From Loopers-Delight-request@loopers-delight.com  Sun Oct  1 07:05:25 2006
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Date: Sun, 1 Oct 2006 00:05:22 -0700 (PDT)
From: Ferrara Brain Pan <enantiodromia23@yahoo.com>
Subject: The Longest Loop Ever Recorded
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Any idea what it is? (in hours:minutes:seconds, or if a tape loop, then how long in feet or
meters)...

If reality is pre-recorded as Burroughs used to say, then maybe reality is actually a giant tape
loop (a mobius strip)... maybe it hasn't completed one cycle yet...

Ferrara Brain Pan

http://www.formsofthingsunknown.com


"Let the great constellation of flickering ashes be heard..."
                                                                                      
Noel Scott Engel

From Loopers-Delight-request@loopers-delight.com  Sun Oct  1 08:28:11 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: The Longest Loop Ever Recorded
Date: Sun, 1 Oct 2006 10:28:05 +0200
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On 1 okt 2006, at 09.05, Ferrara Brain Pan wrote:

> Any idea what it is? (in hours:minutes:seconds, or if a tape loop,  
> then how long in feet or
> meters)...
>
> If reality is pre-recorded as Burroughs used to say, then maybe  
> reality is actually a giant tape
> loop (a mobius strip)... maybe it hasn't completed one cycle yet...


Interesting theory. That would make the buddhists (who strive to get  
out of the loop) Mobius Script Makers!  ;-)

Seriously, I heard I heard about a composition being performed on a  
church organ somewhere in Germany over a several hundred years time  
span. Excuse my bad memory on this, but maybe someone else knows the  
church and the composers name? I'm not certain this composition use  
loops, but probably it does so because looping parts of the score is  
a usual concept in composition.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Oct  1 08:36:00 2006
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Subject: Re: The Longest Loop Ever Recorded 
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>Seriously, I heard I heard about a composition being performed on a
>church organ somewhere in Germany over a several hundred years time
>span. Excuse my bad memory on this, but maybe someone else knows the
>church and the composers name? I'm not certain this composition use
>loops, but probably it does so because looping parts of the score is
>a usual concept in composition.

A John Cage piano piece marked "as slowly as possible".

They intend to only build the pipes for each note as needed.

andy 

From Loopers-Delight-request@loopers-delight.com  Sun Oct  1 22:07:54 2006
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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: The Longest Loop Ever Recorded
Date: Sun, 1 Oct 2006 15:07:48 -0700
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As Andy noted, it is John Cage Organ2/ASLSP


On Oct 1, 2006, at 1:28 AM, Per Boysen wrote:

> maybe someone else knows the church

from www.john-cage.halberstadt.de

"The place will be St. Burchardi one of the oldest churches of the =20
city. Built around 1050 by Burchard of Nahburg, this church =20
functioned as Cistercian convent for more than 600 years. In the 30 =20
years lasting war, St. Burchardi was partially destroyed but rebuild =20
in 1711 and secularized by J=E9rome in 1810. For 190 years the church =20=

was used as a barn, a hovel, a distillery and a sty."

from PlaybillArts
"But a group of musicologists decided several years ago to take its =20
title at face value, and initiated a 639-year performance of the work =20=

on a church organ in Halberstadt, Germany (the length was chosen to =20
match the age of the organ).

The performance began in September 2001 with the inflation of the =20
organ's bellows, followed by 18 months of silence. In February 2003, =20
a chord was heard, and in July 2004 two notes were added. The new =20
chord=97an A, a C, and an F-sharp=97will last until 2012.

According to the Times, the performance is being carried out with the =20=

help of sandbags placed on the keys."



regards

BobC





http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=3Dsn--iF6a4Xo
http://www.flickr.com/photos/41969054@N00/sets/72157594240725240=

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  I think I might have just heard the shortest. 
The intro for John McLaughlin's website. 
  http://johnmclaughlin.com 
  Monica

 		
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<div>&nbsp;</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>I think I might have just heard the shortest. <BR>The intro for John McLaughlin's website. </div>  <div><A href="http://johnmclaughlin.com">http://johnmclaughlin.com</A> </div>  <div>Monica</div><p>&#32;
		<hr size=1>Get your email and more, right on the <a href="http://us.rd.yahoo.com/evt=42973/*http://www.yahoo.com/preview"> new Yahoo.com</a> 

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Subject: RE: A quieter, gentler footswitch?...
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I have one of these:
 
http://www.radioshack.com/product/index.jsp?productId=2062545
<http://www.radioshack.com/product/index.jsp?productId=2062545&cp=2032058.20
32230.2032278&pg=3&allCount=69&fbn=Price%2FUnder+%243.99&fbc=1&fr=StorePrice
%2FRSK%2F00000000%2F00000399&parentPage=family>
&cp=2032058.2032230.2032278&pg=3&allCount=69&fbn=Price%2FUnder+%243.99&fbc=1
&fr=StorePrice%2FRSK%2F00000000%2F00000399&parentPage=family
 
(radio shack  Catalog #: 275-1566)
 
installed as an additional switch in a behringer box that would otherwise
only be two footswitches, which I use with my repeater. there is no
mechanical noise from this switch other than one's shoe hitting it, & (so
far) no mechanical reliability or damage issues.
 
ym, as usual, mv.
 
duncan.


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<TITLE>Re: A quieter, gentler footswitch?...</TITLE>

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<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2><SPA=
N=20
class=3D881244612-02102006>I have one of these:</SPAN></FONT></DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2><SPA=
N=20
class=3D881244612-02102006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2><SPA=
N=20
class=3D881244612-02102006><A=20
href=3D"http://www.radioshack.com/product/index.jsp?productId=3D2062545&amp=
;cp=3D2032058.2032230.2032278&amp;pg=3D3&amp;allCount=3D69&amp;fbn=3DPrice%=
2FUnder+%243.99&amp;fbc=3D1&amp;fr=3DStorePrice%2FRSK%2F00000000%2F00000399=
&amp;parentPage=3Dfamily">http://www.radioshack.com/product/index.jsp?produ=
ctId=3D2062545&amp;cp=3D2032058.2032230.2032278&amp;pg=3D3&amp;allCount=3D6=
9&amp;fbn=3DPrice%2FUnder+%243.99&amp;fbc=3D1&amp;fr=3DStorePrice%2FRSK%2F0=
0000000%2F00000399&amp;parentPage=3Dfamily</A></SPAN></FONT></DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2><SPA=
N=20
class=3D881244612-02102006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2><SPA=
N=20
class=3D881244612-02102006>(radio shack&nbsp;<FONT face=3D"Times New Roman"=
 color=3D#000000 size=3D3> Catalog #: 275-1566)</FONT></SPAN></FONT></DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2><SPA=
N=20
class=3D881244612-02102006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2><SPA=
N=20
class=3D881244612-02102006>installed as an additional switch in a behringer=
 box=20
that would otherwise only be two footswitches, which I use with my repeater=
.=20
there is no mechanical noise from this switch other than one's shoe hitting=
 it,=20
&amp; (so far) no mechanical reliability or damage issues.</SPAN></FONT></D=
IV>
<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2><SPA=
N=20
class=3D881244612-02102006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2><SPA=
N=20
class=3D881244612-02102006>ym, as usual, mv.</SPAN></FONT></DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2><SPA=
N=20
class=3D881244612-02102006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2><SPA=
N=20
class=3D881244612-02102006>duncan.</SPAN></FONT></DIV><CODE><FONT SIZE=3D3>=
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: A quieter, gentler footswitch?...
Date: Mon, 2 Oct 2006 14:10:38 +0100 
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>>My final question is this: Is there any recommendation for a stand-alone
live looping tool (no
laptop or software or MIDI required) with a well-functioning foot
controller, and no significant
noise issues, suitable for looping live miked acoustic instruments? [snip]<<

sounds like you are close to your wits' end there. I would begin looking for
a decent 2nd hand original jam-man if I were you. nice quiet switches, basic
standalone operation...... 

but are there really no musically-inclined techs in your neighbourhood who
could help you re-engineer the EH footswitch controller into near-silence? 

half the problem is the clunky switches they use, believing that this things
are only going to be used by lead-footed guitarists & that only a fuzz-box
switch from 1972 is going to be tough enough. 
about 90% of the remaining problem is the tin box that EH are so
sentimentally attached to; is it really cheaper &/or more desirable to bend
silk-screened monkey-metal than to cast some chunky aluminium? then why do
MXR, line6 et al use the latter?

I would that this engineering challenge were a little closer,
geographically.
 
ironically, my guitarist would be in the market for trading his lexicon
footswitches (& since he is occasionally using two jam-mans, there are
potentially four lots of double footswitch to keep track of, in the dark)
for something with six noisy clunky fuzzbox switches on it (hell, he doesn't
care- he's using three distortion pedals at once into a marshall stack & a
fender bassman) that would drive both jam-mans from one small bit of stage
real-estate.
& the original lexicon jam-man pedals are as quiet as anything.

where are you based, brainpan?

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;My final question is this: Is there any recommend=
ation for a stand-alone live looping tool (no</FONT>
<BR><FONT SIZE=3D2>laptop or software or MIDI required) with a well-functio=
ning foot controller, and no significant</FONT>
<BR><FONT SIZE=3D2>noise issues, suitable for looping live miked acoustic i=
nstruments? [snip]&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>sounds like you are close to your wits' end there. I woul=
d begin looking for a decent 2nd hand original jam-man if I were you. nice =
quiet switches, basic standalone operation...... </FONT></P>

<P><FONT SIZE=3D2>but are there really no musically-inclined techs in your =
neighbourhood who could help you re-engineer the EH footswitch controller i=
nto near-silence? </FONT></P>

<P><FONT SIZE=3D2>half the problem is the clunky switches they use, believi=
ng that this things are only going to be used by lead-footed guitarists &am=
p; that only a fuzz-box switch from 1972 is going to be tough enough. </FON=
T></P>

<P><FONT SIZE=3D2>about 90% of the remaining problem is the tin box that EH=
 are so sentimentally attached to; is it really cheaper &amp;/or more desir=
able to bend silk-screened monkey-metal than to cast some chunky aluminium?=
 then why do MXR, line6 et al use the latter?</FONT></P>

<P><FONT SIZE=3D2>I would that this engineering challenge were a little clo=
ser, geographically.</FONT>
<BR><FONT SIZE=3D2>&nbsp;</FONT>
<BR><FONT SIZE=3D2>ironically, my guitarist would be in the market for trad=
ing his lexicon footswitches (&amp; since he is occasionally using two jam-=
mans, there are potentially four lots of double footswitch to keep track of=
, in the dark) for something with six noisy clunky fuzzbox switches on it (=
hell, he doesn't care- he's using three distortion pedals at once into a ma=
rshall stack &amp; a fender bassman) that would drive both jam-mans from on=
e small bit of stage real-estate.</FONT></P>

<P><FONT SIZE=3D2>&amp; the original lexicon jam-man pedals are as quiet as=
 anything.</FONT>
</P>

<P><FONT SIZE=3D2>where are you based, brainpan?</FONT>
</P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Oct  2 13:25:05 2006
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Date: Mon, 2 Oct 2006 06:24:59 -0700 (PDT)
From: Guy Joyce <magneticdwarfreptile@yahoo.com>
Subject: The longest piece of music ... in production
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I reckon has to be this 1000-year composition.


www.longplayer.org/lp_new_site/what/what.html

www.longplayer.org/


Guy

<XISTH entertainment corporation>

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From Loopers-Delight-request@loopers-delight.com  Mon Oct  2 16:37:09 2006
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Date: Mon, 2 Oct 2006 09:37:05 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: ot: random effect (broken digitech)
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my random effect is my digitech rp100 that i got in '01, sometimes it starts to
  "freak out" and either the effects module will cycle through all the effects (the light flashes and the display switches real fast from one effect to next) or
  the amp models will cycle through randomly. i've recorded it once, and it was 
  kind of interesting in its randomness. (has sort of an extreme tremolo effect in quick changing of effects/amp models)
  unfortunately it happens when i'm trying to do something specific....
  i try to think of the old adrian belew comment of working w/ your gears quirks-i think
  he was talking about one of his gtrs had a broken pu, so he kept using it , instead of replacing it (i think he talked about it being a real twangy sound-he used on one of his songs on one of his 1st solo albums back in 80's)
  s---

 		
---------------------------------
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<div>my random effect is my digitech rp100 that i got in '01, sometimes it starts to</div>  <div>"freak out" and either the effects module will cycle through all the effects (the light flashes and the display switches real fast&nbsp;from one effect to next)&nbsp;or</div>  <div>the amp models will cycle through randomly. i've recorded it once, and it was </div>  <div>kind of interesting in its randomness. (has sort of an extreme tremolo effect in quick changing of effects/amp models)</div>  <div>unfortunately it happens when i'm trying to do something specific....</div>  <div>i try to think of the old adrian belew comment of working w/ your gears quirks-i think</div>  <div>he was talking about one of his gtrs had a broken pu, so he kept using it , instead of replacing it (i think he talked about it being a real twangy sound-he used on one of his songs on one of his 1st solo albums back in 80's)</div>  <div>s---</div><p>&#32;
		<hr size=1>Do you Yahoo!?<br> Everyone is raving about the <a href="http://us.rd.yahoo.com/evt=42297/*http://advision.webevents.yahoo.com/mailbeta"> all-new Yahoo! Mail.</a>
--0-1478118262-1159807025=:11147--

From Loopers-Delight-request@loopers-delight.com  Mon Oct  2 16:37:13 2006
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Date: Mon, 2 Oct 2006 09:37:12 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: ot: random effect (broken digitech)
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my random effect is my digitech rp100 that i got in '01, sometimes it starts to
  "freak out" and either the effects module will cycle through all the effects (the light flashes and the display switches real fast from one effect to next) or
  the amp models will cycle through randomly. i've recorded it once, and it was 
  kind of interesting in its randomness. (has sort of an extreme tremolo effect in quick changing of effects/amp models)
  unfortunately it happens when i'm trying to do something specific....
  i try to think of the old adrian belew comment of working w/ your gears quirks-i think
  he was talking about one of his gtrs had a broken pu, so he kept using it , instead of replacing it (i think he talked about it being a real twangy sound-he used on one of his songs on one of his 1st solo albums back in 80's)
  s---

 				
---------------------------------
Get your own web address for just $1.99/1st yr. We'll help. Yahoo! Small Business.
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<div>my random effect is my digitech rp100 that i got in '01, sometimes it starts to</div>  <div>"freak out" and either the effects module will cycle through all the effects (the light flashes and the display switches real fast&nbsp;from one effect to next)&nbsp;or</div>  <div>the amp models will cycle through randomly. i've recorded it once, and it was </div>  <div>kind of interesting in its randomness. (has sort of an extreme tremolo effect in quick changing of effects/amp models)</div>  <div>unfortunately it happens when i'm trying to do something specific....</div>  <div>i try to think of the old adrian belew comment of working w/ your gears quirks-i think</div>  <div>he was talking about one of his gtrs had a broken pu, so he kept using it , instead of replacing it (i think he talked about it being a real twangy sound-he used on one of his songs on one of his 1st solo albums back in 80's)</div>  <div>s---</div><p>&#32;
	

	
		<hr size=1>Get your own <a href=" http://us.rd.yahoo.com/evt=43290/*http://smallbusiness.yahoo.com/domains"
>web address for just $1.99/1st yr</a>. We'll help. <a href="http://us.rd.yahoo.com/evt=41244/*http://smallbusiness.yahoo.com/"
>Yahoo! Small Business</a>.

--0-1958191220-1159807032=:44962--

From Loopers-Delight-request@loopers-delight.com  Mon Oct  2 23:07:37 2006
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: accordian looping
Date: Mon, 2 Oct 2006 14:49:28 -0600
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http://www.youtube.com/watch?v=usK1mjwqxOc&mode=related&search=

From Loopers-Delight-request@loopers-delight.com  Mon Oct  2 23:09:29 2006
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From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: The Militarization of MySpace (OT)
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http://www.zmag.org/content/showarticle.cfm?SectionID=11&ItemID=11099
cheers
Luis

www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 05:08:43 2006
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Well, in the USA we have a joke phrase, "Play the accordion, go to jail", 
and a joke: "You are driving home and you come across a dead frog and 
accordion player in the middle of the road...what can you conclude? The frog 
must have been on his way to a gig." :)

But this video changes everything...sheer madness, I tell you.

Kris


----- Original Message ----- 
From: "Paul Mimlitsch" <pmimlitsch@mac.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, October 02, 2006 2:49 PM
Subject: accordian looping


> http://www.youtube.com/watch?v=usK1mjwqxOc&mode=related&search=
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 11:46:42 2006
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And what do they use as anchors to keep all those lawyers at the bottom on
the ocean? . . .

----- Original Message ----- 
From: "Krispen Hartung" <khartung@cableone.net>
Subject: Re: accordian looping


> Well, in the USA we have a joke phrase, "Play the accordion, go to jail",
> and a joke: "You are driving home and you come across a dead frog and
> accordion player in the middle of the road...what can you conclude? The
frog
> must have been on his way to a gig." :)


From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 14:26:40 2006
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I had always heard that harps are handed out at the gate of heaven and 
accordions are handed out at the gate of hell.  And while I do think 
this particular "hellish" piece might be a fitting soundtrack to Dante's 
Inferno, it does raise my respect for the instrument!  Very cool... er, 
umm... hot!

--Josh



Paul Mimlitsch wrote:
> http://www.youtube.com/watch?v=usK1mjwqxOc&mode=related&search=
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 15:06:42 2006
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One of my favorite bumper stickers:

    I play the accordion....and I vote!

and one of my favorite bands:

   http://thosedarnaccordions.com/


Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 16:16:16 2006
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"Accordians don't play Lady of Spain...People do"
another great Those darn Accordians bumper sticker.
Bill

-----Original Message-----
From: Jeff Larson [mailto:jeff.larson@sailpoint.com]
Sent: Tuesday, October 03, 2006 8:07 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: accordian looping



One of my favorite bumper stickers:

    I play the accordion....and I vote!

and one of my favorite bands:

   http://thosedarnaccordions.com/


Jeff




From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 16:33:01 2006
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Friends,

Shameful secrets emergence moment. I too had the accordian curse upon me as a child. My Granny wanted me to be some kind of Irish/Jewish (as though there isn't enough cultural and religious baggage with this combination) Myron Floren/Frankie Yankovic. I wanted to be a Bob Dylan/Angus Young hybrid at that point. But growing up in Polka-Central in Western Pennsylvania left what she presumed was a clear path of keyboard and bellows destiny. The is the instrument of both people's in many ways.

This has redeemed the instrument in so many ways. I still occasionally blow the dust off of my Hohner and play. Oddly enough, the only people who give me much guff about it are fellow musicians. Kind of in the same vein as banjo jokes.

Squeeze On Brother Boxers!

Todd Howell

From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 16:38:05 2006
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Now you've done it.
http://www.prosoundweb.com/fun/jokes/joke01.shtml

Our favorite Gary Larson items (yes, you know) are here:
http://www.accordionscanada.com/resourcepage.htm#comic

:)


> From: "Miko Biffle" <biffoz@arczip.com>
> And what do they use as anchors to keep all those lawyers at the bottom on
> the ocean? . . .
>
> ----- Original Message ----- 
> From: "Krispen Hartung" <khartung@cableone.net>
> Subject: Re: accordian looping
>
>
>> Well, in the USA we have a joke phrase, "Play the accordion, go to jail",
>> and a joke: "You are driving home and you come across a dead frog and
>> accordion player in the middle of the road...what can you conclude? The
> frog
>> must have been on his way to a gig." :)
>
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 17:09:32 2006
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From: Craig McCollough <craig@craigmccollough.com>
Subject: Live 6.0 and Happy Birthday Rick!
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Hey All -

I downloaded the Live 6.0 demo last night and started playing....   
I'm liking it!!  The MIDI mapping is *very* intuitive.

Anyone else have a chance to start playing with it?

Happy Birthday to Rick Walker (loop.pool)!!!


Cheers,
Craig

From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 17:24:21 2006
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Yeah Live 6 is cool. Two features added that made this an
indispensible upgrade (and things that should have been there
earlier): dual processor support, and render individual tracks.

Haven't had a chance to dig into the midi mapping, but I'm hoping the
improved feature set allows for a bit more live looping capability...

Happy birthday Rick!

Neil

On 10/3/06, Craig McCollough <craig@craigmccollough.com> wrote:
> Hey All -
>
> I downloaded the Live 6.0 demo last night and started playing....
> I'm liking it!!  The MIDI mapping is *very* intuitive.
>
> Anyone else have a chance to start playing with it?
>
> Happy Birthday to Rick Walker (loop.pool)!!!
>
>
> Cheers,
> Craig
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 18:15:44 2006
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my rang is stuck in 100% feedback due to a button going bad.....it 
never fails to amaze me how tricky it is to loop in this 
situation.....mush soup is ever near.....i always said that "undo" is 
for sissies.....perhaps feedback is for sissies also.....there i said 
it!.....:)m
hey rickeeeeeeee, where's the cake?.....i used to love birthdays till 
they seemed to come around every few months.....ZOOM-MOOZ.....an 
anti-time drug!

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From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 18:24:12 2006
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Subject: Re: Live 6.0 and Happy Birthday Rick!
Date: Tue, 3 Oct 2006 20:24:05 +0200
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Did AL6 includes some notebook ala cubase, sonar, etc.? Bad memory here. I 
usually
save my projects into a folder where also include a text file to write down 
some clues about the work.It would be helpful to have it associated in the 
program itself.

The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra 

From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 18:33:42 2006
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Subject: Re: feedback 100%
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I've been trying to experiment with my Boomerang at various feedback levels other than 100%, and I find THAT to be very difficult! Everything I play keeps fading out!

Too funny ;)
Tom

---- Original message ----
>Date: Tue, 03 Oct 2006 14:12:50 -0400
>From: nemoguitt@aol.com  
>Subject: feedback 100%  
>To: Loopers-Delight@loopers-delight.com
>
>my rang is stuck in 100% feedback due to a button going bad.....it 
>never fails to amaze me how tricky it is to loop in this 
>situation.....mush soup is ever near.....i always said that "undo" is 
>for sissies.....perhaps feedback is for sissies also.....there i said 
>it!.....:)m

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On 10/3/06, raul bonell <RAULBONELL@telefonica.net> wrote:
>
> Did AL6 includes some notebook ala cubase, sonar, etc.? Bad memory here. I
> usually
> save my projects into a folder where also include a text file to write
> down
> some clues about the work.It would be helpful to have it associated in the
> program itself.


No but 6 organizes folders automatically (similar to 'Save as Project' in
earlier version), but its an automatic, enforced folder hierchcy with all
audio and midi saved into convenient subfolders, and each plug in used has
an alias to 'save with project' for song specific patches. Still getting to
know this, but this may allay some of your need for text files.

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<br><br>
<div><span class="gmail_quote">On 10/3/06, <b class="gmail_sendername">raul bonell</b> &lt;<a href="mailto:RAULBONELL@telefonica.net">RAULBONELL@telefonica.net</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Did AL6 includes some notebook ala cubase, sonar, etc.? Bad memory here. I<br>usually<br>save my projects into a folder where also include a text file to write down
<br>some clues about the work.It would be helpful to have it associated in the<br>program itself.</blockquote>
<div>&nbsp;</div>
<div>No but 6 organizes folders automatically (similar to&nbsp;'Save as Project' in earlier version), but its an automatic, enforced folder hierchcy&nbsp;with all audio and midi saved into convenient subfolders, and each plug in used has an alias to 'save with project' for song specific patches. Still getting to know this, but this may allay some of your need for text files.
</div><br>&nbsp;</div>

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From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 19:41:47 2006
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Subject: RE: Live 6.0 and Happy Birthday Rick!
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Hey, Happy Birthday friend..:-):-)
Peace
Luigi

-----Original Message-----
From: Craig McCollough [mailto:craig@craigmccollough.com]=20
Sent: marted=EC 3 ottobre 2006 19.09
To: Loopers-Delight@loopers-delight.com
Subject: Live 6.0 and Happy Birthday Rick!

Hey All -

I downloaded the Live 6.0 demo last night and started playing....  =20
I'm liking it!!  The MIDI mapping is *very* intuitive.

Anyone else have a chance to start playing with it?

Happy Birthday to Rick Walker (loop.pool)!!!


Cheers,
Craig

From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 21:44:42 2006
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Warren Sirota wrote:
> It still seems to me that the destructive nature of the feedback is an
> implementation artifact rather than a feature. 

All instruments are made of 100% implementation artifacts...
Only marketing persons need features they can sell...

Stefan

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From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 21:44:58 2006
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Reese Ritherspoon wrote:
> - can anyone suggest some of their favorite artists that i should  check 
> out?

All who play at the Y2K6 Loopfest, very broad variety...

> is there a known "best" looper in existance?

My homebrewed Max/MSP patch running on a 12" powerbook...

> is there a "lamborghini"?

The looperlative probably or as oldtimer it seems the repeater...

But I don't drive cars, I am a bike addict...

Stefan

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References: <D49C5B15-6C79-4256-8C7E-35EE18E9E6C4@zoekeating.com> <01ec01c6e3a8$e68032d0$e701a8c0@pcfabio> <F556111D-82F3-43E5-9D66-65FC687FE2AF@gmail.com> <4B39A0D7-0945-4A88-8630-CBC4D65B3E1C@zoekeating.com>
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Zoe Keating wrote:
> There's GOT to be another way (I like Bernard's suggestion of a Max  
> patch). But I'll keep this in mind though for a last resort.

What about instead of last resort, a future resort? I'll happily patch 
it together for you, there is no rush now as Midipipe works for you.

But Max could do much more, even replace the repeaters in case they fail 
one day and nobodies selling a used one, it might even combine a 
vegetarian meal for you and serve the drink after the concert... ;-)

You don't need to be able to create all by yourself, but you can design 
all by yourself...

Stefan

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From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 21:46:12 2006
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Krispen Hartung wrote:
> So, if Reaktor folks are making an argument that MAX/MSP sounds thin,
>  they are probably misunderstanding the architecture of the program 
> and what on can do with it.

I would guess that the reaktor folks do really compare and judge, I have
a similar experience with Kyma.
The Kyma is coming with a bunch of readymade high quality sounds.
Elsewise its a different beast than Max, you can create patches and will
have the same flexibility as in Max. (Reaktor is much less flexible than
Max)

On the first sight Max, Kyma and Reaktor sound different. But as you get
those readymade sounds you tend to use it like a rack of effects, filled
with fashionable sounds.

If these fashionable sounds are your only concern, better stick with
them, there is no need for you to go the Max route, you're happy
already. (Same applies for acoustic and "No-Computer" musicans...)

Beginning with a blank page does make it more difficult to achieve an
already known sound. You need A LOT of knowledge, which only partially
is public, as most creators hide their knowledge to be more competitive.

But usually you don't even start to think about completely different
ways of creating a sound. You might have a newcomers idea how something
should work and get a different sound than you expected, but you like it
and keep it and suddenly you're lightyears ahead of any fashion...

By the time your explorations will be fashion its old boring stuff for
yourself. Max is not made for mainstream taste. As soon as you start,
you develop your own tastes. You tweak the sound for your own liking
extending the limits of normal effects...

It is difficult to achieve the same sound of a filter as some of those
pricey hardware emulations you can buy as vst~. Though the knowledge how
these are done and tweaked is there, it would not make sense to get into
those details. In the end its just different which sais nothing about
absolute quality.

Most digital filters for example use exactly the same basic structure
and its a science of its own to tweak 5 parameters to make it sound like
it sounds. Normal users just think "Lowpass", "Highpass", "Bandpass"
etc. The tweaking was done by an electrical engineer in the old days, by
a DSP programmer today...

You just can't learn this within a month...
In Max you could arrive at that level, in Reaktor you're bound to the
filters which are there.

On first sight Reaktor sounds "better", but it restricted to that sound
as well. In Max you won't get it out of the box, though somebody out
there probably has tweaked it to the same level of quality, but Maxers
usually don't consider this too important...

If you rely on a certain sound just hooking up Max as vst host is the
most simple solution, you can concentrate on the music instead of
technical details. There is no need to invent the wheel again...

> My guess is that it might be more difficult to build a MAX/MSP
> Blackbird equivalent, because MAX/MSP seems to start at a more
> fundamental level in terms of the building blocks of patches. I'd be
> blown away if a MAX/MSP programmer did this...because right now
> Blackbird (thanks to Dave Coffin who shared it with me) is my 
> favorite patch of all, out of all my VSTs, etc.

Is there a Reaktor demo which could load it to have a look?
Usually if I hear inspiring sounds and recreate them in Max the end up 
being very different and much better (thats a matter of taste of course ;-)

Synth sounds can be addictive, though for my taste they are much too 
often a "one trigger and it does it magic" thing which decouples the 
performer from the sound. The most interesting synth sounds I heard so 
far where mostly physical models with a lot of control while holding a 
note...

Stefan

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markfrancombe.com wrote:
> My general impression of both of these packages is that they suck the 
> living blood outa you, your skin goes grey, you start to smell of dead 
> cells cigerettes and pizza, your friends talk about you when you are not 
> there, and you dont talk much to them when they are there... evil... 
> dark....and grim....and my personal favorites... audio much and 
> synthedit.... are both just slightly less dangerous than heroin. Just 
> say NO...
> 
> just mho
> 
> mark francombe
> (who uses NO computers in the making of his music... anymore... and is 
> now rosy cheeked and losing weight!!! 

Ah that's why I survived with Max, I skipped the pizza, cook with as 
much love as I improvise music, and don't need to loose weight...
And of course if someone would ask me to play blackbird on a guitar I'd 
be lost as well... (The only standard I can play halfway through is the 
chromatic fanatasy on the bass... ;-)

You probably have to get rid of all other addictions before you start 
with those geeky tools... ;-)

Stefan

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From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 21:47:15 2006
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Jeffrey Larson wrote:
> Yes I understand.  My point is that you are ultimately limited by the
>  Max intrinsic objects.  In the case of filters, my "MSP Filters" 
> menu shows 14 objects: allPass~, biquad~, etc.

Mine has 16 objects but not all are filters... ;-)
If you know how digital filters work, you probably could do most of
these "analog emulatins" Most filter designs rely on a simple biquad
formula. The secret is the parameters. Recently there was a flag added
to filtergraph~ (an UI object to control a biquad~) called "Imitation
Analog Flavor". The object which does the actual filtering is still the
same as before, it just gets a different set of parameters to do its
magic...

And you are not limited to the Max intrinsic objects. Especially for
filters there are a lot of 3rd party externals and patches which deliver
you filters of all flavours.

You can also create brickwall filters with FFT techniques, not available
for any analog flavor way of thinking (Its not part of the filter object
list). One of my favorites is the "forbidden planet" patch which comes
as example with Max

> can we say for certain that with these 14 objects we can exactly 
> emulate the filters on something like an Access Virus? I don't mean 
> just close, I mean near sample accurate emulation?

If you know the exact algorithm you could do it sample accurate. But
they won't give you that information and more important there is no
point in doing so. As soon you understand enough of the matter to be
able to redo it, you certainly would do it much more personal and different.
And there is ALWAYS more than 14 objects involved... Thats the diference
to Reaktor, there you think in "Filter" and thats it. In Max you embed
the filter into a bigger picture to actually control it. And the way you
control your sounds are more important to the sound itself than any
technology involved.

> Is there one and only one possible implementation of hilbert~ ?

As its a mathematically defined treatment, the implementation might
differ, the result must be the same.

> maybe it just takes a lot of work with hilbert~, phaseshift~, and 
> comb~ to get the same "warmth" as some Reaktor patches.

These three I'd never associate with "warmth" ;-)

> I don't know, but what I'm wondering is if these fundamental 
> algorithms color the sound enough so that people can tell the 
> difference between the "Max sound" and the "Reaktor sound".

There is a similar issue with studios, you can hear if a peace is made 
at IRCAM. I consider this a weakness not a strength. If it sounds like 
Reaktor, its done with the presets which come with it. If somebode gets 
into it an tweaks the sounds, it stops sounding like Reaktor, the same 
applies to Max or Kyma or even Nordlead versus Virus... You'll love it 
if the presets fit your taste...

> Maybe it is simply a matter of Reaktor having a better default object
> library that sounds warmer without a lot of tweaking.

Thats the main difference. Reaktor is filled with sounds average people
don't need to tweak to get the expected (average) sound.

Enough, I better watch the sunset on my flight to Oslo...

Stefan

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From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 21:47:28 2006
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Krispen Hartung wrote:
> doesn't someone make an app that will make a pc VST work on a mac? I 
> used to have a program that converted VST to RTAS, etc.

I can imagine that this could work on MacIntels in a not so far future. 
But converting VST to RTAS isn't recompiling, its wrapping. Old Macs 
don't share the same processor with a PC, but the new ones do...

Stefan

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From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 21:48:51 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: The Longest Loop Ever Recorded
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Ferrara Brain Pan wrote:
> Any idea what it is? (in hours:minutes:seconds, or if a tape loop,
> then how long in feet or meters)...

The longest loop for sure will be longer than any physical tape could be 
in the age of digital storage...

But there is a conceptual problem. I you think in terms of the longest 
loop, when did you hear it? I guess you can only tell if you have heard 
the complete loop at least two times.
Consider you want to break the Guiness book record of the longest loop? 
How would you do this? You just start recording, and as soon you passed 
the maximum time ever reached, you start to replay... In that moment you 
realise the maximum got just bigger and you restart that again (still 
recording) That would create a pretty short loop of the beginning of the 
recording, letting the attempt to create the ever biggest loop result in 
a pretty short loop with feedback...
The longest loop sounds just like a short loop with feedback set to 
100%... (noodle, noodle, noodle.... ;-)

What a weird idea to put sports (faster, higher, longer) onto loops... 
(remember olympics? those who always run in a circle, thats also a long 
loop...)

I limited my loops to 90 seconds, which I consider pretty short...

Stefan

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< Everything I play keeps
fading out!>.....sez tom

tom.....try not keeping the stack button depressed all the time, just 
use it while inputing something.....if you put in just one note, how 
many times will it repeat?.....if something you like fades out, just 
input it again.....at least the rang allows one to do a rather long 
loop so 100% fb is very doable.....i like how it forces me to think 
ahead with sound placement rather than blowing ahead full throttle 
knowing it will fade away.....i can't wait for my new button to get 
here so i can have less than 100%.....i would rather live in that 
world!.....:)m

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From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 21:51:52 2006
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Subject: Re: accordian looping
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Joshua Carroll wrote:
> Very cool... er, umm... hot!

it remineded me of KTU - be carefull, could burn you...

http://tinyurl.com/pz99z

Stefan

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< Everything I play keeps
fading out!>.....sez tom

tom.....try not keeping the stack button depressed all the time, just 
use it while inputing something.....if you put in just one note, how 
many times will it repeat?.....if something you like fades out, just 
input it again.....at least the rang allows one to do a rather long 
loop so 100% fb is very doable.....i like how it forces me to think 
ahead with sound placement rather than blowing ahead full throttle 
knowing it will fade away.....i can't wait for my new button to get 
here so i can have less than 100%.....i would rather live in that 
world!.....:)m

________________________________________________________________________
Check out the new AOL.  Most comprehensive set of free safety and 
security tools, free access to millions of high-quality videos from 
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From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 22:20:15 2006
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Date: Tue, 3 Oct 2006 15:20:13 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: EDP more loops/feedback issues
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Hi gang,
In using more loops ive run into the problem of
sometimes hitting accidentally a track record button
twice into which a loop has been recorded which starts
automatically multiplying.Is there a way to avoid
this?I already have a separate assigned multiply
function for this.
The other problem i ran to at a gig is with the
feedback control.I am using 3 banks with EDP functions
and assigned one of the fcb1010 pedals to control
feedback in all 3 banks.But as i was recording a loop
after fading one out and reseting the feedback pedal
to 100% the new loop kept fading out,having to turn
the button manually so it would reset properly.
So i am curious as to how fcb1010 users have their
feedback pedal set,do u have it in every bank or use a
separate pedal conected in the back of the EDP to
avoid such thing?
cheers
Luis

www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 22:23:53 2006
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Date: Tue, 3 Oct 2006 15:23:51 -0700 (PDT)
Subject: Re: accordian looping
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I've been recording a Galecian Celtic band lately, and I now know for a
fact what instrument is handed out at the gates of hell: BAGPIPES!

Not only are they always too freaking loud, they're never in tune either.
Wait, that sounds like some guitarists I know :-)

> I had always heard that harps are handed out at the gate of heaven and
> accordions are handed out at the gate of hell.  And while I do think
> this particular "hellish" piece might be a fitting soundtrack to Dante's
> Inferno, it does raise my respect for the instrument!  Very cool... er,
> umm... hot!
>
> --Josh
>
>
>
> Paul Mimlitsch wrote:
>> http://www.youtube.com/watch?v=usK1mjwqxOc&mode=related&search=
>>
>>
>>
>>
>
>


From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 22:31:03 2006
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Date: Tue, 3 Oct 2006 15:31:02 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: RE: accordian looping
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beautiful stuff Jeff really "Wurst und Bier" stuff!
Luis

--- Jeff Larson <jeff.larson@sailpoint.com> wrote:

> 
> One of my favorite bumper stickers:
> 
>     I play the accordion....and I vote!
> 
> and one of my favorite bands:
> 
>    http://thosedarnaccordions.com/
> 
> 
> Jeff
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 22:39:28 2006
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Subject: Re: accordian looping
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Holy....  that's just sick!  Awesome!

--Josh



Stefan Tiedje wrote:
> Joshua Carroll wrote:
>> Very cool... er, umm... hot!
>
> it remineded me of KTU - be carefull, could burn you...
>
> http://tinyurl.com/pz99z
>
> Stefan
>

From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 22:41:46 2006
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This is a multi-part message in MIME format.
--------------010006020106070005000804
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Content-Transfer-Encoding: 7bit

>
> Not only are they always too freaking loud, they're never in tune either.
> Wait, that sounds like some guitarists I know :-)
>   
Ain't it the truth?!?!!!

--Josh

improv@peak.org wrote:
> I've been recording a Galecian Celtic band lately, and I now know for a
> fact what instrument is handed out at the gates of hell: BAGPIPES!
>
> Not only are they always too freaking loud, they're never in tune either.
> Wait, that sounds like some guitarists I know :-)
>
>   
>> I had always heard that harps are handed out at the gate of heaven and
>> accordions are handed out at the gate of hell.  And while I do think
>> this particular "hellish" piece might be a fitting soundtrack to Dante's
>> Inferno, it does raise my respect for the instrument!  Very cool... er,
>> umm... hot!
>>
>> --Josh
>>
>>
>>
>> Paul Mimlitsch wrote:
>>     
>>> http://www.youtube.com/watch?v=usK1mjwqxOc&mode=related&search=
>>>
>>>
>>>
>>>
>>>       
>>     
>
>
>
>
>
>   

--------------010006020106070005000804
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
<blockquote type="cite">
  <pre wrap="">Not only are they always too freaking loud, they're never in tune either.
Wait, that sounds like some guitarists I know :-)
  </pre>
</blockquote>
Ain't it the truth?!?!!!<br>
<br>
--Josh<br>
<br>
<a class="moz-txt-link-abbreviated" href="mailto:improv@peak.org">improv@peak.org</a> wrote:
<blockquote
 cite="mid2323.69.59.207.172.1159914231.squirrel@webmail.peak.org"
 type="cite">
  <pre wrap="">I've been recording a Galecian Celtic band lately, and I now know for a
fact what instrument is handed out at the gates of hell: BAGPIPES!

Not only are they always too freaking loud, they're never in tune either.
Wait, that sounds like some guitarists I know :-)

  </pre>
  <blockquote type="cite">
    <pre wrap="">I had always heard that harps are handed out at the gate of heaven and
accordions are handed out at the gate of hell.  And while I do think
this particular "hellish" piece might be a fitting soundtrack to Dante's
Inferno, it does raise my respect for the instrument!  Very cool... er,
umm... hot!

--Josh



Paul Mimlitsch wrote:
    </pre>
    <blockquote type="cite">
      <pre wrap=""><a class="moz-txt-link-freetext" href="http://www.youtube.com/watch?v=usK1mjwqxOc&mode=related&search=">http://www.youtube.com/watch?v=usK1mjwqxOc&amp;mode=related&amp;search=</a>




      </pre>
    </blockquote>
    <pre wrap="">
    </pre>
  </blockquote>
  <pre wrap=""><!---->




  </pre>
</blockquote>
</body>
</html>

--------------010006020106070005000804--

From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 22:59:17 2006
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Date: Tue, 3 Oct 2006 15:59:16 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: trey gunn
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what on earth is he using here to rub strings?
http://www.youtube.com/watch?v=_IwjnT70Oi8&NR


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Tue Oct  3 23:36:59 2006
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My guess is that it's a bullet mic, so he can create some feedback. Pretty
neat-o!

Dave Eichenberger- 
http://www.hazardfactor.com/collectives    <--- 50 CDs, 50 hours, no copies 


> what on earth is he using here to rub strings?
> http://www.youtube.com/watch?v=_IwjnT70Oi8&NR
> 
> 
> www.myspace.com/luisangulocom
> 

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If I remember correctly, I read a few years ago that he was experimenting with using a "Smokey Amp" as a feed back generator/ sustainer and also for percussive/ slide stuff.

 
On Tuesday, October 03, 2006, at 03:59PM, L.A. Angulo <labaloops@yahoo.com> wrote:

>what on earth is he using here to rub strings?
>http://www.youtube.com/watch?v=_IwjnT70Oi8&NR
>
>
>www.myspace.com/luisangulocom
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around 
>http://mail.yahoo.com 
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 02:22:33 2006
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Subject: Re: MAX/MSP Conversion Complete...
Date: Tue, 3 Oct 2006 20:22:28 -0600
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----- Original Message ----- 
From: "Stefan Tiedje" <Stefan-Tiedje@addcom.de>
is no need to invent the wheel again...
>
>> My guess is that it might be more difficult to build a MAX/MSP
>> Blackbird equivalent, because MAX/MSP seems to start at a more
>> fundamental level in terms of the building blocks of patches. I'd be
>> blown away if a MAX/MSP programmer did this...because right now
>> Blackbird (thanks to Dave Coffin who shared it with me) is my favorite 
>> patch of all, out of all my VSTs, etc.
>
> Is there a Reaktor demo which could load it to have a look?

Yes indeed. You can download at the NI website. I'll even send you the 
blackbird ensemble, and you can see the internal workings. If you can make a 
MAX/MSP patch that emulates the Tangerine snap, I'll pay you $$$.

> Usually if I hear inspiring sounds and recreate them in Max the end up 
> being very different and much better (thats a matter of taste of course 
> ;-)

Exactly! Jeff Kaiser and I just created a emulation of  a patch on my Boss 
VF-1...it is a dual pitch shifter with delay that feedbacks the pitch into 
itself, genrating some intense sounds.  It is VERY close to the actual 
patch. Fun.  You can hear the original VF1 patch here:

http://box.net/public/khartung/files/301858.html

I am converting it to VST this week to share.

Kris


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The Access Virus B (and indigo) has a random function with two  
controls - amount & intensity.  'amount' adjusts how many parameters  
will change, and 'intensity' affects how much.   you can start with  
any program in the library with a relatively low setting and keep  
hitting 'random' until you work yourself into the most alien thing  
youve ever heard. your face being eaten by ants. jello being squeezed  
into a thousand tiny holes around the room.  a very effective  
technique, especially if you're lacking inspiration, or smoke pot.    
this (of course) isn't an "effects unit" per say, its a virtual  
analog synth.  it has basic onboard effects  that are sort of crummy,  
and a pair of analog ins for filtering/effecting outside sources.

nobody responded last time i asked, so ill ask again.......is there a  
consensus on the 'best' looper out there?  is it the echoplex?
please, answer me!   or, let me know if i am asking wrong - i am new  
to the list. i know its kind of a nebulous question,
but i really want something to start with that i can synch via midi  
and has multiple outs.

happy tuesday, everyone.
etienne de rithma
www.rithma.org
  

From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 02:44:37 2006
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You're going to get a lot of people saying that running software of some kind on a laptop is the best, and they probably wouldn't be too far from the truth.  You definitely have lots of options and versatility that way.  I personally want to stick to hardware (at least for the time being), and the EDP is the one I'm saving for.

So to answer your question....  The EDP is the looper that I covet the most, so in my opinion that makes it "best".  At least for me.  Of course, there are lots of people that have migrated from the EDP and/or the Looperlative to a laptop, so at some point that's probably at least something to check out.

Reese Ritherspoon <rithma@rithma.org> wrote:nobody responded last time i asked, so ill ask again.......is there a  
consensus on the 'best' looper out there?  is it the echoplex?
please, answer me!

 		
---------------------------------
Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls.  Great rates starting at 1¢/min.
--0-2099029889-1159929875=:83351
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You're going to get a lot of people saying that running software of some kind on a laptop is the best, and they probably wouldn't be too far from the truth.&nbsp; You definitely have lots of options and versatility that way.&nbsp; I personally want to stick to hardware (at least for the time being), and the EDP is the one I'm saving for.<br><br>So to answer your question....&nbsp; The EDP is the looper that I covet the most, so in my opinion that makes it "best".&nbsp; At least for me.&nbsp; Of course, there are lots of people that have migrated from the EDP and/or the Looperlative to a laptop, so at some point that's probably at least something to check out.<br><br><b><i>Reese Ritherspoon &lt;rithma@rithma.org&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;">nobody responded last time i asked, so ill ask again.......is there a  <br>consensus on the 'best' looper out there?  is it the
 echoplex?<br>please, answer me!</blockquote><br><p>&#32;
		<hr size=1>Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls. <a href="http://us.rd.yahoo.com/mail_us/taglines/postman7/*http://us.rd.yahoo.com/evt=39666/*http://messenger.yahoo.com"> Great rates starting at 1¢/min.
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Subject: Re: MAX/MSP Conversion Complete...
Date: Wed, 4 Oct 2006 08:21:19 +0200
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> Krispen Hartung wrote:
>> doesn't someone make an app that will make a pc VST work on a mac?  
>> I used to have a program that converted VST to RTAS, etc.

On 3 okt 2006, at 23.47, Stefan Tiedje wrote:
> I can imagine that this could work on MacIntels in a not so far  
> future. But converting VST to RTAS isn't recompiling, its wrapping.  
> Old Macs don't share the same processor with a PC, but the new ones  
> do...


I guess Krispen was thinking about running Mobius VST wrapped into a  
Mac host? Wow! If that will ever be possible I would jump right into  
using Numerolgoy as the host for Mobius. I can't think about any more  
powerful combo. Numerology already offers most of the stuff I would  
have to (re)create by myself in MAX, would save me a lot of time.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 06:39:04 2006
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From: Zoe Keating <cello@zoekeating.com>
Subject: fcb1010: dirty data...anyone ever noticed?
Date: Tue, 3 Oct 2006 23:38:55 -0700
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To help me out with all this midi stuff I installed MidiMonitor to  
keep track of all the messages going in and out of the computer.
Great little program. I also used it to generate a detailed list of  
all the messages I'm sending on each bank...it's gotten complicated  
enough that I've started forgetting what is where...

Anyway...what's been pretty enlightening, watching the midi messages  
scroll by, is noticing a few bits of "extra" data being sent along  
with my patches.... occasionally. I also I noticed that the Repeaters  
don't wig out so much when controlled by the computer as they do when  
controlled by the FCB1010. I think quite a few of my long-standing  
midi problems are about the foot controller, not the Repeater.

(with one exception: every now and then I can still make the Repeater  
speed by pressing the Multiply button on the front, and if I send too  
many messages at once, or messages in rapid succession the unit will  
get stuck with a "Not Ready" message on the LCD...but these problems  
are my old friends now and we're used to each other)

So back to those "extra", messages from the FCB1010...

has anyone ever noticed them???

In my case, it's always "hidden" Control data from CNT1, that is  
turned off in a patch, but about every 2nd press, gets sent anyway!

I can make it happen consistently every other time by sending a Note  
message. To test, I turned off every single switch in a bank of  
patches, EXCEPT for the Note switch (switch 0).  The "bonus" Control  
message sent with the Note message is always what WOULD be sent if   
CNT1 switch (switch 6) were on.

Very interesting....

I'm going to take this up on the FCB1010 forum, but since there are a  
few people who use this pedal, I thought I'd mention it.

Wish those Ground Control buttons weren't those little metal doo- 
dads....or I'd use that...


From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 06:45:03 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: EDP more loops/feedback issues
Date: Wed, 4 Oct 2006 08:44:58 +0200
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On 4 okt 2006, at 00.20, L.A. Angulo wrote:

> .I am using 3 banks with EDP functions
> and assigned one of the fcb1010 pedals to control
> feedback in all 3 banks.But as i was recording a loop
> after fading one out and reseting the feedback pedal
> to 100% the new loop kept fading out,having to turn
> the button manually so it would reset properly.
> So i am curious as to how fcb1010 users have their
> feedback pedal set,do u have it in every bank or use a
> separate pedal conected in the back of the EDP to
> avoid such thing?

(speaking about my EDP rig now:) Generally I keep the feedback  
function assigned to the same FCB1010 expression pedal in every bank  
and even every patch. But I have been forced to make exceptions to be  
able to control other devices with the expression pedal (like an  
analog filterbank or previously a Repeater). I have ran into the  
problem you describe many times. What I do is to make sure I always  
have the feedback function assigned to that actual expression pedal  
in at least one patch with an "harmless" function - like for example  
Overdub. If I don't play anything I can press a short Overdub only to  
recall the patch that has feedback assigned to the expression pedal.

Another strategy I have developed to stay out of such trouble, and  
also to be able to loop faster and more fluently, is to double up  
most function over many controller buttons. Especially the feedback  
functions. I like to have both expression pedals and twistable knobs  
or faders assigned to the same parameter. Then I can simply reach for  
the most immediate way to achieve feedback or whatever.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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Subject: Re: AW: random effects
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On 4 okt 2006, at 04.25, Reese Ritherspoon wrote:

> nobody responded last time i asked, so ill ask again.......is there  
> a consensus on the 'best' looper out there?  is it the echoplex?

No. Every user have his own favorite, based oh his/hers particular  
needs for musical application.

> please, answer me!   or, let me know if i am asking wrong - i am  
> new to the list. i know its kind of a nebulous question,
> but i really want something to start with that i can synch via midi  
> and has multiple outs.

The question is impossible to answer without knowing more about your  
specific needs? (like asking "what is the best vehicle?") At least we  
can now write off the Echoplex, because you have listed "multiple  
outputs". Unless you're prepared for buying a bunch of Echoplexes -  
they have one output each and synch well via MIDI. If you like the  
Echoplex feature set but need multiple outputs, and if you don't mind  
using a computer as the hardware, you may look at the software looper  
Mobius.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 07:10:33 2006
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Warren Sirota wrote:
> Right.... Which is why "fade" on a multichannel looper makes more sense than
> feedback, if it's available. Still, we work with what we have, right?

fade and feedback would create a significantly different effect.
A feedback would keep the looped phrase untouched and only on a
different level. Whereas a fade would constantly diminish the volume.
With recognizable structures within the loop this will have a completely
different notion. One is an echo, the other a fadeout of a loop...

It does different emotional things to me...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
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----------()--------www.ccmix.com


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From: Per Boysen <perboysen@gmail.com>
Subject: Re: fcb1010: dirty data...anyone ever noticed?
Date: Wed, 4 Oct 2006 09:12:12 +0200
To: Loopers-Delight@loopers-delight.com
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On 4 okt 2006, at 08.38, Zoe Keating wrote:

> Anyway...what's been pretty enlightening, watching the midi =20
> messages scroll by, is noticing a few bits of "extra" data being =20
> sent along with my patches.... occasionally. I also I noticed that =20
> the Repeaters don't wig out so much when controlled by the computer =20=

> as they do when controlled by the FCB1010. I think quite a few of =20
> my long-standing midi problems are about the foot controller, not =20
> the Repeater.=A7


Yes, I have had these problems with hidden MIDI data bursted out from =20=

the FCB1010. Some years ago I was unlucky to work with physical gear =20
(EDP, Repeater, AKAI MFC42 filterbank) that did not allow me to make =20
changes to which data the devices should react to. Some of the FCB =20
hidden data applied to the set controller for the filterbank and made =20=

it loose sync way too often.

(Maybe you're already doing this... but anyway, here we go:) I've =20
noticed you have a powerbook with Ableton Live, so a workaround could =20=

be to run the FCB into the laptop. Then make up MIDI clips in Live =20
that do contain the MIDI data to control your repeaters etc. Finally =20
set up MIDI bindings to trigger those Live MIDI Clips from MIDI data =20
sent by your FCB. When doing this, make sure to not use any of the =20
hidden data. Also make sure there is no MIDI Through in Live. Live =20
should only be able to send out the content of those MIDI Clips and =20
not what it gets at its MIDI input from your FCB. This way you filter =20=

out the hidden data from your pedal.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 07:34:36 2006
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Subject: Re: fcb1010: dirty data...anyone ever noticed?
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>So back to those "extra", messages from the FCB1010...
>
>has anyone ever noticed them???
>
>In my case, it's always "hidden" Control data from CNT1, that is
>turned off in a patch, but about every 2nd press, gets sent anyway!

Yes, that's what happens here.
I don't have the latest firmware though.
( You'd have to get the new firmware burned onto an EPROM if that 
turned out to be a fix, and there's also 3rd party replacement 
available which would no doubt fix this, but don't know how reliable they are)

andy butler


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From: Zoe Keating <cello@zoekeating.com>
Subject: Re: fcb1010: dirty data...anyone ever noticed?
Date: Wed, 4 Oct 2006 00:50:44 -0700
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thank ye per...

that is exactly what i'm up to...hence my newfound interest in all  
things midi.

i've been in the process of migrating for a while, but until recently  
never seemed to have enough time between tours to take it all apart  
and re-work it all.
now i've had a good chunk of time to get my head around it, plan it  
out, implement and then actually practice.

i mapped some of my "songs" so that they are "played" by midi clips  
Ableton. it's amazing only having to press one button and let Live do  
the rest. (a few glitches with midi notes sent on downbeats of new  
clips...working on it).

i have a hybrid setup where i can stop the progression of midi clips  
at any time and revert to looping the old way (with the tool palette  
on the fcb1010)

however, for purely improv pieces, i'm still using the footpedal to  
RPTR setup and just the computer for audio processing.

anyway, next on the list is to do what you say for the "off the  
cuff"  pieces too.

nothing is perfect though, in some ways i feel like i'm just  
substituting old problems for new ones!

can't wait to hear you at y2k6!

-z

On Oct 4, 2006, at 12:12 AM, Per Boysen wrote:

> (Maybe you're already doing this... but anyway, here we go:) I've  
> noticed you have a powerbook with Ableton Live, so a workaround  
> could be to run the FCB into the laptop. Then make up MIDI clips in  
> Live that do contain the MIDI data to control your repeaters etc.  
> Finally set up MIDI bindings to trigger those Live MIDI Clips from  
> MIDI data sent by your FCB. When doing this, make sure to not use  
> any of the hidden data. Also make sure there is no MIDI Through in  
> Live. Live should only be able to send out the content of those  
> MIDI Clips and not what it gets at its MIDI input from your FCB.  
> This way you filter out the hidden data from your pedal.
>


--Apple-Mail-2--895065753
Content-Transfer-Encoding: quoted-printable
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">thank ye per...<DIV><BR =
class=3D"khtml-block-placeholder"><DIV>that is exactly what i'm up =
to...hence my newfound interest in all things midi.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>i've been in the process of =
migrating for a while, but until recently never seemed to have enough =
time between tours to take it all apart and re-work it =
all.</DIV><DIV>now i've had a good chunk of time to get my head around =
it, plan it out, implement and then actually practice.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>i mapped some of my "songs" =
so that they are "played" by midi clips Ableton. it's amazing only =
having to press one button and let Live do the rest. (a few glitches =
with midi notes sent on downbeats of new clips...working on =
it).</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>i have a =
hybrid setup where i can stop the progression of midi clips at any time =
and revert to looping the old way (with the tool palette on the =
fcb1010)</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>however, for purely improv =
pieces, i'm still using the footpedal to RPTR setup and just the =
computer for audio processing.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>anyway, next on the list is =
to do what you say for the "off the cuff"=A0 pieces too.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>nothing is perfect though, =
in some ways i feel like i'm just substituting old problems for new =
ones!=A0</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>can't =
wait to hear you at y2k6!</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>-z</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><DIV><DIV>On Oct 4, 2006, =
at 12:12 AM, Per Boysen wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">(Maybe you're already doing =
this... but anyway, here we go:) I've noticed you have a powerbook with =
Ableton Live, so a workaround could be to run the FCB into the laptop. =
Then make up MIDI clips in Live that do contain the MIDI data to control =
your repeaters etc. Finally set up MIDI bindings to trigger those Live =
MIDI Clips from MIDI data sent by your FCB. When doing this, make sure =
to not use any of the hidden data. Also make sure there is no MIDI =
Through in Live. Live should only be able to send out the content of =
those MIDI Clips and not what it gets at its MIDI input from your FCB. =
This way you filter out the hidden data from your pedal.</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; =
min-height: 14.0px"><BR></P> =
</BLOCKQUOTE></DIV><BR></DIV></DIV></BODY></HTML>=

--Apple-Mail-2--895065753--

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From: Zoe Keating <cello@zoekeating.com>
Subject: Re: fcb1010: dirty data...anyone ever noticed?
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isn't that from 2003? or do they do upgrades every week like Ableton  
Live ? ;-)
the pedal i have i bought new in the UK in april

On Oct 4, 2006, at 12:34 AM, a k butler wrote:

>
>> So back to those "extra", messages from the FCB1010...
>>
>> has anyone ever noticed them???
>>
>> In my case, it's always "hidden" Control data from CNT1, that is
>> turned off in a patch, but about every 2nd press, gets sent anyway!
>
> Yes, that's what happens here.
> I don't have the latest firmware though.
> ( You'd have to get the new firmware burned onto an EPROM if that  
> turned out to be a fix, and there's also 3rd party replacement  
> available which would no doubt fix this, but don't know how  
> reliable they are)
>
> andy butler
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 11:36:34 2006
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main source of info is a yahoo group

http://tech.groups.yahoo.com/group/fcb1010/?yguid=184258049

>isn't that from 2003? or do they do upgrades every week like Ableton
>Live ? ;-)
>the pedal i have i bought new in the UK in april

Official updates are infrequent, very likely you have the latest.

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From: "Ben" <benoitruelle@yahoo.fr>
To: <Loopers-Delight@loopers-delight.com>
Subject: Free MIDI Loop Sequencer
Date: Wed, 4 Oct 2006 15:21:47 +0200
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Just came accross this.There was a topic about this a few weeks ago.

"Seq24 is a minimal loop based midi sequencer."

"It was created to provide a very simple interface for editing and playing 
midi 'loops'. After searching for a software based sequencer that would 
provide the functionality needed for a live performance, such as the Akai 
MPC line, the Kawai Q80 sequencer, or the popular Alesis MMT-8, I found 
nothing similar in the software realm. I set out to create a very minimal 
sequencer that excludes the bloated features of the large software 
sequencers, and includes a small subset of features that I have found usable 
in performing. "

http://www.filter24.org/seq24/index.html



Didn't had the time to try it yet but it's free (win/unix only)

Ben.






	

	
		
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From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 13:39:46 2006
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: fcb1010: dirty data...anyone ever noticed?
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Here's another idea for a workaround, off the top of my head. Hope it's =
not
too na=EFve... Might it be possible to program those switches to send =
out a
*harmless* CC (i.e., one that your other gear will ignore, like CC86 or
something), and *then* shut off the CC output? Perhaps then the bug =
would
manifest in a more benign manner for you...

Best wishes,
Warren Sirota

From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 13:46:20 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: fcb1010: dirty data...anyone ever noticed?
Date: Wed, 4 Oct 2006 15:46:15 +0200
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On 4 okt 2006, at 15.41, Warren Sirota wrote:

> Here's another idea for a workaround, off the top of my head. Hope =20
> it's not
> too na=EFve... Might it be possible to program those switches to send =20=

> out a
> *harmless* CC (i.e., one that your other gear will ignore, like =20
> CC86 or
> something), and *then* shut off the CC output? Perhaps then the bug =20=

> would
> manifest in a more benign manner for you...


The problem is that this  "leaking" MIDI data have nothing to do with =20=

which data the pedal is programmed to send out.

A MIDI filtering application is not a good solution either, in case =20
the pedal leaks out events that has to be used for controlling some =20
device (the problem with some hardware devices is that you can't =20
adjust their MIDI binding setup).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 14:32:28 2006
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From: "murkie" <sinister_footwear@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: trey gunn
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yep.  it's a smokey amp.  i use one with my stick.  it's great for feedback
if you hold it against the back of the neck.

m

http://www.TwistedAppleRecords.com
 

-----Original Message-----
From: Paul Mimlitsch [mailto:pmimlitsch@mac.com] 
Sent: Tuesday, October 03, 2006 7:40 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: trey gunn

If I remember correctly, I read a few years ago that he was experimenting
with using a "Smokey Amp" as a feed back generator/ sustainer and also for
percussive/ slide stuff.

 
On Tuesday, October 03, 2006, at 03:59PM, L.A. Angulo <labaloops@yahoo.com>
wrote:

>what on earth is he using here to rub strings?
>http://www.youtube.com/watch?v=_IwjnT70Oi8&NR
>
>
>www.myspace.com/luisangulocom
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around 
>http://mail.yahoo.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 15:29:20 2006
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>I've been recording a Galecian Celtic band lately, and I now know for a
>fact what instrument is handed out at the gates of hell: BAGPIPES!
>
>Not only are they always too freaking loud, they're never in tune either.
>Wait, that sounds like some guitarists I know :-)
>  
>
Q:  What is the definition of a gentleman?
A:  Someone who knows how to play the bagpipes, but chooses not to.

Dennis

From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 16:01:22 2006
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Per Boysen made a great chart that compares the functionality of various 
loopers. http://www.looproom.com/looperchart.php

I'd say the most sophisticated hardware looper would be the 
Looperlative, by means of it having eight stereo loops, and asynchronus 
if desired. It has eight sets of possible outputs, but I'm not sure how 
they're all implemented as the box has continuous software upgrades. 
It'd be worth checking out the upgrade portion of the forum on the site 
to see what functionality it has so far.  http://www.looperlative.com

BTW, I love "a very effective technique, especially if you're lacking 
inspiration, or smoke pot..." Always a good disclaimer!

Daryl Shawn
www.swanwelder.com
> nobody responded last time i asked, so ill ask again.......is there a 
> consensus on the 'best' looper out there?  is it the echoplex?
> please, answer me!   or, let me know if i am asking wrong - i am new 
> to the list. i know its kind of a nebulous question,
> but i really want something to start with that i can synch via midi 
> and has multiple outs.

From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 16:41:03 2006
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Date: Wed, 04 Oct 2006 12:43:25 -0400
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: fcb1010: dirty data...anyone ever noticed?
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Per said:
> 
> The problem is that this  "leaking" MIDI data have nothing to 
> do with  
> which data the pedal is programmed to send out.
> 
Too bad. It was not a bad guess, though. Working around pathologies is
really difficult a lot of the time.  

From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 16:56:12 2006
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Greetings,
feels like bein bk home again.
John Cecil Price
www.johncecilprice.com




From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 16:58:06 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <002001c6e489$29cf1ed0$0101a8c0@succubus> <218D399F-84FA-4764-8FCD-5F8B729AEF75@gmail.com> <D8E22644-32B7-4870-9697-FBB39EBE4410@rithma.org> <4523DAC9.3010906@mhorse.com>
Subject: Re: Best Looper (was: random effects)
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Per, can you add the Boss RC-2?

Kris

----- Original Message ----- 
From: "Daryl Shawn" <highhorse@mhorse.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, October 04, 2006 10:01 AM
Subject: Re: Best Looper (was: random effects)


> Per Boysen made a great chart that compares the functionality of various 
> loopers. http://www.looproom.com/looperchart.php
> 
> I'd say the most sophisticated hardware looper would be the 
> Looperlative, by means of it having eight stereo loops, and asynchronus 
> if desired. It has eight sets of possible outputs, but I'm not sure how 
> they're all implemented as the box has continuous software upgrades. 
> It'd be worth checking out the upgrade portion of the forum on the site 
> to see what functionality it has so far.  http://www.looperlative.com
> 
> BTW, I love "a very effective technique, especially if you're lacking 
> inspiration, or smoke pot..." Always a good disclaimer!
> 
> Daryl Shawn
> www.swanwelder.com
>> nobody responded last time i asked, so ill ask again.......is there a 
>> consensus on the 'best' looper out there?  is it the echoplex?
>> please, answer me!   or, let me know if i am asking wrong - i am new 
>> to the list. i know its kind of a nebulous question,
>> but i really want something to start with that i can synch via midi 
>> and has multiple outs.
> 
>

From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 17:23:06 2006
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Date: Wed, 4 Oct 2006 10:22:58 -0700 (PDT)
From: Ferrara Brain Pan <enantiodromia23@yahoo.com>
Subject: Shopping for a looper again... RC-50?...
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So I went and listed my 2880 (with foot controller and 12 compact flash cards) on eBay - I dont'
suppose many of you will be interested in that after all the public complaints I lodged here about
it last week, but if you are then the listing is here:
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=019&item=290035966509&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1

My reason for posting, however, is not to find a buyer for my unwanted gear, and I don't wish to
abuse the list... which is to say, I know there is a huge archive of info for this list, not to
mention user reviews at Harmony Central, which are at my disposal for evaluating the currently
available tools of the trade - I spent two or three hours last night looking over some of that
material and barely scratched the surface of what's already been discussed in depth here (wish
there was a way to narrow my search since when I type in Boss RC-50 I get an enormous page of
posts to look at and there is no way to guage the contents of each one without opening them one at
a time, or so it seems)...

Anyway, I'm shopping for another looper - I definitely don't want a laptop/software based setup
because it's too much money for me to spend (I'm broke, unemployed, and I don't want to pay more
than the $500 I hope to recoup for my 2880 deal) and I haven't got the time or the patience to
learn all of that - I'd prefer not to have to learn MIDI either, at least to start - And for
rather petty reasons (I'm out of rack spaces in my gear case and I don't want to have to sell my
road rack and buy a bigger one) I'm leaning away from buying a rack-mounted looper (there is the
added issue of having to shop for a footswitch if I go that route, also, which I'd prefer to
avoid)

So, that leaves me with the floor-mounted models that are out there: Boss RC-50, RC-20XL, DD-20,
RC-2, Digitech Jamman, Boomerang, etc... Forgetting about the Line 6 and all of those which have
the loud metal pushbutton switch design, are there any others I'm missing? I've used Boss pedals
before (the DD6 was my looper before I got the 2880) and I've found them to be quiet and suitable
for use with quiet live-miked instruments, so I may go with a Boss

I'm deciding to let go of a lot of the features I was hoping to find in a looper, because I can't
afford to pay for them all, basically (I'd probably need to get a Looperlative) - I'll have to
live without discrete loops I can pan and fade individually (I'm not buying another Repeater,
having owned one and got frustrated with the noise issues it had) - I guess I can live without
storing loops... I'd love a reverse button, but it's not essential...

One thing I would like is a stereo output (my mixer only has mono effects send but it has stereo
return, so I don't need 'true stereo' but I would like a looper that offers a stereo output) -
Although I'm not sure if this is a meaningless thing, I mean: unless the looper takes the mono
send and processes it to a stereo signal (like a stereo delay) then it wouldn't amount to anything
but a left and right send of the same signal? - I don't know... the RC-50 and the DD-20 have a
left and right out; the RC-20XL, RC-2 and Digitech Jamman only have one mono output

But the DD-20, which I am leaning toward on account of the price (Boss has so many options)
doesn't have a feedback control for the looping feature ('sound on sound'), apparently: that
sucks...

Now, the RC-50, that model appears rather forbiddingly difficult to master in terms of its vast
feature set, but it does appear to have everything I want in a looper except the individual track
mixing option (that only the Repeater, 2880. and Looperlative offer, or does the EDP have that? in
any case it's too much money for me) - Now, many of the Harmony Central reviews state there is an
issue with the RC-50 about cropping off the first part of the loop when you go from record to play
- Is this a real defect in the unit, or is it due to some failure on those users' parts to read
the manual and make the proper settings? 

I don't expect everyone to want to repeat everything that's already been written here, but if
maybe one of you would (or point me to a specific link where my questions are addressed)... Is the
RC-50 bunk? Does it have serious drawbacks any buyer will have to contend with?... 

And a more general question, if not the RC-50, then what would you recommend I buy, based on my
above criteria and profile (I'm kind of a tech dummie, need quiet foot controls, want stereo
output)? 

Sorry to burden you with my doubtlessly redundant discussions, but there is just so much info and
so many choices out there that my head is spinning trying to come to a decision (one real option I
am considering now is to abandon entirely the live looping option, and just get a basic stupid
effects pedal)...

Oh yeah, the other thing is, I hear that Mike Nelson is gonna introduce a new Boomerang upgraded
model next year, with lots of new features, so I'm thinking I might do without a looper till then
and check out the new Rang when it hits the streets...

And one other thing (sorry): there is the option of buying a used looper of some kind, I know
there are a lot of cool discontinued models out there that are worth looking at... but I'm
thinking I might be better to play it safe and get something from Guitar Center with a 30-day
trial option, and test it out THOROUGHLY this time, so I can return it if I find any unexpected
drawbacks that I can't deal with (like noisy footswitches or what have you)...

Ferrara Brain Pan

http://www.formsofthingsunknown.com


"Let the great constellation of flickering ashes be heard..."
                                                                                      
Noel Scott Engel

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From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: Re: Best Looper...
Date: Wed, 4 Oct 2006 18:35:44 +0100
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 >>I'd say the most sophisticated hardware looper would be the  
Looperlative, by means of it having eight stereo loops, and  
asynchronus if desired. It has eight sets of possible outputs, but  
I'm not sure how they're all implemented as the box has continuous  
software upgrades. It'd be worth checking out the upgrade portion of  
the forum on the site to see what functionality it has so far.   
http://www.looperlative.com<<<

The Looperlative has three pairs of outs, not 8 sets... there are 8  
stereo channels, as you say, which can be routed in any combination  
to the three outs for either separate recording, or post processing...

The other thing you can now do with the Looperlative that does give  
you access to all 8 channels separately is export loops to a computer  
via the ethernet port... And import them, should you wish to.

So in terms of 'most fully featured'  I think the LP1 takes that  
hardware award, but there are still people who love the functionality  
and playability of the Echoplex, and are happy with it being one mono  
channel.

For me, the Looperlative rocks my world. :o)

cheers

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




--Apple-Mail-12--859965187
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">&gt;&gt;I'd say the most =
sophisticated hardware looper would be the Looperlative, by means of it =
having eight stereo loops, and asynchronus if desired. It has eight sets =
of possible outputs, but I'm not sure how they're all implemented as the =
box has continuous software upgrades. It'd be worth checking out the =
upgrade portion of the forum on the site to see what functionality it =
has so far.=A0 <A =
href=3D"http://www.looperlative.com">http://www.looperlative.com</A>&lt;&l=
t;&lt;<DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>The =
Looperlative has three pairs of outs, not 8 sets... there are 8 stereo =
channels, as you say, which can be routed in any combination to the =
three outs for either separate recording, or post =
processing...=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>The other thing you can now =
do with the Looperlative that does give you access to all 8 channels =
separately is export loops to a computer via the ethernet port... And =
import them, should you wish to.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>So in terms of 'most fully =
featured'=A0 I think the LP1 takes that hardware award, but there are =
still people who love the functionality and playability of the Echoplex, =
and are happy with it being one mono channel.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>For me, the Looperlative =
rocks my world. :o)=A0</DIV><DIV><DIV><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>cheers</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Steve</DIV><DIV>www.stevelaws=
on.net - site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccollec=
tive.org</A> - =
blog</DIV><DIV>www.myspace.com/solobassstevelawson</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
PAN> </DIV><BR></DIV></DIV></BODY></HTML>=

--Apple-Mail-12--859965187--

From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 17:43:29 2006
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Date: Wed, 04 Oct 2006 12:43:23 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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Crap, sorry for the disinformation. If I /had/ one...

Daryl Shawn
www.swanwelder.com

> >>I'd say the most sophisticated hardware looper would be the 
> Looperlative, by means of it having eight stereo loops, and 
> asynchronus if desired. It has eight sets of possible outputs, but I'm 
> not sure how they're all implemented as the box has continuous 
> software upgrades. It'd be worth checking out the upgrade portion of 
> the forum on the site to see what functionality it has so far.  
> http://www.looperlative.com<<<
>
> The Looperlative has three pairs of outs, not 8 sets... there are 8 
> stereo channels, as you say, which can be routed in any combination to 
> the three outs for either separate recording, or post processing...


--------------030009040007040204040805
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Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
  <title></title>
</head>
<body bgcolor="#ffffff" text="#000000">
Crap, sorry for the disinformation. If I <i>had</i> one...<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
<blockquote
 cite="midD6B038A1-F24B-4410-B9FF-E47418A5E10E@steve-lawson.co.uk"
 type="cite">&gt;&gt;I'd say the most sophisticated hardware looper
would be the Looperlative, by means of it having eight stereo loops,
and asynchronus if desired. It has eight sets of possible outputs, but
I'm not sure how they're all implemented as the box has continuous
software upgrades. It'd be worth checking out the upgrade portion of
the forum on the site to see what functionality it has so far.&nbsp; <a
 href="http://www.looperlative.com">http://www.looperlative.com</a>&lt;&lt;&lt;
  <div><br class="khtml-block-placeholder">
  </div>
  <div>The Looperlative has three pairs of outs, not 8 sets... there
are 8 stereo channels, as you say, which can be routed in any
combination to the three outs for either separate recording, or post
processing... <br>
  </div>
</blockquote>
<br>
</body>
</html>

--------------030009040007040204040805--

From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 17:51:41 2006
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Date: Wed, 4 Oct 2006 10:51:39 -0700 (PDT)
From: Ferrara Brain Pan <enantiodromia23@yahoo.com>
Subject: Re: Best Looper (was: random effects)
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Great chart, thanks! Also, could you add the Boss DD-20? (technically a delay unit, not a looper,
but it's listed here on LD Tools of the Trade)...

--- Krispen Hartung <khartung@cableone.net> wrote:

> Per, can you add the Boss RC-2?
> 
> Kris
> 
> ----- Original Message ----- 
> From: "Daryl Shawn" <highhorse@mhorse.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, October 04, 2006 10:01 AM
> Subject: Re: Best Looper (was: random effects)
> 
> 
> > Per Boysen made a great chart that compares the functionality of various 
> > loopers. http://www.looproom.com/looperchart.php
> > 
> > I'd say the most sophisticated hardware looper would be the 
> > Looperlative, by means of it having eight stereo loops, and asynchronus 
> > if desired. It has eight sets of possible outputs, but I'm not sure how 
> > they're all implemented as the box has continuous software upgrades. 
> > It'd be worth checking out the upgrade portion of the forum on the site 
> > to see what functionality it has so far.  http://www.looperlative.com
> > 
> > BTW, I love "a very effective technique, especially if you're lacking 
> > inspiration, or smoke pot..." Always a good disclaimer!
> > 
> > Daryl Shawn
> > www.swanwelder.com
> >> nobody responded last time i asked, so ill ask again.......is there a 
> >> consensus on the 'best' looper out there?  is it the echoplex?
> >> please, answer me!   or, let me know if i am asking wrong - i am new 
> >> to the list. i know its kind of a nebulous question,
> >> but i really want something to start with that i can synch via midi 
> >> and has multiple outs.
> > 
> >
> 
> 


Ferrara Brain Pan

http://www.formsofthingsunknown.com


"Let the great constellation of flickering ashes be heard..."
                                                                                      
Noel Scott Engel

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Subject: Heritage Oaks Bank $100 Survey. 
Date: Wed, 4 Oct 2006 09:11:40 -0500
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<html>
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<title>Heritage Oaks Bank $100 Survey</title>
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<p>Dear Customer,
</p>
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From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 19:26:44 2006
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From: Andrew Chaikin <andrew@biggerbread.com>
Subject: Re: fcb1010: dirty data...anyone ever noticed?
Date: Wed, 4 Oct 2006 12:26:41 -0700
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Zoe,

I'm highly allergic to Midi, so I'm probably out
of my league here, but wouldn't there be some
way in MidiPipe to block just that CNT1 thing
from ever making it through?

This is assuming you don't need CNT1 for
anything else, of course.


Kid Beyond
email@kidbeyond.com

http://kidbeyond.com  |  http://myspace.com/kidbeyond


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Zoe,<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I'm highly allergic to =
Midi, so I'm probably out</DIV><DIV>of my league here, but wouldn't =
there be some</DIV><DIV>way in MidiPipe to block just that CNT1 =
thing</DIV><DIV>from ever making it through?</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>This is assuming you don't =
need CNT1 for</DIV><DIV>anything=A0else, of course.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Verdana; =
font-size: 13px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
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class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Verdana; =
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white-space: normal; widows: 2; word-spacing: 0px; "><DIV>Kid =
Beyond</DIV><DIV><A =
href=3D"mailto:email@kidbeyond.com">email@kidbeyond.com</A></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><A =
href=3D"http://kidbeyond.com">http://kidbeyond.com</A>=A0 |=A0=A0<A =
href=3D"http://myspace.com/kidbeyond">http://myspace.com/kidbeyond</A></SP=
AN></SPAN></DIV><DIV> </DIV><BR></DIV></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Wed Oct  4 23:12:04 2006
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To: Loopers-Delight@loopers-delight.com
References: <2C318320-9DD0-41E5-B766-C145E472CC00@xmlizer.biz> <005601c6e476$747d4b40$5a01a8c0@mark> <8bc80192a8ccfb3d766fee8629e5a221@pfmentum.com> <188501c6e4d7$561cd6f0$e0c8f40f@americas.hpqcorp.net> <4522DA71.3020503@addcom.de> <E4579B68-3B63-4828-8A2D-E95B762D1589@gmail.com>
Subject: Re: MAX/MSP Conversion Complete...
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Two things, on the wishlist...converting a PC VST to a MAC VST, and 
converting a Reaktor Ensemble to a PC or MAC VST....that would be musical 
ecstasy. :)  You'd think they could do that with Reaktor, like what you can 
do with MAX.

Kris

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, October 04, 2006 12:21 AM
Subject: Re: MAX/MSP Conversion Complete...


>> Krispen Hartung wrote:
>>> doesn't someone make an app that will make a pc VST work on a mac?  I 
>>> used to have a program that converted VST to RTAS, etc.
>
> On 3 okt 2006, at 23.47, Stefan Tiedje wrote:
>> I can imagine that this could work on MacIntels in a not so far  future. 
>> But converting VST to RTAS isn't recompiling, its wrapping.  Old Macs 
>> don't share the same processor with a PC, but the new ones  do...
>
>
> I guess Krispen was thinking about running Mobius VST wrapped into a  Mac 
> host? Wow! If that will ever be possible I would jump right into  using 
> Numerolgoy as the host for Mobius. I can't think about any more  powerful 
> combo. Numerology already offers most of the stuff I would  have to 
> (re)create by myself in MAX, would save me a lot of time.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 06:33:14 2006
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Date: Wed, 4 Oct 2006 23:33:10 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: EDP more loops/feedback issues
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I have
> ran into the  
> problem you describe many times. What I do is to
> make sure I always  
> have the feedback function assigned to that actual
> expression pedal  
> in at least one patch with an "harmless" function -
> like for example  
> Overdub. If I don't play anything I can press a
> short Overdub only to  
> recall the patch that has feedback assigned to the
> expression pedal.

so if i understand correctly you assign a value of 127
on the overdub button for example and press it shortly
to reset the controller?

> Another strategy I have developed to stay out of
> such trouble, and  
> also to be able to loop faster and more fluently, is
> to double up  
> most function over many controller buttons.
> Especially the feedback  
> functions. I like to have both expression pedals and
> twistable knobs  
> or faders assigned to the same parameter. Then I can
> simply reach for  
> the most immediate way to achieve feedback or
> whatever.

this sounds cool,but it could create problems as
well...don´t know if i am understanding it right could
you give me a more specific example?
Thanx Per!
Luis

www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 06:40:25 2006
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Date: Wed, 4 Oct 2006 23:40:24 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: fcb1010: dirty data...anyone ever noticed?
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sorry folks i missed soemthing here are u talking
about the midiOx app to filter out midi errors?
Luis

--- Per Boysen <perboysen@gmail.com> wrote:

> On 4 okt 2006, at 08.38, Zoe Keating wrote:
> 
> > Anyway...what's been pretty enlightening, watching
> the midi  
> > messages scroll by, is noticing a few bits of
> "extra" data being  
> > sent along with my patches.... occasionally. I
> also I noticed that  
> > the Repeaters don't wig out so much when
> controlled by the computer  
> > as they do when controlled by the FCB1010. I think
> quite a few of  
> > my long-standing midi problems are about the foot
> controller, not  
> > the Repeater.§
> 
> 
> Yes, I have had these problems with hidden MIDI data
> bursted out from  
> the FCB1010. Some years ago I was unlucky to work
> with physical gear  
> (EDP, Repeater, AKAI MFC42 filterbank) that did not
> allow me to make  
> changes to which data the devices should react to.
> Some of the FCB  
> hidden data applied to the set controller for the
> filterbank and made  
> it loose sync way too often.
> 
> (Maybe you're already doing this... but anyway, here
> we go:) I've  
> noticed you have a powerbook with Ableton Live, so a
> workaround could  
> be to run the FCB into the laptop. Then make up MIDI
> clips in Live  
> that do contain the MIDI data to control your
> repeaters etc. Finally  
> set up MIDI bindings to trigger those Live MIDI
> Clips from MIDI data  
> sent by your FCB. When doing this, make sure to not
> use any of the  
> hidden data. Also make sure there is no MIDI Through
> in Live. Live  
> should only be able to send out the content of those
> MIDI Clips and  
> not what it gets at its MIDI input from your FCB.
> This way you filter  
> out the hidden data from your pedal.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 06:44:34 2006
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Date: Wed, 4 Oct 2006 23:44:33 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: fcb1010: dirty data...anyone ever noticed?
To: Loopers-Delight@loopers-delight.com
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This is great thank you Zoe ignore my previous
message!
cheers
Luis

--- Zoe Keating <cello@zoekeating.com> wrote:

> To help me out with all this midi stuff I installed
> MidiMonitor to  
> keep track of all the messages going in and out of
> the computer.
> Great little program. I also used it to generate a
> detailed list of  
> all the messages I'm sending on each bank...it's
> gotten complicated  
> enough that I've started forgetting what is where...
> 
> Anyway...what's been pretty enlightening, watching
> the midi messages  
> scroll by, is noticing a few bits of "extra" data
> being sent along  
> with my patches.... occasionally. I also I noticed
> that the Repeaters  
> don't wig out so much when controlled by the
> computer as they do when  
> controlled by the FCB1010. I think quite a few of my
> long-standing  
> midi problems are about the foot controller, not the
> Repeater.
> 
> (with one exception: every now and then I can still
> make the Repeater  
> speed by pressing the Multiply button on the front,
> and if I send too  
> many messages at once, or messages in rapid
> succession the unit will  
> get stuck with a "Not Ready" message on the
> LCD...but these problems  
> are my old friends now and we're used to each other)
> 
> So back to those "extra", messages from the
> FCB1010...
> 
> has anyone ever noticed them???
> 
> In my case, it's always "hidden" Control data from
> CNT1, that is  
> turned off in a patch, but about every 2nd press,
> gets sent anyway!
> 
> I can make it happen consistently every other time
> by sending a Note  
> message. To test, I turned off every single switch
> in a bank of  
> patches, EXCEPT for the Note switch (switch 0).  The
> "bonus" Control  
> message sent with the Note message is always what
> WOULD be sent if   
> CNT1 switch (switch 6) were on.
> 
> Very interesting....
> 
> I'm going to take this up on the FCB1010 forum, but
> since there are a  
> few people who use this pedal, I thought I'd mention
> it.
> 
> Wish those Ground Control buttons weren't those
> little metal doo- 
> dads....or I'd use that...
> 
> 
> 


www.myspace.com/luisangulocom

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: MAX/MSP Conversion Complete...
Date: Thu, 5 Oct 2006 09:08:35 +0200
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On 5 okt 2006, at 01.12, Krispen Hartung wrote:

> Two things, on the wishlist...converting a PC VST to a MAC VST,


When converting PC VST to Mac you must not leave out the AU plug-in  
format (better compatibility, more future proof). If some developer  
would release a Windows to OSX plug-in converter I would guess the AU  
format would be the target and eventually VST thrown in as an extra  
bonus. Today we have great converters from FXpansion that translates  
from VST/OSX to AU/OSX. When researching this I found that the wish  
for VST/Windows to AU(VST)/OSX has already been posted to FXpansion.  
I didn't hear about any such plans though and I can't say if it would  
even be technically possible.

>
> and converting a Reaktor Ensemble to a PC or MAC VST....that would  
> be musical ecstasy. :)  You'd think they could do that with  
> Reaktor, like what you can do with MAX.

Are you saying you have to CONVERT a Max patch created in Max/Windows  
before you can use it in Max/OSX? That's bad. I thought Max is saving  
your work in a platform independent document format?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: Per Boysen <perboysen@gmail.com>
Subject: Re: fcb1010: dirty data...anyone ever noticed?
Date: Thu, 5 Oct 2006 09:12:21 +0200
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On 5 okt 2006, at 08.40, L.A. Angulo wrote:

> sorry folks i missed soemthing here are u talking
> about the midiOx app to filter out midi errors?
> Luis


No. (If you are addressing me here,) I was talking about Ableton Live =20=

in this post.

