From Loopers-Delight-request@loopers-delight.com  Sat Jul  1 00:43:20 2006
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To: Loopers-Delight@loopers-delight.com
From: Craig McCollough <craig@craigmccollough.com>
Subject: perhaps a way to run Mobius on Mac.... stay tuned!
Date: Fri, 30 Jun 2006 17:42:57 -0700
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ran across this today - sounds tempting :-)

run Windows apps on Mac - not using Parallels, Boot Camp, or VMWare.

http://www.macworld.com/news/2006/06/30/crossover/index.php


cheers,
craig

From Loopers-Delight-request@loopers-delight.com  Sat Jul  1 04:34:15 2006
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From: "Krispen Hartung" <khartung@cableone.net>
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References: <000301c69929$def64c30$0101a8c0@succubus>
Subject: Re: MOINSOUND: New Kybermusik recordings online featuring Rick Walker, Charlie Milkey and again Krispen Hartung
Date: Fri, 30 Jun 2006 22:34:09 -0600
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I love the world-beat, middle-eastern feel tune that we did with Rick, 
Rainer, part 2 on 30.4.06....I had forgotten about that completely....me and 
Rick sitting in my garage with the garage door door open, on a nice sunny 
Boise day...and hearing you speak in German to the audience at the club.  I 
sometimes miss playing in a world-fusion group, so that was a good reminder. 
Rick, I love your hand drumming! I believe that is a moderately fast 9/8 
time. I counted and your down beat occurs an 8th note too early to be 5/4 
time. Very cool.

Kris


----- Original Message ----- 


Ok, I put some more kybermusik (virtual internet jams using Ninjam)
recordings up on the www.moinlabs.de site.

Go to http://moinlabs.byto.de/msa/i_msa_div.htm to find:

"30.4.06 - KYBERMUSIK" (3 excerpts from a 80-minute-performance):
This was the performance which combined Kris and Rick (playing at Kris' home
after the BEMF) and me (playing at www.salonerna.de). At least talking about
my performance, this was one of my weaker performances (both Ninjamming and
in general) - but with three players, the remaining two can make up for
that.
It's Rick on drums/percussion and vocal noises, Krispen on guitar and fx and
industrial drum loop and me playing bass guitar, synths and aleatoric lead
guitar.

"The Milkey Way" (4 excerpts from a two-hour-performance):
A (non-public) performance by Charlie Milkey and me - Charlie playing
4-string bass guitar with Jamman, MPX200 and Line6 Toneport/Gearbox, me
playing my weird tuning sixstring, lots of synths and effects, metronome
crosstalk and a few loopers as well.

Keep looking for more of this stuff coming soon...

Rainer




From Loopers-Delight-request@loopers-delight.com  Sat Jul  1 04:46:39 2006
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From: Matthew F.McCabe <mmccabe@finleysound.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Fri, 30 Jun 2006 21:45:42 -0700
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Kris,

Count me in.  I'll have something ready by the 4th!

Matt

---
King Never
http://www.kingnever.com

On Jun 28, 2006, at 7:26 AM, Krispen Hartung wrote:

> How about each of us record a 30 second looping piece and we create a 
> giant collage of looping stringed together in one MP3, or streamed via 
> a playlist. I'm willing to store the MP3s and host the playlist.
>
> Kris
>
> ----- Original Message ----- From: "Bernhard Wagner" 
> <loopdelightml@xmlizer.biz>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, June 28, 2006 5:56 AM
> Subject: 10 year's anniversary of Looper's Delight ?
>
>
>>
>> Sunday, September, 1st 1996 at 23:34:23 -0700 (PDT) the first post 
>> message
>> ever was posted to LD by Matthew F. McCabe aka King Never:
>> http://loopers-delight.com/LDarchive/199609/msg00000.html
>>
>> September 1st, 2006 will be 10 year's anniversary of Looper's Delight.
>>
>> How about some celebration and apposite looping madnesssss?!
>>
>> Bernhard
>> http://nosuch.biz
>>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul  1 05:51:32 2006
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Perfectly possible man and it works great, send PC12
set one of your exp pedals to listen to the p´ter and
send cc09 and give your pitch range choice bewteen
0-127 but watch for the cool robot artifacts!
greets
Luis




> While I'm brainstorming here........could you also
> set it up so that one of
> the expression pedals controls Tempo ie as you press
> down on the pedal, the
> tempo of the loop increases?
> 
> Any help/advice is appreciated!
> 
> Thanks!
> 
>
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From Loopers-Delight-request@loopers-delight.com  Sat Jul  1 07:30:30 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Loop effects: Can software be as good as good hardware?
Date: Fri, 30 Jun 2006 22:45:23 +0200
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On Jun 29, 2006, at 23:54, mark sottilaro wrote:

> All this talk about Eclipse/Fireworx vs. Max/Reaktor
> made me think, surely dedicated hardware must sound a
> lot better, no?

That's up for each musician to decide. Listen to the stuff and see  
what you think! According to my taste I have found some unique sounds  
only available from software and some other unique sounds in hardware.

> Perhaps software is way more flexible
> but is it as good?

Of course it's as good! It's just the same algorithms mangling the  
signal, given you have as good sound card and converters connected to  
the computer running the software. And regarding flexibility I do  
think that some hardware actually can stand up well to software. The  
flexibility I get with my TC el Fireworx (all types of effects, 32  
step sequencer, extensive routing capabilities) is hard to find  
outside Max and Pluggo.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Jul  1 08:08:51 2006
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On Jun 30, 2006, at 1:45 PM, Per Boysen wrote:

> The flexibility I get with my TC el Fireworx (all types of effects,  
> 32 step sequencer, extensive routing capabilities) is hard to find  
> outside Max and Pluggo

...or Reaktor....or Bidule....or EnergyXT....or Phrazor.....
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<HTML><BODY style="word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-line-break: after-white-space; "><DIV><DIV><DIV>On Jun 30, 2006, at 1:45 PM, Per Boysen wrote:</DIV><BR class="Apple-interchange-newline"><BLOCKQUOTE type="cite"><P style="margin: 0.0px 0.0px 0.0px 0.0px"><FONT face="Lucida Grande" size="4" style="font: 14.0px Lucida Grande">The flexibility I get with my TC el Fireworx (all types of effects, 32 step sequencer, extensive routing capabilities) is hard to find outside Max and Pluggo</FONT></P> </BLOCKQUOTE></DIV><DIV><BR class="khtml-block-placeholder"></DIV><DIV>...or Reaktor....or Bidule....or EnergyXT....or Phrazor.....</DIV></DIV></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Sat Jul  1 11:09:21 2006
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Subject: AW: MOINSOUND: New Kybermusik recordings online featuring Rick Walker, Charlie Milkey and again Krispen Hartung
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My thoughts exactly! The funny thing is, while the numbers 9/8 look like a
ternary groove, the rhythm was more of a 5/4 with a hiccup ;). 

> Rick, I love your hand drumming! I believe that is a 
> moderately fast 9/8 time. I counted and your down beat occurs 
> an 8th note too early to be 5/4 time. Very cool.

From Loopers-Delight-request@loopers-delight.com  Sat Jul  1 13:37:11 2006
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From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for July 1, 2006
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http://soundscapes.us/amfm/playlists/2006/060701.html

I host the Saturday AM/FM Show every other week where I play electronic,
ambient, spacemusic, Progressive Rock, and an eclectic mix of other 
genres.  The
show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7 FM and on the
internet.  I also host Afterglow every Thursday from 8:00 am to 9:30 am.

                    Show #90                    July 1, 2006.

During Phase I of this show, I continued the special on the sampler CDs that
come with each issue of E-dition electronic music magazine.


Phase I/Space:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
================================
VA [Guido Meyer]        Lightyears               Edition #9 Sampler (Groove)
VA [Parallel Worlds]    Night Wind               Edition #9 Sampler (Groove)
VA [Andreas Akwara]     Synthetic Horizon II     Edition #9 Sampler (Groove)
Paul Ellis              Tick Tock                The Infinity Room (Groove)
Nattefrost              The Battle That Lasted   Absorbed in Dreams and 
Yearning
                          Eternally                (Groove)

Phase II/Eclectic:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
================================
Nightnoise              Night In That Land       Pure Nightnoise 
(Windham Hill)
Nightnoise              Something of Time        Pure Nightnoise 
(Windham Hill)
Richard Leo Johnson     Love and Trouble         The Legend of Vernon 
McAlister
                                                   (Cuneiform)
Richard Leo Johnson     Serve Up the Red Clay    The Legend of Vernon 
McAlister
                          and Rhubarb              (Cuneiform)
Richard Leo Johnson     The Porch Faces Sunset   The Legend of Vernon 
McAlister
                                                   (Cuneiform)
Alex De Grassi          Clockwork                Pure Alex De Grassi 
(Windham
                                                   Hill)
John Gorka              Looking Forward          Pure Jihn Gorka 
(Windham Hill)

Phase III/Progressive Rock:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
================================
Paatos                  Your Misery              Silence of Another Kind
                                                   (InsideOut)
Divided Sky             Diminishing Returns      Spectral (none)
Pulse                   Singer In a Rock'n'Roll  Heartbeat (Fox's Den)
                          Band
Ricochet                A New Days Rising        Zarah - A Teartown Story
                                                   (Progrock)
Ozric Tentacles         Chewier                  Spirals in Hyperspace 
(Magna
                                                   Carta)
Ozric Tentacles         Spacebase                The Floor's Too Far 
Away (Magna
                                                   Carta)

8:00 am

 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

I return to the AM/FM Show on July 15.

On the next show, I will continue the special on the sampler CDs that 
come with
each issue of E-dition electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From Loopers-Delight-request@loopers-delight.com  Sat Jul  1 13:39:37 2006
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Thanks... that reminds me...could you guys tell me again where I can get
the LD 3  comp?

~Tim


> [Original Message]
> From: <enat21213@aol.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 6/30/2006 6:23:17 PM
> Subject: free stuff!
>
> there's a free compilation chock full of looping bands (electric bird 
> noise / something about vampires and sluts etc.) at:
>
>  nomorestarsrecords.com
>
>  check it out!
>
>  brian
>
> ________________________________________________________________________
> Check out AOL.com today. Breaking news, video search, pictures, email 
> and IM. All on demand. Always Free.


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From Loopers-Delight-request@loopers-delight.com  Sat Jul  1 21:38:14 2006
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At 06:43 AM 7/1/2006, Timothy Mungenast wrote:
>Thanks... that reminds me...could you guys tell me again where I can get
>the LD 3  comp?

How about the Looper's Delight website?

http://www.loopers-delight.com

There are links to all the Looper's Delight compilation cd pages and the 
websites for ordering them.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Sun Jul  2 01:12:53 2006
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Great! Thanks.

~Tim


> [Original Message]
> From: Kim Flint <kflint@loopers-delight.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 7/1/2006 5:38:14 PM
> Subject: Re: LD3 comp. RE: free stuff!
>
> At 06:43 AM 7/1/2006, Timothy Mungenast wrote:
> >Thanks... that reminds me...could you guys tell me again where I can get
> >the LD 3  comp?
>
> How about the Looper's Delight website?
>
> http://www.loopers-delight.com
>
> There are links to all the Looper's Delight compilation cd pages and the 
> websites for ordering them.
>
> kim
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com 


From Loopers-Delight-request@loopers-delight.com  Sun Jul  2 01:33:35 2006
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Can anyone point me to where I can buy a Nobels MF-1 MIDI controller in the 
States? A few months ago, I found a single dealer who had them in stock, and 
I have lost the link.  I need a battery operated MIDI foot controller for 
Mobius.

Kris


From Loopers-Delight-request@loopers-delight.com  Sun Jul  2 01:46:35 2006
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Too bad this doesn't send notes!!!!  It would be perfect for street gigs.

http://www.zzounds.com/item--TCHMM1

Kris


----- Original Message ----- 
From: "Krispen Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 01, 2006 7:33 PM
Subject: Nobels MF-1


> Can anyone point me to where I can buy a Nobels MF-1 MIDI controller in 
> the States? A few months ago, I found a single dealer who had them in 
> stock, and I have lost the link.  I need a battery operated MIDI foot 
> controller for Mobius.
>
> Kris
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jul  2 01:52:04 2006
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Sorry to keep answering my own question...anyone used this?

http://www.musicplayers.com/reviews/guitars/2006/0406_RolandFC-200.php

It says it is batter powered, and I believe it sends notes too, from the 
descrption. Looks interesting.

Kris

----- Original Message ----- 
From: "Krispen Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 01, 2006 7:33 PM
Subject: Nobels MF-1


> Can anyone point me to where I can buy a Nobels MF-1 MIDI controller in 
> the States? A few months ago, I found a single dealer who had them in 
> stock, and I have lost the link.  I need a battery operated MIDI foot 
> controller for Mobius.
>
> Kris
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jul  2 04:07:39 2006
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did you check out it's big brother the midi moose?
http://www.tech21nyc.com/midimoose.html
never used one but it's also battery run. I saw a guy in Toronto using one 
of these last summer busking along the water front.

Paul Haslem
www.dulcify.ca




At 09:46 PM 7/1/2006, you wrote:

>Too bad this doesn't send notes!!!!  It would be perfect for street gigs.
>
>http://www.zzounds.com/item--TCHMM1
>
>Kris

From Loopers-Delight-request@loopers-delight.com  Sun Jul  2 04:07:43 2006
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Hey, something I know about!

><Kris asked about the Roland FC-200>
>
>It says it is battery powered, and I believe it sends notes too, 
>from the descrption. Looks interesting.
>
>Kris
>

Yes, I had an FC-200.

I liked it pretty well and used it with a pair of EDPs and either a 
GX-700 or an SE-70/VF-1.  I'd like to get another one, actually; I 
really liked the ergonomics of the big foot-switches.  Pretty 
durable... another Stick player I respect tremendously uses one, he's 
toured with it internationally for a looong time and it has worked 
well for him.  In terms of build quality and 'feel' it beats the heck 
out of the Behringer FCB1010 (IMHO) for not too much more money. 
Well, not big money like an All Access or something like that.  It's 
not quite as programmable as the Behringer, but my brain works with 
it better.  It would probably work well for your laptop-setup, but it 
might feel a bit limited for your rack-setup.  I'm now on a Rocktron 
MIDI-Mate, which is merely okay (switches are too small).

Physically, sending Note-ons seemed... 'easier' with this unit.  My 
timing was somehow better than any other pedal I've tried (sort of 
like new shoes that feel great from day one).  Weird, but true.  You 
do need an external switch like the FS-5U or some such to switch 
modes.  I also used a small forest of EV-5 pedals to control lots of 
effect parameters in real time.  Great fun!

Yes, batteries work; I'd suggest 2300/2400+ mAH NiMH batteries and 
just keep 'em charged.  You'll get a lot of runtime out of them... 
definitely buy the AC adapter for home use, though.

I saw the Nobels when Steve Lawson was here in the US earlier this 
year, controlling a Looperlative.  Maybe he could chime in with where 
to get one.  Seemed nice enough, but smallish.  Different design 
philosophy.  It at least had footswitches which were bigger than the 
MIDI-Mate's.

Here's the manual for the Roland:
   http://www.roland.com/products/en/_support/om.cfm?ln=en&dsp=0&iCncd=271

Ken

From Loopers-Delight-request@loopers-delight.com  Sun Jul  2 04:30:16 2006
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Does anyone on this list use either of these products?  I guess I'm 
really just window shopping, but it is feasible that I could eBay some 
old gear I'm not using right now and scrape up enough cash to buy one.  
I'd love to hear reviews from you guys, especially pertaining to the 
Audio I/O side of things.

Thanks!

--Josh

PS:  Hope you're all having fun out gigging this Independence Day 
weekend.  I'm home with a sick, 38-weeks-pregnant wife, and honestly 
feeling a little jealous.  Rock out for me!

From Loopers-Delight-request@loopers-delight.com  Sun Jul  2 04:51:46 2006
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Subject: Re: Nobels MF-1
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Yeah, the Moose looks even better...but I can't find out whether it sends 
Note messages.

Jeff, I'm behind on your MIDI implementation for Mobius.  Is anyone 
controlling it with just standard program change messages? (which is what I 
do with my Looperlative)

Kris

----- Original Message ----- 
From: "paul" <phaslem@wightman.ca>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 01, 2006 10:07 PM
Subject: Re: Nobels MF-1


> did you check out it's big brother the midi moose?
> http://www.tech21nyc.com/midimoose.html
> never used one but it's also battery run. I saw a guy in Toronto using one 
> of these last summer busking along the water front.
>
> Paul Haslem
> www.dulcify.ca
>
>
>
>
> At 09:46 PM 7/1/2006, you wrote:
>
>>Too bad this doesn't send notes!!!!  It would be perfect for street gigs.
>>
>>http://www.zzounds.com/item--TCHMM1
>>
>>Kris
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jul  2 04:55:16 2006
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I'm currently using just PC messages for Mobius, but that's only because 
I haven't taken time to really program my FCB1010 the way I want it.  
You can do a good deal of looping this way, but you miss anything that 
requires a sustained hold, ie:  hold down to overdub, release to quit 
overdub.  You can, however, use MIDI CC signals to get SUS functions to 
work, and it looks like that Roland unit will do that.

--Josh



Krispen Hartung wrote:
> Yeah, the Moose looks even better...but I can't find out whether it 
> sends Note messages.
>
> Jeff, I'm behind on your MIDI implementation for Mobius.  Is anyone 
> controlling it with just standard program change messages? (which is 
> what I do with my Looperlative)
>
> Kris
>
> ----- Original Message ----- From: "paul" <phaslem@wightman.ca>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Saturday, July 01, 2006 10:07 PM
> Subject: Re: Nobels MF-1
>
>
>> did you check out it's big brother the midi moose?
>> http://www.tech21nyc.com/midimoose.html
>> never used one but it's also battery run. I saw a guy in Toronto 
>> using one of these last summer busking along the water front.
>>
>> Paul Haslem
>> www.dulcify.ca
>>
>>
>>
>>
>> At 09:46 PM 7/1/2006, you wrote:
>>
>>> Too bad this doesn't send notes!!!!  It would be perfect for street 
>>> gigs.
>>>
>>> http://www.zzounds.com/item--TCHMM1
>>>
>>> Kris
>>
>>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul  2 05:01:52 2006
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That is what I use, the program change message with the fcb1010. I'm afraid 
that I'm largely ignorant about midi and the reason I use program change is 
because that's the way it came out of the box. I plugged it and in mobius 
clicked on learn and it came up as program change number  what ever. I 
really do need to get into some books on midi or find someone to give me 
some instruction. I know that I could control my programs to a much higher 
degree with the foot pedal controller if I could learn how to set it all 
up. Anyway I use the second bank of 10 pr #s 10 to 19 for mobius and 0 to 
09 for my bidule setup and so far it's working very nicely.

Paul Haslem
www.dulcify.ca




At 12:51 AM 7/2/2006, you wrote:

>Yeah, the Moose looks even better...but I can't find out whether it sends 
>Note messages.
>
>Jeff, I'm behind on your MIDI implementation for Mobius.  Is anyone 
>controlling it with just standard program change messages? (which is what 
>I do with my Looperlative)
>
>Kris

From Loopers-Delight-request@loopers-delight.com  Sun Jul  2 05:27:18 2006
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Subject: Roland FC-200 (was RE: Nobels MF-1)
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-----Original Message-----
Ken_H [mailto:KHL2005@topic.net] wrote:

Yes, I had an FC-200.

I liked it pretty well
<snip>
another Stick player I respect tremendously uses one, he's 
toured with it internationally for a looong time and it has worked 
well for him.  

----->Tom Griesgraber uses one and he uses a Repeater--is that who you mean?
Gary



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US Distributor & online store
http://www.godlyke.com/Home_Page.php


----- Original Message -----
From: "Krispen Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 01, 2006 8:33 PM
Subject: Nobels MF-1


> Can anyone point me to where I can buy a Nobels MF-1 MIDI controller in
the
> States? A few months ago, I found a single dealer who had them in stock,
and
> I have lost the link.  I need a battery operated MIDI foot controller for
> Mobius.
>
> Kris
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul  2 08:40:29 2006
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At 05:07 02/07/2006, you wrote:
>Sorry to keep answering my own question...anyone used this?
>
>http://www.musicplayers.com/reviews/guitars/2006/0406_RolandFC-200.php
>
>It says it is batter powered, and I believe it sends notes too,

Yes, but only in a non-programmable keyboard type layout.

Does have a momentary action for CC though.

I think there's an issue where you're limited to one type of data
depending on which Mode you are in.
(ProgCh OR CC OR Note, but not together in a layout)

>  from the descrption. Looks interesting.
>
>Kris

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Josh,There will ALWAYS be gigs to do. But, your wife and baby will not always need you like this weekend.They are more important. You may not always have them there. (God forbid).I lost my 21 yr. old daughter three years ago and I still struggle to regain a semblance of "normal" life.Please don't be offended by my email. I too sometimes forgot that music isn't always no. 1. I pray you never have a life lesson like mine to put things into perspective. Take care. Rick

Joshua Carroll <josh@infinivert.com> wrote:  Does anyone on this list use either of these products? I guess I'm 
really just window shopping, but it is feasible that I could eBay some 
old gear I'm not using right now and scrape up enough cash to buy one. 
I'd love to hear reviews from you guys, especially pertaining to the 
Audio I/O side of things.

Thanks!

--Josh

PS: Hope you're all having fun out gigging this Independence Day 
weekend. I'm home with a sick, 38-weeks-pregnant wife, and honestly 
feeling a little jealous. Rock out for me!



 		
---------------------------------
Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls.  Great rates starting at 1˘/min.
--0-1244856323-1151850723=:15566
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: 8bit

Josh,There will ALWAYS be gigs to do. But, your wife and baby will not always need you like this weekend.They are more important. You may not always have them there. (God forbid).I lost my 21 yr. old daughter three years ago and I still struggle to regain a semblance of "normal" life.Please don't be offended by my email. I too sometimes forgot that music isn't always no. 1. I pray you never have a life lesson like mine to put things into perspective. Take care. Rick<BR><BR><B><I>Joshua Carroll &lt;josh@infinivert.com&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Does anyone on this list use either of these products? I guess I'm <BR>really just window shopping, but it is feasible that I could eBay some <BR>old gear I'm not using right now and scrape up enough cash to buy one. <BR>I'd love to hear reviews from you guys, especially pertaining to the <BR>Audio I/O side of
 things.<BR><BR>Thanks!<BR><BR>--Josh<BR><BR>PS: Hope you're all having fun out gigging this Independence Day <BR>weekend. I'm home with a sick, 38-weeks-pregnant wife, and honestly <BR>feeling a little jealous. Rock out for me!<BR><BR></BLOCKQUOTE><BR><p>&#32;
		<hr size=1>Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls. <a href="http://us.rd.yahoo.com/mail_us/taglines/postman7/*http://us.rd.yahoo.com/evt=39666/*http://messenger.yahoo.com"> Great rates starting at 1˘/min.
--0-1244856323-1151850723=:15566--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  2 14:42:49 2006
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Subject: Re: Nobels MF-1
Date: Sun, 2 Jul 2006 08:42:45 -0600
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Wonderful. Thanks.
----- Original Message ----- 
From: "rdwiv" <rdwiv@webtv.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 02, 2006 12:20 AM
Subject: Re: Nobels MF-1


> US Distributor & online store
> http://www.godlyke.com/Home_Page.php
>
>
> ----- Original Message -----
> From: "Krispen Hartung" <khartung@cableone.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Saturday, July 01, 2006 8:33 PM
> Subject: Nobels MF-1
>
>
>> Can anyone point me to where I can buy a Nobels MF-1 MIDI controller in
> the
>> States? A few months ago, I found a single dealer who had them in stock,
> and
>> I have lost the link.  I need a battery operated MIDI foot controller for
>> Mobius.
>>
>> Kris
>>
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jul  2 15:42:52 2006
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Date: Sun, 2 Jul 2006 08:42:47 -0700
To: Loopers-Delight@loopers-delight.com
From: Ken_H <KHL2005@topic.net>
Subject: Re: Roland FC-200 (was RE: Nobels MF-1)
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>-----Original Message-----Ken_H wrote:
>
>Yes, I had an FC-200.  I liked it pretty well...
><snip>
>another Stick player I respect tremendously uses one, he's
>toured with it internationally for a looong time and it has worked
>well for him.

-----Then Gary wrote-----:

>----->Tom Griesgraber uses one and he uses a Repeater--is that who you mean?
>Gary


You got it, Gary.  http://www.thossounds.com/   I did not want to 
accidentally sound like 'he officially endorses' Roland.  I have no 
idea about that (but he does use a fair amount of Roland gear).  He 
has Southern California gigs pretty regularly.

He's been touring with Jerry Marotta, lately.
    http://www.jerrymarotta.com/marottagriesgraber.htm


They put on a really good show, with great (musical) looping. 
Helluva rich sound for only two musicians.

Ken

From Loopers-Delight-request@loopers-delight.com  Sun Jul  2 19:01:41 2006
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From: "claude voit" <c.voit@vtx.ch>
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Subject: Re: Re: Nobels MF-1
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The nobels guitar pedals are really good specially at less than 100$ a piece

I know and recommend the preamp booster for that clean jump of volume
and the excellent and versatile vintage tremolo

Claude




> At 05:07 02/07/2006, you wrote:
>>Sorry to keep answering my own question...anyone used this?
>>
>>http://www.musicplayers.com/reviews/guitars/2006/0406_RolandFC-200.php
>>
>>It says it is batter powered, and I believe it sends notes too,
> 
> Yes, but only in a non-programmable keyboard type layout.
> 
> Does have a momentary action for CC though.
> 
> I think there's an issue where you're limited to one type of data
> depending on which Mode you are in.
> (ProgCh OR CC OR Note, but not together in a layout)
> 
>>  from the descrption. Looks interesting.
>>
>>Kris
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul  2 20:20:43 2006
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Date: Sun, 02 Jul 2006 15:20:34 -0500
From: Joshua Carroll <josh@infinivert.com>
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This is a multi-part message in MIME format.
--------------060200050205050503060000
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Thanks man.  I'm not offended at all, and I completely agree.  I just 
miss playing right now.

--Josh



richard moreau wrote:
> Josh,There will ALWAYS be gigs to do. But, your wife and baby will not 
> always need you like this weekend.They are more important. You may not 
> always have them there. (God forbid).I lost my 21 yr. old daughter 
> three years ago and I still struggle to regain a semblance of "normal" 
> life.Please don't be offended by my email. I too sometimes forgot that 
> music isn't always no. 1. I pray you never have a life lesson like 
> mine to put things into perspective. Take care. Rick
>
> */Joshua Carroll <josh@infinivert.com>/* wrote:
>
>     Does anyone on this list use either of these products? I guess I'm
>     really just window shopping, but it is feasible that I could eBay
>     some
>     old gear I'm not using right now and scrape up enough cash to buy
>     one.
>     I'd love to hear reviews from you guys, especially pertaining to the
>     Audio I/O side of things.
>
>     Thanks!
>
>     --Josh
>
>     PS: Hope you're all having fun out gigging this Independence Day
>     weekend. I'm home with a sick, 38-weeks-pregnant wife, and honestly
>     feeling a little jealous. Rock out for me!
>
>
> ------------------------------------------------------------------------
> Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls. Great 
> rates starting at 1˘/min. 
> <http://us.rd.yahoo.com/mail_us/taglines/postman7/*http://us.rd.yahoo.com/evt=39666/*http://messenger.yahoo.com>

--------------060200050205050503060000
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Thanks man.&nbsp; I'm not offended at all, and I completely agree.&nbsp; I just
miss playing right now.<br>
<br>
--Josh<br>
<br>
<br>
<br>
richard moreau wrote:
<blockquote
 cite="mid20060702143203.20827.qmail@web30012.mail.mud.yahoo.com"
 type="cite">Josh,There will ALWAYS be gigs to do. But, your wife and
baby will not always need you like this weekend.They are more
important. You may not always have them there. (God forbid).I lost my
21 yr. old daughter three years ago and I still struggle to regain a
semblance of "normal" life.Please don't be offended by my email. I too
sometimes forgot that music isn't always no. 1. I pray you never have a
life lesson like mine to put things into perspective. Take care. Rick<br>
  <br>
  <b><i>Joshua Carroll <a class="moz-txt-link-rfc2396E" href="mailto:josh@infinivert.com">&lt;josh@infinivert.com&gt;</a></i></b> wrote:
  <blockquote class="replbq"
 style="border-left: 2px solid rgb(16, 16, 255); padding-left: 5px; margin-left: 5px;">Does
anyone on this list use either of these products? I guess I'm <br>
really just window shopping, but it is feasible that I could eBay some <br>
old gear I'm not using right now and scrape up enough cash to buy one. <br>
I'd love to hear reviews from you guys, especially pertaining to the <br>
Audio I/O side of things.<br>
    <br>
Thanks!<br>
    <br>
--Josh<br>
    <br>
PS: Hope you're all having fun out gigging this Independence Day <br>
weekend. I'm home with a sick, 38-weeks-pregnant wife, and honestly <br>
feeling a little jealous. Rock out for me!<br>
    <br>
  </blockquote>
  <br>
  <p> </p>
  <hr size="1">Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone
calls. <a
 href="http://us.rd.yahoo.com/mail_us/taglines/postman7/*http://us.rd.yahoo.com/evt=39666/*http://messenger.yahoo.com">
Great rates starting at 1&cent;/min.
  </a></blockquote>
</body>
</html>

--------------060200050205050503060000--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 02:37:54 2006
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Date: Sun, 02 Jul 2006 19:24:57 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
In-Reply-To: <22351.62.2.75.66.1151495782.squirrel@webmail.perspectix.co
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At 04:56 AM 6/28/2006, Bernhard Wagner wrote:

>Sunday, September, 1st 1996 at 23:34:23 -0700 (PDT) the first post message
>ever was posted to LD by Matthew F. McCabe aka King Never:
>http://loopers-delight.com/LDarchive/199609/msg00000.html
>
>September 1st, 2006 will be 10 year's anniversary of Looper's Delight.

Amazing!

10 years of relentless repetition!

When I started this, I never imagined it would still be going 10 years later.

Or that I could put up with it for that long. :-)

In fact, the Looper's Delight web site was online several months before the 
list started. I put up the first version of the site around April of 1996.

I can see from old emails that I first asked my ISP at the time about 
starting a mailing list on March 21, 1996. That email is followed by 
several other mails making the same request over and over again for a 
period of months without any response, then several more emails complaining 
about their total lack of customer support. My emails then get more and 
more aggravated until August 14, 1996, when their system administrator 
finally starts helping me get the mailing list set up and running.

(That started a string of moving Looper's Delight from one incompetent ISP 
to another, until I finally made the step to running my own server.)


>How about some celebration and apposite looping madnesssss?!

It would be wonderful to do a 10 year anniversary event! That could be a 
lot of fun. I would really need people to help organize such a thing 
though. Anybody interested?

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 02:46:26 2006
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Subject: Re: 10 year's anniversary of Looper's Delight ?
From: Todd Reynolds <toddreyn@gmail.com>
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Krispin is already organizing a little something online.. .30 second loops.
I have to make mine tomorrow!

Didn't know if you had seen that come through the pike, kim.

All best,

T.



On 7/2/06 10:24 PM, "Kim Flint" <kflint@loopers-delight.com> wrote:

> At 04:56 AM 6/28/2006, Bernhard Wagner wrote:
>=20
>> Sunday, September, 1st 1996 at 23:34:23 -0700 (PDT) the first post messa=
ge
>> ever was posted to LD by Matthew F. McCabe aka King Never:
>> http://loopers-delight.com/LDarchive/199609/msg00000.html
>>=20
>> September 1st, 2006 will be 10 year's anniversary of Looper's Delight.
>=20
> Amazing!
>=20
> 10 years of relentless repetition!
>=20
> When I started this, I never imagined it would still be going 10 years la=
ter.
>=20
> Or that I could put up with it for that long. :-)
>=20
> In fact, the Looper's Delight web site was online several months before t=
he
> list started. I put up the first version of the site around April of 1996=
.
>=20
> I can see from old emails that I first asked my ISP at the time about
> starting a mailing list on March 21, 1996. That email is followed by
> several other mails making the same request over and over again for a
> period of months without any response, then several more emails complaini=
ng
> about their total lack of customer support. My emails then get more and
> more aggravated until August 14, 1996, when their system administrator
> finally starts helping me get the mailing list set up and running.
>=20
> (That started a string of moving Looper's Delight from one incompetent IS=
P
> to another, until I finally made the step to running my own server.)
>=20
>=20
>> How about some celebration and apposite looping madnesssss?!
>=20
> It would be wonderful to do a 10 year anniversary event! That could be a
> lot of fun. I would really need people to help organize such a thing
> though. Anybody interested?
>=20
> kim
>=20
>=20
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>=20

---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 02:50:15 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <C0CDFD37.1856C%toddreyn@gmail.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Sun, 2 Jul 2006 20:50:10 -0600
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A physical event would be cool.  I say we have it in Cabo San Lucas on the 
beach. :)
----- Original Message ----- 
From: "Todd Reynolds" <toddreyn@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 02, 2006 8:46 PM
Subject: Re: 10 year's anniversary of Looper's Delight ?


Krispin is already organizing a little something online.. .30 second loops.
I have to make mine tomorrow!

Didn't know if you had seen that come through the pike, kim.

All best,

T.



On 7/2/06 10:24 PM, "Kim Flint" <kflint@loopers-delight.com> wrote:

> At 04:56 AM 6/28/2006, Bernhard Wagner wrote:
>
>> Sunday, September, 1st 1996 at 23:34:23 -0700 (PDT) the first post 
>> message
>> ever was posted to LD by Matthew F. McCabe aka King Never:
>> http://loopers-delight.com/LDarchive/199609/msg00000.html
>>
>> September 1st, 2006 will be 10 year's anniversary of Looper's Delight.
>
> Amazing!
>
> 10 years of relentless repetition!
>
> When I started this, I never imagined it would still be going 10 years 
> later.
>
> Or that I could put up with it for that long. :-)
>
> In fact, the Looper's Delight web site was online several months before 
> the
> list started. I put up the first version of the site around April of 1996.
>
> I can see from old emails that I first asked my ISP at the time about
> starting a mailing list on March 21, 1996. That email is followed by
> several other mails making the same request over and over again for a
> period of months without any response, then several more emails 
> complaining
> about their total lack of customer support. My emails then get more and
> more aggravated until August 14, 1996, when their system administrator
> finally starts helping me get the mailing list set up and running.
>
> (That started a string of moving Looper's Delight from one incompetent ISP
> to another, until I finally made the step to running my own server.)
>
>
>> How about some celebration and apposite looping madnesssss?!
>
> It would be wonderful to do a 10 year anniversary event! That could be a
> lot of fun. I would really need people to help organize such a thing
> though. Anybody interested?
>
> kim
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>

----------------------------------------------------------------------------
-----
łVirtue is just repression waiting to go bad˛ - Trevor Exter

łClassical music is related to the past more than it is related to the
creative part of sound˛ - Ornette Coleman
----------------------------------------------------------------------------
------ 
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104

Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502

http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn






From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 02:52:44 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Sun, 2 Jul 2006 19:52:40 -0700
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Ummmmm....Cabo?!....count me in!



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jul 2, 2006, at 7:50 PM, Krispen Hartung wrote:

> A physical event would be cool.  I say we have it in Cabo San Lucas on=20=

> the beach. :)=

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 02:55:53 2006
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Date: Sun, 02 Jul 2006 19:55:47 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
In-Reply-To: <4ea506fbed893c589327cf1f1f5b60ad@finleysound.com>
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At 09:23 PM 6/28/2006, Matthew F.McCabe wrote:
>Ironically, 2 days ago I found a printed hardcopy of the email Kim sent me 
>announcing the list was live!!  Of course I recycled it, thinking it would 
>be silly to mention it on the list.  Alas.

Hey Matt, I saved that one. You can print it again. :-)


Sent on 9/1/96, 1:43 am:
*****************************************************

To: matthias@bahianet.com.br (Matthias), Eric Obermuhlner 
<obermuhlner@takefive.ch>, finley@ecst.csuchico.edu (Matthew F. McCabe)
From: kflint@annihilist.com (Kim Flint)
Subject: test the loop list
Cc:
Bcc:

The looping list is running!

It seems to be working ok, could you guys try subscribing to it to test and 
let me know if you have any problems? I still need to edit the various text 
files that are automatically generated (I'm waiting for the sysadmin to 
give me permissions for those files), so its not quite ready for the 
public. I can edit a lot of the parameters for the list, so if you think of 
something to change, let me know.

I'll announce it publicly some time next week when I'm sure its all going 
right.

the address to subscribe is:

Loopers-Delight-request@annihilist.com

It should subscribe you if you put the word "subscribe" in the subject. If 
that doesn't work, try putting "subscribe" in the body. If it still doesn't 
work, try putting ONLY "subscribe" in the body, with no sig files or anything.

Once you're subscribed, the address for posting is:

Loopers-Delight@annihilist.com

thanks!

kim
***************************************************************



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 03:10:37 2006
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At 07:50 PM 7/2/2006, Krispen Hartung wrote:
>A physical event would be cool.  I say we have it in Cabo San Lucas on the 
>beach. :)

Physical event is what I'm talking about, yeah.

Cabo sounds good to me also, I had a great vacation down there last year. I 
still daydream about sipping Damiana Margaritas on the beach. It wouldn't 
take much convincing to get me back there again!

However, it may not be too practical if we want to have people bring their 
gear and perform, and webcast the results to those who can't get there.

What do you guys say, anybody up for a big 10 year anniversary party? Any 
volunteers to help organize it?

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 03:11:00 2006
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>,
	<vaguediscuss@vagueterrain.net>
Subject: =?iso-8859-1?Q?the_PiNG_presents_Worthy_Records'_Josh_St._Denis=2C_-243?=
	=?iso-8859-1?Q?_=B0C_and_Anne_Sulikowski?=
Date: Sun, 2 Jul 2006 23:12:05 -0400
Organization: THE AMBiENT PiNG
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AMBiENT PiNG RADiO iS JUST A CLiCK AWAY @:
http://www.ambientpingradio.com
more info here: http://www.theambientping.com/radio.html

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

THE AMBiENT PiNG  .  http://www.theambientping.com
presents AMBiENT PiNG TUESDAYS =20
@ HACiENDA . 794 Bathurst Street at Bloor . Toronto=20
(NW corner, upstairs across from the Bathurst subway station)=20
Doors open at 9pm . 1st set at 9:30 . PayWhatYouCan=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

THiS Tuesday July 4th . A Worthy Summer=20
Worthy Records Night 1 featuring Josh St. Denis and -243 =B0C=20
with special guest Anne Sulikowski

As our neighbours to the south celebrate Independence Day,=20
we celebrate by welcoming back our favourite independent=20
label, Worthy Records for the first of two summer in the city=20
performances. Night 1 features the electronic manipulations=20
of Josh St. Denis and the mysterious sounds of -243 =B0C.=20
Ending the night is a collaboration between these two=20
projects with guest Anne Sulikowski joining them on keys.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

Before Sets CD . " immunoflourescence" by antifade
Another ambient downtempo dub project from the Dank Disk=20
people who will be bringing Canartic to the PiNG next week=20
on July 11th. http://www.dankdisk.com

Between Sets CD . "LiVE" by SADU
Visit http://www.pingthings.com/SADUlive.htm
to find out more about this week's between set CD and tune in to=20
ping things radio every Sun & Wed from 9pm to 12 midnight EST=20
at http://www.ambientpingradio.com
to hear music from this and other discs in the ping things catalogue.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

COMiNG Tuesday July 11th . Canartic and InsideAMind

Austin's Jon Coats and Randall Peterson formed Canartic with=20
bass player Gerard Smith in 2002. Canartic utilize dub and=20
downtempo styles as guides to collage electronic shapes around=20
simple grooves. The chilled results are then injected with a dose=20
of psychedelia, courtesy of heavily processed guitar. Finally,=20
samples round out the mix, providing listeners with hints to the=20
ideas behind the music. Live, Canartic perform as a duo, with=20
Coats dub mixing in real time from hard disk, and Peterson=20
adding treatments and his processed guitar.=20
http://www.dankdisk.com

As the definition of the word "DJ" continues to expand,=20
INSIDEaMIND emerges in Toronto as a four man scratch band,=20
further stretching artistic boundaries by performing live original=20
compositions with vinyl. The scratch musicians, as they call=20
themselves, bring forth a unique angle to what a group of=20
DJ's/Producers armed with instruments called turntables can=20
create. By developing outside the often limiting battle-oriented=20
mindframe that scratching is too often associated with, the=20
crew is bringing new life to this ever evolving artform.
http://insideamind.net

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

* Other Toronto area sonic/visual events of interest this week:

* Wednesday July 5th . Poor Pilgrim Series
   I Have Eaten The City with Colin Fisher (guitars/ sax/ fx) and=20
   Brandon Valdivia (drums & percussion)=20
   Blue Sunshine featuring members of Disguises, 13 Moons and=20
   Gastric Female Reflex. Additionally, Aaron Lumley will be DJing.
   10PM . Press Club (850 Dundas St. W) Pay What You Can=20
  =20
* Thursday July 6th . Improvisors' Pool
   The improvisors' pool is a weekly gathering for musicians=20
   who practice collective free improvisation. It welcomes players=20
   of all levels and backgrounds.
   7:00-9:00 . Ralph Thornton Centre 765 Queen Street East =20

* Friday July 7th . AIMT Presents in association with=20
   Arraymusic presents The Leftover Daylight Series
   9:00 - remnants trio [ken aldcroft (guitar, effects)=20
   evan shaw (alto saxophone) joe sorbara [drums, percussion)]
   10:00 - trio resistances [beno=EEt keller (bass) lionel martin=20
   (saxophones) bruno tocanne (drums)]
   11:00 - improvisations [remnants trio + trio resistances + kyle=20
   brenders (saxophones) ronda rindone (clarinets)]
   9pm . the arraymusic studio (60 atlantic ave, suite 218) . $10/$6

* Friday July 7th . Eric Stach  presents THE SCREAM =20
   a festival of New Music, Noise/Sound IMPROVISATION
   a 10 week Friday Night Series May 5th to July 7th
   Musicians are welcome to drop by and play
   Place: 105 Clarence Street, London, Ontario, between
   Hill and South, west of Wellington.=20
   9:30pm -1:00 am  Every FRIDAY NIGHT no cover byob
  =20
* Friday, July 7th - Sunday, July 9th, 2006    =20
   Beats, Breaks & Culture: Toronto Electronic Music Festival
   annual celebration of electronic music & culture in all of its forms, =

   with this year's event having a special focus on how World Music=20
   is developing into a global electronic phenomena - featuring=20
   performances by Prefuse 73, The Juan Maclean, Mstrkrft,=20
   Konono N=B01, Jamie Lidell, Half Japanese and many more t.b.a.=20
   Harbourfront Centre, 235 Queens Quay W., Toronto
   free - all ages
  =20
* Sunday July 9th . AIMT Presents in association with=20
   the Now Lounge presents the Now Series featuring
   french drummer bruno tocanne and trio resistances=20
   with beno=EEt keller (bass) and lionel martin (saxophones)
   (w/ unconcious 3, rob clutton + nicole rampersaud)
   2pm workshop, 4pm performance . the now lounge=20
   (189 church street)  =20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

THE AMBiENT PiNG is a social sound/art event presenting live=20
performances by Toronto's finest ambient, chillout, improv and=20
experimental music artists plus performers from around the world,=20
every Tuesday evening at HACiENDA . 794 Bathurst Street at Bloor.=20
http://www.theambientping.com=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

Please forward this e-mail to any friends who may be interested in=20
live ambient, chillout and experimental music performances or to=20
any of your appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 03:24:10 2006
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
In-Reply-To: <6.1.2.0.2.20060702195121.04870298@loopers-delight.com>
References: <22351.62.2.75.66.1151495782.squirrel@webmail.perspectix.com>
 <4ea506fbed893c589327cf1f1f5b60ad@finleysound.com>
 <6.1.2.0.2.20060702195121.04870298@loopers-delight.com>
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At 07:55 PM 7/2/2006, Kim Flint wrote:
>At 09:23 PM 6/28/2006, Matthew F.McCabe wrote:
>>Ironically, 2 days ago I found a printed hardcopy of the email Kim sent 
>>me announcing the list was live!!  Of course I recycled it, thinking it 
>>would be silly to mention it on the list.  Alas.
>
>Hey Matt, I saved that one. You can print it again. :-)

I found another interesting email. Here is the announcement about the list 
that I sent out to everybody I thought might be interested in looping. I 
sent it once the list seemed to be working ok, a week or so after it came 
online. (I was apparently up really late that night, typical.)

Sent 9/9/96, 2:47am:
******************************************************
From: kflint@annihilist.com (Kim Flint)
Subject: Loopers Unite!
Cc:

Hello to all my looping friends!

I finally started my long promised mailing list for looping. It's called 
Looper's Delight, and I encourage all you loopers to join!

I've created Looper's Delight because I realized some time ago that the 
world is full of people creating music with looping, yet very few of us 
seem to be in contact with each other. Lots of different looping techniques 
are being used by a wide variety of musicians to create all sorts of 
different music. It is my hope that through communication we can share all 
our collective knowledge, and our art can grow and progress. Or at the very 
least we can have a good time talking about it!

Looper's Delight is a forum for discussing loop based music in all its 
various forms, whether it be real-time with Oberheim Echoplexes/Lexicon 
JamMans or in the studio with hard drives/cd-roms/samplers or whatever.


The list address is:

Loopers-Delight@annihilist.com



To subscribe send email with "subscribe" in the subject and the body to:

Loopers-Delight-request@annihilist.com



And don't forget to check the Looper's Delight web page, which actually has 
a very small, yet growing, amount of content, at:

http://www.annihilist.com/loop/loop.html


So come on over and have a chat, and tell all your loopy friends!

kim

**************************************************************




______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 03:52:23 2006
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
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At 08:03 AM 6/28/2006, tEd ® kiLLiAn wrote:
>Yep, them was the days young feller (swallows dramatically and spits, 
>imitating old geezer).
>Wait! I AM an old geezer! Just a little over a month later (October 3, 
>1996) I posted my first
>e-mail to Looper's Delight. 
><http://www.loopers-delight.com/LDarchive/199610/msg00032.html>
>from my old e-mail address KILLINFO@aol.com.

Congrats Ted, you made it this far!

Who else has survived on the Looper's Delight list the entire 10 years?

Some I can think of off the top of my head:
Matthias Grob
Matt McCabe
Michael Peters
Ted Killian
David Kirkdorffer
Robby Aceto
Sean Echevarria
Chris Muir
Paolo Valladolid
Dave Trenkel

Who else?

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 05:43:19 2006
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From: Matthew F.McCabe <mmccabe@finleysound.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Sun, 2 Jul 2006 22:43:11 -0700
To: Loopers-Delight@loopers-delight.com
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Do we get some sort of cash reward for hanging in there?  Man, it's=20
been rough!

On Jul 2, 2006, at 8:52 PM, Kim Flint wrote:

> At 08:03 AM 6/28/2006, tEd =AE kiLLiAn wrote:
>> Yep, them was the days young feller (swallows dramatically and spits,=20=

>> imitating old geezer).
>> Wait! I AM an old geezer! Just a little over a month later (October=20=

>> 3, 1996) I posted my first
>> e-mail to Looper's Delight.=20
>> <http://www.loopers-delight.com/LDarchive/199610/msg00032.html>
>> from my old e-mail address KILLINFO@aol.com.
>
> Congrats Ted, you made it this far!
>
> Who else has survived on the Looper's Delight list the entire 10 =
years?
>
> Some I can think of off the top of my head:
> Matthias Grob
> Matt McCabe
> Michael Peters
> Ted Killian
> David Kirkdorffer
> Robby Aceto
> Sean Echevarria
> Chris Muir
> Paolo Valladolid
> Dave Trenkel
>
> Who else?
>
> kim
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 06:40:52 2006
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To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: LOOPERS DELIGHT 10 year ANNIVERSARY PARTY
Date: Sun, 2 Jul 2006 23:40:52 -0700
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Kim Flint said:
"It would be wonderful to do a 10 year anniversary event! That could be a
lot of fun. I would really need people to help organize such a thing
though. Anybody interested?"


That would be sooooooo fun.      I'm in!!!!!!
I imagine because Kim lives there that is should be somewhere
in the SF Bay Area.

I'm up for it and if you need any help organizing, please call on me, Kim.
Just email me off list or call me and I'm yours.

Also,  Kim:

Thanks so much for doing this and for keeping so dedicated to it's existence 
for
so long.

My whole life changed when I started coming to Loopers Delight regularly
and much for the better I must say.

I told Massimo Liverani yesterday that I booked a 2 month tour of 8 
countries
in Europe and England because of a single initial e-mail saying I wanted to 
do
it.      That is the power of this community.

Massimo, my brother Bill and I played a wonderful looping gig 
tonight.............only because
of Loopers Delight.    He came all the way to Santa Cruz from Florence, 
Italy!

Thank you so much for everything you've given to us,   Kim

yours,   Rick 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 07:21:47 2006
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Date: Mon, 3 Jul 2006 00:21:46 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
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oh man,do it next summer in august man
please,please,please i am in california id be willing
to fly from SD to the bay area otherwise ill cry!!
Luis
--- Kim Flint <kflint@loopers-delight.com> wrote:

> At 07:50 PM 7/2/2006, Krispen Hartung wrote:
> >A physical event would be cool.  I say we have it
> in Cabo San Lucas on the 
> >beach. :)
> 
> Physical event is what I'm talking about, yeah.
> 
> Cabo sounds good to me also, I had a great vacation
> down there last year. I 
> still daydream about sipping Damiana Margaritas on
> the beach. It wouldn't 
> take much convincing to get me back there again!
> 
> However, it may not be too practical if we want to
> have people bring their 
> gear and perform, and webcast the results to those
> who can't get there.
> 
> What do you guys say, anybody up for a big 10 year
> anniversary party? Any 
> volunteers to help organize it?
> 
> kim
> 
> 
> 
>
______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    |
> http://www.loopers-delight.com 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 07:31:58 2006
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From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: tec electronics voice live
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Anybody using this one live? its flirting with me the
and the demo is quite impressive! check it out
http://www.tc-helicon.com/VoiceLive
Luis

www.luis-angulo.com
www.myspace.com/luisangulocom

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 08:31:20 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Hi Aaron & others

thanks again for the infos.
I'd be happy to see a Mac  version of course - though it's probably not a bad idea to get a 100% PC version before porting to Mac.

I second the idea to put effort in market & also competition analysis to really have a realistic view on potential.
Just think: 
How much money is spent per year on total on the whole market for sw/hw loopers? Which target groups?
How is the market served by the competition today (SW/HW solutions...)?
What are your chances to grab a share of the market - realistically? Does your product has a specific USP (unique selling propopsition)? Does it address some user group(s) needs better than other solutions?

If the feasability check is positive, you need a good business plan and the funds (money, time, partners...) to implement it...

Good luck with your project, Aaron! The good think is that you have hit the "hot spot" for looping with this mailing list :-)

Buzap


-- 


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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 08:58:39 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Hi folks

Here is an idea how Loop Decay with RC-50 _could_ possibly work.
(btw, I've just received my RC-50... can't wait to try it out tonight at home... :-))

Just one question first: is it possible to switch via MIDI between Play/Rec mode?
If yes, do you think something like this would work to implement Loop Decay:

You need:
- RC-50
- Midi Sequencer that can send midi control messages
- Mixer

Preparation:
- Turn off tempo sync, guide etc. on RC-50
- Connect your midi sequencer & RC-50 via midi
- Setup your mixer
  - send mixer out to RC-50 IN
  - send RC-50 OUT to mixer
  - connect your SOURCE signal (i.e. guitar) to mixer
  - set level of guitar to 100% on mixer
  - set level of RC-50 out on mixer to i.e. 80% (depending on desired decay level)
- (On RC-50, make sure the input signal is not monitored back to mixer)
- Program your midi sequencer the following way:
  - Loop i.e. 2x2bars on midi sequencer
  - Adjust tempo accordingly
  - First bar triggers: (stop all phrases &) Phrase1 Play & Phrase2 Record
  - Second bar triggers: Phrase2 Play & Phrase 1 Record

Now, when you perform, the first two phrases of RC-50 should work as a "PING PONG RECORDING". Thus, the loop would be moved from Phrase 1 to Phrase 2 and each turn, the volume would be reduced - depending on the feedback level you set on the mixer.

Additionally, you could have another Phrase3 that you could play or record!

So, do you think this will work? Of course this boils down to the question:
ARE YOU ABLE TO TRIGGER RECORDING or SWITCH BETWEEN RECORD/PLAY VIA MIDI on the RC-50?

Best regards
Buzap

PS: Link to RC-50 manual: 
http://www.roland.com/manuals/en/index_alpha.html#anchor_R

PPS: The "fade out" will not be of any use btw, since it just fades out and stops the loop.




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I didn't get here until March '97...

----- Original Message ----- 
From: "Kim Flint" <kflint@loopers-delight.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, 3 July, 2006 04:52 AM
Subject: Re: 10 year's anniversary of Looper's Delight ?


> At 08:03 AM 6/28/2006, tEd ® kiLLiAn wrote:
>>Yep, them was the days young feller (swallows dramatically and spits, 
>>imitating old geezer).
>>Wait! I AM an old geezer! Just a little over a month later (October 3, 
>>1996) I posted my first
>>e-mail to Looper's Delight. 
>><http://www.loopers-delight.com/LDarchive/199610/msg00032.html>
>>from my old e-mail address KILLINFO@aol.com.
>
> Congrats Ted, you made it this far!
>
> Who else has survived on the Looper's Delight list the entire 10 years?
>
> Some I can think of off the top of my head:
> Matthias Grob
> Matt McCabe
> Michael Peters
> Ted Killian
> David Kirkdorffer
> Robby Aceto
> Sean Echevarria
> Chris Muir
> Paolo Valladolid
> Dave Trenkel
>
> Who else?
>
> kim
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 10:24:27 2006
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From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: Nobels MF1
Date: Mon, 3 Jul 2006 11:24:19 +0100
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I've got an MF1 - I really like it, and for a battery powered pedal  
board, it's pretty fantastic. I swapped to a Rolls MIDI Wizard just  
because of the size (MIDI wizard is flat, MF1 and MF2 and shaped like  
a wedge of cheese), but if I saw an MF2 for sale at a reasonable  
price, I'd still buy one now as a back up. The MF2 has got the  
sockets for expression pedals, which are pretty much vital with the  
looperlative, and its ever growing range of CC controlable functions.

...which reminds me, I must download the latest software update, as  
Bob has now added individual track by track control of volume and  
feedback, rather than just control over whichever one is highlighted  
at the time...

cheers!

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">I've got an MF1 - I really like =
it, and for a battery powered pedal board, it's pretty fantastic. I =
swapped to a Rolls MIDI Wizard just because of the size (MIDI wizard is =
flat, MF1 and MF2 and shaped like a wedge of cheese), but if I saw an =
MF2 for sale at a reasonable price, I'd still buy one now as a back up. =
The MF2 has got the sockets for expression pedals, which are pretty much =
vital with the looperlative, and its ever growing range of CC =
controlable functions.=A0<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>...which reminds me, I must =
download the latest software update, as Bob has now added individual =
track by track control of volume and feedback, rather than just control =
over whichever one is highlighted at the time...=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>cheers!</DIV><DIV><BR><DIV> =
<SPAN class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
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normal; letter-spacing: normal; line-height: normal; text-align: auto; =
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-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
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-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
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-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
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class=3D"Apple-style-span" style=3D"border-collapse: separate; =
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-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; =
"><DIV>Steve</DIV><DIV>www.stevelawson.net - =
site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccollec=
tive.org</A> - =
blog</DIV><DIV>www.myspace.com/solobassstevelawson</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
PAN> </DIV><BR></DIV></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 10:28:45 2006
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From: goddard.duncan@mtvne.com
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Subject: RE: Novation X-Station, M-Audio Ozonic
Date: Mon, 3 Jul 2006 11:28:39 +0100 
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josh-
I have an x-station keyboard, the 49 key version. this is the one that's
actually a synth aswell. before I bore everyone to death with a mini-review,
what is it you're especially interested in? the audio-in is a bit unusual;
there are two XLR/jack combo sockets, but one of these inputs disappears if
you are using the internal synth. each has it's own stereo effects processor
(compressor, delay, reverb, chorus, eq, distortion... all available at once,
& then twice over) but I can't remember what happens with this when you link
the two inputs to use them as a stereo pair. I'll remind myself later.

the USB/midi side of things is very good. you have very flexible routing, &
a midi-in (unusual on any keyboard) which you can choose to merge with the
USB onto either or both of the midi-outs. there are dozens of templates
which allow the use of the "synth" controls as generic midi controllers, &
it's really easy to reprogram this to one's own requirements.
the synth itself is a mono-timbral novation job which, if that doesn't mean
anything, is good. not quite a memorymoog, but as close as you can get with
a synth that can be carried under one arm.

I love mine. I bought it by mistake (intended to get the simpler controller
keyboard). I use it as a remote editor for a "proper" novation (supernova)
for which it has a template already, & for a cheetah ms6 (with kris maad's
firmware) for which I had to write a template; took about thirty minutes but
mostly that was figuring sensible min/max values for things. 

I'm going to try to use it as a controller/interface with my macbook pro;
I'll let you know how I get on. in the meantime, let me know if there's
anything specific you want to know, & good luck with the baby!

d.


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<P><FONT SIZE=3D2>josh-</FONT>
<BR><FONT SIZE=3D2>I have an x-station keyboard, the 49 key version. this i=
s the one that's actually a synth aswell. before I bore everyone to death w=
ith a mini-review, what is it you're especially interested in? the audio-in=
 is a bit unusual; there are two XLR/jack combo sockets, but one of these i=
nputs disappears if you are using the internal synth. each has it's own ste=
reo effects processor (compressor, delay, reverb, chorus, eq, distortion...=
 all available at once, &amp; then twice over) but I can't remember what ha=
ppens with this when you link the two inputs to use them as a stereo pair. =
I'll remind myself later.</FONT></P>

<P><FONT SIZE=3D2>the USB/midi side of things is very good. you have very f=
lexible routing, &amp; a midi-in (unusual on any keyboard) which you can ch=
oose to merge with the USB onto either or both of the midi-outs. there are =
dozens of templates which allow the use of the &quot;synth&quot; controls a=
s generic midi controllers, &amp; it's really easy to reprogram this to one=
's own requirements.</FONT></P>

<P><FONT SIZE=3D2>the synth itself is a mono-timbral novation job which, if=
 that doesn't mean anything, is good. not quite a memorymoog, but as close =
as you can get with a synth that can be carried under one arm.</FONT></P>

<P><FONT SIZE=3D2>I love mine. I bought it by mistake (intended to get the =
simpler controller keyboard). I use it as a remote editor for a &quot;prope=
r&quot; novation (supernova) for which it has a template already, &amp; for=
 a cheetah ms6 (with kris maad's firmware) for which I had to write a templ=
ate; took about thirty minutes but mostly that was figuring sensible min/ma=
x values for things. </FONT></P>

<P><FONT SIZE=3D2>I'm going to try to use it as a controller/interface with=
 my macbook pro; I'll let you know how I get on. in the meantime, let me kn=
ow if there's anything specific you want to know, &amp; good luck with the =
baby!</FONT></P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 11:07:01 2006
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Subject: Re: 10 year's anniversary of Looper's Delight ?
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At 11:24 03/07/2006, you wrote:
>Who else has survived on the Looper's Delight list the entire 10 years?
>
>Some I can think of off the top of my head:
>Matthias Grob
>Matt McCabe
>Michael Peters
>Ted Killian
>David Kirkdorffer
>Robby Aceto
>Sean Echevarria
>Chris Muir
>Paolo Valladolid
>Dave Trenkel
>
>Who else?
>
>kim

my first post wasn't till '97,
...so I just miss out.
(must have signed up earlier though)

My original impression of the list was there was that there were 2 or 3 cliques
of guys who all knew each other.

andybutler

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 11:26:14 2006
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 11:56:43 2006
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Buzap and others-

Thanks for all the great information so far.

After reading all your emails, two suggestions seem particularly important 
.... using midi controllers and making this VST compatible .. (also decay, 
or feedback .. but this is easily done).  Using a midi controller instead of 
a USB device should be no problem ... making this program a VST host (or 
plugin) is a bit more difficult for me (my program is written in C#, and VST 
prefers C++).

Regarding the market:
The market does exist I believe.  Specifically, I am marketing to 
individuals who want to use phrase samplers as a live performance tool, and 
need to:

1) control loops independently ----
my main gripe with the boomerang, RC-20/50 and others I have tried is that 
they don't allow independent control .. at most you get one undo .... pretty 
weak.  I'm able to change any/all loops, turn them individually on/off, 
change tempo, volume, effects, decay, etc.

2) Handle loops of various lengths ----
Other than using Ableton live with programmed midi controllers, nothing I 
have seen handles loops of different sizes in a live setting (one that is 1 
measure long, another that is 3 or 4, etc.)  I believe the RC-50 might be 
able to do this, but only if you explicitly tell it the timing first .... 
does anyone else know of a product that allows you to record loops of 
different lengths live (as opposed to stacking loops  .. which just adds one 
waveform on top of the other .. so they are neccessarily the same length).

I have a meeting this week with the prouct development supervisor for 
Statton DJ Electronics (a company I had never heard of ... but that makes a 
system that allows DJs to scratch MP3s on there computer.... live .....good 
stuff).  Does anyone have any experience with this company??  Like I said, I 
don't know anything about them.


I would prefer to get this off the ground alone or with a small company .... 
but finding the right people is always a challenge.  Any suggestions are 
welcome.  Thanks for all the advice so far.

PS - I still plan on getting a beta version out, but I'll wait a couple 
weeks and see if I can get it to work with a midi controller instead of a 
USB device first.

Thanks again -- and your right, this is my new home -- glad to find you all 
--- : )
Aaron





>From: "Buzap Buzap" <buzap@gmx.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: FlyLooper & maket potential
>Date: Mon, 03 Jul 2006 10:31:17 +0200
>
>Hi Aaron & others
>
>thanks again for the infos.
>I'd be happy to see a Mac  version of course - though it's probably not a 
>bad idea to get a 100% PC version before porting to Mac.
>
>I second the idea to put effort in market & also competition analysis to 
>really have a realistic view on potential.
>Just think:
>How much money is spent per year on total on the whole market for sw/hw 
>loopers? Which target groups?
>How is the market served by the competition today (SW/HW solutions...)?
>What are your chances to grab a share of the market - realistically? Does 
>your product has a specific USP (unique selling propopsition)? Does it 
>address some user group(s) needs better than other solutions?
>
>If the feasability check is positive, you need a good business plan and the 
>funds (money, time, partners...) to implement it...
>
>Good luck with your project, Aaron! The good think is that you have hit the 
>"hot spot" for looping with this mailing list :-)
>
>Buzap
>
>
>--
>
>
>"Feel free" â€“ 10 GB Mailbox, 100 FreeSMS/Monat ...
>Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 12:08:31 2006
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Subject: RE: LOOPERS DELIGHT 10 year ANNIVERSARY PARTY
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I have been looking for a reason to go to SF ...... I know some people who 
own a coffee shop there that would probably host a little music too.  I 
would love to see everyones gear and music ..... let's make it happen.


>From: "loop.pool" <looppool@cruzio.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
>Subject: LOOPERS DELIGHT 10 year ANNIVERSARY PARTY
>Date: Sun, 2 Jul 2006 23:40:52 -0700
>
>Kim Flint said:
>"It would be wonderful to do a 10 year anniversary event! That could be a
>lot of fun. I would really need people to help organize such a thing
>though. Anybody interested?"
>
>
>That would be sooooooo fun.      I'm in!!!!!!
>I imagine because Kim lives there that is should be somewhere
>in the SF Bay Area.
>
>I'm up for it and if you need any help organizing, please call on me, Kim.
>Just email me off list or call me and I'm yours.
>
>Also,  Kim:
>
>Thanks so much for doing this and for keeping so dedicated to it's 
>existence for
>so long.
>
>My whole life changed when I started coming to Loopers Delight regularly
>and much for the better I must say.
>
>I told Massimo Liverani yesterday that I booked a 2 month tour of 8 
>countries
>in Europe and England because of a single initial e-mail saying I wanted to 
>do
>it.      That is the power of this community.
>
>Massimo, my brother Bill and I played a wonderful looping gig 
>tonight.............only because
>of Loopers Delight.    He came all the way to Santa Cruz from Florence, 
>Italy!
>
>Thank you so much for everything you've given to us,   Kim
>
>yours,   Rick
>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 12:23:18 2006
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yes Ron we know you are not alone with this problem.

in 10 years I found 1077 matches in 1077 files.

please enjoy some great unsusbcribe classics.

but relax most of us never figured out how to do it;
so we kept getting all these mails or eventually switched the computer off
good luck

Claude

http://loopersdelight.com/cgi-bin/wilma_glimpse/LDarchive?query=unsubscribe&Search=Search&lineonly=on&errors=0&maxfiles=5000&maxlines=0&.cgifields=lineonly&.cgifields=restricttofiles&.cgifields=filelist&.cgifields=partial&.cgifields=case






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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 12:39:44 2006
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I showed up in September '97... 

> From: "Stephen Goodman" <spgoodman@earthlight.net>
> Subject: Re: 10 year's anniversary of Looper's Delight ?


> I didn't get here until March '97...

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 13:18:04 2006
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thanks claude,
  
  i'm glad i'm not the only one who didn't figure it out:)
  
  i still don't know how to do it.
  
  i'll try again and hope it won't drive me too crazy, so i won't get violent to my computer in the end:)
  
  thanks again,
  
  
  ron

Claude Voit <c.voit@vtx.ch> wrote:  yes Ron we know you are not alone with this problem.

in 10 years I found 1077 matches in 1077 files.

please enjoy some great unsusbcribe classics.

but relax most of us never figured out how to do it;
so we kept getting all these mails or eventually switched the computer off
good luck

Claude

http://loopersdelight.com/cgi-bin/wilma_glimpse/LDarchive?query=unsubscribe&Search=Search&lineonly=on&errors=0&maxfiles=5000&maxlines=0&.cgifields=lineonly&.cgifields=restricttofiles&.cgifields=filelist&.cgifields=partial&.cgifields=case






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thanks claude,<br>  <br>  i'm glad i'm not the only one who didn't figure it out:)<br>  <br>  i still don't know how to do it.<br>  <br>  i'll try again and hope it won't drive me too crazy, so i won't get violent to my computer in the end:)<br>  <br>  thanks again,<br>  <br>  <br>  ron<br><br><b><i>Claude Voit &lt;c.voit@vtx.ch&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;">  yes Ron we know you are not alone with this problem.<br><br>in 10 years I found 1077 matches in 1077 files.<br><br>please enjoy some great unsusbcribe classics.<br><br>but relax most of us never figured out how to do it;<br>so we kept getting all these mails or eventually switched the computer off<br>good
 luck<br><br>Claude<br><br>http://loopersdelight.com/cgi-bin/wilma_glimpse/LDarchive?query=unsubscribe&amp;Search=Search&amp;lineonly=on&amp;errors=0&amp;maxfiles=5000&amp;maxlines=0&amp;.cgifields=lineonly&amp;.cgifields=restricttofiles&amp;.cgifields=filelist&amp;.cgifields=partial&amp;.cgifields=case<br><br><br><br><br><br><br>unsubscribe<br><br><br>---------------------------------<br>Yahoo! Messenger with Voice. Make PC-to-Phone Calls to the US (and 30+<br>countries) for 2˘/min or less.<br><br><br></blockquote><br><p>&#32;
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Get on board. <a href="http://us.rd.yahoo.com/evt=40791/*http://advision.webevents.yahoo.com/handraisers">You're invited</a> to try the new Yahoo! Mail Beta.
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 13:32:35 2006
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From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: 10 year's anniversary of Looper's Delight ?
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message 153  10 Jul 1997 

http://loopersdelight.com/LDarchive/199707/msg00153.html

please show some respect

;=)

Claude



>I showed up in September '97... 
> 
>> From: "Stephen Goodman" <spgoodman@earthlight.net>
>> Subject: Re: 10 year's anniversary of Looper's Delight ?
> 
> 
>> I didn't get here until March '97...
> 
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 13:33:20 2006
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I'm all for the City too. ...any chance I can get, I liketo get down there. 
And I'll finally be able to show off my notebook looping system!

But I am soooooooo way late on the LD scene. I'm embarassed to say that my 
first post was April 23, 2004, where I introduced myself and my debut solo 
looping CD "Places"  (since then I have produced four more looping CDs and 
one experimental looping music video)

http://www.loopersdelight.com/cgi-bin/wilma_hiliter/LDarchive/200404/msg00430.html?line=3#hilite

It sure seems like it has been longer than that.  I'm barely worthy of 
attending a reunion!

Kris

----- Original Message ----- 
From: "aaron leese" <aaronleese@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 03, 2006 6:08 AM
Subject: RE: LOOPERS DELIGHT 10 year ANNIVERSARY PARTY


>
>
> I have been looking for a reason to go to SF ...... I know some people who 
> own a coffee shop there that would probably host a little music too.  I 
> would love to see everyones gear and music ..... let's make it happen.
>
>
>>From: "loop.pool" <looppool@cruzio.com>
>>Reply-To: Loopers-Delight@loopers-delight.com
>>To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
>>Subject: LOOPERS DELIGHT 10 year ANNIVERSARY PARTY
>>Date: Sun, 2 Jul 2006 23:40:52 -0700
>>
>>Kim Flint said:
>>"It would be wonderful to do a 10 year anniversary event! That could be a
>>lot of fun. I would really need people to help organize such a thing
>>though. Anybody interested?"
>>
>>
>>That would be sooooooo fun.      I'm in!!!!!!
>>I imagine because Kim lives there that is should be somewhere
>>in the SF Bay Area.
>>
>>I'm up for it and if you need any help organizing, please call on me, Kim.
>>Just email me off list or call me and I'm yours.
>>
>>Also,  Kim:
>>
>>Thanks so much for doing this and for keeping so dedicated to it's 
>>existence for
>>so long.
>>
>>My whole life changed when I started coming to Loopers Delight regularly
>>and much for the better I must say.
>>
>>I told Massimo Liverani yesterday that I booked a 2 month tour of 8 
>>countries
>>in Europe and England because of a single initial e-mail saying I wanted 
>>to do
>>it.      That is the power of this community.
>>
>>Massimo, my brother Bill and I played a wonderful looping gig 
>>tonight.............only because
>>of Loopers Delight.    He came all the way to Santa Cruz from Florence, 
>>Italy!
>>
>>Thank you so much for everything you've given to us,   Kim
>>
>>yours,   Rick
>>
>
> _________________________________________________________________
> Express yourself instantly with MSN Messenger! Download today - it's FREE! 
> http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 13:44:53 2006
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Subject: Re: Nobels MF1 and other battery powered MIDI controllers
Date: Mon, 3 Jul 2006 07:44:49 -0600
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Wedge of cheese....I like that, Steve. They should have called it the =
Nobels "WOC-1" (Wedge of Cheese 1).

To summarize my research and thinking on this topic, I decided to get =
the Tech 21 MIDI Mouse, the cute little pedal that has only one button =
to activate a MIDI program, and then two buttons for UP and DOWN.  It is =
only $99. I decided on this, because I do not plan on playing too many =
street gigs where I don't have a powered outlet, and what I'm really =
looking for is something utterly simple for when I have to travel and =
can't bring my Behringer or something of equivalent size.=20

I did check out the Tech 21 MIDI Moose, which has 6 buttons and bank =
changing, and is battery powered as well, but if I'm going to buy =
something that has more than one button, I may has well buy the Nobels =
or another larger unit. The Nobels looks like a wonderful unit, but =
overkill for my needs right now.=20

One thing I noticed that is odd is that I could not find a single web =
site where the MIDI Moose is showing for sale with an actual price. I =
found a few sites where you have to call it. I must be relatively new on =
the market?

And I really love the looks of the Roland FC-200. Amazingly, it is also =
battery powered and looks sort of like a Behringer FCB, but with only =
one expression pedal...same austere European silver metallic exterior, =
black buttons, etc.  I may actually get this in the future if my FCB =
ever breaks down or I need a back-up unit.

Kris



  ----- Original Message -----=20
  From: Steve Lawson=20
  To: Loop List=20
  Sent: Monday, July 03, 2006 4:24 AM
  Subject: Nobels MF1


  I've got an MF1 - I really like it, and for a battery powered pedal =
board, it's pretty fantastic. I swapped to a Rolls MIDI Wizard just =
because of the size (MIDI wizard is flat, MF1 and MF2 and shaped like a =
wedge of cheese), but if I saw an MF2 for sale at a reasonable price, =
I'd still buy one now as a back up. The MF2 has got the sockets for =
expression pedals, which are pretty much vital with the looperlative, =
and its ever growing range of CC controlable functions.=20


  ...which reminds me, I must download the latest software update, as =
Bob has now added individual track by track control of volume and =
feedback, rather than just control over whichever one is highlighted at =
the time...=20


  cheers!


  Steve
  www.stevelawson.net - site
  www.stevelawson.net/zencart/ - shop
  http://steve.anthropiccollective.org - blog
  www.myspace.com/solobassstevelawson






------=_NextPart_000_1D10_01C69E74.8FCC1770
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Wedge of cheese....I like that, Steve. =
They should=20
have called it the Nobels "WOC-1" (Wedge of Cheese 1).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>To summarize my research and thinking =
on this=20
topic, I decided to get the Tech 21 MIDI Mouse, the cute little pedal =
that has=20
only one button to activate a MIDI program, and then two buttons for UP =
and=20
DOWN.&nbsp; It is only $99. I decided on this, because I do not plan on =
playing=20
too many street gigs where I don't have a powered outlet, and what I'm =
really=20
looking for is something utterly simple for when I have to travel and =
can't=20
bring my Behringer or something of equivalent size. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I did check out the Tech 21 MIDI Moose, =
which has 6=20
buttons and bank changing, and is battery powered as well, but if I'm =
going to=20
buy something that has more than one button, I may has well buy the =
Nobels or=20
another larger unit. The Nobels looks like a wonderful unit, but =
overkill for my=20
needs right now. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>One thing I noticed that is odd is that =
I could not=20
find a single web site where the MIDI Moose is showing for sale with an =
actual=20
price. I found a few sites where you have to call it. I must be =
relatively new=20
on the market?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>And I really love the looks of the =
Roland FC-200.=20
Amazingly, it is also battery powered and looks sort of like a Behringer =
FCB,=20
but with only one expression pedal...same austere European silver =
metallic=20
exterior, black buttons, etc.&nbsp; I may actually get this in the =
future if my=20
FCB ever breaks down or I need a back-up unit.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dsteve@steve-lawson.co.uk =
href=3D"mailto:steve@steve-lawson.co.uk">Steve=20
  Lawson</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loop List</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 03, 2006 =
4:24 AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Nobels MF1</DIV>
  <DIV><BR></DIV>I've got an MF1 - I really like it, and for a battery =
powered=20
  pedal board, it's pretty fantastic. I swapped to a Rolls MIDI Wizard =
just=20
  because of the size (MIDI wizard is flat, MF1 and MF2 and shaped like =
a wedge=20
  of cheese), but if I saw an MF2 for sale at a reasonable price, I'd =
still buy=20
  one now as a back up. The MF2 has got the sockets for expression =
pedals, which=20
  are pretty much vital with the looperlative, and its ever growing =
range of CC=20
  controlable functions.&nbsp;
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>...which reminds me, I must download the latest software update, =
as Bob=20
  has now added individual track by track control of volume and =
feedback, rather=20
  than just control over whichever one is highlighted at the =
time...&nbsp;</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>cheers!</DIV>
  <DIV><BR>
  <DIV><SPAN class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2">
  <DIV>Steve</DIV>
  <DIV>www.stevelawson.net - site</DIV>
  <DIV>www.stevelawson.net/zencart/ - shop</DIV>
  <DIV><A=20
  =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccolle=
ctive.org</A>=20
  - blog</DIV>
  <DIV>www.myspace.com/solobassstevelawson</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV><BR=20
  =
class=3DApple-interchange-newline></SPAN></SPAN></SPAN></SPAN></SPAN></SP=
AN></DIV><BR></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_1D10_01C69E74.8FCC1770--


From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 13:49:52 2006
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Date: Mon, 3 Jul 2006 06:55:50 -0700
Subject: Re: 10 year's anniversary of Looper's Delight ?
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I've made the journey...10 years..Wow

joe cavaleri

Anyone remember the door x list?


On Sunday, July 2, 2006, at 08:52 PM, Kim Flint wrote:

> At 08:03 AM 6/28/2006, tEd =AE kiLLiAn wrote:
>> Yep, them was the days young feller (swallows dramatically and spits,=20=

>> imitating old geezer).
>> Wait! I AM an old geezer! Just a little over a month later (October=20=

>> 3, 1996) I posted my first
>> e-mail to Looper's Delight.=20
>> <http://www.loopers-delight.com/LDarchive/199610/msg00032.html>
>> from my old e-mail address KILLINFO@aol.com.
>
> Congrats Ted, you made it this far!
>
> Who else has survived on the Looper's Delight list the entire 10 =
years?
>
> Some I can think of off the top of my head:
> Matthias Grob
> Matt McCabe
> Michael Peters
> Ted Killian
> David Kirkdorffer
> Robby Aceto
> Sean Echevarria
> Chris Muir
> Paolo Valladolid
> Dave Trenkel
>
> Who else?
>
> kim
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 13:54:39 2006
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This doesn't work for you?


To unsubscribe, send mail with the word "unsubscribe" in both the
subject and body, and no sig files or anything else, to:

Loopers-Delight-request@loopers-delight.com

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On 7/3/06, Ron Baggerman <rbaggerman@yahoo.com> wrote:
> thanks claude,
>
>  i'm glad i'm not the only one who didn't figure it out:)
>
>  i still don't know how to do it.
>
>  i'll try again and hope it won't drive me too crazy, so i won't get viol=
ent
> to my computer in the end:)
>
>  thanks again,
>
>
>  ron
>
>
> Claude Voit <c.voit@vtx.ch> wrote:
>  yes Ron we know you are not alone with this problem.
>
> in 10 years I found 1077 matches in 1077 files.
>
> please enjoy some great unsusbcribe classics.
>
> but relax most of us never figured out how to do it;
> so we kept getting all these mails or eventually switched the computer of=
f
> good luck
>
> Claude
>
> http://loopersdelight.com/cgi-bin/wilma_glimpse/LDarchive?query=3Dunsubsc=
ribe&Search=3DSearch&lineonly=3Don&errors=3D0&maxfiles=3D5000&maxlines=3D0&=
.cgifields=3Dlineonly&.cgifields=3Drestricttofiles&.cgifields=3Dfilelist&.c=
gifields=3Dpartial&.cgifields=3Dcase
>
>
>
>
>
>
> unsubscribe
>
>
> ---------------------------------
> Yahoo! Messenger with Voice. Make PC-to-Phone Calls to the US (and 30+
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>
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>
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>  ________________________________
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>  Get on board. You're invited to try the new Yahoo! Mail Beta.
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 14:01:35 2006
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Date: Mon, 3 Jul 2006 10:01:33 -0400
From: "Steve Sandberg" <stevesandbergmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: edp problem
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I have a problem with my edp -
when playing back loops, there's a very high-pitched noise -
this edp is a beige one, about 4 years old,
anyone have any ideas?
thanks

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 14:13:29 2006
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To: Loopers-Delight@loopers-delight.com
From: Sean Echevarria <sean.loop@creepingfog.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
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The one run by Pete Cole?  That's the one where many of the first 
subscribers came from isn't it?

At 7/3/2006 06:55 AM, Sheila Olson wrote:

>Anyone remember the door x list?

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Yes

And I believe it was run by Mr. Cole
On Monday, July 3, 2006, at 07:11 AM, Sean Echevarria wrote:

> The one run by Pete Cole?  That's the one where many of the first 
> subscribers came from isn't it?
>
> At 7/3/2006 06:55 AM, Sheila Olson wrote:
>
>> Anyone remember the door x list?
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 14:28:31 2006
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hi joe,
  
  yes, i just discovered it.....thanx,
  
  ron
  http://www.galaxygypsy.nl

Joey <tentaclejoe@gmail.com> wrote:  This doesn't work for you?


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On 7/3/06, Ron Baggerman  wrote:
> thanks claude,
>
>  i'm glad i'm not the only one who didn't figure it out:)
>
>  i still don't know how to do it.
>
>  i'll try again and hope it won't drive me too crazy, so i won't get violent
> to my computer in the end:)
>
>  thanks again,
>
>
>  ron
>
>
> Claude Voit  wrote:
>  yes Ron we know you are not alone with this problem.
>
> in 10 years I found 1077 matches in 1077 files.
>
> please enjoy some great unsusbcribe classics.
>
> but relax most of us never figured out how to do it;
> so we kept getting all these mails or eventually switched the computer off
> good luck
>
> Claude
>
>  http://loopersdelight.com/cgi-bin/wilma_glimpse/LDarchive?query=unsubscribe&Search=Search&lineonly=on&errors=0&maxfiles=5000&maxlines=0&.cgifields=lineonly&.cgifields=restricttofiles&.cgifields=filelist&.cgifields=partial&.cgifields=case
>
>
>
>
>
>
> unsubscribe
>
>
> ---------------------------------
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---------------------------------
Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls.  Great rates starting at 1˘/min.
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hi joe,<br>  <br>  yes, i just discovered it.....thanx,<br>  <br>  ron<br>  http://www.galaxygypsy.nl<br><br><b><i>Joey &lt;tentaclejoe@gmail.com&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;">  This doesn't work for you?<br><br><br>To unsubscribe, send mail with the word "unsubscribe" in both the<br>subject and body, and no sig files or anything else, to:<br><br>Loopers-Delight-request@loopers-delight.com<br><br>If you are on the digest version of Looper's Delight, send your<br>unsubscribe request to:<br><br>Loopers-Delight-d-request@loopers-delight.com<br><br><br>On 7/3/06, Ron Baggerman <rbaggerman @yahoo.com=""> wrote:<br>&gt; thanks claude,<br>&gt;<br>&gt;  i'm glad i'm not the only one who didn't figure it out:)<br>&gt;<br>&gt;  i still don't know how to do it.<br>&gt;<br>&gt;  i'll try again and hope it won't drive me too crazy, so i won't get violent<br>&gt; to my computer in the
 end:)<br>&gt;<br>&gt;  thanks again,<br>&gt;<br>&gt;<br>&gt;  ron<br>&gt;<br>&gt;<br>&gt; Claude Voit <c.voit @vtx.ch=""> wrote:<br>&gt;  yes Ron we know you are not alone with this problem.<br>&gt;<br>&gt; in 10 years I found 1077 matches in 1077 files.<br>&gt;<br>&gt; please enjoy some great unsusbcribe classics.<br>&gt;<br>&gt; but relax most of us never figured out how to do it;<br>&gt; so we kept getting all these mails or eventually switched the computer off<br>&gt; good luck<br>&gt;<br>&gt; Claude<br>&gt;<br>&gt;  http://loopersdelight.com/cgi-bin/wilma_glimpse/LDarchive?query=unsubscribe&amp;Search=Search&amp;lineonly=on&amp;errors=0&amp;maxfiles=5000&amp;maxlines=0&amp;.cgifields=lineonly&amp;.cgifields=restricttofiles&amp;.cgifields=filelist&amp;.cgifields=partial&amp;.cgifields=case<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt; unsubscribe<br>&gt;<br>&gt;<br>&gt; ---------------------------------<br>&gt; Yahoo! Messenger with Voice. Make PC-to-Phone
 Calls to the US (and 30+<br>&gt; countries) for 2˘/min or less.<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt;  ________________________________<br>&gt; Do you Yahoo!?<br>&gt;  Get on board. You're invited to try the new Yahoo! Mail Beta.<br>&gt;<br>&gt;<br><br></c.voit></rbaggerman></blockquote><br><p>&#32;
		<hr size=1>Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls. <a href="http://us.rd.yahoo.com/mail_us/taglines/postman7/*http://us.rd.yahoo.com/evt=39666/*http://messenger.yahoo.com"> Great rates starting at 1˘/min.
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 14:36:35 2006
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Subject: RE: tec electronics voice live
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I use the Quintet with a sequencer, but the Ztar also works to control it.
Gary

-----Original Message-----
From: L.A. Angulo [mailto:labaloops@yahoo.com] 

Anybody using this one live? its flirting with me the
and the demo is quite impressive! check it out
http://www.tc-helicon.com/VoiceLive
Luis

www.luis-angulo.com
www.myspace.com/luisangulocom



From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 14:40:31 2006
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: FlyLooper & maket potential
Date: Mon, 3 Jul 2006 09:40:26 -0500
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On Jul 3, 2006, at 6:56 AM, aaron leese wrote:

 > does anyone else know of a product that allows
 > you to record loops of different lengths live	

In hardware, check out the Looperlative, www.looperlative.com.

In software, a lot of people seem to like Mobius, www.zonemobius.com.

On the Mac, check out SooperLooper, www.essej.com and
Augustus Loop, www.collective.co.uk/expertsleepers/augustusloop.html.

Even though some VST loopers are single track, you can run more than
one instance of them in a VST host.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 14:42:20 2006
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Subject: Tech 21 MIDI Mouse
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From: Krispen Hartung [mailto:khartung@cableone.net]=20
Sent: Monday, July 03, 2006 6:45 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Nobels MF1 and other battery powered MIDI controllers

To summarize my research and thinking on this topic, I decided to get =
the
Tech 21 MIDI Mouse, the cute little pedal that has only one button to
activate a MIDI program, and then two buttons for UP and DOWN.=A0=20

--->Are you sure this will satisfy your needs? I have one, and all it =
sends
are Program Change messages on a selected channel.
Gary


From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 15:02:23 2006
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Thanks!

I'm thinking about using one of these as an audio interface/secondary 
MIDI controller for Mobius.  I like that it has the MIDI in you talked 
about because that will allow me to merge in commands from my FCB1010.  
And I was thinking the Synth thing would be really cool.  I assume you 
send the synth audio via USB on an audio channel, right?

I'm glad to hear it's easy to program.  That means a lot.

Are the 9 faders pre-assigned to synth controls, or are they already 
MIDI continuous controllers?

--Josh



goddard.duncan@mtvne.com wrote:
>
> josh-
> I have an x-station keyboard, the 49 key version. this is the one 
> that's actually a synth aswell. before I bore everyone to death with a 
> mini-review, what is it you're especially interested in? the audio-in 
> is a bit unusual; there are two XLR/jack combo sockets, but one of 
> these inputs disappears if you are using the internal synth. each has 
> it's own stereo effects processor (compressor, delay, reverb, chorus, 
> eq, distortion... all available at once, & then twice over) but I 
> can't remember what happens with this when you link the two inputs to 
> use them as a stereo pair. I'll remind myself later.
>
> the USB/midi side of things is very good. you have very flexible 
> routing, & a midi-in (unusual on any keyboard) which you can choose to 
> merge with the USB onto either or both of the midi-outs. there are 
> dozens of templates which allow the use of the "synth" controls as 
> generic midi controllers, & it's really easy to reprogram this to 
> one's own requirements.
>
> the synth itself is a mono-timbral novation job which, if that doesn't 
> mean anything, is good. not quite a memorymoog, but as close as you 
> can get with a synth that can be carried under one arm.
>
> I love mine. I bought it by mistake (intended to get the simpler 
> controller keyboard). I use it as a remote editor for a "proper" 
> novation (supernova) for which it has a template already, & for a 
> cheetah ms6 (with kris maad's firmware) for which I had to write a 
> template; took about thirty minutes but mostly that was figuring 
> sensible min/max values for things.
>
> I'm going to try to use it as a controller/interface with my macbook 
> pro; I'll let you know how I get on. in the meantime, let me know if 
> there's anything specific you want to know, & good luck with the baby!
>
> d.
>
> |
>
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<body bgcolor="#ffffff" text="#000000">
Thanks!<br>
<br>
I'm thinking about using one of these as an audio interface/secondary
MIDI controller for Mobius.&nbsp; I like that it has the MIDI in you talked
about because that will allow me to merge in commands from my FCB1010.&nbsp;
And I was thinking the Synth thing would be really cool.&nbsp; I assume you
send the synth audio via USB on an audio channel, right?<br>
<br>
I'm glad to hear it's easy to program.&nbsp; That means a lot.<br>
<br>
Are the 9 faders pre-assigned to synth controls, or are they already
MIDI continuous controllers?<br>
<br>
--Josh<br>
<br>
<br>
<br>
<a class="moz-txt-link-abbreviated" href="mailto:goddard.duncan@mtvne.com">goddard.duncan@mtvne.com</a> wrote:
<blockquote
 cite="mid5748E17E0A4F3C40B77B2819D9E628DE02DC93AE@lon-oxmail02.mtvne.ad.viacom.com"
 type="cite">
  <meta http-equiv="Content-Type" content="text/html; ">
  <meta name="Generator"
 content="MS Exchange Server version 5.5.2658.24">
  <title>RE: Novation X-Station, M-Audio Ozonic</title>
  <p><font size="2">josh-</font>
  <br>
  <font size="2">I have an x-station keyboard, the 49 key version. this
is the one that's actually a synth aswell. before I bore everyone to
death with a mini-review, what is it you're especially interested in?
the audio-in is a bit unusual; there are two XLR/jack combo sockets,
but one of these inputs disappears if you are using the internal synth.
each has it's own stereo effects processor (compressor, delay, reverb,
chorus, eq, distortion... all available at once, &amp; then twice over)
but I can't remember what happens with this when you link the two
inputs to use them as a stereo pair. I'll remind myself later.</font></p>
  <p><font size="2">the USB/midi side of things is very good. you have
very flexible routing, &amp; a midi-in (unusual on any keyboard) which
you can choose to merge with the USB onto either or both of the
midi-outs. there are dozens of templates which allow the use of the
"synth" controls as generic midi controllers, &amp; it's really easy to
reprogram this to one's own requirements.</font></p>
  <p><font size="2">the synth itself is a mono-timbral novation job
which, if that doesn't mean anything, is good. not quite a memorymoog,
but as close as you can get with a synth that can be carried under one
arm.</font></p>
  <p><font size="2">I love mine. I bought it by mistake (intended to
get the simpler controller keyboard). I use it as a remote editor for a
"proper" novation (supernova) for which it has a template already,
&amp; for a cheetah ms6 (with kris maad's firmware) for which I had to
write a template; took about thirty minutes but mostly that was
figuring sensible min/max values for things. </font></p>
  <p><font size="2">I'm going to try to use it as a
controller/interface with my macbook pro; I'll let you know how I get
on. in the meantime, let me know if there's anything specific you want
to know, &amp; good luck with the baby!</font></p>
  <p><font size="2">d.</font>
  </p>
  <code><font size="3"><br>
  <br>
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</body>
</html>

--------------070806030103060503090500--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 15:02:43 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: LOOPERS DELIGHT 10 year ANNIVERSARY PARTY
Date: Mon, 3 Jul 2006 08:02:37 -0700
To: Kim Flint <kflint@loopers-delight.com>,
	Loopers-Delight@loopers-delight.com
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--Apple-Mail-1--314417610
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain;
	charset=ISO-8859-1;
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Kim,

I am waaaaaaaay up in Medford Oregon -- orbiting a little too far =20
outside the apparent
looping center of the universe (Bay Area)) to be of much practical =20
help. However,
I offer my humble graphic services (such as they are) to whomever =20
organizes and
cobbles this thing together. Rick Walker and Jeff Kaiser can both =20
attest to a certain
utility I have in the area of graphic stuff.

Oh yeah . . . and I'd love to come play too. Count me in. Too bad we =20
couldn't talk ol'
Mr. DT (aka: texture444, Hedewa7 and/or Spltrcl) into participating. He =20=

was a pretty
darn early (if infrequent) contributor also. Andre LaFosse (though no =20=

longer among
our number), was there practically from the beginning as well. My my =20
my, time flies.
Ah . . . the memories.

How I heard about the list was through the Oberheim Sales Rep whom I =20
bought
my EDPs from (I think). I expressed my intent on maxing out the RAM on =20=

the thing
right away, but wondered about sources and specs and stuff like that. I =20=

believe he
suggested signing up to the list -- since you experts were online and =20=

operating
some sort of web "discussion group." Seemed intriguing so I joined. =20
I've never
regretted it for a moment.

The web was still pretty new to me then. I'd only been online since =20
about '93 -- and
with the slowest modem speed imaginable at that. There was not all that =20=

much to
do online yet (comparatively) and who would want to anyway when it took =20=

about
5 minutes for a single page to load. Those were the days . . . huh? =20
Well, this community
quickly morphed from being just a distant conglomeration of similarly =20=

equipped and
like-minded, nerdy "muzik-doooods" to a community of pretty darn good =20=

friends.

I think that transition was was mostly helped by eventually meeting a =20=

few of you folks
face -to-face at Saturday NAMM lunch meetings and such. Plus, I went to =20=

Andre's
senior recital concert at Cal Arts, met him and there became =20
reacquainted with Joe
Cavaleri (with whom I'd gone to some of the same schools from late =20
Elementary to
High School though we were a year apart and not very acquainted then) =20=

talk about
a small world.

Then there was Hans Lindauer's Loopstock in San Luis Obispo, CA. Then =20=

Rick Walker's
Y2KX concert series beginning in 2002 or 2003 (sorry Rick, I forget) =20
which has been
ongoing ever since. These sorts of things have really helped cement the =20=

relationships
made tentatively online. Some of these folks I now consider real =20
amigos, best buds,
true friends.

Then there is nothing that solidifies relationships like loss . . . . =20=

Dr Z passing away this last
year was a real blow. I miss his sage and erudite presence all the =20
more. He was a good
man. The group lost it's "looping historian" when he died -- and a =20
fine, incisive mind.

Well . . . Happy 3rd of July and enjoy the 4th tomorrow too . . . when =20=

America celebrates
the anniversary of it's independence with an orgy of blowing things up. =20=

Heheheh.

Cheers,

tEd =AE kiLLiAn

On Jul 2, 2006, at 11:40 PM, loop.pool wrote:

> Kim Flint said:
> "It would be wonderful to do a 10 year anniversary event! That could =20=

> be a
> lot of fun. I would really need people to help organize such a thing
> though. Anybody interested?"

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

--Apple-Mail-1--314417610
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Kim,


I am waaaaaaaay up in Medford Oregon -- orbiting a little too far
outside the apparent=20

looping center of the universe (Bay Area)) to be of much practical
help. However,

I offer my humble graphic services (such as they are) to whomever
organizes and=20

cobbles this thing together. Rick Walker and Jeff Kaiser can both
attest to a certain

utility I have in the area of graphic stuff.


Oh yeah . . . and I'd love to come play too. Count me in. Too bad we
couldn't talk ol'

Mr. DT (aka: texture444, Hedewa7 and/or Spltrcl) into participating.
He was a pretty=20

darn early (if infrequent) contributor also. Andre LaFosse (though no
longer among=20

our number), was there practically from the beginning as well. My my
my, time flies.

Ah . . . the memories.


How I heard about the list was through the Oberheim Sales Rep whom I
bought

my EDPs from (I think). I expressed my intent on maxing out the RAM on
the thing

right away, but wondered about sources and specs and stuff like that.
I believe he=20

suggested signing up to the list -- since you experts were online and
operating

some sort of web "discussion group." Seemed intriguing so I joined.
I've never

regretted it for a moment.


The web was still pretty new to me then. I'd only been online since
about '93 -- and=20

with the slowest modem speed imaginable at that. There was not all
that much to

do online yet (comparatively) and who would want to anyway when it
took about=20

5 minutes for a single page to load. Those were the days . . . huh?
Well, this community

quickly morphed from being just a distant conglomeration of similarly
equipped and

like-minded, nerdy "muzik-doooods" to a community of pretty darn good
friends.


I think that transition was was mostly helped by eventually meeting a
few of you folks

face -to-face at Saturday NAMM lunch meetings and such. Plus, I went
to Andre's

senior recital concert at Cal Arts, met him and there became
reacquainted with Joe=20

Cavaleri (with whom I'd gone to some of the same schools from late
Elementary to=20

High School though we were a year apart and not very acquainted then)
talk about=20

a small world.


Then there was Hans Lindauer's Loopstock in San Luis Obispo, CA. Then
Rick Walker's

Y2KX concert series beginning in 2002 or 2003 (sorry Rick, I forget)
which has been=20

ongoing ever since. These sorts of things have really helped cement
the relationships

made tentatively online. Some of these folks I now consider real
amigos, best buds,

true friends.


Then there is nothing that solidifies relationships like loss . . . .
Dr Z passing away this last=20

year was a real blow. I miss his sage and erudite presence all the
more. He was a good=20

man. The group lost it's "looping historian" when he died -- and a
fine, incisive mind.


Well . . . Happy 3rd of July and enjoy the 4th tomorrow too . . . when
America celebrates=20

the anniversary of it's independence with an orgy of blowing things
up. Heheheh.


Cheers,


tEd =AE kiLLiAn


On Jul 2, 2006, at 11:40 PM, loop.pool wrote:


<excerpt>Kim Flint said:

"It would be wonderful to do a 10 year anniversary event! That could
be a

lot of fun. I would really need people to help organize such a thing

though. Anybody interested?"

</excerpt>

<color><param>8080,8080,8080</param>"Different is not always better,
but better is always different"


http://www.pfmentum.com/flux.html

http://www.CDbaby.com/cd/tedkillian

http://www.guitar9.com/fluxaeterna.html

http://www.garageband.com/artist/ArsOcarina

http://www.towerrecords.com/product.aspx?pfid=3D2845073

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>


--Apple-Mail-1--314417610--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 15:07:06 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <20060703144218.DWVV8537.fed1rmmtao04.cox.net@Desktop2002>
Subject: Re: Tech 21 MIDI Mouse
Date: Mon, 3 Jul 2006 09:07:02 -0600
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Yup. I have both  my Looperlative and Mobius accepting program changes now, 
and I do this on only one channel.  Basically, all I need to do is send 
10-12 program changes via MIDI channel 1, just to trigger basic functions 
like Record, Overdub, Multiply, Next, etc.  I've never been much of  MIDI 
wiz...I don't do all that fancy stuff with syncing, using multiple MIDI 
channels to send different types data ,etc....I just use the basic functions 
of mu looping software to the n'th degree. :)

Kris

----- Original Message ----- 
From: "Gary Lehmann" <hqr@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 03, 2006 8:42 AM
Subject: Tech 21 MIDI Mouse


From: Krispen Hartung [mailto:khartung@cableone.net]
Sent: Monday, July 03, 2006 6:45 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Nobels MF1 and other battery powered MIDI controllers

To summarize my research and thinking on this topic, I decided to get the
Tech 21 MIDI Mouse, the cute little pedal that has only one button to
activate a MIDI program, and then two buttons for UP and DOWN.

--->Are you sure this will satisfy your needs? I have one, and all it sends
are Program Change messages on a selected channel.
Gary




From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 15:20:50 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: RE: FlyLooper & maket potential
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Hi Aaron

> 1) control loops independently ----
This is actually also something I'm really missing quite often.
A lot of people coming more from tape delays etc. seem to be happy with piling up overdubs on top of each other.
Individual control is also something that I think is really useful.

I'd be interested in seeing your solution... when you have a Mac port :-)

Good luck with your business meetings!

Btw, have you ever thought about programming embedded systems and developing a pedal only solution?

Buzap
-- 


"Feel free" â€“ 10 GB Mailbox, 100 FreeSMS/Monat ...
Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 15:29:34 2006
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Date: Mon, 3 Jul 2006 11:29:30 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: RE: FlyLooper & maket potential
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Aaron,

Seems like a very nice application. The ability to map MIDI control 
inputs to any of the functions would be a great addition.

Does the software allow sessions to be saved? For those of us who do 
spontaneous live performances is there an option to capture the audio 
stream for a recorded document of the performance?

-CZ
-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 15:58:18 2006
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Date: Mon, 03 Jul 2006 11:56:25 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Re: 10 year's anniversary of Looper's Delight ?
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Krispen Hartung wrote:

> No criteria, except loop for 30 seconds.
>
> ----- Original Message ----- From: "raul bonell" 
> <RAULBONELL@telefonica.net>
>
>> Count me in!
>> I'll upload that bite soon.
>> What criteria for the the whole sequence to follow, Kris?
>
I realize that your space may be limited, but I feel the need to point 
out that 30 seconds often is shorter than my typical loop length!  ;-)  
Still, I'm planning on coming up with a loop to contribute.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 16:01:42 2006
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http://www.record-producer.com/learn.cfm?a=3419

Interesting apropos philosophy....

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>...which reminds me, I must download the latest software update, as 
>Bob has now added individual track by track control of volume and 
>feedback, rather than just control over whichever one is highlighted 
>at the time...

cheers Steve,
thanks for keeping us informed

andybutler 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 16:05:27 2006
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At 04:56 AM 7/3/2006, Aaron wrote:
>I have a meeting this week with the prouct development supervisor 
>for Statton DJ Electronics (a company I had never heard of ... but 
>that makes a system that allows DJs to scratch MP3s on there 
>computer.... live .....good stuff).  Does anyone have any experience 
>with this company??  Like I said, I don't know anything about them.
>PS - I still plan on getting a beta version out, but I'll wait a 
>couple weeks and see if I can get it to work with a midi controller 
>instead of a USB device first.

Statton is a well-known DJ equipment manufacturer.  They're hardware 
guys so be sure to pitch the USB controller to them as well.  I'm 
only guessing but I think that they would prefer a hardware/software 
package or even a hardware package to a software package.  So also 
spend a little time thinking about what it would take to do a 
quick-and-dirty embedded (crytpo-PC) solution.

Good luck!

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 16:06:04 2006
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Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Mon, 3 Jul 2006 10:06:00 -0600
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I hear yah....same with me. My loops typically start at 1 min or so.  

Kris

----- Original Message ----- 
From: "Bill Fox" <billyfox@soundscapes.us>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 03, 2006 9:56 AM
Subject: Re: 10 year's anniversary of Looper's Delight ?


> Krispen Hartung wrote:
> 
>> No criteria, except loop for 30 seconds.
>>
>> ----- Original Message ----- From: "raul bonell" 
>> <RAULBONELL@telefonica.net>
>>
>>> Count me in!
>>> I'll upload that bite soon.
>>> What criteria for the the whole sequence to follow, Kris?
>>
> I realize that your space may be limited, but I feel the need to point 
> out that 30 seconds often is shorter than my typical loop length!  ;-)  
> Still, I'm planning on coming up with a loop to contribute.
> 
> Cheers,
> 
> Bill
> 
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 16:06:31 2006
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mark sottilaro wrote:

> All this talk about Eclipse/Fireworx vs. Max/Reaktor
> made me think, surely dedicated hardware must sound a
> lot better, no? Perhaps software is way more flexible
> but is it as good? If all you got from hardware was
> lower latency I'd imagine ebay would be flooded with
> effects processors to the point people couldn't give
> them away. I'm excited about what my humble laptop
> can do but will it rival even my modest Lexicon MPX1
> in terms of sound quality?

Unless I'm not correctly understanding your question, it seems to me 
that you're asking about audio quality.  This seems like an odd 
question, if it isn't a troll.  ;-)  Considering all of the applications 
a computer can do: play CDs, play DVDs, run sequencers like Sonar and 
ProTools, run Live, et al, audio quality shouldn't even be an issue 
unless an app is poorly written.  Shouldn't you be asking about timing, 
latency, ease of operation?

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 16:08:30 2006
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>This doesn't work for you?

poor Claude :-(

can no one help him 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 16:17:50 2006
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Date: Mon, 03 Jul 2006 12:18:02 -0400
From: David Beardsley <db@biink.com>
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The radio premiere of David Beardsley's (http://biink.com/db/index.htm) 
30-minute 2004
string quartet "as beautiful as a crescent of a new moon on a cloudless 
spring evening" as
performed by Christina Fong (http://christinafong.com) can be heard at 
11pm PST Friday
July 7th on KALW 91.7 FM's "Music from Other Minds" in San Francisco and 
also via the
internet at http://rchrd.com/mfom.

David's piece was submitted for a project initiated on the "Why 
Patterns?" discussion list.
"For Feldman" (http://www.amazon.com/gp/product/B000F3T3PK) is second in 
a series
featuring previously unreleased works by emerging composers. This 
96kHz|24bit Audio
DVD (plays in any DVD player) contains 4 world premiere recordings and 
the only available
release of 3 works by Morton Feldman.

One day after dinner, Morton was sitting at the kitchen table having a 
taste of water,
thinking about a carpet or two, when electricity discontinued. Sun set 
and awareness
gradually changed to wonder as he saw the beauty of the crescent of a 
new moon on a
cloudless spring evening passing by the windows.

Many years later, Morton awoke on his
couch from an afternoon nap. Venus, the cat, leapt off the window where 
she was sleeping
permitting sunlight to pass through a glass reclining on a table. "That 
is" he thought, "as
beautiful as a crescent of a new moon on a cloudless spring evening".

This piece is tuned to the system known as Just Intonation, rational 
intervals from the
harmonic series.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 16:33:16 2006
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So.....when will I be able to run my VST host and VST effects on my iPAQ? :) 
Just checking. That's my next big thing...maybe 5 years?  Imagine walking 
into a gig with an iPAQ or PalmPilot and running all your favorite VSTs, 
looping programs, etc....that's where I want to be in the future. Plug my 
guitar into the unit, out into the PA....guitar rack in your back pocket.

Kris



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Along with Dr. Zvonar let us not forget Fred "Meat Suit" Marshall. His posts were always insightful and amusing. As a long time LD lurkist (cause ya can't get flamed for what you think, just what you post), many thanks to"Him who is Kim" for all the hard work and patience in the interest of art and commerce.

                                                                    bryan helm
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<html><body>
<DIV>Along with Dr. Zvonar let us not forget Fred "Meat Suit" Marshall. His posts were always insightful and amusing. As a long time LD lurkist (cause ya can't get flamed for&nbsp;what you think, just what you post), many thanks to"Him who is Kim" for all the hard work and patience in the interest of art and commerce.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; bryan helm<BR><BR><BILLYFOX@SOUNDSCAPES.US><BR><LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR></DIV><RAULBONELL@TELEFONICA.NET></body></html>


--NextPart_Webmail_9m3u9jl4l_17460_1151944399_0--

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> At 04:56 AM 6/28/2006, Bernhard Wagner wrote:
>
> Sunday, September, 1st 1996 at 23:34:23 -0700 (PDT) the first post message
> ever was posted to LD by Matthew F. McCabe aka King Never:
> http://loopers-delight.com/LDarchive/199609/msg00000.html
> 
> September 1st, 2006 will be 10 year's anniversary of Looper's Delight.

I don't go anywhere near that far back, although a while, yes. I first 
heard about this list from Brian of Electric Bird Noise (he's 
still around, too, having recently posted here) talking to him after a 
show he did in my area. He replied to an email of mine on 26 June 2000 
with info about the list, I subscribed either that or the next day, and my 
first post was 5 July 2000, making the day after tomorrow my sixth 
anniversary on this list. My.

Steve B
Subscape Annex http://www.subscapeannex.com/

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> ----- Original Message ----- From: "Bill Fox" <billyfox@soundscapes.us>
>
> I realize that your space may be limited, but I feel the need to point out 
> that 30 seconds often is shorter than my typical loop length!  ;-)  Still, 
> I'm planning on coming up with a loop to contribute.
> 
> Cheers,
> Bill

Indeed. I went ahead and used it as a constraint I wouldn't normally 
adhere to, to see what I'd do that I might not normally. Nice challenge 
for me.

One of the self-challenges I came up with a while back was to use only 
no-longer-manufactured gear for a set of sessions I called "planned 
obsolescence" - that's not a hard challenge for most of us here, but it 
did mean I had to not play either of my primary instruments, or use the 
majority of my favorite effects.

best,
Steve B  Subscape Annex  http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 16:47:43 2006
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From: goddard.duncan@mtvne.com
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Subject: RE: Novation X-Station, M-Audio Ozonic
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------_=_NextPart_001_01C69EC0.65313DA5
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 >> I'm thinking about using one of these as an audio interface/secondary
MIDI controller for Mobius.  I like that it has the MIDI in you talked about
because that will allow me to merge in commands from my FCB1010.  And I was
thinking the Synth thing would be really cool.  I assume you send the synth
audio via USB on an audio channel, right?

I'm glad to hear it's easy to program.  That means a lot.

Are the 9 faders pre-assigned to synth controls, or are they already MIDI
continuous controllers? <<
 
josh-
yes, the midi-in was an unexpected bonus. in fact, you'r fcb1010, if I
recall correctly, will also merge it's incoming with it's outgoing in this
fashion, so you can daisy chain them & another device. midi coming back up
the usb cable can be merged onto none, one or both of the midi-outs. 
 
the synth-audio will find it's way out the usb.... but as a purely practical
point, I have never tried the thing as an audio interface with the synth
active aswell as the audio-in. so I don't know if this is presented to the
computer as two or four channels of audio. tonight I will have a look.
the continuous controllers (all of them- there are many knobs & buttons
aswell as the sliders) are freely assignable, & this doesn't "break" what
they do in synth-mode. in fact, it's simpler than that- the synth mode & the
controller mode are two separate states of the machine, with one switch to
enable "synth" or "controller" mode. 
I hardly use the synth engine, despite it's being rather good, because-
well- I'm spoiled for synths already.
 
did I mention the quality of the hardware? it feels pretty solid compared to
most of those controller keyboards (evolution &c., you know the ones I
mean). the only drag is having to use a wall-wart when it's not usb-powered.
it needs 500mA so a direct connection to a desktop is ok, laptops might be a
bit iffy. a powered hub is probably the way to go there. it will run off
batteries too.
 
d.


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<TITLE>RE: Novation X-Station, M-Audio Ozonic</TITLE>

<META content="MSHTML 6.00.2712.300" name=GENERATOR></HEAD>
<BODY text=#000000 bgColor=#ffffff>
<DIV><SPAN class=755583616-03072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>&nbsp;&gt;&gt;&nbsp;</FONT></SPAN>I'm thinking about using 
one of these as an audio interface/secondary MIDI controller for Mobius.&nbsp; I 
like that it has the MIDI in you talked about because that will allow me to 
merge in commands from my FCB1010.&nbsp; And I was thinking the Synth thing 
would be really cool.&nbsp; I assume you send the synth audio via USB on an 
audio channel, right?<BR><BR>I'm glad to hear it's easy to program.&nbsp; That 
means a lot.<BR><BR>Are the 9 faders pre-assigned to synth controls, or are they 
already MIDI continuous controllers?<SPAN class=755583616-03072006><FONT 
face="AmericanTypewriter Medium" color=#0000ff 
size=2>&nbsp;&lt;&lt;</FONT></SPAN></DIV>
<DIV><SPAN class=755583616-03072006></SPAN>&nbsp;</DIV>
<DIV><SPAN class=755583616-03072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>josh-</FONT></SPAN></DIV>
<DIV><SPAN class=755583616-03072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>yes, the midi-in was an unexpected bonus. in fact, you'r 
fcb1010, if I recall correctly, will also merge it's incoming with it's outgoing 
in this fashion, so you can daisy chain them &amp; another device. midi coming 
back up the usb cable can be&nbsp;merged onto none, one or both of the 
midi-outs.&nbsp;</FONT></SPAN></DIV>
<DIV><SPAN class=755583616-03072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=755583616-03072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>the synth-audio will find it's way out the usb.... but as a 
purely practical point, I have never tried the thing as an audio interface with 
the synth active aswell as the audio-in. so I don't know if this is presented to 
the computer as two or four channels of audio. tonight I will have a 
look.</FONT></SPAN></DIV>
<DIV><SPAN class=755583616-03072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>the continuous controllers (all of them- there are many 
knobs &amp; buttons aswell as&nbsp;the sliders)&nbsp;are freely assignable, 
&amp; this doesn't "break" what they do in synth-mode. in fact, it's simpler 
than that- the synth mode &amp; the controller mode are two separate states of 
the machine, with one switch to enable "synth" or "controller" 
mode.</FONT>&nbsp;</SPAN></DIV>
<DIV><SPAN class=755583616-03072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>I hardly use the synth engine, despite it's being rather 
good, because- well- I'm spoiled for synths already.</FONT></SPAN></DIV>
<DIV><SPAN class=755583616-03072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=755583616-03072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>did I mention the quality of the hardware? it feels pretty 
solid compared to most of those controller keyboards (evolution 
&amp;c.,&nbsp;you know the ones I mean). the only drag is having to use a 
wall-wart when it's not usb-powered. it needs 500mA so a direct connection to a 
desktop is ok, laptops might be a bit iffy. a powered hub is probably the way to 
go there. it will run off batteries too.</FONT></SPAN></DIV>
<DIV><SPAN class=755583616-03072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=755583616-03072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>d.</FONT></SPAN></DIV><CODE><FONT SIZE=3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 16:51:42 2006
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: RE: string qt radio premiere
Date: Mon, 3 Jul 2006 18:51:36 +0200
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> The radio premiere of David Beardsley's 
> (http://biink.com/db/index.htm) 30-minute 2004 string quartet 
> "as beautiful as a crescent of a new moon on a cloudless 
> spring evening" as performed by Christina Fong 
> (http://christinafong.com) can be heard at 11pm PST Friday 
> July 7th on KALW 91.7 FM's "Music from Other Minds" in San 
> Francisco and also via the internet at http://rchrd.com/mfom.

hey congrats David! you've made it into the inner circle of composers such
as Ligeti, Berio, Maderna. I've only heard your guitar work so far and I'm
looking forward to that radio feature!

-Michael
www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 16:56:15 2006
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Excellent!  I'm becoming more and more impressed with it!

I look forward to hearing what you find regarding using synth and the 
audio interface simultaneously.

--Josh



goddard.duncan@mtvne.com wrote:
>  >> I'm thinking about using one of these as an audio 
> interface/secondary MIDI controller for Mobius.  I like that it has 
> the MIDI in you talked about because that will allow me to merge in 
> commands from my FCB1010.  And I was thinking the Synth thing would be 
> really cool.  I assume you send the synth audio via USB on an audio 
> channel, right?
>
> I'm glad to hear it's easy to program.  That means a lot.
>
> Are the 9 faders pre-assigned to synth controls, or are they already 
> MIDI continuous controllers? <<
>  
> josh-
> yes, the midi-in was an unexpected bonus. in fact, you'r fcb1010, if I 
> recall correctly, will also merge it's incoming with it's outgoing in 
> this fashion, so you can daisy chain them & another device. midi 
> coming back up the usb cable can be merged onto none, one or both of 
> the midi-outs. 
>  
> the synth-audio will find it's way out the usb.... but as a purely 
> practical point, I have never tried the thing as an audio interface 
> with the synth active aswell as the audio-in. so I don't know if this 
> is presented to the computer as two or four channels of audio. tonight 
> I will have a look.
> the continuous controllers (all of them- there are many knobs & 
> buttons aswell as the sliders) are freely assignable, & this doesn't 
> "break" what they do in synth-mode. in fact, it's simpler than that- 
> the synth mode & the controller mode are two separate states of the 
> machine, with one switch to enable "synth" or "controller" mode. 
> I hardly use the synth engine, despite it's being rather good, 
> because- well- I'm spoiled for synths already.
>  
> did I mention the quality of the hardware? it feels pretty solid 
> compared to most of those controller keyboards (evolution &c., you 
> know the ones I mean). the only drag is having to use a wall-wart when 
> it's not usb-powered. it needs 500mA so a direct connection to a 
> desktop is ok, laptops might be a bit iffy. a powered hub is probably 
> the way to go there. it will run off batteries too.
>  
> d.
> |
>
> ***************************************************************************
> CONFIDENTIALITY NOTICE
>
> The contents of this e-mail are confidential to the ordinary user
> of the e-mail address to which it was addressed, and may also
> be privileged. If you are not the addressee of this e-mail you may
> not copy, forward, disclose or otherwise use it or any part of it
> in any form whatsoever.If you have received this e-mail in error,
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Excellent!&nbsp; I'm becoming more and more impressed with it!<br>
<br>
I look forward to hearing what you find regarding using synth and the
audio interface simultaneously.<br>
<br>
--Josh<br>
<br>
<br>
<br>
<a class="moz-txt-link-abbreviated" href="mailto:goddard.duncan@mtvne.com">goddard.duncan@mtvne.com</a> wrote:
<blockquote
 cite="mid5748E17E0A4F3C40B77B2819D9E628DE02DC93BA@lon-oxmail02.mtvne.ad.viacom.com"
 type="cite">
  <meta http-equiv="Content-Type" content="text/html; ">
  <title>RE: Novation X-Station, M-Audio Ozonic</title>
  <meta content="MSHTML 6.00.2712.300" name="GENERATOR">
  <div><span class="755583616-03072006"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="2">&nbsp;&gt;&gt;&nbsp;</font></span>I'm
thinking about using one of these as an audio interface/secondary MIDI
controller for Mobius.&nbsp; I like that it has the MIDI in you talked about
because that will allow me to merge in commands from my FCB1010.&nbsp; And I
was thinking the Synth thing would be really cool.&nbsp; I assume you send
the synth audio via USB on an audio channel, right?<br>
  <br>
I'm glad to hear it's easy to program.&nbsp; That means a lot.<br>
  <br>
Are the 9 faders pre-assigned to synth controls, or are they already
MIDI continuous controllers?<span class="755583616-03072006"><font
 color="#0000ff" face="AmericanTypewriter Medium" size="2">&nbsp;&lt;&lt;</font></span></div>
  <div><span class="755583616-03072006"></span>&nbsp;</div>
  <div><span class="755583616-03072006"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="2">josh-</font></span></div>
  <div><span class="755583616-03072006"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="2">yes, the midi-in was an
unexpected bonus. in fact, you'r fcb1010, if I recall correctly, will
also merge it's incoming with it's outgoing in this fashion, so you can
daisy chain them &amp; another device. midi coming back up the usb
cable can be&nbsp;merged onto none, one or both of the midi-outs.&nbsp;</font></span></div>
  <div><span class="755583616-03072006"></span>&nbsp;</div>
  <div><span class="755583616-03072006"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="2">the synth-audio will find
it's way out the usb.... but as a purely practical point, I have never
tried the thing as an audio interface with the synth active aswell as
the audio-in. so I don't know if this is presented to the computer as
two or four channels of audio. tonight I will have a look.</font></span></div>
  <div><span class="755583616-03072006"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="2">the continuous controllers
(all of them- there are many knobs &amp; buttons aswell as&nbsp;the
sliders)&nbsp;are freely assignable, &amp; this doesn't "break" what they do
in synth-mode. in fact, it's simpler than that- the synth mode &amp;
the controller mode are two separate states of the machine, with one
switch to enable "synth" or "controller" mode.</font>&nbsp;</span></div>
  <div><span class="755583616-03072006"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="2">I hardly use the synth
engine, despite it's being rather good, because- well- I'm spoiled for
synths already.</font></span></div>
  <div><span class="755583616-03072006"></span>&nbsp;</div>
  <div><span class="755583616-03072006"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="2">did I mention the quality of
the hardware? it feels pretty solid compared to most of those
controller keyboards (evolution &amp;c.,&nbsp;you know the ones I mean). the
only drag is having to use a wall-wart when it's not usb-powered. it
needs 500mA so a direct connection to a desktop is ok, laptops might be
a bit iffy. a powered hub is probably the way to go there. it will run
off batteries too.</font></span></div>
  <div><span class="755583616-03072006"></span>&nbsp;</div>
  <div><span class="755583616-03072006"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="2">d.</font></span></div>
  <code><font size="3"><br>
  <br>
***************************************************************************<br>
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The contents of this e-mail are confidential to the ordinary user<br>
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</blockquote>
</body>
</html>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 17:05:21 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <22351.62.2.75.66.1151495782.squirrel@webmail.perspectix.com><0ede01c69abe$dc6ef200$0cb1ec0f@americas.hpqcorp.net><00f601c69ad1$3ec33260$e701a8c0@pcfabio><0f6101c69ad2$b4470240$0cb1ec0f@americas.hpqcorp.net> <20060628132840.g2zio0ul1c0kokks@www.wightman.ca> <000601c69b24$118080c0$0200a8c0@raulb3d53f8e09> <112f01c69b26$82075920$0cb1ec0f@americas.hpqcorp.net> <44A93E29.9030806@soundscapes.us> <1db101c69eba$94a7ac00$0cb1ec0f@americas.hpqcorp.net> <Pine.LNX.4.64.0607031211040.11439@giggles.cavesofice.org>
Subject: Re: Re: 10 year's anniversary of Looper's Delight ?
Date: Mon, 3 Jul 2006 11:05:17 -0600
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Well, you guys could be humorous and record a full length looping song, and 
then use Acid or something like it to shrink it down to 30 second....for 
those stretched out and slow moving ambient pieces, it might sound 
interesting, like watching a flower bloom using time lapse videography.

K-
----- Original Message ----- 
From: <burnett@pobox.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 03, 2006 10:36 AM
Subject: Re: Re: 10 year's anniversary of Looper's Delight ?


>> ----- Original Message ----- From: "Bill Fox" <billyfox@soundscapes.us>
>>
>> I realize that your space may be limited, but I feel the need to point 
>> out that 30 seconds often is shorter than my typical loop length!  ;-) 
>> Still, I'm planning on coming up with a loop to contribute.
>>
>> Cheers,
>> Bill
>
> Indeed. I went ahead and used it as a constraint I wouldn't normally 
> adhere to, to see what I'd do that I might not normally. Nice challenge 
> for me.
>
> One of the self-challenges I came up with a while back was to use only 
> no-longer-manufactured gear for a set of sessions I called "planned 
> obsolescence" - that's not a hard challenge for most of us here, but it 
> did mean I had to not play either of my primary instruments, or use the 
> majority of my favorite effects.
>
> best,
> Steve B  Subscape Annex  http://www.subscapeannex.com/
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 17:09:28 2006
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From: Craig McCollough <craig@craigmccollough.com>
Subject: Re: Novation X-Station, M-Audio Ozonic
Date: Mon, 3 Jul 2006 10:08:42 -0700
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Hi Josh -

I have a X-Station 25 and love it - a real inspiring instrument, imho

the faders are both used for the onboard synth and for midi control -  
a button toggles between the two states.

When presented in Live, there are two audio inputs, and the hardware  
synth audio is mixed with the two XLR inputs

Cheers,
Craig

On Jul 3, 2006, at 9:56 AM, Joshua Carroll wrote:

> Excellent!  I'm becoming more and more impressed with it!
>
> I look forward to hearing what you find regarding using synth and  
> the audio interface simultaneously.
>
> --Josh
>
>
>
> goddard.duncan@mtvne.com wrote:
>>  >> I'm thinking about using one of these as an audio interface/ 
>> secondary MIDI controller for Mobius.  I like that it has the MIDI  
>> in you talked about because that will allow me to merge in  
>> commands from my FCB1010.  And I was thinking the Synth thing  
>> would be really cool.  I assume you send the synth audio via USB  
>> on an audio channel, right?
>>
>> I'm glad to hear it's easy to program.  That means a lot.
>>
>> Are the 9 faders pre-assigned to synth controls, or are they  
>> already MIDI continuous controllers? <<
>>
>> josh-
>> yes, the midi-in was an unexpected bonus. in fact, you'r fcb1010,  
>> if I recall correctly, will also merge it's incoming with it's  
>> outgoing in this fashion, so you can daisy chain them & another  
>> device. midi coming back up the usb cable can be merged onto none,  
>> one or both of the midi-outs.
>>
>> the synth-audio will find it's way out the usb.... but as a purely  
>> practical point, I have never tried the thing as an audio  
>> interface with the synth active aswell as the audio-in. so I don't  
>> know if this is presented to the computer as two or four channels  
>> of audio. tonight I will have a look.
>> the continuous controllers (all of them- there are many knobs &  
>> buttons aswell as the sliders) are freely assignable, & this  
>> doesn't "break" what they do in synth-mode. in fact, it's simpler  
>> than that- the synth mode & the controller mode are two separate  
>> states of the machine, with one switch to enable "synth" or  
>> "controller" mode.
>> I hardly use the synth engine, despite it's being rather good,  
>> because- well- I'm spoiled for synths already.
>>
>> did I mention the quality of the hardware? it feels pretty solid  
>> compared to most of those controller keyboards (evolution &c., you  
>> know the ones I mean). the only drag is having to use a wall-wart  
>> when it's not usb-powered. it needs 500mA so a direct connection  
>> to a desktop is ok, laptops might be a bit iffy. a powered hub is  
>> probably the way to go there. it will run off batteries too.
>>
>> d.
>>
>>
>> ********************************************************************* 
>> ******
>> CONFIDENTIALITY NOTICE
>>
>> The contents of this e-mail are confidential to the ordinary user
>> of the e-mail address to which it was addressed, and may also
>> be privileged. If you are not the addressee of this e-mail you may
>> not copy, forward, disclose or otherwise use it or any part of it
>> in any form whatsoever.If you have received this e-mail in error,
>> please e-mail the sender by replying to this message.
>>
>> It is your responsibility to carry out appropriate virus and other
>> checks to ensure that this message and any attachments do not
>> affect your systems / data. Any views or opinions expressed in this
>> e-mail are solely those of the author and do not necessarily
>> represent those of MTV Networks Europe unless specifically stated,
>> nor does this message form any part of any contract unless so stated.
>>
>> MTV reserves the right to monitor e-mail communications from
>> external/internal sources for the purposes of ensuring correct
>> and appropriate use of MTV communication equipment.
>>
>> MTV Networks Europe
>> ********************************************************************* 
>> ******


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Hi Josh -<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I have a X-Station 25 and =
love it - a real inspiring instrument, imho</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>the faders are both used =
for the onboard synth and for midi control - a button toggles between =
the two states.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>When presented in Live, =
there are two audio inputs, and the hardware synth audio is mixed with =
the two XLR inputs</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Cheers,</DIV><DIV>Craig</DIV>=
<DIV><BR><DIV><DIV>On Jul 3, 2006, at 9:56 AM, Joshua Carroll =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite">  Excellent!=A0 I'm becoming more and more impressed with =
it!<BR> <BR> I look forward to hearing what you find regarding using =
synth and the audio interface simultaneously.<BR> <BR> --Josh<BR> <BR> =
<BR> <BR> <A class=3D"moz-txt-link-abbreviated" =
href=3D"mailto:goddard.duncan@mtvne.com">goddard.duncan@mtvne.com</A> =
wrote: <BLOCKQUOTE =
cite=3D"mid5748E17E0A4F3C40B77B2819D9E628DE02DC93BA@lon-oxmail02.mtvne.ad.=
viacom.com" type=3D"cite">        <DIV><SPAN =
class=3D"755583616-03072006"><FONT color=3D"#0000ff" =
face=3D"AmericanTypewriter Medium" size=3D"2">=A0&gt;&gt;=A0</FONT></SPAN>=
I'm thinking about using one of these as an audio interface/secondary =
MIDI controller for Mobius.=A0 I like that it has the MIDI in you talked =
about because that will allow me to merge in commands from my FCB1010.=A0 =
And I was thinking the Synth thing would be really cool.=A0 I assume you =
send the synth audio via USB on an audio channel, right?<BR>  <BR> I'm =
glad to hear it's easy to program.=A0 That means a lot.<BR>  <BR> Are =
the 9 faders pre-assigned to synth controls, or are they already MIDI =
continuous controllers?<SPAN class=3D"755583616-03072006"><FONT =
color=3D"#0000ff" face=3D"AmericanTypewriter Medium" =
size=3D"2">=A0&lt;&lt;</FONT></SPAN></DIV>  <DIV><SPAN =
class=3D"755583616-03072006"></SPAN>=A0</DIV>  <DIV><SPAN =
class=3D"755583616-03072006"><FONT color=3D"#0000ff" =
face=3D"AmericanTypewriter Medium" size=3D"2">josh-</FONT></SPAN></DIV>  =
<DIV><SPAN class=3D"755583616-03072006"><FONT color=3D"#0000ff" =
face=3D"AmericanTypewriter Medium" size=3D"2">yes, the midi-in was an =
unexpected bonus. in fact, you'r fcb1010, if I recall correctly, will =
also merge it's incoming with it's outgoing in this fashion, so you can =
daisy chain them &amp; another device. midi coming back up the usb cable =
can be=A0merged onto none, one or both of the =
midi-outs.=A0</FONT></SPAN></DIV>  <DIV><SPAN =
class=3D"755583616-03072006"></SPAN>=A0</DIV>  <DIV><SPAN =
class=3D"755583616-03072006"><FONT color=3D"#0000ff" =
face=3D"AmericanTypewriter Medium" size=3D"2">the synth-audio will find =
it's way out the usb.... but as a purely practical point, I have never =
tried the thing as an audio interface with the synth active aswell as =
the audio-in. so I don't know if this is presented to the computer as =
two or four channels of audio. tonight I will have a =
look.</FONT></SPAN></DIV>  <DIV><SPAN class=3D"755583616-03072006"><FONT =
color=3D"#0000ff" face=3D"AmericanTypewriter Medium" size=3D"2">the =
continuous controllers (all of them- there are many knobs &amp; buttons =
aswell as=A0the sliders)=A0are freely assignable, &amp; this doesn't =
"break" what they do in synth-mode. in fact, it's simpler than that- the =
synth mode &amp; the controller mode are two separate states of the =
machine, with one switch to enable "synth" or "controller" =
mode.</FONT>=A0</SPAN></DIV>  <DIV><SPAN =
class=3D"755583616-03072006"><FONT color=3D"#0000ff" =
face=3D"AmericanTypewriter Medium" size=3D"2">I hardly use the synth =
engine, despite it's being rather good, because- well- I'm spoiled for =
synths already.</FONT></SPAN></DIV>  <DIV><SPAN =
class=3D"755583616-03072006"></SPAN>=A0</DIV>  <DIV><SPAN =
class=3D"755583616-03072006"><FONT color=3D"#0000ff" =
face=3D"AmericanTypewriter Medium" size=3D"2">did I mention the quality =
of the hardware? it feels pretty solid compared to most of those =
controller keyboards (evolution &amp;c.,=A0you know the ones I mean). =
the only drag is having to use a wall-wart when it's not usb-powered. it =
needs 500mA so a direct connection to a desktop is ok, laptops might be =
a bit iffy. a powered hub is probably the way to go there. it will run =
off batteries too.</FONT></SPAN></DIV>  <DIV><SPAN =
class=3D"755583616-03072006"></SPAN>=A0</DIV>  <DIV><SPAN =
class=3D"755583616-03072006"><FONT color=3D"#0000ff" =
face=3D"AmericanTypewriter Medium" size=3D"2">d.</FONT></SPAN></DIV>  =
<CODE><FONT size=3D"3"><BR>  <BR> =
**************************************************************************=
*<BR> CONFIDENTIALITY NOTICE<BR>  <BR> The contents of this e-mail are =
confidential to the ordinary user<BR> of the e-mail address to which it =
was addressed, and may also<BR> be privileged. If you are not the =
addressee of this e-mail you may <BR> not copy, forward, disclose or =
otherwise use it or any part of it<BR> in any form whatsoever.If you =
have received this e-mail in error,<BR> please e-mail the sender by =
replying to this message.<BR>  <BR> It is your responsibility to carry =
out appropriate virus and other<BR> checks to ensure that this message =
and any attachments do not<BR> affect your systems / data. Any views or =
opinions expressed in this<BR> e-mail are solely those of the author and =
do not necessarily<BR> represent those of MTV Networks Europe unless =
specifically stated,<BR> nor does this message form any part of any =
contract unless so stated.<BR>  <BR> MTV reserves the right to monitor =
e-mail communications from<BR> external/internal sources for the =
purposes of ensuring correct <BR> and appropriate use of MTV =
communication equipment.<BR>  <BR> MTV Networks Europe<BR> =
**************************************************************************=
*<BR>  </FONT></CODE> </BLOCKQUOTE>  =
</BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 17:37:06 2006
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Date: Mon, 3 Jul 2006 12:37:03 -0500
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From: mech <mech@m3ch.net>
Subject: Re: VST Host & Effects on PDA
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At 10:33 AM -0600 7/3/06, Krispen Hartung wrote:
>So.....when will I be able to run my VST host and VST effects on my 
>iPAQ? :) Just checking. That's my next big thing...maybe 5 years? 
>Imagine walking into a gig with an iPAQ or PalmPilot and running all 
>your favorite VSTs, looping programs, etc....that's where I want to 
>be in the future. Plug my guitar into the unit, out into the 
>PA....guitar rack in your back pocket.

Well, there's at least one already available over on the Palm 
platform.  I remember seeing a blurb on a mini-Ableton clone in one 
of my synth magazines last year.  I'm pretty certain it made use of 
an external interface that had already been manufactured for exactly 
this sort of application (which leads me to believe that there are 
several other Palm apps of this nature).  Seems to me that it could 
act as a VST host as well.

Pretty kewl, but I got distracted by some other shiny thing and never 
did any more research on it.  I'll see if I can go through my back 
issues later today and come up with something more concrete...

	--m.
-- 
_______
"Wind in my heart. Dust in my head..."

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 17:53:51 2006
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That is a nice feature, I love it in Max... :-)


On Jul 3, 2006, at 8:20 AM, Buzap Buzap wrote:

>> 1) control loops independently ----

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 17:56:50 2006
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Michael Peters wrote:

>hey congrats David! you've made it into the inner circle of composers such
>as Ligeti, Berio, Maderna. I've only heard your guitar work so far and I'm
>looking forward to that radio feature!
>
>-Michael
>www.michaelpeters.de
>

Wow, thanks Michael. The inner circle of composers? Check that out...


-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 18:04:34 2006
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From: Ken Hawkins <ken@rosewoodblues.com>
Subject: selling gear off
Date: Mon, 3 Jul 2006 14:04:25 -0400
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--Apple-Mail-1--303510336
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Hi all,

I am parting company with some items to make room for other ends. In  
short I have a few peices for sale here;
Rosewoodblues : Selling

i want give others the opprotunity before I ebay them

A UV777 approx. 1 year old and no marks! this is is perfect shape. -  
$1300.00

Line 6 variax 600 (white) less than one year old. Again, never left  
the studio and barely used. Perfect shape. Added Planet waves tuners  
and will ship original tuners. - $800.00 obo

Apple Powerbook 17" G4 w/2 gig of ram. Loaded for bear this has been  
used for on site recording with Pro Tools and Logic. Has visible  
signs of use, all manuals and software included. - $2400.00

Line 6 Vetta II combo;

Vetta II in system
I am using it to drive a mesa Boogie Mark IV in the pics. however it  
is up to date 2.5 software light usage, new plastic no-vibrate knobs  
and will ship original heavy knobs. - $1300.00

Line 6 FBV long board (no pics yet) however it is in the box with no  
marks. - $350.00

feel free to contact me and I will take any REASONABLE offer. I will  
make room for a package deal, if you want all the Line 6 stuff make  
me an offer.

These are on the table for about a week before I put them on ebay. I  
would like to sell the amp locally as it is a heavy beast! I am local  
in Atlanta.

thanks and cheers,
ken;
--Apple-Mail-1--303510336
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Hi all,<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13px;">I am parting =
company with some items to make room for other ends. In short I have a =
few peices for sale here;</SPAN></FONT></DIV><P style=3D"margin: 0.0px =
0.0px 13.0px 0.0px"><A =
href=3D"http://web.mac.com/rosewoodblues/iWeb/Site/Selling.html"><FONT =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13px;">Rosewoodblues : =
Selling</SPAN></FONT></A></P><P style=3D"margin: 0.0px 0.0px 13.0px =
0.0px"><FONT class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13px;">i want give others =
the opprotunity before I ebay them</SPAN></FONT></P><P style=3D"margin: =
0.0px 0.0px 13.0px 0.0px"><FONT class=3D"Apple-style-span" =
face=3D"Verdana" size=3D"3"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 13px;">A UV777 approx. 1 year old and no marks! this =
is is perfect shape. - $1300.00</SPAN></FONT></P><P style=3D"margin: =
0.0px 0.0px 13.0px 0.0px"><FONT class=3D"Apple-style-span" =
face=3D"Verdana" size=3D"3"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 13px;">Line 6 variax 600 (white) less than one year =
old. Again, never left the studio and barely used. Perfect shape. Added =
Planet waves tuners and will ship original tuners. - $800.00 =
obo</SPAN></FONT></P><P style=3D"margin: 0.0px 0.0px 13.0px 0.0px"><FONT =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13px;">Apple Powerbook =
17" G4 w/2 gig of ram. Loaded for bear this has been used for on site =
recording with Pro Tools and Logic. Has visible signs of use, all =
manuals and software included. - $2400.00</SPAN></FONT></P><P =
style=3D"margin: 0.0px 0.0px 13.0px 0.0px"><FONT =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13px;">Line 6 Vetta II =
combo;</SPAN></FONT></P><P style=3D"margin: 0.0px 0.0px 13.0px 0.0px"><A =
href=3D"http://web.mac.com/rosewoodblues/iWeb/Site/Rack%20system.html"><FO=
NT class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13px;">Vetta II in =
system</SPAN></FONT></A><FONT class=3D"Apple-style-span" face=3D"Verdana" =
size=3D"3"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
13px;"><BR></SPAN></FONT><FONT class=3D"Apple-style-span" face=3D"Verdana"=
 size=3D"3"><SPAN class=3D"Apple-style-span" style=3D"font-size: 13px;"> =
I am using it to drive a mesa Boogie Mark IV in the pics. however it is =
up to date 2.5 software light usage, new plastic no-vibrate knobs and =
will ship original heavy knobs. - $1300.00</SPAN></FONT></P><P =
style=3D"margin: 0.0px 0.0px 13.0px 0.0px"><FONT =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13px;">Line 6 FBV long =
board (no pics yet) however it is in the box with no marks. - =
$350.00</SPAN></FONT></P><P style=3D"margin: 0.0px 0.0px 13.0px =
0.0px"><FONT class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13px;">feel free to =
contact me and I will take any REASONABLE offer. I will make room for a =
package deal, if you want all the Line 6 stuff make me an =
offer.</SPAN></FONT></P><P style=3D"margin: 0.0px 0.0px 13.0px =
0.0px"><FONT class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13px;">These are on the =
table for about a week before I put them on ebay. I would like to sell =
the amp locally as it is a heavy beast! I am local in =
Atlanta.</SPAN></FONT></P><P style=3D"margin: 0.0px 0.0px 13.0px =
0.0px"><FONT class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13px;">thanks and =
cheers,</SPAN></FONT><FONT class=3D"Apple-style-span" face=3D"Verdana" =
size=3D"3"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
13px;"><BR></SPAN></FONT><FONT class=3D"Apple-style-span" face=3D"Verdana"=
 size=3D"3"><SPAN class=3D"Apple-style-span" style=3D"font-size: 13px;"> =
ken;</SPAN></FONT></P></BODY></HTML>=

--Apple-Mail-1--303510336--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 18:09:57 2006
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Subject: RE: 10 year's anniversary of Looper's Delight ?
Date: Mon, 3 Jul 2006 11:09:58 -0700
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I'd be happy to contribute in what ever way I can, bring the pretzels and
beer, what ever... Do some interpretive dance while people play...just say
the word.
Bill

-----Original Message-----
From: Kim Flint [mailto:kflint@loopers-delight.com]
Sent: Sunday, July 02, 2006 7:25 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: 10 year's anniversary of Looper's Delight ?


At 04:56 AM 6/28/2006, Bernhard Wagner wrote:

>Sunday, September, 1st 1996 at 23:34:23 -0700 (PDT) the first post message
>ever was posted to LD by Matthew F. McCabe aka King Never:
>http://loopers-delight.com/LDarchive/199609/msg00000.html
>
>September 1st, 2006 will be 10 year's anniversary of Looper's Delight.

Amazing!

10 years of relentless repetition!

When I started this, I never imagined it would still be going 10 years
later.

Or that I could put up with it for that long. :-)

In fact, the Looper's Delight web site was online several months before the
list started. I put up the first version of the site around April of 1996.

I can see from old emails that I first asked my ISP at the time about
starting a mailing list on March 21, 1996. That email is followed by
several other mails making the same request over and over again for a
period of months without any response, then several more emails complaining
about their total lack of customer support. My emails then get more and
more aggravated until August 14, 1996, when their system administrator
finally starts helping me get the mailing list set up and running.

(That started a string of moving Looper's Delight from one incompetent ISP
to another, until I finally made the step to running my own server.)


>How about some celebration and apposite looping madnesssss?!

It would be wonderful to do a 10 year anniversary event! That could be a
lot of fun. I would really need people to help organize such a thing
though. Anybody interested?

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com




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On Mon, 3 Jul 2006, Krispen Hartung wrote:

> Well, you guys could be humorous and record a full length looping song, and 
> then use Acid or something like it to shrink it down to 30 second....for 
> those stretched out and slow moving ambient pieces, it might sound 
> interesting, like watching a flower bloom using time lapse videography.

Actually, I used to go the other way, using the tempo changing without 
pitchshifting feature of the Repeater to take a riff or even a single 
long note and stretch it - I found interesting the small shifts that 
became apparent when you took a single whole note and stretched it from 
120bpm all the way out to 1 bpm.

best,
Steve B  Subscape Annex  http://www.subscapeannex.com/

> K-
> ----- Original Message ----- From: <burnett@pobox.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, July 03, 2006 10:36 AM
> Subject: Re: Re: 10 year's anniversary of Looper's Delight ?
>
>
>>> ----- Original Message ----- From: "Bill Fox" <billyfox@soundscapes.us>
>>> 
>>> I realize that your space may be limited, but I feel the need to point out 
>>> that 30 seconds often is shorter than my typical loop length!  ;-) Still, 
>>> I'm planning on coming up with a loop to contribute.
>>> 
>>> Cheers,
>>> Bill
>> 
>> Indeed. I went ahead and used it as a constraint I wouldn't normally adhere 
>> to, to see what I'd do that I might not normally. Nice challenge for me.
>> 
>> One of the self-challenges I came up with a while back was to use only 
>> no-longer-manufactured gear for a set of sessions I called "planned 
>> obsolescence" - that's not a hard challenge for most of us here, but it did 
>> mean I had to not play either of my primary instruments, or use the 
>> majority of my favorite effects.
>> 
>> best,
>> Steve B  Subscape Annex  http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 19:29:48 2006
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Thanks!

The good thing I'm seeing about this particular interface is that even 
if I eventually decide to move to a MOTU Ultralite or something similar 
with more audio i/o, the X-Station will still be incredibly useful as 
both a MIDI controller and a synth.

Guess I'll have to start saving my pennies!

Thanks so much for the input!

--Josh



Craig McCollough wrote:
> Hi Josh -
>
> I have a X-Station 25 and love it - a real inspiring instrument, imho
>
> the faders are both used for the onboard synth and for midi control - 
> a button toggles between the two states. 
>
> When presented in Live, there are two audio inputs, and the hardware 
> synth audio is mixed with the two XLR inputs
>
> Cheers,
> Craig
>
> On Jul 3, 2006, at 9:56 AM, Joshua Carroll wrote:
>
>> Excellent!  I'm becoming more and more impressed with it!
>>
>> I look forward to hearing what you find regarding using synth and the 
>> audio interface simultaneously.
>>
>> --Josh
>>
>>
>>
>> goddard.duncan@mtvne.com wrote:
>>>  >> I'm thinking about using one of these as an audio 
>>> interface/secondary MIDI controller for Mobius.  I like that it has 
>>> the MIDI in you talked about because that will allow me to merge in 
>>> commands from my FCB1010.  And I was thinking the Synth thing would 
>>> be really cool.  I assume you send the synth audio via USB on an 
>>> audio channel, right?
>>>
>>> I'm glad to hear it's easy to program.  That means a lot.
>>>
>>> Are the 9 faders pre-assigned to synth controls, or are they already 
>>> MIDI continuous controllers? <<
>>>  
>>> josh-
>>> yes, the midi-in was an unexpected bonus. in fact, you'r fcb1010, if 
>>> I recall correctly, will also merge it's incoming with it's outgoing 
>>> in this fashion, so you can daisy chain them & another device. midi 
>>> coming back up the usb cable can be merged onto none, one or both of 
>>> the midi-outs. 
>>>  
>>> the synth-audio will find it's way out the usb.... but as a purely 
>>> practical point, I have never tried the thing as an audio interface 
>>> with the synth active aswell as the audio-in. so I don't know if 
>>> this is presented to the computer as two or four channels of audio. 
>>> tonight I will have a look.
>>> the continuous controllers (all of them- there are many knobs & 
>>> buttons aswell as the sliders) are freely assignable, & this doesn't 
>>> "break" what they do in synth-mode. in fact, it's simpler than that- 
>>> the synth mode & the controller mode are two separate states of the 
>>> machine, with one switch to enable "synth" or "controller" mode. 
>>> I hardly use the synth engine, despite it's being rather good, 
>>> because- well- I'm spoiled for synths already.
>>>  
>>> did I mention the quality of the hardware? it feels pretty solid 
>>> compared to most of those controller keyboards (evolution &c., you 
>>> know the ones I mean). the only drag is having to use a wall-wart 
>>> when it's not usb-powered. it needs 500mA so a direct connection to 
>>> a desktop is ok, laptops might be a bit iffy. a powered hub is 
>>> probably the way to go there. it will run off batteries too.
>>>  
>>> d.
>>> |
>>>
>>> ***************************************************************************
>>> CONFIDENTIALITY NOTICE
>>>
>>> The contents of this e-mail are confidential to the ordinary user
>>> of the e-mail address to which it was addressed, and may also
>>> be privileged. If you are not the addressee of this e-mail you may
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--------------030206030203080708070900
Content-Type: text/html; charset=ISO-8859-1
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Thanks!<br>
<br>
The good thing I'm seeing about this particular interface is that even
if I eventually decide to move to a MOTU Ultralite or something similar
with more audio i/o, the X-Station will still be incredibly useful as
both a MIDI controller and a synth. <br>
<br>
Guess I'll have to start saving my pennies!<br>
<br>
Thanks so much for the input!<br>
<br>
--Josh<br>
<br>
<br>
<br>
Craig McCollough wrote:
<blockquote
 cite="mid97612804-237F-400B-8E94-31E8298666CD@craigmccollough.com"
 type="cite">Hi Josh -
  <div><br class="khtml-block-placeholder">
  </div>
  <div>I have a X-Station 25 and love it - a real inspiring instrument,
imho</div>
  <div><br class="khtml-block-placeholder">
  </div>
  <div>the faders are both used for the onboard synth and for midi
control - a button toggles between the two states.&nbsp;</div>
  <div><br class="khtml-block-placeholder">
  </div>
  <div>When presented in Live, there are two audio inputs, and the
hardware synth audio is mixed with the two XLR inputs</div>
  <div><br class="khtml-block-placeholder">
  </div>
  <div>Cheers,</div>
  <div>Craig</div>
  <div><br>
  <div>
  <div>On Jul 3, 2006, at 9:56 AM, Joshua Carroll wrote:</div>
  <br class="Apple-interchange-newline">
  <blockquote type="cite"> Excellent!&nbsp; I'm becoming more and more
impressed with it!<br>
    <br>
I look forward to hearing what you find regarding using synth and the
audio interface simultaneously.<br>
    <br>
--Josh<br>
    <br>
    <br>
    <br>
    <a class="moz-txt-link-abbreviated"
 href="mailto:goddard.duncan@mtvne.com">goddard.duncan@mtvne.com</a>
wrote:
    <blockquote
 cite="mid5748E17E0A4F3C40B77B2819D9E628DE02DC93BA@lon-oxmail02.mtvne.ad.viacom.com"
 type="cite">
      <div><span class="755583616-03072006"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="2">&nbsp;&gt;&gt;&nbsp;</font></span>I'm
thinking about using one of these as an audio interface/secondary MIDI
controller for Mobius.&nbsp; I like that it has the MIDI in you talked about
because that will allow me to merge in commands from my FCB1010.&nbsp; And I
was thinking the Synth thing would be really cool.&nbsp; I assume you send
the synth audio via USB on an audio channel, right?<br>
      <br>
I'm glad to hear it's easy to program.&nbsp; That means a lot.<br>
      <br>
Are the 9 faders pre-assigned to synth controls, or are they already
MIDI continuous controllers?<span class="755583616-03072006"><font
 color="#0000ff" face="AmericanTypewriter Medium" size="2">&nbsp;&lt;&lt;</font></span></div>
      <div><span class="755583616-03072006"></span>&nbsp;</div>
      <div><span class="755583616-03072006"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="2">josh-</font></span></div>
      <div><span class="755583616-03072006"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="2">yes, the midi-in was an
unexpected bonus. in fact, you'r fcb1010, if I recall correctly, will
also merge it's incoming with it's outgoing in this fashion, so you can
daisy chain them &amp; another device. midi coming back up the usb
cable can be&nbsp;merged onto none, one or both of the midi-outs.&nbsp;</font></span></div>
      <div><span class="755583616-03072006"></span>&nbsp;</div>
      <div><span class="755583616-03072006"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="2">the synth-audio will find
it's way out the usb.... but as a purely practical point, I have never
tried the thing as an audio interface with the synth active aswell as
the audio-in. so I don't know if this is presented to the computer as
two or four channels of audio. tonight I will have a look.</font></span></div>
      <div><span class="755583616-03072006"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="2">the continuous controllers
(all of them- there are many knobs &amp; buttons aswell as&nbsp;the
sliders)&nbsp;are freely assignable, &amp; this doesn't "break" what they do
in synth-mode. in fact, it's simpler than that- the synth mode &amp;
the controller mode are two separate states of the machine, with one
switch to enable "synth" or "controller" mode.</font>&nbsp;</span></div>
      <div><span class="755583616-03072006"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="2">I hardly use the synth
engine, despite it's being rather good, because- well- I'm spoiled for
synths already.</font></span></div>
      <div><span class="755583616-03072006"></span>&nbsp;</div>
      <div><span class="755583616-03072006"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="2">did I mention the quality of
the hardware? it feels pretty solid compared to most of those
controller keyboards (evolution &amp;c.,&nbsp;you know the ones I mean). the
only drag is having to use a wall-wart when it's not usb-powered. it
needs 500mA so a direct connection to a desktop is ok, laptops might be
a bit iffy. a powered hub is probably the way to go there. it will run
off batteries too.</font></span></div>
      <div><span class="755583616-03072006"></span>&nbsp;</div>
      <div><span class="755583616-03072006"><font color="#0000ff"
 face="AmericanTypewriter Medium" size="2">d.</font></span></div>
      <code><font size="3"><br>
      <br>
***************************************************************************<br>
CONFIDENTIALITY NOTICE<br>
      <br>
The contents of this e-mail are confidential to the ordinary user<br>
of the e-mail address to which it was addressed, and may also<br>
be privileged. If you are not the addressee of this e-mail you may <br>
not copy, forward, disclose or otherwise use it or any part of it<br>
in any form whatsoever.If you have received this e-mail in error,<br>
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It is your responsibility to carry out appropriate virus and other<br>
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e-mail are solely those of the author and do not necessarily<br>
represent those of MTV Networks Europe unless specifically stated,<br>
nor does this message form any part of any contract unless so stated.<br>
      <br>
MTV reserves the right to monitor e-mail communications from<br>
external/internal sources for the purposes of ensuring correct <br>
and appropriate use of MTV communication equipment.<br>
      <br>
MTV Networks Europe<br>
***************************************************************************<br>
      </font></code> </blockquote>
  </blockquote>
  </div>
  <br>
  </div>
</blockquote>
</body>
</html>

--------------030206030203080708070900--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 19:31:11 2006
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Date: Mon, 3 Jul 2006 19:29:55 GMT
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Subject: Re: 10 year's anniversary of Looper's Delight ?
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An Event would be great!  I think I joined in 99 but the years have been=
 foggy....  I would like to come to SF next year1
 =

Weg

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<html><P>An Event would be great!&nbsp; I think I joined in 99 but the y=
ears have been foggy....&nbsp; I would like to come to SF next year1</P>=

<P>&nbsp;</P>
<P>Weg</P></html>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 20:20:52 2006
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Date: Mon, 3 Jul 2006 13:20:03 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Loop effects: Can software be as good as good hardware?
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Well partially I was thinking that most of us with
pro-sumer level audio interfaces wouldn't get the same
high quality output that a dedicated machine might
get.  I could be totally wrong though, which is why I
asked.  If you're truely saying that for the price of
a laptop (to use me as an example) ($1400), audio
interface ($200) and Reaktor software ($300) I'd get
something on par with an Exclipse, well then I'd be
shaking in my boots if I was a hardware manufacture.

M

--- Bill Fox <billyfox@soundscapes.us> wrote:

> mark sottilaro wrote:
> 
> > All this talk about Eclipse/Fireworx vs.
> Max/Reaktor
> > made me think, surely dedicated hardware must
> sound a
> > lot better, no? Perhaps software is way more
> flexible
> > but is it as good? If all you got from hardware
> was
> > lower latency I'd imagine ebay would be flooded
> with
> > effects processors to the point people couldn't
> give
> > them away. I'm excited about what my humble laptop
> > can do but will it rival even my modest Lexicon
> MPX1
> > in terms of sound quality?
> 
> Unless I'm not correctly understanding your
> question, it seems to me 
> that you're asking about audio quality.  This seems
> like an odd 
> question, if it isn't a troll.  ;-)  Considering all
> of the applications 
> a computer can do: play CDs, play DVDs, run
> sequencers like Sonar and 
> ProTools, run Live, et al, audio quality shouldn't
> even be an issue 
> unless an app is poorly written.  Shouldn't you be
> asking about timing, 
> latency, ease of operation?
> 
> Cheers,
> 
> Bill
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 20:36:02 2006
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On Monday, July 3, 2006, at 06:33 AM, Krispen Hartung wrote:

> I'm all for the City too. ...any chance I can get, I liketo get down  
> there. And I'll finally be able to show off my notebook looping > system!
>
> But I am soooooooo way late on the LD scene. I'm embarassed to say  
> that my first post was April 23, 2004, where I introduced myself and  
> my debut solo looping CD "Places"  (since then I have produced four  
> more looping CDs and one experimental looping music video)
>
> http://www.loopersdelight.com/cgi-bin/wilma_hiliter/LDarchive/200404/ 
> msg00430.html?line=3#hilite
>
> It sure seems like it has been longer than that.  I'm barely worthy of  
> attending a reunion!
>
> Kris
>
That's OK Kris, I guess I've been around since the first batch of  
subscribers, and I STILL haven't gotten around to releasing ( or  
recording for that matter) that solo looping CD. So you're definitely  
ahead on that point :-) (Though, to my credit, I have released 6 other  
discs in that time, and worked on a whole lot of others for other  
people).

It's kind of amazing that it's been a decade, this is the only list  
I've stayed on that long, though I have been on and off of Analog  
Heaven several times in the same period. It's been a very cool  
community. Thanks, Kim!

Just a thought, what about making the 10 year anniversary celebration  
coincide with Y2K6 in Santa Cruz?  I am hoping to attend this year, at  
least as an audient if not a performer.

And, speaking of notebook looping systems, a brand new dual-core  
Thinkpad T60 kind of just fell into my lap! My old Thinkpad just barely  
runs Mobius in standalone, I wasn't planning on replacing it, but was  
just offered an amazing deal on this new lappy.

