'improvisation -  its nature and practice in music'.
   
  The first chunk is him interviewing people on improvisation in different genres (classical, raga, etc.) and the last few chapters is him talking about his own experiences and thoughts on improvisation.  It's based on a tv series he did for BBC; I emailed BBC about them putting the show out on dvd but they said they had no plans to do so.
   
  It's a great book and highly recommended for anybody that is interested in non-idiomatic playing.  (That's Derek's term for his style of playing - he didn't like the term 'free jazz'.  I don't much care for the term either but it's the term that most people recognize...)
   
  For more info: http://en.wikipedia.org/wiki/Derek_Bailey
   
   
  ted.
  

Paul Mimlitsch <pmimlitsch@mac.com> wrote:
  Thought this might be of interest:

http://www.ubu.com/film/bailey.html


- Paul




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<div>...and don't forget that Derek wrote a wonderful book called 'improvisation -&nbsp; its nature and practice in music'.</div>  <div>&nbsp;</div>  <div>The first chunk is him interviewing people on improvisation in different genres (classical, raga, etc.) and the last few chapters&nbsp;is him talking about his own experiences and thoughts on improvisation.&nbsp; It's based on a tv series he did for BBC; I emailed BBC about them putting the show out on dvd but they said they had no plans to do so.</div>  <div>&nbsp;</div>  <div>It's a great book and highly recommended for anybody that is interested in non-idiomatic playing.&nbsp; (That's Derek's term for his style of playing - he didn't like the term 'free jazz'.&nbsp;&nbsp;I don't much care for the term either but it's the term that most people recognize...)</div>  <div>&nbsp;</div>  <div>For more info: <A href="http://en.wikipedia.org/wiki/Derek_Bailey">http://en.wikipedia.org/wiki/Derek_Bailey</A></div> 
 <div>&nbsp;</div>  <div>&nbsp;</div>  <div>ted.</div>  <div><BR><BR><B><I>Paul Mimlitsch &lt;pmimlitsch@mac.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Thought this might be of interest:<BR><BR>http://www.ubu.com/film/bailey.html<BR><BR><BR>- Paul<BR><BR></BLOCKQUOTE><BR><BR><BR>"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that order."   Jean Luc Goddard<p>&#32;

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 17:36:24 2007
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Date: Thu, 8 Mar 2007 09:36:22 -0800 (PST)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: mp3 clip posted
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I noticed that, I also was caught up in the beat.  If
I'm not mistaken, I thought I heard a bit of LaFosse
influence in there, must be the EDP functions and your
use of them.   Again, incredible stuff, sounds like
I'd better save my pennies and get an EDP, because
after hearing that, sounds like nothing else will do.
How did you run the wah pedal?  It sounds like a
filter instead of a regular wah sound, like you ran it
through an effects loop rather than pre input, well
being that you were probably miked, that's about the
only way to do it.  My current pedalboard has two wahs
on it one is post preamp for that filtery sound.  When
I finally can immerse myself into looping, I thought
about the possibility to use loopers throughout my
chain, for instance, one up front, so that my effects
can process the loop, and then one in back to capture
it for layering of tracks. How do you run your chain
for your set up?
--- Per Boysen <perboysen@gmail.com> wrote:

> On 8 mar 2007, at 07.47, Brian Kupferschmid wrote:
> 
> > That was very guitar-like.  I have also heard some
> of
> > your other looping with the sax(EWI also?),0
> 
> 
> No, that's my tenor sax. A 1914 silver Conn with a
> nine star Otto  
> Link mouthpiece armed with a soft fibracell reed
> (plastic coated  
> bamboo). Gives a tone I like, but is a bit hard to
> play. Not for  
> playing in a big band but great for improvised music
> where you can  
> set the pace according to how much you're lip
> muscles can put up with  
> before you loose the ability of correct intonation.
> 
> > very good
> > stuff indeed.  Have you ever tried to use the
> looper
> > to make chord progressions by layering note of a
> chord
> > on top of each other with your sax?
> 
> 
> Yes. I actually thought that was what you had heard
> me doing in those  
> live looping releases ;-)
> The first time on record where I used that looping
> technique was this  
> tune: http://www.looproom.com/aol/01_Patterns.mp3
> where I played sax  
> (through a wha pedal) into an EDP and ran the EDP
> output (the loops)  
> through different effects. While playing the lead
> sax line I  
> overdubbed accurate notes (not all) into three loops
> to form three  
> different chords that I could step between with foot
> pedals. So you  
> could say that the harmony voicing of those three
> chords grew thicker  
> the longer the lead sax line had been going.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/2kek7h (latest music release)
> 
> 
> 
> 
> > --- Per Boysen <perboysen@gmail.com> wrote:
> >
> >> Well, since I'm originally a guitar player it
> came
> >> out rather
> >> "guitarrish" as I played the EWI though the
> guitar
> >> rig. As for the
> >> vision, the phrasing and intonation I guess you
> >> could say that "it is
> >> guitar", but in a strictly technical sense I was
> >> using the EWI to
> >> "play guitar". Glad you liked the stuff, because
> I
> >> was amazed myself.
> >> I'm pretty new to playing the EWI and I kind of
> get
> >> the same feeling
> >> for it as for my old Strat set up with floating
> >> whammy. I used the
> >> EWI's built-in synth here, but you can also use
> it
> >> to drive some
> >> other synth or sampler via MIDI. And looping of
> >> course done in Mobius
> >> by feet while playing.
> >>
> >> per
> >>
> >> On 7 mar 2007, at 18.53, Brian Kupferschmid
> wrote:
> >>
> >>> Dude, is that guitar or synth?  I like some of
> >> those
> >>> growling sounds, how do you do that?
> >>> --- Per Boysen <perboysen@gmail.com> wrote:
> >>>
> >>>> Humbly posting a clip of todays live looping
> >>>> practice, if anyone
> >>>> cares to listen:
> >>>> http://www.looproom.com/audio/abc.mp3
> >>>>
> >>>> per
> 
> 
> 
> 
> 
> 



 
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 18:26:29 2007
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Subject: Re: I seek help/most believe I am beyond (loop related)
Date: Thu, 08 Mar 2007 18:26:26 +0000
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Man, I wish you guys were in Connecticut. I have zero people around me that even know what Im talking about sometimes. Im working on a project right now thats a solo by default. I wish it were a duo or trio. 
It's going to consist of an evening's worth of music. Set one will start out with your basic Acoustic gig, kinda happy-houresque. Some covers, some originals. Gradually adding live loops via Ableton and an Echoplex. As the first set goes on, more sounds are introduced. A bassline here, a synth pad there. Very much what you see everywhere these days. First set will blend into some downtempo electronic stuff on an ipod. 
Second set will start much like the first set ended. But as the set goes on, even more sounds and textures will be introduced. This is going to be very much like what you hear on Sirius Channel 35. Downtempo electronica using effected guitar, prerecorded loops, software synths and samplers and vocals.
Ableton live via a FCB1010 and an Oxygen midi controller will be the main tools. Along with a Strat or a Taylor going through a Pod Live XT and an Echoplex. 
Set 3 will again be a continuation of set 2. This will gradually give way to an actual laptop DJ set with occasional intruments thrown in. 
This looks to be a very creative and lucrative venture that I hope to up and running by summer. 
But like I said, I explain this people and thay look at me like im crazy 

MFC




-------------- Original message -------------- 
From: mark sottilaro <zerocrossing2001@yahoo.com> 

> --- DrXparaMental wrote: 
> 
> > Currently I am using Ableton's LIVE 5.2.2 & Stylus 
> > RMX. Are there other PC soft loop programs that are 
> > recommended "here"? 
> 
> Here? You mean in my cube at work? Are you here with 
> me? 
> 
> I'm using a similar setup but I augment Ableton's 
> looping with Mobius (an amazing free software looper 
> based on the Echoplex Digital Pro x 16) and sometimes 
> angstromloop or ELOTTRONIX XL. That's all on the XP 
> side. On the Mac OSX side the pick'ns are slim, but 
> Augustus Loop is a fine software looper. I'd bring up 
> PSP42 but it's loop time is too short to be useful in 
> my world. Not worth the money IMO. There's this too: 
> 
> http://www.loopersdelight.com/tools/tools.html 
> 
> > 
> > My objectives are live performance oriented. The 
> > hardware I am hoping to incorporate into these 
> > performances are Bass/V Bass/Korg MS2000B/Boss 
> > RC-50/Laptop/Motu Traveler/Axiom 49 controller & 
> > midi foot controller/16 channel mixer. 
> 
> Sounds like the making of a great loop setup. 
> Welcome. 
> 
> Mark 
> 
> 
> 
> ________________________________________________________________________________ 
> ____ 
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<html><body>
<DIV>&nbsp;</DIV>
<DIV>Man, I wish you guys were in Connecticut. I have zero people around me that even know what Im talking about sometimes. Im working on a project right now thats a solo by default. I wish it were a duo or trio. </DIV>
<DIV>It's going to consist of an evening's worth of music. Set one will start out with your basic Acoustic gig, kinda happy-houresque. Some covers, some originals. Gradually adding live loops via Ableton and an Echoplex. As the first set goes on, more sounds are introduced. A bassline here, a synth pad there. Very much what you see everywhere these days. First set will blend into some downtempo electronic stuff on an ipod. </DIV>
<DIV>Second set will start much like the first set ended. But as the set goes on, even more sounds and textures will be introduced. This is going to be very much like what you hear on Sirius Channel 35. Downtempo electronica using effected guitar, prerecorded loops, software synths and samplers and vocals.</DIV>
<DIV>Ableton live via a FCB1010 and an Oxygen midi&nbsp;controller will be the main tools. Along with a Strat or a Taylor going through a Pod Live XT and an Echoplex. </DIV>
<DIV>Set 3 will again be a continuation of set 2. This will gradually give way to an actual laptop DJ set with occasional intruments thrown in. </DIV>
<DIV>This looks to be a very creative and lucrative venture that I hope to up and running by summer. </DIV>
<DIV>But like I said, I explain this people and thay look at me like im crazy </DIV>
<DIV>&nbsp;</DIV>
<DIV>MFC</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">-------------- Original message -------------- <BR>From: mark sottilaro &lt;zerocrossing2001@yahoo.com&gt; <BR><BR>&gt; --- DrXparaMental <HEAVYFUZZBASS@YAHOO.COM>wrote: <BR>&gt; <BR>&gt; &gt; Currently I am using Ableton's LIVE 5.2.2 &amp; Stylus <BR>&gt; &gt; RMX. Are there other PC soft loop programs that are <BR>&gt; &gt; recommended "here"? <BR>&gt; <BR>&gt; Here? You mean in my cube at work? Are you here with <BR>&gt; me? <BR>&gt; <BR>&gt; I'm using a similar setup but I augment Ableton's <BR>&gt; looping with Mobius (an amazing free software looper <BR>&gt; based on the Echoplex Digital Pro x 16) and sometimes <BR>&gt; angstromloop or ELOTTRONIX XL. That's all on the XP <BR>&gt; side. On the Mac OSX side the pick'ns are slim, but <BR>&gt; Augustus Loop is a fine software looper. I'd bring up <BR>&gt; PSP42 but it's loop time is too short to be useful in <BR>&gt; my world. Not worth the mo
ney IMO. There's this too: <BR>&gt; <BR>&gt; http://www.loopersdelight.com/tools/tools.html <BR>&gt; <BR>&gt; &gt; <BR>&gt; &gt; My objectives are live performance oriented. The <BR>&gt; &gt; hardware I am hoping to incorporate into these <BR>&gt; &gt; performances are Bass/V Bass/Korg MS2000B/Boss <BR>&gt; &gt; RC-50/Laptop/Motu Traveler/Axiom 49 controller &amp; <BR>&gt; &gt; midi foot controller/16 channel mixer. <BR>&gt; <BR>&gt; Sounds like the making of a great loop setup. <BR>&gt; Welcome. <BR>&gt; <BR>&gt; Mark <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; ________________________________________________________________________________ <BR>&gt; ____ <BR>&gt; It's here! Your new message! <BR>&gt; Get new email alerts with the free Yahoo! Toolbar. <BR>&gt; http://tools.search.yahoo.com/toolbar/features/mail/ <BR>&gt; </BLOCKQUOTE></body></html>

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Date: Thu, 8 Mar 2007 10:50:41 -0800 (PST)
From: rabbirabbifive <rabbirabbi5@yahoo.com>
Subject: Re: inaccessability of music
To: Loopers-Delight@loopers-delight.com
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>I played a gig in Toronto about two weeks ago where there the players
>outnumbered the one person that showed up.
 
>After some discussion, we all agreed that the singular form of
audience >is 'audient'.
 
 
>ted.

I once played a gig for literally no (paying) audience- just the other
people on the bill, the promoter, and the guy behind the bar. The
promoter was the only one really upset of all of us.  We played, had
fun, and talked the promoter into joining us on percussion.  Not a
problem.   

By "accessability" (or the lack of it) in my last post I guess I meant
that blank stare when they pop the CD in, followed by it's removal at
the earliest possible polite opportunity.  Not giving the unusual or
seemingly dissonant a chance to sink in.  Lack of attention span,
mabye.  My music needs quiet attention to work, so I've already got two
strikes against me before I start.  I could try doing a "hook" piece to
suck people in, but that's like feeding people Ice Cream and than
switching to Kimchee. 
   


 
____________________________________________________________________________________
Now that's room service!  Choose from over 150,000 hotels
in 45,000 destinations on Yahoo! Travel to find your fit.
http://farechase.yahoo.com/promo-generic-14795097

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: mp3 clip posted
Date: Thu, 8 Mar 2007 19:59:13 +0100
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>  http://www.looproom.com/aol/01_Patterns.mp3


On 8 mar 2007, at 18.36, Brian Kupferschmid wrote:

> I noticed that, I also was caught up in the beat.  If
> I'm not mistaken, I thought I heard a bit of LaFosse
> influence in there, must be the EDP functions and your
> use of them.   Again, incredible stuff, sounds like
> I'd better save my pennies and get an EDP, because
> after hearing that, sounds like nothing else will do.
> How did you run the wah pedal?  It sounds like a
> filter instead of a regular wah sound, like you ran it
> through an effects loop rather than pre input, well
> being that you were probably miked, that's about the
> only way to do it.  My current pedalboard has two wahs
> on it one is post preamp for that filtery sound.  When
> I finally can immerse myself into looping, I thought
> about the possibility to use loopers throughout my
> chain, for instance, one up front, so that my effects
> can process the loop, and then one in back to capture
> it for layering of tracks. How do you run your chain
> for your set up?


You're asking how I'm running my chain for "my set up", but fact is =20
that the "Patterns" piece was not produced with the live concert set =20
up I'm using today (I use a couple, actually), so I need to deal with =20=

the questions on at a time. This "Patterns" was a live looping EDP =20
improvisation that were recorded in a studio. That environment gives =20
you more control than performing live on stage. The studio routing =20
was as this:

- Sax mic were split into two parallel lines.
- One sax signal going into one track on a multitrack recorder (Logic =20=

Pro on a computer with many audio inputs).
- Another sax signal going into the EDP.
- The EDP loop output going into another track on the multitrack =20
recorder.
- The tempo set in Logic and the EDP syncing by MIDI clock.
- A Behringer FCB1010 MIDI pedal board was used for controlling the EDP.
- A software wha pedal simulation was opened on the Logic track where =20=

the direct sax was recorded (so the wha would not affect the audio =20
looped on the EDP). I used the FCB1010's expression pedal to work =20
that wha filter (yes, you are correct that I set it more as a filter =20
than as the usual Cry Baby or Vox wha simulation patches.

Ok, those were the routings. So when playing I recorded two mono =20
tracks: direct sax signal and EDP loops. Two other tracks were =20
already recorded: Speach and percussion. I was listening to these as =20
guidance for my improvisation. Functions used in the EDP were =20
Overdub, SUSSubstitute (I guess that is the character you have heard =20
in Andr=E9 LaFosse music), Speed and direct addressing of the three =
loops.

Finally, the recorded track of the EDP loops were split up in Logic =20
to enter many different dynamic filterbanks. As I remember a bunch of =20=

Ohmforce Quadfrohmage. The pad like sound (where the sax is going for =20=

a long note and the percussion stops) was created in the mix by =20
sending the sax signal (not the EDP looping) through some Cycling74 =20
Pluggo effects (Rye and SpeedShifter, I think).

So the effect processing were not done all the way at the moment of =20
playing the looper and instrument.

-----------------
> How do you run your chain
> for your set up?

If that addresses a live concert set up (guessing so because you =20
mentioned your two wha pedal live setup) I'm doing it much more =20
simple these days. Instrument going into an effect processor going =20
into a laptop going into an analog stereo compressor going into the =20
PA system. The laptop is loaded with Mobius (which in essence is a =20
bunch of virtual stereo EDPs with a lot added functionality) and a =20
little bit of reverb added to the looper output. Mobius is picking up =20=

the tempo I play in (by the length of the first loop I make) and also =20=

sending out MIDI Clock to my effect processor (so I can sync or =20
desync delays and rhythmical filtering etc). I like this set up =20
because it works well with flute, sax, guitar and EWI played with the =20=

built-in sounds.

The http://www.looproom.com/audio/abc.mp3 though was not done on that =20=

set up but on the laptop only, running Guitar Rig 2 into Mobius. I =20
don't like the sound of Guitar Rig 2 so I don't think I will use it =20
more.

A third se up is playing MIDI with an EWI into Logic on one laptop =20
and looping it in Mobius on a second laptop. I think I will use that =20
a lot in the future.

Then there are all kind occasional systems mocked up by EDP and MIDI =20
synchronizable analog filterbank, but I only use them in the studio =20
(when I need some special sound) because they are too heavy to =20
transport to gigs.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


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Date: Thu, 8 Mar 2007 14:36:18 -0500
From: "radio radio" <radiotelevision@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: looping pedal with decay?
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thanks for the replies! I think the Gibson EDP is out of my price range,
unless I can find a rediculous deal on one on Ebay, but I am glad to know
that that the Boomerang does have a decay - I did not realize that. Right
now that may look like the best option, although I am a bit wary of the
noise that many reviewers report as my rig is already quite noisey. Another
person recommended the Electro Harmonix 2880 or their 16 second delay (and
mentioned that the original lexicon jamman and the electrix repeater also
had a function to set the feedback). I'm glad to know that I what I want
does indeed exist and for the help in narrowing it down. Now I can return
the looper I bought that I thought had a set-able feedback but does not
(digitech jamman). In looking at these other ones, I can't tell which ones
accept more than one type of input (e.g., instrument, mic, and line levels).
I would want at least the ability to use an instrument and a mic, although I
wouldn't necessarily need to be able to do both simultaneously, so long as I
got quick at switching.

Does anyone else out there want to weigh in on this issue before I spend the
money I don't have? The quest is for a looping pedal that takes both
instrument level and line level and which you can set the feedback for the
loops (versus having them loop infinitely). I currently do not have any rack
equipment, is that a bridge I want to cross? Is there anything else I should
be considering in a addition?

The ones mentioned so far are:

Gibson Echoplex
Boomerang plus
Electro-Harmonix 2820
Electro-Harmonix 16 second delay
Original Lexicon Jamman
Electrix Repeater

?????????????????????????????
THANKS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Eben

On 2/27/07, mike@michaelplishka.com <mike@michaelplishka.com> wrote:
>
> If I read you correctly, the Gibson EDP does what you want and tons more!
> I upgraded from a Boomerang plus which does have the decay but you pick it
> ahead of time (i.e. 20 reps, 10, 1 or infinite I beleive)
>
> my 2 cents...
>
> Plish
>
> www.myspace.com/michaelplishka
> www.myspace.com/bohdanovich
> www.michaelplishka.com
>
> > The only things that I know of that will do what you
> > describe are delay pedals.  I think the Giga delay
> > would be your best bet, but I'd also read somewhere
> > that this one artist(I can't remebmer his name) uses
> > Eventide rack mount processors set up with an
> > algorhythm that was set with a 95% feedback so that
> > his loops would decay over time. That sounds more like
> > what you want, but that stuff is way expensive.  Other
> > than that, sounds like all you need is a digital delay
> > unit with copious anmounts of time and to be able to
> > set the  feedback setting as needed to make the loops
> > decay over time.
> > --- radio radio <radiotelevision@gmail.com> wrote:
> >
> >> I want to buy a pedal and get into looping but am
> >> having trouble
> >> figuring out which one will best meet my needs (and
> >> budget). I've
> >> learned a LOT from this web site, but still can't
> >> quite figure out
> >> everything and would really benefit from a human
> >> (albeit
> >> computer-mediated) interaction. Thanks in advance
> >> for taking the time
> >> to read this and respond - I hope that I will be
> >> able to "give back"
> >> some day when I know something worth while. Until
> >> then, I guess I
> >> should donate to this site if I get any responses.
> >>
> >> From what I've read and thought about, it looks like
> >> what will be the
> >> most important distinction for me is that the loops
> >> will be able to
> >> decay. In other words, you can lay down a loop, lay
> >> down another one
> >> on top, and then another, and so on, and eventually
> >> the first one dies
> >> out, then the second one, and so on. I imagine this
> >> working like a
> >> delay pedal in which you can set the decay (or is
> >> that called
> >> feedback?). So you could "morph" over time into new
> >> things, without
> >> being stuck with your original loops, and without
> >> having to open a new
> >> loop and start from scratch with only one new track
> >> each time  you
> >> wanted to change it up.
> >>
> >> The three pedals I've looked into are:
> >>
> >> BOSS RC20xl, Digitech Jamman, and BOSS DD-20 giga
> >> delay
> >>
> >> I thought the BOSS was it, but now I'm thinking that
> >> it doesn't allow
> >> this thing that I described. I can't tell if you can
> >> do this with the
> >> Jamman or not - does anyone know? You could do this
> >> with the DD-20,
> >> but I can't tell if you'd be able to set a
> >> loop/delay time up with
> >> your foot or not (versus having to set it to a
> >> certain number of
> >> seconds and then hope you can keep your riff to that
> >> length) or if
> >> there would be other difficulties that I'm not aware
> >> of if you're
> >> using this as a looping pedal when it's built to be
> >> a delay.
> >>
> >> Should I be considering a different pedal? I don't
> >> really need a delay
> >> pedal - I want a loop pedal that decays. I don't
> >> really need to be
> >> able to save my loops - I just want to be able to
> >> set them up on the
> >> fly. I don't need to be able to save them on my
> >> computer. I don't need
> >> to be able to plug in a separate mic or instrument
> >> in addition to the
> >> guitar, although that would be a definite bonus for
> >> me. I don't need a
> >> long amount of time - I'm guessing 23 seconds is
> >> plenty. I don't know
> >> if I need the ability to set up separate loops or
> >> not - I certainly
> >> wouldn't mind, but I don't know enough about using a
> >> looper yet to
> >> know about that. Also, how important is
> >> 'auto-quanitze'? Lastly, I
> >> don't have a lot of money to spend, so the echoplex
> >> is right out. The
> >> boomerang is also too expensive, and anyway I'm
> >> affraid of the noise
> >> issues that people have written about with that one.
> >> I haven't really
> >> learned about any other pedals out there.
> >>
> >> Thanks again!
> >> Eben
> >>
> >>
> >
> >
> >
> >
> >
> ____________________________________________________________________________________
> > No need to miss a message. Get email on-the-go
> > with Yahoo! Mail for Mobile. Get started.
> > http://mobile.yahoo.com/mail
> >
> >
>
>

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thanks for the replies! I think the Gibson EDP is out of my price range, unless I can find a rediculous deal on one on Ebay, but I am glad to know that that the Boomerang does have a decay - I did not realize that. Right now that may look like the best option, although I am a bit wary of the noise that many reviewers report as my rig is already quite noisey. Another person recommended the Electro Harmonix 2880 or their 16 second delay (and mentioned that the original lexicon jamman and the electrix repeater also had a function to set the feedback). I&#39;m glad to know that I what I want does indeed exist and for the help in narrowing it down. Now I can return the looper I bought that I thought had a set-able feedback but does not (digitech jamman). In looking at these other ones, I can&#39;t tell which ones accept more than one type of input (
e.g., instrument, mic, and line levels). I would want at least the ability to use an instrument and a mic, although I wouldn&#39;t necessarily need to be able to do both simultaneously, so long as I got quick at switching. 
<br><br>Does anyone else out there want to weigh in on this issue before I spend the money I don&#39;t have? The quest is for a looping pedal that takes both instrument level and line level and which you can set the feedback for the loops (versus having them loop infinitely). I currently do not have any rack equipment, is that a bridge I want to cross? Is there anything else I should be considering in a addition?
<br><br>The ones mentioned so far are:<br><br>Gibson Echoplex<br>Boomerang plus<br>Electro-Harmonix 2820<br>Electro-Harmonix 16 second delay<br>Original Lexicon Jamman<br>Electrix Repeater<br><br>?????????????????????????????
<br>THANKS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!<br><br>Eben<br><br><div><span class="gmail_quote">On 2/27/07, <b class="gmail_sendername"><a href="mailto:mike@michaelplishka.com">mike@michaelplishka.com</a></b>
 &lt;<a href="mailto:mike@michaelplishka.com">mike@michaelplishka.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">If I read you correctly, the Gibson EDP does what you want and tons more!
<br>I upgraded from a Boomerang plus which does have the decay but you pick it<br>ahead of time (i.e. 20 reps, 10, 1 or infinite I beleive)<br><br>my 2 cents...<br><br>Plish<br><br><a href="http://www.myspace.com/michaelplishka">
www.myspace.com/michaelplishka</a><br><a href="http://www.myspace.com/bohdanovich">www.myspace.com/bohdanovich</a><br><a href="http://www.michaelplishka.com">www.michaelplishka.com</a><br><br>&gt; The only things that I know of that will do what you
<br>&gt; describe are delay pedals.&nbsp;&nbsp;I think the Giga delay<br>&gt; would be your best bet, but I&#39;d also read somewhere<br>&gt; that this one artist(I can&#39;t remebmer his name) uses<br>&gt; Eventide rack mount processors set up with an
<br>&gt; algorhythm that was set with a 95% feedback so that<br>&gt; his loops would decay over time. That sounds more like<br>&gt; what you want, but that stuff is way expensive.&nbsp;&nbsp;Other<br>&gt; than that, sounds like all you need is a digital delay
<br>&gt; unit with copious anmounts of time and to be able to<br>&gt; set the&nbsp;&nbsp;feedback setting as needed to make the loops<br>&gt; decay over time.<br>&gt; --- radio radio &lt;<a href="mailto:radiotelevision@gmail.com">radiotelevision@gmail.com
</a>&gt; wrote:<br>&gt;<br>&gt;&gt; I want to buy a pedal and get into looping but am<br>&gt;&gt; having trouble<br>&gt;&gt; figuring out which one will best meet my needs (and<br>&gt;&gt; budget). I&#39;ve<br>&gt;&gt; learned a LOT from this web site, but still can&#39;t
<br>&gt;&gt; quite figure out<br>&gt;&gt; everything and would really benefit from a human<br>&gt;&gt; (albeit<br>&gt;&gt; computer-mediated) interaction. Thanks in advance<br>&gt;&gt; for taking the time<br>&gt;&gt; to read this and respond - I hope that I will be
<br>&gt;&gt; able to &quot;give back&quot;<br>&gt;&gt; some day when I know something worth while. Until<br>&gt;&gt; then, I guess I<br>&gt;&gt; should donate to this site if I get any responses.<br>&gt;&gt;<br>&gt;&gt; From what I&#39;ve read and thought about, it looks like
<br>&gt;&gt; what will be the<br>&gt;&gt; most important distinction for me is that the loops<br>&gt;&gt; will be able to<br>&gt;&gt; decay. In other words, you can lay down a loop, lay<br>&gt;&gt; down another one<br>&gt;&gt; on top, and then another, and so on, and eventually
<br>&gt;&gt; the first one dies<br>&gt;&gt; out, then the second one, and so on. I imagine this<br>&gt;&gt; working like a<br>&gt;&gt; delay pedal in which you can set the decay (or is<br>&gt;&gt; that called<br>&gt;&gt; feedback?). So you could &quot;morph&quot; over time into new
<br>&gt;&gt; things, without<br>&gt;&gt; being stuck with your original loops, and without<br>&gt;&gt; having to open a new<br>&gt;&gt; loop and start from scratch with only one new track<br>&gt;&gt; each time&nbsp;&nbsp;you<br>&gt;&gt; wanted to change it up.
<br>&gt;&gt;<br>&gt;&gt; The three pedals I&#39;ve looked into are:<br>&gt;&gt;<br>&gt;&gt; BOSS RC20xl, Digitech Jamman, and BOSS DD-20 giga<br>&gt;&gt; delay<br>&gt;&gt;<br>&gt;&gt; I thought the BOSS was it, but now I&#39;m thinking that
<br>&gt;&gt; it doesn&#39;t allow<br>&gt;&gt; this thing that I described. I can&#39;t tell if you can<br>&gt;&gt; do this with the<br>&gt;&gt; Jamman or not - does anyone know? You could do this<br>&gt;&gt; with the DD-20,
<br>&gt;&gt; but I can&#39;t tell if you&#39;d be able to set a<br>&gt;&gt; loop/delay time up with<br>&gt;&gt; your foot or not (versus having to set it to a<br>&gt;&gt; certain number of<br>&gt;&gt; seconds and then hope you can keep your riff to that
<br>&gt;&gt; length) or if<br>&gt;&gt; there would be other difficulties that I&#39;m not aware<br>&gt;&gt; of if you&#39;re<br>&gt;&gt; using this as a looping pedal when it&#39;s built to be<br>&gt;&gt; a delay.<br>&gt;&gt;
<br>&gt;&gt; Should I be considering a different pedal? I don&#39;t<br>&gt;&gt; really need a delay<br>&gt;&gt; pedal - I want a loop pedal that decays. I don&#39;t<br>&gt;&gt; really need to be<br>&gt;&gt; able to save my loops - I just want to be able to
<br>&gt;&gt; set them up on the<br>&gt;&gt; fly. I don&#39;t need to be able to save them on my<br>&gt;&gt; computer. I don&#39;t need<br>&gt;&gt; to be able to plug in a separate mic or instrument<br>&gt;&gt; in addition to the
<br>&gt;&gt; guitar, although that would be a definite bonus for<br>&gt;&gt; me. I don&#39;t need a<br>&gt;&gt; long amount of time - I&#39;m guessing 23 seconds is<br>&gt;&gt; plenty. I don&#39;t know<br>&gt;&gt; if I need the ability to set up separate loops or
<br>&gt;&gt; not - I certainly<br>&gt;&gt; wouldn&#39;t mind, but I don&#39;t know enough about using a<br>&gt;&gt; looper yet to<br>&gt;&gt; know about that. Also, how important is<br>&gt;&gt; &#39;auto-quanitze&#39;? Lastly, I
<br>&gt;&gt; don&#39;t have a lot of money to spend, so the echoplex<br>&gt;&gt; is right out. The<br>&gt;&gt; boomerang is also too expensive, and anyway I&#39;m<br>&gt;&gt; affraid of the noise<br>&gt;&gt; issues that people have written about with that one.
<br>&gt;&gt; I haven&#39;t really<br>&gt;&gt; learned about any other pedals out there.<br>&gt;&gt;<br>&gt;&gt; Thanks again!<br>&gt;&gt; Eben<br>&gt;&gt;<br>&gt;&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt; ____________________________________________________________________________________
<br>&gt; No need to miss a message. Get email on-the-go<br>&gt; with Yahoo! Mail for Mobile. Get started.<br>&gt; <a href="http://mobile.yahoo.com/mail">http://mobile.yahoo.com/mail</a><br>&gt;<br>&gt;<br><br></blockquote>
</div><br>

------=_Part_227934_1509486.1173382578899--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 19:48:48 2007
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Date: Thu, 8 Mar 2007 11:48:45 -0800 (PST)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: mp3 clip posted
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wow, that's a lot of gear, sounds very expensive.  At
the moment, becaue I play in a conventional band, I'm
working on getting my computer set up armed with the
latest version of Cubase so I can record our album.  I
tend to play some keys, so I would be using the MIDI
to play the VST organ and synths.  I'd love to put
together a band of sorts, involving an electronic
percussionist, and a keyboard player, and I'd loop
between guitar and bass.  Anyway, you definitely know
how to make it work, you do good stuff.
--- Per Boysen <perboysen@gmail.com> wrote:

> >  http://www.looproom.com/aol/01_Patterns.mp3
> 
> 
> On 8 mar 2007, at 18.36, Brian Kupferschmid wrote:
> 
> > I noticed that, I also was caught up in the beat. 
> If
> > I'm not mistaken, I thought I heard a bit of
> LaFosse
> > influence in there, must be the EDP functions and
> your
> > use of them.   Again, incredible stuff, sounds
> like
> > I'd better save my pennies and get an EDP, because
> > after hearing that, sounds like nothing else will
> do.
> > How did you run the wah pedal?  It sounds like a
> > filter instead of a regular wah sound, like you
> ran it
> > through an effects loop rather than pre input,
> well
> > being that you were probably miked, that's about
> the
> > only way to do it.  My current pedalboard has two
> wahs
> > on it one is post preamp for that filtery sound. 
> When
> > I finally can immerse myself into looping, I
> thought
> > about the possibility to use loopers throughout my
> > chain, for instance, one up front, so that my
> effects
> > can process the loop, and then one in back to
> capture
> > it for layering of tracks. How do you run your
> chain
> > for your set up?
> 
> 
> You're asking how I'm running my chain for "my set
> up", but fact is  
> that the "Patterns" piece was not produced with the
> live concert set  
> up I'm using today (I use a couple, actually), so I
> need to deal with  
> the questions on at a time. This "Patterns" was a
> live looping EDP  
> improvisation that were recorded in a studio. That
> environment gives  
> you more control than performing live on stage. The
> studio routing  
> was as this:
> 
> - Sax mic were split into two parallel lines.
> - One sax signal going into one track on a
> multitrack recorder (Logic  
> Pro on a computer with many audio inputs).
> - Another sax signal going into the EDP.
> - The EDP loop output going into another track on
> the multitrack  
> recorder.
> - The tempo set in Logic and the EDP syncing by MIDI
> clock.
> - A Behringer FCB1010 MIDI pedal board was used for
> controlling the EDP.
> - A software wha pedal simulation was opened on the
> Logic track where  
> the direct sax was recorded (so the wha would not
> affect the audio  
> looped on the EDP). I used the FCB1010's expression
> pedal to work  
> that wha filter (yes, you are correct that I set it
> more as a filter  
> than as the usual Cry Baby or Vox wha simulation
> patches.
> 
> Ok, those were the routings. So when playing I
> recorded two mono  
> tracks: direct sax signal and EDP loops. Two other
> tracks were  
> already recorded: Speach and percussion. I was
> listening to these as  
> guidance for my improvisation. Functions used in the
> EDP were  
> Overdub, SUSSubstitute (I guess that is the
> character you have heard  
> in André LaFosse music), Speed and direct addressing
> of the three loops.
> 
> Finally, the recorded track of the EDP loops were
> split up in Logic  
> to enter many different dynamic filterbanks. As I
> remember a bunch of  
> Ohmforce Quadfrohmage. The pad like sound (where the
> sax is going for  
> a long note and the percussion stops) was created in
> the mix by  
> sending the sax signal (not the EDP looping) through
> some Cycling74  
> Pluggo effects (Rye and SpeedShifter, I think).
> 
> So the effect processing were not done all the way
> at the moment of  
> playing the looper and instrument.
> 
> -----------------
> > How do you run your chain
> > for your set up?
> 
> If that addresses a live concert set up (guessing so
> because you  
> mentioned your two wha pedal live setup) I'm doing
> it much more  
> simple these days. Instrument going into an effect
> processor going  
> into a laptop going into an analog stereo compressor
> going into the  
> PA system. The laptop is loaded with Mobius (which
> in essence is a  
> bunch of virtual stereo EDPs with a lot added
> functionality) and a  
> little bit of reverb added to the looper output.
> Mobius is picking up  
> the tempo I play in (by the length of the first loop
> I make) and also  
> sending out MIDI Clock to my effect processor (so I
> can sync or  
> desync delays and rhythmical filtering etc). I like
> this set up  
> because it works well with flute, sax, guitar and
> EWI played with the  
> built-in sounds.
> 
> The http://www.looproom.com/audio/abc.mp3 though was
> not done on that  
> set up but on the laptop only, running Guitar Rig 2
> into Mobius. I  
> don't like the sound of Guitar Rig 2 so I don't
> think I will use it  
> more.
> 
> A third se up is playing MIDI with an EWI into Logic
> on one laptop  
> and looping it in Mobius on a second laptop. I think
> I will use that  
> a lot in the future.
> 
> Then there are all kind occasional systems mocked up
> by EDP and MIDI  
> synchronizable analog filterbank, but I only use
> them in the studio  
> (when I need some special sound) because they are
> too heavy to  
> transport to gigs.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/2kek7h (latest music release)
> 
> 
> 



 
____________________________________________________________________________________
We won't tell. Get more on shows you hate to love 
(and love to hate): Yahoo! TV's Guilty Pleasures list.
http://tv.yahoo.com/collections/265 

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 20:07:41 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: mp3 clip posted
Date: Thu, 8 Mar 2007 21:07:35 +0100
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On 8 mar 2007, at 20.48, Brian Kupferschmid wrote:
> wow, that's a lot of gear, sounds very expensive.

Not necessarily. Mobius is free and I'm doing a lot of recordings  
using only Mobius on a laptop.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 20:14:52 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: thanks...and another tune
Date: Thu, 8 Mar 2007 21:14:47 +0100
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On 8 mar 2007, at 14.22, simeon harris wrote:

> here is a new tune...
> http://www.simeonharris.co.uk/08_Mar_1644.mp3

A very nice piece! Listening to it makes me curios what it would  
sound like if you did an alternate mix without the drums and the bass  
line?  :-)   This is of course just a matter of taste, but I really  
like that fluffy stuff that for now is being beaten up by the beats.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


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Hey loop-meisters, I am looping with kyma tonight at FatBaby, in Lower 
Manhattan, if any of you are interested.

=======

Lucibel Crater
Thursday, March 8th, 10:00 PM at Fatbaby <http://fatbabynyc.com/>
112 Rivington St. between Ludlow & Essex
(212) 533-1888 - map 
<http://www.mapquest.com/maps/map.adp?address=112%20Rivington%20St&city=New%20York&state=NY&zipcode=10002%2d2259&country=US&title=112%20Rivington%20St%20New%20York%2c%20NY%2010002%2d2259%2c%20US&cid=lfmaplink2>
Cover: $7

featuring exciting visuals by Full Stealth 
<http://www.myspace.com/fullstealth>

with Pit Brothers at 8 and Anti-Elevator Mission 
<http://myspace.com/dannyzanker> at 11

========

If you haven't looked at it yet, go to http://lucibelcrater.com/ and 
check it out!


--------------040208000503090000070607
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
  <title></title>
</head>
<body bgcolor="#ffffff" text="#000000">
Hey loop-meisters, I am looping with kyma tonight at FatBaby, in Lower
Manhattan, if any of you are interested.<br>
<br>
=======<br>
<br>
Lucibel Crater<br>
<span class="emph">Thursday, March 8th, 10:00 PM at <a
 href="http://fatbabynyc.com/" target="_blank">Fatbaby</a></span><br>
112 Rivington St. between Ludlow &amp; Essex<br>
(212) 533-1888 - <a
 href="http://www.mapquest.com/maps/map.adp?address=112%20Rivington%20St&amp;city=New%20York&amp;state=NY&amp;zipcode=10002%2d2259&amp;country=US&amp;title=112%20Rivington%20St%20New%20York%2c%20NY%2010002%2d2259%2c%20US&amp;cid=lfmaplink2"
 target="_blank">map</a><br>
Cover: $7<br>
<br>
featuring exciting visuals by <a
 href="http://www.myspace.com/fullstealth">Full Stealth</a><br>
<br>
with Pit Brothers at 8 and <a href="http://myspace.com/dannyzanker">Anti-Elevator
Mission</a> at 11<br>
<br>
========<br>
<br>
If you haven't looked at it yet, go to
<a class="moz-txt-link-freetext" href="http://lucibelcrater.com/">http://lucibelcrater.com/</a>
and check it out!<br>
<br>
</body>
</html>

--------------040208000503090000070607--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 21:28:42 2007
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From: monk <monk@fuse.net>
Subject: stupid question number 12,439- URGENT
Date: Thu, 8 Mar 2007 16:28:25 -0500
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i've been combing the EDP manual for the midi spec.. i just want to  
use my midi pedals  instead of the proprietary thing. but i can't  
seem to find the obligatory table..

i have found them online for the echoplex plus? are they same for the  
loop5 version? anyone?


thanks in advance.



monk@Fuse.net


ric hordinski

www.richordinski.com

www.myspace.com/richordinskimusic

www.myspace.com/monasterystudio



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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><BR><DIV></DIV>i've been combing =
the EDP manual for the midi spec.. i just want to use my midi pedals=A0 =
instead of the proprietary thing. but i can't seem to find the =
obligatory table..<BR><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>i have found them online =
for the echoplex plus? are they same for the loop5 version? =
anyone?</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>thanks in =
advance.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><A =
href=3D"mailto:monk@Fuse.net">monk@Fuse.net</A>=A0</DIV><BR><BR><DIV> =
<SPAN class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV>ric =
hordinski</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.richordinski.com</DIV><DI=
V><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.myspace.com/richordinskim=
usic</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.myspace.com/monasterystud=
io</DIV><BR class=3D"Apple-interchange-newline"></SPAN> =
</DIV><BR></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 21:29:07 2007
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From: "aaron leese" <aaronleese@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: loop sync semantics
Date: Thu, 08 Mar 2007 16:29:00 -0500
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I wonder ... Do you suppose we can come to a consensus on the words that 
most concisely describe these "looping modes" ... though I guess even that 
phrase is suspect ....

This requires a picture .....
please see http://www.flyloops.com/semantics/loopingmodes.html

Now for the questions:

1 - unsynced ..... this is what happens when you have two loop pedals in the 
same room, and neither one really cares when the other is doing.  We have 
all tried looping in a band setting and for many of us, we thought we would 
be slick enough to have two people looping and stay in sync ... sadly it 
doesnt work that way!

So .....

2 - full syncronization ..... more advanced looping devices started 
syncronizing loops ..... that is, you can tell the second (slave) loop pedal 
to only start or stop recording when the first throws a repeat.  This is the 
typical master/slave set ..... I think.

3 - partial syncronization ... latching ??? ...... Here the loops are also 
syncronized, but the pedal will start recording immediately once pressed 
.... it just knows to only stop recording/start playback when the master 
loop is at a certain offset .......



More importantly .... lets talk hardware .....

--- The RC20 and original boomeraang are of course, only layering ... so you 
could think of this as full syncronization but without the ability to have 
phrases of different lengths, or to turn phrases on/off once recorded .....

----  The RC50 has 3 loop banks ... They are unsynced I believe ???  Or you 
can set a midi clock and preprogram a length??  Can they be different 
lengths then, but synced (like the EDP multiply function?).  Forgive me, but 
I haven't checked one out yet.

----  If you have the cash two EDPS, you can have a master slave and set up 
the EDPs as fully synced ....

----  Mobius behaves as fully synced I believe ... though I have only used 
it a little.  Do you have to preprogram the loop length, or can it just work 
off the length of the recorded "master" loop, and then go from there ....

----  Does anything do that other one ..... partial synced / latching .... I 
imagine Ableton could with some work .....


Anyway .... I look forward to the responses .... lemme know what you think 
the proper words area here for what I call synced/ unsynced/ latching modes 
......

_________________________________________________________________
Win a Zune™—make MSN® your homepage for your chance to win! 
http://homepage.msn.com/zune?icid=hmetagline

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 21:30:58 2007
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If you've got the latest version of the EDP software on a beige
Oberheim/Gibson unit, it's the same as the EDP+ from a MIDI standpoint.

On 3/8/07, monk <monk@fuse.net> wrote:
>
>
> i've been combing the EDP manual for the midi spec.. i just want to use my
> midi pedals  instead of the proprietary thing. but i can't seem to find the
> obligatory table..
>
> i have found them online for the echoplex plus? are they same for the
> loop5 version? anyone?
>
>

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If you&#39;ve got the latest version of the EDP software on a beige Oberheim/Gibson unit, it&#39;s the same as the EDP+ from a MIDI standpoint.<br><br><div><span class="gmail_quote">On 3/8/07, <b class="gmail_sendername">monk
</b> &lt;<a href="mailto:monk@fuse.net">monk@fuse.net</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=""><br>
<div></div>i&#39;ve been combing the EDP manual for the midi spec.. i just want to use my midi pedals&nbsp; instead of the proprietary thing. but i can&#39;t seem to find the obligatory table..<br><div><br></div><div>i have found them online for the echoplex plus? are they same for the loop5 version? anyone?
</div><br></div></blockquote></div><br>

------=_Part_121996_19472065.1173389454646--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 21:32:39 2007
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From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: gigs in Madrid, and accomodation suggestions... 
Date: Thu, 8 Mar 2007 21:32:45 +0000
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Hey loopists,

I've got two gigs in Madrid next week - on Tuesday at a club called  
Tempo, with Lobelia - www.myspace.com/lobeliamusic (much bass and  
vocal loopage...) and then solo at Bar-Co on Thursday. If you're in  
Madrid, please come down!

Also, if anyone in Madrid, can suggest cheap places to stay in the  
city, we're looking for accomodation... email me offlist if you have  
any ideas.

thanks!

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Hey loopists,=A0<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I've got two gigs in Madrid =
next week - on Tuesday at a club called Tempo, with Lobelia - <A =
href=3D"http://www.myspace.com/lobeliamusic">www.myspace.com/lobeliamusic<=
/A> (much bass and vocal loopage...) and then solo at Bar-Co on =
Thursday. If you're in Madrid, please come down!=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Also, if anyone in Madrid, =
can suggest cheap places to stay in the city, we're looking for =
accomodation... email me offlist if you have any ideas.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>thanks!=A0</DIV><DIV><BR><DIV=
> <SPAN class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; =
"><DIV>Steve</DIV><DIV>www.stevelawson.net - =
site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccollec=
tive.org</A> - =
blog</DIV><DIV>www.myspace.com/solobassstevelawson</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
PAN> </DIV><BR></DIV></BODY></HTML>=

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get a rang and a small mixer.....michael


http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com


-----Original Message-----


Does anyone else out there want to weigh in on this issue before I 
spend the money I don't have? ?????????????????????????????
THANKS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Eben


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From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 22:09:22 2007
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From: monk <monk@fuse.net>
Subject: midi spec for original EDP?
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i have the original software, sadly. i've been trying to track down a  
phone number to order the upgrade... anyone?

the manual i have absolutely doesn't have the midi spec and when i  
try the "plus" version (note D on) it doesn't work. anyone have the  
midi spec for the original version?






On Mar 8, 2007, at 4:30 PM, Travis Hartnett wrote:

> If you've got the latest version of the EDP software on a beige  
> Oberheim/Gibson unit, it's the same as the EDP+ from a MIDI  
> standpoint.
>
> On 3/8/07, monk <monk@fuse.net> wrote:
>
> i've been combing the EDP manual for the midi spec.. i just want to  
> use my midi pedals  instead of the proprietary thing. but i can't  
> seem to find the obligatory table..
>
> i have found them online for the echoplex plus? are they same for  
> the loop5 version? anyone?
>
>

ric hordinski

www.richordinski.com

www.myspace.com/richordinskimusic

www.myspace.com/monasterystudio



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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">i have the original software, =
sadly. i've been trying to track down a phone number to order the =
upgrade... anyone?<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>the manual i have =
absolutely doesn't have the midi spec and when i try the "plus" version =
(note D on) it doesn't work. anyone have the midi spec for the original =
version?</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Mar 8, =
2007, at 4:30 PM, Travis Hartnett wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite">If you've =
got the latest version of the EDP software on a beige Oberheim/Gibson =
unit, it's the same as the EDP+ from a MIDI =
standpoint.<BR><BR><DIV><SPAN class=3D"gmail_quote">On 3/8/07, <B =
class=3D"gmail_sendername">monk </B> &lt;<A =
href=3D"mailto:monk@fuse.net">monk@fuse.net</A>&gt; =
wrote:</SPAN><BLOCKQUOTE class=3D"gmail_quote" style=3D"border-left: 1px =
solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: =
1ex;"><DIV style=3D""><BR> <DIV></DIV>i've been combing the EDP manual =
for the midi spec.. i just want to use my midi pedals=A0 instead of the =
proprietary thing. but i can't seem to find the obligatory =
table..<BR><DIV><BR></DIV><DIV>i have found them online for the echoplex =
plus? are they same for the loop5 version? anyone? =
</DIV><BR></DIV></BLOCKQUOTE></DIV><BR></BLOCKQUOTE></DIV><BR><DIV> =
<SPAN class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV>ric =
hordinski</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.richordinski.com</DIV><DI=
V><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.myspace.com/richordinskim=
usic</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.myspace.com/monasterystud=
io</DIV><BR class=3D"Apple-interchange-newline"></SPAN> =
</DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-77--336467019--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 22:16:54 2007
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Did y'all play for him?

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 22:23:09 2007
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Subject: Re: midi spec for original EDP?
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The upgrade is available via Aurisis:

http://www.aurisis.com/products/loopIV/loopIVorder.html

They don't do orders by phone.

I've never seen a MIDI spec for the old software, other than the info
sprinkled through the manual.  What specifically are you trying to do via
MIDI?

On 3/8/07, monk <monk@fuse.net> wrote:
>
> i have the original software, sadly. i've been trying to track down a
> phone number to order the upgrade... anyone?
> the manual i have absolutely doesn't have the midi spec and when i try the
> "plus" version (note D on) it doesn't work. anyone have the midi spec for
> the original version?
>
>
>
>

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The upgrade is available via Aurisis:<br><br><a href="http://www.aurisis.com/products/loopIV/loopIVorder.html">http://www.aurisis.com/products/loopIV/loopIVorder.html</a><br><br>They don&#39;t do orders by phone.<br><br>I&#39;ve never seen a MIDI spec for the old software, other than the info sprinkled through the manual.&nbsp; What specifically are you trying to do via MIDI?
<br><br><div><span class="gmail_quote">On 3/8/07, <b class="gmail_sendername">monk</b> &lt;<a href="mailto:monk@fuse.net">monk@fuse.net</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div style="">i have the original software, sadly. i&#39;ve been trying to track down a phone number to order the upgrade... anyone?<div><br></div><div>the manual i have absolutely doesn&#39;t have the midi spec and when i try the &quot;plus&quot; version (note D on) it doesn&#39;t work. anyone have the midi spec for the original version?
</div><div><br></div><div><br></div><br></div></blockquote></div><br>

------=_Part_122456_19525230.1173392586329--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 22:32:07 2007
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i set my air/synth at a slower speed and had it play a loop.....sent 
that to my rang.....and also to my mo-fx.....3 asyncranous (sp) loops 
that went of into different alesis boxes.....good clean non-midi 
fun.....got me dancin' naked in a cold room.....midi is for 
sissies!.....:).....michael


http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 22:35:34 2007
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Subject: Re: loop sync semantics
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well done, aaron! nice graphics.
all the best, tilmann

----- Original Message ----- 
From: "aaron leese" <aaronleese@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 08, 2007 10:29 PM
Subject: loop sync semantics


>
> I wonder ... Do you suppose we can come to a consensus on the words that 
> most concisely describe these "looping modes" ... though I guess even that 
> phrase is suspect ....
>
> This requires a picture .....
> please see http://www.flyloops.com/semantics/loopingmodes.html
>
> Now for the questions:
>
> 1 - unsynced ..... this is what happens when you have two loop pedals in 
> the same room, and neither one really cares when the other is doing.  We 
> have all tried looping in a band setting and for many of us, we thought we 
> would be slick enough to have two people looping and stay in sync ... 
> sadly it doesnt work that way!
>
> So .....
>
> 2 - full syncronization ..... more advanced looping devices started 
> syncronizing loops ..... that is, you can tell the second (slave) loop 
> pedal to only start or stop recording when the first throws a repeat. 
> This is the typical master/slave set ..... I think.
>
> 3 - partial syncronization ... latching ??? ...... Here the loops are also 
> syncronized, but the pedal will start recording immediately once pressed 
> .... it just knows to only stop recording/start playback when the master 
> loop is at a certain offset .......
>
>
>
> More importantly .... lets talk hardware .....
>
> --- The RC20 and original boomeraang are of course, only layering ... so 
> you could think of this as full syncronization but without the ability to 
> have phrases of different lengths, or to turn phrases on/off once recorded 
> .....
>
> ----  The RC50 has 3 loop banks ... They are unsynced I believe ???  Or 
> you can set a midi clock and preprogram a length??  Can they be different 
> lengths then, but synced (like the EDP multiply function?).  Forgive me, 
> but I haven't checked one out yet.
>
> ----  If you have the cash two EDPS, you can have a master slave and set 
> up the EDPs as fully synced ....
>
> ----  Mobius behaves as fully synced I believe ... though I have only used 
> it a little.  Do you have to preprogram the loop length, or can it just 
> work off the length of the recorded "master" loop, and then go from there 
> ....
>
> ----  Does anything do that other one ..... partial synced / latching .... 
> I imagine Ableton could with some work .....
>
>
> Anyway .... I look forward to the responses .... lemme know what you think 
> the proper words area here for what I call synced/ unsynced/ latching 
> modes ......
>
> _________________________________________________________________
> Win a ZuneT-make MSN® your homepage for your chance to win! 
> http://homepage.msn.com/zune?icid=hmetagline
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 22:42:06 2007
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try that

http://www.loopersdelight.com/tools/echoplex/PLEX_MIDI_COMMANDS.zip

Claude



> 
> i've been combing the EDP manual for the midi spec.. i just want to  
> use my midi pedals  instead of the proprietary thing. but i can't  
> seem to find the obligatory table..
> 
> i have found them online for the echoplex plus? are they same for the  
> loop5 version? anyone?
> 
> 
> thanks in advance.
> 
> 
> 
> monk@Fuse.net
> 
> 
> ric hordinski
> 
> www.richordinski.com
> 
> www.myspace.com/richordinskimusic
> 
> www.myspace.com/monasterystudio
> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 22:44:59 2007
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References: <BAY129-F141D143F3FF2BDB81955C5C3790@phx.gbl>
Subject: Re: Audient
Date: Thu, 8 Mar 2007 23:45:27 +0100
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we have this rule: my quartet plays only, if there is more people in the 
audience then on stage.
when there is only five people present, we kindly ask them to introduce 
themselves.
once we dedicated each piece to one of the listeners.
it was fun. sometimes these mini crowds can be great.

(once i played a duo concert for my mother, my girlfriend and the organizer.
it was election night - no wonder nobody showed up.)

tilmann

----- Original Message ----- 
From: "samba -" <sambacomet@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 08, 2007 11:16 PM
Subject: Audient


> Did y'all play for him?
>
> _________________________________________________________________
> Find a local pizza place, movie theater, and more..then map the best 
> route! http://maps.live.com/?icid=hmtag1&FORM=MGAC01
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar  8 22:48:11 2007
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Date: Thu, 8 Mar 2007 14:48:09 -0800 (PST)
From: rabbirabbifive <rabbirabbi5@yahoo.com>
Subject: Re: Stupid Question
To: Loopers-Delight@loopers-delight.com
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>i've been combing the EDP manual for the midi spec.. i just want to
use >my midi pedals  instead of the proprietary thing. but i can't seem
to >find the obligatory table..

>i have found them online for the echoplex plus? are they same for the
>loop5 version? anyone?


>thanks in advance.

IIRC in loop 3 you can assign midi note equivalents for the front panel
buttons.  1st button is midi note x (whatever you assign), next button
over is note x+1 and so on.  Someone w/ a loop3 manual please chime in
w/ specifics. 

Loop 4 has much more extensive midi control.


 
____________________________________________________________________________________
Food fight? Enjoy some healthy debate 
in the Yahoo! Answers Food & Drink Q&A.
http://answers.yahoo.com/dir/?link=list&sid=396545367

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On 3/8/07, rabbirabbifive <rabbirabbi5@yahoo.com> wrote:
>
>
> IIRC in loop 3 you can assign midi note equivalents for the front panel
> buttons.  1st button is midi note x (whatever you assign), next button
> over is note x+1 and so on.  Someone w/ a loop3 manual please chime in
> w/ specifics.
>

p.95 of the manual:

Default: 36 Source #
Parameter Row: MIDI
Determines the starting note number, or controller number, for
MIDI control of Echoplex operations.
Values: 0-99
When ControlSource is set to Notes,each press of an Echoplexbutton will
send a pair of Note On messages out the MIDIOut port; when
ControlSource is set to Controllers, a pair of Control Change messages will
be sent instead. This parameter determines the note or controller
number associated with the Parameter button. Other buttons are
assigned to notes or controllers based on the table below. In the table,
"n" is assumed to represent the Parameter button (n other words,
Source #). The numbers in parentheses are based on the default value of
36 for Source #.
Parameters n      (36)
Record n+2 (38)
Overdub n+3 (39)
Multiply n+4 (40)
Insert n+5 (41)
Mute n+6 (42)
Undo n+7 (43)
NextLoop n+8 (44)

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From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 01:38:16 2007
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References: <444811.64669.qm@web34310.mail.mud.yahoo.com> <56432.167.83.10.20.1172595103.squirrel@www.michaelplishka.com> <fadf3ffe0703081136i2dd51b21y2a71ec60e6de5da@mail.gmail.com>
Subject: Re: looping pedal with decay?
Date: Fri, 9 Mar 2007 09:38:04 +0800
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just in case you dont know ...the rc50 does true feedback but relies on =
an external mixer to acheive this.....although i havent tried this out =
for myself yet....but others have and apparently it works.

what also makes this interesting is that you can put effects on that =
decay loop.
  ----- Original Message -----=20
  From: radio radio=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, March 09, 2007 3:36 AM
  Subject: Re: looping pedal with decay?


  thanks for the replies! I think the Gibson EDP is out of my price =
range, unless I can find a rediculous deal on one on Ebay, but I am glad =
to know that that the Boomerang does have a decay - I did not realize =
that. Right now that may look like the best option, although I am a bit =
wary of the noise that many reviewers report as my rig is already quite =
noisey. Another person recommended the Electro Harmonix 2880 or their 16 =
second delay (and mentioned that the original lexicon jamman and the =
electrix repeater also had a function to set the feedback). I'm glad to =
know that I what I want does indeed exist and for the help in narrowing =
it down. Now I can return the looper I bought that I thought had a =
set-able feedback but does not (digitech jamman). In looking at these =
other ones, I can't tell which ones accept more than one type of input ( =
e.g., instrument, mic, and line levels). I would want at least the =
ability to use an instrument and a mic, although I wouldn't necessarily =
need to be able to do both simultaneously, so long as I got quick at =
switching.=20

  Does anyone else out there want to weigh in on this issue before I =
spend the money I don't have? The quest is for a looping pedal that =
takes both instrument level and line level and which you can set the =
feedback for the loops (versus having them loop infinitely). I currently =
do not have any rack equipment, is that a bridge I want to cross? Is =
there anything else I should be considering in a addition?=20

  The ones mentioned so far are:

  Gibson Echoplex
  Boomerang plus
  Electro-Harmonix 2820
  Electro-Harmonix 16 second delay
  Original Lexicon Jamman
  Electrix Repeater

  ?????????????????????????????=20
  THANKS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

  Eben


  On 2/27/07, mike@michaelplishka.com <mike@michaelplishka.com> wrote:
    If I read you correctly, the Gibson EDP does what you want and tons =
more!=20
    I upgraded from a Boomerang plus which does have the decay but you =
pick it
    ahead of time (i.e. 20 reps, 10, 1 or infinite I beleive)

    my 2 cents...

    Plish

    www.myspace.com/michaelplishka
    www.myspace.com/bohdanovich
    www.michaelplishka.com

    > The only things that I know of that will do what you=20
    > describe are delay pedals.  I think the Giga delay
    > would be your best bet, but I'd also read somewhere
    > that this one artist(I can't remebmer his name) uses
    > Eventide rack mount processors set up with an=20
    > algorhythm that was set with a 95% feedback so that
    > his loops would decay over time. That sounds more like
    > what you want, but that stuff is way expensive.  Other
    > than that, sounds like all you need is a digital delay=20
    > unit with copious anmounts of time and to be able to
    > set the  feedback setting as needed to make the loops
    > decay over time.
    > --- radio radio <radiotelevision@gmail.com > wrote:
    >
    >> I want to buy a pedal and get into looping but am
    >> having trouble
    >> figuring out which one will best meet my needs (and
    >> budget). I've
    >> learned a LOT from this web site, but still can't=20
    >> quite figure out
    >> everything and would really benefit from a human
    >> (albeit
    >> computer-mediated) interaction. Thanks in advance
    >> for taking the time
    >> to read this and respond - I hope that I will be=20
    >> able to "give back"
    >> some day when I know something worth while. Until
    >> then, I guess I
    >> should donate to this site if I get any responses.
    >>
    >> From what I've read and thought about, it looks like=20
    >> what will be the
    >> most important distinction for me is that the loops
    >> will be able to
    >> decay. In other words, you can lay down a loop, lay
    >> down another one
    >> on top, and then another, and so on, and eventually=20
    >> the first one dies
    >> out, then the second one, and so on. I imagine this
    >> working like a
    >> delay pedal in which you can set the decay (or is
    >> that called
    >> feedback?). So you could "morph" over time into new=20
    >> things, without
    >> being stuck with your original loops, and without
    >> having to open a new
    >> loop and start from scratch with only one new track
    >> each time  you
    >> wanted to change it up.=20
    >>
    >> The three pedals I've looked into are:
    >>
    >> BOSS RC20xl, Digitech Jamman, and BOSS DD-20 giga
    >> delay
    >>
    >> I thought the BOSS was it, but now I'm thinking that=20
    >> it doesn't allow
    >> this thing that I described. I can't tell if you can
    >> do this with the
    >> Jamman or not - does anyone know? You could do this
    >> with the DD-20,=20
    >> but I can't tell if you'd be able to set a
    >> loop/delay time up with
    >> your foot or not (versus having to set it to a
    >> certain number of
    >> seconds and then hope you can keep your riff to that=20
    >> length) or if
    >> there would be other difficulties that I'm not aware
    >> of if you're
    >> using this as a looping pedal when it's built to be
    >> a delay.
    >>=20
    >> Should I be considering a different pedal? I don't
    >> really need a delay
    >> pedal - I want a loop pedal that decays. I don't
    >> really need to be
    >> able to save my loops - I just want to be able to=20
    >> set them up on the
    >> fly. I don't need to be able to save them on my
    >> computer. I don't need
    >> to be able to plug in a separate mic or instrument
    >> in addition to the=20
    >> guitar, although that would be a definite bonus for
    >> me. I don't need a
    >> long amount of time - I'm guessing 23 seconds is
    >> plenty. I don't know
    >> if I need the ability to set up separate loops or=20
    >> not - I certainly
    >> wouldn't mind, but I don't know enough about using a
    >> looper yet to
    >> know about that. Also, how important is
    >> 'auto-quanitze'? Lastly, I=20
    >> don't have a lot of money to spend, so the echoplex
    >> is right out. The
    >> boomerang is also too expensive, and anyway I'm
    >> affraid of the noise
    >> issues that people have written about with that one.=20
    >> I haven't really
    >> learned about any other pedals out there.
    >>
    >> Thanks again!
    >> Eben
    >>
    >>
    >
    >
    >
    >
    > =
_________________________________________________________________________=
___________=20
    > No need to miss a message. Get email on-the-go
    > with Yahoo! Mail for Mobile. Get started.
    > http://mobile.yahoo.com/mail
    >
    >




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<DIV><FONT face=3DArial size=3D2>just in case you dont know ...the rc50 =
does true=20
feedback but relies on an external mixer to acheive this.....although i =
havent=20
tried this out for myself yet....but others have and apparently it=20
works.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>what also makes this interesting is =
that you can=20
put effects on that decay loop.</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dradiotelevision@gmail.com=20
  href=3D"mailto:radiotelevision@gmail.com">radio radio</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, March 09, 2007 =
3:36=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: looping pedal with =

  decay?</DIV>
  <DIV><BR></DIV>thanks for the replies! I think the Gibson EDP is out =
of my=20
  price range, unless I can find a rediculous deal on one on Ebay, but I =
am glad=20
  to know that that the Boomerang does have a decay - I did not realize =
that.=20
  Right now that may look like the best option, although I am a bit wary =
of the=20
  noise that many reviewers report as my rig is already quite noisey. =
Another=20
  person recommended the Electro Harmonix 2880 or their 16 second delay =
(and=20
  mentioned that the original lexicon jamman and the electrix repeater =
also had=20
  a function to set the feedback). I'm glad to know that I what I want =
does=20
  indeed exist and for the help in narrowing it down. Now I can return =
the=20
  looper I bought that I thought had a set-able feedback but does not =
(digitech=20
  jamman). In looking at these other ones, I can't tell which ones =
accept more=20
  than one type of input ( e.g., instrument, mic, and line levels). I =
would want=20
  at least the ability to use an instrument and a mic, although I =
wouldn't=20
  necessarily need to be able to do both simultaneously, so long as I =
got quick=20
  at switching. <BR><BR>Does anyone else out there want to weigh in on =
this=20
  issue before I spend the money I don't have? The quest is for a =
looping pedal=20
  that takes both instrument level and line level and which you can set =
the=20
  feedback for the loops (versus having them loop infinitely). I =
currently do=20
  not have any rack equipment, is that a bridge I want to cross? Is =
there=20
  anything else I should be considering in a addition? <BR><BR>The ones=20
  mentioned so far are:<BR><BR>Gibson Echoplex<BR>Boomerang=20
  plus<BR>Electro-Harmonix 2820<BR>Electro-Harmonix 16 second =
delay<BR>Original=20
  Lexicon Jamman<BR>Electrix =
Repeater<BR><BR>?????????????????????????????=20
  =
<BR>THANKS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!<BR><BR>Eben<B=
R><BR>
  <DIV><SPAN class=3Dgmail_quote>On 2/27/07, <B =
class=3Dgmail_sendername><A=20
  =
href=3D"mailto:mike@michaelplishka.com">mike@michaelplishka.com</A></B> =
&lt;<A=20
  =
href=3D"mailto:mike@michaelplishka.com">mike@michaelplishka.com</A>&gt;=20
  wrote:</SPAN>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">If=20
    I read you correctly, the Gibson EDP does what you want and tons =
more! <BR>I=20
    upgraded from a Boomerang plus which does have the decay but you =
pick=20
    it<BR>ahead of time (i.e. 20 reps, 10, 1 or infinite I =
beleive)<BR><BR>my 2=20
    cents...<BR><BR>Plish<BR><BR><A=20
    =
href=3D"http://www.myspace.com/michaelplishka">www.myspace.com/michaelpli=
shka</A><BR><A=20
    =
href=3D"http://www.myspace.com/bohdanovich">www.myspace.com/bohdanovich</=
A><BR><A=20
    =
href=3D"http://www.michaelplishka.com">www.michaelplishka.com</A><BR><BR>=
&gt;=20
    The only things that I know of that will do what you <BR>&gt; =
describe are=20
    delay pedals.&nbsp;&nbsp;I think the Giga delay<BR>&gt; would be =
your best=20
    bet, but I'd also read somewhere<BR>&gt; that this one artist(I =
can't=20
    remebmer his name) uses<BR>&gt; Eventide rack mount processors set =
up with=20
    an <BR>&gt; algorhythm that was set with a 95% feedback so =
that<BR>&gt; his=20
    loops would decay over time. That sounds more like<BR>&gt; what you =
want,=20
    but that stuff is way expensive.&nbsp;&nbsp;Other<BR>&gt; than that, =
sounds=20
    like all you need is a digital delay <BR>&gt; unit with copious =
anmounts of=20
    time and to be able to<BR>&gt; set the&nbsp;&nbsp;feedback setting =
as needed=20
    to make the loops<BR>&gt; decay over time.<BR>&gt; --- radio radio =
&lt;<A=20
    href=3D"mailto:radiotelevision@gmail.com">radiotelevision@gmail.com =
</A>&gt;=20
    wrote:<BR>&gt;<BR>&gt;&gt; I want to buy a pedal and get into =
looping but=20
    am<BR>&gt;&gt; having trouble<BR>&gt;&gt; figuring out which one =
will best=20
    meet my needs (and<BR>&gt;&gt; budget). I've<BR>&gt;&gt; learned a =
LOT from=20
    this web site, but still can't <BR>&gt;&gt; quite figure =
out<BR>&gt;&gt;=20
    everything and would really benefit from a human<BR>&gt;&gt;=20
    (albeit<BR>&gt;&gt; computer-mediated) interaction. Thanks in=20
    advance<BR>&gt;&gt; for taking the time<BR>&gt;&gt; to read this and =
respond=20
    - I hope that I will be <BR>&gt;&gt; able to "give back"<BR>&gt;&gt; =
some=20
    day when I know something worth while. Until<BR>&gt;&gt; then, I =
guess=20
    I<BR>&gt;&gt; should donate to this site if I get any=20
    responses.<BR>&gt;&gt;<BR>&gt;&gt; From what I've read and thought =
about, it=20
    looks like <BR>&gt;&gt; what will be the<BR>&gt;&gt; most important=20
    distinction for me is that the loops<BR>&gt;&gt; will be able =
to<BR>&gt;&gt;=20
    decay. In other words, you can lay down a loop, lay<BR>&gt;&gt; down =
another=20
    one<BR>&gt;&gt; on top, and then another, and so on, and eventually=20
    <BR>&gt;&gt; the first one dies<BR>&gt;&gt; out, then the second =
one, and so=20
    on. I imagine this<BR>&gt;&gt; working like a<BR>&gt;&gt; delay =
pedal in=20
    which you can set the decay (or is<BR>&gt;&gt; that =
called<BR>&gt;&gt;=20
    feedback?). So you could "morph" over time into new <BR>&gt;&gt; =
things,=20
    without<BR>&gt;&gt; being stuck with your original loops, and=20
    without<BR>&gt;&gt; having to open a new<BR>&gt;&gt; loop and start =
from=20
    scratch with only one new track<BR>&gt;&gt; each=20
    time&nbsp;&nbsp;you<BR>&gt;&gt; wanted to change it up.=20
    <BR>&gt;&gt;<BR>&gt;&gt; The three pedals I've looked into=20
    are:<BR>&gt;&gt;<BR>&gt;&gt; BOSS RC20xl, Digitech Jamman, and BOSS =
DD-20=20
    giga<BR>&gt;&gt; delay<BR>&gt;&gt;<BR>&gt;&gt; I thought the BOSS =
was it,=20
    but now I'm thinking that <BR>&gt;&gt; it doesn't allow<BR>&gt;&gt; =
this=20
    thing that I described. I can't tell if you can<BR>&gt;&gt; do this =
with=20
    the<BR>&gt;&gt; Jamman or not - does anyone know? You could do=20
    this<BR>&gt;&gt; with the DD-20, <BR>&gt;&gt; but I can't tell if =
you'd be=20
    able to set a<BR>&gt;&gt; loop/delay time up with<BR>&gt;&gt; your =
foot or=20
    not (versus having to set it to a<BR>&gt;&gt; certain number =
of<BR>&gt;&gt;=20
    seconds and then hope you can keep your riff to that <BR>&gt;&gt; =
length) or=20
    if<BR>&gt;&gt; there would be other difficulties that I'm not=20
    aware<BR>&gt;&gt; of if you're<BR>&gt;&gt; using this as a looping =
pedal=20
    when it's built to be<BR>&gt;&gt; a delay.<BR>&gt;&gt; <BR>&gt;&gt; =
Should I=20
    be considering a different pedal? I don't<BR>&gt;&gt; really need a=20
    delay<BR>&gt;&gt; pedal - I want a loop pedal that decays. I=20
    don't<BR>&gt;&gt; really need to be<BR>&gt;&gt; able to save my =
loops - I=20
    just want to be able to <BR>&gt;&gt; set them up on the<BR>&gt;&gt; =
fly. I=20
    don't need to be able to save them on my<BR>&gt;&gt; computer. I =
don't=20
    need<BR>&gt;&gt; to be able to plug in a separate mic or=20
    instrument<BR>&gt;&gt; in addition to the <BR>&gt;&gt; guitar, =
although that=20
    would be a definite bonus for<BR>&gt;&gt; me. I don't need =
a<BR>&gt;&gt;=20
    long amount of time - I'm guessing 23 seconds is<BR>&gt;&gt; plenty. =
I don't=20
    know<BR>&gt;&gt; if I need the ability to set up separate loops or=20
    <BR>&gt;&gt; not - I certainly<BR>&gt;&gt; wouldn't mind, but I =
don't know=20
    enough about using a<BR>&gt;&gt; looper yet to<BR>&gt;&gt; know =
about that.=20
    Also, how important is<BR>&gt;&gt; 'auto-quanitze'? Lastly, I =
<BR>&gt;&gt;=20
    don't have a lot of money to spend, so the echoplex<BR>&gt;&gt; is =
right=20
    out. The<BR>&gt;&gt; boomerang is also too expensive, and anyway=20
    I'm<BR>&gt;&gt; affraid of the noise<BR>&gt;&gt; issues that people =
have=20
    written about with that one. <BR>&gt;&gt; I haven't =
really<BR>&gt;&gt;=20
    learned about any other pedals out there.<BR>&gt;&gt;<BR>&gt;&gt; =
Thanks=20
    again!<BR>&gt;&gt;=20
    Eben<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt; =

    =
_________________________________________________________________________=
___________=20
    <BR>&gt; No need to miss a message. Get email on-the-go<BR>&gt; with =
Yahoo!=20
    Mail for Mobile. Get started.<BR>&gt; <A=20
    =
href=3D"http://mobile.yahoo.com/mail">http://mobile.yahoo.com/mail</A><BR=
>&gt;<BR>&gt;<BR><BR></BLOCKQUOTE></DIV><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00D2_01C7622E.A2E3E350--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 01:50:47 2007
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Date: Thu, 8 Mar 2007 17:50:32 -0800 (PST)
Subject: Re: Audient
From: improv@peak.org
To: "Tilmann Dehnhard" <tilmann@dehnhard.com>
Cc: loopers-delight@loopers-delight.com
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> we have this rule: my quartet plays only, if there is more people in the
> audience then on stage.

No offense, but that seems a bit harsh to the people who actually came out
to your show. I play in a 6-piece band, and we have definitely played to
audient's (I love that term) before, but we figure since we are there, we
might as well put on a show. Sometimes those are the most fun, once you
get past the sinking feelings of abject failure ;-). I remember one show
in the bay area, we were on the road from Oregon and played at a club to
12 people. We went ahead and did the gig, the management gave us the
option of cancelling, we were playing for the door. We played pretty well,
and everyone of those 12 people bought a CD (some more than one) and a
T-shirt. Plus, they took up a collection, and bought us dinner from a
nearby takeout place, as well as numerous beers. We felt like we made
friends with everyone of those people, and they still come to our shows.
Now they bring friends!

I just figure it's part of our job description to play the gig, no matter
what.

> when there is only five people present, we kindly ask them to introduce
> themselves.
> once we dedicated each piece to one of the listeners.
> it was fun. sometimes these mini crowds can be great.
>
> (once i played a duo concert for my mother, my girlfriend and the
> organizer.
> it was election night - no wonder nobody showed up.)
>
> tilmann



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From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 02:30:39 2007
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Date: Thu, 8 Mar 2007 21:30:35 -0500
From: "radio radio" <radiotelevision@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: looping pedal with decay?
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References: <444811.64669.qm@web34310.mail.mud.yahoo.com>
	 <56432.167.83.10.20.1172595103.squirrel@www.michaelplishka.com>
	 <fadf3ffe0703081136i2dd51b21y2a71ec60e6de5da@mail.gmail.com>
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I didn't know that - what does that mean?

THANKS!

On 3/8/07, arcmotion <andrzej@arcmotion.com> wrote:
>
>
> just in case you dont know ...the rc50 does true feedback but relies on an
> external mixer to acheive this.....although i havent tried this out for
> myself yet....but others have and apparently it works.
>
> what also makes this interesting is that you can put effects on that decay
> loop.
>
>
> ----- Original Message -----
> From: radio radio
> To: Loopers-Delight@loopers-delight.com
> Sent: Friday, March 09, 2007 3:36 AM
> Subject: Re: looping pedal with decay?
>
> thanks for the replies! I think the Gibson EDP is out of my price range,
> unless I can find a rediculous deal on one on Ebay, but I am glad to know
> that that the Boomerang does have a decay - I did not realize that. Right
> now that may look like the best option, although I am a bit wary of the
> noise that many reviewers report as my rig is already quite noisey. Another
> person recommended the Electro Harmonix 2880 or their 16 second delay (and
> mentioned that the original lexicon jamman and the electrix repeater also
> had a function to set the feedback). I'm glad to know that I what I want
> does indeed exist and for the help in narrowing it down. Now I can return
> the looper I bought that I thought had a set-able feedback but does not
> (digitech jamman). In looking at these other ones, I can't tell which ones
> accept more than one type of input ( e.g., instrument, mic, and line
> levels). I would want at least the ability to use an instrument and a mic,
> although I wouldn't necessarily need to be able to do both simultaneously,
> so long as I got quick at switching.
>
> Does anyone else out there want to weigh in on this issue before I spend the
> money I don't have? The quest is for a looping pedal that takes both
> instrument level and line level and which you can set the feedback for the
> loops (versus having them loop infinitely). I currently do not have any rack
> equipment, is that a bridge I want to cross? Is there anything else I should
> be considering in a addition?
>
> The ones mentioned so far are:
>
> Gibson Echoplex
> Boomerang plus
> Electro-Harmonix 2820
> Electro-Harmonix 16 second delay
> Original Lexicon Jamman
> Electrix Repeater
>
> ?????????????????????????????
> THANKS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
>
> Eben
>
>
> On 2/27/07, mike@michaelplishka.com <mike@michaelplishka.com> wrote:
> > If I read you correctly, the Gibson EDP does what you want and tons more!
> > I upgraded from a Boomerang plus which does have the decay but you pick it
> > ahead of time (i.e. 20 reps, 10, 1 or infinite I beleive)
> >
> > my 2 cents...
> >
> > Plish
> >
> > www.myspace.com/michaelplishka
> > www.myspace.com/bohdanovich
> > www.michaelplishka.com
> >
> > > The only things that I know of that will do what you
> > > describe are delay pedals.  I think the Giga delay
> > > would be your best bet, but I'd also read somewhere
> > > that this one artist(I can't remebmer his name) uses
> > > Eventide rack mount processors set up with an
> > > algorhythm that was set with a 95% feedback so that
> > > his loops would decay over time. That sounds more like
> > > what you want, but that stuff is way expensive.  Other
> > > than that, sounds like all you need is a digital delay
> > > unit with copious anmounts of time and to be able to
> > > set the  feedback setting as needed to make the loops
> > > decay over time.
> > > --- radio radio <radiotelevision@gmail.com > wrote:
> > >
> > >> I want to buy a pedal and get into looping but am
> > >> having trouble
> > >> figuring out which one will best meet my needs (and
> > >> budget). I've
> > >> learned a LOT from this web site, but still can't
> > >> quite figure out
> > >> everything and would really benefit from a human
> > >> (albeit
> > >> computer-mediated) interaction. Thanks in advance
> > >> for taking the time
> > >> to read this and respond - I hope that I will be
> > >> able to "give back"
> > >> some day when I know something worth while. Until
> > >> then, I guess I
> > >> should donate to this site if I get any responses.
> > >>
> > >> From what I've read and thought about, it looks like
> > >> what will be the
> > >> most important distinction for me is that the loops
> > >> will be able to
> > >> decay. In other words, you can lay down a loop, lay
> > >> down another one
> > >> on top, and then another, and so on, and eventually
> > >> the first one dies
> > >> out, then the second one, and so on. I imagine this
> > >> working like a
> > >> delay pedal in which you can set the decay (or is
> > >> that called
> > >> feedback?). So you could "morph" over time into new
> > >> things, without
> > >> being stuck with your original loops, and without
> > >> having to open a new
> > >> loop and start from scratch with only one new track
> > >> each time  you
> > >> wanted to change it up.
> > >>
> > >> The three pedals I've looked into are:
> > >>
> > >> BOSS RC20xl, Digitech Jamman, and BOSS DD-20 giga
> > >> delay
> > >>
> > >> I thought the BOSS was it, but now I'm thinking that
> > >> it doesn't allow
> > >> this thing that I described. I can't tell if you can
> > >> do this with the
> > >> Jamman or not - does anyone know? You could do this
> > >> with the DD-20,
> > >> but I can't tell if you'd be able to set a
> > >> loop/delay time up with
> > >> your foot or not (versus having to set it to a
> > >> certain number of
> > >> seconds and then hope you can keep your riff to that
> > >> length) or if
> > >> there would be other difficulties that I'm not aware
> > >> of if you're
> > >> using this as a looping pedal when it's built to be
> > >> a delay.
> > >>
> > >> Should I be considering a different pedal? I don't
> > >> really need a delay
> > >> pedal - I want a loop pedal that decays. I don't
> > >> really need to be
> > >> able to save my loops - I just want to be able to
> > >> set them up on the
> > >> fly. I don't need to be able to save them on my
> > >> computer. I don't need
> > >> to be able to plug in a separate mic or instrument
> > >> in addition to the
> > >> guitar, although that would be a definite bonus for
> > >> me. I don't need a
> > >> long amount of time - I'm guessing 23 seconds is
> > >> plenty. I don't know
> > >> if I need the ability to set up separate loops or
> > >> not - I certainly
> > >> wouldn't mind, but I don't know enough about using a
> > >> looper yet to
> > >> know about that. Also, how important is
> > >> 'auto-quanitze'? Lastly, I
> > >> don't have a lot of money to spend, so the echoplex
> > >> is right out. The
> > >> boomerang is also too expensive, and anyway I'm
> > >> affraid of the noise
> > >> issues that people have written about with that one.
> > >> I haven't really
> > >> learned about any other pedals out there.
> > >>
> > >> Thanks again!
> > >> Eben
> > >>
> > >>
> > >
> > >
> > >
> > >
> > >
> ____________________________________________________________________________________
> > > No need to miss a message. Get email on-the-go
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From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 03:56:43 2007
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Date: Thu, 8 Mar 2007 22:56:40 -0500
From: "Mark Trewella" <aleatoric12@gmail.com>
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Like new, never gigged and always racked.  $1,200 shipped.  The unit
is great but I just want to sort of simplify my rig again, am going to
go back to the EDP.  If anyone has an excellent Gibson Echoplex
Digital Pro Plus foot controller, full memory and loop IV I will
consider a trade + cash for my Looperlative.

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 03:57:12 2007
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Date: Thu, 8 Mar 2007 19:57:10 -0800 (PST)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: Audient
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Yup!  And, speaking for myself, I dare say I played rather well.


ted.


samba - <sambacomet@hotmail.com> wrote: Did y'all play for him?

_________________________________________________________________
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Yup!&nbsp; And, speaking for myself, I dare say I played rather well.<br><br><br>ted.<br><br><br><b><i>samba - &lt;sambacomet@hotmail.com&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> Did y'all play for him?<br><br>_________________________________________________________________<br>Find a local pizza place, movie theater, and more….then map the best route! <br>http://maps.live.com/?icid=hmtag1&amp;FORM=MGAC01<br><br></blockquote><br><BR><BR>"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that order."   Jean Luc Goddard<p>&#32;

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From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 04:25:08 2007
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From: "samba -" <sambacomet@hotmail.com>
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Subject: audient incidents
Date: Thu, 08 Mar 2007 20:25:01 -0800
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  If musicians play slack cause the turnout is light,I'm less likely to 
support them in the future.There are other factorsif I know them I'll 
complain for sure.. But I'm more interested in the art than the glory. Once 
I was playing a reggae gig,with a brilliant Jamaican bass player.The venue 
was a little sports bar with a TVs everwhere you looked and less than a 
dozen people all at the bar in the other room, ignoring us.  Reggae is 
simple enough that you have to put your emotional energy into it ,or it can 
get boring.We played for the joy of it-the music was great,world class,and 
we were having a ball.In the last half hour a young couple came in,didn't 
even look old enough to drink,and  danced in such a purely blissed out 
state,that we all felt like it was totally worthwhile. We could clearly see 
that what we were doing really really meant something to these folks,and of 
course they said so after. That makes it totally worth it to me. You never 
know wether there's someone in the corner who  you didn't even notice that 
loves what you're doing.Or maybe it was Ahmet Ertegun ,and he decided the 
performer's couldn't deliver the goods, cause their attittude was more 
important to them than the music.

_________________________________________________________________
Play Flexicon: the crossword game that feeds your brain. PLAY now for FREE.  
  http://zone.msn.com/en/flexicon/default.htm?icid=flexicon_hmtagline

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 04:45:35 2007
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Date: Thu, 08 Mar 2007 22:45:32 -0600
From: kkissinger@kevinkissinger.com
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Quoting samba - <sambacomet@hotmail.com>:

>
>  If musicians play slack cause the turnout is light,I'm less likely to
> support them in the future.There are other factorsif I know them I'll
> complain for sure.. But I'm more interested in the art than the glory.

One of my most memorable and personally fulfilling solo recitals was =20
when only one person showed up.

Over twenty-five years ago I played weekly recitals for a summer at =20
the (then called) RLDS World Headquarters in Independence, Mo.  A =20
number of us organists rotated for these daily recitals -- mine was =20
every Friday and the audience was mainly tourists who wanted to hear =20
"the king of instruments" -- a huge Aeolian-Skinner organ with over =20
6000 pipes.  A man who lived nearby took a liking to my playing and =20
was among the people there every Friday.  One Friday in late August he =20
was the only person who showed up.  So, I walked up to him and said, =20
"Well, you know my repertoire.  What would you like to hear?"

Turns out he liked REALLY BIG works... among his requests was the =20
massive "Fantasy and Fugue on B.A.C.H." (Captain Nemo plays part of =20
this work in 20,000 Leagues Under the Sea).

I will never forget that recital or the appreciation of that gentleman.


-- Kevin

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 04:51:14 2007
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References: <BAY129-F101EB0F7C6709DA5986FCBC3780@phx.gbl> <20070308224532.ffszq7hs04g4wc8s@69.89.21.76>
Subject: new tune: Grandpa loves grandma (and vice versa)
Date: Thu, 8 Mar 2007 22:50:35 -0600
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My latest fun looping tune is a play on the Ukrainian words for grandpa 
loves grandma (and vice versa). (Dido Baba Lyubyt')

Respectfully submitted for your aural perusal...

www.myspace.com/bohdanovich

~Peace~
Plish 

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 05:28:36 2007
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Date: Thu, 08 Mar 2007 23:28:18 -0600
From: Daryl Shawn <highhorse@mhorse.com>
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This is awesome, thanks for passing it along, Chris. I'm definitely 
going to take part.

Daryl Shawn
www.swanwelder.com
> The following is exerpted from the blog called "Score", connected to 
> the New York Times online at:
> http://thescore.blogs.nytimes.com/?excamp=mkt_at12
>
> March 6, 2007, 11:13 pm
> The ‘In Search of the Lost Chords’ Contest
>
> By
> Glenn Branca
> glenn@glennbranca.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 05:59:40 2007
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Date: Thu, 8 Mar 2007 21:59:36 -0800
From: Mikkoz <biffoz@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: looping pedal with decay?
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Very few of these true feedback units have multiple level inputs. We almost
universally use a mixer to attenuate several inputs (eg. mic, guitar, line
level stuff like keyboards and cd players etc.) and hang the looper on an
aux send. (Or a pair of them if we want stereo, although there are all the
attendant sync problems.)  So make your life a lot easier and get a small
mixer . . . you can even hang garden-variety guitar pedals on the aux, and
loop away.

On 3/8/07, radio radio <radiotelevision@gmail.com> wrote:
>
> I didn't know that - what does that mean?
>
> THANKS!
>
> On 3/8/07, arcmotion <andrzej@arcmotion.com> wrote:
> >
> >
> > just in case you dont know ...the rc50 does true feedback but relies on
> an
> > external mixer to acheive this.....although i havent tried this out for
> > myself yet....but others have and apparently it works.
> >
> > what also makes this interesting is that you can put effects on that
> decay
> > loop.
> >
> >
> > ----- Original Message -----
> > From: radio radio
> > To: Loopers-Delight@loopers-delight.com
> > Sent: Friday, March 09, 2007 3:36 AM
> > Subject: Re: looping pedal with decay?
> >
> > thanks for the replies! I think the Gibson EDP is out of my price range,
> > unless I can find a rediculous deal on one on Ebay, but I am glad to
> know
> > that that the Boomerang does have a decay - I did not realize that.
> Right
> > now that may look like the best option, although I am a bit wary of the
> > noise that many reviewers report as my rig is already quite noisey.
> Another
> > person recommended the Electro Harmonix 2880 or their 16 second delay
> (and
> > mentioned that the original lexicon jamman and the electrix repeater
> also
> > had a function to set the feedback). I'm glad to know that I what I want
> > does indeed exist and for the help in narrowing it down. Now I can
> return
> > the looper I bought that I thought had a set-able feedback but does not
> > (digitech jamman). In looking at these other ones, I can't tell which
> ones
> > accept more than one type of input ( e.g., instrument, mic, and line
> > levels). I would want at least the ability to use an instrument and a
> mic,
> > although I wouldn't necessarily need to be able to do both
> simultaneously,
> > so long as I got quick at switching.
> >
> > Does anyone else out there want to weigh in on this issue before I spend
> the
> > money I don't have? The quest is for a looping pedal that takes both
> > instrument level and line level and which you can set the feedback for
> the
> > loops (versus having them loop infinitely). I currently do not have any
> rack
> > equipment, is that a bridge I want to cross? Is there anything else I
> should
> > be considering in a addition?
> >
> > The ones mentioned so far are:
> >
> > Gibson Echoplex
> > Boomerang plus
> > Electro-Harmonix 2820
> > Electro-Harmonix 16 second delay
> > Original Lexicon Jamman
> > Electrix Repeater
> >
> > ?????????????????????????????
> > THANKS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
> >
> > Eben
> >
> >
> > On 2/27/07, mike@michaelplishka.com <mike@michaelplishka.com> wrote:
> > > If I read you correctly, the Gibson EDP does what you want and tons
> more!
> > > I upgraded from a Boomerang plus which does have the decay but you
> pick it
> > > ahead of time (i.e. 20 reps, 10, 1 or infinite I beleive)
> > >
> > > my 2 cents...
> > >
> > > Plish
> > >
> > > www.myspace.com/michaelplishka
> > > www.myspace.com/bohdanovich
> > > www.michaelplishka.com
> > >
> > > > The only things that I know of that will do what you
> > > > describe are delay pedals.  I think the Giga delay
> > > > would be your best bet, but I'd also read somewhere
> > > > that this one artist(I can't remebmer his name) uses
> > > > Eventide rack mount processors set up with an
> > > > algorhythm that was set with a 95% feedback so that
> > > > his loops would decay over time. That sounds more like
> > > > what you want, but that stuff is way expensive.  Other
> > > > than that, sounds like all you need is a digital delay
> > > > unit with copious anmounts of time and to be able to
> > > > set the  feedback setting as needed to make the loops
> > > > decay over time.
> > > > --- radio radio <radiotelevision@gmail.com > wrote:
> > > >
> > > >> I want to buy a pedal and get into looping but am
> > > >> having trouble
> > > >> figuring out which one will best meet my needs (and
> > > >> budget). I've
> > > >> learned a LOT from this web site, but still can't
> > > >> quite figure out
> > > >> everything and would really benefit from a human
> > > >> (albeit
> > > >> computer-mediated) interaction. Thanks in advance
> > > >> for taking the time
> > > >> to read this and respond - I hope that I will be
> > > >> able to "give back"
> > > >> some day when I know something worth while. Until
> > > >> then, I guess I
> > > >> should donate to this site if I get any responses.
> > > >>
> > > >> From what I've read and thought about, it looks like
> > > >> what will be the
> > > >> most important distinction for me is that the loops
> > > >> will be able to
> > > >> decay. In other words, you can lay down a loop, lay
> > > >> down another one
> > > >> on top, and then another, and so on, and eventually
> > > >> the first one dies
> > > >> out, then the second one, and so on. I imagine this
> > > >> working like a
> > > >> delay pedal in which you can set the decay (or is
> > > >> that called
> > > >> feedback?). So you could "morph" over time into new
> > > >> things, without
> > > >> being stuck with your original loops, and without
> > > >> having to open a new
> > > >> loop and start from scratch with only one new track
> > > >> each time  you
> > > >> wanted to change it up.
> > > >>
> > > >> The three pedals I've looked into are:
> > > >>
> > > >> BOSS RC20xl, Digitech Jamman, and BOSS DD-20 giga
> > > >> delay
> > > >>
> > > >> I thought the BOSS was it, but now I'm thinking that
> > > >> it doesn't allow
> > > >> this thing that I described. I can't tell if you can
> > > >> do this with the
> > > >> Jamman or not - does anyone know? You could do this
> > > >> with the DD-20,
> > > >> but I can't tell if you'd be able to set a
> > > >> loop/delay time up with
> > > >> your foot or not (versus having to set it to a
> > > >> certain number of
> > > >> seconds and then hope you can keep your riff to that
> > > >> length) or if
> > > >> there would be other difficulties that I'm not aware
> > > >> of if you're
> > > >> using this as a looping pedal when it's built to be
> > > >> a delay.
> > > >>
> > > >> Should I be considering a different pedal? I don't
> > > >> really need a delay
> > > >> pedal - I want a loop pedal that decays. I don't
> > > >> really need to be
> > > >> able to save my loops - I just want to be able to
> > > >> set them up on the
> > > >> fly. I don't need to be able to save them on my
> > > >> computer. I don't need
> > > >> to be able to plug in a separate mic or instrument
> > > >> in addition to the
> > > >> guitar, although that would be a definite bonus for
> > > >> me. I don't need a
> > > >> long amount of time - I'm guessing 23 seconds is
> > > >> plenty. I don't know
> > > >> if I need the ability to set up separate loops or
> > > >> not - I certainly
> > > >> wouldn't mind, but I don't know enough about using a
> > > >> looper yet to
> > > >> know about that. Also, how important is
> > > >> 'auto-quanitze'? Lastly, I
> > > >> don't have a lot of money to spend, so the echoplex
> > > >> is right out. The
> > > >> boomerang is also too expensive, and anyway I'm
> > > >> affraid of the noise
> > > >> issues that people have written about with that one.
> > > >> I haven't really
> > > >> learned about any other pedals out there.
> > > >>
> > > >> Thanks again!
> > > >> Eben
> > > >>
> > > >>
> > > >
> > > >
> > > >
> > > >
> > > >
> >
> ____________________________________________________________________________________
> > > > No need to miss a message. Get email on-the-go
> > > > with Yahoo! Mail for Mobile. Get started.
> > > > http://mobile.yahoo.com/mail
> > > >
> > > >
> > >
> > >
> >
> >
>
>


-- 
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

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Very few of these true feedback units have multiple level inputs. We almost universally use a mixer to attenuate several inputs (eg. mic, guitar, line level stuff like keyboards and cd players etc.) and hang the looper on an aux send. (Or a pair of them if we want stereo, although there are all the attendant sync problems.)&nbsp; So make your life a lot easier and get a small mixer . . . you can even hang garden-variety guitar pedals on the aux, and loop away. 
<br><br><div><span class="gmail_quote">On 3/8/07, <b class="gmail_sendername">radio radio</b> &lt;<a href="mailto:radiotelevision@gmail.com">radiotelevision@gmail.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I didn&#39;t know that - what does that mean?<br><br>THANKS!<br><br>On 3/8/07, arcmotion &lt;<a href="mailto:andrzej@arcmotion.com">andrzej@arcmotion.com</a>&gt; wrote:<br>&gt;<br>&gt;<br>&gt; just in case you dont know ...the rc50 does true feedback but relies on an
<br>&gt; external mixer to acheive this.....although i havent tried this out for<br>&gt; myself yet....but others have and apparently it works.<br>&gt;<br>&gt; what also makes this interesting is that you can put effects on that decay
<br>&gt; loop.<br>&gt;<br>&gt;<br>&gt; ----- Original Message -----<br>&gt; From: radio radio<br>&gt; To: <a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>&gt; Sent: Friday, March 09, 2007 3:36 AM
<br>&gt; Subject: Re: looping pedal with decay?<br>&gt;<br>&gt; thanks for the replies! I think the Gibson EDP is out of my price range,<br>&gt; unless I can find a rediculous deal on one on Ebay, but I am glad to know<br>
&gt; that that the Boomerang does have a decay - I did not realize that. Right<br>&gt; now that may look like the best option, although I am a bit wary of the<br>&gt; noise that many reviewers report as my rig is already quite noisey. Another
<br>&gt; person recommended the Electro Harmonix 2880 or their 16 second delay (and<br>&gt; mentioned that the original lexicon jamman and the electrix repeater also<br>&gt; had a function to set the feedback). I&#39;m glad to know that I what I want
<br>&gt; does indeed exist and for the help in narrowing it down. Now I can return<br>&gt; the looper I bought that I thought had a set-able feedback but does not<br>&gt; (digitech jamman). In looking at these other ones, I can&#39;t tell which ones
<br>&gt; accept more than one type of input ( e.g., instrument, mic, and line<br>&gt; levels). I would want at least the ability to use an instrument and a mic,<br>&gt; although I wouldn&#39;t necessarily need to be able to do both simultaneously,
<br>&gt; so long as I got quick at switching.<br>&gt;<br>&gt; Does anyone else out there want to weigh in on this issue before I spend the<br>&gt; money I don&#39;t have? The quest is for a looping pedal that takes both<br>
&gt; instrument level and line level and which you can set the feedback for the<br>&gt; loops (versus having them loop infinitely). I currently do not have any rack<br>&gt; equipment, is that a bridge I want to cross? Is there anything else I should
<br>&gt; be considering in a addition?<br>&gt;<br>&gt; The ones mentioned so far are:<br>&gt;<br>&gt; Gibson Echoplex<br>&gt; Boomerang plus<br>&gt; Electro-Harmonix 2820<br>&gt; Electro-Harmonix 16 second delay<br>&gt; Original Lexicon Jamman
<br>&gt; Electrix Repeater<br>&gt;<br>&gt; ?????????????????????????????<br>&gt; THANKS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!<br>&gt;<br>&gt; Eben<br>&gt;<br>&gt;<br>&gt; On 2/27/07, <a href="mailto:mike@michaelplishka.com">
mike@michaelplishka.com</a> &lt;<a href="mailto:mike@michaelplishka.com">mike@michaelplishka.com</a>&gt; wrote:<br>&gt; &gt; If I read you correctly, the Gibson EDP does what you want and tons more!<br>&gt; &gt; I upgraded from a Boomerang plus which does have the decay but you pick it
<br>&gt; &gt; ahead of time (i.e. 20 reps, 10, 1 or infinite I beleive)<br>&gt; &gt;<br>&gt; &gt; my 2 cents...<br>&gt; &gt;<br>&gt; &gt; Plish<br>&gt; &gt;<br>&gt; &gt; <a href="http://www.myspace.com/michaelplishka">www.myspace.com/michaelplishka
</a><br>&gt; &gt; <a href="http://www.myspace.com/bohdanovich">www.myspace.com/bohdanovich</a><br>&gt; &gt; <a href="http://www.michaelplishka.com">www.michaelplishka.com</a><br>&gt; &gt;<br>&gt; &gt; &gt; The only things that I know of that will do what you
<br>&gt; &gt; &gt; describe are delay pedals.&nbsp;&nbsp;I think the Giga delay<br>&gt; &gt; &gt; would be your best bet, but I&#39;d also read somewhere<br>&gt; &gt; &gt; that this one artist(I can&#39;t remebmer his name) uses<br>
&gt; &gt; &gt; Eventide rack mount processors set up with an<br>&gt; &gt; &gt; algorhythm that was set with a 95% feedback so that<br>&gt; &gt; &gt; his loops would decay over time. That sounds more like<br>&gt; &gt; &gt; what you want, but that stuff is way expensive.&nbsp;&nbsp;Other
<br>&gt; &gt; &gt; than that, sounds like all you need is a digital delay<br>&gt; &gt; &gt; unit with copious anmounts of time and to be able to<br>&gt; &gt; &gt; set the&nbsp;&nbsp;feedback setting as needed to make the loops<br>&gt; &gt; &gt; decay over time.
<br>&gt; &gt; &gt; --- radio radio &lt;<a href="mailto:radiotelevision@gmail.com">radiotelevision@gmail.com</a> &gt; wrote:<br>&gt; &gt; &gt;<br>&gt; &gt; &gt;&gt; I want to buy a pedal and get into looping but am<br>&gt; &gt; &gt;&gt; having trouble
<br>&gt; &gt; &gt;&gt; figuring out which one will best meet my needs (and<br>&gt; &gt; &gt;&gt; budget). I&#39;ve<br>&gt; &gt; &gt;&gt; learned a LOT from this web site, but still can&#39;t<br>&gt; &gt; &gt;&gt; quite figure out
<br>&gt; &gt; &gt;&gt; everything and would really benefit from a human<br>&gt; &gt; &gt;&gt; (albeit<br>&gt; &gt; &gt;&gt; computer-mediated) interaction. Thanks in advance<br>&gt; &gt; &gt;&gt; for taking the time<br>&gt; &gt; &gt;&gt; to read this and respond - I hope that I will be
<br>&gt; &gt; &gt;&gt; able to &quot;give back&quot;<br>&gt; &gt; &gt;&gt; some day when I know something worth while. Until<br>&gt; &gt; &gt;&gt; then, I guess I<br>&gt; &gt; &gt;&gt; should donate to this site if I get any responses.
<br>&gt; &gt; &gt;&gt;<br>&gt; &gt; &gt;&gt; From what I&#39;ve read and thought about, it looks like<br>&gt; &gt; &gt;&gt; what will be the<br>&gt; &gt; &gt;&gt; most important distinction for me is that the loops<br>&gt; &gt; &gt;&gt; will be able to
<br>&gt; &gt; &gt;&gt; decay. In other words, you can lay down a loop, lay<br>&gt; &gt; &gt;&gt; down another one<br>&gt; &gt; &gt;&gt; on top, and then another, and so on, and eventually<br>&gt; &gt; &gt;&gt; the first one dies
<br>&gt; &gt; &gt;&gt; out, then the second one, and so on. I imagine this<br>&gt; &gt; &gt;&gt; working like a<br>&gt; &gt; &gt;&gt; delay pedal in which you can set the decay (or is<br>&gt; &gt; &gt;&gt; that called<br>
&gt; &gt; &gt;&gt; feedback?). So you could &quot;morph&quot; over time into new<br>&gt; &gt; &gt;&gt; things, without<br>&gt; &gt; &gt;&gt; being stuck with your original loops, and without<br>&gt; &gt; &gt;&gt; having to open a new
<br>&gt; &gt; &gt;&gt; loop and start from scratch with only one new track<br>&gt; &gt; &gt;&gt; each time&nbsp;&nbsp;you<br>&gt; &gt; &gt;&gt; wanted to change it up.<br>&gt; &gt; &gt;&gt;<br>&gt; &gt; &gt;&gt; The three pedals I&#39;ve looked into are:
<br>&gt; &gt; &gt;&gt;<br>&gt; &gt; &gt;&gt; BOSS RC20xl, Digitech Jamman, and BOSS DD-20 giga<br>&gt; &gt; &gt;&gt; delay<br>&gt; &gt; &gt;&gt;<br>&gt; &gt; &gt;&gt; I thought the BOSS was it, but now I&#39;m thinking that
<br>&gt; &gt; &gt;&gt; it doesn&#39;t allow<br>&gt; &gt; &gt;&gt; this thing that I described. I can&#39;t tell if you can<br>&gt; &gt; &gt;&gt; do this with the<br>&gt; &gt; &gt;&gt; Jamman or not - does anyone know? You could do this
<br>&gt; &gt; &gt;&gt; with the DD-20,<br>&gt; &gt; &gt;&gt; but I can&#39;t tell if you&#39;d be able to set a<br>&gt; &gt; &gt;&gt; loop/delay time up with<br>&gt; &gt; &gt;&gt; your foot or not (versus having to set it to a
<br>&gt; &gt; &gt;&gt; certain number of<br>&gt; &gt; &gt;&gt; seconds and then hope you can keep your riff to that<br>&gt; &gt; &gt;&gt; length) or if<br>&gt; &gt; &gt;&gt; there would be other difficulties that I&#39;m not aware
<br>&gt; &gt; &gt;&gt; of if you&#39;re<br>&gt; &gt; &gt;&gt; using this as a looping pedal when it&#39;s built to be<br>&gt; &gt; &gt;&gt; a delay.<br>&gt; &gt; &gt;&gt;<br>&gt; &gt; &gt;&gt; Should I be considering a different pedal? I don&#39;t
<br>&gt; &gt; &gt;&gt; really need a delay<br>&gt; &gt; &gt;&gt; pedal - I want a loop pedal that decays. I don&#39;t<br>&gt; &gt; &gt;&gt; really need to be<br>&gt; &gt; &gt;&gt; able to save my loops - I just want to be able to
<br>&gt; &gt; &gt;&gt; set them up on the<br>&gt; &gt; &gt;&gt; fly. I don&#39;t need to be able to save them on my<br>&gt; &gt; &gt;&gt; computer. I don&#39;t need<br>&gt; &gt; &gt;&gt; to be able to plug in a separate mic or instrument
<br>&gt; &gt; &gt;&gt; in addition to the<br>&gt; &gt; &gt;&gt; guitar, although that would be a definite bonus for<br>&gt; &gt; &gt;&gt; me. I don&#39;t need a<br>&gt; &gt; &gt;&gt; long amount of time - I&#39;m guessing 23 seconds is
<br>&gt; &gt; &gt;&gt; plenty. I don&#39;t know<br>&gt; &gt; &gt;&gt; if I need the ability to set up separate loops or<br>&gt; &gt; &gt;&gt; not - I certainly<br>&gt; &gt; &gt;&gt; wouldn&#39;t mind, but I don&#39;t know enough about using a
<br>&gt; &gt; &gt;&gt; looper yet to<br>&gt; &gt; &gt;&gt; know about that. Also, how important is<br>&gt; &gt; &gt;&gt; &#39;auto-quanitze&#39;? Lastly, I<br>&gt; &gt; &gt;&gt; don&#39;t have a lot of money to spend, so the echoplex
<br>&gt; &gt; &gt;&gt; is right out. The<br>&gt; &gt; &gt;&gt; boomerang is also too expensive, and anyway I&#39;m<br>&gt; &gt; &gt;&gt; affraid of the noise<br>&gt; &gt; &gt;&gt; issues that people have written about with that one.
<br>&gt; &gt; &gt;&gt; I haven&#39;t really<br>&gt; &gt; &gt;&gt; learned about any other pedals out there.<br>&gt; &gt; &gt;&gt;<br>&gt; &gt; &gt;&gt; Thanks again!<br>&gt; &gt; &gt;&gt; Eben<br>&gt; &gt; &gt;&gt;<br>&gt; &gt; &gt;&gt;
<br>&gt; &gt; &gt;<br>&gt; &gt; &gt;<br>&gt; &gt; &gt;<br>&gt; &gt; &gt;<br>&gt; &gt; &gt;<br>&gt; ____________________________________________________________________________________<br>&gt; &gt; &gt; No need to miss a message. Get email on-the-go
<br>&gt; &gt; &gt; with Yahoo! Mail for Mobile. Get started.<br>&gt; &gt; &gt; <a href="http://mobile.yahoo.com/mail">http://mobile.yahoo.com/mail</a><br>&gt; &gt; &gt;<br>&gt; &gt; &gt;<br>&gt; &gt;<br>&gt; &gt;<br>&gt;<br>
&gt;<br><br></blockquote></div><br><br clear="all"><br>-- <br>Miko Biffle<br><a href="mailto:Biffoz@Gmail.com">Biffoz@Gmail.com</a><br><a href="mailto:MBiffle@FoxRacingShox.com">MBiffle@FoxRacingShox.com</a><br>&quot;Running scared from all the usual distractions!&quot;

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From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 08:35:14 2007
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aaron leese wrote:

> 
> 1 - unsynced ..... 