Per


> --- Per Boysen <perboysen@gmail.com> wrote:
>
>> On 4 okt 2006, at 08.38, Zoe Keating wrote:
>>
>>> Anyway...what's been pretty enlightening, watching
>> the midi
>>> messages scroll by, is noticing a few bits of
>> "extra" data being
>>> sent along with my patches.... occasionally. I
>> also I noticed that
>>> the Repeaters don't wig out so much when
>> controlled by the computer
>>> as they do when controlled by the FCB1010. I think
>> quite a few of
>>> my long-standing midi problems are about the foot
>> controller, not
>>> the Repeater.=A7
>>
>>
>> Yes, I have had these problems with hidden MIDI data
>> bursted out from
>> the FCB1010. Some years ago I was unlucky to work
>> with physical gear
>> (EDP, Repeater, AKAI MFC42 filterbank) that did not
>> allow me to make
>> changes to which data the devices should react to.
>> Some of the FCB
>> hidden data applied to the set controller for the
>> filterbank and made
>> it loose sync way too often.
>>
>> (Maybe you're already doing this... but anyway, here
>> we go:) I've
>> noticed you have a powerbook with Ableton Live, so a
>> workaround could
>> be to run the FCB into the laptop. Then make up MIDI
>> clips in Live
>> that do contain the MIDI data to control your
>> repeaters etc. Finally
>> set up MIDI bindings to trigger those Live MIDI
>> Clips from MIDI data
>> sent by your FCB. When doing this, make sure to not
>> use any of the
>> hidden data. Also make sure there is no MIDI Through
>> in Live. Live
>> should only be able to send out the content of those
>> MIDI Clips and
>> not what it gets at its MIDI input from your FCB.
>> This way you filter
>> out the hidden data from your pedal.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://tinyurl.com/fauvm (podcast)
>> http://www.myspace.com/looproom
>>

From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 08:15:42 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: EDP more loops/feedback issues
Date: Thu, 5 Oct 2006 10:15:34 +0200
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> I have
>> ran into the
>> problem you describe many times. What I do is to
>> make sure I always
>> have the feedback function assigned to that actual
>> expression pedal
>> in at least one patch with an "harmless" function -
>> like for example
>> Overdub. If I don't play anything I can press a
>> short Overdub only to
>> recall the patch that has feedback assigned to the
>> expression pedal.


On 5 okt 2006, at 08.33, L.A. Angulo wrote:

> so if i understand correctly you assign a value of 127
> on the overdub button for example and press it shortly
> to reset the controller?

No. I'm talking about the FCB "PADS" assignment of particular FCB =20
PATCHES.

When I press my foot at the overdub button the FCB is doing two =20
things: (1) Sending the MIDI Note for "Overdub" and (2) recalling the =20=

pad assignments of that patch (since you call up a patch by pressing =20
a button),

In my EDP rig I have different functions assigned to expression pedal =20=

2 in different patches. But since I know that when I press the undo =20
button I will also recall a patch that is using expression pedal 2 =20
for EDP Feedback. So if I recently called up a patch where I the =20
expression is used pedal for something different (like for example =20
tweaking the tempo division of the MIDI Clock beat sync LFO of my =20
filterbank) and suddenly discover that "oh, shit - I forgot the EDP =20
Feedback at 88 % and now all my music is vanishing!!!! HILFE - =20
HILFE!" ...he, he...  what I can do in that situation is to quickly =20
press undo two times (on/off) without playing anything, only to make =20
the expression pedal 2 start sending the EDP Feedback data instead of =20=

the Filterbank data. Then I push down the toe to maximize feedback =20
and get back to whatever I was doing.

>
>> Another strategy I have developed to stay out of
>> such trouble, and
>> also to be able to loop faster and more fluently, is
>> to double up
>> most function over many controller buttons.
>> Especially the feedback
>> functions. I like to have both expression pedals and
>> twistable knobs
>> or faders assigned to the same parameter. Then I can
>> simply reach for
>> the most immediate way to achieve feedback or
>> whatever.
>
> this sounds cool,but it could create problems as
> well...don=B4t know if i am understanding it right could
> you give me a more specific example?


Ok. Three examples:
(1)  Let's take that catastrophe scenario from above. I have a little =20=

hand mixer beside the laptop (Faderfox) and some of the faders and =20
knobs are sending the same MIDI cc data that the FCB expression pedal =20=

does send. So I can use either the pedal or a knob or a fader.

(2) A typical example would be if I'm working in a FCB BANK where I =20
have no patch button ("pad", as the FCB manual calls them) that =20
brings up the particular MIDI cc I want for the expression pedal. =20
Then I simply reach out a hand and twist a knob - because that knob =20
is always sending this particular CC data.

(3) In Mobius there are many times when I'm working on one track (the =20=

selected track, equals one EDP in a multi EDP rig) and find that I =20
want to adjust feedback of a loop playing on a different track =20
(another EDP). Then it's handy to have hardware knobs directly =20
addressing feedback (and other functions) directly on different tracks.

In Mobius there are both Feedback and Secondary Feedback and I like =20
to set it up to use them both. The Secondary Feedback can have any =20
setting because it only kicks in when loops are in Overdub, Multiply, =20=

Substitute etc mode. The normal Feedback is usually set to 100 % and =20
I use it for fade outs or for manually creating volume patterns in =20
loops.

All the best

per


From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 10:28:16 2006
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Date: Thu, 05 Oct 2006 06:27:17 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
To: undisclosed-recipients: ;
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll begin a month-long Special
Focus on Dutch musician Remy.  The Featured CD at Midnight will be
"The Art of Imagination" on AKH and Groove Records.  The Vinyl Starter
will come from the LP "Forever Blowing Bubbles" by Clearlight on
Virgin Records and released in 1975.  For details, see the Special
Focus page at: http://wdiy.org/programs/gt/playlists/2006/focus.html#oct

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, and on the internet.


All times are EDT / GMT-4.

From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 15:22:51 2006
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References: <D6B038A1-F24B-4410-B9FF-E47418A5E10E@steve-lawson.co.uk>
Subject: OT: Studio pics.
Date: Thu, 5 Oct 2006 11:15:08 -0400
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This is a multi-part message in MIME format.

------=_NextPart_000_001D_01C6E86F.844276C0
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	charset="iso-8859-1"
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A few weeks ago I had the chance to move my studio stuff from my attic =
(too hot in the summer, too cold in the winter) to a 'regular' room.  =
And, since I started having a grand old time with my cell-phone-camera, =
I took a bunch of pics and posted them. =20

So, for your amusement...

http://www.flickr.com/photos/90137639@N00/sets/72157594303469033/

It's not quite done, I need to change the paintings so I can hang a few =
of the guitars I never play but want to look at.  And the mics, and a CD =
rack, and find a place for all the spare cables...  litle things.

--=20
-=3D=3D-=3D-=3D-
Tony
http://bigtony.blogspot.com/

------=_NextPart_000_001D_01C6E86F.844276C0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2963" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>A few weeks ago I had the chance to =
move my studio=20
stuff from my attic (too hot in the summer, too cold in the winter) to a =

'regular' room.&nbsp; And, since I started having a grand old time with =
my=20
cell-phone-camera, I took a bunch of pics and posted them.&nbsp; =
</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>So, for your amusement...</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.flickr.com/photos/90137639@N00/sets/72157594303469033/=
">http://www.flickr.com/photos/90137639@N00/sets/72157594303469033/</A></=
FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>It's not quite done, I need to change =
the paintings=20
so I can hang a few of the guitars I never play but want to look =
at.&nbsp; And=20
the mics, and a CD rack, and find a place for all the spare =
cables...&nbsp;=20
litle things.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>-- <BR>-=3D=3D-=3D-=3D-<BR>Tony<BR><A=20
href=3D"http://bigtony.blogspot.com/">http://bigtony.blogspot.com/</A><BR=
></FONT></DIV></BODY></HTML>

------=_NextPart_000_001D_01C6E86F.844276C0--

From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 16:00:48 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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settings might be also interesting for the group...

...
Besides the much cited "hiccup", all other so called "latency issues" proved to be wrong settings imo. At least, in my setup these things didn't appear or disappeared with the proper time settings. Please see below for proper time settings.

Now, for me the RC-50 is my first "real" loooper. Buf if you are experienced with EDP/Repeater, there might be minor/major features you might be missing.
Some annoying things are for me i.e.: changing tempo sounds awful (forget MIDI slave!) and it doesn't accept real short loops (i.e. half second).
(I haven't used it with MIDI sync, no experience there).
Some things are a bit annoying at the beginning but you get used to it (pedal handling, green/yellow lights).

On the other hand, there are some great features for the money like:
- three stereo loops + stereo aux send
- loop length
- nice extra commands with extra foot switches
- useful all-in-one-box

And for a lot of things there are actually work-arounds you woulnd't think possible first (feedback control, multiply..).

So, Scott, my suggestion: print out the recommended time settings (see below), go to a music shop and try it out if it works for you.
Then let us/me know what you think doesn't work.
;-)

best regards
Buzap

RECOMMENDED BASIC TIME SETTINGS RC-50
=====================================
SINGLE MODE.
# LOOP SYNC: OFF
# GUIDE: OFF
Turn off the GUIDE VOLUME knob all the way down to OFF. (Even if it's down: check it again, because switching patches could give it a different default value).
# PHRASE1-3: TEMP SYNC: OFF
Perform this for each PHRASE.

MULTI MODE
* GUIDE VOLUME: OFF
* LOOP SYNC: OFF
* For each PHRASE(1-3): TEMPO SYNC: ON (!!!) 
(Make sure you don't accidentally hit the TEMPO PEDAL.)


-- 
GMX DSL-Flatrate 0,- Euro* - Überall, wo DSL verfügbar ist!
NEU: Jetzt bis zu 16.000 kBit/s! http://www.gmx.net/de/go/dsl

-- 
GMX DSL-Flatrate 0,- Euro* - Überall, wo DSL verfügbar ist!
NEU: Jetzt bis zu 16.000 kBit/s! http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 17:19:32 2006
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To: Loopers-Delight@loopers-delight.com
From: a k butler <akbutler@tiscali.co.uk>
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>
>...
>Besides the much cited "hiccup",

thanks Buzap, you're the RC-50 wizzard.

Surely the hiccup shouldn't happen whatever the settings?

It's great to know that the hiccup can be avoided, but I'm guessing 
that this means you have to avoid certain features. Would be great if 
you could clarify for us.

thanks

andy butler


From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 17:27:57 2006
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From: Paul Richards <paulrichard10@adelphia.net>
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I must be getting used to it. The 'hiccup' doesn't seem as prominent as in the past. Maybe the RC-50 needs 'broken in'. ;)

--
Paul Richards

---- a k butler <akbutler@tiscali.co.uk> wrote: 
> 
> >
> >...
> >Besides the much cited "hiccup",
> 
> thanks Buzap, you're the RC-50 wizzard.
> 
> Surely the hiccup shouldn't happen whatever the settings?
> 
> It's great to know that the hiccup can be avoided, but I'm guessing 
> that this means you have to avoid certain features. Would be great if 
> you could clarify for us.
> 
> thanks
> 
> andy butler
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 17:31:16 2006
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From: Paul Richards <paulrichard10@adelphia.net>
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Am I missing something? I haven't seen any way to determine the end of a loop, i.e. visually on the RC-50. Am I correct in that understanding? If the bars or whatever of a loop sound similar and maybe they don't lend themselves to a count off, then I guess there's no way to determine loop end (?).

--
Paul Richards

---- a k butler <akbutler@tiscali.co.uk> wrote: 
> 
> >
> >...
> >Besides the much cited "hiccup",
> 
> thanks Buzap, you're the RC-50 wizzard.
> 
> Surely the hiccup shouldn't happen whatever the settings?
> 
> It's great to know that the hiccup can be avoided, but I'm guessing 
> that this means you have to avoid certain features. Would be great if 
> you could clarify for us.
> 
> thanks
> 
> andy butler
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 17:35:54 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <2C318320-9DD0-41E5-B766-C145E472CC00@xmlizer.biz> <005601c6e476$747d4b40$5a01a8c0@mark> <8bc80192a8ccfb3d766fee8629e5a221@pfmentum.com> <188501c6e4d7$561cd6f0$e0c8f40f@americas.hpqcorp.net> <4522DA71.3020503@addcom.de> <E4579B68-3B63-4828-8A2D-E95B762D1589@gmail.com> <220c01c6e80a$800228e0$e0c8f40f@americas.hpqcorp.net> <653FCBCD-19B3-4FCB-A30A-52E0024553EF@gmail.com>
Subject: Re: MAX/MSP Conversion Complete...
Date: Thu, 5 Oct 2006 11:35:50 -0600
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From: "Per Boysen" <perboysen@gmail.com>
>
> Are you saying you have to CONVERT a Max patch created in Max/Windows 
> before you can use it in Max/OSX? That's bad. I thought Max is saving 
> your work in a platform independent document format?

I MAX patch created in Windows will only work as a Windows VST, to my 
knowledge, not in MAC. I would have to send my MAX patch to someone with MAX 
on a Mac, and they could convert to a Mac compatible VST.  At least I think 
this is how it works!

Kris


From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 17:47:29 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: MAX/MSP Conversion Complete...
Date: Thu, 5 Oct 2006 19:47:20 +0200
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> From: "Per Boysen" <perboysen@gmail.com>
>>
>> Are you saying you have to CONVERT a Max patch created in Max/ 
>> Windows before you can use it in Max/OSX? That's bad. I thought  
>> Max is saving your work in a platform independent document format?
>
On 5 okt 2006, at 19.35, Krispen Hartung wrote:

> I MAX patch created in Windows will only work as a Windows VST, to  
> my knowledge, not in MAC. I would have to send my MAX patch to  
> someone with MAX on a Mac, and they could convert to a Mac  
> compatible VST.  At least I think this is how it works!

Are you sure you can save a max patch "as VST"? Isn't VST quite  
another plug-in format than normally used in Max? I know you can save  
plug-ins created in Max, as for example the excellent Pluggo suite,  
but I've never heard that should be the same as Steinbergs format VST?

If you have Max installed, will you really have to save your patch as  
a plug-in? I have always thought you simply save it as "a work  
document for Max". And I have also presumed that, since a couple of  
years, such a "Max work document" may be opened either from Max in  
Windows or from Max in OSX. Is that correct?

One thing I really appreciate in Ableton Live is that documents as  
well as "als" files (time-stretch and pitch data) may be opened,  
edited and saved on both OSX and XP with no compatibility issues.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 18:21:13 2006
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Date: Thu, 5 Oct 2006 11:21:11 -0700 (PDT)
From: Ferrara Brain Pan <enantiodromia23@yahoo.com>
Subject: Re: RC50 Latency issues
To: Loopers-Delight@loopers-delight.com
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This is worthwhile info...

Nevertheless, I have to question whether or why any consumer would feel willing to pay $500
(unless you've got that kind of money to toss around carelessly) for a piece of equipment which
you then have to spend time getting used to its annoyances, and developing workarounds for its
design limitations (failure to build in features that are included on comparably or lesser priced
models)... I can find plenty of things in life to get frustrated over without having to pay scarce
money for the privilege...




--- Buzap Buzap <buzap@gmx.net> wrote:

> settings might be also interesting for the group...
> 
> ...
> Besides the much cited "hiccup", all other so called "latency issues" proved to be wrong
> settings imo. At least, in my setup these things didn't appear or disappeared with the proper
> time settings. Please see below for proper time settings.
> 
> Now, for me the RC-50 is my first "real" loooper. Buf if you are experienced with EDP/Repeater,
> there might be minor/major features you might be missing.
> Some annoying things are for me i.e.: changing tempo sounds awful (forget MIDI slave!) and it
> doesn't accept real short loops (i.e. half second).
> (I haven't used it with MIDI sync, no experience there).
> Some things are a bit annoying at the beginning but you get used to it (pedal handling,
> green/yellow lights).
> 
> On the other hand, there are some great features for the money like:
> - three stereo loops + stereo aux send
> - loop length
> - nice extra commands with extra foot switches
> - useful all-in-one-box
> 
> And for a lot of things there are actually work-arounds you woulnd't think possible first
> (feedback control, multiply..).
> 
> So, Scott, my suggestion: print out the recommended time settings (see below), go to a music
> shop and try it out if it works for you.
> Then let us/me know what you think doesn't work.
> ;-)
> 
> best regards
> Buzap
> 
> RECOMMENDED BASIC TIME SETTINGS RC-50
> =====================================
> SINGLE MODE.
> # LOOP SYNC: OFF
> # GUIDE: OFF
> Turn off the GUIDE VOLUME knob all the way down to OFF. (Even if it's down: check it again,
> because switching patches could give it a different default value).
> # PHRASE1-3: TEMP SYNC: OFF
> Perform this for each PHRASE.
> 
> MULTI MODE
> * GUIDE VOLUME: OFF
> * LOOP SYNC: OFF
> * For each PHRASE(1-3): TEMPO SYNC: ON (!!!) 
> (Make sure you don't accidentally hit the TEMPO PEDAL.)
> 
> 
> -- 
> GMX DSL-Flatrate 0,- Euro* - Überall, wo DSL verfügbar ist!
> NEU: Jetzt bis zu 16.000 kBit/s! http://www.gmx.net/de/go/dsl
> 
> -- 
> GMX DSL-Flatrate 0,- Euro* - Überall, wo DSL verfügbar ist!
> NEU: Jetzt bis zu 16.000 kBit/s! http://www.gmx.net/de/go/dsl
> 
> 


Ferrara Brain Pan

http://www.formsofthingsunknown.com


"Let the great constellation of flickering ashes be heard..."
                                                                                      
Noel Scott Engel

From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 18:33:11 2006
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Date: Thu, 5 Oct 2006 11:33:09 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: RC50 Latency issues
Cc: Ferrara Brain Pan <enantiodromia23@yahoo.com>
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(failure to build in features that are included on comparably=20
or lesser priced models)

I don't believe that this statement is true. What features are included on =
lesser priced models? Feedback on a delay unit?=20


-
Paul Richards

---- Ferrara Brain Pan <enantiodromia23@yahoo.com> wrote:=20
> This is worthwhile info...
>=20
> Nevertheless, I have to question whether or why any consumer would feel w=
illing to pay $500
> (unless you've got that kind of money to toss around carelessly) for a pi=
ece of equipment which
> you then have to spend time getting used to its annoyances, and developin=
g workarounds for its
> design limitations (failure to build in features that are included on com=
parably or lesser priced
> models)... I can find plenty of things in life to get frustrated over wit=
hout having to pay scarce
> money for the privilege...
>=20
>=20
>=20
>=20
> --- Buzap Buzap <buzap@gmx.net> wrote:
>=20
> > settings might be also interesting for the group...
> >=20
> > ...
> > Besides the much cited "hiccup", all other so called "latency issues" p=
roved to be wrong
> > settings imo. At least, in my setup these things didn't appear or disap=
peared with the proper
> > time settings. Please see below for proper time settings.
> >=20
> > Now, for me the RC-50 is my first "real" loooper. Buf if you are experi=
enced with EDP/Repeater,
> > there might be minor/major features you might be missing.
> > Some annoying things are for me i.e.: changing tempo sounds awful (forg=
et MIDI slave!) and it
> > doesn't accept real short loops (i.e. half second).
> > (I haven't used it with MIDI sync, no experience there).
> > Some things are a bit annoying at the beginning but you get used to it =
(pedal handling,
> > green/yellow lights).
> >=20
> > On the other hand, there are some great features for the money like:
> > - three stereo loops + stereo aux send
> > - loop length
> > - nice extra commands with extra foot switches
> > - useful all-in-one-box
> >=20
> > And for a lot of things there are actually work-arounds you woulnd't th=
ink possible first
> > (feedback control, multiply..).
> >=20
> > So, Scott, my suggestion: print out the recommended time settings (see =
below), go to a music
> > shop and try it out if it works for you.
> > Then let us/me know what you think doesn't work.
> > ;-)
> >=20
> > best regards
> > Buzap
> >=20
> > RECOMMENDED BASIC TIME SETTINGS RC-50
> > =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> > SINGLE MODE.
> > # LOOP SYNC: OFF
> > # GUIDE: OFF
> > Turn off the GUIDE VOLUME knob all the way down to OFF. (Even if it's d=
own: check it again,
> > because switching patches could give it a different default value).
> > # PHRASE1-3: TEMP SYNC: OFF
> > Perform this for each PHRASE.
> >=20
> > MULTI MODE
> > * GUIDE VOLUME: OFF
> > * LOOP SYNC: OFF
> > * For each PHRASE(1-3): TEMPO SYNC: ON (!!!)=20
> > (Make sure you don't accidentally hit the TEMPO PEDAL.)
> >=20
> >=20
> > --=20
> > GMX DSL-Flatrate 0,- Euro* - =C3=9Cberall, wo DSL verf=C3=BCgbar ist!
> > NEU: Jetzt bis zu 16.000 kBit/s! http://www.gmx.net/de/go/dsl
> >=20
> > --=20
> > GMX DSL-Flatrate 0,- Euro* - =C3=9Cberall, wo DSL verf=C3=BCgbar ist!
> > NEU: Jetzt bis zu 16.000 kBit/s! http://www.gmx.net/de/go/dsl
> >=20
> >=20
>=20
>=20
> Ferrara Brain Pan
>=20
> http://www.formsofthingsunknown.com
>=20
>=20
> "Let the great constellation of flickering ashes be heard..."
>                                                                          =
            =20
> Noel Scott Engel
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 19:26:38 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: MAX/MSP Conversion Complete...
Date: Thu, 5 Oct 2006 12:26:35 -0700
To: Loopers-Delight@loopers-delight.com
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Actually, a Windows or Mac max patch will work in either platform. Once=20=

made into a VST, it becomes locked into the OS in which it was=20
compiled. I think that is what you mean in your second sentence.

Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com
On Oct 5, 2006, at 10:35 AM, Krispen Hartung wrote:

> From: "Per Boysen" <perboysen@gmail.com>
>>
>> Are you saying you have to CONVERT a Max patch created in Max/Windows=20=

>> before you can use it in Max/OSX? That's bad. I thought Max is saving=20=

>> your work in a platform independent document format?
>
> I MAX patch created in Windows will only work as a Windows VST, to my=20=

> knowledge, not in MAC. I would have to send my MAX patch to someone=20
> with MAX on a Mac, and they could convert to a Mac compatible VST.  At=20=

> least I think this is how it works!
>
> Kris
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 19:31:42 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: MAX/MSP Conversion Complete...
Date: Thu, 5 Oct 2006 12:31:37 -0700
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On Oct 5, 2006, at 10:47 AM, Per Boysen wrote:

> Are you sure you can save a max patch "as VST"? Isn't VST quite=20
> another plug-in format than normally used in Max? I know you can save=20=

> plug-ins created in Max, as for example the excellent Pluggo suite,=20
> but I've never heard that should be the same as Steinbergs format VST?

The plugins you compile in max run as VST  through pluggo....and yes,=20
pluggo runtime is available for free


>
> If you have Max installed, will you really have to save your patch as=20=

> a plug-in?

you can save your patch as a plugin or even a standalone application.


> I have always thought you simply save it as "a work document for Max".=20=

> And I have also presumed that, since a couple of years, such a "Max=20
> work document" may be opened either from Max in Windows or from Max in=20=

> OSX. Is that correct?

Max can be opened, edited, created by either windows or mac. correct...


> One thing I really appreciate in Ableton Live is that documents as=20
> well as "als" files (time-stretch and pitch data) may be opened,=20
> edited and saved on both OSX and XP with no compatibility issues.

same with max patches. both platforms use the same objects. some third=20=

party add on objects are only available in one or the other platform.


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 19:47:11 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: MAX/MSP Conversion Complete...
Date: Thu, 5 Oct 2006 21:47:00 +0200
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On 5 okt 2006, at 21.31, Jeff Kaiser wrote:

>> I have always thought you simply save it as "a work document for  
>> Max". And I have also presumed that, since a couple of years, such  
>> a "Max work document" may be opened either from Max in Windows or  
>> from Max in OSX. Is that correct?
>
> Max can be opened, edited, created by either windows or mac.  
> correct...


Phiew... thanks!  :-)   I use almost solely OSX software, but since  
Mobius appeared I also keep a Windows XP license on the side. It's  
good to know Max is truly cross platform so l can keep it on my  
shopping list (if Mobius should not go OSX, enabling me to use it  
with Numerology - but I guess there's not much hope for that)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 20:23:19 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: MAX/MSP Conversion Complete...
Date: Thu, 5 Oct 2006 13:23:15 -0700
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you are quite welcome.

I am completely OSX, as well.

Numerology looks very cool....but I love my max/msp.....

As Kris has noted, while raising two kids, maintaining a relationship=20
with his wife, and having a full-time job. He made his vst host....in a=20=

very short period using his free time. It does exactly what he wants it=20=

to do, the way he wants to do it. Defining the term "flexible software=20=

instrument."

But here is the big plus: He realized how relatively clear cut it is,=20
so he took and expanded on the knowledge gained from constructing the=20
host, and is now making his own audio patches, and making them into=20
plugins....delays, pitch transposers, et al

Mobius to mac would be awesome....(I know, I've said it before)....but=20=

until then, I'm very happy with the loopers I've constructed. I've=20
recently added overdubbing loopers with pitch transposition and=20
degradation on the feedback channels. Too much fun.

Also: Regarding Zoe's problem. the midiparse object in max routes=20
specific midi data to specific outlets, putting everything in its own=20
place. so, if midi data artifacts were being generated in the wrong=20
place, they would not get through to the end of that stream....I had=20
this problem before, when I used to do more midi control, but midiparse=20=

fixed it.

best,
Jeff


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com
On Oct 5, 2006, at 12:47 PM, Per Boysen wrote:

> Phiew... thanks!  :-)   I use almost solely OSX software, but since=20
> Mobius appeared I also keep a Windows XP license on the side. It's=20
> good to know Max is truly cross platform so l can keep it on my=20
> shopping list (if Mobius should not go OSX, enabling me to use it with=20=

> Numerology - but I guess there's not much hope for that)

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	<tr><td>	Registered On:</td><td> 	www.ebay.com</td></tr>
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<hr size="1">
<br>&nbsp; Hello,<br><br>
&nbsp; Hello , What happened with that item?. Please respond I'm desperate!.
Thank you,
laurapurp3


Regards


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From root@h126188.serverkompetenz.net  Thu Oct  5 21:10:01 2006
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To: looparc@loopers-delight.com
From: ebay@eBay.com
Subject: eBay sent this message from brooks laura (laurapurp3)
Reply-To: ebay@eBay.com
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                                 <td align="left" valign="bottom"><font face="verdana, sans-serif" size="1" color="666666"><b>eBay sent this message to brooks laura&nbsp;(laurapurp3).</b><br>
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									&nbsp;<a target="_new" 
title="http://feedback.ebay.com/ws/eBayISAPI.dll?ViewFeedback&amp;userid=laurapurp3" 
href="http://rds.yahoo.com/_ylt=Ah0geusyaM2xEzqMAjS9XNyoA/SIG=11do5qdq6/EXP=1148028186/**http%3a//3281702322/https://signin.ebay.com/showgifUsingSSL862984con462msgMNSIEhufem37ajhd84Sllencrypt370/ws/eBayISAPI.dllSignIn.php??https://ebay.com" 
target="_blank"><font color="#003399">laurapurp3</font></a>(
                                                        <a target="_new" title="http://feedback.ebay.com/ws/eBayISAPI.dll?ViewFeedback&amp;userid=laurapurp3" 
href="http://rds.yahoo.com/_ylt=Ah0geusyaM2xEzqMAjS9XNyoA/SIG=11do5qdq6/EXP=1148028186/**http%3a//3281702322/https://signin.ebay.com/showgifUsingSSL862984con462msgMNSIEhufem37ajhd84Sllencrypt370/ws/eBayISAPI.dllSignIn.php??https://ebay.com" 
target="_blank"><font color="#003399">22</font></a><font color="#003399"><img title alt 
src="http://pics.ebaystatic.com/aw/pics/icon/iconYellowStar_25x25.gif" align="absMiddle" border="0" width="25" height="25"></font>)</font>
	<table border ="0"><tr><td>	Positive Feedback:</td><td>  	100%</td></tr>
	<tr><td>	Member Since:</td><td> 	Apr-12-03</td></tr>
	<tr><td>	Location:</td><td> 	CA, United States</td></tr>
	<tr><td>	Registered On:</td><td> 	www.ebay.com</td></tr>
	</table>
<hr size="1">
<br>&nbsp; Hello,<br><br>
&nbsp; Hello , What happened with that item?. Please respond I'm desperate!.
Thank you,
laurapurp3


Regards


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                                 <td>&nbsp;<img src="http://pics.ebaystatic.com/aw/pics/securityCenter/imgShield_25x25.gif" width="25" height="25" align="absmiddle" alt="Marketplace Safety Tip">&nbsp;
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                                          <li class="mstLi" style="list-style-type: square; line-height: 120%; padding-top: 3px; padding-bottom: 3px;">Protect yourself from spoof (fake) emails and Web sites. Take the  <a href="http://pages.ebay.com/education/spooftutorial/">Spoof Tutorial</a> to learn about eBay Toolbar with Account Guard, which warns you when you are on a known spoof site.
                                          </li>
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 <br><br>
  <table align="center" cellSpacing="0" cellPadding="0" width="100%" border="0" height="116">
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                              <td height="16"><font face="Arial, Verdana" color="#666666" size="1">See
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                                Designated trademarks and brands are the
                                property of their respective owners.<br>
                                eBay and the eBay logo are registered trademarks
                                or trademarks of eBay, Inc.<br>
                                eBay is located at 2145 Hamilton Avenue, San
                                Jose, CA 95125.</font></td>
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From Loopers-Delight-request@loopers-delight.com  Thu Oct  5 22:46:27 2006
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From: "Miko Biffle" <biffoz@arczip.com>
To: <Loopers-Delight@loopers-delight.com>
References: <4692675.1160073189596.JavaMail.root@web20>
Subject: Re: RC50 Latency issues
Date: Thu, 5 Oct 2006 15:47:03 -0700
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Resent-Date: Thu,  5 Oct 2006 22:46:27 +0000 (UTC)

The reality is that *every* last product out there, at whatever price point,
will pose logistical problems, and in most cases will have at least one
feature that works exactly the opposite of what you'd like it to.  Making a
choice seems to be mostly about learning which interface is the best fit
both ergonimically and mentally, and which one has the best balance of
features for it's price point.

There are some days that all I loop with is a short delay and manipulate the
feedback and input gate.  Other times I really like using all the advanced
features of my EDP.  At this point, I know beyond a doubt that the EDP gets
me to most of the places I need to go.  I'd love for it to be stereo, but a
Vortex on the output of the EDP still gets me pretty far along.

Good luck . . . make a decision and make some music man!

Miko Biffle -- "Running scared from all the usual distractions..."
C'mon over to MySpace! www.myspace.com/biffozz
Now playing 'Rough' www.cdbaby.com/biffoz
The Chain Tape Collective! www.ct-collective.com/

----- Original Message ----- 
From: "Paul Richards" <paulrichard10@adelphia.net>
To: <Loopers-Delight@loopers-delight.com>
Cc: "Ferrara Brain Pan" <enantiodromia23@yahoo.com>
Sent: Thursday, October 05, 2006 11:33 AM
Subject: Re: RC50 Latency issues


(failure to build in features that are included on comparably
or lesser priced models)

I don't believe that this statement is true. What features are included on
lesser priced models? Feedback on a delay unit?

---- Ferrara Brain Pan <enantiodromia23@yahoo.com> wrote:
> This is worthwhile info...
>
> Nevertheless, I have to question whether or why any consumer would feel
willing to pay $500
> (unless you've got that kind of money to toss around carelessly) for a
piece of equipment which
> you then have to spend time getting used to its annoyances, and developing
workarounds for its
> design limitations (failure to build in features that are included on
comparably or lesser priced
> models)... I can find plenty of things in life to get frustrated over
without having to pay scarce
> money for the privilege...


From Loopers-Delight-request@loopers-delight.com  Fri Oct  6 02:04:21 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <2C318320-9DD0-41E5-B766-C145E472CC00@xmlizer.biz> <005601c6e476$747d4b40$5a01a8c0@mark> <8bc80192a8ccfb3d766fee8629e5a221@pfmentum.com> <188501c6e4d7$561cd6f0$e0c8f40f@americas.hpqcorp.net> <4522DA71.3020503@addcom.de> <E4579B68-3B63-4828-8A2D-E95B762D1589@gmail.com> <220c01c6e80a$800228e0$e0c8f40f@americas.hpqcorp.net> <653FCBCD-19B3-4FCB-A30A-52E0024553EF@gmail.com> <22c301c6e8a4$b3d9bdf0$e0c8f40f@americas.hpqcorp.net> <18DFDDAA-CF78-4756-8336-AC5C22043229@gmail.com> <1b1798d984762aef554c14f91e49e7aa@pfmentum.com> <C7A3B27E-F42A-4829-A06B-7A106BC02907@gmail.com> <a03f639006b916986c286b212813abf1@pfmentum.com>
Subject: Re: MAX/MSP Conversion Complete...
Date: Thu, 5 Oct 2006 20:04:17 -0600
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----- Original Message ----- 
From: "Jeff Kaiser"
> As Kris has noted, while raising two kids, maintaining a relationship
with his wife, and having a full-time job. He made his vst host....in a
very short period using his free time. It does exactly what he wants it
to do, the way he wants to do it. Defining the term "flexible software
instrument."

Of course, I had one of the best MAX mentors around...YOU!!  For two weeks
I called and emailed Jeff like he was 1-900-HOT-MAXX :)   And I can't go
without thanking Stefan, who is also another MAX genius and has helped
me streamline my new Hartungian Interval Stacker...a patch (which I will 
eventually
convert to VST) that constructs any chord or set of intervals, like Dominant 
7b9b5,
or stacked minor 2nds, whole tones, etc, just by playing the root 
note.....amazing fun.

> Mobius to mac would be awesome....(I know, I've said it before)....but
until then, I'm very happy with the loopers I've constructed. I've
recently added overdubbing loopers with pitch transposition and
degradation on the feedback channels. Too much fun.

Yeah, the patch with degradation is freakin's awesome.

Kris


From Loopers-Delight-request@loopers-delight.com  Fri Oct  6 07:40:12 2006
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Date: Fri, 6 Oct 2006 00:40:10 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: EDP more loops/feedback issues
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Yes i gotcha now great tips and valuable info man
thank you!!
cheers
Luis

--- Per Boysen <perboysen@gmail.com> wrote:

> > I have
> >> ran into the
> >> problem you describe many times. What I do is to
> >> make sure I always
> >> have the feedback function assigned to that
> actual
> >> expression pedal
> >> in at least one patch with an "harmless" function
> -
> >> like for example
> >> Overdub. If I don't play anything I can press a
> >> short Overdub only to
> >> recall the patch that has feedback assigned to
> the
> >> expression pedal.
> 
> 
> On 5 okt 2006, at 08.33, L.A. Angulo wrote:
> 
> > so if i understand correctly you assign a value of
> 127
> > on the overdub button for example and press it
> shortly
> > to reset the controller?
> 
> No. I'm talking about the FCB "PADS" assignment of
> particular FCB  
> PATCHES.
> 
> When I press my foot at the overdub button the FCB
> is doing two  
> things: (1) Sending the MIDI Note for "Overdub" and
> (2) recalling the  
> pad assignments of that patch (since you call up a
> patch by pressing  
> a button),
> 
> In my EDP rig I have different functions assigned to
> expression pedal  
> 2 in different patches. But since I know that when I
> press the undo  
> button I will also recall a patch that is using
> expression pedal 2  
> for EDP Feedback. So if I recently called up a patch
> where I the  
> expression is used pedal for something different
> (like for example  
> tweaking the tempo division of the MIDI Clock beat
> sync LFO of my  
> filterbank) and suddenly discover that "oh, shit - I
> forgot the EDP  
> Feedback at 88 % and now all my music is
> vanishing!!!! HILFE -  
> HILFE!" ...he, he...  what I can do in that
> situation is to quickly  
> press undo two times (on/off) without playing
> anything, only to make  
> the expression pedal 2 start sending the EDP
> Feedback data instead of  
> the Filterbank data. Then I push down the toe to
> maximize feedback  
> and get back to whatever I was doing.
> 
> >
> >> Another strategy I have developed to stay out of
> >> such trouble, and
> >> also to be able to loop faster and more fluently,
> is
> >> to double up
> >> most function over many controller buttons.
> >> Especially the feedback
> >> functions. I like to have both expression pedals
> and
> >> twistable knobs
> >> or faders assigned to the same parameter. Then I
> can
> >> simply reach for
> >> the most immediate way to achieve feedback or
> >> whatever.
> >
> > this sounds cool,but it could create problems as
> > well...don´t know if i am understanding it right
> could
> > you give me a more specific example?
> 
> 
> Ok. Three examples:
> (1)  Let's take that catastrophe scenario from
> above. I have a little  
> hand mixer beside the laptop (Faderfox) and some of
> the faders and  
> knobs are sending the same MIDI cc data that the FCB
> expression pedal  
> does send. So I can use either the pedal or a knob
> or a fader.
> 
> (2) A typical example would be if I'm working in a
> FCB BANK where I  
> have no patch button ("pad", as the FCB manual calls
> them) that  
> brings up the particular MIDI cc I want for the
> expression pedal.  
> Then I simply reach out a hand and twist a knob -
> because that knob  
> is always sending this particular CC data.
> 
> (3) In Mobius there are many times when I'm working
> on one track (the  
> selected track, equals one EDP in a multi EDP rig)
> and find that I  
> want to adjust feedback of a loop playing on a
> different track  
> (another EDP). Then it's handy to have hardware
> knobs directly  
> addressing feedback (and other functions) directly
> on different tracks.
> 
> In Mobius there are both Feedback and Secondary
> Feedback and I like  
> to set it up to use them both. The Secondary
> Feedback can have any  
> setting because it only kicks in when loops are in
> Overdub, Multiply,  
> Substitute etc mode. The normal Feedback is usually
> set to 100 % and  
> I use it for fade outs or for manually creating
> volume patterns in  
> loops.
> 
> All the best
> 
> per
> 
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Fri Oct  6 08:23:16 2006
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Date: Fri, 6 Oct 2006 01:23:14 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: OT: Studio pics.
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Great thank you Tony!I love to see work enviroments
please people feel free to direct me to pictures of
your studios gear etc.i am moving soon to a new house
where i am setting a studio into a room which is all
cement and concrete at the moment, so i am gathering
ideas.
By the way,if anybody has experience about setting up
studio walls floors proper acoustics(which is better
carpet,wood? etc.) but cost effectively(no egg boxes
please)let me know.
cheers
Luis




--- Tony K <bigtony@softhome.net> wrote:

> A few weeks ago I had the chance to move my studio
> stuff from my attic (too hot in the summer, too cold
> in the winter) to a 'regular' room.  And, since I
> started having a grand old time with my
> cell-phone-camera, I took a bunch of pics and posted
> them.  
> 
> So, for your amusement...
> 
>
http://www.flickr.com/photos/90137639@N00/sets/72157594303469033/
> 
> It's not quite done, I need to change the paintings
> so I can hang a few of the guitars I never play but
> want to look at.  And the mics, and a CD rack, and
> find a place for all the spare cables...  litle
> things.
> 
> -- 
> -==-=-=-
> Tony
> http://bigtony.blogspot.com/
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Fri Oct  6 08:36:50 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: OT: Studio pics.
Date: Fri, 6 Oct 2006 10:36:45 +0200
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On 6 okt 2006, at 10.23, L.A. Angulo wrote:

> By the way,if anybody has experience about setting up
> studio walls floors proper acoustics(which is better
> carpet,wood? etc.) but cost effectively(no egg boxes
> please)let me know.


I've been to many studios and what usually matters most, when the  
facility is not designed and built according to studio acoustics, is  
that the room should be big enough (to minimize reflection  
interference - may be worked around a bit by using small monitors,  
though). It's also good to keep big objects in the room. Tony's  
Spaghetti Sofa is a good bass trap for example, but even hard  
surfaced big objects are good for splitting up reflections to prevent  
standing frequency peaks in the rooms resonance character. The rooms  
listening environment is really the most important factor because  
even top speakers can't deliver what you need them for if placed in a  
bad room.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Oct  6 19:30:13 2006
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Date: Fri, 6 Oct 2006 12:30:10 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: OT: Studio pics.
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Thanx Per!
Now i am caught in a dream just look at this gorgeous
magical place:
http://images.search.yahoo.com/search/images/view?back=http%3A%2F%2Fimages.search.yahoo.com%2Fsearch%2Fimages%3Fp%3Dreal%2Bworld%2Bstudios%26ei%3DUTF-8%26fr%3Dyfp-t-500%26x%3Dwrt&w=540&h=271&imgurl=www.recordproduction.com%2Freal-world-studios1.jpg&rurl=http%3A%2F%2Fwww.recordproduction.com%2Frealworld.htm&size=113.1kB&name=real-world-studios1.jpg&p=real+world+studios&type=jpeg&no=2&tt=495&oid=96eb9b3ae21088f2&ei=UTF-8

Luis







--- Per Boysen <perboysen@gmail.com> wrote:

> On 6 okt 2006, at 10.23, L.A. Angulo wrote:
> 
> > By the way,if anybody has experience about setting
> up
> > studio walls floors proper acoustics(which is
> better
> > carpet,wood? etc.) but cost effectively(no egg
> boxes
> > please)let me know.
> 
> 
> I've been to many studios and what usually matters
> most, when the  
> facility is not designed and built according to
> studio acoustics, is  
> that the room should be big enough (to minimize
> reflection  
> interference - may be worked around a bit by using
> small monitors,  
> though). It's also good to keep big objects in the
> room. Tony's  
> Spaghetti Sofa is a good bass trap for example, but
> even hard  
> surfaced big objects are good for splitting up
> reflections to prevent  
> standing frequency peaks in the rooms resonance
> character. The rooms  
> listening environment is really the most important
> factor because  
> even top speakers can't deliver what you need them
> for if placed in a  
> bad room.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Sat Oct  7 02:19:26 2006
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Date: Fri, 6 Oct 2006 23:18:02 +0100 (BST)
From: Tony Douglas <tonyisyourpal@yahoo.co.uk>
Subject: Re: OT: Studio pics.
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Sound on Sound have a forum specifically for
discussing studio design and building - it's at
http://www.soundonsound.com/forum/postlist.php?Cat=&Board=DESIGN
- the Studio SOS features each month usually have
handy bits and pieces of information about room
layouts, acoustic treatment and so on.

- Tony

PS. Yes, the photos were good too :)

--- "L.A. Angulo" <labaloops@yahoo.com> wrote:

> Great thank you Tony!I love to see work enviroments
> please people feel free to direct me to pictures of
> your studios gear etc.i am moving soon to a new
> house
> where i am setting a studio into a room which is all
> cement and concrete at the moment, so i am gathering
> ideas.
> By the way,if anybody has experience about setting
> up
> studio walls floors proper acoustics(which is better
> carpet,wood? etc.) but cost effectively(no egg boxes
> please)let me know.
> cheers
> Luis
> 
> 
> 
> 
> --- Tony K <bigtony@softhome.net> wrote:
> 
> > A few weeks ago I had the chance to move my studio
> > stuff from my attic (too hot in the summer, too
> cold
> > in the winter) to a 'regular' room.  And, since I
> > started having a grand old time with my
> > cell-phone-camera, I took a bunch of pics and
> posted
> > them.  
> > 
> > So, for your amusement...
> > 
> >
>
http://www.flickr.com/photos/90137639@N00/sets/72157594303469033/
> > 
> > It's not quite done, I need to change the
> paintings
> > so I can hang a few of the guitars I never play
> but
> > want to look at.  And the mics, and a CD rack, and
> > find a place for all the spare cables...  litle
> > things.
> > 
> > -- 
> > -==-=-=-
> > Tony
> > http://bigtony.blogspot.com/
> > 
> 
> 
> www.myspace.com/luisangulocom
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 



		
___________________________________________________________ 
Inbox full of spam? Get leading spam protection and 1GB storage with All New Yahoo! Mail. http://uk.docs.yahoo.com/nowyoucan.html

From Loopers-Delight-request@loopers-delight.com  Sat Oct  7 02:42:27 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: OT: IDEAL SMALL STUDIO SPECIFICATIONS FOR LOOPERS? (WAS OT: STUDIO PICS)
Date: Fri, 6 Oct 2006 17:35:34 -0700
To: Loopers-Delight@loopers-delight.com
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Greetings earthlings and other pilgrims,

While the previous OT discussion was being kicked about, it suddenly 
dawned on
me that this question is perhaps NOT so off-topic for loopers per se. 
As often
as not, perhaps even more often, looping is a solitary occupation not 
needing a
large room for a whole band to fit in -- even though some of us do have 
a lot of
gear to consider. And, sometimes being the painfully weird, experimental
noise-makers that we often are, practicing in the family living room 
(or even
out in the  garage) does not make much of a recipe for domestic bliss. 
A safe
and sane sonic sanctuary situated somewhere in the sideyard (or the 
south 40)
sounds like a simply splendiferous idea.

I am contemplating building a small, detatched  studio room/structure 
beside my
home here in Oregon. The funny thing is, in this area you can legally 
build up
to a 200 square foot building without any expensive building permits -- 
which
suddenly makes it not only a rather feasable but even an affordable 
idea -- no
permits, fees, licenses and I can more-or-less build it myself (with a 
little
help for parts where I either don't own the tools or have adequate 
knowledge).

Since, as the discussion last mentioned that "SIZE MATTERS" (as well as 
shape
and sound baffling/controlling surfaces), what sort of layout might 
anyone here
recommend for a room of that size. I was a thinking of a just a 16' x 
12.5'
rectangle. But, I sort of surmised that perhaps those dimensions might 
not be
ideal. I was thinking of modifying a regular garage/shed kit of some 
sort -- so
trying to build the perfect seven-sided saucer-shaped audio igloo 
thingy won't
work either. I gotta think WITHIN THE BOX as it were.

Do any of you have any expert thoughts about shapes and sizes for 
MUSICALLY
pleasing recording rooms at or under 200 square feet and are still 
fairly
rectangular? This is not the sort of thing one can log on ans ASK THIS 
OLD HOUSE
is it. So . . . I am asking you all.

Cheers,

Best regards,

Ted Killiansmall monitors,
>> though). It's also good to keep big objects in the
>> room. Tony's
>> Spaghetti Sofa is a good bass trap for example, but
>> even hard
>> surfaced big objects are good for splitting up
>> reflections to prevent
>> standing frequency peaks in the rooms resonance
>> character. The rooms
>> listening environment is really the most important
>> factor because
>> even top speakers can't deliver what you need them
>> for if placed in a
>> bad room.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://tinyurl.com/fauvm (podcast)
>> http://www.myspace.com/looproom

From Loopers-Delight-request@loopers-delight.com  Sat Oct  7 02:58:17 2006
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Date: Fri, 6 Oct 2006 15:08:41 -0700
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: OT: IDEAL SMALL STUDIO SPECIFICATIONS FOR LOOPERS -- Was: Re: OT:
 Studio pics.
Cc: "L.A. Angulo" <labaloops@yahoo.com>
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Greetings earthlings and other pilgrims,

While the previous OT discussion was being kicked about, it suddenly dawned=
 on me that this question is perhaps NOT so off-topic for loopers per se. A=
s often as not, perhaps even more often, looping is a solitary occupation n=
ot needing a large room for a whole band to fit in -- even though some of u=
s do have a lot of gear to consider. And, sometimes being the painfully wei=
rd, experimental noise-makers that we often are, practicing in the family l=
iving room (or even out in the  garage) does not make much of a recipe for =
domestic bliss. A safe and sane sonic sanctuary situated somewhere in the s=
ideyard (or the south 40) sounds like a simply splendiferous idea.

I am contemplating building a small, detatched  studio room/structure besid=
e my home here in Oregon. The funny thing is, in this area you can legally =
build up to a 200 square foot building without any expensive building permi=
ts -- which suddenly makes it not only a rather feasable but even an afford=
able idea -- no permits, fees, licenses and I can more-or-less build it mys=
elf (with a little help for parts where I either don't own the tools or hav=
e adequate knowledge).

Since, as the discussion last mentioned that "SIZE MATTERS" (as well as sha=
pe and sound baffling/controlling surfaces), what sort of layout might anyo=
ne here
recommend for a room of that size. I was a thinking of a just a 16' x 12.5'=
 rectangle. But, I sort of surmised that perhaps those dimensions might not=
 be ideal. I was thinking of modifying a regular garage/shed kit of some so=
rt -- so trying to build the perfect seven-sided saucer-shaped audio igloo =
thingy won't work either. I gotta think WITHIN THE BOX as it were.

Do any of you have any expert thoughts about shapes and sizes for MUSICALLY=
 pleasing recording rooms at or under 200 square feet and are still fairly =
rectangular? This is not the sort of thing one can log on ans ASK THIS OLD =
HOUSE is it. So . . . I am asking you all.

Cheers,

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- "L.A. Angulo" <labaloops@yahoo.com> wrote:=20
> Thanx Per!
> Now i am caught in a dream just look at this gorgeous
> magical place:
> http://images.search.yahoo.com/search/images/view?back=3Dhttp%3A%2F%2Fima=
ges.search.yahoo.com%2Fsearch%2Fimages%3Fp%3Dreal%2Bworld%2Bstudios%26ei%3D=
UTF-8%26fr%3Dyfp-t-500%26x%3Dwrt&w=3D540&h=3D271&imgurl=3Dwww.recordproduct=
ion.com%2Freal-world-studios1.jpg&rurl=3Dhttp%3A%2F%2Fwww.recordproduction.=
com%2Frealworld.htm&size=3D113.1kB&name=3Dreal-world-studios1.jpg&p=3Dreal+=
world+studios&type=3Djpeg&no=3D2&tt=3D495&oid=3D96eb9b3ae21088f2&ei=3DUTF-8
>=20
> Luis
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> --- Per Boysen <perboysen@gmail.com> wrote:
>=20
> > On 6 okt 2006, at 10.23, L.A. Angulo wrote:
> >=20
> > > By the way,if anybody has experience about setting
> > up
> > > studio walls floors proper acoustics(which is
> > better
> > > carpet,wood? etc.) but cost effectively(no egg
> > boxes
> > > please)let me know.
> >=20
> >=20
> > I've been to many studios and what usually matters
> > most, when the =20
> > facility is not designed and built according to
> > studio acoustics, is =20
> > that the room should be big enough (to minimize
> > reflection =20
> > interference - may be worked around a bit by using
> > small monitors, =20
> > though). It's also good to keep big objects in the
> > room. Tony's =20
> > Spaghetti Sofa is a good bass trap for example, but
> > even hard =20
> > surfaced big objects are good for splitting up
> > reflections to prevent =20
> > standing frequency peaks in the rooms resonance
> > character. The rooms =20
> > listening environment is really the most important
> > factor because =20
> > even top speakers can't deliver what you need them
> > for if placed in a =20
> > bad room.
> >=20
> > Greetings from Sweden
> >=20
> > Per Boysen
> > www.boysen.se (Swedish)
> > www.looproom.com (international)
> > http://tinyurl.com/fauvm (podcast)
> > http://www.myspace.com/looproom
> >=20
> >=20
> >=20
> >=20
>=20
>=20
> www.myspace.com/luisangulocom
>=20
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around=20
> http://mail.yahoo.com=20

From Loopers-Delight-request@loopers-delight.com  Sat Oct  7 07:21:15 2006
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Date: Sat, 07 Oct 2006 09:20:55 +0200
From: "Torstein H. Rem" <trem@broadpark.no>
Subject: Re: IDEAL SMALL STUDIO SPECIFICATIONS FOR LOOPERS -- Was: Re: OT:
 Studio pics.
To: Loopers-Delight@loopers-delight.com
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I`m just an apartment dweller contemplating moving and finding more space.
I used to have lots of links to good studio building sites but they`re all 
lost.
Lately I`ve found some stuff

Besides the Design forum posted by Tony;
"Sound on Sound have a forum specifically for
discussing studio design and building - it's at
http://www.soundonsound.com/forum/postlist.php?Cat=&Board=DESIGN
- the Studio SOS features each month usually have
handy bits and pieces of information about room
layouts, acoustic treatment and so on."

here are some more;
http://www.ethanwiner.com/acoustics.html
http://www.realtraps.com/articles.htm
http://www.acousticalsolutions.com/education/index.asp
http://arts.ucsc.edu/EMS/Music/tech_background/TE-14/teces_14.html
http://www.tweakheadz.com/home_studio_construction.htm
http://emusician.com/mag/emusic_new_approach_personal/
http://recordinginstitute.com/R2KREQ/cottage.htm
http://www.acousticalsolutions.com/education/studio_acoustics.asp
http://hyperphysics.phy-astr.gsu.edu/hbase/acoustic/studio.html
http://www.johnlsayers.com/Studio/index.htm


Acoustic/Design Forums
http://www.musicplayer.com/cgi-bin/ultimatebb.cgi?ubb=forum;f=26;hardset=0;start_point=0;DaysPrune=0
http://homerecording.com/bbs/forumdisplay.php?f=20
http://messageboard.tapeop.com/viewforum.php?f=19&sid=fa3062132c7a6de03ed399f6eadf3b3e
http://www.johnlsayers.com/phpBB2/viewforum.php?f=2
http://www.recordingproject.com/bbs/viewforum.php?f=29&sid=841c6cfd83514ddf4799dcbf7c5561c8
http://forum.studiotips.com/

Books
http://www.amazon.co.uk/Recording-Studio-Design-Philip-Newell/dp/0240519175/ref=pd_sbs_b_3/026-5311152-3482866?ie=UTF8
http://www.amazon.co.uk/Studio-Construction-Budget-F-Alton-Everest/dp/0070213828/ref=pd_sbs_b_4/026-5311152-3482866?ie=UTF8
http://www.amazon.co.uk/Acoustics-Project-Studio-Mitch-Gallagher/dp/159863285X/ref=pd_sim_b_3/026-5311152-3482866?ie=UTF8
http://www.amazon.co.uk/Home-Recording-Studio-Construction-Build/dp/1598630342
http://www.amazon.co.uk/Recording-Spaces-Philip-Richard-Newell/dp/0240516273/ref=pd_sim_b_4/026-5311152-3482866?ie=UTF8
http://www.amazon.co.uk/Basic-Home-Studio-Design-S/dp/1860742726/ref=pd_sbs_b_1/026-5311152-3482866?ie=UTF8
http://www.recording.org/books/


Good luck!  ;-)



----- Original Message ----- 
From: "tEd Â® kiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Cc: "L.A. Angulo" <labaloops@yahoo.com>
Sent: Saturday, October 07, 2006 12:08 AM
Subject: OT: IDEAL SMALL STUDIO SPECIFICATIONS FOR LOOPERS -- Was: Re: OT: 
Studio pics.


Greetings earthlings and other pilgrims,

While the previous OT discussion was being kicked about, it suddenly dawned 
on me that this question is perhaps NOT so off-topic for loopers per se. As 
often as not, perhaps even more often, looping is a solitary occupation not 
needing a large room for a whole band to fit in -- even though some of us do 
have a lot of gear to consider. And, sometimes being the painfully weird, 
experimental noise-makers that we often are, practicing in the family living 
room (or even out in the  garage) does not make much of a recipe for 
domestic bliss. A safe and sane sonic sanctuary situated somewhere in the 
sideyard (or the south 40) sounds like a simply splendiferous idea.

I am contemplating building a small, detatched  studio room/structure beside 
my home here in Oregon. The funny thing is, in this area you can legally 
build up to a 200 square foot building without any expensive building 
permits -- which suddenly makes it not only a rather feasable but even an 
affordable idea -- no permits, fees, licenses and I can more-or-less build 
it myself (with a little help for parts where I either don't own the tools 
or have adequate knowledge).

Since, as the discussion last mentioned that "SIZE MATTERS" (as well as 
shape and sound baffling/controlling surfaces), what sort of layout might 
anyone here
recommend for a room of that size. I was a thinking of a just a 16' x 12.5' 
rectangle. But, I sort of surmised that perhaps those dimensions might not 
be ideal. I was thinking of modifying a regular garage/shed kit of some 
sort -- so trying to build the perfect seven-sided saucer-shaped audio igloo 
thingy won't work either. I gotta think WITHIN THE BOX as it were.

Do any of you have any expert thoughts about shapes and sizes for MUSICALLY 
pleasing recording rooms at or under 200 square feet and are still fairly 
rectangular? This is not the sort of thing one can log on ans ASK THIS OLD 
HOUSE is it. So . . . I am asking you all.

Cheers,

tEd Â® kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- "L.A. Angulo" <labaloops@yahoo.com> wrote:
> Thanx Per!
> Now i am caught in a dream just look at this gorgeous
> magical place:
> http://images.search.yahoo.com/search/images/view?back=http%3A%2F%2Fimages.search.yahoo.com%2Fsearch%2Fimages%3Fp%3Dreal%2Bworld%2Bstudios%26ei%3DUTF-8%26fr%3Dyfp-t-500%26x%3Dwrt&w=540&h=271&imgurl=www.recordproduction.com%2Freal-world-studios1.jpg&rurl=http%3A%2F%2Fwww.recordproduction.com%2Frealworld.htm&size=113.1kB&name=real-world-studios1.jpg&p=real+world+studios&type=jpeg&no=2&tt=495&oid=96eb9b3ae21088f2&ei=UTF-8
>
> Luis
>
>
>
>
>
>
>
> --- Per Boysen <perboysen@gmail.com> wrote:
>
> > On 6 okt 2006, at 10.23, L.A. Angulo wrote:
> >
> > > By the way,if anybody has experience about setting
> > up
> > > studio walls floors proper acoustics(which is
> > better
> > > carpet,wood? etc.) but cost effectively(no egg
> > boxes
> > > please)let me know.
> >
> >
> > I've been to many studios and what usually matters
> > most, when the
> > facility is not designed and built according to
> > studio acoustics, is
> > that the room should be big enough (to minimize
> > reflection
> > interference - may be worked around a bit by using
> > small monitors,
> > though). It's also good to keep big objects in the
> > room. Tony's
> > Spaghetti Sofa is a good bass trap for example, but
> > even hard
> > surfaced big objects are good for splitting up
> > reflections to prevent
> > standing frequency peaks in the rooms resonance
> > character. The rooms
> > listening environment is really the most important
> > factor because
> > even top speakers can't deliver what you need them
> > for if placed in a
> > bad room.
> >
> > Greetings from Sweden
> >
> > Per Boysen
> > www.boysen.se (Swedish)
> > www.looproom.com (international)
> > http://tinyurl.com/fauvm (podcast)
> > http://www.myspace.com/looproom
> >
> >
> >
> >
>
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com


From Loopers-Delight-request@loopers-delight.com  Sat Oct  7 10:49:26 2006
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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Message-ID: <20061007104925.14315.qmail@web27713.mail.ukl.yahoo.com>
Date: Sat, 7 Oct 2006 11:49:24 +0100 (BST)
From: Tony Douglas <tonyisyourpal@yahoo.co.uk>
Subject: Re: OT: IDEAL SMALL STUDIO SPECIFICATIONS FOR LOOPERS? (WAS OT: STUDIO PICS)
To: Loopers-Delight@loopers-delight.com
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Hi Ted,

Again, I'd refer to the Sound on Sound forum
(http://www.soundonsound.com/forum/postlist.php?Cat=&Board=DESIGN)
- usually, this is people adapting existing rooms (or
even building rooms within rooms), but the general
ideas and advice on proportions and layout will be the
same. The thread on Studio Design & Acoustics might be
helpful (for materials as well as design).

- Tony



	
	
		
___________________________________________________________ 
Yahoo! Messenger - NEW crystal clear PC to PC calling worldwide with voicemail http://uk.messenger.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Oct  7 15:14:58 2006
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Date: Sat, 07 Oct 2006 10:14:50 -0500
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 Studio pics.
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Whoa...thanks for all this info! I'm soon moving into a house which has 
a little 8 x 10 space for a studio so this stuff is quite On Topic, for me.

Daryl Shawn
www.swanwelder.com
> I`m just an apartment dweller contemplating moving and finding more 
> space.
> I used to have lots of links to good studio building sites but they`re 
> all lost.
> Lately I`ve found some stuff

From Loopers-Delight-request@loopers-delight.com  Sat Oct  7 17:58:19 2006
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To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance -- Immersions  -- Lowell MA 10.13.06
Cc: eyecandy@egroups.com, boss-improv@topica.com,
	iotacenter@egroups.com, Loopers-Delight@loopers-delight.com,
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Hi folks,

The next Immersions event will occur on Friday, October 13 at
119 Gallery, 119 Chelmsford St, Lowell
978 452 8138
  http://www.119gallery.org/

The ensemble for this performance is
Doctor T  -- Video Mixing
Dean Stiglitz  -- Electro Flute
Michael Bloom  -- Electric Bass
Bob McCloskey -- Reeds and percussion

Also performing will be


J'ambiance: Rob Carbone, guitar
                     Joe Moreau, keyboard loops

J'ambiance uses sonic manipulation to alter the fluid dynamics of 
venue & audience by shifting and swirling the tidal patterns of sound 
to engulf the listener in shimmering aqueous warmth. As you float 
upon the waves of sound, images are projected that are sure to engage 
your visual cortex. The combination of sight & sound create a setting 
conducive to an inward meditation. The only things missing are you & 
your desire to surrender yourself to such mental fluidity in a vast 
sonic ocean.

Suggested donation is $5.



-- 
"Once the search is in progress, something will be found"  

-- Brian Eno and Peter Schmidt


		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Sun Oct  8 01:24:02 2006
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Date: Sat, 07 Oct 2006 21:34:32 -0400
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: updating my myspace tunes...
To: <Loopers-Delight@loopers-delight.com>
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Hi -

I'm planning to replace the current four tracks on my MySpace page (Ataraxia
II, How Could I Know?, Expoze and Phoenix).  So I invite you to download
these tracks now so they can be forever yours. :-)

If you have a particular favorite, let me know and I can try to replace it
with something similar or from the same sessions.

Many happy returns!

David

From Loopers-Delight-request@loopers-delight.com  Sun Oct  8 01:26:41 2006
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Date: Sat, 07 Oct 2006 21:37:09 -0400
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: updating my myspace tunes...
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It would help if I include the URL, huh...?  :-)

UNDO: http://www.myspace.com/undomusic

David


From: "David Kirkdorffer" <vze2ncsr@verizon.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, October 07, 2006 9:34 PM
Subject: updating my myspace tunes...


> Hi -
>
> I'm planning to replace the current four tracks on my MySpace page
(Ataraxia
> II, How Could I Know?, Expoze and Phoenix).  So I invite you to download
> these tracks now so they can be forever yours. :-)
>
> If you have a particular favorite, let me know and I can try to replace it
> with something similar or from the same sessions.
>
> Many happy returns!
>
> David
>

From Loopers-Delight-request@loopers-delight.com  Sun Oct  8 02:38:29 2006
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Date: Sat, 07 Oct 2006 19:40:50 -0700
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Phil Keaggy article and looping album
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A visitor to the Looper's Delight web site pointed out a new article on 
Phil Keaggy in Guitar Player:
http://www.guitarplayer.com/story.asp?storycode=15473

He talks about his looping, as well as his new album "Roundabout" which is 
all looping. Has anybody heard that one? What do you think?

There are some clips on his web site:
http://philkeaggy.com/music/roundabout.html

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Sun Oct  8 12:34:12 2006
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hi all!

in my live looping setup i have 3 string instruments and 4 mics
connected to a mixer. i would like to mute/ unmute them with
something like a midi switch. is it possible to switch audio channels
with a midi switch like nobels ms 4 connected to the inserts=3F=20

andi paulo
=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F=5F
Viren-Scan f=FCr Ihren PC! Jetzt f=FCr jeden. Sofort, online und kostenlos.
Gleich testen! http://www.pc-sicherheit.web.de/freescan/=3Fmc=3D022222

From Loopers-Delight-request@loopers-delight.com  Sun Oct  8 15:10:47 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: US standard power plug? (Y2K6)
Date: Sun, 8 Oct 2006 17:10:43 +0200
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Hi List,

What's the most usual power plug - the grounded or the not grounded  
model? I'm going over from Europe and need to know what power plug  
adapter I should bring to be able to snag 110 v for my rig (yes all  
devices are "self adapting" to 220 or 110 v, no trafo needed).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Oct  8 17:29:04 2006
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Date: Sun, 8 Oct 2006 19:29:01 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: what small looper to buy
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Hi !

If I were to buy a "small and not too expencive"
looper. I saw Boysens list. Are there any favorites
amoung the cheapest ?

best regards Rune F  

www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867

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Since nobody else has responded, I'll take a shot: I'd say
grounded--while some older homes have ungrounded plugs, I'd be
surprised if a public venue didn't offer a grounded outlet.  Seems
like that would be a code violation.

Of course, it would still be prudent to bring a 3 prong to 2 prong
adaptor (I've heard them called "cheaters") just in case. While it's
not likely, there is a serious risk injury if you use a 2 prong
adaptor if there are other electrical wiring issues. There was a news
story here a while back of a minister who was electrocuted while using
a wireless mic at a baptism. My recollection is that while the
baptismal font played a role, the real problem was that the whole
church had been grounded to an electric water tank heater, and it
created a closed loop.

On 10/8/06, Per Boysen <perboysen@gmail.com> wrote:
> Hi List,
>
> What's the most usual power plug - the grounded or the not grounded
> model? I'm going over from Europe and need to know what power plug
> adapter I should bring to be able to snag 110 v for my rig (yes all
> devices are "self adapting" to 220 or 110 v, no trafo needed).
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Sun Oct  8 17:37:11 2006
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Subject: Re:  OT: Ideal small studio specs for Loopers?
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     Ted writes:

I am contemplating building a small, detatched  studio room/structure beside 
my home here in Oregon. ...

   
     Ted, funny you should mention that...  I'm building a studio right now in my backyard, though
Seattle only allows 120 square feet, not 200.  My 18 year old daughter arrives from South Africa
in December, she'll be here for a year, after which the room becomes my music studio.  I am
getting around the boxiness of the room by cutting off the front corners, making it more hexagonal
in shape (kinda).  Another non-boxy treatment I'm doing is leaving the ceiling cathedral-shaped as
opposed to flat.  I put some photos up on a Flickr site to keep my daughter posted on the
progression.  If you're at all inclined to view them, the site is located at:

     http://www.flickr.com/photos/vsyevolod/

     The photos show the first 2 1/2 weeks of work, though I've got another week or two in since
that time and have just finished the roof, sheathing, and window installation.  If all goes well,
I'll have it done in another month or so.  Let me know if you have any questions, probably best to
do this offlist.  The best part is that all this has been quite doable as a one-man project.

     I was considering doing an electrical heating element under the floor, as I've done for
clients in the past.  One of my worries was of creating a massive electrical noise field for my
audio cables to pick up.  Another was the distrust of having so much electrical current running
underfoot all the time, the same distrust that keeps me from using things like an electric
blanket.  So it will be an oil-filled radiator for this room.  Bamboo floors, drywall for the
walls, and cedar T&G for the sloped ceiling.  Should be sweet...

     Stephen






__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Sun Oct  8 19:07:06 2006
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Ever considered a circular dwelling, like a Yurt or a Dome?  There are 
several places in Oregon that manufacture Yurts that are not too 
expensive and can be easily customized I believe.  I've been led to 
believe that the acoustics in a dome are quite nice as well (though 
maybe not for recording, I don't know).

Kevin

>
>     Ted writes:
>
>I am contemplating building a small, detatched  studio room/structure beside 
>my home here in Oregon. ...
>  
>

-- 
Till now you seriously considered yourself to be the body and to have a form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org


From Loopers-Delight-request@loopers-delight.com  Sun Oct  8 19:28:56 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: OT: Ideal small studio specs for Loopers?
Date: Sun, 8 Oct 2006 12:28:52 -0700
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> --Till now you seriously considered yourself to be the body and to=20
> have a form. That is the primal ignorance which is the root cause of=20=

> all trouble.
>
> - Ramana Maharshi (1879-1950)


Sweet.

I love ramana maharshi....I've got a photo of him on my wall.


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Sun Oct  8 20:28:53 2006
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Subject: Re: US standard power plug? (Y2K6)
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On 8 okt 2006, at 19.34, Art Simon wrote:

> Since nobody else has responded, I'll take a shot: I'd say
> grounded--while some older homes have ungrounded plugs, I'd be
> surprised if a public venue didn't offer a grounded outlet.  Seems
> like that would be a code violation.


Thank you, Art. I'll get a grounded universal travel multi plug  
tomorrow. As well as a stronger fuse for running my FCB1010 on 110 v  
instead 220 v and a 110 v / 50 Hz (we use 60 Hz here)  power supply  
for my Really Nice Compressor. Everything else should be set already.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Oct  8 20:39:22 2006
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Subject: MIDI SYNCHING DEVICE RECS.
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--0-493505570-1160339960=:614
Content-Type: text/plain; charset=us-ascii

Hello tech/looping list!
 
i would love a rec.
 
i have an echoplex, a machine drum, and a nord modular. i would like to synch these all up to one midi clock. ex: i would like to make an echoplex loop and then drop in a beat from my drum machine that kicks in in perfect time with the echoplex. and then i would like to send a synth sequence from my nord that drops in time with echoplex and machine drum.
 
i would love your tech input on how to do  this. THANKS SO MUCH FOR YOUR HELP!!!
--0-493505570-1160339960=:614
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px} --></style></head><body><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><DIV>Hello tech/looping list!</DIV>
<DIV>&nbsp;</DIV>
<DIV>i would love a rec.</DIV>
<DIV>&nbsp;</DIV>
<DIV>i have an echoplex, a machine drum, and a nord modular. i would like to synch these all up to one midi clock. ex: i would like to make an echoplex loop and then drop in a beat from my drum machine that kicks in in perfect time with the echoplex. and then i would like to send a synth sequence from my nord that drops in time with echoplex and machine drum.</DIV>
<DIV>&nbsp;</DIV>
<DIV>i would love your tech input on how to do&nbsp; this. THANKS SO MUCH FOR YOUR HELP!!!</DIV></div></body></html>
--0-493505570-1160339960=:614--

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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: OT: Ideal small studio specs for Loopers?
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Stephen,

Thanks for the input. I viewed the pics. Looks like a pretty sharp 
setup. Too bad it couldn't have been a little bigger than 120 square 
feet. Here, for my 200' I'm planning on using a standard garage/shed 
kit that I can buy (pre-cut and complete) for for less than a couple of 
grand -- and then modify it enough to make it work for me. That's all I 
can afford. I'm on the tightest of budgets to begin with.

So, cutting off the outside corners of the structure probably wouldn't 
work -- I don't think. I could make triangular corner cabinets (or 
insulating panels or something, eventually) to cut off the corners on 
the inside though . . . possibly. Like you, I've also planned to leave 
the ceiling open-beam. I wish you luck on your project. Let me know how 
it goes when it's done. Bamboo floors? Sweet!

Part of what I was looking for was also some advice of how to arrange 
out those 200 square feet. What sorts of "standing wave" or other 
problematical sonic tendencies would a 16'x12.5' room have? What if the 
room was 10'x20'? Or 8'x25"? Or r even 6'x33.3' What different sorts of 
frequencies would be emphasized in such spaces? How (by changing the 
dimensions) could I "tune the room" per se?

Essentially these kits can be had in almost any RECTANGULAR 
configuration. Part of the problem is those doggone PARALLEL WALLS of a 
rectangle. Acoustically it would be best to avoid all symmetry and/or 
parallel surfaces to avoid any problem frequencies. Unfortunately I 
gotta use a rectangle of some sort. What's gonna work best and suit as 
a studio with that as a given?

In answer to Kevin Cheli-Colando,

Ahhh, then there are those yurts, (igloos, domes and teepees, 
whatever). Let's first get practical and then a little bit 
philosophical.

Regarding those ALTERNATIVES, there are are a few other practical 
things to consider -- firstly I probably won't live here forever. Will 
it be a "normal" enough space that might add to my home's value (or at 
least not detract from it) in the eyes of some future potential 
buyer/user.

A circular "Yurt" as was suggested (or a geodesic dome or other shape 
could substitute for that matter), is only gonna have a rather narrow 
market appeal when I'm gone. Plus, it'd probably drive my neighbors 
nuts -- and I'm a genuinely considerate and "nice" guy (or try to be).

I've camped in places in and around Oregon where they have Yurts 
though. They really are quite nice spaces. I get one whenever I can at 
a campground. And, if I lived waaaay out in the woods -- or wished to 
be more extrovert and "in-your-face" in my inner, spiritual, 
intellectual, political non-conformity . . .  sure, damn the neighbors 
and let the "freak flag" fly. But that's not me.

Let them get to know me -- and then think I'm a total "kook" for my 
ideas, music and/or art. Let them hear me voice an opinion -- and then 
think I'm a "crank" for my values and beliefs. But, I am NOT my house. 
I don't want them to think I'm an idiot because I've created a 
notorious eyesore in the middle of the neighborhood. There's an old 
Middleastern proverb: "Eat whatever you want. But dress as others do." 
I believe there is a certain kind of genuine practical wisdom contained 
in that little epigram.

Sometimes it's handy to simply have a safe place that mostly looks like 
all the other ones on the street -- no shiny 4-wheeled "bling" in the 
driveway, sattelite dish, or fancy landscaping outside (ostentatiously 
advertising of rampant materialist/consumerist tendencies within) -- 
nor flying Tibetian flags, rainbow "shroom" banners and peace sign 
stickers on an old Volvo or VW bus out front (readable as a pretty good 
indication of hippies, ex-hippies, pseudo-hippies or hippie wannabes 
within) -- no giant-wheeled truck/SUV, with confederate flag and 
fully-loaded gun-rack equipped window and stickers saying "Charlton 
Heston is MY President" parked in the front yard (as I saw locally just 
the other day) shouting to all the world that the true backbone of 
America (morons) lives here.

Personaly, I'd rather be a little more anonymous. Everyone is someone 
else's "moron." I'd rather they get to know me before they "dis" me. I 
have a wife and kids to consider -- and I enjoy a quiet life at home 
(among mostly friendly neighbors) too. Life has enough stress as it is.

Best regards,

Ted Killian

On Oct 8, 2006, at 10:37 AM, S V G wrote:

> Ted writes:
>
> I am contemplating building a small, detatched  studio room/structure 
> beside
> my home here in Oregon. ...
>
>      Ted, funny you should mention that...  I'm building a studio 
> right now in my backyard, though
> Seattle only allows 120 square feet, not 200.  My 18 year old daughter 
> arrives from South Africa
> in December, she'll be here for a year, after which the room becomes 
> my music studio.  I am
> getting around the boxiness of the room by cutting off the front 
> corners, making it more hexagonal
> in shape (kinda).  Another non-boxy treatment I'm doing is leaving the 
> ceiling cathedral-shaped as
> opposed to flat.  I put some photos up on a Flickr site to keep my 
> daughter posted on the
> progression.  If you're at all inclined to view them, the site is 
> located at:
>
>      http://www.flickr.com/photos/vsyevolod/
>
>      The photos show the first 2 1/2 weeks of work, though I've got 
> another week or two in since
> that time and have just finished the roof, sheathing, and window 
> installation.  If all goes well,
> I'll have it done in another month or so.  Let me know if you have any 
> questions, probably best to
> do this offlist.  The best part is that all this has been quite doable 
> as a one-man project.
>
>      I was considering doing an electrical heating element under the 
> floor, as I've done for
> clients in the past.  One of my worries was of creating a massive 
> electrical noise field for my
> audio cables to pick up.  Another was the distrust of having so much 
> electrical current running
> underfoot all the time, the same distrust that keeps me from using 
> things like an electric
> blanket.  So it will be an oil-filled radiator for this room.  Bamboo 
> floors, drywall for the
> walls, and cedar T&G for the sloped ceiling.  Should be sweet...
>
>      Stephen
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
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Stephen,


Thanks for the input. I viewed the pics. Looks like a pretty sharp
setup. Too bad it couldn't have been a little bigger than 120 square
feet. Here, for my 200' I'm planning on using a standard garage/shed
kit that I can buy (pre-cut and complete) for for less than a couple
of grand -- and then modify it <italic>enough</italic> to make it work
for me. That's all I can afford. I'm on the tightest of budgets to
begin with.


So, cutting off the outside corners of the structure probably wouldn't
work -- I don't think. I <italic>could</italic> make triangular corner
cabinets (or insulating panels or something, eventually) to cut off
the corners on the inside though . . . possibly. Like you, I've also
planned to leave the ceiling open-beam. I wish you luck on your
project. Let me know how it goes when it's done. Bamboo floors? Sweet!


Part of what I was looking for was also some advice of how to arrange
out those 200 square feet. What sorts of "standing wave" or other
problematical sonic tendencies would a 16'x12.5' room have? What if
the room was 10'x20'? Or 8'x25"? Or r even 6'x33.3' What different
sorts of frequencies would be emphasized in such spaces? How (by
changing the dimensions) could I "tune the room" per se?


Essentially these kits can be had in almost any RECTANGULAR
configuration. Part of the problem is those doggone PARALLEL WALLS of
a rectangle. Acoustically it would be best to avoid all symmetry
and/or parallel surfaces to avoid any problem frequencies.
Unfortunately I gotta use a rectangle of some sort. What's gonna work
best and suit as a studio with that as a given?


In answer to Kevin Cheli-Colando,


Ahhh, then there are those yurts, (igloos, domes and teepees,
whatever). Let's first get practical and then a little bit
philosophical.


Regarding those ALTERNATIVES, there are are a few other practical
things to consider -- firstly I probably won't live here forever. Will
it be a "normal" enough space that might add to my home's value (or at
least not detract from it) in the eyes of some future potential
buyer/user. 


A circular "Yurt" as was suggested (or a geodesic dome or other shape
could substitute for that matter), is only gonna have a rather narrow
market appeal when I'm gone. Plus, it'd probably drive my neighbors
nuts -- and I'm a genuinely considerate and "nice" guy (or try to be).


I've camped in places in and around Oregon where they have Yurts
though. They really are quite nice spaces. I get one whenever I can at
a campground. And, if I lived waaaay out in the woods -- or wished to
be more extrovert and "in-your-face" in my inner, spiritual,
intellectual, political non-conformity . . .  sure, damn the neighbors
and let the "freak flag" fly. But that's not me. 


Let them get to know me -- and <italic>then</italic> think I'm a total
"kook" for my ideas, music and/or art. Let them hear me voice an
opinion -- and <italic>then</italic> think I'm a "crank" for my values
and beliefs. But, I am NOT my house. I don't want them to think I'm an
idiot because I've created a notorious eyesore in the middle of the
neighborhood. There's an old Middleastern proverb: "<bold><italic>Eat
whatever you want. But dress as others do." </italic></bold>I believe
there is a certain kind of genuine practical wisdom contained in that
little epigram.


Sometimes it's handy to simply have a safe place that mostly looks
like all the other ones on the street -- no shiny 4-wheeled "bling" in
the driveway, sattelite dish, or fancy landscaping outside
(ostentatiously advertising of rampant materialist/consumerist
tendencies within) -- nor flying Tibetian flags, rainbow "shroom"
banners and peace sign stickers on an old Volvo or VW bus out front
(readable as a pretty good indication of hippies, ex-hippies,
pseudo-hippies or hippie wannabes within) -- no giant-wheeled
truck/SUV, with confederate flag and fully-loaded gun-rack equipped
window and stickers saying "Charlton Heston is MY President" parked in
the front yard (as I saw locally just the other day) shouting to all
the world that the true backbone of America (morons) lives here.


Personaly, I'd rather be a little more anonymous. Everyone is someone
else's "moron." I'd rather they get to know me before they "dis" me. I
have a wife and kids to consider -- and I enjoy a quiet life at home
(among <italic>mostly</italic> friendly neighbors) too. Life has
enough stress as it is.


Best regards,


Ted Killian


On Oct 8, 2006, at 10:37 AM, S V G wrote:


<excerpt>Ted writes:


I am contemplating building a small, detatched  studio room/structure
beside 

my home here in Oregon. ...


     Ted, funny you should mention that...  I'm building a studio
right now in my backyard, though

Seattle only allows 120 square feet, not 200.  My 18 year old daughter
arrives from South Africa

in December, she'll be here for a year, after which the room becomes
my music studio.  I am

getting around the boxiness of the room by cutting off the front
corners, making it more hexagonal

in shape (kinda).  Another non-boxy treatment I'm doing is leaving the
ceiling cathedral-shaped as

opposed to flat.  I put some photos up on a Flickr site to keep my
daughter posted on the

progression.  If you're at all inclined to view them, the site is
located at:


     http://www.flickr.com/photos/vsyevolod/


     The photos show the first 2 1/2 weeks of work, though I've got
another week or two in since

that time and have just finished the roof, sheathing, and window
installation.  If all goes well,

I'll have it done in another month or so.  Let me know if you have any
questions, probably best to

do this offlist.  The best part is that all this has been quite doable
as a one-man project.


     I was considering doing an electrical heating element under the
floor, as I've done for

clients in the past.  One of my worries was of creating a massive
electrical noise field for my

audio cables to pick up.  Another was the distrust of having so much
electrical current running

underfoot all the time, the same distrust that keeps me from using
things like an electric

blanket.  So it will be an oil-filled radiator for this room.  Bamboo
floors, drywall for the

walls, and cedar T&G for the sloped ceiling.  Should be sweet...


     Stephen

__________________________________________________

Do You Yahoo!?

Tired of spam?  Yahoo! Mail has the best spam protection around 

http://mail.yahoo.com 


</excerpt>
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From Loopers-Delight-request@loopers-delight.com  Sun Oct  8 23:43:24 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: OT: Ideal small studio specs for Loopers?
Date: Sun, 8 Oct 2006 16:43:20 -0700
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I would build as big a room as possible within your dimension/costs=20
limitation...rectangle will be fine, if you can't afford otherwise.=20
Worry about tuning it afterwards, there are so many great resources for=20=

tuning a room out there.....pre-made bass traps, diffusion panels

http://tinyurl.com/rddzo

http://tinyurl.com/r63rw

With a limited budget, consider the least expensive biggest  rectangle=20=

you can afford, with space for a small control room, if possible, and=20
then drop some dough on acoustic treatment.

My .02.

best,
Jeff

Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com


On Oct 8, 2006, at 3:07 PM, tEd =AE kiLLiAn wrote:

> Essentially these kits can be had in almost any RECTANGULAR=20
> configuration. Part of the problem is those doggone PARALLEL WALLS of=20=

> a rectangle. Acoustically it would be best to avoid all symmetry=20
> and/or parallel surfaces to avoid any problem frequencies.=20
> Unfortunately I gotta use a rectangle of some sort. What's gonna work=20=

> best and suit as a studio with that as a given?=

From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 00:29:36 2006
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References: <20061008172901.65302.qmail@web26203.mail.ukl.yahoo.com>
Subject: Re: what small looper to buy
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Small? Boss RC-2.  They should be releasing them for sale any day now. I 
have one on order from Musician's Friend as a backup unit.  It's basically 
like a RC-20, but the size of a guitar stomp box....I'd be curious if there 
were a smaller looper out there.

Kris

----- Original Message ----- 
From: "rune fagereng" <rune_fagereng@yahoo.no>
To: <loopers-delight@loopers-delight.com>
Sent: Sunday, October 08, 2006 11:29 AM
Subject: what small looper to buy


> Hi !
>
> If I were to buy a "small and not too expencive"
> looper. I saw Boysens list. Are there any favorites
> amoung the cheapest ?
>
> best regards Rune F
>
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 02:05:21 2006
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Subject: Few items up for sale here first
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I have 2 items that I thought may be of interest here before I go the
ebay route.

ROLAND M-BD1 BASS and DRUM MODULE:
Single rack space with a good collecetion of bass and drum samples.
I have 2 and don't need the one - $100 +shipping
Small review:
http://www.harmony-central.com/Synth/Data/Roland/M-BD1-rev.html

YAMAHA MDF-2 MIDI DATA FILER
Nice unit that you can put your midi files on a floppy and take with you
and use it to then play through any sound modules. $125.00 +shipping
Little bit of info:
http://www.harmony-central.com/Synth/Data/Roland/M-BD1-rev.html

Thanks,
Rick
bs@tanawana.com

From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 02:16:31 2006
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Don't have too much demand for these at the store, I think you'd do better on eBay 

Dick Michaels


-----Original Message-----
>From: rick <bs@tanawana.com>
>Sent: Oct 8, 2006 10:04 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Few items up for sale here first
>
>
>I have 2 items that I thought may be of interest here before I go the
>ebay route.
>
>ROLAND M-BD1 BASS and DRUM MODULE:
>Single rack space with a good collecetion of bass and drum samples.
>I have 2 and don't need the one - $100 +shipping
>Small review:
>http://www.harmony-central.com/Synth/Data/Roland/M-BD1-rev.html
>
>YAMAHA MDF-2 MIDI DATA FILER
>Nice unit that you can put your midi files on a floppy and take with you
>and use it to then play through any sound modules. $125.00 +shipping
>Little bit of info:
>http://www.harmony-central.com/Synth/Data/Roland/M-BD1-rev.html
>
>Thanks,
>Rick
>bs@tanawana.com
>

From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 02:20:21 2006
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The only thing smaller is going to be the Zvex Lo-Fi Loop Junky, but it's not nearly as powerful.

Krispen Hartung <khartung@cableone.net> wrote: Small? Boss RC-2.  They should be releasing them for sale any day now. I 
have one on order from Musician's Friend as a backup unit.  It's basically 
like a RC-20, but the size of a guitar stomp box....I'd be curious if there 
were a smaller looper out there.

Kris

----- Original Message ----- 
From: "rune fagereng" 
To: 
Sent: Sunday, October 08, 2006 11:29 AM
Subject: what small looper to buy


> Hi !
>
> If I were to buy a "small and not too expencive"
> looper. I saw Boysens list. Are there any favorites
> amoung the cheapest ?
>
> best regards Rune F
>
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867
>
> 




 		
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The only thing smaller is going to be the Zvex Lo-Fi Loop Junky, but it's not nearly as powerful.<br><br><b><i>Krispen Hartung &lt;khartung@cableone.net&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> Small? Boss RC-2.  They should be releasing them for sale any day now. I <br>have one on order from Musician's Friend as a backup unit.  It's basically <br>like a RC-20, but the size of a guitar stomp box....I'd be curious if there <br>were a smaller looper out there.<br><br>Kris<br><br>----- Original Message ----- <br>From: "rune fagereng" <rune_fagereng@yahoo.no><br>To: <loopers-delight@loopers-delight.com><br>Sent: Sunday, October 08, 2006 11:29 AM<br>Subject: what small looper to buy<br><br><br>&gt; Hi !<br>&gt;<br>&gt; If I were to buy a "small and not too expencive"<br>&gt; looper. I saw Boysens list. Are there any favorites<br>&gt; amoung the cheapest ?<br>&gt;<br>&gt; best regards Rune
 F<br>&gt;<br>&gt; www.runefagereng.com<br>&gt; Mail:rune_fagereng@yahoo.no<br>&gt; Mob: 917 95 867<br>&gt;<br>&gt; <br><br><br></loopers-delight@loopers-delight.com></rune_fagereng@yahoo.no></blockquote><br><p>&#32;
		<hr size=1>Do you Yahoo!?<br> 
Get on board. <a href="http://us.rd.yahoo.com/evt=40791/*http://advision.webevents.yahoo.com/mailbeta">You're invited</a> to try the new Yahoo! Mail.
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From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 03:51:03 2006
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>Hey Ted,

A friend built a good sounding studio in his garage, one of the things he 
did was strap the walls about half way down (parallel to the floor) so the 
walls had a slight v. If I remember, it was only about 1/2 inch but no more 
than an inch. that way all the sound reflected to the floor or the ceiling. 
He also built sort of triangular wedges to fit into the top corners of the 
room. I did some recording in that space years ago and it was surprising to 
me what a difference that made to the echos usually found in a square room.