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 20:37:25 2006
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Yeah, the demos are pretty impressive. I just don't think I could add all
that footswitching and concentration to all that I'm already doing. Anything
more than Harmony On/Off and I think I'd get overwhelmed! I use the Quintet
for that a bit, I got one on clearance when they were discontinued... though
its not nearly as neat.
David


On 7/3/06, Gary Lehmann <hqr@cox.net> wrote:
>
> I use the Quintet with a sequencer, but the Ztar also works to control it.
> Gary
>
> -----Original Message-----
> From: L.A. Angulo [mailto:labaloops@yahoo.com]
>
> Anybody using this one live? its flirting with me the
> and the demo is quite impressive! check it out
> http://www.tc-helicon.com/VoiceLive
> Luis
>
> www.luis-angulo.com
> www.myspace.com/luisangulocom
>
>
>
>

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<div>Yeah, the demos are pretty impressive. I just don't think I could add all that footswitching and concentration to all that I'm already doing. Anything more than Harmony On/Off and I think I'd get overwhelmed! I&nbsp;use the Quintet for that a bit, I got one on clearance when they were discontinued... though its not nearly as&nbsp;neat.
</div>
<div>David<br><br>&nbsp;</div>
<div><span class="gmail_quote">On 7/3/06, <b class="gmail_sendername">Gary Lehmann</b> &lt;<a href="mailto:hqr@cox.net">hqr@cox.net</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I use the Quintet with a sequencer, but the Ztar also works to control it.<br>Gary<br><br>-----Original Message-----
<br>From: L.A. Angulo [mailto:<a href="mailto:labaloops@yahoo.com">labaloops@yahoo.com</a>]<br><br>Anybody using this one live? its flirting with me the<br>and the demo is quite impressive! check it out<br><a href="http://www.tc-helicon.com/VoiceLive">
http://www.tc-helicon.com/VoiceLive</a><br>Luis<br><br><a href="http://www.luis-angulo.com">www.luis-angulo.com</a><br><a href="http://www.myspace.com/luisangulocom">www.myspace.com/luisangulocom</a><br><br><br><br></blockquote>
</div><br>

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At 07:01 AM 7/3/2006, Steve Sandberg wrote:
>I have a problem with my edp -
>when playing back loops, there's a very high-pitched noise -
>this edp is a beige one, about 4 years old,
>anyone have any ideas?

is it a new problem that just started? Maybe something has come loose or is 
otherwise in need of repair. You might try contacting Shane Radtke at 
British Audio Service:
http://www.britishaudioservice.com/

Also, make sure you have levels set right so the loop path has the maximum 
signal going in.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 20:53:18 2006
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At 07:26 AM 6/28/2006, Krispen Hartung wrote:
>How about each of us record a 30 second looping piece and we create a 
>giant collage of looping stringed together in one MP3, or streamed via a 
>playlist. I'm willing to store the MP3s and host the playlist.
>
>Kris

this is a neat idea, thanks Kris!

When it is all compiled together we can put the final result up on the 
Looper's Delight site to save it for posterity.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 21:00:49 2006
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I think you can get too close for comfort, Mark.  This is why I replaced my 
15 space rack (which I had two years ago) with a laptop, and spend over 
$1000 on some really good VST effect software. . I've never owned an 
Eclipse, but I've owned other high end processors, and I can't tell a lot of 
differentce in the quality of effects between the hardware and software 
(with a good 24 bit audio interface). It is so close for me that I am mostly 
software now.

I have two things that should be shipped to my doorsetp any day now...a 
Fireworx and Reakor 5. I'll let you know how it goes. I think once I have 
Reaktor and I load it and my other high end VST effects into MAX/MSP, I will 
have reached the top of Maslov's Triangle in terms of VST effect 
actualization!  Basically, I'll be using MAX/MSP to run Reaktor 5, PSP84, 
PSP42, Cycling 74 Pluggo AND Hipno, Antares Filter, Space Effect, and a 
about 50 other free effects that do amazing things.

I have a hypothesis or two as to why hardware manufacturs aren't shaking in 
their boots: 1) Some of the smart ones are already creating VST or other 
software based versions of their effects (Lexicon, Eventide, etc), so they 
are planning ahead. That is the smart thing to do, based on changing trends 
in the marketplace. In fact, if you've noticed, many hardware effect 
manufactures are creating hypbrid systems that plug into your computer with 
USB so that you can program them (Muse, Pod XT Pro, etc).  The transition to 
computers and software is occuring gradually.

2) Using VST effects for our precious sound systems is analogous to the 
folks in the corporate world who made the transition to a paperless 
environment. The old generation has a hard time elminiating the hardcopy 
notes and printouts in their file systems...yet the new generation of folks 
are completely paperless. Are paper companies and printer companies nervous? 
Hell yes, which is why they keep innovating their products to do other 
things besides print on paper. Hence, many companies haven't felt the hurt 
yet because they are still relying on the sentiments and buying potential of 
an older generation of users. That will change inevitably.

3) It's all still reletivelly new, and no one has commoditized the 
technology in a way that has occured with Windows, the PC or Mac brands, 
Word processing software, finance software, etc. I think the technology will 
evolve to the point to where there are a few tried and true tested systems 
that hit the sky in terms of mass marketability and trust. Once that occurs, 
the skeptics will jump on the band-wagon.

There are other possible explanations, of course.....I'd be interested in 
hearing other hypothoses. In general, I am a technological evolutionist when 
it comes to this topic. If we take a look at the history of technological 
innovation, these patterns and awkward transitions of moving from hard to 
soft, manual to automated, fast to slow, etc, etc...pop up over and over 
again. I see know reason why music technology should be ammune to this 
historical trend. I think it not a matter o if, but when.

Kris

----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 03, 2006 2:20 PM
Subject: Re: Loop effects: Can software be as good as good hardware?


> Well partially I was thinking that most of us with
> pro-sumer level audio interfaces wouldn't get the same
> high quality output that a dedicated machine might
> get.  I could be totally wrong though, which is why I
> asked.  If you're truely saying that for the price of
> a laptop (to use me as an example) ($1400), audio
> interface ($200) and Reaktor software ($300) I'd get
> something on par with an Exclipse, well then I'd be
> shaking in my boots if I was a hardware manufacture.
>
> M
>
> --- Bill Fox <billyfox@soundscapes.us> wrote:
>
>> mark sottilaro wrote:
>>
>> > All this talk about Eclipse/Fireworx vs.
>> Max/Reaktor
>> > made me think, surely dedicated hardware must
>> sound a
>> > lot better, no? Perhaps software is way more
>> flexible
>> > but is it as good? If all you got from hardware
>> was
>> > lower latency I'd imagine ebay would be flooded
>> with
>> > effects processors to the point people couldn't
>> give
>> > them away. I'm excited about what my humble laptop
>> > can do but will it rival even my modest Lexicon
>> MPX1
>> > in terms of sound quality?
>>
>> Unless I'm not correctly understanding your
>> question, it seems to me
>> that you're asking about audio quality.  This seems
>> like an odd
>> question, if it isn't a troll.  ;-)  Considering all
>> of the applications
>> a computer can do: play CDs, play DVDs, run
>> sequencers like Sonar and
>> ProTools, run Live, et al, audio quality shouldn't
>> even be an issue
>> unless an app is poorly written.  Shouldn't you be
>> asking about timing,
>> latency, ease of operation?
>>
>> Cheers,
>>
>> Bill
>>
>>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 21:08:07 2006
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----- Original Message ----- 
From: <improv@peak.org>
> And, speaking of notebook looping systems, a brand new dual-core  Thinkpad 
> T60 kind of just fell into my lap! My old Thinkpad just barely  runs 
> Mobius in standalone, I wasn't planning on replacing it, but was  just 
> offered an amazing deal on this new lappy.


Outstanding!!!!  I love my T60p now.  One thing you may find (if the T60 has 
the same sound system as the T60p), which really pissed me off, is that 
there is no sound card, per se...the sound is integrated into the Intel 
chipset. I found out quickly that some of my music systems wouldn't even 
recognize that there was a sound input/output device.  It's like it is 
non-existent.  I was hoping that the new Intel high definition audio would 
sound good by itself, but not if I couldn't even get it to be recognized by 
my VST hosts, etc. It see the default SoundMax software for configuring the 
HD audio, but it doesn't operate like a typical sound card driver.  I called 
Lenovo tech support and they basically confirmed what my wife told me (who 
works for Intel)...there is no sound card....HD audio is built inside the 
chipset.

Let me know what you disover. The HD audio sound great with CDs and music 
you play from your music software, of course.

Kris



From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 21:18:03 2006
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Hey Kris,

I'll be real interested in your thoughts on the midi mouse once you get it and
work with it a bit. I have a few gigs later in the summer where I need to run
things off battery packs and something like that might be just the thing.

Paul Haslem
www.dulcify.ca




Quoting Krispen Hartung <khartung@cableone.net>:

> Yup. I have both  my Looperlative and Mobius accepting program 
> changes now, and I do this on only one channel.  Basically, all I 
> need to do is send 10-12 program changes via MIDI channel 1, just to 
> trigger basic functions like Record, Overdub, Multiply, Next, etc.  
> I've never been much of  MIDI wiz...I don't do all that fancy stuff 
> with syncing, using multiple MIDI channels to send different types 
> data ,etc....I just use the basic functions of mu looping software to 
> the n'th degree. :)
>
> Kris

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 21:19:55 2006
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--- jeff larson <jeff.larson@sailpoint.com> wrote:
> I guarantee you though that if you tie this
> to an expensive
> piece of hardware no one will buy it.

Why do you say that?  Isn't that what the EDP and
Looperlative are?  The Looperlative wasn't for me but
it seems like he's selling a bunch of them.

Mark

> Be careful using
> phrases like
> "solid as any hardware solution" on this list.  You
> will incur the
> awesome wrath of the Dedicated Hardware Loopers! :-)

Maybe it's an illusion based on lack of real
experience, but for some reason I just feel like the
top hardware loopers are still more... solid or
something... than laptop looping is.  I honestly hope
I'm wrong, as the possibilites seem endless.

Mark

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 21:26:22 2006
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On Jul 2, 2006, at 11:52 PM, Kim Flint wrote:

>
> Who else has survived on the Looper's Delight list the entire 10  
> years?


I've been around since the beginning. I remember Kim first mentioning  
on another list ( the old David Torn Door X list?) that he was going  
to create a looping list so I sent him my email address to let me  
know when he got it up and running.  I mostly lurk around here but  
I've hung around the whole time and learned a lot.

Thanks!
Feeling Loopy,

Ed

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thanks kim for the tip -
i solved it myself, i just used some rubber isolators so the edp isn't
touching the metal parts of the rack and that solved it -
i remembered something like this happening years ago -
i guess they'[re sensitive to that -

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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: Loop effects: Can software be as good as good hardware?
Date: Mon, 3 Jul 2006 15:15:58 -0700
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There=92s no pitch-shifter in Reaktor to equal Eventide=92s proprietary =20=

algorithms, and no reverb in there to equal Lexicon=92s. Only you can =20=

say whether that matters, or if you (or your audience) can even hear =20
that it=92s true. I had Eventides and high-end Lexicons, and I do miss =20=

their unique audio qualities, but these became less exciting after a =20
while and I could no longer justify the expense (hardware IS re-=20
sellable!). If I played/recorded for $$$$ or travelled with my gear, =20
I expect I=92d have both hard and software.
dc


On Jul 3, 2006, at 1:20 PM, mark sottilaro wrote:

> If you're truely saying that for the price of
> a laptop (to use me as an example) ($1400), audio
> interface ($200) and Reaktor software ($300) I'd get
> something on par with an Exclipse


--Apple-Mail-1--288416901
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">There=92s no pitch-shifter in =
Reaktor to equal Eventide=92s proprietary algorithms, and no reverb in =
there to equal Lexicon=92s. Only you can say whether that matters, or if =
you=A0(or your audience) can even hear that it=92s true. I had Eventides =
and high-end Lexicons, and I do miss their unique audio qualities, but =
these became less exciting after a while and I could no longer justify =
the expense (hardware IS re-sellable!). If I played/recorded for $$$$ or =
travelled with my gear, I expect I=92d have both hard and =
software.=A0<DIV>dc<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Jul 3, =
2006, at 1:20 PM, mark sottilaro wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Lucida Grande" =
size=3D"4" style=3D"font: 14.0px Lucida Grande">If you're truely saying =
that for the price of</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Lucida Grande" size=3D"4" style=3D"font: 14.0px =
Lucida Grande">a laptop (to use me as an example) ($1400), =
audio</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT =
face=3D"Lucida Grande" size=3D"4" style=3D"font: 14.0px Lucida =
Grande">interface ($200) and Reaktor software ($300) I'd get</FONT></P> =
<P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Lucida =
Grande" size=3D"4" style=3D"font: 14.0px Lucida Grande">something on par =
with an Exclipse</FONT></P> =
</BLOCKQUOTE></DIV><BR></DIV></DIV></BODY></HTML>=

--Apple-Mail-1--288416901--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 22:17:12 2006
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: software based phrase sampler
Date: Mon, 3 Jul 2006 17:17:07 -0500
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On Jul 3, 2006, at 4:19 PM, mark sottilaro wrote:

 > > I guarantee you though that if you tie this
 > > to an expensive piece of hardware no one will buy it.
 >
 > Why do you say that?  Isn't that what the EDP and
 > Looperlative are?

What won't sell is a combination of PC software with a piece of
required hardware.  An all hardware product is ok if you can
manufacture it cheaply enough.  All software is ok, provided you're
realistic about pricing.  But as soon as there is a hardware component
with the software, the cost is going to be pushed into the hundreds of
dollars which puts you into competition with Ableton Live.

 > Maybe it's an illusion based on lack of real
 > experience, but for some reason I just feel like the
 > top hardware loopers are still more... solid or
 > something... than laptop looping is.

In general they probably are, there's just a lot more more to go wrong
on a PC if you're not careful.  And software loopers haven't had the
same level of "burn in" that mature hardware/software like the EDP
has had, so you're more likely to encounter bugs.   These are not
insurmountable problems.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 22:39:47 2006
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Date: Mon, 3 Jul 2006 15:39:44 -0700 (PDT)
Subject: Re: Loop effects: Can software be as good as good hardware?
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> I think you can get too close for comfort, Mark.  This is why I replaced
> my
> 15 space rack (which I had two years ago) with a laptop, and spend over
> $1000 on some really good VST effect software. . I've never owned an
> Eclipse, but I've owned other high end processors, and I can't tell a lot
> of
> differentce in the quality of effects between the hardware and software
> (with a good 24 bit audio interface). It is so close for me that I am
> mostly
> software now.
>
Some friends of mine just started a groove-jazz "organ" trio,
keys/guitar/drums. The guitarist has a mac G4 laptop, and he is running NI
Guitar Rig for all of his guitar sounds. And the keyboardist is running
NI's B4 hammond simulator, with other synth sounds coming from Reason. And
the drummer is triggering loops and samples from drum pads in Live. All on
the same laptop. THE SAME FREAKIN' LAPTOP. Essentially, after micing the
drums, they give the soundguy a stereo feed from the laptop. Having played
live in a band with 2 laptops onstage for the last couple of years, I
admire their cojones, that's a lot riding on one machine. They've played a
few shows already and it's working. But man, having had computers fail
onstage before, I don't know if I'd want to trust them that completely.

I think there's still a place for good analog hardware. I have yet to find
a software emulator that sounds as good as my minimoog, my MOTM modular,
my Space Echo and my Neve preamps. But, over the last few years, I have
gotten rid of my good digital reverbs and samplers, because Logic's Space
Designer and EXS 24, through good converters, sound as good to my ears,
and are about a million times easier to use in my studio.

From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 22:52:55 2006
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Subject: Re: Loop effects: Can software be as good as good hardware?
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that's well said, David.  This would make a big difference to a pro =
studio owner, as opposed to a live, experimental music looper in most =
cases, I suppose.

Kris


  ----- Original Message -----=20
  From: David Coffin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 03, 2006 4:15 PM
  Subject: Re: Loop effects: Can software be as good as good hardware?


  There=92s no pitch-shifter in Reaktor to equal Eventide=92s =
proprietary algorithms, and no reverb in there to equal Lexicon=92s. =
Only you can say whether that matters, or if you (or your audience) can =
even hear that it=92s true. I had Eventides and high-end Lexicons, and I =
do miss their unique audio qualities, but these became less exciting =
after a while and I could no longer justify the expense (hardware IS =
re-sellable!). If I played/recorded for $$$$ or travelled with my gear, =
I expect I=92d have both hard and software.=20
  dc




  On Jul 3, 2006, at 1:20 PM, mark sottilaro wrote:


    If you're truely saying that for the price of

    a laptop (to use me as an example) ($1400), audio

    interface ($200) and Reaktor software ($300) I'd get

    something on par with an Exclipse



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dwindows-1252">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>that's well said, David.&nbsp; This =
would make a=20
big difference to a pro studio owner, as opposed to a live, experimental =
music=20
looper in most cases, I suppose.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Ddpcoffin@earthlink.net =
href=3D"mailto:dpcoffin@earthlink.net">David=20
  Coffin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 03, 2006 =
4:15 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Loop effects: Can =
software=20
  be as good as good hardware?</DIV>
  <DIV><BR></DIV>There=92s no pitch-shifter in Reaktor to equal =
Eventide=92s=20
  proprietary algorithms, and no reverb in there to equal Lexicon=92s. =
Only you=20
  can say whether that matters, or if you&nbsp;(or your audience) can =
even hear=20
  that it=92s true. I had Eventides and high-end Lexicons, and I do miss =
their=20
  unique audio qualities, but these became less exciting after a while =
and I=20
  could no longer justify the expense (hardware IS re-sellable!). If I=20
  played/recorded for $$$$ or travelled with my gear, I expect I=92d =
have both=20
  hard and software.&nbsp;
  <DIV>dc
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV><BR>
  <DIV>
  <DIV>On Jul 3, 2006, at 1:20 PM, mark sottilaro wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite">
    <P style=3D"MARGIN: 0px"><FONT style=3D"FONT: 14px Lucida Grande"=20
    face=3D"Lucida Grande" size=3D4>If you're truely saying that for the =
price=20
    of</FONT></P>
    <P style=3D"MARGIN: 0px"><FONT style=3D"FONT: 14px Lucida Grande"=20
    face=3D"Lucida Grande" size=3D4>a laptop (to use me as an example) =
($1400),=20
    audio</FONT></P>
    <P style=3D"MARGIN: 0px"><FONT style=3D"FONT: 14px Lucida Grande"=20
    face=3D"Lucida Grande" size=3D4>interface ($200) and Reaktor =
software ($300) I'd=20
    get</FONT></P>
    <P style=3D"MARGIN: 0px"><FONT style=3D"FONT: 14px Lucida Grande"=20
    face=3D"Lucida Grande" size=3D4>something on par with an=20
  =
Exclipse</FONT></P></BLOCKQUOTE></DIV><BR></DIV></DIV></BLOCKQUOTE></BODY=
></HTML>

------=_NextPart_000_0055_01C69EC1.1F0B9F90--


From Loopers-Delight-request@loopers-delight.com  Mon Jul  3 23:09:44 2006
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Date: Mon, 03 Jul 2006 19:09:39 -0400
Subject: Re: 10 year's anniversary of Looper's Delight ?
From: Todd Reynolds <toddreyn@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
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Thread-Topic: 10 year's anniversary of Looper's Delight ?
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Time-lapse phonography...

http://lukedubois.com/billboard

This is also released as a cantaloupe music record of the same name,
available everywhere you'd expect.  You might have seen it boing-boinged or
on some other blog.

Luke is one of those guys who does it all, audio and video with equal
aplomb.  He also was one of the chief writers of jitter, the video componen=
t
of max/msp. =20

He's my partner in crime my violin/live video duo.  Ain't I a lucky guy...

If y'all wanna see some... It's a large file, but...

http://toddreynolds.com/emovies/thesolutionbh.mov    my music, lukes video
listens to the live violin, the delays or the track.  You'll see it clearly=
.

But the timelapsephonography stuff is cool, all rendered with max.  now he
does movies too.  Casablanca in 10 minutes.  Gotta see it to believe it, an=
d
Academy, all the best pictures shrunk to a minute.  Now THAT'S cool.  It's
in an  art gallery in manhattan.

Also, see http://lukedubois.com/play

All of the playboy playmates' faces with their eyes centered.  It's an
incredible view of history.

Bests,

Todd



On 7/3/06 1:05 PM, "Krispen Hartung" <khartung@cableone.net> wrote:

> Well, you guys could be humorous and record a full length looping song, a=
nd
> then use Acid or something like it to shrink it down to 30 second....for
> those stretched out and slow moving ambient pieces, it might sound
> interesting, like watching a flower bloom using time lapse videography.
>=20
> K-
> ----- Original Message -----
> From: <burnett@pobox.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, July 03, 2006 10:36 AM
> Subject: Re: Re: 10 year's anniversary of Looper's Delight ?
>=20
>=20
>>> ----- Original Message ----- From: "Bill Fox" <billyfox@soundscapes.us>
>>>=20
>>> I realize that your space may be limited, but I feel the need to point
>>> out that 30 seconds often is shorter than my typical loop length!  ;-)
>>> Still, I'm planning on coming up with a loop to contribute.
>>>=20
>>> Cheers,
>>> Bill
>>=20
>> Indeed. I went ahead and used it as a constraint I wouldn't normally
>> adhere to, to see what I'd do that I might not normally. Nice challenge
>> for me.
>>=20
>> One of the self-challenges I came up with a while back was to use only
>> no-longer-manufactured gear for a set of sessions I called "planned
>> obsolescence" - that's not a hard challenge for most of us here, but it
>> did mean I had to not play either of my primary instruments, or use the
>> majority of my favorite effects.
>>=20
>> best,
>> Steve B  Subscape Annex  http://www.subscapeannex.com/
>>=20
>>=20
>=20
>=20

---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




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Subject: Determining First Subscription Date at L.D.
Date: Mon, 3 Jul 2006 18:47:13 -0700
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I was curious about discovering when I first signed up to Loopers Delight.

I signed up when I first got on the internet (on a 56k modem) but was 
overwhelmed
in the first couple of days by dozens and dozens of postings (before I even 
knew about
the digest option, or perhaps before it was in existence).

I was such a computer neophyte (back in the phase where computers are scary 
and unpredictable
before you've learned to use them) that I immediately unsubscribed for a 
long while (or so it felt).

Then I rejoined around the year 2000 which is when I can find my first 
posts.

I'd love to know when I first subscribed and then , subsequently , when I 
resubcribed.

Is there a way of discovering our first date of subscription without 
unnecessarily bugging Kim Flint about
it? 

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 01:48:55 2006
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From: Doug Wyatt <doug@sonosphere.com>
Subject: Re: Determining First Subscription Date at L.D.
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On Jul 3, 2006, at 18:47 , loop.pool wrote:
> Is there a way of discovering our first date of subscription  
> without unnecessarily bugging Kim Flint about
> it?

Unless you are an email packrat and have all of your old messages  
saved, not unless you have a friend from the NSA ;-)

Doug

--
Doug Wyatt
http://www.dougwyatt.net/
    ^ music
    The Dream of 'I' CD now available!
http://www.dougwyatt.net/TheDreamOfI/Instruments/
    ^ interactive synth museum
http://www.sonosphere.com/
    ^ and more


From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 01:55:02 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: RE: LOOPERS DELIGHT 10 year ANNIVERSARY PARTY (Y2K6 LOOP FESTIVAL)
Date: Mon, 3 Jul 2006 18:55:05 -0700
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aaron lease wrote:
"I have been looking for a reason to go to SF ...... I know some people who
own a coffee shop there that would probably host a little music too.  I
would love to see everyones gear and music ..... let's make it happen."

Gosh,  Aaron,  you should at least make it (and come perform at 30 minute 
set)
to this years Y2K6 International Live Looping Festival just south of San 
Francisco
on October 21st and 22nd.

This is the fifth year of the Y2K_  series and in the past three years we've 
had up to 50
artists from 7 different countries and all of the United States perform and 
hang out.

The festival is really as much of a live looping convention as it is a 
performance (although
we have 24 hours of continuous performance over two days of the main 
festival with
little 'best of festivals'  held in Big Sur, San Jose and San Francisco in 
the week previous)
and we top it all off with a Loopers Breakfast on October 23rd for all of 
those who are still
standing (or who can afford to stay one more day in Northern California).

Let me know and I'll book you a performance space or just come watch, learn 
and appreciate
all the incredible diversity in this live looping phenomenae.

If you are interested in performing,   please write me at
rickwalker(at sign)looppool(dot)info
with the words

Y2K6 Festival SUBMISSION  (so that I can sort it out of my voluminuos email 
correspondance around the
festival).

I hope you can make it.


yours,    Rick Walker  (festival organizer) 

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 02:01:52 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Re: LOOPERS DELIGHT 10 year ANNIVERSARY PARTY
Date: Mon, 3 Jul 2006 19:01:55 -0700
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Kris Hartung wrote:
But I am soooooooo way late on the LD scene. I'm embarassed to say that my
first post was April 23, 2004, ...............  I'm barely worthy of
attending a reunion!"

Jeez,  Kris,  you have had such an enormous impact on my life and work and 
on the
work of many of the top loopers on this list and you've had such an impact 
on
the Y2K_ Live Looping Festivals   that it way more than makes up for
the lateness of your arrival.

Get over it, buddy..........................you are a stellar example of a 
member of this illustrious
and creative community.

yours,  Rick 

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 02:05:18 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Determining First Subscription Date at L.D.
Date: Mon, 3 Jul 2006 19:05:14 -0700
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Rick,

I believe all of everyone's posts to Loopers Delight (from first to 
last) gets
assimilated (sooner or later) into the LD archive. That's how I found 
out
when I first posted.

Go to the archive at the LD site, log in and see if you can search for 
your name.
It should give you a list of postings starting off with your first post.

Cheers,

Ted

On Jul 3, 2006, at 6:47 PM, loop.pool wrote:

> I was curious about discovering when I first signed up to Loopers 
> Delight.
>
> I signed up when I first got on the internet (on a 56k modem) but was 
> overwhelmed
> in the first couple of days by dozens and dozens of postings (before I 
> even knew about
> the digest option, or perhaps before it was in existence).
>
> I was such a computer neophyte (back in the phase where computers are 
> scary and unpredictable
> before you've learned to use them) that I immediately unsubscribed for 
> a long while (or so it felt).
>
> Then I rejoined around the year 2000 which is when I can find my first 
> posts.
>
> I'd love to know when I first subscribed and then , subsequently , 
> when I resubcribed.
>
> Is there a way of discovering our first date of subscription without 
> unnecessarily bugging Kim Flint about
> it?

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 02:17:00 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: LD 10th Anniversary/ Y2K6 Loopfest: wanna combine 'em?
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improv@peak.org  wrote:
"Just a thought, what about making the 10 year anniversary celebration
coincide with Y2K6 in Santa Cruz?  I am hoping to attend this year, at
least as an audient if not a performer".

I was going to suggest that myself but I was afraid of appearing to steal 
any thunder from Kim,
whose baby this is,  after all.

Above all things,   I wish to come off as supportive and respectful in that 
regard.

After all,  there wouldn't be such a huge festival without Kim's and 
everyone's efforts in this community.

So..............
If people want,  I'd be more than happy to incorporate a special day of the 
festival
to celebrating the 10th Anniversary of Loopers Delight.

After all,  the festival itself will be celebrating it's 5th anniversary in 
this present form
(we began this officially with the Y2K2 Live Looping Festival and went 
'international' the next year)
so we could kill two birds and two reunions with one huge event.
Another thing is that the infrastructure is already in place for the 
festival and it wouldn't take a lot of
extra planning to organize it well as an addition to the big festival in SC 
on the weekend.

The main Festival will be held on  Saturday and Sunday,  October 21st and 
22nd
We also have bookings now,  for San Jose on Wednesday,  October 17th
and at the Luggage Store on Thursday,  October 18th   so I currently have
an opening for Friday night.......................wanna have a big dinner 
somewhere in the Bay Area
on that night before the big festival starts on Saturday?

We could make it be in San Francisco  or perhaps Oakland  (that would be 
nice as we could
extend the festival to that very, very creative city  and Kim wouldn't have 
to go very far
from his home to attend?

Sound interesting?

I think it is up to Kim to say yes or to veto this idea so I respectfully 
await his reply.

What do you think,  buddy?

Rick 

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On 7/3/06, loop.pool <looppool@cruzio.com> wrote:
> I was curious about discovering when I first signed up to Loopers Delight.
>
> I signed up when I first got on the internet (on a 56k modem) but was
> overwhelmed

AHK - I joined on 3 Apr 1999 with a 14.4k modem =)

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 08:18:41 2006
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At 06:48 PM 7/3/2006, Doug Wyatt wrote:
>On Jul 3, 2006, at 18:47 , loop.pool wrote:
>>Is there a way of discovering our first date of subscription
>>without unnecessarily bugging Kim Flint about
>>it?
>
>Unless you are an email packrat and have all of your old messages
>saved, not unless you have a friend from the NSA ;-)

I'm not affiliated with the NSA, but I am an email packrat. I have every 
subscribe message ever sent to the list.

Rick, from what I can tell, you subscribed with the address 
"global@cruzio.com" on July 31, 1998, at 12:47 am pacific time.

You then unsubscribed a little more than 10 hours later, July 31, 1998 at 
11:05am.

Clearly you were not ready for us.

Your next subscribe message comes September 26, 2000, 6:19pm.

You were apparently overwhelmed again, as you switched to digest 13 minutes 
later.

If anybody else wants to know crap like this, blow me.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

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Hi krispen,
Here is mine composed of 4 different
loops,unfortunately about 50 sec.long before it
repeats itself(ups)
but if it doesnt work for this project then ill donate
it to the LD comunity
http://www.luis-angulo.com/looplab.htm
cheers
Luis

www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 09:12:06 2006
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Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Tue, 4 Jul 2006 10:11:49 +0100
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Happy Independence Day!

Hm, should we discuss parameters of the work along the lines of key, bpm, 
and so on?  Not that I ever proffer anything less than individuality, but 
such considerations would make life much simpler for the poor industrious 
soul who compiles it all together.  Sorry, I had to bring it up.

[going out soon to look for a big, insolent skyrocket to shoot off the roof 
in London tonight]

Stephen Goodman
*
* Cartoons about DVDs and Stuff
* http://www.earthlight.net/HiddenTrack
* The Loop Of The Week since 1996!
* http://www.earthlight.net/Studios

----- Original Message ----- 
From: "Kim Flint" <kflint@loopers-delight.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, 3 July, 2006 21:53 PM
Subject: Re: 10 year's anniversary of Looper's Delight ?


> At 07:26 AM 6/28/2006, Krispen Hartung wrote:
>>How about each of us record a 30 second looping piece and we create a 
>>giant collage of looping stringed together in one MP3, or streamed via a 
>>playlist. I'm willing to store the MP3s and host the playlist.
>>
>>Kris
>
> this is a neat idea, thanks Kris!
>
> When it is all compiled together we can put the final result up on the 
> Looper's Delight site to save it for posterity.
>
> kim
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 09:54:53 2006
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Hi Kris, I've upload mine 30 seconds loop !

Fabio Anile

http://xoomer.virgilio.it/eterogeneo/
http://music.download.com/eterogeneo/3600-8357-100294444.html?tag=quickurl





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josh, just bear in mind- & it may not be a factor for you anyway- that the
x-station only works with os-x (all flavours) or XP, not w2k.
the two stereo effects outputs are indeed presented as a single stereo pair
over usb & at the rear panel. still very useful though.
 
I'm more likely to use the x-y pad thing on mine now that I've finally got
used to using the scrolly track-pad effort on my macbook... :-)
 
duncan.


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<DIV><SPAN class=304305210-04072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>josh, just bear in mind- &amp; it may not be a factor for 
you anyway- that the x-station only works with os-x (all flavours) or XP, not 
w2k.</FONT></SPAN></DIV>
<DIV><SPAN class=304305210-04072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>the two stereo effects outputs are indeed presented as a 
single stereo pair over usb &amp; at the rear panel. still very useful 
though.</FONT></SPAN></DIV>
<DIV><SPAN class=304305210-04072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=304305210-04072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>I'm more likely to use the x-y pad thing on mine now that 
I've finally got used to using the scrolly track-pad effort on my macbook... 
:-)</FONT></SPAN></DIV>
<DIV><SPAN class=304305210-04072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=304305210-04072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>duncan.</FONT></SPAN></DIV><CODE><FONT SIZE=3><BR>
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From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 11:49:01 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Loop effects: Can software be as good as good hardware?
Date: Tue, 4 Jul 2006 13:20:28 +0200
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On Jul 3, 2006, at 22:20, mark sottilaro wrote:

> If you're truely saying that for the price of
> a laptop (to use me as an example) ($1400), audio
> interface ($200) and Reaktor software ($300) I'd get
> something on par with an Exclipse, well then I'd be
> shaking in my boots if I was a hardware manufacture.

Some musicians still give priority to how fast and stable a rig is in  
a daily (touring) use. Obviously computer application based systems  
don't score well here. If you are serious with using laptops etc you  
need to learn about and care about the system maintenance in a way  
you don't have to when working with hardware.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 11:49:02 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Loop effects: Can software be as good as good hardware?
Date: Tue, 4 Jul 2006 13:44:04 +0200
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On Jul 4, 2006, at 0:39, improv@peak.org wrote:

> But man, having had computers fail
> onstage before, I don't know if I'd want to trust them that  
> completely.

This is the reason I have programmed some "looping patches" into my  
FireworX (hardware fx processor) although I normally do all looping  
on a laptop (running Mobius). I the computer should break I would be  
able to keep up with my role in the group.... well, to some extent ;-)


> I think there's still a place for good analog hardware. I have yet  
> to find
> a software emulator that sounds as good as my minimoog, my MOTM  
> modular,
> my Space Echo and my Neve preamps. But, over the last few years, I  
> have
> gotten rid of my good digital reverbs and samplers, because Logic's  
> Space
> Designer and EXS 24, through good converters, sound as good to my  
> ears,
> and are about a million times easier to use in my studio.

I too produce recordings with Logic and I couldn't have said it  
better myself. Some records I did in the nineties (before I was able  
to go full time into experimental looping music) was done with a huge  
Neve console, all kinds of tube compressors etc and analog 24 tack  
recorders. I still like that sound but I wouldn't say that it sounds  
"better" than software. A Neve board sounds like a Never board,  
that's it. Nuendo (software) sounds like Nuendo etc.

I think that most gear and software available today sounds good  
enough. After all, it's the music that matters.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 12:00:43 2006
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Hi Aaron

> Statton is a well-known DJ equipment manufacturer.  They're hardware 
> guys so be sure to pitch the USB controller to them as well.
Actually, thinking of it:
I know that midi footcontrollers are the right thing for the people on this mailing list.
But I think, for the average guitar player it _could_ be convenient to pick up a software with a USB pedal that is simply plug&play. You could probably reach a mass target group that is new to looping and doesn't want to (initially) hassle with midi pedals and control messages etc....
Just a pedal + software that is working out of the box.

Why not? :-)

Buzap

-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

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> I remember seeing a blurb on a mini-Ableton clone in one 
> of my synth magazines last year. 

Actually, if there is a "mini-looper" for PocketPC - it would be really awesome!!
Not for anything series for me, but I'd like to jam with myself or work on some ideas while travelling.

So, is there a simple "pocket looper" you know of?

Besides that, miniaturization is a natural process, so we will see VST chains in 5 years for sure within a Palm.
Just think of what a small guitar multi-effect pedal can do today and what you would have needed 20 years ago...

Best regards
Buzap
-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*!
"Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl

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Hi Jeff

> What won't sell is a combination of PC software with a piece of
> required hardware. 
As stated also in my mail addressing Aaron, I think a well integrated hardware controller + software DO have a lot of potential.
Look at all these M-Audio interfaces that work with Ableton Live.

What you need is a really nice, seamless and intiuitive yet powerful integration of hardware controllers.
Sometimes, I dream of a 18 pedal controller giant and make nice drawings and say to myself "wow, if somebody would build something just like this...".
The critical part imho is not the software versus hardware part. It all boils down to the useability of the whole solution. The right, well integrated controller couild give you the edge here.

Marketing and financing the whole thing - without the backing of a company like Roland or Korg - is of course another issue... ;-)

Best regards

Burak

-- 


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From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 13:47:43 2006
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...and it's (shrink ambient down to much shorter) already been done, and 
amazingly well too. Thanks for sharing this, Todd. I think I'll keep 
working the stretch out sample instead of speed-up and compress: for one 
thing, I can't think of how to do the time-lapse concept as a live 
performance without moving ten times as fast as normal, and if I can do 
that I'll probably be doing other things with that ability than involve a 
stage.

Oh, and the Playboy link gives file not found.

best,
Steve B   Subscape Annex   http://www.subscapeannex.com/

On Mon, 3 Jul 2006, Todd Reynolds wrote:

> Time-lapse phonography...
>
> http://lukedubois.com/billboard
>
> This is also released as a cantaloupe music record of the same name,
> available everywhere you'd expect.  You might have seen it boing-boinged or
> on some other blog.
>
> Luke is one of those guys who does it all, audio and video with equal
> aplomb.  He also was one of the chief writers of jitter, the video component
> of max/msp.
>
> He's my partner in crime my violin/live video duo.  Ain't I a lucky guy...
>
> If y'all wanna see some... It's a large file, but...
>
> http://toddreynolds.com/emovies/thesolutionbh.mov    my music, lukes video
> listens to the live violin, the delays or the track.  You'll see it clearly.
>
> But the timelapsephonography stuff is cool, all rendered with max.  now he
> does movies too.  Casablanca in 10 minutes.  Gotta see it to believe it, and
> Academy, all the best pictures shrunk to a minute.  Now THAT'S cool.  It's
> in an  art gallery in manhattan.
>
> Also, see http://lukedubois.com/play
>
> All of the playboy playmates' faces with their eyes centered.  It's an
> incredible view of history.
>
> Bests,
>
> Todd
>
>
>
> On 7/3/06 1:05 PM, "Krispen Hartung" <khartung@cableone.net> wrote:
>
>> Well, you guys could be humorous and record a full length looping song, and
>> then use Acid or something like it to shrink it down to 30 second....for
>> those stretched out and slow moving ambient pieces, it might sound
>> interesting, like watching a flower bloom using time lapse videography.
>>
>> K-
>> ----- Original Message -----
>> From: <burnett@pobox.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Monday, July 03, 2006 10:36 AM
>> Subject: Re: Re: 10 year's anniversary of Looper's Delight ?
>>
>>
>>>> ----- Original Message ----- From: "Bill Fox" <billyfox@soundscapes.us>
>>>>
>>>> I realize that your space may be limited, but I feel the need to point
>>>> out that 30 seconds often is shorter than my typical loop length!  ;-)
>>>> Still, I'm planning on coming up with a loop to contribute.
>>>>
>>>> Cheers,
>>>> Bill
>>>
>>> Indeed. I went ahead and used it as a constraint I wouldn't normally
>>> adhere to, to see what I'd do that I might not normally. Nice challenge
>>> for me.
>>>
>>> One of the self-challenges I came up with a while back was to use only
>>> no-longer-manufactured gear for a set of sessions I called "planned
>>> obsolescence" - that's not a hard challenge for most of us here, but it
>>> did mean I had to not play either of my primary instruments, or use the
>>> majority of my favorite effects.
>>>
>>> best,
>>> Steve B  Subscape Annex  http://www.subscapeannex.com/

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Thanx Jeff. Being new to all this stuff, no one ever listed the web addresses that I have seen. I spend all my free time reading web messages !!  Rick

Jeffrey Larson <jeff@zonemobius.com> wrote:  On Jul 3, 2006, at 6:56 AM, aaron leese wrote:

> does anyone else know of a product that allows
> you to record loops of different lengths live 

In hardware, check out the Looperlative, www.looperlative.com.

In software, a lot of people seem to like Mobius, www.zonemobius.com.

On the Mac, check out SooperLooper, www.essej.com and
Augustus Loop, www.collective.co.uk/expertsleepers/augustusloop.html.

Even though some VST loopers are single track, you can run more than
one instance of them in a VST host.

Jeff



 		
---------------------------------
Want to be your own boss? Learn how on  Yahoo! Small Business. 
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Thanx Jeff. Being new to all this stuff, no one ever listed the web addresses that I have seen. I spend all my free time reading web messages !!&nbsp; Rick<BR><BR><B><I>Jeffrey Larson &lt;jeff@zonemobius.com&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">On Jul 3, 2006, at 6:56 AM, aaron leese wrote:<BR><BR>&gt; does anyone else know of a product that allows<BR>&gt; you to record loops of different lengths live <BR><BR>In hardware, check out the Looperlative, www.looperlative.com.<BR><BR>In software, a lot of people seem to like Mobius, www.zonemobius.com.<BR><BR>On the Mac, check out SooperLooper, www.essej.com and<BR>Augustus Loop, www.collective.co.uk/expertsleepers/augustusloop.html.<BR><BR>Even though some VST loopers are single track, you can run more than<BR>one instance of them in a VST host.<BR><BR>Jeff<BR><BR></BLOCKQUOTE><BR><p>&#32;
		<hr size=1>Want to be your own boss? Learn how on <a href="http://us.rd.yahoo.com/evt=41244/*http://smallbusiness.yahoo.com/r-index"> Yahoo! Small Business.</a> 

--0-1327589102-1152024105=:6670--

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Subject: Re: Determining First Subscription Date at L.D.
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Who isn't overwhemed with all this crap !!  ;-)    Rick
Kim Flint <kflint@loopers-delight.com> wrote:  At 06:48 PM 7/3/2006, Doug Wyatt wrote:
>On Jul 3, 2006, at 18:47 , loop.pool wrote:
>>Is there a way of discovering our first date of subscription
>>without unnecessarily bugging Kim Flint about
>>it?
>
>Unless you are an email packrat and have all of your old messages
>saved, not unless you have a friend from the NSA ;-)

I'm not affiliated with the NSA, but I am an email packrat. I have every 
subscribe message ever sent to the list.

Rick, from what I can tell, you subscribed with the address 
"global@cruzio.com" on July 31, 1998, at 12:47 am pacific time.

You then unsubscribed a little more than 10 hours later, July 31, 1998 at 
11:05am.

Clearly you were not ready for us.

Your next subscribe message comes September 26, 2000, 6:19pm.

You were apparently overwhelmed again, as you switched to digest 13 minutes 
later.

If anybody else wants to know crap like this, blow me.

kim


______________________________________________________________________
Kim Flint | Looper's Delight
kflint@loopers-delight.com | http://www.loopers-delight.com 



 			
---------------------------------
Sneak preview the  all-new Yahoo.com. It's not radically different. Just radically better. 
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Who isn't overwhemed with all this crap !!&nbsp; ;-)&nbsp;&nbsp;&nbsp; Rick<BR><B><I>Kim Flint &lt;kflint@loopers-delight.com&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">At 06:48 PM 7/3/2006, Doug Wyatt wrote:<BR>&gt;On Jul 3, 2006, at 18:47 , loop.pool wrote:<BR>&gt;&gt;Is there a way of discovering our first date of subscription<BR>&gt;&gt;without unnecessarily bugging Kim Flint about<BR>&gt;&gt;it?<BR>&gt;<BR>&gt;Unless you are an email packrat and have all of your old messages<BR>&gt;saved, not unless you have a friend from the NSA ;-)<BR><BR>I'm not affiliated with the NSA, but I am an email packrat. I have every <BR>subscribe message ever sent to the list.<BR><BR>Rick, from what I can tell, you subscribed with the address <BR>"global@cruzio.com" on July 31, 1998, at 12:47 am pacific time.<BR><BR>You then unsubscribed a little more than 10 hours later, July 31, 1998 at
 <BR>11:05am.<BR><BR>Clearly you were not ready for us.<BR><BR>Your next subscribe message comes September 26, 2000, 6:19pm.<BR><BR>You were apparently overwhelmed again, as you switched to digest 13 minutes <BR>later.<BR><BR>If anybody else wants to know crap like this, blow me.<BR><BR>kim<BR><BR><BR>______________________________________________________________________<BR>Kim Flint | Looper's Delight<BR>kflint@loopers-delight.com | http://www.loopers-delight.com <BR><BR></BLOCKQUOTE><BR><p>&#32;
	
		<hr size=1>Sneak preview the <a href="http://us.rd.yahoo.com/evt=40762/*http://www.yahoo.com/preview"> all-new Yahoo.com</a>. It's not radically different. Just radically better. 

--0-276372409-1152024272=:77776--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 14:47:51 2006
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To: Loopers-Delight@loopers-delight.com
References: <22351.62.2.75.66.1151495782.squirrel@webmail.perspectix.com><0ede01c69abe$dc6ef200$0cb1ec0f@americas.hpqcorp.net><00f601c69ad1$3ec33260$e701a8c0@pcfabio><0f6101c69ad2$b4470240$0cb1ec0f@americas.hpqcorp.net> <20060628132840.g2zio0ul1c0kokks@www.wightman.ca> <000601c69b24$118080c0$0200a8c0@raulb3d53f8e09> <112f01c69b26$82075920$0cb1ec0f@americas.hpqcorp.net> <44A93E29.9030806@soundscapes.us> <1db101c69eba$94a7ac00$0cb1ec0f@americas.hpqcorp.net> <Pine.LNX.4.64.0607031211040.11439@giggles.cavesofice.org> <00e701c69f4f$e05a12b0$e701a8c0@pcfabio>
Subject: Re: Re: 10 year's anniversary of Looper's Delight ?
Date: Tue, 4 Jul 2006 08:47:47 -0600
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Got it! It's in the playlist now.

Can someone test the playlist to see if the description text I entered is 
appearing in your player?

http://www.krispenhartung.com/loopers-delight-10year.m3u

Kris


----- Original Message ----- 
From: "Fabio Anile" <fabio.anile@tiscali.it>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 04, 2006 3:54 AM
Subject: Re: Re: 10 year's anniversary of Looper's Delight ?


> Hi Kris, I've upload mine 30 seconds loop !
>
> Fabio Anile
>
> http://xoomer.virgilio.it/eterogeneo/
> http://music.download.com/eterogeneo/3600-8357-100294444.html?tag=quickurl
>
>
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 15:05:50 2006
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References: <22351.62.2.75.66.1151495782.squirrel@webmail.perspectix.com><0ede01c69abe$dc6ef200$0cb1ec0f@americas.hpqcorp.net><00f601c69ad1$3ec33260$e701a8c0@pcfabio><0f6101c69ad2$b4470240$0cb1ec0f@americas.hpqcorp.net> <20060628132840.g2zio0ul1c0kokks@www.wightman.ca> <000601c69b24$118080c0$0200a8c0@raulb3d53f8e09> <112f01c69b26$82075920$0cb1ec0f@americas.hpqcorp.net> <44A93E29.9030806@soundscapes.us> <1db101c69eba$94a7ac00$0cb1ec0f@americas.hpqcorp.net> <Pine.LNX.4.64.0607031211040.11439@giggles.cavesofice.org> <00e701c69f4f$e05a12b0$e701a8c0@pcfabio> <018c01c69f78$d184efc0$abb0ec0f@americas.hpqcorp.net>
Subject: Re: Re: 10 year's anniversary of Looper's Delight ?
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YEs, I can read the description text.

fabio


----- Original Message ----- 
From: "Krispen Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 04, 2006 4:47 PM
Subject: Re: Re: 10 year's anniversary of Looper's Delight ?


> Got it! It's in the playlist now.
>
> Can someone test the playlist to see if the description text I entered is 
> appearing in your player?
>
> http://www.krispenhartung.com/loopers-delight-10year.m3u
>
> Kris
>
>
> ----- Original Message ----- 
> From: "Fabio Anile" <fabio.anile@tiscali.it>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, July 04, 2006 3:54 AM
> Subject: Re: Re: 10 year's anniversary of Looper's Delight ?
>
>
>> Hi Kris, I've upload mine 30 seconds loop !
>>
>> Fabio Anile
>>
>> http://xoomer.virgilio.it/eterogeneo/
>> http://music.download.com/eterogeneo/3600-8357-100294444.html?tag=quickurl
>>
>>
>>
>>
>>
>>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 15:14:17 2006
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Date: Tue, 4 Jul 2006 10:14:14 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: Re: 10 year's anniversary of Looper's Delight ?
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	 <0f6101c69ad2$b4470240$0cb1ec0f@americas.hpqcorp.net>
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The files loaded into itunes, but none of them had names (unless you
named them stuff like 1G29GJ3JOEHG and stuff like that) but there were
a few that had names pop up, which were Per Boysen, Josh Carroll and
Doug Wyatt...there also was one that showed up with the name "Ionian"
but didn't have any credits there...

btw, cool loops to all the folk who submitted loops and are on that playlist :)

Charlie

On 7/4/06, Krispen Hartung <khartung@cableone.net> wrote:
> Got it! It's in the playlist now.
>
> Can someone test the playlist to see if the description text I entered is
> appearing in your player?
>
> http://www.krispenhartung.com/loopers-delight-10year.m3u
>
> Kris
>
>
> ----- Original Message -----
> From: "Fabio Anile" <fabio.anile@tiscali.it>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, July 04, 2006 3:54 AM
> Subject: Re: Re: 10 year's anniversary of Looper's Delight ?
>
>
> > Hi Kris, I've upload mine 30 seconds loop !
> >
> > Fabio Anile
> >
> > http://xoomer.virgilio.it/eterogeneo/
> > http://music.download.com/eterogeneo/3600-8357-100294444.html?tag=quickurl
> >
> >
> >
> >
> >
> >
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 15:24:56 2006
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To: Loopers-Delight@loopers-delight.com
References: <22351.62.2.75.66.1151495782.squirrel@webmail.perspectix.com> <0f6101c69ad2$b4470240$0cb1ec0f@americas.hpqcorp.net> <20060628132840.g2zio0ul1c0kokks@www.wightman.ca> <000601c69b24$118080c0$0200a8c0@raulb3d53f8e09> <112f01c69b26$82075920$0cb1ec0f@americas.hpqcorp.net> <44A93E29.9030806@soundscapes.us> <1db101c69eba$94a7ac00$0cb1ec0f@americas.hpqcorp.net> <Pine.LNX.4.64.0607031211040.11439@giggles.cavesofice.org> <00e701c69f4f$e05a12b0$e701a8c0@pcfabio> <018c01c69f78$d184efc0$abb0ec0f@americas.hpqcorp.net> <913728d60607040814w76800538p29aff6216769f5f3@mail.gmail.com>
Subject: Re: Re: Re: 10 year's anniversary of Looper's Delight ?
Date: Tue, 4 Jul 2006 09:24:52 -0600
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I may have to tag them all and then re-load them....a pain, but I'll try to 
get around to it today.

Kris

----- Original Message ----- 
From: "Charlie Milkey" <pilotcp@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 04, 2006 9:14 AM
Subject: Re: Re: Re: 10 year's anniversary of Looper's Delight ?


> The files loaded into itunes, but none of them had names (unless you
> named them stuff like 1G29GJ3JOEHG and stuff like that) but there were
> a few that had names pop up, which were Per Boysen, Josh Carroll and
> Doug Wyatt...there also was one that showed up with the name "Ionian"
> but didn't have any credits there...
>
> btw, cool loops to all the folk who submitted loops and are on that 
> playlist :)
>
> Charlie
>
> On 7/4/06, Krispen Hartung <khartung@cableone.net> wrote:
>> Got it! It's in the playlist now.
>>
>> Can someone test the playlist to see if the description text I entered is
>> appearing in your player?
>>
>> http://www.krispenhartung.com/loopers-delight-10year.m3u
>>
>> Kris
>>
>>
>> ----- Original Message -----
>> From: "Fabio Anile" <fabio.anile@tiscali.it>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Tuesday, July 04, 2006 3:54 AM
>> Subject: Re: Re: 10 year's anniversary of Looper's Delight ?
>>
>>
>> > Hi Kris, I've upload mine 30 seconds loop !
>> >
>> > Fabio Anile
>> >
>> > http://xoomer.virgilio.it/eterogeneo/
>> > http://music.download.com/eterogeneo/3600-8357-100294444.html?tag=quickurl
>> >
>> >
>> >
>> >
>> >
>> >
>>
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 15:53:45 2006
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Very nice!  Great reverb in there.  What are you using?

--Josh

L.A. Angulo wrote:
> Hi krispen,
> Here is mine composed of 4 different
> loops,unfortunately about 50 sec.long before it
> repeats itself(ups)
> but if it doesnt work for this project then ill donate
> it to the LD comunity
> http://www.luis-angulo.com/looplab.htm
> cheers
> Luis
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
>
>
>
>
>   

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 15:59:41 2006
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Subject: Re: FlyLooper & maket potential
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This is a multi-part message in MIME format.
--------------010405090708080500010103
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Sure, it would just have to be really cheap... cheaper than Live + 
FCB1010. A while back I picked up a Mixman DM2, which is really just a 
toy, for about $40 on eBay, and had a blast with it!  And it's exactly 
what you're describing:  software + hardware in a single package.  That 
was honestly part of the appeal.  However, if it had been $150 or more, 
I probably wouldn't have ever messed with it.

--Josh



Buzap Buzap wrote:
> Hi Aaron
>
>   
>> Statton is a well-known DJ equipment manufacturer.  They're hardware 
>> guys so be sure to pitch the USB controller to them as well.
>>     
> Actually, thinking of it:
> I know that midi footcontrollers are the right thing for the people on this mailing list.
> But I think, for the average guitar player it _could_ be convenient to pick up a software with a USB pedal that is simply plug&play. You could probably reach a mass target group that is new to looping and doesn't want to (initially) hassle with midi pedals and control messages etc....
> Just a pedal + software that is working out of the box.
>
> Why not? :-)
>
> Buzap
>
>   

--------------010405090708080500010103
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Sure, it would just have to be really cheap... cheaper than Live +
FCB1010. A while back I picked up a Mixman DM2, which is really just a
toy, for about $40 on eBay, and had a blast with it!&nbsp; And it's exactly
what you're describing:&nbsp; software + hardware in a single package.&nbsp; That
was honestly part of the appeal.&nbsp; However, if it had been $150 or more,
I probably wouldn't have ever messed with it.<br>
<br>
--Josh<br>
<br>
<br>
<br>
Buzap Buzap wrote:
<blockquote cite="mid20060704120041.307170@gmx.net" type="cite">
  <pre wrap="">Hi Aaron

  </pre>
  <blockquote type="cite">
    <pre wrap="">Statton is a well-known DJ equipment manufacturer.  They're hardware 
guys so be sure to pitch the USB controller to them as well.
    </pre>
  </blockquote>
  <pre wrap=""><!---->Actually, thinking of it:
I know that midi footcontrollers are the right thing for the people on this mailing list.
But I think, for the average guitar player it _could_ be convenient to pick up a software with a USB pedal that is simply plug&amp;play. You could probably reach a mass target group that is new to looping and doesn't want to (initially) hassle with midi pedals and control messages etc....
Just a pedal + software that is working out of the box.

Why not? :-)

Buzap

  </pre>
</blockquote>
</body>
</html>

--------------010405090708080500010103--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 16:42:47 2006
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: software based phrase sampler
Date: Tue, 4 Jul 2006 11:42:43 -0500
To: Loopers-Delight@loopers-delight.com
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On Jul 4, 2006, at 7:23 AM, Buzap Buzap wrote:
 > As stated also in my mail addressing Aaron, I think a well integrated
 > hardware controller + software DO have a lot of potential.  Look at
 > all these M-Audio interfaces that work with Ableton Live.
 > ...
 > Marketing and financing the whole thing - without the backing of a
 > company like Roland or Korg - is of course another issue... ;-)

Right, that's the trick.  Manufacturing, distributing, and repairing
hardware is a pain in the ass, and very difficult for an individual
to do at a price people are willing to pay.

If the device does something really complicated, like say a dedicated
hardware looper, then you can charge enough to cover your costs.
But people are not going to pay a lot for a footswitch that only  
works with
one PC application.  And companies like M-Audio aren't going
to be interested in partnering with you unless they think they can
sell thousands of units.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 17:00:44 2006
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: FlyLooper & maket potential
Date: Tue, 4 Jul 2006 12:00:36 -0500
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On Jul 4, 2006, at 7:00 AM, Buzap Buzap wrote:
 > But I think, for the average guitar player it _could_ be  
convenient to
 > pick up a software with a USB pedal that is simply plug&play. You
 > could probably reach a mass target group that is new to looping and
 > doesn't want to (initially) hassle with midi pedals and control
 > messages etc....  Just a pedal + software that is working out of the
 > box.

Oh, and another thing...the average guitar player doesn't gig with a  
laptop.
As soon as you drag a laptop into the picture, the market shrinks
dramatically and the ability to deal with midi pedals goes way up.
(Insert your favorite "average guitar player" joke here :-)

Jeff

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This prompts a (rather esoteric and nor particularly interesting) =
thought -- who was the first person to unsubscribe (or at least try to =
unsubscribe) from the list?

  ----- Original Message -----=20
  From: Ron Baggerman=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 03, 2006 9:18 AM
  Subject: Re: unsubscribe


  thanks claude,

  i'm glad i'm not the only one who didn't figure it out:)

  i still don't know how to do it.

  i'll try again and hope it won't drive me too crazy, so i won't get =
violent to my computer in the end:)

  thanks again,


  ron

  Claude Voit <c.voit@vtx.ch> wrote:
    yes Ron we know you are not alone with this problem.

    in 10 years I found 1077 matches in 1077 files.

    please enjoy some great unsusbcribe classics.

    but relax most of us never figured out how to do it;
    so we kept getting all these mails or eventually switched the =
computer off
    good luck

    Claude

    =
http://loopersdelight.com/cgi-bin/wilma_glimpse/LDarchive?query=3Dunsubsc=
ribe&Search=3DSearch&lineonly=3Don&errors=3D0&maxfiles=3D5000&maxlines=3D=
0&.cgifields=3Dlineonly&.cgifields=3Drestricttofiles&.cgifields=3Dfilelis=
t&.cgifields=3Dpartial&.cgifields=3Dcase






    unsubscribe


    ---------------------------------
    Yahoo! Messenger with Voice. Make PC-to-Phone Calls to the US (and =
30+
    countries) for 2=A2/min or less.







-------------------------------------------------------------------------=
-----
  Do you Yahoo!?
  Get on board. You're invited to try the new Yahoo! Mail Beta. 
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1543" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>This prompts a (rather esoteric and nor =

particularly interesting) thought -- who was the first person to =
unsubscribe (or=20
at least try to unsubscribe) from the list?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drbaggerman@yahoo.com =
href=3D"mailto:rbaggerman@yahoo.com">Ron=20
  Baggerman</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 03, 2006 =
9:18 AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: unsubscribe</DIV>
  <DIV><BR></DIV>thanks claude,<BR><BR>i'm glad i'm not the only one who =
didn't=20
  figure it out:)<BR><BR>i still don't know how to do it.<BR><BR>i'll =
try again=20
  and hope it won't drive me too crazy, so i won't get violent to my =
computer in=20
  the end:)<BR><BR>thanks again,<BR><BR><BR>ron<BR><BR><B><I>Claude Voit =
&lt;<A=20
  href=3D"mailto:c.voit@vtx.ch">c.voit@vtx.ch</A>&gt;</I></B> wrote:
  <BLOCKQUOTE class=3Dreplbq=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
rgb(16,16,255) 2px solid">yes=20
    Ron we know you are not alone with this problem.<BR><BR>in 10 years =
I found=20
    1077 matches in 1077 files.<BR><BR>please enjoy some great =
unsusbcribe=20
    classics.<BR><BR>but relax most of us never figured out how to do =
it;<BR>so=20
    we kept getting all these mails or eventually switched the computer=20
    off<BR>good=20
    =
luck<BR><BR>Claude<BR><BR>http://loopersdelight.com/cgi-bin/wilma_glimpse=
/LDarchive?query=3Dunsubscribe&amp;Search=3DSearch&amp;lineonly=3Don&amp;=
errors=3D0&amp;maxfiles=3D5000&amp;maxlines=3D0&amp;.cgifields=3Dlineonly=
&amp;.cgifields=3Drestricttofiles&amp;.cgifields=3Dfilelist&amp;.cgifield=
s=3Dpartial&amp;.cgifields=3Dcase<BR><BR><BR><BR><BR><BR><BR>unsubscribe<=
BR><BR><BR>---------------------------------<BR>Yahoo!=20
    Messenger with Voice. Make PC-to-Phone Calls to the US (and=20
    30+<BR>countries) for 2=A2/min or less.<BR><BR><BR></BLOCKQUOTE><BR>
  <P>
  <HR SIZE=3D1>
  Do you Yahoo!?<BR>Get on board. <A=20
  =
href=3D"http://us.rd.yahoo.com/evt=3D40791/*http://advision.webevents.yah=
oo.com/handraisers">You're=20
  invited</A> to try the new Yahoo! Mail Beta. =
</BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 17:36:32 2006
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Date: Tue, 04 Jul 2006 13:45:33 -0400
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Subject: Re: LD aniversary loop contributions
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I found an old thing that dates back to one of my earliest recordings using
my Oberheim EDP - so 1996 or so.  I had to chop of the name of the thing
(Intro) as I think there's a filename character limit.  Anyway, it seemed
appropriate.

David Kirkdorffer



From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 17:37:21 2006
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Date: Tue, 04 Jul 2006 10:36:18 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: software based phrase sampler
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At 09:42 AM 7/4/2006, Jeffrey Larson wrote:
>On Jul 4, 2006, at 7:23 AM, Buzap Buzap wrote:
> > As stated also in my mail addressing Aaron, I think a well integrated
> > hardware controller + software DO have a lot of potential.  Look at
> > all these M-Audio interfaces that work with Ableton Live.
> > ...
> > Marketing and financing the whole thing - without the backing of a
> > company like Roland or Korg - is of course another issue... ;-)
>
>Right, that's the trick.  Manufacturing, distributing, and repairing
>hardware is a pain in the ass, and very difficult for an individual
>to do at a price people are willing to pay.

actually, these things are quite easy for a single person to do these days 
and it doesn't cost that much. The manufacturing infrastructure is all 
pretty much built around that idea now. It is much, much easier than it was 
10-15 years ago.

If you are trying to make a sustainable business out of music products, 
make hardware. The market is willing to pay a substantially higher price 
for it, the costs are low, you can make a decent profit margin, and the 
development effort is easier than for software.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 18:14:58 2006
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Really?  Wow.  My dad owns a small manufacturing business, and I've 
watched him produce much less high-tech stuff as an outsource, but I 
didn't know that the market was this open for digital products.  Where 
would you point a person looking to create a piece of music hardware?

--Josh



Kim Flint wrote:
> At 09:42 AM 7/4/2006, Jeffrey Larson wrote:
>> On Jul 4, 2006, at 7:23 AM, Buzap Buzap wrote:
>> > As stated also in my mail addressing Aaron, I think a well integrated
>> > hardware controller + software DO have a lot of potential.  Look at
>> > all these M-Audio interfaces that work with Ableton Live.
>> > ...
>> > Marketing and financing the whole thing - without the backing of a
>> > company like Roland or Korg - is of course another issue... ;-)
>>
>> Right, that's the trick.  Manufacturing, distributing, and repairing
>> hardware is a pain in the ass, and very difficult for an individual
>> to do at a price people are willing to pay.
>
> actually, these things are quite easy for a single person to do these 
> days and it doesn't cost that much. The manufacturing infrastructure 
> is all pretty much built around that idea now. It is much, much easier 
> than it was 10-15 years ago.
>
> If you are trying to make a sustainable business out of music 
> products, make hardware. The market is willing to pay a substantially 
> higher price for it, the costs are low, you can make a decent profit 
> margin, and the development effort is easier than for software.
>
> kim
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 18:36:19 2006
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Subject: Re: software based phrase sampler
Date: Tue, 4 Jul 2006 13:36:15 -0500
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On Jul 4, 2006, at 12:36 PM, Kim Flint wrote:

 > If you are trying to make a sustainable business out of music
 > products, make hardware. The market is willing to pay a substantially
 > higher price for it, the costs are low, you can make a decent profit
 > margin, and the development effort is easier than for software.

Yes you ceratinly get a higher profit margin for hardware.  If your
goal is to make money, make hardware.  The issue being discussed is
the combination of hardware and PC software, it doesn't make any
economic sense.  It's the worst of both worlds, the well discussed
stability issues of laptop software, with the expense of dedicated  
hardware.

 > and the development effort is easier than for software.

Huhh??  Maybe if you're a EE that has spent their life programming
for embedded systems.  I'll take C++ or C# in Visual Studio any day.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 18:44:27 2006
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David Kirkdorffer wrote:

> This prompts a (rather esoteric and nor particularly interesting) 
> thought -- who was the first person to unsubscribe (or at least try to 
> unsubscribe) from the list?
>  

Or how many or the first tried to unsubscribe by sending a message to 
Loopers-Delight@loopers-delight.com?

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 19:08:09 2006
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At 2:06 PM +0200 7/4/06, Buzap Buzap wrote:
>  > I remember seeing a blurb on a mini-Ableton clone in one
>>  of my synth magazines last year.
>
>Actually, if there is a "mini-looper" for PocketPC - it would be 
>really awesome!!
>Not for anything series for me, but I'd like to jam with myself or 
>work on some ideas while travelling.
>
>So, is there a simple "pocket looper" you know of?

Well, I found the back issue to which I was referring (Dec. 2005 
issue of Keyboard.  I should have just done a search online for the 
article in the first place: 
http://www.keyboardmag.com/story.asp?sectioncode=30&storycode=12175 ).

The software is Bhajis Loops ( http://www.chocopoolp.com ). 
Unfortunately, it's not as cool as I remember it (but then again, 
what ever is?).  It does seem to be an homage to Ableton Live, but on 
Palm OS.  There are two serious shortcomings, however.  First and 
foremost, it does not seem to accept live input.  You have to either 
record or input .WAV's separately before working with them.  Second, 
and contrary to my first impression, it will *not* act as a VST host. 
However, it includes almost 20 native effects on its own, so you can 
already do a lot with what's there.  And of course it's pretty fully 
functional otherwise, especially with the pattern and wave editors.

Otherwise, I spent a nice chunk of time looking around for something 
on Win CE or Palm that would work with VST's.  No luck yet.  I did 
find a few neat things for tweezing backing tracks (i.e. drum and 
bass accompaniments).  For instance, at the aforementioned Chocopoolp 
site, there's a little widget called Microbe that allows you to 
manipulate 8 drum tracks and 2 synths.  There are quite a few 
Trackers ported over to either Palm or Win CE too.

And if you are indeed interested in dropping your rhythm section in 
your pocket, this would also be a good time to throw in a plug for 
PSP Rhythm ( http://www.psprhythm.com ) and PSP Kick ( 
http://www.pspkick.com ) -- both for the Sony PSP.  PSP Rhythm is 
particularly nice, IMNSHO, because it attempts to model some of its 
functions from the Elektron Machinedrum SPS-1.  Both are pretty neat, 
however, and the PSP platform is excellent for these sorts of 
homebrew music apps.  I'm waiting for someone to finally work out the 
kinks for live input, then the PSP would really be a viable 
alternative for music softs.  Oh, and it's a really, really kewl game 
and movie machine too, for when you're stuck in the bus/plane 
travelling to the next gig.  :D

	--m.
-- 
_______
"Somewhere between anticipation and nostalgia we should have been happy."

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 19:21:04 2006
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Hi I am new, just joined.
Is anyone doing vocal looping here? I have a small
trio with two looping machines, nothing fancy. Just
interested in pushing the boundaries a bit.
Thanks for any info you have or any websites you can
send me to.
JoJo
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<fontfamily><param>Courier</param><x-tad-bigger>Hi I am new, just
joined.

Is anyone doing vocal looping here? I have a small

trio with two looping machines, nothing fancy. Just

interested in pushing the boundaries a bit.

Thanks for any info you have or any websites you can

send me to. 

JoJo</x-tad-bigger></fontfamily>
--Apple-Mail-1--212512271--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 19:27:15 2006
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Date: Tue, 04 Jul 2006 14:27:03 -0500
From: Joshua Carroll <josh@infinivert.com>
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To: Loopers-Delight@loopers-delight.com
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For vocal looping, you should definitely check out Kid Beyond if you 
haven't already.

http://www.kidbeyond.com/

--Josh



JoJo Razor wrote:
> Hi I am new, just joined.
> Is anyone doing vocal looping here? I have a small
> trio with two looping machines, nothing fancy. Just
> interested in pushing the boundaries a bit.
> Thanks for any info you have or any websites you can
> send me to.
> JoJo 

--------------060201000405000507050606
Content-Type: text/html; charset=ISO-8859-1
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
  <title></title>
</head>
<body bgcolor="#ffffff" text="#000000">
For vocal looping, you should definitely check out Kid Beyond if you
haven't already.<br>
<br>
<a href="http://www.kidbeyond.com/">http://www.kidbeyond.com/</a><br>
<br>
--Josh<br>
<br>
<br>
<br>
JoJo Razor wrote:
<blockquote cite="midf0fa0ef75dc1543a61ec540316b24769@jojorazor.com"
 type="cite"><!-- Courier -->Hi I am new, just
joined.
  <br>
Is anyone doing vocal looping here? I have a small
  <br>
trio with two looping machines, nothing fancy. Just
  <br>
interested in pushing the boundaries a bit.
  <br>
Thanks for any info you have or any websites you can
  <br>
send me to. <br>
JoJo
</blockquote>
</body>
</html>

--------------060201000405000507050606--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 19:30:11 2006
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User-Agent: Microsoft-Entourage/11.2.4.060510
Date: Tue, 04 Jul 2006 15:29:11 -0400
Subject: Re: vocal looping
From: Todd Reynolds <toddreyn@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C0D039C7.18635%toddreyn@gmail.com>
Thread-Topic: vocal looping
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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And theo bleckmann
http://theobleckmann.com


On 7/4/06 3:27 PM, "Joshua Carroll" <josh@infinivert.com> wrote:

> For vocal looping, you should definitely check out Kid Beyond if you have=
n't
> already.
>=20
> http://www.kidbeyond.com/
>=20
> --Josh
>=20
>=20
>=20
> JoJo Razor wrote:
>> Hi I am new, just joined.
>> Is anyone doing vocal looping here? I have a small
>> trio with two looping machines, nothing fancy. Just
>> interested in pushing the boundaries a bit.
>> Thanks for any info you have or any websites you can
>> send me to.=20
>> JoJo=20
>=20


---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




--B_3234871797_4256324
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	charset="ISO-8859-1"
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<HTML>
<HEAD>
<TITLE>Re: vocal looping</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-siz=
e:14.0px'>And theo bleckmann<BR>
<a href=3D"http://theobleckmann.com">http://theobleckmann.com</a><BR>
<BR>
<BR>
On 7/4/06 3:27 PM, &quot;Joshua Carroll&quot; &lt;josh@infinivert.com&gt; w=
rote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Lucida Grande, Verdana, Helvetica, Ar=
ial"><SPAN STYLE=3D'font-size:14.0px'>For vocal looping, you should definitely=
 check out Kid Beyond if you haven't already.<BR>
<BR>
<a href=3D"http://www.kidbeyond.com/">http://www.kidbeyond.com/</a><BR>
<BR>
--Josh<BR>
<BR>
<BR>
<BR>
JoJo Razor wrote: <BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Lucida Grande, Verdana, Helvetica, Ar=
ial"><SPAN STYLE=3D'font-size:14.0px'>Hi I am new, just joined. <BR>
Is anyone doing vocal looping here? I have a small <BR>
trio with two looping machines, nothing fancy. Just <BR>
interested in pushing the boundaries a bit. <BR>
Thanks for any info you have or any websites you can <BR>
send me to. <BR>
JoJo <BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Lucida Grande, Verdana, Helvetica, A=
rial"><SPAN STYLE=3D'font-size:14.0px'><BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Lucida Grande, Verdana, Helvetica, A=
rial"><SPAN STYLE=3D'font-size:14.0px'><BR>
<BR>
</SPAN><FONT SIZE=3D"2"><SPAN STYLE=3D'font-size:12.0px'>----------------------=
-----------------------------------------------------------<BR>
&#8220;Virtue is just repression waiting to go bad&#8221; - Trevor Exter<BR=
>
<BR>
&#8220;Classical music is related to the past more than it is related to th=
e creative part of sound&#8221; - Ornette Coleman<BR>
---------------------------------------------------------------------------=
------- <BR>
Todd Reynolds<BR>
42-09 47th Ave 1C<BR>
Sunnyside, NY &nbsp;11104<BR>
&nbsp;<BR>
Ph. &nbsp;&nbsp;&nbsp;718 392-3773<BR>
Mob. &nbsp;&nbsp;917 576-6166<BR>
Fax &nbsp;&nbsp;&nbsp;419 781-5502<BR>
&nbsp;<BR>
<a href=3D"http://www.toddreynolds.com">http://www.toddreynolds.com</a><BR>
<BR>
<BR>
todd@toddreynolds.com<BR>
9175766166@vtext.com (155 characters or less)<BR>
AIM ID: toddreyn<BR>
</SPAN></FONT><FONT SIZE=3D"4"><SPAN STYLE=3D'font-size:18.0px'><BR>
</SPAN></FONT><SPAN STYLE=3D'font-size:14.0px'><BR>
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</HTML>


--B_3234871797_4256324--


From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 19:50:39 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: "Atmos Trio" CD featuring Looping
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Beautiful track. 

Love the "looping within a band" context: Jazz Trio segue to "Loopiness" back to Jazz Trio. Cool

Great playing too. Did the drummer play the Handsonic "live" or was that an overdub?--or did someone else play it?

Thanks for the tune.



>Not a "looping CD' per say, but one track off the new CD "Atmos Trio" 
>features some looping. Check it out if you like and enjoy.
>
>Go to http://AtmosMusic.com/
>
>and visit the MUSIC page.
>
>Track: Nardis (Yes, The Miles Davis tune)
>
>For "gear-heads" only:
>Features the use of a Boss GT-8
>Electrix Repeater
>Line 6 DL-4
>Roland Handsonic
>
>The other tunes on the disc feature instruments played by humans with 
>fingers---no further implements.
>
>If you like what you hear--Atmos can be found playing all over the San 
>Francisco Bay area. Catch one of their shows ... and/ or you can buy a 
>CD.
>
>Atmos Trio
>Rob Michael  Solidbody & Hollowbody electric guitar, Nylon and Steel 
>string Acoustic guitars.
>Jeff Obee  Six-string electric fretted and fretless basses.
>Joe Shotwell  Drums and percussion
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 20:29:59 2006
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Subject: Re: vocal looping
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Re: vocal loopingI've not seen anyone to touch Michael Schiffner - not =
sure about the spelling or a website but he's jaw droppingly good.=20
Saw him in Switzerland last year  - In Bill Walkers words - "That guy =
just blew me away!!"
  ----- Original Message -----=20
  From: Todd Reynolds=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, July 04, 2006 8:29 PM
  Subject: Re: vocal looping


  And theo bleckmann
  http://theobleckmann.com


  On 7/4/06 3:27 PM, "Joshua Carroll" <josh@infinivert.com> wrote:


    For vocal looping, you should definitely check out Kid Beyond if you =
haven't already.

    http://www.kidbeyond.com/

    --Josh



    JoJo Razor wrote:=20

      Hi I am new, just joined.=20
      Is anyone doing vocal looping here? I have a small=20
      trio with two looping machines, nothing fancy. Just=20
      interested in pushing the boundaries a bit.=20
      Thanks for any info you have or any websites you can=20
      send me to.=20
      JoJo=20





  =
-------------------------------------------------------------------------=
--------
  "Virtue is just repression waiting to go bad" - Trevor Exter

  "Classical music is related to the past more than it is related to the =
creative part of sound" - Ornette Coleman
  =
-------------------------------------------------------------------------=
---------=20
  Todd Reynolds
  42-09 47th Ave 1C
  Sunnyside, NY  11104
  =20
  Ph.    718 392-3773
  Mob.   917 576-6166
  Fax    419 781-5502
  =20
  http://www.toddreynolds.com


  todd@toddreynolds.com
  9175766166@vtext.com (155 characters or less)
  AIM ID: toddreyn



------=_NextPart_000_0026_01C69FB0.FF63F840
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Re: vocal looping</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I've not seen anyone to touch Michael =
Schiffner -=20
not sure about the spelling or a website but he's jaw droppingly good.=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Saw him in Switzerland last year&nbsp; =
- In Bill=20
Walkers words - "That guy just blew me away!!"</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtoddreyn@gmail.com href=3D"mailto:toddreyn@gmail.com">Todd =
Reynolds</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 04, 2006 =
8:29=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: vocal =
looping</DIV>
  <DIV><BR></DIV><FONT face=3D"Lucida Grande, Verdana, Helvetica, =
Arial"><SPAN=20
  style=3D"FONT-SIZE: 14px">And theo bleckmann<BR><A=20
  =
href=3D"http://theobleckmann.com">http://theobleckmann.com</A><BR><BR><BR=
>On=20
  7/4/06 3:27 PM, "Joshua Carroll" &lt;<A=20
  href=3D"mailto:josh@infinivert.com">josh@infinivert.com</A>&gt;=20
  wrote:<BR><BR></SPAN></FONT>
  <BLOCKQUOTE><FONT face=3D"Lucida Grande, Verdana, Helvetica, =
Arial"><SPAN=20
    style=3D"FONT-SIZE: 14px">For vocal looping, you should definitely =
check out=20
    Kid Beyond if you haven't already.<BR><BR><A=20
    =
href=3D"http://www.kidbeyond.com/">http://www.kidbeyond.com/</A><BR><BR>-=
-Josh<BR><BR><BR><BR>JoJo=20
    Razor wrote: <BR></SPAN></FONT>
    <BLOCKQUOTE><FONT face=3D"Lucida Grande, Verdana, Helvetica, =
Arial"><SPAN=20
      style=3D"FONT-SIZE: 14px">Hi I am new, just joined. <BR>Is anyone =
doing=20
      vocal looping here? I have a small <BR>trio with two looping =
machines,=20
      nothing fancy. Just <BR>interested in pushing the boundaries a =
bit.=20
      <BR>Thanks for any info you have or any websites you can <BR>send =
me to.=20
      <BR>JoJo <BR></SPAN></FONT></BLOCKQUOTE><FONT=20
    face=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN=20
    style=3D"FONT-SIZE: 14px"><BR></SPAN></FONT></BLOCKQUOTE><FONT=20
  face=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN=20
  style=3D"FONT-SIZE: 14px"><BR><BR></SPAN><FONT size=3D2><SPAN=20
  style=3D"FONT-SIZE: =
12px">-------------------------------------------------------------------=
--------------<BR>=93Virtue=20
  is just repression waiting to go bad=94 - Trevor =
Exter<BR><BR>=93Classical music=20
  is related to the past more than it is related to the creative part of =
sound=94=20
  - Ornette=20
  =
Coleman<BR>--------------------------------------------------------------=
--------------------=20
  <BR>Todd Reynolds<BR>42-09 47th Ave 1C<BR>Sunnyside, NY=20
  &nbsp;11104<BR>&nbsp;<BR>Ph. &nbsp;&nbsp;&nbsp;718 392-3773<BR>Mob.=20
  &nbsp;&nbsp;917 576-6166<BR>Fax &nbsp;&nbsp;&nbsp;419 =
781-5502<BR>&nbsp;<BR><A=20
  =
href=3D"http://www.toddreynolds.com">http://www.toddreynolds.com</A><BR><=
BR><BR>todd@toddreynolds.com<BR>9175766166@vtext.com=20
  (155 characters or less)<BR>AIM ID: toddreyn<BR></SPAN></FONT><FONT=20
  size=3D4><SPAN style=3D"FONT-SIZE: 18px"><BR></SPAN></FONT><SPAN=20
  style=3D"FONT-SIZE: =
14px"><BR></BLOCKQUOTE></SPAN></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 20:31:03 2006
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Date: Tue,  4 Jul 2006 16:31:02 -0400
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: FlyLooper & maket potential
References: <20060703083117.73680@gmx.net>
	<BAY109-F1203BD24E542F75314409DC6700@phx.gbl>
	<7.0.0.16.0.20060703090018.01d7d2b8@TheNettles.com>
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Just dropping in on your thread here, If you go to the Native 
Instruments forum
you can find lots and lots of people gripping at NI because they'd rather buy
Guitar Rig without the Rig Control pedal and just use a midi pedal. For 
myself,
I bought my first midi pedal last fall and was able to use it right out of the
box to control mobius standalone with no fuss or learning curve at all. It's
only now that I want to start being able to control some other applications
that I'm finally digging into learning how to program the darn thing....
already spent about 6 hrs with that useless excuse for manual they give....
maybe I'm just too old for this

Paul



Quoting Jeffrey Larson <jeff@zonemobius.com>:

> Oh, and another thing...the average guitar player doesn't gig with a  laptop.
> As soon as you drag a laptop into the picture, the market shrinks
> dramatically and the ability to deal with midi pedals goes way up.
> (Insert your favorite "average guitar player" joke here :-)
>
> Jeff
>
>


From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 20:43:09 2006
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From: "William Walker" <billwalker@baymoon.com>
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Subject: RE: vocal looping
Date: Tue, 4 Jul 2006 13:43:08 -0700
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Re: vocal loopingYou got that right, my Welsh amigo, check with Rick on the
spelling, I think its Schiffel, Rick, anyone?  Having seen both Michael and
Kid Beyond,  I have to say, you couldn't find two more different talents and
approaches, and yet both are simply amazing in how seemlessly and creatively
that make music and the staggering variety of sounds that come out of their
mouths.
Bill



 -----Original Message-----
From: gareth whittock [mailto:gareth@whiteoakstudios.freeserve.co.uk]
Sent: Tuesday, July 04, 2006 1:30 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: vocal looping


  I've not seen anyone to touch Michael Schiffner - not sure about the
spelling or a website but he's jaw droppingly good.
  Saw him in Switzerland last year  - In Bill Walkers words - "That guy just
blew me away!!"
    ----- Original Message -----
    From: Todd Reynolds
    To: Loopers-Delight@loopers-delight.com
    Sent: Tuesday, July 04, 2006 8:29 PM
    Subject: Re: vocal looping


    And theo bleckmann
    http://theobleckmann.com


    On 7/4/06 3:27 PM, "Joshua Carroll" <josh@infinivert.com> wrote:


      For vocal looping, you should definitely check out Kid Beyond if you
haven't already.

      http://www.kidbeyond.com/

      --Josh



      JoJo Razor wrote:

        Hi I am new, just joined.
        Is anyone doing vocal looping here? I have a small
        trio with two looping machines, nothing fancy. Just
        interested in pushing the boundaries a bit.
        Thanks for any info you have or any websites you can
        send me to.
        JoJo





    ------------------------------------------------------------------------
---------
    “Virtue is just repression waiting to go bad” - Trevor Exter

    “Classical music is related to the past more than it is related to the
creative part of sound” - Ornette Coleman
    ------------------------------------------------------------------------
----------
    Todd Reynolds
    42-09 47th Ave 1C
    Sunnyside, NY  11104

    Ph.    718 392-3773
    Mob.   917 576-6166
    Fax    419 781-5502

    http://www.toddreynolds.com


    todd@toddreynolds.com
    9175766166@vtext.com (155 characters or less)
    AIM ID: toddreyn



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Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Re: vocal looping</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><SPAN class=3D859173120-04072006><FONT face=3DArial color=3D#0000ff =
size=3D2>You=20
got that right, my Welsh amigo, check with Rick on the spelling, I think =
its=20
Schiffel, Rick, anyone?&nbsp; Having seen both Michael and Kid =
Beyond,&nbsp; I=20
have to say, you couldn't find two more different talents and =
approaches, and=20
yet both are simply amazing in how seemlessly and creatively &nbsp;that =
make=20
music and the staggering variety of sounds that come out of their =
mouths.=20
</FONT></SPAN></DIV>
<DIV><SPAN class=3D859173120-04072006><FONT face=3DArial color=3D#0000ff =

size=3D2>Bill</FONT></SPAN></DIV>
<DIV><SPAN class=3D859173120-04072006></SPAN><FONT face=3DTahoma><FONT =
size=3D2><SPAN=20
class=3D859173120-04072006><FONT face=3DArial=20
color=3D#0000ff>&nbsp;</FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D859173120-04072006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D859173120-04072006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D859173120-04072006>&nbsp;</SPAN>-----Original =
Message-----<BR><B>From:</B>=20
gareth whittock =
[mailto:gareth@whiteoakstudios.freeserve.co.uk]<BR><B>Sent:</B>=20
Tuesday, July 04, 2006 1:30 PM<BR><B>To:</B>=20
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: vocal=20
looping<BR><BR></DIV></FONT></FONT>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV><FONT face=3DArial size=3D2>I've not seen anyone to touch Michael =
Schiffner -=20
  not sure about the spelling or a website but he's jaw droppingly good. =

  </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Saw him in Switzerland last =
year&nbsp; - In Bill=20
  Walkers words - "That guy just blew me away!!"</FONT></DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dtoddreyn@gmail.com =
href=3D"mailto:toddreyn@gmail.com">Todd=20
    Reynolds</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 04, 2006 =
8:29=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: vocal =
looping</DIV>
    <DIV><BR></DIV><FONT face=3D"Lucida Grande, Verdana, Helvetica, =
Arial"><SPAN=20
    style=3D"FONT-SIZE: 14px">And theo bleckmann<BR><A=20
    =
href=3D"http://theobleckmann.com">http://theobleckmann.com</A><BR><BR><BR=
>On=20
    7/4/06 3:27 PM, "Joshua Carroll" &lt;<A=20
    href=3D"mailto:josh@infinivert.com">josh@infinivert.com</A>&gt;=20
    wrote:<BR><BR></SPAN></FONT>
    <BLOCKQUOTE><FONT face=3D"Lucida Grande, Verdana, Helvetica, =
Arial"><SPAN=20
      style=3D"FONT-SIZE: 14px">For vocal looping, you should definitely =
check out=20
      Kid Beyond if you haven't already.<BR><BR><A=20
      =
href=3D"http://www.kidbeyond.com/">http://www.kidbeyond.com/</A><BR><BR>-=
-Josh<BR><BR><BR><BR>JoJo=20
      Razor wrote: <BR></SPAN></FONT>
      <BLOCKQUOTE><FONT face=3D"Lucida Grande, Verdana, Helvetica, =
Arial"><SPAN=20
        style=3D"FONT-SIZE: 14px">Hi I am new, just joined. <BR>Is =
anyone doing=20
        vocal looping here? I have a small <BR>trio with two looping =
machines,=20
        nothing fancy. Just <BR>interested in pushing the boundaries a =
bit.=20
        <BR>Thanks for any info you have or any websites you can =
<BR>send me to.=20
        <BR>JoJo <BR></SPAN></FONT></BLOCKQUOTE><FONT=20
      face=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN=20
      style=3D"FONT-SIZE: 14px"><BR></SPAN></FONT></BLOCKQUOTE><FONT=20
    face=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN=20
    style=3D"FONT-SIZE: 14px"><BR><BR></SPAN><FONT size=3D2><SPAN=20
    style=3D"FONT-SIZE: =
12px">-------------------------------------------------------------------=
--------------<BR>=93Virtue=20
    is just repression waiting to go bad=94 - Trevor =
Exter<BR><BR>=93Classical music=20
    is related to the past more than it is related to the creative part =
of=20
    sound=94 - Ornette=20
    =
Coleman<BR>--------------------------------------------------------------=
--------------------=20
    <BR>Todd Reynolds<BR>42-09 47th Ave 1C<BR>Sunnyside, NY=20
    &nbsp;11104<BR>&nbsp;<BR>Ph. &nbsp;&nbsp;&nbsp;718 392-3773<BR>Mob.=20
    &nbsp;&nbsp;917 576-6166<BR>Fax &nbsp;&nbsp;&nbsp;419=20
    781-5502<BR>&nbsp;<BR><A=20
    =
href=3D"http://www.toddreynolds.com">http://www.toddreynolds.com</A><BR><=
BR><BR>todd@toddreynolds.com<BR>9175766166@vtext.com=20
    (155 characters or less)<BR>AIM ID: toddreyn<BR></SPAN></FONT><FONT=20
    size=3D4><SPAN style=3D"FONT-SIZE: 18px"><BR></SPAN></FONT><SPAN=20
    style=3D"FONT-SIZE: =
14px"><BR></BLOCKQUOTE></BLOCKQUOTE></SPAN></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 20:51:44 2006
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Subject: RE: vocal looping
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When in doubt, check the lineup on http://loopfestival.com/:

Michael Schiefel

http://www.schiefel.de/

Cheers
Bernhard
http://nosuch.biz

-----Original Message-----
From: gareth whittock [mailto:gareth@whiteoakstudios.freeserve.co.uk]=20
Sent: Dienstag, 4. Juli 2006 22:30
To: Loopers-Delight@loopers-delight.com
Subject: Re: vocal looping


I've not seen anyone to touch Michael Schiffner - not sure about the
spelling or a website but he's jaw droppingly good.=20
Saw him in Switzerland last year  - In Bill Walkers words - "That guy =
just
blew me away!!"
----- Original Message -----=20
From: Todd Reynolds=20
To: Loopers-Delight@loopers-delight.com=20
Sent: Tuesday, July 04, 2006 8:29 PM
Subject: Re: vocal looping


And theo bleckmann
http://theobleckmann.com


On 7/4/06 3:27 PM, "Joshua Carroll" <josh@infinivert.com> wrote:


For vocal looping, you should definitely check out Kid Beyond if you =
haven't
already.

http://www.kidbeyond.com/

--Josh



JoJo Razor wrote:=20

Hi I am new, just joined.=20
Is anyone doing vocal looping here? I have a small=20
trio with two looping machines, nothing fancy. Just=20
interested in pushing the boundaries a bit.=20
Thanks for any info you have or any websites you can=20
send me to.=20
JoJo=20





-------------------------------------------------------------------------=
---
-----
"Virtue is just repression waiting to go bad" - Trevor Exter

"Classical music is related to the past more than it is related to the
creative part of sound" - Ornette Coleman
-------------------------------------------------------------------------=
---
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn


From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 21:03:57 2006
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In a message dated 7/4/06 4:30:33 PM, gareth@whiteoakstudios.freeserve.co.uk 
writes:


> Michael Schiffner
> 

michael schiefel.....excellent!.....CT-AKKAPELLA is vocal 
looping.....WHOOLEY.....lots of vocal looping going on.....welcome......:)m



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 7/4/06 4:30:33 PM, gareth@whiteoakstudios.freeserve.co.uk=
 writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Michael Schiffner<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">michael schiefel.....excellent!.....CT-AKKAPELLA is vocal looping.....WHO=
OLEY.....lots of vocal looping going on.....welcome......:)m<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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References: <C0D039C7.18635%toddreyn@gmail.com> <garethwhittock$81.79.37.69$.002901c69fa8$9def0fd0$5d01a8c0@acer81080ea37f>
Subject: Re: vocal looping
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----- Original Message ----- 
From: "gareth whittock" <gareth@whiteoakstudios.freeserve.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 04, 2006 10:29 PM
Subject: Re: vocal looping


Re: vocal loopingI've not seen anyone to touch Michael Schiffner - not sure
about the spelling or a website but he's jaw droppingly good.
Saw him in Switzerland last year  - In Bill Walkers words - "That guy just
blew me away!!"
  ----- Original Message ----- 
  From: Todd Reynolds
  To: Loopers-Delight@loopers-delight.com
  Sent: Tuesday, July 04, 2006 8:29 PM
  Subject: Re: vocal looping

http://www.schiefel.de/

yes for me this was "the concert" of the loopfestival Zürich 2005

and besides looping he is one of the most touching jazz singer I know "goose
bumps all over me"
outstanding

Claude



  And theo bleckmann
  http://theobleckmann.com


  On 7/4/06 3:27 PM, "Joshua Carroll" <josh@infinivert.com> wrote:


    For vocal looping, you should definitely check out Kid Beyond if you
haven't already.

    http://www.kidbeyond.com/

    --Josh



    JoJo Razor wrote:

      Hi I am new, just joined.
      Is anyone doing vocal looping here? I have a small
      trio with two looping machines, nothing fancy. Just
      interested in pushing the boundaries a bit.
      Thanks for any info you have or any websites you can
      send me to.
      JoJo





  ---------------------------------------------------------------------------------
  "Virtue is just repression waiting to go bad" - Trevor Exter

  "Classical music is related to the past more than it is related to the
creative part of sound" - Ornette Coleman
  ----------------------------------------------------------------------------------
  Todd Reynolds
  42-09 47th Ave 1C
  Sunnyside, NY  11104

  Ph.    718 392-3773
  Mob.   917 576-6166
  Fax    419 781-5502

  http://www.toddreynolds.com


  todd@toddreynolds.com
  9175766166@vtext.com (155 characters or less)
  AIM ID: toddreyn




From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 21:58:20 2006
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Subject: eLearning & Reaktor (utilzing HP's Virtual Learning Room)
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Hey David (I am copying others here to see what is up my sleeve) -

I will be out of the town next week, but I wanted to see if you would be =
willing to do something with me.

I really learn best by doing and watching, being guided in a practical =
setting, and I don't have the time to be traveling to face-to-face =
workshops. Reading is great, but I learn best by experience and doing. =
I'm in the training business, and I manage HP's WW services sales =
training program (over 1400 sales reps and 60 managers),  and this is a =
very significant learning style that we address in our programs....and I =
believe this learning style is neglected by the music industry, in =
software, especially. This has always baffled me. There are a lot of =
smart people in the music industry, yet they don't seem to smart when it =
comes to understanding how people learn and how many diverse learning =
styles there are out there. I tend to see the same type of learning =
methodologies used over and over again, which aren't effective for all =
learners. I can see potential for companies to make A LOT of money, if =
they just use the right technology for learning and set it up =
correctly...but this is a different topic..maybe I'll retire early. :)

Manuals, tutorials, face-to-face training in the classroom, etc...all =
great for some folks, but they completely neglect a major learning style =
in human beings. There is tons of research on this, which I could go on =
and on about for pages and pages since it is my specialty, but I'll =
spare everyone.

I have access to this thing called Virtual Training Room (used to be =
called Virtual Classroom), a product of HPs. I can setup a room and we =
can enter it, where you can view my desktop or visa versa, and we talk =
on a conference line, which I also setup. We can take control of each =
other's desktops too for demonstration.  I'd like to conduct an =
experiment with this learning technology, and have you walk me through =
some really basic procedures of Reaktor, like changing ensembles on the =
fly from a menu, storing them, saving presets (or snapshots) of an =
ensemble and accessing it on the fly, etc. Once I have this down, I can =
do the rest. I've tested out all the effects your mentioned on the =
reaktor effects user group, and they are outstanding!  I can tell that =
Reaktor is going to do everything I need and more. I am blown away. I =
may never even need another VST effect again.

Maybe in a few weeks we could hook up and try this virtual training room =
out?

Heck, I may even look into purchasing some space, and hosting some =
formal training sessions online. The room can hold up to 250 people, all =
viewing one's desktop, and listening in real time on a conference line. =
I can launch learning checkpoint questions, host group chat, group =
discussion groups, and even conduct surveys in real time. I manage =
programs that do this stuff all of the time at work. The technology is =
powerful and totally under-utilized by the music industry.  I'm shooting =
for some Music Software eLearning. I can also pay to have the sessions =
recorded so that they can be played back in real time, like a virtual, =
self-paced training session. Much of this is in the future and will take =
time, of course.

Anyway, I'll do some more research and see what the costs are, how I can =
set it up for the public, etc.

Now, while I am on this topic, I would be interest to know if any music =
software companies are actually conducting live, interacrtive elearning =
(not just talking heads and lecture) and charging per seat.  Anyone =
know?  Can you direct me to any info? I'd like to see who has caught on =
to this.

Kris


  ----- Original Message -----=20
  From: David Coffin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, June 26, 2006 11:18 AM
  Subject: Re: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, =
G-Force, and PCM81


  You can download my Reaktor FX pdf tutorial here:


  http://snipurl.com/s9xt-ELG0S


  On Jun 26, 2006, at 10:03 AM, Kevin Mulvihill wrote:


    I have never plugged my guitar into Reaktor, but I will try that =
now... thanks for the suggestion.


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<HTML><HEAD>
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<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hey David (I am copying others here to =
see what is=20
up my sleeve) -</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I will be out of the town next =
week,&nbsp;but I=20
wanted to see if you would be willing to do something with =
me.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I really learn best by doing and =
watching, being=20
guided in a practical setting, and I don't have the time to be traveling =
to=20
face-to-face workshops. Reading is great, but I learn best by experience =
and=20
doing. I'm in the training business, and I manage HP's WW services sales =

training program (over 1400 sales reps and 60 managers), &nbsp;and this =
is a=20
very significant learning style that we address in our programs....and I =
believe=20
this learning style is&nbsp;neglected&nbsp;by the music industry, in =
software,=20
especially. This has always baffled me. There are a lot of smart people =
in the=20
music industry, yet they don't seem to smart when it comes to =
understanding how=20
people learn and how many diverse learning styles there are out there. I =
tend to=20
see the same type of learning methodologies used over and over again, =
which=20
aren't effective for all learners. I can see potential for companies to =
make A=20
LOT of money, if they just use the right technology for learning and set =
it up=20
correctly...but this is a different topic..maybe I'll retire early.=20
:)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Manuals, tutorials, face-to-face =
training in the=20
classroom, etc...all great for some folks, but they =
completely&nbsp;neglect a=20
major learning style in human beings. There is tons of research on this, =
which I=20
could go on and on about for pages and pages since it is my specialty, =
but I'll=20
spare everyone.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I have access to this thing called =
Virtual Training=20
Room (used to be called Virtual Classroom), a product of HPs. I can =
setup a room=20
and we can enter it, where you can view my desktop or visa versa, and we =
talk on=20
a conference line, which I also setup.&nbsp;We can take control of each =
other's=20
desktops too for demonstration. &nbsp;I'd like to conduct an experiment =
with=20
this learning technology, and have you walk me through some really basic =

procedures of Reaktor, like changing ensembles on the fly from a menu, =
storing=20
them, saving presets (or snapshots) of an ensemble and accessing it on =
the fly,=20
etc. Once I have this down, I can do the rest. I've tested out all the =
effects=20
your mentioned on the reaktor effects user group, and they are=20
outstanding!&nbsp; I can tell that Reaktor is going to do everything I =
need and=20
more. I am blown away. I may never even need another VST effect=20
again.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Maybe in a few weeks we could hook up =
and try this=20
virtual training room out?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Heck, I may even look into purchasing =
some space,=20
and hosting some formal training sessions online. The room can hold up =
to 250=20
people, all viewing one's desktop, and listening in real time on a =
conference=20
line. I can launch learning checkpoint questions, host group chat, group =

discussion groups, and even conduct surveys in real time. I manage =
programs=20
that&nbsp;do this stuff all of the time at work. The technology is =
powerful and=20
totally under-utilized by the music industry.&nbsp; I'm shooting for =
some Music=20
Software eLearning. I can also pay to have the sessions recorded so that =
they=20
can be played back in real time, like a virtual, self-paced training =
session.=20
Much of this is in the future and will take time, of =
course.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Anyway, I'll do some more research and =
see what the=20
costs are, how I can set it up for the public, etc.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Now, while I am on this topic, I would =
be interest=20
to know if any music software companies are actually conducting live,=20
interacrtive&nbsp;elearning (not just talking heads and lecture) and =
charging=20
per seat.&nbsp; Anyone know?&nbsp; Can you direct me to any info? I'd =
like to=20
see who has caught on to this.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Ddpcoffin@earthlink.net =
href=3D"mailto:dpcoffin@earthlink.net">David=20
  Coffin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, June 26, 2006 =
11:18=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Reaktor FX, Was: =
Thoughts on=20
  the Eclipse, Fireworx, G-Force, and PCM81</DIV>
  <DIV><BR></DIV>
  <DIV style=3D"MARGIN: 0px">You can download my Reaktor FX pdf tutorial =

  here:</DIV>
  <DIV=20
style=3D"MIN-HEIGHT: 17px; MARGIN: 0px; FONT: 14px Lucida =
Grande"><BR></DIV>
  <DIV style=3D"MARGIN: 0px"><A=20
  =
href=3D"http://snipurl.com/s9xt-ELG0S">http://snipurl.com/s9xt-ELG0S</A><=
/DIV><BR>
  <DIV>
  <DIV>On Jun 26, 2006, at 10:03 AM, Kevin Mulvihill wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: 14px Lucida Grande; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; =
border-spacing: 0px 0px; khtml-text-decorations-in-effect: none; =
apple-text-size-adjust: auto; orphans: 2; widows: 2"><SPAN=20
    class=3D109530117-26062006><FONT face=3DArial color=3D#0000ff =
size=3D2><SPAN=20
    class=3DApple-style-span=20
    style=3D"FONT-SIZE: 11px; COLOR: rgb(0,0,255); FONT-FAMILY: Arial">I =
have=20
    never plugged my guitar into Reaktor, but I will try that now... =
thanks for=20
    the=20
suggestion.</SPAN></FONT></SPAN></SPAN></BLOCKQUOTE></DIV><BR></BLOCKQUOT=
E></BODY></HTML>

------=_NextPart_000_05CA_01C69F82.A73B8B20--


From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 21:58:39 2006
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At 10:00 AM 7/4/2006, Jeff wrote:
>Oh, and another thing...the average guitar player doesn't gig with a
>laptop.

The average guitar player gigs at home, where their PC lives.  Most 
folks don't play out, guys.  As for PCs, I look at all the college 
students in my neighborhood and they're all packing laptops.  Don't 
look at what the market is now, look at what the market will be in five years.

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 21:59:14 2006
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At 05:00 AM 7/4/2006, Buzap wrote:
>Hi Aaron
>
> > Statton is a well-known DJ equipment manufacturer.  They're hardware
> > guys so be sure to pitch the USB controller to them as well.
>Actually, thinking of it:
>I know that midi footcontrollers are the right thing for the people 
>on this mailing list.
>But I think, for the average guitar player it _could_ be convenient 
>to pick up a software with a USB pedal that is simply plug&play. You 
>could probably reach a mass target group that is new to looping and 
>doesn't want to (initially) hassle with midi pedals and control 
>messages etc....
>Just a pedal + software that is working out of the box.

Egg-zackly.  Stay aware of all the possibilities and be ready to surf 
one.  eBay was a software company selling online auction software but 
they had this little website running a demo of their software and...

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 22:14:11 2006
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Oh yeh, I completely forgot, John Whooley, The two DL-4 slinging force of
nature, a hyper creative combination of social commentary, comedy, and a
polyglot music vocabulary., that ranges from choir boy beautiful, to death
metal raging, and many points in between.
 Oh, did I mention he plays killer sax? I believe he just got a pretty high
profile gig, but I can't remember who with.
Bill
  -----Original Message-----
  From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]
  Sent: Tuesday, July 04, 2006 2:04 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: vocal looping



  In a message dated 7/4/06 4:30:33 PM,
gareth@whiteoakstudios.freeserve.co.uk writes:



    Michael Schiffner



  michael schiefel.....excellent!.....CT-AKKAPELLA is vocal
looping.....WHOOLEY.....lots of vocal looping going on.....welcome......:)m



  www.ct-collective.com
  http://mysite.verizon.net/vzepmeci/
  http://www.myspace.com/klobuchar11

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<BODY>
<DIV><SPAN class=3D703495921-04072006><FONT face=3DArial color=3D#0000ff =
size=3D2>Oh=20
yeh, I completely forgot, John Whooley, The two DL-4 slinging force of =
nature, a=20
hyper creative combination of social commentary, comedy, and a polyglot =
music=20
vocabulary., that ranges from choir boy beautiful, to death metal =
raging, and=20
many points in between.</FONT></SPAN></DIV>
<DIV><SPAN class=3D703495921-04072006><FONT face=3DArial color=3D#0000ff =

size=3D2>&nbsp;Oh, did I mention he plays killer sax? I believe he just =
got a=20
pretty high profile gig, but I can't remember who =
with.</FONT></SPAN></DIV>
<DIV><SPAN class=3D703495921-04072006><FONT face=3DArial color=3D#0000ff =

size=3D2>Bill</FONT></SPAN></DIV>
<BLOCKQUOTE>
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Nemoguitt@aol.com=20
  [mailto:Nemoguitt@aol.com]<BR><B>Sent:</B> Tuesday, July 04, 2006 2:04 =

  PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  vocal looping<BR><BR></FONT></DIV><FONT face=3Darial,helvetica><FONT =
face=3DGeneva=20
  color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF"><BR>In a message dated =
7/4/06 4:30:33=20
  PM, gareth@whiteoakstudios.freeserve.co.uk writes:<BR><BR><BR>
  <BLOCKQUOTE=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px"=20
  cite=3D"" TYPE=3D"CITE"></FONT><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
    FAMILY=3D"SANSSERIF">Michael Schiffner<BR></BLOCKQUOTE></FONT><FONT =
face=3DGeneva=20
  color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF"><BR><BR></FONT><FONT =
face=3DGeneva=20
  color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF">michael=20
  schiefel.....excellent!.....CT-AKKAPELLA is vocal =
looping.....WHOOLEY.....lots=20
  of vocal looping going=20
  =
on.....welcome......:)m<BR><BR><BR><BR>www.ct-collective.com<BR>http://my=
site.verizon.net/vzepmeci/<BR>http://www.myspace.com/klobuchar11<BR></BLO=
CKQUOTE></FONT><FONT=20
face=3DGeneva color=3D#000000 size=3D2 =
FAMILY=3D"SANSSERIF"></FONT></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 22:16:21 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <00d501c69942$7f25c1f0$6601a8c0@OFFICE1> <723261C6-5465-4C5B-ABD9-DDAAADC909B4@earthlink.net> <05cd01c69fb4$f316df90$abb0ec0f@americas.hpqcorp.net>
Subject: Re: eLearning & Reaktor (utilzing HP's Virtual Learning Room)
Date: Tue, 4 Jul 2006 16:16:16 -0600
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BTW, if I really decide to take the leap on this from a larger learner =
population standpoint, I would conduct a formal needs assessment and =
analysis, to drive the instructional design, modules, scripting, =
performance objectives, etc of the learning.  I just think it would be =
cool to have some live and recorded elearning on some of our favorite =
software....like Mobius...what do you say, Jeff? =20

Kris

  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, July 04, 2006 3:58 PM
  Subject: eLearning & Reaktor (utilzing HP's Virtual Learning Room)


  Hey David (I am copying others here to see what is up my sleeve) -

  I will be out of the town next week, but I wanted to see if you would =
be willing to do something with me.

  I really learn best by doing and watching, being guided in a practical =
setting, and I don't have the time to be traveling to face-to-face =
workshops. Reading is great, but I learn best by experience and doing. =
I'm in the training business, and I manage HP's WW services sales =
training program (over 1400 sales reps and 60 managers),  and this is a =
very significant learning style that we address in our programs....and I =
believe this learning style is neglected by the music industry, in =
software, especially. This has always baffled me. There are a lot of =
smart people in the music industry, yet they don't seem to smart when it =
comes to understanding how people learn and how many diverse learning =
styles there are out there. I tend to see the same type of learning =
methodologies used over and over again, which aren't effective for all =
learners. I can see potential for companies to make A LOT of money, if =
they just use the right technology for learning and set it up =
correctly...but this is a different topic..maybe I'll retire early. :)

  Manuals, tutorials, face-to-face training in the classroom, etc...all =
great for some folks, but they completely neglect a major learning style =
in human beings. There is tons of research on this, which I could go on =
and on about for pages and pages since it is my specialty, but I'll =
spare everyone.

  I have access to this thing called Virtual Training Room (used to be =
called Virtual Classroom), a product of HPs. I can setup a room and we =
can enter it, where you can view my desktop or visa versa, and we talk =
on a conference line, which I also setup. We can take control of each =
other's desktops too for demonstration.  I'd like to conduct an =
experiment with this learning technology, and have you walk me through =
some really basic procedures of Reaktor, like changing ensembles on the =
fly from a menu, storing them, saving presets (or snapshots) of an =
ensemble and accessing it on the fly, etc. Once I have this down, I can =
do the rest. I've tested out all the effects your mentioned on the =
reaktor effects user group, and they are outstanding!  I can tell that =
Reaktor is going to do everything I need and more. I am blown away. I =
may never even need another VST effect again.

  Maybe in a few weeks we could hook up and try this virtual training =
room out?

  Heck, I may even look into purchasing some space, and hosting some =
formal training sessions online. The room can hold up to 250 people, all =
viewing one's desktop, and listening in real time on a conference line. =
I can launch learning checkpoint questions, host group chat, group =
discussion groups, and even conduct surveys in real time. I manage =
programs that do this stuff all of the time at work. The technology is =
powerful and totally under-utilized by the music industry.  I'm shooting =
for some Music Software eLearning. I can also pay to have the sessions =
recorded so that they can be played back in real time, like a virtual, =
self-paced training session. Much of this is in the future and will take =
time, of course.

  Anyway, I'll do some more research and see what the costs are, how I =
can set it up for the public, etc.

  Now, while I am on this topic, I would be interest to know if any =
music software companies are actually conducting live, interacrtive =
elearning (not just talking heads and lecture) and charging per seat.  =
Anyone know?  Can you direct me to any info? I'd like to see who has =
caught on to this.

  Kris


    ----- Original Message -----=20
    From: David Coffin=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Monday, June 26, 2006 11:18 AM
    Subject: Re: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, =
G-Force, and PCM81


    You can download my Reaktor FX pdf tutorial here:


    http://snipurl.com/s9xt-ELG0S


    On Jun 26, 2006, at 10:03 AM, Kevin Mulvihill wrote:


      I have never plugged my guitar into Reaktor, but I will try that =
now... thanks for the suggestion.


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<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>BTW, if I really decide to take the =
leap on this=20
from a&nbsp;larger learner population standpoint, I would conduct a =
formal needs=20
assessment and analysis, to drive the instructional design, modules, =
scripting,=20
performance objectives, etc&nbsp;of the learning.&nbsp; I just think it =
would be=20
cool to have some live and recorded elearning on some of our favorite=20
software....like Mobius...what do you say, Jeff?&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 04, 2006 =
3:58=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> eLearning &amp; =
Reaktor=20
  (utilzing HP's Virtual Learning Room)</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Hey David (I am copying others here =
to see what=20
  is up my sleeve) -</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>I will be out of the town next =
week,&nbsp;but I=20
  wanted to see if you would be willing to do something with =
me.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>I really learn best by doing and =
watching, being=20
  guided in a practical setting, and I don't have the time to be =
traveling to=20
  face-to-face workshops. Reading is great, but I learn best by =
experience and=20
  doing. I'm in the training business, and I manage HP's WW services =
sales=20
  training program (over 1400 sales reps and 60 managers), &nbsp;and =
this is a=20
  very significant learning style that we address in our programs....and =
I=20
  believe this learning style is&nbsp;neglected&nbsp;by the music =
industry, in=20
  software, especially. This has always baffled me. There are a lot of =
smart=20
  people in the music industry, yet they don't seem to smart when it =
comes to=20
  understanding how people learn and how many diverse learning styles =
there are=20
  out there. I tend to see the same type of learning methodologies used =
over and=20
  over again, which aren't effective for all learners. I can see =
potential for=20
  companies to make A LOT of money, if they just use the right =
technology for=20
  learning and set it up correctly...but this is a different =
topic..maybe I'll=20
  retire early. :)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Manuals, tutorials, face-to-face =
training in the=20
  classroom, etc...all great for some folks, but they =
completely&nbsp;neglect a=20
  major learning style in human beings. There is tons of research on =
this, which=20
  I could go on and on about for pages and pages since it is my =
specialty, but=20
  I'll spare everyone.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>I have access to this thing called =
Virtual=20
  Training Room (used to be called Virtual Classroom), a product of HPs. =
I can=20
  setup a room and we can enter it, where you can view my desktop or =
visa versa,=20
  and we talk on a conference line, which I also setup.&nbsp;We can take =
control=20
  of each other's desktops too for demonstration. &nbsp;I'd like to =
conduct an=20
  experiment with this learning technology, and have you walk me through =
some=20
  really basic procedures of Reaktor, like changing ensembles on the fly =
from a=20
  menu, storing them, saving presets (or snapshots) of an ensemble and =
accessing=20
  it on the fly, etc. Once I have this down, I can do the rest. I've =
tested out=20
  all the effects your mentioned on the reaktor effects user group, and =
they are=20
  outstanding!&nbsp; I can tell that Reaktor is going to do everything I =
need=20
  and more. I am blown away. I may never even need another VST effect=20
  again.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Maybe in a few weeks we could hook up =
and try=20
  this virtual training room out?</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Heck, I may even look into purchasing =
some space,=20
  and hosting some formal training sessions online. The room can hold up =
to 250=20
  people, all viewing one's desktop, and listening in real time on a =
conference=20
  line. I can launch learning checkpoint questions, host group chat, =
group=20
  discussion groups, and even conduct surveys in real time. I manage =
programs=20
  that&nbsp;do this stuff all of the time at work. The technology is =
powerful=20
  and totally under-utilized by the music industry.&nbsp; I'm shooting =
for some=20
  Music Software eLearning. I can also pay to have the sessions recorded =
so that=20
  they can be played back in real time, like a virtual, self-paced =
training=20
  session. Much of this is in the future and will take time, of=20
  course.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Anyway, I'll do some more research =
and see what=20
  the costs are, how I can set it up for the public, etc.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Now, while I am on this topic, I =
would be=20
  interest to know if any music software companies are actually =
conducting live,=20
  interacrtive&nbsp;elearning (not just talking heads and lecture) and =
charging=20
  per seat.&nbsp; Anyone know?&nbsp; Can you direct me to any info? I'd =
like to=20
  see who has caught on to this.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Ddpcoffin@earthlink.net =
href=3D"mailto:dpcoffin@earthlink.net">David=20
    Coffin</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, June 26, 2006 =
11:18=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Reaktor FX, Was: =
Thoughts=20
    on the Eclipse, Fireworx, G-Force, and PCM81</DIV>
    <DIV><BR></DIV>
    <DIV style=3D"MARGIN: 0px">You can download my Reaktor FX pdf =
tutorial=20
    here:</DIV>
    <DIV=20
    style=3D"MIN-HEIGHT: 17px; MARGIN: 0px; FONT: 14px Lucida =
Grande"><BR></DIV>
    <DIV style=3D"MARGIN: 0px"><A=20
    =
href=3D"http://snipurl.com/s9xt-ELG0S">http://snipurl.com/s9xt-ELG0S</A><=
/DIV><BR>
    <DIV>
    <DIV>On Jun 26, 2006, at 10:03 AM, Kevin Mulvihill wrote:</DIV><BR=20
    class=3DApple-interchange-newline>
    <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
      style=3D"WORD-SPACING: 0px; FONT: 14px Lucida Grande; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; =
border-spacing: 0px 0px; khtml-text-decorations-in-effect: none; =
apple-text-size-adjust: auto; orphans: 2; widows: 2"><SPAN=20
      class=3D109530117-26062006><FONT face=3DArial color=3D#0000ff =
size=3D2><SPAN=20
      class=3DApple-style-span=20
      style=3D"FONT-SIZE: 11px; COLOR: rgb(0,0,255); FONT-FAMILY: =
Arial">I have=20
      never plugged my guitar into Reaktor, but I will try that now... =
thanks=20
      for the=20
  =
suggestion.</SPAN></FONT></SPAN></SPAN></BLOCKQUOTE></DIV><BR></BLOCKQUOT=
E></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 23:15:03 2006
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Date: Tue, 4 Jul 2006 18:14:59 -0500
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: tec electronics voice live
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At 12:31 AM -0700 7/3/06, L.A. Angulo wrote:
>Anybody using this one live? its flirting with me the
>and the demo is quite impressive! check it out
>http://www.tc-helicon.com/VoiceLive

Well, I was also looking seriously at grabbing the VoiceLive until I 
managed to get an absolutely killer deal on a VoiceWorks a couple of 
months ago.  Form factor notwithstanding (VoiceLive is a foot 
controller, VoiceWorks is the rack-mount) the only big differences 
between the two are that the VoiceLive includes a limiter, as well as 
some extra tonal shaping presets for things like "cockpit radio 
voice".  Otherwise, I believe the software is basically identical 
between the two, and the VoiceWorks can behave like the VoiceLive 
with the simple addition of a footcontroller or MIDI pedal.

The VoiceWorks is excellent in regard to pitch shift, with some 
considerations.  For the record, I'm using it as a dedicated unit 
inside my Wind Synth rig: Yamaha WX-11 & VL70-m (with Patchman ROM) 
--> Presonus Eureka preamp --> TC Helicon VoiceWorks --> Boss VF-1 
--> out.  I'm also using a Novation A-station in parallel for 
vocoding and extra synth/arpeggiator parts, but that bypasses the 
VoiceWorks.

First consideration is that obviously the input needs to be 
monophonic.  It tracks and harmonizes perfectly with a mono source, 
but if you feed it even simple two-note chords -- glitch city. 
Keeping a good constant level also helps, which is why I preamp the 
material first.  Second consideration is that you need to watch your 
range.  You've got a good amount of leeway from middle C -- probably 
between two to three octaves in either direction, depending upon your 
source material -- but once you start to stray too high or two low, 
the VoiceWorks starts to have some trouble with its tracking.  Keep 
in mind that it's designed for voice, and although it works great on 
other material, it is optimized for a particular tonal range.

When actually used with voice, the Harmony voices are realistic and 
each harmony part can be programmed into different voice characters. 
They can also be individually controlled, and add an amazing amount 
of realism when used in the studio under such control.  For live use, 
the harmony scales are pretty easy to use (either save a particular 
key/scale into a preset, or just send MIDI notes).  Pitch correction 
is likewise good, and can be applied in various amounts, depending on 
how out-of-pitch your source is.  My singing sucks, though, so I've 
been concentrating on using it with different instruments (hence, the 
Wind Synth setup).

Using the VoiceWorks' intelligent harmonizing in conjunction with the 
VL70-m I've been able to pull off whole string sections with little 
trouble.  Horn sections are a little trickier, as for some reason 
they often come off sounding more like "sampled horns" than the real 
thing.  Still not bad, just different.  Some sound/harmonization 
combinations are phenomenal, though.  I've got a simple slide guitar 
patch, for instance, that becomes a full blown studio pedal steel -- 
just beautiful!  It follows the slides flawlessly, and I'd defy 
anybody to tell that it's actually a wind controller playing a 
monophonic physical modelling synth through an intelligent harmonizer 
(although I'll admit a real pedal steel is probably a heckuva lot 
cheaper  :P ).

Overall, it's the best pitch shift I've used this side of an Eventide 
(and it'll even give something like an H3000 a run for its money, 
IMNSHO).  Let me know if there's anything in particular about which 
you were curious, though, and I'll be happy to address that.  :)

	--m.
-- 
_______
"Behind every fear lies a wish, don't you think...?"

From Loopers-Delight-request@loopers-delight.com  Tue Jul  4 23:17:53 2006
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: FlyLooper & market potential
Date: Tue, 4 Jul 2006 18:17:48 -0500
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 > The average guitar player gigs at home, where their PC lives.

Look, this discussion is going off in about 4 different directions.
Let's go back to the original topic.

Aaron is writing a software looper, and presumably wants to make
money selling it.  Instead of supporting MIDI like practically every
other piece of music software in the world, he was going to build his
own custom footswitch that would only work with his software.

Many, if not most, of the people that are going to be interested in
this looper don't want another friggin' footswitch.  Not supporting
MIDI, at least as an option, is insane.  If in addition to MIDI
support, you think you can build a custom footswitch and sell it for
around $50, then hey, have fun.    But if you go much beyond that
you're competing with several general purpose MIDI controllers.

I don't know.  Maybe there is a huge untapped market of computer
musicians willing to shell out $200 for a software looper.  Personally,
I think that would be just dandy :-)  But I think the enthusiasm  
displayed
for such things by members of this list is not be the best indicator  
of the
size of that market.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 00:27:53 2006
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Date: Wed, 5 Jul 2006 02:27:45 +0200
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Ignore this message, and sorry.
It seems I'm loosing lots of mails...

Ra=FCl.

The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
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<DIV><FONT face=3DArial size=3D2>Ignore this message, and sorry.<BR>It =
seems I'm=20
loosing lots of mails...<BR><BR>Ra=FCl.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><BR>The Playing Orchestra: <A=20
href=3D"http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web=
2/tpo</A><BR>Chain=20
Tape Collective: <A=20
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</A></F=
ONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 00:55:59 2006
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Subject: Re: eLearning & Reaktor (utilzing HP's Virtual Learning Room)
Date: Tue, 4 Jul 2006 19:58:42 -0500
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Hi Kris.
Sounds like a cool project. So you just got Reaktor? I've been REALLY into it
for about 6 years now, what an amazing program. You might want to try out some
of the stuff I've built:

http://www.marksmart.net/sounddesign/bysynth/reaktor/reaktor.html

I used it for all my Continuum Fingerboard demos at the NAMM show in January.

Dunno if I have time to help much with the Reaktor education project, but feel
free to ask me questions if you have any.

Mark Smart
http://www.marksmart.net/
----- Original Message ----- 
From: "Krispen Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 04, 2006 4:58 PM
Subject: eLearning & Reaktor (utilzing HP's Virtual Learning Room)


Hey David (I am copying others here to see what is up my sleeve) -

I will be out of the town next week, but I wanted to see if you would be willing
to do something with me.

I really learn best by doing and watching, being guided in a practical setting,
and I don't have the time to be traveling to face-to-face workshops. Reading is
great, but I learn best by experience and doing. I'm in the training business,
and I manage HP's WW services sales training program (over 1400 sales reps and
60 managers),  and this is a very significant learning style that we address in
our programs....and I believe this learning style is neglected by the music
industry, in software, especially. This has always baffled me. There are a lot
of smart people in the music industry, yet they don't seem to smart when it
comes to understanding how people learn and how many diverse learning styles
there are out there. I tend to see the same type of learning methodologies used
over and over again, which aren't effective for all learners. I can see
potential for companies to make A LOT of money, if they just use the right
technology for learning and set it up correctly...but this is a different
topic..maybe I'll retire early. :)

Manuals, tutorials, face-to-face training in the classroom, etc...all great for
some folks, but they completely neglect a major learning style in human beings.
There is tons of research on this, which I could go on and on about for pages
and pages since it is my specialty, but I'll spare everyone.

I have access to this thing called Virtual Training Room (used to be called
Virtual Classroom), a product of HPs. I can setup a room and we can enter it,
where you can view my desktop or visa versa, and we talk on a conference line,
which I also setup. We can take control of each other's desktops too for
demonstration.  I'd like to conduct an experiment with this learning technology,
and have you walk me through some really basic procedures of Reaktor, like
changing ensembles on the fly from a menu, storing them, saving presets (or
snapshots) of an ensemble and accessing it on the fly, etc. Once I have this
down, I can do the rest. I've tested out all the effects your mentioned on the
reaktor effects user group, and they are outstanding!  I can tell that Reaktor
is going to do everything I need and more. I am blown away. I may never even
need another VST effect again.

Maybe in a few weeks we could hook up and try this virtual training room out?

Heck, I may even look into purchasing some space, and hosting some formal
training sessions online. The room can hold up to 250 people, all viewing one's
desktop, and listening in real time on a conference line. I can launch learning
checkpoint questions, host group chat, group discussion groups, and even conduct
surveys in real time. I manage programs that do this stuff all of the time at
work. The technology is powerful and totally under-utilized by the music
industry.  I'm shooting for some Music Software eLearning. I can also pay to
have the sessions recorded so that they can be played back in real time, like a
virtual, self-paced training session. Much of this is in the future and will
take time, of course.

Anyway, I'll do some more research and see what the costs are, how I can set it
up for the public, etc.

Now, while I am on this topic, I would be interest to know if any music software
companies are actually conducting live, interacrtive elearning (not just talking
heads and lecture) and charging per seat.  Anyone know?  Can you direct me to
any info? I'd like to see who has caught on to this.

Kris


  ----- Original Message ----- 
  From: David Coffin
  To: Loopers-Delight@loopers-delight.com
  Sent: Monday, June 26, 2006 11:18 AM
  Subject: Re: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force, and
PCM81


  You can download my Reaktor FX pdf tutorial here:


  http://snipurl.com/s9xt-ELG0S


  On Jun 26, 2006, at 10:03 AM, Kevin Mulvihill wrote:


    I have never plugged my guitar into Reaktor, but I will try that now...
thanks for the suggestion.

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 00:57:08 2006
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Date: Tue, 4 Jul 2006 19:57:59 -0500 (CDT)
Subject: Re: eLearning & Reaktor (utilzing HP's Virtual Learning Room)
From: "Joshua Carroll" <josh@infinivert.com>
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>I just think it would be
> cool to have some live and recorded elearning on some of our favorite
> software....like Mobius...

Yes please!  The only thing that would be awkward about Mobius is that,
thanks to the hard work of our good friend Jeff, the program changes quite
regularly.

I suppose we could record a session on the basics, and then--if it works
well--do occasional update sessions.

You can count me in for sure!

--Josh

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 01:32:18 2006
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From: "Jesse Chappell" <jesse@essej.net>
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On 7/4/06, Jeffrey Larson <jeff@zonemobius.com> wrote:

> I don't know.  Maybe there is a huge untapped market of computer
> musicians willing to shell out $200 for a software looper.  Personally,
> I think that would be just dandy :-)  But I think the enthusiasm
> displayed for such things by members of this list is not be the best indicator
> of the size of that market.

Then again, maybe it is our fault for pricing our software loopers at
$0.  The total capability you can get for free these days makes it
much more of a challenge for someone to come along and try to charge
money.  It's going to have to be really quite good at what it does,
and it *will* have to distinguish itself.

jlc

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Subject: Re: eLearning & Reaktor (utilzing HP's Virtual Learning Room)
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On Jul 4, 2006, at 5:16 PM, Krispen Hartung wrote:

 > I just think it would be cool to have some live and recorded  
elearning
 > on some of our favorite software....like Mobius...what do you say,
 > Jeff?

Only if I get my own trailer, no brown M&Ms, and 6 Tuvan throat
singers, fully shaved.


Seriously, I would be happy to participate as best I can, but I can't
travel and I'm really out of shape as a musician, so I would be ummm,
distracting as a demonstrator.

Jeff

      "I'm ready for my closeup, Mr. deMille"

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 01:58:07 2006
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Date: Tue, 4 Jul 2006 18:58:06 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: LD aniversary loop contributions
To: Loopers-Delight@loopers-delight.com
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Hi Josh,
Thank you kindly,i pretty much went directly from my
mackie cfx1202 into my soundcard and added an extra
touch of reverb from a timeworks plugin.I am also
slapping the guitar quite hard thats probably why it
sounds so obvious;-)
cheers 
Luis

--- Joshua Carroll <josh@infinivert.com> wrote:

> Very nice!  Great reverb in there.  What are you
> using?
> 
> --Josh
> 
> L.A. Angulo wrote:
> > Hi krispen,
> > Here is mine composed of 4 different
> > loops,unfortunately about 50 sec.long before it
> > repeats itself(ups)
> > but if it doesnt work for this project then ill
> donate
> > it to the LD comunity
> > http://www.luis-angulo.com/looplab.htm
> > cheers
> > Luis
> >
> > www.myspace.com/luisangulocom
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> > http://mail.yahoo.com 
> >
> >
> >
> >
> >   
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 02:18:00 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: LD aniversary loop contributions
Date: Tue, 4 Jul 2006 22:21:44 -0400
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How much leeway is there on this 30-second thing? I'm not 100% clear
whether we're talking about loop length or the length of the piece. Sorry
for being so dense ;-)

~Tim


> [Original Message]
> From: L.A. Angulo <labaloops@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 7/4/2006 9:58:07 PM
> Subject: Re: LD aniversary loop contributions
>
> Hi Josh,
> Thank you kindly,i pretty much went directly from my
> mackie cfx1202 into my soundcard and added an extra
> touch of reverb from a timeworks plugin.I am also
> slapping the guitar quite hard thats probably why it
> sounds so obvious;-)
> cheers 
> Luis
>
> --- Joshua Carroll <josh@infinivert.com> wrote:
>
> > Very nice!  Great reverb in there.  What are you
> > using?
> > 
> > --Josh
> > 
> > L.A. Angulo wrote:
> > > Hi krispen,
> > > Here is mine composed of 4 different
> > > loops,unfortunately about 50 sec.long before it
> > > repeats itself(ups)
> > > but if it doesnt work for this project then ill
> > donate
> > > it to the LD comunity
> > > http://www.luis-angulo.com/looplab.htm
> > > cheers
> > > Luis
> > >
> > > www.myspace.com/luisangulocom
> > >
> > > __________________________________________________
> > > Do You Yahoo!?
> > > Tired of spam?  Yahoo! Mail has the best spam
> > protection around 
> > > http://mail.yahoo.com 
> > >
> > >
> > >
> > >
> > >   
> > 
> > 
>
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 


From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 03:24:34 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <00d501c69942$7f25c1f0$6601a8c0@OFFICE1>    <723261C6-5465-4C5B-ABD9-DDAAADC909B4@earthlink.net>    <05cd01c69fb4$f316df90$abb0ec0f@americas.hpqcorp.net>    <05de01c69fb7$78e8ebc0$abb0ec0f@americas.hpqcorp.net> <1136.66.143.210.250.1152061079.squirrel@www.infinivert.com>
Subject: Re: eLearning & Reaktor (utilzing HP's Virtual Learning Room)
Date: Tue, 4 Jul 2006 21:24:26 -0600
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Exactly. I would build small units or lessons that could be updated in a 
cost effective way, starting with foundational training and moving to 
intermediate and advanced. This will be a part of my grand plan. I'm going 
to do some cost analysis this month on what it will take to build a 1 hour 
eLearning module, self paced and live....cost of design, analysis, 
development, and implementation.  I'll need a pilot. I'm hoping Jeff chimes 
in here to volunteer to pilot with Mobius. If it worked well, I would market 
it to other commerical companies as an independent consultant, using my 
existing set of instructional design tools and resources.

Kris

----- Original Message ----- 
From: "Joshua Carroll" <josh@infinivert.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 04, 2006 6:57 PM
Subject: Re: eLearning & Reaktor (utilzing HP's Virtual Learning Room)


> >I just think it would be
>> cool to have some live and recorded elearning on some of our favorite
>> software....like Mobius...
>
> Yes please!  The only thing that would be awkward about Mobius is that,
> thanks to the hard work of our good friend Jeff, the program changes quite
> regularly.
>
> I suppose we could record a session on the basics, and then--if it works
> well--do occasional update sessions.
>
> You can count me in for sure!
>
> --Josh
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 03:32:09 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <410-2200673522144240@earthlink.net>
Subject: Re: LD aniversary loop contributions
Date: Tue, 4 Jul 2006 21:32:01 -0600
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30 sec for the entire piece +/- a few seconds...what you do in that space 
with loops is up to you. You could fade in and out of a larger piece if you 
like, or just record it that way.  Consider it a "thumbnail" depiction of 
your looping personality. :) It should be a good test of our ability to 
articulate what we are as loopers in 30 sec...a fun challenge.

Kris

----- Original Message ----- 
From: "Timothy Mungenast" <mungenast@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 04, 2006 8:21 PM
Subject: Re: LD aniversary loop contributions


> How much leeway is there on this 30-second thing? I'm not 100% clear
> whether we're talking about loop length or the length of the piece. Sorry
> for being so dense ;-)
>
> ~Tim
>
>
>> [Original Message]
>> From: L.A. Angulo <labaloops@yahoo.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Date: 7/4/2006 9:58:07 PM
>> Subject: Re: LD aniversary loop contributions
>>
>> Hi Josh,
>> Thank you kindly,i pretty much went directly from my
>> mackie cfx1202 into my soundcard and added an extra
>> touch of reverb from a timeworks plugin.I am also
>> slapping the guitar quite hard thats probably why it
>> sounds so obvious;-)
>> cheers
>> Luis
>>
>> --- Joshua Carroll <josh@infinivert.com> wrote:
>>
>> > Very nice!  Great reverb in there.  What are you
>> > using?
>> >
>> > --Josh
>> >
>> > L.A. Angulo wrote:
>> > > Hi krispen,
>> > > Here is mine composed of 4 different
>> > > loops,unfortunately about 50 sec.long before it
>> > > repeats itself(ups)
>> > > but if it doesnt work for this project then ill
>> > donate
>> > > it to the LD comunity
>> > > http://www.luis-angulo.com/looplab.htm
>> > > cheers
>> > > Luis
>> > >
>> > > www.myspace.com/luisangulocom
>> > >
>> > > __________________________________________________
>> > > Do You Yahoo!?
>> > > Tired of spam?  Yahoo! Mail has the best spam
>> > protection around
>> > > http://mail.yahoo.com
>> > >
>> > >
>> > >
>> > >
>> > >
>> >
>> >
>>
>>
>> www.myspace.com/luisangulocom
>>
>> __________________________________________________
>> Do You Yahoo!?
>> Tired of spam?  Yahoo! Mail has the best spam protection around
>> http://mail.yahoo.com
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 03:32:25 2006
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To: Loopers-Delight@loopers-delight.com
References: <00d501c69942$7f25c1f0$6601a8c0@OFFICE1> <723261C6-5465-4C5B-ABD9-DDAAADC909B4@earthlink.net> <05cd01c69fb4$f316df90$abb0ec0f@americas.hpqcorp.net> <05de01c69fb7$78e8ebc0$abb0ec0f@americas.hpqcorp.net> <4CB1C2F4-CD64-450B-BD2F-E5BAECC51221@zonemobius.com>
Subject: Re: eLearning & Reaktor (utilzing HP's Virtual Learning Room)
Date: Tue, 4 Jul 2006 21:32:22 -0600
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No travel required. I manage these sort of projects for a living, and we do 
it all virtual.

Kris

----- Original Message ----- 
From: "Jeffrey Larson" <jeff@zonemobius.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 04, 2006 7:51 PM
Subject: Re: eLearning & Reaktor (utilzing HP's Virtual Learning Room)


> On Jul 4, 2006, at 5:16 PM, Krispen Hartung wrote:
>
> > I just think it would be cool to have some live and recorded
> elearning
> > on some of our favorite software....like Mobius...what do you say,
> > Jeff?
>
> Only if I get my own trailer, no brown M&Ms, and 6 Tuvan throat
> singers, fully shaved.
>
>
> Seriously, I would be happy to participate as best I can, but I can't
> travel and I'm really out of shape as a musician, so I would be ummm,
> distracting as a demonstrator.
>
> Jeff
>
>      "I'm ready for my closeup, Mr. deMille"
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 03:41:43 2006
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Message-ID: <20060705034141.41063.qmail@web38601.mail.mud.yahoo.com>
Date: Tue, 4 Jul 2006 20:41:40 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: LD aniversary loop contributions
To: Loopers-Delight@loopers-delight.com
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Oh kris ill have to either pull mine out or edited i
thought it was 30 sec. till it repeats...
let me know
Luis

--- Krispen Hartung <khartung@cableone.net> wrote:

> 30 sec for the entire piece +/- a few seconds...what
> you do in that space 
> with loops is up to you. You could fade in and out
> of a larger piece if you 
> like, or just record it that way.  Consider it a
> "thumbnail" depiction of 
> your looping personality. :) It should be a good
> test of our ability to 
> articulate what we are as loopers in 30 sec...a fun
> challenge.
> 
> Kris
> 
> ----- Original Message ----- 
> From: "Timothy Mungenast" <mungenast@earthlink.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, July 04, 2006 8:21 PM
> Subject: Re: LD aniversary loop contributions
> 
> 
> > How much leeway is there on this 30-second thing?
> I'm not 100% clear
> > whether we're talking about loop length or the
> length of the piece. Sorry
> > for being so dense ;-)
> >
> > ~Tim
> >
> >
> >> [Original Message]
> >> From: L.A. Angulo <labaloops@yahoo.com>
> >> To: <Loopers-Delight@loopers-delight.com>
> >> Date: 7/4/2006 9:58:07 PM
> >> Subject: Re: LD aniversary loop contributions
> >>
> >> Hi Josh,
> >> Thank you kindly,i pretty much went directly from
> my
> >> mackie cfx1202 into my soundcard and added an
> extra
> >> touch of reverb from a timeworks plugin.I am also
> >> slapping the guitar quite hard thats probably why
> it
> >> sounds so obvious;-)
> >> cheers
> >> Luis
> >>
> >> --- Joshua Carroll <josh@infinivert.com> wrote:
> >>
> >> > Very nice!  Great reverb in there.  What are
> you
> >> > using?
> >> >
> >> > --Josh
> >> >
> >> > L.A. Angulo wrote:
> >> > > Hi krispen,
> >> > > Here is mine composed of 4 different
> >> > > loops,unfortunately about 50 sec.long before
> it
> >> > > repeats itself(ups)
> >> > > but if it doesnt work for this project then
> ill
> >> > donate
> >> > > it to the LD comunity
> >> > > http://www.luis-angulo.com/looplab.htm
> >> > > cheers
> >> > > Luis
> >> > >
> >> > > www.myspace.com/luisangulocom
> >> > >
> >> > >
> __________________________________________________
> >> > > Do You Yahoo!?
> >> > > Tired of spam?  Yahoo! Mail has the best spam
> >> > protection around
> >> > > http://mail.yahoo.com
> >> > >
> >> > >
> >> > >
> >> > >
> >> > >
> >> >
> >> >
> >>
> >>
> >> www.myspace.com/luisangulocom
> >>
> >>
> __________________________________________________
> >> Do You Yahoo!?
> >> Tired of spam?  Yahoo! Mail has the best spam
> protection around
> >> http://mail.yahoo.com
> >
> >
> > 
> 
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 04:22:27 2006
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Subject: Re: eLearning & Reaktor (utilzing HP's Virtual Learning Room)
Date: Tue, 4 Jul 2006 23:24:55 -0500
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These might help:

http://www.computermusic.co.uk/tutorial/reaktor1/reaktormain.asp

http://www.native-instruments.com/index.php?id=r4firststeps_us

http://www.recordlabelrecords.org/norcal.html

At some point there was a tutorial that used Reaktor to illustrate the basics of
synthesis, but at the moment I can't seem to Google anything about that. That
may or may not be useful as it was really teaching general synth concepts.

Mark Smart          1
http://www.marksmart.net/
----- Original Message ----- 
From: "Krispen Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 04, 2006 5:16 PM
Subject: Re: eLearning & Reaktor (utilzing HP's Virtual Learning Room)


BTW, if I really decide to take the leap on this from a larger learner
population standpoint, I would conduct a formal needs assessment and analysis,
to drive the instructional design, modules, scripting, performance objectives,
etc of the learning.  I just think it would be cool to have some live and
recorded elearning on some of our favorite software....like Mobius...what do you
say, Jeff?

Kris

  ----- Original Message ----- 
  From: Krispen Hartung
  To: Loopers-Delight@loopers-delight.com
  Sent: Tuesday, July 04, 2006 3:58 PM
  Subject: eLearning & Reaktor (utilzing HP's Virtual Learning Room)


  Hey David (I am copying others here to see what is up my sleeve) -

  I will be out of the town next week, but I wanted to see if you would be
willing to do something with me.

  I really learn best by doing and watching, being guided in a practical
setting, and I don't have the time to be traveling to face-to-face workshops.
Reading is great, but I learn best by experience and doing. I'm in the training
business, and I manage HP's WW services sales training program (over 1400 sales
reps and 60 managers),  and this is a very significant learning style that we
address in our programs....and I believe this learning style is neglected by the
music industry, in software, especially. This has always baffled me. There are a
lot of smart people in the music industry, yet they don't seem to smart when it
comes to understanding how people learn and how many diverse learning styles
there are out there. I tend to see the same type of learning methodologies used
over and over again, which aren't effective for all learners. I can see
potential for companies to make A LOT of money, if they just use the right
technology for learning and set it up correctly...but this is a different
topic..maybe I'll retire early. :)

  Manuals, tutorials, face-to-face training in the classroom, etc...all great
for some folks, but they completely neglect a major learning style in human
beings. There is tons of research on this, which I could go on and on about for
pages and pages since it is my specialty, but I'll spare everyone.

  I have access to this thing called Virtual Training Room (used to be called
Virtual Classroom), a product of HPs. I can setup a room and we can enter it,
where you can view my desktop or visa versa, and we talk on a conference line,
which I also setup. We can take control of each other's desktops too for
demonstration.  I'd like to conduct an experiment with this learning technology,
and have you walk me through some really basic procedures of Reaktor, like
changing ensembles on the fly from a menu, storing them, saving presets (or
snapshots) of an ensemble and accessing it on the fly, etc. Once I have this
down, I can do the rest. I've tested out all the effects your mentioned on the
reaktor effects user group, and they are outstanding!  I can tell that Reaktor
is going to do everything I need and more. I am blown away. I may never even
need another VST effect again.

  Maybe in a few weeks we could hook up and try this virtual training room out?

  Heck, I may even look into purchasing some space, and hosting some formal
training sessions online. The room can hold up to 250 people, all viewing one's
desktop, and listening in real time on a conference line. I can launch learning
checkpoint questions, host group chat, group discussion groups, and even conduct
surveys in real time. I manage programs that do this stuff all of the time at
work. The technology is powerful and totally under-utilized by the music
industry.  I'm shooting for some Music Software eLearning. I can also pay to
have the sessions recorded so that they can be played back in real time, like a
virtual, self-paced training session. Much of this is in the future and will
take time, of course.

  Anyway, I'll do some more research and see what the costs are, how I can set
it up for the public, etc.

  Now, while I am on this topic, I would be interest to know if any music
software companies are actually conducting live, interacrtive elearning (not
just talking heads and lecture) and charging per seat.  Anyone know?  Can you
direct me to any info? I'd like to see who has caught on to this.

  Kris


    ----- Original Message ----- 
    From: David Coffin
    To: Loopers-Delight@loopers-delight.com
    Sent: Monday, June 26, 2006 11:18 AM
    Subject: Re: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force,
and PCM81


    You can download my Reaktor FX pdf tutorial here:


    http://snipurl.com/s9xt-ELG0S


    On Jun 26, 2006, at 10:03 AM, Kevin Mulvihill wrote:


      I have never plugged my guitar into Reaktor, but I will try that now...
thanks for the suggestion.

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 04:31:46 2006
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From: "Tony K" <bigtony@softhome.net>
To: Loopers-Delight@loopers-delight.com
Subject: Tony and Rainer make weird noises.
Date: Wed, 5 Jul 2006 00:31:42 -0400
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Hi all,

 

Last week Rainer and I managed to get our schedules in sync and did a NINJAM
session.  While we had a few technical issues, we did manage to make some
music together.  If anybody is interested, there's a 23 minute (33 meg d/l)
file at:

 

http://www.thinginajar.com/bigtony/RainerAndTony.mp3

 

Comments welcome!

 

Tony


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Hi =
all,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Last week Rainer and I managed to =
get our
schedules in sync and did a NINJAM session.&nbsp; While we had a few =
technical
issues, we did manage to make some music together.&nbsp; If anybody is =
interested,
there&#8217;s a 23 minute (33 meg d/l) file =
at:<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><a
href=3D"http://www.thinginajar.com/bigtony/RainerAndTony.mp3">http://www.=
thinginajar.com/bigtony/RainerAndTony.mp3</a><o:p></o:p></span></font></p=
>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Comments =
welcome!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Tony<o:p></o:p></span></font></p>

</div>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 04:40:59 2006
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i B likin it

-----Original Message-----
>From: Tony K <bigtony@softhome.net>
>Sent: Jul 4, 2006 9:31 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Tony and Rainer make weird noises.
>
>Hi all,
>
> 
>
>Last week Rainer and I managed to get our schedules in sync and did a NINJAM
>session.  While we had a few technical issues, we did manage to make some
>music together.  If anybody is interested, there's a 23 minute (33 meg d/l)
>file at:
>
> 
>
>http://www.thinginajar.com/bigtony/RainerAndTony.mp3
>
> 
>
>Comments welcome!
>
> 
>
>Tony
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 04:49:49 2006
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Date: Tue, 4 Jul 2006 21:49:47 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: tec electronics voice live
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I see there is an instrument input besides the line
one and i am wondering if both signals can be proccess
separately,the voice works seems to only have one
input.
I bet they are both nice though!
Luis





> 
> Overall, it's the best pitch shift I've used this
> side of an Eventide 
> (and it'll even give something like an H3000 a run
> for its money, 
> IMNSHO).  Let me know if there's anything in
> particular about which 
> you were curious, though, and I'll be happy to
> address that.  :)
> 
> 	--m.
> -- 
> _______
> "Behind every fear lies a wish, don't you think...?"
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 06:22:32 2006
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Then there's (ahem)...me. Most of my work is sans-looper,
but I'm integrating it more and more. Welcome to the list,
JoJo!

Sam Rogers
One Mouth Band

Website: www.OneMouthBand.com 
New CD: www.OrganicHumanMusic.com
EPK: www.sonicbids.com/SamRogers
 


----------------------------------------

    On 7/4/06 3:27 PM, "Joshua Carroll"
<josh@infinivert.com> wrote:

        For vocal looping, you should definitely check out
Kid Beyond if you haven't already.

        http://www.kidbeyond.com/

        --Josh



        JoJo Razor wrote:

            Hi I am new, just joined.
            Is anyone doing vocal looping here? I have a
small
            trio with two looping machines, nothing fancy.
Just
            interested in pushing the boundaries a bit.
            Thanks for any info you have or any websites
you can
            send me to.
            JoJo

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Paul,

There's a lot of info regarding programming the FCB1010 over at the
yahoo group: <http://groups.yahoo.com/group/fcb1010/>.  Specifically
in their files section:  FAQs, How-Tos, guides for working with
specific equipment, etc.  Plus there's an active and helpful
community....IF you've read the docs and have specific questions.

No need to spend 6 hours spinning your wheels when the answers you
need are probably available online.

Good luck,
Todd


On 7/4/06, phaslem@wightman.ca <phaslem@wightman.ca> wrote:
> Just dropping in on your thread here, If you go to the Native
> Instruments forum
> you can find lots and lots of people gripping at NI because they'd rather buy
> Guitar Rig without the Rig Control pedal and just use a midi pedal. For
> myself,
> I bought my first midi pedal last fall and was able to use it right out of the
> box to control mobius standalone with no fuss or learning curve at all. It's
> only now that I want to start being able to control some other applications
> that I'm finally digging into learning how to program the darn thing....
> already spent about 6 hrs with that useless excuse for manual they give....
> maybe I'm just too old for this
>
> Paul
>
>
>
> Quoting Jeffrey Larson <jeff@zonemobius.com>:
>
> > Oh, and another thing...the average guitar player doesn't gig with a  laptop.
> > As soon as you drag a laptop into the picture, the market shrinks
> > dramatically and the ability to deal with midi pedals goes way up.
> > (Insert your favorite "average guitar player" joke here :-)
> >
> > Jeff
> >
> >
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 07:56:24 2006
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Subject: RE: vocal looping:    a list and the VOICE ELECTRONICS tribe
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I read with interest and concur with the great reviews of looping vocalists 
Kid Beyond , John Whooley and Michael Shieffel and
wanted to add several others to the list as well:

PHYLL SMITH (aka DARK MUSE) who marries goth, dark ambient, found sound and 
looped ethereal vocals in here performances and CDs

SIMRAN GLEASON (overtone singing of many kinds)

MARTYN ST. MICHAEL (also an excellent overtone singer)
the excellent group LOOP STATION (This duo with vocalist, ROBIN COOMER and 
cellist, Sam Bass opened up for Thomas Dolby's recent comeback performance 
in San Francisco and will be featured at Y2K6 in October),

JUANA MOLINA the incredible Argentinian vocalist/instrumentalist who 
combines acoustic folk songs with really fascinating
                                    avant garde electronica and looped 
vocals

DIANA THOMPSON (aka PUSHING AIR)

DINA EMERSON (who also sings lead with Cirque Du Soleil and Merideth Monk)

KID LUCKY (the incredible and very influential beatboxer from New York City)

RADIO ACTIVE (the rapper/beatboxer who performs with the politically 
conscious rap group, Spearhead----I just did a show with
him and it was like taking a masters course on beatboxing................he 
was just ridiculously accomplished and inventive with two Line 6s)

a growing number of young street beatboxers that I've done shows with in the 
bay area including ADAM ANT the PLUMBER that are using
live looping devices in their shows.

there are also a lot of loopers like JEFF KAISER, RENA JONES, GARY REGINA 
and many others who incorporate a lot
of vocals into their multi-instrumental looping.

Then there are singers like the famous dark avant garde artist DIAMANDA 
GALAS who toured with looping live processing sound engineer
and beloved L.D. list member, DR. RICHARD ZVONAR (who, very sadly, passed 
away last year)

I hope I didn't leave anybody out but I'm sure I did.

***************

Oh, yeah,  and there's moi:

I  put out an entire CD two years ago that is  voice-only  live looping 
(with half the tracks using unusual techniques
for computer generated voices to augment it) called 'Faux Voix.'

I've been experimenting a lot with what I call extended vocal 
techniques..............some that I've learned and some that
I think I've invented.............     trill singing, warble singing,  chest 
manipulated falsetto comb filtering, hum whistling,
whistle humming,   different kinds of overtone manipulation and then the use 
of physical props to change the
timbre of my voice like singing through corrugated tubing that has variable 
length manipulations (medical tubing that
can collapse or elongate),  singing into different sizes of vessels to 
activate over resonation of the voice
and then I've been working a lot on faux industrial and faux synthesizer 
drum sounds as well as faux ethnic percussion
sounds in my beatboxing.         I performed a 15 minute acapella/live 
looping performance at the Kobe Underground Festival
in Japan last summer.

http://www.looppool.info/fauxvoix.html

*****************
I also produced a show called the Festival of Voice and Electronics where 10 
singers gave 15 minute acapella
performances from radically different genres (opera,  pop,  tuvan overtone 
singing,  beatboxing, death metal, avant garde and classical styles) whilst 
being processed from one to three live looping artists.

That show resulted in a two day show that Matt Davignon put on in San 
Francisco and Oakland a year or so later
called the Two Day Voice and Electronics Thingee.

This show resulted in the creation of the Voice and Electronics tribe at 
www.tribe.net
Please come join us there:    http://electronicvoice.tribe.net/     It's 
free to join and they don't spam your email address. 

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At 02:58 PM 7/4/2006, Kevin wrote:
>At 10:00 AM 7/4/2006, Jeff wrote:
>>Oh, and another thing...the average guitar player doesn't gig with a
>>laptop.
>
>The average guitar player gigs at home, where their PC lives.  Most folks 
>don't play out, guys.  As for PCs, I look at all the college students in 
>my neighborhood and they're all packing laptops.  Don't look at what the 
>market is now, look at what the market will be in five years.

smart phones. 3G. PSP. ipod. etc.

Laptops are the past already. Musicians are always behind.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

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At 9:49 PM -0700 7/4/06, L.A. Angulo wrote:
>I see there is an instrument input besides the line
>one and i am wondering if both signals can be proccess
>separately,the voice works seems to only have one
>input.

Yeah, I'm *fairly* certain that the extra instrument input is merely 
routed to the aux audio path, which is the same on both units (if 
not, I'm going to be mightily peeved, 'cause I could really use a 
second harmonizer input).  I'm pretty sure that it uses the secondary 
signal path, because I doubt that they're going to include a whole 
second harmonizer in the same unit.  And I tried merging two sources 
into the same harmony block at the input.  That confused the 
harmonizer tracking hella bad.

The aux input on the VoiceWorks passes the signal through the reverb 
and delay blocks, but it sums into the signal chain after the harmony 
processor.  It's nice for adding instrumentation into the same 
"space" as the vocals, and the reverb/delay is of the same quality 
you'd expect from TC Electronic.  Excellent!

>I bet they are both nice though!

Oh, absolutely.  Like I stated previously, I was originally looking 
to pick up the VoiceLive in the first place.  Then the VoiceWorks 
dropped into my lap at half the cost of the VoiceLive, so I couldn't 
pass that deal up.  If you get the VoiceLive, I'm sure you'll have 
lots of fun with it.  And, as I said, I'm sure it sounds great.  :)

	--m.
-- 
_______
"You are in a maze of twisty little passages, all alike..."

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unsubscribe




>From: "Claude Voit" <c.voit@vtx.ch>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: unsubscribe
>Date: Mon, 3 Jul 2006 14:23:21 +0200
>
>yes Ron we know you are not alone with this problem.
>
>in 10 years I found 1077 matches in 1077 files.
>
>please enjoy some great unsusbcribe classics.
>
>but relax most of us never figured out how to do it;
>so we kept getting all these mails or eventually switched the computer off
>good luck
>
>Claude
>
>http://loopersdelight.com/cgi-bin/wilma_glimpse/LDarchive?query=unsubscribe&Search=Search&lineonly=on&errors=0&maxfiles=5000&maxlines=0&.cgifields=lineonly&.cgifields=restricttofiles&.cgifields=filelist&.cgifields=partial&.cgifields=case
>
>
>
>
>
>
>unsubscribe
>
>
>---------------------------------
>Yahoo! Messenger with Voice. Make PC-to-Phone Calls to the US (and 30+
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>
>

_________________________________________________________________
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>Aaron is writing a software looper, and presumably wants to make
>money selling it.  Instead of supporting MIDI like practically every
>other piece of music software in the world, he was going to build his
>own custom footswitch that would only work with his software.
>
>Many, if not most, of the people that are going to be interested in
>this looper don't want another friggin' footswitch.  Not supporting
>MIDI, at least as an option, is insane.

with the standard "my2cents" disclaimer, and respect to Jeff:-

The advantage is presumably that the footswitch works as a dongle,
which is a useful consideration in profit terms.

Doesn't that Korg Legacy thing rely on a similar principle?

I could imagine that having a nice light small footswitch to work
the looper, while using the laptop to set up FX & sounds
would be most acceptable for a portable rig.

andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 10:50:38 2006
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Subject: Re: Re:vocal looping (jazz)
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I've missed this entire thread, but is there anyone doing any vocal looping 
with some serious jazz vocal technique?  I mean, some really far out 
scatting (Ela style), vocalizing looping bass lines, comping changes, doing 
some of the great jazz standards, etc....I guess sort of like the stuff 
Bobby McFerrin has done with Chick Corea, etc...NOT "Don't Worry Be Happy"! 
:) I can only imagine what Dee Dee Bridgewater, Dinah Washington, Nancy 
Wilson, Mel Torme, Al Jarreau, Sarah Vaughan, Dianne Reeves, or Jonie 
Mitchell could have done (could do) with an EDP or Looperlative.

Kris 


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Subject: Re: Re:vocal looping (jazz)
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yes

Michael Schiefel

http://www.schiefel.de/

he uses 2 edp a tc voice processor and a small keyboard controler to trig
the edps and the fx
http://www.flickr.com/photos/11242995@N00/67095462/in/pool-13509629@N00/
http://www.flickr.com/photos/11242995@N00/67089277/in/pool-13509629@N00/
and he is faster that any shoe gazer guitar player

Claude

----- Original Message ----- 
From: "Krispen Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 05, 2006 12:50 PM
Subject: Re: Re:vocal looping (jazz)


> I've missed this entire thread, but is there anyone doing any vocal
> looping with some serious jazz vocal technique?  I mean, some really far
> out scatting (Ela style), vocalizing looping bass lines, comping changes,
> doing some of the great jazz standards, etc....I guess sort of like the
> stuff Bobby McFerrin has done with Chick Corea, etc...NOT "Don't Worry Be
> Happy"! :) I can only imagine what Dee Dee Bridgewater, Dinah Washington,
> Nancy Wilson, Mel Torme, Al Jarreau, Sarah Vaughan, Dianne Reeves, or
> Jonie Mitchell could have done (could do) with an EDP or Looperlative.
>
> Kris
>
>


From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 12:45:03 2006
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From: "aaron leese" <aaronleese@hotmail.com>
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Subject: Re:Re: FlyLooper & market potential
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How bout this:

For those of us that already own midi controllers (including people who 
might want to control loops from a keyboard), I will make this program midi 
controller friendly.