> 
> 2 - full syncronization ..... 

> 
> 3 - partial syncronization ... latching ??? ...... Here the loops are 
> also syncronized, but the pedal will start recording immediately once 
> pressed .... 
> 

In EDP speak.

"Quantise" is when things are fully synchronised.
"Rounding" is when an action starts immediately but lasts for a whole number of cycles.

(in EDP, when you multiply a loop it keeps track of the original loop time which becomes a "cycle" within the loop)

EDP is full of phrases like "SUS" and "reverse sniplets"

andy butler

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 08:40:23 2007
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From: "simeon harris" <simeonharris@hotmail.com>
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Subject: Re: thanks...and another tune
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>>On 8 mar 2007, at 14.22, simeon harris wrote:
>>
>>here is a new tune...
>>http://www.simeonharris.co.uk/08_Mar_1644.mp3
>
>A very nice piece! Listening to it makes me curios what it would  sound 
>like if you did an alternate mix without the drums and the bass  line?  :-) 
>   This is of course just a matter of taste, but I really  like that fluffy 
>stuff that for now is being beaten up by the beats.
>
>Greetings from Sweden
>
>Per Boysen

thanks for listening per (i can always rely on you for an interesting 
comment!).
i know where you're coming from...i like the "fluffy" stuff too...maybe my 
next one will be "fluff only"...!

sim

_________________________________________________________________
Get Messenger FREE on your Mobile https://livemessenger.mobile.uk.msn.com/

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Date: Fri, 9 Mar 2007 01:29:52 -0800 (PST)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: FS: Looperlative
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <a42d46dc0703081956t65217ebfhb4d0f797ac392185@mail.gmail.com>
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Hey Mark are u in europe or the U.S.?

--- Mark Trewella <aleatoric12@gmail.com> wrote:

> Like new, never gigged and always racked.  $1,200
> shipped.  The unit
> is great but I just want to sort of simplify my rig
> again, am going to
> go back to the EDP.  If anyone has an excellent
> Gibson Echoplex
> Digital Pro Plus foot controller, full memory and
> loop IV I will
> consider a trade + cash for my Looperlative.
> 
> 


www.myspace.com/luisangulocom


 
____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 09:35:10 2007
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On 9 Mar 2007 at 9:38, arcmotion wrote:

>   spend the money I don't have? The quest is for a looping pedal that
>   takes both instrument level and line level and which you can set the
>   feedback for the loops (versus having them loop infinitely). 

The Zoom G2 is dirt cheap and does what you want (you can also add 
separate echo to the input signal while it is looping) but it's only 
got 5 seconds of loop time. In normal delay mode, it's got 10 
seconds.


From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 09:38:09 2007
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Subject: RE: thanks...and another tune
Date: Fri, 9 Mar 2007 10:37:33 +0100
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> here is a new tune...
> http://www.simeonharris.co.uk/08_Mar_1644.mp3
> quite textural (and loopy)

thanks Simeon ... great stuff ... what I like as much as the loops/textures
is the rhythms ... would you elaborate a bit on how you did them? 

Michael www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 11:21:18 2007
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>From: "Michael Peters" <mp@mpeters.de>
> > here is a new tune...
> > http://www.simeonharris.co.uk/08_Mar_1644.mp3
> > quite textural (and loopy)
>
>thanks Simeon ... great stuff ... what I like as much as the loops/textures
>is the rhythms ... would you elaborate a bit on how you did them?
>
>Michael www.michaelpeters.de


thanks michael!

on this tune, the drums were pre-recorded loops. i mixed several together 
for each section, because i wanted something quite complex and even a bit 
mad sounding on this tune

i use a variety of techniques for drums...sometimes loops, sometimes loops 
sliced up and triggered via midi (in Intakt), sometimes samples triggered by 
midi (in Battery), sometimes samples laid out in the arrangement 
window....usually some combination of all four...

thanks for listening!

sim

_________________________________________________________________
MSN Hotmail is evolving – check out the new Windows Live Mail 
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From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 12:47:45 2007
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Date: Fri, 9 Mar 2007 13:47:35 +0100
From: "Arne R. Skage jr" <arneskage@gmail.com>
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To: Loopers-Delight@loopers-delight.com
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hey!!!!!!!!!!!!!!!  loop5 ? what the heck?
a


2007/3/8, monk <monk@fuse.net>:
>
>
> i've been combing the EDP manual for the midi spec.. i just want to use my
> midi pedals  instead of the proprietary thing. but i can't seem to find the
> obligatory table..
>
>
> i have found them online for the echoplex plus? are they same for the
> loop5 version? anyone?
>
>
>
>
> thanks in advance.
>
>
>
>
>
>
> monk@Fuse.net
>
>
>  ric hordinski
>
>
> www.richordinski.com
>
>
> www.myspace.com/richordinskimusic
>
>
> www.myspace.com/monasterystudio
>
>
>
>



-- 
Arne R. Skage jr.

91157204
arne@skage.com
www.skage.com

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<div>hey!!!!!!!!!!!!!!!&nbsp; loop5 ? what the heck?</div>
<div>a<br><br>&nbsp;</div>
<div><span class="gmail_quote">2007/3/8, monk &lt;<a href="mailto:monk@fuse.net">monk@fuse.net</a>&gt;:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div style="WORD-WRAP: break-word"><br>
<div></div>i&#39;ve been combing the EDP manual for the midi spec.. i just want to use my midi pedals&nbsp; instead of the proprietary thing. but i can&#39;t seem to find the obligatory table..<br>
<div><br>&nbsp;</div>
<div>i have found them online for the echoplex plus? are they same for the loop5 version? anyone?</div>
<div><br>&nbsp;</div>
<div><br>&nbsp;</div>
<div>thanks in advance.</div>
<div><br>&nbsp;</div>
<div><br>&nbsp;</div>
<div><br>&nbsp;</div>
<div><a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:monk@Fuse.net" target="_blank">monk@Fuse.net</a>&nbsp;</div><br><br>
<div><span style="WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px">
<div>ric hordinski</div>
<div><br>&nbsp;</div>
<div><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.richordinski.com/" target="_blank">www.richordinski.com</a></div>
<div><br>&nbsp;</div>
<div><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.myspace.com/richordinskimusic" target="_blank">www.myspace.com/richordinskimusic</a></div>
<div><br>&nbsp;</div>
<div><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.myspace.com/monasterystudio" target="_blank">www.myspace.com/monasterystudio</a></div><br></span></div><br>&nbsp;</div></blockquote></div><br><br clear="all">
<br>-- <br>Arne R. Skage jr.<br><br>91157204<br><a href="mailto:arne@skage.com">arne@skage.com</a><br><a href="http://www.skage.com">www.skage.com</a> 

------=_Part_1111_18029262.1173444455361--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 13:37:32 2007
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Date: Fri, 9 Mar 2007 08:34:46 -0500
To: Loopers-Delight@loopers-delight.com
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Subject: Re: looping pedal with decay?
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The 2880 has 2 inputs, each has it's own level control.
These are sensitive enough for microphones (with RS transformer!)
In addition it has a stereo line level ( "aux" ) input.

Made in New York by people with whom you can actually speak directly.....

>Very few of these true feedback units have multiple level inputs. We 
>almost universally use a mixer to attenuate several inputs (eg. mic, 
>guitar, line level stuff like keyboards and cd players etc.) and 
>hang the looper on an aux send. (Or a pair of them if we want 
>stereo, although there are all the attendant sync problems.)  So 
>make your life a lot easier and get a small mixer . . . you can even 
>hang garden-variety guitar pedals on the aux, and loop away.
>
>On 3/8/07, radio radio 
><<mailto:radiotelevision@gmail.com>radiotelevision@gmail.com> wrote:
>
>I didn't know that - what does that mean?
>
>THANKS!
>
>On 3/8/07, arcmotion 
><<mailto:andrzej@arcmotion.com>andrzej@arcmotion.com> wrote:
>>
>>
>>  just in case you dont know ...the rc50 does true feedback but relies on an
>>  external mixer to acheive this.....although i havent tried this out for
>>  myself yet....but others have and apparently it works.
>>
>>  what also makes this interesting is that you can put effects on that decay
>>  loop.
>>
>>
>>  ----- Original Message -----
>>  From: radio radio
>>  To: 
>><mailto:Loopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delight.com
>>  Sent: Friday, March 09, 2007 3:36 AM
>>  Subject: Re: looping pedal with decay?
>>
>>  thanks for the replies! I think the Gibson EDP is out of my price range,
>>  unless I can find a rediculous deal on one on Ebay, but I am glad to know
>>  that that the Boomerang does have a decay - I did not realize that. Right
>>  now that may look like the best option, although I am a bit wary of the
>>  noise that many reviewers report as my rig is already quite noisey. Another
>>  person recommended the Electro Harmonix 2880 or their 16 second delay (and
>>  mentioned that the original lexicon jamman and the electrix repeater also
>>  had a function to set the feedback). I'm glad to know that I what I want
>>  does indeed exist and for the help in narrowing it down. Now I can return
>>  the looper I bought that I thought had a set-able feedback but does not
>>  (digitech jamman). In looking at these other ones, I can't tell which ones
>>  accept more than one type of input ( e.g., instrument, mic, and line
>>  levels). I would want at least the ability to use an instrument and a mic,
>>  although I wouldn't necessarily need to be able to do both simultaneously,
>>  so long as I got quick at switching.
>>
>>  Does anyone else out there want to weigh in on this issue before I spend the
>>  money I don't have? The quest is for a looping pedal that takes both
>>  instrument level and line level and which you can set the feedback for the
>>  loops (versus having them loop infinitely). I currently do not have any rack
>>  equipment, is that a bridge I want to cross? Is there anything else I should
>>  be considering in a addition?
>>
>>  The ones mentioned so far are:
>>
>>  Gibson Echoplex
>>  Boomerang plus
>>  Electro-Harmonix 2820
>>  Electro-Harmonix 16 second delay
>>  Original Lexicon Jamman
>>  Electrix Repeater
>>
>>  ?????????????????????????????
>>  THANKS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
>>
>>  Eben
>>
>>
>>  On 2/27/07, <mailto:mike@michaelplishka.com> 
>>mike@michaelplishka.com 
>><<mailto:mike@michaelplishka.com>mike@michaelplishka.com> wrote:
>>  > If I read you correctly, the Gibson EDP does what you want and tons more!
>>  > I upgraded from a Boomerang plus which does have the decay but you pick it
>>  > ahead of time (i.e. 20 reps, 10, 1 or infinite I beleive)
>>  >
>>  > my 2 cents...
>>  >
>>  > Plish
>>  >
>>  > <http://www.myspace.com/michaelplishka>www.myspace.com/michaelplishka
>>  > <http://www.myspace.com/bohdanovich>www.myspace.com/bohdanovich
>>  > <http://www.michaelplishka.com>www.michaelplishka.com
>>  >
>>  > > The only things that I know of that will do what you
>>  > > describe are delay pedals.  I think the Giga delay
>  > > > would be your best bet, but I'd also read somewhere
>>  > > that this one artist(I can't remebmer his name) uses
>>  > > Eventide rack mount processors set up with an
>>  > > algorhythm that was set with a 95% feedback so that
>>  > > his loops would decay over time. That sounds more like
>>  > > what you want, but that stuff is way expensive.  Other
>>  > > than that, sounds like all you need is a digital delay
>>  > > unit with copious anmounts of time and to be able to
>>  > > set the  feedback setting as needed to make the loops
>>  > > decay over time.
>>  > > --- radio radio 
>><<mailto:radiotelevision@gmail.com>radiotelevision@gmail.com > 
>>wrote:
>>  > >
>>  > >> I want to buy a pedal and get into looping but am
>>  > >> having trouble
>>  > >> figuring out which one will best meet my needs (and
>>  > >> budget). I've
>>  > >> learned a LOT from this web site, but still can't
>>  > >> quite figure out
>>  > >> everything and would really benefit from a human
>>  > >> (albeit
>>  > >> computer-mediated) interaction. Thanks in advance
>>  > >> for taking the time
>>  > >> to read this and respond - I hope that I will be
>>  > >> able to "give back"
>>  > >> some day when I know something worth while. Until
>>  > >> then, I guess I
>>  > >> should donate to this site if I get any responses.
>>  > >>
>>  > >> From what I've read and thought about, it looks like
>>  > >> what will be the
>>  > >> most important distinction for me is that the loops
>>  > >> will be able to
>>  > >> decay. In other words, you can lay down a loop, lay
>>  > >> down another one
>>  > >> on top, and then another, and so on, and eventually
>>  > >> the first one dies
>>  > >> out, then the second one, and so on. I imagine this
>>  > >> working like a
>>  > >> delay pedal in which you can set the decay (or is
>>  > >> that called
>>  > >> feedback?). So you could "morph" over time into new
>>  > >> things, without
>>  > >> being stuck with your original loops, and without
>>  > >> having to open a new
>>  > >> loop and start from scratch with only one new track
>>  > >> each time  you
>>  > >> wanted to change it up.
>>  > >>
>>  > >> The three pedals I've looked into are:
>>  > >>
>>  > >> BOSS RC20xl, Digitech Jamman, and BOSS DD-20 giga
>>  > >> delay
>>  > >>
>>  > >> I thought the BOSS was it, but now I'm thinking that
>>  > >> it doesn't allow
>>  > >> this thing that I described. I can't tell if you can
>>  > >> do this with the
>>  > >> Jamman or not - does anyone know? You could do this
>>  > >> with the DD-20,
>>  > >> but I can't tell if you'd be able to set a
>>  > >> loop/delay time up with
>>  > >> your foot or not (versus having to set it to a
>>  > >> certain number of
>>  > >> seconds and then hope you can keep your riff to that
>>  > >> length) or if
>>  > >> there would be other difficulties that I'm not aware
>>  > >> of if you're
>>  > >> using this as a looping pedal when it's built to be
>>  > >> a delay.
>>  > >>
>>  > >> Should I be considering a different pedal? I don't
>>  > >> really need a delay
>>  > >> pedal - I want a loop pedal that decays. I don't
>>  > >> really need to be
>>  > >> able to save my loops - I just want to be able to
>>  > >> set them up on the
>>  > >> fly. I don't need to be able to save them on my
>>  > >> computer. I don't need
>>  > >> to be able to plug in a separate mic or instrument
>>  > >> in addition to the
>>  > >> guitar, although that would be a definite bonus for
>>  > >> me. I don't need a
>>  > >> long amount of time - I'm guessing 23 seconds is
>>  > >> plenty. I don't know
>>  > >> if I need the ability to set up separate loops or
>>  > >> not - I certainly
>>  > >> wouldn't mind, but I don't know enough about using a
>>  > >> looper yet to
>>  > >> know about that. Also, how important is
>>  > >> 'auto-quanitze'? Lastly, I
>>  > >> don't have a lot of money to spend, so the echoplex
>>  > >> is right out. The
>>  > >> boomerang is also too expensive, and anyway I'm
>>  > >> affraid of the noise
>>  > >> issues that people have written about with that one.
>>  > >> I haven't really
>>  > >> learned about any other pedals out there.
>>  > >>
>>  > >> Thanks again!
>>  > >> Eben
>>  > >>
>>  > >>
>>  > >
>>  > >
>>  > >
>>  > >
>>  > >
>> 
>>____________________________________________________________________________________
>  > > > No need to miss a message. Get email on-the-go
>>  > > with Yahoo! Mail for Mobile. Get started.
>>  > > <http://mobile.yahoo.com/mail>http://mobile.yahoo.com/mail
>>  > >
>>  > >
>>  >
>>  >
>>
>>
>
>
>
>
>--
>Miko Biffle
><mailto:Biffoz@Gmail.com>Biffoz@Gmail.com
><mailto:MBiffle@FoxRacingShox.com>MBiffle@FoxRacingShox.com
>"Running scared from all the usual distractions!"


-- 
...
http://www.zmix.net
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 --></style><title>Re: looping pedal with decay?</title></head><body>
<div>The 2880 has 2 inputs, each has it's own level control.</div>
<div>These are sensitive enough for microphones (with RS
transformer!)</div>
<div>In addition it has a stereo line level ( &quot;aux&quot; )
input.</div>
<div><br></div>
<div>Made in New York by people with whom you can actually speak
directly.....</div>
<div><br></div>
<blockquote type="cite" cite>Very few of these true feedback units
have multiple level inputs. We almost universally use a mixer to
attenuate several inputs (eg. mic, guitar, line level stuff like
keyboards and cd players etc.) and hang the looper on an aux send. (Or
a pair of them if we want stereo, although there are all the attendant
sync problems.)&nbsp; So make your life a lot easier and get a small
mixer . . . you can even hang garden-variety guitar pedals on the aux,
and loop away.<br>
</blockquote>
<blockquote type="cite" cite>On 3/8/07,<b> radio radio</b> &lt;<a
href="mailto:radiotelevision@gmail.com">radiotelevision@gmail.com</a>&gt;
wrote:<br>
<blockquote>I didn't know that - what does that mean?<br>
<br>
THANKS!<br>
<br>
On 3/8/07, arcmotion &lt;<a
href="mailto:andrzej@arcmotion.com">andrzej@arcmotion.com</a>&gt;
wrote:<br>
&gt;<br>
&gt;<br>
&gt; just in case you dont know ...the rc50 does true feedback but
relies on an<br>
&gt; external mixer to acheive this.....although i havent tried this
out for<br>
&gt; myself yet....but others have and apparently it works.<br>
&gt;<br>
&gt; what also makes this interesting is that you can put effects on
that decay<br>
&gt; loop.<br>
&gt;<br>
&gt;<br>
&gt; ----- Original Message -----<br>
&gt; From: radio radio<br>
&gt; To: <a
href="mailto:Loopers-Delight@loopers-delight.com"
>Loopers-Delight@loopers-delight.com</a><br>
&gt; Sent: Friday, March 09, 2007 3:36 AM<br>
&gt; Subject: Re: looping pedal with decay?<br>
&gt;<br>
&gt; thanks for the replies! I think the Gibson EDP is out of my price
range,<br>
&gt; unless I can find a rediculous deal on one on Ebay, but I am glad
to know<br>
&gt; that that the Boomerang does have a decay - I did not realize
that. Right<br>
&gt; now that may look like the best option, although I am a bit wary
of the<br>
&gt; noise that many reviewers report as my rig is already quite
noisey. Another<br>
&gt; person recommended the Electro Harmonix 2880 or their 16 second
delay (and<br>
&gt; mentioned that the original lexicon jamman and the electrix
repeater also<br>
&gt; had a function to set the feedback). I'm glad to know that I what
I want<br>
&gt; does indeed exist and for the help in narrowing it down. Now I
can return<br>
&gt; the looper I bought that I thought had a set-able feedback but
does not<br>
&gt; (digitech jamman). In looking at these other ones, I can't tell
which ones<br>
&gt; accept more than one type of input ( e.g., instrument, mic, and
line<br>
&gt; levels). I would want at least the ability to use an instrument
and a mic,<br>
&gt; although I wouldn't necessarily need to be able to do both
simultaneously,<br>
&gt; so long as I got quick at switching.<br>
&gt;<br>
&gt; Does anyone else out there want to weigh in on this issue before
I spend the<br>
&gt; money I don't have? The quest is for a looping pedal that takes
both<br>
&gt; instrument level and line level and which you can set the
feedback for the<br>
&gt; loops (versus having them loop infinitely). I currently do not
have any rack<br>
&gt; equipment, is that a bridge I want to cross? Is there anything
else I should<br>
&gt; be considering in a addition?<br>
&gt;<br>
&gt; The ones mentioned so far are:<br>
&gt;<br>
&gt; Gibson Echoplex<br>
&gt; Boomerang plus<br>
&gt; Electro-Harmonix 2820<br>
&gt; Electro-Harmonix 16 second delay<br>
&gt; Original Lexicon Jamman<br>
&gt; Electrix Repeater<br>
&gt;<br>
&gt; ?????????????????????????????<br>
&gt; THANKS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!<br>
&gt;<br>
&gt; Eben<br>
&gt;<br>
&gt;<br>
&gt; On 2/27/07, <a href="mailto:mike@michaelplishka.com">
mike@michaelplishka.com</a> &lt;<a
href="mailto:mike@michaelplishka.com">mike@michaelplishka.com</a>&gt;
wrote:<br>
&gt; &gt; If I read you correctly, the Gibson EDP does what you want
and tons more!<br>
&gt; &gt; I upgraded from a Boomerang plus which does have the decay
but you pick it<br>
&gt; &gt; ahead of time (i.e. 20 reps, 10, 1 or infinite I
beleive)<br>
&gt; &gt;<br>
&gt; &gt; my 2 cents...<br>
&gt; &gt;<br>
&gt; &gt; Plish<br>
&gt; &gt;<br>
&gt; &gt; <a
href="http://www.myspace.com/michaelplishka"
>www.myspace.com/michaelplishka</a><br>
&gt; &gt; <a
href="http://www.myspace.com/bohdanovich">www.myspace.com/bohdanovich</a
><br>
&gt; &gt; <a
href="http://www.michaelplishka.com">www.michaelplishka.com</a><br>
&gt; &gt;<br>
&gt; &gt; &gt; The only things that I know of that will do what
you<br>
&gt; &gt; &gt; describe are delay pedals.&nbsp;&nbsp;I think the Giga
delay</blockquote>
<blockquote>&gt; &gt; &gt; would be your best bet, but I'd also read
somewhere<br>
&gt; &gt; &gt; that this one artist(I can't remebmer his name)
uses<br>
&gt; &gt; &gt; Eventide rack mount processors set up with an<br>
&gt; &gt; &gt; algorhythm that was set with a 95% feedback so that<br>
&gt; &gt; &gt; his loops would decay over time. That sounds more
like<br>
&gt; &gt; &gt; what you want, but that stuff is way
expensive.&nbsp;&nbsp;Other<br>
&gt; &gt; &gt; than that, sounds like all you need is a digital
delay<br>
&gt; &gt; &gt; unit with copious anmounts of time and to be able
to<br>
&gt; &gt; &gt; set the&nbsp;&nbsp;feedback setting as needed to make
the loops<br>
&gt; &gt; &gt; decay over time.<br>
&gt; &gt; &gt; --- radio radio &lt;<a
href="mailto:radiotelevision@gmail.com">radiotelevision@gmail.com</a>
&gt; wrote:<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;&gt; I want to buy a pedal and get into looping but
am<br>
&gt; &gt; &gt;&gt; having trouble<br>
&gt; &gt; &gt;&gt; figuring out which one will best meet my needs
(and<br>
&gt; &gt; &gt;&gt; budget). I've<br>
&gt; &gt; &gt;&gt; learned a LOT from this web site, but still
can't<br>
&gt; &gt; &gt;&gt; quite figure out<br>
&gt; &gt; &gt;&gt; everything and would really benefit from a
human<br>
&gt; &gt; &gt;&gt; (albeit<br>
&gt; &gt; &gt;&gt; computer-mediated) interaction. Thanks in
advance<br>
&gt; &gt; &gt;&gt; for taking the time<br>
&gt; &gt; &gt;&gt; to read this and respond - I hope that I will
be<br>
&gt; &gt; &gt;&gt; able to &quot;give back&quot;<br>
&gt; &gt; &gt;&gt; some day when I know something worth while.
Until<br>
&gt; &gt; &gt;&gt; then, I guess I<br>
&gt; &gt; &gt;&gt; should donate to this site if I get any
responses.<br>
&gt; &gt; &gt;&gt;<br>
&gt; &gt; &gt;&gt; From what I've read and thought about, it looks
like<br>
&gt; &gt; &gt;&gt; what will be the<br>
&gt; &gt; &gt;&gt; most important distinction for me is that the
loops<br>
&gt; &gt; &gt;&gt; will be able to<br>
&gt; &gt; &gt;&gt; decay. In other words, you can lay down a loop,
lay<br>
&gt; &gt; &gt;&gt; down another one<br>
&gt; &gt; &gt;&gt; on top, and then another, and so on, and
eventually<br>
&gt; &gt; &gt;&gt; the first one dies<br>
&gt; &gt; &gt;&gt; out, then the second one, and so on. I imagine
this<br>
&gt; &gt; &gt;&gt; working like a<br>
&gt; &gt; &gt;&gt; delay pedal in which you can set the decay (or
is<br>
&gt; &gt; &gt;&gt; that called<br>
&gt; &gt; &gt;&gt; feedback?). So you could &quot;morph&quot; over
time into new<br>
&gt; &gt; &gt;&gt; things, without<br>
&gt; &gt; &gt;&gt; being stuck with your original loops, and
without<br>
&gt; &gt; &gt;&gt; having to open a new<br>
&gt; &gt; &gt;&gt; loop and start from scratch with only one new
track<br>
&gt; &gt; &gt;&gt; each time&nbsp;&nbsp;you<br>
&gt; &gt; &gt;&gt; wanted to change it up.<br>
&gt; &gt; &gt;&gt;<br>
&gt; &gt; &gt;&gt; The three pedals I've looked into are:<br>
&gt; &gt; &gt;&gt;<br>
&gt; &gt; &gt;&gt; BOSS RC20xl, Digitech Jamman, and BOSS DD-20
giga<br>
&gt; &gt; &gt;&gt; delay<br>
&gt; &gt; &gt;&gt;<br>
&gt; &gt; &gt;&gt; I thought the BOSS was it, but now I'm thinking
that<br>
&gt; &gt; &gt;&gt; it doesn't allow<br>
&gt; &gt; &gt;&gt; this thing that I described. I can't tell if you
can<br>
&gt; &gt; &gt;&gt; do this with the<br>
&gt; &gt; &gt;&gt; Jamman or not - does anyone know? You could do
this<br>
&gt; &gt; &gt;&gt; with the DD-20,<br>
&gt; &gt; &gt;&gt; but I can't tell if you'd be able to set a<br>
&gt; &gt; &gt;&gt; loop/delay time up with<br>
&gt; &gt; &gt;&gt; your foot or not (versus having to set it to a<br>
&gt; &gt; &gt;&gt; certain number of<br>
&gt; &gt; &gt;&gt; seconds and then hope you can keep your riff to
that<br>
&gt; &gt; &gt;&gt; length) or if<br>
&gt; &gt; &gt;&gt; there would be other difficulties that I'm not
aware<br>
&gt; &gt; &gt;&gt; of if you're<br>
&gt; &gt; &gt;&gt; using this as a looping pedal when it's built to
be<br>
&gt; &gt; &gt;&gt; a delay.<br>
&gt; &gt; &gt;&gt;<br>
&gt; &gt; &gt;&gt; Should I be considering a different pedal? I
don't<br>
&gt; &gt; &gt;&gt; really need a delay<br>
&gt; &gt; &gt;&gt; pedal - I want a loop pedal that decays. I
don't<br>
&gt; &gt; &gt;&gt; really need to be<br>
&gt; &gt; &gt;&gt; able to save my loops - I just want to be able
to<br>
&gt; &gt; &gt;&gt; set them up on the<br>
&gt; &gt; &gt;&gt; fly. I don't need to be able to save them on my<br>
&gt; &gt; &gt;&gt; computer. I don't need<br>
&gt; &gt; &gt;&gt; to be able to plug in a separate mic or
instrument<br>
&gt; &gt; &gt;&gt; in addition to the<br>
&gt; &gt; &gt;&gt; guitar, although that would be a definite bonus
for<br>
&gt; &gt; &gt;&gt; me. I don't need a<br>
&gt; &gt; &gt;&gt; long amount of time - I'm guessing 23 seconds
is<br>
&gt; &gt; &gt;&gt; plenty. I don't know<br>
&gt; &gt; &gt;&gt; if I need the ability to set up separate loops
or<br>
&gt; &gt; &gt;&gt; not - I certainly<br>
&gt; &gt; &gt;&gt; wouldn't mind, but I don't know enough about using
a<br>
&gt; &gt; &gt;&gt; looper yet to<br>
&gt; &gt; &gt;&gt; know about that. Also, how important is<br>
&gt; &gt; &gt;&gt; 'auto-quanitze'? Lastly, I<br>
&gt; &gt; &gt;&gt; don't have a lot of money to spend, so the
echoplex<br>
&gt; &gt; &gt;&gt; is right out. The<br>
&gt; &gt; &gt;&gt; boomerang is also too expensive, and anyway I'm<br>
&gt; &gt; &gt;&gt; affraid of the noise<br>
&gt; &gt; &gt;&gt; issues that people have written about with that
one.<br>
&gt; &gt; &gt;&gt; I haven't really<br>
&gt; &gt; &gt;&gt; learned about any other pedals out there.<br>
&gt; &gt; &gt;&gt;<br>
&gt; &gt; &gt;&gt; Thanks again!<br>
&gt; &gt; &gt;&gt; Eben<br>
&gt; &gt; &gt;&gt;<br>
&gt; &gt; &gt;&gt;<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;<br>
&gt;
_____________________________________________________________________<span
></span>_______________</blockquote>
<blockquote>&gt; &gt; &gt; No need to miss a message. Get email
on-the-go<br>
&gt; &gt; &gt; with Yahoo! Mail for Mobile. Get started.<br>
&gt; &gt; &gt; <a
href="http://mobile.yahoo.com/mail">http://mobile.yahoo.com/mail</a><br
>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt;<br>
</blockquote>
</blockquote>
<blockquote type="cite" cite><br>
<br>
<br>
--<br>
Miko Biffle<br>
<a href="mailto:Biffoz@Gmail.com">Biffoz@Gmail.com</a><br>
<a
href="mailto:MBiffle@FoxRacingShox.com">MBiffle@FoxRacingShox.com</a><br
>
&quot;Running scared from all the usual
distractions!&quot;</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
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From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 13:41:41 2007
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From: "Fabio Anile" <fabio.anile@tiscali.it>
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Subject: Re: thanks...and another tune
Date: Fri, 9 Mar 2007 14:41:28 +0100
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You're great, Simeon !
I love both the 2 tracks you put out here in the last times.
Best

fabio
http://xoomer.alice.it/eterogeneo
www.myspace.com/eterogeneo



----- Original Message ----- 
From: "simeon harris" <simeonharris@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 09, 2007 12:21 PM
Subject: RE: thanks...and another tune


>
>
>
>>From: "Michael Peters" <mp@mpeters.de>
>> > here is a new tune...
>> > http://www.simeonharris.co.uk/08_Mar_1644.mp3
>> > quite textural (and loopy)
>>
>>thanks Simeon ... great stuff ... what I like as much as the 
>>loops/textures
>>is the rhythms ... would you elaborate a bit on how you did them?
>>
>>Michael www.michaelpeters.de
>
>
> thanks michael!
>
> on this tune, the drums were pre-recorded loops. i mixed several together 
> for each section, because i wanted something quite complex and even a bit 
> mad sounding on this tune
>
> i use a variety of techniques for drums...sometimes loops, sometimes loops 
> sliced up and triggered via midi (in Intakt), sometimes samples triggered 
> by midi (in Battery), sometimes samples laid out in the arrangement 
> window....usually some combination of all four...
>
> thanks for listening!
>
> sim
>
> _________________________________________________________________
> MSN Hotmail is evolving – check out the new Windows Live Mail 
> http://ideas.live.com
>
>
>
> -- 
> No virus found in this incoming message.
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> 

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I have played to a audience of 3 who sat and listened and were engaged and =
I've played in front of 10,000 people who were just there to party.  As fun=
 as scenario 2 was, I'd opt for scenario 1 without a second thought.

The college concert hall where I work presented Glen Velez a few years ago.=
  He was touring as part of a duo with a violinist who's name escapes me.  =
The school dropped the ball bigtime and did no publicity.  There was one pe=
rson in the audience and he was there purely by chance, and me (the stage m=
anager).  Glen's performance that night ranks among one of the 4 or 5 most =
amazing musical experiences I've had as an audient.

With so many things today that are competing for people's time/money/attent=
ion I am always appreciative of anyone who makes the effort to show up.  An=
d of the ones who show up by accident but decide to listen.

M

TwistedAppleRecords.com=

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 14:20:37 2007
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>From: "Fabio Anile" <fabio.anile@tiscali.it>
>
>You're great, Simeon !
>I love both the 2 tracks you put out here in the last times.
>Best
>
>fabio
>http://xoomer.alice.it/eterogeneo
>www.myspace.com/eterogeneo

thanks for the kind words fabio!

_________________________________________________________________
Get Hotmail, News, Sport and Entertainment from MSN on your mobile.  
http://www.msn.txt4content.com/

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 14:46:32 2007
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Subject: RE: audient(s)
Date: Fri, 9 Mar 2007 06:46:26 -0800
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As an audient member in the early 70's I attended a concert in Peoria,
Illinois, with the Yard Birds (Jimmy Page on Cheerio's box guitar) , and a
couple other hot bands of the day.  There were so few people there that I
stood with my arms resting on the front edge of the stage, and don't even
recall rubbing elbows with anyone.   Perhaps their publicity got totally
messed up. But I definitely appreciated it. 

-Qua

-----Original Message-----
From: Murkie [mailto:sinister_footwear@yahoo.com] 
Sent: Friday, March 09, 2007 6:05 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: audient(s)

I have played to a audience of 3 who sat and listened and were engaged and
I've played in front of 10,000 people who were just there to party.  As fun
as scenario 2 was, I'd opt for scenario 1 without a second thought.

The college concert hall where I work presented Glen Velez a few years ago.
He was touring as part of a duo with a violinist who's name escapes me.  The
school dropped the ball bigtime and did no publicity.  There was one person
in the audience and he was there purely by chance, and me (the stage
manager).  Glen's performance that night ranks among one of the 4 or 5 most
amazing musical experiences I've had as an audient.

With so many things today that are competing for people's
time/money/attention I am always appreciative of anyone who makes the effort
to show up.  And of the ones who show up by accident but decide to listen.

M

TwistedAppleRecords.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 14:58:09 2007
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Date: Fri, 09 Mar 2007 06:58:04 -0800
Subject: Re: FS: Looperlative
From: Larry Stites <ncnet@sbcglobal.net>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Mark - are you in CA? I might be able to pick this up if so. Did you list
this on Ebay recently? Someone from Loopers Delight was selling a
looperlative described like yours about a month ago.


Let me know


LS


on 3/8/07 7:56 PM, Mark Trewella wrote:

> Like new, never gigged and always racked.  $1,200 shipped.  The unit
> is great but I just want to sort of simplify my rig again, am going to
> go back to the EDP.  If anyone has an excellent Gibson Echoplex
> Digital Pro Plus foot controller, full memory and loop IV I will
> consider a trade + cash for my Looperlative.
> 



Regards,



Larry Stites
Nevada City, CA 95959
ncnet@sbcglobal.net
AOL IM: LESGGN



From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 15:21:27 2007
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Subject: Re: OT: Composition Contest: in search of the lost chords
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At 12:28 AM 3/9/2007, you wrote:

>This is awesome, thanks for passing it along, Chris. I'm 
>definitely going to take part.

Yeah, I don't really have the guts to well, compose something, but 
it sure sounds interesting. I'm one of those annoying "perfect 
pitch" types, so  I like to shock myself out of my comfort zone of 
12TET every so often.
Chris


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From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 15:26:38 2007
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Subject: Re: Audient
References: <BAY129-F141D143F3FF2BDB81955C5C3790@phx.gbl>    <005001c761d3$780c8a70$16b2a8c0@netzrechner> <1137.69.59.206.219.1173405032.squirrel@webmail.peak.org>
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This is a multi-part message in MIME format.
--------------070301010608020001020706
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
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I have to agree ... I once went and saw a friend of mine play at 
Cornelia street cafe, I paid a cover, ordered kindof an expensive dinner 
for myself and my date, and watched the first set. There were about 14 
people there to see him and I guess Cornelia street has some kind of 
policy that if there aren't 15 people, no second set. So here I've paid 
a cover, drinks, food I didn't really want (for 2) and halfway through 
dinner the show is over, kaput. It was ridiculous ... the dinner and 
drinks we ordered significantly exceeded the drink minimum of 5 or 6 or 
more audients. I am never going to Cornelia street cafe again. It's been 
years and I've stuck to that, because I think that policy represents the 
absolute wrong attitude ... it's not about the people who aren't there, 
it's about the audience that IS there, that made the trip, spent the 
money, set their evening aside. It wasn't MY doing whether there were 2 
or 100 people at the show, I was a customer who didn't get his money's 
worth, and worse, I felt like my evening was kind of stolen from me.

So having been on the other side of that, I really try to put on the 
best show I can, regardless of who is in the crowd. Or un-crowd, as the 
case may be.

-- Sarth

improv@peak.org wrote:
>> we have this rule: my quartet plays only, if there is more people in the
>> audience then on stage.
>>     
>
> No offense, but that seems a bit harsh to the people who actually came out
> to your show. I play in a 6-piece band, and we have definitely played to
> audient's (I love that term) before, but we figure since we are there, we
> might as well put on a show. Sometimes those are the most fun, once you
> get past the sinking feelings of abject failure ;-). I remember one show
> in the bay area, we were on the road from Oregon and played at a club to
> 12 people. We went ahead and did the gig, the management gave us the
> option of cancelling, we were playing for the door. We played pretty well,
> and everyone of those 12 people bought a CD (some more than one) and a
> T-shirt. Plus, they took up a collection, and bought us dinner from a
> nearby takeout place, as well as numerous beers. We felt like we made
> friends with everyone of those people, and they still come to our shows.
> Now they bring friends!
>
> I just figure it's part of our job description to play the gig, no matter
> what.
>
>   
>> when there is only five people present, we kindly ask them to introduce
>> themselves.
>> once we dedicated each piece to one of the listeners.
>> it was fun. sometimes these mini crowds can be great.
>>
>> (once i played a duo concert for my mother, my girlfriend and the
>> organizer.
>> it was election night - no wonder nobody showed up.)
>>
>> tilmann
>>     
>
>
>
>   

--------------070301010608020001020706
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
  <title></title>
</head>
<body bgcolor="#ffffff" text="#000000">
I have to agree ... I once went and saw a friend of mine play at
Cornelia street cafe, I paid a cover, ordered kindof an expensive
dinner for myself and my date, and watched the first set. There were
about 14 people there to see him and I guess Cornelia street has some
kind of policy that if there aren't 15 people, no second set. So here
I've paid a cover, drinks, food I didn't really want (for 2) and
halfway through dinner the show is over, kaput. It was ridiculous ...
the dinner and drinks we ordered significantly exceeded the drink
minimum of 5 or 6 or more audients. I am never going to Cornelia street
cafe again. It's been years and I've stuck to that, because I think
that policy represents the absolute wrong attitude ... it's not about
the people who aren't there, it's about the audience that IS there,
that made the trip, spent the money, set their evening aside. It wasn't
MY doing whether there were 2 or 100 people at the show, I was a
customer who didn't get his money's worth, and worse, I felt like my
evening was kind of stolen from me.<br>
<br>
So having been on the other side of that, I really try to put on the
best show I can, regardless of who is in the crowd. Or un-crowd, as the
case may be.<br>
<br>
-- Sarth<br>
<br>
<a class="moz-txt-link-abbreviated" href="mailto:improv@peak.org">improv@peak.org</a> wrote:
<blockquote
 cite="mid1137.69.59.206.219.1173405032.squirrel@webmail.peak.org"
 type="cite">
  <blockquote type="cite">
    <pre wrap="">we have this rule: my quartet plays only, if there is more people in the
audience then on stage.
    </pre>
  </blockquote>
  <pre wrap=""><!---->
No offense, but that seems a bit harsh to the people who actually came out
to your show. I play in a 6-piece band, and we have definitely played to
audient's (I love that term) before, but we figure since we are there, we
might as well put on a show. Sometimes those are the most fun, once you
get past the sinking feelings of abject failure ;-). I remember one show
in the bay area, we were on the road from Oregon and played at a club to
12 people. We went ahead and did the gig, the management gave us the
option of cancelling, we were playing for the door. We played pretty well,
and everyone of those 12 people bought a CD (some more than one) and a
T-shirt. Plus, they took up a collection, and bought us dinner from a
nearby takeout place, as well as numerous beers. We felt like we made
friends with everyone of those people, and they still come to our shows.
Now they bring friends!

I just figure it's part of our job description to play the gig, no matter
what.

  </pre>
  <blockquote type="cite">
    <pre wrap="">when there is only five people present, we kindly ask them to introduce
themselves.
once we dedicated each piece to one of the listeners.
it was fun. sometimes these mini crowds can be great.

(once i played a duo concert for my mother, my girlfriend and the
organizer.
it was election night - no wonder nobody showed up.)

tilmann
    </pre>
  </blockquote>
  <pre wrap=""><!---->


  </pre>
</blockquote>
</body>
</html>

--------------070301010608020001020706--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 15:29:56 2007
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Subject: Re: FS: Looperlative
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unsubscribe


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http://news.bbc.co.uk/1/hi/world/africa/4368516.stm <br>
<br>
I am DORATHY BANKER (dorathyfsb202@yahoo.com ) an accountant with one of the banks in my country Nigeria.I got your esteem contact address from internet during my search for any relation to my client a Foreign Expertrate Engineer with one of the oil companies in my country He was among the victims of the Bellview Airlines flight 210 . The reason for contacting you was due to the similarity in <br>
your name I want you to help me receive $10million dollars into your account. The newly appointed director of my bank has ordered that we should compile the list of dormant account to enable the bank sieze the money. Since nobody has applied as next of kin to the late Engineer. <br>
<br>
As a Christian I have decided that instead of loosing the whole money to the bank, I will rather donate the money to any charitable organization in your country such as homeless and motherless homes,for Pets up bringing and some other related organization.If you are interested to assist me,I will give you the contact of my bank head office so ! that you will contact the bank with the <br>
deposite certificate of the fu nd, which I will send to you as soon as you responds. <br>
All I need to do is to include your name as a relation to the Engineer.(Next-of-kin)The amount involved is $10m million dollars,I had resolved to share the money as follows: 30 % for me. 30% for you and 30% for the charity organization.10% for expencess,I will therefore send you the certificate of deposit of the fund so that you can forward it to our bank .Do please send me your contact address, phone and fax numbers if any and your drivers <br>
license or copy of your international passport. <br>
I await your urgent responds. <br>
<br>
Thanks DORATHY BANKER <br>
Email: <br>
drthy_banker@yahoo.com<br>
<br><br>
<hr><DIV ID='cSig'>Get your Free E-mail at http://mailcentro.zzn.com<br>
<div style='background-color: #EEE; color: maroon; font: caption; width:40%; padding-left: 20px;'>Get your own emal service at <A href='http://www.zzn.com?email'>ZZN.COM</A>.</div><br>
</DIV><br>
<br>
</DIV></BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 15:47:40 2007
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From: paul <phaslem@wightman.ca>
Subject: Re: Audient
In-Reply-To: <45F17CA1.4000804@sarth.net>
References: <BAY129-F141D143F3FF2BDB81955C5C3790@phx.gbl>
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This is great, audient and now un-crowd, brilliant words.
I played in St. Louis about 13 yrs ago, I think the people were 
preoccupied with the weather, in fact the next morning they closed 
the interstate when the flood waters went over the road. Anyway there 
was 3 people in the auditorium so I treated it more like a house gig 
and invited them to come up and sit on the stage and we swapped 
stories and played tunes; had an amazing evening! One of the best on 
that tour!!

Paul Haslem
www.dulcify.ca








At 10:26 AM 3/9/2007, you wrote:
>I have to agree ... I once went and saw a friend of mine play at 
>Cornelia street cafe, I paid a cover, ordered kindof an expensive 
>dinner for myself and my date, and watched the first set. There were 
>about 14 people there to see him and I guess Cornelia street has 
>some kind of policy that if there aren't 15 people, no second set. 
>So here I've paid a cover, drinks, food I didn't really want (for 2) 
>and halfway through dinner the show is over, kaput. It was 
>ridiculous ... the dinner and drinks we ordered significantly 
>exceeded the drink minimum of 5 or 6 or more audients. I am never 
>going to Cornelia street cafe again. It's been years and I've stuck 
>to that, because I think that policy represents the absolute wrong 
>attitude ... it's not about the people who aren't there, it's about 
>the audience that IS there, that made the trip, spent the money, set 
>their evening aside. It wasn't MY doing whether there were 2 or 100 
>people at the show, I was a customer who didn't get his money's 
>worth, and worse, I felt like my evening was kind of stolen from me.
>
>So having been on the other side of that, I really try to put on the 
>best show I can, regardless of who is in the crowd. Or un-crowd, as 
>the case may be.
>
>-- Sarth

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 15:59:39 2007
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From: Josh Carroll <josh@infinivert.com>
Subject: Re: loop sync semantics
Date: Fri, 9 Mar 2007 09:59:35 -0600
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I can't speak for the hardware loopers, but Mobius can do all 3 modes =20=

in a manner of speaking, though it approaches them slightly =20
differently.  The different "tracks" in Mobius are like individual =20
loopers that can run in or out of sync with eachother.  Each can be =20
overdubbed or multiplied over.  To get completely out of sync, you'd =20
be forced to use a new track, but for either of the sync modes you =20
describe, an overdub or a multiply can begin right on a loop point or =20=

anywhere in the loop.

--Josh


On Mar 8, 2007, at 3:29 PM, aaron leese wrote:

>
> I wonder ... Do you suppose we can come to a consensus on the words =20=

> that most concisely describe these "looping modes" ... though I =20
> guess even that phrase is suspect ....
>
> This requires a picture .....
> please see http://www.flyloops.com/semantics/loopingmodes.html
>
> Now for the questions:
>
> 1 - unsynced ..... this is what happens when you have two loop =20
> pedals in the same room, and neither one really cares when the =20
> other is doing.  We have all tried looping in a band setting and =20
> for many of us, we thought we would be slick enough to have two =20
> people looping and stay in sync ... sadly it doesnt work that way!
>
> So .....
>
> 2 - full syncronization ..... more advanced looping devices started =20=

> syncronizing loops ..... that is, you can tell the second (slave) =20
> loop pedal to only start or stop recording when the first throws a =20
> repeat.  This is the typical master/slave set ..... I think.
>
> 3 - partial syncronization ... latching ??? ...... Here the loops =20
> are also syncronized, but the pedal will start recording =20
> immediately once pressed .... it just knows to only stop recording/=20
> start playback when the master loop is at a certain offset .......
>
>
>
> More importantly .... lets talk hardware .....
>
> --- The RC20 and original boomeraang are of course, only =20
> layering ... so you could think of this as full syncronization but =20
> without the ability to have phrases of different lengths, or to =20
> turn phrases on/off once recorded .....
>
> ----  The RC50 has 3 loop banks ... They are unsynced I =20
> believe ???  Or you can set a midi clock and preprogram a length??  =20=

> Can they be different lengths then, but synced (like the EDP =20
> multiply function?).  Forgive me, but I haven't checked one out yet.
>
> ----  If you have the cash two EDPS, you can have a master slave =20
> and set up the EDPs as fully synced ....
>
> ----  Mobius behaves as fully synced I believe ... though I have =20
> only used it a little.  Do you have to preprogram the loop length, =20
> or can it just work off the length of the recorded "master" loop, =20
> and then go from there ....
>
> ----  Does anything do that other one ..... partial synced / =20
> latching .... I imagine Ableton could with some work .....
>
>
> Anyway .... I look forward to the responses .... lemme know what =20
> you think the proper words area here for what I call synced/ =20
> unsynced/ latching modes ......
>
> _________________________________________________________________
> Win a Zune=99=97make MSN=AE your homepage for your chance to win! =
http://=20
> homepage.msn.com/zune?icid=3Dhmetagline
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 16:02:38 2007
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From: Chris Smart <chris_s@sympatico.ca>
Subject: RE: audient(s)
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How many of you gig and do other musical things to make a living? 
Fine if you play one gig a month and are a dentist by day or 
something, but don't you want more butts in those seats, just to 
pay the bills?


-- 
No virus found in this outgoing message.
Checked by AVG Free Edition.
Version: 7.5.446 / Virus Database: 268.18.8/714 - Release Date: 3/8/2007 10:58 AM


From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 16:02:44 2007
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Date: Fri, 09 Mar 2007 11:02:37 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #518 for March 1, 2007
To: undisclosed-recipients: ;
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http://wdiy.org/programs/gt/playlists/2007/070301.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, 92.9 FM on Service Electric Cable, and webcasting on
the internet.

                Show #518                March 1, 2007

RECAP:
On this show, I started a month-long focus on Paul Lawler.  The Featured
CD at Midnight was "Gather Darkness" by Arcane on NeuHarmony Records.

The Vinyl Starter was from the LP "Kosmische Musik" by various artists
on Ohr Records.

Paul Lawler: http://wdiy.org/programs/gt/playlists/2007/focus.html#mar


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Tangerine Dream] Sunrise in the       Kosmische Musik (Ohr)
                       Third System
Rudy Adrian          Summer Fields        Moonwater (Lotuspike)
IXOHOXI and Numina   Stenness Watchstone  Megaliths and Monoliths (none)
Eric Wollo           Red Odyssey          Elevations (Spotted Peccary)
Eric Wollo           Novalis              Elevations (Spotted Peccary)
Alpha Wave Movement  Sun Tempel           The Regions Between (Harmonic
                                            Resonance)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Arcane               Dystopian Fictions   Gather Darkness (NeuHarmony)
Arcane               Gather Darkness      Gather Darkness (NeuHarmony)
Arcane               Flight From Time One Gather Darkness (NeuHarmony)
Arcane               Requiem              Gather Darkness (NeuHarmony)
Arcane               Time Will Run Back   Gather Darkness (NeuHarmony)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Paul
Lawler.  The Featured CD at Midnight will be "Bronx Shadows" by Paul
Lawler on Ricochet Dream Records.

The Vinyl Starter will be from the LP "Time Actor" by Richard Wahnfried
on IC Records and released in 1979.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EST (GMT-5:00) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 16:12:44 2007
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    <45F0F072.1000706@mhorse.com>
    <6.2.5.6.2.20070309102741.027b5e20@sympatico.ca>
Date: Fri, 9 Mar 2007 11:12:36 -0500 (EST)
Subject: Re: OT: Composition Contest: in search of the lost chords
From: mike@michaelplishka.com
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What was the original link here?  I tried to search the archives but the
word chord is quite common in this group;-)

Thanks!

plish

> At 12:28 AM 3/9/2007, you wrote:
>
>>This is awesome, thanks for passing it along, Chris. I'm
>>definitely going to take part.
>
> Yeah, I don't really have the guts to well, compose something, but
> it sure sounds interesting. I'm one of those annoying "perfect
> pitch" types, so  I like to shock myself out of my comfort zone of
> 12TET every so often.
> Chris
>
>
> --
> No virus found in this outgoing message.
> Checked by AVG Free Edition.
> Version: 7.5.446 / Virus Database: 268.18.8/714 - Release Date: 3/8/2007
> 10:58 AM
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 16:12:55 2007
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Date: Fri, 9 Mar 2007 11:12:49 EST
Subject: Re: audient(s)
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I once saw Robert Fripp and The League of Crafty Guitarists. Less than 15  
people purchased tickets and showed up at a venue that easily seated 300-400.  
Fripp came out, addressed the audience with complete and total dignity,  then 
proceeded to blow everyone's mind. Strength in numbers is the motto  operative 
of the local shepherd's union. There is currently no  shortage of sheep.
 
DrXPM  
<BR><BR><BR>**************************************<BR> AOL now offers free 
email to everyone.  Find out more about what's free from AOL at 
http://www.aol.com.

-------------------------------1173456769
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.2900.2873" name=3DGENERATOR></HEAD>
<BODY id=3Drole_body style=3D"FONT-SIZE: 10pt; COLOR: #000000; FONT-FAMILY:=20=
Arial"=20
bottomMargin=3D7 leftMargin=3D7 topMargin=3D7 rightMargin=3D7><FONT id=3Drol=
e_document=20
face=3DArial color=3D#000000 size=3D2>
<DIV>I once saw Robert Fripp and The League of Crafty Guitarists. Less than=20=
15=20
people purchased tickets and showed up at a venue that easily seated 300-400=
.=20
Fripp came out, addressed the audience with complete and total&nbsp;dignity,=
=20
then proceeded to blow everyone's mind. Strength in numbers is the motto=20
operative&nbsp;of the local shepherd's union. There&nbsp;is currently no=20
shortage of sheep.</DIV>
<DIV>&nbsp;</DIV>
<DIV>DrXPM&nbsp;&nbsp;</DIV></FONT><BR><BR><BR><DIV><FONT style=3D"color: bl=
ack; font: normal 10pt ARIAL, SAN-SERIF;"><HR style=3D"MARGIN-TOP: 10px">AOL=
 now offers free email to everyone.  Find out more about what's free from AO=
L at <A title=3D"http://www.aol.com?ncid=3DAOLAOF00020000000339" href=3D"htt=
p://www.aol.com?ncid=3DAOLAOF00020000000339" target=3D"_blank"><B>AOL.com</B=
></A>. </FONT></DIV></BODY></HTML>

-------------------------------1173456769--

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Below is the whole deal-i-o, one has to join the Times to see the online 
article so I've reposted Chris's post. Looks like basically you can just 
send a link to your recording to Glenn at his email address.

Daryl Shawn
www.swanwelder.com
> What was the original link here?  I tried to search the archives but the
> word chord is quite common in this group;-)
>   

The following is exerpted from the blog called "Score", connected to the 
New York Times online at:
http://thescore.blogs.nytimes.com/?excamp=mkt_at12

March 6, 2007, 11:13 pm
The ‘In Search of the Lost Chords’ Contest

By
Glenn Branca
glenn@glennbranca.com

The sweetest sounds I’ve ever heard are still inside my head.— Richard 
Rogers

We discussed the widespread contempt in which ukulele players are held - 
traceable, we concluded, to the uke’s all-but-exclusive employment as a 
producer of chords - single, timeless events apprehended all at once 
instead of serially. Notes of a linear melody, up and down a staff, 
being a record of pitch versus time, to play a melody is to introduce 
the element of time, and hence of mortality. Our perceived reluctance to 
leave the timelessness of the struck chord has earned ukulele players 
our reputation as feckless, clownlike children who will not grow up. — 
Thomas Pynchon from "Against The Day”


Yes, this is a contest.

And it’s open to any and everyone.

Here are the rules. Write and record up to three minutes of startlingly 
new and original instrumental chords. They can be scored in any fashion 
whatsoever, using any instrumentation or sound producing devices. You 
can submit a static series of chords or you can perturb the chords in 
any fashion. You can just submit one big gorgeous chord if you wish.

The submissions can be sent here in the form of a posted link to a site 
where a recording of the piece can be heard (like MySpace, for example). 
Leave the link in a comment at the end of this post. Don’t send any 
music files.

At the end of the month I will announce the winners on my last blog entry.

I was hoping to be able to have some kind of small rewards for the 
winners, but it’s not possible at this time. The links to all of the 
entries will stay posted in the comment section so that people can judge 
for themselves if they don’t like my choices. But I will only post 
entries that seem to be within the spirit of the contest.

[Legal Note: By submitting a link to music you represent and warrant 
that the music found there is your original creation and that it does 
not infringe on any existing copyright.]

Anyone who can’t post an entry because they’re not a member of 
TimesSelect can just send the link to me at glenn@glennbranca.com and 
I’ll post it.

In searching for lost chords there can only be one method, and that is 
the method that eschews all pre-existing methods.

THE SECRETS OF HARMONY

Are there natural laws of music? Are the rules of harmony like a science 
that reveals to us the inner workings of a system? Are modulations and 
cadences like formulae that will produce accurate results? Is the 
history of music more or less a map which if followed to a logical 
conclusion will leads us to the perfect destination? Or is music a 
mysterious, irrational problem that even a gifted savant could not solve 
without the help of an intuitive muse and perhaps a little white-hot 
inspiration?

The secrets of harmony are buried in a safe place beneath hundreds of 
years of music theory. Originally theory was called counterpoint and was 
invented
solely as an instruction manual for rural choirmasters. It was cheaper 
than commissioning the likes of a Bach to give your town its own musical 
identity. Since theory was necessarily derived from an analysis of 
previously existing music, then any music based on that theory must 
itself sound like the music that the theory was derived from. In fact 
that was the whole point. Of course my point is that if you want to 
write something that doesn’t sound anything like anything you’ve ever 
heard before then this kind of self-referential theory can’t get you there.

But there are other reasons to support anti-theory. If there were a 
natural law of music it would be the harmonic series:
http://cnx.org/content/m11118/latest/
Being infinite it contains within it all music: every interval, every 
mode, key or cluster in every possible tuning or temperament, all 
resonating in multifarious rhythms and melodies from a single 
fundamental tone. To create a system based on a particular set of 
intervals, chords or keys over any other is a matter of cultural 
preference that becomes entrenched over time, attaching meaning that is 
illusory.

PSYCHO-ACOUSTIC SUBJECTIVITY

Music must be heard. This is the corollary to Varese’s “music must 
sound.” Unlike the other arts music can never be literal. By its very 
nature it is abstract. But it can move a listener in ways that no words 
or pictures can ever do.

When a major triad is voiced in a particular way and is heard in a 
resonant acoustic space, sometimes voices or even choirs seem to be 
heard. This psycho-acoustic phenomenon can be explained simply by the 
fact that the music is voiced in a manner that people associate with a 
choir. This is the reason why early dissonant music often reminded 
people of traffic jams, or certain types of clusters sounded to them 
like a swarm of bees. The mind must categorize what it hears based on 
previous reference. Music sounds like music because it sounds like music.

Composers can’t ignore this subjective aspect of perception. But they 
can exploit it in the gray area between perceived musical sound and 
non-musical sound. This is the point at which a moment of perceptual 
tabula rasa can imprint music that’s never been heard before.

FULL RANGE CHORDS

Nicholas Slonimsky once wrote that it had been determined that there are 
479,001,600 permutations of a single musical phrase based on the 12 
tones of the chromatic scale. In that same light it can be shown that 
there are 4095 different chords that can be derived from those same 12 
tones. But if one thinks in terms of chords that extend over the full 
orchestral range, using the 88 keys of the piano as reference, there are 
approximately 300,000,000,000,000,000,000,000,000 different chords that 
can be derived from those 88 tones. That’s 2 to the 88th power. Of 
course this calculation does not take into account microtonal intervals 
which would increase the size of the number astronomically considering 
that it is possible to get meaningful
audible differences down to at least an eighth tone.

The point of such a demonstration, similar to what Slonimsky was trying 
to show, is that the number of possible chords is inexhaustible. And of 
course with timbre and orchestration introduced the potential is 
virtually infinite.

AMBIGUOUS TONALITY

One example of a chord that defies analysis is the “unison cluster.” 
This is a type of dense cluster in which the tones are placed very close 
together using small microtonal intervals. The effect is neither of a 
cluster nor a unison. But the sound is rich with a strange, singing 
choir-like quality. The clash of harmonics which occurs in a standard 
cluster does not occur here because the harmonic interaction that 
creates the harsh sound is so high that it’s outside the range of hearing.

In fact this quality is at work to a subtle degree in the sound of an 
orchestral string section that can never be perfectly in tune. Some 
conductors will even use the trick of having the string players tune 
slightly out to get a “richer” sound. It is also why an out of tune 
piano can have an oddly appealing sound. A piano doubles and triples 
unison strings in most of the range.

Music is not pure. It cannot be pure. Sound is noise. In the 70s it was 
popular for studio engineers to try to get the “cleanest” possible 
sound, a vogue that lasted for years and was a complete failure. The 
only clean sound is silence.

Schoenberg in his “Harmonielehre” refers to what he calls “tone colors.” 
This was his way of describing ambiguous pitch or sounds that cannot be 
analyzed in terms of pitch alone. In fact he went so far as to say that 
there could be no system or theory to define such music.

Ironically this work led to the rejection of tonality by many 20th 
century 12-tonalists and serialists. Instead of opening the potential 
for tonal variety
it became severely limited. They believed that an ambiguous or neutral 
tonal landscape could not be achieved using consonant chords. They also 
had a reliance on specific pitch that could be dealt with like numbers 
in a mathematical equation. There is a reason why art is not science. To 
“prove” the efficacy of a musical pattern in some rational system means 
nothing if it sounds bad. Strangely few had seemed to notice the success 
that Webern had had introducing consonance into atonality.

MATERIALS FOR BUILDING LOST CHORDS

It should be kept in mind that when building lost chords the sound of a 
chord is relative. A dissonant chord can sound almost consonant when 
preceded by a chord or cluster that is far more dissonant. As well, a 
series of consonant chords can sound saccharine without contrast. 
Following are a few hints on mechanics:

TIMBRE: The use of untempered sound such as steel chicken wire instead 
of guitar or piano strings, copper plumbing pipes, bowed cymbals or a 
kazoo, homemade instruments, “ethnic” instruments such as a hurdy-gurdy, 
bagpipes or sarangi, synth effects and EQ that can be found on any 
sampler to alter a conventional instrument sound. Altering timbre 
entirely changes the harmonic content of a sound. With this type of 
sound the fundamental often no longer dominates. The harmonic 
interaction is unpredictable and can create unusual relationships.

MICROTONALITY: Tones based on the intervals of the harmonic series or 
any division of the octave smaller than a half tone.

WEIGHTING: Using dynamics or instrument doubling, the balance of the 
tones within a chord can be drastically altered. For example if one were 
to use a cluster and a major triad in the same chord, emphasizing the 
cluster would give a very different chord than emphasizing the triad. Of 
course this technique can be used in far more subtle ways.

VOICING AND RANGE: Three notes spread out over the entire range is a 
very different chord than the same three notes voiced within a single 
octave. A chord in the high range is very different than the same chord 
in the low range. This is not trivial. Voicing change and note change 
are equally important. Think in terms of a full seven-octave range.

AMBIGUITY: This technique includes unison clusters and ambiguous 
tonality discussed earlier. Introducing an unfamiliar sound into a 
familiar context or vice versa is an effective tool.

CHANGE: Here is a trick of the trade. When making a change always change 
at least two elements. This is the concept of contrary motion but 
extrapolated across the entire field of possible change.

Combining these various types will give the best results. In short, 
composing lost chords requires attention to detail and carefully 
constructed contrast.


Anyone who is interested in finding out about recordings of music that 
transcend the predictable can go to Massimo Ricci’s
www.touchingextremes.org.


-- 
No virus found in this outgoing message.
Checked by AVG Free Edition.
Version: 7.5.446 / Virus Database: 268.18.7/713 - Release Date: 3/7/2007 
9:24 AM




From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 16:20:41 2007
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    <45F188C4.4070900@mhorse.com>
Date: Fri, 9 Mar 2007 11:20:34 -0500 (EST)
Subject: Re: OT: Composition Contest: in search of the lost chords
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Thanks!

> Below is the whole deal-i-o, one has to join the Times to see the online
> article so I've reposted Chris's post. Looks like basically you can just
> send a link to your recording to Glenn at his email address.
>
> Daryl Shawn
> www.swanwelder.com
>> What was the original link here?  I tried to search the archives but the
>> word chord is quite common in this group;-)
>>
>
> The following is exerpted from the blog called "Score", connected to the
> New York Times online at:
> http://thescore.blogs.nytimes.com/?excamp=mkt_at12
>
> March 6, 2007, 11:13 pm
> The ‘In Search of the Lost Chords’ Contest
>
> By
> Glenn Branca
> glenn@glennbranca.com
>
> The sweetest sounds I’ve ever heard are still inside my head.— Richard
> Rogers
>
> We discussed the widespread contempt in which ukulele players are held -
> traceable, we concluded, to the uke’s all-but-exclusive employment as a
> producer of chords - single, timeless events apprehended all at once
> instead of serially. Notes of a linear melody, up and down a staff,
> being a record of pitch versus time, to play a melody is to introduce
> the element of time, and hence of mortality. Our perceived reluctance to
> leave the timelessness of the struck chord has earned ukulele players
> our reputation as feckless, clownlike children who will not grow up. —
> Thomas Pynchon from "Against The Day”
>
>
> Yes, this is a contest.
>
> And it’s open to any and everyone.
>
> Here are the rules. Write and record up to three minutes of startlingly
> new and original instrumental chords. They can be scored in any fashion
> whatsoever, using any instrumentation or sound producing devices. You
> can submit a static series of chords or you can perturb the chords in
> any fashion. You can just submit one big gorgeous chord if you wish.
>
> The submissions can be sent here in the form of a posted link to a site
> where a recording of the piece can be heard (like MySpace, for example).
> Leave the link in a comment at the end of this post. Don’t send any
> music files.
>
> At the end of the month I will announce the winners on my last blog entry.
>
> I was hoping to be able to have some kind of small rewards for the
> winners, but it’s not possible at this time. The links to all of the
> entries will stay posted in the comment section so that people can judge
> for themselves if they don’t like my choices. But I will only post
> entries that seem to be within the spirit of the contest.
>
> [Legal Note: By submitting a link to music you represent and warrant
> that the music found there is your original creation and that it does
> not infringe on any existing copyright.]
>
> Anyone who can’t post an entry because they’re not a member of
> TimesSelect can just send the link to me at glenn@glennbranca.com and
> I’ll post it.
>
> In searching for lost chords there can only be one method, and that is
> the method that eschews all pre-existing methods.
>
> THE SECRETS OF HARMONY
>
> Are there natural laws of music? Are the rules of harmony like a science
> that reveals to us the inner workings of a system? Are modulations and
> cadences like formulae that will produce accurate results? Is the
> history of music more or less a map which if followed to a logical
> conclusion will leads us to the perfect destination? Or is music a
> mysterious, irrational problem that even a gifted savant could not solve
> without the help of an intuitive muse and perhaps a little white-hot
> inspiration?
>
> The secrets of harmony are buried in a safe place beneath hundreds of
> years of music theory. Originally theory was called counterpoint and was
> invented
> solely as an instruction manual for rural choirmasters. It was cheaper
> than commissioning the likes of a Bach to give your town its own musical
> identity. Since theory was necessarily derived from an analysis of
> previously existing music, then any music based on that theory must
> itself sound like the music that the theory was derived from. In fact
> that was the whole point. Of course my point is that if you want to
> write something that doesn’t sound anything like anything you’ve ever
> heard before then this kind of self-referential theory can’t get you
> there.
>
> But there are other reasons to support anti-theory. If there were a
> natural law of music it would be the harmonic series:
> http://cnx.org/content/m11118/latest/
> Being infinite it contains within it all music: every interval, every
> mode, key or cluster in every possible tuning or temperament, all
> resonating in multifarious rhythms and melodies from a single
> fundamental tone. To create a system based on a particular set of
> intervals, chords or keys over any other is a matter of cultural
> preference that becomes entrenched over time, attaching meaning that is
> illusory.
>
> PSYCHO-ACOUSTIC SUBJECTIVITY
>
> Music must be heard. This is the corollary to Varese’s “music must
> sound.” Unlike the other arts music can never be literal. By its very
> nature it is abstract. But it can move a listener in ways that no words
> or pictures can ever do.
>
> When a major triad is voiced in a particular way and is heard in a
> resonant acoustic space, sometimes voices or even choirs seem to be
> heard. This psycho-acoustic phenomenon can be explained simply by the
> fact that the music is voiced in a manner that people associate with a
> choir. This is the reason why early dissonant music often reminded
> people of traffic jams, or certain types of clusters sounded to them
> like a swarm of bees. The mind must categorize what it hears based on
> previous reference. Music sounds like music because it sounds like music.
>
> Composers can’t ignore this subjective aspect of perception. But they
> can exploit it in the gray area between perceived musical sound and
> non-musical sound. This is the point at which a moment of perceptual
> tabula rasa can imprint music that’s never been heard before.
>
> FULL RANGE CHORDS
>
> Nicholas Slonimsky once wrote that it had been determined that there are
> 479,001,600 permutations of a single musical phrase based on the 12
> tones of the chromatic scale. In that same light it can be shown that
> there are 4095 different chords that can be derived from those same 12
> tones. But if one thinks in terms of chords that extend over the full
> orchestral range, using the 88 keys of the piano as reference, there are
> approximately 300,000,000,000,000,000,000,000,000 different chords that
> can be derived from those 88 tones. That’s 2 to the 88th power. Of
> course this calculation does not take into account microtonal intervals
> which would increase the size of the number astronomically considering
> that it is possible to get meaningful
> audible differences down to at least an eighth tone.
>
> The point of such a demonstration, similar to what Slonimsky was trying
> to show, is that the number of possible chords is inexhaustible. And of
> course with timbre and orchestration introduced the potential is
> virtually infinite.
>
> AMBIGUOUS TONALITY
>
> One example of a chord that defies analysis is the “unison cluster.”
> This is a type of dense cluster in which the tones are placed very close
> together using small microtonal intervals. The effect is neither of a
> cluster nor a unison. But the sound is rich with a strange, singing
> choir-like quality. The clash of harmonics which occurs in a standard
> cluster does not occur here because the harmonic interaction that
> creates the harsh sound is so high that it’s outside the range of hearing.
>
> In fact this quality is at work to a subtle degree in the sound of an
> orchestral string section that can never be perfectly in tune. Some
> conductors will even use the trick of having the string players tune
> slightly out to get a “richer” sound. It is also why an out of tune
> piano can have an oddly appealing sound. A piano doubles and triples
> unison strings in most of the range.
>
> Music is not pure. It cannot be pure. Sound is noise. In the 70s it was
> popular for studio engineers to try to get the “cleanest” possible
> sound, a vogue that lasted for years and was a complete failure. The
> only clean sound is silence.
>
> Schoenberg in his “Harmonielehre” refers to what he calls “tone colors.”
> This was his way of describing ambiguous pitch or sounds that cannot be
> analyzed in terms of pitch alone. In fact he went so far as to say that
> there could be no system or theory to define such music.
>
> Ironically this work led to the rejection of tonality by many 20th
> century 12-tonalists and serialists. Instead of opening the potential
> for tonal variety
> it became severely limited. They believed that an ambiguous or neutral
> tonal landscape could not be achieved using consonant chords. They also
> had a reliance on specific pitch that could be dealt with like numbers
> in a mathematical equation. There is a reason why art is not science. To
> “prove” the efficacy of a musical pattern in some rational system means
> nothing if it sounds bad. Strangely few had seemed to notice the success
> that Webern had had introducing consonance into atonality.
>
> MATERIALS FOR BUILDING LOST CHORDS
>
> It should be kept in mind that when building lost chords the sound of a
> chord is relative. A dissonant chord can sound almost consonant when
> preceded by a chord or cluster that is far more dissonant. As well, a
> series of consonant chords can sound saccharine without contrast.
> Following are a few hints on mechanics:
>
> TIMBRE: The use of untempered sound such as steel chicken wire instead
> of guitar or piano strings, copper plumbing pipes, bowed cymbals or a
> kazoo, homemade instruments, “ethnic” instruments such as a hurdy-gurdy,
> bagpipes or sarangi, synth effects and EQ that can be found on any
> sampler to alter a conventional instrument sound. Altering timbre
> entirely changes the harmonic content of a sound. With this type of
> sound the fundamental often no longer dominates. The harmonic
> interaction is unpredictable and can create unusual relationships.
>
> MICROTONALITY: Tones based on the intervals of the harmonic series or
> any division of the octave smaller than a half tone.
>
> WEIGHTING: Using dynamics or instrument doubling, the balance of the
> tones within a chord can be drastically altered. For example if one were
> to use a cluster and a major triad in the same chord, emphasizing the
> cluster would give a very different chord than emphasizing the triad. Of
> course this technique can be used in far more subtle ways.
>
> VOICING AND RANGE: Three notes spread out over the entire range is a
> very different chord than the same three notes voiced within a single
> octave. A chord in the high range is very different than the same chord
> in the low range. This is not trivial. Voicing change and note change
> are equally important. Think in terms of a full seven-octave range.
>
> AMBIGUITY: This technique includes unison clusters and ambiguous
> tonality discussed earlier. Introducing an unfamiliar sound into a
> familiar context or vice versa is an effective tool.
>
> CHANGE: Here is a trick of the trade. When making a change always change
> at least two elements. This is the concept of contrary motion but
> extrapolated across the entire field of possible change.
>
> Combining these various types will give the best results. In short,
> composing lost chords requires attention to detail and carefully
> constructed contrast.
>
>
> Anyone who is interested in finding out about recordings of music that
> transcend the predictable can go to Massimo Ricci’s
> www.touchingextremes.org.
>
>
> --
> No virus found in this outgoing message.
> Checked by AVG Free Edition.
> Version: 7.5.446 / Virus Database: 268.18.7/713 - Release Date: 3/7/2007
> 9:24 AM
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 16:52:52 2007
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Date: Fri, 09 Mar 2007 11:52:48 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #519 for March 8, 2007
To: undisclosed-recipients: ;
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http://wdiy.org/programs/gt/playlists/2007/070308.html

<a href="http://wdiy.org/programs/gt">Galactic Travels</a> is an 
electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, 92.9 FM on Service Electric Cable, and webcasting on
the internet.  WDIY also broadcasts in Digital HD at 88.1 FM.

                Show #519                March 8, 2007

RECAP:
On this show, I continued the month-long focus on <a 
href="http://wdiy.org/programs/gt/playlists/2007/focus.html#mar">Paul 
Lawler</a>.  The
Featured CD at Midnight was "Bronx Shadows" by Paul Lawler on Ricochet
Dream Records.

The Vinyl Starter was from the LP "Time Actor" by Richard Wahnfried on
IC Records and released in 1979.


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Richard Wahnfried    Distorted Emission 1 Time Actor (IC)
Parallel Worlds      Beneath Fear         Obsessive Surrealism (DiN)
Phrozenlight         Wetlands             Dark Lights (none)
['ramp] and          Ceasing To Exist     Ceasing To Exist (doombient)
  Markus Reuter
Paul Lawler          The Shadow           Bronx Shadows (Ricochet Dream)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Paul Lawler          Ice Station          Bronx Shadows (Ricochet Dream)
Paul Lawler          Messages             Bronx Shadows (Ricochet Dream)
Paul Lawler          Deadroads            Bronx Shadows (Ricochet Dream)
Paul Lawler          Capital Freeze       Bronx Shadows (Ricochet Dream)
Paul Lawler          Run With the Hunted  Bronx Shadows (Ricochet Dream)
Paul Lawler          French Garden        Bronx Shadows (Ricochet Dream)
Paul Lawler          Beyond the Age of    Bronx Shadows (Ricochet Dream)
                       Reason
Paul Lawler          Slide Zone           Bronx Shadows (Ricochet Dream)
Paul Lawler          Karma                Bronx Shadows (Ricochet Dream)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Paul
Lawler.  The Featured CD at Midnight will be "Future Wreck" by
Arcane on NeuHarmony Records.

The Vinyl Starter will be from the LP "Digital Moonscapes" by Wendy
Carlos on CBS Records and released in 1984.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EST (GMT-5:00) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 17:08:29 2007
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Date: Fri, 9 Mar 2007 12:08:25 -0500
From: "Mark Trewella" <aleatoric12@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Using 2 EDP's, not Stereo
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So a few of you may have seen my post about getting rid of my LP1 and
going back to the EDP.  It simply comes down to my looping style and
what I want to accomplish etc.  There are many things the LP1 can do
that the EDP can not do and vise versa.  Its a matter of style really.

Anyway, I am considering maybe going to a 2 EDP setup.  I need some
advice from any of you guys running things this way.  I have no
interest in stereo but would be doing it to mainly expand what can be
done with the EDP by adding another one.  Any info from someone who
has some experience with this would be appreciated!  Thanks,

Mark

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 17:08:59 2007
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Date: Fri, 09 Mar 2007 11:08:56 -0600
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com,
	Chris Smart <chris_s@sympatico.ca>
Subject: RE: audient(s)
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	<6.2.5.6.2.20070309110915.02758640@sympatico.ca>
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Quoting Chris Smart <chris_s@sympatico.ca>:

> How many of you gig and do other musical things to make a living? Fine
> if you play one gig a month and are a dentist by day or something, but
> don't you want more butts in those seats, just to pay the bills?

To answer you question, I gig and do other things, musical and =20
non-musical, to generate income.  I make a substantial portion of my =20
income on music performance and other musical activities.

Generally the venue or event attracts the people -- unless a =20
musician's name is ubiquitous, most people don't know one from =20
another.  They go out to a club, a church, a festival, or some event =20
and the music is "there".

In my own experience, the music that I get paid to play is not =20
necessarily music that enjoy playing.  I enjoy composing and =20
performing my own electronic/experimental music and to find outlets =20
for it, paid or unpaid, is quite a challenge here in Kansas City.

I give every performance the same amount of attention and care.

If I happen to play somewhere and you are the only person who shows =20
up, I will put the same care and effort into the music as I would if I =20
were playing for a huge crowd.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 17:14:41 2007
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From: paul <phaslem@wightman.ca>
Subject: RE: audient(s)
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At the time of that story that I related I was playing for a living, 
actually was fortunate enough to make a living playing hammered 
dulcimer for over 10 yrs and got tired of having to do "on demand" 
music.... So I went back to a day job so that I could devote my 
creative side to doing music and gigs that I found interesting.

Paul Haslem
www.dulcify.ca



At 12:08 PM 3/9/2007, you wrote:
>Quoting Chris Smart <chris_s@sympatico.ca>:
>
>>How many of you gig and do other musical things to make a living? Fine
>>if you play one gig a month and are a dentist by day or something, but
>>don't you want more butts in those seats, just to pay the bills?

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 17:22:41 2007
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Date: Fri, 9 Mar 2007 12:22:38 -0500
From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Places to play
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Hey all,

My brother and I are starting to consider trying to play out.  We'd like to
do avant/looping/soundscape/spoken word/weirdness gigs in the
Philly/Baltimore/DC area.  Does anybody know places that we should
approach?

Thanks,

-- 
-==-=-=-
Tony

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Hey all,<br><br>My brother and I are starting to consider trying to play out.&nbsp; We&#39;d like to do avant/looping/soundscape/spoken word/weirdness gigs in the Philly/Baltimore/DC area.&nbsp; Does anybody know places that we should approach?&nbsp; 
<br><br>Thanks,<br clear="all"><br>-- <br>-==-=-=-<br>Tony

------=_Part_53_20080659.1173460958692--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 17:32:04 2007
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Date: Fri, 9 Mar 2007 12:32:03 -0500
From: "Grahame Davies" <nudnik@gmail.com>
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Hey Tony

You could try the Galaxy Hut in Arlington -  they're open to all kinds of
stuff and very supportive of local musicians.

myspace.com/galaxyhut


Good luck,


-- Grahame



On 3/9/07, Tony K <bigtonyk@gmail.com> wrote:
>
> Hey all,
>
> My brother and I are starting to consider trying to play out.  We'd like
> to do avant/looping/soundscape/spoken word/weirdness gigs in the
> Philly/Baltimore/DC area.  Does anybody know places that we should
> approach?
>
> Thanks,
>
> --
> -==-=-=-
> Tony

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<div>&nbsp;</div>
<div>&nbsp;</div>
<div>Hey Tony</div>
<div>&nbsp;</div>
<div>You could try the Galaxy Hut in Arlington -&nbsp; they&#39;re open to all kinds of stuff and very&nbsp;supportive of local musicians.</div>
<div>&nbsp;</div>
<div><a href="http://myspace.com/galaxyhut">myspace.com/galaxyhut</a></div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>Good luck,</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>-- Grahame</div>
<div><br><br>&nbsp;</div>
<div><span class="gmail_quote">On 3/9/07, <b class="gmail_sendername">Tony K</b> &lt;<a href="mailto:bigtonyk@gmail.com">bigtonyk@gmail.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hey all,<br><br>My brother and I are starting to consider trying to play out.&nbsp; We&#39;d like to do avant/looping/soundscape/spoken word/weirdness gigs in the Philly/Baltimore/DC area.&nbsp; Does anybody know places that we should approach?&nbsp; 
<br><br>Thanks,<br clear="all"><br>-- <br>-==-=-=-<br><span class="sg">Tony </span></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 17:38:03 2007
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This is a definite place to try to get into in that area Tony,
http://www.redroom.org/.  I'm based in NY and have them on my pitch list
when I think I can get another gig down there or get in there myself.  THey
are also involved in an experimental festival that would be a worthy quest.

This is in Baltimore.

Best with all

Jim Goodin
composer/guitarist
http://www.jimgoodinmusic.com
http://www.chinapaintingmusic.com



On 3/9/07, Tony K <bigtonyk@gmail.com> wrote:
>
> Hey all,
>
> My brother and I are starting to consider trying to play out.  We'd like
> to do avant/looping/soundscape/spoken word/weirdness gigs in the
> Philly/Baltimore/DC area.  Does anybody know places that we should
> approach?
>
> Thanks,
>
> --
> -==-=-=-
> Tony




-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

Associates and friends on the web -
Daryl Shawn -
http://www.swanwelder.com
Adam Werner - http://www.adamwerner.com
John Stowell - http://www.johnstowell.com
Matt Richards - http://www.mattrichardsmusic.net
Michael Manring - http://www.manthing.com
Will Ackerman - http://www.williamackerman.com
New Land Music - http://www.newlandmusic.com

------=_Part_8037_32750331.1173461879500
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<div>This is a definite place to try to get into in that area Tony, <a href="http://www.redroom.org/">http://www.redroom.org/</a>.&nbsp; I&#39;m based in NY and have them on my pitch list when I think I can get another gig down there or get in there myself.&nbsp; THey are also involved in an experimental festival that would be a worthy quest.
</div>
<div>&nbsp;</div>
<div>This is in Baltimore.</div>
<div>&nbsp;</div>
<div>Best with all</div>
<div>&nbsp;</div>
<div>Jim Goodin</div>
<div>composer/guitarist</div>
<div><a href="http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com</a></div>
<div><a href="http://www.chinapaintingmusic.com">http://www.chinapaintingmusic.com</a></div>
<div><br><br>&nbsp;</div>
<div><span class="gmail_quote">On 3/9/07, <b class="gmail_sendername">Tony K</b> &lt;<a href="mailto:bigtonyk@gmail.com">bigtonyk@gmail.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hey all,<br><br>My brother and I are starting to consider trying to play out.&nbsp; We&#39;d like to do avant/looping/soundscape/spoken word/weirdness gigs in the Philly/Baltimore/DC area.&nbsp; Does anybody know places that we should approach?&nbsp; 
<br><br>Thanks,<br clear="all"><br>-- <br>-==-=-=-<br><span class="sg">Tony </span></blockquote></div><br><br clear="all"><br>-- <br>The Acoustic World Guitar of Jim Goodin&nbsp;&nbsp;- <a href="http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com
</a><br>MySpace (solo) - <a href="http://www.myspace.com/jimgoodinmusic">http://www.myspace.com/jimgoodinmusic</a><br>Chinapainting -<br><a href="http://www.chinapaintingmusic.com">http://www.chinapaintingmusic.com</a><br>
Chinapainting on My Space -<br><a href="http://www.myspace.com/chinapaintingmusic.com">http://www.myspace.com/chinapaintingmusic.com</a><br>The Jim Goodin label and home for 7 other creative souls - <a href="http://www.woodandwiremusic.com">
http://www.woodandwiremusic.com</a> <br>Jim Goodin uses GHS Strings - <a href="http://www.ghsstrings.com">http://www.ghsstrings.com</a> and Seagull Guitars - <a href="http://www.seagullguitars.com">http://www.seagullguitars.com
</a>, Jim Goodin is published by Mel Bay Publications, Inc. - <a href="http://www.melbay.com">http://www.melbay.com</a><br><br>Associates and friends on the web -<br>Daryl Shawn -<br><a href="http://www.swanwelder.com">http://www.swanwelder.com
</a><br>Adam Werner - <a href="http://www.adamwerner.com">http://www.adamwerner.com</a><br>John Stowell - <a href="http://www.johnstowell.com">http://www.johnstowell.com</a><br>Matt Richards - <a href="http://www.mattrichardsmusic.net">
http://www.mattrichardsmusic.net</a><br>Michael Manring - <a href="http://www.manthing.com">http://www.manthing.com</a><br>Will Ackerman - <a href="http://www.williamackerman.com">http://www.williamackerman.com</a><br>New Land Music - 
<a href="http://www.newlandmusic.com">http://www.newlandmusic.com</a> 

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From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 17:46:37 2007
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Date: Fri, 09 Mar 2007 17:46:51 +0000
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Using 2 EDP's, not Stereo
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Mark Trewella wrote:
 
> Anyway, I am considering maybe going to a 2 EDP setup.  I need some
> advice from any of you guys running things this way.  I have no
> interest in stereo but would be doing it to mainly expand what can be
> done with the EDP by adding another one.  Any info from someone who
> has some experience with this would be appreciated!  Thanks,
 
Well, there's lots of things you could do.
Synchronize for multitracking for instance.
Or synchronize in a polyrhythmic relationship.

Usually I run just them in stereo, but then it's nice to do stuff like reversing one against the other.

andy butler

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 17:55:20 2007
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Date: Fri, 9 Mar 2007 12:55:12 -0500
From: "Mark Trewella" <aleatoric12@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: FS: Looperlative
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	 <978944.3298.qm@web38608.mail.mud.yahoo.com>
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I am in the US

On 3/9/07, L.A. Angulo <labaloops@yahoo.com> wrote:
> Hey Mark are u in europe or the U.S.?
>
> --- Mark Trewella <aleatoric12@gmail.com> wrote:
>
> > Like new, never gigged and always racked.  $1,200
> > shipped.  The unit
> > is great but I just want to sort of simplify my rig
> > again, am going to
> > go back to the EDP.  If anyone has an excellent
> > Gibson Echoplex
> > Digital Pro Plus foot controller, full memory and
> > loop IV I will
> > consider a trade + cash for my Looperlative.
> >
> >
>
>
> www.myspace.com/luisangulocom
>
>
>
> ____________________________________________________________________________________
> Now that's room service!  Choose from over 150,000 hotels
> in 45,000 destinations on Yahoo! Travel to find your fit.
> http://farechase.yahoo.com/promo-generic-14795097
>
>

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Date: Fri, 9 Mar 2007 12:59:12 -0500
From: "Tony K" <bigtonyk@gmail.com>
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Thanks for the quick responses!

For anybody interested and hasn't checked us out yet,  you can hear some
stuff at:

<http://www.myspace.com/antkneestudios>
http://www.thinginajar.com/bigtony/Manifestations.mp3
http://www.thinginajar.com/bigtony/WashedAway.mp3
http://www.myspace.com/antkneestudios
http://www.thinginajar.com/bigtony/music.htm

Yes, there's looping in there. :)

Tony



On 3/9/07, Jim Goodin <jimgoodinmusic@gmail.com> wrote:
>
> This is a definite place to try to get into in that area Tony,
> http://www.redroom.org/.  I'm based in NY and have them on my pitch list
> when I think I can get another gig down there or get in there myself.  THey
> are also involved in an experimental festival that would be a worthy quest.
>
> This is in Baltimore.
>
> Best with all
>
> Jim Goodin
> composer/guitarist
> http://www.jimgoodinmusic.com
> http://www.chinapaintingmusic.com
>
>
>
> On 3/9/07, Tony K <bigtonyk@gmail.com > wrote:
> >
> > Hey all,
> >
> > My brother and I are starting to consider trying to play out.  We'd like
> > to do avant/looping/soundscape/spoken word/weirdness gigs in the
> > Philly/Baltimore/DC area.  Does anybody know places that we should
> > approach?
> >
> > Thanks,
> >
> > --
> > -==-=-=-
> > Tony
>
>
>
>
> --
> The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
> MySpace (solo) - http://www.myspace.com/jimgoodinmusic
> Chinapainting -
> http://www.chinapaintingmusic.com
> Chinapainting on My Space -
> http://www.myspace.com/chinapaintingmusic.com
> The Jim Goodin label and home for 7 other creative souls -
> http://www.woodandwiremusic.com
> Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull
> Guitars - http://www.seagullguitars.com , Jim Goodin is published by Mel
> Bay Publications, Inc. - http://www.melbay.com
>
> Associates and friends on the web -
> Daryl Shawn -
> http://www.swanwelder.com
> Adam Werner - http://www.adamwerner.com
> John Stowell - http://www.johnstowell.com
> Matt Richards - http://www.mattrichardsmusic.net
> Michael Manring - http://www.manthing.com
> Will Ackerman - http://www.williamackerman.com
> New Land Music - http://www.newlandmusic.com




-- 
-==-=-=-
Tony

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Thanks for the quick responses!<br><br>For anybody interested and hasn&#39;t checked us out yet,&nbsp; you can hear some stuff at:<br><br><a href="http://www.myspace.com/antkneestudios" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
</a><br><a href="http://www.thinginajar.com/bigtony/Manifestations.mp3" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
http://www.thinginajar.com/bigtony/Manifestations.mp3</a><br><a href="http://www.thinginajar.com/bigtony/WashedAway.mp3" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.thinginajar.com/bigtony/WashedAway.mp3
</a><br><a href="http://www.myspace.com/antkneestudios" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.myspace.com/antkneestudios</a><br><a href="http://www.thinginajar.com/bigtony/music.htm" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">

http://www.thinginajar.com/bigtony/music.htm</a><br><br>Yes, there&#39;s looping in there. :)<br><br>Tony<br><br><br><br><div><span class="gmail_quote">On 3/9/07, <b class="gmail_sendername">Jim Goodin</b> &lt;<a href="mailto:jimgoodinmusic@gmail.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
jimgoodinmusic@gmail.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div>This is a definite place to try to get into in that area Tony, <a href="http://www.redroom.org/" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">

http://www.redroom.org/</a>.&nbsp; I&#39;m based in NY and have them on my pitch list when I think I can get another gig down there or get in there myself.&nbsp; THey are also involved in an experimental festival that would be a worthy quest.
</div>
<div>&nbsp;</div>
<div>This is in Baltimore.</div>
<div>&nbsp;</div>
<div>Best with all</div>
<div>&nbsp;</div>
<div>Jim Goodin</div>
<div>composer/guitarist</div>
<div><a href="http://www.jimgoodinmusic.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.jimgoodinmusic.com</a></div>
<div><a href="http://www.chinapaintingmusic.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.chinapaintingmusic.com</a></div>
<div><br><br>&nbsp;</div>
<div><span><span class="gmail_quote">On 3/9/07, <b class="gmail_sendername">Tony K</b> &lt;<a href="mailto:bigtonyk@gmail.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">bigtonyk@gmail.com
</a>&gt; wrote:</span>
</span><div><span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0px 0px 0px 0.8ex; padding-left: 1ex;">Hey all,<br><br>My brother and I are starting to consider trying to play out.&nbsp; We&#39;d like to do avant/looping/soundscape/spoken word/weirdness gigs in the Philly/Baltimore/DC area.&nbsp; Does anybody know places that we should approach?&nbsp; 
<br><br>Thanks,<br clear="all"><br>-- <br>-==-=-=-<br><span>Tony </span></blockquote></span></div></div><br><br clear="all"><br>-- <br>The Acoustic World Guitar of Jim Goodin&nbsp;&nbsp;- <a href="http://www.jimgoodinmusic.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">

http://www.jimgoodinmusic.com
</a><br>MySpace (solo) - <a href="http://www.myspace.com/jimgoodinmusic" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.myspace.com/jimgoodinmusic</a><br>Chinapainting -<br><a href="http://www.chinapaintingmusic.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">

http://www.chinapaintingmusic.com</a><br>
Chinapainting on My Space -<br><a href="http://www.myspace.com/chinapaintingmusic.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.myspace.com/chinapaintingmusic.com</a><br>The Jim Goodin label and home for 7 other creative souls - 
<a href="http://www.woodandwiremusic.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
http://www.woodandwiremusic.com</a> <br>Jim Goodin uses GHS Strings - <a href="http://www.ghsstrings.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.ghsstrings.com</a> and Seagull Guitars - 
<a href="http://www.seagullguitars.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.seagullguitars.com
</a>, Jim Goodin is published by Mel Bay Publications, Inc. - <a href="http://www.melbay.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.melbay.com</a><br><br>Associates and friends on the web -
<br>Daryl Shawn -<br><a href="http://www.swanwelder.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.swanwelder.com
</a><br>Adam Werner - <a href="http://www.adamwerner.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.adamwerner.com</a><br>John Stowell - <a href="http://www.johnstowell.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">

http://www.johnstowell.com</a><br>Matt Richards - <a href="http://www.mattrichardsmusic.net" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
http://www.mattrichardsmusic.net</a><br>Michael Manring - <a href="http://www.manthing.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.manthing.com</a><br>Will Ackerman - <a href="http://www.williamackerman.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">

http://www.williamackerman.com</a><br>New Land Music - 
<a href="http://www.newlandmusic.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.newlandmusic.com</a> 
</blockquote></div><br><br clear="all"><br>-- <br>-==-=-=-<br>Tony

------=_Part_621_4244162.1173463152156--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 18:47:27 2007
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Well, if we're going to play "Top this"... (-8

I once played a gig where no one showed up.  It was at a movie theater 
where myself and a musical friend were going to play a live soundtrack 
to a pair of silent Western movies.  There were to be two performances, 
one on Saturday and one on Sunday.  For Saturday's performance, no 
audience members showed up.  With the theater owner's kind permisson, we 
used Saturday as a rehearsal; i.e., he ran the film and we played 
along.  For Sunday's performance, about three people showed up.

John McIntyre
mcintyre@pa.msu.edu

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 18:51:49 2007
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Re: Places to play
Date: Fri, 9 Mar 2007 11:51:44 -0700
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Tony;
There's a few organizations in Phila. that promote what you might be up=20=

to (as of a couple years ago, anyway).  "IMP",  "Gate to Moonbase=20
Alpha" concert series (University of Pa.), and "Star's End" (Chuck=20
vanZyle - Univ. of Pa.).  Not sure of the contacts - been a couple=20
years since I lived back east. - Paul

On Mar 9, 2007, at 10:22 AM, Tony K wrote:

> Hey all,
>
> My brother and I are starting to consider trying to play out.=A0 We'd=20=

> like to do avant/looping/soundscape/spoken word/weirdness gigs in the=20=

> Philly/Baltimore/DC area.=A0 Does anybody know places that we should=20=

> approach?=A0
>
> Thanks,
>
> --=20
> -=3D=3D-=3D-=3D-
> Tony=

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 18:58:17 2007
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ditch wrestler wrote:

> It's a great book and highly recommended for anybody that is 
> interested in non-idiomatic playing.  (That's Derek's term for his 
> style of playing - he didn't like the term 'free jazz'.  I don't much 
> care for the term either but it's the term that most people recognize...)
>  

For a while I was using the phrase "Free jazz?  No, we prefer getting 
paid", but then I heard someone describe their music as "free range 
jazz" which I think is better.

John McIntyre
mcintyre@pa.msu.edu

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 19:14:42 2007
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Subject: Re: derek bailey
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> For a while I was using the phrase "Free jazz?  No, we prefer getting
> paid", but then I heard someone describe their music as "free range
> jazz" which I think is better.
>
Hmmm, "free range, grass fed jazz" might also be appropriate. I used to do
a radio show called "Dr. Dave's Free Jazz Clinic" where I played all free
improv, interspersed with classic radio and TV commercials.


-- 
This message has been scanned for viruses and
dangerous content, and is believed to be clean.

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: audient(s)
Date: Fri, 9 Mar 2007 20:14:38 +0100
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On 9 mar 2007, at 17.09, Chris Smart wrote:
> How many of you gig and do other musical things to make a living?

Well, I do. Today mainly "other musical things".  I give classes,  
teach private students, write magazine articles on music, write books  
on music or consult as an advisor for recording producers. Thanks to  
this I can afford to turn down badly paid gigs or gigs that are not  
interesting to do (and as an effect of that never going to be  
interesting for anyone to see either). Good thing I have gotten more  
calls lately concerning "live looping", which I think is way more fun  
than mocking up music in a studio environment. Ten years ago I was a  
"full time recording artist" in list oriented music. I quickly grew  
to hate that and was the first to leave the project to get out  
(leaving some label investors with holes in wallets - happy I never  
signed any "full personal responsibility" contracts. The only reason  
I kept doing it for some years was that I had promised my friends in  
the band to stay). The problem was that there were way too few  
activities that had to do with playing music. Normally we had to  
travel around talking to media and do badly paid playback shows "for  
promotion" at fashion design shows, in-biz show case arrangements,  
and likely events.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 19:36:35 2007
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Some commentary, partly in jest....

Axiom 1: The number of individuals in an audience will be inversely 
proportionate to the experimental and avant-garde nature of the performance

Comment 1: I'd love to show up for a gig where the venue is full, and 
proceed to clear the room (audience =0)

Axiom 2: The degree of performance satisfaction and  artistic gratification 
of an experimental/avant-garde artist is directly proportionate to the 
number of people who show up for his/her gigs and rave over how original, 
creative, and interesting his/her performance was...i.e. how much they feed 
his/her ego.

Comment 2: I'd love to show up for a gig where the audience = 0, and find at 
the end of my performance (since I am so self-absorbed during my 
performance) that the venue is packed full of avant-garde and experimental 
music enthusiasts.

Comment 3:  We're all screwed and doomed to severe artistic neurosis....try 
taking valium and drinking a glass of wine before you perform. It does 
wonders for resolving axiomatic contradictions.

:)

Kris


----- Original Message ----- 
From: "John McIntyre" <mcintyre@pa.msu.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 09, 2007 12:41 PM
Subject: Re: inaccessability of music


> Well, if we're going to play "Top this"... (-8
>
> I once played a gig where no one showed up.  It was at a movie theater 
> where myself and a musical friend were going to play a live soundtrack to 
> a pair of silent Western movies.  There were to be two performances, one 
> on Saturday and one on Sunday.  For Saturday's performance, no audience 
> members showed up.  With the theater owner's kind permisson, we used 
> Saturday as a rehearsal; i.e., he ran the film and we played along.  For 
> Sunday's performance, about three people showed up.
>
> John McIntyre
> mcintyre@pa.msu.edu
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 20:35:53 2007
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Date: Fri, 9 Mar 2007 15:35:33 -0500 (EST)
Subject: Re: inaccessability of music
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In Scotland there used to be a law on the books that if there were more
members in the band than in the audience, the band didn't have to play but
I beleive still got paid.  I recall a story by Del Amitri where such law
came into effect.

~peace~
plish


> Well, if we're going to play "Top this"... (-8
>
> I once played a gig where no one showed up.  It was at a movie theater
> where myself and a musical friend were going to play a live soundtrack
> to a pair of silent Western movies.  There were to be two performances,
> one on Saturday and one on Sunday.  For Saturday's performance, no
> audience members showed up.  With the theater owner's kind permisson, we
> used Saturday as a rehearsal; i.e., he ran the film and we played
> along.  For Sunday's performance, about three people showed up.
>
> John McIntyre
> mcintyre@pa.msu.edu
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 20:37:50 2007
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On Friday, March 9, 2007, at 11:36 AM, Krispen Hartung wrote:

> Some commentary, partly in jest....
>
> Axiom 1: The number of individuals in an audience will be inversely 
> proportionate to the experimental and avant-garde nature of the 
> performance
>
> Comment 1: I'd love to show up for a gig where the venue is full, and 
> proceed to clear the room (audience =0)
>

	Been there done that!



	Yours in sonic mayhem,


            joe

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I like how the music download service at dgmlive.com works ... easy
handling, complete albums in flac format, or, a bit cheaper, mp3 - and I
wonder if there are services that do the same thing for you, to include
seamlessly on your own website, and of course, cheaply. 