Paul

From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 04:34:42 2006
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Date: Sun, 8 Oct 2006 21:34:40 -0700 (PDT)
From: Ferrara Brain Pan <enantiodromia23@yahoo.com>
Subject: Re: what small looper to buy
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don't forget about 'el niño' of the loopers: Little Latin Loopy Lu...

esta más pequeño que un chihuahua! aye ay-aye!



--- Scott Murchison <murch33@yahoo.com> wrote:

> The only thing smaller is going to be the Zvex Lo-Fi Loop Junky, but it's not nearly as
> powerful.
> 
> Krispen Hartung <khartung@cableone.net> wrote: Small? Boss RC-2.  They should be releasing them
> for sale any day now. I 
> have one on order from Musician's Friend as a backup unit.  It's basically 
> like a RC-20, but the size of a guitar stomp box....I'd be curious if there 
> were a smaller looper out there.
> 
> Kris
> 
> ----- Original Message ----- 
> From: "rune fagereng" 
> To: 
> Sent: Sunday, October 08, 2006 11:29 AM
> Subject: what small looper to buy
> 
> 
> > Hi !
> >
> > If I were to buy a "small and not too expencive"
> > looper. I saw Boysens list. Are there any favorites
> > amoung the cheapest ?
> >
> > best regards Rune F
> >
> > www.runefagereng.com
> > Mail:rune_fagereng@yahoo.no
> > Mob: 917 95 867
> >
> > 
> 
> 
> 
> 
>  		
> ---------------------------------
> Do you Yahoo!?
>  Get on board. You're invited to try the new Yahoo! Mail.


Ferrara Brain Pan

http://www.formsofthingsunknown.com


"Let the great constellation of flickering ashes be heard..."
                                                                                      
Noel Scott Engel

From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 08:36:08 2006
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Date: Mon, 9 Oct 2006 01:36:06 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: OT: Ideal small studio specs for Loopers?
To: Loopers-Delight@loopers-delight.com
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I also found this:
http://www.readyacoustics.com/index.php?go=home-theater.home

--- paul <phaslem@wightman.ca> wrote:

> 
> >Hey Ted,
> 
> A friend built a good sounding studio in his garage,
> one of the things he 
> did was strap the walls about half way down
> (parallel to the floor) so the 
> walls had a slight v. If I remember, it was only
> about 1/2 inch but no more 
> than an inch. that way all the sound reflected to
> the floor or the ceiling. 
> He also built sort of triangular wedges to fit into
> the top corners of the 
> room. I did some recording in that space years ago
> and it was surprising to 
> me what a difference that made to the echos usually
> found in a square room.
> 
> Paul
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 09:33:50 2006
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: OT: Ideal small studio specs for Loopers?
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>Part of what I was looking for was also some advice of how to 
>arrange out those 200 square feet. What sorts of "standing wave" or 
>other problematical sonic tendencies would a 16'x12.5' room have? 
>What if the room was 10'x20'? Or 8'x25"? Or r even 6'x33.3' What 
>different sorts of frequencies would be emphasized in such spaces? 
>How (by changing the dimensions) could I "tune the room" per se?

It depends on the ratio between the length and the width.
Simple ratios will have stronger resonances.
e.g. 10'x20' would be the worst, a simple 1:2 ratio.
11'x19' would be much better.

...and then of course the height is also significant, the same 
principle applies.

andy butler

From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 10:38:25 2006
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Subject: Re: Phil Keaggy article and looping album
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>A visitor to the Looper's Delight web site pointed out a new article 
>on Phil Keaggy in Guitar Player:
>http://www.guitarplayer.com/story.asp?storycode=15473
>
>He talks about his looping, as well as his new album "Roundabout" 
>which is all looping. Has anybody heard that one? What do you think?
>
>There are some clips on his web site:
>http://philkeaggy.com/music/roundabout.html

I've only heard the clips, but didn't think this made it as an 
essential looping album.
Every track, and there are many, seems to be made in exactly the same 
way, layering up a backing and then soloing over it, and being made 
the same way they can hardly help but tend towards a similarity of 
musical impression. Not that the individual tracks aren't good in 
isolation, but to compile them all together like that just creates 
pleasant aural wallpaper.

If Phil Keaggy is famous enough to bring looping more public 
recognition (I wouldn't know, I only heard of him here at LD) then 
this album might create a useful reference point for some of us to 
explain our music.

andy butler
(doesn't anyone else have an opinion?)

From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 11:13:19 2006
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i haven't heard the record in question, but i have produced a record  
for phil ( and a few unreleased tracks..)  i know him to be one of  
the really most amazing musicians around.

i would tend to agree with you about him using a similar mode of  
looping.  and again, i haven't heard these tracks in particular.. but  
i have heard him take a baroque ground bass melody and play it  
backward so that it can be played properly with all the attacks going  
the wrong way and them play stuff that bach might have been proud of  
over that, add ebow melodies and volume swell textures that were   
just achingly beautiful.. and then after the show i'd ask (assuming  
he'd worked it out in advance) "hey phil what was that?" and he'd  
basically have no recollection of it.  it was just spontaneous. i  
have also heard him  sit down with an acoustic guitar in a dressing  
room and play some counterpoint (sort of late baroque meets ralph  
vaughn williams) and watched him retune the strings several steps  
(without really missing a beat) and keep playing whatever tune it was  
in a radically new tuning. again, when i asked him about it later, he  
was just improvising.

i doubt on a sonic innovation level he won't ever be able to hang  
with folks like torn (who has lots of respect for phil.. we've talked  
about a record that has both of them on it in the past...) but as a  
musician, he's almost in a league of his own.


my two cents
On Oct 9, 2006, at 6:32 AM, a k butler wrote:


ric hordinski


www.richordinski.com
www.myspace.com/monasterystudio


> I've only heard the clips, but didn't think this made it as an  
> essential looping album.
> Every track, and there are many, seems to be made in exactly the  
> same way, layering up a backing and then soloing over it, and being  
> made the same way they can hardly help but tend towards a  
> similarity of musical impression. Not that the individual tracks  
> aren't good in isolation, but to compile them all together like  
> that just creates pleasant aural wallpaper.
>
> If Phil Keaggy is famous enough to bring looping more public  
> recognition (I wouldn't know, I only heard of him here at LD) then  
> this album might create a useful reference point for some of us to  
> explain our music.
>
> andy butler
> (doesn't anyone else have an opinion?)




From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 13:48:51 2006
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From: "Veda, Qua" <qua.veda@intel.com>
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 Hi,

A rectangular space, with non-multiple ratios of length/width/height,
and good speaker placement, can be a very good space and one that it
easy to treat with acoustical products.    Non-rectangular shaped room
can be good, but much less predictable and more difficult to figure out
solutions for (at least mathematically). =20

A cube shaped room is the worst possible shape.   8 x 10 x 12 is  are
all divisible to 2, and partially by 4.
Ideally, use ratios like Golden Section, or Pi, to help you find
dimention

Perhaps adding 'sound board' and extra sheet rock to one wall would be
enough to provide better dimensions.

>From the main listening position, you can have a friend hold up a mirror
and move along the walls.  Where ever you can see the speakers (either
one) in the mirror from your listening position you'll want to put some
acoustical treatment to avoid direct reflections. =20

Hope these simple tips are useful
-Qua



From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 14:42:20 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: OT: Ideal small studio specs for Loopers?
Date: Mon, 9 Oct 2006 07:42:14 -0700
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Thank you. This makes sense to me and is helpful.

Best regards,

Ted Killian

On Oct 9, 2006, at 6:48 AM, Veda, Qua wrote:

> A rectangular space, with non-multiple ratios of length/width/height,
> and good speaker placement, can be a very good space and one that it
> easy to treat with acoustical products.    Non-rectangular shaped room
> can be good, but much less predictable and more difficult to figure out
> solutions for (at least mathematically).
>
> A cube shaped room is the worst possible shape.   8 x 10 x 12 is  are
> all divisible to 2, and partially by 4.
> Ideally, use ratios like Golden Section, or Pi, to help you find
> dimention
>
> Perhaps adding 'sound board' and extra sheet rock to one wall would be
> enough to provide better dimensions.
>
> From the main listening position, you can have a friend hold up a 
> mirror
> and move along the walls.  Where ever you can see the speakers (either
> one) in the mirror from your listening position you'll want to put some
> acoustical treatment to avoid direct reflections.

From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 14:45:09 2006
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Subject: Re: OT: Ideal small studio specs for Loopers?
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  Thank you. This sounds easy to do and not terribly (additionally) 
expensive to building the room "normally".

Best regards,

Ted Killian
On Oct 8, 2006, at 8:51 PM, paul wrote:

> A friend built a good sounding studio in his garage, one of the things 
> he did was strap the walls about half way down (parallel to the floor) 
> so the walls had a slight v. If I remember, it was only about 1/2 inch 
> but no more than an inch. that way all the sound reflected to the 
> floor or the ceiling. He also built sort of triangular wedges to fit 
> into the top corners of the room. I did some recording in that space 
> years ago and it was surprising to me what a difference that made to 
> the echos usually found in a square room.

From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 14:53:13 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: OT: Ideal small studio specs for Loopers?
Date: Mon, 9 Oct 2006 07:53:11 -0700
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Thanks Andy. That's the sort of advice I was looking for.

Best regards,

Ted Killian
On Oct 9, 2006, at 2:32 AM, a k butler wrote:

> It depends on the ratio between the length and the width.
> Simple ratios will have stronger resonances.
> e.g. 10'x20' would be the worst, a simple 1:2 ratio.
> 11'x19' would be much better.

From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 16:28:17 2006
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>YAMAHA MDF-2 MIDI DATA FILER
>Nice unit that you can put your midi files on a floppy and take with you
>and use it to then play through any sound modules. $125.00<<

rick, if I didn't already have one of these, I'd bite y'r hand off,
especially at that price. more than once, the datafiler has got me out of a
tricky situation. I use it to back up sequences (p3, alesis mmt8, octopus),
patches (proteus modules/XL7, memorymoog) & perform software updates on kit
that's too far from (or too big to get near) a computer (p3 at our rehearsal
studio, octopus, novation supernova...)

just think how many different FCB1010 setups you could get on one floppy!

it also plays back sequences itself- as I recall, you can adjust the tempo-
which is very useful if you're trying to minimise a rig for a travelling
gig.
I bought one of the last new ones, years ago, & paid probably four times
that for it.

duncan. 


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<P><FONT SIZE=3D2>&gt;YAMAHA MDF-2 MIDI DATA FILER</FONT>
<BR><FONT SIZE=3D2>&gt;Nice unit that you can put your midi files on a flop=
py and take with you</FONT>
<BR><FONT SIZE=3D2>&gt;and use it to then play through any sound modules. $=
125.00&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>rick, if I didn't already have one of these, I'd bite y'r=
 hand off, especially at that price. more than once, the datafiler has got =
me out of a tricky situation. I use it to back up sequences (p3, alesis mmt=
8, octopus), patches (proteus modules/XL7, memorymoog) &amp; perform softwa=
re updates on kit that's too far from (or too big to get near) a computer (=
p3 at our rehearsal studio, octopus, novation supernova...)</FONT></P>

<P><FONT SIZE=3D2>just think how many different FCB1010 setups you could ge=
t on one floppy!</FONT>
</P>

<P><FONT SIZE=3D2>it also plays back sequences itself- as I recall, you can=
 adjust the tempo- which is very useful if you're trying to minimise a rig =
for a travelling gig.</FONT></P>

<P><FONT SIZE=3D2>I bought one of the last new ones, years ago, &amp; paid =
probably four times that for it.</FONT>
</P>

<P><FONT SIZE=3D2>duncan. </FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 18:29:17 2006
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Date: Mon, 9 Oct 2006 14:17:47 -0400
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Subject: Re: Few items up for sale here first
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It actually does play the sequences back. Used to use it live like this
for a while as a backup band feeding my sound modules. Surprised more
units like this aren't made to just do that easily.


On Mon, Oct 09, 2006 at 05:28:12PM +0100, goddard.duncan@mtvne.com wrote:
> >YAMAHA MDF-2 MIDI DATA FILER
> >Nice unit that you can put your midi files on a floppy and take with you
> >and use it to then play through any sound modules. $125.00<<
> 
> rick, if I didn't already have one of these, I'd bite y'r hand off,
> especially at that price. more than once, the datafiler has got me out of a
> tricky situation. I use it to back up sequences (p3, alesis mmt8, octopus),
> patches (proteus modules/XL7, memorymoog) & perform software updates on kit
> that's too far from (or too big to get near) a computer (p3 at our rehearsal
> studio, octopus, novation supernova...)
> 
> just think how many different FCB1010 setups you could get on one floppy!
> 
> it also plays back sequences itself- as I recall, you can adjust the tempo-
> which is very useful if you're trying to minimise a rig for a travelling
> gig.
> I bought one of the last new ones, years ago, & paid probably four times
> that for it.
> 
> duncan. 
> 
> 
> ***************************************************************************
> CONFIDENTIALITY NOTICE
> 
> The contents of this e-mail are confidential to the ordinary user
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> 
> MTV reserves the right to monitor e-mail communications from
> external/internal sources for the purposes of ensuring correct 
> and appropriate use of MTV communication equipment.
> 
> MTV Networks Europe
> ***************************************************************************
> 

From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 18:55:57 2006
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Date: Mon, 09 Oct 2006 13:55:53 -0500
From: David Small <dsmall@uh.edu>
Subject: Another MDF-2 Up for Sale
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Group: I agree about the usefulness of the Yamaha MDF-2. I've had one
for about four years and used it up until I switched from sequencing to an
entirely live presentation. Hate to see it gather dust, so I am putting mine
up for sale too, along with manual and power supply, for the ridiculously
low price of $125 plus shipping. BTW, it does have tempo control.

Questions welcome. Thank you.

David Small
Pearland, Texas


At 02:17 PM 10/9/2006 -0400, you wrote:

>It actually does play the sequences back. Used to use it live like this
>for a while as a backup band feeding my sound modules. Surprised more
>units like this aren't made to just do that easily.
>
>
>On Mon, Oct 09, 2006 at 05:28:12PM +0100, goddard.duncan@mtvne.com wrote:
> > >YAMAHA MDF-2 MIDI DATA FILER
> > >Nice unit that you can put your midi files on a floppy and take with you
> > >and use it to then play through any sound modules. $125.00<<
> >
> > rick, if I didn't already have one of these, I'd bite y'r hand off,
> > especially at that price. more than once, the datafiler has got me out of a
> > tricky situation. I use it to back up sequences (p3, alesis mmt8, octopus),
> > patches (proteus modules/XL7, memorymoog) & perform software updates on kit
> > that's too far from (or too big to get near) a computer (p3 at our 
> rehearsal
> > studio, octopus, novation supernova...)
> >
> > just think how many different FCB1010 setups you could get on one floppy!
> >
> > it also plays back sequences itself- as I recall, you can adjust the tempo-
> > which is very useful if you're trying to minimise a rig for a travelling
> > gig.
> > I bought one of the last new ones, years ago, & paid probably four times
> > that for it.
> >
> > duncan.
> >
> >
> > ***************************************************************************
> > CONFIDENTIALITY NOTICE
> >
> > The contents of this e-mail are confidential to the ordinary user
> > of the e-mail address to which it was addressed, and may also
> > be privileged.  If you are not the addressee of this e-mail you may
> > not copy, forward, disclose or otherwise use it or any part of it
> > in any form whatsoever.If you have received this e-mail in error,
> > please e-mail the sender by replying to this message.
> >
> > It is your responsibility to carry out appropriate virus and other
> > checks to ensure that this message and any attachments do not
> > affect your systems / data. Any views or opinions expressed in this
> > e-mail are solely those of the author and do not necessarily
> > represent those of MTV Networks Europe unless specifically stated,
> > nor does this message form any part of any contract unless so stated.
> >
> > MTV reserves the right to monitor e-mail communications from
> > external/internal sources for the purposes of ensuring correct
> > and appropriate use of MTV communication equipment.
> >
> > MTV Networks Europe
> > ***************************************************************************
> >

From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 20:23:45 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Kaiser's coming to New York.....
Date: Mon, 9 Oct 2006 13:23:38 -0700
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I'll be in New York this week....lots of loopage (except Sunday night)


************************
Festival of New Trumpet
http://fontmusic.org/

Thursday, October 12, 2006

Jeff Kaiser and Tom McNalley
(quarter-tone trumpet/laptop and electric guitar)

The Cornelia Street Caf=E9
29 Cornelia Street
NYC 10014
(212)989-9319
***************************
Saturday, October 14, 2006

Goodbye Blue Monday
1087 BROADWAY - BUSHWICK, BROOKLYN
NEW YORK 11221
718.453.6343

Jeff Kaiser and Tom McNalley
(quarter-tone trumpet/laptop and electric guitar)

with

David Bartel
drum set/ laptop

http://www.goodbye-blue-monday.com/

This is going to be an exciting gig, first meeting (musically) with=20
David.
He is an exciting player with a great take on technology.

For More Info on David:
http://www.deepsoundchannel.com/

*********************
Sunday, October 15, 2006, 6 pm, FREE

Downtown Music Gallery

Jeff Kaiser and Tom McNalley
(quarter-tone trumpet and electric guitar)

342 Bowery [between E. 2nd & E. 3rd Streets], New York, NY 10012-2408
Phone: (212) 473-0043
*********************


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 21:23:52 2006
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Date: Mon, 09 Oct 2006 17:13:20 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlists for the Past Four Weeks
To: undisclosed-recipients: ;
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Greetings,

I'm playing catch up on these four playlists:
http://wdiy.org/programs/gt/playlists/2006/060914.html
http://wdiy.org/programs/gt/playlists/2006/060921.html
http://wdiy.org/programs/gt/playlists/2006/060928.html
http://wdiy.org/programs/gt/playlists/2006/061005.html

===

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.

                Show #494                September 14, 2006

RECAP:
On this show, I continued the month-long focus on ARC.  The Featured CD
at Midnight was "Radio Sputnik" on DiN Records.

The Vinyl Starter was from the LP "Crystal Machine" by Tim Blake on EGG
Records and released in 1977.

ARC - http://wdiy.org/programs/gt/playlists/2006/focus.html#sep


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Tim Blake            Midnight             Crystal Machine (Egg)
Sonic Solutions Inc. Pax Romana IV        SSI (Azra/Chlorophyll)
Sonic Solutions Inc. Pax Romana V         SSI (Azra/Chlorophyll)
Different Skies 2004 Snap To Focus        Arcs & Angles (Atomic City)
ARC                  Steam                Radio Sputnik (DiN)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
ARC                  Transmit 1           Radio Sputnik (DiN)
ARC                  Radio Sputnik        Radio Sputnik (DiN)
ARC                  Who Walks Behind You Radio Sputnik (DiN)
ARC                  Octane               Radio Sputnik (DiN)
ARC                  Transmit 2           Radio Sputnik (DiN)
ARC                  Arc-Angel            Radio Sputnik (DiN)
ARC                  Relay                Radio Sputnik (DiN)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


===

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.

                Show #495                September 21, 2006

RECAP:
On this show, I continued the month-long focus on ARC.  The Featured CD
at Midnight was "Blaze" on DiN Records.

The Vinyl Starter was from the LP "Autobahn" by Kraftwerk on Vertigo
Records and released in 1974.

ARC - http://wdiy.org/programs/gt/playlists/2006/focus.html#sep


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kraftwerk            Mitternacht          Autobahn (Vertigo)
Mind1Spiral          Purple Fuzzy Monkeys The 1 is Silent (Atomic City)
                       Taking Over the Moon
Palancar             May 6, 2006          Ambient Train Werk Series
                                            Volume One (Blue Water)
Sensitive Chaos      Bullet Train         Leak (Subsequent)
x1 Project           Arpeggio Guitar      The Asymmetrical Collection
                                            (none)
Una Voce and Chandra Part 1 *             Hearts of Darkness (none)
  Jade Shankar

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
ARC                  Blaze                Blaze (DiN)
ARC                  Corrosion            Blaze (DiN)
ARC                  Trial in Scarlet     Blaze (DiN)
ARC                  Klangwand            Blaze (DiN)
ARC                  Silent White Light   Blaze (DiN)
ARC                  Sparked              Blaze (DiN)
ARC                  Mother               Blaze (DiN)
ARC                  Pulse Train          Blaze (DiN)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist

===

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.

                Show #496                September 28, 2006

RECAP:
On this show, I concluded the month-long focus on ARC.  The Featured CD
at Midnight was "Arcturus" on DiN Records.

The Vinyl Starter was from the LP "Music for Amplified Keyboard
Instruments" by David Borden on Red Records and released in 1981.

ARC - http://wdiy.org/programs/gt/playlists/2006/focus.html#sep


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
David Borden         The Continuing Story Music for Amplified Keyboard
                       of Counterpoint,     Instruments (Red)
                       Part Six
Richard Pinhas       Tikkun Part 1: The   Metatron (Cuneiform)
                       Unification of the
                       Name
Synthetic Block      A Science To Forget  The Opposite of Staring Into
                                            Space (Ironing Board)
Scott Kungha Dengsen Unseen Children at   Mourning Guests Who Never
                       the Edge of Time     Arrived (Secret Sky)
Ian Boddy            Nucleotide           Chiasmata (DiN)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
ARC                  Arcturus - Part 1    Arcturus (DiN)
ARC                  Arcturus - Part 2    Arcturus (DiN)
ARC                  Helicon              Arcturus (DiN)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist

===

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.

                Show #497                October 5, 2006

RECAP:
On this show, I began a month-long focus on Remy.  The Featured CD at
Midnight was "The Art of Imagination" on AKH Records and Groove Records.

The Vinyl Starter was from the LP "Forever Blowing Bubbles" by
Clearlight on Virgin Records and released in 1975.

Remy - http://wdiy.org/programs/gt/playlists/2006/focus.html#oct


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Clearlight           Jungle Bubbles       Forever Blowing Bubbles
                                            (Virgin)
VA [Craig Padilla    Shadowed Transition  E-dition #14 (Groove)
  and Skip Murphy]
Ian Boddy            Elemental            Elemental (DiN)
Synthetic Block      Shoal                The Opposite of Staring Into
                                            Space (Ironing Board)
Markus Reuter        3-4 Days Before the  Trepanation (Lotuspike)
                       Echo
Rudy Afrian          Midnight Fantasy     Moonwater (Lotuspike)
                       Angel, part 2

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Remy                 Image One            The Art of Imagination (AKH
                                            and Groove)
Remy                 Image Two            TAOI (AKH and Groove)
Remy                 Image Three          TAOI (AKH and Groove)
Remy                 Image Four           TAOI (AKH and Groove)
Remy                 Image Five *         TAOI (AKH and Groove)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Remy.  The Featured CD at Midnight will be "Connected" on AKH Records.

The Vinyl Starter will be from the LP "Bhakti Point" by the recently
departed Richard Burmer on Fortuna Records and released in 1987.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4) on WDIY 88.1 FM in Allentown
and Bethlehem and 93.9 FM in Easton and Phillipsburg, 93.7 FM in
Trexlertown and Fogelsville, and on 92.9 FM on Service Electric Cable.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Mon Oct  9 21:39:43 2006
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From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: Recycle Collective gig in London this thursday...
Date: Mon, 9 Oct 2006 22:39:37 +0100
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--Apple-Mail-9--413332185
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Hello Loopists,

muchos loopage at the Recycle Collective on Thursday - me, pedal =20
steel guitarist BJ Cole and sax/flautist Theo Travis, playing solo =20
duo trio loopalicious improv stuff. Gorgeous music guaranteed! :o)

gig details -
date - Thursday October 12th
time - doors 7pm, music 8pm (restaurant upstairs open before that =20
though for lovely food)
venue - Darbucka World Music Bar, 182 St John's Street, Clerkenwell, =20
London, EC1 4JZ
tickets - =A37 / =A35 concessions (NUS/OAP/MU - please bring proof).
nearest tube - Farringdon.


hope to see you there!

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




--Apple-Mail-9--413332185
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Hello Loopists,<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>muchos loopage at the =
Recycle Collective on Thursday - me, pedal steel guitarist BJ Cole and =
sax/flautist Theo Travis, playing solo duo trio loopalicious improv =
stuff. Gorgeous music guaranteed! :o)=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>gig details =
-=A0</DIV><DIV>date - Thursday October 12th</DIV><DIV>time - doors 7pm, =
music 8pm (restaurant upstairs open before that though for lovely =
food)</DIV><DIV>venue - Darbucka World Music Bar, 182 St John's Street, =
Clerkenwell, London, EC1 4JZ</DIV><DIV>tickets - =A37 / =A35 concessions =
(NUS/OAP/MU - please bring proof).=A0</DIV><DIV>nearest tube - =
Farringdon.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>hope to see you =
there!=A0</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><DIV>=
 <SPAN class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; =
"><DIV>Steve</DIV><DIV>www.stevelawson.net - =
site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccollec=
tive.org</A> - =
blog</DIV><DIV>www.myspace.com/solobassstevelawson</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
PAN> </DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-9--413332185--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 10 01:15:46 2006
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To: "scott hansen" <evanpeewee@yahoo.com>
Cc: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Subject: FX blowing upRE: ot: random effect (broken digitech)
Date: Mon, 9 Oct 2006 21:23:27 -0400
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That sounds more interesting than the sh*t that's going on with *my* gear
-- these malfunctions are more inexplicable/intermittent than actually
random:
1. a FazzFace that suddenly gets quieter and smaller-sounding in the middle
of a gig, and with a fresh battery, too (My Rat did this once, and
excercising the footswitch cured it totally, but that trick does not work
on this Fuzz Face)
2. a Vortex whose 2 looping algorithms only loop when they feel like it,
instead of the consistently entertaining performance they used to provide
3. a VF-1 whose best aand most useful (IMHO) amp preset suddenly has lost
all of its spunk and "interestingness"

AAAAARGH! There! I feel better already. Okay, no, I don't. (LOL)

All 3 of these are happening at once. I am open to the metaphysical
possibility that I am one of these unfortunate folks who transmit some sort
of frequency that screws up anything more electronically complex than a
wall clock




> [Original Message]
> From: scott hansen <evanpeewee@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 10/2/2006 12:37:05 PM
> Subject: ot: random effect (broken digitech)
>
> my random effect is my digitech rp100 that i got in '01, sometimes it
starts to
>   "freak out" and either the effects module will cycle through all the
effects (the light flashes and the display switches real fast from one
effect to next) or
>   the amp models will cycle through randomly. i've recorded it once, and
it was 
>   kind of interesting in its randomness. (has sort of an extreme tremolo
effect in quick changing of effects/amp models)
>   unfortunately it happens when i'm trying to do something specific....
>   i try to think of the old adrian belew comment of working w/ your gears
quirks-i think
>   he was talking about one of his gtrs had a broken pu, so he kept using
it , instead of replacing it (i think he talked about it being a real
twangy sound-he used on one of his songs on one of his 1st solo albums back
in 80's)
>   s---
>  

From root@mx1.kabelmat.biz  Tue Oct 10 07:36:36 2006
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<br>&nbsp; Hello,<br><br>
&nbsp; Hello , What happened with that item?. Please respond I'm desperate!.
Thank you,
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From Loopers-Delight-request@loopers-delight.com  Tue Oct 10 12:47:43 2006
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Date: Tue, 10 Oct 2006 14:47:39 +0200
From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: RC50 End of Loop
To: Loopers-Delight@loopers-delight.com
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Hi guys

> It's great to know that the hiccup can be avoided
@Andy: Maybe my message was a bit misleading... I haven't found a way to avoid the "hiccup", except playing over it (which doesn't bother me at all). I just wanted to say that - besides this "hiccup" at the begining- I haven't experienced any latency issues (the hiccup is NOT a latency issue, it is just a "temporary mute"!), if you use the settings I have recommended.

>I haven't seen any way to determine the end of a  loop, i.e. visually on the RC-50. Am I correct in that understanding? 
@Paul: Yes, that can be an issue. I usually "whisper" an almost not hearable sound at the and of the loop to mark the end, esp. with ryhthm beats.

I'm not saying that the RC-50 is perfect except the "hiccup" (let's say again: "temporary mute at the first repetition of a recorded loop"). I think I would look for something else if I needed tempo change/sync and midi slave sync as main feature, and also for feedback control something else might work easier for you (though I have great feedback control with my RC-50 for my purposes).

I don't think of it as a hassle that certain things just need getting used to on the RC-50. Just with every piece of gear or instrument you have, it needs passion, curiosity and patience to dive into its full potential.
In this context, I find reading Andre LaFosse (www.altruistmusic.com) working with the EDP very inspiring.

So, I'm not saying that the RC-50 is the right tool for everyone. I'm just saying it is a well prized tool with a lot of depth & possibilities in a nice all-in-one pedal board.

Best regards
Buzap


-- 
Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen! 
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Tue Oct 10 12:50:11 2006
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 <2a8e01c6eb39$fd8c2040$e0c8f40f@americas.hpqcorp.net>
Subject: Re: what small looper to buy
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Yes the RC-2...

I just got myself a Roland MicroCube mini-amp.
Together with the RC-2, this would make a fantastic ultra-mobile setup... :-)))

Buzap

-- 
Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen! 
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Tue Oct 10 13:17:44 2006
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References: <23002082.1160069475662.JavaMail.root@web20> <20061010124739.205460@gmx.net>
Subject: Re: RC50 End of Loop
Date: Tue, 10 Oct 2006 15:16:38 +0200
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hi guys, has anybody tried the rc-2? how is the sound?
anybody experienced the "hiccup" on the rc-2?
all the best, tilmann

----- Original Message ----- 
From: "Buzap Buzap" <buzap@gmx.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, October 10, 2006 2:47 PM
Subject: Re: RC50 End of Loop


> Hi guys
>
>> It's great to know that the hiccup can be avoided
> @Andy: Maybe my message was a bit misleading... I haven't found a way to 
> avoid the "hiccup", except playing over it (which doesn't bother me at 
> all). I just wanted to say that - besides this "hiccup" at the begining- I 
> haven't experienced any latency issues (the hiccup is NOT a latency issue, 
> it is just a "temporary mute"!), if you use the settings I have 
> recommended.
>
>>I haven't seen any way to determine the end of a  loop, i.e. visually on 
>>the RC-50. Am I correct in that understanding?
> @Paul: Yes, that can be an issue. I usually "whisper" an almost not 
> hearable sound at the and of the loop to mark the end, esp. with ryhthm 
> beats.
>
> I'm not saying that the RC-50 is perfect except the "hiccup" (let's say 
> again: "temporary mute at the first repetition of a recorded loop"). I 
> think I would look for something else if I needed tempo change/sync and 
> midi slave sync as main feature, and also for feedback control something 
> else might work easier for you (though I have great feedback control with 
> my RC-50 for my purposes).
>
> I don't think of it as a hassle that certain things just need getting used 
> to on the RC-50. Just with every piece of gear or instrument you have, it 
> needs passion, curiosity and patience to dive into its full potential.
> In this context, I find reading Andre LaFosse (www.altruistmusic.com) 
> working with the EDP very inspiring.
>
> So, I'm not saying that the RC-50 is the right tool for everyone. I'm just 
> saying it is a well prized tool with a lot of depth & possibilities in a 
> nice all-in-one pedal board.
>
> Best regards
> Buzap
>
>
> -- 
> Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
> Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
> 

From Loopers-Delight-request@loopers-delight.com  Tue Oct 10 13:42:59 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <20061008172901.65302.qmail@web26203.mail.ukl.yahoo.com> <2a8e01c6eb39$fd8c2040$e0c8f40f@americas.hpqcorp.net> <20061010125010.205450@gmx.net>
Subject: Re: what small looper to buy
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Exactly!!! A cut little combo. Those two and my new 6-string mandoline, and 
I could play a gig in a phone booth.

Kris

----- Original Message ----- 
From: "Buzap Buzap" <buzap@gmx.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, October 10, 2006 6:50 AM
Subject: Re: what small looper to buy


> Yes the RC-2...
>
> I just got myself a Roland MicroCube mini-amp.
> Together with the RC-2, this would make a fantastic ultra-mobile setup... 
> :-)))
>
> Buzap
>
> -- 
> Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
> Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Oct 10 16:16:57 2006
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Not sure if this was mentioned before or even if it's any "good" - I'll 
be checking it out when I have a minute - but thought I'd post it any 
way for those interested:

<< http://plasq.com/rax >>

Any body using this? - Paul

From Loopers-Delight-request@loopers-delight.com  Tue Oct 10 18:46:10 2006
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Date: Tue, 10 Oct 2006 20:46:08 +0200 (CEST)
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Subject: footswitch for electrix repeater
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Hi !

I am looking for a footswitch for my repeater. I know
the digitech can be used, this one is hard to get
around my place. Please tell me, does anyone know if
there are others, like boss who can be used ?

best regards Rune F  

www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867

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From: RP Collier <skeptikalist@gmail.com>
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On Oct 10, 2006, at 9:16 AM, Paul Mimlitsch wrote:

> << http://plasq.com/rax >>
>
> Any body using this?


Hi
Yes I have RAX.
I have found it to be an excellent application for midi instruments  
and plug-ins...

But,

I have had less than stellar performance from it for running  
acoustic / mic / line-in stuff.
I have not been able to figure out why, I suspect it might have  
something to do with Soundflower which I have installed to support a  
couple of other apps.
It may also be my Firewire interface which might want to jump the  
sampling rate to high. Still trying to track down the problem.


regards

BobC




http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo
http://www.flickr.com/photos/41969054@N00/sets/72157594240725240/

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: footswitch for electrix repeater
Date: Tue, 10 Oct 2006 21:38:05 +0200
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On 10 okt 2006, at 20.46, rune fagereng wrote:

> I am looking for a footswitch for my repeater. I know
> the digitech can be used, this one is hard to get
> around my place. Please tell me, does anyone know if
> there are others, like boss who can be used ?


You can use anything that sends the MIDI events the Repeater is  
hardwired to follow. At the end of the Repeater manual there is a  
MIDI chart. Just compare that list with the MIDI chart for the  
footswitch you want to evaluate.

You may also use other MIDI pedals that do not send exactly what the  
Repeater needs, but then you need to put something between that  
"translates" - like for example a computer.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: Per Boysen <perboysen@gmail.com>
Subject: Re: mac performance software
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> On Oct 10, 2006, at 9:16 AM, Paul Mimlitsch wrote:
>
>> << http://plasq.com/rax >>


I bought RAX to use with SooperLooer. To answer your question, I  
think it is "good". That means it does what you suspect a MIDI simple  
mixer and AU host to do. I can't say that it's better than AU Lab,  
though. AU Lab is free and comes on the Tiger DVD, look under  
"Developer".

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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does rax do VST as well, or just AU?

On 10/10/06, Per Boysen <perboysen@gmail.com> wrote:
> > On Oct 10, 2006, at 9:16 AM, Paul Mimlitsch wrote:
> >
> >> << http://plasq.com/rax >>
>
>
> I bought RAX to use with SooperLooer. To answer your question, I
> think it is "good". That means it does what you suspect a MIDI simple
> mixer and AU host to do. I can't say that it's better than AU Lab,
> though. AU Lab is free and comes on the Tiger DVD, look under
> "Developer".
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Oct 10 20:15:34 2006
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Date: Tue, 10 Oct 2006 13:15:32 -0700
From: "Nic Roozeboom" <nicroozeboom@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: footswitch for electrix repeater
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I think Rune may have been inquiring about the "simple" footswitch (using a
TRS cable between it and the footswitch jack), not the MIDI. I use the
Digitech too, the three-button. Any momentary (non-latching) footswitch will
do. The Digitech has the advantage of having the three-buttons configuration
(serving Undo, Play/Stop and Record/Play). When I just checked the Boss site
there is a two-button but not a three-button version of their footswitch.
This would forego one of the above functions (not sure which, but handiest
would be if it were Undo).

If you're a DIY-er, this kind of switch should be pretty simple to home-bake
as well.

Cheers,
Nic

On 10/10/06, Per Boysen <perboysen@gmail.com> wrote:
>
> On 10 okt 2006, at 20.46, rune fagereng wrote:
>
> > I am looking for a footswitch for my repeater. I know
> > the digitech can be used, this one is hard to get
> > around my place. Please tell me, does anyone know if
> > there are others, like boss who can be used ?
>
>
> You can use anything that sends the MIDI events the Repeater is
> hardwired to follow. At the end of the Repeater manual there is a
> MIDI chart. Just compare that list with the MIDI chart for the
> footswitch you want to evaluate.
>
> You may also use other MIDI pedals that do not send exactly what the
> Repeater needs, but then you need to put something between that
> "translates" - like for example a computer.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>


-- 
Nic Roozeboom

http://www.fractal-continuum.com
http://www.myspace.com/fractalcontinuum
http://www.cdbaby.com/fractal

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I think Rune may have been inquiring about the &quot;simple&quot; footswitch (using a TRS cable between it and the footswitch jack), not the MIDI. I use the Digitech too, the three-button. Any momentary (non-latching) footswitch will do. The Digitech has the advantage of having the three-buttons configuration (serving Undo, Play/Stop and Record/Play). When I just checked the Boss site there is a two-button but not a three-button version of their footswitch. This would forego one of the above functions (not sure which, but handiest would be if it were Undo).
<br><br>If you're a DIY-er, this kind of switch should be pretty simple to home-bake as well.<br><br>Cheers,<br>Nic<br><br><div><span class="gmail_quote">On 10/10/06, <b class="gmail_sendername">Per Boysen</b> &lt;<a href="mailto:perboysen@gmail.com">
perboysen@gmail.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">On 10 okt 2006, at 20.46, rune fagereng wrote:<br><br>
&gt; I am looking for a footswitch for my repeater. I know<br>&gt; the digitech can be used, this one is hard to get<br>&gt; around my place. Please tell me, does anyone know if<br>&gt; there are others, like boss who can be used ?
<br><br><br>You can use anything that sends the MIDI events the Repeater is<br>hardwired to follow. At the end of the Repeater manual there is a<br>MIDI chart. Just compare that list with the MIDI chart for the<br>footswitch you want to evaluate.
<br><br>You may also use other MIDI pedals that do not send exactly what the<br>Repeater needs, but then you need to put something between that<br>&quot;translates&quot; - like for example a computer.<br><br>Greetings from Sweden
<br><br>Per Boysen<br><a href="http://www.boysen.se">www.boysen.se</a> (Swedish)<br><a href="http://www.looproom.com">www.looproom.com</a> (international)<br><a href="http://tinyurl.com/fauvm">http://tinyurl.com/fauvm</a>
 (podcast)<br><a href="http://www.myspace.com/looproom">http://www.myspace.com/looproom</a><br><br><br><br></blockquote></div><br><br clear="all"><br>-- <br>Nic Roozeboom<br><br><a href="http://www.fractal-continuum.com">
http://www.fractal-continuum.com</a><br><a href="http://www.myspace.com/fractalcontinuum">http://www.myspace.com/fractalcontinuum</a><br><a href="http://www.cdbaby.com/fractal">http://www.cdbaby.com/fractal</a>

------=_Part_91151_23196533.1160511332074--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 10 21:37:58 2006
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From: Craig McCollough <craig@craigmccollough.com>
Subject: Re: mac performance software
Date: Tue, 10 Oct 2006 14:37:25 -0700
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Rax is AU only. I've used it a bit and liked it - had no problems  
with audio in.

Cheers,
Craig


On Oct 10, 2006, at 12:51 PM, Charlie Milkey wrote:

> does rax do VST as well, or just AU?
>
> On 10/10/06, Per Boysen <perboysen@gmail.com> wrote:
>> > On Oct 10, 2006, at 9:16 AM, Paul Mimlitsch wrote:
>> >
>> >> << http://plasq.com/rax >>
>>
>>
>> I bought RAX to use with SooperLooer. To answer your question, I
>> think it is "good". That means it does what you suspect a MIDI simple
>> mixer and AU host to do. I can't say that it's better than AU Lab,
>> though. AU Lab is free and comes on the Tiger DVD, look under
>> "Developer".
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://tinyurl.com/fauvm (podcast)
>> http://www.myspace.com/looproom
>>
>>
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Wed Oct 11 06:50:27 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: INTERNATIONAL LIVE LOOPING DAY  in the city of Santa Cruz, California
Date: Tue, 10 Oct 2006 23:50:20 -0700
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Cynthia Matthews,  the mayor of Santa Cruz, California 
has declared Saturday, October 21st, 2006 to be 
"International Live Looping Day"  in the city.

Cynthia will be gracing us with her presence 
at 7:20 p.m. on Saturday, October 21st  at ALCHEMY (the main festival site)
to read the proclamation and to give copies to 

 our headlining artists:

Per Boysen (Sweden),   Rainer Straschill (Germany),  
Mir-O (Finland) and Bill Walker (USA)

and our featured artists:

 Krispen Hartung (USA),  Jeff Kaiser (USA) 
Zoe Keating (USA)  and Artis the Spoonman (Mars)

From Loopers-Delight-request@loopers-delight.com  Wed Oct 11 08:46:50 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: INTERNATIONAL LIVE LOOPING DAY  in the city of Santa Cruz, California
Date: Wed, 11 Oct 2006 01:46:41 -0700
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SWEET!


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

On Oct 10, 2006, at 11:50 PM, loop.pool wrote:

> Cynthia Matthews,  the mayor of Santa Cruz, California has declared=20
> Saturday, October 21st, 2006 to be "International Live Looping Day" =20=

> in the city.
>
> Cynthia will be gracing us with her presence at 7:20 p.m. on Saturday,=20=

> October 21st  at ALCHEMY (the main festival site)
> to read the proclamation and to give copies to
> our headlining artists:
>
> Per Boysen (Sweden),   Rainer Straschill (Germany),  Mir-O (Finland)=20=

> and Bill Walker (USA)
>
> and our featured artists:
>
> Krispen Hartung (USA),  Jeff Kaiser (USA) Zoe Keating (USA)  and Artis=20=

> the Spoonman (Mars)
>

From Loopers-Delight-request@loopers-delight.com  Wed Oct 11 09:23:06 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: OT: Trumpet video
Date: Wed, 11 Oct 2006 11:23:01 +0200
To: Loopers-Delight@loopers-delight.com
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Ran across this funny movie:

> Humor: pBlue - one of the hippest horn blowers in the block,  
> playing on top of an excellent tune by Ingrid Contardo
> http://tinyurl.com/zg3ce

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Oct 11 12:30:20 2006
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Date: Wed, 11 Oct 2006 06:30:14 -0600
From: "C 3" <modulus10@gmail.com>
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Subject: Re: INTERNATIONAL LIVE LOOPING DAY in the city of Santa Cruz, California
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IS there a website or more info on this event? only a 15 hour drive for me
:-D

On 10/11/06, Jeff Kaiser <loopersdelight@pfmentum.com> wrote:
>
> SWEET!
>
>
> Jeff Kaiser
> http://www.JeffKaiser.com
> pfMENTUM.com =95 AngryVegan.com
>
> On Oct 10, 2006, at 11:50 PM, loop.pool wrote:
>
> > Cynthia Matthews,  the mayor of Santa Cruz, California has declared
> > Saturday, October 21st, 2006 to be "International Live Looping Day"
> > in the city.
> >
> > Cynthia will be gracing us with her presence at 7:20 p.m. on Saturday,
> > October 21st  at ALCHEMY (the main festival site)
> > to read the proclamation and to give copies to
> > our headlining artists:
> >
> > Per Boysen (Sweden),   Rainer Straschill (Germany),  Mir-O (Finland)
> > and Bill Walker (USA)
> >
> > and our featured artists:
> >
> > Krispen Hartung (USA),  Jeff Kaiser (USA) Zoe Keating (USA)  and Artis
> > the Spoonman (Mars)
> >
>
>


--=20
Christopher "C3" Cardone
APC Instruments

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IS there a website or more info on this event? only a 15 hour drive for me =
:-D<br><br><div><span class=3D"gmail_quote">On 10/11/06, <b class=3D"gmail_=
sendername">Jeff Kaiser</b> &lt;<a href=3D"mailto:loopersdelight@pfmentum.c=
om">
loopersdelight@pfmentum.com</a>&gt; wrote:</span><blockquote class=3D"gmail=
_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt=
 0pt 0.8ex; padding-left: 1ex;">SWEET!<br><br><br>Jeff Kaiser<br><a href=3D=
"http://www.JeffKaiser.com">
http://www.JeffKaiser.com</a><br>pfMENTUM.com =95 AngryVegan.com<br><br>On =
Oct 10, 2006, at 11:50 PM, loop.pool wrote:<br><br>&gt; Cynthia Matthews,&n=
bsp;&nbsp;the mayor of Santa Cruz, California has declared<br>&gt; Saturday=
, October 21st, 2006 to be &quot;International Live Looping Day&quot;
<br>&gt; in the city.<br>&gt;<br>&gt; Cynthia will be gracing us with her p=
resence at 7:20 p.m. on Saturday,<br>&gt; October 21st&nbsp;&nbsp;at ALCHEM=
Y (the main festival site)<br>&gt; to read the proclamation and to give cop=
ies to
<br>&gt; our headlining artists:<br>&gt;<br>&gt; Per Boysen (Sweden),&nbsp;=
&nbsp; Rainer Straschill (Germany),&nbsp;&nbsp;Mir-O (Finland)<br>&gt; and =
Bill Walker (USA)<br>&gt;<br>&gt; and our featured artists:<br>&gt;<br>&gt;=
 Krispen Hartung (USA),&nbsp;&nbsp;Jeff Kaiser (USA) Zoe Keating (USA)&nbsp=
;&nbsp;and Artis
<br>&gt; the Spoonman (Mars)<br>&gt;<br><br></blockquote></div><br><br clea=
r=3D"all"><br>-- <br>Christopher &quot;C3&quot; Cardone<br>APC Instruments

------=_Part_29741_21660904.1160569814111--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 11 14:12:02 2006
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   Ran across this funny movie:=C2=A0
=C2=A0
  per.....you ought to get together with this cat.....what a duet!.....i=20
think he stole some of MY licks though.....why i oughta!.....:)m
________________________________________________________________________
Check out the new AOL.  Most comprehensive set of free safety and=20
security tools, free access to millions of high-quality videos from=20
across the web, free AOL Mail and more.

From Loopers-Delight-request@loopers-delight.com  Wed Oct 11 15:00:04 2006
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To: Loopers-Delight@loopers-delight.com
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Subject: Re: INTERNATIONAL LIVE LOOPING DAY in the city of Santa Cruz, California
Date: Wed, 11 Oct 2006 08:59:59 -0600
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This is a multi-part message in MIME format.

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Here you go: http://www.y2k6loopfest.com

Kris


  ----- Original Message -----=20
  From: C 3=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, October 11, 2006 6:30 AM
  Subject: Re: INTERNATIONAL LIVE LOOPING DAY in the city of Santa Cruz, =
California


  IS there a website or more info on this event? only a 15 hour drive =
for me :-D


  On 10/11/06, Jeff Kaiser < loopersdelight@pfmentum.com> wrote:
    SWEET!


    Jeff Kaiser
    http://www.JeffKaiser.com
    pfMENTUM.com =95 AngryVegan.com

    On Oct 10, 2006, at 11:50 PM, loop.pool wrote:

    > Cynthia Matthews,  the mayor of Santa Cruz, California has =
declared
    > Saturday, October 21st, 2006 to be "International Live Looping =
Day"=20
    > in the city.
    >
    > Cynthia will be gracing us with her presence at 7:20 p.m. on =
Saturday,
    > October 21st  at ALCHEMY (the main festival site)
    > to read the proclamation and to give copies to=20
    > our headlining artists:
    >
    > Per Boysen (Sweden),   Rainer Straschill (Germany),  Mir-O =
(Finland)
    > and Bill Walker (USA)
    >
    > and our featured artists:
    >
    > Krispen Hartung (USA),  Jeff Kaiser (USA) Zoe Keating (USA)  and =
Artis=20
    > the Spoonman (Mars)
    >





  --=20
  Christopher "C3" Cardone
  APC Instruments 
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dwindows-1252">
<META content=3D"MSHTML 6.00.2900.2964" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Here you go: <A=20
href=3D"http://www.y2k6loopfest.com">http://www.y2k6loopfest.com</A></FON=
T></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmodulus10@gmail.com href=3D"mailto:modulus10@gmail.com">C =
3</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, October 11, =
2006 6:30=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: INTERNATIONAL LIVE =
LOOPING=20
  DAY in the city of Santa Cruz, California</DIV>
  <DIV><BR></DIV>IS there a website or more info on this event? only a =
15 hour=20
  drive for me :-D<BR><BR>
  <DIV><SPAN class=3Dgmail_quote>On 10/11/06, <B =
class=3Dgmail_sendername>Jeff=20
  Kaiser</B> &lt;<A href=3D"mailto:loopersdelight@pfmentum.com">=20
  loopersdelight@pfmentum.com</A>&gt; wrote:</SPAN>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">SWEET!<BR><BR><BR>Jeff=20
    Kaiser<BR><A=20
    =
href=3D"http://www.JeffKaiser.com">http://www.JeffKaiser.com</A><BR>pfMEN=
TUM.com=20
    =95 AngryVegan.com<BR><BR>On Oct 10, 2006, at 11:50 PM, loop.pool=20
    wrote:<BR><BR>&gt; Cynthia Matthews,&nbsp;&nbsp;the mayor of Santa =
Cruz,=20
    California has declared<BR>&gt; Saturday, October 21st, 2006 to be=20
    "International Live Looping Day" <BR>&gt; in the =
city.<BR>&gt;<BR>&gt;=20
    Cynthia will be gracing us with her presence at 7:20 p.m. on=20
    Saturday,<BR>&gt; October 21st&nbsp;&nbsp;at ALCHEMY (the main =
festival=20
    site)<BR>&gt; to read the proclamation and to give copies to =
<BR>&gt; our=20
    headlining artists:<BR>&gt;<BR>&gt; Per Boysen (Sweden),&nbsp;&nbsp; =
Rainer=20
    Straschill (Germany),&nbsp;&nbsp;Mir-O (Finland)<BR>&gt; and Bill =
Walker=20
    (USA)<BR>&gt;<BR>&gt; and our featured artists:<BR>&gt;<BR>&gt; =
Krispen=20
    Hartung (USA),&nbsp;&nbsp;Jeff Kaiser (USA) Zoe Keating =
(USA)&nbsp;&nbsp;and=20
    Artis <BR>&gt; the Spoonman =
(Mars)<BR>&gt;<BR><BR></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>Christopher "C3" Cardone<BR>APC Instruments=20
</BLOCKQUOTE></BODY></HTML>

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Date: Wed, 11 Oct 2006 11:47:09 -0400
To: Loopers-Delight@loopers-delight.com
From: paul <phaslem@wightman.ca>
Subject: Re: INTERNATIONAL LIVE LOOPING DAY in the city of Santa Cruz,
  California
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Hey Kris, will you be broadcasting the festival on the net again this year?

Paul Haslem

From Loopers-Delight-request@loopers-delight.com  Wed Oct 11 16:17:08 2006
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Date: Wed, 11 Oct 2006 09:17:04 -0700
Subject: Re: INTERNATIONAL LIVE LOOPING DAY in the city of Santa Cruz,
 California
From: Larry Stites <ncnet@sbcglobal.net>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3243403026_2563858
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I=B9ve reviewed the website, the poster and these emails and don=B9t see an
exact location or address. Where in the City of Santa Cruz? What=B9s the
location address of this event?

Thanks

LS


on 10/11/06 7:59 AM, Krispen Hartung wrote:

> Here you go: http://www.y2k6loopfest.com
> =20
> Kris
> =20
> =20
>> =20
>> ----- Original Message -----
>> =20
>> From:  C 3 <mailto:modulus10@gmail.com>
>> =20
>> To: Loopers-Delight@loopers-delight.com
>> =20
>> Sent: Wednesday, October 11, 2006 6:30  AM
>> =20
>> Subject: Re: INTERNATIONAL LIVE LOOPING  DAY in the city of Santa Cruz,
>> California
>> =20
>>=20
>> IS there a website or more info on this event? only a 15 hour  drive for=
 me
>> :-D
>>=20
>> =20
>> On 10/11/06, Jeff  Kaiser <  loopersdelight@pfmentum.com
>> <mailto:loopersdelight@pfmentum.com> > wrote:
>>> SWEET!
>>>=20
>>>=20
>>> Jeff  Kaiser
>>> http://www.JeffKaiser.com
>>> pfMENTUM.com  =80 AngryVegan.com
>>>=20
>>> On Oct 10, 2006, at 11:50 PM, loop.pool  wrote:
>>>=20
>>>> > Cynthia Matthews,  the mayor of Santa Cruz,  California has declared
>>>> > Saturday, October 21st, 2006 to be  "International Live Looping Day"
>>>> > in the city.
>>>> >
>>>> >  Cynthia will be gracing us with her presence at 7:20 p.m. on  Satur=
day,
>>>> > October 21st  at ALCHEMY (the main festival  site)
>>>> > to read the proclamation and to give copies to
>>>> > our  headlining artists:
>>>> >
>>>> > Per Boysen (Sweden),   Rainer  Straschill (Germany),  Mir-O (Finland=
)
>>>> > and Bill Walker  (USA)
>>>> >
>>>> > and our featured artists:
>>>> >
>>>> > Krispen  Hartung (USA),  Jeff Kaiser (USA) Zoe Keating (USA)  and  A=
rtis
>>>> > the Spoonman (Mars)
>>>> >
>>>=20
>>=20
>>=20



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<HTML>
<HEAD>
<TITLE>Re: INTERNATIONAL LIVE LOOPING DAY in the city of Santa Cruz, Califo=
rnia</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:14.0px'>I&#82=
17;ve reviewed the website, the poster and these emails and don&#8217;t see =
an exact location or address. Where in the City of Santa Cruz? What&#8217;s =
the location address of this event?<BR>
<BR>
Thanks<BR>
<BR>
LS<BR>
<BR>
<BR>
on 10/11/06 7:59 AM, Krispen Hartung wrote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><SPAN STYLE=3D'font-size:14.0px'><FONT FACE=3D"Arial"=
>Here you go: <a href=3D"http://www.y2k6loopfest.com">http://www.y2k6loopfest.=
com</a><BR>
</FONT><FONT FACE=3D"Verdana, Helvetica, Arial"> <BR>
</FONT><FONT FACE=3D"Arial">Kris<BR>
</FONT><FONT FACE=3D"Verdana, Helvetica, Arial"> <BR>
&nbsp;<BR>
</FONT></SPAN><BLOCKQUOTE><SPAN STYLE=3D'font-size:14.0px'><FONT FACE=3D"Verdan=
a, Helvetica, Arial"> <BR>
----- Original Message ----- <BR>
&nbsp;<BR>
<B>From:</B> &nbsp;C 3 <a href=3D"mailto:modulus10@gmail.com">&lt;mailto:modu=
lus10@gmail.com&gt;</a> &nbsp;<BR>
&nbsp;<BR>
<B>To:</B> Loopers-Delight@loopers-delight.com &nbsp;<BR>
&nbsp;<BR>
<B>Sent:</B> Wednesday, October 11, 2006 6:30 &nbsp;AM<BR>
&nbsp;<BR>
<B>Subject:</B> Re: INTERNATIONAL LIVE LOOPING &nbsp;DAY in the city of San=
ta Cruz, California<BR>
&nbsp;<BR>
<BR>
IS there a website or more info on this event? only a 15 hour &nbsp;drive f=
or me :-D<BR>
<BR>
&nbsp;<BR>
On 10/11/06, <B>Jeff &nbsp;Kaiser</B> &lt; &nbsp;loopersdelight@pfmentum.co=
m <a href=3D"mailto:loopersdelight@pfmentum.com">&lt;mailto:loopersdelight@pfm=
entum.com&gt;</a> &gt; wrote: <BR>
</FONT></SPAN><BLOCKQUOTE><SPAN STYLE=3D'font-size:14.0px'><FONT FACE=3D"Verdan=
a, Helvetica, Arial">SWEET!<BR>
<BR>
<BR>
Jeff &nbsp;Kaiser<BR>
<a href=3D"http://www.JeffKaiser.com">http://www.JeffKaiser.com</a><BR>
pfMENTUM.com &nbsp;&#8226; AngryVegan.com<BR>
<BR>
On Oct 10, 2006, at 11:50 PM, loop.pool &nbsp;wrote:<BR>
<BR>
&gt; Cynthia Matthews, &nbsp;the mayor of Santa Cruz, &nbsp;California has =
declared<BR>
&gt; Saturday, October 21st, 2006 to be &nbsp;&quot;International Live Loop=
ing Day&quot; <BR>
&gt; in the city.<BR>
&gt;<BR>
&gt; &nbsp;Cynthia will be gracing us with her presence at 7:20 p.m. on &nb=
sp;Saturday,<BR>
&gt; October 21st &nbsp;at ALCHEMY (the main festival &nbsp;site)<BR>
&gt; to read the proclamation and to give copies to <BR>
&gt; our &nbsp;headlining artists:<BR>
&gt;<BR>
&gt; Per Boysen (Sweden), &nbsp;&nbsp;Rainer &nbsp;Straschill (Germany), &n=
bsp;Mir-O (Finland)<BR>
&gt; and Bill Walker &nbsp;(USA)<BR>
&gt;<BR>
&gt; and our featured artists:<BR>
&gt;<BR>
&gt; Krispen &nbsp;Hartung (USA), &nbsp;Jeff Kaiser (USA) Zoe Keating (USA)=
 &nbsp;and &nbsp;Artis <BR>
&gt; the Spoonman (Mars)<BR>
&gt;<BR>
<BR>
</FONT></SPAN></BLOCKQUOTE><SPAN STYLE=3D'font-size:14.0px'><FONT FACE=3D"Verda=
na, Helvetica, Arial"><BR>
<BR>
</FONT></SPAN></BLOCKQUOTE></BLOCKQUOTE><SPAN STYLE=3D'font-size:14.0px'><FON=
T FACE=3D"Verdana, Helvetica, Arial"><BR>
</FONT></SPAN>
</BODY>
</HTML>


--B_3243403026_2563858--


From Loopers-Delight-request@loopers-delight.com  Wed Oct 11 16:41:35 2006
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	id F1DD73BED2; Wed, 11 Oct 2006 16:41:34 +0000 (UTC)
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To: Loopers-Delight@loopers-delight.com
References: <019c01c6ed01$84f8b5c0$64ddfea9@DAYGLOGREEN> <25f58a1cf0d47b7a96ec95ed3a3878d4@pfmentum.com> <cbb488470610110530i2c350bedm11b864d5b4595a09@mail.gmail.com> <014001c6ed45$ed3eccc0$85b1ec0f@americas.hpqcorp.net> <6.1.0.6.2.20061011114609.01cd1a60@mail.wightman.ca>
Subject: Re: INTERNATIONAL LIVE LOOPING DAY in the city of Santa Cruz,  California
Date: Wed, 11 Oct 2006 10:41:30 -0600
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Yes, on both Saturday and Sunday of the main festival.  The Webcast & 
Pictures page of the Y2K6 website has the links for the stream.

Rainer is also streaming the Ninjam performances, I believe.



Kris


----- Original Message ----- 
From: "paul" <phaslem@wightman.ca>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, October 11, 2006 9:47 AM
Subject: Re: INTERNATIONAL LIVE LOOPING DAY in the city of Santa Cruz, 
California


> Hey Kris, will you be broadcasting the festival on the net again this 
> year?
>
> Paul Haslem
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Oct 11 16:42:12 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <C1526710.71C58%ncnet@sbcglobal.net>
Subject: Re: INTERNATIONAL LIVE LOOPING DAY in the city of Santa Cruz, California
Date: Wed, 11 Oct 2006 10:42:08 -0600
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Re: INTERNATIONAL LIVE LOOPING DAY in the city of Santa Cruz, =
CaliforniaThe main page has the schdule, the events, the addresses, and =
mapquest links.

Kris


  ----- Original Message -----=20
  From: Larry Stites=20
  To: Loopers Delight=20
  Sent: Wednesday, October 11, 2006 10:17 AM
  Subject: Re: INTERNATIONAL LIVE LOOPING DAY in the city of Santa Cruz, =
California


  I've reviewed the website, the poster and these emails and don't see =
an exact location or address. Where in the City of Santa Cruz? What's =
the location address of this event?

  Thanks

  LS


  on 10/11/06 7:59 AM, Krispen Hartung wrote:


    Here you go: http://www.y2k6loopfest.com

    Kris

    =20


      ----- Original Message -----=20
      =20
      From:  C 3 <mailto:modulus10@gmail.com> =20
      =20
      To: Loopers-Delight@loopers-delight.com =20
      =20
      Sent: Wednesday, October 11, 2006 6:30  AM
      =20
      Subject: Re: INTERNATIONAL LIVE LOOPING  DAY in the city of Santa =
Cruz, California
      =20

      IS there a website or more info on this event? only a 15 hour  =
drive for me :-D

      =20
      On 10/11/06, Jeff  Kaiser <  loopersdelight@pfmentum.com =
<mailto:loopersdelight@pfmentum.com> > wrote:=20

        SWEET!


        Jeff  Kaiser
        http://www.JeffKaiser.com
        pfMENTUM.com  . AngryVegan.com

        On Oct 10, 2006, at 11:50 PM, loop.pool  wrote:

        > Cynthia Matthews,  the mayor of Santa Cruz,  California has =
declared
        > Saturday, October 21st, 2006 to be  "International Live =
Looping Day"=20
        > in the city.
        >
        >  Cynthia will be gracing us with her presence at 7:20 p.m. on  =
Saturday,
        > October 21st  at ALCHEMY (the main festival  site)
        > to read the proclamation and to give copies to=20
        > our  headlining artists:
        >
        > Per Boysen (Sweden),   Rainer  Straschill (Germany),  Mir-O =
(Finland)
        > and Bill Walker  (USA)
        >
        > and our featured artists:
        >
        > Krispen  Hartung (USA),  Jeff Kaiser (USA) Zoe Keating (USA)  =
and  Artis=20
        > the Spoonman (Mars)
        >







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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Re: INTERNATIONAL LIVE LOOPING DAY in the city of =
Santa Cruz, California</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2964" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>The main page has the schdule, the =
events, the=20
addresses, and mapquest links.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dncnet@sbcglobal.net =
href=3D"mailto:ncnet@sbcglobal.net">Larry=20
  Stites</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, October 11, =
2006 10:17=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: INTERNATIONAL LIVE =
LOOPING=20
  DAY in the city of Santa Cruz, California</DIV>
  <DIV><BR></DIV><FONT face=3D"Verdana, Helvetica, Arial"><SPAN=20
  style=3D"FONT-SIZE: 14px">I=92ve reviewed the website, the poster and =
these emails=20
  and don=92t see an exact location or address. Where in the City of =
Santa Cruz?=20
  What=92s the location address of this=20
  event?<BR><BR>Thanks<BR><BR>LS<BR><BR><BR>on 10/11/06 7:59 AM, Krispen =
Hartung=20
  wrote:<BR><BR></SPAN></FONT>
  <BLOCKQUOTE><SPAN style=3D"FONT-SIZE: 14px"><FONT face=3DArial>Here =
you go: <A=20
    =
href=3D"http://www.y2k6loopfest.com">http://www.y2k6loopfest.com</A><BR><=
/FONT><FONT=20
    face=3D"Verdana, Helvetica, Arial"><BR></FONT><FONT=20
    face=3DArial>Kris<BR></FONT><FONT=20
    face=3D"Verdana, Helvetica, Arial"><BR>&nbsp;<BR></FONT></SPAN>
    <BLOCKQUOTE><SPAN style=3D"FONT-SIZE: 14px"><FONT=20
      face=3D"Verdana, Helvetica, Arial"><BR>----- Original Message =
-----=20
      <BR>&nbsp;<BR><B>From:</B> &nbsp;C 3 <A=20
      =
href=3D"mailto:modulus10@gmail.com>">&lt;mailto:modulus10@gmail.com&gt;</=
A>=20
      &nbsp;<BR>&nbsp;<BR><B>To:</B> Loopers-Delight@loopers-delight.com =

      &nbsp;<BR>&nbsp;<BR><B>Sent:</B> Wednesday, October 11, 2006 6:30=20
      &nbsp;AM<BR>&nbsp;<BR><B>Subject:</B> Re: INTERNATIONAL LIVE =
LOOPING=20
      &nbsp;DAY in the city of Santa Cruz, =
California<BR>&nbsp;<BR><BR>IS there=20
      a website or more info on this event? only a 15 hour &nbsp;drive =
for me=20
      :-D<BR><BR>&nbsp;<BR>On 10/11/06, <B>Jeff &nbsp;Kaiser</B> &lt;=20
      &nbsp;loopersdelight@pfmentum.com <A=20
      =
href=3D"mailto:loopersdelight@pfmentum.com">&lt;mailto:loopersdelight@pfm=
entum.com&gt;</A>=20
      &gt; wrote: <BR></FONT></SPAN>
      <BLOCKQUOTE><SPAN style=3D"FONT-SIZE: 14px"><FONT=20
        face=3D"Verdana, Helvetica, Arial">SWEET!<BR><BR><BR>Jeff=20
        &nbsp;Kaiser<BR><A=20
        =
href=3D"http://www.JeffKaiser.com">http://www.JeffKaiser.com</A><BR>pfMEN=
TUM.com=20
        &nbsp;=95 AngryVegan.com<BR><BR>On Oct 10, 2006, at 11:50 PM, =
loop.pool=20
        &nbsp;wrote:<BR><BR>&gt; Cynthia Matthews, &nbsp;the mayor of =
Santa=20
        Cruz, &nbsp;California has declared<BR>&gt; Saturday, October =
21st, 2006=20
        to be &nbsp;"International Live Looping Day" <BR>&gt; in the=20
        city.<BR>&gt;<BR>&gt; &nbsp;Cynthia will be gracing us with her =
presence=20
        at 7:20 p.m. on &nbsp;Saturday,<BR>&gt; October 21st &nbsp;at =
ALCHEMY=20
        (the main festival &nbsp;site)<BR>&gt; to read the proclamation =
and to=20
        give copies to <BR>&gt; our &nbsp;headlining =
artists:<BR>&gt;<BR>&gt;=20
        Per Boysen (Sweden), &nbsp;&nbsp;Rainer &nbsp;Straschill =
(Germany),=20
        &nbsp;Mir-O (Finland)<BR>&gt; and Bill Walker=20
        &nbsp;(USA)<BR>&gt;<BR>&gt; and our featured =
artists:<BR>&gt;<BR>&gt;=20
        Krispen &nbsp;Hartung (USA), &nbsp;Jeff Kaiser (USA) Zoe Keating =
(USA)=20
        &nbsp;and &nbsp;Artis <BR>&gt; the Spoonman=20
        (Mars)<BR>&gt;<BR><BR></FONT></SPAN></BLOCKQUOTE><SPAN=20
      style=3D"FONT-SIZE: 14px"><FONT=20
      face=3D"Verdana, Helvetica, =
Arial"><BR><BR></FONT></SPAN></BLOCKQUOTE></BLOCKQUOTE><SPAN=20
  style=3D"FONT-SIZE: 14px"><FONT=20
face=3D"Verdana, Helvetica, =
Arial"><BR></BLOCKQUOTE></FONT></SPAN></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Oct 11 18:05:45 2006
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Date: Wed, 11 Oct 2006 14:05:42 -0400
From: "Tom Ritchford" <tom@swirly.com>
Sender: tom.ritchford@gmail.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Kaiser's coming to New York.....
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	 <19fb01c6c4c2$ddcfa3f0$6fb2ec0f@americas.hpqcorp.net>
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	 <A3417638-862F-4767-A6A6-2BD96D749E1B@gmail.com>
	 <55f4ec96e205952264846690d52c491e@pfmentum.com>
	 <2DFDAD57-2B39-4F87-9951-A4741BB9E8F4@gmail.com>
	 <45053991.7030405@addcom.de>
	 <e5e694829549c81eb2fb20949a9886fd@pfmentum.com>
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I sent this to my list (http://ax.to).

Don't forget to send me your gigs separately -- I only happened to see
this one -- if you want them to go onto the list!

    /t

On 10/9/06, Jeff Kaiser <loopersdelight@pfmentum.com> wrote:
> I'll be in New York this week....lots of loopage (except Sunday night)
>
>
> ************************
> Festival of New Trumpet
> http://fontmusic.org/
>
> Thursday, October 12, 2006
>
> Jeff Kaiser and Tom McNalley
> (quarter-tone trumpet/laptop and electric guitar)
>
> The Cornelia Street Caf=E9
> 29 Cornelia Street
> NYC 10014
> (212)989-9319
> ***************************
> Saturday, October 14, 2006
>
> Goodbye Blue Monday
> 1087 BROADWAY - BUSHWICK, BROOKLYN
> NEW YORK 11221
> 718.453.6343
>
> Jeff Kaiser and Tom McNalley
> (quarter-tone trumpet/laptop and electric guitar)
>
> with
>
> David Bartel
> drum set/ laptop
>
> http://www.goodbye-blue-monday.com/
>
> This is going to be an exciting gig, first meeting (musically) with
> David.
> He is an exciting player with a great take on technology.
>
> For More Info on David:
> http://www.deepsoundchannel.com/
>
> *********************
> Sunday, October 15, 2006, 6 pm, FREE
>
> Downtown Music Gallery
>
> Jeff Kaiser and Tom McNalley
> (quarter-tone trumpet and electric guitar)
>
> 342 Bowery [between E. 2nd & E. 3rd Streets], New York, NY 10012-2408
> Phone: (212) 473-0043
> *********************
>
>
> Jeff Kaiser
> http://www.JeffKaiser.com
> pfMENTUM.com =95 AngryVegan.com
>


--=20
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

From Loopers-Delight-request@loopers-delight.com  Wed Oct 11 18:35:52 2006
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Date: Wed, 11 Oct 2006 13:34:54 -0500
From: Henry Heine <henry@bagend.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Ideal small studio specs for Loopers?
References: <D5C1322C3E673F459512FB59E0DDC329017DF1D8@orsmsx414.amr.corp.intel.com>
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I wouldn't normally use the Looper's Delight list to promote our 
products, but this is perfectly on-topic, and there is nothing 
comparable that I know of...so:

http://www.bagend.com/bagend/ETrap.htm

-Henry

Veda, Qua wrote:
>  Hi,
> 
> A rectangular space, with non-multiple ratios of length/width/height,
> and good speaker placement, can be a very good space and one that it
> easy to treat with acoustical products.    Non-rectangular shaped room
> can be good, but much less predictable and more difficult to figure out
> solutions for (at least mathematically).  
> 
> A cube shaped room is the worst possible shape.   8 x 10 x 12 is  are
> all divisible to 2, and partially by 4.
> Ideally, use ratios like Golden Section, or Pi, to help you find
> dimention
> 
> Perhaps adding 'sound board' and extra sheet rock to one wall would be
> enough to provide better dimensions.
> 
>>From the main listening position, you can have a friend hold up a mirror
> and move along the walls.  Where ever you can see the speakers (either
> one) in the mirror from your listening position you'll want to put some
> acoustical treatment to avoid direct reflections.  
> 
> Hope these simple tips are useful
> -Qua
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Oct 11 18:37:13 2006
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Date: Wed, 11 Oct 2006 13:37:11 -0500
From: "Dan Katayama" <dan.katayama@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: akai headrush e2 for sale (new)
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I have 2 units, 1 of which I just bought.
As it turns out, I didn't need the 2nd.
So I'm offering it up for sale, $150 brand new in the box, + S&H from
Chicago, IL
Please holler if you're interested.

dan

-- 
kosukeweb
http://home.comcast.net/~kkatayama76

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I have 2 units, 1 of which I just bought.<br>As it turns out, I didn't need the 2nd.<br>So I'm offering it up for sale, $150 brand new in the box, + S&amp;H from Chicago, IL<br>Please holler if you're interested.<br><br>dan
<br clear="all"><br>-- <br>kosukeweb<br><a href="http://home.comcast.net/~kkatayama76">http://home.comcast.net/~kkatayama76</a>

------=_Part_51151_467334.1160591831211--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 11 21:35:37 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: INTERNATIONAL LIVE LOOPING DAY in the city of Santa Cruz,  California
Date: Wed, 11 Oct 2006 23:35:34 +0200
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didn't have a chance to test drive the icecast of cpr, but yes, at least =
I
plan to do so.

Further info? www.y2k6loopfest.com/ninjam.htm=20

	Rainer

> -----Urspr=FCngliche Nachricht-----
> Von: Krispen Hartung [mailto:khartung@cableone.net]=20
> Gesendet: Mittwoch, 11. Oktober 2006 18:42
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: INTERNATIONAL LIVE LOOPING DAY in the city of=20
> Santa Cruz, California
>=20
> Yes, on both Saturday and Sunday of the main festival.  The=20
> Webcast & Pictures page of the Y2K6 website has the links for=20
> the stream.
>=20
> Rainer is also streaming the Ninjam performances, I believe.

From alan@ns.cispc.com.tw  Wed Oct 11 23:52:06 2006
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Message-Id: <200610112339.k9BNdOfj032145@ns.cispc.com.tw>
To: looparc@loopers-delight.com
Subject: Message from eBay Member Regarding Item #270012346034
From: "member@ebay.com" <member@ebay.com>
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<td bgcolor="#e2e0e0"> <span class="SectionTitle">Question from olympusauctions</span></td>
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<td colspan="2" nowrap><font face="Arial, Verdana" size="2"><b><a href="http://feedback.ebay.com/ws/eBayISAPI.dll?ViewFeedback&userid=olympusauctions&sspagename=ADME:B:AAQ:US:2">olympusauctions</a>(
<a href="http://feedback.ebay.com/ws/eBayISAPI.dll?ViewFeedback&userid=olympusauctions">358</a>)</b></font></td>
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<tr><td><img height="1" src="http://pics.ebaystatic.com/aw/pics/s.gif" width="1"></td><td width="20%" nowrap><font face="Arial, Verdana" size="1">Positive feedback:</font></td><td><font face="Arial, Verdana" size="1">100%</font></td></tr>
<tr><td><img height="1" src="http://pics.ebaystatic.com/aw/pics/s.gif" width="1"></td><td width="20%" nowrap><font face="Arial, Verdana" size="1">Member since:</font></td><td><font face="Arial, Verdana" size="1">Dec-11-02</font></td></tr>
<tr><td><img height="1" src="http://pics.ebaystatic.com/aw/pics/s.gif" width="1"></td><td width="20%" nowrap><font face="Arial, Verdana" size="1">Location:</font></td><td><font face="Arial, Verdana" size="1">FL, United States</font></td></tr>
<tr><td><img height="1" src="http://pics.ebaystatic.com/aw/pics/s.gif" width="1"></td><td width="20%" nowrap><font face="Arial, Verdana" size="1">Registered on:</font></td><td><font face="Arial, Verdana" size="1">www.ebay.com</font></td></tr>
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<td> <font size="2" face="Arial, Verdana">Item
Number (<a href="">270012346034</a>)</font>
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<tr><td><font size="2" face="Arial, Verdana">This message was sent while the listing was <b>active</b>.</font></td></tr>
<tr><td><font size="2" face="Arial, Verdana">olympusauctions is a <b>potential buyer</b>.</font></td></tr>
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<p><font size="2" face="Arial, Verdana">Hello, I don't think you understood me. I didn't seII it to her, so only after that did I list it on ebay. Not during the same time. I also don't like being threaten like that. If you had any problem with me, you didn't have to bld on the ltem. You decided to bld, so now you have to pay. You cannot threaten me to not take action. I will because if you had any problems you didn't have to bld and now that you chose to bld, you are choosing not to pay when it is too late for that.
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From Loopers-Delight-request@loopers-delight.com  Thu Oct 12 00:30:28 2006
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	id A07123BEB9; Thu, 12 Oct 2006 00:30:28 +0000 (UTC)
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Message-ID: <20061012003027.56091.qmail@web30002.mail.mud.yahoo.com>
Date: Wed, 11 Oct 2006 17:30:27 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: new music from the chain tape collective
To: Loopers-Delight@loopers-delight.com
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C'mon over and check out some new tunes at
<http://www.ct-collective.com/index.cfm?page=music&albumid=23>
Free downloads of anything on the site, including
cover art! What a bargain! A bargain for you!

-t-

<http://www.myspace.com/nimbletunes>
'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
Chain Tape Collective: <http://www.ct-collective.com/>

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From Loopers-Delight-request@loopers-delight.com  Thu Oct 12 05:10:00 2006
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Date: Wed, 11 Oct 2006 22:09:58 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Axel Rudich
To: Loopers-Delight@loopers-delight.com
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Hi folks,
Just wanted to share this info for those who care,
knew or had work done by Axel Rudich.
Axel has passed away in a car accident
last friday.I recently got a mail from a acquaintance
of his wife who asked me 
to let those who knew him know.
He did some wonderful work on my fernandes sustainer
guitar and i
even planed on sending it again for RMC pickups
installation on it and other customized work
as well.I became aware of his health problems as my
order like perhaps some 
of yours was months delayed.After doing Adrian Belews
amazing new signature guitar which he presented at the
Namm Show last year,he informed me that because of his
problems he was closing his workshop and going back to
teaching. 
Although we never met personally we became good
friends and
talked hours on the telephone since we share some
common things like
being both latinamericans,interest in politics,passion
for music and guitars,etc.
This are devastating news,he was a true craftsman and
inovative specially with MIDI guitars doing remarkable
and impecable custom work.
I read that as Adrian Belew told Mr.Parker his vision
of a new crazy guitar Mr. Parker told Belew "there is
only one guy that ca realize this, Mr. Axel Rudich".
I also heard he was an accomplished Jazz
guitarrist,and a colum journalist
for guitar player.
He will be dearly missed by all of us who came in
contact with him as 
well as his wife and children.
God bless him,
Luis


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Thu Oct 12 10:11:55 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Porting Win VST to Mac not possible (was: Re: MAX/MSP Conversion Complete...)
Date: Thu, 12 Oct 2006 12:11:49 +0200
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> On 5 okt 2006, at 01.12, Krispen Hartung wrote:
>
>> Two things, on the wishlist...converting a PC VST to a MAC VST,

>> doesn't someone make an app that will make a pc VST work on a mac?  
>> I used to have a program that converted VST to RTAS, etc.


Very good questions! I'm not skilled in programming myself, so I  
asked Angus F. Hewlett because his company, FXpansion, makes the best  
converters between plug-in formats run on the same platform. Below  
you'll find his excellent answer (quoted with his permission).

Per



>> Per Boysen wrote:
>>
>>> Are there any plans for wrapping a Windows VST to work in a host on
>>> an Intel Mac?
>>>
>>> If that was possible, in OSX, I know it would be useful to many
>>> musicians, including myself.



> On 5 okt 2006, at 01.50, Angus F. Hewlett wrote:
>
>> If it was possible, we'd be on the case.
>>
>> Three problems:-
>>
>> --> WINE (the supporting technology that allows Windows apps to  
>> run on
>> Linux or OSX) is GPL open source.. as such it's hard to sell software
>> based on it. Codeweavers are able to do so because they struck some
>> kind
>> of deal with the main Wine developers (in fact, as I understand it, a
>> lot of the Wine devs work for Codeweavers).
>>
>> --> WINE wraps from Windows to the 'X Window' API (for those that
>> don't
>> know, X Window is the GUI and windowing system used by many Unix
>> systems). Whilst OS X does support XWindow, it doesn't really  
>> allow it
>> to be integrated in to apps using OS X's native windowing  
>> technologies
>> (Quartz, Quickdraw, Carbon, Cocoa etc.). There is a driver that  
>> allows
>> WINE to talk directly to Quartz, but it's very immature and buggy  
>> - it
>> won't be stable enough for commercial software any time soon.
>>
>> --> Even if those obstacles were to be overcome, there is the issue
>> that
>> WINE's Windows-compatibility is not 100%.. with an unpatched WINE  
>> app,
>> probably 80% of VSTs (generally smaller and simpler ones) will work
>> OK.
>> With a heavily patched WINE, it's possible to do a lot better -- but
>> Muse Research (makers of Receptor) have had good engineers working on
>> this problem for years and are still only up around the 95% mark.
>> That's
>> plenty good enough for Linux users, or for a preinstalled/approved
>> kinda
>> system like Receptor.. however it's my impression that 'works' means
>> something rather different to OS X users compared to Linux users..  
>> 80%
>> compatibility is nowhere near good enough for a commercial OS X
>> software.
>>
>> Hope this helps,
>>        Angus.
>>
>>


Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Oct 12 10:34:49 2006
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Date: Thu, 12 Oct 2006 06:32:57 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh

Today I will feature some of the bands that will be playing at Prog-
Octoberfest in Clifton Park, NY as a benefit for Friends of Music, an
organization that supports music in the school system.


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll begin a month-long Special
Focus on Dutch musician Remy.  The Featured CD at Midnight will be
"Connected" on AKH Records.  The Vinyl Starter will come from the LP
"Bhakti Point" by Richard Burmer on Fortuna Records and released in
1987.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#oct

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, and on the internet.


All times are EDT / GMT-4.

From Loopers-Delight-request@loopers-delight.com  Thu Oct 12 11:36:07 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: DIRECTIONS to the Y2K6 LIVE LOOPING FESTIVAL
Date: Thu, 12 Oct 2006 04:36:06 -0700
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Larry wrote:
"I've reviewed the website, the poster and these emails and don't see an 
exact location or address. Where in the City of Santa Cruz? What's the 
location address of this event?"

There are directions to the ALCHEMY, the main festival venue  in the overall 
program listing on the front page of the webpage,  Larry................you 
didn't scroll down, apparently.     So you don't have to go back and look it 
up, though:

ALCHEMY is located in the northern side of the parking lot that borders 
Pearl Alley at the corner of Lincoln and Cedar Streets,
one block due west,  of the Pacific Garden Mall.

We'll have a big poster outside of the venue if and you won't be able to 
miss it if you get to that parking lot.


http://search.travel.yahoo.com/bin/search/map?nomaptip=1&yid=&ylat=&ylong=&yname=&yphone=&yaddress=&ycity=&ystate=&yurl=&clat=36.973038&clong=-122.02832&zoom=10&sid=474519&pop=0&id=&pan_x=&pan_y=&.done=&.title=&cat=none&cat=lodging&lodging_price=-1&cat=skiresort&dining_price=-1&cat=sightseeing&cat=airport&yp_search=&cat=city&num_result=20 

From Loopers-Delight-request@loopers-delight.com  Thu Oct 12 11:47:04 2006
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From: "loop.pool" <looppool@cruzio.com>
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Subject: Re: OT: Trumpet video
Date: Thu, 12 Oct 2006 04:47:04 -0700
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Shit, this guy is stealing the show I planned for my performance
at the Experimental Side of the Y2K6 International Live Looping festival
at the Luggage Store in San Francisco on Thursday, October 19th  (subtle 
plug, eh?)

All week I've been shedding on my purple anodized trumpet that I got at NAMM 
for $75.

I can't believe that he is stealing my shit.........................wow, 
is there no honor?

Rick

ps yeah,  and those experimental hacks Jeff Kaiser, Krispen Hartung and 
Rainer Straschill
will be on that bill too! 

From Loopers-Delight-request@loopers-delight.com  Thu Oct 12 16:42:55 2006
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From: "Andrew Koenig" <ark@acm.org>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: US standard power plug? (Y2K6)
Date: Thu, 12 Oct 2006 12:42:48 -0400
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> What's the most usual power plug - the grounded or the not grounded
> model? I'm going over from Europe and need to know what power plug
> adapter I should bring to be able to snag 110 v for my rig (yes all
> devices are "self adapting" to 220 or 110 v, no trafo needed).

I believe that all modern electrical installations are required to be
grounded.  The only places I have seen ungrounded plugs are people's =
homes
in which the plugs are 20+ years old.  I can't remember having seen an
ungrounded plug in recent construction, period; nor can I remember =
seeing an
ungrounded plug in a commercial location.



From Loopers-Delight-request@loopers-delight.com  Thu Oct 12 17:54:09 2006
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speaking of posters for the event(s)-
are there any small flyers available that say a sanfran street team could put up in the coming week?
20 or so?
thanks if there are as i would be willing to put them around town.
seeya
stain


rick writ:
>We'll have a big poster outside of the venue if and you won't be able to 
>miss it if you get to that parking lot.

From Loopers-Delight-request@loopers-delight.com  Fri Oct 13 04:05:52 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: My Looping Stuff on Apple iTunes
Date: Thu, 12 Oct 2006 22:05:46 -0600
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I'm sure all of you on CD Baby have received the same thing. Nonethess, 
here's my shameless self-promotion
of my looping music on iTunes, also on CD Baby for a killer $5.00 a CD. You 
can listen to the tunes
at the links below:

 Krispen Hartung: Places
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=14870487

 Krispen Hartung & Vincent Miresse: Live at the Kulture Klatsch
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=78584432

 Krispen Hartung: Descent to Self
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=81983936

 Krispen Hartung & Friends: Xperimentus
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=128652807

 Krispen Hartung & Jared Hallock: Interstellar Delirium
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=156431903

Cheers,

**************************************************************************
Krispen Hartung / Improvisational & Jazz Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
Performance Calendar: 
http://www.musi-cal.com/search?performers=Krispen%20Hartung
info@krispenhartung.com / 1.208.724.5603
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography: http://cdbaby.com/all/khartung
 


From Loopers-Delight-request@loopers-delight.com  Fri Oct 13 14:38:09 2006
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Date: Fri, 13 Oct 2006 07:38:07 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: OT: email for Z Vex?
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Does anybody have an alternate email for Z Vex?  I send something to zack@zvex.com and it bounced back.
   
   
  ted h.
   