For anyone who doesn't already own a midi controller ... (aka joe average 
guitar player) there will be an optional USB device that will also work with 
the program (retailing at about the same price as the FCB1010, say).  This 
device might include a few extra bells and whistles that the midi controller 
doesn't have, but nothing crucial (some effects controls).

That seems like a copacetic situation, no?

Since this thread is getting older .. I want to reiterate, that this is not 
something I hope to have working someday ... it's already out there 
(www.flyloops.com).  There will be a downloadable beta version soon (once I 
get midi controllers working).









>From: a k butler <akbutler@tiscali.co.uk>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re:Re: FlyLooper & market potential
>Date: Wed, 05 Jul 2006 09:14:47 +0100
>
>
>>Aaron is writing a software looper, and presumably wants to make
>>money selling it.  Instead of supporting MIDI like practically every
>>other piece of music software in the world, he was going to build his
>>own custom footswitch that would only work with his software.
>>
>>Many, if not most, of the people that are going to be interested in
>>this looper don't want another friggin' footswitch.  Not supporting
>>MIDI, at least as an option, is insane.
>
>with the standard "my2cents" disclaimer, and respect to Jeff:-
>
>The advantage is presumably that the footswitch works as a dongle,
>which is a useful consideration in profit terms.
>
>Doesn't that Korg Legacy thing rely on a similar principle?
>
>I could imagine that having a nice light small footswitch to work
>the looper, while using the laptop to set up FX & sounds
>would be most acceptable for a portable rig.
>
>andy butler
>

_________________________________________________________________
FREE pop-up blocking with the new MSN Toolbar – get it now! 
http://toolbar.msn.click-url.com/go/onm00200415ave/direct/01/

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 14:22:13 2006
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PS - Thanks Kevin for the post on createdigitalmusic.com !!!! Made my day.




>From: a k butler <akbutler@tiscali.co.uk>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re:Re: FlyLooper & market potential
>Date: Wed, 05 Jul 2006 09:14:47 +0100
>
>
>>Aaron is writing a software looper, and presumably wants to make
>>money selling it.  Instead of supporting MIDI like practically every
>>other piece of music software in the world, he was going to build his
>>own custom footswitch that would only work with his software.
>>
>>Many, if not most, of the people that are going to be interested in
>>this looper don't want another friggin' footswitch.  Not supporting
>>MIDI, at least as an option, is insane.
>
>with the standard "my2cents" disclaimer, and respect to Jeff:-
>
>The advantage is presumably that the footswitch works as a dongle,
>which is a useful consideration in profit terms.
>
>Doesn't that Korg Legacy thing rely on a similar principle?
>
>I could imagine that having a nice light small footswitch to work
>the looper, while using the laptop to set up FX & sounds
>would be most acceptable for a portable rig.
>
>andy butler
>

_________________________________________________________________
FREE pop-up blocking with the new MSN Toolbar – get it now! 
http://toolbar.msn.click-url.com/go/onm00200415ave/direct/01/

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 14:56:45 2006
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At 07:22 AM 7/5/2006, you wrote:
>PS - Thanks Kevin for the post on createdigitalmusic.com !!!! Made my day.

My pleasure, Aaron.  I hope this works for you.

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 15:10:22 2006
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Date: Wed, 5 Jul 2006 17:10:20 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: lap top sync with the hardware looper 
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	powerspot@yahoogroups.com, repeater-users@yahoogroups.com
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--0-88098789-1152112220=:52347
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Hi !
   
  I am make songs on my lap top and the repeater. Beats, basslines on the laptop and soundscapes in sync and without sync on the repeater. But still if my beats on the pc are in 90 bpm and my repeater the same, they seam to, over some time, to loose the sync. 
   
  I wander, do the proffs use midisync live ?
   
  Any tips ?
   
  Rune F     


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
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<div>Hi !</div>  <div>&nbsp;</div>  <div>I am make songs on my lap top and the repeater. Beats, basslines on the laptop and soundscapes in sync and without sync on the repeater.&nbsp;But still if my beats&nbsp;on the pc are in 90 bpm and my repeater the same, they seam to, over some time, to&nbsp;loose the sync. </div>  <div>&nbsp;</div>  <div>I wander, do the proffs use midisync live ?</div>  <div>&nbsp;</div>  <div>Any tips ?</div>  <div>&nbsp;</div>  <div>Rune F&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</div><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-88098789-1152112220=:52347--

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 15:14:14 2006
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From: Kevin <kevin@TheNettles.com>
Subject: USB Controller (Was: FlyLooper & market potential)
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At 05:44 AM 7/5/2006, Aaron wrote:
>For anyone who doesn't already own a midi controller ... (aka joe 
>average guitar player) there will be an optional USB device that 
>will also work with the program (retailing at about the same price 
>as the FCB1010, say).  This device might include a few extra bells 
>and whistles that the midi controller doesn't have, but nothing 
>crucial (some effects controls).

I am ignorant about MIDI controllers so I'd like to ask the list:

The average laptop doesn't have a midi port but it does have several 
USB ports.

What do folks know about USB footswitches/controllers that have 
software drivers that can convert USB signal to MIDI messages in your 
standard laptop music programs (Ableton, Reaktor, etc.)?

What do folks know about USB footswitches like the above that also 
have MIDI-in-out-through ports for controlling external devices based 
on signals sent from the laptop or from the footswitch?

If nothing exists like this, then here's something that could sell 
thousands of units. Plug and play for the average guy.

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 15:17:23 2006
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I have an FCB1010 which only has MIDI in/out (no USB), and I use an 
Edirol USB/MIDI box to do connect to my computer.  A quick google of USB 
MIDI will return several cheap solutions.

--Josh



Kevin wrote:
> At 05:44 AM 7/5/2006, Aaron wrote:
>> For anyone who doesn't already own a midi controller ... (aka joe 
>> average guitar player) there will be an optional USB device that will 
>> also work with the program (retailing at about the same price as the 
>> FCB1010, say).  This device might include a few extra bells and 
>> whistles that the midi controller doesn't have, but nothing crucial 
>> (some effects controls).
>
> I am ignorant about MIDI controllers so I'd like to ask the list:
>
> The average laptop doesn't have a midi port but it does have several 
> USB ports.
>
> What do folks know about USB footswitches/controllers that have 
> software drivers that can convert USB signal to MIDI messages in your 
> standard laptop music programs (Ableton, Reaktor, etc.)?
>
> What do folks know about USB footswitches like the above that also 
> have MIDI-in-out-through ports for controlling external devices based 
> on signals sent from the laptop or from the footswitch?
>
> If nothing exists like this, then here's something that could sell 
> thousands of units. Plug and play for the average guy.
>
> Cheers,
> Kevin
>
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 15:24:15 2006
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At 08:17 AM 7/5/2006, Josh wrote:
>I have an FCB1010 which only has MIDI in/out (no USB), and I use an 
>Edirol USB/MIDI box to do connect to my computer.  A quick google of 
>USB MIDI will return several cheap solutions.

Yup, I saw that.   I Googled before I asked the list but I didn't see 
anything with those specs. To which I will add another one:

Powered by USB.  No batteries, no wall wart.

The value proposition is that it's all in one neat little package and 
the novice user doesn't have to configure, tweak or plug in anything 
except the footswitch.  The little software driver and MIDI circuit 
on the footpedal is doing everything.

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 15:27:59 2006
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Subject: electr-ohm-streaming playlist 5th July 06
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Hello,

  electr-ohm-streaming playlist 5th July 06

=============================

  NAMSHUBOFENKI VS KIKI III / Meet in the valley (Creative Space)

  V.A. / NOISE.IL (Topheth Prophet)

  hhtp portablepalace / Cavitation (Monochrome Vision)

  Exalot / Analogue Flowers (Faria Records)

  V.A. / The Nature of Systems (Carbon Records)

=============================

please visit to:

http://www.myspace.com/electrohm

and click which is your player's logo, iTunes or Real One Player.


Playlist will change on every Wednesday.
All tracks will play by shuffle.
7D/24H streaming from Kobe,Japan.

=============================

electr-ohm
electronic music label & distribution
http://www.electr-ohm.com



  Thanks

  Sunao

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 15:31:28 2006
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Subject: Re: USB Controller (Was: FlyLooper & market potential)
References: <7.0.0.16.0.20060705090356.01a941a0@tiscali.co.uk> <BAY109-F34D0CA73F71591F9D8988AC6760@phx.gbl> <7.0.0.16.0.20060705080436.01a84cf8@TheNettles.com> <44ABD7F5.5010305@infinivert.com> <7.0.0.16.0.20060705082023.01aa2bc0@TheNettles.com>
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Now /that/ would be something worth buying.  If it was as sturdy and 
flexible as the FCB1010 (but perhaps easier to program and packaged with 
better documentation), had MIDI i/o + USB with the possibility of being 
bus powered... that would be a unit worth purchasing.

--Josh



Kevin wrote:
> At 08:17 AM 7/5/2006, Josh wrote:
>> I have an FCB1010 which only has MIDI in/out (no USB), and I use an 
>> Edirol USB/MIDI box to do connect to my computer.  A quick google of 
>> USB MIDI will return several cheap solutions.
>
> Yup, I saw that.   I Googled before I asked the list but I didn't see 
> anything with those specs. To which I will add another one:
>
> Powered by USB.  No batteries, no wall wart.
>
> The value proposition is that it's all in one neat little package and 
> the novice user doesn't have to configure, tweak or plug in anything 
> except the footswitch.  The little software driver and MIDI circuit on 
> the footpedal is doing everything.
>
> Cheers,
> Kevin
>
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
>
>
>
>

--------------080806040402050002020608
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<body bgcolor="#ffffff" text="#000000">
Now <i>that</i> would be something worth buying.&nbsp; If it was as sturdy
and flexible as the FCB1010 (but perhaps easier to program and packaged
with better documentation), had MIDI i/o + USB with the possibility of
being bus powered... that would be a unit worth purchasing.<br>
<br>
--Josh<br>
<br>
<br>
<br>
Kevin wrote:
<blockquote cite="mid7.0.0.16.0.20060705082023.01aa2bc0@TheNettles.com"
 type="cite">At 08:17 AM 7/5/2006, Josh wrote:
  <br>
  <blockquote type="cite">I have an FCB1010 which only has MIDI in/out
(no USB), and I use an Edirol USB/MIDI box to do connect to my
computer.&nbsp; A quick google of USB MIDI will return several cheap
solutions.
    <br>
  </blockquote>
  <br>
Yup, I saw that.&nbsp;&nbsp; I Googled before I asked the list but I didn't see
anything with those specs. To which I will add another one:
  <br>
  <br>
Powered by USB.&nbsp; No batteries, no wall wart.
  <br>
  <br>
The value proposition is that it's all in one neat little package and
the novice user doesn't have to configure, tweak or plug in anything
except the footswitch.&nbsp; The little software driver and MIDI circuit on
the footpedal is doing everything.
  <br>
  <br>
Cheers,
  <br>
Kevin
  <br>
  <br>
The Nettles: Progressive and Exciting Celtic Music
  <br>
<a class="moz-txt-link-abbreviated" href="http://www.TheNettles.com">www.TheNettles.com</a>
  <br>
  <br>
  <br>
  <br>
  <br>
</blockquote>
</body>
</html>

--------------080806040402050002020608--

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 15:42:31 2006
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> From: Kevin [mailto:kevin@TheNettles.com]=20
>=20
> What do folks know about USB footswitches/controllers that have=20
> software drivers that can convert USB signal to MIDI messages in your=20
> standard laptop music programs (Ableton, Reaktor, etc.)?

That is what I suggested in my first response to Aaron.  There are
none AFAIK, and this would be very attractive to a lot of
computer-based musicians.  I would buy one in a heartbeat, and I'll
bet you will make way more money on that than you will selling
software loopers.

Just make it so that both the down and up transitions
of the switches can emit arbitrary strings of MIDI messages,
including Sysex.  Combined with MIDI Yoke and a cheap USB
MIDI interface, you will have the most powerful MIDI
footswitch in the world.

Actually, thinking more about this, even if all the footswitch
does is send keyboard events, it could still be used with any
application that can be controlled with keys.  Hmm :-)
Build it dude!

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 15:47:20 2006
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Date: Wed, 5 Jul 2006 11:46:57 -0400
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Subject: Re: USB Controller (Was: FlyLooper & market potential)
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On the other hand, why re-invent the wheel? If you use a computer for 
any other form of recording, you likely have an audio interface, and 
chances are very good, particularly in a laptop interface, that this 
includes some sort of MIDI functionality as well.


>At 08:17 AM 7/5/2006, Josh wrote:
>>I have an FCB1010 which only has MIDI in/out (no USB), and I use an 
>>Edirol USB/MIDI box to do connect to my computer.  A quick google 
>>of USB MIDI will return several cheap solutions.
>
>Yup, I saw that.   I Googled before I asked the list but I didn't 
>see anything with those specs. To which I will add another one:
>
>Powered by USB.  No batteries, no wall wart.
>
>The value proposition is that it's all in one neat little package 
>and the novice user doesn't have to configure, tweak or plug in 
>anything except the footswitch.  The little software driver and MIDI 
>circuit on the footpedal is doing everything.
>
>Cheers,
>Kevin
>
>The Nettles: Progressive and Exciting Celtic Music
>www.TheNettles.com


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 16:40:40 2006
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Vocal looping? Dreamchild. www.dreamchildmusic.com 
~Tim


----- Original Message ----- 
From: Todd Reynolds 
To: Loopers-Delight@loopers-delight.com
Sent: 7/4/2006 3:30:11 PM 
Subject: Re: vocal looping


And theo bleckmann
http://theobleckmann.com


On 7/4/06 3:27 PM, "Joshua Carroll" <josh@infinivert.com> wrote:


For vocal looping, you should definitely check out Kid Beyond if you haven't already.

http://www.kidbeyond.com/

--Josh



JoJo Razor wrote: 

Hi I am new, just joined. 
Is anyone doing vocal looping here? I have a small 
trio with two looping machines, nothing fancy. Just 
interested in pushing the boundaries a bit. 
Thanks for any info you have or any websites you can 
send me to. 
JoJo 





---------------------------------------------------------------------------------
“Virtue is just repression waiting to go bad” - Trevor Exter

“Classical music is related to the past more than it is related to the creative part of sound” - Ornette Coleman
---------------------------------------------------------------------------------- 
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
 
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
 
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn
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<HTML style="FONT-SIZE: x-small; FONT-FAMILY: MS Sans Serif"><HEAD><TITLE>Re: vocal looping</TITLE>
<META content="MSHTML 6.00.2800.1555" name=GENERATOR></HEAD>
<BODY>
<DIV>Vocal looping? Dreamchild. <A href="http://www.dreamchildmusic.com">www.dreamchildmusic.com</A> </DIV>
<DIV>~Tim</DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=toddreyn@gmail.com href="mailto:toddreyn@gmail.com">Todd Reynolds</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 7/4/2006 3:30:11 PM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: vocal looping</DIV>
<DIV><BR></DIV><FONT size=2><FONT face="Lucida Grande, Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 14px">And theo bleckmann<BR><A href="http://theobleckmann.com">http://theobleckmann.com</A><BR><BR><BR>On 7/4/06 3:27 PM, "Joshua Carroll" &lt;josh@infinivert.com&gt; wrote:<BR><BR></SPAN></FONT>
<BLOCKQUOTE><FONT face="Lucida Grande, Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 14px">For vocal looping, you should definitely check out Kid Beyond if you haven't already.<BR><BR><A href="http://www.kidbeyond.com/">http://www.kidbeyond.com/</A><BR><BR>--Josh<BR><BR><BR><BR>JoJo Razor wrote: <BR></SPAN></FONT>
<BLOCKQUOTE><FONT face="Lucida Grande, Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 14px">Hi I am new, just joined. <BR>Is anyone doing vocal looping here? I have a small <BR>trio with two looping machines, nothing fancy. Just <BR>interested in pushing the boundaries a bit. <BR>Thanks for any info you have or any websites you can <BR>send me to. <BR>JoJo <BR></SPAN></FONT></BLOCKQUOTE><FONT face="Lucida Grande, Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 14px"><BR></SPAN></FONT></BLOCKQUOTE><FONT face="Lucida Grande, Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 14px"><BR><BR></SPAN><FONT size=2><SPAN style="FONT-SIZE: 12px">---------------------------------------------------------------------------------<BR>“Virtue is just repression waiting to go bad” - Trevor Exter<BR><BR>“Classical music is related to the past more than it is related to the creative part of sound” - Ornette Coleman<BR>---------------------------------------------------------------------------------- <BR>Todd Reynolds<BR>42-09 47th Ave 1C<BR>Sunnyside, NY &nbsp;11104<BR>&nbsp;<BR>Ph. &nbsp;&nbsp;&nbsp;718 392-3773<BR>Mob. &nbsp;&nbsp;917 576-6166<BR>Fax &nbsp;&nbsp;&nbsp;419 781-5502<BR>&nbsp;<BR><A href="http://www.toddreynolds.com">http://www.toddreynolds.com</A><BR><BR><BR>todd@toddreynolds.com<BR>9175766166@vtext.com (155 characters or less)<BR>AIM ID: toddreyn<BR></SPAN></FONT><FONT size=4><SPAN style="FONT-SIZE: 18px"><BR></SPAN></FONT><SPAN style="FONT-SIZE: 14px"><BR></SPAN></FONT></FONT></BLOCKQUOTE></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 16:42:22 2006
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Thanks for clearing that up, Kris. 
What is the deadline? I do not want others to suffer for my slothful ways
;-)
~Tim


> [Original Message]
> From: Krispen Hartung <khartung@cableone.net>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 7/4/2006 11:32:09 PM
> Subject: Re: LD aniversary loop contributions
>
> 30 sec for the entire piece +/- a few seconds...what you do in that space 
> with loops is up to you. You could fade in and out of a larger piece if
you 
> like, or just record it that way.  Consider it a "thumbnail" depiction of 
> your looping personality. :) It should be a good test of our ability to 
> articulate what we are as loopers in 30 sec...a fun challenge.
>
> Kris
>
> ----- Original Message ----- 
> From: "Timothy Mungenast" <mungenast@earthlink.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, July 04, 2006 8:21 PM
> Subject: Re: LD aniversary loop contributions
>
>
> > How much leeway is there on this 30-second thing? I'm not 100% clear
> > whether we're talking about loop length or the length of the piece.
Sorry
> > for being so dense ;-)
> >
> > ~Tim
> >
> >
> >> [Original Message]
> >> From: L.A. Angulo <labaloops@yahoo.com>
> >> To: <Loopers-Delight@loopers-delight.com>
> >> Date: 7/4/2006 9:58:07 PM
> >> Subject: Re: LD aniversary loop contributions
> >>
> >> Hi Josh,
> >> Thank you kindly,i pretty much went directly from my
> >> mackie cfx1202 into my soundcard and added an extra
> >> touch of reverb from a timeworks plugin.I am also
> >> slapping the guitar quite hard thats probably why it
> >> sounds so obvious;-)
> >> cheers
> >> Luis
> >>
> >> --- Joshua Carroll <josh@infinivert.com> wrote:
> >>
> >> > Very nice!  Great reverb in there.  What are you
> >> > using?
> >> >
> >> > --Josh
> >> >
> >> > L.A. Angulo wrote:
> >> > > Hi krispen,
> >> > > Here is mine composed of 4 different
> >> > > loops,unfortunately about 50 sec.long before it
> >> > > repeats itself(ups)
> >> > > but if it doesnt work for this project then ill
> >> > donate
> >> > > it to the LD comunity
> >> > > http://www.luis-angulo.com/looplab.htm
> >> > > cheers
> >> > > Luis
> >> > >
> >> > > www.myspace.com/luisangulocom
> >> > >
> >> > > __________________________________________________
> >> > > Do You Yahoo!?
> >> > > Tired of spam?  Yahoo! Mail has the best spam
> >> > protection around
> >> > > http://mail.yahoo.com
> >> > >
> >> > >
> >> > >
> >> > >
> >> > >
> >> >
> >> >
> >>
> >>
> >> www.myspace.com/luisangulocom
> >>
> >> __________________________________________________
> >> Do You Yahoo!?
> >> Tired of spam?  Yahoo! Mail has the best spam protection around
> >> http://mail.yahoo.com
> >
> >
> > 
>


From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 16:51:33 2006
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: USB Controller (Was: FlyLooper & market potential)
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Don't know if this is relevant, as I've been doing the "fast skim", but...

If you want to sell *me* another footcontroller, it'd better have an LED or
other display over each switch that can be set to whatever value I want from
the computer, and an open SDK to let me do so. Do that, and put in enough
(10-12) switches for, say $300 or less, and I'm there.

Best wishes,
Warren Sirota
warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 17:00:39 2006
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Date: Wed, 5 Jul 2006 10:00:35 -0700 (PDT)
Subject: RE: USB Controller (Was: FlyLooper & market potential)
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Additional key value proposition are drivers and software that allow user to
hook up with common apps right out of the box.  Like the presets in a digital
multieffects pedal.  For example, you have your "Kid Beyond Ableton" preset
(called "Able Children" to avoid licensing problems) that allows you to easily
beatbox with Ableton Live without a lot of tapdancing on the custom pedal. 
But you also provide software to copy, clone and tweak the preset for the
advanced users.

Now you have a revenue model that has a good front-end load (initial sale of
pedal and "lite" version of the tweaker software) combined with a nice long
tail (paid upgrades for software to support new versions of software and new
sets of presets).  Alternatively, you use the Web 2.0 model and form a
consumer community around your product which provides free hacks and new
presets on an online forum.  Or you do both.

Then you branch into alternate controllers.  For example a controller with
trigger pads or buttons that you can mount on your guitar on the lower bout
without marring.  So you can trigger by finger taps or with the side of your
hand.

Cheers,
Kevin
www.TheNettles.com


Jeff wrote:
>  Kevin wrote:
>> What do folks know about USB footswitches/controllers that have
>> software drivers that can convert USB signal to MIDI messages in your
>> standard laptop music programs (Ableton, Reaktor, etc.)?
>
> That is what I suggested in my first response to Aaron.  There are
> none AFAIK, and this would be very attractive to a lot of
> computer-based musicians.  I would buy one in a heartbeat, and I'll
> bet you will make way more money on that than you will selling
> software loopers.
>
> Actually, thinking more about this, even if all the footswitch
> does is send keyboard events, it could still be used with any
> application that can be controlled with keys.  Hmm :-)
> Build it dude!


From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 17:01:20 2006
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I agree.  It would be awfully handy if my FCB1010 had a little display 
over each button that could say "REC" or "OD" or whatever, especially if 
it would change for each of the 99 patches!

--Josh



Warren Sirota wrote:
> Don't know if this is relevant, as I've been doing the "fast skim", but...
>
> If you want to sell *me* another footcontroller, it'd better have an LED or
> other display over each switch that can be set to whatever value I want from
> the computer, and an open SDK to let me do so. Do that, and put in enough
> (10-12) switches for, say $300 or less, and I'm there.
>
> Best wishes,
> Warren Sirota
> warrensirota.com
>
>
>
>
>   

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 17:03:37 2006
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I'd like to have this anyway:

johnsrude@peak.org wrote:
> Then you branch into alternate controllers.  For example a controller with
> trigger pads or buttons that you can mount on your guitar on the lower bout
> without marring.  So you can trigger by finger taps or with the side of your
> hand.

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 17:09:12 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <410-2200673516467310@earthlink.net>
Subject: Re: LD aniversary loop contributions
Date: Wed, 5 Jul 2006 11:09:06 -0600
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I guess the deadline is the actual aniversary date....that's the goal at 
least. It doesn't matter to me.

Kris

----- Original Message ----- 
From: "Timothy Mungenast" <mungenast@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 05, 2006 10:46 AM
Subject: Re: LD aniversary loop contributions


> Thanks for clearing that up, Kris.
> What is the deadline? I do not want others to suffer for my slothful ways
> ;-)
> ~Tim
>
>
>> [Original Message]
>> From: Krispen Hartung <khartung@cableone.net>
>> To: <Loopers-Delight@loopers-delight.com>
>> Date: 7/4/2006 11:32:09 PM
>> Subject: Re: LD aniversary loop contributions
>>
>> 30 sec for the entire piece +/- a few seconds...what you do in that space
>> with loops is up to you. You could fade in and out of a larger piece if
> you
>> like, or just record it that way.  Consider it a "thumbnail" depiction of
>> your looping personality. :) It should be a good test of our ability to
>> articulate what we are as loopers in 30 sec...a fun challenge.
>>
>> Kris
>>
>> ----- Original Message ----- 
>> From: "Timothy Mungenast" <mungenast@earthlink.net>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Tuesday, July 04, 2006 8:21 PM
>> Subject: Re: LD aniversary loop contributions
>>
>>
>> > How much leeway is there on this 30-second thing? I'm not 100% clear
>> > whether we're talking about loop length or the length of the piece.
> Sorry
>> > for being so dense ;-)
>> >
>> > ~Tim
>> >
>> >
>> >> [Original Message]
>> >> From: L.A. Angulo <labaloops@yahoo.com>
>> >> To: <Loopers-Delight@loopers-delight.com>
>> >> Date: 7/4/2006 9:58:07 PM
>> >> Subject: Re: LD aniversary loop contributions
>> >>
>> >> Hi Josh,
>> >> Thank you kindly,i pretty much went directly from my
>> >> mackie cfx1202 into my soundcard and added an extra
>> >> touch of reverb from a timeworks plugin.I am also
>> >> slapping the guitar quite hard thats probably why it
>> >> sounds so obvious;-)
>> >> cheers
>> >> Luis
>> >>
>> >> --- Joshua Carroll <josh@infinivert.com> wrote:
>> >>
>> >> > Very nice!  Great reverb in there.  What are you
>> >> > using?
>> >> >
>> >> > --Josh
>> >> >
>> >> > L.A. Angulo wrote:
>> >> > > Hi krispen,
>> >> > > Here is mine composed of 4 different
>> >> > > loops,unfortunately about 50 sec.long before it
>> >> > > repeats itself(ups)
>> >> > > but if it doesnt work for this project then ill
>> >> > donate
>> >> > > it to the LD comunity
>> >> > > http://www.luis-angulo.com/looplab.htm
>> >> > > cheers
>> >> > > Luis
>> >> > >
>> >> > > www.myspace.com/luisangulocom
>> >> > >
>> >> > > __________________________________________________
>> >> > > Do You Yahoo!?
>> >> > > Tired of spam?  Yahoo! Mail has the best spam
>> >> > protection around
>> >> > > http://mail.yahoo.com
>> >> > >
>> >> > >
>> >> > >
>> >> > >
>> >> > >
>> >> >
>> >> >
>> >>
>> >>
>> >> www.myspace.com/luisangulocom
>> >>
>> >> __________________________________________________
>> >> Do You Yahoo!?
>> >> Tired of spam?  Yahoo! Mail has the best spam protection around
>> >> http://mail.yahoo.com
>> >
>> >
>> >
>>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 17:27:06 2006
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References: <20060705062230.38331.qmail@web50504.mail.yahoo.com> <06cc01c6a020$d81f85e0$abb0ec0f@americas.hpqcorp.net> <004401c6a02e$63b71340$0401a8c0@mini>
Subject: Re: Re:vocal looping (jazz)
Date: Wed, 5 Jul 2006 11:27:01 -0600
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I love Blaueaugen and City Cut, and Jen (good scatting there).  Great 
voice....almost trans-sexual or asexual at times (not sure what term to 
use), which is intriguing. In jazz, there are a lot of female vocalists with 
tremendous ranges, starting quite low and tenor in sound, so he the ability 
to cover that sound to some extent.

Kris

----- Original Message ----- 
From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 05, 2006 6:27 AM
Subject: Re: Re:vocal looping (jazz)


> yes
>
> Michael Schiefel
>
> http://www.schiefel.de/
>
> he uses 2 edp a tc voice processor and a small keyboard controler to trig
> the edps and the fx
> http://www.flickr.com/photos/11242995@N00/67095462/in/pool-13509629@N00/
> http://www.flickr.com/photos/11242995@N00/67089277/in/pool-13509629@N00/
> and he is faster that any shoe gazer guitar player
>
> Claude
>
> ----- Original Message ----- 
> From: "Krispen Hartung" <khartung@cableone.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, July 05, 2006 12:50 PM
> Subject: Re: Re:vocal looping (jazz)
>
>
>> I've missed this entire thread, but is there anyone doing any vocal
>> looping with some serious jazz vocal technique?  I mean, some really far
>> out scatting (Ela style), vocalizing looping bass lines, comping changes,
>> doing some of the great jazz standards, etc....I guess sort of like the
>> stuff Bobby McFerrin has done with Chick Corea, etc...NOT "Don't Worry Be
>> Happy"! :) I can only imagine what Dee Dee Bridgewater, Dinah Washington,
>> Nancy Wilson, Mel Torme, Al Jarreau, Sarah Vaughan, Dianne Reeves, or
>> Jonie Mitchell could have done (could do) with an EDP or Looperlative.
>>
>> Kris
>>
>>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 18:01:00 2006
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Date: Wed, 05 Jul 2006 14:00:52 -0400
Subject: OT  I just know someone here has the answer to this one.  re:
 replacing quarter inch assemblies on circuit boards
From: Todd Reynolds <toddreyn@gmail.com>
To: LD <Loopers-Delight@loopers-delight.com>
Message-ID: <C0D17694.18677%toddreyn@gmail.com>
Thread-Topic: OT  I just know someone here has the answer to this one. 
 re: replacing quarter inch assemblies on circuit boards
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3234952855_7026505
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	charset="ISO-8859-1"
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Hey all...=20

Can you give me either some websites, forums, or hints on replacing quarter
inch plug assemblies on cheap instruments?

I have an omnichord which I need to replace the quarter inch assembly on...
It=B9s attached to a circuit board of course, and having no real electronics
experience, this is a new one for me.  I=B9d like to disconnect this and
replace it with a new one.

Thanks so much in advance,

Todd




--B_3234952855_7026505
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<HTML>
<HEAD>
<TITLE>OT &nbsp;I just know someone here has the answer to this one. &nbsp;=
re: replacing quarter inch assemblies on circuit boards</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-siz=
e:14.0px'>Hey all... <BR>
<BR>
Can you give me either some websites, forums, or hints on replacing quarter=
 inch plug assemblies on cheap instruments?<BR>
<BR>
I have an omnichord which I need to replace the quarter inch assembly on...=
 It&#8217;s attached to a circuit board of course, and having no real electr=
onics experience, this is a new one for me. &nbsp;I&#8217;d like to disconne=
ct this and replace it with a new one. &nbsp;<BR>
<BR>
Thanks so much in advance,<BR>
<BR>
Todd<BR>
<BR>
<BR>
</SPAN></FONT>
</BODY>
</HTML>


--B_3234952855_7026505--


From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 20:44:15 2006
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: VST Host & Effects on PDA
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How much memory can those little suckers take? What kind of clock rates do
they run? Do they have USB ports? 

Best wishes,
Warren Sirota


> -----Original Message-----
> From: mech [mailto:mech@m3ch.net] 
> Sent: Tuesday, July 04, 2006 3:08 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: VST Host & Effects on PDA
> 
> 
> At 2:06 PM +0200 7/4/06, Buzap Buzap wrote:
> >  > I remember seeing a blurb on a mini-Ableton clone in one
> >>  of my synth magazines last year.
> >
> >Actually, if there is a "mini-looper" for PocketPC - it would be
> >really awesome!!
> >Not for anything series for me, but I'd like to jam with myself or 
> >work on some ideas while travelling.
> >
> >So, is there a simple "pocket looper" you know of?
> 
> Well, I found the back issue to which I was referring (Dec. 2005 
> issue of Keyboard.  I should have just done a search online for the 
> article in the first place: 
> http://www.keyboardmag.com/story.asp?sectioncode=30&storycode=12175 ).
> 
> The software is Bhajis Loops ( http://www.chocopoolp.com ). 
> Unfortunately, it's not as cool as I remember it (but then again, 
> what ever is?).  It does seem to be an homage to Ableton Live, but on 
> Palm OS.  There are two serious shortcomings, however.  First and 
> foremost, it does not seem to accept live input.  You have to either 
> record or input .WAV's separately before working with them.  Second, 
> and contrary to my first impression, it will *not* act as a VST host. 
> However, it includes almost 20 native effects on its own, so you can 
> already do a lot with what's there.  And of course it's pretty fully 
> functional otherwise, especially with the pattern and wave editors.
> 
> Otherwise, I spent a nice chunk of time looking around for something 
> on Win CE or Palm that would work with VST's.  No luck yet.  I did 
> find a few neat things for tweezing backing tracks (i.e. drum and 
> bass accompaniments).  For instance, at the aforementioned Chocopoolp 
> site, there's a little widget called Microbe that allows you to 
> manipulate 8 drum tracks and 2 synths.  There are quite a few 
> Trackers ported over to either Palm or Win CE too.
> 
> And if you are indeed interested in dropping your rhythm section in 
> your pocket, this would also be a good time to throw in a plug for 
> PSP Rhythm ( http://www.psprhythm.com ) and PSP Kick ( 
> http://www.pspkick.com ) -- both for the Sony PSP.  PSP Rhythm is 
> particularly nice, IMNSHO, because it attempts to model some of its 
> functions from the Elektron Machinedrum SPS-1.  Both are pretty neat, 
> however, and the PSP platform is excellent for these sorts of 
> homebrew music apps.  I'm waiting for someone to finally work out the 
> kinks for live input, then the PSP would really be a viable 
> alternative for music softs.  Oh, and it's a really, really kewl game 
> and movie machine too, for when you're stuck in the bus/plane 
> travelling to the next gig.  :D
> 
> 	--m.
> -- 
> _______
> "Somewhere between anticipation and nostalgia we should have 
> been happy."
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 20:44:17 2006
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Date: Wed, 5 Jul 2006 13:44:15 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: USB Controller (Was: FlyLooper & market potential)
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Mine does!  All it took was a sharpie and some gray
electrical tape. (can only fit about 3 patches if I
squeeze...)

--- Joshua Carroll <josh@infinivert.com> wrote:

> I agree.  It would be awfully handy if my FCB1010
> had a little display 
> over each button that could say "REC" or "OD" or
> whatever, especially if 
> it would change for each of the 99 patches!
> 
> --Josh
> 
> 
> 
> Warren Sirota wrote:
> > Don't know if this is relevant, as I've been doing
> the "fast skim", but...
> >
> > If you want to sell *me* another footcontroller,
> it'd better have an LED or
> > other display over each switch that can be set to
> whatever value I want from
> > the computer, and an open SDK to let me do so. Do
> that, and put in enough
> > (10-12) switches for, say $300 or less, and I'm
> there.
> >
> > Best wishes,
> > Warren Sirota
> > warrensirota.com
> >
> >
> >
> >
> >   
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 20:48:58 2006
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Date: Wed, 5 Jul 2006 13:48:55 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: USB Controller (Was: FlyLooper & market potential)
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http://monome.org/


> >  Kevin wrote:
> >> What do folks know about USB
> footswitches/controllers that have
> >> software drivers that can convert USB signal to
> MIDI messages in your
> >> standard laptop music programs (Ableton, Reaktor,
> etc.)?



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From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 20:56:15 2006
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Ha!  I'm doing the same thing with blue painter's tape!

--Josh



mark sottilaro wrote:
> Mine does!  All it took was a sharpie and some gray
> electrical tape. (can only fit about 3 patches if I
> squeeze...)
>
> --- Joshua Carroll <josh@infinivert.com> wrote:
>
>   
>> I agree.  It would be awfully handy if my FCB1010
>> had a little display 
>> over each button that could say "REC" or "OD" or
>> whatever, especially if 
>> it would change for each of the 99 patches!
>>
>> --Josh
>>
>>
>>
>> Warren Sirota wrote:
>>     
>>> Don't know if this is relevant, as I've been doing
>>>       
>> the "fast skim", but...
>>     
>>> If you want to sell *me* another footcontroller,
>>>       
>> it'd better have an LED or
>>     
>>> other display over each switch that can be set to
>>>       
>> whatever value I want from
>>     
>>> the computer, and an open SDK to let me do so. Do
>>>       
>> that, and put in enough
>>     
>>> (10-12) switches for, say $300 or less, and I'm
>>>       
>> there.
>>     
>>> Best wishes,
>>> Warren Sirota
>>> warrensirota.com
>>>
>>>
>>>
>>>
>>>   
>>>       
>>     
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
>
>
>
>
>   

--------------000406030007010103050301
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<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Ha!&nbsp; I'm doing the same thing with blue painter's tape!<br>
<br>
--Josh<br>
<br>
<br>
<br>
mark sottilaro wrote:
<blockquote
 cite="mid20060705204415.83960.qmail@web81303.mail.mud.yahoo.com"
 type="cite">
  <pre wrap="">Mine does!  All it took was a sharpie and some gray
electrical tape. (can only fit about 3 patches if I
squeeze...)

--- Joshua Carroll <a class="moz-txt-link-rfc2396E" href="mailto:josh@infinivert.com">&lt;josh@infinivert.com&gt;</a> wrote:

  </pre>
  <blockquote type="cite">
    <pre wrap="">I agree.  It would be awfully handy if my FCB1010
had a little display 
over each button that could say "REC" or "OD" or
whatever, especially if 
it would change for each of the 99 patches!

--Josh



Warren Sirota wrote:
    </pre>
    <blockquote type="cite">
      <pre wrap="">Don't know if this is relevant, as I've been doing
      </pre>
    </blockquote>
    <pre wrap="">the "fast skim", but...
    </pre>
    <blockquote type="cite">
      <pre wrap="">If you want to sell *me* another footcontroller,
      </pre>
    </blockquote>
    <pre wrap="">it'd better have an LED or
    </pre>
    <blockquote type="cite">
      <pre wrap="">other display over each switch that can be set to
      </pre>
    </blockquote>
    <pre wrap="">whatever value I want from
    </pre>
    <blockquote type="cite">
      <pre wrap="">the computer, and an open SDK to let me do so. Do
      </pre>
    </blockquote>
    <pre wrap="">that, and put in enough
    </pre>
    <blockquote type="cite">
      <pre wrap="">(10-12) switches for, say $300 or less, and I'm
      </pre>
    </blockquote>
    <pre wrap="">there.
    </pre>
    <blockquote type="cite">
      <pre wrap="">Best wishes,
Warren Sirota
warrensirota.com




  
      </pre>
    </blockquote>
    <pre wrap="">
    </pre>
  </blockquote>
  <pre wrap=""><!---->

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  </pre>
</blockquote>
</body>
</html>

--------------000406030007010103050301--

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 21:01:08 2006
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Subject: Re: VST Host & Effects on PDA
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My iPaq HQ4705 has the features below, but I also bought a 1gig sdram card 
for it for more storage The only problem is that it does not have an input 
for audio, only output. It does have a connection for hooking up to my 
cradle or USB to sync, transfer files, etc, via USB. It is possible that a 
program could use that as a way to transfer audio input. I think some other 
PDAs out there may have at least a mic input....not sure.

Kris

  a.. WLAN 802.11b, Bluetooth 1.2, IrDA (FIR), USB and Serial
  b.. Microsoft Windows Mobile 2003 Second Edition software for Pocket PC
  c.. 624 MHz Intel Bulverde technology-based processor
  d.. 192 MB total memory (128 MB ROM and 64 MB SDRAM)
  e.. 4" Transflective type VGA TFT color, 64K colors, LED backlight
----- Original Message ----- 
From: "Warren Sirota" <wsirota@wsdesigns.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 05, 2006 2:46 PM
Subject: RE: VST Host & Effects on PDA


> How much memory can those little suckers take? What kind of clock rates do
> they run? Do they have USB ports?
>
> Best wishes,
> Warren Sirota
>
>
>> -----Original Message-----
>> From: mech [mailto:mech@m3ch.net]
>> Sent: Tuesday, July 04, 2006 3:08 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: VST Host & Effects on PDA
>>
>>
>> At 2:06 PM +0200 7/4/06, Buzap Buzap wrote:
>> >  > I remember seeing a blurb on a mini-Ableton clone in one
>> >>  of my synth magazines last year.
>> >
>> >Actually, if there is a "mini-looper" for PocketPC - it would be
>> >really awesome!!
>> >Not for anything series for me, but I'd like to jam with myself or
>> >work on some ideas while travelling.
>> >
>> >So, is there a simple "pocket looper" you know of?
>>
>> Well, I found the back issue to which I was referring (Dec. 2005
>> issue of Keyboard.  I should have just done a search online for the
>> article in the first place:
>> http://www.keyboardmag.com/story.asp?sectioncode=30&storycode=12175 ).
>>
>> The software is Bhajis Loops ( http://www.chocopoolp.com ).
>> Unfortunately, it's not as cool as I remember it (but then again,
>> what ever is?).  It does seem to be an homage to Ableton Live, but on
>> Palm OS.  There are two serious shortcomings, however.  First and
>> foremost, it does not seem to accept live input.  You have to either
>> record or input .WAV's separately before working with them.  Second,
>> and contrary to my first impression, it will *not* act as a VST host.
>> However, it includes almost 20 native effects on its own, so you can
>> already do a lot with what's there.  And of course it's pretty fully
>> functional otherwise, especially with the pattern and wave editors.
>>
>> Otherwise, I spent a nice chunk of time looking around for something
>> on Win CE or Palm that would work with VST's.  No luck yet.  I did
>> find a few neat things for tweezing backing tracks (i.e. drum and
>> bass accompaniments).  For instance, at the aforementioned Chocopoolp
>> site, there's a little widget called Microbe that allows you to
>> manipulate 8 drum tracks and 2 synths.  There are quite a few
>> Trackers ported over to either Palm or Win CE too.
>>
>> And if you are indeed interested in dropping your rhythm section in
>> your pocket, this would also be a good time to throw in a plug for
>> PSP Rhythm ( http://www.psprhythm.com ) and PSP Kick (
>> http://www.pspkick.com ) -- both for the Sony PSP.  PSP Rhythm is
>> particularly nice, IMNSHO, because it attempts to model some of its
>> functions from the Elektron Machinedrum SPS-1.  Both are pretty neat,
>> however, and the PSP platform is excellent for these sorts of
>> homebrew music apps.  I'm waiting for someone to finally work out the
>> kinks for live input, then the PSP would really be a viable
>> alternative for music softs.  Oh, and it's a really, really kewl game
>> and movie machine too, for when you're stuck in the bus/plane
>> travelling to the next gig.  :D
>>
>> --m.
>> -- 
>> _______
>> "Somewhere between anticipation and nostalgia we should have
>> been happy."
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 21:09:51 2006
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: OT  I just know someone here has the answer to this one.  re:
	 replacing quarter inch assemblies on circuit boards
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 >> Can you give me either some websites, forums, or hints on replacing
quarter inch plug assemblies on cheap instruments?

I have an omnichord which I need to replace the quarter inch assembly on...
It's attached to a circuit board of course <<
 
far better than trying to see how it's done from murky jpeggery on some
website would be to find a local tech who will show you how to solder.
it's not hard, & being able to rewire your own guitar pickup switching is
one bonus. 
 
you will need a small (25W) soldering iron. use common sense when selecting
the tip size- it will have to be able to melt solder even when a lot of the
heat is being conducted away by large areas of tinned copper (i.e. the
contacts on y'r jack socket, the shielding on the circuit board) but not
overheat delicate components, especially these days when many components are
of the surface mount variety.
you should also investigate desoldering pumps or braid. opinions vary. a
magnifying lamp & one of those "third-hand" gizmos....
 
I use 22-gauge solder for most jobs.... it's getting harder to find because
it has lead in it.
 
but find someone to teach you. you'll pick up a lot more that way (no pun
intended).
 
duncan.  


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<HTML><HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; charset=3Diso-8859-=
1">
<TITLE>OT =A0I just know someone here has the answer to this one. =A0re: re=
placing quarter inch assemblies on circuit boards</TITLE>

<META content=3D"MSHTML 6.00.2712.300" name=3DGENERATOR></HEAD>
<BODY>
<DIV><FONT face=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN=20
style=3D"FONT-SIZE: 14px"><SPAN class=3D880460321-05072006><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff=20
size=3D2>&nbsp;&gt;&gt;&nbsp;</FONT></SPAN>Can you give me either some webs=
ites,=20
forums, or hints on replacing quarter inch plug assemblies on cheap=20
instruments?<BR><BR>I have an omnichord which I need to replace the quarter=
 inch=20
assembly on... It's attached to a circuit board of course<SPAN=20
class=3D880460321-05072006><FONT face=3D"AmericanTypewriter Medium" color=
=3D#0000ff=20
size=3D2>&nbsp;&lt;&lt;</FONT></SPAN></SPAN></FONT></DIV>
<DIV><FONT face=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN=20
style=3D"FONT-SIZE: 14px"><SPAN=20
class=3D880460321-05072006></SPAN></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN=20
style=3D"FONT-SIZE: 14px"><SPAN class=3D880460321-05072006><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2>far better than=
 trying to=20
see how it's done from murky jpeggery on some website would be to find a lo=
cal=20
tech who will show you how to solder.</FONT></SPAN></SPAN></FONT></DIV>
<DIV><FONT face=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN=20
style=3D"FONT-SIZE: 14px"><SPAN class=3D880460321-05072006><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2>it's not hard, =
&amp; being=20
able to rewire your own guitar pickup switching is one=20
bonus.&nbsp;</FONT></SPAN></SPAN></FONT></DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2><SPA=
N=20
style=3D"FONT-SIZE: 14px"><SPAN=20
class=3D880460321-05072006></SPAN></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN=20
style=3D"FONT-SIZE: 14px"><SPAN class=3D880460321-05072006><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2>you will need a=
 small=20
(25W) soldering iron. use common sense when selecting the tip size- it will=
 have=20
to be able to melt solder even when a lot of the heat is being conducted aw=
ay by=20
large areas of tinned copper (i.e. the contacts on y'r jack socket, the=20
shielding on the circuit board) but not overheat delicate components, espec=
ially=20
these days when many components are of the surface mount=20
variety.</FONT></SPAN></SPAN></FONT></DIV>
<DIV><FONT face=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN=20
style=3D"FONT-SIZE: 14px"><SPAN class=3D880460321-05072006><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2>you should also=
 investigate desoldering pumps or braid. opinions vary. a magnifying lamp &=
amp;=20
one of those "third-hand" gizmos....</FONT></SPAN></SPAN></FONT></DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2><SPA=
N=20
style=3D"FONT-SIZE: 14px"><SPAN=20
class=3D880460321-05072006></SPAN></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2><SPA=
N=20
style=3D"FONT-SIZE: 14px"><SPAN class=3D880460321-05072006>I use 22-gauge s=
older for=20
most jobs.... it's getting harder to find because it has lead in=20
it.</SPAN></SPAN></FONT></DIV>
<DIV><FONT face=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN=20
style=3D"FONT-SIZE: 14px"><SPAN=20
class=3D880460321-05072006></SPAN></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN=20
style=3D"FONT-SIZE: 14px"><SPAN class=3D880460321-05072006><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2>but find someon=
e to teach=20
you. you'll pick up a lot more that way</FONT>&nbsp;<FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2>(no pun=20
intended).</FONT></SPAN></SPAN></FONT></DIV>
<DIV><FONT face=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN=20
style=3D"FONT-SIZE: 14px"><SPAN=20
class=3D880460321-05072006></SPAN></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN=20
style=3D"FONT-SIZE: 14px"><SPAN class=3D880460321-05072006><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff=20
size=3D2>duncan.</FONT>&nbsp;&nbsp;</SPAN></SPAN></FONT></DIV><CODE><FONT S=
IZE=3D3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 21:12:14 2006
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Date: Wed, 5 Jul 2006 14:12:11 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: lap top sync with the hardware looper 
To: Loopers-Delight@loopers-delight.com
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I'll try to answer your question although there seems
to be a language issue and I'm not sure if I totally
understand it.

Here's what I do know: The Repeater's MIDI clock out
blows.  Sucks.  Even other devices made by Electrix
don't sync well to it.  I'd lable that more or less
worthless.

However, many DAWs, VSTi's and virutal loopers like
Mobius accept and produce sync that's useable.  I'd
use those as the Master and the Repeater as the Slave.
 If there's one thing the Repeater does better than
anything out there is slave to a MIDI clock.  Make
sure the sync is not set to anything other than "MIDI"
on the Repeater.  You'll see the LED will stop
blinking when it gets a clock signal.  If it's not
getting one, you have an issue that the apps on your
laptop aren't spitting it out.  Since I have no idea
what you're using I can't give you any advice on them
except check in the "setup" or "config" menu for clock
out settings and make sure you choose your midi
interface.

Hope this helps.

Mark (not a "prof") Sottilaro

--- rune fagereng <rune_fagereng@yahoo.no> wrote:

> Hi !
>    
>   I am make songs on my lap top and the repeater.
> Beats, basslines on the laptop and soundscapes in
> sync and without sync on the repeater. But still if
> my beats on the pc are in 90 bpm and my repeater the
> same, they seam to, over some time, to loose the
> sync. 
>    
>   I wander, do the proffs use midisync live ?
>    
>   Any tips ?
>    
>   Rune F     
> 
> 
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867


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From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 21:26:00 2006
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Date: Wed, 5 Jul 2006 14:25:58 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re:Re: FlyLooper & market potential
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--- aaron leese <aaronleese@hotmail.com> wrote:


> >
> >Doesn't that Korg Legacy thing rely on a similar
> principle?

I'm looking into replacing my hardware Wavestation
with the Legacy collection and the included controller
isn't (thank god) a dongle.  It's just a controller.

Which actually kind of makes me angry and has made me
look to other WS style solutions in software synths.
(http://www.concretefx.com/Vectrik.htm)

Frankly, I just don't want to pay for a controller I
don't want, or will ever use, just go get software.
They don't sell the software seperately.  Why, I have
no idea.

Mark

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From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 21:27:34 2006
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Subject: Re: Re: USB Controller (Was: FlyLooper & market potential)
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References: <7.0.0.16.0.20060705080436.01a84cf8@TheNettles.com>   
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> johnsrude@peak.org wrote:
>> Then you branch into alternate controllers.  For example a controller with
>> trigger pads or buttons that you can mount on your guitar on the lower bout
>> without marring.  So you can trigger by finger taps or with the side of 
>> your
>> hand.

Not short enough to mount on the lower bout of a guitar, but have you 
looked at the jambass strip as a possible solution?

http://jambass.com/

Steve B  Subscape Annex   http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 21:32:50 2006
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Date: Wed, 5 Jul 2006 14:32:48 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re:Re: FlyLooper & market potential
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I'd say that's an excellent strategy.  As much as I
rely on my FCB1010, I don't love it, and I moved to a
floor guitar effects processor/amp modeler because it
gave me a degree of control and feedback that no MIDI
controller would/could.  If there was a compelling
reason for the controller, I bet people would buy it,
but make sure it's an option. (See my comments about
the Korg Legacy collection controller)

I can't wait to check your software.  I know it's not
even in beta yet but can you give use an idea of it's
feature set?

Mark


--- aaron leese <aaronleese@hotmail.com> wrote:

> How bout this:
> 
> For those of us that already own midi controllers
> (including people who 
> might want to control loops from a keyboard), I will
> make this program midi 
> controller friendly.
> 
> For anyone who doesn't already own a midi controller
> ... (aka joe average 
> guitar player) there will be an optional USB device
> that will also work with 
> the program (retailing at about the same price as
> the FCB1010, say).  This 
> device might include a few extra bells and whistles
> that the midi controller 
> doesn't have, but nothing crucial (some effects
> controls).
> 
> That seems like a copacetic situation, no?
> 
> Since this thread is getting older .. I want to
> reiterate, that this is not 
> something I hope to have working someday ... it's
> already out there 
> (www.flyloops.com).  There will be a downloadable
> beta version soon (once I 
> get midi controllers working).
> 
> 
> 
> 
> 
> 
> 
> 
> 
> >From: a k butler <akbutler@tiscali.co.uk>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: Loopers-Delight@loopers-delight.com
> >Subject: Re:Re: FlyLooper & market potential
> >Date: Wed, 05 Jul 2006 09:14:47 +0100
> >
> >
> >>Aaron is writing a software looper, and presumably
> wants to make
> >>money selling it.  Instead of supporting MIDI like
> practically every
> >>other piece of music software in the world, he was
> going to build his
> >>own custom footswitch that would only work with
> his software.
> >>
> >>Many, if not most, of the people that are going to
> be interested in
> >>this looper don't want another friggin'
> footswitch.  Not supporting
> >>MIDI, at least as an option, is insane.
> >
> >with the standard "my2cents" disclaimer, and
> respect to Jeff:-
> >
> >The advantage is presumably that the footswitch
> works as a dongle,
> >which is a useful consideration in profit terms.
> >
> >Doesn't that Korg Legacy thing rely on a similar
> principle?
> >
> >I could imagine that having a nice light small
> footswitch to work
> >the looper, while using the laptop to set up FX &
> sounds
> >would be most acceptable for a portable rig.
> >
> >andy butler
> >
> 
>
_________________________________________________________________
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> 


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Date: Wed, 5 Jul 2006 23:50:10 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: lap top sync with the hardware looper 
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Thanks !
   
  What I am doing as far, is to set the repeaters bmp with the same bmp as the ableton-software, and then loop along with the laptop, but they drift apart after some time. 
   
  havent tryied midi jet. but I will look into it.
   
  but I still think its strange that they drift apart.
   
  Rune f      

mark sottilaro <zerocrossing2001@yahoo.com> skrev:
  I'll try to answer your question although there seems
to be a language issue and I'm not sure if I totally
understand it.

Here's what I do know: The Repeater's MIDI clock out
blows. Sucks. Even other devices made by Electrix
don't sync well to it. I'd lable that more or less
worthless.

However, many DAWs, VSTi's and virutal loopers like
Mobius accept and produce sync that's useable. I'd
use those as the Master and the Repeater as the Slave.
If there's one thing the Repeater does better than
anything out there is slave to a MIDI clock. Make
sure the sync is not set to anything other than "MIDI"
on the Repeater. You'll see the LED will stop
blinking when it gets a clock signal. If it's not
getting one, you have an issue that the apps on your
laptop aren't spitting it out. Since I have no idea
what you're using I can't give you any advice on them
except check in the "setup" or "config" menu for clock
out settings and make sure you choose your midi
interface.

Hope this helps.

Mark (not a "prof") Sottilaro

--- rune fagereng wrote:

> Hi !
> 
> I am make songs on my lap top and the repeater.
> Beats, basslines on the laptop and soundscapes in
> sync and without sync on the repeater. But still if
> my beats on the pc are in 90 bpm and my repeater the
> same, they seam to, over some time, to loose the
> sync. 
> 
> I wander, do the proffs use midisync live ?
> 
> Any tips ?
> 
> Rune F 
> 
> 
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867


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<div>Thanks !</div>  <div>&nbsp;</div>  <div>What I am doing as far, is to set the repeaters bmp with the same bmp as the ableton-software, and then loop along with the laptop, but&nbsp;they drift apart&nbsp;after some time. </div>  <div>&nbsp;</div>  <div>havent tryied midi jet. but I will look into it.</div>  <div>&nbsp;</div>  <div>but I still think its strange that they drift apart.</div>  <div>&nbsp;</div>  <div>Rune f&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<BR><BR><B><I>mark sottilaro &lt;zerocrossing2001@yahoo.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I'll try to answer your question although there seems<BR>to be a language issue and I'm not sure if I totally<BR>understand it.<BR><BR>Here's what I do know: The Repeater's MIDI clock out<BR>blows. Sucks. Even other devices made by Electrix<BR>don't sync well to it. I'd lable that more or less<BR>worthless.<BR><BR>However, many DAWs,
 VSTi's and virutal loopers like<BR>Mobius accept and produce sync that's useable. I'd<BR>use those as the Master and the Repeater as the Slave.<BR>If there's one thing the Repeater does better than<BR>anything out there is slave to a MIDI clock. Make<BR>sure the sync is not set to anything other than "MIDI"<BR>on the Repeater. You'll see the LED will stop<BR>blinking when it gets a clock signal. If it's not<BR>getting one, you have an issue that the apps on your<BR>laptop aren't spitting it out. Since I have no idea<BR>what you're using I can't give you any advice on them<BR>except check in the "setup" or "config" menu for clock<BR>out settings and make sure you choose your midi<BR>interface.<BR><BR>Hope this helps.<BR><BR>Mark (not a "prof") Sottilaro<BR><BR>--- rune fagereng <RUNE_FAGERENG@YAHOO.NO>wrote:<BR><BR>&gt; Hi !<BR>&gt; <BR>&gt; I am make songs on my lap top and the repeater.<BR>&gt; Beats, basslines on the laptop and soundscapes in<BR>&gt; sync and without
 sync on the repeater. But still if<BR>&gt; my beats on the pc are in 90 bpm and my repeater the<BR>&gt; same, they seam to, over some time, to loose the<BR>&gt; sync. <BR>&gt; <BR>&gt; I wander, do the proffs use midisync live ?<BR>&gt; <BR>&gt; Any tips ?<BR>&gt; <BR>&gt; Rune F <BR>&gt; <BR>&gt; <BR>&gt; www.runefagereng.com<BR>&gt; Mail:rune_fagereng@yahoo.no<BR>&gt; Mob: 917 95 867<BR><BR><BR>__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection around <BR>http://mail.yahoo.com <BR><BR></BLOCKQUOTE><BR><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
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From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 21:52:49 2006
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Date: Wed, 05 Jul 2006 17:55:09 -0400
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: USB Controller (Was: FlyLooper & market potential)
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ditto. except that, because I use 3 banks of buttons, I've got 3 labels next
to each pedal. 
 
 
Best wishes,
Warren Sirota

-----Original Message-----
From: Joshua Carroll [mailto:josh@infinivert.com] 
Sent: Wednesday, July 05, 2006 4:56 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: USB Controller (Was: FlyLooper & market potential)


Ha!  I'm doing the same thing with blue painter's tape!

--Josh



mark sottilaro wrote: 

Mine does!  All it took was a sharpie and some gray

electrical tape. (can only fit about 3 patches if I

squeeze...)



--- Joshua Carroll  <mailto:josh@infinivert.com> <josh@infinivert.com>
wrote:



  

I agree.  It would be awfully handy if my FCB1010

had a little display 

over each button that could say "REC" or "OD" or

whatever, especially if 

it would change for each of the 99 patches!



--Josh







Warren Sirota wrote:

    

Don't know if this is relevant, as I've been doing

      

the "fast skim", but...

    

If you want to sell *me* another footcontroller,

      

it'd better have an LED or

    

other display over each switch that can be set to

      

whatever value I want from

    

the computer, and an open SDK to let me do so. Do

      

that, and put in enough

    

(10-12) switches for, say $300 or less, and I'm

      

there.

    

Best wishes,

Warren Sirota

warrensirota.com









  

      

    





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<DIV><SPAN class=625395121-05072006><FONT face=Arial color=#0000ff size=2>ditto. 
except that, because I use 3 banks of buttons, I've got <EM>3 </EM>labels next 
to each pedal. </FONT></SPAN></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV align=left><FONT face=Arial size=2>Best wishes,</FONT></DIV>
<DIV align=left><FONT face=Arial size=2>Warren Sirota</FONT></DIV>
<BLOCKQUOTE dir=ltr 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT 
  face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> Joshua Carroll 
  [mailto:josh@infinivert.com] <BR><B>Sent:</B> Wednesday, July 05, 2006 4:56 
  PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: 
  USB Controller (Was: FlyLooper &amp; market 
  potential)<BR><BR></FONT></DIV>Ha!&nbsp; I'm doing the same thing with blue 
  painter's tape!<BR><BR>--Josh<BR><BR><BR><BR>mark sottilaro wrote: 
  <BLOCKQUOTE cite=mid20060705204415.83960.qmail@web81303.mail.mud.yahoo.com 
  type="cite"><PRE wrap="">Mine does!  All it took was a sharpie and some gray
electrical tape. (can only fit about 3 patches if I
squeeze...)

--- Joshua Carroll <A class=moz-txt-link-rfc2396E href="mailto:josh@infinivert.com">&lt;josh@infinivert.com&gt;</A> wrote:

  </PRE>
    <BLOCKQUOTE type="cite"><PRE wrap="">I agree.  It would be awfully handy if my FCB1010
had a little display 
over each button that could say "REC" or "OD" or
whatever, especially if 
it would change for each of the 99 patches!

--Josh



Warren Sirota wrote:
    </PRE>
      <BLOCKQUOTE type="cite"><PRE wrap="">Don't know if this is relevant, as I've been doing
      </PRE></BLOCKQUOTE><PRE wrap="">the "fast skim", but...
    </PRE>
      <BLOCKQUOTE type="cite"><PRE wrap="">If you want to sell *me* another footcontroller,
      </PRE></BLOCKQUOTE><PRE wrap="">it'd better have an LED or
    </PRE>
      <BLOCKQUOTE type="cite"><PRE wrap="">other display over each switch that can be set to
      </PRE></BLOCKQUOTE><PRE wrap="">whatever value I want from
    </PRE>
      <BLOCKQUOTE type="cite"><PRE wrap="">the computer, and an open SDK to let me do so. Do
      </PRE></BLOCKQUOTE><PRE wrap="">that, and put in enough
    </PRE>
      <BLOCKQUOTE type="cite"><PRE wrap="">(10-12) switches for, say $300 or less, and I'm
      </PRE></BLOCKQUOTE><PRE wrap="">there.
    </PRE>
      <BLOCKQUOTE type="cite"><PRE wrap="">Best wishes,
Warren Sirota
warrensirota.com




  
      </PRE></BLOCKQUOTE><PRE wrap="">    </PRE></BLOCKQUOTE><PRE wrap=""><!---->

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From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 21:54:25 2006
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I'm saving for a jambass now.  I would actually like to use it for 
basslines and have some sort of on-body midi triggers that I could use 
either to control software or to trigger drum samples.  That would be fun!

--Josh


burnett@pobox.com wrote:
>> johnsrude@peak.org wrote:
>>> Then you branch into alternate controllers.  For example a 
>>> controller with
>>> trigger pads or buttons that you can mount on your guitar on the 
>>> lower bout
>>> without marring.  So you can trigger by finger taps or with the side 
>>> of your
>>> hand.
>
> Not short enough to mount on the lower bout of a guitar, but have you 
> looked at the jambass strip as a possible solution?
>
> http://jambass.com/
>
> Steve B  Subscape Annex   http://www.subscapeannex.com/
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 22:03:25 2006
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Hello all,

I have some urgent family and work things that are going to preoccupy me out 
of town for the next few weeks. I'm going to unsubscribe for a while to 
prevent email overload when I bet back....but I'll be back when the dust has 
settled. I hope I don't miss anything!!! At least you'll know why I am 
silent for a while.

If you want to send me a personal note about something, I can handle that. 
Just sent to info@krispenhartung.com

Cheers,

Kris

p.s. I had lunch with Jeff Kaiser today and he showed me some of the wonders 
of MAX/MSP....and of course, I had to bring up Raktor 5 to show-off as well. 
Lots and lots of options out there.....


*************************************************
Krispen Hartung / Improvisational Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
info@krispenhartung.com / 1.208.724.5603
Discography - http://www.krispenhartung.com/catalogue.htm
Looper's Delight Playlist - 
http://www.boisemusicians.com/loopers-delight.m3u 


From Loopers-Delight-request@loopers-delight.com  Wed Jul  5 22:06:45 2006
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Subject: Re: Checking out of LD for a few weeks
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Raktor 5 is pretty cool....I think it is way better than Reaktor 5....



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jul 5, 2006, at 3:03 PM, Krispen Hartung wrote:

> Hello all,
>
> I have some urgent family and work things that are going to preoccupy=20=

> me out of town for the next few weeks. I'm going to unsubscribe for a=20=

> while to prevent email overload when I bet back....but I'll be back=20
> when the dust has settled. I hope I don't miss anything!!! At least=20
> you'll know why I am silent for a while.
>
> If you want to send me a personal note about something, I can handle=20=

> that. Just sent to info@krispenhartung.com
>
> Cheers,
>
> Kris
>
> p.s. I had lunch with Jeff Kaiser today and he showed me some of the=20=

> wonders of MAX/MSP....and of course, I had to bring up Raktor 5 to=20
> show-off as well. Lots and lots of options out there.....
>
>
> *************************************************
> Krispen Hartung / Improvisational Guitar
> www.krispenhartung.com / www.myspace.com/krispenhartung
> info@krispenhartung.com / 1.208.724.5603
> Discography - http://www.krispenhartung.com/catalogue.htm
> Looper's Delight Playlist -=20
> http://www.boisemusicians.com/loopers-delight.m3u
>

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From: "jeff larson" <jeff.larson@sailpoint.com>
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From: rune fagereng
=20
> What I am doing as far, is to set the repeaters bmp with the same bmp
> as the ableton-software, and then loop along with the laptop, but they
> drift apart after some time.
> ...
> but I still think its strange that they drift apart.
=20
This is normal, the BPM's are not actually the same.  They may both
claim to be 120 but one will actually be something like 120.0247 and
the other 120.0963.  Over time they will eventually drift.  They would
have to be physically connected in some way to maintain identical
tempos, similar to  " word clock "   with audio interfaces.
=20
Connecting them with MIDI does not actually make their clocks
run at exactly the same tempo, but it provides a point of
reference so that the slave can detect when it is drifting
and make a correction.
=20
Jeff


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<BODY>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2>From: rune =
fagereng</FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2>&gt; What I am doing as =
far, is to=20
set the repeaters bmp with the same bmp<BR>&gt; as the ableton-software, =
and=20
then loop along with the laptop, but they<BR>&gt; drift apart after some =

time.<BR>&gt; ...<BR>&gt; but I still think its strange that they drift=20
apart.</FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2>This is normal, the =
BPM's are not=20
actually the same.&nbsp; They may both<BR>claim to be 120 but one will =
actually=20
be something like 120.0247 and<BR>the other 120.0963.&nbsp; Over time =
they will=20
eventually drift.&nbsp; They would<BR>have to be physically connected in =
some=20
way to maintain identical<BR>tempos, similar to&nbsp;<SPAN=20
class=3D843141522-05072006>&nbsp;"&nbsp;</SPAN>word clock<SPAN=20
class=3D843141522-05072006>&nbsp;"&nbsp;</SPAN>&nbsp;<SPAN=20
class=3D843141522-05072006>&nbsp;with</SPAN> audio =
interfaces.</FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2>Connecting them with =
MIDI does not=20
actually make their clocks<BR>run at exactly the same tempo, but it =
provides a=20
point of<BR>reference so that the slave can detect when it is =
drifting<BR>and=20
make a correction.</FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff =
size=3D2>Jeff<BR></FONT></DIV></BODY></HTML>

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From profile-update@westernunion.com  Thu Jul  6 01:26:54 2006
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From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 03:14:16 2006
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Subject: Uploaded RC-50 sample to File Library
Date: Wed, 5 Jul 2006 20:14:06 -0700
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Hi All -

 

I just uploaded a sample loop to the file library in the Audio Looping
Examples section.  The sample does loop, so you can listen to how the RC-50
handles that (very nicely).  The audio quality is excellent (though the MP3
mangles it a little).  Its good practice to make sure your gain structure is
optimized; I have heard some say that the audio quality out of this device
is not good: judge for yourself!

 

This sample is a recording off of the outputs of the RC-50 into my laptop.
There are three phrases going at once.  In this case the loops are sync'd,
but you can free-wheel, too.  You can start all phrases simultaneously and
for recording purposes, I had them all as one-shots.

 

The RC-50 has a lot of depth - I've used an AdrenaLinn pedal to sync the RC
to MIDI and that works very nicely (it is completely cool to use the sync'd
filter effects and drum machine of the AdrenaLinn with the RC!).  You can
fade phrases in and out and end them on Loop End (if sync'd).  The pedals
are pretty intuitive, but you will have to spend a little time with the
device and the manual before you get all comfy-cozy with things.

 

Connection to a computer is a little arcane (you have to change file name
for import/export to some specific rules, gak!) but it does work.

 

More later, right now it's back to playing!

 

Mike

 

PS - I'm not a real looper, but with this pedal I think I can learn :-)

 

m


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<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'>Hi All =
&#8211;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'>I just uploaded a sample loop to the =
file
library in the Audio Looping Examples section.&nbsp; The sample does =
loop, so
you can listen to how the RC-50 handles that (very nicely).&nbsp; The =
audio
quality is excellent (though the MP3 mangles it a little).&nbsp; Its =
good
practice to make sure your gain structure is optimized; I have heard =
some say
that the audio quality out of this device is not good: judge for =
yourself!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'>This sample is a recording off of the =
outputs
of the RC-50 into my laptop.&nbsp; There are three phrases going at =
once.&nbsp;
In this case the loops are sync&#8217;d, but you can free-wheel, =
too.&nbsp; You
can start all phrases simultaneously and for recording purposes, I had =
them all
as one-shots.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'>The RC-50 has a lot of depth &#8211; =
I&#8217;ve
used an AdrenaLinn pedal to sync the RC to <st1:place =
w:st=3D"on">MIDI</st1:place>
and that works very nicely (it is completely cool to use the =
sync&#8217;d
filter effects and drum machine of the AdrenaLinn with the RC!).&nbsp; =
You can
fade phrases in and out and end them on Loop End (if =
sync&#8217;d).&nbsp; The
pedals are pretty intuitive, but you will have to spend a little time =
with the
device and the manual before you get all comfy-cozy with =
things.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'>Connection to a computer is a little =
arcane
(you have to change file name for import/export to some specific rules, =
gak!)
but it does work.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'>More later, right now it&#8217;s back =
to playing!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'>Mike<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'>PS &#8211; I&#8217;m not a real =
looper, but
with this pedal I think I can learn </span></font><font size=3D2 =
face=3DWingdings><span
style=3D'font-size:10.0pt;font-family:Wingdings'>J</span></font><font =
size=3D2
face=3D"Trebuchet MS"><span =
style=3D'font-size:10.0pt;font-family:"Trebuchet =
MS"'><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Trebuchet MS"><span =
style=3D'font-size:
10.0pt;font-family:"Trebuchet MS"'>m<o:p></o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 03:29:38 2006
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Date: Wed, 5 Jul 2006 23:29:37 -0400
From: "mark t" <aleatoric12@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: EDP FOR SALE
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Black face,  bought last year.  Echoplex Digital Pro Plus, Loop IV,
full memory, like new condition,  comes with Gibson controller and
manual.  Asking $750.

I am in the NYC area so if you are too that makes things alot easier,
if not you will have to pay for shipping however much that is,
assumingly 10-12 bucks.  Thanks,

Mark Trewella

From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 03:37:16 2006
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Date: Wed, 5 Jul 2006 20:37:13 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Re:vocal looping (jazz)
To: Loopers-Delight@loopers-delight.com
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what is that mini controller he is using?




--- Claude Voit <c.voit@vtx.ch> wrote:

> yes
> 
> Michael Schiefel
> 
> http://www.schiefel.de/
> 
> he uses 2 edp a tc voice processor and a small
> keyboard controler to trig
> the edps and the fx
>
http://www.flickr.com/photos/11242995@N00/67095462/in/pool-13509629@N00/
>
http://www.flickr.com/photos/11242995@N00/67089277/in/pool-13509629@N00/
> and he is faster that any shoe gazer guitar player
> 
> Claude
> 
> ----- Original Message ----- 
> From: "Krispen Hartung" <khartung@cableone.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, July 05, 2006 12:50 PM
> Subject: Re: Re:vocal looping (jazz)
> 
> 
> > I've missed this entire thread, but is there
> anyone doing any vocal
> > looping with some serious jazz vocal technique?  I
> mean, some really far
> > out scatting (Ela style), vocalizing looping bass
> lines, comping changes,
> > doing some of the great jazz standards, etc....I
> guess sort of like the
> > stuff Bobby McFerrin has done with Chick Corea,
> etc...NOT "Don't Worry Be
> > Happy"! :) I can only imagine what Dee Dee
> Bridgewater, Dinah Washington,
> > Nancy Wilson, Mel Torme, Al Jarreau, Sarah
> Vaughan, Dianne Reeves, or
> > Jonie Mitchell could have done (could do) with an
> EDP or Looperlative.
> >
> > Kris
> >
> >
> 
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 07:45:49 2006
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Date: Thu, 6 Jul 2006 09:45:47 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. RE: Vedr. Re: lap top sync with the hardware looper 
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Thanks !
   
  I am into this Norwegian guitarist Eivind Aarset, and have seen him live a lot. His drummer plays loops on a mac along with his drumming. And Aarset makes loops and themes on the repeater. I have seen his rig, and I havent seen any midi connections. 
   
  One explaination can be that he has the repeater on beat detect, and that he uses sort loops and themes, for a brief time, before making new ones, and then he`ll have no problems with things getting out of sync. I have tryied this but when I uses delay, the repeater misscalculate the bpm, and ruins the effect of the delay.
   
  Thanks for your answer.
   
  best regards Rune F         

jeff larson <jeff.larson@sailpoint.com> skrev:
      From: rune fagereng
   
  > What I am doing as far, is to set the repeaters bmp with the same bmp
> as the ableton-software, and then loop along with the laptop, but they
> drift apart after some time.
> ...
> but I still think its strange that they drift apart.
   
  This is normal, the BPM's are not actually the same.  They may both
claim to be 120 but one will actually be something like 120.0247 and
the other 120.0963.  Over time they will eventually drift.  They would
have to be physically connected in some way to maintain identical
tempos, similar to  " word clock "   with audio interfaces.
   
  Connecting them with MIDI does not actually make their clocks
run at exactly the same tempo, but it provides a point of
reference so that the slave can detect when it is drifting
and make a correction.
   
  Jeff




www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
--0-1476076227-1152171947=:92474
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<div>Thanks !</div>  <div>&nbsp;</div>  <div>I am into this Norwegian guitarist Eivind Aarset, and have seen him&nbsp;live a lot.&nbsp;His drummer plays loops on a mac&nbsp;along with his drumming. And Aarset makes loops and themes on the repeater. I have seen his&nbsp;rig, and I&nbsp;havent seen any midi connections. </div>  <div>&nbsp;</div>  <div>One explaination&nbsp;can be that he has the repeater on beat detect, and that he uses sort loops and themes, for a brief time, before making new ones,&nbsp;and then he`ll have no problems with things getting out of sync. I have tryied this but when I uses delay, the repeater misscalculate the bpm, and ruins the effect of the delay.</div>  <div>&nbsp;</div>  <div>Thanks for your answer.</div>  <div>&nbsp;</div>  <div>best regards Rune F&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<BR><BR><B><I>jeff larson &lt;jeff.larson@sailpoint.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px;
 MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <META content="MSHTML 6.00.5346.5" name=GENERATOR>  <DIV><FONT face=Arial color=#0000ff size=2>From: rune fagereng</FONT></DIV>  <DIV><FONT face=Arial color=#0000ff size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial color=#0000ff size=2>&gt; What I am doing as far, is to set the repeaters bmp with the same bmp<BR>&gt; as the ableton-software, and then loop along with the laptop, but they<BR>&gt; drift apart after some time.<BR>&gt; ...<BR>&gt; but I still think its strange that they drift apart.</FONT></DIV>  <DIV><FONT face=Arial color=#0000ff size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial color=#0000ff size=2>This is normal, the BPM's are not actually the same.&nbsp; They may both<BR>claim to be 120 but one will actually be something like 120.0247 and<BR>the other 120.0963.&nbsp; Over time they will eventually drift.&nbsp; They would<BR>have to be physically connected in some way to maintain identical<BR>tempos,
 similar to&nbsp;<SPAN class=843141522-05072006>&nbsp;"&nbsp;</SPAN>word clock<SPAN class=843141522-05072006>&nbsp;"&nbsp;</SPAN>&nbsp;<SPAN class=843141522-05072006>&nbsp;with</SPAN> audio interfaces.</FONT></DIV>  <DIV><FONT face=Arial color=#0000ff size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial color=#0000ff size=2>Connecting them with MIDI does not actually make their clocks<BR>run at exactly the same tempo, but it provides a point of<BR>reference so that the slave can detect when it is drifting<BR>and make a correction.</FONT></DIV>  <DIV><FONT face=Arial color=#0000ff size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial color=#0000ff size=2>Jeff<BR></FONT></DIV></BLOCKQUOTE><BR><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-1476076227-1152171947=:92474--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 08:59:18 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: FlyLooper & market potential
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Hi folks

> The average guitar player gigs at home, where their PC lives.  Most 
> folks don't play out, guys.  As for PCs, I look at all the college 
> students in my neighborhood and they're all packing laptops. 

This is exactly the audience I have in mind!!
So, if you have a "out-of-the-box" package that comes with plug&play USB foot controller and nice software (maybe add some free plugin effects?), all together for 80,- USD/EUR, hell, I would go out and buy one immediately, just out of curiosity.

IMHO, the audience is _not_
... professional hardware loopers who pay 1500$ for a Looperlative (that they add to their collection of 2 EDPs, 3 Repeaters and a dozen delay effects...)
... professional software loopers who are using Reaktor, GuitarRig2, MAX/MSP, Ableton, MĂ¶bius & oothers, a carefully programmed MIDI footcontroller and a collection of VST plugins for several thousand dollars.

No, it's  the average kid with his guitar and computer who get's excited about "Garage Band" and wants to be able to say "look, I'm looping!".
So, in a way, it _IS_ actually the mass market that M-Audio is addressing.
Just needs the right packaging.

For anything else, you'd have to have some REAL killer application that Ableton Live or others don't have (and cannot imitate easily).

Best regards
Buzap
-- 


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From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 09:03:02 2006
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Subject: R: LD aniversary loop contributions
Date: Thu, 6 Jul 2006 10:02:55 +0100
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Hi Krispen,
Here you can download two mine 30 sec. pieces.
I have done a fade in and fade out of two my songs.

http://mio.discoremoto.alice.it/a_cube_studio


If anybody of the LD comunity has time to listen my songs I'd appreciate =
any kind of comment.

http://www.soundclick.com/bands/pageartist.cfm?bandID=3D547466



Milco
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&i=
d=3D121901060947
=20


-----Messaggio originale-----
Da: Krispen Hartung [mailto:khartung@cableone.net]=20
Inviato: mercoled=EC 5 luglio 2006 5.32
A: Loopers-Delight@loopers-delight.com
Oggetto: Re: LD aniversary loop contributions

30 sec for the entire piece +/- a few seconds...what you do in that =
space with loops is up to you. You could fade in and out of a larger =
piece if you like, or just record it that way.  Consider it a =
"thumbnail" depiction of your looping personality. :) It should be a =
good test of our ability to articulate what we are as loopers in 30 =
sec...a fun challenge.

Kris

----- Original Message -----
From: "Timothy Mungenast" <mungenast@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 04, 2006 8:21 PM
Subject: Re: LD aniversary loop contributions


> How much leeway is there on this 30-second thing? I'm not 100% clear
> whether we're talking about loop length or the length of the piece. =
Sorry
> for being so dense ;-)
>
> ~Tim
>
>
>> [Original Message]
>> From: L.A. Angulo <labaloops@yahoo.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Date: 7/4/2006 9:58:07 PM
>> Subject: Re: LD aniversary loop contributions
>>
>> Hi Josh,
>> Thank you kindly,i pretty much went directly from my
>> mackie cfx1202 into my soundcard and added an extra
>> touch of reverb from a timeworks plugin.I am also
>> slapping the guitar quite hard thats probably why it
>> sounds so obvious;-)
>> cheers
>> Luis
>>
>> --- Joshua Carroll <josh@infinivert.com> wrote:
>>
>> > Very nice!  Great reverb in there.  What are you
>> > using?
>> >
>> > --Josh
>> >
>> > L.A. Angulo wrote:
>> > > Hi krispen,
>> > > Here is mine composed of 4 different
>> > > loops,unfortunately about 50 sec.long before it
>> > > repeats itself(ups)
>> > > but if it doesnt work for this project then ill
>> > donate
>> > > it to the LD comunity
>> > > http://www.luis-angulo.com/looplab.htm
>> > > cheers
>> > > Luis
>> > >
>> > > www.myspace.com/luisangulocom
>> > >
>> > > __________________________________________________
>> > > Do You Yahoo!?
>> > > Tired of spam?  Yahoo! Mail has the best spam
>> > protection around
>> > > http://mail.yahoo.com
>> > >
>> > >
>> > >
>> > >
>> > >
>> >
>> >
>>
>>
>> www.myspace.com/luisangulocom
>>
>> __________________________________________________
>> Do You Yahoo!?
>> Tired of spam?  Yahoo! Mail has the best spam protection around
>> http://mail.yahoo.com
>
>
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 10:31:12 2006
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Date: Thu, 06 Jul 2006 06:29:11 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
To: undisclosed-recipients: ;
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AFTERGLOW ON WMUH:                               
http://soundscapes.us/afterglow
================================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in 
for a
delightful mix of eclectic musical genres including a healthy dose of
Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                            
http://wdiy.org/programs/gt
================================================================================
Tonight at 11 pm on Galactic Travels, I'll begin a month-long Special 
Focus on
Numina.  The Featured CD at Midnight will be "Evolving Visions."  The Vinyl
Starter will come from the LP "Snowflakes Are Dancing" by Tomita on RCA 
Records
and released in 1974.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#jul

Galactic Travels is an electronic, ambient, and space music show that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, 93.9 FM 
in Easton
and Phillipsburg, 93.7 FM in Fogelsville and Trexlertown, 92.9 FM on Service
Electric Cable, and on the internet.  WDIY now simulcasts on WXLV on 
90.3 FM in
Schnecksville, Pennsylvania.

All times are EDT / GMT -4.

From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 11:38:17 2006
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Subject: RE: USB Controller (Was: FlyLooper & market potential)
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Hi Folks

> For example, you have your "Kid Beyond Ableton"
> preset (called "Able Children" to avoid licensing problems) 
> that allows you to easily beatbox with Ableton Live without a 
>lot of tapdancing on the custom pedal.
> But you also provide software to copy, clone and tweak the preset for the
> advanced users.

Sounds like a really good business model + useable tool!

Buzap
-- 


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From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 11:42:25 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: lap top sync with the hardware looper 
Date: Thu, 6 Jul 2006 13:12:31 +0200
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On Jul 5, 2006, at 17:10, rune fagereng wrote:

> Hi !
>
> I am make songs on my lap top and the repeater. Beats, basslines on  
> the laptop and soundscapes in sync and without sync on the  
> repeater. But still if my beats on the pc are in 90 bpm and my  
> repeater the same, they seam to, over some time, to loose the sync.
>
> I wander, do the proffs use midisync live ?


Hi Rune,

I didn't understand if you sync the laptop or the Repeater, but I can  
tell you that when I had a Repeater I liked to sync that machine all  
the time. Sometimes an EDP was providing a MIDI Clock signal and  
sometimes a computer was the master - but the Repeater was always my  
sync slave and it did very well.

But maybe my good experience with the Repeater comes from the fact  
that I play everything live? I mean, if the Repeater really was  
"slow" or "fast" I had no problem with that because I was listening  
and playing in time what was being looped on the repeater. Quite  
often a musical theme, looped into the Repeater, did not start where  
the (Repeater) loop started. This became obvious when I went "Next  
Loop" on the Repeater, but it didn't hurt the music much IMHO. And of  
course, the Repeater doesn't sync correctly during the time-stretch  
phase when you change master tempo (like, I use to go HalfSpeed on  
the EDP which will change the tempo to half as fast). But personally  
I think that sounds cool and I like it as a musical effect - the  
Repeater does after all catch up and lock into the new tempo in one  
or two seconds. I also tried the Beat Sync of the Repeater and it  
worked fine, although you have to help it out now and then by tapping  
the tempo (not all music have that four-on-the-floor 909 kick ;-)

So much syncing the Repeater. If you do it the other way - i.e.  
syncing the laptop - I have no tips, because this comes down to what  
software application you are running.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 13:47:29 2006
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Date: Thu, 6 Jul 2006 15:47:27 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: lap top sync with the hardware looper 
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Hi and thanks !
   
  You guys are a head of me. I am just a novise in this game. I thought I just could set the repeater in the same bmp as the ableton groove and everything would be ok. I havent tryied midi jet. This is new to me. Maybe for the time being it would be enough with the beat detect-thing, and as you say, give it a re-tap once.
   
  But is it difficult to slave the repeater to my pc with ableton and m-adio ozone workstation ?
   
  best regards of Rune      

Per Boysen <perboysen@gmail.com> skrev:
  On Jul 5, 2006, at 17:10, rune fagereng wrote:

> Hi !
>
> I am make songs on my lap top and the repeater. Beats, basslines on 
> the laptop and soundscapes in sync and without sync on the 
> repeater. But still if my beats on the pc are in 90 bpm and my 
> repeater the same, they seam to, over some time, to loose the sync.
>
> I wander, do the proffs use midisync live ?


Hi Rune,

I didn't understand if you sync the laptop or the Repeater, but I can 
tell you that when I had a Repeater I liked to sync that machine all 
the time. Sometimes an EDP was providing a MIDI Clock signal and 
sometimes a computer was the master - but the Repeater was always my 
sync slave and it did very well.

But maybe my good experience with the Repeater comes from the fact 
that I play everything live? I mean, if the Repeater really was 
"slow" or "fast" I had no problem with that because I was listening 
and playing in time what was being looped on the repeater. Quite 
often a musical theme, looped into the Repeater, did not start where 
the (Repeater) loop started. This became obvious when I went "Next 
Loop" on the Repeater, but it didn't hurt the music much IMHO. And of 
course, the Repeater doesn't sync correctly during the time-stretch 
phase when you change master tempo (like, I use to go HalfSpeed on 
the EDP which will change the tempo to half as fast). But personally 
I think that sounds cool and I like it as a musical effect - the 
Repeater does after all catch up and lock into the new tempo in one 
or two seconds. I also tried the Beat Sync of the Repeater and it 
worked fine, although you have to help it out now and then by tapping 
the tempo (not all music have that four-on-the-floor 909 kick ;-)

So much syncing the Repeater. If you do it the other way - i.e. 
syncing the laptop - I have no tips, because this comes down to what 
software application you are running.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom






www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
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<div>Hi and thanks !</div>  <div>&nbsp;</div>  <div>You guys are a head of me. I am just a novise in this game. I thought I just could set the&nbsp;repeater in the same bmp as the ableton groove and everything would be ok.&nbsp;I havent tryied midi jet. This is new to me. Maybe for the time being it&nbsp;would be enough&nbsp;with the beat detect-thing, and as you say, give it a re-tap&nbsp;once.</div>  <div>&nbsp;</div>  <div>But&nbsp;is it difficult to&nbsp;slave the repeater to my pc with ableton and&nbsp;m-adio ozone workstation ?</div>  <div>&nbsp;</div>  <div>best regards of Rune&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<BR><BR><B><I>Per Boysen &lt;perboysen@gmail.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">On Jul 5, 2006, at 17:10, rune fagereng wrote:<BR><BR>&gt; Hi !<BR>&gt;<BR>&gt; I am make songs on my lap top and the repeater. Beats, basslines on <BR>&gt; the laptop and soundscapes
 in sync and without sync on the <BR>&gt; repeater. But still if my beats on the pc are in 90 bpm and my <BR>&gt; repeater the same, they seam to, over some time, to loose the sync.<BR>&gt;<BR>&gt; I wander, do the proffs use midisync live ?<BR><BR><BR>Hi Rune,<BR><BR>I didn't understand if you sync the laptop or the Repeater, but I can <BR>tell you that when I had a Repeater I liked to sync that machine all <BR>the time. Sometimes an EDP was providing a MIDI Clock signal and <BR>sometimes a computer was the master - but the Repeater was always my <BR>sync slave and it did very well.<BR><BR>But maybe my good experience with the Repeater comes from the fact <BR>that I play everything live? I mean, if the Repeater really was <BR>"slow" or "fast" I had no problem with that because I was listening <BR>and playing in time what was being looped on the repeater. Quite <BR>often a musical theme, looped into the Repeater, did not start where <BR>the (Repeater) loop started. This
 became obvious when I went "Next <BR>Loop" on the Repeater, but it didn't hurt the music much IMHO. And of <BR>course, the Repeater doesn't sync correctly during the time-stretch <BR>phase when you change master tempo (like, I use to go HalfSpeed on <BR>the EDP which will change the tempo to half as fast). But personally <BR>I think that sounds cool and I like it as a musical effect - the <BR>Repeater does after all catch up and lock into the new tempo in one <BR>or two seconds. I also tried the Beat Sync of the Repeater and it <BR>worked fine, although you have to help it out now and then by tapping <BR>the tempo (not all music have that four-on-the-floor 909 kick ;-)<BR><BR>So much syncing the Repeater. If you do it the other way - i.e. <BR>syncing the laptop - I have no tips, because this comes down to what <BR>software application you are running.<BR><BR>Greetings from Sweden<BR><BR>Per Boysen<BR>www.boysen.se (Swedish)<BR>www.looproom.com
 (international)<BR>http://tinyurl.com/fauvm (podcast)<BR>http://www.myspace.com/looproom<BR><BR><BR><BR></BLOCKQUOTE><BR><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
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Subject: RC-50: FIRST IMPRESSIONS
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Hi Loopers

I've received my RC-50 and have been playing with it. Here are my...

FIRST IMPRESSIONS 
===================

GENERAL LOOK & FEEL 
Looks & feels rock solid. I like the red color, reminds me of the Sony DDII Walkman in the 80ies... :-) Pedals are bit too heavy to press, at least for looping. But I guess I can get used to that. Great to have so many inputs (Aux, ,Mic, Line) and also outputs! (main out + subout). Little strange thing: all my other gear is using Left channel for mono, RC-50 is using right channel. Not important though. What is really nice: buttons, knobs are really accessible. No triple-shift buttons etc. The screen display is bright and alphanumeric, no cryptic numbers.

PLAYING THE BUILT-IN PHRASES 
This is really where you see the marketing strength of Roland/Boss: They have some really nice and catchy patches installed on the first five slots. They are really cleverly addressing a large audience (not looping geeks like LD people ;-). I can imagine a guitar player stomping on the pedals and jamming on top of the pre-recorded loops. Actually, this is also what the RC-50 is addressing: it's less the avantgarde ambient musician but rather the main-stream guitarist who get's a nice play-along looper (but feel free to prove me wrong ;-). The sound quality is really superb, btw. Nice uncompressed CD-quality. (Somehow, _their_ demo patches do sound ok when changing tempo - unlike the "barbling effect" on tempo shifts experienced by people with their own loops, later on that). 
Just some BASICS ahead: 
PHRASE = what people would usually call a loop. The RC-50 can play 3 of them in parallel (multi mode) or sequentially (single mode). 
PATCH= A set of three phrases - along with it's settings - is called a patch.

LITTLE ANNOYING THINGS IN THE BEGINNING 
If you want to play say PHRASE2, it's not enough to just press the pedal PHRASE2. Rather, you _select_ the Phrase you want to play/record/overdub and then you press the PLAY/REC/OD (overdub) pedal to really trigger. A bit contrary to my intiution: would have preferred the other way round: i.e. having one pedal to select the mode (Play>Stop, Record>Play, Record>Overdub) and 3xPhrase pedals triggering the rec/play/overdub. Another annoying thing is the "greenish yellow" overdub light which we will discuss later. The next totally confusing thing is the handling of time.

TIME SETTINGS ON THE RC-50 
The first loops I've recorded, I was thinking "wait a minute, the loop is badly lagging behind". Then I realized I'd have to tweak with the time settings of the RC-50. Mind you: even though I've read ALL instructions days before carefully, I still found it confusing. How many musicians actually read the whole manual before using their gear? Some people reviewing the RC-50 complain that it has "latency of 1-2 seconds". I cannot imagine this to be true (though I haven't tested everything carefully yet). I suspect this is due to the time settings that are VERY complex. 
So, here are the TIME SETTING TERMINOLOGY of the RC-50: 
LOOP SYNC: When turning on loop sync, all loops start & stop at the same time, exactly the same length
LOOP QUANTIZE: Quantize according to Guide (approximates the quantized point, works really nice)
PATCH TEMPO: Is sort of the "global" tempo, you can set it with knob or tap tempo 
GUIDE TEMPO: is the same as the patch tempo 
PHRASE TEMPO (ORIGINAL): Each phrase can have it's own tempo 
TEMPO SYNC: You can sync each phrase to the patch tempo 
PHRASE TEMPO (REAL): can be either original phrase tempo or i.e. with tempo sync the patch tempo 
GUIDE VOLUME LEVEL: The guide volume is not only important for the volume level but also defines if the guide is on or OFF. This is important for Loop Quantize (off: no loop quantize possible) or setting the Patch Tempo (off: first loop determines patch tempo). 
It _is_ a bit complex in the beginning, right? ;-)
Btw, I didn't notice any hiccup (then again, I attribute all errors to myself currently ;-). The only thing I've noticed is that when you shift from REC to PLAY, it doesn't playback immediately but will be there on the next loop. No problem for me, though.

MY FIRST LOOP: BLUES IN SINGLE MODE 
Ok befor we get into stuff that doesn't work or is hard to accomplish - here is a little introduction to fast, first success. So, by now you might have realized that time settings are complicated. 
So, this is my first successful loop: 
- Connected & set all inputs/outputs I need 
- Scroll forward until I have a patch that has not been recorded yet (i.e. 10) 
- Turn off ALL time settings, that is: 
   - Turn off the GUIDE VOLUME knob all the way down to OFF 
      (even if it's down: check it again, because switching patches could give it a different default value)
   - Turn off LOOP SYNC 
   - For each Phrase(1-3): Turn off Temp Sync 
   - From this point on, I don't need to care about any tempo features or tap tempo bugging me 
- Choose SINGLE MODE (watch that loop sync is still turned off) 
OK, and now we go: I choose PHRASE1 and press the PLAY/REC/OD pedal. Recording some blues on the keyboard for a round. Now it's time for the B-Part: I press PHRASE2 pedal and I'm recording B-Part blues piano on PHRASE2. Pressing the PLAY/REC/OD pedal again puts me in loop playback - PHRASE2 only. Now it's time for some overdubs: I press PLAY/REC/OD again and overdub some vocals. (Eeeeehhh..... am I really overdubbing? see more on that later). Yes it works! :-) Nice quality. And now, back to PHRASE1, some overdubbing. And just for the heck: a C-Part on PHRASE3, why not? Ok so far, this was really fun and easy. I think I will use this feature more in future for some live jamming.

let's get back to... 
THE YELLOWISH GREEN BULB & GREENISH YELLOW BULB (PLAYBACK/OVERDUB) 
One of the most unfortunate "features" (along with barbling tempo sync, lack of loop decay... etc) is the light bulb on the RECORD/PLAY/OVERDUB pedal. 
RED BULB: means RECORD. So far, so good. 
"GREEN" BULB: means PLAY. However, this is more of a "YELLOWISH GREEN" bulb. 
"YELLOW" BULB: means OVERDUB. However, this is more of a "GREENISH YELLOW" bulb. 
So, I feel pretty stupid during overdubs because I wonder: "Am I really overdubbing or just wasting my time?". I guess I might develop more confidence after a while.

MY SECOND LOOP: ORIENTAL 9/8 RYHTYHM WITH TEMPO GUIDE 
Now, you might remember that Roland advertised the RC-50, boasting it's hundreds of rhythm patterns. I first thought, "what a gimmick". But after playing around with them a bit, I find them quite useful: If you turn up GUIDE VOLUME knob and press START GUIDE button, you will here some rhythm. Pressing the GUIDE EDIT and moving through the parameters, you can define the meter. And yet - you can even play 13/8 or 7/8 if you like :-))) After choosing the meter, you can tap the tempo you like or define the tempo by turning the knob. (Unfortunately, tempo is defined like i.e. 126,7 but manually you can only set [as far as I've actually discovered] 1-beat-steps rather than 1/10-beat-steps. This is bad for defining tempo later on. Also, turning on tempo sync during playback doesn't seem to work, but that's another story). Then you can pick one of various tasteful rhythm patterns. AND THEY ARE REALLY NICE! I mean, the first thing I often loop is something like a hi-hat or bass/snare drum. So, the RC-50 provides you with a good sounding, minimalist hi-hat or basic drum pattern that will not obscure your music - unlike that annoying tick-tack-tack-tack of most sequencers... :-)  I was remember a jazz pianist who was fiddling around with an RC-20 during a jazz concert - and suddenly his metronome went on... tick-tack-tack-tack... 
So, the GUIDE has been the most positive real surprise so far on the RC-50 to me. I think I will really use the simple Hihat2 for synced loops. 
So this is what I did: 
- Choose a new patch and turn all the temp sync etc. stuff off 
- Set up the GUIDE properly, turning the GUIDE VOLUME up 
- Switch to MULTI MODE (stiill make sure that the damn loop sync is turned off ;-) 
-  Check that the LOOP QUANTIZE light is turned on when I choose a phrase 
And there we go: Let the GUIDE play 9/8 ryhthm (HiHat2) and play some oriental darbuka for 1 bar on PHRASE1. 
Overdub additional percussion on PHRASE1. 
At this point, it is convenient to turn down the GUIDE VOLUME because I have enough percussion orientation with my own loops. 
However this is IMPORTANT: do NOT turn the GUIDE completely down to OFF. Rather, leave at least on "2". Otherwise, the LOOP QUANTIZE will not work!

By the way 
LOOP QUANTIZE 
is really, really very nice :-) I have been so annoyed with Ableton Live on this: Let's say the exact loop point is 13,2seconds. 
RC-50: If you press PLAY/REC/OD pedal somewhere around 13,2seconds (i.e. 12,8sec or 13,6sec) the loop will be quantized to the exact point 13,2sec. 
ABLETON: Whereas in Ableton Live, hitting the button on i.e. 12,8sec would result in perfect loop with 13,2seconds but if you are just a little bit too late (i..e 13,6sec), then you end up waiting until you get to the 26,4sec point. 
This works really nice on RC-50 :-)
So, now I move on to PHRASE2 and record some additional patterns over 2 bars and some 8 bar melody on PHRASE 3. Needless to say, all the phrases are in perfect sync :-))) This is really fun. :-))
I was first a bit disappointed that there is no "multiply" command. However, with the three phrases in MULTI MODE and LOOP SYNC, I think I can live with that.
Another comment on 
LOOP QUANTIZE
In MULTI MODE, if you don't want to use a GUIDE but still have three PHRASES in sync. You can turn off all tempo settings (including Guide) but just turn on TEMPO SYNC for all three phrases. (Make sure it's a "fresh" patch, though!). In this case, the first phrase defines the PATCH TEMPO. When you select the next loops for recording, LOOP QUANTIZE light should light up. And there you go: Record three loops in perfect sync :-)
But: DON'T EVER MESS WITH THE TEMPO. You (or at last I ;-) will not be able to get back to your original tempo. So, in order to avoid this, the best thing is to re-assign the TEMPO PEDAL with a different function (i.e. CURRENT PHRASE REVERSE, OVERDUB MODE, ...). 

Then, I'd like to push things farther and do some 
SWITCHING BETWEEN PHRASES
Actually, when I first read about the RC-50, my hope was to be able to use it much like the "scenes" in Ableton Live: That means you have set of loops (RC-50: 3 phrases) you are playing simultaneously (RC-50: phrases in multi mode) and you want to another set of loops (RC-50: patch). So... this works... kind of.... but not the way I had in mind.... So, the first thing - if you have your nice set of 3 phrases prepared and you want to had off for variations is to 
first WRITE PATCH: if you don't write your patch, your loops will be gone after moving to another phrase. 
second COPY PATCH: ideally, to the next slot, so you are able to use it as a basis. 
And here comes the first disappointment: IN ORDER TO WRITE PATCHES, YOU NEED TO STOP ALL PLAYBACK :-( So that means, if you want to do this during live performance, you have to bounce your loop to a second looping device (or long delay) before you can stop the RC-50. Not nice - I'll see if it will work practically. 
So, in order to SWITCH PHRASES you have to keep the TAP TEMPO pedal (or was it the STOP pedal? I always keep mixing that up - the other is actually clearing your phrase, so be careful ;-)) pressed for >2 seconds. Then you are able to switch to the next/previous phrase using the first two pedals. Does it start playing the second phrase immediately? No, you have actually to choose a phrase/press play to really play the second patch (I haven't figured out yet what it is doing really exactly there). So this is the second disappointment: Switching between patches seems not to be a press-just-one-button thing. It would be actually great to swtich between patches (= set of phrases) just like you switch between phrases in the single mode. Instead it seems to take about 4 pedal pushes to get going at least. But maybe this process can be optimized.
So, here the third disappointment: Pressing PHRASE2+PHRASE3 together when switching to a new patch doesn't seem to start all 3 phrases at the same time. Again, maybe it is just me. At least on work-around is to set all three phrases to START SIMULTANEOUSLY (this is a default patch setting), then if you start one, all will start together.
Again, over time, I might find a better to optimize this.

Ok, now let's look at the two most concerning aspects of the RC-50: Loop Decay (or lack thereof) and barbling tempo changes.

LOOP DECAY
is not available. Period. There is something called FADE OUT. However, I'd not like to disappoint you: fade out only means that when pressing STOP, the loop will be faded out instead of stopping abruptly. But his is just for stop and has nothing to do with decaying loops.
Just a hint concerning TERMINOLOGY: LOOP DECAY vs. DELAY FEEDBACK
While historically "feedback" may be a very common term, I think using "loop decay" might be a better term in this context,. For example, if you want to convince Roland to put in that feature in a future "RC-50XL", they might be more open to the idea of "loop decay" rather than "delay feedback" - which would help them to keep their Looper distinctly apart from their effect units. Just my thought on this. (don't want to discuss this here any further).
Back to FADE OUT, I think you can still use it in some creative way - especially keeping in mind you have three PHRASES that you can let FADE OUT one after another, retrigger etc.

BARBLING "EFFECT" WITH TEMPO SHIFT
Yes this is by far the BIGGEST - the BIGGGEST - disappointment is this: When you record a loop and you play it at any other tempo rather than it's original tempo you will get a "barbling sound" (a bit like flanger) that will make your loop sound really cheap (much worse than low sampling rate). This has horrible effects (pun) if you want to:
- use TAP TEMPO to playback your loops along with the tempo of the band
- record several phrases of various length and TEMPO SYNC them
- use the RC-50 as a MIDI SYNC SLAVE to another unit.
There is _no_ half/double tempo button btw, playing half/double speed sounds just as bad.
I was actually not so disappointed because I've heard of this "feature" before getting my RC-50. So the work -around is I guess to 
- _always_  use the RC-50 as MIDI MASTER
- _always_ use the same exact same tempo for all phrases of a patch (in multi mode)
- _never_ change the tempo of the patch
   (I would even recommend reconfiguring the TEMPO pedal with something else like i.e. CURRENT PHRASE REVERSE)
- be _very_ careful with all your timing setttings (see above)
There is still some hope though: The "barbling effect" didn't sound so bad with some phrases and worse with others. It would be worthwhile investigating which sounds are more resistant to tempo shift (possibly rhythm sounds or sounds with no vibrato?). If you can optimize it, you could at least find some sounds that will work for tempo shift. It might be also well investigating if certain frequency ranges are less affected or if adding i.e. some distortion to the original sound might disguise the effect.

Something about
MIDI & FOOT CONTROL
Suppose you have a Behringer Footcontroller. As far as I can understand, you will be able to use two MIDI expression/volume pedals, i.e. for CURRENT PHRASE VOLUME & CURRENT PHRASE PAN. However, concerning your MIDI footswitches, there will be just ONE command. So, correct me if I'm wrong, but you'll just be able to use ONE footswitch on your WHOLE MIDI board, assigned to ONE RC-50 command only! This is actually really a joke... To be fair: I haven't tested any external pedals, so I might be wrong on certain issues like this (let's hope...)
There is some good news for FOOT PEDALS though: You can add 4 more additional regular footswitches to the RC-50. Plus: re-assign the TEMPO and UNDO pedal (though I would really think twice about removing the UNDO...). This would give you a pedal with 7+4=11 pedals which is not bad either.


SUMMARY
So to sum it up, if you can live with restrictions (no loop decay, time-shift problems), the RC-50 is really a GREAT unit that seems a lot of fun and that I will be using a lot.  It really does have a LOT OF FEATURES like:
- 3 CD-quality stereo phrases,
- really nice LOOP QUANTIZE
- really big memory (24 minutes CDquality Stereo)
- "some" MIDI support, 
- download/upload of loops via USB,
- useful GUIDE (useful sounds and odd meters), 
- robust hardware 
- lot of inputs/outputs
- and: everything is in a NICE COMPACT 7 PEDAL BOARD.
It might of course not replace a tool like several EDPs or a Looperlative (except compact design & memory). Yet, I think there is still a lot of depth that can be explored, i.e. using foot switches/MIDI pedals for controlling stuff, using the SUB OUTPUT to send a specific phrase to an effect board... etc. Another useful aspect (that has nothing to do with looping though ;-) is to prepare some background tracks on your computer, put them on the RC-50 via USB and play on stage to your background tracks. I think esp. people who are looking for "band in a box" like features might be attracted to it. 

As for future product releases, by just adding some minor improvements like decent real-time tempo shift and loop decay (also more midi support and maybe multiply command etc) RC-50 would become even more attractive and make also "hard-core-loopers" happy. Roland/Boss has proven that they can learn based on the improvements from RC-20 over RC-20XL to RC-50. A future "RC-50XL" could really become a killer looper. 

Personally, I'm quite new to this forum and not so experienced with various loopers. So you may need to judge for yourself if the RC-50 is something for you. Thinking about the affordable price, I would definitely recommend the RC-50 due to all the features you get in such a compact format. I believe with experience, we might still find more useful ways how to operate the RC-50.
The most important aspect to me: I'm really having a lot of FUN with this box!! :-))

Buzap

Links:
RC-50 Manual: http://www.roland.com/manuals/en/index_alpha.html
RC-50 Homepage: http://www.roland.com/products/en/RC-50/index.html
-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*!
"Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 16:05:18 2006
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> From: Buzap Buzap
> > The average guitar player gigs at home, where their PC lives.
>
> This is exactly the audience I have in mind!!
> So, if you have a "out-of-the-box" package that comes with=20
> plug&play USB foot controller and nice software (maybe add=20
> some free plugin effects?), all together for 80,- USD/EUR,=20
> hell, I would go out and buy one immediately, just out of curiosity.

Sure.  Does anyone here think you can make an interesting=20
profit on a hardware/software product selling for $80?.  This
is a footswitch we're talking about, something people stand
on and spill beer on.  Build quality will have to
be higher than your average M-Audio desktop controller
like the Trigger Finger.

The Trigger Finger is actually pretty close to what we're
talking about, only it needs to be larger and more rugged.
That lists for $250.   The custom Garage Band controller
is $179.

Hardware guys feel free to correct me here, but it seems
like the realistic price point for a USB footswitch
is going to be at minimum $200 if you want to turn a profit.
Probably more because M-Audio can make up for a lower
profit margin with volume.=20

Now how much to you feel you deserve for the software?
Do you give it away to move the hardware (a strategy
a lot of hardware vendors use) or do you tack on
another $100? =20

Now your price point is around $300.  I suspect most=20
Garage Band kids are going to have a harder time
justifying that, unless the software does something
spectacular.

Again, I would love to see a flexible USB footswitch for use=20
with any MIDI application.  I do have to wonder though why
this hasn't occurred to M-Audio, it seems like a natural
progression from the Trigger Finger.  They could easily take
the market away from the FCB1010.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 16:48:13 2006
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References: <20060706074547.93510.qmail@web26205.mail.ukl.yahoo.com>
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as far as I know Eivind uses the rptr with that blue three-button 
footswitch, no midi sync.
luca


rune fagereng wrote:

> Thanks !
>  
> I am into this Norwegian guitarist Eivind Aarset, and have seen 
> him live a lot. His drummer plays loops on a mac along with his 
> drumming. And Aarset makes loops and themes on the repeater. I have 
> seen his rig, and I havent seen any midi connections.
>  
> One explaination can be that he has the repeater on beat detect, and 
> that he uses sort loops and themes, for a brief time, before making 
> new ones, and then he`ll have no problems with things getting out of 
> sync. I have tryied this but when I uses delay, the repeater 
> misscalculate the bpm, and ruins the effect of the delay.
>  
> Thanks for your answer.
>  
> best regards Rune F         
>
> jeff larson <jeff.larson@sailpoint.com> skrev:
>
>     From: rune fagereng
>      
>     > What I am doing as far, is to set the repeaters bmp with the
>     same bmp
>     > as the ableton-software, and then loop along with the laptop,
>     but they
>     > drift apart after some time.
>     > ...
>     > but I still think its strange that they drift apart.
>      
>     This is normal, the BPM's are not actually the same.  They may both
>     claim to be 120 but one will actually be something like 120.0247 and
>     the other 120.0963.  Over time they will eventually drift.  They would
>     have to be physically connected in some way to maintain identical
>     tempos, similar to  " word clock "   with audio interfaces.
>      
>     Connecting them with MIDI does not actually make their clocks
>     run at exactly the same tempo, but it provides a point of
>     reference so that the slave can detect when it is drifting
>     and make a correction.
>      
>     Jeff
>
>
>
>
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867 

From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 17:25:07 2006
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Date: Thu, 6 Jul 2006 10:25:05 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Vedr. RE: Vedr. Re: lap top sync with the hardware looper 
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One fun thing you can do with the Repeater is switch
it from MIDI sync to Beat Detect and just try to knock
it off balance with your playing.  It's like playing
with a drunk looper.

--- rune fagereng <rune_fagereng@yahoo.no> wrote:

> Thanks !
>    
>   I am into this Norwegian guitarist Eivind Aarset,
> and have seen him live a lot. His drummer plays
> loops on a mac along with his drumming. And Aarset
> makes loops and themes on the repeater. I have seen
> his rig, and I havent seen any midi connections. 
>    
>   One explaination can be that he has the repeater
> on beat detect, and that he uses sort loops and
> themes, for a brief time, before making new ones,
> and then he`ll have no problems with things getting
> out of sync. I have tryied this but when I uses
> delay, the repeater misscalculate the bpm, and ruins
> the effect of the delay.
>    
>   Thanks for your answer.
>    
>   best regards Rune F         
> 
> jeff larson <jeff.larson@sailpoint.com> skrev:
>       From: rune fagereng
>    
>   > What I am doing as far, is to set the repeaters
> bmp with the same bmp
> > as the ableton-software, and then loop along with
> the laptop, but they
> > drift apart after some time.
> > ...
> > but I still think its strange that they drift
> apart.
>    
>   This is normal, the BPM's are not actually the
> same.  They may both
> claim to be 120 but one will actually be something
> like 120.0247 and
> the other 120.0963.  Over time they will eventually
> drift.  They would
> have to be physically connected in some way to
> maintain identical
> tempos, similar to  " word clock "   with audio
> interfaces.
>    
>   Connecting them with MIDI does not actually make
> their clocks
> run at exactly the same tempo, but it provides a
> point of
> reference so that the slave can detect when it is
> drifting
> and make a correction.
>    
>   Jeff
> 
> 
> 
> 
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 17:31:25 2006
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Date: Thu, 6 Jul 2006 10:31:23 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Vedr. Re: lap top sync with the hardware looper 
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--- rune fagereng <rune_fagereng@yahoo.no> wrote:

> Hi and thanks !
>    
>   You guys are a head of me. I am just a novise in
> this game.

No problem, we all start that way.

>    
>   But is it difficult to slave the repeater to my pc
> with ableton and m-adio ozone workstation ?

Yup, I'd just make Ableton the "Master" and the
Repeater the "Slave" as Live's sync out seems solid. 
I just started using Live 5 so I can't think of the
exact path to set it to output midi clock, but a quick
check of the manual should help... or you can do as I
do and poke around until you find it.  Perhaps it
defaults to sending MIDI clock anyway.  I'm not sure. 
Then set the Repeater to "MIDI" for the sync and
you're done.  You'll see the Repeater's tempo display
go to what Live is set to and viola, you're done.  I
think you'll find this much, much better than Beat
Detect mode and all it will cost you is the price of a
midi cable.

Mark

>    
>   best regards of Rune      
> 
> Per Boysen <perboysen@gmail.com> skrev:
>   On Jul 5, 2006, at 17:10, rune fagereng wrote:
> 
> > Hi !
> >
> > I am make songs on my lap top and the repeater.
> Beats, basslines on 
> > the laptop and soundscapes in sync and without
> sync on the 
> > repeater. But still if my beats on the pc are in
> 90 bpm and my 
> > repeater the same, they seam to, over some time,
> to loose the sync.
> >
> > I wander, do the proffs use midisync live ?
> 
> 
> Hi Rune,
> 
> I didn't understand if you sync the laptop or the
> Repeater, but I can 
> tell you that when I had a Repeater I liked to sync
> that machine all 
> the time. Sometimes an EDP was providing a MIDI
> Clock signal and 
> sometimes a computer was the master - but the
> Repeater was always my 
> sync slave and it did very well.
> 
> But maybe my good experience with the Repeater comes
> from the fact 
> that I play everything live? I mean, if the Repeater
> really was 
> "slow" or "fast" I had no problem with that because
> I was listening 
> and playing in time what was being looped on the
> repeater. Quite 
> often a musical theme, looped into the Repeater, did
> not start where 
> the (Repeater) loop started. This became obvious
> when I went "Next 
> Loop" on the Repeater, but it didn't hurt the music
> much IMHO. And of 
> course, the Repeater doesn't sync correctly during
> the time-stretch 
> phase when you change master tempo (like, I use to
> go HalfSpeed on 
> the EDP which will change the tempo to half as
> fast). But personally 
> I think that sounds cool and I like it as a musical
> effect - the 
> Repeater does after all catch up and lock into the
> new tempo in one 
> or two seconds. I also tried the Beat Sync of the
> Repeater and it 
> worked fine, although you have to help it out now
> and then by tapping 
> the tempo (not all music have that four-on-the-floor
> 909 kick ;-)
> 
> So much syncing the Repeater. If you do it the other
> way - i.e. 
> syncing the laptop - I have no tips, because this
> comes down to what 
> software application you are running.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 
> 
> 
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867


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From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 17:54:52 2006
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Date: Thu, 6 Jul 2006 13:54:49 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Vedr. RE: Vedr. Re: lap top sync with the hardware looper
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Yeah, you can do that with your audience too. :)

Nothing like getting everyone in the room grooving to a funky 4/4 then
knocking 'em over with a few  strategically placed measures of 5, 7,
9, or 11.  I love the ones that soldier on either not knowing or not
caring that they're completely off the beat.  And you can always spot
the musicians in the audience....they're the ones smiling.

Todd


On 7/6/06, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> One fun thing you can do with the Repeater is switch
> it from MIDI sync to Beat Detect and just try to knock
> it off balance with your playing.  It's like playing
> with a drunk looper.
>
> --- rune fagereng <rune_fagereng@yahoo.no> wrote:
>
> > Thanks !
> >
> >   I am into this Norwegian guitarist Eivind Aarset,
> > and have seen him live a lot. His drummer plays
> > loops on a mac along with his drumming. And Aarset
> > makes loops and themes on the repeater. I have seen
> > his rig, and I havent seen any midi connections.
> >
> >   One explaination can be that he has the repeater
> > on beat detect, and that he uses sort loops and
> > themes, for a brief time, before making new ones,
> > and then he`ll have no problems with things getting
> > out of sync. I have tryied this but when I uses
> > delay, the repeater misscalculate the bpm, and ruins
> > the effect of the delay.
> >
> >   Thanks for your answer.
> >
> >   best regards Rune F
> >
> > jeff larson <jeff.larson@sailpoint.com> skrev:
> >       From: rune fagereng
> >
> >   > What I am doing as far, is to set the repeaters
> > bmp with the same bmp
> > > as the ableton-software, and then loop along with
> > the laptop, but they
> > > drift apart after some time.
> > > ...
> > > but I still think its strange that they drift
> > apart.
> >
> >   This is normal, the BPM's are not actually the
> > same.  They may both
> > claim to be 120 but one will actually be something
> > like 120.0247 and
> > the other 120.0963.  Over time they will eventually
> > drift.  They would
> > have to be physically connected in some way to
> > maintain identical
> > tempos, similar to  " word clock "   with audio
> > interfaces.
> >
> >   Connecting them with MIDI does not actually make
> > their clocks
> > run at exactly the same tempo, but it provides a
> > point of
> > reference so that the slave can detect when it is
> > drifting
> > and make a correction.
> >
> >   Jeff
> >
> >
> >
> >
> > www.runefagereng.com
> > Mail:rune_fagereng@yahoo.no
> > Mob: 917 95 867
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 18:09:13 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Vedr. Re: lap top sync with the hardware looper 
Date: Thu, 6 Jul 2006 16:30:50 +0200
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On Jul 6, 2006, at 15:47, rune fagereng wrote:

> But is it difficult to slave the repeater to my pc with ableton and  
> m-adio ozone workstation ?

No. Check the Repeater manual. Or the Live manual.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 18:09:17 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: RC-50: FIRST IMPRESSIONS
Date: Thu, 6 Jul 2006 16:45:17 +0200
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On Jul 6, 2006, at 15:53, Buzap Buzap wrote:

>  I would definitely recommend the RC-50 due to all the features you  
> get in such a compact format. I believe with experience, we might  
> still find more useful ways how to operate the RC-50.
> The most important aspect to me: I'm really having a lot of FUN  
> with this box!! :-))


Thank you for the eminent review! I just spent a week with a borrowed  
RC-50 and agree that it's a very nice box.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 18:31:45 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Vedr. RE: Vedr. Re: lap top sync with the hardware looper 
Date: Thu, 6 Jul 2006 20:30:40 +0200
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On Jul 6, 2006, at 19:25, mark sottilaro wrote:

> One fun thing you can do with the Repeater is switch
> it from MIDI sync to Beat Detect and just try to knock
> it off balance with your playing.  It's like playing
> with a drunk looper.

Oh yes - that's great fun! (miss my 'peater... sob, sniff...)

> rune fagereng wrote:
>> Thanks !
>>  I am into this Norwegian guitarist Eivind Aarset, and have seen  
>> him live a lot. His drummer plays loops on a mac along with his  
>> drumming. And Aarset makes loops and themes on the repeater. I  
>> have seen his rig, and I havent seen any midi connections.


I think he taps the tempo on the Repeater with some foot pedal. I  
mean; Why MIDI sync? What should he sync to when his buddies are  
human musicians!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 18:35:01 2006
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Subject: RE: FlyLooper & market potential
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> -----Original Message-----
> From: jeff larson [mailto:jeff.larson@sailpoint.com] 
> Sent: Thursday, July 06, 2006 12:05 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: FlyLooper & market potential
> 
> 
> > From: Buzap Buzap
> > > The average guitar player gigs at home, where their PC lives.
> >
> > This is exactly the audience I have in mind!!
> > So, if you have a "out-of-the-box" package that comes with
> > plug&play USB foot controller and nice software (maybe add 
> > some free plugin effects?), all together for 80,- USD/EUR, 
> > hell, I would go out and buy one immediately, just out of curiosity.
> 
> Sure.  Does anyone here think you can make an interesting 
> profit on a hardware/software product selling for $80?.  This 
> is a footswitch we're talking about, something people stand 
> on and spill beer on.  Build quality will have to be higher 
> than your average M-Audio desktop controller like the Trigger Finger.
> 
I barely think that you can make an "interesting" profit on multimedia
software alone that sells for under $100. Tech support on multimedia issues
will eat you alive, at least if you're on the Windows platform.

From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 18:37:01 2006
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From: Zoe Keating <cello@zoekeating.com>
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Hullo again....

I'm opening next week for two great artists: The Legendary Pink Dots  
and Kid Beyond.

Pink Dots show is in Portland on July 10th and Kid Beyond is in San  
Francisco on July 13th. The LPD are indeed legendary..in case you  
were wondering. They're on their 25th anniversary tour, and the SF  
event is Kid Beyond's CD release party. I would be going to these  
shows even if I weren't on the bill....but I guess no one other than  
me will be able to attend both!

July 10th - Berbati' Pan in Portland
Legendary Pink Dots, me, Plants
http://www.legendarypinkdots.org/

July 13th - Slims in San Francisco
Kid Beyond, Shotgun Wedding Quintet, me
http://www.kidbeyond.com

See a couple of you?? best, Zoe

From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 19:12:53 2006
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From: Doug Wyatt <doug@sonosphere.com>
Subject: CD release: The Dream of 'I'
Date: Thu, 6 Jul 2006 12:12:49 -0700
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My new CD, The Dream of 'I', is now available directly from my web  
site, CD Baby, and the iTunes store.

It's instrumental music somewhere in between classical and electronic/ 
ambient with a few rock/pop tracks. It was conceived as a keyboard  
extravaganza, but the live string quartet, drum kit, (wordless)  
vocals and more turned it into something else.

While I have a big warm fuzzy spot in my heart for live looping, the  
looping content on the album is a bit minimal; a couple of loop-based  
tracks didn't make the cut.

One track (Implications) is based on an improv with piano and an  
ambient loop that was transposed on the fly (using Augustus Loop). I  
stumbled on a tempo where the loop somehow lined up with a click  
(despite the loop being in 11/8 over 4/4).

Another (Artifacts and Fantasies) has a Repeater-built loop that  
appears in the beginning and end.

Thanks for the bandwidth :-P

Doug

--
Doug Wyatt
http://www.dougwyatt.net/
    ^ music
    The Dream of 'I' CD now available!
http://www.dougwyatt.net/TheDreamOfI/Instruments/
    ^ interactive synth museum
http://www.sonosphere.com/
    ^ and more


From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 19:42:00 2006
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Date: Thu, 06 Jul 2006 15:44:11 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: RC-50: FIRST IMPRESSIONS
To: Buzap Buzap <buzap@gmx.net>, Loopers-Delight@loopers-delight.com
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Excellent writing! Post this on the Loopers Delight web page under "Tools of
the Trade!"
dB, coyote


From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 21:14:48 2006
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Date: Thu,  6 Jul 2006 17:14:45 -0400
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: Vedr. RE: Vedr. Re: lap top sync with the hardware looper
References: <20060706074547.93510.qmail@web26205.mail.ukl.yahoo.com>
	<20060706172505.35489.qmail@web81306.mail.mud.yahoo.com>
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Hey Todd,

Thanks for telling me to check out the behringer fcb1010 yahoo group, I
downloaded that little program to edit the footpedal settings and it worked
like a charm.

Paul Haslem

www.dulcify.ca






Quoting Todd Pafford <calenlas@gmail.com>:

> Yeah, you can do that with your audience too. :)
>
> Nothing like getting everyone in the room grooving to a funky 4/4 then
> knocking 'em over with a few  strategically placed measures of 5, 7,
> 9, or 11.  I love the ones that soldier on either not knowing or not
> caring that they're completely off the beat.  And you can always spot
> the musicians in the audience....they're the ones smiling.
>
> Todd


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Date: Thu, 6 Jul 2006 15:11:31 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Cello Loop Gig Spam.. Dots and Beyond!
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <C451E206-5834-4823-9579-F03BB4941572@zoekeating.com>
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Then I shall see you there!  Funny, I used to be in
the band that opened for the Pink Dots at Slims on the
first.  (Big City Orchestra - noise) but I kind of
drifted away from them when I left Alameda.  I
wondered what those kids were up to...

--- Zoe Keating <cello@zoekeating.com> wrote:

> Hullo again....
> 
> I'm opening next week for two great artists: The
> Legendary Pink Dots  
> and Kid Beyond.
> 
> Pink Dots show is in Portland on July 10th and Kid
> Beyond is in San  
> Francisco on July 13th. The LPD are indeed
> legendary..in case you  
> were wondering. They're on their 25th anniversary
> tour, and the SF  
> event is Kid Beyond's CD release party. I would be
> going to these  
> shows even if I weren't on the bill....but I guess
> no one other than  
> me will be able to attend both!
> 
> July 10th - Berbati' Pan in Portland
> Legendary Pink Dots, me, Plants
> http://www.legendarypinkdots.org/
> 
> July 13th - Slims in San Francisco
> Kid Beyond, Shotgun Wedding Quintet, me
> http://www.kidbeyond.com
> 
> See a couple of you?? best, Zoe
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

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Date: Thu, 6 Jul 2006 18:12:58 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Vedr. RE: Vedr. Re: lap top sync with the hardware looper
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References: <20060706074547.93510.qmail@web26205.mail.ukl.yahoo.com>
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Glad to help. :)

Todd

On 7/6/06, phaslem@wightman.ca <phaslem@wightman.ca> wrote:
> Hey Todd,
>
> Thanks for telling me to check out the behringer fcb1010 yahoo group, I
> downloaded that little program to edit the footpedal settings and it worked
> like a charm.
>
> Paul Haslem
>
> www.dulcify.ca
>
>
>
>
>
>
> Quoting Todd Pafford <calenlas@gmail.com>:
>
> > Yeah, you can do that with your audience too. :)
> >
> > Nothing like getting everyone in the room grooving to a funky 4/4 then
> > knocking 'em over with a few  strategically placed measures of 5, 7,
> > 9, or 11.  I love the ones that soldier on either not knowing or not
> > caring that they're completely off the beat.  And you can always spot
> > the musicians in the audience....they're the ones smiling.
> >
> > Todd
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul  6 22:41:10 2006
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From: "Sean Mormelo" <sean@seanmormelo.com>
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Subject: Re: RC-50: FIRST IMPRESSIONS
Date: Thu, 6 Jul 2006 14:41:08 -0800
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Exellent review!! I'm having fun with my RC-50 and hope to have it on a gig
next week! Keep in mind, i'm a regular vox and guitar singer songwriter, not
an ambient instrumentalist guy so it's been interesting figuring out how to
integrate this unit into my live act!

Sean Mormelo
www.seanmormelo.com
www.myspace.com/seanmormelo
EPK- www.sonicbids.com/seanmormelo
www.CDbaby.com/seanmormelo
----- Original Message ----- 
From: "Buzap Buzap" <buzap@gmx.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 06, 2006 5:53 AM
Subject: RC-50: FIRST IMPRESSIONS


> Hi Loopers
>
> I've received my RC-50 and have been playing with it. Here are my...
>
> FIRST IMPRESSIONS
> ===================
>
> GENERAL LOOK & FEEL
> Looks & feels rock solid. I like the red color, reminds me of the Sony
DDII Walkman in the 80ies... :-) Pedals are bit too heavy to press, at least
for looping. But I guess I can get used to that. Great to have so many
inputs (Aux, ,Mic, Line) and also outputs! (main out + subout). Little
strange thing: all my other gear is using Left channel for mono, RC-50 is
using right channel. Not important though. What is really nice: buttons,
knobs are really accessible. No triple-shift buttons etc. The screen display
is bright and alphanumeric, no cryptic numbers.
>
> PLAYING THE BUILT-IN PHRASES
> This is really where you see the marketing strength of Roland/Boss: They
have some really nice and catchy patches installed on the first five slots.
They are really cleverly addressing a large audience (not looping geeks like
LD people ;-). I can imagine a guitar player stomping on the pedals and
jamming on top of the pre-recorded loops. Actually, this is also what the
RC-50 is addressing: it's less the avantgarde ambient musician but rather
the main-stream guitarist who get's a nice play-along looper (but feel free
to prove me wrong ;-). The sound quality is really superb, btw. Nice
uncompressed CD-quality. (Somehow, _their_ demo patches do sound ok when
changing tempo - unlike the "barbling effect" on tempo shifts experienced by
people with their own loops, later on that).
> Just some BASICS ahead:
> PHRASE = what people would usually call a loop. The RC-50 can play 3 of
them in parallel (multi mode) or sequentially (single mode).
> PATCH= A set of three phrases - along with it's settings - is called a
patch.
>
> LITTLE ANNOYING THINGS IN THE BEGINNING
> If you want to play say PHRASE2, it's not enough to just press the pedal
PHRASE2. Rather, you _select_ the Phrase you want to play/record/overdub and
then you press the PLAY/REC/OD (overdub) pedal to really trigger. A bit
contrary to my intiution: would have preferred the other way round: i.e.
having one pedal to select the mode (Play>Stop, Record>Play, Record>Overdub)
and 3xPhrase pedals triggering the rec/play/overdub. Another annoying thing
is the "greenish yellow" overdub light which we will discuss later. The next
totally confusing thing is the handling of time.
>
> TIME SETTINGS ON THE RC-50
> The first loops I've recorded, I was thinking "wait a minute, the loop is
badly lagging behind". Then I realized I'd have to tweak with the time
settings of the RC-50. Mind you: even though I've read ALL instructions days
before carefully, I still found it confusing. How many musicians actually
read the whole manual before using their gear? Some people reviewing the
RC-50 complain that it has "latency of 1-2 seconds". I cannot imagine this
to be true (though I haven't tested everything carefully yet). I suspect
this is due to the time settings that are VERY complex.
> So, here are the TIME SETTING TERMINOLOGY of the RC-50:
> LOOP SYNC: When turning on loop sync, all loops start & stop at the same
time, exactly the same length
> LOOP QUANTIZE: Quantize according to Guide (approximates the quantized
point, works really nice)
> PATCH TEMPO: Is sort of the "global" tempo, you can set it with knob or
tap tempo
> GUIDE TEMPO: is the same as the patch tempo
> PHRASE TEMPO (ORIGINAL): Each phrase can have it's own tempo
> TEMPO SYNC: You can sync each phrase to the patch tempo
> PHRASE TEMPO (REAL): can be either original phrase tempo or i.e. with
tempo sync the patch tempo
> GUIDE VOLUME LEVEL: The guide volume is not only important for the volume
level but also defines if the guide is on or OFF. This is important for Loop
Quantize (off: no loop quantize possible) or setting the Patch Tempo (off:
first loop determines patch tempo).
> It _is_ a bit complex in the beginning, right? ;-)
> Btw, I didn't notice any hiccup (then again, I attribute all errors to
myself currently ;-). The only thing I've noticed is that when you shift
from REC to PLAY, it doesn't playback immediately but will be there on the
next loop. No problem for me, though.
>
> MY FIRST LOOP: BLUES IN SINGLE MODE
> Ok befor we get into stuff that doesn't work or is hard to accomplish -
here is a little introduction to fast, first success. So, by now you might
have realized that time settings are complicated.
> So, this is my first successful loop:
> - Connected & set all inputs/outputs I need
> - Scroll forward until I have a patch that has not been recorded yet (i.e.
10)
> - Turn off ALL time settings, that is:
>    - Turn off the GUIDE VOLUME knob all the way down to OFF
>       (even if it's down: check it again, because switching patches could
give it a different default value)
>    - Turn off LOOP SYNC
>    - For each Phrase(1-3): Turn off Temp Sync
>    - From this point on, I don't need to care about any tempo features or
tap tempo bugging me
> - Choose SINGLE MODE (watch that loop sync is still turned off)
> OK, and now we go: I choose PHRASE1 and press the PLAY/REC/OD pedal.
Recording some blues on the keyboard for a round. Now it's time for the
B-Part: I press PHRASE2 pedal and I'm recording B-Part blues piano on
PHRASE2. Pressing the PLAY/REC/OD pedal again puts me in loop playback -
PHRASE2 only. Now it's time for some overdubs: I press PLAY/REC/OD again and
overdub some vocals. (Eeeeehhh..... am I really overdubbing? see more on
that later). Yes it works! :-) Nice quality. And now, back to PHRASE1, some
overdubbing. And just for the heck: a C-Part on PHRASE3, why not? Ok so far,
this was really fun and easy. I think I will use this feature more in future
for some live jamming.
>
> let's get back to...
> THE YELLOWISH GREEN BULB & GREENISH YELLOW BULB (PLAYBACK/OVERDUB)
> One of the most unfortunate "features" (along with barbling tempo sync,
lack of loop decay... etc) is the light bulb on the RECORD/PLAY/OVERDUB
pedal.
> RED BULB: means RECORD. So far, so good.
> "GREEN" BULB: means PLAY. However, this is more of a "YELLOWISH GREEN"
bulb.
> "YELLOW" BULB: means OVERDUB. However, this is more of a "GREENISH YELLOW"
bulb.
> So, I feel pretty stupid during overdubs because I wonder: "Am I really
overdubbing or just wasting my time?". I guess I might develop more
confidence after a while.
>
> MY SECOND LOOP: ORIENTAL 9/8 RYHTYHM WITH TEMPO GUIDE
> Now, you might remember that Roland advertised the RC-50, boasting it's
hundreds of rhythm patterns. I first thought, "what a gimmick". But after
playing around with them a bit, I find them quite useful: If you turn up
GUIDE VOLUME knob and press START GUIDE button, you will here some rhythm.
Pressing the GUIDE EDIT and moving through the parameters, you can define
the meter. And yet - you can even play 13/8 or 7/8 if you like :-))) After
choosing the meter, you can tap the tempo you like or define the tempo by
turning the knob. (Unfortunately, tempo is defined like i.e. 126,7 but
manually you can only set [as far as I've actually discovered] 1-beat-steps
rather than 1/10-beat-steps. This is bad for defining tempo later on. Also,
turning on tempo sync during playback doesn't seem to work, but that's
another story). Then you can pick one of various tasteful rhythm patterns.
AND THEY ARE REALLY NICE! I mean, the first thing I often loop is something
like a hi-hat or bass/snare drum. So, the RC-50 provides you with a good
sounding, minimalist hi-hat or basic drum pattern that will not obscure your
music - unlike that annoying tick-tack-tack-tack of most sequencers... :-)
I was remember a jazz pianist who was fiddling around with an RC-20 during a
jazz concert - and suddenly his metronome went on... tick-tack-tack-tack...
> So, the GUIDE has been the most positive real surprise so far on the RC-50
to me. I think I will really use the simple Hihat2 for synced loops.
> So this is what I did:
> - Choose a new patch and turn all the temp sync etc. stuff off
> - Set up the GUIDE properly, turning the GUIDE VOLUME up
> - Switch to MULTI MODE (stiill make sure that the damn loop sync is turned
off ;-)
> -  Check that the LOOP QUANTIZE light is turned on when I choose a phrase
> And there we go: Let the GUIDE play 9/8 ryhthm (HiHat2) and play some
oriental darbuka for 1 bar on PHRASE1.
> Overdub additional percussion on PHRASE1.
> At this point, it is convenient to turn down the GUIDE VOLUME because I
have enough percussion orientation with my own loops.
> However this is IMPORTANT: do NOT turn the GUIDE completely down to OFF.
Rather, leave at least on "2". Otherwise, the LOOP QUANTIZE will not work!
>
> By the way
> LOOP QUANTIZE
> is really, really very nice :-) I have been so annoyed with Ableton Live
on this: Let's say the exact loop point is 13,2seconds.
> RC-50: If you press PLAY/REC/OD pedal somewhere around 13,2seconds (i.e.
12,8sec or 13,6sec) the loop will be quantized to the exact point 13,2sec.
> ABLETON: Whereas in Ableton Live, hitting the button on i.e. 12,8sec would
result in perfect loop with 13,2seconds but if you are just a little bit too
late (i..e 13,6sec), then you end up waiting until you get to the 26,4sec
point.
> This works really nice on RC-50 :-)
> So, now I move on to PHRASE2 and record some additional patterns over 2
bars and some 8 bar melody on PHRASE 3. Needless to say, all the phrases are
in perfect sync :-))) This is really fun. :-))
> I was first a bit disappointed that there is no "multiply" command.
However, with the three phrases in MULTI MODE and LOOP SYNC, I think I can
live with that.
> Another comment on
> LOOP QUANTIZE
> In MULTI MODE, if you don't want to use a GUIDE but still have three
PHRASES in sync. You can turn off all tempo settings (including Guide) but
just turn on TEMPO SYNC for all three phrases. (Make sure it's a "fresh"
patch, though!). In this case, the first phrase defines the PATCH TEMPO.
When you select the next loops for recording, LOOP QUANTIZE light should
light up. And there you go: Record three loops in perfect sync :-)
> But: DON'T EVER MESS WITH THE TEMPO. You (or at last I ;-) will not be
able to get back to your original tempo. So, in order to avoid this, the
best thing is to re-assign the TEMPO PEDAL with a different function (i.e.
CURRENT PHRASE REVERSE, OVERDUB MODE, ...).
>
> Then, I'd like to push things farther and do some
> SWITCHING BETWEEN PHRASES
> Actually, when I first read about the RC-50, my hope was to be able to use
it much like the "scenes" in Ableton Live: That means you have set of loops
(RC-50: 3 phrases) you are playing simultaneously (RC-50: phrases in multi
mode) and you want to another set of loops (RC-50: patch). So... this
works... kind of.... but not the way I had in mind.... So, the first thing -
if you have your nice set of 3 phrases prepared and you want to had off for
variations is to
> first WRITE PATCH: if you don't write your patch, your loops will be gone
after moving to another phrase.
> second COPY PATCH: ideally, to the next slot, so you are able to use it as
a basis.
> And here comes the first disappointment: IN ORDER TO WRITE PATCHES, YOU
NEED TO STOP ALL PLAYBACK :-( So that means, if you want to do this during
live performance, you have to bounce your loop to a second looping device
(or long delay) before you can stop the RC-50. Not nice - I'll see if it
will work practically.
> So, in order to SWITCH PHRASES you have to keep the TAP TEMPO pedal (or
was it the STOP pedal? I always keep mixing that up - the other is actually
clearing your phrase, so be careful ;-)) pressed for >2 seconds. Then you
are able to switch to the next/previous phrase using the first two pedals.
Does it start playing the second phrase immediately? No, you have actually
to choose a phrase/press play to really play the second patch (I haven't
figured out yet what it is doing really exactly there). So this is the
second disappointment: Switching between patches seems not to be a
press-just-one-button thing. It would be actually great to swtich between
patches (= set of phrases) just like you switch between phrases in the
single mode. Instead it seems to take about 4 pedal pushes to get going at
least. But maybe this process can be optimized.
> So, here the third disappointment: Pressing PHRASE2+PHRASE3 together when
switching to a new patch doesn't seem to start all 3 phrases at the same
time. Again, maybe it is just me. At least on work-around is to set all
three phrases to START SIMULTANEOUSLY (this is a default patch setting),
then if you start one, all will start together.
> Again, over time, I might find a better to optimize this.
>
> Ok, now let's look at the two most concerning aspects of the RC-50: Loop
Decay (or lack thereof) and barbling tempo changes.
>
> LOOP DECAY
> is not available. Period. There is something called FADE OUT. However, I'd
not like to disappoint you: fade out only means that when pressing STOP, the
loop will be faded out instead of stopping abruptly. But his is just for
stop and has nothing to do with decaying loops.
> Just a hint concerning TERMINOLOGY: LOOP DECAY vs. DELAY FEEDBACK
> While historically "feedback" may be a very common term, I think using
"loop decay" might be a better term in this context,. For example, if you
want to convince Roland to put in that feature in a future "RC-50XL", they
might be more open to the idea of "loop decay" rather than "delay
feedback" - which would help them to keep their Looper distinctly apart from
their effect units. Just my thought on this. (don't want to discuss this
here any further).
> Back to FADE OUT, I think you can still use it in some creative way -
especially keeping in mind you have three PHRASES that you can let FADE OUT
one after another, retrigger etc.
>
> BARBLING "EFFECT" WITH TEMPO SHIFT
> Yes this is by far the BIGGEST - the BIGGGEST - disappointment is this:
When you record a loop and you play it at any other tempo rather than it's
original tempo you will get a "barbling sound" (a bit like flanger) that
will make your loop sound really cheap (much worse than low sampling rate).
This has horrible effects (pun) if you want to:
> - use TAP TEMPO to playback your loops along with the tempo of the band
> - record several phrases of various length and TEMPO SYNC them
> - use the RC-50 as a MIDI SYNC SLAVE to another unit.
> There is _no_ half/double tempo button btw, playing half/double speed
sounds just as bad.
> I was actually not so disappointed because I've heard of this "feature"
before getting my RC-50. So the work -around is I guess to
> - _always_  use the RC-50 as MIDI MASTER
> - _always_ use the same exact same tempo for all phrases of a patch (in
multi mode)
> - _never_ change the tempo of the patch
>    (I would even recommend reconfiguring the TEMPO pedal with something
else like i.e. CURRENT PHRASE REVERSE)
> - be _very_ careful with all your timing setttings (see above)
> There is still some hope though: The "barbling effect" didn't sound so bad
with some phrases and worse with others. It would be worthwhile
investigating which sounds are more resistant to tempo shift (possibly
rhythm sounds or sounds with no vibrato?). If you can optimize it, you could
at least find some sounds that will work for tempo shift. It might be also
well investigating if certain frequency ranges are less affected or if
adding i.e. some distortion to the original sound might disguise the effect.
>
> Something about
> MIDI & FOOT CONTROL
> Suppose you have a Behringer Footcontroller. As far as I can understand,
you will be able to use two MIDI expression/volume pedals, i.e. for CURRENT
PHRASE VOLUME & CURRENT PHRASE PAN. However, concerning your MIDI
footswitches, there will be just ONE command. So, correct me if I'm wrong,
but you'll just be able to use ONE footswitch on your WHOLE MIDI board,
assigned to ONE RC-50 command only! This is actually really a joke... To be
fair: I haven't tested any external pedals, so I might be wrong on certain
issues like this (let's hope...)
> There is some good news for FOOT PEDALS though: You can add 4 more
additional regular footswitches to the RC-50. Plus: re-assign the TEMPO and
UNDO pedal (though I would really think twice about removing the UNDO...).
This would give you a pedal with 7+4=11 pedals which is not bad either.
>
>
> SUMMARY
> So to sum it up, if you can live with restrictions (no loop decay,
time-shift problems), the RC-50 is really a GREAT unit that seems a lot of
fun and that I will be using a lot.  It really does have a LOT OF FEATURES
like:
> - 3 CD-quality stereo phrases,
> - really nice LOOP QUANTIZE
> - really big memory (24 minutes CDquality Stereo)
> - "some" MIDI support,
> - download/upload of loops via USB,
> - useful GUIDE (useful sounds and odd meters),
> - robust hardware
> - lot of inputs/outputs
> - and: everything is in a NICE COMPACT 7 PEDAL BOARD.
> It might of course not replace a tool like several EDPs or a Looperlative
(except compact design & memory). Yet, I think there is still a lot of depth
that can be explored, i.e. using foot switches/MIDI pedals for controlling
stuff, using the SUB OUTPUT to send a specific phrase to an effect board...
etc. Another useful aspect (that has nothing to do with looping though ;-)
is to prepare some background tracks on your computer, put them on the RC-50
via USB and play on stage to your background tracks. I think esp. people who
are looking for "band in a box" like features might be attracted to it.
>
> As for future product releases, by just adding some minor improvements
like decent real-time tempo shift and loop decay (also more midi support and
maybe multiply command etc) RC-50 would become even more attractive and make
also "hard-core-loopers" happy. Roland/Boss has proven that they can learn
based on the improvements from RC-20 over RC-20XL to RC-50. A future
"RC-50XL" could really become a killer looper.
>
> Personally, I'm quite new to this forum and not so experienced with
various loopers. So you may need to judge for yourself if the RC-50 is
something for you. Thinking about the affordable price, I would definitely
recommend the RC-50 due to all the features you get in such a compact
format. I believe with experience, we might still find more useful ways how
to operate the RC-50.
> The most important aspect to me: I'm really having a lot of FUN with this
box!! :-))
>
> Buzap
>
> Links:
> RC-50 Manual: http://www.roland.com/manuals/en/index_alpha.html
> RC-50 Homepage: http://www.roland.com/products/en/RC-50/index.html
> -- 
>
>
> Echte DSL-Flatrate dauerhaft für 0,- Euro*!
> "Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  7 01:20:50 2006
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Date: Thu, 06 Jul 2006 21:18:43 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlists for June, 2006
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I'm playing catch up.  Wow, it's been a busy month!!

http://wdiy.org/programs/gt/playlists/2006/060601.html
http://wdiy.org/programs/gt/playlists/2006/060608.html
http://wdiy.org/programs/gt/playlists/2006/060615.html
http://wdiy.org/programs/gt/playlists/2006/060622.html
http://wdiy.org/programs/gt/playlists/2006/060629.html

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, webcasting on the internet, and simulcasting on 
WXLV 90.3
FM in Schnecksville at Lehigh Carbon Count Community College.

                    Show #479                    June 1, 2006

RECAP:
On this show, I utarted a month-long focus on Palancar.  The Featured CD at
Midnight was "Diminishing Light" on Blue Water Records.

The Vinyl Starter was from the LP "Grun" by Konrad Schnitzler on Block 
Records and
released in 1981.

Palancar - http://wdiy.org/programs/gt/playlists/2006/focus.html#jun


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Konrad Schnitzler       Bis Die Blaue Blume      Grun (Block)
                          Bluht
Mark Jenkins            The Stone                Live in the USA (AMP)
VA[Synthetic Block]     In Transit               electro-music 2006 
(electro-music)
Food for Fantasy        The Spirit of Freedom    The Secret of Dreamin' 
(Spheric)
Saul Stokes             Lighthaus                Vast (The Foundry)
Sunya Beat              Drum and Bond            The Jelenia Gora Sessions
                                                   (Ricochet Dream)
Klaus Schulze           Welcome to the Moog      Are You Sequenced? 
(Revisited)
                          Brothers
Klaus Schulze           Vocs in the Dark I       Are You Sequenced? 
(Revisited)
Klaus Schulze           Vocs in the Dark II *    Are You Sequenced? 
(Revisited)

12:00 am
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Palancar                Beginning Again          Diminishing Light (Blue 
Water)
Palancar                How It Feels             Diminishing Light (Blue 
Water)
Palancar                Concergent Lines         Diminishing Light (Blue 
Water)
Palancar                Ethnogenic               Diminishing Light (Blue 
Water)
Palancar                Taputji                  Diminishing Light (Blue 
Water)
Palancar                Crayons and Pillowcases  Diminishing Light (Blue 
Water)
Palancar                Pale Afterbirth          Diminishing Light (Blue 
Water)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on 
Palancar.  The
Featured CD at Midnight will be "Causality."

The Vinyl Starter will be from the LP "Seastones" by Ned Lagin on Round 
Records and
released in 1975.

==============

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, webcasting on the internet, and simulcasting on 
WXLV 90.3
FM in Schnecksville at Lehigh Carbon Count Community College.

                    Show #480                    June 8, 2006

RECAP:
On this show, I continued the month-long focus on Palancar.  The 
Featured CD at
Midnight was "Causality."

The Vinyl Starter was from the LP "Seastones" by Ned Lagin on Round 
Records and
released in 1975.

Palancar - http://wdiy.org/programs/gt/playlists/2006/focus.html#jun


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Binar                   Bride of Spankenstein    Spindragons (Ricochet 
Dream)
VA [Saul Stokes]        Darcy's Charismatic      The Gatherings Vol. 2 
(CIMA of PA)
                          Proton
Steve Jolliffe          Komarno *                Poland (Ricochet Dream)
Thomas Fanger           Jungle Bar               Parlez-vous electronique?
                                                   (Manikin)
Robert Rich and         Geode                    Lithosphere (DiN)
  Ian Boddy

12:00 am
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Robert Rich and         Stone                    Lithosphere (DiN)
  Ian Boddy
Palancar                Aleph Point              Causality (none)
Palancar                Abyssal Plain            Causality (none)
Palancar                Stratified Time          Causality (none)
Palancar                Chronique                Causality (none)
Palancar                Sky River (Rising Star   Causality (none)
                          Edit)
Palancar                Causal Flow              Causality (none)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on 
Palancar.  The
Featured CD at Midnight will be "Broadcasts."

The Vinyl Starter will be preempted by a live, in-studio concert by the 
Ministry of
Inside Things.

==============

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, webcasting on the internet, and simulcasting on 
WXLV 90.3
FM in Schnecksville at Lehigh Carbon Count Community College.

                    Show #481                    June 15, 2006

RECAP:
On this show, I continued the month-long focus on Palancar.  The 
Featured CD at
Midnight was "Broadcasts."

The Vinyl Starter was preempted by a live, in-studio concert by the 
Ministry of
Inside Things.

Ministry of Inside Things - http://wdiy.org/programs/gt/concerts/020620-moit
Palancar - http://wdiy.org/programs/gt/playlists/2006/focus.html#jun


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
The Ministry of Inside  Ricodub                  Live in-studio concert
  Things
MoIT                    Mono Lite                Live in-studio concert
MoIT                    Space Patrol             Live in-studio concert
MoIT                    Gematrial                Live in-studio concert
MoIT                    Guitar String Theory     Live in-studio concert
MoIT                    Stone Garden             Live in-studio concert
MoIT                    Beloved                  Live in-studio concert

12:00 am
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Palancar                Beneath Heavens          Broadcasts (none)
Palancar                Visible Only In Shadows  Broadcasts (none)
Palancar                Obscured                 Broadcasts (none)
Palancar                Hymn for the Ache        Broadcasts (none)
Palancar                Immaterial               Broadcasts (none)
Palancar                The Exalted *            Broadcasts (none)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on 
Palancar.  The
Featured CD at Midnight will be "Elysium Planitia."

The Vinyl Starter will be from the LP "Pergamon" by Tangerine Dream on 
Caroline Records
and released in 1986.

==============

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, webcasting on the internet, and simulcasting on 
WXLV 90.3
FM in Schnecksville at Lehigh Carbon Count Community College.

                    Show #482                    June 22, 2006

RECAP:
On this show, I continued the month-long focus on Palancar.  The 
Featured CD at
Midnight was "Elysium Planitia" on Blue Water Records.

The Vinyl Starter was from the LP "Pergamon" by Tangerine Dream on 
Caroline Records
and released in 1986.

Palancar - http://wdiy.org/programs/gt/playlists/2006/focus.html#jun


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Tangerine Dream         Quichotte Part I *       Pergamon (Caroline)
E=motion                Impulse                  Telepath (none)
VA [Thomas Fanger]      Velvet Beach             E-dition #12 (Groove)
Klaus Schulze           Dzien dobry!             Dziekuje Poland Live '83
                                                   (Revisited)
The Ministry of Inside  Nightscene               Contact Point (Synkronos)
  Things
Jaroslaw Degorski       Megatanika               Organix (none)

12:00 am
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Palancar                abalos undae             Elysium Planitia (Blue 
Water)
Palancar                cydonia mensae           Elysium Planitia (Blue 
Water)
Palancar                elysium mons             Elysium Planitia (Blue 
Water)
Palancar                Aurem chaos              Elysium Planitia (Blue 
Water)
Palancar                valles marineris         Elysium Planitia (Blue 
Water)
Palancar                noctis labyrinthus       Elysium Planitia (Blue 
Water)
Palancar                hellas planitia          Elysium Planitia (Blue 
Water)
Palancar                olympus mons             Elysium Planitia (Blue 
Water)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on 
Palancar.  The
Featured CD at Midnight will be "Momerath" disc one (of two) on Blue 
Water records.

The Vinyl Starter will be from the LP "These Things Happen" by David Van 
Tieghem on
Warner Brothers Records and released in 1984.

==============

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, webcasting on the internet, and simulcasting on 
WXLV 90.3
FM in Schnecksville at Lehigh Carbon County Community College.

                    Show #483                    June 29, 2006

RECAP:
On this show, I concluded the month-long focus on Palancar.  The 
Featured CD at
Midnight was "Momerath" disc one (of two) on Blue Water records.

The Vinyl Starter was from the LP "These Things Happen" by David Van 
Tieghem on
Warner Brothers Records and released in 1984.

Palancar - http://wdiy.org/programs/gt/playlists/2006/focus.html#jun


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
David Van Tirghem       Number One               These Things Happen (Warner
                                                   Brothers)
Create                  Signs of Life            Biospherical Imagery 
(Groove)
VA [Steve Roach]        Approaching Kata Tjula   Chasing the Dawn: 
Ultima Thule
                                                   Ambient Volume 01
Johan Timman            Trip Into the Body       Trip Into the Boady 
(Groove)
E=Motion                Sea Explorer             Hypnotic Sequences (none)
Dan Barrio              Sheath of Bliss          This Physical World (none)

12:00 am
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Palancar                Martin, Son of Arthur    Momerath disc one (Blue 
Water)
Palancar                Children of Earth, Dogs  Momerath disc one (Blue 
Water)
                          of War
Palancar                Noach                    Momerath disc one (Blue 
Water)
Palancar                Dyad                     Momerath disc one (Blue 
Water)
Palancar                Anti-em                  Momerath disc one (Blue 
Water)
Palancar                Ariel                    Momerath disc one (Blue 
Water)
Palancar                Volumetric Field         Momerath disc one (Blue 
Water)
Palancar                Tar Baby                 Momerath disc one (Blue 
Water)
Palancar                The Extraordinary Burn   Momerath disc one (Blue 
Water)
                          of Hatred
Palancar                A Special Time           Momerath disc one (Blue 
Water)
Palancar                Cornflower               Momerath disc one (Blue 
Water)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Numina.  The
Featured CD at Midnight will be "Evolving Visions."

The Vinyl Starter will be from the LP "Snowflakes Are Dancing" by Tomita 
on RCA
Records and released in 1974.

Bill
===============================================================================
Host of Galactic Travels, an electronic, ambient,  and space music show,
Thursdays at 11:04 pm EDT (GMT-4) on WDIY 88.1 FM in Allentown and Bethlehem
and 93.9 FM in Easton and Phillipsburg, 93.7 FM in Trexlertown and 
Fogelsville,
on 92.9 FM, on Service Electric Cable, and on WXLV 90.3 FM in Schnecksville.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
Galactic Travels web site - http://wdiy.org/programs/gt
To subscribe to the galactic-travels mailing list, click on [Join This 
Group!]
at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul  7 04:03:02 2006
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Date: Thu, 06 Jul 2006 23:02:57 -0500
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Is anybody on this list using this:

http://www.circular-logic.com/index.html


If so, what equipment/software are you using it with, and how do you 
like it?

--Josh

From Loopers-Delight-request@loopers-delight.com  Fri Jul  7 05:02:55 2006
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Date: Thu, 06 Jul 2006 22:02:43 -0700
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From: Kevin <kevin@TheNettles.com>
Subject: Re: Circular Logic temp tracker
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At 09:02 PM 7/6/2006, Josh wrote:
>Is anybody on this list using this:
>http://www.circular-logic.com/index.html
>If so, what equipment/software are you using it with, and how do you like it?

This product is the killer app that could make me ditch my EDP for a 
laptop.  Good eye, Josh!

Cheers,
Kevin


The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul  7 07:59:29 2006
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Hi

> Sure.  Does anyone here think you can make an interesting 
> profit on a hardware/software product selling for $80?.  

Well, I was actually thinking of something with medium quality components, not "built like a tank".

But I guess you have to come up with something really cool to justify prices for hardware.
Like, I think these HW controllers are REALLY cool:
- monome: http://monome.org/
- Lemur: http://www.jazzmutant.com/lemur_overview.php

Best regards
Buzap
-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*!
"Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Fri Jul  7 09:39:45 2006
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Date: Fri, 7 Jul 2006 05:39:42 -0400
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I have decided to drop the price a bit on my black face EDP I bought
last year.  It has one minor scratch on the top.  It is in perfect
working condition.  EDP+, Loop IV, Full memory,  comes with manual and
the optional Gibson foot controller.  Now asking only $600.  I am in
the NYC area.

-Mark

From Loopers-Delight-request@loopers-delight.com  Fri Jul  7 12:01:09 2006
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Subject: loop quantization question
Date: Fri, 07 Jul 2006 08:01:02 -0400
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just wanted to check .... with loop quantization on the RC50 (or any other 
looper), once you set loop quantization (as below .. say to 13.2 seconds) 
.... you cannot then record a loop exactly twice as long can you?  ie 26.4 
seconds ?? or three, four, five times as long ?