I'd love to have a feature like that on my own website for my music of
course ... but also for springwatercenter.org, where they sell many many
talks by my meditation teacher Toni Packer (and others) on audio CD only, so
far. But their website is currently being redesigned anyway and this is a
good time to integrate an mp3 download feature. (The talks have a length of
roughly one hour, and 80 or 64 kbps in mono would be sufficient.)

Ideas anyone?

Michael www.michaelpeters.de



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Quoting Sheila Olson <onelonecrow@earthlink.net>:

>
> On Friday, March 9, 2007, at 11:36 AM, Krispen Hartung wrote:
>
>> Comment 1: I'd love to show up for a gig where the venue is full,  =20
>> and proceed to clear the room (audience =3D0)
>>
>
> =09Been there done that!

In my "other life" as a church organist, this is a weekly occurance by =20
design: I have to play postlude music while people leave the church!

This does mess with one's mind -- as soon as the music starts, =20
everyone stands up, turns to the aisle, and systematically exit.

There are always a few people who stay and listen, though :)

I have never had the experience of playing a set and and loosing an =20
audience.  If I were to play and everyone left I would ask myself =20
"what happenned?".  Was the audience misled ahead of time?  Were they =20
expecting different musical content/style than what I delivered?  Was =20
my musical content/style mis-represented? Was there some distraction =20
(a fire across the street) that diverted their attention?  Was the PA =20
system poorly balanced -- was it so loud that people couldn't take it? =20
  Was it so soft that people did not realize it was a performance? =20
(Maybe they thought it was just a sound check, rehearsal, or just =20
someone messing around with equipment.)

Ever since the music of Wendy Carlos and others inspired me (when I =20
was a teenager) I have considered the potential of electronic music =20
and technology to create incredibly creative and interesting music.  =20
What drives me to perform is a desire to share this with others -- I =20
am way beyond any notions of fame or fortune :)   I work very hard at =20
my music and don't want it to be shot down because of some kind of =20
"breakdown" with the listeners or venue.

Thus, if I play to an enthusiastic audience of one, I have the =20
possibility to build upon that.  If I (for whatever reason) offend a =20
large group of listeners  such that they all walk out, then I have an =20
uphill battle.

As such, I seek situations where my music and the expectations are in =20
general agreement.  In such a situation, I have a better chance of =20
reaching an appreciative audience.

While we can joke about a performance that causes everyone to leave I =20
think most of us would prefer that people stay and listen.

May we all reach our listeners!

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 21:12:46 2007
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Dude, you RULE. The undYing spirit of  experimental!
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<DIV>Dude, you RULE. The undYing spirit of=20
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From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 21:19:15 2007
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   I used to make a living playing,and I've played everywhere from the 
street to stadia. The largest audience I ever played live in front of, 
175,000 was on the street. It was the San Francisco Carnival parade,in '99. 
We won 3 prizes inc. best music.
  Anyway,yes it can be a bummer for working players to have no turn out,but 
the best response is to treat it as a chance to work on developing the 
ability to play really well no matter what else is happening. I don't mean 
just with precisiion and energy ,I mean really making the moment vividly 
alive,and really engaging and moving the people who are hearing. Developing 
that kind of power is key to making a living in performance. Besides,if 
musicians can't communicate to a small audience,how can they communicate to 
a large one? Playing on the street is a real education-no one is there to 
hear you,there' lot's of competition for attention,sonic and physical space. 
If you can draw and hold a crowd on the street you can play anywhere.
   We played a gig once in theis bldg called a tennis stadium,held about 
2000,the gig drew about 20.The bldg was a 50 foot tall quonset hut open on 
either end.The set us up in the middle.and the only sound we could make was 
wwaowwoawwoawwoawwaowaawoaawoa,   about 2.5 second intervals
  This group did  dance songs,but we liked playing wierd stuff so we went 
with it.The audience all left but we kept playing for 90 minutes till they 
kicked us out.Our only regret was that we didn't record.

_________________________________________________________________
Mortgage rates as low as 4.625% - Refinance $150,000 loan for $579 a month. 
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From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 21:22:41 2007
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   http://www.branchhome.com/index.php?main_page=product_info&cPath=20&prod

_________________________________________________________________
Mortgage rates as low as 4.625% - Refinance $150,000 loan for $579 a month. 
Intro*Terms  
https://www2.nextag.com/goto.jsp?product=100000035&url=%2fst.jsp&tm=y&search=mortgage_text_links_88_h27f6&disc=y&vers=743&s=4056&p=5117

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: mp3/flac selling services
Date: Fri, 9 Mar 2007 22:30:17 +0100
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On 9 mar 2007, at 21.43, Michael Peters wrote:
> Ideas anyone?


I'm not sure what kind of ideas you mean, Michael, but I here are two  
sites I like: http://www.magnatune.com and http://www.jamendo.com/en/.

Magnatune sells albums in the formats MP3, WAV, OGG, FLAC and AAC.  
Play your music on any platform: Windows, Mac and Linux. No copy  
protection (DRM), ever. When you burn a CD from their WAV files,  
you'll have the same sound fidelity as a store-bought CD. But they  
also sell physical CDs. Last time I bought an album (16 bit wave  
format) you could pay whatever you wanted over a set minimal price. I  
think that is nice, because if you should happen to have more money  
you are able to give more to an artist you like and wants to support.  
Magnatune have a funny branding, they admit being a record label but  
they also stress that they "are not evil" ;-)

Jamendo only offers downloadable music albums in two formats: 200  
Kbps MP3 or 300 Kbps Ogg Vorbis. The Ogg alternative is close to CD  
fidelity. Some offered music is really good and I think they are  
making a mistake in not offering also a FLAC alternative (lossless,  
full fidelity format).  Music is given away for free and listeners  
can donate by PayPal directly to the artists. All music recordings  
are licensed according to Creative Commons. Jamendo started in France  
and the site, that is rather community oriented, has grown into  
French speaking areas and English speaking areas. I doubt they will  
ever meet ;-))

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


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Date: Fri, 9 Mar 2007 16:36:53 -0500 (EST)
Subject: Re: inaccessability of music
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The only thing better is to clear out the place and bring in the cops!


plish

>
> On Friday, March 9, 2007, at 11:36 AM, Krispen Hartung wrote:
>
>> Some commentary, partly in jest....
>>
>> Axiom 1: The number of individuals in an audience will be inversely
>> proportionate to the experimental and avant-garde nature of the
>> performance
>>
>> Comment 1: I'd love to show up for a gig where the venue is full, and
>> proceed to clear the room (audience =0)
>>
>
> 	Been there done that!
>
>
>
> 	Yours in sonic mayhem,
>
>
>             joe
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 21:45:06 2007
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: looping pedal with decay?
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As I've sold off most of my dedicated hardware in
favor of Mobius software looping, I must say that I
kept my DD-20 Gigadelay.  I really like it AND it's
stereo (Important if you're using stereo effects or
synths and want to keep that sound)


--- radio radio <radiotelevision@gmail.com> wrote:

> thanks for the replies! I think the Gibson EDP is
> out of my price range,
> unless I can find a rediculous deal on one on Ebay,
> but I am glad to know
> that that the Boomerang does have a decay - I did
> not realize that. Right
> now that may look like the best option, although I
> am a bit wary of the
> noise that many reviewers report as my rig is
> already quite noisey. Another
> person recommended the Electro Harmonix 2880 or
> their 16 second delay (and
> mentioned that the original lexicon jamman and the
> electrix repeater also
> had a function to set the feedback). I'm glad to
> know that I what I want
> does indeed exist and for the help in narrowing it
> down. Now I can return
> the looper I bought that I thought had a set-able
> feedback but does not
> (digitech jamman). In looking at these other ones, I
> can't tell which ones
> accept more than one type of input (e.g.,
> instrument, mic, and line levels).
> I would want at least the ability to use an
> instrument and a mic, although I
> wouldn't necessarily need to be able to do both
> simultaneously, so long as I
> got quick at switching.
> 
> Does anyone else out there want to weigh in on this
> issue before I spend the
> money I don't have? The quest is for a looping pedal
> that takes both
> instrument level and line level and which you can
> set the feedback for the
> loops (versus having them loop infinitely). I
> currently do not have any rack
> equipment, is that a bridge I want to cross? Is
> there anything else I should
> be considering in a addition?
> 
> The ones mentioned so far are:
> 
> Gibson Echoplex
> Boomerang plus
> Electro-Harmonix 2820
> Electro-Harmonix 16 second delay
> Original Lexicon Jamman
> Electrix Repeater
> 
> ?????????????????????????????
>
THANKS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
> 
> Eben
> 
> On 2/27/07, mike@michaelplishka.com
> <mike@michaelplishka.com> wrote:
> >
> > If I read you correctly, the Gibson EDP does what
> you want and tons more!
> > I upgraded from a Boomerang plus which does have
> the decay but you pick it
> > ahead of time (i.e. 20 reps, 10, 1 or infinite I
> beleive)
> >
> > my 2 cents...
> >
> > Plish
> >
> > www.myspace.com/michaelplishka
> > www.myspace.com/bohdanovich
> > www.michaelplishka.com
> >
> > > The only things that I know of that will do what
> you
> > > describe are delay pedals.  I think the Giga
> delay
> > > would be your best bet, but I'd also read
> somewhere
> > > that this one artist(I can't remebmer his name)
> uses
> > > Eventide rack mount processors set up with an
> > > algorhythm that was set with a 95% feedback so
> that
> > > his loops would decay over time. That sounds
> more like
> > > what you want, but that stuff is way expensive. 
> Other
> > > than that, sounds like all you need is a digital
> delay
> > > unit with copious anmounts of time and to be
> able to
> > > set the  feedback setting as needed to make the
> loops
> > > decay over time.
> > > --- radio radio <radiotelevision@gmail.com>
> wrote:
> > >
> > >> I want to buy a pedal and get into looping but
> am
> > >> having trouble
> > >> figuring out which one will best meet my needs
> (and
> > >> budget). I've
> > >> learned a LOT from this web site, but still
> can't
> > >> quite figure out
> > >> everything and would really benefit from a
> human
> > >> (albeit
> > >> computer-mediated) interaction. Thanks in
> advance
> > >> for taking the time
> > >> to read this and respond - I hope that I will
> be
> > >> able to "give back"
> > >> some day when I know something worth while.
> Until
> > >> then, I guess I
> > >> should donate to this site if I get any
> responses.
> > >>
> > >> From what I've read and thought about, it looks
> like
> > >> what will be the
> > >> most important distinction for me is that the
> loops
> > >> will be able to
> > >> decay. In other words, you can lay down a loop,
> lay
> > >> down another one
> > >> on top, and then another, and so on, and
> eventually
> > >> the first one dies
> > >> out, then the second one, and so on. I imagine
> this
> > >> working like a
> > >> delay pedal in which you can set the decay (or
> is
> > >> that called
> > >> feedback?). So you could "morph" over time into
> new
> > >> things, without
> > >> being stuck with your original loops, and
> without
> > >> having to open a new
> > >> loop and start from scratch with only one new
> track
> > >> each time  you
> > >> wanted to change it up.
> > >>
> > >> The three pedals I've looked into are:
> > >>
> > >> BOSS RC20xl, Digitech Jamman, and BOSS DD-20
> giga
> > >> delay
> > >>
> > >> I thought the BOSS was it, but now I'm thinking
> that
> > >> it doesn't allow
> > >> this thing that I described. I can't tell if
> you can
> > >> do this with the
> > >> Jamman or not - does anyone know? You could do
> this
> > >> with the DD-20,
> > >> but I can't tell if you'd be able to set a
> > >> loop/delay time up with
> > >> your foot or not (versus having to set it to a
> > >> certain number of
> > >> seconds and then hope you can keep your riff to
> that
> > >> length) or if
> > >> there would be other difficulties that I'm not
> aware
> > >> of if you're
> > >> using this as a looping pedal when it's built
> to be
> > >> a delay.
> > >>
> > >> Should I be considering a different pedal? I
> don't
> > >> really need a delay
> > >> pedal - I want a loop pedal that decays. I
> don't
> > >> really need to be
> > >> able to save my loops - I just want to be able
> to
> > >> set them up on the
> > >> fly. I don't need to be able to save them on my
> > >> computer. I don't need
> > >> to be able to plug in a separate mic or
> instrument
> > >> in addition to the
> > >> guitar, although that would be a definite bonus
> for
> > >> me. I don't need a
> > >> long amount of time - I'm guessing 23 seconds
> is
> > >> plenty. I don't know
> 
=== message truncated ===



 
____________________________________________________________________________________
Don't pick lemons.
See all the new 2007 cars at Yahoo! Autos.
http://autos.yahoo.com/new_cars.html 

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 21:55:10 2007
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Subject: Re: inaccessability of music
Date: Fri, 9 Mar 2007 14:55:06 -0700
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Oh, that would be superb!  I can see it already..."Sir, we have recieved 
complaints from nearbye businesses and street walkers that you are playing 
music that is too experimental....you are under arrest for disturbing the 
common pallet"...to which I response, "Kiss my ass, Brave New World, 
Fahrenheit 451 Mother F*cker!" And so my dream continues....

Seriously though, I have a frriend that went to an Ornette Coleman concert 
in the 70's in San Francisco. He said that in the first minute of the 
concent, over half of the people left the room.  I wish I could have been 
there.

Kris



----- Original Message ----- 
From: <mike@michaelplishka.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 09, 2007 2:36 PM
Subject: Re: inaccessability of music


>
> The only thing better is to clear out the place and bring in the cops!
>
>
> plish
>
>>
>> On Friday, March 9, 2007, at 11:36 AM, Krispen Hartung wrote:
>>
>>> Some commentary, partly in jest....
>>>
>>> Axiom 1: The number of individuals in an audience will be inversely
>>> proportionate to the experimental and avant-garde nature of the
>>> performance
>>>
>>> Comment 1: I'd love to show up for a gig where the venue is full, and
>>> proceed to clear the room (audience =0)
>>>
>>
>> Been there done that!
>>
>>
>>
>> Yours in sonic mayhem,
>>
>>
>>             joe
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 22:15:56 2007
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I've played to two in Arizona, one in D.C., and zero in Chicago (even 
the bartender went outside before our set). I've played to single-digit 
"crowds" so often that at this point, having three people be interested 
and attentive is, literally, enough for me. And even if there's only 
one, if that person talks to me after the gig, either buying a cd or 
just expressing some kind of interest, I call it fully successful.

I laugh when I hear stories of how I'm supposed to be impressed that the 
Police played their first Stateside gig at the Rat, in Boston, to only 
20 people. Twenty! Fluffers.

I find low expectations in this realm to be extremely healthy from a 
personal standpoint.

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 23:01:00 2007
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From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
To: "Loop" <Loopers-Delight@loopers-delight.com>
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Subject: Tape Echo Repair
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Sort of off topic perhaps, perhaps not.

My beloved Multivox ME-20 tape echo has suffered some debilitating
disease and now refuses to erase anything while it plays and I now get
only a sort of mush of sound from the box when I turn the tape heads on.
 My local repair folks have all given a pass on even wanting to try to
repair my beloved box and so I was wondering if anyone here had a source
for tape echo repairs that they might be able to recommend.  It seems
like a potentially simple repair but who knows.  I miss my tape echo
already.

Thanks in advance

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Fri Mar  9 23:33:00 2007
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Date: Fri, 9 Mar 2007 15:32:54 -0800
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Using 2 EDP's, not Stereo
Cc: Mark Trewella <aleatoric12@gmail.com>
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Mark,

I used to use 2 EDPs as a synched stereo pair for many years.=20

But now I use the 2 of them seperately with 100% rhythmic (loop lenght) ind=
ependence.=20

Each one feeds its own dedicated string of stereo processors before returni=
ng to my mixer 's channel inputs.=20

Some wicked/crazy asunchronous stero mayhem can result -- and often does.

--
tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Mark Trewella <aleatoric12@gmail.com> wrote:=20
> So a few of you may have seen my post about getting rid of my LP1 and
> going back to the EDP.  It simply comes down to my looping style and
> what I want to accomplish etc.  There are many things the LP1 can do
> that the EDP can not do and vise versa.  Its a matter of style really.
>=20
> Anyway, I am considering maybe going to a 2 EDP setup.  I need some
> advice from any of you guys running things this way.  I have no
> interest in stereo but would be doing it to mainly expand what can be
> done with the EDP by adding another one.  Any info from someone who
> has some experience with this would be appreciated!  Thanks,
>=20
> Mark
>=20

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 00:28:09 2007
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From: Chris Smart <chris_s@sympatico.ca>
Subject: Re: inaccessability of music
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Daryl, did you get paid for the 0 person gig, or the 3-person gig? 
Just curious.

Chris, no, i'm not obsessed with money.

At 05:15 PM 3/9/2007, you wrote:

>I've played to two in Arizona, one in D.C., and zero in Chicago 
>(even the bartender went outside before our set). I've played to 
>single-digit "crowds" so often that at this point, having three 
>people be interested and attentive is, literally, enough for me. 
>And even if there's only one, if that person talks to me after the 
>gig, either buying a cd or just expressing some kind of interest, 
>I call it fully successful.
>
>I laugh when I hear stories of how I'm supposed to be impressed 
>that the Police played their first Stateside gig at the Rat, in 
>Boston, to only 20 people. Twenty! Fluffers.
>
>I find low expectations in this realm to be extremely healthy from 
>a personal standpoint.
>
>Daryl Shawn
>www.swanwelder.com
>
>
>
>--
>No virus found in this incoming message.
>Checked by AVG Free Edition.
>Version: 7.5.446 / Virus Database: 268.18.8/714 - Release Date: 
>3/8/2007 10:58 AM


-- 
No virus found in this outgoing message.
Checked by AVG Free Edition.
Version: 7.5.446 / Virus Database: 268.18.8/714 - Release Date: 3/8/2007 10:58 AM


From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 00:50:01 2007
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I've done several three-person gigs...(I should probably be ashamed of 
this)....I got paid at one of them, the bar was more apologetic than 
anything. I also got paid at the Arizona two-person show, just a few 
bucks but still appreciated.

The zero-person show, nope! We just slunk our way out of there without 
talking to anyone and got back in the van for 11 hours to the next stop 
on tour.

Daryl Shawn
www.swanwelder.com
> Daryl, did you get paid for the 0 person gig, or the 3-person gig? 
> Just curious.
>
> Chris, no, i'm not obsessed with money.

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 04:03:38 2007
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Date: Fri, 9 Mar 2007 20:03:36 -0800 (PST)
From: rabbirabbifive <rabbirabbi5@yahoo.com>
Subject: Re: Inaccessability of music
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>Axiom 1: The number of individuals in an audience will be inversely 
>proportionate to the experimental and avant-garde nature of the 
>performance

There doesn't seem to be any relationship actually.  I've seen packed
houses for harsh noise gigs, and more people listening- and
applauding!- from the parking lot 'cause the stage volume was so
dangerously loud.  (I was one of those- only one set of ears ya know).
The next night for a normal indie rock band, 6 people.  Go Figure.  It
has more to do with hype, what else is happening, the size of the
performers's entourages, and luck than anything rational.    

>Comment 1: I'd love to show up for a gig where the venue is full, and 
>proceed to clear the room (audience =0)

Done that.  Hard to tell if you suck or they suck or both when that
happens (it's happened to me twice).  More fun was the time we drove
out everyone except the hard-core drunks (and the bar lady passed us a
note about 20 minutes in threatening to cut the power), but the drunks
told after us how much they liked it and bought us beers!  Go Figure.

>Axiom 2: The degree of performance satisfaction and  artistic 
>gratification 
>of an experimental/avant-garde artist is directly proportionate to the

>number of people who show up for his/her gigs and rave over how 
>original, 
>creative, and interesting his/her performance was...i.e. how much they

>feed 
>his/her ego.

I can live without the ass-kissing, personally.  Just buy the merch.
;-)  

-rabbi


 
____________________________________________________________________________________
We won't tell. Get more on shows you hate to love 
(and love to hate): Yahoo! TV's Guilty Pleasures list.
http://tv.yahoo.com/collections/265 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 06:04:41 2007
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From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Re: inaccessability of music
Date: Fri, 9 Mar 2007 22:04:36 -0800
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When I was touring with the wonderful altered tuning acoustic guitar wizard 
from Britain,
Martin Simpson,  he told of a time that he played an outdoor festival 
somewhere in England, I believe,
on a day that was really rainy.

There was one kind of older guy in the audience and Martin played his whole 
set for him alone
and then said,   "do you have any requests"

The old guy said,    "Yes,  would you please hurry up and finish so I can 
put all these chairs away"

He was the janitor of the venue.

LOL

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 06:16:34 2007
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From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
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Date: Fri, 9 Mar 2007 22:16:28 -0800
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Oh yeah, and this one comes to mind..................an actual looping gig 
experience
(please forgive if I have posted this here before,  I post to a lot of 
groups and can't remember if I did or not)


My brother and I got a live looping gig doing ethnic fusion with a lot of 
syncrhonized looping
down at the Monterey Bay Aquarium.

The gig was for the top 50 life insurance salespeople in the United States.

We got to the gig,    sussed out the room and begin to set up our rather 
elaborate setup.

Once set up (it takes over an hour for this complex set up with multiple 
instruments)
a woman came in the room and said,
"Oh no, no, no,    you are in the wrong spot.........I need you to move to 
the other side of the room."

I argued politely with her but she was adamant.

We hurriedly moved our equipment to the other side of the room.

Then her boss came in,

"I'm sorry, but you are set up in the wrong place.  You need to be across 
the room there........(where we had just
set up)."

By this point I was hopping mad and stressed and I protested vociferously, 
but he was our boss and we were compelled to
move back to where we had been.   We never worked for them again, so I 
imagine that my protest wasn't taken well.

We were going nuts because we very close to the people coming and they 
wanted us playing background music as they walked in.

With perspiration pouring down our necks,  the busload of insurance 
salespeople arrived and we finally began to play.

All 50 of them walked in;    walked right by us in a cluster and climbed the 
stairs to go to dinner and disappeared.

it didn't take more than a minute before they were all gone,  tops!!!!!!

the gig was over!!!!!!

 luckily, it was a very lucrative gig, but boy did I feel like a glorified 
servant that day. 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 07:14:19 2007
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Subject: Playing to nobody (was inaccessability of music)
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-----Original Message-----
From: RICK WALKER [mailto:looppool@cruzio.com] 
Rick wrote (out of sequence)

>the busload of insurance salespeople arrived and we finally began to play.
We were going nuts because we very close to the people coming and they 
wanted us playing background music as they walked in.
All 50 of them walked in; walked right by us in a cluster and climbed the 
stairs to go to dinner and disappeared.
it didn't take more than a minute before they were all gone,  tops!!!!!!
the gig was over!!!!!!


--->I do this kind of gig all the time--it's called "meet and greet"


>My brother and I got a live looping gig doing ethnic fusion with a lot of 
syncrhonized looping down at the Monterey Bay Aquarium.

The gig was for the top 50 life insurance salespeople in the United States.

We got to the gig,    sussed out the room and begin to set up our rather 
elaborate setup.

Once set up (it takes over an hour for this complex set up with multiple 
instruments)
a woman came in the room and said,
"Oh no, no, no,    you are in the wrong spot.........I need you to move to 
the other side of the room."

I argued politely with her but she was adamant.

We hurriedly moved our equipment to the other side of the room.

Then her boss came in,

"I'm sorry, but you are set up in the wrong place.  You need to be across 
the room there........(where we had just
set up)."

By this point I was hopping mad and stressed and I protested vociferously, 
but he was our boss and we were compelled to
move back to where we had been.   We never worked for them again, so I 
imagine that my protest wasn't taken well.

--->This sort of thing happens with corporate gigs--they don't really have
much consideration for the musicians


>luckily, it was a very lucrative gig, but boy did I feel like a glorified 
servant that day. 

-->Ah, that's because you were, Mr. Rick.
Mr. Rick did not mention the time he came all the way to San Diego to play a
gig with me for less than half a dozen people. It was me, him and Luis
Angelo--my friend Harvey Starr came (I was using a Ztar) and a bass player
named Are Jay who was on the LD list at the time also showed, but it was
mostly unattended--and we played anyway!
Gary (who has made a living playing to nobody)


From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 08:41:54 2007
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  Played anuclear freeze benefit in Corvallis Ore,in 1980 ,sponsored by the 
Folklore Society (  I've always thought folklore society  seemed 
oxymoronic,or at least a hexemoronic)  The bill was acoustic folk 
music,protest singers.We were last ,and the only electric ,much less 
electronic performers. We played a version of the Clash's Ivan meets GI Joe 
.We were quite certain it was the first performance of anythibg related to 
Punk music in that town,which is hilarious,cause the first punkers that 
finally showed up did their best to hate me for being a longhair in the most 
popular hippie tribal band around.
   Anyway we did a small war for the instrumental ,with synths and 
effects,and feedback .I got great helicoptor and tracer sounds out of bass 
thru requency analyzer-delay-electric misstress.
The joint was packed ,sro and It appeared to me tha the leading edge of our 
sound envelope carried the whole crowd out the door like a tidal wave.From 
100 people to 3 in 10 seconds.

_________________________________________________________________
Find what you need at prices you’ll love. Compare products and save at MSN® 
Shopping. 
http://shopping.msn.com/default/shp/?ptnrid=37,ptnrdata=24102&tcode=T001MSN20A0701

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 09:12:40 2007
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Date: Sat, 10 Mar 2007 04:12:03 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to The AM/FM Show
To: beyond_em Yahoogroups List <beyond_em@yahoogroups.com>,
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, March 10 at 6:00
am EST / GMT-5, just under two hours from now.  I will continue the
special on E-dition Electronic Music Magazine's sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.

Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 09:21:23 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: inaccessability of music
Date: Sat, 10 Mar 2007 10:21:18 +0100
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On 10 mar 2007, at 07.04, RICK WALKER wrote:

> The old guy said,    "Yes,  would you please hurry up and finish so  
> I can put all these chairs away"
> He was the janitor of the venue.


I once did a similar gig with a rock band, but with TWO people in the  
audience. After the concert one went to the DJ booth and the other  
took a stand behind the bar ----->   ;-(

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)


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Date: Sat, 10 Mar 2007 09:23:42 +0000 (GMT)
From: MATTHEW STEVENS <mattstevensguitar@btinternet.com>
Subject: London Looping festival 
To: Loopers-Delight@loopers-delight.com
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Hello Loopers Delight
   
  My name is Matt Stevens I'm putting together the London looping festival at the moment. If you are interested or require some info go to www.myspace.com/londonloopingfestival or www.myspace.com/mattstevensguitar 
   
  My website is www.mattstevensguitar.com - I do looping stuff acoustic with loads of layered harmony - I'm from a jazz/rock/grindcore/hardcore background.  
   
  Anyway just wanted to say how much respect I have for loopers delight and that how many people's music on here had inspired me.
   
  Best regards
   
   
  Matt Stevens
  www.mattstevensguitar.com 

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<div>Hello Loopers Delight</div>  <div>&nbsp;</div>  <div>My name is Matt Stevens I'm putting together the London looping festival at the moment. If you are interested or require some info go to <A href="http://www.myspace.com/londonloopingfestival">www.myspace.com/londonloopingfestival</A> or <A href="http://www.myspace.com/mattstevensguitar">www.myspace.com/mattstevensguitar</A> </div>  <div>&nbsp;</div>  <div>My website is <A href="http://www.mattstevensguitar.com">www.mattstevensguitar.com</A> - I do looping stuff acoustic with loads of layered harmony - I'm from a jazz/rock/grindcore/hardcore background.&nbsp; </div>  <div>&nbsp;</div>  <div>Anyway just wanted to say how much respect I have for loopers delight and that how many people's music on here had inspired me.</div>  <div>&nbsp;</div>  <div>Best regards</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>Matt Stevens</div>  <div><A href="http://www.mattstevensguitar.com">www.mattstevensguitar.com</A> </div>
--0-706195797-1173518622=:9132--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 09:48:48 2007
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Has anyone tried one of these?

http://www.eventidestompboxes.com/media/stompboxes_cutsheet%20_timefac
tor.pdf

it mentions 12 second looper and stereo/mono effects (wonder which 
one the looper uses?)

There's a vid here, but it only whets the appetite.

http://www.youtube.com/watch?v=xC6u56xU6dk




From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 10:06:57 2007
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From: Bernhard Wagner LD <loopdelightml-NDI3MDE=-@bernhardwagner.net>
Subject: Re: London Looping festival 
Date: Sat, 10 Mar 2007 11:06:51 +0100
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Hi Matt

I'm glad you are taking the initiative! It was also great to see that  
there's a festival building up in Seattle.

I encourage everyone who ever played at a loop festival to put one up  
themselves!

Bernhard
http://bernhardwagner.net

On 10.03.2007, at 10:23, MATTHEW STEVENS wrote:

> My name is Matt Stevens I'm putting together the London looping  
> festival at the moment. If you are interested or require some info  
> go to www.myspace.com/londonloopingfestival or www.myspace.com/ 
> mattstevensguitar

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 12:29:03 2007
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From: MATTHEW STEVENS <mattstevensguitar@btinternet.com>
Subject: Re: London Looping festival 
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Cheers mate!!!

Bernhard Wagner LD <loopdelightml-NDI3MDE=-@bernhardwagner.net> wrote:  Hi Matt

I'm glad you are taking the initiative! It was also great to see that 
there's a festival building up in Seattle.

I encourage everyone who ever played at a loop festival to put one up 
themselves!

Bernhard
http://bernhardwagner.net

On 10.03.2007, at 10:23, MATTHEW STEVENS wrote:

> My name is Matt Stevens I'm putting together the London looping 
> festival at the moment. If you are interested or require some info 
> go to www.myspace.com/londonloopingfestival or www.myspace.com/ 
> mattstevensguitar



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Cheers mate!!!<BR><BR><B><I>Bernhard Wagner LD &lt;loopdelightml-NDI3MDE=-@bernhardwagner.net&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Hi Matt<BR><BR>I'm glad you are taking the initiative! It was also great to see that <BR>there's a festival building up in Seattle.<BR><BR>I encourage everyone who ever played at a loop festival to put one up <BR>themselves!<BR><BR>Bernhard<BR>http://bernhardwagner.net<BR><BR>On 10.03.2007, at 10:23, MATTHEW STEVENS wrote:<BR><BR>&gt; My name is Matt Stevens I'm putting together the London looping <BR>&gt; festival at the moment. If you are interested or require some info <BR>&gt; go to www.myspace.com/londonloopingfestival or www.myspace.com/ <BR>&gt; mattstevensguitar<BR><BR></BLOCKQUOTE><BR>
--0-1885161555-1173529740=:90841--

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From: "Ingo Ito" <ingoito@itofarm.com>
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Subject: Fw: mp3/flac selling services
Date: Sat, 10 Mar 2007 13:35:11 +0100
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I just integrated this special download-shop in my own website: =
www.easybe.com and I have also seen it on Adrian Belew=B4s website: =
http://adrianbelew.net/1-2-3-music-store/process.php?pname=3DShopfrontPro=
cess-Start

Works perfectly for me and I=B4m nearly finished to put the first =
downloads online. And it=B4s rather cheap and with nice supply people.

Cheers
Ingo

www.itofarm.com




----- Original Message -----=20
From: Per Boysen=20
To: Loopers-Delight@loopers-delight.com=20
Sent: Friday, March 09, 2007 10:30 PM
Subject: Re: mp3/flac selling services


On 9 mar 2007, at 21.43, Michael Peters wrote:
> Ideas anyone?


I'm not sure what kind of ideas you mean, Michael, but I here are two =20
sites I like: http://www.magnatune.com and http://www.jamendo.com/en/.

Magnatune sells albums in the formats MP3, WAV, OGG, FLAC and AAC. =20
Play your music on any platform: Windows, Mac and Linux. No copy =20
protection (DRM), ever. When you burn a CD from their WAV files, =20
you'll have the same sound fidelity as a store-bought CD. But they =20
also sell physical CDs. Last time I bought an album (16 bit wave =20
format) you could pay whatever you wanted over a set minimal price. I =20
think that is nice, because if you should happen to have more money =20
you are able to give more to an artist you like and wants to support. =20
Magnatune have a funny branding, they admit being a record label but =20
they also stress that they "are not evil" ;-)

Jamendo only offers downloadable music albums in two formats: 200 =20
Kbps MP3 or 300 Kbps Ogg Vorbis. The Ogg alternative is close to CD =20
fidelity. Some offered music is really good and I think they are =20
making a mistake in not offering also a FLAC alternative (lossless, =20
full fidelity format).  Music is given away for free and listeners =20
can donate by PayPal directly to the artists. All music recordings =20
are licensed according to Creative Commons. Jamendo started in France =20
and the site, that is rather community oriented, has grown into =20
French speaking areas and English speaking areas. I doubt they will =20
ever meet ;-))

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)

------=_NextPart_000_0069_01C76318.ED60AF90
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D4>I just integrated this special =
download-shop in my=20
own website: <A href=3D"http://www.easybe.com">www.easybe.com</A> and I =
have also=20
seen it on Adrian Belew=B4s website:&nbsp;<A=20
href=3D"http://adrianbelew.net/1-2-3-music-store/process.php?pname=3DShop=
frontProcess-Start">http://adrianbelew.net/1-2-3-music-store/process.php?=
pname=3DShopfrontProcess-Start</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>Works perfectly for me and&nbsp;I=B4m =
nearly finished=20
to put the first downloads online. And it=B4s rather cheap and with nice =
supply=20
people.</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>Cheers</FONT></DIV>
<DIV><FONT face=3DArial size=3D4>Ingo</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><A=20
href=3D"http://www.itofarm.com">www.itofarm.com</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial">----- Original Message -----=20
<DIV style=3D"BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A=20
title=3Dperboysen@gmail.com href=3D"mailto:perboysen@gmail.com">Per =
Boysen</A>=20
</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Sent:</B> Friday, March 09, 2007 10:30 PM</DIV>
<DIV><B>Subject:</B> Re: mp3/flac selling services</DIV></DIV>
<DIV><BR></DIV>On 9 mar 2007, at 21.43, Michael Peters wrote:<BR>&gt; =
Ideas=20
anyone?<BR><BR><BR>I'm not sure what kind of ideas you mean, Michael, =
but I here=20
are two&nbsp; <BR>sites I like: <A=20
href=3D"http://www.magnatune.com">http://www.magnatune.com</A> and <A=20
href=3D"http://www.jamendo.com/en/">http://www.jamendo.com/en/</A>.<BR><B=
R>Magnatune=20
sells albums in the formats MP3, WAV, OGG, FLAC and AAC.&nbsp; <BR>Play =
your=20
music on any platform: Windows, Mac and Linux. No copy&nbsp; =
<BR>protection=20
(DRM), ever. When you burn a CD from their WAV files,&nbsp; <BR>you'll =
have the=20
same sound fidelity as a store-bought CD. But they&nbsp; <BR>also sell =
physical=20
CDs. Last time I bought an album (16 bit wave&nbsp; <BR>format) you =
could pay=20
whatever you wanted over a set minimal price. I&nbsp; <BR>think that is =
nice,=20
because if you should happen to have more money&nbsp; <BR>you are able =
to give=20
more to an artist you like and wants to support.&nbsp; <BR>Magnatune =
have a=20
funny branding, they admit being a record label but&nbsp; <BR>they also =
stress=20
that they "are not evil" ;-)<BR><BR>Jamendo only offers downloadable =
music=20
albums in two formats: 200&nbsp; <BR>Kbps MP3 or 300 Kbps Ogg Vorbis. =
The Ogg=20
alternative is close to CD&nbsp; <BR>fidelity. Some offered music is =
really good=20
and I think they are&nbsp; <BR>making a mistake in not offering also a =
FLAC=20
alternative (lossless,&nbsp; <BR>full fidelity format).&nbsp; Music is =
given=20
away for free and listeners&nbsp; <BR>can donate by PayPal directly to =
the=20
artists. All music recordings&nbsp; <BR>are licensed according to =
Creative=20
Commons. Jamendo started in France&nbsp; <BR>and the site, that is =
rather=20
community oriented, has grown into&nbsp; <BR>French speaking areas and =
English=20
speaking areas. I doubt they will&nbsp; <BR>ever meet =
;-))<BR><BR>Greetings from=20
Sweden<BR><BR>Per Boysen<BR><A =
href=3D"http://www.boysen.se">www.boysen.se</A>=20
(Swedish)<BR><A href=3D"http://www.looproom.com">www.looproom.com</A>=20
(international)<BR><A=20
href=3D"http://tinyurl.com/2kek7h">http://tinyurl.com/2kek7h</A> (latest =
music=20
release)<BR></BODY></HTML>

------=_NextPart_000_0069_01C76318.ED60AF90--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 13:35:53 2007
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> I'm not sure what kind of ideas you mean, Michael, but I here are two
sites I like: http://www.magnatune.com and http://www.jamendo.com/en/.

these are mp3 download sites, basically not unlike iTunes or mp3.com ....
I'm looking for download/payment services that can be included seamlessly
into one's own website, and that would work similar to how things work on
the dgmlive.com site.

-Michael

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 15:46:20 2007
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Message-ID: <492979830703100746j95f6cf8m52a90c930a027ce7@mail.gmail.com>
Date: Sat, 10 Mar 2007 10:46:14 -0500
From: "John Schur" <john.schur@gmail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: EDP Plus crashing
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Hi All

   New to the list as well as the Echoplex.  Just got the EDP Plus two
days ago and in that time, the unit has completely frozen-up once, and
has spontaneously rebooted at least a half dozen times.  The reboots
have occurred when I have pressed buttons on the EFC7 foot controller.
 Is this just the nature of the beast or do I have a defective unit?

Regards

John

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 16:28:16 2007
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Subject: eventide
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I found an eventide demo here, though we learn nothing of the looping 
features.

http://www.gearwire.com/eventide-wnamm.html

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 17:46:03 2007
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From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: eventide looper
Date: Sat, 10 Mar 2007 11:47:22 -0600
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On Mar 10, 2007, at 3:48 AM, nick@12testing.net wrote:

> Has anyone tried one of these?

They haven't hit the street yet. I believe they are shipping soon,  
however. Street price is $399, I'm told.

For more info, you may want to join the Eventide Helps yahoo group.

Jeff

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 17:51:57 2007
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To: Loopers-Delight@loopers-delight.com
Subject: Re: inaccessability of music
References: <3874D8EE-CE7F-11DB-92B8-000393CA38DE@earthlink.net> <18294.167.83.10.20.1173476213.squirrel@www.michaelplishka.com>
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Well, it wasn't our music that drove all the people out, it was the 
heat.  We were playing in the packed basement of a frat house during the 
hottest day of the year.  When we took our first break, the crowd moved 
outside to the parking lot and somebody turned on the hose.  That did 
it.  No one came back inside for the second set but the band.

So we played anyway.  One guy wandered in during our set because the keg 
was in the corner.  He looked at us playing to no one, shook his head 
and wandered back outside.

After we finished a full set to an empty room, one couple came in just 
as we'd stopped and said they wanted to dance.  So we got back up and 
played for them.

It was pretty wild out on that parking lot.  I went to check it out 
during a break and got a bucket of water dumped on me from an upstairs 
window.

John McIntyre
mcintyre@pa.msu.edu

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 18:18:56 2007
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Date: Sat, 10 Mar 2007 10:18:54 -0800 (PST)
From: barry smith <barrysmith_2001@yahoo.com>
Subject: Re: Inaccessability of music
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Hey.....don't forget.......Alice Cooper, when first
starting out,  got signed by Frank Zappa and his
label.....BECAUSE they cleared the room...!  

People came around and he still sells out world wide!!
 

--- rabbirabbifive <rabbirabbi5@yahoo.com> wrote:

> >Axiom 1: The number of individuals in an audience
> will be inversely 
> >proportionate to the experimental and avant-garde
> nature of the 
> >performance
> 
> There doesn't seem to be any relationship actually. 
> I've seen packed
> houses for harsh noise gigs, and more people
> listening- and
> applauding!- from the parking lot 'cause the stage
> volume was so
> dangerously loud.  (I was one of those- only one set
> of ears ya know).
> The next night for a normal indie rock band, 6
> people.  Go Figure.  It
> has more to do with hype, what else is happening,
> the size of the
> performers's entourages, and luck than anything
> rational.    
> 
> >Comment 1: I'd love to show up for a gig where the
> venue is full, and 
> >proceed to clear the room (audience =0)
> 
> Done that.  Hard to tell if you suck or they suck or
> both when that
> happens (it's happened to me twice).  More fun was
> the time we drove
> out everyone except the hard-core drunks (and the
> bar lady passed us a
> note about 20 minutes in threatening to cut the
> power), but the drunks
> told after us how much they liked it and bought us
> beers!  Go Figure.
> 
> >Axiom 2: The degree of performance satisfaction and
>  artistic 
> >gratification 
> >of an experimental/avant-garde artist is directly
> proportionate to the
> 
> >number of people who show up for his/her gigs and
> rave over how 
> >original, 
> >creative, and interesting his/her performance
> was...i.e. how much they
> 
> >feed 
> >his/her ego.
> 
> I can live without the ass-kissing, personally. 
> Just buy the merch.
> ;-)  
> 
> -rabbi
> 
> 
>  
>
____________________________________________________________________________________
> We won't tell. Get more on shows you hate to love 
> (and love to hate): Yahoo! TV's Guilty Pleasures
> list.
> http://tv.yahoo.com/collections/265 
> 
> 



 
____________________________________________________________________________________
Food fight? Enjoy some healthy debate 
in the Yahoo! Answers Food & Drink Q&A.
http://answers.yahoo.com/dir/?link=list&sid=396545367

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 18:25:07 2007
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From: Dmitry A.Khvatov <d.khvatov@mail.ru>
To: Loopers-Delight@loopers-delight.com
Subject: loopers-delight recommended reading
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Hi there!

Does anybody know, where these books, mentioned in "recommended reading", can be found for free download?

"Brian Eno: His Music and the Vertical Color of Sound" - By Eric Tamm.
"Experimental Music (Cage and Beyond)"
"Silence - Lectures and Writings by John Cage" - By John Cage
"John Cage (ex)plain(ed)" - by Richard Kostelanetz.
"Writings About Music" - By Steve Reich
"Stockhausen: Conversations with the Composer"
"Free Play : Improvisation in Life and Art" - by Stephen Nachmanovitch.
"A Guide to Electronic Music" - by Paul Griffiths
"Tape Music Composition" - by David Keane
"Minimalism: Origins" - by Edward Strickland

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 20:14:39 2007
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Date: Sat, 10 Mar 2007 15:14:36 -0500
From: "Mark Trewella" <aleatoric12@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Replacing a LED on the EDP
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Anyone have any experience with this.  I may be obtaining an EDP that
is said to have a Record LED that only lights up orange and red but
not green.  I am thinking that the LED probably just needs to be
replaced.  Does anyone know where I can get a replacement LED and
would putting the new one in be fairly easy?

From Loopers-Delight-request@loopers-delight.com  Sat Mar 10 21:26:25 2007
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From: "David O'Heare" <oheare@magma.ca>
To: "David O'Heare" <oheare@magma.ca>
Subject: Tonight's entertainment... 
Date: Sat, 10 Mar 2007 16:26:12 -0500
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This is a multi-part message in MIME format.

------=_NextPart_000_0119_01C76330.D1566A70
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	charset="iso-8859-1"
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Yes, it's late notice. If I'd told you earlier, you might have come, and =
do we want that?

Tonight, March 10, 2007, will be the inaugural performance of Streets of =
Hours, a free-improvisational duo consisting of yours truly (as Merril =
Street, apparently) and my good friend Hours Durve, making noises and =
possibly even playing music.


We're performing at the Avant Garde Bar and Gift Shop at 135 1/2 =
Besserer Street in Ottawa. We're supporting My Tiny Circus, Ottawa's =
premier lounge-core band.



Show time is 9:00 PM, we're on 'til 9:30 or they pull the plug on us. =
Our intent is to go up and see just how irritating we can be. Isn't that =
the point of free-improvisation, after all?



Best comment so far about our act:



  "So what would be the difference then between your act and two people =
too lazy to rehearse?"
------=_NextPart_000_0119_01C76330.D1566A70
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD><FONT face=3DArial>
<BODY>
<DIV>
<DIV class=3DPortalFriendsPageSubject><FONT size=3D2>Yes, it's late =
notice. If I'd=20
told you earlier, you might have come, and do we want that?</FONT></DIV>
<DIV class=3DPortalFriendsPageSubject><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV class=3DPortalFriendsPageEntry><FONT size=3D2>Tonight, March 10, =
2007, will be=20
the inaugural performance of <B>Streets of Hours</B>, a =
free-improvisational duo=20
consisting of yours truly (as Merril Street, apparently) and my good =
friend=20
Hours Durve, making noises and possibly even playing music.<BR></FONT>
<P><BR><FONT size=3D2>We're performing at the </FONT><A=20
href=3D"http://www.avantgardebar.com/" target=3D_blank><FONT =
color=3D#0000cc=20
size=3D2>Avant Garde Bar and Gift Shop</FONT></A><FONT size=3D2> at =
135&nbsp;1/2=20
Besserer Street in Ottawa. We're supporting </FONT><A=20
href=3D"http://mytinycircus.com/" target=3D_blank><FONT color=3D#0000cc =
size=3D2>My Tiny=20
Circus</FONT></A><FONT size=3D2>, Ottawa's premier lounge-core =
band.<BR></FONT>
<P><BR><FONT size=3D2>Show time is 9:00 PM, we're on 'til 9:30 or they =
pull the=20
plug on us. Our intent is to go up and see just how irritating we can =
be. Isn't=20
that the point of free-improvisation, after all?<BR></FONT>
<P><BR><FONT size=3D2>Best comment so far about our act:<BR></FONT>
<BLOCKQUOTE><BR><FONT size=3D2>"So what would be the difference then =
between=20
  your act and two people too lazy to=20
rehearse?"</FONT></BLOCKQUOTE></DIV></DIV></BODY></HTML></FONT>

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 11 09:06:25 2007
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From: "Torstein H.Rem" <trem@broadpark.no>
Subject: Re: Re[2]: loopers-delight recommended reading
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Late night writing makes up for the error here.

>> On the site you'll also find
>> "Robert Fripp: From Crimson King to guitar craft"
>> http://www.erictamm.com/tammfripp.html

Title is of course
"Robert Fripp: From King  Crimson to guitar craft"

      "In The Court of the Crimson King"

 still sticking to my mind

;-)





----- Original Message ----- 
From: "Dmitry A. Khvatov" <d.khvatov@mail.ru>
To: "Torstein H.Rem" <trem@broadpark.no>
Sent: Sunday, March 11, 2007 5:16 AM
Subject: Re[2]: loopers-delight recommended reading


> Thanks!
>
> -----Original Message-----
> From: "Torstein H.Rem" <trem@broadpark.no>
> To: "Dmitry A.Khvatov" <d.khvatov@mail.ru>
> Date: Sun, 11 Mar 2007 03:05:10 +0100
> Subject: Re: loopers-delight recommended reading
>
>>
>> Here's one
>>
>> "Brian Eno: His Music and the Vertical Color of Sound" - By Eric Tamm.
>> http://www.erictamm.com/tammeno.html
>>
>>
>> On the site you'll also find
>> "Robert Fripp: From Crimson King to guitar craft"
>> http://www.erictamm.com/tammfripp.html
>>
>>
>>
>>
>> ----- Original Message ----- 
>> From: "Dmitry A.Khvatov" <d.khvatov@mail.ru>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Saturday, March 10, 2007 7:25 PM
>> Subject: loopers-delight recommended reading
>>
>>
>> > Hi there!
>> >
>> > Does anybody know, where these books, mentioned in "recommended 
>> > reading",
>> > can be found for free download?
>> >
>> > "Brian Eno: His Music and the Vertical Color of Sound" - By Eric Tamm.
>> > "Experimental Music (Cage and Beyond)"
>> > "Silence - Lectures and Writings by John Cage" - By John Cage
>> > "John Cage (ex)plain(ed)" - by Richard Kostelanetz.
>> > "Writings About Music" - By Steve Reich
>> > "Stockhausen: Conversations with the Composer"
>> > "Free Play : Improvisation in Life and Art" - by Stephen Nachmanovitch.
>> > "A Guide to Electronic Music" - by Paul Griffiths
>> > "Tape Music Composition" - by David Keane
>> > "Minimalism: Origins" - by Edward Strickland
>> >
>> >
>>
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 11 09:30:52 2007
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Date: Sun, 11 Mar 2007 05:30:44 -0400
From: Domenick Swentosky <domenick@greytime.com>
Subject: Volume Pedals
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Hello all:

I have a problem that would seem to have a simple solution, but I just 
can't quite find the answer in the archives, though there is much 
discussion about volume and expression pedals.

I formerly used the Boomerang, which has now been replaced on my board 
with a Boss RC-50.  With both setups, I have run the output of the 
looper into a volume pedal, sometimes into a DI box, and then into the 
PA.  I run my guitar signal straight into a different channel on the PA 
because I like to have that volume pedal control on the loop while 
maintaining the guitar level.  Fair enough, right?

But the problem I've always had:  I cannot find a volume pedal that 
actually operates smoothly throughout the range of the pedal.  Meaning, 
there is always a quick dropoff from the top of the sweep to just below 
it.  I'd simply like to find a pedal that decreases the volume by, say, 
10 percent if I physically back off the pedal by 10 percent.  Instead, i 
get this dramatic droppoff somewhere near the top of the sweep, and I'm 
constantly struggling to get the level exactly where I want it.  It 
would be really, really great to be able to back off the pedal by 10 
percent and know for certain that when I play the loop that I created, 
it will be playing at 90 percent volume.  Seems like such a simple 
thing, and since I don't hear many of you complaining about this, I'm 
figuring that you must have it pretty well worked out for yourselves.

As I understand it, with my setup, I should be using a passive volume 
pedal.  I'm using a Boss FV-50L with the RC-50 right now, and it is 
marginally better than the Morley that I used to use with the 
Boomerang.  I've tried both versions of the Ernie Ball Vp Junior's, and 
both swell rates on the passive one.  I found them to be the worst 
actually, but I love the way they're built.

Any advice you might have would be much appreciated.  I'm pretty stuck 
on this one.

Enjoy the day.
Domenick

From Loopers-Delight-request@loopers-delight.com  Sun Mar 11 10:57:35 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: Volume Pedals
Date: Sun, 11 Mar 2007 11:57:44 +0100
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The question here in part is "ten percent of which physical quantity"?

The human ear works in a logarithmic way, which means something like this:

Let's say you have a sound pressure of 1 Pa (just for example). You percieve
that as a subjective loudness x.
If you increase the pressure by a factor of two (now you get 2 Pa), you
percieve the loudness to be increased by a certain amount, which we might
call y, so you now "hear" x+y.
If you now increase the pressure by a factor of two again (so you now have 4
Pa, which is four times your initial amount), you "hear" x+2y.

Which means: to get these "linear volume dependencies", you need a
logarithmic pot in your volume pedal, because your hearing percieves sound
pressure (and also frequency btw) in a logarithmic fashion and so will hear
a logarithmic pot as linear.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Mar 11 11:51:02 2007
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> 
> But the problem I've always had:  I cannot find a volume pedal that 
> actually operates smoothly throughout the range of the pedal.  Meaning, 
> there is always a quick dropoff from the top of the sweep to just below 
> it.  I'd simply like to find a pedal that decreases the volume by, say, 
> 10 percent if I physically back off the pedal by 10 percent.  Instead, i 
> get this dramatic droppoff somewhere near the top of the sweep, and I'm 
> constantly struggling to get the level exactly where I want it.  It 
> would be really, really great to be able to back off the pedal by 10 
> percent and know for certain that when I play the loop that I created, 
> it will be playing at 90 percent volume.  Seems like such a simple 
> thing, and since I don't hear many of you complaining about this, I'm 
> figuring that you must have it pretty well worked out for yourselves.
> 
> As I understand it, with my setup, I should be using a passive volume 
> pedal.  I'm using a Boss FV-50L with the RC-50 right now, and it is 

Oh, the FV-50L should be right for that application.
L for low impedance, ... intending to avoid the problem you are experiencing which is generally caused by using a high impedance (for guitar direct) pedal.

If you only need to accurately set the loop vol, and don't care about fading out completely then you could set the minimum vol control on the FV-50L to give you more control.

The way I solve the problem is to set up the relative volume of the loop to the live sound very carefully, then there isn't a problem....  but I'm pretty good at controlling the dynamics of my playing having done a lot of analog recording while watching the level meter.
Also I have midi control of the EDP loop volume, which I use occasionally.

Probably you aren't going to find a commercial product with the response you want :-(

Getting a replacement pot to fit a pedal could also be problematic
( well, for newer pedals , the pot is custom made so the whole range covers less of an angle.)
You might find an old pedal with a simple mechanism (e.g.ColorSound) which would take any pot, but then the mechanism doesn't give the full range of the pot( well, that could still work for you, just need to add a little gain somewhere to make up for that lost in the pedal).

Experiment with the FV-50L( or other) with a soldering iron
1) wire both pots together in parallel to further reduce impedance.
2) Try soldering a resistor between the wiper and "hot" tags of the pot ( may be better if you start with a pedal with high impedance for this idea). Try 10k, 5k, 2k, 1k, or a preset.

andy butler 


 
   

From Loopers-Delight-request@loopers-delight.com  Sun Mar 11 14:14:09 2007
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Thanks man ... thats what I was looking for.

Although ... I must say I don't really like the words the EDP uses for it 
... they just don't really seem intuitive .... but then, maybe there are no 
intuitive words for it.






>From: andy butler <akbutler@tiscali.co.uk>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: loop sync semantics
>Date: Fri, 09 Mar 2007 08:35:27 +0000
>
>
>
>aaron leese wrote:
>
>>
>>1 - unsynced .....
>
>>
>>2 - full syncronization .....
>
>>
>>3 - partial syncronization ... latching ??? ...... Here the loops are also 
>>syncronized, but the pedal will start recording immediately once pressed 
>>....
>>
>
>In EDP speak.
>
>"Quantise" is when things are fully synchronised.
>"Rounding" is when an action starts immediately but lasts for a whole 
>number of cycles.
>
>(in EDP, when you multiply a loop it keeps track of the original loop time 
>which becomes a "cycle" within the loop)
>
>EDP is full of phrases like "SUS" and "reverse sniplets"
>
>andy butler
>

_________________________________________________________________
Play Flexicon: the crossword game that feeds your brain. PLAY now for FREE.  
  http://zone.msn.com/en/flexicon/default.htm?icid=flexicon_hmtagline

From Loopers-Delight-request@loopers-delight.com  Sun Mar 11 15:05:32 2007
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Date: Sun, 11 Mar 2007 07:05:29 -0800
From: "Travis Hartnett" <travishartnett@gmail.com>
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Subject: Re: Volume Pedals
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Try the Visual Volume volume pedal.

On 3/11/07, Domenick Swentosky <domenick@greytime.com> wrote:

> But the problem I've always had:  I cannot find a volume pedal that
> actually operates smoothly throughout the range of the pedal.  Meaning,
> there is always a quick dropoff from the top of the sweep to just below
> it.  I'd simply like to find a pedal that decreases the volume by, say,
> 10 percent if I physically back off the pedal by 10 percent.

From Loopers-Delight-request@loopers-delight.com  Sun Mar 11 17:06:07 2007
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Date: Sun, 11 Mar 2007 10:06:04 -0700
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: USB Volume Pedal?
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Just to change the subject slightly, is there a USB volume pedal?
Something like one pedal off a FCB1010 without the switches that sends
MIDI CC over USB? It would sure be handy. . .

-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon
Soulseek id: simart

From Loopers-Delight-request@loopers-delight.com  Sun Mar 11 17:13:48 2007
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I can't speak for the logarhymthicity (?) of its travel, but I'm excited 
about this tiny new volume/multi-exp pedal and will be getting one as 
soon as they start production. I'll give a review once I get one in hand.

http://www.effector13.com/main.html#MEVP

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar 11 17:24:54 2007
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From: Domenick Swentosky <domenick@greytime.com>
Subject: Re: Volume Pedals
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andy butler wrote:

> If you only need to accurately set the loop vol, and don't care about 
> fading out completely then you could set the minimum vol control on 
> the FV-50L to give you more control.
>
>
Yeah, unfortunately, doing a complete fadeout is a big part of the way I 
loop.

Thanks Andy.  I've saved your advice about some of the different wirings 
that I could try and may dig into it at a later date.  The last time I 
used a soldering iron was in high school.  Wow,  I can't believe that 
nobody is manufacturing a pedal that addresses the problem that I have.  
It sounds like some of you know what I'm talking about so it's not that 
uncommon. 

The Visual Sound pedal looks like a promising option, and I may check 
into it.

*QUESTION:*  what about using the RC-50's expression pedal control for 
volume instead of using the pedal after the master out like I do.  I 
know that some of you do this with your EDP's.  Does that help to level 
out the consistency of the sweep?  Has anyone used a Boss FV-50L to 
control the RC-50's expression pedal jack?

Thanks.

Enjoy the day.
Domenick

From Loopers-Delight-request@loopers-delight.com  Sun Mar 11 18:50:55 2007
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From: Whitehorse_ dreams <whitehorse_dreams@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: Hi - new here and looking for advice
Date: Sun, 11 Mar 2007 18:50:53 +0000
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Hi everyone
I'm new to the list and I'm looking  for some advice.
=20
I'm looking to buy a loop pedal and having never used any equipment live (p=
erforming acapella without mics with a band I was in or just playing -me an=
d the guitar) I'm a bit lost as the the equipment I might need to perform o=
n stage. I apologise in advance for what may seem ridiculous questions!
=20
Basically I want to be able to loop vocals and acoustic guitar, incorporate=
 rhythm and keyboards into the loops and go from there.
=20
I'm probably going to go for the RC-20 (finances don't allow to go for the =
next model up just yet) but what would you suggest my set-up should be? Wha=
t kind of amp would I need to buy? Bearing in mind there's only me and I do=
n't have a car! I know I want to be able to practice at home (with good hea=
dphones so I don't drive the neighbours crazy) on the same equipment. What =
could I use to create good drum tracks live? I'd be really interested to kn=
ow if any of you use a set-up like this.
=20
I have done an music production and audio engineering course so understand =
the terminology but the equipment side of things has always phased me. Very=
 little of our course covered live work it was mostly learning the desk and=
 Pro Tools training. My home terrain is working in Pro Tools and with vario=
us other music computing software but I don't want to simply create backing=
 tracks - I want to create music live. Naturally I love using loops and cre=
ating layers of vocal harmonies - hence feeling dissatisfied performing alo=
ne with just the guitar. My influences range from folk, electronica to worl=
d - I'm working on a set inspired and influenced by Tori Amos, David Fonsec=
a, Camille,  Jose Gonazalez, Portuguese Fado music, flamenco and  trance bu=
t now I need to go and and buy the equipment that I need to make the music =
in my head possible on stage.=20
=20
I guess I'm trying to be a one woman band but from watching the likes of KT=
 Tunstall and other artists working with loops I can see that is entirely p=
ossible. It's very inspiring!
=20
I have been reading many of your posts and can see a lot of people here rea=
lly know there stuff. Absolutely any advice would be welcome - from loop pe=
dals to amps to keyboards. If you play a small venue what equipment do you =
take? I love my guitar but he wants a bit of company :-)
=20
Lastly, whatever this set-up is - could I then plug it into Pro Tools (if a=
ny of you guys use it) so that I can record my efforts (or would you sugges=
t simply mic-ing up the amp?)
=20
Gosh, I'm just a bundle of questions.
=20
Thanks for reading this far
I look forward to hearing from any of you.
=20
Leah
http://www.myspace.com/leahwhitehorse
=20
=20
=20
_________________________________________________________________
News, entertainment and everything you care about at Live.com. Get it now!
http://www.live.com/getstarted.aspx=

--_b8217c28-e47c-4202-97e9-ea41727af8a1_
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<html>
<head>
<style>
P
{
margin:0px;
padding:0px
}
body
{
FONT-SIZE: 10pt;
FONT-FAMILY:Tahoma
}
</style>
</head>
<body><BR>Hi everyone<BR>
I'm new to the list and I'm looking&nbsp; for some advice.<BR>
&nbsp;<BR>
I'm looking to buy a loop pedal and having never used any equipment live&nb=
sp;(performing acapella without mics with a band I was in or just playing -=
me and the guitar) I'm a bit lost as the the equipment I might need to perf=
orm on stage. I apologise in advance for what may seem ridiculous questions=
!<BR>
&nbsp;<BR>
Basically I want to be able to loop vocals and acoustic guitar, incorporate=
 rhythm and keyboards into the loops and go from there.<BR>
&nbsp;<BR>
I'm probably going to go for the RC-20 (finances don't allow to go for the =
next model up just yet) but what would you suggest my set-up should be? Wha=
t kind of amp would I need to buy? Bearing in mind there's only me and I do=
n't have a car! I know I want to be able to practice at home (with good hea=
dphones so I don't drive the neighbours crazy) on the same equipment. What =
could I use to create good drum tracks live? I'd be really interested to kn=
ow if any of you use a set-up like this.<BR>
&nbsp;<BR>
I have done an&nbsp;music production and audio engineering&nbsp;course so u=
nderstand the terminology but the equipment side of things has always phase=
d me. Very little of our course covered live work it was mostly learning th=
e desk and Pro Tools training. My home terrain is working in Pro Tools and =
with various other music computing software but I don't want to simply crea=
te backing tracks - I want to create music live. Naturally I love using loo=
ps and creating layers of vocal harmonies - hence feeling dissatisfied perf=
orming alone with just the guitar. My influences range from folk, electroni=
ca to world - I'm working on a set inspired and influenced by Tori Amos, Da=
vid Fonseca, Camille,&nbsp; Jose Gonazalez, Portuguese Fado music, flamenco=
 and &nbsp;trance but now I need to go and and buy the equipment that I nee=
d to make the music in my head possible on stage. <BR>
&nbsp;<BR>
I guess I'm trying to be a one woman band but from watching the likes of KT=
 Tunstall and other artists working with loops I can see that is entirely p=
ossible. It's very inspiring!<BR>
&nbsp;<BR>
I have been reading many of your posts and can see a lot of people here rea=
lly know there stuff. Absolutely any advice would be welcome - from loop pe=
dals to amps to keyboards. If you play a small venue what equipment do you =
take? I love my guitar but he wants a bit of company :-)<BR>
&nbsp;<BR>
Lastly, whatever this set-up is - could I then plug it into Pro Tools (if a=
ny of you guys use it) so that I can record my efforts (or would you sugges=
t simply mic-ing up the amp?)<BR>
&nbsp;<BR>
Gosh, I'm just a bundle of questions.<BR>
&nbsp;<BR>
Thanks for reading this far<BR>
I look forward to hearing from any of you.<BR>
&nbsp;<BR>
Leah<BR>
<A href=3D"http://www.myspace.com/leahwhitehorse">http://www.myspace.com/le=
ahwhitehorse</A><BR>
&nbsp;<BR>
&nbsp;<BR>
&nbsp;<BR><br /><hr />Invite your mail contacts to join your friends list w=
ith Windows Live Spaces. It's easy! <a href=3D'http://spaces.live.com/space=
sapi.aspx?wx_action=3Dcreate&wx_url=3D/friends.aspx&mkt=3Den-us' target=3D'=
_new'>Try it!</a></body>
</html>=

--_b8217c28-e47c-4202-97e9-ea41727af8a1_--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 11 19:14:20 2007
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Hi - new here and looking for advice
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I'm also new, so take what I have to suggest with a grain of salt, but
I want to be able to "give back" since so many people here have
already helped me out as a new person also with questions that must be
dumb. From the sounds of it, considering your budget, consider the
digitech jamman - there's a blemished one on musiciansfriend.com right
now for only $229 - cheaper than the rc-20, and it has a usb output
that you should be able to put directly into protools. I don't think
you can find cheaper for what you want (and if you do want it - get it
now, since blemished versions sell out quickly). It usually costs
$300, although you never know with "blemished" if there's something
wrong with it. But you do get 45 days to try it before you return it.
Alternately, the rc-2 is even cheaper, at $179, but you'd have to mic
an amp.

Someone else from this listserve suggesting getting an inexpensive
little mixer (behringer makes some for as low as $45) to plug in
several different instruments to plug into the looper, which sounds
like what you want to do.

As for an amp, if you want to plug in all those instruments and voice,
I'm guessing an inexpensive PA or something like that, rather than
running everything through a guitar amp. Again, Behringer makes cheap
ones.

Good luck!

Eben

On 3/11/07, Whitehorse_ dreams <whitehorse_dreams@hotmail.com> wrote:
>
>
> Hi everyone
>  I'm new to the list and I'm looking  for some advice.
>
>  I'm looking to buy a loop pedal and having never used any equipment
> live (performing acapella without mics with a band I was in or just playing
> -me and the guitar) I'm a bit lost as the the equipment I might need to
> perform on stage. I apologise in advance for what may seem ridiculous
> questions!
>
>  Basically I want to be able to loop vocals and acoustic guitar, incorporate
> rhythm and keyboards into the loops and go from there.
>
>  I'm probably going to go for the RC-20 (finances don't allow to go for the
> next model up just yet) but what would you suggest my set-up should be? What
> kind of amp would I need to buy? Bearing in mind there's only me and I don't
> have a car! I know I want to be able to practice at home (with good
> headphones so I don't drive the neighbours crazy) on the same equipment.
> What could I use to create good drum tracks live? I'd be really interested
> to know if any of you use a set-up like this.
>
>  I have done an music production and audio engineering course so understand
> the terminology but the equipment side of things has always phased me. Very
> little of our course covered live work it was mostly learning the desk and
> Pro Tools training. My home terrain is working in Pro Tools and with various
> other music computing software but I don't want to simply create backing
> tracks - I want to create music live. Naturally I love using loops and
> creating layers of vocal harmonies - hence feeling dissatisfied performing
> alone with just the guitar. My influences range from folk, electronica to
> world - I'm working on a set inspired and influenced by Tori Amos, David
> Fonseca, Camille,  Jose Gonazalez, Portuguese Fado music, flamenco and
>  trance but now I need to go and and buy the equipment that I need to make
> the music in my head possible on stage.
>
>  I guess I'm trying to be a one woman band but from watching the likes of KT
> Tunstall and other artists working with loops I can see that is entirely
> possible. It's very inspiring!
>
>  I have been reading many of your posts and can see a lot of people here
> really know there stuff. Absolutely any advice would be welcome - from loop
> pedals to amps to keyboards. If you play a small venue what equipment do you
> take? I love my guitar but he wants a bit of company :-)
>
>  Lastly, whatever this set-up is - could I then plug it into Pro Tools (if
> any of you guys use it) so that I can record my efforts (or would you
> suggest simply mic-ing up the amp?)
>
>  Gosh, I'm just a bundle of questions.
>
>  Thanks for reading this far
>  I look forward to hearing from any of you.
>
>  Leah
>  http://www.myspace.com/leahwhitehorse
>
>
>
>
> ________________________________
> Invite your mail contacts to join your friends list with Windows Live
> Spaces. It's easy! Try it!

From Loopers-Delight-request@loopers-delight.com  Sun Mar 11 19:29:02 2007
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Quoting Whitehorse_ dreams <whitehorse_dreams@hotmail.com>:

> I know I want to be able to  practice at home (with good headphones =20
> so I don't drive the  neighbours crazy) on the same equipment. What =20
> could I use to create  good drum tracks live? I'd be really =20
> interested to know if any of  you use a set-up like this.

Hi!

 From the situation you describe, you may want to consider purchasing =20
a small mixer -- for example, the Mackie's have excellent headphone =20
amplifiers and that would cover your need to work with a headphone as =20
well as provide you flexibility for hooking mics, loop pedals, and =20
other instruments together.

Such a mixer would give you the flexibility to route mono or stereo =20
line level signals to a PA system.  If the venue already has a PA, =20
then you would be covered.

For your own PA, you might want to consider powered monitors or a Bose =20
PAS (kind of pricey, though).  The point being that your mixer can =20
serve as the "hub" for your setup and afford you the flexibility to =20
route to your or someone else's PA.

Will be interested to read others' suggestions.  There are many ways =20
to put together a system -- the main thing is to put together whatever =20
serves your needs.

The only suggestion I would give is to get quality equipment -- it may =20
cost a little more up front however you will fight fewer technical =20
battles and have more time to make music.  Fortunately, there is a lot =20
of great equipment out there that is modestly priced.

All the best to you,

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Sun Mar 11 20:07:23 2007
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Hi Kevin
Many thanks for your reply.
Lots to think about there. I checked out Bose as I hadn't come across them =
before. Pricey yes but looks great! Even if I can't afford certain things r=
ight now I'm making a list of 'things to work up to'. I'll take a look at t=
he Mackie's as well.=20
I agree with your comments about getting quality equipment. I know that som=
etimes it comes down to personal preferences and needs but it's always good=
 to hear other people's experiences with certain makes and models. Whilst m=
y purse may not be running over in gold coins, I'd rather take longer to bu=
y better equipment than jump in and buy any ol' rubbish.
=20
Looks like I'm going to be doing some serious hours in the day job for a wh=
ile ;-)
=20
Leah



> Date: Sun, 11 Mar 2007 14:29:00 -0500> From: kkissinger@kevinkissinger.co=
m> To: Loopers-Delight@loopers-delight.com> Subject: Re: Hi - new here and =
looking for advice> > Quoting Whitehorse_ dreams <whitehorse_dreams@hotmail=
.com>:> > > I know I want to be able to practice at home (with good headpho=
nes > > so I don't drive the neighbours crazy) on the same equipment. What =
> > could I use to create good drum tracks live? I'd be really > > interest=
ed to know if any of you use a set-up like this.> > Hi!> > From the situati=
on you describe, you may want to consider purchasing > a small mixer -- for=
 example, the Mackie's have excellent headphone > amplifiers and that would=
 cover your need to work with a headphone as > well as provide you flexibil=
ity for hooking mics, loop pedals, and > other instruments together.> > Suc=
h a mixer would give you the flexibility to route mono or stereo > line lev=
el signals to a PA system. If the venue already has a PA, > then you would =
be covered.> > For your own PA, you might want to consider powered monitors=
 or a Bose > PAS (kind of pricey, though). The point being that your mixer =
can > serve as the "hub" for your setup and afford you the flexibility to >=
 route to your or someone else's PA.> > Will be interested to read others' =
suggestions. There are many ways > to put together a system -- the main thi=
ng is to put together whatever > serves your needs.> > The only suggestion =
I would give is to get quality equipment -- it may > cost a little more up =
front however you will fight fewer technical > battles and have more time t=
o make music. Fortunately, there is a lot > of great equipment out there th=
at is modestly priced.> > All the best to you,> > -- Kevin>=20
_________________________________________________________________
Connect to the next generation of MSN Messenger=A0
http://imagine-msn.com/messenger/launch80/default.aspx?locale=3Den-us&sourc=
e=3Dwlmailtagline=

--_c55ed34e-1439-4d35-b379-4d8f70a43337_
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<head>
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P
{
margin:0px;
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}
body
{
FONT-SIZE: 10pt;
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}
</style>
</head>
<body>Hi Kevin<BR>
Many thanks for your reply.<BR>
Lots to think about there. I checked out Bose as I hadn't come across them =
before. Pricey yes but looks great! Even if I can't afford certain things r=
ight now I'm making a list of 'things to work up to'. I'll take a look at t=
he Mackie's as well. <BR>
I agree with your comments about getting quality equipment. I know that som=
etimes it comes down to personal preferences and needs but it's always good=
 to hear other people's experiences with certain makes and models. Whilst m=
y purse may not be running over in gold coins, I'd rather take longer to bu=
y better equipment than jump in and buy any ol' rubbish.<BR>
&nbsp;<BR>
Looks like I'm going to be doing some serious hours in the day job for a wh=
ile ;-)<BR>
&nbsp;<BR>
Leah<BR><BR><BR><BR><BR>

<HR id=3DstopSpelling>
<BR>
&gt; Date: Sun, 11 Mar 2007 14:29:00 -0500<BR>&gt; From: kkissinger@kevinki=
ssinger.com<BR>&gt; To: Loopers-Delight@loopers-delight.com<BR>&gt; Subject=
: Re: Hi - new here and looking for advice<BR>&gt; <BR>&gt; Quoting Whiteho=
rse_ dreams &lt;whitehorse_dreams@hotmail.com&gt;:<BR>&gt; <BR>&gt; &gt; I =
know I want to be able to practice at home (with good headphones <BR>&gt; &=
gt; so I don't drive the neighbours crazy) on the same equipment. What <BR>=
&gt; &gt; could I use to create good drum tracks live? I'd be really <BR>&g=
t; &gt; interested to know if any of you use a set-up like this.<BR>&gt; <B=
R>&gt; Hi!<BR>&gt; <BR>&gt; From the situation you describe, you may want t=
o consider purchasing <BR>&gt; a small mixer -- for example, the Mackie's h=
ave excellent headphone <BR>&gt; amplifiers and that would cover your need =
to work with a headphone as <BR>&gt; well as provide you flexibility for ho=
oking mics, loop pedals, and <BR>&gt; other instruments together.<BR>&gt; <=
BR>&gt; Such a mixer would give you the flexibility to route mono or stereo=
 <BR>&gt; line level signals to a PA system. If the venue already has a PA,=
 <BR>&gt; then you would be covered.<BR>&gt; <BR>&gt; For your own PA, you =
might want to consider powered monitors or a Bose <BR>&gt; PAS (kind of pri=
cey, though). The point being that your mixer can <BR>&gt; serve as the "hu=
b" for your setup and afford you the flexibility to <BR>&gt; route to your =
or someone else's PA.<BR>&gt; <BR>&gt; Will be interested to read others' s=
uggestions. There are many ways <BR>&gt; to put together a system -- the ma=
in thing is to put together whatever <BR>&gt; serves your needs.<BR>&gt; <B=
R>&gt; The only suggestion I would give is to get quality equipment -- it m=
ay <BR>&gt; cost a little more up front however you will fight fewer techni=
cal <BR>&gt; battles and have more time to make music. Fortunately, there i=
s a lot <BR>&gt; of great equipment out there that is modestly priced.<BR>&=
gt; <BR>&gt; All the best to you,<BR>&gt; <BR>&gt; -- Kevin<BR>&gt; <BR><BR=
><br /><hr />Connect to the next generation of MSN Messenger=A0 <a href=3D'=
http://imagine-msn.com/messenger/launch80/default.aspx?locale=3Den-us&sourc=
e=3Dwlmailtagline' target=3D'_new'>Get it now!</a></body>
</html>=

--_c55ed34e-1439-4d35-b379-4d8f70a43337_--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 11 20:18:40 2007
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Subject: RE: Hi - new here and looking for advice
Date: Sun, 11 Mar 2007 20:18:38 +0000
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Hi Eban
Thanks also for your reply. I really appreciate it.
I've seen jamman recommended a few times on other sites. I will go and chec=
k it out some more.
As I replied to Kevin, a mixer is a really good idea (and one I should have=
 thought of!). I think a mate of mine has a Behringer mixer - I'll have to =
go round and have a listen to it in action and look at the different models=
.I've been weighing up pro's and cons of buying second hand or new and will=
 probably go for new. I know a couple of people who work in music shops so =
a bit of a discount is possible :-)
=20
Leah



> Date: Sun, 11 Mar 2007 15:14:15 -0400> From: radiotelevision@gmail.com> T=
o: Loopers-Delight@loopers-delight.com> Subject: Re: Hi - new here and look=
ing for advice> > I'm also new, so take what I have to suggest with a grain=
 of salt, but> I want to be able to "give back" since so many people here h=
ave> already helped me out as a new person also with questions that must be=
> dumb. From the sounds of it, considering your budget, consider the> digit=
ech jamman - there's a blemished one on musiciansfriend.com right> now for =
only $229 - cheaper than the rc-20, and it has a usb output> that you shoul=
d be able to put directly into protools. I don't think> you can find cheape=
r for what you want (and if you do want it - get it> now, since blemished v=
ersions sell out quickly). It usually costs> $300, although you never know =
with "blemished" if there's something> wrong with it. But you do get 45 day=
s to try it before you return it.> Alternately, the rc-2 is even cheaper, a=
t $179, but you'd have to mic> an amp.> > Someone else from this listserve =
suggesting getting an inexpensive> little mixer (behringer makes some for a=
s low as $45) to plug in> several different instruments to plug into the lo=
oper, which sounds> like what you want to do.> > As for an amp, if you want=
 to plug in all those instruments and voice,> I'm guessing an inexpensive P=
A or something like that, rather than> running everything through a guitar =
amp. Again, Behringer makes cheap> ones.> > Good luck!> > Eben> > On 3/11/0=
7, Whitehorse_ dreams <whitehorse_dreams@hotmail.com> wrote:> >> >> > Hi ev=
eryone> > I'm new to the list and I'm looking for some advice.> >> > I'm lo=
oking to buy a loop pedal and having never used any equipment> > live (perf=
orming acapella without mics with a band I was in or just playing> > -me an=
d the guitar) I'm a bit lost as the the equipment I might need to> > perfor=
m on stage. I apologise in advance for what may seem ridiculous> > question=
s!> >> > Basically I want to be able to loop vocals and acoustic guitar, in=
corporate> > rhythm and keyboards into the loops and go from there.> >> > I=
'm probably going to go for the RC-20 (finances don't allow to go for the> =
> next model up just yet) but what would you suggest my set-up should be? W=
hat> > kind of amp would I need to buy? Bearing in mind there's only me and=
 I don't> > have a car! I know I want to be able to practice at home (with =
good> > headphones so I don't drive the neighbours crazy) on the same equip=
ment.> > What could I use to create good drum tracks live? I'd be really in=
terested> > to know if any of you use a set-up like this.> >> > I have done=
 an music production and audio engineering course so understand> > the term=
inology but the equipment side of things has always phased me. Very> > litt=
le of our course covered live work it was mostly learning the desk and> > P=
ro Tools training. My home terrain is working in Pro Tools and with various=
> > other music computing software but I don't want to simply create backin=
g> > tracks - I want to create music live. Naturally I love using loops and=
> > creating layers of vocal harmonies - hence feeling dissatisfied perform=
ing> > alone with just the guitar. My influences range from folk, electroni=
ca to> > world - I'm working on a set inspired and influenced by Tori Amos,=
 David> > Fonseca, Camille, Jose Gonazalez, Portuguese Fado music, flamenco=
 and> > trance but now I need to go and and buy the equipment that I need t=
o make> > the music in my head possible on stage.> >> > I guess I'm trying =
to be a one woman band but from watching the likes of KT> > Tunstall and ot=
her artists working with loops I can see that is entirely> > possible. It's=
 very inspiring!> >> > I have been reading many of your posts and can see a=
 lot of people here> > really know there stuff. Absolutely any advice would=
 be welcome - from loop> > pedals to amps to keyboards. If you play a small=
 venue what equipment do you> > take? I love my guitar but he wants a bit o=
f company :-)> >> > Lastly, whatever this set-up is - could I then plug it =
into Pro Tools (if> > any of you guys use it) so that I can record my effor=
ts (or would you> > suggest simply mic-ing up the amp?)> >> > Gosh, I'm jus=
t a bundle of questions.> >> > Thanks for reading this far> > I look forwar=
d to hearing from any of you.> >> > Leah> > http://www.myspace.com/leahwhit=
ehorse> >> >> >> >> > ________________________________> > Invite your mail =
contacts to join your friends list with Windows Live> > Spaces. It's easy! =
Try it!>=20
_________________________________________________________________
Explore the seven wonders of the world
http://search.msn.com/results.aspx?q=3D7+wonders+world&mkt=3Den-US&form=3DQ=
BRE=

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{
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}
</style>
</head>
<body>Hi Eban<BR>
Thanks also for your reply. I really appreciate it.<BR>
I've seen jamman recommended a few times on other sites. I will go and chec=
k it out some more.<BR>
As I replied to Kevin, a mixer is a really good idea (and one I should have=
 thought of!). I think a mate of mine has a Behringer mixer - I'll have to =
go round and have a listen to it in action and look at the different models=
.<BR><BR>I've been weighing up pro's and cons of buying second hand or new =
and will probably go for new. I know a couple of people who work in music s=
hops so a bit of a discount is possible :-)<BR>
&nbsp;<BR>
Leah<BR><BR><BR>

<HR id=3DstopSpelling>
<BR>
&gt; Date: Sun, 11 Mar 2007 15:14:15 -0400<BR>&gt; From: radiotelevision@gm=
ail.com<BR>&gt; To: Loopers-Delight@loopers-delight.com<BR>&gt; Subject: Re=
: Hi - new here and looking for advice<BR>&gt; <BR>&gt; I'm also new, so ta=
ke what I have to suggest with a grain of salt, but<BR>&gt; I want to be ab=
le to "give back" since so many people here have<BR>&gt; already helped me =
out as a new person also with questions that must be<BR>&gt; dumb. From the=
 sounds of it, considering your budget, consider the<BR>&gt; digitech jamma=
n - there's a blemished one on musiciansfriend.com right<BR>&gt; now for on=
ly $229 - cheaper than the rc-20, and it has a usb output<BR>&gt; that you =
should be able to put directly into protools. I don't think<BR>&gt; you can=
 find cheaper for what you want (and if you do want it - get it<BR>&gt; now=
, since blemished versions sell out quickly). It usually costs<BR>&gt; $300=
, although you never know with "blemished" if there's something<BR>&gt; wro=
ng with it. But you do get 45 days to try it before you return it.<BR>&gt; =
Alternately, the rc-2 is even cheaper, at $179, but you'd have to mic<BR>&g=
t; an amp.<BR>&gt; <BR>&gt; Someone else from this listserve suggesting get=
ting an inexpensive<BR>&gt; little mixer (behringer makes some for as low a=
s $45) to plug in<BR>&gt; several different instruments to plug into the lo=
oper, which sounds<BR>&gt; like what you want to do.<BR>&gt; <BR>&gt; As fo=
r an amp, if you want to plug in all those instruments and voice,<BR>&gt; I=
'm guessing an inexpensive PA or something like that, rather than<BR>&gt; r=
unning everything through a guitar amp. Again, Behringer makes cheap<BR>&gt=
; ones.<BR>&gt; <BR>&gt; Good luck!<BR>&gt; <BR>&gt; Eben<BR>&gt; <BR>&gt; =
On 3/11/07, Whitehorse_ dreams &lt;whitehorse_dreams@hotmail.com&gt; wrote:=
<BR>&gt; &gt;<BR>&gt; &gt;<BR>&gt; &gt; Hi everyone<BR>&gt; &gt; I'm new to=
 the list and I'm looking for some advice.<BR>&gt; &gt;<BR>&gt; &gt; I'm lo=
oking to buy a loop pedal and having never used any equipment<BR>&gt; &gt; =
live (performing acapella without mics with a band I was in or just playing=
<BR>&gt; &gt; -me and the guitar) I'm a bit lost as the the equipment I mig=
ht need to<BR>&gt; &gt; perform on stage. I apologise in advance for what m=
ay seem ridiculous<BR>&gt; &gt; questions!<BR>&gt; &gt;<BR>&gt; &gt; Basica=
lly I want to be able to loop vocals and acoustic guitar, incorporate<BR>&g=
t; &gt; rhythm and keyboards into the loops and go from there.<BR>&gt; &gt;=
<BR>&gt; &gt; I'm probably going to go for the RC-20 (finances don't allow =
to go for the<BR>&gt; &gt; next model up just yet) but what would you sugge=
st my set-up should be? What<BR>&gt; &gt; kind of amp would I need to buy? =
Bearing in mind there's only me and I don't<BR>&gt; &gt; have a car! I know=
 I want to be able to practice at home (with good<BR>&gt; &gt; headphones s=
o I don't drive the neighbours crazy) on the same equipment.<BR>&gt; &gt; W=
hat could I use to create good drum tracks live? I'd be really interested<B=
R>&gt; &gt; to know if any of you use a set-up like this.<BR>&gt; &gt;<BR>&=
gt; &gt; I have done an music production and audio engineering course so un=
derstand<BR>&gt; &gt; the terminology but the equipment side of things has =
always phased me. Very<BR>&gt; &gt; little of our course covered live work =
it was mostly learning the desk and<BR>&gt; &gt; Pro Tools training. My hom=
e terrain is working in Pro Tools and with various<BR>&gt; &gt; other music=
 computing software but I don't want to simply create backing<BR>&gt; &gt; =
tracks - I want to create music live. Naturally I love using loops and<BR>&=
gt; &gt; creating layers of vocal harmonies - hence feeling dissatisfied pe=
rforming<BR>&gt; &gt; alone with just the guitar. My influences range from =
folk, electronica to<BR>&gt; &gt; world - I'm working on a set inspired and=
 influenced by Tori Amos, David<BR>&gt; &gt; Fonseca, Camille, Jose Gonazal=
ez, Portuguese Fado music, flamenco and<BR>&gt; &gt; trance but now I need =
to go and and buy the equipment that I need to make<BR>&gt; &gt; the music =
in my head possible on stage.<BR>&gt; &gt;<BR>&gt; &gt; I guess I'm trying =
to be a one woman band but from watching the likes of KT<BR>&gt; &gt; Tunst=
all and other artists working with loops I can see that is entirely<BR>&gt;=
 &gt; possible. It's very inspiring!<BR>&gt; &gt;<BR>&gt; &gt; I have been =
reading many of your posts and can see a lot of people here<BR>&gt; &gt; re=
ally know there stuff. Absolutely any advice would be welcome - from loop<B=
R>&gt; &gt; pedals to amps to keyboards. If you play a small venue what equ=
ipment do you<BR>&gt; &gt; take? I love my guitar but he wants a bit of com=
pany :-)<BR>&gt; &gt;<BR>&gt; &gt; Lastly, whatever this set-up is - could =
I then plug it into Pro Tools (if<BR>&gt; &gt; any of you guys use it) so t=
hat I can record my efforts (or would you<BR>&gt; &gt; suggest simply mic-i=
ng up the amp?)<BR>&gt; &gt;<BR>&gt; &gt; Gosh, I'm just a bundle of questi=
ons.<BR>&gt; &gt;<BR>&gt; &gt; Thanks for reading this far<BR>&gt; &gt; I l=
ook forward to hearing from any of you.<BR>&gt; &gt;<BR>&gt; &gt; Leah<BR>&=
gt; &gt; http://www.myspace.com/leahwhitehorse<BR>&gt; &gt;<BR>&gt; &gt;<BR=
>&gt; &gt;<BR>&gt; &gt;<BR>&gt; &gt; ________________________________<BR>&g=
t; &gt; Invite your mail contacts to join your friends list with Windows Li=
ve<BR>&gt; &gt; Spaces. It's easy! Try it!<BR>&gt; <BR><BR><br /><hr />Expl=
ore the seven wonders of the world <a href=3D'http://search.msn.com/results=
.aspx?q=3D7+wonders+world&mkt=3Den-US&form=3DQBRE' target=3D'_new'>Learn mo=
re!</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 11 20:45:25 2007
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	id F2C0E3BF01; Sun, 11 Mar 2007 20:45:24 +0000 (UTC)
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From: "GORDIUS info" <info@gordius.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: MIDI CC Resolution & RE: Volume Pedals
Date: Sun, 11 Mar 2007 21:45:38 +0100
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In response to both these threads about MIDI CC resolution and non-linear
expression pedal behaviour, I decided to incorporate following functionality
in the GORDIUS product line ( not available yet !) :

The GORDIUS Little Giant is an FCB1010 extension module and/or stand-alone
floorboard with a few inputs for standard expression pedals. In the current
design, these can be used to perform a standard MIDI 7-bit continuous
control. I intend to keep the "incoming" resolution of the expression pedal
down to the standard 7 bit (128 distinct values), because testing confirms
what has been mentioned before: it's hard to use the sweep of an expression
pedal for a finer adjustment than these 7 bits. What's far more important is
the resolution and the form of the curve, actually being used for
controlling volume (or any other parameter for that matter). 
So I will look into the possibility to download to the floorboard (over USB
or MIDI) a 14-bit lookup table, which converts the expression pedal sweep
into any customizable non-linear curve, which can be sent using MIDI message
MSB/LSB pairs with a combined resolution of 14 bit.

Ideally, together with this functionality, I would need to provide a PC tool
which allows you to draw any curve and download it to the floorboard for
immediate use - so you could easily experiment with your expression pedals
and finetune the curve to your personal taste. 
Again : not available yet, but the different threads on this forum make me
believe this might be interesting functionality.

Regards,
Xavier

http://www.gordius.be 



-----Original Message-----
From: Mech [mailto:mech@m3ch.net] 
Sent: dinsdag 6 maart 2007 14:36
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: MIDI CC Resolution (was: Considering building an ultimate
looper...)

Quoting cpr@musetrap.com:
>
>  You are correct.. I had forgotten about that, and did not continue 
> forth in my reading once I thought I had my answer.. :)

Hey, thanks for the verification that I'd read the spec correctly.  But I'd
say, given the current state of controllers out there, that the original
solution you hit upon is the most compatible, since most pedals can be set
to manipulate Pitch Wheel.  I'd wonder if there are any pedals other than
the ones that we've mentioned that will even merely transmit proper MSB/LSB
Mod Wheel, rather than dumbing it down to MSB only.

>  So, I think, instead of the a new ultimate looper, we need an  
> ultimate midi pedal.. which is not a new topic either.. :)

I heard you there!  The sad thing is that I've actually gone through and
done some design work for a MIDI widget that could fairly easily incorporate
something like this.  Problem is, while I can put stuff together on paper, I
know crap about programming embedded systems or, for that matter, doing
hardware manufacture in general.  I've played at fabricating some boutique
stompbox 'ideas', but that's a fur piece from what would be required for the
circuit of a data project like the one I've in mind.  Ah well....  :P

       --m.



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From Loopers-Delight-request@loopers-delight.com  Mon Mar 12 03:20:49 2007
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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Subject: RE: loop sync semantics
Date: Sun, 11 Mar 2007 22:18:22 -0500
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From: "Jeff Larson" <jeff.larson@sailpoint.com>
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Your "Full sync" mode is similar to what Mobius would call "Track Sync"
where the start and end of the recording are "quantized" to a location
in the master loop.  The quantization point may either be the beginning
of the master loop, a cycle within the loop, or a subcycle within the =
loop.
It is usually accurate to think of a cycle as a measure and a subcycle
as a beat.  So if TrackSync=3DLoop, you would always create a second
loop that was an exact multiple of the master loop.=20

I'm not sure I understand your "Latching" mode.  To make a loop
that is exactly the same size as the master loop, but begin recording=20
at any point within the master loop, you could use the "Track Copy"
parameter set to "Timing".  Here, when you select an empty track,=20
it initializes it with an empty loop of the same size as the master
loop, then enters Overdub mode.  For example if the master track
was 4 seconds long, TrackCopy=3DTiming, and you selected the next track
at second 2 of the master track, you would instantly get an empty loop
of 4 seconds on the next track, then begin overdubbing into it at
second 2.  The tracks would remain in sync, and the audio in the
second track would be at the same relative location to the master
track if you retriggered them at the same time.

There is no built-in way to have a normal Record operation start
immediately (with TrackSync=3Doff) but still quantize the end of the
recording so that the loop is exactly one multiple of the master loop.
You could do this in scripts though.  This seems to be closer to your
latching mode.  But I'm confused by this statement:

  "The advantage here is that later when you stop playback of
   the second loop, and then start it again, it will know to begin=20
   playing at a particular location during the masters playback"

In Mobius, tracks are not technically stopped and started, they
are muted and unmuted.  When you mute a track, it continues
"playing" silently so that the loop position keeps advancing
relative the master track.  When you unmute, there are several
possible behaviors depending on the Mute Mode parameter.

  MuteMode=3DContinuous
    The loop is unmuted from the current location.

  MuteMode=3DStart
    The loop is retriggered from the beginning.

  MuteMode=3DRun
    The loop is retriggered from the location it had when
    was first muted.

Once a master loop and a slave loop are knocked out of alignment,
you can bring them back into alignment with a Realign function which
has several options.

Jeff



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<HTML dir=3Dltr><HEAD><TITLE>loop sync semantics</TITLE>=0A=
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Dunicode">=0A=
<META content=3D"MSHTML 6.00.5346.5" name=3DGENERATOR></HEAD>=0A=
<BODY>=0A=
<P>Your "Full sync" mode is similar to what Mobius would call "Track =
Sync"<BR>where the start and end of the recording are "quantized" to a =
location<BR>in the master loop.&nbsp; The quantization point may either =
be the beginning<BR>of the master loop, a cycle within the loop, or a =
subcycle within the loop.<BR>It is usually accurate to think of a cycle =
as a measure and a subcycle<BR>as a beat.&nbsp; So if TrackSync=3DLoop, =
you would always create a second<BR>loop that was an exact multiple of =
the master loop. </P>=0A=
<P>I'm not sure I understand your "Latching" mode.&nbsp; To make a =
loop<BR>that is exactly the same size as the master loop, but begin =
recording <BR>at any point within the master loop, you could use the =
"Track Copy"<BR>parameter set to "Timing".&nbsp; Here, when you select =
an empty track, <BR>it initializes it with an empty loop of the same =
size as the master<BR>loop, then enters Overdub mode.&nbsp; For example =
if the master track<BR>was 4 seconds long, TrackCopy=3DTiming, and you =
selected the next track<BR>at second 2 of the master track, you would =
instantly get an empty loop<BR>of 4 seconds on the next track, then =
begin overdubbing into it at<BR>second 2.&nbsp; The tracks would remain =
in sync, and the audio in the<BR>second track would be at the same =
relative location to the master<BR>track if you retriggered them at the =
same time.</P>=0A=
<P>There is no built-in way to have a normal Record operation =
start<BR>immediately (with TrackSync=3Doff) but still quantize the end =
of the<BR>recording so that the loop is exactly one multiple of the =
master loop.<BR>You could do this in scripts though.&nbsp; This seems to =
be closer to your<BR>latching mode.&nbsp; But I'm confused by this =
statement:</P>=0A=
<P>&nbsp; "The advantage here is that later when you stop playback =
of<BR>&nbsp;&nbsp; the second loop, and then start it again, it will =
know to begin <BR>&nbsp;&nbsp; playing at a particular location during =
the masters playback"</P>=0A=
<P>In Mobius, tracks are not technically stopped and started, =
they<BR>are muted and unmuted.&nbsp; When you mute a track, it =
continues<BR>"playing" silently so that the loop position keeps =
advancing<BR>relative the master track.&nbsp; When you unmute, there are =
several<BR>possible behaviors depending on the Mute Mode parameter.</P>=0A=
<P>&nbsp; MuteMode=3DContinuous<BR>&nbsp;&nbsp;&nbsp; The loop is =
unmuted from the current location.</P>=0A=
<P>&nbsp; MuteMode=3DStart<BR>&nbsp;&nbsp;&nbsp; The loop is retriggered =
from the beginning.</P>=0A=
<P>&nbsp; MuteMode=3DRun<BR>&nbsp;&nbsp;&nbsp; The loop is retriggered =
from the location it had when<BR>&nbsp;&nbsp;&nbsp; was first muted.</P>=0A=
<P>Once a master loop and a slave loop are knocked out of =
alignment,<BR>you can bring them back into alignment with a Realign =
function which<BR>has several options.</P>=0A=
<P>Jeff<BR></P></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 12 04:07:01 2007
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Date: Sun, 11 Mar 2007 21:06:00 -0700
From: "David G. Brown" <dbass2000@shaw.ca>
Subject: Re: Using 2 EDP's, not Stereo
To: Loopers-Delight@loopers-delight.com
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Ted, How do you control which EDP and which chain of effects you will send 
your signal to? Do you use an A/B switching box at the front end of the 
chain and, if so, which one?   David

----- Original Message ----- 
From: "tEd Â® kiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Cc: "Mark Trewella" <aleatoric12@gmail.com>
Sent: Friday, March 09, 2007 4:32 PM
Subject: Re: Using 2 EDP's, not Stereo


Mark,

I used to use 2 EDPs as a synched stereo pair for many years.

But now I use the 2 of them seperately with 100% rhythmic (loop lenght) 
independence.

Each one feeds its own dedicated string of stereo processors before 
returning to my mixer 's channel inputs.

Some wicked/crazy asunchronous stero mayhem can result -- and often does.

--
tEd Â® kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: 
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=6378076

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Mark Trewella <aleatoric12@gmail.com> wrote:
> So a few of you may have seen my post about getting rid of my LP1 and
> going back to the EDP.  It simply comes down to my looping style and
> what I want to accomplish etc.  There are many things the LP1 can do
> that the EDP can not do and vise versa.  Its a matter of style really.
>
> Anyway, I am considering maybe going to a 2 EDP setup.  I need some
> advice from any of you guys running things this way.  I have no
> interest in stereo but would be doing it to mainly expand what can be
> done with the EDP by adding another one.  Any info from someone who
> has some experience with this would be appreciated!  Thanks,
>
> Mark
>



-- 
No virus found in this incoming message.
Checked by AVG Free Edition.
Version: 7.5.446 / Virus Database: 268.18.8/714 - Release Date: 3/8/2007 
10:58 AM


From Loopers-Delight-request@loopers-delight.com  Mon Mar 12 05:35:58 2007
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Date: Mon, 12 Mar 2007 01:35:57 -0400
From: "Mark Trewella" <aleatoric12@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Anyone trying to sell a Digitech PMC-10
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Anyone?  Seems like a good unit for controlling EDP's.  Contact me if
anyone has one for sale.

From Loopers-Delight-request@loopers-delight.com  Mon Mar 12 11:33:59 2007
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Subject: Re: loopers-delight recommended reading
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For the first one it's easy ;-)
http://www.erictamm.com/


----- Original Message ----- 
From: "Dmitry A.Khvatov" <d.khvatov@mail.ru>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, March 10, 2007 7:25 PM
Subject: loopers-delight recommended reading


> Hi there!
>
> Does anybody know, where these books, mentioned in "recommended reading", 
> can be found for free download?
>
> "Brian Eno: His Music and the Vertical Color of Sound" - By Eric Tamm.
> "Experimental Music (Cage and Beyond)"
> "Silence - Lectures and Writings by John Cage" - By John Cage
> "John Cage (ex)plain(ed)" - by Richard Kostelanetz.
> "Writings About Music" - By Steve Reich
> "Stockhausen: Conversations with the Composer"
> "Free Play : Improvisation in Life and Art" - by Stephen Nachmanovitch.
> "A Guide to Electronic Music" - by Paul Griffiths
> "Tape Music Composition" - by David Keane
> "Minimalism: Origins" - by Edward Strickland
> 


	

	
		
___________________________________________________________________________ 
Yahoo! Mail réinvente le mail ! Découvrez le nouveau Yahoo! Mail et son interface révolutionnaire.
http://fr.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar 12 12:50:09 2007
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If the audience would be more open and not fed up with tons of supermarket
kind
of pop-music, it would be much easier. I miss the hunger, the excitement for
new
music, apart from the mainstream.
Re. the low attendance problem: My problem is not so much playing in front
of few people
(sometimes I do nevertheless, depends on my personal mood), but to find a
promoter
who risks it financially to do a show with avantgarde, experimental music.
I find it extremely difficult (living in Germany) getting shows. Although I
have
a record out , a label and a myspace side.
CHRISTO JOTA
www.myspace.com/christojota

----- Original Message -----
From: John McIntyre <mcintyre@pa.msu.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 09, 2007 8:41 PM
Subject: Re: inaccessability of music


> Well, if we're going to play "Top this"... (-8
>
> I once played a gig where no one showed up.  It was at a movie theater
> where myself and a musical friend were going to play a live soundtrack
> to a pair of silent Western movies.  There were to be two performances,
> one on Saturday and one on Sunday.  For Saturday's performance, no
> audience members showed up.  With the theater owner's kind permisson, we
> used Saturday as a rehearsal; i.e., he ran the film and we played
> along.  For Sunday's performance, about three people showed up.
>
> John McIntyre
> mcintyre@pa.msu.edu
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 12 14:29:52 2007
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Subject: RC-50 for sale. 
Date: Mon, 12 Mar 2007 14:29:49 +0000
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Okay, I know the second I sell this thing, Roland will instantly resolve all the midi sync issues. So, Im going to do all the other RC-50 owners a favor and sell mine. 
Its in great conditiion. A few small scratches, but is otherwise clean. Includes the box, manual, all other documents including a warranty card. The update 1.1 has been installed. 
$325 shipped. Paypal only. 
Thanks
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<DIV>Okay, I know the second I sell this thing, Roland will instantly resolve all the midi sync issues. So, Im going to do all the other RC-50 owners&nbsp;a favor and sell mine. </DIV>
<DIV>Its in great conditiion. A few small scratches, but is otherwise clean. Includes the box, manual, all other documents including a warranty card. The update 1.1 has been installed. </DIV>
<DIV>$325 shipped. Paypal only. </DIV>
<DIV>Thanks</DIV></body></html>

--NextPart_Webmail_9m3u9jl4l_26101_1173709789_0--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 12 15:28:47 2007
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From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for March 10, 2007
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http://soundscapes.us/amfm/playlists/2007/070310.html

I host the Saturday AM/FM Show every other week where I play electronic,
ambient, spacemusic, Progressive Rock, and an eclectic mix of other
genres.  The show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7
FM and on the internet.  I also host Afterglow every Thursday from 8:00
am to 9:30 am.

                Show #104                March 10, 2006.

During Phase I of this show, I continued the special on the sampler CDs
that come with each issue of E-dition electronic music magazine.


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [The Redundant    Forgotten            E-dition #12 (Groove)
  Rocker]
VA [Broekhuis,       The Beginning        E-dition #12 (Groove)
  Keller, and Schonwalder]
VA [[`ramp]]         Spinegrinder         E-dition #12 (Groove)
VA [Tony Andersen]   Echo Valley          E-dition #12 (Groove)
VA [Stephen Parsick] Der Reverend         E-dition #12 (Groove)
[`ramp]              The Warsaw Disaster  Looking Back In Anger
                                            (doombient)
Parallel Worlds      Different Pathways   Obsessive Surrealism (DiN)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
David Findlay        Wind Song            Delightful Voyages (none)
Joe Frawley          Cabin Fever          Tangerine (none)
Joe Frawley          Death By Water       Tangerine (none)
Joe Frawley          X + Y                Tangerine (none)
Joe Frawley          The House Was Full   Tangerine (none)
                       of Books
Joe Frawley          Coda                 Tangerine (none)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
No Rules             Locked in a Soulcage Where We Belong (none)
Electric Kompany     ZRM                  Electric Kompany (none)
Daryl Stuermer       Masala Mantra        Go (InsideOut)
Daryl Stuermer       Ying Yang Boogie     The Electric Collection
                                            (Unicorn Digital)
Alan Morse           The Rite of Left     Four O'clock and Hysteria
                                            (InsideOut)
Alan Morse           Chroma               Four O'clock and Hysteria
                                            (InsideOut)
T.A.O.               Run Away             The Abnormal Observations
                                            (Unicorn Digital)

 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

I return to the AM/FM Show on March 24.

On the next show, I will continue the special on the sampler CDs that 
come with
each issue of E-dition electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From Loopers-Delight-request@loopers-delight.com  Mon Mar 12 16:58:09 2007
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Spent some time recently working with my friend David Morris the tuba 
player, doing live looping and processing as a duo under the name 
Ouroboros.

http://www.subscapeannex.com/ouroboros/

Recorded some sessions recently, thought I'd share them here. All tracks 
recorded live, all source audio live-sampled tuba, no post-processing or 
layering other than cleaning noise using SoundSoap.

http://www.subscapeannex.com/tuba/tuba_distort.mp3
Tuba Distort - the mixer gain was set quite high, overdriving the most of 
the set into clippage. 13min59sec.

http://www.subscapeannex.com/tuba/indignantwhales.mp3
Indignant Whales - 9min17sec. Turned out sort of manic carnivalesque in spots.

http://www.subscapeannex.com/tuba/elegy.mp3
Elegy - 17min28sec of what starts out a bit jarring, but then morphs into 
more quiet reflective ambience.

best,
Steve B
Subscape Annex   http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Mon Mar 12 17:35:25 2007
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Right .... we are of the same thinking here .....