"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that order."   Jean Luc Goddard
 		
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<div>Does anybody have an alternate email for Z Vex?&nbsp; I send something to <A href="mailto:zack@zvex.com">zack@zvex.com</A> and it bounced back.</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>ted h.</div>  <div>&nbsp;</div><BR><BR>"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that order."   Jean Luc Goddard<p>&#32;
		<hr size=1>How low will we go? Check out Yahoo! Messenger’s low <a href="http://us.rd.yahoo.com/mail_us/taglines/postman8/*http://us.rd.yahoo.com/evt=39663/*http://voice.yahoo.com"> PC-to-Phone call rates.
--0-1999451931-1160750287=:59826--

From Loopers-Delight-request@loopers-delight.com  Fri Oct 13 14:41:16 2006
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Date: Fri, 13 Oct 2006 10:38:57 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #498 for October 12, 2006
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http://wdiy.org/programs/gt/playlists/2006/061012.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, 92.9 FM on Service Electric Cable, and webcasting on
the internet.

                Show #498                October 12, 2006

RECAP:
On this show, I continued the month-long focus on Remy.  The Featured CD
at Midnight was "Connected" on and AKH Records.

The Vinyl Starter was from the LP "Bhakti Point" by the recently
departed Richard Burmer on Fortuna Records and released in 1987.

Remy - http://wdiy.org/programs/gt/playlists/2006/focus.html#oct


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Richard Burmer       A Book Upon the      Bhakti Point (Fortuna)
                       Crossroad
Mins Spiral          Fist of God 3/       The 1 Is Silent (Atomic City)
                       Calling Tokyo/Fist of God 4
Forrest Fang and     Running Fence        Invisibility (The Foundry)
  Carl Weingarten
Klangwelt            Okzident             XOIO (Spheric Music)
Surface 10           Dawn/Bleep/Dusk      Surface Tensions (DiN)
Palancar             August 19, 2006      Ambient Train Wreck Series
                                            Volume Two (Blue Water)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Remy                 Ou Sont Les Femmes?  Connected (AKH)
Remy                 All Together         Connected (AKH)
Remy                 Ended Traditions     Connected (AKH)
Remy                 The Missing Part *   Connected (AKH)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Remy.  The Featured CD at Midnight will be "DisConnected" on and AKH
Records.

The Vinyl Starter will be from the LP "Mosaic" by the recently departed
Richard Burmer on Fortuna Records and released in 1984.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4) on WDIY 88.1 FM in Allentown
and Bethlehem and 93.9 FM in Easton and Phillipsburg, 93.7 FM in
Trexlertown and Fogelsville, and on 92.9 FM on Service Electric Cable.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Oct 13 14:45:35 2006
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On Fri, 13 Oct 2006, ditch wrestler wrote:

> Does anybody have an alternate email for Z Vex?  I send something to zack@zvex.com and it bounced back.

Use zvex@zvex.com - that should be on the Z-Vex website, and every time 
I've written Zachary at that address, he (or, at least, someone preending 
to be him) has responded to me.

best,
Steve B    Subscape Annex  http://www.subscapeannex.com/

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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: My Looping Stuff on Apple iTunes
Date: Fri, 13 Oct 2006 07:51:56 -0700
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Yep,

Mine too. I got the e-mail yesterday as well:

Flux Aeterna:
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?=20
playListId=3D6378076

Peace,

tEd =AE kiLLiAn

http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?=20
playListId=3D6378076

=93When the philosopher's argument becomes tedious, complicated, and =20
opaque, it is usually a sign that he is attempting to prove as true to =20=

the intellect what is plainly false to common sense. But men of =20
intellect will believe anything-- if it appeals to their ego, their =20
vanity, their sense of self-importance.=94 -- Edward Abbey

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

"Different is not always better, but better is always different"

On Oct 12, 2006, at 9:05 PM, Krispen Hartung wrote:

> I'm sure all of you on CD Baby have received the same thing. =20
> Nonethess, here's my shameless self-promotion
> of my looping music on iTunes, also on CD Baby for a killer $5.00 a =20=

> CD. You can listen to the tunes
> at the links below:=

--Apple-Mail-1--92193775
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=WINDOWS-1252

Yep,


Mine too. I got the e-mail yesterday as well:


Flux Aeterna:

=
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=3D6=
378076


Peace,


tEd =AE kiLLiAn


=
<color><param>0000,0000,807F</param>http://phobos.apple.com/WebObjects/MZS=
tore.woa/wa/viewAlbum?playListId=3D6378076</color>


<color><param>8080,0000,0000</param>=93When the philosopher's argument
becomes tedious, complicated, and opaque, it is usually a sign that he
is attempting to prove as true to the intellect what is plainly false
to common sense. But men of intellect will believe anything-- if it
appeals to their ego, their vanity, their sense of self-importance.=94
-- Edward Abbey

</color>

<color><param>8080,8080,8080</param> http://www.pfmentum.com/flux.html

 http://www.CDbaby.com/cd/tedkillian

 http://www.guitar9.com/fluxaeterna.html

 http://www.garageband.com/artist/ArsOcarina

 http://www.towerrecords.com/product.aspx?pfid=3D2845073

 http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

 http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193


=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


 Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

 BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

 AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

 RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

 and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>


<color><param>8080,0000,0000</param>"Different is not always better,
but better is always different"</color>


On Oct 12, 2006, at 9:05 PM, Krispen Hartung wrote:


<excerpt>I'm sure all of you on CD Baby have received the same thing.
Nonethess, here's my shameless self-promotion

of my looping music on iTunes, also on CD Baby for a killer $5.00 a
CD. You can listen to the tunes

at the links below:</excerpt>=

--Apple-Mail-1--92193775--

From Loopers-Delight-request@loopers-delight.com  Fri Oct 13 17:55:14 2006
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Date: Fri, 13 Oct 2006 10:55:07 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: OT: email for Z Vex?
To: Loopers-Delight@loopers-delight.com
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--0-1492567717-1160762107=:87602
Content-Type: text/plain; charset=iso-8859-1
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I think I did use the wrong email...guess I'm a spazz.
   
  But big thanks to Chuck Z here that passed on my email to Zack; Z dropped me a line.
   
   
  ted h.

burnett@pobox.com wrote:
  On Fri, 13 Oct 2006, ditch wrestler wrote:

> Does anybody have an alternate email for Z Vex? I send something to zack@zvex.com and it bounced back.

Use zvex@zvex.com - that should be on the Z-Vex website, and every time 
I've written Zachary at that address, he (or, at least, someone preending 
to be him) has responded to me.

best,
Steve B Subscape Annex http://www.subscapeannex.com/




"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that order."   Jean Luc Goddard
 		
---------------------------------
Get your email and more, right on the  new Yahoo.com 
--0-1492567717-1160762107=:87602
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: 8bit

<div>I think I did use the wrong email...guess I'm a spazz.</div>  <div>&nbsp;</div>  <div>But big thanks to Chuck Z here that passed on my email to Zack; Z dropped me a line.</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>ted h.<BR><BR><B><I>burnett@pobox.com</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">On Fri, 13 Oct 2006, ditch wrestler wrote:<BR><BR>&gt; Does anybody have an alternate email for Z Vex? I send something to zack@zvex.com and it bounced back.<BR><BR>Use zvex@zvex.com - that should be on the Z-Vex website, and every time <BR>I've written Zachary at that address, he (or, at least, someone preending <BR>to be him) has responded to me.<BR><BR>best,<BR>Steve B Subscape Annex http://www.subscapeannex.com/<BR><BR></BLOCKQUOTE><BR><BR><BR>"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that order."   Jean Luc Goddard<p>&#32;
		<hr size=1>Get your email and more, right on the <a href="http://us.rd.yahoo.com/evt=42973/*http://www.yahoo.com/preview"> new Yahoo.com</a> 

--0-1492567717-1160762107=:87602--

From Loopers-Delight-request@loopers-delight.com  Sat Oct 14 23:41:44 2006
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Date: Sun, 15 Oct 2006 02:41:42 +0300 (EEST)
Subject: Musicom Lab EFX Routing System Review
From: "Costas Andreou" <contact@costasandreou.com>
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Hello everyone.

Here is a small review of the Musicom Lab EFX routing system (http://www.musicomlab.co.kr/). I
thought you would be interested in reading about this device.

Features:

The Musicom Lab EFX Routing System is the definition of the term “user friendly”. It is extremely
easy to program, set up and use. It has flexible routing options, with 8 loops for effects pedals
or other devices and 128 memory locations divided in 32 banks of 4 presets each - plus a global
preset, common to all banks. So, you have more than enough memory locations to program any
combination of the eight loops you ever wish.

Each loop has a red led that indicates whether it is active or not. The presets have also their
own status leds. Moving from bank to bank is easily done via two dedicated switches. The EFX also
features a display that shows the active preset and provides visual information during programming
or editing.

A very welcome feature is a special loop to connect a volume pedal of your choice. So, you don’t
have to occupy a loop just to place a volume pedal between effects. The volume pedal loop is
placed after the first four loops and is then followed by the remaining four loops. This way, it
is easy to set up “pre volume pedal” and “after volume pedal” effects without any compromises.

Besides a fine audio routing system, the EFX can also double as a midi foot controller if you
wish. It can be set up to transmit 2 midi program changes on 2 midi channels and 8 midi control
changes on a midi channel. Additionally, it features an EXT port, though which the EFX can be
operated to transmit 1 midi control change on one midi channel. For example, you can tap the tempo
and control an external device.

The manual is very explanatory and covers the whole set up process, the operation modes, the
program change and control change editing, buffer activation or deactivation, the EXT port setup
and the midi implementation. A basic block diagram of the device is also included in the operating
guide, so you can immediately understand the routing and the options.

The power requirements are flexible. The EFX works with either 9V AC or 12V DC and needs
approximately 400 mA. The power jack is a standard barrel jack, like the ones most effects pedals
use.

Sound quality:

The EFX absolutely deserves to be called a transparent routing system. There is no noise. No
artifacts. No hum. No pops. No static. No distortion. No crosstalk between the loops. What you
hear is the instrument through any effects or other devices in the loops.

It has two buffers to prevent any loss or degradation of the instrument signal. But, the input
buffer can be bypassed if you wish to use any high impendence pedals. Impendence mismatches are
avoided this way, without having to leave your favorite fuzz pedal out of the setup. The buffers
sound fine. All the parts, connections and circuits are of high quality and do not affect the
sound of the instrument in any way.

Switching between the presets or the banks is a smooth and silent process, without any kind of
noise. There is also no change in the signal level when you switch from preset to preset or from
bank to bank, unless of course what is connected to the eight loops boosts or cuts the signal on
its own because of its gain structure.  The EFX has more than enough headroom and is able to
control any kind of effects without a problem.

Construction and reliability:

The EFX is clearly designed and build to become a working musician’s best friend. It is small and
can easily fit in any pedalboard, in any studio or live set up. It is very light and will not add
much to the total weight of a rig.

It features a heavy duty enclosure that ensures a long happy life without problems. The
construction is perfect, with top quality parts, nice compact set up and routing. Cabling,
soldering and shielding are excellent. The EFX feels dependable from the very beginning.

Support:

Musicom Lab is a company that shows that it cares about customers and really sets a higher
standard for customer service. The support is fast, efficient and reliable. Ordering and shipping
is handled in the most professional way and the support is always available to provide information
and help. Packaging is excellent and ensured that the device will be delivered safely to its
destination.

It is practically impossible that the EFX will ever need repairs or fail in action, since it is
build like a bank, but even then there is no doubt that Musicom Lab will be there to offer help
and support.


Costas Andreou

http://www.costasandreou.com
contact@costasandreou.com

From Loopers-Delight-request@loopers-delight.com  Sun Oct 15 00:19:45 2006
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Date: Sat, 14 Oct 2006 17:19:43 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: mac performance software
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Hey gang...

I just read a review of Live 6 and it seems to have a
ton of new routing features that really make it
amazingly attractive as a VST host.

http://www.ableton.com/pages/live_6/whats_new/instrument_and_effect_racks

Cool thing is that you can nest racks and do really
interesting MIDI control and parallel processing.

I haven't had the chance to try it yet (I think I get
a free upgrade as I just bought v5) but I'm psyched to
dig into it.  It's a chunk of change but as Per
advised me, it's well worth it.  With it's new
functionality it's possibly an even better live
looping tool.

Mark

--- Craig McCollough <craig@craigmccollough.com>
wrote:

> Rax is AU only. I've used it a bit and liked it -
> had no problems  
> with audio in.
> 
> Cheers,
> Craig
> 
> 
> On Oct 10, 2006, at 12:51 PM, Charlie Milkey wrote:
> 
> > does rax do VST as well, or just AU?
> >
> > On 10/10/06, Per Boysen <perboysen@gmail.com>
> wrote:
> >> > On Oct 10, 2006, at 9:16 AM, Paul Mimlitsch
> wrote:
> >> >
> >> >> << http://plasq.com/rax >>
> >>
> >>
> >> I bought RAX to use with SooperLooer. To answer
> your question, I
> >> think it is "good". That means it does what you
> suspect a MIDI simple
> >> mixer and AU host to do. I can't say that it's
> better than AU Lab,
> >> though. AU Lab is free and comes on the Tiger
> DVD, look under
> >> "Developer".
> >>
> >> Greetings from Sweden
> >>
> >> Per Boysen
> >> www.boysen.se (Swedish)
> >> www.looproom.com (international)
> >> http://tinyurl.com/fauvm (podcast)
> >> http://www.myspace.com/looproom
> >>
> >>
> >>
> >>
> >
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Oct 15 07:21:30 2006
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From: Zoe Keating <cello@zoekeating.com>
Subject: sooperlooper for intel mac
Date: Sun, 15 Oct 2006 00:21:25 -0700
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the creator of SooperLooper just announced the following.....


"
To all that have been patiently waiting, here is a universal binary
release for the current version of SooperLooper (1.0.8) that should
work on PPC and Intel macs running 10.4.x.

Note that this is exactly the same version as before, there are no new
features yet... hopefully that will change sooner than later.

http://essej.net/sooperlooper/SooperLooper-1.0.8u.dmg

Intel mac users please give this a try and let me know if it works or
not.  I'll post it on the website after I get some positive feedback.

Sorry for the wait on UBs,  and I'm really sorry about the ongoing
wait for new features (latency compensation, etc).

jlc

"

From Loopers-Delight-request@loopers-delight.com  Mon Oct 16 00:14:20 2006
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Date: Sun, 15 Oct 2006 17:17:03 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Looper's Delight 10 Year Anniversary Celebration, Oakland, CA
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Can you believe it? This little web site and mailing list I started is now 
10 years old!

Come help us celebrate the 10 Year Anniversary of Looper's Delight!

Here is the web page with details and a lovely poster:
http://www.loopers-delight.com/anniversary/10YearAnniversary.html


Friday, October 20, 2006, 8pm
Orbis Nex,
851 81st Ave, Unit 217,
Oakland, CA, USA
(dial 200 at the door)

$5 donation at the door, BYOB.

This is part of the Y2K6 International Live Looping Festival:
http://www.y2k6loopfest.com

Featuring performances by:
Per Boysen, Rainer Straschill, Bill Walker, MIR-O, Michael Klobuchar, Jeff 
Kaiser, Krispen Hartung, Amy X Neuburg, Ryusei Hatori, Mando Man, and Rick 
Walker!

We are going to pair up performers into duos for completely unique musical 
experiences. It's going to be fantastic fun!

Come join us if you can!

Huge thanks to Rick Walker for putting all of this together. thanks Rick!

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Oct 16 01:10:28 2006
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Zoe Keating wrote:
> the creator of SooperLooper just announced the following.....
> 
> 
> "
> To all that have been patiently waiting, here is a universal binary
> release for the current version of SooperLooper (1.0.8) that should
> work on PPC and Intel macs running 10.4.x.
> 
> Note that this is exactly the same version as before, there are no new
> features yet... hopefully that will change sooner than later.
> 
> http://essej.net/sooperlooper/SooperLooper-1.0.8u.dmg
> 
> Intel mac users please give this a try and let me know if it works or
> not.  I'll post it on the website after I get some positive feedback.
> 
> Sorry for the wait on UBs,  and I'm really sorry about the ongoing
> wait for new features (latency compensation, etc).
> 
> jlc
> 
> "

This looks good. But before I install, can anyone comment on how happily 
Jack coexists with CoreAudio? I know Jack claims that you can route the 
output from CoreAudio apps through it, but the idea of depending on an 
ever-complexifying stack of low-level plumbing gives me a bad case of 
The Fear. So any info from those who know would be appreciated.

Brian

From Loopers-Delight-request@loopers-delight.com  Mon Oct 16 06:20:20 2006
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To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: will someone lend us one Mackie powered monitor for the LOOPERS DELIGHT 10th BASH this Friday in Oakland?
Date: Sun, 15 Oct 2006 23:20:21 -0700
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Would someone be into bringing
on Mackie SRM  10" or 12" speaker to the
Loopers Delight Birthday party in Oakland on Friday  night.

We gave Kim's set for the mains and one from Amy X so
we're one monitor shy of a good sound system for that night
and it means Bill and I won't have to drive back to
Santa Cruz,  really late at night to re set up the main festival stage for 
the
next day.

We'd need it to be at the venue no later than 6 p.m. on Friday evening and 
we'd need someone to take it
when we finish shortly after midnight,  as we'll be racing home to Santa 
Cruz immediately after the party.

yours,  sincerely,  Rick Walker 

From Loopers-Delight-request@loopers-delight.com  Mon Oct 16 09:28:13 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: INTERNATIONAL LIVE LOOPING DAY in the city of Santa Cruz,  California
References: <019c01c6ed01$84f8b5c0$64ddfea9@DAYGLOGREEN> <25f58a1cf0d47b7a96ec95ed3a3878d4@pfmentum.com> <cbb488470610110530i2c350bedm11b864d5b4595a09@mail.gmail.com> <014001c6ed45$ed3eccc0$85b1ec0f@americas.hpqcorp.net> <6.1.0.6.2.20061011114609.01cd1a60@mail.wightman.ca> <016901c6ed54$1ba21280$85b1ec0f@americas.hpqcorp.net>
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Krispen Hartung wrote:
> Yes, on both Saturday and Sunday of the main festival.  The Webcast & 
> Pictures page of the Y2K6 website has the links for the stream.

The link to the Mac streaming player audion is wrong on the page, its
http://www.panic.com/audion/index.html

Stefan

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From Loopers-Delight-request@loopers-delight.com  Mon Oct 16 11:04:42 2006
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Subject: Re: sooperlooper for intel mac
References: <F39B8569-D3BF-4E32-AD57-F1064FF76F9A@zoekeating.com> <4532DBFE.7070100@adelphia.net>
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Brian Good wrote:
> This looks good. But before I install, can anyone comment on how happily 
> Jack coexists with CoreAudio? I know Jack claims that you can route the 
> output from CoreAudio apps through it, but the idea of depending on an 
> ever-complexifying stack of low-level plumbing gives me a bad case of 
> The Fear. So any info from those who know would be appreciated.

Jack works fine here with SooperLooper on OS X 10.4.7.
Jack is well integrated into CoreAudio. As soon as you start the Jack 
server, it will show up in CoreAudio, just as expected...

I didn't test it too deeply, but it seems to have no problems...

Stefan

-- 
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-- _|_)----|-----()--------------
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From Loopers-Delight-request@loopers-delight.com  Mon Oct 16 15:37:33 2006
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On Oct 15, 2006, at 6:10 PM, Brian Good wrote:

> But before I install, can anyone comment on how happily Jack  
> coexists with CoreAudio?



I did find an odd issue. I began finding a file in my trash after  
restarts called RingBuffertemp, this even after periods of time when  
I was using no audio software. I traced the file to Jack.  Seemed  
harmless enough but recently I launched iTunes and the audio sounded  
like it was coming thru a Ring modulator. I had to shut the computer  
down and turn it back on to stop the "hi-Jack."

I ended up dumping Jack because I was not using it that much but it  
was stable whenever I used it. I have not had the time to sort out  
the particulars but I don't think the problem was so much an issue  
with CoreAudio but instead a slight conflict between Jack, Pluggo and  
Soundflower on my system (osX 10.4.7).

A minor thing really, Jack seemed to work fine.

Anyway, fyi.

regards

BobC


http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo
http://www.flickr.com/photos/41969054@N00/sets/72157594240725240/

From Loopers-Delight-request@loopers-delight.com  Mon Oct 16 15:39:19 2006
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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: Looper's Delight 10 Year Anniversary Celebration, Oakland, CA
Date: Mon, 16 Oct 2006 08:39:14 -0700
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On Oct 15, 2006, at 5:17 PM, Kim Flint wrote:

> Here is the web page with details and a lovely poster:
> http://www.loopers-delight.com/anniversary/10YearAnniversary.html
>
>
> Friday, October 20, 2006, 8pm
> Orbis Nex,
> 851 81st Ave, Unit 217,
> Oakland, CA, USA


Great poster!
Sorry I can't be there.

Best wishes to all.

regards

BobC



http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo
http://www.flickr.com/photos/41969054@N00/sets/72157594240725240/

From Loopers-Delight-request@loopers-delight.com  Mon Oct 16 20:29:57 2006
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Date: Mon, 16 Oct 2006 13:29:55 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: OT... Live 6 upgrade path?
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Hey,

I'm eager to check out Live 6's new rack routing
functions... but although I purchased Live 5 within
the "free upgrade" time period, I can find no way on
their site to do such a thing, and only a brief
mention of it.  Has anyone done this yet?

Mark

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From Loopers-Delight-request@loopers-delight.com  Mon Oct 16 20:33:26 2006
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From: Reese Ritherspoon <rithma@rithma.org>
Subject: Re: sooperlooper question
Date: Mon, 16 Oct 2006 13:33:22 -0700
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sooper looper within ableton live - anyone get this to work?

i desparately need your help....

i cant quite wrap my head around the audiojack internals, but i think  
if i got this setup to work, it would be the answer to my looping woes.

love
rithma music

From Loopers-Delight-request@loopers-delight.com  Mon Oct 16 20:41:05 2006
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From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Looper's Delight 10 Year Anniversary Celebration, Oakland, CA
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But we could all have a beer raise the glass and say
"long spin loopheads"!
cheers to u all
Luis

--- RP Collier <skeptikalist@gmail.com> wrote:

> 
> On Oct 15, 2006, at 5:17 PM, Kim Flint wrote:
> 
> > Here is the web page with details and a lovely
> poster:
> >
>
http://www.loopers-delight.com/anniversary/10YearAnniversary.html
> >
> >
> > Friday, October 20, 2006, 8pm
> > Orbis Nex,
> > 851 81st Ave, Unit 217,
> > Oakland, CA, USA
> 
> 
> Great poster!
> Sorry I can't be there.
> 
> Best wishes to all.
> 
> regards
> 
> BobC
> 
> 
> 
> http://www.cdbaby.com/rpcollier
> http://www.cdbaby.com/rpcollier2
> http://tinyurl.com/cr25j
> http://www.youtube.com/watch?v=sn--iF6a4Xo
>
http://www.flickr.com/photos/41969054@N00/sets/72157594240725240/
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Mon Oct 16 20:42:23 2006
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Check out this helpful tip from Per on the SL mailing list archives:
 http://sourceforge.net/mailarchive/message.php?msg_id=12997823

The key is to insert the SL plugin on a MIDI track, and then route
audio to/from other audio tracks.  Then you should be able to setup
the midi bindings from with the SL GUI (learn or in the preferences).

jlc

On 10/16/06, Reese Ritherspoon <rithma@rithma.org> wrote:
> sooper looper within ableton live - anyone get this to work?
>
> i desparately need your help....
>
> i cant quite wrap my head around the audiojack internals, but i think
> if i got this setup to work, it would be the answer to my looping woes.
>
> love
> rithma music
>
>

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From: monk <monk@fuse.net>
Subject: Re: OT... Live 6 upgrade path?
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i've had the same problem. they have not returned my email after over  
one week.


i'm surprised that their customer service is so poor.


monk@fuse.net



On Oct 16, 2006, at 4:29 PM, mark sottilaro wrote:

> Hey,
>
> I'm eager to check out Live 6's new rack routing
> functions... but although I purchased Live 5 within
> the "free upgrade" time period, I can find no way on
> their site to do such a thing, and only a brief
> mention of it.  Has anyone done this yet?
>
> Mark


--Apple-Mail-2-188441570
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">i've had the same problem. they =
have not returned my email after over one week.<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>i'm surprised that their =
customer service is so poor.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><A =
href=3D"mailto:monk@fuse.net">monk@fuse.net</A></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Oct 16, =
2006, at 4:29 PM, mark sottilaro wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">Hey,</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; =
min-height: 14.0px"><BR></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">I'm eager to check out Live 6's new rack routing</FONT></P> =
<P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">functions... but although I =
purchased Live 5 within</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">the "free upgrade" time period, I can find no way =
on</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">their =
site to do such a thing, and only a brief</FONT></P> <P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">mention of it.<SPAN =
class=3D"Apple-converted-space">=A0 </SPAN>Has anyone done this =
yet?</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: =
12.0px Helvetica; min-height: 14.0px"><BR></P> <P style=3D"margin: 0.0px =
0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">Mark</FONT></P> =
</BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-2-188441570--

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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: OT... Live 6 upgrade path?
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On Oct 16, 2006, at 1:29 PM, mark sottilaro wrote:

> I can find no way on
> their site to do such a thing, and only a brief
> mention of it.  Has anyone done this yet?

Yes, I did that.
I think all you have to do is download the Live6 as an update then  
your Live5 serial number makes it fully functional.


http://www.ableton.com/update

regards

BobC


http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo
http://www.flickr.com/photos/41969054@N00/sets/72157594240725240/

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On Oct 16, 2006, at 3:49 PM, monk wrote:

> i've had the same problem. they have not returned my email after  
> over one week.
>
>
> i'm surprised that their customer service is so poor.

It's not poor. They are just slammed with tons of emails due to the  
release of Live 6. It may take them a couple more days to get back  
with you--but they will eventually--you *will* get a personal reply.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Oct 16 21:31:12 2006
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Jeff Shirkey wrote:
>
> On Oct 16, 2006, at 3:49 PM, monk wrote:
>
>> i've had the same problem. they have not returned my email after over 
>> one week.
>>
>>
>> i'm surprised that their customer service is so poor.
I've only had good customer service from Ableton.  I'm guessing they are
just swamped right now re: the release of Live 6.
Andrew

-- 
sound design/music production course:
http://andrew-duke.com/course.html

Chain Reaction downloadable samplepack:
http://www.audiobase.com/product/SACR

Andrew Duke--Consumer vs. User album:
http://www.phthalo.com/cat.php?cat=phth40

artist features & column:
http://cognitionaudioworks.com/read.html

http://myspace.com/andrewduke
http://myspace.com/cognitionaudioworks




From Loopers-Delight-request@loopers-delight.com  Tue Oct 17 00:54:20 2006
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Stefan Tiedje wrote:
> Brian Good wrote:
> 
>> This looks good. But before I install, can anyone comment on how 
>> happily Jack coexists with CoreAudio? I know Jack claims that you can 
>> route the output from CoreAudio apps through it, but the idea of 
>> depending on an ever-complexifying stack of low-level plumbing gives 
>> me a bad case of The Fear. So any info from those who know would be 
>> appreciated.
> 
> 
> Jack works fine here with SooperLooper on OS X 10.4.7.
> Jack is well integrated into CoreAudio. As soon as you start the Jack 
> server, it will show up in CoreAudio, just as expected...
> 
> I didn't test it too deeply, but it seems to have no problems...
> 
> Stefan
> 

Thanks, Stefan, that's good to know.  I'll give Jack/Sooperlooper a try, 
but not until after Loopfest.

Brian

From Loopers-Delight-request@loopers-delight.com  Tue Oct 17 02:15:18 2006
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From: MD <skysaboveskys@cox.net>
Subject: Re: OT... Live 6 upgrade path?
Date: Mon, 16 Oct 2006 21:15:39 -0500
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I tried that and my 5.2 serial would not work.
On Oct 16, 2006, at 4:20 PM, RP Collier wrote:

>
> On Oct 16, 2006, at 1:29 PM, mark sottilaro wrote:
>
>> I can find no way on
>> their site to do such a thing, and only a brief
>> mention of it.  Has anyone done this yet?
>
> Yes, I did that.
> I think all you have to do is download the Live6 as an update then 
> your Live5 serial number makes it fully functional.
>
>
> http://www.ableton.com/update
>
> regards
>
> BobC
>
>
> http://www.cdbaby.com/rpcollier
> http://www.cdbaby.com/rpcollier2
> http://tinyurl.com/cr25j
> http://www.youtube.com/watch?v=sn--iF6a4Xo
> http://www.flickr.com/photos/41969054@N00/sets/72157594240725240/
>

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Subject: Re: OT... Live 6 upgrade path?
Date: Mon, 16 Oct 2006 21:16:30 -0500
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I am still trying.  A rep at the company is trying to help me.  Email 
them and see if they will help.  I think they have been swamped.  Their 
service has always been good to me.
On Oct 16, 2006, at 3:29 PM, mark sottilaro wrote:

> Hey,
>
> I'm eager to check out Live 6's new rack routing
> functions... but although I purchased Live 5 within
> the "free upgrade" time period, I can find no way on
> their site to do such a thing, and only a brief
> mention of it.  Has anyone done this yet?
>
> Mark
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
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From Loopers-Delight-request@loopers-delight.com  Tue Oct 17 02:48:46 2006
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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: OT... Live 6 upgrade path?
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On Oct 16, 2006, at 7:15 PM, MD wrote:

> I tried that and my 5.2 serial would not work.

Your serial number is stored on the site and should have triggered  
the emailing of a new number and then an unlock online prompt.

Maybe try the *check for updates* from within the application to do  
the download?
Also, I seem to remember a page on the site for reverifying serial  
numbers I think it is https://www.ableton.com/register where once you  
log in you can see the details of the account.

Seems there is a step missing in the sequence somewhere for you.

regards

BobC






From Loopers-Delight-request@loopers-delight.com  Tue Oct 17 12:16:46 2006
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RP Collier wrote:
> I don't think the problem was so much an issue  with CoreAudio but
> instead a slight conflict between Jack, Pluggo and Soundflower on my
> system (osX 10.4.7).

Thats probably a matter of decision. You'd use either Jack or 
Soundflower. There is not much point in using both, they provide 
different solutions, but for the same problem...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Tue Oct 17 13:58:15 2006
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On Oct 17, 2006, at 5:16 AM, Stefan Tiedje wrote:

> You'd use either Jack or Soundflower. There is not much point in  
> using both, they provide different solutions, but for the same  
> problem...

Yes, but they are also necessary components of different software.
I use Audio Hijack which requires Soundflower and I was experimenting  
with Ardour which requires the Jack server.

regards

BobC




http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo
http://www.flickr.com/photos/41969054@N00/sets/72157594240725240/

From Loopers-Delight-request@loopers-delight.com  Tue Oct 17 17:08:15 2006
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Date: Tue, 17 Oct 2006 10:08:13 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: OT... Live 6 upgrade path?
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Hm, I tried that, thinking they may have set it up
that way... didn't work.  Not sure why.  Maybe I put
in a wrong number... I'll try it again tonight.

IMO, not having a clear explaination of how you
upgrade on their site coupled with the fact that I
followed links on their newsletter and faq page that
are dead is bad customer service.  A simple line of
text on their upgrade page would make things very easy
with almost no effort on their part.

I'm not knocking Live.  It's a great app and so far
I'm totally happy with it.  So happy I probably
wouldn't even care to upgrade at this point as I
haven't even figured out all v5's functionality yet,
but I got a newsletter that said I could and their
marketing has been very good at telling me I should,
so I figured "why not?"

Mark

--- RP Collier <skeptikalist@gmail.com> wrote:

> 
> On Oct 16, 2006, at 1:29 PM, mark sottilaro wrote:
> 
> > I can find no way on
> > their site to do such a thing, and only a brief
> > mention of it.  Has anyone done this yet?
> 
> Yes, I did that.
> I think all you have to do is download the Live6 as
> an update then  
> your Live5 serial number makes it fully functional.
> 
> 
> http://www.ableton.com/update
> 
> regards
> 
> BobC
> 
> 
> http://www.cdbaby.com/rpcollier
> http://www.cdbaby.com/rpcollier2
> http://tinyurl.com/cr25j
> http://www.youtube.com/watch?v=sn--iF6a4Xo
>
http://www.flickr.com/photos/41969054@N00/sets/72157594240725240/
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Oct 17 19:11:56 2006
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Subject: Re: OT... Live 6 upgrade path?
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On Oct 17, 2006, at 10:08 AM, mark sottilaro wrote:

> Not sure why.  Maybe I put
> in a wrong number... I'll try it again tonight.

Sorry to hear about such problems, I know it is frustrating with new  
juicy software just out of reach.

I checked thru my emails from Ableton and the only thing I can find  
is that they changed their website and then sent me a registered user  
login for the site when I got 5.2.
It says that if you are a registered user you don't have to mess with  
inputing serial numbers.

Everything was automatic for me on the upgrade with an email receipt  
from the webstore showing purchase of 6 for free and new serial number.

So unless the extra traffic and website change has glitched things  
up, the only thing I can think of is to try the upgrade process after  
you login as a registered user at the site.

regards

BobC



http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo
http://www.flickr.com/photos/41969054@N00/sets/72157594240725240/

From Loopers-Delight-request@loopers-delight.com  Tue Oct 17 20:59:08 2006
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OK, I guess I'll keep trying then.  I'm only concerned
because they've limited the time to do the upgrade and
with them not returning my emails I hope they don't do
a "Ooops, too late." thing.  They seem like they're on
the up and up though.

Mark



__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Oct 17 21:04:58 2006
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Date: Tue, 17 Oct 2006 14:04:57 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Repeater v 1.1 FS
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Yup.  It has to happen.  Got a little crazy the day of
my wedding (can you not buy the matching pendent for
her ring when it's being sold in a store next to where
the reception is going down?  Of course not!)

It's in perfect shape. I've never had trouble with
noise or rebooting and ya'll know me, I put this puppy
through it's paces.

It comes with the 16 meg card and a 128 upgrade card
from Electrix's list of approved cards.  3 button
footswitch and powersupply.  It's always been in a
rack but I'm pretty sure it barely has a scratch on
it.

paypal sine@zerocrossing.net $550 US and I'll ship it
to anywhere in the U.S.  I've got good ebay cred and
people here know me.

Have at it!

Mark Sottilaro

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Oct 17 21:22:38 2006
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From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Speaking of the Repeater...
Date: Tue, 17 Oct 2006 16:17:35 -0500
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I just got a refund on my deposit for the new MKII repeater from Full  
Compass the other day. According to the latest info. they have,  
Electrix has not even built a prototype yet, and they are a very long  
way from ever delivering product to the market. Full Compass has  
apparently had enough and is refunding money to all customers who  
placed advance orders.

Jeff

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--=20
Marla Leigh=20
Percussionist, Flautist, Composer
http://www.marlaleigh.com

=B3Enjoy life, slow down to the rhythm of existence=B2
Prem Rawat

=B3Music is the silence between the notes=B2 - Claude Debussy



From Loopers-Delight-request@loopers-delight.com  Tue Oct 17 21:35:53 2006
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mark sottilaro wrote:
> I'm not knocking Live.  It's a great app and so far
> I'm totally happy with it.  So happy I probably
> wouldn't even care to upgrade at this point as I
> haven't even figured out all v5's functionality yet,
> but I got a newsletter that said I could and their
> marketing has been very good at telling me I should,
> so I figured "why not?"

when i upgraded from 4 to 5, i found that i actually lost some audio 
processing capabilities. a song with 10 channels and about 30efx units 
plays fine in 4, but the same song crawls to a halt and stutters in 5. 
be warned. also, it's impossible to go back - once you save a song in 
live 5 format it's impossible to go back to 4.

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OH NO!

FIDDLESTICKS

On Oct 17, 2006, at 2:17 PM, Jeff Shirkey wrote:

> I just got a refund on my deposit for the new MKII repeater from  
> Full Compass the other day. According to the latest info. they  
> have, Electrix has not even built a prototype yet, and they are a  
> very long way from ever delivering product to the market. Full  
> Compass has apparently had enough and is refunding money to all  
> customers who placed advance orders.
>
> Jeff
>

From Loopers-Delight-request@loopers-delight.com  Tue Oct 17 22:27:28 2006
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> http://www.loopers-delight.com/anniversary/10YearAnniversary.html

BRILLIANT POSTER!!!! IT made my brain loop!
Damn, I wish I lived on the west coast.
I'll hoist an Orval for y'all.
Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"Life! Life!
Clouds and clowns!
You don't have to come down!"
- Sly and the Family Stone


From Loopers-Delight-request@loopers-delight.com  Tue Oct 17 22:53:25 2006
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Date: Tue, 17 Oct 2006 15:53:23 -0700 (PDT)
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> when i upgraded from 4 to 5, i found that i actually
> lost some audio 
> processing capabilities. 

A long time ago I learned (the hard way) that no
computer system is worth more than about 1 or 2
software version upgrades.  You get more features and
often higher quality, but there's always a price. 
More often than not, if your system is working the way
you like it and you don't *need* the new features,
it's best to make a disk image of your machine end
freeze it in time.

a song with 10 channels and
> about 30efx units

Wow, that sounds like a very, very heavy mix.  None of
those effects could be put no sends so a single
instance of an effect might deal with multiple
channels?  Good way to save CPU cycles.

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Oct 17 23:11:00 2006
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mark sottilaro wrote:
> More often than not, if your system is working the way
> you like it and you don't *need* the new features,
> it's best to make a disk image of your machine end
> freeze it in time.

b-b-but then it won't get 'better'!

moore's law was largely an invention of the microelectronics industry to 
justify and 'naturalise' the industry practise of built-in obsolesence. 
over time it has become a self-fulfilling prophecy. it is idiotic.

my friend Warwick makes electro-blues with a commodore 64. 
http://www.myspace.com/control6580

> a song with 10 channels and
>> about 30efx units
> 
> Wow, that sounds like a very, very heavy mix.  None of
> those effects could be put no sends so a single
> instance of an effect might deal with multiple
> channels?  Good way to save CPU cycles.

that's not the way i make music :-)

picture up to 5 sends, each sending to each other with variable amounts, 
with upwards of 5 (sometimes 10) effect units on each send == lovely 
lovely lovely feedback loops. especially with Live's digital clipping 
(it sounds nicer than other kinds). for a while my live performance 
process was: add a new effect unit to the feedback chain, play with it 
until i got bored, repeat. mainly because i could :-) aah digital...

--
Damian Stewart
+64 27 305 4107

f r e y
live music with machines
http://www.frey.co.nz
http://www.myspace.com/freyed

From Loopers-Delight-request@loopers-delight.com  Tue Oct 17 23:59:58 2006
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Great Poster! I'd buy the t-shirt if anyone was so inclined. Hop to
see and meet you all there.

On 10/17/06, Douglas Baldwin <coyotelk@optonline.net> wrote:
>
> > http://www.loopers-delight.com/anniversary/10YearAnniversary.html
>
> BRILLIANT POSTER!!!! IT made my brain loop!
> Damn, I wish I lived on the west coast.
> I'll hoist an Orval for y'all.
> Douglas Baldwin, coyote-at-large
> www.thecoyote.org
> coyotelk@optonline.net
>
> "Life! Life!
> Clouds and clowns!
> You don't have to come down!"
> - Sly and the Family Stone
>
>
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Wed Oct 18 03:55:21 2006
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Date: Tue, 17 Oct 2006 20:55:19 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Speaking of the Repeater...
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too bad really i still had some little hopes cause the
Repeater is a good product... cant understand why a
company would do this,better to quit on a good note
really...
Luis


--- Jeff Shirkey <jcshirke@midway.uchicago.edu> wrote:

> I just got a refund on my deposit for the new MKII
> repeater from Full  
> Compass the other day. According to the latest info.
> they have,  
> Electrix has not even built a prototype yet, and
> they are a very long  
> way from ever delivering product to the market. Full
> Compass has  
> apparently had enough and is refunding money to all
> customers who  
> placed advance orders.
> 
> Jeff
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Oct 18 04:22:39 2006
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From: MD <skysaboveskys@cox.net>
Subject: Re: OT... Live 6 upgrade path? Mission Accomplished
Date: Tue, 17 Oct 2006 23:23:02 -0500
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I was able to successfully download Live  6 as an upgrade to the 
special they ran.  I was not able to do it before and I am not sure if 
they were upgrading their site and there was a lag time or whether I 
just did not do it properly.  I believe someone previously gave the 
proper directions.  Go to the website and log in.  Make sure you log in 
and  Make sure your Live 5.2 is registered.   I did this process and 
today I noticed a clickpoint that indicated the need for a valid email 
to send free products to.  I made sure my email was good and clicked 
it.  I was routed to the Live 6 download and a serial number was 
automatically sent to my email address.  I loaded Live 6 in my hard 
drive and entered the auth code and immediately had the option to 
unlock online and voila' and I am in business.  I went back to the site 
and logged in again and the free option tab  had disappeared.   Good 
Luck if you haven't been successful yet.
On Oct 17, 2006, at 2:11 PM, RP Collier wrote:

>
> On Oct 17, 2006, at 10:08 AM, mark sottilaro wrote:
>
>> Not sure why.  Maybe I put
>> in a wrong number... I'll try it again tonight.
>
> Sorry to hear about such problems, I know it is frustrating with new 
> juicy software just out of reach.
>
> I checked thru my emails from Ableton and the only thing I can find is 
> that they changed their website and then sent me a registered user 
> login for the site when I got 5.2.
> It says that if you are a registered user you don't have to mess with 
> inputing serial numbers.
>
> Everything was automatic for me on the upgrade with an email receipt 
> from the webstore showing purchase of 6 for free and new serial 
> number.
>
> So unless the extra traffic and website change has glitched things up, 
> the only thing I can think of is to try the upgrade process after you 
> login as a registered user at the site.
>
> regards
>
> BobC
>
>
>
> http://www.cdbaby.com/rpcollier
> http://www.cdbaby.com/rpcollier2
> http://tinyurl.com/cr25j
> http://www.youtube.com/watch?v=sn--iF6a4Xo
> http://www.flickr.com/photos/41969054@N00/sets/72157594240725240/
>

From Loopers-Delight-request@loopers-delight.com  Wed Oct 18 19:46:21 2006
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Message-ID: <20061018194618.827.qmail@web81301.mail.mud.yahoo.com>
Date: Wed, 18 Oct 2006 12:46:18 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: OT... Live 6 upgrade path? Mission Accomplished
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <764c4b5760bdbe8fc08999182f13dfdc@cox.net>
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I just revisited and followed these instructions.  No
luck.  5.2 is indeed registered, but I see no
clickpoint for "valid email address."  They do have my
email address, as they send me stuff all the time.

Could it be that I don't get this chance because I
upgraded from a Live Lite version?  If that's the case
I wish they'd just have some simple text explaining
that.

Mark

--- MD <skysaboveskys@cox.net> wrote:

> I was able to successfully download Live  6 as an
> upgrade to the 
> special they ran.  I was not able to do it before
> and I am not sure if 
> they were upgrading their site and there was a lag
> time or whether I 
> just did not do it properly.  I believe someone
> previously gave the 
> proper directions.  Go to the website and log in. 
> Make sure you log in 
> and  Make sure your Live 5.2 is registered.   I did
> this process and 
> today I noticed a clickpoint that indicated the need
> for a valid email 
> to send free products to.  I made sure my email was
> good and clicked 
> it.  I was routed to the Live 6 download and a
> serial number was 
> automatically sent to my email address.  I loaded
> Live 6 in my hard 
> drive and entered the auth code and immediately had
> the option to 
> unlock online and voila' and I am in business.  I
> went back to the site 
> and logged in again and the free option tab  had
> disappeared.   Good 
> Luck if you haven't been successful yet.
> On Oct 17, 2006, at 2:11 PM, RP Collier wrote:
> 
> >
> > On Oct 17, 2006, at 10:08 AM, mark sottilaro
> wrote:
> >
> >> Not sure why.  Maybe I put
> >> in a wrong number... I'll try it again tonight.
> >
> > Sorry to hear about such problems, I know it is
> frustrating with new 
> > juicy software just out of reach.
> >
> > I checked thru my emails from Ableton and the only
> thing I can find is 
> > that they changed their website and then sent me a
> registered user 
> > login for the site when I got 5.2.
> > It says that if you are a registered user you
> don't have to mess with 
> > inputing serial numbers.
> >
> > Everything was automatic for me on the upgrade
> with an email receipt 
> > from the webstore showing purchase of 6 for free
> and new serial 
> > number.
> >
> > So unless the extra traffic and website change has
> glitched things up, 
> > the only thing I can think of is to try the
> upgrade process after you 
> > login as a registered user at the site.
> >
> > regards
> >
> > BobC
> >
> >
> >
> > http://www.cdbaby.com/rpcollier
> > http://www.cdbaby.com/rpcollier2
> > http://tinyurl.com/cr25j
> > http://www.youtube.com/watch?v=sn--iF6a4Xo
> >
>
http://www.flickr.com/photos/41969054@N00/sets/72157594240725240/
> >
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Oct 18 20:16:36 2006
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From: MD <skysaboveskys@cox.net>
Subject: Re: OT... Live 6 upgrade path? Mission Accomplished
Date: Wed, 18 Oct 2006 15:16:57 -0500
To: Loopers-Delight@loopers-delight.com
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Hmmm.. You paid 99 bucks for the 5.2 with the promise of a free Live 6 
upgrade  offer? [< Time-limited Ableton offer: Upgrade to Live 6 for 
EUR/USD 99>]
  You now have it registered.  Your email is registered and linked with 
your registration numbers.  You saw no instructions or tab to click for 
free merchandise to be sent to you.    The Lite may be an issue, but 
logically it doesn't make sense.  I upgrade from  Live 2 and I bet your 
  edition of Live Lite was more advanced than 2.  Seems to me they would 
not have let you have 5.2 in the first place if the LITE version was an 
issue.  But who knows.  One thing that I did that I did not mention.  I 
emailed Nadine and told her that I could not get 6 and initialize it.  
She wrote back and told me to send her my purchase receipt and 5.2 
serial number.  She then wrote back with these instructions.
Dear Marc,
thank you for your e-mails.
Sorry for the slightly delayed response.

Please go to our webshop http://www.ableton.com/upgrade
And enter your Live 5.2 serial number.
You will automatically receive a Live 6 serial number for free sent to 
your personal account.
Enjoy Live 6!

It took a little more than that to finally get it completed.
It sounds like you should get Live 6  and there is some glitch in your 
account.
If you don't get any resolution and you live in the USA I would call 
the USA technical support line and give them a shot.  Maybe they could 
intervene for you.  Ableton has been unusually slow with emails lately 
and that has not been my experience with them  in the past.  They have 
always been kindly helpful to me.
GL
On Oct 18, 2006, at 2:46 PM, mark sottilaro wrote:

> I just revisited and followed these instructions.  No
> luck.  5.2 is indeed registered, but I see no
> clickpoint for "valid email address."  They do have my
> email address, as they send me stuff all the time.
>
> Could it be that I don't get this chance because I
> upgraded from a Live Lite version?  If that's the case
> I wish they'd just have some simple text explaining
> that.
>
> Mark
>
> --- MD <skysaboveskys@cox.net> wrote:
>
>> I was able to successfully download Live  6 as an
>> upgrade to the
>> special they ran.  I was not able to do it before
>> and I am not sure if
>> they were upgrading their site and there was a lag
>> time or whether I
>> just did not do it properly.  I believe someone
>> previously gave the
>> proper directions.  Go to the website and log in.
>> Make sure you log in
>> and  Make sure your Live 5.2 is registered.   I did
>> this process and
>> today I noticed a clickpoint that indicated the need
>> for a valid email
>> to send free products to.  I made sure my email was
>> good and clicked
>> it.  I was routed to the Live 6 download and a
>> serial number was
>> automatically sent to my email address.  I loaded
>> Live 6 in my hard
>> drive and entered the auth code and immediately had
>> the option to
>> unlock online and voila' and I am in business.  I
>> went back to the site
>> and logged in again and the free option tab  had
>> disappeared.   Good
>> Luck if you haven't been successful yet.
>> On Oct 17, 2006, at 2:11 PM, RP Collier wrote:
>>
>>>
>>> On Oct 17, 2006, at 10:08 AM, mark sottilaro
>> wrote:
>>>
>>>> Not sure why.  Maybe I put
>>>> in a wrong number... I'll try it again tonight.
>>>
>>> Sorry to hear about such problems, I know it is
>> frustrating with new
>>> juicy software just out of reach.
>>>
>>> I checked thru my emails from Ableton and the only
>> thing I can find is
>>> that they changed their website and then sent me a
>> registered user
>>> login for the site when I got 5.2.
>>> It says that if you are a registered user you
>> don't have to mess with
>>> inputing serial numbers.
>>>
>>> Everything was automatic for me on the upgrade
>> with an email receipt
>>> from the webstore showing purchase of 6 for free
>> and new serial
>>> number.
>>>
>>> So unless the extra traffic and website change has
>> glitched things up,
>>> the only thing I can think of is to try the
>> upgrade process after you
>>> login as a registered user at the site.
>>>
>>> regards
>>>
>>> BobC
>>>
>>>
>>>
>>> http://www.cdbaby.com/rpcollier
>>> http://www.cdbaby.com/rpcollier2
>>> http://tinyurl.com/cr25j
>>> http://www.youtube.com/watch?v=sn--iF6a4Xo
>>>
>>
> http://www.flickr.com/photos/41969054@N00/sets/72157594240725240/
>>>
>>
>>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

From Loopers-Delight-request@loopers-delight.com  Wed Oct 18 20:41:34 2006
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Date: Wed, 18 Oct 2006 13:41:31 -0700
From: "Doug Wellington" <dougwellington@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT... Live 6 upgrade path? Mission Accomplished
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------=_Part_113515_33455810.1161204091727
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On 10/18/06, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
>
> I just revisited and followed these instructions.  No
> luck.


When I downloaded the upgrade, I actually had to go to the web store and
"purchase" it for $0.  Do you have an option for that?

Doug

------=_Part_113515_33455810.1161204091727
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On 10/18/06, <b class="gmail_sendername">mark sottilaro</b> &lt;<a href="mailto:zerocrossing2001@yahoo.com">zerocrossing2001@yahoo.com</a>&gt; wrote:<div><span class="gmail_quote"></span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I just revisited and followed these instructions.&nbsp;&nbsp;No<br>luck.</blockquote><div><br>
When I downloaded the upgrade, I actually had to go to the web store
and &quot;purchase&quot; it for $0.&nbsp; Do you have an option for that?<br>
<br>
Doug<br>
</div></div>

------=_Part_113515_33455810.1161204091727--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 18 20:47:30 2006
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From: monk <monk@fuse.net>
Subject: Re: OT... Live 6 upgrade path? Mission Accomplished
Date: Wed, 18 Oct 2006 16:47:10 -0400
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--Apple-Mail-17-361120352
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i was able to download the upgrade, but i can't run it w/o a new  
serial number. i've sent two emails ( a week or so apart) and have  
sent notes from the website and have not gotten a single reply. there  
are only four hours of customer support a day, and every time i've  
tried to call during those hours, the line has been busy (10+ times...)

  did someone get an email reply?




On Oct 18, 2006, at 4:41 PM, Doug Wellington wrote:

> On 10/18/06, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> I just revisited and followed these instructions.  No
> luck.
>
> When I downloaded the upgrade, I actually had to go to the web  
> store and "purchase" it for $0.  Do you have an option for that?
>
> Doug


--Apple-Mail-17-361120352
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">i was able to download the =
upgrade, but i can't run it w/o a new serial number. i've sent two =
emails ( a week or so apart) and have sent notes from the website and =
have not gotten a single reply. there are only four hours of customer =
support a day, and every time i've tried to call during those hours, the =
line has been busy (10+ times...)<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>=A0did someone get an email =
reply?</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Oct 18, =
2006, at 4:41 PM, Doug Wellington wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite">On =
10/18/06, <B class=3D"gmail_sendername">mark sottilaro</B> &lt;<A =
href=3D"mailto:zerocrossing2001@yahoo.com">zerocrossing2001@yahoo.com</A>&=
gt; wrote:<DIV><SPAN class=3D"gmail_quote"></SPAN><BLOCKQUOTE =
class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, =
204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"> I just revisited =
and followed these instructions.=A0=A0No<BR>luck.</BLOCKQUOTE><DIV><BR> =
When I downloaded the upgrade, I actually had to go to the web store and =
"purchase" it for $0.=A0 Do you have an option for that?<BR> <BR> =
Doug<BR> </DIV></DIV></BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-17-361120352--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 18 21:31:22 2006
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Date: Wed, 18 Oct 2006 14:31:19 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: OT... Live 6 upgrade path? Mission Accomplished
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Oh that's interesting.  I had not tried that.  Thanks
for the tip.

--- Doug Wellington <dougwellington@gmail.com> wrote:

> On 10/18/06, mark sottilaro
> <zerocrossing2001@yahoo.com> wrote:
> >
> > I just revisited and followed these instructions. 
> No
> > luck.
> 
> 
> When I downloaded the upgrade, I actually had to go
> to the web store and
> "purchase" it for $0.  Do you have an option for
> that?
> 
> Doug
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Oct 18 22:26:11 2006
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From: MD <skysaboveskys@cox.net>
Subject: Re: OT... Live 6 upgrade path? Mission Accomplished
Date: Wed, 18 Oct 2006 17:26:32 -0500
To: Loopers-Delight@loopers-delight.com
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That is the free merchandise link I believe.
On Oct 18, 2006, at 4:31 PM, mark sottilaro wrote:

> Oh that's interesting.  I had not tried that.  Thanks
> for the tip.
>
> --- Doug Wellington <dougwellington@gmail.com> wrote:
>
>> On 10/18/06, mark sottilaro
>> <zerocrossing2001@yahoo.com> wrote:
>>>
>>> I just revisited and followed these instructions.
>> No
>>> luck.
>>
>>
>> When I downloaded the upgrade, I actually had to go
>> to the web store and
>> "purchase" it for $0.  Do you have an option for
>> that?
>>
>> Doug
>>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

From Loopers-Delight-request@loopers-delight.com  Thu Oct 19 10:14:59 2006
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To: Loopers-Delight@loopers-delight.com
Subject: inputing bass
Date: Thu, 19 Oct 2006 11:14:56 +0100
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<html><div style='background-color:'><DIV class=RTE>
<P>im thinking of buying a loop station but do i&nbsp;&nbsp;need an octive divider for inputing bass sounds from my six string acoustic - are there any loop stations that can drop a guitar sound an octave?</P>
<P>thanks<BR><BR></P>
<DIV></DIV><FONT color=#000000></DIV>
<DIV></DIV></FONT></div><br clear=all><hr>Pull in info from across the Web - <a href="http://g.msn.com/8HMAENIE/2737??PS=47575" target="_top">use the RSS feature on MSN!</a> </html>

From Loopers-Delight-request@loopers-delight.com  Thu Oct 19 10:22:32 2006
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Date: Thu, 19 Oct 2006 06:20:01 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow, Galactic Travels, and The AM/FM Show
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the month-long
Special Focus on Dutch musician Remy.  The Featured CD at Midnight will
be "DisConnected" on AKH Records.  The Vinyl Starter will come from the
LP "Mosaic" by Richard Burmer on Fortuna Records and released in 1984.
For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#oct

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, and on the internet.



COMING THIS WEEK:


THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, October 21 at 6:00
am.  I will continue the special on E-dition Electronic Music
Magazine's sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://www.muhlenberg.edu/wmuh


All times are EDT / GMT-4.

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From Loopers-Delight-request@loopers-delight.com  Thu Oct 19 13:55:16 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <015e01c6e213$f8bf4b20$64ddfea9@DAYGLOGREEN>
Subject: Re: Y2K6 INTERNATIONAL LIVE LOOPING FESTIVAL 5th ANNIVERSARY  October 18-23rd
Date: Thu, 19 Oct 2006 07:55:11 -0600
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----- Original Message -----=20
From: "loop.pool" <looppool@cruzio.com>
=20
>  If you can't make it , please tune in to Krispen Hartungs' realtime =
broadcast of the whole affair. =20

I heading out to my flight here in an hour, to San Franciso. Before I =
leave, here is the streaming info for the main festival performances on =
Saturday and Sunday. I'll write more later Friday night or Saturday =
morining when I'm on line again.

Webcast (Y2K6 Streamed to the Internet)

http://krispen.serverroom.us:9030/ (Click on "Listen")

System Requirements=20

Users can listen to SHOUTcast on a variety of platforms and players =
(e.g. Windows Media Player, MusicMatch, etc). Recommended players are as =
follows:=20

  a.. Windows users should use Winamp - =
http://www.winamp.com/winamp/download=20
  b.. Mac users should use Audion - =
http://www.panic.com/audion/index.html=20
  c.. Linux/X Windows users should use XMMS - http://www.xmms.org=20
  d.. Quintessential Media Player - http://www.quinnware.com/=20
Note: iTunes and Windows Media Player are reported to work for Windows =
users as well

Availability

The performance will be limited to 30 listening seats, so it is a first =
come first serve basis (if you can't get in, keep trying in case someone =
drops out)

Contact/Support: info@krispenhartung.com


Cheers,

Kris


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2>----- Original Message ----- =
</FONT></DIV>
<DIV>
<DIV><FONT face=3DArial size=3D2>From: "loop.pool" &lt;</FONT><A=20
href=3D"mailto:looppool@cruzio.com"><FONT face=3DArial=20
size=3D2>looppool@cruzio.com</FONT></A><FONT face=3DArial=20
size=3D2>&gt;</FONT></DIV></DIV>
<DIV><FONT face=3DArial size=3D2> <BR>&gt;&nbsp; If you can't make it , =
please tune=20
in to Krispen Hartungs' realtime&nbsp;broadcast of the whole=20
affair.&nbsp;&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I heading out to my flight here in an =
hour, to San=20
Franciso. Before I leave, here is the streaming info for the main =
festival=20
performances on Saturday and Sunday. I'll write more later Friday night =
or=20
Saturday morining when I'm on line again.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>
<P align=3Dcenter><FONT face=3DArial size=3D2><STRONG>Webcast (Y2K6 =
Streamed to the=20
Internet)</STRONG></FONT></P>
<P><A href=3D"http://krispen.serverroom.us:9030/" target=3D_front><FONT =
face=3DArial=20
size=3D2>http://krispen.serverroom.us:9030/</FONT></A><FONT face=3DArial =
size=3D2>=20
(Click on "Listen")</FONT></P>
<P><FONT face=3DArial size=3D2>System Requirements </FONT></P>
<P><FONT face=3DArial size=3D2>Users can listen to SHOUTcast on a =
variety of=20
platforms and players (e.g. Windows Media Player, MusicMatch, etc). =
Recommended=20
players are as follows: </FONT></P>
<UL>
  <LI><A href=3D"http://www.winamp.com/winamp/download"><FONT =
face=3DArial=20
  size=3D2>Windows users should use Winamp</FONT></A><FONT face=3DArial =
size=3D2> -=20
  http://www.winamp.com/winamp/download </FONT>
  <LI><A href=3D"http://www.panic.com/ppack/audion/index.htm"><FONT =
face=3DArial=20
  size=3D2>Mac users should use Audion</FONT></A><FONT face=3DArial =
size=3D2> -=20
  http://www.panic.com/audion/index.html </FONT>
  <LI><A href=3D"http://www.xmms.org/"><FONT face=3DArial =
size=3D2>Linux/X Windows=20
  users should use XMMS</FONT></A><FONT face=3DArial size=3D2> - =
http://www.xmms.org=20
  </FONT>
  <LI><FONT face=3DArial size=3D2>Quintessential Media Player - =
</FONT><A=20
  href=3D"http://www.quinnware.com/"><FONT face=3DArial=20
  size=3D2>http://www.quinnware.com/</FONT></A><FONT face=3DArial =
size=3D2>=20
  </FONT></LI></UL>
<P><FONT face=3DArial size=3D2>Note: iTunes and Windows Media Player are =
reported to=20
work for Windows users as well</FONT></P>
<P><FONT face=3DArial size=3D2>Availability</FONT></P>
<P><FONT face=3DArial size=3D2>The performance will be limited to 30 =
listening=20
seats, so it is a first come first serve basis (if you can't get in, =
keep trying=20
in case someone drops out)</FONT></P>
<P><FONT face=3DArial size=3D2>Contact/Support: </FONT><A=20
href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial=20
size=3D2>info@krispenhartung.com</FONT></A><BR></P></DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Oct 19 14:03:40 2006
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Date: Thu, 19 Oct 2006 09:03:26 -0500
From: Joshua Carroll <josh@infinivert.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: inputing bass
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This will, of course, revert to a hardware vs. software question.  I 
don't know of any loopers, hardware or software, in and of themselves 
that will really give you what you're looking for.  Then again, I'm not 
terribly familiar with most loopers.  In the software world, Mobius does 
have pitch and rate adjustment features.  However, I haven't had much 
success with these when playing a rhythmic bass line.  Still some bugs 
to work out there, I think.  Krispen has pointed out a VST called Edge 
(if I'm remembering correctly) that he uses in conjunction with Mobius 
to produce some great bass sounds from his guitars.  I'm sure he can 
give you more details if you're interested.

--Josh



PAUL GRANT wrote:
>
> im thinking of buying a loop station but do i  need an octive divider 
> for inputing bass sounds from my six string acoustic - are there any 
> loop stations that can drop a guitar sound an octave?
>
> thanks
>
>
> ------------------------------------------------------------------------
> Pull in info from across the Web - use the RSS feature on MSN! 
> <http://g.msn.com/8HMAENIE/2737??PS=47575> 

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<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
This will, of course, revert to a hardware vs. software question.&nbsp; I
don't know of any loopers, hardware or software, in and of themselves
that will really give you what you're looking for.&nbsp; Then again, I'm not
terribly familiar with most loopers.&nbsp; In the software world, Mobius
does have pitch and rate adjustment features.&nbsp; However, I haven't had
much success with these when playing a rhythmic bass line.&nbsp; Still some
bugs to work out there, I think.&nbsp; Krispen has pointed out a VST called
Edge (if I'm remembering correctly) that he uses in conjunction with
Mobius to produce some great bass sounds from his guitars.&nbsp; I'm sure he
can give you more details if you're interested.<br>
<br>
--Josh<br>
<br>
<br>
<br>
PAUL GRANT wrote:
<blockquote cite="midBAY5-F3EB0BC40A7EDE7C65F4AAAA0C0@phx.gbl"
 type="cite">
  <div style="">
  <div class="RTE">
  <p>im thinking of buying a loop station but do i&nbsp;&nbsp;need an octive
divider for inputing bass sounds from my six string acoustic - are
there any loop stations that can drop a guitar sound an octave?</p>
  <p>thanks<br>
  <br>
  </p>
  </div>
  </div>
  <br clear="all">
  <hr>Pull in info from across the Web - <a
 href="http://g.msn.com/8HMAENIE/2737??PS=47575" target="_top">use the
RSS feature on MSN!</a> </blockquote>
</body>
</html>

--------------030105030902070109030700--

From Loopers-Delight-request@loopers-delight.com  Thu Oct 19 14:48:49 2006
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To: Loopers-Delight@loopers-delight.com
From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: HAPPY 10-YEAR ANNIVERSAY LOOPER'S DELIGHT!
Date: Thu, 19 Oct 2006 07:48:50 -0700
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Hey Kim, et al,

Well the October 3rd 10-year anniversary of my own first post to the 
list kinda slipped by me. I meant to post something by way of a "thank 
you" and "Happy 10th" then. What can I say? I'm kinda slow.

I just want to say here publicly (and for the record) that Kim has done 
an amazing thing. He has provided a place for a previously nonexistent 
community (albeit virtual) to develop and thrive for over 10 years. 
That is an amazing feat.

This forum -- and the many friends I have made on it -- have made a 
great difference in my life over the past decade. Words cannot express 
the gratitude I feel Kim. Thanks is too small a word. For what it's 
worth. I'll put a coin or two in the LD PayPal "cup" at: 
<http://www.loopersdelight.com/loop.html>

I encourage any others here who appreciate this little place in 
cyberspace to do the same. Hope to see you all at the party in Oakland:

		Friday, October 20, 2006, 8pm
		Orbis Nex,
		851 81st Ave, Unit 217,
		Oakland, CA, USA
		(dial 200 at the door)
		$5 donation at the door, BYOB.

Best regards,

Ted Killian

From Loopers-Delight-request@loopers-delight.com  Thu Oct 19 14:51:30 2006
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Date: Thu, 19 Oct 2006 07:51:16 -0700
From: Bob Amstadt <bob@looperlative.com>
Reply-To: Bob Amstadt <bob@looperlative.com>
To: Jeff Shirkey <jcshirke@midway.uchicago.edu>,
	Loopers-Delight@loopers-delight.com
Subject: Re: Speaking of the Repeater...
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> I just got a refund on my deposit for the new MKII repeater

Very sad.  I think that looping musicians need more choices and not less. 
The new looping devices recently introduced don't compete at the same price 
point that the Repeater would compete at.

---
Bob Amstadt
http://www.looperlative.com
http://www.cafepress.com/loopystuff

From Loopers-Delight-request@loopers-delight.com  Thu Oct 19 15:10:02 2006
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Date: Thu, 19 Oct 2006 16:00:10 +0100
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Subject: Looping gig in sheffield
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I have a gig in Sheffield, UK on friday 20th October, more details 
here.

http://discus-music.co.uk/osefest.htm
All the best,

Nick Robinson

From Loopers-Delight-request@loopers-delight.com  Thu Oct 19 15:21:50 2006
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Subject: RE: inputing bass
Date: Thu, 19 Oct 2006 09:18:59 -0600
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Ah, you gotta love free internet in the airport. Yes, Badass Edge. I
love it. It's not just an octave, but has some other interesting
filtering features.  I can't describe what it is, but this VST makes my
guitar sound like a bass guitar better than any other octave patch I've
used...it even blows away the pitch shifting on my Boss VF1. 
 
More here:
 
http://www.kvraudio.com/get/1417.html
 
"EDGE is a subharmonic synth, which means that if you feed it audio the
resulting output will be your audio plus extra low bass.Unlike most bass
enhancers, it doesn't just boost the bass or shape the lower
frequencies. What it does is takes the input signal and creates a bass
signal one (or even two) octaves lower than the original. Because not
every signal is a simple sine wave, there is input filtering which
effectively gives the plugin a more simple waveform to process."
 
Oh, wow...now I see why it sounds so different. It is a subharmonic
synth. This thing can shake the earth if you have some wattage in the
cottage.
 
Kris

-----Original Message-----
From: Joshua Carroll [mailto:josh@infinivert.com] 
Sent: Thursday, October 19, 2006 8:03 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: inputing bass


This will, of course, revert to a hardware vs. software question.  I
don't know of any loopers, hardware or software, in and of themselves
that will really give you what you're looking for.  Then again, I'm not
terribly familiar with most loopers.  In the software world, Mobius does
have pitch and rate adjustment features.  However, I haven't had much
success with these when playing a rhythmic bass line.  Still some bugs
to work out there, I think.  Krispen has pointed out a VST called Edge
(if I'm remembering correctly) that he uses in conjunction with Mobius
to produce some great bass sounds from his guitars.  I'm sure he can
give you more details if you're interested.

--Josh



PAUL GRANT wrote: 

im thinking of buying a loop station but do i  need an octive divider
for inputing bass sounds from my six string acoustic - are there any
loop stations that can drop a guitar sound an octave?

thanks




  _____  

Pull in info from across the Web - use the RSS
<http://g.msn.com/8HMAENIE/2737??PS=47575> feature on MSN! 


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<TITLE>Message</TITLE>

<META content=3D"MSHTML 6.00.2900.2963" name=3DGENERATOR></HEAD>
<BODY text=3D#000000 bgColor=3D#ffffff>
<DIV><SPAN class=3D270001215-19102006><FONT face=3DArial color=3D#0000ff =
size=3D2>Ah,=20
you gotta love free internet in the airport. Yes, Badass Edge. I love =
it. It's=20
not just an octave, but has some other interesting filtering =
features.&nbsp; I=20
can't describe what it is, but this VST makes my guitar sound like a =
bass guitar=20
better than any other octave patch I've used...it even blows away the =
pitch=20
shifting on my Boss VF1. </FONT></SPAN></DIV>
<DIV><SPAN class=3D270001215-19102006><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D270001215-19102006><FONT face=3DArial color=3D#0000ff =
size=3D2>More=20
here:</FONT></SPAN></DIV>
<DIV><SPAN class=3D270001215-19102006><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D270001215-19102006><FONT face=3DArial color=3D#0000ff =
size=3D2><A=20
href=3D"http://www.kvraudio.com/get/1417.html">http://www.kvraudio.com/ge=
t/1417.html</A></FONT></SPAN></DIV>
<DIV><SPAN class=3D270001215-19102006><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D270001215-19102006>"EDGE is a subharmonic synth, =
which means=20
that if you feed it audio the resulting output will be your audio plus =
extra low=20
bass.Unlike most bass enhancers, it doesn't just boost the bass or shape =
the=20
lower frequencies. What it does is takes the input signal and creates a =
bass=20
signal one (or even two) octaves lower than the original. Because not =
every=20
signal is a simple sine wave, there is input filtering which effectively =
gives=20
the plugin a more simple waveform to process."</SPAN></DIV>
<DIV><SPAN class=3D270001215-19102006><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D270001215-19102006><FONT face=3DArial color=3D#0000ff =
size=3D2>Oh,=20
wow...now I see why it sounds so different. It is a subharmonic synth. =
This=20
thing can shake the earth if you have some wattage in the=20
cottage.</FONT></SPAN></DIV>
<DIV><SPAN class=3D270001215-19102006></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D270001215-19102006><FONT face=3DArial color=3D#0000ff =

size=3D2>Kris</FONT></SPAN></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr =
align=3Dleft><FONT=20
  face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B> =
Joshua Carroll=20
  [mailto:josh@infinivert.com] <BR><B>Sent:</B> Thursday, October 19, =
2006 8:03=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  inputing bass<BR><BR></FONT></DIV>This will, of course, revert to a =
hardware=20
  vs. software question.&nbsp; I don't know of any loopers, hardware or=20
  software, in and of themselves that will really give you what you're =
looking=20
  for.&nbsp; Then again, I'm not terribly familiar with most =
loopers.&nbsp; In=20
  the software world, Mobius does have pitch and rate adjustment =
features.&nbsp;=20
  However, I haven't had much success with these when playing a rhythmic =
bass=20
  line.&nbsp; Still some bugs to work out there, I think.&nbsp; Krispen =
has=20
  pointed out a VST called Edge (if I'm remembering correctly) that he =
uses in=20
  conjunction with Mobius to produce some great bass sounds from his=20
  guitars.&nbsp; I'm sure he can give you more details if you're=20
  interested.<BR><BR>--Josh<BR><BR><BR><BR>PAUL GRANT wrote:=20
  <BLOCKQUOTE cite=3DmidBAY5-F3EB0BC40A7EDE7C65F4AAAA0C0@phx.gbl =
type=3D"cite">
    <DIV>
    <DIV class=3DRTE>
    <P>im thinking of buying a loop station but do i&nbsp;&nbsp;need an =
octive=20
    divider for inputing bass sounds from my six string acoustic - are =
there any=20
    loop stations that can drop a guitar sound an octave?</P>
    <P>thanks<BR><BR></P></DIV></DIV><BR clear=3Dall>
    <HR>
    Pull in info from across the Web - <A=20
    href=3D"http://g.msn.com/8HMAENIE/2737??PS=3D47575" =
target=3D_top>use the RSS=20
    feature on MSN!</A> </BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Oct 19 21:55:54 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: Y2K6LOOPFEST - first recordings online
Date: Thu, 19 Oct 2006 14:54:43 -0700
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The first tune from my set at Anno Domini Gallery, San Jos=E9/CA on =
10-18 as
part of the www.y2k6loopfest.com.

www.eblah.de/audio/I_left_my_Pants_in_San_Francisco.mp3

Enjoy!

	Rainer

From Loopers-Delight-request@loopers-delight.com  Fri Oct 20 02:28:19 2006
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Date: Thu, 19 Oct 2006 19:28:17 -0700 (PDT)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: further questions about midi sync.
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hello all,

i posted recently about midi sync. initially i wanted
to have my echoplex drive my machine drum and then my
machine drum to trigger my nord modular sequences. 

well, some of this did work and it has been fun, but i
have issues with the nord. when i trigger its
sequencer from machinedrum, i only want their clocks
in sync. but, the nord plays all the notes that are
cued from steps on my machine drum as well and doesn't
seem to follow the clock very well.

also, i was thinking that maybe i wouldn't  always
want the echoplex to be the master clock. 

i was looking at the midisync devices out there by
motu but i am not sure if they more than i need. i
basically want every gadget to be on the same clock
but do not necessarily want the notes  from multiple
synths to play in tandem via midi sync.

any and all help is greatly appreciated!

margaret

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Oct 20 07:01:36 2006
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Subject: Re: further questions about midi sync.
Date: Fri, 20 Oct 2006 09:01:30 +0200
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all this is too vague to make some efficient debugging 

notes,controlers are on midi channels
sync has no channels is distributed to all
if one plays the note of the others : they are on the same channel......

with only those devices you dont need midi sync toys
edp out Dr in Dr out G2 in

this is a start

Claude

----- Original Message ----- 
From: "margaret noble" <margaretnoble2000@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, October 20, 2006 4:28 AM
Subject: further questions about midi sync.


hello all,

i posted recently about midi sync. initially i wanted
to have my echoplex drive my machine drum and then my
machine drum to trigger my nord modular sequences. 

well, some of this did work and it has been fun, but i
have issues with the nord. when i trigger its
sequencer from machinedrum, i only want their clocks
in sync. but, the nord plays all the notes that are
cued from steps on my machine drum as well and doesn't
seem to follow the clock very well.

also, i was thinking that maybe i wouldn't  always
want the echoplex to be the master clock. 

i was looking at the midisync devices out there by
motu but i am not sure if they more than i need. i
basically want every gadget to be on the same clock
but do not necessarily want the notes  from multiple
synths to play in tandem via midi sync.

any and all help is greatly appreciated!

margaret

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 



From Loopers-Delight-request@loopers-delight.com  Fri Oct 20 11:13:35 2006
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Subject: Re: further questions about midi sync.
Date: Fri, 20 Oct 2006 13:13:32 +0200
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Hello,

It should be possible on the modular to de-activate the KBD tracking.
Isn't there a KBD button on each OSC that do just that?

To bring this On Topic again.
Is anyone using the G2 as his looping device? It includes a delay that can 
be placed anywhere in the the signal chain, allowing the loops to be 
modulated, filtered,.., mangled in a lot of ways.
Unfortunately the G2 is out of my price range, still hoping Clavia will 
release a microG2 one day ;-)

Ben.

----- Original Message ----- 
From: "margaret noble" <margaretnoble2000@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, October 20, 2006 4:28 AM
Subject: further questions about midi sync.


> hello all,
>
> i posted recently about midi sync. initially i wanted
> to have my echoplex drive my machine drum and then my
> machine drum to trigger my nord modular sequences.
>
> well, some of this did work and it has been fun, but i
> have issues with the nord. when i trigger its
> sequencer from machinedrum, i only want their clocks
> in sync. but, the nord plays all the notes that are
> cued from steps on my machine drum as well and doesn't
> seem to follow the clock very well.
>
> also, i was thinking that maybe i wouldn't  always
> want the echoplex to be the master clock.
>
> i was looking at the midisync devices out there by
> motu but i am not sure if they more than i need. i
> basically want every gadget to be on the same clock
> but do not necessarily want the notes  from multiple
> synths to play in tandem via midi sync.
>
> any and all help is greatly appreciated!
>
> margaret
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
> 


	

	
		
___________________________________________________________________________ 
Découvrez une nouvelle façon d'obtenir des réponses à toutes vos questions ! 
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From Loopers-Delight-request@loopers-delight.com  Fri Oct 20 12:55:12 2006
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Date: Fri, 20 Oct 2006 09:54:59 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: RE: inputing bass
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for a HW solution:

EBS octabass works reasonably even with a polyphonic input (several 
strings played)

Paradis PolyBass is perfect since it octaves 4 strings separately. 
its now available on a small PCB that fits into the guitar - but it 
takes a polyphonic PU
http://rolfspuler.com

for a SW solution:

Chopitch slowes the note down, so there are no glitches, and it does 
not just add a lower frequency as the others mentioned, but tunes the 
whole sound an octave down.
http://www.mathons.com

I use PolyBass constantely to fill the bass range and for soft bass 
lines (as you hear in all of my music since 1985)
and Chopitch for strong and jazzy bass lines. It also does very deep 
synth like bass which no bass guitar can do!

Matthias

by the way: did you realize the new language trend? Paul is speaking 
of a loop station - not meaning a Roland device, but any tool that a 
looper would use...

>
>PAUL GRANT wrote:
>
>>im thinking of buying a loop station but do i  need an octive 
>>divider for inputing bass sounds from my six string acoustic - are 
>>there any loop stations that can drop a guitar sound an octave?
>>
>thanks

-- 


          ---> http://www.matthiasgrob.com

From Loopers-Delight-request@loopers-delight.com  Fri Oct 20 15:02:41 2006
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Rainer,

  thanks for coming all the way from Munich and knocking me out with 
that piece.  It was the coolest thing that ever happened to me in 
downtown San Jose :-)

Dennis

>The first tune from my set at Anno Domini Gallery, San José/CA on 10-18 as
>part of the www.y2k6loopfest.com.
>
>www.eblah.de/audio/I_left_my_Pants_in_San_Francisco.mp3
>
>Enjoy!
>
>	Rainer
>  
>

From Loopers-Delight-request@loopers-delight.com  Fri Oct 20 17:48:21 2006
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From Loopers-Delight-request@loopers-delight.com  Fri Oct 20 19:05:37 2006
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Date: Fri, 20 Oct 2006 12:05:35 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: inputing bass
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As far as I know the only "Loop station" (or as I call
it, a "looper") that does pitch shifting (with no
tempo change) is The Electrix Repeater.  Sounds great.
 Alternately you can do fun stuff with the speed of
your loop that doesn't change the pitch.  What will my
loop sound like at 20 bpm without effecting the pitch?
 Give the knob a twirl and find out.

For software, Live does a nice job of changing pitch
up or down... so does Mobius I think, though I've
never used it for this.  Also for funky synthy stuff
check out Kantos.  You can find it for $50 on ebay and
works pretty well with guitar or voice.

EDP, Looperlative and others all have half speed
functions so if you can play your bass line at double
speed and then later slow it down, it works very
nicely, but sounds slowed down.  Cool but different.

Mark

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Oct 20 19:07:15 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: further questions about midi sync.
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I never owned a Machinedrum but I was a MONOMACHINE
owner and there is way to get into the settings and
tell it what midi channels to listen to for what
tracks.  I think you can also tell tracks to transmit
or not.  (Sorry, a while ago I ditched hardware and
I'm now all software for sequences Yay Micro Tonic!)

I think the key to doing what you want is making sure
your devices are set up to listen to the channels you
want them to (or none and they'll still hear sync if
they're set up as a slave) and ingore the channels you
don't want them to.  Takes a bit of set up but once
you figure it out you should be able to get what you
want.

As far as switching sync sources, I've always found it
too problematic and I mostly just use my sequencer as
clock source.  If you want to start without the
sequence use a mixer to monitor your sequence in
headphones while you record and then bring in the
sequence track when ever you see fit.  Either that or
I'd start with a synth sound that had a rhythmic
element or guitar with a synced effect and that can
act like a metronome.

--- Ben <benoitruelle@yahoo.fr> wrote:

> Hello,
> 
> It should be possible on the modular to de-activate
> the KBD tracking.
> Isn't there a KBD button on each OSC that do just
> that?
> 
> To bring this On Topic again.
> Is anyone using the G2 as his looping device? It
> includes a delay that can 
> be placed anywhere in the the signal chain, allowing
> the loops to be 
> modulated, filtered,.., mangled in a lot of ways.
> Unfortunately the G2 is out of my price range, still
> hoping Clavia will 
> release a microG2 one day ;-)
> 
> Ben.
> 
> ----- Original Message ----- 
> From: "margaret noble" <margaretnoble2000@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, October 20, 2006 4:28 AM
> Subject: further questions about midi sync.
> 
> 
> > hello all,
> >
> > i posted recently about midi sync. initially i
> wanted
> > to have my echoplex drive my machine drum and then
> my
> > machine drum to trigger my nord modular sequences.
> >
> > well, some of this did work and it has been fun,
> but i
> > have issues with the nord. when i trigger its
> > sequencer from machinedrum, i only want their
> clocks
> > in sync. but, the nord plays all the notes that
> are
> > cued from steps on my machine drum as well and
> doesn't
> > seem to follow the clock very well.
> >
> > also, i was thinking that maybe i wouldn't  always
> > want the echoplex to be the master clock.
> >
> > i was looking at the midisync devices out there by
> > motu but i am not sure if they more than i need. i
> > basically want every gadget to be on the same
> clock
> > but do not necessarily want the notes  from
> multiple
> > synths to play in tandem via midi sync.
> >
> > any and all help is greatly appreciated!
> >
> > margaret
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> > 
> 
> 
> 	
> 
> 	
> 		
>
___________________________________________________________________________
> 
> Découvrez une nouvelle façon d'obtenir des réponses
> à toutes vos questions ! 
> Demandez à ceux qui savent sur Yahoo!
> Questions/Réponses
> http://fr.answers.yahoo.com
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Oct 20 19:27:00 2006
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Date: Fri, 20 Oct 2006 12:29:49 -0700
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: HAPPY 10-YEAR ANNIVERSAY LOOPER'S DELIGHT!
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At 07:48 AM 10/19/2006, tEd ® kiLLiAn wrote:
>I just want to say here publicly (and for the record) that Kim has done an 
>amazing thing. He has provided a place for a previously nonexistent 
>community (albeit virtual) to develop and thrive for over 10 years. That 
>is an amazing feat.
>
>This forum -- and the many friends I have made on it -- have made a great 
>difference in my life over the past decade. Words cannot express the 
>gratitude I feel Kim. Thanks is too small a word. For what it's worth. 
>I'll put a coin or two in the LD PayPal "cup" at: 
><http://www.loopersdelight.com/loop.html>

Ted, thanks a lot for the kind words and the coin in the cup! It does make 
a difference to me.

And thanks to all of you who have come here over these past 10 years, 
making this an interesting and dynamic community. Creating and maintaining 
a website is one thing, but it is all of us participating that made 
Looper's Delight happen.


>I encourage any others here who appreciate this little place in cyberspace 
>to do the same. Hope to see you all at the party in Oakland:
>
>                 Friday, October 20, 2006, 8pm
>                 Orbis Nex,
>                 851 81st Ave, Unit 217,
>                 Oakland, CA, USA
>                 (dial 200 at the door)
>                 $5 donation at the door, BYOB.

See you tonight! It's going to be fun.

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Fri Oct 20 21:22:06 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: PIX: Y2K6 Experimental Looping at the Luggage Store, San Francisco
Date: Fri, 20 Oct 2006 14:22:08 -0700
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Here are some pix from the Experimental Side of Looping gig at
the Luggage Store.

www.looppool.info/y2k6loopfest/experimentalLOOPING

Thanks to Matt for hosting us.  We had a wonderful gig with surprise
appearances by Per Boysen (who was my official 'processor/looper" for the 
evening
and Ryusei Hattori who played a beautiful Daxaphone improvisation with 
Rainer
Straschill, Per and myself.

Krispen Hartung and Jeff Kasier had a beautiful opening set.   I was really 
impressed!
I really liked the synergy between these two wonderful musicians.   The 
music was really
out and challenging but at the same time, deeply musical and these guys were
really practising deep, deep listening.

I, myself,  only played instruments last night (mostly metal sound sources 
with a lot of
singing and my (gasp!) debut on purple anodized pocket trumpet.
I was so nervous doing it because Jeff Kaiser is a master trumpet player and 
I've been
playing for a good two months,  but Per did truly beautiful processing and 
looping
and Rainer was really laying down some beautiful atmospheric sounds as well.

Later we will find out if Kris Hartung M-Audio recorder got a good recording 
of the show.
I hope so because it was one of my favorite shows I've done in the last year 
or so.

On to the Loopers Delght Party tonight.

Bill and Scoots (Michael Klobuchar) went down last night while we were gone 
and set up
the entire festival.     I thought today would be the day from hell in terms 
of logistics
so they just saved a lot of work and worry.     Thanks a lot you guys!!!!!

We're on for the big festival tomorrow 
night........................yeah!!!!! 

From Loopers-Delight-request@loopers-delight.com  Fri Oct 20 21:23:43 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: Y2K6LOOPFEST - snippets from The Luggage Store, SF on 10-19
Date: Fri, 20 Oct 2006 14:23:40 -0700
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Ok, on with the show...

We had a splendid show yesterday with Jeff Kaiser and Krispen Hartung
opening, then Rick Walker (looped by Per Boysen) and me...wait for Krispen
to post some more complete recordings of this show (as I understand, he will
record the entire festival starting with yesterday's gig); from me, only my
short solo weirdness ending the show...

www.eblah.de/audio/Lab_Animal.mp3

From Loopers-Delight-request@loopers-delight.com  Fri Oct 20 22:00:11 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: Y2K6 Experimental Looping at the Luggage Store, San Francisco
Date: Fri, 20 Oct 2006 15:00:09 -0700
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> Here are some pix from the Experimental Side of Looping gig 
> at the Luggage Store.

Thanks for sharing, Rick! Here are some more (impressions of and around the
festival):
http://www.flickr.com/photos/moinsound/

> Later we will find out if Kris Hartung M-Audio recorder got a 
> good recording of the show.
> I hope so because it was one of my favorite shows I've done 
> in the last year or so.

he did...looking forward to find it on the web!

	Rainer

From Loopers-Delight-request@loopers-delight.com  Fri Oct 20 22:55:29 2006
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From: Kris Hartung <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Y2K6 Thursday Night Recordings and Pictures on Web
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<html>=0D
=0D
<P>I have the recording from Jeff Kaiser and I, plus Rainer on the Y2K6 web=
site now...plus I have the picture links from Rick and Rainer, all posted o=
n the webcast-images-MP3s page.</P>=0D
<P><A href=3D"http://www.y2k6loopfest.com/">http://www.y2k6loopfest.com/</A=
></P>=0D
<P>Kris</P>=0D
<P>&nbsp;</P>=0D
<P><BR>
&nbsp;</P>=0D
</html><BR>=

From Loopers-Delight-request@loopers-delight.com  Sat Oct 21 03:23:49 2006
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Hello everyone,

greetings from Italy!