I know I sound like a salesman here .. but that is the whole reason I 
created my program ..... so I really want to make sure that it is a feature 
that is non-existant in the market so far ... that and loop independence are 
my main selling points.  I also got a patent ... and I want to make sure I 
don't run into the "prior art" argument ..... i.e. someone has a patent for 
that already.

I just find it hard to believe nobody would have thought to make a phrase 
sampler that allows for longer and shorter syncronized loops.  Notice that 
Kid Beyond has Ableton rigged up to do it (I think .. it could just be some 
tricky editing .. or a short enough clip that you dont notice the loops 
becoming undone)... but other than that .... I haven't seen it anywhere.

lemme know --
Aaron


>By the way
>LOOP QUANTIZE
>is really, really very nice :-) I have been so annoyed with Ableton Live
on this: Let's say the exact loop point is 13,2seconds.
>RC-50: If you press PLAY/REC/OD pedal somewhere around 13,2seconds (i.e.
12,8sec or 13,6sec) the loop will be quantized to the exact point 13,2sec.
>ABLETON: Whereas in Ableton Live, hitting the button on i.e. 12,8sec would
result in perfect loop with 13,2seconds but if you are just a little bit too
late (i..e 13,6sec), then you end up waiting until you get to the 26,4sec
point.
>This works really nice on RC-50 :-)

_________________________________________________________________
Don’t just search. Find. Check out the new MSN Search! 
http://search.msn.click-url.com/go/onm00200636ave/direct/01/

From Loopers-Delight-request@loopers-delight.com  Fri Jul  7 12:54:21 2006
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From: "Joshua Morin" <joshua@joshuamorin.com>
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Subject: Can now request Joshua Morin on BOB Fm 93.9 (Ottawa) 
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Just a quick note to let you know that you can now request to hear "Stay a=
way away from me" at BOB Fm 93=2E9 Ottawa at anytime by visiting my websit=
e at http://www=2Ejoshuamorin=2Ecom and clicking on the request tab=2E 

You can also pick up my brand new album called 'Drunk stoned or in love' t=
hrough my secure website or in Ottawa at the following locations:

Chapters (downtown)
613-241-0073
47 Rideau Street, 
Ottawa, ON 

Chapters (West end)
(613) 596-3003
2735 Iris St=2E Pinecrest 
Ottawa, ON 

Chapters (East end)
(613) 613-744-5175
2401 City Park Drive, 
Ottawa, ON 


Thanks and have a great week!
Joshua

Joshua Morin
Artist/Songwriter
Indie-Rock music with a story
http://www=2Ejoshuamorin=2Ecom
http://www=2Emyspace=2Ecom/joshuamorin
joshua@joshuamorin=2Ecom

From Loopers-Delight-request@loopers-delight.com  Fri Jul  7 13:28:40 2006
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> just wanted to check .... with loop quantization on the RC50 (or any =
other
> looper), once you set loop quantization (as below .. say to 13.2 =
seconds)
> .... you cannot then record a loop exactly twice as long can you?  ie =
26.4
> seconds ?? or three, four, five times as long ?

IIRC, on the RC-20, loop quantization happens at measure boundaries.  =
So,
for example, if you have 4 beats/measure at 120 beats/minute, then each
measure takes 2 seconds, and the length of a quantized loop can be any
multiple of 2 seconds.  So if you record something that takes 15.8 =
seconds,
it will insert 0.2 seconds of space before repeating it.

So if my recollection is correct, and I have understood your question
correctly, the answer to your question is yes: You can record a loop =
exactly
twice as long as your quantization setting.


From Loopers-Delight-request@loopers-delight.com  Fri Jul  7 14:08:29 2006
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References: <44ADDCF1.6010305@infinivert.com> <7.0.0.16.0.20060706214603.01a6f480@TheNettles.com>
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I think it could control your EDP too. You'd just have to run a laptop 
in the mix as well.

Of course, if you go to a laptop, you can run Mobius and have something 
like 8 stereo EDPs running at once...  And Mobius will also play nice 
with your existing EDP.

--Josh



Kevin wrote:
> At 09:02 PM 7/6/2006, Josh wrote:
>> Is anybody on this list using this:
>> http://www.circular-logic.com/index.html
>> If so, what equipment/software are you using it with, and how do you 
>> like it?
>
> This product is the killer app that could make me ditch my EDP for a 
> laptop.  Good eye, Josh!
>
> Cheers,
> Kevin
>
>
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  7 14:17:57 2006
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: loop quantization question
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On Jul 7, 2006, at 7:01 AM, aaron leese wrote:
 > I just find it hard to believe nobody would have thought to make a
 > phrase sampler that allows for longer and shorter syncronized loops.
 > Notice that Kid Beyond has Ableton rigged up to do it (I think .. it
 > could just be some tricky editing .. or a short enough clip that you
 > dont notice the loops becoming undone)... but other than that .... I
 > haven't seen it anywhere.

You haven't looked very hard.

You've been able to create parallel loops of different lengths using
several synchronized hardware devices for years.  Go research "brother
sync" on the EDP.  You have been able to do it on the Looperlative
since it became available in January.  You can do it with any hardware
loopers that support MIDI sync.

Go download Mobius, www.zonemobius.com.  It does everything Flylooper
does, except maybe "scratch",  plus about a thousand other things.
So does SooperLooper.  Brew a pot of coffee and read the Max/MSP
manual, people have been using it for synchronized loops for many years.

There are probably others, I don't pay much attention to products  
that don't
specifically bill themselves as "loopers" but there may be more "DJ"  
oriented
programs that are more focused on recording and triggering clips than
doing heavy mutation of the loops like most loopers allow.

In Mobius, there are a variety of ways it can accomplish "longer and
shorter synchronized loops".

1) Track Sync

The start and end points of a track recording can be quantized
to a division of the master loop.  The divisions include:

      loop - the full loop
      cycle - a subdivision of the loop, created when you multiply
      subcycle - a subdivision of the cycle, specified by the user,
       it can be any positive integer divisor

So in the really simple case, set TrackSync to Loop.  Record
a loop in track one, it becomes the master track.  Move to track
two, press Record.  The start of the recording will be delayed
until the master track reaches its start point.  Record as long as
you want, the end of the recording will also be quantized to the
start point of the master track, allowing you to create any multiple
of the master track.

Using Cycle and SubCycle you can create synchronized tracks that are
shorter than the master track.  Either exact divisions, or partial
divisions that will go out of phase but eventually return.

2) MIDI Sync

Fire up a drum machine or sequencer and send MIDI clocks into Mobius.
Using various sync modes that are to complicated to describe here,
you can quantize the start/stop of any recording to a MIDI beat (24  
clocks)
or "bar" which is a user definable number of beats.

3) VST Host Sync

Similar to MIDI sync, but it gets the beat & bar locations from the
VST host, such as Ableton Live, Audio Mulch, etc.

4) Track Copy Timing

There are several methods to create an empty track whose length is
identical to another track.  You can then begin overdubbing into the
new track using a function called "multiply" to create one or more
multiplies of the original size.  There are also "instant multiply"
functions that will immediately make the track 2, 3, or 4 times as long.

To make the new track shorter, there are techniques to splice out
a section of the track at precise quantization boundaries.

5) Bounce Recording

Oh, I'm running out of steam.  You can read about it if you want.
It can accomplish something similar to Track Sync.

5) Scripts

All loop manipulation functions can be performed in user written
scripts.  Functions may be performed at specific times with
sample accuracy.  Very complex copies, multiplications, divisions,
can be implemented and performed instantly with one button press.

 > I also got a patent ... and
 > I want to make sure I don't run into the "prior art" argument .....
 > i.e. someone has a patent for that already.

Really, can you be more specific about what you think it is you  
"invented"?

Jeff


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Hey Aaron,

I hope that your patent isn't just for that function, because yes, it 
does exists in a couple different forms.

In Mobius or the EDP (and I imagine on other loopers minus the Boss 
RC20/50) there is a function called Multiply that you can use to overdub 
a longer loop over a shorter one; ie: to play an 8-bar phrase over a 
1-bar drum loop. For a good example of someone doing this with the EDP, 
check out the videos at http://www.arthurleemusic.com/html/bc.htm -- 
especially the Live Looping 101 video. He does this a lot, and his music 
is really fun!

Also in Mobius (or the Looperlative, if I understand it correctly) you 
can actually record loops of varying lengths (syncronized or not) into 
multiple tracks so that things like output volume, feedback, 
loop-direction, loop-speed, loop-pitch, pan, etc. can be controlled 
independently for different loops.

I'd recommend checking out the manuals for the EDP and the Looperlative 
before you deal with the patent office too much. I've dealt with them 
before, and it can cost you a ton of time and money if you've overlooked 
something that's already out there.

Best wishes to you with your new product!

--Josh



aaron leese wrote:
>
>
> just wanted to check .... with loop quantization on the RC50 (or any 
> other looper), once you set loop quantization (as below .. say to 13.2 
> seconds) .... you cannot then record a loop exactly twice as long can 
> you? ie 26.4 seconds ?? or three, four, five times as long ?
>
> I know I sound like a salesman here .. but that is the whole reason I 
> created my program ..... so I really want to make sure that it is a 
> feature that is non-existant in the market so far ... that and loop 
> independence are my main selling points. I also got a patent ... and I 
> want to make sure I don't run into the "prior art" argument ..... i.e. 
> someone has a patent for that already.
>
> I just find it hard to believe nobody would have thought to make a 
> phrase sampler that allows for longer and shorter syncronized loops. 
> Notice that Kid Beyond has Ableton rigged up to do it (I think .. it 
> could just be some tricky editing .. or a short enough clip that you 
> dont notice the loops becoming undone)... but other than that .... I 
> haven't seen it anywhere.
>
> lemme know --
> Aaron
>
>
>> By the way
>> LOOP QUANTIZE
>> is really, really very nice :-) I have been so annoyed with Ableton Live
> on this: Let's say the exact loop point is 13,2seconds.
>> RC-50: If you press PLAY/REC/OD pedal somewhere around 13,2seconds (i.e.
> 12,8sec or 13,6sec) the loop will be quantized to the exact point 
> 13,2sec.
>> ABLETON: Whereas in Ableton Live, hitting the button on i.e. 12,8sec 
>> would
> result in perfect loop with 13,2seconds but if you are just a little 
> bit too
> late (i..e 13,6sec), then you end up waiting until you get to the 26,4sec
> point.
>> This works really nice on RC-50 :-)
>
> _________________________________________________________________
> Don’t just search. Find. Check out the new MSN Search! 
> http://search.msn.click-url.com/go/onm00200636ave/direct/01/
>
>
>
>

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: loop quantization question
Date: Fri, 7 Jul 2006 15:42:47 +0200
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On Jul 7, 2006, at 14:01, aaron leese wrote:

> just wanted to check .... with loop quantization on the RC50 (or =20
> any other looper), once you set loop quantization (as below .. say =20
> to 13.2 seconds) .... you cannot then record a loop exactly twice =20
> as long can you?  ie 26.4 seconds ?? or three, four, five times as =20
> long ?

Yes, or twice as short. Or shorter or longer according to any musical =20=

division. It all depends on the resolution you set the quantization =20
to - given the looper can cut or multiply loop length this way or =20
apply the length to a new loop being created (I mostly work with the =20
EDP and M=F6bius that both allow you to do a lot to the audio). The =20
question of how long loop you can record is also dependent on how =20
much RAM you have in the looper.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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> From: Joshua Carroll
> I'd recommend checking out the manuals for the EDP and the=20
> Looperlative before you deal with the patent office too much.=20
> I've dealt with them before, and it can cost you a ton of time
> and money if you've overlooked=20

Yes, if you're going to whip out the lawyers, be prepared to have a
few tens of thousands of dollars laying around (that you can risk
losing), and set aside one or two years for distraction, anger,
bitterness, and all those lovely emotions that seem to happen
whenever lawyers are near ;-)

Look, I'm sure it's obvious by now that I wrote Mobius and it may
sound like I'm trying to discourage you, but I've been in the software
business a lot longer than you have and I'm just trying to bring a
little reality to the discussion.

Maybe the reason you didn't think anyone had done this before is
because you were looking at the major software vendors: Native
Instruments, Cakewalk, Steinberg, etc.  and not the "hobbyists" that
do it because they love it and are happy to get an occasional
donation.

Maybe the reason that the major software vendors haven't done this is
because it isn't worth their time?

You've written something really cool, with what appears to be a nice
clean interface that will be a lot easier to understand and use than
some of the existing loopers.  I encourage you to develop it, anything
that makes the world of looping more accessible is fine by me.

How much were you thinking you could make on this?  A million dollars
(10,000 copies at $100)?  No one makes that on software like this.
And don't even think of trying to sell this in the $500 range, people
expect everything short of oral sex from $500 music software.

I've lost interest in trying to measure the size of this market, I can
only relate my own experience.  Mobius is a relatively popular
software looper within our little looping community.  I give it away for
free because I reached a point in my life where I wanted to use my
talents to support the arts (but that's another long story).

There are about 100 people in my Yahoo group, I estimate that maybe
half of those are serious users that would be willing to give me a
donation.  Donations for self-distributed software usually run in the
$50 to $100 range.  Maybe there are 100 more users that just haven't
bothered to join the group.  So that's 150 users at $50 for a grand
total of $7,500.

This is going to sound arrogant, but that isn't a lot of money to most
professional engineers.  It isn't worth my time to go "commercial" for
that kind of return because once people start paying you for software,
they expect a certain level of support and "polish" that I just
don't need to mess with.

Maybe if I took out some ads in Electronic Musician or Guitar Player I
could generate more leads.  But I'm simply not willing to risk
thousands of dollars in advertising on a product that I can barely
give away for free.

Again I do encourage you to continue developing this.  Who knows,
maybe you'll have enough energy for promotion to become wildly
successful.  If so I'll be cheering for you from my little
corner of the looping world.  But I strongly advise that before
you start investing thousands of dollars in advertising=20
(or legal fees) that you have a really good idea of how large
your market is, and what they're willing to pay.

Regards,
Jeff

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Subject: Re: Vedr. RE: Vedr. Re: lap top sync with the hardware looper 
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--- Per Boysen <perboysen@gmail.com> wrote:

> knock
> > it off balance with your playing.  It's like
> playing
> > with a drunk looper.
> 
> Oh yes - that's great fun! (miss my 'peater... sob,
> sniff...)
> Why MIDI sync? What should he sync to when his
> buddies are  
> human musicians!

(miss my human musicians... sob, sniff...)

Greetings from cloudy California. ;)

Mark

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From: mark sottilaro <zerocrossing2001@yahoo.com>
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--- jeff larson <jeff.larson@sailpoint.com> wrote:


> And don't even think of trying to sell this in the
> $500 range, people
> expect everything short of oral sex from $500 music
> software.

Jeff, how did you know I was going to put in for this
as a feature request?  Can it sync to my VST host's
clock too?  Thanks.  What?  Me beta test it? Hm, I'll
get back to you on that.


> But I strongly advise
> that before
> you start investing thousands of dollars in
> advertising 
> (or legal fees) that you have a really good idea of
> how large
> your market is, and what they're willing to pay.


Frankly, I love to pay for the software I use and to
be honest, I've already recieved more and better
support for Mobius than I have for Digital Performer
that I've probably sunk over a grand into.

I'm probably not typical though, but being a person
who makes money off his "art" I'm very sensitive to
the relationship between our culture of the dollar and
the importantce of intellectual property.  I know
dedicated hardware is on it's way out.  It's
inevitable. I still, however, want people to make me
toys.  I want those people to be able to eat, drink,
fuck and buy toys for themselves too.

I'm not sure what the new economy will do for such
things.  While Mobius might not be commercially viable
due to it's nitch market (us) could it be purchased by
a company like Ableton and become a feature in a
bigger product?  It just seems silly to me that people
would pony up $1500 for something like the
Looperlative but expect for a similarly featured
software program to be free.

That's my two cents, now get crack'n on that oral sex
feature!

Mark

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--- Joshua Carroll <josh@infinivert.com> wrote:


> 
> Also in Mobius (or the Looperlative, if I understand
> it correctly) you can actually record loops of
varying > lengths (syncronized or not) into 
> multiple tracks so that things like output volume,
> feedback, loop-direction, loop-speed, loop-pitch,
pan, > etc. can be controlled independently for
different > loops.

You do understand it, the looperlative does indeed
behave that way.

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From Loopers-Delight-request@loopers-delight.com  Fri Jul  7 17:34:39 2006
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> From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]=20
>=20
> > people expect everything short of oral sex from $500 music
> > software.
>=20
> Jeff, how did you know I was going to put in for this
> as a feature request?  Can it sync to my VST host's
> clock too?

Yes, but you have to be really careful with 8thsPerCycle
values above 16.  And you *don't* want to know what
happens if you try an unrounded multiply.

Jeff

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Subject: Re: Circular Logic temp tracker
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I can't imagine this software working well with any
looper that doesn't time stretch/compress audio... and
the only one that does is the Repeater as far as I
know.

Mark

--- Kevin <kevin@TheNettles.com> wrote:

> At 09:02 PM 7/6/2006, Josh wrote:
> >Is anybody on this list using this:
> >http://www.circular-logic.com/index.html
> >If so, what equipment/software are you using it
> with, and how do you like it?
> 
> This product is the killer app that could make me
> ditch my EDP for a 
> laptop.  Good eye, Josh!
> 
> Cheers,
> Kevin
> 
> 
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Fri Jul  7 20:08:48 2006
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Subject: Midi merge and thru
Date: Fri, 7 Jul 2006 12:57:26 -0700
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Thread-Topic: Midi merge and thru
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From: "Veda, Qua" <qua.veda@intel.com>
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 Hi,

 I'd like to use a combination of two programmable midi controllers to
control two hardware devices.   The 2 devices need to receive all the
channel and command data from both controllers.=20

Conceptually, I'd like to know if the following configuration can work:

     programmable=20
      faders&knobs     ---->merge box ----------> IN multi track Looper
       controller
    with 2 midi Outs
             |                  ^
             |                  |
             V                  |
         merge box---------  thru box  <------     programmable
             |                                     foot controller
             |                                      with 1 midi out
             V
      =20
            IN
         multi-bus
         FX processor
  (each bus on different channel)


I think this could be an elegant solution, IF:
The merge box does NOT merge all data to a single channel, just to a
single Midi stream.

Would this work?

-Qua


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<HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Dus-ascii">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
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<TITLE>Midi merge and thru</TITLE>
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<BODY>
<!-- Converted from text/rtf format -->

<P><FONT SIZE=3D2 FACE=3D"Courier New">&nbsp;Hi,</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">&nbsp;I'd like to use a =
combination of two programmable midi controllers to control two hardware =
devices.&nbsp;&nbsp; The 2 devices need to receive all the channel and =
command data from both controllers. </FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">Conceptually, I'd like to know if =
the following configuration can work:</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">&nbsp;&nbsp;&nbsp;&nbsp; =
programmable </FONT>

<BR><FONT SIZE=3D2 FACE=3D"Courier New">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
faders&amp;knobs&nbsp;&nbsp;&nbsp;&nbsp; ----&gt;merge box =
----------&gt; IN multi track Looper</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Courier =
New">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; controller</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Courier New">&nbsp;&nbsp;&nbsp; with 2 midi =
Outs</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Courier =
New">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp; =
|&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ^</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Courier =
New">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp; =
|&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; |</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Courier =
New">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp; =
V&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; |</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Courier =
New">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; merge =
box---------&nbsp; thru box&nbsp; &lt;------&nbsp;&nbsp;&nbsp;&nbsp; =
programmable</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Courier =
New">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp; =
|&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
foot controller</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Courier =
New">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp; =
|&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp; with 1 midi out</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Courier =
New">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp; V</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Courier =
New">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT>

<BR><FONT SIZE=3D2 FACE=3D"Courier =
New">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
IN</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Courier =
New">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; multi-bus</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Courier =
New">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; FX =
processor</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Courier New">&nbsp; (each bus on different =
channel)</FONT>
</P>
<BR>

<P><FONT SIZE=3D2 FACE=3D"Courier New">I think this could be an elegant =
solution, IF:</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Courier New">The merge box does NOT merge all =
data to a single channel, just to a single Midi stream.</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">Would this work?</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">-Qua</FONT>
</P>

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<p><span lang=EN-CA style='mso-ansi-language:EN-CA'>2. Review your recent
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From Loopers-Delight-request@loopers-delight.com  Fri Jul  7 20:27:30 2006
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If I understand correctly, you would have controller 1 and controller
2 both going into a merge box.  Then have the output of the merge box
going into a thru box.  Then have two outputs from the thru box going
into your two devices.  If either of the deivces has a Thru port then
you can skip the thru box and chain the devices together.
=20
Foot controllers sometimes also function as a merge box so depending
on what you have you could eliminate  the merge box too.
=20
There are some devices like the MOTU MicroExpress can serve
as a standalone MIDI patchbay and do both merge and thru in
one box.
=20
Jeff
=20

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Midi merge and thru</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.5346.5" name=3DGENERATOR></HEAD>
<BODY>
<DIV><BR><FONT face=3DArial color=3D#0000ff size=3D2>If I understand =
correctly, you=20
would have controller 1 and controller<BR>2 both going into a merge =
box.&nbsp;=20
Then have the output of the merge box<BR>going into a thru box.&nbsp; =
Then have=20
two outputs from the thru box going<BR>into your two devices.&nbsp; If =
either of=20
the deivces has a Thru port then<BR>you can skip the thru box and chain =
the=20
devices together.</FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2>Foot controllers =
sometimes also=20
function as a merge box so depending<BR>on what you have you could=20
eliminate&nbsp;<SPAN class=3D281232620-07072006>&nbsp;the merge box=20
too.</SPAN></FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2>There are some devices =
like the MOTU=20
MicroExpress can serve<BR>as a standalone MIDI patchbay and do both =
merge and=20
thru in<BR>one box.</FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2>Jeff</FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul  7 22:47:33 2006
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From: cpr@musetrap.com
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Subject: RE: Midi merge and thru
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due to the MIDI datarate, each merge point will add a minimum of 1ms delay, for
standard MIDI msgs... a little less if running status is used... not that it's
important in this case, but I thought it's important to remember. :)

-cpr

Quoting jeff larson <jeff.larson@sailpoint.com>:

> 
> If I understand correctly, you would have controller 1 and controller
> 2 both going into a merge box.  Then have the output of the merge box
> going into a thru box.  Then have two outputs from the thru box going
> into your two devices.  If either of the deivces has a Thru port then
> you can skip the thru box and chain the devices together.
>  
> Foot controllers sometimes also function as a merge box so depending
> on what you have you could eliminate  the merge box too.
>  
> There are some devices like the MOTU MicroExpress can serve
> as a standalone MIDI patchbay and do both merge and thru in
> one box.
>  
> Jeff
>  
> 




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From Loopers-Delight-request@loopers-delight.com  Sat Jul  8 10:59:00 2006
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	 I'd like to use a combination of two programmable midi controllers
to control two hardware devices.   The 2 devices need to receive all the
channel and command data from both controllers. 

First, MIDI merge normally merges everything to one stream as you call it,
NOT to one channel (normally means that some programmable patchbays can do
this if you specifically instruct them to do so), so no problem here.

Question #1: Would your application also work the following way?

Foot Controller		Looper
	|			 |
	|			 |
	|			 |
   (merge)-----------> (thru)
	|			 |
	|			 |
	|			 |
  Fader Box			MultiFX

This way, you would save one merge box. Get one which has two outs, and you
only need one device for your MIDI routing.

Another possibility (as already mentioned) would be to use a fader box or
foot controller which offers MIDI merge and then use the MultiFX's or
looper's MIDI thru if available for something like this:


Foot controller ----> Fader Box -----> MultiFX (thru out) -----> Looper

Have you already decided on your fader box and foot controller? Some fader
boxes will do what you intend to do here...Behringer's BCR2000 offers one
standalone mode where it will merge MIDI from the MIDI in with the MIDI data
from the fader box and send it to both outputs...exactly what you need.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Jul  8 17:50:49 2006
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Date: Sat, 8 Jul 2006 12:50:46 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
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also i was thinking if anyone wanted to trade anything, thats cool
too...i'll take almost anything rackgear or effectwise, and electrix
stuff would be awesome :)

Charlie


On 6/26/06, Charlie Milkey <pilotcp@gmail.com> wrote:
> Hello Fellow loopers,
>
> i am putting my Lexicon MPX200 up for sale, i find that i am looping
> with more clean sounds out of my bass, and 1-2 effect processors, so i
> am going to cut down my rig into one good effect processor and one
> good looper :)
>
>
> for some info, click here -> http://www.lexiconpro.com/mpx200/index.asp
>
> it is in mint condition, its been racked since day one
>
>
> i am asking $120 plus shipping :)
>
> if anyone wants more info, feel free to email me!
>
> Charlie
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul  8 22:58:15 2006
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Good to know.

Believe me ... though I want nothing more than to quit my day job and sit 
around playing music all day ... I haven't been expecting to get rich off 
this ..... I still have the job, and really just want a looper that will do 
certain things.

The patent is provisional .. no real investment, just wanted it in case.  
Lawyers make me queasy ... and poor to boot.... and I think I could forego 
most any feature if oral sex were added as a plugin somewhere.

Sounds like I need to check out Mobius .... and maybe a few other things as 
well.  If Mobius does everything I want then I will probably stop spending 
all my free time fighting with my computer and just use Mobius...

PS - speaking of fighting with computers, does anyone know an easy method 
for reading midi device messages in C# ?  New territory for me ... and I 
really like the idea of user assignable functions for arbitrary midi keys.



>From: "jeff larson" <jeff.larson@sailpoint.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: RE: loop quantization question
>Date: Fri, 7 Jul 2006 11:54:18 -0500
>
> > From: Joshua Carroll
> > I'd recommend checking out the manuals for the EDP and the
> > Looperlative before you deal with the patent office too much.
> > I've dealt with them before, and it can cost you a ton of time
> > and money if you've overlooked
>
>Yes, if you're going to whip out the lawyers, be prepared to have a
>few tens of thousands of dollars laying around (that you can risk
>losing), and set aside one or two years for distraction, anger,
>bitterness, and all those lovely emotions that seem to happen
>whenever lawyers are near ;-)
>
>Look, I'm sure it's obvious by now that I wrote Mobius and it may
>sound like I'm trying to discourage you, but I've been in the software
>business a lot longer than you have and I'm just trying to bring a
>little reality to the discussion.
>
>Maybe the reason you didn't think anyone had done this before is
>because you were looking at the major software vendors: Native
>Instruments, Cakewalk, Steinberg, etc.  and not the "hobbyists" that
>do it because they love it and are happy to get an occasional
>donation.
>
>Maybe the reason that the major software vendors haven't done this is
>because it isn't worth their time?
>
>You've written something really cool, with what appears to be a nice
>clean interface that will be a lot easier to understand and use than
>some of the existing loopers.  I encourage you to develop it, anything
>that makes the world of looping more accessible is fine by me.
>
>How much were you thinking you could make on this?  A million dollars
>(10,000 copies at $100)?  No one makes that on software like this.
>And don't even think of trying to sell this in the $500 range, people
>expect everything short of oral sex from $500 music software.
>
>I've lost interest in trying to measure the size of this market, I can
>only relate my own experience.  Mobius is a relatively popular
>software looper within our little looping community.  I give it away for
>free because I reached a point in my life where I wanted to use my
>talents to support the arts (but that's another long story).
>
>There are about 100 people in my Yahoo group, I estimate that maybe
>half of those are serious users that would be willing to give me a
>donation.  Donations for self-distributed software usually run in the
>$50 to $100 range.  Maybe there are 100 more users that just haven't
>bothered to join the group.  So that's 150 users at $50 for a grand
>total of $7,500.
>
>This is going to sound arrogant, but that isn't a lot of money to most
>professional engineers.  It isn't worth my time to go "commercial" for
>that kind of return because once people start paying you for software,
>they expect a certain level of support and "polish" that I just
>don't need to mess with.
>
>Maybe if I took out some ads in Electronic Musician or Guitar Player I
>could generate more leads.  But I'm simply not willing to risk
>thousands of dollars in advertising on a product that I can barely
>give away for free.
>
>Again I do encourage you to continue developing this.  Who knows,
>maybe you'll have enough energy for promotion to become wildly
>successful.  If so I'll be cheering for you from my little
>corner of the looping world.  But I strongly advise that before
>you start investing thousands of dollars in advertising
>(or legal fees) that you have a really good idea of how large
>your market is, and what they're willing to pay.
>
>Regards,
>Jeff
>

_________________________________________________________________
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I was just reading the Looper "Tools of the Trade" website...

Is it still true that laptop computers and software are considered
"non-real-time" devices? As stated at the website? Is it still true that
there are latency problems, even with the most recent laptop speeds? It
seems to me that if one is wanting a *delay* effect, latency should not be a
problem anyway (since the live signal could be routed to a sound system
directly...).

I would like to get the best live looping device, but it is hard to accept
the price of the Gibson Echoplex at $999, when a laptop - altho more money -
can do 100s of things besides looping...

Can someone enlighten me, please?
-- 
Ernie Mansfield
Mansfield Music
--
http://www.mansfieldmusic.com
ernie@mansfieldmusic.com 

From Loopers-Delight-request@loopers-delight.com  Sun Jul  9 03:13:16 2006
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: Update on Live Sound Devices?
Date: Sat, 8 Jul 2006 22:13:10 -0500
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On Jul 8, 2006, at 8:37 PM, Ernie Mansfield wrote:

 > Is it still true that laptop computers and software are considered
 > "non-real-time" devices? As stated at the website? Is it still  
true that
 > there are latency problems, even with the most recent laptop  
speeds? It
 > seems to me that if one is wanting a *delay* effect, latency  
should not be a
 > problem anyway (since the live signal could be routed to a sound  
system
 > directly...).

Welcome!  You've stepped into a frequently recurring debate here
on this wonderful list.  It's one of those Fender vs. Gibson,
Emacs vs. Vi, York vs. Sargent debates that every list seems to have.

Here, this is usually referred to as the "software vs. hardware" debate.

I'm on the software side, though I see it as less of a debate, and
more of a balancing act among the features you desire.

In my opinion, the term "real-time" no longer has any significant
meaning.  The only important issues are "stability" and to
a much lesser extent "latency".

The so called real-time systems (more commonly called "dedicated
hardware" systems) can achieve lower latency than a laptop running a
non-real-time OS.  This is not disputed.  But laptops have become
pretty darn good over the years.  With a modern computer, a good sound
card and ASIO drivers you can expect to achieve latency on the order of
5 milliseconds or less.  Most people have a hard time detecting
latency below 10ms, and of those that can, many are able to compensate
for it, in the same way that you compensate for the position of your
monitor speaker, or the size of the concert hall.  But if you are in
your bedroom playing guitar wearing headphones, it can be noticeable.

You are correct that with delay effects latency can be completely
eliminated provided that the software can compensate for it, and that
the amount of latency has been accurately calibrated.  Latency is only
an issue only when there is an abrupt change in what is being played.
Examples include a keyboardist playing a soft-synth, or a looper
triggering pre-recorded loops by pouncing on a footswitch.

The most important issue IMO is the one of stability.  Dedicated
hardware devices almost always just work when you plug them in, the
same way every day.  Laptops are fragile ecosystems that break when
you drop them, and can change behavior every time you install new
software.

Hardware is often preferred by those that gig frequently because
they are more reliable.  The downside is that they can be bigger,
heavier, harder to transport, and harder to repair.

Software is often preferred by "experimental" and "bedroom" musicians
that like the mind-blowing amount of options you have with modern
music software, and are willing to deal with the stability issues of a
laptop.

Jeff

From Loopers-Delight-request@loopers-delight.com  Sun Jul  9 03:31:41 2006
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At 08:13 PM 7/8/2006, Jeff wrote:
>Welcome!  You've stepped into a frequently recurring debate here
>on this wonderful list.  It's one of those Fender vs. Gibson,
>Emacs vs. Vi, York vs. Sargent debates that every list seems to have.

You hit William Gibson with your car?  Steve Vai was on the Bernie 
Mac Show?  Sgt. York is fighting with himself?  And they make 
lists?  Of what? Gee, what is going ONNnnnnnnn.....?!

From Loopers-Delight-request@loopers-delight.com  Sun Jul  9 08:04:15 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Update on Live Sound Devices?
Date: Sun, 9 Jul 2006 02:02:00 -0600
To: Loopers-Delight@loopers-delight.com
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>
> Welcome!  You've stepped into a frequently recurring debate here
> on this wonderful list.  It's one of those Fender vs. Gibson,
> Emacs vs. Vi, York vs. Sargent debates that every list seems to have.
>
> Here, this is usually referred to as the "software vs. hardware"=20
> debate.

I mentioned this a few times. It is absolutely absurd that there is a=20
differentiation. Hardware uses software, software needs hardware. No=20
response from Kim from my emails.

>
> Hardware is often preferred by those that gig frequently because
> they are more reliable.  The downside is that they can be bigger,
> heavier, harder to transport, and harder to repair.


I think that I gig as frequently as many on this list and I definitely=20=

prefer software.


>
> Software is often preferred by "experimental" and "bedroom" musicians
> that like the mind-blowing amount of options you have with modern
> music software, and are willing to deal with the stability issues of a
> laptop.


To lump "bedroom" and "experimental" together seems a bit demeaning to=20=

those that live and work in the world outside the bedroom..... whereas=20=

I do certainly practice sometimes in my bedroom, I live in the gigging=20=

world....

best regards!

jeff


Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


From Loopers-Delight-request@loopers-delight.com  Sun Jul  9 14:23:48 2006
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Subject: Re: Update on Live Sound Devices?
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On Jul 9, 2006, at 3:02 AM, Jeff Kaiser wrote:

 > To lump "bedroom" and "experimental" together seems a bit  
demeaning to
 > those that live and work in the world outside the bedroom.....

I said "often preferred by" not "only used by".  Maybe "studio" would
have been a better word choice than "bedroom".  Still, I would be  
willing
to bet that the vast majority of those on this list that gig outside the
studio use dedicated hardware.  It would be an interesting ePoll.

Jeff

From Loopers-Delight-request@loopers-delight.com  Sun Jul  9 21:19:57 2006
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Thanks to everyone for the very helpful advice.  I see now that by using
the thru ports on one of the devices, I would only need one merge box to
accomplish my plan.

-Qua
=20

From Loopers-Delight-request@loopers-delight.com  Sun Jul  9 22:27:08 2006
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I'm no MIDI expert, but a bit of warning...
If the foot controller you mention is the FCB1010, don't count on it's
merge/thru capabilities.  As it comes from the factory, there are bugs
in the MIDI merge that make it useless for this purpose.  (An
aftermarket firmware upgrade solves this issue, but it's easier just
to use an external merge box.)

Hope this helps you avoid some headaches.
Todd


On 7/9/06, Veda, Qua <qua.veda@intel.com> wrote:
> Thanks to everyone for the very helpful advice.  I see now that by using
> the thru ports on one of the devices, I would only need one merge box to
> accomplish my plan.
>
> -Qua
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul  9 22:57:50 2006
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I upgraded to LoopIV a while back and have no need for
these anymore. Just pay me a buck or two for S&H and
they're yours! Contact me off list if you're interested.
Thanks.

Sam Rogers
One Mouth Band

Website: www.OneMouthBand.com 
New CD: www.OrganicHumanMusic.com
EPK: www.sonicbids.com/SamRogers

From Loopers-Delight-request@loopers-delight.com  Mon Jul 10 00:33:14 2006
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Try http://www.codeproject.com/cs/media/MIDIToolkit.asp.  Works like a
champ, but you will have to code a little extra for device messages...

-----Original Message-----
From: aaron leese [mailto:aaronleese@hotmail.com] 
Sent: Saturday, July 08, 2006 3:58 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: loop quantization question


Good to know.

Believe me ... though I want nothing more than to quit my day job and sit 
around playing music all day ... I haven't been expecting to get rich off 
this ..... I still have the job, and really just want a looper that will do 
certain things.

The patent is provisional .. no real investment, just wanted it in case.  
Lawyers make me queasy ... and poor to boot.... and I think I could forego 
most any feature if oral sex were added as a plugin somewhere.

Sounds like I need to check out Mobius .... and maybe a few other things as 
well.  If Mobius does everything I want then I will probably stop spending 
all my free time fighting with my computer and just use Mobius...

PS - speaking of fighting with computers, does anyone know an easy method 
for reading midi device messages in C# ?  New territory for me ... and I 
really like the idea of user assignable functions for arbitrary midi keys.



>From: "jeff larson" <jeff.larson@sailpoint.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: RE: loop quantization question
>Date: Fri, 7 Jul 2006 11:54:18 -0500
>
> > From: Joshua Carroll
> > I'd recommend checking out the manuals for the EDP and the
> > Looperlative before you deal with the patent office too much.
> > I've dealt with them before, and it can cost you a ton of time
> > and money if you've overlooked
>
>Yes, if you're going to whip out the lawyers, be prepared to have a
>few tens of thousands of dollars laying around (that you can risk
>losing), and set aside one or two years for distraction, anger,
>bitterness, and all those lovely emotions that seem to happen
>whenever lawyers are near ;-)
>
>Look, I'm sure it's obvious by now that I wrote Mobius and it may
>sound like I'm trying to discourage you, but I've been in the software
>business a lot longer than you have and I'm just trying to bring a
>little reality to the discussion.
>
>Maybe the reason you didn't think anyone had done this before is
>because you were looking at the major software vendors: Native
>Instruments, Cakewalk, Steinberg, etc.  and not the "hobbyists" that
>do it because they love it and are happy to get an occasional
>donation.
>
>Maybe the reason that the major software vendors haven't done this is
>because it isn't worth their time?
>
>You've written something really cool, with what appears to be a nice
>clean interface that will be a lot easier to understand and use than
>some of the existing loopers.  I encourage you to develop it, anything
>that makes the world of looping more accessible is fine by me.
>
>How much were you thinking you could make on this?  A million dollars
>(10,000 copies at $100)?  No one makes that on software like this.
>And don't even think of trying to sell this in the $500 range, people
>expect everything short of oral sex from $500 music software.
>
>I've lost interest in trying to measure the size of this market, I can
>only relate my own experience.  Mobius is a relatively popular
>software looper within our little looping community.  I give it away for
>free because I reached a point in my life where I wanted to use my
>talents to support the arts (but that's another long story).
>
>There are about 100 people in my Yahoo group, I estimate that maybe
>half of those are serious users that would be willing to give me a
>donation.  Donations for self-distributed software usually run in the
>$50 to $100 range.  Maybe there are 100 more users that just haven't
>bothered to join the group.  So that's 150 users at $50 for a grand
>total of $7,500.
>
>This is going to sound arrogant, but that isn't a lot of money to most
>professional engineers.  It isn't worth my time to go "commercial" for
>that kind of return because once people start paying you for software,
>they expect a certain level of support and "polish" that I just
>don't need to mess with.
>
>Maybe if I took out some ads in Electronic Musician or Guitar Player I
>could generate more leads.  But I'm simply not willing to risk
>thousands of dollars in advertising on a product that I can barely
>give away for free.
>
>Again I do encourage you to continue developing this.  Who knows,
>maybe you'll have enough energy for promotion to become wildly
>successful.  If so I'll be cheering for you from my little
>corner of the looping world.  But I strongly advise that before
>you start investing thousands of dollars in advertising
>(or legal fees) that you have a really good idea of how large
>your market is, and what they're willing to pay.
>
>Regards,
>Jeff
>

_________________________________________________________________
Express yourself instantly with MSN Messenger! Download today - it's FREE! 
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 10 04:36:09 2006
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To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>,
	<vaguediscuss@vagueterrain.net>
Subject: the PiNG presents Canartic and InsideAMind
Date: Mon, 10 Jul 2006 00:38:09 -0400
Organization: THE AMBiENT PiNG
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AMBiENT PiNG RADiO iS JUST A CLiCK AWAY @:
http://www.ambientpingradio.com
more info here: http://www.theambientping.com/radio.html

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

THE AMBiENT PiNG  .  http://www.theambientping.com
presents AMBiENT PiNG TUESDAYS =20
@ HACiENDA . 794 Bathurst Street at Bloor . Toronto=20
(NW corner, upstairs across from the Bathurst subway station)=20
Doors open at 9pm . 1st set at 9:30 . PayWhatYouCan=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

THiS Tuesday July 11th . Canartic and InsideAMind

Austin's Jon Coats and Randall Peterson formed Canartic with=20
bass player Gerard Smith in 2002. Canartic utilize dub and=20
downtempo styles as guides to collage electronic shapes around=20
simple grooves. The chilled results are then injected with a dose=20
of psychedelia, courtesy of heavily processed guitar. Finally,=20
samples round out the mix, providing listeners with hints to the=20
ideas behind the music. Live, Canartic perform as a duo, with=20
Coats dub mixing in real time from hard disk, and Peterson=20
adding treatments and his processed guitar.=20
http://www.dankdisk.com

As the definition of the word "DJ" continues to expand,=20
INSIDEaMIND emerges in Toronto as a four man scratch band,=20
further stretching artistic boundaries by performing live original=20
compositions with vinyl. The scratch musicians, as they call=20
themselves, bring forth a unique angle to what a group of=20
DJ's/Producers armed with instruments called turntables can=20
create. By developing outside the often limiting battle-oriented=20
mindframe that scratching is too often associated with, the=20
crew is bringing new life to this ever evolving artform.
http://insideamind.net

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

Before Sets CD . "The Truth In Me" by Roger O'Donnell
This week we feature former Cure keyboardist Roger O'Donnell's=20
splendid solo record which was inspired by and created with a=20
Moog Voyager synthesizer. Definitely not a concept album,=20
rather a concept for an album as it was a re-visiting of his=20
early days of composing using limited equipment, but now=20
with 25 years of influence and experience to draw upon.=20
It's definitely a voyage worth taking. http://www.rogerodonnell.com

Between Sets CD . "Momentium" by Jeffrey Koepper
Visit http://www.pingthings.com/KOEPPERmomentium.htm=20
to find out more about this week's between set CD and tune in to=20
ping things radio every Sun & Wed from 9pm to 12 midnight EST=20
at http://www.ambientpingradio.com
to hear music from this and other discs in the ping things catalogue.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . =20

COMiNG Tuesday July 18th . GeekWeekend featuring=20
Robert Hoare (Berlin, Germany) and Steven Sauv=E9=20
(Hamilton, ON) with Eric St-Laurent

After a year's absence from the bright lights, Geek Weekend=20
(Rob Hoare and Steven Sauv=E9) returns for another evening of=20
slightly ludicrous, but wholly entertaining noises. They will also=20
be welcoming intrepid guitarist Eric St-Laurent for an added=20
touch of badly needed class.

Geek Weekend? Two brains, two computers, and virtually=20
no restraint! And a guitar too!

Come and hear cryptic phrases and mysterious pronouncements.
Thrill to the ambiguity of the English language.
Smoke (outside of course)! Drink! And be kind to each other.

Rob Hoare: http://www.robhoare.de
Steven Sauv=E9: http://www.karmafarm.ca
Eric St-Laurent: http://www.ericst-laurent.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

* Other Toronto area sonic/visual events of interest this week:

* Wednesday July 12 . The Mirobolus String Trio
   featuring Bret Higgins (bass), Monica Fedrigo (cello) and=20
   special guest musician Aleksandar Gajic (violin) =20
   9:30pm . The Rex Jazz and Blues Bar . $5.00
  =20
* Thursday July 13th . Improvisors' Pool
   The improvisors' pool is a weekly gathering for musicians=20
   who practice collective free improvisation. It welcomes players=20
   of all levels and backgrounds.
   7:00-9:00 . Ralph Thornton Centre 765 Queen Street East =20

* Friday July 14th . AIMT Presents in association with=20
   Arraymusic presents The Leftover Daylight Series
   9:00 arthur/ aucoin/ grossman/ piilonen [marion arthur (cello)=20
   marcel aucoin (paino) ben grossman (hurdy gurdy)=20
   rob piilonen (flute)]
   10:00 3 duos [julie lassonde (corporeal mime) joe sorbara=20
   (drums, percussion) scott thomson (trombone)]  =20
   11:00 katzin/ haley/ peterson [elie katzin (guitar) geordie haley=20
   (guitar) scott peterson (bass)]
   9pm . the arraymusic studio (60 atlantic ave, suite 218) . $10/$6

* Sunday July 16th . AIMT Presents in association with=20
   the Now Lounge presents the Now Series=20
   4pm: John Kameel Farah/ Attila Fias, keyboards
   5pm: Breaking Sounds w/Rob Piilonen - Compositions & Flute;=20
   Josh van Tassel - Percussion, Sampler; Ashley Wey - Keyboard;
   Mitch Yolevsky - Clarinet
   6pm: Tim Turvey Trio w/Tim Turvey, drums, Paul Newman,=20
   saxophones, Michael Morse, bass
   4 - 7 pm . The Now Lounge (189 church street) . $6
  =20
* Sunday July 16th . geordie haley's everytime band
   anchored by geordie's compositions the group includes=20
   evan shaw's ground breaking saxophone, paul donat's world
   travelling bass, christine duncan' s stellar vocals, award=20
   winning drummer jean martin and the amazing keys and=20
   flute of ryan driver
   9:30 pm . The Rex
  =20
* Fertile Ground brings Lynn Harrigan's Moon Sea Crossing=20
   to life in this one-woman show premiering at the Toronto=20
   Fringe Festival with live ambient music performed=20
   by Scott M2 of dreamSTATE.
   Monday, July 10 - 11:00 pm . Tuesday, July 11 - 1:00 pm
   Thursday, July 13 - 7:30 pm . Saturday, July 15 - 5:15 pm
   Factory Studio Theatre 125 Bathurst Street (at Adelaide)
   Tickets: $9.00 - Fringe Hotline (416) 966-1062

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

THE AMBiENT PiNG is a social sound/art event presenting live=20
performances by Toronto's finest ambient, chillout, improv and=20
experimental music artists plus performers from around the world,=20
every Tuesday evening at HACiENDA . 794 Bathurst Street at Bloor.=20
http://www.theambientping.com=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

Please forward this e-mail to any friends who may be interested in=20
live ambient, chillout and experimental music performances or to=20
any of your appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 10 15:54:25 2006
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Subject: Do you hear that sound? noisy FCB 1010!
References: <44A3E805.3000005@dadaprod.org>	<3B760999C264454D82652640BB74075C0AB471@keel.sailpoint.com>	<6.1.0.6.2.20060703024818.01c647f8@mail.wightman.ca>	<D7AF244E-417F-4F25-B14F-FC232980D7CC@zonemobius.com>	<44AA7AA3.9020903@dadaprod.org> <20060704164503.v94g1hjusg40gogw@www.wightman.ca>
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Does your FCB 1010 produce the same frequency?

ftp://ftp2.dadaprod.org/dadaprod/FCB_1010.mp3

cheers

stéphane

-- 

_____________________________________________________________________
plateforme de téléchargement libre, label autogéré, média indépendant
-----------------------
http://www.dadaprod.org
_____________________________________________________________________

From Loopers-Delight-request@loopers-delight.com  Mon Jul 10 16:15:08 2006
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Subject: Re: Do you hear that sound? noisy FCB 1010!
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Steph,

Mine doesn't do that, but there's been some discussion about that 
problem over on the FCB1010 Yahoo group.  I believe one solution was to 
put some padding between the housing and the bottom panel.  I hope that 
helps!

--Josh



sonic steph wrote:
> Does your FCB 1010 produce the same frequency?
>
> ftp://ftp2.dadaprod.org/dadaprod/FCB_1010.mp3
>
> cheers
>
> stéphane
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 10 16:28:47 2006
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>>Does your FCB 1010 produce the same frequency?<<

have you tried kicking it? sounds like mains hum..... maybe the power
transformer has loose windings...... I'm assuming this is acoustic noise.
tap it gently with y'r best foot-controller foot forward, on the top near
where the mains lead goes in.

d.


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<P><FONT SIZE=3D2>&gt;&gt;Does your FCB 1010 produce the same frequency?&lt=
;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>have you tried kicking it? sounds like mains hum..... may=
be the power transformer has loose windings...... I'm assuming this is acou=
stic noise.</FONT></P>

<P><FONT SIZE=3D2>tap it gently with y'r best foot-controller foot forward,=
 on the top near where the mains lead goes in.</FONT>
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<P><FONT SIZE=3D2>d.</FONT>
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At 17:15 10/07/2006, you wrote:
>>Here, this is usually referred to as the "software vs. hardware" debate.

>I mentioned this a few times. It is absolutely absurd that there is 
>a differentiation.

the other Jeff explains it well (imho)

>Hardware uses software, software needs hardware.

(not sure this is relevant to your point...but)


If only......


however, not all hardware uses software.
...and there are certain hardware devices that are particularly
intractable when you try and make a software emulation.

Any form of distortion for instance. It's easy in analog,
but to copy that digitally is very much harder, and I suspect
that an exact representation is actually impossible.

Filters also tend to sound different in their digital version,
even if their signature  sound isn't affected by distortion ( which 
it often is).

With a hardware digital delay (or flanger/phaser) it's possible to 
modulate the clock
frequency of the device. In the software/digital domain you'd have to 
use sample
rate conversion, which can alter the sound rather nastily (unless your willing
to do it non-real time)

These problems with digital get less as you increase the sample rate,
but the state of the art at the moment is that there's a very real difference.


That's not saying that analog is superior though, there's things that
can be done digitally that would never be practical (or would even be 
impossible) in analog.

andy butler
www.mathons.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 10 17:40:17 2006
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Subject: RE: Update on Live Sound Devices?
Date: Mon, 10 Jul 2006 10:38:57 -0700
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I think that the  s/w vs. h/w   choice today is mostly influenced by
ergonomics, budget, convenience, as much as capability and usefulness
for looping.

-Qua

From Loopers-Delight-request@loopers-delight.com  Mon Jul 10 22:14:09 2006
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Do you hear that sound? noisy FCB 1010!
In-reply-to:
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and if it's not that, maybe it's a ground loop. try lifting the ground by
using a 3-prong-to-2-prong adapter.
 
 
Best wishes,
Warren Sirota

-----Original Message-----
From: goddard.duncan@mtvne.com [mailto:goddard.duncan@mtvne.com] 
Sent: Monday, July 10, 2006 12:29 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Do you hear that sound? noisy FCB 1010!



>>Does your FCB 1010 produce the same frequency?<< 

have you tried kicking it? sounds like mains hum..... maybe the power
transformer has loose windings...... I'm assuming this is acoustic noise.

tap it gently with y'r best foot-controller foot forward, on the top near
where the mains lead goes in. 

d. 



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<DIV><SPAN class=156281522-10072006><FONT face=Arial color=#0000ff size=2>and if 
it's not that, maybe it's a ground loop. try lifting the ground by using a 
3-prong-to-2-prong adapter.</FONT></SPAN></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV align=left><FONT face=Arial size=2>Best wishes,</FONT></DIV>
<DIV align=left><FONT face=Arial size=2>Warren Sirota</FONT></DIV>
<BLOCKQUOTE 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT 
  face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> 
  goddard.duncan@mtvne.com [mailto:goddard.duncan@mtvne.com] <BR><B>Sent:</B> 
  Monday, July 10, 2006 12:29 PM<BR><B>To:</B> 
  Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> RE: Do you hear that 
  sound? noisy FCB 1010!<BR><BR></FONT></DIV>
  <P><FONT size=2>&gt;&gt;Does your FCB 1010 produce the same 
  frequency?&lt;&lt;</FONT> </P>
  <P><FONT size=2>have you tried kicking it? sounds like mains hum..... maybe 
  the power transformer has loose windings...... I'm assuming this is acoustic 
  noise.</FONT></P>
  <P><FONT size=2>tap it gently with y'r best foot-controller foot forward, on 
  the top near where the mains lead goes in.</FONT> </P>
  <P><FONT size=2>d.</FONT> </P><CODE><FONT 
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--Boundary_(ID_YW/tThVgK/CzPAhuMb2/BQ)--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 10 23:30:40 2006
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Date: Mon, 10 Jul 2006 16:30:38 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Livelooping by Andy Butler..
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Got my Livelooping CD from Andy Butler last week and
it's  been on my iPod's playlist ever since.  Great
Album.  A must listen for anyone who's doing live
looping or just wants to hear some excellent music.

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 11 00:55:27 2006
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From: "raul bonell" <RAULBONELL@telefonica.net>
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Subject: test - ignore
Date: Tue, 11 Jul 2006 02:55:21 +0200
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Just testing my mail provider... seems to be loosing almost all lists =
mails i'm subscribed to... or are you all on vacancy?

The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
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<DIV><FONT face=3DArial size=3D2>Just testing my mail provider... seems =
to be=20
loosing almost all lists mails i'm subscribed to... or are you all on=20
vacancy?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><BR>The Playing Orchestra: <A=20
href=3D"http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web=
2/tpo</A><BR>Chain=20
Tape Collective: <A=20
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</A></F=
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 11 14:59:36 2006
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From: goddard.duncan@mtvne.com
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Subject: r.i.p. syd barrett
Date: Tue, 11 Jul 2006 15:59:31 +0100
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http://www.timesonline.co.uk/article/0,,2-2265034,00.html

duncan.


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<P><FONT SIZE=3D2><A HREF=3D"http://www.timesonline.co.uk/article/0,,2-2265=
034,00.html" TARGET=3D"_blank">http://www.timesonline.co.uk/article/0,,2-22=
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<P><FONT SIZE=3D2>duncan.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 11 15:20:37 2006
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Date: Tue, 11 Jul 2006 11:20:52 -0400
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Yeah, RIP. These things come out of the the blue and hit you.


-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Tue Jul 11 16:07:13 2006
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Subject: kybermusic recordings - Brian Good vs. Rainer
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Once again, I'd like to point you to some kybermusik (ninjam) recordings on
www.moinlabs.de - featuring Brian Good on soprano sax and not featuring
Brian on effects and EWI-controlled absynth, because I was too stupid to
properly set up my system...

Go to http://moinlabs.byto.de/msa/i_msa_div.htm and see for yourself...Part
2 reminds me of some stuff by Luis Sclavis and Philippe Deschepper.

	Rainer

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Subject: Re: kybermusic recordings - Brian Good vs. Rainer
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very cool :)

i listened to both so i could say which one i liked best, but they
were both really cool :)

I dig it :)


Charlie


On 7/11/06, Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
> Once again, I'd like to point you to some kybermusik (ninjam) recordings on
> www.moinlabs.de - featuring Brian Good on soprano sax and not featuring
> Brian on effects and EWI-controlled absynth, because I was too stupid to
> properly set up my system...
>
> Go to http://moinlabs.byto.de/msa/i_msa_div.htm and see for yourself...Part
> 2 reminds me of some stuff by Luis Sclavis and Philippe Deschepper.
>
>         Rainer
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 11 17:17:05 2006
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Subject: RE: Nobels MF-1
Date: Tue, 11 Jul 2006 13:14:43 -0400
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I have an MF-1. They are no longer distributed in the US. The build
quality is reportedly not very good inside, but mine seems pretty solid,
though I have not gigged with it. The manual is a tough slog;
understanding how to program the MF-1 makes deciphering the FCB-1-10
manual seem like child's play.

It's feature set is very robust and I loved using it, but the
programming is stored via battery-power, and the battery is notoriously
soldered in place and hard to replace. When the "battery replace"
indicator light came on... well, that is when I discovered the
Tennessee-based distributor no longer supported the unit, and I got a
worthless email from Nobels in Europe.

I wound up with an FCB-1010 a few weeks later. The MF-1 is in a closet
awaiting a day when I elect to track down a battery and find a tech
person to install it.

Of course if you're more techie that might not be an issue, but the
utter lack of support for the product makes it an unwise choice, despite
the feature set.

I posted a lengthier explanation awhile back if you want to search the
archive.

Hal Dean

-----Original Message-----
From: Ken_H [mailto:KHL2005@topic.net]=20
Sent: Sunday, July 02, 2006 12:08 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Nobels MF-1


Hey, something I know about!

><Kris asked about the Roland FC-200>
>
>It says it is battery powered, and I believe it sends notes too,
>from the descrption. Looks interesting.
>
>Kris
>

Yes, I had an FC-200.

I liked it pretty well and used it with a pair of EDPs and either a=20
GX-700 or an SE-70/VF-1.  I'd like to get another one, actually; I=20
really liked the ergonomics of the big foot-switches.  Pretty=20
durable... another Stick player I respect tremendously uses one, he's=20
toured with it internationally for a looong time and it has worked=20
well for him.  In terms of build quality and 'feel' it beats the heck=20
out of the Behringer FCB1010 (IMHO) for not too much more money.=20
Well, not big money like an All Access or something like that.  It's=20
not quite as programmable as the Behringer, but my brain works with=20
it better.  It would probably work well for your laptop-setup, but it=20
might feel a bit limited for your rack-setup.  I'm now on a Rocktron=20
MIDI-Mate, which is merely okay (switches are too small).

Physically, sending Note-ons seemed... 'easier' with this unit.  My=20
timing was somehow better than any other pedal I've tried (sort of=20
like new shoes that feel great from day one).  Weird, but true.  You=20
do need an external switch like the FS-5U or some such to switch=20
modes.  I also used a small forest of EV-5 pedals to control lots of=20
effect parameters in real time.  Great fun!

Yes, batteries work; I'd suggest 2300/2400+ mAH NiMH batteries and=20
just keep 'em charged.  You'll get a lot of runtime out of them...=20
definitely buy the AC adapter for home use, though.

I saw the Nobels when Steve Lawson was here in the US earlier this=20
year, controlling a Looperlative.  Maybe he could chime in with where=20
to get one.  Seemed nice enough, but smallish.  Different design=20
philosophy.  It at least had footswitches which were bigger than the=20
MIDI-Mate's.

Here's the manual for the Roland:
=20
http://www.roland.com/products/en/_support/om.cfm?ln=3Den&dsp=3D0&iCncd=3D=
271

Ken

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From: Zoe Keating <cello@zoekeating.com>
Subject: Re: Do you hear that sound? noisy FCB 1010!
Date: Mon, 10 Jul 2006 19:30:44 -0700
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gosh that is so funny....i fried my FCB1010 when i was in the UK. the  
replacement pedal i got over there is one of the switchable ones  
(when you use it on US power, you take out the fuse box, insert  
appropriate fuse and flip the box around)

i got the exact US fuse specified by behringer but...in the UK the  
pedal is quiet. in the US the pedal has a hum!

i was just troubleshooting this when lo and behold, the subject pops  
up on loopers-delight.


On Jul 10, 2006, at 9:28 AM, goddard.duncan@mtvne.com wrote:

> >>Does your FCB 1010 produce the same frequency?<<
>
> have you tried kicking it? sounds like mains hum..... maybe the  
> power transformer has loose windings...... I'm assuming this is  
> acoustic noise.
>
> tap it gently with y'r best foot-controller foot forward, on the  
> top near where the mains lead goes in.
>
> d.
>
>
>
> ********************************************************************** 
> *****
> CONFIDENTIALITY NOTICE
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">gosh that is so funny....i fried =
my FCB1010 when i was in the UK. the replacement pedal i got over there =
is one of the switchable ones (when you use it on US power, you take out =
the fuse box, insert appropriate fuse and flip the box around)<DIV><BR =
class=3D"khtml-block-placeholder"><DIV>i got the exact US fuse specified =
by behringer but...in the UK the pedal is quiet. in the US the pedal has =
a hum!=A0</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>i =
was just troubleshooting this when lo and behold, the subject pops up on =
loopers-delight.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><DIV><DIV>On Jul 10, 2006, =
at 9:28 AM, <A =
href=3D"mailto:goddard.duncan@mtvne.com">goddard.duncan@mtvne.com</A> =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"> <P><FONT size=3D"2">&gt;&gt;Does your FCB 1010 produce =
the same frequency?&lt;&lt;</FONT> </P><P><FONT size=3D"2">have you =
tried kicking it? sounds like mains hum..... maybe the power transformer =
has loose windings...... I'm assuming this is acoustic =
noise.</FONT></P><P><FONT size=3D"2">tap it gently with y'r best =
foot-controller foot forward, on the top near where the mains lead goes =
in.</FONT> </P><P><FONT size=3D"2">d.</FONT> </P> <CODE><FONT =
size=3D"3"><BR> <BR> =
**************************************************************************=
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**************************************************************************=
*<BR> </FONT></CODE>  </BLOCKQUOTE></DIV><BR></DIV></DIV></BODY></HTML>=

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From: nico spahni <nicosp@gmx.net>
Subject: Re: Do you hear that sound? noisy FCB 1010!
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I had the same problem with my  new FCB1010. I took it back to the =20
store and asked for a replacement. We unpacked two other FCB1010 and =20
tried them out. One had a hum, the other didn't. It seems to be some =20
kind of production misktake.

Nico


Am 11.07.2006 um 04:30 schrieb Zoe Keating:

> gosh that is so funny....i fried my FCB1010 when i was in the UK. the =20=

> replacement pedal i got over there is one of the switchable ones (when =
=20
> you use it on US power, you take out the fuse box, insert appropriate =20=

> fuse and flip the box around)
>
> i got the exact US fuse specified by behringer but...in the UK the =20
> pedal is quiet. in the US the pedal has a hum!=A0
>
> i was just troubleshooting this when lo and behold, the subject pops =20=

> up on loopers-delight.
>
>
> On Jul 10, 2006, at 9:28 AM, goddard.duncan@mtvne.com wrote:
>
>> >>Does your FCB 1010 produce the same frequency?<<
>>
>> have you tried kicking it? sounds like mains hum..... maybe the power =
=20
>> transformer has loose windings...... I'm assuming this is acoustic =20=

>> noise.
>>
>> tap it gently with y'r best foot-controller foot forward, on the top =20=

>> near where the mains lead goes in.
>>
>> d.
>>
>>
>>  =20
>> =
**********************************************************************=20=

>> *****
>>  CONFIDENTIALITY NOTICE
>>
>>  The contents of this e-mail are confidential to the ordinary user
>>  of the e-mail address to which it was addressed, and may also
>>  be privileged. If you are not the addressee of this e-mail you may
>>  not copy, forward, disclose or otherwise use it or any part of it
>>  in any form whatsoever.If you have received this e-mail in error,
>>  please e-mail the sender by replying to this message.
>>
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>>  nor does this message form any part of any contract unless so =
stated.
>>
>>  MTV reserves the right to monitor e-mail communications from
>>  external/internal sources for the purposes of ensuring correct
>>  and appropriate use of MTV communication equipment.
>>
>>  MTV Networks Europe
>>  =20
>> =
**********************************************************************=20=

>> *****

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I had the same problem with my  new FCB1010. I took it back to the
store and asked for a replacement. We unpacked two other FCB1010 and
tried them out. One had a hum, the other didn't. It seems to be some
kind of production misktake.=20


Nico


=20

Am 11.07.2006 um 04:30 schrieb Zoe Keating:


<excerpt>gosh that is so funny....i fried my FCB1010 when i was in the
UK. the replacement pedal i got over there is one of the switchable
ones (when you use it on US power, you take out the fuse box, insert
appropriate fuse and flip the box around)


i got the exact US fuse specified by behringer but...in the UK the
pedal is quiet. in the US the pedal has a hum!=A0


i was just troubleshooting this when lo and behold, the subject pops
up on loopers-delight.



On Jul 10, 2006, at 9:28 AM,
<color><param>0000,0000,EEEE</param>goddard.duncan@mtvne.com</color>
wrote:


<excerpt><smaller>>>Does your FCB 1010 produce the same
frequency?<<<<</smaller>=20


<smaller>have you tried kicking it? sounds like mains hum..... maybe
the power transformer has loose windings...... I'm assuming this is
acoustic noise.</smaller>


<smaller>tap it gently with y'r best foot-controller foot forward, on
the top near where the mains lead goes in.</smaller>=20


<smaller>d.</smaller>=20



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From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Do you hear that sound? noisy FCB 1010!
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On the topic of noisy FCBs, here a recent post from the FCB yahoo
group on the same topic....
========================================================================
> I heard of someone on this list having a humming noise problem.  If I
> recall correctly, he fixed it by opening up the FCB and adding some
> sort of padding material between the power supply and case.

I have a relatively old FCB1010 which doesn't hum and a fairly new one
which does. Comparing both, I found this:

On the old one, the transformer is attached with a screw, a spring, a
washer and a nut.

On the new one, the transformer is attached with a screw, a much
cheaper spring, no washer and a nut.

Go figure...

           Rainer

From Loopers-Delight-request@loopers-delight.com  Tue Jul 11 19:13:08 2006
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Shine on, shine on.


On 7/11/06, goddard.duncan@mtvne.com <goddard.duncan@mtvne.com> wrote:
>
>
>
> http://www.timesonline.co.uk/article/0,,2-2265034,00.html
>
> duncan.
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 11 19:30:36 2006
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As I'd mentioned at the end of May,

http://www.loopers-delight.com/LDarchive/200605/msg00936.html

I was invited to take a recording of a improvisational percussive 
circuit-bending performance by Clang Quartet, and use it as samples for a 
performance. The recordings of my performance arrived yesterday, and I 
thought I'd share it with you as followup.

The result is here:

http://www.subscapeannex.com/other/transformation_of_scotty_irving_vol_one.mp3

a single 30min track of room-mic-recorded live looping / processing 
soundscape. It's a pretty big file even as an mp3, so I'm afraid if you're 
on dial-up the file size might be too much to deal with.

How I came up with the above:
For my set, I chose to treat the recording as a monolithic block without 
pre-sampling or selecting from it, and brought no pre-selected samples 
from the half-hour recording. Instead, I chose to pretend I was live at the 
recorded performance, and play the recording into my loopers and effects 
as if it were a live performance into the effects chain, sampling and 
processing it as I went along.

I used several loopers in the process: an Akai Headrush E1 and Z-Vex 
Lo-Fi Loop Junky at the top of the signal chain to capture unprocessed 
chunks of the recording, and a Boss RC-20, Boss RC-20XL, and Digitech 
Jamman at the end of the chain to capture post-processed chunks.

This was also the only time I've ever used a computer in performance: Mac 
OS X has a wonderful Text-to-Speech read-aloud function built in. I chose 
an appropriate source text, pasted the text into Notepad, select All, 
chose File>Services>Text to Speech>Start Speaking and OS X read the 
text in a voice I picked out from the many different voices I had as 
options.

Hope people like it, or at least were interested in how I came up with it.

best,
Steve B
Subscape Annex    http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Tue Jul 11 19:39:08 2006
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Date: Tue, 11 Jul 2006 21:38:59 +0200
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http://www.kqed.org/arts/people/spark/profile.jsp?id=8663 
sounds very interesting! Will there a way to listen to this online on demand
somewhere?

Michael www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Tue Jul 11 19:40:05 2006
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nobody knows where you are
how near or how far
pile on many more layers
and I'll be joining you there...shine on



--- Todd Pafford <calenlas@gmail.com> wrote:

> Shine on, shine on.
> 
> 
> On 7/11/06, goddard.duncan@mtvne.com
> <goddard.duncan@mtvne.com> wrote:
> >
> >
> >
> >
>
http://www.timesonline.co.uk/article/0,,2-2265034,00.html
> >
> > duncan.
> >
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 11 19:42:30 2006
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shine on syd!

On 7/11/06, daniel stevenson <stillllscary@yahoo.com> wrote:
> nobody knows where you are
> how near or how far
> pile on many more layers
> and I'll be joining you there...shine on
>
>
>
> --- Todd Pafford <calenlas@gmail.com> wrote:
>
> > Shine on, shine on.
> >
> >
> > On 7/11/06, goddard.duncan@mtvne.com
> > <goddard.duncan@mtvne.com> wrote:
> > >
> > >
> > >
> > >
> >
> http://www.timesonline.co.uk/article/0,,2-2265034,00.html
> > >
> > > duncan.
> > >
> >
> >
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 11 20:17:50 2006
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Date: Tue, 11 Jul 2006 13:17:48 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: FS: E-MU XL-7 groovebox and expansion ROMs.
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Last night I realized that although my plans were to
keep this baby as a controller and occaisional sound
source, I'm just not using it any more.  For those
that know it, it's a very deep box with tons of
realtime MIDI looping capabilities.  It's a very
"playable" machine and as far as I know the only one
that's got velosity sensitive pads WITH Aftertouch and
a controller strip. Tons of knobs to tweak tweak
tweak.  This thing blows away any of the Korg or
Roland boxes out on the market (I know, I've owned
them!)

Great source of clock out too.  Can set it to MIDI "B"
output jacks if you don't want clock to go to all your
instruments.

So sadly I'm saying goodbye to my trusty XL-7 and it's
expansion ROMs.

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=009&item=190007624722

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=009&item=190007629722

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&rd=1&item=190007645421

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&rd=1&item=190007647708

It's all been used lovingly and they're in excellent
shape.  Bid away...

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 12 00:11:13 2006
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Zoe Keating wrote:
> gosh that is so funny....i fried my FCB1010 when i was in the UK. the 
> replacement pedal i got over there is one of the switchable ones (when 
> you use it on US power, you take out the fuse box, insert appropriate 
> fuse and flip the box around)
> 
> i got the exact US fuse specified by behringer but...in the UK the pedal 
> is quiet. in the US the pedal has a hum! 

So you don't think it's just the well-known British reserve?

Brian

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Rainer Thelonius Balthasar Straschill wrote:
> Once again, I'd like to point you to some kybermusik (ninjam) recordings on
> www.moinlabs.de - featuring Brian Good on soprano sax and not featuring
> Brian on effects and EWI-controlled absynth, because I was too stupid to
> properly set up my system...
> 
> Go to http://moinlabs.byto.de/msa/i_msa_div.htm and see for yourself...Part
> 2 reminds me of some stuff by Luis Sclavis and Philippe Deschepper.
> 
> 	Rainer

I want to thank Rainer for alerting me to the existence of Ninjam, and 
giving me the opportunity to do the transcontinental jam thing. The 
whole endeavor was more fun than a trash bag full of rabid ferrets. :-)

Brian

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Subject: What will sync to EDP?
Date: Wed, 12 Jul 2006 02:09:55 -0400
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OK, in the almost 10 years I have had the EDP, I never used it as a master.
I don't own any hardware drum machines, and my attempts the last 2 nights to
get StylusRMX in Sonar 5 to sync to the EDP has resulted in Sonar freezing
as soon as the midi sync button is pushed from within Sonar. Sonar works as
a master just fine, but no-slave-can-do.
So, what are y'all using, PC-wise, to slave to the EDP? And gimme some ideas
to try once I get it all working- what cool things are ya doin?

Dave Eichenberger
http://www.hazardfactor.com              

From Loopers-Delight-request@loopers-delight.com  Wed Jul 12 06:24:43 2006
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Date: Wed, 12 Jul 2006 08:24:28 +0200
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for those of you living in Manhattan:
http://antwrp.gsfc.nasa.gov/apod/astropix.html

-Michael

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nice,   too bad i was working in a building in Manhattan and not out
on the streets in that specific location!  ha!

On 7/12/06, Michael Peters <mp@mpeters.de> wrote:
> for those of you living in Manhattan:
> http://antwrp.gsfc.nasa.gov/apod/astropix.html
>
> -Michael
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 12 08:03:52 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Real-time "Beat Splitter" ?
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Hi Loopers

I was wondering if there is something like this available:
The idea is to split up music in real-time (!) into it's beats and route the beats separately though various effect sends. 

So, imagine something like a stepsequencer, but instead of constructing music out of beats, you _deconstruct_ the beats of the music.
I imagine a DJ using it like this:
- DJ is playing some music with dense rhythm and harmony (i.e. 4/4 meter)
- First, you sync the "Beat Splitter" with the music (tap, beat detect, midi sync...)
- You have 16 buttons like a step sequencer for 16 beats
- You can route each beat separately to various effect routings, i.e.
   - route beat 1/5/9/13 to FX Send 1 to modulate the bass drum
   - route beat 3/7/11/15 to FX Send 2 to boost volume level (shift rhythmic center)
   - mute some beats completely for percussive effect

And all this would work in real-time while the music is playing (or maybe with 1 bar delay).
The DJ could play around with effects, mute some beats for effects or shift the meter i.e. to 12/16 for a triplet effect etc...

I know that Ableton Live can do some of these features (esp. with MIDI) but is there some software - or even better - hardware that does this?

Talking about market recently, I think that would be an EXTREMELY cool piece of gear to have: a hardware real-time Beat Splitter...

Any ideas?

Best regards
Buzap
-- 


"Feel free" â€“ 10 GB Mailbox, 100 FreeSMS/Monat ...
Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail

From Loopers-Delight-request@loopers-delight.com  Wed Jul 12 15:54:25 2006
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Hi folks

> I was wondering if there is something like this available:
> The idea is to split up music in real-time (!) into it's beats and route
> the beats separately though various effect sends. 

Actually thinking of this, it could probably be realized with a simple MIDI step sequencer:
You need a device that can turn on/off an audio signal via MIDI command. Then you just need to step-sequence the MIDI command on a MIDI sequencer.

Very simple - but very powerful :-)

Any experience with that?

Buzap
-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*!
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 12 15:57:42 2006
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To: <Loopers-Delight@loopers-delight.com>
Subject: AW: Real-time "Beat Splitter" ?
Date: Wed, 12 Jul 2006 17:57:33 +0200
Organization: Moinlabs
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It works in a FireworX - and I'm almost sure it would work in an Orville =
or
KSP8.=20

> -----Urspr=FCngliche Nachricht-----
> Von: Buzap Buzap [mailto:buzap@gmx.net]=20
> Gesendet: Mittwoch, 12. Juli 2006 10:04
> An: Loopers-Delight@loopers-delight.com
> Betreff: Real-time "Beat Splitter" ?
>=20
> Hi Loopers
>=20
> I was wondering if there is something like this available:
> The idea is to split up music in real-time (!) into it's=20
> beats and route the beats separately though various effect sends.=20
>=20
> So, imagine something like a stepsequencer, but instead of=20
> constructing music out of beats, you _deconstruct_ the beats=20
> of the music.
> I imagine a DJ using it like this:
> - DJ is playing some music with dense rhythm and harmony=20
> (i.e. 4/4 meter)
> - First, you sync the "Beat Splitter" with the music (tap,=20
> beat detect, midi sync...)
> - You have 16 buttons like a step sequencer for 16 beats
> - You can route each beat separately to various effect routings, i.e.
>    - route beat 1/5/9/13 to FX Send 1 to modulate the bass drum
>    - route beat 3/7/11/15 to FX Send 2 to boost volume level=20
> (shift rhythmic center)
>    - mute some beats completely for percussive effect
>=20
> And all this would work in real-time while the music is=20
> playing (or maybe with 1 bar delay).
> The DJ could play around with effects, mute some beats for=20
> effects or shift the meter i.e. to 12/16 for a triplet effect etc...
>=20
> I know that Ableton Live can do some of these features (esp.=20
> with MIDI) but is there some software - or even better -=20
> hardware that does this?
>=20
> Talking about market recently, I think that would be an=20
> EXTREMELY cool piece of gear to have: a hardware real-time=20
> Beat Splitter...
>=20
> Any ideas?
>=20
> Best regards
> Buzap
> --=20
>=20
>=20
> "Feel free" =96 10 GB Mailbox, 100 FreeSMS/Monat ...
> Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Jul 12 16:25:06 2006
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From: Sunao Inami <webmaster@cavestudio.com>
Subject: electr-ohm-streaming playlist 12th July 06
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Hello,

electr-ohm-streaming playlist 12th July 06

=============================

Niko Skorpio / Escape from Heaven (Some Place Else)

Ovro / Gegendurchgangenzeit (Some Place Else)

V.A. / ...It Just Is (In Memoriam: Jhonn Balance) (Fulldozer Records)

Frode Gjerstad and Lasse Marhaug / Red Edge (Carbon Records)

=============================

please visit to:

http://www.myspace.com/electrohm

and click which is your player's logo, iTunes or Real One Player.


Playlist will change on every Wednesday.
All tracks will play by shuffle.
7D/24H streaming from Kobe,Japan.

=============================

electr-ohm
electronic music label & distribution
http://www.electr-ohm.com



  Thanks

  Sunao

From Loopers-Delight-request@loopers-delight.com  Wed Jul 12 16:36:26 2006
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that's weird- I was in ("on"?) manhattan seven years ago, took almost
exactly the same picture & thought nothing of it. it didn't occur to me (as
it should've) that the precise alignment was seasonal.....

d.


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<P><FONT SIZE=3D2>that's weird- I was in (&quot;on&quot;?) manhattan seven =
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asonal.....</FONT></P>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 12 16:43:53 2006
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From: goddard.duncan@mtvne.com
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Subject: RE: Do you hear that sound? noisy FCB 1010!
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>>i got the exact US fuse specified by behringer but...in the UK the pedal
is quiet. in the US the pedal has a hum!<<

[adopts metaphorical white lab coat & clears throat] 
well, this would probably be explained by mechanical resonance occuring
within the windings of the transformer & out through the cheap nasty
mounting of same. 
at 50Hz, the structure is damping this resonance sufficiently that it
doesn't make too much noise, but at 60Hz, the whole assembly is vibrating in
perfect sympathy with the coils of wire in the trafo. same principle,
essentially, but sort of in reverse, that causes loose windings in pickups
to squeal with out-of-control feedback, & has hundreds of guitar techs
melting candles over ancient p90s....
[takes white coat off again, revealing beastie boys t-shirt]
uli was too cheap to use a toroidal, I guess....  I bet some rubber solution
adhesive would shut it up.....

d.


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<P><FONT SIZE=3D2>&gt;&gt;i got the exact US fuse specified by behringer bu=
t...in the UK the pedal is quiet. in the US the pedal has a hum!&lt;&lt;</F=
ONT>
</P>

<P><FONT SIZE=3D2>[adopts metaphorical white lab coat &amp; clears throat] =
</FONT>
<BR><FONT SIZE=3D2>well, this would probably be explained by mechanical res=
onance occuring within the windings of the transformer &amp; out through th=
e cheap nasty mounting of same. </FONT></P>

<P><FONT SIZE=3D2>at 50Hz, the structure is damping this resonance sufficie=
ntly that it doesn't make too much noise, but at 60Hz, the whole assembly i=
s vibrating in perfect sympathy with the coils of wire in the trafo. same p=
rinciple, essentially, but sort of in reverse, that causes loose windings i=
n pickups to squeal with out-of-control feedback, &amp; has hundreds of gui=
tar techs melting candles over ancient p90s....</FONT></P>

<P><FONT SIZE=3D2>[takes white coat off again, revealing beastie boys t-shi=
rt]</FONT>
<BR><FONT SIZE=3D2>uli was too cheap to use a toroidal, I guess....&nbsp; I=
 bet some rubber solution adhesive would shut it up.....</FONT>
</P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 12 16:53:56 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Real-time "Beat Splitter" ?
Date: Wed, 12 Jul 2006 12:35:18 +0200
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On Jul 12, 2006, at 10:03, Buzap Buzap wrote:

> Hi Loopers
>
> I was wondering if there is something like this available:
> The idea is to split up music in real-time (!) into it's beats and =20
> route the beats separately though various effect sends.
>
> So, imagine something like a stepsequencer, but instead of =20
> constructing music out of beats, you _deconstruct_ the beats of the =20=

> music.
> I imagine a DJ using it like this:
> - DJ is playing some music with dense rhythm and harmony (i.e. 4/4 =20
> meter)
> - First, you sync the "Beat Splitter" with the music (tap, beat =20
> detect, midi sync...)
> - You have 16 buttons like a step sequencer for 16 beats
> - You can route each beat separately to various effect routings, i.e.
>    - route beat 1/5/9/13 to FX Send 1 to modulate the bass drum
>    - route beat 3/7/11/15 to FX Send 2 to boost volume level (shift =20=

> rhythmic center)
>    - mute some beats completely for percussive effect
>
> And all this would work in real-time while the music is playing (or =20=

> maybe with 1 bar delay).
> The DJ could play around with effects, mute some beats for effects =20
> or shift the meter i.e. to 12/16 for a triplet effect etc...
>
> I know that Ableton Live can do some of these features (esp. with =20
> MIDI) but is there some software - or even better - hardware that =20
> does this?


The application GURU, by FXpansion, comes half ways into this =20
territory. It's not real-time, in that you have to first catch the =20
audio as a sound file on the hard drive. This can be done with =20
Ableton Live or M=F6bius in sync with automatic trimming of the audio =20=

file to perfectly match one or two bars, or whatever length you =20
prefer. In GURU you select the file and "Slice" it. This means GURU =20
slices it up into beats (i.e. eight not hits - not "beat" as in Dj/=20
rapper vocabulary; meaning a two bar drum loop with eventual bass and =20=

rhodes). GURU then examines each slice to see which one has the most =20
kick drum-like frequency response and maps this sample to the kick =20
drum not of the built in step sequencer pattern. Same goes for hi =20
hat, snare and percussion drum. What I'm saying is that you set up =20
GURU with a two bar step sequence, still with no audio samples =20
assigned to the notes played, and then you start throw an audio files =20=

at it and listen back to how transients sliced out of this file do =20
sound when transformed on-the-fly into a drum kit.

I have been lobbying for FXpansion to make GURU's "slice-up and =20
assign transients to suitable drums of a kit" functionality real-=20
time, but was told it is not first priority. Here's the same issue as =20=

with Ableton Live related to commercial software developing and =20
estimated market. It just seems as there isn't enough demand for real-=20=

time music production tools (of which looping is one concept).

A hypothetical set-up (so far) could be a future version of M=F6bius =20
that may host GURU VST. GURU could then be set by default to look for =20=

the file to auto-slice at the same location where M=F6bius saves by the =20=

"Quick Save" command.

Another cool "beat slicing" plug-in appl is pHATmatic Pro. Both PMP =20
and GURU supports multiple virtual outputs that can be assigned to =20
any host appl track/channel or different physical sound card outputs =20
(should answer some of your sound mangling wishes).

There are also examples of related solutions with MAX/msp (Jamie =20
Lidell) and Reaktor (see video at NI's web site)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Jul 12 17:44:19 2006
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Hi Gang:

I have a Lexicon question... a friend who I used to work for at Lexicon gave me an 1991 LXP-15 as a present...he was not sure if it worked, but I was thrilled to have it anyway. 

One of my other Lexi friends switched it over from Euro-spec 220V to US voltage, which seemed to bring it to life, but while it runs the initial diagnostics, it will not load the operating system.

Do any of you know anyone who can fix this thing? Preferably someone in Massachusetts, but I'm guessing I can't be too picky with something this old ;-)

Sonic Love,
Tim


Timothy Mungenast
mungenast@earthlink.net
Why Wait? Move to EarthLink.
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<DIV>Hi Gang:</DIV>
<DIV>&nbsp;</DIV>
<DIV>I have a Lexicon question... a friend who I used to work for at Lexicon gave me an 1991 LXP-15 as a present...he was not sure if it worked, but I was thrilled to have it anyway. </DIV>
<DIV>&nbsp;</DIV>
<DIV>One of my other Lexi friends switched it over from Euro-spec 220V to US voltage, which seemed to bring it to life, but while it runs the initial diagnostics, it will not load the operating system.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Do any of you know anyone who can fix this thing? Preferably someone in Massachusetts, but I'm guessing I can't be too picky with something this old ;-)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Sonic Love,</DIV>
<DIV>Tim</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Timothy Mungenast</DIV>
<DIV><A href="mailto:mungenast@earthlink.net">mungenast@earthlink.net</A></DIV>
<DIV>Why Wait? Move to EarthLink.</DIV>
<DIV>&nbsp;</DIV>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 12 17:52:40 2006
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beautiful!
Luis

--- Michael Peters <mp@mpeters.de> wrote:

> for those of you living in Manhattan:
> http://antwrp.gsfc.nasa.gov/apod/astropix.html
> 
> -Michael
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 12 18:35:37 2006
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Date: Wed, 12 Jul 2006 11:35:34 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: What will sync to EDP?
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Well, I can't speak for the EDP, but I've never heard
that it's clock is remarkable in any way so I'll
assume it's just good standard MIDI clock.  Does the
EDP send song start/stop information?

I recently went through a similar issue.  I was
looking for an app that would host Mobius as master or
slave depending on my situation.  I ended up with
Ableton's Live 5.  Now I know Sonar is a lot more
robust in many ways compared to Live but I found Live
to be very good at following any clock I threw at it. 
I didn't try many DAWs though in my search but
Tracktion wouldn't do it at all.  Mostly I had a
budget of $250 so that's why I ended up with Live (I
had an upgrade deal from a lite version)

Something tells me though, that there's something up
with your setup or settings in Sonar.  I can't imagine
it would have sync issues.  Are you sure you don't
have it set to listen for MTC and not MIDI clock?  By
"freeze" do you mean crash or it's just not doing
anything?

--- hazard factor <artists@hazardfactor.com> wrote:

> OK, in the almost 10 years I have had the EDP, I
> never used it as a master.
> I don't own any hardware drum machines, and my
> attempts the last 2 nights to
> get StylusRMX in Sonar 5 to sync to the EDP has
> resulted in Sonar freezing
> as soon as the midi sync button is pushed from
> within Sonar. Sonar works as
> a master just fine, but no-slave-can-do.
> So, what are y'all using, PC-wise, to slave to the
> EDP? And gimme some ideas
> to try once I get it all working- what cool things
> are ya doin?
> 
> Dave Eichenberger
> http://www.hazardfactor.com              
> 
> 


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Date: Wed, 12 Jul 2006 17:42:42 -0400
From: "Tom Ritchford" <tom@swirly.com>
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Unfortunately, I'm sitting on 40th St 20 floors up looking west and it
looks like we're going to get pretty continuous rain all evening....
:-(

On 7/12/06, L.A. Angulo <labaloops@yahoo.com> wrote:
> beautiful!
> Luis
>
> --- Michael Peters <mp@mpeters.de> wrote:
>
> > for those of you living in Manhattan:
> > http://antwrp.gsfc.nasa.gov/apod/astropix.html
> >
> > -Michael
> >
> >
>
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

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yea!  I am soaked!


On 7/12/06, Tom Ritchford <tom@swirly.com> wrote:
> Unfortunately, I'm sitting on 40th St 20 floors up looking west and it
> looks like we're going to get pretty continuous rain all evening....
> :-(
>
> On 7/12/06, L.A. Angulo <labaloops@yahoo.com> wrote:
> > beautiful!
> > Luis
> >
> > --- Michael Peters <mp@mpeters.de> wrote:
> >
> > > for those of you living in Manhattan:
> > > http://antwrp.gsfc.nasa.gov/apod/astropix.html
> > >
> > > -Michael
> > >
> > >
> >
> >
> > www.myspace.com/luisangulocom
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
> >
>
>
> --
>      /t
>
> http://ax.to ......... extreme NY arts and music calendar
> http://ax.to/tr ....... my secret little little...
> http://ax.to/radio ... my little radio station (on intermittently)
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 12 22:56:13 2006
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-------------------------------1152744967
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R.I.P. you one madcap crazy diamond.  You will be missed.  I'm  proud to say 
you are one of the major influences artistically in my life. A  genius, pure 
genius.
Kenny

-------------------------------1152744967
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.2800.1555" name=3DGENERATOR></HEAD>
<BODY id=3Drole_body style=3D"FONT-SIZE: 10pt; COLOR: #000000; FONT-FAMILY:=20=
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<DIV>R.I.P. you one madcap crazy diamond.&nbsp; You will be missed.&nbsp; I'=
m=20
proud to say you are one of the major influences artistically in my life. A=20
genius, pure genius.</DIV>
<DIV>Kenny</DIV></FONT></BODY></HTML>

-------------------------------1152744967--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 12 23:53:13 2006
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From: "hazard factor" <artists@hazardfactor.com>
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Subject: RE: What will sync to EDP?
Date: Wed, 12 Jul 2006 19:53:10 -0400
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 No, just midi clock. It can be the master just fine, but make it a slave
and the program freezes up. The 'listen to midi clock' button is pressed,
but everything else works- it doesn't take Windows with it, it is just
Sonar- you can't click on anything. I am using an M-Audio uno midi
interface, as well as an Echo Mia card. Never had any problems in Sonar,
midi-wise (I use guitar synth to trigger synths in Sonar), but this has me
baffled. 

Is there a standalone drum program that can sync to midi clock that I can
try? I also may try using V-Stack, which is a host for VSTi's. I haven't
tried this configuation yet, or even read to see if it can sync to midi
clock. 

Dave Eichenberger

 
> Something tells me though, that there's something up with 
> your setup or settings in Sonar.  I can't imagine it would 
> have sync issues.  Are you sure you don't have it set to 
> listen for MTC and not MIDI clock?  By "freeze" do you mean 
> crash or it's just not doing anything?
>  

From Loopers-Delight-request@loopers-delight.com  Thu Jul 13 06:37:35 2006
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Date: Wed, 12 Jul 2006 23:37:33 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: What will sync to EDP?
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Sorry Dave,misread your mail previously didnt see u
were talkin about PC software!
cheers
Luis

> > OK, in the almost 10 years I have had the EDP, I
> > never used it as a master.
> > I don't own any hardware drum machines, and my
> > attempts the last 2 nights to
> > get StylusRMX in Sonar 5 to sync to the EDP has
> > resulted in Sonar freezing
> > as soon as the midi sync button is pushed from
> > within Sonar. Sonar works as
> > a master just fine, but no-slave-can-do.
> > So, what are y'all using, PC-wise, to slave to the
> > EDP? And gimme some ideas
> > to try once I get it all working- what cool things
> > are ya doin?
> > 
> > Dave Eichenberger
> > http://www.hazardfactor.com              
> > 
> > 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 13 10:08:21 2006
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Date: Thu, 13 Jul 2006 06:05:53 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow, Galactic Travels, and the AM/FM Show
To: undisclosed-recipients: ;
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AFTERGLOW ON WMUH:                               
http://soundscapes.us/afterglow
================================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in 
for a
delightful mix of eclectic musical genres including a healthy dose of
Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                            
http://wdiy.org/programs/gt
================================================================================
Tonight at 11 pm on Galactic Travels, I'll begin a month-long Special 
Focus on
Numina.  The Featured CD at Midnight will be "Evolving Visions."  The Vinyl
Starter will come from the LP "Snowflakes Are Dancing" by Tomita on RCA 
Records
and released in 1974.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#jul

Galactic Travels is an electronic, ambient, and space music show that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, 93.9 FM 
in Easton
and Phillipsburg, 93.7 FM in Fogelsville and Trexlertown, 92.9 FM on Service
Electric Cable, and on the internet.  WDIY now simulcasts on WXLV on 
90.3 FM in
Schnecksville, Pennsylvania.


THE AM/FM SHOW ON WMUH:                               
http://soundscapes.us/amfm
================================================================================
My next stint on the AM/FM Show will be Saturday, July 15 at 6:00 am.  I 
will
continue the special on E-dition Electronic Music Magazine's sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of 
Muhlenberg
College.  I alternate hosting the show with Bruce.  When I am at the 
helm, the
show features electronic, ambient, and spacemusic at the beginning, an 
eclectic
mix of genres in the middle, and winds up with Progressive Rock.  WMUH's web
site is http://www.muhlenberg.edu/wmuh

All times are EDT / GMT-4

From Loopers-Delight-request@loopers-delight.com  Thu Jul 13 13:30:01 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: Real-time "Beat Splitter" ?
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Hi 

I was sure somebody would come up with "... can be programmed in MAX/MSP" ;-)

The software GURU doesn't seem to be the right thing.
I've looked at Fireworx specs, seems to do it.

However, what I look for is much more simple, more like a 16-beat hardware step sequencer actually.
I'm sure one of the guys who build the P3 sequencer etc. implement it quite easily.

Would be really neat, imagine such a beat splitter connected to a Repeater or Electro-Harmonix... would be nice..

Buzap
-- 


"Feel free" â€“ 10 GB Mailbox, 100 FreeSMS/Monat ...
Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail

From Loopers-Delight-request@loopers-delight.com  Thu Jul 13 18:03:22 2006
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Date: Thu, 13 Jul 2006 14:02:58 -0400
From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: Re: What will sync to EDP?
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 > my attempts the last 2 nights to get StylusRMX in Sonar 5 to sync to 
the EDP has
>  resulted in Sonar freezing as soon as the midi sync button is pushed from
>  within Sonar. Sonar works as a master just fine, but no-slave-can-do.

A hold-over from the old days, Sonar ('Cakewalk' back then) was never 
very happy as slave.  There are also a number of posts on the Sonar 
forums that point out that Sonar has problems hosting Stylus RMX.

 > host Mobius as master or slave depending on my situation. I ended up with
 > Ableton's Live 5. Now I know Sonar is a lot more robust in many ways 
compared
 > to Live but I found Live to be very good at following any clock I 
threw at it.

I'm mainly interesting in Mobius as master, but am also looking for a 
stable VST host. I want to run Mobius and a few synths and effects and 
it doesn't seem to run at all in Sonar - also you can't record the 
Mobius looped output.  This is a known issue/limitation based on several 
posts on Yahoo group 'ZoneMobius'.

Tracktion version 1 as host to Mobius doesn't appear to work well - I'd 
like to know about Tracktion version 2 if anyone has had success.  
Routing in Tracktion  makes me crazy and maybe there's another way, but 
my scheme called for two instances of Mobius.  Had bad problems with 
midi delay and getting both instances to respond to the same midi 
message from ny footcontroller (FCB1010). 

REAPER (in beta) as host to Mobius is still unstable on my system (Dell 
8400 w/ MOTU Traveler under WinXPPro).

Best stability so far is in Ableton Live! 5.2 (I am using the demo until 
I decide it's the right solution).

Dan Ash
White Plains, NY









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Why not run Stylus RMX in standalone mode?

--- hazard factor <artists@hazardfactor.com> wrote:


> Is there a standalone drum program that can sync to
> midi clock that I can
> try? 

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 13 22:22:58 2006
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From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #484 for July 6, 2006
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http://wdiy.org/programs/gt/playlists/2006/060706.html

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, webcasting on the internet, and simulcasting on 
WXLV 90.3
FM in Schnecksville at Lehigh Carbon County Community College.

                    Show #484                    July 6, 2006

RECAP:
On this show, I started a month-long focus on Numina.  The Featured CD 
at Midnight
was "Evolving Visions."

The Vinyl Starter was from the LP "Snowflakes Are Dancing" by Tomita on 
RCA Records
and released in 1974.

Numina - http://wdiy.org/programs/gt/playlists/2006/focus.html#jul


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Tomita                  Reverie                  Snowflakes Are Dancing 
(RCA)
VA [Johannes            You and Me               E-dition #13 (Groove)
  Schmoelling]
Conrad Schnitzler       City Blur                Conviction (Ricochet Dream)
Conrad Schnitzler       Eerie Station            Conviction (Ricochet Dream)
Remy                    Destination              Sense (AKH)
Hemisphere              Night Crossing           Destination Infinity 
(Groove)
Numina                  Opening To Beyond        Evolving Visions (none)

12:00 am
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Numina                  Asleep Before the End    Evolving Visions (none)
                          of the Story
Numina                  Emerald Nebulae          Evolving Visions (none)
Numina                  Further Entwined         Evolving Visions (none)
Numina                  Oceanize (Deeper)        Evolving Visions (none)
Numina                  An Imposing Presence     Evolving Visions (none)
Numina                  Within the Stones        Evolving Visions (none)
Numina                  As the Sky Passes By     Evolving Visions (none)
Numina                  Pearl                    Evolving Visions (none)
Numina                  Canicula (Dimmer)        Evolving Visions (none)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on 
Numina.  The
Featured CD at Midnight will be "Trancension Volume 3."

The Vinyl Starter will be from the LP "Cluster II" by Cluster on Brain 
Records and
released in 1972.

Bill
===============================================================================
Host of Galactic Travels, an electronic, ambient,  and space music show,
Thursdays at 11:04 pm EDT (GMT-4) on WDIY 88.1 FM in Allentown and Bethlehem
and 93.9 FM in Easton and Phillipsburg, 93.7 FM in Trexlertown and 
Fogelsville,
on 92.9 FM, on Service Electric Cable, and on WXLV 90.3 FM in Schnecksville.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
Galactic Travels web site - http://wdiy.org/programs/gt
To subscribe to the galactic-travels mailing list, click on [Join This 
Group!]
at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 00:31:06 2006
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From: Monica <coolintensity@yahoo.com>
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  http://ghservices.com/products/basslab/lab_std-ix-dk.html 

 		
---------------------------------
Do you Yahoo!?
 Get on board. You're invited to try the new Yahoo! Mail Beta.
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<div><FONT size=3></FONT>&nbsp;</div>  <div><FONT size=3></FONT>&nbsp;</div>  <div><FONT size=3></FONT>&nbsp;</div>  <div><FONT size=3><A href="http://ghservices.com/products/basslab/lab_std-ix-dk.html">http://ghservices.com/products/basslab/lab_std-ix-dk.html</A> </FONT></div><p>&#32;
		<hr size=1>Do you Yahoo!?<br> 
Get on board. <a href="http://us.rd.yahoo.com/evt=40791/*http://advision.webevents.yahoo.com/handraisers">You're invited</a> to try the new Yahoo! Mail Beta.
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 01:22:41 2006
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wow!

i love it :)

On 7/13/06, Monica <coolintensity@yahoo.com> wrote:
>
>
>
>
> http://ghservices.com/products/basslab/lab_std-ix-dk.html
>
>
>  ________________________________
> Do you Yahoo!?
>  Get on board. You're invited to try the new Yahoo! Mail Beta.
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 02:41:24 2006
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Date: Thu, 13 Jul 2006 19:41:22 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: Re: the latest from BassLab...
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Thanks on behalf of Heiko...  8 - ) 
  If all goes as planned, you'll be seeing these on the popular market soon
  (plus my own designs). Stay tuned...
  Monica

Charlie Milkey <pilotcp@gmail.com> wrote:
  wow!

i love it :)

On 7/13/06, Monica wrote:
>
>
>
>
> http://ghservices.com/products/basslab/lab_std-ix-dk.html
>
>
> ________________________________
> Do you Yahoo!?
> Get on board. You're invited to try the new Yahoo! Mail Beta.
>
>



 __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 
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<div><FONT color=#6000bf>Thanks on behalf of Heiko...&nbsp; 8 - ) </FONT></div>  <div><FONT color=#6000bf>If all goes as planned, you'll be seeing these on the popular market soon</FONT></div>  <div><FONT color=#6000bf>(plus my own designs). Stay tuned...</FONT></div>  <div><FONT color=#6000bf>Monica</FONT><BR><BR><B><I>Charlie Milkey &lt;pilotcp@gmail.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">wow!<BR><BR>i love it :)<BR><BR>On 7/13/06, Monica <COOLINTENSITY@YAHOO.COM>wrote:<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt; http://ghservices.com/products/basslab/lab_std-ix-dk.html<BR>&gt;<BR>&gt;<BR>&gt; ________________________________<BR>&gt; Do you Yahoo!?<BR>&gt; Get on board. You're invited to try the new Yahoo! Mail Beta.<BR>&gt;<BR>&gt;<BR><BR></BLOCKQUOTE><BR><p>&#32;__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam
 protection around <br>http://mail.yahoo.com 
--0-2118200112-1152844882=:35104--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 04:05:06 2006
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Immersions in Lowell, MA, Friday July 28
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Hi folks,

I'm delighted to announce the next Immersions event, which will 
happen on July 28 at 119 Gallery in Lowell, MA.

The lineup

Doctor T -- Video Improvisation
Dean (Deknow) Stiglitz  Electro Flute
Ramona Herboldsheimer - Hammered Dulcimer
Bob McCloskey -- Reeds and Percussion
Claire Barratt  -- Motion Sculpture
Helena Schniewind  -- Camera

This should be a very special evening.  I've worked with Claire a few 
times in New York and its always been a delight as she moves slowly 
in front of the projected images. With Helena's camera feeding into 
my video mix and three of my favorite musical coconspirators 
providing a blend of jazz, exploratory ambience, and abstract 
improvisation, we expect a  mind-stretching synergy of music and 
visuals.

119 Gallery (http://www.119gallery.org) is a splendid, bright 
performance space located at 119 Chelmsford Street in Lowell, phone 
978-452-8138 . Suggested donation is $5.00

"Immersions" is an  intermedia improvisation ensemble built around the
core of Doctor T (Video), Dean Stiglitz (ElectroFlute and Electronics) and
Ramona Herboldsheimer (Hammered Dulcimer and Other Things).
-- 
"Once the search is in progress, something will be found"  

-- Brian Eno and Peter Schmidt


		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 04:51:48 2006
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Date: Thu, 13 Jul 2006 21:51:45 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: the latest from BassLab...
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I'm drooling like a...what drools a lot?  bull-dog at
a pig roast.   nice(state of the art)lookin out
Monica.
                    to the future,
                       scary visionary

--- Monica <coolintensity@yahoo.com> wrote:

>  
>    
>    
>  
>
http://ghservices.com/products/basslab/lab_std-ix-dk.html
> 
> 
>  		
> ---------------------------------
> Do you Yahoo!?
>  Get on board. You're invited to try the new Yahoo!
> Mail Beta.


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 05:41:09 2006
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Date: Thu, 13 Jul 2006 22:41:08 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: Re: the latest from BassLab...
To: Loopers-Delight@loopers-delight.com
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--0-1684667500-1152855668=:38769
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Thanks for the Pavlovian vibes... Yes if all -or even most - or even any -
  of these project ideas gain acceptance and backing from the mainstream
  guitar and bass industry it's definitely going to be a big breakthrough.
  Fingers crossed... 
  Monica

daniel stevenson <stillllscary@yahoo.com> wrote:
  I'm drooling like a...what drools a lot? bull-dog at
a pig roast. nice(state of the art)lookin out
Monica.
to the future,
scary visionary

--- Monica wrote:

> 
> 
> 
> 
>
http://ghservices.com/products/basslab/lab_std-ix-dk.html
> 
> 
> 
> ---------------------------------
> Do you Yahoo!?
> Get on board. You're invited to try the new Yahoo!
> Mail Beta.


__________________________________________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 



 		
---------------------------------
Yahoo! Music Unlimited - Access over 1 million songs.Try it free. 
--0-1684667500-1152855668=:38769
Content-Type: text/html; charset=iso-8859-1
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<div><FONT color=#00407f>Thanks for the Pavlovian vibes... Yes if all -or even most - or even any -</FONT></div>  <div><FONT color=#00407f>of these project ideas gain acceptance and backing from the mainstream</FONT></div>  <div><FONT color=#00407f>guitar and bass industry it's definitely going to be a big breakthrough.</FONT></div>  <div><FONT color=#00407f>Fingers crossed... </FONT></div>  <div><FONT color=#00407f>Monica</FONT><BR><BR><B><I>daniel stevenson &lt;stillllscary@yahoo.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I'm drooling like a...what drools a lot? bull-dog at<BR>a pig roast. nice(state of the art)lookin out<BR>Monica.<BR>to the future,<BR>scary visionary<BR><BR>--- Monica <COOLINTENSITY@YAHOO.COM>wrote:<BR><BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;<BR>http://ghservices.com/products/basslab/lab_std-ix-dk.html<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;
 ---------------------------------<BR>&gt; Do you Yahoo!?<BR>&gt; Get on board. You're invited to try the new Yahoo!<BR>&gt; Mail Beta.<BR><BR><BR>__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection around <BR>http://mail.yahoo.com <BR><BR></BLOCKQUOTE><BR><p>&#32;
		<hr size=1>Yahoo! Music Unlimited - Access over 1 million songs.
<a href="http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=36035/*http://music.yahoo.com/unlimited/ 
">Try it free.</a> 
--0-1684667500-1152855668=:38769--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 10:25:43 2006
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From: "Fabio Anile" <fabio.anile@tiscali.it>
To: <Loopers-Delight@loopers-delight.com>
Subject: Fabio Anile Podcast
Date: Fri, 14 Jul 2006 12:25:36 +0200
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This is a multi-part message in MIME format.

------=_NextPart_000_0229_01C6A740.9C389FE0
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Hi people,=20
this is my first experience with podcast.
and I'm not sure if it works.
Can someone try it and report to me if it works ?
Thanks
fabio

http://www.vitaminic.it/artist/eterogeneo/itunes.pcast

------=_NextPart_000_0229_01C6A740.9C389FE0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Hi people, =
</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>this is my first =
experience with=20
podcast.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>and I'm not sure if it=20
works.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Can someone try it and =
report to me=20
if it works ?</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Thanks</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>fabio</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://www.vitaminic.it/artist/eterogeneo/itunes.pcast">http://ww=
w.vitaminic.it/artist/eterogeneo/itunes.pcast</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" =
color=3D#000080></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0229_01C6A740.9C389FE0--


From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 12:47:34 2006
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Date: Fri, 14 Jul 2006 08:44:35 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #485 for July 13, 2006
To: undisclosed-recipients: ;
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http://wdiy.org/programs/gt/playlists/2006/060713.html

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, webcasting on the internet, and simulcasting on 
WXLV 90.3
FM in Schnecksville at Lehigh Carbon County Community College.

                    Show #485                    July 13, 2006

RECAP:
On this show, I continued the month-long focus on Numina.  The Featured 
CD at
Midnight was "Trancension Volume 3."

The Vinyl Starter was from the LP "Cluster II" by Cluster on Brain 
Records and
released in 1972.

Numina - http://wdiy.org/programs/gt/playlists/2006/focus.html#jul


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Cluster                 fur die katz             Cluster II (Brain)
Paul Ellis              The Realms of the Unreal The Infinity Room (Groove)
Nattefrost              Through Clear and        Absorbed in Dreams and 
Yearning
                          Frosty Nights            (Groove)
Ron Boots               The Battle of the Somme  Acoustic Shadows (Groove)
Dan Pound               First Impressions        Impressions (none)
Matt Borghi             Ile Aux Gales            The Phantom Light (SLO BOR)

12:00 am
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Numina                  Terra Sirenum            Trancension Vol. 3 (none)
Numina                  Xanthe Terra             Trancension Vol. 3 (none)
Numina                  Aonia Terra              Trancension Vol. 3 (none)
Numina                  Vastitas Boralis         Trancension Vol. 3 (none)
Numina                  Olympus Mons             Trancension Vol. 3 (none)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on 
Numina.  The
Featured CD at Midnight will be "Eye of the Nautilus" on Hypnos Records.

The Vinyl Starter will be from the LP "Heaven and Hell" by Vangelis on 
RCA Records
and released in 1975.

Bill
===============================================================================
Host of Galactic Travels, an electronic, ambient,  and space music show,
Thursdays at 11:04 pm EDT (GMT-4) on WDIY 88.1 FM in Allentown and Bethlehem
and 93.9 FM in Easton and Phillipsburg, 93.7 FM in Trexlertown and 
Fogelsville,
on 92.9 FM, on Service Electric Cable, and on WXLV 90.3 FM in Schnecksville.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This 
Group!]
at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 14:44:17 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Fabio Anile Podcast
Date: Fri, 14 Jul 2006 07:44:13 -0700
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--Apple-Mail-1-634877659
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain;
	charset=ISO-8859-1;
	delsp=yes;
	format=flowed

Fabio,

I tried the link and what I got was:

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D

This page contains the following errors:

error on line 7 at column 64: Opening and ending tag mismatch: channel =20=

line 0 and title

Below is a rendering of the page up to the first error.

  fabio anile - Podcast - Vitaminic

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D

The rest of the window was blank . . .

For what it's worth, I was really interested in hearing your music. Let =20=

us know when your PodCast is up and running.

Peace,

tEd =AE kiLLiAn

On Jul 14, 2006, at 3:25 AM, Fabio Anile wrote:

> Hi people,
> this is my first experience with podcast.
> and I'm not sure if it works.
> Can someone try it and report to me if it works ?
> Thanks
> fabio
> =A0
> http://www.vitaminic.it/artist/eterogeneo/itunes.pcast
> =A0=

--Apple-Mail-1-634877659
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Fabio,


I tried the link and what I got was:


=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D


<bold><bigger><x-tad-bigger>This page contains the following errors:


</x-tad-bigger></bigger></bold><fontfamily><param>Courier</param>error
on line 7 at column 64: Opening and ending tag mismatch: channel line
0 and title


</fontfamily><bold><bigger><x-tad-bigger>Below is a rendering of the
page up to the first error.


</x-tad-bigger></bigger></bold><x-tad-bigger> fabio anile - Podcast -
Vitaminic</x-tad-bigger><bold><bigger><x-tad-bigger>


=
</x-tad-bigger></bigger></bold>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<bold><bigger><x-tad-bigge=
r>


</x-tad-bigger></bigger></bold>The rest of the window was blank . . .=20


For what it's worth, I was really interested in hearing your music.
Let us know when your PodCast is up and =
running.<bold><bigger><x-tad-bigger>


</x-tad-bigger></bigger></bold>Peace,


tEd =AE kiLLiAn


On Jul 14, 2006, at 3:25 AM, Fabio Anile wrote:


=
<excerpt><fontfamily><param>Helvetica</param><color><param>0000,0000,8080<=
/param>Hi
people,</color></fontfamily>

=
<fontfamily><param>Helvetica</param><color><param>0000,0000,8080</param>th=
is
is my first experience with podcast.</color></fontfamily>

=
<fontfamily><param>Helvetica</param><color><param>0000,0000,8080</param>an=
d
I'm not sure if it works.</color></fontfamily>

=
<fontfamily><param>Helvetica</param><color><param>0000,0000,8080</param>Ca=
n
someone try it and report to me if it works ?</color></fontfamily>

=
<fontfamily><param>Helvetica</param><color><param>0000,0000,8080</param>Th=
anks</color></fontfamily>

=
<fontfamily><param>Helvetica</param><color><param>0000,0000,8080</param>fa=
bio</color></fontfamily>

=A0

=
<fontfamily><param>Helvetica</param><color><param>0000,0000,EEEE</param>ht=
tp://www.vitaminic.it/artist/eterogeneo/itunes.pcast</color></fontfamily>

=A0</excerpt>=

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Subject: Grr EDP frustration
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Quik test:
Came home from holiday in France, picked up the ole geetar and EDP for a =
well missed twang... and er... pedals dont work... it a FCB, and both =
units are set to Chan 1, I AMD getting Program change messages to to EDP =
cos my Presets load OK, but nothing happening on the actual REC MULT INS =
OVEDB buttons... woss this all about I ask you??? YELP!!!! What Have I =
forgotton???


mark francombe
marks website is at www.markfrancombe.com he writes for =
www.furthernoise.org and works at www.transformlearning.com
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<DIV><FONT face=3DArial size=3D2>Quik test:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Came home from holiday in France, =
picked up the ole=20
geetar and EDP for a well missed twang... and er... pedals dont work... =
it a=20
FCB, and both units are set to Chan 1, I AMD getting Program change =
messages to=20
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MULT INS=20
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<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
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<DIV><FONT face=3DArial size=3D2>mark francombe<BR>marks website is at =
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 16:47:17 2006
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Subject: Re: Grr EDP frustration
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At 09:22 AM 7/14/2006, markfrancombe.com wrote:
>Quik test:
>Came home from holiday in France, picked up the ole geetar and EDP for a 
>well missed twang... and er... pedals dont work... it a FCB, and both 
>units are set to Chan 1, I AMD getting Program change messages to to EDP 
>cos my Presets load OK, but nothing happening on the actual REC MULT INS 
>OVEDB buttons... woss this all about I ask you??? YELP!!!! What Have I 
>forgotton???

do the buttons on the front panel of the echoplex work? Or is the problem 
that the FCB1010 is not sending the correct midi commands?

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 17:22:28 2006
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From: "Mark Rosenberg" <mark.rosenberg@earthlink.net>
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Subject: RE: What will sync to EDP?
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I just got my EDP after several months of trying to figure out how to use
Live 5 and a FCB1010 in a live performance situation. My conclusion was that
none of the options for automating the Live 5 session view were going to
meet my needs. However, Live runs like a champ as a Rewire master to Reason
3. My experience with VSTs has been that some are better integrated with
some hosts than others. With Reason, new sounds don't require new virtual
instruments (e.g. Miroslav refill for Reason NNXT sampler) as seems to be
the case with many VSTs (in particular, those embedding Kontakt), and
therefore no new MIDI controller programming. 

Now that I have an EDP under my feet, it seems unlikely that Live will ever
compete directly against a dedicated looping box like the EDP. Live's
session view is brilliant, unique, and well suited to DJing or clip
shuffling in real time. A good reason in itself to favor Live over Sonar,
Cubase, Protools, etc. An EDP inspired VST like Mobius would be very
complementary in a performance setting. 

Are you able to record Mobius audio output into Live?

-----Original Message-----
From: Dan Ash [mailto:Daniel.Ash@Verizon.net] 
Sent: Thursday, July 13, 2006 11:03 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: What will sync to EDP?

 > my attempts the last 2 nights to get StylusRMX in Sonar 5 to sync to 
the EDP has
>  resulted in Sonar freezing as soon as the midi sync button is pushed from
>  within Sonar. Sonar works as a master just fine, but no-slave-can-do.

A hold-over from the old days, Sonar ('Cakewalk' back then) was never 
very happy as slave.  There are also a number of posts on the Sonar 
forums that point out that Sonar has problems hosting Stylus RMX.

 > host Mobius as master or slave depending on my situation. I ended up with
 > Ableton's Live 5. Now I know Sonar is a lot more robust in many ways 
compared
 > to Live but I found Live to be very good at following any clock I 
threw at it.

I'm mainly interesting in Mobius as master, but am also looking for a 
stable VST host. I want to run Mobius and a few synths and effects and 
it doesn't seem to run at all in Sonar - also you can't record the 
Mobius looped output.  This is a known issue/limitation based on several 
posts on Yahoo group 'ZoneMobius'.

Tracktion version 1 as host to Mobius doesn't appear to work well - I'd 
like to know about Tracktion version 2 if anyone has had success.  
Routing in Tracktion  makes me crazy and maybe there's another way, but 
my scheme called for two instances of Mobius.  Had bad problems with 
midi delay and getting both instances to respond to the same midi 
message from ny footcontroller (FCB1010). 

REAPER (in beta) as host to Mobius is still unstable on my system (Dell 
8400 w/ MOTU Traveler under WinXPPro).

Best stability so far is in Ableton Live! 5.2 (I am using the demo until 
I decide it's the right solution).

Dan Ash
White Plains, NY


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Subject: Fw: : COMPUTER VIRUSES be warned
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FW: COMPUTER VIRUSES
----- Original Message -----=20
From: Breeze, Brian=20
To: relms140@hotmail.co.uk ; E. Breeze ; shaun.carling@yahoo.com.au ; =
Evans M.A. ; Ruhr M.V.D. ; =
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Sent: Friday, July 14, 2006 11:12 AM
Subject: FW: : COMPUTER VIRUSES be warned


=20

From: Dobrowolski Michael =
[mailto:Michael.Dobrowolski@homeoffice.gsi.gov.uk]=20
Sent: 14 July 2006 07:34
To: 'chrisdobrowolska@lineone.net'; 'Mark Carr'; Lewis, Bob
Subject: FW: : COMPUTER VIRUSES be warned
Importance: High

=20

=20

Watch for this one,

=20

Mike

=20

Be alert during the next few days:  Don't open any message with an =
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most destructive virus ever.  The virus was discovered by Mcfee =
yesterday, and there's no repair yet for this particular virus.  It =
simply destroys the Zero Sector of the Hard Disk, where vital =
information is kept.

>Also:- Emails with pictures of Osama Bin-Laden hanged are being sent =
and the moment you open these emails your computer will crash and you =
will not be able to fix it! This e-mail is being distributed through =
countries around the globe, but mainly in the US and Israel. Don't be =
inconsiderate; send this warning to whomever you know.  If you get an =
email along the lines of "Osama Bin Laden Captured" or "Osama Hanged" =
don't open the attachment.

This will also affect home machines.

        SEND THIS E-MAIL TO EVERYONE YOU KNOW.

SO2 G2 (Prot Sy)

The information contained in this email is privat and is solely for the =
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Recipient(s).  If you are not the inteded recipient, you have no legal =
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Of this email.  The views expressed in this email do not necessarily =
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<DIV>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial">----- Original Message -----=20
<DIV style=3D"BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A=20
title=3Dbrian.breeze@sihe.ac.uk =
href=3D"mailto:brian.breeze@sihe.ac.uk">Breeze,=20
Brian</A> </DIV>
<DIV><B>To:</B> <A title=3Drelms140@hotmail.co.uk=20
href=3D"mailto:relms140@hotmail.co.uk">relms140@hotmail.co.uk</A> ; <A=20
title=3DEB@llanedeyrn.cardiff.sch.uk =
href=3D"mailto:EB@llanedeyrn.cardiff.sch.uk">E.=20
Breeze</A> ; <A title=3Dshaun.carling@yahoo.com.au=20
href=3D"mailto:shaun.carling@yahoo.com.au">shaun.carling@yahoo.com.au</A>=
 ; <A=20
title=3DM.A.Evans@swansea.ac.uk =
href=3D"mailto:M.A.Evans@swansea.ac.uk">Evans=20
M.A.</A> ; <A title=3DM.V.D.Ruhr@swansea.ac.uk=20
href=3D"mailto:M.V.D.Ruhr@swansea.ac.uk">Ruhr M.V.D.</A> ; <A=20
title=3Dgareth.whittock@whiteoakstudios.freeserve.co.uk=20
href=3D"mailto:gareth.whittock@whiteoakstudios.freeserve.co.uk">gareth.wh=
ittock@whiteoakstudios.freeserve.co.uk</A>=20
; <A title=3Dexivey@yahoo.com href=3D"mailto:exivey@yahoo.com">Mike =
Gibbins</A> ; <A=20
title=3Dljnickolds@fsmail.net=20
href=3D"mailto:ljnickolds@fsmail.net">ljnickolds@fsmail.net</A> ; <A=20
title=3Dtonnagirl@hotmail.com=20
href=3D"mailto:tonnagirl@hotmail.com">tonnagirl@hotmail.com</A> ; <A=20
title=3DJ.B.Cainen@ntlworld.com =
href=3D"mailto:J.B.Cainen@ntlworld.com">Brian=20
Cainen</A> ; <A title=3Dpaul@musicscool.com =
href=3D"mailto:paul@musicscool.com">Dr=20
Paul A Conway</A> ; <A title=3Ddarrenleejames@yahoo.co.uk=20
href=3D"mailto:darrenleejames@yahoo.co.uk">darren james</A> ; <A=20
title=3Ddave@swanseajazzland.co.uk=20
href=3D"mailto:dave@swanseajazzland.co.uk">dave@swanseajazzland.co.uk</A>=
 ; <A=20
title=3Dbendy_studios@hotmail.co.uk=20
href=3D"mailto:bendy_studios@hotmail.co.uk">bendy_studios@hotmail.co.uk</=
A> ; <A=20
title=3DAnn.Jenkins@swansea.ac.uk =
href=3D"mailto:Ann.Jenkins@swansea.ac.uk">Jenkins=20
Ann.</A> ; <A title=3Dhatchetman@ntlworld.com=20
href=3D"mailto:hatchetman@ntlworld.com">Adrian Scott</A> ; <A=20
title=3Dc.meek@swan.ac.uk =
href=3D"mailto:c.meek@swan.ac.uk">c.meek@swan.ac.uk</A> ;=20
<A title=3Ddr_james@hotmail.com =
href=3D"mailto:dr_james@hotmail.com">Sheepy .</A> ;=20
<A title=3Deurof@acmetv.net =
href=3D"mailto:eurof@acmetv.net">eurof@acmetv.net</A> ;=20
<A title=3DJ.Elliott@swansea.ac.uk =
href=3D"mailto:J.Elliott@swansea.ac.uk">Elliott=20
J.</A> ; <A title=3Dissimm@btinternet.com =
href=3D"mailto:issimm@btinternet.com">IAN=20
SIMMONS</A> ; <A title=3DC.Kuljurgis@city.ac.uk=20
href=3D"mailto:C.Kuljurgis@city.ac.uk">Kuljurgis, Carsten</A> ; <A=20
title=3Dleighton.phillips@sihe.ac.uk=20
href=3D"mailto:leighton.phillips@sihe.ac.uk">Phillips, Leighton</A> ; <A =

title=3Dpeter.williams93@btopenworld.com=20
href=3D"mailto:peter.williams93@btopenworld.com">PETER WILLIAMS</A> ; <A =

title=3Dpaaching@hotmail.com=20
href=3D"mailto:paaching@hotmail.com">paaching@hotmail.com</A> ; <A=20
title=3Dpippajean@ntlworld.com =
href=3D"mailto:pippajean@ntlworld.com">Phillipa</A> ;=20
<A title=3Drashrash100@hotmail.com =
href=3D"mailto:rashrash100@hotmail.com">Rasha=20
Albazaz</A> ; <A title=3Drick.lewis@philosophynow.org=20
href=3D"mailto:rick.lewis@philosophynow.org">rick.lewis@philosophynow.org=
</A> ; <A=20
title=3Dsales@northdown.demon.co.uk=20
href=3D"mailto:sales@northdown.demon.co.uk">sales@northdown.demon.co.uk</=
A> ; <A=20
title=3Dswanseajazzland1@yahoo.co.uk=20
href=3D"mailto:swanseajazzland1@yahoo.co.uk">swanseajazzland1@yahoo.co.uk=
</A> ; <A=20
title=3Dyachtmastercrew@yahoo.co.uk=20
href=3D"mailto:yachtmastercrew@yahoo.co.uk">Michael Jenkins</A> </DIV>
<DIV><B>Sent:</B> Friday, July 14, 2006 11:12 AM</DIV>
<DIV><B>Subject:</B> FW: : COMPUTER VIRUSES be warned</DIV></DIV>
<DIV><BR></DIV>
<DIV class=3DSection1>
<DIV>
<P class=3DMsoNormal style=3D"TEXT-ALIGN: center" align=3Dcenter><FONT=20
face=3D"Times New Roman" size=3D3><SPAN=20
style=3D"FONT-SIZE: 12pt"><o:p>&nbsp;</o:p></SPAN></FONT></P>
<P class=3DMsoNormal><B><FONT face=3DTahoma size=3D2><SPAN=20
style=3D"FONT-WEIGHT: bold; FONT-SIZE: 10pt; FONT-FAMILY: =
Tahoma">From:</SPAN></FONT></B><FONT=20
face=3DTahoma size=3D2><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
Tahoma">=20
Dobrowolski Michael [mailto:Michael.Dobrowolski@homeoffice.gsi.gov.uk]=20
<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> 14 July 2006=20
07:34<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> <A=20
href=3D"mailto:'chrisdobrowolska@lineone.net'">'chrisdobrowolska@lineone.=
net'</A>;=20
'Mark Carr'; Lewis, Bob<BR><B><SPAN=20
style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> FW: : COMPUTER VIRUSES =
be=20
warned<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Importance:</SPAN></B>=20
High</SPAN></FONT><o:p></o:p></P></DIV>
<P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN =
lang=3DEN-GB=20
style=3D"FONT-SIZE: 12pt"><o:p>&nbsp;</o:p></SPAN></FONT></P>
<P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN =
lang=3DEN-GB=20
style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">&nbsp;</SPAN></FONT><SPAN=20
lang=3DEN-GB><o:p></o:p></SPAN></P>
<P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN =
lang=3DEN-GB=20
style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Watch for =
this=20
one,</SPAN></FONT><SPAN lang=3DEN-GB><o:p></o:p></SPAN></P>
<P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN =
lang=3DEN-GB=20
style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">&nbsp;</SPAN></FONT><SPAN=20
lang=3DEN-GB><o:p></o:p></SPAN></P>
<P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN =
lang=3DEN-GB=20
style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">Mike</SPAN></FONT><SPAN=20
lang=3DEN-GB><o:p></o:p></SPAN></P>
<P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN =
lang=3DEN-GB=20
style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">&nbsp;</SPAN></FONT><SPAN=20
lang=3DEN-GB><o:p></o:p></SPAN></P>
<P><FONT face=3DArial size=3D2><SPAN lang=3DEN-GB=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">Be alert during the next =
few=20
days:&nbsp; Don't open any message with an attached file called =
"Invitation",=20
regardless of who sent it.&nbsp; It's a virus that opens an Olympic =
Torch that=20
"burns" the whole hard disk of your computer.&nbsp; This virus will come =
from=20
someone who has your e-mail address; that's why you should send this =
e-mail to=20
all your contacts.&nbsp; It's better to receive this message 25 times =
than to=20
receive the virus DON'T open it and shut down your computer =
immediately...&nbsp;=20
This is the worst virus announced by CNN, it's been classified by =
Microsoft as=20
the most destructive virus ever.&nbsp; The virus was discovered by Mcfee =

yesterday, and there's no repair yet for this particular virus.&nbsp; It =
simply=20
destroys the Zero Sector of the Hard Disk, where vital information is=20
kept.</SPAN></FONT><SPAN lang=3DEN-GB><o:p></o:p></SPAN></P>
<P><FONT face=3DArial size=3D2><SPAN lang=3DEN-GB=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">&gt;Also:- Emails with =
pictures of=20
Osama Bin-Laden hanged are being sent and the moment you open these =
emails your=20
computer will crash and you will not be able to fix it! This e-mail is =
being=20
distributed through countries around the globe, but mainly in the=20
<st1:country-region w:st=3D"on">US</st1:country-region> and <st1:place=20
w:st=3D"on"><st1:country-region =
w:st=3D"on">Israel</st1:country-region></st1:place>.=20
Don't be inconsiderate; send this warning to whomever you know.&nbsp; If =
you get=20
an email along the lines of "Osama Bin Laden Captured" or "Osama Hanged" =
don't=20
open the attachment.</SPAN></FONT><SPAN =
lang=3DEN-GB><o:p></o:p></SPAN></P>
<P><FONT face=3DArial size=3D2><SPAN lang=3DEN-GB=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">This will also affect home =

machines.</SPAN></FONT><SPAN lang=3DEN-GB><o:p></o:p></SPAN></P>
<P><FONT face=3D"Times New Roman" size=3D3><SPAN lang=3DEN-GB=20
style=3D"FONT-SIZE: 12pt">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN></FONT><FONT face=3DArial size=3D2><SPAN lang=3DEN-GB=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">SEND THIS E-MAIL TO =
EVERYONE YOU=20
KNOW.</SPAN></FONT><SPAN lang=3DEN-GB><o:p></o:p></SPAN></P>
<P><FONT face=3DArial size=3D2><SPAN lang=3DEN-GB=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">SO2 G2 (Prot =
Sy)</SPAN></FONT><SPAN=20
lang=3DEN-GB><o:p></o:p></SPAN></P>
<P><FONT face=3DArial size=3D1><SPAN lang=3DEN-GB=20
style=3D"FONT-SIZE: 7.5pt; FONT-FAMILY: Arial">The information contained =
in this=20
email is privat and is solely for the use of the intended =
</SPAN></FONT><SPAN=20
lang=3DEN-GB><o:p></o:p></SPAN></P>
<P><FONT face=3DArial size=3D1><SPAN lang=3DEN-GB=20
style=3D"FONT-SIZE: 7.5pt; FONT-FAMILY: Arial">Recipient(s).&nbsp; If =
you are not=20
the inteded recipient, you have no legal right to use the=20
contents</SPAN></FONT><SPAN lang=3DEN-GB><o:p></o:p></SPAN></P>
<P><FONT face=3DArial size=3D1><SPAN lang=3DEN-GB=20
style=3D"FONT-SIZE: 7.5pt; FONT-FAMILY: Arial">Of this email.&nbsp; The =
views=20
expressed in this email do not necessarily reflect&nbsp;=20
Government</SPAN></FONT><SPAN lang=3DEN-GB><o:p></o:p></SPAN></P>
<P class=3DMsoNormal><FONT face=3D"Courier New" size=3D3><SPAN =
lang=3DEN-GB=20
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Courier =
New'"><BR><BR></SPAN></FONT><CODE><FONT=20
face=3D"Courier New" size=3D2><SPAN lang=3DEN-GB=20
style=3D"FONT-SIZE: =
10pt">*******************************************************************=
***</SPAN></FONT></CODE><FONT=20
face=3D"Courier New"><SPAN lang=3DEN-GB=20
style=3D"FONT-FAMILY: 'Courier New'"><BR></SPAN></FONT><CODE><FONT=20
face=3D"Courier New" size=3D2><SPAN lang=3DEN-GB style=3D"FONT-SIZE: =
10pt">This email=20
and any files transmitted with it are private and intended=20
</SPAN></FONT></CODE><FONT face=3D"Courier New"><SPAN lang=3DEN-GB=20
style=3D"FONT-FAMILY: 'Courier New'"><BR></SPAN></FONT><CODE><FONT=20
face=3D"Courier New" size=3D2><SPAN lang=3DEN-GB style=3D"FONT-SIZE: =
10pt">solely for=20
the use of the individual or entity to whom they are addressed.=20
</SPAN></FONT></CODE><FONT face=3D"Courier New"><SPAN lang=3DEN-GB=20
style=3D"FONT-FAMILY: 'Courier New'"><BR></SPAN></FONT><CODE><FONT=20
face=3D"Courier New" size=3D2><SPAN lang=3DEN-GB style=3D"FONT-SIZE: =
10pt">If you have=20
received this email in error please return it to the address=20
</SPAN></FONT></CODE><FONT face=3D"Courier New"><SPAN lang=3DEN-GB=20
style=3D"FONT-FAMILY: 'Courier New'"><BR></SPAN></FONT><CODE><FONT=20
face=3D"Courier New" size=3D2><SPAN lang=3DEN-GB style=3D"FONT-SIZE: =
10pt">it came from=20
telling them it is not for you and then delete it from your=20
system.</SPAN></FONT></CODE><FONT face=3D"Courier New"><SPAN =
lang=3DEN-GB=20
style=3D"FONT-FAMILY: 'Courier New'"><BR><BR></SPAN></FONT><CODE><FONT=20
face=3D"Courier New" size=3D2><SPAN lang=3DEN-GB style=3D"FONT-SIZE: =
10pt">This email=20
message has been swept for computer viruses.</SPAN></FONT></CODE><FONT=20
face=3D"Courier New"><SPAN lang=3DEN-GB=20
style=3D"FONT-FAMILY: 'Courier New'"><BR><BR></SPAN></FONT><CODE><FONT=20
face=3D"Courier New" size=3D2><SPAN lang=3DEN-GB=20
style=3D"FONT-SIZE: =
10pt">*******************************************************************=
***</SPAN></FONT></CODE><FONT=20
face=3D"Courier New"><SPAN lang=3DEN-GB=20
style=3D"FONT-FAMILY: 'Courier New'"><BR></SPAN></FONT><SPAN =
lang=3DEN-GB><BR>The=20
original of this email was scanned for viruses by Government Secure =
Intranet=20
(GSi) virus scanning service supplied exclusively by Cable &amp; =
Wireless in=20
partnership with MessageLabs.<BR>On leaving the GSI this email was =
certified=20
virus free.<BR>The MessageLabs Anti Virus Service is the first managed =
service=20
to achieve the CSIA Claims Tested Mark (CCTM Certificate Number =
2006/04/0007),=20
the UK Government quality mark initiative for information security =
products and=20
services. For more information about this please visit=20
www.cctmark.gov.uk<o:p></o:p></SPAN></P></DIV></BODY></HTML>

------=_NextPart_000_000B_01C6A839.FFEBBF00--


From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 18:10:08 2006
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Date: Fri, 14 Jul 2006 11:10:05 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: Fw: : COMPUTER VIRUSES be warned
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <garethwhittock$81.79.37.69$.001a01c6a831$aa9df3e0$5d01a8c0@acer81080ea37f>
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Resent-Date: Fri, 14 Jul 2006 18:10:08 +0000 (UTC)

thanks for the warning,sounds like a nasty virus!
                  future,
                     dsv

--- gareth whittock
<gareth@whiteoakstudios.freeserve.co.uk> wrote:

> FW: COMPUTER VIRUSES
> ----- Original Message ----- 
> From: Breeze, Brian 
> To: relms140@hotmail.co.uk ; E. Breeze ;
> shaun.carling@yahoo.com.au ; Evans M.A. ; Ruhr
> M.V.D. ;
> gareth.whittock@whiteoakstudios.freeserve.co.uk ;
> Mike Gibbins ; ljnickolds@fsmail.net ;
> tonnagirl@hotmail.com ; Brian Cainen ; Dr Paul A
> Conway ; darren james ; dave@swanseajazzland.co.uk ;
> bendy_studios@hotmail.co.uk ; Jenkins Ann. ; Adrian
> Scott ; c.meek@swan.ac.uk ; Sheepy . ;
> eurof@acmetv.net ; Elliott J. ; IAN SIMMONS ;
> Kuljurgis, Carsten ; Phillips, Leighton ; PETER
> WILLIAMS ; paaching@hotmail.com ; Phillipa ; Rasha
> Albazaz ; rick.lewis@philosophynow.org ;
> sales@northdown.demon.co.uk ;
> swanseajazzland1@yahoo.co.uk ; Michael Jenkins 
> Sent: Friday, July 14, 2006 11:12 AM
> Subject: FW: : COMPUTER VIRUSES be warned
> 
> 
>  
> 
> From: Dobrowolski Michael
> [mailto:Michael.Dobrowolski@homeoffice.gsi.gov.uk] 
> Sent: 14 July 2006 07:34
> To: 'chrisdobrowolska@lineone.net'; 'Mark Carr';
> Lewis, Bob
> Subject: FW: : COMPUTER VIRUSES be warned
> Importance: High
> 
>  
> 
>  
> 
> Watch for this one,
> 
>  
> 
> Mike
> 
>  
> 
> Be alert during the next few days:  Don't open any
> message with an attached file called "Invitation",
> regardless of who sent it.  It's a virus that opens
> an Olympic Torch that "burns" the whole hard disk of
> your computer.  This virus will come from someone
> who has your e-mail address; that's why you should
> send this e-mail to all your contacts.  It's better
> to receive this message 25 times than to receive the
> virus DON'T open it and shut down your computer
> immediately...  This is the worst virus announced by
> CNN, it's been classified by Microsoft as the most
> destructive virus ever.  The virus was discovered by
> Mcfee yesterday, and there's no repair yet for this
> particular virus.  It simply destroys the Zero
> Sector of the Hard Disk, where vital information is
> kept.
> 
> >Also:- Emails with pictures of Osama Bin-Laden
> hanged are being sent and the moment you open these
> emails your computer will crash and you will not be
> able to fix it! This e-mail is being distributed
> through countries around the globe, but mainly in
> the US and Israel. Don't be inconsiderate; send this
> warning to whomever you know.  If you get an email
> along the lines of "Osama Bin Laden Captured" or
> "Osama Hanged" don't open the attachment.
> 
> This will also affect home machines.
> 
>         SEND THIS E-MAIL TO EVERYONE YOU KNOW.
> 
> SO2 G2 (Prot Sy)
> 
> The information contained in this email is privat
> and is solely for the use of the intended 
> 
> Recipient(s).  If you are not the inteded recipient,
> you have no legal right to use the contents
> 
> Of this email.  The views expressed in this email do
> not necessarily reflect  Government
> 
> 
> 
>
**********************************************************************
> This email and any files transmitted with it are
> private and intended 
> solely for the use of the individual or entity to
> whom they are addressed. 
> If you have received this email in error please
> return it to the address 
> it came from telling them it is not for you and then
> delete it from your system.
> 
> This email message has been swept for computer
> viruses.
> 
>
**********************************************************************
> 
> The original of this email was scanned for viruses
> by Government Secure Intranet (GSi) virus scanning
> service supplied exclusively by Cable & Wireless in
> partnership with MessageLabs.
> On leaving the GSI this email was certified virus
> free.
> The MessageLabs Anti Virus Service is the first
> managed service to achieve the CSIA Claims Tested
> Mark (CCTM Certificate Number 2006/04/0007), the UK
> Government quality mark initiative for information
> security products and services. For more information
> about this please visit www.cctmark.gov.uk
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 18:11:42 2006
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Date: Fri, 14 Jul 2006 14:11:37 -0400
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: Hoax!!!!!    COMPUTER VIRUSES be warned.....
References: 	<garethwhittock$81.79.37.69$.001a01c6a831$aa9df3e0$5d01a8c0@acer81080ea37f>
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Just checked this out, it's a long time hoax that keeps resurfacing.

check out
http://www.sophos.com/pressoffice/news/articles/2006/02/olympictorch.html






Quoting gareth whittock <gareth@whiteoakstudios.freeserve.co.uk>:

> FW: COMPUTER VIRUSES
> ----- Original Message -----
> From: Breeze, Brian
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 18:16:32 2006
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Date: Fri, 14 Jul 2006 11:16:30 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: Hoax!!!!!    COMPUTER VIRUSES be warned.....
To: Loopers-Delight@loopers-delight.com
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link didnt work,but thanks.
                    DS

--- phaslem@wightman.ca wrote:

> Just checked this out, it's a long time hoax that
> keeps resurfacing.
> 
> check out
>
http://www.sophos.com/pressoffice/news/articles/2006/02/olympictorch.html
> 
> 
> 
> 
> 
> 
> Quoting gareth whittock
> <gareth@whiteoakstudios.freeserve.co.uk>:
> 
> > FW: COMPUTER VIRUSES
> > ----- Original Message -----
> > From: Breeze, Brian
> >
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 18:53:03 2006
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Date: Fri, 14 Jul 2006 20:53:01 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: what kind of gear setups to you guys use ?
To: loopers-delight@loopers-delight.com
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--0-1533158704-1152903181=:15309
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Hi !

Gear-setup, liveplaying (PA), liverecording. 

I will try explaining with my poor english.

I play guitar. I uses my repeater into my two amps fx-rute. I do this to get some kind of stereosound. Both on my loops and on my guitar-leads. I do like the sound. 

What I miss:
I would like to play live, and still be able to record the loops and my more regular guitarplaying into different tracks (live). I could buy more amps...

Do you guys have some gear-setup tips ?

I would like all my guitareffects be able to go into the loops, and still be abel to seperat my loops and my additional guitarplaying, and maybe still have my guitarplaying in stereo. For pic and sound  http://www.runefagereng.com/hobbies.htm

What kind of setup do you guys use and why ?



best regards of Rune F.



www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
--0-1533158704-1152903181=:15309
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Hi !<BR><BR>Gear-setup, liveplaying (PA), liverecording. <BR><BR>I will try explaining with my poor english.<BR><BR>I play guitar. I uses my repeater into my two amps fx-rute. I do this to get some kind of stereosound. Both on my loops and on my guitar-leads. I do like the sound. <BR><BR>What I miss:<BR>I would like to play live, and still be able to record the loops and my more regular guitarplaying into different tracks (live). I could buy more amps...<BR><BR>Do you guys have some gear-setup tips ?<BR><BR>I would like all my guitareffects be able to go into the loops, and still be abel to seperat my loops and my additional guitarplaying, and maybe still have my guitarplaying in stereo.&nbsp;For pic and sound&nbsp;&nbsp;<A href="http://www.runefagereng.com/hobbies.htm">http://www.runefagereng.com/hobbies.htm</A><BR><BR>What kind of setup do you guys use and why ?<BR><BR><BR><BR>best regards of Rune
 F.<BR><BR><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-1533158704-1152903181=:15309--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 18:58:59 2006
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Date: Fri, 14 Jul 2006 12:02:31 -0700
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Dear Fellow Loopers,

I've recently found out that my wife and I are expecting our first
child.  A very exciting time for us!  Unfortunately, to make room and in
anticipation of future expenses and tighter schedules, I'll be selling
some of my music equipment.

I have the following items for sale:

DJRND2 custom looper made by Emmanuel Perille	$500
KAOSS PAD KP-1 (x2)				$125 each
ENSONIQ DP/4 effects processor			$200
	- one input gain knob is broken off
	doesn't affect usability much at all
KORG MS2000 analog modeling synth		$500

I also have a couple of rack units that I could only sell locally given
their weight.

The first is made of wood covered with black carpet with side handles,
removable front, back and top panels, 6 rack spaces, a sliding shelf and
space for power adapters underneath the rack spots.  $50

The second is a metal slanted studio rack about 2 feet high and 2 feet
deep, I think it's 6 or 8 rack spaces, but I don't know for sure.  $25

I live in Orange, CA and work in Glendora, CA.  Local pickup preferred
but will ship anywhere in the world.

Hope I can help someone out with this gear and pass along the joy to
fellow loopers.

Best,
Jonathan
(aka phalen180 / hilflos kind)

From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 19:03:03 2006
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From: cburke55@comcast.net (Christophe)
To: Loopers-Delight@loopers-delight.com
Subject: Re: Hoax!!!!!    COMPUTER VIRUSES be warned.....
Date: Fri, 14 Jul 2006 19:02:59 +0000
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Even so, the spirit of the warning is appreciated.  Thanks, Gareth!


 -------------- Original message ----------------------
From: daniel stevenson <stillllscary@yahoo.com>
> link didnt work,but thanks.
>                     DS
> 
> --- phaslem@wightman.ca wrote:
> 
> > Just checked this out, it's a long time hoax that
> > keeps resurfacing.
> > 
> > check out
> >
> http://www.sophos.com/pressoffice/news/articles/2006/02/olympictorch.html
> > 
> > 
> > 
> > 
> > 
> > 
> > Quoting gareth whittock
> > <gareth@whiteoakstudios.freeserve.co.uk>:
> > 
> > > FW: COMPUTER VIRUSES
> > > ----- Original Message -----
> > > From: Breeze, Brian
> > >
> > 
> > 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
> 


From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 19:06:52 2006
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Date: Fri, 14 Jul 2006 13:00:20 -0500
From: cpr@musetrap.com
To: gareth@whiteoakstudios.freeserve.co.uk
Cc: Loopers-Delight@loopers-delight.com
Subject: Re: Fw: : COMPUTER VIRUSES be warned
References: <garethwhittock$81.79.37.69$.001a01c6a831$aa9df3e0$5d01a8c0@acer81080ea37f>
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PLEASE PLEASE PLEASE investigate these things before sending out email. This is
a hoax, and, if you think about it, a virus unto itself.. you have been
infected, and you are spreading it..

http://www.snopes.com/computer/virus/invitation.asp

a good rule of thumb, if it says 'send this to everyone you know', it's likely
to be a hoax...

peace
-cpr

Quoting gareth whittock <gareth@whiteoakstudios.freeserve.co.uk>:

> FW: COMPUTER VIRUSES
> ----- Original Message ----- 
> From: Breeze, Brian 
> To: relms140@hotmail.co.uk ; E. Breeze ; shaun.carling@yahoo.com.au ; Evans
> M.A. ; Ruhr M.V.D. ; gareth.whittock@whiteoakstudios.freeserve.co.uk ; Mike
> Gibbins ; ljnickolds@fsmail.net ; tonnagirl@hotmail.com ; Brian Cainen ; Dr
> Paul A Conway ; darren james ; dave@swanseajazzland.co.uk ;
> bendy_studios@hotmail.co.uk ; Jenkins Ann. ; Adrian Scott ; c.meek@swan.ac.uk
> ; Sheepy . ; eurof@acmetv.net ; Elliott J. ; IAN SIMMONS ; Kuljurgis, Carsten
> ; Phillips, Leighton ; PETER WILLIAMS ; paaching@hotmail.com ; Phillipa ;
> Rasha Albazaz ; rick.lewis@philosophynow.org ; sales@northdown.demon.co.uk ;
> swanseajazzland1@yahoo.co.uk ; Michael Jenkins 
> Sent: Friday, July 14, 2006 11:12 AM
> Subject: FW: : COMPUTER VIRUSES be warned
> 
> 
>  
> 
> From: Dobrowolski Michael [mailto:Michael.Dobrowolski@homeoffice.gsi.gov.uk]
> 
> Sent: 14 July 2006 07:34
> To: 'chrisdobrowolska@lineone.net'; 'Mark Carr'; Lewis, Bob
> Subject: FW: : COMPUTER VIRUSES be warned
> Importance: High
> 
>  
> 
>  
> 
> Watch for this one,
> 
>  
> 
> Mike
> 
>  
> 
> Be alert during the next few days:  Don't open any message with an attached
> file called "Invitation", regardless of who sent it.  It's a virus that opens
> an Olympic Torch that "burns" the whole hard disk of your computer.  This
> virus will come from someone who has your e-mail address; that's why you
> should send this e-mail to all your contacts.  It's better to receive this
> message 25 times than to receive the virus DON'T open it and shut down your
> computer immediately...  This is the worst virus announced by CNN, it's been
> classified by Microsoft as the most destructive virus ever.  The virus was
> discovered by Mcfee yesterday, and there's no repair yet for this particular
> virus.  It simply destroys the Zero Sector of the Hard Disk, where vital
> information is kept.
> 
> >Also:- Emails with pictures of Osama Bin-Laden hanged are being sent and the
> moment you open these emails your computer will crash and you will not be
> able to fix it! This e-mail is being distributed through countries around the
> globe, but mainly in the US and Israel. Don't be inconsiderate; send this
> warning to whomever you know.  If you get an email along the lines of "Osama
> Bin Laden Captured" or "Osama Hanged" don't open the attachment.
> 
> This will also affect home machines.
> 
>         SEND THIS E-MAIL TO EVERYONE YOU KNOW.
> 
> SO2 G2 (Prot Sy)
> 
> The information contained in this email is privat and is solely for the use
> of the intended 
> 
> Recipient(s).  If you are not the inteded recipient, you have no legal right
> to use the contents
> 
> Of this email.  The views expressed in this email do not necessarily reflect 
> Government
> 
> 
> 
> **********************************************************************
> This email and any files transmitted with it are private and intended 
> solely for the use of the individual or entity to whom they are addressed. 
> If you have received this email in error please return it to the address 
> it came from telling them it is not for you and then delete it from your
> system.
> 
> This email message has been swept for computer viruses.
> 
> **********************************************************************
> 
> The original of this email was scanned for viruses by Government Secure
> Intranet (GSi) virus scanning service supplied exclusively by Cable &
> Wireless in partnership with MessageLabs.
> On leaving the GSI this email was certified virus free.
> The MessageLabs Anti Virus Service is the first managed service to achieve
> the CSIA Claims Tested Mark (CCTM Certificate Number 2006/04/0007), the UK
> Government quality mark initiative for information security products and
> services. For more information about this please visit www.cctmark.gov.uk
> 




----------------------------------------------------------------
This message was sent using IMP, the Internet Messaging Program.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 19:38:44 2006
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To: <Loopers-Delight@loopers-delight.com>
Subject: what kind of gear setups to you guys use ?
Date: Fri, 14 Jul 2006 21:38:35 +0200
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Don't know if I really get what you want to do, but I'll try:

I guess the most simple setup to do multitrack recording, taking into
account that you most probably already have a sufficient computer, would be
to use a mixer with multitrack firewire interface. I was told (but haven't
tried them myself) that the ones with the best price/performance ratio are
the Alesis MultiMix Firewire thingies (which are available as 8, 12 and 16
channel variants), which also come with a Cubase LE software.


________________________________

	Von: rune fagereng [mailto:rune_fagereng@yahoo.no] 
	Gesendet: Freitag, 14. Juli 2006 20:53
	An: loopers-delight@loopers-delight.com
	Betreff: what kind of gear setups to you guys use ?
	
	
	Hi !
	
	Gear-setup, liveplaying (PA), liverecording. 
	
	I will try explaining with my poor english.
	
	I play guitar. I uses my repeater into my two amps fx-rute. I do
this to get some kind of stereosound. Both on my loops and on my
guitar-leads. I do like the sound. 
	
	What I miss:
	I would like to play live, and still be able to record the loops and
my more regular guitarplaying into different tracks (live). I could buy more
amps...
	
	Do you guys have some gear-setup tips ?
	
	I would like all my guitareffects be able to go into the loops, and
still be abel to seperat my loops and my additional guitarplaying, and maybe
still have my guitarplaying in stereo. For pic and sound
http://www.runefagereng.com/hobbies.htm
	
	What kind of setup do you guys use and why ?
	
	
	
	best regards of Rune F.
	
	
	
	www.runefagereng.com
	Mail:rune_fagereng@yahoo.no
	Mob: 917 95 867


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From: Per Boysen <perboysen@gmail.com>
Subject: Re: What will sync to EDP?
Date: Fri, 14 Jul 2006 21:29:34 +0200
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On Jul 14, 2006, at 19:22, Mark Rosenberg wrote:

> An EDP inspired VST like Mobius would be very
> complementary in a performance setting.
>
> Are you able to record Mobius audio output into Live?

Yes. Any audio stream passing Live can be recorded as an Audio Clip.  
Simply arm the Track and select a Slot. You can route audio streams  
between Tracks and you can send them to Return Tracks (effect loops)  
that are set to other tracks (by the Return Track's output box).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: Per Boysen <perboysen@gmail.com>
Subject: Re: what kind of gear setups to you guys use ?
Date: Fri, 14 Jul 2006 21:55:37 +0200
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On Jul 14, 2006, at 20:53, rune fagereng wrote:

> Do you guys have some gear-setup tips ?
>
> I would like all my guitareffects be able to go into the loops, and  
> still be abel to seperat my loops and my additional guitarplaying,  
> and maybe still have my guitarplaying in stereo.

Try putting the Repeater in the effect loop of a little mixer. Play  
your effect boxes before the mixer or, depending in what type of box  
it is, in other mixer loops. Be sure to not use the Repeater input  
with the latency afflicted direct sound; there should be no direct  
sound for a mixer effect loop placement of a Repeater. Bring back the  
four repeater outputs on separate mixer channels. Send the mixer  
master output to the PA system.

This set-up will meat all your ambitions except making your mono  
guitar signal stereo. But you can use a stereo fx box for that. You  
can pan your four loop tracks as you wish and even split a Repeater  
stereo track into two mono tracks and slip one of them for ultra wide  
stereo (that trick is especially cool if your first recorded "stereo  
loop" is mono recorded into two panned Repeater tracks).

FYI I was using such a mixer/Repeater/EDP rig some years ago and  
found it very creative. The only drawback was the huge rack and the  
noise coming with the mixer (picture at www.looproom.com/ 
livelooping.php)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 20:10:19 2006
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Date: Fri, 14 Jul 2006 22:10:17 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: what kind of gear setups to you guys use ?
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Thanks !
   
  You answer as always, as a gentleman.
   
  best regards Rune F

Per Boysen <perboysen@gmail.com> skrev:
  On Jul 14, 2006, at 20:53, rune fagereng wrote:

> Do you guys have some gear-setup tips ?
>
> I would like all my guitareffects be able to go into the loops, and 
> still be abel to seperat my loops and my additional guitarplaying, 
> and maybe still have my guitarplaying in stereo.

Try putting the Repeater in the effect loop of a little mixer. Play 
your effect boxes before the mixer or, depending in what type of box 
it is, in other mixer loops. Be sure to not use the Repeater input 
with the latency afflicted direct sound; there should be no direct 
sound for a mixer effect loop placement of a Repeater. Bring back the 
four repeater outputs on separate mixer channels. Send the mixer 
master output to the PA system.

This set-up will meat all your ambitions except making your mono 
guitar signal stereo. But you can use a stereo fx box for that. You 
can pan your four loop tracks as you wish and even split a Repeater 
stereo track into two mono tracks and slip one of them for ultra wide 
stereo (that trick is especially cool if your first recorded "stereo 
loop" is mono recorded into two panned Repeater tracks).

FYI I was using such a mixer/Repeater/EDP rig some years ago and 
found it very creative. The only drawback was the huge rack and the 
noise coming with the mixer (picture at www.looproom.com/ 
livelooping.php)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom






www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
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<div>Thanks !</div>  <div>&nbsp;</div>  <div>You answer as always, as a gentleman.</div>  <div>&nbsp;</div>  <div>best regards Rune F<BR><BR><B><I>Per Boysen &lt;perboysen@gmail.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">On Jul 14, 2006, at 20:53, rune fagereng wrote:<BR><BR>&gt; Do you guys have some gear-setup tips ?<BR>&gt;<BR>&gt; I would like all my guitareffects be able to go into the loops, and <BR>&gt; still be abel to seperat my loops and my additional guitarplaying, <BR>&gt; and maybe still have my guitarplaying in stereo.<BR><BR>Try putting the Repeater in the effect loop of a little mixer. Play <BR>your effect boxes before the mixer or, depending in what type of box <BR>it is, in other mixer loops. Be sure to not use the Repeater input <BR>with the latency afflicted direct sound; there should be no direct <BR>sound for a mixer effect loop placement of a Repeater. Bring back
 the <BR>four repeater outputs on separate mixer channels. Send the mixer <BR>master output to the PA system.<BR><BR>This set-up will meat all your ambitions except making your mono <BR>guitar signal stereo. But you can use a stereo fx box for that. You <BR>can pan your four loop tracks as you wish and even split a Repeater <BR>stereo track into two mono tracks and slip one of them for ultra wide <BR>stereo (that trick is especially cool if your first recorded "stereo <BR>loop" is mono recorded into two panned Repeater tracks).<BR><BR>FYI I was using such a mixer/Repeater/EDP rig some years ago and <BR>found it very creative. The only drawback was the huge rack and the <BR>noise coming with the mixer (picture at www.looproom.com/ <BR>livelooping.php)<BR><BR>Greetings from Sweden<BR><BR>Per Boysen<BR>www.boysen.se (Swedish)<BR>www.looproom.com (international)<BR>http://tinyurl.com/fauvm
 (podcast)<BR>http://www.myspace.com/looproom<BR><BR><BR><BR></BLOCKQUOTE><BR><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-1102982108-1152907817=:20847--

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rune.....looking at the pictures on your site i did not see a mixer.....if 
you do not use one it should fit the bill for you (allow you to do what you 
want).....can we have a loopfest at your cabin, sounds wonderful!.....hope this 
helps.....michael



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">rune.....looking at the pictures on you=
r site i did not see a mixer.....if you do not use one it should fit the bil=
l for you (allow you to do what you want).....can we have a loopfest at your=
 cabin, sounds wonderful!.....hope this helps.....michael<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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Date: Fri, 14 Jul 2006 22:24:08 +0200 (CEST)
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Subject: Vedr. Re: what kind of gear setups to you guys use ?
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Hi !
   
  I`ll look into this. Thanks ! 
  Please tell me, in this setup can I also use one amp for analog guitarsound ?
  Can you make a signal routing drawing ?
   
  My gear is; git- prescription fuzz-wah- rat- boss dd- boss sustain-micro synth-tc 2290-repeater-mesa-fender.
   
  If I buy a mixer, and still wants one amp?
   
  best regards Rune F 

Per Boysen <perboysen@gmail.com> skrev:
  On Jul 14, 2006, at 20:53, rune fagereng wrote:

> Do you guys have some gear-setup tips ?
>
> I would like all my guitareffects be able to go into the loops, and 
> still be abel to seperat my loops and my additional guitarplaying, 
> and maybe still have my guitarplaying in stereo.

Try putting the Repeater in the effect loop of a little mixer. Play 
your effect boxes before the mixer or, depending in what type of box 
it is, in other mixer loops. Be sure to not use the Repeater input 
with the latency afflicted direct sound; there should be no direct 
sound for a mixer effect loop placement of a Repeater. Bring back the 
four repeater outputs on separate mixer channels. Send the mixer 
master output to the PA system.

This set-up will meat all your ambitions except making your mono 
guitar signal stereo. But you can use a stereo fx box for that. You 
can pan your four loop tracks as you wish and even split a Repeater 
stereo track into two mono tracks and slip one of them for ultra wide 
stereo (that trick is especially cool if your first recorded "stereo 
loop" is mono recorded into two panned Repeater tracks).