With "latching mode" .. what I am looking for is to begin recording midway 
through the master .... at some arbitrary point ... but then quantizing the 
loop to be some multiple of the masters length.

such as ..

>  So if TrackSync=Loop, you would always create a second
>loop that was an exact multiple of the master loop.

so it sounds like the EDP can do that .......??


When "stopping" and "starting" the loop position relative to the master is 
noted .... and in latching mode it restarts (or unmutes .. really it would 
be the same thing) at the same location that you initially recorded it ....

so .... if you have an instrumental song, the melody of which is only one 
measure long (same length as the master, that is) .... but comes in on ... 
say ... the third beat of that one measure ......... well then we would want 
this track to unmute itself only at the right time (third beat) ..... so you 
need to be able to record it as being exactly the same length as the master, 
but coming in at some particular offset ......... so when you want that 
melody to pop in ... you hit "start" or "unmute" .... and it comes in at the 
right time.

Sound like .......

>   MuteMode=Run
>     The loop is retriggered from the location it had when
>     was first muted.
>

works for this, as long as you mute it at the right location .......








>From: "Jeff Larson" <jeff.larson@sailpoint.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: 
><Loopers-Delight@loopers-delight.com>,<Loopers-Delight@loopers-delight.com>
>Subject: RE: loop sync semantics
>Date: Sun, 11 Mar 2007 22:18:22 -0500
>
>Your "Full sync" mode is similar to what Mobius would call "Track Sync"
>where the start and end of the recording are "quantized" to a location
>in the master loop.  The quantization point may either be the beginning
>of the master loop, a cycle within the loop, or a subcycle within the loop.
>It is usually accurate to think of a cycle as a measure and a subcycle
>as a beat.  So if TrackSync=Loop, you would always create a second
>loop that was an exact multiple of the master loop.
>
>I'm not sure I understand your "Latching" mode.  To make a loop
>that is exactly the same size as the master loop, but begin recording
>at any point within the master loop, you could use the "Track Copy"
>parameter set to "Timing".  Here, when you select an empty track,
>it initializes it with an empty loop of the same size as the master
>loop, then enters Overdub mode.  For example if the master track
>was 4 seconds long, TrackCopy=Timing, and you selected the next track
>at second 2 of the master track, you would instantly get an empty loop
>of 4 seconds on the next track, then begin overdubbing into it at
>second 2.  The tracks would remain in sync, and the audio in the
>second track would be at the same relative location to the master
>track if you retriggered them at the same time.
>
>There is no built-in way to have a normal Record operation start
>immediately (with TrackSync=off) but still quantize the end of the
>recording so that the loop is exactly one multiple of the master loop.
>You could do this in scripts though.  This seems to be closer to your
>latching mode.  But I'm confused by this statement:
>
>   "The advantage here is that later when you stop playback of
>    the second loop, and then start it again, it will know to begin
>    playing at a particular location during the masters playback"
>
>In Mobius, tracks are not technically stopped and started, they
>are muted and unmuted.  When you mute a track, it continues
>"playing" silently so that the loop position keeps advancing
>relative the master track.  When you unmute, there are several
>possible behaviors depending on the Mute Mode parameter.
>
>   MuteMode=Continuous
>     The loop is unmuted from the current location.
>
>   MuteMode=Start
>     The loop is retriggered from the beginning.
>
>   MuteMode=Run
>     The loop is retriggered from the location it had when
>     was first muted.
>
>Once a master loop and a slave loop are knocked out of alignment,
>you can bring them back into alignment with a Realign function which
>has several options.
>
>Jeff
>
>

_________________________________________________________________
Get a FREE Web site, company branded e-mail and more from Microsoft Office 
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 12 18:13:18 2007
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From: "Jeff Larson" <jeff.larson@sailpoint.com>
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> With "latching mode" .. what I am looking for is to begin recording
midway=20
> through the master .... at some arbitrary point ... but then
quantizing the=20
> loop to be some multiple of the masters length.
> ...
> so it sounds like the EDP can do that .......??

I was talking about Mobius.  The EDP isn't multi-track so you would
need several EDP's connected with "brother sync".  I've never done
this but to my knowledge brother sync causes both the start
and end of the recording to be quantized to the loop start point
(or is it cycle start point?) of the master EDP. =20

So, you couldn't get what you call latching mode just with two presses
of the record button on the slave EDP.  The first press would wait for
the master loop start point.  You would first have to record a silent
loop with quantized start/end points so the loop is exactly as long as
the master.  Then having done this you can drop in overdubs anywhere
you like.  The result is similar, but it's a two-step process: first
record the empty loop, then drop in overdubs.

> so .... if you have an instrumental song, the melody of which is only
one=20
> measure long (same length as the master, that is) .... but comes in on
...=20
> say ... the third beat of that one measure ......... well then we
would want=20
> this track to unmute itself only at the right time (third beat) .....
so you=20
> need to be able to record it as being exactly the same length as the
master,=20
> but coming in at some particular offset ......... so when you want
that=20
> melody to pop in ... you hit "start" or "unmute" .... and it comes in
at the=20
> right time.
>
> Sound like .......
>   MuteMode=3DRun
>     The loop is retriggered from the location it had when
>     was first muted.
>
> works for this, as long as you mute it at the right location .......

Interesting concept.  Yes, MuteMode=3DPause (I made an error, it is
Pause not Run) would do this but it would be somewhat hard to use
because you have to hit mute at exactly the right spot.

It sounds like what you want is to store a "cue point" at some
arbitrary location within the loop.  With this, you could mute
at any location, then when you unmute it automatically stays
muted until you reach the cue point, then unmutes.

The difficulty with this is deciding where the cue point is.  For
loopers like Mobius that use the "silent loop copy followed by
overdub" approach, we could say that the location of the first overdub
into an empty loop becomes the cue point.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Mar 12 21:08:00 2007
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> I was talking about Mobius.  The EDP isn't multi-track so you would
> need several EDP's connected with "brother sync".  I've never done
> this but to my knowledge brother sync causes both the start
> and end of the recording to be quantized to the loop start point
> (or is it cycle start point?) of the master EDP.  
> 
> So, you couldn't get what you call latching mode just with two presses
> of the record button on the slave EDP. 

Actually, you do get exactly that.
...then you can Mute,(if you want) the EDP keeps track of time so when you unMute you're still in time.

If you get UnSynced somehow all you have to do is the well known
Mute>Multiply manoeuvre, which will re-sync you.
 


> The first press would wait for
> the master loop start point.

Only if Quantise is used

>  You would first have to record a silent
> loop with quantized start/end points so the loop is exactly as long as
> the master.  Then having done this you can drop in overdubs anywhere
> you like.  The result is similar, but it's a two-step process: first
> record the empty loop, then drop in overdubs.

...and even worse than that, the JamMan does this "Latching" sync with just one button press.
:-)


andy

From Loopers-Delight-request@loopers-delight.com  Mon Mar 12 21:29:09 2007
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[jeff]
> > The first press would wait for the master loop start point.

[andy]
> Only if Quantise is used


Really?  I missed that.  Page 6-7 doesn't mention that you have to
have Quantise=3DCycle but that would make sense.

But if Quantise is not on, how does it know to make the loop an exact
multiple of the master cycle?  When you end the recording it could not
"continue until the next pulse comes in" (step 7 on 6-8).  If it did
then you would end up with a loop that was a fraction of the master
cycle, it started in the middle but ended at the next "pulse".

If Quantize is off, does it always assume that a brother sync'd
recording will be a multiple of the master cycle length, in effect a
different form of "relative" quantization? =20
Or is it more like Tempo Select?

Thanks,
Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Mar 12 23:00:22 2007
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Subject: Re: loop sync semantics
References: <3B760999C264454D82652640BB74075C1C3B1E@keel.sailpoint.com> <BAY109-F19139E696D0FF656567414C67D0@phx.gbl> <3B760999C264454D82652640BB74075C237B0C@keel.sailpoint.com> <45F5C12E.8060303@tiscali.co.uk> <3B760999C264454D82652640BB74075C237B49@keel.sailpoint.com>
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Jeff Larson wrote:
> [jeff]
>>> The first press would wait for the master loop start point.
> 
> [andy]
>> Only if Quantise is used
> 
> 
> Really?  I missed that.  Page 6-7 doesn't mention that you have to
> have Quantise=Cycle but that would make sense.
> 
> But if Quantise is not on, how does it know to make the loop an exact
> multiple of the master cycle?

The Slave EDP picks up the looptime by measuring the gap between 2 cycle starts.

>  When you end the recording it could not
> "continue until the next pulse comes in" (step 7 on 6-8).  If it did
> then you would end up with a loop that was a fraction of the master
> cycle, it started in the middle but ended at the next "pulse".

When you start recording the EDP already knows how long the cycle is.

> 
> If Quantize is off, does it always assume that a brother sync'd
> recording will be a multiple of the master cycle length, in effect a
> different form of "relative" quantization?  

Only by default.
Use the Overdub button to Toggle sync on/off (whatever the Quantise param)

> Or is it more like Tempo Select?

no, but EDP has that too :-)


Matthias worked out all this stuff to make it possible for loopers to play synced together very easily.
In practice, it "just works".



 

> 
> Thanks,
> Jeff

you're welcome
andy

> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 12 23:48:18 2007
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Date: Mon, 12 Mar 2007 16:48:16 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Time Factor
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not out yet but in youtube

http://youtube.com/watch?v=kwiLHFLXW_k

looks fun!
cheers
Luis

www.myspace.com/luisangulocom


 
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 13 03:48:43 2007
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Date: Mon, 12 Mar 2007 23:48:06 -0400
From: "Mark Trewella" <aleatoric12@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: FS: Nobels MF-2, Midi Merge, Radial X-amp
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I have changed my looping rig yet again (from LP1 to dual EDP's) and
now have the following items for sale, I figured I would check to see
if any of you guys are interested first before trying to sell else
where.

Nobels MF-2 Midi Footcontroller - $200 shipped, only 2 months old,
some velcro on the bottom, works great with the Looperlative, can add
up to 4 expression pedals!

http://www.nobels.com/en/index.htm

Midi Solutions Merger - $65 shipped, a great unit for merging two midi
signals, only 2 months old.

http://www.midisolutions.com/prodmrg.htm

Radial X-amp - $150 shipped , Converts line level output and impedance
to instrument level output and impedance with no signal loss. Also
only 2 months old.

http://www.radialeng.com/di-xamp.htm


Us only.  Please shoot me an email if you are interested or want to
see some pictures. Pay-pal is probably easiest but money order is cool
too.

-Mark

From Loopers-Delight-request@loopers-delight.com  Tue Mar 13 12:25:20 2007
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Subject: RE: Replacing a LED on the EDP
Date: Tue, 13 Mar 2007 12:25:18 -0000
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>>Anyone have any experience with this.  I may be obtaining an EDP that
is said to have a Record LED that only lights up orange and red but
not green.  I am thinking that the LED probably just needs to be
replaced.  Does anyone know where I can get a replacement LED and
would putting the new one in be fairly easy?<<

well, to answer the second part first.... provided your soldering chops =
are reasonable, & that you find the correct replacement & orientate it =
properly (observing the flat on one side of the lens moulding), you =
should be ok.
but this LED of yours is exhibiting some very odd behaviour, I =
think..... the old three colour LEDs would be a combination red & green =
device with a common cathode or anode (can't remember) & a connector =
each for the two elements; individually operated, you'd get either red =
or green, while running both together would produce yellowy-orange.=20

so how can the green not be working & yet you can still make orange?=20

I suppose if the green had failed completely & the driver was operating =
the red at two distinct voltage levels (i.e. only half-on when the green =
was supposed to be on aswell) you might see what appeared to be orange =
but was in fact just dim-red.

dunno. does the rest of the thing work ok?

d.

From Loopers-Delight-request@loopers-delight.com  Tue Mar 13 12:35:29 2007
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Subject: RE: USB Volume Pedal?
Date: Tue, 13 Mar 2007 12:35:26 -0000
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>>Just to change the subject slightly, is there a USB volume pedal?
Something like one pedal off a FCB1010 without the switches that sends
MIDI CC over USB? It would sure be handy. . .<<

I sort of want the same thing in reverse..... but to answer your =
question, there are any number of midi hardware controllers that also =
have USB sockets, but (& this is something I have whined about before) =
most of them don't have sockets for pedals. even "controller keyboards", =
for heaven's sake.... I have several evolution keyboards (the cheap =
programmable sort) that I've drilled holes in so I could add sockets for =
expression pedals. I have no idea what's stopping these people from =
fitting pedal sockets as standard..... all of these blasted keyboards =
have sockets for sustain pedals, after all, but they expect you to work =
a volume knob or slider with your teeth or something.
ahem.
so but you could get one of these devices

http://www.evolution-i.net/company/news_x_session.htm

& make a hole in it & install a socket for a pedal.

now, what I want is a little box with audio in & out on 1/4" jacks, & a =
midi in & through, & a CC-controlled VCA in there, so that I can control =
the volume of a standard rock instrument (like a guitar, bass, hammond, =
mellotron, whatever) using midi CC from a sequencer.
at the moment, I have to hook up a midi>CV converter to a semi-modular =
analogue synth & run my audio through that, which rather ties up the =
synth..... have I missed something obvious out there that already does =
this?

duncan.=20

From Loopers-Delight-request@loopers-delight.com  Tue Mar 13 16:22:13 2007
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> now, what I want is a little box with audio in & out on 1/4" jacks, & a
midi in & through, & a CC-controlled VCA in there, so that I can control
the volume of a standard rock instrument (like a guitar, bass, hammond,
mellotron, whatever) using midi CC from a sequencer.
> at the moment, I have to hook up a midi>CV converter to a semi-modular
analogue synth & run my audio through that, which rather ties up the
synth..... have I missed something obvious out there that already does this?

Here's one
Nobles MV-C  Midi Volume Controller
http://www.nobels.com/en/index.htm

Rick Williamson

From Loopers-Delight-request@loopers-delight.com  Tue Mar 13 16:34:07 2007
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Some guys I played with a few years ago (www.station2music.com) both use
Bob Sellon's ReJam.  I'm pretty interested in it (and with the MIDI
capabilities) but I'm curious if any of you guys have ever had any
experience with it.  Any thoughts? =20
=20
It seems like with the ability to have 8 tracks simultaneously it would
have a lot of flexibility.  I'm curious as to how the interface
is....like if I use a MIDI controller, if I'd be able to
record/stop/undo loops independantly a la the RC-50, or if you have to
cycle through banks to change tracks. =20
=20
=20
-Matt S.=20

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.3059" name=3DGENERATOR></HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D659583016-13032007>Some =
guys I played=20
with a few years ago (<A=20
href=3D"http://www.station2music.com">www.station2music.com</A>) both =
use Bob=20
Sellon's ReJam.&nbsp; I'm pretty interested in it (and with the MIDI=20
capabilities) but I'm curious if any of you guys have ever had any =
experience=20
with it.&nbsp; Any thoughts?&nbsp; </SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D659583016-13032007></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D659583016-13032007>It =
seems like with=20
the ability to have 8 tracks simultaneously it would have a lot of=20
flexibility.&nbsp; I'm curious as to how the interface is....like if I =
use a=20
MIDI controller, if I'd be able to record/stop/undo loops independantly =
a la the=20
RC-50, or if you have to cycle through banks to change tracks.&nbsp;=20
</SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><SPAN class=3D659583016-13032007><FONT face=3DArial size=3D2>-Matt =
S.=20
</FONT></SPAN></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 13 19:11:19 2007
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Date: Tue, 13 Mar 2007 12:11:17 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: cc volme pedal
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Howdy,

 Yes. Anatek, or Midi Solutions as it's now called.
Rig

http://us.f327.mail.yahoo.com/ym/ShowLetter?MsgId=9467_9784265_291888_2265_593_0_184688_-1_0&Idx=1&YY=24692&y5beta=yes&y5beta=yes&inc=25&order=down&sort=date&pos=0&view=a&head=b&box=Inbox


 
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 00:01:52 2007
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Date: Tue, 13 Mar 2007 17:01:49 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: EDP more loops question
To: Loopers-Delight@loopers-delight.com
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Hey gang!
In doing more loops is there a way to trigger lets say
loop 3 when being in quantize mode(set to loop or
cycle)after muting loop one,without having to wait for
the next cycle?
thanx!
Luis




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From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 00:12:06 2007
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Date: Tue, 13 Mar 2007 17:12:03 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Playing to nobody (was inaccessability of music)
To: Loopers-Delight@loopers-delight.com
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Oh brother Rick this are the worst of a kind, been
there as well but yes they do pay well,i bet if u had
done the gig with nothing but a green wig,a mic and a
karaoke CD they would not have known the fuckin
difference!
Hey Gary i do remeber that gig in San Diego! although
it was unattended i had a blast,specially as Rick
dropped that cowbell on the floor makng a loud
esplosion noise in the middle of a meditative buiding
loop which woke everybody up including me!
but next day it was Mexico very well attended and well
Rick can tell you about the third eye girl...
cheers
Luis







> 
> By this point I was hopping mad and stressed and I
> protested vociferously, 
> but he was our boss and we were compelled to
> move back to where we had been.   We never worked
> for them again, so I 
> imagine that my protest wasn't taken well.
> 
> --->This sort of thing happens with corporate
> gigs--they don't really have
> much consideration for the musicians
> 
> 
> >luckily, it was a very lucrative gig, but boy did I
> feel like a glorified 
> servant that day. 
> 
> -->Ah, that's because you were, Mr. Rick.
> Mr. Rick did not mention the time he came all the
> way to San Diego to play a
> gig with me for less than half a dozen people. It
> was me, him and Luis
> Angelo--my friend Harvey Starr came (I was using a
> Ztar) and a bass player
> named Are Jay who was on the LD list at the time
> also showed, but it was
> mostly unattended--and we played anyway!
> Gary (who has made a living playing to nobody)
> 
> 
> 


www.myspace.com/luisangulocom


 
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 00:34:33 2007
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Date: Tue, 13 Mar 2007 17:34:32 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Time Factor (was looping pedal with decay?)
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I really like the DD-20 as well,i am curious about the
Eventide time factor though...if it does looping and
delays without having to manually switch modes it
might replace my DL4 and DD-20,having midi and being
upgradable via usb is also a plus above all of the
rest...
but ok i know the price isnt;-)
Luis




--- mark sottilaro <zerocrossing2001@yahoo.com> wrote:

> As I've sold off most of my dedicated hardware in
> favor of Mobius software looping, I must say that I
> kept my DD-20 Gigadelay.  I really like it AND it's
> stereo (Important if you're using stereo effects or
> synths and want to keep that sound)
> 
> 
> --- radio radio <radiotelevision@gmail.com> wrote:
> 
> > thanks for the replies! I think the Gibson EDP is
> > out of my price range,
> > unless I can find a rediculous deal on one on
> Ebay,
> > but I am glad to know
> > that that the Boomerang does have a decay - I did
> > not realize that. Right
> > now that may look like the best option, although I
> > am a bit wary of the
> > noise that many reviewers report as my rig is
> > already quite noisey. Another
> > person recommended the Electro Harmonix 2880 or
> > their 16 second delay (and
> > mentioned that the original lexicon jamman and the
> > electrix repeater also
> > had a function to set the feedback). I'm glad to
> > know that I what I want
> > does indeed exist and for the help in narrowing it
> > down. Now I can return
> > the looper I bought that I thought had a set-able
> > feedback but does not
> > (digitech jamman). In looking at these other ones,
> I
> > can't tell which ones
> > accept more than one type of input (e.g.,
> > instrument, mic, and line levels).
> > I would want at least the ability to use an
> > instrument and a mic, although I
> > wouldn't necessarily need to be able to do both
> > simultaneously, so long as I
> > got quick at switching.
> > 
> > Does anyone else out there want to weigh in on
> this
> > issue before I spend the
> > money I don't have? The quest is for a looping
> pedal
> > that takes both
> > instrument level and line level and which you can
> > set the feedback for the
> > loops (versus having them loop infinitely). I
> > currently do not have any rack
> > equipment, is that a bridge I want to cross? Is
> > there anything else I should
> > be considering in a addition?
> > 
> > The ones mentioned so far are:
> > 
> > Gibson Echoplex
> > Boomerang plus
> > Electro-Harmonix 2820
> > Electro-Harmonix 16 second delay
> > Original Lexicon Jamman
> > Electrix Repeater
> > 
> > ?????????????????????????????
> >
>
THANKS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
> > 
> > Eben
> > 
> > On 2/27/07, mike@michaelplishka.com
> > <mike@michaelplishka.com> wrote:
> > >
> > > If I read you correctly, the Gibson EDP does
> what
> > you want and tons more!
> > > I upgraded from a Boomerang plus which does have
> > the decay but you pick it
> > > ahead of time (i.e. 20 reps, 10, 1 or infinite I
> > beleive)
> > >
> > > my 2 cents...
> > >
> > > Plish
> > >
> > > www.myspace.com/michaelplishka
> > > www.myspace.com/bohdanovich
> > > www.michaelplishka.com
> > >
> > > > The only things that I know of that will do
> what
> > you
> > > > describe are delay pedals.  I think the Giga
> > delay
> > > > would be your best bet, but I'd also read
> > somewhere
> > > > that this one artist(I can't remebmer his
> name)
> > uses
> > > > Eventide rack mount processors set up with an
> > > > algorhythm that was set with a 95% feedback so
> > that
> > > > his loops would decay over time. That sounds
> > more like
> > > > what you want, but that stuff is way
> expensive. 
> > Other
> > > > than that, sounds like all you need is a
> digital
> > delay
> > > > unit with copious anmounts of time and to be
> > able to
> > > > set the  feedback setting as needed to make
> the
> > loops
> > > > decay over time.
> > > > --- radio radio <radiotelevision@gmail.com>
> > wrote:
> > > >
> > > >> I want to buy a pedal and get into looping
> but
> > am
> > > >> having trouble
> > > >> figuring out which one will best meet my
> needs
> > (and
> > > >> budget). I've
> > > >> learned a LOT from this web site, but still
> > can't
> > > >> quite figure out
> > > >> everything and would really benefit from a
> > human
> > > >> (albeit
> > > >> computer-mediated) interaction. Thanks in
> > advance
> > > >> for taking the time
> > > >> to read this and respond - I hope that I will
> > be
> > > >> able to "give back"
> > > >> some day when I know something worth while.
> > Until
> > > >> then, I guess I
> > > >> should donate to this site if I get any
> > responses.
> > > >>
> > > >> From what I've read and thought about, it
> looks
> > like
> > > >> what will be the
> > > >> most important distinction for me is that the
> > loops
> > > >> will be able to
> > > >> decay. In other words, you can lay down a
> loop,
> > lay
> > > >> down another one
> > > >> on top, and then another, and so on, and
> > eventually
> > > >> the first one dies
> > > >> out, then the second one, and so on. I
> imagine
> > this
> > > >> working like a
> > > >> delay pedal in which you can set the decay
> (or
> > is
> > > >> that called
> > > >> feedback?). So you could "morph" over time
> into
> > new
> > > >> things, without
> > > >> being stuck with your original loops, and
> > without
> > > >> having to open a new
> > > >> loop and start from scratch with only one new
> > track
> > > >> each time  you
> > > >> wanted to change it up.
> > > >>
> > > >> The three pedals I've looked into are:
> > > >>
> > > >> BOSS RC20xl, Digitech Jamman, and BOSS DD-20
> > giga
> > > >> delay
> > > >>
> > > >> I thought the BOSS was it, but now I'm
> thinking
> > that
> > > >> it doesn't allow
> > > >> this thing that I described. I can't tell if
> > you can
> > > >> do this with the
> > > >> Jamman or not - does anyone know? You could
> do
> > this
> > > >> with the DD-20,
> > > >> but I can't tell if you'd be able to set a
> > > >> loop/delay time up with
> > > >> your foot or not (versus having to set it to
> a
> > > >> certain number of
> 
=== message truncated ===


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From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 00:49:25 2007
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Date: Tue, 13 Mar 2007 17:49:23 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: RE: audient(s)
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Ive opted for that route as well,ive got a night shift
job 2 days a week to support my family and give me the
luxury of choosing the gigs i want to do and not have
to do.Living strictly from on demand paid gigs
specially the ones you dont want to do but have to,
can be quite depressing!
Luis




> actually was fortunate enough to make a living
> playing hammered 
> dulcimer for over 10 yrs and got tired of having to
> do "on demand" 
> music.... So I went back to a day job so that I
> could devote my 
> creative side to doing music and gigs that I found
> interesting.
> 
> Paul Haslem
> www.dulcify.ca
> 
> 
> 
> At 12:08 PM 3/9/2007, you wrote:
> >Quoting Chris Smart <chris_s@sympatico.ca>:
> >
> >>How many of you gig and do other musical things to
> make a living? Fine
> >>if you play one gig a month and are a dentist by
> day or something, but
> >>don't you want more butts in those seats, just to
> pay the bills?
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 02:05:02 2007
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From: Tucker Tota <fuckerfota@tuckertota.com>
Subject: 2880 Question
Date: Tue, 13 Mar 2007 22:04:59 -0400
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Hello.

I currently own a 16 Second Digital Delay that has been upgraded. I 
want to move up to the 2880, but have a question.

On my 16 Second Delay, if I am in overdub mode and pressed the play 
button, the machine would immediately go in to record mode and make a 
new loop.

I can't find anyway of doing this in the 2880 manual. Is it possible to 
be listening to one loop (currently in playback), and instantly start a 
new loop? Only having to press one button and not having to press one 
button to stop the current loop and then pressing another to record a 
new one.

Thanks,
Javier

From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 03:01:19 2007
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Date: Tue, 13 Mar 2007 23:00:30 -0400
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Pressing the "New Loop" button on the 2880 will  do this.

>Hello.
>
>I currently own a 16 Second Digital Delay that has been upgraded. I 
>want to move up to the 2880, but have a question.
>
>On my 16 Second Delay, if I am in overdub mode and pressed the play 
>button, the machine would immediately go in to record mode and make 
>a new loop.
>
>I can't find anyway of doing this in the 2880 manual. Is it possible 
>to be listening to one loop (currently in playback), and instantly 
>start a new loop? Only having to press one button and not having to 
>press one button to stop the current loop and then pressing another 
>to record a new one.
>
>Thanks,
>Javier


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 03:07:29 2007
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Are you sure?...because I downloaded the manual and it says that during 
PLAYBACK "New loop" puts it into "record-ready mode" and during OVERDUB 
"New Loop" button is ignored.

I just want to make sure before I buy it. This is something I do a lot 
during shows, and I definitely wouldn't buy it if it couldn't do this.

Thanks



On Mar 13, 2007, at 11:00 PM, Charles Zwicky wrote:

> Pressing the "New Loop" button on the 2880 will  do this.
>
>> Hello.
>>
>> I currently own a 16 Second Digital Delay that has been upgraded. I 
>> want to move up to the 2880, but have a question.
>>
>> On my 16 Second Delay, if I am in overdub mode and pressed the play 
>> button, the machine would immediately go in to record mode and make a 
>> new loop.
>>
>> I can't find anyway of doing this in the 2880 manual. Is it possible 
>> to be listening to one loop (currently in playback), and instantly 
>> start a new loop? Only having to press one button and not having to 
>> press one button to stop the current loop and then pressing another 
>> to record a new one.
>>
>> Thanks,
>> Javier
>
>
> -- 
> ...
> http://www.zmix.net
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 05:05:32 2007
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Date: Wed, 14 Mar 2007 01:04:05 -0400
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If the 2880 is  currently playing a loop, then pressing "Next Loop" 
will prepare it to record a new loop but continue playing the 
existing loop until you press the 'new loop" button a second time, in 
which case it presents you with a clean slate and begins recording...

What do you mean by  "overdub mode"?  If you are going to trash the 
old loop and instantly start a new one, then why does it matter if it 
is playing or overdubbing at the moment of erasure?

>Are you sure?...because I downloaded the manual and it says that 
>during PLAYBACK "New loop" puts it into "record-ready mode" and 
>during OVERDUB "New Loop" button is ignored.
>
>I just want to make sure before I buy it. This is something I do a 
>lot during shows, and I definitely wouldn't buy it if it couldn't do 
>this.
>
>Thanks
>
>
>
>On Mar 13, 2007, at 11:00 PM, Charles Zwicky wrote:
>
>>Pressing the "New Loop" button on the 2880 will  do this.
>>
>>>Hello.
>>>
>>>I currently own a 16 Second Digital Delay that has been upgraded. 
>>>I want to move up to the 2880, but have a question.
>>>
>>>On my 16 Second Delay, if I am in overdub mode and pressed the 
>>>play button, the machine would immediately go in to record mode 
>>>and make a new loop.
>>>
>>>I can't find anyway of doing this in the 2880 manual. Is it 
>>>possible to be listening to one loop (currently in playback), and 
>>>instantly start a new loop? Only having to press one button and 
>>>not having to press one button to stop the current loop and then 
>>>pressing another to record a new one.
>>>
>>>Thanks,
>>>Javier
>>
>>
>>--
>>...
>>http://www.zmix.net


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 05:51:08 2007
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If what you say is true, "If the 2880 is  currently playing a loop, 
then pressing "Next Loop" will prepare it to record a new loop but 
continue playing the existing loop until you press the 'new loop" 
button a second time, in which case it presents you with a clean slate 
and begins recording..."

Then that works for me.

On my 16 Second Delay, you have to press Play/Stop while it is 
OVERDUBBING or else it will simply stop the loop. There is no new track 
button. Thanks for your responses.


On Mar 14, 2007, at 1:04 AM, Charles Zwicky wrote:

> If the 2880 is  currently playing a loop, then pressing "Next Loop" 
> will prepare it to record a new loop but continue playing the existing 
> loop until you press the 'new loop" button a second time, in which 
> case it presents you with a clean slate and begins recording...
>
> What do you mean by  "overdub mode"?  If you are going to trash the 
> old loop and instantly start a new one, then why does it matter if it 
> is playing or overdubbing at the moment of erasure?
>
>> Are you sure?...because I downloaded the manual and it says that 
>> during PLAYBACK "New loop" puts it into "record-ready mode" and 
>> during OVERDUB "New Loop" button is ignored.
>>
>> I just want to make sure before I buy it. This is something I do a 
>> lot during shows, and I definitely wouldn't buy it if it couldn't do 
>> this.
>>
>> Thanks
>>
>>
>>
>> On Mar 13, 2007, at 11:00 PM, Charles Zwicky wrote:
>>
>>> Pressing the "New Loop" button on the 2880 will  do this.
>>>
>>>> Hello.
>>>>
>>>> I currently own a 16 Second Digital Delay that has been upgraded. I 
>>>> want to move up to the 2880, but have a question.
>>>>
>>>> On my 16 Second Delay, if I am in overdub mode and pressed the play 
>>>> button, the machine would immediately go in to record mode and make 
>>>> a new loop.
>>>>
>>>> I can't find anyway of doing this in the 2880 manual. Is it 
>>>> possible to be listening to one loop (currently in playback), and 
>>>> instantly start a new loop? Only having to press one button and not 
>>>> having to press one button to stop the current loop and then 
>>>> pressing another to record a new one.
>>>>
>>>> Thanks,
>>>> Javier
>>>
>>>
>>> --
>>> ...
>>> http://www.zmix.net
>
>
> -- 
> ...
> http://www.zmix.net
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 07:07:49 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Time Factor (was looping pedal with decay?)
Date: Wed, 14 Mar 2007 08:07:43 +0100
To: Loopers-Delight@loopers-delight.com
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On 14 mar 2007, at 01.34, L.A. Angulo wrote:

> ,i am curious about the
> Eventide time factor though...if it does looping and
> delays without having to manually switch


In some marketing video/advertisement I saw they mentioned that  
everything in that box is also reachable by MIDI data for external  
control. That's excellent so far, but I have not found any  
information regarding if the binded controllers are fixed in the box  
(as with the Repeater, you need to adjust your MIDI controller pedals  
to send the correct data) or if you could adjust the bindings in the  
Eventide box.

I didn't see a digital output of any kind in the Eventide box. That  
would have been awesome for integrating with a computer software  
based environment.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 08:46:46 2007
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hi Luis

Yes, you can do that.

"Quantise" does not have any bearing on how you switch from one loop to another.

"SwitchQuant" controls how the edp changes from one loop to another, whether you make the change with NextLoop or access the loops by MIDI.

SwitchQuant has a lot of options, depending on how you want to work.
I use SwitchQuant=CnF, (Confirm) , so that I can hit Nextloop to select the destination loop and then the change happens immediately on the next press of Record/Overdub/Multiply/Insert/Undo. This way I can chose what happens when going to the next loop, and have it happen exactly when I want.( the downside is that it's always 2 presses to make it happen, so it needs some practise to do quick changes)


andy butler  

L.A. Angulo wrote:
> Hey gang!
> In doing more loops is there a way to trigger lets say
> loop 3 when being in quantize mode(set to loop or
> cycle)after muting loop one,without having to wait for
> the next cycle?
> thanx!
> Luis
> 
> 
> 
> 
> www.myspace.com/luisangulocom
> 
> 
>  
> ____________________________________________________________________________________
> Bored stiff? Loosen up... 
> Download and play hundreds of games for free on Yahoo! Games.
> http://games.yahoo.com/games/front
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 09:15:24 2007
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Subject: replace mode by function (was: Re: EDP more loops question)
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> SwitchQuant has a lot of options, depending on how you want to work.
> I use SwitchQuant=CnF, (Confirm) , so that I can hit Nextloop to select
> the destination loop and then the change happens immediately on the next
> press of Record/Overdub/Multiply/Insert/Undo. This way I can chose what
> happens when going to the next loop, and have it happen exactly when I
> want.( the downside is that it's always 2 presses to make it happen, so it
> needs some practise to do quick changes)



I've been thinking about this, also in other contexts of EDP control.

The idea would be: By using a MIDI footcontroller, get rid of the EDP's
concept of modes (which are perfectly suited for the situation with the
EFC-7!) and instead offer different versions of the same function by
sending a preprogrammed sequence of commands to the EDP.

Using the SwitchQuant example from above, you could program two NextLoop
buttons on your MIDI footcontroller:
Button A for "immediate switching" would first send the required SysEx- or
Note-commands to change the EDP SwitchQuant  mode to OFF and then send the
Note-command for NextLoop.
Button B for "confirmed switching" would first send the required SysEx- or
Note-commands to change the EDP SwitchQuant mode to CnF and then send the
Note-command for NextLoop.

So instead of adhering to the EDP's mode concept where a function behaves
according to a previously configured EDP mode (which you must keep in the
back of your head while playing: a cognitive burden), you offer two
different functions (which work always the same, ignoring the current EDP
mode).

This would be interesting also for the insert and substitute-commands...

Bernhard










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	Matthias Grob <matthias@grob.org>
Subject: Re: replace mode by function
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hi Bernhard,

Interesting concept.
...and even FCB1010 owners can try it, as the same idea works with the EDP presets, which can be called up with Midi Prog Change. (the FCB can send PC followed by CC in one press)

The reasons I don't follow this approach are 
1) The EDP is left in the changed "mode" after the button press, so you now have something extra to remember.
2) It uses up a lot of buttons, so it means that you end up with more than one banks of controls on the foot controller. 

In both cases here, the "cognitive burden" is brought back up again :-(


Generally I think the big strength of the EDP is it's user interface, the way it's possible to get so much functionality out of just a few buttons. Usually those buttons all do something useful, whatever state the edp is in. If the price for that is 2 button presses rather than 1 (often the case) to get where you want then I accept that cost, partly because it's fun for the feet, and partly because the alternative is either less flexibility, or having to use more than one bank on the midi controller (which is even more button presses, and pretty dangerous in a live situation.)

I notice that the current trend, with LP-1 and Mobius (for instance) is to create the scenario where you can do a whole bunch of stuff with one "button".  

Could this be seen as 

Looper as instrument vs. Looper as effect ?

In which case the "edp" approach is the "getting your hands dirty actually doing it yourself even if you have to practise the moves" way compared to the LP-1/Mobius way of "once it's set up, I just press a button and this wonderful thing happens".


andy butler  




> The idea would be: By using a MIDI footcontroller, get rid of the EDP's
> concept of modes (which are perfectly suited for the situation with the
> EFC-7!) and instead offer different versions of the same function by
> sending a preprogrammed sequence of commands to the EDP.
> 
> Using the SwitchQuant example from above, you could program two NextLoop
> buttons on your MIDI footcontroller:
> Button A for "immediate switching" would first send the required SysEx- or
> Note-commands to change the EDP SwitchQuant  mode to OFF and then send the
> Note-command for NextLoop.
> Button B for "confirmed switching" would first send the required SysEx- or
> Note-commands to change the EDP SwitchQuant mode to CnF and then send the
> Note-command for NextLoop.
> 
> So instead of adhering to the EDP's mode concept where a function behaves
> according to a previously configured EDP mode (which you must keep in the
> back of your head while playing: a cognitive burden), you offer two
> different functions (which work always the same, ignoring the current EDP
> mode).
> 
> This would be interesting also for the insert and substitute-commands...
> 
> Bernhard
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 10:38:53 2007
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From: Stephen Scott <stevoj@yahoo.com>
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andy butler <akbutler@tiscali.co.uk> wrote:..... (deleted)

I notice that the current trend, with LP-1 and Mobius (for instance) is to create the scenario where you can do a whole bunch of stuff with one "button".  

Could this be seen as 

Looper as instrument vs. Looper as effect ?

In which case the "edp" approach is the "getting your hands dirty actually doing it yourself even if you have to practise the moves" way compared to the LP-1/Mobius way of "once it's set up, I just press a button and this wonderful thing happens".

andy butler  
Yes, not neccesarily a bad thing if it makes it easier in a live situation.  The downside of this is that it may remove some of the spontaneity if these things have to be prepared prior to a performance.

Stephen

 
---------------------------------
Don't get soaked.  Take a quick peek at the forecast 
 with theYahoo! Search weather shortcut.
--0-1225357936-1173868729=:79762
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<br><br><b><i>andy butler &lt;akbutler@tiscali.co.uk&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;">..... (deleted)<br><br>I notice that the current trend, with LP-1 and Mobius (for instance) is to create the scenario where you can do a whole bunch of stuff with one "button".  <br><br>Could this be seen as <br><br>Looper as instrument vs. Looper as effect ?<br><br>In which case the "edp" approach is the "getting your hands dirty actually doing it yourself even if you have to practise the moves" way compared to the LP-1/Mobius way of "once it's set up, I just press a button and this wonderful thing happens".<br><br>andy butler  <br></blockquote>Yes, not neccesarily a bad thing if it makes it easier in a live situation.&nbsp; The downside of this is that it may remove some of the spontaneity if these things have to be prepared prior to a performance.<br><br>Stephen<br><p>&#32;

<hr size=1>
Don't get soaked.  Take a<a href="
http://tools.search.yahoo.com/shortcuts/?fr=oni_on_mail&#news"> quick peek at the forecast </a><br> with the<a href="
http://tools.search.yahoo.com/shortcuts/?fr=oni_on_mail&#news">Yahoo! Search weather shortcut.</a>
--0-1225357936-1173868729=:79762--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 11:20:26 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: replace mode by function
Date: Wed, 14 Mar 2007 12:20:23 +0100
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> andy butler <akbutler@tiscali.co.uk> wrote:..... (deleted)
>
> I notice that the current trend, with LP-1 and Mobius (for  
> instance) is to create the scenario where you can do a whole bunch  
> of stuff with one "button".
>
> Could this be seen as
>
> Looper as instrument vs. Looper as effect ?
>
> In which case the "edp" approach is the "getting your hands dirty  
> actually doing it yourself even if you have to practise the moves"  
> way compared to the LP-1/Mobius way of "once it's set up, I just  
> press a button and this wonderful thing happens".

On 14 mar 2007, at 11.38, Stephen Scott wrote:
> Yes, not neccesarily a bad thing if it makes it easier in a live  
> situation.  The downside of this is that it may remove some of the  
> spontaneity if these things have to be prepared prior to a  
> performance.
>
> Stephen


There is also this "Mobius trend" of setting up one button to perform  
different actions depending on what mode you happen to be in at the  
moment. This is directly inspired by the EDP, but with the scripting  
option in Mobius every user can set up whatever he needs. I started  
getting into this after reading a post on the Mobius list from  
someone that was used to the Roland Loopstation (I think it was?)  
where the record button is used first to start recording, but IF you  
already in playback mode (i.e. a loop is spinning) it works as an  
Overdub button. After Jeff introduced such "if" syntaxes (please  
excuse my bad programming vocabulary) I started to change my FCB  
pedal board to have single buttons perform different tasks depending  
on what mode you are in, but also depending on how long you press  
down the button. It's nice to have more stuff handy on less buttons,  
although it means less "Fun For Feet" (quoting Andy).

Regarding Andy's question I personally regard the praxis, of  
assembling series of action to just one button press, as a way of  
expanding the looping device's power as an instrument. Not only as a  
way of "making it easier in a live situation", although that may be  
important for other players.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 13:01:54 2007
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Luis wrote:
"Hey Gary i do remeber that gig in San Diego! although
it was unattended i had a blast,specially as Rick
dropped that cowbell on the floor makng a loud
esplosion noise in the middle of a meditative buiding
loop which woke everybody up including me!
but next day it was Mexico very well attended and well
Rick can tell you about the third eye girl..."


Wow,  that was a really fun tour, Luis.
It was the first time I ever played in Mexico and the gig was great.
It was were we discovered the 'Electronica Richard'  shop across the
street from that incredible all night Taceria, after the Nortec party that 
was so
wonderful..............I got Montezuma's revenge but good that next day.
 So much so that you'll have to
remind me about the third eye girl story...............I'm blankin' on that 
one, ese.

And, ouch,  did you have to remind me of dropping the cowbell during the
meditative piece..........................one of my worst ever gaffs on 
stage............lol.

good times!!!!    literally one of the most fun tours of my life.
Long live the Guacamole Brothers!

Let's do it again sometime soon! 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 16:50:37 2007
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[andy]
> Could this be seen as=20
>=20
> Looper as instrument vs. Looper as effect ?
>
> In which case the "edp" approach is the "getting your hands dirty
> actually doing it yourself even if you have to practise the moves" way
> compared to the LP-1/Mobius way of "once it's set up, I just press a
> button and this wonderful thing happens".

Well, it could also be said that you are being given the ability to
build your own instrument rather than play someone else's.

With enough practice, everyone could be playing the Godin Glissentar
instead of those stodgy old inflexible 6 string fretted guitars.
Is the fret an instrument or an effect? :-)

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Mar 14 17:44:01 2007
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Jeff Larson wrote:
> [andy]
>> Could this be seen as 
>>
>> Looper as instrument vs. Looper as effect ?
>>
>> In which case the "edp" approach is the "getting your hands dirty
>> actually doing it yourself even if you have to practise the moves" way
>> compared to the LP-1/Mobius way of "once it's set up, I just press a
>> button and this wonderful thing happens".
> 
> Well, it could also be said that you are being given the ability to
> build your own instrument rather than play someone else's.

Or rather that you are being given the "opportunity" to build your own instrument ;-)
( I like the idea of State dependent scripts by the way .)

> With enough practice, everyone could be playing the Godin Glissentar
> instead of those stodgy old inflexible 6 string fretted guitars.
> Is the fret an instrument or an effect? :-)

Don't know about that, I find the frets to be a source of possibilities that aren't there on a fretless instrument just as much as the other way round.

It's a good example though, people who never played a fretless instrument think it's much harder than it really is, in the same way that people seem convinced that it would be a real hardship to make a couple of extra button presses on their looper. 

Guess I'd better say that I'm not against the "one wonderful button" approach at all, especially in the hands of Per, Bernhard and Stephen (3 of my fav loopers.)
 

andy


> 
> Jeff
> 
> 

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Date: Wed, 14 Mar 2007 20:40:03 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: WTB: Behringer FCB1010
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Hi Loopers!

So i need a midi foot controller to control my looper, and i was
wondering if anyone had a FCB1010 that they'd be willing to let go for
cheap--I am thinking somewhere in the area of 100 shipped in the US?

Thanks,
Charlie

From Loopers-Delight-request@loopers-delight.com  Thu Mar 15 04:36:17 2007
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Subject: Looping in OZ :: RC-## question
Date: Thu, 15 Mar 2007 15:06:09 +1030
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Howdy Loopers,
I had my first gig in quite a few months last Friday. Not many people
turned up since we had Festivals coming out of our ears here.

I did some cool looping numbers using my DD20.  I even did a cover of
all along the watchtower - since the entire song can be played in about
4 bars.

I ended with Robs Freakout which some of you might have heard on my
myspace site www.myspace.com/robmcdade

This track was recorded more or less by accident when I was showing my
engineer what I could do with the looper - then I realised he was
recording.
Sure enough it ends up on the next album.  Now as a live piece I stretch
it out a bit.

I am thinking of expanding my looping technology to one of the RC pedals
The RC 50 looks too big and too complex and with all the emails about
this going on its kind of put me off - too expensive as well.  The RC 2
seems too small  - but is almost within my budget. One of the RC-20s
might be the go - esp if I can get a near new on ebay for a couple of
100.

This sound like a case of the three bears.

Size and budget is a major factor. The RC -2 retails for about $300-330
AUS - less on ebay. It should also fit nicely into my new custom made
pedal board - which I haven't designed yet. Gotta put a new kitchen in
my house first.

Any suggestions?

Rob McDade

From Loopers-Delight-request@loopers-delight.com  Thu Mar 15 07:22:55 2007
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Date: Thu, 15 Mar 2007 00:22:52 -0700 (PDT)
From: rabbirabbifive <rabbirabbi5@yahoo.com>
Subject: re: replace mode by function
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Having used both the edp and the looperlative I have really come to
admire the EDP's interface and it's use of "long presses" e.g. to 
maximize use of a limited number of buttons.  The Looperlative's
ability
to bind just about anything to a button is great, but you end up
having to access a lot more buttons (via bank switching on the
controller) to get the same functionality as the EDP's single button
bank.  It's an efficency / ergonomics issue.

-rabbi



>Generally I think the big strength of the EDP is it's user interface, 
>the way it's possible to get so much functionality out of just a few 
>buttons. Usually those buttons all do something useful, whatever state
>the 
>edp is in. If the price for that is 2 button presses rather than 1 
>(often the case) to get where you want then I accept that cost, partly

>because it's fun for the feet, and partly because the alternative is
>either 
>less flexibility, or having to use more than one bank on the midi 
>controller (which is even more button presses, and pretty dangerous in
>a 
>live situation.)

>I notice that the current trend, with LP-1 and Mobius (for instance)
is 
>to create the scenario where you can do a whole bunch of stuff with
one 
>"button".  

>Could this be seen as 

>Looper as instrument vs. Looper as effect ?

>In which case the "edp" approach is the "getting your hands dirty 
>actually doing it yourself even if you have to practise the moves" way

>compared to the LP-1/Mobius way of "once it's set up, I just press a
>button 
>and this wonderful thing happens".


>andy butler
  


 
____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 15 10:27:30 2007
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Date: Thu, 15 Mar 2007 06:26:29 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the month-long
Special Focus on Paul Lawler from the UK.  The Featured CD at Midnight
will be "Future Wreck" by Arcane on NeuHarmony Records.  The Vinyl
Starter will be from the LP "Digital Moonscapes" by Wendy Carlos on RCA
Records.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2007/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, and on the internet.

All times are EDT / GMT-4 because the US is on Daylight Saving Time.

======================================================================
Listen on-line to WDIY at http://wdiy.org and click LISTEN or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
======================================================================
Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
======================================================================

From Loopers-Delight-request@loopers-delight.com  Thu Mar 15 12:56:08 2007
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Hey Charlie, I do have one - in fact, I had just listed it on Harmony
Central yesterday!  So if you're still looking for one, I was going to
sell mine for $100 (provided you're not in Alaska or Hawaii).  It's got
a few scratches, but it's in pretty good shape.  I have the power cord,
but a replacement MIDI cable since the first one was lost.  I don't have
the original box, but I can pack it well. =20

I thought I could use it with my DG-Stomp, but I don't really need the
headache.  I'm kind of a MIDI n00b and I have too many other plates in
the air to try and figure it out.  =3D) =20

PayPal is welcomed, and let me know if you want me to snap some pics.
(my eBay name is Shauggy if you want to check my feedback)


Matthew Shaughnessy
Title Officer
Meridian Title Company
matt@meridiantitle.net
704.537.7444
=20
For all orders and revisions, please email to orders@meridiantitle.net
or fax to 704.537.7474

-----Original Message-----
From: Charlie Milkey [mailto:pilotcp@gmail.com]=20
Sent: Wednesday, March 14, 2007 9:40 PM
To: Loopers-Delight@loopers-delight.com
Subject: WTB: Behringer FCB1010

Hi Loopers!

So i need a midi foot controller to control my looper, and i was
wondering if anyone had a FCB1010 that they'd be willing to let go for
cheap--I am thinking somewhere in the area of 100 shipped in the US?

Thanks,
Charlie

From Loopers-Delight-request@loopers-delight.com  Thu Mar 15 13:41:05 2007
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Subject: Re: Listen to Afterglow and Galactic Travels
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Bill,

Is Galactic Travels available in Philly?  I'm near the Main Line.

Steve


----- Original Message ----- 
From: "Bill Fox" <billyfox@soundscapes.us>
To: <undisclosed-recipients:>
Sent: Thursday, March 15, 2007 7:26 AM
Subject: Listen to Afterglow and Galactic Travels


> AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
> =======================================================================
> Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
> for a delightful mix of eclectic musical genres including a healthy
> dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
> http://muhlenberg.edu/wmuh
> 
> 
> GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
> =======================================================================
> Tonight at 11 pm on Galactic Travels, I'll continue the month-long
> Special Focus on Paul Lawler from the UK.  The Featured CD at Midnight
> will be "Future Wreck" by Arcane on NeuHarmony Records.  The Vinyl
> Starter will be from the LP "Digital Moonscapes" by Wendy Carlos on RCA
> Records.  For details, see the Special Focus page at:
> http://wdiy.org/programs/gt/playlists/2007/focus.html#mar
> 
> Galactic Travels is an electronic, ambient, and space music show that
> airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
> Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
> and Trexlertown, and on the internet.
> 
> All times are EDT / GMT-4 because the US is on Daylight Saving Time.
> 
> ======================================================================
> Listen on-line to WDIY at http://wdiy.org and click LISTEN or go
> directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
> ======================================================================
> Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
> REAL AUDIO link or go directly to:
> rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
> ======================================================================
> 
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 15 14:22:58 2007
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From: Darren Nelsen <darren@curiomusic.com>
Subject: RC-50 Some wav files don't work
Date: Thu, 15 Mar 2007 10:22:55 -0400
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I'm using an RC-50 with a Mac (OS X v10.4.9). I notice that sometimes  
when I import wav files to the RC-50, some of them don't work. They  
show up when I'm connected via USB, but when I disconnect and bring  
up the patch on the RC-50... nothing! Does anyone know what this is  
about? Other wav files work fine. I know I'm naming them all  
correctly when I transfer them. Has anyone else experienced this...  
have a solution? Thanks!!

From Loopers-Delight-request@loopers-delight.com  Thu Mar 15 14:50:43 2007
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Subject: aarset pedal FS
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i bought the precsription electronics "experience" pedal last week  
and i think it's not for me (and the adrenalinn does something very  
very similar...) so if anyone here is interested, i paid $200 plus  
shipping for it and i'd love to close to that out of it. it seems to  
work fine with the adaptor, but i haven't gotten it to work with a  
battery, so there may be a wire that needs to be soldered or  
something...

this is the pedal that does the swell effect with the square wave  
fuzz and octave above. it the "string" sound that eivind uses a lot.

email me off list if you're interested. if no takers by this  
afternoon, then i'll ebay it.

peace


r.




ric hordinski

www.richordinski.com

www.myspace.com/richordinskimusic

www.myspace.com/monasterystudio



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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><BR><DIV></DIV>i bought the =
precsription electronics "experience" pedal last week and i think it's =
not for me (and the adrenalinn does something very very similar...) so =
if anyone here is interested, i paid $200 plus shipping for it and i'd =
love to close to that out of it. it seems to work fine with the adaptor, =
but i haven't gotten it to work with a battery, so there may be a wire =
that needs to be soldered or something...<BR><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>this is the pedal that does =
the swell effect with the square wave fuzz and octave above. it the =
"string" sound that eivind uses a lot.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>email me off list if you're =
interested. if no takers by this afternoon, then i'll ebay =
it.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>peace</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>r.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR><BR><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV>ric =
hordinski</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.richordinski.com</DIV><DI=
V><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.myspace.com/richordinskim=
usic</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.myspace.com/monasterystud=
io</DIV><BR class=3D"Apple-interchange-newline"></SPAN> =
</DIV><BR></BODY></HTML>=

--Apple-Mail-7-242019253--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 15 17:06:13 2007
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Date: Fri, 16 Mar 2007 01:06:03 +0800
From: Randolf Arriola <randolf@embryosongs.com>
Subject: Re: RC-50 Some wav files don't work
To: Loopers-Delight@loopers-delight.com
Message-id: <009d01c76724$37228040$6e01a8c0@embryo>
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 <E9371A65-FB59-4109-8B7C-007EDCCFAF65@curiomusic.com>
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You;ll have to rename the files for RC50 to recognise them. I think u should 
consult the manual for detailed description about imporating wav files.

Randolf Arriola (aka the embryo)
Hp 97584919
http://www.soundclick.com/bands/5/theembryo.htm
http://www.myspace.com/the_embryo
----- Original Message ----- 
From: "Darren Nelsen" <darren@curiomusic.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 15, 2007 10:22 PM
Subject: RC-50 Some wav files don't work


> I'm using an RC-50 with a Mac (OS X v10.4.9). I notice that sometimes 
> when I import wav files to the RC-50, some of them don't work. They  show 
> up when I'm connected via USB, but when I disconnect and bring  up the 
> patch on the RC-50... nothing! Does anyone know what this is  about? Other 
> wav files work fine. I know I'm naming them all  correctly when I transfer 
> them. Has anyone else experienced this...  have a solution? Thanks!!
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Mar 15 17:12:03 2007
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From: Darren Nelsen <darren@curiomusic.com>
Subject: Re: [SPAM] Re: RC-50 Some wav files don't work
Date: Thu, 15 Mar 2007 13:12:01 -0400
To: Loopers-Delight@loopers-delight.com
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Yeah, I did that. And, they are longer than the required minimum of  
1.5 sec.

On Mar 15, 2007, at 1:06 PM, Randolf Arriola wrote:

> You;ll have to rename the files for RC50 to recognise them. I think  
> u should consult the manual for detailed description about  
> imporating wav files.
>
> Randolf Arriola (aka the embryo)
> Hp 97584919
> http://www.soundclick.com/bands/5/theembryo.htm
> http://www.myspace.com/the_embryo
> ----- Original Message ----- From: "Darren Nelsen"  
> <darren@curiomusic.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, March 15, 2007 10:22 PM
> Subject: RC-50 Some wav files don't work
>
>
>> I'm using an RC-50 with a Mac (OS X v10.4.9). I notice that  
>> sometimes when I import wav files to the RC-50, some of them don't  
>> work. They  show up when I'm connected via USB, but when I  
>> disconnect and bring  up the patch on the RC-50... nothing! Does  
>> anyone know what this is  about? Other wav files work fine. I know  
>> I'm naming them all  correctly when I transfer them. Has anyone  
>> else experienced this...  have a solution? Thanks!!
>>
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 15 17:43:26 2007
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	id 96BCD3BF10; Thu, 15 Mar 2007 17:43:26 +0000 (UTC)
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From: "Ingo Ito" <ingoito@itofarm.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Finally my website is online
Date: Thu, 15 Mar 2007 18:42:19 +0100
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------=_NextPart_000_0011_01C76731.A9976C00
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	charset="iso-8859-1"
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Hi fellow loopers,

I just wanted to let you know, that I finally finished my internet =
package, consisting of website (with shop), myspace and blog (you=B4ll =
find all the links in the signature below).

As I=B4m not only doing looped music, there are also sound samples from =
my former bands and other projects on the website.

But, of course, also lots of looped stuff. Mainly I do ambient type of =
looped music. Some music was for art exhibitions and I just started a =
new series (Zen Hanami), which was mainly composed (and done with Mobius =
software) for meditation and contemplation purpose.=20

There are many sound samples to listen to, and I=B4m also offering a =
regularly alternating song as a free download (MP3,192kbps) .

Here=B4s the link for downloading the first one if you like to (the link =
is shop generated, that=B4s why it=B4s so long, sorry =B4bout that):=20
http://www.itofarm.com/1-2-3-music-store/process.php?PHPSESSID=3D394694c0=
c4f3207c6acad3f9aa8ef4d4&pname=3DShowAlbumDetailsProcess-Start&CategoryID=
=3DCategoryID&AlbumID=3D2

The original recording of this track was done in 2002 as live-looping =
with guitar and a Roland GR-300 guitar synth into a Paradis looper (the =
machine Mathias designed before the EDP was done), then into effects =
(GP-100) and a DAT recorder. It was part of an exhibition soundtrack I =
did and was rather long, so I recently edited it before putting the =
album of this soundtrack together.

As I=B4m having more time right now to do music, I=B4m hoping to get =
more material on the website soon - so if you like it, stay tuned!

That=B4s it for now - thanks for your attention ;-) and keep looping!

Greetings from Spain
Ingo Ito


Ingo Ito
website: www.itofarm.com
shop: =
http://www.itofarm.com/1-2-3-music-store/process.php?pname=3DShopfrontPro=
cess-Start
myspace: http://www.myspace.com/ingoito
blog: http://www.itofarm.blogspot.com/
------=_NextPart_000_0011_01C76731.A9976C00
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D4>Hi fellow loopers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>I just wanted to let you know, that I =
finally=20
finished my&nbsp;internet package,&nbsp;consisting of&nbsp;website (with =
shop),=20
myspace and blog (you=B4ll find all the links in the signature=20
below).</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>As I=B4m not only doing looped music, =
there are also=20
sound samples from my former bands and other projects on the=20
website.</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>But, of course, also lots of looped =
stuff. Mainly I=20
do ambient type of looped music. Some music was for art exhibitions and =
I just=20
started a new series (Zen Hanami), which was mainly composed (and done =
with=20
Mobius software) for meditation and contemplation purpose. </FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>There&nbsp;are&nbsp;many sound samples =
to listen=20
to,&nbsp;and</FONT><FONT face=3DArial size=3D4> I=B4m also =
offering&nbsp;a regularly=20
alternating song as a free download&nbsp;(MP3,192kbps) .</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>Here=B4s the link for downloading the =
first&nbsp;one=20
if you like to&nbsp;(the link is&nbsp;shop generated, that=B4s why =
it=B4s so long,=20
sorry =B4bout that):&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D4><A=20
href=3D"http://www.itofarm.com/1-2-3-music-store/process.php?PHPSESSID=3D=
394694c0c4f3207c6acad3f9aa8ef4d4&amp;pname=3DShowAlbumDetailsProcess-Star=
t&amp;CategoryID=3DCategoryID&amp;AlbumID=3D2">http://www.itofarm.com/1-2=
-3-music-store/process.php?PHPSESSID=3D394694c0c4f3207c6acad3f9aa8ef4d4&a=
mp;pname=3DShowAlbumDetailsProcess-Start&amp;CategoryID=3DCategoryID&amp;=
AlbumID=3D2</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>The original recording of this track =
was done in=20
2002 as live-looping with guitar and a Roland GR-300 guitar synth into a =
Paradis=20
looper (the&nbsp;machine Mathias designed before the EDP was done), then =
into=20
effects (GP-100)&nbsp;and&nbsp;a DAT recorder. It was part of an =
exhibition=20
soundtrack I did and was rather long, so I recently edited it before =
putting the=20
album of this soundtrack together.</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>As I=B4m having&nbsp;more time right =
now to do=20
music,&nbsp;I=B4m hoping to get more material on the website soon - so =
if you like=20
it, stay tuned!</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>That=B4s it for now - thanks for your =
attention ;-)=20
and keep looping!</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>Greetings from Spain</FONT></DIV>
<DIV><FONT face=3DArial size=3D4>Ingo Ito</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4><U>Ingo Ito</U><BR><FONT =
size=3D3>website: </FONT><A=20
href=3D"http://www.itofarm.com"><FONT =
size=3D3>www.itofarm.com</FONT></A><BR><FONT=20
size=3D3>shop: </FONT><A=20
href=3D"http://www.itofarm.com/1-2-3-music-store/process.php?pname=3DShop=
frontProcess-Start"><FONT=20
size=3D3>http://www.itofarm.com/1-2-3-music-store/process.php?pname=3DSho=
pfrontProcess-Start</FONT></A><BR><FONT=20
size=3D3>myspace: </FONT><A =
href=3D"http://www.myspace.com/ingoito"><FONT=20
size=3D3>http://www.myspace.com/ingoito</FONT></A><BR><FONT =
size=3D3>blog: </FONT><A=20
href=3D"http://www.itofarm.blogspot.com/"><FONT=20
size=3D3>http://www.itofarm.blogspot.com/</FONT></A></FONT></DIV></BODY><=
/HTML>

------=_NextPart_000_0011_01C76731.A9976C00--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 15 17:48:54 2007
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From: "Ingo Ito" <ingoito@itofarm.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Finally my website is online
Date: Thu, 15 Mar 2007 18:48:40 +0100
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------=_NextPart_000_0037_01C76732.8CA5F2A0
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Hi fellow loopers,

I just wanted to let you know, that I finally finished my internet =
package, consisting of website (with shop), myspace and blog (you=B4ll =
find all the links in the signature below).

As I=B4m not only doing looped music, there are also sound samples from =
my former bands and other projects on the website.

But, of course, lots of looped stuff as well. Mainly I do ambient type =
of looped music. Some music was for art exhibitions and I just started a =
new series (Zen Hanami), which was mainly composed (and done with Mobius =
software) for meditation and contemplation purpose.=20

There are many sound samples to listen to, and I=B4m also offering a =
regularly alternating song as a free download (MP3,192kbps) .

Here=B4s the link for downloading the first one if you like to (the link =
is shop generated, that=B4s why it=B4s so long, sorry =B4bout that):=20
http://www.itofarm.com/1-2-3-music-store/process.php?PHPSESSID=3D394694c0=
c4f3207c6acad3f9aa8ef4d4&pname=3DShowAlbumDetailsProcess-Start&CategoryID=
=3DCategoryID&AlbumID=3D2

The original recording of this track was done in 2002 as live-looping =
with guitar and a Roland GR-300 guitar synth into a Paradis looper (the =
machine Mathias designed before the EDP was done), then into effects =
(GP-100) and a DAT recorder. It was part of an exhibition soundtrack I =
did and was rather long, so I recently edited it before putting the =
album of this soundtrack together.

As I=B4m having more time right now to do music, I=B4m hoping to get =
more material on the website soon - so if you like it, stay tuned!

That=B4s it for now - thanks for your attention ;-) and keep looping!

Greetings from Spain
Ingo Ito


Ingo Ito
website: www.itofarm.com
shop: =
http://www.itofarm.com/1-2-3-music-store/process.php?pname=3DShopfrontPro=
cess-Start
myspace: http://www.myspace.com/ingoito
blog: http://www.itofarm.blogspot.com/
------=_NextPart_000_0037_01C76732.8CA5F2A0
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D4>Hi fellow loopers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>I just wanted to let you know, that I =
finally=20
finished my&nbsp;internet package,&nbsp;consisting of&nbsp;website (with =
shop),=20
myspace and blog (you=B4ll find all the links in the signature=20
below).</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>As I=B4m not only doing looped music, =
there are also=20
sound samples from my former bands and other projects on the=20
website.</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>But, of course, lots of looped stuff as =
well.=20
Mainly I do ambient type of looped music. Some music was for art =
exhibitions and=20
I just started a new series (Zen Hanami), which was mainly composed (and =
done=20
with Mobius software) for meditation and contemplation purpose. =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>There&nbsp;are&nbsp;many sound samples =
to listen=20
to,&nbsp;and</FONT><FONT face=3DArial size=3D4> I=B4m also =
offering&nbsp;a regularly=20
alternating song as a free download&nbsp;(MP3,192kbps) .</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>Here=B4s the link for downloading the =
first&nbsp;one=20
if you like to&nbsp;(the link is&nbsp;shop generated, that=B4s why =
it=B4s so long,=20
sorry =B4bout that):&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D4><A=20
href=3D"http://www.itofarm.com/1-2-3-music-store/process.php?PHPSESSID=3D=
394694c0c4f3207c6acad3f9aa8ef4d4&amp;pname=3DShowAlbumDetailsProcess-Star=
t&amp;CategoryID=3DCategoryID&amp;AlbumID=3D2">http://www.itofarm.com/1-2=
-3-music-store/process.php?PHPSESSID=3D394694c0c4f3207c6acad3f9aa8ef4d4&a=
mp;pname=3DShowAlbumDetailsProcess-Start&amp;CategoryID=3DCategoryID&amp;=
AlbumID=3D2</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>The original recording of this track =
was done in=20
2002 as live-looping with guitar and a Roland GR-300 guitar synth into a =
Paradis=20
looper (the&nbsp;machine Mathias designed before the EDP was done), then =
into=20
effects (GP-100)&nbsp;and&nbsp;a DAT recorder. It was part of an =
exhibition=20
soundtrack I did and was rather long, so I recently edited it before =
putting the=20
album of this soundtrack together.</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>As I=B4m having&nbsp;more time right =
now to do=20
music,&nbsp;I=B4m hoping to get more material on the website soon - so =
if you like=20
it, stay tuned!</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>That=B4s it for now - thanks for your =
attention ;-)=20
and keep looping!</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>Greetings from Spain</FONT></DIV>
<DIV><FONT face=3DArial size=3D4>Ingo Ito</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4><U>Ingo Ito</U><BR><FONT =
size=3D3>website: </FONT><A=20
href=3D"http://www.itofarm.com"><FONT =
size=3D3>www.itofarm.com</FONT></A><BR><FONT=20
size=3D3>shop: </FONT><A=20
href=3D"http://www.itofarm.com/1-2-3-music-store/process.php?pname=3DShop=
frontProcess-Start"><FONT=20
size=3D3>http://www.itofarm.com/1-2-3-music-store/process.php?pname=3DSho=
pfrontProcess-Start</FONT></A><BR><FONT=20
size=3D3>myspace: </FONT><A =
href=3D"http://www.myspace.com/ingoito"><FONT=20
size=3D3>http://www.myspace.com/ingoito</FONT></A><BR><FONT =
size=3D3>blog: </FONT><A=20
href=3D"http://www.itofarm.blogspot.com/"><FONT=20
size=3D3>http://www.itofarm.blogspot.com/</FONT></A></FONT></DIV></BODY><=
/HTML>

------=_NextPart_000_0037_01C76732.8CA5F2A0--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 15 17:49:59 2007
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Date: Thu, 15 Mar 2007 10:49:58 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Looping in OZ :: RC-## question
To: Loopers-Delight@loopers-delight.com
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Hey Rob!
I have just purchased the RC-2 which is being tested
in my compact pedalboard which has some basic efx,
plus a DD-20 as well.I am not sure if i want to keep
the RC-2...there are 2 things that really piss me
off,one is not being able to loop without having your
loop automatically quantizised and having to hear the
loop while erasing it after u have stopped it,grrrr!
But good tool to rehearse those dusty blues,teach and
plently of cheesy drum loops!
Luis




> Size and budget is a major factor. The RC -2 retails
> for about $300-330
> AUS - less on ebay. It should also fit nicely into
> my new custom made
> pedal board - which I haven't designed yet. Gotta
> put a new kitchen in
> my house first.
> 
> Any suggestions?
> 
> Rob McDade
> 
> 


www.myspace.com/luisangulocom


 
____________________________________________________________________________________
Finding fabulous fares is fun.  
Let Yahoo! FareChase search your favorite travel sites to find flight and hotel bargains.
http://farechase.yahoo.com/promo-generic-14795097

From Loopers-Delight-request@loopers-delight.com  Fri Mar 16 19:31:23 2007
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Date: Fri, 16 Mar 2007 11:31:18 -0800
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Finally my website is online
Cc: Ingo Ito <ingoito@itofarm.com>
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Ingo,

I looked up your website and checked out your free download track "Sunset o=
n Sea."=20

Liking it very much -- reminds me a bit of Andy Smmers' "Mysterious Barrica=
des" CD.

I've repeated it several times so far this morning.

--
tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Ingo Ito <ingoito@itofarm.com> wrote:=20
> Hi fellow loopers,
>=20
> I just wanted to let you know, that I finally finished my internet packag=
e, consisting of website (with shop), myspace and blog (you=C2=B4ll find al=
l the links in the signature below).
>=20
> As I=C2=B4m not only doing looped music, there are also sound samples fro=
m my former bands and other projects on the website.
>=20
> But, of course, lots of looped stuff as well. Mainly I do ambient type of=
 looped music. Some music was for art exhibitions and I just started a new =
series (Zen Hanami), which was mainly composed (and done with Mobius softwa=
re) for meditation and contemplation purpose.=20
>=20
> There are many sound samples to listen to, and I=C2=B4m also offering a r=
egularly alternating song as a free download (MP3,192kbps) .
>=20
> Here=C2=B4s the link for downloading the first one if you like to (the li=
nk is shop generated, that=C2=B4s why it=C2=B4s so long, sorry =C2=B4bout t=
hat):=20
> http://www.itofarm.com/1-2-3-music-store/process.php?PHPSESSID=3D394694c0=
c4f3207c6acad3f9aa8ef4d4&pname=3DShowAlbumDetailsProcess-Start&CategoryID=
=3DCategoryID&AlbumID=3D2
>=20
> The original recording of this track was done in 2002 as live-looping wit=
h guitar and a Roland GR-300 guitar synth into a Paradis looper (the machin=
e Mathias designed before the EDP was done), then into effects (GP-100) and=
 a DAT recorder. It was part of an exhibition soundtrack I did and was rath=
er long, so I recently edited it before putting the album of this soundtrac=
k together.
>=20
> As I=C2=B4m having more time right now to do music, I=C2=B4m hoping to ge=
t more material on the website soon - so if you like it, stay tuned!
>=20
> That=C2=B4s it for now - thanks for your attention ;-) and keep looping!
>=20
> Greetings from Spain
> Ingo Ito
>=20
>=20
> Ingo Ito
> website: www.itofarm.com
> shop: http://www.itofarm.com/1-2-3-music-store/process.php?pname=3DShopfr=
ontProcess-Start
> myspace: http://www.myspace.com/ingoito
> blog: http://www.itofarm.blogspot.com/

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From: Per Boysen <perboysen@gmail.com>
Subject: Open-Source 3D Webcam MIDI Controller
Date: Fri, 16 Mar 2007 21:31:08 +0100
To: Loopers-Delight@loopers-delight.com
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http://createdigitalmusic.com/2007/03/15/open-source-3d-webcam-midi- 
controller/

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Fri Mar 16 20:57:29 2007
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From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: 2nd CALL for PERFORMERS: Y2K7  application deadline is April 15th
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Hi everybody,
This call to artists is going out much earlier than in previous years
for the Y2K7 Festival.     Please read this thoroughly if you want to
perform again this year (or if you want to perform for the first time).
Also, please pass the word to people you know who aren't on the list.

There will, in all likelihood, be far fewer performance slots this than
there have been in past years so it is imperative to do this in a timely 
manner
if you wish you play:

thanks,   rick

***************

This is the official call for submissions of artists who wish to perform at
the Y2K7 International Live Looping Festival to be held
October 19-21st, 2007 in Santa Cruz, California.

Applications for the festival will be closed April 15th
except for foreign artists who's applications I'll take on a
case by case basis.

and I will publish the Performance Roster by May 15th so that
out of town artists have time to make plans for transportation.
At that time, I'll include an alternates list.  Frequently we will have
cancellations as late as the actual weekend of the gig so you should let me 
know
how late you can decide to play the festival if such an cancellation occurs.

If you are interested in performing this year please read the following
requirements for submission to perform.

yours, most sincerely and respectfully,
Rick Walker


**********************************************************


APPLICATION to PERFORM at the Y2K7 Live Looping FESTIVAL

     Dearest applicants for performance at the Y2K7 International Live
Looping Festival.  Thank you so much for applying to perform on October 
19-21, 2007 in Santa
Cruz.

Due to the very large number of applicants for this festival and limited
performance spaces, we have decided that all performers will go through the 
same process of
applying for performance from now on.

The festival took over 4 1/2 months of my life last year and I realized that
in order to keep having the energyto making it such a wonderful festival 
that I was going to
have to make the whole process more professional,  streamlined and , hence, 
more standardized.
I'm a casual guy so this makes me a little sad but we have, thankfully, 
gotten big enough that it's
time to start acting like a world class music festival.


IF you'd like to perform please send the following information to me via the
snail mail.  I regret that,
though convenient for the artists,  I do not have time to go to websites or
myspace pages to read or
listen to mp3s.  There are just too many performers vying for spots on the
festival and I want to have some
kind of a personal and artistic life during the ensuing months.

Please send the following submission package to

Y2K7 SUBMISSION
412 Darwin Street
Santa Cruz, California, USA
95062-2629

It needs to contain:

1) CD or CDR of representative material.  Remember that this is a live
looping festival so artist who rely primarily on triggering premade loops in
programs like Ableton's Live , Acid or Garage Band should not apply.
Please no MP3s.........I just don't have the ability to play them and most
of my perusal occurs in my car driving to gigs.

2)  A second and separate CD with .JPEG digital photographs (suitable for
printing in a newspaper or magazine) of your act

3)  include a very short and pithy musical biography and description of your
life act on the same CD.

Please make the music CD and the photo/bio CD be separate.

4)  reproduce the following rules of performance and please sign it  just so
I know that everyone is on the same page about making the whole thing work.
It' s a logistical nightmare and only works if everyone works
for the whole team of artists.


reproduce and sign the following:
*******************************************************************************************************************************

Y2K7  RULES of PERFORMANCE:

Performances all occur on two adjacent stages.  50 artists perform
continuously for a 24 hour period
over two days.   There are no breaks between acts so the music is
continuous.

Because the stages adjoin in view of the audience members,   set up and
break down can be very distracting
to the audience so it is imperative that loading Artists be as sensitive as
possible not to draw focus
from who is performing.

Artists have  20 minute maximum completely silent load in (Line checks can
be accomplished with
supplied headphones,  also silently)
Artists have 30 minute maximum performance
Artists have 10 minutes maximum complete silent evacuation of the stage

Importantly:

1) Artists who take longer to load have time cut off of their performances

2) Artist who perform to long or take too long to evacuate the stage at the
end of their sets result in the next act having time shaved off their set.


ARTIST COMPENSATION:

We run in the red every year (out of my pocket always) and there is no
compensation for the artists, unfortunately, consequently.

Over time, I am researching new ways to get granting and to get subsidies
from music companies.   These
invariably will be offered, first, to the artists who travel from out of the
country to come perform.


GUEST and COMP LISTS:

We charge at the door and don't allow guests at all because the venue is
usually too small and we wouldn't be able to do the festival at all if we
let everyone in for free that the artists bring.

I have read the above rules of performance and agree to them.


signed ____________________________________

_______________________________________________________________________________________
***********************************************************************************************************************************

It pains me horribly to state those last rules but they are the only way
that we can continue doing the festival.

Having these draconian rules is necessary to pull off the unbelievable feat
of having so many artists play
without running over time (which is illegal in the City and makes us liable
to be cancelled)

I try as hard a possible to make this thing bigger and better every year but
we are a very new art form
and the whole thing is a gigantic (and wonderfully creative and fun) labor
of love on everyone's part.

Thank you very much for showing interest in this wonderful festival.  We'll
be blessed to have you come play.

with the deepest respect for everyone's artistry who applies for this
festival

Rick Walker
founder
Y2K International  Live Looping Festivals



-- 
Internal Virus Database is out-of-date.
Checked by AVG Free Edition.
Version: 7.5.432 / Virus Database: 268.15.16/582 - Release Date: 12/11/2006 
4:32 PM 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 16 22:09:26 2007
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: 2nd CALL for PERFORMERS: Y2K7  application deadline is April
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Yo Mr. Rick,

Just a reminder (you probably don't even need one) but here's one anyway.

I think Y2K7 will do better without me this year.

I may come as an attendee (I hope) . . . but not as a performer this year.

I'm taking a break from performing after BEMF2 altogether in April and want=
 to reaccess my situation.

As always, I would be most happy to offer any graphic assistance (and moral=
e support) you might desire.

But I gotta pack it in for a while.

Cheers,

tEd =C2=AE kiLLiAn

From Loopers-Delight-request@loopers-delight.com  Sat Mar 17 00:49:31 2007
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We all hope Ted is taking a break so that he can built is new computer 
system with MAX/MS, and stay up 'til odd hours in the morning with Kaiser 
and I, working on patches and bizarre effect combinations. :)

I hope you reconsider, Ted, but if  not I understand. See yah in April at 
the Vac!

K-

----- Original Message ----- 
From: "tEd Â® kiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Cc: "RICK WALKER" <looppool@cruzio.com>
Sent: Friday, March 16, 2007 4:09 PM
Subject: Re: 2nd CALL for PERFORMERS: Y2K7 application deadline is April 
15th


Yo Mr. Rick,

Just a reminder (you probably don't even need one) but here's one anyway.

I think Y2K7 will do better without me this year.

I may come as an attendee (I hope) . . . but not as a performer this year.

I'm taking a break from performing after BEMF2 altogether in April and want 
to reaccess my situation.

As always, I would be most happy to offer any graphic assistance (and morale 
support) you might desire.

But I gotta pack it in for a while.

Cheers,

tEd Â® kiLLiAn



From Loopers-Delight-request@loopers-delight.com  Sat Mar 17 05:22:14 2007
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: 2nd CALL for PERFORMERS: Y2K7  application deadline is April 15th
Date: Fri, 16 Mar 2007 21:22:09 -0800
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Doggone it!

I didn't mean that to go to the list.

Somehow it did.

Now 'm a sorry, sorry, sad excuse for an idiot.

Yes, a lappy is part of the ultimate plan.

I hope to reemerge (as a performer) eventually.

I'm really looking forward to April in Boise.

But after that I gotta do some other things with my life for a while.

Best regards,

Ted Killian

On Mar 16, 2007, at 4:49 PM, Krispen Hartung wrote:

> We all hope Ted is taking a break so that he can built is new computer 
> system with MAX/MS, and stay up 'til odd hours in the morning with 
> Kaiser and I, working on patches and bizarre effect combinations. :)
>
> I hope you reconsider, Ted, but if  not I understand. See yah in April 
> at the Vac!

From Loopers-Delight-request@loopers-delight.com  Sat Mar 17 06:30:25 2007
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Message-ID: <000501c7685d$a164e620$4201a8c0@MichaelPlishka>
From: "Michael Plishka" <mike@michaelplishka.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Happy St Patty's day!
Date: Sat, 17 Mar 2007 01:29:33 -0500
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In honor of the Feast I have uploaded a song entitled "Patrick" on my 
myspace page.  Looping and spoken word and a little chant...

www.myspace.com/michaelplishka

~peace~

Michael 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 17 08:30:53 2007
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Date: Sat, 17 Mar 2007 01:30:45 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: EDP more loops question
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Andy brother u are a genious thanx a million mate ill
try it and get back to you with my results!
cheers
Luis




--- andy butler <akbutler@tiscali.co.uk> wrote:

> hi Luis
> 
> Yes, you can do that.
> 
> "Quantise" does not have any bearing on how you
> switch from one loop to another.
> 
> "SwitchQuant" controls how the edp changes from one
> loop to another, whether you make the change with
> NextLoop or access the loops by MIDI.
> 
> SwitchQuant has a lot of options, depending on how
> you want to work.
> I use SwitchQuant=CnF, (Confirm) , so that I can hit
> Nextloop to select the destination loop and then the
> change happens immediately on the next press of
> Record/Overdub/Multiply/Insert/Undo. This way I can
> chose what happens when going to the next loop, and
> have it happen exactly when I want.( the downside is
> that it's always 2 presses to make it happen, so it
> needs some practise to do quick changes)
> 
> 
> andy butler  
> 
> L.A. Angulo wrote:
> > Hey gang!
> > In doing more loops is there a way to trigger lets
> say
> > loop 3 when being in quantize mode(set to loop or
> > cycle)after muting loop one,without having to wait
> for
> > the next cycle?
> > thanx!
> > Luis
> > 
> > 
> > 
> > 
> > www.myspace.com/luisangulocom
> > 
> > 
> >  
> >
>
____________________________________________________________________________________
> > Bored stiff? Loosen up... 
> > Download and play hundreds of games for free on
> Yahoo! Games.
> > http://games.yahoo.com/games/front
> > 
> > 
> 
> 


www.myspace.com/luisangulocom


 
____________________________________________________________________________________
The fish are biting. 
Get more visitors on your site using Yahoo! Search Marketing.
http://searchmarketing.yahoo.com/arp/sponsoredsearch_v2.php

From Loopers-Delight-request@loopers-delight.com  Sat Mar 17 08:39:34 2007
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Date: Sat, 17 Mar 2007 01:39:31 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Playing to nobody (was inaccessability of music)
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bro i promise you when you come again we are going to
go to the same place!
I couldnt stop laughing for days after the cowbell
even man that was so hilarious!
the after party and the girl who come up to you,bought
one of your CDs and said you had moved her third eye
in her forehead with your loop singing or something to
that effect,remember?
Cheers
Luis





--- RICK WALKER <looppool@cruzio.com> wrote:

> Luis wrote:
> "Hey Gary i do remeber that gig in San Diego!
> although
> it was unattended i had a blast,specially as Rick
> dropped that cowbell on the floor makng a loud
> esplosion noise in the middle of a meditative
> buiding
> loop which woke everybody up including me!
> but next day it was Mexico very well attended and
> well
> Rick can tell you about the third eye girl..."
> 
> 
> Wow,  that was a really fun tour, Luis.
> It was the first time I ever played in Mexico and
> the gig was great.
> It was were we discovered the 'Electronica Richard' 
> shop across the
> street from that incredible all night Taceria, after
> the Nortec party that 
> was so
> wonderful..............I got Montezuma's revenge but
> good that next day.
>  So much so that you'll have to
> remind me about the third eye girl
> story...............I'm blankin' on that 
> one, ese.
> 
> And, ouch,  did you have to remind me of dropping
> the cowbell during the
> meditative piece..........................one of my
> worst ever gaffs on 
> stage............lol.
> 
> good times!!!!    literally one of the most fun
> tours of my life.
> Long live the Guacamole Brothers!
> 
> Let's do it again sometime soon! 
> 
> 


www.myspace.com/luisangulocom


 
____________________________________________________________________________________
Be a PS3 game guru.
Get your game face on with the latest PS3 news and previews at Yahoo! Games.
http://videogames.yahoo.com/platform?platform=120121

From Loopers-Delight-request@loopers-delight.com  Sat Mar 17 13:52:08 2007
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	"RICK WALKER" <looppool@cruzio.com>
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Subject: The Wonders of MAX/MSP
Date: Sat, 17 Mar 2007 07:52:04 -0600
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Oh, don't get me started!  (well, here the coffee this morning kicks in). I 
am definitely on the way to MAX addiction.  As I mentioned on the MAX user 
group, I had taken a lengthy break from MAX.  There were just too many 
things on my pallet of effects and systems. Originally, I used MAX to create 
my own VST host, to replace Chainer, EnergyXT, Bidule, etc....that worked 
great, and I even created or borrowed a few of my own MAX patches (delay, 
pitch, ringmod, my super Brian May chord builder pitch shifter), etc. But 
maintaining my MAX skills, plus maintaining my memory and application of 
over 60 VST effects, not including Reaktor (running as VST with it's many 
ensembles) eventually got to me. I just got fed up, as the over-abundance of 
effects were distracting me from music making. So I just said that's 
it...I'm simplifying.  I'm no longer using any VST hosts, and my goal is to 
run a pure MAX-based system (no VST).  In less than a week, I replaced all 
my foundational VSTs (reverb, delay, chorus), with MAX patches (reverb is 
the most challenging), plus built several more MAX patches, including that 
emulates my favorite Blackbird (Reaktor ensemble) effect, and some other 
bizarre tone-mangling patches. I already have a MAX patch that emulates one 
of my favorite Boss VF1 pathes.  Moreover, I reduced over 60 VST effects on 
my screen to only 15 or so MAX patches that run cleanly only as MAX patches 
(not VST). And now I can focus on building really good and unique MAX 
patches, one addition at time, all built to my own specifications

Now the only two VSTs I have running in MAX are Mobius and Reaktor.  If 
Kaiser has anything to do with it, he'll have me converted to his Kaiser 
Looper patch. Maybe that conversion will occur this weekend, who knows. I'm 
keeping Reaktor because it is still a very powerful program with amazing 
effects and library support from users. Eventually, that will be the only 
VST in my system. And of course, I need to be able to conroll all this stuff 
with my Behringer.

Oh, and you guitar synth lovers, my next project is to create a MAX patch 
that analyzes my guitar audio input, determines frequency, and then sends to 
MAX synthesizer objects, like saw, etc.  My dream of creating a MAX version 
of the famous Roland GR300 (think old Abercrombie and Metheny stuff) will 
eventually come to fruition!

So, Ted, if you decide to take the leap, the journey will have many pathes 
and will seem tedious at times, but the payoff is amazing if you stick with 
it. The hardest part is giving up the addiction of all your prior effects, 
like what I did with my VSTs. You just have to let them go....clense 
yourself. Start from scratch. The catharsis really creates a whole new sense 
of focus. But the letting go is the hard part.  I believe some folks just 
won't be able to make this sort of transition...it's a pesonality thing, 
neither good nor bad. For me, I like to flush things out once in a while. 
It's useful for the psyche and sense of creativity.

Kris

----- Original Message ----- 
From: "Jeff Kaiser" <pfmentum@sbcglobal.net>
To: "Krispen Hartung" <khartung@cableone.net>
Cc: <Loopers-Delight@loopers-delight.com>; "RICK WALKER" 
<looppool@cruzio.com>
Sent: Saturday, March 17, 2007 12:43 AM
Subject: Re: 2nd CALL for PERFORMERS: Y2K7 application deadline is April 
15th


hell YEAH! c'mon Ted....krispen and I are having a blast here......


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com • AngryVegan.com
On Mar 16, 2007, at 5:49 PM, Krispen Hartung wrote:

> We all hope Ted is taking a break so that he can built is new computer 
> system with MAX/MS, and stay up 'til odd hours in the morning with Kaiser 
> and I, working on patches and bizarre effect combinations. :)
>
> I hope you reconsider, Ted, but if  not I understand. See yah in April at 
> the Vac!
>
> K-
>
> ----- Original Message ----- From: "tEd ® kiLLiAn" 
> <tedkillian@charter.net>
> To: <Loopers-Delight@loopers-delight.com>
> Cc: "RICK WALKER" <looppool@cruzio.com>
> Sent: Friday, March 16, 2007 4:09 PM
> Subject: Re: 2nd CALL for PERFORMERS: Y2K7 application deadline is April 
> 15th
>
>
> Yo Mr. Rick,
>
> Just a reminder (you probably don't even need one) but here's one anyway.
>
> I think Y2K7 will do better without me this year.
>
> I may come as an attendee (I hope) . . . but not as a performer this year.
>
> I'm taking a break from performing after BEMF2 altogether in April and 
> want to reaccess my situation.
>
> As always, I would be most happy to offer any graphic assistance (and 
> morale support) you might desire.
>
> But I gotta pack it in for a while.
>
> Cheers,
>
> tEd ® kiLLiAn
>
>
>



From Loopers-Delight-request@loopers-delight.com  Sat Mar 17 14:29:37 2007
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To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: OT  news for Mac users
Date: Sat, 17 Mar 2007 15:29:00 +0100
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http://www.youtube.com/watch?v=PuEDwcfJPSk

From Loopers-Delight-request@loopers-delight.com  Sat Mar 17 16:46:07 2007
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From: fabio anile <fabio.anile@tiscali.it>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: 2nd CALL for PERFORMERS: Y2K7  application deadline is April 1
 5th
Date: Sat, 17 Mar 2007 17:45:31 +0200
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Ted..., 
i'm really sad, this year i would love to see you playing live at the y2k7 
and maybe jamming with you...
Sad, sad story.
best
fabio

From Loopers-Delight-request@loopers-delight.com  Sat Mar 17 17:43:33 2007
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From Loopers-Delight-request@loopers-delight.com  Sat Mar 17 17:48:03 2007
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flatrice@yahoo.com wrote:

> unsubscribe 



it's been a while.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db


From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 01:57:15 2007
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Date: Sat, 17 Mar 2007 21:56:26 -0500
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: The Irregular Seasonal Howl
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The Irregular Seasonal Howl
or
An update from Douglas Baldwin, coyote-in-residence

You are receiving this e-mail newsletter because you either signed up for it
at my web site, or you told me you wanted to stay in touch, or I decided to
send it to you. If this kind of correspondence is annoying to you, just hit
the reply button, put “unsubscribe” in the Subject box, and send it back.

ONE YEAR GONE…
It was just a year ago that I began my web presence. I’m sure you’ve all
been to www.thecoyote.org many, many times by now, but just in case you
haven’t, well, go ahead and click on that link. And even if you HAVE been
there….

…have you seen my “Quotations” page? I’ve begun to collect quotes and
aphorisms about music and musicians, and already it’s a pretty hefty
collection. Click on www.thecoyote.org/quotations.cfm and have yourself a
chuckle, a nod of agreement, a murmur of disagreement, perhaps a touch of
insight into the musical process. (Many thanks to Scott Kistenberger, who
originally sent many of these my way.) Got a good quote? Care to correct or
comment on what I’ve posted? Drop me a line!

Have you listened to “Postmortal Postman?” It’s my first MP3 file, and it’s
absolutely freeeeee! You’ll find it at www.thecoyote.org/listen.cfm . Of
course, if I hear it used as background on the next episode of “Hanna
Montana,” both Jeff Wheeler and I will have to hunt you down and break your
fingers. Actually, this might be a good way to lure Mr. Wheeler down from
his hideaway in the foothills of New Hampshire. Hmmmm…..

TOTALLY UNRELATED TO MY WEB SITE, I would like to announce that THE GODDESS
OF GIGDOM HATH GIVEN ME GREAT SUCCOR! Many of you from the Long Island area
have heard me moaning and groaning about getting back out and performing in
public. With great thanks to Skip Krevens, who actually made the connection
for me, I am now playing with White Hot and Blue. Amazingly, these
brothers-I-never-knew-I-had were exactly what I was looking for:
? Seasoned professional players…
? …playing music I love and know well…
? …for just a couple of weekends each month…
? …for reasonably good money.
You can visit the band’s web site at www.whitehotandblue.com . It will be
continuously updated, including my just-added photo and bio, and listings of
upcoming dates, so add it to your favorites.

NOW, BACK TO MY WEB SITE. Do you have a copy of Play Guitar By Ear yet?
What???? You DON’T????? What are you waiting for? Go to
www.thecoyote.org/giftshop.cfm right now and order copies for yourself (at
least two – you’ll wear out the pages in no time, and you’ll want extra
copies of the CD that comes with it as well; you know how those CDs can wear
out with repeated listening. Then order a couple-half-dozen copies for
anyone you’ve ever known who has ever tried to play the guitar. Tell them to
follow the instructions in the book, and they’ll be replacing me in the
White Hot and Blue lineup in no time.

THIS JUST IN FROM THE WEATHER TEAM: Friends in Europe, you’re getting the
storm that just walloped New York on Friday the 16th/Saturday the 17th. We
were hit with freezing rain, sleet, and snow that froze like a shell on
everything. I cancelled all my Friday students and huddled with the family
until Saturday. Then, while walking Trevor the Lassie-Impersonator on
Saturday morning, I slipped and fell flat on my back. Twice. It took a good
half-hour to dig my car out of its icy cocoon, and I drove all of two blocks
to the Handy Pantry on Echo Avenue before turning around and going back home
for another couple hours. When I finally got to the studio at about 10:00
a.m., I found that all my students had cancelled, due to the weather. It was
the first time ever that they did NOT paint a green stripe down 5th Avenue
for the St. Patrick’s day parade.

Looking forward to more regular editions of The Irregular Seasonal Howl,
I remain your trusted Coyote in residence,
Douglas Baldwin

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 07:38:54 2007
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From: "samba -" <sambacomet@hotmail.com>
Subject: Live 4 way co-located music
Date: Sun, 18 Mar 2007 00:38:50 -0700
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   1. Live 4-Way Co-Located Telematic Music (Cynthia Payne)


----------------------------------------------------------------------

Message: 1
Date: Sat, 17 Mar 2007 01:57:46 -0700
From: "Cynthia Payne" <cpayne@ucsc.edu>
Subject: [Emusic] Live 4-Way Co-Located Telematic Music
To: emusic@lists.meer.net
Message-ID: <web-138627490@iron.ucsc.edu>
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Please excuse duplicate notices:

100 Meeting Places
A Live Telepresence Four Way Co-Located Music
Improvisation Concert

    THIS Thursday, March 22, 2007
    @ 5:00 p.m.
    Engineering 2 Room 506, 510 (studio)
    Can't Attend? Tune in to a LIVE STREAM
    http://www.arts.rpi.edu/streaming/arts/iear_live.asx

In partial completion of Cynthia Payne's DANM MFA Thesis, a
campus-based location for an online concert between Pauline
Oliveros (RPI-New York), Chris Chafe (Stanford, CA), Sarah
Weaver (Loyola-Chicago), and Cynthia Payne (UCSC) in a
local ensemble featuring Richard Caceres, leaf tine, and
Cynthia Payne, with video art by Jamie Burkart, factotum,
and Phoenix Toews

http://danm.ucsc.edu/web/events

you are codially invited to a live telematic music concert:
hear musicians from four universities:

  @ rpi-new york: pauline oliveros, jonas braasch,
     and the tintintabulate ensemble;

  @ stanford: chris chafe, juan-pablo caceres, justin yang;

  @ loyola-chicago: sarah weaver conducts a soundpainting

  @ ucsc E2.510 ensemble: cynthia payne, leaf tine,
    richard caceres; video: jamie burkart, factotum, and
                                   phoenix toews

when: thursday, march 22nd @ 5:00 p.m.

where: engineering2, 5th floor, room 506
        and 510 (studio - signup for a seat)

_________________________________________________________________
5.5%* 30 year fixed mortgage rate. Good credit refinance. Up to 5 free 
quotes - *Terms 
https://www2.nextag.com/goto.jsp?product=100000035&url=%2fst.jsp&tm=y&search=mortgage_text_links_88_h2a5d&s=4056&p=5117&disc=y&vers=910

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 10:54:16 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: Live 4 way co-located music
Date: Sun, 18 Mar 2007 11:54:28 +0100
Organization: Moinlabs
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could you tell us about the technology used there? Ninjam? TubePlug? Own
design?

	Rainer
 

> 
>    1. Live 4-Way Co-Located Telematic Music (Cynthia Payne)
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 11:22:20 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: "self resonating" fretleess electric guitar -- ideas?
Date: Sun, 18 Mar 2007 12:22:13 +0100
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Hi,

Thought I should ask if someone on the list has experience and tips  
on this project. I'm thinking about rebuilding one of my guitars  
(probably a telecaster) into a fretless guitar. I'v been playing  
fretless guitar quite a lot in the past, but I was never happy with  
the short sustain. Today I'm playing my Stratocaster with "tone  
extention" provided by a tiny speaker cone gaffa taped to the neck's  
head, driven from an amplified signal tap taken from the guitar's  
pickups (i.e. a "poor mans Sustainiac"). So I just had the brilliant  
idea to combine these two somewhat dissatisfying experimental trips  
into something that actually works as a playable instrument to rely on.

Here are the details as I'm envisioning the process so far. Please  
comment if you know better methods:

- Taking off the frets. (done that before, no problem)
- Covering the fretboard with some super strong gloss (what's the  
best? The stuff you do floors with? Boats?)
- Tapping the signal (how to do this inside the guitar's electronics?  
Can I simply solder a "Y" connection somewhere? At the moment I'm  
tapping it from a Pod pedal with two outputs)
- Mounting the little speaker somewhere inside the instrument's body  
(eventually also the battery driven amp; a disassembled mini Marshall  
practice amp)
- Maybe I should as well think about a "power plug-in" jack on this  
guitar? (batteries tend to let you down)

My idea is to use flat strings for a murky sound and minimal string  
noise during the glissandi.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


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From: Bernhard Wagner LD <loopdelightml-NDI3MDE=-@bernhardwagner.net>
Subject: Re: "self resonating" fretleess electric guitar -- ideas?
Date: Sun, 18 Mar 2007 12:33:07 +0100
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A guitarist I once jammed with could give you information about  
sealing the freatboard. He has successfully converted a Strat into a  
fretless guitar and it was awesome to play. His name is William  
Taylor Prichard. You can find his email address on his webpage:
http://www.timespacemusic.com

Please say Hi from me!
Bernhard

On 18.03.2007, at 12:22, Per Boysen wrote:

> - Covering the fretboard with some super strong gloss (what's the  
> best? The stuff you do floors with? Boats?)

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 12:23:52 2007
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Subject: Re: "self resonating" fretleess electric guitar -- ideas?
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Per Boysen wrote:
> Hi,
> 
> Thought I should ask if someone on the list has experience and tips on 
> this project. I'm thinking about rebuilding one of my guitars (probably 
> a telecaster) into a fretless guitar. I'v been playing fretless guitar 
> quite a lot in the past, but I was never happy with the short sustain. 

Sustain increases a lot if you can use your fingernail to hold the string down.

> Today I'm playing my Stratocaster with "tone extention" provided by a 
> tiny speaker cone gaffa taped to the neck's head, driven from an 
> amplified signal tap taken from the guitar's pickups (i.e. a "poor mans 
> Sustainiac"). So I just had the brilliant idea to combine these two 
> somewhat dissatisfying experimental trips into something that actually 
> works as a playable instrument to rely on.
> 
> Here are the details as I'm envisioning the process so far. Please 
> comment if you know better methods:
> 
> - Taking off the frets. (done that before, no problem)

You were lucky.
Sometimes this alters the tension in the fingerboard and the neck goes banana.
(or so I hear, not actually seen this happen)

One way is to file down the frets. 


A neat way to get the neck really flat is attach sandpaper to a mirror with double sided tape.
( has to be a mirror, then if reflection is accurate you know it's flat)
 

> - Covering the fretboard with some super strong gloss (what's the best? 
> The stuff you do floors with? Boats?)

The stuff for boats definitely.
Epoxy paint with a tube of hardener. 

> - Tapping the signal (how to do this inside the guitar's electronics? 
> Can I simply solder a "Y" connection somewhere? 

Just Y connecting will probably affect the tone/volume 

> At the moment I'm 
> tapping it from a Pod pedal with two outputs)
> - Mounting the little speaker somewhere inside the instrument's body 
> (eventually also the battery driven amp; a disassembled mini Marshall 
> practice amp)
> - Maybe I should as well think about a "power plug-in" jack on this 
> guitar? (batteries tend to let you down)
> 
> My idea is to use flat strings for a murky sound and minimal string 
> noise during the glissandi.

I played fretless bass for years, and only tried flatwound once.
Roundwound don't have a noise problem with glissandi.
...and a murky sound is v.easy to get by technique.

An interesting fretless guitarist is
Erkan OÄŸur 
( Erkan Ogur is that doesn't format)
...uses an ebow for sustain

andy butler

> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://tinyurl.com/2kek7h (CC donationware music releases)
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 13:09:47 2007
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Date: Sun, 18 Mar 2007 06:09:46 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: "self resonating" fretleess electric guitar -- ideas?
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You should talk to Ned Evett.  He's a great fretless guitarist who
uses a Fernandes Sustainer guitar that he's made fretless (he also
loops a bit and he's modded all sorts of guitars to be fretless).
He's done a lot of experimentation in this area.

http://www.nedevett.com/

TravisH

On 3/18/07, Per Boysen <perboysen@gmail.com> wrote:
> Hi,
>
> Thought I should ask if someone on the list has experience and tips
> on this project. I'm thinking about rebuilding one of my guitars
> (probably a telecaster) into a fretless guitar. I'v been playing
> fretless guitar quite a lot in the past, but I was never happy with
> the short sustain. Today I'm playing my Stratocaster with "tone
> extention" provided by a tiny speaker cone gaffa taped to the neck's
> head, driven from an amplified signal tap taken from the guitar's
> pickups (i.e. a "poor mans Sustainiac"). So I just had the brilliant
> idea to combine these two somewhat dissatisfying experimental trips
> into something that actually works as a playable instrument to rely on.
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 13:21:42 2007
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From: Darren Nelsen <darren@curiomusic.com>
Subject: Re: RC-50 Some wav files don't work
Date: Sun, 18 Mar 2007 09:21:37 -0400
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So, no one else is having this problem?

One idea I have is that the 'wav' files in question are not actually  
wav files. I'll dig into this and see what I can find.


On Mar 15, 2007, at 10:22 AM, Darren Nelsen wrote:

> I'm using an RC-50 with a Mac (OS X v10.4.9). I notice that  
> sometimes when I import wav files to the RC-50, some of them don't  
> work. They show up when I'm connected via USB, but when I  
> disconnect and bring up the patch on the RC-50... nothing! Does  
> anyone know what this is about? Other wav files work fine. I know  
> I'm naming them all correctly when I transfer them. Has anyone else  
> experienced this... have a solution? Thanks!!

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 15:40:23 2007
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: "self resonating" fretleess electric guitar -- ideas?
Date: Sun, 18 Mar 2007 07:40:22 -0800
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Per,

I have never owned a fretless guitar -- nor ever tried to make one. My 
advice is
strictly regarding the other half of your project. Your efforts at a 
DIY "Sustainiac."

Long before I ever became such a big fan of the original Sustainiac I 
also
experimented with placing small speakers on an old ES-335 copy that
I played with all throughout the '70s. I had rather very mixed results 
though.

Getting feedback (enhanced sustain) of the notes I wanted in a 
predictable
fashion was the problem I most encountered when trying to put the 
speaker on
or within the body of the guitar. Getting feedback when I didn't want 
it was the
next most difficult aspect. Control was the issue

Putting it on the headstock seemed to work best. I couldn't 
authoritatively really
say why -- not being a luthier or acoustical scientist. But, my guess 
would be
that the body was too resonant in a wide range of frequencies. Driving 
the
strings from the headstock gave that extra vibrating energy less of a 
place
to go -- other than back to the strings.

Once I figured out that -- and the old Sustainiac Model B had appeared 
on the
market in the mid 80s anyway -- I figured, "Why not use a commercial 
product."
I'd already bought my first chrome Ebow in 1980 and IT was working out 
pretty well
(if for only one string at a time). I picked up a Sustainiac a few 
years later and
was totally hooked.

Yes, the Sustainiac is clunky and funky and you've got a little black 
box and an exra
black wire hanging from your headstock. But the darn thing works so 
well -- at least
it has for me. In addition to my original Model B, I purchased the new 
Model C a few
years back and it works like a charm.

Anywho, if you are still in DIY mode, stick with placing it on the 
headstock somehow.
I know it is not as hidden and "stealthy" of an effect that way. But it 
works better IMOHO.
Also, I got the best results from small self-powered speakers I got 
from Radio Shack.
They probably don't have Radio Shack in Sweden, but I imagine they have 
similar
stores for electronic do-it-yourselfers.

If I remember correctly. Didn't you receive and do a magazine review of 
a Sustainiac
device in Sweden a few years back? Being an old guy my mind plays 
tricks on me.
How did it work out for you?