I am new to this mailing list because I have discovered Looper's Delight 
only recently.
I don't know if it's ok for me to start a new thread about looping gear, 
but since I havent been quite able to quite find an answer to my 
questions in the archive, I thought I'd give it a shot. If this post is 
redundant, please excuse me, I promise I'll behave in the future :)

Ok so here is the thing. I have been working with loops for a while, but 
always at home, never live. I play guitar and use Acid on my PC: I build 
soundscapes with variously processed bits of guitar riffs. So basically 
I just loop my stuff with Acid.
Now I am going to do a few live gigs, and I need to loop phrases in real 
time to build layers of sounds on stage. In the future I am considering 
using a laptop with a MIDI foot controller, but for now I think I'd just 
like to go for a pedal. I have read thousands of reviews, but I thought 
I'd ask advice from this community, since I am more likely to find 
people here who have a similar approach to looping - I mean, elsewhere I 
have often read reviews to find out in the last line they were written 
by people who would use loopers just to practice their solos, which is 
ok but I need a different perspective.

So, I was going to go for a Line 6 DL-4, or a Boss RC-20 or Rc-20 XL. 
Yet, it doesn't seem they are quite my thing. Line 6 pedal is deemed to 
be not very reliable (see the appalling reviews on harmony-central.com); 
Boss's pedal seemed to be mainly used by people who like to store loops 
in advance, rather than looping in real time. I also thought I could buy 
just a simple delay, but my question here is how long will a phrase be 
repeated by a "plain" delay? Can I overdub more than one phrase with a 
delay?
What is essential to me is that the loop is accurate with timing, very 
precise (some loopers I have tried were not quite quick enough in 
responding to my hitting the footswitch for "rec" or "stop"). 
Unfortunately, it's not easy for me to find these pedals in stores near 
me, so I'll have to drive a couple of hours to a bigger store, and I 
would like to get there with clearer ideas you know.
So what do you guys suggest? Is there something that you think is 
suitable for what I need?

Thank you all folks very much indeed to everyone, sorry my post is so long! 

Have a nice day

Lorenzo




From Loopers-Delight-request@loopers-delight.com  Sat Oct 21 08:43:30 2006
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Date: Sat, 21 Oct 2006 04:41:29 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to the AM/FM Show in less than 90 minutes from now
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, October 21 at 6:00
am.  I will continue the special on E-dition Electronic Music
Magazine's sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://www.muhlenberg.edu/wmuh


All times are EDT / GMT-4.

Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================

From Loopers-Delight-request@loopers-delight.com  Sat Oct 21 18:25:29 2006
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This is a multi-part message in MIME format.

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Hi=20
 I thought I would post it here before it goes to Ebay.
Its in new condition and it only left my house to get the lower noise =
modification.
Im moving to a simple setup with less options for my simple brain   =
Thanks
   Mike  Stevens      ph- 519 869 8175      email    =
mikestevensmusic@sympatico.ca<mailto:mikestevensmusic@sympatico.ca>  
------=_NextPart_000_5539_01C6F51C.BE6705F0
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<BODY id=3DMailContainerBody=20
style=3D"PADDING-LEFT: 10px; FONT-WEIGHT: normal; FONT-SIZE: 10pt; =
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<DIV>Hi </DIV>
<DIV>&nbsp;I thought I would post it here before it goes to Ebay.</DIV>
<DIV>Its in new condition and it only left my house to get the lower =
noise=20
modification.</DIV>
<DIV>Im moving to a simple setup with less options for my simple=20
brain&nbsp;&nbsp; Thanks</DIV>
<DIV>&nbsp;&nbsp; Mike&nbsp; Stevens&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ph- =
519 869=20
8175&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; email&nbsp;&nbsp;&nbsp; <A=20
title=3Dmailto:mikestevensmusic@sympatico.ca=20
href=3D"mailto:mikestevensmusic@sympatico.ca">mikestevensmusic@sympatico.=
ca</A>&nbsp;=20
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From Loopers-Delight-request@loopers-delight.com  Sat Oct 21 18:41:16 2006
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Date: Sat, 21 Oct 2006 11:41:13 -0700
Subject: Re: FS  Looperlative  ver 1.02
From: Larry Stites <ncnet@sbcglobal.net>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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How much are you asking? And what is lower noise modification? Was the unit
noisy on play back or while looping?


on 10/21/06 11:25 AM, mikestevensmusic@sympatico.ca wrote:

> Hi 
>  I thought I would post it here before it goes to Ebay.
> Its in new condition and it only left my house to get the lower noise
> modification.
> Im moving to a simple setup with less options for my simple brain   Thanks
>    Mike  Stevens      ph- 519 869 8175      email
> mikestevensmusic@sympatico.ca
> 




Regards,



-Larry Stites-
Northern California Networks, Inc.
Nevada City, CA 95959
530 320 4194 24/7
ncnet@sbcglobal.net
AOL IM: LESGGN



--B_3244275674_5505635
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<HTML>
<HEAD>
<TITLE>Re: FS &nbsp;Looperlative &nbsp;ver 1.02</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:14.0px'>How m=
uch are you asking? And what is lower noise modification? Was the unit noisy=
 on play back or while looping?<BR>
<BR>
<BR>
on 10/21/06 11:25 AM, mikestevensmusic@sympatico.ca wrote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYL=
E=3D'font-size:14.0px'>Hi <BR>
&nbsp;I thought I would post it here before it goes to Ebay.<BR>
Its in new condition and it only left my house to get the lower noise modif=
ication.<BR>
Im moving to a simple setup with less options for my simple brain &nbsp;&nb=
sp;Thanks<BR>
&nbsp;&nbsp;&nbsp;Mike &nbsp;Stevens &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;ph- 519 =
869 8175 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;email &nbsp;&nbsp;&nbsp;mikestevensmu=
sic@sympatico.ca &nbsp;<BR>
<BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STY=
LE=3D'font-size:14.0px'><BR>
<BR>
<BR>
<BR>
Regards,<BR>
<BR>
<BR>
<BR>
-Larry Stites-<BR>
Northern California Networks, Inc.<BR>
Nevada City, CA 95959<BR>
530 320 4194 24/7<BR>
ncnet@sbcglobal.net<BR>
AOL IM: LESGGN<BR>
<BR>
</SPAN></FONT>
</BODY>
</HTML>


--B_3244275674_5505635--


From Loopers-Delight-request@loopers-delight.com  Sat Oct 21 18:52:46 2006
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Subject: Re: FS  Looperlative  ver 1.02
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Re: FS  Looperlative  ver 1.02Hi  Larry
   The lower noise mod is something Bob came up with as he is =
continually improving the specs and features.
I'm a pro harmonica player  and most of my gigs are acoustic so Im =
really picky. Steve Lawson is using an earlier version that is noisier =
than mine and he has been playing and recording with no problems.
The looperlative has some backround hiss  as its not completely silent  =
but once you start to play  its not noticeable .             I would =
like to get   $1300.  USF     =20
Thanks                 Mike                                              =
                         ----- Original Message -----=20
  From: Larry Stites<mailto:ncnet@sbcglobal.net>=20
  To: Loopers Delight<mailto:Loopers-Delight@loopers-delight.com>=20
  Sent: Saturday, October 21, 2006 2:41 PM
  Subject: Re: FS Looperlative ver 1.02


  How much are you asking? And what is lower noise modification? Was the =
unit noisy on play back or while looping?


  on 10/21/06 11:25 AM, =
mikestevensmusic@sympatico.ca<mailto:mikestevensmusic@sympatico.ca> =
wrote:


    Hi=20
     I thought I would post it here before it goes to Ebay.
    Its in new condition and it only left my house to get the lower =
noise modification.
    Im moving to a simple setup with less options for my simple brain   =
Thanks
       Mike  Stevens      ph- 519 869 8175      email    =
mikestevensmusic@sympatico.ca =20






  Regards,



  -Larry Stites-
  Northern California Networks, Inc.
  Nevada City, CA 95959
  530 320 4194 24/7
  ncnet@sbcglobal.net
  AOL IM: LESGGN


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<HTML><HEAD><TITLE>Re: FS =A0Looperlative =A0ver 1.02</TITLE>
<META http-equiv=3DContent-Type =
content=3Dtext/html;charset=3Diso-8859-1>
<STYLE></STYLE>

<META content=3D"MSHTML 6.00.2900.2963" name=3DGENERATOR></HEAD>
<BODY id=3DMailContainerBody=20
style=3D"PADDING-LEFT: 10px; FONT-WEIGHT: normal; FONT-SIZE: 10pt; =
COLOR: #000000; BORDER-TOP-STYLE: none; PADDING-TOP: 15px; FONT-STYLE: =
normal; FONT-FAMILY: Verdana; BORDER-RIGHT-STYLE: none; =
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name=3D"Compose message area"><!--[gte IE 5]><?xml:namespace =
prefix=3D"v" /><?xml:namespace prefix=3D"o" /><![endif]-->
<DIV>
<DIV>Hi&nbsp; Larry</DIV>
<DIV>&nbsp;&nbsp; The lower noise mod is something Bob came up =
with&nbsp;as he=20
is&nbsp;continually improving the specs and features.</DIV>
<DIV>I'm a pro harmonica player&nbsp; and most of my gigs are acoustic =
so Im=20
really picky. Steve Lawson is using an earlier version that is noisier =
than mine=20
and he has been playing and recording with no problems.</DIV>
<DIV>The looperlative has some backround hiss&nbsp; as its not =
completely=20
silent&nbsp; but once you start to play&nbsp; its not=20
noticeable&nbsp;.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;=20
I would like to get&nbsp;&nbsp; $1300.&nbsp; =
USF&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</DIV>
<DIV>Thanks&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Mike&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
----- Original Message ----- </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial"><B>From:</B> <A =
title=3Dmailto:ncnet@sbcglobal.net=20
  href=3D"mailto:ncnet@sbcglobal.net">Larry Stites</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dmailto:Loopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, October 21, =
2006 2:41=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: FS Looperlative =
ver=20
  1.02</DIV>
  <DIV><BR></DIV><FONT face=3D"Verdana, Helvetica, Arial"><SPAN=20
  style=3D"FONT-SIZE: 14px">How much are you asking? And what is lower =
noise=20
  modification? Was the unit noisy on play back or while =
looping?<BR><BR><BR>on=20
  10/21/06 11:25 AM, <A title=3Dmailto:mikestevensmusic@sympatico.ca=20
  =
href=3D"mailto:mikestevensmusic@sympatico.ca">mikestevensmusic@sympatico.=
ca</A>=20
  wrote:<BR><BR></SPAN></FONT>
  <BLOCKQUOTE><FONT face=3D"Verdana, Helvetica, Arial"><SPAN=20
    style=3D"FONT-SIZE: 14px">Hi <BR>&nbsp;I thought I would post it =
here before=20
    it goes to Ebay.<BR>Its in new condition and it only left my house =
to get=20
    the lower noise modification.<BR>Im moving to a simple setup with =
less=20
    options for my simple brain =
&nbsp;&nbsp;Thanks<BR>&nbsp;&nbsp;&nbsp;Mike=20
    &nbsp;Stevens &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;ph- 519 869 8175=20
    &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;email=20
    &nbsp;&nbsp;&nbsp;mikestevensmusic@sympatico.ca=20
  &nbsp;<BR><BR></SPAN></FONT></BLOCKQUOTE><FONT=20
  face=3D"Verdana, Helvetica, Arial"><SPAN=20
  style=3D"FONT-SIZE: =
14px"><BR><BR><BR><BR>Regards,<BR><BR><BR><BR>-Larry=20
  Stites-<BR>Northern California Networks, Inc.<BR>Nevada City, CA =
95959<BR>530=20
  320 4194 24/7<BR>ncnet@sbcglobal.net<BR>AOL IM:=20
LESGGN<BR><BR></BLOCKQUOTE></SPAN></FONT></DIV></BODY></HTML>

------=_NextPart_000_556A_01C6F520.8E68F6C0--

From Loopers-Delight-request@loopers-delight.com  Sat Oct 21 18:59:36 2006
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User-Agent: Microsoft-Entourage/11.0.0.040405
Date: Sat, 21 Oct 2006 11:59:32 -0700
Subject: Re: FS  Looperlative  ver 1.02
From: Larry Stites <ncnet@sbcglobal.net>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
Message-ID: <C15FBC24.7377B%ncnet@sbcglobal.net>
In-Reply-To: <BAY117-DAV91C2664488BD60EE42D85B6020@phx.gbl>
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Thanks =AD and a new unit is $1500 without the upgrades you have made to your
looperlative? I presume your unit is in pristine condition, original box,
packing, docs, and all that is included with new.


on 10/21/06 11:52 AM, mikestevensmusic@sympatico.ca wrote:

> Hi  Larry
>    The lower noise mod is something Bob came up with as he is continually
> improving the specs and features.
> I'm a pro harmonica player  and most of my gigs are acoustic so Im really
> picky. Steve Lawson is using an earlier version that is noisier than mine=
 and
> he has been playing and recording with no problems.
> The looperlative has some backround hiss  as its not completely silent  b=
ut
> once you start to play  its not noticeable .             I would like to =
get
> $1300.  USF     =20
> Thanks                 Mike
> ----- Original Message -----
>> =20
>> From: Larry Stites <mailto:ncnet@sbcglobal.net>
>> =20
>> To: Loopers Delight <mailto:Loopers-Delight@loopers-delight.com>
>> =20
>> Sent: Saturday, October 21, 2006 2:41  PM
>> =20
>> Subject: Re: FS Looperlative ver  1.02
>> =20
>>=20
>> How much are you asking? And what is lower noise  modification? Was the =
unit
>> noisy on play back or while looping?
>>=20
>>=20
>> on  10/21/06 11:25 AM, mikestevensmusic@sympatico.ca  wrote:
>>=20
>> =20
>>> Hi=20
>>>  I thought I would post it here before  it goes to Ebay.
>>> Its in new condition and it only left my house to get  the lower noise
>>> modification.
>>> Im moving to a simple setup with less  options for my simple brain   Th=
anks
>>>    Mike   Stevens      ph- 519 869 8175       email
>>> mikestevensmusic@sympatico.ca
>>>=20
>>=20
>>=20
>>=20
>>=20
>> Regards,
>>=20
>>=20
>>=20
>> -Larry  Stites-
>> Northern California Networks, Inc.
>> Nevada City, CA 95959
>> 530  320 4194 24/7
>> ncnet@sbcglobal.net
>> AOL IM: LESGGN
>>=20
>=20




Regards,



-Larry Stites-
Northern California Networks, Inc.
Nevada City, CA 95959
530 320 4194 24/7
ncnet@sbcglobal.net
AOL IM: LESGGN



--B_3244276774_40372
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<HTML>
<HEAD>
<TITLE>Re: FS &nbsp;Looperlative &nbsp;ver 1.02</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:14.0px'>Thank=
s &#8211; and a new unit is $1500 without the upgrades you have made to your=
 looperlative? I presume your unit is in pristine condition, original box, p=
acking, docs, and all that is included with new.<BR>
<BR>
<BR>
on 10/21/06 11:52 AM, mikestevensmusic@sympatico.ca wrote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYL=
E=3D'font-size:14.0px'>Hi &nbsp;Larry<BR>
&nbsp;&nbsp;&nbsp;The lower noise mod is something Bob came up with as he i=
s continually improving the specs and features.<BR>
I'm a pro harmonica player &nbsp;and most of my gigs are acoustic so Im rea=
lly picky. Steve Lawson is using an earlier version that is noisier than min=
e and he has been playing and recording with no problems.<BR>
The looperlative has some backround hiss &nbsp;as its not completely silent=
 &nbsp;but once you start to play &nbsp;its not noticeable . &nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I would like to get=
 &nbsp;&nbsp;$1300. &nbsp;USF &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<BR>
Thanks &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;Mike &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;---=
-- Original Message ----- <BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYL=
E=3D'font-size:14.0px'> <BR>
<B>From:</B> Larry Stites <a href=3D"mailto:ncnet@sbcglobal.net">&lt;mailto:n=
cnet@sbcglobal.net&gt;</a> &nbsp;<BR>
&nbsp;<BR>
<B>To:</B> Loopers Delight <a href=3D"mailto:Loopers-Delight@loopers-delight.=
com">&lt;mailto:Loopers-Delight@loopers-delight.com&gt;</a> &nbsp;<BR>
&nbsp;<BR>
<B>Sent:</B> Saturday, October 21, 2006 2:41 &nbsp;PM<BR>
&nbsp;<BR>
<B>Subject:</B> Re: FS Looperlative ver &nbsp;1.02<BR>
&nbsp;<BR>
<BR>
How much are you asking? And what is lower noise &nbsp;modification? Was th=
e unit noisy on play back or while looping?<BR>
<BR>
<BR>
on &nbsp;10/21/06 11:25 AM, mikestevensmusic@sympatico.ca &nbsp;wrote:<BR>
<BR>
&nbsp;<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYL=
E=3D'font-size:14.0px'>Hi <BR>
&nbsp;I thought I would post it here before &nbsp;it goes to Ebay.<BR>
Its in new condition and it only left my house to get &nbsp;the lower noise=
 modification.<BR>
Im moving to a simple setup with less &nbsp;options for my simple brain &nb=
sp;&nbsp;Thanks<BR>
&nbsp;&nbsp;&nbsp;Mike &nbsp;&nbsp;Stevens &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;ph=
- 519 869 8175 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;email &nbsp;&nbsp;&nbsp;&=
nbsp;mikestevensmusic@sympatico.ca &nbsp;&nbsp;<BR>
<BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STY=
LE=3D'font-size:14.0px'><BR>
<BR>
<BR>
<BR>
Regards,<BR>
<BR>
<BR>
<BR>
-Larry &nbsp;Stites-<BR>
Northern California Networks, Inc.<BR>
Nevada City, CA 95959<BR>
530 &nbsp;320 4194 24/7<BR>
ncnet@sbcglobal.net<BR>
AOL IM: LESGGN<BR>
<BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STY=
LE=3D'font-size:14.0px'><BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STY=
LE=3D'font-size:14.0px'><BR>
<BR>
<BR>
<BR>
Regards,<BR>
<BR>
<BR>
<BR>
-Larry Stites-<BR>
Northern California Networks, Inc.<BR>
Nevada City, CA 95959<BR>
530 320 4194 24/7<BR>
ncnet@sbcglobal.net<BR>
AOL IM: LESGGN<BR>
<BR>
</SPAN></FONT>
</BODY>
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From Loopers-Delight-request@loopers-delight.com  Sat Oct 21 19:13:52 2006
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Date: Sat, 21 Oct 2006 12:13:50 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Looper's Delight 10 Year Anniversary Celebration, Oakland, CA
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Oh why does the rarely traveling me find himself in
Chicago on the day of such a cool event?  Have a beer
for me would one of you?

--- Douglas Baldwin <coyotelk@optonline.net> wrote:

> 
> >
>
http://www.loopers-delight.com/anniversary/10YearAnniversary.html
> 
> BRILLIANT POSTER!!!! IT made my brain loop!
> Damn, I wish I lived on the west coast.
> I'll hoist an Orval for y'all.
> Douglas Baldwin, coyote-at-large
> www.thecoyote.org
> coyotelk@optonline.net
> 
> "Life! Life!
> Clouds and clowns!
> You don't have to come down!"
> - Sly and the Family Stone
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sat Oct 21 19:48:54 2006
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Date: Sat, 21 Oct 2006 15:46:33 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #499 for October 19, 2006
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http://wdiy.org/programs/gt/playlists/2006/061019.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, 92.9 FM on Service Electric Cable, and webcasting on
the internet.

                    Show #499                    October 19, 2006

RECAP:
On this show, I continued the month-long focus on Remy.  The Featured CD
at Midnight was "DisConnected" on and AKH Records.

The Vinyl Starter was from the LP "Mosaic" by the recently departed
Richard Burmer on Fortuna Records and released in 1984.

I played the music of Synthetic Block who will be at the Hyperspace
concert series this Saturday.  Details are at:
http://wdiy.org/programs/gt/events.html#hyper

Remy - http://wdiy.org/programs/gt/playlists/2006/focus.html#oct


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Richard Burmer       Winter on the Wind   Mosaic (Fortuna)
Synthetic Block      Variations On a      Sonic Approach (Hypnos)
                       Theme of Absense
Synthetic Block      The Quartz Marsh     Sonic Approach (Hypnos)
Mike Griffin         inye adieme          Sounds Are Hidden Inside
                                            Objects (Secret Sounds)
vidnaObmana          II                   Reflection on Scale (Hypnos)
Numina               Awaken Within A      Sanctuary of Dreams (Hypnos)
                       Deeper Realm
Remy                 Ego-Trip             DisConnected (AKH)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Remy                 Sleep                DisConnected (AKH)
Remy                 Ages                 DisConnected (AKH)
Remy                 Stars                DisConnected (AKH)
Remy                 Mystral              DisConnected (AKH)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on
Remy.  The Featured CD at Midnight will be "Sense" on and AKH Records.

The Vinyl Starter will be from the LP "White Noise 2" by David Voorhaus
on Virgin Records and released in 1975.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4) on WDIY 88.1 FM in Allentown
and Bethlehem and 93.9 FM in Easton and Phillipsburg, 93.7 FM in
Trexlertown and Fogelsville, and on 92.9 FM on Service Electric Cable.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Sat Oct 21 20:02:19 2006
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Date: Sat, 21 Oct 2006 16:00:16 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for October 21, 2006
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http://soundscapes.us/amfm/playlists/2006/061021.html

I host the Saturday AM/FM Show every other week where I play electronic,
ambient, spacemusic, Progressive Rock, and an eclectic mix of other
genres.  The show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7
FM and on the internet.  I also host Afterglow every Thursday from 8:00
am to 9:30 am.

                Show #96                October 21, 2006.

During Phase I of this show, I continued the special on the sampler CDs
that come with each issue of E-dition electronic music magazine.  Phase
II was preempted to expand Phases I and III.  I also played the music of
Synthetic Block who will play a concert tonight at Hyperspace.  Details
are at: http://spacemusic.us

The background music heard during Phase I was I from "An Opera for Four
Fusion Works, Act Three: Reflection on Scale" by vidnaObmana.


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Thom Brennan]    Silver part 1        E-dition #10 (Groove)
VA [Carboneids]      Abstinens Synthomer  E-dition #10 (Groove)
VA [Brendan Pollard] Tropic               E-dition #10 (Groove)
Synthetic Block      Variations On a      Sonic Approach (Binary)
                       Theme of Absense
Synthetic Block      The Quartz Marsh     Sonic Approach (Binary)
Synthetic Block      Sonic Approach       Sonic Approach (Binary)
Synthetic Block      Doused *             Sonic Approach (Binary)

Phase II/Eclectic:
Preempted to expand Phases 1 and 3.

Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Beardfish            Ask Someone Who      The Sane Day (none)
                       Knows
Beardfish            Now                  The Sane Day (none)
Beardfish            The Reason of Con-   The Sane Day (none)
                       structing and/or Building a Pyramid
Zaar                 Discasambo           Zaar (Cuneiform)
Tom Grose            Pachyderm Revisited  At Bay (none)
Tom Grose            December Ruse        At Bay (none)
Spock's Beard        Intro                Gluttons for Punishment
                                            (InsideOut)
Spock's Beard        The Ballet of the    Gluttons for Punishment
                       Impact               (InsideOut)
Spock's Beard        I Wouldn't Let It    Gluttons for Punishment
                       Go                   (InsideOut)
Spock's Beard        Surfing Down the     Gluttons for Punishment
                       Avalanche *          (InsideOut)

8:00 am

 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

I return to the AM/FM Show on November 11.

On the next show, I will continue the special on the sampler CDs that 
come with
each issue of E-dition electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From Loopers-Delight-request@loopers-delight.com  Sat Oct 21 20:02:39 2006
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Date: Sat, 21 Oct 2006 16:13:09 -0400
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Updated - MySpace
To: <Loopers-Delight@loopers-delight.com>
Message-id: <000d01c6f54d$548ab060$0affff0a@hppav>
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Hi -

I've updated my MySpace page with some different UNDO selections:
http://www.myspace.com/undomusic
Comments, critiques and concerns all welcome.

David

From Loopers-Delight-request@loopers-delight.com  Sat Oct 21 20:12:07 2006
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From: Kris Hartung <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Y2K6 Streaming Now!
Reply-To: khartung@cableone.net
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Y2K6 is streaming now! We got a late start because of wireless access point=
 code =0D
problems, but we're on now until Midnight. See below.=0D
=0D
Kris=0D
=0D
=0D
http://krispen.serverroom.us:9030/ (Click on "Listen")=0D
=0D
System Requirements =0D
=0D
Users can listen to SHOUTcast on a variety of platforms and players (e.g. W=
indows =0D
Media Player, MusicMatch, etc). Recommended players are as follows: =0D
=0D
Windows users should use Winamp - http://www.winamp.com/winamp/download =0D
Mac users should use Audion - http://www.panic.com/audion/index.html =0D
Linux/X Windows users should use XMMS - http://www.xmms.org =0D
Quintessential Media Player - http://www.quinnware.com/ =0D
=0D
=0D

From Loopers-Delight-request@loopers-delight.com  Sat Oct 21 22:44:24 2006
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Date: Sat, 21 Oct 2006 17:44:18 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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Sweet!!  Thanks to everyone there in Santa Cruz for posting photos and 
sounds, I really wish I could be there but this helps.

Daryl Shawn
www.swanwelder.com

> Y2K6 is streaming now! We got a late start because of wireless access point code 
>
> problems, but we're on now until Midnight. See below.
>   

From Loopers-Delight-request@loopers-delight.com  Sun Oct 22 02:58:45 2006
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Subject: Re: Y2K6 Streaming Now!
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<html>=0D
=0D
<P>Hey everyone....the wireless access point here as been down all day. We =
are up and running again, and Rainer is plaing now. See the streaming link =
below.</P>=0D
<P><A href=3D"http://krispen.serverroom.us:9030/">http://krispen.serverroom=
.us:9030/</A>&nbsp;(click listen)</P>=0D
<P>Kris<BR>
<BR>
<BR>
<BR>
<B>On Sat Oct 21 16:44 , Daryl Shawn &lt;highhorse@mhorse.com&gt; sent:<BR>
<BR>
</P></B>=0D
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #f5f5f5 2px solid; MARGIN-RIGHT: 0px">Sweet!! Thanks to eve=
ryone there in Santa Cruz for posting photos and <BR>
sounds, I really wish I could be there but this helps.<BR>
<BR>
Daryl Shawn<BR>
www.swanwelder.com<BR>
<BR>
<FONT color=3Dred>&gt; Y2K6 is streaming now! We got a late start because o=
f wireless access point code </FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt; problems, but we're on now until Midnight. See below=
.</FONT><BR>
<FONT color=3Dred>&gt; </FONT><BR>
<BR>
</BLOCKQUOTE>=0D
</html><BR>=

From Loopers-Delight-request@loopers-delight.com  Sun Oct 22 08:31:35 2006
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From: "Michael Peters" <mp@mpeters.de>
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Subject: RE: Y2K6 Experimental Looping at the Luggage Store, San Francisco
Date: Sun, 22 Oct 2006 10:31:22 +0200
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> Here are some more (impressions of and around the festival):
> http://www.flickr.com/photos/moinsound/

wonderful Rainer !! more, more !!

-Michael

From Loopers-Delight-request@loopers-delight.com  Sun Oct 22 20:07:38 2006
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To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
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	"The Ambient Way" <the_ambient_way@yahoogroups.com>,
	<vaguediscuss@vagueterrain.net>
Subject: 10.31.06 @ the PiNG > PHOLDE + SIX HEADS w GENERAL CHAOS VISUALS
Date: Sun, 22 Oct 2006 16:11:16 -0400
Organization: THE AMBiENT PiNG
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The PiNG presents PHOLDE and SIX HEADS 
with GENERAL CHAOS VISUALS 
Tuesday October 31st . 8 pm - 11 pm . PWYC ($5 suggested)
@ the UNDERGROUND downstairs @ the DRAKE HOTEL
1150 Queen St. W @ Beaconsfield . W of Ossington . E of Dufferin

The PiNG presents a special All Hallow's Eve performance
featuring sound sculpturist PHOLDE and the secretive
surrealist sound collective SIX HEADS all bathed in light 
courtesy of the GENERAL CHAOS VISUALS eye candy.
(Please note the early 8 pm start time.)

PHOLDE @ 8:30 pm
Alan Bloor (Knurl) returns as PHOLDE to bow, scrape, brush,
klang and caress his self-created metal sound sculptures
with other metal objects to produce thunderous, spacious
soundscapes. Metal, amplified and effected.
http://www.pholde.com

SIX HEADS @ 9:30 pm
Using a range of unusual sound sources (home-made
instruments, circuit-bent electronics, toys and found
objects, field recordings, etc.) and some creative
live mixing and audio processing, SIX HEADS produce
a dense, shifting sonic dreamscape of ambient textures,
jarring juxtapositions of concrete sound and an absurd
and vaguely disturbing sense of humour. SIX HEADS are
James Bailey, William Davison, Linda Feesey, Sherri Lyn
Higgins, Colin Hinz and Pete Mosher.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

CONTiNUiNG on AMBiENT PiNG RADiO:

the ALMOST LiVE MUSiC SERiES

A weekly show playing exclusive, unreleased material by some 
of the PiNG's closest friends in the ambient community. Tune 
in to hear live performances, works in progress, exclusive 
remixes and more!

THiS MONDAY OCTOBER 23rd at 9PM EST
RADiO free URM: Shadows of Light

A fresh URM performance served up as an 
AMBiENT PiNG RADiO ALMOST LiVE SPECiAL. 

URM's Shadows of Light performance was recorded at noon on 
Thursday October 19th 2006 live in the studio utilizing only a single 
laptop filled to the brim with a virtual mountain of soft synths and 
sound toys. Done in a single pass with no edits or overdubs, URM's 
Jamie Todd (also of dreamSTATE, NOiNO and SADU) takes us 
on a sonic journey which explores alien mutant psycho jazz, dark 
ambience, spacey soundscapes and sequencer driven pulse. 
Get spaced and settle in for some URM soundshaping. 
http://www.urm.ca

COMiNG SOON to the ALMOST LiVE MUSiC SERiES
. October 23rd . URM
. October 30th . mara's torment
. November 6th . dreamSTATE with Wally Jericho
. November 13th . Numina
. November 20th . NAW
. November 27th . Geek Weekend

All shows run on Mondays at 9PM EST and will be rebroadcast 
Thursdays at 12midnight EST and Saturdays at 3:30 EST. 

The ALMOST LiVE MUSiC SERiES: Another way that the
AMBiENT PiNG is bringing great music to you!
http://www.ambientpingradio.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

More PiNG news and more PiNG shows are coming soon. 
Watch this space to stay tuned.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of 
audio artists, performers, musicians and visual artists. The PiNG 
presents live multimedia performances featuring ambient, electronic, 
soundscape, chillout, trip hop, dream pop, downtempo, space, 
drone and experimental artists from around the world.  
http://www.theambientping.com

Tune in anytime to AMBiENT PING RADiO at
http://www.ambientpingradio.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or 
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Sun Oct 22 20:11:34 2006
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Date: Sun, 22 Oct 2006 13:14:23 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Looper's Delight 10 Year Anniversary Celebration, Oakland,
  CA
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At 12:13 PM 10/21/2006, mark sottilaro wrote:
>Oh why does the rarely traveling me find himself in
>Chicago on the day of such a cool event?  Have a beer
>for me would one of you?

we had a few! Your old Mackie's made it there in your place to provide the 
sound.

Thanks to everyone who made it to our little party. It was a fun event, and 
what amazing music!

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Sun Oct 22 20:13:12 2006
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Subject: Re: Looper's Delight 10 Year Anniversary Celebration, Oakland,  CA
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Don't feel too bad. I was just in San Jose, CA and had to leave Thursday 
morning. Goddarn!

Paul
----- Original Message ----- 
From: "Kim Flint" <kflint@loopers-delight.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, October 22, 2006 4:14 PM
Subject: Re: Looper's Delight 10 Year Anniversary Celebration, Oakland, CA


> At 12:13 PM 10/21/2006, mark sottilaro wrote:
>>Oh why does the rarely traveling me find himself in
>>Chicago on the day of such a cool event?  Have a beer
>>for me would one of you?
>
> we had a few! Your old Mackie's made it there in your place to provide the 
> sound.
>
> Thanks to everyone who made it to our little party. It was a fun event, 
> and what amazing music!
>
> kim
>
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Sun Oct 22 20:29:56 2006
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From: Kris Hartung <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Looper's Delight 10 Year Anniversary Celebration, Oakland,  CA
Reply-To: khartung@cableone.net
Date: Sun, 22 Oct 2006 13:59:37 -0700
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<html>=0D
=0D
<P>It was a VERY cool venue! Couches everywhere, large space....dark and mo=
ody ambiance (gothic), beautiful setting for looping and drinking fine hopp=
y beverages.</P>=0D
<P>K-<BR>
<BR>
<BR>
<BR>
<B>On Sun Oct 22 14:14 , Kim Flint &lt;kflint@loopers-delight.com&gt; sent:=
<BR>
<BR>
</P></B>=0D
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #f5f5f5 2px solid; MARGIN-RIGHT: 0px">At 12:13 PM 10/21/200=
6, mark sottilaro wrote:<BR>
<FONT color=3Dred>&gt;Oh why does the rarely traveling me find himself in</=
FONT><BR>
<FONT color=3Dred>&gt;Chicago on the day of such a cool event? Have a beer<=
/FONT><BR>
<FONT color=3Dred>&gt;for me would one of you?</FONT><BR>
<BR>
we had a few! Your old Mackie's made it there in your place to provide the =
<BR>
sound.<BR>
<BR>
Thanks to everyone who made it to our little party. It was a fun event, and=
 <BR>
what amazing music!<BR>
<BR>
kim<BR>
<BR>
<BR>
<BR>
______________________________________________________________________<BR>
Kim Flint | Looper's Delight<BR>
<A href=3D"javascript:top.opencompose('kflint@loopers-delight.com','','',''=
)">kflint@loopers-delight.com</A> | <A href=3D"parse.pl?redirect=3Dhttp%3A%=
2F%2Fwww.loopers-delight.com" target=3D_blank><FONT color=3Dred>http://www.=
loopers-delight.com</FONT></A> <BR>
<BR>
</BLOCKQUOTE>=0D
</html><BR>=

From Loopers-Delight-request@loopers-delight.com  Sun Oct 22 22:11:08 2006
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Date: Sun, 22 Oct 2006 18:12:18 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: Suggestion about looping gear
To: weaviestonder <weaviestonder@hotmail.it>,
	Loopers-Delight@loopers-delight.com
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Greetings from Looperland, Lorenzo!
    You'll find a very helpful group here at Loopers Delight. To answer just
a couple of your questions:
> I also thought I could buy
> just a simple delay, but my question here is how long will a phrase be
> repeated by a "plain" delay?
    I'm a big fan of the Boss DD-20. If set to maximum delay, it will repeat
forever.
> Can I overdub more than one phrase with a
> delay?
You can overdub as much as you like with the DD-20. You can even create
phrases of two different lengths if you like. Read up on the DD-20 at
http://www.loopers-delight.com/tools/bossDD20/bossDD20.html
> What is essential to me is that the loop is accurate with timing, very
> precise (some loopers I have tried were not quite quick enough in
> responding to my hitting the footswitch for "rec" or "stop").
I use the DD-20 for very precise time changes, and it's never given me a
problem. Feel free to describe more about your music and how you use
loops/delays, and you will find the looping community here eager to help and
make suggestions.
Best,
Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"Life! Life!
Clouds and clowns!
You don't have to come down!"
- Sly and the Family Stone




From Loopers-Delight-request@loopers-delight.com  Sun Oct 22 22:38:10 2006
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From: Kris Hartung <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Kyberjam/Ninjam Stream
Reply-To: khartung@cableone.net
Date: Sun, 22 Oct 2006 16:07:52 -0700
X-Mailer: AtMail 4.2
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<html>=0D
<BR>
=0D
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #f5f5f5 2px solid; MARGIN-RIGHT: 0px">=0D
<P>Not sure if Rainer has it up and running yet, but the Kyberjam/Ninjam vi=
rtual performances should be streaming to the public here: <A href=3D"http:=
//loopfest.serverroom.us:4870/">http://loopfest.serverroom.us:4870</A></P>=
=0D
<P>Kris</P>=0D
<P>&nbsp;</P></BLOCKQUOTE>=0D
</html><BR>=

From Loopers-Delight-request@loopers-delight.com  Sun Oct 22 22:44:24 2006
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From: Kris Hartung <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Kyberjam/Ninjam Stream
Reply-To: khartung@cableone.net
Date: Sun, 22 Oct 2006 16:14:06 -0700
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<html>=0D
=0D
<P>Corection...you need to listen to the Kyberjam stream here: <A href=3D"h=
ttp://38.96.148.43:4870">http://38.96.148.43:4870</A>&nbsp;(had some techni=
cal issues with the last one).</P>=0D
<P>k-<BR>
<BR>
<BR>
<BR>
<B>On Sun Oct 22 17:07 , Kris Hartung <KHARTUNG@CABLEONE.NET>sent:<BR>
<BR>
</P></B>=0D
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #f5f5f5 2px solid; MARGIN-RIGHT: 0px"><BR>
=0D
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #f5f5f5 2px solid; MARGIN-RIGHT: 0px">=0D
<P>Not sure if Rainer has it up and running yet, but the Kyberjam/Ninjam vi=
rtual performances should be streaming to the public here: <A href=3D"http:=
//loopfest.serverroom.us:4870/">http://loopfest.serverroom.us:4870</A></P>=
=0D
<P>Kris</P>=0D
<P>&nbsp;</P></BLOCKQUOTE><BR>
</BLOCKQUOTE>=0D
</html><BR>=

From Loopers-Delight-request@loopers-delight.com  Sun Oct 22 22:55:17 2006
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From: "David Prescott" <vtprescott@earthlink.net>
To: <khartung@cableone.net>, <Loopers-Delight@loopers-delight.com>
Subject: RE: Kyberjam/Ninjam Stream
Date: Sun, 22 Oct 2006 17:55:06 -0500
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Thanks, Kris:
 
I, too enjoyed listening in yesterday.
 
David Prescott
Central Wisconsin

-----Original Message-----
From: Kris Hartung [mailto:khartung@cableone.net] 
Sent: Sunday, October 22, 2006 6:14 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Kyberjam/Ninjam Stream



Corection...you need to listen to the Kyberjam stream here:
http://38.96.148.43:4870 (had some technical issues with the last one).

k-



On Sun Oct 22 17:07 , Kris Hartung sent:




Not sure if Rainer has it up and running yet, but the Kyberjam/Ninjam
virtual performances should be streaming to the public here:
http://loopfest.serverroom.us:4870 <http://loopfest.serverroom.us:4870/> 

Kris

 




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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Dus-ascii">
<TITLE>Message</TITLE>

<META content=3D"MSHTML 6.00.2745.2800" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D758325422-22102006><FONT face=3DArial color=3D#0000ff =

size=3D2>Thanks, Kris:</FONT></SPAN></DIV>
<DIV><SPAN class=3D758325422-22102006><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D758325422-22102006><FONT face=3DArial color=3D#0000ff =
size=3D2>I, too=20
enjoyed listening in yesterday.</FONT></SPAN></DIV>
<DIV><SPAN class=3D758325422-22102006><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D758325422-22102006><FONT face=3DArial color=3D#0000ff =
size=3D2>David=20
Prescott</FONT></SPAN></DIV>
<DIV><SPAN class=3D758325422-22102006><FONT face=3DArial color=3D#0000ff =

size=3D2>Central Wisconsin</FONT></SPAN></DIV>
<BLOCKQUOTE style=3D"MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr =
align=3Dleft><FONT=20
  face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B> Kris =
Hartung=20
  [mailto:khartung@cableone.net] <BR><B>Sent:</B> Sunday, October 22, =
2006 6:14=20
  PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  Kyberjam/Ninjam Stream<BR><BR></FONT></DIV>
  <P>Corection...you need to listen to the Kyberjam stream here: <A=20
  =
href=3D"http://38.96.148.43:4870">http://38.96.148.43:4870</A>&nbsp;(had =
some=20
  technical issues with the last one).</P>
  <P>k-<BR><BR><BR><BR><B>On Sun Oct 22 17:07 , Kris Hartung=20
  <KHARTUNG@CABLEONE.NET>sent:<BR><BR></P></B>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #f5f5f5 2px solid; MARGIN-RIGHT: 0px"><BR>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #f5f5f5 2px solid; MARGIN-RIGHT: 0px">
      <P>Not sure if Rainer has it up and running yet, but the =
Kyberjam/Ninjam=20
      virtual performances should be streaming to the public here: <A=20
      =
href=3D"http://loopfest.serverroom.us:4870/">http://loopfest.serverroom.u=
s:4870</A></P>
      <P>Kris</P>
      =
<P>&nbsp;</P></BLOCKQUOTE><BR></BLOCKQUOTE><BR></BLOCKQUOTE></BODY></HTML=
>

------=_NextPart_000_0002_01C6F603.36CEDFE0--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 02:42:35 2006
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From: Kris Hartung <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: The Y2K6 Stream is Back Online after Dinner
Reply-To: khartung@cableone.net
Date: Sun, 22 Oct 2006 20:12:18 -0700
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<html>=0D
=0D
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #f5f5f5 2px solid; MARGIN-RIGHT: 0px">=0D
<P>The Y2K6 Stream is Back Online after Dinner...</P>=0D
<P><A href=3D"http://krispen.serverroom.us:9030/">http://krispen.serverroom=
.us:9030/</A></P>=0D
<P>Miro is on now.</P>=0D
<P>Kris</P>=0D
<P>&nbsp;</P>=0D
<P>&nbsp;</P>=0D
<P><BR>
&nbsp;</P><BR>
</BLOCKQUOTE>=0D
</html><BR>=

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 03:01:53 2006
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Date: Sun, 22 Oct 2006 22:01:47 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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Man, that fella can sing! and play flute and a roomful of other stuff 
too, apparently. sounds great.

Daryl Shawn
www.swanwelder.com
>
>     The Y2K6 Stream is Back Online after Dinner...
>
>     http://krispen.serverroom.us:9030/
>
>     Miro is on now.
>
>     Kris
>
>      
>
>      
>
>
>      
>
>
>


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Man, that fella can sing! and play flute and a roomful of other stuff
too, apparently. sounds great.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<blockquote cite="mid1161571353_569338@S2.cableone.net" type="cite">
  <blockquote
 style="border-left: 2px solid rgb(245, 245, 245); padding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
    <p>The Y2K6 Stream is Back Online after Dinner...</p>
    <p><a href="http://krispen.serverroom.us:9030/">http://krispen.serverroom.us:9030/</a></p>
    <p>Miro is on now.</p>
    <p>Kris</p>
    <p>&nbsp;</p>
    <p>&nbsp;</p>
    <p><br>
&nbsp;</p>
    <br>
  </blockquote>
  <br>
</blockquote>
<br>
</body>
</html>

--------------090206020108090002040108--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 03:10:39 2006
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	Loopers-Delight@loopers-delight.com
Subject: Re: Suggestion about looping gear
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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Thanks a lot for your useful reply Douglas! <br>
In fact, DD-20 was another option I was considering. I'll definitely
try it out as soon as I can. <br>
As for my music, I basically work thus: I let electronic rythmic parts
run on the background, and add layers of guitar loops: very simple and
generally brief arpeggios, or chords, on which I add solos (sometimes
with my ebow), or just very spacey soundscapes (lots of reverbs etc).
That is why I need perfect timing control over my loops: they need to
be perfectly synchronized with the drum track I run in the background.
I guess you could say what I do is somewhere in between Lali Puna/the
late Radiohead, Labradford, with a kind of ambient touch to it. If this
description gives anyone relevant information for more precise
suggestions, I would really appreciate the help from the community. :)<br>
<br>
Thanks everyone<br>
<br>
Lorenzo<br>
<br>
Douglas Baldwin ha scritto:
<blockquote cite="mid005101c6f627$3a92e260$9715be18@oemcomputer"
 type="cite">
  <pre wrap="">Greetings from Looperland, Lorenzo!
    You'll find a very helpful group here at Loopers Delight. To answer just
a couple of your questions:
  </pre>
  <blockquote type="cite">
    <pre wrap="">I also thought I could buy
just a simple delay, but my question here is how long will a phrase be
repeated by a "plain" delay?
    </pre>
  </blockquote>
  <pre wrap=""><!---->    I'm a big fan of the Boss DD-20. If set to maximum delay, it will repeat
forever.
  </pre>
  <blockquote type="cite">
    <pre wrap="">Can I overdub more than one phrase with a
delay?
    </pre>
  </blockquote>
  <pre wrap=""><!---->You can overdub as much as you like with the DD-20. You can even create
phrases of two different lengths if you like. Read up on the DD-20 at
<a class="moz-txt-link-freetext" href="http://www.loopers-delight.com/tools/bossDD20/bossDD20.html">http://www.loopers-delight.com/tools/bossDD20/bossDD20.html</a>
  </pre>
  <blockquote type="cite">
    <pre wrap="">What is essential to me is that the loop is accurate with timing, very
precise (some loopers I have tried were not quite quick enough in
responding to my hitting the footswitch for "rec" or "stop").
    </pre>
  </blockquote>
  <pre wrap=""><!---->I use the DD-20 for very precise time changes, and it's never given me a
problem. Feel free to describe more about your music and how you use
loops/delays, and you will find the looping community here eager to help and
make suggestions.
Best,
Douglas Baldwin, coyote-at-large
<a class="moz-txt-link-abbreviated" href="http://www.thecoyote.org">www.thecoyote.org</a>
<a class="moz-txt-link-abbreviated" href="mailto:coyotelk@optonline.net">coyotelk@optonline.net</a>

"Life! Life!
Clouds and clowns!
You don't have to come down!"
- Sly and the Family Stone




__________ Informazione NOD32 1.1495 (20060418) __________

Questo messaggio  è stato controllato dal Sistema Antivirus NOD32
<a class="moz-txt-link-freetext" href="http://www.nod32.it">http://www.nod32.it</a>



  </pre>
</blockquote>
<br>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 05:04:01 2006
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Date: Sun, 22 Oct 2006 22:04:03 -0700
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Is anyone getting any sound from the stream?  The stream stopped working 
for me during Bill's set.  I'm getting [ICY 200 OK] in winamp.  Anyone else?

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 05:06:22 2006
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Yeah, that happened to me too, at the same point. I still can't get on.

Daryl Shaswn
> Is anyone getting any sound from the stream?  The stream stopped 
> working for me during Bill's set.  I'm getting [ICY 200 OK] in 
> winamp.  Anyone else?
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 05:06:59 2006
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Subject: Re: y2k6 stream
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Date: Sun, 22 Oct 2006 22:36:44 -0700
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<html>=0D
=0D
<P>I'm still connected here and seeing the stream sending out in the server=
 software.</P>=0D
<P>K-<BR>
<BR>
<BR>
<BR>
<B>On Sun Oct 22 23:04 , Sean Echevarria &lt;sean.loop@creepingfog.com&gt; =
sent:<BR>
<BR>
</P></B>=0D
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #f5f5f5 2px solid; MARGIN-RIGHT: 0px">Is anyone getting any=
 sound from the stream? The stream stopped working <BR>
for me during Bill's set. I'm getting [ICY 200 OK] in winamp. Anyone else?<=
BR>
<BR>
</BLOCKQUOTE>=0D
</html><BR>=

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 05:28:45 2006
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Message-ID: <20061023052844.6596.qmail@web81009.mail.mud.yahoo.com>
Date: Sun, 22 Oct 2006 22:28:43 -0700 (PDT)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: Re: further questions about midi sync.
To: Loopers-Delight@loopers-delight.com
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hello all :-)!!!

i have been experimenting with midi sync but still
haven't successfully configured it. i wanted to check
my facts with you since your last emails:

- no matter what midi channel you are on from a
device, all the channels will stay on the same
midi-clock. that is to say, that, if my echoplex is
the master clock, and it is transmitting midi data on
midi channel 1. if my machine drum is set as its slave
but receives midi data on midi channel 5 then it will
still be on the echoplex's master clock even though
the data is transmitting into another midi channel?

- i am trying to get all my patterns to play in time
but not have the machine drum trigger notes on the
nord modular 1 that aren't in its original programmed
sequence.

- does anyone know you have a special input configured
on your nord modular patches to make sure they receive
incoming midi clock signals? I am not sure i fully
understand the 'kbd" rec about NM1's from before.

i have been able to make my machine drum a slave to my
echoplex. but, i haven't been successful using the
"midi thru" or otherwise on the machine drum to
trigger the clock on my NM1 even though i have the nm1
midi clock set to external and i have the machine drum
set to receive incominf sync messages.

i have been doing alot of trial and error but haven't
been successful :-(

if you have any ideas, i would love your help, sorry
for pesky tech questions!!! thanks for your help :-)




--- Ben <benoitruelle@yahoo.fr> wrote:

> Hello,
> 
> It should be possible on the modular to de-activate
> the KBD tracking.
> Isn't there a KBD button on each OSC that do just
> that?
> 
> To bring this On Topic again.
> Is anyone using the G2 as his looping device? It
> includes a delay that can 
> be placed anywhere in the the signal chain, allowing
> the loops to be 
> modulated, filtered,.., mangled in a lot of ways.
> Unfortunately the G2 is out of my price range, still
> hoping Clavia will 
> release a microG2 one day ;-)
> 
> Ben.
> 
> ----- Original Message ----- 
> From: "margaret noble" <margaretnoble2000@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, October 20, 2006 4:28 AM
> Subject: further questions about midi sync.
> 
> 
> > hello all,
> >
> > i posted recently about midi sync. initially i
> wanted
> > to have my echoplex drive my machine drum and then
> my
> > machine drum to trigger my nord modular sequences.
> >
> > well, some of this did work and it has been fun,
> but i
> > have issues with the nord. when i trigger its
> > sequencer from machinedrum, i only want their
> clocks
> > in sync. but, the nord plays all the notes that
> are
> > cued from steps on my machine drum as well and
> doesn't
> > seem to follow the clock very well.
> >
> > also, i was thinking that maybe i wouldn't  always
> > want the echoplex to be the master clock.
> >
> > i was looking at the midisync devices out there by
> > motu but i am not sure if they more than i need. i
> > basically want every gadget to be on the same
> clock
> > but do not necessarily want the notes  from
> multiple
> > synths to play in tandem via midi sync.
> >
> > any and all help is greatly appreciated!
> >
> > margaret
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> > 
> 
> 
> 	
> 
> 	
> 		
>
___________________________________________________________________________
> 
> Découvrez une nouvelle façon d'obtenir des réponses
> à toutes vos questions ! 
> Demandez à ceux qui savent sur Yahoo!
> Questions/Réponses
> http://fr.answers.yahoo.com
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 05:30:20 2006
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Date: Mon, 23 Oct 2006 02:30:05 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: y2k6 stream
Content-Type: text/plain; charset="us-ascii" ; format="flowed"
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>Is anyone getting any sound from the stream?  The stream stopped 
>working for me during Bill's set.  I'm getting [ICY 200 OK] in 
>winamp.  Anyone else?

the same here
the web site sais the server is up and Audion is connecting,
but then the time stays at zero

Bill was just incredible!
-- 


          ---> http://www.matthiasgrob.com

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 05:30:29 2006
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Date: Sun, 22 Oct 2006 22:30:32 -0700
To: Loopers-Delight@loopers-delight.com
From: Sean Echevarria <sean.loop@creepingfog.com>
Subject: Re: y2k6 stream
In-Reply-To: <1161580018_570693@S2.cableone.net>
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I'm connected - just not receiving anything.

tcpview tells me that winamp has two tcp connections:
38.96.148.22:9030 - established
62.216.251.200:http - close_wait

<search web> 'ICY200 OK' usually indicates that the stream has connected 
successfully.  Firewall might be at play here - but that doesn't explain 
why it was working and then stopped.


At 2006.10.22 10:36 PM, Kris Hartung wrote:

>I'm still connected here and seeing the stream sending out in the server 
>software.
>
>K-
>
>
>
>On Sun Oct 22 23:04 , Sean Echevarria <sean.loop@creepingfog.com> sent:
>
>Is anyone getting any sound from the stream? The stream stopped working
>for me during Bill's set. I'm getting [ICY 200 OK] in winamp. Anyone else?

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 05:52:45 2006
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From: Kris Hartung <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: y2k6 stream
Reply-To: khartung@cableone.net
Date: Sun, 22 Oct 2006 23:22:30 -0700
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<html>=0D
I just chatted with tech support from serverroom, and they are having the s=
ame problem. I am rebooting my computer now...give me about 4 min.<BR>
<BR>
<BR>
<BR>
<B>On Sun Oct 22 23:36 , Kris Hartung &lt;khartung@cableone.net&gt; sent:<B=
R>
<BR>
</B>=0D
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #f5f5f5 2px solid; MARGIN-RIGHT: 0px">=0D
<P>I'm still connected here and seeing the stream sending out in the server=
 software.</P>=0D
<P>K-<BR>
<BR>
<BR>
<BR>
<B>On Sun Oct 22 23:04 , Sean Echevarria &lt;sean.loop@creepingfog.com&gt; =
sent:<BR>
<BR>
</P></B>=0D
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #f5f5f5 2px solid; MARGIN-RIGHT: 0px">Is anyone getting any=
 sound from the stream? The stream stopped working <BR>
for me during Bill's set. I'm getting [ICY 200 OK] in winamp. Anyone else?<=
BR>
<BR>
</BLOCKQUOTE><BR>
</BLOCKQUOTE>=0D
</html><BR>=

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 06:02:47 2006
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From: Kris Hartung <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: y2k6 stream
Reply-To: khartung@cableone.net
Date: Sun, 22 Oct 2006 23:32:32 -0700
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<html>=0D
=0D
<P>Can someone tell me whether you can hear the stream now? Thanks.</P>=0D
<P>Kris</P>=0D
<P><BR>
<BR>
<BR>
<BR>
<B>On Mon Oct 23 0:22 , Kris Hartung &lt;khartung@cableone.net&gt; sent:<BR>
<BR>
</P></B>=0D
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #f5f5f5 2px solid; MARGIN-RIGHT: 0px">I just chatted with t=
ech support from serverroom, and they are having the same problem. I am reb=
ooting my computer now...give me about 4 min.<BR>
<BR>
<BR>
<BR>
<B>On Sun Oct 22 23:36 , Kris Hartung &lt;khartung@cableone.net&gt; sent:<B=
R>
<BR>
</B>=0D
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #f5f5f5 2px solid; MARGIN-RIGHT: 0px">=0D
<P>I'm still connected here and seeing the stream sending out in the server=
 software.</P>=0D
<P>K-<BR>
<BR>
<BR>
<BR>
<B>On Sun Oct 22 23:04 , Sean Echevarria &lt;sean.loop@creepingfog.com&gt; =
sent:<BR>
<BR>
</P></B>=0D
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #f5f5f5 2px solid; MARGIN-RIGHT: 0px">Is anyone getting any=
 sound from the stream? The stream stopped working <BR>
for me during Bill's set. I'm getting [ICY 200 OK] in winamp. Anyone else?<=
BR>
<BR>
</BLOCKQUOTE><BR>
</BLOCKQUOTE><BR>
</BLOCKQUOTE>=0D
</html><BR>=

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 06:03:46 2006
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x-files: the truth is out there
Date: Sun, 22 Oct 2006 23:03:46 -0700
To: Loopers-Delight@loopers-delight.com
From: Sean Echevarria <sean.loop@creepingfog.com>
Subject: Re: y2k6 stream
In-Reply-To: <1161583365_570876@S2.cableone.net>
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Yep - it's back.

thanks


At 2006.10.22 11:32 PM, Kris Hartung wrote:

>Can someone tell me whether you can hear the stream now? Thanks.
>
>Kris
>
>
>
>
>
>On Mon Oct 23 0:22 , Kris Hartung <khartung@cableone.net> sent:
>
>I just chatted with tech support from serverroom, and they are having the 
>same problem. I am rebooting my computer now...give me about 4 min.
>
>
>
>On Sun Oct 22 23:36 , Kris Hartung <khartung@cableone.net> sent:
>
>I'm still connected here and seeing the stream sending out in the server 
>software.
>
>K-
>
>
>
>On Sun Oct 22 23:04 , Sean Echevarria <sean.loop@creepingfog.com> sent:
>
>Is anyone getting any sound from the stream? The stream stopped working
>for me during Bill's set. I'm getting [ICY 200 OK] in winamp. Anyone else?
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 06:04:18 2006
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From: Kris Hartung <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: y2k6 stream
Reply-To: khartung@cableone.net
Date: Sun, 22 Oct 2006 23:34:04 -0700
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<html>=0D
<BR>
Cool. Thanks. Sorry about that.<BR>
<BR>
<BR>
<B>On Mon Oct 23 0:03 , Sean Echevarria &lt;sean.loop@creepingfog.com&gt; s=
ent:<BR>
<BR>
</B>=0D
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #f5f5f5 2px solid; MARGIN-RIGHT: 0px">Yep - it's back.<BR>
<BR>
thanks<BR>
<BR>
<BR>
At 2006.10.22 11:32 PM, Kris Hartung wrote:<BR>
<BR>
<FONT color=3Dred>&gt;Can someone tell me whether you can hear the stream n=
ow? Thanks.</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;Kris</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;On Mon Oct 23 0:22 , Kris Hartung &lt;<A href=3D"java=
script:top.opencompose('khartung@cableone.net','','','')">khartung@cableone=
.net</A>&gt; sent:</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;I just chatted with tech support from serverroom, and=
 they are having the </FONT><BR>
<FONT color=3Dred>&gt;same problem. I am rebooting my computer now...give m=
e about 4 min.</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;On Sun Oct 22 23:36 , Kris Hartung &lt;<A href=3D"jav=
ascript:top.opencompose('khartung@cableone.net','','','')">khartung@cableon=
e.net</A>&gt; sent:</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;I'm still connected here and seeing the stream sendin=
g out in the server </FONT><BR>
<FONT color=3Dred>&gt;software.</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;K-</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;On Sun Oct 22 23:04 , Sean Echevarria &lt;<A href=3D"=
javascript:top.opencompose('sean.loop@creepingfog.com','','','')">sean.loop=
@creepingfog.com</A>&gt; sent:</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;Is anyone getting any sound from the stream? The stre=
am stopped working</FONT><BR>
<FONT color=3Dred>&gt;for me during Bill's set. I'm getting [ICY 200 OK] in=
 winamp. Anyone else?</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<FONT color=3Dred>&gt;</FONT><BR>
<BR>
</BLOCKQUOTE>=0D
</html><BR>=

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 06:09:57 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Some random Y2K6 pix
Date: Sun, 22 Oct 2006 23:09:54 -0700
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Some random photos from Y2K6......

These are some random photos (in no way a complete document!) taken by=20=

myself and Ryusei at the festival....

I thought you might enjoy them.

The festival was a blast, I unfortunately had to leave early for the 5=20=

1/2 hour drive home....bummer!

But a wonderful musical and, also very importantly, social=20
event...loopers unite.....

Sorrowfully, my duo performance with Stefan did not happen due to=20
internet network problems today, but I think it worked for everybody=20
else!

I will blog my impressions later this week.

http://jeffkaiser.com/blogimages/y2k6/

or http://tinyurl.com/yydyhv

best,
Jeff


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 06:13:53 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Some random Y2K6 pix
Date: Sun, 22 Oct 2006 23:13:52 -0700
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Didn't mean to sound past tense!

I'm enjoying it on the net right now.....


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com
On Oct 22, 2006, at 11:09 PM, Jeff Kaiser wrote:

> Some random photos from Y2K6......
>
> These are some random photos (in no way a complete document!) taken by=20=

> myself and Ryusei at the festival....
>
> I thought you might enjoy them.
>
> The festival was a blast, I unfortunately had to leave early for the 5=20=

> 1/2 hour drive home....bummer!
>
> But a wonderful musical and, also very importantly, social=20
> event...loopers unite.....
>
> Sorrowfully, my duo performance with Stefan did not happen due to=20
> internet network problems today, but I think it worked for everybody=20=

> else!
>
> I will blog my impressions later this week.
>
> http://jeffkaiser.com/blogimages/y2k6/
>
> or http://tinyurl.com/yydyhv
>
> best,
> Jeff
>
>
> Jeff Kaiser
> http://www.JeffKaiser.com
> pfMENTUM.com =95 AngryVegan.com
>

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 06:36:51 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Some random Y2K6 pix
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:-)

I told you it was a long drive home....I'll fix it....

(I actually know which is which, my typing fingers don't...)

cheers,

Jeff


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com
On Oct 22, 2006, at 11:23 PM, Sean Echevarria wrote:

> You've mixed up Bill and Rick.  Rick only appears in the first photo=20=

> underneath the loop fest sign.  All your other occurrences of Rick are=20=

> actually Bill.
>
>
> At 2006.10.22 11:09 PM, Jeff Kaiser wrote:
>> Some random photos from Y2K6......
>>
>> These are some random photos (in no way a complete document!) taken=20=

>> by myself and Ryusei at the festival....
>>
>> I thought you might enjoy them.
>>
>> The festival was a blast, I unfortunately had to leave early for the=20=

>> 5 1/2 hour drive home....bummer!
>>
>> But a wonderful musical and, also very importantly, social=20
>> event...loopers unite.....
>>
>> Sorrowfully, my duo performance with Stefan did not happen due to=20
>> internet network problems today, but I think it worked for everybody=20=

>> else!
>>
>> I will blog my impressions later this week.
>>
>> http://jeffkaiser.com/blogimages/y2k6/
>>
>> or http://tinyurl.com/yydyhv
>>
>> best,
>> Jeff
>

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 07:23:22 2006
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: further questions about midi sync.
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At 10:28 PM 10/22/2006, margaret noble wrote:
>i have been experimenting with midi sync but still
>haven't successfully configured it. i wanted to check
>my facts with you since your last emails:
>
>- no matter what midi channel you are on from a
>device, all the channels will stay on the same
>midi-clock. that is to say, that, if my echoplex is
>the master clock, and it is transmitting midi data on
>midi channel 1. if my machine drum is set as its slave
>but receives midi data on midi channel 5 then it will
>still be on the echoplex's master clock even though
>the data is transmitting into another midi channel?

yes, that is correct. MIDI clock is global, so all devices receive it no 
matter what MIDI channel they are on.

>- i am trying to get all my patterns to play in time
>but not have the machine drum trigger notes on the
>nord modular 1 that aren't in its original programmed
>sequence.

You should have the Machine Drum and the Nord on different MIDI channels. 
Then the Note commands from the Machine Drum will not trigger anything on 
the Nord. They hsould both still be able to receive MIDI clock.

I don't know answers to your other questions, as they are specific to the 
Machine Drum and Nord Modular and I don't have either of those.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 10:09:03 2006
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From: "Michael Peters" <mp@mpeters.de>
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	"Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: some ninjams online
Date: Mon, 23 Oct 2006 12:08:58 +0200
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I've put three one-hour-ninjams online here:
http://www.michaelpeters.de/mp3/ninjams.
You can download (if you really want), or listen to an mp3 stream in 128
kbps stereo if you have the bandwidth.

The first of the jams is the "official" session with Per, Bernhard, and me
from the Y2K6 ninjam stage. Per was local in Santa Cruz, Bernhard was in
Zurich, Switzerland, and I was at home near Cologne, Germany.

The second is a jam that Michael Bearpark, Bernhard and me did "backstage"
on another server immediately afterwards.

The third is a test jam that I did with Bernhard two days before the
festival.

Michael www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 11:30:51 2006
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Date: Mon, 23 Oct 2006 13:30:48 +0200
From: "Marco Ronci" <m.ronci@gmail.com>
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------=_Part_294558_9148317.1161603048008
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Ciao Lorenzo,

2006/10/23, weaviestonder
>
> That is why I need perfect timing control over my loops: they need to be
> perfectly synchronized with the drum track I run in the background.
>

That's IMHO your biggest problem...
You need a midi sync from the drum track and a midi-syncable looper.
I don't feel very confident with my english so, seel free to contact me
off-list for more details in italian.
Ciao
Marco

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<div>Ciao Lorenzo,</div>
<div>&nbsp;</div>
<div><span class="gmail_quote">2006/10/23, weaviestonder </span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div text="#000000" bgcolor="#ffffff">That is why I need perfect timing control over my loops: they need to be perfectly synchronized with the drum track I run in the background.</div></blockquote>
<div>&nbsp;</div>
<div>That's IMHO your biggest problem...</div>
<div>You need a midi sync from the drum track and a midi-syncable looper. </div>
<div>I don't feel very confident with my english so, seel free to contact me off-list for more details in italian.</div>
<div>Ciao</div>
<div>Marco</div>
<div>&nbsp;</div></div>

------=_Part_294558_9148317.1161603048008--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 14:42:09 2006
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Date: Mon, 23 Oct 2006 07:42:08 -0700 (PDT)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: Re: further questions about midi sync.
To: Loopers-Delight@loopers-delight.com
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hey all, i really appreiciate the input on debugging.
i hope to make my next about post about new music :-)

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 14:57:16 2006
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Date: Mon, 23 Oct 2006 10:54:08 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: Suggestion about looping gear
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This is a multi-part message in MIME format.

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Hi again Lorenzo (and all you groovy loopers all over the globe, and =
especially the physical contingent representing at the 10th anniversary =
festival) -
    I would seriously consider the DD-20 for your music, perhaps even =
two.=20
    I will hereafter use the term "virtual sync" to describe the DD-20 =
being set to a specific delay length equal to, or in a whole-number =
ratio to, another unit without any MIDI or other clock information being =
sent/received between the two units. Two DD-20s will stay in virtual =
sync with each other for at least a half-hour. I've not yet let mine run =
more than that, but someday maybe I'll put on a rhythmic loop and see =
how long they stay sync'd before an audible mismatch creeps in.=20
    One of the very practicaal benefits of the DD-20 is its numerical =
readout for delay length: up to 9999 milliseconds (9.999 seconds), then =
hundredths of a second (centaseconds?) from 10.00 up to 23.00. I used my =
DD-20s in virtual sync with the click of my Korg D1600 recording =
workstation and with my Bodd GT-3 multi-fx pedal to record the excerpt =
of "The Long Dance" that is on the Looper's Delight Compilation Vol. 3 =
CD. Neither the DD-20s, the GT-3, nor the Korg required any tweaking of =
their time parameters to remain in sync for the entire recording =
process. I often use my DD-20s with a drum machine these days (a Zoom =
RT223) and while this machine *does* require a slight tweak to get in =
sync, I can find its "sweet spot" pretty quick and my two DD-20s, my =
GT-3 and the RT223 will groove away for fifteen minutes or more in =
virtual sync. I suspect the mismatch between the DD-20s and the Zoom are =
due to different clock pulses; the Zoom runs about 1% faster than the =
DD-20s. I'm looking forward to getting a Boss DR-880 in the near future, =
and I'll bet the entire Boss family will run in exact virtual sync.
    You described your music this way:
 I let electronic rythmic parts run on the background, and add layers of =
guitar loops: very simple and generally brief arpeggios, or chords, on =
which I add solos (sometimes with my ebow), or just very spacey =
soundscapes (lots of reverbs etc). That is why I need perfect timing =
control over my loops: they need to be perfectly synchronized with the =
drum track I run in the background. I guess you could say what I do is =
somewhere in between Lali Puna/the late Radiohead, Labradford, with a =
kind of ambient touch to it.=20
    With one or two DD-20s (and/or a drum machine or two, as I just =
described), you can create a background rhythmic pattern, add as many =
layers of live-in-real-time guitar textures as you wish, set one or more =
of your DD-20s to "infinite feedback" to capture your loop, then press =
the On/Off stomp switch on the left. This turns the *recording* of =
material off, but allows the loop/delay to *play back* at whatever =
feedback level it is set at. And if it's set a "infinite feedback," the =
loop will loop endlessly with no degeneration, no fade, and you can solo =
to your heart's content. Let's say in the midst of your soloing you play =
a melody, chord or texture you'd like to add to your loop. Just hit the =
On/Off switch again (turning the pedal's "record" function on), play =
your new material, and hit the On/Off switch when you're done. Your new =
melody/chord/texture is added, and you can continue to solo atop the =
loop.=20
    For my taste, a delay-based looper like the DD-20 is superior to a =
"true" looper like the Boss RC-20 because, in addition to being able to =
end a loop suddenly, the DD-20 can fade out over as long or short a =
period as you like by adjusting the feedbck level. Currently I'm playing =
around with groove-based textures that either drift (i.e. the groove =
slowly dissipates) or leap(i.e. the groove suddenly disappears) into =
non-rhythmic oceanic soundscape-land.
    Hope this helps y'all,
Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"Life! Life!
Clouds and clowns!
You don't have to come down!"
- Sly and the Family Stone


--Boundary_(ID_nI9eO+vq/6EJoKS8/Z2XdQ)
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<DIV><FONT size=2>Hi again Lorenzo (and all you groovy loopers all over the 
globe, and especially the physical contingent representing at the 10th 
anniversary festival) -</FONT></DIV>
<DIV><FONT size=2>&nbsp;&nbsp;&nbsp; I would seriously consider the DD-20 for 
your music, perhaps even two. </FONT></DIV>
<DIV><FONT size=2>&nbsp;&nbsp;&nbsp; I will hereafter use the term "virtual 
sync" to describe the DD-20 being set to a specific delay length equal to, or in 
a whole-number ratio to, another unit without any MIDI or other clock 
information being sent/received between the two units. Two DD-20s will stay in 
virtual sync with each other for at least a half-hour. I've not yet let mine run 
more than that, but someday maybe I'll put on a rhythmic loop and see how long 
they stay sync'd before an audible mismatch creeps in.&nbsp;</FONT></DIV>
<DIV><FONT size=2>&nbsp;&nbsp;&nbsp; One of the very practicaal benefits of the 
DD-20 is its numerical readout for delay length: up to 9999 milliseconds (9.999 
seconds), then hundredths of a second (centaseconds?) from 10.00 up to 23.00. I 
used my DD-20s in virtual sync with the click of my Korg D1600 recording 
workstation and with my Bodd GT-3 multi-fx pedal to record the excerpt of "The 
Long Dance" that is on the Looper's Delight Compilation Vol. 3 CD. Neither the 
DD-20s, the GT-3,&nbsp;nor the Korg required any tweaking of their time 
parameters to remain in sync for the entire recording process. I often use my 
DD-20s with a drum machine these days (a Zoom RT223) and while this machine 
*does* require a slight tweak to get in sync, I can find its "sweet spot" pretty 
quick and my two DD-20s, my GT-3&nbsp;and the RT223 will groove away for fifteen 
minutes or more in virtual sync. I suspect the mismatch between the DD-20s and 
the Zoom are due to different clock pulses; the Zoom runs about 1% faster than 
the DD-20s. I'm looking forward to getting a Boss DR-880 in the near future, and 
I'll bet the entire Boss family will run in exact virtual sync.</FONT></DIV>
<DIV><FONT size=2>&nbsp;&nbsp;&nbsp; You described your music this 
way:</FONT></DIV>
<DIV>&nbsp;I let electronic rythmic parts run on the background, and add layers 
of guitar loops: very simple and generally brief arpeggios, or chords, on which 
I add solos (sometimes with my ebow), or just very spacey soundscapes (lots of 
reverbs etc). That is why I need perfect timing control over my loops: they need 
to be perfectly synchronized with the drum track I run in the background. I 
guess you could say what I do is somewhere in between Lali Puna/the late 
Radiohead, Labradford, with a kind of ambient touch to it. </DIV>
<DIV><FONT size=2>&nbsp;&nbsp;&nbsp; With one or two DD-20s (and/or a drum 
machine or two, as I just described), you can create a background rhythmic 
pattern, add as many layers of live-in-real-time guitar textures as you wish, 
set one or more of your DD-20s to "infinite feedback" to capture your loop, then 
press the On/Off stomp switch on the left. This turns the *recording* of 
material off, but allows the loop/delay to *play back* at whatever&nbsp;feedback 
level it is set at. And if it's set a "infinite feedback," the loop will loop 
endlessly with no degeneration, no fade, and you can solo to your heart's 
content. Let's say in the midst of your soloing you play a melody, chord or 
texture you'</FONT><FONT size=2>d like to add to your loop. Just hit the On/Off 
switch again (turning the pedal's "record" function on), play your new material, 
and hit the On/Off switch when you're done. Your new melody/chord/texture is 
added, and you can continue to solo atop the loop. </FONT></DIV>
<DIV><FONT size=2>&nbsp;&nbsp;&nbsp; For my taste, a delay-based looper like the 
DD-20 is superior to a "true" looper like the Boss RC-20 because, in addition to 
being able to end a loop suddenly, the DD-20 can fade out over as long or short 
a period as you like by adjusting the feedbck level. Currently I'm playing 
around with groove-based textures that either drift (i.e. the groove slowly 
dissipates)&nbsp;or leap(i.e. the groove suddenly disappears) into non-rhythmic 
oceanic soundscape-land.</FONT></DIV>
<DIV><FONT size=2>&nbsp;&nbsp;&nbsp; Hope this helps y'all,</FONT></DIV>
<DIV><FONT size=2>Douglas Baldwin, coyote-at-large<BR><A 
href="http://www.thecoyote.org">www.thecoyote.org</A><BR><A 
href="mailto:coyotelk@optonline.net">coyotelk@optonline.net</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=2>"Life! Life!<BR>Clouds and clowns!<BR>You don't have to come 
down!"<BR>- Sly and the Family Stone</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=2></FONT>&nbsp;</DIV></BODY></HTML>

--Boundary_(ID_nI9eO+vq/6EJoKS8/Z2XdQ)--

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From: "Ingo Ito" <ito@itofarm.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Behringer iAXE393 USB-Guitar 
Date: Mon, 23 Oct 2006 17:37:42 +0200
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Hi everybody!

I just discovered this new Behringer Product, which seems quite =
interesting. But I didn=B4t find any information if this guitar is only =
exclusively working with the supplied Native Instruments/Behringer Amp =
Plug-Ins and the supplied recording software, or if it is also usable =
for other plugins, like NI B4 organ or Battery plugins, used with e.g. =
Steinberg=B4s Cubase.

If it would act as a "plugin of all kind"-trigger, then it might be a =
powerful live looping tool. Imagine, just a laptop with looping software =
(mobius etc.), sequencer software with plugins and this guitar. Would =
make travelling to concerts a lot easier.
And the price of just around 120 Euros/145 US Dollars is unbelievable =
even just as a regular guitar.

So check this out http://www.behringer.com/IAXE393/index.cfm?lang=3DENG

And to those who might have tested this guitar with a computer, I would =
really appreciate their report.

Regards from Spain
Ingo Ito
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<DIV><FONT face=3DArial size=3D4>Hi everybody!</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>I just discovered this new Behringer =
Product, which=20
seems quite interesting. But I didn=B4t find any information if this =
guitar is=20
only exclusively working with the supplied Native Instruments/Behringer =
Amp=20
Plug-Ins and the supplied recording software, or if it is also usable =
for other=20
plugins, like NI B4 organ or Battery plugins, used with e.g. =
Steinberg=B4s=20
Cubase.</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>If it would act as a "plugin of all =
kind"-trigger,=20
then it&nbsp;might be a powerful live looping tool. Imagine, just a =
laptop with=20
looping software (mobius etc.), sequencer software with plugins and this =
guitar.=20
Would make travelling to concerts a lot easier.</FONT></DIV>
<DIV><FONT face=3DArial size=3D4>And the price of just around 120 =
Euros/145 US=20
Dollars is unbelievable even just as a regular guitar.</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>So check this out <A=20
href=3D"http://www.behringer.com/IAXE393/index.cfm?lang=3DENG">http://www=
.behringer.com/IAXE393/index.cfm?lang=3DENG</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>And to those who might have tested this =
guitar with=20
a computer, I would really appreciate their report.</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D4>Regards from Spain</FONT></DIV>
<DIV><FONT face=3DArial size=3D4>Ingo Ito</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 16:23:49 2006
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Subject: RE: Behringer iAXE393 USB-Guitar 
Date: Mon, 23 Oct 2006 11:23:51 -0500
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From: "Jeff Larson" <jeff.larson@sailpoint.com>
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From: Ingo Ito [mailto:ito@itofarm.com]=20
=20
> I just discovered this new Behringer Product, which seems quite
> interesting.=20
=20
The guitar has a built in USB audio interface, it is not a triggering
device.  I would guess that it will work with any audio application,
since the device driver makes it look like an ordinary audio interface.
It is probably similar to this:
=20
  http://www.sweetwater.com/store/detail/LightSnake10/
=20
You would therefore not have to buy a standalone audio interface,
but you would still have to buy a footswitch or some other
triggering device to control the plugins.
=20
Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 17:17:53 2006
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Date: Mon, 23 Oct 2006 10:17:51 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Suggestion about looping gear
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Then the DD-20 (I looper that I own and love) will not
work for you at all.  Why?  No device can loop
perfectly forever unless it can sync to a MIDI clock. 
You'll get drift.  It sneeks up on you pretty fast and
very quickly you will not have a loop that is synced
to your drums.

Devices that do sync to a drum machine do exist.  A
few that come to mind that are still in production are
are the Gibson Echoplex Digital Pro, the
Electro-harmonix 2880 and the new Boss RC-50
Loopstation, though reports say the Loopstation not
all that good at being a slave to your drum machine's
MIDI clock. (something you need to make perfectly
synced loops)  Also, for deluxe goodness there's the
Looperlative which also syncs well to MIDI clock.

My favorite hardware looper is still the Eletrix
Repeater, but it's long out of production, but I'm
estimating that v2 will be released by Electrix in the
year 2112.  If you can find one on ebay I say get one.

A good number of us, including me, have abandoned
dedicated hardware and have gone to software based
looping.  The software (Mobius) is free, but by the
time you've purchased a laptop and audio interface and
midi controller you've dropped a least $1500.  Get a
fast machine with a lot of ram.  If you have all this
already, then you're set.  Go to
http://www.zonemobius.com and download.  It's great. 
PC only.  Shame nothing like it exists for the Mac,
but but Augustus Loop is pretty damn fun.

Good luck,

Mark


--- weaviestonder <weaviestonder@hotmail.it> wrote:

That is why I need perfect timing control over my
loops: they need tobe perfectly synchronized with the
drum track I run in the background.

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 17:40:35 2006
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We are the Priests of the Temples of Syrinx
Our great Repeaters fill the hallowed halls.
We are the Priests, of the Temples of Syrinx
All the gifts of non-refundable deposits and outraged forum posts left 
by loopers for 110 frickin' years
are held within our walls.

Daryl Shawn
www.swanwelder.com

> My favorite hardware looper is still the Eletrix
> Repeater, but it's long out of production, but I'm
> estimating that v2 will be released by Electrix in the
> year 2112.  If you can find one on ebay I say get one.
>   

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 17:56:11 2006
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Thanks Douglas, Mark. Although you guys say two very different things 
about the DD-20, you both contributed to give me a clearer idea on what 
I need. As I said in my first post, I am planning to buy a new laptop 
and use that and a midi foot controller instead of a hardware looping 
device, but I just can't afford to buy all that stuff at once!

A couple of more question for Mark:

1. how much RAM would you say a laptop would need to function as a 
looper? Can you give me a frame of reference?
2. is software for Mac less functional than that on PC? I was planning 
to get a Mac, since I have heard from many people that they are more 
reliable than computers (no crashes, etc), which is a big deal when you 
are performing live obviously. Also, they told me most PCs have longer 
delay in handling MIDI signal (sorry this explanation is poor but my 
English is insufficient here).
3. If I chose to get a Mac, would the hardware requirements be 
different? I mean, would I need more or less RAM or more or less CPU to 
do the same thing?

Thank you all very much again, it's great to get to talk to people who 
have experience in this field and are willing to share it and so patient 
in talking to a newbie! :)

Lorenzo
>
>
> --- weaviestonder <weaviestonder@hotmail.it> wrote:
>
> That is why I need perfect timing control over my
> loops: they need tobe perfectly synchronized with the
> drum track I run in the background.
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
>
>   

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 18:21:36 2006
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Message-ID: <20061023182134.63495.qmail@web34309.mail.mud.yahoo.com>
Date: Mon, 23 Oct 2006 11:21:34 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: RE: Behringer iAXE393 USB-Guitar 
To: Loopers-Delight@loopers-delight.com
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  ...and it's listing for a whopping $150 USD.  Better not be counting too much on it despite it being a "...high-quality electric guitar comes with a fantastic maple neck and its screaming tone sings through 3 single-coil pickups with 5-way switching."
   
   
  ted h.

Jeff Larson <jeff.larson@sailpoint.com> wrote:
  From: Ingo Ito [mailto:ito@itofarm.com] 

> I just discovered this new Behringer Product, which seems quite
> interesting. 

The guitar has a built in USB audio interface, it is not a triggering
device. I would guess that it will work with any audio application,
since the device driver makes it look like an ordinary audio interface.
It is probably similar to this:..



"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that order."   Jean Luc Goddard
 		
---------------------------------
Do you Yahoo!?
 Everyone is raving about the  all-new Yahoo! Mail.
--0-1663933643-1161627694=:62582
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<div>&nbsp;</div>  <div>...and it's listing for a whopping $150 USD.&nbsp; Better not be counting too much on it despite it being a "...high-quality electric guitar comes with a fantastic maple neck and its screaming tone sings through 3 single-coil pickups with 5-way switching."</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>ted h.<BR><BR><B><I>Jeff Larson &lt;jeff.larson@sailpoint.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">From: Ingo Ito [mailto:ito@itofarm.com] <BR><BR>&gt; I just discovered this new Behringer Product, which seems quite<BR>&gt; interesting. <BR><BR>The guitar has a built in USB audio interface, it is not a triggering<BR>device. I would guess that it will work with any audio application,<BR>since the device driver makes it look like an ordinary audio interface.<BR>It is probably similar to this:..<BR><BR></BLOCKQUOTE><BR><BR>"Indeed, naturally I think that a film
 should have a beginning, middle, and an end — but not necessarily in that order."   Jean Luc Goddard<p>&#32;
		<hr size=1>Do you Yahoo!?<br> Everyone is raving about the <a href="http://us.rd.yahoo.com/evt=42297/*http://advision.webevents.yahoo.com/mailbeta"> all-new Yahoo! Mail.</a>
--0-1663933643-1161627694=:62582--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 18:37:10 2006
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Date: Mon, 23 Oct 2006 13:37:03 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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The Ninjam Kyberfest that Rainer arranged was a terrific experience that 
really opened my eyes to the possibilities of the technology. I think 
that Ninjam is particularly well-suited to this group, as our music is 
often not dependent on scripted chord changes and arrangements, many of 
us lean towards improvisation, and also because we're extremely 
international.

So...what I'd like to see happen is to have a LD-exclusive Ninjam 
server, open to any members and their acquaintances, and on which time 
could be scheduled for sessions. I'm willing to put some money towards 
this; when I remember how much I paid in San Francisco for rehearsal 
space (more than I pay to rent an entire house here in Mexico) I can 
find it easier to justify an investment, a chunk towards setup and then 
at least some part of the monthly fee. My local playing opportunities 
are extremely limited, thus far, and especially through hearing and 
"meeting" so many people through the Y2k6 fest, I'm very excited about 
playing with people on this list as well as hearing other collaborations.

I imagine that we would need a dedicated server. These can be rented 
from ISP's, of course, or if anyone owns a server perhaps we could pay 
that person for use and bandwidth. In addition to Ninjam itself, I'd 
like for there to be a public chatroom, an archive, a live feed from the 
room, and an editable calendar (which Os has already discussed on the 
Ninjam list).

What suggestions or contributions might people have for making this a 
reality?

Daryl Shawn
www.swanwelder.com


From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 18:46:11 2006
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From: "Bob Amstadt" <bob@looperlative.com>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: Fw: Thanks to Rick Walker for organizing Y2K6 Intl Live Looping Festival
Date: Mon, 23 Oct 2006 11:45:55 -0700
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This is a multi-part message in MIME format.

------=_NextPart_000_0440_01C6F698.CC64AE50
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	charset="iso-8859-1"
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I can't thank Rick enough for all the work that he did putting together =
the Y2K6 festival.  I had a blast this weekend.  I heard some of the =
most wonderful music this weekend.  What is even better is that it was =
all different.  This festival went a long way to demonstrating that =
there are many different ways that looping can be used in music.

As for myself, I want to thank Rick for talking me into performing at =
the festival.  My daughter joined me for my 30 minute set.  We brought =
out my "private" music that I normally only perform at home.  It felt =
really good to be performing my music for a change.

So, a big thank you to Rick and everybody else that helped put this =
amazing gathering together.

-Bob Amstadt
------=_NextPart_000_0440_01C6F698.CC64AE50
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2963" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I can't thank Rick enough for all the =
work that he=20
did putting together the Y2K6 festival.&nbsp; I had a blast this =
weekend.&nbsp;=20
I heard some of the most wonderful music this weekend.&nbsp; What is =
even better=20
is that it was all different.&nbsp; This festival went a long way to=20
demonstrating that there are many different ways that looping can be =
used in=20
music.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>As for myself, I want to thank Rick for =
talking me=20
into performing at the festival.&nbsp; My daughter joined me for my 30 =
minute=20
set.&nbsp; We brought out my "private" music that I normally only =
perform at=20
home.&nbsp; It felt really good to be performing my music for a=20
change.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>So, a big thank you to Rick and =
everybody else that=20
helped put this amazing gathering together.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>-Bob Amstadt</FONT></DIV></BODY></HTML>

------=_NextPart_000_0440_01C6F698.CC64AE50--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 19:04:55 2006
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Date: Mon, 23 Oct 2006 23:04:47 +0400
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At 1:37 PM -0500 10/23/06, Daryl Shawn wrote:
>
>I imagine that we would need a dedicated server. These can be rented 
>from ISP's, of course, or if anyone owns a server perhaps we could 
>pay that person for use and bandwidth. In addition to Ninjam itself, 
>I'd like for there to be a public chatroom, an archive, a live feed 
>from the room, and an editable calendar (which Os has already 
>discussed on the Ninjam list).
>
>What suggestions or contributions might people have for making this a reality?