FYI I was using such a mixer/Repeater/EDP rig some years ago and 
found it very creative. The only drawback was the huge rack and the 
noise coming with the mixer (picture at www.looproom.com/ 
livelooping.php)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom






www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
--0-1610714686-1152908648=:17265
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<div>Hi !</div>  <div>&nbsp;</div>  <div>I`ll look into this. Thanks ! </div>  <div>Please tell me, in this setup can I also&nbsp;use one amp for analog guitarsound ?</div>  <div>Can you make a signal routing drawing ?</div>  <div>&nbsp;</div>  <div>My gear is; git- prescription fuzz-wah- rat- boss dd- boss&nbsp;sustain-micro synth-tc 2290-repeater-mesa-fender.</div>  <div>&nbsp;</div>  <div>If I buy a mixer, and still wants one amp?</div>  <div>&nbsp;</div>  <div>best regards Rune F&nbsp;<BR><BR><B><I>Per Boysen &lt;perboysen@gmail.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">On Jul 14, 2006, at 20:53, rune fagereng wrote:<BR><BR>&gt; Do you guys have some gear-setup tips ?<BR>&gt;<BR>&gt; I would like all my guitareffects be able to go into the loops, and <BR>&gt; still be abel to seperat my loops and my additional guitarplaying, <BR>&gt; and maybe still have my guitarplaying in
 stereo.<BR><BR>Try putting the Repeater in the effect loop of a little mixer. Play <BR>your effect boxes before the mixer or, depending in what type of box <BR>it is, in other mixer loops. Be sure to not use the Repeater input <BR>with the latency afflicted direct sound; there should be no direct <BR>sound for a mixer effect loop placement of a Repeater. Bring back the <BR>four repeater outputs on separate mixer channels. Send the mixer <BR>master output to the PA system.<BR><BR>This set-up will meat all your ambitions except making your mono <BR>guitar signal stereo. But you can use a stereo fx box for that. You <BR>can pan your four loop tracks as you wish and even split a Repeater <BR>stereo track into two mono tracks and slip one of them for ultra wide <BR>stereo (that trick is especially cool if your first recorded "stereo <BR>loop" is mono recorded into two panned Repeater tracks).<BR><BR>FYI I was using such a mixer/Repeater/EDP rig some years ago and <BR>found it
 very creative. The only drawback was the huge rack and the <BR>noise coming with the mixer (picture at www.looproom.com/ <BR>livelooping.php)<BR><BR>Greetings from Sweden<BR><BR>Per Boysen<BR>www.boysen.se (Swedish)<BR>www.looproom.com (international)<BR>http://tinyurl.com/fauvm (podcast)<BR>http://www.myspace.com/looproom<BR><BR><BR><BR></BLOCKQUOTE><BR><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-1610714686-1152908648=:17265--

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Subject: Vedr. Re: what kind of gear setups to you guys use ?
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Thanks !
   
  Yes, a party would be nice.
  I`ll look into buying a mixer.
   
  best regards of Rune F.
   

Nemoguitt@aol.com skrev:
  rune.....looking at the pictures on your site i did not see a mixer.....if you do not use one it should fit the bill for you (allow you to do what you want).....can we have a loopfest at your cabin, sounds wonderful!.....hope this helps.....michael



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11



www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
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<div>Thanks !</div>  <div>&nbsp;</div>  <div>Yes, a party would be nice.</div>  <div>I`ll look into buying a mixer.</div>  <div>&nbsp;</div>  <div>best regards of Rune F.</div>  <div>&nbsp;<BR><BR><B><I>Nemoguitt@aol.com</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid"><FONT face=arial,helvetica><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF">rune.....looking at the pictures on your site i did not see a mixer.....if you do not use one it should fit the bill for you (allow you to do what you want).....can we have a loopfest at your cabin, sounds wonderful!.....hope this helps.....michael<BR><BR><BR><BR>www.ct-collective.com<BR>http://mysite.verizon.net/vzepmeci/<BR>http://www.myspace.com/klobuchar11<BR></FONT><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF"></FONT></BLOCKQUOTE><BR></FONT><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-322306534-1152908807=:33897--

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Rune

you might also want to check out the Looperlative -  
www.looperlative.com - you have the option to record 8 separate  
stereo tracks, which can be synced to eachother, multiples of  
eachother or completely independent. And when the software is  
upgraded, it will eventually be able to have any of those 8 routed to  
the three stereo outs, which you could send to separate amps, or to  
separate ins on your recording device.

cheers

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Rune<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>you might also want to =
check out the Looperlative - <A =
href=3D"http://www.looperlative.com">www.looperlative.com</A> - you have =
the option to record 8 separate stereo tracks, which can be synced to =
eachother, multiples of eachother or completely independent. And when =
the software is upgraded, it will eventually be able to have any of =
those 8 routed to the three stereo outs, which you could send to =
separate amps, or to separate ins on your recording =
device.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>cheers</DIV><DIV><BR><DIV> =
<SPAN class=3D"Apple-style-span" style=3D"border-collapse: separate; =
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font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
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"><DIV>Steve</DIV><DIV>www.stevelawson.net - =
site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccollec=
tive.org</A> - =
blog</DIV><DIV>www.myspace.com/solobassstevelawson</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 21:06:34 2006
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I think that must be it!

On Jul 11, 2006, at 5:11 PM, Brian Good wrote:

> Zoe Keating wrote:
>> t...in the UK the pedal is quiet. in the US the pedal has a hum!
>
> So you don't think it's just the well-known British reserve?
>
> Brian
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 21:50:20 2006
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Subject: Re: Vedr. Re: what kind of gear setups to you guys use ?
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> My gear is; git- prescription fuzz-wah- rat- boss dd- boss sustain- 
> micro synth-tc 2290-repeater-mesa-fender.
>
> If I buy a mixer, and still wants one amp?
>
Suggestion: Look into the Switchblade GL from www.soundsculpture.com   
I didn't keep up with everything you're looking to do, but the  
Switchblade line easily replaces an external mixer and lets you route  
any effect to any other effect. You can use multiple amps, too. You  
can blend and mix the signals in just about any way you can imagine.  
Anyway, I mention it just in case you weren't aware that this box was  
out there.

Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Jul 14 22:25:57 2006
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Hi Rune,
if it can help, here is my latest setup and a brief intro:

After one year of analysis before switching my "hardware-just" setup to
a hw/sw one, the following set up is what I consider the best solution 
combining
my hardware and a light software for real time processing, looping and 
routing
control.

Eventide Orville
Tc Electronic Fireworx
Boss Vf1
Rme FF800 ( will be substituted by a FF400)
Rolls Midiwizard foot controller with 5 continous pedals
Doepfer controlfader ( 16 midi faders)
Laptop

The sw application in which all midi/audio routing and Mobius hosting
happen is Usine.

Audio input enters via Fireface inputs 1/2 ( 1 for mic, 2 for gtr).
All the hardware effectors are connected via analog or digital
connections to the Fireface ( in and out).
The input is split to the 4 ( Orville is a double stereo processor)
stereo outputs that go into the respective hardware processors.
Their outputs come back to the Fireface inputs.
Fireface sends a mixed master output from channels 9/10 ( potentially
you could get crazy with multichannel settings here !)
There is no dry signal going to master out.
I have the chance to "feed" any single processor using 4 of the
continous controllers for parallel processing.
Mobius is on an "aux track".
I have set ( not yet honestly, but I will do it tomorrow) things so that:
There is a crossing midi control that shifts the Fireworx from being
processing the main input or Mobius output ( one single control to
avoid feedbacks).
I can send the Vf1 out to feed Orville second processor ( default
setup) or keeping them separate, each one fed by main input.
Other midi controls are used for single processors outputs and to
control their espective algorithm parameters.

This is what I was looking for.
The widest control over signal flow and a good user interface, to
allow live use be musical and not scientifical.

In this way I am using an audio interface and a laptop instead of two
echoplexes ( and still feeling having not enough) and a Sound Sculpture 
Switchblade
router/splitter, great but: 1) analog, 2) not deep as a sw matrix).
I've sold my echoplexes and my Switchblade is on sale now.

Now,
this set up is under test of reliability ( knock on wood).

best,
luca

rune fagereng wrote:

> Hi !
>
> Gear-setup, liveplaying (PA), liverecording.
>
> I will try explaining with my poor english.
>
> I play guitar. I uses my repeater into my two amps fx-rute. I do this 
> to get some kind of stereosound. Both on my loops and on my 
> guitar-leads. I do like the sound.
>
> What I miss:
> I would like to play live, and still be able to record the loops and 
> my more regular guitarplaying into different tracks (live). I could 
> buy more amps...
>
> Do you guys have some gear-setup tips ?
>
> I would like all my guitareffects be able to go into the loops, and 
> still be abel to seperat my loops and my additional guitarplaying, and 
> maybe still have my guitarplaying in stereo. For pic and 
> sound  http://www.runefagereng.com/hobbies.htm
>
> What kind of setup do you guys use and why ?
>
>
>
> best regards of Rune F.
>
>
>
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867 

From Loopers-Delight-request@loopers-delight.com  Sat Jul 15 00:52:33 2006
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can you even pick this thing up in the US yet? I would like to know  
more about it but the site is limited....

thanks,
ken;
On Jul 14, 2006, at 4:55 PM, Steve Lawson wrote:

> Rune
>
> you might also want to check out the Looperlative -  
> www.looperlative.com - you have the option to record 8 separate  
> stereo tracks, which can be synced to eachother, multiples of  
> eachother or completely independent. And when the software is  
> upgraded, it will eventually be able to have any of those 8 routed  
> to the three stereo outs, which you could send to separate amps, or  
> to separate ins on your recording device.
>
> cheers
>
> Steve
> www.stevelawson.net - site
> www.stevelawson.net/zencart/ - shop
> http://steve.anthropiccollective.org - blog
> www.myspace.com/solobassstevelawson
>
>
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">can you even pick this thing up =
in the US yet? I would like to know more about it but the site is =
limited....<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>thanks,</DIV><DIV>ken;<BR><DI=
V><DIV>On Jul 14, 2006, at 4:55 PM, Steve Lawson wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite">Rune<DIV><BR=
 class=3D"khtml-block-placeholder"></DIV><DIV>you might also want to =
check out the Looperlative - <A =
href=3D"http://www.looperlative.com">www.looperlative.com</A> - you have =
the option to record 8 separate stereo tracks, which can be synced to =
eachother, multiples of eachother or completely independent. And when =
the software is upgraded, it will eventually be able to have any of =
those 8 routed to the three stereo outs, which you could send to =
separate amps, or to separate ins on your recording =
device.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>cheers</DIV><DIV><BR><DIV> =
<SPAN class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
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-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; =
"><DIV>Steve</DIV><DIV>www.stevelawson.net - =
site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccollec=
tive.org</A> - =
blog</DIV><DIV>www.myspace.com/solobassstevelawson</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
PAN> </DIV><BR></DIV></BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 15 01:11:13 2006
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To: Loopers Delight <Loopers-Delight@loopers-delight.com>
From: Ken Hawkins <ken@rosewoodblues.com>
Subject: OT selling a couple of echoplex'
Date: Fri, 14 Jul 2006 21:11:09 -0400
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Hi all,

at it again. before These go to ebay i thought I would see if anyone  
wants them here. I have a couple (stereo) of gibson echoplex's with  
one foot controller.

http://web.mac.com/rosewoodblues/iWeb/Site/Rack%20system.html

I will have to open a box to see if I have another foot controller.  
If anyone wants them I will let em go for 1400.00 for the pair with  
the controller. I am changing my gear again and trying some other  
looping alternatives....

please someone give these a good home as they have been babied here  
and work flawlessly!

sorry if someone thinks this is spam. I am looking to set up similar  
to Fripp's current soundscaping rig. awesome stuff!

cheers,
ken;

From Loopers-Delight-request@loopers-delight.com  Sat Jul 15 01:19:01 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Thanks, Gareth. BTW, on a similar topic, does anyone know anything about
virgilio.it? It seems to be where at least HALF of my spam comes from. 
~Tim


> [Original Message]
> From: daniel stevenson <stillllscary@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 7/14/2006 2:10:07 PM
> Subject: Re: Fw: : COMPUTER VIRUSES be warned
>
> thanks for the warning,sounds like a nasty virus!
>                   future,
>                      dsv
>
> --- gareth whittock
> <gareth@whiteoakstudios.freeserve.co.uk> wrote:
>
> > FW: COMPUTER VIRUSES
> > ----- Original Message ----- 
> > From: Breeze, Brian 
> > To: relms140@hotmail.co.uk ; E. Breeze ;
> > shaun.carling@yahoo.com.au ; Evans M.A. ; Ruhr
> > M.V.D. ;
> > gareth.whittock@whiteoakstudios.freeserve.co.uk ;
> > Mike Gibbins ; ljnickolds@fsmail.net ;
> > tonnagirl@hotmail.com ; Brian Cainen ; Dr Paul A
> > Conway ; darren james ; dave@swanseajazzland.co.uk ;
> > bendy_studios@hotmail.co.uk ; Jenkins Ann. ; Adrian
> > Scott ; c.meek@swan.ac.uk ; Sheepy . ;
> > eurof@acmetv.net ; Elliott J. ; IAN SIMMONS ;
> > Kuljurgis, Carsten ; Phillips, Leighton ; PETER
> > WILLIAMS ; paaching@hotmail.com ; Phillipa ; Rasha
> > Albazaz ; rick.lewis@philosophynow.org ;
> > sales@northdown.demon.co.uk ;
> > swanseajazzland1@yahoo.co.uk ; Michael Jenkins 
> > Sent: Friday, July 14, 2006 11:12 AM
> > Subject: FW: : COMPUTER VIRUSES be warned
> > 
> > 
> >  
> > 
> > From: Dobrowolski Michael
> > [mailto:Michael.Dobrowolski@homeoffice.gsi.gov.uk] 
> > Sent: 14 July 2006 07:34
> > To: 'chrisdobrowolska@lineone.net'; 'Mark Carr';
> > Lewis, Bob
> > Subject: FW: : COMPUTER VIRUSES be warned
> > Importance: High
> > 
> >  
> > 
> >  
> > 
> > Watch for this one,
> > 
> >  
> > 
> > Mike
> > 
> >  
> > 
> > Be alert during the next few days:  Don't open any
> > message with an attached file called "Invitation",
> > regardless of who sent it.  It's a virus that opens
> > an Olympic Torch that "burns" the whole hard disk of
> > your computer.  This virus will come from someone
> > who has your e-mail address; that's why you should
> > send this e-mail to all your contacts.  It's better
> > to receive this message 25 times than to receive the
> > virus DON'T open it and shut down your computer
> > immediately...  This is the worst virus announced by
> > CNN, it's been classified by Microsoft as the most
> > destructive virus ever.  The virus was discovered by
> > Mcfee yesterday, and there's no repair yet for this
> > particular virus.  It simply destroys the Zero
> > Sector of the Hard Disk, where vital information is
> > kept.
> > 
> > >Also:- Emails with pictures of Osama Bin-Laden
> > hanged are being sent and the moment you open these
> > emails your computer will crash and you will not be
> > able to fix it! This e-mail is being distributed
> > through countries around the globe, but mainly in
> > the US and Israel. Don't be inconsiderate; send this
> > warning to whomever you know.  If you get an email
> > along the lines of "Osama Bin Laden Captured" or
> > "Osama Hanged" don't open the attachment.
> > 
> > This will also affect home machines.
> > 
> >         SEND THIS E-MAIL TO EVERYONE YOU KNOW.
> > 
> > SO2 G2 (Prot Sy)
> > 
> > The information contained in this email is privat
> > and is solely for the use of the intended 
> > 
> > Recipient(s).  If you are not the inteded recipient,
> > you have no legal right to use the contents
> > 
> > Of this email.  The views expressed in this email do
> > not necessarily reflect  Government
> > 
> > 
> > 
> >
> **********************************************************************
> > This email and any files transmitted with it are
> > private and intended 
> > solely for the use of the individual or entity to
> > whom they are addressed. 
> > If you have received this email in error please
> > return it to the address 
> > it came from telling them it is not for you and then
> > delete it from your system.
> > 
> > This email message has been swept for computer
> > viruses.
> > 
> >
> **********************************************************************
> > 
> > The original of this email was scanned for viruses
> > by Government Secure Intranet (GSi) virus scanning
> > service supplied exclusively by Cable & Wireless in
> > partnership with MessageLabs.
> > On leaving the GSI this email was certified virus
> > free.
> > The MessageLabs Anti Virus Service is the first
> > managed service to achieve the CSIA Claims Tested
> > Mark (CCTM Certificate Number 2006/04/0007), the UK
> > Government quality mark initiative for information
> > security products and services. For more information
> > about this please visit www.cctmark.gov.uk
> > 
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 


From Loopers-Delight-request@loopers-delight.com  Sat Jul 15 01:43:00 2006
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Subject: Re: the latest from BassLab...
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I'm loving it, and I don't even play bass!
~Tim


----- Original Message ----- 
From: Monica 
To: Loopers-Delight@loopers-delight.com
Sent: 7/14/2006 1:41:09 AM 
Subject: Re: the latest from BassLab...


Thanks for the Pavlovian vibes... Yes if all -or even most - or even any -
of these project ideas gain acceptance and backing from the mainstream
guitar and bass industry it's definitely going to be a big breakthrough.
Fingers crossed... 
Monica

daniel stevenson <stillllscary@yahoo.com> wrote:
I'm drooling like a...what drools a lot? bull-dog at
a pig roast. nice(state of the art)lookin out
Monica.
to the future,
scary visionary

--- Monica wrote:

> 
> 
> 
> 
>
http://ghservices.com/products/basslab/lab_std-ix-dk.html
> 
> 
> 
> ---------------------------------
> Do you Yahoo!?
> Get on board. You're invited to try the new Yahoo!
> Mail Beta.


__________________________________________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 






Yahoo! Music Unlimited - Access over 1 million songs. Try it free. 
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<HTML><HEAD>
<META content="MSHTML 6.00.2800.1555" name=GENERATOR></HEAD>
<BODY>
<DIV><FONT face="MS Sans Serif" size=2>I'm loving it, and I don't even play bass!</FONT></DIV>
<DIV><FONT face="MS Sans Serif" size=2>~Tim</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=coolintensity@yahoo.com href="mailto:coolintensity@yahoo.com">Monica</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 7/14/2006 1:41:09 AM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: the latest from BassLab...</DIV>
<DIV><BR></DIV><FONT size=2>
<DIV><FONT color=#00407f>Thanks for the Pavlovian vibes... Yes if all -or even most - or even any -</FONT></DIV>
<DIV><FONT color=#00407f>of these project ideas gain acceptance and backing from the mainstream</FONT></DIV>
<DIV><FONT color=#00407f>guitar and bass industry it's definitely going to be a big breakthrough.</FONT></DIV>
<DIV><FONT color=#00407f>Fingers crossed... </FONT></DIV>
<DIV><FONT color=#00407f>Monica</FONT><BR><BR><B><I>daniel stevenson &lt;stillllscary@yahoo.com&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I'm drooling like a...what drools a lot? bull-dog at<BR>a pig roast. nice(state of the art)lookin out<BR>Monica.<BR>to the future,<BR>scary visionary<BR><BR>--- Monica <COOLINTENSITY@YAHOO.COM>wrote:<BR><BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;<BR>http://ghservices.com/products/basslab/lab_std-ix-dk.html<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; ---------------------------------<BR>&gt; Do you Yahoo!?<BR>&gt; Get on board. You're invited to try the new Yahoo!<BR>&gt; Mail Beta.<BR><BR><BR>__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection around <BR>http://mail.yahoo.com <BR><BR></BLOCKQUOTE><BR>
<P>
<HR SIZE=1>
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 15 03:30:43 2006
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Message-ID: <20060715033041.87812.qmail@web55510.mail.re4.yahoo.com>
Date: Fri, 14 Jul 2006 20:30:41 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: Re: the latest from BassLab...
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <410-220067615147850@earthlink.net>
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Good news - BassLab also makes guitars! 
  http://www.basslab.de 

Timothy Mungenast <mungenast@earthlink.net> wrote:
      I'm loving it, and I don't even play bass!
  ~Tim
   
  
   
    ----- Original Message ----- 
  From: Monica 
  To: Loopers-Delight@loopers-delight.com
  Sent: 7/14/2006 1:41:09 AM 
  Subject: Re: the latest from BassLab...
  

  Thanks for the Pavlovian vibes... Yes if all -or even most - or even any -
  of these project ideas gain acceptance and backing from the mainstream
  guitar and bass industry it's definitely going to be a big breakthrough.
  Fingers crossed... 
  Monica

daniel stevenson <stillllscary@yahoo.com> wrote:
  I'm drooling like a...what drools a lot? bull-dog at
a pig roast. nice(state of the art)lookin out
Monica.
to the future,
scary visionary

--- Monica wrote:

> 
> 
> 
> 
>
http://ghservices.com/products/basslab/lab_std-ix-dk.html
> 
> 
> 
> ---------------------------------
> Do you Yahoo!?
> Get on board. You're invited to try the new Yahoo!
> Mail Beta.


__________________________________________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 


    
---------------------------------
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<div><FONT color=#40007f>Good news - BassLab also makes guitars! <IMG src="http://us.i1.yimg.com/us.yimg.com/i/mesg/tsmileys2/01.gif"></FONT></div>  <div><FONT color=#40007f><A href="http://www.basslab.de">http://www.basslab.de</A> </FONT><BR><BR><B><I>Timothy Mungenast &lt;mungenast@earthlink.net&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <META content="MSHTML 6.00.2800.1555" name=GENERATOR>  <DIV><FONT face="MS Sans Serif" size=2>I'm loving it, and I don't even play bass!</FONT></DIV>  <DIV><FONT face="MS Sans Serif" size=2>~Tim</FONT></DIV>  <DIV>&nbsp;</DIV>  <DIV></DIV>  <DIV>&nbsp;</DIV>  <BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">  <DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>  <DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=coolintensity@yahoo.com
 href="mailto:coolintensity@yahoo.com">Monica</A> </DIV>  <DIV style="FONT: 10pt arial"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>  <DIV style="FONT: 10pt arial"><B>Sent:</B> 7/14/2006 1:41:09 AM </DIV>  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: the latest from BassLab...</DIV>  <DIV><BR></DIV><FONT size=2>  <DIV><FONT color=#00407f>Thanks for the Pavlovian vibes... Yes if all -or even most - or even any -</FONT></DIV>  <DIV><FONT color=#00407f>of these project ideas gain acceptance and backing from the mainstream</FONT></DIV>  <DIV><FONT color=#00407f>guitar and bass industry it's definitely going to be a big breakthrough.</FONT></DIV>  <DIV><FONT color=#00407f>Fingers crossed... </FONT></DIV>  <DIV><FONT color=#00407f>Monica</FONT><BR><BR><B><I>daniel stevenson &lt;stillllscary@yahoo.com&gt;</I></B> wrote:</DIV>  <BLOCKQUOTE class=replbq
 style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I'm drooling like a...what drools a lot? bull-dog at<BR>a pig roast. nice(state of the art)lookin out<BR>Monica.<BR>to the future,<BR>scary visionary<BR><BR>--- Monica <COOLINTENSITY@YAHOO.COM>wrote:<BR><BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;<BR>http://ghservices.com/products/basslab/lab_std-ix-dk.html<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; ---------------------------------<BR>&gt; Do you Yahoo!?<BR>&gt; Get on board. You're invited to try the new Yahoo!<BR>&gt; Mail Beta.<BR><BR><BR>__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection around <BR>http://mail.yahoo.com <BR><BR></BLOCKQUOTE><BR>  <div>  <HR SIZE=1>  Yahoo! Music Unlimited - Access over 1 million songs. <A href="http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=36035/*http://music.yahoo.com/unlimited/">Try it free.</A>
 </FONT></BLOCKQUOTE></BLOCKQUOTE><BR><p>&#32;
		<hr size=1>Do you Yahoo!?<br> Next-gen email? Have it all with the <a href="http://us.rd.yahoo.com/evt=42241/*http://advision.webevents.yahoo.com/handraisers"> all-new Yahoo! Mail Beta.</a>
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 15 07:09:51 2006
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From: Adrian Bartholomew <adrian@bartholomusic.com>
Subject: Re: OT selling a couple of echoplex'
Date: Sat, 15 Jul 2006 02:09:24 -0500
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not for $1400
___
Adrian Bartholomew
8439 Lee Blvd
Leawood, KS 66206
(913) 660-6918


On Jul 14, 2006, at 8:11 PM, Ken Hawkins wrote:

> Hi all,
>
> at it again. before These go to ebay i thought I would see if  
> anyone wants them here. I have a couple (stereo) of gibson  
> echoplex's with one foot controller.
>
> http://web.mac.com/rosewoodblues/iWeb/Site/Rack%20system.html
>
> I will have to open a box to see if I have another foot controller.  
> If anyone wants them I will let em go for 1400.00 for the pair with  
> the controller. I am changing my gear again and trying some other  
> looping alternatives....
>
> please someone give these a good home as they have been babied here  
> and work flawlessly!
>
> sorry if someone thinks this is spam. I am looking to set up  
> similar to Fripp's current soundscaping rig. awesome stuff!
>
> cheers,
> ken;
>


--Apple-Mail-9-693989265
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">not for $1400<BR><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">___</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#790409"><B style=3D"color: rgb(121, =
4, 9); font-weight: bold; "><SPAN class=3D"Apple-style-span" =
style=3D"color: rgb(121, 4, 9); font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(121, 4, 9); font-weight: =
bold; ">Adrian=A0Bartholomew</SPAN></SPAN></B></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">8439 Lee Blvd</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Leawood, KS =
66206</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><B style=3D"font-weight: bold; =
"><I style=3D"font-style: italic; font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"font-style: italic; font-weight: =
bold; "><SPAN class=3D"Apple-style-span" style=3D"font-style: italic; =
font-weight: bold; ">(913) 660-6918</SPAN></SPAN></I></B></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN> =
</DIV><BR><DIV><DIV>On Jul 14, 2006, at 8:11 PM, Ken Hawkins =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Hi all,</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">at it =
again. before These go to ebay i thought I would see if anyone wants =
them here. I have a couple (stereo) of gibson echoplex's with one foot =
controller.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><A =
href=3D"http://web.mac.com/rosewoodblues/iWeb/Site/Rack%20system.html">htt=
p://web.mac.com/rosewoodblues/iWeb/Site/Rack%20system.html</A></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I will =
have to open a box to see if I have another foot controller. If anyone =
wants them I will let em go for 1400.00 for the pair with the =
controller. I am changing my gear again and trying some other looping =
alternatives....</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">please someone give these a good home as they have =
been babied here and work flawlessly!</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">sorry if =
someone thinks this is spam. I am looking to set up similar to Fripp's =
current soundscaping rig. awesome stuff!</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">cheers,</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">ken;</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV> =
</BLOCKQUOTE></DIV><BR></BODY></HTML>=

--Apple-Mail-9-693989265--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 15 07:26:14 2006
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References: <071420061902.16958.44B7EA6300063C9D0000423E2200750330CACA0A059D9A0D0C@comcast.net>
Subject: Re: Hoax!!!!!    COMPUTER VIRUSES be warned.....Wavedrum
Date: Sat, 15 Jul 2006 08:26:10 +0100
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Sorry guys -shooting from the hip - I appreciate the response below - some 
people get REALLY arsey when other people make simple mistakes.

Just about to take delivery of a Korg Wavedrum incidentally. Heard one in 
Japan and was blown away.
Who else is looping with one? - tips?

G


----- Original Message ----- 
From: "Christophe" <cburke55@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 14, 2006 8:02 PM
Subject: Re: Hoax!!!!! COMPUTER VIRUSES be warned.....


> Even so, the spirit of the warning is appreciated.  Thanks, Gareth!
>


From Loopers-Delight-request@loopers-delight.com  Sat Jul 15 08:17:33 2006
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Date: Sat, 15 Jul 2006 04:14:35 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to The AM/FM Show < 2 Hours from NOW!!
To: undisclosed-recipients: ;
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THE AM/FM SHOW ON WMUH:                               
http://soundscapes.us/amfm
================================================================================ 

My next stint on the AM/FM Show will be Saturday, July 15 at 6:00 am EDT 
/ GMT-4
which is less than two hours from now.  I will continue the special on 
E-dition
Electronic Music Magazine's sampler CDs.  I will also be featuring the 
latest
releases from Progrock Records.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of 
Muhlenberg
College.  I alternate hosting the show with Bruce.  When I am at the 
helm, the
show features electronic, ambient, and spacemusic at the beginning, an 
eclectic
mix of genres in the middle, and winds up with Progressive Rock.  WMUH's 
web
site is http://www.muhlenberg.edu/wmuh

From Loopers-Delight-request@loopers-delight.com  Sat Jul 15 09:29:45 2006
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Subject: Re: Looperlative availability (was Re: what kind of gear...)
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Ken wrote:
 >>can you even pick this thing up in the US yet? I would like to  
know more about it but the site is limited....

Hi Ken,

yes, you can order them direct from Bob, or there's a shop in New  
York that's taking orders too. The info is on the forum on the site -  
if you read the orders and availability thread, you'll get the latest  
news on orders and lead times.

It's an incredible looper - I've been using mine since last November,  
recorded my whole new album with it, and have used it a lot for  
looping other people as well as me on duo gigs - it's passed all the  
tests so far! :o)

cheers

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Ken wrote:<DIV>&gt;&gt;can you =
even pick this thing up in the US yet? I would like to know more about =
it but the site is limited....</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Hi Ken,=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>yes, you can order them =
direct from Bob, or there's a shop in New York that's taking orders too. =
The info is on the forum on the site - if you read the orders and =
availability thread, you'll get the latest news on orders and lead =
times.=A0</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>It's =
an incredible looper - I've been using mine since last November, =
recorded my whole new album with it, and have used it a lot for looping =
other people as well as me on duo gigs - it's passed all the tests so =
far! :o)</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>cheers</DIV><DIV><BR =
class=3D"khtml-block-placeholder"><DIV><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
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"><DIV>Steve</DIV><DIV>www.stevelawson.net - =
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href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccollec=
tive.org</A> - =
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class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Vedr. Re: what kind of gear setups to you guys use ?
Date: Sat, 15 Jul 2006 10:43:30 +0200
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Hi Rune,

You can use one amp by putting it before the mixer. Guitar effect  
boxes can either be daisy chained between the amp and the mixer or  
put in the amp's effect loop, if there is one.

Sometimes I have used a mic by the amp cab to snag the analog signal  
to send into the looping rig. Other times I have been lining the  
guitar through a Line-6 POD or a TC Electronics Fireworx... or a  
Really Nice Compressor (RNC, yes that IS the brand name). Bottom line  
is that anything that sounds good to you is fine, there are no rules.

But the choice of gear is also about portability. The rig I'm now  
using for concerts on a traveling distance is a Peli flight case  
carrying a FCB1010 pedal, a laptop with Echo Indigo 2 in/2 out card  
bus audio converter, a FireworX, an RNC, two small Faderfox hand  
operated MIDI mixer/button pad and necessary cables. Right now I'm  
taking a break from the guitar and usually play sax, flute and make  
bizarre vocal sounds, but that may change (as it has in the past).  
The laptop may differ as well; now I'm mostly into looping in Mobius  
standalone version (Win XP) but last year I used a mac Powerbook to  
run Live and Augustus Loop. I have not sold my EDP yet because I like  
to play it too. Good pieces of gear are all different and just as  
instruments they inspire different music. Bottom line here is that  
you may need to use a certain piece of gear for some time before  
really understanding what it can do for you. And, of course, trying  
out all possible wirings to learn what each device gains or looses  
when used at a certain position in an effect chain.

per


On Jul 14, 2006, at 22:24, rune fagereng wrote:

> Hi !
>
> I`ll look into this. Thanks !
> Please tell me, in this setup can I also use one amp for analog  
> guitarsound ?
> Can you make a signal routing drawing ?
>
> My gear is; git- prescription fuzz-wah- rat- boss dd- boss sustain- 
> micro synth-tc 2290-repeater-mesa-fender.
>
> If I buy a mixer, and still wants one amp?
>
> best regards Rune F
>
> Per Boysen <perboysen@gmail.com> skrev:
> On Jul 14, 2006, at 20:53, rune fagereng wrote:
>
> > Do you guys have some gear-setup tips ?
> >
> > I would like all my guitareffects be able to go into the loops, and
> > still be abel to seperat my loops and my additional guitarplaying,
> > and maybe still have my guitarplaying in stereo.
>
> Try putting the Repeater in the effect loop of a little mixer. Play
> your effect boxes before the mixer or, depending in what type of box
> it is, in other mixer loops. Be sure to not use the Repeater input
> with the latency afflicted direct sound; there should be no direct
> sound for a mixer effect loop placement of a Repeater. Bring back the
> four repeater outputs on separate mixer channels. Send the mixer
> master output to the PA system.
>
> This set-up will meat all your ambitions except making your mono
> guitar signal stereo. But you can use a stereo fx box for that. You
> can pan your four loop tracks as you wish and even split a Repeater
> stereo track into two mono tracks and slip one of them for ultra wide
> stereo (that trick is especially cool if your first recorded "stereo
> loop" is mono recorded into two panned Repeater tracks).
>
> FYI I was using such a mixer/Repeater/EDP rig some years ago and
> found it very creative. The only drawback was the huge rack and the
> noise coming with the mixer (picture at www.looproom.com/
> livelooping.php)
>
> Greetings from Sweden
>
> Per Boysen
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 15 12:49:43 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: Looperlative availability (was Re: what kind of gear...)
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"there's a shop in New York"

In NYC?  What shop?  Is there a chance I will be able to go to this
shop and play one for myself?

On 7/15/06, Steve Lawson <steve@steve-lawson.co.uk> wrote:
>
> Ken wrote:
> >>can you even pick this thing up in the US yet? I would like to know more
> about it but the site is limited....
>
> Hi Ken,
>
> yes, you can order them direct from Bob, or there's a shop in New York
> that's taking orders too. The info is on the forum on the site - if you read
> the orders and availability thread, you'll get the latest news on orders and
> lead times.
>
> It's an incredible looper - I've been using mine since last November,
> recorded my whole new album with it, and have used it a lot for looping
> other people as well as me on duo gigs - it's passed all the tests so far!
> :o)
>
> cheers
>
>
>
> Steve
> www.stevelawson.net - site
> www.stevelawson.net/zencart/ - shop
> http://steve.anthropiccollective.org - blog
> www.myspace.com/solobassstevelawson
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 15 14:08:03 2006
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From: Ken Hawkins <ken@rosewoodblues.com>
Subject: Re: Looperlative availability (was Re: what kind of gear...)
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great to hear! thanks steve!

ken;
On Jul 15, 2006, at 5:29 AM, Steve Lawson wrote:

> Ken wrote:
> >>can you even pick this thing up in the US yet? I would like to  
> know more about it but the site is limited....
>
> Hi Ken,
>
> yes, you can order them direct from Bob, or there's a shop in New  
> York that's taking orders too. The info is on the forum on the site  
> - if you read the orders and availability thread, you'll get the  
> latest news on orders and lead times.
>
> It's an incredible looper - I've been using mine since last  
> November, recorded my whole new album with it, and have used it a  
> lot for looping other people as well as me on duo gigs - it's  
> passed all the tests so far! :o)
>
> cheers
>
> Steve
> www.stevelawson.net - site
> www.stevelawson.net/zencart/ - shop
> http://steve.anthropiccollective.org - blog
> www.myspace.com/solobassstevelawson
>
>
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">great to hear! thanks =
steve!<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>ken;<BR><DIV><DIV>On Jul =
15, 2006, at 5:29 AM, Steve Lawson wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite">Ken =
wrote:<DIV>&gt;&gt;can you even pick this thing up in the US yet? I =
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limited....</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>Hi =
Ken,=A0</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>yes, =
you can order them direct from Bob, or there's a shop in New York that's =
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the orders and availability thread, you'll get the latest news on orders =
and lead times.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>It's an incredible looper - =
I've been using mine since last November, recorded my whole new album =
with it, and have used it a lot for looping other people as well as me =
on duo gigs - it's passed all the tests so far! :o)</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>cheers</DIV><DIV><BR =
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ok then someone make an offer.....

ken;
On Jul 15, 2006, at 3:09 AM, Adrian Bartholomew wrote:

> not for $1400
> ___
> Adrian Bartholomew
> 8439 Lee Blvd
> Leawood, KS 66206
> (913) 660-6918
>
>
> On Jul 14, 2006, at 8:11 PM, Ken Hawkins wrote:
>
>> Hi all,
>>
>> at it again. before These go to ebay i thought I would see if  
>> anyone wants them here. I have a couple (stereo) of gibson  
>> echoplex's with one foot controller.
>>
>> http://web.mac.com/rosewoodblues/iWeb/Site/Rack%20system.html
>>
>> I will have to open a box to see if I have another foot  
>> controller. If anyone wants them I will let em go for 1400.00 for  
>> the pair with the controller. I am changing my gear again and  
>> trying some other looping alternatives....
>>
>> please someone give these a good home as they have been babied  
>> here and work flawlessly!
>>
>> sorry if someone thinks this is spam. I am looking to set up  
>> similar to Fripp's current soundscaping rig. awesome stuff!
>>
>> cheers,
>> ken;
>>
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">ok then someone make an =
offer.....<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>ken;<BR><DIV><DIV>On Jul =
15, 2006, at 3:09 AM, Adrian Bartholomew wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite">not for =
$1400<BR><DIV> <SPAN class=3D"Apple-style-span" style=3D"border-collapse: =
separate; border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: =
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class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">___</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" color=3D"#790409"><B style=3D"color: rgb(121, =
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style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">8439 Lee Blvd</DIV><DIV style=3D"margin-top: 0px; =
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66206</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><B style=3D"font-weight: bold; =
"><I style=3D"font-style: italic; font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"font-style: italic; font-weight: =
bold; "><SPAN class=3D"Apple-style-span" style=3D"font-style: italic; =
font-weight: bold; ">(913) 660-6918</SPAN></SPAN></I></B></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN> =
</DIV><BR><DIV><DIV>On Jul 14, 2006, at 8:11 PM, Ken Hawkins =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Hi all,</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">at it =
again. before These go to ebay i thought I would see if anyone wants =
them here. I have a couple (stereo) of gibson echoplex's with one foot =
controller.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><A =
href=3D"http://web.mac.com/rosewoodblues/iWeb/Site/Rack%20system.html">htt=
p://web.mac.com/rosewoodblues/iWeb/Site/Rack%20system.html</A></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I will =
have to open a box to see if I have another foot controller. If anyone =
wants them I will let em go for 1400.00 for the pair with the =
controller. I am changing my gear again and trying some other looping =
alternatives....</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">please someone give these a good home as they have =
been babied here and work flawlessly!</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">sorry if =
someone thinks this is spam. I am looking to set up similar to Fripp's =
current soundscaping rig. awesome stuff!</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">cheers,</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">ken;</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV> =
</BLOCKQUOTE></DIV><BR></BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-2-719153281--

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 15 17:25:09 2006
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Date: Sat, 15 Jul 2006 10:25:07 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: the latest from BassLab...
To: Loopers-Delight@loopers-delight.com
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Wow, they're beautiful too.  They make the Parker Flys
look like dogs.  If only I had a few grand to spend on
a new guitar....

It's funny.  With synthesis I'm always sniff'n around
for some new sound or cool way of controlling it. 
Around 91 I purchased my Steinberger and I swear I
rarely ever get the urge to buy another or replace it.
 Same with my Steinberger Q Bass.

--- Monica <coolintensity@yahoo.com> wrote:

> Good news - BassLab also makes guitars! 
>   http://www.basslab.de 
> 
> Timothy Mungenast <mungenast@earthlink.net> wrote:
>       I'm loving it, and I don't even play bass!
>   ~Tim
>    
>   
>    
>     ----- Original Message ----- 
>   From: Monica 
>   To: Loopers-Delight@loopers-delight.com
>   Sent: 7/14/2006 1:41:09 AM 
>   Subject: Re: the latest from BassLab...
>   
> 
>   Thanks for the Pavlovian vibes... Yes if all -or
> even most - or even any -
>   of these project ideas gain acceptance and backing
> from the mainstream
>   guitar and bass industry it's definitely going to
> be a big breakthrough.
>   Fingers crossed... 
>   Monica
> 
> daniel stevenson <stillllscary@yahoo.com> wrote:
>   I'm drooling like a...what drools a lot? bull-dog
> at
> a pig roast. nice(state of the art)lookin out
> Monica.
> to the future,
> scary visionary
> 
> --- Monica wrote:
> 
> > 
> > 
> > 
> > 
> >
>
http://ghservices.com/products/basslab/lab_std-ix-dk.html
> > 
> > 
> > 
> > ---------------------------------
> > Do you Yahoo!?
> > Get on board. You're invited to try the new Yahoo!
> > Mail Beta.
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 
>     
> ---------------------------------
>   Yahoo! Music Unlimited - Access over 1 million
> songs. Try it free. 
> 
>  		
> ---------------------------------
> Do you Yahoo!?
>  Next-gen email? Have it all with the  all-new
> Yahoo! Mail Beta.


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 15 18:29:24 2006
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Date: Sat, 15 Jul 2006 11:29:23 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: Re: the latest from BassLab...
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Yes definitely high end - but that's because of the complex technologies involved
  and the fact that BassLab is still a small company who entirely hand builds 
  with no automation. However...if current talks going on with a major music tech co.
  lead to collaboration, there will be a special automation plant built to mass produce 
  them - this requires a special mold-making process as they are made of synthetic
  chemical composites and not wood - because wood by comparison has such 
  irregular organic densities which lead to areas of tone deadening and distortion.
  The synthetics can be precisely mixed for perfect acoustics and even tone 
  engineering based on ratios of materials used. Much more sophisticated process.
  And with the synthetics the instrument bodies are inflexible to climate changes
  and in fact never have to be set up! And being hollow they are lightweight - about
  7-9 lbs. each - so much less back strain in prolonged stage or studio use.
  The effort right now is to get the new tech to the mass market and so if the 
  facility is built the price will become much more accessible - probably about $2000
  for the popular line. Then the usual pro elite line and its usual higher end because
  it will remain custom orders with special mods and entirely handcrafted. 
   
  Monica
  

mark sottilaro <zerocrossing2001@yahoo.com> wrote:
  Wow, they're beautiful too. They make the Parker Flys
look like dogs. If only I had a few grand to spend on
a new guitar....

It's funny. With synthesis I'm always sniff'n around
for some new sound or cool way of controlling it. 
Around 91 I purchased my Steinberger and I swear I
rarely ever get the urge to buy another or replace it.
Same with my Steinberger Q Bass.

--- Monica wrote:

> Good news - BassLab also makes guitars! 
> http://www.basslab.de 
> 
> Timothy Mungenast wrote:
> I'm loving it, and I don't even play bass!
> ~Tim
> 
> 
> 
> ----- Original Message ----- 
> From: Monica 
> To: Loopers-Delight@loopers-delight.com
> Sent: 7/14/2006 1:41:09 AM 
> Subject: Re: the latest from BassLab...
> 
> 
> Thanks for the Pavlovian vibes... Yes if all -or
> even most - or even any -
> of these project ideas gain acceptance and backing
> from the mainstream
> guitar and bass industry it's definitely going to
> be a big breakthrough.
> Fingers crossed... 
> Monica
> 
> daniel stevenson wrote:
> I'm drooling like a...what drools a lot? bull-dog
> at
> a pig roast. nice(state of the art)lookin out
> Monica.
> to the future,
> scary visionary
> 
> --- Monica wrote:
> 
> > 
> > 
> > 
> > 
> >
>
http://ghservices.com/products/basslab/lab_std-ix-dk.html
> > 
> > 
> > 
> > ---------------------------------
> > Do you Yahoo!?
> > Get on board. You're invited to try the new Yahoo!
> > Mail Beta.
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 
> 
> ---------------------------------
> Yahoo! Music Unlimited - Access over 1 million
> songs. Try it free. 
> 
> 
> ---------------------------------
> Do you Yahoo!?
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<div><FONT color=#40007f>Yes definitely high end - but that's because of the complex technologies involved</FONT></div>  <div><FONT color=#40007f>and the fact that BassLab is still a small company who entirely hand builds </FONT></div>  <div><FONT color=#40007f>with no automation. However...if current talks going on with a major music tech co.</FONT></div>  <div><FONT color=#40007f>lead to collaboration, there will be a special automation plant built to mass produce </FONT></div>  <div><FONT color=#40007f>them - this requires a special mold-making process as they are made of synthetic</FONT></div>  <div><FONT color=#40007f>chemical composites and not wood - because wood by comparison has such </FONT></div>  <div><FONT color=#40007f>irregular organic densities which lead to areas of tone deadening and distortion.</FONT></div>  <div><FONT color=#40007f>The synthetics can be precisely mixed for perfect acoustics and even tone </FONT></div>  <div><FONT color=#40007f>engineering
 based on ratios of materials used. Much more sophisticated process.</FONT></div>  <div><FONT color=#40007f>And with the synthetics the instrument bodies are inflexible to climate changes</FONT></div>  <div><FONT color=#40007f>and in fact never have to be set up! And being hollow they are lightweight - about</FONT></div>  <div><FONT color=#40007f>7-9 lbs. each - so much less back strain in prolonged stage or studio use.</FONT></div>  <div><FONT color=#40007f>The effort right now is to get the new tech to the mass market and so if the </FONT></div>  <div><FONT color=#40007f>facility is built the price will become much more accessible - probably about $2000</FONT></div>  <div><FONT color=#40007f>for the popular line. Then the usual pro elite line and its usual higher end because</FONT></div>  <div><FONT color=#40007f>it will remain custom orders with special mods and entirely handcrafted. </FONT></div>  <div><FONT color=#40007f></FONT>&nbsp;</div>  <div><FONT
 color=#40007f>Monica</FONT></div>  <div><BR><BR><B><I>mark sottilaro &lt;zerocrossing2001@yahoo.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Wow, they're beautiful too. They make the Parker Flys<BR>look like dogs. If only I had a few grand to spend on<BR>a new guitar....<BR><BR>It's funny. With synthesis I'm always sniff'n around<BR>for some new sound or cool way of controlling it. <BR>Around 91 I purchased my Steinberger and I swear I<BR>rarely ever get the urge to buy another or replace it.<BR>Same with my Steinberger Q Bass.<BR><BR>--- Monica <COOLINTENSITY@YAHOO.COM>wrote:<BR><BR>&gt; Good news - BassLab also makes guitars! <BR>&gt; http://www.basslab.de <BR>&gt; <BR>&gt; Timothy Mungenast <MUNGENAST@EARTHLINK.NET>wrote:<BR>&gt; I'm loving it, and I don't even play bass!<BR>&gt; ~Tim<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; ----- Original Message ----- <BR>&gt; From: Monica <BR>&gt; To:
 Loopers-Delight@loopers-delight.com<BR>&gt; Sent: 7/14/2006 1:41:09 AM <BR>&gt; Subject: Re: the latest from BassLab...<BR>&gt; <BR>&gt; <BR>&gt; Thanks for the Pavlovian vibes... Yes if all -or<BR>&gt; even most - or even any -<BR>&gt; of these project ideas gain acceptance and backing<BR>&gt; from the mainstream<BR>&gt; guitar and bass industry it's definitely going to<BR>&gt; be a big breakthrough.<BR>&gt; Fingers crossed... <BR>&gt; Monica<BR>&gt; <BR>&gt; daniel stevenson <STILLLLSCARY@YAHOO.COM>wrote:<BR>&gt; I'm drooling like a...what drools a lot? bull-dog<BR>&gt; at<BR>&gt; a pig roast. nice(state of the art)lookin out<BR>&gt; Monica.<BR>&gt; to the future,<BR>&gt; scary visionary<BR>&gt; <BR>&gt; --- Monica wrote:<BR>&gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt;<BR>&gt;<BR>http://ghservices.com/products/basslab/lab_std-ix-dk.html<BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; ---------------------------------<BR>&gt; &gt; Do
 you Yahoo!?<BR>&gt; &gt; Get on board. You're invited to try the new Yahoo!<BR>&gt; &gt; Mail Beta.<BR>&gt; <BR>&gt; <BR>&gt; __________________________________________________<BR>&gt; Do You Yahoo!?<BR>&gt; Tired of spam? Yahoo! Mail has the best spam<BR>&gt; protection around <BR>&gt; http://mail.yahoo.com <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; ---------------------------------<BR>&gt; Yahoo! Music Unlimited - Access over 1 million<BR>&gt; songs. Try it free. <BR>&gt; <BR>&gt; <BR>&gt; ---------------------------------<BR>&gt; Do you Yahoo!?<BR>&gt; Next-gen email? Have it all with the all-new<BR>&gt; Yahoo! Mail Beta.<BR><BR><BR>__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection around <BR>http://mail.yahoo.com <BR><BR></BLOCKQUOTE><BR><p>&#32;
		<hr size=1>Do you Yahoo!?<br> 
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 15 18:32:05 2006
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Date: Sat, 15 Jul 2006 11:32:04 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: Re: BassLab/Steinberger
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Also - funny you mention Steinberger. BassLab also builds some parts and 
  pre-amps for Ned Steinberger Designs. Steinberger was Heiko's biggest influence
  in building.

mark sottilaro <zerocrossing2001@yahoo.com> wrote:
  Wow, they're beautiful too. They make the Parker Flys
look like dogs. If only I had a few grand to spend on
a new guitar....

It's funny. With synthesis I'm always sniff'n around
for some new sound or cool way of controlling it. 
Around 91 I purchased my Steinberger and I swear I
rarely ever get the urge to buy another or replace it.
Same with my Steinberger Q Bass.

--- Monica wrote:

> Good news - BassLab also makes guitars! 
> http://www.basslab.de 
> 
> Timothy Mungenast wrote:
> I'm loving it, and I don't even play bass!
> ~Tim
> 
> 
> 
> ----- Original Message ----- 
> From: Monica 
> To: Loopers-Delight@loopers-delight.com
> Sent: 7/14/2006 1:41:09 AM 
> Subject: Re: the latest from BassLab...
> 
> 
> Thanks for the Pavlovian vibes... Yes if all -or
> even most - or even any -
> of these project ideas gain acceptance and backing
> from the mainstream
> guitar and bass industry it's definitely going to
> be a big breakthrough.
> Fingers crossed... 
> Monica
> 
> daniel stevenson wrote:
> I'm drooling like a...what drools a lot? bull-dog
> at
> a pig roast. nice(state of the art)lookin out
> Monica.
> to the future,
> scary visionary
> 
> --- Monica wrote:
> 
> > 
> > 
> > 
> > 
> >
>
http://ghservices.com/products/basslab/lab_std-ix-dk.html
> > 
> > 
> > 
> > ---------------------------------
> > Do you Yahoo!?
> > Get on board. You're invited to try the new Yahoo!
> > Mail Beta.
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 
> 
> ---------------------------------
> Yahoo! Music Unlimited - Access over 1 million
> songs. Try it free. 
> 
> 
> ---------------------------------
> Do you Yahoo!?
> Next-gen email? Have it all with the all-new
> Yahoo! Mail Beta.


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<div>Also - funny you mention Steinberger. BassLab also builds some parts and </div>  <div>pre-amps for Ned Steinberger Designs. Steinberger was Heiko's biggest influence</div>  <div>in building.<BR><BR><B><I>mark sottilaro &lt;zerocrossing2001@yahoo.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Wow, they're beautiful too. They make the Parker Flys<BR>look like dogs. If only I had a few grand to spend on<BR>a new guitar....<BR><BR>It's funny. With synthesis I'm always sniff'n around<BR>for some new sound or cool way of controlling it. <BR>Around 91 I purchased my Steinberger and I swear I<BR>rarely ever get the urge to buy another or replace it.<BR>Same with my Steinberger Q Bass.<BR><BR>--- Monica <COOLINTENSITY@YAHOO.COM>wrote:<BR><BR>&gt; Good news - BassLab also makes guitars! <BR>&gt; http://www.basslab.de <BR>&gt; <BR>&gt; Timothy Mungenast <MUNGENAST@EARTHLINK.NET>wrote:<BR>&gt; I'm
 loving it, and I don't even play bass!<BR>&gt; ~Tim<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; ----- Original Message ----- <BR>&gt; From: Monica <BR>&gt; To: Loopers-Delight@loopers-delight.com<BR>&gt; Sent: 7/14/2006 1:41:09 AM <BR>&gt; Subject: Re: the latest from BassLab...<BR>&gt; <BR>&gt; <BR>&gt; Thanks for the Pavlovian vibes... Yes if all -or<BR>&gt; even most - or even any -<BR>&gt; of these project ideas gain acceptance and backing<BR>&gt; from the mainstream<BR>&gt; guitar and bass industry it's definitely going to<BR>&gt; be a big breakthrough.<BR>&gt; Fingers crossed... <BR>&gt; Monica<BR>&gt; <BR>&gt; daniel stevenson <STILLLLSCARY@YAHOO.COM>wrote:<BR>&gt; I'm drooling like a...what drools a lot? bull-dog<BR>&gt; at<BR>&gt; a pig roast. nice(state of the art)lookin out<BR>&gt; Monica.<BR>&gt; to the future,<BR>&gt; scary visionary<BR>&gt; <BR>&gt; --- Monica wrote:<BR>&gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt;
 &gt;<BR>&gt;<BR>http://ghservices.com/products/basslab/lab_std-ix-dk.html<BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; ---------------------------------<BR>&gt; &gt; Do you Yahoo!?<BR>&gt; &gt; Get on board. You're invited to try the new Yahoo!<BR>&gt; &gt; Mail Beta.<BR>&gt; <BR>&gt; <BR>&gt; __________________________________________________<BR>&gt; Do You Yahoo!?<BR>&gt; Tired of spam? Yahoo! Mail has the best spam<BR>&gt; protection around <BR>&gt; http://mail.yahoo.com <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; ---------------------------------<BR>&gt; Yahoo! Music Unlimited - Access over 1 million<BR>&gt; songs. Try it free. <BR>&gt; <BR>&gt; <BR>&gt; ---------------------------------<BR>&gt; Do you Yahoo!?<BR>&gt; Next-gen email? Have it all with the all-new<BR>&gt; Yahoo! Mail Beta.<BR><BR><BR>__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection around <BR>http://mail.yahoo.com
 <BR><BR></BLOCKQUOTE><BR><p>&#32;
	
		<hr size=1>See the all-new, redesigned Yahoo.com. <a href="http://us.rd.yahoo.com/evt=40762/*http://www.yahoo.com/preview"> Check it out.</a>

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From Loopers-Delight-request@loopers-delight.com  Sun Jul 16 04:21:22 2006
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I've got a Ross 12x2 mixer that is free to anyone that can come pick it 
up.  Why is it free?  Because it has sat in storage for 10 years.  I had 
been thinking about trying to sell it so I pulled it out today and many of 
the pots have seized up.  I broke 4 pot shafts this afternoon trying it out.

The 12 channel strips each consist of:
jacks:
	1/4" in/out
	1/4" line in
	XLR mic in
Pots:
	gain
	treble
	mid
	bass
	monitor send
	effect send
	pan
Fader:
	level

The master section has two 1/4" and two XLR outs.

All 14 faders (12 ch + 2 master) feel good though two of them are a bit stiff.

All of the pan pots move.
All of the effect send pots are either frozen or very stiff - I haven't 
physically broken the shafts on any of those pots.
All of the monitor send pots feel good.
All of the bass pots are moving (started out very stiff but have loosened 
up a bit).
All but one of the mid pots are moving.
All of the treble pots are moving.
I broke the shafts on 3 of the gain pots.  4 more of the them are frozen 
with intact shafts.

The master section is fine except for the effect send - which was frozen 
and now has a broken shaft.

All of the breaks are the same - the knob came off with either half or both 
halves of the (split) pot shafts still in the knob.

It powers up and all of the level LEDs are functional.  Not sure about the 
channel signal LEDs - haven't bothered plugging anything into it.

It worked fine 10 years ago!  (here are some recordings made with it in 1996
http://www.creepingfog.com/sean/trance/recordings.php )

Is this worth anyone's time?

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From Loopers-Delight-request@loopers-delight.com  Sun Jul 16 06:15:54 2006
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Message-ID: <20060716061553.85668.qmail@web38606.mail.mud.yahoo.com>
Date: Sat, 15 Jul 2006 23:15:53 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: optimizing guitar signal through stomp boxes
To: Loopers-Delight@loopers-delight.com
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Hi gang,
I need some tips from those of you using lots of pedal
effects in optimizing a guitar signal,there is a
significant volume difference between using my efxs
and pluging directly into my 50w tube amp.
Here is my pedal board signal:
1.sweet sound Mojo Vibe
2.Line6 roto machine
3.boss pn2 vibrato
4.Ibanez ts9
5.boss octave
6.boss dl3
7.nobels preamp booster
8.Line6 DL4
9.bossn N2 noise supressor
all of the effects except for the DL4 are 9V and are
conected to the Boss N2 noise supressors send and
return power supply(which is fed by a Ibanez 9V 200ma
AC adaptor)and then goes out directly to my amp.The
line 6 has its separate 12v AC adaptor.
Any tips or links on how to are highly appreciated!
Luis

www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Sun Jul 16 06:27:24 2006
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From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: optimizing guitar signal through stomp boxes
Date: Sun, 16 Jul 2006 01:23:28 -0500
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On Jul 16, 2006, at 1:15 AM, L.A. Angulo wrote:

> Hi gang,
> I need some tips from those of you using lots of pedal
> effects in optimizing a guitar signal,there is a
> significant volume difference between using my efxs
> and pluging directly into my 50w tube amp.
> Here is my pedal board signal:
> 1.sweet sound Mojo Vibe
> 2.Line6 roto machine
> 3.boss pn2 vibrato
> 4.Ibanez ts9
> 5.boss octave
> 6.boss dl3
> 7.nobels preamp booster
> 8.Line6 DL4
> 9.bossn N2 noise supressor

Are all of these pedals connected together in series? If so, there is  
some *serious* tone suckage going on.  Most of them probably are not  
true bypass either, although I believe the Sweet Sound Mojo vibe is.

You need a looper--a different kind of looper than is usually  
discussed here. You need something that can insert/remove smaller  
loops of effects, so that your signal isn't continually degraded as  
it moves further and further through the fx chain. I forget who makes  
them, but one guy's in particular is always being discussed on The  
Gear Page. You may try searching "looper" there (www.thegearpage.net)  
Or check out a Switchblade (www.soundsculpture.com), if you've got  
the bucks. You could rack those pedals and put each one in a  
Switchblade "loop". You can then route your signal any way you want  
from simple to complex, series or parallel.

Jeff

From Loopers-Delight-request@loopers-delight.com  Sun Jul 16 08:22:48 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: optimizing guitar signal through stomp boxes
Date: Sun, 16 Jul 2006 10:22:43 +0200
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On 16 jul 2006, at 08.15, L.A. Angulo wrote:

> Any tips or links on how to are highly appreciated!
> Luis


This gentleman is known as the Grand Old Man of custom pedal board  
design. The trick is to put stomp boxes in parallel instead of daisy  
chaining them. http://www.petecornish.co.uk/

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Jul 16 21:30:26 2006
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http://www.gearwire.com/boss-rc2.html

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 02:18:25 2006
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Looks like it will be out in November and run for about $180. It looks 
temping for a basic street gig looper. I could take it and my Roland 
Microcube and play just about anywhere. I am curious how the pedal works, 
however. I am guessing that the first press starts Record and the second 
press Stops Record and starts Overdubing, or just Stop Record, and a third 
press starts Overdub...after that point each additional press would turn 
overdub on and off. I would prefer this latter approach.

Kris

----- Original Message ----- 
From: <stanitarium@earthlink.net>
To: <loopers-delight@loopersdelight.com>
Sent: Sunday, July 16, 2006 3:30 PM
Subject: what this?


> http://www.gearwire.com/boss-rc2.html
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 03:55:57 2006
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> http://www.gearwire.com/boss-rc2.html
>

Looks great for slipping into a guitar bag.

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com


From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 04:29:26 2006
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yup the buskers ultra delux wet dream...i like my
micro cube.how do you like yours?
                 future,
                   dSv

--- Krispen Hartung <khartung@cableone.net> wrote:

> Looks like it will be out in November and run for
> about $180. It looks 
> temping for a basic street gig looper. I could take
> it and my Roland 
> Microcube and play just about anywhere. I am curious
> how the pedal works, 
> however. I am guessing that the first press starts
> Record and the second 
> press Stops Record and starts Overdubing, or just
> Stop Record, and a third 
> press starts Overdub...after that point each
> additional press would turn 
> overdub on and off. I would prefer this latter
> approach.
> 
> Kris
> 
> ----- Original Message ----- 
> From: <stanitarium@earthlink.net>
> To: <loopers-delight@loopersdelight.com>
> Sent: Sunday, July 16, 2006 3:30 PM
> Subject: what this?
> 
> 
> > http://www.gearwire.com/boss-rc2.html
> >
> > 
> 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 04:42:09 2006
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Subject: Re: what this? (Roland Cube Series)
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I haven't played live w/ the micro yet, but I messed around with it the 
other day in my studio...not bad for a little tike. It craps out a bit if 
you pump too much bass through it, which I tend to do when I play with a big 
beefy jazz tone with my neck pickup.  I have the Cube 30 too.

What I REALLY don't like about these cube series amps, and I think Roland 
should be drawn and quartered for this blatant and asinine lack of 
understanding of their target market, is that they didn't include an effects 
level. What the hell were they thinking? The delay is almost unusable for me 
because it is too wet.  I don't have a single popular CD with a guitar 
playing with that much delay level...it's always much more moderate and 
tasty. You are basically stuck with the same blasted effects level for 
everything.  If they could have just added another knob or made a ring knob 
on each effect knob to control the level, these amps would be the bomb.  Too 
bad they f*cked this one up. :(   I'd like to write them and ask who was 
smoking crack on their design team when they decided not to include effects 
level.  I have the same complaint about most effect unit factory 
settings...unbelievable.  (I need to get a job for one of these companies 
and see if I can shake things up a bit.) Oh well, the amp sounds fine though 
with the reverb.

I wonder if there is a way to do a mod on the amps to create an effects 
level.

Kris

----- Original Message ----- 
From: "daniel stevenson" <stillllscary@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 16, 2006 10:29 PM
Subject: Re: what this?


> yup the buskers ultra delux wet dream...i like my
> micro cube.how do you like yours?
>                 future,
>                   dSv
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>> Looks like it will be out in November and run for
>> about $180. It looks
>> temping for a basic street gig looper. I could take
>> it and my Roland
>> Microcube and play just about anywhere. I am curious
>> how the pedal works,
>> however. I am guessing that the first press starts
>> Record and the second
>> press Stops Record and starts Overdubing, or just
>> Stop Record, and a third
>> press starts Overdub...after that point each
>> additional press would turn
>> overdub on and off. I would prefer this latter
>> approach.
>>
>> Kris
>>
>> ----- Original Message ----- 
>> From: <stanitarium@earthlink.net>
>> To: <loopers-delight@loopersdelight.com>
>> Sent: Sunday, July 16, 2006 3:30 PM
>> Subject: what this?
>>
>>
>> > http://www.gearwire.com/boss-rc2.html
>> >
>> >
>>
>>
>>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 05:15:27 2006
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Message-ID: <20060717051525.13683.qmail@web31914.mail.mud.yahoo.com>
Date: Sun, 16 Jul 2006 22:15:25 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: what this? (Roland Cube Series)
To: Loopers-Delight@loopers-delight.com
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true dat!
 
i need a rechargeble sub to acompany the lil
cubert...i totally agree with you about the way they
set it up...i dont use the effects(novelty effects)and
i would like a line out where the speaker could stay
engaged for daisy chaining them...
            take it to the park,:->
                         dSv

p.s   it seems to hold a charge better if its not
sitting directly on concrete(this could be my
imagination)

--- Krispen Hartung <khartung@cableone.net> wrote:

> I haven't played live w/ the micro yet, but I messed
> around with it the 
> other day in my studio...not bad for a little tike.
> It craps out a bit if 
> you pump too much bass through it, which I tend to
> do when I play with a big 
> beefy jazz tone with my neck pickup.  I have the
> Cube 30 too.
> 
> What I REALLY don't like about these cube series
> amps, and I think Roland 
> should be drawn and quartered for this blatant and
> asinine lack of 
> understanding of their target market, is that they
> didn't include an effects 
> level. What the hell were they thinking? The delay
> is almost unusable for me 
> because it is too wet.  I don't have a single
> popular CD with a guitar 
> playing with that much delay level...it's always
> much more moderate and 
> tasty. You are basically stuck with the same blasted
> effects level for 
> everything.  If they could have just added another
> knob or made a ring knob 
> on each effect knob to control the level, these amps
> would be the bomb.  Too 
> bad they f*cked this one up. :(   I'd like to write
> them and ask who was 
> smoking crack on their design team when they decided
> not to include effects 
> level.  I have the same complaint about most effect
> unit factory 
> settings...unbelievable.  (I need to get a job for
> one of these companies 
> and see if I can shake things up a bit.) Oh well,
> the amp sounds fine though 
> with the reverb.
> 
> I wonder if there is a way to do a mod on the amps
> to create an effects 
> level.
> 
> Kris
> 
> ----- Original Message ----- 
> From: "daniel stevenson" <stillllscary@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, July 16, 2006 10:29 PM
> Subject: Re: what this?
> 
> 
> > yup the buskers ultra delux wet dream...i like my
> > micro cube.how do you like yours?
> >                 future,
> >                   dSv
> >
> > --- Krispen Hartung <khartung@cableone.net> wrote:
> >
> >> Looks like it will be out in November and run for
> >> about $180. It looks
> >> temping for a basic street gig looper. I could
> take
> >> it and my Roland
> >> Microcube and play just about anywhere. I am
> curious
> >> how the pedal works,
> >> however. I am guessing that the first press
> starts
> >> Record and the second
> >> press Stops Record and starts Overdubing, or just
> >> Stop Record, and a third
> >> press starts Overdub...after that point each
> >> additional press would turn
> >> overdub on and off. I would prefer this latter
> >> approach.
> >>
> >> Kris
> >>
> >> ----- Original Message ----- 
> >> From: <stanitarium@earthlink.net>
> >> To: <loopers-delight@loopersdelight.com>
> >> Sent: Sunday, July 16, 2006 3:30 PM
> >> Subject: what this?
> >>
> >>
> >> > http://www.gearwire.com/boss-rc2.html
> >> >
> >> >
> >>
> >>
> >>
> >
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> > 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 06:22:13 2006
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Date: Mon, 17 Jul 2006 01:22:10 -0500
From: Joshua Carroll <josh@infinivert.com>
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Congrats!  My wife and I just had our first baby on the 13th!  It's amazing.

--Josh



phalen180 wrote:
> Dear Fellow Loopers,
>
> I've recently found out that my wife and I are expecting our first
> child.  A very exciting time for us!  Unfortunately, to make room and in
> anticipation of future expenses and tighter schedules, I'll be selling
> some of my music equipment.
>
> I have the following items for sale:
>
> DJRND2 custom looper made by Emmanuel Perille    $500
> KAOSS PAD KP-1 (x2)                $125 each
> ENSONIQ DP/4 effects processor            $200
>     - one input gain knob is broken off
>     doesn't affect usability much at all
> KORG MS2000 analog modeling synth        $500
>
> I also have a couple of rack units that I could only sell locally given
> their weight.
>
> The first is made of wood covered with black carpet with side handles,
> removable front, back and top panels, 6 rack spaces, a sliding shelf and
> space for power adapters underneath the rack spots.  $50
>
> The second is a metal slanted studio rack about 2 feet high and 2 feet
> deep, I think it's 6 or 8 rack spaces, but I don't know for sure.  $25
>
> I live in Orange, CA and work in Glendora, CA.  Local pickup preferred
> but will ship anywhere in the world.
>
> Hope I can help someone out with this gear and pass along the joy to
> fellow loopers.
>
> Best,
> Jonathan
> (aka phalen180 / hilflos kind)
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 06:23:50 2006
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Subject: RE: what this? (Roland Cube Series)
Date: Mon, 17 Jul 2006 02:23:42 -0400
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FWIW, I own a Crate Limo that has an FX level...that and a DL4, and I am in
battery heaven.

 Dave Eichenberger-  
http://www.hazardfactor.com           
 
> true dat!
>  
> i need a rechargeble sub to acompany the lil cubert...i 
> totally agree with you about the way they set it up...i dont 
> use the effects(novelty effects)and i would like a line out 
> where the speaker could stay engaged for daisy chaining them...
>             take it to the park,:->
>                          dSv
> 
> p.s   it seems to hold a charge better if its not
> sitting directly on concrete(this could be my
> imagination)
>  

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 06:29:58 2006
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Date: Sun, 16 Jul 2006 23:29:56 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: DJRND2, KAOSS Pads, Ensoniq DP/4, ETC. For Sale
To: Loopers-Delight@loopers-delight.com
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yes congrats to all... do you know what the best thing
about kids is?

                
creating them...
      dSv
--- Joshua Carroll <josh@infinivert.com> wrote:

> Congrats!  My wife and I just had our first baby on
> the 13th!  It's amazing.
> 
> --Josh
> 
> 
> 
> phalen180 wrote:
> > Dear Fellow Loopers,
> >
> > I've recently found out that my wife and I are
> expecting our first
> > child.  A very exciting time for us! 
> Unfortunately, to make room and in
> > anticipation of future expenses and tighter
> schedules, I'll be selling
> > some of my music equipment.
> >
> > I have the following items for sale:
> >
> > DJRND2 custom looper made by Emmanuel Perille   
> $500
> > KAOSS PAD KP-1 (x2)                $125 each
> > ENSONIQ DP/4 effects processor            $200
> >     - one input gain knob is broken off
> >     doesn't affect usability much at all
> > KORG MS2000 analog modeling synth        $500
> >
> > I also have a couple of rack units that I could
> only sell locally given
> > their weight.
> >
> > The first is made of wood covered with black
> carpet with side handles,
> > removable front, back and top panels, 6 rack
> spaces, a sliding shelf and
> > space for power adapters underneath the rack
> spots.  $50
> >
> > The second is a metal slanted studio rack about 2
> feet high and 2 feet
> > deep, I think it's 6 or 8 rack spaces, but I don't
> know for sure.  $25
> >
> > I live in Orange, CA and work in Glendora, CA. 
> Local pickup preferred
> > but will ship anywhere in the world.
> >
> > Hope I can help someone out with this gear and
> pass along the joy to
> > fellow loopers.
> >
> > Best,
> > Jonathan
> > (aka phalen180 / hilflos kind)
> >
> >
> >
> >
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 07:36:48 2006
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Date: Mon, 17 Jul 2006 02:36:47 -0500
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From: mech <mech@m3ch.net>
Subject: New Boomerang and Blooperang Update...
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A few days ago, I was getting ready to head out of town for the 2006 
Midwest Stick Seminar in Ann Arbor, MI ( http://www.stickfest.org ). 
Since I knew there would inevitably be some looping talk (and since I 
enjoy endorsing vendors who've been active on this list), I contacted 
Mike Nelson at Boomerang Music to see if I could find out any 
information on the status of the upcoming Rang(TM) III.

Most of their reply dovetails the specs Kelly Coyle was kind enough 
to post here a couple months back.  I just got home from Ann Arbor 
this evening.  So, straight from the source, here's what I got back 
from Mike & Lynne (shared with their kind permission, of course):

>We love to hear from addicted Loopers!.. and very much appreciate 
>your support for the Boomerang(R) Phrase Sampler. We will be 
>releasing an effects pedal at the summer NAMM show and following 
>that with a new looper around Dec 06. The looper will have true 
>stereo recording, vastly improved audio specs, long record time, 6 
>loops, multi level undo/redo, multiple loops can play synched or 
>unsynched, and a slew of "utility" features such as an octave down 
>effect for creating bass parts, auto fade out, metronome, etc. It 
>will be roughly half the size of the Rang(TM) Plus! We don't have a 
>price yet, but it will be reasonable and maintain the high standard 
>of quality the current Rang(TM) offers.

And, after another exchange or two, this:

>    We're burning the candle at both ends right now. The new Rang(TM) 
>III will be in the $399 to $499 range I think.
>    We do have more Blooperangs available, so feel free to let others 
>know about them. We have some pro players that keep a backup 
>Rang(TM) like they do an extra guitar...just in case.

So, it looks like the new 'Rang will be pretty darn cool, with lots 
of high-end features (perhaps even a few more surprises too; part of 
one of the messages seemed to imply there were still more goodies 
about which they couldn't yet say anything).  I'm sure Lynne & Mike 
will do their best to maintain its dead simple user interface too. 
And all for an extremely reasonable cost, IMNSHO.

As well, there do seem to be more Blooperangs in stock, if anybody 
wants a great deal on existing product (I seem to recall somebody was 
curious about that a little while back).

	--m.
-- 
_______
"The revolution may be someone somewhere else..."

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 07:43:22 2006
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To: Loopers-Delight@loopers-delight.com
References: <p0623091fc0e0dcf0985c@[10.0.1.2]>
Subject: Re: New Boomerang and Blooperang Update...
Date: Mon, 17 Jul 2006 01:43:17 -0600
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Stereo recording....will that include stereo input/output too? That would be 
cool. That will make only two that can do this, right? I thought the RC50 
was stereo i/o as well.

It's just amazing how much momentum the looping technology is building 
now...both software and hardware. It's sort of exciting.

Kris

----- Original Message ----- 
From: "mech" <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 17, 2006 1:36 AM
Subject: New Boomerang and Blooperang Update...


>A few days ago, I was getting ready to head out of town for the 2006 
>Midwest Stick Seminar in Ann Arbor, MI ( http://www.stickfest.org ). Since 
>I knew there would inevitably be some looping talk (and since I enjoy 
>endorsing vendors who've been active on this list), I contacted Mike Nelson 
>at Boomerang Music to see if I could find out any information on the status 
>of the upcoming Rang(TM) III.
>
> Most of their reply dovetails the specs Kelly Coyle was kind enough to 
> post here a couple months back.  I just got home from Ann Arbor this 
> evening.  So, straight from the source, here's what I got back from Mike & 
> Lynne (shared with their kind permission, of course):
>
>>We love to hear from addicted Loopers!.. and very much appreciate your 
>>support for the Boomerang(R) Phrase Sampler. We will be releasing an 
>>effects pedal at the summer NAMM show and following that with a new looper 
>>around Dec 06. The looper will have true stereo recording, vastly improved 
>>audio specs, long record time, 6 loops, multi level undo/redo, multiple 
>>loops can play synched or unsynched, and a slew of "utility" features such 
>>as an octave down effect for creating bass parts, auto fade out, 
>>metronome, etc. It will be roughly half the size of the Rang(TM) Plus! We 
>>don't have a price yet, but it will be reasonable and maintain the high 
>>standard of quality the current Rang(TM) offers.
>
> And, after another exchange or two, this:
>
>>    We're burning the candle at both ends right now. The new Rang(TM) III 
>> will be in the $399 to $499 range I think.
>>    We do have more Blooperangs available, so feel free to let others know 
>> about them. We have some pro players that keep a backup Rang(TM) like 
>> they do an extra guitar...just in case.
>
> So, it looks like the new 'Rang will be pretty darn cool, with lots of 
> high-end features (perhaps even a few more surprises too; part of one of 
> the messages seemed to imply there were still more goodies about which 
> they couldn't yet say anything).  I'm sure Lynne & Mike will do their best 
> to maintain its dead simple user interface too. And all for an extremely 
> reasonable cost, IMNSHO.
>
> As well, there do seem to be more Blooperangs in stock, if anybody wants a 
> great deal on existing product (I seem to recall somebody was curious 
> about that a little while back).
>
> --m.
> -- 
> _______
> "The revolution may be someone somewhere else..."
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 08:01:06 2006
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Here's my report on this unit. I received it last week and had a chance to 
experiment with it. I will work for my basic street looping MIDI control 
needs. Essentially, it has three buttons.  It has UP and DOWN buttons to 
scroll through you MIDI program change numbers.  If you are on program 
change 1, and you hit the UP button, it will immediately send program change 
2, and visa versa.  Then it has a single button that serves two functions, 
SEARCH and ACTIVATE. On the first press, it goes into search mode, where you 
can use the UP and DOWN buttons to find the MIDI program change number you 
want to send. Once you find your number, you hit the button again and it 
sends that change. If you send a program change and don't touch the unit for 
10 seconds, it will go into sleep mode. When you press the SEARCH/ACTIVATE 
button key, it will not go into search mode, but directly send the program 
change.

Hence, in practical terms, while using Mobius on the street, I hit the 
SEARCH/ACTIVATE button and then ensure that the display shows 1 (which I 
have mapped to Record on Mobius), then I hit SEARCH/ACTIVATE again to 
Record. When I want to stop recording, I hit the button once to cue up 
sending program change 1 again (or I can just do this shortly after I start 
recording so I don't have to think about it again), and then I hit it again 
to stop recording. I have Overdub mapped to program change 2, so I can just 
hit the UP button to start Overdubbing, and hit hit the SEARCH/ACTIVATE 
button twice to stop overdubbing.  I just have to get used to hitting the 
activate button once before I actually want to send the program change.

I wouldn't recommend using the MIDI Mouse for really complicated looping 
where you are multiplying, using next loop, and other functions. You could 
do it, I suppose, but it will require some fast multitasking while you are 
playing to cue up your program change numbers to send with the one button 
press. But for basic looping and being able to MIDI control with something 
the size of a stomp box, I thought it was worth the money. I don't plan to 
play on the street much, and who knows I may end up buying that new Boss 
RC2.

Kris

----- Original Message ----- 
From: <phaslem@wightman.ca>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 03, 2006 3:18 PM
Subject: Re: Tech 21 MIDI Mouse


> Hey Kris,
>
> I'll be real interested in your thoughts on the midi mouse once you get it 
> and
> work with it a bit. I have a few gigs later in the summer where I need to 
> run
> things off battery packs and something like that might be just the thing.
>
> Paul Haslem
> www.dulcify.ca
>
>
>
>
> Quoting Krispen Hartung <khartung@cableone.net>:
>
>> Yup. I have both  my Looperlative and Mobius accepting program changes 
>> now, and I do this on only one channel.  Basically, all I need to do is 
>> send 10-12 program changes via MIDI channel 1, just to trigger basic 
>> functions like Record, Overdub, Multiply, Next, etc.  I've never been 
>> much of  MIDI wiz...I don't do all that fancy stuff with syncing, using 
>> multiple MIDI channels to send different types data ,etc....I just use 
>> the basic functions of mu looping software to the n'th degree. :)
>>
>> Kris
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 08:03:45 2006
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From: "mark t" <aleatoric12@gmail.com>
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Subject: Re: Re: New Boomerang and Blooperang Update...
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The looper will have true
>stereo recording, vastly improved audio specs, long record time, 6
>loops, multi level undo/redo, multiple loops can play synched or
>unsynched, and a slew of "utility" features such as an octave down
>effect for creating bass parts, auto fade out, metronome, etc. It
>will be roughly half the size of the Rang(TM) Plus! We don't have a
>price yet, but it will be reasonable and maintain the high standard
>of quality the current Rang(TM) offers.


Wow!  Thats impressive,  mutilple loops!  Wow!

On 7/17/06, Krispen Hartung <khartung@cableone.net> wrote:
> Stereo recording....will that include stereo input/output too? That would be
> cool. That will make only two that can do this, right? I thought the RC50
> was stereo i/o as well.
>
> It's just amazing how much momentum the looping technology is building
> now...both software and hardware. It's sort of exciting.
>
> Kris
>
> ----- Original Message -----
> From: "mech" <mech@m3ch.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, July 17, 2006 1:36 AM
> Subject: New Boomerang and Blooperang Update...
>
>
> >A few days ago, I was getting ready to head out of town for the 2006
> >Midwest Stick Seminar in Ann Arbor, MI ( http://www.stickfest.org ). Since
> >I knew there would inevitably be some looping talk (and since I enjoy
> >endorsing vendors who've been active on this list), I contacted Mike Nelson
> >at Boomerang Music to see if I could find out any information on the status
> >of the upcoming Rang(TM) III.
> >
> > Most of their reply dovetails the specs Kelly Coyle was kind enough to
> > post here a couple months back.  I just got home from Ann Arbor this
> > evening.  So, straight from the source, here's what I got back from Mike &
> > Lynne (shared with their kind permission, of course):
> >
> >>We love to hear from addicted Loopers!.. and very much appreciate your
> >>support for the Boomerang(R) Phrase Sampler. We will be releasing an
> >>effects pedal at the summer NAMM show and following that with a new looper
> >>around Dec 06. The looper will have true stereo recording, vastly improved
> >>audio specs, long record time, 6 loops, multi level undo/redo, multiple
> >>loops can play synched or unsynched, and a slew of "utility" features such
> >>as an octave down effect for creating bass parts, auto fade out,
> >>metronome, etc. It will be roughly half the size of the Rang(TM) Plus! We
> >>don't have a price yet, but it will be reasonable and maintain the high
> >>standard of quality the current Rang(TM) offers.
> >
> > And, after another exchange or two, this:
> >
> >>    We're burning the candle at both ends right now. The new Rang(TM) III
> >> will be in the $399 to $499 range I think.
> >>    We do have more Blooperangs available, so feel free to let others know
> >> about them. We have some pro players that keep a backup Rang(TM) like
> >> they do an extra guitar...just in case.
> >
> > So, it looks like the new 'Rang will be pretty darn cool, with lots of
> > high-end features (perhaps even a few more surprises too; part of one of
> > the messages seemed to imply there were still more goodies about which
> > they couldn't yet say anything).  I'm sure Lynne & Mike will do their best
> > to maintain its dead simple user interface too. And all for an extremely
> > reasonable cost, IMNSHO.
> >
> > As well, there do seem to be more Blooperangs in stock, if anybody wants a
> > great deal on existing product (I seem to recall somebody was curious
> > about that a little while back).
> >
> > --m.
> > --
> > _______
> > "The revolution may be someone somewhere else..."
> >
> >
>
>
>

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Date: Mon, 17 Jul 2006 04:03:56 -0400
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To: Loopers-Delight@loopers-delight.com
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what is a blooperrang?

On 7/17/06, mark t <aleatoric12@gmail.com> wrote:
> The looper will have true
> >stereo recording, vastly improved audio specs, long record time, 6
> >loops, multi level undo/redo, multiple loops can play synched or
> >unsynched, and a slew of "utility" features such as an octave down
> >effect for creating bass parts, auto fade out, metronome, etc. It
> >will be roughly half the size of the Rang(TM) Plus! We don't have a
> >price yet, but it will be reasonable and maintain the high standard
> >of quality the current Rang(TM) offers.
>
>
> Wow!  Thats impressive,  mutilple loops!  Wow!
>
> On 7/17/06, Krispen Hartung <khartung@cableone.net> wrote:
> > Stereo recording....will that include stereo input/output too? That would be
> > cool. That will make only two that can do this, right? I thought the RC50
> > was stereo i/o as well.
> >
> > It's just amazing how much momentum the looping technology is building
> > now...both software and hardware. It's sort of exciting.
> >
> > Kris
> >
> > ----- Original Message -----
> > From: "mech" <mech@m3ch.net>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Monday, July 17, 2006 1:36 AM
> > Subject: New Boomerang and Blooperang Update...
> >
> >
> > >A few days ago, I was getting ready to head out of town for the 2006
> > >Midwest Stick Seminar in Ann Arbor, MI ( http://www.stickfest.org ). Since
> > >I knew there would inevitably be some looping talk (and since I enjoy
> > >endorsing vendors who've been active on this list), I contacted Mike Nelson
> > >at Boomerang Music to see if I could find out any information on the status
> > >of the upcoming Rang(TM) III.
> > >
> > > Most of their reply dovetails the specs Kelly Coyle was kind enough to
> > > post here a couple months back.  I just got home from Ann Arbor this
> > > evening.  So, straight from the source, here's what I got back from Mike &
> > > Lynne (shared with their kind permission, of course):
> > >
> > >>We love to hear from addicted Loopers!.. and very much appreciate your
> > >>support for the Boomerang(R) Phrase Sampler. We will be releasing an
> > >>effects pedal at the summer NAMM show and following that with a new looper
> > >>around Dec 06. The looper will have true stereo recording, vastly improved
> > >>audio specs, long record time, 6 loops, multi level undo/redo, multiple
> > >>loops can play synched or unsynched, and a slew of "utility" features such
> > >>as an octave down effect for creating bass parts, auto fade out,
> > >>metronome, etc. It will be roughly half the size of the Rang(TM) Plus! We
> > >>don't have a price yet, but it will be reasonable and maintain the high
> > >>standard of quality the current Rang(TM) offers.
> > >
> > > And, after another exchange or two, this:
> > >
> > >>    We're burning the candle at both ends right now. The new Rang(TM) III
> > >> will be in the $399 to $499 range I think.
> > >>    We do have more Blooperangs available, so feel free to let others know
> > >> about them. We have some pro players that keep a backup Rang(TM) like
> > >> they do an extra guitar...just in case.
> > >
> > > So, it looks like the new 'Rang will be pretty darn cool, with lots of
> > > high-end features (perhaps even a few more surprises too; part of one of
> > > the messages seemed to imply there were still more goodies about which
> > > they couldn't yet say anything).  I'm sure Lynne & Mike will do their best
> > > to maintain its dead simple user interface too. And all for an extremely
> > > reasonable cost, IMNSHO.
> > >
> > > As well, there do seem to be more Blooperangs in stock, if anybody wants a
> > > great deal on existing product (I seem to recall somebody was curious
> > > about that a little while back).
> > >
> > > --m.
> > > --
> > > _______
> > > "The revolution may be someone somewhere else..."
> > >
> > >
> >
> >
> >
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 09:11:42 2006
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Subject: Would this work for Mobuis?
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https://www.eritech.com/detail.php?item=2373-75U

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 09:37:07 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Would this work for Mobuis?
Date: Mon, 17 Jul 2006 11:37:02 +0200
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On 17 jul 2006, at 11.11, mark t wrote:

> https://www.eritech.com/detail.php?item=2373-75U


Yes, I would guess so. But I would consider buying more RAM, at least  
1 GB, eventually 2. That is, if that machine will let you do that. My  
old ThinkPad (a 700 MHz P 3 I used for Ableton Live four three years  
ago) had only slots for 768 MB RAM. It was a great machine and payed  
its duties well until my son dropped a glass of milk into it. I  
wouldn't get a ThinkPad again though, because I hate that little  
stick you operate with a finger to navigate the mouse pointer. But  
that's just me; I prefer a track pad on a lappy.

"IBM ThinkPad T40
Product Info: P M 1.5GHz, 512MB RAM, 30GB 5400rpm HDD, 14.1 XGA  
(1024x768) TFT LCD, 32MB ATI Radeon 7500,"

Good thing is that it has a separate video memory, shared memory for  
graphics can be problematic with audio software. How do you intend to  
get the analog sound out of that box? I can't see any spec's on an  
eventual PCMCIA, USB or FireWire to add a decent audio converter? But  
on the other hand, when I read up on my own old IBM lappy I cant find  
those spec's either on most internet sites and my machine had  
definitely both USB and a PCMCIA card slot.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 09:44:15 2006
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Date: Mon, 17 Jul 2006 02:44:13 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: optimizing guitar signal through stomp boxes
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Thanx Jeff, yes they are all hooked up in series but i
want to stay away from racks,this is a pedalboard ment
for jams,blues bands etc. where i can set up really
fast and uncomplicated access to main effects but
where pure tone is required.You are right some of them
certainly arent true bypass but i do see a lot of pros
using the same of pedals and until now havent seen
anybody using an additional signal looper with them...
I am testing an amp soon which has parallel and series
efxs loop sends and returns maybe i can come up with a
better configuration, we´ll see...
Luis

 
--- Jeff Shirkey <jcshirke@midway.uchicago.edu> wrote:

> 
> On Jul 16, 2006, at 1:15 AM, L.A. Angulo wrote:
> 
> > Hi gang,
> > I need some tips from those of you using lots of
> pedal
> > effects in optimizing a guitar signal,there is a
> > significant volume difference between using my
> efxs
> > and pluging directly into my 50w tube amp.
> > Here is my pedal board signal:
> > 1.sweet sound Mojo Vibe
> > 2.Line6 roto machine
> > 3.boss pn2 vibrato
> > 4.Ibanez ts9
> > 5.boss octave
> > 6.boss dl3
> > 7.nobels preamp booster
> > 8.Line6 DL4
> > 9.bossn N2 noise supressor
> 
> Are all of these pedals connected together in
> series? If so, there is  
> some *serious* tone suckage going on.  Most of them
> probably are not  
> true bypass either, although I believe the Sweet
> Sound Mojo vibe is.
> 
> You need a looper--a different kind of looper than
> is usually  
> discussed here. You need something that can
> insert/remove smaller  
> loops of effects, so that your signal isn't
> continually degraded as  
> it moves further and further through the fx chain. I
> forget who makes  
> them, but one guy's in particular is always being
> discussed on The  
> Gear Page. You may try searching "looper" there
> (www.thegearpage.net)  
> Or check out a Switchblade (www.soundsculpture.com),
> if you've got  
> the bucks. You could rack those pedals and put each
> one in a  
> Switchblade "loop". You can then route your signal
> any way you want  
> from simple to complex, series or parallel.
> 
> Jeff
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 09:50:17 2006
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Date: Mon, 17 Jul 2006 05:50:15 -0400
From: "mark t" <aleatoric12@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: Would this work for Mobuis?
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What about a Dell D40?  I found one with 1GB of RAM for $450.  Excuse
my ignorance I am a long term mac user but want to get a PC soley for
Mobuis but do not want to spend alot.  thanks.

On 7/17/06, Per Boysen <perboysen@gmail.com> wrote:
> On 17 jul 2006, at 11.11, mark t wrote:
>
> > https://www.eritech.com/detail.php?item=2373-75U
>
>
> Yes, I would guess so. But I would consider buying more RAM, at least
> 1 GB, eventually 2. That is, if that machine will let you do that. My
> old ThinkPad (a 700 MHz P 3 I used for Ableton Live four three years
> ago) had only slots for 768 MB RAM. It was a great machine and payed
> its duties well until my son dropped a glass of milk into it. I
> wouldn't get a ThinkPad again though, because I hate that little
> stick you operate with a finger to navigate the mouse pointer. But
> that's just me; I prefer a track pad on a lappy.
>
> "IBM ThinkPad T40
> Product Info: P M 1.5GHz, 512MB RAM, 30GB 5400rpm HDD, 14.1 XGA
> (1024x768) TFT LCD, 32MB ATI Radeon 7500,"
>
> Good thing is that it has a separate video memory, shared memory for
> graphics can be problematic with audio software. How do you intend to
> get the analog sound out of that box? I can't see any spec's on an
> eventual PCMCIA, USB or FireWire to add a decent audio converter? But
> on the other hand, when I read up on my own old IBM lappy I cant find
> those spec's either on most internet sites and my machine had
> definitely both USB and a PCMCIA card slot.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>

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Date: Mon, 17 Jul 2006 05:51:25 -0400
From: "mark t" <aleatoric12@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: Re: Would this work for Mobuis?
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I meant to say D400.

On 7/17/06, mark t <aleatoric12@gmail.com> wrote:
> What about a Dell D40?  I found one with 1GB of RAM for $450.  Excuse
> my ignorance I am a long term mac user but want to get a PC soley for
> Mobuis but do not want to spend alot.  thanks.
>
> On 7/17/06, Per Boysen <perboysen@gmail.com> wrote:
> > On 17 jul 2006, at 11.11, mark t wrote:
> >
> > > https://www.eritech.com/detail.php?item=2373-75U
> >
> >
> > Yes, I would guess so. But I would consider buying more RAM, at least
> > 1 GB, eventually 2. That is, if that machine will let you do that. My
> > old ThinkPad (a 700 MHz P 3 I used for Ableton Live four three years
> > ago) had only slots for 768 MB RAM. It was a great machine and payed
> > its duties well until my son dropped a glass of milk into it. I
> > wouldn't get a ThinkPad again though, because I hate that little
> > stick you operate with a finger to navigate the mouse pointer. But
> > that's just me; I prefer a track pad on a lappy.
> >
> > "IBM ThinkPad T40
> > Product Info: P M 1.5GHz, 512MB RAM, 30GB 5400rpm HDD, 14.1 XGA
> > (1024x768) TFT LCD, 32MB ATI Radeon 7500,"
> >
> > Good thing is that it has a separate video memory, shared memory for
> > graphics can be problematic with audio software. How do you intend to
> > get the analog sound out of that box? I can't see any spec's on an
> > eventual PCMCIA, USB or FireWire to add a decent audio converter? But
> > on the other hand, when I read up on my own old IBM lappy I cant find
> > those spec's either on most internet sites and my machine had
> > definitely both USB and a PCMCIA card slot.
> >
> > Greetings from Sweden
> >
> > Per Boysen
> > www.boysen.se (Swedish)
> > www.looproom.com (international)
> > http://tinyurl.com/fauvm (podcast)
> > http://www.myspace.com/looproom
> >
> >
> >
> >
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 09:57:10 2006
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Subject: Re: Would this work for Mobuis?
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I dunno, the web site has such expired security certs that I hesitated at 
first - but a ThinkPad T40?

----- Original Message ----- 
From: "mark t" <aleatoric12@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, 17 July, 2006 10:11 AM
Subject: Would this work for Mobuis?


> https://www.eritech.com/detail.php?item=2373-75U
>
>
>
>
> 

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From: "Fabio Anile" <fabio.anile@tiscali.it>
To: <Loopers-Delight@loopers-delight.com>
References: <022c01c6a72f$d8d13a90$e701a8c0@pcfabio> <e532b3aee2f9de8575c9ad4831d3207a@charter.net>
Subject: Re: Fabio Anile Podcast
Date: Mon, 17 Jul 2006 12:01:25 +0200
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This is a multi-part message in MIME format.

------=_NextPart_000_00FF_01C6A998.BA370950
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Thanks for your report, Ted.
I'm not expert with this, so I will try again
and let you know when it works.
Fabio
  ----- Original Message -----=20
  From: tEd =AE kiLLiAn=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, July 14, 2006 4:44 PM
  Subject: Re: Fabio Anile Podcast


  Fabio,

  I tried the link and what I got was:

  =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D

  This page contains the following errors:

  error on line 7 at column 64: Opening and ending tag mismatch: channel =
line 0 and title

  Below is a rendering of the page up to the first error.

  fabio anile - Podcast - Vitaminic

  =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D

  The rest of the window was blank . . .=20

  For what it's worth, I was really interested in hearing your music. =
Let us know when your PodCast is up and running.

  Peace,

  tEd =AE kiLLiAn

  On Jul 14, 2006, at 3:25 AM, Fabio Anile wrote:


    Hi people,
    this is my first experience with podcast.
    and I'm not sure if it works.
    Can someone try it and report to me if it works ?
    Thanks
    fabio
    =20
    http://www.vitaminic.it/artist/eterogeneo/itunes.pcast
     
------=_NextPart_000_00FF_01C6A998.BA370950
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Thanks for your report, =

Ted.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I'm not expert with =
this, so I will=20
try again</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>and let you know when =
it=20
works.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000080 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtedkillian@charter.net =
href=3D"mailto:tedkillian@charter.net">tEd =AE=20
  kiLLiAn</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 14, 2006 =
4:44 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Fabio Anile =
Podcast</DIV>
  <DIV><BR></DIV>Fabio,<BR><BR>I tried the link and what I got=20
  =
was:<BR><BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<BR><BR><B><?bigger><?x-tad-bigger>This=20
  page contains the following =
errors:<BR><BR><?/x-tad-bigger><?/bigger></B><?fontfamily><?param =
Courier>error=20
  on line 7 at column 64: Opening and ending tag mismatch: channel line =
0 and=20
  title<BR><BR><?/fontfamily><B><?bigger><?x-tad-bigger>Below is a =
rendering of=20
  the page up to the first =
error.<BR><BR><?/x-tad-bigger><?/bigger></B><?x-tad-bigger>fabio anile - =

  Podcast - =
Vitaminic<?/x-tad-bigger><B><?bigger><?x-tad-bigger><BR><BR><?/x-tad-bigg=
er><?/bigger></B>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<B><?bigger><?x-tad-bigger><BR><BR><?=
/x-tad-bigger><?/bigger></B>The=20
  rest of the window was blank . . . <BR><BR>For what it's worth, I was =
really=20
  interested in hearing your music. Let us know when your PodCast is up =
and=20
  =
running.<B><?bigger><?x-tad-bigger><BR><BR><?/x-tad-bigger><?/bigger></B>=
Peace,<BR><BR>tEd=20
  =AE kiLLiAn<BR><BR>On Jul 14, 2006, at 3:25 AM, Fabio Anile =
wrote:<BR><BR>
  <BLOCKQUOTE><?fontfamily><?param Helvetica><?color><?param =
0000,0000,8080>Hi=20
    people,<?/color><?/fontfamily><BR><?fontfamily><?param =
Helvetica><?color><?param 0000,0000,8080>this=20
    is my first experience with =
podcast.<?/color><?/fontfamily><BR><?fontfamily><?param =
Helvetica><?color><?param 0000,0000,8080>and=20
    I'm not sure if it =
works.<?/color><?/fontfamily><BR><?fontfamily><?param =
Helvetica><?color><?param 0000,0000,8080>Can=20
    someone try it and report to me if it works =
?<?/color><?/fontfamily><BR><?fontfamily><?param =
Helvetica><?color><?param =
0000,0000,8080>Thanks<?/color><?/fontfamily><BR><?fontfamily><?param =
Helvetica><?color><?param =
0000,0000,8080>fabio<?/color><?/fontfamily><BR>&nbsp;<BR><?fontfamily><?p=
aram Helvetica><?color><?param =
0000,0000,EEEE>http://www.vitaminic.it/artist/eterogeneo/itunes.pcast<?/c=
olor><?/fontfamily><BR>&nbsp;</BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00FF_01C6A998.BA370950--


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Date: Mon, 17 Jul 2006 03:08:18 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: what this?
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hmm getting smaller and cheaper than ever,very
attractive,compact and 180.00 dlls. this is perhaps a
warning of an upcoming loop virus,i am afraid
everybody including our grandmas are going to start
looping and dancing everywhere,shopping
malls,streets,museums,shelter homes etc...
Luis




--- Krispen Hartung <khartung@cableone.net> wrote:

> Looks like it will be out in November and run for
> about $180. It looks 
> temping for a basic street gig looper. I could take
> it and my Roland 
> Microcube and play just about anywhere. I am curious
> how the pedal works, 
> however. I am guessing that the first press starts
> Record and the second 
> press Stops Record and starts Overdubing, or just
> Stop Record, and a third 
> press starts Overdub...after that point each
> additional press would turn 
> overdub on and off. I would prefer this latter
> approach.
> 
> Kris
> 
> ----- Original Message ----- 
> From: <stanitarium@earthlink.net>
> To: <loopers-delight@loopersdelight.com>
> Sent: Sunday, July 16, 2006 3:30 PM
> Subject: what this?
> 
> 
> > http://www.gearwire.com/boss-rc2.html
> >
> > 
> 
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 10:31:58 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Would this work for Mobuis?
Date: Mon, 17 Jul 2006 12:31:55 +0200
To: Loopers-Delight@loopers-delight.com
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On 17 jul 2006, at 11.50, mark t wrote:

> What about a Dell D40?  I found one with 1GB of RAM for $450.  Excuse
> my ignorance I am a long term mac user but want to get a PC soley for
> Mobuis but do not want to spend alot.  thanks.


Don't know about Dell. But I've heard you can run Mobius fine on an  
intel mac if using Boot Camp (free Apple utility) to run Windows XP  
on it. I would go for that option if I should need a laptop today,  
since I work a lot with computers and find OS X faster than XP in my  
daily working situation (and is cheaper than having both a mac and a  
pc, as I have for now). For that alternative you would still need to  
shell out for a Windows XP license though. Those small Macbooks look  
very nice and cheap.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 10:41:33 2006
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Date: Mon, 17 Jul 2006 06:41:31 -0400
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After doing some research this is probably the route I will take!
Will take some time or selling of gear to afford one though (not that
they are THAT expensive but I am poor!).  thanks.

On 7/17/06, Per Boysen <perboysen@gmail.com> wrote:
> On 17 jul 2006, at 11.50, mark t wrote:
>
> > What about a Dell D40?  I found one with 1GB of RAM for $450.  Excuse
> > my ignorance I am a long term mac user but want to get a PC soley for
> > Mobuis but do not want to spend alot.  thanks.
>
>
> Don't know about Dell. But I've heard you can run Mobius fine on an
> intel mac if using Boot Camp (free Apple utility) to run Windows XP
> on it. I would go for that option if I should need a laptop today,
> since I work a lot with computers and find OS X faster than XP in my
> daily working situation (and is cheaper than having both a mac and a
> pc, as I have for now). For that alternative you would still need to
> shell out for a Windows XP license though. Those small Macbooks look
> very nice and cheap.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 10:46:33 2006
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Subject: Re: LD aniversary loop contributions
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R: LD aniversary loop contributionsAnother italian looper, here !=20
Milco tou are welcome !
I can hear progressive-music influences in these songs,
am I wrong ?

Thanks for sharing this, Milco
and let me hear more form you
Fabio=20



  ----- Original Message -----=20
  From: milco.montagna@bt.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Cc: info@krispenhartung.com=20
  Sent: Thursday, July 06, 2006 11:02 AM
  Subject: R: LD aniversary loop contributions


  Hi Krispen,=20
  Here you can download two mine 30 sec. pieces.=20
  I have done a fade in and fade out of two my songs.=20

  http://mio.discoremoto.alice.it/a_cube_studio=20



  If anybody of the LD comunity has time to listen my songs I'd =
appreciate any kind of comment.=20

  http://www.soundclick.com/bands/pageartist.cfm?bandID=3D547466=20




  Milco=20
  =
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&i=
d=3D121901060947=20
   =20



  -----Messaggio originale-----=20
  Da: Krispen Hartung [mailto:khartung@cableone.net]=20
  Inviato: mercoled=EC 5 luglio 2006 5.32=20
  A: Loopers-Delight@loopers-delight.com=20
  Oggetto: Re: LD aniversary loop contributions=20

  30 sec for the entire piece +/- a few seconds...what you do in that =
space with loops is up to you. You could fade in and out of a larger =
piece if you like, or just record it that way.  Consider it a =
"thumbnail" depiction of your looping personality. :) It should be a =
good test of our ability to articulate what we are as loopers in 30 =
sec...a fun challenge.

  Kris=20

  ----- Original Message -----=20
  From: "Timothy Mungenast" <mungenast@earthlink.net>=20
  To: <Loopers-Delight@loopers-delight.com>=20
  Sent: Tuesday, July 04, 2006 8:21 PM=20
  Subject: Re: LD aniversary loop contributions=20



  > How much leeway is there on this 30-second thing? I'm not 100% clear =

  > whether we're talking about loop length or the length of the piece. =
Sorry=20
  > for being so dense ;-)=20
  >=20
  > ~Tim=20
  >=20
  >=20
  >> [Original Message]=20
  >> From: L.A. Angulo <labaloops@yahoo.com>=20
  >> To: <Loopers-Delight@loopers-delight.com>=20
  >> Date: 7/4/2006 9:58:07 PM=20
  >> Subject: Re: LD aniversary loop contributions=20
  >>=20
  >> Hi Josh,=20
  >> Thank you kindly,i pretty much went directly from my=20
  >> mackie cfx1202 into my soundcard and added an extra=20
  >> touch of reverb from a timeworks plugin.I am also=20
  >> slapping the guitar quite hard thats probably why it=20
  >> sounds so obvious;-)=20
  >> cheers=20
  >> Luis=20
  >>=20
  >> --- Joshua Carroll <josh@infinivert.com> wrote:=20
  >>=20
  >> > Very nice!  Great reverb in there.  What are you=20
  >> > using?=20
  >> >=20
  >> > --Josh=20
  >> >=20
  >> > L.A. Angulo wrote:=20
  >> > > Hi krispen,=20
  >> > > Here is mine composed of 4 different=20
  >> > > loops,unfortunately about 50 sec.long before it=20
  >> > > repeats itself(ups)=20
  >> > > but if it doesnt work for this project then ill=20
  >> > donate=20
  >> > > it to the LD comunity=20
  >> > > http://www.luis-angulo.com/looplab.htm=20
  >> > > cheers=20
  >> > > Luis=20
  >> > >=20
  >> > > www.myspace.com/luisangulocom=20
  >> > >=20
  >> > > __________________________________________________=20
  >> > > Do You Yahoo!?=20
  >> > > Tired of spam?  Yahoo! Mail has the best spam=20
  >> > protection around=20
  >> > > http://mail.yahoo.com=20
  >> > >=20
  >> > >=20
  >> > >=20
  >> > >=20
  >> > >=20
  >> >=20
  >> >=20
  >>=20
  >>=20
  >> www.myspace.com/luisangulocom=20
  >>=20
  >> __________________________________________________=20
  >> Do You Yahoo!?=20
  >> Tired of spam?  Yahoo! Mail has the best spam protection around=20
  >> http://mail.yahoo.com=20
  >=20
  >=20
  >=20

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>R: LD aniversary loop contributions</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Another italian looper, =
here !=20
</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Milco tou are welcome=20
!</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I can hear =
progressive-music=20
influences in these songs,</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>am I wrong =
?</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Thanks for sharing =
this,=20
Milco</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>and let me hear more =
form=20
you</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio </FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000080 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial"><FONT face=3D"Book Antiqua" =
color=3D#000080=20
  size=3D3></FONT>&nbsp;</DIV>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmilco.montagna@bt.com=20
  href=3D"mailto:milco.montagna@bt.com">milco.montagna@bt.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Cc:</B> <A =
title=3Dinfo@krispenhartung.com=20
  href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, July 06, 2006 =
11:02=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> R: LD aniversary loop=20
  contributions</DIV>
  <DIV><BR></DIV><!-- Converted from text/plain format -->
  <P><FONT size=3D2>Hi Krispen,</FONT> <BR><FONT size=3D2>Here you can =
download two=20
  mine 30 sec. pieces.</FONT> <BR><FONT size=3D2>I have done a fade in =
and fade=20
  out of two my songs.</FONT> </P>
  <P><FONT size=3D2><A=20
  =
href=3D"http://mio.discoremoto.alice.it/a_cube_studio">http://mio.discore=
moto.alice.it/a_cube_studio</A></FONT>=20
  </P><BR>
  <P><FONT size=3D2>If anybody of the LD comunity has time to listen my =
songs I'd=20
  appreciate any kind of comment.</FONT> </P>
  <P><FONT size=3D2><A=20
  =
href=3D"http://www.soundclick.com/bands/pageartist.cfm?bandID=3D547466">h=
ttp://www.soundclick.com/bands/pageartist.cfm?bandID=3D547466</A></FONT> =

  </P><BR><BR>
  <P><FONT size=3D2>Milco</FONT> <BR><FONT size=3D2><A=20
  =
href=3D"http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_p=
rofile&amp;id=3D121901060947">http://www.loopers-delight.com/cgi-bin/prof=
iles.cgi?step=3Dview_profile&amp;id=3D121901060947</A></FONT>=20
  <BR><FONT size=3D2>&nbsp;</FONT> </P><BR>
  <P><FONT size=3D2>-----Messaggio originale-----</FONT> <BR><FONT =
size=3D2>Da:=20
  Krispen Hartung [<A=20
  =
href=3D"mailto:khartung@cableone.net">mailto:khartung@cableone.net</A>]=20
  </FONT><BR><FONT size=3D2>Inviato: mercoled=EC 5 luglio 2006 =
5.32</FONT> <BR><FONT=20
  size=3D2>A: Loopers-Delight@loopers-delight.com</FONT> <BR><FONT =
size=3D2>Oggetto:=20
  Re: LD aniversary loop contributions</FONT> </P>
  <P><FONT size=3D2>30 sec for the entire piece +/- a few seconds...what =
you do in=20
  that space with loops is up to you. You could fade in and out of a =
larger=20
  piece if you like, or just record it that way.&nbsp; Consider it a =
"thumbnail"=20
  depiction of your looping personality. :) It should be a good test of =
our=20
  ability to articulate what we are as loopers in 30 sec...a fun=20
  challenge.</FONT></P>
  <P><FONT size=3D2>Kris</FONT> </P>
  <P><FONT size=3D2>----- Original Message -----</FONT> <BR><FONT =
size=3D2>From:=20
  "Timothy Mungenast" &lt;mungenast@earthlink.net&gt;</FONT> <BR><FONT=20
  size=3D2>To: &lt;Loopers-Delight@loopers-delight.com&gt;</FONT> =
<BR><FONT=20
  size=3D2>Sent: Tuesday, July 04, 2006 8:21 PM</FONT> <BR><FONT =
size=3D2>Subject:=20
  Re: LD aniversary loop contributions</FONT> </P><BR>
  <P><FONT size=3D2>&gt; How much leeway is there on this 30-second =
thing? I'm not=20
  100% clear</FONT> <BR><FONT size=3D2>&gt; whether we're talking about =
loop=20
  length or the length of the piece. Sorry</FONT> <BR><FONT =
size=3D2>&gt; for=20
  being so dense ;-)</FONT> <BR><FONT size=3D2>&gt;</FONT> <BR><FONT =
size=3D2>&gt;=20
  ~Tim</FONT> <BR><FONT size=3D2>&gt;</FONT> <BR><FONT =
size=3D2>&gt;</FONT>=20
  <BR><FONT size=3D2>&gt;&gt; [Original Message]</FONT> <BR><FONT =
size=3D2>&gt;&gt;=20
  From: L.A. Angulo &lt;labaloops@yahoo.com&gt;</FONT> <BR><FONT =
size=3D2>&gt;&gt;=20
  To: &lt;Loopers-Delight@loopers-delight.com&gt;</FONT> <BR><FONT=20
  size=3D2>&gt;&gt; Date: 7/4/2006 9:58:07 PM</FONT> <BR><FONT =
size=3D2>&gt;&gt;=20
  Subject: Re: LD aniversary loop contributions</FONT> <BR><FONT=20
  size=3D2>&gt;&gt;</FONT> <BR><FONT size=3D2>&gt;&gt; Hi Josh,</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; Thank you kindly,i pretty much went directly from =
my</FONT>=20
  <BR><FONT size=3D2>&gt;&gt; mackie cfx1202 into my soundcard and added =
an=20
  extra</FONT> <BR><FONT size=3D2>&gt;&gt; touch of reverb from a =
timeworks=20
  plugin.I am also</FONT> <BR><FONT size=3D2>&gt;&gt; slapping the =
guitar quite=20
  hard thats probably why it</FONT> <BR><FONT size=3D2>&gt;&gt; sounds =
so=20
  obvious;-)</FONT> <BR><FONT size=3D2>&gt;&gt; cheers</FONT> <BR><FONT=20
  size=3D2>&gt;&gt; Luis</FONT> <BR><FONT size=3D2>&gt;&gt;</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; --- Joshua Carroll &lt;josh@infinivert.com&gt; =
wrote:</FONT>=20
  <BR><FONT size=3D2>&gt;&gt;</FONT> <BR><FONT size=3D2>&gt;&gt; &gt; =
Very=20
  nice!&nbsp; Great reverb in there.&nbsp; What are you</FONT> <BR><FONT =

  size=3D2>&gt;&gt; &gt; using?</FONT> <BR><FONT size=3D2>&gt;&gt; =
&gt;</FONT>=20
  <BR><FONT size=3D2>&gt;&gt; &gt; --Josh</FONT> <BR><FONT =
size=3D2>&gt;&gt;=20
  &gt;</FONT> <BR><FONT size=3D2>&gt;&gt; &gt; L.A. Angulo wrote:</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; &gt; &gt; Hi krispen,</FONT> <BR><FONT =
size=3D2>&gt;&gt; &gt;=20
  &gt; Here is mine composed of 4 different</FONT> <BR><FONT =
size=3D2>&gt;&gt;=20
  &gt; &gt; loops,unfortunately about 50 sec.long before it</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; &gt; &gt; repeats itself(ups)</FONT> <BR><FONT =
size=3D2>&gt;&gt;=20
  &gt; &gt; but if it doesnt work for this project then ill</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; &gt; donate</FONT> <BR><FONT size=3D2>&gt;&gt; &gt; =
&gt; it to=20
  the LD comunity</FONT> <BR><FONT size=3D2>&gt;&gt; &gt; &gt; <A=20
  =
href=3D"http://www.luis-angulo.com/looplab.htm">http://www.luis-angulo.co=
m/looplab.htm</A></FONT>=20
  <BR><FONT size=3D2>&gt;&gt; &gt; &gt; cheers</FONT> <BR><FONT =
size=3D2>&gt;&gt;=20
  &gt; &gt; Luis</FONT> <BR><FONT size=3D2>&gt;&gt; &gt; &gt;</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; &gt; &gt; www.myspace.com/luisangulocom</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; &gt; &gt;</FONT> <BR><FONT size=3D2>&gt;&gt; &gt; =
&gt;=20
  __________________________________________________</FONT> <BR><FONT=20
  size=3D2>&gt;&gt; &gt; &gt; Do You Yahoo!?</FONT> <BR><FONT =
size=3D2>&gt;&gt; &gt;=20
  &gt; Tired of spam?&nbsp; Yahoo! Mail has the best spam</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; &gt; protection around</FONT> <BR><FONT =
size=3D2>&gt;&gt; &gt;=20
  &gt; <A =
href=3D"http://mail.yahoo.com">http://mail.yahoo.com</A></FONT>=20
  <BR><FONT size=3D2>&gt;&gt; &gt; &gt;</FONT> <BR><FONT =
size=3D2>&gt;&gt; &gt;=20
  &gt;</FONT> <BR><FONT size=3D2>&gt;&gt; &gt; &gt;</FONT> <BR><FONT=20
  size=3D2>&gt;&gt; &gt; &gt;</FONT> <BR><FONT size=3D2>&gt;&gt; &gt; =
&gt;</FONT>=20
  <BR><FONT size=3D2>&gt;&gt; &gt;</FONT> <BR><FONT size=3D2>&gt;&gt; =
&gt;</FONT>=20
  <BR><FONT size=3D2>&gt;&gt;</FONT> <BR><FONT size=3D2>&gt;&gt;</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; www.myspace.com/luisangulocom</FONT> <BR><FONT=20
  size=3D2>&gt;&gt;</FONT> <BR><FONT size=3D2>&gt;&gt;=20
  __________________________________________________</FONT> <BR><FONT=20
  size=3D2>&gt;&gt; Do You Yahoo!?</FONT> <BR><FONT size=3D2>&gt;&gt; =
Tired of=20
  spam?&nbsp; Yahoo! Mail has the best spam protection around</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; <A=20
  href=3D"http://mail.yahoo.com">http://mail.yahoo.com</A></FONT> =
<BR><FONT=20
  size=3D2>&gt;</FONT> <BR><FONT size=3D2>&gt;</FONT> <BR><FONT =
size=3D2>&gt;=20
  </FONT></P></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_014F_01C6A99F.04A62790--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 10:49:02 2006
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Date: Mon, 17 Jul 2006 05:48:49 -0500
From: Daryl <highhorse@mhorse.com>
User-Agent: Thunderbird 1.5.0.4 (Windows/20060516)
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To: Loopers-Delight@loopers-delight.com
Subject: Howdy from Mexico
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This is a multi-part message in MIME format.
--------------040506090100080703070005
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Greetings, all...I unsubbed from the list almost two years ago due to 
travel preparations for moving from San Francisco down here to Oaxaca, 
Mexico, but finally have some time to start being a social musician 
again. I'm amazed at all the gear news from the past few years - the E-H 
16-second delay reissue, their 2880, the Boss RC-20 and RC-50, Digitech 
JamMan, Looperlative, /maybe /the Repeater 2, all the laptop stuff...

Myself, the only equipment I have right now is a nylon-string guitar, a 
fuzzbox and a Yamaha four-track cassette player. (Four-tracks rule! and 
they loop <http://loopers-delight.com/tips/multitrack.html>, too!) On 
one of my trips back to California, I scored a box of 100 endless tapes 
for ONE RED CENT (how's that for cheap media?) on Ebay and have embarked 
on a project to create a nice, self-contained loop (as opposed to using 
them interactively in performance) on each one. I've posted a few so far 
on my site - swanwelder.com - under the heading "Repetitive Miniatures".

I've also been working on plans for a dedicated cassette-based looper 
that has a lot more of the features found in other loopers, like reverse 
play and record, easy pitchshifting, sound-on-sound, etc, besides some 
other things that are only really available in the analog domain. I'm 
excited enough about it to want to throw some money its way - any 
electronic tweakers interested in a new project? If I get too frustrated 
with my own sloppy soldering I may want a partner...

Besides mis-using my four-track, I've been composing a lot of solo 
pieces, and am finding I really like repetition (I think I know where 
that comes from...). In lieu of a real performance spot, I post files to 
my site as I write 'em, which it seems lot of people are doing instead 
of releasing actual albums anyway. thank heavens for the Net, I'd be 
lost (and lonely) without it here.

I've been very, very pleased to note that the intelligent (and civil) 
nature of this list has continued, I haven't felt like re-joining any 
other group but I always really liked this lil' community.

Anyone else in Mexico out there?

Daryl Shawn
www.swanwelder.com


--------------040506090100080703070005
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Greetings, all...I unsubbed from the list almost two years ago due to
travel
preparations for moving from San Francisco down here to Oaxaca, Mexico,
but finally have some time to start being a social musician again. I'm
amazed at all the gear news from the past few years - the E-H 16-second
delay reissue, their 2880, the Boss RC-20 and RC-50, Digitech JamMan,
Looperlative, <i>maybe </i>the Repeater 2, all the laptop stuff...<br>
<br>
Myself, the only equipment I have right now is a nylon-string guitar, a
fuzzbox and a Yamaha four-track cassette player. (Four-tracks rule! and
they <a href="http://loopers-delight.com/tips/multitrack.html">loop</a>,
too!) On one of my trips back to California, I scored a box of 100
endless tapes for ONE RED CENT (how's that for cheap media?)
on Ebay and have embarked on a project to create a nice,
self-contained loop (as opposed to using them interactively in
performance) on each one. I've posted a few so far on my site - <a
 class="moz-txt-link-freetext" href="http://www.swanwelder.com">swanwelder.com</a>
- under the heading "Repetitive Miniatures".<br>
<br>
I've also been working on plans for a dedicated cassette-based looper
that has a lot more of the features found in other loopers,
like reverse play and record, easy pitchshifting, sound-on-sound, etc,
besides some other things that are only really available in the analog
domain. I'm excited enough about it to want to throw some money its way
- any electronic tweakers interested in a new project? If I
get too frustrated with my own sloppy soldering I may want a partner...<br>
<br>
Besides mis-using my four-track, I've been composing a lot of solo
pieces, and am
finding I really like repetition (I think I know where that comes
from...). In lieu of a real performance spot, I post files to my site
as I write 'em, which it seems lot of people are doing instead of
releasing actual albums anyway. thank heavens for the Net, I'd be lost
(and lonely)
without it here.<br>
<br>
I've been very, very pleased to note that the intelligent (and civil)
nature of this list has continued, I haven't felt like re-joining any
other group but I always really liked this lil' community.<br>
<br>
Anyone else in Mexico out there?<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-freetext" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
</body>
</html>

--------------040506090100080703070005--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 11:00:15 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Fabio Anile Podcast
Date: Mon, 17 Jul 2006 13:00:09 +0200
To: Loopers-Delight@loopers-delight.com
X-Mailer: Apple Mail (2.752.2)
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On 14 jul 2006, at 12.25, Fabio Anile wrote:

> Hi people,
> this is my first experience with podcast.
> and I'm not sure if it works.
> Can someone try it and report to me if it works ?
> Thanks
> fabio
>
> http://www.vitaminic.it/artist/eterogeneo/itunes.pcast


Hi Fabio,

I'm sorry I'm a bit late to test this link for you, but I have been =20
on the road for more than two weeks with only borrowed dial-up =20
internet access. Now that I'm back in-house I clicked your link. =20
Unfortunately no podcast is distributed my way. I use a Mac for =20
internet and your link suggests my OS to open the stream in iTunes =20
(application). So far everything works fine, but then iTunes doesn't =20
seem recognize any proper xml document online to direct it where to =20
pick up the audio stream.

On the other hand; if I type http://www.vitaminic.it/artist/=20
eterogeneo into my web browser I can enjoy your Vitaminic page. =20
Listening now while munching a mountain of m=FCsli partly hidden under =20=

white youghurt... oops? ok, I'll cut that crap...

Wonderful music, Fabio!!!  :-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 12:14:50 2006
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From: cburke55@comcast.net (Christophe)
To: loopers-delight@loopersdelight.com
Subject: More RC-2
Date: Mon, 17 Jul 2006 12:14:47 +0000
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Got this link to a NAMM show report - shows a better photo of the RC-2 along with some specs.

Sounds like it could be fun!

http://www.zzounds.com/article/blog/post01.html

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 12:40:25 2006
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From: "Fluke" <fluke@gotadsl.co.uk>
To: Loopers-Delight@loopers-delight.com
Reply-To: "Fluke" <fluke@gotadsl.co.uk>
Subject: Re: optimizing guitar signal through stomp boxes
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In my opinion, all but 4, 5 and 7 should be in a series FX loop. %, 4 and 7
should be in front of the amp, in that order, depending on what you use the
booster for - more volume or more overdrive.

Nik

--------- Original Message --------
From: Loopers-Delight@loopers-delight.com
To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
Subject: Re: optimizing guitar signal through stomp boxes
Date: 17/07/06 09:47


Thanx Jeff, yes they are all hooked up in series but i
want to stay away from racks,this is a pedalboard ment
for jams,blues bands etc. where i can set up really
fast and uncomplicated access to main effects but
where pure tone is required.You are right some of them
certainly arent true bypass but i do see a lot of pros
using the same of pedals and until now havent seen
anybody using an additional signal looper with them...
I am testing an amp soon which has parallel and series
efxs loop sends and returns maybe i can come up with a
better configuration, we´ll see...
Luis


--- Jeff Shirkey <jcshirke@midway.uchicago.edu> wrote:

>
> On Jul 16, 2006, at 1:15 AM, L.A. Angulo wrote:
>
> > Hi gang,
> > I need some tips from those of you using lots of
> pedal
> > effects in optimizing a guitar signal,there is a
> > significant volume difference between using my
> efxs
> > and pluging directly into my 50w tube amp.
> > Here is my pedal board signal:
> > 1.sweet sound Mojo Vibe
> > 2.Line6 roto machine
> > 3.boss pn2 vibrato
> > 4.Ibanez ts9
> > 5.boss octave
> > 6.boss dl3
> > 7.nobels preamp booster
> > 8.Line6 DL4
> > 9.bossn N2 noise supressor
>
> Are all of these pedals connected together in
> series? If so, there is
> some *serious* tone suckage going on. Most of them
> probably are not
> true bypass either, although I believe the Sweet
> Sound Mojo vibe is.
>
> You need a looper--a different kind of looper than
> is usually
> discussed here. You need something that can
> insert/remove smaller
> loops of effects, so that your signal isn't
> continually degraded as
> it moves further and further through the fx chain. I
> forget who makes
> them, but one guy's in particular is always being
> discussed on The
> Gear Page. You may try searching "looper" there
> (www.thegearpage.net)
> Or check out a Switchblade (www.soundsculpture.com),
> if you've got
> the bucks. You could rack those pedals and put each
> one in a
> Switchblade "loop". You can then route your signal
> any way you want
> from simple to complex, series or parallel.
>
> Jeff
>
>


www.myspace.com/luisangulocom

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 13:10:11 2006
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Date: Mon, 17 Jul 2006 09:02:59 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for July 15, 2006
To: undisclosed-recipients: ;
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http://soundscapes.us/amfm/playlists/2006/060715.html

I host the Saturday AM/FM Show every other week where I play electronic,
ambient, spacemusic, Progressive Rock, and an eclectic mix of other 
genres.  The
show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7 FM and on the
internet.  I also host Afterglow every Thursday from 8:00 am to 9:30 am.

                    Show #91                    July 15, 2006.

During Phase I of this show, I continued the special on the sampler CDs that
come with each issue of E-dition electronic music magazine.


Phase I/Space:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
================================
Palancar                A Profound Asymmetry     A Profound Asymmetry (none)
VA [Rene V.D. Wouden]   E-Lively                 Edition #9 Sampler (Groove)
VA [Nattefrost]         Valhal                   Edition #9 Sampler (Groove)
VA [Embrase]            Journey Through a        Edition #9 Sampler (Groove)
                          Soundscape

Phase II/Eclectic:
Preempted to expand Phases 1 and 3.

Phase III/Progressive Rock:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
================================
Lucas, White & Edsey    A Note to Jordan         LWE (Progrock)
Cryptic Vision          Find                     In A World (Progrock)
Cryptic Vision          The Balance              In A World (Progrock)
Thessera                Le Chef D'oeuvre         Fooled Eyes (Progrock)
Thessera                The Gallery              Fooled Eyes (Progrock)
IQ                      Sacred Sound             Dark Matter (Giant 
Electric Pea)
Karcius                 Hypothese B              Kaleidoscope (Unicorn 
Digital)

8:00 am

 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

I return to the AM/FM Show on July 29.

On the next show, I will continue the special on the sampler CDs that 
come with
each issue of E-dition electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From aw-confirm@ebay.com  Mon Jul 17 13:37:14 2006
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From: "eBay" <aw-confirm@ebay.com>
Subject: eBay Unpaid Item Dispute #150006915875
Date: Mon, 17 Jul 2006 16:10:05 +0300
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<P>
<TABLE cellSpacing=0 cellPadding=0 width=600 border=0 xmlns:x="urn:schemas-microsoft-com:xslt">
<TBODY>
<TR>
<TD style="WORD-WRAP: break-word" width=600>
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<TD><FONT face=Arial size=4>eBay Unpaid Item Dispute #150006915875 -- response required</FONT></TD>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 13:37:57 2006
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Subject: Re: Would this work for Mobuis?
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I don't see why not. Looks like a decent deal.

Kris
----- Original Message ----- 
From: "mark t" <aleatoric12@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 17, 2006 3:11 AM
Subject: Would this work for Mobuis?


> https://www.eritech.com/detail.php?item=2373-75U
> 
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 14:06:21 2006
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Date: Mon, 17 Jul 2006 10:02:40 -0400
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Subject: Re: New Boomerang and Blooperang Update...
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The RC-50, Electro Harmonix 2880, digitech GNX-4 and Looperlative 
LP-1 are all stereo capable loopers which are currently in 
production.  Only one has knobs to adjust multiple parameters as you 
create.....

>Stereo recording....will that include stereo input/output too? That 
>would be cool. That will make only two that can do this, right? I 
>thought the RC50 was stereo i/o as well.
>
>It's just amazing how much momentum the looping technology is 
>building now...both software and hardware. It's sort of exciting.
>
>Kris

-- 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 14:11:51 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Fabio Anile Podcast
Date: Mon, 17 Jul 2006 07:11:48 -0700
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--Apple-Mail-2-892133245
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Fabio,

I just did as Per said in his post and typed 
<http://www.vitaminic.it/artist/eterogeneo>
into my browser and it finally took me to your Vitaminic page. I am 
listening right now.
I do so very much love what I am hearing so far. Wow! Do you have a CD? 
I'll buy one!

Ted

On Jul 17, 2006, at 3:01 AM, Fabio Anile wrote:

> Thanks for your report, Ted.
> I'm not expert with this, so I will try again
> and let you know when it works.
> Fabio
--Apple-Mail-2-892133245
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Fabio,


I just did as Per said in his post and typed
<<http://www.vitaminic.it/artist/eterogeneo> 

into my browser and it finally took me to your Vitaminic page. I am
listening right now.

I do so very much love what I am hearing so far. Wow! Do you have a
CD? I'll buy one!


Ted


On Jul 17, 2006, at 3:01 AM, Fabio Anile wrote:


<excerpt><fontfamily><param>Helvetica</param><color><param>0000,0000,8080</param>Thanks
for your report, Ted.</color></fontfamily>

<fontfamily><param>Helvetica</param><color><param>0000,0000,8080</param>I'm
not expert with this, so I will try again</color></fontfamily>

<fontfamily><param>Helvetica</param><color><param>0000,0000,8080</param>and
let you know when it works.</color></fontfamily>

<fontfamily><param>Helvetica</param><color><param>0000,0000,8080</param>Fabio</color></fontfamily></excerpt>
--Apple-Mail-2-892133245--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 14:17:33 2006
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Subject: Re: New Boomerang and Blooperang Update...
Date: Mon, 17 Jul 2006 08:17:27 -0600
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The Electroharmonix and Digitech are floor units, right?  I was referring to 
floor/pedal units.  I have the Looperlative and love that single space!

Kris

----- Original Message ----- 
From: "Charles Zwicky" <cazwicky@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 17, 2006 8:02 AM
Subject: Re: New Boomerang and Blooperang Update...


> The RC-50, Electro Harmonix 2880, digitech GNX-4 and Looperlative LP-1 are 
> all stereo capable loopers which are currently in production.  Only one 
> has knobs to adjust multiple parameters as you create.....
>
>>Stereo recording....will that include stereo input/output too? That would 
>>be cool. That will make only two that can do this, right? I thought the 
>>RC50 was stereo i/o as well.
>>
>>It's just amazing how much momentum the looping technology is building 
>>now...both software and hardware. It's sort of exciting.
>>
>>Kris
>
> -- 
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 14:37:58 2006
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In a message dated 7/17/06 4:04:12 AM, aleatoric12@gmail.com writes:


> what is a blooperrang?
> 

there were a bunch of buggy rangs.....i think the bug was: if you record a 
maximun length loop, the rang will stop by itself and you have to engage the 
play button to make the loop play.....if you do not do this quickly enough the 
rang gives out a nasty sound and the loop is useless (to some of us.....:).....i 
seldom if ever make loops this long so for me this would not be an 
issue.....mike nelson kindly told us that he would sell these at a great discount, i 
forget the price but seem to remember that it was a nice deal.....i would think 
that this bug will NOT effect 95% of the rang users seeing that hardly anyone 
uses that long a loop.....i hope the new rangs (stereo) will be as elegent and 
simple to use as the original rang.....hope this helps.....michael
p.s. if i had the $ i would get one of these blooperangs.....no doubt about 
it!



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

--part1_308.115ab900.31ecfac2_boundary
Content-Type: text/html; charset="US-ASCII"
Content-Transfer-Encoding: quoted-printable

<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 7/17/06 4:04:12 AM, aleatoric12@gmail.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">what is a blooperrang=
?<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">there were a bunch of buggy rangs.....i think the bug was: if you record=20=
a maximun length loop, the rang will stop by itself and you have to engage t=
he play button to make the loop play.....if you do not do this quickly enoug=
h the rang gives out a nasty sound and the loop is useless (to some of us...=
..:).....i seldom if ever make loops this long so for me this would not be a=
n issue.....mike nelson kindly told us that he would sell these at a great d=
iscount, i forget the price but seem to remember that it was a nice deal....=
.i would think that this bug will NOT effect 95% of the rang users seeing th=
at hardly anyone uses that long a loop.....i hope the new rangs (stereo) wil=
l be as elegent and simple to use as the original rang.....hope this helps..=
...michael<BR>
p.s. if i had the $ i would get one of these blooperangs.....no doubt about=20=
it!<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_308.115ab900.31ecfac2_boundary--

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Subject: Milco Montagna web site
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This is a multi-part message in MIME format.

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Hi Fabio
Oh yes!!  I can't forget what King Crimson meant for progressive-music
=20
>From my simple web site you can download also my first experiment with =
live looping and my Loop Collection
=20
Milco
http://xoomer.alice.it/milco.montagna

________________________________

Da: Fabio Anile [mailto:fabio.anile@tiscali.it]=20
Inviato: luned=EC 17 luglio 2006 12.46
A: Loopers-Delight@loopers-delight.com
Oggetto: Re: LD aniversary loop contributions


Another italian looper, here !=20
Milco tou are welcome !
I can hear progressive-music influences in these songs,
am I wrong ?
=20
Thanks for sharing this, Milco
and let me hear more form you
Fabio=20
=20
=20

	=20
	----- Original Message -----=20
	From: milco.montagna@bt.com=20
	To: Loopers-Delight@loopers-delight.com=20
	Cc: info@krispenhartung.com=20
	Sent: Thursday, July 06, 2006 11:02 AM
	Subject: R: LD aniversary loop contributions


	Hi Krispen,=20
	Here you can download two mine 30 sec. pieces.=20
	I have done a fade in and fade out of two my songs.=20

	http://mio.discoremoto.alice.it/a_cube_studio=20


	If anybody of the LD comunity has time to listen my songs I'd =
appreciate any kind of comment.=20

	http://www.soundclick.com/bands/pageartist.cfm?bandID=3D547466=20



	Milco=20
	=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&i=
d=3D121901060947=20
	 =20


	-----Messaggio originale-----=20
	Da: Krispen Hartung [mailto:khartung@cableone.net]=20
	Inviato: mercoled=EC 5 luglio 2006 5.32=20
	A: Loopers-Delight@loopers-delight.com=20
	Oggetto: Re: LD aniversary loop contributions=20

	30 sec for the entire piece +/- a few seconds...what you do in that =
space with loops is up to you. You could fade in and out of a larger =
piece if you like, or just record it that way.  Consider it a =
"thumbnail" depiction of your looping personality. :) It should be a =
good test of our ability to articulate what we are as loopers in 30 =
sec...a fun challenge.

	Kris=20

	----- Original Message -----=20
	From: "Timothy Mungenast" <mungenast@earthlink.net>=20
	To: <Loopers-Delight@loopers-delight.com>=20
	Sent: Tuesday, July 04, 2006 8:21 PM=20
	Subject: Re: LD aniversary loop contributions=20


	> How much leeway is there on this 30-second thing? I'm not 100% clear=20
	> whether we're talking about loop length or the length of the piece. =
Sorry=20
	> for being so dense ;-)=20
	>=20
	> ~Tim=20
	>=20
	>=20
	>> [Original Message]=20
	>> From: L.A. Angulo <labaloops@yahoo.com>=20
	>> To: <Loopers-Delight@loopers-delight.com>=20
	>> Date: 7/4/2006 9:58:07 PM=20
	>> Subject: Re: LD aniversary loop contributions=20
	>>=20
	>> Hi Josh,=20
	>> Thank you kindly,i pretty much went directly from my=20
	>> mackie cfx1202 into my soundcard and added an extra=20
	>> touch of reverb from a timeworks plugin.I am also=20
	>> slapping the guitar quite hard thats probably why it=20
	>> sounds so obvious;-)=20
	>> cheers=20
	>> Luis=20
	>>=20
	>> --- Joshua Carroll <josh@infinivert.com> wrote:=20
	>>=20
	>> > Very nice!  Great reverb in there.  What are you=20
	>> > using?=20
	>> >=20
	>> > --Josh=20
	>> >=20
	>> > L.A. Angulo wrote:=20
	>> > > Hi krispen,=20
	>> > > Here is mine composed of 4 different=20
	>> > > loops,unfortunately about 50 sec.long before it=20
	>> > > repeats itself(ups)=20
	>> > > but if it doesnt work for this project then ill=20
	>> > donate=20
	>> > > it to the LD comunity=20
	>> > > http://www.luis-angulo.com/looplab.htm=20
	>> > > cheers=20
	>> > > Luis=20
	>> > >=20
	>> > > www.myspace.com/luisangulocom=20
	>> > >=20
	>> > > __________________________________________________=20
	>> > > Do You Yahoo!?=20
	>> > > Tired of spam?  Yahoo! Mail has the best spam=20
	>> > protection around=20
	>> > > http://mail.yahoo.com=20
	>> > >=20
	>> > >=20
	>> > >=20
	>> > >=20
	>> > >=20
	>> >=20
	>> >=20
	>>=20
	>>=20
	>> www.myspace.com/luisangulocom=20
	>>=20
	>> __________________________________________________=20
	>> Do You Yahoo!?=20
	>> Tired of spam?  Yahoo! Mail has the best spam protection around=20
	>> http://mail.yahoo.com=20
	>=20
	>=20
	>=20


------_=_NextPart_001_01C6A9B3.AF4F970B
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>R: LD aniversary loop contributions</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1555" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial color=3D#0000ff =
size=3D2><SPAN=20
class=3D860410115-17072006>Hi Fabio</SPAN></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial color=3D#0000ff =
size=3D2><SPAN=20
class=3D860410115-17072006>Oh yes!! &nbsp;I can't forget what King=20
Crimson&nbsp;meant for progressive-music</SPAN></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial color=3D#0000ff =
size=3D2><SPAN=20
class=3D860410115-17072006></SPAN></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial color=3D#0000ff =
size=3D2><SPAN=20
class=3D860410115-17072006>From my simple web site you can download also =
my first=20
experiment with live looping and my Loop Collection</SPAN></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial color=3D#0000ff =
size=3D2><SPAN=20
class=3D860410115-17072006></SPAN></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial color=3D#0000ff =
size=3D2><SPAN=20
class=3D860410115-17072006>Milco</SPAN></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT><SPAN class=3D860410115-17072006><A=20
href=3D"http://xoomer.alice.it/milco.montagna">http://xoomer.alice.it/mil=
co.montagna</A></SPAN></FONT></DIV><BR>
<DIV class=3DOutlookMessageHeader lang=3Dit dir=3Dltr align=3Dleft>
<HR tabIndex=3D-1>
<FONT face=3DTahoma size=3D2><B>Da:</B> Fabio Anile =
[mailto:fabio.anile@tiscali.it]=20
<BR><B>Inviato:</B> luned=EC 17 luglio 2006 12.46<BR><B>A:</B>=20
Loopers-Delight@loopers-delight.com<BR><B>Oggetto:</B> Re: LD aniversary =
loop=20
contributions<BR></FONT><BR></DIV>
<DIV></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Another italian looper, =
here !=20
</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Milco tou are welcome=20
!</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I can hear =
progressive-music=20
influences in these songs,</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>am I wrong =
?</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Thanks for sharing =
this,=20
Milco</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>and let me hear more =
form=20
you</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio </FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000080 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial"><FONT face=3D"Book Antiqua" =
color=3D#000080=20
  size=3D3></FONT>&nbsp;</DIV>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmilco.montagna@bt.com=20
  href=3D"mailto:milco.montagna@bt.com">milco.montagna@bt.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Cc:</B> <A =
title=3Dinfo@krispenhartung.com=20
  href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, July 06, 2006 =
11:02=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> R: LD aniversary loop=20
  contributions</DIV>
  <DIV><BR></DIV><!-- Converted from text/plain format -->
  <P><FONT size=3D2>Hi Krispen,</FONT> <BR><FONT size=3D2>Here you can =
download two=20
  mine 30 sec. pieces.</FONT> <BR><FONT size=3D2>I have done a fade in =
and fade=20
  out of two my songs.</FONT> </P>
  <P><FONT size=3D2><A=20
  =
href=3D"http://mio.discoremoto.alice.it/a_cube_studio">http://mio.discore=
moto.alice.it/a_cube_studio</A></FONT>=20
  </P><BR>
  <P><FONT size=3D2>If anybody of the LD comunity has time to listen my =
songs I'd=20
  appreciate any kind of comment.</FONT> </P>
  <P><FONT size=3D2><A=20
  =
href=3D"http://www.soundclick.com/bands/pageartist.cfm?bandID=3D547466">h=
ttp://www.soundclick.com/bands/pageartist.cfm?bandID=3D547466</A></FONT> =

  </P><BR><BR>
  <P><FONT size=3D2>Milco</FONT> <BR><FONT size=3D2><A=20
  =
href=3D"http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_p=
rofile&amp;id=3D121901060947">http://www.loopers-delight.com/cgi-bin/prof=
iles.cgi?step=3Dview_profile&amp;id=3D121901060947</A></FONT>=20
  <BR><FONT size=3D2>&nbsp;</FONT> </P><BR>
  <P><FONT size=3D2>-----Messaggio originale-----</FONT> <BR><FONT =
size=3D2>Da:=20
  Krispen Hartung [<A=20
  =
href=3D"mailto:khartung@cableone.net">mailto:khartung@cableone.net</A>]=20
  </FONT><BR><FONT size=3D2>Inviato: mercoled=EC 5 luglio 2006 =
5.32</FONT> <BR><FONT=20
  size=3D2>A: Loopers-Delight@loopers-delight.com</FONT> <BR><FONT =
size=3D2>Oggetto:=20
  Re: LD aniversary loop contributions</FONT> </P>
  <P><FONT size=3D2>30 sec for the entire piece +/- a few seconds...what =
you do in=20
  that space with loops is up to you. You could fade in and out of a =
larger=20
  piece if you like, or just record it that way.&nbsp; Consider it a =
"thumbnail"=20
  depiction of your looping personality. :) It should be a good test of =
our=20
  ability to articulate what we are as loopers in 30 sec...a fun=20
  challenge.</FONT></P>
  <P><FONT size=3D2>Kris</FONT> </P>
  <P><FONT size=3D2>----- Original Message -----</FONT> <BR><FONT =
size=3D2>From:=20
  "Timothy Mungenast" &lt;mungenast@earthlink.net&gt;</FONT> <BR><FONT=20
  size=3D2>To: &lt;Loopers-Delight@loopers-delight.com&gt;</FONT> =
<BR><FONT=20
  size=3D2>Sent: Tuesday, July 04, 2006 8:21 PM</FONT> <BR><FONT =
size=3D2>Subject:=20
  Re: LD aniversary loop contributions</FONT> </P><BR>
  <P><FONT size=3D2>&gt; How much leeway is there on this 30-second =
thing? I'm not=20
  100% clear</FONT> <BR><FONT size=3D2>&gt; whether we're talking about =
loop=20
  length or the length of the piece. Sorry</FONT> <BR><FONT =
size=3D2>&gt; for=20
  being so dense ;-)</FONT> <BR><FONT size=3D2>&gt;</FONT> <BR><FONT =
size=3D2>&gt;=20
  ~Tim</FONT> <BR><FONT size=3D2>&gt;</FONT> <BR><FONT =
size=3D2>&gt;</FONT>=20
  <BR><FONT size=3D2>&gt;&gt; [Original Message]</FONT> <BR><FONT =
size=3D2>&gt;&gt;=20
  From: L.A. Angulo &lt;labaloops@yahoo.com&gt;</FONT> <BR><FONT =
size=3D2>&gt;&gt;=20
  To: &lt;Loopers-Delight@loopers-delight.com&gt;</FONT> <BR><FONT=20
  size=3D2>&gt;&gt; Date: 7/4/2006 9:58:07 PM</FONT> <BR><FONT =
size=3D2>&gt;&gt;=20
  Subject: Re: LD aniversary loop contributions</FONT> <BR><FONT=20
  size=3D2>&gt;&gt;</FONT> <BR><FONT size=3D2>&gt;&gt; Hi Josh,</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; Thank you kindly,i pretty much went directly from =
my</FONT>=20
  <BR><FONT size=3D2>&gt;&gt; mackie cfx1202 into my soundcard and added =
an=20
  extra</FONT> <BR><FONT size=3D2>&gt;&gt; touch of reverb from a =
timeworks=20
  plugin.I am also</FONT> <BR><FONT size=3D2>&gt;&gt; slapping the =
guitar quite=20
  hard thats probably why it</FONT> <BR><FONT size=3D2>&gt;&gt; sounds =
so=20
  obvious;-)</FONT> <BR><FONT size=3D2>&gt;&gt; cheers</FONT> <BR><FONT=20
  size=3D2>&gt;&gt; Luis</FONT> <BR><FONT size=3D2>&gt;&gt;</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; --- Joshua Carroll &lt;josh@infinivert.com&gt; =
wrote:</FONT>=20
  <BR><FONT size=3D2>&gt;&gt;</FONT> <BR><FONT size=3D2>&gt;&gt; &gt; =
Very=20
  nice!&nbsp; Great reverb in there.&nbsp; What are you</FONT> <BR><FONT =

  size=3D2>&gt;&gt; &gt; using?</FONT> <BR><FONT size=3D2>&gt;&gt; =
&gt;</FONT>=20
  <BR><FONT size=3D2>&gt;&gt; &gt; --Josh</FONT> <BR><FONT =
size=3D2>&gt;&gt;=20
  &gt;</FONT> <BR><FONT size=3D2>&gt;&gt; &gt; L.A. Angulo wrote:</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; &gt; &gt; Hi krispen,</FONT> <BR><FONT =
size=3D2>&gt;&gt; &gt;=20
  &gt; Here is mine composed of 4 different</FONT> <BR><FONT =
size=3D2>&gt;&gt;=20
  &gt; &gt; loops,unfortunately about 50 sec.long before it</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; &gt; &gt; repeats itself(ups)</FONT> <BR><FONT =
size=3D2>&gt;&gt;=20
  &gt; &gt; but if it doesnt work for this project then ill</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; &gt; donate</FONT> <BR><FONT size=3D2>&gt;&gt; &gt; =
&gt; it to=20
  the LD comunity</FONT> <BR><FONT size=3D2>&gt;&gt; &gt; &gt; <A=20
  =
href=3D"http://www.luis-angulo.com/looplab.htm">http://www.luis-angulo.co=
m/looplab.htm</A></FONT>=20
  <BR><FONT size=3D2>&gt;&gt; &gt; &gt; cheers</FONT> <BR><FONT =
size=3D2>&gt;&gt;=20
  &gt; &gt; Luis</FONT> <BR><FONT size=3D2>&gt;&gt; &gt; &gt;</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; &gt; &gt; www.myspace.com/luisangulocom</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; &gt; &gt;</FONT> <BR><FONT size=3D2>&gt;&gt; &gt; =
&gt;=20
  __________________________________________________</FONT> <BR><FONT=20
  size=3D2>&gt;&gt; &gt; &gt; Do You Yahoo!?</FONT> <BR><FONT =
size=3D2>&gt;&gt; &gt;=20
  &gt; Tired of spam?&nbsp; Yahoo! Mail has the best spam</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; &gt; protection around</FONT> <BR><FONT =
size=3D2>&gt;&gt; &gt;=20
  &gt; <A =
href=3D"http://mail.yahoo.com">http://mail.yahoo.com</A></FONT>=20
  <BR><FONT size=3D2>&gt;&gt; &gt; &gt;</FONT> <BR><FONT =
size=3D2>&gt;&gt; &gt;=20
  &gt;</FONT> <BR><FONT size=3D2>&gt;&gt; &gt; &gt;</FONT> <BR><FONT=20
  size=3D2>&gt;&gt; &gt; &gt;</FONT> <BR><FONT size=3D2>&gt;&gt; &gt; =
&gt;</FONT>=20
  <BR><FONT size=3D2>&gt;&gt; &gt;</FONT> <BR><FONT size=3D2>&gt;&gt; =
&gt;</FONT>=20
  <BR><FONT size=3D2>&gt;&gt;</FONT> <BR><FONT size=3D2>&gt;&gt;</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; www.myspace.com/luisangulocom</FONT> <BR><FONT=20
  size=3D2>&gt;&gt;</FONT> <BR><FONT size=3D2>&gt;&gt;=20
  __________________________________________________</FONT> <BR><FONT=20
  size=3D2>&gt;&gt; Do You Yahoo!?</FONT> <BR><FONT size=3D2>&gt;&gt; =
Tired of=20
  spam?&nbsp; Yahoo! Mail has the best spam protection around</FONT> =
<BR><FONT=20
  size=3D2>&gt;&gt; <A=20
  href=3D"http://mail.yahoo.com">http://mail.yahoo.com</A></FONT> =
<BR><FONT=20
  size=3D2>&gt;</FONT> <BR><FONT size=3D2>&gt;</FONT> <BR><FONT =
size=3D2>&gt;=20
  </FONT></P></BLOCKQUOTE></BODY></HTML>

------_=_NextPart_001_01C6A9B3.AF4F970B--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 16:02:42 2006
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	id 3D8E33BF0A; Mon, 17 Jul 2006 16:02:42 +0000 (UTC)
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Date: Mon, 17 Jul 2006 10:02:37 -0600
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From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
To: "Loop" <Loopers-Delight@loopers-delight.com>
Reply-To: kevin@minds-eye.org
Subject: Way OT:  Video Compression Help
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I know this is far from the intended point of this list, but I also know
there are a lot of smart and multi-talented people here so I'm going to
go ahead and ask; does anyone know of a good resource to learn about
digital video compression issues?

I've been making digital videos to accompany some of my spacier music
and I've created about 80 minutes of video that I'm very happy with. 
Watching the individual files is great, they all look quite sharp and
snappy but when I try to create a DVD from the files, they are being
decimated by compression and reduced to an ugly collection of pixelated
junk (big square pixels too, not even small discreet squares).

Now I know that there is serious compression going on (I'm trying to
reduce about 17 gb to a single DVD of 4.7 gb) but I'm completely in the
dark about how to mitigate the compression so the video looks
acceptable.  Does anyone have any links or information they would be
willing to share with a very frustrated looper?

Many thanks in advance.

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 17:00:14 2006
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Date: Mon, 17 Jul 2006 10:00:08 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: New Boomerang and Blooperang Update...
Cc: Charles Zwicky <cazwicky@earthlink.net>
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/digitech GNX-4/

It might be stereo, but looper? I wouldn't distinguish the capable GNX4 with that description. The looper onboard is awful.

--
Paul 

---- Charles Zwicky <cazwicky@earthlink.net> wrote: 
> The RC-50, Electro Harmonix 2880, digitech GNX-4 and Looperlative 
> LP-1 are all stereo capable loopers which are currently in 
> production.  Only one has knobs to adjust multiple parameters as you 
> create.....
> 
> >Stereo recording....will that include stereo input/output too? That 
> >would be cool. That will make only two that can do this, right? I 
> >thought the RC50 was stereo i/o as well.
> >
> >It's just amazing how much momentum the looping technology is 
> >building now...both software and hardware. It's sort of exciting.
> >
> >Kris
> 
> -- 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 17:00:55 2006
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 <38878675-9719-455E-B9E4-E65890311733@gmail.com>
Subject: Re: Would this work for Mobuis?
To: Loopers-Delight@loopers-delight.com
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Hi folks

> I've heard you can run Mobius fine on an  
> intel mac if using Boot Camp (free Apple utility) 

These are actually also my thoughts. The options I see:
- Dual Boot Win XP on Mac
- Wait for Universal Binaries of Sooper Looper
- Buy a cheap Win Laptop and run Möbius

The last option actually _does_ sound quite charming. It would be your "designated hardware looper" so to speak.
What are the realistic minimum hardware specs for a noteboox to run Möbius with ,say, 6 parallel stereo loops?

A cheap laptop should do..?

Best regards

Buzap
-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*!
"Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 17:15:20 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Would this work for Mobuis?
Date: Mon, 17 Jul 2006 19:15:14 +0200
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On 17 jul 2006, at 19.00, Buzap Buzap wrote:

> These are actually also my thoughts. The options I see:
> - Dual Boot Win XP on Mac
> - Wait for Universal Binaries of Sooper Looper
> - Buy a cheap Win Laptop and run M=F6bius
>
> The last option actually _does_ sound quite charming. It would be =20
> your "designated hardware looper" so to speak.
> What are the realistic minimum hardware specs for a noteboox to run =20=

> M=F6bius with ,say, 6 parallel stereo loops?


With Windows lappies there is the risk of getting one that suffers =20
from grounding current noise (can be a big bummer in a loud PA system =20=

if you plan do do concerts). To avoid that you can buy from a =20
dedicated audio PC vendor or buy exactly the same PC as someone =20
already has proofed usable for audio with the audio interface you =20
plan to use yourself.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 17:51:48 2006
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Date: Mon, 17 Jul 2006 10:50:41 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Re: Would this work for Mobuis?
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I don't know about current Dell models but a looper
friend of mine who used to be on this list (Jon
El-Bizri) had enormous trouble with his Dell and
ground hum.  He warned me to stay away.  I've heard
others say that Dell stuff is more or less crap
marketed to the masses.

When I was shopping for my laptop I found people using
Thinkpads to be very happy with them.  One of the
people who does audio for our company swore by his
Toshiba.  Toshiba was doing a really nice sale when I
was about to buy a Thinkpad, so I went with one and
I'm really happy with it.  You can check out prices at
toshibadirect.com.  I found I could get a better
spec'd machine for less, but I had about $1500 to play
with after I returned my Looperlative.

Lots of people say they're too expensive, but my
friend likes his Sony VAIO and he uses it for music as
well.

As for Audio interfaces... I didn't go hog wild. 
M-Audio Firewire Solo (DON'T GO USB1) seems to do a
great job.  Oh yeah, I liked the fact that Toshiba had
built in firewire.  If I had the chance to do it again
I may have gotten an interface that had a few more ins
and outs, but frankly I'm very happy with my current
set up.  I can get a few softsynths running, a couple
of stereo tracks of loops running just nicely.

Mark

--- mark t <aleatoric12@gmail.com> wrote:

> After doing some research this is probably the route
> I will take!
> Will take some time or selling of gear to afford one
> though (not that
> they are THAT expensive but I am poor!).  thanks.
> 
> On 7/17/06, Per Boysen <perboysen@gmail.com> wrote:
> > On 17 jul 2006, at 11.50, mark t wrote:
> >
> > > What about a Dell D40?  I found one with 1GB of
> RAM for $450.  Excuse
> > > my ignorance I am a long term mac user but want
> to get a PC soley for
> > > Mobuis but do not want to spend alot.  thanks.
> >
> >
> > Don't know about Dell. But I've heard you can run
> Mobius fine on an
> > intel mac if using Boot Camp (free Apple utility)
> to run Windows XP
> > on it. I would go for that option if I should need
> a laptop today,
> > since I work a lot with computers and find OS X
> faster than XP in my
> > daily working situation (and is cheaper than
> having both a mac and a
> > pc, as I have for now). For that alternative you
> would still need to
> > shell out for a Windows XP license though. Those
> small Macbooks look
> > very nice and cheap.
> >
> > Greetings from Sweden
> >
> > Per Boysen
> > www.boysen.se (Swedish)
> > www.looproom.com (international)
> > http://tinyurl.com/fauvm (podcast)
> > http://www.myspace.com/looproom
> >
> >
> >
> >
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 17:56:05 2006
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Subject: Re: Re: Would this work for Mobuis?
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> > Good thing is that it has a separate video memory,
> shared memory for
> > graphics can be problematic with audio software.
> How do you intend to
> > get the analog sound out of that box? I can't see
> any spec's on an
> > eventual PCMCIA, USB or FireWire to add a decent
> audio converter?

Yeah, I looked into this too and it's one of the
reasons I decided against Macbooks (The "Pro" has
video with it's own vram but the cheaper Macbooks don't)

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 18:26:43 2006
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Date: Mon, 17 Jul 2006 11:26:41 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: BassLab/Steinberger
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Yeah, that influence shows... Don't ask me why but
it's what I like.  Perfect blend of music and science
for me.