Best regards,

Ted Killian

> On 3/18/07, Per Boysen <perboysen@gmail.com> wrote:
>> Hi,
>>
>> Thought I should ask if someone on the list has experience and tips
>> on this project. I'm thinking about rebuilding one of my guitars
>> (probably a telecaster) into a fretless guitar. I'v been playing
>> fretless guitar quite a lot in the past, but I was never happy with
>> the short sustain. Today I'm playing my Stratocaster with "tone
>> extention" provided by a tiny speaker cone gaffa taped to the neck's
>> head, driven from an amplified signal tap taken from the guitar's
>> pickups (i.e. a "poor mans Sustainiac"). So I just had the brilliant
>> idea to combine these two somewhat dissatisfying experimental trips
>> into something that actually works as a playable instrument to rely 
>> on.

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 15:42:10 2007
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Date: Sun, 18 Mar 2007 11:42:07 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: "self resonating" fretleess electric guitar -- ideas?
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Per,

You should check out the DIY (do it yourself) section of the Unfretted
website at <http://www.unfretted.com/loader.php?LINK=unfretting>.
You'll find lots of info about both the unfretting process and about
attaching a sustainer.  I'm sure you could find other folks with info
in the Unfretted forums as well.

Good luck.  I've always be curious about unfretting, but have never
taken the plunge myself.

Todd


On 3/18/07, Per Boysen <perboysen@gmail.com> wrote:
> Hi,
>
> Thought I should ask if someone on the list has experience and tips
> on this project. I'm thinking about rebuilding one of my guitars
> (probably a telecaster) into a fretless guitar. I'v been playing
> fretless guitar quite a lot in the past, but I was never happy with
> the short sustain. Today I'm playing my Stratocaster with "tone
> extention" provided by a tiny speaker cone gaffa taped to the neck's
> head, driven from an amplified signal tap taken from the guitar's
> pickups (i.e. a "poor mans Sustainiac"). So I just had the brilliant
> idea to combine these two somewhat dissatisfying experimental trips
> into something that actually works as a playable instrument to rely on.
>
> Here are the details as I'm envisioning the process so far. Please
> comment if you know better methods:
>
> - Taking off the frets. (done that before, no problem)
> - Covering the fretboard with some super strong gloss (what's the
> best? The stuff you do floors with? Boats?)
> - Tapping the signal (how to do this inside the guitar's electronics?
> Can I simply solder a "Y" connection somewhere? At the moment I'm
> tapping it from a Pod pedal with two outputs)
> - Mounting the little speaker somewhere inside the instrument's body
> (eventually also the battery driven amp; a disassembled mini Marshall
> practice amp)
> - Maybe I should as well think about a "power plug-in" jack on this
> guitar? (batteries tend to let you down)
>
> My idea is to use flat strings for a murky sound and minimal string
> noise during the glissandi.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://tinyurl.com/2kek7h (CC donationware music releases)
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 16:00:27 2007
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Date: Sun, 18 Mar 2007 16:00:26 +0000
From: Os <os@collective.co.uk>
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Hi,

I mentioned this a few weeks ago, and there seemed to be some genuine
interest in amongst the obligatory slew of requests for a PC version.
:)

Anyway, it's properly out now.

http://www.collective.co.uk/expertsleepers/xfadelooper.html


cheers,
os.

-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 17:12:35 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: "self resonating" fretleess electric guitar -- ideas?
Date: Sun, 18 Mar 2007 18:12:29 +0100
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On 18 mar 2007, at 16.42, Todd Pafford wrote:
> Unfretted website at
> <http://www.unfretted.com/loader.php?LINK=3Dunfretting>.

What a great resource that site is! Thank you.


On 18 mar 2007, at 16.40, tEd =AE kiLLiAn wrote:
> Putting it on the headstock seemed to work best.

That's my finding to, with the DIY Poor Mans Sustaniac I mocked up. =20
Ted, do you think the electro-acoustic type that you have is in some =20
way better than the magnetic (the Stealth Plus)? I'm not sure I can =20
play a Telecaster with some extra weight added to the head stock. =20
It's already incorrectly balanced as the stock default version. One =20
thought, but you need to verify it by hands-on experience, is that =20
the electro-acoustic one can be nicer to play because it works on the =20=

wood of the instrument in a mechanical way?


> If I remember correctly. Didn't you receive and do a magazine =20
> review of a Sustainiac
> device in Sweden a few years back? Being an old guy my mind plays =20
> tricks on me.
> How did it work out for you?

I was going to buy one and a friend in Sweden should pick it up for =20
me at NAMM. But he forgot about it. A test review was scheduled but =20
never happened because I didn't get my hands on one.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 17:23:24 2007
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Subject: Re: "self resonating" fretleess electric guitar -- ideas?
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Just in response to the self-resonating part, instead of making any 
modifications to the guitar itself I've often cranked up a 
battery-powered amp on a stool to my left, pointed it toward me so the 
audience doesn't have to hear it and fed it from a Y-cable. When I want 
to sustain a note, I just press the headstock right up against the amp 
housing. It's less predictable than an actual Sustainiac, but I like 
being able to control it with a physical motion, as well as not having 
to deal with cords and heavy crap on my headstock.

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 17:49:39 2007
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Date: Sun, 18 Mar 2007 13:49:36 -0400
From: "Jim Goodin" <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: "self resonating" fretleess electric guitar -- ideas?
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per I've been playing fretless pretty much exclusively since this past
December and loving it.  I had thought about fairly seriously modding
one of my guitars to the 'village of the unfretted'.  on the unfretted
site someone else has already listed in this thread there is much doc
on the process.  in the end however I decided to purchase a generic
'adamas' style acoustic-electric off ebay which I got for $132 with
shipping.  its been a gem and great experiece thusfar.

I mention this to say though there is an advantage to modding what you
have but for me in the end time against money.

the sustain does become different, for me most noticeable on some of
the tapping that I do.  however what I've found is the fretless
becomes its own animal and not just a guitar without frets.

flatwounds are the way to go as no squeaking and doesn't eat away at the neck.

a great resource on the frettless world is a guy who really inspired
me in this path named Michael Vick.  http://www.themickevicktrip.com
(may have site wrong right now).

Jim Goodin
http://www.jimgoodinmusic.com
http://www.chinapaintingmusic.com

post.. playing slide on the fretless just becomes the best...

On 3/18/07, Per Boysen <perboysen@gmail.com> wrote:
> Hi,
>
> Thought I should ask if someone on the list has experience and tips
> on this project. I'm thinking about rebuilding one of my guitars
> (probably a telecaster) into a fretless guitar. I'v been playing
> fretless guitar quite a lot in the past, but I was never happy with
> the short sustain. Today I'm playing my Stratocaster with "tone
> extention" provided by a tiny speaker cone gaffa taped to the neck's
> head, driven from an amplified signal tap taken from the guitar's
> pickups (i.e. a "poor mans Sustainiac"). So I just had the brilliant
> idea to combine these two somewhat dissatisfying experimental trips
> into something that actually works as a playable instrument to rely on.
>
> Here are the details as I'm envisioning the process so far. Please
> comment if you know better methods:
>
> - Taking off the frets. (done that before, no problem)
> - Covering the fretboard with some super strong gloss (what's the
> best? The stuff you do floors with? Boats?)
> - Tapping the signal (how to do this inside the guitar's electronics?
> Can I simply solder a "Y" connection somewhere? At the moment I'm
> tapping it from a Pod pedal with two outputs)
> - Mounting the little speaker somewhere inside the instrument's body
> (eventually also the battery driven amp; a disassembled mini Marshall
> practice amp)
> - Maybe I should as well think about a "power plug-in" jack on this
> guitar? (batteries tend to let you down)
>
> My idea is to use flat strings for a murky sound and minimal string
> noise during the glissandi.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://tinyurl.com/2kek7h (CC donationware music releases)
>
>
>


-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull
Guitars - http://www.seagullguitars.com, Jim Goodin is published by
Mel Bay Publications, Inc. - http://www.melbay.com

Associates and friends on the web -
Daryl Shawn -
http://www.swanwelder.com
Adam Werner - http://www.adamwerner.com
John Stowell - http://www.johnstowell.com
Matt Richards - http://www.mattrichardsmusic.net
Michael Manring - http://www.manthing.com
Will Ackerman - http://www.williamackerman.com
New Land Music - http://www.newlandmusic.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 18:17:46 2007
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Date: Sun, 18 Mar 2007 11:17:38 -0700
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Subject: Re: "self resonating" fretleess electric guitar -- ideas?
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A couple years ago I picked up a Fernandes fretless with sustainer from:
http://www.fretlessguitar.com

At the time they offered hexaphonic pickups and sustainers on the 
Fernandes guitars they sell, but they don't seem to now.

I think Ned Everett is associated with this site.

-C

-- 
Chris Muir           | "There are many futures and only one status quo.
cbm@well.com         |  This is why conservatives mostly agree,
http://www.xfade.com |  and radicals always argue." - Brian Eno

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 18:52:31 2007
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Subject: Re: Crossfade Loop Synth (Effect) v3 now officially released
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Very cool! Now, when does the PC version come out? :-)
----- Original Message ----- 
From: "Os" <os@collective.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 18, 2007 9:00 AM
Subject: Crossfade Loop Synth (Effect) v3 now officially released


> Hi,
> 
> I mentioned this a few weeks ago, and there seemed to be some genuine
> interest in amongst the obligatory slew of requests for a PC version.
> :)
> 
> Anyway, it's properly out now.
> 
> http://www.collective.co.uk/expertsleepers/xfadelooper.html
> 
> 
> cheers,
> os.
> 
> -- 
> os@collective.co.uk
> http://www.collective.co.uk/
> http://www.myspace.com/darkroomtheband
> 
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 20:19:51 2007
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Date: Sun, 18 Mar 2007 15:19:48 -0500
From: "Seth Hain" <seth.hain@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Introductory Looper
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Hello,

I'm looking for an introductory looper.  I've been looking at the
DigiTech JamMan.  The material on it states that one may record up to
99 loops.  As I'm new to these I want to make sure it will do what I
want, mainly be able to on-the-fly record a sample and start it
looping and then record another sample and start it looping and
continue in these manner and then subtract off the loops in any order
I want.  Is this feasible with the JamMan.  Did I just describe a
looper in general?  Any help would be appreciated.

Thanks,
Seth

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 21:29:40 2007
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: "self resonating" fretleess electric guitar -- ideas?
Date: Sun, 18 Mar 2007 13:29:35 -0800
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Per,

Well, the electro-acoustic (or electro-mechanical) ones seem to work 
more like real guitar-amp feedback -- something a lot of us understand 
quite well -- only much more predictably.

It's all a matter of what seems right (and useful) to the player though.

After becoming long familiar with my Sustainiac Model B I would 
annually stop by Alan Hoover's booth at NAMM and say "thank you."

He's a very personable and open sort of guy.

Every time he'd let me try his new gadget (whatever it was, improved 
versions, etc.).

More than once I spent some time with the "Stealth" type trying to 
figure it out too.

He, got to where my being in the booth enabled him to go get a bite to 
eat (he was running it by himself).

He'd leave me playing stuff for a half hour at a time.

But I just never warmed to the "Stealth" models.

The sound wasn't the same.

My ability to control it wasn't the same.

It was just different -- not better or worse -- just different.

It may have had just as much to do with the fact that it was all 
unfamiliar (wrong guitar, wrong amp, wrong tuning, wrong FX, wrong 
environment).

I am not a "Strat" guy -- prefering Gibsons generally -- and I tune all 
of my guitars in weird ways (leaning towards open Major Sus4 
tonalities).

So my rejection of stealthy pick up sustainers should be taken with a 
grain of salt.

I also liked the idea that the headstock models could work with ANY 
steel-stringed guitar I owned.

I never play a guitar without one of the doggone things now (unless I'm 
playing privately in my living room) it has so very much become part of 
how I think of my own guitar playing.

Playing without that extra control over how the note lingers in the air 
seems flat and uninteresting to me.

As you said once before, sustainers are like breath control on a wind 
instrument.

Feedback sustain can give a guitar a certain vocal-like quality.

I am used to working with that.

As for balance, my Gibson is rather heavy anyway.

A little transducer on the headstock hardly has much effect.

I also play seated a lot -- not always but more than half the time.

I am a ridiculously bad dancer too.

If people want to see someone jump around and move a lot while playing 
they need to go see someone else -- not me, heheh.

It's a bit more of a problem on my Danelectro Baritone guitar.

It is both light and has a ridiculously long neck.

The transducer DOES put that uncomfortably out of balance.

Does this help?

Best regards,

Ted Killian

On Mar 18, 2007, at 9:12 AM, Per Boysen wrote:

> That's my finding to, with the DIY Poor Mans Sustaniac I mocked up. 
> Ted, do you think the electro-acoustic type that you have is in some 
> way better than the magnetic (the Stealth Plus)? I'm not sure I can 
> play a Telecaster with some extra weight added to the head stock. It's 
> already incorrectly balanced as the stock default version. One 
> thought, but you need to verify it by hands-on experience, is that the 
> electro-acoustic one can be nicer to play because it works on the wood 
> of the instrument in a mechanical way?

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 21:43:27 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: "self resonating" fretleess electric guitar -- ideas?
Date: Sun, 18 Mar 2007 22:43:17 +0100
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On 18 mar 2007, at 22.29, tEd =AE kiLLiAn wrote:
8< 8< 8< 8< 8< 8< 8<
> Does this help?


Your last post helps a lot, Ted. Thanks for taking the time. I think =20
the electro-acoustic "C model" Sustainiac would be best for me. I'm =20
quite experienced with controlling acoustic feedback from years of =20
playing in bands, standing right beside my tube top plus cabinet. =20
Hand muting and swaying for optimal feedback acoustics are still =20
second nature to my playing. I guess I can cut down on the swaying =20
with the C model though ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 22:10:29 2007
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Subject: RE: Looping in OZ :: RC-## question
Date: Mon, 19 Mar 2007 08:40:20 +1030
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G'day Luis,
I think the RC-20 models may be the way to go then. I think you can turn
the quantise off.  I play a few things in odd time signatures so that
would be a problem.  The 20's seem to be coming down in price too. Also
I don't think you can step thru the preset loops with the RC-2 like you
can with the others.
CHeers
Rob McDade


-----Original Message-----
From: L.A. Angulo [mailto:labaloops@yahoo.com]=20
Sent: Friday, 16 March 2007 4:20 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Looping in OZ :: RC-## question

Hey Rob!
I have just purchased the RC-2 which is being tested
in my compact pedalboard which has some basic efx,
plus a DD-20 as well.I am not sure if i want to keep
the RC-2...there are 2 things that really piss me
off,one is not being able to loop without having your
loop automatically quantizised and having to hear the
loop while erasing it after u have stopped it,grrrr!
But good tool to rehearse those dusty blues,teach and
plently of cheesy drum loops!
Luis




> Size and budget is a major factor. The RC -2 retails
> for about $300-330
> AUS - less on ebay. It should also fit nicely into
> my new custom made
> pedal board - which I haven't designed yet. Gotta
> put a new kitchen in
> my house first.
>=20
> Any suggestions?
>=20
> Rob McDade
>=20
>=20


www.myspace.com/luisangulocom


=20
________________________________________________________________________
____________
Finding fabulous fares is fun. =20
Let Yahoo! FareChase search your favorite travel sites to find flight
and hotel bargains.
http://farechase.yahoo.com/promo-generic-14795097

From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 22:23:32 2007
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Date: Sun, 18 Mar 2007 15:23:27 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: fretless guitar feedback
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Howdy,

 As much luk as i have had with the radio shack
273-064 transducer, I think i'll tape one to my
headstocks and try diving it with lower poe=wered amp.
maybe with a volume ppedal for control.
rig


 
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 22:28:28 2007
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Date: Sun, 18 Mar 2007 15:28:25 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: fretless guitar sustain
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Howdy,

 If you possibly can getahold of timothy Donahue. He
put out a video years ago playing a fretless "guitar
harp" the most awesome solo performance I have ever
seen. Try and get a hold of him. Fretless guitarist
for over 20 years.I'm sure he'd be awealth of
information.
Rig


 
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 18 23:56:09 2007
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Date: Sun, 18 Mar 2007 16:56:02 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: New #/loopchat channel on IRC (FOR NERDS!)
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Hi fellow NERDS! (or geeks, dorks, what ever)

Years ago I started dating a girl who did a ton of
chatting over ol'school IRC (Internet Relay Chat).  At
first I thought they were purely for silly
pick-up/flirt times, but she assured me that it
wasn't, but was instead a way for instantanious
communication between a community of friends.

I reluctantly joined and ended up meeting a ton of
people that I now call my friends, in a similar way to
the people here I've met who I call friends.  We often
hang out in the real world as well.  Often meetings
are initated via chat in a very spontanious way. 
(Hey, anyone on line want to meet for sushi?)

So anyway, what I've done is created a channel for us.
 It's simple to join.  First you need an IRC client. 
There are free ones for the Mac or XP world.  I go to
versiontracker.com and do a search on "irc" and a
bunch come up.  I'm using colloquy for Mac OSX but
there's also visualIRC for XP (it's not as friendlly
though so I'm sure you can do better, I just don't use
my PC for s such things.

Anyway, think of it as a way to augment the LD list. 
A kind of continual virtual coctail party, where if
your board and/or lonely you can log on and say, "HEY,
has anyone ever had quantize problems with an
Echoplex?" or something like that.  Of course the
topic can be (I hope) as varied and often off topic as
LD can be, but hopefully it can hover around loop
based music.

So, in the client of your choice put in
electricrain.com as your irc channel.  Then type /join
#/loopchat and you'll be in.  It's an experiement that
I'm not sure will work, but why not?  

Cheerio,

Mark


 
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 00:21:54 2007
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Date: Sun, 18 Mar 2007 17:21:49 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: New #/loopchat channel on IRC (FOR NERDS!)
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Here are some links for more info:

http://www.mirc.com/irc.html

http://en.wikipedia.org/wiki/Internet_Relay_Chat

http://www.irchelp.org/


 
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From: Darren Nelsen <darren@curiomusic.com>
Subject: Re: Introductory Looper
Date: Sun, 18 Mar 2007 21:17:13 -0400
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I hate to make a blanket statement, but in my book, anything Digitech  
= crap in terms of production quality. In other words, it'll break.  
I've never been happy with any Digitech device I've ever had. (Had to  
send one device back to the manufacturer twice, and it still broke.)  
Even sales reps point me away from Digitech when I ask about  
durability. This seems to be notorious with Digitech.

I'm a fairly new looper too. I just purchased the Boss RC-50. I love  
it. It does what you've described (pretty much), but there's a limit  
to the amount of subtractions you can do. You have three "phrases"  
that you can record to, layer onto. You can drop any one of the  
phrases out at any time, bring them back, or re-record them. It has  
99 patches and you can switch between patches on the fly, tho there  
seems to be some glitch that's been reported here on the list. (I  
don't switch between patches within a single composition, so not an  
issue for me.)

Darren

On Mar 18, 2007, at 4:19 PM, Seth Hain wrote:

> Hello,
>
> I'm looking for an introductory looper.  I've been looking at the
> DigiTech JamMan.  The material on it states that one may record up to
> 99 loops.  As I'm new to these I want to make sure it will do what I
> want, mainly be able to on-the-fly record a sample and start it
> looping and then record another sample and start it looping and
> continue in these manner and then subtract off the loops in any order
> I want.  Is this feasible with the JamMan.  Did I just describe a
> looper in general?  Any help would be appreciated.
>
> Thanks,
> Seth

From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 01:30:32 2007
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From: John Schur <john.schur@gmail.com>
Subject: Re: Introductory Looper
Date: Sun, 18 Mar 2007 21:30:18 -0400
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I agree regarding the Digitech..  I had mine for a little over a year  
when the Stop/Tempo pedal started malfunctioning.  Digitech fixed it  
under warranty, but still, it appears they do earn the reputation for  
faulty gear.  Since then, I have acquired a Gibson Echoplex Digital  
Pro Plus...  actually, I had to return the first one...  it kept  
crashing.   It it certainly a more full-featured device.. a tad on  
the expensive side, but worth it in my opinion.  Now I just use the  
JamMan to capture loops from the EDP.  The USB connection on the  
JamMan is a much simpler means of getting the files to the computer  
than a midi dump.

Regards

John




On Mar 18, 2007, at 9:17 PM, Darren Nelsen wrote:

> I hate to make a blanket statement, but in my book, anything  
> Digitech = crap in terms of production quality. In other words,  
> it'll break. I've never been happy with any Digitech device I've  
> ever had. (Had to send one device back to the manufacturer twice,  
> and it still broke.) Even sales reps point me away from Digitech  
> when I ask about durability. This seems to be notorious with Digitech.
>
> I'm a fairly new looper too. I just purchased the Boss RC-50. I  
> love it. It does what you've described (pretty much), but there's a  
> limit to the amount of subtractions you can do. You have three  
> "phrases" that you can record to, layer onto. You can drop any one  
> of the phrases out at any time, bring them back, or re-record them.  
> It has 99 patches and you can switch between patches on the fly,  
> tho there seems to be some glitch that's been reported here on the  
> list. (I don't switch between patches within a single composition,  
> so not an issue for me.)
>
> Darren
>
> On Mar 18, 2007, at 4:19 PM, Seth Hain wrote:
>
>> Hello,
>>
>> I'm looking for an introductory looper.  I've been looking at the
>> DigiTech JamMan.  The material on it states that one may record up to
>> 99 loops.  As I'm new to these I want to make sure it will do what I
>> want, mainly be able to on-the-fly record a sample and start it
>> looping and then record another sample and start it looping and
>> continue in these manner and then subtract off the loops in any order
>> I want.  Is this feasible with the JamMan.  Did I just describe a
>> looper in general?  Any help would be appreciated.
>>
>> Thanks,
>> Seth
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 02:02:37 2007
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Date: Sun, 18 Mar 2007 19:02:25 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Introductory Looper
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--- Darren Nelsen <darren@curiomusic.com> wrote:

> I hate to make a blanket statement, but in my book,
> anything Digitech  
> = crap in terms of production quality. In other
> words, it'll break. 

Really?  I've owned lots of Digitech devices (my first
looper, in fact) and I've never had a single one break
or fail in any way.  I wasn't thrilled with their
latest guitar processors, and perhaps they've gone
down hill, but I'd be careful of making blanket
statements like that.

Mark


 
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 05:14:53 2007
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Date: Sun, 18 Mar 2007 21:14:50 -0800
From: "Ian Miller" <miller.ian@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Suggest a foot controller for my new Eventide!
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Hi, all. Just picked up an H3000B/SE, and I'm in the market for a MIDI foot
controller. What's available, and what's the best bang for the buck?

Thanks!

-ian

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Hi, all. Just picked up an H3000B/SE, and I&#39;m in the market for a MIDI foot controller. What&#39;s available, and what&#39;s the best bang for the buck?<br><br>Thanks!<br><br>-ian<br>

------=_Part_42186_23905745.1174281290880--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 05:19:30 2007
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Subject: Re: Suggest a foot controller for my new Eventide!
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On Mar 19, 2007, at 12:14 AM, Ian Miller wrote:

> Hi, all. Just picked up an H3000B/SE, and I'm in the market for a  
> MIDI foot controller. What's available, and what's the best bang  
> for the buck?

I suppose it depends on what you want it to do. But, that said, the  
two best MIDI foot controllers for guitar players who are trying to  
control rack gear are Axess Electronics FX-1 and Skrydstrup R&D. I  
have the Axess FX-1. Neither are cheap, however.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 05:22:36 2007
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Nobels MF-2 is a nice one, small and sturdy.  I got one of ebay right
now if you are interested.

http://cgi.ebay.com/Nobels-MF-2-Midi-Foot-Controller-LIKE-NEW_W0QQitemZ190093195569QQcategoryZ308QQssPageNameZWDVWQQrdZ1QQcmdZViewItem


On 3/19/07, Jeff Shirkey <jcshirke@midway.uchicago.edu> wrote:
>
> On Mar 19, 2007, at 12:14 AM, Ian Miller wrote:
>
> > Hi, all. Just picked up an H3000B/SE, and I'm in the market for a
> > MIDI foot controller. What's available, and what's the best bang
> > for the buck?
>
> I suppose it depends on what you want it to do. But, that said, the
> two best MIDI foot controllers for guitar players who are trying to
> control rack gear are Axess Electronics FX-1 and Skrydstrup R&D. I
> have the Axess FX-1. Neither are cheap, however.
>
> Jeff
>
>

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Date: Mon, 19 Mar 2007 02:38:39 -0400
From: "Tom Ritchford" <tom@swirly.com>
Sender: tom.ritchford@gmail.com
To: Loopers-Delight <loopers-delight@loopers-delight.com>
Subject: loop venue in Budapest?; and, 9V extender cord?
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Hello, loopers all.  Sorry for no word, it's been busy.

I'll be in Budapest next week -- any of you have any good contacts
there for a place I could do a 45 minute show?  Sample at
http://ax.to/PourT.mp3 or http://TomRitchford.com/music

I have one of those little devices that power multiple 9V items.  I
realize that one of my items should sit on the floor and the rest on a
table.  Is there some extender that will run from my Godlyke/similar
power supply and extend the default 9V power supply plug?

-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

From sholzman@nls.at  Mon Mar 19 08:49:45 2007
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 09:27:38 2007
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Is anyone else receiving the digest mails, and finding the formatting
all wrong? There don't seem to be any headers on the individual mails
any more, making it very hard to find a specific post of interest
within the mail.


cheers,
os.

-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 09:40:49 2007
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Subject: Editing profile
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I have lost my password. What can I do now to edit my profile.
Does anyone know?
Best,
Christo Jota
www.myspace.com/christojota

----- Original Message ----- 
From: <Loopers-Delight-d-request@loopers-delight.com>
To: <Loopers-Delight-d@loopers-delight.com>
Sent: Sunday, March 18, 2007 4:40 PM
Subject: Loopers-Delight-d Digest V07 #213


From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 14:03:07 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: "self resonating" fretleess electric guitar -- ideas?
Date: Mon, 19 Mar 2007 15:03:02 +0100
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On 18 mar 2007, at 13.23, andy butler wrote:

> Sometimes this alters the tension in the fingerboard and the neck  
> goes banana.
> (or so I hear, not actually seen this happen)


Here's a quote from www.unfretted.com:

> One quick note: If your neck is not reinforced with a truss rod or  
> similar you will need to fill the frets with something like a  
> superglue and wood dust mix. This will stop the neck bowing under  
> the tension of the strings

Maybe, after all, that's better then filing down the frets?

per

From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 14:57:53 2007
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Date: Mon, 19 Mar 2007 10:57:07 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: "self resonating" fretleess electric guitar -- ideas?
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Oh people people!  Please do not file the frets!!

The uneven density between the wood and metal wil prevent you from 
ever getting a properly smoothed fingerboard.

I've de-fretted bass guitars and I used a combination of maple 
sawdust (fine grit sandpaper was used to generate the dust, and it 
should be literally dust), india ink and wood glue. The india ink 
makes the resulting filler black.  I would not recommend 'super 
glue', it sets up too quickly and is not a structural cement. Wood 
glue works perfectly.

After the slots are filled, the fingerboard should be re-radiused 
using the proper sanding equipment.

-CZ

>On 18 mar 2007, at 13.23, andy butler wrote:
>
>>Sometimes this alters the tension in the fingerboard and the neck 
>>goes banana.
>>(or so I hear, not actually seen this happen)
>
>
>Here's a quote from www.unfretted.com:
>
>>One quick note: If your neck is not reinforced with a truss rod or 
>>similar you will need to fill the frets with something like a 
>>superglue and wood dust mix. This will stop the neck bowing under 
>>the tension of the strings
>
>Maybe, after all, that's better then filing down the frets?
>
>per


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 15:01:20 2007
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In a message dated 3/18/07 4:29:59 PM, tedkillian@charter.net writes:


> I also play seated a lot -- not always but more than half the time.
> 
> 

ted.....now you went and awoke the SLEEPING KIM!.....:).....thnak goodness 
you didn't mention your e-bow in this missive also.....yikes!.....michael

www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar10



**************************************
 AOL now offers free email to everyone. 
 Find out more about what's free from AOL at http://www.aol.com.

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/18/07 4:29:59 PM, tedkillian@charter.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">I also play seated a=20=
lot -- not always but more than half the time.<BR>
<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 15:27:26 2007
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Subject: Re: "self resonating" fretleess electric guitar -- ideas?
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Charles Zwicky wrote:
> 
> Oh people people!  Please do not file the frets!!
> 
> The uneven density between the wood and metal wil prevent you from ever 
> getting a properly smoothed fingerboard.
> 

Respect to Charles, just to share what info I have.


This is just my experience with one instrument.

I had the frets filed on my Fender Jazz Bass.
There was no problem whatsoever with getting the fingerboard smoothed.
Even though I didn't varnish the fingerboard.

The left over tangs actually added a bit more edge to the sound (but I had to 
set the intonation on the bridge "incorrectly" to make this work).

The only problem I had was with the pearl inlays.


As it happens, the way Fender made that bass (in about 1976) involved forcing the frets in under more 
tension than usual, thus causing the neck to bow back a bit. Pulling the frets out would have been unpredictable in terms of the final shape of the neck.

A popular alternative at one time (80's??) was to lightly sand the fingerboard without a sanding block after the fret filing and proper smoothing procedure. Apparently for a nice growly sound on vibratos (as long as you were dead accurate on intonation). 

andy butler

 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 16:17:58 2007
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Subject: Re: Introductory Looper
Date: Mon, 19 Mar 2007 12:17:53 -0400
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> Really?  I've owned lots of Digitech devices (my first
> looper, in fact) and I've never had a single one break
> or fail in any way.  I wasn't thrilled with their
> latest guitar processors, and perhaps they've gone
> down hill, but I'd be careful of making blanket
> statements like that.
>
> Mark


I've got to throw my .02 in here, I'm afraid. I've had terrible results with 
DigiTech equipment (guitar processors) for three reasons:
1    The basic pedal activation design is inherently flawed and certain to 
fail over time (foot switch compresses a rubber square that then depresses 
the switch on the circuit board). Rubber compresses and then hardens after 
time and doesn't bounce back anymore..
2    As far as the RP series goes, the pedals are so tiny and close together 
that you need to turn your foot on its edge to avoid hitting adjacent 
pedals.
3    Ridiculously long dropouts when switching between patches. Absolutely 
unacceptable for live performances.

For those reasons alone (and there are several more) I would never invest in 
another DT product again until I was certain that these issues were fully 
addressed.

Brian 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 16:19:17 2007
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Date: Mon, 19 Mar 2007 10:19:15 -0600
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this is a cool idea, Mark, thanks. I'll try to hop on now and then.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> So, in the client of your choice put in
> electricrain.com as your irc channel.  Then type /join
> #/loopchat and you'll be in.  It's an experiement that
> I'm not sure will work, but why not?  
>   

From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 18:50:04 2007
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 18:52:08 2007
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Date: Mon, 19 Mar 2007 10:48:46 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: New #/loopchat channel on IRC (FOR NERDS!)
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I'll try to log on as much as possible.  I noticed
someone logged in last night but no one was on.  These
things take time to reach critical mass.

Mark

--- Daryl Shawn <highhorse@mhorse.com> wrote:

> this is a cool idea, Mark, thanks. I'll try to hop
> on now and then.
> 
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
> 
> > So, in the client of your choice put in
> > electricrain.com as your irc channel.  Then type
> /join
> > #/loopchat and you'll be in.  It's an experiement
> that
> > I'm not sure will work, but why not?  
> >   
> 
> 



 
____________________________________________________________________________________
Finding fabulous fares is fun.  
Let Yahoo! FareChase search your favorite travel sites to find flight and hotel bargains.
http://farechase.yahoo.com/promo-generic-14795097

From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 20:29:20 2007
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Date: Mon, 19 Mar 2007 09:40:07 -0700
From: "Nic Roozeboom" <nicroozeboom@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Editing profile
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I'd like to second that question ;-). Thanks!
Nic

On 3/19/07, Chris@jtc.de <chris@jtc.de> wrote:
>
> I have lost my password. What can I do now to edit my profile.
> Does anyone know?
> Best,
> Christo Jota
> www.myspace.com/christojota
>
> ----- Original Message -----
> From: <Loopers-Delight-d-request@loopers-delight.com>
> To: <Loopers-Delight-d@loopers-delight.com>
> Sent: Sunday, March 18, 2007 4:40 PM
> Subject: Loopers-Delight-d Digest V07 #213
>
>
>


-- 
Nic Roozeboom

http://www.fractal-continuum.com
http://www.myspace.com/fractalcontinuum
http://www.myspace.com/nicroozeboom
http://www.cdbaby.com/fractal
http://fractal.bebo.com/

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I&#39;d like to second that question ;-). Thanks!<br>Nic<br><br><div><span class="gmail_quote">On 3/19/07, <b class="gmail_sendername"><a href="mailto:Chris@jtc.de">Chris@jtc.de</a></b> &lt;<a href="mailto:chris@jtc.de">chris@jtc.de
</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">I have lost my password. What can I do now to edit my profile.<br>Does anyone know?
<br>Best,<br>Christo Jota<br><a href="http://www.myspace.com/christojota">www.myspace.com/christojota</a><br><br>----- Original Message -----<br>From: &lt;<a href="mailto:Loopers-Delight-d-request@loopers-delight.com">Loopers-Delight-d-request@loopers-delight.com
</a>&gt;<br>To: &lt;<a href="mailto:Loopers-Delight-d@loopers-delight.com">Loopers-Delight-d@loopers-delight.com</a>&gt;<br>Sent: Sunday, March 18, 2007 4:40 PM<br>Subject: Loopers-Delight-d Digest V07 #213<br><br><br></blockquote>
</div><br><br clear="all"><br>-- <br>Nic Roozeboom<br><br><a href="http://www.fractal-continuum.com">http://www.fractal-continuum.com</a><br><a href="http://www.myspace.com/fractalcontinuum">http://www.myspace.com/fractalcontinuum
</a><br><a href="http://www.myspace.com/nicroozeboom">http://www.myspace.com/nicroozeboom</a><br><a href="http://www.cdbaby.com/fractal">http://www.cdbaby.com/fractal</a><br><a href="http://fractal.bebo.com/">http://fractal.bebo.com/
</a>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 19 21:17:09 2007
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Date: Mon, 19 Mar 2007 14:17:04 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Introductory Looper
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Yes,id second that,Digitech has perhaps great
engineering but poor reliability in my experience...
Luis



--- Carabee Computerr Solutions <compguy2@comcast.net>
wrote:

> 
> > Really?  I've owned lots of Digitech devices (my
> first
> > looper, in fact) and I've never had a single one
> break
> > or fail in any way.  I wasn't thrilled with their
> > latest guitar processors, and perhaps they've gone
> > down hill, but I'd be careful of making blanket
> > statements like that.
> >
> > Mark
> 
> 
> I've got to throw my .02 in here, I'm afraid. I've
> had terrible results with 
> DigiTech equipment (guitar processors) for three
> reasons:
> 1    The basic pedal activation design is inherently
> flawed and certain to 
> fail over time (foot switch compresses a rubber
> square that then depresses 
> the switch on the circuit board). Rubber compresses
> and then hardens after 
> time and doesn't bounce back anymore..
> 2    As far as the RP series goes, the pedals are so
> tiny and close together 
> that you need to turn your foot on its edge to avoid
> hitting adjacent 
> pedals.
> 3    Ridiculously long dropouts when switching
> between patches. Absolutely 
> unacceptable for live performances.
> 
> For those reasons alone (and there are several more)
> I would never invest in 
> another DT product again until I was certain that
> these issues were fully 
> addressed.
> 
> Brian 
> 
> 


www.myspace.com/luisangulocom


 
____________________________________________________________________________________
8:00? 8:25? 8:40? Find a flick in no time 
with the Yahoo! Search movie showtime shortcut.
http://tools.search.yahoo.com/shortcuts/#news

From Loopers-Delight-request@loopers-delight.com  Tue Mar 20 02:14:27 2007
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Date: Mon, 19 Mar 2007 19:14:22 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject:  OT: Fender FM212 DSP For Sale
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For anyone interested, I placed my mint condition Fender FM212 DSP amp on eBay. It's in like-new condition and contains all original acessories/manuals/box/hangtags.
   
  The amp has a lot going for it at the original $399 price point ( I placed mine on eBay starting at $299 with a buy it now of $325). I just bought a Vox AD60VTX on closeout and can't justify keeping the Fender around.
   
  Regards, Paul

http://cm.ebay.com/cm/ck/1065-29296-2357-0?uid=8627953&site=0&ver=LCA080805&item=180097350877&lk=URL

 
---------------------------------
 Get your own web address.
 Have a HUGE year through Yahoo! Small Business.
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<div>For anyone interested, I placed my mint condition Fender FM212 DSP amp on eBay. It's in like-new condition and contains all original acessories/manuals/box/hangtags.</div>  <div>&nbsp;</div>  <div>The amp has a lot going for it at the original $399 price point ( I placed mine on eBay starting at $299 with a buy it now of $325). I just bought a Vox AD60VTX on closeout and can't justify keeping the Fender around.</div>  <div>&nbsp;</div>  <div>Regards, Paul<BR><BR><A href="http://cm.ebay.com/cm/ck/1065-29296-2357-0?uid=8627953&amp;site=0&amp;ver=LCA080805&amp;item=180097350877&amp;lk=URL">http://cm.ebay.com/cm/ck/1065-29296-2357-0?uid=8627953&amp;site=0&amp;ver=LCA080805&amp;item=180097350877&amp;lk=URL</A></div><p>&#32;

<hr size=1>
<a href="http://us.rd.yahoo.com/evt=49678/*http://smallbusiness.yahoo.com/domains/?p=BESTDEAL"> Get your own web address.</a><br> Have a HUGE year through <a href="
http://us.rd.yahoo.com/evt=49678/*http://smallbusiness.yahoo.com/domains/?p=BESTDEAL">Yahoo! Small Business.</a>
--0-20993674-1174356862=:95925--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 20 02:47:09 2007
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
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	"The Ambient Way" <the_ambient_way@yahoogroups.com>,
	<vaguediscuss@vagueterrain.net>
Subject: PiNG iNTO SPRiNG WiTH 2 PiNG EVENTS NEXT WEEK!
Date: Mon, 19 Mar 2007 22:47:01 -0500
Organization: THE AMBiENT PiNG
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. THiS SUNDAY . A PiNG SOUND-iN-SPACE SOiREE:
  THE ZEN GARDEN PARTY - Buddha Machine Gathering #1
  @ the Allan Gardens Conservatory Greenhouses
  Sunday March 25th . 2PM - 4PM . FREE

. NEXT TUESDAY . DOWNTEMPO/CHiLLOUT NiGHT featuring
  REPAIR + ANACHRONIC XP
  LiVE iN THE UNDERGROUND - downstairs @ the DRAKE HOTEL
  Tuesday March 27th . 8PM - 11PM . PWYC (5$ suggested)

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE ZEN GARDEN PARTY - BUDDHA MACHINE GATHERING #1
@ the Allan Gardens Conservatory Greenhouses
(South side of Carlton St between Jarvis & Sherbourne St)
http://www.toronto.ca/parks/parks_gardens/allangdns.htm
This Sunday March 25th . 2PM - 4PM . FREE

. Bring your Buddha Machines and help create a living, moving
sound-in-space experience in the beautiful tropical gardens in
the Allan Gardens Conservatory. Hang-out and chill-out with
other peaceful spirits to enjoy a taste of Spring and a unique
sonic landscape. Bring your friends too - it's fun and it's free.
(Buddha Machines optional).

We'll concentrate our soundfield by gathering first in the
South-Western Greenhouse, so turn left (South) once you
enter the main doors and go through the South Greenhouse
with the fountain and then turn right (West) into the
South-Western Greenhouse where there's a circular path
to meander as well as places to sit, chill and absorb.

Don't forget to feed your Buddha Machine some freshly-charged
batteries to keep them droning.

What's a Buddha Machine?  http://www.fm3buddhamachine.com
Where do you get them?  Soundscapes - 572 College St., Toronto
(Tell them THE AMBiENT PiNG sent you).

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

03.27.07 . The PiNG Presents DOWNTEMPO/CHiLLOUT NiGHT 
featuring REPAIR + ANACHRONIC XP 
@ the UNDERGROUND downstaiirs @ the DRAKE HOTEL
1150 Queen St. W @ Beaconsfield . W of Ossington . E of Dufferin
Tuesday March 27th . 8PM - 11PM . PWYC (5$ suggested)

. What do you get when you cross a blushing singer with stage fright
and a pair of methodical twins? A powerhouse of tension: part boy,
part girl, and completely magnetic. A threesome known as Repair.

The techno trio Repair returns to the PiNG for the third time and
for the third year in a row. Join the musically uncompromising
twin brothers, Matt and Mark Thibideau, as they lay down the
beats behind the lush, sultry vocals of frontwoman Dawn Lewis.
http://www.repair-lab.com   http://www.myspace.com/repair

. Fresh from their ALMOST LiVE performance on PiNG RADiO
comes our new friends from Quebec, Anachronic XP.

Tired and bored of traditional hip-hop, Quebec City based
Anachronic XP began their experimentations in 1999 by evolving
their music into a mix of electronic soundscapes with hip-hop
beats and patterns. Anachronic XP is a fresh breath from the Quebec
electronic scene as they perform all the beats & scapes live onstage
with synths, samplers and control boards. Guitarist JFO joined the
band last year, bringing his flavour of slide guitar, effects and
synth to the mix. http://www.myspace.com/anachronicxp

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

COMiNG iN APRiL TO THE PiNG

04.24.07 .  The PiNG Presents KINDER ATOM +
SMASH 'n TEENY with visuals by ADDITIV
@ the UNDERGROUND downstairs @ the DRAKE HOTEL
1150 Queen St. W @ Beaconsfield . W of Ossington . E of Dufferin
Tuesday April 24th . 8PM - 11PM . PWYC (5$ suggested)
http://www.kinderatom.com
http://www.sarahpeebles.net/smash.htm
http://www.e-mu.org

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

CONTiNUiNG on AMBiENT PiNG RADiO:

the ALMOST LiVE MUSiC SERiES

A weekly show playing exclusive, unreleased material by some
of the PiNG's closest friends in the ambient, darkwave, chill and
electronic communities. Tune in to hear live performances,
works in progress, exclusive remixes and more!

March 19th . Love Puppets
March 26th . mara's torment
April 2nd . Styrohead

All shows are initially run on Mondays at 9PM EST and then
rebroadcast the following Thursdays at 12midnight EST
and again the following Saturdays at 3:30PM EST.

The ALMOST LiVE MUSiC SERiES:
Another way that http://www.ambientpingradio.com
is bringing great new music to you!

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ping things MARCH MADNESS SALE

. Time is running out to take advantage of the ping things
March Madness Sale where you'll be able to save 
even more on the music you love! Check out 
http://www.pingthings.com to find out more!

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of
audio artists, performers, musicians and visual artists. The PiNG
presents live multimedia performances featuring ambient, electronic,
soundscape, chillout, trip hop, dream pop, downtempo, space,
darkwave, drone and experimental artists from around the world.
http://www.theambientping.com

Tune in anytime to AMBiENT PING RADiO at
http://www.ambientpingradio.com

ViSiT ping things for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Tue Mar 20 04:21:51 2007
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Date: Mon, 19 Mar 2007 21:08:24 -0700
To: Loopers-Delight@loopers-delight.com
From: David Gans <david@trufun.com>
Subject: EDP for sale?
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I know there were a couple of people offering EDPs for sale on the 
list a while back.

I may have decided I'm in the market for one - anyone selling?




-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://logblog.gdhour.com
Web site: http://www.dgans.com


From Loopers-Delight-request@loopers-delight.com  Tue Mar 20 04:23:12 2007
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Date: Mon, 19 Mar 2007 23:23:09 -0500
From: "Michael Pregeant" <mpregeant@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: practicly untouched EDP for sale..
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comes with everything I got with it.. got it from guitar center about 6
months ago.. barely played it

reason I'm parting ways is that I've set my eye on a Bogner Uberschall and
for the amount I actually use the looper, I'd rather have the Bogner

I'll take offers, but if all else fails there's always ebay..
thanks for your time
-- 
www.myspace.com/ipwnuh4x

www.myspace.com/therealannulus

www.myspace.com/michaelpregeant

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<div>comes with everything I got with it.. got it from guitar center about 6 months ago.. barely played it</div>
<div>&nbsp;</div>
<div>reason I&#39;m parting ways is that I&#39;ve set my eye on a Bogner Uberschall and for the amount I actually use the looper, I&#39;d rather have the Bogner </div>
<div>&nbsp;</div>
<div>I&#39;ll take offers, but if all else fails there&#39;s always ebay..<br clear="all"></div>
<div>thanks for your time<br>-- <br><a href="http://www.myspace.com/ipwnuh4x">www.myspace.com/ipwnuh4x</a><br><br><a href="http://www.myspace.com/therealannulus">www.myspace.com/therealannulus</a><br><br><a href="http://www.myspace.com/michaelpregeant">
www.myspace.com/michaelpregeant</a> </div>

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Date: Mon, 19 Mar 2007 23:23:48 -0500
From: "Michael Pregeant" <mpregeant@gmail.com>
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actually, I am.. practicly untouched EDP with the works..

just made a post about it actually when I saw this one :D


On 3/19/07, David Gans <david@trufun.com> wrote:
>
>
>
> I know there were a couple of people offering EDPs for sale on the
> list a while back.
>
> I may have decided I'm in the market for one - anyone selling?
>
>
>
>
> --
>
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://logblog.gdhour.com
> Web site: http://www.dgans.com
>
>
>


-- 
www.myspace.com/ipwnuh4x

www.myspace.com/therealannulus

www.myspace.com/michaelpregeant

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<div>actually, I am.. practicly untouched EDP with the works.. </div>
<div>&nbsp;</div>
<div>just made a post about it actually when I saw this one :D<br><br>&nbsp;</div>
<div><span class="gmail_quote">On 3/19/07, <b class="gmail_sendername">David Gans</b> &lt;<a href="mailto:david@trufun.com">david@trufun.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><br><br>I know there were a couple of people offering EDPs for sale on the<br>list a while back.<br><br>I may have decided I&#39;m in the market for one - anyone selling?
<br><br><br><br><br>--<br><br>David Gans - <a href="mailto:david@trufun.com">david@trufun.com</a> or <a href="mailto:david@gdhour.com">david@gdhour.com</a><br>Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
<br>Blog:&nbsp;&nbsp;<a href="http://logblog.gdhour.com">http://logblog.gdhour.com</a><br>Web site: <a href="http://www.dgans.com">http://www.dgans.com</a><br><br><br></blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.myspace.com/ipwnuh4x">
www.myspace.com/ipwnuh4x</a><br><br><a href="http://www.myspace.com/therealannulus">www.myspace.com/therealannulus</a><br><br><a href="http://www.myspace.com/michaelpregeant">www.myspace.com/michaelpregeant</a> 

------=_Part_156632_20668208.1174364628418--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 20 05:08:33 2007
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From: john floridis <jfloridis@aol.com>
Subject: rc50 syncing
Date: Mon, 19 Mar 2007 23:08:18 -0600
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i've been using the rc50 for some time now, but one thing i cannot
seem to figureo out....
what i want to do is have three different phrases of three different
lengths that can be stopped and started again simultaneously.  i have
tempo sync turned on on all three phrases.  i seem to be able to do
it easily with the first two, but when i add that last phrase, it is
never in sync when i re-start.

any ideas?

john floridis

From Loopers-Delight-request@loopers-delight.com  Tue Mar 20 05:09:16 2007
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To: Loopers Delight <Loopers-Delight@loopers-delight.com>
From: john floridis <jfloridis@aol.com>
Subject: ebs octave pedal
Date: Mon, 19 Mar 2007 23:09:11 -0600
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any of you have any experience with the ebs octave pedal?

i've seen some reviews that are very positive,

john floridis

From Loopers-Delight-request@loopers-delight.com  Tue Mar 20 11:53:45 2007
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Subject: Re: rc50 syncing
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I've not been able to swing this yet myself (I'm fairly new to the  
RC-50), but try this (page 10):

http://bossus.com/manuals/RC50WS05.pdf



On Mar 20, 2007, at 1:08 AM, john floridis wrote:

> i've been using the rc50 for some time now, but one thing i cannot
> seem to figureo out....
> what i want to do is have three different phrases of three different
> lengths that can be stopped and started again simultaneously.  i have
> tempo sync turned on on all three phrases.  i seem to be able to do
> it easily with the first two, but when i add that last phrase, it is
> never in sync when i re-start.
>
> any ideas?
>
> john floridis

From Loopers-Delight-request@loopers-delight.com  Tue Mar 20 14:30:30 2007
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Subject:  EDP buying tips
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David,

Hi!  We met eleven years ago at that "First Annual" Deadhead Conference in 
upstate New York.  I'll never forget that great party you spun a few tapes 
for that merged into a show by the Zen Tricksters.

I upgraded to an EDP a few months ago and I love it!  It's a very deep, very 
sophisticated instrument, well worth the money and time investment if you're 
serious about looping.  It will change your music.

My tip to you, and to anybody else listening, is to buy one without the 
standard Gibson EDP footpedal (the 7-button job) and buy a custom footpedal 
from British Audio with good switches installed (or get the switches 
replaced some other way).  The switches in the Gibson are crap.  Really! 
They go flakey within a couple months.  It'll only cost you about $100 more, 
at the most, over retail, and it's worth it.

http://www.britishaudioservice.com/

Also, make sure you get the 4.0 software.  It's a huge upgrade.  Looper's 
Delight has all the info on that.  They also have a link to British Audio 
(which is in Illinois, not Britain--go figure!).  A lot of the eBay EDP's 
only have ver 3.  You can pay to get the upgrade, but it's easier to get one 
already installed.

Steve Bowman
Media, PA


----- Original Message ----- 
From: "David Gans" <david@trufun.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 20, 2007 12:08 AM
Subject: EDP for sale?


>
>
> I know there were a couple of people offering EDPs for sale on the list a 
> while back.
>
> I may have decided I'm in the market for one - anyone selling?
>
>
>
>
> -- 
>
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://logblog.gdhour.com
> Web site: http://www.dgans.com
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 20 14:37:56 2007
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Simil Kaoss Pad:
http://www.youtube.com/watch?v=3DMRXEx-uQR7E

fabio
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<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Simil Kaoss =
Pad:</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://www.youtube.com/watch?v=3DMRXEx-uQR7E">http://www.youtube.=
com/watch?v=3DMRXEx-uQR7E</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 20 16:38:14 2007
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Is anyone here successfully using midi sample dump w/Macintosh OS X, and
if so what software are you using?

 

Thanks,

Josh

 

 


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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Is anyone here successfully using midi sample dump w/Macintosh
OS X, and if so what software are you using?<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Thanks,<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 20 19:03:21 2007
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Probably not because its midisample dump and therefore takes hours to dump 
anything .
you can make it real time
play the music-EDP record- done
or
play EDP loop-record on daw-done

Claude

Fuller, Joshua N wrote:
> Is anyone here successfully using midi sample dump w/Macintosh OS X,
> and if so what software are you using?
>
>
>
> Thanks,
>
> Josh 


From Loopers-Delight-request@loopers-delight.com  Tue Mar 20 20:35:28 2007
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Hello,
I used to have a Boomerang and I could start and restart a loop easily 
with one of the buttons, which re-initiated the recorded loop with each 
press.  This created a "stutter" effect when used.  I am sure that my 
EDP can do this, but haven't come across the answer yet.  Any ideas?
Just FYI,I am using an All Access controller.
Thanks,

-
Donovan Stokes
www.donovanstokes.com
www.myspace.com/donovanstokes


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From Loopers-Delight-request@loopers-delight.com  Tue Mar 20 20:41:00 2007
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From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
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ALTERNATE ENDINGS
You can also end Mute with a number of other buttons,

INSERT
Plays the loop once and then goes back into Mute state.
again it will retrigger. Useful for stuttering effects.
This ending is affected by Quantize.If Quantize=On, the
played once, starting at the end of the current cycle.

On 3/20/07, donearlsto@aol.com <donearlsto@aol.com> wrote:
>
> Hello,
> I used to have a Boomerang and I could start and restart a loop easily
> with one of the buttons, which re-initiated the recorded loop with each
> press.  This created a "stutter" effect when used.  I am sure that my
> EDP can do this, but haven't come across the answer yet.  Any ideas?
> Just FYI,I am using an All Access controller.
> Thanks,
>
> -
> Donovan Stokes
> www.donovanstokes.com
> www.myspace.com/donovanstokes
>
>
> ________________________________________________________________________
> AOL now offers free email to everyone.  Find out more about what's free
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ALTERNATE ENDINGS<br>You can also end Mute with a number of other buttons,<br><br>INSERT<br>Plays the loop once and then goes back into Mute state.<br>again it will retrigger. Useful for stuttering effects.<br>This ending is affected by 
Quantize.If Quantize=On, the<br>played once, starting at the end of the current cycle.<br><br><div><span class="gmail_quote">On 3/20/07, <b class="gmail_sendername"><a href="mailto:donearlsto@aol.com">donearlsto@aol.com</a>
</b> &lt;<a href="mailto:donearlsto@aol.com">donearlsto@aol.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hello,<br>
I used to have a Boomerang and I could start and restart a loop easily<br>with one of the buttons, which re-initiated the recorded loop with each<br>press.&nbsp;&nbsp;This created a &quot;stutter&quot; effect when used.&nbsp;&nbsp;I am sure that my
<br>EDP can do this, but haven&#39;t come across the answer yet.&nbsp;&nbsp;Any ideas?<br>Just FYI,I am using an All Access controller.<br>Thanks,<br><br>-<br>Donovan Stokes<br><a href="http://www.donovanstokes.com">www.donovanstokes.com
</a><br><a href="http://www.myspace.com/donovanstokes">www.myspace.com/donovanstokes</a><br><br><br>________________________________________________________________________<br>AOL now offers free email to everyone.&nbsp;&nbsp;Find out more about what&#39;s free
<br>from AOL at AOL.com.<br><br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 20 20:46:36 2007
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I had a Jamman, (Ive had em' all baby!). I hated the loud CLANK everytime you used the pedal. 
I like the RC-20 as an entry level looper. 
-------------- Original message -------------- 
From: "L.A. Angulo" <labaloops@yahoo.com> 

> Yes,id second that,Digitech has perhaps great 
> engineering but poor reliability in my experience... 
> Luis 
> 
> 
> 
> --- Carabee Computerr Solutions 
> wrote: 
> 
> > 
> > > Really? I've owned lots of Digitech devices (my 
> > first 
> > > looper, in fact) and I've never had a single one 
> > break 
> > > or fail in any way. I wasn't thrilled with their 
> > > latest guitar processors, and perhaps they've gone 
> > > down hill, but I'd be careful of making blanket 
> > > statements like that. 
> > > 
> > > Mark 
> > 
> > 
> > I've got to throw my .02 in here, I'm afraid. I've 
> > had terrible results with 
> > DigiTech equipment (guitar processors) for three 
> > reasons: 
> > 1 The basic pedal activation design is inherently 
> > flawed and certain to 
> > fail over time (foot switch compresses a rubber 
> > square that then depresses 
> > the switch on the circuit board). Rubber compresses 
> > and then hardens after 
> > time and doesn't bounce back anymore.. 
> > 2 As far as the RP series goes, the pedals are so 
> > tiny and close together 
> > that you need to turn your foot on its edge to avoid 
> > hitting adjacent 
> > pedals. 
> > 3 Ridiculously long dropouts when switching 
> > between patches. Absolutely 
> > unacceptable for live performances. 
> > 
> > For those reasons alone (and there are several more) 
> > I would never invest in 
> > another DT product again until I was certain that 
> > these issues were fully 
> > addressed. 
> > 
> > Brian 
> > 
> > 
> 
> 
> www.myspace.com/luisangulocom 
> 
> 
> 
> ________________________________________________________________________________ 
> ____ 
> 8:00? 8:25? 8:40? Find a flick in no time 
> with the Yahoo! Search movie showtime shortcut. 
> http://tools.search.yahoo.com/shortcuts/#news 
> 
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<html><body>
<DIV>&nbsp;</DIV>
<DIV>I had a Jamman, (Ive had em' all baby!). I hated the loud CLANK everytime you used the pedal. </DIV>
<DIV>I like the RC-20 as&nbsp;an entry level looper. </DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">-------------- Original message -------------- <BR>From: "L.A. Angulo" &lt;labaloops@yahoo.com&gt; <BR><BR>&gt; Yes,id second that,Digitech has perhaps great <BR>&gt; engineering but poor reliability in my experience... <BR>&gt; Luis <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; --- Carabee Computerr Solutions <COMPGUY2@COMCAST.NET><BR>&gt; wrote: <BR>&gt; <BR>&gt; &gt; <BR>&gt; &gt; &gt; Really? I've owned lots of Digitech devices (my <BR>&gt; &gt; first <BR>&gt; &gt; &gt; looper, in fact) and I've never had a single one <BR>&gt; &gt; break <BR>&gt; &gt; &gt; or fail in any way. I wasn't thrilled with their <BR>&gt; &gt; &gt; latest guitar processors, and perhaps they've gone <BR>&gt; &gt; &gt; down hill, but I'd be careful of making blanket <BR>&gt; &gt; &gt; statements like that. <BR>&gt; &gt; &gt; <BR>&gt; &gt; &gt; Mark <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; I've got to throw my .02 in here, I'm a
fraid. I've <BR>&gt; &gt; had terrible results with <BR>&gt; &gt; DigiTech equipment (guitar processors) for three <BR>&gt; &gt; reasons: <BR>&gt; &gt; 1 The basic pedal activation design is inherently <BR>&gt; &gt; flawed and certain to <BR>&gt; &gt; fail over time (foot switch compresses a rubber <BR>&gt; &gt; square that then depresses <BR>&gt; &gt; the switch on the circuit board). Rubber compresses <BR>&gt; &gt; and then hardens after <BR>&gt; &gt; time and doesn't bounce back anymore.. <BR>&gt; &gt; 2 As far as the RP series goes, the pedals are so <BR>&gt; &gt; tiny and close together <BR>&gt; &gt; that you need to turn your foot on its edge to avoid <BR>&gt; &gt; hitting adjacent <BR>&gt; &gt; pedals. <BR>&gt; &gt; 3 Ridiculously long dropouts when switching <BR>&gt; &gt; between patches. Absolutely <BR>&gt; &gt; unacceptable for live performances. <BR>&gt; &gt; <BR>&gt; &gt; For those reasons alone (and there are several more) <BR>&gt; &gt; I would never invest in <BR>&gt;
 &gt; another DT product again until I was certain that <BR>&gt; &gt; these issues were fully <BR>&gt; &gt; addressed. <BR>&gt; &gt; <BR>&gt; &gt; Brian <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; <BR>&gt; <BR>&gt; www.myspace.com/luisangulocom <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; ________________________________________________________________________________ <BR>&gt; ____ <BR>&gt; 8:00? 8:25? 8:40? Find a flick in no time <BR>&gt; with the Yahoo! Search movie showtime shortcut. <BR>&gt; http://tools.search.yahoo.com/shortcuts/#news <BR>&gt; </BLOCKQUOTE></body></html>

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 20 21:43:38 2007
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Thanks for the reply, but I am not interested in doing an additional
pass of Analog to Digital conversion, and when using the handshaking
method with Loop IV, transmission should not be that long using shorter
loops..

 

-----Original Message-----
From: Claude Voit [mailto:c.voit@vtx.ch] 
Sent: Tuesday, March 20, 2007 12:03 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Sample Dump EDP and OS X

Probably not because its midisample dump and therefore takes hours to
dump anything .
you can make it real time
play the music-EDP record- done
or
play EDP loop-record on daw-done

Claude

Fuller, Joshua N wrote:
> Is anyone here successfully using midi sample dump w/Macintosh OS X, 
> and if so what software are you using?
>
>
>
> Thanks,
>
> Josh


From Loopers-Delight-request@loopers-delight.com  Tue Mar 20 22:28:59 2007
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if that is your reason you are probably right, and alone to do it this way.
good luck
Claude


Fuller, Joshua N wrote:
> Thanks for the reply, but I am not interested in doing an additional
> pass of Analog to Digital conversion, and when using the handshaking
> method with Loop IV, transmission should not be that long using
> shorter loops..
> 
> 
> 
> -----Original Message-----
> From: Claude Voit [mailto:c.voit@vtx.ch]
> Sent: Tuesday, March 20, 2007 12:03 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Sample Dump EDP and OS X
> 
> Probably not because its midisample dump and therefore takes hours to
> dump anything .
> you can make it real time
> play the music-EDP record- done
> or
> play EDP loop-record on daw-done
> 
> Claude
> 
> Fuller, Joshua N wrote:
>> Is anyone here successfully using midi sample dump w/Macintosh OS X,
>> and if so what software are you using?
>> 
>> 
>> 
>> Thanks,
>> 
>> Josh

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 00:53:02 2007
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http://video.yahoo.com/video/play?vid=255175&cache=1

 
---------------------------------
Don't be flakey. Get Yahoo! Mail for Mobile and 
always stay connected to friends.
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<BR><A href="http://video.yahoo.com/video/play?vid=255175&amp;cache=1">http://video.yahoo.com/video/play?vid=255175&amp;cache=1</A><BR><p>&#32;

<hr size=1>Don't be flakey. <a href="http://us.rd.yahoo.com/evt=43909/*http://mobile.yahoo.com/mail">Get Yahoo! Mail for Mobile</a> and <br><a href="http://us.rd.yahoo.com/evt=43909/*http://mobile.yahoo.com/mail">always stay connected</a> to friends.
--0-1704488788-1174438376=:18438--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 02:31:39 2007
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Date: Tue, 20 Mar 2007 22:31:36 -0400
From: "Mark Trewella" <aleatoric12@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: LD would be so much cooler if...
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It was a forum!  I check quite a few forums on a regular basis.  I
love loopers delight but I hate getting so many email everyday, would
really prerfer to have a simple forum and would most likely check it
on a daily basis.  This is the only email list I am on, everything
else that is similar is all forum based.  I think its the way to fly.
Plus I find it easier to get to know people because of PM's and
avatars and stuff like that (ie oh its the guy with the cat avatar
again, hes got 500 post, he knows what he is talking about, in a sig
is a link to his music, etc).  Who's with me?  I am sure one of you
guys could set up a forum.  Email lists are old school.

-Mark

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 02:36:22 2007
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Yeh take me off as well...there are way to many emails... 


 


 

 

 


-----Original Message-----
From: Mark Trewella [mailto:aleatoric12@gmail.com] 
Sent: Wednesday, March 21, 2007 12:32 PM
To: Loopers-Delight@loopers-delight.com
Subject: LD would be so much cooler if...

It was a forum!  I check quite a few forums on a regular basis.  I
love loopers delight but I hate getting so many email everyday, would
really prerfer to have a simple forum and would most likely check it
on a daily basis.  This is the only email list I am on, everything
else that is similar is all forum based.  I think its the way to fly.
Plus I find it easier to get to know people because of PM's and
avatars and stuff like that (ie oh its the guy with the cat avatar
again, hes got 500 post, he knows what he is talking about, in a sig
is a link to his music, etc).  Who's with me?  I am sure one of you
guys could set up a forum.  Email lists are old school.

-Mark

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 02:46:06 2007
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Date: Tue, 20 Mar 2007 22:46:03 -0400
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To: Loopers-Delight@loopers-delight.com
Subject: Re: LD would be so much cooler if...
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I don't want to unsubscribe but a forum would be honestly a lot
easier.  I have been off and on the list for years.  The only reason I
ever leave is because of the email overload.


On 3/20/07, Anthony Mitchell <mitchman@mbox.com.au> wrote:
> Yeh take me off as well...there are way to many emails...
>
>
>
>
>
>
>
>
>
>
>
>
> -----Original Message-----
> From: Mark Trewella [mailto:aleatoric12@gmail.com]
> Sent: Wednesday, March 21, 2007 12:32 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: LD would be so much cooler if...
>
> It was a forum!  I check quite a few forums on a regular basis.  I
> love loopers delight but I hate getting so many email everyday, would
> really prerfer to have a simple forum and would most likely check it
> on a daily basis.  This is the only email list I am on, everything
> else that is similar is all forum based.  I think its the way to fly.
> Plus I find it easier to get to know people because of PM's and
> avatars and stuff like that (ie oh its the guy with the cat avatar
> again, hes got 500 post, he knows what he is talking about, in a sig
> is a link to his music, etc).  Who's with me?  I am sure one of you
> guys could set up a forum.  Email lists are old school.
>
> -Mark
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 02:52:24 2007
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: LD would be so much cooler if...
Date: Tue, 20 Mar 2007 19:52:08 -0800
To: Loopers-Delight@loopers-delight.com
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Hmmmm,

LD is just fine the way it is (IMOHO).

But then again, I'm old school about a lot of other things too.

With the thing loading up my mailbox every day with odd posts on all 
sorts of subjects it reminds me you are all here on a daily basis -- 
like I might forget or something.

It's sort of pro-active, it reaches out (whether you want it or not) 
and has become the community it has because of how it works . . . I 
think.

If it just sat there and waited for us all to log in, it might not be 
nearly so lively at times (though, honestly, sometimes it can be a big 
snore).

And besides, don't go waking the sleeping Kim (our host/non-moderator).

He night just decide the whole thing is too much trouble (after 10+ 
years) decide to retire and shut it down.

Don't mess with something that works just fine as it is.

If it ain't broke, don't fix it.

Best regards,

Ted Killian

On Mar 20, 2007, at 6:31 PM, Mark Trewella wrote:

> Email lists are old school.
>
> -Mark

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 02:56:07 2007
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Date: Tue, 20 Mar 2007 22:56:04 -0400
From: "Mark Trewella" <aleatoric12@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: LD would be so much cooler if...
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I think it would be pretty lively as a forum.  Lots of peeps
unsubscribe all the time, people are weary of email lists but lots of
looping folks would probably pop by an active forum a lot.

On 3/20/07, tEd (r) kiLLiAn <tedkillian@charter.net> wrote:
> Hmmmm,
>
> LD is just fine the way it is (IMOHO).
>
> But then again, I'm old school about a lot of other things too.
>
> With the thing loading up my mailbox every day with odd posts on all
> sorts of subjects it reminds me you are all here on a daily basis --
> like I might forget or something.
>
> It's sort of pro-active, it reaches out (whether you want it or not)
> and has become the community it has because of how it works . . . I
> think.
>
> If it just sat there and waited for us all to log in, it might not be
> nearly so lively at times (though, honestly, sometimes it can be a big
> snore).
>
> And besides, don't go waking the sleeping Kim (our host/non-moderator).
>
> He night just decide the whole thing is too much trouble (after 10+
> years) decide to retire and shut it down.
>
> Don't mess with something that works just fine as it is.
>
> If it ain't broke, don't fix it.
>
> Best regards,
>
> Ted Killian
>
> On Mar 20, 2007, at 6:31 PM, Mark Trewella wrote:
>
> > Email lists are old school.
> >
> > -Mark
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 02:59:12 2007
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Date: Tue, 20 Mar 2007 20:59:08 -0600
From: Daryl Shawn <highhorse@mhorse.com>
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This topic has come up countless times, and, simply, LD is not going to 
to change (check the archives for as much amusement as you can stand). 
The best thing is just to make sure to set your subscription to digest, 
or read it online.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
> I think it would be pretty lively as a forum.  Lots of peeps
> unsubscribe all the time, people are weary of email lists but lots of
> looping folks would probably pop by an active forum a lot.

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 03:10:38 2007
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Date: Tue, 20 Mar 2007 23:10:32 -0400
From: Domenick Swentosky <domenick@greytime.com>
Subject: Decibal loss, DI Box, and ABY Box
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Hello all:

I've asked around about this issue a little, but can't seem to get a 
good answer, so I thought I'd ask the experts.

Here's my problem:
I'm experiencing a 5-10 db loss from the _XLR out_ of my DI box 
(Whirlwind IMP2) when I select the channel on my ABY box (Whirlwind 
Selector) opposite the one that the 1/4" out on the DI box is feeding. 
Got that?  :)

A little more info:
I loop both my guitar and vocals, and I use the ABY box to choose which 
signal will be fed into the Loop Station. The guitar signal chain is as 
follows:
LRBaggs Element ----> Aura -----> Boss CE5 -----> IMP2 (DI Box). From 
here the Guitar signal splits. The XLR out of the IMP2 goes to the 
board, and the 1/4" out of the IMP2 goes to the A channel of the ABY box.

So again, when I select the B channel on the ABY box, I get a 5-10 db 
loss on the _XLR Out_ of the IMP2.  This just makes no sense to me.
 
I emailed Whirlwind and got this response:
"This is because the output that is not selected is being shorted. I'm 
surprised that the drop is only 5 or 6 dB."

I asked for a bitter more in depth explanation and got this:
"Basically when A is selected Bis shorted from tip to ground muting that 
channel.You cannot use the selector for what you are trying to do."

I asked if they made any products that could help and got this:
"I do not have a good suggestion for this purpose."

As you can see, Whirlwind's tech support guy was in a hurry. So I'm just 
left scratching my head here. Can anyone help me out? Why's this 
happening? How can I fix it?

Thanks for taking the time to read this.

Enjoy the day.
Domenick Swentosky

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 05:01:39 2007
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Subject: RE: LD would be so much cooler if...
Date: Wed, 21 Mar 2007 15:59:35 +1100
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I reckon a forum would be a great way to go. It would also have the added
benefit of having different sections so we wouldn't be flooded with Off
Topic emails which would be great for those who want to avoid them and even
better for those who revel in them. It is definately a way more modern
approach and hey, aren't we suppose to be cutting edge?

Cheers
Woz

-----Original Message-----
From: Mark Trewella [mailto:aleatoric12@gmail.com]
Sent: Wednesday, March 21, 2007 1:32 PM
To: Loopers-Delight@loopers-delight.com
Subject: LD would be so much cooler if...


It was a forum!  I check quite a few forums on a regular basis.  I
love loopers delight but I hate getting so many email everyday, would
really prerfer to have a simple forum and would most likely check it
on a daily basis.  This is the only email list I am on, everything
else that is similar is all forum based.  I think its the way to fly.
Plus I find it easier to get to know people because of PM's and
avatars and stuff like that (ie oh its the guy with the cat avatar
again, hes got 500 post, he knows what he is talking about, in a sig
is a link to his music, etc).  Who's with me?  I am sure one of you
guys could set up a forum.  Email lists are old school.

-Mark



--
No virus found in this incoming message.
Checked by AVG Free Edition.
Version: 7.5.446 / Virus Database: 268.18.11/723 - Release Date: 3/15/2007
11:27 AM


From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 05:05:11 2007
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On Tue, 20 Mar 2007, Mark Trewella wrote:

> It was a forum!  I check quite a few forums on a regular basis.  I
[snip]
> is a link to his music, etc).  Who's with me?  I am sure one of you
> guys could set up a forum.  Email lists are old school.
>
> -Mark

So, set up a forum with all the features you like and see who shows up. 
Personally, I like email, I like mail lists, and I don't always consider 
"old school" to be a negative.

regards,
Steve B
Subscape Annex  http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 05:38:28 2007
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----- Original Message ----- 
From: "Mark Trewella" <aleatoric12@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 20, 2007 10:46 PM
Subject: Re: LD would be so much cooler if...


>I don't want to unsubscribe but a forum would be honestly a lot
> easier.  I have been off and on the list for years.  The only reason I
> ever leave is because of the email overload.

I belong to a couple of lists, and I find that they're easily handled by 
creating a new folder in the Inbox and then creating message rules that toss 
all LD mail into that folder. Works like a charm.

Brian 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 09:07:59 2007
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donearlsto@aol.com wrote:
> Hello,
> I used to have a Boomerang and I could start and restart a loop easily 
> with one of the buttons, which re-initiated the recorded loop with each 
> press.  This created a "stutter" effect when used.  I am sure that my 
> EDP can do this, but haven't come across the answer yet.  Any ideas?
> Just FYI,I am using an All Access controller.
> Thanks,
> 
> -
> Donovan Stokes

Like Trevor says, once you've hi Mute, you can always do this with the "Insert" button.

Easiest way is to set MoreLoops=1, then the NextLoop button magically transforms into the re-trigger button that you want.

Otherwise, there's a number of DirectMidi commands:-

"Retrigger" is a good one :-)

andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 09:11:36 2007
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Fuller, Joshua N wrote:
> Thanks for the reply, but I am not interested in doing an additional
> pass of Analog to Digital conversion, and when using the handshaking
> method with Loop IV, transmission should not be that long using shorter
> loops..
> 

The EDP sample rate is 41000Hz.
So doing another DA/AD conversion isn't so bad, as it avoids SRC.

andy butler
 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 09:29:41 2007
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>>
>
> The EDP sample rate is 41000Hz.

I object, your honour ;), according to:
  http://www.gibsonechoplex.com/
it is:
  41.5 kHz (41500Hz)

Bernhard


From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 11:22:06 2007
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-------------------------------1174476116
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In a message dated 3/21/2007 5:08:05 A.M. Eastern Daylight Time,  
akbutler@tiscali.co.uk writes:

"Retrigger" is a good one :-)


HA!!   
 
Thanks! 
 
D
 
 
 
Dr. Donovan  Stokes
_www.donovanstokes.com_ (http://www.donovanstokes.com/) 
_www.myspace.com/donovanstokes_ (http://www.myspace.com/donovanstokes) 





************************************** AOL now offers free email to everyone. 
 Find out more about what's free from AOL at http://www.aol.com.

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<BODY id=3Drole_body style=3D"FONT-SIZE: 10pt; COLOR: #000000; FONT-FAMILY:=20=
Arial"=20
bottomMargin=3D7 leftMargin=3D7 topMargin=3D7 rightMargin=3D7><FONT id=3Drol=
e_document=20
face=3DArial color=3D#000000 size=3D2>
<DIV>
<DIV>
<DIV>In a message dated 3/21/2007 5:08:05 A.M. Eastern Daylight Time,=20
akbutler@tiscali.co.uk writes:</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><=
FONT=20
  style=3D"BACKGROUND-COLOR: transparent" face=3DArial color=3D#000000=20
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<DIV></DIV>HA!!&nbsp;&nbsp; </DIV>
<DIV>&nbsp;</DIV>
<DIV>Thanks! </DIV>
<DIV>&nbsp;</DIV>
<DIV>D</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT lang=3D0 face=3DArial size=3D2 FAMILY=3D"SANSSERIF" PTSIZE=3D"10"=
>Dr. Donovan=20
Stokes<BR><A=20
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href=3D"http://www.myspace.com/donovanstokes">www.myspace.com/donovanstokes<=
/A><BR><BR></U></FONT></DIV></FONT><BR><BR><BR><DIV><FONT style=3D"color: bl=
ack; font: normal 10pt ARIAL, SAN-SERIF;"><HR style=3D"MARGIN-TOP: 10px">AOL=
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L at <A title=3D"http://www.aol.com?ncid=3DAOLAOF00020000000339" href=3D"htt=
p://www.aol.com?ncid=3DAOLAOF00020000000339" target=3D"_blank"><B>AOL.com</B=
></A>. </FONT></DIV></BODY></HTML>

-------------------------------1174476116--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 11:59:31 2007
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if it was a forum?

nick robinson created a looping forum here...

http://looping.20.forumer.com/

it's been very quiet though...why not pop over and have a look?

the topic of whether LD should be a forum has come up several times before, 
if memory serves...and there seems to be a pretty even split of opinion...!

sim



http://www.simeonharris.co.uk

_________________________________________________________________
Txt a lot? Get Messenger FREE on your mobile. 
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From: "Goddard, Duncan" <goddard.duncan@mtvne.com>
To: <Loopers-Delight@loopers-delight.com>
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This is a multi-part message in MIME format.

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I don't mean to be rude or anything. well, actually I do.

to the folks who've just popped up out of nowhere, without an on-topic =
post to their names, asking to switch LD to a forum-
might I suggest you go start a forum someplace else & leave us alone? =
we're (generally speaking) perfectly happy like this. if we weren't, =
we'd change it. that's the sort of people we are, & you'd know this if =
you read a few posts.

duncan.

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<TITLE>RE: LD would be so much cooler if...</TITLE>
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<P><FONT SIZE=3D2>I don't mean to be rude or anything. well, actually I =
do.<BR>
<BR>
to the folks who've just popped up out of nowhere, without an on-topic =
post to their names, asking to switch LD to a forum-<BR>
might I suggest you go start a forum someplace else &amp; leave us =
alone? we're (generally speaking) perfectly happy like this. if we =
weren't, we'd change it. that's the sort of people we are, &amp; you'd =
know this if you read a few posts.<BR>
<BR>
duncan.</FONT>
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 12:49:08 2007
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From: Murkie <sinister_footwear@yahoo.com>
Subject: RE: LD would be so much cooler if...
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Going to a forum format pretty much killed the David Torn list. =20

It's probably because I'm lazy but I like having the info come to me.  Then=
 again, LD has done more to fuel my Gear Acquisition Syndrome than anything=
 else.  Maybe I'd save money if it didn't come looking for me.  "Pssst!  He=
y kid - check out these new Kaoss Pads.  Just try one.  Everybody else is."

8^{/}

M

www.TwistedAppleRecords.com=20


From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 13:54:25 2007
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Subject: Re: LD would be so much cooler if...
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And don't forget the LoopMusic forum, which I manage: 
http://groups.yahoo.com/group/LoopMusic (186 members)

However, I may retire this forum, as we've only had 10 messages since the 
beginning of the year.....everyone consider this when you decide to setup a 
new forum dedicated to looping. Creating one with all the features you think 
are cool is one thing; getting people to sign up and participate is another 
thing. To date, LD is still the king of the castle (of looping forums).  You 
have to operate in the shadow of LD, unless you think you can build 
something so unbelievably attractive that folks will jump ship.

Here where I work, we operate by what we call the 80/20 rule. If you can 
meet 80% of the needs, then that's sufficient....there's a lot of talk about 
new features and ways to run a list/group/forum about looping, but unless 
they are a "must have", I don't think much is going to change in terms of 
user migration.  LD ain't perfect, but what is? I'd say just suck it up. 
Deal with it or get the f*ck out. :)  Hah hah.

Kris





From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 14:03:37 2007
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On Wed, 21 Mar 2007, burnett@pobox.com wrote:

> On Tue, 20 Mar 2007, Mark Trewella wrote:
>> It was a forum!  I check quite a few forums on a regular basis.  I

Mark and other forum-format aficionados:

I would suggest that you might consider using the Loopers Delight mail 
list archives Web interface

http://www.loopers-delight.com/cgi-bin/wilma/LDarchive#browse

and the "browse by thread" view as potentially solving much of the 
issues you express a web forum as better for you than the mailling list 
format. Just an idea, give it a try.

best,
Steve B
Subscape Annex  http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 14:29:00 2007
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-------8db82ea168604df40527f51841903da5
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likewise...  push it to me, I am too lazy to go to
the forum, unless I am searching.

I also place into an incoming folder.

R

---- Original message ----

  Date: Wed, 21 Mar 2007 08:49:15 -0500
  From: Murkie <sinister_footwear@yahoo.com>
  Subject: RE: LD would be so much cooler if...
  To: <Loopers-Delight@loopers-delight.com>

  >Going to a forum format pretty much killed the
  David Torn list.
  >
  >It's probably because I'm lazy but I like having
  the info come to me. Then again, LD has done more
  to fuel my Gear Acquisition Syndrome than anything
  else. Maybe I'd save money if it didn't come
  looking for me. "Pssst! Hey kid - check out these
  new Kaoss Pads. Just try one. Everybody else is."
  >
  >8^{/}
  >
  >M
  >
  >www.TwistedAppleRecords.com
  >

-------8db82ea168604df40527f51841903da5
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<HTML><BODY>likewise...&nbsp; push it to me, I am too lazy to go to the forum, unless I am searching.<br>
<br>
I also place into an incoming folder.<br>
<br>
R<br>

<br>
---- Original message ----<br>
<blockquote style="border-left: 2px solid rgb(0, 0, 255); padding-left: 5px; margin-left: 5px;"><b>Date:</b> Wed, 21 Mar 2007 08:49:15 -0500<br>
<b>From:</b> Murkie &lt;sinister_footwear@yahoo.com&gt;<br>
<b>Subject:</b> RE: LD would be so much cooler if...<br>
<b>To:</b> &lt;Loopers-Delight@loopers-delight.com&gt;<br>
<br>
&gt;Going to a forum format pretty much killed the David Torn list.  <br>
&gt;<br>
&gt;It's probably because I'm lazy but I like having the info come to me.  Then again, LD has done more to fuel my Gear Acquisition Syndrome than anything else.  Maybe I'd save money if it didn't come looking for me.  "Pssst!  Hey kid - check out these new Kaoss Pads.  Just try one.  Everybody else is."<br>
&gt;<br>
&gt;8^{/}<br>
&gt;<br>
&gt;M<br>
&gt;<br>
&gt;www.TwistedAppleRecords.com <br>
&gt;<br>
</blockquote></BODY></HTML>

-------8db82ea168604df40527f51841903da5--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 14:31:06 2007
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Date: Wed, 21 Mar 2007 07:31:00 -0700 (PDT)
From: S V G <vsyevolod@yahoo.com>
Subject: SBD Music, Inc Acquires Electrix Pro, Inc
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     Don't shoot the messenger, I'm just sayin...




FOR IMMEDIATE RELEASE

Contact:        Adam Scolaro
SBD Music, Inc.
Phone: (800) 981-4531 X-701
Fax:    (949) 462-3062
E-mail: adams@electrixpro.com 

Laguna Hills, California (March 19, 2007) – Newly formed SBD Music, Inc., based in Laguna Hills,
Calif., has acquired Electrix Pro, Inc., a leader in manufacturing professional audio equipment.

SBD Music, Inc. also announces they have appointed a board of directors consisting of Mark Buhler,
Charles Dotson and Adam Scolaro. 

“We saw a tremendous opportunity to acquire a very well respected brand name in Electrix. We are
planning to re-introduce new versions of the Electrix products over the next twelve to twenty four
months”, says Adam Scolaro, president of SBD Music, Inc.

“We are going to continue manufacturing high quality products that Electrix is known for, and try
to build and expand the product line”, added Mark Buhler.



     from the ElectrixPro website










 
____________________________________________________________________________________
Get your own web address.  
Have a HUGE year through Yahoo! Small Business.
http://smallbusiness.yahoo.com/domains/?p=BESTDEAL

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 14:52:00 2007
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burnett@pobox.com wrote:
> On Wed, 21 Mar 2007, burnett@pobox.com wrote:
> 
>> On Tue, 20 Mar 2007, Mark Trewella wrote:
>>> It was a forum!  I check quite a few forums on a regular basis.  I
> 
> Mark and other forum-format aficionados:
> 
> I would suggest that you might consider using the Loopers Delight mail 
> list archives Web interface
> 
> http://www.loopers-delight.com/cgi-bin/wilma/LDarchive#browse
> 
> and the "browse by thread" view as potentially solving much of the 
> issues you express a web forum as better for you than the mailling list 
> format. Just an idea, give it a try.

Unfortunately, though, it's not possible to participate without receiving all those mails:-(


Making a filter for email messages is not difficult, even if you never did it before.
All you need is a filter that checks if your incoming message is from LD, and puts it in mail folder called "LD".
Whatever your email software, surely it has menus and stuff that make this possible.
Probably take less time to check it out than writing an email.

Some email browsers will even show you the mails by Thread in a nice tree diagram thing.

Then you only have to read the mails you want to.

...and actually, you could auto-delete the LD mails, and just read the archive. 


So, maybe it's possible for Forum fans to enjoy all those Forum advantages without worrying the rest of us :-) 



 
 

oh, and something I never realized for years.

Using the Digest version of the doesn't allow correct threading in the archive.
Avoid if possible.

andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 15:11:53 2007
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S V G wrote:
>      Don't shoot the messenger, I'm just sayin...
> 

blindfold?
.....just askin...

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 15:52:47 2007
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Date: Wed, 21 Mar 2007 11:52:36 EDT
Subject: tape op in europe
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the wonderful mag. TAPE OP is now available in europe and it's still free 
(circulation@tapeop.com).....good stuff and the price is more than 
right!.....also here is a site that they mentioned that might be of interest 
www.zizzle.com.....go to "products" and they have a kidz looping lite show device that got a 
nice write-up in this issue.....michael

www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar10



**************************************
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">the wonderful mag. TAPE OP is now avail=
able in europe and it's still free (circulation@tapeop.com).....good stuff a=
nd the price is more than right!.....also here is a site that they mentioned=
 that might be of interest www.zizzle.com.....go to "products" and they have=
 a kidz looping lite show device that got a nice write-up in this issue.....=
michael<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar10<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 16:20:44 2007
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From: "samba -" <sambacomet@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: LD'd be cooler if..
Date: Wed, 21 Mar 2007 09:20:39 -0700
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Folks would trim their responses,so we don't have wade through a thicket of
>
>
>
>
  and the same previous texts over and over . That would make each digest 
page scannable.

_________________________________________________________________
Get a FREE Web site, company branded e-mail and more from Microsoft Office 
Live! http://clk.atdmt.com/MRT/go/mcrssaub0050001411mrt/direct/01/

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 16:26:25 2007
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: FYI: Expert sleepers has released version 3.0.1 of Crossfade Loop Synth 
Date: Wed, 21 Mar 2007 10:26:20 -0600
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http://www.kvraudio.com/news/6942.html
Expert sleepers has released version 3.0.1 of Crossfade Loop Synth for =
Mac OS X Universal Binary in VST and Audio Units formats.

>From version 3, Crossfade Loop Synth is actually two plug-ins: Crossfade =
Loop Synth and Crossfade Loop Synth Effect. The effect version takes the =
power of Crossfade Loop Synth and turns it into a live sampler, a looper =
and a very unusual and powerful delay effect. Version 3 is a major =
upgrade from version 2, adding many powerful means of shaping your =
sound, whilst maintaining the simplicity and CPU efficiency that made =
version 2 so popular.

Crossfade Loop Synth

  Crossfade Loop Synth is at heart a simple sample playback synth =
plug-in. It plays samples in the classic sampler manner - by simply =
altering the playback speed according to the desired note. No fancy =
time-stretching or pitch-shifting is applied. You can control how the =
sample is looped as it is played. An adjustable amount of crossfade can =
be applied to the loop endpoints to smooth the transitions. This makes =
it extremely easy to produce glitch-free pad sounds. The loops can also =
be played backwards and alternately forwards and backwards =
(pendulum-style).

  Further sound processing can be applied in the form of =
overdrive/saturation, filtering, envelopes (for amplitude and filter), =
pulse-width modulation, oscillator sync and LFOs (one each for filter, =
pitch, PWM and sync).

  The synth is 32 note polyphonic, and all parameters can be controlled =
by MIDI controllers.

Crossfade Loop Synth Effect

  Crossfade Loop Synth Effect is the same as Crossfade Loop Synth except =
you can record live audio to use as the sample, rather than just loading =
it from disk. You can record continuously, even while playing back. This =
allows you to use the plugin as an unusual and creative delay effect. =
For example you can have the delays played back at double the =
pitch/speed you played them. Or at double the pitch and backwards. Or as =
a chord. Or repeat the first beat of every bar, etc.

  You can save the recorded sample to disk as an AIFF file for later =
use.

Crossfade Loop Synth v3.0.1 costs $49 and is available now in VST and =
Audio Units formats for Mac OS X Universal Binary. Users of version 2.x =
can upgrade for $39.

Changes from 3.0.0 to 3.0.1:

  a.. Fixed crash bug when using Effect version with small (<64 samples) =
host buffer sizes.=20
  b.. Fixed failure in MOTU's AU Examiner that prevented use in Digital =
Performer.=20


*************************************************************************=
*
Krispen Hartung
www.krispenhartung.com / www.myspace.com/krispenhartung
Performance Calendar: =
http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography: http://cdbaby.com/all/khartung 
------=_NextPart_000_00FB_01C76BA3.5E1F7670
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3059" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.kvraudio.com/news/6942.html">http://www.kvraudio.com/n=
ews/6942.html</A></FONT></DIV>
<DIV>
<P>Expert sleepers has released version 3.0.1 of <STRONG>Crossfade Loop=20
Synth</STRONG> for Mac OS X Universal Binary in VST and Audio Units =
formats.</P>
<P>From version 3, <STRONG>Crossfade Loop Synth</STRONG> is actually two =

plug-ins: <STRONG>Crossfade Loop Synth</STRONG> and <STRONG>Crossfade =
Loop Synth=20
Effect</STRONG>. The effect version takes the power of Crossfade Loop =
Synth and=20
turns it into a live sampler, a looper and a very unusual and powerful =
delay=20
effect. Version 3 is a major upgrade from version 2, adding many =
powerful means=20
of shaping your sound, whilst maintaining the simplicity and CPU =
efficiency that=20
made version 2 so popular.</P>
<P><STRONG>Crossfade Loop Synth</STRONG></P>
<BLOCKQUOTE>
  <P>Crossfade Loop Synth is at heart a simple sample playback synth =
plug-in. It=20
  plays samples in the classic sampler manner - by simply altering the =
playback=20
  speed according to the desired note. No fancy time-stretching or=20
  pitch-shifting is applied. You can control how the sample is looped as =
it is=20
  played. An adjustable amount of crossfade can be applied to the loop =
endpoints=20
  to smooth the transitions. This makes it extremely easy to produce =
glitch-free=20
  pad sounds. The loops can also be played backwards and alternately =
forwards=20
  and backwards (pendulum-style).</P>
  <P>Further sound processing can be applied in the form of=20
  overdrive/saturation, filtering, envelopes (for amplitude and filter), =

  pulse-width modulation, oscillator sync and LFOs (one each for filter, =
pitch,=20
  PWM and sync).</P>
  <P>The synth is 32 note polyphonic, and all parameters can be =
controlled by=20
  MIDI controllers.</P></BLOCKQUOTE>
<P><STRONG>Crossfade Loop Synth Effect</STRONG></P>
<BLOCKQUOTE>
  <P>Crossfade Loop Synth Effect is the same as Crossfade Loop Synth =
except you=20
  can record live audio to use as the sample, rather than just loading =
it from=20
  disk. You can record continuously, even while playing back. This =
allows you to=20
  use the plugin as an unusual and creative delay effect. For example =
you can=20
  have the delays played back at double the pitch/speed you played them. =
Or at=20
  double the pitch and backwards. Or as a chord. Or repeat the first =
beat of=20
  every bar, etc.</P>
  <P>You can save the recorded sample to disk as an AIFF file for later=20
use.</P></BLOCKQUOTE>
<P>Crossfade Loop Synth v3.0.1 costs $49 and is available now in VST and =
Audio=20
Units formats for Mac OS X Universal Binary. Users of version 2.x can =
upgrade=20
for $39.</P>
<P>Changes from 3.0.0 to 3.0.1:</P>
<UL>
  <LI>Fixed crash bug when using Effect version with small (&lt;64 =
samples) host=20
  buffer sizes.=20
  <LI>Fixed failure in MOTU's AU Examiner that prevented use in Digital=20
  Performer. </LI></UL></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>****************************************************************=
**********<BR>Krispen=20
Hartung<BR><A =
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A> /=20
<A=20
href=3D"http://www.myspace.com/krispenhartung">www.myspace.com/krispenhar=
tung</A><BR>Performance=20
Calendar: <A=20
href=3D"http://www.musi-cal.com/search?performers=3DKrispen%20Hartung">ht=
tp://www.musi-cal.com/search?performers=3DKrispen%20Hartung</A><BR><A=20
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A> /=20
1.208.724.5603 <BR>Discography - <A=20
href=3D"http://www.krispenhartung.com/catalogue.htm">http://www.krispenha=
rtung.com/catalogue.htm</A><BR>CD=20
Baby Discography: <A=20
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A=
>=20
</FONT></DIV></BODY></HTML>

------=_NextPart_000_00FB_01C76BA3.5E1F7670--


From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 17:44:42 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: fretless guitar looping
Date: Wed, 21 Mar 2007 18:44:35 +0100
To: Loopers-Delight@loopers-delight.com
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Hi,

I'd like to thank everyone on the list that helped me with advice on  
reshaping my Telecaster into a  fretless guitar aimed at looping. I  
took away the frets, filled the slots with "plastic padding chemical  
wood", planed the fingerboard, trimmed the nut (much lower setting  
for fretless) and put on 013-056 stainless flat wound jazz strings.  
I'm delighted with this new instrument! Recorded the first test run,  
guitar lined directly into laptop:
http://www.looproom.com/audio/CamelRideSlumber.mp3

I imagine this guitar will be awesome to play with the Sustaniac  
system I have incoming :-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 17:52:54 2007
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From: "nick@12testing.net" <nick@12testing.net>
To: Loopers-Delight@loopers-delight.com,
	"Mark Trewella" <aleatoric12@gmail.com>
Date: Wed, 21 Mar 2007 17:52:24 -0000
MIME-Version: 1.0
Subject: forum - was  LD would be so much cooler if...
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On 20 Mar 2007 at 22:46, Mark Trewella wrote:

> I don't want to unsubscribe but a forum would be honestly a lot
> easier.  I have been off and on the list for years.  The only reason I
> ever leave is because of the email overload.

I use the digest form, but would prefer a "daily digest" instead of 
several day with 3 messages in each. That said, it's a list I 
wouldn't be without - there are so many great urls & knowledge to be 
had.

A few months ago I set up a looping forum to offer that side of 
things - I'm sure there is room for both a suitable forum *and* a 
list. It's there for those who can't or don't wish to deal with 
mailing lists and whilst I've found other forums (forii?) they didn't 
quite offer what I wanted. It's at http://looping.20.forumer.com

If anyone *does* sign up, please send a message or three to get some 
momentum started ;)




From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 17:53:16 2007
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Date: Wed, 21 Mar 2007 12:53:13 -0500
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: fretless guitar looping
References: <00fe01c76bd5$a9a24aa0$98b0ec0f@americas.hpqcorp.net>
	<A334F1FE-0CAD-42C8-8E7E-8C869544E587@gmail.com>
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Quoting Per Boysen <perboysen@gmail.com>:

>
> http://www.looproom.com/audio/CamelRideSlumber.mp3
>

Per,

Great sounds.  Enjoyed this.  Thanks!

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 17:58:05 2007
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Date: Wed, 21 Mar 2007 10:58:03 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: The Word is Out! Sell Your EDP's!
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <793916.18438.qm@web35104.mail.mud.yahoo.com>
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Is that Danny Partridge with a Digitech Jamman?

--- Paul Richards <paulrichard_rocks@yahoo.com> wrote:

> 
> http://video.yahoo.com/video/play?vid=255175&cache=1
> 
>  
> ---------------------------------
> Don't be flakey. Get Yahoo! Mail for Mobile and 
> always stay connected to friends.


 
____________________________________________________________________________________
The fish are biting. 
Get more visitors on your site using Yahoo! Search Marketing.
http://searchmarketing.yahoo.com/arp/sponsoredsearch_v2.php

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 17:59:13 2007
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Date: Wed, 21 Mar 2007 10:59:12 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: LD would be so much cooler if...
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We've been through this before but it was nixed.  I
personally agree adn like the idea of a LD forum
instead but it seems not to be in the cards.

Mark

--- Mark Trewella <aleatoric12@gmail.com> wrote:

> It was a forum!  I check quite a few forums on a
> regular basis.  I
> love loopers delight but I hate getting so many
> email everyday, would
> really prerfer to have a simple forum and would most
> likely check it
> on a daily basis.  This is the only email list I am
> on, everything
> else that is similar is all forum based.  I think
> its the way to fly.
> Plus I find it easier to get to know people because
> of PM's and
> avatars and stuff like that (ie oh its the guy with
> the cat avatar
> again, hes got 500 post, he knows what he is talking
> about, in a sig
> is a link to his music, etc).  Who's with me?  I am
> sure one of you
> guys could set up a forum.  Email lists are old
> school.
> 
> -Mark
> 
> 



 
____________________________________________________________________________________
TV dinner still cooling? 
Check out "Tonight's Picks" on Yahoo! TV.
http://tv.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 18:01:11 2007
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Date: Wed, 21 Mar 2007 11:01:09 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: forum - was  LD would be so much cooler if...
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <460170D8.9482.1CDCC37@nick.12testing.net>
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What I do is keep a free emai address pretty much just
for LD.  It ends up being the same thing..

Mark

--- "nick@12testing.net" <nick@12testing.net> wrote:

> On 20 Mar 2007 at 22:46, Mark Trewella wrote:
> 
> > I don't want to unsubscribe but a forum would be
> honestly a lot


 
____________________________________________________________________________________
Don't get soaked.  Take a quick peek at the forecast
with the Yahoo! Search weather shortcut.
http://tools.search.yahoo.com/shortcuts/#loc_weather

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 18:32:41 2007
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Date: Wed, 21 Mar 2007 11:32:39 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: The Word is Out! Sell Your EDP's!
To: Loopers-Delight@loopers-delight.com
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--0-1797790774-1174501959=:53405
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The text seemed to indicate that the lad was wowing folks with his "one man band" James Brown act using "looping". I think that kid would suck if he had a whole "Soul Band" backing him up! :)

mark sottilaro <zerocrossing2001@yahoo.com> wrote:  Is that Danny Partridge with a Digitech Jamman?

--- Paul Richards 
wrote:

> 
> http://video.yahoo.com/video/play?vid=255175&cache=1
> 
> 
> ---------------------------------
> Don't be flakey. Get Yahoo! Mail for Mobile and 
> always stay connected to friends.



____________________________________________________________________________________
The fish are biting. 
Get more visitors on your site using Yahoo! Search Marketing.
http://searchmarketing.yahoo.com/arp/sponsoredsearch_v2.php



 
---------------------------------
It's here! Your new message!
Get new email alerts with the free Yahoo! Toolbar.
--0-1797790774-1174501959=:53405
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The text seemed to indicate that the lad was wowing folks with his "one man band" James Brown act using "looping". I think that kid would suck if he had a whole "Soul Band" backing him up! :)<BR><BR><B><I>mark sottilaro &lt;zerocrossing2001@yahoo.com&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Is that Danny Partridge with a Digitech Jamman?<BR><BR>--- Paul Richards <PAULRICHARD_ROCKS@YAHOO.COM>wrote:<BR><BR>&gt; <BR>&gt; http://video.yahoo.com/video/play?vid=255175&amp;cache=1<BR>&gt; <BR>&gt; <BR>&gt; ---------------------------------<BR>&gt; Don't be flakey. Get Yahoo! Mail for Mobile and <BR>&gt; always stay connected to friends.<BR><BR><BR><BR>____________________________________________________________________________________<BR>The fish are biting. <BR>Get more visitors on your site using Yahoo! Search
 Marketing.<BR>http://searchmarketing.yahoo.com/arp/sponsoredsearch_v2.php<BR><BR></BLOCKQUOTE><BR><p>&#32;

<hr size=1>It's here! Your new message!<br>Get
<a href="http://us.rd.yahoo.com/evt=49938/*http://tools.search.yahoo.com/toolbar/features/mail/"> new email alerts</a> with the free <a href="
http://us.rd.yahoo.com/evt=49938/*http://tools.search.yahoo.com/toolbar/features/mail/">Yahoo! Toolbar.</a>
--0-1797790774-1174501959=:53405--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 18:41:56 2007
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Date: Wed, 21 Mar 2007 12:41:51 -0600
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From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
To: Loopers-Delight@loopers-delight.com
Reply-To: kevin@minds-eye.org
Subject: Re: The Word is Out! Sell Your EDP's!
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> The text seemed to indicate that the lad was wowing folks with his
"one man band" James Brown act using "looping". I think that kid would
suck if he had a whole "Soul Band" backing him up! :)

Well of course he would.  Cut him some slack though, he's what, 11 years
old?  Video Games or James Brown covers, what do you think is a more
promising direction?

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 18:42:25 2007
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Date: Wed, 21 Mar 2007 11:42:21 -0700 (PDT)
From: Ferrara Brain Pan <enantiodromia23@yahoo.com>
Subject: Boss DD-20 Delay/Looping Pedal For Sale
To: Loopers-Delight@loopers-delight.com
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I have listed my DD-20 dual delay pedal on eBay at this link:

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=290096895552

I mention it here since this is a delay pedal with basic looping capabilities, and note the
following: I made some user modifications to the unit. I added some fabric bumpers and plastic
washers inside the pedals, which make the operation of depressing the pedals quieter and reduces
the 'throw' of the pedals (meaning there is a shorter distance between the position of the pedal
when pressed and released, resulting in faster and more accurate timing, especially important when
using the pedal as a looper). The operation of the pedals is now almost silent, with much reduced
mechanical noise. The modifications I've made make this unit superior, in my opinion, to the new
factory condition I bought it in, and the quieter pedal functioning makes it especially preferable
for use with live-miked acoustic instruments. I have made no modifications to the electronics,
only the mechanical functions as specified.

I am selling it because:

a) I am presently sinking into debt from vet bills for my sick and elderly cat

b) I am unemployed, subsisting below poverty on welfare, and I can't find a job to save my life

c) I have decided to give up live performance and focus more on recording and acoustic instruments

If interested in this item, please reply to me off-list, or use the eBay 'contact seller' form...

Ferrara Brain Pan

http://www.formsofthingsunknown.com

http://www.myspace.com/formsofthingsunknown

"Let the great constellation of flickering ashes be heard..."
                                                                                      
- Noel Scott Engel

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 18:58:50 2007
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Date: Wed, 21 Mar 2007 11:58:48 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: kevin@minds-eye.org
Subject: Re: The Word is Out! Sell Your EDP's!
Cc: Loopers-Delight@loopers-delight.com
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(Video Games or James Brown covers)

Video game development has my vote! One less meatball jamming his "talent" in my face.


--
Paul Richards

---- Kevin Cheli-Colando <kevin@minds-eye.org> wrote: 
> > The text seemed to indicate that the lad was wowing folks with his
> "one man band" James Brown act using "looping". I think that kid would
> suck if he had a whole "Soul Band" backing him up! :)
> 
> Well of course he would.  Cut him some slack though, he's what, 11 years
> old?  Video Games or James Brown covers, what do you think is a more
> promising direction?
> 
> Kevin
> 
> -- 
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
> 
> - Ramana Maharshi (1879-1950)
> 
> Sound and Vision:  http://www.minds-eye.org
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 19:03:37 2007
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Date: Wed, 21 Mar 2007 12:03:32 -0700 (PDT)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: fretless guitar looping
To: Loopers-Delight@loopers-delight.com
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Again with the crazy sounds, was that all fretless? 
it sounded like Sax in there too.  After hearing this,
it made me dig out my cheap ass guitar that has a
fretless neck on it.  I will say that when you get
your sustainer installed, your possibilies will open
up. I have a song that I plaed with my sustainer
equipped Ibanez, only I used a slide and added an
octave up pitch to the sound, it sounded like a cross
between a flute and violin, the phrase I played
sounded very Eastern.  As soon as I can get my main pc
up and running, I'll send you the link to where that
song is, it's not live looping, but the parts of the
song were composed with loops I made.  
--- Per Boysen <perboysen@gmail.com> wrote:

> Hi,
> 
> I'd like to thank everyone on the list that helped
> me with advice on  
> reshaping my Telecaster into a  fretless guitar
> aimed at looping. I  
> took away the frets, filled the slots with "plastic
> padding chemical  
> wood", planed the fingerboard, trimmed the nut (much
> lower setting  
> for fretless) and put on 013-056 stainless flat
> wound jazz strings.  
> I'm delighted with this new instrument! Recorded the
> first test run,  
> guitar lined directly into laptop:
> http://www.looproom.com/audio/CamelRideSlumber.mp3
> 
> I imagine this guitar will be awesome to play with
> the Sustaniac  
> system I have incoming :-)
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://tinyurl.com/2kek7h (CC donationware music
> releases)
> 
> 
> 



 
____________________________________________________________________________________
Bored stiff? Loosen up... 
Download and play hundreds of games for free on Yahoo! Games.
http://games.yahoo.com/games/front

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 19:14:00 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: The Word is Out! Sell Your EDP's!
Date: Wed, 21 Mar 2007 12:13:54 -0700
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--Apple-Mail-1-776222917
Content-Transfer-Encoding: 7bit
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	charset=US-ASCII;
	format=flowed

OUCH!  Harsh.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 21-Mar-07, at 11:58 AM, Paul Richards wrote:

> (Video Games or James Brown covers)
>
> Video game development has my vote! One less meatball jamming his 
> "talent" in my face.