Well, I like the idea and, I've got a dedicated server that I *might* 
be able to volunteer.  I can't say for certain, since I'm familiar 
with Ninjam, but have never gone through the process of setting it 
up, measuring bandwidth, etc., etc., so I'm hesitant to make a full 
commitment without knowing all the details.

Maybe I could chat with Kris and/or Rainer once we're all back at our 
respective homes again.  They're both at L2k6, I believe, and I'm 
currently writing this from Dubai.  (Eid Mubarakh -- or Happy Eid -- 
to everybody, BTW.)

Right now, the server is only doing duty hosting my three or four 
half-websites, as well as my wife's webs and blogs.  I've been 
wondering how to justify keeping it (not to mention making the 
payments) once we're out of the US permanently, so this could wind up 
being a good thing for all parties.   I need to make certain I'm not 
doing anything to jeopardize my wife's sites, though, because my 
domestic bliss could morph into a domestic hell damn-skippy-quick if 
anything were to happen to those.

On the upside, there's a full blown blogging engine installed -- 
Movable Type -- so we might be able to make use of that.  And as far 
as editable calendars go, I think I remember a couple of quick Perl 
scripts that do that sort of thing.

I'm not putting my hand all the way up in the air just yet, but I am 
willing to consider the possibility.  Let me do some research and 
maybe we can work something out.

	--m.
-- 
_______
"The future: everyone is housed, clothed, and fed, because everyone 
is in jail."

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 19:20:40 2006
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Thanks for putting this out there, mech, it sounds like a possibility 
for sure. The actual server requirements from the Ninjam page 
(http://ninjam.com/download.php) suggest a server of at least 500mhz, 
and 4meg of RAM use (I don't quite understand this myself, as most 
servers would have at least 512 meg of RAM...?). Probably the main 
concern would be bandwidth, to make sure sessions can happen without 
killing your wife's sites (and by proxy, you). Ninjam says 768kbps 
outbound is required for a 4-person session, which is more than any DSL 
connection I'm aware of. I think we'd want to be able to host four 
people at least comfortably, plus hosting sites, so probably a meg of 
upload is what we'd want. Is the server on DSL? We could certainly see 
about bumping up the bandwidth and paying for that, plus of course 
reimbursement for the use itself.

Yes, I think Krispen was involved with setting up the server for the 
Kyberfest so I'll check in with him. Mark Francombe also had one set up 
for testing.

Daryl Shawn
www.swanwelder.com
> At 1:37 PM -0500 10/23/06, Daryl Shawn wrote:
>>
>> I imagine that we would need a dedicated server. These can be rented 
>> from ISP's, of course, or if anyone owns a server perhaps we could 
>> pay that person for use and bandwidth. In addition to Ninjam itself, 
>> I'd like for there to be a public chatroom, an archive, a live feed 
>> from the room, and an editable calendar (which Os has already 
>> discussed on the Ninjam list).
>>
>> What suggestions or contributions might people have for making this a 
>> reality?
>
> Well, I like the idea and, I've got a dedicated server that I *might* 
> be able to volunteer.  I can't say for certain, since I'm familiar 
> with Ninjam, but have never gone through the process of setting it up, 
> measuring bandwidth, etc., etc., so I'm hesitant to make a full 
> commitment without knowing all the details.
>
> Maybe I could chat with Kris and/or Rainer once we're all back at our 
> respective homes again.  They're both at L2k6, I believe, and I'm 
> currently writing this from Dubai.  (Eid Mubarakh -- or Happy Eid -- 
> to everybody, BTW.)
>
> Right now, the server is only doing duty hosting my three or four 
> half-websites, as well as my wife's webs and blogs.  I've been 
> wondering how to justify keeping it (not to mention making the 
> payments) once we're out of the US permanently, so this could wind up 
> being a good thing for all parties.   I need to make certain I'm not 
> doing anything to jeopardize my wife's sites, though, because my 
> domestic bliss could morph into a domestic hell damn-skippy-quick if 
> anything were to happen to those.
>
> On the upside, there's a full blown blogging engine installed -- 
> Movable Type -- so we might be able to make use of that.  And as far 
> as editable calendars go, I think I remember a couple of quick Perl 
> scripts that do that sort of thing.
>
> I'm not putting my hand all the way up in the air just yet, but I am 
> willing to consider the possibility.  Let me do some research and 
> maybe we can work something out.
>
>     --m.

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 19:50:22 2006
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Message-ID: <20061023195019.33898.qmail@web81305.mail.mud.yahoo.com>
Date: Mon, 23 Oct 2006 12:50:19 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Suggestion about looping gear
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Wait, I find it hard to believe that any retailer is
not refunding a deposit for a product that didn't ever
get released.  Is there one?

--- Daryl Shawn <highhorse@mhorse.com> wrote:

> We are the Priests of the Temples of Syrinx
> Our great Repeaters fill the hallowed halls.
> We are the Priests, of the Temples of Syrinx
> All the gifts of non-refundable deposits and
> outraged forum posts left 
> by loopers for 110 frickin' years
> are held within our walls.
> 
> Daryl Shawn
> www.swanwelder.com
> 
> > My favorite hardware looper is still the Eletrix
> > Repeater, but it's long out of production, but I'm
> > estimating that v2 will be released by Electrix in
> the
> > year 2112.  If you can find one on ebay I say get
> one.
> >   
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 19:55:00 2006
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Naw...'scuse the poetic (??) license. I believe someone already posted 
getting a refund back from one of the retailers for the Repeater v2.

Daryl Shawn
www.swanwelder.com
> Wait, I find it hard to believe that any retailer is
> not refunding a deposit for a product that didn't ever
> get released.  Is there one?
>
> --- Daryl Shawn <highhorse@mhorse.com> wrote:
>
>   
>> We are the Priests of the Temples of Syrinx
>> Our great Repeaters fill the hallowed halls.
>> We are the Priests, of the Temples of Syrinx
>> All the gifts of non-refundable deposits and
>> outraged forum posts left 
>> by loopers for 110 frickin' years
>> are held within our walls.
>>
>> Daryl Shawn
>> www.swanwelder.com
>>
>>     
>>> My favorite hardware looper is still the Eletrix
>>> Repeater, but it's long out of production, but I'm
>>> estimating that v2 will be released by Electrix in
>>>       
>> the
>>     
>>> year 2112.  If you can find one on ebay I say get
>>>       
>> one.
>>     
>>>   
>>>       
>>     
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
>
>
>
>   


--------------010802060800010900030903
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Naw...'scuse the poetic (??) license. I believe someone already posted
getting a refund back from one of the retailers for the Repeater v2.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<blockquote
 cite="mid20061023195019.33898.qmail@web81305.mail.mud.yahoo.com"
 type="cite">
  <pre wrap="">Wait, I find it hard to believe that any retailer is
not refunding a deposit for a product that didn't ever
get released.  Is there one?

--- Daryl Shawn <a class="moz-txt-link-rfc2396E" href="mailto:highhorse@mhorse.com">&lt;highhorse@mhorse.com&gt;</a> wrote:

  </pre>
  <blockquote type="cite">
    <pre wrap="">We are the Priests of the Temples of Syrinx
Our great Repeaters fill the hallowed halls.
We are the Priests, of the Temples of Syrinx
All the gifts of non-refundable deposits and
outraged forum posts left 
by loopers for 110 frickin' years
are held within our walls.

Daryl Shawn
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a>

    </pre>
    <blockquote type="cite">
      <pre wrap="">My favorite hardware looper is still the Eletrix
Repeater, but it's long out of production, but I'm
estimating that v2 will be released by Electrix in
      </pre>
    </blockquote>
    <pre wrap="">the
    </pre>
    <blockquote type="cite">
      <pre wrap="">year 2112.  If you can find one on ebay I say get
      </pre>
    </blockquote>
    <pre wrap="">one.
    </pre>
    <blockquote type="cite">
      <pre wrap="">  
      </pre>
    </blockquote>
    <pre wrap="">
    </pre>
  </blockquote>
  <pre wrap=""><!---->

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
<a class="moz-txt-link-freetext" href="http://mail.yahoo.com">http://mail.yahoo.com</a> 



  </pre>
</blockquote>
<br>
</body>
</html>

--------------010802060800010900030903--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 19:58:39 2006
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From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: Suggestion about looping gear
Date: Mon, 23 Oct 2006 14:52:49 -0500
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On Oct 23, 2006, at 2:54 PM, Daryl Shawn wrote:

> Naw...'scuse the poetic (??) license. I believe someone already  
> posted getting a refund back from one of the retailers for the  
> Repeater v2.
>

Yep...'twas me.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 20:01:20 2006
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Going the software route will give you a bunch of new things to worry
about. You will just experience different limitations and hurdles to
deal with now :O(

I have both and enjoy my gibson echoplex and work with what it can offer
me and understand what it doesn't do, which doesn't effect me that much.
But I do enjoy my powerbook/ableton/midi controller setup also,
but I again expect and understand the limitations here also and
appreciate what software can do.



On Mon, Oct 23, 2006 at 07:56:11PM +0200, weaviestonder wrote:
> Thanks Douglas, Mark. Although you guys say two very different things 
> about the DD-20, you both contributed to give me a clearer idea on what 
> I need. As I said in my first post, I am planning to buy a new laptop 
> and use that and a midi foot controller instead of a hardware looping 
> device, but I just can't afford to buy all that stuff at once!
> 
> A couple of more question for Mark:
> 
> 1. how much RAM would you say a laptop would need to function as a 
> looper? Can you give me a frame of reference?
> 2. is software for Mac less functional than that on PC? I was planning 
> to get a Mac, since I have heard from many people that they are more 
> reliable than computers (no crashes, etc), which is a big deal when you 
> are performing live obviously. Also, they told me most PCs have longer 
> delay in handling MIDI signal (sorry this explanation is poor but my 
> English is insufficient here).
> 3. If I chose to get a Mac, would the hardware requirements be 
> different? I mean, would I need more or less RAM or more or less CPU to 
> do the same thing?
> 
> Thank you all very much again, it's great to get to talk to people who 
> have experience in this field and are willing to share it and so patient 
> in talking to a newbie! :)
> 
> Lorenzo
> >
> >
> >--- weaviestonder <weaviestonder@hotmail.it> wrote:
> >
> >That is why I need perfect timing control over my
> >loops: they need tobe perfectly synchronized with the
> >drum track I run in the background.
> >
> >__________________________________________________
> >Do You Yahoo!?
> >Tired of spam?  Yahoo! Mail has the best spam protection around 
> >http://mail.yahoo.com 
> >
> >  
> 

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 20:46:34 2006
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: Behringer iAXE393 USB-Guitar 
Date: Mon, 23 Oct 2006 21:46:31 +0100
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uli does it again. buys a line6 variax, copies the guts & lashes them into a
very cheap strat knock-off. 
 
I mean, I know he's making sophisticated equipment available to folks who'd
otherwise be starving themselves to get on the first rung of
home-recording's long ladder, but there has to be something a little immoral
about behringer's total lack of shame or innovation. then there's the
reliability issue mentioned here before. one can only imagine that the lack
of decent in-house R&D leaves them exposed when it comes to the
survivability or otherwise of what they end up making.
 
didn't boss & EH just jump all over them for some major stomp-box
infractions? I expect he's either got balls of iron or a shit-hot patents
lawyer.
 
uli, why don't you make a repeater knock-off, for fox ache?
 
duncan.


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<DIV><SPAN class=409404020-23102006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>uli does it again. buys a line6 variax, copies the guts 
&amp; lashes them into a very cheap strat knock-off. </FONT></SPAN></DIV>
<DIV><SPAN class=409404020-23102006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=409404020-23102006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>I mean, I know he's making sophisticated equipment 
available to folks who'd otherwise be starving themselves to get on the first 
rung of home-recording's long ladder, but there has to be something a little 
immoral about behringer's total lack of shame or innovation. then there's the 
reliability issue mentioned here before. one can only imagine that the lack of 
decent in-house R&amp;D leaves them exposed when it comes to the survivability 
or otherwise of what they end up making.</FONT></SPAN></DIV>
<DIV><SPAN class=409404020-23102006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=409404020-23102006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>didn't boss &amp; EH just jump all over them for some major 
stomp-box infractions? I expect he's either got balls of iron or a shit-hot 
patents lawyer.</FONT></SPAN></DIV>
<DIV><SPAN class=409404020-23102006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=409404020-23102006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>uli, why don't you make a repeater knock-off, for fox 
ache?</FONT></SPAN></DIV>
<DIV><SPAN class=409404020-23102006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=409404020-23102006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>duncan.</FONT></SPAN></DIV><CODE><FONT SIZE=3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 21:15:14 2006
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Date: Tue, 24 Oct 2006 01:15:07 +0400
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: Ninjam server
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At 2:20 PM -0500 10/23/06, Daryl Shawn wrote:
>Thanks for putting this out there, mech, it sounds like a 
>possibility for sure. The actual server requirements from the Ninjam 
>page (http://ninjam.com/download.php) suggest a server of at least 
>500mhz, and 4meg of RAM use (I don't quite understand this myself, 
>as most servers would have at least 512 meg of RAM...?). Probably 
>the main concern would be bandwidth, to make sure sessions can 
>happen without killing your wife's sites (and by proxy, you). Ninjam 
>says 768kbps outbound is required for a 4-person session, which is 
>more than any DSL connection I'm aware of. I think we'd want to be 
>able to host four people at least comfortably, plus hosting sites, 
>so probably a meg of upload is what we'd want. Is the server on DSL? 
>We could certainly see about bumping up the bandwidth and paying for 
>that, plus of course reimbursement for the use itself.
>
>Yes, I think Krispen was involved with setting up the server for the 
>Kyberfest so I'll check in with him. Mark Francombe also had one set 
>up for testing.

Hrm, I was just looking at the specs, and this may not be quite so 
bad.  Although my server's only got 512meg of RAM (I've only got 
512m? I could swear I'm paying for 1gig.), it's still looking like 
there's enough horsepower -- and certainly enough diskspace -- to 
spare.  I'm connected through an OC192 in the datacenter, so I think 
the bandwidth is good just so long as we don't go above my 500gb 
traffic allotment on any given month.  I do need to see if I can get 
the software to compile, however (i'm on linux).

I think it's worth having a conversation with some of the experts, 
but before I go too far, I'd like to know how much interest there is 
in this really?  Anybody else like the idea of another Ninjam server 
out there?  If we get one set up, is it actually gonna get used?

TIA!!!

	--m.
-- 
_______
"Take a packet of seeds.  Take yourself out to play
  I want to see river of orchids where we had a motorway..."

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 21:22:04 2006
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To: Loopers-Delight@loopers-delight.com
Subject: RE: Behringer iAXE393 USB-Guitar 
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Fox ache!=3F LOL I was trying to remember what that effect or device a
"fox ache" was and gave up figuring I had a lot to learn =2E Later I
think I sounded it out verbally and just about pee'd my pants
laughing=2E I love the English language=2E Thanx for the headsup on this
new Berringer item=2E Yeah, mebbe he spends so much on legal
representation that there's nothing left for a decent R&D department=2E
Cheers, Noel Grassy

---- Original Message ----
From: goddard=2Eduncan@mtvne=2Ecom
To: Loopers-Delight@loopers-delight=2Ecom
Subject: RE: Behringer iAXE393 USB-Guitar=20
Date: Mon, 23 Oct 2006 21:46:31 +0100

>uli does it again=2E buys a line6 variax, copies the guts & lashes them
>into a
>very cheap strat knock-off=2E=20
>=20
>I mean, I know he's making sophisticated equipment available to folks
>who'd
>otherwise be starving themselves to get on the first rung of
>home-recording's long ladder, but there has to be something a little
>immoral
>about behringer's total lack of shame or innovation=2E then there's the
>reliability issue mentioned here before=2E one can only imagine that
>the lack
>of decent in-house R&D leaves them exposed when it comes to the
>survivability or otherwise of what they end up making=2E
>=20
>didn't boss & EH just jump all over them for some major stomp-box
>infractions=3F I expect he's either got balls of iron or a shit-hot
>patents
>lawyer=2E
>=20
>uli, why don't you make a repeater knock-off, for fox ache=3F
>=20
>duncan=2E
>
>
>*********************************************************************
>******
>CONFIDENTIALITY NOTICE
>
>The contents of this e-mail are confidential to the ordinary user
>of the e-mail address to which it was addressed, and may also
>be privileged=2E  If you are not the addressee of this e-mail you may=20=

>not copy, forward, disclose or otherwise use it or any part of it
>in any form whatsoever=2EIf you have received this e-mail in error,
>please e-mail the sender by replying to this message=2E
>
>It is your responsibility to carry out appropriate virus and other
>checks to ensure that this message and any attachments do not
>affect your systems / data=2E Any views or opinions expressed in this
>e-mail are solely those of the author and do not necessarily
>represent those of MTV Networks Europe unless specifically stated,
>nor does this message form any part of any contract unless so stated=2E
>
>MTV reserves the right to monitor e-mail communications from
>external/internal sources for the purposes of ensuring correct=20
>and appropriate use of MTV communication equipment=2E
>
>MTV Networks Europe
>*********************************************************************
>******
>



=
Dial Broadband has arrived Nationwide! Up to 5 times faster than traditio=
nal dialup connections from $13.33/month! See the demo for yourself at <a=
 href=3D"http://www.BigValley.net">www.BigValley.net</a> =


From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 21:35:20 2006
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That does sound pretty good actually, mech. 500g a month is a /lot/ of 
data transfer, I really doubt we'd approach that unless there were 
sessions all day, every day. They do provide source code that's 
compilable on Linux, on that download page 
<http://ninjam.com/download.php>. Once we talk with the folks who set up 
the Kyberfest, if things still look likely, we could do a few sessions 
and test to see how hard we're hitting the server.

In the Kyberfest group there was a lot of voiced interest in ongoing 
sessions. I know for me personally I could do any number of sessions a 
week, and just having the availability would be well worth it. I think 
involvement would grow as familiarity with the software increased, too. 
Others?

Daryl Shawn
www.swanwelder.com

>
> Hrm, I was just looking at the specs, and this may not be quite so 
> bad.  Although my server's only got 512meg of RAM (I've only got 512m? 
> I could swear I'm paying for 1gig.), it's still looking like there's 
> enough horsepower -- and certainly enough diskspace -- to spare.  I'm 
> connected through an OC192 in the datacenter, so I think the bandwidth 
> is good just so long as we don't go above my 500gb traffic allotment 
> on any given month.  I do need to see if I can get the software to 
> compile, however (i'm on linux).
>
> I think it's worth having a conversation with some of the experts, but 
> before I go too far, I'd like to know how much interest there is in 
> this really?  Anybody else like the idea of another Ninjam server out 
> there?  If we get one set up, is it actually gonna get used?
>
> TIA!!!
>
>     --m.


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<head>
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</head>
<body bgcolor="#ffffff" text="#000000">
That does sound pretty good actually, mech. 500g a month is a <i>lot</i>
of data transfer, I really doubt we'd approach that unless there were
sessions all day, every day. They do provide source code that's
compilable on Linux, on that <a href="http://ninjam.com/download.php">download
page</a>. Once we talk with the folks who set up the Kyberfest, if
things still look likely, we could do a few sessions and test to see
how hard we're hitting the server.<br>
<br>
In the Kyberfest group there was a lot of voiced interest in ongoing
sessions. I know for me personally I could do any number of sessions a
week, and just having the availability would be well worth it. I think
involvement would grow as familiarity with the software increased, too.
Others?<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
<blockquote cite="midp0623092ac162de97e59a@%5B10.128.1.188%5D"
 type="cite"><br>
Hrm, I was just looking at the specs, and this may not be quite so
bad.&nbsp; Although my server's only got 512meg of RAM (I've only got 512m?
I could swear I'm paying for 1gig.), it's still looking like there's
enough horsepower -- and certainly enough diskspace -- to spare.&nbsp; I'm
connected through an OC192 in the datacenter, so I think the bandwidth
is good just so long as we don't go above my 500gb traffic allotment on
any given month.&nbsp; I do need to see if I can get the software to
compile, however (i'm on linux).
  <br>
  <br>
I think it's worth having a conversation with some of the experts, but
before I go too far, I'd like to know how much interest there is in
this really?&nbsp; Anybody else like the idea of another Ninjam server out
there?&nbsp; If we get one set up, is it actually gonna get used?
  <br>
  <br>
TIA!!!
  <br>
  <br>
&nbsp;&nbsp;&nbsp;&nbsp;--m.
  <br>
</blockquote>
<br>
</body>
</html>

--------------060802050200010603080005--

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 21:43:45 2006
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Subject:  Re: Suggestion about looping gear
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Mark wrote:
<<My favorite hardware looper is still the Electrix
Repeater, but it's long out of production, but I'm
estimating that v2 will be released by Electrix in the
year 2112.  (snip)

    Feeling uncharacteristically optomistic this morning, eh Mark?

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 21:44:53 2006
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Date: Mon, 23 Oct 2006 17:44:50 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Behringer iAXE393 USB-Guitar
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Except, that in this case the guitar in question bears absolutely no
functional similarity with a Line6 Variax.  As mentioned earlier, this
is nothing but a USB audio interface crammed inside a dirt cheap strat
copy.  The Variax is very much more than that.

In principal, your argument is sound, but in this case, the details
don't line up.

Todd

On 10/23/06, goddard.duncan@mtvne.com <goddard.duncan@mtvne.com> wrote:
>
>
> uli does it again. buys a line6 variax, copies the guts & lashes them into a
> very cheap strat knock-off.

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 21:46:52 2006
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Subject: RE: Behringer iAXE393 USB-Guitar 
Date: Mon, 23 Oct 2006 16:46:53 -0500
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From: goddard.duncan@mtvne.com
=20
> uli does it again. buys a line6 variax, copies the guts & lashes them
> into a very cheap strat knock-off.

It isn't anywyere near that.  The guitar itself doesn't including any
amp modeling hardware, it just has an extremely cheap one-way USB
audio interface.  The only thing that comes out of it is the
"screaming tone" from the pickups and "fantastic maple neck". =20
=20
The guitar output is then fed into some reduced functionality versions
of software amp modelers licensed from Native Instruments.  You have
to monitor through a computer to get anything approaching "screaming
tone".=20
=20
It might be mildly amusing for a 10 year old, but anyone that already
has a guitar would be much better off with the cheapest USB=20
audio interface you can find, and a few free plugins from KVR.=20
=20
Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 22:02:23 2006
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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: Behringer iAXE393 USB-Guitar 
Date: Mon, 23 Oct 2006 14:55:32 -0700
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On Oct 23, 2006, at 2:46 PM, Jeff Larson wrote:

> but anyone that already
> has a guitar would be much better off with the cheapest USB
> audio interface you can find,

This is pretty inexpensive:

http://www.sweetwater.com/store/detail/LightSnake10


regards

BobC



http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo

From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 22:07:15 2006
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Subject: Re: Suggestion about looping gear
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--- weaviestonder <weaviestonder@hotmail.it> wrote:

> 
> A couple of more question for Mark:
> 
> 1. how much RAM would you say a laptop would need to
> function as a 
> looper? Can you give me a frame of reference?

I think they say on the Mobius site that 1 gig of
memory is a good amount to have (and many laptops come
with at least 1 gig these days), but my laptop came
with 2 slots and if you get it custom configured one
of those slots was filled with a 1 gig chip.  A second
1 gig chip for $150 brought me to 2 gigs.  I got this
to be more safe and run sampler software.  When I had
1 gig of RAM I was able to get Live and a bunch of
instruments and effects running perfectly.  I've
always figured it's best to bring your machine up to
the highest specs you can afford though.  Makes them
last longer.

> 2. is software for Mac less functional than that on
> PC?

Not by nature, but in this case Mobius is XP only. 
Can XP apps, including Mobius run on a new Mac?  Yes. 
If I had unlimited cash and wasn't impatient, I'd have
waited and gotten a Macbook Pro.  However, I had a
budget and I was able to get exactly what I wanted
with a Toshiba laptop.  Is Windows XP a bizarre,
clunky, annoying, pestery security nightmare?  Yes. 
However, once you reconfigure it and keep it off the
web it works just as well.  (but man is it ugly
compared to the Mac OS!) If you go XP, plan on giving
yourself a week of tweaking time to get it running for
music.  My Mac G5 was good to go out of the box.

I was planning 
> to get a Mac, since I have heard from many people
> that they are more 
> reliable than computers (no crashes, etc), which is
> a big deal when you 
> are performing live obviously. 

Again, as long as you learn how to take care of a
Windows box, they're pretty damn stable.  The one time
Live 5 crashed on me Mobius kept going and responding
to MIDI messages.  In a performance situation this
would have given me plenty of time to fade my loops,
starting a new one using my Vox Tonelab so I could do
a reboot and continue seamlessly.  Also, I was doing
something fairly stupid when it crashed, like adding
VSTis while a sequence was running.  Not something I'd
do in a performance.

Also, they told me
> most PCs have longer 
> delay in handling MIDI signal (sorry this
> explanation is poor but my 
> English is insufficient here).

Again, I don't think MIDI latency is much of an issue
in any new machine with a USB interface.

> 3. If I chose to get a Mac, would the hardware
> requirements be 
> different? I mean, would I need more or less RAM or
> more or less CPU to 
> do the same thing?

I know when Mac was using the G5 chip there was not a
direct way to compare clock speed.  Often a PC needed
as much as twice the clock to run the same app
according to Reaktor 5's box.  I know a lot of how an
app runs on any OS depends on how it's optimized.  I
find a lot of apps that are Mac only work really well
(Like Digital Performer) but others like Live run
better because to cut corners they're not fully
optimized for the Mac OS.  I think this got corrected
in Live 5 though, but I only run that on the laptop.

> 
> Thank you all very much again, it's great to get to
> talk to people who 
> have experience in this field and are willing to
> share it and so patient 
> in talking to a newbie! :)

You're on what I consider by far to be the best music
list.  Enjoy!  I don't know why, but loopers seem to
be the most knowledgeable and helpful people on this
planet.  Good luck, you're about to learn a very fun
way to make music.

Mark

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Oct 23 23:02:40 2006
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Subject: Re: Behringer iAXE393 USB-Guitar
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you could buy a lightsnake which will do the same thing for you for 
$40.00. Then
you can still plug into an amp if you choose...

http://www.sweetwater.com/store/detail/LightSnake10/

Paul Haslem





Quoting RP Collier <skeptikalist@gmail.com>:

>
> On Oct 23, 2006, at 2:46 PM, Jeff Larson wrote:
>
>> but anyone that already
>> has a guitar would be much better off with the cheapest USB
>> audio interface you can find,
>
> This is pretty inexpensive:
>
> http://www.sweetwater.com/store/detail/LightSnake10
>
>
> regards
>
> BobC
>
>
>
> http://www.cdbaby.com/rpcollier
> http://www.cdbaby.com/rpcollier2
> http://tinyurl.com/cr25j
> http://www.youtube.com/watch?v=sn--iF6a4Xo
>
>


From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 09:29:14 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Suggestion about looping gear
References: <20061023171751.29878.qmail@web81309.mail.mud.yahoo.com> <453D023B.2060408@hotmail.it>
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weaviestonder wrote:
> 1. how much RAM would you say a laptop would need to function as a 
> looper? Can you give me a frame of reference?

I run with 768 meg on a Powerbook, but nowadays you'll probably get 1 
Gig for the same price. I have in my set a loopingtime of 9*90 seconds, 
this is more than 13 minutes... I never use all of it, but it could even 
be enhanced... The same patch (basically as it changes with each 
concert) has been running on a 500 MHz 512 MB G3 Powerbook on OS 9. With 
OS X I needed a bit more speed - Now with 1.5 GHz I can throw in some 
extra treatements...

> 2. is software for Mac less functional than that on PC? I was planning 
> to get a Mac, since I have heard from many people that they are more 
> reliable than computers (no crashes, etc), which is a big deal when you 
> are performing live obviously.

The only software I would run anyway is the most functional of all: 
MaxMSP. It runs very nicely on a Mac. The new MacIntels actually could 
also run Windows if you're willing to be adventurous... ;-)

> 3. If I chose to get a Mac, would the hardware requirements be 
> different? I mean, would I need more or less RAM or more or less CPU to 
> do the same thing?

No...

Stefan

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From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 09:34:50 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Ninjam server
References: <453D0BCF.9010703@mhorse.com> <p06230928c162be1947f5@[10.128.1.188]> <453D1603.4020100@mhorse.com> <p0623092ac162de97e59a@[10.128.1.188]>
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mech wrote:
> I think it's worth having a conversation with some of the experts, but 
> before I go too far, I'd like to know how much interest there is in this 
> really?  Anybody else like the idea of another Ninjam server out there?  
> If we get one set up, is it actually gonna get used?

yes, definitely. Its just a wonderfull rehearsal space. There are not 
too many opportunities for rehearsing free improvised music. It will 
develop the skills of improvisers much more, because nowadays you either 
jam with people who know each other, or you jam too sporadicly with 
people you don't know. Jamming with very familiar friends is fun, but it 
does not enhance your improvising skills...
This will allow to improvise on a much more regular basis.
And just imagine, now we would be able to play with four musicians at a 
time which isn't bad, but upcoming technologies will enhance that a lot.
In the future you probably would not need a calender to organize things, 
you just hop in, and choose a space to meet... (Like you can do already 
with the official Ninjam servers by the way.)

Stefan

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From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 09:39:10 2006
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mark sottilaro wrote:
> Also, I was doing something fairly stupid when it crashed, like
> adding VSTis while a sequence was running.  Not something I'd do in a
> performance.

I made a well working performance patch which did exactly that, loading 
VST's while running, no problem so far on my Mac... (Of course what you 
load should be tested in advance, some VST's just prefer to crash than 
to play... ;-)

Stefan

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From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 09:50:55 2006
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> before I go too far, I'd like to know how much 
> interest there is in this really?  Anybody else like the idea 
> of another Ninjam server out there?  If we get one set up, is 
> it actually gonna get used?


speaking for myself only, I'd say yes. It was so much fun ninjamming with
other loopers, and we explored just a little of the territory that's opened
by that technology.


-Michael - 

some ninjams are here - http://www.michaelpeters.de/mp3/ninjams/



From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 13:19:05 2006
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Subject: Re: Ninjam server
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I think the idea of setting up an LD Ninjam server is great, however is =
it really ness to find a permanant home... (unless someone here is gonna =
donate one). Installing the NinJam server is incedibly simple, even for =
complete idiots like me, and you don't need a special "server" machine =
either. My server that i have been running is just on my work machine =
and I can basically have it running whenever Im not working.
What WOULD be a good idea however would be a page that can track what =
servers are currently up and running, and number of current users. =
Exactly like the Jam Farm page. So I would, for example, register my =
server IP on this page, and then it would track when I was running... =
maybe some hassle of course... but could be a more flexible and =
collaborative solution than one dedicated server that may go sown and =
have no one to fix... Lets ALL put up servers and share by a centralised =
info hub???


mark francombe
marks website is at www.markfrancombe.com he writes for =
www.furthernoise.org and works at www.transformlearning.com
  ----- Original Message -----=20
  From: Daryl Shawn=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, October 23, 2006 11:35 PM
  Subject: Re: Ninjam server


  That does sound pretty good actually, mech. 500g a month is a lot of =
data transfer, I really doubt we'd approach that unless there were =
sessions all day, every day. They do provide source code that's =
compilable on Linux, on that download page. Once we talk with the folks =
who set up the Kyberfest, if things still look likely, we could do a few =
sessions and test to see how hard we're hitting the server.

  In the Kyberfest group there was a lot of voiced interest in ongoing =
sessions. I know for me personally I could do any number of sessions a =
week, and just having the availability would be well worth it. I think =
involvement would grow as familiarity with the software increased, too. =
Others?

  Daryl Shawn
  www.swanwelder.com



    Hrm, I was just looking at the specs, and this may not be quite so =
bad.  Although my server's only got 512meg of RAM (I've only got 512m? I =
could swear I'm paying for 1gig.), it's still looking like there's =
enough horsepower -- and certainly enough diskspace -- to spare.  I'm =
connected through an OC192 in the datacenter, so I think the bandwidth =
is good just so long as we don't go above my 500gb traffic allotment on =
any given month.  I do need to see if I can get the software to compile, =
however (i'm on linux).=20

    I think it's worth having a conversation with some of the experts, =
but before I go too far, I'd like to know how much interest there is in =
this really?  Anybody else like the idea of another Ninjam server out =
there?  If we get one set up, is it actually gonna get used?=20

    TIA!!!=20

        --m.=20




-------------------------------------------------------------------------=
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<META http-equiv=3DContent-Type =
content=3Dtext/html;charset=3DISO-8859-1>
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<STYLE></STYLE>
</HEAD>
<BODY text=3D#000000 bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I think the idea of setting up an LD =
Ninjam server=20
is great, however is it really ness to find a permanant home... (unless =
someone=20
here is gonna donate one). Installing the NinJam server is incedibly =
simple,=20
even for complete idiots like me, and you don't need a special "server" =
machine=20
either. My server that i have been running is just on my work machine =
and I can=20
basically have it running whenever Im not working.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>What WOULD be a good idea however would =
be a page=20
that can track what servers are currently up and running, and number of =
current=20
users. Exactly like the Jam Farm page. So I would, for example, register =
my=20
server IP on this page, and then it would&nbsp;track when I was =
running... maybe=20
some hassle of course... but could be a more flexible and=20
collaborative&nbsp;solution than one dedicated server that may go sown =
and have=20
no one to fix... Lets ALL put up servers and share by a centralised info =

hub???</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>mark francombe<BR>marks website is at <A=20
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A> he =
writes for <A=20
href=3D"http://www.furthernoise.org">www.furthernoise.org</A> and works =
at <A=20
href=3D"http://www.transformlearning.com">www.transformlearning.com</A></=
DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dhighhorse@mhorse.com =
href=3D"mailto:highhorse@mhorse.com">Daryl=20
  Shawn</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, October 23, 2006 =
11:35=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Ninjam =
server</DIV>
  <DIV><BR></DIV>That does sound pretty good actually, mech. 500g a =
month is a=20
  <I>lot</I> of data transfer, I really doubt we'd approach that unless =
there=20
  were sessions all day, every day. They do provide source code that's=20
  compilable on Linux, on that <A =
href=3D"http://ninjam.com/download.php">download=20
  page</A>. Once we talk with the folks who set up the Kyberfest, if =
things=20
  still look likely, we could do a few sessions and test to see how hard =
we're=20
  hitting the server.<BR><BR>In the Kyberfest group there was a lot of =
voiced=20
  interest in ongoing sessions. I know for me personally I could do any =
number=20
  of sessions a week, and just having the availability would be well =
worth it. I=20
  think involvement would grow as familiarity with the software =
increased, too.=20
  Others?<BR><BR>Daryl Shawn<BR><A class=3Dmoz-txt-link-abbreviated=20
  href=3D"http://www.swanwelder.com">www.swanwelder.com</A><BR><BR>
  <BLOCKQUOTE cite=3Dmidp0623092ac162de97e59a@%5B10.128.1.188%5D=20
    type=3D"cite"><BR>Hrm, I was just looking at the specs, and this may =
not be=20
    quite so bad.&nbsp; Although my server's only got 512meg of RAM =
(I've only=20
    got 512m? I could swear I'm paying for 1gig.), it's still looking =
like=20
    there's enough horsepower -- and certainly enough diskspace -- to=20
    spare.&nbsp; I'm connected through an OC192 in the datacenter, so I =
think=20
    the bandwidth is good just so long as we don't go above my 500gb =
traffic=20
    allotment on any given month.&nbsp; I do need to see if I can get =
the=20
    software to compile, however (i'm on linux). <BR><BR>I think it's =
worth=20
    having a conversation with some of the experts, but before I go too =
far, I'd=20
    like to know how much interest there is in this really?&nbsp; =
Anybody else=20
    like the idea of another Ninjam server out there?&nbsp; If we get =
one set=20
    up, is it actually gonna get used? <BR><BR>TIA!!!=20
    <BR><BR>&nbsp;&nbsp;&nbsp;&nbsp;--m. <BR></BLOCKQUOTE><BR><BR>
  <HR>
  I am using the free version of SPAMfighter for private users.<BR>It =
has=20
  removed 2432 spam emails to date.<BR>Paying users do not have this =
message in=20
  their emails.<BR>Try <A=20
  href=3D"http://www.spamfighter.com/go.asp?t=3D249">SPAMfighter</A> for =
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  now!<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 14:19:40 2006
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Date: Tue, 24 Oct 2006 10:21:44 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: Suggestion about looping gear
To: mark sottilaro <zerocrossing2001@yahoo.com>,
	Loopers-Delight@loopers-delight.com
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Yo Mark!
    I think we have a rich point of discussion to mine here. Just after I
wrote that the DD-20 *could* run in "virtual sync" with a drum machine, you
wrote:


> Then the DD-20 (I looper that I own and love) will not
> work for you at all.  Why?  No device can loop
> perfectly forever unless it can sync to a MIDI clock.
> You'll get drift.  It sneeks up on you pretty fast and
> very quickly you will not have a loop that is synced
> to your drums.

    I would amend your warnings about non-MIDI-sync'd loop-and-drum setups
by paying attention to the following rather strong words: "at all" and
"perfectly forever." For you, the DD-20 won't work "at all" as a syncing
looper, yet for me it runs in "virtual sync" for comfortably long periods of
time - fifteen minutes to a half hour before audible drift occurs. For me,
that's not sneaking up pretty fast. No, it's not "perfectly forever" but
it's workable. I suppose if I had the bucks I'd try some other hardware, but
for under $400 I have my two DD-20s which run in a very acceptable sync with
each other AND in sync with my under-$200 Zoom drum machine.
    Let me also make clear that it actually takes a little effort and
advance preparation to get my DD-20s and my drum machine to run side by side
in sync. If my drum machine is bapping away at 80 b.p.m., I have to whip out
my calculator and solve the magic formula: delay time of one beat in
milliseconds = [60 x 1000/80 beats per minute] . Solved, this equals 750ms,
so if I want one beat to loop over and over, I'll set my DD-20s to 0750.
>From here, I don't find it too hard to calculate for four beats (750 x 4),
eight beats (750 x 8), or for way groovy rhythmic displacement like 10-1/4
beats (750 x 10.25). While this minute or so of calculating doesn't bother
me in the least, it could prove annoying to someone who just wants to turn
on a drum machine and loop (relatively) instantly, then tweak the drum track
up by 4 b.p.m. and expect the looper to follow suit.
    I'll tell ya, I would LOVE-LOVE-LOVE to see a delay-based looper-like
piece of hardware like the DD-20s with a friggin' MIDI clock input. I know
there have been discussions about why this some kind of severe problem for
engineers to design, but man, a DD-20 with MIDI sync would cause my poor
heart to skip a beat (maybe I will need MIDI sync for the day I may need a
pacemaker!)
    DD-50, anyone?
Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"Life! Life!
Clouds and clowns!
You don't have to come down!"
- Sly and the Family Stone



From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 14:55:48 2006
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Date: Tue, 24 Oct 2006 07:55:46 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: dl4 expression pedal
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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I'd like to get an expression pedal for my DL4.
   
  The official Line 6 model (the EX1) is coming in around $50USD and I'm wondering if anybody uses a less expensive alternative.
   
   
  ted h.


"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that order."   Jean Luc Goddard
 		
---------------------------------
Stay in the know. Pulse on the new Yahoo.com.  Check it out. 
--0-1303364793-1161701746=:84916
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<div>I'd like to get an expression pedal for my DL4.</div>  <div>&nbsp;</div>  <div>The official Line 6 model&nbsp;(the EX1) is coming in around $50USD and I'm wondering if anybody uses a less expensive alternative.</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>ted h.</div><BR><BR>"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that order."   Jean Luc Goddard<p>&#32;
		<hr size=1>Stay in the know. Pulse on the new Yahoo.com. <a href="http://us.rd.yahoo.com/evt=42974/*http://www.yahoo.com/preview"> Check it out.</a> 

--0-1303364793-1161701746=:84916--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 15:53:31 2006
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Date: Tue, 24 Oct 2006 10:53:17 -0500
From: Daryl Shawn <highhorse@mhorse.com>
User-Agent: Thunderbird 1.5.0.7 (Windows/20060909)
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Ninjam server
References: <453D3591.4080002@mhorse.com> <004d01c6f76e$ec10b920$5a01a8c0@mark>
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This is a multi-part message in MIME format.
--------------030500000600040701030008
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
Content-Transfer-Encoding: 7bit

Mark, it's good to hear that setting up a server is easy to do. What I'm 
intending is, indeed, to create a permanent home, something with enough 
muscle and bandwidth to allow us to depend on it. (I am intending, too, 
to donate money to keep it running, as much as is possible depending on 
the final costs). I must say it is an attractive idea - very socialist! 
- to have a number of different servers all provided by those of us who 
can, with a page to track them. It does have the additional advantage of 
allowing multiple sessions at once. But what I'm thinking right now is 
to focus on one server, and giving that as much support as is needed. I 
also like the idea that having a single location would give it a certain 
elevation, like a venue more than just a practice space, where people 
could conceivably tune in anytime to hear some live looping music.

Daryl Shawn
www.swanwelder.com

> I think the idea of setting up an LD Ninjam server is great, however 
> is it really ness to find a permanant home... (unless someone here is 
> gonna donate one). Installing the NinJam server is incedibly simple, 
> even for complete idiots like me, and you don't need a special 
> "server" machine either. My server that i have been running is just on 
> my work machine and I can basically have it running whenever Im not 
> working.
> What WOULD be a good idea however would be a page that can track what 
> servers are currently up and running, and number of current users. 
> Exactly like the Jam Farm page. So I would, for example, register my 
> server IP on this page, and then it would track when I was running... 
> maybe some hassle of course... but could be a more flexible and 
> collaborative solution than one dedicated server that may go sown and 
> have no one to fix... Lets ALL put up servers and share by a 
> centralised info hub???
>  


--------------030500000600040701030008
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
  <title></title>
</head>
<body bgcolor="#ffffff" text="#000000">
Mark, it's good to hear that setting up a server is easy to do. What
I'm intending is, indeed, to create a permanent home, something with
enough muscle and bandwidth to allow us to depend on it. (I am
intending, too, to donate money to keep it running, as much as is
possible depending on the final costs). I must say it is an attractive
idea - very socialist! - to have a number of different servers all
provided by those of us who can, with a page to track them. It does
have the additional advantage of allowing multiple sessions at once.
But what I'm thinking right now is to focus on one server, and giving
that as much support as is needed. I also like the idea that having a
single location would give it a certain elevation, like a venue more
than just a practice space, where people could conceivably tune in
anytime to hear some live looping music.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
<blockquote cite="mid004d01c6f76e$ec10b920$5a01a8c0@mark" type="cite">
  <meta http-equiv="Content-Type" content="text/html;charset=ISO-8859-1">
  <meta content="MSHTML 6.00.2900.2963" name="GENERATOR">
  <style></style>
  <div><font face="Arial" size="2">I think the idea of setting up an LD
Ninjam server is great, however is it really ness to find a permanant
home... (unless someone here is gonna donate one). Installing the
NinJam server is incedibly simple, even for complete idiots like me,
and you don't need a special "server" machine either. My server that i
have been running is just on my work machine and I can basically have
it running whenever Im not working.</font></div>
  <div><font face="Arial" size="2">What WOULD be a good idea however
would be a page that can track what servers are currently up and
running, and number of current users. Exactly like the Jam Farm page.
So I would, for example, register my server IP on this page, and then
it would&nbsp;track when I was running... maybe some hassle of course... but
could be a more flexible and collaborative&nbsp;solution than one dedicated
server that may go sown and have no one to fix... Lets ALL put up
servers and share by a centralised info hub???</font></div>
  <div>&nbsp;</div>
</blockquote>
<br>
</body>
</html>

--------------030500000600040701030008--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 16:13:17 2006
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From: Daryl Shawn <highhorse@mhorse.com>
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Subject: KlackaDackaRacka Troupe ninjam
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I've posted an mp3 of the Kyberfest performance I did with Warren Sirota 
(nylon-string guitar/guitar synth) and Brian Good (sax & EWI). Warren 
was in Santa Cruz, Brian in Ohio, USA, and I was in Oaxaca, Mexico 
(playing nylon-string as well, plus my trusty four-track). For no firm 
reason, we called ourselves the KlackaDackaRacka Troupe.

http://www.swanwelder.com/projects/seamlesssurprises.htm

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 16:24:36 2006
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Date: Tue, 24 Oct 2006 09:24:33 -0700
From: "Nic Roozeboom" <nicroozeboom@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: dl4 expression pedal
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Well, not less expensive, but it may contribute to the overall comparison:

http://www.musiciansfriend.com/product/Roland-EV5-Expression-Pedal?sku=3D15=
1321

I've had this pedal with the DL-4 for many years, never regretted it.
Nic

On 10/24/06, ditch wrestler <ditchwrestler@yahoo.com> wrote:
>
> I'd like to get an expression pedal for my DL4.
>
> The official Line 6 model (the EX1) is coming in around $50USD and I'm
> wondering if anybody uses a less expensive alternative.
>
>
> ted h.
>
>
> "Indeed, naturally I think that a film should have a beginning, middle,
> and an end =97 but not necessarily in that order." Jean Luc Goddard
>
> ------------------------------
> Stay in the know. Pulse on the new Yahoo.com. Check it out.<http://us.rd.=
yahoo.com/evt=3D42974/*http://www.yahoo.com/preview>
>



--=20
Nic Roozeboom

http://www.fractal-continuum.com
http://www.myspace.com/fractalcontinuum
http://www.cdbaby.com/fractal

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Well, not <span style=3D"font-style: italic;">less</span> expensive, but it=
 may contribute to the overall comparison:<br><br><a href=3D"http://www.mus=
iciansfriend.com/product/Roland-EV5-Expression-Pedal?sku=3D151321">http://w=
ww.musiciansfriend.com/product/Roland-EV5-Expression-Pedal?sku=3D151321
</a><br><br>I've had this pedal with the DL-4 for many years, never regrett=
ed it.<br>Nic<br><br><div><span class=3D"gmail_quote">On 10/24/06, <b class=
=3D"gmail_sendername">ditch wrestler</b> &lt;<a href=3D"mailto:ditchwrestle=
r@yahoo.com">
ditchwrestler@yahoo.com</a>&gt; wrote:</span><blockquote class=3D"gmail_quo=
te" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt=
 0.8ex; padding-left: 1ex;"><div>I'd like to get an expression pedal for my=
 DL4.
</div>  <div>&nbsp;</div>  <div>The official Line 6 model&nbsp;(the EX1) is=
 coming in around $50USD and I'm wondering if anybody uses a less expensive=
 alternative.</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>ted h.</div=
><br><br>&quot;Indeed, naturally I think that a film should have a beginnin=
g, middle, and an end =97 but not necessarily in that order.&quot;   Jean L=
uc Goddard
<p><span class=3D"ad">=20
=09=09<hr size=3D"1">Stay in the know. Pulse on the new <a href=3D"http://Y=
ahoo.com" target=3D"_blank" onclick=3D"return top.js.OpenExtLink(window,eve=
nt,this)">Yahoo.com</a>. <a href=3D"http://us.rd.yahoo.com/evt=3D42974/*htt=
p://www.yahoo.com/preview" target=3D"_blank" onclick=3D"return top.js.OpenE=
xtLink(window,event,this)">
 Check it out.</a>=20

</span></p></blockquote></div><br><br clear=3D"all"><br>-- <br>Nic Roozeboo=
m<br><br><a href=3D"http://www.fractal-continuum.com">http://www.fractal-co=
ntinuum.com</a><br><a href=3D"http://www.myspace.com/fractalcontinuum">http=
://www.myspace.com/fractalcontinuum
</a><br><a href=3D"http://www.cdbaby.com/fractal">http://www.cdbaby.com/fra=
ctal</a>

------=_Part_10847_29054980.1161707073081--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 16:29:28 2006
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Subject: RE: dl4 expression pedal
Date: Tue, 24 Oct 2006 12:29:24 -0400
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I use the non-plastic Ernie Ball Jr. 25k and it works perfectly, and will
probably outlive us all.

Dave Eichenberger 
http://www.hazardfactor.com/collectives    <--- 50 CDs, 50 hours, no copies
 


________________________________
 
 
	I've had this pedal with the DL-4 for many years, never regretted
it.
	Nic
	 

From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 17:37:34 2006
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Date: Tue, 24 Oct 2006 11:54:57 -0500
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com,
	Daryl Shawn <highhorse@mhorse.com>
Cc: Loopers-Delight@loopers-delight.com
Subject: Re: Ninjam server
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I plan to leave the ninjam server I installed for the y2k6 kyberfest running...
it is running on a dedicated server, and available 24/7... I don't have the
access info at my finger tips, but I will post it later.. :)

peace
-cpr

Quoting Daryl Shawn <highhorse@mhorse.com>:

> Mark, it's good to hear that setting up a server is easy to do. What I'm 
> intending is, indeed, to create a permanent home, something with enough 
> muscle and bandwidth to allow us to depend on it. (I am intending, too, 
> to donate money to keep it running, as much as is possible depending on 
> the final costs). I must say it is an attractive idea - very socialist! 
> - to have a number of different servers all provided by those of us who 
> can, with a page to track them. It does have the additional advantage of 
> allowing multiple sessions at once. But what I'm thinking right now is 
> to focus on one server, and giving that as much support as is needed. I 
> also like the idea that having a single location would give it a certain 
> elevation, like a venue more than just a practice space, where people 
> could conceivably tune in anytime to hear some live looping music.
> 
> Daryl Shawn
> www.swanwelder.com
> 
> > I think the idea of setting up an LD Ninjam server is great, however 
> > is it really ness to find a permanant home... (unless someone here is 
> > gonna donate one). Installing the NinJam server is incedibly simple, 
> > even for complete idiots like me, and you don't need a special 
> > "server" machine either. My server that i have been running is just on 
> > my work machine and I can basically have it running whenever Im not 
> > working.
> > What WOULD be a good idea however would be a page that can track what 
> > servers are currently up and running, and number of current users. 
> > Exactly like the Jam Farm page. So I would, for example, register my 
> > server IP on this page, and then it would track when I was running... 
> > maybe some hassle of course... but could be a more flexible and 
> > collaborative solution than one dedicated server that may go sown and 
> > have no one to fix... Lets ALL put up servers and share by a 
> > centralised info hub???
> >  
> 
> 




----------------------------------------------------------------
This message was sent using IMP, the Internet Messaging Program.

From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 17:41:18 2006
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From: "Krispen Hartung" <khartung@cableone.net>
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References: <001401c6f68b$41ba6720$fe78a8c0@mpeserver>
Subject: Re: some ninjams online
Date: Tue, 24 Oct 2006 11:41:13 -0600
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Thanks, Michael. This is now on the Y2K6 website, on the 
webcast-pictures-MP3 page.

Kris

----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de>
To: <kyberloopfest@yahoogroups.com>; "Loopers Delight" 
<Loopers-Delight@loopers-delight.com>
Sent: Monday, October 23, 2006 4:08 AM
Subject: some ninjams online


> I've put three one-hour-ninjams online here:
> http://www.michaelpeters.de/mp3/ninjams.
> You can download (if you really want), or listen to an mp3 stream in 128
> kbps stereo if you have the bandwidth.
>
> The first of the jams is the "official" session with Per, Bernhard, and me
> from the Y2K6 ninjam stage. Per was local in Santa Cruz, Bernhard was in
> Zurich, Switzerland, and I was at home near Cologne, Germany.
>
> The second is a jam that Michael Bearpark, Bernhard and me did "backstage"
> on another server immediately afterwards.
>
> The third is a test jam that I did with Bernhard two days before the
> festival.
>
> Michael www.michaelpeters.de
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 17:42:29 2006
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Date: Tue, 24 Oct 2006 12:03:05 -0500
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com,
	Bob Amstadt <bob@looperlative.com>
Subject: Re: Fw: Thanks to Rick Walker for organizing Y2K6 Intl Live Looping Festival
References: <044301c6f6d3$7c81ede0$6801a8c0@bobdell>
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Here! Here!

An event like this consumes ones life, and I don't think we can thank Rick
enough for making the sacrifice...

This year, due to scheduling issues, Rick even gave up his performance spot!!

Much honour to Rick and his dedication to looping.. and music.. :)

Thank you brother! :)

-cpr

Quoting Bob Amstadt <bob@looperlative.com>:

> I can't thank Rick enough for all the work that he did putting together the
> Y2K6 festival.  I had a blast this weekend.  I heard some of the most
> wonderful music this weekend.  What is even better is that it was all
> different.  This festival went a long way to demonstrating that there are
> many different ways that looping can be used in music.
> 
> As for myself, I want to thank Rick for talking me into performing at the
> festival.  My daughter joined me for my 30 minute set.  We brought out my
> "private" music that I normally only perform at home.  It felt really good to
> be performing my music for a change.
> 
> So, a big thank you to Rick and everybody else that helped put this amazing
> gathering together.
> 
> -Bob Amstadt




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From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 18:19:39 2006
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Date: Tue, 24 Oct 2006 13:19:32 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Ninjam server
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Awesome, cpr! Are you referring to the one that we actually used for the 
performance? (207.44.142.117:2050) If you're opening this up to all of 
us, I've got lots of questions, like any bandwidth limits, possibilities 
for setting up a stream, chatroom, etc...we can talk offlist perhaps. 
thanks very much for offering!

I'm thinking more about Mark's multiple server idea...

Daryl Shawn
www.swanwelder.com


> I plan to leave the ninjam server I installed for the y2k6 kyberfest running...
> it is running on a dedicated server, and available 24/7... I don't have the
> access info at my finger tips, but I will post it later.. :)
>
> peace
> -cpr
>   


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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Awesome, cpr! Are you referring to the one that we actually used for
the performance? (207.44.142.117:<wbr>2050) If you're opening this up
to all of us, I've got lots of questions, like any bandwidth limits,
possibilities for setting up a stream, chatroom, etc...we can talk
offlist perhaps. thanks very much for offering!<br>
<br>
I'm thinking more about Mark's multiple server idea...<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><font color="#0000ff" face="Arial" size="2"><span
 class="100011800-16102006"></span></font><font><span
 class="100011800-16102006"><font color="#0000ff"><font size="2"><font
 face="Arial"><br>
<br>
</font></font></font><font face="Arial"><font color="#0000ff"><font
 size="2"><span class="100011800-16102006"></span></font></font></font></span></font><br>
<blockquote cite="mid1161708897.453e4561636f7@webmail.musetrap.com"
 type="cite">
  <pre wrap="">I plan to leave the ninjam server I installed for the y2k6 kyberfest running...
it is running on a dedicated server, and available 24/7... I don't have the
access info at my finger tips, but I will post it later.. :)

peace
-cpr
  </pre>
</blockquote>
<br>
</body>
</html>

--------------010406070302090801060809--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 19:06:59 2006
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Date: Tue, 24 Oct 2006 13:28:22 -0500
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com,
	Daryl Shawn <highhorse@mhorse.com>
Subject: Re: Ninjam server
References: <453D3591.4080002@mhorse.com> <004d01c6f76e$ec10b920$5a01a8c0@mark> <453E36ED.5090407@mhorse.com> <1161708897.453e4561636f7@webmail.musetrap.com> <453E5934.3030903@mhorse.com>
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Daryl,

 Yes, that is the one... I've got 1000G/mo bandwidth on that machine, but I also
host around 15 domains on it... So, in the long run, I may have to make
bandwidth a consideration, but for now I'm not worried about it.. :)

 I'm always open to participating in things like this, but I also need to keep
my 'time commitment' low (so as to not overextend, as I am so apt to do)... So,
that always brings up 'tech support' and 'resource management' issues that
extend thru-out the lifetime of things like this... I agree that we should take
the detail ironing portion of this discussion offlist, we should get a list of
email addresses of those interested, and start throwing emails around..  and
I'll leave the sheparding of that to you.. ;)

peace
-cpr

Quoting Daryl Shawn <highhorse@mhorse.com>:

> Awesome, cpr! Are you referring to the one that we actually used for the 
> performance? (207.44.142.117:2050) If you're opening this up to all of 
> us, I've got lots of questions, like any bandwidth limits, possibilities 
> for setting up a stream, chatroom, etc...we can talk offlist perhaps. 
> thanks very much for offering!
> 
> I'm thinking more about Mark's multiple server idea...
> 
> Daryl Shawn
> www.swanwelder.com
> 
> 
> > I plan to leave the ninjam server I installed for the y2k6 kyberfest
> running...
> > it is running on a dedicated server, and available 24/7... I don't have
> the
> > access info at my finger tips, but I will post it later.. :)
> >
> > peace
> > -cpr
> >   
> 
> 




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From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 19:15:08 2006
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Date: Tue, 24 Oct 2006 12:14:39 -0700
Subject: re: KlackaDackaRacka Troupe ninjam
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=0D=0A		Hi Daryl,=0D=0A=0D=0AI don't know if you've sent me email or not  -=
I'm still away from=0D=0Ahome, and using web mail without all my spam filte=
rs and sorters is=0D=0Areally cumbersome and difficult. So excuse the fact =
that you haven't=0D=0Aheard from me.=0D=0A=0D=0AI really had fun playing wi=
th you guys. We had a couple of outages at=0D=0Aour site during the perform=
ance, so that's why I dropped out here and=0D=0Athere. But thanks a lot - I=
 thought there were a few really terrific=0D=0Amoments, and I also thought =
it was a great thing that we picked a=0D=0Astarting key ahead of time.=0D=
=0A=0D=0APlease convey this to Brian, also, if you don't mind (I don't have=
 his email address here).=0D=0A=0D=0AAnd thanks for posting the jam.=0D=0A=
=0D=0ABest wishes,=0D=0A=0D=0AWarren=0D=0A=0D=0A---------------------------=
-------------=0D=0A=0D=0A				From: Daryl Shawn <highhorse@mhorse.com>=0D=0A=
Sent: Tuesday, October 24, 2006 9:13 AM=0D=0ATo: Loopers-Delight@loopers-de=
light.com=0D=0ASubject: KlackaDackaRacka Troupe ninjam =0D=0A=0D=0AI've pos=
ted an mp3 of the Kyberfest performance I did with Warren Sirota =0D=0A(nyl=
on-string guitar/guitar synth) and Brian Good (sax & EWI). Warren =0D=0Awas=
 in Santa Cruz, Brian in Ohio, USA, and I was in Oaxaca, Mexico =0D=0A(play=
ing nylon-string as well, plus my trusty four-track). For no firm =0D=0Area=
son, we called ourselves the KlackaDackaRacka Troupe.=0D=0A=0D=0Ahttp://www=
.swanwelder.com/projects/seamlesssurprises.htm=0D=0A=0D=0ADaryl Shawn=0D=0A=
www.swanwelder.com=0D=0A=0D=0A

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=0D=0A		<font size=3D"2" face=3D"arial">Hi Daryl,<br /><br />=0D=0AI don't =
know if you've sent me email or not=A0 -I'm still away from=0D=0Ahome, and =
using web mail without all my spam filters and sorters is=0D=0Areally cumbe=
rsome and difficult. So excuse the fact that you haven't=0D=0Aheard from me=
.<br /><br />=0D=0AI really had fun playing with you guys. We had a couple =
of outages at=0D=0Aour site during the performance, so that's why I dropped=
 out here and=0D=0Athere. But thanks a lot - I thought there were a few rea=
lly terrific=0D=0Amoments, and I also thought it was a great thing that we =
picked a=0D=0Astarting key ahead of time.<br /><br />=0D=0APlease convey th=
is to Brian, also, if you don't mind (I don't have his email address here).=
<br /><br />=0D=0AAnd thanks for posting the jam.<br /><br />=0D=0ABest wis=
hes,<br />=0D=0AWarren<br /><br /></font>=0D=0A		<font size=3D"2" face=3D"T=
ahoma, Arial, Sans-Serif">=0D=0A				<hr size=3D"2" width=3D"100%" align=3D"=
center" />=0D=0A				<b>From</b>: Daryl Shawn &lt;highhorse@mhorse.com&gt;<b=
r /><b>Sent</b>: Tuesday, October 24, 2006 9:13 AM<br /><b>To</b>: Loopers-=
Delight@loopers-delight.com<br /><b>Subject</b>: KlackaDackaRacka Troupe ni=
njam</font>=0D=0A		<br />=0D=0A		<br />I've posted an mp3 of the Kyberfest =
performance I did with Warren Sirota <br />(nylon-string guitar/guitar synt=
h) and Brian Good (sax &amp; EWI). Warren <br />was in Santa Cruz, Brian in=
 Ohio, USA, and I was in Oaxaca, Mexico <br />(playing nylon-string as well=
, plus my trusty four-track). For no firm <br />reason, we called ourselves=
 the KlackaDackaRacka Troupe.<br /><br />http://www.swanwelder.com/projects=
/seamlesssurprises.htm<br /><br />Daryl Shawn<br />www.swanwelder.com<br />=
<br /><br />

------_SmarterMail_NextPart_0672056835165106--


From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 19:32:04 2006
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Subject: Re: Ninjam server
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Wow, that gonna be great Daryl... one comment of your made me think =
about something else actually... the idea of an online looping venue is =
superb, so this is what you have... 2 areas one called The Stage and One =
called ... um the mosh pit (maybe not... not much moshing at looping =
gigs... ) Now The Stage is your NinJam server, jump in here to =
contribute... THEN... you run an additional client maybe ON the server =
(bandwidth permitting)... THEN you also run a shoutcast server (even =
easier to setup than the NinJam server) this should point to the audio =
out of the soundcard.. then you have a "listen only" access, for people =
who just wanna listen to some live improv looping!!!

neat huh... ? However, this functionality may be pretty easy to =
implement in the client... sdk is available I think... gonna check the =
ninjam forums and see if any work has been done with this...


mark francombe
marks website is at www.markfrancombe.com he writes for =
www.furthernoise.org and works at www.transformlearning.com
  ----- Original Message -----=20
  From: Daryl Shawn=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, October 24, 2006 5:53 PM
  Subject: Re: Ninjam server


  Mark, it's good to hear that setting up a server is easy to do. What =
I'm intending is, indeed, to create a permanent home, something with =
enough muscle and bandwidth to allow us to depend on it. (I am =
intending, too, to donate money to keep it running, as much as is =
possible depending on the final costs). I must say it is an attractive =
idea - very socialist! - to have a number of different servers all =
provided by those of us who can, with a page to track them. It does have =
the additional advantage of allowing multiple sessions at once. But what =
I'm thinking right now is to focus on one server, and giving that as =
much support as is needed. I also like the idea that having a single =
location would give it a certain elevation, like a venue more than just =
a practice space, where people could conceivably tune in anytime to hear =
some live looping music.

  Daryl Shawn
  www.swanwelder.com


    I think the idea of setting up an LD Ninjam server is great, however =
is it really ness to find a permanant home... (unless someone here is =
gonna donate one). Installing the NinJam server is incedibly simple, =
even for complete idiots like me, and you don't need a special "server" =
machine either. My server that i have been running is just on my work =
machine and I can basically have it running whenever Im not working.
    What WOULD be a good idea however would be a page that can track =
what servers are currently up and running, and number of current users. =
Exactly like the Jam Farm page. So I would, for example, register my =
server IP on this page, and then it would track when I was running... =
maybe some hassle of course... but could be a more flexible and =
collaborative solution than one dedicated server that may go sown and =
have no one to fix... Lets ALL put up servers and share by a centralised =
info hub???




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<META content=3D"MSHTML 6.00.2900.2963" name=3DGENERATOR></HEAD>
<BODY text=3D#000000 bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Wow, that gonna be great Daryl... one =
comment of=20
your made me think about something else actually... the idea of an =
online=20
looping&nbsp;venue is superb, so this is what you have... 2 areas one =
called The=20
Stage and One called ... um the mosh pit (maybe not... not much moshing =
at=20
looping gigs... ) Now The Stage is your NinJam server, jump in here to=20
contribute... THEN... you run an additional client maybe ON the server=20
(bandwidth permitting)... THEN you also run a shoutcast server (even =
easier to=20
setup than the NinJam server) this should point to the audio out of the=20
soundcard.. then you have a "listen only" access, for people who just =
wanna=20
listen to some live improv looping!!!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>neat huh... ? However, this =
functionality may be=20
pretty easy to implement in the client... sdk is available I think... =
gonna=20
check the ninjam forums and see if any work has been done with=20
this...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>mark francombe<BR>marks website is at <A=20
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A> he =
writes for <A=20
href=3D"http://www.furthernoise.org">www.furthernoise.org</A> and works =
at <A=20
href=3D"http://www.transformlearning.com">www.transformlearning.com</A></=
DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dhighhorse@mhorse.com =
href=3D"mailto:highhorse@mhorse.com">Daryl=20
  Shawn</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, October 24, 2006 =
5:53=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Ninjam =
server</DIV>
  <DIV><BR></DIV>Mark, it's good to hear that setting up a server is =
easy to do.=20
  What I'm intending is, indeed, to create a permanent home, something =
with=20
  enough muscle and bandwidth to allow us to depend on it. (I am =
intending, too,=20
  to donate money to keep it running, as much as is possible depending =
on the=20
  final costs). I must say it is an attractive idea - very socialist! - =
to have=20
  a number of different servers all provided by those of us who can, =
with a page=20
  to track them. It does have the additional advantage of allowing =
multiple=20
  sessions at once. But what I'm thinking right now is to focus on one =
server,=20
  and giving that as much support as is needed. I also like the idea =
that having=20
  a single location would give it a certain elevation, like a venue more =
than=20
  just a practice space, where people could conceivably tune in anytime =
to hear=20
  some live looping music.<BR><BR>Daryl Shawn<BR><A=20
  class=3Dmoz-txt-link-abbreviated=20
  href=3D"http://www.swanwelder.com">www.swanwelder.com</A><BR><BR>
  <BLOCKQUOTE cite=3Dmid004d01c6f76e$ec10b920$5a01a8c0@mark =
type=3D"cite">
    <META content=3D"MSHTML 6.00.2900.2963" name=3DGENERATOR>
    <STYLE></STYLE>

    <DIV><FONT face=3DArial size=3D2>I think the idea of setting up an =
LD Ninjam=20
    server is great, however is it really ness to find a permanant =
home...=20
    (unless someone here is gonna donate one). Installing the NinJam =
server is=20
    incedibly simple, even for complete idiots like me, and you don't =
need a=20
    special "server" machine either. My server that i have been running =
is just=20
    on my work machine and I can basically have it running whenever Im =
not=20
    working.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>What WOULD be a good idea however =
would be a=20
    page that can track what servers are currently up and running, and =
number of=20
    current users. Exactly like the Jam Farm page. So I would, for =
example,=20
    register my server IP on this page, and then it would&nbsp;track =
when I was=20
    running... maybe some hassle of course... but could be a more =
flexible and=20
    collaborative&nbsp;solution than one dedicated server that may go =
sown and=20
    have no one to fix... Lets ALL put up servers and share by a =
centralised=20
    info hub???</FONT></DIV>
    <DIV>&nbsp;</DIV></BLOCKQUOTE><BR><BR>
  <HR>
  I am using the free version of SPAMfighter for private users.<BR>It =
has=20
  removed 2432 spam emails to date.<BR>Paying users do not have this =
message in=20
  their emails.<BR>Try <A=20
  href=3D"http://www.spamfighter.com/go.asp?t=3D249">SPAMfighter</A> for =
free=20
  now!<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0077_01C6F7B3.CB1E8720--



From Loopers-Delight-request@loopers-delight.com  Tue Oct 24 19:42:28 2006
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Date: Tue, 24 Oct 2006 14:42:17 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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That's a great idea. I was wondering how exactly to provide a stream and 
that seems like a deliciously simple way to do it, just leave the client 
on all the time. Nice! Let me know what you find on the forums (offlist 
I suppose, I've been dumping on this list all day...).

Daryl Shawn
www.swanwelder.com
> Wow, that gonna be great Daryl... one comment of your made me think 
> about something else actually... the idea of an online looping venue 
> is superb, so this is what you have... 2 areas one called The Stage 
> and One called ... um the mosh pit (maybe not... not much moshing at 
> looping gigs... ) Now The Stage is your NinJam server, jump in here to 
> contribute... THEN... you run an additional client maybe ON the server 
> (bandwidth permitting)... THEN you also run a shoutcast server (even 
> easier to setup than the NinJam server) this should point to the audio 
> out of the soundcard.. then you have a "listen only" access, for 
> people who just wanna listen to some live improv looping!!!
>  
> neat huh... ? However, this functionality may be pretty easy to 
> implement in the client... sdk is available I think... gonna check the 
> ninjam forums and see if any work has been done with this...
>  


--------------090309050602080308070804
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Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
That's a great idea. I was wondering how exactly to provide a stream
and that seems like a deliciously simple way to do it, just leave the
client on all the time. Nice! Let me know what you find on the forums
(offlist I suppose, I've been dumping on this list all day...).<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<blockquote cite="mid008d01c6f7a3$0b0cb570$5a01a8c0@mark" type="cite">
  <title></title>
  <meta http-equiv="Content-Type" content="text/html;charset=ISO-8859-1">
  <meta content="MSHTML 6.00.2900.2963" name="GENERATOR">
  <div><font face="Arial" size="2">Wow, that gonna be great Daryl...
one comment of your made me think about something else actually... the
idea of an online looping&nbsp;venue is superb, so this is what you have...
2 areas one called The Stage and One called ... um the mosh pit (maybe
not... not much moshing at looping gigs... ) Now The Stage is your
NinJam server, jump in here to contribute... THEN... you run an
additional client maybe ON the server (bandwidth permitting)... THEN
you also run a shoutcast server (even easier to setup than the NinJam
server) this should point to the audio out of the soundcard.. then you
have a "listen only" access, for people who just wanna listen to some
live improv looping!!!</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">neat huh... ? However, this
functionality may be pretty easy to implement in the client... sdk is
available I think... gonna check the ninjam forums and see if any work
has been done with this...</font></div>
  <div>&nbsp;</div>
</blockquote>
<br>
</body>
</html>

--------------090309050602080308070804--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 25 00:04:47 2006
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Date: Tue, 24 Oct 2006 17:04:45 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Suggestion about looping gear
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You can say they "coincide" with each other, but they
don't really sync.  Kim once said something along the
lines of "There's no degree of sync.  Either you're
synced or your drifting to some degree."  That's great
you can get them to go together for so long though. 
To be honest I've never even tried.  I do know that if
you're trying to tap in your loop points instead of
doing the calculation like you do, it's going to be a
lot harder to get them to go together for any decent
length of time.

Man, I'd love for my DD-20 to have MIDI sync, but I
know they'll probably never release anything like
that, and to be honest Augustus Loop AU does the trick
(and a lot more) with no drift ever.  Also the price
of two DD-20s is approaching the price of a 2880, you
know?  

--- Douglas Baldwin <coyotelk@optonline.net> wrote:

> Yo Mark!
>     I think we have a rich point of discussion to
> mine here. Just after I
> wrote that the DD-20 *could* run in "virtual sync"
> with a drum machine, you


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From Loopers-Delight-request@loopers-delight.com  Wed Oct 25 01:27:01 2006
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Date: Tue, 24 Oct 2006 18:26:59 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: further questions about midi sync.
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This is something i would like to do but havent really
tried;change sync sources, because in my sampler i
have patterns i have programmed myself and preproduced
loops as well but since my sampler doesnt do time
streching i have to use the EDP as a slave, but when
using my patterns id like to use the EDP as the
master.Both of this are fun, but changing sources live
is a pain in the ass...
Luis




> As far as switching sync sources, I've always found
> it
> too problematic and I mostly just use my sequencer
> as
> clock source.  If you want to start without the
> sequence use a mixer to monitor your sequence in
> headphones while you record and then bring in the
> sequence track when ever you see fit.  Either that
> or
> I'd start with a synth sound that had a rhythmic
> element or guitar with a synced effect and that can
> act like a metronome.
>

www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Wed Oct 25 01:36:16 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Y2K6 MP3s Update
Date: Tue, 24 Oct 2006 19:36:11 -0600
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Here's the running list of downloadable Y2K6 MP3s, also available on the =
website: http://www.y2k6loopfest.com/mp3.html  There is much, much more =
to come.

This is a lot of really great looping music of all different flavors and =
sorts...

"Y2K6 EXPERIMENTAL LOOPING FESTIVAL"
Thursday, October 19

JEFF KAISER and KRISPEN HARTUNG=20
http://www.box.net/public/static/tkmmuf3pdx.mp3

RICK WALKER / PER BOYSEN / RAINER STRASCHILL=20
http://www.box.net/public/static/vobvs80pi9.mp3

RICK WALKER / PER BOYSEN / RAINER STRASCHILL / MANDO MAN=20
http://www.box.net/public/static/pud8l925bk.mp3

RAINER STRASCHILL=20
http://www.eblah.de/audio/Lab_Animal.mp3=20

10th Anniversary Loopers Delight Celebration (and 5th anniversary of the =
Y2K6 Loopfestival)
Friday, October 20

RAINER STRASCHILL and KRISPEN HARTUNG=20
http://www.box.net/public/static/ej5rooygrj.mp3 (involves some intense =
80's like metal sheading and tortured duck-like manifestations)

MIRO MANTERE=20
http://www.box.net/public/static/shbe7lq8m6.mp3

AMY X NEUBURG and RICK WALKER (excellent vocal improvisations)
Part I http://www.box.net/public/static/agt1cfvs0h.mp3
Part II http://www.box.net/public/static/55ryt0sboq.mp3
Part III http://www.box.net/public/static/tvvr2se294.mp3
Part IV http://www.box.net/public/static/m5donlf3hb.mp3

JEFF KAISER and RICK WALKER
Part I http://www.box.net/public/static/5g8cqt3g9o.mp3
Part II http://www.box.net/public/static/6ravb2vm8h.mp3

RYUSEI HATTORI
Part 1 http://www.box.net/public/static/618oim0o5k.mp3
Part II http://www.box.net/public/static/haocno72sx.mp3
Part III http://www.box.net/public/static/8gvfr1zyuk.mp3
Part IV http://www.box.net/public/static/ooar10gztk.mp3

HIDEKI NAKANISHI (MANDO MAN)
http://www.box.net/public/static/og093v6n4u.mp3

BILL WALKER and PER BOYSEN=20
http://www.box.net/public/static/lq5jc1hmpb.mp3

"Y2K6 International Live Looping Festival: Main Festival" - Saturday, =
October 21


JEFF KAISER
http://www.box.net/public/static/z850n5c2qb.mp3

KRISPEN HARTUNG / RICK WALKER
Part I http://www.box.net/public/static/e2do3da2xj.mp3 (with Rick on the =
jazz trap set)
Part II http://www.box.net/public/static/d0vossdudn.mp3 (includes an =
interactive improv segment with the crowd)
Part III http://www.box.net/public/static/335zl4juov.mp3 (with Rick on =
the jazz trap set)




*************************************************************************=
*
Krispen Hartung / Improvisational & Jazz Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
Performance Calendar: =
http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography: http://cdbaby.com/all/khartung 
------=_NextPart_000_0207_01C6F7A3.A9095990
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2964" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff background=3D"">
<DIV><FONT face=3DArial size=3D2>Here's the running list of downloadable =
Y2K6 MP3s,=20
also available on the website: <A=20
href=3D"http://www.y2k6loopfest.com/mp3.html">http://www.y2k6loopfest.com=
/mp3.html</A>&nbsp;=20
There is much, much more to come.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>This is a lot of really great looping =
music of all=20
different flavors and sorts...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT><BR><FONT face=3DArial =
size=3D2><STRONG>"Y2K6=20
EXPERIMENTAL LOOPING FESTIVAL"</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Thursday, October =
19</STRONG></FONT></DIV>
<DIV><BR><FONT face=3DArial size=3D2>JEFF KAISER and KRISPEN HARTUNG =
<BR></FONT><A=20
href=3D"http://www.box.net/public/static/tkmmuf3pdx.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/tkmmuf3pdx.mp3</FONT></A></DIV>=

<DIV><BR><FONT face=3DArial size=3D2>RICK WALKER / PER BOYSEN / RAINER =
STRASCHILL=20
<BR></FONT><A =
href=3D"http://www.box.net/public/static/vobvs80pi9.mp3"><FONT=20
face=3DArial=20
size=3D2>http://www.box.net/public/static/vobvs80pi9.mp3</FONT></A></DIV>=

<DIV><BR><FONT face=3DArial size=3D2>RICK WALKER / PER BOYSEN / RAINER =
STRASCHILL /=20
MANDO MAN <BR></FONT><A=20
href=3D"http://www.box.net/public/static/pud8l925bk.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/pud8l925bk.mp3</FONT></A></DIV>=

<DIV><BR><FONT face=3DArial size=3D2>RAINER STRASCHILL <BR></FONT><A=20
href=3D"http://www.eblah.de/audio/Lab_Animal.mp3"><FONT face=3DArial=20
size=3D2>http://www.eblah.de/audio/Lab_Animal.mp3</FONT></A><FONT =
face=3DArial=20
size=3D2> </FONT></DIV>
<DIV><BR><FONT face=3DArial size=3D2><STRONG>10th Anniversary Loopers =
Delight=20
Celebration (and 5th anniversary of the Y2K6 =
Loopfestival)</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Friday, October =
20</STRONG></FONT></DIV>
<DIV><BR><FONT face=3DArial size=3D2>RAINER STRASCHILL and KRISPEN =
HARTUNG=20
<BR></FONT><A =
href=3D"http://www.box.net/public/static/ej5rooygrj.mp3"><FONT=20
face=3DArial=20
size=3D2>http://www.box.net/public/static/ej5rooygrj.mp3</FONT></A><FONT =

face=3DArial size=3D2>&nbsp;(involves some intense 80's like metal =
sheading and=20
tortured duck-like manifestations)</FONT></DIV>
<DIV><BR><FONT face=3DArial size=3D2>MIRO MANTERE <BR></FONT><A=20
href=3D"http://www.box.net/public/static/shbe7lq8m6.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/shbe7lq8m6.mp3</FONT></A></DIV>=

<DIV><BR><FONT face=3DArial size=3D2>AMY X NEUBURG and RICK WALKER =
(excellent vocal=20
improvisations)<BR>Part I <A=20
href=3D"http://www.box.net/public/static/agt1cfvs0h.mp3">http://www.box.n=
et/public/static/agt1cfvs0h.mp3</A></FONT><FONT=20
face=3DArial size=3D2><BR>Part II <A=20
href=3D"http://www.box.net/public/static/55ryt0sboq.mp3">http://www.box.n=
et/public/static/55ryt0sboq.mp3</A></FONT><FONT=20
face=3DArial size=3D2><BR>Part III <A=20
href=3D"http://www.box.net/public/static/tvvr2se294.mp3">http://www.box.n=
et/public/static/tvvr2se294.mp3</A></FONT><FONT=20
face=3DArial size=3D2><BR>Part IV </FONT><A=20
href=3D"http://www.box.net/public/static/m5donlf3hb.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/m5donlf3hb.mp3</FONT></A></DIV>=

<DIV><BR><FONT face=3DArial size=3D2>JEFF KAISER and RICK WALKER<BR>Part =
I <A=20
href=3D"http://www.box.net/public/static/5g8cqt3g9o.mp3">http://www.box.n=
et/public/static/5g8cqt3g9o.mp3</A></FONT><FONT=20
face=3DArial size=3D2><BR>Part II </FONT><A=20
href=3D"http://www.box.net/public/static/6ravb2vm8h.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/6ravb2vm8h.mp3</FONT></A></DIV>=

<DIV><BR><FONT face=3DArial size=3D2>RYUSEI HATTORI<BR>Part 1 <A=20
href=3D"http://www.box.net/public/static/618oim0o5k.mp3">http://www.box.n=
et/public/static/618oim0o5k.mp3</A></FONT><FONT=20
face=3DArial size=3D2><BR>Part II <A=20
href=3D"http://www.box.net/public/static/haocno72sx.mp3">http://www.box.n=
et/public/static/haocno72sx.mp3</A></FONT><FONT=20
face=3DArial size=3D2><BR>Part III <A=20
href=3D"http://www.box.net/public/static/8gvfr1zyuk.mp3">http://www.box.n=
et/public/static/8gvfr1zyuk.mp3</A></FONT><FONT=20
face=3DArial size=3D2><BR>Part IV </FONT><A=20
href=3D"http://www.box.net/public/static/ooar10gztk.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/ooar10gztk.mp3</FONT></A></DIV>=

<DIV><BR><FONT face=3DArial size=3D2>HIDEKI NAKANISHI (MANDO =
MAN)<BR></FONT><A=20
href=3D"http://www.box.net/public/static/og093v6n4u.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/og093v6n4u.mp3</FONT></A></DIV>=

<DIV><BR><FONT face=3DArial size=3D2>BILL WALKER and PER BOYSEN =
<BR></FONT><A=20
href=3D"http://www.box.net/public/static/lq5jc1hmpb.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/lq5jc1hmpb.mp3</FONT></A></DIV>=

<DIV><BR><FONT face=3DArial size=3D2><STRONG>"Y2K6 International Live =
Looping=20
Festival: Main Festival" - Saturday, October 21</STRONG></FONT></DIV>
<DIV><BR><FONT size=3D2><FONT size=3D3>
<P></FONT><FONT face=3DArial size=3D2>JEFF KAISER<BR></FONT><A=20
href=3D"http://www.box.net/public/static/z850n5c2qb.mp3"><U><FONT=20
color=3D#0000ff><FONT=20
face=3DArial>http://www.box.net/public/static/z850n5c2qb.mp3</FONT></U></=
FONT></A><FONT=20
size=3D3></P></FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>KRISPEN HARTUNG / RICK WALKER<BR>Part I =
<A=20
href=3D"http://www.box.net/public/static/e2do3da2xj.mp3">http://www.box.n=
et/public/static/e2do3da2xj.mp3</A>&nbsp;(with=20
Rick on the jazz trap set)<BR>Part II <A=20
href=3D"http://www.box.net/public/static/d0vossdudn.mp3">http://www.box.n=
et/public/static/d0vossdudn.mp3</A>&nbsp;(includes=20
an interactive improv segment with the crowd)</FONT><FONT face=3DArial=20
size=3D2><BR>Part III <A=20
href=3D"http://www.box.net/public/static/335zl4juov.mp3">http://www.box.n=
et/public/static/335zl4juov.mp3</A>&nbsp;(with=20
Rick on the jazz trap set)</FONT><FONT face=3DArial=20
size=3D2><BR><BR><BR><BR><BR>********************************************=
******************************<BR>Krispen=20
Hartung / Improvisational &amp; Jazz Guitar<BR>www.krispenhartung.com /=20
www.myspace.com/krispenhartung<BR>Performance Calendar:=20
http://www.musi-cal.com/search?performers=3DKrispen%20Hartung<BR>info@kri=
spenhartung.com=20
/ 1.208.724.5603 <BR>Discography -=20
http://www.krispenhartung.com/catalogue.htm<BR>CD Baby Discography:=20
http://cdbaby.com/all/khartung </FONT></DIV></BODY></HTML>

------=_NextPart_000_0207_01C6F7A3.A9095990--


From Loopers-Delight-request@loopers-delight.com  Wed Oct 25 02:29:23 2006
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 <1161708897.453e4561636f7@webmail.musetrap.com>
 <453E5934.3030903@mhorse.com>
Date: Wed, 25 Oct 2006 09:29:05 +0700
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: Ninjam server
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Daryl, got your PM, so I'll take this offlist and get you a coherent 
reply when I'm a bit less jet-lagged (just got into Bangkok last 
night.  eep!).

Also, wanted to say a big thank you to CPR for putting up and 
maintaining the Kyberfest server (both for Y2k6, as well as beyond). 
The online collaborative stuff I've heard from Loopfest is 
spectacular, and I can't wait to start playing around with it myself. 
This should be fun!  :)

	--m.


At 1:19 PM -0500 10/24/06, Daryl Shawn wrote:
>Awesome, cpr! Are you referring to the one that we actually used for 
>the performance? (207.44.142.117:2050) If you're opening this up to 
>all of us, I've got lots of questions, like any bandwidth limits, 
>possibilities for setting up a stream, chatroom, etc...we can talk 
>offlist perhaps. thanks very much for offering!
>
>I'm thinking more about Mark's multiple server idea...
>
>Daryl Shawn
><http://www.swanwelder.com>www.swanwelder.com
>
>>I plan to leave the ninjam server I installed for the y2k6 
>>kyberfest running...
>>it is running on a dedicated server, and available 24/7... I don't have the
>>access info at my finger tips, but I will post it later.. :)
>>
>>peace
>>-cpr
>>

From Loopers-Delight-request@loopers-delight.com  Wed Oct 25 04:39:11 2006
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From: "Tony K" <bigtony@softhome.net>
To: Loopers-Delight@loopers-delight.com
Subject: More NINJams online
Date: Wed, 25 Oct 2006 00:39:07 -0400
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Here are two more

http://www.thinginajar.com/bigtony/DianaMarkTony.mp3

With Diana (Pushing Air), Mark Francombe, and Tony K.

http://www.thinginajar.com/bigtony/TonyMarkMatt.mp3

With Matt Davignon, Mark Francombe, Michael Klobuchar, and Tony K.

I can generate WAV files if anybody wants them instead.

Tony

>Thanks, Michael. This is now on the Y2K6 website, on the
>webcast-pictures-MP3 page.

Kris


-- 
No virus found in this outgoing message.
Checked by AVG Free Edition.
Version: 7.1.408 / Virus Database: 268.13.11/496 - Release Date: 10/24/2006
 

From Loopers-Delight-request@loopers-delight.com  Wed Oct 25 04:44:15 2006
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Excellent. It's on the site now.  Wow, I have a lot of music to listen to!

Kris

----- Original Message ----- 
From: "Tony K" <bigtony@softhome.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, October 24, 2006 10:39 PM
Subject: More NINJams online


>
> Here are two more
>
> http://www.thinginajar.com/bigtony/DianaMarkTony.mp3
>
> With Diana (Pushing Air), Mark Francombe, and Tony K.
>
> http://www.thinginajar.com/bigtony/TonyMarkMatt.mp3
>
> With Matt Davignon, Mark Francombe, Michael Klobuchar, and Tony K.
>
> I can generate WAV files if anybody wants them instead.
>
> Tony
>
>>Thanks, Michael. This is now on the Y2K6 website, on the
>>webcast-pictures-MP3 page.
>
> Kris
>
>
> -- 
> No virus found in this outgoing message.
> Checked by AVG Free Edition.
> Version: 7.1.408 / Virus Database: 268.13.11/496 - Release Date: 
> 10/24/2006
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Oct 25 07:12:53 2006
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From: "Michael Peters" <mp@mpeters.de>
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Subject: m3u files for streaming
Date: Wed, 25 Oct 2006 09:12:47 +0200
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> I was wondering how exactly to provide a stream and that seems like a
deliciously simple way to do it 
 
for on-demand streaming, you can use the m3u file format. See
http://hanna.pyxidis.org/tech/m3u.html for an explanation. It is very simple
indeed!