M

--- Monica <coolintensity@yahoo.com> wrote:

> Also - funny you mention Steinberger. BassLab also
> builds some parts and 
>   pre-amps for Ned Steinberger Designs. Steinberger
> was Heiko's biggest influence
>   in building.
> 
> mark sottilaro <zerocrossing2001@yahoo.com> wrote:
>   Wow, they're beautiful too. They make the Parker
> Flys
> look like dogs. If only I had a few grand to spend
> on
> a new guitar....
> 
> It's funny. With synthesis I'm always sniff'n around
> for some new sound or cool way of controlling it. 
> Around 91 I purchased my Steinberger and I swear I
> rarely ever get the urge to buy another or replace
> it.
> Same with my Steinberger Q Bass.
> 
> --- Monica wrote:
> 
> > Good news - BassLab also makes guitars! 
> > http://www.basslab.de 
> > 
> > Timothy Mungenast wrote:
> > I'm loving it, and I don't even play bass!
> > ~Tim
> > 
> > 
> > 
> > ----- Original Message ----- 
> > From: Monica 
> > To: Loopers-Delight@loopers-delight.com
> > Sent: 7/14/2006 1:41:09 AM 
> > Subject: Re: the latest from BassLab...
> > 
> > 
> > Thanks for the Pavlovian vibes... Yes if all -or
> > even most - or even any -
> > of these project ideas gain acceptance and backing
> > from the mainstream
> > guitar and bass industry it's definitely going to
> > be a big breakthrough.
> > Fingers crossed... 
> > Monica
> > 
> > daniel stevenson wrote:
> > I'm drooling like a...what drools a lot? bull-dog
> > at
> > a pig roast. nice(state of the art)lookin out
> > Monica.
> > to the future,
> > scary visionary
> > 
> > --- Monica wrote:
> > 
> > > 
> > > 
> > > 
> > > 
> > >
> >
>
http://ghservices.com/products/basslab/lab_std-ix-dk.html
> > > 
> > > 
> > > 
> > > ---------------------------------
> > > Do you Yahoo!?
> > > Get on board. You're invited to try the new
> Yahoo!
> > > Mail Beta.
> > 
> > 
> > __________________________________________________
> > Do You Yahoo!?
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> > 
> > 
> > 
> > ---------------------------------
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> > 
> > 
> > ---------------------------------
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> 
> 
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 18:35:07 2006
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Date: Mon, 17 Jul 2006 14:37:03 -0400
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: optimizing guitar signal through stomp boxes
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I'm sure that all of the advice about the paralleism is good, and I don't
have the time to investigate what all of those boxes are (and, really, are
*all* of them necessary?), but here are a couple of general principles.
Please, anyone chime in and correct me if I'm misguided about these:

1. Delays, choruses and other time-modulation effects generally belong at
the end of the signal chain, right before the amp, in my opinion (just think
about adding distortion post-delay - generally, it can only produce a mess.
Pre-amps are in the same category as distortions).

2. More importantly, the output of each unit should be as loud as possible
without overloading the input of the next item in the chain (there are
probably exceptions to this). You can test for this by building the chain up
one unit at a time, from start to end, optimizing the level each time.

Hope this helps.

Best wishes,
Warren Sirota


> -----Original Message-----
> From: L.A. Angulo [mailto:labaloops@yahoo.com] 
> Sent: Sunday, July 16, 2006 2:16 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: optimizing guitar signal through stomp boxes
> 
> 
> Hi gang,
> I need some tips from those of you using lots of pedal
> effects in optimizing a guitar signal,there is a
> significant volume difference between using my efxs
> and pluging directly into my 50w tube amp.
> Here is my pedal board signal:
> 1.sweet sound Mojo Vibe
> 2.Line6 roto machine
> 3.boss pn2 vibrato
> 4.Ibanez ts9
> 5.boss octave
> 6.boss dl3
> 7.nobels preamp booster
> 8.Line6 DL4
> 9.bossn N2 noise supressor
> all of the effects except for the DL4 are 9V and are
> conected to the Boss N2 noise supressors send and
> return power supply(which is fed by a Ibanez 9V 200ma
> AC adaptor)and then goes out directly to my amp.The
> line 6 has its separate 12v AC adaptor.
> Any tips or links on how to are highly appreciated!
> Luis
> 
> www.myspace.com/luisangulocom
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 18:42:01 2006
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Date: Mon, 17 Jul 2006 13:42:01 -0500
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At 10:37 AM -0400 7/17/06, Nemoguitt@aol.com wrote:
>In a message dated 7/17/06 4:04:12 AM, aleatoric12@gmail.com writes:
>>
>>what is a blooperrang?
>
>there were a bunch of buggy rangs.....i think the bug was: if you 
>record a maximun length loop, the rang will stop by itself and you 
>have to engage the play button to make the loop play.....if you do 
>not do this quickly enough the rang gives out a nasty sound and the 
>loop is useless (to some of us.....:).....i seldom if ever make 
>loops this long so for me this would not be an issue.....mike nelson 
>kindly told us that he would sell these at a great discount, i 
>forget the price but seem to remember that it was a nice deal.....i 
>would think that this bug will NOT effect 95% of the rang users 
>seeing that hardly anyone uses that long a loop.....i hope the new 
>rangs (stereo) will be as elegent and simple to use as the original 
>rang.....hope this helps.....michael
>p.s. if i had the $ i would get one of these blooperangs.....no 
>doubt about it!

Yeah, that's pretty much spot on: you fill up the entire memory with 
one single loop until it stops recording, then let it just sit there 
unplayed for a few minutes.  I guess the time left sitting varies a 
bit, but it's measured in minutes, not seconds.  When you finally 
return to play the loop, it's degraded into a nasty noise.  You can 
get the Blooperang back to normal by simply erasing that loop and 
recording a new one.

They're going for $279, I think, and Mike was kind enough to post 
their availability last June or July, IIRC.  I woulda killed for one 
while I was stuck in Japan with no gear for 3 months last August, but 
I figured by that time they had to be sold out by then.  Oops!

	--m.
-- 
_______
"You are in a maze of twisty little passages, all alike..."

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 18:55:09 2006
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At 1:43 AM -0600 7/17/06, Krispen Hartung wrote:
>
>It's just amazing how much momentum the looping technology is 
>building now...both software and hardware. It's sort of exciting.

Yeah, I agree.  I'd even been toying with the idea of trying out an 
RC-50 because, like, y'know I'm such a gearwhore that I've gotta have 
one of everything.  ;)

Heh!  I'd actually been considering a floor unit that might be a bit 
more flexible than the little DL-4 I use occasionally.  No doubt 
about the good the 'Rang's user interface is, and if they're bumping 
up the features/specs like this, then I don't have to throw cash at 
the Boss unit -- I'll hold off until December.

The new box is going to be half the size of the current product too. 
My only concern there is that I hope there's space to keep the volume 
roller, 'cause that little feature is just brilliant.

	--m.
-- 
_______
"Wind in my heart. Dust in my head..."

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 18:56:37 2006
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>>> Good thing is that it has a separate video memory,
>> shared memory for
>>> graphics can be problematic with audio software.
>> How do you intend to
>>> get the analog sound out of that box? I can't see
>> any spec's on an
>>> eventual PCMCIA, USB or FireWire to add a decent
>> audio converter?


On 17 jul 2006, at 19.56, mark sottilaro wrote:

> Yeah, I looked into this too and it's one of the
> reasons I decided against Macbooks (The "Pro" has
> video with it's own vram but the cheaper Macbooks don't)

Yes, but users have reported that macbookd don't seem to have a  
problem with the shared memory when used for audio work.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 19:03:24 2006
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At 1:55 PM -0500 7/17/06, mech wrote:
>
>No doubt about the good the 'Rang's user interface is

Erm, should read: "No doubt about *how* good the 'Rang's user interface is".

Wife's in the background reading me news articles from across the 
room while I type.  I'm lucky I can spell my name if 
multi-tasking....  :P

	--m.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 19:52:38 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Live 6 addresses "Liveloopers and Beatboxers"
Date: Mon, 17 Jul 2006 21:52:33 +0200
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This is fun. The upcoming Live 6 is addressing "Liveloopers and  
Beatboxers". This interesting proclamation is to be found at the very  
last three seconds of the very last demo video called "Hands On  
Control". Link: http://www.ableton.com/live6-showcase. L6 still in  
the alpha phase so it's too early to tell if it will be a lot better  
for live looping than L5.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 20:14:38 2006
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Subject: Favorite soft synths...
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Hey gang...

I'm having lots of fun with a demo version of Syrtus
and my beloved Absynth and I was wondering what other
software synths people love that are a little more
interesting and obscure.  I know it's off topic, but
you guys always know the best stuff.

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 20:37:15 2006
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On 17 jul 2006, at 22.14, mark sottilaro wrote:

> Hey gang...
>
> I'm having lots of fun with a demo version of Syrtus
> and my beloved Absynth and I was wondering what other
> software synths people love that are a little more
> interesting and obscure.  I know it's off topic, but
> you guys always know the best stuff.
>
> Mark


Arturia's Moog Modular V2 for it's fat and genuine "moog modular"  
sound. Albino 3 for its good sound and the option to use micro  
tonality. Camelaudio's CA 5000 for its "un-earthy" sound and the  
option to use micro tonality. Logic's ES1, ES2, vocoder and  
Sculpture; each one with its own unique sound. I also like all synths  
in Logic because they are even more micro tonal friendly since you  
can run the complete application in Hermode Tuning - http:// 
www.hermode.de/

Those are my fav's. I do not like the synths that comes built in  
Ableton Live 5 (because of the sound) and I do not like Kontakt 2  
(because of NI's paranoid licensing strategies).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 21:08:21 2006
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Reaktor is by far the best soft synth I've ever used. Obscure? No. Interesting? Yes. 

Mark Smart
http://www.marksmart.net

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<DIV>Reaktor is by far the best soft synth I've ever used. Obscure? No. Interesting? Yes. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Mark Smart</DIV>
<DIV><A href="http://www.marksmart.net">http://www.marksmart.net</A><BR><BR></DIV>

----37218c3cbf4874f0444a--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 21:16:55 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: what kind of gear setups to you guys use ?
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To do this I've abandoned traditional amp setups
because even those that have a stereo effects loop
(rare) I still don't have the flexibility I'd like.

Instead I use a Vox Tonelab SE (search the archives on
my email and Vox and Bill Walker's name too)  This way
my signal stays a line level signal and I can bring it
into a mixer and use sends to route effects or connect
a seperate recorder.  The whole thing is fairly simple
and I find most gigs have some sort of PA I can use
anyway.

Lately however I'm gearing up to go
guitar->Tonelab->Mixer|effects loop out->
laptop->Mixer.  There may be a way to get a recording
out of this setup too... Not sure if the laptop is
fast enough to do all this...though I rarely record
myself live.

M

--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> wrote:

> Don't know if I really get what you want to do, but
> I'll try:
> 
> I guess the most simple setup to do multitrack
> recording, taking into
> account that you most probably already have a
> sufficient computer, would be
> to use a mixer with multitrack firewire interface. I
> was told (but haven't
> tried them myself) that the ones with the best
> price/performance ratio are
> the Alesis MultiMix Firewire thingies (which are
> available as 8, 12 and 16
> channel variants), which also come with a Cubase LE
> software.
> 
> 
> ________________________________
> 
> 	Von: rune fagereng [mailto:rune_fagereng@yahoo.no] 
> 	Gesendet: Freitag, 14. Juli 2006 20:53
> 	An: loopers-delight@loopers-delight.com
> 	Betreff: what kind of gear setups to you guys use ?
> 	
> 	
> 	Hi !
> 	
> 	Gear-setup, liveplaying (PA), liverecording. 
> 	
> 	I will try explaining with my poor english.
> 	
> 	I play guitar. I uses my repeater into my two amps
> fx-rute. I do
> this to get some kind of stereosound. Both on my
> loops and on my
> guitar-leads. I do like the sound. 
> 	
> 	What I miss:
> 	I would like to play live, and still be able to
> record the loops and
> my more regular guitarplaying into different tracks
> (live). I could buy more
> amps...
> 	
> 	Do you guys have some gear-setup tips ?
> 	
> 	I would like all my guitareffects be able to go
> into the loops, and
> still be abel to seperat my loops and my additional
> guitarplaying, and maybe
> still have my guitarplaying in stereo. For pic and
> sound
> http://www.runefagereng.com/hobbies.htm
> 	
> 	What kind of setup do you guys use and why ?
> 	
> 	
> 	
> 	best regards of Rune F.
> 	
> 	
> 	
> 	www.runefagereng.com
> 	Mail:rune_fagereng@yahoo.no
> 	Mob: 917 95 867
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 21:21:09 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: Lexicon LXP-15
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Hi Gang:

I figured I'd try asking again...couldn't hurt. Do any of you know who can fix my Lexicon LXP-15? (It runs the self-diagnostics but won't load the operating system.)  Lexicon won't fix it, and their go-to guy for obsolete gear (Jim Fabiano) doesn't do LXP-15s (or Jam Mans, or Vortexes, etc etc).

I'd be grateful for any ideas.

~Tim

Timothy Mungenast
mungenast@earthlink.net
Why Wait? Move to EarthLink.
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<BODY>
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<DIV>Hi Gang:</DIV>
<DIV>&nbsp;</DIV>
<DIV>I figured I'd try asking again...couldn't hurt. Do any of you know who can fix my Lexicon LXP-15? (It runs the self-diagnostics but won't load the operating system.) &nbsp;Lexicon won't fix it, and their go-to guy for obsolete gear (Jim Fabiano) doesn't do LXP-15s (or Jam Mans, or Vortexes, etc etc).</DIV>
<DIV>&nbsp;</DIV>
<DIV>I'd be grateful for any ideas.</DIV>
<DIV>&nbsp;</DIV>
<DIV>~Tim</DIV>
<DIV>&nbsp;</DIV>
<DIV>Timothy Mungenast</DIV>
<DIV><A href="mailto:mungenast@earthlink.net">mungenast@earthlink.net</A></DIV>
<DIV>Why Wait? Move to EarthLink.</DIV>
<DIV>&nbsp;</DIV>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 22:02:41 2006
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Date: Tue, 18 Jul 2006 00:02:38 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: what kind of gear setups to you guys use ?
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Hi !
   
  Do you know or think that I can use my Tc 2290 like you use your tonelab, before a mixer and PA, and maybe my pedals infront of the tc.
  Tell me, do you get a good guitarsound with the tonelab ?
   
  Rune F
   

mark sottilaro <zerocrossing2001@yahoo.com> skrev:
  To do this I've abandoned traditional amp setups
because even those that have a stereo effects loop
(rare) I still don't have the flexibility I'd like.

Instead I use a Vox Tonelab SE (search the archives on
my email and Vox and Bill Walker's name too) This way
my signal stays a line level signal and I can bring it
into a mixer and use sends to route effects or connect
a seperate recorder. The whole thing is fairly simple
and I find most gigs have some sort of PA I can use
anyway.

Lately however I'm gearing up to go
guitar->Tonelab->Mixer|effects loop out->
laptop->Mixer. There may be a way to get a recording
out of this setup too... Not sure if the laptop is
fast enough to do all this...though I rarely record
myself live.

M

--- Rainer Thelonius Balthasar Straschill
wrote:

> Don't know if I really get what you want to do, but
> I'll try:
> 
> I guess the most simple setup to do multitrack
> recording, taking into
> account that you most probably already have a
> sufficient computer, would be
> to use a mixer with multitrack firewire interface. I
> was told (but haven't
> tried them myself) that the ones with the best
> price/performance ratio are
> the Alesis MultiMix Firewire thingies (which are
> available as 8, 12 and 16
> channel variants), which also come with a Cubase LE
> software.
> 
> 
> ________________________________
> 
> Von: rune fagereng [mailto:rune_fagereng@yahoo.no] 
> Gesendet: Freitag, 14. Juli 2006 20:53
> An: loopers-delight@loopers-delight.com
> Betreff: what kind of gear setups to you guys use ?
> 
> 
> Hi !
> 
> Gear-setup, liveplaying (PA), liverecording. 
> 
> I will try explaining with my poor english.
> 
> I play guitar. I uses my repeater into my two amps
> fx-rute. I do
> this to get some kind of stereosound. Both on my
> loops and on my
> guitar-leads. I do like the sound. 
> 
> What I miss:
> I would like to play live, and still be able to
> record the loops and
> my more regular guitarplaying into different tracks
> (live). I could buy more
> amps...
> 
> Do you guys have some gear-setup tips ?
> 
> I would like all my guitareffects be able to go
> into the loops, and
> still be abel to seperat my loops and my additional
> guitarplaying, and maybe
> still have my guitarplaying in stereo. For pic and
> sound
> http://www.runefagereng.com/hobbies.htm
> 
> What kind of setup do you guys use and why ?
> 
> 
> 
> best regards of Rune F.
> 
> 
> 
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867
> 
> 
> 


__________________________________________________
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Tired of spam? Yahoo! Mail has the best spam protection around 
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www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
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<div>Hi !</div>  <div>&nbsp;</div>  <div>Do you know or think that I can use my Tc 2290 like you use your tonelab, before a mixer and PA, and maybe my pedals infront of the tc.</div>  <div>Tell me, do you get a good guitarsound with the tonelab ?</div>  <div>&nbsp;</div>  <div>Rune F</div>  <div>&nbsp;<BR><BR><B><I>mark sottilaro &lt;zerocrossing2001@yahoo.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">To do this I've abandoned traditional amp setups<BR>because even those that have a stereo effects loop<BR>(rare) I still don't have the flexibility I'd like.<BR><BR>Instead I use a Vox Tonelab SE (search the archives on<BR>my email and Vox and Bill Walker's name too) This way<BR>my signal stays a line level signal and I can bring it<BR>into a mixer and use sends to route effects or connect<BR>a seperate recorder. The whole thing is fairly simple<BR>and I find most gigs have some sort of PA I
 can use<BR>anyway.<BR><BR>Lately however I'm gearing up to go<BR>guitar-&gt;Tonelab-&gt;Mixer|effects loop out-&gt;<BR>laptop-&gt;Mixer. There may be a way to get a recording<BR>out of this setup too... Not sure if the laptop is<BR>fast enough to do all this...though I rarely record<BR>myself live.<BR><BR>M<BR><BR>--- Rainer Thelonius Balthasar Straschill<BR><RS@MOINLABS.DE>wrote:<BR><BR>&gt; Don't know if I really get what you want to do, but<BR>&gt; I'll try:<BR>&gt; <BR>&gt; I guess the most simple setup to do multitrack<BR>&gt; recording, taking into<BR>&gt; account that you most probably already have a<BR>&gt; sufficient computer, would be<BR>&gt; to use a mixer with multitrack firewire interface. I<BR>&gt; was told (but haven't<BR>&gt; tried them myself) that the ones with the best<BR>&gt; price/performance ratio are<BR>&gt; the Alesis MultiMix Firewire thingies (which are<BR>&gt; available as 8, 12 and 16<BR>&gt; channel variants), which also come with a Cubase
 LE<BR>&gt; software.<BR>&gt; <BR>&gt; <BR>&gt; ________________________________<BR>&gt; <BR>&gt; Von: rune fagereng [mailto:rune_fagereng@yahoo.no] <BR>&gt; Gesendet: Freitag, 14. Juli 2006 20:53<BR>&gt; An: loopers-delight@loopers-delight.com<BR>&gt; Betreff: what kind of gear setups to you guys use ?<BR>&gt; <BR>&gt; <BR>&gt; Hi !<BR>&gt; <BR>&gt; Gear-setup, liveplaying (PA), liverecording. <BR>&gt; <BR>&gt; I will try explaining with my poor english.<BR>&gt; <BR>&gt; I play guitar. I uses my repeater into my two amps<BR>&gt; fx-rute. I do<BR>&gt; this to get some kind of stereosound. Both on my<BR>&gt; loops and on my<BR>&gt; guitar-leads. I do like the sound. <BR>&gt; <BR>&gt; What I miss:<BR>&gt; I would like to play live, and still be able to<BR>&gt; record the loops and<BR>&gt; my more regular guitarplaying into different tracks<BR>&gt; (live). I could buy more<BR>&gt; amps...<BR>&gt; <BR>&gt; Do you guys have some gear-setup tips ?<BR>&gt; <BR>&gt; I would like
 all my guitareffects be able to go<BR>&gt; into the loops, and<BR>&gt; still be abel to seperat my loops and my additional<BR>&gt; guitarplaying, and maybe<BR>&gt; still have my guitarplaying in stereo. For pic and<BR>&gt; sound<BR>&gt; http://www.runefagereng.com/hobbies.htm<BR>&gt; <BR>&gt; What kind of setup do you guys use and why ?<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; best regards of Rune F.<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; www.runefagereng.com<BR>&gt; Mail:rune_fagereng@yahoo.no<BR>&gt; Mob: 917 95 867<BR>&gt; <BR>&gt; <BR>&gt; <BR><BR><BR>__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection around <BR>http://mail.yahoo.com <BR><BR></BLOCKQUOTE><BR><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-860889053-1153173758=:81633--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 22:04:15 2006
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 <13773099-C456-4C6D-9FEC-B7AB8E484A9C@gmail.com>
Date: Mon, 17 Jul 2006 17:04:11 -0500
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From: mech <mech@m3ch.net>
Subject: Re: Favorite soft synths...
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At 10:37 PM +0200 7/17/06, Per Boysen wrote:
>
>I do not like Kontakt 2 (because of NI's paranoid licensing strategies).

I'll agree.  This, combined with their legendarily crappy support, 
keeps me from actually giving any cash to NI.  However, that said, 
Pro-5x is actually pretty nice *if* you scoot over to G-Media to get 
their Richard Barbieri patchbanks @ 
http://www.gmediamusic.com/signature/richardbarbieri.html (okay, now 
i'm nicked -- I used to be a big fan of Japan in a past life).  Also, 
I've got a freeware version of Metaphysical from which I'll record 
odd ambiences occasionally.

Likewise, I enjoy all the stuff from LinPlug (Peter Linsener rocks!). 
In addition to Albino, CronoX3 ( 
http://www.linplug.com/Products/CronoX3/cronox3.htm ) is wonderful 
for ambient soundscapes and space music.  And their CM-505 Drum Synth 
(comes free with every issue of Computer Music magazine) is a great 
little analog drum sound module, and you sure can't beat the price.

Speaking of beatboxes, Sonic Charge's MicroTonic ( 
http://www.soniccharge.com/products/ ) just outright bashes the heck 
out of most anything out there.  I sometimes have to lay off using 
the thing because it's so full of character that it will take over a 
track if you're not careful.  For "four on the floor" though, nothing 
else out there can compete.

Also, for unique sounds, I love both Steinberg's now-disonctinued 
D'Cota (the full version; not that crappy "Lite" thing they bundle 
with a lot of stuff.  D'Cota Lite removes all the interesting 
elements), and VirSyn's MiniTera ( 
http://www.virsyn.de/en/E_Products/E_miniTERA/e_minitera.html ).  I 
had been using MicroTera a lot until I realized I was getting my most 
creative results by simply using the randomize function.  While 
MiniTera eliminates more discrete editing, it does incorporate 
randomize together with more realtime controls.  MiniTera also lets 
you use Microtonal scale tables -- standard Scala format -- as will 
CronoX, which I mentioned above.

Finally, my standard "bread & butter" synth that I keep falling back 
to is, of all things, Spectrasonics Atmosphere ( 
http://www.spectrasonics.net/instruments/atmosphere.html) .  The damn 
thing just sounds soooo good, and there always seems to be a preset 
that, with only minor tweeking, will fit whatever application I need 
it for.  Never thought I'd say that about a rompler, but I love it.

	--m.
-- 
_______
"You are in a maze of twisty little passages, all alike..."

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 22:10:35 2006
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Date: Mon, 17 Jul 2006 18:10:33 -0400
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Mark,

What Toshiba Model do you reccomend?

I am definitly thinking I am going to go with a cheap PC (as opposed
to macbook).  All I want to use this machine for is to run Mobuis,
however I do want to be able to have 8 stereo track going without
completely maxing out my machine,  but I dont need anything with crazy
specs.  Ideally I want to find a good deal on a machine used for under
$650.

I am leaning toward the IBM Thinkpad T40 because they seem to go for
around $550 on ebay and the ram is expandable to 2GB which is one of
the features I want in my PC notebook.  If anyone has any suggestions
for some other notebooks please let me know,  I am all ears.  Thanks.


On 7/17/06, Per Boysen <perboysen@gmail.com> wrote:
> >>> Good thing is that it has a separate video memory,
> >> shared memory for
> >>> graphics can be problematic with audio software.
> >> How do you intend to
> >>> get the analog sound out of that box? I can't see
> >> any spec's on an
> >>> eventual PCMCIA, USB or FireWire to add a decent
> >> audio converter?
>
>
> On 17 jul 2006, at 19.56, mark sottilaro wrote:
>
> > Yeah, I looked into this too and it's one of the
> > reasons I decided against Macbooks (The "Pro" has
> > video with it's own vram but the cheaper Macbooks don't)
>
> Yes, but users have reported that macbookd don't seem to have a
> problem with the shared memory when used for audio work.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 22:51:21 2006
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Date: Mon, 17 Jul 2006 17:51:22 -0500
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: Re: Would this work for Mobuis?
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At 5:50 AM -0400 7/17/06, mark t wrote:
>What about a Dell D400?  I found one with 1GB of RAM for $450.  Excuse
>my ignorance I am a long term mac user but want to get a PC soley for
>Mobuis but do not want to spend alot.  thanks.

Be careful with older Dells.  I don't know if this is one of the 
affected models, but there were a couple in the past that had issues 
with current bleeding from the power adapter into the ports.  Hence, 
if you used it with the power adapter, you'd wind up with crackling 
and popping coming through your sound card as the voltage dipped or 
spiked.  When using it off battery power it wasn't a problem, but how 
long do the batteries last?

Go search for "Dell" in the Laptopmozart group over on Yahoogroups, 
and you'll find all the details.  I don't remember the models about 
which people were complaining, but I've stayed cautious of Dells ever 
since.

	--m.
-- 
_______
"Now Simulcast on Crazy People's Fillings"

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 22:53:27 2006
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Date: Mon, 17 Jul 2006 18:53:25 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: what kind of gear setups to you guys use ?
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Mark,

I'm with you on the stereo thing.  A couple of years back I bought a
small (150Watt) Carvin power amp and a pair of their small club
speakers.  Effectively the same volume as a traditional 2x12 guitar
amp, but pristine sound quality and true stereo all the way through.
All in the neighborhood of $500.  Like you, I already had everything
up to the mixer and just needed some way to get my sound out there.
Works like a charm.

Todd


On 7/17/06, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> To do this I've abandoned traditional amp setups
> because even those that have a stereo effects loop
> (rare) I still don't have the flexibility I'd like.
>
> Instead I use a Vox Tonelab SE (search the archives on
> my email and Vox and Bill Walker's name too)  This way
> my signal stays a line level signal and I can bring it
> into a mixer and use sends to route effects or connect
> a seperate recorder.  The whole thing is fairly simple
> and I find most gigs have some sort of PA I can use
> anyway.
>
> Lately however I'm gearing up to go
> guitar->Tonelab->Mixer|effects loop out->
> laptop->Mixer.  There may be a way to get a recording
> out of this setup too... Not sure if the laptop is
> fast enough to do all this...though I rarely record
> myself live.
>
> M
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 23:17:55 2006
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Date: Mon, 17 Jul 2006 16:17:47 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Re: Would this work for Mobuis?
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I have an M100

http://www.toshibadirect.com/td/b2c/cmod.to?seg=HHO&coid=-30598

My fiancee's got a thinkpad that she loves, but it's
older.  I tried Mobius on it but I think I was using a
horrible USB interface and it wasn't working very
well.  I bet with the right tweak and interface it
would be a killer machine.  I think they have built in
firewire too.

M

--- mark t <aleatoric12@gmail.com> wrote:

> Mark,
> 
> What Toshiba Model do you reccomend?
> 
> I am definitly thinking I am going to go with a
> cheap PC (as opposed
> to macbook).  All I want to use this machine for is
> to run Mobuis,
> however I do want to be able to have 8 stereo track
> going without
> completely maxing out my machine,  but I dont need
> anything with crazy
> specs.  Ideally I want to find a good deal on a
> machine used for under
> $650.
> 
> I am leaning toward the IBM Thinkpad T40 because
> they seem to go for
> around $550 on ebay and the ram is expandable to 2GB
> which is one of
> the features I want in my PC notebook.  If anyone
> has any suggestions
> for some other notebooks please let me know,  I am
> all ears.  Thanks.
> 
> 
> On 7/17/06, Per Boysen <perboysen@gmail.com> wrote:
> > >>> Good thing is that it has a separate video
> memory,
> > >> shared memory for
> > >>> graphics can be problematic with audio
> software.
> > >> How do you intend to
> > >>> get the analog sound out of that box? I can't
> see
> > >> any spec's on an
> > >>> eventual PCMCIA, USB or FireWire to add a
> decent
> > >> audio converter?
> >
> >
> > On 17 jul 2006, at 19.56, mark sottilaro wrote:
> >
> > > Yeah, I looked into this too and it's one of the
> > > reasons I decided against Macbooks (The "Pro"
> has
> > > video with it's own vram but the cheaper
> Macbooks don't)
> >
> > Yes, but users have reported that macbookd don't
> seem to have a
> > problem with the shared memory when used for audio
> work.
> >
> > Greetings from Sweden
> >
> > Per Boysen
> > www.boysen.se (Swedish)
> > www.looproom.com (international)
> > http://tinyurl.com/fauvm (podcast)
> > http://www.myspace.com/looproom
> >
> >
> >
> >
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Mon Jul 17 23:18:54 2006
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Date: Mon, 17 Jul 2006 18:18:55 -0500
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: Howdy from Mexico
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At 5:48 AM -0500 7/17/06, Daryl wrote:
>Greetings, all...I unsubbed from the list almost two years ago due 
>to travel preparations for moving from San Francisco down here to 
>Oaxaca, Mexico, but finally have some time to start being a social 
>musician again....
>
>Anyone else in Mexico out there?

Wow, Oaxaca!  I've not gotten the pleasure of visiting there myself, 
but two good friends of mine from years past had expatted here to the 
States from Oaxaca.  From their description it seemed like a 
beautiful place full of friendly people.

Anyway, from being around the expat community there you'll probably 
find out that Oaxaca is also currently home to Steven Brown -- most 
well known for covering vocals, keyboards, and winds for the 
underground/cult group Tuxedomoon.  From all accounts, Steven seems 
like a very friendly and open-minded sort, so you might be able to 
hook up with him if you keep an ear out.

And welcome back, BTW.  :)

	--m.
-- 
_______
"I'm wasting time worrying about wasting time."

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 00:20:25 2006
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Date: Mon, 17 Jul 2006 17:20:21 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Howdy from Mexico
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Hi Daryl,
I am from baja but been living in Germany for the last
10 years,what a trip that u are living in that city
man! i remeber my trip there 12 yrs ago,we got trapped
in a bus going from the coast of puerto angel up to
Oaxaca city,there was nothing but jungle and a little
children school where we got tortilla coffee and bread
from an indigenous and generous family,after spending
a whole day trapped in the woods we decided to take a
chance and walk back down through the jungle which
took us about 5 hrs.before we could find a taxi to
drive us back,it was one of the most exciting and
misterious trip i ve been to!
cheers
Luis





--- Daryl <highhorse@mhorse.com> wrote:

> Greetings, all...I unsubbed from the list almost two
> years ago due to 
> travel preparations for moving from San Francisco
> down here to Oaxaca, 
> Mexico, but finally have some time to start being a
> social musician 
> again. I'm amazed at all the gear news from the past
> few years - the E-H 
> 16-second delay reissue, their 2880, the Boss RC-20
> and RC-50, Digitech 
> JamMan, Looperlative, /maybe /the Repeater 2, all
> the laptop stuff...
> 
> Myself, the only equipment I have right now is a
> nylon-string guitar, a 
> fuzzbox and a Yamaha four-track cassette player.
> (Four-tracks rule! and 
> they loop
> <http://loopers-delight.com/tips/multitrack.html>,
> too!) On 
> one of my trips back to California, I scored a box
> of 100 endless tapes 
> for ONE RED CENT (how's that for cheap media?) on
> Ebay and have embarked 
> on a project to create a nice, self-contained loop
> (as opposed to using 
> them interactively in performance) on each one. I've
> posted a few so far 
> on my site - swanwelder.com - under the heading
> "Repetitive Miniatures".
> 
> I've also been working on plans for a dedicated
> cassette-based looper 
> that has a lot more of the features found in other
> loopers, like reverse 
> play and record, easy pitchshifting, sound-on-sound,
> etc, besides some 
> other things that are only really available in the
> analog domain. I'm 
> excited enough about it to want to throw some money
> its way - any 
> electronic tweakers interested in a new project? If
> I get too frustrated 
> with my own sloppy soldering I may want a partner...
> 
> Besides mis-using my four-track, I've been composing
> a lot of solo 
> pieces, and am finding I really like repetition (I
> think I know where 
> that comes from...). In lieu of a real performance
> spot, I post files to 
> my site as I write 'em, which it seems lot of people
> are doing instead 
> of releasing actual albums anyway. thank heavens for
> the Net, I'd be 
> lost (and lonely) without it here.
> 
> I've been very, very pleased to note that the
> intelligent (and civil) 
> nature of this list has continued, I haven't felt
> like re-joining any 
> other group but I always really liked this lil'
> community.
> 
> Anyone else in Mexico out there?
> 
> Daryl Shawn
> www.swanwelder.com
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 00:42:48 2006
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Date: Mon, 17 Jul 2006 17:42:46 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: RE: optimizing guitar signal through stomp boxes
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Hi warren,
Yes,they are neccesary i bulit this pedalboard
realizing that when playing with other bands this are
the effects i use the most.
effect chains rules doesnt always work for me,for ex.
the mojo vibe and the roto machine both considered
modulation sound much better before the distortion and
the delays after.I ve done what u said trying every
pedal at a time and adding yet when they are all
off,the signal with the effects in between instrument
and amp and guitar direct results in volume
decrease.If its due to the "true bypass" deal(which
sometime is still unclear to my which efxs are and
which arent,arent all boss ture bypass?)then it seems
ill just have to live with it, unless i do get some
sort of signal patchbay looper which i was trying to
stay away from...
Luis




--- Warren Sirota <wsirota@wsdesigns.com> wrote:

> I'm sure that all of the advice about the paralleism
> is good, and I don't
> have the time to investigate what all of those boxes
> are (and, really, are
> *all* of them necessary?), but here are a couple of
> general principles.
> Please, anyone chime in and correct me if I'm
> misguided about these:
> 
> 1. Delays, choruses and other time-modulation
> effects generally belong at
> the end of the signal chain, right before the amp,
> in my opinion (just think
> about adding distortion post-delay - generally, it
> can only produce a mess.
> Pre-amps are in the same category as distortions).
> 
> 2. More importantly, the output of each unit should
> be as loud as possible
> without overloading the input of the next item in
> the chain (there are
> probably exceptions to this). You can test for this
> by building the chain up
> one unit at a time, from start to end, optimizing
> the level each time.
> 
> Hope this helps.
> 
> Best wishes,
> Warren Sirota
> 
> 
> > -----Original Message-----
> > From: L.A. Angulo [mailto:labaloops@yahoo.com] 
> > Sent: Sunday, July 16, 2006 2:16 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: optimizing guitar signal through stomp
> boxes
> > 
> > 
> > Hi gang,
> > I need some tips from those of you using lots of
> pedal
> > effects in optimizing a guitar signal,there is a
> > significant volume difference between using my
> efxs
> > and pluging directly into my 50w tube amp.
> > Here is my pedal board signal:
> > 1.sweet sound Mojo Vibe
> > 2.Line6 roto machine
> > 3.boss pn2 vibrato
> > 4.Ibanez ts9
> > 5.boss octave
> > 6.boss dl3
> > 7.nobels preamp booster
> > 8.Line6 DL4
> > 9.bossn N2 noise supressor
> > all of the effects except for the DL4 are 9V and
> are
> > conected to the Boss N2 noise supressors send and
> > return power supply(which is fed by a Ibanez 9V
> 200ma
> > AC adaptor)and then goes out directly to my
> amp.The
> > line 6 has its separate 12v AC adaptor.
> > Any tips or links on how to are highly
> appreciated!
> > Luis
> > 
> > www.myspace.com/luisangulocom
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> > http://mail.yahoo.com 
> > 
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 00:59:32 2006
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Message-ID: <20060718005931.32753.qmail@web81315.mail.mud.yahoo.com>
Date: Mon, 17 Jul 2006 17:59:31 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Vedr. Re: what kind of gear setups to you guys use ?
To: Loopers-Delight@loopers-delight.com
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Hard to say since I'm not all that familar with the Tc
2290.  It's effects but does it have amp/cab models? 
That's the key.  The Tonelab is great for the amp/cab
models and some nice "stompbox" style effects. 
However for more complex and synced effects I use an
MPX1 and a Boss VF-1.  I think my Lexicon MPX1 may be
a poor man's Tc 2290 and it's not a guitar preamp at
all.

Good news is there are a lot of decent guitar preamps
to choose from.  I happen to really like the Vox, but
I have friends who swear by the Line6 products.  Best
bet is to visit your local store and check them out.

Mark

--- rune fagereng <rune_fagereng@yahoo.no> wrote:

> Hi !
>    
>   Do you know or think that I can use my Tc 2290
> like you use your tonelab, before a mixer and PA,
> and maybe my pedals infront of the tc.
>   Tell me, do you get a good guitarsound with the
> tonelab ?
>    
>   Rune F
>    
> 
> mark sottilaro <zerocrossing2001@yahoo.com> skrev:
>   To do this I've abandoned traditional amp setups
> because even those that have a stereo effects loop
> (rare) I still don't have the flexibility I'd like.
> 
> Instead I use a Vox Tonelab SE (search the archives
> on
> my email and Vox and Bill Walker's name too) This
> way
> my signal stays a line level signal and I can bring
> it
> into a mixer and use sends to route effects or
> connect
> a seperate recorder. The whole thing is fairly
> simple
> and I find most gigs have some sort of PA I can use
> anyway.
> 
> Lately however I'm gearing up to go
> guitar->Tonelab->Mixer|effects loop out->
> laptop->Mixer. There may be a way to get a recording
> out of this setup too... Not sure if the laptop is
> fast enough to do all this...though I rarely record
> myself live.
> 
> M
> 
> --- Rainer Thelonius Balthasar Straschill
> wrote:
> 
> > Don't know if I really get what you want to do,
> but
> > I'll try:
> > 
> > I guess the most simple setup to do multitrack
> > recording, taking into
> > account that you most probably already have a
> > sufficient computer, would be
> > to use a mixer with multitrack firewire interface.
> I
> > was told (but haven't
> > tried them myself) that the ones with the best
> > price/performance ratio are
> > the Alesis MultiMix Firewire thingies (which are
> > available as 8, 12 and 16
> > channel variants), which also come with a Cubase
> LE
> > software.
> > 
> > 
> > ________________________________
> > 
> > Von: rune fagereng [mailto:rune_fagereng@yahoo.no]
> 
> > Gesendet: Freitag, 14. Juli 2006 20:53
> > An: loopers-delight@loopers-delight.com
> > Betreff: what kind of gear setups to you guys use
> ?
> > 
> > 
> > Hi !
> > 
> > Gear-setup, liveplaying (PA), liverecording. 
> > 
> > I will try explaining with my poor english.
> > 
> > I play guitar. I uses my repeater into my two amps
> > fx-rute. I do
> > this to get some kind of stereosound. Both on my
> > loops and on my
> > guitar-leads. I do like the sound. 
> > 
> > What I miss:
> > I would like to play live, and still be able to
> > record the loops and
> > my more regular guitarplaying into different
> tracks
> > (live). I could buy more
> > amps...
> > 
> > Do you guys have some gear-setup tips ?
> > 
> > I would like all my guitareffects be able to go
> > into the loops, and
> > still be abel to seperat my loops and my
> additional
> > guitarplaying, and maybe
> > still have my guitarplaying in stereo. For pic and
> > sound
> > http://www.runefagereng.com/hobbies.htm
> > 
> > What kind of setup do you guys use and why ?
> > 
> > 
> > 
> > best regards of Rune F.
> > 
> > 
> > 
> > www.runefagereng.com
> > Mail:rune_fagereng@yahoo.no
> > Mob: 917 95 867
> > 
> > 
> > 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 
> 
> 
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867


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From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 01:20:57 2006
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Date: Mon, 17 Jul 2006 20:20:43 -0500
From: Daryl <highhorse@mhorse.com>
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Subject: Re: Howdy from Mexico
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thanks mech! Yes, it is a beautiful place, under some duress right now 
but it will recover, Mexico's been through a lot and always 
rebounded...and the people are the best part.

No, actually, I hadn't heard about Steven Brown being here. I'll have to 
start asking around, there are tons of good musicians here - especially 
in the brass department - but I haven't caught wind of anything at all 
on the more interesting/experimental tip, and I'd love to check out what 
he's doing now firsthand.

cheers -

Daryl Shawn
www.swanwelder.com

> At 5:48 AM -0500 7/17/06, Daryl wrote:
>> Greetings, all...I unsubbed from the list almost two years ago due to 
>> travel preparations for moving from San Francisco down here to 
>> Oaxaca, Mexico, but finally have some time to start being a social 
>> musician again....
>>
>> Anyone else in Mexico out there?
>
> Wow, Oaxaca!  I've not gotten the pleasure of visiting there myself, 
> but two good friends of mine from years past had expatted here to the 
> States from Oaxaca.  From their description it seemed like a beautiful 
> place full of friendly people.
>
> Anyway, from being around the expat community there you'll probably 
> find out that Oaxaca is also currently home to Steven Brown -- most 
> well known for covering vocals, keyboards, and winds for the 
> underground/cult group Tuxedomoon.  From all accounts, Steven seems 
> like a very friendly and open-minded sort, so you might be able to 
> hook up with him if you keep an ear out.
>
> And welcome back, BTW.  :)
>
>     --m.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 01:28:40 2006
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hey Luis, great to hear from a former resident and someone who's been to 
Oaxaca - I can easily picture that happening here! I make the drive to 
the coast as often as possible, and I'm always relieved when I make it 
out of those mountains.

best,

Daryl Shawn
www.swanwelder.com

> Hi Daryl,
> I am from baja but been living in Germany for the last
> 10 years,what a trip that u are living in that city
> man! i remeber my trip there 12 yrs ago,we got trapped
> in a bus going from the coast of puerto angel up to
> Oaxaca city,there was nothing but jungle and a little
> children school where we got tortilla coffee and bread
> from an indigenous and generous family,after spending
> a whole day trapped in the woods we decided to take a
> chance and walk back down through the jungle which
> took us about 5 hrs.before we could find a taxi to
> drive us back,it was one of the most exciting and
> misterious trip i ve been to!
> cheers
> Luis
>   

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 04:54:28 2006
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Message-ID: <20060718045426.38486.qmail@web55501.mail.re4.yahoo.com>
Date: Mon, 17 Jul 2006 21:54:26 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: Re: Lexicon LXP-15
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Tim:
      I got a Lexicon fixed a couple years ago when another company in Utah
  was merging with them and recall at the time having two separate numbers,
  one for Lexicon customer service and then another for this Utah company that
  was separate and yet somehow working in conjunction with them. ???
  I dug out this number - not sure if that's customer service or Utah but here it is:
  1(801)566-8800. They had mine fixed and returned for free in under 48 hours
  but I had to go throught this other number and Utah location. ???
  If that number is just the same customer service then sorry...and I feel your 
  digital pain man...
   
  Monica
  

Timothy Mungenast <mungenast@earthlink.net> wrote:
        Hi Gang:
   
  I figured I'd try asking again...couldn't hurt. Do any of you know who can fix my Lexicon LXP-15? (It runs the self-diagnostics but won't load the operating system.)  Lexicon won't fix it, and their go-to guy for obsolete gear (Jim Fabiano) doesn't do LXP-15s (or Jam Mans, or Vortexes, etc etc).
   
  I'd be grateful for any ideas.
   
  ~Tim
   
  Timothy Mungenast
  mungenast@earthlink.net
  Why Wait? Move to EarthLink.
   
  


 		
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<div><FONT color=#40007f>Tim:</FONT></div>  <div><FONT color=#40007f>&nbsp;&nbsp;&nbsp; I got a Lexicon fixed a couple years ago when another company in Utah</FONT></div>  <div><FONT color=#40007f>was merging with them and recall at the time having two separate numbers,</FONT></div>  <div><FONT color=#40007f>one for Lexicon customer service and then another for this Utah company that</FONT></div>  <div><FONT color=#40007f>was separate and yet somehow working in conjunction with them. ???</FONT></div>  <div><FONT color=#40007f>I dug out this number - not sure if that's customer service or Utah but here it is:</FONT></div>  <div><FONT color=#40007f>1(801)566-8800. They had mine fixed and returned for free in under 48 hours</FONT></div>  <div><FONT color=#40007f>but I had to go throught this other number and Utah location. ???</FONT></div>  <div><FONT color=#40007f>If that number is just the same customer service then sorry...and I feel your </FONT></div>  <div><FONT
 color=#40007f>digital pain man...</FONT></div>  <div><FONT color=#40007f></FONT>&nbsp;</div>  <div><FONT color=#40007f>Monica</FONT></div>  <div><BR><BR><B><I>Timothy Mungenast &lt;mungenast@earthlink.net&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <META content="MSHTML 6.00.2800.1555" name=GENERATOR>  <div>  <DIV>Hi Gang:</DIV>  <DIV>&nbsp;</DIV>  <DIV>I figured I'd try asking again...couldn't hurt. Do any of you know who can fix my Lexicon LXP-15? (It runs the self-diagnostics but won't load the operating system.) &nbsp;Lexicon won't fix it, and their go-to guy for obsolete gear (Jim Fabiano) doesn't do LXP-15s (or Jam Mans, or Vortexes, etc etc).</DIV>  <DIV>&nbsp;</DIV>  <DIV>I'd be grateful for any ideas.</DIV>  <DIV>&nbsp;</DIV>  <DIV>~Tim</DIV>  <DIV>&nbsp;</DIV>  <DIV>Timothy Mungenast</DIV>  <DIV><A href="mailto:mungenast@earthlink.net">mungenast@earthlink.net</A></DIV>  <DIV>Why
 Wait? Move to EarthLink.</DIV>  <DIV>&nbsp;</DIV>  <div></div></BLOCKQUOTE><BR><p>&#32;
		<hr size=1>How low will we go? Check out Yahoo! Messenger’s low <a href="http://us.rd.yahoo.com/mail_us/taglines/postman8/*http://us.rd.yahoo.com/evt=39663/*http://voice.yahoo.com"> PC-to-Phone call rates.
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Date: Mon, 17 Jul 2006 22:06:13 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: Re: BassLab/Steinberger
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    Funny you put it that way - Heiko the BassLab luthier has a masters in physics
  and applies that to pre-calculate and fine tune every aspect of acoustic performance -
  as well as pre-program custom modified  tonal spectums and optimise action
  and energy interaction in all dimensions of the instrument. The synthetics do away
  with the unpredictable nature of wood's organic densities and enable the entire
  structure to be optimised for energy interaction. Also they are inflexible to both
  indoor and outdoor climate changes and the instruments never have to be set up -
  he even does away with the truss rod for this reason unless it's requested. 

mark sottilaro <zerocrossing2001@yahoo.com> wrote:
  Yeah, that influence shows... Don't ask me why but
it's what I like. Perfect blend of music and science
for me.

M

--- Monica wrote:

> Also - funny you mention Steinberger. BassLab also
> builds some parts and 
> pre-amps for Ned Steinberger Designs. Steinberger
> was Heiko's biggest influence
> in building.
> 
> mark sottilaro wrote:
> Wow, they're beautiful too. They make the Parker
> Flys
> look like dogs. If only I had a few grand to spend
> on
> a new guitar....
> 
> It's funny. With synthesis I'm always sniff'n around
> for some new sound or cool way of controlling it. 
> Around 91 I purchased my Steinberger and I swear I
> rarely ever get the urge to buy another or replace
> it.
> Same with my Steinberger Q Bass.
> 
> --- Monica wrote:
> 
> > Good news - BassLab also makes guitars! 
> > http://www.basslab.de 
> > 
> > Timothy Mungenast wrote:
> > I'm loving it, and I don't even play bass!
> > ~Tim
> > 
> > 
> > 
> > ----- Original Message ----- 
> > From: Monica 
> > To: Loopers-Delight@loopers-delight.com
> > Sent: 7/14/2006 1:41:09 AM 
> > Subject: Re: the latest from BassLab...
> > 
> > 
> > Thanks for the Pavlovian vibes... Yes if all -or
> > even most - or even any -
> > of these project ideas gain acceptance and backing
> > from the mainstream
> > guitar and bass industry it's definitely going to
> > be a big breakthrough.
> > Fingers crossed... 
> > Monica
> > 
> > daniel stevenson wrote:
> > I'm drooling like a...what drools a lot? bull-dog
> > at
> > a pig roast. nice(state of the art)lookin out
> > Monica.
> > to the future,
> > scary visionary
> > 
> > --- Monica wrote:
> > 
> > > 
> > > 
> > > 
> > > 
> > >
> >
>
http://ghservices.com/products/basslab/lab_std-ix-dk.html
> > > 
> > > 
> > > 
> > > ---------------------------------
> > > Do you Yahoo!?
> > > Get on board. You're invited to try the new
> Yahoo!
> > > Mail Beta.
> > 
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam? Yahoo! Mail has the best spam
> > protection around 
> > http://mail.yahoo.com 
> > 
> > 
> > 
> > ---------------------------------
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> > songs. Try it free. 
> > 
> > 
> > ---------------------------------
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> 
> 
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> 
> 
> 
> ---------------------------------
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<div><FONT color=#6000bf>&nbsp;&nbsp;&nbsp; Funny you put it that way - Heiko the BassLab luthier has a masters in physics</FONT></div>  <div><FONT color=#6000bf>and&nbsp;applies that to pre-calculate and fine tune&nbsp;every aspect of acoustic performance -</FONT></div>  <div><FONT color=#6000bf>as well as pre-program&nbsp;custom modified &nbsp;tonal spectums and optimise action</FONT></div>  <div><FONT color=#6000bf>and energy interaction in all dimensions of the instrument. The synthetics do away</FONT></div>  <div><FONT color=#6000bf>with the unpredictable nature of wood's organic densities and enable the entire</FONT></div>  <div><FONT color=#6000bf>structure to be optimised for energy interaction. Also they are inflexible to both</FONT></div>  <div><FONT color=#6000bf>indoor and outdoor climate changes and the instruments never have to be set up -</FONT></div>  <div><FONT color=#6000bf>he even does away with the truss rod for this reason unless it's requested.
 </FONT><BR><BR><B><I>mark sottilaro &lt;zerocrossing2001@yahoo.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Yeah, that influence shows... Don't ask me why but<BR>it's what I like. Perfect blend of music and science<BR>for me.<BR><BR>M<BR><BR>--- Monica <COOLINTENSITY@YAHOO.COM>wrote:<BR><BR>&gt; Also - funny you mention Steinberger. BassLab also<BR>&gt; builds some parts and <BR>&gt; pre-amps for Ned Steinberger Designs. Steinberger<BR>&gt; was Heiko's biggest influence<BR>&gt; in building.<BR>&gt; <BR>&gt; mark sottilaro <ZEROCROSSING2001@YAHOO.COM>wrote:<BR>&gt; Wow, they're beautiful too. They make the Parker<BR>&gt; Flys<BR>&gt; look like dogs. If only I had a few grand to spend<BR>&gt; on<BR>&gt; a new guitar....<BR>&gt; <BR>&gt; It's funny. With synthesis I'm always sniff'n around<BR>&gt; for some new sound or cool way of controlling it. <BR>&gt; Around 91 I purchased my Steinberger
 and I swear I<BR>&gt; rarely ever get the urge to buy another or replace<BR>&gt; it.<BR>&gt; Same with my Steinberger Q Bass.<BR>&gt; <BR>&gt; --- Monica wrote:<BR>&gt; <BR>&gt; &gt; Good news - BassLab also makes guitars! <BR>&gt; &gt; http://www.basslab.de <BR>&gt; &gt; <BR>&gt; &gt; Timothy Mungenast wrote:<BR>&gt; &gt; I'm loving it, and I don't even play bass!<BR>&gt; &gt; ~Tim<BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; ----- Original Message ----- <BR>&gt; &gt; From: Monica <BR>&gt; &gt; To: Loopers-Delight@loopers-delight.com<BR>&gt; &gt; Sent: 7/14/2006 1:41:09 AM <BR>&gt; &gt; Subject: Re: the latest from BassLab...<BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; Thanks for the Pavlovian vibes... Yes if all -or<BR>&gt; &gt; even most - or even any -<BR>&gt; &gt; of these project ideas gain acceptance and backing<BR>&gt; &gt; from the mainstream<BR>&gt; &gt; guitar and bass industry it's definitely going to<BR>&gt; &gt; be a big breakthrough.<BR>&gt; &gt;
 Fingers crossed... <BR>&gt; &gt; Monica<BR>&gt; &gt; <BR>&gt; &gt; daniel stevenson wrote:<BR>&gt; &gt; I'm drooling like a...what drools a lot? bull-dog<BR>&gt; &gt; at<BR>&gt; &gt; a pig roast. nice(state of the art)lookin out<BR>&gt; &gt; Monica.<BR>&gt; &gt; to the future,<BR>&gt; &gt; scary visionary<BR>&gt; &gt; <BR>&gt; &gt; --- Monica wrote:<BR>&gt; &gt; <BR>&gt; &gt; &gt; <BR>&gt; &gt; &gt; <BR>&gt; &gt; &gt; <BR>&gt; &gt; &gt; <BR>&gt; &gt; &gt;<BR>&gt; &gt;<BR>&gt;<BR>http://ghservices.com/products/basslab/lab_std-ix-dk.html<BR>&gt; &gt; &gt; <BR>&gt; &gt; &gt; <BR>&gt; &gt; &gt; <BR>&gt; &gt; &gt; ---------------------------------<BR>&gt; &gt; &gt; Do you Yahoo!?<BR>&gt; &gt; &gt; Get on board. You're invited to try the new<BR>&gt; Yahoo!<BR>&gt; &gt; &gt; Mail Beta.<BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; __________________________________________________<BR>&gt; &gt; Do You Yahoo!?<BR>&gt; &gt; Tired of spam? Yahoo! Mail has the best spam<BR>&gt; &gt;
 protection around <BR>&gt; &gt; http://mail.yahoo.com <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; ---------------------------------<BR>&gt; &gt; Yahoo! Music Unlimited - Access over 1 million<BR>&gt; &gt; songs. Try it free. <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; ---------------------------------<BR>&gt; &gt; Do you Yahoo!?<BR>&gt; &gt; Next-gen email? Have it all with the all-new<BR>&gt; &gt; Yahoo! Mail Beta.<BR>&gt; <BR>&gt; <BR>&gt; __________________________________________________<BR>&gt; Do You Yahoo!?<BR>&gt; Tired of spam? Yahoo! Mail has the best spam<BR>&gt; protection around <BR>&gt; http://mail.yahoo.com <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; ---------------------------------<BR>&gt; See the all-new, redesigned Yahoo.com. Check it<BR>out.<BR><BR><BR>__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection around <BR>http://mail.yahoo.com <BR><BR></BLOCKQUOTE><BR><p>&#32;
		<hr size=1>Groups are talking. We’re listening. Check out the <a href="http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=41144/*http://groups.yahoo.com/local/newemail.html">handy changes to Yahoo! Groups.</a> 
--0-824162021-1153199173=:22105--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 06:49:55 2006
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>I ve done what u said trying every
>pedal at a time and adding yet when they are all
>off,the signal with the effects in between instrument
>and amp and guitar direct results in volume
>decrease.If its due to the "true bypass" deal(which
>sometime is still unclear to my which efxs are and
>which arent,arent all boss ture bypass?)

Is a pedal true bypass?
To find out, take out the battery and see if the signal passes 
through when the FX is off.

A true bypass is a needs more expensive type of switch, and 
Boss/Roland love to save pennies, so I wouldn't expect them to have 
true bypass as standard. My OC-2 doesn't have it, just checked with a meter.

That's a lot of pedals, which means a lot of connectors, and a lot of 
leads. So plenty of room for problems with the leads, if you just 
bought them rather than making them up yourself then they could be the problem.

andybutler    

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 10:09:14 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: RC-50 LOOP DECAY: IT WORKS!!! (DELAY FEEDBACK)
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Hi folks

ok, I think this news should make it to the cover page of "Looper's Delight Weekly Magazine" ;-)

I was just about to write a mail on all the things I hate about the RC-50... then I decided to focus on what works instead... and look what I have discovered :-)
Last night, I was jamming with the RC-50 for 2,5 hours. Then, just before I went to bed, I had an idea... so I checked again and found out:

THE RC-50 IS CAPABLE OF PERFORMING LOOP DECAY (DELAY FEEDBACK)!!!

So, it is really a dream come true. Just when you gave up on a lot of features (tempo shift...) - there you have it: an affordable looper around 500 bucks with three independent, great-sounding stereo loops - and capable of loop decay!

You don't believe me? Listen to it yourself, I put a 

DEMO EXAMPLE ON LD (Audio Looping Examples)
===========================================
http://www.loopers-delight.com/files/index.php?direction=&order=&directory=Audio_-_Looping_Examples&
I've tried to make it "ambient-friendly" for you guys! ;-)

So, let's walk through the demo first...

EXAMPLE WALK-THROUGH (RC-50 Loop Decay Example)
====================
- What you hear first is a "static" loop (RC-50 terminology: "phrase") in PLAYBACK mode, without any loop decay.
- Soon you hear a second loop that is featuring loop decay.
- After a while, the first loop fades out and fades in again.
- The second loop now is playing back without loop decay.
- Finally, a third loop comes in with loop decay.

This is all done with only a keyboard, a mixer and the RC-50 - and nothing else!! :-)

So, now you wonder how it is done? Ok...

THE "MAGIC" BEHIND LOOP DECAY ON RC-50
======================================
So, what's the "magic" behind the loop decay?
Before the RC-50 came out, people were speculating that FADE OUT might be useable for this. Then it turned out that FADE OUT just worked on LOOP STOP, so it was useless for a cyclic feedback. Thus, many people turned away from the RC-50...

A wonderful feature on the RC-50 is the OVERDUB MODE called REPLACE. Usually, the OVERDUB MODE is set to OVERDUB. Using the OVERDUB MODE button, you can toggle between OVERDUB/REPLACE/PUNCH-IN. 
REPLACE basically is an "overwrite" mode, so it really replaces the old loop. However, while overwriting, it also plays back the old loop at the same time! (I know something like that is possible also with the EDP. Since I'm not so familiar with the terminology, I'd rather not quote anything).

So, in order to achieve loop decay, we put the RC-50 in REPLACE mode. Then, we not only record the new loop but also mix some of the old loop to it. The amount of the old loop you re-record along with the new loop determines the feedback level.
Here, it also comes handy that there are additional SUB OUTs besides the MAIN OUTs on the RC-50. To avoid feedback (not "delay" feedback but the one that makes your speakers explode ;-) you also need to make sure that the INPUTs sound is not routed back to the feedback chain.

So, let's see how this works exactly...

SETTING UP THE RC-50 FOR LOOP DECAY
===================================
So, I'm assuming that you bring basic familiarity with gear, common sense and  full responsibility for what you are doing... ;-)

First of all, what do you need? You need: the RC-50, your instrument, a mixer and a bunch of cables.

You ROUTE CABLES like this:
- your instrument > mixer
- RC-50 SUB OUTs > mixer
- mixer out (or mixer sub-group-send/aux-sends) > RC-50 INPUT 
- (monitor your sound output according to your setup)

Before you mess up anything, let's MUTE the INPUT OUTS (yes, that's how they are called in the manual: "input output", nice ;-)
On the RC-50, use the USB/SYSTEM button to set the INPUT OUTs. Since I was paranoid, I've set it all to MUTE. The idea is simply to avoid a feedback chain that is getting louder and LOUDER and LOOUUUDEER and LOOOUUUDDDEEERR...
If you use the SUB OUTs for the feedback chain, I guess setting INPUT OUTs to MAIN (instead of MAIN+SUB) should be ok. Try all this at your own risk!!

Ok, let's now PREPARE RC-50 PATCH SETTIINGS for a nice example:
- Go to an empty PATCH (patch=a set of three phrases / phrases=loops)
- Set it to MULTI MODE
- Turn off LOOP SYNC (unless you want all three phrases the same length...)
- Turn the GUIDE VOLUME up and down again until it's really OFF
- Perform the following PATCH SETTINGS:
   - set FADE IN time (as desired, i.e. 30)
   - set FADE OUT time (as desired, i.e. 100)
- Perform the following PHRASE SETTINGS for each PHRASE1/2/3:
   - Set TEMPO SYNC ON (don't worry, just don't touch "tap tempo"!)
   - Set PHRASE START to FADE IN (on first try, leave on IMMEDIATE or LOOP)
   - Set PHRASE END to FADE OUT (on first try, leave on IMMEDIATE or LOOP)

Now, press the OVERDUB MODE button until the red light for REPLACE appears.

OK, RECORD your first PHRASE and go to OVERDUB. You should now be in REPLACE mode.
Stay in REPLACE mode... you should experience your first loop decay with the RC-50 :-))

To ADJUST FEEDBACK LEVEL of the loop decay, play around & trim the gain level on the mixer for the RC-50 SUB OUTs. When the fader is set to "100%", the delay feedback should be 100% (no decay).
Now the fader should control the feedback level properly.

You can also go to PLAYBACK with your PHRASE when your satisfied (or bored ;-) with your loop decay. Then you might move to the next PHRASE.

Also note that, depending on how you route your PHRASES to MAIN/SUB OUTs, the REPLACE (+feedback mix) will also record the other phrases.
This might affect the overall volume mix.

A nice side effect: you can use this feature also to do BOUNCE ALL TRACKS (Phrase1-3+Input) to a PHRASE.
In fact, the possibilities are endless: you could RESAMPLE your loop, routing it through some additional effects...

OVERALL
=======
Yes, overall, there are still some really HORRIBLE bugs/features/lack thereof (barbling tempo shift, switching patches seems to have "hiccups", midi features could be better...).
Nevertheless, I think this example demonstrates that the RC-50 has quite a bit of depth that still remains to be explored.

OK, folks, now go out and get yourself an RC-50 - with loop decay :-))

Best regards

Buzap

PS: @Kim Flint/others: If it is useful to others, I would like to put this tutorial + my first review to LD web page. How should I proceed - can Kim/someone help?

 
-- 


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From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 10:53:49 2006
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From: "Michael Peters" <mp@mpeters.de>
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	"Leander Reininghaus" <starscape@gmx.de>,
	"CT-Collective" <Chain-Tape-Collective@yahoogroups.com>,
	"Karsten Schulze" <karsten.schulze@mail.isis.de>,
	"Andre Wirths" <AndreWirths@t-online.de>,
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	"Guido Erfen" <erfen@erfen.de>
Subject: OT welcome mcgrasrat
Date: Tue, 18 Jul 2006 12:53:39 +0200
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please welcome my old friend Walter Br=FChn - he just set up a myspace =
page
for his music. Walter is my oldest friend - we've known each other for =
37
years now, enjoying very similar musical imprints - and we've played in =
a
number of bands together since. Of the four tracks he presents on his =
page,
some are beautifully ambient and some are more experimental nu-jazz / =
sound
collage type pieces, even containing some political statements. Lots of
listening fun. Please link him as a myspace friend if you're on myspace, =
and
add comments.

http://www.myspace.com/mcgrasrat =20


-Michael www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 11:10:42 2006
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Subject: Re: More RC-2
Date: Tue, 18 Jul 2006 13:10:38 +0200
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There's a video too on sonicstate.com.

http://www.sonicstate.com/video/#

Greetings from Belgium,

Ben.



----- Original Message ----- 
From: "Christophe" <cburke55@comcast.net>
To: <loopers-delight@loopersdelight.com>
Sent: Monday, July 17, 2006 2:14 PM
Subject: More RC-2


> Got this link to a NAMM show report - shows a better photo of the RC-2 
> along with some specs.
>
> Sounds like it could be fun!
>
> http://www.zzounds.com/article/blog/post01.html
> 


	

	
		
___________________________________________________________________________ 
Yahoo! Mail réinvente le mail ! Découvrez le nouveau Yahoo! Mail et son interface révolutionnaire.
http://fr.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 11:48:09 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: More RC-2
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Hi

> There's a video too on sonicstate.com.
> http://www.sonicstate.com/video/#

The Boss RC-2 Loop Sampler looks like a sweet little simple toy.
Look at the user interface design / looks really beautiful - how much they have packed in there...

Once the price is closer to 100,-EUR, I think I will get one.
Put batteries in it, grab a mic and a Roland MicroCube - and start looping everywhere you go... ;-))

Sweet!

Buzap
-- 


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From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 12:40:39 2006
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: AOT: wesome Electronic CD/DVD Set
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OK, this doesn't have much about looping on it, but I just got a 3-CD + DVD
set of electronic music from Ellipsis Arts called OHM+: the early gurus of
electronic music.  I haven't explored it in full yet, but the DVD is pretty
amazing, starting with a dinnertable interview with Bob Moog and an elderly,
stately, gracious Clara Rockmore talking about what a genius Theremin was,
followed by quite a fascinating Rockmore performance. Also included is a
great video by Beryl Korot, partner to Steve Reich, an interesting but
somewhat-overlong animation called The Dust Bunny, to Paul Lansky's music, a
1991 video of Paul Lansky's Lesson with Leon Theremin, and performances by
Robert Ashley, Laurie Spiegel, Pauline Oliveros, Alvin Lucier, etc. This is
really a historical treasure-trove. Also, it comes with a very thick booklet
with extensive program notes.

Warren
www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 14:28:58 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References:  <22351.62.2.75.66.1151495782.squirrel@webmail.perspectix.com> <0ede01c69abe$dc6ef200$0cb1ec0f@americas.hpqcorp.net> <00f601c69ad1$3ec33260$e701a8c0@pcfabio> <0f6101c69ad2$b4470240$0cb1ec0f@americas.hpqcorp.net>
Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Tue, 18 Jul 2006 08:28:52 -0600
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Quick update on this small project. I've been out of the picture fo the =
last few weeks, but I finally updated this m3u files with your latest =
submissions. This is what I have so far, 15 sound clips:

#EXTINF: Per Boysen - Sweden
http://www.box.net/public/static/bprq0dbv3h.mp3
#EXTINF: Rainer Straschill - M=FCnchen - Bayern
http://www.box.net/public/static/u8g5d8pj7b.mp3
#EXTINF: Andy Butler - Norwich - UK
http://www.box.net/public/static/q0xj2l170o.mp3
#EXTINF: Doug Wyatt - USA
http://www.box.net/public/static/4ehvcpim6o.mp3
#EXTINF: Jon Wagner - Chapel Hill -  North Carolina - USA
http://www.box.net/public/static/kr2c0h2q5n.mp3
#EXTINF: Joshua Carroll - Texas - USA
http://www.box.net/public/static/y92pvlyi0y.mp3
#EXTINF: Ra=FCl_Beniarr=E9s - CAT
http://www.box.net/public/static/1udbvqs4hx.mp3
#EXTINF: Steve Burnett - Raleigh - North Carolina - USA
http://www.box.net/public/static/4jf31jax22.mp3
#EXTINF: UNDO - David Kirkdorffer - Boston - USA
http://www.box.net/public/static/p3s0dh7l7f.mp3
#EXTINF: Fabio Anile - Rome - Italy
http://www.box.net/public/static/h07yuy4mre.mp3
#EXTINF: Ted Killian - Medford - Oregon - USA
http://www.box.net/public/static/xf3umzyacx.mp3
#EXTINF: Michael Peters - Germany
http://www.box.net/public/static/tzvsdsx94k.mp3
#EXTINF: Milco Montagna - Italy
http://www.box.net/public/static/scsgin9kck.mp3
#EXTINF: The LD Chorus
http://www.box.net/public/static/zenes07e76.mp3
#EXTINF: Tim Nelson - Portland - Oregon - USA
http://www.box.net/public/static/18z3b7hgy7.mp3

All streamed here: =
http://www.krispenhartung.com/loopers-delight-10year.m3u

Keep the 30 second sound clips coming!

BTW, who is The LD Chorus? Can you please identify yourself and =
location? Thanks.

Kris

  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, June 28, 2006 10:48 AM
  Subject: Re: 10 year's anniversary of Looper's Delight ?


  Let's do it!!  I will create one today.

  Create your 30 sec. MP3s in 128 rate format and upload them here:

  http://www.box.net/
  Login: loopersdelight
  Password: loopersdelight

  Title the MP3 with your name and location, like Kris Hartung - Boise =
Idaho USA.mp3

  Kris


  ----- Original Message -----=20
  From: "Fabio Anile" <fabio.anile@tiscali.it>
  To: <Loopers-Delight@loopers-delight.com>
  Sent: Wednesday, June 28, 2006 10:38 AM
  Subject: Re: 10 year's anniversary of Looper's Delight ?


  >> How about each of us record a 30 second looping piece and we create =
a=20
  >> giant collage of looping stringed together in one MP3, or streamed =
via a=20
  >> playlist. I'm willing to store the MP3s and host the playlist.
  >>
  >> Kris
  >=20
  >=20
  > YES !!!
  >=20
  >=20
  >=20
  > 
------=_NextPart_000_07A8_01C6AA44.33BF9750
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Quick update on this small project. =
I've been out=20
of the picture fo the last few weeks, but I finally updated this m3u =
files with=20
your latest submissions. This is what I have so far, 15 sound=20
clips:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>#EXTINF: Per Boysen - Sweden<BR><A=20
href=3D"http://www.box.net/public/static/bprq0dbv3h.mp3">http://www.box.n=
et/public/static/bprq0dbv3h.mp3</A><BR>#EXTINF:=20
Rainer Straschill - M=FCnchen - Bayern<BR><A=20
href=3D"http://www.box.net/public/static/u8g5d8pj7b.mp3">http://www.box.n=
et/public/static/u8g5d8pj7b.mp3</A><BR>#EXTINF:=20
Andy Butler - Norwich - UK<BR><A=20
href=3D"http://www.box.net/public/static/q0xj2l170o.mp3">http://www.box.n=
et/public/static/q0xj2l170o.mp3</A><BR>#EXTINF:=20
Doug Wyatt - USA<BR><A=20
href=3D"http://www.box.net/public/static/4ehvcpim6o.mp3">http://www.box.n=
et/public/static/4ehvcpim6o.mp3</A><BR>#EXTINF:=20
Jon Wagner - Chapel Hill -&nbsp; North Carolina - USA<BR><A=20
href=3D"http://www.box.net/public/static/kr2c0h2q5n.mp3">http://www.box.n=
et/public/static/kr2c0h2q5n.mp3</A><BR>#EXTINF:=20
Joshua Carroll - Texas - USA<BR><A=20
href=3D"http://www.box.net/public/static/y92pvlyi0y.mp3">http://www.box.n=
et/public/static/y92pvlyi0y.mp3</A><BR>#EXTINF:=20
Ra=FCl_Beniarr=E9s - CAT<BR><A=20
href=3D"http://www.box.net/public/static/1udbvqs4hx.mp3">http://www.box.n=
et/public/static/1udbvqs4hx.mp3</A><BR>#EXTINF:=20
Steve Burnett - Raleigh - North Carolina - USA<BR><A=20
href=3D"http://www.box.net/public/static/4jf31jax22.mp3">http://www.box.n=
et/public/static/4jf31jax22.mp3</A><BR>#EXTINF:=20
UNDO - David Kirkdorffer - Boston - USA<BR><A=20
href=3D"http://www.box.net/public/static/p3s0dh7l7f.mp3">http://www.box.n=
et/public/static/p3s0dh7l7f.mp3</A><BR>#EXTINF:=20
Fabio Anile - Rome - Italy<BR><A=20
href=3D"http://www.box.net/public/static/h07yuy4mre.mp3">http://www.box.n=
et/public/static/h07yuy4mre.mp3</A><BR>#EXTINF:=20
Ted Killian - Medford - Oregon - USA<BR><A=20
href=3D"http://www.box.net/public/static/xf3umzyacx.mp3">http://www.box.n=
et/public/static/xf3umzyacx.mp3</A><BR>#EXTINF:=20
Michael Peters - Germany<BR><A=20
href=3D"http://www.box.net/public/static/tzvsdsx94k.mp3">http://www.box.n=
et/public/static/tzvsdsx94k.mp3</A><BR>#EXTINF:=20
Milco Montagna - Italy<BR><A=20
href=3D"http://www.box.net/public/static/scsgin9kck.mp3">http://www.box.n=
et/public/static/scsgin9kck.mp3</A><BR>#EXTINF:=20
The LD Chorus<BR><A=20
href=3D"http://www.box.net/public/static/zenes07e76.mp3">http://www.box.n=
et/public/static/zenes07e76.mp3</A><BR>#EXTINF:=20
Tim Nelson - Portland - Oregon - USA<BR><A=20
href=3D"http://www.box.net/public/static/18z3b7hgy7.mp3">http://www.box.n=
et/public/static/18z3b7hgy7.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>All streamed here: <A=20
href=3D"http://www.krispenhartung.com/loopers-delight-10year.m3u">http://=
www.krispenhartung.com/loopers-delight-10year.m3u</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Keep the 30 second sound clips =
coming!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>BTW, who is The LD Chorus? Can you =
please identify=20
yourself and location? Thanks.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, June 28, 2006 =
10:48=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: 10 year's =
anniversary of=20
  Looper's Delight ?</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Let's do it!!&nbsp; I will create one =

  today.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Create your 30 sec. MP3s in 128 rate =
format and=20
  upload them here:</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT><FONT face=3DArial size=3D2><A =

  href=3D"http://www.box.net/">http://www.box.net/</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Login: loopersdelight</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Password: loopersdelight</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Title the MP3 with your name and =
location, like=20
  Kris Hartung - Boise Idaho USA.mp3</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>----- Original Message ----- </FONT>
  <DIV><FONT face=3DArial size=3D2>From: "Fabio Anile" &lt;</FONT><A=20
  href=3D"mailto:fabio.anile@tiscali.it"><FONT face=3DArial=20
  size=3D2>fabio.anile@tiscali.it</FONT></A><FONT face=3DArial=20
  size=3D2>&gt;</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>To: &lt;</FONT><A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"><FONT face=3DArial =

  size=3D2>Loopers-Delight@loopers-delight.com</FONT></A><FONT =
face=3DArial=20
  size=3D2>&gt;</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Sent: Wednesday, June 28, 2006 10:38=20
  AM</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Subject: Re: 10 year's anniversary of =
Looper's=20
  Delight ?</FONT></DIV></DIV>
  <DIV><FONT face=3DArial><BR><FONT size=3D2></FONT></FONT></DIV><FONT =
face=3DArial=20
  size=3D2>&gt;&gt; How about each of us record a 30 second looping =
piece and we=20
  create a <BR>&gt;&gt; giant collage of looping stringed together in =
one MP3,=20
  or streamed via a <BR>&gt;&gt; playlist. I'm willing to store the MP3s =
and=20
  host the playlist.<BR>&gt;&gt;<BR>&gt;&gt; Kris<BR>&gt; <BR>&gt; =
<BR>&gt; YES=20
  !!!<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;</FONT> =
</BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_07A8_01C6AA44.33BF9750--


From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 14:34:18 2006
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Date: Tue, 18 Jul 2006 7:34:12 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: AOT: wesome Electronic CD/DVD Set
Cc: Warren Sirota <wsirota@wsdesigns.com>
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What?!! No Yanni cuts!
--
Paul Richards

---- Warren Sirota <wsirota@wsdesigns.com> wrote: 
> OK, this doesn't have much about looping on it, but I just got a 3-CD + DVD
> set of electronic music from Ellipsis Arts called OHM+: the early gurus of
> electronic music.  I haven't explored it in full yet, but the DVD is pretty
> amazing, starting with a dinnertable interview with Bob Moog and an elderly,
> stately, gracious Clara Rockmore talking about what a genius Theremin was,
> followed by quite a fascinating Rockmore performance. Also included is a
> great video by Beryl Korot, partner to Steve Reich, an interesting but
> somewhat-overlong animation called The Dust Bunny, to Paul Lansky's music, a
> 1991 video of Paul Lansky's Lesson with Leon Theremin, and performances by
> Robert Ashley, Laurie Spiegel, Pauline Oliveros, Alvin Lucier, etc. This is
> really a historical treasure-trove. Also, it comes with a very thick booklet
> with extensive program notes.
> 
> Warren
> www.warrensirota.com
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 14:57:17 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Roland Cube 30 for Jazz Review
Date: Tue, 18 Jul 2006 08:57:13 -0600
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I finally had the opportunity to hear my new Roland Cube 30 in action at my 
Monday night jazz trio gig yesterday, which is me on guitar, along with 
congas, and upright bass.  I have to say, I was very suspicious that this 
little amp wouldn't be able to cut it because of its size, weight, and that 
it is all solid state.  However, not only is it a real back saver, but it 
totally kicked ass. I was amazed at the tone and how low I had to keep the 
master volume to fill up the room with a full cocktail bar of people, and a 
full restaurant.  Many times I looked down on the floor in disbelief at what 
I was hearing. I actually like the tone better than my Mesa Boogie Mark I, 
which I sold last week.

Of all the amp simulations on the amp, I found the Black Panel setting is 
the most effective at producing a common (stereotypical based on listening 
to my jazz guitar CD collection) and natural jazz amp tone. I put the Gain 
at about 8, which produces just enough gain that when I pluck my strings 
hard, the tone breaks up a bit (like Scofield), but is otherwise clean.  I 
keep the bass at about 4 , the Mid at 6, and the Treble/High at 0.

Kris



*************************************************
Krispen Hartung / Improvisational Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
info@krispenhartung.com / 1.208.724.5603
Discography - http://www.krispenhartung.com/catalogue.htm
Looper's Delight Playlist - 
http://www.boisemusicians.com/loopers-delight.m3u 


From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 15:10:06 2006
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>,
	<vaguediscuss@vagueterrain.net>
Subject: PiNG ALERT - iMPORTANT NOTiCE
Date: Tue, 18 Jul 2006 11:13:11 -0400
Organization: THE AMBiENT PiNG
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Hi Everyone - We're sorry to announce that all remaining=20
AMBiENT PiNG performances scheduled at the Hacienda=20
nightclub have been cancelled effective immediately. The=20
Hacienda staff were apparently confused by the 6-weeks-notice=20
we had given them the week before, of the PiNG's plan to go=20
"monthly" after August 15th and did not show up at the club=20
last Tuesday, thinking that we were changing immediately.

PiNGLiST subscribers received the long-story version but - after
some frank discussion amongst the PiNG organizers, we've decided
that we do not wish to return to Hacienda for future PiNG events
at all. The artists booked for the next month have been notified,
with apologies, and we'll be looking for a new venue during our
unplanned "summer holiday". We've already had some good=20
suggestions from our PiNGLiST members. Hacienda was=20
the PiNG's 6th residence in 7 years and is not planned as=20
its last - although we're looking forward to only presenting=20
about 12 concerts a year instead of 50, as we need at=20
bit more time for our own music!

In the meantime, a mix of ambient, soundscape, electronic,
trip hop, dream pop, drone & chill artists from both=20
our local & global communities is available 24/7=20
on AMBiENT PiNG RADiO.
http://www.ambientpingradio.com

Also - This Tues. July 18th at 9:30PM EST the PiNG presents=20
its first "Virtual Concert" on AMBiENT PiNG RADiO - with=20
Geek Weekend, featuring Robert Hoare (Berlin, Germany)=20
& Steven Sauv=E9 (Hamilton) who plan a set of "slightly=20
ludicrous, but wholly entertaining noises, cryptic=20
phrases and mysterious pronouncements."
http://www.robhoare.de  =20
http://www.karmafarm.ca
Tune in Tuesday at 9:30pm EST @=20
http://www.ambientpingradio.com

Join the PiNG's e-mail list at our website
for the inside scoop on future developments.

Virtual Cheers,
Scott M2, Jamie, rik
and the PiNG Crew

http://www.theambientping.com
http://www.ambientpingradio.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 15:16:41 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Roland Cube 30 for Jazz Review
Date: Tue, 18 Jul 2006 17:16:37 +0200
To: Loopers-Delight@loopers-delight.com
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On 18 jul 2006, at 16.57, Krispen Hartung wrote:

> Roland Cube 3

Nice to hear the Cube 30 is that good. Long time a go I played with  
Cube 60s. They were quite nice but not up to the polytone standard  
regarding jazz tone.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 15:28:21 2006
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Subject: Re: Roland Cube 30 for Jazz Review
Date: Tue, 18 Jul 2006 09:28:17 -0600
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Funny that you mention the Polytone, which was my amp of choice 6 years ago. 
I owned three of them, all vintage models- the MegaBrute with the 15" 
speaker, the 103 or George Benson model with two 12" speakers, and the Teeny 
Brute with the 10" speaker, all with the original silver face control 
panels, and the black waffle speaker covers. I could kick myself for selling 
that Teeny Brute!   Stupid, stupid, stupid.

However, I think this Cube 30 is a viable competitor to the Polyone 10" 
amps, plus it has more tone options.  I think if they had made the Cube 30 a 
little bit deeper, so it was more "cube like", and removed the port, it 
would sound more close to the Teeny Brute. The Teeny Brute was almost a 
perfect cube and completely sealed.

I wonder if anyone has put a higher wattage speaker in the Cube 30, like an 
EV of JBL....or even an Eminence copy of either, which I really like.

Kris

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>

> On 18 jul 2006, at 16.57, Krispen Hartung wrote:
>
>> Roland Cube 3
>
> Nice to hear the Cube 30 is that good. Long time a go I played with  Cube 
> 60s. They were quite nice but not up to the polytone standard  regarding 
> jazz tone.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 15:38:06 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: RE: Roland Cube 30 for Jazz Review
Date: Tue, 18 Jul 2006 11:42:22 -0400
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Thanks, Kris. This is useful info. I am on the fence between the
"head-and-cab" paradigm and the "nice-light-combo" paradigm.Your review
pushes me more toward the latter.

To give the former its due, I was at Mr Music in Allston, Mass., last week,
and someone was test-driving a used Peavey 5150 high-gain tube amp... I was
scared in a good way. All the delicious chaos of the VF-1 "5150 Lead"
patch, all the wacky subharmonics on the wound strings, only it was
expanded greatly compared to my VF-1. I guess that is why they call them
"models"? However, the head alone is 50 pounds, and the 2x12 combo that I
was drooling over was much heavier... it made an AC-30 feel like a Deluxe.
Sonic joy is all well and good, but a spine is a terrible thing to waste.
;-)

Light is good. Light makes right. Anyway, thanks for sharing your
impressions with us.

~Tim


> [Original Message]
> From: Krispen Hartung <khartung@cableone.net>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 7/18/2006 10:57:17 AM
> Subject: Roland Cube 30 for Jazz Review
>
> I finally had the opportunity to hear my new Roland Cube 30 in action at
my 
> Monday night jazz trio gig yesterday, which is me on guitar, along with 
> congas, and upright bass.  I have to say, I was very suspicious that this 
> little amp wouldn't be able to cut it because of its size, weight, and
that 
> it is all solid state.  However, not only is it a real back saver, but it 
> totally kicked ass. I was amazed at the tone and how low I had to keep
the 
> master volume to fill up the room with a full cocktail bar of people, and
a 
> full restaurant.  Many times I looked down on the floor in disbelief at
what 
> I was hearing. I actually like the tone better than my Mesa Boogie Mark
I, 
> which I sold last week.
>
> Of all the amp simulations on the amp, I found the Black Panel setting is 
> the most effective at producing a common (stereotypical based on
listening 
> to my jazz guitar CD collection) and natural jazz amp tone. I put the
Gain 
> at about 8, which produces just enough gain that when I pluck my strings 
> hard, the tone breaks up a bit (like Scofield), but is otherwise clean. 
I 
> keep the bass at about 4 , the Mid at 6, and the Treble/High at 0.
>
> Kris
>
>
>
> *************************************************
> Krispen Hartung / Improvisational Guitar
> www.krispenhartung.com / www.myspace.com/krispenhartung
> info@krispenhartung.com / 1.208.724.5603
> Discography - http://www.krispenhartung.com/catalogue.htm
> Looper's Delight Playlist - 
> http://www.boisemusicians.com/loopers-delight.m3u 
>


From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 15:40:07 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Your fears about the phone number are confirmed, Monica, but I really do appreciate your efforts to help me.

Peace,
Tim


----- Original Message ----- 
From: Monica 
To: Loopers-Delight@loopers-delight.com
Sent: 7/18/2006 12:54:28 AM 
Subject: Re: Lexicon LXP-15


Tim:
    I got a Lexicon fixed a couple years ago when another company in Utah
was merging with them and recall at the time having two separate numbers,
one for Lexicon customer service and then another for this Utah company that
was separate and yet somehow working in conjunction with them. ???
I dug out this number - not sure if that's customer service or Utah but here it is:
1(801)566-8800. They had mine fixed and returned for free in under 48 hours
but I had to go throught this other number and Utah location. ???
If that number is just the same customer service then sorry...and I feel your 
digital pain man...

Monica


Timothy Mungenast <mungenast@earthlink.net> wrote:
Hi Gang:

I figured I'd try asking again...couldn't hurt. Do any of you know who can fix my Lexicon LXP-15? (It runs the self-diagnostics but won't load the operating system.)  Lexicon won't fix it, and their go-to guy for obsolete gear (Jim Fabiano) doesn't do LXP-15s (or Jam Mans, or Vortexes, etc etc).

I'd be grateful for any ideas.

~Tim

Timothy Mungenast
mungenast@earthlink.net
Why Wait? Move to EarthLink.





How low will we go? Check out Yahoo! Messenger’s low PC-to-Phone call rates. 
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<BODY>
<DIV><FONT face="MS Sans Serif" size=2>Your fears about the phone number are confirmed, Monica, but I really do appreciate your efforts to help me.</FONT></DIV>
<DIV><FONT face="MS Sans Serif" size=2></FONT>&nbsp;</DIV>
<DIV><FONT face="MS Sans Serif" size=2>Peace,</FONT></DIV>
<DIV><FONT face="MS Sans Serif" size=2>Tim</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=coolintensity@yahoo.com href="mailto:coolintensity@yahoo.com">Monica</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 7/18/2006 12:54:28 AM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Lexicon LXP-15</DIV>
<DIV><BR></DIV><FONT size=2>
<DIV><FONT color=#40007f>Tim:</FONT></DIV>
<DIV><FONT color=#40007f>&nbsp;&nbsp;&nbsp; I got a Lexicon fixed a couple years ago when another company in Utah</FONT></DIV>
<DIV><FONT color=#40007f>was merging with them and recall at the time having two separate numbers,</FONT></DIV>
<DIV><FONT color=#40007f>one for Lexicon customer service and then another for this Utah company that</FONT></DIV>
<DIV><FONT color=#40007f>was separate and yet somehow working in conjunction with them. ???</FONT></DIV>
<DIV><FONT color=#40007f>I dug out this number - not sure if that's customer service or Utah but here it is:</FONT></DIV>
<DIV><FONT color=#40007f>1(801)566-8800. They had mine fixed and returned for free in under 48 hours</FONT></DIV>
<DIV><FONT color=#40007f>but I had to go throught this other number and Utah location. ???</FONT></DIV>
<DIV><FONT color=#40007f>If that number is just the same customer service then sorry...and I feel your </FONT></DIV>
<DIV><FONT color=#40007f>digital pain man...</FONT></DIV>
<DIV><FONT color=#40007f></FONT>&nbsp;</DIV>
<DIV><FONT color=#40007f>Monica</FONT></DIV>
<DIV><BR><BR><B><I>Timothy Mungenast &lt;mungenast@earthlink.net&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">
<META content="MSHTML 6.00.2800.1555" name=GENERATOR>
<DIV>
<DIV>Hi Gang:</DIV>
<DIV>&nbsp;</DIV>
<DIV>I figured I'd try asking again...couldn't hurt. Do any of you know who can fix my Lexicon LXP-15? (It runs the self-diagnostics but won't load the operating system.) &nbsp;Lexicon won't fix it, and their go-to guy for obsolete gear (Jim Fabiano) doesn't do LXP-15s (or Jam Mans, or Vortexes, etc etc).</DIV>
<DIV>&nbsp;</DIV>
<DIV>I'd be grateful for any ideas.</DIV>
<DIV>&nbsp;</DIV>
<DIV>~Tim</DIV>
<DIV>&nbsp;</DIV>
<DIV>Timothy Mungenast</DIV>
<DIV><A href="mailto:mungenast@earthlink.net">mungenast@earthlink.net</A></DIV>
<DIV>Why Wait? Move to EarthLink.</DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV></DIV></BLOCKQUOTE><BR>
<P>
<HR SIZE=1>
How low will we go? Check out Yahoo! Messenger’s low <A href="http://us.rd.yahoo.com/mail_us/taglines/postman8/*http://us.rd.yahoo.com/evt=39663/*http://voice.yahoo.com">PC-to-Phone call rates. </FONT></A></BLOCKQUOTE></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 15:54:32 2006
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Subject: Re: Live 6 addresses "Liveloopers and Beatboxers"
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Hi Per

I don't want to disappoint you.. However, I'm afraid those great Showcase statements are just some general marketing slogans for Ableton Live in general. It probably just means "hey, Kid Beyond made this thing work - so it is good for Liveloopers and Beatboxers".
I don't think they'll have the midi-controllable "EDP-button" behind every clip in the near future... ;-)

Buzap

-- 


"Feel free" â€“ 10 GB Mailbox, 100 FreeSMS/Monat ...
Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 15:58:15 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: Re: what kind of gear setups to you guys use ?
Date: Tue, 18 Jul 2006 12:02:31 -0400
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Just to backtrack a bit on this gear thing (the sub-string about pedal
order), experience has shown me that on rare occasions, modulation and
delay devices can sound great BEFORE distortion. Three examples:

1. MXR flange on slow, fairly wide sweep (not Van Halen/airplane wide) in
front of a dimed Rat can produce some fine "Big Country" bagpipe sounds.
2. The same flange, same setting, before a nice overdrive like my good
cheap Boss SD-1, creates the Killing Joke "Love Like Blood" sound.
3. A delay before heavy overdrive can give you a wonderfully chaotic sound
reminiscent of mid-'70s Crazy Horse or U2's Eleven O'Clock Tick Tock."

Yours in Sound,
Tim
www.myspace.com/timmungenast
www.mungenast.com
www.cdbaby.com/all/timgoat






> [Original Message]
> From: Todd Pafford <calenlas@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 7/17/2006 6:53:27 PM
> Subject: Re: what kind of gear setups to you guys use ?
>
> Mark,
>
> I'm with you on the stereo thing.  A couple of years back I bought a
> small (150Watt) Carvin power amp and a pair of their small club
> speakers.  Effectively the same volume as a traditional 2x12 guitar
> amp, but pristine sound quality and true stereo all the way through.
> All in the neighborhood of $500.  Like you, I already had everything
> up to the mixer and just needed some way to get my sound out there.
> Works like a charm.
>
> Todd
>
>
> On 7/17/06, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> > To do this I've abandoned traditional amp setups
> > because even those that have a stereo effects loop
> > (rare) I still don't have the flexibility I'd like.
> >
> > Instead I use a Vox Tonelab SE (search the archives on
> > my email and Vox and Bill Walker's name too)  This way
> > my signal stays a line level signal and I can bring it
> > into a mixer and use sends to route effects or connect
> > a seperate recorder.  The whole thing is fairly simple
> > and I find most gigs have some sort of PA I can use
> > anyway.
> >
> > Lately however I'm gearing up to go
> > guitar->Tonelab->Mixer|effects loop out->
> > laptop->Mixer.  There may be a way to get a recording
> > out of this setup too... Not sure if the laptop is
> > fast enough to do all this...though I rarely record
> > myself live.
> >
> > M
> >


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Subject: RE: 10 year's anniversary of Looper's Delight ?
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>  BTW, who is The LD Chorus? Can you please identify yourself and location?
Thanks. 
 
 
me :-)  plus a couple of AT&T artificial voices 
 
 
Michael
www.michaelpeters.de
 

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<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D750035915-18072006>&gt; &nbsp;</SPAN>BTW, who is The LD Chorus? =
Can you=20
please identify yourself and location? Thanks.<SPAN=20
class=3D750035915-18072006>&nbsp;</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D750035915-18072006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D750035915-18072006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D750035915-18072006>me :-)&nbsp; plus a couple of AT&amp;T =
artificial=20
voices&nbsp;</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D750035915-18072006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
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<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
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T></FONT></DIV>
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class=3D750035915-18072006></SPAN></FONT></FONT>&nbsp;</DIV></BODY></HTML=
>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 16:36:36 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: the Blooperrang!  Re: New Boomerang and Blooperang Update...
Date: Tue, 18 Jul 2006 12:40:52 -0400
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"what is a blooperrang?"

Wouldn't it be great if there were a true purpose-built Blooperrang??
Imagine a device that was designed to loop your stuff in a mischeivous way,
turning your input into beautiful chaos. The mind reels!!!!!!!!

~Tim


> [Original Message]
> From: mark t <aleatoric12@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 7/17/2006 4:03:58 AM
> Subject: Re: Re: Re: New Boomerang and Blooperang Update...
>
> what is a blooperrang?
>
> On 7/17/06, mark t <aleatoric12@gmail.com> wrote:
> > The looper will have true
> > >stereo recording, vastly improved audio specs, long record time, 6
> > >loops, multi level undo/redo, multiple loops can play synched or
> > >unsynched, and a slew of "utility" features such as an octave down
> > >effect for creating bass parts, auto fade out, metronome, etc. It
> > >will be roughly half the size of the Rang(TM) Plus! We don't have a
> > >price yet, but it will be reasonable and maintain the high standard
> > >of quality the current Rang(TM) offers.
> >
> >
> > Wow!  Thats impressive,  mutilple loops!  Wow!
> >
> > On 7/17/06, Krispen Hartung <khartung@cableone.net> wrote:
> > > Stereo recording....will that include stereo input/output too? That
would be
> > > cool. That will make only two that can do this, right? I thought the
RC50
> > > was stereo i/o as well.
> > >
> > > It's just amazing how much momentum the looping technology is building
> > > now...both software and hardware. It's sort of exciting.
> > >
> > > Kris
> > >
> > > ----- Original Message -----
> > > From: "mech" <mech@m3ch.net>
> > > To: <Loopers-Delight@loopers-delight.com>
> > > Sent: Monday, July 17, 2006 1:36 AM
> > > Subject: New Boomerang and Blooperang Update...
> > >
> > >
> > > >A few days ago, I was getting ready to head out of town for the 2006
> > > >Midwest Stick Seminar in Ann Arbor, MI ( http://www.stickfest.org ).
Since
> > > >I knew there would inevitably be some looping talk (and since I enjoy
> > > >endorsing vendors who've been active on this list), I contacted Mike
Nelson
> > > >at Boomerang Music to see if I could find out any information on the
status
> > > >of the upcoming Rang(TM) III.
> > > >
> > > > Most of their reply dovetails the specs Kelly Coyle was kind enough
to
> > > > post here a couple months back.  I just got home from Ann Arbor this
> > > > evening.  So, straight from the source, here's what I got back from
Mike &
> > > > Lynne (shared with their kind permission, of course):
> > > >
> > > >>We love to hear from addicted Loopers!.. and very much appreciate
your
> > > >>support for the Boomerang(R) Phrase Sampler. We will be releasing an
> > > >>effects pedal at the summer NAMM show and following that with a new
looper
> > > >>around Dec 06. The looper will have true stereo recording, vastly
improved
> > > >>audio specs, long record time, 6 loops, multi level undo/redo,
multiple
> > > >>loops can play synched or unsynched, and a slew of "utility"
features such
> > > >>as an octave down effect for creating bass parts, auto fade out,
> > > >>metronome, etc. It will be roughly half the size of the Rang(TM)
Plus! We
> > > >>don't have a price yet, but it will be reasonable and maintain the
high
> > > >>standard of quality the current Rang(TM) offers.
> > > >
> > > > And, after another exchange or two, this:
> > > >
> > > >>    We're burning the candle at both ends right now. The new
Rang(TM) III
> > > >> will be in the $399 to $499 range I think.
> > > >>    We do have more Blooperangs available, so feel free to let
others know
> > > >> about them. We have some pro players that keep a backup Rang(TM)
like
> > > >> they do an extra guitar...just in case.
> > > >
> > > > So, it looks like the new 'Rang will be pretty darn cool, with lots
of
> > > > high-end features (perhaps even a few more surprises too; part of
one of
> > > > the messages seemed to imply there were still more goodies about
which
> > > > they couldn't yet say anything).  I'm sure Lynne & Mike will do
their best
> > > > to maintain its dead simple user interface too. And all for an
extremely
> > > > reasonable cost, IMNSHO.
> > > >
> > > > As well, there do seem to be more Blooperangs in stock, if anybody
wants a
> > > > great deal on existing product (I seem to recall somebody was
curious
> > > > about that a little while back).
> > > >
> > > > --m.
> > > > --
> > > > _______
> > > > "The revolution may be someone somewhere else..."
> > > >
> > > >
> > >
> > >
> > >
> >


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I'm still waiting for these to hit the market:

Bloop Station
DL4 Bloopering Delay
Augustus Bloop
Eventide BlooporVille
2880 Super Blooper

and of course the Blooperlative.

One of the things I love about looping w/ tape is being able to abuse 
the media, so it /really /doesn't come back like what you put into it. 
Here 
<http://swanwelder.com/audio/Daryl%20Shawn_Repetitive%20Miniatures_4.mp3>'s 
a loop I made with a tape I wrinkled by hand before putting it back in 
the case...great fun! Zero fidelity!

Daryl Shawn
www.swanwelder.com

> "what is a blooperrang?"
>
> Wouldn't it be great if there were a true purpose-built Blooperrang??
> Imagine a device that was designed to loop your stuff in a mischeivous way,
> turning your input into beautiful chaos. The mind reels!!!!!!!!
>
> ~Tim
>   


--------------080700020301070604070408
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
I'm still waiting for these to hit the market:<br>
<br>
Bloop Station<br>
DL4 Bloopering Delay<br>
Augustus Bloop<br>
Eventide BlooporVille<br>
2880 Super Blooper<br>
<br>
and of course the Blooperlative.<br>
<br>
One of the things I love about looping w/ tape is being able to abuse
the media, so it <i>really </i>doesn't come back like what you put
into it. <a
 href="http://swanwelder.com/audio/Daryl%20Shawn_Repetitive%20Miniatures_4.mp3">Here</a>'s
a loop I made with a tape I wrinkled by hand before putting it back in
the case...great fun! Zero fidelity!<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
<blockquote cite="mid410-22006721816405230@earthlink.net" type="cite">
  <pre wrap="">"what is a blooperrang?"

Wouldn't it be great if there were a true purpose-built Blooperrang??
Imagine a device that was designed to loop your stuff in a mischeivous way,
turning your input into beautiful chaos. The mind reels!!!!!!!!

~Tim
  </pre>
</blockquote>
<br>
</body>
</html>

--------------080700020301070604070408--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 17:45:50 2006
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Subject: Re: AOT: wesome Electronic CD/DVD Set
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damn i didnt know there was a dvd too-
i got the 3cd thing when it first came out...
good stuff at high volume!
s

-----Original Message-----
>From: Warren Sirota <wsirota@wsdesigns.com>
>Sent: Jul 18, 2006 5:42 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: AOT: wesome Electronic CD/DVD Set
>
>OK, this doesn't have much about looping on it, but I just got a 3-CD + DVD
>set of electronic music from Ellipsis Arts called OHM+: the early gurus of
>electronic music.  I haven't explored it in full yet, but the DVD is pretty
>amazing, starting with a dinnertable interview with Bob Moog and an elderly,
>stately, gracious Clara Rockmore talking about what a genius Theremin was,
>followed by quite a fascinating Rockmore performance. Also included is a
>great video by Beryl Korot, partner to Steve Reich, an interesting but
>somewhat-overlong animation called The Dust Bunny, to Paul Lansky's music, a
>1991 video of Paul Lansky's Lesson with Leon Theremin, and performances by
>Robert Ashley, Laurie Spiegel, Pauline Oliveros, Alvin Lucier, etc. This is
>really a historical treasure-trove. Also, it comes with a very thick booklet
>with extensive program notes.
>
>Warren
>www.warrensirota.com
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 18:09:57 2006
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On Tuesday, July 18, 2006, at 10:45 AM, stanitarium@earthlink.net wrote:

> damn i didnt know there was a dvd too-
> i got the 3cd thing when it first came out...
> good stuff at high volume!
> s

Just got re-issued including the DVD, and you can also get the DVD 
separately. Funny thing, the OHM box, on it's edge, looks like it says 
"WHO", my wife noticed it and wondered why I would buy a Who box set.

>
> -----Original Message-----
>> From: Warren Sirota <wsirota@wsdesigns.com>
>> Sent: Jul 18, 2006 5:42 AM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: AOT: wesome Electronic CD/DVD Set
>>
>> OK, this doesn't have much about looping on it, but I just got a 3-CD 
>> + DVD
>> set of electronic music from Ellipsis Arts called OHM+: the early 
>> gurus of
>> electronic music.  I haven't explored it in full yet, but the DVD is 
>> pretty
>> amazing, starting with a dinnertable interview with Bob Moog and an 
>> elderly,
>> stately, gracious Clara Rockmore talking about what a genius Theremin 
>> was,
>> followed by quite a fascinating Rockmore performance. Also included 
>> is a
>> great video by Beryl Korot, partner to Steve Reich, an interesting but
>> somewhat-overlong animation called The Dust Bunny, to Paul Lansky's 
>> music, a
>> 1991 video of Paul Lansky's Lesson with Leon Theremin, and 
>> performances by
>> Robert Ashley, Laurie Spiegel, Pauline Oliveros, Alvin Lucier, etc. 
>> This is
>> really a historical treasure-trove. Also, it comes with a very thick 
>> booklet
>> with extensive program notes.
>>
>> Warren
>> www.warrensirota.com
>>
>

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Live 6 addresses "Liveloopers and Beatboxers"
Date: Tue, 18 Jul 2006 20:16:00 +0200
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On 18 jul 2006, at 17.54, Buzap Buzap wrote:

> Hi Per
>
> I don't want to disappoint you.. However, I'm afraid those great  
> Showcase statements are just some general marketing slogans for  
> Ableton Live in general.


Oh yes indeed! That's what I'm saying. My post was supposed to be  
ironical ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 18:41:18 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: optimizing guitar signal through stomp boxes
Date: Tue, 18 Jul 2006 20:41:06 +0200
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I'd like to add some kind of signal theory for what it's worth...

For the order of stompbox etc. discussion, it's healthy to look at the
concept of LTI devices. LTI stands for "linear, time invariant", and means
(simplified) the following.

Linearity: If you double your input signal, your output signal will double.
If you take a mixer in front of your stompbox, use it to mix two inputs and
then send it through the stompbox, its output is identical to the case where
you send each input through a separate stompboxe identical to the one above
and then sum the signal after the stompboxes.

time invariance: If you send a certain input, you get a certain output. If
you send the same input, only a certain time amount later, you get the same
output as before, only the time amount later.

Of course, it only makes sense to look at these values in a "normal" range.
That is, if you apply an input of 1V Vpp and
get a certain output, applying 10000V won't get you 10000 times your former
output but most probably a little cloud of smoke...

For LTI devices, the following rules apply (again simplified):

	* the device is completely described by its impulse response - what
it outputs when you put an extremely high, 		  extremely short
spike on the input.

and more importantly:

	* as the inpulse response can be transformed to a complex frequency
chart (note that "complex" means complex 		  numbers, i.e.
amplitude and phase for each frequency), the complex frequency response also
defines the
	  behaviour of the device.

And as a consequence:

	* the mathematical operation to describe the interaction of several
chained devices in the frequency domain
	  is scalar multiplication. As it is commutative, i.e. a*b=b*a, it
doesn't matter which order the devices
	  are in. (just a reminder - only true for LTI devices!)


Now let's take a look which typical effects are linear and/or time
invariant:

delay: linear, time invariant

EQs, filters: linear, time invariant
	(this is only true as long as the filter doesn't distort/reach
saturation, i.e. operate in its linear range. This
	 is mostly the case for typical mastering EQs, but not for screaming
Moog filters)

distortion (and thus amp modelers): time invariant

dynamic effects (compressor, expander): time invariant
	(but wait! you'll say - there are time constants involved! Yes, but
these describe a behaviour in reaction to an 	 input signal, not a
"freerunning" time constant)

modulated delay: linear
	this includes all of your chorus, flanger and phaser effects

reverb: nonlinear (most of them), time invariant (most of them).


Now putting all theory aside - I firmly believe that there is no best way to
chain a certain set of effects, or that there are effects orders that don't
work (unless you're limited in your style to, say, playing rhythm guitar in
a traditional blues band). Sure there are orders that give you more creative
options and some which will turn one short note into a big atonal wash of
noise (which may or may not be what you want), but apart from that - be
creative!

Some crazy ideas to try:

delay after a gated reverb.

superweird distortion (think Zvex Machine) after somewhat longer delay with
medium to high feedback setting and playing short notes or sequences.

eq before and after distortion.

cascaded, non-synced phasers.


Have fun!

	Rainer

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 19:03:13 2006
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From: david torn <davidtorn@mac.com>
Subject: happy birthday, LD!
Date: Tue, 18 Jul 2006 15:02:37 -0400
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happy birthday!
thanks for keeping going, y'all.
best,
dt / spltrcl

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 19:52:21 2006
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Date: Tue, 18 Jul 2006 12:52:19 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
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Hi Kris,

Wrong coast; I'm in Maine, not Oregon.

-t-

--- Krispen Hartung <khartung@cableone.net> wrote:


> #EXTINF: Tim Nelson - Portland - Oregon - USA
> http://www.box.net/public/static/18z3b7hgy7.mp3


<http://www.myspace.com/nimbletunes>
'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
Chain Tape Collective: <http://www.ct-collective.com/>

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 20:42:09 2006
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Subject: Re: Favorite soft synths...
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Crystal http://www.greenoak.com/crystal/download.html is simply amazing.

tony



----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 17, 2006 4:14 PM
Subject: Favorite soft synths...


> Hey gang...
> 
> I'm having lots of fun with a demo version of Syrtus
> and my beloved Absynth and I was wondering what other
> software synths people love that are a little more
> interesting and obscure.  I know it's off topic, but
> you guys always know the best stuff.
> 
> Mark
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 20:54:29 2006
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Hi there!

Long time no hear from Mr T. Nice to know you're still checkin' in every once in a while.
Please keep us abreast of what you are doing from time to time -- or at least send a 
notice of when you've updated or got something else new up on your website. I'd have 
to say most of us here are longtime fans here.

Peace,

Ted Killian

From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 21:39:25 2006
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Whooops...I'll change that. Maine and Oregon...your two Portlands, 
Salem's...what else?

Kris

----- Original Message ----- 
From: "Tim Nelson" <psychle62@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 18, 2006 1:52 PM
Subject: Re: 10 year's anniversary of Looper's Delight ?


> Hi Kris,
>
> Wrong coast; I'm in Maine, not Oregon.
>
> -t-
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>
>> #EXTINF: Tim Nelson - Portland - Oregon - USA
>> http://www.box.net/public/static/18z3b7hgy7.mp3
>
>
> <http://www.myspace.com/nimbletunes>
> 'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
> 'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
> Chain Tape Collective: <http://www.ct-collective.com/>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Jul 18 22:39:08 2006
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From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
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Not that there's anything WRONG with the west coast.
:P

For one thing, it's closer to all those Loopfests! :)

-t-

--- Krispen Hartung <khartung@cableone.net> wrote:

> Whooops...I'll change that. Maine and Oregon...your
> two Portlands, 
> Salem's...what else?
> 
> Kris


<http://www.myspace.com/nimbletunes>
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Chain Tape Collective: <http://www.ct-collective.com/>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 01:33:44 2006
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: More RC-2
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Does THIS one have feedback or speed control??

>Got this link to a NAMM show report - shows a better photo of the 
>RC-2 along with some specs.
>
>Sounds like it could be fun!
>
>http://www.zzounds.com/article/blog/post01.html


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...
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<div>Does<i> THIS</i> one have feedback or speed control??</div>
<div><br></div>
<blockquote type="cite" cite>Got this link to a NAMM show report -
shows a better photo of the RC-2 along with some specs.<br>
<br>
Sounds like it could be fun!<br>
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<blockquote type="cite"
cite>http://www.zzounds.com/article/blog/post01.html</blockquote>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 07:34:43 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Lidell on Max/MSP and looping....
Date: Wed, 19 Jul 2006 00:34:39 -0700
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I just saw this, and I know there are those interested in lidell......

http://www.cycling74.com/download/videos/jamie_lidell_web.mov

or

http://tinyurl.com/ldgns

also other interesting new videos, including Kevin Blechdom:

http://www.cycling74.com/section/artists


Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 07:41:03 2006
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Subject: Re: Live 6 addresses "Liveloopers and Beatboxers"
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Per
> Oh yes indeed! That's what I'm saying. My post was supposed to be  
> ironical ;-)

it would be a good starting point if Ableton Live would support Overdub mode (not only for midi but audio). Am I asking for too much?... ;-)

Best regards

Buzap
-- 


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From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 07:55:02 2006
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Subject: RC-50 FEEDBACK WORKS
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I thought people would be excited to see that FEEDBACK DOES WORK with the RC-50...
I know this was a major disappointment at the RC-50 release and a lot of people wrote mails about it. So, when I mention that feedback DOES work, there seems to be... no feedback (pun)... 
I wonder if people have given up...?

> You don't believe me? Listen to it yourself, I put a 
> 
> DEMO EXAMPLE ON LD (Audio Looping Examples)
> ===========================================
> http://www.loopers-delight.com/files/index.php?direction=&order=&directory=Audio_-_Looping_Examples&

-- 


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From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 08:05:41 2006
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Hi Charles

> Does THIS one have feedback or speed control??
I don't think this one has neither feedback (the RC-50 CAN work with feedback control..) nor speed control.

I even wonder how well all the functions will be accessible with just one pedal. On the demo video, the guy uses an external foot pedal (you can attach two). Then, you might as well stick to the RC-20XL... ;-)

I guess we'll see when these things are out.

Best regards

Buzap
-- 


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From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 09:06:36 2006
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Hi Charles

> Does THIS one have feedback or speed control??
Maybe there is still hope... 
I've looked at a big picture of the Boss RC-2.
There is a setting called REC/PLAY/DUB with three options: Auto, Rec/Play, a note (whatever that means).

If you can set REPLACE as OVERDUB MODE, just like on the RC-50, then you can have feedback control. Else, I don't think it will work.

This is actually a really clever button they've built there. I'm eager to see it working..

Best regards
Buzap

-- 


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From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 10:03:03 2006
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>>Now putting all theory aside - I firmly believe that there is no best way
to chain a certain set of effects...<<

thank goodness! :-)

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;Now putting all theory aside - I firmly believe t=
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<P><FONT SIZE=3D2>thank goodness! :-)</FONT>
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<P><FONT SIZE=3D2>duncan.</FONT>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 10:43:17 2006
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Might I put forth that it might be a good idea to use some kind of 
streaming-conference software to enable those of us who can't get to the 
area to participate in the LD Anniversary show?  Hell, I'd stay up to 5am to 
play for that...

From: "Tim Nelson" <psychle62@yahoo.com>
> Wrong coast; I'm in Maine, not Oregon.
>
> -t-
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>
>> #EXTINF: Tim Nelson - Portland - Oregon - USA
>> http://www.box.net/public/static/18z3b7hgy7.mp3
>
>
> <http://www.myspace.com/nimbletunes>
> 'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
> 'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
> Chain Tape Collective: <http://www.ct-collective.com/>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 13:44:36 2006
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From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: RC-50 LOOP DECAY: IT WORKS!!! (DELAY FEEDBACK)
To: Buzap Buzap <buzap@gmx.net>, Loopers-Delight@loopers-delight.com
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> ok, I think this news should make it to the cover page of "Looper's
Delight Weekly Magazine" ;-)

You da cover boy!


> DEMO EXAMPLE ON LD (Audio Looping Examples)
> ===========================================
>
http://www.loopers-delight.com/files/index.php?direction=&order=&directory=Audio_-_Looping_Examples&
> I've tried to make it "ambient-friendly" for you guys! ;-)

I am so eager to hear this, but for some reason my Real One player won't
play it. Anyone else having a problem with this clip?

Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"The music business is a cruel and shallow money trench, a long plastic
hallway where pimps and thieves run free and good men die like dogs. There's
also a negative side."
--- Hunter S. Thompson

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 14:30:06 2006
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Date: Wed, 19 Jul 2006 10:24:20 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
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Seriously, that workaround is as arcane as roland's O/S is to begin 
with. It hasn't changed my mind about the flawwed RC-50...


>I thought people would be excited to see that FEEDBACK DOES WORK 
>with the RC-50...
>I know this was a major disappointment at the RC-50 release and a 
>lot of people wrote mails about it. So, when I mention that feedback 
>DOES work, there seems to be... no feedback (pun)...
>I wonder if people have given up...?
>
>>  You don't believe me? Listen to it yourself, I put a
>>
>>  DEMO EXAMPLE ON LD (Audio Looping Examples)
>>  ===========================================
>> 
>>http://www.loopers-delight.com/files/index.php?direction=&order=&directory=Audio_-_Looping_Examples&
>
>--
>
>
>"Feel free" - 10 GB Mailbox, 100 FreeSMS/Monat ...
>Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 15:00:06 2006
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References: <20060718195219.95488.qmail@web30010.mail.mud.yahoo.com> <001b01c6ab20$1969dff0$0207a8c0@eluk1>
Subject: Re: 10 year's anniversary of Looper's Delight ?
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Can anyone recommend a free service that will allow someone to stream a 
webcam and have multiple users watch?

Kris

----- Original Message ----- 
From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 19, 2006 4:42 AM
Subject: Re: 10 year's anniversary of Looper's Delight ?


> Might I put forth that it might be a good idea to use some kind of 
> streaming-conference software to enable those of us who can't get to the 
> area to participate in the LD Anniversary show?  Hell, I'd stay up to 5am 
> to play for that...
>
> From: "Tim Nelson" <psychle62@yahoo.com>
>> Wrong coast; I'm in Maine, not Oregon.
>>
>> -t-
>>
>> --- Krispen Hartung <khartung@cableone.net> wrote:
>>
>>
>>> #EXTINF: Tim Nelson - Portland - Oregon - USA
>>> http://www.box.net/public/static/18z3b7hgy7.mp3
>>
>>
>> <http://www.myspace.com/nimbletunes>
>> 'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
>> 'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
>> Chain Tape Collective: <http://www.ct-collective.com/>
>>
>> __________________________________________________
>> Do You Yahoo!?
>> Tired of spam?  Yahoo! Mail has the best spam protection around
>> http://mail.yahoo.com
>>
>>
>>
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 15:14:59 2006
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-----Original Message-----
From: Buzap Buzap [mailto:buzap@gmx.net] 
Quite a workaround--why not get a Looperlative and a MIDI pedal?
Gary


From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 15:17:45 2006
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Subject: 10 year's anniversary of Looper's Delight ?
Date: Wed, 19 Jul 2006 17:17:36 +0200
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The short answer to this is: it's being discussed, yes...

> -----Urspr=FCngliche Nachricht-----
> Von: Stephen Goodman [mailto:spgoodman@earthlight.net]=20
> Gesendet: Mittwoch, 19. Juli 2006 12:43
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: 10 year's anniversary of Looper's Delight ?
>=20
> Might I put forth that it might be a good idea to use some=20
> kind of streaming-conference software to enable those of us=20
> who can't get to the area to participate in the LD=20
> Anniversary show?  Hell, I'd stay up to 5am to play for that...
>=20
> From: "Tim Nelson" <psychle62@yahoo.com>
> > Wrong coast; I'm in Maine, not Oregon.
> >
> > -t-
> >
> > --- Krispen Hartung <khartung@cableone.net> wrote:
> >
> >
> >> #EXTINF: Tim Nelson - Portland - Oregon - USA
> >> http://www.box.net/public/static/18z3b7hgy7.mp3
> >
> >
> > <http://www.myspace.com/nimbletunes>
> > 'Rantai' CD: <http://cdbaby.com/cd/timnelson1> 'Mesh' CD:=20
> > <http://cdbaby.com/cd/timnelson2> Chain Tape Collective:=20
> > <http://www.ct-collective.com/>
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around=20
> > http://mail.yahoo.com
> >
> >
> >
> >
> >=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 15:24:07 2006
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Date: Wed, 19 Jul 2006 8:24:01 -0700
From: Paul Richards <paulrichard10@adelphia.net>
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Subject: RE: RC-50 FEEDBACK WORKS
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Why? About $800 reasons!
--
Paul Richards

---- Gary Lehmann <hqr@cox.net> wrote: 
> -----Original Message-----
> From: Buzap Buzap [mailto:buzap@gmx.net] 
> Quite a workaround--why not get a Looperlative and a MIDI pedal?
> Gary
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 15:52:25 2006
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Hi Charles & others

Well, I just figured out that my initial approach was way too complicated.
It's actually MUCH simpler, there we go:
- Keep your regular setup (NO sub outs needed!)
- MUTE all INPUT on the RC-50 (in SYSTEM/USB)
- Switch OVERDUB MODE to REPLACE
- Send your instrument AND the RC-50 MAIN OUT to the RC-50 INPUT (use your mixer)

That's it!
You can adjust feedback by the amount of the original signal you send back to the RC-50.

I'm very with this setup now. At the moment, there is no reason for me to move to Looperlative or any other gear. There is already a lot you can do with 3 stereo loops. I'd like to exploit that first.

best regards
Buzap

> >>  DEMO EXAMPLE ON LD (Audio Looping Examples)

-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 16:11:51 2006
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Herr Torn!

It's Wonderful to have you join us!  I enjoyed your recent Guitar Player
interview... I've been a big fan since "Best Laid Plans." (You kicked ass
when I saw you with B.L.U.E. in Cambridge, Mass. Great oud playing, among
other things.)

Yours in Tripping Over God,
Tim Mungenast
www.myspace.com/timmungenast
www.mungenast.com



> [Original Message]
> From: david torn <davidtorn@mac.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 7/18/2006 3:03:13 PM
> Subject: happy birthday, LD!
>
> happy birthday!
> thanks for keeping going, y'all.
> best,
> dt / spltrcl


From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 16:12:53 2006
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This is a multi-part message in MIME format.
--------------050101020409010304090303
Content-Type: text/plain; charset=UTF-8; format=flowed
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Speaking from one longtime fan (since "cloud about mercury", '87), 
Mr.Torn has a new record coming out on ECM soon, there's a blurb plus a 
link to some samples on his site 
<http://splattercell.com/members/gaalore/dtorn/dtorn.nsf/07a8191a02dddea7802569f60005490c/fb27faeda338cca3802571a800628a24%21OpenDocument>.

Daryl Shawn
www.swanwelder.com

> Long time no hear from Mr T. Nice to know you're still checkin' in every once in a while.
> Please keep us abreast of what you are doing from time to time -- or at least send a 
> notice of when you've updated or got something else new up on your website. I'd have 
> to say most of us here are longtime fans here.
>
> Peace,
>
> Ted Killian

--------------050101020409010304090303
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=UTF-8" http-equiv="Content-Type">
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</head>
<body bgcolor="#ffffff" text="#000000">
Speaking from one longtime fan (since "cloud about mercury", '87),
Mr.Torn has a new record coming out on ECM soon, there's a blurb plus a
link to some samples on his <a
 href="http://splattercell.com/members/gaalore/dtorn/dtorn.nsf/07a8191a02dddea7802569f60005490c/fb27faeda338cca3802571a800628a24%21OpenDocument">site</a>.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
<blockquote cite="mid905787026.1153256067257.JavaMail.root@fepweb07"
 type="cite">
  <pre wrap="">Long time no hear from Mr T. Nice to know you're still checkin' in every once in a while.
Please keep us abreast of what you are doing from time to time -- or at least send a 
notice of when you've updated or got something else new up on your website. I'd have 
to say most of us here are longtime fans here.

Peace,

Ted Killian</pre>
</blockquote>
</body>
</html>

--------------050101020409010304090303--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 16:17:01 2006
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Subject: Live Lite 5 (RC-50 FEEDBACK is possible)
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Oh yeah, dollars . . .
I do not own a Looperlative, that's probably why . . .
Just installed Live Lite 5 on the old laptop tho--is this crippleware, can I
do most Live things with this?
Gary

-----Original Message-----
From: Paul Richards [mailto:paulrichard10@adelphia.net] 

Why? About $800 reasons!
--
Paul Richards

> Quite a workaround--why not get a Looperlative and a MIDI pedal?
> Gary


From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 16:18:35 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: Re: the Blooperrang!  Re: New Boomerang and Blooperang Update...
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------=_NextPart_84815C5ABAF209EF376268C8
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That is one fine loop, Daryl, and well worth the 15 minute connection time ;-)
Seriously, you have proven why tape still has merit, especially among sound-manglers.
~Tim


----- Original Message ----- 
From: Daryl 
To: Loopers-Delight@loopers-delight.com
Sent: 7/18/2006 1:39:43 PM 
Subject: Re: the Blooperrang! Re: New Boomerang and Blooperang Update...


I'm still waiting for these to hit the market:

Bloop Station
DL4 Bloopering Delay
Augustus Bloop
Eventide BlooporVille
2880 Super Blooper

and of course the Blooperlative.

One of the things I love about looping w/ tape is being able to abuse the media, so it really doesn't come back like what you put into it. Here's a loop I made with a tape I wrinkled by hand before putting it back in the case...great fun! Zero fidelity!

Daryl Shawn
www.swanwelder.com


"what is a blooperrang?"

Wouldn't it be great if there were a true purpose-built Blooperrang??
Imagine a device that was designed to loop your stuff in a mischeivous way,
turning your input into beautiful chaos. The mind reels!!!!!!!!

~Tim
  
------=_NextPart_84815C5ABAF209EF376268C8
Content-Type: text/html; charset=US-ASCII

<HTML style="FONT-SIZE: x-small; FONT-FAMILY: MS Sans Serif"><HEAD>
<META http-equiv=Content-Type content=text/html;charset=ISO-8859-1>
<META content="MSHTML 6.00.2800.1555" name=GENERATOR></HEAD>
<BODY text=#000000 bgColor=#ffffff>
<DIV>That is one fine loop, Daryl, and well worth the 15 minute connection time ;-)</DIV>
<DIV>Seriously, you have proven why tape still has merit, especially among sound-manglers.</DIV>
<DIV>~Tim</DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=highhorse@mhorse.com href="mailto:highhorse@mhorse.com">Daryl</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 7/18/2006 1:39:43 PM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: the Blooperrang! Re: New Boomerang and Blooperang Update...</DIV>
<DIV><BR></DIV><FONT size=2>I'm still waiting for these to hit the market:<BR><BR>Bloop Station<BR>DL4 Bloopering Delay<BR>Augustus Bloop<BR>Eventide BlooporVille<BR>2880 Super Blooper<BR><BR>and of course the Blooperlative.<BR><BR>One of the things I love about looping w/ tape is being able to abuse the media, so it <I>really </I>doesn't come back like what you put into it. <A href="http://swanwelder.com/audio/Daryl%20Shawn_Repetitive%20Miniatures_4.mp3">Here</A>'s a loop I made with a tape I wrinkled by hand before putting it back in the case...great fun! Zero fidelity!<BR><BR>Daryl Shawn<BR><A class=moz-txt-link-abbreviated href="http://www.swanwelder.com">www.swanwelder.com</A><BR><BR>
<BLOCKQUOTE cite=mid410-22006721816405230@earthlink.net type="cite"><PRE wrap="">"what is a blooperrang?"

Wouldn't it be great if there were a true purpose-built Blooperrang??
Imagine a device that was designed to loop your stuff in a mischeivous way,
turning your input into beautiful chaos. The mind reels!!!!!!!!

~Tim
  </PRE></BLOCKQUOTE><BR></FONT></BLOCKQUOTE></BODY></HTML>
------=_NextPart_84815C5ABAF209EF376268C8--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 16:29:54 2006
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Subject: Re: RC-50 FEEDBACK WORKS
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>I thought people would be excited to see that FEEDBACK DOES WORK 
>with the RC-50...
>I know this was a major disappointment at the RC-50 release and a 
>lot of people wrote mails about it. So, when I mention that feedback 
>DOES work, there seems to be... no feedback (pun)...
>I wonder if people have given up...?

glad you got that working.

The method you're using was suggested here a while back,
..so those that are interested know already.



I suggest that to get your review and this technique put on LD you
should email Kim directly.

andy butler 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 16:38:40 2006
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At 17:18 19/07/2006, you wrote:
>Can anyone recommend a free service that will allow someone to 
>stream a webcam and have multiple users watch?
>
>Kris

Skype has conferencing,
and webcam,
and is free ( they charge to call outside of the Skype network, so 
they can afford it)

...but I don't know if you get all 3 of the above at the same time.

andybutler 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 16:43:54 2006
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This is a multi-part message in MIME format.
--------------030305060302010805010306
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
Content-Transfer-Encoding: 7bit

hey Tim, thanks a lot! and tx for putting in the wait....geez...is my 
mp3 a tad porky..? or are u on dial-up? that's a painful linger-to-noise 
ratio...

Daryl Shawn
www.swanwelder.com
> That is one fine loop, Daryl, and well worth the 15 minute connection 
> time ;-)
> Seriously, you have proven why tape still has merit, especially among 
> sound-manglers.
> ~Tim
>  
>  
>
>     ----- Original Message -----
>     *From:* Daryl <mailto:highhorse@mhorse.com>
>     *To: *Loopers-Delight@loopers-delight.com
>     <mailto:Loopers-Delight@loopers-delight.com>
>     *Sent:* 7/18/2006 1:39:43 PM
>     *Subject:* Re: the Blooperrang! Re: New Boomerang and Blooperang
>     Update...
>
>     I'm still waiting for these to hit the market:
>
>     Bloop Station
>     DL4 Bloopering Delay
>     Augustus Bloop
>     Eventide BlooporVille
>     2880 Super Blooper
>
>     and of course the Blooperlative.
>
>     One of the things I love about looping w/ tape is being able to
>     abuse the media, so it /really /doesn't come back like what you
>     put into it. Here
>     <http://swanwelder.com/audio/Daryl%20Shawn_Repetitive%20Miniatures_4.mp3>'s
>     a loop I made with a tape I wrinkled by hand before putting it
>     back in the case...great fun! Zero fidelity!
>


--------------030305060302010805010306
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
hey Tim, thanks a lot! and tx for putting in the wait....geez...is my
mp3 a tad porky..? or are u on dial-up? that's a painful
linger-to-noise ratio...<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<blockquote cite="mid410-220067319162254780@earthlink.net" type="cite">
  <meta http-equiv="Content-Type" content="text/html;charset=ISO-8859-1">
  <meta content="MSHTML 6.00.2800.1555" name="GENERATOR">
  <div>That is one fine loop, Daryl, and well worth the 15 minute
connection time ;-)</div>
  <div>Seriously, you have proven why tape still has merit, especially
among sound-manglers.</div>
  <div>~Tim</div>
  <div>&nbsp;</div>
  <div>&nbsp;</div>
  <blockquote
 style="border-left: 2px solid rgb(0, 0, 0); padding-right: 0px; padding-left: 5px; margin-left: 5px;">
    <div
 style="font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">-----
Original Message ----- </div>
    <div
 style="background: rgb(228, 228, 228) none repeat scroll 0%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>From:</b>
    <a title="highhorse@mhorse.com" href="mailto:highhorse@mhorse.com">Daryl</a>
    </div>
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>To:
    </b><a title="Loopers-Delight@loopers-delight.com"
 href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a></div>
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Sent:</b>
7/18/2006 1:39:43 PM </div>
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Subject:</b>
Re: the Blooperrang! Re: New Boomerang and Blooperang Update...</div>
    <div><br>
    </div>
    <font size="2">I'm still waiting for these to hit the market:<br>
    <br>
Bloop Station<br>
DL4 Bloopering Delay<br>
Augustus Bloop<br>
Eventide BlooporVille<br>
2880 Super Blooper<br>
    <br>
and of course the Blooperlative.<br>
    <br>
One of the things I love about looping w/ tape is being able to abuse
the media, so it <i>really </i>doesn't come back like what you put
into it. <a
 href="http://swanwelder.com/audio/Daryl%20Shawn_Repetitive%20Miniatures_4.mp3">Here</a>'s
a loop I made with a tape I wrinkled by hand before putting it back in
the case...great fun! Zero fidelity!<br>
    </font></blockquote>
</blockquote>
<br>
</body>
</html>

--------------030305060302010805010306--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 17:01:28 2006
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Date: Thu, 20 Jul 2006 02:01:23 +0900
To: Loopers-Delight@loopers-delight.com
From: Sunao Inami <webmaster@cavestudio.com>
Subject: electr-ohm-streaming playlist 19th July 06
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Hello,

electr-ohm-streaming playlist 19th July 06

=============================

Tapio Kotkavuori / Terra Hyperborea (Some Place Else)

Diskore / 2004 European Tour Mix (Darkmatter Soundsystem)

TIMECONTROL / Live at Bayside (electr-ohm)

V.A. / 90% WASSER ARTISTS PLAY... (90 PERCENT WASSER)

=============================

please visit to:

http://www.myspace.com/electrohm

and click which is your player's logo, iTunes or Real One Player.


Playlist will change on every Wednesday.
All tracks will play by shuffle.
7D/24H streaming from Kobe,Japan.

=============================

electr-ohm
electronic music label & distribution
http://www.electr-ohm.com



  Thanks

  Sunao

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 17:27:59 2006
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Date: Wed, 19 Jul 2006 10:27:57 -0700
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There's a few threads on this at the ableton forum:
http://www.ableton.com/forum/viewtopic.php?t=40239&highlight=maudio+lite

>From what I gather:
Ableton Live Lite 5 gives you four audio tracks and four MIDI tracks.
Live Lite 5 does not include compressed audio support, and limits you
to 2 live instruments and one VST (you might be able to get around
this with somethling like Chainer or EnergyXT).

Actually, IMHO, Live Lite 5 is a lot better than most bundled
software.  BTW, I think only M-Audio bundles Live Lite 5. The version
that came with my Line6 toneport was 4 and seemed even more limited.

On 7/19/06, Gary Lehmann <hqr@cox.net> wrote:
> Oh yeah, dollars . . .
> I do not own a Looperlative, that's probably why . . .
> Just installed Live Lite 5 on the old laptop tho--is this crippleware, can I
> do most Live things with this?
> Gary
>
> -----Original Message-----
> From: Paul Richards [mailto:paulrichard10@adelphia.net]
>
> Why? About $800 reasons!
> --
> Paul Richards
>
> > Quite a workaround--why not get a Looperlative and a MIDI pedal?
> > Gary
>
>
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

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From: "Timothy Mungenast" <mungenast@earthlink.net>
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------=_NextPart_84815C5ABAF209EF376268C8
Content-type: text/plain; charset=US-ASCII

That's dial-up for ya... I'd switch to braodband but I am loathe to leave Earthlink's excellent functionality (HA HA!) and expert tech help (HA HA HA HA HA ....excuse me, I just blew a blood vessel from laughing too hard... ;-)

Peace,
Tim


----- Original Message ----- 
From: Daryl Shawn 
To: Loopers-Delight@loopers-delight.com
Sent: 7/19/2006 12:43:54 PM 
Subject: Re: the Blooperrang!


hey Tim, thanks a lot! and tx for putting in the wait....geez...is my mp3 a tad porky..? or are u on dial-up? that's a painful linger-to-noise ratio...

Daryl Shawn
www.swanwelder.com

That is one fine loop, Daryl, and well worth the 15 minute connection time ;-)
Seriously, you have proven why tape still has merit, especially among sound-manglers.
~Tim


----- Original Message ----- 
From: Daryl 
To: Loopers-Delight@loopers-delight.com
Sent: 7/18/2006 1:39:43 PM 
Subject: Re: the Blooperrang! Re: New Boomerang and Blooperang Update...


I'm still waiting for these to hit the market:

Bloop Station
DL4 Bloopering Delay
Augustus Bloop
Eventide BlooporVille
2880 Super Blooper

and of course the Blooperlative.

One of the things I love about looping w/ tape is being able to abuse the media, so it really doesn't come back like what you put into it. Here's a loop I made with a tape I wrinkled by hand before putting it back in the case...great fun! Zero fidelity!
------=_NextPart_84815C5ABAF209EF376268C8
Content-Type: text/html; charset=US-ASCII

<HTML style="FONT-SIZE: x-small; FONT-FAMILY: MS Sans Serif"><HEAD>
<META http-equiv=Content-Type content=text/html;charset=ISO-8859-1>
<META content="MSHTML 6.00.2800.1555" name=GENERATOR></HEAD>
<BODY text=#000000 bgColor=#ffffff>
<DIV>That's dial-up for ya... I'd switch to braodband but I am loathe to leave Earthlink's excellent functionality (HA HA!) and expert tech help (HA HA HA HA HA ....excuse me, I just blew a blood vessel from laughing too hard... ;-)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Peace,</DIV>
<DIV>Tim</DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=highhorse@mhorse.com href="mailto:highhorse@mhorse.com">Daryl Shawn</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 7/19/2006 12:43:54 PM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: the Blooperrang!</DIV>
<DIV><BR></DIV><FONT size=2>hey Tim, thanks a lot! and tx for putting in the wait....geez...is my mp3 a tad porky..? or are u on dial-up? that's a painful linger-to-noise ratio...<BR><BR>Daryl Shawn<BR><A class=moz-txt-link-abbreviated href="http://www.swanwelder.com">www.swanwelder.com</A><BR>
<BLOCKQUOTE cite=mid410-220067319162254780@earthlink.net type="cite">
<META content="MSHTML 6.00.2800.1555" name=GENERATOR>
<DIV>That is one fine loop, Daryl, and well worth the 15 minute connection time ;-)</DIV>
<DIV>Seriously, you have proven why tape still has merit, especially among sound-manglers.</DIV>
<DIV>~Tim</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(0,0,0) 2px solid">
<DIV style="FONT: 10pt Arial; font-size-adjust: none; font-stretch: normal">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: rgb(228,228,228) 0% 50%; FONT: 10pt arial; font-size-adjust: none; font-stretch: normal; moz-background-clip: -moz-initial; moz-background-origin: -moz-initial; moz-background-inline-policy: -moz-initial"><B>From:</B> <A title=highhorse@mhorse.com href="mailto:highhorse@mhorse.com">Daryl</A> </DIV>
<DIV style="FONT: 10pt arial; font-size-adjust: none; font-stretch: normal"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>
<DIV style="FONT: 10pt arial; font-size-adjust: none; font-stretch: normal"><B>Sent:</B> 7/18/2006 1:39:43 PM </DIV>
<DIV style="FONT: 10pt arial; font-size-adjust: none; font-stretch: normal"><B>Subject:</B> Re: the Blooperrang! Re: New Boomerang and Blooperang Update...</DIV>
<DIV><BR></DIV><FONT size=2>I'm still waiting for these to hit the market:<BR><BR>Bloop Station<BR>DL4 Bloopering Delay<BR>Augustus Bloop<BR>Eventide BlooporVille<BR>2880 Super Blooper<BR><BR>and of course the Blooperlative.<BR><BR>One of the things I love about looping w/ tape is being able to abuse the media, so it <I>really </I>doesn't come back like what you put into it. <A href="http://swanwelder.com/audio/Daryl%20Shawn_Repetitive%20Miniatures_4.mp3">Here</A>'s a loop I made with a tape I wrinkled by hand before putting it back in the case...great fun! Zero fidelity!<BR></FONT></BLOCKQUOTE></BLOCKQUOTE><BR></FONT></BLOCKQUOTE></BODY></HTML>
------=_NextPart_84815C5ABAF209EF376268C8--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 17:45:42 2006
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 <7.0.0.16.0.20060719172458.01ae80c0@tiscali.co.uk>
Subject: Re: Re: RC-50 FEEDBACK WORKS
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Hi Andy

> The method you're using was suggested here a while back,
> ..so those that are interested know already.
Really? Must have missed that one.
For me, when I found out, it was like discovering electricity/America/penicillin... ;-)

> I suggest that to get your review and this technique put on LD you
> should email Kim directly.
Ok, I will. I have already put together some "getting started" infos with useful settings.

Best regards
Buzap
-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*!
"Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 18:26:48 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: RC-50 FEEDBACK WORKS
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I agree.  As much as I wanted to love the RC-20 for
it's form factor alone, I want to find someone at
Roland and punch them for not bothering to include
what a lot of people consider base functionality.

Really at this point why bother monkeying around with
the RC-20 when a used Repeater can be purchased with
is's own flawed OS? ;)  The quirky Repeater still
seems to be a better product than the RC-20 from what
I can see.  If you really need something on the floor
you're probably better off with an Electro-Harmonix
2880, no?

--- Charles Zwicky <cazwicky@earthlink.net> wrote:

> 
> 
> Seriously, that workaround is as arcane as roland's
> O/S is to begin 
> with. It hasn't changed my mind about the flawwed
> RC-50...


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 18:43:58 2006
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-----Original Message-----
From: Art Simon [mailto:simart@gmail.com] 
<snip>
Actually, IMHO, Live Lite 5 is a lot better than most bundled
software.  BTW, I think only M-Audio bundles Live Lite 5. The version
that came with my Line6 toneport was 4 and seemed even more limited.

---->I was able to upgrade 4 at the Ableton site--check that out--

Sounds like I got a bargain--I snagged a M-Audio Solo on eBay based on Mark
Sottilaro's recommendation, and the software came with it--

Too many options, not enough time--thanks again to all.
Gary


From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 18:50:00 2006
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From: Paul Richards <paulrichard10@adelphia.net>
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//Really at this point why bother monkeying around with 
the RC-20 when a used Repeater can be purchased with 
is's own flawed OS?//

It's the RC-50 I believe you're referring to? A disadvantage of using the Repeater is that of its hardware reliability, IMHO compared to the RC-50. Also, the RC-50 doesn't need a Behringer MIDI pedal (and the programming) needed to control it.

The argument about feedback seems to be like someone complaining that a automobile is useless because it doesn't have a truckbed.  So what? Many folks don't need a truckbed (or feedback).
--
Paul Richards

---- mark sottilaro <zerocrossing2001@yahoo.com> wrote: 
> I agree.  As much as I wanted to love the RC-20 for
> it's form factor alone, I want to find someone at
> Roland and punch them for not bothering to include
> what a lot of people consider base functionality.
> 
> Really at this point why bother monkeying around with
> the RC-20 when a used Repeater can be purchased with
> is's own flawed OS? ;)  The quirky Repeater still
> seems to be a better product than the RC-20 from what
> I can see.  If you really need something on the floor
> you're probably better off with an Electro-Harmonix
> 2880, no?
> 
> --- Charles Zwicky <cazwicky@earthlink.net> wrote:
> 
> > 
> > 
> > Seriously, that workaround is as arcane as roland's
> > O/S is to begin 
> > with. It hasn't changed my mind about the flawwed
> > RC-50...
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 19:55:53 2006
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At 11:49 AM -0700 7/19/06, Paul Richards wrote:
>
>The argument about feedback seems to be like someone complaining 
>that a automobile is useless because it doesn't have a truckbed.

Actually, I'd liken it more to a car that doesn't have seats: It'll 
drive and it'll get you where you need to go, but the ride may not be 
comfortable.

>So what? Many folks don't need a truckbed (or feedback).

And, for some of us, it's a baseline requirement and non-negotiable 
-- just as Mark pointed out.  To each his own...

Being patient 'til December here, and maybe <*crossing fingers*> the 
new 'Rang will make all this a moot argument.

	--m.
-- 
_______
"If Television is a babysitter, then the Internet is a drunk 
librarian who won't shut up..."

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 20:04:00 2006
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//Actually, I'd liken it more to a car that doesn't have seats: It'll 
drive and it'll get you where you need to go, but the ride may not be 
comfortable. //

That's plain silly. Maybe like a car that doesn't have fold-down back seat.  Sounds like some folks have a hard-on for Boss/Roland. The RC-50 is an amazing product for $500 USD. A few years ago and you'd be lucky to touch anything with that much capability for 5 big ones. 
--
Paul Richards

---- mech <mech@m3ch.net> wrote: 
> At 11:49 AM -0700 7/19/06, Paul Richards wrote:
> >
> >The argument about feedback seems to be like someone complaining 
> >that a automobile is useless because it doesn't have a truckbed.
> 
> Actually, I'd liken it more to a car that doesn't have seats: It'll 
> drive and it'll get you where you need to go, but the ride may not be 
> comfortable.
> 
> >So what? Many folks don't need a truckbed (or feedback).
> 
> And, for some of us, it's a baseline requirement and non-negotiable 
> -- just as Mark pointed out.  To each his own...
> 
> Being patient 'til December here, and maybe <*crossing fingers*> the 
> new 'Rang will make all this a moot argument.
> 
> 	--m.
> -- 
> _______
> "If Television is a babysitter, then the Internet is a drunk 
> librarian who won't shut up..."
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 20:06:52 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Lidell on Max/MSP and looping....
Date: Wed, 19 Jul 2006 22:06:47 +0200
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On 19 jul 2006, at 09.34, Jeff Kaiser wrote:

> I just saw this, and I know there are those interested in lidell......
> http://www.cycling74.com/download/videos/jamie_lidell_web.mov
> or
> http://tinyurl.com/ldgns
> also other interesting new videos, including Kevin Blechdom:
> http://www.cycling74.com/section/artists


Thank you for that link! Very interesting to hear his take on max. =20
Right now I'm in that situation he describes in the opening scene: =20
having kept Max on my shopping list for years but never actually had =20
the option to set aside time to get into it. And lately I've found =20
ways to tweak M=F6bius into doing most of my dream tricks, almost =20
everything I wanted to make me a max patch for, so I guess might be =20
learning max on spare time in the future... eventually. I'm lazy and =20
frightened by having to sit down and program (instead of making =20
music) and I have a certain feeling that before I have even come =20
halfway with Max Jeff Larsson would have fully implemented a similar =20
function in Mobius ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Live 6 addresses "Liveloopers and Beatboxers"
Date: Wed, 19 Jul 2006 22:13:05 +0200
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> Per
>> Oh yes indeed! That's what I'm saying. My post was supposed to be
>> ironical ;-)

> On 19 jul 2006, at 09.41, Buzap Buzap wrote:
> it would be a good starting point if Ableton Live would support  
> Overdub mode (not only for midi but audio). Am I asking for too  
> much?... ;-)

Yes, that's sadly too much asked. We have had that discussion in the  
Live community since Live 4 and the only progress it has generated so  
far is a little automizable "F" (Freeze audio loop) on the built-in  
Ping Pong Delay plugin. By using that you can do overdub layering  
style looping of up to two bar loops. IMHO you can have a lot more  
fun with looping in Live by using the third party plug-in Augustus  
Loop from Expert Sleepers. Or Mobius, if you like the EDP context.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 20:20:33 2006
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Subject: Re: 10 year's anniversary of Looper's Delight ?
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mmmhhh... november 99, when I was going crazy for Gibson not returning 
my edp....
It took 7 months !
Happy birtyhday everyone !
my best,
Luca
www.unguitar.com

    * To: <Loopers-Delight@annihilist.com
      <mailto:Loopers-Delight@annihilist.com>
    * <>From: "Formentini" <tenform@tin.it <mailto:tenform@tin.it>>
    * Subject: R: Digital Echoplex
    * Date: Wed, 17 Nov 1999 09:19:55 +0100

------------------------------------------------------------------------

Hi, this is Luca from Italy.
Please keep me informed about pricing of one of your echoplexes. 
I already have one, but it is lost in Gibson hands for repair, so I would
like to keep a spare.
Thanks, Luca.

 



Claude Voit wrote:

> message 153  10 Jul 1997
> http://loopersdelight.com/LDarchive/199707/msg00153.html
>
> please show some respect
>
> ;=)
>
> Claude
>
>
>
>> I showed up in September '97...
>>
>>> From: "Stephen Goodman" <spgoodman@earthlight.net>
>>> Subject: Re: 10 year's anniversary of Looper's Delight ?
>>
>>
>>
>>> I didn't get here until March '97...
>>
>>
>>
>
>
> .
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 21:48:44 2006
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Date: Wed, 19 Jul 2006 14:48:42 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: RC-50 FEEDBACK WORKS
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--- Paul Richards <paulrichard10@adelphia.net> wrote:


> 
> It's the RC-50 I believe you're referring to? 

Yes, my bad.

> A disadvantage of using the Repeater is that of its
> hardware reliability, IMHO compared to the RC-50.

Hardware reliability?  I've owned 2 Repeaters, a mo-fx
and a warpfactory and never had a single hardware
failure.  I've heard people complain about software
glitches in the Repeater, but it seemed to me that all
the Electrix stuff was pretty damn solid.


> Also, the RC-50 doesn't need a Behringer MIDI pedal
> (and the programming) needed to control it.

That is true indeed.  Would be best to have it all on
the floor if possible.

> The argument about feedback seems to be like someone
> complaining that a automobile is useless because it
> doesn't have a truckbed.  So what? Many folks don't
> need a truckbed (or feedback).
> --

Here's my thoughts on that: People who think they
don't need feedback control on their looper don't know
what they're missing.  My guess is if they spent some
quality time with a looper that has it they'd never go
back.  I could be wrong.  The ability to do both
totally rocks my world.  I've set up Mobius to give me
1 track where I put 1-4 loops.  Mostly I toggle
between them with feedback on 100% or build them with
feedback <100% but set it to 100% when I get it the
way I want it.  Then I build a second stereo track
with feedback permanently set <100%.  I'll open and
close that one from time to time keeping that plate
"spinning" while I toggle between my first track
loops.

Sorry to dis your RC-50.  Frankly I love a lot of
Roland and Boss products.  I hear people yell at them
for having too much compression on their ROM waveforms
in their ROMplers, but I still find my ears love the
sound of my XV-5050.  The Boss VF-1 has become one of
my favorite processors and the Boss DD-20 Giga delay
is one of my all time favorite loopers... so I *know*
they can do a looper like I like it... they just
didn't this time.

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 22:03:59 2006
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Date: Wed, 19 Jul 2006 15:03:57 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: Live Lite 5 upgrade
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--- Gary Lehmann <hqr@cox.net> wrote:


> 
> Sounds like I got a bargain--I snagged a M-Audio
> Solo on eBay based on Mark
> Sottilaro's recommendation, and the software came
> with it--

Yeah, it seems like a hell of a deal.  The Firewire
Solo set me back $199 but came with Live Lite.  I was
able to upgrade to a full version of live for $250. 
Regular cost is $399 so it was like getting my audio
interface for $50.


> 
> Too many options, not enough time--thanks again to
> all.
> Gary
> 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 22:29:59 2006
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Subject: Re: RC-50 FEEDBACK WORKS
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//Hardware reliability//

I was thinking more if the thing DID break. How difficult would it be to 
have it repaired?

P
----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 19, 2006 5:48 PM
Subject: Re: RC-50 FEEDBACK WORKS


> --- Paul Richards <paulrichard10@adelphia.net> wrote:
>
>
>>
>> It's the RC-50 I believe you're referring to?
>
> Yes, my bad.
>
>> A disadvantage of using the Repeater is that of its
>> hardware reliability, IMHO compared to the RC-50.
>
> Hardware reliability?  I've owned 2 Repeaters, a mo-fx
> and a warpfactory and never had a single hardware
> failure.  I've heard people complain about software
> glitches in the Repeater, but it seemed to me that all
> the Electrix stuff was pretty damn solid.
>
>
>> Also, the RC-50 doesn't need a Behringer MIDI pedal
>> (and the programming) needed to control it.
>
> That is true indeed.  Would be best to have it all on
> the floor if possible.
>
>> The argument about feedback seems to be like someone
>> complaining that a automobile is useless because it
>> doesn't have a truckbed.  So what? Many folks don't
>> need a truckbed (or feedback).
>> --
>
> Here's my thoughts on that: People who think they
> don't need feedback control on their looper don't know
> what they're missing.  My guess is if they spent some
> quality time with a looper that has it they'd never go
> back.  I could be wrong.  The ability to do both
> totally rocks my world.  I've set up Mobius to give me
> 1 track where I put 1-4 loops.  Mostly I toggle
> between them with feedback on 100% or build them with
> feedback <100% but set it to 100% when I get it the
> way I want it.  Then I build a second stereo track
> with feedback permanently set <100%.  I'll open and
> close that one from time to time keeping that plate
> "spinning" while I toggle between my first track
> loops.
>
> Sorry to dis your RC-50.  Frankly I love a lot of
> Roland and Boss products.  I hear people yell at them
> for having too much compression on their ROM waveforms
> in their ROMplers, but I still find my ears love the
> sound of my XV-5050.  The Boss VF-1 has become one of
> my favorite processors and the Boss DD-20 Giga delay
> is one of my all time favorite loopers... so I *know*
> they can do a looper like I like it... they just
> didn't this time.
>
> Mark
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 22:35:24 2006
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Correct me if I'm wrong, but having this all on the floor for a live gig
where one does things other than looping is more of a hindrance, isn't it?
I mean, (I  know we've discussed this before here) bending down a bunch of
times to tweak knobs and buttons and then continue is a pain in the rear and
strikes me as being slightly rude.  If you're doing a show where people
expect to be technodazzled then tweaking all the time and bending over is
fine, but if you're throwing surprise looping into various songs where
people all of sudden go, "Where did that come from?!?!?" and they get
totally absorbed; the constant fiddling, even before songs, makes people
think something is going on.  I'd rather that my looping be like solid
chocolate at the bottom of the crčme brulee.  No one knew it was there but
when you hit it....oooooohh mannnnn.....

So, to close, the RC-50 can do much, but it still seems it's too vertically
challenged to perform effortlessly live.  In that case give me a Rang or a
rackmount with floor controls.

Am I wrong here?

~peace~

Plish



Music from the Infinite Horizon...


www.michaelplishka.com
www.myspace.com/michaelplishka


From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 23:01:39 2006
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Date: Wed, 19 Jul 2006 19:00:46 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
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Apropos of Feedback,  When I first got thethe Electro Harmonix 16 
second delay re-issue I started playing with the pitch and feedback 
controls like a DJ would work a crosfader... wow...

I did a show shortly afterwards using the Line 6 and got to a point 
where the loop was getting too dense and I wanted to be able to drop 
the whole thing back by a slight amount.. no dice there...

Next I became aware that the Repeater has a global feedback setting 
and I started using it live set to about 66% feedback. Totally 
different dynamic to a performance like that... everything merges 
with the night, so to speak.

Finally I got the Electro Harmonix 2880, every track has an 
individual feedback control! You start to think about the permanence 
of each track and your thoughts begin to organize themselves in 
interesting ways....

-CZ


>--- Paul Richards <paulrichard10@adelphia.net> wrote:
>
>
>>  The argument about feedback seems to be like someone
>>  complaining that a automobile is useless because it
>>  doesn't have a truckbed.  So what? Many folks don't
>>  need a truckbed (or feedback).
>>  --
>
>Here's my thoughts on that: People who think they
>don't need feedback control on their looper don't know
>what they're missing.  My guess is if they spent some
>quality time with a looper that has it they'd never go
>back.  I could be wrong.  The ability to do both
>totally rocks my world.  I've set up Mobius to give me
>1 track where I put 1-4 loops.  Mostly I toggle
>between them with feedback on 100% or build them with
>feedback <100% but set it to 100% when I get it the
>way I want it.  Then I build a second stereo track
>with feedback permanently set <100%.  I'll open and
>close that one from time to time keeping that plate
>"spinning" while I toggle between my first track
>loops.



>Mark
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around
>http://mail.yahoo.com


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 23:04:35 2006
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Date: Wed, 19 Jul 2006 16:04:30 -0700
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: happy birthday, LD!
Cc: Daryl Shawn <highhorse@mhorse.com>
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Thanks Daryl for sharing that link,

What it says is:

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D

from the keyboard of dt:

folks.=20
my next recording has been mastered, delivered to and accepted by ecm.=20
i do believe that the disc will be released in early 2007;=20
and,=20
fwiw,=20
we are gonna make a go at touring,=20
in the usa and europe, at least.=20

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D

Hey David! Any chance there might be a leg of said tour that passes=20
through the Pacific Northwest somewhere -- more specifically anywhere=20
within a 375 mile radius of Medford, Oregon? Heheheheh. Last time I saw=20
you perform was in L.A. somewhere (Luna Park, I think). Congrats on the=20
new upcoming disk on ECM. We all will be watching for it.

--
tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Daryl Shawn <highhorse@mhorse.com> wrote:=20
> Speaking from one longtime fan (since "cloud about mercury", '87),=20
> Mr.Torn has a new record coming out on ECM soon, there's a blurb plus a=
=20
> link to some samples on his site=20
> <http://splattercell.com/members/gaalore/dtorn/dtorn.nsf/07a8191a02dddea7=
802569f60005490c/fb27faeda338cca3802571a800628a24%21OpenDocument>.
>=20
> Daryl Shawn
> www.swanwelder.com
>=20
> > Long time no hear from Mr T. Nice to know you're still checkin' in ever=
y once in a while.
> > Please keep us abreast of what you are doing from time to time -- or at=
 least send a=20
> > notice of when you've updated or got something else new up on your webs=
ite. I'd have=20
> > to say most of us here are longtime fans here.
> >
> > Peace,
> >
> > Ted Killian

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 23:05:12 2006
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Date: Wed, 19 Jul 2006 16:05:11 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: RE: RC-50 FEEDBACK WORKS
To: Loopers-Delight@loopers-delight.com
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i want to see the most techno-dazzling content the law
will allow...i want layers and layers of sound from a
one man army!the mad scientist artist are my
favorite...
            future,
               dSv

--- Michael Plishka <mike@michaelplishka.com> wrote:

> Correct me if I'm wrong, but having this all on the
> floor for a live gig
> where one does things other than looping is more of
> a hindrance, isn't it?
> I mean, (I  know we've discussed this before here)
> bending down a bunch of
> times to tweak knobs and buttons and then continue
> is a pain in the rear and
> strikes me as being slightly rude.  If you're doing
> a show where people
> expect to be technodazzled then tweaking all the
> time and bending over is
> fine, but if you're throwing surprise looping into
> various songs where
> people all of sudden go, "Where did that come
> from?!?!?" and they get
> totally absorbed; the constant fiddling, even before
> songs, makes people
> think something is going on.  I'd rather that my
> looping be like solid
> chocolate at the bottom of the crčme brulee.  No one
> knew it was there but
> when you hit it....oooooohh mannnnn.....
> 
> So, to close, the RC-50 can do much, but it still
> seems it's too vertically
> challenged to perform effortlessly live.  In that
> case give me a Rang or a
> rackmount with floor controls.
> 
> Am I wrong here?
> 
> ~peace~
> 
> Plish
> 
> 
> 
> Music from the Infinite Horizon...
> 
> 
> www.michaelplishka.com
> www.myspace.com/michaelplishka
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 19 23:19:53 2006
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Date: Wed, 19 Jul 2006 16:19:51 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: RC-50 FEEDBACK WORKS
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--- Charles Zwicky <cazwicky@earthlink.net> wrote:

> Finally I got the Electro Harmonix 2880, every track
> has an 
> individual feedback control! You start to think
> about the permanence 
> of each track and your thoughts begin to organize
> themselves in 
> interesting ways....

Yeah, for the first time in my life I have a looper
(Mobius) that does feedback while *not* in OD... so
your loops can decay no matter what your rec/od
situation is.  Very cool but it's a totally different
vibe.  Each track can have it's own feedback set up...
really mind blowing and exciting.  I wish it had the
option of switching from the constant decay to a more
Repeater like setup where you only decay when its in
active overdub too... but that's a very small point. 
I remember wishing the Repeater was like this when I
got it.  Why isn't everything everything? ;)

Mark


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 02:39:18 2006
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: RC-50 FEEDBACK WORKS
Date: Wed, 19 Jul 2006 21:38:38 -0500
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On Jul 19, 2006, at 6:19 PM, mark sottilaro wrote:
 > I wish it had the option of switching from the
 > constant decay to a more Repeater like setup where
 > you only decay when its in active overdub too...

If you set the Interface Mode preset parameter to Expert,
there are two feedback controls available.  The normal
feedback control sets feedback for the non-recording modes,
and the Secondary Feedback control sets feedback for the
recording modes: overdub, multiply, substitute, replace,
and stutter.