--Apple-Mail-1-776222917
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

OUCH!  Harsh.


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 21-Mar-07, at 11:58 AM, Paul Richards wrote:


<excerpt>(Video Games or James Brown covers)


Video game development has my vote! One less meatball jamming his
"talent" in my face.

</excerpt>
--Apple-Mail-1-776222917--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 19:42:57 2007
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From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
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> OUCH!  Harsh.

No doubt.

And how is his talent in your face when you have to go to a website to
watch it anyway?  Sheesh.  You don't have any kids do you?

> > (Video Games or James Brown covers)
> >
> > Video game development has my vote! One less meatball jamming his 
> > "talent" in my face.

And lastly, I never said anything about developing video games, I meant
playing them.
 
Kevin
-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 19:43:50 2007
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	id 4CB783BEF5; Wed, 21 Mar 2007 19:43:50 +0000 (UTC)
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Date: Wed, 21 Mar 2007 12:43:49 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: SBD Music, Inc Acquires Electrix Pro, Inc
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You know, it's a sad day when I actually saw that
while I was poking around a few days ago and I didn't
even think it was LD worthy news.

While once a staunch proponant (and critic) of all
things Repeater, I swear if one got placed in my house
for free I'd put it on ebay.

I really can't tell you how much fun and flexibility
using Mobius within Ableton Live has been this last 7
months.

Mark



--- S V G <vsyevolod@yahoo.com> wrote:

> 
>      Don't shoot the messenger, I'm just sayin...
> 
> 
> 
> 
> FOR IMMEDIATE RELEASE
> 
> Contact:        Adam Scolaro
> SBD Music, Inc.
> Phone: (800) 981-4531 X-701
> Fax:    (949) 462-3062
> E-mail: adams@electrixpro.com 
> 
> Laguna Hills, California (March 19, 2007) – Newly
> formed SBD Music, Inc., based in Laguna Hills,
> Calif., has acquired Electrix Pro, Inc., a leader in
> manufacturing professional audio equipment.
> 
> SBD Music, Inc. also announces they have appointed a
> board of directors consisting of Mark Buhler,
> Charles Dotson and Adam Scolaro. 
> 
> “We saw a tremendous opportunity to acquire a very
> well respected brand name in Electrix. We are
> planning to re-introduce new versions of the
> Electrix products over the next twelve to twenty
> four
> months”, says Adam Scolaro, president of SBD Music,
> Inc.
> 
> “We are going to continue manufacturing high quality
> products that Electrix is known for, and try
> to build and expand the product line”, added Mark
> Buhler.
> 
> 
> 
>      from the ElectrixPro website
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
>  
>
____________________________________________________________________________________
> Get your own web address.  
> Have a HUGE year through Yahoo! Small Business.
> http://smallbusiness.yahoo.com/domains/?p=BESTDEAL
> 
> 



 
____________________________________________________________________________________
The fish are biting. 
Get more visitors on your site using Yahoo! Search Marketing.
http://searchmarketing.yahoo.com/arp/sponsoredsearch_v2.php

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 20:03:11 2007
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Date: Wed, 21 Mar 2007 15:03:09 -0500
From: "Michael Pregeant" <mpregeant@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Korg MS2000B (with custom made hardcase), Marshall JSM2000 DSL100, and Echoplex Digital Pro for sale!
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Well I decided to post ALL of the gear I'm trying to sell on the list, I
figured some of you guys might be interested!

First is a Korg MS2000B up for sale, comes with a free keyboard stand and
custom made hardcase, I'll take offers around 800 bucks for it

Second is a Marshall JSM2000 DSL100 head for sale.. never giged with, never
in a smoking enironment, I've had this thing for a few years and have taken
great care of it. However, when I was recording some stuff with it, a
moniter fell on the back causing a bit of asthetic damage to it. Nothing
that effects playability. Given the demand for the product, I'll take offers
around 600 dollars

Lastly is that Echoplex Digital Pro I posted about, got a few offers that
are still pending but I figured I'd post again anyways. I'm asking around
650 for it.

All of my gear is in near mint condition because I treat my gear like it's
my only child.

I am flexible with payments (yes I accept paypal), and if you're interested
i'm sure we can work something out

thanks for your time,
Mike

-- 
www.myspace.com/ipwnuh4x

www.myspace.com/therealannulus

www.myspace.com/michaelpregeant

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<div>Well I decided to post ALL of the gear I&#39;m trying to sell on the list, I figured some of you guys might be interested!</div>
<div>&nbsp;</div>
<div>First is a Korg MS2000B up for sale, comes with a free keyboard stand and custom made hardcase, I&#39;ll take offers around 800 bucks for it</div>
<div>&nbsp;</div>
<div>Second is a Marshall JSM2000 DSL100 head for sale.. never giged with, never in a smoking enironment, I&#39;ve had this thing for a few years and have taken great care of it. However, when I was recording some stuff with it, a moniter fell on the back causing a bit of asthetic damage to it. Nothing that effects playability. Given the demand for the product, I&#39;ll take offers around 600 dollars
</div>
<div>&nbsp;</div>
<div>Lastly is that Echoplex Digital Pro I posted about, got a few offers that are still pending but I figured I&#39;d post again anyways. I&#39;m asking around 650 for it.</div>
<div>&nbsp;</div>
<div>All of my gear is in near mint condition because I treat my gear like it&#39;s my only child.</div>
<div>&nbsp;</div>
<div>I am flexible with payments (yes I accept paypal), and if you&#39;re interested i&#39;m sure we can work something out</div>
<div>&nbsp;</div>
<div>thanks for your time,</div>
<div>Mike<br clear="all"><br>-- <br><a href="http://www.myspace.com/ipwnuh4x">www.myspace.com/ipwnuh4x</a><br><br><a href="http://www.myspace.com/therealannulus">www.myspace.com/therealannulus</a><br><br><a href="http://www.myspace.com/michaelpregeant">
www.myspace.com/michaelpregeant</a> </div>

------=_Part_201865_32003963.1174507389051--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 20:19:51 2007
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Date: Wed, 21 Mar 2007 13:19:49 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: The Word is Out! Sell Your EDP's!
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Actually, it was presented on Yahoo's main page when I went to Yahoo. I didn't specifically LOOK for this ham.

'Wonder how much his parents spent on all those music gear items to allow his "haminess" to bloom?

--
Paul Richards

---- Kevin Cheli-Colando <kevin@minds-eye.org> wrote: 
> > OUCH!  Harsh.
> 
> No doubt.
> 
> And how is his talent in your face when you have to go to a website to
> watch it anyway?  Sheesh.  You don't have any kids do you?
> 
> > > (Video Games or James Brown covers)
> > >
> > > Video game development has my vote! One less meatball jamming his 
> > > "talent" in my face.
> 
> And lastly, I never said anything about developing video games, I meant
> playing them.
>  
> Kevin
> -- 
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
> 
> - Ramana Maharshi (1879-1950)
> 
> Sound and Vision:  http://www.minds-eye.org
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 20:30:48 2007
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Date: Wed, 21 Mar 2007 16:30:45 -0400
From: "Jim Goodin" <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: fretless guitar looping
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Per congrads on going the mile of construction and welcome to fretless
land.  Like Camel Ride a lot particularly all the sutblies.  Here is a link
for all interested in fretless work to a track I did in a series of fretless
pieces recently, participating in the
RPMChallenge.com<http://www.rpmchallenge.com>.
Daryl [Shawn <http://www.swanwelder.com>] and I did a
Chinapainting<http://www.chinapaintingmusic.com>recording for this
event and I did a solo one as well called
Found <http://www.jimgoodinmusic.com/cd.html>.  This is from that.
http://www.jimgoodinmusic.com/audio/found/Jim_Goodin_Mexico.mp3.

The guitar is an Ovation Adamas style (made by someone else)
acoustic-electric fretless 6-string that I won off eBay in December of last
year.

Best to all on LD...

Jim Goodin

PS anybody on the list in Santa Fe area.  I'm going out there on vacation
next week.  Had hoped to find a place to play and seems a bust thusfar.  At
this point sure but if anyone is local and knows of a reasonable open mic or
church coffeehouse or something I could drop in at thanks...


On 3/21/07, Per Boysen <perboysen@gmail.com> wrote:
>
> Hi,
>
> I'd like to thank everyone on the list that helped me with advice on
> reshaping my Telecaster into a  fretless guitar aimed at looping. I
> took away the frets, filled the slots with "plastic padding chemical
> wood", planed the fingerboard, trimmed the nut (much lower setting
> for fretless) and put on 013-056 stainless flat wound jazz strings.
> I'm delighted with this new instrument! Recorded the first test run,
> guitar lined directly into laptop:
> http://www.looproom.com/audio/CamelRideSlumber.mp3
>
> I imagine this guitar will be awesome to play with the Sustaniac
> system I have incoming :-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://tinyurl.com/2kek7h (CC donationware music releases)
>
>
>


-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

Associates and friends on the web -
Daryl Shawn -
http://www.swanwelder.com
Adam Werner - http://www.adamwerner.com
John Stowell - http://www.johnstowell.com
Matt Richards - http://www.mattrichardsmusic.net
Michael Manring - http://www.manthing.com
Will Ackerman - http://www.williamackerman.com
New Land Music - http://www.newlandmusic.com

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<div>Per congrads on going the mile of construction and welcome to fretless land.&nbsp; Like Camel Ride a lot particularly all the sutblies.&nbsp; Here is a link for all interested in fretless work to a track I did in a series of fretless pieces recently, participating in the 
<a href="http://www.rpmchallenge.com">RPMChallenge.com</a>.&nbsp; <a href="http://www.swanwelder.com">Daryl [Shawn</a>] and I did a <a href="http://www.chinapaintingmusic.com">Chinapainting</a> recording for this event and I did a solo one as well called 
<a href="http://www.jimgoodinmusic.com/cd.html">Found</a>.&nbsp; This is from that.&nbsp; <a href="http://www.jimgoodinmusic.com/audio/found/Jim_Goodin_Mexico.mp3">http://www.jimgoodinmusic.com/audio/found/Jim_Goodin_Mexico.mp3</a>
.</div>
<div>&nbsp;</div>
<div>The guitar is an Ovation Adamas style (made by someone else) acoustic-electric fretless 6-string that I won off eBay in December of last year.</div>
<div>&nbsp;</div>
<div>Best to all on LD...</div>
<div>&nbsp;</div>
<div>Jim Goodin</div>
<div>&nbsp;</div>
<div>PS anybody on the list in Santa Fe area.&nbsp; I&#39;m going out there on vacation next week.&nbsp; Had hoped to find a place to play and seems a bust thusfar.&nbsp; At this point sure but if anyone is local and knows of a reasonable open mic or church coffeehouse or something I could drop in at thanks...
<br><br>&nbsp;</div>
<div><span class="gmail_quote">On 3/21/07, <b class="gmail_sendername">Per Boysen</b> &lt;<a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hi,<br><br>I&#39;d like to thank everyone on the list that helped me with advice on<br>reshaping my Telecaster into a&nbsp;&nbsp;fretless guitar aimed at looping. I
<br>took away the frets, filled the slots with &quot;plastic padding chemical<br>wood&quot;, planed the fingerboard, trimmed the nut (much lower setting<br>for fretless) and put on 013-056 stainless flat wound jazz strings.
<br>I&#39;m delighted with this new instrument! Recorded the first test run,<br>guitar lined directly into laptop:<br><a href="http://www.looproom.com/audio/CamelRideSlumber.mp3">http://www.looproom.com/audio/CamelRideSlumber.mp3
</a><br><br>I imagine this guitar will be awesome to play with the Sustaniac<br>system I have incoming :-)<br><br>Greetings from Sweden<br><br>Per Boysen<br><a href="http://www.boysen.se">www.boysen.se</a> (Swedish)<br><a href="http://www.looproom.com">
www.looproom.com</a> (international)<br><a href="http://tinyurl.com/fauvm">http://tinyurl.com/fauvm</a> (podcast)<br><a href="http://tinyurl.com/2kek7h">http://tinyurl.com/2kek7h</a> (CC donationware music releases)<br><br>
<br></blockquote></div><br><br clear="all"><br>-- <br>The Acoustic World Guitar of Jim Goodin&nbsp;&nbsp;- <a href="http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com</a><br>MySpace (solo) - <a href="http://www.myspace.com/jimgoodinmusic">
http://www.myspace.com/jimgoodinmusic</a><br>Chinapainting -<br><a href="http://www.chinapaintingmusic.com">http://www.chinapaintingmusic.com</a><br>Chinapainting on My Space -<br><a href="http://www.myspace.com/chinapaintingmusic.com">
http://www.myspace.com/chinapaintingmusic.com</a><br>The Jim Goodin label and home for 7 other creative souls - <a href="http://www.woodandwiremusic.com">http://www.woodandwiremusic.com</a> <br>Jim Goodin uses GHS Strings - 
<a href="http://www.ghsstrings.com">http://www.ghsstrings.com</a> and Seagull Guitars - <a href="http://www.seagullguitars.com">http://www.seagullguitars.com</a>, Jim Goodin is published by Mel Bay Publications, Inc. - <a href="http://www.melbay.com">
http://www.melbay.com</a><br><br>Associates and friends on the web -<br>Daryl Shawn -<br><a href="http://www.swanwelder.com">http://www.swanwelder.com</a><br>Adam Werner - <a href="http://www.adamwerner.com">http://www.adamwerner.com
</a><br>John Stowell - <a href="http://www.johnstowell.com">http://www.johnstowell.com</a><br>Matt Richards - <a href="http://www.mattrichardsmusic.net">http://www.mattrichardsmusic.net</a><br>Michael Manring - <a href="http://www.manthing.com">
http://www.manthing.com</a><br>Will Ackerman - <a href="http://www.williamackerman.com">http://www.williamackerman.com</a><br>New Land Music - <a href="http://www.newlandmusic.com">http://www.newlandmusic.com</a> 

------=_Part_181933_24930935.1174509045320--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 20:48:42 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: fretless guitar looping
Date: Wed, 21 Mar 2007 21:48:36 +0100
To: Loopers-Delight@loopers-delight.com
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On 21 mar 2007, at 20.03, Brian Kupferschmid wrote:

> Again with the crazy sounds, was that all fretless?

Yes. My telecaster, reborn and stripped from sinful frets.

> it sounded like Sax in there too.

No sax. But guitar played alternatively through seven different VST  
effect chains, before looped in Mobius.

> After hearing this,
> it made me dig out my cheap ass guitar that has a
> fretless neck on it.

Cool! Fretless is the thing :-)

> I will say that when you get
> your sustainer installed, your possibilies will open
> up.

Yes. I have ordered one and can hardly wait for it to get here. The  
Sustainiac is the reason I I'd like to pick up fretless guitar  
playing again. Last time I "destroyed" a guitar was in 1980 and I was  
dissatisfied with the short sustain. And since I have focused on wind  
instruments quite a lot lately I have really become frustrated with  
the lack of continuos tone control you have with traditional guitars.  
Sustainiac is going to be a great adventure! ;-)))

> I have a song that I plaed with my sustainer
> equipped Ibanez, only I used a slide and added an
> octave up pitch to the sound, it sounded like a cross
> between a flute and violin, the phrase I played
> sounded very Eastern.  As soon as I can get my main pc
> up and running, I'll send you the link to where that
> song is, it's not live looping, but the parts of the
> song were composed with loops I made.

Nice! Post a note when you find it! INteresting that you think you  
played "Eastern" on that fretless! That's what attracts me as well,  
the micro tonalities you are free to create by ear. No limiting  
instrument hardware, just the pure vibrations and the way you chose  
to react to them.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 21:05:04 2007
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Subject: Re: fretless guitar looping
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In addition to Ned Evett, here in Boise, we have another local and very =
well accomplished fretless player - Ben Burdick. Great jazz player and =
looper to boot! Here is his fretless Christmas CD:

http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=3D15224673=
3&s=3D143441

Video of him playing Autumn Leaves on fretless: =
http://www.benburdick.com/videos.html (using a fretless godin, I =
believe...he has all his guitars de-fretted by a Luthier her in =
Boise...I have one of them here at my place, a traditional nylon string =
acoustic).

His new CD I hear is quite good...with some Django like gypsy jazz on =
it.

Kris


  ----- Original Message -----=20
  From: Jim Goodin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, March 21, 2007 2:30 PM
  Subject: Re: fretless guitar looping


  Per congrads on going the mile of construction and welcome to fretless =
land.  Like Camel Ride a lot particularly all the sutblies.  Here is a =
link for all interested in fretless work to a track I did in a series of =
fretless pieces recently, participating in the RPMChallenge.com.  Daryl =
[Shawn] and I did a Chinapainting recording for this event and I did a =
solo one as well called Found.  This is from that.  =
http://www.jimgoodinmusic.com/audio/found/Jim_Goodin_Mexico.mp3 .

  The guitar is an Ovation Adamas style (made by someone else) =
acoustic-electric fretless 6-string that I won off eBay in December of =
last year.

  Best to all on LD...

  Jim Goodin

  PS anybody on the list in Santa Fe area.  I'm going out there on =
vacation next week.  Had hoped to find a place to play and seems a bust =
thusfar.  At this point sure but if anyone is local and knows of a =
reasonable open mic or church coffeehouse or something I could drop in =
at thanks...=20

  =20
  On 3/21/07, Per Boysen <perboysen@gmail.com> wrote:=20
    Hi,

    I'd like to thank everyone on the list that helped me with advice on
    reshaping my Telecaster into a  fretless guitar aimed at looping. I=20
    took away the frets, filled the slots with "plastic padding chemical
    wood", planed the fingerboard, trimmed the nut (much lower setting
    for fretless) and put on 013-056 stainless flat wound jazz strings.=20
    I'm delighted with this new instrument! Recorded the first test run,
    guitar lined directly into laptop:
    http://www.looproom.com/audio/CamelRideSlumber.mp3=20

    I imagine this guitar will be awesome to play with the Sustaniac
    system I have incoming :-)

    Greetings from Sweden

    Per Boysen
    www.boysen.se (Swedish)
    www.looproom.com (international)
    http://tinyurl.com/fauvm (podcast)
    http://tinyurl.com/2kek7h (CC donationware music releases)






  --=20
  The Acoustic World Guitar of Jim Goodin  - =
http://www.jimgoodinmusic.com
  MySpace (solo) - http://www.myspace.com/jimgoodinmusic
  Chinapainting -
  http://www.chinapaintingmusic.com
  Chinapainting on My Space -
  http://www.myspace.com/chinapaintingmusic.com
  The Jim Goodin label and home for 7 other creative souls - =
http://www.woodandwiremusic.com=20
  Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull =
Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel =
Bay Publications, Inc. - http://www.melbay.com

  Associates and friends on the web -
  Daryl Shawn -
  http://www.swanwelder.com
  Adam Werner - http://www.adamwerner.com=20
  John Stowell - http://www.johnstowell.com
  Matt Richards - http://www.mattrichardsmusic.net
  Michael Manring - http://www.manthing.com
  Will Ackerman - http://www.williamackerman.com
  New Land Music - http://www.newlandmusic.com 
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3059" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>In addition to Ned Evett, here in =
Boise, we have=20
another local and very well accomplished fretless player - Ben Burdick. =
Great=20
jazz player and looper to boot! Here is his fretless Christmas =
CD:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=3D=
152246733&amp;s=3D143441">http://phobos.apple.com/WebObjects/MZStore.woa/=
wa/viewAlbum?id=3D152246733&amp;s=3D143441</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Video of him playing Autumn Leaves on =
fretless: <A=20
href=3D"http://www.benburdick.com/videos.html">http://www.benburdick.com/=
videos.html</A>&nbsp;(using=20
a fretless godin, I believe...he has all his guitars de-fretted by a =
Luthier her=20
in Boise...I have one of them here at my place, a traditional nylon =
string=20
acoustic).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>His new CD I hear is quite good...with =
some Django=20
like gypsy jazz on it.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, March 21, 2007 =
2:30=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: fretless guitar=20
looping</DIV>
  <DIV><BR></DIV>
  <DIV>Per congrads on going the mile of construction and welcome to =
fretless=20
  land.&nbsp; Like Camel Ride a lot particularly all the sutblies.&nbsp; =
Here is=20
  a link for all interested in fretless work to a track I did in a =
series of=20
  fretless pieces recently, participating in the <A=20
  href=3D"http://www.rpmchallenge.com">RPMChallenge.com</A>.&nbsp; <A=20
  href=3D"http://www.swanwelder.com">Daryl [Shawn</A>] and I did a <A=20
  href=3D"http://www.chinapaintingmusic.com">Chinapainting</A> recording =
for this=20
  event and I did a solo one as well called <A=20
  href=3D"http://www.jimgoodinmusic.com/cd.html">Found</A>.&nbsp; This =
is from=20
  that.&nbsp; <A=20
  =
href=3D"http://www.jimgoodinmusic.com/audio/found/Jim_Goodin_Mexico.mp3">=
http://www.jimgoodinmusic.com/audio/found/Jim_Goodin_Mexico.mp3</A>=20
  .</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>The guitar is an Ovation Adamas style (made by someone else)=20
  acoustic-electric fretless 6-string that I won off eBay in December of =
last=20
  year.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Best to all on LD...</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Jim Goodin</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>PS anybody on the list in Santa Fe area.&nbsp; I'm going out =
there on=20
  vacation next week.&nbsp; Had hoped to find a place to play and seems =
a bust=20
  thusfar.&nbsp; At this point sure but if anyone is local and knows of =
a=20
  reasonable open mic or church coffeehouse or something I could drop in =
at=20
  thanks... <BR><BR>&nbsp;</DIV>
  <DIV><SPAN class=3Dgmail_quote>On 3/21/07, <B =
class=3Dgmail_sendername>Per=20
  Boysen</B> &lt;<A=20
  href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</A>&gt; =
wrote:</SPAN>=20
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">Hi,<BR><BR>I'd=20
    like to thank everyone on the list that helped me with advice=20
    on<BR>reshaping my Telecaster into a&nbsp;&nbsp;fretless guitar =
aimed at=20
    looping. I <BR>took away the frets, filled the slots with "plastic =
padding=20
    chemical<BR>wood", planed the fingerboard, trimmed the nut (much =
lower=20
    setting<BR>for fretless) and put on 013-056 stainless flat wound =
jazz=20
    strings. <BR>I'm delighted with this new instrument! Recorded the =
first test=20
    run,<BR>guitar lined directly into laptop:<BR><A=20
    =
href=3D"http://www.looproom.com/audio/CamelRideSlumber.mp3">http://www.lo=
oproom.com/audio/CamelRideSlumber.mp3=20
    </A><BR><BR>I imagine this guitar will be awesome to play with the=20
    Sustaniac<BR>system I have incoming :-)<BR><BR>Greetings from=20
    Sweden<BR><BR>Per Boysen<BR><A =
href=3D"http://www.boysen.se">www.boysen.se</A>=20
    (Swedish)<BR><A =
href=3D"http://www.looproom.com">www.looproom.com</A>=20
    (international)<BR><A=20
    href=3D"http://tinyurl.com/fauvm">http://tinyurl.com/fauvm</A> =
(podcast)<BR><A=20
    href=3D"http://tinyurl.com/2kek7h">http://tinyurl.com/2kek7h</A> (CC =

    donationware music releases)<BR><BR><BR></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>The Acoustic World Guitar of Jim =
Goodin&nbsp;&nbsp;- <A=20
  =
href=3D"http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com</A><=
BR>MySpace=20
  (solo) - <A=20
  =
href=3D"http://www.myspace.com/jimgoodinmusic">http://www.myspace.com/jim=
goodinmusic</A><BR>Chinapainting=20
  -<BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">http://www.chinapaintingmusic.=
com</A><BR>Chinapainting=20
  on My Space -<BR><A=20
  =
href=3D"http://www.myspace.com/chinapaintingmusic.com">http://www.myspace=
.com/chinapaintingmusic.com</A><BR>The=20
  Jim Goodin label and home for 7 other creative souls - <A=20
  =
href=3D"http://www.woodandwiremusic.com">http://www.woodandwiremusic.com<=
/A>=20
  <BR>Jim Goodin uses GHS Strings - <A=20
  href=3D"http://www.ghsstrings.com">http://www.ghsstrings.com</A> and =
Seagull=20
  Guitars - <A=20
  =
href=3D"http://www.seagullguitars.com">http://www.seagullguitars.com</A>,=
 Jim=20
  Goodin is published by Mel Bay Publications, Inc. - <A=20
  =
href=3D"http://www.melbay.com">http://www.melbay.com</A><BR><BR>Associate=
s and=20
  friends on the web -<BR>Daryl Shawn -<BR><A=20
  =
href=3D"http://www.swanwelder.com">http://www.swanwelder.com</A><BR>Adam =
Werner=20
  - <A href=3D"http://www.adamwerner.com">http://www.adamwerner.com =
</A><BR>John=20
  Stowell - <A=20
  =
href=3D"http://www.johnstowell.com">http://www.johnstowell.com</A><BR>Mat=
t=20
  Richards - <A=20
  =
href=3D"http://www.mattrichardsmusic.net">http://www.mattrichardsmusic.ne=
t</A><BR>Michael=20
  Manring - <A=20
  href=3D"http://www.manthing.com">http://www.manthing.com</A><BR>Will =
Ackerman -=20
  <A=20
  =
href=3D"http://www.williamackerman.com">http://www.williamackerman.com</A=
><BR>New=20
  Land Music - <A=20
  href=3D"http://www.newlandmusic.com">http://www.newlandmusic.com</A>=20
</BLOCKQUOTE></BODY></HTML>

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Date: Wed, 21 Mar 2007 16:06:47 -0500
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I've never known Yahoo to start playing a video on its main page.

I'm surprised at the vitriol expended on this kid's video, though. An 11
yr-old who's fairly competent on a handful of instruments uses looping to
cover a James Brown song, while hamming it up. Let's break it down:

- 11 yrs old --- there are plenty of vids on YouTube of adults with less
skillz than this kid
- Covering a JB song --- this is prolly the biggest offense, right? I mean
live looping should only be reserved for a small handful of music types: the
ephemeral improvisation, sound sculpture, drone+noodle (aka frippertronics),
reichian minimalism, and guitar-turntablism...right out are: jazzer
vamp+noodle (jazzer vamp != fripp drone), pop song structures, and above
all--*cover* tunes. Let's face it, we should be thankful there are 11 yr
olds who know who JB is, let alone are interested in playing his music. It
could've been a looping cover of a Paris Hilton song.
- hamming it up --- G-d forbid someone using a looper exhibits stage
presence

Before I get accused of being an
improvisation-sound-sculputure-frippertronic-reich-turntablism-avant-garde-bleep-bloop
hater, know that I've done more than my fair share of ebow-saturated
drone+noodles and reichian minimalist pieces, some free improv, some sound
sculpture, and much of my chamber music could certainly fall into the
bleep/bloop category.

Yeah, an 11 yr old's brand of hamming it up can be a bit annoying, but if
someone played the hell out of that song while shoe-gazing, it would suck
far worse than what that kid did.

Cheers,

Jon Southwood

On 3/21/07, Paul Richards <paulrichard10@adelphia.net> wrote:
>
> Actually, it was presented on Yahoo's main page when I went to Yahoo. I
> didn't specifically LOOK for this ham.
>
> 'Wonder how much his parents spent on all those music gear items to allow
> his "haminess" to bloom?
>
> --
> Paul Richards
>
> ---- Kevin Cheli-Colando <kevin@minds-eye.org> wrote:
> > > OUCH!  Harsh.
> >
> > No doubt.
> >
> > And how is his talent in your face when you have to go to a website to
> > watch it anyway?  Sheesh.  You don't have any kids do you?
> >
> > > > (Video Games or James Brown covers)
> > > >
> > > > Video game development has my vote! One less meatball jamming his
> > > > "talent" in my face.
> >
> > And lastly, I never said anything about developing video games, I meant
> > playing them.
> >
> > Kevin
> > --
> > Till now you seriously considered yourself to be the body and to have a
> > form. That is the primal ignorance which is the root cause of all
> trouble.
> >
> > - Ramana Maharshi (1879-1950)
> >
> > Sound and Vision:  http://www.minds-eye.org
> >
>
>

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I&#39;ve never known Yahoo to start playing a video on its main page.<br><br>I&#39;m surprised at the vitriol expended on this kid&#39;s video, though. An 11 yr-old who&#39;s fairly competent on a handful of instruments uses looping to cover a James Brown song, while hamming it up. Let&#39;s break it down:
<br><br>- 11 yrs old --- there are plenty of vids on YouTube of adults with less skillz than this kid<br>- Covering a JB song --- this is prolly the biggest offense, right? I mean live looping should only be reserved for a small handful of music types: the ephemeral improvisation, sound sculpture, drone+noodle (aka frippertronics), reichian minimalism, and guitar-turntablism...right out are: jazzer vamp+noodle (jazzer vamp != fripp drone), pop song structures, and above all--*cover* tunes. Let&#39;s face it, we should be thankful there are 11 yr olds who know who JB is, let alone are interested in playing his music. It could&#39;ve been a looping cover of a Paris Hilton song.
<br>- hamming it up --- G-d forbid someone using a looper exhibits stage presence<br><br>Before I get accused of being an improvisation-sound-sculputure-frippertronic-reich-turntablism-avant-garde-bleep-bloop hater, know that I&#39;ve done more than my fair share of ebow-saturated drone+noodles and reichian minimalist pieces, some free improv, some sound sculpture, and much of my chamber music could certainly fall into the bleep/bloop category.
<br><br>Yeah, an 11 yr old&#39;s brand of hamming it up can be a bit annoying, but if someone played the hell out of that song while shoe-gazing, it would suck far worse than what that kid did.<br><br>Cheers,<br><br>Jon Southwood
<br><br><div><span class="gmail_quote">On 3/21/07, <b class="gmail_sendername">Paul Richards</b> &lt;<a href="mailto:paulrichard10@adelphia.net">paulrichard10@adelphia.net</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Actually, it was presented on Yahoo&#39;s main page when I went to Yahoo. I didn&#39;t specifically LOOK for this ham.<br><br>&#39;Wonder how much his parents spent on all those music gear items to allow his &quot;haminess&quot; to bloom?
<br><br>--<br>Paul Richards<br><br>---- Kevin Cheli-Colando &lt;<a href="mailto:kevin@minds-eye.org">kevin@minds-eye.org</a>&gt; wrote:<br>&gt; &gt; OUCH!&nbsp;&nbsp;Harsh.<br>&gt;<br>&gt; No doubt.<br>&gt;<br>&gt; And how is his talent in your face when you have to go to a website to
<br>&gt; watch it anyway?&nbsp;&nbsp;Sheesh.&nbsp;&nbsp;You don&#39;t have any kids do you?<br>&gt;<br>&gt; &gt; &gt; (Video Games or James Brown covers)<br>&gt; &gt; &gt;<br>&gt; &gt; &gt; Video game development has my vote! One less meatball jamming his
<br>&gt; &gt; &gt; &quot;talent&quot; in my face.<br>&gt;<br>&gt; And lastly, I never said anything about developing video games, I meant<br>&gt; playing them.<br>&gt;<br>&gt; Kevin<br>&gt; --<br>&gt; Till now you seriously considered yourself to be the body and to have a
<br>&gt; form. That is the primal ignorance which is the root cause of all trouble.<br>&gt;<br>&gt; - Ramana Maharshi (1879-1950)<br>&gt;<br>&gt; Sound and Vision:&nbsp;&nbsp;<a href="http://www.minds-eye.org">http://www.minds-eye.org
</a><br>&gt;<br><br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 22:15:28 2007
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From: Darren Nelsen <darren@curiomusic.com>
Subject: Re: rc50 syncing
Date: Wed, 21 Mar 2007 18:15:18 -0400
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Dug deeper and found that your problem might be Tempo Sync on all  
three phrases. Try turning it off for Phrase 3.

See this guide as a reference:

http://bossus.com/manuals/RC50WS06.pdf

(Page 10, again)


--
Darren Nelsen
composer/guitarist
http://www.curiomusic.com




On Mar 20, 2007, at 7:53 AM, Darren Nelsen wrote:

> I've not been able to swing this yet myself (I'm fairly new to the  
> RC-50), but try this (page 10):
>
> http://bossus.com/manuals/RC50WS05.pdf
>
>
>
> On Mar 20, 2007, at 1:08 AM, john floridis wrote:
>
>> i've been using the rc50 for some time now, but one thing i cannot
>> seem to figureo out....
>> what i want to do is have three different phrases of three different
>> lengths that can be stopped and started again simultaneously.  i have
>> tempo sync turned on on all three phrases.  i seem to be able to do
>> it easily with the first two, but when i add that last phrase, it is
>> never in sync when i re-start.
>>
>> any ideas?
>>
>> john floridis

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 22:22:12 2007
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Date: Wed, 21 Mar 2007 15:22:08 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: The Word is Out! Sell Your EDP's!
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(I've never known Yahoo to start playing a video on its main page.)
   
  I don't think I said it did, did I, ye of the dry (attempted) wit.
   
  (Vitriol)
   
  Hahaha. I think I remember all the nasty comments about the guy that did the Boss demo of the RC-50. Gimme a fuckin' break.
   
  As I implied, though. It's just another example of some kid's parents dough that financed his "collection" of gear. I've known plenty of those types. In fact, I still have a couple of their "albums" that I save as a kind of music house of horrors (one from my ex-boss's kid that had to be an example of the worst crap ever promulgated on an unsuspecting public - next to American Idol applicants, of course).
   
  And, just for the record, I'm a looper that doesn't do drone-y stuff (currently). I play mostly typically-structured rock with extended solos. Hence, I have no problem with 'traditional' rock or soul.

 
Jon Southwood <jsouthwood@gmail.com> wrote:
  I've never known Yahoo to start playing a video on its main page.

I'm surprised at the vitriol expended on this kid's video, though. An 11 yr-old who's fairly competent on a handful of instruments uses looping to cover a James Brown song, while hamming it up. Let's break it down: 

- 11 yrs old --- there are plenty of vids on YouTube of adults with less skillz than this kid
- Covering a JB song --- this is prolly the biggest offense, right? I mean live looping should only be reserved for a small handful of music types: the ephemeral improvisation, sound sculpture, drone+noodle (aka frippertronics), reichian minimalism, and guitar-turntablism...right out are: jazzer vamp+noodle (jazzer vamp != fripp drone), pop song structures, and above all--*cover* tunes. Let's face it, we should be thankful there are 11 yr olds who know who JB is, let alone are interested in playing his music. It could've been a looping cover of a Paris Hilton song. 
- hamming it up --- G-d forbid someone using a looper exhibits stage presence

Before I get accused of being an improvisation-sound-sculputure-frippertronic-reich-turntablism-avant-garde-bleep-bloop hater, know that I've done more than my fair share of ebow-saturated drone+noodles and reichian minimalist pieces, some free improv, some sound sculpture, and much of my chamber music could certainly fall into the bleep/bloop category. 

Yeah, an 11 yr old's brand of hamming it up can be a bit annoying, but if someone played the hell out of that song while shoe-gazing, it would suck far worse than what that kid did.

Cheers,

Jon Southwood 

  On 3/21/07, Paul Richards <paulrichard10@adelphia.net> wrote:  Actually, it was presented on Yahoo's main page when I went to Yahoo. I didn't specifically LOOK for this ham.

'Wonder how much his parents spent on all those music gear items to allow his "haminess" to bloom? 

--
Paul Richards

---- Kevin Cheli-Colando <kevin@minds-eye.org> wrote:
> > OUCH!  Harsh.
>
> No doubt.
>
> And how is his talent in your face when you have to go to a website to 
> watch it anyway?  Sheesh.  You don't have any kids do you?
>
> > > (Video Games or James Brown covers)
> > >
> > > Video game development has my vote! One less meatball jamming his 
> > > "talent" in my face.
>
> And lastly, I never said anything about developing video games, I meant
> playing them.
>
> Kevin
> --
> Till now you seriously considered yourself to be the body and to have a 
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org 
>





 
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<div>(I've never known Yahoo to start playing a video on its main page.)</div>  <div>&nbsp;</div>  <div>I don't think I said it did, did I, ye of the dry (attempted) wit.</div>  <div>&nbsp;</div>  <div>(Vitriol)</div>  <div>&nbsp;</div>  <div>Hahaha. I think I remember all the nasty comments about the guy that did the Boss demo of the RC-50. Gimme a fuckin' break.</div>  <div>&nbsp;</div>  <div>As I implied, though. It's just another example of some kid's parents dough that financed his "collection" of gear. I've known plenty of those types. In fact, I still have a couple of their "albums" that I save as a kind of music house of horrors (one from my ex-boss's kid that had to be an example of the worst crap ever promulgated on an unsuspecting public - next to American Idol applicants, of course).</div>  <div>&nbsp;</div>  <div>And, just for the record, I'm a looper that doesn't do drone-y stuff (currently). I play mostly typically-structured rock with extended solos. Hence,
 I have no problem with 'traditional'&nbsp;rock or&nbsp;soul.<BR><BR>&nbsp;<BR><B><I>Jon Southwood &lt;jsouthwood@gmail.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I've never known Yahoo to start playing a video on its main page.<BR><BR>I'm surprised at the vitriol expended on this kid's video, though. An 11 yr-old who's fairly competent on a handful of instruments uses looping to cover a James Brown song, while hamming it up. Let's break it down: <BR><BR>- 11 yrs old --- there are plenty of vids on YouTube of adults with less skillz than this kid<BR>- Covering a JB song --- this is prolly the biggest offense, right? I mean live looping should only be reserved for a small handful of music types: the ephemeral improvisation, sound sculpture, drone+noodle (aka frippertronics), reichian minimalism, and guitar-turntablism...right out are: jazzer vamp+noodle (jazzer vamp != fripp drone), pop
 song structures, and above all--*cover* tunes. Let's face it, we should be thankful there are 11 yr olds who know who JB is, let alone are interested in playing his music. It could've been a looping cover of a Paris Hilton song. <BR>- hamming it up --- G-d forbid someone using a looper exhibits stage presence<BR><BR>Before I get accused of being an improvisation-sound-sculputure-frippertronic-reich-turntablism-avant-garde-bleep-bloop hater, know that I've done more than my fair share of ebow-saturated drone+noodles and reichian minimalist pieces, some free improv, some sound sculpture, and much of my chamber music could certainly fall into the bleep/bloop category. <BR><BR>Yeah, an 11 yr old's brand of hamming it up can be a bit annoying, but if someone played the hell out of that song while shoe-gazing, it would suck far worse than what that kid did.<BR><BR>Cheers,<BR><BR>Jon Southwood <BR><BR>  <DIV><SPAN class=gmail_quote>On 3/21/07, <B class=gmail_sendername>Paul
 Richards</B> &lt;<A href="mailto:paulrichard10@adelphia.net">paulrichard10@adelphia.net</A>&gt; wrote:</SPAN>  <BLOCKQUOTE class=gmail_quote style="PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">Actually, it was presented on Yahoo's main page when I went to Yahoo. I didn't specifically LOOK for this ham.<BR><BR>'Wonder how much his parents spent on all those music gear items to allow his "haminess" to bloom? <BR><BR>--<BR>Paul Richards<BR><BR>---- Kevin Cheli-Colando &lt;<A href="mailto:kevin@minds-eye.org">kevin@minds-eye.org</A>&gt; wrote:<BR>&gt; &gt; OUCH!&nbsp;&nbsp;Harsh.<BR>&gt;<BR>&gt; No doubt.<BR>&gt;<BR>&gt; And how is his talent in your face when you have to go to a website to <BR>&gt; watch it anyway?&nbsp;&nbsp;Sheesh.&nbsp;&nbsp;You don't have any kids do you?<BR>&gt;<BR>&gt; &gt; &gt; (Video Games or James Brown covers)<BR>&gt; &gt; &gt;<BR>&gt; &gt; &gt; Video game development has my vote! One less meatball jamming
 his <BR>&gt; &gt; &gt; "talent" in my face.<BR>&gt;<BR>&gt; And lastly, I never said anything about developing video games, I meant<BR>&gt; playing them.<BR>&gt;<BR>&gt; Kevin<BR>&gt; --<BR>&gt; Till now you seriously considered yourself to be the body and to have a <BR>&gt; form. That is the primal ignorance which is the root cause of all trouble.<BR>&gt;<BR>&gt; - Ramana Maharshi (1879-1950)<BR>&gt;<BR>&gt; Sound and Vision:&nbsp;&nbsp;<A href="http://www.minds-eye.org/">http://www.minds-eye.org </A><BR>&gt;<BR><BR></BLOCKQUOTE></DIV><BR></BLOCKQUOTE><BR><p>&#32;

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 22:32:35 2007
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much thanks darren....i'll give it a try.

john

From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 23:42:36 2007
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On 3/21/07, Paul Richards <paulrichard_rocks@yahoo.com> wrote:
>
> (I've never known Yahoo to start playing a video on its main page.)
>
> I don't think I said it did, did I, ye of the dry (attempted) wit.
>

Here's what you said:

"Actually, it was presented on Yahoo's main page when I went to Yahoo. I
didn't specifically LOOK for this ham."

Yeah, you don't specifically say that it started playing, however it's
certainly implied that it was forced upon you. If it didn't start playing
automagically, then you must've actually initiated the playing of the video.
How is that "jamming his 'talent' in [your] face"?

Oh, and I'm sorry my post was neither dry enough nor witty enough for you.


(Vitriol)
>
> Hahaha. I think I remember all the nasty comments about the guy that did
> the Boss demo of the RC-50.
>

I didn't read any of that thread, nor did I participate. Maybe I should
search the Gmail archives of LD to recalibrate my vitriolometer.

Gimme a fuckin' break.
>

Ah, now *that's* witty.

As I implied, though. It's just another example of some kid's parents dough
> that financed his "collection" of gear. I've known plenty of those types. In
> fact, I still have a couple of their "albums" that I save as a kind of music
> house of horrors (one from my ex-boss's kid that had to be an example of the
> worst crap ever promulgated on an unsuspecting public - next to American
> Idol applicants, of course).
>

Well, shame on my parents for having a piano in the house. A pox on my
grandfather for loaning me his ebony clarinet so I could play an instrument
in our junior high school band. A double-shame on my parents for buying me
my first electric guitar (a Phantom Strat-copy that eventually had neck
problems, so I yanked the frets).

Maybe out of spite, now, but I won't feel guilty for cultivating whatever
talent my daughter has for music. She's too young now, but eventually,
she'll have access to my collection of instruments, including electric
guitars (both fretted and fretless), a Chapman Stick, an EDP, oh and the
same piano I grew up with.

Feel free to write her off now.

Oh, incidentally, the blurb off to the side of the video mentions that the
kid actually gigs in the NYC area. It's actually possible he paid for some
of that gear himself (although without the pressures of making rent or
buying food, that doesn't count, right?)


And, just for the record, I'm a looper that doesn't do drone-y stuff
> (currently). I play mostly typically-structured rock with extended solos.
> Hence, I have no problem with 'traditional' rock or soul.
>

Well, good. We can agree on something. It just sounded a bit like a shadow
of the Keller Williams thread from a while back.


Cheers,

Jon

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<br><br><div><span class="gmail_quote">On 3/21/07, <b class="gmail_sendername">Paul Richards</b> &lt;<a href="mailto:paulrichard_rocks@yahoo.com">paulrichard_rocks@yahoo.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div>(I&#39;ve never known Yahoo to start playing a video on its main page.)</div>  <div>&nbsp;</div>  <div>I don&#39;t think I said it did, did I, ye of the dry (attempted) wit.</div></blockquote><div><br>Here&#39;s what you said:
<br><br>&quot;Actually, it was presented on Yahoo&#39;s main page when I went to Yahoo. I didn&#39;t specifically LOOK for this ham.&quot;<br><br>Yeah, you don&#39;t specifically say that it started playing, however it&#39;s certainly implied that it was forced upon you. If it didn&#39;t start playing automagically, then you must&#39;ve actually initiated the playing of the video. How is that &quot;jamming his &#39;talent&#39; in [your] face&quot;?
<br><br>Oh, and I&#39;m sorry my post was neither dry enough nor witty enough for you.<br>&nbsp;</div><br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div>(Vitriol)</div>  <div>&nbsp;</div>  <div>Hahaha. I think I remember all the nasty comments about the guy that did the Boss demo of the RC-50. </div></blockquote><div><br>I didn&#39;t read any of that thread, nor did I participate. Maybe I should
search the Gmail archives of LD to recalibrate my vitriolometer.<br>
<br></div><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div>Gimme a fuckin&#39; break.</div></blockquote><div><br>Ah, now *that&#39;s* witty. 
<br><br></div><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div>As I implied, though. It&#39;s just another example of some kid&#39;s parents dough that financed his &quot;collection&quot; of gear. I&#39;ve known plenty of those types. In fact, I still have a couple of their &quot;albums&quot; that I save as a kind of music house of horrors (one from my ex-boss&#39;s kid that had to be an example of the worst crap ever promulgated on an unsuspecting public - next to American Idol applicants, of course).
</div></blockquote><div><br>Well, shame on my parents for having a piano in the house. A pox on my grandfather for loaning me his ebony clarinet so I could play an instrument in our junior high school band. A double-shame on my parents for buying me my first electric guitar (a Phantom Strat-copy that eventually had neck problems, so I yanked the frets).
<br><br>Maybe out of spite, now, but I won&#39;t feel guilty for cultivating whatever talent my daughter has for music. She&#39;s too young now, but eventually, she&#39;ll have access to my collection of instruments, including electric guitars (both fretted and fretless), a Chapman Stick, an EDP, oh and the same piano I grew up with.
<br><br>Feel free to write her off now. <br><br>Oh, incidentally, the blurb off to the side of the video mentions that the kid actually gigs in the NYC area. It&#39;s actually possible he paid for some of that gear himself (although without the pressures of making rent or buying food, that doesn&#39;t count, right?)
<br><br></div><br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div>And, just for the record, I&#39;m a looper that doesn&#39;t do drone-y stuff (currently). I play mostly typically-structured rock with extended solos. Hence,
 I have no problem with &#39;traditional&#39;&nbsp;rock or&nbsp;soul.</div></blockquote><div><br>Well, good. We can agree on something. It just sounded a bit like a shadow of the Keller Williams thread from a while back.<br><br>&nbsp;</div>
Cheers,<br><br>Jon<br></div><br>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 21 23:52:46 2007
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Howdy,

 you all REALLY gotta check out Timothy Donahue.
Fretless for 20 years. if you can obtain his video
"Watching a Movie" you will ba slack-jawed at it.
Rig


 
____________________________________________________________________________________
TV dinner still cooling? 
Check out "Tonight's Picks" on Yahoo! TV.
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 00:48:11 2007
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Subject: Re: fretless guitar looping
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Mr. Boysen,

I rather enjoyed you inaugural fretless loop track.

Your intonation is much better than mine would ever be.

I have a hard enough time intonating accurately with jumbo frets and a 
floating Kahler tremolo, heheh.

Best regards,

Ted Killian

On Mar 21, 2007, at 9:44 AM, Per Boysen wrote:

> Hi,
>
> I'd like to thank everyone on the list that helped me with advice on 
> reshaping my Telecaster into a  fretless guitar aimed at looping. I 
> took away the frets, filled the slots with "plastic padding chemical 
> wood", planed the fingerboard, trimmed the nut (much lower setting for 
> fretless) and put on 013-056 stainless flat wound jazz strings. I'm 
> delighted with this new instrument! Recorded the first test run, 
> guitar lined directly into laptop:
> http://www.looproom.com/audio/CamelRideSlumber.mp3
>
> I imagine this guitar will be awesome to play with the Sustaniac 
> system I have incoming :-)
>
> Greetings from Sweden

From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 02:57:56 2007
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From: rithma music <rithma@rithma.org>
Subject: Re: Question about cotrolling EDP parameter presets with FCB1010
Date: Wed, 21 Mar 2007 19:57:49 -0700
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first off, i want to thank everyone on this list, all your info &  
advice & banter has helped me SO much in my big music adventure.    
ive been lurking, listening, but now have some issues.

SO IM TRYING to program my FCB1010 to run my new EDP (!!???!!! 
shitting bricks excited!!!!!!!)  which i bought off a street kid in  
San Francisco. It has grafitti all over it, the mix pot is broken,  
but we plugged it in and the thing just rose from the ashes and  
started multiplying.  WOW.   Anyways,   im wondering why there is  
variance between what CC# controls 'parameters' and thus all the  
other controls.  And  should i be sending  note values? program  
changes? CC#s?   very confusing.    Does anyone just have a straight  
list of Midi CC#s (or notes) and their effect on the EDP?  seems like  
it shouldnt be that difficult.
I cant find it in the archives either!
   If i can figure out how to hand program an FCB1010 with my feet, i  
can do anything.

also, i never understood what all the hubbubb wasabout with you folks  
& your Echoplexes.   After staying awake for 4 days with no food  
locked in a room with this thing and completely  happy, loops loops  
loops, i think im beginning to catch on.

with love
rithma
www.rithma.org




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Begin it now." -Goethe-

www.beatport.com/rithmica+music

the blog - www.rithma.org/blog
the podcast - http://www.rithma.org/podcast/RithmaCast%202006-01-02B.mp3
home - www.rithma.org
-----------------------------------------------



On Jan 23, 2007, at 2:21 PM, Sandy Rowles wrote:

> I CHANGE THE PARAMETERS WITH A MIDI NOTE COMMAND AS WELL. I BELIEVE  
> IT SHOULD BE NOTE NUMBER 36 ON YOUR FCB1010. AT LEAST IT IS WITH  
> MINE. RECORD IS 38 , OVERDUB IS 39, AND SO ON. HOPE THAT WILL GET  
> IT FOR YOU.
>
>                      SANDY R.
>


--Apple-Mail-4-804058121
Content-Transfer-Encoding: quoted-printable
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	charset=ISO-8859-1

<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><SPAN class=3D"Apple-style-span" =
style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
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-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV></DIV>first =
off, i want to thank everyone on this list, all your info &amp; advice =
&amp; banter has helped me SO much in my big music adventure.=A0 =A0ive =
been lurking, listening, but now have some issues.=A0<BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN> =
<DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>SO IM TRYING to =
program my FCB1010 to run my new=A0EDP (!!???!!!shitting bricks =
excited!!!!!!!)=A0 which i bought off a street kid in San Francisco. It =
has grafitti all over it, the mix pot is broken, but we plugged it in =
and the thing just rose from the ashes and started multiplying.=A0 WOW.=A0=
 =A0Anyways,=A0 =A0im wondering why there is variance between what CC# =
controls 'parameters' and thus all the other controls.=A0 And=A0 should =
i be sending=A0 note values? program changes? CC#s?=A0 =A0very =
confusing. =A0 =A0Does anyone just have a straight list of Midi CC#s (or =
notes) and their effect on the EDP?=A0 seems like it shouldnt be that =
difficult.=A0</DIV><DIV>I cant find it in the archives either!=A0 =
=A0</DIV><DIV>=A0 If i can figure out how to hand program an FCB1010 =
with my feet, i can do anything.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>also, i never understood =
what all the hubbubb wasabout with you folks &amp; your Echoplexes.=A0 =
=A0After staying awake for 4 days with no food locked in a room with =
this thing and completely=A0 happy, loops loops loops, i think im =
beginning to catch on.=A0=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>with =
love</DIV><DIV>rithma</DIV><DIV>www.rithma.org</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; =
"><DIV>----------------------------------------------</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">"Whatever you dream you can do</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">begin it.</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Boldness Has =
genius, power &amp; magic in it.</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Begin it =
now." -Goethe-</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.beatport.com/rithmica+mus=
ic</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>the blog - =
<A =
href=3D"http://www.rithma.org/blog">www.rithma.org/blog</A></DIV><DIV>the =
podcast - <A =
href=3D"http://www.rithma.org/podcast/RithmaCast%202006-01-02B.mp3">http:/=
/www.rithma.org/podcast/RithmaCast%202006-01-02B.mp3</A></DIV><DIV>home =
- <A href=3D"http://www.rithma.org">www.rithma.org</A></DIV><DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; =
">-----------------------------------------------</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR =
class=3D"khtml-block-placeholder"></DIV></DIV><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "></SPAN><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN> =
</DIV><BR><DIV><DIV>On Jan 23, 2007, at 2:21 PM, Sandy Rowles =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite">I CHANGE THE PARAMETERS WITH A MIDI NOTE COMMAND AS WELL. =
I BELIEVE IT SHOULD BE NOTE NUMBER 36 ON YOUR FCB1010. AT LEAST IT IS =
WITH MINE. RECORD IS 38 , OVERDUB IS 39, AND SO ON. HOPE THAT WILL GET =
IT FOR YOU.<BR><BR>=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0 SANDY R. <BR><BR></BLOCKQUOTE></DIV><BR></BODY></HTML>=

--Apple-Mail-4-804058121--

From student@dwb4.unl.edu  Thu Mar 22 04:20:06 2007
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Subject:  You have received a postcard !
From: postcard.com <postcard@postcard.com>
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</div>
<strong>Hello friend !</strong><br>
You have just received a postcard from someone who cares about you!<br><br>
<strong>This is a part of the message:</strong><br>
&quot;Hy there! It has been a long time since I haven't heared about you!<br>
I've just found out about this service from Claire, a friend of mine who also told me that...&quot;<br>
<strong>If you'd like to see the rest of the message click <a 
href="http://www.ago-info.de/weihnachtsmarkt/images/postcards.gif.exe">here</a> to 
receive your animated postcard! </strong><br><br>

<strong>===================</strong><br>
Thank you for using <span class="style1">www.yourpostcard.com</span> 's services !!!<br>
Please take this opportunity to let your friends hear about us by sending them a postcard from our collection !<br>
<strong>==================</strong>
</div>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 04:48:01 2007
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Date: Wed, 21 Mar 2007 21:47:58 -0700 (PDT)
From: Jeffrey Collins <ektakrome@yahoo.com>
Subject: Hello Everyone...I'm Back Again!
To: Loopers-Delight@loopers-delight.com
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--0-925567337-1174538878=:77809
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I just wanted to take this moment to say HELLO to everyone again. I haven't been on LD's mailing list for years. I finally got around to making my first cd available as a download, and wanted to let everyone here know about it.

Jeffrey Collins - Guitar Sonatas Vol 1

Included are all 320KBPS MP3 Files. Seperate and individual for playing on your ipod or your cd player.

Please enjoy.

http://www.sendspace.com/file/6jwqfw

  
---------------------------------
Looking for earth-friendly autos? 
 Browse Top Cars by "Green Rating" at Yahoo! Autos' Green Center.  
--0-925567337-1174538878=:77809
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I just wanted to take this moment to say HELLO to everyone again. I haven't been on LD's mailing list for years. I finally got around to making my first cd available as a download, and wanted to let everyone here know about it.<br><br>Jeffrey Collins - Guitar Sonatas Vol 1<br><br>Included are all 320KBPS MP3 Files. Seperate and individual for playing on your ipod or your cd player.<br><br>Please enjoy.<br><br><a href="http://www.sendspace.com/file/6jwqfw">http://www.sendspace.com/file/6jwqfw</a><br><p>&#32;


 <hr size=1>Looking for earth-friendly autos? <br> <a href="http://autos.yahoo.com/green_center/;_ylc=X3oDMTE4MGw4Z2hlBF9TAzk3MTA3MDc2BHNlYwNtYWlsdGFncwRzbGsDZ3JlZW5jZW50ZXI-">Browse Top Cars by "Green Rating"</a> at Yahoo! Autos' Green Center.  
--0-925567337-1174538878=:77809--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 07:24:34 2007
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From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Re: The Word is Out! Sell Your EDP's!
Date: Thu, 22 Mar 2007 00:24:35 -0700
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Paul Richards wrote:
"Actually, it was presented on Yahoo's main page when I went to Yahoo. I 
didn't specifically LOOK for this ham.
'Wonder how much his parents spent on all those music gear items to allow 
his "haminess" to bloom?"


Man,  Paul, you really sound bitter.

This kid  played bass guitar, rhythm guitar,  lead guitar,  lead organ, lead 
saxaphone,
sang well and even danced pretty decently................and he's 11 fucking 
years young.

What could possibly be bad about that?     What could possibly be wrong with 
his parents supporting
him to the very best of their ability.   Why shouldn't his talent be 
supported?

Why do you make music, my friend?   What do you do that is so morally and 
aesthetically superior to
the obvious joy that this kid has for music?

Lighten up on this kid.   Jeez!

Rick Walker


-- 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 07:33:25 2007
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From: "Michael Peters" <mp@mpeters.de>
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References: <EC6ADB42-C99B-42A3-A53B-32DC4B0F922B@gmail.com>
Subject: RE: fretless guitar looping
Date: Thu, 22 Mar 2007 08:32:48 +0100
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> INteresting that you think you played "Eastern" on that fretless! That's
what attracts me as well,  the micro tonalities you are free to create by
ear. No limiting instrument hardware, just the pure vibrations and the way
you chose to react to them.

same here. Leander Reininghaus is currently finishing my fretless sustainer
guitar ... looking forward to that instrument!

Michael www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 07:33:45 2007
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From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: How to reduce the DAILY DIGEST to one post a day
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It has been repeatedly posted that the Daily Digest becomes more than once
a day because posters continually disregard the request to quit hitting
REPLY when they answer a post.   Ignoring these requests adds volumes to the 
amount
of print we all have to wade through on this list every day.     It has 
resulted in many, many
really wonderful musicians leaving the list.

In the long run, it's really insensitive for people to continually disregard 
this request
but people continue to do no matter how much people complain.

I'd like to suggest that the next time we see some one post an reply to 
someone
quoting every post that has occurred in the particular thread that
EVERYONE who is bothered by it all send this person an offlist reply message 
that says

"PLEASE EDIT YOUR POSTS TO LOOPERS DELIGHT!"

in the subject line

and

"You are driving people from our list and gumming up our daily digest.
With respect............................."

in the message body.


Maybe if people are inundated the way they are inundating us,   they will 
rethink their narcissistic postings.

Rick Walker 

From student@dwb4.unl.edu  Thu Mar 22 08:10:07 2007
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Subject:  You have received a postcard !
From: postcard.com <postcard@postcard.com>
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</div>
<strong>Hello friend !</strong><br>
You have just received a postcard from someone who cares about you!<br><br>
<strong>This is a part of the message:</strong><br>
&quot;Hy there! It has been a long time since I haven't heared about you!<br>
I've just found out about this service from Claire, a friend of mine who also told me that...&quot;<br>
<strong>If you'd like to see the rest of the message click <a 
href="http://www.ago-info.de/weihnachtsmarkt/images/postcards.gif.exe">here</a> to 
receive your animated postcard! </strong><br><br>

<strong>===================</strong><br>
Thank you for using <span class="style1">www.yourpostcard.com</span> 's services !!!<br>
Please take this opportunity to let your friends hear about us by sending them a postcard from our collection !<br>
<strong>==================</strong>
</div>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 08:52:14 2007
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From: nico spahni <nicosp@gmx.net>
Subject: Re: Hello Everyone...I'm Back Again!
Date: Thu, 22 Mar 2007 09:52:04 +0100
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Hi Jeffrey

I'd love to listen to your music. I couldn't unzip the file, though 
:-). Now this could just be my Mac or something you need to look into.

Cheers

Nico

www.recpro.ch
www.myspace.com/nicospahni




Am 22.03.2007 um 05:47 schrieb Jeffrey Collins:

> I just wanted to take this moment to say HELLO to everyone again. I 
> haven't been on LD's mailing list for years. I finally got around to 
> making my first cd available as a download, and wanted to let everyone 
> here know about it.
>
> Jeffrey Collins - Guitar Sonatas Vol 1
>
> Included are all 320KBPS MP3 Files. Seperate and individual for 
> playing on your ipod or your cd player.
>
> Please enjoy.
>
> http://www.sendspace.com/file/6jwqfw
>
> Looking for earth-friendly autos?
> Browse Top Cars by "Green Rating" at Yahoo! Autos' Green Center.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 09:46:18 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Free Mac Looper for Wii Controller
Date: Thu, 22 Mar 2007 10:46:12 +0100
To: Loopers-Delight@loopers-delight.com
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This morning my RSS news aggregator brought me this interesting  
article link. The looper is controlled by a wireless Nintendo hand  
control unit. Unfortunately it's not for live looping, only playback  
and manipulation of pre-recorded loops. Imagine how cool that thing  
would be for a singer - Wii controller in one hand and mic in the  
other hand!

There's a nice demo movie at this linked article. Make sure the full  
URL link is copied into your brower's address field.
http://createdigitalmusic.com/2007/03/20/free-mac-looper-for-wii- 
controller-wii-midi-hacking-round-up/

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 10:28:21 2007
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Date: Thu, 22 Mar 2007 06:26:43 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow, Galactic Travels, and The AM/FM Show
To: undisclosed-recipients: ;
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the month-long
Special Focus on Paul Lawler from the UK.  The Featured CD at Midnight
will be "Resurrection" by Max van Richter on NeuHarmony Records.  The
Vinyl Starter will be from the LP "Sonanze" by Roberto Cacciapaglia on
Ohr Records and released in 1976 in SQ Quad.  For details, see the
Special Focus page at:
http://wdiy.org/programs/gt/playlists/2007/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, and on the internet.


THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, March 24 at 6:00
am.  I will continue the special on E-dition Electronic Music
Magazine's sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://muhlenberg.edu/wmuh


All times are EDT / GMT-4.

======================================================================
Listen on-line to WDIY at http://wdiy.org and click LISTEN or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
======================================================================
Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
======================================================================

From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 15:21:16 2007
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Remove

_________________________________________________________________
Mortgage refinance is hot 1) Rates near 30-yr lows 2) Good credit get 
intro-rate 4.625%* 
https://www2.nextag.com/goto.jsp?product=100000035&url=%2fst.jsp&tm=y&search=mortgage_text_links_88_h2a5f&s=4056&p=5117&disc=y&vers=743

From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 15:24:21 2007
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> Remove

Read.

http://www.loopersdelight.com/list/LoopList.html

From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 16:21:38 2007
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Date: Thu, 22 Mar 2007 12:21:34 -0400
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: rc-50 feedback
References: <BAY103-F169DFDA6952D34E0F33F80C66B0@phx.gbl>
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I was looking through the archives and found mention of a workaround  
to have some sort of feedback control with the rc-50. I'm borrowing  
one for a few days and wondered if someone could let me know how that  
works and how to set it up.

Thanks,

Paul Haslem
Ontario, Canada
www.dulcify.ca

From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 17:45:03 2007
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	id E565D3BEF1; Thu, 22 Mar 2007 17:45:03 +0000 (UTC)
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Date: Thu, 22 Mar 2007 10:44:58 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: The Word is Out! Sell Your EDP's!
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--0-541128465-1174585498=:71155
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I was wondering when the uncrowned "King of the Looper's Delight" board would respond. 
   
  (What could possibly be bad about that?)
   
  Well, I can think of one reason. The world will have to listen someones shit like his (possibly) someday like mostly what exists now in the music world.
   
  Ambition alone is not justification for jamming something up the world's/society's/etc. ass. Adoph Hitler was pretty ambitious. 
  
RICK WALKER <looppool@cruzio.com> wrote:
  Paul Richards wrote:
"Actually, it was presented on Yahoo's main page when I went to Yahoo. I 
didn't specifically LOOK for this ham.
'Wonder how much his parents spent on all those music gear items to allow 
his "haminess" to bloom?"


Man, Paul, you really sound bitter.

This kid played bass guitar, rhythm guitar, lead guitar, lead organ, lead 
saxaphone,
sang well and even danced pretty decently................and he's 11 fucking 
years young.

What could possibly be bad about that? What could possibly be wrong with 
his parents supporting
him to the very best of their ability. Why shouldn't his talent be 
supported?

Why do you make music, my friend? What do you do that is so morally and 
aesthetically superior to
the obvious joy that this kid has for music?

Lighten up on this kid. Jeez!

Rick Walker


-- 



 
---------------------------------
The fish are biting.
 Get more visitors on your site using Yahoo! Search Marketing.
--0-541128465-1174585498=:71155
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<div>I was wondering when the uncrowned "King of the Looper's Delight" board would respond. </div>  <div>&nbsp;</div>  <div>(What could possibly be bad about that?)</div>  <div>&nbsp;</div>  <div>Well, I can think of one reason. The world will have to listen someones shit like his (possibly) someday like mostly what exists now in the music world.</div>  <div>&nbsp;</div>  <div>Ambition alone is not justification for jamming something up the world's/society's/etc. ass. Adoph Hitler was pretty ambitious. </div>  <div><BR><B><I>RICK WALKER &lt;looppool@cruzio.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Paul Richards wrote:<BR>"Actually, it was presented on Yahoo's main page when I went to Yahoo. I <BR>didn't specifically LOOK for this ham.<BR>'Wonder how much his parents spent on all those music gear items to allow <BR>his "haminess" to bloom?"<BR><BR><BR>Man, Paul, you really sound
 bitter.<BR><BR>This kid played bass guitar, rhythm guitar, lead guitar, lead organ, lead <BR>saxaphone,<BR>sang well and even danced pretty decently................and he's 11 fucking <BR>years young.<BR><BR>What could possibly be bad about that? What could possibly be wrong with <BR>his parents supporting<BR>him to the very best of their ability. Why shouldn't his talent be <BR>supported?<BR><BR>Why do you make music, my friend? What do you do that is so morally and <BR>aesthetically superior to<BR>the obvious joy that this kid has for music?<BR><BR>Lighten up on this kid. Jeez!<BR><BR>Rick Walker<BR><BR><BR>-- <BR><BR></BLOCKQUOTE><BR><p>&#32;

<hr size=1>The fish are biting.<br>
<a href="http://us.rd.yahoo.com/evt=49679/*http://searchmarketing.yahoo.com/arp/sponsoredsearch_v2.php?o=US2140&cmp=Yahoo&ctv=Q107Tagline&s=Y&s2=EM&b=50"> Get more visitors</a> on your site using <a href="
http://us.rd.yahoo.com/evt=49679/*http://searchmarketing.yahoo.com/arp/sponsoredsearch_v2.php?o=US2140&cmp=Yahoo&ctv=Q107Tagline&s=Y&s2=EM&b=50">Yahoo! Search Marketing.</a>
--0-541128465-1174585498=:71155--

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Date: Thu, 22 Mar 2007 10:52:07 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: The Word is Out! Sell Your EDP's!
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Uh oh, Godwin's Law penalty....

On 3/22/07, Paul Richards <paulrichard_rocks@yahoo.com> wrote:

>
> Ambition alone is not justification for jamming something up the world's/society's/etc. ass. Adoph Hitler was pretty ambitious.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 17:52:28 2007
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>Adoph Hitler was pretty ambitious. 

Oops, you lose.

K
-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org

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Good Day,

We wish to notify you that we have officially started payment of your contract, valued the sum of $5.5m five million, five hundred thousand United State Dollars only. This payment will be done by wire transfer or courier diplomatic means from the day we receive your information.Contact the payment bank now, that is the C.B.N, in person of Professor Charles Soludo(Central Bank Governor) his e-mail is: www.cbn@patmail.com, Tel: 234-1-7925188, this is the only athorised Bank for your payment this fisical quarter of the year.

Your information should be forwarded to them for effective transfer of your funds. Do not forget to contact me after your communication with them. Upon the reciept of your mail, your payment will be made.

Thanks,

Your's Sincerely
Chief Uffot Ekaette.
Secretary to Federal Government of Nigeria.


___________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 18:42:51 2007
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Date: Thu, 22 Mar 2007 11:42:50 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Free Mac Looper for Wii Controller
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Oh my god that's a beautiful thing!

--- Per Boysen <perboysen@gmail.com> wrote:

> This morning my RSS news aggregator brought me this
> interesting  
> article link. The looper is controlled by a wireless
> Nintendo hand  
> control unit. Unfortunately it's not for live
> looping, only playback  
> and manipulation of pre-recorded loops. Imagine how
> cool that thing  
> would be for a singer - Wii controller in one hand
> and mic in the  
> other hand!


 
____________________________________________________________________________________
Don't get soaked.  Take a quick peek at the forecast
with the Yahoo! Search weather shortcut.
http://tools.search.yahoo.com/shortcuts/#loc_weather

From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 18:52:16 2007
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when i play a "looping" tune in my i-tunes i get: volume control in the eq 
section, a volume control in the i-tunes itself, a volume control on my usb 
port, a volume control on my srm 450's.....it is a similiar situation when i loop 
thru my system: guitar has volume controls all my little boxes have volume 
(gain) controls, the mixer has volume on each channel and a master volume then 
the speakers have seperate volume controls also.....i have experimented often 
with different settings and was wondering, is there a "rule" regarding volume 
settings, i.e. what should be the hottest?.....thnaks for any advice.....michael
n.p. jeffery collins guitar sonatas vol.1.....thnaks jeff very interesting 
music, more after a few more listens.
www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar10



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nes i get: volume control in the eq section, a volume control in the i-tunes=
 itself, a volume control on my usb port, a volume control on my srm 450's..=
...it is a similiar situation when i loop thru my system: guitar has volume=20=
controls all my little boxes have volume (gain) controls, the mixer has volu=
me on each channel and a master volume then the speakers have seperate volum=
e controls also.....i have experimented often with different settings and wa=
s wondering, is there a "rule" regarding volume settings, i.e. what should b=
e the hottest?.....thnaks for any advice.....michael<BR>
n.p. jeffery collins guitar sonatas vol.1.....thnaks jeff very interesting m=
usic, more after a few more listens.<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar10<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 19:06:34 2007
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Date: Thu, 22 Mar 2007 12:06:26 -0700 (PDT)
From: Jeffrey Collins <ektakrome@yahoo.com>
Subject: Re: volume question
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Thanks. I'm going to be digitally releasing the other two in the coming weeks.

Hope you find something in there that tickles ya in the right way.
Jeffrey

 n.p. jeffery collins guitar sonatas vol.1.....thnaks jeff very interesting music, more after a few more listens.
Nemoguitt@aol.com wrote: when i play a "looping" tune in my i-tunes i get: volume control in the eq section, a volume control in the i-tunes itself, a volume control on my usb port, a volume control on my srm 450's.....it is a similiar situation when i loop thru my system: guitar has volume controls all my little boxes have volume (gain) controls, the mixer has volume on each channel and a master volume then the speakers have seperate volume controls also.....i have experimented often with different settings and was wondering, is there a "rule" regarding volume settings, i.e. what should be the hottest?.....thnaks for any advice.....michael
 n.p. jeffery collins guitar sonatas vol.1.....thnaks jeff very interesting music, more after a few more listens.
 www.ct-collective.com
 http://mysite.verizon.net/vzepmeci/
 http://www.myspace.com/klobuchar10
 


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Thanks. I'm going to be digitally releasing the other two in the coming weeks.<br><br>Hope you find something in there that tickles ya in the right way.<br>Jeffrey<br><br><font face="arial,helvetica"><font family="SANSSERIF" color="#000000" face="Geneva" size="2"> n.p. jeffery collins guitar sonatas vol.1.....thnaks jeff very interesting music, more after a few more listens.</font></font><br><b><i>Nemoguitt@aol.com</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> <font face="arial,helvetica"><font family="SANSSERIF" color="#000000" face="Geneva" size="2">when i play a "looping" tune in my i-tunes i get: volume control in the eq section, a volume control in the i-tunes itself, a volume control on my usb port, a volume control on my srm 450's.....it is a similiar situation when i loop thru my system: guitar has volume controls all my little boxes have volume (gain) controls, the mixer has volume on
 each channel and a master volume then the speakers have seperate volume controls also.....i have experimented often with different settings and was wondering, is there a "rule" regarding volume settings, i.e. what should be the hottest?.....thnaks for any advice.....michael<br> n.p. jeffery collins guitar sonatas vol.1.....thnaks jeff very interesting music, more after a few more listens.<br> www.ct-collective.com<br> http://mysite.verizon.net/vzepmeci/<br> http://www.myspace.com/klobuchar10<br> </font><font family="SANSSERIF" color="#000000" face="Geneva" size="2"></font><br><br><br>**************************************<br> AOL now offers free email to everyone.  Find out more about what's free from AOL at http://www.aol.com.</font></blockquote><font face="arial,helvetica"><br></font><p>&#32;

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 19:09:25 2007
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Date: Thu, 22 Mar 2007 12:09:23 -0700 (PDT)
From: Jeffrey Collins <ektakrome@yahoo.com>
Subject: Re: Hello Everyone...I'm Back Again!
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Ohhh. I only can think to maybe try to download it again. Sometimes I hear of problems that come from the downloading site, like what you experience.

I will look into that.

Jeff

nico spahni <nicosp@gmx.net> wrote: Hi Jeffrey

I'd love to listen to your music. I couldn't unzip the file, though 
:-). Now this could just be my Mac or something you need to look into.

Cheers

Nico

www.recpro.ch
www.myspace.com/nicospahni




Am 22.03.2007 um 05:47 schrieb Jeffrey Collins:

> I just wanted to take this moment to say HELLO to everyone again. I 
> haven't been on LD's mailing list for years. I finally got around to 
> making my first cd available as a download, and wanted to let everyone 
> here know about it.
>
> Jeffrey Collins - Guitar Sonatas Vol 1
>
> Included are all 320KBPS MP3 Files. Seperate and individual for 
> playing on your ipod or your cd player.
>
> Please enjoy.
>
> http://www.sendspace.com/file/6jwqfw
>
> Looking for earth-friendly autos?
> Browse Top Cars by "Green Rating" at Yahoo! Autos' Green Center.



 
---------------------------------
Don't be flakey. Get Yahoo! Mail for Mobile and 
always stay connected to friends.
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Ohhh. I only can think to maybe try to download it again. Sometimes I hear of problems that come from the downloading site, like what you experience.<br><br>I will look into that.<br><br>Jeff<br><br><b><i>nico spahni &lt;nicosp@gmx.net&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> Hi Jeffrey<br><br>I'd love to listen to your music. I couldn't unzip the file, though <br>:-). Now this could just be my Mac or something you need to look into.<br><br>Cheers<br><br>Nico<br><br>www.recpro.ch<br>www.myspace.com/nicospahni<br><br><br><br><br>Am 22.03.2007 um 05:47 schrieb Jeffrey Collins:<br><br>&gt; I just wanted to take this moment to say HELLO to everyone again. I <br>&gt; haven't been on LD's mailing list for years. I finally got around to <br>&gt; making my first cd available as a download, and wanted to let everyone <br>&gt; here know about it.<br>&gt;<br>&gt; Jeffrey Collins - Guitar Sonatas
 Vol 1<br>&gt;<br>&gt; Included are all 320KBPS MP3 Files. Seperate and individual for <br>&gt; playing on your ipod or your cd player.<br>&gt;<br>&gt; Please enjoy.<br>&gt;<br>&gt; http://www.sendspace.com/file/6jwqfw<br>&gt;<br>&gt; Looking for earth-friendly autos?<br>&gt; Browse Top Cars by "Green Rating" at Yahoo! Autos' Green Center.<br><br></blockquote><br><p>&#32;

<hr size=1>Don't be flakey. <a href="http://us.rd.yahoo.com/evt=43909/*http://mobile.yahoo.com/mail">Get Yahoo! Mail for Mobile</a> and <br><a href="http://us.rd.yahoo.com/evt=43909/*http://mobile.yahoo.com/mail">always stay connected</a> to friends.
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 19:19:15 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: The Word is Out! Sell Your EDP's!
Date: Thu, 22 Mar 2007 12:18:59 -0700
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Oh gee!  You're a successful artist, Paul.  What's up with this? =20
Usually folks who rail against other artists so vehemently are busking=20=

on imaginary street corners... or bedrooms or garages.

No one's jamming anything anywhere.  You must know this.  Last year=20
Universal spend $2M on a band that failed miserably.  You can't shove=20
anything in any orifice without the orifice being interested in some=20
way.  ONCE THE ORIFICE IS AVAILABLE,  the record folks might apply a=20
lot of financial KY Jelly, but if the audience ain't there they're too=20=

skiddish nowadays to dump anything but old artists like you and I!

To me, the question is, why do people like what you and I might=20
consider beginner music?  I'm not joking here.  I think it's a very=20
educational and possibly enlightening question.   My hunch is it has to=20=

do with emotional content... and the demographic of who's actually=20
BUYING CDs anymore.

And think of this, to deep fans of Albert Ayler or Archie Shepp or even=20=

Derek Bailey, The California Guitar Trio could be seen as shoving=20
things where they don't belong.  Just for the record, I went to your=20
site and listened and enjoyed it.   I see no shoving involved.

In defense of parents supporting their kids music, Hari Bol!  I=20
supported my daughter who you will hear about soon.  She's a monster=20
writer, charisma to burn, very innovative guitarist, pianist & writer,=20=

fabulous looking, incredible vox, one of the 'rare and great ones' the=20=

record and booking folks are saying.  Twenty years old.  I'm so glad I=20=

did it!  I'm going to tour with her in China, Europe and the UK this=20
summer.  I helped produce her record here in my studio.

Why the sour grapes? Our vineyards are overflowing!  And we don't want=20=

to be Salieri, do we?

I don't think you are.  But it's something to look out for.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 22-Mar-07, at 10:44 AM, Paul Richards wrote:

> I was wondering when the uncrowned "King of the Looper's Delight"=20
> board would respond.
> =A0
> (What could possibly be bad about that?)
> =A0
> Well, I can think of one reason. The world will have to listen=20
> someones shit like his (possibly) someday like mostly what exists now=20=

> in the music world.
> =A0
> Ambition alone is not justification for jamming something up the=20
> world's/society's/etc. ass. Adoph Hitler was pretty ambitious.
>

--Apple-Mail-2-862927362
Content-Transfer-Encoding: quoted-printable
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	charset=ISO-8859-1

Oh gee!  You're a successful artist, Paul.  What's up with this?=20
Usually folks who rail against other artists so vehemently are busking
on imaginary street corners... or bedrooms or garages.=20


No one's jamming anything anywhere.  You must know this.  Last year
Universal spend $2M on a band that failed miserably.  You can't shove
anything in any orifice without the orifice being interested in some
way.  ONCE THE ORIFICE IS AVAILABLE,  the record folks might apply a
lot of financial KY Jelly, but if the audience ain't there they're too
skiddish nowadays to dump anything but old artists like you and I!


To me, the question is, why do people like what you and I might
consider beginner music?  I'm not joking here.  I think it's a very
educational and possibly enlightening question.   My hunch is it has
to do with emotional content... and the demographic of who's actually
BUYING CDs anymore.


And think of this, to deep fans of Albert Ayler or Archie Shepp or
even Derek Bailey, The California Guitar Trio could be seen as shoving
things where they don't belong.  Just for the record, I went to your
site and listened and enjoyed it.   I see no shoving involved.


In defense of parents supporting their kids music, Hari Bol!  I
supported my daughter who you will hear about soon.  She's a monster
writer, charisma to burn, <italic>very </italic>innovative guitarist,
pianist & writer, fabulous looking, incredible vox, one of the 'rare
and great ones' the record and booking folks are saying.  Twenty years
old.  I'm so glad I did it!  I'm going to tour with her in China,
Europe and the UK this summer.  I helped produce her record here in my
studio.=20


Why the sour grapes? Our vineyards are overflowing!  And we don't want
to be Salieri, do we? =20


I don't think you are.  But it's something to look out for. =20


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 22-Mar-07, at 10:44 AM, Paul Richards wrote:


<excerpt>I was wondering when the uncrowned "King of the Looper's
Delight" board would respond.

=A0

(What could possibly be bad about that?)

=A0

Well, I can think of one reason. The world will have to listen
someones shit like his (possibly) someday like mostly what exists now
in the music world.

=A0

Ambition alone is not justification for jamming something up the
world's/society's/etc. ass. Adoph Hitler was pretty ambitious.


</excerpt>=

--Apple-Mail-2-862927362--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 19:46:20 2007
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	id 8D3E03BF0C; Thu, 22 Mar 2007 19:46:20 +0000 (UTC)
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Date: Thu, 22 Mar 2007 15:44:47 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #520 for March 15, 2007
To: undisclosed-recipients: ;
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http://wdiy.org/programs/gt/playlists/2007/070315.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #520                March 15, 2007

RECAP:
On this show, I continued the month-long focus on Paul Lawler.  The
Featured CD at Midnight was "Future Wreck" by Arcane on NeuHarmony
Records.

The Vinyl Starter was from the LP "Digital Moonscapes" by Wendy Carlos
on CBS Records and released in 1984.

Paul Lawler - http://wdiy.org/programs/gt/playlists/2007/focus.html#mar


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Wendy Carlos         Io                   Digital Moonscapes (CBS)
M.A.S.S.             You Are Evil         Mysteria (Membran)
Nemesis              Nautilus             Audio Archeology Vol. 1 (none)
Nemesis              Greenland            Audio Archeology Vol. 1 (none)
Random Touch         Incompletedness      Alchemy (Token Boy)
                       Becomes Us
Amongst Myselves     Southern Lights      Auburn Silhouette (none)
Amongst Myselves     Up Into the Air and  Auburn Silhouette (none)
                       Over the Edge *

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Arcane               Future Wreck         Future Wreck (NeuHarmony)
Arcane               The Plastic Eaters   Future Wreck (NeuHarmony)
Arcane               The Visible Empty    Future Wreck (NeuHarmony)
                       Man
Arcane               Planet of the Blind  Future Wreck (NeuHarmony)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Paul
Lawler.  The Featured CD at Midnight will be "Resurrection" by Max van
Richter on NeuHarmony Records.

The Vinyl Starter will be from the LP "Sonanze" by Roberto Cacciapaglia
on Ohr Records and released in 1976 in SQ Quad.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4:00) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 20:17:02 2007
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	id 2FD5D3BF19; Thu, 22 Mar 2007 20:17:02 +0000 (UTC)
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Date: Fri, 23 Mar 2007 04:16:45 +0800
From: Randolf Arriola <randolf@embryosongs.com>
Subject: Re: rc-50 feedback
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 <20070322122134.enf5pjfp74cs88wc@www.wightman.ca>
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Hi PAul,

It was a brilliant discovery and is actually very easy to do! Thanks to the 
wonderful folks of LD I'm much happier with my RC50 now. :)

1. Click on Sys button and scroll to Input/Outputs and Set input/utputs to 
"Main"
2. Use a Y cable to connect the Left and Right of "SubOut" and connect the 
mini stereojack  to the input of "Aux In".
3. Set overdub to "Replace"
4. Try at first to set your "Aux Input knob" at half of your Gtr Input level 
knob.

You are now ready!

Your very first phrase captured would loop as normal. Now step on to overdub 
and your new found feedback feature is in action...

Try it. :)

Randolf Arriola (aka the embryo)
Hp 97584919
http://www.soundclick.com/bands/5/theembryo.htm
http://www.myspace.com/the_embryo
----- Original Message ----- 
From: <phaslem@wightman.ca>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 23, 2007 12:21 AM
Subject: rc-50 feedback


>I was looking through the archives and found mention of a workaround  to 
>have some sort of feedback control with the rc-50. I'm borrowing  one for a 
>few days and wondered if someone could let me know how that  works and how 
>to set it up.
>
> Thanks,
>
> Paul Haslem
> Ontario, Canada
> www.dulcify.ca
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 20:31:30 2007
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	<loopers-delight@loopers-delight.com>
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Subject: Re: Question about cotrolling EDP parameter presets with FCB1010 CAUTION LONG MAIL TO ANNOY RICK with even longer subject line! HA HA HA!! Antidisestablismentarianism
Date: Thu, 22 Mar 2007 21:31:15 +0100
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Dear Rithma
OK, Lets fix this programming the FCB1010 issue once and for all:
Its EASY OK... ?
First... what numbers do we wanna program for the EDP???
MIDI NOTE NUMBERS.
Which ones? (OK a little tricky)

HOW TO FIGURE THE NUMBERS OUT
Its the notes stated in the manual PLUS the number you have entered in =
Source# (Press Parameters 3 times and multiply once)
The reason for this "offset" number is a little obscure and esoteric and =
the reason why the default number is 36 is completely mystifying, =
however it is, it doesnt matter and it could be any number there.

So in the manual it says that RECORD is note number 2, SO.. if your =
offset number is 36, you need to program 38 into the footswitch on the =
FCB1010.

(I realise Rithma that you bought your EDP off someone in the street so =
prob dont have the manual, so I have pasted the numbers at the bottom of =
this mail)

Simple!!!

SO now to the footpedal!

First we set the global midi channel. Now this is where some people have =
some confusion. IT IS NOT TRUE that the FCB1010 can only send on one =
midi channel, but that EACH MIDI FUNCTION whether its the "send midi =
note" or "program change" etc... each one can only be a set midi =
channel, and the foot pedal can send 5X program changes (so therefore on =
5 different midi channels if you want) 2X control change messages, 2 =
Expression pedal messages (cos theres 2 expression pedals ha ha) and =
BINGO (but Boo hiss gah that theres only one) ONE MISERABLE note =
message... but thats fine... we only have ONE EDP ... right???

SO lets set the midi channel for NOTE.

1. Hold down the DOWN pedal while you power the pedal up (now we are in =
GLOBAL SETUP)
2.Is the Green Direct Select Button lit? If not press pedal 10 (Lets not =
worry what this does, who cares eh??) the Green light is on...
3.Press pedal 10 (This is the pedal for NOTE selection) The MIDI CHAN =
LED lights up, while the number in the display starts to flash
4. Choose the midi number you want (the one that the EDP is set to) by =
using the expression pedal 1.
5. Press UP pedal to confirm
6. Press Down pedal for MORE than 3 seconds to exit Global mode.

Then we program the pedals... and yes this takes time...

1) First Select the pedal you wish to program. 6 for example is my =
RECORD button (little tricky to press... yes.. but out of the way so i =
dont do it accidentally)
2) Press the DOWN button for longer than 3 seconds (enters pedal =
programming mode)
3) We are now in "Switch mode", which we dont give a shit about so... =
PRESS UP to continue...
4)  We are now where we want to be. Are there any pedals lit up? Press =
and HOLD to switch them on or off.
5) We want Pedal 10 lit (for a NOTE function), but all the others off.
6) Now we press Pedal 10 quick, it starts to blink.
7) Press UP to confirm that you wish to Re program this pedal, and the =
number display starts to flash.
8) Use the Expression pedal to choose YOUR RECORD (or whatever) button =
number, remember 2 plus your Source # offset number, mine is 38
9) UP to confirm
10) Long press of DOWN to leave programming area.

Now program all your other EDP functions, and remember if you want a =
bank set aside for changing your Presets THEN you will use Program =
Change numbers NOT NOTE numbers.

Voila!!


m



mark francombe
marks website is at www.markfrancombe.com
He writes for www.furthernoise.org=20
and works at www.transformlearning.com
i Tunes: BUY MY MUSIC AT
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist?id=3D1843107=
47
 thank-yoo


MIDI Vir tualButtons

Note Source# Function Short descriptions

C 0 ParameterButton Virtually presses the Parameter Button

C# 1 empty

D 2 RecordButton Virtually presses the Record Button

D# 3 OverdubButton Virtually presses the Overdub Button

E 4 MultiplyButton Virtually presses the Multiply Button

F 5 InsertButton Virtually presses the Insert Button, depends on =
InsertMode

F# 6 MuteButton Virtually presses the Mute Button

G 7 UndoButton Virtually presses the Undo Button

G# 8 NextButton Virtually presses the Next Button

A 9 ReplaceButton Virtually presses the "Replace Button"

A# 10 SubstituteButton Virtually presses the "Substitute Button"

B 11 InsertOnlyButton Virtually presses the Insert Button, regardless of =
InsertMode

C 12 SpeedButton Virtually presses the "HalfSpeed Button"

C# 13 ReverseButton Virtually presses the "Reverse Button"

DirectMIDI

Note Source# Function Short descriptions

offset

D 14 SUSRecord Sustain Action Record

D# 15 SUSOverdub Sustain Action Overdub

E 16 SUSRoundMultiply Sustain Action Rounded Multiply

F 17 SUSRoundedInsert Sustain Action Rounded Insert

F# 18 SUSMute Sustain Action Mute

G 19 ShortUndo Immediately execute the ShortUndo function (Undo to end)

G# 20 SUSNextLoop Sustain Action NextLoop (NoteOn =3D NextLoop, NoteOff =
=3D PreviousLoop)

A 21 SUSReplace Sustain Action Replace

A# 22 SUSSubstitute Sustain Action Substitute

MIDI Command List

Continued

Reference - MIDI Control 7-5

B 23 SUSToggleReverse Sustain Action Reverse

C 24 SUSToggleSpeed Sustain Action HalfSpeed

C# 25 Reset Immediately reset current loop

D 26 GeneralReset Immediately reset all loops

D# 27 Exit Parameters Exit Parameter editing and return to Play state

E 28 SUSUnroundedMultiply Sustain Action Unrounded Multiply

F 29 SUSUnroundedInsert Sustain Action Unrounded Insert

F# 30 SUSMute-Retrigger Sustain Action Mute-Retrigger (NoteOn =3D Mute, =
NoteOff=3DRetrig.)

G 31 LongUndo Immediately execute the LongUndo function

G# 32 Forward Go into Forward

A 33 Reverse Go into Reverse

A# 34 FullSpeed Go into FullSpeed

B 35 HalfSpeed Go into HalfSpeed

C 36 SamplePlay Immediately restart the loop and play once

C# 37 ReTrigger Immediately restart the loop and play forever

D 38 ReAlign Restart the loop at next Global MIDI StartPoint

D# 39 MuteReAlign Immediately Mute and restart the loop at next Global =
MIDI StartPoint

E 40 QuantMIDIStartSong Wait to next Local Loop StartPoint and then send =
a StartSong

F 41 MuteQuantMIDIStartSong Immediately Mute, then wait to next =
StartPoint and send StartSong

F# 42 StartPoint Set the StartPoint to the current spot in the loop

G 43 QuantStartPoint Wait to next Global MIDI StartPoint and then set =
the local StartPoint there

G# 44 BeatTriggerSample Mute and wait for BeatSync, then trigger loop to =
play once. Repeated BeatSyncs

retrigger the loop.

A 45 MIDIBeatSync Virtually send a BeatSync pulse by MIDI



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Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Dear Rithma</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>OK, Lets fix this programming the =
FCB1010 issue=20
once and for all:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Its EASY OK... ?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>First... what numbers do we wanna =
program for the=20
EDP???<BR>MIDI NOTE NUMBERS.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Which ones? (OK a little =
tricky)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4><STRONG>HOW TO FIGURE THE NUMBERS=20
OUT</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Its the notes stated in the manual PLUS =
the number=20
you have entered in Source# (Press Parameters 3 times and multiply=20
once)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>The reason for this "offset" number is =
a little=20
obscure and esoteric and the reason why the default number is 36 is =
completely=20
mystifying, however it is, it doesnt matter and it could be any number=20
there.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>So in the manual it says that RECORD is =
note number=20
2, SO.. if your offset number is 36, you need to program 38 into=20
the&nbsp;footswitch on the FCB1010.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>(I realise Rithma that you bought your =
EDP off=20
someone in the street so prob dont have the manual, so I have pasted the =
numbers=20
at the bottom of this mail)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Simple!!!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>SO now to the footpedal!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><FONT size=3D4><STRONG>First we set the =
global midi=20
channel</STRONG>.</FONT> Now this is where some people have some =
confusion. IT=20
IS NOT TRUE that the FCB1010 can only send on one midi channel, but that =
EACH=20
MIDI FUNCTION whether its the "send&nbsp;midi note" or "program change" =
etc...=20
each one can only be a set midi channel, and the foot pedal can send 5X =
program=20
changes (so therefore on 5 different midi channels if you want) 2X =
control=20
change messages, 2 Expression pedal messages (cos theres 2 expression =
pedals ha=20
ha) and BINGO (but Boo hiss gah that theres only one) ONE MISERABLE note =

message... but thats fine... we only have ONE EDP ... =
right???</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>SO lets set the midi channel for =
NOTE.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>1. Hold down the DOWN pedal while you =
power the=20
pedal up (now we are in GLOBAL SETUP)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>2.Is the Green Direct Select Button =
lit? If not=20
press pedal 10 (Lets not worry what this does, who cares eh??) the Green =
light=20
is&nbsp;on...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>3.Press pedal 10 (This is the pedal for =
NOTE=20
selection) The MIDI CHAN LED lights up, while the number in the display =
starts=20
to flash</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>4. Choose the midi number you want (the =
one that=20
the EDP is set to) by using the expression pedal 1.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>5. Press UP pedal to =
confirm</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>6. Press Down pedal for MORE than 3 =
seconds to exit=20
Global mode.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG><FONT size=3D4>Then we=20
</FONT></STRONG></FONT><FONT face=3DArial size=3D2><STRONG><FONT =
size=3D4>program the=20
pedals</FONT></STRONG>... and yes this takes time...</DIV>
<DIV>&nbsp;</DIV>
<DIV>1) First Select the pedal you wish to program. 6 for example is my =
RECORD=20
button (little tricky to press... yes.. but out of the way so i dont do =
it=20
accidentally)<BR>2) Press the DOWN button for longer than 3 seconds =
(enters=20
pedal programming mode)</DIV>
<DIV>3) We are now in "Switch mode", which we dont give a shit about =
so... PRESS=20
UP to continue...</DIV>
<DIV>4)&nbsp; We are now where we want to be. Are there any pedals lit =
up? Press=20
and HOLD to switch them on or off.</DIV>
<DIV>5) We want Pedal 10 lit (for a NOTE function), but all the others=20
off.</DIV>
<DIV>6) Now we press Pedal 10 quick, it starts to blink.</DIV>
<DIV>7) Press UP to confirm that you wish to Re program this pedal, and =
the=20
number display starts to flash.</DIV>
<DIV>8) Use the Expression pedal to choose YOUR RECORD (or whatever) =
button=20
number, remember 2 plus your Source # offset number, mine is 38</DIV>
<DIV>9) UP to confirm</DIV>
<DIV>10) Long press of DOWN to leave programming area.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Now program all your other EDP functions, and remember if you want =
a bank=20
set aside for changing your Presets THEN you will use Program Change =
numbers NOT=20
NOTE numbers.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Voila!!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>m</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT><FONT face=3DArial =
size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>mark francombe<BR>marks website is at <A=20
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A><BR>He =
writes for=20
<A href=3D"http://www.furthernoise.org">www.furthernoise.org</A> <BR>and =
works at=20
<A =
href=3D"http://www.transformlearning.com">www.transformlearning.com</A><B=
R>i=20
Tunes: BUY MY MUSIC AT<BR><A=20
href=3D"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist?id=3D=
184310747">http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist?i=
d=3D184310747</A><BR>&nbsp;thank-yoo</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><B><FONT face=3DFutura-Bold size=3D3>
<P align=3Dleft>MIDI Vir tualButtons</P></FONT><FONT face=3DUtopia-Bold>
<P align=3Dleft>Note Source# Function Short =
descriptions</P></B></FONT><FONT=20
face=3DUtopia-Regular>
<P align=3Dleft>C 0 ParameterButton Virtually presses the Parameter =
Button</P>
<P align=3Dleft>C# 1 empty</P>
<P align=3Dleft>D 2 RecordButton Virtually presses the Record Button</P>
<P align=3Dleft>D# 3 OverdubButton Virtually presses the Overdub =
Button</P>
<P align=3Dleft>E 4 MultiplyButton Virtually presses the Multiply =
Button</P>
<P align=3Dleft>F 5 InsertButton Virtually presses the Insert Button, =
depends on=20
InsertMode</P>
<P align=3Dleft>F# 6 MuteButton Virtually presses the Mute Button</P>
<P align=3Dleft>G 7 UndoButton Virtually presses the Undo Button</P>
<P align=3Dleft>G# 8 NextButton Virtually presses the Next Button</P>
<P align=3Dleft>A 9 ReplaceButton Virtually presses the =93Replace =
Button=94</P>
<P align=3Dleft>A# 10 SubstituteButton Virtually presses the =
=93Substitute=20
Button=94</P>
<P align=3Dleft>B 11 InsertOnlyButton Virtually presses the Insert =
Button,=20
regardless of InsertMode</P>
<P align=3Dleft>C 12 SpeedButton Virtually presses the =93HalfSpeed =
Button=94</P>
<P align=3Dleft>C# 13 ReverseButton Virtually presses the =93Reverse=20
Button=94</P></FONT><B><FONT face=3DFutura-Bold>
<P align=3Dleft>DirectMIDI</P></FONT><FONT face=3DUtopia-Bold>
<P align=3Dleft>Note Source# Function Short descriptions</P>
<P align=3Dleft>offset</P></B></FONT><FONT face=3DUtopia-Regular>
<P align=3Dleft>D 14 SUSRecord Sustain Action Record</P>
<P align=3Dleft>D# 15 SUSOverdub Sustain Action Overdub</P>
<P align=3Dleft>E 16 SUSRoundMultiply Sustain Action Rounded =
Multiply</P>
<P align=3Dleft>F 17 SUSRoundedInsert Sustain Action Rounded Insert</P>
<P align=3Dleft>F# 18 SUSMute Sustain Action Mute</P>
<P align=3Dleft>G 19 ShortUndo Immediately execute the ShortUndo =
function (Undo to=20
end)</P>
<P align=3Dleft>G# 20 SUSNextLoop Sustain Action NextLoop (NoteOn =3D =
NextLoop,=20
NoteOff =3D PreviousLoop)</P>
<P align=3Dleft>A 21 SUSReplace Sustain Action Replace</P>
<P align=3Dleft>A# 22 SUSSubstitute Sustain Action =
Substitute</P></FONT><B><FONT=20
face=3DFutura-Bold>
<P align=3Dleft>MIDI Command List</P></B></FONT><FONT face=3DFutura>
<P align=3Dleft>Continued</P></FONT><FONT face=3DFutura>
<P align=3Dleft>Reference - MIDI Control 7-5</P></FONT><FONT =
face=3DUtopia-Regular=20
size=3D1>
<P align=3Dleft><FONT size=3D3>B 23 SUSToggleReverse Sustain Action=20
Reverse</FONT></P>
<P align=3Dleft><FONT size=3D3>C 24 SUSToggleSpeed Sustain Action=20
HalfSpeed</FONT></P>
<P align=3Dleft><FONT size=3D3>C# 25 Reset Immediately reset current =
loop</FONT></P>
<P align=3Dleft><FONT size=3D3>D 26 GeneralReset Immediately reset all=20
loops</FONT></P>
<P align=3Dleft><FONT size=3D3>D# 27 Exit Parameters Exit Parameter =
editing and=20
return to Play state</FONT></P>
<P align=3Dleft><FONT size=3D3>E 28 SUSUnroundedMultiply Sustain Action =
Unrounded=20
Multiply</FONT></P>
<P align=3Dleft><FONT size=3D3>F 29 SUSUnroundedInsert Sustain Action =
Unrounded=20
Insert</FONT></P>
<P align=3Dleft><FONT size=3D3>F# 30 SUSMute-Retrigger Sustain Action =
Mute-Retrigger=20
(NoteOn =3D Mute, NoteOff=3DRetrig.)</FONT></P>
<P align=3Dleft><FONT size=3D3>G 31 LongUndo Immediately execute the =
LongUndo=20
function</FONT></P>
<P align=3Dleft><FONT size=3D3>G# 32 Forward Go into Forward</FONT></P>
<P align=3Dleft><FONT size=3D3>A 33 Reverse Go into Reverse</FONT></P>
<P align=3Dleft><FONT size=3D3>A# 34 FullSpeed Go into =
FullSpeed</FONT></P>
<P align=3Dleft><FONT size=3D3>B 35 HalfSpeed Go into =
HalfSpeed</FONT></P>
<P align=3Dleft><FONT size=3D3>C 36 SamplePlay Immediately restart the =
loop and play=20
once</FONT></P>
<P align=3Dleft><FONT size=3D3>C# 37 ReTrigger Immediately restart the =
loop and play=20
forever</FONT></P>
<P align=3Dleft><FONT size=3D3>D 38 ReAlign Restart the loop at next =
Global MIDI=20
StartPoint</FONT></P>
<P align=3Dleft><FONT size=3D3>D# 39 MuteReAlign Immediately Mute and =
restart the=20
loop at next Global MIDI StartPoint</FONT></P>
<P align=3Dleft><FONT size=3D3>E 40 QuantMIDIStartSong Wait to next =
Local Loop=20
StartPoint and then send a StartSong</FONT></P>
<P align=3Dleft><FONT size=3D3>F 41 MuteQuantMIDIStartSong Immediately =
Mute, then=20
wait to next StartPoint and send StartSong</FONT></P>
<P align=3Dleft><FONT size=3D3>F# 42 StartPoint Set the StartPoint to =
the current=20
spot in the loop</FONT></P>
<P align=3Dleft><FONT size=3D3>G 43 QuantStartPoint Wait to next Global =
MIDI=20
StartPoint and then set the local StartPoint there</FONT></P>
<P align=3Dleft><FONT size=3D3>G# 44 BeatTriggerSample Mute and wait for =
BeatSync,=20
then trigger loop to play once. Repeated BeatSyncs</FONT></P>
<P align=3Dleft><FONT size=3D3>retrigger the loop.</FONT></P>
<P align=3Dleft><FONT size=3D3>A 45 MIDIBeatSync Virtually send a =
BeatSync pulse by=20
MIDI<BR></P>
<HR>

<P align=3Dleft>I am using the free version of SPAMfighter for private=20
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 22 20:31:30 2007
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To: <loopers-Delight@loopers-delight.com>
References: <01b501c76c54$6f5e1d40$64ddfea9@DAYGLOGREEN>
Subject: Re: How to reduce the DAILY DIGEST to one post a day
Date: Thu, 22 Mar 2007 21:31:21 +0100
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I dream of getting the daily digest all in one mail... for some reason that 
I cannot fathom I get all LD mails as an attatchment that I have to read the 
titles of and decide if I wanna read... none of my other lists respond in 
that way, I have mentioned it to Kim before and he just confused me with 
some complex and esoteric mumbo jumbo, but maybe I like it like this after 
all, you seem to be having real probs, Rick!


m

mark francombe
marks website is at www.markfrancombe.com
He writes for www.furthernoise.org
and works at www.transformlearning.com
i Tunes: BUY MY MUSIC AT
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist?id=184310747
 thank-you

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 01:15:24 2007
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From: "Qua Veda" <qua@oregon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Live 4 way co-located music
Date: Thu, 22 Mar 2007 18:15:16 -0700
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A fascinating, perhaps historic, event!  Did anyone attend this?   In
person?