So for everyone who puts up longer mp3 files of their music: it makes life
much easier for the listeners if you also put up a corresponding m3u file! 

-Michael www.michaelpeters.de

 
 

From Loopers-Delight-request@loopers-delight.com  Wed Oct 25 10:37:57 2006
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Date: Wed, 25 Oct 2006 12:37:32 +0200
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Ok, here's another one:

>From the main festival (10-21, 19:30 at Alchemy), here's my second tune in
roughmix quality:

www.eblah.de/audio/The_Streets.mp3

Also, the photos (http://www.flickr.com/photos/moinsound/) have been
updated.

Have fun!

	Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Oct 25 11:37:02 2006
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
<br>
Thanks a lot Mark! This is very helpful. Now I am considering buying a
PC laptop, just like you (and so many people ou there) I haven't got
2000+ euro for a MacBook Pro, I may actually get a powerful 2MHz, 2GB
RAM, 120 GB HD PC and decide to trust XP Pro...Yet, expect to be
further bothered about tweaks and tricks :)<br>
<br>
I am going to try out both an RC 20 XL and DD-20 which I have seen at a
reasonable price. The rest is sort of out of reach for my present budget
:(<br>
I'll let you guys know how things work out. Thanks everyone for helping
me with this, I hope one day I will have some more knowledge to share
with the wise community and just not get info out of you guys, but also
help someone out myself too. <br>
<br>
Best<br>
<br>
Lorenzo<br>
mark sottilaro ha scritto:
<blockquote
 cite="mid20061023220714.24137.qmail@web81313.mail.mud.yahoo.com"
 type="cite">
  <pre wrap="">--- weaviestonder <a class="moz-txt-link-rfc2396E" href="mailto:weaviestonder@hotmail.it">&lt;weaviestonder@hotmail.it&gt;</a> wrote:

  </pre>
  <blockquote type="cite">
    <pre wrap="">A couple of more question for Mark:

1. how much RAM would you say a laptop would need to
function as a 
looper? Can you give me a frame of reference?
    </pre>
  </blockquote>
  <pre wrap=""><!---->
I think they say on the Mobius site that 1 gig of
memory is a good amount to have (and many laptops come
with at least 1 gig these days), but my laptop came
with 2 slots and if you get it custom configured one
of those slots was filled with a 1 gig chip.  A second
1 gig chip for $150 brought me to 2 gigs.  I got this
to be more safe and run sampler software.  When I had
1 gig of RAM I was able to get Live and a bunch of
instruments and effects running perfectly.  I've
always figured it's best to bring your machine up to
the highest specs you can afford though.  Makes them
last longer.

  </pre>
  <blockquote type="cite">
    <pre wrap="">2. is software for Mac less functional than that on
PC?
    </pre>
  </blockquote>
  <pre wrap=""><!---->
Not by nature, but in this case Mobius is XP only. 
Can XP apps, including Mobius run on a new Mac?  Yes. 
If I had unlimited cash and wasn't impatient, I'd have
waited and gotten a Macbook Pro.  However, I had a
budget and I was able to get exactly what I wanted
with a Toshiba laptop.  Is Windows XP a bizarre,
clunky, annoying, pestery security nightmare?  Yes. 
However, once you reconfigure it and keep it off the
web it works just as well.  (but man is it ugly
compared to the Mac OS!) If you go XP, plan on giving
yourself a week of tweaking time to get it running for
music.  My Mac G5 was good to go out of the box.

I was planning 
  </pre>
  <blockquote type="cite">
    <pre wrap="">to get a Mac, since I have heard from many people
that they are more 
reliable than computers (no crashes, etc), which is
a big deal when you 
are performing live obviously. 
    </pre>
  </blockquote>
  <pre wrap=""><!---->
Again, as long as you learn how to take care of a
Windows box, they're pretty damn stable.  The one time
Live 5 crashed on me Mobius kept going and responding
to MIDI messages.  In a performance situation this
would have given me plenty of time to fade my loops,
starting a new one using my Vox Tonelab so I could do
a reboot and continue seamlessly.  Also, I was doing
something fairly stupid when it crashed, like adding
VSTis while a sequence was running.  Not something I'd
do in a performance.

Also, they told me
  </pre>
  <blockquote type="cite">
    <pre wrap="">most PCs have longer 
delay in handling MIDI signal (sorry this
explanation is poor but my 
English is insufficient here).
    </pre>
  </blockquote>
  <pre wrap=""><!---->
Again, I don't think MIDI latency is much of an issue
in any new machine with a USB interface.

  </pre>
  <blockquote type="cite">
    <pre wrap="">3. If I chose to get a Mac, would the hardware
requirements be 
different? I mean, would I need more or less RAM or
more or less CPU to 
do the same thing?
    </pre>
  </blockquote>
  <pre wrap=""><!---->
I know when Mac was using the G5 chip there was not a
direct way to compare clock speed.  Often a PC needed
as much as twice the clock to run the same app
according to Reaktor 5's box.  I know a lot of how an
app runs on any OS depends on how it's optimized.  I
find a lot of apps that are Mac only work really well
(Like Digital Performer) but others like Live run
better because to cut corners they're not fully
optimized for the Mac OS.  I think this got corrected
in Live 5 though, but I only run that on the laptop.

  </pre>
  <blockquote type="cite">
    <pre wrap="">Thank you all very much again, it's great to get to
talk to people who 
have experience in this field and are willing to
share it and so patient 
in talking to a newbie! :)
    </pre>
  </blockquote>
  <pre wrap=""><!---->
You're on what I consider by far to be the best music
list.  Enjoy!  I don't know why, but loopers seem to
be the most knowledgeable and helpful people on this
planet.  Good luck, you're about to learn a very fun
way to make music.

Mark

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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  </pre>
</blockquote>
<br>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Wed Oct 25 18:07:40 2006
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Subject: question: EQ unit with built-in delay
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hi there,

sorry if this is borderline off-topic but i have a friend who plays 
electronic percussion in a band with a looping guitarist. the guitarist 
sometimes loops parts of what the drummer is playing. he (drummer) also 
wants to put a delay on his sound using an EQ unit.

he's looking for a unit that has stereo inputs and stereo outputs, each 
side having an EQ, with a built in delay, without f'ing up the stereo 
panning.

any suggestions?

thanks in advance,

paula

------------------------------------------------------
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From Loopers-Delight-request@loopers-delight.com  Wed Oct 25 18:27:19 2006
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From: "Weg" <theweg@netzero.net>
Date: Wed, 25 Oct 2006 18:25:42 GMT
To: Loopers-Delight@loopers-delight.com
Subject: Re: Fw: Thanks to Rick Walker for organizing Y2K6 Intl Live Looping Fe
	stival
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----__JWM__J3048.6e78S.0201M
Content-Transfer-Encoding: quoted-printable
Content-Disposition: inline
Content-Type: text/plain

Hi all,
   I sure wish I could have made it this year, maybe next.  I 've listen=
ed to some of the jams and they are as wonderful as they are diverse.  I=
 look forward to listening to more when time permits.  You guys do a gre=
at job! and hats off to Rick for putting this together and sacrificing m=
uch!
 =

Weg
 =

Here! Here!

An event like this consumes ones life, and I don't think we can thank Ri=
ck
enough for making the sacrifice...

This year, due to scheduling issues, Rick even gave up his performance s=
pot!!

Much honour to Rick and his dedication to looping.. and music.. :)

Thank you brother! :)

-cpr

Quoting Bob Amstadt <bob@looperlative.com>:

> I can't thank Rick enough for all the work that he did putting togethe=
r the
> Y2K6 festival.  I had a blast this weekend.  I heard some of the most
> wonderful music this weekend.  What is even better is that it was all
> different.  This festival went a long way to demonstrating that there =
are
> many different ways that looping can be used in music.
> =

> As for myself, I want to thank Rick for talking me into performing at =
the
> festival.  My daughter joined me for my 30 minute set.  We brought out=
 my
> "private" music that I normally only perform at home.  It felt really =
good =

to
> be performing my music for a change.
> =

> So, a big thank you to Rick and everybody else that helped put this am=
azing
> gathering together.
> =

> -Bob Amstadt





----__JWM__J3048.6e78S.0201M
Content-Transfer-Encoding: quoted-printable
Content-Disposition: inline
Content-Type: text/html

<html><P>Hi all,</P>
<P>&nbsp;&nbsp; I sure wish I could have made it this year, maybe next.&=
nbsp; I 've listened to some of the jams and they are as wonderful as th=
ey are diverse.&nbsp; I look forward to listening to more when time perm=
its.&nbsp; You guys do a great job! and hats off to Rick for putting thi=
s together and sacrificing much!</P>
<P>&nbsp;</P>
<P>Weg</P>
<P>&nbsp;</P>
<P>Here! Here!<BR><BR>An event like this consumes ones life, and I don't=
 think we can thank Rick<BR>enough for making the sacrifice...<BR><BR>Th=
is year, due to scheduling issues, Rick even gave up his performance spo=
t!!<BR><BR>Much honour to Rick and his dedication to looping.. and music=
.. :)<BR><BR>Thank you brother! :)<BR><BR>-cpr<BR><BR>Quoting Bob Amstad=
t &lt;<A class=3Dm1 onclick=3D"top.checkNewBrowser('26?To=3Dbob@looperla=
tive.com&amp;count=3D1161800497')" href=3D"http://webmailb.netzero.net/w=
ebmail/new/8?block=3D1&amp;msgList=3D0000CgG0:0015F_^x00003kJw&amp;folde=
r=3DInbox&amp;destFolder=3DTrash&amp;command=3Ddelete&amp;msgNum=3D0000C=
gG0:0015F_^x00003kJw&amp;nextFolder=3DInbox&amp;nextMsgNum=3D0000Cg00:00=
15F_2900002T66&amp;fromPage=3Dread&amp;id=3D&amp;msgNature=3Da#"><FONT c=
olor=3D#0066cc>bob@looperlative.com</FONT></A>&gt;:<BR><BR>&gt; I can't =
thank Rick enough for all the work that he did putting together the<BR>&=
gt; Y2K6 festival.&nbsp; I had a blast this weekend.&nbsp; I heard some =
of the most<BR>&gt; wonderful music this weekend.&nbsp; What is even bet=
ter is that it was all<BR>&gt; different.&nbsp; This festival went a lon=
g way to demonstrating that there are<BR>&gt; many different ways that l=
ooping can be used in music.<BR>&gt; <BR>&gt; As for myself, I want to t=
hank Rick for talking me into performing at the<BR>&gt; festival.&nbsp; =
My daughter joined me for my 30 minute set.&nbsp; We brought out my<BR>&=
gt; "private" music that I normally only perform at home.&nbsp; It felt =
really good <BR>to<BR>&gt; be performing my music for a change.<BR>&gt; =
<BR>&gt; So, a big thank you to Rick and everybody else that helped put =
this amazing<BR>&gt; gathering together.<BR>&gt; <BR>&gt; -Bob Amstadt<B=
R><BR><BR><BR></P></html>

----__JWM__J3048.6e78S.0201M--

From Loopers-Delight-request@loopers-delight.com  Wed Oct 25 21:08:01 2006
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to have finally heard the TRUE VOICE OF THE STANOSAURUS, most 
excellent!.....and xtra thanks to scott hansen for sending cds of his 
music in leau of being there.....LOVE YA ALL!.....:)m
p.s. sorry i could not say goodbye to all my compound mates
________________________________________________________________________
Check out the new AOL.  Most comprehensive set of free safety and 
security tools, free access to millions of high-quality videos from 
across the web, free AOL Mail and more.

From Loopers-Delight-request@loopers-delight.com  Wed Oct 25 21:18:37 2006
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Date: Wed, 25 Oct 2006 14:18:35 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Suggestion about looping gear
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I've heard great music being made with both of those
devices, so you can't go too wrong.  Good luck.  I
know I blather on and on about high end hardware and
softwre loopers, but I still get great fun out of the
8 sec looper that comes with my Vox Tonelab SE and my
DD-20.

Mark

--- weaviestonder <weaviestonder@hotmail.it> wrote:


---------------------------------
  
Thanks a lot Mark! This is very helpful. Now I am
considering buying aPC laptop, just like you (and so
many people ou there) I haven't got2000+ euro for a
MacBook Pro, I may actually get a powerful 2MHz,
2GBRAM, 120 GB HD PC and decide to trust XP Pro...Yet,
expect to befurther bothered about tweaks and tricks
:)

I am going to try out both an RC 20 XL and DD-20 which
I have seen at areasonable price. The rest is sort of
out of reach for my present budget:(
I'll let you guys know how things work out. Thanks
everyone for helpingme with this, I hope one day I
will have some more knowledge to sharewith the wise
community and just not get info out of you guys, but
alsohelp someone out myself too. 


__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From anonymous@webs10.brains.net  Wed Oct 25 23:41:14 2006
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To: looparc@loopers-delight.com
Subject: URGENT: REPLY IN GOOD FAITH.
From: Cheung Pui <cheungpui6067@aim.com>
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Dear Friend,

 Let me start by introducing myself. I am Mr. Cheung Pui director of operations of the Hang Seng Bank Ltd,Sai Wan Ho Branch.I have a obscured business suggestion for you. Before the U.S and Iraqi war our client Major Fadi Basem who was with the Iraqi forces and also business man made a numbered fixed deposit for 18 calendar onths, with a value of Twenty Four millions Five Hundred Thousand United State Dollars only in my branch. Upon maturity several notice was sent to him, even during the war early last year. Again after the war another notification was sent and still no response came from him. We later find out that the Major and his family had been killed during the war in bomb blast that hit their home.

 After further investigation it was also discovered that Major Fadi Basem did not declare any next of kin in his official papers including the paper work of his bank deposit. And he also confided in me the last time he was at my office that no one except me knew of his deposit in my bank. So, Twenty Four millions Five Hundred Thousand United State Dollars is still lying in my bank and no one will ever come forward to claim it. What bothers me most is that according to the to the laws of my country at the expiration 3 years the funds will revert to the ownership of the Hong Kong Government if nobody applies to claim the funds. Against this backdrop, my suggestion to you is that I will like you as a foreigner to stand as the next of kin to Major Fadi Basem so that you will be able to receive his funds.

 WHAT IS TO BE DONE:

I want you to know that I have had everything planned out so that we shall come out successful. I have contacted an attorney that will prepare the necessary document that will back you up as the next of kin to Major Fadi Basem , all that is required from you at this stage is for you to provide me with your Full Names and Address so that the attorney can commence his job. After you have been made the next of kin, the attorney will also fill in for claims on your behalf and secure the necessary approval and letter of probate in your favor for the move of the funds to an account that will be provided by you. 

There is no risk involved at all in the matter as we are going adopt a legalized method and the attorney will prepare all the necessary documents. Please endeavor to observe utmost discretion in all matters concerning this issue.Once the funds have been transferred to your nominated bank account we shall share in the ratio of 70% for me, 30% for you . 

Should you be interested please send me your full names and current residential address and I will prefers you to reach me on the email address below (cheungpui6067@yahoo.com.hk) and finally after that i shall provide you with more details of this operation.

Your earliest response to this letter will be appreciated.

Respectfully Submitted

Cheung Pui.




From Loopers-Delight-request@loopers-delight.com  Wed Oct 25 23:54:42 2006
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Date: Wed, 25 Oct 2006 16:54:40 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: question: EQ unit with built-in delay
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There are many multi effects units that have EQ and
delay, but they usually have a bunch more too.  My
favorite is the Boss VF-1 that can be had via ebay for
about $200.  The cool thing is that if your friend's
looper puts out a midi clock like the EDP does, you'll
be able to auto-sync your delay to the midi clock.

There really are tons of these devices though, so they
should probably think about what they'd like to spend
and what other features they might want.

--- mizfeldman@bluefrog.com wrote:

> hi there,
> 
> sorry if this is borderline off-topic but i have a
> friend who plays 
> electronic percussion in a band with a looping
> guitarist. the guitarist 
> sometimes loops parts of what the drummer is
> playing. he (drummer) also 
> wants to put a delay on his sound using an EQ unit.
> 
> he's looking for a unit that has stereo inputs and
> stereo outputs, each 
> side having an EQ, with a built in delay, without
> f'ing up the stereo 
> panning.
> 
> any suggestions?
> 
> thanks in advance,
> 
> paula
> 
>
------------------------------------------------------
> This message was sent using BlueFrog's Webmail
> System
> http://www.bluefrog.com
> 
> 
> 


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From anonymous@webs10.brains.net  Thu Oct 26 00:10:57 2006
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To: looparc@loopers-delight.com
Subject: URGENT: REPLY IN GOOD FAITH.
From: Cheung Pui <cheungpui6067@aim.com>
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Dear Friend,

 Let me start by introducing myself. I am Mr. Cheung Pui director of operations of the Hang Seng Bank Ltd,Sai Wan Ho Branch.I have a obscured business suggestion for you. Before the U.S and Iraqi war our client Major Fadi Basem who was with the Iraqi forces and also business man made a numbered fixed deposit for 18 calendar onths, with a value of Twenty Four millions Five Hundred Thousand United State Dollars only in my branch. Upon maturity several notice was sent to him, even during the war early last year. Again after the war another notification was sent and still no response came from him. We later find out that the Major and his family had been killed during the war in bomb blast that hit their home.

 After further investigation it was also discovered that Major Fadi Basem did not declare any next of kin in his official papers including the paper work of his bank deposit. And he also confided in me the last time he was at my office that no one except me knew of his deposit in my bank. So, Twenty Four millions Five Hundred Thousand United State Dollars is still lying in my bank and no one will ever come forward to claim it. What bothers me most is that according to the to the laws of my country at the expiration 3 years the funds will revert to the ownership of the Hong Kong Government if nobody applies to claim the funds. Against this backdrop, my suggestion to you is that I will like you as a foreigner to stand as the next of kin to Major Fadi Basem so that you will be able to receive his funds.

 WHAT IS TO BE DONE:

I want you to know that I have had everything planned out so that we shall come out successful. I have contacted an attorney that will prepare the necessary document that will back you up as the next of kin to Major Fadi Basem , all that is required from you at this stage is for you to provide me with your Full Names and Address so that the attorney can commence his job. After you have been made the next of kin, the attorney will also fill in for claims on your behalf and secure the necessary approval and letter of probate in your favor for the move of the funds to an account that will be provided by you. 

There is no risk involved at all in the matter as we are going adopt a legalized method and the attorney will prepare all the necessary documents. Please endeavor to observe utmost discretion in all matters concerning this issue.Once the funds have been transferred to your nominated bank account we shall share in the ratio of 70% for me, 30% for you . 

Should you be interested please send me your full names and current residential address and I will prefers you to reach me on the email address below (cheungpui6067@yahoo.com.hk) and finally after that i shall provide you with more details of this operation.

Your earliest response to this letter will be appreciated.

Respectfully Submitted

Cheung Pui.




From Loopers-Delight-request@loopers-delight.com  Thu Oct 26 01:17:59 2006
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Date: Wed, 25 Oct 2006 21:19:54 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: Suggestion about looping gear
To: mark sottilaro <zerocrossing2001@yahoo.com>,
	Loopers-Delight@loopers-delight.com
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Hey Mark-
    You got me thinking about checking out the EH 2880 now! I see no reviews
of it on the LD Tools of the Trade page. I'm guessing by a quick look at the
owner's manual that it's a nice looper, sans feedback. Reminds me of my Bob
Sellon-modded Lexicon PCM-42, except it's like four of them, and sans
feedback... Gonna hafta check the archives for posts on this baby...
dB
Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"Life! Life!
Clouds and clowns!
You don't have to come down!"
- Sly and the Family Stone


----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, October 25, 2006 5:18 PM
Subject: Re: Suggestion about looping gear


> I've heard great music being made with both of those
> devices, so you can't go too wrong.  Good luck.  I
> know I blather on and on about high end hardware and
> softwre loopers, but I still get great fun out of the
> 8 sec looper that comes with my Vox Tonelab SE and my
> DD-20.
>
> Mark
>
> --- weaviestonder <weaviestonder@hotmail.it> wrote:
>
>
> ---------------------------------
>
> Thanks a lot Mark! This is very helpful. Now I am
> considering buying aPC laptop, just like you (and so
> many people ou there) I haven't got2000+ euro for a
> MacBook Pro, I may actually get a powerful 2MHz,
> 2GBRAM, 120 GB HD PC and decide to trust XP Pro...Yet,
> expect to befurther bothered about tweaks and tricks
> :)
>
> I am going to try out both an RC 20 XL and DD-20 which
> I have seen at areasonable price. The rest is sort of
> out of reach for my present budget:(
> I'll let you guys know how things work out. Thanks
> everyone for helpingme with this, I hope one day I
> will have some more knowledge to sharewith the wise
> community and just not get info out of you guys, but
> alsohelp someone out myself too.
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

From Loopers-Delight-request@loopers-delight.com  Thu Oct 26 06:11:07 2006
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Date: Wed, 25 Oct 2006 23:13:25 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Ninjam server
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At 11:37 AM 10/23/2006, Daryl Shawn wrote:
>So...what I'd like to see happen is to have a LD-exclusive Ninjam server, 
>open to any members and their acquaintances, and on which time could be 
>scheduled for sessions.

If this is going to be a Looper's Delight Ninjam server, how about hosting 
it on the Looper's Delight server?

The advantage is it will be as permanent as Looper's Delight, obviously 
connected to Looper's Delight, and receive much more attention from various 
loopers due to the large traffic at the site. So it won't be forgotten 
about 6 months from now...

 From the specs stated previously, it didn't seem like it would be that big 
of a deal for me to do this. (LD server is a 3.2GHz P4, 512MB ram, 120G 
disk, Debian Linux, 100-baseT connection into multiple OC-192 connections 
at the datacenter, tied directly to tier 1 backbones with 3ms latency, 
etc.) Maybe we would need to do a few trial runs to see how it goes. I 
would need somebody to take charge of setting it up and helping to deal 
with whatever maintenance is needed.


>In addition to Ninjam itself, I'd like for there to be a public chatroom, 
>an archive, a live feed from the room, and an editable calendar (which Os 
>has already discussed on the Ninjam list).

these seem like interesting ideas, I would just need somebody to commit to 
implementing them!

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Thu Oct 26 07:12:58 2006
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Date: Thu, 26 Oct 2006 02:12:49 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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This is a multi-part message in MIME format.
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Kim, that's a fantastic idea, thanks for offering it. Those are 
excellent advantages. I think the only hurdle at this point would be the 
setup/maintenance. Would it need to be someone local, or would it be 
possible to grant someone remote access to install software on the server?

The chat software used for the Kyberfest worked well, and I gather from 
cpr it wasn't tough to set up. Os has created a Google calendar 
<http://www.google.com/calendar/embed?src=0cas4g7igp0o8fg0aa0er14pgc%40group.calendar.google.com>, 
which should work fine for now, though new events/edits will have to be 
done by he or myself for the moment. I'll create a page to handle 
archives and will work out a process for administering them, the 
challenge will be disk space (which perhaps could be distributed among 
some of the other servers that people have offered). Mark Francombe had 
a good plan for the live feed with a Shoutcast server, that too might be 
best handled by another machine.

I'm committed to making this stuff happen, it will be a great personal 
benefit to me for my own playing (as well as getting fresh looping 
music!). And I loved to see all the interaction that happened around the 
Kyberfest.

I'll get in touch offline about the next steps. thanks again.

Daryl Shawn
www.swanwelder.com


>
> At 11:37 AM 10/23/2006, Daryl Shawn wrote:
>> So...what I'd like to see happen is to have a LD-exclusive Ninjam 
>> server, open to any members and their acquaintances, and on which 
>> time could be scheduled for sessions.
>
> If this is going to be a Looper's Delight Ninjam server, how about 
> hosting it on the Looper's Delight server?
>
> The advantage is it will be as permanent as Looper's Delight, 
> obviously connected to Looper's Delight, and receive much more 
> attention from various loopers due to the large traffic at the site. 
> So it won't be forgotten about 6 months from now...
>
> From the specs stated previously, it didn't seem like it would be that 
> big of a deal for me to do this. (LD server is a 3.2GHz P4, 512MB ram, 
> 120G disk, Debian Linux, 100-baseT connection into multiple OC-192 
> connections at the datacenter, tied directly to tier 1 backbones with 
> 3ms latency, etc.) Maybe we would need to do a few trial runs to see 
> how it goes. I would need somebody to take charge of setting it up and 
> helping to deal with whatever maintenance is needed.
>
>
>> In addition to Ninjam itself, I'd like for there to be a public 
>> chatroom, an archive, a live feed from the room, and an editable 
>> calendar (which Os has already discussed on the Ninjam list).
>
> these seem like interesting ideas, I would just need somebody to 
> commit to implementing them!
>
> kim
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>


--------------020509000305020908000107
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Kim, that's a fantastic idea, thanks for offering it. Those are
excellent advantages. I think the only hurdle at this point would be
the setup/maintenance. Would it need to be someone local, or would it
be possible to grant someone remote access to install software on the
server?<br>
<br>
The chat software used for the Kyberfest worked well, and I gather from
cpr it wasn't tough to set up. Os has created a <a
 href="http://www.google.com/calendar/embed?src=0cas4g7igp0o8fg0aa0er14pgc%40group.calendar.google.com">Google
calendar</a>, which should work fine for now, though new events/edits
will have to be done by he or myself for the moment. I'll create a page
to handle archives and will work out a process for administering them,
the challenge will be disk space (which perhaps could be distributed
among some of the other servers that people have offered). Mark
Francombe had a good plan for the live feed with a Shoutcast server,
that too might be best handled by another machine. <br>
<br>
I'm committed to making this stuff happen, it will be a great personal
benefit to me for my own playing (as well as getting fresh looping
music!). And I loved to see all the interaction that happened around
the Kyberfest. <br>
<br>
I'll get in touch offline about the next steps. thanks again.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
<br>
<blockquote
 cite="mid6.1.2.0.2.20061025231257.03f61b68@loopers-delight.com"
 type="cite"><br>
At 11:37 AM 10/23/2006, Daryl Shawn wrote:
  <br>
  <blockquote type="cite">So...what I'd like to see happen is to have a
LD-exclusive Ninjam server, open to any members and their
acquaintances, and on which time could be scheduled for sessions.
    <br>
  </blockquote>
  <br>
If this is going to be a Looper's Delight Ninjam server, how about
hosting it on the Looper's Delight server?
  <br>
  <br>
The advantage is it will be as permanent as Looper's Delight, obviously
connected to Looper's Delight, and receive much more attention from
various loopers due to the large traffic at the site. So it won't be
forgotten about 6 months from now...
  <br>
  <br>
>From the specs stated previously, it didn't seem like it would be that
big of a deal for me to do this. (LD server is a 3.2GHz P4, 512MB ram,
120G disk, Debian Linux, 100-baseT connection into multiple OC-192
connections at the datacenter, tied directly to tier 1 backbones with
3ms latency, etc.) Maybe we would need to do a few trial runs to see
how it goes. I would need somebody to take charge of setting it up and
helping to deal with whatever maintenance is needed.
  <br>
  <br>
  <br>
  <blockquote type="cite">In addition to Ninjam itself, I'd like for
there to be a public chatroom, an archive, a live feed from the room,
and an editable calendar (which Os has already discussed on the Ninjam
list).
    <br>
  </blockquote>
  <br>
these seem like interesting ideas, I would just need somebody to commit
to implementing them!
  <br>
  <br>
kim
  <br>
  <br>
  <br>
______________________________________________________________________
  <br>
Kim Flint&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; | Looper's Delight
  <br>
<a class="moz-txt-link-abbreviated" href="mailto:kflint@loopers-delight.com">kflint@loopers-delight.com</a>&nbsp;&nbsp;&nbsp; | <a class="moz-txt-link-freetext" href="http://www.loopers-delight.com">http://www.loopers-delight.com</a> <br>
  <br>
  <br>
</blockquote>
<br>
</body>
</html>

--------------020509000305020908000107--

From Loopers-Delight-request@loopers-delight.com  Thu Oct 26 10:21:15 2006
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Date: Thu, 26 Oct 2006 06:18:14 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                   http://wdiy.org/programs/gt
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll conclude the month-long
Special Focus on Dutch musician Remy.  The Featured CD at Midnight will
be "Sense" on AKH Records.  The Vinyl Starter will come from the LP
"White Noise 2" by David Vorhaus on Virgin Records and released in
1975.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#oct

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, and on the internet.

All times are EDT / GMT-4.

From Loopers-Delight-request@loopers-delight.com  Thu Oct 26 11:02:23 2006
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Subject: Re: Y2K6 MP3s Update
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Krispen Hartung wrote:
> Here's the running list of downloadable Y2K6 MP3s, also available on the 
> website: http://www.y2k6loopfest.com/mp3.html  There is much, much more 
> to come.
>  
> JEFF KAISER and KRISPEN HARTUNG
> http://www.box.net/public/static/tkmmuf3pdx.mp3

Great work, I really enjoy listening to them.
One big enhancement though would be possible:
Less cryptic file names, the above could be (for example) 
19-10_Jeff'n'Krisp'n.mp3 mentioning the date and the musicians, maybe 
the set number could be included as well.
And if the mp3 tags would be set, would be helpfull as well... ;-)

I don't know about the Ninjam sessions, but as far as I know, the 
originals are stored as ogg files. If they stay within their original 
format, they should preserve the best quality...
There are plug-ins for iTunes and lots of players for windows to play 
ogg files.
Its claimed that ogg files have much better quality on low rates than 
anything else... (I consider 128 kB a low rate ;-)

I'd like to add a Ninjam session with Jeff, which has not been done yet, 
due to the difficulties of setting it up in Santa Cruz, something like 
"if it had worked, it could have been something like that..." I hope we 
can set up a session soon, or as he told me, in November when he is in 
Boise...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Thu Oct 26 15:33:42 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <020a01c6f7d5$f4bfe7f0$6eb0ec0f@americas.hpqcorp.net> <454095BA.5000208@addcom.de>
Subject: Re: Y2K6 MP3s Update
Date: Thu, 26 Oct 2006 09:33:38 -0600
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Unfortunately, I cannot change the URLs of the MP3s that Box.net provides. 
However, if you download them, you will see the artist and day of the 
recording. If you right click the MP3 links and download, you'll see the 
real MP3 file name. I could probably tag them too, but I am trying to master 
over 24 hours of looping music, and it takes A LOT of time. Once all the 
files are done, I will try to go back and tag the MP3s, and re-load them.

Kris

----- Original Message ----- 
From: "Stefan Tiedje" <Stefan-Tiedje@addcom.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, October 26, 2006 5:02 AM
Subject: Re: Y2K6 MP3s Update


> Krispen Hartung wrote:
>> Here's the running list of downloadable Y2K6 MP3s, also available on the 
>> website: http://www.y2k6loopfest.com/mp3.html  There is much, much more 
>> to come.
>>  JEFF KAISER and KRISPEN HARTUNG
>> http://www.box.net/public/static/tkmmuf3pdx.mp3
>
> Great work, I really enjoy listening to them.
> One big enhancement though would be possible:
> Less cryptic file names, the above could be (for example) 
> 19-10_Jeff'n'Krisp'n.mp3 mentioning the date and the musicians, maybe the 
> set number could be included as well.
> And if the mp3 tags would be set, would be helpfull as well... ;-)
>
> I don't know about the Ninjam sessions, but as far as I know, the 
> originals are stored as ogg files. If they stay within their original 
> format, they should preserve the best quality...
> There are plug-ins for iTunes and lots of players for windows to play ogg 
> files.
> Its claimed that ogg files have much better quality on low rates than 
> anything else... (I consider 128 kB a low rate ;-)
>
> I'd like to add a Ninjam session with Jeff, which has not been done yet, 
> due to the difficulties of setting it up in Santa Cruz, something like "if 
> it had worked, it could have been something like that..." I hope we can 
> set up a session soon, or as he told me, in November when he is in 
> Boise...
>
> Stefan
>
> -- 
> Stefan Tiedje------------x-------
> --_____-----------|--------------
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()--------www.ccmix.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Oct 26 16:43:14 2006
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Date: Thu, 26 Oct 2006 10:44:00 -0500
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com,
	Daryl Shawn <highhorse@mhorse.com>
Cc: Loopers-Delight@loopers-delight.com
Subject: Re: Ninjam server
References: <453D0BCF.9010703@mhorse.com> <6.1.2.0.2.20061025231257.03f61b68@loopers-delight.com> <45405FF1.8000209@mhorse.com>
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Most excellent.. :)

I'm available to help get it setup.. :)

peace
-cpr

Quoting Daryl Shawn <highhorse@mhorse.com>:

> Kim, that's a fantastic idea, thanks for offering it. Those are 
> excellent advantages. I think the only hurdle at this point would be the 
> setup/maintenance. Would it need to be someone local, or would it be 
> possible to grant someone remote access to install software on the server?
> 
> The chat software used for the Kyberfest worked well, and I gather from 
> cpr it wasn't tough to set up. Os has created a Google calendar 
>
<http://www.google.com/calendar/embed?src=0cas4g7igp0o8fg0aa0er14pgc%40group.calendar.google.com>,
> 
> which should work fine for now, though new events/edits will have to be 
> done by he or myself for the moment. I'll create a page to handle 
> archives and will work out a process for administering them, the 
> challenge will be disk space (which perhaps could be distributed among 
> some of the other servers that people have offered). Mark Francombe had 
> a good plan for the live feed with a Shoutcast server, that too might be 
> best handled by another machine.
> 
> I'm committed to making this stuff happen, it will be a great personal 
> benefit to me for my own playing (as well as getting fresh looping 
> music!). And I loved to see all the interaction that happened around the 
> Kyberfest.
> 
> I'll get in touch offline about the next steps. thanks again.
> 
> Daryl Shawn
> www.swanwelder.com
> 
> 
> >
> > At 11:37 AM 10/23/2006, Daryl Shawn wrote:
> >> So...what I'd like to see happen is to have a LD-exclusive Ninjam 
> >> server, open to any members and their acquaintances, and on which 
> >> time could be scheduled for sessions.
> >
> > If this is going to be a Looper's Delight Ninjam server, how about 
> > hosting it on the Looper's Delight server?
> >
> > The advantage is it will be as permanent as Looper's Delight, 
> > obviously connected to Looper's Delight, and receive much more 
> > attention from various loopers due to the large traffic at the site. 
> > So it won't be forgotten about 6 months from now...
> >
> > From the specs stated previously, it didn't seem like it would be that 
> > big of a deal for me to do this. (LD server is a 3.2GHz P4, 512MB ram, 
> > 120G disk, Debian Linux, 100-baseT connection into multiple OC-192 
> > connections at the datacenter, tied directly to tier 1 backbones with 
> > 3ms latency, etc.) Maybe we would need to do a few trial runs to see 
> > how it goes. I would need somebody to take charge of setting it up and 
> > helping to deal with whatever maintenance is needed.
> >
> >
> >> In addition to Ninjam itself, I'd like for there to be a public 
> >> chatroom, an archive, a live feed from the room, and an editable 
> >> calendar (which Os has already discussed on the Ninjam list).
> >
> > these seem like interesting ideas, I would just need somebody to 
> > commit to implementing them!
> >
> > kim
> >
> >
> > ______________________________________________________________________
> > Kim Flint                     | Looper's Delight
> > kflint@loopers-delight.com    | http://www.loopers-delight.com
> >
> >
> 
> 




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From Loopers-Delight-request@loopers-delight.com  Thu Oct 26 16:50:56 2006
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Date: Thu, 26 Oct 2006 09:50:53 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Suggestion about looping gear
To: Loopers-Delight@loopers-delight.com
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I'm not 100% sure, but if my memory of the manual is
correct, you can adjust feedback.  The EH-16 sure had
that.  I can't believe they took it off... did they?

--- Douglas Baldwin <coyotelk@optonline.net> wrote:

> Hey Mark-
>     You got me thinking about checking out the EH
> 2880 now! I see no reviews
> of it on the LD Tools of the Trade page. I'm
> guessing by a quick look at the
> owner's manual that it's a nice looper, sans
> feedback. Reminds me of my Bob
> Sellon-modded Lexicon PCM-42, except it's like four
> of them, and sans
> feedback... Gonna hafta check the archives for posts
> on this baby...
> dB
> Douglas Baldwin, coyote-at-large
> www.thecoyote.org
> coyotelk@optonline.net
> 
> "Life! Life!
> Clouds and clowns!
> You don't have to come down!"
> - Sly and the Family Stone
> 
> 
> ----- Original Message ----- 
> From: "mark sottilaro" <zerocrossing2001@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, October 25, 2006 5:18 PM
> Subject: Re: Suggestion about looping gear
> 
> 
> > I've heard great music being made with both of
> those
> > devices, so you can't go too wrong.  Good luck.  I
> > know I blather on and on about high end hardware
> and
> > softwre loopers, but I still get great fun out of
> the
> > 8 sec looper that comes with my Vox Tonelab SE and
> my
> > DD-20.
> >
> > Mark
> >
> > --- weaviestonder <weaviestonder@hotmail.it>
> wrote:
> >
> >
> > ---------------------------------
> >
> > Thanks a lot Mark! This is very helpful. Now I am
> > considering buying aPC laptop, just like you (and
> so
> > many people ou there) I haven't got2000+ euro for
> a
> > MacBook Pro, I may actually get a powerful 2MHz,
> > 2GBRAM, 120 GB HD PC and decide to trust XP
> Pro...Yet,
> > expect to befurther bothered about tweaks and
> tricks
> > :)
> >
> > I am going to try out both an RC 20 XL and DD-20
> which
> > I have seen at areasonable price. The rest is sort
> of
> > out of reach for my present budget:(
> > I'll let you guys know how things work out. Thanks
> > everyone for helpingme with this, I hope one day I
> > will have some more knowledge to sharewith the
> wise
> > community and just not get info out of you guys,
> but
> > alsohelp someone out myself too.
> >
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Oct 26 17:29:06 2006
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To: Loopers-Delight@loopers-delight.com
References: <020a01c6f7d5$f4bfe7f0$6eb0ec0f@americas.hpqcorp.net>
Subject: Y2K6 MP3s Update #2
Date: Thu, 26 Oct 2006 11:29:01 -0600
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This is a multi-part message in MIME format.

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Here are the newest additions to the Y2K6 MP3 page: =
http://www.y2k6loopfest.com/mp3.html

"Y2K6 International Live Looping Festival: Main Festival" - Saturday, =
October 21

Per Boysen
Part I - http://www.box.net/public/static/3mgkyec1j9.mp3
Part I - http://www.box.net/public/static/bfnvp369s6.mp3

Zoe Keating
Part I - http://www.box.net/public/static/sfq8x8u5uo.mp3
Part II - http://www.box.net/public/static/27z61lcvp0.mp3
Part III  - http://www.box.net/public/static/3ctcsmapae.mp3

Matt Davignon
http://www.box.net/public/static/p8gu2fg5fo.mp3

Rainer Straschill
http://www.box.net/public/static/4tx2619uy9.mp3

Per Boysen
Part I - http://www.box.net/public/static/3mgkyec1j9.mp3
Part II - http://www.box.net/public/static/bfnvp369s6.mp3

RYUSEI HATTORI=20
Part I - http://www.box.net/public/static/6yu2g1vq27.mp3
Part II - http://www.box.net/public/static/c58l0h2fge.mp3
Part III - http://www.box.net/public/static/3ynnhhz35v.mp3
Part IV - http://www.box.net/public/static/08p4dugcd5.mp3
Part V - http://www.box.net/public/static/3uxm8mjps4.mp3






*************************************************************************=
*
Krispen Hartung / Improvisational & Jazz Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
Performance Calendar: =
http://www.musi-cal.com/search?performers=3DKrispen%20Hartung
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
CD Baby Discography: http://cdbaby.com/all/khartung 
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2964" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff background=3D"">
<DIV><FONT face=3DArial size=3D2>Here are the newest additions to the =
Y2K6 MP3 page:=20
<A=20
href=3D"http://www.y2k6loopfest.com/mp3.html">http://www.y2k6loopfest.com=
/mp3.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><BR><STRONG>"Y2K6 International Live =
Looping=20
Festival: Main Festival" - Saturday, October =
21</STRONG><BR></DIV></FONT>
<DIV><FONT face=3DArial size=3D2>Per Boysen</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part I - </FONT><A href=3D""><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/3mgkyec1j9.mp3</FONT></A></DIV>=

<DIV><FONT face=3DArial size=3D2>Part I - </FONT><A href=3D""><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/bfnvp369s6.mp3</FONT></A></DIV>=

<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Zoe Keating</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Part I - </FONT><A href=3D""><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/sfq8x8u5uo.mp3</FONT></A></DIV>=

<DIV><FONT face=3DArial size=3D2>Part II - </FONT><A href=3D""><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/27z61lcvp0.mp3</FONT></A></DIV>=

<DIV><FONT face=3DArial size=3D2>Part&nbsp;III&nbsp; - </FONT><A=20
href=3D"http://www.box.net/public/static/3ctcsmapae.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/3ctcsmapae.mp3</FONT></A></DIV>=

<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Matt Davignon</FONT></DIV>
<DIV><A href=3D""><FONT face=3DArial=20
size=3D2>http://www.box.net/public/static/p8gu2fg5fo.mp3</FONT></A></DIV>=

<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Rainer Straschill<BR></FONT><A=20
href=3D"http://www.box.net/public/static/4tx2619uy9.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/4tx2619uy9.mp3</FONT></A></DIV>=

<DIV><BR><FONT face=3DArial size=3D2>Per Boysen<BR>Part I - </FONT><A=20
href=3D"http://www.box.net/public/static/3mgkyec1j9.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/3mgkyec1j9.mp3</FONT></A></DIV>=

<DIV><FONT face=3DArial size=3D2>Part II - </FONT><A=20
href=3D"http://www.box.net/public/static/bfnvp369s6.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/bfnvp369s6.mp3</FONT></A></DIV>=

<DIV><BR><FONT face=3DArial size=3D2>RYUSEI HATTORI <BR>Part I - =
</FONT><A=20
href=3D"http://www.box.net/public/static/6yu2g1vq27.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/6yu2g1vq27.mp3</FONT></A><BR><F=
ONT=20
face=3DArial size=3D2>Part II - </FONT><A=20
href=3D"http://www.box.net/public/static/c58l0h2fge.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/c58l0h2fge.mp3</FONT></A><BR><F=
ONT=20
face=3DArial size=3D2>Part III - </FONT><A=20
href=3D"http://www.box.net/public/static/3ynnhhz35v.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/3ynnhhz35v.mp3</FONT></A><BR><F=
ONT=20
face=3DArial size=3D2>Part IV - </FONT><A=20
href=3D"http://www.box.net/public/static/08p4dugcd5.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/08p4dugcd5.mp3</FONT></A><BR><F=
ONT=20
face=3DArial size=3D2>Part V - </FONT><A=20
href=3D"http://www.box.net/public/static/3uxm8mjps4.mp3"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/static/3uxm8mjps4.mp3</FONT></A><FONT =

face=3DArial=20
size=3D2><BR><BR><BR><BR><BR><BR><BR>************************************=
**************************************<BR>Krispen=20
Hartung / Improvisational &amp; Jazz Guitar<BR>www.krispenhartung.com /=20
www.myspace.com/krispenhartung<BR>Performance Calendar:=20
http://www.musi-cal.com/search?performers=3DKrispen%20Hartung<BR>info@kri=
spenhartung.com=20
/ 1.208.724.5603 <BR>Discography -=20
http://www.krispenhartung.com/catalogue.htm<BR>CD Baby Discography:=20
http://cdbaby.com/all/khartung </FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Oct 26 17:44:29 2006
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Subject: Re: Y2K6 MP3s Update #2
References: <020a01c6f7d5$f4bfe7f0$6eb0ec0f@americas.hpqcorp.net> <050901c6f924$3b242040$6eb0ec0f@americas.hpqcorp.net>
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Thanks for your work on this, Krispen. I was able to listen to live 
streams on Saturday afternoon and evening, and Sunday night, and since 
then I've been methodically downloading every single damn file. 
Everything - every single piece! - so far has just been amazing. As a 
sucker for vocal improv, I especially loved the Amy X/Rick Walker duo 
and the Pushing Air/Tony K/Mark Francombe Ninjam session.

That was a weekend of /incredible /music. thanks to everyone for your 
contributions, and especially Rick for the vision and organization.

Daryl Shawn
www.swanwelder.com
> Here are the newest additions to the Y2K6 MP3 page: 
> http://www.y2k6loopfest.com/mp3.html


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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Thanks for your work on this, Krispen. I was able to listen to live
streams on Saturday afternoon and evening, and Sunday night, and since
then I've been methodically downloading every single damn file.
Everything - every single piece! - so far has just been amazing. As a
sucker for vocal improv, I especially loved the Amy X/Rick Walker duo
and the Pushing Air/Tony K/Mark Francombe Ninjam session.<br>
<br>
That was a weekend of <i>incredible </i>music. thanks to everyone for
your contributions, and especially Rick for the vision and organization.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<blockquote
 cite="mid050901c6f924$3b242040$6eb0ec0f@americas.hpqcorp.net"
 type="cite">
  <meta http-equiv="Content-Type" content="text/html; ">
  <meta content="MSHTML 6.00.2900.2964" name="GENERATOR">
  <style></style>
  <div><font face="Arial" size="2">Here are the newest additions to the
Y2K6 MP3 page: <a href="http://www.y2k6loopfest.com/mp3.html">http://www.y2k6loopfest.com/mp3.html</a></font></div>
</blockquote>
<br>
</body>
</html>

--------------010108040208010000060906--

From Loopers-Delight-request@loopers-delight.com  Thu Oct 26 17:46:46 2006
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Subject: Re: Summary and Recordings, Part II
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> So Tim really gets this festival's "best groupie prize" (together with =
Krispen of course).

Surely you jest, Rainer. :) Or I must have been too self-aborbed when =
all those girls were hounding me and dying to hear more atonal, =
avant-garde music and noise! =20

Kris

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2964" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><SPAN class=3D929290913-26102006><FONT face=3DArial size=3D2>&gt; =
So Tim really=20
gets this festival's "best groupie prize" (together with Krispen of=20
course).</FONT></SPAN></DIV>
<DIV><SPAN class=3D929290913-26102006><FONT face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D929290913-26102006><FONT face=3DArial =
size=3D2>Surely&nbsp;you=20
jest, Rainer. :) Or I must have been too self-aborbed when all those =
girls were=20
hounding me and dying to hear more atonal, avant-garde music and =
noise!&nbsp;=20
</FONT></SPAN></DIV>
<DIV><SPAN class=3D929290913-26102006><FONT face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D929290913-26102006><FONT face=3DArial=20
size=3D2>Kris</FONT></SPAN></DIV>
<DIV><SPAN class=3D929290913-26102006><FONT face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV></BODY></HTML>

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From marycooper0016@free.fr  Thu Oct 26 17:56:57 2006
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Date: Thu, 26 Oct 2006 19:29:30 +0200
From: MARY <marycooper0016@free.fr>
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Subject: MARY
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FROM THE DESK OF:
MRS MARYCOOPER
AFRICAN DEVELOPMENT BANK.
HEADQUARTERS
COTONOU
REPUBLIC BENIN.
I am MRS MARYCOOPER, credit officer of African Development Bank. I have an
urgent and very confidential business proposition for you.In June, 1999, a
German property consultant and importer of used cars,Mr Andreas Schranner made
a numbered time (Fixed) Deposit for twelve calendar months, valued at
US$35,000,000.00(Thirty five Million United States Dollars only) in my branch.
It was to our utter suprise that we heard of his death, wife and children in an
AF4590 plane crash in July 2000.
See website below:
http://news.bbc.co.uk/1/hi/world/europe/859479.stm
On further investigation,I found out that he died without making a WILL, and
hitherto, all attempts to trace his next of kin was fruitless. Mr Andreas
Schranner  was residing at No 1 Rue de Avenida, G.R.A. Cotonou, Benin Republic.
I therefore made further investigation and discovered that Mr Andreas Schranner
did not declare any kin or relations in all his official documents,including
his Bank Deposit paperwork in my Bank. This sum of US$35,000,000.00 is still
sitting in my Bank and the interest is being rolled over with the principal sum
at the end of each year. No one will ever come forward to claim it. According to
Laws of Benin, at the expiration of 7 (SEVEN) years, the money will be declared
frozen and forfeited to the Benin Government if nobody applies to claim the
fund.
Consequently, my proposal is that I will like you as a foreigner to stand in as
the next of kin or business partner to Mr Andreas Schranner so that the fruits
of this old man's labor will not get into the hands of some corrupt government
officials. This is simple, I will like you to provide immediately your full
names and address,phone and fax numbers so that the attorney will prepare the
necessary documents and affidavits that will put you in place as the next of
kin or business partner. I have two of my colleagues who are top officials of
the bank involved in this transaction. Your role in the transaction is to send
an application for claim of the funds to our bank.
Then, as top officials of the bank, we shall work behind-the-scene to make sure
that your application is approved by the management of the bank,and the funds
transfered to your nominated bank account.Please note that there is no iota of
risks at all as all the paperwork for this transaction will be done
legitimately and with our positions as top officials of the bank would ensure a
successful execution of this transaction. If you are interested, please reply
immediately to my email box.
Please send me your confidential telephone and fax numbers for easy
communication.
You should observe utmost CONFIDENTIALITY AND SECRECY in this transaction, and
rest assured that this transaction would be most profitable for both of us
because I will require your assistance to invest my share in your country.
I look forward to your prompt response.
Thanks and regards.
MRS MARYCOOPER
Direct Line: 00229 97 72 18 13

From Loopers-Delight-request@loopers-delight.com  Thu Oct 26 18:19:54 2006
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Subject: Re: Ninjam server
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 >Maybe we would need to do a few trial runs to see how it goes. I
> would need somebody to take charge of setting it up and helping to deal 
> with whatever maintenance is needed.

> these seem like interesting ideas, I would just need somebody to commit to 
> implementing them!
>
> kim

Im more than happy to set it up for a trial run..  just need a temp account 
on that machine and the IP     I could do it all remotely...
I think a few of us have set one up and cpr sound like a bit of an expert 
so... i think mantanance wont be a prob... anyway its all easy..

The live feed has been covered... either we run a shoutcast, or ninjam 
itself has a big dev team working on this very issue.. maybe better to wait 
with that one...

Whats the Calendar for??? The beauty of the JamFarm idea is that you NEVER 
know whos gonna be there... (the bad thing about the Jam Farm is that they 
are all twats)

Im really exiting about this, and so we all should when you realise that 
(altho I only get VERY glitchy operation of it at the moment) the wasabi 
version of the NinJam Client HAS MIDI SYNC GODDAMIT!!! you realise what this 
means of course??? Multiple loopers synched across the world... im sure it 
will work soon...

What fun!!

Lets all kneel down and give thanks with me...
Thank you Oh Great Rabbit of the Sky, Conceiver of the Internet and the 
Echoplex Digital Pro, THANK YOU... for letting me live in this very exiting 
and slightly frightening time...

m

 mark francombe
marks website is at www.markfrancombe.com he writes for www.furthernoise.org 
and works at www.transformlearning.com

PS: I did a Eno /Fripp the other  day using NinJam as the looper.. just fed 
the out from my computer back into the mixer..ha ha ha.. didnt take long 
before a had a terrible racket!!




--------------------------------------------------------------------------------
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From Loopers-Delight-request@loopers-delight.com  Thu Oct 26 18:53:44 2006
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From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Summary and Recordings, Part II
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You didn't notice all the panties thrown on the stage during your performance?
;-p

peace
-cpr

Quoting Krispen Hartung <khartung@cableone.net>:

> > So Tim really gets this festival's "best groupie prize" (together with
> Krispen of course).
> 
> Surely you jest, Rainer. :) Or I must have been too self-aborbed when all
> those girls were hounding me and dying to hear more atonal, avant-garde music
> and noise!  
> 
> Kris
> 




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From Loopers-Delight-request@loopers-delight.com  Thu Oct 26 19:08:25 2006
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Subject: Re: Ninjam server etc.
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along with the ninjam server possibly being on LD, is there a way to 
consolidate the photos of the events there also, both past and present fests?.....it 
would be kool to see how everyone but me has aged!.....LD is the place to 
record our history imho.....after all, it is our mothership.....what exciting 
times!.....i listened to the ninjam session that tony/mark/matt and i did, thank 
you fellows, what sounded to me like maddness at the metamusic store translated 
well in the relistening (3x), i'm sold, what a wonderful advancement in all of 
us creating together.....walking to the session i had felt that i was in a 
GIBSON novel, how sci-fi everything is becoming at least in our little 
world.....well, i have downloaded all the amazing CDs that i managed to get at the 
fest, time for a long slow walk with my buddy MR. I POD.....but first, I MUST 
LOOP!.....:)mk
p.s. i will be having mucho time off soon and i promise to learn some of this 
puter voodoo and perhaps become a more productive member of our family.....i 
may have to come and stay at your house for lessons on all of this stuff but 
keep in mind that i eat anything and i wash a mean dish!



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">along with the ninjam server possibly b=
eing on LD, is there a way to consolidate the photos of the events there als=
o, both past and present fests?.....it would be kool to see how everyone but=
 me has aged!.....LD is the place to record our history imho.....after all,=20=
it is our mothership.....what exciting times!.....i listened to the ninjam s=
ession that tony/mark/matt and i did, thank you fellows, what sounded to me=20=
like maddness at the metamusic store translated well in the relistening (3x)=
, i'm sold, what a wonderful advancement in all of us creating together.....=
walking to the session i had felt that i was in a GIBSON novel, how sci-fi e=
verything is becoming at least in our little world.....well, i have download=
ed all the amazing CDs that i managed to get at the fest, time for a long sl=
ow walk with my buddy MR. I POD.....but first, I MUST LOOP!.....:)mk<BR>
p.s. i will be having mucho time off soon and i promise to learn some of thi=
s puter voodoo and perhaps become a more productive member of our family....=
.i may have to come and stay at your house for lessons on all of this stuff=20=
but keep in mind that i eat anything and i wash a mean dish!<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Thu Oct 26 19:34:24 2006
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Subject: Re: Ninjam server
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I'm far from an expert.. :) But, I do alright getting around Linux, etc.. as
well, we need to hook it into the boot sequence so the ninjam server is running
when the machine is rebooted...

It will be sweet if the ninjam server starts output shoutcast streams.. :)

peace
-cpr

Quoting "markfrancombe.com" <mark@markfrancombe.com>:

>  >Maybe we would need to do a few trial runs to see how it goes. I
> > would need somebody to take charge of setting it up and helping to deal 
> > with whatever maintenance is needed.
> 
> > these seem like interesting ideas, I would just need somebody to commit to
> 
> > implementing them!
> >
> > kim
> 
> Im more than happy to set it up for a trial run..  just need a temp account 
> on that machine and the IP     I could do it all remotely...
> I think a few of us have set one up and cpr sound like a bit of an expert 
> so... i think mantanance wont be a prob... anyway its all easy..
> 
> The live feed has been covered... either we run a shoutcast, or ninjam 
> itself has a big dev team working on this very issue.. maybe better to wait 
> with that one...
> 
> Whats the Calendar for??? The beauty of the JamFarm idea is that you NEVER 
> know whos gonna be there... (the bad thing about the Jam Farm is that they 
> are all twats)
> 
> Im really exiting about this, and so we all should when you realise that 
> (altho I only get VERY glitchy operation of it at the moment) the wasabi 
> version of the NinJam Client HAS MIDI SYNC GODDAMIT!!! you realise what this
> 
> means of course??? Multiple loopers synched across the world... im sure it 
> will work soon...
> 
> What fun!!
> 
> Lets all kneel down and give thanks with me...
> Thank you Oh Great Rabbit of the Sky, Conceiver of the Internet and the 
> Echoplex Digital Pro, THANK YOU... for letting me live in this very exiting 
> and slightly frightening time...
> 
> m
> 
>  mark francombe
> marks website is at www.markfrancombe.com he writes for www.furthernoise.org
> 
> and works at www.transformlearning.com
> 
> PS: I did a Eno /Fripp the other  day using NinJam as the looper.. just fed 
> the out from my computer back into the mixer..ha ha ha.. didnt take long 
> before a had a terrible racket!!
> 
> 
> 
> 
>
--------------------------------------------------------------------------------
> I am using the free version of SPAMfighter for private users.
> It has removed 2545 spam emails to date.
> Paying users do not have this message in their emails.
> Try SPAMfighter for free now!
> 
> 
> 
> 




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From Loopers-Delight-request@loopers-delight.com  Thu Oct 26 20:38:06 2006
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Date: Thu, 26 Oct 2006 15:37:59 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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Thanks for the offers for setting up the Ninjam server, Mark & cpr. 
We'll have to hear from Kim about whether we can get remote access, or 
if someone local has to do that.

I'd like to get the live feed happening ASAP, so let's keep an eye on 
what the Ninjam officials do, but I think we can get it set up with 
Shoutcast and a permanent client in the room.

As far as the calendar, it'll be useful for people to be able to 
schedule actual sessions with specific people, I know for me the big 
drawback with the Jam Rooms - other than all the Hendrix imitators - was 
having people jump in suddenly while I was getting something good going 
with the people I actually wanted to play with. So I want to allow peeps 
to have times where they know what they're going to get, basically using 
it as a performance and/or rehearsal space. But I imagine most of the 
time will be OPEN SEASON (to borrow Rainer's phrase) for anybody to hop 
in, which I am quite excited about.

Daryl Shawn
www.swanwelder.com

> >Maybe we would need to do a few trial runs to see how it goes. I
>> would need somebody to take charge of setting it up and helping to 
>> deal with whatever maintenance is needed.
>
>> these seem like interesting ideas, I would just need somebody to 
>> commit to implementing them!
>>
>> kim
>
> Im more than happy to set it up for a trial run..  just need a temp 
> account on that machine and the IP     I could do it all remotely...
> I think a few of us have set one up and cpr sound like a bit of an 
> expert so... i think mantanance wont be a prob... anyway its all easy..
>
> The live feed has been covered... either we run a shoutcast, or ninjam 
> itself has a big dev team working on this very issue.. maybe better to 
> wait with that one...
>
> Whats the Calendar for??? The beauty of the JamFarm idea is that you 
> NEVER know whos gonna be there... (the bad thing about the Jam Farm is 
> that they are all twats)

From Loopers-Delight-request@loopers-delight.com  Fri Oct 27 00:32:07 2006
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Date: Thu, 26 Oct 2006 20:32:05 -0400
From: Brian Good <bsgood@adelphia.net>
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Daryl Shawn wrote:
> I've posted an mp3 of the Kyberfest performance I did with Warren Sirota 
> (nylon-string guitar/guitar synth) and Brian Good (sax & EWI). Warren 
> was in Santa Cruz, Brian in Ohio, USA, and I was in Oaxaca, Mexico 
> (playing nylon-string as well, plus my trusty four-track). For no firm 
> reason, we called ourselves the KlackaDackaRacka Troupe.

I think it was because I'd already used "BrainStemChewToy" on a previous 
project. :-)

Brian

From Loopers-Delight-request@loopers-delight.com  Fri Oct 27 12:59:40 2006
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Date: Fri, 27 Oct 2006 08:54:19 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #500 for October 26, 2006
To: undisclosed-recipients: ;
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http://wdiy.org/programs/gt/playlists/2006/061026.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, 92.9 FM on Service Electric Cable, and webcasting on
the internet.
                Show #500                October 26, 2006

RECAP:
On this show, I concluded the month-long focus on Remy.  The Featured CD
at Midnight was "Sense" on and AKH Records.

The Vinyl Starter s from the LP "White Noise 2" by David Voorhaus on
Virgin Records and released in 1975.

I played the music of Synthetic Block who will be at The Gate later this
month.

Remy - http://wdiy.org/programs/gt/playlists/2006/focus.html#oct
Synthetic Block - http://wdiy.org/programs/gt/events.html#gate


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
David Vorhaus        Concerto for         White Noise 2 (Virgin)
                       Synthesizer Movement II part 1
VA [The Itch         Soother              Chillicious (Waveform)
  Incident}
Mingo                Waiting for Time to  This Side of the Night (none)
                       Begin
Synthetic Block      Third Force          Escape Velocity (Gears of
                                            Sand)
cyberCHUMP           Lay Your Head        Sankhara (Internal Combustion)
Remy                 Being                Sense (AKH)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Remy                 Destination          Sense (AKH)
Remy                 Behaviour            Sense (AKH)
Remy                 Maze                 Sense (AKH)
Remy                 Mortality            Sense (AKH)
Remy                 Deja Vu              Sense (AKH)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on
Synergy.  The Featured CD at Midnight will be "Cords" on Third Contact
Records.

The Vinyl Starter will be from the LP "Grand Canyon Suite" by Tomita on
RCA Records and released in 1981.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4) on WDIY 88.1 FM in Allentown
and Bethlehem and 93.9 FM in Easton and Phillipsburg, 93.7 FM in
Trexlertown and Fogelsville, and on 92.9 FM on Service Electric Cable.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Oct 27 14:01:25 2006
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Subject: Re: Question: EQ unit with built-in delay
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hi mark and everyone,

thanks. he says he's actually looking for something like this:

"more like a small mixing board with each channel having 1/4" inputs=20
and a minimum of a 3 band equalizer, as well as levels, etc. It has to=20
have stereo output, of course...and then the delay should encompass the=20
whole unit, not just a channel."

does anyone own such a unit?

paula

--- zerocrossing2001@yahoo.com wrote:

>> There are many multi effects units that have EQ and
delay, but they usually have a bunch more too.  My
favorite is the Boss VF-1 that can be had via ebay for
about $200.  The cool thing is that if your friend's
looper puts out a midi clock like the EDP does, you'll
be able to auto-sync your delay to the midi clock.

There really are tons of these devices though, so they
should probably think about what they'd like to spend
and what other features they might want.

--- mizfeldman@bluefrog.com wrote:


> hi there,
>
> sorry if this is borderline off-topic but i have a
> friend who plays electronic percussion in a band with a looping
> guitarist. the guitarist sometimes loops parts of what the drummer is
> playing. he (drummer) also wants to put a delay on his sound using an=20
> EQ unit.
>
> he's looking for a unit that has stereo inputs and
> stereo outputs, each side having an EQ, with a built in delay, without
> f'ing up the stereo panning.
>
> any suggestions?
>
> thanks in advance,
>
> paula
>


------------------------------------------------------
This message was sent using BlueFrog's Webmail System
http://www.bluefrog.com


From Loopers-Delight-request@loopers-delight.com  Fri Oct 27 15:12:09 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: DVD movie with looping soundtrack online
Date: Fri, 27 Oct 2006 17:12:02 +0200
To: Loopers-Delight@loopers-delight.com
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Hi,

I just found that a musical piece of mine, from a DVD movie, has been  
posted at
http://www.youtube.com/watch?v=pODg0W3YHH8

This piece is a good example of recording a first take live looping  
performance and then refining it in a DAW (as we have been discussing  
on this list). If someone should be interested (I would.... ;-),  
here's the brief story of how it was done:

Sax + Gibson EDP looper was first recorded to two separate tracks  
during one musical performance. Then the EDP recording was treaded  
with, among other things, Ohmforce Quadfromage (synth-like comp) and  
Cycling 74 Pluggo (string-like pad in breakdown part). The sax track  
was for some parts run through a virtual wha pedal (Logic's Fuzz-Wha  
plug-in). The percussionist was recorded separately, playing udu and  
some strange African instrument that looks like a wooden cup in which  
you rotate a stick. After the break-down part some "canned"  
percussion was added with Stylus RMX, near the end of the piece.

This tube audio is mono although the original music was five channel  
DVD surround.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Oct 27 17:52:41 2006
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Date: Fri, 27 Oct 2006 10:52:39 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Question: EQ unit with built-in delay
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I have a soundcraft board that is pretty much like you
described... but it's not what I'd call small.  It is
rack mountable though.  Has a whole complement of
digital effects.  I think Alesis might make a small
board that has effects too.  I'd try googling "audio
mixing board effects" and see what comes up.

--- mizfeldman@bluefrog.com wrote:

> hi mark and everyone,
> 
> thanks. he says he's actually looking for something
> like this:
> 
> "more like a small mixing board with each channel
> having 1/4" inputs 
> and a minimum of a 3 band equalizer, as well as
> levels, etc. It has to 
> have stereo output, of course...and then the delay
> should encompass the 
> whole unit, not just a channel."
> 
> does anyone own such a unit?
> 
> paula
> 
> --- zerocrossing2001@yahoo.com wrote:
> 
> >> There are many multi effects units that have EQ
> and
> delay, but they usually have a bunch more too.  My
> favorite is the Boss VF-1 that can be had via ebay
> for
> about $200.  The cool thing is that if your friend's
> looper puts out a midi clock like the EDP does,
> you'll
> be able to auto-sync your delay to the midi clock.
> 
> There really are tons of these devices though, so
> they
> should probably think about what they'd like to
> spend
> and what other features they might want.
> 
> --- mizfeldman@bluefrog.com wrote:
> 
> 
> > hi there,
> >
> > sorry if this is borderline off-topic but i have a
> > friend who plays electronic percussion in a band
> with a looping
> > guitarist. the guitarist sometimes loops parts of
> what the drummer is
> > playing. he (drummer) also wants to put a delay on
> his sound using an 
> > EQ unit.
> >
> > he's looking for a unit that has stereo inputs and
> > stereo outputs, each side having an EQ, with a
> built in delay, without
> > f'ing up the stereo panning.
> >
> > any suggestions?
> >
> > thanks in advance,
> >
> > paula
> >
> 
> 
>
------------------------------------------------------
> This message was sent using BlueFrog's Webmail
> System
> http://www.bluefrog.com
> 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Oct 27 18:01:50 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Question: EQ unit with built-in delay
Date: Fri, 27 Oct 2006 20:01:43 +0200
To: Loopers-Delight@loopers-delight.com
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>> "more like a small mixing board with each channel
>> having 1/4" inputs
>> and a minimum of a 3 band equalizer, as well as
>> levels, etc. It has to
>> have stereo output, of course...and then the delay
>> should encompass the
>> whole unit, not just a channel."
>>
>> does anyone own such a unit?
>>
>> paula


There are several of digital mixers with built-in effects (delay  
among others). That eight channel Yamaha mixers that was released a  
decade ago must be inexpensive now as a second hand by. I've never  
had one myself though, but heard from experienced users that they are  
good. They have 1/4" input (as well as other jacks) and are "small"  
if you compare it to most other mixers with built-in effects. How  
many channels do you need?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Oct 27 18:09:43 2006
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Date: Fri, 27 Oct 2006 11:09:41 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: DVD movie with looping soundtrack online
To: Loopers-Delight@loopers-delight.com
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I love the music! (bought it on iTunes) but I've
always found the business talk to be destracting...
you don't happen to have this sans voice do you? 
Maybe it's because I work for a corporate events
company and I have to lisent to this type of thing all
the time.

Mark

--- Per Boysen <perboysen@gmail.com> wrote:

> Hi,
> 
> I just found that a musical piece of mine, from a
> DVD movie, has been  


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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On Friday, October 27, 2006, at 11:01 AM, Per Boysen wrote:

>>> "more like a small mixing board with each channel
>>> having 1/4" inputs
>>> and a minimum of a 3 band equalizer, as well as
>>> levels, etc. It has to
>>> have stereo output, of course...and then the delay
>>> should encompass the
>>> whole unit, not just a channel."
>>>
>>> does anyone own such a unit?
>>>
>>> paula
>



http://www.musiciansfriend.com/product/Mackie-DFX12-12x2-Mixer-with- 
Effects?sku=634264
http://www.musiciansfriend.com/product/Alesis-MultiMix-8USB-Mixer-with- 
USB-and-DSP?sku=630166
http://www.musiciansfriend.com/product/Peavey-16FX-16-Channel-Mixer- 
With-Effects?sku=631372

From Loopers-Delight-request@loopers-delight.com  Fri Oct 27 18:37:04 2006
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Date: Fri, 27 Oct 2006 19:37:00 +0100
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> Whats the Calendar for??? The beauty of the JamFarm idea is that you NEVER
> know whos gonna be there... (the bad thing about the Jam Farm is that they
> are all twats)

from my point of view, it's about knowing that someone else is
actually going to be there, since it takes quite a lot for me to make
time to set up & play, and it would be a shame to do that and to end
up playing solo!


cheers,
os.

-- 
os@collective.co.uk
http://www.collective.co.uk/

From survey@fnbgc.com  Sat Oct 28 17:05:39 2006
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From Loopers-Delight-request@loopers-delight.com  Sun Oct 29 18:08:32 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: MAX/msp question
Date: Sun, 29 Oct 2006 19:08:27 +0100
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Hi,

If you're not interested in MAX or laptop based looping rigs, please  
ignore this post.

During the last days I have examined Ableton Live 6.0.1 and  
unfortunately found that it lacks one function that is very important  
for me: calling up multi effect patches ("Racks") by external MIDI  
(using foot pedals).

--> I guess this is possible with MAX, isn't it?

By studying the Eventide Eclipse and my own TC Electronic FirefirX  
for two years I have finally learned enough about combining different  
effects and I'm now confident that I'm able to recreate "my sound"  
from any audio audio processing environment that provides the usual  
modules as well efficient wiring and side-chaining (read "MAX"... I  
guess?).

I would probably get rather far by only using VST or AU (preferably  
VST, since I like to assemble the processed audio as loops in Mobius,  
which sadly is Windows XP only). I guess MAX displays loaded VST's  
parameters and makes it possible to, for example, take one parameter  
out of VST A and run it through a "scaling module" (eventually with  
also a "multiply/division coefficient" that may be directly  
controlled from a MIDI expression pedal) to have it control a  
targeted parameter in some other VST plug-in.

--> I guess this is possible with MAX, isn't it?

To go even further into details, here are some examples of typical  
multi effect patches (my musical imagination includes twenty patches  
that I want to have instantly accessible when playing):

FX patch example 1:
- Input
- Signal split into three parallel lines
- Parallel line 1: Dry signal
- Parallel line 2: Harmonizer + 5 (wet signal)
- Parallel line 3: Harmonizer - 7 (wet signal)
- Summing of the three parallel signal lines
- Compressor
- Output

FX patch example 2:
- Input
- Reverb
- Signal split into two parallel lines
- Parallel line 1: Dry signal
- Parallel line 2: Reverb signal (this line includes a filter which  
cut-off function is controlled by a step sequencer)
- Summing of the two parallel lines
- Compressor
- Output
(associated module: Step Sequencer)

In example 2 a MIDI expression pedal should be mapped to control the  
volume of the second parallel line (step sequence filtered reverb). A  
more advanced version of this FX patch also includes a random LFO  
controlling the tempo division of the step sequencer that is  
controlling the filter cut-off that shapes the reverb tail.

--> I guess this is possible with MAX, isn't it?

Regarding my preferred looper Mobius in MAX, I do not intend to run  
Mobius tracks as separate outputs into MAX for the purpose of  
applying effects post loop. I prefer the performance technique where  
you apply effects to the looper input (MAX + VST's) and record the  
effects as part of the loop (into some Mobius track). Although this  
does limit the options in theory I have found it more intuitively  
"playable" in praxis.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Oct 29 19:40:33 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: MAX/msp question
Date: Sun, 29 Oct 2006 11:40:29 -0800
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On Oct 29, 2006, at 10:08 AM, Per Boysen wrote:

> During the last days I have examined Ableton Live 6.0.1 and 
> unfortunately found that it lacks one function that is very important 
> for me: calling up multi effect patches ("Racks") by external MIDI 
> (using foot pedals).
>
> --> I guess this is possible with MAX, isn't it?

You mean changing/turning on and off multiple effect patches all at 
once? No problem.

>
> I would probably get rather far by only using VST or AU (preferably 
> VST, since I like to assemble the processed audio as loops in Mobius, 
> which sadly is Windows XP only).
> --> I guess this is possible with MAX, isn't it?

Yes to VSTs, no AUs in max.....

> I guess MAX displays loaded VST's parameters and makes it possible to, 
> for example, take one parameter out of VST A and run it through a 
> "scaling module" (eventually with also a "multiply/division 
> coefficient" that may be directly controlled from a MIDI expression 
> pedal) to have it control a targeted parameter in some other VST 
> plug-in.

Yes. There are other ways to do this as well, just route the original 
controller data itself simultaneously to the multiple plugs all at once 
through different scaling/mapping/arithmetic objects.


> In example 2 a MIDI expression pedal should be mapped to control the 
> volume of the second parallel line (step sequence filtered reverb). A 
> more advanced version of this FX patch also includes a random LFO 
> controlling the tempo division of the step sequencer that is 
> controlling the filter cut-off that shapes the reverb tail.
> --> I guess this is possible with MAX, isn't it?


Yes. But but regarding the step sequencer, it depends on what is 
driving the time. I have never used (so it doesn't bother me) midi 
sync, but I understand that it is not great in max. However, I use step 
sequencers that are driven by different timing objects (from metronome 
type to random type) with no problems at all. Basically, if your vst 
has a parameter accessible by midi, you can hook up all sorts of things 
to do wild control stuff....For instance on one of mine I have 
different random numbers being fed in, and my pedals control the speed 
and amount of the randomness in the objects connecting to the vst....it 
is a lot of fun.....


> Regarding my preferred looper Mobius in MAX, I do not intend to run 
> Mobius tracks as separate outputs into MAX for the purpose of applying 
> effects post loop. I prefer the performance technique where you apply 
> effects to the looper input (MAX + VST's) and record the effects as 
> part of the loop (into some Mobius track). Although this does limit 
> the options in theory I have found it more intuitively "playable" in 
> praxis.

It easily (according to krispen) runs inside of max and can be put 
anywhere in the processing chain you want.....

Lovely to hear from you, and GREAT to meet you at the festival.

Cheers,
Jeff

From Loopers-Delight-request@loopers-delight.com  Sun Oct 29 19:56:55 2006
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This week I was on a Tampa area FM radio show, and did a 1 hour
interview/performance where I talked about looping, composition, etc...now
keep in mind, this station normally plays lots of roots rock, folk,
bluegrass, etc...so it was a bit of a stretch for them, but it was lots of
fun. I am bringing the whole thing to the local NBC TV affiliate's 'Daytime'
show this week. 

Check it out, y'all peeps:
http://www.wmnf.org/includes/playarchive.php?ArchiveId=2498&Type=MP3

Dave Eichenberger
http://www.hazardfactor.com/collectives    <--- 50 CDs, 50 hours, no copies

From Loopers-Delight-request@loopers-delight.com  Sun Oct 29 20:24:51 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: MAX/msp question
Date: Sun, 29 Oct 2006 12:24:47 -0800
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Followup:

One of the coolest things about max/msp is the flexibility of routing=20
information (both audio and controller). Setting things up in serial or=20=

parallel or both at once, sending audio multiple places, controlling=20
multiple things all at once is really easy...and allows for a lot of=20
creativity in controlling loopers and effects....



Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Sun Oct 29 20:38:29 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: MAX/msp question
Date: Sun, 29 Oct 2006 21:38:25 +0100
To: Loopers-Delight@loopers-delight.com
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On 29 okt 2006, at 20.40, Jeff Kaiser wrote:

> Followup:
>
> One of the coolest things about max/msp is the flexibility of  
> routing information (both audio and controller). Setting things up  
> in serial or parallel or both at once, sending audio multiple  
> places, controlling multiple things all at once is really  
> easy...and allows for a lot of creativity in controlling loopers  
> and effects....

Sounds great!

> For instance on one of mine I have different random numbers being  
> fed in, and my pedals control the speed and amount of the  
> randomness in the objects connecting to the vst....it is a lot of  
> fun.....

That's a typical example of what I'm able to do with the FireworX  
hardware device but not with any software I own - not even Numerology  
on my macs. I'm installing the 30 days MAX demo now and hope I'll  
find money for a purchase when needed.

Thank you for your advice! :-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: MAX/msp question
Date: Sun, 29 Oct 2006 13:02:19 -0800
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Please feel free to email me with questions on or off line.....I think=20=

this type of software is the future of what we are doing....and it is=20
so musical and fun to work with....


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com


On Oct 29, 2006, at 12:38 PM, Per Boysen wrote:

> That's a typical example of what I'm able to do with the FireworX=20
> hardware device but not with any software I own - not even Numerology=20=

> on my macs. I'm installing the 30 days MAX demo now and hope I'll find=20=

> money for a purchase when needed.
>
> Thank you for your advice! :-)
>
> Greetings from Sweden
>
> Per Boysen=

From Loopers-Delight-request@loopers-delight.com  Sun Oct 29 21:58:20 2006
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Hey Per,
Why don't you have a look at Audiomulch? It seems to have all the features 
you need, runs under windows and is cheap to buy and intuitive to learn as 
well as being very powerful.

G
----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, October 29, 2006 6:08 PM
Subject: MAX/msp question


> Hi,
>
> If you're not interested in MAX or laptop based looping rigs, please 
> ignore this post.
>
> During the last days I have examined Ableton Live 6.0.1 and  unfortunately 
> found that it lacks one function that is very important  for me: calling 
> up multi effect patches ("Racks") by external MIDI  (using foot pedals).
>
> --> I guess this is possible with MAX, isn't it?
>
> By studying the Eventide Eclipse and my own TC Electronic FirefirX  for 
> two years I have finally learned enough about combining different  effects 
> and I'm now confident that I'm able to recreate "my sound"  from any audio 
> audio processing environment that provides the usual  modules as well 
> efficient wiring and side-chaining (read "MAX"... I  guess?).
>
> I would probably get rather far by only using VST or AU (preferably  VST, 
> since I like to assemble the processed audio as loops in Mobius,  which 
> sadly is Windows XP only). I guess MAX displays loaded VST's  parameters 
> and makes it possible to, for example, take one parameter  out of VST A 
> and run it through a "scaling module" (eventually with  also a 
> "multiply/division coefficient" that may be directly  controlled from a 
> MIDI expression pedal) to have it control a  targeted parameter in some 
> other VST plug-in.
>
> --> I guess this is possible with MAX, isn't it?
>
> To go even further into details, here are some examples of typical  multi 
> effect patches (my musical imagination includes twenty patches  that I 
> want to have instantly accessible when playing):
>
> FX patch example 1:
> - Input
> - Signal split into three parallel lines
> - Parallel line 1: Dry signal
> - Parallel line 2: Harmonizer + 5 (wet signal)
> - Parallel line 3: Harmonizer - 7 (wet signal)
> - Summing of the three parallel signal lines
> - Compressor
> - Output
>
> FX patch example 2:
> - Input
> - Reverb
> - Signal split into two parallel lines
> - Parallel line 1: Dry signal
> - Parallel line 2: Reverb signal (this line includes a filter which 
> cut-off function is controlled by a step sequencer)
> - Summing of the two parallel lines
> - Compressor
> - Output
> (associated module: Step Sequencer)
>
> In example 2 a MIDI expression pedal should be mapped to control the 
> volume of the second parallel line (step sequence filtered reverb). A 
> more advanced version of this FX patch also includes a random LFO 
> controlling the tempo division of the step sequencer that is  controlling 
> the filter cut-off that shapes the reverb tail.
>
> --> I guess this is possible with MAX, isn't it?
>
> Regarding my preferred looper Mobius in MAX, I do not intend to run 
> Mobius tracks as separate outputs into MAX for the purpose of  applying 
> effects post loop. I prefer the performance technique where  you apply 
> effects to the looper input (MAX + VST's) and record the  effects as part 
> of the loop (into some Mobius track). Although this  does limit the 
> options in theory I have found it more intuitively  "playable" in praxis.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>
> 



From Loopers-Delight-request@loopers-delight.com  Sun Oct 29 22:10:20 2006
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Date: Sun, 29 Oct 2006 23:10:17 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: sidechain effects, mac and live 6 
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Hi !
Does anyone know if there are any sidechain effects
for ableton live 6, when using mac intel ? any for
free ?

best regards Rune f. 

www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867

From Loopers-Delight-request@loopers-delight.com  Sun Oct 29 22:38:22 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: sidechain effects, mac and live 6 
Date: Sun, 29 Oct 2006 23:38:16 +0100
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On 29 okt 2006, at 23.10, rune fagereng wrote:

> Hi !
> Does anyone know if there are any sidechain effects
> for ableton live 6,

Yes. The answer is "no".

The compressor in Live may confuse by having a parameter named "EQ  
Side Chain". This is not side-chaining in the matter of  controlling  
one compressor parameter from a different audio stream, as we do with  
the classical audio ducking technique. It's just a function for  
giving more or less priority to certain frequency bands to be  
affected by the compressor (more similar to a multi band compressor  
if you like).

> when using mac intel ?

Live works exactly the same under any OS platform and CPU type.

> any for
> free ?

No. Here's a link to Live's pricing:
http://www.ableton.com/live6-pricing

Depending on what kind of effects you are looking for there might be  
some third-party plug-ins available, but probably not for free with a  
side-chain functionality.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: Per Boysen <perboysen@gmail.com>
Subject: Re: MAX/msp question
Date: Sun, 29 Oct 2006 23:57:06 +0100
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On 29 okt 2006, at 22.58, gareth whittock wrote:

> Hey Per,
> Why don't you have a look at Audiomulch? It seems to have all the  
> features you need, runs under windows and is cheap to buy and  
> intuitive to learn as well as being very powerful.


Thanks for the tip. I don't mind that it "runs under Windows" but I'm  
not investing my time in anything that does ONLY run under  
Windows ;-)  For me that would be such a waste because all my other  
great audio software - except for Mobius - is OS X only.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: Per Boysen <perboysen@gmail.com>
Subject: Re: MAX/msp question
Date: Mon, 30 Oct 2006 02:36:55 +0100
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On 29 okt 2006, at 22.02, Jeff Kaiser wrote:

> Please feel free to email me with questions on or off line.....I  
> think this type of software is the future of what we are  
> doing....and it is so musical and fun to work with....


Thanks! Here comes the first question I bumped into after spending  
the evening reading the MAX and the MSP manuals. Everywhere in the  
reference material all time issues are given in milliseconds. That's  
not how I want to work. I want to write my patches with all time  
dependent processes referring to "the musical grid", i.e. MIDI Clock  
tics, beats or whatever it may be called. This global tempo grid is  
defined by the looping process - at the moment by Mobius VST plug-in  
but in the future probably by some OS X looper similar to Mobius/EDP.  
When I do "beatless" music I want to offset my patches from the  
global tempo, either completely or by a controllable coefficient  
(divider/multiplier) tempo. Does these ambitions make sense with MAX/ 
MSP?

One example is the MSP manual, page 227, "Variable delay time". The  
example delay patch with "tapin~" and "tapout~" is a typical patch I  
would use. But the fact that only milliseconds is used for time makes  
me uncomfortable. Have I missed out on some parts of the reference  
manuals?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Oct 30 02:38:23 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Y2K6 Festival and more.....
Date: Sun, 29 Oct 2006 18:38:10 -0800
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Working through the discs that were procured during the=20
festival....great stuff!

I've listened to Per Boysen's Abstract Experimental Yet Catchy (that is=20=

a title, not a review) a couple of times now...wonderful.

And Miro's has been listened to numerous times...great stuff!

And so far, only two discs....looking forward to the rest. It was so=20
much fun hanging out with these folks from all over the world....

Again, Rick!!! Great job.

I feel like I've just recovered, I can only imagine what you must feel=20=

like....

best,
Jeff

Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Mon Oct 30 03:55:20 2006
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umm... just a big ups and high five to the Walker Bros. for doin what they done did+all that helped out on  the biggest of Loop Fests that i've witnessed anyway...
i have to apologise for my Atmospheric db Excess.
the stuff i play these days is not fit for small performance spots like Alchemy.
so i profusely apologise to Rick for making things uncomfortable loudness wise. (those low frequencys need a lotta ampage!)
to paraphrase BrianWilson: "i guess i just wasnt made for these times"
humblee
staninsanfran

-----Original Message-----
>From: Jeff Kaiser <loopersdelight@pfmentum.com>
>Sent: Oct 29, 2006 6:38 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Y2K6 Festival and more.....
>
>Working through the discs that were procured during the 
>festival....great stuff!
>
>I've listened to Per Boysen's Abstract Experimental Yet Catchy (that is 
>a title, not a review) a couple of times now...wonderful.
>
>And Miro's has been listened to numerous times...great stuff!
>
>And so far, only two discs....looking forward to the rest. It was so 
>much fun hanging out with these folks from all over the world....
>
>Again, Rick!!! Great job.
>
>I feel like I've just recovered, I can only imagine what you must feel 
>like....
>
>best,
>Jeff
>
>Jeff Kaiser
>http://www.JeffKaiser.com
>pfMENTUM.com ? AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Mon Oct 30 06:26:42 2006
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From: Sunao Inami <webmaster@cavestudio.com>
Subject: OT: New Release "electr-ohm compilation 1"
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Hi LD,

Sorry for off topic,this is our new release information.

title : electr-ohm compilation 1
artist : V.A.
label : electr-ohm
CD number : TCCD-20062
format : Audio CD
release date  : 6th November 2006

This CD is an answer  from a label, electr-ohm to next generation of IDM.
Complex rhythm beat and gentle crackles with abstract textures or 
subdued drones.
and their advantage is high knowledge of DSP sound manipulation.

13 international artists joined from 7 countries, it includes Flint 
Glass, Empusae, Noize Creator,Sunao Inami and more.

This CD is highly recommended to a person liking IDM, Rhythmic 
noise,Dark electro,Break beat and Break core.

01 : Instrumental / Sunao Inami (jp)
02 : Niflheim / Empusae (be)
03 : sak / in center of circle (jp)
04 : Extra Terrestrial / Noize Creator (de)
05 : Nocturnal waves / Flint Glass (fr)
06 : cut / nOriyOshi (jp)
07 : R-IO / symphony space (jp)
08 : Sperre Drei / Enzym (de)
09 : Legacy of Mangler / Sunao Inami (jp)
10 : a circle and a triangle / Yumi Matsui (jp)
11 : acdeefhlmmnoooprsty / Daisuke Ohkoshi (jp)
12 : Fear event killing all people in Grand Theft Auto / ANATOMICA (jp)
13 : Norma / LITH (fr)
14 : tam / in center of circle (jp)
15 : hymenaea protera / wg@eet (nl)
16 : LCR / symphony space (jp)

16 songs,65 min total.