So by keeping primary feedabck at 100% and reducing Secondary
Feedback, the loop will only decay while recording.  You can
control this further by setting the global parameter "Modes
Ignoring Secondary Feedback" to disable feedback in certain
modes, for example to decay while overdubbing but not
while multiplying.

Jeff

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At 1:03 PM -0700 7/19/06, Paul Richards wrote:
>//Actually, I'd liken it more to a car that doesn't have seats: It'll
>drive and it'll get you where you need to go, but the ride may not be
>comfortable. //
>
>That's plain silly. Maybe like a car that doesn't have fold-down back seat.

That's not silly, that's charitable.  To be truthful, for my purposes 
it's more like a car with no seats, *and* a blown head-gasket: I'm 
not even sure if it's going to get me where I need to be (and it'll 
be a darn uncomfortable ride getting there, if at all).

If you're just a coffeehouse guitarist looping a few rhythm chucks 
over which to lay a solo (and this is nothing against coffeehouse 
guitarists -- there are some damn fine ones out there), then a looper 
with no feedback is gonna work just fine.

However, if you're using looping for ambient soundscapes, 
Frippertronics, or anything with continually shifting textures, then 
the feedback control is absolutely essential.  Otherwise, as Charles 
mentioned, you're going to end up with layer upon layer upon layer 
until you've got a huge rolling mess.  The feedback is what allows 
the older layers to fade away as new material is added upon them.

That's one reason why a lot of us chucked the RC-20's in favor of the 
DD-20 (of which I have two, BTW).  Although, in true "robbing peter 
to pay paul fashion", you end up gaining feedback but losing the 
ability (for the most part) to set loop length on the fly.  Agh!

As I said in my previous message, to each his own.  However, don't 
minimize the importance of feedback, or insinuate that just because a 
tool doesn't contain a particular function that it's not a needed 
function ("If we ain't got it, you don't need it").

>Sounds like some folks have a hard-on for Boss/Roland.

Not really.  IMNSHO, Boss/Roland, like many big manufacturers will 
occasionally put out products which are utterly brilliant, and 
occasionally products that are utter shite.  On the more irritating 
side, they also have a tendency to monkey with things incessantly. 
Sometimes this results in something cool; or sometimes this whacks 
out an otherwise excellent product (in my case, I'm thinking VG-8 to 
VG-88, or PS-3 to PS-5, for instance).  Sometimes they *just* miss 
the mark -- as I feel they did with the RC-50 -- which is what makes 
it all the more infuriating sometimes.  Sometimes they can be fixed, 
either by of future update or a third party.  The Blues Driver, for 
instance, is a great design, but is hampered by Boss' cost-cutting 
use of cheap crappy components.  Listen to the Keeley-modded BD-2 
though, which replaces the stock junk in the box with higher quality 
components, and it just sings.

After a while, you learn that newer is not necessarily better with 
Boss, so you merely assess what's in front of you.  Occasionally what 
they've done is cool.  Occasionally what they've done is completely 
messed up.

You've got to look at what's actually there, not the stupid name on the box.

>The RC-50 is an amazing product for $500 USD. A few years ago and 
>you'd be lucky to touch anything with that much capability for 5 big 
>ones.

As pointed out earlier, the Repeater was out a few years ago and I 
got mine new for less than 5 big ones.  Howzabout the Jamman?  DJRND2 
or Cycloops?  Used PCM-42?  Boomerang?  EDP's been around forever, 
and you could get one for not that much more (eh, don't talk to me 
'bout stereo though).  All have their plusses and minuses, but five 
bills is a good median number and stuff has been coming out around 
that price/feature point for quite some time.

What I'll give you is that the RC-50 is a major step forward just 
because it's produced by a major well-known name in pedals, and that 
by its very nature is going to give looping a big boost.  However, to 
finally have that and have the product come sooooooo close, but then 
in the end to *just* miss the mark -- that's what is so frustrating. 
I guess maybe we just wait for the RC-70 then...?

	--m
-- 
_______
"I want to keep you alive so there is always the possibility of 
murder... later"

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 02:48:49 2006
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Subject: Feedback (was RC-50 FEEDBACK WORKS)
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Feedback is the difference between a looper and a phrase sampler.
How'm I doin'?
Gary



From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 03:02:12 2006
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At 7:48 PM -0700 7/19/06, Gary Lehmann wrote:
>Feedback is the difference between a looper and a phrase sampler.
>How'm I doin'?

Pretty much spot on, dude!

(Gee, I wish I could condense two pages of material down to a single 
sentence.  Then again, the rest of the list probably wishes I could 
too.  ;)

	--m.
-- 
_______
"Now Simulcast on Crazy People's Fillings"

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 03:12:47 2006
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//Howzabout the Jamman?  DJRND2
or Cycloops?  Used PCM-42?  Boomerang?  EDP's //

Jamman? Kee-rist. How long ago have new ones been available? I bought mine 
back in the stone age. It was good for what it was but can it compare to the 
RC-50? Never used a DJRND2 nor Cycloops. Boomerangs have (to my ears) a too 
degraded sound quality and is not in the sme league. The new ones planned 
sound good, though. Can you buy a new Repeater? I'd consider buying a used 
one but I really would worry about how long it would function as I wouldn't 
know how it was treated in the past. I did have one when they came out as 
well as an EDP. But, both need pedal configurations so they're not $500. 
Fact of the matter is a lot of the loopers you mentioned were (and some 
still are) at various times hard to get. And expensive. Still are. What 
other $500 loopers are out there currently for purchase new? That EH 2880 
dog or whatever it's called?

----- Original Message ----- 
From: "mech" <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 19, 2006 10:44 PM
Subject: Re: RC-50 FEEDBACK WORKS


> At 1:03 PM -0700 7/19/06, Paul Richards wrote:
>>//Actually, I'd liken it more to a car that doesn't have seats: It'll
>>drive and it'll get you where you need to go, but the ride may not be
>>comfortable. //
>>
>>That's plain silly. Maybe like a car that doesn't have fold-down back 
>>seat.
>
> That's not silly, that's charitable.  To be truthful, for my purposes it's 
> more like a car with no seats, *and* a blown head-gasket: I'm not even 
> sure if it's going to get me where I need to be (and it'll be a darn 
> uncomfortable ride getting there, if at all).
>
> If you're just a coffeehouse guitarist looping a few rhythm chucks over 
> which to lay a solo (and this is nothing against coffeehouse guitarists --  
> there are some damn fine ones out there), then a looper with no feedback 
> is gonna work just fine.
>
> However, if you're using looping for ambient soundscapes, Frippertronics, 
> or anything with continually shifting textures, then the feedback control 
> is absolutely essential.  Otherwise, as Charles mentioned, you're going to 
> end up with layer upon layer upon layer until you've got a huge rolling 
> mess.  The feedback is what allows the older layers to fade away as new 
> material is added upon them.
>
> That's one reason why a lot of us chucked the RC-20's in favor of the 
> DD-20 (of which I have two, BTW).  Although, in true "robbing peter to pay 
> paul fashion", you end up gaining feedback but losing the ability (for the 
> most part) to set loop length on the fly.  Agh!
>
> As I said in my previous message, to each his own.  However, don't 
> minimize the importance of feedback, or insinuate that just because a tool 
> doesn't contain a particular function that it's not a needed function ("If 
> we ain't got it, you don't need it").
>
>>Sounds like some folks have a hard-on for Boss/Roland.
>
> Not really.  IMNSHO, Boss/Roland, like many big manufacturers will 
> occasionally put out products which are utterly brilliant, and 
> occasionally products that are utter shite.  On the more irritating side, 
> they also have a tendency to monkey with things incessantly. Sometimes 
> this results in something cool; or sometimes this whacks out an otherwise 
> excellent product (in my case, I'm thinking VG-8 to VG-88, or PS-3 to 
> PS-5, for instance).  Sometimes they *just* miss the mark -- as I feel 
> they did with the RC-50 -- which is what makes it all the more infuriating 
> sometimes.  Sometimes they can be fixed, either by of future update or a 
> third party.  The Blues Driver, for instance, is a great design, but is 
> hampered by Boss' cost-cutting use of cheap crappy components.  Listen to 
> the Keeley-modded BD-2 though, which replaces the stock junk in the box 
> with higher quality components, and it just sings.
>
> After a while, you learn that newer is not necessarily better with Boss, 
> so you merely assess what's in front of you.  Occasionally what they've 
> done is cool.  Occasionally what they've done is completely messed up.
>
> You've got to look at what's actually there, not the stupid name on the 
> box.
>
>>The RC-50 is an amazing product for $500 USD. A few years ago and you'd be 
>>lucky to touch anything with that much capability for 5 big ones.
>
> As pointed out earlier, the Repeater was out a few years ago and I got 
> mine new for less than 5 big ones.  Howzabout the Jamman?  DJRND2 or 
> Cycloops?  Used PCM-42?  Boomerang?  EDP's been around forever, and you 
> could get one for not that much more (eh, don't talk to me 'bout stereo 
> though).  All have their plusses and minuses, but five bills is a good 
> median number and stuff has been coming out around that price/feature 
> point for quite some time.
>
> What I'll give you is that the RC-50 is a major step forward just because 
> it's produced by a major well-known name in pedals, and that by its very 
> nature is going to give looping a big boost.  However, to finally have 
> that and have the product come sooooooo close, but then in the end to 
> *just* miss the mark -- that's what is so frustrating. I guess maybe we 
> just wait for the RC-70 then...?
>
> --m
> -- 
> _______
> "I want to keep you alive so there is always the possibility of murder... 
> later"
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 03:16:41 2006
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Or it could be that feedback is needed by some people that fancy themselves 
as artistic, creative "musicians" but , in reality, create boring, 
meaningless, repetitious beeps 'n' boops! :)

----- Original Message ----- 
From: "Gary Lehmann" <hqr@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 19, 2006 10:48 PM
Subject: Feedback (was RC-50 FEEDBACK WORKS)


> Feedback is the difference between a looper and a phrase sampler.
> How'm I doin'?
> Gary
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 03:25:13 2006
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Andy thanx for clarifying that,when you say "leads" do
u mean the short cables between the 2 effects? they
are mostly boss, the ones that came with my old BCB60
and a couple of others that i bought at a store.Are
there special ones you can lead me to?
thanx mate
Luis


> That's a lot of pedals, which means a lot of
> connectors, and a lot of 
> leads. So plenty of room for problems with the
> leads, if you just 
> bought them rather than making them up yourself then
> they could be the problem.
> 
> andybutler    
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 03:50:48 2006
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Subject: Boops and Beeps (was Feedback (was RC-50 FEEDBACK WORKS))
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I am the most mundane looper you would ever want to meet (I performed "Red
Wing" at Y2K2), but continuing to add layers without being able to reduce
the amount of accumulated sound (I have come to refer to this as the
"Lobster trap") is neither artistic nor creative.
Although I am sure that you are happy without feedback control, when I don't
have it, I miss it.
And that's all I've got to say.
Gary
-----Original Message-----
From: Paul [mailto:paulrichard10@adelphia.net] 

Or it could be that feedback is needed by some people that fancy themselves 
as artistic, creative "musicians" but , in reality, create boring, 
meaningless, repetitious beeps 'n' boops! :)




From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 04:02:25 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Boops and Beeps (was Feedback (was RC-50 FEEDBACK WORKS))
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On Jul 19, 2006, at 8:50 PM, Gary Lehmann wrote:

> continuing to add layers without being able to reduce
> the amount of accumulated sound (I have come to refer to this as the
> "Lobster trap") is neither artistic nor creative.


Ahh, dogma! Fundamentalist loopers unite! I love rules! :-)

All options are good....and have creative possiblilities....I don't 
personally use a feedback control function, but am glad to see it as an 
option for those that want it.

Feedback control is good, no feedback control is good.

My dogma is: The truth is the sum of all dogmas.

Now, back to this evening's ale of choice: Piraat.

BTW, Kris Hartung, I miss the Bitter Creek Ale house!!! Rogue XS Old 
Crustacean Barleywine ale rocks......

:-)

best regards,

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 04:10:57 2006
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> My dogma is: The truth is the sum of all dogmas.

> BTW, Kris Hartung, I miss the Bitter Creek Ale house!!! Rogue XS Old 
> Crustacean Barleywine ale rocks......

Ain't it great!?  Next time I'll take you to the Brews Brothers ale 
house....enough boutique beer on tap to drink an army under the table.

...btw, my dogma:

"Nothing is true, everything is permitted" - William S. Burroughs

I can't think of a better foundation and maxim for honest art. Let the music 
speak.

K-

> :-)
>
> best regards,
>
> Jeff 


From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 04:29:40 2006
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Subject: Re: Feedback  (was RC-50 FEEDBACK WORKS)
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This is my favorite part of this whole thread, and could pretty much be 
used to end any gear-related argum...I mean, discussion.
> Why isn't everything everything? ;)
>
> Mark
>   
I did also want to give props to Buzap for the original post, it was 
incredibly well-written, and though I don't have an RC-50 I read the 
whole damn thing with interest.

I'd opine that feedback is probably /most /desirable if you're operating 
with a single unit. Myself, I don't find feedback necessary for a 
looper...I tend to like having separate, individually controllable 
things going on at once, and when I get tired of something, I just erase 
what's there and start over, or turn down the volume control, while the 
other things are still going on. I don't have multiple loopers right 
now, just a single loop with multiple tracks, but that allows me to do 
the same thing, and I find that between individual track control and 
just playing dry guitar I can keep things moving along.

Daryl Shawn
www.swanwelder.com

--------------060807080106020600010609
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
This is my favorite part of this whole thread, and could pretty much be
used to end any gear-related argum...I mean, discussion.<br>
<blockquote
 cite="mid20060719231951.89667.qmail@web81308.mail.mud.yahoo.com"
 type="cite">
  <pre wrap="">
Why isn't everything everything? ;)

Mark
  </pre>
</blockquote>
I did also want to give props to Buzap for the original post, it was
incredibly well-written, and though I don't have an RC-50 I read the
whole damn thing with interest.<br>
<br>
I'd opine that feedback is probably <i>most </i>desirable if you're
operating with a single unit. Myself, I don't find feedback necessary
for a looper...I tend to like having separate, individually
controllable things going on at once, and when I get tired of
something, I just erase what's there and start over, or turn down the
volume control, while the other things are still going on. I don't have
multiple loopers right now, just a single loop with multiple tracks,
but that allows me to do the same thing, and I find that between
individual track control and just playing dry guitar I can keep things
moving along.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
</body>
</html>

--------------060807080106020600010609--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 04:32:57 2006
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Date: Thu, 20 Jul 2006 00:32:53 EDT
Subject: Re: RC-50 FEEDBACK WORKS
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"If you're just a coffeehouse guitarist looping a few rhythm chucks
over which to lay a solo (and this is nothing against coffeehouse
guitarists -- there are some damn fine ones out there), then a looper
with no feedback is gonna work just fine."

perhaps it's the just in "just a coffeehouse guitarist..." that stings a 
little.....   : )

seriously, i am something of that breed, worked with boomerang, rc20, edp and 
now the rc50.....just as i was getting ready to receive my rc50, i started 
experimenting with the mystical feedback feature on the edp, and now i get 
it.........and i'd not even scratched the surface.   so, yeah, i totally understand 
why that's so important to the more sophisticated users of this technology.   
and, of course, now i miss it on the rc50.

as far as feedback with the rc50, the detailed descriptions in buzap's 
postings specifically, i'll have to spend some time with that, but i know i don't 
want to be messing with mixers.....that kind of screws the whole point of having 
everything in one unit.

generally with the rc50, i've been able to use it in several performances 
since i got it (some coffeehouse, some not...he says with humor), and i still 
like what's good about it more than what frustrates me.   i've already had use 
for stereo outs and the sub out, the rhythm tracks also (for writing, not 
performing), even after i thougt there was no way in hell i'd use those.   the fade 
out feature can be cool, if not real true feedback.   

in the negative column, i was one of the first posters to bitch about the 
"hiccups", and i still find the fact that i have to "play through 'one' of the 
first playback measure" a pain, though i've been able to adapt to it.   i have 
no idea if that will be addressed or not.   

two questions-
1/ does anyone know if there is a way to set the rc50 so that the default 
setting of the guide track is off?   god help you if you forget that it's not and 
go to start a performance with that wonderful little groove that's 
there.....have mercy!

2/ does anyone know if there is a way to copy a loop/phrase(s) from one patch 
to the next....the idea being that the first patch is set for stop to be 
immediate, but the next patch is set for a fade?

john

--part1_529.3fcc2e1.31f06175_boundary
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
"If you're just a coffeehouse guitarist looping a few rhythm chucks<BR>
over which to lay a solo (and this is nothing against coffeehouse<BR>
guitarists -- there are some damn fine ones out there), then a looper<BR>
with no feedback is gonna work just fine."<BR>
<BR>
perhaps it's the </FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SA=
NSSERIF" SIZE=3D"2"><I>just </I></FONT><FONT COLOR=3D"#000000" FACE=3D"Genev=
a" FAMILY=3D"SANSSERIF" SIZE=3D"2">in "just a coffeehouse guitarist..." that=
 stings a little.....&nbsp;  : )<BR>
<BR>
seriously, i am something of that breed, worked with boomerang, rc20, edp an=
d now the rc50.....just as i was getting ready to receive my rc50, i started=
 experimenting with the mystical feedback feature on the edp, and now i get=20=
it.........and i'd not even scratched the surface.&nbsp;  so, yeah, i totall=
y understand why that's so important to the more sophisticated users of this=
 technology.&nbsp;  and, of course, now i miss it on the rc50.<BR>
<BR>
as far as feedback </FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"=
SANSSERIF" SIZE=3D"2"><I>with</I></FONT><FONT COLOR=3D"#000000" FACE=3D"Gene=
va" FAMILY=3D"SANSSERIF" SIZE=3D"2"> the rc50, the detailed descriptions in=20=
buzap's postings specifically, i'll have to spend some time with that, but i=
 know i don't want to be messing with mixers.....that kind of screws the who=
le point of having everything in one unit.<BR>
<BR>
generally with the rc50, i've been able to use it in several performances si=
nce i got it (some coffeehouse, some not...he says with humor), and i still=20=
like what's good about it more than what frustrates me.&nbsp;  i've already=20=
had use for stereo outs and the sub out, the rhythm tracks also (for writing=
, not performing), even after i thougt there was no way in hell i'd use thos=
e.&nbsp;  the fade out feature can be cool, if not real true feedback.&nbsp;=
  <BR>
<BR>
in the negative column, i was one of the first posters to bitch about the "h=
iccups", and i still find the fact that i have to "play through 'one' of the=
 first playback measure" a pain, though i've been able to adapt to it.&nbsp;=
  i have no idea if that will be addressed or not.&nbsp;  <BR>
<BR>
two questions-<BR>
1/ does anyone know if there is a way to set the rc50 so that the default se=
tting of the guide track is off?&nbsp;  god help you if you forget that it's=
 not and go to start a performance with that wonderful little groove that's=20=
there.....have mercy!<BR>
<BR>
2/ does anyone know if there is a way to copy a loop/phrase(s) from one patc=
h to the next....the idea being that the first patch is set for stop to be i=
mmediate, but the next patch is set for a fade?<BR>
<BR>
john</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT></HTML>

--part1_529.3fcc2e1.31f06175_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 04:39:55 2006
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To: Loopers-Delight@loopers-delight.com
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Subject: Re: RC-50 FEEDBACK WORKS
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"If you're just a coffeehouse guitarist looping a few rhythm chucks
over which to lay a solo (and this is nothing against coffeehouse
guitarists -- there are some damn fine ones out there), then a looper
with no feedback is gonna work just fine."

Ah, but not when you drink free coffee all night (50% of your =
compensation, btw), and lest you pee your pants you have to quite your =
set 1 minute early....THAT is where feedback comes in handy.  Very =
practical indeed, not peeing your pants at a looping gig.  :)


Kris

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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff><FONT face=3Darial,helvetica><FONT face=3DGeneva =
color=3D#000000=20
size=3D2 FAMILY=3D"SANSSERIF">
<DIV><BR>"If you're just a coffeehouse guitarist looping a few rhythm=20
chucks<BR>over which to lay a solo (and this is nothing against=20
coffeehouse<BR>guitarists -- there are some damn fine ones out there), =
then a=20
looper<BR>with no feedback is gonna work just fine."</DIV>
<DIV>&nbsp;</DIV>
<DIV>Ah, but not when you drink free coffee all night (50% of your =
compensation,=20
btw), and lest you pee your pants you have to quite your set 1 minute=20
early....THAT is where feedback comes in handy.&nbsp; Very practical =
indeed, not=20
peeing your pants at a looping gig.&nbsp; :)</DIV>
<DIV>&nbsp;</DIV>
<DIV><BR>Kris</DIV>
<DIV></FONT></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0C4A_01C6AB84.3F1A0360--


From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 04:43:20 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: RC-50 FEEDBACK WORKS
Date: Wed, 19 Jul 2006 21:43:16 -0700
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On Jul 19, 2006, at 9:39 PM, Krispen Hartung wrote:

> Ah, but not when you drink free coffee all night (50% of your=20
> compensation, btw), and lest you pee your pants you have to quite your=20=

> set 1 minute early....THAT is where feedback comes in handy.=A0 Very=20=

> practical indeed, not peeing your pants at a looping gig.=A0 :)

d00d. "catheter control" function? Great idea, but I don't think I=20
could do that in Max....Jeff, can you add that as a feature in=20
Mobius....?

jeff
jeffkaiser.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 04:58:43 2006
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: RC-50 FEEDBACK WORKS
Date: Wed, 19 Jul 2006 23:58:38 -0500
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On Jul 19, 2006, at 11:43 PM, Jeff Kaiser wrote:
 > d00d. "catheter control" function? Great idea, but I don't think I
 > could do that in Max....Jeff, can you add that as a feature in  
Mobius....?

Oh, I've been experimenting with it but it needs to have some kinks  
ironed out.
It works fine during Insert mode, but is unpredictable in Multiply mode,
and Replace mode is pretty much a disaster.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 05:04:25 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: RC-50 FEEDBACK WORKS
Date: Wed, 19 Jul 2006 22:04:20 -0700
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On Jul 19, 2006, at 9:58 PM, Jeffrey Larson wrote:

> Oh, I've been experimenting with it but it needs to have some kinks 
> ironed out.
> It works fine during Insert mode, but is unpredictable in Multiply 
> mode,
> and Replace mode is pretty much a disaster.
>
> Jeff

oh my gawd!! That one made me spit my beer out laughing!

lol,

jeff

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 05:23:34 2006
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Very nice, Jeff L. Now we know your dark hidden secrets lurking beneath 
Mobius. Which color pill did you take? Oh, the diuretic pill... :)

----- Original Message ----- 
From: "Jeffrey Larson" <jeff@zonemobius.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 19, 2006 10:58 PM
Subject: Re: RC-50 FEEDBACK WORKS


> On Jul 19, 2006, at 11:43 PM, Jeff Kaiser wrote:
> > d00d. "catheter control" function? Great idea, but I don't think I
> > could do that in Max....Jeff, can you add that as a feature in
> Mobius....?
>
> Oh, I've been experimenting with it but it needs to have some kinks 
> ironed out.
> It works fine during Insert mode, but is unpredictable in Multiply mode,
> and Replace mode is pretty much a disaster.
>
> Jeff
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 05:26:36 2006
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Yeah, and what's scary is that Jeff can insert 8 times in parallel with his 
script feature.

...I'm going to bed before I say something I regret.

Cheers, and drink another dark and cynical ale on me.

Kris

----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 19, 2006 11:04 PM
Subject: Re: RC-50 FEEDBACK WORKS


> On Jul 19, 2006, at 9:58 PM, Jeffrey Larson wrote:
>
>> Oh, I've been experimenting with it but it needs to have some kinks 
>> ironed out.
>> It works fine during Insert mode, but is unpredictable in Multiply mode,
>> and Replace mode is pretty much a disaster.
>>
>> Jeff
>
> oh my gawd!! That one made me spit my beer out laughing!
>
> lol,
>
> jeff
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 06:13:24 2006
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Date: Thu, 20 Jul 2006 01:13:08 -0500
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From: mech <mech@m3ch.net>
Subject: Coffeehouse Guitar (was:  RC-50 FEEDBACK WORKS)
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At 12:32 AM -0400 7/20/06, Jfloridis@aol.com wrote:
>"If you're just a coffeehouse guitarist looping a few rhythm chucks
>over which to lay a solo (and this is nothing against coffeehouse
>guitarists -- there are some damn fine ones out there), then a looper
>with no feedback is gonna work just fine."
>
>perhaps it's the just in "just a coffeehouse guitarist..." that 
>stings a little.....  : )

Agh!  I hate that little word!!!  I use it far too much -- I usually 
make it a point to go through and delete as many instances as 
possible when editing a post -- yet it still comes back to bite me no 
matter how many times I re-read before hitting send.

Needless to say, that isn't what I meant at all.  How about...

	Change: "If you're just a coffeehouse guitarist looping a few 
rhythm chucks...",
	to this: "If you're a coffeehouse guitarist just looping a 
few rhythm chucks...".

Kinda changes the emphasis there.  The latter is actually much closer 
to what I meant.  Especially since I was really trying to go out of 
my way *not* to trivialize coffeehouse guitarists, then there I go 
and put my foot into a different beartrap.  D'oh.

1000 pardons, Effendi!

>as far as feedback with the rc50, the detailed descriptions in 
>buzap's postings specifically, i'll have to spend some time with 
>that, but i know i don't want to be messing with mixers.....that 
>kind of screws the whole point of having everything in one unit.

Yeah, I'd generally agree that once a mixer comes into the picture, I 
find it's easier to toss the dedicated foot pedals.  Then fall back 
to a portable setup with everything pre-wired into a small rack plus 
a controller.

And, as Daryll pointed out, Buzap obviously put a lot of time and 
effort into that write-up, and does deserve a great deal of thanks 
for going through and documenting the workaround.

	--m.
-- 
_______
"Snakes on a Plane..."
--============_-1058746495==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Coffeehouse Guitar (was:  RC-50 FEEDBACK
WORKS)</title></head><body>
<div>At 12:32 AM -0400 7/20/06, Jfloridis@aol.com wrote:</div>
<blockquote type="cite" cite>&quot;If you're just a coffeehouse
guitarist looping a few rhythm chucks<br>
over which to lay a solo (and this is nothing against coffeehouse<br>
guitarists -- there are some damn fine ones out there), then a
looper<br>
with no feedback is gonna work just fine.&quot;</blockquote>
<blockquote type="cite" cite><br>
perhaps it's the<i> just</i> in &quot;just a coffeehouse guitarist...&quot;
that stings a little.....&nbsp; : )</blockquote>
<div><br></div>
<div>Agh!&nbsp; I hate that little word!!!&nbsp; I use it far too much
-- I usually make it a point to go through and delete as many
instances as possible when editing a post -- yet it still comes back
to bite me no matter how many times I re-read before hitting
send.</div>
<div><br></div>
<div>Needless to say, that isn't what I meant at all.&nbsp; How
about...</div>
<div><br></div>
<div><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab>Change:
&quot;If you're just a coffeehouse guitarist looping a few rhythm
chucks...&quot;,</div>
<div><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab>to
this: &quot;If you're a coffeehouse guitarist just looping a few
rhythm chucks...&quot;.</div>
<div><br></div>
<div>Kinda changes the emphasis there.&nbsp; The latter is actually
much closer to what I meant.&nbsp; Especially since I was really
trying to go out of my way *not* to trivialize coffeehouse guitarists,
then there I go and put my foot into a different beartrap.&nbsp;
D'oh.</div>
<div><br></div>
<div>1000 pardons, Effendi!</div>
<div><br></div>
<blockquote type="cite" cite>as far as feedback<i> with</i> the rc50,
the detailed descriptions in buzap's postings specifically, i'll have
to spend some time with that, but i know i don't want to be messing
with mixers.....that kind of screws the whole point of having
everything in one unit.</blockquote>
<div><br></div>
<div>Yeah, I'd generally agree that once a mixer comes into the
picture, I find it's easier to toss the dedicated foot pedals.&nbsp;
Then fall back to a portable setup with everything pre-wired into a
small rack plus a controller. </div>
<div><br></div>
<div>And, as Daryll pointed out, Buzap obviously put a lot of time and
effort into that write-up, and does deserve a great deal of thanks for
going through and documenting the workaround.</div>
<div><br></div>
<div><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>--m.</div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>_______<br>
&quot;Snakes on a Plane...&quot;</div>
</body>
</html>
--============_-1058746495==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 08:19:52 2006
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From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: Coffeehouse Guitar (was:  RC-50 FEEDBACK WORKS)
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LOL  as a street-busker am i a lower life form than a
coffee house player and is that any less rewarding
than the club performer or those who find themselves
touring the globe?what is the most evolved form of
loopage artist?
 I'm glad to use any looping tool i can acquire and
maybe ill end up owning every looper on the market one
day.i think its a good thing that loopers(machines)are
like loopers(artist)every one is different and no two
are exactly the same.
  its hard to avoid lobster traps when in unexplored
water, and its easy to over indulge on the chaos
factor sometimes.
      capture the moment,
            scary visionary.


p.s yes very insightfull and concise info
Buzap...kudos


--- mech <mech@m3ch.net> wrote:

> At 12:32 AM -0400 7/20/06, Jfloridis@aol.com wrote:
> >"If you're just a coffeehouse guitarist looping a
> few rhythm chucks
> >over which to lay a solo (and this is nothing
> against coffeehouse
> >guitarists -- there are some damn fine ones out
> there), then a looper
> >with no feedback is gonna work just fine."
> >
> >perhaps it's the just in "just a coffeehouse
> guitarist..." that 
> >stings a little.....  : )
> 
> Agh!  I hate that little word!!!  I use it far too
> much -- I usually 
> make it a point to go through and delete as many
> instances as 
> possible when editing a post -- yet it still comes
> back to bite me no 
> matter how many times I re-read before hitting send.
> 
> Needless to say, that isn't what I meant at all. 
> How about...
> 
> 	Change: "If you're just a coffeehouse guitarist
> looping a few 
> rhythm chucks...",
> 	to this: "If you're a coffeehouse guitarist just
> looping a 
> few rhythm chucks...".
> 
> Kinda changes the emphasis there.  The latter is
> actually much closer 
> to what I meant.  Especially since I was really
> trying to go out of 
> my way *not* to trivialize coffeehouse guitarists,
> then there I go 
> and put my foot into a different beartrap.  D'oh.
> 
> 1000 pardons, Effendi!
> 
> >as far as feedback with the rc50, the detailed
> descriptions in 
> >buzap's postings specifically, i'll have to spend
> some time with 
> >that, but i know i don't want to be messing with
> mixers.....that 
> >kind of screws the whole point of having everything
> in one unit.
> 
> Yeah, I'd generally agree that once a mixer comes
> into the picture, I 
> find it's easier to toss the dedicated foot pedals. 
> Then fall back 
> to a portable setup with everything pre-wired into a
> small rack plus 
> a controller.
> 
> And, as Daryll pointed out, Buzap obviously put a
> lot of time and 
> effort into that write-up, and does deserve a great
> deal of thanks 
> for going through and documenting the workaround.
> 
> 	--m.
> -- 
> _______
> "Snakes on a Plane..."


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 08:37:53 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: RC-50 FEEDBACK WORKS
Date: Thu, 20 Jul 2006 10:37:48 +0200
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On 20 jul 2006, at 01.19, mark sottilaro wrote:

> Yeah, for the first time in my life I have a looper
> (Mobius) that does feedback while *not* in OD...

erm... SooperLooper also does that. I agree it's a very useful function.

> so
> your loops can decay no matter what your rec/od
> situation is.  Very cool but it's a totally different
> vibe.  Each track can have it's own feedback set up...

Right on the spot, Mark! I keep a little 8-track MIDI mixer with a =20
feedback knob for each track (in M=F6bius), so I can fade out loops on =20=

other tracks than the active track that I'm recording to at the =20
moment. (I also have a fader for the Secondary Feedback and run it =20
all in Expert Interface Mode, meaning I get exactly what you're =20
talking about - and some more goodies as well). I too liked that =20
function in the Repeater. It's great to get both your Repeat and EDP =20
functions in one laptop :-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 08:51:14 2006
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>Andy thanx for clarifying that,when you say "leads" do
>u mean the short cables between the 2 effects? they
>are mostly boss, the ones that came with my old BCB60
>and a couple of others that i bought at a store.Are
>there special ones you can lead me to?
>thanx mate
>Luis

Yes, that's what I mean.
I don't know how good the Boss leads are, it's possible that 
Roland/Boss would simply source the cheapest they could get.
I've not had problems with
http://www.maplin.co.uk/module.aspx?TabID=1&criteria=PATCH%20cables%206&ModuleNo=31246&doy=20m7
but then I'm running at line level for all my patching.

I make my own leads from studio quality cable (as used for mics) 
which gives me more confidence that the cables are good enough. 
StudioSpares is good for buying online.

There's also a chance that the jack plugs, or the jack sockets have 
become tarnished, and could do with a clean.

andy

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 09:08:39 2006
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Hi buzap,

Do you really need a mixer?
Can't you patch directly the guitar to left IN, the feedback signal to right 
IN and use the level sliders on the looper's mixer?

Ben.




----- Original Message ----- 
From: "Buzap Buzap" <buzap@gmx.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 19, 2006 5:52 PM
Subject: Re: RC-50 FEEDBACK WORKS


> Hi Charles & others
>
> Well, I just figured out that my initial approach was way too complicated.
> It's actually MUCH simpler, there we go:
> - Keep your regular setup (NO sub outs needed!)
> - MUTE all INPUT on the RC-50 (in SYSTEM/USB)
> - Switch OVERDUB MODE to REPLACE
> - Send your instrument AND the RC-50 MAIN OUT to the RC-50 INPUT (use your 
> mixer)
>
> That's it!
> You can adjust feedback by the amount of the original signal you send back 
> to the RC-50.
>
> I'm very with this setup now. At the moment, there is no reason for me to 
> move to Looperlative or any other gear. There is already a lot you can do 
> with 3 stereo loops. I'd like to exploit that first.
>
> best regards
> Buzap
>
>> >>  DEMO EXAMPLE ON LD (Audio Looping Examples)
>
> -- 
>
>
> Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
> Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
> 


	

	
		
___________________________________________________________________________ 
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 10:21:08 2006
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From: "Ben" <benoitruelle@yahoo.fr>
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For those who like me haven't the opportunity to test the EH 2880, there is 
now a video on sonicstate.
http://www.sonicstate.com/news/shownews.cfm?newsid=3265
Watch the film till the end for a cool new pedal called the 'Hum debugger' 
(?) which can be useful for those using laptop on stage.

Greetings from Belgium,

Ben.


	

	
		
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 10:46:03 2006
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Date: Thu, 20 Jul 2006 06:42:54 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
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AFTERGLOW ON WMUH:                               
http://soundscapes.us/afterglow
================================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in 
for a
delightful mix of eclectic musical genres including a healthy dose of
Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                            
http://wdiy.org/programs/gt
================================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the month-long 
Special Focus
on Numina.  The Featured CD at Midnight will be "Eye of the Nautilus" on 
Hypnos
Records.  The Vinyl Starter will come from the LP "Heaven and Hell" by 
Vangelis
on RCA Records and released in 1975.  For details, see the Special Focus 
page
at: http://wdiy.org/programs/gt/playlists/2006/focus.html#jul

Galactic Travels is an electronic, ambient, and space music show that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, 93.9 FM 
in Easton
and Phillipsburg, 93.7 FM in Fogelsville and Trexlertown, 92.9 FM on Service
Electric Cable, and on the internet.  WDIY now simulcasts on WXLV on 
90.3 FM in
Schnecksville, Pennsylvania.

All times are EDT / GMT-4.

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 10:57:45 2006
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From: Per Boysen <perboysen@gmail.com>
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Date: Thu, 20 Jul 2006 12:57:41 +0200
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On 20 jul 2006, at 12.21, Ben wrote:

> For those who like me haven't the opportunity to test the EH 2880,  
> there is now a video on sonicstate.
> http://www.sonicstate.com/news/shownews.cfm?newsid=3265
> Watch the film till the end for a cool new pedal called the 'Hum  
> debugger' (?) which can be useful for those using laptop on stage.

Thanks for the link. INteresting demo. The Hum debugger looks useful.  
But I wouldn't need it for my laptop as much as I would need it for  
my tube 60 w Sovtek guitar top. It's humming a lot with single coil  
guitars and those are what sounds cool with it. I wish the guy had  
said what the Hum debugger is instead of repeating what it is not.  
Obviously it works very well.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 11:56:17 2006
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Hi all,

just thought you might want to know that an official software update to 
the RC-50
is planned for late August/early autumn adressing among others:

- the dreaded hickup
- adding a "clicktrack" sound
- improving MIDI reliability

Also a video is in the works.

Best regards to all

Christian Rover

BTW I just finished a review for "Gitarre & Bass" which should appear 
in the August/September
issue for all of you who are delighted to loop in german as well ;-)

chrisrover@aol.com
www.christianrover.com


________________________________________________________________________
Check out AOL.com today. Breaking news, video search, pictures, email 
and IM. All on demand. Always Free.

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 12:49:31 2006
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Subject: Coffeehouse Guitar vs street-busker
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having done many forms of entertainment including I personally have high 
regard for the busker. I've learned that busking is not only a viable 
alternative to those of us that perform something that is on the fringes of 
accepted entertainment, it is also the most honest form of entertainment. 
How many times have you gone out, paid for a ticket and heard some crappy 
excuse for a performance and left thinking "that was a waste of money".... 
you see a busker, you stop and listen, if you like what you hear, you pay,, 
you don't like it, you walk away. I think it takes a lot of talent and a 
lot of guts to make it as a busker, a lot of stage musicians that I know 
would die on the street.


It's always been a great mystery to me how some performers can be so 
technically brilliant but soulless, some people have the ability to make 
every note reach inside and grab you. Sort of like I ask why some 
ambient/soundscape artists make evolving/shifting noise that doesn't go 
anywhere or do anything... and others whisk me away to some other dimension 
where time and space have no meaning. Is it in the equipment they use or is 
it a gift to be able to share their inner vision with someone else?

I hope sometimes I'm able to do that


Paul Haslem
dulcimer guy in Canada






At 04:19 AM 7/20/2006, you wrote:

>LOL  as a street-busker am i a lower life form than a
>coffee house player and is that any less rewarding
>than the club performer or those who find themselves
>touring the globe?what is the most evolved form of
>loopage artist?

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 13:06:21 2006
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Subject: Re: RC-50 FEEDBACK WORKS (WITHOUT A MIXER ;-)
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Hi Ben

you are right - YOU DON'T NEED A MIXER! :-)

I guess the following setup should work even in stereo:
- Get a Y-cable to short-circuit your SUB OUTs to the AUX INPUTs
- Mute input on the sub outs (in USB/SYSTEM: set INPUT OUTs to MAIN only)
- Set OVERDUB MODE to REPLACE
That's it!
You should be able to control feedback WITHOUT A MIXER, using the AUX LEVEL.

This is actually what I'm trying to promote:
With the RC-50, you get these 3 stereo loops in a nice pedal for a decent price (and yes, also feedback control _without_ a mixer ;-)

Then again, this is my first "real" looper. If I had owned an EDP, maybe I would think differently...

Best regards
Buzap

-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*!
"Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 13:13:54 2006
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Hi Christian

Is this true?? (just checked it's not April's Fool ;-)
That would be GREAT if they did a software update.

I hope that when they solve the "hiccup" problem, that this also helps with the time lag when switching from Patch to Patch. That would BIG improvement to me. (Hope to use the RC-50 patches sort of like "Scenes" with Ableton...)

Are there any official news available somewhere?

Great to hear you do a review - I'll get & read the Gitarre und Bass ;-)

Buzap

-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*!
"Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 13:48:19 2006
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From: =?windows-1252?Q?Kimmo_M=E4kel=E4?= <kimmo.makela.394@student.ki.se>
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Hi everyone!
 
I'm on the verge of buying my first looper and i'm thinking about the 
RC-50. I've read some reviews but one thing has me worried. Apparently 
when you record a loop and press stop, the pedal should start playing 
the loop from the beginning but instead there's supposedly a 0.5 sec 
silence before the sound starts. Could somebody who actually owns this 
unit tell me if this is true? If it is, then i feel that it is a 
serious problem and might go for the JamMan instead...

thanks

--
Kimmo

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 14:50:53 2006
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I'm late to the game, but let me say what a terrific idea this is. I 
enjoyed the 15-some loops for quite a while last night on repeat...it's 
great stuff that works amazingly well all in a row, considering there 
were no rules on key or tempo. What I especially like is that it's 
almost like putting a face to the names I see here. Thanks for doing 
this, Krispen.

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 15:01:03 2006
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References: <p06230900c0e4c74597a3@[10.0.1.2]> <20060720081950.22637.qmail@web31915.mail.mud.yahoo.com> <6.1.0.6.2.20060720082459.01c853e0@mail.wightman.ca>
Subject: Re: Coffeehouse Guitar vs street-busker
Date: Thu, 20 Jul 2006 09:00:55 -0600
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> having done many forms of entertainment including I personally have high 
> regard for the busker. [snip]>

Agreed. Here in Boise, busking is taken very seriously by the City Arts 
Commission. They hire buskers every summer to play on the street corners of 
a block down town, where a huge out door market occurs. They pay each busker 
$150 USD to play for 3 hours. That's not bad.

> It's always been a great mystery to me how some performers can be so 
> technically brilliant but soulless, some people have the ability to make 
> every note reach inside and grab you. Sort of like I ask why some 
> ambient/soundscape artists make evolving/shifting noise that doesn't go 
> anywhere or do anything... and others whisk me away to some other 
> dimension where time and space have no meaning. Is it in the equipment 
> they use or is it a gift to be able to share their inner vision with 
> someone else?

There was a time when I would have vehemently and completely agreed with you 
above, but my thinking has changed and softened up.  I believe the idea of 
having soul in your playing, being moved by music and having notes grab you, 
is an entirely subjective and relative notion.   A piece of music can be 
emotionally provocative or stirring for one person, but sterile and unmoving 
to another based on their individual and unique emotional makeups. 
Therefore, I believe making blanket statements about certain types of music 
and playing approaches in regard to their artist merit and emotional impact 
are essentially vacuous and illegitimate.  If you can find me one style of 
music or approach to playing that is as you say above to ALL listeners, then 
I would consider your point valid and proven....good luck with that, 
however. ;)  It is very difficult to find or legitimize universal or 
generalized value statements in art. Many try, but end up betraying 
themselves in the long run for doing so.  I don't mean to come across as 
harsh or pedantic here, but statements about the artistic or emotional 
impact of music do need to be translated and qualified as personal and 
subjective sentiment, and not factual statements that denote actual 
characteristics of art.  In my opinion, there is no such thing as a factual 
value statement about a piece of art, only factual statements that describe 
measureable or empirically observalbe characteristics of the art. Everything 
else I feel falls into the personal feeling category, which is more telling 
of the observer and not the piece of art.

> Paul Haslem
> dulcimer guy in Canada

Kris 


From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 15:37:03 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: RC-50 glitch
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Hi Kimmo

you have to be a bit careful with what you are reading.
A lot of people who use the RC-50 for the first time get the time settings (loop sync, loop quantize, guide, tempo sync, patch tempo, phrase tempo..) confused. Then they wonder why a loop starts/stops at a certain time.

With almost all my complaints, I was able to solve them with experience.

There are only the following "real glitches" that I'm aware of:
- When you record a loop and go to playback, the playback cannot be heard immediately but only after ca. 0,5 second. However, the loop is still perfectly on time and in perfect sync. The next repetition, the loop plays perfectly normal.

I suspect this is a memory buffer problem. I have that also on my mp3 player: There is always a gap between song 1 and song 2 because the mp3 player needs to load the song to its memory first.

Another issue related to this is:
- When you are switching Patches (set of loops), playback never seems to work seemlessly. There is always a little silent gap. This seems to depend on the size of the patch you want to playback, it seems.

The first problem - to me personally - is not a real issue. The way I play one hardly notices it. The other problem I find more annoying. I've found no workaround except using Single Mode (switching phrases within a patch).

Another major issue is that changing tempo doesn't sound well. So you should be able to live with sticking to the same playback tempo (I can live with that very well).
Then again, I just read on this forum that there is a software update coming to repair the "glitch"...

I don't know your budget, your musical style and also not all the alternatives. But I enjoy my RC-50 a lot. :-)
Btw, something people also forget is the looong recording time. While this may be not so important, it is very convenient: I record all my loops and save them and can dump that i.e. once a week via USB to a computer.

Best regards
Buzap
-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*!
"Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 16:05:05 2006
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From: richard moreau <rnmoreau777@yahoo.com>
Subject: Re: Coffeehouse Guitar vs street-busker
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Extremely well stated ! I've noticed some derogatory comments, passively stated from time to time here that people could take as insulting.

Krispen Hartung <khartung@cableone.net> wrote:  > having done many forms of entertainment including I personally have high 
> regard for the busker. [snip]>

Agreed. Here in Boise, busking is taken very seriously by the City Arts 
Commission. They hire buskers every summer to play on the street corners of 
a block down town, where a huge out door market occurs. They pay each busker 
$150 USD to play for 3 hours. That's not bad.

> It's always been a great mystery to me how some performers can be so 
> technically brilliant but soulless, some people have the ability to make 
> every note reach inside and grab you. Sort of like I ask why some 
> ambient/soundscape artists make evolving/shifting noise that doesn't go 
> anywhere or do anything... and others whisk me away to some other 
> dimension where time and space have no meaning. Is it in the equipment 
> they use or is it a gift to be able to share their inner vision with 
> someone else?

There was a time when I would have vehemently and completely agreed with you 
above, but my thinking has changed and softened up. I believe the idea of 
having soul in your playing, being moved by music and having notes grab you, 
is an entirely subjective and relative notion. A piece of music can be 
emotionally provocative or stirring for one person, but sterile and unmoving 
to another based on their individual and unique emotional makeups. 
Therefore, I believe making blanket statements about certain types of music 
and playing approaches in regard to their artist merit and emotional impact 
are essentially vacuous and illegitimate. If you can find me one style of 
music or approach to playing that is as you say above to ALL listeners, then 
I would consider your point valid and proven....good luck with that, 
however. ;) It is very difficult to find or legitimize universal or 
generalized value statements in art. Many try, but end up betraying 
themselves in the long run for doing so. I don't mean to come across as 
harsh or pedantic here, but statements about the artistic or emotional 
impact of music do need to be translated and qualified as personal and 
subjective sentiment, and not factual statements that denote actual 
characteristics of art. In my opinion, there is no such thing as a factual 
value statement about a piece of art, only factual statements that describe 
measureable or empirically observalbe characteristics of the art. Everything 
else I feel falls into the personal feeling category, which is more telling 
of the observer and not the piece of art.

> Paul Haslem
> dulcimer guy in Canada

Kris 




 		
---------------------------------
Yahoo! Music Unlimited - Access over 1 million songs.Try it free. 
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Extremely well stated ! I've noticed some derogatory comments, passively stated from time to time here that people could take as insulting.<BR><BR><B><I>Krispen Hartung &lt;khartung@cableone.net&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">&gt; having done many forms of entertainment including I personally have high <BR>&gt; regard for the busker. [snip]&gt;<BR><BR>Agreed. Here in Boise, busking is taken very seriously by the City Arts <BR>Commission. They hire buskers every summer to play on the street corners of <BR>a block down town, where a huge out door market occurs. They pay each busker <BR>$150 USD to play for 3 hours. That's not bad.<BR><BR>&gt; It's always been a great mystery to me how some performers can be so <BR>&gt; technically brilliant but soulless, some people have the ability to make <BR>&gt; every note reach inside and grab you. Sort of like I ask why some <BR>&gt;
 ambient/soundscape artists make evolving/shifting noise that doesn't go <BR>&gt; anywhere or do anything... and others whisk me away to some other <BR>&gt; dimension where time and space have no meaning. Is it in the equipment <BR>&gt; they use or is it a gift to be able to share their inner vision with <BR>&gt; someone else?<BR><BR>There was a time when I would have vehemently and completely agreed with you <BR>above, but my thinking has changed and softened up. I believe the idea of <BR>having soul in your playing, being moved by music and having notes grab you, <BR>is an entirely subjective and relative notion. A piece of music can be <BR>emotionally provocative or stirring for one person, but sterile and unmoving <BR>to another based on their individual and unique emotional makeups. <BR>Therefore, I believe making blanket statements about certain types of music <BR>and playing approaches in regard to their artist merit and emotional impact <BR>are essentially vacuous
 and illegitimate. If you can find me one style of <BR>music or approach to playing that is as you say above to ALL listeners, then <BR>I would consider your point valid and proven....good luck with that, <BR>however. ;) It is very difficult to find or legitimize universal or <BR>generalized value statements in art. Many try, but end up betraying <BR>themselves in the long run for doing so. I don't mean to come across as <BR>harsh or pedantic here, but statements about the artistic or emotional <BR>impact of music do need to be translated and qualified as personal and <BR>subjective sentiment, and not factual statements that denote actual <BR>characteristics of art. In my opinion, there is no such thing as a factual <BR>value statement about a piece of art, only factual statements that describe <BR>measureable or empirically observalbe characteristics of the art. Everything <BR>else I feel falls into the personal feeling category, which is more telling <BR>of the observer
 and not the piece of art.<BR><BR>&gt; Paul Haslem<BR>&gt; dulcimer guy in Canada<BR><BR>Kris <BR><BR><BR></BLOCKQUOTE><BR><p>&#32;
		<hr size=1>Yahoo! Music Unlimited - Access over 1 million songs.
<a href="http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=36035/*http://music.yahoo.com/unlimited/ 
">Try it free.</a> 
--0-718653931-1153411503=:79856--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 16:07:03 2006
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Date: Thu, 20 Jul 2006 12:07:02 -0400
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: Coffeehouse Guitar vs street-busker
References: <p06230900c0e4c74597a3@[10.0.1.2]>
	<20060720081950.22637.qmail@web31915.mail.mud.yahoo.com>
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I'm not really picking on any particular style of playing, technique or 
artistic
merit here.... I've observed players and audiences for a lot years. 
Some have a
great ability to reach an audience far beyond what I can subjectively explain.
People who can pull you into their vision weather you're a fan or not.... I'm
probably not explaining myself very well.
I agree my connection is affected by my own emotional, mental and 
physical state
of being, but what about those times when you hear something that 
totally grabs
you, unexpected?

Paul





Quoting Krispen Hartung <khartung@cableone.net>:

>
> There was a time when I would have vehemently and completely agreed 
> with you above, but my thinking has changed and softened up.  I 
> believe the idea of having soul in your playing, being moved by music 
> and having notes grab you, is an entirely subjective and relative 
> notion.   A piece of music can be emotionally provocative or stirring 
> for one person, but sterile and unmoving to another based on their 
> individual and unique emotional makeups. Therefore, I believe making 
> blanket statements about certain types of music and playing 
> approaches in regard to their artist merit and emotional impact are 
> essentially vacuous and illegitimate.  If you can find me one style 
> of music or approach to playing that is as you say above to ALL 
> listeners, then I would consider your point valid and proven....good 
> luck with that, however. ;)  It is very difficult to find or 
> legitimize universal or generalized value statements in art. Many 
> try, but end up betraying themselves in the long run for doing so.  I 
> don't mean to come across as harsh or pedantic here, but statements 
> about the artistic or emotional impact of music do need to be 
> translated and qualified as personal and subjective sentiment, and 
> not factual statements that denote actual characteristics of art.  In 
> my opinion, there is no such thing as a factual value statement about 
> a piece of art, only factual statements that describe measureable or 
> empirically observalbe characteristics of the art. Everything else I 
> feel falls into the personal feeling category, which is more telling 
> of the observer and not the piece of art.
>
>> Paul Haslem
>> dulcimer guy in Canada
>
> Kris


From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 16:29:23 2006
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From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: Coffeehouse Guitar vs street-busker
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Then again, you could just dismiss my mindless, subjective rambling as 
I ponder
why it is that sometimes when I perform people stop and go "wow! what is
that???" and other times they just walk on by....

I wasn't trying to pick on anyone, and certainly wasn't trying to be 
offensive.

Paul





>
>
> Quoting Krispen Hartung <khartung@cableone.net>:
>
>>
>> There was a time when I would have vehemently and completely agreed 
>> with you above, but my thinking has changed and softened up.  I 
>> believe the idea of having soul in your playing, being moved by 
>> music and having notes grab you, is an entirely subjective and 
>> relative notion.   A piece of music can be emotionally provocative 
>> or stirring for one person, but sterile and unmoving to another 
>> based on their individual and unique emotional makeups. Therefore, I 
>> believe making blanket statements about certain types of music and 
>> playing approaches in regard to their artist merit and emotional 
>> impact are essentially vacuous and illegitimate.  If you can find me 
>> one style of music or approach to playing that is as you say above 
>> to ALL listeners, then I would consider your point valid and 
>> proven....good luck with that, however. ;)  It is very difficult to 
>> find or legitimize universal or generalized value statements in art. 
>> Many try, but end up betraying themselves in the long run for doing 
>> so.  I don't mean to come across as harsh or pedantic here, but 
>> statements about the artistic or emotional impact of music do need 
>> to be translated and qualified as personal and subjective sentiment, 
>> and not factual statements that denote actual characteristics of 
>> art.  In my opinion, there is no such thing as a factual value 
>> statement about a piece of art, only factual statements that 
>> describe measureable or empirically observalbe characteristics of 
>> the art. Everything else I feel falls into the personal feeling 
>> category, which is more telling of the observer and not the piece of 
>> art.
>>
>>> Paul Haslem
>>> dulcimer guy in Canada
>>
>> Kris
>
>
>


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Subject: Re: Coffeehouse Guitar vs street-busker
Date: Thu, 20 Jul 2006 10:31:36 -0600
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I think anything you say about how any type of music affects you emotionally 
or intellectually is valid and undisputable, provided you say what you feel 
and not make it sound like an externally orientated statement that applies 
to everyone.  It's sacred ground. It's not even open for debate because your 
own feelings are your own and no one else's. But once we start assuming how 
music affects other listeners then we are attempting to second guess the 
contents of a black box, viz., the minds and hearts of other people.

So to say that one observes a performer reaching an audience sort of 
describes an impossible situation, because we don't observe the minds and 
feelings of people (only infer them from behavior), and quite frequently 
people admit that their behavior (which we can observe) does not always 
correspond 1-to-1 with emotional and thought.  This is why cognitive 
psychology is not hard science and relies on models rather than direct 
observation of their object of study. Hard core behaviorists, on the other 
hand, deny the existence of mind, and directly observe their objects of 
study.

When I hear something that totally grabs me, I can never assume that it does 
the same for someone else. That event is a private affair.  And this is why 
we see so many arguments online that go no where and don't get resolved, 
because one person is describing their private affair, and another their own 
private affair, yet both are stated as something public or generic, which is 
taken negatively by the other person.

Half the time, when I see people argue online here on this list, if they 
communicated their thoughts and feelings accurately from the outset, they 
would discover that there was nothing to argue about. I fall back to our 
dear German linguistic/analytic philosopher Wittgenstein's view on the 
matter, which is there are no arguments, only language games. Once people 
define their terms up front and express themselves accurately, there is 
nothing left to dispute, because they realize that they are disputing apples 
and oranges. I've always loved that reflection on disputes.

Kris

----- Original Message ----- 
From: <phaslem@wightman.ca>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 20, 2006 10:07 AM
Subject: Re: Coffeehouse Guitar vs street-busker


> I'm not really picking on any particular style of playing, technique or 
> artistic
> merit here.... I've observed players and audiences for a lot years. Some 
> have a
> great ability to reach an audience far beyond what I can subjectively 
> explain.
> People who can pull you into their vision weather you're a fan or not.... 
> I'm
> probably not explaining myself very well.
> I agree my connection is affected by my own emotional, mental and physical 
> state
> of being, but what about those times when you hear something that totally 
> grabs
> you, unexpected?
>
> Paul
>
>
>
>
>
> Quoting Krispen Hartung <khartung@cableone.net>:
>
>>
>> There was a time when I would have vehemently and completely agreed with 
>> you above, but my thinking has changed and softened up.  I believe the 
>> idea of having soul in your playing, being moved by music and having 
>> notes grab you, is an entirely subjective and relative notion.   A piece 
>> of music can be emotionally provocative or stirring for one person, but 
>> sterile and unmoving to another based on their individual and unique 
>> emotional makeups. Therefore, I believe making blanket statements about 
>> certain types of music and playing approaches in regard to their artist 
>> merit and emotional impact are essentially vacuous and illegitimate.  If 
>> you can find me one style of music or approach to playing that is as you 
>> say above to ALL listeners, then I would consider your point valid and 
>> proven....good luck with that, however. ;)  It is very difficult to find 
>> or legitimize universal or generalized value statements in art. Many try, 
>> but end up betraying themselves in the long run for doing so.  I don't 
>> mean to come across as harsh or pedantic here, but statements about the 
>> artistic or emotional impact of music do need to be translated and 
>> qualified as personal and subjective sentiment, and not factual 
>> statements that denote actual characteristics of art.  In my opinion, 
>> there is no such thing as a factual value statement about a piece of art, 
>> only factual statements that describe measureable or empirically 
>> observalbe characteristics of the art. Everything else I feel falls into 
>> the personal feeling category, which is more telling of the observer and 
>> not the piece of art.
>>
>>> Paul Haslem
>>> dulcimer guy in Canada
>>
>> Kris
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 16:43:05 2006
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From: "Michael Marsh" <michaelmarsh@san.rr.com>
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Subject: RC-50 and Feedback
Date: Thu, 20 Jul 2006 09:43:05 -0700
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Hello All -

I know there is a lot of traffic already on this topic, but maybe you'll
forgive one more contribution.

As I understand it, and clearly I'm not a veteran looper, feedback is used
to fade out parts of a phrase while other parts continue.  This is done for
musical reasons and sometimes because loops get "too dense".  Do I have that
right?

If so, then a simple strategy for using the RC-50 in this way is to use FADE
on stopping a loop.  Recall that you have 3 separate phrases available, so
that as one phrase fades out you can be looping on another.  It's easy
enough to erase a loop while another is playing so you could rotate the
three phrases at will.  

Maybe you could reserve one phrase of the three for rhythm or other base
music, and cycle two phrases for fading.  I've tried both strategies and
they work well.

The RC-50 is a deep unit, which is both a blessing and a curse.  Clearly you
need to spend time with it to get maximum benefit from it, but hey, I've
spent 35 years with my guitar(s) and *still* haven't mastered it.  In my
opinion, the RC-50 is extremely musical and flexible, but so are other
units.  "It's In The Way That You Use It".

Mike


From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 16:43:09 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: 10 year's anniversary of Looper's Delight ?
Date: Thu, 20 Jul 2006 18:42:59 +0200
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Looking forward to your contribution!

	Rainer 

> I'm late to the game, but let me say what a terrific idea 
> this is. I enjoyed the 15-some loops for quite a while last 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 16:54:42 2006
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Subject: RE: RC-50 and Feedback
Date: Thu, 20 Jul 2006 09:54:44 -0700
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And thinking about it a little more, since you have 3 phrases (loops)
available you can spread your single phrase out across three and bring them
in as is musically useful.  Fading and reverse seem to be very nice in this
context.

Mike

-----Original Message-----
From: Michael Marsh [mailto:michaelmarsh@san.rr.com] 
Sent: Thursday, July 20, 2006 9:43 AM
To: Loopers-Delight@loopers-delight.com
Subject: RC-50 and Feedback

Hello All -

I know there is a lot of traffic already on this topic, but maybe you'll
forgive one more contribution.

As I understand it, and clearly I'm not a veteran looper, feedback is used
to fade out parts of a phrase while other parts continue.  This is done for
musical reasons and sometimes because loops get "too dense".  Do I have that
right?

If so, then a simple strategy for using the RC-50 in this way is to use FADE
on stopping a loop.  Recall that you have 3 separate phrases available, so
that as one phrase fades out you can be looping on another.  It's easy
enough to erase a loop while another is playing so you could rotate the
three phrases at will.  

Maybe you could reserve one phrase of the three for rhythm or other base
music, and cycle two phrases for fading.  I've tried both strategies and
they work well.

The RC-50 is a deep unit, which is both a blessing and a curse.  Clearly you
need to spend time with it to get maximum benefit from it, but hey, I've
spent 35 years with my guitar(s) and *still* haven't mastered it.  In my
opinion, the RC-50 is extremely musical and flexible, but so are other
units.  "It's In The Way That You Use It".

Mike

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 17:02:32 2006
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Subject: Re: Coffeehouse Guitar vs street-busker
Date: Thu, 20 Jul 2006 11:02:28 -0600
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No offense taken. It's part of working out the understanding and getting 
clear on what we mean.

What you describe below is one of the things I find so fascinating about 
music and art, and why I believe it is such an amazing thing to do. We can 
all expect to excite, bore, offend, piss off, intrigue, fascinate, 
stimulate, turn on, repulse, put to sleep, motivate, influence, etc, etc, 
all sorts of people with our music. That's part of the landscape. Being a 
musician and performer, we have to accept that some people will simply 
abhore or dislike our  music....but remember, this says nothing about your 
music inherently, but about the subjective reaction of the listener. When we 
confuse these two things, then we start degrading our art unnecessarily and 
unfairly. And the same goes for positive responses. People will rave about a 
particular artist or piece of music, and that artist will in turn use that 
reaction to promote their music as if it possessed that inherent positive 
quality, but in fact it all about the listener and not the music. This opens 
up the likelihood of some dishonest marketing.   This diversity of reactions 
from listeners torments some artists (who strive for so called "perfection") 
and mass acceptance of their artform, but quickens others who thrive on 
diverse reactions to their art. In the end, it is what it is.

Kris

----- Original Message ----- 
From: <phaslem@wightman.ca>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 20, 2006 10:29 AM
Subject: Re: Coffeehouse Guitar vs street-busker


> Then again, you could just dismiss my mindless, subjective rambling as I 
> ponder
> why it is that sometimes when I perform people stop and go "wow! what is
> that???" and other times they just walk on by....
>
> I wasn't trying to pick on anyone, and certainly wasn't trying to be 
> offensive.
>
> Paul
>
>
>
>
>
>>
>>
>> Quoting Krispen Hartung <khartung@cableone.net>:
>>
>>>
>>> There was a time when I would have vehemently and completely agreed with 
>>> you above, but my thinking has changed and softened up.  I believe the 
>>> idea of having soul in your playing, being moved by music and having 
>>> notes grab you, is an entirely subjective and relative notion.   A piece 
>>> of music can be emotionally provocative or stirring for one person, but 
>>> sterile and unmoving to another based on their individual and unique 
>>> emotional makeups. Therefore, I believe making blanket statements about 
>>> certain types of music and playing approaches in regard to their artist 
>>> merit and emotional impact are essentially vacuous and illegitimate.  If 
>>> you can find me one style of music or approach to playing that is as you 
>>> say above to ALL listeners, then I would consider your point valid and 
>>> proven....good luck with that, however. ;)  It is very difficult to find 
>>> or legitimize universal or generalized value statements in art. Many 
>>> try, but end up betraying themselves in the long run for doing so.  I 
>>> don't mean to come across as harsh or pedantic here, but statements 
>>> about the artistic or emotional impact of music do need to be translated 
>>> and qualified as personal and subjective sentiment, and not factual 
>>> statements that denote actual characteristics of art.  In my opinion, 
>>> there is no such thing as a factual value statement about a piece of 
>>> art, only factual statements that describe measureable or empirically 
>>> observalbe characteristics of the art. Everything else I feel falls into 
>>> the personal feeling category, which is more telling of the observer and 
>>> not the piece of art.
>>>
>>>> Paul Haslem
>>>> dulcimer guy in Canada
>>>
>>> Kris
>>
>>
>>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 17:06:33 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: RC-50 FEEDBACK WORKS
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--- mech <mech@m3ch.net> wrote:

> to 
> finally have that and have the product come sooooooo
> close, but then 
> in the end to *just* miss the mark -- that's what is
> so frustrating. 
> I guess maybe we just wait for the RC-70 then...?
> 
> 	--m

I couldn't agree with you more on all points. 
Excellent post.

Mark

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 17:08:13 2006
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just a bit to add to buzap's post on this subject.   i've been a bit of a 
squeeky wheel on this glitch issue, but i wanted to just add   for kimmo that you 
can "play through" the first beat of the playback of your newly recorded 
phrase/loop to cover up the "hiccup" which indeed goes away after the first 
playback.   (if you've nailed the exit/entry points).   since i often work with 
looping fingerpicked guitar passages, i find this a big pain to deal with, and i 
anxiously await the software update.   how this was found acceptable by roland 
in the first place, i'll never know.   how big an issue it is for you would be 
influenced by what you kind of music are trying to loop.

john

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">just a bit to add to buzap's post on th=
is subject.&nbsp;  i've been a bit of a squeeky wheel on this glitch issue,=20=
but i wanted to just add&nbsp;  for kimmo that you can "play through" the fi=
rst beat of the playback of your newly recorded phrase/loop to cover up the=20=
"hiccup" which indeed goes away after the first playback.&nbsp;  (if you've=20=
nailed the exit/entry points).&nbsp;  since i often work with looping finger=
picked guitar passages, i find this a big pain to deal with, and i anxiously=
 await the software update.&nbsp;  how this was found acceptable by roland i=
n the first place, i'll never know.&nbsp;  how big an issue it is for you wo=
uld be influenced by what you kind of music are trying to loop.<BR>
<BR>
john</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 17:17:59 2006
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Date: Thu, 20 Jul 2006 13:17:52 EDT
Subject: Re: Boops and Beeps (was Feedback (was RC-50 FEEDBACK WORKS))
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In a message dated 7/19/06 11:51:04 PM, hqr@cox.net writes:


> but continuing to add layers without being able to reduce
> the amount of accumulated sound (I have come to refer to this as the
> "Lobster trap") is neither artistic nor creative.
> 

i think to work without feedback calls forth both creativity and an artistic 
bent to pull it off, rather than adding "layers" perhaps think more in terms 
of adding the occasional "sound".....and never forget "undo is for 
sissies!".....:)m



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 7/19/06 11:51:04 PM, hqr@cox.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">but continuing to add=
 layers without being able to reduce<BR>
the amount of accumulated sound (I have come to refer to this as the<BR>
"Lobster trap") is neither artistic nor creative.<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">i think to work without feedback calls forth both creativity and an artis=
tic bent to pull it off, rather than adding "layers" perhaps think more in t=
erms of adding the occasional "sound".....and never forget "undo is for siss=
ies!".....:)m<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 17:28:23 2006
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References: <p06230900c0e4c74597a3@[10.0.1.2]>
    <20060720081950.22637.qmail@web31915.mail.mud.yahoo.com>
    <6.1.0.6.2.20060720082459.01c853e0@mail.wightman.ca>
Date: Thu, 20 Jul 2006 10:28:19 -0700 (PDT)
Subject: Re: Coffeehouse Guitar vs street-busker
From: johnsrude@peak.org
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> It's always been a great mystery to me how some performers can be so
> technically brilliant but soulless, some people have the ability to make
> every note reach inside and grab you.

Why are some people my friends and others my enemies? How does someone new say
or do something that touches me so deeply I feel that I've known them all my
life?  Music is that.  There's grace and beauty but the rest is a mysterious
chemistry.

Peace,
Kevin
www.TheNettles.com




From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 17:39:32 2006
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Date: Thu, 20 Jul 2006 10:39:30 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Foot or face?  Where do you like it?
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--- Michael Plishka <mike@michaelplishka.com> wrote:

> Correct me if I'm wrong, but having this all on the
> floor for a live gig
> where one does things other than looping is more of
> a hindrance, isn't it?

Good point.  There is an issue with any piece of music
gear (unless you're a vocalist) that is designed to be
used at the same time one is performing.  Unlike the
Squonshilius on FUUUMO 5, we only have two digited
limbs with decent articulation. (damn these useless
toes!)

So.  We want loopers.  We want loopers with features. 
LOTs of features.  But we want them to be simple and
easy to control.  But we also want to smile at our
audience (er, well I just show videos to get around
all this).  How do we get this to happen?

Right now I'm at a point with Mobius where each button
on my FCB1010 has been assigned... but there are still
functions I want to be able to easily control with my
feet.  Set up another bank?  I don't like this.  I
feel it starts to get too confusing.  Another
controller?  Not enough floor real estate.  So what
should I do?  Probably I'll do what I do with my
Repeater: keep less used functionality on the unit and
must have stuff on the floor.  I don't like this
compromise, but I don't see another way.  Maybe it's
God's way of telling me I should keep things more
simple... wait, didn't Trent tell me he died?  Oh
well.

I do think one of the Repeater's strengths was it's
super nice interface.  It didn't take long for me to
get comfortable with it and other than a few blunders
with the interface it became a no brainer after a
while.  

Really the best performances I've seen by loopers are
That One Guy, Kid Beyond, Brian Kenny Fresno, Amy X
and Laurie Anderson... all who are doing well
structured songs.  Hmm... what does that mean?  Not a
single one ever bent down to tweak a pedal, that's for
sure.  I'm not familar enough with the RC's to know if
you can do most of what you need without bending over,
but they sure had better.  Also, Electro-Harmonix, are
you listening?  Why do you make pedals that need
pedals?

</rant>

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 17:43:33 2006
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Date: Thu, 20 Jul 2006 12:43:17 -0500
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Subject: Re: AW: 10 year's anniversary of Looper's Delight ?
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--------------070108060503000201050908
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Content-Transfer-Encoding: 7bit

hey Rainer, I did finally put one up late last night, and I saw a few 
other new ones too. Happy to be in such good company...I hope everyone 
here joins in.

Daryl Shawn
www.swanwelder.com

> Looking forward to your contribution!
>
> 	Rainer 
>
>   
>> I'm late to the game, but let me say what a terrific idea 
>> this is. I enjoyed the 15-some loops for quite a while last 
>>     
>
>
>
>
>   


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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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<head>
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</head>
<body bgcolor="#ffffff" text="#000000">
hey Rainer, I did finally put one up late last night, and I saw a few
other new ones too. Happy to be in such good company...I hope everyone
here joins in.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
<blockquote cite="mid000301c6ac1b$90d4afb0$0101a8c0@succubus"
 type="cite">
  <pre wrap="">Looking forward to your contribution!

	Rainer 

  </pre>
  <blockquote type="cite">
    <pre wrap="">I'm late to the game, but let me say what a terrific idea 
this is. I enjoyed the 15-some loops for quite a while last 
    </pre>
  </blockquote>
  <pre wrap=""><!---->



  </pre>
</blockquote>
<br>
</body>
</html>

--------------070108060503000201050908--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 17:48:13 2006
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References: <00a401c6abe6$3628a920$6602a8c0@Ruelle2>
Date: Thu, 20 Jul 2006 10:48:12 -0700 (PDT)
Subject: Re: EH2880 on video
From: johnsrude@peak.org
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> For those who like me haven't the opportunity to test the EH 2880, there is
> now a video on sonicstate.
> http://www.sonicstate.com/news/shownews.cfm?newsid=3265

So the EH2880 doesn't have a multiply function?

Cheers,
Kevin
www.TheNettles.com


From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 17:49:49 2006
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Subject: RE: AW: 10 year's anniversary of Looper's Delight ?
Date: Thu, 20 Jul 2006 10:49:50 -0700
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I came late to the game, so I don't know where/how to upload a contribution.
Could somebody re-post the instructions?

 

Thanks!

 

Mike

 

  _____  

From: Daryl Shawn [mailto:highhorse@mhorse.com] 
Sent: Thursday, July 20, 2006 10:43 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: AW: 10 year's anniversary of Looper's Delight ?

 

hey Rainer, I did finally put one up late last night, and I saw a few other
new ones too. Happy to be in such good company...I hope everyone here joins
in.

Daryl Shawn
www.swanwelder.com




Looking forward to your contribution!
 
        Rainer 
 
  

I'm late to the game, but let me say what a terrific idea 
this is. I enjoyed the 15-some loops for quite a while last 
    

 
 
 
 
  

 


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<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Trebuchet =
MS"><span
style=3D'font-size:10.0pt;font-family:"Trebuchet MS";color:blue'>I came =
late to
the game, so I don&#8217;t know where/how to upload a =
contribution.&nbsp; Could
somebody re-post the instructions?<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Trebuchet =
MS"><span
style=3D'font-size:10.0pt;font-family:"Trebuchet =
MS";color:blue'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Trebuchet =
MS"><span
style=3D'font-size:10.0pt;font-family:"Trebuchet =
MS";color:blue'>Thanks!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Trebuchet =
MS"><span
style=3D'font-size:10.0pt;font-family:"Trebuchet =
MS";color:blue'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Trebuchet =
MS"><span
style=3D'font-size:10.0pt;font-family:"Trebuchet =
MS";color:blue'>Mike<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Trebuchet =
MS"><span
style=3D'font-size:10.0pt;font-family:"Trebuchet =
MS";color:blue'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
color=3Dblack face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;color:windowtext'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 color=3Dblack face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma;color:windowtext;font-weight=
:bold'>From:</span></font></b><font
size=3D2 color=3Dblack face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;
color:windowtext'> Daryl Shawn [mailto:highhorse@mhorse.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Thursday, July 20, =
2006
10:43 AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <st1:PersonName =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: AW: 10 =
year's
anniversary of Looper's Delight ?</span></font><font color=3Dblack><span
style=3D'color:windowtext'><o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt'>hey Rainer, I did finally put one up late =
last night,
and I saw a few other new ones too. Happy to be in such good company...I =
hope
everyone here joins in.<br>
<br>
Daryl Shawn<br>
<a href=3D"http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
<br>
<o:p></o:p></span></font></p>

<pre wrap=3D""><font size=3D2 color=3Dblack face=3D"Courier New"><span
style=3D'font-size:10.0pt'>Looking forward to your =
contribution!<o:p></o:p></span></font></pre><pre><font
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></pre><pre><fon=
t
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Rainer <o:p></o:p></span></font></pre><pre><font
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></pre><pre><fon=
t
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt'>&nbsp; <o:p></o:p></span></font></pre>

<blockquote style=3D'margin-top:5.0pt;margin-bottom:5.0pt' =
type=3Dcite><pre wrap=3D""><font
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt'>I'm late to the game, but let me say what a =
terrific idea <o:p></o:p></span></font></pre><pre><font
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt'>this is. I enjoyed the 15-some loops for =
quite a while last <o:p></o:p></span></font></pre><pre><font
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt'>&nbsp;&nbsp;&nbsp;&nbsp;<o:p></o:p></span></fo=
nt></pre></blockquote>

<pre wrap=3D""><font size=3D2 color=3Dblack face=3D"Courier New"><span
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></pre><pre><fon=
t
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></pre><pre><fon=
t
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></pre><pre><fon=
t
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt'><o:p>&nbsp;</o:p></span></font></pre><pre><fon=
t
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt'>&nbsp; <o:p></o:p></span></font></pre>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 17:58:22 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Coffeehouse Guitar vs street-busker
Date: Thu, 20 Jul 2006 14:02:43 -0400
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Have you ever listened to a piece of music while in a foul/unreceptive
mood, hated it, and then been blown away upon a second, better, listen?
This happened to me enough times to realize that maybe the musical "truths"
are all simply a matter of perception, as Kris says. One person's
transcendent ticket to joy is another person's infantile, boring twaddle. I
guess having a professional music critic in my band, an acerbic critic who
hates at least half of my favorite bands, has also made this clear.

Peace,
Tim M


> [Original Message]
> From: <johnsrude@peak.org>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 7/20/2006 1:28:23 PM
> Subject: Re: Coffeehouse Guitar vs street-busker
>
> > It's always been a great mystery to me how some performers can be so
> > technically brilliant but soulless, some people have the ability to make
> > every note reach inside and grab you.
>
> Why are some people my friends and others my enemies? How does someone
new say
> or do something that touches me so deeply I feel that I've known them all
my
> life?  Music is that.  There's grace and beauty but the rest is a
mysterious
> chemistry.
>
> Peace,
> Kevin
> www.TheNettles.com
>
>
>


From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 17:58:56 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <006f01c6ac24$e6588980$6701a8c0@pantanolaptop1>
Subject: Re: AW: 10 year's anniversary of Looper's Delight ?
Date: Thu, 20 Jul 2006 11:58:51 -0600
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Here you go:

All streamed here: http://www.krispenhartung.com/loopers-delight-10year.m3u

Create your 30 sec. MP3s in 128 rate format and upload them here:

http://www.box.net/
Login: loopersdelight
Password: loopersdelight

Title the MP3 with your name and location, like Krispen Hartung - Boise - 
Idaho - USA.mp3

Kris

----- Original Message ----- 
From: Michael Marsh
To: Loopers-Delight@loopers-delight.com
Sent: Thursday, July 20, 2006 11:49 AM
Subject: RE: AW: 10 year's anniversary of Looper's Delight ?


I came late to the game, so I don't know where/how to upload a contribution. 
Could somebody re-post the instructions?

Thanks!

Mike




From: Daryl Shawn [mailto:highhorse@mhorse.com]
Sent: Thursday, July 20, 2006 10:43 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: AW: 10 year's anniversary of Looper's Delight ?

hey Rainer, I did finally put one up late last night, and I saw a few other 
new ones too. Happy to be in such good company...I hope everyone here joins 
in.

Daryl Shawn
www.swanwelder.com



Looking forward to your contribution!

        Rainer


I'm late to the game, but let me say what a terrific idea
this is. I enjoyed the 15-some loops for quite a while last






 


From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 18:02:27 2006
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To: <Loopers-Delight@loopers-delight.com>
Subject: RE: AW: 10 year's anniversary of Looper's Delight ?
Date: Thu, 20 Jul 2006 11:02:25 -0700
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Thanks so much.  I will upload something tonight...

Mike

-----Original Message-----
From: Krispen Hartung [mailto:khartung@cableone.net] 
Sent: Thursday, July 20, 2006 10:59 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: AW: 10 year's anniversary of Looper's Delight ?

Here you go:

All streamed here: http://www.krispenhartung.com/loopers-delight-10year.m3u

Create your 30 sec. MP3s in 128 rate format and upload them here:

http://www.box.net/
Login: loopersdelight
Password: loopersdelight

Title the MP3 with your name and location, like Krispen Hartung - Boise - 
Idaho - USA.mp3

Kris

----- Original Message ----- 
From: Michael Marsh
To: Loopers-Delight@loopers-delight.com
Sent: Thursday, July 20, 2006 11:49 AM
Subject: RE: AW: 10 year's anniversary of Looper's Delight ?


I came late to the game, so I don't know where/how to upload a contribution.

Could somebody re-post the instructions?

Thanks!

Mike




From: Daryl Shawn [mailto:highhorse@mhorse.com]
Sent: Thursday, July 20, 2006 10:43 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: AW: 10 year's anniversary of Looper's Delight ?

hey Rainer, I did finally put one up late last night, and I saw a few other 
new ones too. Happy to be in such good company...I hope everyone here joins 
in.

Daryl Shawn
www.swanwelder.com



Looking forward to your contribution!

        Rainer


I'm late to the game, but let me say what a terrific idea
this is. I enjoyed the 15-some loops for quite a while last






 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 18:07:39 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Foot or face?  Where do you like it?
Date: Thu, 20 Jul 2006 14:12:00 -0400
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One bit of obvious advice that I'd like to add...
When designing and configuring your performance rig, ALWAYS allow for two
things:
1. the paralyzing curse of Stage Fright, which can cut your IQ in half,
aaaaaaand, 
2. Murphy's Law

Cheers,
Tim
www.myspace.com/timmungenast
www.mungenast.com




> [Original Message]
> From: mark sottilaro <zerocrossing2001@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 7/20/2006 1:39:31 PM
> Subject: Foot or face?  Where do you like it?
>
> --- Michael Plishka <mike@michaelplishka.com> wrote:
>
> > Correct me if I'm wrong, but having this all on the
> > floor for a live gig
> > where one does things other than looping is more of
> > a hindrance, isn't it?
>
> Good point.  There is an issue with any piece of music
> gear (unless you're a vocalist) that is designed to be
> used at the same time one is performing.  Unlike the
> Squonshilius on FUUUMO 5, we only have two digited
> limbs with decent articulation. (damn these useless
> toes!)
>
> So.  We want loopers.  We want loopers with features. 
> LOTs of features.  But we want them to be simple and
> easy to control.  But we also want to smile at our
> audience (er, well I just show videos to get around
> all this).  How do we get this to happen?
>
> Right now I'm at a point with Mobius where each button
> on my FCB1010 has been assigned... but there are still
> functions I want to be able to easily control with my
> feet.  Set up another bank?  I don't like this.  I
> feel it starts to get too confusing.  Another
> controller?  Not enough floor real estate.  So what
> should I do?  Probably I'll do what I do with my
> Repeater: keep less used functionality on the unit and
> must have stuff on the floor.  I don't like this
> compromise, but I don't see another way.  Maybe it's
> God's way of telling me I should keep things more
> simple... wait, didn't Trent tell me he died?  Oh
> well.
>
> I do think one of the Repeater's strengths was it's
> super nice interface.  It didn't take long for me to
> get comfortable with it and other than a few blunders
> with the interface it became a no brainer after a
> while.  
>
> Really the best performances I've seen by loopers are
> That One Guy, Kid Beyond, Brian Kenny Fresno, Amy X
> and Laurie Anderson... all who are doing well
> structured songs.  Hmm... what does that mean?  Not a
> single one ever bent down to tweak a pedal, that's for
> sure.  I'm not familar enough with the RC's to know if
> you can do most of what you need without bending over,
> but they sure had better.  Also, Electro-Harmonix, are
> you listening?  Why do you make pedals that need
> pedals?
>
> </rant>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 


From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 18:14:00 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boops and Beeps (was Feedback (was RC-50 FEEDBACK WORKS))
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A friend of mine added a toggle switch to his tape echo so he could defeat the erase head, thereby allowing him to keep recording until he had a wonderful smushed-up sonic mess. Can modern equipment do that? My MPX-500's "Infinite Reverb" patch does something vaguely similar... I just play one big chord and it becomes that sci-fi rocket or jet sound effect, getting bassier and louder until I have to switch patches to keep my amp from detonating (LOL). I love that box immensely in spite of its criminally awful signal-to-noise ratio. BTW, anyone have any ideas for de-hissing a Lexi-box?
~TimM


----- Original Message ----- 
From: 
To: Loopers-Delight@loopers-delight.com
Sent: 7/20/2006 1:17:59 PM 
Subject: Re: Boops and Beeps (was Feedback (was RC-50 FEEDBACK WORKS))



In a message dated 7/19/06 11:51:04 PM, hqr@cox.net writes:



but continuing to add layers without being able to reduce
the amount of accumulated sound (I have come to refer to this as the
"Lobster trap") is neither artistic nor creative.



i think to work without feedback calls forth both creativity and an artistic bent to pull it off, rather than adding "layers" perhaps think more in terms of adding the occasional "sound".....and never forget "undo is for sissies!".....:)m



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11
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<DIV><FONT face="MS Sans Serif" size=2>A friend of mine added a toggle switch to his tape echo so he could defeat the erase head, thereby allowing him to keep recording until he had a wonderful smushed-up sonic mess. Can modern equipment do that? My MPX-500's "Infinite Reverb" patch does something vaguely similar... I just play one big chord and it becomes that sci-fi&nbsp;rocket or jet sound effect,&nbsp;getting bassier and louder until I have to switch patches to keep my amp from detonating (LOL). I love that box immensely in spite of its criminally awful signal-to-noise ratio. BTW, anyone have any ideas for de-hissing a Lexi-box?</FONT></DIV>
<DIV><FONT face="MS Sans Serif" size=2>~TimM</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=Nemoguitt@aol.com href="mailto:Nemoguitt@aol.com"></A></DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 7/20/2006 1:17:59 PM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Boops and Beeps (was Feedback (was RC-50 FEEDBACK WORKS))</DIV>
<DIV><BR></DIV><FONT size=2><FONT face=arial,helvetica><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF"><BR>In a message dated 7/19/06 11:51:04 PM, hqr@cox.net writes:<BR><BR><BR>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px" cite="" TYPE="CITE"></FONT><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF">but continuing to add layers without being able to reduce<BR>the amount of accumulated sound (I have come to refer to this as the<BR>"Lobster trap") is neither artistic nor creative.<BR></BLOCKQUOTE></FONT><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF"><BR><BR></FONT><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF">i think to work without feedback calls forth both creativity and an artistic bent to pull it off, rather than adding "layers" perhaps think more in terms of adding the occasional "sound".....and never forget "undo is for sissies!".....:)m<BR><BR><BR><BR>www.ct-collective.com<BR>http://mysite.verizon.net/vzepmeci/<BR>http://www.myspace.com/klobuchar11<BR></FONT><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF"></FONT></FONT></FONT></BLOCKQUOTE></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 18:32:04 2006
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From: "Krispen Hartung" <khartung@cableone.net>
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Subject: Re: Coffeehouse Guitar vs street-busker
Date: Thu, 20 Jul 2006 12:31:59 -0600
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You got it. When I first heard Phish, I disliked them. Then a year later 
they were my favorite band. Something happened in my head that changed how I 
felt about what I heard. That black box is a mysterious thing. As you say, 
there are "truths" like  "Song A makes me feel X", but another person may 
say "Song A does not make me feel X, but Y". Of course, putting those two 
statements side by side, they contradict each other, but that isn't a 
problem if you restrict them to facts of personal feeling rather than actual 
characteristics of music. IF we are talking about actual inherent or 
instrinsic characteristics of music, then it would be impossibe for a piece 
of music to be both X and Not-X. That's absurd....a does-not-compute.  So 
there is no single truth about the value of a single piece of music, only 
individual truths that may or may not be consistent with each other, and 
which correspond to states of affairs inside the private  "black box" of 
thoughts and feeligs.

I think I've turned this thread into a philosophical tract. Sorry.

Kris


----- Original Message ----- 
From: "Timothy Mungenast" <mungenast@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 20, 2006 12:02 PM
Subject: Re: Coffeehouse Guitar vs street-busker


> Have you ever listened to a piece of music while in a foul/unreceptive
> mood, hated it, and then been blown away upon a second, better, listen?
> This happened to me enough times to realize that maybe the musical 
> "truths"
> are all simply a matter of perception, as Kris says. One person's
> transcendent ticket to joy is another person's infantile, boring twaddle. 
> I
> guess having a professional music critic in my band, an acerbic critic who
> hates at least half of my favorite bands, has also made this clear.
>
> Peace,
> Tim M
>
>
>> [Original Message]
>> From: <johnsrude@peak.org>
>> To: <Loopers-Delight@loopers-delight.com>
>> Date: 7/20/2006 1:28:23 PM
>> Subject: Re: Coffeehouse Guitar vs street-busker
>>
>> > It's always been a great mystery to me how some performers can be so
>> > technically brilliant but soulless, some people have the ability to 
>> > make
>> > every note reach inside and grab you.
>>
>> Why are some people my friends and others my enemies? How does someone
> new say
>> or do something that touches me so deeply I feel that I've known them all
> my
>> life?  Music is that.  There's grace and beauty but the rest is a
> mysterious
>> chemistry.
>>
>> Peace,
>> Kevin
>> www.TheNettles.com
>>
>>
>>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 18:36:37 2006
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>>>>>>I think I've turned this thread into a philosophical tract. Sorry.


I've been enjoying your (dead accurate) philosophical musings all morning!
Feel free to continue!



>>>>>>>IF we are talking about actual inherent or
instrinsic characteristics of music, then it would be impossibe for a piece

of music to be both X and Not-X.


A is A!


http://www.importanceofphilosophy.com/Metaphysics_Identity.html



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From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 18:43:54 2006
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Yeah, Kris! What HE said! I have zero problem with philospohical musings.
Much great art has sprung from them.

~Timbus Pretentius


> [Original Message]
> From: <Matthew.Quinn@sunlife.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 7/20/2006 2:36:37 PM
> Subject: Re: Coffeehouse Guitar vs street-busker
>
> >>>>>>I think I've turned this thread into a philosophical tract. Sorry.
>
>
> I've been enjoying your (dead accurate) philosophical musings all morning!
> Feel free to continue!
>
>
>
> >>>>>>>IF we are talking about actual inherent or
> instrinsic characteristics of music, then it would be impossibe for a
piece
>
> of music to be both X and Not-X.
>
>
> A is A!
>
>
> http://www.importanceofphilosophy.com/Metaphysics_Identity.html
>
>
>
>
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 18:52:46 2006
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Well, I don't know about "modern equipment", but just this second I'm 
customizing one of my cassettes so the tape path avoids the erase head, 
with the same results...

Daryl Shawn
www.swanwelder.com
> A friend of mine added a toggle switch to his tape echo so he could 
> defeat the erase head, thereby allowing him to keep recording until he 
> had a wonderful smushed-up sonic mess. Can modern equipment do that? 
> My MPX-500's "Infinite Reverb" patch does something vaguely similar... 
> I just play one big chord and it becomes that sci-fi rocket or jet 
> sound effect, getting bassier and louder until I have to switch 
> patches to keep my amp from detonating (LOL). I love that box 
> immensely in spite of its criminally awful signal-to-noise ratio. BTW, 
> anyone have any ideas for de-hissing a Lexi-box?
> ~TimM
>  


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Well, I don't know about "modern equipment", but just this second I'm
customizing one of my cassettes so the tape path avoids the erase head,
with the same results...<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<blockquote cite="mid410-220067420181821210@earthlink.net" type="cite">
  <meta content="MSHTML 6.00.2800.1555" name="GENERATOR">
  <div><font face="MS Sans Serif" size="2">A friend of mine added a
toggle switch to his tape echo so he could defeat the erase head,
thereby allowing him to keep recording until he had a wonderful
smushed-up sonic mess. Can modern equipment do that? My MPX-500's
"Infinite Reverb" patch does something vaguely similar... I just play
one big chord and it becomes that sci-fi&nbsp;rocket or jet sound
effect,&nbsp;getting bassier and louder until I have to switch patches to
keep my amp from detonating (LOL). I love that box immensely in spite
of its criminally awful signal-to-noise ratio. BTW, anyone have any
ideas for de-hissing a Lexi-box?</font></div>
  <div><font face="MS Sans Serif" size="2">~TimM</font></div>
  <div>&nbsp;</div>
</blockquote>
<br>
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Subject: Handsonic ?
Date: Thu, 20 Jul 2006 11:52:31 -0700
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Hi,
Anyone using handsonic? Either the fancy or cost-reduced version?=20
Of course, its not a fair comparison, but overall, how does it compare
to having a variety of acoustic percussion devices? =20
Pros/Cons =3D?

thanks
-Qua

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<P><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Arial">Hi,</FONT>

<BR><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Arial">Anyone using =
handsonic? Either the fancy or cost-reduced version? </FONT>

<BR><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Arial">Of course, its not a =
fair comparison, but overall, how does it compare to having a variety of =
acoustic percussion devices?&nbsp; </FONT></P>

<P><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Arial">Pros/Cons =3D?</FONT>
</P>

<P><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Arial">thanks</FONT>

<BR><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Arial">-Qua</FONT>
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Subject: Re: Coffeehouse Guitar vs street-busker
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He will !! Don't fret !!

Matthew.Quinn@sunlife.com wrote:  >>>>>>I think I've turned this thread into a philosophical tract. Sorry.


I've been enjoying your (dead accurate) philosophical musings all morning!
Feel free to continue!



>>>>>>>IF we are talking about actual inherent or
instrinsic characteristics of music, then it would be impossibe for a piece

of music to be both X and Not-X.


A is A!


http://www.importanceofphilosophy.com/Metaphysics_Identity.html



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He will !! Don't fret !!<BR><BR><B><I>Matthew.Quinn@sunlife.com</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">&gt;&gt;&gt;&gt;&gt;&gt;I think I've turned this thread into a philosophical tract. Sorry.<BR><BR><BR>I've been enjoying your (dead accurate) philosophical musings all morning!<BR>Feel free to continue!<BR><BR><BR><BR>&gt;&gt;&gt;&gt;&gt;&gt;&gt;IF we are talking about actual inherent or<BR>instrinsic characteristics of music, then it would be impossibe for a piece<BR><BR>of music to be both X and Not-X.<BR><BR><BR>A is A!<BR><BR><BR>http://www.importanceofphilosophy.com/Metaphysics_Identity.html<BR><BR><BR><BR>---------------------------------------------------------------------------<BR>This e-mail message (including attachments, if any) is intended for the use<BR>of the individual or entity to which it is addressed and may contain<BR>information that is privileged, proprietary , confidential
 and exempt from<BR>disclosure. If you are not the intended recipient, you are notified that<BR>any dissemination, distribution or copying of this communication is<BR>strictly prohibited. If you have received this communication in error,<BR>please notify the sender and erase this e-mail message immediately.<BR>---------------------------------------------------------------------------<BR><BR></BLOCKQUOTE><BR><p>&#32;
	
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 19:02:03 2006
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From: phaslem@wightman.ca
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Subject: Re: Coffeehouse Guitar vs street-busker
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Actually, this sort of thought provoking, intelligent musings from 
other artists
are exactly what I needed to help me through the introverted spiral I 
fall into
now and then. I hope this continues to be a place where not only technical
things are discussed but the philosophical bits as well.

Thanks all

Paul






Quoting Krispen Hartung <khartung@cableone.net>:

> You got it. When I first heard Phish, I disliked them. Then a year 
> later they were my favorite band. Something happened in my head that 
> changed how I felt about what I heard. That black box is a mysterious 
> thing. As you say, there are "truths" like  "Song A makes me feel X", 
> but another person may say "Song A does not make me feel X, but Y". 
> Of course, putting those two statements side by side, they contradict 
> each other, but that isn't a problem if you restrict them to facts of 
> personal feeling rather than actual characteristics of music. IF we 
> are talking about actual inherent or instrinsic characteristics of 
> music, then it would be impossibe for a piece of music to be both X 
> and Not-X. That's absurd....a does-not-compute.  So there is no 
> single truth about the value of a single piece of music, only 
> individual truths that may or may not be consistent with each other, 
> and which correspond to states of affairs inside the private  "black 
> box" of thoughts and feeligs.
>
> I think I've turned this thread into a philosophical tract. Sorry.
>
> Kris

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 19:02:08 2006
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Date: Thu, 20 Jul 2006 14:02:02 -0500
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At 2:35 PM -0400 7/20/06, Matthew.Quinn@sunlife.com wrote:
>
>I've been enjoying your (dead accurate) philosophical musings all morning!
>Feel free to continue!

Yep, what he said!!!

>A is A!
>http://www.importanceofphilosophy.com/Metaphysics_Identity.html

In this instance, I can't even count how many ways I disagree with 
Aristotelian logic as defined here (with all due respect, of course; 
Aristotle was still a great, great philosopher, IMNSHO).  Most of 
those issues, however, touch on Kris' points regarding Wittgenstein's 
theories on language and defining your terms.  "Ya change the rules, 
ya change the game" in other words.  ;)

	--m.
-- 
_______
"You are in a maze of twisty little passages, all alike..."

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 19:20:51 2006
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I had the orignal version and while it was full of bells and whistles and
dbeams and such personally I am used to a nice single pad to touch/rub/hit
and I found the tiny semi-circle square triggers too hard to get used
to. I don't know much about the new one but as a devie with a single round
congo type top I really liked what it could do. The rubber wasn't the same
as a skin by any means but you could get it to do similar things and the
built in sound collection and effects were excellent.



On Thu, 20 Jul 2006, Veda, Qua wrote:

> Hi,
> Anyone using handsonic? Either the fancy or cost-reduced version? 
> Of course, its not a fair comparison, but overall, how does it compare
> to having a variety of acoustic percussion devices?  
> Pros/Cons =?
> 
> thanks
> -Qua
> 

-- 
___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 19:26:05 2006
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Date: Thu, 20 Jul 2006 12:25:58 -0700
From: Paul Richards <paulrichard10@adelphia.net>
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I had a Handsonic for quite a while and really liked it. The stuff I recorded using the unit for percussion for my guitar-based stuff is still some of the most favorite stuff I've ever done, IMHO. The HPD-15 had a tendency to slide around a little bit on ones lap. I ended up purchasing the (expensive) stand to alleviate that issue. When I sold the unit, I went to regular acoustic congas which I love to play, BUT miking them everytime I wanted to record was a pain. It is much easier to run the feeds from the Handsonic to a mixer/recorder.
--
Paul Richards

---- Legion <legion@helpwantedproductions.com> wrote: 
> 
> I had the orignal version and while it was full of bells and whistles and
> dbeams and such personally I am used to a nice single pad to touch/rub/hit
> and I found the tiny semi-circle square triggers too hard to get used
> to. I don't know much about the new one but as a devie with a single round
> congo type top I really liked what it could do. The rubber wasn't the same
> as a skin by any means but you could get it to do similar things and the
> built in sound collection and effects were excellent.
> 
> 
> 
> On Thu, 20 Jul 2006, Veda, Qua wrote:
> 
> > Hi,
> > Anyone using handsonic? Either the fancy or cost-reduced version? 
> > Of course, its not a fair comparison, but overall, how does it compare
> > to having a variety of acoustic percussion devices?  
> > Pros/Cons =?
> > 
> > thanks
> > -Qua
> > 
> 
> -- 
> ___________________________________________________________________
> HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
> "Bringing you the best in Organic Electronic music since we started..."
> 
> Home of the Unusual Instrument and Recording Gallery with pictures and
> info of Tube recorders, Omnichords, weird guitars, Casios, and more.
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 19:37:32 2006
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>>>>In this instance, I can't even count how many ways I disagree with
Aristotelian logic as defined here (with all due respect, of course;
Aristotle was still a great, great philosopher, IMNSHO).  Most of
those issues, however, touch on Kris' points regarding Wittgenstein's
theories on language and defining your terms.  "Ya change the rules,
ya change the game" in other words.  ;)




I mostly posted that link as a joke re: Kris's corollary of R is R!  ;)


But I would be interested to hear what you disagree with!



                                                                                                                                       
                                                                                                                                       
             mech <mech@m3ch.net>              To: Loopers-Delight@loopers-delight.com                                                 
             07/20/2006 03:02 PM               cc:                                                                                     
             Please respond to                 Subject:  Re: Coffeehouse Guitar vs street-busker                                       
             Loopers-Delight                                                                                                           
                                                                                                                                       




At 2:35 PM -0400 7/20/06, Matthew.Quinn@sunlife.com wrote:
>
>I've been enjoying your (dead accurate) philosophical musings all morning!
>Feel free to continue!

Yep, what he said!!!

>A is A!
>http://www.importanceofphilosophy.com/Metaphysics_Identity.html

In this instance, I can't even count how many ways I disagree with
Aristotelian logic as defined here (with all due respect, of course;
Aristotle was still a great, great philosopher, IMNSHO).  Most of
those issues, however, touch on Kris' points regarding Wittgenstein's
theories on language and defining your terms.  "Ya change the rules,
ya change the game" in other words.  ;)

             --m.
--
_______
"You are in a maze of twisty little passages, all alike..."




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From: goddard.duncan@mtvne.com
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Subject: RE: single coil & hum (was  EH2880 on video)
Date: Thu, 20 Jul 2006 20:38:27 +0100
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>>I wouldn't need it for my laptop as much as I would need it for my tube 60
w Sovtek guitar top. It's humming a lot with single coil guitars and those
are what sounds cool with it.<<


so are you attributing the hum to the guitars for sure, then? is the amp
quiet(er) with HBs? if so, you might want to consider some sort of dummy
pickup arrangement a la alembic.... just a thought.

d.


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<P><FONT SIZE=3D2>&gt;&gt;I wouldn't need it for my laptop as much as I wou=
ld need it for my tube 60 w Sovtek guitar top. It's humming a lot with sing=
le coil guitars and those are what sounds cool with it.&lt;&lt;</FONT></P>
<BR>

<P><FONT SIZE=3D2>so are you attributing the hum to the guitars for sure, t=
hen? is the amp quiet(er) with HBs? if so, you might want to consider some =
sort of dummy pickup arrangement a la alembic.... just a thought.</FONT></P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 19:51:38 2006
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>>Also, Electro-Harmonix, are you listening?  Why do you make pedals that
need pedals?<<

it's dumb & annoying, isn't it?

years ago, when we bought our first jamman, it was obvious right from the
start that the thing was never going to be rack-mounted; too many things on
the front panel that needed to be immediately in front of the user, but the
user's a guitarist & he'd sooner quit playing than face a rack full of
equipment instead of standing squarely in his spotlight. guitarists....
so we went on tv a little while after that, with the jamman sitting on the
floor. at first it looked quite cool that there was this mystery box sitting
propped up amongst the other pedals, but we quickly realised that his
brian-may-like harmonies would be even cooler if he didn't have to crouch
like a backstop to set them up. 
I took the jamman apart & made some little holes in the bottom of it's case,
then attached it to a $30 camera tripod. job done.

what EHX should have done with the 2880 is make the pedal-remote
more-or-less mandatory, & bundle them together with some sort of vertical
pole arrangement so that the switches live on the floor & the brains at
waist-height. I'm thinking along the lines of the old EMS synthi hi-fli
thing.

(no it doesn't multiply, exactly.... but you can bounce tracks like on an
old-style portastudio.... it also doesn't let you mute/unmute individual
tracks from a footswitch, which is the biggest problem I have with it. that
& the single big loop thing. I mean, what were they thinking??)

in fact, were it not for the business of switching them on & off whilst
playing, pretty much all of the effects pedals would benefit from being at
this sort of height.  hmmm....

d. 


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<TITLE>RE: Foot or face?  Where do you like it?</TITLE>
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<P><FONT SIZE=3D2>&gt;&gt;Also, Electro-Harmonix, are you listening?&nbsp; =
Why do you make pedals that need pedals?&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>it's dumb &amp; annoying, isn't it?</FONT>
</P>

<P><FONT SIZE=3D2>years ago, when we bought our first jamman, it was obviou=
s right from the start that the thing was never going to be rack-mounted; t=
oo many things on the front panel that needed to be immediately in front of=
 the user, but the user's a guitarist &amp; he'd sooner quit playing than f=
ace a rack full of equipment instead of standing squarely in his spotlight.=
 guitarists....</FONT></P>

<P><FONT SIZE=3D2>so we went on tv a little while after that, with the jamm=
an sitting on the floor. at first it looked quite cool that there was this =
mystery box sitting propped up amongst the other pedals, but we quickly rea=
lised that his brian-may-like harmonies would be even cooler if he didn't h=
ave to crouch like a backstop to set them up. </FONT></P>

<P><FONT SIZE=3D2>I took the jamman apart &amp; made some little holes in t=
he bottom of it's case, then attached it to a $30 camera tripod. job done.<=
/FONT></P>

<P><FONT SIZE=3D2>what EHX should have done with the 2880 is make the pedal=
-remote more-or-less mandatory, &amp; bundle them together with some sort o=
f vertical pole arrangement so that the switches live on the floor &amp; th=
e brains at waist-height. I'm thinking along the lines of the old EMS synth=
i hi-fli thing.</FONT></P>

<P><FONT SIZE=3D2>(no it doesn't multiply, exactly.... but you can bounce t=
racks like on an old-style portastudio.... it also doesn't let you mute/unm=
ute individual tracks from a footswitch, which is the biggest problem I hav=
e with it. that &amp; the single big loop thing. I mean, what were they thi=
nking??)</FONT></P>

<P><FONT SIZE=3D2>in fact, were it not for the business of switching them o=
n &amp; off whilst playing, pretty much all of the effects pedals would ben=
efit from being at this sort of height.&nbsp; hmmm....</FONT></P>

<P><FONT SIZE=3D2>d. </FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 20:09:21 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Hexaphonic guitar (was: single coil & hum (was  EH2880 on video)
Date: Thu, 20 Jul 2006 22:09:17 +0200
To: Loopers-Delight@loopers-delight.com
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> >>I wouldn't need it for my laptop as much as I would need it for  
> my tube 60 w Sovtek guitar top. It's humming a lot with single coil  
> guitars and those are what sounds cool with it.<<

On 20 jul 2006, at 21.38, goddard.duncan@mtvne.com wrote:
> so are you attributing the hum to the guitars for sure, then? is  
> the amp quiet(er) with HBs? if so, you might want to consider some  
> sort of dummy pickup arrangement a la alembic.... just a thought
Yes the Russian top is not humming that heavily with HBs, you're  
right about that. But I kind of like the sound of vintage single  
coils, both with strats and teles. When playing non looping music I  
use a playing style to turn down the guitar volume knob between the  
notes I play, if necessary (can only do this on the strat). The  
problem is when I want to play with the cello bow and can't get at  
the volume knob on the guitar's body. So lately I have learned to use  
a volume pedal, which feels rather lame (but may sound good).

I'm afraid I don't have the money for experimenting in buying new  
pickups either. If I should invest more in my guitar playing I would  
like to get some sort of six channel pickup system; one pickup for  
each string. Then I would like to run them into six separate laptop  
inputs and fetch them into six channels of Mobius (or whatever  
looper's around by then) to treat each channel with a monophonic  
distortion. To mask the latency of these polyphonic distortion I  
would like to blend it with a clean jazz sound (humbucker?) that can  
provide a proper attack since it should be played bypassing the sound  
card and laptop (like I'm doing it today). I have played with a  
similar setup back in the eighties and nineties, but then I was using  
a six note polyphonic analog syntheziser for the "latency" sound to  
back up the clean guitar sound (swelling in fat Oberheim bruurrrhphs  
behind the string notes). That's why I know I would like doing this  
with a laptop and digital stuff. But this is just a dream today,  
before I take that trip I want to get an EWI 4000s for looping (and I  
guess I will need a long time to mend those holes in my wallet ;-))

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 20:13:53 2006
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Date: Thu, 20 Jul 2006 15:13:49 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: Hexaphonic guitar (was: single coil & hum (was EH2880 on video)
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i've always wanted to try a pickup-per-string experiment, i wonder if
those atlansia guitars/basses can be rigged with a cheap
pickup-per-string attempt, with those cool little individual pickups
they have :)


Charlie

On 7/20/06, Per Boysen <perboysen@gmail.com> wrote:
> > >>I wouldn't need it for my laptop as much as I would need it for
> > my tube 60 w Sovtek guitar top. It's humming a lot with single coil
> > guitars and those are what sounds cool with it.<<
>
> On 20 jul 2006, at 21.38, goddard.duncan@mtvne.com wrote:
> > so are you attributing the hum to the guitars for sure, then? is
> > the amp quiet(er) with HBs? if so, you might want to consider some
> > sort of dummy pickup arrangement a la alembic.... just a thought
> Yes the Russian top is not humming that heavily with HBs, you're
> right about that. But I kind of like the sound of vintage single
> coils, both with strats and teles. When playing non looping music I
> use a playing style to turn down the guitar volume knob between the
> notes I play, if necessary (can only do this on the strat). The
> problem is when I want to play with the cello bow and can't get at
> the volume knob on the guitar's body. So lately I have learned to use
> a volume pedal, which feels rather lame (but may sound good).
>
> I'm afraid I don't have the money for experimenting in buying new
> pickups either. If I should invest more in my guitar playing I would
> like to get some sort of six channel pickup system; one pickup for
> each string. Then I would like to run them into six separate laptop
> inputs and fetch them into six channels of Mobius (or whatever
> looper's around by then) to treat each channel with a monophonic
> distortion. To mask the latency of these polyphonic distortion I
> would like to blend it with a clean jazz sound (humbucker?) that can
> provide a proper attack since it should be played bypassing the sound
> card and laptop (like I'm doing it today). I have played with a
> similar setup back in the eighties and nineties, but then I was using
> a six note polyphonic analog syntheziser for the "latency" sound to
> back up the clean guitar sound (swelling in fat Oberheim bruurrrhphs
> behind the string notes). That's why I know I would like doing this
> with a laptop and digital stuff. But this is just a dream today,
> before I take that trip I want to get an EWI 4000s for looping (and I
> guess I will need a long time to mend those holes in my wallet ;-))
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 20:42:35 2006
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To: Loopers-Delight@loopers-delight.com
Subject: RE: single coil & hum (was  EH2880 on video)
Date: Thu, 20 Jul 2006 20:42:32 +0000
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Another alternative would be stacked humbuckers, which maintain the narrow profile.

 -------------- Original message ----------------------
From: goddard.duncan@mtvne.com
> >>I wouldn't need it for my laptop as much as I would need it for my tube 60
> w Sovtek guitar top. It's humming a lot with single coil guitars and those
> are what sounds cool with it.<<
> 
> 
> so are you attributing the hum to the guitars for sure, then? is the amp
> quiet(er) with HBs? if so, you might want to consider some sort of dummy
> pickup arrangement a la alembic.... just a thought.
> 
> d.
> 
> 
> ***************************************************************************
> CONFIDENTIALITY NOTICE
> 
> The contents of this e-mail are confidential to the ordinary user
> of the e-mail address to which it was addressed, and may also
> be privileged.  If you are not the addressee of this e-mail you may 
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> in any form whatsoever.If you have received this e-mail in error,
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From:    goddard.duncan@mtvne.com
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Date:    Thu, 20 Jul 2006 19:38:31 +0000
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<P><FONT SIZE=3D2>&gt;&gt;I wouldn't need it for my laptop as much as I wou=
ld need it for my tube 60 w Sovtek guitar top. It's humming a lot with sing=
le coil guitars and those are what sounds cool with it.&lt;&lt;</FONT></P>
<BR>

<P><FONT SIZE=3D2>so are you attributing the hum to the guitars for sure, t=
hen? is the amp quiet(er) with HBs? if so, you might want to consider some =
sort of dummy pickup arrangement a la alembic.... just a thought.</FONT></P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 20:48:31 2006
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Date: Thu, 20 Jul 2006 15:48:26 -0500
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: OT: Aristotle and Reality (was Re: Coffeehouse Guitar vs
 street-busker)
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At 3:10 PM -0400 7/20/06, Matthew.Quinn@sunlife.com wrote:
>
>I mostly posted that link as a joke re: Kris's corollary of R is R!  ;)

Oh yeah, don't worry.  That was totally apparent.  But it was also 
useful to start/continue the conversation.  :)

>But I would be interested to hear what you disagree with!

'Kay, a couple of quick things: according to the page, Aristotle's 
concept of Identity is based primarily (exclusively?) on an object's 
characteristics -- physical for the most part.  Also important is 
that to him, Identity is immutable, without change.  However, what 
if, as is the case with several tools, an object is instead defined 
by its function.  One of the most easily accessible examples (and the 
one that first got me thinking about it in the first place) is 
actually the title of an album by Wire: "A bell is a cup, until it is 
struck."

Thus, depending upon an object's function, its identity can change, 
which contradicts Aristotle's "A = A" law as explained above.

Also, keep in mind that reality is largely subjective.  Aristotle 
approaches Reality from an objective point of view.  I can think of 
two consequences right offhand that fall from this; both as a 
consequence owing to the fact that the human mind is a 
pattern-recognition engine.

The first is repeatability.  Repeatability is the key to hypothesis, 
theory, and ultimately the whole rational world of the Scientific 
Method.  However, there are events and objects which are 
non-repetetive -- one-shot only.  Just as you need two points to 
create a line, you need multiple instances of an occurrence/object to 
compare and contrast, then use to create a hypothesis based upon 
their similarities and differences.  This is the source of what is 
often referred to as "Fortean" phenomena -- occurrences which happen 
outside a known context, and do not recur with a frequency by which 
they can establish a context on their own.  Which brings us to the 
second consequence....

Without multiple instances to establish context, the mind frequently 
manufactures analogs with which to compare the unknown object/event. 
I think this dovetails on Greek philosophy (Socrates?) positing that 
somewhere (in this case, in the mind) there is an "ultimate form" of 
every object, and that all instances of this form are merely shadows 
of that ultimate form.  This is assuming there are enough 
characteristics inherent within that object to compare with objects 
previously encountered to even recognize.  Aside: my suspicion -- 
almost wholly unprovable, of course -- is that if one were faced with 
something *completely* alien to their past experience or 
conditioning, they might not even process the sensory data.  Hence, 
such an object may be completely undetectable, or merely sensed as an 
anomaly rather than fully comprehended.

Using pattern recognition data, we formulate systems to assign 
identity to objects.  However, what if instead of looking at an 
object as its Identity (a cup is a cup) we strip away that 
repeatability and recognition (this cup is, erm, what?).  Look at 
what's there in your hand without the label "cup".  Is it ceramic, 
plastic, or metal (yes, I know that these descriptive terms are also 
pattern identities -- or characteristics -- and based on similar 
learned responses, but I only want to go so far right now)?  Pretend 
you're holding a new and alien object devoid of context, and you'll 
come much closer to experiencing the "reality" of what you're 
actually holding.

Of course, without taking advantage of the symbols and language used 
by our brains in everyday life, we wouldn't be able to function.  Can 
you comprehend what it would be like if we had to relearn every 
individual object and experience with which we came into contact 
every day?  Just keep in mind that the "object" in your hand is not 
necessarily the object your brain has associated it to.

So much for sophomore epistemology....  However, it does show that 
the mind has just as much a part in fabricating reality as what is 
directly in front of us.  Aristotle often tries to codify reality 
into objective terns, and that's where most of my "exceptions" get 
there start.  While his goal is a noble starting point (hell, I can't 
think of where else we could start -- can you imagine having a debate 
without ever defining common terms, or for that matter, even 
establishing language?), it has to be recognized that there are 
pitfalls and exceptions.

Um, yeah.  Heh, is that enough "navel gazing" to begin with?  Now 
let's see if any of that ties back in with Kris' musings on 
individual subjective experiences of a musical performance, and the 
"black box".  ;)

	--m.
-- 
_______
"If Television is a babysitter, then the Internet is a drunk 
librarian who won't shut up..."

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From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: Lots of Steve Lawson gigs over the next month...
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Just about to launch my latest project - The New Standard is a show  
with a marvellous jazz singer, Julie McKee, where we do looped bass  
and voice versions of unlikely songs, from Slipknot to Stevie Wonder,  
via The Cure, Green Day, Kate Bush, John Martyn, Gorillaz etc. etc...

The main gigs for the duo are at the Edinburgh Festival, from the 6th  
- 12th August, in The Lot, The Grassmarket, Edinburgh. See  
www.thenewstandard.co.uk for full details.

Our preview show is in London next week - it's this month's Recycle  
Collective gig, and the same night is my album launch for 'Behind  
Every Word' - there's be three sets; me solo to start, then the  
edinburgh show with julie, then a trio improv set with UK Jazz legend  
Cleveland Watkiss on vocals as well. see www.recyclecollective.com  
for more.

I'm using the Looperlative on my bass and Julie's voice, and having  
loads of fun with it - have a listen to the tunes at  
www.thenewstandard.co.uk

Julie and I have a second warm-up gig in Glasgow on August 3rd at  
Brel Bar and Restaurant, Ashton Lane (by the University) - that one's  
free to get in, and I'll be doing a solo set as well...

hope to see some of you there - all details available on the various  
websites, or by emailing me.

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Just about to launch my latest =
project - The New Standard is a show with a marvellous jazz singer, =
Julie McKee, where we do looped bass and voice versions of unlikely =
songs, from Slipknot to Stevie Wonder, via The Cure, Green Day, Kate =
Bush, John Martyn, Gorillaz etc. etc...=A0<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>The main gigs for the duo =
are at the Edinburgh Festival, from the 6th - 12th August, in The Lot, =
The Grassmarket, Edinburgh. See <A =
href=3D"http://www.thenewstandard.co.uk">www.thenewstandard.co.uk</A> =
for full details.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Our preview show is in =
London next week - it's this month's Recycle Collective gig, and the =
same night is my album launch for 'Behind Every Word' - there's be three =
sets; me solo to start, then the edinburgh show with julie, then a trio =
improv set with UK Jazz legend Cleveland Watkiss on vocals as well. see =
<A href=3D"http://www.recyclecollective.com">www.recyclecollective.com</A>=
 for more.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I'm using the Looperlative =
on my bass and Julie's voice, and having loads of fun with it - have a =
listen to the tunes at <A =
href=3D"http://www.thenewstandard.co.uk">www.thenewstandard.co.uk</A>=A0</=
DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>Julie and I =
have a second warm-up gig in Glasgow on August 3rd at Brel Bar and =
Restaurant, Ashton Lane (by the University) - that one's free to get in, =
and I'll be doing a solo set as well...</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>hope to see some of you =
there - all details available on the various websites, or by emailing =
me.=A0</DIV><DIV><BR><DIV> <SPAN class=3D"Apple-style-span" =
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class=3D"Apple-style-span" style=3D"border-collapse: separate; =
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site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccollec=
tive.org</A> - =
blog</DIV><DIV>www.myspace.com/solobassstevelawson</DIV><DIV><BR =
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class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
PAN> </DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-3--971967425--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 21:05:16 2006
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From: "samba -" <sambacomet@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Identity/function
Date: Thu, 20 Jul 2006 14:05:11 -0700
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    I think this whole argument stumbles on the conflation of Identity with 
function. If I use a mule to pull a plow I may be likely to identify the 
mule by it's function,as a draft animal ie. a tool.I suspect the mule would 
be somewhat more inclined to identify itself as the victim of my urge to 
dominate.  I prefer to define Identity as  self definition ,whereas 
labelling something by it's function has nothing to do with identity ,it has 
to do with the desire of some human for utility in manipulating the world. 
Of course modern humans tend to distinguish between beings and things,as 
such tools would be considered to have no sense of self,hence no identity. 
Ths is part of why boot camp strips budding soldiers of their sense of 
identity,so it will be easier to utilise them as tools.


From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 21:06:06 2006
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 >
Date: Thu, 20 Jul 2006 16:06:00 -0500
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From: mech <mech@m3ch.net>
Subject: RE: Foot or face?  Where do you like it?
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At 8:51 PM +0100 7/20/06, goddard.duncan@mtvne.com wrote:
>
>what EHX should have done with the 2880 is make the pedal-remote 
>more-or-less mandatory, & bundle them together with some sort of 
>vertical pole arrangement so that the switches live on the floor & 
>the brains at waist-height. I'm thinking along the lines of the old 
>EMS synthi hi-fli thing.

Wasn't there one of the floor-pedal Moog synths -- I'm thinking maybe 
the Taurus II -- that had a similar form factor?  Were there any 
striking criticisms of that unit based on its physical construction?

Otherwise, sounds like a good idea (besides perhaps looking like 
you've got a dust-buster on stage).

	--m.
-- 
_______
"Wind in my heart. Dust in my head..."

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 21:11:53 2006
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Subject: Re: Identity/function
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At 2:05 PM -0700 7/20/06, samba - wrote:
>    I think this whole argument stumbles on the conflation of 
>Identity with function. If I use a mule to pull a plow I may be 
>likely to identify the mule by it's function,as a draft animal ie. a 
>tool.I suspect the mule would be somewhat more inclined to identify 
>itself as the victim of my urge to dominate.  I prefer to define 
>Identity as  self definition ,whereas labelling something by it's 
>function has nothing to do with identity ,it has to do with the 
>desire of some human for utility in manipulating the world. Of 
>course modern humans tend to distinguish between beings and 
>things,as such tools would be considered to have no sense of 
>self,hence no identity. Ths is part of why boot camp strips budding 
>soldiers of their sense of identity,so it will be easier to utilise 
>them as tools.

Excellent points, but how does an inanimate object "self-identify". 
When is a screwdriver an icepick, or even more confusingly, when is 
an icepick an awl?

Not arguing here, because I actually agree for the most part. 
However, Aristotle postulated (at least according to the URL we were 
discussing) that Identity was immutable and without change.  However, 
we can see from what's been presented here that if you change the 
ground rules of your definition, you can change the Identity of the 
object and thus "break" Aristotle's postulate.

	--m.
-- 
_______
"I'm wasting time worrying about wasting time."

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 21:24:31 2006
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Subject: RE: Re: Hexaphonic guitar (was: single coil & hum (was EH2880 on 
	video)
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>>i've always wanted to try a pickup-per-string experiment, i wonder if
those atlansia guitars/basses can be rigged with a cheap pickup-per-string
attempt, with those cool little individual pickups they have :)<<

never seen those, though it's occurred to me to use a roland gk pickup like
this.... the little adaptor that they come with contains a number of op-amps
to boost the signal from each of the six coils, besides the midi switchgear,
suggesting that the individual coils have quite a low output. this boosted
signal then finds it's way down the 14-way (? haven't looked in a while)
cable to the GI-10 or w.h.y., where it gets tracked for pitch & velocity &
turned into midi, about half-an-hour later.....
the reason for my interest is that I have a fender VI (the oriental reissue)
from which I want to get a clean sound on the bottom two or three strings &
a more guitary distorted sound from the top strings. I deconstructed a gk2 &
went some way towards this, but the project was interrupted by the arrival
of a peavey midibase (sic), which coincidentally also has individual pickups
in it's bridge to determine the velocity data.

I need to revisit the VI soon.... :-)

in their normal positions, these pickups would be of limited use for
amplified guitar string sounds- they're put near the ends of the strings so
that they don't pick up vibrations from adjacent strings as these flap about
after being plucked, & also so that they pick up the bare minimum of
harmonic content, thus aiding pitch extraction. if a bit of crosstalk wasn't
a problem, then a gk2 would work as a polyphonic pickup further "into" the
string's length, but one would probably still have to hack the GI-10 (or
whatever) to extract the six boosted signals.
I daresay a regular roland guitar synth module (GR-100 &c) could be hacked
in the same way without ruining it.

there have been some other peavey basses, & at least one hamer bass, with
"quad" outputs. tom petersen's original 12 string hamer bass, for instance,
is pictured with a mini four-way mixer on board &, I think, a bunch of
dimarzios installed sideways. I expect there must be some guitars out there
with individual outputs too.

d.


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<TITLE>RE: Re: Hexaphonic guitar (was: single coil &amp; hum (was EH2880 on=
 video)</TITLE>
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<P><FONT SIZE=3D2>&gt;&gt;i've always wanted to try a pickup-per-string exp=
eriment, i wonder if those atlansia guitars/basses can be rigged with a che=
ap pickup-per-string attempt, with those cool little individual pickups the=
y have :)&lt;&lt;</FONT></P>

<P><FONT SIZE=3D2>never seen those, though it's occurred to me to use a rol=
and gk pickup like this.... the little adaptor that they come with contains=
 a number of op-amps to boost the signal from each of the six coils, beside=
s the midi switchgear, suggesting that the individual coils have quite a lo=
w output. this boosted signal then finds it's way down the 14-way (? haven'=
t looked in a while) cable to the GI-10 or w.h.y., where it gets tracked fo=
r pitch &amp; velocity &amp; turned into midi, about half-an-hour later....=
.</FONT></P>

<P><FONT SIZE=3D2>the reason for my interest is that I have a fender VI (th=
e oriental reissue) from which I want to get a clean sound on the bottom tw=
o or three strings &amp; a more guitary distorted sound from the top string=
s. I deconstructed a gk2 &amp; went some way towards this, but the project =
was interrupted by the arrival of a peavey midibase (sic), which coincident=
ally also has individual pickups in it's bridge to determine the velocity d=
ata.</FONT></P>

<P><FONT SIZE=3D2>I need to revisit the VI soon.... :-)</FONT>
</P>

<P><FONT SIZE=3D2>in their normal positions, these pickups would be of limi=
ted use for amplified guitar string sounds- they're put near the ends of th=
e strings so that they don't pick up vibrations from adjacent strings as th=
ese flap about after being plucked, &amp; also so that they pick up the bar=
e minimum of harmonic content, thus aiding pitch extraction. if a bit of cr=
osstalk wasn't a problem, then a gk2 would work as a polyphonic pickup furt=
her &quot;into&quot; the string's length, but one would probably still have=
 to hack the GI-10 (or whatever) to extract the six boosted signals.</FONT>=
</P>

<P><FONT SIZE=3D2>I daresay a regular roland guitar synth module (GR-100 &a=
mp;c) could be hacked in the same way without ruining it.</FONT>
</P>

<P><FONT SIZE=3D2>there have been some other peavey basses, &amp; at least =
one hamer bass, with &quot;quad&quot; outputs. tom petersen's original 12 s=
tring hamer bass, for instance, is pictured with a mini four-way mixer on b=
oard &amp;, I think, a bunch of dimarzios installed sideways. I expect ther=
e must be some guitars out there with individual outputs too.</FONT></P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 21:28:43 2006
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From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: RE: Re: Hexaphonic guitar (was: single coil & hum (was EH2880 on video)
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On 7/20/06, goddard.duncan@mtvne.com <goddard.duncan@mtvne.com> wrote:

> never seen those,

http://www.atlansia.jp/

or more specifically ->  http://www.atlansia.jp/4B02.7.JPG
basically if you check out their site, they put those little
individual pickups anywhere they want to...i think it'd be interesting
to get a hold of some of those pickups and try individual outputs...


> there have been some other peavey basses, & at least one hamer bass, with
> "quad" outputs. tom petersen's original 12 string hamer bass, for instance,
> is pictured with a mini four-way mixer on board &, I think, a bunch of
> dimarzios installed sideways. I expect there must be some guitars out there
> with individual outputs too.

i know the peavey cyber-bass is one of those

From Loopers-Delight-request@loopers-delight.com  Thu Jul 20 23:24:07 2006
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Date: Thu, 20 Jul 2006 16:24:04 -0700 (PDT)
Subject: Zoe Keating Radio on Pandora.com
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Could someone on the list try this out and let me know if it works?

Zoe Keating Radio

To immediately listen to this music station I've created (named "Zoe Keating
Radio")  simply click on this link or copy and paste it into your Internet
browser:
http://www.pandora.com/?sc=sh142293524951897341

This station plays on Pandora, a music listening and discovery service.
Pandora enables users to easily create streaming stations that explore their
favorite  parts of the music universe. When you click on the link, you'll
automatically  receive a free no-questions-asked trial so you can listen to
this station--and  create some more of your own.

Thanks,
Kevin
www.TheNettles.com



From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 00:13:29 2006
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very cool :)

Zoe is a very talented cellist :)

Charlie

On 7/20/06, johnsrude@peak.org <johnsrude@peak.org> wrote:
> Could someone on the list try this out and let me know if it works?
>
> Zoe Keating Radio
>
> To immediately listen to this music station I've created (named "Zoe Keating
> Radio")  simply click on this link or copy and paste it into your Internet
> browser:
> http://www.pandora.com/?sc=sh142293524951897341
>
> This station plays on Pandora, a music listening and discovery service.
> Pandora enables users to easily create streaming stations that explore their
> favorite  parts of the music universe. When you click on the link, you'll
> automatically  receive a free no-questions-asked trial so you can listen to
> this station--and  create some more of your own.
>
> Thanks,
> Kevin
> www.TheNettles.com
>
>
>
>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 01:49:40 2006
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Strat-sized side-by-side pickups are a great alternative to stacks. The
Duncan Vintage Rails is a fine, fine pickup, and the Nashville-approved Hot
Stack is a real joy as well. Just be advised that while Duncans are well
constructed and sound wonderful, the potting is half-assed at best, so
you'll have to have your luthier wax any Duncans you buy.
Best,
TimM


> [Original Message]
> From: <cburke55@comcast.net (Christophe)>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 7/20/2006 4:42:35 PM
> Subject: RE: single coil & hum (was  EH2880 on video)
>
> Another alternative would be stacked humbuckers, which maintain the
narrow profile.
>
>  -------------- Original message ----------------------
> From: goddard.duncan@mtvne.com
> > >>I wouldn't need it for my laptop as much as I would need it for my
tube 60
> > w Sovtek guitar top. It's humming a lot with single coil guitars and
those
> > are what sounds cool with it.<<
> > 
> > 
> > so are you attributing the hum to the guitars for sure, then? is the amp
> > quiet(er) with HBs? if so, you might want to consider some sort of dummy
> > pickup arrangement a la alembic.... just a thought.
> > 
> > d.
> > 
> > 
> >
***************************************************************************
> > CONFIDENTIALITY NOTICE
> > 
> > The contents of this e-mail are confidential to the ordinary user
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>
>
>


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Subject: Re: RE: Re: Hexaphonic guitar (was: single coil & hum (was EH2880 on video)
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I'm not sure if your aware but Kramer came out with a guitar in the 80s
called the Ripley=2E It had an output and pan and volume controls for each=

string if my memory isnt too fried=2E Gibson have also been talking for ag=
es
about releasing a digital guitar which is a les paul with a pickup going
through a usb type connection where you get multi outputs for each string
aswell a whole swag of other features=2E You could really do some cool thi=
ngs
with that baby=2E

Cheers
Woz


Original Message:
-----------------
From: Charlie Milkey pilotcp@gmail=2Ecom
Date: Thu, 20 Jul 2006 16:28:41 -0500
To: Loopers-Delight@loopers-delight=2Ecom
Subject: Re: RE: Re: Hexaphonic guitar (was: single coil & hum (was EH2880=

on video)


On 7/20/06, goddard=2Eduncan@mtvne=2Ecom <goddard=2Eduncan@mtvne=2Ecom> wr=
ote:

> never seen those,

http://www=2Eatlansia=2Ejp/

or more specifically ->  http://www=2Eatlansia=2Ejp/4B02=2E7=2EJPG
basically if you check out their site, they put those little
individual pickups anywhere they want to=2E=2E=2Ei think it'd be interesti=
ng
to get a hold of some of those pickups and try individual outputs=2E=2E=2E=



> there have been some other peavey basses, & at least one hamer bass, wit=
h
> "quad" outputs=2E tom petersen's original 12 string hamer bass, for
instance,
> is pictured with a mini four-way mixer on board &, I think, a bunch of
> dimarzios installed sideways=2E I expect there must be some guitars out
there
> with individual outputs too=2E

i know the peavey cyber-bass is one of those



--------------------------------------------------------------------
mail2web - Check your email from the web at
http://mail2web=2Ecom/ =2E


From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 04:53:32 2006
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Subject: Re: Coffeehouse Guitar vs street-busker
Date: Thu, 20 Jul 2006 22:53:27 -0600
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Oh yeah....you gotta love Aristotle...Plato's defiant  home boy. Basically 
Aristotle was going against Plato's theory of the forms (it was not 
Socrates, btw) that matter and form can be separated, elevating form (or 
essence) to the etheral status of a non-physical Universal concept...like 
Chairness, Redness, Justice, Goodness, etc...or maybe even Idiotness. :) 
Aristotle rejected that and said you could not separate matter from form, 
hence why his theory of identify was so strict in terms of binding 
characteristics to things.  Yet Aristotle wasn't able to foresee what John 
Locke developed nearly 2000 years later, namely the notion of primary and 
secondary qualities.  Qualities such as color and smell are secondary 
qualities of things. They aren't essential to it's being or identiy. The 
only essential properties a thing can have, according to this particular 
line of once brilliant scientific revolution thought are physical properties 
of mass, extension, etc.  Interestingly enough, one can't observe primary 
qualities, only secondary ones....hence the introduction of the Unknown X as 
a physical object.

In any event, according to the above and bringing this back to music, what 
you think you are hearing when you listen to a performance is not even close 
to a primary quality, but is far removed from it. In fact, taking this 
further, what you hear is the result of a chain of cause and effect from a 
set of unobservable physical objects generating fluctuations of air 
pressure, which propagate through the air, reach the human ear, vibrate the 
ear drum, generate a neurological response and impluse through axons, make 
it to the brain, and eventually arise as a mental "perception"...so 
ridiculously far removed from the so called physical event, that one can 
only suggest, in this theory at least, that music is only in the mind. Now 
enters Berkely who contracted Locke with  his theory of Idealism or 
Immaterialsm...pretty cool theory imo.

But this is all passé philosophy, based on the causal theory of perception 
and realism.  Along came phenomenalism (NOT phenomenology, which is 
radically different and out in the weeds), which states that all the action 
is in the sense data, which is metaphysically neutral. It simply is, neither 
physical nor non-physical, mental nor external, primary nor secondary.

A looping performance from the listener's standpoint is then defined as a 
collection and series of sensory data....no more than that. And back to my 
original point, in that collection you never come across anything like a 
value like good or bad, uninspiring, etc...that's quite unthinkable.

Man, I love this shit....I'll never be able to get to sleep now.

Kris

----- Original Message ----- 
From: <Matthew.Quinn@sunlife.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 20, 2006 12:35 PM
Subject: Re: Coffeehouse Guitar vs street-busker


>>>>>>>I think I've turned this thread into a philosophical tract. Sorry.
>
>
> I've been enjoying your (dead accurate) philosophical musings all morning!
> Feel free to continue!
>
>
>
>>>>>>>>IF we are talking about actual inherent or
> instrinsic characteristics of music, then it would be impossibe for a 
> piece
>
> of music to be both X and Not-X.
>
>
> A is A!
>
>
> http://www.importanceofphilosophy.com/Metaphysics_Identity.html
>
>
>
> ---------------------------------------------------------------------------
> This e-mail message (including attachments, if any) is intended for the 
> use
> of the individual or entity to which it is addressed and may contain
> information that is privileged, proprietary , confidential and exempt from
> disclosure.  If you are not the intended recipient, you are notified that
> any dissemination, distribution or copying of this communication is
> strictly prohibited.  If you have received this communication in error,
> please notify the sender and erase this e-mail message immediately.
> ---------------------------------------------------------------------------
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 05:02:30 2006
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Subject: Re: Aristotle and Reality (was Re: Coffeehouse Guitar vs street-busker)
Date: Thu, 20 Jul 2006 23:02:26 -0600
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> Also, keep in mind that reality is largely subjective.  Aristotle 
> approaches Reality from an objective point of view.  I can think of two 
> consequences right offhand that fall from this; both as a consequence 
> owing to the fact that the human mind is a pattern-recognition engine.

Yes! That is a key point. Aristotle had to bind qualities to essense, 
otherwise he couldn't have done what he did so well, which was to categorize 
things and arrange them in a natural hierarchy.....which ended up 
influencing the concent of "The Chain of Being", which by the way was 
partially responsible for generating anti-evolutionary sentiments during the 
hay day of Darwin, Lamarch, etc.  A species was considered fixed and 
immutable on this chain of being. Of course, they had no idea of genetics 
until Mendel's pea experiments came along, which showed that species were 
mutable over time based on the mutation and mixing of the units of heredity. 
Figuratively speaking, Aristotle was rolling in his grave and the Greek 
philosopher Hericlitus, known for his theory of the flux (that all things 
change), was screaming horray!!!!

Hericlitus would have been a great looper. :)

K- 


From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 06:07:28 2006
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Subject: Re: Aristotle and Reality (was Re: Coffeehouse Guitar vs street-busker)
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i like to apply a little perpetual motion on a
hericlitus...who shot ole harry clit anyhow?tragic.

--- Krispen Hartung <khartung@cableone.net> wrote:

> > Also, keep in mind that reality is largely
> subjective.  Aristotle 
> > approaches Reality from an objective point of
> view.  I can think of two 
> > consequences right offhand that fall from this;
> both as a consequence 
> > owing to the fact that the human mind is a
> pattern-recognition engine.
> 
> Yes! That is a key point. Aristotle had to bind
> qualities to essense, 
> otherwise he couldn't have done what he did so well,
> which was to categorize 
> things and arrange them in a natural
> hierarchy.....which ended up 
> influencing the concent of "The Chain of Being",
> which by the way was 
> partially responsible for generating
> anti-evolutionary sentiments during the 
> hay day of Darwin, Lamarch, etc.  A species was
> considered fixed and 
> immutable on this chain of being. Of course, they
> had no idea of genetics 
> until Mendel's pea experiments came along, which
> showed that species were 
> mutable over time based on the mutation and mixing
> of the units of heredity. 
> Figuratively speaking, Aristotle was rolling in his
> grave and the Greek 
> philosopher Hericlitus, known for his theory of the
> flux (that all things 
> change), was screaming horray!!!!
> 
> Hericlitus would have been a great looper. :)
> 
> K- 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 08:03:41 2006
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Subject: Re: Lidell on Max/MSP and looping....
Date: Fri, 21 Jul 2006 08:03:35 +0000
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unsuscribe


>From: Per Boysen <perboysen@gmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Lidell on Max/MSP and looping....
>Date: Wed, 19 Jul 2006 22:06:47 +0200
>
>On 19 jul 2006, at 09.34, Jeff Kaiser wrote:
>
>>I just saw this, and I know there are those interested in lidell......
>>http://www.cycling74.com/download/videos/jamie_lidell_web.mov
>>or
>>http://tinyurl.com/ldgns
>>also other interesting new videos, including Kevin Blechdom:
>>http://www.cycling74.com/section/artists
>
>
>Thank you for that link! Very interesting to hear his take on max.  Right 
>now I'm in that situation he describes in the opening scene:  having kept 
>Max on my shopping list for years but never actually had  the option to set 
>aside time to get into it. And lately I've found  ways to tweak Möbius into 
>doing most of my dream tricks, almost  everything I wanted to make me a max 
>patch for, so I guess might be  learning max on spare time in the future... 
>eventually. I'm lazy and  frightened by having to sit down and program 
>(instead of making  music) and I have a certain feeling that before I have 
>even come  halfway with Max Jeff Larsson would have fully implemented a 
>similar  function in Mobius ;-)
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se (Swedish)
>www.looproom.com (international)
>http://tinyurl.com/fauvm (podcast)
>http://www.myspace.com/looproom
>
>
>

_________________________________________________________________
Retrouvez tout en un clin d'śil avec Windows Desktop Search ! 
http://desktop.msn.fr/

From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 08:53:35 2006
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From: Monica <coolintensity@yahoo.com>
Subject: Re: Aristotle and Reality 
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A quote I remember from somewhere:
  "The Greeks always tested every hypothesis twice -
  first drunk, then sober." 

Krispen Hartung <khartung@cableone.net> wrote:
  > Also, keep in mind that reality is largely subjective. Aristotle 
> approaches Reality from an objective point of view. I can think of two 
> consequences right offhand that fall from this; both as a consequence 
> owing to the fact that the human mind is a pattern-recognition engine.

Yes! That is a key point. Aristotle had to bind qualities to essense, 
otherwise he couldn't have done what he did so well, which was to categorize 
things and arrange them in a natural hierarchy.....which ended up 
influencing the concent of "The Chain of Being", which by the way was 
partially responsible for generating anti-evolutionary sentiments during the 
hay day of Darwin, Lamarch, etc. A species was considered fixed and 
immutable on this chain of being. Of course, they had no idea of genetics 
until Mendel's pea experiments came along, which showed that species were 
mutable over time based on the mutation and mixing of the units of heredity. 
Figuratively speaking, Aristotle was rolling in his grave and the Greek 
philosopher Hericlitus, known for his theory of the flux (that all things 
change), was screaming horray!!!!

Hericlitus would have been a great looper. :)

K- 




 		
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<div><FONT color=#0000bf size=3>A quote I remember from somewhere:</FONT></div>  <div><FONT color=#0000bf size=3>"The Greeks always tested every hypothesis twice -</FONT></div>  <div><FONT color=#0000bf size=3>first drunk, then sober." </FONT><BR><BR><B><I>Krispen Hartung &lt;khartung@cableone.net&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">&gt; Also, keep in mind that reality is largely subjective. Aristotle <BR>&gt; approaches Reality from an objective point of view. I can think of two <BR>&gt; consequences right offhand that fall from this; both as a consequence <BR>&gt; owing to the fact that the human mind is a pattern-recognition engine.<BR><BR>Yes! That is a key point. Aristotle had to bind qualities to essense, <BR>otherwise he couldn't have done what he did so well, which was to categorize <BR>things and arrange them in a natural hierarchy.....which ended up <BR>influencing the
 concent of "The Chain of Being", which by the way was <BR>partially responsible for generating anti-evolutionary sentiments during the <BR>hay day of Darwin, Lamarch, etc. A species was considered fixed and <BR>immutable on this chain of being. Of course, they had no idea of genetics <BR>until Mendel's pea experiments came along, which showed that species were <BR>mutable over time based on the mutation and mixing of the units of heredity. <BR>Figuratively speaking, Aristotle was rolling in his grave and the Greek <BR>philosopher Hericlitus, known for his theory of the flux (that all things <BR>change), was screaming horray!!!!<BR><BR>Hericlitus would have been a great looper. :)<BR><BR>K- <BR><BR><BR></BLOCKQUOTE><BR><p>&#32;
		<hr size=1>Yahoo! Messenger with Voice. <a href="http://us.rd.yahoo.com/mail_us/taglines/postman1/*http://us.rd.yahoo.com/evt=39663/*http://voice.yahoo.com">Make PC-to-Phone Calls</a> to the US (and 30+ countries) for 2˘/min or less.
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Jon Wagner just told me that he started a
specific Handsonic group at yahoogroups.com

You might write to him about that.

yours,  Rick

ps   a professional percussionist with a world class percussion collection 
who
never had enough money at one time to buy a Handsonic....................lol

I think they are great but really overpriced and they never came down in 
price.

the trigger finger with a really good sample collection is a very, very nice
and inexpensive alternative to the handsonic,  though it doesn't
have the sexy d-beam and ribbon controllers, unfortunately

I actually have that set up but because I have a lot of skill with so many 
kinds of percussion
 I never take it out in that context. 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 13:04:46 2006
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From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #486 for July 20, 2006
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http://wdiy.org/programs/gt/playlists/2006/060720.html

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, webcasting on the internet, and simulcasting on 
WXLV 90.3
FM in Schnecksville at Lehigh Carbon County Community College.

                    Show #486                    July 20, 2006

RECAP:
On this show, I continued the month-long focus on Numina.  The Featured 
CD at
Midnight was "Eye of the Nautilus" on Hypnos Records.

The Vinyl Starter was from the LP "Heaven and Hell" by Vangelis on RCA 
Records and
released in 1975.

Numina - http://wdiy.org/programs/gt/playlists/2006/focus.html#jul


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Vangelis                Part 2 *                 Heaven and Hell (RCA)
Klaus Schulze           Ruins                    The Crime of Suspense 
(Revisited)
VA [Xeroid Entity]      Outside My Window        electro-music 2006 
(electro-music
                                                   media)
Mutation Vector         Pillager                 Kill It Before It 
Multiplies
Fringe Element          Gnome                    Organic Chemistry
Vitaly                  Universe                 Looking at the Stars
Different Skies 2004    Carnivore One            Arcs & Angles (Atomic City)
  Participants
VA [HyperEx Machina]    The Rapture              Awakenings 2006 Volume 2.5
                                                   (Ambient Live)
Numina                  Drift Catalyst           Eye of the Nautilus 
(Hypnos)

12:00 am
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Numina                  Secrets from the Flame   Eye of the Nautilus 
(Hypnos)
Numina                  The Thirteenth Moon      Eye of the Nautilus 
(Hypnos)
Numina                  New Lands Approach       Eye of the Nautilus 
(Hypnos)
Numina                  The Nautilus Chamber     Eye of the Nautilus 
(Hypnos)
Numina                  Sundrown                 Eye of the Nautilus 
(Hypnos)
Numina                  Frozen Halo              Eye of the Nautilus 
(Hypnos)
Numina                  Hypnotic Shores          Eye of the Nautilus 
(Hypnos)
Numina                  Return to the Crystal    Eye of the Nautilus 
(Hypnos)
                          Temple

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on 
Numina.  The
Featured CD at Midnight will be "Starfarer's Tales Volume 1."

The Vinyl Starter will be from the LP "Zeit" by Tangerine Dream on 
Virgin Records
and released in 1972.

Bill
===============================================================================
Host of Galactic Travels, an electronic, ambient,  and space music show,
Thursdays at 11:04 pm EDT (GMT-4) on WDIY 88.1 FM in Allentown and Bethlehem
and 93.9 FM in Easton and Phillipsburg, 93.7 FM in Trexlertown and 
Fogelsville,
on 92.9 FM, on Service Electric Cable, and on WXLV 90.3 FM in Schnecksville.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This 
Group!]
at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 13:05:53 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Hi Mike

> Maybe you could reserve one phrase of the three for rhythm or other base
> music, and cycle two phrases for fading.  I've tried both strategies and
> they work well.
Yes, I've also worked with that. It's quite a bit of pedal pushing, though.

"Looping veterans" seem to want a very simple setup: they want to adjust a certain feedback level right from the beginning. Then they know that every loops playsback -say- 5 times before it's gone.

This is what you can do with my setup also on the RC-50.

I agree that there is still quite a bit of depth to the RC-50 - and also couple frustrating things. If there is supposed to be a software update in Autmn, this is really good :-)

Best regards
Buzap
-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 14:48:00 2006
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Subject: Re: Tony and Rainer make weird noises.
Date: Fri, 21 Jul 2006 08:47:54 -0600
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Nice. I like the amount of space and breathing room. Did I hear Pluggo's =
Feedback Network in there?=20

Kris

  ----- Original Message -----=20
  From: Tony K=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, July 04, 2006 10:31 PM
  Subject: Tony and Rainer make weird noises.


  Hi all,

  =20

  Last week Rainer and I managed to get our schedules in sync and did a =
NINJAM session.  While we had a few technical issues, we did manage to =
make some music together.  If anybody is interested, there's a 23 minute =
(33 meg d/l) file at:

  =20

  http://www.thinginajar.com/bigtony/RainerAndTony.mp3

  =20

  Comments welcome!

  =20

  Tony

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<BODY lang=3DEN-US vLink=3Dpurple link=3Dblue bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Nice. I like the amount of space and =
breathing=20
room. Did I hear Pluggo's Feedback Network in there? </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbigtony@softhome.net =
href=3D"mailto:bigtony@softhome.net">Tony K</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 04, 2006 =
10:31=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Tony and Rainer make =
weird=20
  noises.</DIV>
  <DIV><BR></DIV>
  <DIV class=3DSection1>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Hi=20
  all,<o:p></o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Last week =
Rainer and=20
  I managed to get our schedules in sync and did a NINJAM session.&nbsp; =
While=20
  we had a few technical issues, we did manage to make some music=20
  together.&nbsp; If anybody is interested, there=92s a 23 minute (33 =
meg d/l)=20
  file at:<o:p></o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"><A=20
  =
href=3D"http://www.thinginajar.com/bigtony/RainerAndTony.mp3">http://www.=
thinginajar.com/bigtony/RainerAndTony.mp3</A><o:p></o:p></SPAN></FONT></P=
>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Comments=20
  welcome!<o:p></o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">Tony<o:p></o:p></SPAN></FONT></P></DIV></BLOCKQUOTE></BODY></HTML>=


------=_NextPart_000_00D2_01C6ACA2.5B30EBD0--


From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 15:47:45 2006
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From: Zoe Keating <cello@zoekeating.com>
Subject: Re: Zoe Keating Radio on Pandora.com
Date: Fri, 21 Jul 2006 08:47:40 -0700
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oh that is so neat....! thanks! ;-)

On Jul 20, 2006, at 4:24 PM, johnsrude@peak.org wrote:

> Could someone on the list try this out and let me know if it works?
>
> Zoe Keating Radio
>
> To immediately listen to this music station I've created (named  
> "Zoe Keating
> Radio")  simply click on this link or copy and paste it into your  
> Internet
> browser:
> http://www.pandora.com/?sc=sh142293524951897341
>
> This station plays on Pandora, a music listening and discovery  
> service.
> Pandora enables users to easily create streaming stations that  
> explore their
> favorite  parts of the music universe. When you click on the link,  
> you'll
> automatically  receive a free no-questions-asked trial so you can  
> listen to
> this station--and  create some more of your own.
>
> Thanks,
> Kevin
> www.TheNettles.com
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 17:18:22 2006
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Date: Fri, 21 Jul 2006 10:18:19 -0700 (PDT)
Subject: Re: Zoe Keating Radio on Pandora.com
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Zoe wrote:
> oh that is so neat....! thanks! ;-)

Hey Zoe,

You're welcome!

It was great listening to your tracks on Pandora.com.

I wish I could take credit for it but the way you start a Pandora radio
station is by specifying an artist or song and the radio station is named
after the artist you specify by default.  Then Pandora looks for songs the
listener might like based on the characteristics of the artist chosen.

Cheers,
Kevin
www.TheNettles.com


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From: rune fagereng <rune_fagereng@yahoo.no>
Subject: reverb just on the delays 
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On some of Jon Hassells tunes, his trompetsound has a near and close direct sound, and just a small amout of his sound (lets say  20%) has a big reverb, I think. The part that has reverb, also has some delay, I think. But there are no delay on the direct sound, I think....  
   
  I play guitar, with the use of TC 2290 for delay, and a Alesis for reverb. The Alesis is in the fx-chain of the Tc.
   
  Any Thoughts of how to get "closer" to the Hassells sound, in the manner of getting reverb just on the delays ? Or any tips what so ever ?
   
  Best regards of Rune F  


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
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<DIV>On some of Jon Hassells tunes, his trompetsound&nbsp;has a near and close direct sound, and&nbsp;just a&nbsp;small amout of his sound (lets say &nbsp;20%) has a big reverb, I think. The part that has reverb, also has some delay, I think.&nbsp;But there are no delay on the direct sound, I think....&nbsp;&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>I play guitar, with the use of TC 2290&nbsp;for delay, and a Alesis for reverb. The Alesis is in the fx-chain of the Tc.</DIV>  <DIV>&nbsp;</DIV>  <DIV>Any Thoughts of how to&nbsp;get "closer" to the Hassells sound, in the manner of getting reverb just on the delays ? Or any tips what so ever ?</DIV>  <DIV>&nbsp;</DIV>  <DIV>Best regards of Rune F&nbsp;&nbsp;</DIV><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-1066553510-1153504854=:35278--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 18:13:55 2006
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From: "aaron leese" <aaronleese@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: flyloops beta test
Date: Fri, 21 Jul 2006 14:13:52 -0400
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Can someone with a midi controller check this out and see if it works.  
www.flyloops.com ... then go to the tech info page ... there is a link there 
to download the beta test.

I am not a veteran programmer so I'm rather anxious to make sure this will 
work computers other than mine .... ghost in the machine wins again.

I took off last weekend and got this working with assignable midi 
controllers, so you will want to change the midi config in the drop down 
menu before you do anything... if your midi controller is hooked up, just 
hit a key and you will see the midi message being sent ..... simply assign 
that key to one of the pedals and you will be able to control any loop's 
record/play/stop/volume with that key.

a couple things:
1 - you need DirectX for this program to work.
2 - don't hit the remove button with nothing selected .. this causes 
problems.  It's a simple fix, but I didn't catch it until this morning, so 
it's still there.
3 - There are a few resourses the program doesn't seem to release on close 
.... so if you run the program a few times, you may want to check the task 
manager and see if the process is still running in the background. I'll try 
to get that fixed soon also.

_________________________________________________________________
FREE pop-up blocking with the new MSN Toolbar – get it now! 
http://toolbar.msn.click-url.com/go/onm00200415ave/direct/01/

From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 18:30:01 2006
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Date: Fri, 21 Jul 2006 14:29:57 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: reverb just on the delays
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If you could site a particular cut, I can tell you how to get the 
effect nearly exactly.

I suspect that you might be referring to "Malay" from Dream theory in 
Malaya (1981)

The most useful method will require a small mixer. Patch the delay 
and the reverb into the mixer.  Send a signal to the reverb from an 
aux which is pre-fader on the channel to which the delay is patched. 
This way you can regulate the 'wetness' of the delay independant of 
the delay level.

>On some of Jon Hassells tunes, his trompetsound has a near and close 
>direct sound, and just a small amout of his sound (lets say  20%) 
>has a big reverb, I think. The part that has reverb, also has some 
>delay, I think. But there are no delay on the direct sound, I 
>think....
>
>I play guitar, with the use of TC 2290 for delay, and a Alesis for 
>reverb. The Alesis is in the fx-chain of the Tc.
>
>Any Thoughts of how to get "closer" to the Hassells sound, in the 
>manner of getting reverb just on the delays ? Or any tips what so 
>ever ?
>
>Best regards of Rune F
>
>
>www.runefagereng.com
>Mail:rune_fagereng@yahoo.no
>Mob: 917 95 867


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 18:41:56 2006
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Date: Fri, 21 Jul 2006 20:41:55 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: reverb just on the delays
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Marifaa Street, open secret ? Or any tune on M.Street.
   
  RF 
Charles Zwicky <cazwicky@earthlink.net> skrev:
  If you could site a particular cut, I can tell you how to get the 
effect nearly exactly.

I suspect that you might be referring to "Malay" from Dream theory in 
Malaya (1981)

The most useful method will require a small mixer. Patch the delay 
and the reverb into the mixer. Send a signal to the reverb from an 
aux which is pre-fader on the channel to which the delay is patched. 
This way you can regulate the 'wetness' of the delay independant of 
the delay level.

>On some of Jon Hassells tunes, his trompetsound has a near and close 
>direct sound, and just a small amout of his sound (lets say 20%) 
>has a big reverb, I think. The part that has reverb, also has some 
>delay, I think. But there are no delay on the direct sound, I 
>think....
>
>I play guitar, with the use of TC 2290 for delay, and a Alesis for 
>reverb. The Alesis is in the fx-chain of the Tc.
>
>Any Thoughts of how to get "closer" to the Hassells sound, in the 
>manner of getting reverb just on the delays ? Or any tips what so 
>ever ?
>
>Best regards of Rune F
>
>
>www.runefagereng.com
>Mail:rune_fagereng@yahoo.no
>Mob: 917 95 867


-- 
...
http://www.zmix.net




www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
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<div>Marifaa Street, open secret ?&nbsp;Or any tune on M.Street.</div>  <div>&nbsp;</div>  <div>RF&nbsp;<BR><B><I>Charles Zwicky &lt;cazwicky@earthlink.net&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">If you could site a particular cut, I can tell you how to get the <BR>effect nearly exactly.<BR><BR>I suspect that you might be referring to "Malay" from Dream theory in <BR>Malaya (1981)<BR><BR>The most useful method will require a small mixer. Patch the delay <BR>and the reverb into the mixer. Send a signal to the reverb from an <BR>aux which is pre-fader on the channel to which the delay is patched. <BR>This way you can regulate the 'wetness' of the delay independant of <BR>the delay level.<BR><BR>&gt;On some of Jon Hassells tunes, his trompetsound has a near and close <BR>&gt;direct sound, and just a small amout of his sound (lets say 20%) <BR>&gt;has a big reverb, I think. The part that has
 reverb, also has some <BR>&gt;delay, I think. But there are no delay on the direct sound, I <BR>&gt;think....<BR>&gt;<BR>&gt;I play guitar, with the use of TC 2290 for delay, and a Alesis for <BR>&gt;reverb. The Alesis is in the fx-chain of the Tc.<BR>&gt;<BR>&gt;Any Thoughts of how to get "closer" to the Hassells sound, in the <BR>&gt;manner of getting reverb just on the delays ? Or any tips what so <BR>&gt;ever ?<BR>&gt;<BR>&gt;Best regards of Rune F<BR>&gt;<BR>&gt;<BR>&gt;www.runefagereng.com<BR>&gt;Mail:rune_fagereng@yahoo.no<BR>&gt;Mob: 917 95 867<BR><BR><BR>-- <BR>...<BR>http://www.zmix.net<BR><BR></BLOCKQUOTE><BR><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-28651509-1153507315=:54372--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 19:06:43 2006
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Date: Fri, 21 Jul 2006 15:06:45 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Vedr. Re: reverb just on the delays
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"Open secret" starts with a very dry trumpet and  at 1:08 he brings 
up his two harmonizer channels . The left channel tuned a minor third 
down (-3 semitones) and the right a fifth below  (-7 semitones).
At the end of his phrases we can hear a simply a long reverb set 
about 20dB below the trumpet level which creates  that 'Hang" . There 
are no delays on this track.