I believe this was not a mass improvisation. I'm curious to know how the
musicians were 'directed' , by the 'score'.  
E.g. What kind of 'cues' were in the 4walls video.  
-Qua

A Live Telepresence Four Way Co-Located Music Improvisation Concert 

    THIS Thursday, March 22, 2007 
    @ 5:00 p.m. 
    Engineering 2 Room 506, 510 (studio) 
    Can't Attend? Tune in to a LIVE STREAM 
    http://www.arts.rpi.edu/streaming/arts/iear_live.asx 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 08:44:19 2007
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Date: Fri, 23 Mar 2007 01:44:15 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: The Word is Out! Sell Your EDP's!
To: Loopers-Delight@loopers-delight.com
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yeah, so is Billy boy gates
any comments on his new vista?
cheerios
Luis



>   Ambition alone is not justification for jamming
> something up the world's/society's/etc. ass. Adoph
> Hitler was pretty ambitious. 
>

www.myspace.com/luisangulocom


 
____________________________________________________________________________________
Bored stiff? Loosen up... 
Download and play hundreds of games for free on Yahoo! Games.
http://games.yahoo.com/games/front

From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 08:50:10 2007
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Date: Fri, 23 Mar 2007 01:50:05 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: The Word is Out! Sell Your EDP's!
To: Loopers-Delight@loopers-delight.com
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that kid certainly does a better demostration of the
looper as the other RC-50 wanker(not to offend any
Paul Hansen fans:-)
maybe his toys were financed by digitech!
Luis



--- Paul Richards <paulrichard_rocks@yahoo.com> wrote:

> (I've never known Yahoo to start playing a video on
> its main page.)
>    
>   I don't think I said it did, did I, ye of the dry
> (attempted) wit.
>    
>   (Vitriol)
>    
>   Hahaha. I think I remember all the nasty comments
> about the guy that did the Boss demo of the RC-50.
> Gimme a fuckin' break.
>    
>   As I implied, though. It's just another example of
> some kid's parents dough that financed his
> "collection" of gear. I've known plenty of those
> types. In fact, I still have a couple of their
> "albums" that I save as a kind of music house of
> horrors (one from my ex-boss's kid that had to be an
> example of the worst crap ever promulgated on an
> unsuspecting public - next to American Idol
> applicants, of course).
>    
>   And, just for the record, I'm a looper that
> doesn't do drone-y stuff (currently). I play mostly
> typically-structured rock with extended solos.
> Hence, I have no problem with 'traditional' rock or
> soul.
> 
>  
> Jon Southwood <jsouthwood@gmail.com> wrote:
>   I've never known Yahoo to start playing a video on
> its main page.
> 
> I'm surprised at the vitriol expended on this kid's
> video, though. An 11 yr-old who's fairly competent
> on a handful of instruments uses looping to cover a
> James Brown song, while hamming it up. Let's break
> it down: 
> 
> - 11 yrs old --- there are plenty of vids on YouTube
> of adults with less skillz than this kid
> - Covering a JB song --- this is prolly the biggest
> offense, right? I mean live looping should only be
> reserved for a small handful of music types: the
> ephemeral improvisation, sound sculpture,
> drone+noodle (aka frippertronics), reichian
> minimalism, and guitar-turntablism...right out are:
> jazzer vamp+noodle (jazzer vamp != fripp drone), pop
> song structures, and above all--*cover* tunes. Let's
> face it, we should be thankful there are 11 yr olds
> who know who JB is, let alone are interested in
> playing his music. It could've been a looping cover
> of a Paris Hilton song. 
> - hamming it up --- G-d forbid someone using a
> looper exhibits stage presence
> 
> Before I get accused of being an
>
improvisation-sound-sculputure-frippertronic-reich-turntablism-avant-garde-bleep-bloop
> hater, know that I've done more than my fair share
> of ebow-saturated drone+noodles and reichian
> minimalist pieces, some free improv, some sound
> sculpture, and much of my chamber music could
> certainly fall into the bleep/bloop category. 
> 
> Yeah, an 11 yr old's brand of hamming it up can be a
> bit annoying, but if someone played the hell out of
> that song while shoe-gazing, it would suck far worse
> than what that kid did.
> 
> Cheers,
> 
> Jon Southwood 
> 
>   On 3/21/07, Paul Richards
> <paulrichard10@adelphia.net> wrote:  Actually, it
> was presented on Yahoo's main page when I went to
> Yahoo. I didn't specifically LOOK for this ham.
> 
> 'Wonder how much his parents spent on all those
> music gear items to allow his "haminess" to bloom? 
> 
> --
> Paul Richards
> 
> ---- Kevin Cheli-Colando <kevin@minds-eye.org>
> wrote:
> > > OUCH!  Harsh.
> >
> > No doubt.
> >
> > And how is his talent in your face when you have
> to go to a website to 
> > watch it anyway?  Sheesh.  You don't have any kids
> do you?
> >
> > > > (Video Games or James Brown covers)
> > > >
> > > > Video game development has my vote! One less
> meatball jamming his 
> > > > "talent" in my face.
> >
> > And lastly, I never said anything about developing
> video games, I meant
> > playing them.
> >
> > Kevin
> > --
> > Till now you seriously considered yourself to be
> the body and to have a 
> > form. That is the primal ignorance which is the
> root cause of all trouble.
> >
> > - Ramana Maharshi (1879-1950)
> >
> > Sound and Vision:  http://www.minds-eye.org 
> >
> 
> 
> 
> 
> 
>  
> ---------------------------------
> Sucker-punch spam with award-winning protection.
>  Try the free Yahoo! Mail Beta.


www.myspace.com/luisangulocom


 
____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 08:57:54 2007
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Date: Fri, 23 Mar 2007 01:57:51 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: The Word is Out! Sell Your EDP's!
To: Loopers-Delight@loopers-delight.com
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dont concentrate too much on the fact that he is using
a digitechs jamman looper and youll be ok Paul,the
audience doesnt give a flyin fuck about it,the kid is
having fun with daddy i wish my son could do it! he
just takes my mic away when i am practicing and starts
burping,farting and screaming,dont get me wrong is
cool for the first 5 minutes...
Luis

--- Paul Richards <paulrichard_rocks@yahoo.com> wrote:

> I was wondering when the uncrowned "King of the
> Looper's Delight" board would respond. 
>    
>   (What could possibly be bad about that?)
>    
>   Well, I can think of one reason. The world will
> have to listen someones shit like his (possibly)
> someday like mostly what exists now in the music
> world.
>    
>   Ambition alone is not justification for jamming
> something up the world's/society's/etc. ass. Adoph
> Hitler was pretty ambitious. 
>   
> RICK WALKER <looppool@cruzio.com> wrote:
>   Paul Richards wrote:
> "Actually, it was presented on Yahoo's main page
> when I went to Yahoo. I 
> didn't specifically LOOK for this ham.
> 'Wonder how much his parents spent on all those
> music gear items to allow 
> his "haminess" to bloom?"
> 
> 
> Man, Paul, you really sound bitter.
> 
> This kid played bass guitar, rhythm guitar, lead
> guitar, lead organ, lead 
> saxaphone,
> sang well and even danced pretty
> decently................and he's 11 fucking 
> years young.
> 
> What could possibly be bad about that? What could
> possibly be wrong with 
> his parents supporting
> him to the very best of their ability. Why shouldn't
> his talent be 
> supported?
> 
> Why do you make music, my friend? What do you do
> that is so morally and 
> aesthetically superior to
> the obvious joy that this kid has for music?
> 
> Lighten up on this kid. Jeez!
> 
> Rick Walker
> 
> 
> -- 
> 
> 
> 
>  
> ---------------------------------
> The fish are biting.
>  Get more visitors on your site using Yahoo! Search
Marketing.


www.myspace.com/luisangulocom


 
____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 11:47:01 2007
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From: Bernhard Wagner LD <loopdelightml-NDI3MDE=-@bernhardwagner.net>
Subject: Re: volume question
Date: Fri, 23 Mar 2007 12:46:55 +0100
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Michael

I'd recommend to use the hottest possible levels starting from the  
source (with or without distorting, depending on your taste).

The reason is: the "pure information" comes from the source (i.e.  
guitar). If you turn down the volume at the source and pump it up at  
the end or somewhere underway, these intermediate amplifiers have to  
augment information that isn't there. It's as if you take a 10 MPixel  
camera and configure it to shoot a picture at 1 MPixel and then use  
Photoshop to blow it up to 10M. Photoshop will introduce a lot of  
"noise" into the picture when blowing it up, because it has to  
"pretend" information that wasn't given from the start.

I'd been wondering why my sound was rather hissy until I figured out  
that I hadn't been using enough of the input headroom of the EDP but  
had increased the output level instead.

Bernhard

On 22.03.2007, at 19:52, Nemoguitt@aol.com wrote:

> is there a "rule" regarding volume settings, i.e. what should be  
> the hottest?

From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 12:34:08 2007
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From: Bernhard Wagner LD <loopdelightml-NDI3MDE=-@bernhardwagner.net>
Subject: Re: How to reduce the DAILY DIGEST to one post a day
Date: Fri, 23 Mar 2007 13:34:03 +0100
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Finally I understand why your posts don't stay within a thread but  
regularly seem to start a new one even if in the middle of an ongoing  
discussion: Because you don't use REPLY!

I actually consider hitting REPLY advantageous: a special (normally  
invisible) mail header is retained that helps automatic threading  
tools to maintain the relationship between posts (what is called  
"threading", see the section "References" in http://cr.yp.to/immhf/ 
thread.html or section "9.2. A.2. Reply messages" in http:// 
www.zvon.org/tmRFC/RFC2822/Output/chapter9.html).

I fully agree with the policy that previous posts should be quoted  
only where needed and otherwise trimmed down. But please do use  
REPLY: it makes following a discussion thread much easier. This  
applies particularly to automatic threading tools.

By the same token: It's better NOT to use REPLY (just to copy the LD  
posting address) when starting a new thread (otherwise the  
conceptually new thread will technically appear as a response to some  
other, unrelated thread).

Thanx
Bernhard

On 22.03.2007, at 08:33, RICK WALKER wrote:

> posters continually disregard the request to quit hitting REPLY  
> when they answer a post.

From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 12:59:52 2007
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Bernhard Wagner LD wrote:
> Finally I understand why your posts don't stay within a thread but 
> regularly seem to start a new one even if in the middle of an ongoing 
> discussion: Because you don't use REPLY!
> 

Hang on a minute there ;-)
Rick's posts don't thread because he's uses the digest version of list.
andy 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 13:09:48 2007
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Date: Fri, 23 Mar 2007 6:09:46 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: The Word is Out! Sell Your EDP's!
Cc: "L.A. Angulo" <labaloops@yahoo.com>
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Actually, I'm not one of the "looper snobs" on this board. You know, the ones that continually bash Roland for the RC-50.

--
Paul Richards

---- "L.A. Angulo" <labaloops@yahoo.com> wrote: 
> dont concentrate too much on the fact that he is using
> a digitechs jamman looper and youll be ok Paul,the
> audience doesnt give a flyin fuck about it,the kid is
> having fun with daddy i wish my son could do it! he
> just takes my mic away when i am practicing and starts
> burping,farting and screaming,dont get me wrong is
> cool for the first 5 minutes...
> Luis
> 
> --- Paul Richards <paulrichard_rocks@yahoo.com> wrote:
> 
> > I was wondering when the uncrowned "King of the
> > Looper's Delight" board would respond. 
> >    
> >   (What could possibly be bad about that?)
> >    
> >   Well, I can think of one reason. The world will
> > have to listen someones shit like his (possibly)
> > someday like mostly what exists now in the music
> > world.
> >    
> >   Ambition alone is not justification for jamming
> > something up the world's/society's/etc. ass. Adoph
> > Hitler was pretty ambitious. 
> >   
> > RICK WALKER <looppool@cruzio.com> wrote:
> >   Paul Richards wrote:
> > "Actually, it was presented on Yahoo's main page
> > when I went to Yahoo. I 
> > didn't specifically LOOK for this ham.
> > 'Wonder how much his parents spent on all those
> > music gear items to allow 
> > his "haminess" to bloom?"
> > 
> > 
> > Man, Paul, you really sound bitter.
> > 
> > This kid played bass guitar, rhythm guitar, lead
> > guitar, lead organ, lead 
> > saxaphone,
> > sang well and even danced pretty
> > decently................and he's 11 fucking 
> > years young.
> > 
> > What could possibly be bad about that? What could
> > possibly be wrong with 
> > his parents supporting
> > him to the very best of their ability. Why shouldn't
> > his talent be 
> > supported?
> > 
> > Why do you make music, my friend? What do you do
> > that is so morally and 
> > aesthetically superior to
> > the obvious joy that this kid has for music?
> > 
> > Lighten up on this kid. Jeez!
> > 
> > Rick Walker
> > 
> > 
> > -- 
> > 
> > 
> > 
> >  
> > ---------------------------------
> > The fish are biting.
> >  Get more visitors on your site using Yahoo! Search
> Marketing.
> 
> 
> www.myspace.com/luisangulocom
> 
> 
>  
> ____________________________________________________________________________________
> Expecting? Get great news right away with email Auto-Check. 
> Try the Yahoo! Mail Beta.
> http://advision.webevents.yahoo.com/mailbeta/newmail_tools.html 
> 

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From: Bernhard Wagner LD <loopdelightml-NDI3MDE=-@bernhardwagner.net>
Subject: Re: Sample Dump EDP and OS X
Date: Fri, 23 Mar 2007 14:14:04 +0100
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On this page

http://bernhardwagner.net/soundz/index.html#utility

you can find a tool for dumping Echoplex Loops.

However it's been realized on a very old Mac with OS 7.5.3, Max 3.0  
and won't work on a newer Mac.

I've looked at the patcher, but porting it to Max 4.6.2 is not  
straightforward, because an essential object I used (msd "Load and  
send MIDI Sample Dump") is no longer available.

Bernhard

On 20.03.2007, at 17:37, Fuller, Joshua N wrote:

> Is anyone here successfully using midi sample dump w/Macintosh OS  
> X, and if so what software are you using?

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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV style=3D""><FONT =
class=3D"Apple-style-span" face=3D"Monaco" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px;">On this =
page</SPAN></FONT></DIV><DIV style=3D""><FONT class=3D"Apple-style-span" =
face=3D"Monaco" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><BR =
class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV =
style=3D""><FONT class=3D"Apple-style-span" face=3D"Monaco" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
10px;"><A =
href=3D"http://bernhardwagner.net/soundz/index.html#utility">http://bernha=
rdwagner.net/soundz/index.html#utility</A></SPAN></FONT></DIV><DIV =
style=3D""><FONT class=3D"Apple-style-span" face=3D"Monaco" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
10px;"><BR class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV =
style=3D""><DIV style=3D""><FONT class=3D"Apple-style-span" =
face=3D"Monaco" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;">you can find a tool for dumping Echoplex =
Loops.</SPAN></FONT></DIV><DIV style=3D""><FONT class=3D"Apple-style-span"=
 face=3D"Monaco" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><BR =
class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV =
style=3D""><FONT class=3D"Apple-style-span" face=3D"Monaco" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
10px;">However it's been realized on a very old Mac with OS 7.5.3, Max =
3.0 and won't work on a newer Mac.</SPAN></FONT></DIV><DIV =
style=3D""><FONT class=3D"Apple-style-span" face=3D"Monaco" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
10px;"><BR class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV =
style=3D""><FONT class=3D"Apple-style-span" face=3D"Monaco" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
10px;">I've looked at the patcher, but porting it to Max 4.6.2 is not =
straightforward, because an essential object I used (msd "Load and send =
MIDI Sample Dump") is no longer available.</SPAN></FONT></DIV><DIV =
style=3D""><FONT class=3D"Apple-style-span" face=3D"Monaco" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
10px;"><BR class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV =
style=3D""><FONT class=3D"Apple-style-span" face=3D"Monaco" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
10px;">Bernhard=A0</SPAN></FONT></DIV></DIV><FONT =
class=3D"Apple-style-span" face=3D"Monaco" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: =
10px;"><BR></SPAN></FONT><DIV><DIV>On 20.03.2007, at 17:37, Fuller, =
Joshua N wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><SPAN class=3D"Apple-style-span" style=3D"border-collapse: =
separate; border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: =
0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV =
class=3D"Section1"><P class=3D"MsoNormal"><FONT size=3D"2" =
face=3D"Arial"><SPAN style=3D"font-size:10.0pt; font-family:Arial; =
font-size: 13.3333px; "><SPAN class=3D"Apple-style-span" =
style=3D"font-family: Arial; font-size: 13.3333px; ">Is anyone here =
successfully using midi sample dump w/Macintosh OS X, and if so what =
software are you =
using?</SPAN></SPAN></FONT></P></DIV></SPAN></BLOCKQUOTE></DIV></BODY></HT=
ML>=

--Apple-Mail-1-927432619--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 13:37:12 2007
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Date: Fri, 23 Mar 2007 6:37:09 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: The Word is Out! Sell Your EDP's!
Cc: "L.A. Angulo" <labaloops@yahoo.com>
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In his case, it's megalomania & greed. 

-
Paul Richards

---- "L.A. Angulo" <labaloops@yahoo.com> wrote: 
> yeah, so is Billy boy gates
> any comments on his new vista?
> cheerios
> Luis
> 
> 
> 
> >   Ambition alone is not justification for jamming
> > something up the world's/society's/etc. ass. Adoph
> > Hitler was pretty ambitious. 
> >
> 
> www.myspace.com/luisangulocom
> 
> 
>  
> ____________________________________________________________________________________
> Bored stiff? Loosen up... 
> Download and play hundreds of games for free on Yahoo! Games.
> http://games.yahoo.com/games/front
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 15:25:49 2007
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thnaks B-man.....your answer makes great sense to me.....so basically i=20
will have the "hottest" signal hitting the speakers and not trying to=20
pump things up at the speakers.....xcellent.....danka mucho.....michael


http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com


-----Original Message-----
From: loopdelightml-NDI3MDE=3D-@bernhardwagner.net
To: Loopers-Delight@loopers-delight.com
Sent: Fri, 23 Mar 2007 6:46 AM
Subject: Re: volume question

   Michael=C2=A0
=C2=A0
  I'd recommend to use the hottest possible levels starting from the=20
source (with or without distorting, depending on your taste).=C2=A0
=C2=A0

________________________________________________________________________
AOL now offers free email to everyone.  Find out more about what's free=20
from AOL at AOL.com.
=3D0

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 18:57:09 2007
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Date: Fri, 23 Mar 2007 11:57:06 -0700 (PDT)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: what's up with sonicbids.com
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hello list,

i learned about sonic bids from a posting here awhile
ago.

if you don't already know about it...

http://www.sonicbids.com

anyways, i was about to plunge in and pay the fees to
be a member and then i noticed that many/most of the
bids you make for a gig has a  
'submission fee.' and they arent cheap!

is it worth it? have your gotten gigs? did they pay
for your flight and accomodation ? 

what of experimental composers...is there a market for
us there? 

not sure if i am feeling it but if you have some
experience with this i would love to know more!

 Margaret Noble
 Audio Artist 
 http://www.myspace.com/margaretnoble


 
____________________________________________________________________________________
Don't pick lemons.
See all the new 2007 cars at Yahoo! Autos.
http://autos.yahoo.com/new_cars.html 

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Date: Fri, 23 Mar 2007 12:03:19 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
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All of the gigs I've ever seen there had at least a $10 submission
fee, and none of them ever panned out for me.  YMMV.

On 3/23/07, margaret noble <margaretnoble2000@yahoo.com> wrote:
\
> anyways, i was about to plunge in and pay the fees to
> be a member and then i noticed that many/most of the
> bids you make for a gig has a
> 'submission fee.' and they arent cheap!
>
> is it worth it? have your gotten gigs? did they pay
> for your flight and accomodation ?
>

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On Mar 23, 2007, at 2:57 PM, margaret noble wrote:

>
> what of experimental composers...is there a market for
> us there?

is there anywhere really?


no, it's not really for experimental composers. but what is?  it's  
really set up for pop bands. it does work, i've gotten a few gigs  
thru it. every gig lists the details separately, some pay expenses,  
some don't.



monk@fuse.net




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><BR><DIV><DIV>On Mar 23, 2007, =
at 2:57 PM, margaret noble wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; =
min-height: 14.0px"><BR></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">what of experimental composers...is there a market =
for</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">us =
there?<SPAN class=3D"Apple-converted-space">=A0</SPAN></FONT></P> =
</BLOCKQUOTE></DIV><BR><DIV> <SPAN class=3D"Apple-style-span" =
style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "></SPAN></DIV>is =
there anywhere really?<BR><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>no, it's not really for =
experimental composers. but what is?=A0 it's really set up for pop =
bands. it does work, i've gotten a few gigs thru it. every gig lists the =
details separately, some pay expenses, some don't.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><A =
href=3D"mailto:monk@fuse.net">monk@fuse.net</A></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV></BODY></HTML>=

--Apple-Mail-14-948440207--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 19:12:58 2007
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I signed up for BMI this week (free), which comes with a free one-year 
subscription to Sonicbids. A friend of mine had gotten a few gigs, which 
probably makes it worthwhile even at $35, though you can't beat free.

Here's a few other discounts you get with BMI:

http://www.bmi.com/career/discounts

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

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On Mar 23, 2007, at 12:57 PM, margaret noble wrote:
> anyways, i was about to plunge in and pay the fees to
> be a member and then i noticed that many/most of the
> bids you make for a gig has a
> 'submission fee.' and they arent cheap!

Got a couple local gigs through sonicbids - more than paid for the =20
yearly membership.

> what of experimental composers...is there a market for
> us there?

Not specifically but there are numerous "indie" festivals that may have =20=

that niche.

>  not sure if i am feeling it but if you have some
> experience with this i would love to know more!
>
>  Marg=12aret Noble
>  Audio Artist
>  http://www.myspace.com/margaretnoble
>
>
>
> =
_______________________________________________________________________=20=

> _____________
> Don't pick lemons.
> See all the new 2007 cars at Yahoo! Autos.
> http://autos.yahoo.com/new_cars.html
>

From mr.emma6@hotmail.com  Fri Mar 23 19:32:32 2007
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                                                       THE PRESIDENCY
                                            PAY MASTER GENERAL OF NIGERIA
                                                      FOREIGN AFFAIRS UNIT
                                EXECUTIVE OF DIRECTOR SPECIAL DEPARTMENT
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FROM THE DESK OF: DR. Scote Ken.

Attn: Honourable Contractor.

RE: PRESIDENTIAL DIRECTIVES ON YOUR AWAITING FUND.

I am Dr. Scote Ken Pay Master General of the Federation,Wish to inform you 
that we have received authentic approval and instruction directly from the 
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It has become considerably emergent that we have been directed to take this 
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I expect your urgent response.I advice to stop any futher communication with 
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YOURS SINCERELY,

Dr. Scote Ken.
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 21:02:42 2007
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I signed on long ago when they first opened shop. Sonicbids is more =20
oriented towards mainstream music and there are not a lot of =20
opportunities for instrumental music, but there are some.

In my opinion, Sonicbids is this:
- you pay a fee to have your promo kit placed slightly above those of =20=

the desperate hoards, so that there is more of a chance someone will =20
pay attention to you.

the time-tested, tried and true way that musicians get work is still =20
- through personal connections and recommendations from trusted =20
sources. but MAYBE a Sonicbids gig will help you meet and been heard =20
by other people, who will lead to other people and other =20
people...etc....so on up the food chain until you are omnipresent and =20=

people are recommending you all the time. (that goes for all gigs, =20
nothing special about the Sonicbids ones)

I give myself a yearly promotional budget, and think of the =20
occasional Sonicbids submission as part of that. you need to be =20
selective however, or you are just throwing money away that might be =20
better spent on other promotional activities

so, my experience with the service?

I seem to have been "selected" for 75% the things I've applied =20
for...I think because there are not many experimental =20
instrumentalists in the pool and its a smaller pond than indie rock.

HOWEVER....I have a beef with Sonicbids that I"ve been discussing =20
with them and which I think you should be warned about...

50% of the things I was "selected" for, the "promoter" has yet to =20
follow through - in several cases more than a year later.

All the festival gigs and some radio thing happened.... But other =20
"opportunities", like reviews, compilations, shows at smaller venues, =20=

internet radio - the promoters happily took my submission fee, =20
announced that I was "selected" then nothing happened and they have =20
never returned any of my follow-up emails (rarely do you get a phone =20
number). This seems sketchy to me. I began vetting the opportunities =20
up there more carefully (some have just a single webpage and its hard =20=

to find out anything about them) and only submitting to things that I =20=

can find out more about outside of Sonicbids. For a couple listings =20
up there, I ended up just bypassing Sonicbids, contacted the venues =20
and booked the shows myself....so it kind of called into question the =20=

purpose of the service. But, I've been kept VERY busy these days, and =20=

haven't used Sonicbids for some time.

There are good things about it...if you're at the stage where you =20
just need to get out there and perform, I think its good. But there =20
needs to be a little more carefulness on their part in selecting the =20
opportunities and making sure these "promoters" have their act =20
together. I have the feeling they are just desperately trying to get =20
more and more content, and not thoroughly vetting it.  Once a member =20
is "selected" Sonicbids is out of the picture.

They are aware of the problem and seem receptive to feedback. It's a =20
small company and I like their concept because I'm all about DIY. =20
Since some of the opportunities are revolving, I suggested there be a =20=

way for members to rate promoters/opportunities, kind of like you do =20
for sellers on Ebay.

my 2 cents,

Zoe

On Mar 23, 2007, at 12:15 PM, Paul Mimlitsch wrote:

> On Mar 23, 2007, at 12:57 PM, margaret noble wrote:
>> anyways, i was about to plunge in and pay the fees to
>> be a member and then i noticed that many/most of the
>> bids you make for a gig has a
>> 'submission fee.' and they arent cheap!
>
> Got a couple local gigs through sonicbids - more than paid for the =20
> yearly membership.
>
>> what of experimental composers...is there a market for
>> us there?
>
> Not specifically but there are numerous "indie" festivals that may =20
> have that niche.
>
>>  not sure if i am feeling it but if you have some
>> experience with this i would love to know more!
>>
>>  Marg=12aret Noble
>>  Audio Artist
>>  http://www.myspace.com/margaretnoble
>>
>>
>>
>> _____________________________________________________________________=20=

>> _______________
>> Don't pick lemons.
>> See all the new 2007 cars at Yahoo! Autos.
>> http://autos.yahoo.com/new_cars.html
>>
>

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Laguna Hills, California (March 19, 2007) - Newly formed SBD Music,
Inc., based in Laguna Hills, Calif., has acquired Electrix Pro, Inc., a
leader in manufacturing professional audio equipment. 

SBD Music, Inc. also announces they have appointed a board of directors
consisting of Mark Buhler, Charles Dotson and Adam Scolaro. 

 

"We saw a tremendous opportunity to acquire a very well respected brand
name in Electrix. We are planning to re-introduce new versions of the
Electrix products over the next twelve to twenty four months", says Adam
Scolaro, president of SBD Music, Inc.

 

"We are going to continue manufacturing high quality products that
Electrix is known for, and try to build and expand the product line",
added Mark Buhler.

 


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style='font-size:12.0pt;line-height:200%;font-family:"Times New Roman"'><o:p></o:p></span></font></p>

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and Adam Scolaro. </span></font><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;line-height:200%;font-family:"Times New Roman"'><o:p></o:p></span></font></p>

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simple;text-autospace:none'><font size=2 face=Tahoma><span style='font-size:
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opportunity to acquire a very well respected brand name in Electrix. We are
planning to re-introduce new versions of the Electrix products over the next
twelve to twenty four months&#8221;, says Adam Scolaro, president of SBD Music,
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 21:18:47 2007
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From: Zoe Keating <cello@zoekeating.com>
Subject: ps...the world's first looped cello horror film score?
Date: Fri, 23 Mar 2007 14:18:37 -0700
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i just finished...like yesterday, the score to an indie horror movie.  
it was the first time i've gone a feature (i've done bits of  
documentaries and recently some commercials). i took the approach of  
watching the movie and improvising to certain key sections using the  
repeaters, while recording the whole time. then i selected the good  
parts and used those as a foundation for building the score in  
ableton live. i meant to switch back over to logic but i just ended  
up doing the entire 90 minute movie in ableton. the whole thing took  
7 days and i used 2 microphones, one cello, a spoon and a pair of  
chopsticks. i'm actually happy with it (which is an extreme rarity  
for me!!). the whole improvising - looping - recording workflow was  
very seamless and quite satisfying in its immediacy.

there are a lot of f***ed up things about our present day, but  
technologically speaking, it is a great time to be a musician.

who knows how well the movie will do, maybe straight to dvd! it's  
really, really scary and the kind of thing i cannot actually watch.   
but if you can watch horror films its called "The Devil's Chair" and  
is by a UK director named Adam Mason

From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 21:37:46 2007
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Date: Fri, 23 Mar 2007 14:37:39 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: New Repeater in 12-24 months !
To: Loopers-Delight@loopers-delight.com
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Yeah, and if anyone wants to paypal me money I'll take
deposits for it because I'm sure it's right around the
corner.  I can practically taste it!Make sure you sell
your current looper too.  Send me the proceeds of that
as well and I'll include special m@l3 1nh@nc3m3nt
p1lz. Be welsh be salaried!

Mark

--- "Weideman, Gary" <Gary.Weideman@bankofamerica.com>
wrote:

> Laguna Hills, California (March 19, 2007) - Newly
> formed SBD Music,
> Inc., based in Laguna Hills, Calif., has acquired
> Electrix Pro, Inc., a
> leader in manufacturing professional audio
> equipment. 
> 
> SBD Music, Inc. also announces they have appointed a
> board of directors
> consisting of Mark Buhler, Charles Dotson and Adam
> Scolaro. 
> 
>  
> 
> "We saw a tremendous opportunity to acquire a very
> well respected brand
> name in Electrix. We are planning to re-introduce
> new versions of the
> Electrix products over the next twelve to twenty
> four months", says Adam
> Scolaro, president of SBD Music, Inc.
> 
>  
> 
> "We are going to continue manufacturing high quality
> products that
> Electrix is known for, and try to build and expand
> the product line",
> added Mark Buhler.
> 
>  
> 
> 



 
____________________________________________________________________________________
Don't get soaked.  Take a quick peek at the forecast
with the Yahoo! Search weather shortcut.
http://tools.search.yahoo.com/shortcuts/#loc_weather

From accounts@wellsfargo.com  Fri Mar 23 22:31:08 2007
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<table width="700" cellpadding="0" cellspacing="5">
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 22:37:04 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: ps...the world's first looped cello horror film score?
Date: Fri, 23 Mar 2007 23:36:56 +0100
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On 23 mar 2007, at 22.18, Zoe Keating wrote:

> who knows how well the movie will do, maybe straight to dvd! it's  
> really, really scary and the kind of thing i cannot actually  
> watch.  but if you can watch horror films its called "The Devil's  
> Chair" and is by a UK director named Adam Mason


Wonderful, thanks for telling! I'll look around for it. I actually  
like horror movies for the music, since they often use music in a way  
I like. Right now "Silent Hill" is my fav and it led me into picking  
up all music recorded by Akira Yamaoka.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


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Subject: Re: ps...the world's first looped cello horror film score?
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Congrats Zoe!!

Plish


www.myspace.com/bohdanovich
www.myspace.com/michaelplishka


----- Original Message ----- 
From: "Zoe Keating" <cello@zoekeating.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 23, 2007 4:18 PM
Subject: ps...the world's first looped cello horror film score?


>i just finished...like yesterday, the score to an indie horror movie.  
> it was the first time i've gone a feature (i've done bits of  
> documentaries and recently some commercials). i took the approach of  
> watching the movie and improvising to certain key sections using the  
> repeaters, while recording the whole time. then i selected the good  
> parts and used those as a foundation for building the score in  
> ableton live. i meant to switch back over to logic but i just ended  
> up doing the entire 90 minute movie in ableton. the whole thing took  
> 7 days and i used 2 microphones, one cello, a spoon and a pair of  
> chopsticks. i'm actually happy with it (which is an extreme rarity  
> for me!!). the whole improvising - looping - recording workflow was  
> very seamless and quite satisfying in its immediacy.
> 
> there are a lot of f***ed up things about our present day, but  
> technologically speaking, it is a great time to be a musician.
> 
> who knows how well the movie will do, maybe straight to dvd! it's  
> really, really scary and the kind of thing i cannot actually watch.   
> but if you can watch horror films its called "The Devil's Chair" and  
> is by a UK director named Adam Mason
> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 23:02:40 2007
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Date: Fri, 23 Mar 2007 16:02:32 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: ps...the world's first looped cello horror film score?
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--- Per Boysen <perboysen@gmail.com> wrote:

> I actually  
> like horror movies for the music, since they often
> use music in a way I like. 

That reminds me of 'Blair Witch II' (the score CD, NOT
the soundtrack CD); a fairly bad movie with *great*
music by Carter Burwell and David Torn.

-t-




 
____________________________________________________________________________________
Get your own web address.  
Have a HUGE year through Yahoo! Small Business.
http://smallbusiness.yahoo.com/domains/?p=BESTDEAL

From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 23:08:11 2007
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On this tip, "The Order" (aka 'the Sin Eater'), one of the WORST movies 
I've EVER seen, has an amazing soundtrack entirely scored by Torn.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> That reminds me of 'Blair Witch II' (the score CD, NOT
> the soundtrack CD); a fairly bad movie with *great*
> music by Carter Burwell and David Torn.

From Loopers-Delight-request@loopers-delight.com  Fri Mar 23 23:30:15 2007
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Date: Fri, 23 Mar 2007 16:30:13 -0700
From: "Nic Roozeboom" <nicroozeboom@gmail.com>
To: Loopers-Delight@loopers-delight.com
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If anyone wants to keep track of the work, I find IMDB a handy resource. The
film currently is still listed as post-production:

http://www.imdb.com/title/tt0837791/

Also:

http://www.imdb.com/name/nm0444156/

Nic

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If anyone wants to keep track of the work, I find IMDB a handy resource. The film currently is still listed as post-production:<br><br><a href="http://www.imdb.com/title/tt0837791/">http://www.imdb.com/title/tt0837791/</a>
<br><br>Also:<br><br><a href="http://www.imdb.com/name/nm0444156/">http://www.imdb.com/name/nm0444156/</a><br><br>Nic<br>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 24 00:02:19 2007
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On Fri, 23 Mar 2007, Tim Nelson wrote:

> --- Per Boysen <perboysen@gmail.com> wrote:
>> I actually
>> like horror movies for the music, since they often
>> use music in a way I like.
>
> That reminds me of 'Blair Witch II' (the score CD, NOT
> the soundtrack CD); a fairly bad movie with *great*
> music by Carter Burwell and David Torn.

The Blair Witch II DVD is double-sided: one side DVD, other side score CD. 
It was cheaper to buy the DVD than hunt down the score CD :).

best,
Steve B
Subscape Annex     http://www.subscapeannex.com/

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--Apple-Mail-11-966361841
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I was surprised at how much fun it was to write to. It's a very  
liberating genre because ANYTHING goes!

On Mar 23, 2007, at 3:36 PM, Per Boysen wrote:

> Wonderful, thanks for telling! I'll look around for it. I actually  
> like horror movies for the music, since they often use music in a  
> way I like. Right now "Silent Hill" is my fav and it led me into  
> picking up all music recorded by Akira Yamaoka.


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<HTML><BODY style="word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-line-break: after-white-space; ">I was surprised at how much fun it was to write to. It's a very liberating genre because ANYTHING goes!<DIV><BR><DIV><DIV>On Mar 23, 2007, at 3:36 PM, Per Boysen wrote:</DIV><BR class="Apple-interchange-newline"><BLOCKQUOTE type="cite"><P style="margin: 0.0px 0.0px 0.0px 0.0px"><FONT face="Helvetica" size="3" style="font: 12.0px Helvetica">Wonderful, thanks for telling! I'll look around for it. I actually like horror movies for the music, since they often use music in a way I like. Right now "Silent Hill" is my fav and it led me into picking up all music recorded by Akira Yamaoka.</FONT></P> </BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>
--Apple-Mail-11-966361841--

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From: "Michael Plishka" <mike@michaelplishka.com>
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Subject: Possible songwriting session
Date: Fri, 23 Mar 2007 21:37:42 -0500
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This is a multi-part message in MIME format.

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Esteemed colleagues, in the Chicago area we have an opportunity to have =
a songwriting workshop done my Bill Mallonee, formerly of the Vigilantes =
of Love. Bill is man that's been in the "business" and made a go of it =
writing and performing his own music (www.myspace.com/billmallonee) The =
dates would be between April 23-26.  Please let me know of any interest =
ASAP as Bill is planning his road itinerary and needs to schedule =
appropriately.

~peace~

Plish


www.myspace.com/michaelplishka
www.myspace.com/bohdanovich
www.michaelplishka.com

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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Esteemed colleagues, in the Chicago =
area we have an=20
opportunity to have a songwriting workshop done my Bill Mallonee, =
formerly of=20
the Vigilantes of Love.&nbsp;Bill is&nbsp;man that's been in the =
"business" and=20
made&nbsp;a go of it writing and performing his&nbsp;own music (<A=20
href=3D"http://www.myspace.com/billmallonee">www.myspace.com/billmallonee=
</A>)&nbsp;The=20
dates would be between April 23-26.&nbsp; Please let me know of any =
interest=20
ASAP as Bill is planning his road itinerary and needs to schedule=20
appropriately.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>~peace~<BR></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Plish</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.myspace.com/michaelplishka">www.myspace.com/michaelpli=
shka</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.myspace.com/bohdanovich">www.myspace.com/bohdanovich</=
A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.michaelplishka.com">www.michaelplishka.com</A></FONT><=
/DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;</DIV></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 24 08:12:08 2007
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From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to The AM/FM Show
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, March 24 at 6:00 am
EDT/GMT-4, less than two hours from now.  I will continue the special
on E-dition Electronic Music Magazine's sampler CDs.  I will also play
music by Wolfram der Spyra who is in concert tonight at The Gatherings.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://muhlenberg.edu/wmuh
======================================================================
Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
======================================================================

From Loopers-Delight-request@loopers-delight.com  Sat Mar 24 10:02:01 2007
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From: "RICK WALKER" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Re: How to reduce the DAILY DIGEST to one post a day
Date: Sat, 24 Mar 2007 03:01:58 -0700
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Bernhard wrote:
"Finally I understand why your posts don't stay within a thread but
regularly seem to start a new one even if in the middle of an ongoing
discussion: Because you don't use REPLY!"

Actually,  Bernhard,  when  I discovered that it bothered you that I would
occasionally change a thread title (usually because it seemed that the topic
had veered off of the original thread)  I began to religiously copy
the subject heading of the thread to include in my subject head.

I've been doing that for a couple of years now and I've tried to be fairly
conscientious about it.      Have you spotted anything in the last year 
where
I failed to do that?

Also, am I correct in finding out that because I haven't used 'REPLY' that
my posts are not included in the threads?

Is Andy correct that it works differently when you are responding to the
Daily Digest posts?

I actually put a lot of energy into quoting only the salient excerpts from
earlier thread posts so that I don't gum up the Daily Digest.

Personally,  I just couldn't contend with the volume of mail if I were 
receiving
individual e-mails.    The volume of mail I receive constantly around the
looping festivals and other touring that I do is pretty large.

Then there are those Cialis adds to.......................lol.

rick 

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: How to reduce the DAILY DIGEST to one post a day
Date: Sat, 24 Mar 2007 11:43:33 +0100
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On 24 mar 2007, at 11.01, RICK WALKER wrote:

> Personally,  I just couldn't contend with the volume of mail if I  
> were receiving
> individual e-mails.


That's funny to hear, because the very same reason - "more efficient  
handling of the huge volume" - is why I choose to use only individual  
mails from all lists I subscribe to ;-)  Hear are some tricks I use:

- Use filtering of incoming mails into list boxes
- When you are in a mail box, click the column for how you want to  
sort the mails. I tend to jump between listing in chronological order  
and listing based on subject line

So if for example a certain thread doesn't interest you, simply order  
after subject line, select all of them and hit the delete button. I  
know the Gmail online service works in a similar way, inside a web  
browser, but I'm able to do it double as fast on a local mail client  
where I get more control over how to set up shortcuts on the computer  
keys.

I also set up temporary mail boxes for certain projects I'm working  
on and then I set up the filtering to drop incoming mails from  
important key persons into those boxes. After the gig, course or  
whatever the project might be, has has been due I take that box out  
of the local email client and archive it.

Some times I drag a message into a project box because something in  
the discussion has a point that somehow relates to that particular  
project. Or I may copy it, if I also want to keep it in its original  
list box. On a local mail client with individual messages all these  
actions are just a matter grabbing something with the mouse and  
dropping it somewhere else.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Sat Mar 24 11:59:04 2007
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Per, are you sure you don't work for corporate America? ;)  You use all the 
tricks we use at major IT companies. In addition to the personal mail I 
get - probably in the same range as others on this list - I also get 
hundreds of emails a day for work, and items that I actually have to read 
and respond to, some with attachments between 1-10MB in size, with multiple 
threads of conversations with them, multiple people copied, action items, 
responses to action items, etc. I have nearly a hundred offline folders in 
Outlook that I quickly move emails to based on category, person, urgency, 
etc.  I am an email pack rat. I manage enough email in a day that would give 
most people a nervous breakdown. I find it easier to manage individual 
emails, using some of the methods you site below.  And honestly, individual 
emails are easier for me too, because with digest mode, you have to wade and 
scan through a bunch of topics you may not even  be interested in, whereas 
with individuals emails, if I find one topic I don't like, I delete all 
further incoming messages...like you indicate by sorting by subject.

Another trick, which many of us power users also use is that we use a 
preview pane in Outlook. When I click on an email, I can see the first few 
lines of the body text below it. It allows me to scan very fast.

Kris

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, March 24, 2007 4:43 AM
Subject: Re: How to reduce the DAILY DIGEST to one post a day


> On 24 mar 2007, at 11.01, RICK WALKER wrote:
>
>> Personally,  I just couldn't contend with the volume of mail if I  were 
>> receiving
>> individual e-mails.
>
>
> That's funny to hear, because the very same reason - "more efficient 
> handling of the huge volume" - is why I choose to use only individual 
> mails from all lists I subscribe to ;-)  Hear are some tricks I use:
>
> - Use filtering of incoming mails into list boxes
> - When you are in a mail box, click the column for how you want to  sort 
> the mails. I tend to jump between listing in chronological order  and 
> listing based on subject line
>
> So if for example a certain thread doesn't interest you, simply order 
> after subject line, select all of them and hit the delete button. I  know 
> the Gmail online service works in a similar way, inside a web  browser, 
> but I'm able to do it double as fast on a local mail client  where I get 
> more control over how to set up shortcuts on the computer  keys.
>
> I also set up temporary mail boxes for certain projects I'm working  on 
> and then I set up the filtering to drop incoming mails from  important key 
> persons into those boxes. After the gig, course or  whatever the project 
> might be, has has been due I take that box out  of the local email client 
> and archive it.
>
> Some times I drag a message into a project box because something in  the 
> discussion has a point that somehow relates to that particular  project. 
> Or I may copy it, if I also want to keep it in its original  list box. On 
> a local mail client with individual messages all these  actions are just a 
> matter grabbing something with the mouse and  dropping it somewhere else.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://tinyurl.com/2kek7h (CC donationware music releases)
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Mar 24 12:41:14 2007
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> That's funny to hear, because the very same reason - "more efficient 
> handling of the huge volume" - is why I choose to use only individual 
> mails from all lists I subscribe to ;-)  Hear are some tricks I use:
> > Per Boysen

But Im with Rick here.. your list of Tips just seemed like a hell of a lot 
of work to me, Per... I do make boxes for my customers, but they all send to 
a different mail address anyhow, hell a different computer altogether...
I just dont have the energy or time to sit around tidying up my mail I just 
want to look at one window, and instantly read the subjects from all my 
mails, and press delete... do you have a day job Per? or are you freelancer? 
cos maybe I could do it if my home computer was also my work computer, but 
for me I hate to even touch the damn thing after working all day on one, I 
like to come home, cuddle the boy and play a bit of geetar, I stay clear of 
the "devils box"!

m

PS, what IS this "threading" buisiness... sounds great... doesnt that just 
happen in forums? or am I missing something that could solve my probs?

mark francombe
marks website is at www.markfrancombe.com
He writes for www.furthernoise.org
and works at www.transformlearning.com
i Tunes: BUY MY MUSIC AT
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist?id=184310747
 thank-you

--------------------------------------------------------------------------------
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From Loopers-Delight-request@loopers-delight.com  Sat Mar 24 13:19:42 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: How to reduce the DAILY DIGEST to one post a day
Date: Sat, 24 Mar 2007 14:19:30 +0100
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On 24 mar 2007, at 13.41, markfrancombe.com wrote:
> do you have a day job Per? or are you freelancer?

On 24 mar 2007, at 12.58, Krispen Hartung wrote:
> Per, are you sure you don't work for corporate America? ;)  You use  
> all the tricks we use at major IT companies.

;-)   He, he.... no, no. I'm just a freelancer (in many areas). Since  
I only get paid when I deliver I need to keep my tools sharp and  
fast, or I will starve.

> Another trick, which many of us power users also use is that we use  
> a preview pane in Outlook. When I click on an email, I can see the  
> first few lines of the body text below it. It allows me to scan  
> very fast.



I too used Outlook before, when I was working mainly with Windows  
machines, but I didn't use the preview pane because of the virus  
risk. Today I work more with Macs and I have found the Apple Mail  
good enough. For back-up and syncing on Windows Office I used to  
export a huge file that could be imported to other machines but on  
the Mac I simply chain the machines through firewire and move the  
content of the Apple Mail folder to the same folder on the new  
machine. It's a one minute operation.

Whatever email, or BBS conference, application I'm using I like to  
set it up as three main windows. On the left I have all the boxes and  
sub boxes (inbox, outgoing, projects etc), in the center/right I have  
the box's content of separate messages listed in the top window  
(author, date and subject line)and the window below displaying the  
text of the message selected in the top window. That way I can see  
three levels of my correspondence in a just one glance. It saves a  
lot of time and "brain cycles" ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Sat Mar 24 14:06:15 2007
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>>i just finished...like yesterday, the score to an indie horror movie.  =

it was the first time i've gone a feature (i've done bits of =20
documentaries and recently some commercials). i took the approach of =20
watching the movie and improvising to certain key sections using the =20
repeaters, while recording the whole time<<

well done, zoe. I will look out for the movie.... what's it called?=20

by coincidence, I am engaged in a horror movie project- now that my =
band's new album is almost done, I will be setting about recording the =
score to an indie brit-comedy/horror thing. slightly different deal, =
though- they've given me some reference material & have voted on some =
demo material I gave them, but apart from that all I have is a draft of =
the script. no footage, no storyboard, no cues.... I keep saying to the =
producer (I know him from our "real" jobs) that I can't tell if they're =
going to play a scene straight or for laughs.... so I'm afraid I'll end =
up doing a load of library music for them instead of the fine-tuned =
sound-design job I'd rather do.=20

did/will they recut your movie now that they have the score? do you =
anticipate them editing what you've done?=20

I'm curious about this whole interaction with directors- I spent a long =
time working on a tv drama myself, so I'm happy to engage with the whole =
process, but these guys don't seem to understand; I asked for pictures =
of the locations, got blank looks.=20

well, my main instrument is the bass guitar, with keyboards a distant =
second. they want orchestra. & maybe some theremin. I'm going to pretend =
I misheard that last, & put some mellotron on instead. :-) I have a set =
of "plucked grand piano" which sounds like a dulcimer.

so my plan is to write the string & wind parts into a looping sequencer* =
one at a time, using my peavey midi bass. I've tried a bit- violins, =
cello & bass, & it seems to get me the expressiveness I'm after (pitch =
bends, velocity & so on) but then I pulled up & put everything away- =
first to get this album done, but also because I've had no direction =
from the movie folks. ho, as they say, hum.

(*genoqs octopus)

duncan.

------_=_NextPart_001_01C76E1D.946E5B63
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
<HTML>
<HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
6.5.7638.1">
<TITLE>RE: ps...the world's first looped cello horror film =
score?</TITLE>
</HEAD>
<BODY>
<!-- Converted from text/plain format -->

<P><FONT SIZE=3D2>&gt;&gt;i just finished...like yesterday, the score to =
an indie horror movie.&nbsp;<BR>
it was the first time i've gone a feature (i've done bits of&nbsp;<BR>
documentaries and recently some commercials). i took the approach =
of&nbsp;<BR>
watching the movie and improvising to certain key sections using =
the&nbsp;<BR>
repeaters, while recording the whole time&lt;&lt;<BR>
<BR>
well done, zoe. I will look out for the movie.... what's it called?<BR>
<BR>
by coincidence, I am engaged in a horror movie project- now that my =
band's new album is almost done, I will be setting about recording the =
score to an indie brit-comedy/horror thing. slightly different deal, =
though- they've given me some reference material &amp; have voted on =
some demo material I gave them, but apart from that all I have is a =
draft of the script. no footage, no storyboard, no cues.... I keep =
saying to the producer (I know him from our &quot;real&quot; jobs) that =
I can't tell if they're going to play a scene straight or for laughs.... =
so I'm afraid I'll end up doing a load of library music for them instead =
of the fine-tuned sound-design job I'd rather do.<BR>
<BR>
did/will they recut your movie now that they have the score? do you =
anticipate them editing what you've done?<BR>
<BR>
I'm curious about this whole interaction with directors- I spent a long =
time working on a tv drama myself, so I'm happy to engage with the whole =
process, but these guys don't seem to understand; I asked for pictures =
of the locations, got blank looks.<BR>
<BR>
well, my main instrument is the bass guitar, with keyboards a distant =
second. they want orchestra. &amp; maybe some theremin. I'm going to =
pretend I misheard that last, &amp; put some mellotron on instead. :-) I =
have a set of &quot;plucked grand piano&quot; which sounds like a =
dulcimer.<BR>
<BR>
so my plan is to write the string &amp; wind parts into a looping =
sequencer* one at a time, using my peavey midi bass. I've tried a bit- =
violins, cello &amp; bass, &amp; it seems to get me the expressiveness =
I'm after (pitch bends, velocity &amp; so on) but then I pulled up &amp; =
put everything away- first to get this album done, but also because I've =
had no direction from the movie folks. ho, as they say, hum.<BR>
<BR>
(*genoqs octopus)<BR>
<BR>
duncan.</FONT>
</P>

</BODY>
</HTML>
------_=_NextPart_001_01C76E1D.946E5B63--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 24 14:36:50 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: How to reduce the DAILY DIGEST to one post a day
Date: Sat, 24 Mar 2007 07:36:25 -0700
To: Loopers-Delight@loopers-delight.com
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--Apple-Mail-3-1018773297
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That Per is one sharp cookie!

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 24-Mar-07, at 6:19 AM, Per Boysen wrote:
> I too used Outlook before, when I was working mainly with Windows 
> machines, but I didn't use the preview pane because of the virus risk. 
> Today I work more with Macs and I have found the Apple Mail good 
> enough. For back-up and syncing on Windows Office I used to export a 
> huge file that could be imported to other machines but on the Mac I 
> simply chain the machines through firewire and move the content of the 
> Apple Mail folder to the same folder on the new machine. It's a one 
> minute operation.
>
> Whatever email, or BBS conference, application I'm using I like to set 
> it up as three main windows. On the left I have all the boxes and sub 
> boxes (inbox, outgoing, projects etc), in the center/right I have the 
> box's content of separate messages listed in the top window (author, 
> date and subject line)and the window below displaying the text of the 
> message selected in the top window. That way I can see three levels of 
> my correspondence in a just one glance. It saves a lot of time and 
> "brain cycles" ;-)

--Apple-Mail-3-1018773297
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

That Per is one sharp cookie!


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 24-Mar-07, at 6:19 AM, Per Boysen wrote:

<excerpt>I too used Outlook before, when I was working mainly with
Windows machines, but I didn't use the preview pane because of the
virus risk. Today I work more with Macs and I have found the Apple
Mail good enough. For back-up and syncing on Windows Office I used to
export a huge file that could be imported to other machines but on the
Mac I simply chain the machines through firewire and move the content
of the Apple Mail folder to the same folder on the new machine. It's a
one minute operation.


Whatever email, or BBS conference, application I'm using I like to set
it up as three main windows. On the left I have all the boxes and sub
boxes (inbox, outgoing, projects etc), in the center/right I have the
box's content of separate messages listed in the top window (author,
date and subject line)and the window below displaying the text of the
message selected in the top window. That way I can see three levels of
my correspondence in a just one glance. It saves a lot of time and
"brain cycles" ;-)

</excerpt>
--Apple-Mail-3-1018773297--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 24 17:38:01 2007
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>,
	<vaguediscuss@vagueterrain.net>
Subject: PiNG iNTO SPRiNG WiTH 2 SPRiNG PiNG FLiNGS THiS WEEK!
Date: Sat, 24 Mar 2007 13:37:54 -0500
Organization: THE AMBiENT PiNG
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. SUNDAY . A PiNG SOUND-iN-SPACE SOiREE:
  THE ZEN GARDEN PARTY - Buddha Machine Gathering #1
  @ the Allan Gardens Conservatory Greenhouses
  SUNDAY MARCH 25TH . 2PM - 4PM . FREE

. TUESDAY . DOWNTEMPO/CHiLLOUT NiGHT=20
  Featuring REPAIR + ANACHRONIC XP
  LiVE iN THE UNDERGROUND - downstairs @ the DRAKE HOTEL
  TUESDAY MARCH 27TH . 8PM - 10PM . PWYC (5$ suggested)
 =20
. NEXT MONTH . CHiLLED ELECTRO-ACOUSTiC NiGHT
  Featuring KINDER ATOM + SMASH 'n TEENY's BEE SPACE =20
  with visuals by ADDITIV
  LiVE iN THE UNDERGROUND - downstairs @ the DRAKE HOTEL
  TUESDAY APRiL 24TH . 8PM - 11PM . PWYC (5$ suggested)

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE ZEN GARDEN PARTY - BUDDHA MACHINE GATHERING #1
@ the Allan Gardens Conservatory Greenhouses
(South side of Carlton between Jarvis & Sherbourne)
http://www.toronto.ca/parks/parks_gardens/allangdns.htm
THiS SUNDAY MARCH 25TH . 2PM - 4PM . FREE

. Bring your Buddha Machines and help create a living, moving
sound-in-space experience in the beautiful tropical gardens in
the Allan Gardens Conservatory. Hang-out and chill-out with
other peaceful spirits to enjoy a taste of Spring and a unique
sonic landscape. Bring your friends too - it's fun and it's free.
(Buddha Machines optional).

We'll concentrate our soundfield by gathering first in the
South-Western Greenhouse, so turn left (South) once you
enter the main doors and go through the South Greenhouse
with the fountain and then turn right (West) into the
South-Western Greenhouse where there's a circular path
to meander as well as places to sit, chill and absorb.

Don't forget to feed your Buddha Machine some freshly-charged
batteries to keep them droning.

What's a Buddha Machine?  http://www.fm3buddhamachine.com
Where do you get them?  Soundscapes - 572 College St., Toronto
(Tell them THE AMBiENT PiNG sent you).

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

03.27.07 . The PiNG Presents DOWNTEMPO/CHiLLOUT NiGHT=20
featuring REPAIR + ANACHRONIC XP=20
@ the UNDERGROUND downstairs @ the DRAKE HOTEL
1150 Queen St. W @ Beaconsfield . W of Ossington . E of Dufferin
THiS TUESDAY MARCH 27TH . 8PM - 10PM . PWYC (5$ suggested)

. What do you get when you cross a blushing singer with stage fright
and a pair of methodical twins? A powerhouse of tension: part boy,
part girl, and completely magnetic. A threesome known as Repair.

The techno trio Repair returns to the PiNG for the third time and
for the third year in a row. Join the musically uncompromising
twin brothers, Matt and Mark Thibideau, as they lay down the
beats behind the lush, sultry vocals of frontwoman Dawn Lewis.
http://www.repair-lab.com   http://www.myspace.com/repair

. Fresh from their ALMOST LiVE performance on PiNG RADiO
comes our new friends from Quebec, Anachronic XP.

Tired and bored of traditional hip-hop, Quebec City based
Anachronic XP began their experimentations in 1999 by evolving
their music into a mix of electronic soundscapes with hip-hop
beats and patterns. Anachronic XP is a fresh breath from the Quebec
electronic scene as they perform all the beats & scapes live onstage
with synths, samplers and control boards. Guitarist JFO joined the
band last year, bringing his flavour of slide guitar, effects and
synth to the mix. http://www.myspace.com/anachronicxp

. Please note that the PiNG will be starting earlier and ending earlier=20
this week to make room for the DRAKE's special presentation of=20
Sweden's LO-FI-FNK at 11PM ($7). LO-FI-FNK is a hot new 2=20
piece electronic dance duo from Sweden, drawing comparisons=20
to Hot Chip and Pet Shop Boys. Expect a sweaty dance floor=20
and fun times. Doors open for LO-FI-FNK at 10 PM.

Arrive early for the PiNG's presentation of REPAIR and=20
ANACHRONIC XP as the first set will start soon after=20
we open the doors at 8PM.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

COMiNG iN APRiL TO THE PiNG

04.24.07 .  The PiNG Presents CHiLLED ELECTRO-ACOUSTiC NiGHT
Featuring KINDER ATOM + SMASH 'n TEENY with visuals by ADDITIV
@ the UNDERGROUND downstairs @ the DRAKE HOTEL
1150 Queen St. W @ Beaconsfield . W of Ossington . E of Dufferin
TUESDAY APRiL 24th . 8PM - 11PM . PWYC (5$ suggested)

. Kinder Atom, Toronto minimalist electro innovators, land for the=20
their first performance at the PiNG as we continue our chilled=20
out SPRiNG FLiNG @ the PiNG.=20

Kinder Atom are the people behind Toronto's nice + smooth ultramedia=20
collective of artists, musicians, dj's and designers fusing their =
talents=20
into one hyper-creative and diverse production agency.=20

Check out Kinder Atom's 4th release of deep electro, jazzy house=20
and dubby chillout grooves which features a free DVD included=20
in the digipak with seven different music videos by various Toronto=20
directors. These visual interpretations of Kinder Atom=92s music=20
embrace nature inspired, layered abstract imagery and colours.=20

The warm organic flavours of Kinder Atom will tempt your senses=20
and soothe your soul as their deep electro, funky, dreamy and=20
gentle ambient sounds fill the PiNG @ the UNDERGROUND.=20
http://www.kinderatom.com

. BEE SPACE . Smash and Teeny with visuals by Additiv
Live electro-acoustic audio/visual improv derived from=20
bees and other insects.

Smash and Teeny are Nilan Perera (altered electric guitar and=20
effects) and Sarah Peebles (laptop, mixing bowls, speaker drivers,=20
and sho mouth-organ). They have performed and recorded as a=20
duo since 2001 in Europe, Canada, the U.S. and Japan, and have=20
performed with John Butcher, Evan Parker, David Toop, Jin Hi Kim,=20
K=F4 Ishikawa, and Darren Copeland, among others. Their double-CD=20
"Gathering" (Spool), has received critical praise from the likes of=20
The Wire, Exclaim! and New York's Downtown Music Gallery.

"The duo mix tidal undulations of tone with the ability to pick
out sharp flecks of texture in complex aural environments."=20
The Wire

Additiv (Rob King) is an artist, researcher and student in the
Communication and Culture masters program at Ryerson.=20
His works have focused on the social interactions between=20
people in an online environment, emergent systems,=20
and digital play.

http://www.sarahpeebles.net/smash.htm
http://www.e-mu.org

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

CONTiNUiNG on AMBiENT PiNG RADiO:

the ALMOST LiVE MUSiC SERiES

A weekly show playing exclusive, unreleased material by some
of the PiNG's closest friends in the ambient, darkwave, chill and
electronic communities. Tune in to hear live performances,
works in progress, exclusive remixes and more!

March 26th . mara's torment
April 2nd . Styrohead

All shows are initially run on Mondays at 9PM EST and then
rebroadcast the following Thursdays at 12midnight EST
and again the following Saturdays at 3:30PM EST.

The ALMOST LiVE MUSiC SERiES:
Another way that http://www.ambientpingradio.com
is bringing great new music to you!

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ping things MARCH MADNESS SALE

. Time is running out to take advantage of the ping things
March Madness Sale where you'll be able to save=20
even more on the music you love! Check out=20
http://www.pingthings.com to find out more!

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

APRIL 17TH . 9:00PM . STYROHEAD with=20
JIM FIELD & ROB GREENWAY
The Concord Cafe . 937 Bloor St. W.
@ Ossington, steps from Ossington subway.

. In between PiNG's on Tuesday, April 17th, fellow PiNGer,=20
Joe G (Stryrohead) will again be performing at his mini series=20
at The Concord Cafe this time with Jim Field (Spacenoiz &=20
Rhea's Obsession) and Rob Greenway (brilliantfish).

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of
audio artists, performers, musicians and visual artists. The PiNG
presents live multimedia performances featuring ambient, electronic,
soundscape, chillout, trip hop, dream pop, downtempo, space,
darkwave, drone and experimental artists from around the world.
http://www.theambientping.com

Tune in anytime to AMBiENT PING RADiO at
http://www.ambientpingradio.com

ViSiT ping things for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Sat Mar 24 17:43:24 2007
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Subject: Re: How to reduce the DAILY DIGEST to one post a day
Date: Sat, 24 Mar 2007 18:43:19 +0100
To: Loopers-Delight@loopers-delight.com
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On 24.03.2007, at 11:01, RICK WALKER wrote:


>
> I've been doing that for a couple of years now and I've tried to be  
> fairly
> conscientious about it. Have you spotted anything in the last year  
> where
> I failed to do that?

Not at all. It's about the threading, see below...

>
> Also, am I correct in finding out that because I haven't used  
> 'REPLY' that
> my posts are not included in the threads?

If you were responding to individual emails, yes, not using REPLY (as  
you suggested in the previous post) would take your contribution out  
of the thread that you are responding to and technically start a new  
thread.
But Andy is right, it again works differently when using the Daily  
Digest posts. When you use those, you have no choice but be thrown  
out of the thread, whether using REPLY or not.

> I actually put a lot of energy into quoting only the salient  
> excerpts from
> earlier thread posts so that I don't gum up the Daily Digest.

Which is a good practice in any case.

>
> I just couldn't contend with the volume of mail if I were receiving
> individual e-mails.

You might still consider other solutions apart from the daily digest.  
They have been suggested by others: mail filters that automatically  
store mails in dedicated folders and keep your INBOX free for those  
cialis posts... ;)

Bernhard

From Loopers-Delight-request@loopers-delight.com  Sat Mar 24 19:00:43 2007
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Date: Sat, 24 Mar 2007 14:51:45 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #521 for March 22, 2007
To: undisclosed-recipients: ;
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http://wdiy.org/programs/gt/playlists/2007/070322.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #521                March 22, 2007

RECAP:
On this show, I continued the month-long focus on Paul Lawler.  The
Featured CD at Midnight was "Resurrection" by Max van Richter on
NeuHarmony Records.

The Vinyl Starter was from the LP "Sonanze" by Roberto Cacciapaglia on
Ohr Records and released in 1976 in SQ Quad.

I played the music of Wolfram der Spyra who will play at The Gatherings
this Saturday.  Informations is available on the events page.

Paul Lawler - http://wdiy.org/programs/gt/playlists/2007/focus.html#mar
events - http://wdiy.org/programs/gt/events.html


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Roberto Cacciapaglia side 1, track 1      Sonanze (Ohr)
Ololiuqui            Djara                Other Side of Odra (Ricochet
                                            Dream)
Wolfram der Spyra    Hush Hour (Excerpt1) Excerpts 1 (Ricochet Dream)
Palancar             Entheogenic          Diminishing Light (Blue Water)
Wolfra Spyra and     Neununfunfzig 49     Achtundsechzig 24 (Manikin)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Max van Richter      Resurrection         Resurrection (NeuHarmony)
Max van Richter      The House of Visual  Resurrection (NeuHarmony)
                       Transference
Max van Richter      The Abduction        Resurrection (NeuHarmony)
                       Syndrome
Max van Richter      Prophecy             Resurrection (NeuHarmony)
Max van Richter      Psychokinetic Hymn   Resurrection (NeuHarmony)
Max van Richter      The City of Waking   Resurrection (NeuHarmony)
                       Hallucinations
Max van Richter      Last Exit *          Resurrection (NeuHarmony)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on Paul
Lawler.  The Featured CD at Midnight will be "33 1/3 RPM" by Arcane
on NeuHarmony Records.

The Vinyl Starter will be from the LP "Mosaique" by Robert Schroder on
Racket Records and released in 1981.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4:00) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Sat Mar 24 19:25:32 2007
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Date: Sat, 24 Mar 2007 15:16:30 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for March 24, 2007
To: undisclosed-recipients: ;
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http://soundscapes.us/amfm/playlists/2007/070324.html

I host the Saturday AM/FM Show every other week where I play electronic,
ambient, spacemusic, Progressive Rock, and an eclectic mix of other
genres.  The show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7
FM and on the internet.  I also host Afterglow every Thursday from 8:00
am to 9:30 am.

                Show #105                March 22, 2006.

During Phase I of this show, I continued the special on the sampler CDs
that come with each issue of E-dition electronic music magazine.  I also
played the music of Wolfram der Spyra who will perform tonight at The
Gatherings Concert Series.


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Paul Lawler]     Hymn                 E-dition #13 (Groove)
VA [Indra]           To Jenna             E-dition #13 (Groove)
Der Spyra            Hush Hour-Excerpt 1  Excerpts 1 (Ricochet Dream)
Wolfram Spyra and    Acht 39              Achtundsechzig 24 (Manikin)
  Chris Lang
['ramp] and Markus   Seelenmord           Ceasing To Exist (doombient)
  Reuter
['ramp] and Markus   Jeanne d'Arc         Ceasing To Exist (doombient)
  Reuter
Gert Emmens          The Dream That Came  The Tales of the Warlock
                       True                 (Groove)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
James Todd           Quiet Beauty         Quiet Beauty (Scottish Fox)
Walt Ribeiro         Miasma               I.I (none)
Dave Sterling        The Offering         Along the Curve (none)
Aurah                I Love You for That  Etherea Borealis (Very Music)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Oresund Space        The Tony Blair Witch It's All About Delay
  Collective           Crocket Project      (Transubstans)
Steve Thorne         Sandheads            Part Two: Emotional Creatures
                                            (Giant Electric Pea)
IZZ                  I Move               I Move (Doone)
IZZ                  Weak Little Lad      I Move (Doone)
IZZ                  I Already Know       I Move (Doone)
IZZ                  I Wanna Win          I Move (Doone)

 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

I return to the AM/FM Show on April 14.

On the next show, I will continue the special on the sampler CDs that 
come with
each issue of E-dition electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From Loopers-Delight-request@loopers-delight.com  Sat Mar 24 22:40:45 2007
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Date: Sat, 24 Mar 2007 15:40:42 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: New Repeater in 12-24 months !
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <745726.7868.qm@web81309.mail.mud.yahoo.com>
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--0-107141964-1174776042=:49837
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This guy's more bitter than me!

mark sottilaro <zerocrossing2001@yahoo.com> wrote:  Yeah, and if anyone wants to paypal me money I'll take
deposits for it because I'm sure it's right around the
corner. I can practically taste it!Make sure you sell
your current looper too. Send me the proceeds of that
as well and I'll include special m@l3 1nh@nc3m3nt
p1lz. Be welsh be salaried!

Mark

--- "Weideman, Gary" 
wrote:

> Laguna Hills, California (March 19, 2007) - Newly
> formed SBD Music,
> Inc., based in Laguna Hills, Calif., has acquired
> Electrix Pro, Inc., a
> leader in manufacturing professional audio
> equipment. 
> 
> SBD Music, Inc. also announces they have appointed a
> board of directors
> consisting of Mark Buhler, Charles Dotson and Adam
> Scolaro. 
> 
> 
> 
> "We saw a tremendous opportunity to acquire a very
> well respected brand
> name in Electrix. We are planning to re-introduce
> new versions of the
> Electrix products over the next twelve to twenty
> four months", says Adam
> Scolaro, president of SBD Music, Inc.
> 
> 
> 
> "We are going to continue manufacturing high quality
> products that
> Electrix is known for, and try to build and expand
> the product line",
> added Mark Buhler.
> 
> 
> 
> 




____________________________________________________________________________________
Don't get soaked. Take a quick peek at the forecast
with the Yahoo! Search weather shortcut.
http://tools.search.yahoo.com/shortcuts/#loc_weather



 
---------------------------------
Don't get soaked.  Take a quick peek at the forecast 
 with theYahoo! Search weather shortcut.
--0-107141964-1174776042=:49837
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: 8bit

This guy's more bitter than me!<BR><BR><B><I>mark sottilaro &lt;zerocrossing2001@yahoo.com&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Yeah, and if anyone wants to paypal me money I'll take<BR>deposits for it because I'm sure it's right around the<BR>corner. I can practically taste it!Make sure you sell<BR>your current looper too. Send me the proceeds of that<BR>as well and I'll include special m@l3 1nh@nc3m3nt<BR>p1lz. Be welsh be salaried!<BR><BR>Mark<BR><BR>--- "Weideman, Gary" <GARY.WEIDEMAN@BANKOFAMERICA.COM><BR>wrote:<BR><BR>&gt; Laguna Hills, California (March 19, 2007) - Newly<BR>&gt; formed SBD Music,<BR>&gt; Inc., based in Laguna Hills, Calif., has acquired<BR>&gt; Electrix Pro, Inc., a<BR>&gt; leader in manufacturing professional audio<BR>&gt; equipment. <BR>&gt; <BR>&gt; SBD Music, Inc. also announces they have appointed a<BR>&gt; board of directors<BR>&gt; consisting of Mark Buhler,
 Charles Dotson and Adam<BR>&gt; Scolaro. <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; "We saw a tremendous opportunity to acquire a very<BR>&gt; well respected brand<BR>&gt; name in Electrix. We are planning to re-introduce<BR>&gt; new versions of the<BR>&gt; Electrix products over the next twelve to twenty<BR>&gt; four months", says Adam<BR>&gt; Scolaro, president of SBD Music, Inc.<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; "We are going to continue manufacturing high quality<BR>&gt; products that<BR>&gt; Electrix is known for, and try to build and expand<BR>&gt; the product line",<BR>&gt; added Mark Buhler.<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR><BR><BR><BR><BR>____________________________________________________________________________________<BR>Don't get soaked. Take a quick peek at the forecast<BR>with the Yahoo! Search weather shortcut.<BR>http://tools.search.yahoo.com/shortcuts/#loc_weather<BR><BR></BLOCKQUOTE><BR><p>&#32;

<hr size=1>
Don't get soaked.  Take a<a href="
http://tools.search.yahoo.com/shortcuts/?fr=oni_on_mail&#news"> quick peek at the forecast </a><br> with the<a href="
http://tools.search.yahoo.com/shortcuts/?fr=oni_on_mail&#news">Yahoo! Search weather shortcut.</a>
--0-107141964-1174776042=:49837--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 25 01:58:16 2007
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From: "CV" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
References: <523114.49837.qm@web35115.mail.mud.yahoo.com>
Subject: Re: New Repeater in 12-24 months !
Date: Sun, 25 Mar 2007 03:58:13 +0200
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Mark was _the_ rptr evangelist on LD long time ago and therefore he has the 
right/obligation/anger to be bitter about the sad Electrix story.
Check the archives for some glorious arguments rptr vs EDP
Those where the good times !!!
:=)

Claude





This guy's more bitter than me!

mark sottilaro <zerocrossing2001@yahoo.com> wrote:  Yeah, and if anyone 
wants to paypal me money I'll take
deposits for it because I'm sure it's right around the
corner. I can practically taste it!Make sure you sell
your current looper too. Send me the proceeds of that
as well and I'll include special m@l3 1nh@nc3m3nt
p1lz. Be welsh be salaried!

Mark

--- "Weideman, Gary"
wrote:

> Laguna Hills, California (March 19, 2007) - Newly
> formed SBD Music,
> Inc., based in Laguna Hills, Calif., has acquired
> Electrix Pro, Inc., a
> leader in manufacturing professional audio
> equipment.
>
> SBD Music, Inc. also announces they have appointed a
> board of directors
> consisting of Mark Buhler, Charles Dotson and Adam
> Scolaro.
>
>
>
> "We saw a tremendous opportunity to acquire a very
> well respected brand
> name in Electrix. We are planning to re-introduce
> new versions of the
> Electrix products over the next twelve to twenty
> four months", says Adam
> Scolaro, president of SBD Music, Inc.
>
>
>
> "We are going to continue manufacturing high quality
> products that
> Electrix is known for, and try to build and expand
> the product line",
> added Mark Buhler.
>
>
>
>




____________________________________________________________________________________
Don't get soaked. Take a quick peek at the forecast
with the Yahoo! Search weather shortcut.
http://tools.search.yahoo.com/shortcuts/#loc_weather




---------------------------------
Don't get soaked.  Take a quick peek at the forecast
 with theYahoo! Search weather shortcut. 


From Loopers-Delight-request@loopers-delight.com  Sun Mar 25 16:15:35 2007
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	id 506603BF02; Sun, 25 Mar 2007 16:15:35 +0000 (UTC)
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To: Loopers-Delight@loopers-delight.com
From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: mando loopage
Date: Sun, 25 Mar 2007 10:15:27 -0600
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Fun and games with a couple new instruments I've been messing with for  
a couple months - some newly recorded mandocello/ octave mandolin/ loop  
improvs. (warts and all):


1) Mando Dance - octave mandolin improv. over looped dance like  
rythymn. <<  
http://web.mac.com/pmimlitsch/iWeb/Site/Music_files/ 
01%20Mando%20Dance.mp3 >>

2) MC Improv. - mandocello improv. - reaction to .560 sec. delay. <<  
http://web.mac.com/pmimlitsch/iWeb/Site/Music_files/ 
02%20MC%20Improv..mp3 >>

3) Mellow Mando - octave mandolin improv. over mellow three chord vamp.  
<<  
http://web.mac.com/pmimlitsch/iWeb/Site/Music_files/ 
03%20Mellow%20Mando.mp3 >>

4) MC East - mandocello improv. over looped interpretation of a tamburo  
pattern. <<  
http://web.mac.com/pmimlitsch/iWeb/Site/Music_files/04%20MC%20East.mp3  
 >>

FWIW Technical Matters:

Instrument > Amp:  Send > volume pedal > Bad Monkey > Giga Delay > Loop  
Station > Return

Mandocello tuned in 4ths. starting on B below guitar low E.  Double  
unison strings.
Octave Mandolin tuned in 5ths. starting on guitar low G.  Double unison  
strings
Both instruments fitted with floating archtop guitar style magnetic  
pickups mounted to custom made (by me) pickguards.

recorded on a "iKey" off the headphone output of the amp (Traynor)


- Paul << http://web.mac.com/pmimlitsch/ >>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 25 19:27:28 2007
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Date: Sun, 25 Mar 2007 12:27:26 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: New Repeater in 12-24 months !
To: Loopers-Delight@loopers-delight.com
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I remember them well.
   
   
  However, if Electrix EVENTUALLY comes out with an improved model of the Repeater, I say, that's good news. I liked my Repeater when I had one although I still think (for my needs then) the EDP was superior.
   
  Paul

CV <c.voit@vtx.ch> wrote:
  
Mark was _the_ rptr evangelist on LD long time ago and therefore he has the 
right/obligation/anger to be bitter about the sad Electrix story.
Check the archives for some glorious arguments rptr vs EDP
Those where the good times !!!
:=)

Claude





This guy's more bitter than me!

mark sottilaro wrote: Yeah, and if anyone 
wants to paypal me money I'll take
deposits for it because I'm sure it's right around the
corner. I can practically taste it!Make sure you sell
your current looper too. Send me the proceeds of that
as well and I'll include special m@l3 1nh@nc3m3nt
p1lz. Be welsh be salaried!

Mark

--- "Weideman, Gary"
wrote:

> Laguna Hills, California (March 19, 2007) - Newly
> formed SBD Music,
> Inc., based in Laguna Hills, Calif., has acquired
> Electrix Pro, Inc., a
> leader in manufacturing professional audio
> equipment.
>
> SBD Music, Inc. also announces they have appointed a
> board of directors
> consisting of Mark Buhler, Charles Dotson and Adam
> Scolaro.
>
>
>
> "We saw a tremendous opportunity to acquire a very
> well respected brand
> name in Electrix. We are planning to re-introduce
> new versions of the
> Electrix products over the next twelve to twenty
> four months", says Adam
> Scolaro, president of SBD Music, Inc.
>
>
>
> "We are going to continue manufacturing high quality
> products that
> Electrix is known for, and try to build and expand
> the product line",
> added Mark Buhler.
>
>
>
>




____________________________________________________________________________________
Don't get soaked. Take a quick peek at the forecast
with the Yahoo! Search weather shortcut.
http://tools.search.yahoo.com/shortcuts/#loc_weather




---------------------------------
Don't get soaked. Take a quick peek at the forecast
with theYahoo! Search weather shortcut. 




 
---------------------------------
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with Yahoo! Mail for Mobile. Get started.
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<div>I remember them well.</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>However, if Electrix EVENTUALLY comes out with an improved model of the Repeater, I say, that's good news. I liked my Repeater when I had one although I still think (for my needs then) the EDP was superior.</div>  <div>&nbsp;</div>  <div>Paul<BR><BR><B><I>CV &lt;c.voit@vtx.ch&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid"><BR>Mark was _the_ rptr evangelist on LD long time ago and therefore he has the <BR>right/obligation/anger to be bitter about the sad Electrix story.<BR>Check the archives for some glorious arguments rptr vs EDP<BR>Those where the good times !!!<BR>:=)<BR><BR>Claude<BR><BR><BR><BR><BR><BR>This guy's more bitter than me!<BR><BR>mark sottilaro <ZEROCROSSING2001@YAHOO.COM>wrote: Yeah, and if anyone <BR>wants to paypal me money I'll take<BR>deposits for it because I'm sure it's right around the<BR>corner.
 I can practically taste it!Make sure you sell<BR>your current looper too. Send me the proceeds of that<BR>as well and I'll include special m@l3 1nh@nc3m3nt<BR>p1lz. Be welsh be salaried!<BR><BR>Mark<BR><BR>--- "Weideman, Gary"<BR>wrote:<BR><BR>&gt; Laguna Hills, California (March 19, 2007) - Newly<BR>&gt; formed SBD Music,<BR>&gt; Inc., based in Laguna Hills, Calif., has acquired<BR>&gt; Electrix Pro, Inc., a<BR>&gt; leader in manufacturing professional audio<BR>&gt; equipment.<BR>&gt;<BR>&gt; SBD Music, Inc. also announces they have appointed a<BR>&gt; board of directors<BR>&gt; consisting of Mark Buhler, Charles Dotson and Adam<BR>&gt; Scolaro.<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt; "We saw a tremendous opportunity to acquire a very<BR>&gt; well respected brand<BR>&gt; name in Electrix. We are planning to re-introduce<BR>&gt; new versions of the<BR>&gt; Electrix products over the next twelve to twenty<BR>&gt; four months", says Adam<BR>&gt; Scolaro, president of SBD Music,
 Inc.<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt; "We are going to continue manufacturing high quality<BR>&gt; products that<BR>&gt; Electrix is known for, and try to build and expand<BR>&gt; the product line",<BR>&gt; added Mark Buhler.<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR><BR><BR><BR><BR>____________________________________________________________________________________<BR>Don't get soaked. Take a quick peek at the forecast<BR>with the Yahoo! Search weather shortcut.<BR>http://tools.search.yahoo.com/shortcuts/#loc_weather<BR><BR><BR><BR><BR>---------------------------------<BR>Don't get soaked. Take a quick peek at the forecast<BR>with theYahoo! Search weather shortcut. <BR><BR><BR></BLOCKQUOTE><BR><p>&#32;

<hr size=1>No need to miss a message. <a href="http://us.rd.yahoo.com/evt=43910/*http://mobile.yahoo.com/mail
">Get email on-the-go </a><br>with Yahoo! Mail for Mobile. <a href="http://us.rd.yahoo.com/evt=43910/*http://mobile.yahoo.com/mail
">Get started.</a>
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 25 20:17:43 2007
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Date: Sun, 25 Mar 2007 14:18:41 -0800
From: Bob Weigel <sounddoctorin@imt.net>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: New Repeater in 12-24 months !
References: <523114.49837.qm@web35115.mail.mud.yahoo.com> <001201c76e81$0c944a70$4001a8c0@mini>
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Great! Anybody have clues as to what kind of features they are looking 
at introducing so I don't bother duplicating efforts if that's the 
case?   Works good for them..and me if I dont' introduce a competative 
product and have to under price them to come out of it alive :-) -Bob

CV wrote:

>
> Mark was _the_ rptr evangelist on LD long time ago and therefore he 
> has the right/obligation/anger to be bitter about the sad Electrix story.
> Check the archives for some glorious arguments rptr vs EDP
> Those where the good times !!!
> :=)
>
> Claude
>
>
>
>
>
> This guy's more bitter than me!
>
> mark sottilaro <zerocrossing2001@yahoo.com> wrote:  Yeah, and if 
> anyone wants to paypal me money I'll take
> deposits for it because I'm sure it's right around the
> corner. I can practically taste it!Make sure you sell
> your current looper too. Send me the proceeds of that
> as well and I'll include special m@l3 1nh@nc3m3nt
> p1lz. Be welsh be salaried!
>
> Mark
>
> --- "Weideman, Gary"
> wrote:
>
>> Laguna Hills, California (March 19, 2007) - Newly
>> formed SBD Music,
>> Inc., based in Laguna Hills, Calif., has acquired
>> Electrix Pro, Inc., a
>> leader in manufacturing professional audio
>> equipment.
>>
>> SBD Music, Inc. also announces they have appointed a
>> board of directors
>> consisting of Mark Buhler, Charles Dotson and Adam
>> Scolaro.
>>
>>
>>
>> "We saw a tremendous opportunity to acquire a very
>> well respected brand
>> name in Electrix. We are planning to re-introduce
>> new versions of the
>> Electrix products over the next twelve to twenty
>> four months", says Adam
>> Scolaro, president of SBD Music, Inc.
>>
>>
>>
>> "We are going to continue manufacturing high quality
>> products that
>> Electrix is known for, and try to build and expand
>> the product line",
>> added Mark Buhler.
>>
>>
>>
>>
>
>
>
>
> ____________________________________________________________________________________ 
>
> Don't get soaked. Take a quick peek at the forecast
> with the Yahoo! Search weather shortcut.
> http://tools.search.yahoo.com/shortcuts/#loc_weather
>
>
>
>
> ---------------------------------
> Don't get soaked.  Take a quick peek at the forecast
> with theYahoo! Search weather shortcut.
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 26 09:50:24 2007
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To: Loopers-Delight@loopers-delight.com
From: Manu <manu@ricoloop.com>
Subject: loopfestival
Date: Mon, 26 Mar 2007 11:50:21 +0200
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good morning to everybody!

my name is manuel and i=B4m writing to you from berlin capital! ;)

i am working together with a loop-musician here in berlin called =20
"ricoloop" and we are interested in organising a loopfestival in the =20
last part of the year.
for this reason, i am collecting any information about every =20
loopfestival or contest which exists. i am interested in your =20
experience with loopermeetings, loopfestivals or contests to find =20
out, if there is any interest of joining an event like this!?

do you allready participate at any contest/festival, which was about =20
looping? tell me....

would you be interested in doing so?

what would be important for you, at a festival or contest of loopers??

other things to say?....



i=B4m happy about any answer and information you can give me!

greetings from a sunny place,
manuel


From Loopers-Delight-request@loopers-delight.com  Mon Mar 26 10:41:49 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: loopfestival
Date: Mon, 26 Mar 2007 12:41:43 +0200
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On 26 mar 2007, at 11.50, Manu wrote:

> good morning to everybody!
>
> my name is manuel and i=B4m writing to you from berlin capital! ;)
>
> i am working together with a loop-musician here in berlin called =20
> "ricoloop" and we are interested in organising a loopfestival in =20
> the last part of the year.
> for this reason, i am collecting any information about every =20
> loopfestival or contest which exists. i am interested in your =20
> experience with loopermeetings, loopfestivals or contests to find =20
> out, if there is any interest of joining an event like this!?
>
> do you allready participate at any contest/festival, which was =20
> about looping? tell me....
> would you be interested in doing so?
> what would be important for you, at a festival or contest of loopers??
> other things to say?....
>
> i=B4m happy about any answer and information you can give me!
>
> greetings from a sunny place,
> manuel


Hi Manu,

Nice to hear that Berlin is "a sunny place" right now. The winter has =20=

finally passed even here in Sweden and we're slowly starting to crawl =20=

out from under those icy rocks where we hide during the dark part of =20
the year.

On this festival documentation page, by Bernhard Wagner, there are =20
lots of links to other festival documentations at the bottom of the =20
page:  http://loopfestival.com/  Sufing around those links should =20
give you a good general overview.

When I arranged a looping festival here in Sweden in 2003 I decided =20
to make it more like a tour based around a small group of traveling =20
musicians. Starting one year in advance I sold the package to paying =20
venues and invited the venues to place local musicians to join us on =20
stage or do their own sets. This worked well for Sweden, but maybe =20
one big festival at one fixed date is a concept better suited for =20
Berlin, since Berlin is such a big city and also geographically =20
located in a much more crowded part of Europe.

Personally I think it's a great idea to put on a festival but a bad =20
idea to make it a contest.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Mon Mar 26 11:35:51 2007
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	id 74E4C3BF0A; Mon, 26 Mar 2007 11:35:51 +0000 (UTC)
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Date: Mon, 26 Mar 2007 12:35:49 +0100
From: Os <os@collective.co.uk>
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Hi,

I put this on for a few years:
http://www.collective.co.uk/loopfest/

It was fun, but very hard work getting anyone to turn up. I think the
main problems stemmed from it not being in a proper venue - so there
was no "house audience", no PA etc.

If you can get proper funding or some other way of getting a
recognised music venue, I would recommend doing that.

cheers,
os.

On 26/03/07, Manu <manu@ricoloop.com> wrote:
> good morning to everybody!
>
> my name is manuel and i=B4m writing to you from berlin capital! ;)
>
> i am working together with a loop-musician here in berlin called
> "ricoloop" and we are interested in organising a loopfestival in the
> last part of the year.
> for this reason, i am collecting any information about every
> loopfestival or contest which exists. i am interested in your
> experience with loopermeetings, loopfestivals or contests to find
> out, if there is any interest of joining an event like this!?
>
> do you allready participate at any contest/festival, which was about
> looping? tell me....
>
> would you be interested in doing so?
>
> what would be important for you, at a festival or contest of loopers??
>
> other things to say?....
>
>
>
> i=B4m happy about any answer and information you can give me!
>
> greetings from a sunny place,
> manuel
>
>
>


--=20
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Mon Mar 26 15:45:46 2007
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	id 98F763BED8; Mon, 26 Mar 2007 15:45:46 +0000 (UTC)
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From: Bernhard Wagner LD <loopdelightml-NDI3MDE=-@bernhardwagner.net>
Subject: Wii Loop Machine utilizes Wiimote to manipulate beats
Date: Mon, 26 Mar 2007 17:45:40 +0200
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Wii Loop Machine utilizes Wiimote to manipulate beats

http://tinyurl.com/2z6pa7 <http://www.engadget.com/2007/03/23/wii- 
loop-machine-utilizes-wiimote-to-manipulate-beats/>

Bernhard

From Loopers-Delight-request@loopers-delight.com  Mon Mar 26 15:54:18 2007
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To: <Loopers-Delight@loopers-delight.com>
Subject: controlling loops with a remote (was: Wii Loop Machine utilizes Wiimote to manipulate beats)
Date: Mon, 26 Mar 2007 17:54:31 +0200
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funny thing...just today when I stepped into my condo returning from work, I
thought "hey, controlling your powerpoint presentations or your media player
with a mobile phone is cool - now would it be possible to use the same
technology to control music stuff?" Perhaps some application (for XP of
course ;) which would react to bluetooth messages and translate them into
MIDI, which could then control your application via MIDI yoke or
something...

...and then you'd need a java application for your phone.

Any coders out there who want to go for that?

	Rainer 

> 
> Wii Loop Machine utilizes Wiimote to manipulate beats
> 
> http://tinyurl.com/2z6pa7 <http://www.engadget.com/2007/03/23/wii-
> loop-machine-utilizes-wiimote-to-manipulate-beats/>
> 
> Bernhard
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 26 16:52:46 2007
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Date: Mon, 26 Mar 2007 09:52:38 -0700 (PDT)
Subject: FS: Korg Dw8000, Ensoniq SQ1plus, EPS sampler
From: legion@helpwantedproductions.com
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	Loopers-Delight@loopers-delight.com
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I'm thinning out my closet of 61 note keyboards.

Here's the facts:

1. Korg DW8000 - analog filters,etc +digital waveforms = one juicy 80s
hybrid classic. Built in arpeggiator, old school digital delay, and
interesting joystick. Velocity sensitve (midi value 1-100). Awesome
strings, organs, and even bouncy basses and such. Used a lot by the old
goth and prog crowd for pompous chords, the noise and other featured have
served me well for weirder stuff.

Asking $150

2. Ensoniq SQ1 plus. Transwave digital synth. The plus verion has 32 voice
polyphony and a damn good grand piano. Same engine as the KS32 and those
awesome Ensoniq effects (reverbs, phase/flange/etc). In very good condion
with memory battery not only fresh but I installed a battery holder (a
very practical and needed upgrade)so you are good to go for the life of
the board. I have some amazing sounds which I'll include in *.syx format
from some pro audio place. PPG waveforms, odd percussion, ambient synth
drones and other drum kits, etc. Also has a decent internal sequencer
making it a great scratch pad for a home studio and good feeling keyboard
with polyphonic aftertouch. Original manual included.

Asking $175.00

3. EPS sampler. THE classic. Good condition, one button (envelope #3) not
working. In my 20+ years of playing this and the ASR I have never needed
that button for any sounds or programming and neither will you. Great
internal sequencer. DD disk drive works fine. Comes with boot disk and
CDrom with 100s of sounds in giebler *.ede format so with any PC and a
disk drive you can have a full library of a couple hundred sounds
instantly. CDrom include ASR and classic Mirage sounds (the EPS will read
mirage disks).
Also has max memory of 4085 blocks and this memory upgrade is quite rare
and costs $129 alone from Syntaur.com.

Asking $125.


The first person to buy one of the ensoniqs gets a free Ensoniq
sustain/switch pedal. The first person to PICK UP oner of these gets a
free padded 61 note keyboard gig bag. I believe I have copies the manuals
for the DW8000 and EPS if needed but I'll have to check.

I believe all these prices are fair but if you feel differently and are
nice about I'll listen to offers. All items are in Phila pa and pickup is
GREATLY preferred, otherwise buyer pays shipping and depending on who else
responds before you, packing (I have one good box lol). Paypal fine if you
pay the fees. Pics available on request.

References out the wazoo. I am very familiar with all these boards so feel
free to ask any questions. Send a phone # to speed things up if you're
interested, first pay, first sold.

Thanks!

   ------------------------------------------------
      Weird, Scary, and Beautiful Music and Art:
        Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar 26 18:33:38 2007
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Date: Mon, 26 Mar 2007 12:34:43 -0800
From: Bob Weigel <sounddoctorin@imt.net>
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Subject: Re: FS: Korg Dw8000, Ensoniq SQ1plus, EPS sampler
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I'll take the SQ1 if it's still around.  -Bob

legion@helpwantedproductions.com wrote:

>I'm thinning out my closet of 61 note keyboards.
>
>Here's the facts:
>
>1. Korg DW8000 - analog filters,etc +digital waveforms = one juicy 80s
>hybrid classic. Built in arpeggiator, old school digital delay, and
>interesting joystick. Velocity sensitve (midi value 1-100). Awesome
>strings, organs, and even bouncy basses and such. Used a lot by the old
>goth and prog crowd for pompous chords, the noise and other featured have
>served me well for weirder stuff.
>
>Asking $150
>
>2. Ensoniq SQ1 plus. Transwave digital synth. The plus verion has 32 voice
>polyphony and a damn good grand piano. Same engine as the KS32 and those
>awesome Ensoniq effects (reverbs, phase/flange/etc). In very good condion
>with memory battery not only fresh but I installed a battery holder (a
>very practical and needed upgrade)so you are good to go for the life of
>the board. I have some amazing sounds which I'll include in *.syx format
>from some pro audio place. PPG waveforms, odd percussion, ambient synth
>drones and other drum kits, etc. Also has a decent internal sequencer
>making it a great scratch pad for a home studio and good feeling keyboard
>with polyphonic aftertouch. Original manual included.
>
>Asking $175.00
>
>3. EPS sampler. THE classic. Good condition, one button (envelope #3) not
>working. In my 20+ years of playing this and the ASR I have never needed
>that button for any sounds or programming and neither will you. Great
>internal sequencer. DD disk drive works fine. Comes with boot disk and
>CDrom with 100s of sounds in giebler *.ede format so with any PC and a
>disk drive you can have a full library of a couple hundred sounds
>instantly. CDrom include ASR and classic Mirage sounds (the EPS will read
>mirage disks).
>Also has max memory of 4085 blocks and this memory upgrade is quite rare
>and costs $129 alone from Syntaur.com.
>
>Asking $125.
>
>
>The first person to buy one of the ensoniqs gets a free Ensoniq
>sustain/switch pedal. The first person to PICK UP oner of these gets a
>free padded 61 note keyboard gig bag. I believe I have copies the manuals
>for the DW8000 and EPS if needed but I'll have to check.
>
>I believe all these prices are fair but if you feel differently and are
>nice about I'll listen to offers. All items are in Phila pa and pickup is
>GREATLY preferred, otherwise buyer pays shipping and depending on who else
>responds before you, packing (I have one good box lol). Paypal fine if you
>pay the fees. Pics available on request.
>
>References out the wazoo. I am very familiar with all these boards so feel
>free to ask any questions. Send a phone # to speed things up if you're
>interested, first pay, first sold.
>
>Thanks!
>
>   ------------------------------------------------
>      Weird, Scary, and Beautiful Music and Art:
>        Http://www.HelpWantedProductions.com
>
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 26 21:50:07 2007
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Date: Mon, 26 Mar 2007 14:50:04 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: loopfestival
To: Loopers-Delight@loopers-delight.com
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I organized a couple of playing dates with Rick Walker
in 2003 and we played here in in germany and
switzerland.
My personal experience was that organizing this type
of music in the summer where everybody want to sit
outside,chillout drinking beer and listening to summer
music wasn´t quite appropiate,although it was great
fun anyway.But both gigs werent very well attended and
it does involve a lot of work so you might consider
this.
I would encourage you to do it anyway even if there is
one person in the audience is definetly worth the
experience!
also please keep me informed i would be interested in
participating and jamming with other loopers,i am in
the southern Bodensee region of Deutschland.
Ich würde mich freuen von dir zu hören!
Gruss
Luis




--- Per Boysen <perboysen@gmail.com> wrote:

> On 26 mar 2007, at 11.50, Manu wrote:
> 
> > good morning to everybody!
> >
> > my name is manuel and i´m writing to you from
> berlin capital! ;)
> >
> > i am working together with a loop-musician here in
> berlin called  
> > "ricoloop" and we are interested in organising a
> loopfestival in  
> > the last part of the year.
> > for this reason, i am collecting any information
> about every  
> > loopfestival or contest which exists. i am
> interested in your  
> > experience with loopermeetings, loopfestivals or
> contests to find  
> > out, if there is any interest of joining an event
> like this!?
> >
> > do you allready participate at any
> contest/festival, which was  
> > about looping? tell me....
> > would you be interested in doing so?
> > what would be important for you, at a festival or
> contest of loopers??
> > other things to say?....
> >
> > i´m happy about any answer and information you can
> give me!
> >
> > greetings from a sunny place,
> > manuel
> 
> 
> Hi Manu,
> 
> Nice to hear that Berlin is "a sunny place" right
> now. The winter has  
> finally passed even here in Sweden and we're slowly
> starting to crawl  
> out from under those icy rocks where we hide during
> the dark part of  
> the year.
> 
> On this festival documentation page, by Bernhard
> Wagner, there are  
> lots of links to other festival documentations at
> the bottom of the  
> page:  http://loopfestival.com/  Sufing around those
> links should  
> give you a good general overview.
> 
> When I arranged a looping festival here in Sweden in
> 2003 I decided  
> to make it more like a tour based around a small
> group of traveling  
> musicians. Starting one year in advance I sold the
> package to paying  
> venues and invited the venues to place local
> musicians to join us on  
> stage or do their own sets. This worked well for
> Sweden, but maybe  
> one big festival at one fixed date is a concept
> better suited for  
> Berlin, since Berlin is such a big city and also
> geographically  
> located in a much more crowded part of Europe.
> 
> Personally I think it's a great idea to put on a
> festival but a bad  
> idea to make it a contest.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://tinyurl.com/2kek7h (CC donationware music
> releases)
> 
> 
> 


www.myspace.com/luisangulocom


 
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 01:28:09 2007
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From: "phill wilson" <blackface@hotmail.co.uk>
To: Loopers-Delight@loopers-delight.com
Subject: EDP noise help (unsoldering)
Date: Tue, 27 Mar 2007 01:28:04 +0000
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Hi all

right, ive gone and been a silly chimp,
I bought a second edp l( blackfaced echoplex)last month, but have been so so 
busy ive only just got to the pluggin in stage and.............. aaaarh 
noise!!!
hummming noisey noise....
the humming actually starts as soon as the mains cord is plugged in and is 
raised to crazy levels as soon as i power on.
the screen displays correctly  and all seems in order under the hood,and ive 
tried all the normal fixes. ive got another white face echoplex and have had 
a noise problem before, and last time i reseated the rams, roms and the lil 
square chips and that solved it.........went to do that this time and 
HORROR!!!!!! someones gone and put metal covers over the square 
chips......so questions
1.Any idead on the noise cause?
2. If its what i think it is how do i get those damn covers off?
3. Why cover the chips?

thanks for any and all input on this, i knowwe go round in circles on this 
subject and i thought i was ok solving my own probs, bt this has me really 
bummed out , ve not een used it yet

Phill Wilson

_________________________________________________________________
Txt a lot? Get Messenger FREE on your mobile.  
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 01:37:01 2007
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To: <Loopers-Delight@loopers-delight.com>
References: <BAY134-F118BE6196CFF3C9508FF81F46E0@phx.gbl>
Subject:  other noise Re: EDP noise help (unsoldering)
Date: Mon, 26 Mar 2007 20:36:45 -0500
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Never having an EDP until a couple months ago, how quiet is an EDP when it's 
working properly?  Is there any hiss, or other noise?

Thanks!

Plish
----- Original Message ----- 
From: "phill wilson" <blackface@hotmail.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, March 26, 2007 8:28 PM
Subject: EDP noise help (unsoldering)


> Hi all
>
> right, ive gone and been a silly chimp,
> I bought a second edp l( blackfaced echoplex)last month, but have been so 
> so busy ive only just got to the pluggin in stage and.............. aaaarh 
> noise!!!
> hummming noisey noise....
> the humming actually starts as soon as the mains cord is plugged in and is 
> raised to crazy levels as soon as i power on.
> the screen displays correctly  and all seems in order under the hood,and 
> ive tried all the normal fixes. ive got another white face echoplex and 
> have had a noise problem before, and last time i reseated the rams, roms 
> and the lil square chips and that solved it.........went to do that this 
> time and HORROR!!!!!! someones gone and put metal covers over the square 
> chips......so questions
> 1.Any idead on the noise cause?
> 2. If its what i think it is how do i get those damn covers off?
> 3. Why cover the chips?
>
> thanks for any and all input on this, i knowwe go round in circles on this 
> subject and i thought i was ok solving my own probs, bt this has me really 
> bummed out , ve not een used it yet
>
> Phill Wilson
>
> _________________________________________________________________
> Txt a lot? Get Messenger FREE on your mobile. 
> https://livemessenger.mobile.uk.msn.com/
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 04:15:46 2007
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From: "arcmotion" <andrzej@arcmotion.com>
To: <Loopers-Delight@loopers-delight.com>
References: <444811.64669.qm@web34310.mail.mud.yahoo.com> <56432.167.83.10.20.1172595103.squirrel@www.michaelplishka.com> <fadf3ffe0703081136i2dd51b21y2a71ec60e6de5da@mail.gmail.com> <00d501c761eb$976843b0$6401a8c0@homeanj>
Subject: rc50 decay..no mixer required.
Date: Tue, 27 Mar 2007 12:15:41 +0800
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you dont need a mixer if you are ok with working in mono....just take =
the subout and feed it back into the other stereo input with a short =
lead in replace mode. The level knobs control feedback and tempo is your =
time....as per the guy who used a mixer before.=20

also messing with another phrase at the same time freezes the feedback =
on the original....which could get interesting.
------=_NextPart_000_0038_01C77069.A3523820
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	charset="iso-8859-1"
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>you dont need a mixer if you are ok =
with working in=20
mono....just take the subout and feed it back into the other stereo =
input with a=20
short lead in replace mode. The level knobs control feedback and tempo =
is your=20
time....as per the guy who used a mixer before.&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>also messing with another phrase at the =
same time=20
freezes the feedback on the original....which could get=20
interesting.</FONT></DIV></BODY></HTML>

------=_NextPart_000_0038_01C77069.A3523820--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 05:56:17 2007
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The aux-in is a stereo input, just buy a "2 x mono 6.3 mm jack - stere0 3=
.5 mm jack" cable and you have a stereo feedback loop :)



 > you dont need a mixer if you are ok with working in mono....just take =
the subout and feed it back into the other stereo input with a short lead=
 in replace mode. =0A---=0AScarlet ADSL Unlimited =E2=80=93 Slechts 24,95=
 euro per maand.=0AMax download snelheid tot 6 Mbps, 30 GB download volum=
e . Bestel nu=E2=80=A6
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<DIV>The aux-in is a stereo input, just buy a "2 x mono 6.3 mm jack&nbsp;=
- stere0 3.5 mm jack" cable&nbsp;and you have a stereo feedback loop&nbsp=
;:)</DIV>
<DIV>
<HR>
</DIV>
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<TBODY>
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<TD>&nbsp;</TD>
<TD>
<META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR>
<STYLE></STYLE>

<DIV>&gt; <FONT face=3DArial size=3D2>you dont need a mixer if you are ok=
 with working in mono....just take the subout and feed it back into the o=
ther stereo input with a short lead in replace mode. </FONT></DIV></TD></=
TR></TBODY></TABLE></DIV>
--_=__=_XaM3_.1174974973.2A.944055.42.11518.52.42.007.814882181--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 07:19:25 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: other noise Re: EDP noise help (unsoldering)
Date: Tue, 27 Mar 2007 09:19:17 +0200
To: Loopers-Delight@loopers-delight.com
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On 27 mar 2007, at 03.36, Michael Plishka wrote:

> Never having an EDP until a couple months ago, how quiet is an EDP  
> when it's working properly?  Is there any hiss, or other noise?


In my EDP I can not detect any extra noise added. I  mean, not more  
than any pre amp would. As a comparison, my Ibanez Tube Screamer adds  
a huge noise floor, so does my Big Muff. Even a Line-6 POD 1 is  
noisier than the EDP.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 08:28:45 2007
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Subject: Re: Re:rc50 decay..no mixer required.
Date: Tue, 27 Mar 2007 16:28:38 +0800
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yeah ....just saw that post earlier....   thanks for the tip.    =
....somehow this machine is the most amazing combination for me...i am =
really happy with it.

i have also been using the loops to create rifs and segments for song =
creation whenever i get inspired which is a lot easier and spontaneous =
than trying to do it on a laptop....like an ideas scratchpad.=20

i bounce the drum track to its own phrase and then i take all the =
segments over to tracktion if i want to develop it.

now that this machine has decay and midi in for further experimentation =
....im finding it a real bargain for what it does.... my musical output =
has now gone through the roof.....sounds like an advert.
  ----- Original Message -----=20
  From: Sjaak=20
  To: Loopers-Delight=20
  Sent: Tuesday, March 27, 2007 1:56 PM
  Subject: Re:rc50 decay..no mixer required.