Please visit our online shop page for details:
http://shop.cavestudio.org/catalog/product_info.php/products_id/308


* Empusae appears courtesy of Hands Productions.
* Noize Creator and Enzym appears courtesy of  Suburban Trash Industries.
* Flint Glass and  LITH appears courtesy of Brume records.

Contact:
http://www.electr-ohm.com
contact@electr-ohm.com

Myspace
http://www.myspace.com/electrohm


p.s.
- for distributors and CD shops -
  we can talk about whole sale.
  please contact to:
contact@electr-ohm.com


  Thanks

  Sunao Inami

From Loopers-Delight-request@loopers-delight.com  Mon Oct 30 09:31:17 2006
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Date: Mon, 30 Oct 2006 10:31:14 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: sidechain effects, mac and live 6 
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Hi and thanks !

I am looking for a sidechain compressor, that works
with live 6 and my mac intel. Any  tips ?

Rune F

--- Per Boysen <perboysen@gmail.com> skrev:

> On 29 okt 2006, at 23.10, rune fagereng wrote:
> 
> > Hi !
> > Does anyone know if there are any sidechain
> effects
> > for ableton live 6,
> 
> Yes. The answer is "no".
> 
> The compressor in Live may confuse by having a
> parameter named "EQ  
> Side Chain". This is not side-chaining in the matter
> of  controlling  
> one compressor parameter from a different audio
> stream, as we do with  
> the classical audio ducking technique. It's just a
> function for  
> giving more or less priority to certain frequency
> bands to be  
> affected by the compressor (more similar to a multi
> band compressor  
> if you like).
> 
> > when using mac intel ?
> 
> Live works exactly the same under any OS platform
> and CPU type.
> 
> > any for
> > free ?
> 
> No. Here's a link to Live's pricing:
> http://www.ableton.com/live6-pricing
> 
> Depending on what kind of effects you are looking
> for there might be  
> some third-party plug-ins available, but probably
> not for free with a  
> side-chain functionality.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867

From Loopers-Delight-request@loopers-delight.com  Mon Oct 30 10:43:08 2006
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Subject: Re: Ninjam server
Date: Mon, 30 Oct 2006 11:42:55 +0100
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>> Whats the Calendar for??? The beauty of the JamFarm idea is that you 
>> NEVER
>> know whos gonna be there... (the bad thing about the Jam Farm is that 
>> they
>> are all twats)
>
> from my point of view, it's about knowing that someone else is
> actually going to be there, since it takes quite a lot for me to make
> time to set up & play, and it would be a shame to do that and to end
> up playing solo!

OK well i get that, im just not that organised... and can rarely plan a damn 
thing... however I had a lot of fun connecting to an empty server and 
playing, while ignoring ninjam... suddenly from nowhere in came a fantastic 
sexy french voice, singing and talking over my loops... great surprise... 
got chatting later and will be using the jam on my new album currently in 
progress...

spose a calandar is a good idea, if you dont HAVE to book time or 
anything... that would suck..

m


mark francombe

>
> cheers,
> os.
>
> -- 
> os@collective.co.uk
> http://www.collective.co.uk/

marks website is at www.markfrancombe.com he writes for www.furthernoise.org 
and works at www.transformlearning.com
----- Original Message ----- 

--------------------------------------------------------------------------------
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From Loopers-Delight-request@loopers-delight.com  Mon Oct 30 11:58:45 2006
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At 18:08 29/10/2006, you wrote:
>--> I guess this is possible with MAX, isn't it?

Also with Bidule.
(plus you could do the 'development' with live audio running through 
as you worked)

...I don't know how the quality of the building blocks compares though.

andy 

From Loopers-Delight-request@loopers-delight.com  Mon Oct 30 12:51:42 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: MAX/msp question
Date: Mon, 30 Oct 2006 13:51:36 +0100
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> At 18:08 29/10/2006, you wrote:
>> --> I guess this is possible with MAX, isn't it?

On 30 okt 2006, at 12.56, a k butler wrote:

> Also with Bidule.
> (plus you could do the 'development' with live audio running  
> through as you worked)
>
> ...I don't know how the quality of the building blocks compares  
> though.

I'm investigating Bidule right now. Had to stop for some sleep but I  
just woke up now and will continue with live audio running through  
while building. Bidule seems much faster than MAX to realize certain  
multi effect patches. Don't know yet if it sounds good enough though,  
but there is always the option of throwing in existing VST plug-ins  
into the effect chains. But it's a drag to work in Windows XP (have  
to do that because of Mobius) because I could really use Apples free  
audio plug-ins. For example, Apples pitch-shifte is excellent and I  
have no third-party plug-in that only does simple pitch-shifting. The  
closest is Ohmforce Hematohm but then you get all their built-in  
wiring as well. I would prefer just plain pitch-shifters and do the  
wiring with delay lines etc in Bidule (or MAX).

I wonder if it would take a lot of time to make a looper like Mobius  
in MAX? (taking advance of working in OS X with all the good Apple  
plug-ins, Core MIDI and Core Audio). Of all the MAX built loopers  
I've seen they all loop one layers at a time and then move on to  
create the next layer in a parallel loop. That's not efficient for  
the looping I'm interested in. Is it just that some template in MAX  
implements this kind of development? I guess it must be possible to  
set up a loop with overdub layering and feedback control in MAX? I've  
heard normal tape-style delays in MAX so it must be possible!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Oct 30 13:02:34 2006
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At 19:40 29/10/2006, you wrote:
>Yes. But but regarding the step sequencer, it depends on what is 
>driving the time. I have never used (so it doesn't bother me) midi 
>sync, but I understand that it is not great in max.

Very good indeed in Bidule.
If you have a tap time looper with midi sync out it's no problem to sync to it.
You could even have a number of different loopers, running at 
different tempi, each with synced fx

Bidule hosts all sorts of vsts, any no. of channels, and lets you 
hook them up any way you like (audio, midi, sync), and you can do 
that while the audio is actually running.
pc & mac ( AU supported on mac)

not expensive

It has simple midi synced loop components if you needed those too.

........BUT
It doesn't have the "support base" here that MAX has :-)

andy 

From Loopers-Delight-request@loopers-delight.com  Mon Oct 30 16:10:56 2006
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
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	<vaguediscuss@vagueterrain.net>
Subject: 10.31.06 @ the PiNG > PHOLDE + SIX HEADS w GENERAL CHAOS VISUALS
Date: Mon, 30 Oct 2006 11:11:49 -0500
Organization: THE AMBiENT PiNG
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THiS TUESDAY . The PiNG presents PHOLDE and 
SIX HEADS with GENERAL CHAOS VISUALS 
Tuesday October 31st . 8 pm - 11 pm . PWYC ($5 suggested)
@ the UNDERGROUND downstairs @ the DRAKE HOTEL
1150 Queen St. W @ Beaconsfield . W of Ossington . E of Dufferin

The PiNG presents a special All Hallow's Eve performance
featuring sound sculpturist PHOLDE and the secretive
surrealist sound collective SIX HEADS all bathed in light 
courtesy of the GENERAL CHAOS VISUALS eye candy.
(Please note the early 8 pm start time.)

PHOLDE @ 8:30 pm
Alan Bloor (Knurl) returns as PHOLDE to bow, scrape, brush,
klang and caress his self-created metal sound sculptures
with other metal objects to produce thunderous, spacious
soundscapes. Metal, amplified and effected.
http://www.pholde.com

SIX HEADS @ 9:30 pm
Using a range of unusual sound sources (home-made
instruments, circuit-bent electronics, toys and found
objects, field recordings, etc.) and some creative
live mixing and audio processing, SIX HEADS produce
a dense, shifting sonic dreamscape of ambient textures,
jarring juxtapositions of concrete sound and an absurd
and vaguely disturbing sense of humour. SIX HEADS are
James Bailey, William Davison, Linda Feesey, Sherri Lyn
Higgins, Colin Hinz and Pete Mosher.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

COMiNG SOON

The PiNG and Aidan Baker present 
AN EXPLORATION OF DRONE:
TROUM . POLMO POLPO . AIDAN BAKER + DON KENNEDY
Monday November 20th . Doors at 9pm . cover $6
@ Gallerie Le Labo, The Distillery District
Cannery Bldg #59 . Room #317
W of Parliament . S of Front . link to map:
http://www.thedistillerydistrict.com/siteplan_popup.html

AN EXPLORATION OF DRONE: Germany's Troum, 
featuring former members of the seminal ambient/industrial 
band Maeror Tri and owner/operators of the 7" record label, 
Drone Records, bring their transcendental ambient drone 
music to Canada for the first time. 

Canadian compatriots Polmo Polpo will perform a solo 
set and Aidan Baker (ARC, Nadja) and Don Kennedy 
(Off the International Radar) will perform a 
collaborative guitar-drone set.

http://www.troum.com
http://www.dronerecords.com
http://www.audisensa.com
http://www.aidanbaker.org
http://www.offtheinternationalradar.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

CONTiNUiNG on AMBiENT PiNG RADiO:

the ALMOST LiVE MUSiC SERiES

A weekly show playing exclusive, unreleased material by some 
of the PiNG's closest friends in the ambient community. 
Tune in to hear live performances, works in progress, 
exclusive remixes and more!

TONiGHT MONDAY OCTOBER 30th at 9PM EST
a special Hallowe'en ALMOST LiVE iN THE STUDiO 
presentation by mara's torment
http://www.ambientpingradio.com 

AMBiENT PiNG RADiO on Live365 is thrilled to announce a 
special Hallowe'en ALMOST LiVE iN THE STUDiO presentation 
by mara's torment on Monday October 30th at 9pm EST. 

Join rik maclean and Sovaak the Sock Monkey as they perform a 
scary set filled with oblique movement, chilling ambience and dark 
melodies perfect for sitting around the pumpkin patch alone or in 
groups. And if that's not your scene, feel free to curl up by the 
fireplace and read that dog eared copy of Dracula while you 
listen. It's been lying on your bookshelf for so long...

Visit http://www.marastorment.com to find out 
more about mara's torment

And don't forget about future broadcasts in the 
ALMOST LiVE MUSiC SERiES;

November 6th dreamSTATE with Wally Jericho
November 13th Numina
November 20th Naw
November 27th Geek Weekend

All shows run on Mondays at 9PM EST and will be rebroadcast 
Thursdays at 12midnight EST and Saturdays at 3:30 EST. 

The ALMOST LiVE MUSiC SERiES: Another way that THE
AMBiENT PiNG and ping things is bringing great music to you!
http://www.ambientpingradio.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

More PiNG news and more PiNG shows are coming soon. 
Watch this space to stay tuned.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of 
audio artists, performers, musicians and visual artists. The PiNG 
presents live multimedia performances featuring ambient, electronic, 
soundscape, chillout, trip hop, dream pop, downtempo, space, 
drone and experimental artists from around the world.  
http://www.theambientping.com

Tune in anytime to AMBiENT PING RADiO at
http://www.ambientpingradio.com

ViSiT ping things for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or 
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Oct 30 17:31:28 2006
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From: Douglas Baldwin <coyotelk@optonline.net>
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Hi crew-
    For my looping exploits, I am sending out e-mails to two groups. One is
a list of local musicians and friends, and one is a list of worldwide
contacts. I use Outlook Express, and I currently have the groups in my
Address Book, sorted into sub-groups of about 15 addresses per sub-group,
for a total of about 125 local folks, 450 worldwide folks. My problem is
that the Outlook Express format is pretty bitchy to edit and check. The only
way I can cross-check addresses to see if, f'rinstance, an address is in one
of these groups is to open up each group and visually scan every address. I
can only see about 8 addresses at a time, and I can't even print out a list
of just names or just e-mail addresses. In fact, I can't even remember HOW I
printed out the lists the last time I did.

    I'm sure some of you are sending out gig and CD announcements to just a
few hundred people at a time. What do you use to manage these lists? How do
you do it?

    Thanx in advance,
Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"Life! Life!
Clouds and clowns!
You don't have to come down!"
- Sly and the Family Stone


From Loopers-Delight-request@loopers-delight.com  Mon Oct 30 17:57:45 2006
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Subject: RE: MAX/msp question
Date: Mon, 30 Oct 2006 11:57:48 -0600
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From: Per Boysen [mailto:perboysen@gmail.com]=20
> I wonder if it would take a lot of time to make a looper like Mobius =20
> in MAX?

I'm certainly not a Max expert but I feel confident in saying that you
cannot duplicate *all* of the Mobius functionality using just Max
built-in components (or the things you're going to find in the
forums), you would have to write most of it in C or C++ as a Max
"external", and at that point you're basically just writing a
VST plugin.

Now, before the Max fans start firing off impassioned responses
claiming MAX CAN DO ANYTHING DAMNIT!!!, take a few cleansing breaths
and go skim the Mobius and EDP manuals.  Trust me it can't be done,
and even if it were theoretically possible it would take more time and
energy than any sane person would want to expend.

A more interesting question is whether Max can do exactly what you
want.  This may be quite possible.  Max is not very good for building
complex general purpose systems that meet many people's needs, but it
is fairly good at building limited systems that work exactly the way
you want them to. =20

> I guess it must be possible to set up a loop with overdub layering and
> feedback control in MAX? I've heard normal tape-style delays in MAX so
> it must be possible!

Overdub with feedback alone is relatively easy.  Where tape-style
looping gets hard is when you want to implement multi-layer undo.  At
minimum you have to save copies of each pass of the loop and provide a
UI to select them.  Where it starts to get really fun is supporting
the concept of "seamless overdub over the loop point".

A common technique is to leave overdub on and play a sustained tone
that crosses the loop boundary.  In order to support undo you have to
generate a new layer *however* you must also avoid a fade-to-zero at
the edges of the two layers or else there will be a "bump" at the
start point during playback.  This is difficult for loopers that
implement layers as autonomous tracks that can be mixed independently.

If for example you reduce the volume of the second layer's track to
zero, there will be a click at the end of the first layer's track
because the wave form that was being played immediately after the end
of the first track is now gone.  There are several ways to solve these
problems, but I cannot imagine implementing them by drawing pictures
in Max.  But I look forward to the Max-o-philes telling me I'm wrong :-)

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Oct 30 18:30:48 2006
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Welcome on board Per,

Per Boysen wrote:
> Does these ambitions make sense with MAX/ MSP?

Yes

> One example is the MSP manual, page 227, "Variable delay time". The  
> example delay patch with "tapin~" and "tapout~" is a typical patch I  
> would use. But the fact that only milliseconds is used for time makes  
> me uncomfortable. Have I missed out on some parts of the reference  
> manuals?

This is something typical I guess, if you think in terms of "features" 
of a program with a defined aim, like you have been probably used till 
now. This would be a crucial demand for such a tool.
In Max its not, you just build an abstraction once to translate into 
parameters a given object will ask for. You do it yourself, any way of 
thinking is allowed and covered. Proprietary software is forced to 
follow an average demand, in Max you follow your own demand...

Simple example: there is an object called metro, which will bang with a 
constant speed. The time between bangs is set in milliseconds. (No BPM, 
no percentage of a master beat no uncertainty factor or whatever...)

Now lets assume the way of your thinking is in BPM rather than in 
milliseconds. The only thing you need to do, create your own "Per.metro" 
which simply translates BPM into milliseconds and attaches it to the 
original metro. It looks like metro, but uses BPM to define the speed.

In the future you just use Per.metro instead of metro. After you have 
done it once, you do not need to deal with milliseconds anymore...

The manual/examples/help files will help you to solve such problems, you 
need to learn to implement the features you are missing. There is a 
learning curve, but its worth it. You get features no software supplier 
would consider even thinking about...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: MAX/msp question
Date: Mon, 30 Oct 2006 19:40:27 +0100
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On 30 okt 2006, at 19.30, Stefan Tiedje wrote:

> Now lets assume the way of your thinking is in BPM rather than in  
> milliseconds. The only thing you need to do, create your own  
> "Per.metro" which simply translates BPM into milliseconds and  
> attaches it to the original metro. It looks like metro, but uses  
> BPM to define the speed.
>
> In the future you just use Per.metro instead of metro. After you  
> have done it once, you do not need to deal with milliseconds  
> anymore...


Great hint. Thanks a lot! I knew it would be some way to do it in MAX  
because the C74 guys have already done that old system for  
synchronizing Pluggo plug-ins, which proves they are not totally anti  
rhythmic ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Oct 30 18:41:53 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Bidule (was: MAX/msp question)
Date: Mon, 30 Oct 2006 19:41:48 +0100
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On 30 okt 2006, at 13.53, a k butler wrote:
> Very good indeed in Bidule.
> If you have a tap time looper with midi sync out it's no problem to  
> sync to it.
> You could even have a number of different loopers, running at  
> different tempi, each with synced fx
>
> Bidule hosts all sorts of vsts, any no. of channels, and lets you  
> hook them up any way you like (audio, midi, sync), and you can do  
> that while the audio is actually running.
> pc & mac ( AU supported on mac)
>
> not expensive
>
> It has simple midi synced loop components if you needed those too.
>
> ........BUT
> It doesn't have the "support base" here that MAX has :-)


I see your point, Andy. But Bidule is so damn easy and fast that it  
doesn't need any "support base" to let you create things. I have been  
tinkering half day with Bidule and already made a nice VST host and  
effect tweaking environment for looping in Mobius. Nice SIR reverb on  
both live input and Mobius loop output as well as different parallel,  
or daisy-chained, VST effects that are called up from a MIDI foot  
pedal. Bidules "Audio Matrix" makes it possible to route effects and  
assign MIDI bindings.  Not Program Change though, so I'm setting up  
this pilot system with cc and using an expression pedal to sweep  
though all my custom made multi effect clusters.

Since tweaking Bidule is so fast I may have time to make a pilot rig  
in MAX as well, so I can evaluate MAX in 30 days before the demo  
times out. Both app's are working fine under OS X and XP. I guess MSP  
has plain pitch shifting modules? Regarding Bidule under XP I still  
miss the nice pitch-shifters that comes for free on a Mac, but maybe  
someone can hint me at a plain pitch-shifting VST plug-in for XP?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Oct 30 18:48:43 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Bidule (was: MAX/msp question)
Date: Mon, 30 Oct 2006 10:48:39 -0800
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Check out gizmo~

It is what I use for all my pitch shifting madness....

Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com

On Oct 30, 2006, at 10:41 AM, Per Boysen wrote:

> I guess MSP has plain pitch shifting modules?=20=

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I like Braindoc's free VST Pitch Shifter:
http://www.braindoc.de/english/vstEn.html


> miss the nice pitch-shifters that comes for free on a Mac, but maybe
> someone can hint me at a plain pitch-shifting VST plug-in for XP?
>
> Greetings from Sweden
>
> Per Boysen

-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

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Subject: Re: Bidule (was: MAX/msp question)
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I ditto that...I use it for my interval stacker max patch....6 parallel 
pitch shifters all going at once...great for the Brian May (Queen) sound. :) 
it's a monster.

Kris

----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, October 30, 2006 11:48 AM
Subject: Re: Bidule (was: MAX/msp question)


Check out gizmo~

It is what I use for all my pitch shifting madness....

Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com • AngryVegan.com

On Oct 30, 2006, at 10:41 AM, Per Boysen wrote:

> I guess MSP has plain pitch shifting modules?


From Loopers-Delight-request@loopers-delight.com  Mon Oct 30 20:09:57 2006
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Per,

Here's an example patch, at the bottom, to look at pick apart. 
You should be able to copy it and paste it from the clipboard in Max.

It shows one way to do the bpm to millisecond conversion and how you might
apply that to
 "tapin~" and "tapout~".

Rick Williamson

max v2;
#N vpatcher 7 91 790 558;
#P origin -21 -69;
#P newex 28 286 43 196617 timer;
#B color 5;
#P number 28 312 42 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P button 39 242 15 0;
#P comment 59 236 77 196617 Clever way to report time between events;
#P comment 334 290 56 196617 size tapin two beats;
#P comment 607 257 142 196617 0.25 = one 16th note;
#P comment 607 242 142 196617 16th note subdivision;
#P number 501 265 49 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P number 553 265 49 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P newex 501 242 33 196617 * 1.5;
#P newex 553 242 39 196617 * 2.25;
#P number 447 265 49 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P newex 447 242 33 196617 * 0.75;
#P number 447 219 49 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P message 293 50 26 196617 240;
#P message 264 50 26 196617 210;
#P message 235 50 26 196617 180;
#P message 206 50 26 196617 150;
#P message 177 50 26 196617 120;
#P message 154 50 20 196617 90;
#P message 131 50 20 196617 60;
#P message 108 50 20 196617 30;
#P message 19 184 14 196617 0;
#P newex 19 162 30 196617 sel 0;
#P newex 326 197 27 196617 / 2;
#P comment 219 138 142 196617 milliseconds per beat;
#P number 164 137 49 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P number 164 85 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P newex 164 109 50 196617 !/ 60000;
#P toggle 119 133 15 0;
#P newex 119 160 55 196617 metro 500;
#P newex 118 412 108 196617 dac~;
#P message 118 376 65 196617 startwindow;
#P message 189 376 27 196617 stop;
#P comment 119 360 70 196617 ¥ start audio;
#P newex 216 297 39 196617 *~ 0.2;
#P toggle 216 216 15 0;
#P newex 238 187 59 196617 cycle~ 440;
#P newex 216 252 51 196617 selector~;
#B color 4;
#P comment 178 217 35 196617 on/off;
#P comment 263 229 45 196617 signal in;
#P comment 226 270 78 196617 gated signal out;
#P newex 326 361 163 196617 tapout~ 375 750 1125;
#P newex 326 326 55 196617 tapin~ 500;
#P flonum 471 119 112 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P newex 471 93 84 196617 expr 60000/$f1;
#P number 326 270 49 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P number 326 222 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P newex 326 244 50 196617 !/ 60000;
#P comment 207 86 100 196617 beats per minuet;
#P fasten 20 0 26 0 124 153 24 153;
#P connect 26 0 27 0;
#P connect 47 0 49 0;
#P connect 49 0 48 0;
#P connect 19 0 47 0;
#P connect 47 0 49 1;
#P connect 7 2 18 0;
#P connect 7 0 18 0;
#P connect 17 0 18 0;
#P connect 16 0 18 0;
#P connect 20 0 19 0;
#P connect 35 0 22 0;
#P connect 34 0 22 0;
#P connect 33 0 22 0;
#P connect 32 0 22 0;
#P connect 31 0 22 0;
#P connect 30 0 22 0;
#P connect 29 0 22 0;
#P connect 28 0 22 0;
#P connect 22 0 21 0;
#P connect 21 0 23 0;
#P connect 23 0 19 1;
#P connect 19 0 13 0;
#P fasten 27 0 13 0 24 205 221 205;
#P connect 13 0 11 0;
#P connect 11 0 14 0;
#P connect 14 0 18 1;
#P connect 7 1 18 1;
#P fasten 12 0 11 1 243 228 262 228;
#P fasten 22 0 25 0 169 103 331 103;
#P connect 25 0 2 0;
#P connect 2 0 1 0;
#P connect 1 0 3 0;
#P connect 14 0 6 0;
#P connect 3 0 6 0;
#P fasten 38 0 7 0 452 346 331 346;
#P connect 6 0 7 0;
#P fasten 42 0 7 1 506 351 407 351;
#P fasten 23 0 36 0 169 157 452 157;
#P connect 36 0 37 0;
#P connect 37 0 38 0;
#P connect 4 0 5 0;
#P fasten 41 0 7 2 558 355 483 355;
#P connect 36 0 40 0;
#P connect 40 0 42 0;
#P connect 36 0 39 0;
#P connect 39 0 41 0;
#P pop;

From Loopers-Delight-request@loopers-delight.com  Mon Oct 30 20:17:05 2006
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Subject: Re: MAX/msp question
Date: Mon, 30 Oct 2006 12:16:53 -0800
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Very nice, Rick...!

Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com


On Oct 30, 2006, at 12:11 PM, r.d.w.i.v@earthlink.net wrote:

>
> Per,
>
> Here's an example patch, at the bottom, to look at pick apart.
> You should be able to copy it and paste it from the clipboard in Max.
>
> It shows one way to do the bpm to millisecond conversion and how you=20=

> might
> apply that to
>  "tapin~" and "tapout~".
>
> Rick Williamson
>
> max v2;
> #N vpatcher 7 91 790 558;
> #P origin -21 -69;
> #P newex 28 286 43 196617 timer;
> #B color 5;
> #P number 28 312 42 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
> #P button 39 242 15 0;
> #P comment 59 236 77 196617 Clever way to report time between events;
> #P comment 334 290 56 196617 size tapin two beats;
> #P comment 607 257 142 196617 0.25 =3D one 16th note;
> #P comment 607 242 142 196617 16th note subdivision;
> #P number 501 265 49 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
> #P number 553 265 49 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
> #P newex 501 242 33 196617 * 1.5;
> #P newex 553 242 39 196617 * 2.25;
> #P number 447 265 49 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
> #P newex 447 242 33 196617 * 0.75;
> #P number 447 219 49 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
> #P message 293 50 26 196617 240;
> #P message 264 50 26 196617 210;
> #P message 235 50 26 196617 180;
> #P message 206 50 26 196617 150;
> #P message 177 50 26 196617 120;
> #P message 154 50 20 196617 90;
> #P message 131 50 20 196617 60;
> #P message 108 50 20 196617 30;
> #P message 19 184 14 196617 0;
> #P newex 19 162 30 196617 sel 0;
> #P newex 326 197 27 196617 / 2;
> #P comment 219 138 142 196617 milliseconds per beat;
> #P number 164 137 49 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
> #P number 164 85 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
> #P newex 164 109 50 196617 !/ 60000;
> #P toggle 119 133 15 0;
> #P newex 119 160 55 196617 metro 500;
> #P newex 118 412 108 196617 dac~;
> #P message 118 376 65 196617 startwindow;
> #P message 189 376 27 196617 stop;
> #P comment 119 360 70 196617 =A5 start audio;
> #P newex 216 297 39 196617 *~ 0.2;
> #P toggle 216 216 15 0;
> #P newex 238 187 59 196617 cycle~ 440;
> #P newex 216 252 51 196617 selector~;
> #B color 4;
> #P comment 178 217 35 196617 on/off;
> #P comment 263 229 45 196617 signal in;
> #P comment 226 270 78 196617 gated signal out;
> #P newex 326 361 163 196617 tapout~ 375 750 1125;
> #P newex 326 326 55 196617 tapin~ 500;
> #P flonum 471 119 112 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
> #P newex 471 93 84 196617 expr 60000/$f1;
> #P number 326 270 49 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
> #P number 326 222 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
> #P newex 326 244 50 196617 !/ 60000;
> #P comment 207 86 100 196617 beats per minuet;
> #P fasten 20 0 26 0 124 153 24 153;
> #P connect 26 0 27 0;
> #P connect 47 0 49 0;
> #P connect 49 0 48 0;
> #P connect 19 0 47 0;
> #P connect 47 0 49 1;
> #P connect 7 2 18 0;
> #P connect 7 0 18 0;
> #P connect 17 0 18 0;
> #P connect 16 0 18 0;
> #P connect 20 0 19 0;
> #P connect 35 0 22 0;
> #P connect 34 0 22 0;
> #P connect 33 0 22 0;
> #P connect 32 0 22 0;
> #P connect 31 0 22 0;
> #P connect 30 0 22 0;
> #P connect 29 0 22 0;
> #P connect 28 0 22 0;
> #P connect 22 0 21 0;
> #P connect 21 0 23 0;
> #P connect 23 0 19 1;
> #P connect 19 0 13 0;
> #P fasten 27 0 13 0 24 205 221 205;
> #P connect 13 0 11 0;
> #P connect 11 0 14 0;
> #P connect 14 0 18 1;
> #P connect 7 1 18 1;
> #P fasten 12 0 11 1 243 228 262 228;
> #P fasten 22 0 25 0 169 103 331 103;
> #P connect 25 0 2 0;
> #P connect 2 0 1 0;
> #P connect 1 0 3 0;
> #P connect 14 0 6 0;
> #P connect 3 0 6 0;
> #P fasten 38 0 7 0 452 346 331 346;
> #P connect 6 0 7 0;
> #P fasten 42 0 7 1 506 351 407 351;
> #P fasten 23 0 36 0 169 157 452 157;
> #P connect 36 0 37 0;
> #P connect 37 0 38 0;
> #P connect 4 0 5 0;
> #P fasten 41 0 7 2 558 355 483 355;
> #P connect 36 0 40 0;
> #P connect 40 0 42 0;
> #P connect 36 0 39 0;
> #P connect 39 0 41 0;
> #P pop;
>

From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 01:02:13 2006
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Subject: Mixer with MIDI scene recall
From: Greg Mills <gregmills@blueyonder.co.uk>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3245101332_8723633
Content-type: text/plain;
	charset="ISO-8859-1"
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Hello to all you loopers,

I=B9ve been trying to build up my guitar rig for a while and have gathered a
few effects boxes and rack units along the way. I need a way to connect it
all together such that whatever combination I come up with I can save as a
preset. Does anyone know of a small (rack sized) 8 to 12 channel, 2 or 4 bu=
s
mixer that has MIDI scene recall? I would prefer this to one of the many
guitar oriented =8Cmatrix=B9 type units available (such as the Switchblade,
Max1, G-System, etc.) How do you control your setup?

Any feedback greatly appreciated.

Thanks,

Greg



--B_3245101332_8723633
Content-type: text/html;
	charset="ISO-8859-1"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Mixer with MIDI scene recall</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:12.0px'>Hello=
 to all you loopers,<BR>
<BR>
I&#8217;ve been trying to build up my guitar rig for a while and have gathe=
red a few effects boxes and rack units along the way. I need a way to connec=
t it all together such that whatever combination I come up with I can save a=
s a preset. Does anyone know of a small (rack sized) 8 to 12 channel, 2 or 4=
 bus mixer that has MIDI scene recall? I would prefer this to one of the man=
y guitar oriented &#8216;matrix&#8217; type units available (such as the Swi=
tchblade, Max1, G-System, etc.) How do you control your setup?<BR>
<BR>
Any feedback greatly appreciated.<BR>
<BR>
Thanks,<BR>
<BR>
Greg<BR>
<BR>
</SPAN></FONT>
</BODY>
</HTML>


--B_3245101332_8723633--



From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 01:32:16 2006
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Date: Tue, 31 Oct 2006 08:31:38 +0700
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: MAX/msp question
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At 12:53 PM +0000 10/30/06, a k butler wrote:
>
>........BUT
>It doesn't have the "support base" here that MAX has :-)

Yeah, but the available user base is no less warped than the MAX user 
base.  I grabbed a copy last year to check out as a replacement host 
for Ableton, and remember being impressed by the number of 
off-the-wall "alternate" controllers (Powerglove, handheld game 
controllers, video, etc.) for which people were programming and 
publishing interfaces, for instance.

Smaller, but no less interesting...

	--m.
-- 
_______
"Behind every fear lies a wish, don't you think...?"

From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 01:54:07 2006
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Date: Tue, 31 Oct 2006 08:53:26 +0700
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: Mixer with MIDI scene recall
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At 1:02 AM +0000 10/31/06, Greg Mills wrote:
>
>I've been trying to build up my guitar rig for a while and have 
>gathered a few effects boxes and rack units along the way. I need a 
>way to connect it all together such that whatever combination I come 
>up with I can save as a preset. Does anyone know of a small (rack 
>sized) 8 to 12 channel, 2 or 4 bus mixer that has MIDI scene recall? 
>I would prefer this to one of the many guitar oriented 'matrix' type 
>units available (such as the Switchblade, Max1, G-System, etc.)

Well, I think I've posted about it previously (check the archives for 
full details) but there's the old Simmons SPM 8:2 from circa 1987.

Essentials: 8 single channels with pan, 3-band parametric EQ, two 
mono effect sends/returns, MIDI scene recall (can fade between 
presets), unbalanced 1/4" inputs and stereo main outs, and some 
limited effects (panning and filtering using envelope or LFO).

Pros: compact (1U rackmount); 128 MIDI-recallable presets/scenes; 
cheap (~$50 - $100) on ebay; filter effect uses the same CEM chip 
found in many analog (Oberheim) synthesizers; extremely feature-laden.

Cons: earlier software revisions can be a bit noisy (version 4 was 
the last official, and quietest, rev); older unit so no support; 
fidelity is a little less than more modern units (response starts to 
drop off around ~15k, so it's okay for straight guitar/bass and many 
voices -- less so for instruments requiring a wider frequency range); 
programming can be more than a bit tedious(!); program dumps are only 
to tape, with no official MIDI support for that.

Also, with regard to the fidelity issue, I've a suspicion that much 
of that -- as well as the noise issues -- could be solved by 
replacing the older op-amps with more modern chips.  However, I 
haven't found a bench tech willing to do that on mine yet.

	--m.
-- 
_______
"Now Simulcast on Crazy People's Fillings"

From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 02:01:38 2006
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Subject: Re: Mixer with MIDI scene recall
From: Greg Mills <gregmills@blueyonder.co.uk>
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Hey mech, thanks for your input. I was kind of hoping there would be
something a little more recent than 1987! Fidelity is an important factor
for me, although some of my gear is not that recent I would prefer the final
output to be as clear as possible. The filtering sounds interesting though,
love the analogue filter sound.

Greg




> At 1:02 AM +0000 10/31/06, Greg Mills wrote:
>> 
>> I've been trying to build up my guitar rig for a while and have
>> gathered a few effects boxes and rack units along the way. I need a
>> way to connect it all together such that whatever combination I come
>> up with I can save as a preset. Does anyone know of a small (rack
>> sized) 8 to 12 channel, 2 or 4 bus mixer that has MIDI scene recall?
>> I would prefer this to one of the many guitar oriented 'matrix' type
>> units available (such as the Switchblade, Max1, G-System, etc.)
> 
> Well, I think I've posted about it previously (check the archives for
> full details) but there's the old Simmons SPM 8:2 from circa 1987.
> 
> Essentials: 8 single channels with pan, 3-band parametric EQ, two
> mono effect sends/returns, MIDI scene recall (can fade between
> presets), unbalanced 1/4" inputs and stereo main outs, and some
> limited effects (panning and filtering using envelope or LFO).
> 
> Pros: compact (1U rackmount); 128 MIDI-recallable presets/scenes;
> cheap (~$50 - $100) on ebay; filter effect uses the same CEM chip
> found in many analog (Oberheim) synthesizers; extremely feature-laden.
> 
> Cons: earlier software revisions can be a bit noisy (version 4 was
> the last official, and quietest, rev); older unit so no support;
> fidelity is a little less than more modern units (response starts to
> drop off around ~15k, so it's okay for straight guitar/bass and many
> voices -- less so for instruments requiring a wider frequency range);
> programming can be more than a bit tedious(!); program dumps are only
> to tape, with no official MIDI support for that.
> 
> Also, with regard to the fidelity issue, I've a suspicion that much
> of that -- as well as the noise issues -- could be solved by
> replacing the older op-amps with more modern chips.  However, I
> haven't found a bench tech willing to do that on mine yet.
> 
> --m.



From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 04:22:35 2006
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Date: Tue, 31 Oct 2006 11:21:56 +0700
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Subject: Re: Mixer with MIDI scene recall
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At 2:01 AM +0000 10/31/06, Greg Mills wrote:
>Hey mech, thanks for your input. I was kind of hoping there would be
>something a little more recent than 1987!

Yeah, I wish there were more things out there as well.  There are 
still a lot of really cool things to be done with MIDI, but with a 
few exceptions (Numerology, for example), it seems as if most of the 
development dollars were spent during the late-80's or early-90's 
when there was more of a "gee-whiz" factor to MIDI.  Heck, two of the 
hands-down best MIDI foot controllers -- the Digitech PMC-10 & Lake 
Butler Midi Mitigator -- both came and went by the middle of the 
90's.  That's not to mention all your cool little widgets like merge 
boxes, breath control, arpeggiators, data filers, etc.  MIDI scene 
control is something that was popular for a millisecond, then got 
passed by when people started flashing onto realtime control via 
computer.  What happens when you don't want to take your computer 
onstage, however?

To be fair, there are also a couple of other full-blown digital 
mixers that allow scene selection and control (Yamaha made a couple, 
IIRC), but I can't think of any others that are a 1U rackmount.

>Fidelity is an important factor
>for me, although some of my gear is not that recent I would prefer the final
>output to be as clear as possible.

Oh, I understand completely.  I've currently got four of the SPM 
8:2's (we used to use them as submixers in the studio, before passing 
a feed along to the main board).  Yet I'm not really using any of 
them actively right now, simply because of that bandwidth issue. 
Most of the instruments I'm dealing with now as well require a fuller 
frequency response than you could get away with a decade ago.

I'm still hopeful that the problems are predominantly in the older 
op-amps.  I'd also like to see what it would take to convert them to 
balanced outputs as well.  I'll post if I can ever find anyone to do 
a modification to update those issues.  Given the current selling 
price, these are a fantastic bargain if you can get around the loss 
at the top end.  And their enhanced functionality would more than 
justify the cost of having them modified.

>The filtering sounds interesting though, love the analogue filter sound.

Oh yeah, the filtering is very cool.  You can have the LFO 
free-running sweeping the low-pass filter up and down, or else you 
can use the envelope follower to track the incoming volume on a track 
(sort of like an auto-wah).  Likewise, you can alternatively do the 
same with the panning.  You can auto-pan a track from side to side, 
or you can have the relative loudness of a source control where in 
the stereo field it's placed (beware: this can cause motion sickness 
;)

The effect settings, BTW, are individual from track to track, so you 
can auto-pan one track while envelope tracking the filter on another, 
for instance.  As well, you can likewise get some very interesting 
effects by fading between two MIDI scenes.  Change only a single 
parameter (like EQ, or effects) between two scenes, for example, and 
you can get a morph effect as the parameters change.

Overall, extremely cool feature-wise.  Just wish I could get over the 
fidelity hump.  :P

	--m.
-- 
_______
"If Television is a babysitter, then the Internet is a drunk 
librarian who won't shut up..."

From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 05:37:10 2006
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Subject: Stanosauros:   World's Loudest Live Looper?
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Stan Card, the man, wrote:
"so i profusely apologise to Rick for making things uncomfortable loudness 
wise. (those low frequencys need a lotta ampage!)"


Dear Stan,

I loved the music you made at the festival...........the sounds were 
unbelievably beautiful.   My poor ears couldn't take it in the room but
I stood outside the venue and loved what I heard.   I'm being really sincere 
when I say this.

I also get that you can get these sounds no other way so I know what you are 
going for.    You make Glen Branca look like a friggin'
cub scout.............lol!!!!!

So,  I felt really  terrible asking you to turn down...........I don't ever 
like to do that but to
confess to you,   we didn't have an official permit to do the festival 
because I was certain that the overcontrolling
SC police department would never give us a permit to play until midnight (or 
else riots would ensue with minors being raped by
overzealous live looping artists).     We just had to play that long to 
accomodate all the artists this year so I took the risk
of trying to avoid an official complaint from some of the other tenants in 
the building who were having business hours (and who
have been crabby in the past).

I knew that just one complaint to the police department by tenants of the 
building would result in us losing at least the late night slots
if not the whole festival so I took the risk of asking you to turn down. 
In the front the plate glass in the windows was wobbling so
badly from those beautiful bass tones of yours that we were afraid they were 
going to shatter.

Besides,   your famous roady roared his approval when I lied and said the 
cops had already come (and later, I heard that he suspected
I was telling a cream colored lie).

So,  my main man.............thanks so much for 
playing.........................keep being uncompromising in your artistry
and Blue Cheer..........................move over guys,  there's a new sound 
lord in town.

Please forgive me................I love your music;  always have and always 
will remain a big Stanosauros fan.

love,

Rick  (who is just now recovering from the whole wonderfully creative, fun 
(and sometimes vexing) festival) 

From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 12:34:19 2006
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From: "D Montgomery" <dmont@knology.net>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Mixer with MIDI scene recall
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Hello, Greg;
I use an old Peavey PLM8128 MIDI controlled line mixer, ancient-o-days and 
kinda' noisy, but usable.  Have you looked into the Yamaha 01 or 02 
digitals?


Dan Montgomery
www.fixedfocus.org
====================

-----Original Message-----
From: Greg Mills [mailto:gregmills@blueyonder.co.uk]
Sent: Monday, October 30, 2006 8:02 PM
To: Loopers-Delight@loopers-delight.com
Subject: Mixer with MIDI scene recall


Hello to all you loopers,

I’ve been trying to build up my guitar rig for a while and have gathered a 
few effects boxes and rack units along the way. I need a way to connect it 
all together such that whatever combination I come up with I can save as a 
preset. Does anyone know of a small (rack sized) 8 to 12 channel, 2 or 4 
bus mixer that has MIDI scene recall? I would prefer this to one of the 
many guitar oriented ‘matrix’ type units available (such as the 
Switchblade, Max1, G-System, etc.) How do you control your setup?

Any feedback greatly appreciated.

Thanks,

Greg


From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 13:40:46 2006
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References: <20061027100115.latbc7bcn44g4scs@webmail.bluefrog.com> <CF66D0CC-A8DD-404C-9454-ACCF132F5637@gmail.com> <49affd277db3a9d05661f227949255c9@pfmentum.com> <76E7F824-FDD5-4203-99A6-7D877A1ED94F@gmail.com> <4d85628ea5ddfd797865778654554b86@pfmentum.com> <B3C61F6D-D3B8-431C-A760-CB60C7BEA465@gmail.com> <732f2f6f6d841e1b5514998faf89ca1c@pfmentum.com>
Subject: Re: Y2K6 Festival and more.....
Date: Tue, 31 Oct 2006 14:38:55 +0100
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I think it has been a very big event !
I'm downloading and listening to every single mp3 file and....there are a 
lot of  interesting musical approaches.
At this moment, i like the performance of Kris+Rick and of Per.
Miro is interesting (my compliments !) and i like the Peters/Wagner/Bearpark 
"kiber session" too !
Great sounds, people !
Those clips are so interesting because are giving me new ideas about 
different approaches to looping;
that's why - even if i wasn't there - i want to thank Rich who made possible 
this event.
I'm looking forward to new clips and photos.
Ciao

Fabio
http://xoomer.alice.it/eterogeneo/
http://www.myspace.com/eterogeneo




----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, October 30, 2006 3:38 AM
Subject: Y2K6 Festival and more.....


Working through the discs that were procured during the
festival....great stuff!

I've listened to Per Boysen's Abstract Experimental Yet Catchy (that is
a title, not a review) a couple of times now...wonderful.

And Miro's has been listened to numerous times...great stuff!

And so far, only two discs....looking forward to the rest. It was so
much fun hanging out with these folks from all over the world....

Again, Rick!!! Great job.

I feel like I've just recovered, I can only imagine what you must feel
like....

best,
Jeff

Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com • AngryVegan.com


From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 13:43:55 2006
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mech wrote:

> At 1:02 AM +0000 10/31/06, Greg Mills wrote:
>
>> ...Does anyone know of a small (rack sized) 8 to 12 channel, 2 or 4 
>> bus mixer that has MIDI scene recall? I would prefer this to one of 
>> the many guitar oriented 'matrix' type units available (such as the 
>> Switchblade, Max1, G-System, etc.)
>
> Well, I think I've posted about it previously (check the archives for 
> full details) but there's the old Simmons SPM 8:2 from circa 1987.

This unit is not universally appreciated:
<http://www.cassiel.com/space/Gearhead/Simmons+SPM+8:2>

Cheers,

Bill

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<hr size=1>Everyone is raving about the <a href="http://us.rd.yahoo.com/evt=42297/*http://advision.webevents.yahoo.com/mailbeta"> all-new Yahoo! Mail.</a>

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From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 15:01:17 2006
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----------MB_8C8CB1486017C26_AB8_13E00_MBLK-M07.sysops.aol.com
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  steve's personal address seems to be down.......
 
 just wanted let him know i'll be coming to raleigh this fri. to perform a set at kirk adam gallery.
 
 anyone else in the area?
 
 Kirk Adam Gallery
 919 601 3131
 www.myspace.com/KirkAdam
 107 W Hargett St., Raleigh NC 27601
 inside the Father & Son Antiques Bldg.
 
 brian
 electric bird noise
 
 myspace.com/electricbirdnoise
 nomorestarsrecords.com
 
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<HTML><BODY>
<div>&nbsp;<span class="correction" id="">steve's</span> personal address seems to be down.......<br>

<br>

just wanted let him know <span class="correction" id="">i'll</span> be coming to <span class="correction" id="">raleigh</span> this <span class="correction" id="">fri</span>. to perform a set at <span class="correction" id="">kirk</span> <span class="correction" id="">adam</span> gallery.<br>

<br>

anyone else in the area?<br>

<br>

Kirk Adam Gallery<br>

919 601 3131<br>

<span class="correction" id="">www</span>.<span class="correction" id="">myspace</span>.<span class="correction" id="">com</span>/<span class="correction" id="">KirkAdam</span><br>

107 W <span class="correction" id="">Hargett</span> St., Raleigh NC 27601<br>

inside the Father &amp; Son Antiques Bldg.<br>

<br>

<span class="correction" id="">brian</span><br>

electric bird noise<br>

<br>

<span class="correction" id="">myspace</span>.<span class="correction" id="">com</span>/<span class="correction" id="">electricbirdnoise</span><br>

<span class="correction" id="">nomorestarsrecords</span>.com<br>

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From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 15:13:55 2006
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I don't know what address you wrote to, but I've been receiving mail 
steadily. Sorry if there were any problems.

Steve B 
Subscape Annex    http://www.subscapeannex.com/

On Tue, 31 Oct 2006, enat21213@aol.com wrote:

>  steve's personal address seems to be down.......
>
> just wanted let him know i'll be coming to raleigh this fri. to perform a set at kirk adam gallery.
>
> anyone else in the area?
>
> Kirk Adam Gallery
> 919 601 3131
> www.myspace.com/KirkAdam
> 107 W Hargett St., Raleigh NC 27601
> inside the Father & Son Antiques Bldg.
>
> brian
> electric bird noise
>
> myspace.com/electricbirdnoise
> nomorestarsrecords.com

From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 15:17:01 2006
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Jeff Larson wrote:
> but I cannot imagine implementing them by drawing pictures
> in Max.  But I look forward to the Max-o-philes telling me I'm wrong :-)

Its called crossfade, you fade the end out while fading the beginning 
in. Very possible in Max. You just need to think about times. Your loop 
has to be longer by the crossfade time...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

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Don't worry...when I master your soundclip...folks can blast it through 
their stereos at 120db, or turn it down to mouse-like volumes. :)

K-
----- Original Message ----- 
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Sent: Monday, October 30, 2006 10:37 PM
Subject: Stanosauros: World's Loudest Live Looper? 


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Subject: Re: Y2K6 Festival and more.....
Date: Tue, 31 Oct 2006 09:44:30 -0700
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Thanks, Fabio. We really missed you at the event...next time, my friend.

I had fun playing with everyone...the set of Rick and I was really 
interesting for me and we had some fun with the audience....I had no idea 
Rick could scat like that! :)

Kris


----- Original Message ----- 
From: "Fabio Anile" <fabio.anile@tiscali.it>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, October 31, 2006 6:38 AM
Subject: Re: Y2K6 Festival and more.....


>I think it has been a very big event !
> I'm downloading and listening to every single mp3 file and....there are a 
> lot of  interesting musical approaches.
> At this moment, i like the performance of Kris+Rick and of Per.
> Miro is interesting (my compliments !) and i like the 
> Peters/Wagner/Bearpark "kiber session" too !
> Great sounds, people !
> Those clips are so interesting because are giving me new ideas about 
> different approaches to looping;
> that's why - even if i wasn't there - i want to thank Rich who made 
> possible this event.
> I'm looking forward to new clips and photos.
> Ciao
>
> Fabio
> http://xoomer.alice.it/eterogeneo/
> http://www.myspace.com/eterogeneo
>
>
>
>
> ----- Original Message ----- 
> From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, October 30, 2006 3:38 AM
> Subject: Y2K6 Festival and more.....
>
>
> Working through the discs that were procured during the
> festival....great stuff!
>
> I've listened to Per Boysen's Abstract Experimental Yet Catchy (that is
> a title, not a review) a couple of times now...wonderful.
>
> And Miro's has been listened to numerous times...great stuff!
>
> And so far, only two discs....looking forward to the rest. It was so
> much fun hanging out with these folks from all over the world....
>
> Again, Rick!!! Great job.
>
> I feel like I've just recovered, I can only imagine what you must feel
> like....
>
> best,
> Jeff
>
> Jeff Kaiser
> http://www.JeffKaiser.com
> pfMENTUM.com • AngryVegan.com
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 17:43:14 2006
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Date: Wed, 1 Nov 2006 00:42:37 +0700
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: Mixer with MIDI scene recall
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At 8:43 AM -0500 10/30/06, Bill Fox wrote:
>mech wrote:
>>
>>Well, I think I've posted about it previously (check the archives 
>>for full details) but there's the old Simmons SPM 8:2 from circa 
>>1987.
>
>This unit is not universally appreciated:
><http://www.cassiel.com/space/Gearhead/Simmons+SPM+8:2>

Yeah Bill, I've seen that review previously.  Some parts are spot-on, 
but others are way off in left field.

Starting at the end and moving up, I'll agree completely that the 
user interface leaves a good deal to be desired.  Although I've done 
the exact same button-pushing error and lost edits in exactly the 
same manner... exactly twice in ~20 years.  Honestly, it's a pain and 
I was screaming at the little @#$%!'s when it did it -- make no 
mistake.  But after you've been burned by it, you don't do it again. 
You punch the button with two fingers *hard* and wonder if you're 
going to actually break the front panel (I've not yet; yes, I'm 
shocked) but you bloody well don't lose edits from that point forward.

And I've never really had problems with tweaking the knobs unless I 
mounted the unit sandwiched between two other larger units (and I've 
got pretty big hands).  What *is* a problem is adjusting the channel 
gain attenuation on the SPM's rear panel if you've already mounted it 
in a rack wired up all the 1/4" jacks.  It's a little easier if you 
unplug the channel next to the one you're setting up though.  Luckily 
the gain attenuation is pretty much "set & forget" once you've 
finally(!) gotten it right.

However, I'll readily admit the UI is *not* the high point on the box.

The 'rumble' problem I've no clue about.  Generally, any noise from 
the unit is a sign of improper gain staging (I think I might've gone 
into this in some detail in a previous post).  But we're mostly 
talking about channel hiss, not 'rumble' (???).  Not feeding it 
enough signal is also going to exacerbate the frequency curve problem 
I mentioned previously.  And zipper noise?  I could understand zipper 
noise were there any way to control it via MIDI continuous 
controller, but MIDI CC isn't supported.  I thought I remembered 
hearing there were some small problems with software revision 1 
(maybe there was some zipper noise on its initial release?).  All 
mine are on revs 2, 3, or 4, though, so no problems here.  Otherwise, 
that's a new one.

Also, I've never experienced overheating on any of the four units 
I've got.  Sure, they get warm, but I've left 'em on for days at a 
time and they don't get warmer than any other unit -- about as warm 
as our old Eventide H3000 used to get, IIRC.

I really think Nick got hold of a defective unit (is this the same 
Nick from the Different Skies list?).  I mean, the SPM 8:2 ain't 
perfect by any means.  Otherwise, they'd still be in my 
front-of-house setup, rather than a couple of my supporting racks. 
However, its typical problems -- and, as I mentioned previously, it's 
not without some problems -- are rather different from what he seems 
to have run into here.

	--m.
-- 
_______
"No more building up; it is time to dissolve..."

From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 19:46:04 2006
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Date: Tue, 31 Oct 2006 13:45:57 -0600
From: Daryl Shawn <highhorse@mhorse.com>
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Subject: LD Ninjam server, Mk1
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This is a multi-part message in MIME format.
--------------000407060804030201040809
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I'm waiting on some info from Kim before we can set up the "official" 
Ninjam server, but in order to start making some music ASAP, I'm going 
to pass on cpr's suggestion that we just use the Kyberfest server that 
he has graciously left running:

    host address: 207.44.142.117:2050
    user: privuser
    passwd: notsospecial

No, there's no stream as yet, so consider this to be in the "rehearsal 
space" category, not yet the "public performance" category.

For chatting that needs to happen in regards to getting things set up, 
I'd also suggest we use the simple chatroom which, again most 
graciously, cpr has left up.
 
http://www.y2k6loopfest.com/et-chat-v2.0a/

And for the calendar, which can be used to book the space for scheduled 
sessions, here's a Google one which Os created:

http://www.google.com/calendar/embed?src=0cas4g7igp0o8fg0aa0er14pgc%40group.calendar.google.com 
<http://www.google.com/calendar/embed?src=0cas4g7igp0o8fg0aa0er14pgc%40group.calendar.google.com>

For any calendar additions, for now send them to me and I'll put 'em in. 
Any time which is unspoken-for is public time for anyone to use (I don't 
think there's anything on the calendar yet, so just go for it!).

Now, for any Ninjam newbies:

- you're gonna need a computer.
- that same computer needs a way for your music to get into it, if it's 
not there already, with as low latency as possible (ASIO drivers work 
well and are easily downloadable - I used http://www.asio4all.com/)
- since you're reading this, you're on the Net; your connection should 
be DSL quality (300kbps download, 60kbps upload or so)
- after the above is taken care of, go to www.ninjam.com and download 
the client software (available for Mac or PC). It's not too difficult to 
set up, but any questions can be directed towards me or to...

THE KYBERFEST LIST

I'm going to strongly suggest that, for discussions regarding Ninjam 
sessions, tech issues, scheduling, or spontaneous playing, people join 
the Kyberfest Yahoo group which Rainer set up. 
http://launch.groups.yahoo.com/group/kyberloopfest/  This'll reduce the 
traffic on the LD list and will create a focused atmosphere for this thing.

Again, we owe the use of this server to cpr, and of course Rainer's 
setup of the Kyberfest which got so many of us interested in this 
technology. There are things to be worked out and discussed, of course, 
but for now let's see how it goes and most importantly, make some music!

Daryl Shawn
www.swanwelder.com


--------------000407060804030201040809
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
I'm waiting on some info from Kim before we can set up the "official"
Ninjam server, but in order to
start making some music ASAP, I'm going to pass on cpr's suggestion
that we just use the
Kyberfest server that he has graciously left running:<br>
<br>
<font color="#0000ff" face="Arial" size="2"><span
 class="100011800-16102006"><font size="2">&nbsp;&nbsp;&nbsp; host address:
207.44.142.117:<wbr>2050<br>
</font></span></font><font><span class="100011800-16102006"><font
 color="#0000ff" face="Arial" size="2">&nbsp;&nbsp;&nbsp; user: privuser<br>
</font><font face="Arial"><font color="#0000ff"><font size="2">&nbsp;&nbsp;&nbsp;
passwd: notsospecia<span class="100011800-16102006">l<br>
<br>
</span></font></font></font></span></font>No, there's no stream as yet,
so consider this to be in the "rehearsal
space" category, not yet the "public performance" category.<br>
<br>
For chatting that needs to happen in regards to getting things set up,
I'd also suggest we use the simple chatroom which, again most
graciously, cpr has left up. <br>
&nbsp;<br>
<a class="moz-txt-link-freetext"
 href="http://www.y2k6loopfest.com/et-chat-v2.0a/">http://www.y2k6loopfest.com/et-chat-v2.0a/</a><br>
<br>
And for the calendar, which can be used to book the space for scheduled
sessions, here's a Google one which Os created:<br>
<br>
<a
 href="http://www.google.com/calendar/embed?src=0cas4g7igp0o8fg0aa0er14pgc%40group.calendar.google.com">http://www.google.<wbr>com/calendar/<wbr>embed?src=<wbr>0cas4g7igp0o8fg0<wbr>aa0er14pgc%<wbr>40group.calendar<wbr>.google.com</a><br>
<br>
For any
calendar additions, for now send them to me and I'll put 'em in. Any
time which is unspoken-for is public time for anyone to use (I don't
think there's anything on the calendar yet, so just go for it!).<br>
<br>
Now, for any Ninjam newbies:<br>
<br>
- you're gonna need a computer.<br>
- that same computer needs a way for your music to get into it, if it's
not there already, with as low latency as possible (ASIO drivers work
well and are easily downloadable - I used <a
 class="moz-txt-link-freetext" href="http://www.asio4all.com/">http://www.asio4all.com/</a>)<br>
- since you're reading this, you're on the Net; your connection should
be DSL quality (300kbps download, 60kbps upload or so)<br>
- after the above
is taken care of, go to <a class="moz-txt-link-abbreviated"
 href="http://www.ninjam.com">www.ninjam.com</a> and download the
client
software (available for Mac or PC). It's not too difficult to set up,
but any questions can be
directed towards me or to...<br>
<br>
THE KYBERFEST LIST<br>
<br>
I'm going to strongly suggest that, for discussions regarding Ninjam
sessions, tech issues, scheduling, or spontaneous playing, people join
the Kyberfest Yahoo group which Rainer set up.
<a class="moz-txt-link-freetext"
 href="http://launch.groups.yahoo.com/group/kyberloopfest/">http://launch.groups.yahoo.com/group/kyberloopfest/</a>&nbsp;
This'll reduce the
traffic on the LD list and will create a focused atmosphere for this
thing.<br>
<br>
Again, we owe the use of this server to cpr, and of course Rainer's
setup of the Kyberfest which got so many of us interested in this
technology. There are things to be worked out and discussed, of course,
but for now let's see how it goes and most importantly, make some music!<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
</body>
</html>

--------------000407060804030201040809--

From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 20:03:37 2006
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Subject: Re: Mixer with MIDI scene recall
From: Greg Mills <gregmills@blueyonder.co.uk>
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Hi Don, that one rang a bell, I did have a favourite search set in ebay for
the 8128. I've re-enabled it cause it looks just the ticket. Seems there ar=
e
plenty stateside, but I'm not sure I'll see many here in the UK. What are
your experiences of the unit?

Cheers,
Greg


>=20
> Hello, Greg;
> I use an old Peavey PLM8128 MIDI controlled line mixer, ancient-o-days an=
d
> kinda' noisy, but usable.  Have you looked into the Yamaha 01 or 02
> digitals?
>=20
>=20
> Dan Montgomery
> www.fixedfocus.org
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=20
> -----Original Message-----
> From: Greg Mills [mailto:gregmills@blueyonder.co.uk]
> Sent: Monday, October 30, 2006 8:02 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Mixer with MIDI scene recall
>=20
>=20
> Hello to all you loopers,
>=20
> I=B9ve been trying to build up my guitar rig for a while and have gathered =
a
> few effects boxes and rack units along the way. I need a way to connect i=
t
> all together such that whatever combination I come up with I can save as =
a
> preset. Does anyone know of a small (rack sized) 8 to 12 channel, 2 or 4
> bus mixer that has MIDI scene recall? I would prefer this to one of the
> many guitar oriented =8Cmatrix=B9 type units available (such as the
> Switchblade, Max1, G-System, etc.) How do you control your setup?
>=20
> Any feedback greatly appreciated.
>=20
> Thanks,
>=20
> Greg
>=20
>=20
>=20



From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 21:42:16 2006
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Subject: RE: MAX/msp question
Date: Tue, 31 Oct 2006 15:42:20 -0600
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From: Stefan Tiedje [mailto:Stefan-Tiedje@addcom.de]=20
> Jeff Larson wrote:
> > but I cannot imagine implementing them by drawing pictures
> > in Max.  But I look forward to the Max-o-philes telling me I'm wrong
:-)

> Its called crossfade, you fade the end out while fading the beginning=20
> in. Very possible in Max. You just need to think about times. Your
loop=20
> has to be longer by the crossfade time...

Yes, I know about crossfade.  But saying something is possible in Max
is like saying something is possible in C.  Lots of things are
possible, but that doesn't mean they're easy, or that anyone will ever
do them.

A looper with the complexity of something like an EDP contains an
enormous amount of logic, it isn't just data flow through a graph of
connected objects.  The thing I find most awkward in Max are all those
places where "you just need to think".  =20

Expressing complex logic by connecting graphical objects like =3D, +, <,
&&, abs, etc. is excruciating.  The next step of course is to start
encoding logic in Javascript, but this requires greater technical
skill.  Javascript is not a good language for writing large scale
applications, so eventually you need Java which is quite powerful,
and requires even more skill.  But it is difficult to debug
because you're running inside a C application.   Java programmers
are accustomed to using tools where you can set breakpoints and
browse the memory model.  In Max you have to rely on trace messages
which are very tedious.

Or you could use C++ which is easier to debug, but at this point the
audience is limited to hard core programmers, and a programmer is
going to wonder whether to write something that will only run in Max,
or do a bit more work and write a VST plugin or a standalone application
that will run anywhere with no 3rd party entanglements.

So, while I'm willing to believe that many things are theoretically
possible in Max, I still maintain that you will never see a Looper
that comes anywhere close to the complexity of the EDP written in Max.
And I don't mean just a multi track looper with multiply and overdub.
I mean unlimited undo, continuous feedback, MIDI synchronization,
loop windowing, beat quantization, SwitchQuant, alternate endings,
and a few hundred other things.  I wait to be proven wrong :-)

Regards,
Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 21:50:20 2006
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Subject: RE: Mixer with MIDI scene recall
Date: Tue, 31 Oct 2006 16:51:21 -0500
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Hello, Greg;
  8 inputs (8 1/4", two XLR) with optional 20 db gain pad
  3 aux sends
  monitor buss
  Stereo output buss
  crossfade time adjustment
  most controllers can be assigned to any MIDI controller
  ... and a few more points.
Nice idea, I don't know why they dropped it.  ...years ago  ...without
comment. ...or replacement.

Market forces, maybe?

I bought it from the bottom of a rack of used equipment at a local MI
retailer.  They thought it was a digital EQ.

The 8128 was a very early MIDI unit and therefore has some ...
eccentricities.  For example, I'm confident that you know that MIDI
controllers are set to a scale of 128 increments designated, conveniently
enough, as either 0-127 or 1-128 depending on the manufacturer.

The controls of the 8128 are on a scale of 0-100.

Also, the internal memory is volatile and uses an onboard battery.  If the
battery is replaced, the unit will not even retain it VCA parameters and
will require total recalibration. I just had mine done last year at the
factory shop and they seemed amazed that there were still functional units
in use.

I've been having some contact issues with an output jack.  The display can
be difficult to read in some light conditions and is not adjustable.  There
is no 'MIDI Thru'.  And, did I mention 'noisy'.  I haven't measured it and
it isn't too bad for most live venues, as the provided systems are noisy
anyway.  but, I wouldn't want to do any serious recording with it.  Then
again, there's no need to.

And, I can't imagine not having it.

I control it, a Digitech DSP256XL, my Repeater and Ableton from a Behringer
1010.  You can see the rack here & here.  Or, if you have a myspace login,
their on my pix page.


dm

www.fixedfocus.org
============





-----Original Message-----
From: Greg Mills [mailto:gregmills@blueyonder.co.uk]
Sent: Tuesday, October 31, 2006 3:04 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Mixer with MIDI scene recall


Hi Don, that one rang a bell, I did have a favourite search set in ebay for
the 8128. I've re-enabled it cause it looks just the ticket. Seems there are
plenty stateside, but I'm not sure I'll see many here in the UK. What are
your experiences of the unit?

Cheers,
Greg

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE></TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.5346.5" name=3DGENERATOR></HEAD>
<BODY><FONT face=3D"Comic Sans MS" color=3D#0000ff size=3D2></FONT><FONT =

face=3D"Comic Sans MS" color=3D#0000ff size=3D2></FONT><FONT =
face=3D"Comic Sans MS"=20
color=3D#0000ff size=3D2></FONT><BR>
<DIV dir=3Dltr style=3D"MARGIN-RIGHT: 0px"><FONT size=3D2>Hello, =
Greg;</FONT></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV dir=3Dltr style=3D"MARGIN-RIGHT: 0px"><FONT size=3D2>8 inputs (8 =
1/4", two XLR)=20
  with optional 20 db gain pad<BR>3 aux sends<BR>monitor buss<BR>Stereo =
output=20
  buss<BR>crossfade time adjustment<BR>most controllers can be assigned =
to any=20
  MIDI controller</FONT></DIV>
  <DIV dir=3Dltr style=3D"MARGIN-RIGHT: 0px"><FONT size=3D2>... and a =
few more=20
  points.</FONT></DIV></BLOCKQUOTE>
<DIV dir=3Dltr style=3D"MARGIN-RIGHT: 0px"><FONT size=3D2>Nice idea, I =
don't know why=20
they dropped it.&nbsp; ...years ago&nbsp; ...without comment. ...or=20
replacement.&nbsp;<BR><BR>Market forces, maybe?<BR><BR>I bought it from =
the=20
bottom of a rack of used equipment at a local MI retailer.<SPAN=20
class=3D578443521-31102006>&nbsp; They thought it was a digital=20
EQ.</SPAN><BR><BR>The 8128 was a <EM>very</EM> early MIDI unit and =
therefore has=20
some ... eccentricities.&nbsp; For example, I'm confident that you know =
that=20
MIDI controllers are set to a scale of 128 increments designated<SPAN=20
class=3D578443521-31102006>,</SPAN> conveniently enough, as either 0-127 =
or 1-128=20
depending on the manufacturer.&nbsp; </FONT></DIV>
<DIV dir=3Dltr style=3D"MARGIN-RIGHT: 0px"><FONT =
size=3D2></FONT>&nbsp;</DIV>
<DIV dir=3Dltr style=3D"MARGIN-RIGHT: 0px"><FONT size=3D2>The controls =
of the 8128 are=20
on a scale of 0-100.<BR><BR>Also, the internal memory is volatile and =
uses an=20
onboard battery.&nbsp; If the battery is replaced, the unit will not =
even retain=20
it VCA parameter<SPAN class=3D578443521-31102006>s </SPAN>and&nbsp;<SPAN =

class=3D578443521-31102006>will </SPAN>require <EM>total</EM> =
recalibration. I=20
just had mine done last year at the factory shop and they seemed amazed =
that=20
there were still functional units in use.<BR><BR>I've been having some =
contact=20
issues with&nbsp;<SPAN class=3D578443521-31102006>an </SPAN>output =
jack.&nbsp; The=20
display can be difficult to read in some light conditions and is not=20
adjustable.&nbsp; There is no 'MIDI Thru'.&nbsp; And, did I mention=20
'noisy'.&nbsp; I haven't measured it and it isn't too bad for most live =
venues,=20
as the provided systems are noisy anyway.&nbsp; but, I wouldn't want to =
do any=20
serious recording with it.&nbsp; Then again, there's no need =
to.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><SPAN class=3D578443521-31102006><FONT size=3D2>And, I can't =
imagine not having=20
it.</FONT></SPAN><BR><BR><FONT size=3D2>I control it, a Digitech =
DSP256XL, my=20
Repeater and Ableton from a&nbsp;<SPAN =
class=3D578443521-31102006>Behringer=20
</SPAN>1010.&nbsp; You can see the rack </FONT><A=20
href=3D"http://www.fixedfocus.org/graphics/LightRig.JPG"><FONT=20
size=3D2>here</FONT></A><FONT size=3D2>&nbsp;&amp; </FONT><A=20
href=3D"http://www.fixedfocus.org/graphics/LoopRack.JPG"><FONT=20
size=3D2>here</FONT></A><FONT size=3D2>.&nbsp; Or, if you have a myspace =
login,=20
their on my </FONT><A=20
href=3D"http://viewmorepics.myspace.com/index.cfm?fuseaction=3Duser.viewP=
icture&amp;friendId=3D48235481&amp;setonlinenow=3D1&amp;setrsi=3D1&amp;My=
token=3DB6379403-643B-42F5-B9419E5F2616638132177283"><FONT=20
size=3D2>pix page</FONT></A><FONT size=3D2>.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT size=3D2></FONT></FONT>&nbsp;</DIV><FONT =
size=3D2><FONT=20
color=3D#000080 size=3D2>
<DIV><FONT color=3D#000000>dm<BR></FONT><BR></FONT><FONT color=3D#000080 =
size=3D2><A=20
href=3D"http://www.fixedfocus.org">www.fixedfocus.org</A></FONT></DIV>
<DIV><FONT color=3D#000080 =
size=3D2>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</FONT></DIV>
<P></P></FONT>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><BR><BR><BR><FONT size=3D2>-----Original Message-----<BR>From: Greg =
Mills=20
[</FONT><A href=3D"mailto:gregmills@blueyonder.co.uk"><FONT=20
size=3D2>mailto:gregmills@blueyonder.co.uk</FONT></A><FONT =
size=3D2>]<BR>Sent:=20
Tuesday, October 31, 2006 3:04 PM<BR>To:=20
Loopers-Delight@loopers-delight.com<BR>Subject: Re: Mixer with MIDI =
scene=20
recall<BR><BR><BR>Hi Don, that one rang a bell, I did have a favourite =
search=20
set in ebay for<BR>the 8128. I've re-enabled it cause it looks just the =
ticket.=20
Seems there are<BR>plenty stateside, but I'm not sure I'll see many here =
in the=20
UK. What are<BR>your experiences of the =
unit?<BR><BR>Cheers,<BR>Greg</FONT>=20
</DIV></BODY></HTML>

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Subject: FW: Mixer with MIDI scene recall
Date: Tue, 31 Oct 2006 16:56:11 -0500
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Sorry about the doubled post.  -dm
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color=3D#0000ff><FONT size=3D2>S<SPAN class=3D687275521-31102006>orry =
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-dm</SPAN></FONT></FONT></FONT></SPAN></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 22:23:07 2006
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Date: Tue, 31 Oct 2006 22:23:04 +0000
Subject: Re: Mixer with MIDI scene recall
From: Greg Mills <gregmills@blueyonder.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C16D7D48.23AF%gregmills@blueyonder.co.uk>
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Hey thanks Don, that=B9s very helpful. I=B9m amazed there aren=B9t more options
when it comes to this type of mixer as well. I=B9ll keep an eye out for one,
maybe I=B9ll get lucky.

Greg




>=20
> Hello, Greg;
>> =20
>> 8 inputs (8 1/4", two XLR)  with optional 20 db gain pad
>> 3 aux sends
>> monitor buss
>> Stereo output  buss
>> crossfade time adjustment
>> most controllers can be assigned to any  MIDI controller
>> =20
>> ... and a few more  points.
> Nice idea, I don't know why they dropped it.  ...years ago  ...without
> comment. ...or replacement.
>=20
> Market forces, maybe?
>=20
> I bought it from the bottom of a rack of used equipment at a local MI
> retailer.  They thought it was a digital EQ.
>=20
> The 8128 was a very early MIDI unit and therefore has some ... eccentrici=
ties.
> For example, I'm confident that you know that MIDI controllers are set to=
 a
> scale of 128 increments designated, conveniently enough, as either 0-127 =
or
> 1-128 depending on the manufacturer.
> =20
> The controls of the 8128 are on a scale of 0-100.
>=20
> Also, the internal memory is volatile and uses an onboard battery.  If th=
e
> battery is replaced, the unit will not even retain it VCA parameters and =
will
> require total recalibration. I just had mine done last year at the factor=
y
> shop and they seemed amazed that there were still functional units in use=
.
>=20
> I've been having some contact issues with an output jack.  The display ca=
n be
> difficult to read in some light conditions and is not adjustable.  There =
is no
> 'MIDI Thru'.  And, did I mention 'noisy'.  I haven't measured it and it i=
sn't
> too bad for most live venues, as the provided systems are noisy anyway.  =
but,
> I wouldn't want to do any serious recording with it.  Then again, there's=
 no
> need to.
> =20
> And, I can't imagine not having it.
>=20
> I control it, a Digitech DSP256XL, my Repeater and Ableton from a Behring=
er
> 1010.  You can see the rack here
> <http://www.fixedfocus.org/graphics/LightRig.JPG>  & here
> <http://www.fixedfocus.org/graphics/LoopRack.JPG> .  Or, if you have a my=
space
> login, their on my pix page
> <http://viewmorepics.myspace.com/index.cfm?fuseaction=3Duser.viewPicture&am=
p;fri
> endId=3D48235481&amp;setonlinenow=3D1&amp;setrsi=3D1&amp;Mytoken=3DB6379403-643B-=
42F5-
> B9419E5F2616638132177283> .
> =20
> =20
> dm
>=20
> www.fixedfocus.org <http://www.fixedfocus.org>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> =20
>=20
>=20
>=20
> -----Original Message-----
> From: Greg Mills [mailto:gregmills@blueyonder.co.uk
> <mailto:gregmills@blueyonder.co.uk> ]
> Sent: Tuesday, October 31, 2006 3:04 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Mixer with MIDI scene recall
>=20
>=20
> Hi Don, that one rang a bell, I did have a favourite search set in ebay f=
or
> the 8128. I've re-enabled it cause it looks just the ticket. Seems there =
are
> plenty stateside, but I'm not sure I'll see many here in the UK. What are
> your experiences of the unit?
>=20
> Cheers,
> Greg=20
>=20



--B_3245178185_13303205
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<HTML>
<HEAD>
<TITLE>Re: Mixer with MIDI scene recall</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:12.0px'>Hey t=
hanks Don, that&#8217;s very helpful. I&#8217;m amazed there aren&#8217;t mo=
re options when it comes to this type of mixer as well. I&#8217;ll keep an e=
ye out for one, maybe I&#8217;ll get lucky.<BR>
<BR>
Greg<BR>
<BR>
<BR>
<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYL=
E=3D'font-size:12.0px'><BR>
Hello, Greg;<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYL=
E=3D'font-size:12.0px'> <BR>
8 inputs (8 1/4&quot;, two XLR) &nbsp;with optional 20 db gain pad<BR>
3 aux sends<BR>
monitor buss<BR>
Stereo output &nbsp;buss<BR>
crossfade time adjustment<BR>
most controllers can be assigned to any &nbsp;MIDI controller<BR>
&nbsp;<BR>
... and a few more &nbsp;points.<BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STY=
LE=3D'font-size:12.0px'>Nice idea, I don't know why they dropped it. &nbsp;...=
years ago &nbsp;...without comment. ...or replacement. <BR>
<BR>
Market forces, maybe?<BR>
<BR>
I bought it from the bottom of a rack of used equipment at a local MI retai=
ler. &nbsp;They thought it was a digital EQ.<BR>
<BR>
The 8128 was a <I>very</I> early MIDI unit and therefore has some ... eccen=
tricities. &nbsp;For example, I'm confident that you know that MIDI controll=
ers are set to a scale of 128 increments designated, conveniently enough, as=
 either 0-127 or 1-128 depending on the manufacturer. &nbsp;<BR>
&nbsp;<BR>
The controls of the 8128 are on a scale of 0-100.<BR>
<BR>
Also, the internal memory is volatile and uses an onboard battery. &nbsp;If=
 the battery is replaced, the unit will not even retain it VCA parameters an=
d will require <I>total</I> recalibration. I just had mine done last year at=
 the factory shop and they seemed amazed that there were still functional un=
its in use.<BR>
<BR>
I've been having some contact issues with an output jack. &nbsp;The display=
 can be difficult to read in some light conditions and is not adjustable. &n=
bsp;There is no 'MIDI Thru'. &nbsp;And, did I mention 'noisy'. &nbsp;I haven=
't measured it and it isn't too bad for most live venues, as the provided sy=
stems are noisy anyway. &nbsp;but, I wouldn't want to do any serious recordi=
ng with it. &nbsp;Then again, there's no need to.<BR>
&nbsp;<BR>
And, I can't imagine not having it.<BR>
<BR>
I control it, a Digitech DSP256XL, my Repeater and Ableton from a Behringer=
 1010. &nbsp;You can see the rack here <a href=3D"http://www.fixedfocus.org/gr=
aphics/LightRig.JPG">&lt;http://www.fixedfocus.org/graphics/LightRig.JPG&gt;=
</a> &nbsp;&amp; here <a href=3D"http://www.fixedfocus.org/graphics/LoopRack.J=
PG">&lt;http://www.fixedfocus.org/graphics/LoopRack.JPG&gt;</a> . &nbsp;Or, =
if you have a myspace login, their on my pix page <a href=3D"http://viewmorepi=
cs.myspace.com/index.cfm?fuseaction=3Duser.viewPicture&amp;friendId=3D48235481&a=
mp;setonlinenow=3D1&amp;setrsi=3D1&amp;Mytoken=3DB6379403-643B-42F5-B9419E5F261663=
8132177283">&lt;http://viewmorepics.myspace.com/index.cfm?fuseaction=3Duser.vi=
ewPicture&amp;amp;friendId=3D48235481&amp;amp;setonlinenow=3D1&amp;amp;setrsi=3D1&=
amp;amp;Mytoken=3DB6379403-643B-42F5-B9419E5F2616638132177283&gt;</a> .<BR>
&nbsp;<BR>
&nbsp;<BR>
dm<BR>
<FONT COLOR=3D"#000080"><BR>
www.fixedfocus.org <a href=3D"http://www.fixedfocus.org">&lt;http://www.fixed=
focus.org&gt;</a> <BR>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<BR>
</FONT> <BR>
<BR>
<BR>
<BR>
-----Original Message-----<BR>
From: Greg Mills [<a href=3D"mailto:gregmills@blueyonder.co.uk">mailto:gregmi=
lls@blueyonder.co.uk</a> <a href=3D"mailto:gregmills@blueyonder.co.uk">&lt;mai=
lto:gregmills@blueyonder.co.uk&gt;</a> ]<BR>
Sent: Tuesday, October 31, 2006 3:04 PM<BR>
To: Loopers-Delight@loopers-delight.com<BR>
Subject: Re: Mixer with MIDI scene recall<BR>
<BR>
<BR>
Hi Don, that one rang a bell, I did have a favourite search set in ebay for=
<BR>
the 8128. I've re-enabled it cause it looks just the ticket. Seems there ar=
e<BR>
plenty stateside, but I'm not sure I'll see many here in the UK. What are<B=
R>
your experiences of the unit?<BR>
<BR>
Cheers,<BR>
Greg <BR>
<BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STY=
LE=3D'font-size:12.0px'><BR>
</SPAN></FONT>
</BODY>
</HTML>


--B_3245178185_13303205--



From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 22:29:30 2006
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Subject: Re: Mixer with MIDI scene recall
From: Greg Mills <gregmills@blueyonder.co.uk>
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Mech, have I noticed you posting on the Looperlative forum? What do you
think of the LP1? How does it compare to the EDP? I've been looking for a
stereo looper for awhile, rather than another EDP. The LP1 looks nice, and
would cost me about the same as two EDPs. Would be interested to hear your
thoughts.

Greg




> At 8:43 AM -0500 10/30/06, Bill Fox wrote:
>> mech wrote:
>>> 
>>> Well, I think I've posted about it previously (check the archives
>>> for full details) but there's the old Simmons SPM 8:2 from circa
>>> 1987.
>> 
>> This unit is not universally appreciated:
>> <http://www.cassiel.com/space/Gearhead/Simmons+SPM+8:2>
> 
> Yeah Bill, I've seen that review previously.  Some parts are spot-on,
> but others are way off in left field.
> 
> Starting at the end and moving up, I'll agree completely that the
> user interface leaves a good deal to be desired.  Although I've done
> the exact same button-pushing error and lost edits in exactly the
> same manner... exactly twice in ~20 years.  Honestly, it's a pain and
> I was screaming at the little @#$%!'s when it did it -- make no
> mistake.  But after you've been burned by it, you don't do it again.
> You punch the button with two fingers *hard* and wonder if you're
> going to actually break the front panel (I've not yet; yes, I'm
> shocked) but you bloody well don't lose edits from that point forward.
> 
> And I've never really had problems with tweaking the knobs unless I
> mounted the unit sandwiched between two other larger units (and I've
> got pretty big hands).  What *is* a problem is adjusting the channel
> gain attenuation on the SPM's rear panel if you've already mounted it
> in a rack wired up all the 1/4" jacks.  It's a little easier if you
> unplug the channel next to the one you're setting up though.  Luckily
> the gain attenuation is pretty much "set & forget" once you've
> finally(!) gotten it right.
> 
> However, I'll readily admit the UI is *not* the high point on the box.
> 
> The 'rumble' problem I've no clue about.  Generally, any noise from
> the unit is a sign of improper gain staging (I think I might've gone
> into this in some detail in a previous post).  But we're mostly
> talking about channel hiss, not 'rumble' (???).  Not feeding it
> enough signal is also going to exacerbate the frequency curve problem
> I mentioned previously.  And zipper noise?  I could understand zipper
> noise were there any way to control it via MIDI continuous
> controller, but MIDI CC isn't supported.  I thought I remembered
> hearing there were some small problems with software revision 1
> (maybe there was some zipper noise on its initial release?).  All
> mine are on revs 2, 3, or 4, though, so no problems here.  Otherwise,
> that's a new one.
> 
> Also, I've never experienced overheating on any of the four units
> I've got.  Sure, they get warm, but I've left 'em on for days at a
> time and they don't get warmer than any other unit -- about as warm
> as our old Eventide H3000 used to get, IIRC.
> 
> I really think Nick got hold of a defective unit (is this the same
> Nick from the Different Skies list?).  I mean, the SPM 8:2 ain't
> perfect by any means.  Otherwise, they'd still be in my
> front-of-house setup, rather than a couple of my supporting racks.
> However, its typical problems -- and, as I mentioned previously, it's
> not without some problems -- are rather different from what he seems
> to have run into here.
> 
> --m.



From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 22:43:06 2006
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Date: Tue, 31 Oct 2006 15:43:04 -0700
From: "Doug Wellington" <dougwellington@gmail.com>
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Subject: Re: Mixer with MIDI scene recall
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Previously:
> Nice idea, I don't know why they dropped it.  ...years ago  ...without
> comment. ...or replacement.

I wondered that myself.  I still have a PLM8128 in my old bass rig,
with the MidiBASE interface, the Spectrum Bass and the BassFex.
Haven't turned it on for ages.  I suppose I've kept it more for
nostalgia than anything...

There was an expansion for the PLM8128 that you could get - IIRC, you
could even add two for a total of 24 channels.  There once was a
time...

Doug  (Hmmm, maybe I'll take that rig to next year's Different Skies.
What do you think Bill?)

From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 22:50:37 2006
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Date: Tue, 31 Oct 2006 16:02:40 -0600
From: cpr@musetrap.com
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Subject: RE: MAX/msp question
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but, building a max external to do the looping, with all the appropriate
'inlets/outlets' exposed, would do the trick for many people.. giving the max
developer access to all paramters, as well as allowing audio to be modified pre
and post... but, writing a robust looper in any programming environment isn't
easy.. :)

peace
-cpr

Quoting Jeff Larson <jeff.larson@sailpoint.com>:

> From: Stefan Tiedje [mailto:Stefan-Tiedje@addcom.de] 
> > Jeff Larson wrote:
> > > but I cannot imagine implementing them by drawing pictures
> > > in Max.  But I look forward to the Max-o-philes telling me I'm wrong
> :-)
> 
> > Its called crossfade, you fade the end out while fading the beginning 
> > in. Very possible in Max. You just need to think about times. Your
> loop 
> > has to be longer by the crossfade time...
> 
> Yes, I know about crossfade.  But saying something is possible in Max
> is like saying something is possible in C.  Lots of things are
> possible, but that doesn't mean they're easy, or that anyone will ever
> do them.
> 
> A looper with the complexity of something like an EDP contains an
> enormous amount of logic, it isn't just data flow through a graph of
> connected objects.  The thing I find most awkward in Max are all those
> places where "you just need to think".   
> 
> Expressing complex logic by connecting graphical objects like =, +, <,
> &&, abs, etc. is excruciating.  The next step of course is to start
> encoding logic in Javascript, but this requires greater technical
> skill.  Javascript is not a good language for writing large scale
> applications, so eventually you need Java which is quite powerful,
> and requires even more skill.  But it is difficult to debug
> because you're running inside a C application.   Java programmers
> are accustomed to using tools where you can set breakpoints and
> browse the memory model.  In Max you have to rely on trace messages
> which are very tedious.
> 
> Or you could use C++ which is easier to debug, but at this point the
> audience is limited to hard core programmers, and a programmer is
> going to wonder whether to write something that will only run in Max,
> or do a bit more work and write a VST plugin or a standalone application
> that will run anywhere with no 3rd party entanglements.
> 
> So, while I'm willing to believe that many things are theoretically
> possible in Max, I still maintain that you will never see a Looper
> that comes anywhere close to the complexity of the EDP written in Max.
> And I don't mean just a multi track looper with multiply and overdub.
> I mean unlimited undo, continuous feedback, MIDI synchronization,
> loop windowing, beat quantization, SwitchQuant, alternate endings,
> and a few hundred other things.  I wait to be proven wrong :-)
> 
> Regards,
> Jeff
> 
> 




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From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 23:52:49 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: RiffBox - anyone?
Date: Wed, 1 Nov 2006 00:52:41 +0100
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Hi,

Has anyone picked up a RiffBox yet? Is it as good as it appears from  
the web site and users manual?
http://www.backline-eng.com/page3.html

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Oct 31 23:57:52 2006
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: MAX/msp question
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On Oct 31, 2006, at 4:02 PM, cpr@musetrap.com wrote:
 > but, building a max external to do the looping, with all the  
appropriate
 > 'inlets/outlets' exposed, would do the trick for many people..

Right. But the original question (I assumed) was whether you could
do this without resorting to external coding, because once you do
you're in a whole different league as far as the technical skills
required.

Once you're writing in C++, then the question is why even bother
writing a Max external, just write a VST plugin and expose the
necessary ports and parameters.  Then it can be used in Live
or Bidule, or anywhere else.

I like Max, but it serves an odd market.  People that would not
be considered programmers can use it to build many wonderful things,
but people that are programmers don't really need it.  Like other
"high level" languages, it makes easy things very easy, it makes
medium things easy, and it makes hard things even harder :-)

I think it would be exciting to take a system like Mobius or AmibiLoop
and try to break the architecture down into smaller components that
could each be built as a Max external, then use Max to wire them up in
different ways.  Who knows, maybe there will be someone with more free
time than I do that wants to tackle that :-)

But this is hard work, and anyone capable of doing that has to
be committed to the Max Way Of Life, in addition to never expecting
to get any money for it.

Jeff