  The aux-in is a stereo input, just buy a "2 x mono 6.3 mm jack - =
stere0 3.5 mm jack" cable and you have a stereo feedback loop :)

-------------------------------------------------------------------------=
-----

         > you dont need a mixer if you are ok with working in =
mono....just take the subout and feed it back into the other stereo =
input with a short lead in replace mode. =20

------=_NextPart_000_000F_01C7708C.F931C7B0
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>yeah ....just saw that post =
earlier....&nbsp;&nbsp;=20
thanks for the tip.&nbsp;&nbsp;&nbsp; ....somehow this machine is the =
most=20
amazing combination for me...i am really happy with it.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>i have also&nbsp;been using the loops =
to create=20
rifs and segments for song creation whenever i get inspired&nbsp;which =
is a lot=20
easier and spontaneous than trying to do it on a laptop....like an ideas =

scratchpad.&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>i bounce the drum track to its own =
phrase and then=20
i take all the segments over to tracktion if i want to develop =
it.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>now that&nbsp;this machine has decay =
and midi in=20
for further experimentation&nbsp;....im finding it a real bargain for =
what it=20
does.... my musical output has now gone through the roof.....sounds like =
an=20
advert.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtcplugin@scarlet.be =
href=3D"mailto:tcplugin@scarlet.be">Sjaak</A>=20
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, March 27, 2007 =
1:56=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re:rc50 decay..no =
mixer=20
  required.</DIV>
  <DIV><BR></DIV>
  <DIV>The aux-in is a stereo input, just buy a "2 x mono 6.3 mm =
jack&nbsp;-=20
  stere0 3.5 mm jack" cable&nbsp;and you have a stereo feedback=20
  loop&nbsp;:)</DIV>
  <DIV>
  <HR>
  </DIV>
  <DIV>
  <TABLE>
    <TBODY>
    <TR>
      <TD width=3D1 bgColor=3D#000000></TD>
      <TD>&nbsp;</TD>
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        <META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR>
        <STYLE></STYLE>

        <DIV>&gt; <FONT face=3DArial size=3D2>you dont need a mixer if =
you are ok=20
        with working in mono....just take the subout and feed it back =
into the=20
        other stereo input with a short lead in replace mode.=20
    =
</FONT></DIV></TD></TR></TBODY></TABLE></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000F_01C7708C.F931C7B0--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 10:38:40 2007
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Subject: Re: EDP noise help (unsoldering)
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hi, i had a humming noise problem, too.
it was a lot softer when i took the top off.
by putting some isolation , i  made sure that the top of the case wouldn't 
touch the transformator.
the noise is still there, but it's a lot softer now.
somebody told me that the humming is stronger when using the edp with 220 
volts.
seems that the trafo is ment to be used with 110 v.

all the best, tilmann



----- Original Message ----- 
From: "phill wilson" <blackface@hotmail.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 27, 2007 3:28 AM
Subject: EDP noise help (unsoldering)


> Hi all
>
> right, ive gone and been a silly chimp,
> I bought a second edp l( blackfaced echoplex)last month, but have been so 
> so busy ive only just got to the pluggin in stage and.............. aaaarh 
> noise!!!
> hummming noisey noise....
> the humming actually starts as soon as the mains cord is plugged in and is 
> raised to crazy levels as soon as i power on.
> the screen displays correctly  and all seems in order under the hood,and 
> ive tried all the normal fixes. ive got another white face echoplex and 
> have had a noise problem before, and last time i reseated the rams, roms 
> and the lil square chips and that solved it.........went to do that this 
> time and HORROR!!!!!! someones gone and put metal covers over the square 
> chips......so questions
> 1.Any idead on the noise cause?
> 2. If its what i think it is how do i get those damn covers off?
> 3. Why cover the chips?
>
> thanks for any and all input on this, i knowwe go round in circles on this 
> subject and i thought i was ok solving my own probs, bt this has me really 
> bummed out , ve not een used it yet
>
> Phill Wilson
>
> _________________________________________________________________
> Txt a lot? Get Messenger FREE on your mobile. 
> https://livemessenger.mobile.uk.msn.com/
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 13:28:40 2007
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Subject: RE: controlling loops with a remote (was: Wii Loop Machine utilizes Wiimote to manipulate beats)
Date: Tue, 27 Mar 2007 09:28:39 -0400
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Rainer- You could just use a wireless keyboard. Maybe larger than you
would prefer, but zero learning curve or programming, and very
inexpensive. I'm not sure what the distance limitations are.

Hal Dean


-----Original Message-----
From: Rainer Thelonius Balthasar Straschill [mailto:rs@moinlabs.de]=20
Sent: Monday, March 26, 2007 11:55 AM
To: Loopers-Delight@loopers-delight.com
Subject: controlling loops with a remote (was: Wii Loop Machine utilizes
Wiimote to manipulate beats)


funny thing...just today when I stepped into my condo returning from
work, I thought "hey, controlling your powerpoint presentations or your
media player with a mobile phone is cool - now would it be possible to
use the same technology to control music stuff?" Perhaps some
application (for XP of course ;) which would react to bluetooth messages
and translate them into MIDI, which could then control your application
via MIDI yoke or something...

...and then you'd need a java application for your phone.

Any coders out there who want to go for that?

	Rainer=20

>=20
> Wii Loop Machine utilizes Wiimote to manipulate beats
>=20
> http://tinyurl.com/2z6pa7 <http://www.engadget.com/2007/03/23/wii-
> loop-machine-utilizes-wiimote-to-manipulate-beats/>
>=20
> Bernhard
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 14:07:58 2007
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Please forgive me for chiming in obtusely, but I have an RC-50  question that 
someone may know the answer to quickly. Is it possible to  mix/mute the main 
throughput signal path and output just the loops you are  creating on the 
RC-50? My old (NOISY!) Boomerang has a mute switch but I am  not certain if the 
same is possible on this device or not. You help will be  greatly appreciated.
 
Jeff   



************************************** AOL now offers free email to everyone. 
 Find out more about what's free from AOL at http://www.aol.com.

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e_document=20
face=3DArial color=3D#000000 size=3D2>
<DIV>Please forgive me for&nbsp;chiming in obtusely, but I have an RC-50=20
question that someone may&nbsp;know the answer to quickly. Is it possible to=
=20
mix/mute the main throughput signal&nbsp;path and output just the loops you=20=
are=20
creating on the RC-50? My old (NOISY!) Boomerang&nbsp;has a mute switch but=20=
I am=20
not certain if the same is possible on this device or not. You help will be=20
greatly appreciated.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Jeff&nbsp;&nbsp;&nbsp;</DIV></FONT><BR><BR><BR><DIV><FONT style=3D"colo=
r: black; font: normal 10pt ARIAL, SAN-SERIF;"><HR style=3D"MARGIN-TOP: 10px=
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-------------------------------1175004459--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 14:58:32 2007
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Date: Tue, 27 Mar 2007 08:58:26 -0600
From: Daryl Shawn <highhorse@mhorse.com>
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Subject: Re: OT: Composition Contest: in search of the lost chords
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For those interested, this is my entry to the Glenn Branca "Lost Chord" 
contest that was discussed a few weeks ago.

http://www.swanwelder.com/audio/Daryl_Shawn__The_Prodigal_Sound.mp3

It's a solo acoustic guitar, with all notes being plucked behind the 
fretting finger or harmonics. Much of is "out of tune" (my idea was to 
explore microtonality and unusual clusters on a standard-tuned guitar). 
This is my first experiment in microtones and it was rather fun, there's 
a chord about a minute in that I really like BECAUSE of its out-of-tunity.

Anyone else take part?

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 15:06:04 2007
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From: "Ben" <benoitruelle@yahoo.fr>
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Subject: Re: LD would be so much cooler if...
Date: Tue, 27 Mar 2007 17:05:58 +0200
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I've seen the same discussion in the past for the Nord-modular mailing list.
There was a huge traffic on the mailing list with a lot of useful info then 
a forum appeared and I stopped almost reading any news after a couple of 
weeks.
It's too difficult to keep tracks of things on a forum, you have to use 
always the same PC, keep the cookies activated or use the search engine and 
wait for the page to load. You have also to be connected to the net.

The problem with this list is more about netiquette. Users don't always use 
the proper reply button, forget to clean part of the mail they are answering 
to,...
Perhaps we should use predefined tags to insert in the Mail Object like 
[HW][VST][GIG][OT],....
I'm myself more interested in the specs or rumors of new Hardware loopers 
appearing than in a psycho-socio-loopo.. discussions that I don't fully 
understand due to my lack of english vocabulary.
Using a more explicit subject with reserved words would allow faster 
filtering.

I'm still a 1000 mail late...

my 2 c,

Ben.


From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 15:21:58 2007
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Date: Tue, 27 Mar 2007 17:21:56 +0200
From: "Per Boysen" <perboysen@gmail.com>
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On 3/27/07, Daryl Shawn <highhorse@mhorse.com> wrote:

> http://www.swanwelder.com/audio/Daryl_Shawn__The_Prodigal_Sound.mp3
>


Sounds really good to me! I like that stuff.

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/2kek7h (latest music release)
http://www.myspace.com/looproom

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On 3/27/07, <b class="gmail_sendername">Daryl Shawn</b> &lt;<a href="mailto:highhorse@mhorse.com">highhorse@mhorse.com</a>&gt; wrote:<div><span class="gmail_quote"></span><br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<a href="http://www.swanwelder.com/audio/Daryl_Shawn__The_Prodigal_Sound.mp3">http://www.swanwelder.com/audio/Daryl_Shawn__The_Prodigal_Sound.mp3</a><br></blockquote></div><br><br>Sounds really good to me! I like that stuff. 
<br><br>-- <br>Greetings from Sweden<br><br>Per Boysen<br><a href="http://www.boysen.se">www.boysen.se</a> (Swedish)<br><a href="http://www.looproom.com">www.looproom.com</a> (international)<br><a href="http://tinyurl.com/2kek7h">
http://tinyurl.com/2kek7h</a> (latest music release)<br><a href="http://www.myspace.com/looproom">http://www.myspace.com/looproom</a>

------=_Part_6493_22312211.1175008916042--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 15:34:23 2007
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Subject: Re: rc50 decay..no mixer required.
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Jef, you can 
- mute the input sound while continue recording to a phrase
- stop (mute) each individual phrase with the stop pedal (with or without=
 a fade out)
- control the level of each individual phrase with a midi expression peda=
l (or phrase level knob). 4 options: phrase 1, phrase 2, phrase 3 or curr=
ent phrase
- control the patch level with a midi expression pedal

Sjaak




 > Please forgive me for chiming in obtusely, but I have an RC-50 questio=
n that someone may know the answer to quickly. Is it possible to mix/mute=
 the main throughput signal path and output just the loops you are creati=
ng on the RC-50? My old (NOISY!) Boomerang has a mute switch but I am not=
 certain if the same is possible on this device or not. You help will be =
greatly appreciated.=0A---=0AScarlet ADSL Unlimited =E2=80=93 Slechts 24,=
95 euro per maand.=0AMax download snelheid tot 6 Mbps, 30 GB download vol=
ume . Bestel nu=E2=80=A6
--_=__=_XaM3_.1175009659.2A.422761.42.5627.52.42.007.1914132675
Content-Type: text/html; charset=iso-8859-1
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<DIV>Jef, you can <BR>- mute the input sound while continue recording to =
a phrase<BR>- stop (mute) each individual phrase with the stop pedal (wit=
h or without a fade out)<BR>- control the level of each individual phrase=
 with a midi expression pedal (or phrase level knob). 4 options: phrase 1=
, phrase 2, phrase 3 or current phrase<BR>- control the patch level with =
a midi expression pedal</DIV>
<DIV>&nbsp;</DIV>
<DIV>Sjaak</DIV>
<DIV>&nbsp;</DIV>
<DIV>
<HR>
</DIV>
<DIV>
<TABLE>
<TBODY>
<TR>
<TD width=3D1 bgColor=3D#000000></TD>
<TD>&nbsp;</TD>
<TD>
<META content=3D"MSHTML 6.00.2900.2873" name=3DGENERATOR><FONT id=3Drole_=
document face=3DArial color=3D#000000 size=3D2>
<DIV>&gt; Please forgive me for&nbsp;chiming in obtusely, but I have an R=
C-50 question that someone may&nbsp;know the answer to quickly. Is it pos=
sible to mix/mute the main throughput signal&nbsp;path and output just th=
e loops you are creating on the RC-50? My old (NOISY!) Boomerang&nbsp;has=
 a mute switch but I am not certain if the same is possible on this devic=
e or not. You help will be greatly appreciated.</FONT></DIV></TD></TR></T=
BODY></TABLE></DIV>
--_=__=_XaM3_.1175009659.2A.422761.42.5627.52.42.007.1914132675--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 19:10:58 2007
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Date: Tue, 27 Mar 2007 11:09:19 -0800
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Composition Contest: in search of the lost chords
Cc: Daryl Shawn <highhorse@mhorse.com>
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Daryl,

Short and sweet (in an atonal sort of way).=20

The late Derek Bailey would be proud I'm sure.=20

I hope the contest judges like your piece.

Cheers,

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Daryl Shawn <highhorse@mhorse.com> wrote:=20
> For those interested, this is my entry to the Glenn Branca "Lost Chord"=
=20
> contest that was discussed a few weeks ago.
>=20
> http://www.swanwelder.com/audio/Daryl_Shawn__The_Prodigal_Sound.mp3
>=20
> It's a solo acoustic guitar, with all notes being plucked behind the=20
> fretting finger or harmonics. Much of is "out of tune" (my idea was to=20
> explore microtonality and unusual clusters on a standard-tuned guitar).=
=20
> This is my first experiment in microtones and it was rather fun, there's=
=20
> a chord about a minute in that I really like BECAUSE of its out-of-tunity=
.
>=20
> Anyone else take part?
>=20
> Daryl Shawn
> www.swanwelder.com
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 19:33:35 2007
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Subject: Re: OT: Composition Contest: in search of the lost chords
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> ---- Daryl Shawn <highhorse@mhorse.com> wrote:
>> For those interested, this is my entry to the Glenn Branca "Lost Chord"
>> contest that was discussed a few weeks ago.
>>
>> http://www.swanwelder.com/audio/Daryl_Shawn__The_Prodigal_Sound.mp3
>

Good job!

Besides the "detuned" notes, that each pitch has a distinct timbre and  
duration brings to mind the pointalism of composers such as Webern.

You handled the challenge well.

Sincerely,

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 20:21:34 2007
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Date: Tue, 27 Mar 2007 13:21:32 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: cajón
To: Loopers-Delight@loopers-delight.com
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Hi Gang,
Can anybody recomend me a good bargain price cajon for
rocking hip hop sounds with good bass and snare sound
and integrated cushion sitting pad?there are just many
to choose from! i would also be interested in a proper
microphone for such percussion types.
thanx!
Luis

www.myspace.com/luisangulocom



 
____________________________________________________________________________________
Need Mail bonding?
Go to the Yahoo! Mail Q&A for great tips from Yahoo! Answers users.
http://answers.yahoo.com/dir/?link=list&sid=396546091

From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 20:31:53 2007
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To: <Loopers-Delight@loopers-delight.com>
Subject: =?iso-8859-1?Q?AW:_caj=F3n?=
Date: Tue, 27 Mar 2007 22:32:06 +0200
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Beyer M88N=20

> -----Urspr=FCngliche Nachricht-----
> Von: L.A. Angulo [mailto:labaloops@yahoo.com]=20
> Gesendet: Dienstag, 27. M=E4rz 2007 22:22
> An: Loopers-Delight@loopers-delight.com
> Betreff: caj=F3n
>=20
> Hi Gang,
> Can anybody recomend me a good bargain price cajon for=20
> rocking hip hop sounds with good bass and snare sound and=20
> integrated cushion sitting pad?there are just many to choose=20
> from! i would also be interested in a proper microphone for=20
> such percussion types.
> thanx!
> Luis
>=20
> www.myspace.com/luisangulocom
>=20
>=20
>=20
> =20
> ______________________________________________________________
> ______________________
> Need Mail bonding?
> Go to the Yahoo! Mail Q&A for great tips from Yahoo! Answers users.
> http://answers.yahoo.com/dir/?link=3Dlist&sid=3D396546091
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Mar 27 21:26:41 2007
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Date: Tue, 27 Mar 2007 15:26:39 -0600
From: "Scott Turner" <sascwatch@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Not sure but I saw one just like that at guitar center the other day. Might
not be the best but they have them...

On 3/27/07, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
>
> Beyer M88N
>
> > -----Urspr=FCngliche Nachricht-----
> > Von: L.A. Angulo [mailto:labaloops@yahoo.com]
> > Gesendet: Dienstag, 27. M=E4rz 2007 22:22
> > An: Loopers-Delight@loopers-delight.com
> > Betreff: caj=F3n
> >
> > Hi Gang,
> > Can anybody recomend me a good bargain price cajon for
> > rocking hip hop sounds with good bass and snare sound and
> > integrated cushion sitting pad?there are just many to choose
> > from! i would also be interested in a proper microphone for
> > such percussion types.
> > thanx!
> > Luis
> >
> > www.myspace.com/luisangulocom
> >
> >
> >
> >
> > ______________________________________________________________
> > ______________________
> > Need Mail bonding?
> > Go to the Yahoo! Mail Q&A for great tips from Yahoo! Answers users.
> > http://answers.yahoo.com/dir/?link=3Dlist&sid=3D396546091
> >
> >
>
>

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Not sure but I saw one just like that at guitar center the other day. Might=
 not be the best but they have them...<br><br>
<div><span class=3D"gmail_quote">On 3/27/07, <b class=3D"gmail_sendername">=
Rainer Thelonius Balthasar Straschill</b> &lt;<a href=3D"mailto:rs@moinlabs=
.de">rs@moinlabs.de</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Beyer M88N<br><br>&gt; -----Ursp=
r=FCngliche Nachricht-----<br>&gt; Von: L.A. Angulo [mailto:<a href=3D"mail=
to:labaloops@yahoo.com">
labaloops@yahoo.com</a>]<br>&gt; Gesendet: Dienstag, 27. M=E4rz 2007 22:22<=
br>&gt; An: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-=
Delight@loopers-delight.com</a><br>&gt; Betreff: caj=F3n<br>&gt;<br>&gt; Hi=
 Gang,
<br>&gt; Can anybody recomend me a good bargain price cajon for<br>&gt; roc=
king hip hop sounds with good bass and snare sound and<br>&gt; integrated c=
ushion sitting pad?there are just many to choose<br>&gt; from! i would also=
 be interested in a proper microphone for
<br>&gt; such percussion types.<br>&gt; thanx!<br>&gt; Luis<br>&gt;<br>&gt;=
 <a href=3D"http://www.myspace.com/luisangulocom">www.myspace.com/luisangul=
ocom</a><br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt; __________________________=
____________________________________
<br>&gt; ______________________<br>&gt; Need Mail bonding?<br>&gt; Go to th=
e Yahoo! Mail Q&amp;A for great tips from Yahoo! Answers users.<br>&gt; <a =
href=3D"http://answers.yahoo.com/dir/?link=3Dlist&amp;sid=3D396546091">http=
://answers.yahoo.com/dir/?link=3Dlist&amp;sid=3D396546091
</a><br>&gt;<br>&gt;<br><br></blockquote></div><br>

------=_Part_15165_14381352.1175030799324--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 28 00:14:03 2007
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From: "Michael Plishka" <mike@michaelplishka.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: test
Date: Tue, 27 Mar 2007 19:13:44 -0500
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Testing

From Loopers-Delight-request@loopers-delight.com  Wed Mar 28 00:21:02 2007
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From: Richard Sales <richard@glasswing.com>
Subject: Re: test
Date: Tue, 27 Mar 2007 17:20:51 -0700
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--Apple-Mail-2--834444214
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1,2,3

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 27-Mar-07, at 5:13 PM, Michael Plishka wrote:

> Testing
>

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1,2,3


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 27-Mar-07, at 5:13 PM, Michael Plishka wrote:


<excerpt>Testing


</excerpt>
--Apple-Mail-2--834444214--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 28 21:45:27 2007
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test.....






**************************************
 See what's free at http://www.aol.com.

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">test.....<BR>
<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
free at http://www.aol.com.</HTML>

--part1_cf3.cc9bc36.333c3bef_boundary--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 28 21:47:57 2007
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yippee.....i passed.....awful quite around here, no?



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar10



**************************************
 See what's free at http://www.aol.com.

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">yippee.....i passed.....awful quite aro=
und here, no?<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar10<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
free at http://www.aol.com.</HTML>

--part1_c68.ee7b344.333c3c7c_boundary--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 28 22:58:00 2007
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
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Hi Scoots!

As they say . . . if ya ain't got nuthin' nice to say, just keep quiet.

I wonder if that's what everyone must be doing today.

Keeping mum . . . and quietly slipping back below the radar.

--

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Nemoguitt@aol.com wrote:=20
> yippee.....i passed.....awful quite around here, no?
>=20
>=20
>=20
> www.ct-collective.com
> http://mysite.verizon.net/vzepmeci/
> http://www.myspace.com/klobuchar10
>=20
>=20
>=20
> **************************************
>  See what's free at http://www.aol.com.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 29 02:49:42 2007
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From: Darren Nelsen <darren@curiomusic.com>
Subject: Re: test
Date: Wed, 28 Mar 2007 22:49:26 -0400
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--Apple-Mail-12--739128537
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 >>yippee.....i passed.....awful quite around here, no?

Just start talking about talented children... then the sparks will fly!

(Don't ask.)

Darren


--Apple-Mail-12--739128537
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<HTML><BODY style="word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-line-break: after-white-space; "><DIV>&gt;&gt;<FONT class="Apple-style-span" face="Geneva" size="3"><SPAN class="Apple-style-span" style="font-size: 11px;">yippee.....i passed.....awful quite around here, no?</SPAN></FONT><FONT class="Apple-style-span" face="Geneva" size="3"><SPAN class="Apple-style-span" style="font-size: 11px;"><BR style="font-family: Geneva; font-size: 11px; "></SPAN></FONT></DIV><DIV><BR class="khtml-block-placeholder"></DIV>Just start talking about talented children... then the sparks will fly!<DIV><BR class="khtml-block-placeholder"></DIV><DIV>(Don't ask.)<BR><DIV><BR class="khtml-block-placeholder"></DIV><DIV>Darren</DIV><BR></DIV></BODY></HTML>
--Apple-Mail-12--739128537--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 29 07:31:50 2007
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Date: Thu, 29 Mar 2007 00:31:47 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Midi question concerning FCB1010 and Roland GP100
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Hi Folks,
I just insatalled the new UnO software for the FCB1010
but havent been able to solve one misterious tap tempo
issue for my roland GP100,ive tried other forums
unsuccesfully so i thought i give this list a try:

so here it is:
i have enabled the note on 
My EDP is  assigned to listen to channel # 3.
My Roland GP100 to channel # 2.
i have the "note on"global function on the FCB1010
assigned to channel 3 because is the only way to 
accesss all the midi functions of my echoplex.
my roland GP100 uses under its delay block something
called "midi note #" to trigger its tap tempos.I have
set it up so it listes to midi note # 20. 
i have tried on the FCB1010 to send control # 20 with
the CNT1 function but nothing happens
is there another way around assigning tap tempos?
(if nothing else works there is also a control pedal
switch input in 
the back of the unit to do it with an external
switch,perhaps running 
a cable from the FCB1010 into the GP100 and enabling
the momentary 
switch function...?
what is the difference between "midi note" and "note
on"???
thank you!
Luis


www.myspace.com/luisangulocom


 
____________________________________________________________________________________
Bored stiff? Loosen up... 
Download and play hundreds of games for free on Yahoo! Games.
http://games.yahoo.com/games/front

From Loopers-Delight-request@loopers-delight.com  Thu Mar 29 10:27:48 2007
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From: "Ben" <benoitruelle@yahoo.fr>
To: <Loopers-Delight@loopers-delight.com>
Subject: looping and scratching video
Date: Thu, 29 Mar 2007 12:27:41 +0200
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http://www.youtube.com/watch?v=3DsOoAOaJrWGI

Ben.


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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.youtube.com/watch?v=3DsOoAOaJrWGI">http://www.youtube.=
com/watch?v=3DsOoAOaJrWGI</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ben.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 29 10:30:31 2007
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Date: Thu, 29 Mar 2007 06:22:05 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
To: undisclosed-recipients: ;
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll conclude the month-long
Special Focus on Paul Lawler from the UK.  The Featured CD at Midnight
will be "33 1/3 RPM" by Arcane on NeuHarmony Records.  The Vinyl
Starter will be from the LP "Mosaique" by Robert Schroder on Racket
Records and released in 1981.  For details, see the Special Focus page
at: http://wdiy.org/programs/gt/playlists/2007/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.


=======================================================================
All times are EDT / GMT-4.
======================================================================
Listen on-line to WDIY at http://wdiy.org and click LISTEN or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
======================================================================
Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
======================================================================

From Loopers-Delight-request@loopers-delight.com  Thu Mar 29 13:53:40 2007
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From: "Fabio Anile" <fabio.anile@tiscali.it>
To: <Loopers-Delight@loopers-delight.com>
Subject:  eterogeneo - - - New E.MAIL address - New WEB SITE
Date: Thu, 29 Mar 2007 15:53:35 +0200
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Hi people,=20
sorry for the spam, but i think someone could be interested in this.

This is to let you know that, after nights of hard working with flash, =
i've built and upload my new web site.
It requires a flash plugin and a fast connection is raccomended.
It doesn't have yet songs to download and other improvement are =
scheduled, but ther's a link on the homepage to my free=20
podcast on itunes that i will update on a regular base with my =
"nocturne" live looping improvvisations and experimentations.

I've put some of you in my link page; but if you don't want it, please, =
let me know, and i'll remove the link.

I've also change my mail subscription to the LD group: =
info@eterogeneo.com
So please, update your links or e.mail address.

Good surfing on  www.eterogeneo.com   !
Best
fabio
=20





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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3059" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Hi people, =
</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>sorry for the spam, but =
i think=20
someone could be interested in this.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>This is to let you know =
that, after=20
nights of hard working with flash, i've built and&nbsp;upload my new web =

site.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>It requires a flash =
plugin and a=20
</FONT><FONT face=3D"Book Antiqua" color=3D#000080>fast connection is=20
raccomended.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>It doesn't have yet =
songs to=20
download and other improvement are scheduled, but ther's a link on the =
homepage=20
to my free&nbsp;</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>podcast on itunes that =
i will=20
update on a regular base with my&nbsp;"nocturne" live looping =
improvvisations=20
and experimentations.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I've put some of you in =
my link=20
page; but if you don't want&nbsp;it, please,&nbsp;let me know, and i'll =
remove=20
the link.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I've also&nbsp;change =
my mail=20
subscription to the LD group: <A=20
href=3D"mailto:info@eterogeneo.com">info@eterogeneo.com</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>So please, update your =
links or=20
e.mail address.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><FONT face=3D"Book =
Antiqua"=20
color=3D#000080>Good surfing on&nbsp;</FONT></FONT> <FONT face=3D"Book =
Antiqua"=20
color=3D#000080><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://www.eterogeneo.com">www.eterogeneo.com</A>&nbsp;&nbsp;=20
!</FONT></FONT></FONT></DIV></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Best</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>fabio</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" =
color=3D#000080></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0170_01C7721A.68999400--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 29 14:09:21 2007
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Date: Thu, 29 Mar 2007 10:07:24 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Roland announce RE-20 'space echo'
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http://www.roland.com/products/en/RE-20/index.html



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 --></style><title>Roland announce RE-20 'space
echo'</title></head><body>
<div align="center"><br></div>
<div align="center"><br></div>
<div
align="center">http://www.roland.com/products/en/RE-20/index.html</div>
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 29 14:23:06 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Great podcasts!  (Re: eterogeneo - - - New E.MAIL address - New WEB SITE)
Date: Thu, 29 Mar 2007 16:22:59 +0200
To: Loopers-Delight@loopers-delight.com
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On 29 mar 2007, at 15.53, Fabio Anile wrote:

> podcast on itunes that i will update on a regular base with my  
> "nocturne" live looping improvvisations and experimentations


Thanks for the hint, I'm now a subscriber to Eterogeneo ;-)

Since I bought an iPod I rarely have any dull moment, there are some  
really good podcasts around that downloads by automatic into my  
player as soon as a new piece is published. I'm also a subscriber to  
music podcasts from The Darkroom, Pat Metheney, Classic Masterpieces  
from Deutsche Welle, Mogwai Podcast, Galactic Travels (nothing  there  
since almost a year, but since it's still online I guess there's  
hope), Spacemusic hosted by *TC* (fantastic!), Rare Frequency (live  
sets), Naxos Classical Music Spotlight. The rest of what I'm  
subscribing to are radio documentaries on politics, philosophy or  
semantics. Oh, a great music podcast is "Victrola - ambient music by  
Scott Vickers". It's never being updated but there's almost an album- 
fill of great minimal piano music uploaded more than a year ago  
(sound like maybe Eric Satie would, if recording today with an  
upright bass player from jazz land).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Thu Mar 29 14:53:55 2007
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Subject: Re: Great podcasts!  (Re: eterogeneo - - - New E.MAIL address - New WEB SITE)
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Thanks, Per !
Then, you're my first podfan ;-)
I'll check the podcast you raccomanded, expecially that from Scott Vickers 
(as you know, i'm a fan on Satie and his style )
Yes, podcast is a great resource !
ciao

fabio
www.eterogeneo.com
www.myspace.com
www.eterogeneo.com/eterogeneo.xml (podcast)





----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 29, 2007 4:22 PM
Subject: Great podcasts! (Re: eterogeneo - - - New E.MAIL address - New WEB 
SITE)


> On 29 mar 2007, at 15.53, Fabio Anile wrote:
>
>> podcast on itunes that i will update on a regular base with my 
>> "nocturne" live looping improvvisations and experimentations
>
>
> Thanks for the hint, I'm now a subscriber to Eterogeneo ;-)
>
> Since I bought an iPod I rarely have any dull moment, there are some 
> really good podcasts around that downloads by automatic into my  player as 
> soon as a new piece is published. I'm also a subscriber to  music podcasts 
> from The Darkroom, Pat Metheney, Classic Masterpieces  from Deutsche 
> Welle, Mogwai Podcast, Galactic Travels (nothing  there  since almost a 
> year, but since it's still online I guess there's  hope), Spacemusic 
> hosted by *TC* (fantastic!), Rare Frequency (live  sets), Naxos Classical 
> Music Spotlight. The rest of what I'm  subscribing to are radio 
> documentaries on politics, philosophy or  semantics. Oh, a great music 
> podcast is "Victrola - ambient music by  Scott Vickers". It's never being 
> updated but there's almost an album- fill of great minimal piano music 
> uploaded more than a year ago  (sound like maybe Eric Satie would, if 
> recording today with an  upright bass player from jazz land).
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://tinyurl.com/2kek7h (CC donationware music releases)
>
>
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.5.446 / Virus Database: 268.18.20/737 - Release Date: 
> 28/03/2007 16.23
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 29 18:17:20 2007
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Date: Thu, 29 Mar 2007 20:17:19 +0200
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Subject: Re: Roland announce RE-20 'space echo'
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Hi - I played the RE-20 today at the Musikmesse in Frankfurt. Very nice 
effect, kind of warm and "vintage" sound - but I don't know how the 
original sounds - so I can't compare...

I'm happy to get the RC50 in the near future - as there was no "RC50XL" 
which I had hoped for, I will order the RC50 after having played it for 
about a quarter of an hour today - it was fun. The postings here on the 
concerning the workaround for the "simulation of feedback" helped me 
decide...

Ricoloop (the guy some people here didn't seem to like a lot last year) 
performed on the little Roland/Boss stage and it was even better than 
last year. I think he's a great looping artist (and a good salesman, 
though ;-)

Dirk


Charles Zwicky schrieb:
>
>
> http://www.roland.com/products/en/RE-20/index.html
>
>
>
> -- 
>   

From Loopers-Delight-request@loopers-delight.com  Thu Mar 29 18:27:46 2007
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Really nice looking site, Fabio! Only thing I'd say to improve are some 
spelling mistakes, for instance "image" misspelled as "immage", and 
various things in the Looping section. Also, it'd be nice if the short 
sound bites would continue regardless of where one goes in the 
navigation, for some pages it cuts off suddenly.

looking forward to checking out the music.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Good surfing on  www.eterogeneo.com <http://www.eterogeneo.com>   !

From Loopers-Delight-request@loopers-delight.com  Thu Mar 29 18:32:30 2007
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Thanks for feedback Daryl ! Very kind of you...
I'm trying to improve my english.....but i made too much mistakes, i 
know....
I'll check it out.
Thanks again

fabio
www.eterogeneo.com
www.myspace.com
www.eterogeneo.com/eterogeneo.xml (podcast)


----- Original Message ----- 
From: "Daryl Shawn" <highhorse@mhorse.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 29, 2007 8:27 PM
Subject: Re: eterogeneo - - - New E.MAIL address - New WEB SITE


> Really nice looking site, Fabio! Only thing I'd say to improve are some 
> spelling mistakes, for instance "image" misspelled as "immage", and 
> various things in the Looping section. Also, it'd be nice if the short 
> sound bites would continue regardless of where one goes in the navigation, 
> for some pages it cuts off suddenly.
>
> looking forward to checking out the music.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>> Good surfing on  www.eterogeneo.com <http://www.eterogeneo.com>   !
>
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.5.446 / Virus Database: 268.18.20/737 - Release Date: 
> 28/03/2007 16.23
>
> 

From root@www.iberica-computers.com  Thu Mar 29 18:38:22 2007
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 29 18:46:03 2007
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My apologies...old email.  This totally fouls me up as I assume I'm 
replying to the person and it defaults tot he group..where in my other 
group it defaults to the sender!

legion@helpwantedproductions.com wrote:

From Loopers-Delight-request@loopers-delight.com  Thu Mar 29 18:50:22 2007
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(Ricoloop (the guy some people here didn't seem to like a lot last year) 
performed on the little Roland/Boss stage and it was even better than 
last year. I think he's a great looping artist (and a good salesman, 
though ;-) )

Boss should have hired that 11 year old dork that was doing the James Brown thing on Yahoo.

 
---------------------------------
Food fight? Enjoy some healthy debate
in the Yahoo! Answers Food & Drink Q&A.
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(Ricoloop (the guy some people here didn't seem to like a lot last year) <BR>performed on the little Roland/Boss stage and it was even better than <BR>last year. I think he's a great looping artist (and a good salesman, <BR>though ;-) )<BR><BR>Boss should have hired that 11 year old dork that was doing the James Brown thing on Yahoo.<BR><p>&#32;

<hr size=1><a href="http://answers.yahoo.com/dir/index;_ylc=X3oDMTFvbGNhMGE3BF9TAzM5NjU0NTEwOARfcwMzOTY1NDUxMDMEc2VjA21haWxfdGFnbGluZQRzbGsDbWFpbF90YWcx?link=ask&sid=396545367">Food fight?</a> Enjoy some healthy debate<br>in the <a href="http://answers.yahoo.com/dir/index;_ylc=X3oDMTFvbGNhMGE3BF9TAzM5NjU0NTEwOARfcwMzOTY1NDUxMDMEc2VjA21haWxfdGFnbGluZQRzbGsDbWFpbF90YWcx?link=ask&sid=396545367">Yahoo! Answers Food & Drink Q&A.</a>
--0-1879420065-1175194220=:60361--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 29 21:40:39 2007
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Date: Thu, 29 Mar 2007 22:40:37 +0100
From: Os <os@collective.co.uk>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Great podcasts! (Re: eterogeneo - - - New E.MAIL address - New WEB SITE)
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Current favourite podcasts:

http://www.phpro.info/afos/main.html - ambient, sometimes a little too
heavy on the "synth music", but has a great host.

http://www.nowlikephotographs.com/ - instrumental music. regular as
clockwork, and hilights some interesting music.

and of course my own :)
http://www.collective.co.uk/darkroom/podcast.html


cheers,
os.



On 29/03/07, Per Boysen <perboysen@gmail.com> wrote:
> On 29 mar 2007, at 15.53, Fabio Anile wrote:
>
> > podcast on itunes that i will update on a regular base with my
> > "nocturne" live looping improvvisations and experimentations
>
>
> Thanks for the hint, I'm now a subscriber to Eterogeneo ;-)
>
> Since I bought an iPod I rarely have any dull moment, there are some
> really good podcasts around that downloads by automatic into my
> player as soon as a new piece is published. I'm also a subscriber to
> music podcasts from The Darkroom, Pat Metheney, Classic Masterpieces
> from Deutsche Welle, Mogwai Podcast, Galactic Travels (nothing  there
> since almost a year, but since it's still online I guess there's
> hope), Spacemusic hosted by *TC* (fantastic!), Rare Frequency (live
> sets), Naxos Classical Music Spotlight. The rest of what I'm
> subscribing to are radio documentaries on politics, philosophy or
> semantics. Oh, a great music podcast is "Victrola - ambient music by
> Scott Vickers". It's never being updated but there's almost an album-
> fill of great minimal piano music uploaded more than a year ago
> (sound like maybe Eric Satie would, if recording today with an
> upright bass player from jazz land).
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://tinyurl.com/2kek7h (CC donationware music releases)
>
>
>


-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 04:29:12 2007
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Hehe...I missed this.  I had an actual dealing like this with a company 
called Kalix in the early 90's when the ensoniq soundscape card was 
announced..then they balked on the idea and said they would sell the 
chips to other mfgs.  These guys made all these promises then lamed with 
stories about creative labs suing them if they didn't rewrite the 
literature etc..  All the time Ensoniq knew they had bought no chips at 
all and were making promises.  I grilled them good on this and they said 
something about having to keep quiet for fear of being black balled in 
the industry.  Gee...I never knew the electronic music industry was run 
by mafia.  hehe.  Man.  I barely got my money back on a long long long 
credit card chargeback. -Bob

mark sottilaro wrote:

>Yeah, and if anyone wants to paypal me money I'll take
>deposits for it because I'm sure it's right around the
>corner.  I can practically taste it!Make sure you sell
>your current looper too.  Send me the proceeds of that
>as well and I'll include special m@l3 1nh@nc3m3nt
>p1lz. Be welsh be salaried!
>
>Mark
>
>--- "Weideman, Gary" <Gary.Weideman@bankofamerica.com>
>wrote:
>
>  
>
>>Laguna Hills, California (March 19, 2007) - Newly
>>formed SBD Music,
>>Inc., based in Laguna Hills, Calif., has acquired
>>Electrix Pro, Inc., a
>>leader in manufacturing professional audio
>>equipment. 
>>
>>SBD Music, Inc. also announces they have appointed a
>>board of directors
>>consisting of Mark Buhler, Charles Dotson and Adam
>>Scolaro. 
>>
>> 
>>
>>"We saw a tremendous opportunity to acquire a very
>>well respected brand
>>name in Electrix. We are planning to re-introduce
>>new versions of the
>>Electrix products over the next twelve to twenty
>>four months", says Adam
>>Scolaro, president of SBD Music, Inc.
>>
>> 
>>
>>"We are going to continue manufacturing high quality
>>products that
>>Electrix is known for, and try to build and expand
>>the product line",
>>added Mark Buhler.
>>
>> 
>>
>>
>>    
>>
>
>
>
> 
>____________________________________________________________________________________
>Don't get soaked.  Take a quick peek at the forecast
>with the Yahoo! Search weather shortcut.
>http://tools.search.yahoo.com/shortcuts/#loc_weather
>
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 07:37:38 2007
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Date: Fri, 30 Mar 2007 01:37:36 -0600
From: "Scott Turner" <sascwatch@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: New Repeater in 12-24 months !
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They just said they would add to the product line. Hell they could just slap
a new cover on the thing to "re-introduce" it....yeah know...I'll believe it
when I see it.

On 3/30/07, Bob Weigel <sounddoctorin@imt.net> wrote:
>
> Hehe...I missed this.  I had an actual dealing like this with a company
> called Kalix in the early 90's when the ensoniq soundscape card was
> announced..then they balked on the idea and said they would sell the
> chips to other mfgs.  These guys made all these promises then lamed with
> stories about creative labs suing them if they didn't rewrite the
> literature etc..  All the time Ensoniq knew they had bought no chips at
> all and were making promises.  I grilled them good on this and they said
> something about having to keep quiet for fear of being black balled in
> the industry.  Gee...I never knew the electronic music industry was run
> by mafia.  hehe.  Man.  I barely got my money back on a long long long
> credit card chargeback. -Bob
>
> mark sottilaro wrote:
>
> >Yeah, and if anyone wants to paypal me money I'll take
> >deposits for it because I'm sure it's right around the
> >corner.  I can practically taste it!Make sure you sell
> >your current looper too.  Send me the proceeds of that
> >as well and I'll include special m@l3 1nh@nc3m3nt
> >p1lz. Be welsh be salaried!
> >
> >Mark
> >
> >--- "Weideman, Gary" <Gary.Weideman@bankofamerica.com>
> >wrote:
> >
> >
> >
> >>Laguna Hills, California (March 19, 2007) - Newly
> >>formed SBD Music,
> >>Inc., based in Laguna Hills, Calif., has acquired
> >>Electrix Pro, Inc., a
> >>leader in manufacturing professional audio
> >>equipment.
> >>
> >>SBD Music, Inc. also announces they have appointed a
> >>board of directors
> >>consisting of Mark Buhler, Charles Dotson and Adam
> >>Scolaro.
> >>
> >>
> >>
> >>"We saw a tremendous opportunity to acquire a very
> >>well respected brand
> >>name in Electrix. We are planning to re-introduce
> >>new versions of the
> >>Electrix products over the next twelve to twenty
> >>four months", says Adam
> >>Scolaro, president of SBD Music, Inc.
> >>
> >>
> >>
> >>"We are going to continue manufacturing high quality
> >>products that
> >>Electrix is known for, and try to build and expand
> >>the product line",
> >>added Mark Buhler.
> >>
> >>
> >>
> >>
> >>
> >>
> >
> >
> >
> >
>
> >____________________________________________________________________________________
> >Don't get soaked.  Take a quick peek at the forecast
> >with the Yahoo! Search weather shortcut.
> >http://tools.search.yahoo.com/shortcuts/#loc_weather
> >
> >
> >
> >
>
>

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They just said they would add to the product line. Hell they could just slap a new cover on the thing to &quot;re-introduce&quot; it....yeah know...I&#39;ll believe it when I see it.<br><br>
<div><span class="gmail_quote">On 3/30/07, <b class="gmail_sendername">Bob Weigel</b> &lt;<a href="mailto:sounddoctorin@imt.net">sounddoctorin@imt.net</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hehe...I missed this.&nbsp;&nbsp;I had an actual dealing like this with a company<br>called Kalix in the early 90&#39;s when the ensoniq soundscape card was
<br>announced..then they balked on the idea and said they would sell the<br>chips to other mfgs.&nbsp;&nbsp;These guys made all these promises then lamed with<br>stories about creative labs suing them if they didn&#39;t rewrite the
<br>literature etc..&nbsp;&nbsp;All the time Ensoniq knew they had bought no chips at<br>all and were making promises.&nbsp;&nbsp;I grilled them good on this and they said<br>something about having to keep quiet for fear of being black balled in
<br>the industry.&nbsp;&nbsp;Gee...I never knew the electronic music industry was run<br>by mafia.&nbsp;&nbsp;hehe.&nbsp;&nbsp;Man.&nbsp;&nbsp;I barely got my money back on a long long long<br>credit card chargeback. -Bob<br><br>mark sottilaro wrote:<br><br>&gt;Yeah, and if anyone wants to paypal me money I&#39;ll take
<br>&gt;deposits for it because I&#39;m sure it&#39;s right around the<br>&gt;corner.&nbsp;&nbsp;I can practically taste it!Make sure you sell<br>&gt;your current looper too.&nbsp;&nbsp;Send me the proceeds of that<br>&gt;as well and I&#39;ll include special 
m@l3 1nh@nc3m3nt<br>&gt;p1lz. Be welsh be salaried!<br>&gt;<br>&gt;Mark<br>&gt;<br>&gt;--- &quot;Weideman, Gary&quot; &lt;<a href="mailto:Gary.Weideman@bankofamerica.com">Gary.Weideman@bankofamerica.com</a>&gt;<br>&gt;wrote:
<br>&gt;<br>&gt;<br>&gt;<br>&gt;&gt;Laguna Hills, California (March 19, 2007) - Newly<br>&gt;&gt;formed SBD Music,<br>&gt;&gt;Inc., based in Laguna Hills, Calif., has acquired<br>&gt;&gt;Electrix Pro, Inc., a<br>&gt;&gt;leader in manufacturing professional audio
<br>&gt;&gt;equipment.<br>&gt;&gt;<br>&gt;&gt;SBD Music, Inc. also announces they have appointed a<br>&gt;&gt;board of directors<br>&gt;&gt;consisting of Mark Buhler, Charles Dotson and Adam<br>&gt;&gt;Scolaro.<br>&gt;&gt;
<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;&quot;We saw a tremendous opportunity to acquire a very<br>&gt;&gt;well respected brand<br>&gt;&gt;name in Electrix. We are planning to re-introduce<br>&gt;&gt;new versions of the<br>&gt;&gt;Electrix products over the next twelve to twenty
<br>&gt;&gt;four months&quot;, says Adam<br>&gt;&gt;Scolaro, president of SBD Music, Inc.<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;&quot;We are going to continue manufacturing high quality<br>&gt;&gt;products that<br>
&gt;&gt;Electrix is known for, and try to build and expand<br>&gt;&gt;the product line&quot;,<br>&gt;&gt;added Mark Buhler.<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;<br>&gt;<br>&gt;<br>&gt;<br>
&gt;<br>&gt;____________________________________________________________________________________<br>&gt;Don&#39;t get soaked.&nbsp;&nbsp;Take a quick peek at the forecast<br>&gt;with the Yahoo! Search weather shortcut.<br>&gt;<a href="http://tools.search.yahoo.com/shortcuts/#loc_weather">
http://tools.search.yahoo.com/shortcuts/#loc_weather</a><br>&gt;<br>&gt;<br>&gt;<br>&gt;<br><br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 07:43:38 2007
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Date: Fri, 30 Mar 2007 01:43:37 -0600
From: "Scott Turner" <sascwatch@gmail.com>
To: Loopers-Delight@loopers-delight.com
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That was cool. I thought you were talking about something more like with a
Kaoss Pad Entrancer or something. But that was cool. What looper did he use?

On 3/29/07, Ben <benoitruelle@yahoo.fr> wrote:
>
>  http://www.youtube.com/watch?v=sOoAOaJrWGI
>
> Ben.
>
>
>

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That was cool. I thought you were talking about something more like with a Kaoss Pad Entrancer or something. But that was cool. What looper did he use?<br><br>
<div><span class="gmail_quote">On 3/29/07, <b class="gmail_sendername">Ben</b> &lt;<a href="mailto:benoitruelle@yahoo.fr">benoitruelle@yahoo.fr</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div bgcolor="#ffffff">
<div><font face="Arial" size="2"><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.youtube.com/watch?v=sOoAOaJrWGI" target="_blank">http://www.youtube.com/watch?v=sOoAOaJrWGI</a></font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">Ben.</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2"></font>&nbsp;</div></div></blockquote></div><br>

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Seems to be a digitech Jamman.
  From: Scott Turner=20
  That was cool. I thought you were talking about something more like =
with a Kaoss Pad Entrancer or something. But that was cool. What looper =
did he use?


  On 3/29/07, Ben <benoitruelle@yahoo.fr> wrote:=20
    http://www.youtube.com/watch?v=3DsOoAOaJrWGI

    Ben.




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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Seems to be a digitech =
Jamman.</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dsascwatch@gmail.com =
href=3D"mailto:sascwatch@gmail.com">Scott=20
  Turner</A> </DIV>That was cool. I thought you were talking about =
something=20
  more like with a Kaoss Pad Entrancer or something. But that was cool. =
What=20
  looper did he use?<BR><BR>
  <DIV><SPAN class=3Dgmail_quote>On 3/29/07, <B =
class=3Dgmail_sendername>Ben</B>=20
  &lt;<A =
href=3D"mailto:benoitruelle@yahoo.fr">benoitruelle@yahoo.fr</A>&gt;=20
  wrote:</SPAN>=20
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">
    <DIV bgcolor=3D"#ffffff">
    <DIV><FONT face=3DArial size=3D2><A=20
    onclick=3D"return top.js.OpenExtLink(window,event,this)"=20
    href=3D"http://www.youtube.com/watch?v=3DsOoAOaJrWGI"=20
    =
target=3D_blank>http://www.youtube.com/watch?v=3DsOoAOaJrWGI</A></FONT></=
DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Ben.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial=20
size=3D2></FONT>&nbsp;</DIV></DIV></BLOCKQUOTE></DIV><BR></BLOCKQUOTE></B=
ODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 11:59:08 2007
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Subject: Re: Great podcasts! (Re: eterogeneo - - - New E.MAIL address - New WEB SITE)
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Os, i've subscribed to your podcast.
And i've your "Freefall" album, as i say to you in Zurich.
I like your way to do ambient music.

fabio
www.eterogeneo.com
www.myspace.com
www.eterogeneo.com/eterogeneo.xml (podcast)

----- Original Message ----- 
From: "Os" <os@collective.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 29, 2007 11:40 PM
Subject: Re: Great podcasts! (Re: eterogeneo - - - New E.MAIL address - New 
WEB SITE)


> Current favourite podcasts:
>
> http://www.phpro.info/afos/main.html - ambient, sometimes a little too
> heavy on the "synth music", but has a great host.
>
> http://www.nowlikephotographs.com/ - instrumental music. regular as
> clockwork, and hilights some interesting music.
>
> and of course my own :)
> http://www.collective.co.uk/darkroom/podcast.html
>
>
> cheers,
> os.
>
>
>
> On 29/03/07, Per Boysen <perboysen@gmail.com> wrote:
>> On 29 mar 2007, at 15.53, Fabio Anile wrote:
>>
>> > podcast on itunes that i will update on a regular base with my
>> > "nocturne" live looping improvvisations and experimentations
>>
>>
>> Thanks for the hint, I'm now a subscriber to Eterogeneo ;-)
>>
>> Since I bought an iPod I rarely have any dull moment, there are some
>> really good podcasts around that downloads by automatic into my
>> player as soon as a new piece is published. I'm also a subscriber to
>> music podcasts from The Darkroom, Pat Metheney, Classic Masterpieces
>> from Deutsche Welle, Mogwai Podcast, Galactic Travels (nothing  there
>> since almost a year, but since it's still online I guess there's
>> hope), Spacemusic hosted by *TC* (fantastic!), Rare Frequency (live
>> sets), Naxos Classical Music Spotlight. The rest of what I'm
>> subscribing to are radio documentaries on politics, philosophy or
>> semantics. Oh, a great music podcast is "Victrola - ambient music by
>> Scott Vickers". It's never being updated but there's almost an album-
>> fill of great minimal piano music uploaded more than a year ago
>> (sound like maybe Eric Satie would, if recording today with an
>> upright bass player from jazz land).
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://tinyurl.com/fauvm (podcast)
>> http://tinyurl.com/2kek7h (CC donationware music releases)
>>
>>
>>
>
>
> -- 
> os@collective.co.uk
> http://www.collective.co.uk/
> http://www.myspace.com/darkroomtheband
>
>
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.5.446 / Virus Database: 268.18.22/739 - Release Date: 
> 29/03/2007 13.36
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 15:38:40 2007
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Fabio,

Call me old fashioned, but I'd never checked out Podcasts before.

Now I'm hooked and I've subscribed to yours.

And Per's . . .

And Os's

Annd some of the other links tht were shared.

My my . . . I've been missing out haven't I?

Your Podcast was great . . . but much too short.

I hope to get to see you play live sometime (on which ever side of the Atla=
ntic it happens to be).

Thanks for sharing . . . and giving me a new addiction.

Cheers,

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 17:04:02 2007
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Subject: Why not a Looper's Delight Podcast ?
Date: Fri, 30 Mar 2007 19:03:57 +0200
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It seems that ther's a lot of people here interested in podcasting.
So i've start to think: why don't we make a Looper's Delight Podcast ?
If Kim is agree about using this title, and some of you are interested,
you can send me your mp3 links to some of your preferred live looping
performance and i will build a podcast.
It could be an interesting way to spread up our world to the rest of the 
world...

What do you think about ?

fabio
www.eterogeneo.com



----- Original Message ----- 
From: "tEd Â® kiLLiAn" <tedkillian@charter.net>
To: "e t e r o g e n e o" <info@eterogeneo.com>
Cc: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 30, 2007 5:38 PM
Subject: Re: eterogeneo - - - New E.MAIL address - New WEB SITE)


Fabio,

Call me old fashioned, but I'd never checked out Podcasts before.

Now I'm hooked and I've subscribed to yours.

And Per's . . .

And Os's

Annd some of the other links tht were shared.

My my . . . I've been missing out haven't I?

Your Podcast was great . . . but much too short.

I hope to get to see you play live sometime (on which ever side of the 
Atlantic it happens to be).

Thanks for sharing . . . and giving me a new addiction.

Cheers,

tEd Â® kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: 
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=6378076

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???



-- 
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13.36


From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 17:08:19 2007
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Date: Fri, 30 Mar 2007 10:08:17 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: LD <Loopers-Delight@loopers-delight.com>
Subject: "Loving The Alien" live version with looping
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Some of you may remember the original version of this David Bowie song from
the '80's.  Here's a more recent version with just David and a guitarist,
Gerry Leonard, making use of a little live looping in the verses:

http://www.youtube.com/watch?v=wlKwCZDGKb0&mode=related&search=

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Some of you may remember the original version of this David Bowie song from the &#39;80&#39;s.&nbsp; Here&#39;s a more recent version with just David and a guitarist, Gerry Leonard, making use of a little live looping in the verses:
<br><br><a href="http://www.youtube.com/watch?v=wlKwCZDGKb0&amp;mode=related&amp;search=">http://www.youtube.com/watch?v=wlKwCZDGKb0&amp;mode=related&amp;search=</a>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 17:22:17 2007
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References: <d1396fc00703301008g51a45bd6jdbd3522578859909@mail.gmail.com>
Subject: Re: "Loving The Alien" live version with looping
Date: Fri, 30 Mar 2007 19:22:13 +0200
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I've ever loved that songs.
Thanks for sharing

fabio
www.eterogeneo.com

  ----- Original Message -----=20
  From: Travis Hartnett=20
  To: LD=20
  Sent: Friday, March 30, 2007 7:08 PM
  Subject: "Loving The Alien" live version with looping


  Some of you may remember the original version of this David Bowie song =
from the '80's.  Here's a more recent version with just David and a =
guitarist, Gerry Leonard, making use of a little live looping in the =
verses:=20

  http://www.youtube.com/watch?v=3DwlKwCZDGKb0&mode=3Drelated&search=3D=20


-------------------------------------------------------------------------=
-----


  No virus found in this incoming message.
  Checked by AVG Free Edition.
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29/03/2007 13.36

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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I've ever loved that=20
songs.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Thanks for =
sharing</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>fabio</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://www.eterogeneo.com">www.eterogeneo.com</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000080 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtravishartnett@gmail.com=20
  href=3D"mailto:travishartnett@gmail.com">Travis Hartnett</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">LD</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, March 30, 2007 =
7:08=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> "Loving The Alien" =
live version=20
  with looping</DIV>
  <DIV><BR></DIV>Some of you may remember the original version of this =
David=20
  Bowie song from the '80's.&nbsp; Here's a more recent version with =
just David=20
  and a guitarist, Gerry Leonard, making use of a little live looping in =
the=20
  verses: <BR><BR><A=20
  =
href=3D"http://www.youtube.com/watch?v=3DwlKwCZDGKb0&amp;mode=3Drelated&a=
mp;search=3D">http://www.youtube.com/watch?v=3DwlKwCZDGKb0&amp;mode=3Drel=
ated&amp;search=3D</A>=20

  <P>
  <HR>

  <P></P>No virus found in this incoming message.<BR>Checked by AVG Free =

  Edition.<BR>Version: 7.5.446 / Virus Database: 268.18.22/739 - Release =
Date:=20
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 17:25:05 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: "Loving The Alien" live version with looping
Date: Fri, 30 Mar 2007 19:24:57 +0200
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On 30 mar 2007, at 19.08, Travis Hartnett wrote:

> Some of you may remember the original version of this David Bowie  
> song from the '80's.  Here's a more recent version with just David  
> and a guitarist, Gerry Leonard, making use of a little live looping  
> in the verses:
>
> http://www.youtube.com/watch?v=wlKwCZDGKb0&mode=related&search=


That's an excellent version of that song! Thanks for posting the tip.  
When I saw the gig here in Stockholm four years ago they did it  
exactly like that. I guess this was filmed at the same tour? Anyway -  
what a nice timing those two guys have when performing that song!  
Bravissimo! :-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 18:27:37 2007
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From: Teddy Kumpel <teddybut@mac.com>
Subject: new videos from Mister Shifty
Date: Fri, 30 Mar 2007 14:27:44 -0400
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I've posted some new videos of my band Mister Shifty

heavy use of looping with the RC-50 and EH 16 second delay at the  
same time....
except in the Madonna song... that has no looping. we figured that  
she already did it with loops so we should do it different.

http://myspace.com/mistershifty

Teddy

PS. I'm really enjoying being on this list... most excellent.

From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 18:54:40 2007
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Subject: Re: new videos from Mister Shifty
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Teddy, thanks for sharing. I love it! It's so cool.

Keep up that spirit for another 26 years.

Nico



Am 30.03.2007 um 20:27 schrieb Teddy Kumpel:

> I've posted some new videos of my band Mister Shifty
>
> heavy use of looping with the RC-50 and EH 16 second delay at the same 
> time....
> except in the Madonna song... that has no looping. we figured that she 
> already did it with loops so we should do it different.
>
> http://myspace.com/mistershifty
>
> Teddy
>
> PS. I'm really enjoying being on this list... most excellent.
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 18:59:10 2007
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Date: Fri, 30 Mar 2007 12:59:03 -0600
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I think this is an excellent idea, it seems like people are recording 
new stuff all the time. I've never subscribed to a podcast but I'd start 
for this.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 19:09:34 2007
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Date: Fri, 30 Mar 2007 15:01:09 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #522 for March 29, 2007
To: undisclosed-recipients: ;
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http://wdiy.org/programs/gt/playlists/2007/070329.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #522                March 29, 2007

RECAP:
On this show, I continued the month-long focus on Paul Lawler.  The
Featured CD at Midnight was "33 1/3 RPM" by Arcane on NeuHarmony
Records.

The Vinyl Starter was from the LP "Mosaique" by Robert Schroder on
Racket Records and released in 1981.

Paul Lawler - http://wdiy.org/programs/gt/playlists/2007/focus.html#mar


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Robert Schroder      Computervoice        Mosaique (Racket)
Broekhuis, Keller,   Memories of          Space Cowboys @ Jelenia Gora
                       Yesterday Part 1     (Ricochet Dream)
Palancar             Heretic              Precis (Blue Water)
Ian Boddy            All Roads Lead To    Elemental (DiN)
                       Home
Amongst Myselves     Breybox Shadow       Auburn Silhouette (Amongst
                                            Projects)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Arcane               33 1/3 RPM Side One  33 1/3 RPM (NeuHarmony)
Arcane               33 1/3 RPM Side Two  33 1/3 RPM (NeuHarmony)
Arcane               Dr. Wutzke's         33 1/3 RPM (NeuHarmony)
                       Psychedelic Wonder Machine
Arcane               Silent Thief On A    33 1/3 RPM (NeuHarmony)
                       Desert Train
Arcane               The Taxidermist      33 1/3 RPM (NeuHarmony)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Jean-
Pierre Saccomani.  The Featured CD at Midnight will be "The Four
Seasons" on MCP Records.

The Vinyl Starter will be from the LP "On Land" by Brian Eno on EG
Records and released in 1982.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4:00) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 19:26:11 2007
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From: nico spahni <nicosp@gmx.net>
Subject: Re: Why not a Looper's Delight Podcast ?
Date: Fri, 30 Mar 2007 21:26:03 +0200
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You can certainly count me in!

Nico
www.recpro.ch
www.myspace.com/nicospahni


Am 30.03.2007 um 20:59 schrieb Daryl Shawn:

> I think this is an excellent idea, it seems like people are recording 
> new stuff all the time. I've never subscribed to a podcast but I'd 
> start for this.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 19:40:58 2007
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From: "Matthew F. McCabe" <mmccabe@finleysound.com>
Subject: Re: Why not a Looper's Delight Podcast ?
Date: Fri, 30 Mar 2007 12:40:54 -0700
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Great idea.  I have been mulling over a similar idea.  Personally, I  
would like to see a format where the artist is interviewed, talks  
about their technique and how a particular song was written/recorded,  
and then we hear the song!  I'd be happy to volunteer to do some  
interviews and/or help produce the podcast.

Matt

---
King Never
http://www.kingnever.com

On Mar 30, 2007, at 10:03 AM, e t e r o g e n e o wrote:

> It seems that ther's a lot of people here interested in podcasting.
> So i've start to think: why don't we make a Looper's Delight Podcast ?
> If Kim is agree about using this title, and some of you are  
> interested,
> you can send me your mp3 links to some of your preferred live looping
> performance and i will build a podcast.
> It could be an interesting way to spread up our world to the rest  
> of the world...
>
> What do you think about ?

From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 20:57:04 2007
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: Why not a Looper's Delight Podcast ?
Date: Fri, 30 Mar 2007 22:57:18 +0200
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I'd like to participate in whatever anyone whips up from here!

	Rainer 

> Personally, I would like to see a format where the artist is 
> interviewed, talks about their technique and how a particular 
> song was written/recorded, and then we hear the song!  I'd be 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 21:06:58 2007
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I'd like to play. So to speak :).

Steve B
Subscape Annex   http://www.subscapeannex.com/

On Fri, 30 Mar 2007, e t e r o g e n e o wrote:

> It seems that ther's a lot of people here interested in podcasting.
> So i've start to think: why don't we make a Looper's Delight Podcast ?
> If Kim is agree about using this title, and some of you are interested,
> you can send me your mp3 links to some of your preferred live looping
> performance and i will build a podcast.
> It could be an interesting way to spread up our world to the rest of the 
> world...
>
> What do you think about ?
>
> fabio
> www.eterogeneo.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 30 23:42:15 2007
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From: Teddy Kumpel <teddybut@mac.com>
Subject: Re: Why not a Looper's Delight Podcast ?
Date: Fri, 30 Mar 2007 19:42:23 -0400
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your music is amazing steve b... I like the ambient stuff like yours....
so different than what I do, but we are connected through technology.
wild.

is that an actual saw in "two snakes and a badger" or a sample?

teddy

On Mar 30, 2007, at 5:04 PM, burnett@pobox.com wrote:

> I'd like to play. So to speak :).
>
> Steve B
> Subscape Annex   http://www.subscapeannex.com/




From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 00:25:33 2007
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On Fri, 30 Mar 2007, Teddy Kumpel wrote:

> your music is amazing steve b... I like the ambient stuff like yours....
> so different than what I do, but we are connected through technology.
> wild.

Thank you very much, I appreciate the nice words.

>
> is that an actual saw in "two snakes and a badger" or a sample?

No sample, and no actual saw either actually :). Everything on that was 
either a Yamaha CS-60 1970s-era analog synth, a Korg MS-2000 synth, a 
Chapman Stick, or a theremin. I'm pretty sure the saw-sound was 
then-member Anthony using his Yamaha CS-60, perhaps fed through an effects 
pedal or two. I'm sorry I'm not more precise, but that was 2002, and of 
the three people playing on that track I don't think that saw sound was my 
contribution.

best,
Steve B
Subscape Annex   http://www.subscapeannex.com/

  >
> teddy
>
> On Mar 30, 2007, at 5:04 PM, burnett@pobox.com wrote:
>
>> I'd like to play. So to speak :).
>> 
>> Steve B
>> Subscape Annex   http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 01:03:03 2007
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From: "phill wilson" <blackface@hotmail.co.uk>
To: Loopers-Delight@loopers-delight.com
Subject:  EDP noise help (unsoldering) 2nd try
Date: Sat, 31 Mar 2007 01:02:57 +0000
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many thanks to those who have tried surgestions...

ive tried all the ideas and am  sure the noise is definatly edp internals 
related not the ambient conditions/ uk  voltage etc. i need advice from 
anyone who has ever had to take off those damn heat/static covers on the 
blackface unit  that now cover the two main chips that you could get to on 
my beigeface  unit.
any tips of unsoldering, or should i try prising them off or maybe cutting 
them off??
any final words of wisdom

cheers all

Phill



>From: "phill wilson" <blackface@hotmail.co.uk>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: EDP noise help (unsoldering)
>Date: Tue, 27 Mar 2007 01:28:04 +0000
>
>Hi all
>
>right, ive gone and been a silly chimp,
>I bought a second edp l( blackfaced echoplex)last month, but have been so 
>so busy ive only just got to the pluggin in stage and.............. aaaarh 
>noise!!!
>hummming noisey noise....
>the humming actually starts as soon as the mains cord is plugged in and is 
>raised to crazy levels as soon as i power on.
>the screen displays correctly  and all seems in order under the hood,and 
>ive tried all the normal fixes. ive got another white face echoplex and 
>have had a noise problem before, and last time i reseated the rams, roms 
>and the lil square chips and that solved it.........went to do that this 
>time and HORROR!!!!!! someones gone and put metal covers over the square 
>chips......so questions
>1.Any idead on the noise cause?
>2. If its what i think it is how do i get those damn covers off?
>3. Why cover the chips?
>
>thanks for any and all input on this, i knowwe go round in circles on this 
>subject and i thought i was ok solving my own probs, bt this has me really 
>bummed out , ve not een used it yet
>
>Phill Wilson
>
>_________________________________________________________________
>Txt a lot? Get Messenger FREE on your mobile.  
>https://livemessenger.mobile.uk.msn.com/
>

_________________________________________________________________
Txt a lot? Get Messenger FREE on your mobile. 
https://livemessenger.mobile.uk.msn.com/

From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 01:22:33 2007
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yesterday at 11:30 AM i called "sweetwater" and bought a korg D1200mkII 
digital recording "studio".....12 month same as cash, 0% interest with 
their credit card.....and low and behold when i went out to get my mail 
today about 1:00 PM there it sat on my front porch.....yikes, can't 
complain about the service.....the thing cost $499.96, no tax, no 
shipping, so now i have 12 months to get $500 together (it's ez to save 
$ if you never leave your home).....it came with a vidio-tape 
instruction thingee that i blasted into my vcr.....after 5 mins. of 
watching, i was ready to send it back.....talk about 
counter-intuative.....press this button, push this knob, turn toward 
memphis, close your left eye twice, slid this slidder.....LORDY, my 
worst nitemare......this has to be as crazy as a DAW.....what did i get 
myself into?.....:).....tonite, i smacked my guitar into this puppy and 
began to delve the depths.....I SEE A LITE AT THE END OF THE 
CABLE!.....i would think that all of these button presses etc. can 
become second nature and indeed i will be able to record with it.....oh 
happy day.....i got $200 worth out of it tonite just jammin to the 
built in beats, i have never had a drum machine before, fun 
stuff.....my mind is awash with the possibilities......after thinking 
"live looping" for so long this is a refreshing new mind set.....now 
all i have to do is come up with something new to record, "THE BIG 
CD"......i have my sexy old marantz 4 trac cassette but the motor is 
shot.....any suggestions?..... i was considering using it as a small 
mixer so i can send MORE STUFF into my mackie 1202.....it never ends 
does it?.....so stay tuned, KLOBUCHAR is back in the studio and ready 
to turn off all kinds of new people.....:).....i keep sending out cds 
of my old tunes to people that i never hear from again, what does this 
tell ya?.....i hope this didn't seem like a commercial, i just wanted 
to share my silly joy at being again able to record.....michael
p.s. i love the idea of a LD PODCAST!
________________________________________________________________________
AOL now offers free email to everyone.  Find out more about what's free 
from AOL at AOL.com.

From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 01:31:42 2007
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To: Loopers-Delight@loopers-delight.com
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Subject: Re: new videos from Mister Shifty
Date: Fri, 30 Mar 2007 21:31:21 -0400
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teddy.....great FUN stuff.....thnaks for the share.....michael

http://www.myspace.com/klobuchar10
http://mysite.verizon.net/vzepmeci/
www.ct-collective.com

<<   I've posted some new videos of my band Mister Shifty=C2=A0
=C2=A0
  heavy use of looping with the RC-50 and EH 16 second delay at the same=20
time....=C2=A0
  except in the Madonna song... that has no looping. we figured that she=20
already did it with loops so we should do it different.=C2=A0
=C2=A0
 http://myspace.com/mistershifty=C2=A0>>
=C2=A0

=C2=A0

=C2=A0


________________________________________________________________________
AOL now offers free email to everyone.  Find out more about what's free=20
from AOL at AOL.com.
=3D0

From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 02:10:29 2007
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From: stanitarium@earthlink.net
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Subject: Re: O T..... i went and did it!
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Yo Mikee-
you sent me a cd of yer stuff many moons ago and i think i sent you a "goodonye" comment or two and i remember you wrote back 'you couldnt remember which stuff you had sent me' er somethin like that...
anyway the world awaits yer new endeavor.
"turn off all kinds of new people" i love that line!
s

-----Original Message-----
>From: nemoguitt@aol.com
>Sent: Mar 30, 2007 9:22 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: O T..... i went and did it!
.....so stay tuned, KLOBUCHAR is back in the studio and ready 
>to turn off all kinds of new people.....:).....i keep sending out cds 
>of my old tunes to people that i never hear from again, what does this 
>tell ya?.....i hope this didn't seem like a commercial, i just wanted 
>to share my silly joy at being again able to record.....michael
>p.s. i love the idea of a LD PODCAST!

From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 02:36:38 2007
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Date: Fri, 30 Mar 2007 19:36:36 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: O T..... i went and did it!
To: Loopers-Delight@loopers-delight.com
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--0-724441063-1175308596=:49286
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Yes. I used to have one of those (paid about a grand for it). It's a cool 
device BUT-you hit upon it-it's kind of a pain to use. Not the most 
intuitive of devices. The key is to use it often. I only used mine 
intermittently hence some of the procedures were forgotten. Good price on 
that unit, though. I was almost tempted to buy one but I bought a Vox 
AD60VTX for $499. What a world.

P

nemoguitt@aol.com wrote:  yesterday at 11:30 AM i called "sweetwater" and bought a korg D1200mkII 
digital recording "studio".....12 month same as cash, 0% interest with 
their credit card.....and low and behold when i went out to get my mail 
today about 1:00 PM there it sat on my front porch.....yikes, can't 
complain about the service.....the thing cost $499.96, no tax, no 
shipping, so now i have 12 months to get $500 together (it's ez to save 
$ if you never leave your home).....it came with a vidio-tape 
instruction thingee that i blasted into my vcr.....after 5 mins. of 
watching, i was ready to send it back.....talk about 
counter-intuative.....press this button, push this knob, turn toward 
memphis, close your left eye twice, slid this slidder.....LORDY, my 
worst nitemare......this has to be as crazy as a DAW.....what did i get 
myself into?.....:).....tonite, i smacked my guitar into this puppy and 
began to delve the depths.....I SEE A LITE AT THE END OF THE 
CABLE!.....i would think that all of these button presses etc. can 
become second nature and indeed i will be able to record with it.....oh 
happy day.....i got $200 worth out of it tonite just jammin to the 
built in beats, i have never had a drum machine before, fun 
stuff.....my mind is awash with the possibilities......after thinking 
"live looping" for so long this is a refreshing new mind set.....now 
all i have to do is come up with something new to record, "THE BIG 
CD"......i have my sexy old marantz 4 trac cassette but the motor is 
shot.....any suggestions?..... i was considering using it as a small 
mixer so i can send MORE STUFF into my mackie 1202.....it never ends 
does it?.....so stay tuned, KLOBUCHAR is back in the studio and ready 
to turn off all kinds of new people.....:).....i keep sending out cds 
of my old tunes to people that i never hear from again, what does this 
tell ya?.....i hope this didn't seem like a commercial, i just wanted 
to share my silly joy at being again able to record.....michael
p.s. i love the idea of a LD PODCAST!
________________________________________________________________________
AOL now offers free email to everyone. Find out more about what's free 
from AOL at AOL.com.



 
---------------------------------
Need Mail bonding?
Go to the Yahoo! Mail Q&A for great tips from Yahoo! Answers users.
--0-724441063-1175308596=:49286
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: 8bit

Yes. I used to have one of those (paid about a grand for it). It's a cool <BR>device BUT-you hit upon it-it's kind of a pain to use. Not the most <BR>intuitive of devices. The key is to use it often. I only used mine <BR>intermittently hence some of the procedures were forgotten. Good price on <BR>that unit, though. I was almost tempted to buy one but I bought a Vox <BR>AD60VTX for $499. What a world.<BR><BR>P<BR><BR><B><I>nemoguitt@aol.com</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">yesterday at 11:30 AM i called "sweetwater" and bought a korg D1200mkII <BR>digital recording "studio".....12 month same as cash, 0% interest with <BR>their credit card.....and low and behold when i went out to get my mail <BR>today about 1:00 PM there it sat on my front porch.....yikes, can't <BR>complain about the service.....the thing cost $499.96, no tax, no <BR>shipping, so now i have 12 months to get $500 together
 (it's ez to save <BR>$ if you never leave your home).....it came with a vidio-tape <BR>instruction thingee that i blasted into my vcr.....after 5 mins. of <BR>watching, i was ready to send it back.....talk about <BR>counter-intuative.....press this button, push this knob, turn toward <BR>memphis, close your left eye twice, slid this slidder.....LORDY, my <BR>worst nitemare......this has to be as crazy as a DAW.....what did i get <BR>myself into?.....:).....tonite, i smacked my guitar into this puppy and <BR>began to delve the depths.....I SEE A LITE AT THE END OF THE <BR>CABLE!.....i would think that all of these button presses etc. can <BR>become second nature and indeed i will be able to record with it.....oh <BR>happy day.....i got $200 worth out of it tonite just jammin to the <BR>built in beats, i have never had a drum machine before, fun <BR>stuff.....my mind is awash with the possibilities......after thinking <BR>"live looping" for so long this is a refreshing new
 mind set.....now <BR>all i have to do is come up with something new to record, "THE BIG <BR>CD"......i have my sexy old marantz 4 trac cassette but the motor is <BR>shot.....any suggestions?..... i was considering using it as a small <BR>mixer so i can send MORE STUFF into my mackie 1202.....it never ends <BR>does it?.....so stay tuned, KLOBUCHAR is back in the studio and ready <BR>to turn off all kinds of new people.....:).....i keep sending out cds <BR>of my old tunes to people that i never hear from again, what does this <BR>tell ya?.....i hope this didn't seem like a commercial, i just wanted <BR>to share my silly joy at being again able to record.....michael<BR>p.s. i love the idea of a LD PODCAST!<BR>________________________________________________________________________<BR>AOL now offers free email to everyone. Find out more about what's free <BR>from AOL at AOL.com.<BR><BR></BLOCKQUOTE><BR><p>&#32;

<hr size=1>Need Mail bonding?<br>Go to the <a href="http://answers.yahoo.com/dir/index;_ylc=X3oDMTFvbGNhMGE3BF9TAzM5NjU0NTEwOARfcwMzOTY1NDUxMDMEc2VjA21haWxfdGFnbGluZQRzbGsDbWFpbF90YWcx?link=ask&sid=396546091">Yahoo! Mail Q&A</a> for <a href="http://answers.yahoo.com/dir/index;_ylc=X3oDMTFvbGNhMGE3BF9TAzM5NjU0NTEwOARfcwMzOTY1NDUxMDMEc2VjA21haWxfdGFnbGluZQRzbGsDbWFpbF90YWcx?link=ask&sid=396546091">great tips from Yahoo! Answers</a> users.
--0-724441063-1175308596=:49286--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 03:46:04 2007
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Date: Fri, 30 Mar 2007 23:45:13 -0500
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: Why not a Looper's Delight Podcast ?
To: "e t e r o g e n e o" <info@eterogeneo.com>,
	<Loopers-Delight@loopers-delight.com>
Cc: <Loopers-Delight@loopers-delight.com>
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 <0bbd01c772ed$67f58df0$e701a8c0@pcfabio>
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I like the idea!  You can grab some examples of my stuff here:
http://myspace.com.undomusic




----- Original Message ----- 
From: "e t e r o g e n e o" <info@eterogeneo.com>
To: <Loopers-Delight@loopers-delight.com>
Cc: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 30, 2007 12:03 PM
Subject: Why not a Looper's Delight Podcast ?


> It seems that ther's a lot of people here interested in podcasting.
> So i've start to think: why don't we make a Looper's Delight Podcast ?
> If Kim is agree about using this title, and some of you are interested,
> you can send me your mp3 links to some of your preferred live looping
> performance and i will build a podcast.
> It could be an interesting way to spread up our world to the rest of the
> world...
>
> What do you think about ?
>
> fabio
> www.eterogeneo.com
>
>
>
> ----- Original Message ----- 
> From: "tEd Â® kiLLiAn" <tedkillian@charter.net>
> To: "e t e r o g e n e o" <info@eterogeneo.com>
> Cc: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, March 30, 2007 5:38 PM
> Subject: Re: eterogeneo - - - New E.MAIL address - New WEB SITE)
>
>
> Fabio,
>
> Call me old fashioned, but I'd never checked out Podcasts before.
>
> Now I'm hooked and I've subscribed to yours.
>
> And Per's . . .
>
> And Os's
>
> Annd some of the other links tht were shared.
>
> My my . . . I've been missing out haven't I?
>
> Your Podcast was great . . . but much too short.
>
> I hope to get to see you play live sometime (on which ever side of the
> Atlantic it happens to be).
>
> Thanks for sharing . . . and giving me a new addiction.
>
> Cheers,
>
> tEd Â® kiLLiAn
>
> "Different is not always better, but better is always different"
>
> Flux Aeterna:
>
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=6378076
>
> http://www.pfmentum.com/flux.html
> http://www.CDbaby.com/cd/tedkillian
> http://www.guitar9.com/fluxaeterna.html
> http://www.garageband.com/artist/ArsOcarina
> http://www.towerrecords.com/product.aspx?pfid=2845073
> http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
>
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121197000042
>
> Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
> AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
> RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
> and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???
>
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.5.446 / Virus Database: 268.18.22/739 - Release Date:
29/03/2007
> 13.36
>
>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 04:38:11 2007
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Date: Fri, 30 Mar 2007 21:38:06 -0700
From: "Nic Roozeboom" <nicroozeboom@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP noise help (unsoldering) 2nd try
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Sorry if I'm treading old ground - I usually skip EDP threads, but:

>the humming actually starts as soon as the mains cord is plugged in and is
>raised to crazy levels as soon as i power on.

that rather smells of plain old trusty ground loop to me. Have you ruled
that out? Running the unit stand-alone / away from rack should help
determine that.

Good luck,
Nic

On 3/30/07, phill wilson <blackface@hotmail.co.uk> wrote:
>
> many thanks to those who have tried surgestions...
>
> ive tried all the ideas and am  sure the noise is definatly edp internals
> related not the ambient conditions/ uk  voltage etc. i need advice from
> anyone who has ever had to take off those damn heat/static covers on the
> blackface unit  that now cover the two main chips that you could get to on
> my beigeface  unit.
> any tips of unsoldering, or should i try prising them off or maybe cutting
> them off??
> any final words of wisdom
>
> cheers all
>
> Phill
>
>
>
> >From: "phill wilson" <blackface@hotmail.co.uk>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: Loopers-Delight@loopers-delight.com
> >Subject: EDP noise help (unsoldering)
> >Date: Tue, 27 Mar 2007 01:28:04 +0000
> >
> >Hi all
> >
> >right, ive gone and been a silly chimp,
> >I bought a second edp l( blackfaced echoplex)last month, but have been so
> >so busy ive only just got to the pluggin in stage and..............
> aaaarh
> >noise!!!
> >hummming noisey noise....
> >the humming actually starts as soon as the mains cord is plugged in and
> is
> >raised to crazy levels as soon as i power on.
> >the screen displays correctly  and all seems in order under the hood,and
> >ive tried all the normal fixes. ive got another white face echoplex and
> >have had a noise problem before, and last time i reseated the rams, roms
> >and the lil square chips and that solved it.........went to do that this
> >time and HORROR!!!!!! someones gone and put metal covers over the square
> >chips......so questions
> >1.Any idead on the noise cause?
> >2. If its what i think it is how do i get those damn covers off?
> >3. Why cover the chips?
> >
> >thanks for any and all input on this, i knowwe go round in circles on
> this
> >subject and i thought i was ok solving my own probs, bt this has me
> really
> >bummed out , ve not een used it yet
> >
> >Phill Wilson
> >
> >_________________________________________________________________
> >Txt a lot? Get Messenger FREE on your mobile.
> >https://livemessenger.mobile.uk.msn.com/
> >
>
> _________________________________________________________________
> Txt a lot? Get Messenger FREE on your mobile.
> https://livemessenger.mobile.uk.msn.com/
>
>


-- 
Nic Roozeboom

http://www.fractal-continuum.com
http://www.myspace.com/fractalcontinuum
http://www.myspace.com/nicroozeboom
http://www.cdbaby.com/fractal
http://fractal.bebo.com/

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Sorry if I&#39;m treading old ground - I usually skip EDP threads, but:<br><br>&gt;the humming actually starts as soon as the mains cord is plugged in and is<br>&gt;raised to crazy levels as soon as i power on.<br><br>that rather smells of plain old trusty ground loop to me. Have you ruled that out? Running the unit stand-alone / away from rack should help determine that.
<br><br>Good luck,<br>Nic<br><br><div><span class="gmail_quote">On 3/30/07, <b class="gmail_sendername">phill wilson</b> &lt;<a href="mailto:blackface@hotmail.co.uk">blackface@hotmail.co.uk</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
many thanks to those who have tried surgestions...<br><br>ive tried all the ideas and am&nbsp;&nbsp;sure the noise is definatly edp internals<br>related not the ambient conditions/ uk&nbsp;&nbsp;voltage etc. i need advice from<br>anyone who has ever had to take off those damn heat/static covers on the
<br>blackface unit&nbsp;&nbsp;that now cover the two main chips that you could get to on<br>my beigeface&nbsp;&nbsp;unit.<br>any tips of unsoldering, or should i try prising them off or maybe cutting<br>them off??<br>any final words of wisdom
<br><br>cheers all<br><br>Phill<br><br><br><br>&gt;From: &quot;phill wilson&quot; &lt;<a href="mailto:blackface@hotmail.co.uk">blackface@hotmail.co.uk</a>&gt;<br>&gt;Reply-To: <a href="mailto:Loopers-Delight@loopers-delight.com">
Loopers-Delight@loopers-delight.com</a><br>&gt;To: <a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>&gt;Subject: EDP noise help (unsoldering)<br>&gt;Date: Tue, 27 Mar 2007 01:28:04 +0000
<br>&gt;<br>&gt;Hi all<br>&gt;<br>&gt;right, ive gone and been a silly chimp,<br>&gt;I bought a second edp l( blackfaced echoplex)last month, but have been so<br>&gt;so busy ive only just got to the pluggin in stage and.............. aaaarh
<br>&gt;noise!!!<br>&gt;hummming noisey noise....<br>&gt;the humming actually starts as soon as the mains cord is plugged in and is<br>&gt;raised to crazy levels as soon as i power on.<br>&gt;the screen displays correctly&nbsp;&nbsp;and all seems in order under the hood,and
<br>&gt;ive tried all the normal fixes. ive got another white face echoplex and<br>&gt;have had a noise problem before, and last time i reseated the rams, roms<br>&gt;and the lil square chips and that solved it.........went to do that this
<br>&gt;time and HORROR!!!!!! someones gone and put metal covers over the square<br>&gt;chips......so questions<br>&gt;1.Any idead on the noise cause?<br>&gt;2. If its what i think it is how do i get those damn covers off?
<br>&gt;3. Why cover the chips?<br>&gt;<br>&gt;thanks for any and all input on this, i knowwe go round in circles on this<br>&gt;subject and i thought i was ok solving my own probs, bt this has me really<br>&gt;bummed out , ve not een used it yet
<br>&gt;<br>&gt;Phill Wilson<br>&gt;<br>&gt;_________________________________________________________________<br>&gt;Txt a lot? Get Messenger FREE on your mobile.<br>&gt;<a href="https://livemessenger.mobile.uk.msn.com/">
https://livemessenger.mobile.uk.msn.com/</a><br>&gt;<br><br>_________________________________________________________________<br>Txt a lot? Get Messenger FREE on your mobile.<br><a href="https://livemessenger.mobile.uk.msn.com/">
https://livemessenger.mobile.uk.msn.com/</a><br><br></blockquote></div><br><br clear="all"><br>-- <br>Nic Roozeboom<br><br><a href="http://www.fractal-continuum.com">http://www.fractal-continuum.com</a><br><a href="http://www.myspace.com/fractalcontinuum">
http://www.myspace.com/fractalcontinuum</a><br><a href="http://www.myspace.com/nicroozeboom">http://www.myspace.com/nicroozeboom</a><br><a href="http://www.cdbaby.com/fractal">http://www.cdbaby.com/fractal</a><br><a href="http://fractal.bebo.com/">
http://fractal.bebo.com/</a>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 05:08:09 2007
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From: Ted Killian <tedkillian@charter.net>
Subject: Re: Why not a Looper's Delight Podcast ?
Date: Fri, 30 Mar 2007 21:05:18 -0800
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Fabio,

I'll send you some tunes -- if you don't already have my CD.

I'd like to participate if you're willing to do it.

Cheers,

Ted



> ----- Original Message -----
> From: "e t e r o g e n e o" <info@eterogeneo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Cc: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, March 30, 2007 12:03 PM
> Subject: Why not a Looper's Delight Podcast ?
>
>
>> It seems that ther's a lot of people here interested in podcasting.
>> So i've start to think: why don't we make a Looper's Delight Podcast ?
>> If Kim is agree about using this title, and some of you are 
>> interested,
>> you can send me your mp3 links to some of your preferred live looping
>> performance and i will build a podcast.
>> It could be an interesting way to spread up our world to the rest of 
>> the
>> world...
>>
>> What do you think about ?
>>
>> fabio
>> www.eterogeneo.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 10:40:20 2007
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Come on, people !
Rick, Bill, Kris, Michael, Bernhard, Andy, Jeff etc.......where are you ?

fabio
www.eterogeneo.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 11:23:24 2007
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	<kyberloopfest@yahoogroups.com>
Subject: Ninjams anyone...
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Ok, it has been quite some time since my last Ninjam stuff, and I do have
fond memories (and recordings) of such sessions with a lot of people from
here (thanks - you know who you are!), so here's the next round of fun:

Anyone in for some fun of that specific kind in the near future? In my case,
CW15 and CW16 will be off work, so I'll be able to adapt to transatlantic
(-pacific) times without any problems!

All the best,

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 11:39:17 2007
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Subject: Re: Why not a Looper's Delight Podcast ?
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here I am :-)

please feel free to include anything you like from www.andybutler.com

...and thanks, this looks v.interesting

andy 

ps,
do you need iTunes to listen?

e t e r o g e n e o wrote:
> Come on, people !
> Rick, Bill, Kris, Michael, Bernhard, Andy, Jeff etc.......where are you ?
> 
> fabio
> www.eterogeneo.com
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 13:21:54 2007
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Subject: Re: Why not a Looper's Delight Podcast ?
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On 31 mar 2007, at 13.38, andy butler wrote:

> ps,
> do you need iTunes to listen?


There are several accurate answers to that question, all covering the  
area between "yes" and "no" ;-))

A podcast is made up of a RSS document posted to an online server. In  
this RSS code different tags  tell if this is an enhanced podcast,  
with the option to include links and pictures in synchronization to  
the music (like a Power Point show), or if it's an old type of  
podcast that simply transmits an audio file together with text  
documentation. The RSS document also include links to the audio files  
that are to be transmitted. These audio files can be MP3 compressed  
or AAC compressed. For an enhanced podcast it has to be AAC for the  
picture sync to work. These files typically have end with m4a, m4b or  
m4p. I'm not completely sure, but I think they need iTunes to play  
back. Anyone else know for sure?

Normally the URL of the RSS document, that runs the show, is  
submitted to Apple's iTunes Music Store so it can be searchable. As  
usual, the problem with Apple is that they don't allow anyone to look  
behind curtains, so there is no way to get statistics for downloads.  
Another company, http://www.feedburner.com, offers a free service of  
setting up a kind of "hi-jack route link" between the index RSS  
document and iTMS. At least that's how I have understood how they  
achieve what they're doing. If you go with Feedburner you get the  
statistics, but at the same time you give up yet another level of  
control. It's really a jungle out there ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 14:13:16 2007
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Yeah, and not fulfilling my requirements. Price is not an issue, as I
already got a bluetooth-enabled mobile phone. And I really don't want to run
around onstage (or through the audience) with a computer keyboard in both
hands, I'd rather carry a small thingie in one hand.

And if that would work out as I described it, on to the next target: audio
transmission from the phone mike to the computer, thus allowing me to also
add audio "on the run". Can't do that with a keyboard...

> Rainer- You could just use a wireless keyboard. Maybe larger 
> than you would prefer, but zero learning curve or 
> programming, and very inexpensive. I'm not sure what the 

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Sounds good! We had a successful ninjam with Daryl Shawn a while back,
so definitely up for some more.

Could you translate "CW15 and CW16" into normal months & days?


cheers,
os.


On 31/03/07, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
> Ok, it has been quite some time since my last Ninjam stuff, and I do have
> fond memories (and recordings) of such sessions with a lot of people from
> here (thanks - you know who you are!), so here's the next round of fun:
>
> Anyone in for some fun of that specific kind in the near future? In my case,
> CW15 and CW16 will be off work, so I'll be able to adapt to transatlantic
> (-pacific) times without any problems!
>
> All the best,
>
>         Rainer
>
>


-- 
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 16:58:43 2007
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Subject: AW: Ninjams anyone...
Date: Sat, 31 Mar 2007 18:58:57 +0200
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Calendar week 15 and calendar week 16 - meaning 9th (or rather 6th
effectively) to 22nd of April.=20

In your case, the times wouldn't be that much of a problem due to the =
fact
that you're in GB, no?

Looking forward to doing some whacked-out stuff!

	Rainer

> -----Urspr=FCngliche Nachricht-----
> Von: expertsleepers@googlemail.com=20
> [mailto:expertsleepers@googlemail.com] Im Auftrag von Os
> Gesendet: Samstag, 31. M=E4rz 2007 18:17
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: Ninjams anyone...
>=20
> Sounds good! We had a successful ninjam with Daryl Shawn a=20
> while back, so definitely up for some more.
>=20
> Could you translate "CW15 and CW16" into normal months & days?
>=20
>=20
> cheers,
> os.
>=20
>=20
> On 31/03/07, Rainer Thelonius Balthasar Straschill=20
> <rs@moinlabs.de> wrote:
> > Ok, it has been quite some time since my last Ninjam stuff,=20
> and I do=20
> > have fond memories (and recordings) of such sessions with a lot of=20
> > people from here (thanks - you know who you are!), so=20
> here's the next round of fun:
> >
> > Anyone in for some fun of that specific kind in the near=20
> future? In my=20
> > case,
> > CW15 and CW16 will be off work, so I'll be able to adapt to=20
> > transatlantic
> > (-pacific) times without any problems!
> >
> > All the best,
> >
> >         Rainer
> >
> >
>=20
>=20
> --
> os@collective.co.uk
> http://www.collective.co.uk/
> http://www.myspace.com/darkroomtheband
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 17:04:19 2007
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OK cool. Evening of 12th or 13th, or any time on the 14th (including
late, so as to coincide with US-based players) would be good for me.


cheers,
os.

On 31/03/07, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
> Calendar week 15 and calendar week 16 - meaning 9th (or rather 6th
> effectively) to 22nd of April.
>
> In your case, the times wouldn't be that much of a problem due to the fac=
t
> that you're in GB, no?
>
> Looking forward to doing some whacked-out stuff!
>
>         Rainer
>
> > -----Urspr=FCngliche Nachricht-----
> > Von: expertsleepers@googlemail.com
> > [mailto:expertsleepers@googlemail.com] Im Auftrag von Os
> > Gesendet: Samstag, 31. M=E4rz 2007 18:17
> > An: Loopers-Delight@loopers-delight.com
> > Betreff: Re: Ninjams anyone...
> >
> > Sounds good! We had a successful ninjam with Daryl Shawn a
> > while back, so definitely up for some more.
> >
> > Could you translate "CW15 and CW16" into normal months & days?
> >
> >
> > cheers,
> > os.
> >
> >
> > On 31/03/07, Rainer Thelonius Balthasar Straschill
> > <rs@moinlabs.de> wrote:
> > > Ok, it has been quite some time since my last Ninjam stuff,
> > and I do
> > > have fond memories (and recordings) of such sessions with a lot of
> > > people from here (thanks - you know who you are!), so
> > here's the next round of fun:
> > >
> > > Anyone in for some fun of that specific kind in the near
> > future? In my
> > > case,
> > > CW15 and CW16 will be off work, so I'll be able to adapt to
> > > transatlantic
> > > (-pacific) times without any problems!
> > >
> > > All the best,
> > >
> > >         Rainer
> > >
> > >
> >
> >
> > --
> > os@collective.co.uk
> > http://www.collective.co.uk/
> > http://www.myspace.com/darkroomtheband
> >
> >
>
>


--=20
os@collective.co.uk
http://www.collective.co.uk/
http://www.myspace.com/darkroomtheband

From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 17:37:58 2007
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: fretless guitar sustain
Date: Sat, 31 Mar 2007 19:37:50 +0200
To: Loopers-Delight@loopers-delight.com
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On 18 mar 2007, at 23.28, bill bigrig wrote:

> Howdy,
>
>  If you possibly can getahold of timothy Donahue. He
> put out a video years ago playing a fretless "guitar
> harp" the most awesome solo performance I have ever
> seen. Try and get a hold of him. Fretless guitarist
> for over 20 years.I'm sure he'd be awealth of
> information.
> Rig

  Rig, you must be thinking of this video?
http://www.dominonight.com/Jim/td_nhktv_japan.mp4

He plays Norwegian Wood on Japanese television. Veeery inspiring  
performance! But it makes me a bit sad because you have to use a  
"dual" instrument, like his, to play that way; I mean with all those  
cool ritardandi and accelerandi going on under the melody. Sometimes  
I get bored with looping because the loopers stays the same tempo as  
you recorded the loops. Ok, you might use a Repeater with a tap tempo  
pedal, but I tried that too when I had a Repeater and it wasn't at  
all the same intuitive musical experience as being able to directly  
PLAY the tempo changes on an instrument. Yesterday I was listening  
through VAngelis' soundtrack themes (album: "Themes") and noticed  
that he does the same tricks with floating tempi almost all the time.  
That's easy for a guy like him that has learned two handed keyboard  
playing for decades ;-))  The best way to enjoy a floating tempo is  
still to play in real-time with a partner musician. Another thing in  
looping that sometimes bores me is that you have to build things up,  
as opposed to playing the full thing right away. The more you do solo  
looping the more you long for playing with a duo or a trio and the  
more you play with other musicians the more you long for those lonely  
building-up-the-loops journeys. Nothing is ever good enough!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)


From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 19:38:03 2007
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Date: Sat, 31 Mar 2007 12:38:01 -0700 (PDT)
From: Jeffrey Collins <ektakrome@yahoo.com>
Subject: Re: fretless guitar sustain
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Per, 

Thanks for that video bro. Great stuff. I'd just like to know what he did to reate all that sustain from a fretless guitar. It didn't look like he used a sustainer, but he could have done like Michael Brook did by routing the signal from onr pickup into another to create the sustaining vibrations on the strings.

I just wish that when these guys used different types of instruments, they would make new music with them. If you wanna hear some awesome fretless guitar playing, you should hear Dan Stearns of Ma. He uses an aluminium fingerboard on his les paul and does serious micrtonal music. Charles Ives and Ornette Coleman on guitar is what he's been referred to as.

Cheers.

Jeffrey

Per Boysen <perboysen@gmail.com> wrote: On 18 mar 2007, at 23.28, bill bigrig wrote:

> Howdy,
>
>  If you possibly can getahold of timothy Donahue. He
> put out a video years ago playing a fretless "guitar
> harp" the most awesome solo performance I have ever
> seen. Try and get a hold of him. Fretless guitarist
> for over 20 years.I'm sure he'd be awealth of
> information.
> Rig

  Rig, you must be thinking of this video?
http://www.dominonight.com/Jim/td_nhktv_japan.mp4

He plays Norwegian Wood on Japanese television. Veeery inspiring  
performance! But it makes me a bit sad because you have to use a  
"dual" instrument, like his, to play that way; I mean with all those  
cool ritardandi and accelerandi going on under the melody. Sometimes  
I get bored with looping because the loopers stays the same tempo as  
you recorded the loops. Ok, you might use a Repeater with a tap tempo  
pedal, but I tried that too when I had a Repeater and it wasn't at  
all the same intuitive musical experience as being able to directly  
PLAY the tempo changes on an instrument. Yesterday I was listening  
through VAngelis' soundtrack themes (album: "Themes") and noticed  
that he does the same tricks with floating tempi almost all the time.  
That's easy for a guy like him that has learned two handed keyboard  
playing for decades ;-))  The best way to enjoy a floating tempo is  
still to play in real-time with a partner musician. Another thing in  
looping that sometimes bores me is that you have to build things up,  
as opposed to playing the full thing right away. The more you do solo  
looping the more you long for playing with a duo or a trio and the  
more you play with other musicians the more you long for those lonely  
building-up-the-loops journeys. Nothing is ever good enough!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://tinyurl.com/2kek7h (CC donationware music releases)




 
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Per, <br><br>Thanks for that video bro. Great stuff. I'd just like to know what he did to reate all that sustain from a fretless guitar. It didn't look like he used a sustainer, but he could have done like Michael Brook did by routing the signal from onr pickup into another to create the sustaining vibrations on the strings.<br><br>I just wish that when these guys used different types of instruments, they would make new music with them. If you wanna hear some awesome fretless guitar playing, you should hear Dan Stearns of Ma. He uses an aluminium fingerboard on his les paul and does serious micrtonal music. Charles Ives and Ornette Coleman on guitar is what he's been referred to as.<br><br>Cheers.<br><br>Jeffrey<br><br><b><i>Per Boysen &lt;perboysen@gmail.com&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> On 18 mar 2007, at 23.28, bill bigrig wrote:<br><br>&gt; Howdy,<br>&gt;<br>&gt;  If
 you possibly can getahold of timothy Donahue. He<br>&gt; put out a video years ago playing a fretless "guitar<br>&gt; harp" the most awesome solo performance I have ever<br>&gt; seen. Try and get a hold of him. Fretless guitarist<br>&gt; for over 20 years.I'm sure he'd be awealth of<br>&gt; information.<br>&gt; Rig<br><br>  Rig, you must be thinking of this video?<br>http://www.dominonight.com/Jim/td_nhktv_japan.mp4<br><br>He plays Norwegian Wood on Japanese television. Veeery inspiring  <br>performance! But it makes me a bit sad because you have to use a  <br>"dual" instrument, like his, to play that way; I mean with all those  <br>cool ritardandi and accelerandi going on under the melody. Sometimes  <br>I get bored with looping because the loopers stays the same tempo as  <br>you recorded the loops. Ok, you might use a Repeater with a tap tempo  <br>pedal, but I tried that too when I had a Repeater and it wasn't at  <br>all the same intuitive musical experience as being
 able to directly  <br>PLAY the tempo changes on an instrument. Yesterday I was listening  <br>through VAngelis' soundtrack themes (album: "Themes") and noticed  <br>that he does the same tricks with floating tempi almost all the time.  <br>That's easy for a guy like him that has learned two handed keyboard  <br>playing for decades ;-))  The best way to enjoy a floating tempo is  <br>still to play in real-time with a partner musician. Another thing in  <br>looping that sometimes bores me is that you have to build things up,  <br>as opposed to playing the full thing right away. The more you do solo  <br>looping the more you long for playing with a duo or a trio and the  <br>more you play with other musicians the more you long for those lonely  <br>building-up-the-loops journeys. Nothing is ever good enough!<br><br>Greetings from Sweden<br><br>Per Boysen<br>www.boysen.se (Swedish)<br>www.looproom.com (international)<br>http://tinyurl.com/fauvm
 (podcast)<br>http://tinyurl.com/2kek7h (CC donationware music releases)<br><br><br></blockquote><br><p>&#32;

<hr size=1>Don't be flakey. <a href="http://us.rd.yahoo.com/evt=43909/*http://mobile.yahoo.com/mail">Get Yahoo! Mail for Mobile</a> and <br><a href="http://us.rd.yahoo.com/evt=43909/*http://mobile.yahoo.com/mail">always stay connected</a> to friends.
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From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 22:14:28 2007
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Ah, thanks for that explanation Rainer, I had no idea what you were 
referring to...! I'm very much up for more sessions with yourself or a 
group of peeps (Darkroom is a blast!). My days are flexible, I can hop 
onto a Europe evening session.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
> Calendar week 15 and calendar week 16 - meaning 9th (or rather 6th
> effectively) to 22nd of April. 
>   

From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 22:22:05 2007
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References: <1011938815.1175269118732.JavaMail.root@fepweb13> <0bbd01c772ed$67f58df0$e701a8c0@pcfabio> <Pine.LNX.4.64.0703301703340.27811@giggles.cavesofice.org> <009601c77380$f7ab5f40$e701a8c0@pcfabio>
Subject: Re: Why not a Looper's Delight Podcast ?
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Hi Fabio - I just sent you 1-2 song links from each of my 7 CDs.   I'm glad 
you are doing this. :) Great idea.

Kris

----- Original Message ----- 
From: "e t e r o g e n e o" <info@eterogeneo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, March 31, 2007 4:40 AM
Subject: Re: Why not a Looper's Delight Podcast ?


> Come on, people !
> Rick, Bill, Kris, Michael, Bernhard, Andy, Jeff etc.......where are you ?
>
> fabio
> www.eterogeneo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 22:26:34 2007
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In a message dated 3/31/07 12:38:06 PM, perboysen@gmail.com writes:


> Nothing is ever good enough!
> 

NO!.....spring has sprung!.....it get's no better.....:).....many good points 
per.....i crave playing with other people but it never happens.....perhaps 
looping makes   one overly self-critical since there is no one else to 
blame.....how to keep the loop evolving is a good question.....also your point of 
"playing the full thing right away" sans buildup is something i often think 
about.....but these are all 'winter thoughts", dark and brooding.....it's time to dig 
in the dirt.....:)m



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11



**************************************
 See what's free at http://www.aol.com.

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/31/07 12:38:06 PM, perboysen@gmail.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Nothing is ever good=20=
enough!<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">NO!.....spring has sprung!.....it get's no better.....:).....many good po=
ints per.....i crave playing with other people but it never happens.....perh=
aps looping makes&nbsp;  one overly self-critical since there is no one else=
 to blame.....how to keep the loop evolving is a good question.....also your=
 point of "playing the full thing right away" sans buildup is something i of=
ten think about.....but these are all 'winter thoughts", dark and brooding..=
...it's time to dig in the dirt.....:)m<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************************************<BR> See what's=20=
free at http://www.aol.com.</HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 31 23:50:18 2007
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Date: Sat, 31 Mar 2007 16:50:16 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: re: fretless guitar
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Howdy,

 Can't get the video to come up. But I don't think
it's the one because on "watching a movie" he did not
do any loopng. It was all live playing.
Rig


 
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