>Marifaa Street, open secret ? Or any tune on M.Street.
>
>RF 
>Charles Zwicky <cazwicky@earthlink.net> skrev:
>
>If you could site a particular cut, I can tell you how to get the
>effect nearly exactly.
>
>I suspect that you might be referring to "Malay" from Dream theory in
>Malaya (1981)
>
>The most useful method will require a small mixer. Patch the delay
>and the reverb into the mixer. Send a signal to the reverb from an
>aux which is pre-fader on the channel to which the delay is patched.
>This way you can regulate the 'wetness' of the delay independant of
>the delay level.
>
>>On some of Jon Hassells tunes, his trompetsound has a near and close
>>direct sound, and just a small amout of his sound (lets say 20%)
>>has a big reverb, I think. The part that has reverb, also has some
>>delay, I think. But there are no delay on the direct sound, I
>>think....
>>
>>I play guitar, with the use of TC 2290 for delay, and a Alesis for
>>reverb. The Alesis is in the fx-chain of the Tc.
>>
>>Any Thoughts of how to get "closer" to the Hassells sound, in the
>>manner of getting reverb just on the delays ? Or any tips what so
>>ever ?
>>
>>Best regards of Rune F
>>
>>
>>www.runefagereng.com
>>Mail:rune_fagereng@yahoo.no
>>Mob: 917 95 867
>
>
>--
>...
>http://www.zmix.net
>
>
>
>
>www.runefagereng.com
>Mail:rune_fagereng@yahoo.no
>Mob: 917 95 867


-- 
...
http://www.zmix.net
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Vedr. Re: reverb just on the
delays</title></head><body>
<div>&quot;Open secret&quot; starts with a very dry trumpet and&nbsp;
at 1:08 he brings up his two harmonizer channels . The left channel
tuned a minor third down (-3 semitones) and the right a fifth below&nbsp;
(-7 semitones).</div>
<div>At the end of his phrases we can hear a simply a long reverb set
about 20dB below the trumpet level which creates&nbsp; that 'Hang&quot;
. There are no delays on this track.</div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>Marifaa Street, open secret ?&nbsp;Or any
tune on M.Street.</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>RF&nbsp;<br>
<i><b>Charles Zwicky &lt;cazwicky@earthlink.net&gt;</b></i> skrev:<br>
<blockquote>If you could site a particular cut, I can tell you how to
get the<br>
effect nearly exactly.<br>
<br>
I suspect that you might be referring to &quot;Malay&quot; from Dream
theory in<br>
Malaya (1981)<br>
<br>
The most useful method will require a small mixer. Patch the delay<br>
and the reverb into the mixer. Send a signal to the reverb from an<br>
aux which is pre-fader on the channel to which the delay is
patched.<br>
This way you can regulate the 'wetness' of the delay independant
of<br>
the delay level.<br>
<br>
&gt;On some of Jon Hassells tunes, his trompetsound has a near and
close<br>
&gt;direct sound, and just a small amout of his sound (lets say
20%)<br>
&gt;has a big reverb, I think. The part that has reverb, also has
some<br>
&gt;delay, I think. But there are no delay on the direct sound, I<br>
&gt;think....<br>
&gt;<br>
&gt;I play guitar, with the use of TC 2290 for delay, and a Alesis
for<br>
&gt;reverb. The Alesis is in the fx-chain of the Tc.<br>
&gt;<br>
&gt;Any Thoughts of how to get &quot;closer&quot; to the Hassells
sound, in the<br>
&gt;manner of getting reverb just on the delays ? Or any tips what
so<br>
&gt;ever ?<br>
&gt;<br>
&gt;Best regards of Rune F<br>
&gt;<br>
&gt;<br>
&gt;www.runefagereng.com<br>
&gt;Mail:rune_fagereng@yahoo.no<br>
&gt;Mob: 917 95 867<br>
<br>
<br>
--<br>
...<br>
http://www.zmix.net<br>
</blockquote>
</blockquote>
<blockquote type="cite" cite><br>
<br>
<br>
www.runefagereng.com<br>
Mail:rune_fagereng@yahoo.no<br>
Mob: 917 95 867</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1058613688==_ma============--

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> Jon Wagner just told me that he started a
> specific Handsonic group at yahoogroups.com

I don't have a handsonic either...

I do have a Korg Wavedrum, and its a wavedrum group I started on yahoo.  The 
wavedrum is a whole 'nother realm of instrument, its really a synthesizer 
with a percussion specific controller.  It has a single head with a pickup, 
a mic, and a pressure sensor.  It also has a rim trigger.  All these inputs 
feed into the synthesis engine to make all kinds of percussion sounds - some 
VERY realistic, spacey, fantasy, electronic, ect.  You can play it with 
hands, sticks, brushes, ect all with very nice effect.

I would definately look into a wavedrum for replacing mic'd percussion, 
although its not in production anymore and they are fairly rare, they can be 
found without too much trouble.

Jon

From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 19:56:38 2006
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Date: Fri, 21 Jul 2006 14:56:33 -0500
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At 10:53 PM -0600 7/20/06, Krispen Hartung wrote:
>
>Plato's theory of the forms (it was not Socrates, btw)

Thank you!  I knew Socrates didn't sound right, but I was having a 
brain, erm, cloud as to where the theory originated.

>one can only suggest, in this theory at least, that music is only in the mind.

Oh, in more than merely this theory.  I can remember in College 
Physics 101, our professor took about 15 minutes to tackle the issue 
regarding, "if a tree falls in the woods and there's no-one there to 
hear it...".  His main point was that very definition of Sound 
requires a receiver (listener) to interpret the vibrations in the air 
and convert them into Sound.  Otherwise, as you stated, there's no 
difference between generating Sound and merely moving air.  (So, that 
falling tree moves air, but since there's no observer it doesn't 
generate sound).  Sound only occurs in the brain, at least according 
to basic Newtonian Physics.

Thus, if Music is a subset of Sound, then the brain/mind is an 
indispensable component in the chain.  Some aspects of 
psychoacoustics also attempt to chart the characteristics of 
Sound/Music that occur only within the mind, completely divorced from 
the physical world.

>Man, I love this shit....I'll never be able to get to sleep now.

Kris, if you ever get a chance, I think you'd also get a kick out of 
reading writings from the philosophers of the Iranian Neo-Platonist 
movement -- around the first millennium AD (starting with Ibn Sina, 
but primarily Suhrawardi and Qutb al-Din Shirazi).  It's not so 
well-known here in the West, but the Islamic world actually spent 
quite a bit of time and thought extrapolating on the concepts first 
voiced by the great Greek philosophers.  Much of that philosophy was 
incorporated into the Illuminationist school of Islamic thought.

I've never been able to get very far in my reading of it for two 
reasons: A.) I don't already have the required background in the 
teachings of the Classical Greeks, and B.) I'm not really smart 
enough.  :P

It sounds like something that would be right up your alley, though, 
if you haven't already delved into the writings of that philosophical 
school.

	--m.
-- 
_______
"Take a packet of seeds.  Take yourself out to play
  I want to see river of orchids where we had a motorway..."

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Date: Fri, 21 Jul 2006 22:01:03 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: Vedr. Re: reverb just on the delays
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Any knowledge on how Hassell does this Live, and what gear he uses ?
   
  RF

Charles Zwicky <cazwicky@earthlink.net> skrev:
        "Open secret" starts with a very dry trumpet and  at 1:08 he brings up his two harmonizer channels . The left channel tuned a minor third down (-3 semitones) and the right a fifth below  (-7 semitones).
  At the end of his phrases we can hear a simply a long reverb set about 20dB below the trumpet level which creates  that 'Hang" . There are no delays on this track.
  

  

  Marifaa Street, open secret ? Or any tune on M.Street.     RF 
Charles Zwicky <cazwicky@earthlink.net> skrev:
  If you could site a particular cut, I can tell you how to get the
effect nearly exactly.

I suspect that you might be referring to "Malay" from Dream theory in
Malaya (1981)

The most useful method will require a small mixer. Patch the delay
and the reverb into the mixer. Send a signal to the reverb from an
aux which is pre-fader on the channel to which the delay is patched.
This way you can regulate the 'wetness' of the delay independant of
the delay level.

>On some of Jon Hassells tunes, his trompetsound has a near and close
>direct sound, and just a small amout of his sound (lets say 20%)
>has a big reverb, I think. The part that has reverb, also has some
>delay, I think. But there are no delay on the direct sound, I
>think....
>
>I play guitar, with the use of TC 2290 for delay, and a Alesis for
>reverb. The Alesis is in the fx-chain of the Tc.
>
>Any Thoughts of how to get "closer" to the Hassells sound, in the
>manner of getting reverb just on the delays ? Or any tips what so
>ever ?
>
>Best regards of Rune F
>
>
>www.runefagereng.com
>Mail:rune_fagereng@yahoo.no
>Mob: 917 95 867


--
...
http://www.zmix.net
  


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867  

  


--   
  ...
http://www.zmix.net



www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
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<div>Any knowledge on how Hassell does this Live, and what gear he uses ?</div>  <div>&nbsp;</div>  <div>RF<BR><BR><B><I>Charles Zwicky &lt;cazwicky@earthlink.net&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <STYLE type=text/css><!--  blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }   --></STYLE>    <DIV>"Open secret" starts with a very dry trumpet and&nbsp; at 1:08 he brings up his two harmonizer channels . The left channel tuned a minor third down (-3 semitones) and the right a fifth below&nbsp; (-7 semitones).</DIV>  <DIV>At the end of his phrases we can hear a simply a long reverb set about 20dB below the trumpet level which creates&nbsp; that 'Hang" . There are no delays on this track.</DIV>  <DIV><BR></DIV>  <DIV><BR></DIV>  <BLOCKQUOTE cite="" type="cite">Marifaa Street, open secret ?&nbsp;Or any tune on M.Street.</BLOCKQUOTE>  <BLOCKQUOTE cite=""
 type="cite">&nbsp;</BLOCKQUOTE>  <BLOCKQUOTE cite="" type="cite">RF&nbsp;<BR><I><B>Charles Zwicky &lt;cazwicky@earthlink.net&gt;</B></I> skrev:<BR>  <BLOCKQUOTE>If you could site a particular cut, I can tell you how to get the<BR>effect nearly exactly.<BR><BR>I suspect that you might be referring to "Malay" from Dream theory in<BR>Malaya (1981)<BR><BR>The most useful method will require a small mixer. Patch the delay<BR>and the reverb into the mixer. Send a signal to the reverb from an<BR>aux which is pre-fader on the channel to which the delay is patched.<BR>This way you can regulate the 'wetness' of the delay independant of<BR>the delay level.<BR><BR>&gt;On some of Jon Hassells tunes, his trompetsound has a near and close<BR>&gt;direct sound, and just a small amout of his sound (lets say 20%)<BR>&gt;has a big reverb, I think. The part that has reverb, also has some<BR>&gt;delay, I think. But there are no delay on the direct sound, I<BR>&gt;think....<BR>&gt;<BR>&gt;I play
 guitar, with the use of TC 2290 for delay, and a Alesis for<BR>&gt;reverb. The Alesis is in the fx-chain of the Tc.<BR>&gt;<BR>&gt;Any Thoughts of how to get "closer" to the Hassells sound, in the<BR>&gt;manner of getting reverb just on the delays ? Or any tips what so<BR>&gt;ever ?<BR>&gt;<BR>&gt;Best regards of Rune F<BR>&gt;<BR>&gt;<BR>&gt;www.runefagereng.com<BR>&gt;Mail:rune_fagereng@yahoo.no<BR>&gt;Mob: 917 95 867<BR><BR><BR>--<BR>...<BR>http://www.zmix.net<BR></BLOCKQUOTE></BLOCKQUOTE>  <BLOCKQUOTE cite="" type="cite"><BR><BR><BR>www.runefagereng.com<BR>Mail:rune_fagereng@yahoo.no<BR>Mob: 917 95 867</BLOCKQUOTE>  <DIV><BR></DIV>  <DIV><BR></DIV><X-SIGSEP><PRE>--   </PRE></X-SIGSEP>  <DIV>...<BR>http://www.zmix.net</DIV></BLOCKQUOTE><BR><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-1817086573-1153512063=:87919--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 20:06:21 2006
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  I'm inclined to the view that subject/object is merely a linguistic 
mechanism,a grammatic conceit The word grammar originally refered to 
magic,as does the word spell,and even the word 'word' itself -enchantment 
etc.are all related to the beleif (said to be an obsolete aristotelian 
category) that the world is created by the word The big Bang theory was 
proposed by a Christian monk trying to reconcile modern scientific data w/ 
Genesis I prefer to think of it as Shiva's drumbeat . I think we create our 
sense of a seperation between ourselves and the the World.or Cosmos  by our 
linguistic categories.Bhuddism has alot of techniques for recognizing ways 
in which mental constructs such as beleifs,categories,languages and symbol 
systems etc.function as lenses that distort the input,when emplyed in a 
habitual unconscious way'


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.  Otherwise, as you stated, there's no 
>difference between generating Sound and merely moving air. >	--m.


YES! perfect desciption of my stuff!
i knew that if i kept reading this-some phrase would come up that i could wrap my fat head around.
s


From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 20:21:50 2006
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Subject: Re: Re: Hexaphonic guitar (was: single coil & hum (was EH2880 on video)
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I didn't see anyone make mention yet of Matthias Grob's guitar and effects?

http://matthias.grob.org/pParad/ParaPoly.htm

he also designed and built polysubbass and polydistortion:

http://matthias.grob.org/pEE/InventE.htm

Both the polysubbass and especially the polydistortion are unique and nice 
sounds!

Jon 

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Date: Fri, 21 Jul 2006 16:23:39 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Vedr. Re: Vedr. Re: reverb just on the delays
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When I first saw Jon Hassel on tour he was using an AMS-DMX digital 
delay with the pitch change cards in it and someone had rigged up a 
custom interface so that he could select preset intervals with a bank 
of footswitched arranged chromatically. The AMS otherwise sets the 
pitch as a ratio or percentage, not so intuative. I recall that the 
notes were drawn by hand on little scraps of paper and fastenend to 
the footswitches with clear tape.

He may be using a different device these days, but I've met a 
surprising number of musicians who prefer to stick with a particular 
set of tools, despite newer technologies becoming available.

Here is a nice article

http://www.jonhassell.com/taboo.html

and this, too

http://www.jonhassell.com/toop.html


>Any knowledge on how Hassell does this Live, and what gear he uses ?
>
>RF
>
>Charles Zwicky <cazwicky@earthlink.net> skrev:
>
>"Open secret" starts with a very dry trumpet and  at 1:08 he brings 
>up his two harmonizer channels . The left channel tuned a minor 
>third down (-3 semitones) and the right a fifth below  (-7 
>semitones).
>At the end of his phrases we can hear a simply a long reverb set 
>about 20dB below the trumpet level which creates  that 'Hang" . 
>There are no delays on this track.
>
>
>>Marifaa Street, open secret ? Or any tune on M.Street.
>>
>
>
>RF 
>Charles Zwicky <cazwicky@earthlink.net> skrev:
>
>If you could site a particular cut, I can tell you how to get the
>effect nearly exactly.
>
>I suspect that you might be referring to "Malay" from Dream theory in
>Malaya (1981)
>
>The most useful method will require a small mixer. Patch the delay
>and the reverb into the mixer. Send a signal to the reverb from an
>aux which is pre-fader on the channel to which the delay is patched.
>This way you can regulate the 'wetness' of the delay independant of
>the delay level.
>
>>On some of Jon Hassells tunes, his trompetsound has a near and close
>>direct sound, and just a small amout of his sound (lets say 20%)
>>has a big reverb, I think. The part that has reverb, also has some
>>delay, I think. But there are no delay on the direct sound, I
>>think....
>>
>>I play guitar, with the use of TC 2290 for delay, and a Alesis for
>>reverb. The Alesis is in the fx-chain of the Tc.
>>
>>Any Thoughts of how to get "closer" to the Hassells sound, in the
>>manner of getting reverb just on the delays ? Or any tips what so
>>ever ?
>>
>>Best regards of Rune F
>>
>>
>>www.runefagereng.com
>>Mail:rune_fagereng@yahoo.no
>>Mob: 917 95 867
>
>
>--
>...
>http://www.zmix.net
>
>
>
>
>www.runefagereng.com
>Mail:rune_fagereng@yahoo.no
>Mob: 917 95 867
>
>
>
>--  
>...
>http://www.zmix.net
>
>
>
>
>www.runefagereng.com
>Mail:rune_fagereng@yahoo.no
>Mob: 917 95 867


-- 
...
http://www.zmix.net
--============_-1058609075==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Vedr. Re: Vedr. Re: reverb just on the
delays</title></head><body>
<div>When I first saw Jon Hassel on tour he was using an AMS-DMX
digital delay with the pitch change cards in it and someone had rigged
up a custom interface so that he could select preset intervals with a
bank of footswitched arranged chromatically. The AMS otherwise sets
the pitch as a ratio or percentage, not so intuative. I recall that
the notes were drawn by hand on little scraps of paper and fastenend
to the footswitches with clear tape.</div>
<div><br></div>
<div>He may be using a different device these days, but I've met a
surprising number of musicians who prefer to stick with a particular
set of tools, despite newer technologies becoming available.</div>
<div><br></div>
<div>Here is a nice article</div>
<div><br></div>
<div><font face="Lucida Grande" size="-1"
color="#000000">http://www.jonhassell.com/taboo.html</font></div>
<div><br></div>
<div>and this, too</div>
<div><br></div>
<div><font face="Lucida Grande" size="-1"
color="#000000">http://www.jonhassell.com/toop.html</font></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>Any knowledge on how Hassell does this
Live, and what gear he uses ?</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>RF<br>
<br>
<i><b>Charles Zwicky &lt;cazwicky@earthlink.net&gt;</b></i> skrev:<br>
<blockquote>&quot;Open secret&quot; starts with a very dry trumpet
and&nbsp; at 1:08 he brings up his two harmonizer channels . The left
channel tuned a minor third down (-3 semitones) and the right a fifth
below&nbsp; (-7 semitones).</blockquote>
<blockquote>At the end of his phrases we can hear a simply a long
reverb set about 20dB below the trumpet level which creates&nbsp; that
'Hang&quot; . There are no delays on this track.</blockquote>
<blockquote><br></blockquote>
<blockquote><br>
<blockquote type="cite" cite>Marifaa Street, open secret ?&nbsp;Or any
tune on M.Street.<br>
</blockquote>
</blockquote>
<blockquote>
<blockquote>&nbsp;<br>
</blockquote>
<blockquote>RF&nbsp;<br>
<i><b>Charles Zwicky &lt;cazwicky@earthlink.net&gt;</b></i> skrev:<br>
<blockquote>If you could site a particular cut, I can tell you how to
get the<br>
effect nearly exactly.<br>
<br>
I suspect that you might be referring to &quot;Malay&quot; from Dream
theory in<br>
Malaya (1981)<br>
<br>
The most useful method will require a small mixer. Patch the delay<br>
and the reverb into the mixer. Send a signal to the reverb from an<br>
aux which is pre-fader on the channel to which the delay is
patched.<br>
This way you can regulate the 'wetness' of the delay independant
of<br>
the delay level.<br>
<br>
&gt;On some of Jon Hassells tunes, his trompetsound has a near and
close<br>
&gt;direct sound, and just a small amout of his sound (lets say
20%)<br>
&gt;has a big reverb, I think. The part that has reverb, also has
some<br>
&gt;delay, I think. But there are no delay on the direct sound, I<br>
&gt;think....<br>
&gt;<br>
&gt;I play guitar, with the use of TC 2290 for delay, and a Alesis
for<br>
&gt;reverb. The Alesis is in the fx-chain of the Tc.<br>
&gt;<br>
&gt;Any Thoughts of how to get &quot;closer&quot; to the Hassells
sound, in the<br>
&gt;manner of getting reverb just on the delays ? Or any tips what
so<br>
&gt;ever ?<br>
&gt;<br>
&gt;Best regards of Rune F<br>
&gt;<br>
&gt;<br>
&gt;www.runefagereng.com<br>
&gt;Mail:rune_fagereng@yahoo.no<br>
&gt;Mob: 917 95 867<br>
<br>
<br>
--<br>
...<br>
http://www.zmix.net<br>
</blockquote>
</blockquote>
<blockquote><br>
<br>
<br>
www.runefagereng.com<br>
Mail:rune_fagereng@yahoo.no<br>
Mob: 917 95 867<br>
</blockquote>
</blockquote>
<blockquote><br></blockquote>
<blockquote><br></blockquote>
<blockquote><tt>--&nbsp;&nbsp;</tt></blockquote>
<blockquote>...<br>
http://www.zmix.net<br>
</blockquote>
</blockquote>
<blockquote type="cite" cite><br>
<br>
<br>
www.runefagereng.com<br>
Mail:rune_fagereng@yahoo.no<br>
Mob: 917 95 867</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1058609075==_ma============--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 20:29:00 2006
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From: "Tony K" <bigtony@softhome.net>
To: Loopers-Delight@loopers-delight.com
References: <00d501c6acd4$a6d3cb20$10b0ec0f@americas.hpqcorp.net>
Subject: Re: Tony and Rainer make weird noises.
Date: Fri, 21 Jul 2006 16:28:56 -0400
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No Pluggo on my end.  It's all hardware for me.  Roland D50, guitar =
through an RP2000, Morpheus, GR50, DL4, RC20, DD20, Vortex, RSP-550, a =
bunch of ModFX.

Tony
  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, July 21, 2006 10:47 AM
  Subject: Re: Tony and Rainer make weird noises.


  Nice. I like the amount of space and breathing room. Did I hear =
Pluggo's Feedback Network in there?=20

  Kris

    ----- Original Message -----=20
    From: Tony K=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Tuesday, July 04, 2006 10:31 PM
    Subject: Tony and Rainer make weird noises.


    Hi all,

    =20

    Last week Rainer and I managed to get our schedules in sync and did =
a NINJAM session.  While we had a few technical issues, we did manage to =
make some music together.  If anybody is interested, there's a 23 minute =
(33 meg d/l) file at:

    =20

    http://www.thinginajar.com/bigtony/RainerAndTony.mp3

    =20

    Comments welcome!

    =20

    Tony

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<DIV><FONT face=3DArial size=3D2>No Pluggo on my end.&nbsp; It's all =
hardware for=20
me.&nbsp; Roland D50, guitar through an RP2000, Morpheus, GR50, DL4, =
RC20, DD20,=20
Vortex, RSP-550, a bunch of ModFX.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Tony</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 21, 2006 =
10:47=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Tony and Rainer =
make weird=20
  noises.</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Nice. I like the amount of space and =
breathing=20
  room. Did I hear Pluggo's Feedback Network in there? </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dbigtony@softhome.net =
href=3D"mailto:bigtony@softhome.net">Tony K</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 04, 2006 =
10:31=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Tony and Rainer make =
weird=20
    noises.</DIV>
    <DIV><BR></DIV>
    <DIV class=3DSection1>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Hi=20
    all,<o:p></o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Last week =
Rainer=20
    and I managed to get our schedules in sync and did a NINJAM =
session.&nbsp;=20
    While we had a few technical issues, we did manage to make some =
music=20
    together.&nbsp; If anybody is interested, there=92s a 23 minute (33 =
meg d/l)=20
    file at:<o:p></o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"><A=20
    =
href=3D"http://www.thinginajar.com/bigtony/RainerAndTony.mp3">http://www.=
thinginajar.com/bigtony/RainerAndTony.mp3</A><o:p></o:p></SPAN></FONT></P=
>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Comments=20
    welcome!<o:p></o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">Tony<o:p></o:p></SPAN></FONT></P></DIV></BLOCKQUOTE></BLOCKQUOTE><=
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 20:30:37 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Hexaphonic guitar (was: single coil & hum (was EH2880 on video)
Date: Fri, 21 Jul 2006 22:30:33 +0200
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On 21 jul 2006, at 22.21, jondrums wrote:

> I didn't see anyone make mention yet of Matthias Grob's guitar and =20
> effects?
> http://matthias.grob.org/pParad/ParaPoly.htm
> he also designed and built polysubbass and polydistortion:
> http://matthias.grob.org/pEE/InventE.htm
> Both the polysubbass and especially the polydistortion are unique =20
> and nice sounds!
>
> Jon


Also don't miss Matthias long time guitar building friend Rolf =20
Spuler's site at http://www.rolfspuler.com/
I was lucky to meet Rolf in Z=FCrich last year and check out his =20
guitars. Very cool instrument and the "firewire guitar" is an amazing =20=

concept.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 20:38:37 2006
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I resonate well with this, Samba, namely that much of our divisions between 
mind and external world, word and object, and even divisions within the 
so-called external world (which I regard a logical fiction) are arbitrary, 
or at most pragmatic tools for us to communicate and get by in daily life. 
One might view the world as a fluid or one stream of experience, from which 
we create superficial divisions...like a patch of color based on boundaries, 
or the sense of self as different than the external world, or what we think 
of as a self-contained object...when in fact, all is One. After all, 
strictly from a visual sense data standpoint, everything that we think o as 
a separate entitiy is in fact in juxtaposition with everthing else...no 
boundary except that of shape, shade, etc. I suppose this is somewhat 
consistent with eastern thought, Hinduism, where Brahman is considered the 
One, the only real and legitimate entity...everything else, like pieces of 
ice floating in the sea of Brahman, are illusory.

If you have the patience for it, here is a paper I wrote several years ago 
after sneaking into the philosophy library after hours at the University of 
Washington (during a philosophy conference I was attending). I was doing 
research on modern skepticism, which developed into an idea that I 
stipulated as the "sphere of awareness".  If you read this, you'll probably 
know more about it than me, since it has been so long since I read it. 
Basically, I posit that all knowledge (and thus our epistemology) is limited 
to the items of direct awareness, where those items are only arbitrarily 
defined/divided for convenience.

http://www.myweb.cableone.net/chagstrom2/aware.html

It is a very radical form of epistemology, which really reduces what we 
think of as the world or universe to a very limited notion.  You might 
suspect that my theory is just a radical and revised theory of 
phenonemalism, which is correct. It is an epistemology based on a revision 
of phenomenalism - aka, the viewpoint that came out of the work of the 
logical positivists, Bertrand Russell, and some other tangential 20th 
Century Analytic linguistic philosophers.

Kris

----- Original Message ----- 
From: "samba -" <sambacomet@hotmail.com>

>  I'm inclined to the view that subject/object is merely a linguistic 
> mechanism,a grammatic conceit The word grammar originally refered to 
> magic,as does the word spell,and even the word 'word' itself -enchantment 
> etc.are all related to the beleif (said to be an obsolete aristotelian 
> category) that the world is created by the word The big Bang theory was 
> proposed by a Christian monk trying to reconcile modern scientific data w/ 
> Genesis I prefer to think of it as Shiva's drumbeat . I think we create 
> our sense of a seperation between ourselves and the the World.or Cosmos 
> by our linguistic categories.Bhuddism has alot of techniques for 
> recognizing ways in which mental constructs such as 
> beleifs,categories,languages and symbol systems etc.function as lenses 
> that distort the input,when emplyed in a habitual unconscious way'
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 20:50:19 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <OF01F9E8D2.5D396C86-ON852571B1.0065DC99-852571B1.006617D1@ca.sunlife> <002a01c6ac81$9bec9690$10b0ec0f@americas.hpqcorp.net> <p0623090ac0e6d76cc882@[10.0.1.2]>
Subject: Re: Coffeehouse Guitar vs street-busker
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Good story. I've always hated it when people ask that question about the 
falling tree, because the answer seems obvious to me depending on what you 
agree as the definition of sound. If you define sound as fluctuations of air 
pressure, then of course the tree makes a sound when no one is 
there...because in science and realism (the metaphysical theory that 
supports modern scientific thinking), humans don't have to be around for 
there to be physical changes in the environment. But if you define sound as 
humann perception, then of course there is no sound if one there to hear it. 
It is one of those questions whose answer is either intuitively obvious or 
obviously false depending on the semantics.

I'll check out that neo-Platonist movement writing...though I am typically 
very suspicious of anything based on Plato's work, who is for all practical 
purposes anti-science and art in terms of the implications of his works. 
Plato thought very lowly of most artists and musicians, and his metaphysic 
contains a great distain for empirical data as a basis for knowledge. He 
comes directly from the line of pre-Socratic Greek philosophers called 
Eliatics (mystics, mathematicians, and idealists), who were in direct 
opposition to the Ionians (pre-scientists who based their view points on 
empirical data and experimentation).

Kris


----- Original Message ----- 
From: "mech" <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>

> At 10:53 PM -0600 7/20/06, Krispen Hartung wrote:

> Oh, in more than merely this theory.  I can remember in College Physics 
> 101, our professor took about 15 minutes to tackle the issue regarding, 
> "if a tree falls in the woods and there's no-one there to hear it...". 
> His main point was that very definition of Sound requires a receiver 
> (listener) to interpret the vibrations in the air and convert them into 
> Sound.  Otherwise, as you stated, there's no difference between generating 
> Sound and merely moving air.  (So, that falling tree moves air, but since 
> there's no observer it doesn't generate sound).  Sound only occurs in the 
> brain, at least according to basic Newtonian Physics.
>
> Thus, if Music is a subset of Sound, then the brain/mind is an 
> indispensable component in the chain.  Some aspects of psychoacoustics 
> also attempt to chart the characteristics of Sound/Music that occur only 
> within the mind, completely divorced from the physical world.
>
>>Man, I love this shit....I'll never be able to get to sleep now.
>
> Kris, if you ever get a chance, I think you'd also get a kick out of 
> reading writings from the philosophers of the Iranian Neo-Platonist 
> movement -- around the first millennium AD (starting with Ibn Sina, but 
> primarily Suhrawardi and Qutb al-Din Shirazi).  It's not so well-known 
> here in the West, but the Islamic world actually spent quite a bit of time 
> and thought extrapolating on the concepts first voiced by the great Greek 
> philosophers.  Much of that philosophy was incorporated into the 
> Illuminationist school of Islamic thought.
>
> I've never been able to get very far in my reading of it for two reasons: 
> A.) I don't already have the required background in the teachings of the 
> Classical Greeks, and B.) I'm not really smart enough.  :P
>
> It sounds like something that would be right up your alley, though, if you 
> haven't already delved into the writings of that philosophical school.
>
> --m.
> -- 
> _______
> "Take a packet of seeds.  Take yourself out to play
>  I want to see river of orchids where we had a motorway..."
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 20:57:35 2006
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Anything I could add to this abstruse discussion has already been said by the
late JBS Haldane:

"Now my own suspicion is that the Universe is not only queerer than we
suppose, but queerer than we can suppose."

"If one could conclude as to the nature of the Creator from a study of his
creation it would appear that God has a special fondness for stars and
beetles."

Cheers,
Kevin
www.TheNettles.com


From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 21:28:30 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: Tony and Rainer make weird noises.
Date: Fri, 21 Jul 2006 23:28:25 +0200
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No Pluggo here, either. But it's all software on my side (except for the
guitar). I don't even know Pluggo's feedback network, so I can't even guess
what you mistook for it...perhaps OhmBoyz delay?
 
        Rainer


  _____  

Von: Tony K [mailto:bigtony@softhome.net] 
Gesendet: Freitag, 21. Juli 2006 22:29
An: Loopers-Delight@loopers-delight.com
Betreff: Re: Tony and Rainer make weird noises.


No Pluggo on my end.  It's all hardware for me.  Roland D50, guitar through
an RP2000, Morpheus, GR50, DL4, RC20, DD20, Vortex, RSP-550, a bunch of
ModFX.
 
Tony

----- Original Message ----- 
From: Krispen  <mailto:khartung@cableone.net> Hartung 
To: Loopers-Delight@loopers-delight.com 
Sent: Friday, July 21, 2006 10:47 AM
Subject: Re: Tony and Rainer make weird noises.

Nice. I like the amount of space and breathing room. Did I hear Pluggo's
Feedback Network in there? 
 
Kris
 

----- Original Message ----- 
From: Tony  <mailto:bigtony@softhome.net> K 
To: Loopers-Delight@loopers-delight.com 
Sent: Tuesday, July 04, 2006 10:31 PM
Subject: Tony and Rainer make weird noises.


Hi all,

 

Last week Rainer and I managed to get our schedules in sync and did a NINJAM
session.  While we had a few technical issues, we did manage to make some
music together.  If anybody is interested, there's a 23 minute (33 meg d/l)
file at:

 

http://www.thinginajar.com/bigtony/RainerAndTony.mp3

 

Comments welcome!

 

Tony


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<DIV dir=3Dltr align=3Dleft><SPAN class=3D269222621-21072006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>No Pluggo here, either. But it's all software =
on my side=20
(except for the guitar). I don't even know Pluggo's feedback network, so =
I can't=20
even guess what you mistook for it...perhaps OhmBoyz =
delay?</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D269222621-21072006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN=20
class=3D269222621-21072006>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
<FONT=20
face=3DArial color=3D#0000ff size=3D2>Rainer</FONT></SPAN></DIV><BR>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader lang=3Dde dir=3Dltr align=3Dleft>
  <HR tabIndex=3D-1>
  <FONT face=3DTahoma size=3D2><B>Von:</B> Tony K =
[mailto:bigtony@softhome.net]=20
  <BR><B>Gesendet:</B> Freitag, 21. Juli 2006 22:29<BR><B>An:</B>=20
  Loopers-Delight@loopers-delight.com<BR><B>Betreff:</B> Re: Tony and =
Rainer=20
  make weird noises.<BR></FONT><BR></DIV>
  <DIV></DIV>
  <DIV><FONT face=3DArial size=3D2>No Pluggo on my end.&nbsp; It's all =
hardware for=20
  me.&nbsp; Roland D50, guitar through an RP2000, Morpheus, GR50, DL4, =
RC20,=20
  DD20, Vortex, RSP-550, a bunch of ModFX.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Tony</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
    Hartung</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 21, 2006 =
10:47=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Tony and Rainer =
make weird=20
    noises.</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>Nice. I like the amount of space =
and breathing=20
    room. Did I hear Pluggo's Feedback Network in there? </FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Dbigtony@softhome.net =
href=3D"mailto:bigtony@softhome.net">Tony=20
      K</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 04, =
2006 10:31=20
      PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Tony and Rainer =
make weird=20
      noises.</DIV>
      <DIV><BR></DIV>
      <DIV class=3DSection1>
      <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Hi=20
      all,<o:p></o:p></SPAN></FONT></P>
      <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
      <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Last =
week Rainer=20
      and I managed to get our schedules in sync and did a NINJAM =
session.&nbsp;=20
      While we had a few technical issues, we did manage to make some =
music=20
      together.&nbsp; If anybody is interested, there&#8217;s a 23 =
minute (33 meg d/l)=20
      file at:<o:p></o:p></SPAN></FONT></P>
      <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
      <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"><A=20
      =
href=3D"http://www.thinginajar.com/bigtony/RainerAndTony.mp3">http://www.=
thinginajar.com/bigtony/RainerAndTony.mp3</A><o:p></o:p></SPAN></FONT></P=
>
      <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
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      <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">Comments=20
      welcome!<o:p></o:p></SPAN></FONT></P>
      <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
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size=3D2><SPAN=20
      style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">Tony<o:p></o:p></SPAN></FONT></P></DIV></BLOCKQUOTE></BLOCKQUOTE><=
/BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 21 22:09:15 2006
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To: Loopers-Delight@loopers-delight.com
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Subject: Re: Tony and Rainer make weird noises.
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It's about 8 minutes into the MP3 files...sounds like feedback.=20

K-
  ----- Original Message -----=20
  From: Rainer Thelonius Balthasar Straschill=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, July 21, 2006 3:28 PM
  Subject: AW: Tony and Rainer make weird noises.


  No Pluggo here, either. But it's all software on my side (except for =
the guitar). I don't even know Pluggo's feedback network, so I can't =
even guess what you mistook for it...perhaps OhmBoyz delay?

          Rainer



-------------------------------------------------------------------------=
---
    Von: Tony K [mailto:bigtony@softhome.net]=20
    Gesendet: Freitag, 21. Juli 2006 22:29
    An: Loopers-Delight@loopers-delight.com
    Betreff: Re: Tony and Rainer make weird noises.


    No Pluggo on my end.  It's all hardware for me.  Roland D50, guitar =
through an RP2000, Morpheus, GR50, DL4, RC20, DD20, Vortex, RSP-550, a =
bunch of ModFX.

    Tony
      ----- Original Message -----=20
      From: Krispen Hartung=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Friday, July 21, 2006 10:47 AM
      Subject: Re: Tony and Rainer make weird noises.


      Nice. I like the amount of space and breathing room. Did I hear =
Pluggo's Feedback Network in there?=20

      Kris

        ----- Original Message -----=20
        From: Tony K=20
        To: Loopers-Delight@loopers-delight.com=20
        Sent: Tuesday, July 04, 2006 10:31 PM
        Subject: Tony and Rainer make weird noises.


        Hi all,

        =20

        Last week Rainer and I managed to get our schedules in sync and =
did a NINJAM session.  While we had a few technical issues, we did =
manage to make some music together.  If anybody is interested, there's a =
23 minute (33 meg d/l) file at:

        =20

        http://www.thinginajar.com/bigtony/RainerAndTony.mp3

        =20

        Comments welcome!

        =20

        Tony

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<BODY lang=3DEN-US vLink=3Dpurple link=3Dblue bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>It's about 8 minutes into the MP3 =
files...sounds=20
like feedback. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>K-</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drs@moinlabs.de href=3D"mailto:rs@moinlabs.de">Rainer =
Thelonius=20
  Balthasar Straschill</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 21, 2006 =
3:28 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> AW: Tony and Rainer =
make weird=20
  noises.</DIV>
  <DIV><BR></DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN class=3D269222621-21072006><FONT =
face=3DArial=20
  color=3D#0000ff size=3D2>No Pluggo here, either. But it's all software =
on my side=20
  (except for the guitar). I don't even know Pluggo's feedback network, =
so I=20
  can't even guess what you mistook for it...perhaps OhmBoyz=20
  delay?</FONT></SPAN></DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN class=3D269222621-21072006><FONT =
face=3DArial=20
  color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN=20
  class=3D269222621-21072006>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
<FONT=20
  face=3DArial color=3D#0000ff size=3D2>Rainer</FONT></SPAN></DIV><BR>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
    <DIV class=3DOutlookMessageHeader lang=3Dde dir=3Dltr align=3Dleft>
    <HR tabIndex=3D-1>
    <FONT face=3DTahoma size=3D2><B>Von:</B> Tony K =
[mailto:bigtony@softhome.net]=20
    <BR><B>Gesendet:</B> Freitag, 21. Juli 2006 22:29<BR><B>An:</B> <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B>Betreff:</B>=20
    Re: Tony and Rainer make weird noises.<BR></FONT><BR></DIV>
    <DIV></DIV>
    <DIV><FONT face=3DArial size=3D2>No Pluggo on my end.&nbsp; It's all =
hardware=20
    for me.&nbsp; Roland D50, guitar through an RP2000, Morpheus, GR50, =
DL4,=20
    RC20, DD20, Vortex, RSP-550, a bunch of ModFX.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Tony</FONT></DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
      Hartung</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 21, 2006 =
10:47=20
      AM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Tony and =
Rainer make=20
      weird noises.</DIV>
      <DIV><BR></DIV>
      <DIV><FONT face=3DArial size=3D2>Nice. I like the amount of space =
and=20
      breathing room. Did I hear Pluggo's Feedback Network in there?=20
      </FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <BLOCKQUOTE dir=3Dltr=20
      style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
        <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
        <DIV=20
        style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
        <A title=3Dbigtony@softhome.net =
href=3D"mailto:bigtony@softhome.net">Tony=20
        K</A> </DIV>
        <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
        title=3DLoopers-Delight@loopers-delight.com=20
        =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
        </DIV>
        <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 04, =
2006 10:31=20
        PM</DIV>
        <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Tony and Rainer =
make weird=20
        noises.</DIV>
        <DIV><BR></DIV>
        <DIV class=3DSection1>
        <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
        style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Hi=20
        all,<o:p></o:p></SPAN></FONT></P>
        <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
        style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
        <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
        style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Last =
week=20
        Rainer and I managed to get our schedules in sync and did a =
NINJAM=20
        session.&nbsp; While we had a few technical issues, we did =
manage to=20
        make some music together.&nbsp; If anybody is interested, =
there=92s a 23=20
        minute (33 meg d/l) file at:<o:p></o:p></SPAN></FONT></P>
        <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
        style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
        <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
        style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"><A=20
        =
href=3D"http://www.thinginajar.com/bigtony/RainerAndTony.mp3">http://www.=
thinginajar.com/bigtony/RainerAndTony.mp3</A><o:p></o:p></SPAN></FONT></P=
>
        <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
        style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
        <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
        style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">Comments=20
        welcome!<o:p></o:p></SPAN></FONT></P>
        <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
        style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
        <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
        style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">Tony<o:p></o:p></SPAN></FONT></P></DIV></BLOCKQUOTE></BLOCKQUOTE><=
/BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_01B7_01C6ACE0.0080A340--


From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 00:44:55 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: Tony and Rainer make weird noises.
Date: Sat, 22 Jul 2006 02:44:49 +0200
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yeah, that's OhmBoyz all right...as well as the things 'round 7:30 that go
"quaquawheekah...quakahhquakkaahhh". If I remember correctly, the synth loop
and the OhmBoyz is done by me, the "artifical guitar" is Tony K...Tony, is
that what you remember, too? ;)


  _____  

Von: Krispen Hartung [mailto:khartung@cableone.net] 
Gesendet: Samstag, 22. Juli 2006 00:09
An: Loopers-Delight@loopers-delight.com
Betreff: Re: Tony and Rainer make weird noises.


It's about 8 minutes into the MP3 files...sounds like feedback. 
 
K-

----- Original Message ----- 
From: Rainer Thelonius  <mailto:rs@moinlabs.de> Balthasar Straschill 
To: Loopers-Delight@loopers-delight.com 
Sent: Friday, July 21, 2006 3:28 PM
Subject: AW: Tony and Rainer make weird noises.

No Pluggo here, either. But it's all software on my side (except for the
guitar). I don't even know Pluggo's feedback network, so I can't even guess
what you mistook for it...perhaps OhmBoyz delay?
 
        Rainer


  _____  

Von: Tony K [mailto:bigtony@softhome.net] 
Gesendet: Freitag, 21. Juli 2006 22:29
An: Loopers-Delight@loopers-delight.com
Betreff: Re: Tony and Rainer make weird noises.


No Pluggo on my end.  It's all hardware for me.  Roland D50, guitar through
an RP2000, Morpheus, GR50, DL4, RC20, DD20, Vortex, RSP-550, a bunch of
ModFX.
 
Tony

----- Original Message ----- 
From: Krispen Hartung <mailto:khartung@cableone.net>  
To: Loopers-Delight@loopers-delight.com 
Sent: Friday, July 21, 2006 10:47 AM
Subject: Re: Tony and Rainer make weird noises.

Nice. I like the amount of space and breathing room. Did I hear Pluggo's
Feedback Network in there? 
 
Kris
 

----- Original Message ----- 
From: Tony  <mailto:bigtony@softhome.net> K 
To: Loopers-Delight@loopers-delight.com 
Sent: Tuesday, July 04, 2006 10:31 PM
Subject: Tony and Rainer make weird noises.


Hi all,

 

Last week Rainer and I managed to get our schedules in sync and did a NINJAM
session.  While we had a few technical issues, we did manage to make some
music together.  If anybody is interested, there's a 23 minute (33 meg d/l)
file at:

 

http://www.thinginajar.com/bigtony/RainerAndTony.mp3

 

Comments welcome!

 

Tony


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<DIV dir=3Dltr align=3Dleft><SPAN class=3D659214300-22072006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>yeah, that's OhmBoyz all right...as well as the =
things=20
'round 7:30 that go "quaquawheekah...quakahhquakkaahhh". If I remember=20
correctly, the synth loop and the OhmBoyz is done by me, the "artifical =
guitar"=20
is Tony K...Tony, is that what you remember, too? =
;)</FONT></SPAN></DIV><BR>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader lang=3Dde dir=3Dltr align=3Dleft>
  <HR tabIndex=3D-1>
  <FONT face=3DTahoma size=3D2><B>Von:</B> Krispen Hartung=20
  [mailto:khartung@cableone.net] <BR><B>Gesendet:</B> Samstag, 22. Juli =
2006=20
  00:09<BR><B>An:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Betreff:</B> Re:=20
  Tony and Rainer make weird noises.<BR></FONT><BR></DIV>
  <DIV></DIV>
  <DIV><FONT face=3DArial size=3D2>It's about 8 minutes into the MP3 =
files...sounds=20
  like feedback. </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>K-</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Drs@moinlabs.de href=3D"mailto:rs@moinlabs.de">Rainer =
Thelonius=20
    Balthasar Straschill</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 21, 2006 =
3:28=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> AW: Tony and Rainer =
make weird=20
    noises.</DIV>
    <DIV><BR></DIV>
    <DIV dir=3Dltr align=3Dleft><SPAN class=3D269222621-21072006><FONT =
face=3DArial=20
    color=3D#0000ff size=3D2>No Pluggo here, either. But it's all =
software on my=20
    side (except for the guitar). I don't even know Pluggo's feedback =
network,=20
    so I can't even guess what you mistook for it...perhaps OhmBoyz=20
    delay?</FONT></SPAN></DIV>
    <DIV dir=3Dltr align=3Dleft><SPAN class=3D269222621-21072006><FONT =
face=3DArial=20
    color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
    <DIV dir=3Dltr align=3Dleft><SPAN=20
    =
class=3D269222621-21072006>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
<FONT=20
    face=3DArial color=3D#0000ff size=3D2>Rainer</FONT></SPAN></DIV><BR>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff =
2px solid; MARGIN-RIGHT: 0px">
      <DIV class=3DOutlookMessageHeader lang=3Dde dir=3Dltr =
align=3Dleft>
      <HR tabIndex=3D-1>
      <FONT face=3DTahoma size=3D2><B>Von:</B> Tony K =
[mailto:bigtony@softhome.net]=20
      <BR><B>Gesendet:</B> Freitag, 21. Juli 2006 22:29<BR><B>An:</B> <A =

      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B>Betreff:</B>=20
      Re: Tony and Rainer make weird noises.<BR></FONT><BR></DIV>
      <DIV></DIV>
      <DIV><FONT face=3DArial size=3D2>No Pluggo on my end.&nbsp; It's =
all hardware=20
      for me.&nbsp; Roland D50, guitar through an RP2000, Morpheus, =
GR50, DL4,=20
      RC20, DD20, Vortex, RSP-550, a bunch of ModFX.</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>Tony</FONT></DIV>
      <BLOCKQUOTE dir=3Dltr=20
      style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
        <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
        <DIV=20
        style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
        <A title=3Dkhartung@cableone.net=20
        href=3D"mailto:khartung@cableone.net">Krispen Hartung</A> </DIV>
        <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
        title=3DLoopers-Delight@loopers-delight.com=20
        =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
        </DIV>
        <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 21, =
2006 10:47=20
        AM</DIV>
        <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Tony and =
Rainer make=20
        weird noises.</DIV>
        <DIV><BR></DIV>
        <DIV><FONT face=3DArial size=3D2>Nice. I like the amount of =
space and=20
        breathing room. Did I hear Pluggo's Feedback Network in there?=20
        </FONT></DIV>
        <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
        <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
        <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
        <BLOCKQUOTE dir=3Dltr=20
        style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
          <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
          <DIV=20
          style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
          <A title=3Dbigtony@softhome.net =
href=3D"mailto:bigtony@softhome.net">Tony=20
          K</A> </DIV>
          <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
          title=3DLoopers-Delight@loopers-delight.com=20
          =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
          </DIV>
          <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 04, =
2006=20
          10:31 PM</DIV>
          <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Tony and =
Rainer make=20
          weird noises.</DIV>
          <DIV><BR></DIV>
          <DIV class=3DSection1>
          <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
          style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Hi=20
          all,<o:p></o:p></SPAN></FONT></P>
          <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
          style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
          <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
          style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">Last week=20
          Rainer and I managed to get our schedules in sync and did a =
NINJAM=20
          session.&nbsp; While we had a few technical issues, we did =
manage to=20
          make some music together.&nbsp; If anybody is interested, =
there&#8217;s a 23=20
          minute (33 meg d/l) file at:<o:p></o:p></SPAN></FONT></P>
          <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
          style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
          <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
          style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"><A=20
          =
href=3D"http://www.thinginajar.com/bigtony/RainerAndTony.mp3">http://www.=
thinginajar.com/bigtony/RainerAndTony.mp3</A><o:p></o:p></SPAN></FONT></P=
>
          <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
          style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
          <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
          style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">Comments=20
          welcome!<o:p></o:p></SPAN></FONT></P>
          <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
          style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
          <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
          style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">Tony<o:p></o:p></SPAN></FONT></P></DIV></BLOCKQUOTE></BLOCKQUOTE><=
/BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0007_01C6AD38.CD8FE050--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 01:30:30 2006
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From: "Mark Smart" <mwsmart@insightbb.com>
To: <Loopers-Delight@loopers-delight.com>
References: <5748E17E0A4F3C40B77B2819D9E628DE02DC9455@lon-oxmail02.mtvne.ad.viacom.com> <AA90A8A6-CF45-4A7F-AB16-72DBC8065664@gmail.com>
Subject: Re: Hexaphonic guitar (was: single coil & hum (was  EH2880 on video)
Date: Fri, 21 Jul 2006 20:33:51 -0500
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Hi all.
I can contribute a few ideas.



ROLAND VG-8

I have a Roland VG-8, which is driven by a Roland GK-2 style pickup. If you just
want to do polyphonic distortion, this is a really good unit for that. You can
choose what type of guitar pickup you want to sound like, pan the individual
strings in stereo, add effects, all kindsa cool stuff.

A while back in the jazz guitar newsgroup we were having an argument/discussion
about whether hexaphonic distortion sounds different than regular
distortion...yes, some people were actually arguing that they sound the same!
Anyway, I put up some mp3s to demonstrate the difference using the VG-8. So if
you want to know what the VG-8's hex distortion sounds like, here it is:

http://www.marksmart.net/sounddesign/guitarsounds/VG8/HexFuzz.html

You can get 'em on Ebay. I'm sure the VG-88 can do all the same stuff.




RMC FANOUT BOX

This is a splitter box that can be used to tap off the individual analog string
signals from a Roland GK-2 type pickup:

http://www.rmcpickup.com/fanoutbox.html




HEX PICKUPS IN REGULAR BODY

For a while, I have been investigating regular humbucker-sized hex pickups for
use with my looping setup:

http://www.marksmart.net/gearhack/jazzpedalboard/jazzpedalboard.html#V2

The reason is that I like to use an octave divider for bass rather than a synth
or the VG-8 (which also has a tracking delay when the pitch shifter is
activated). Octave dividers like the Chili Dog I use have real problems trying
to track a signal from a pickup at the bridge. So a hex piclup in a humbucker
body is desirable.

Apparently Bartolini made these a long time ago, and that is what got used in
the stereo Eddie Van Halen guitar mentioned eralier.

I have been using this very cool pickup by Rick Copeland:

http://www.marksmart.net/gearhack/jazzpedalboard/copeland.html

This thing is great, but seems to be unavailable now.

There is a guy in Sweden named Olle Svensson who makes similar hex pickups. I
had him make me one. It was very reasonably priced and looks great, but I
haven't had a chance to really try it out yet because I keep getting distracted
with lots of other stuff. If anyone is interested in asking him about a custom
pickup, I can give you his email. He also makes them with hex distortion built
in.

There is a place called Sound Garage that makes a unit with a regular humbucker
and a hex humbuckler built into the same humbucker body. This is intended to be
used for GK-style synth output in the bridge position, but it looks like it
could be adapted for use in the neck position.

http://www.quest-md.com/soundgarage/index_e.html

Hope this info helps.

Mark Smart
http://www.marksmart.net/

From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 03:03:18 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Sample sound clip from my notebook computer system
Date: Fri, 21 Jul 2006 21:03:08 -0600
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This is a multi-part message in MIME format.

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I finally got around to making a sample sound clip of my new notebook =
computer system. I'll reiterate the components of my system, and then =
I'll describe how I made the clip below. I'll forewarn you now, however, =
that this is no piece of art and is only a sample of the effects, not =
anything that creative or song-like by any means. I'm just messing =
around with random notes and chords over the top of the looped =
foundation, sometimes playing only with my left hand in order to move =
from effect to effect with the mouse in my right hand.=20

The System=20

ThinkPad T60p (Intel Duo Core T2500 processor, 2GHz x 2,  2 GB of RAM)
http://www.pc.ibm.com/us/notebooks/thinkpad/t-series/tseries_byo_t60p.htm=
l
Microsoft XP Pro
Xlutop Chainer VST host (http://www.xlutop.com/html/chainer.html)
Echo Indigo IO sound card =
(http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php (guitar =
plugged directly into the IO card)

How I Made the Sample Clip

Everything you hear is a VST effect. First I created an initial loop =
with Mobius, Voxengo Tube Amp simulator, Fat Ass Edge (for pitch down), =
MHC FlexFx Delay, Kjaerhus Audio Classic Chorus, and ANWIDA Soft DX =
Reverb.  Everything but Edge is a set of VST effects I keep on all of =
the time for my standard guitar sound.

Second, I began activating each of my favorite 65 VST effects in Chainer =
one at a time, playing just a few seconds on each one to give you an =
idea of the sound of that preset (which in most cases is my favorite =
preset).

Basically, this sample clip reflects about 1/30th of my tone mangling =
capability, given all the other presets in each VST effect that is not =
heard. And based on my experience so far, I could easily eliminate all =
of my VST effects and just use my Reaktor 5 VST, or run it as a =
standalone, and have enough effect processing diversity and power to =
last me a lifetime.  The effects that users are developing and providing =
free for download are just mind blowing.

The Sample Sound Clip, VSTs, and URLs

http://www.box.net/public/fobok5z5dy (to download or stream - 25 minutes =
long!)

Direct link to 23.6 MB MP3 file: =
http://www.box.net/public/static/fobok5z5dy.mp3

You can follow the sounds in the clip in this order, or jump to the =
minute:second marker:

00:29 - Lexicon PSP84 http://www.kvraudio.com/get/509.html
01:01 - Lexicon PSP42 http://www.kvraudio.com/get/508.html
01:29 - Antares Filter http://www.kvraudio.com/get/818.html
01:54 - MHC Space Effect http://www.mhc.se/software/plugins/spaceeffect/
02:20 - Pluggo Feedback Network =
http://www.cycling74.com/products/pluggo)
03:03 - arcDev Cyclotron http://www.device.arcanedevice.com/?sig_mod
03:15 - Pluggo Fragulator http://www.cycling74.com/products/pluggo
03:26 - Toybear Madshifta http://www.kvraudio.com/get/1324.html
03:39 - NuSofting Morphing Delay =
http://nusofting.liqihsynth.com/Morphing.htm
03:55 - Nusofting Trimmetry =
http://nusofting.liqihsynth.com/Trimmetry.htm
04:09 - Pluggo Rye http://www.cycling74.com/products/pluggo
04:18 - Pluggo Warble http://www.cycling74.com/products/pluggo
04:27 - BrushFX http://www.kvraudio.com/get/454.html
04:46 - Crazy Ivan =
http://www.macmusic.org/software/releases.php/lang/en/id/1143/plug/VST
05:09 - Pluggo Weat http://www.cycling74.com/products/pluggo
05:17 - dfx Geometer http://destroyfx.smartelectronix.com/
05:33 - dfx Scrubby http://destroyfx.smartelectronix.com/
05:47 - Grumblebum http://www.kvraudio.com/get/894.html
06:10 - Glitch Jockey http://www.kvraudio.com/get/2094.html
06:19 - Pudding (http://www.kvraudio.com/get/1335.html
06:33 - Reversinator  http://www.kvraudio.com/get/988.html
06:45 -Pan-Oh!-Rama http://www.kvraudio.com/get/1661.html
06:54 - Drive32 http://www.kvraudio.com/get/1493.html
07:13 - fxpansion Ringmod=20
07:23 - WTF http://www.kvraudio.com/get/816.html
07:30 - Pluggo Space Echo http://www.cycling74.com/products/pluggo
07:39 - Pluggo Speed Shifter http://www.cycling74.com/products/pluggo
07:55 - E-Phonic LOFI http://www.kvraudio.com/get/737.html
08:05 - FX Jockey=20
08:11 - Glitchgirl
08:18 - Analogic Delay http://www.kvraudio.com/get/891.html
08:28  - KTGranulator http://www.kvraudio.com/get/625.html
08:46 - Antares Kantos http://www.kvraudio.com/get/248.html
09:03 - Scuzzphut6 http://www.kvraudio.com/get/1156.html
09:14 - Univibe by Simulanalog
09:41 - arcDev Hosebeast http://www.device.arcanedevice.com/?sig_mod
09:48 - arcDev ET-200 http://www.device.arcanedevice.com/?sig_mod
10:00 - Charsiensis http://www.kvraudio.com/get/2264.html
10:13 - Crazyator
10:23 - Pshift http://www.kvraudio.com/get/1118.html
10:30 - Pluggo Squirel Parade http://www.cycling74.com/products/pluggo
10:42 - Hipno Amogwai http://www.cycling74.com/products/hipno
10:55 - Hipno Deluge http://www.cycling74.com/products/hipno
11:02 - Hipno GrainStream http://www.cycling74.com/products/hipno
11:10 - Hipno Morphulescense http://www.cycling74.com/products/hipno
11:20 - Hipno Multilution http://www.cycling74.com/products/hipno
11:29  - Hipno SfylterBank http://www.cycling74.com/products/hipno
11:36 - Hipno Shypht http://www.cycling74.com/products/hipno
11:46 - Hipno SPuntorrt http://www.cycling74.com/products/hipno
11:57 - Hipno Squeege http://www.cycling74.com/products/hipno
12:15 - Hipno SquiglyQ http://www.cycling74.com/products/hipno
12:35 - Hipno Technishypht http://www.cycling74.com/products/hipno
12:41 - Toybear CandyBox http://www.tobybear.de/p_monsterbag.html
13:11 - Toybear DelayDevil http://www.tobybear.de/p_monsterbag.html
13:22 - Toybear RedRack Multi http://www.tobybear.de/p_monsterbag.html
13:31 - Toybear Robobear http://www.tobybear.de/p_monsterbag.html
13:38 - Toybear ShivaShifter http://www.tobybear.de/p_monsterbag.html
13:45 - OctBUZ http://www.kvraudio.com/get/641.html
13:56 - DeeLay
14:09 - GRevDly http://www.kvraudio.com/get/1298.html
14:18 - GGrain http://www.kvraudio.com/get/2189.html
14:25 - OverDubber (http://www.kvraudio.com/get/1816.html
14:37 - ParadigmShifter3 http://www.kvraudio.com/get/640.html
14:48 - Sun Ra http://www.kvraudio.com/get/490.html
15:00 - Reaktor 2 Metaphysical
15:16 - Several Reaktor 5 Ensembles (effects), starting with Blackbird - =
David, want to guess what I'm using? :)

Kris


*************************************************
Krispen Hartung / Improvisational Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
Looper's Delight Playlist - =
http://www.boisemusicians.com/loopers-delight.m3u
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<BODY>
<DIV><FONT face=3DArial size=3D2>I finally got around to making a sample =
sound clip=20
of&nbsp;my new notebook computer&nbsp;system.&nbsp;I'll reiterate the =
components=20
of my system, and then I'll describe how I made the clip below. I'll =
forewarn=20
you now, however, that this is no piece of art and is only a sample of =
the=20
effects, not anything that creative or song-like by any means. I'm just =
messing=20
around with random notes and chords over the top of the looped =
foundation,=20
sometimes playing only with my left hand in order to move from effect to =
effect=20
with the mouse in my right hand. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>The System =
</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>ThinkPad T60p (Intel Duo Core T2500 =
processor,=20
2GHz&nbsp;x 2, &nbsp;2 GB of RAM)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.pc.ibm.com/us/notebooks/thinkpad/t-series/tseries_byo_=
t60p.html">http://www.pc.ibm.com/us/notebooks/thinkpad/t-series/tseries_b=
yo_t60p.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Microsoft XP Pro</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Xlutop Chainer VST host (<A=20
href=3D"http://www.xlutop.com/html/chainer.html">http://www.xlutop.com/ht=
ml/chainer.html</A>)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Echo Indigo IO sound card (<A=20
href=3D"http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php">htt=
p://www.echoaudio.com/Products/CardBus/IndigoIO/index.php</A>&nbsp;(guita=
r=20
plugged directly into the IO card)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>How I Made the Sample=20
Clip</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Everything you hear is a VST effect. =
First I=20
created an initial loop with Mobius, Voxengo Tube Amp simulator, Fat Ass =
Edge=20
(for pitch down), MHC FlexFx Delay, Kjaerhus Audio Classic Chorus, and =
ANWIDA=20
Soft DX Reverb.&nbsp; Everything but Edge is a set of VST effects I keep =
on all=20
of the time for my standard guitar sound.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Second, I began activating each of my =
favorite 65=20
VST effects in Chainer one at a time, playing just a few seconds on each =
one to=20
give you an idea of the sound of that preset (which in most cases is my =
favorite=20
preset).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Basically, this sample clip reflects =
about 1/30th=20
of my tone mangling capability, given all the other presets in each VST =
effect=20
that is not heard. And based on my experience so far, I could easily =
eliminate=20
all of my VST effects and just use my Reaktor 5 VST, or run it as a =
standalone,=20
and have enough effect processing diversity and power to last me a=20
lifetime.&nbsp; The effects that users are developing and providing free =
for=20
download are just mind blowing.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>The Sample Sound Clip, VSTs, =
and=20
URLs</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/public/fobok5z5dy">http://www.box.net/public/f=
obok5z5dy</A>&nbsp;(to=20
download or stream - 25 minutes long!)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Direct link to 23.6 MB MP3 file: <A=20
href=3D"http://www.box.net/public/static/fobok5z5dy.mp3">http://www.box.n=
et/public/static/fobok5z5dy.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>You can follow the sounds in the clip =
in this=20
order, or jump to the minute:second marker:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV><FONT face=3DArial =
size=3D2>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>00:29 - Lexicon PSP84 <A=20
href=3D"http://www.kvraudio.com/get/509.html">http://www.kvraudio.com/get=
/509.html</A><BR>01:01=20
- Lexicon PSP42 <A=20
href=3D"http://www.kvraudio.com/get/508.html">http://www.kvraudio.com/get=
/508.html</A><BR>01:29=20
- Antares Filter <A=20
href=3D"http://www.kvraudio.com/get/818.html">http://www.kvraudio.com/get=
/818.html</A><BR>01:54=20
- MHC Space Effect <A=20
href=3D"http://www.mhc.se/software/plugins/spaceeffect/">http://www.mhc.s=
e/software/plugins/spaceeffect/</A><BR>02:20=20
- Pluggo Feedback Network <A=20
href=3D"http://www.cycling74.com/products/pluggo">http://www.cycling74.co=
m/products/pluggo</A>)<BR>03:03=20
- arcDev Cyclotron <A=20
href=3D"http://www.device.arcanedevice.com/?sig_mod">http://www.device.ar=
canedevice.com/?sig_mod</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>03:15 - Pluggo Fragulator <A=20
href=3D"http://www.cycling74.com/products/pluggo">http://www.cycling74.co=
m/products/pluggo</A><BR>03:26=20
- Toybear Madshifta <A=20
href=3D"http://www.kvraudio.com/get/1324.html">http://www.kvraudio.com/ge=
t/1324.html</A><BR>03:39=20
- NuSofting Morphing Delay <A=20
href=3D"http://nusofting.liqihsynth.com/Morphing.htm">http://nusofting.li=
qihsynth.com/Morphing.htm</A><BR>03:55=20
- Nusofting Trimmetry <A=20
href=3D"http://nusofting.liqihsynth.com/Trimmetry.htm">http://nusofting.l=
iqihsynth.com/Trimmetry.htm</A><BR>04:09=20
- Pluggo Rye <A=20
href=3D"http://www.cycling74.com/products/pluggo">http://www.cycling74.co=
m/products/pluggo</A><BR>04:18=20
- Pluggo Warble <A=20
href=3D"http://www.cycling74.com/products/pluggo">http://www.cycling74.co=
m/products/pluggo</A><BR>04:27=20
- BrushFX <A=20
href=3D"http://www.kvraudio.com/get/454.html">http://www.kvraudio.com/get=
/454.html</A><BR>04:46=20
- Crazy Ivan <A=20
href=3D"http://www.macmusic.org/software/releases.php/lang/en/id/1143/plu=
g/VST">http://www.macmusic.org/software/releases.php/lang/en/id/1143/plug=
/VST</A><BR>05:09=20
- Pluggo Weat <A=20
href=3D"http://www.cycling74.com/products/pluggo">http://www.cycling74.co=
m/products/pluggo</A><BR>05:17=20
- dfx Geometer <A=20
href=3D"http://destroyfx.smartelectronix.com/">http://destroyfx.smartelec=
tronix.com/</A><BR>05:33=20
- dfx Scrubby <A=20
href=3D"http://destroyfx.smartelectronix.com/">http://destroyfx.smartelec=
tronix.com/</A><BR>05:47=20
- Grumblebum <A=20
href=3D"http://www.kvraudio.com/get/894.html">http://www.kvraudio.com/get=
/894.html</A><BR>06:10=20
- Glitch Jockey <A=20
href=3D"http://www.kvraudio.com/get/2094.html">http://www.kvraudio.com/ge=
t/2094.html</A><BR>06:19=20
- Pudding (<A=20
href=3D"http://www.kvraudio.com/get/1335.html">http://www.kvraudio.com/ge=
t/1335.html</A><BR>06:33=20
- Reversinator&nbsp; <A=20
href=3D"http://www.kvraudio.com/get/988.html">http://www.kvraudio.com/get=
/988.html</A><BR>06:45=20
-Pan-Oh!-Rama <A=20
href=3D"http://www.kvraudio.com/get/1661.html">http://www.kvraudio.com/ge=
t/1661.html</A><BR>06:54=20
- Drive32 <A=20
href=3D"http://www.kvraudio.com/get/1493.html">http://www.kvraudio.com/ge=
t/1493.html</A><BR>07:13=20
- fxpansion Ringmod <BR>07:23 - WTF <A=20
href=3D"http://www.kvraudio.com/get/816.html">http://www.kvraudio.com/get=
/816.html</A><BR>07:30=20
- Pluggo Space Echo <A=20
href=3D"http://www.cycling74.com/products/pluggo">http://www.cycling74.co=
m/products/pluggo</A><BR>07:39=20
- Pluggo Speed Shifter <A=20
href=3D"http://www.cycling74.com/products/pluggo">http://www.cycling74.co=
m/products/pluggo</A><BR>07:55=20
- E-Phonic LOFI <A=20
href=3D"http://www.kvraudio.com/get/737.html">http://www.kvraudio.com/get=
/737.html</A><BR>08:05=20
- FX Jockey <BR>08:11 - Glitchgirl<BR>08:18 - Analogic Delay <A=20
href=3D"http://www.kvraudio.com/get/891.html">http://www.kvraudio.com/get=
/891.html</A><BR>08:28&nbsp;=20
- KTGranulator <A=20
href=3D"http://www.kvraudio.com/get/625.html">http://www.kvraudio.com/get=
/625.html</A><BR>08:46=20
- Antares Kantos <A=20
href=3D"http://www.kvraudio.com/get/248.html">http://www.kvraudio.com/get=
/248.html</A><BR>09:03=20
- Scuzzphut6 <A=20
href=3D"http://www.kvraudio.com/get/1156.html">http://www.kvraudio.com/ge=
t/1156.html</A><BR>09:14=20
- Univibe by Simulanalog<BR>09:41 - arcDev Hosebeast <A=20
href=3D"http://www.device.arcanedevice.com/?sig_mod">http://www.device.ar=
canedevice.com/?sig_mod</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>09:48 - arcDev ET-200 <A=20
href=3D"http://www.device.arcanedevice.com/?sig_mod">http://www.device.ar=
canedevice.com/?sig_mod</A></FONT><FONT=20
face=3DVerdana><BR>10:00 - Charsiensis <A=20
href=3D"http://www.kvraudio.com/get/2264.html">http://www.kvraudio.com/ge=
t/2264.html</A><BR>10:13=20
- Crazyator<BR>10:23 - Pshift <A=20
href=3D"http://www.kvraudio.com/get/1118.html">http://www.kvraudio.com/ge=
t/1118.html</A><BR>10:30=20
- Pluggo Squirel Parade <A=20
href=3D"http://www.cycling74.com/products/pluggo">http://www.cycling74.co=
m/products/pluggo</A><BR>10:42=20
- Hipno Amogwai <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT><FONT=20
face=3DVerdana><BR>10:55 - Hipno Deluge <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>11:02 - Hipno GrainStream <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT><FONT=20
face=3DVerdana><BR>11:10 - Hipno Morphulescense <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>11:20 - Hipno Multilution <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>11:29&nbsp; - Hipno SfylterBank <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>11:36 - Hipno Shypht <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>11:46 - Hipno SPuntorrt <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>11:57 - Hipno Squeege <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>12:15 - Hipno SquiglyQ <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>12:35 - Hipno Technishypht <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>12:41 - Toybear CandyBox <A=20
href=3D"http://www.tobybear.de/p_monsterbag.html">http://www.tobybear.de/=
p_monsterbag.html</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>13:11 - Toybear DelayDevil <A=20
href=3D"http://www.tobybear.de/p_monsterbag.html">http://www.tobybear.de/=
p_monsterbag.html</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>13:22 - Toybear RedRack Multi <A=20
href=3D"http://www.tobybear.de/p_monsterbag.html">http://www.tobybear.de/=
p_monsterbag.html</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>13:31 - Toybear Robobear <A=20
href=3D"http://www.tobybear.de/p_monsterbag.html">http://www.tobybear.de/=
p_monsterbag.html</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>13:38 - Toybear ShivaShifter <A=20
href=3D"http://www.tobybear.de/p_monsterbag.html">http://www.tobybear.de/=
p_monsterbag.html</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>13:45 - OctBUZ <A=20
href=3D"http://www.kvraudio.com/get/641.html">http://www.kvraudio.com/get=
/641.html</A><BR>13:56=20
- DeeLay<BR>14:09 - GRevDly <A=20
href=3D"http://www.kvraudio.com/get/1298.html">http://www.kvraudio.com/ge=
t/1298.html</A><BR>14:18=20
- GGrain <A=20
href=3D"http://www.kvraudio.com/get/2189.html">http://www.kvraudio.com/ge=
t/2189.html</A><BR>14:25=20
- OverDubber (<A=20
href=3D"http://www.kvraudio.com/get/1816.html">http://www.kvraudio.com/ge=
t/1816.html</A><BR>14:37=20
- ParadigmShifter3 <A=20
href=3D"http://www.kvraudio.com/get/640.html">http://www.kvraudio.com/get=
/640.html</A><BR>14:48=20
- Sun Ra <A=20
href=3D"http://www.kvraudio.com/get/490.html">http://www.kvraudio.com/get=
/490.html</A><BR>15:00=20
- Reaktor 2 Metaphysical<BR>15:16 - Several Reaktor 5 Ensembles =
(effects),=20
starting with Blackbird - David, want to guess what I'm using? =
:)</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana></FONT>&nbsp;</DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>Kris</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana></FONT>&nbsp;</DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>*************************************************<BR>Krispen =
Hartung /=20
Improvisational Guitar<BR></FONT><A =
href=3D"http://www.krispenhartung.com"><FONT=20
face=3DArial size=3D2>www.krispenhartung.com</FONT></A><FONT =
face=3DArial size=3D2> /=20
</FONT><A href=3D"http://www.myspace.com/krispenhartung"><FONT =
face=3DArial=20
size=3D2>www.myspace.com/krispenhartung</FONT></A><BR><A=20
href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial=20
size=3D2>info@krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> =
/=20
1.208.724.5603 <BR>Discography - </FONT><A=20
href=3D"http://www.krispenhartung.com/catalogue.htm"><FONT face=3DArial=20
size=3D2>http://www.krispenhartung.com/catalogue.htm</FONT></A><BR><FONT =

face=3DArial size=3D2>Looper's Delight Playlist - </FONT><A=20
href=3D"http://www.boisemusicians.com/loopers-delight.m3u"><FONT =
face=3DArial=20
size=3D2>http://www.boisemusicians.com/loopers-delight.m3u</FONT></A></DI=
V></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 04:07:29 2006
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: Sample sound clip from my notebook computer system
Date: Fri, 21 Jul 2006 21:07:25 -0700
To: Loopers-Delight@loopers-delight.com
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Very diverting, thanks! Is it just my own Reaktor prejudice that made =20=

the sounds after 15:00 sound richer and more dramatic as well as more =20=

coherent...?
I could hear some Blackbird, certainly, and a variety of granulation =20
sounds...couldn=92t tell which distortion source(s) you were using... =20=

Tell all!
dc


On Jul 21, 2006, at 8:03 PM, Krispen Hartung wrote:

> 15:16 - Several Reaktor 5 Ensembles (effects), starting with =20
> Blackbird - David, want to guess what I'm using? :)
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Very diverting, thanks! Is it =
just my own Reaktor prejudice that made the sounds after 15:00 sound =
richer and more dramatic as well as more coherent...?<DIV>I could hear =
some Blackbird, certainly, and a variety of granulation =
sounds...couldn=92t tell which distortion source(s) you were using... =
Tell all!</DIV><DIV>dc</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Jul 21, =
2006, at 8:03 PM, Krispen Hartung wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Lucida =
Grande; font-size: 14px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: =
0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><FONT face=3D"Arial" =
size=3D"2"><DIV class=3D"MsoNormal" style=3D"MARGIN: 0in 0in 0pt; =
mso-list: l0 level1 lfo1; tab-stops: list .5in; font-family: Arial; =
font-size: 11px; "><FONT face=3D"Verdana"><SPAN class=3D"Apple-style-span"=
 style=3D"font-family: Verdana; font-size: 11px; ">15:16 - Several =
Reaktor 5 Ensembles (effects), starting with Blackbird - David, want to =
guess what I'm using? :)</SPAN></FONT></DIV><DIV class=3D"MsoNormal" =
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in; font-family: Arial; font-size: 11px; "><FONT =
face=3D"Verdana"></FONT><SPAN class=3D"Apple-style-span" =
style=3D"font-family: Arial; font-size: 11px; =
">=A0</SPAN></DIV></FONT></SPAN></BLOCKQUOTE></DIV><BR></DIV></BODY></HTML=
>=

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 04:12:47 2006
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Subject: Re: Sample sound clip from my notebook computer system
Date: Fri, 21 Jul 2006 22:12:42 -0600
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I agree. I'll get back on my notebook tomorrow and label the Reaktor =
ensembles in the clips as well. Fun!

Kris

  ----- Original Message -----=20
  From: David Coffin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, July 21, 2006 10:07 PM
  Subject: Re: Sample sound clip from my notebook computer system


  Very diverting, thanks! Is it just my own Reaktor prejudice that made =
the sounds after 15:00 sound richer and more dramatic as well as more =
coherent...?
  I could hear some Blackbird, certainly, and a variety of granulation =
sounds...couldn=92t tell which distortion source(s) you were using... =
Tell all!
  dc




  On Jul 21, 2006, at 8:03 PM, Krispen Hartung wrote:


    15:16 - Several Reaktor 5 Ensembles (effects), starting with =
Blackbird - David, want to guess what I'm using? :)



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<DIV><FONT face=3DArial size=3D2>I agree. I'll get back on my notebook =
tomorrow and=20
label the Reaktor ensembles in the clips as well. Fun!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Ddpcoffin@earthlink.net =
href=3D"mailto:dpcoffin@earthlink.net">David=20
  Coffin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 21, 2006 =
10:07=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Sample sound clip =
from my=20
  notebook computer system</DIV>
  <DIV><BR></DIV>Very diverting, thanks! Is it just my own Reaktor =
prejudice=20
  that made the sounds after 15:00 sound richer and more dramatic as =
well as=20
  more coherent...?
  <DIV>I could hear some Blackbird, certainly, and a variety of =
granulation=20
  sounds...couldn=92t tell which distortion source(s) you were using... =
Tell=20
  all!</DIV>
  <DIV>dc</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV><BR>
  <DIV>
  <DIV>On Jul 21, 2006, at 8:03 PM, Krispen Hartung wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: 14px Lucida Grande; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
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apple-text-size-adjust: auto; orphans: 2; widows: 2"><FONT=20
    face=3DArial size=3D2>
    <DIV class=3DMsoNormal=20
    style=3D"FONT-SIZE: 11px; MARGIN: 0in 0in 0pt; FONT-FAMILY: Arial; =
mso-list: l0 level1 lfo1; tab-stops: list .5in"><FONT=20
    face=3DVerdana><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 11px; FONT-FAMILY: Verdana">15:16 - Several =
Reaktor 5=20
    Ensembles (effects), starting with Blackbird - David, want to guess =
what I'm=20
    using? :)</SPAN></FONT></DIV>
    <DIV class=3DMsoNormal=20
    style=3D"FONT-SIZE: 11px; MARGIN: 0in 0in 0pt; FONT-FAMILY: Arial; =
mso-list: l0 level1 lfo1; tab-stops: list .5in"><FONT=20
    face=3DVerdana></FONT><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 11px; FONT-FAMILY: =
Arial"></SPAN>&nbsp;</DIV></FONT></SPAN></BLOCKQUOTE></DIV><BR></DIV></BL=
OCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 07:43:19 2006
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Hi Kimmo

I again took the liberty to post this on LD since it might concern also some other folks ;-)

> Does this mean that it is not possible to change between more than three 
> single phrases during one song seamlessly? Does it lose sync or what 
> happens? Sounds like a pretty nasty problem. I mean even the RC-20 can 
> change between 10+ phrases smoothly.

Yes, exactly. I think it is a VERY NASTY problem and I'm not sure how many people are really aware of.

The problem is:
- First, saving/copying patches needs to stop all playback!
- Then, switching patches doesn't seem to happen smoooth
I don't think it's a sync problem. I think it just has difficulty loading the new patch into some buffer. My impression is that the smaller the patch size is (i.e. one short phrase), the smoother it works.

I can only hope that Roland will fix this with a software update that seems to be planned. This is truely a BIG bug in the application.

Best regards

Buzap 
-- 


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From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 07:58:27 2006
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>He may be using a different device these days, but I've met a 
>surprising number of musicians who prefer to stick with a particular 
>set of tools, despite newer technologies becoming available.

not really surprising,
It's easy to think that the latest stuff is going to be better,
but often the features that creative musicians use get dropped.

Examples
Lexicon Vortex  does stuff that the top of the range latest FX don't 
touch. (and let's not have anyone say you can do it in MAX :-)
EDP, (that's old too)



andy butler

From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 08:26:09 2006
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Subject: Re: Lidell on Max/MSP and looping....
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unsuscribe


>From: Per Boysen <perboysen@gmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Lidell on Max/MSP and looping....
>Date: Wed, 19 Jul 2006 22:06:47 +0200
>
>On 19 jul 2006, at 09.34, Jeff Kaiser wrote:
>
>>I just saw this, and I know there are those interested in lidell......
>>http://www.cycling74.com/download/videos/jamie_lidell_web.mov
>>or
>>http://tinyurl.com/ldgns
>>also other interesting new videos, including Kevin Blechdom:
>>http://www.cycling74.com/section/artists
>
>
>Thank you for that link! Very interesting to hear his take on max.  Right 
>now I'm in that situation he describes in the opening scene:  having kept 
>Max on my shopping list for years but never actually had  the option to set 
>aside time to get into it. And lately I've found  ways to tweak Möbius into 
>doing most of my dream tricks, almost  everything I wanted to make me a max 
>patch for, so I guess might be  learning max on spare time in the future... 
>eventually. I'm lazy and  frightened by having to sit down and program 
>(instead of making  music) and I have a certain feeling that before I have 
>even come  halfway with Max Jeff Larsson would have fully implemented a 
>similar  function in Mobius ;-)
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se (Swedish)
>www.looproom.com (international)
>http://tinyurl.com/fauvm (podcast)
>http://www.myspace.com/looproom
>
>
>

_________________________________________________________________
Retrouvez tout en un clin d'oeil avec la barre d'outil MSN Search ! 
http://desktop.msn.fr/

From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 10:11:33 2006
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Krispen, this was a fascinating listen. Though I'm quite far from using 
laptop-based FX myself, it was great to hear the crazy possibilities (I 
liked the really un-guitar-like ones the best), and to think of ways to 
try to replicate some of those sounds with more traditional 
effects/processing. Thanks for all the details (with track times!) too, 
this will be an excellent reference for someone who uses VST stuff, 
kinda like that cd released a few years ago that A/B'd all these 
different mic pres.

Daryl Shawn
www.swanwelder.com



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<body bgcolor="#ffffff" text="#000000">
<font face="Verdana,Arial,Helvetica" size="2">Krispen, this was a
fascinating listen. Though I'm quite far from using laptop-based FX
myself, it was great to hear the crazy possibilities (I liked the
really un-guitar-like ones the best), and to think of ways to try to
replicate some of those sounds with more traditional
effects/processing. Thanks for all the details (with track times!) too,
this will be an excellent reference for someone who uses VST stuff,
kinda like that cd released a few years ago that A/B'd all these
different mic pres. <br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
<br>
</font>
</body>
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 10:21:03 2006
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Subject: Sample sound clip from my notebook computer system
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Whow, quite a set of plugins you use here...I understand I got to talk to my
employer that a T2600-equipped notebook will be vital for the success of my
work ;). On to some of the plugins you mention:

	Everything you hear is a VST effect. First I created an initial loop
with Mobius, Voxengo Tube Amp simulator, Fat Ass Edge (for pitch down), MHC
FlexFx Delay, Kjaerhus Audio Classic Chorus, and ANWIDA Soft DX Reverb.
Everything but 

Fat Ass Edge. This is basically what I've been looking for all the time -
something to give me a dub-style bass sound from my guitar input with
minimum CPU load. After reading your post, I quickly had to install the plug
- and the house shook in Fatboy-Slim-heaven...
	 
	01:29 - Antares Filter http://www.kvraudio.com/get/818.html

The representation here doesn't do justice to the vast possibilities of this
powerful plugin...

	03:03 - arcDev Cyclotron http://www.device.arcanedevice.com/?sig_mod

Do I remember correctly that you also used this on our 4-23 kybermusik
session (just before the two-beat part started)?

	03:26 - Toybear Madshifta http://www.kvraudio.com/get/1324.html

(part of my laptop setup...several ones). This gives you some very
artifical-sounding pitch shifting, great on vocals!

	05:17 - dfx Geometer http://destroyfx.smartelectronix.com/

What I don't like about this plugin is the way the VST interface is
implemented, which makes it hard to control it via MIDI CCs in Live. Apart
from that, part of my setup, too.

	05:33 - dfx Scrubby http://destroyfx.smartelectronix.com/

The downside: if you activate it, you get a short gap in the audio. But
still, several ones in my setup.

	08:11 - Glitchgirl

One of those plugins which tend to have short spikes in CPU load - for that
reason not used by me.

	13:45 - OctBUZ http://www.kvraudio.com/get/641.html

some nice stompbox-style distortion/octaver which I can recommend...

	14:48 - Sun Ra http://www.kvraudio.com/get/490.html

A classic...the nicest thing is the sentence in the manual about playing
this synth (paraphrasing here): "the question is: do you play Sun Ra or does
it play you?"

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 10:31:34 2006
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This is more terrific info, Mark, thanks for the sound samples, I always 
wondered what hex fuzz was like. Quite dramatic! The fading between hex 
and regular fuzz is really, really a cool effect. I don't know why, the 
block chords through hex fuzz make me think of Christmas...

The first hexaphonic guitar I ever heard about was the Gittler, which 
I'm sure people are familiar with. I found a very interesting interview 
with its creator that some may not have seen:

http://www.vintageguitar.com/brands/details.asp?ID=102

The article includes this phrase - " incorporating a pickup and output 
for each string that could be amplified and modified through a separate 
system for each string, and sextra-phonically arpeggiated over an entire 
stage". /Sextra-phonically arpeggiated!/ I just went weak in the knees 
and I don't even know why!

Here's a nice slobber-worthy Gittler pic (those frets look awfully fat, 
especially high up the "neck", anyone ever play one?):

http://www.umanovguitars.com/store/details.asp?prodid=2100&cat=620&path=600,620

sextraphonically,

Daryl Shawn
www.swanwelder.com

> Hope this info helps.
>
> Mark Smart
> http://www.marksmart.net/
>
>
>   


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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
This is more terrific info, Mark, thanks for the sound samples, I
always wondered what hex fuzz was like. Quite dramatic! The fading
between hex and regular fuzz is really, really a cool effect. I don't
know why, the block chords through hex fuzz make me think of
Christmas...<br>
<br>
The first hexaphonic guitar I ever heard about was the Gittler, which
I'm sure people are familiar with. I found a very interesting interview
with its creator that some may not have seen:<font
 face="Verdana,Arial,Helvetica" size="2"><br>
<br>
<a class="moz-txt-link-freetext"
 href="http://www.vintageguitar.com/brands/details.asp?ID=102">http://www.vintageguitar.com/brands/details.asp?ID=102</a><br>
<br>
</font>The article includes this phrase - "
incorporating a pickup
and output for each string that could be amplified and modified through
a separate system for each string, and sextra-phonically arpeggiated
over an entire stage". <i>Sextra-phonically arpeggiated!</i> I just
went weak in the knees and I don't even know why!<br>
<font face="Verdana,Arial,Helvetica" size="2"><br>
</font>Here's a nice slobber-worthy Gittler pic (those frets look
awfully fat, especially high up the "neck", anyone ever play one?):<font
 face="Verdana,Arial,Helvetica" size="2"><br>
<br>
<a class="moz-txt-link-freetext"
 href="http://www.umanovguitars.com/store/details.asp?prodid=2100&amp;cat=620&amp;path=600,620">http://www.umanovguitars.com/store/details.asp?prodid=2100&amp;cat=620&amp;path=600,620</a><br>
</font>
<br>
sextraphonically,<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
<blockquote cite="mid001501c6ad2e$e33f11a0$4ccb884a@c1503933a"
 type="cite">
  <pre wrap="">
Hope this info helps.

Mark Smart
<a class="moz-txt-link-freetext" href="http://www.marksmart.net/">http://www.marksmart.net/</a>


  </pre>
</blockquote>
<br>
</body>
</html>

--------------070502080003000704090904--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 14:58:22 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <000b01c6ad78$826a8ea0$0101a8c0@succubus>
Subject: Re: Sample sound clip from my notebook computer system
Date: Sat, 22 Jul 2006 08:58:18 -0600
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---From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>

> Fat Ass Edge. This is basically what I've been looking for all the time -
> something to give me a dub-style bass sound from my guitar input with
> minimum CPU load. After reading your post, I quickly had to install the 
> plug
> - and the house shook in Fatboy-Slim-heaven...

yes, Edge was quite a discovery for me. It's the the best octave/pitch VST 
I've found so far for generating those really huge sub-synth bass sounds. 
And the tracking is really good. It's a keeper.

> 01:29 - Antares Filter http://www.kvraudio.com/get/818.html
>
> The representation here doesn't do justice to the vast possibilities of 
> this
> powerful plugin...

Agreed....not sure why I used that delay based patch, when I could have used 
another that really shows off the mulitple filters at play.

> 03:03 - arcDev Cyclotron http://www.device.arcanedevice.com/?sig_mod
>
> Do I remember correctly that you also used this on our 4-23 kybermusik
> session (just before the two-beat part started)?

I believe so.

> 08:11 - Glitchgirl
>
> One of those plugins which tend to have short spikes in CPU load - for 
> that
> reason not used by me.

Hmmm...I haven't noticed this, but then again I am using a dual core Intel 
processors, and so far nothing has brought it to its knees, not even 
Reaktor.

Kris 


From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 15:40:41 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Sample sound clip from my notebook computer system
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Hi there Kris,

Wow! That list of plug-ins is really impressive. The sound clip is too.
Quite a variety of spacey oddball noises that one could get quite
creative with. I love it! I am envious to the point of drooling on 
myself
. . . heheh . . . almost. It's all really kinda funny/ironic to me 
personally
how this laptop thing has developed . . . and is still waaaaaay out
of reach for me.

WARNING: old geezer fish-story about the "one that got away" follows.

A dozen years ago, when I lived in Santa Barbara and worked for
Seymour Duncan, I had some friends who worked in some big "think
tank" type research centers for a couple of HUGE firms there. I'm 
talking
about really bright guys, mind you. Anywho, one good friend there
was listening to me complain about schlepping my big rack around
to gigs over beer or something and I predicted that someday all of
this stuff would reside in software on a laptop and all I'd need for
a gig was a guitar, some cables, a laptop and a bank of MIDI pedals
to control it with -- and I'd just play through the house PA and stage
monitors. I hoped I lived long enough to see it.

Well, this friend happened to actually work with computers, programming,
A.I., and digital signal processing on a project for the Department of 
Defense.
He hadn't told me that before because, technically, it was all 
classified stuff
having something to do with "electronic counter-measures" or something.
Anywho, he said (a dozen years ago) that it was totally possible THEN
in terms of what his computers could do. Commercially available
consumer -level computers would soon follow.

Later, he got a few of his work friends together for a little 
demonstration
at his house where he had me haul in all my gear, demonstrate how it
worked, and talk to them about the musical equipment industry -- or
at least what I knew about the guitar-oriented end of it as an "insider"
already working in the marketing end of it. At the end of the demo they
were all nodding their heads in agreement that such a scheme was not
only possible and viable . . . but probably inevitable too. Oh happy 
day!!!

They were all still young-ish middle aged guys and they though it would
be a great way to escape the world of "building a better bomb for the
Pentagon" and do something positive and creative with their lives.
Well, life happens. While they were all still scheming about this little
hobby-horse, one guy's wife got pregnant. Another went through a nasty
divorce, another guy (my friend) got transferred to Boston (of all 
places).
It never went any further than that . . . talking and thinking about it
. . . and dreaming of the day. I did some GUI sketches . . .that's all.

Now, it's apparent, that the day is actually here and I have too much 
money
and experience tied up in hardware . . . and my now ancient back is 
really
killing me. I never told you. But, I injured my elbow too in Boise 
lifting my rack
during load-out. It's didn't hurt all that much at the time. But it got 
worse
and worse over the next month or so to the point that I had to go in to
the Doctor and get a cortisone shot directly in the elbow for "tennis 
elbow"
a couple of weeks ago. The old body is simply falling apart.

Anyway, I digress, laptop technology is finally here, I need it 
desperately
and I cannot afford it. That's the irony. Life happens.

Like I said, your list of plug-ins (and the sound they make) are very 
impressive.
I am practically soiling myself over them as it is. You're going to 
have to
set me down and give me a serious demo at the next gig in Boise at the 
end
of August. So . . . there is just one more reason for me to look 
forward to it.

Peace,

Ted
--Apple-Mail-2--818019652
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	charset=US-ASCII

Hi there Kris,


Wow! That list of plug-ins is really impressive. The sound clip is too.

Quite a variety of spacey oddball noises that one could get quite

creative with. I love it! I am envious to the point of drooling on
myself 

. . . heheh . . . almost. It's all really kinda funny/ironic to me
personally 

how this laptop thing has developed . . . and is still waaaaaay out 

of reach for me. 


<bold>WARNING:</bold> old geezer fish-story about the "one that got
away" follows.


A dozen years ago, when I lived in Santa Barbara and worked for 

Seymour Duncan, I had some friends who worked in some big "think 

tank" type research centers for a couple of HUGE firms there. I'm
talking 

about really bright guys, mind you. Anywho, one good friend there 

was listening to me complain about schlepping my big rack around

to gigs over beer or something and I predicted that someday all of

this stuff would reside in software on a laptop and all I'd need for 

a gig was a guitar, some cables, a laptop and a bank of MIDI pedals 

to control it with -- and I'd just play through the house PA and stage

monitors. I hoped I lived long enough to see it.


Well, this friend happened to actually work with computers,
programming,

A.I., and digital signal processing on a project for the Department of
Defense.

He hadn't told me that before because, technically, it was all
classified stuff 

having something to do with "electronic counter-measures" or something.

Anywho, he said (a dozen years ago) that it was totally possible
<italic>THEN 

</italic>in terms of what his computers could do. Commercially
available 

consumer -level computers would soon follow.


Later, he got a few of his work friends together for a little
demonstration 

at his house where he had me haul in all my gear, demonstrate how it 

worked, and talk to them about the musical equipment industry -- or

at least what I knew about the guitar-oriented end of it as an
"insider"

already working in the marketing end of it. At the end of the demo
they 

were all nodding their heads in agreement that such a scheme was not 

only possible and viable . . . but probably inevitable too. Oh happy
day!!!


They were all still young-ish middle aged guys and they though it would

be a great way to escape the world of "building a better bomb for the

Pentagon" and do something positive and creative with their lives.

Well, life happens. While they were all still scheming about this
little

hobby-horse, one guy's wife got pregnant. Another went through a nasty

divorce, another guy (my friend) got transferred to Boston (of all
places). 

It never went any further than that . . . talking and thinking about it

. . . and dreaming of the day. I did some GUI sketches . . .that's all.


Now, it's apparent, that the day is actually here and I have too much
money 

and experience tied up in hardware . . . and my now ancient back is
really

killing me. I never told you. But, I injured my elbow too in Boise
lifting my rack 

during load-out. It's didn't hurt all that much at the time. But it
got worse

and worse over the next month or so to the point that I had to go in to

the Doctor and get a cortisone shot directly in the elbow for "tennis
elbow"

a couple of weeks ago. The old body is simply falling apart. 


Anyway, I digress, laptop technology is finally here, I need it
desperately

and I cannot afford it. That's the irony. Life happens.


Like I said, your list of plug-ins (and the sound they make) are very
impressive.

I am practically soiling myself over them as it is. You're going to
have to

set me down and give me a serious demo at the next gig in Boise at the
end

of August. So . . . there is just one more reason for me to look
forward to it.


Peace,


Ted
--Apple-Mail-2--818019652--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 16:32:58 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Chainer (was: Re: Sample sound clip from my notebook computer system
Date: Sat, 22 Jul 2006 18:32:54 +0200
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Nice listening! In there I recognized the sound from some of my fav  
plug-ins ;-)  and a lot of wonderfully unknown sounds as well. I read  
up on Chainer but did not find andy information on how it handles  
sync? I would like to run Mobius in XP like I ran Augustus Looper in  
OSX last year, so I'm looking for a host application that can sync to  
Mobius internal MIDI Clock sync signal and follow that tempo while  
running all the plug-in effects at the correct tempo (i.e. setting  
the tempo by the first loop created in Mobius). I've been using  
Ableton Live a lot as the host application but Live is only rock  
stable when setting the tempo in Live and slaving the looper plug-ins  
(sad bummer for this very nice software).

ehrm.. yes, I do know Max can do this, just if *anyone* was thinking  
about posting that tip ;-))

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 18:12:55 2006
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From: "Miko Biffle" <biffoz@arczip.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: reverb just on the delays 
Date: Sat, 22 Jul 2006 11:13:53 -0700
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Very long predelay on the reverb accomplishes this effect -- OR -- you =
could hang a delay on an aux send of a mixer, sending it through a =
reverb on 100% wet... (or the verb before the delay, which I prefer).=20

Miko Biffle -- "Running scared from all the usual distractions..."
C'mon over to MySpace! www.myspace.com/biffozz
Now playing 'Rough' www.cdbaby.com/biffoz
The Chain Tape Collective! www.ct-collective.com/
  ----- Original Message -----=20
  From: rune fagereng=20
  To: loopers-delight@loopers-delight.com ; =
repeater-users@yahoogroups.com=20
  Sent: Friday, July 21, 2006 11:00 AM
  Subject: reverb just on the delays=20


  On some of Jon Hassells tunes, his trompetsound has a near and close =
direct sound, and just a small amout of his sound (lets say  20%) has a =
big reverb, I think. The part that has reverb, also has some delay, I =
think. But there are no delay on the direct sound, I think.... =20

  I play guitar, with the use of TC 2290 for delay, and a Alesis for =
reverb. The Alesis is in the fx-chain of the Tc.

  Any Thoughts of how to get "closer" to the Hassells sound, in the =
manner of getting reverb just on the delays ? Or any tips what so ever ?

  Best regards of Rune F =20


  www.runefagereng.com
  Mail:rune_fagereng@yahoo.no
  Mob: 917 95 867
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<STYLE></STYLE>
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Very long predelay on the reverb =
accomplishes this=20
effect -- OR -- you could hang a delay on an aux send of a mixer, =
sending it=20
through a reverb on 100% wet... (or the verb before the delay, which I =
prefer).=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Miko Biffle -- "Running scared from all =
the usual=20
distractions..."<BR>C'mon over to MySpace! <A=20
href=3D"http://www.myspace.com/biffozz">www.myspace.com/biffozz</A><BR>No=
w playing=20
'Rough' <A =
href=3D"http://www.cdbaby.com/biffoz">www.cdbaby.com/biffoz</A><BR>The=20
Chain Tape Collective! <A=20
href=3D"http://www.ct-collective.com/">www.ct-collective.com/</A></FONT><=
/DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drune_fagereng@yahoo.no =
href=3D"mailto:rune_fagereng@yahoo.no">rune=20
  fagereng</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
  ; <A title=3Drepeater-users@yahoogroups.com=20
  =
href=3D"mailto:repeater-users@yahoogroups.com">repeater-users@yahoogroups=
.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 21, 2006 =
11:00=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> reverb just on the =
delays </DIV>
  <DIV><BR></DIV>
  <DIV>On some of Jon Hassells tunes, his trompetsound&nbsp;has a near =
and close=20
  direct sound, and&nbsp;just a&nbsp;small amout of his sound (lets say=20
  &nbsp;20%) has a big reverb, I think. The part that has reverb, also =
has some=20
  delay, I think.&nbsp;But there are no delay on the direct sound, I=20
  think....&nbsp;&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>I play guitar, with the use of TC 2290&nbsp;for delay, and a =
Alesis for=20
  reverb. The Alesis is in the fx-chain of the Tc.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Any Thoughts of how to&nbsp;get "closer" to the Hassells sound, =
in the=20
  manner of getting reverb just on the delays ? Or any tips what so ever =
?</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Best regards of Rune=20
  =
F&nbsp;&nbsp;</DIV><BR><BR>www.runefagereng.com<BR>Mail:rune_fagereng@yah=
oo.no<BR>Mob:=20
  917 95 867</BLOCKQUOTE></BODY></HTML>

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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Sample sound clip from my notebook computer system (with Reaktor Enembles called out)
Date: Sat, 22 Jul 2006 12:14:56 -0600
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Here is an updated list (far below) with all the Reaktor ensembles =
labeled by time.

Kris

----- Original Message -----=20

The Sample Sound Clip, VSTs, and URLs

http://www.box.net/public/fobok5z5dy (to download or stream - 25 minutes =
long!)

Direct link to 23.6 MB MP3 file: =
http://www.box.net/public/static/fobok5z5dy.mp3

You can follow the sounds in the clip in this order, or jump to the =
minute:second marker:

00:29 - Lexicon PSP84 http://www.kvraudio.com/get/509.html
01:01 - Lexicon PSP42 http://www.kvraudio.com/get/508.html
01:29 - Antares Filter http://www.kvraudio.com/get/818.html
01:54 - MHC Space Effect http://www.mhc.se/software/plugins/spaceeffect/
02:20 - Pluggo Feedback Network =
http://www.cycling74.com/products/pluggo)
03:03 - arcDev Cyclotron http://www.device.arcanedevice.com/?sig_mod
03:15 - Pluggo Fragulator http://www.cycling74.com/products/pluggo
03:26 - Toybear Madshifta http://www.kvraudio.com/get/1324.html
03:39 - NuSofting Morphing Delay =
http://nusofting.liqihsynth.com/Morphing.htm
03:55 - Nusofting Trimmetry =
http://nusofting.liqihsynth.com/Trimmetry.htm
04:09 - Pluggo Rye http://www.cycling74.com/products/pluggo
04:18 - Pluggo Warble http://www.cycling74.com/products/pluggo
04:27 - BrushFX http://www.kvraudio.com/get/454.html
04:46 - Crazy Ivan =
http://www.macmusic.org/software/releases.php/lang/en/id/1143/plug/VST
05:09 - Pluggo Weat http://www.cycling74.com/products/pluggo
05:17 - dfx Geometer http://destroyfx.smartelectronix.com/
05:33 - dfx Scrubby http://destroyfx.smartelectronix.com/
05:47 - Grumblebum http://www.kvraudio.com/get/894.html
06:10 - Glitch Jockey http://www.kvraudio.com/get/2094.html
06:19 - Pudding (http://www.kvraudio.com/get/1335.html
06:33 - Reversinator  http://www.kvraudio.com/get/988.html
06:45 - Pan-Oh!-Rama http://www.kvraudio.com/get/1661.html
06:54 - Drive32 http://www.kvraudio.com/get/1493.html
07:13 - fxpansion Ringmod=20
07:23 - WTF http://www.kvraudio.com/get/816.html
07:30 - Pluggo Space Echo http://www.cycling74.com/products/pluggo
07:39 - Pluggo Speed Shifter http://www.cycling74.com/products/pluggo
07:55 - E-Phonic LOFI http://www.kvraudio.com/get/737.html
08:05 - FX Jockey=20
08:11 - Glitchgirl
08:18 - Analogic Delay http://www.kvraudio.com/get/891.html
08:28  - KTGranulator http://www.kvraudio.com/get/625.html
08:46 - Antares Kantos http://www.kvraudio.com/get/248.html
09:03 - Scuzzphut6 http://www.kvraudio.com/get/1156.html
09:14 - Univibe by Simulanalog
09:41 - arcDev Hosebeast http://www.device.arcanedevice.com/?sig_mod
09:48 - arcDev ET-200 http://www.device.arcanedevice.com/?sig_mod
10:00 - Charsiensis http://www.kvraudio.com/get/2264.html
10:13 - Crazyator
10:23 - Pshift http://www.kvraudio.com/get/1118.html
10:30 - Pluggo Squirel Parade http://www.cycling74.com/products/pluggo
10:42 - Hipno Amogwai http://www.cycling74.com/products/hipno
10:55 - Hipno Deluge http://www.cycling74.com/products/hipno
11:02 - Hipno GrainStream http://www.cycling74.com/products/hipno
11:10 - Hipno Morphulescense http://www.cycling74.com/products/hipno
11:20 - Hipno Multilution http://www.cycling74.com/products/hipno
11:29  - Hipno SfylterBank http://www.cycling74.com/products/hipno
11:36 - Hipno Shypht http://www.cycling74.com/products/hipno
11:46 - Hipno SPuntorrt http://www.cycling74.com/products/hipno
11:57 - Hipno Squeege http://www.cycling74.com/products/hipno
12:15 - Hipno SquiglyQ http://www.cycling74.com/products/hipno
12:35 - Hipno Technishypht http://www.cycling74.com/products/hipno
12:41 - Toybear CandyBox http://www.tobybear.de/p_monsterbag.html
13:11 - Toybear DelayDevil http://www.tobybear.de/p_monsterbag.html
13:22 - Toybear RedRack Multi http://www.tobybear.de/p_monsterbag.html
13:31 - Toybear Robobear http://www.tobybear.de/p_monsterbag.html
13:38 - Toybear ShivaShifter http://www.tobybear.de/p_monsterbag.html
13:45 - OctBUZ http://www.kvraudio.com/get/641.html
13:56 - DeeLay
14:09 - GRevDly http://www.kvraudio.com/get/1298.html
14:18 - GGrain http://www.kvraudio.com/get/2189.html
14:25 - OverDubber (http://www.kvraudio.com/get/1816.html
14:37 - ParadigmShifter3 http://www.kvraudio.com/get/640.html
14:48 - Sun Ra http://www.kvraudio.com/get/490.html
15:00 - Reaktor 2 Metaphysical
15:16 - Reaktor 5 Blackbird
16:00 - Reaktor 5 CrossFX
16:35 - Reaktor 5 Abominatrix005
16:42 - Reaktor 5 Alexander 2
16:53 - Reaktor 5 Amor
17:05 - Reaktor 5 Brain Clown
17:23 - Reaktor 5 Congratulations
17:36 - Reaktor 5 Dada Delay
17:56 - Reaktor 5 Deliter Delux
18:08 - Reaktor 5 Dub Fix 4
18:19 - Reaktor 5 Easy Reverse Grooving Line
18:30 - Reaktor 5 Filtrator
18:49 - Reaktor 5 Funny Edge
18:57 - Reaktor 5 Ginsu Delay
19:07 - Reaktor 5 GradelReverb
19:22 - Reaktor 5 InsertDemonll
19:30 - Reaktor 5 LaserBrew
19:46 - Reaktor 5 LilThree
19:53 - Reaktor 5 Madpad
20:02 - Reaktor 5 Mr. Pink
20:10 - Reaktor 5 MultiBandDelay1
20:22 - Reaktor 5 Orange Grains
20:30 - Reaktor 5 Pitch Cloud
20:38 - Reaktor 5 Prime Delay
21:03 - Reaktor 5 Random Grain
21:16 - Reaktor 5 Resonatrix
21:28 - Reaktor 5 Space Delay
21:33 - Reaktor 5 Space Granny
21:46 - Reaktor 5 Spektre
22:00 - Reaktor 5 Split Distortion
22:16 - Reaktor 5 Pachinko
22:35 - Reaktor 5 Split Distortion (again)
22:50 - Reaktor 5 Stotterer
23:02 - Reaktor 5 Stutter Delay
23:14 - Reaktor 5 Traum Delay
23:22 - Reaktor 5 Vocastoerung
23:35 - Reaktor 5 White Grains
24:04 - Reaktor 5 Blackbird (several presets/snaps)

Kris


*************************************************
Krispen Hartung / Improvisational Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
Looper's Delight Playlist - =
http://www.boisemusicians.com/loopers-delight.m3u
------=_NextPart_000_02D9_01C6AD88.72064990
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Here is an updated list (far below) =
with all the=20
Reaktor ensembles labeled by time.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial">----- Original Message ----- <BR></DIV>
<DIV>
<DIV><FONT face=3DArial size=3D2></FONT></DIV></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>The Sample Sound Clip, VSTs, =
and=20
URLs</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/public/fobok5z5dy">http://www.box.net/public/f=
obok5z5dy</A>&nbsp;(to=20
download or stream - 25 minutes long!)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Direct link to 23.6 MB MP3 file: <A=20
href=3D"http://www.box.net/public/static/fobok5z5dy.mp3">http://www.box.n=
et/public/static/fobok5z5dy.mp3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>You can follow the sounds in the clip =
in this=20
order, or jump to the minute:second marker:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV><FONT face=3DArial =
size=3D2>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana><STRONG>00:29 - Lexicon PSP84 </STRONG><A=20
href=3D"http://www.kvraudio.com/get/509.html"><STRONG>http://www.kvraudio=
.com/get/509.html</STRONG></A><BR><STRONG>01:01=20
- Lexicon PSP42 </STRONG><A=20
href=3D"http://www.kvraudio.com/get/508.html"><STRONG>http://www.kvraudio=
.com/get/508.html</STRONG></A><BR><STRONG>01:29=20
- Antares Filter </STRONG><A=20
href=3D"http://www.kvraudio.com/get/818.html"><STRONG>http://www.kvraudio=
.com/get/818.html</STRONG></A><BR>01:54=20
- MHC Space Effect <A=20
href=3D"http://www.mhc.se/software/plugins/spaceeffect/">http://www.mhc.s=
e/software/plugins/spaceeffect/</A><BR><STRONG>02:20=20
- Pluggo Feedback Network </STRONG><A=20
href=3D"http://www.cycling74.com/products/pluggo"><STRONG>http://www.cycl=
ing74.com/products/pluggo</STRONG></A><STRONG>)</STRONG><BR>03:03=20
- arcDev Cyclotron <A=20
href=3D"http://www.device.arcanedevice.com/?sig_mod">http://www.device.ar=
canedevice.com/?sig_mod</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>03:15 - Pluggo Fragulator <A=20
href=3D"http://www.cycling74.com/products/pluggo">http://www.cycling74.co=
m/products/pluggo</A><BR>03:26=20
- Toybear Madshifta <A=20
href=3D"http://www.kvraudio.com/get/1324.html">http://www.kvraudio.com/ge=
t/1324.html</A><BR>03:39=20
- NuSofting Morphing Delay <A=20
href=3D"http://nusofting.liqihsynth.com/Morphing.htm">http://nusofting.li=
qihsynth.com/Morphing.htm</A><BR>03:55=20
- Nusofting Trimmetry <A=20
href=3D"http://nusofting.liqihsynth.com/Trimmetry.htm">http://nusofting.l=
iqihsynth.com/Trimmetry.htm</A><BR>04:09=20
- Pluggo Rye <A=20
href=3D"http://www.cycling74.com/products/pluggo">http://www.cycling74.co=
m/products/pluggo</A><BR>04:18=20
- Pluggo Warble <A=20
href=3D"http://www.cycling74.com/products/pluggo">http://www.cycling74.co=
m/products/pluggo</A><BR>04:27=20
- BrushFX <A=20
href=3D"http://www.kvraudio.com/get/454.html">http://www.kvraudio.com/get=
/454.html</A><BR>04:46=20
- Crazy Ivan <A=20
href=3D"http://www.macmusic.org/software/releases.php/lang/en/id/1143/plu=
g/VST">http://www.macmusic.org/software/releases.php/lang/en/id/1143/plug=
/VST</A><BR>05:09=20
- Pluggo Weat <A=20
href=3D"http://www.cycling74.com/products/pluggo">http://www.cycling74.co=
m/products/pluggo</A><BR>05:17=20
- dfx Geometer <A=20
href=3D"http://destroyfx.smartelectronix.com/">http://destroyfx.smartelec=
tronix.com/</A><BR>05:33=20
- dfx Scrubby <A=20
href=3D"http://destroyfx.smartelectronix.com/">http://destroyfx.smartelec=
tronix.com/</A><BR>05:47=20
- Grumblebum <A=20
href=3D"http://www.kvraudio.com/get/894.html">http://www.kvraudio.com/get=
/894.html</A><BR>06:10=20
- Glitch Jockey <A=20
href=3D"http://www.kvraudio.com/get/2094.html">http://www.kvraudio.com/ge=
t/2094.html</A><BR><STRONG>06:19=20
- Pudding (</STRONG><A=20
href=3D"http://www.kvraudio.com/get/1335.html"><STRONG>http://www.kvraudi=
o.com/get/1335.html</STRONG></A><BR>06:33=20
- Reversinator&nbsp; <A=20
href=3D"http://www.kvraudio.com/get/988.html">http://www.kvraudio.com/get=
/988.html</A><BR>06:45=20
- Pan-Oh!-Rama <A=20
href=3D"http://www.kvraudio.com/get/1661.html">http://www.kvraudio.com/ge=
t/1661.html</A><BR>06:54=20
- Drive32 <A=20
href=3D"http://www.kvraudio.com/get/1493.html">http://www.kvraudio.com/ge=
t/1493.html</A><BR>07:13=20
- fxpansion Ringmod <BR>07:23 - WTF <A=20
href=3D"http://www.kvraudio.com/get/816.html">http://www.kvraudio.com/get=
/816.html</A><BR>07:30=20
- Pluggo Space Echo <A=20
href=3D"http://www.cycling74.com/products/pluggo">http://www.cycling74.co=
m/products/pluggo</A><BR>07:39=20
- Pluggo Speed Shifter <A=20
href=3D"http://www.cycling74.com/products/pluggo">http://www.cycling74.co=
m/products/pluggo</A><BR>07:55=20
- E-Phonic LOFI <A=20
href=3D"http://www.kvraudio.com/get/737.html">http://www.kvraudio.com/get=
/737.html</A><BR>08:05=20
- FX Jockey <BR>08:11 - Glitchgirl<BR>08:18 - Analogic Delay <A=20
href=3D"http://www.kvraudio.com/get/891.html">http://www.kvraudio.com/get=
/891.html</A><BR>0<STRONG>8:28&nbsp;=20
- KTGranulator </STRONG><A=20
href=3D"http://www.kvraudio.com/get/625.html"><STRONG>http://www.kvraudio=
.com/get/625.html</STRONG></A><BR>08:46=20
- Antares Kantos <A=20
href=3D"http://www.kvraudio.com/get/248.html">http://www.kvraudio.com/get=
/248.html</A><BR>09:03=20
- Scuzzphut6 <A=20
href=3D"http://www.kvraudio.com/get/1156.html">http://www.kvraudio.com/ge=
t/1156.html</A><BR>09:14=20
- Univibe by Simulanalog<BR>09:41 - arcDev Hosebeast <A=20
href=3D"http://www.device.arcanedevice.com/?sig_mod">http://www.device.ar=
canedevice.com/?sig_mod</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>09:48 - arcDev ET-200 <A=20
href=3D"http://www.device.arcanedevice.com/?sig_mod">http://www.device.ar=
canedevice.com/?sig_mod</A></FONT><FONT=20
face=3DVerdana><BR><STRONG>10:00 - Charsiensis </STRONG><A=20
href=3D"http://www.kvraudio.com/get/2264.html"><STRONG>http://www.kvraudi=
o.com/get/2264.html</STRONG></A><BR>10:13=20
- Crazyator<BR>10:23 - Pshift <A=20
href=3D"http://www.kvraudio.com/get/1118.html">http://www.kvraudio.com/ge=
t/1118.html</A><BR>10:30=20
- Pluggo Squirel Parade <A=20
href=3D"http://www.cycling74.com/products/pluggo">http://www.cycling74.co=
m/products/pluggo</A><BR><STRONG>10:42=20
- Hipno Amogwai </STRONG><A=20
href=3D"http://www.cycling74.com/products/hipno"><STRONG>http://www.cycli=
ng74.com/products/hipno</STRONG></A></FONT><FONT=20
face=3DVerdana><BR>10:55 - Hipno Deluge <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>11:02 - Hipno GrainStream <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT><FONT=20
face=3DVerdana><BR>11:10 - Hipno Morphulescense <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>11:20 - Hipno Multilution <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>11:29&nbsp; - Hipno SfylterBank <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>11:36 - Hipno Shypht <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>11:46 - Hipno SPuntorrt <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>11:57 - Hipno Squeege <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>12:15 - Hipno SquiglyQ <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>12:35 - Hipno Technishypht <A=20
href=3D"http://www.cycling74.com/products/hipno">http://www.cycling74.com=
/products/hipno</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>12:41 - Toybear CandyBox <A=20
href=3D"http://www.tobybear.de/p_monsterbag.html">http://www.tobybear.de/=
p_monsterbag.html</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>13:11 - Toybear DelayDevil <A=20
href=3D"http://www.tobybear.de/p_monsterbag.html">http://www.tobybear.de/=
p_monsterbag.html</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>13:22 - Toybear RedRack Multi <A=20
href=3D"http://www.tobybear.de/p_monsterbag.html">http://www.tobybear.de/=
p_monsterbag.html</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>13:31 - Toybear Robobear <A=20
href=3D"http://www.tobybear.de/p_monsterbag.html">http://www.tobybear.de/=
p_monsterbag.html</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>13:38 - Toybear ShivaShifter <A=20
href=3D"http://www.tobybear.de/p_monsterbag.html">http://www.tobybear.de/=
p_monsterbag.html</A></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>13:45 - OctBUZ <A=20
href=3D"http://www.kvraudio.com/get/641.html">http://www.kvraudio.com/get=
/641.html</A><BR>13:56=20
- DeeLay<BR>14:09 - GRevDly <A=20
href=3D"http://www.kvraudio.com/get/1298.html">http://www.kvraudio.com/ge=
t/1298.html</A><BR>14:18=20
- GGrain <A=20
href=3D"http://www.kvraudio.com/get/2189.html">http://www.kvraudio.com/ge=
t/2189.html</A><BR>14:25=20
- OverDubber (<A=20
href=3D"http://www.kvraudio.com/get/1816.html">http://www.kvraudio.com/ge=
t/1816.html</A><BR>14:37=20
- ParadigmShifter3 <A=20
href=3D"http://www.kvraudio.com/get/640.html">http://www.kvraudio.com/get=
/640.html</A><BR>14:48=20
- Sun Ra <A=20
href=3D"http://www.kvraudio.com/get/490.html">http://www.kvraudio.com/get=
/490.html</A><BR>15:00=20
- Reaktor 2 Metaphysical<BR><STRONG>15:16 - Reaktor 5=20
Blackbird</STRONG></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana><STRONG>16:00 - Reaktor 5 CrossFX</STRONG></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>16:35 - Reaktor 5 Abominatrix005</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>16:42 - Reaktor 5 Alexander 2</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>16:53 - Reaktor 5 Amor</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>17:05 - Reaktor 5 Brain Clown</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>17:23 - Reaktor 5 Congratulations</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana><STRONG>17:36 - Reaktor 5 Dada =
Delay</STRONG></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>17:56 - Reaktor 5 Deliter Delux</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>18:08 - Reaktor 5 Dub Fix 4</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>18:19 - Reaktor 5 Easy Reverse Grooving Line</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>18:30 - Reaktor 5 Filtrator</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>18:49 - Reaktor 5 Funny Edge</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>18:57 - Reaktor 5 Ginsu Delay</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>19:07 - Reaktor 5 GradelReverb</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>19:22 - Reaktor 5 InsertDemonll</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana><STRONG>19:30 - Reaktor 5 LaserBrew</STRONG></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>19:46 - Reaktor 5 LilThree</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>19:53 - Reaktor 5 Madpad</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>20:02 - Reaktor 5 Mr. Pink</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>20:10 - Reaktor 5 MultiBandDelay1</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>20:22 - Reaktor 5 Orange Grains</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>20:30 - Reaktor 5 Pitch Cloud</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>20:38 - Reaktor 5 Prime Delay</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>21:03 - Reaktor 5 Random Grain</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>21:16 - Reaktor 5 Resonatrix</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>21:28 - Reaktor 5 Space Delay</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>21:33 - Reaktor 5 Space Granny</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>21:46 - Reaktor 5 Spektre</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>22:00 - Reaktor 5 Split Distortion</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>22:16 - Reaktor 5 Pachinko</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>22:35 - Reaktor 5 Split Distortion (again)</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>22:50 - Reaktor 5&nbsp;Stotterer</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>23:02 - Reaktor 5 Stutter Delay</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>23:14 - Reaktor 5 Traum Delay</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>23:22 - Reaktor 5 Vocastoerung</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>23:35 - Reaktor 5 White Grains</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana><STRONG>24:04 - Reaktor 5 Blackbird (several=20
presets/snaps)</STRONG></FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana></FONT>&nbsp;</DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana>Kris</FONT></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana></FONT>&nbsp;</DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list =
.5in"><FONT=20
face=3DVerdana></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>*************************************************<BR>Krispen =
Hartung /=20
Improvisational Guitar<BR></FONT><A =
href=3D"http://www.krispenhartung.com"><FONT=20
face=3DArial size=3D2>www.krispenhartung.com</FONT></A><FONT =
face=3DArial size=3D2> /=20
</FONT><A href=3D"http://www.myspace.com/krispenhartung"><FONT =
face=3DArial=20
size=3D2>www.myspace.com/krispenhartung</FONT></A><BR><A=20
href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial=20
size=3D2>info@krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> =
/=20
1.208.724.5603 <BR>Discography - </FONT><A=20
href=3D"http://www.krispenhartung.com/catalogue.htm"><FONT face=3DArial=20
size=3D2>http://www.krispenhartung.com/catalogue.htm</FONT></A><BR><FONT =

face=3DArial size=3D2>Looper's Delight Playlist - </FONT><A=20
href=3D"http://www.boisemusicians.com/loopers-delight.m3u"><FONT =
face=3DArial=20
size=3D2>http://www.boisemusicians.com/loopers-delight.m3u</FONT></A></DI=
V></BODY></HTML>

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Subject: Re: Sample sound clip from my notebook computer system
Date: Sat, 22 Jul 2006 12:24:14 -0600
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Amazing story Ted. Thanks for sharing. When you decide to go all laptop, =
you can come to Boise, and we can spend a day building your system. I'll =
basically be your consultant and help you get the sounds you want, =
recommend software, etc. We would have to talk beforehand so that you =
could get your software purchased or downloaded beforehand. =20

Some of the reasons you state for having to move away from a large rack =
system are exactly my own. After back surgery last December, things down =
there still aren't the same, and I even hurt it again lifting my Mesa =
Boogie Mark I for my jazz gig a month ago. That was the straw that broke =
the camel's back...heh heh...to play on words here.  I sold the Boogie, =
bought a light Roland Cube 30, and now I can go to a looping gig with =
just my guitar, notebook, and Behringer MIDI controller...nothing else.  =
And I save my back and other appendages, muscles, etc from further =
damage.  I have a backup rack on the side with a Looperlative, two Boss =
VF1s, and a Fireworx it it...but the chances of me using it are very =
slim...I may use it just a few times a year out of guilt.  Who knows, I =
may sell it some day as a package deal. If someone made me an offer, I =
may just take it out of compulsion.

Kris

  ----- Original Message -----=20
  From: tEd =AE kiLLiAn=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, July 22, 2006 9:40 AM
  Subject: Re: Sample sound clip from my notebook computer system


  Hi there Kris,

  Wow! That list of plug-ins is really impressive. The sound clip is =
too.
  Quite a variety of spacey oddball noises that one could get quite
  creative with. I love it! I am envious to the point of drooling on =
myself=20
  . . . heheh . . . almost. It's all really kinda funny/ironic to me =
personally=20
  how this laptop thing has developed . . . and is still waaaaaay out=20
  of reach for me.=20

  WARNING: old geezer fish-story about the "one that got away" follows.

  A dozen years ago, when I lived in Santa Barbara and worked for=20
  Seymour Duncan, I had some friends who worked in some big "think=20
  tank" type research centers for a couple of HUGE firms there. I'm =
talking=20
  about really bright guys, mind you. Anywho, one good friend there=20
  was listening to me complain about schlepping my big rack around
  to gigs over beer or something and I predicted that someday all of
  this stuff would reside in software on a laptop and all I'd need for=20
  a gig was a guitar, some cables, a laptop and a bank of MIDI pedals=20
  to control it with -- and I'd just play through the house PA and stage
  monitors. I hoped I lived long enough to see it.

  Well, this friend happened to actually work with computers, =
programming,
  A.I., and digital signal processing on a project for the Department of =
Defense.
  He hadn't told me that before because, technically, it was all =
classified stuff=20
  having something to do with "electronic counter-measures" or =
something.
  Anywho, he said (a dozen years ago) that it was totally possible THEN=20
  in terms of what his computers could do. Commercially available=20
  consumer -level computers would soon follow.

  Later, he got a few of his work friends together for a little =
demonstration=20
  at his house where he had me haul in all my gear, demonstrate how it=20
  worked, and talk to them about the musical equipment industry -- or
  at least what I knew about the guitar-oriented end of it as an =
"insider"
  already working in the marketing end of it. At the end of the demo =
they=20
  were all nodding their heads in agreement that such a scheme was not=20
  only possible and viable . . . but probably inevitable too. Oh happy =
day!!!

  They were all still young-ish middle aged guys and they though it =
would
  be a great way to escape the world of "building a better bomb for the
  Pentagon" and do something positive and creative with their lives.
  Well, life happens. While they were all still scheming about this =
little
  hobby-horse, one guy's wife got pregnant. Another went through a nasty
  divorce, another guy (my friend) got transferred to Boston (of all =
places).=20
  It never went any further than that . . . talking and thinking about =
it
  . . . and dreaming of the day. I did some GUI sketches . . .that's =
all.

  Now, it's apparent, that the day is actually here and I have too much =
money=20
  and experience tied up in hardware . . . and my now ancient back is =
really
  killing me. I never told you. But, I injured my elbow too in Boise =
lifting my rack=20
  during load-out. It's didn't hurt all that much at the time. But it =
got worse
  and worse over the next month or so to the point that I had to go in =
to
  the Doctor and get a cortisone shot directly in the elbow for "tennis =
elbow"
  a couple of weeks ago. The old body is simply falling apart.=20

  Anyway, I digress, laptop technology is finally here, I need it =
desperately
  and I cannot afford it. That's the irony. Life happens.

  Like I said, your list of plug-ins (and the sound they make) are very =
impressive.
  I am practically soiling myself over them as it is. You're going to =
have to
  set me down and give me a serious demo at the next gig in Boise at the =
end
  of August. So . . . there is just one more reason for me to look =
forward to it.

  Peace,

  Ted
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<META http-equiv=3DContent-Type content=3D"text/html; =
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Amazing story Ted. Thanks for sharing. =
When you=20
decide to go all laptop, you can come to Boise, and we can spend a day =
building=20
your system. I'll basically be your consultant and help you get the =
sounds you=20
want, recommend software, etc. We would have to talk beforehand so that =
you=20
could get your software purchased or downloaded beforehand.&nbsp; =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Some of the reasons you state for =
having to move=20
away from a large rack system are exactly my own. After back surgery =
last=20
December, things down there still aren't the same, and I even hurt it =
again=20
lifting my Mesa Boogie Mark I for my jazz gig a month ago. That was the =
straw=20
that broke the camel's back...heh heh...to play on words here.&nbsp; I =
sold the=20
Boogie, bought a light Roland Cube 30, and now&nbsp;I can go to a =
looping gig=20
with just my guitar, notebook, and Behringer MIDI controller...nothing=20
else.&nbsp; And I save my back and other appendages, muscles, etc from =
further=20
damage.&nbsp; I have a backup rack on the side with a Looperlative,=20
two&nbsp;Boss VF1s, and a Fireworx it it...but the chances of me using =
it are=20
very slim...I may use it just a few times a year out of guilt.&nbsp; Who =
knows,=20
I may sell it some day as a package deal. If someone made me an offer, I =
may=20
just take it out of compulsion.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtedkillian@charter.net =
href=3D"mailto:tedkillian@charter.net">tEd =AE=20
  kiLLiAn</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 22, 2006 =
9:40=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Sample sound clip =
from my=20
  notebook computer system</DIV>
  <DIV><BR></DIV>Hi there Kris,<BR><BR>Wow! That list of plug-ins is =
really=20
  impressive. The sound clip is too.<BR>Quite a variety of spacey =
oddball noises=20
  that one could get quite<BR>creative with. I love it! I am envious to =
the=20
  point of drooling on myself <BR>. . . heheh . . . almost. It's all =
really=20
  kinda funny/ironic to me personally <BR>how this laptop thing has =
developed .=20
  . . and is still waaaaaay out <BR>of reach for me. =
<BR><BR><B>WARNING:</B> old=20
  geezer fish-story about the "one that got away" follows.<BR><BR>A =
dozen years=20
  ago, when I lived in Santa Barbara and worked for <BR>Seymour Duncan, =
I had=20
  some friends who worked in some big "think <BR>tank" type research =
centers for=20
  a couple of HUGE firms there. I'm talking <BR>about really bright =
guys, mind=20
  you. Anywho, one good friend there <BR>was listening to me complain =
about=20
  schlepping my big rack around<BR>to gigs over beer or something and I=20
  predicted that someday all of<BR>this stuff would reside in software =
on a=20
  laptop and all I'd need for <BR>a gig was a guitar, some cables, a =
laptop and=20
  a bank of MIDI pedals <BR>to control it with -- and I'd just play =
through the=20
  house PA and stage<BR>monitors. I hoped I lived long enough to see=20
  it.<BR><BR>Well, this friend happened to actually work with computers, =

  programming,<BR>A.I., and digital signal processing on a project for =
the=20
  Department of Defense.<BR>He hadn't told me that before because, =
technically,=20
  it was all classified stuff <BR>having something to do with =
"electronic=20
  counter-measures" or something.<BR>Anywho, he said (a dozen years ago) =
that it=20
  was totally possible <I>THEN <BR></I>in terms of what his computers =
could do.=20
  Commercially available <BR>consumer -level computers would soon=20
  follow.<BR><BR>Later, he got a few of his work friends together for a =
little=20
  demonstration <BR>at his house where he had me haul in all my gear,=20
  demonstrate how it <BR>worked, and talk to them about the musical =
equipment=20
  industry -- or<BR>at least what I knew about the guitar-oriented end =
of it as=20
  an "insider"<BR>already working in the marketing end of it. At the end =
of the=20
  demo they <BR>were all nodding their heads in agreement that such a =
scheme was=20
  not <BR>only possible and viable . . . but probably inevitable too. Oh =
happy=20
  day!!!<BR><BR>They were all still young-ish middle aged guys and they =
though=20
  it would<BR>be a great way to escape the world of "building a better =
bomb for=20
  the<BR>Pentagon" and do something positive and creative with their=20
  lives.<BR>Well, life happens. While they were all still scheming about =
this=20
  little<BR>hobby-horse, one guy's wife got pregnant. Another went =
through a=20
  nasty<BR>divorce, another guy (my friend) got transferred to Boston =
(of all=20
  places). <BR>It never went any further than that . . . talking and =
thinking=20
  about it<BR>. . . and dreaming of the day. I did some GUI sketches . . =
.that's=20
  all.<BR><BR>Now, it's apparent, that the day is actually here and I =
have too=20
  much money <BR>and experience tied up in hardware . . . and my now =
ancient=20
  back is really<BR>killing me. I never told you. But, I injured my =
elbow too in=20
  Boise lifting my rack <BR>during load-out. It's didn't hurt all that =
much at=20
  the time. But it got worse<BR>and worse over the next month or so to =
the point=20
  that I had to go in to<BR>the Doctor and get a cortisone shot directly =
in the=20
  elbow for "tennis elbow"<BR>a couple of weeks ago. The old body is =
simply=20
  falling apart. <BR><BR>Anyway, I digress, laptop technology is finally =
here, I=20
  need it desperately<BR>and I cannot afford it. That's the irony. Life=20
  happens.<BR><BR>Like I said, your list of plug-ins (and the sound they =
make)=20
  are very impressive.<BR>I am practically soiling myself over them as =
it is.=20
  You're going to have to<BR>set me down and give me a serious demo at =
the next=20
  gig in Boise at the end<BR>of August. So . . . there is just one more =
reason=20
  for me to look forward to=20
it.<BR><BR>Peace,<BR><BR>Ted</BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_02F3_01C6AD89.BE9F8D10--


From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 18:31:45 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Sample sound clip from my notebook computer system
Date: Sat, 22 Jul 2006 11:31:43 -0700
To: Loopers-Delight@loopers-delight.com
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Ted: Sell your gear. Buy a laptop.

BTW, Lovely to chat yesterday.


Jeff


> =A0
>> ----- Original Message -----
>> From: tEd =AE kiLLiAn
>> To: Loopers-Delight@loopers-delight.com
>> Sent: Saturday, July 22, 2006 9:40 AM
>> Subject: Re: Sample sound clip from my notebook computer system
>>
>> Hi there Kris,
>>
>> Wow! That list of plug-ins is really impressive. The sound clip is=20
>> too.
>> Quite a variety of spacey oddball noises that one could get quite
>> creative with. I love it! I am envious to the point of drooling on=20
>> myself
>> . . . heheh . . . almost. It's all really kinda funny/ironic to me=20
>> personally
>> how this laptop thing has developed . . . and is still waaaaaay out
>> of reach for me.
>>
>> WARNING: old geezer fish-story about the "one that got away" follows.
>>
>> A dozen years ago, when I lived in Santa Barbara and worked for
>> Seymour Duncan, I had some friends who worked in some big "think
>> tank" type research centers for a couple of HUGE firms there. I'm=20
>> talking
>> about really bright guys, mind you. Anywho, one good friend there
>> was listening to me complain about schlepping my big rack around
>> to gigs over beer or something and I predicted that someday all of
>> this stuff would reside in software on a laptop and all I'd need for
>> a gig was a guitar, some cables, a laptop and a bank of MIDI pedals
>> to control it with -- and I'd just play through the house PA and =
stage
>> monitors. I hoped I lived long enough to see it.
>>
>> Well, this friend happened to actually work with computers,=20
>> programming,
>> A.I., and digital signal processing on a project for the Department=20=

>> of Defense.
>> He hadn't told me that before because, technically, it was all=20
>> classified stuff
>> having something to do with "electronic counter-measures" or=20
>> something.
>> Anywho, he said (a dozen years ago) that it was totally possible THEN
>> in terms of what his computers could do. Commercially available
>> consumer -level computers would soon follow.
>>
>> Later, he got a few of his work friends together for a little=20
>> demonstration
>> at his house where he had me haul in all my gear, demonstrate how it
>> worked, and talk to them about the musical equipment industry -- or
>> at least what I knew about the guitar-oriented end of it as an=20
>> "insider"
>> already working in the marketing end of it. At the end of the demo=20
>> they
>> were all nodding their heads in agreement that such a scheme was not
>> only possible and viable . . . but probably inevitable too. Oh happy=20=

>> day!!!
>>
>> They were all still young-ish middle aged guys and they though it=20
>> would
>> be a great way to escape the world of "building a better bomb for the
>> Pentagon" and do something positive and creative with their lives.
>> Well, life happens. While they were all still scheming about this=20
>> little
>> hobby-horse, one guy's wife got pregnant. Another went through a =
nasty
>> divorce, another guy (my friend) got transferred to Boston (of all=20
>> places).
>> It never went any further than that . . . talking and thinking about=20=

>> it
>> . . . and dreaming of the day. I did some GUI sketches . . .that's=20
>> all.
>>
>> Now, it's apparent, that the day is actually here and I have too much=20=

>> money
>> and experience tied up in hardware . . . and my now ancient back is=20=

>> really
>> killing me. I never told you. But, I injured my elbow too in Boise=20
>> lifting my rack
>> during load-out. It's didn't hurt all that much at the time. But it=20=

>> got worse
>> and worse over the next month or so to the point that I had to go in=20=

>> to
>> the Doctor and get a cortisone shot directly in the elbow for "tennis=20=

>> elbow"
>> a couple of weeks ago. The old body is simply falling apart.
>>
>> Anyway, I digress, laptop technology is finally here, I need it=20
>> desperately
>> and I cannot afford it. That's the irony. Life happens.
>>
>> Like I said, your list of plug-ins (and the sound they make) are very=20=

>> impressive.
>> I am practically soiling myself over them as it is. You're going to=20=

>> have to
>> set me down and give me a serious demo at the next gig in Boise at=20
>> the end
>> of August. So . . . there is just one more reason for me to look=20
>> forward to it.
>>
>> Peace,
>>
>> Ted=

From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 19:16:19 2006
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To: Loopers-Delight@loopers-delight.com
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Subject: Re: Sample sound clip from my notebook computer system
Date: Sat, 22 Jul 2006 13:16:13 -0600
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Ted, don't make us have a group intervention at Y2K6. :)   Addiction to 
hardware is a serious thing.

K-
----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 22, 2006 12:31 PM
Subject: Re: Sample sound clip from my notebook computer system


Ted: Sell your gear. Buy a laptop.

BTW, Lovely to chat yesterday.


Jeff


>
>> ----- Original Message -----
>> From: tEd ® kiLLiAn
>> To: Loopers-Delight@loopers-delight.com
>> Sent: Saturday, July 22, 2006 9:40 AM
>> Subject: Re: Sample sound clip from my notebook computer system
>>
>> Hi there Kris,
>>
>> Wow! That list of plug-ins is really impressive. The sound clip is too.
>> Quite a variety of spacey oddball noises that one could get quite
>> creative with. I love it! I am envious to the point of drooling on myself
>> . . . heheh . . . almost. It's all really kinda funny/ironic to me 
>> personally
>> how this laptop thing has developed . . . and is still waaaaaay out
>> of reach for me.
>>
>> WARNING: old geezer fish-story about the "one that got away" follows.
>>
>> A dozen years ago, when I lived in Santa Barbara and worked for
>> Seymour Duncan, I had some friends who worked in some big "think
>> tank" type research centers for a couple of HUGE firms there. I'm talking
>> about really bright guys, mind you. Anywho, one good friend there
>> was listening to me complain about schlepping my big rack around
>> to gigs over beer or something and I predicted that someday all of
>> this stuff would reside in software on a laptop and all I'd need for
>> a gig was a guitar, some cables, a laptop and a bank of MIDI pedals
>> to control it with -- and I'd just play through the house PA and stage
>> monitors. I hoped I lived long enough to see it.
>>
>> Well, this friend happened to actually work with computers, programming,
>> A.I., and digital signal processing on a project for the Department of 
>> Defense.
>> He hadn't told me that before because, technically, it was all classified 
>> stuff
>> having something to do with "electronic counter-measures" or something.
>> Anywho, he said (a dozen years ago) that it was totally possible THEN
>> in terms of what his computers could do. Commercially available
>> consumer -level computers would soon follow.
>>
>> Later, he got a few of his work friends together for a little 
>> demonstration
>> at his house where he had me haul in all my gear, demonstrate how it
>> worked, and talk to them about the musical equipment industry -- or
>> at least what I knew about the guitar-oriented end of it as an "insider"
>> already working in the marketing end of it. At the end of the demo they
>> were all nodding their heads in agreement that such a scheme was not
>> only possible and viable . . . but probably inevitable too. Oh happy 
>> day!!!
>>
>> They were all still young-ish middle aged guys and they though it would
>> be a great way to escape the world of "building a better bomb for the
>> Pentagon" and do something positive and creative with their lives.
>> Well, life happens. While they were all still scheming about this little
>> hobby-horse, one guy's wife got pregnant. Another went through a nasty
>> divorce, another guy (my friend) got transferred to Boston (of all 
>> places).
>> It never went any further than that . . . talking and thinking about it
>> . . . and dreaming of the day. I did some GUI sketches . . .that's all.
>>
>> Now, it's apparent, that the day is actually here and I have too much 
>> money
>> and experience tied up in hardware . . . and my now ancient back is 
>> really
>> killing me. I never told you. But, I injured my elbow too in Boise 
>> lifting my rack
>> during load-out. It's didn't hurt all that much at the time. But it got 
>> worse
>> and worse over the next month or so to the point that I had to go in to
>> the Doctor and get a cortisone shot directly in the elbow for "tennis 
>> elbow"
>> a couple of weeks ago. The old body is simply falling apart.
>>
>> Anyway, I digress, laptop technology is finally here, I need it 
>> desperately
>> and I cannot afford it. That's the irony. Life happens.
>>
>> Like I said, your list of plug-ins (and the sound they make) are very 
>> impressive.
>> I am practically soiling myself over them as it is. You're going to have 
>> to
>> set me down and give me a serious demo at the next gig in Boise at the 
>> end
>> of August. So . . . there is just one more reason for me to look forward 
>> to it.
>>
>> Peace,
>>
>> Ted


From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 19:51:05 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Sample sound clip from my notebook computer system
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--Apple-Mail-3--802998704
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Jeff,

On Jul 22, 2006, at 11:31 AM, Jeff Kaiser wrote:

> Ted: Sell your gear. Buy a laptop.

I might just yet . . . however, I have a track record of selling off =20
bunches of
perfectly good gear from time to time in order to afford getting the =20
"latest
greatest" thing (ya know it's true) and then about 3/4 of the time I =20
wind up
being so disappointed with the new stuff and wishin' I hadn't that it's =20=

sorta
heartbreaking.

After 43 years of playing I finally have a set of sounds I like, I =20
finally sound
like myself (I think). And I still have the depth in what gear I have =20=

to learn new
things -- room for growth. Yes, hauling gear is a pain, but giving up =20=

that other
aspect (my personal sound) for the total unknown is a daunting =20
proposition
that will probably have to take some significant other motivating =20
factor to get
me to give in, turn loose, whatever. Pain is a good motivator . . . but =20=

so far
it's only pain.

Peace,

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=

--Apple-Mail-3--802998704
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Jeff,


On Jul 22, 2006, at 11:31 AM, Jeff Kaiser wrote:


<excerpt>Ted: Sell your gear. Buy a laptop.

</excerpt>

I might just yet . . . however, I have a track record of selling off
bunches of=20

perfectly good gear from time to time in order to afford getting the
"latest=20

greatest" thing (ya know it's true) and then about 3/4 of the time I
wind up=20

being so disappointed with the new stuff and wishin' I hadn't that
it's sorta

heartbreaking.


After 43 years of playing I finally have a set of sounds I like, I
finally sound=20

like myself (I think). And I still have the depth in what gear I have
to learn new=20

things -- room for growth. Yes, hauling gear is a pain, but giving up
that other=20

aspect (my personal sound) for the total unknown is a daunting
proposition=20

that will probably have to take some significant other motivating
factor to get=20

me to give in, turn loose, whatever. Pain is a good motivator . . .
but so far=20

it's only pain.


Peace,


tEd =AE kiLLiAn


<color><param>9B9A,9B9A,9B9A</param>"Different is not always better,
but better is always different"


 http://www.pfmentum.com/flux.html

 http://www.CDbaby.com/cd/tedkillian

 http://www.guitar9.com/fluxaeterna.html

 http://www.garageband.com/artist/ArsOcarina

 http://www.towerrecords.com/product.aspx?pfid=3D2845073

 http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

 http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193


=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


 Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

 BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

 AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

 RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

 and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>=

--Apple-Mail-3--802998704--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 19:56:05 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Sample sound clip from my notebook computer system
Date: Sat, 22 Jul 2006 12:54:55 -0700
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Ted: It's not only affecting you, but the people who LOVE you.

Jeff



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jul 22, 2006, at 12:16 PM, Krispen Hartung wrote:

> Ted, don't make us have a group intervention at Y2K6. :)   Addiction=20=

> to hardware is a serious thing.
>
> K-=

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Subject: Re: Sample sound clip from my notebook computer system
Date: Sat, 22 Jul 2006 14:02:48 -0600
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Ted, the trick is to build your computer system on the side so that you =
don't have to go without full functioning system for any period of =
time...then you can transition slowly into the notebook system.  Once =
you get your notebook computer and sound card, then we can help you =
build a basic system for very low cost. Get an inexpensive VST host like =
Chainer, EnergyXT, or Plogue Bidule (all less than $100), and then take =
advantage of the thousands of free VST effects out there.  You will be =
amazed at how many effects you can replace in your hardware system with =
just free VSTs...astounding.=20

...then, once you get that basic notebook system up and running, you can =
start selling one hardware effect at a time to purchase more expensive =
and higher quality VST effects and hosts.  You could buy sophisticated =
VST effect systems like Reaktor, PSP84 and PSP42, Pluggo, Hipno, etc. =
And you could get more sophisticated VST hosts, like MAX/MSP, if you =
choose.  Next thing you know, you have gradually replaced every cell in =
your guitar system body with a new cell...hope you like the analogy.

So, there is a relatively easy way to make the transition without it =
being too painful, radical, or costly.

Kris

  ----- Original Message -----=20
  From: tEd =AE kiLLiAn=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, July 22, 2006 1:51 PM
  Subject: Re: Sample sound clip from my notebook computer system


  Jeff,

  On Jul 22, 2006, at 11:31 AM, Jeff Kaiser wrote:


    Ted: Sell your gear. Buy a laptop.


  I might just yet . . . however, I have a track record of selling off =
bunches of=20
  perfectly good gear from time to time in order to afford getting the =
"latest=20
  greatest" thing (ya know it's true) and then about 3/4 of the time I =
wind up=20
  being so disappointed with the new stuff and wishin' I hadn't that =
it's sorta
  heartbreaking.

  After 43 years of playing I finally have a set of sounds I like, I =
finally sound=20
  like myself (I think). And I still have the depth in what gear I have =
to learn new=20
  things -- room for growth. Yes, hauling gear is a pain, but giving up =
that other=20
  aspect (my personal sound) for the total unknown is a daunting =
proposition=20
  that will probably have to take some significant other motivating =
factor to get=20
  me to give in, turn loose, whatever. Pain is a good motivator . . . =
but so far=20
  it's only pain.

  Peace,

  tEd =AE kiLLiAn

  "Different is not always better, but better is always different"

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

  =
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&i=
d=3D121197000042

  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???
------=_NextPart_000_033C_01C6AD97.83C4AF50
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Ted, the trick is to build your =
computer system on=20
the side so that you don't have to go without full functioning system =
for any=20
period of time...then you can transition slowly into the notebook =
system.&nbsp;=20
Once you get your notebook computer and sound card, then we can help you =
build a=20
basic system for very low cost. Get an inexpensive VST host like =
Chainer,=20
EnergyXT, or Plogue Bidule (all less than $100), and then take advantage =
of the=20
thousands of free VST effects out there.&nbsp; You will be amazed at how =
many=20
effects you can replace in your hardware system with just free=20
VSTs...astounding. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>...then, once you get that basic =
notebook system up=20
and running, you can start selling one hardware effect at a time to =
purchase=20
more expensive and higher quality VST effects and hosts.&nbsp; You could =
buy=20
sophisticated VST effect systems like Reaktor, PSP84 and PSP42, Pluggo, =
Hipno,=20
etc. And you could get more sophisticated VST&nbsp;hosts, =
like&nbsp;MAX/MSP, if=20
you&nbsp;choose. &nbsp;Next thing you know, you have gradually replaced =
every=20
cell in your guitar system body with a new cell...hope you like the=20
analogy.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>So, there is a relatively easy way to =
make the=20
transition without it being too painful, radical, or =
costly.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtedkillian@charter.net =
href=3D"mailto:tedkillian@charter.net">tEd =AE=20
  kiLLiAn</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 22, 2006 =
1:51=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Sample sound clip =
from my=20
  notebook computer system</DIV>
  <DIV><BR></DIV>Jeff,<BR><BR>On Jul 22, 2006, at 11:31 AM, Jeff Kaiser=20
  wrote:<BR><BR>
  <BLOCKQUOTE>Ted: Sell your gear. Buy a laptop.<BR></BLOCKQUOTE><BR>I =
might=20
  just yet . . . however, I have a track record of selling off bunches =
of=20
  <BR>perfectly good gear from time to time in order to afford getting =
the=20
  "latest <BR>greatest" thing (ya know it's true) and then about 3/4 of =
the time=20
  I wind up <BR>being so disappointed with the new stuff and wishin' I =
hadn't=20
  that it's sorta<BR>heartbreaking.<BR><BR>After 43 years of playing I =
finally=20
  have a set of sounds I like, I finally sound <BR>like myself (I =
think). And I=20
  still have the depth in what gear I have to learn new <BR>things -- =
room for=20
  growth. Yes, hauling gear is a pain, but giving up that other =
<BR>aspect (my=20
  personal sound) for the total unknown is a daunting proposition =
<BR>that will=20
  probably have to take some significant other motivating factor to get =
<BR>me=20
  to give in, turn loose, whatever. Pain is a good motivator . . . but =
so far=20
  <BR>it's only pain.<BR><BR>Peace,<BR><BR>tEd =AE =
kiLLiAn<BR><BR><?color><?param 9B9A,9B9A,9B9A>"Different is not always =
better,=20
  but better is always=20
  =
different"<BR><BR>http://www.pfmentum.com/flux.html<BR>http://www.CDbaby.=
com/cd/tedkillian<BR>http://www.guitar9.com/fluxaeterna.html<BR>http://ww=
w.garageband.com/artist/ArsOcarina<BR>http://www.towerrecords.com/product=
.aspx?pfid=3D2845073<BR>http://www.netmusic.com/web/album.aspx?a_id=3DCBN=
M_17314<BR>http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D1=
93<BR><BR>http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview=
_profile&amp;id=3D121197000042<BR><BR>Ted=20
  Killian's "Flux Aeterna" is also available at: Apple =
iTunes,<BR>BuyMusic,=20
  Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<BR>AudioLunchbox, =
Lindows,=20
  QTRnote, Music4Cents, Etherstream,<BR>RuleRadio, EMEPE3, Sony Connect, =

  CatchMusic, Puretracks,<BR>and Viztas. Yadda, yadda, yadda. Blah, =
blah, blah.=20
  So???<?/color></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_033C_01C6AD97.83C4AF50--


From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 20:04:43 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <01ee01c6ad3b$5d288490$10b0ec0f@americas.hpqcorp.net> <6df5d811fadd2af7f36b2622cacfb095@charter.net> <02f601c6adbc$0a2d0fa0$10b0ec0f@americas.hpqcorp.net> <b632a24a2d1bccdcc3ab9a2c13ed2786@pfmentum.com> <030b01c6adc3$4d3191c0$10b0ec0f@americas.hpqcorp.net> <ba92857834549321a18fc4242c0841fa@pfmentum.com>
Subject: Re: Sample sound clip from my notebook computer system
Date: Sat, 22 Jul 2006 14:04:38 -0600
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Shall we develop the 12 steps to transitioning from a hardware to notebook 
guitar system? :)  First step: realizing that you are addicted to hardware. 
Second step: you are powerless and cannot do this by yourself....and so on.

k-
----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 22, 2006 1:54 PM
Subject: Re: Sample sound clip from my notebook computer system


Ted: It's not only affecting you, but the people who LOVE you.

Jeff



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com • AngryVegan.com


On Jul 22, 2006, at 12:16 PM, Krispen Hartung wrote:

> Ted, don't make us have a group intervention at Y2K6. :)   Addiction to 
> hardware is a serious thing.
>
> K-


From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 20:48:47 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <01ee01c6ad3b$5d288490$10b0ec0f@americas.hpqcorp.net> <6df5d811fadd2af7f36b2622cacfb095@charter.net> <02f601c6adbc$0a2d0fa0$10b0ec0f@americas.hpqcorp.net> <b632a24a2d1bccdcc3ab9a2c13ed2786@pfmentum.com> <43a02e5da99c2102117899981dad166f@charter.net> <033f01c6adc9$cf4a69b0$10b0ec0f@americas.hpqcorp.net>
Subject: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
Date: Sat, 22 Jul 2006 14:48:41 -0600
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While we're on this topic. I am thinking of getting the m-Audio Firewire =
Solo as input for my guitar, not because I don't like my Echo Indio IO =
card, but because I'd like the option of having an actual mic XLR and as =
well as 1/4 inch inputs.  However, my notebook doesn't have firewire, =
only USB 2.0.=20

I found a few cardbus Firewire/USB 2.0 converters that will do the =
trick, like this one: =
http://www.usb-ware.com/ads-usb-2-firewire-cardbus.htm

Can anyone else make any recommendations?

Here is the m-Audio Firewire Solo: =
http://www.m-audio.com/products/en_us/FireWireSolo-main.html

Kris



  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, July 22, 2006 2:02 PM
  Subject: Re: Sample sound clip from my notebook computer system


  Ted, the trick is to build your computer system on the side so that =
you don't have to go without full functioning system for any period of =
time...then you can transition slowly into the notebook system.  Once =
you get your notebook computer and sound card, then we can help you =
build a basic system for very low cost. Get an inexpensive VST host like =
Chainer, EnergyXT, or Plogue Bidule (all less than $100), and then take =
advantage of the thousands of free VST effects out there.  You will be =
amazed at how many effects you can replace in your hardware system with =
just free VSTs...astounding.=20

  ...then, once you get that basic notebook system up and running, you =
can start selling one hardware effect at a time to purchase more =
expensive and higher quality VST effects and hosts.  You could buy =
sophisticated VST effect systems like Reaktor, PSP84 and PSP42, Pluggo, =
Hipno, etc. And you could get more sophisticated VST hosts, like =
MAX/MSP, if you choose.  Next thing you know, you have gradually =
replaced every cell in your guitar system body with a new cell...hope =
you like the analogy.

  So, there is a relatively easy way to make the transition without it =
being too painful, radical, or costly.

  Kris

    ----- Original Message -----=20
    From: tEd =AE kiLLiAn=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Saturday, July 22, 2006 1:51 PM
    Subject: Re: Sample sound clip from my notebook computer system


    Jeff,

    On Jul 22, 2006, at 11:31 AM, Jeff Kaiser wrote:


      Ted: Sell your gear. Buy a laptop.


    I might just yet . . . however, I have a track record of selling off =
bunches of=20
    perfectly good gear from time to time in order to afford getting the =
"latest=20
    greatest" thing (ya know it's true) and then about 3/4 of the time I =
wind up=20
    being so disappointed with the new stuff and wishin' I hadn't that =
it's sorta
    heartbreaking.

    After 43 years of playing I finally have a set of sounds I like, I =
finally sound=20
    like myself (I think). And I still have the depth in what gear I =
have to learn new=20
    things -- room for growth. Yes, hauling gear is a pain, but giving =
up that other=20
    aspect (my personal sound) for the total unknown is a daunting =
proposition=20
    that will probably have to take some significant other motivating =
factor to get=20
    me to give in, turn loose, whatever. Pain is a good motivator . . . =
but so far=20
    it's only pain.

    Peace,

    tEd =AE kiLLiAn

    "Different is not always better, but better is always different"

    http://www.pfmentum.com/flux.html
    http://www.CDbaby.com/cd/tedkillian
    http://www.guitar9.com/fluxaeterna.html
    http://www.garageband.com/artist/ArsOcarina
    http://www.towerrecords.com/product.aspx?pfid=3D2845073
    http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
    http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

    =
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&i=
d=3D121197000042

    Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
    BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
    AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
    RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
    and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>While we're on this topic. I am =
thinking of getting=20
the m-Audio Firewire Solo as input for my guitar, not because I don't =
like my=20
Echo Indio IO card, but because I'd like the option of having an actual =
mic XLR=20
and as well as 1/4 inch inputs.&nbsp; However, my notebook doesn't have=20
firewire, only USB 2.0. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I found a few cardbus Firewire/USB 2.0 =
converters=20
that will do the trick, like this one</FONT><FONT face=3DArial =
size=3D2>: <A=20
href=3D"http://www.usb-ware.com/ads-usb-2-firewire-cardbus.htm">http://ww=
w.usb-ware.com/ads-usb-2-firewire-cardbus.htm</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Can anyone else make any=20
recommendations?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Here is the m-Audio Firewire Solo: <A=20
href=3D"http://www.m-audio.com/products/en_us/FireWireSolo-main.html">htt=
p://www.m-audio.com/products/en_us/FireWireSolo-main.html</A></FONT></DIV=
>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 22, 2006 =
2:02=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Sample sound clip =
from my=20
  notebook computer system</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Ted, the trick is to build your =
computer system=20
  on the side so that you don't have to go without full functioning =
system for=20
  any period of time...then you can transition slowly into the notebook=20
  system.&nbsp; Once you get your notebook computer and sound card, then =
we can=20
  help you build a basic system for very low cost. Get an inexpensive =
VST host=20
  like Chainer, EnergyXT, or Plogue Bidule (all less than $100), and =
then take=20
  advantage of the thousands of free VST effects out there.&nbsp; You =
will be=20
  amazed at how many effects you can replace in your hardware system =
with just=20
  free VSTs...astounding. </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>...then, once you get that basic =
notebook system=20
  up and running, you can start selling one hardware effect at a time to =

  purchase more expensive and higher quality VST effects and =
hosts.&nbsp; You=20
  could buy sophisticated VST effect systems like Reaktor, PSP84 and =
PSP42,=20
  Pluggo, Hipno, etc. And you could get more sophisticated =
VST&nbsp;hosts,=20
  like&nbsp;MAX/MSP, if you&nbsp;choose. &nbsp;Next thing you know, you =
have=20
  gradually replaced every cell in your guitar system body with a new=20
  cell...hope you like the analogy.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>So, there is a relatively easy way to =
make the=20
  transition without it being too painful, radical, or =
costly.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dtedkillian@charter.net =
href=3D"mailto:tedkillian@charter.net">tEd =AE=20
    kiLLiAn</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 22, 2006 =
1:51=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Sample sound =
clip from my=20
    notebook computer system</DIV>
    <DIV><BR></DIV>Jeff,<BR><BR>On Jul 22, 2006, at 11:31 AM, Jeff =
Kaiser=20
    wrote:<BR><BR>
    <BLOCKQUOTE>Ted: Sell your gear. Buy a laptop.<BR></BLOCKQUOTE><BR>I =
might=20
    just yet . . . however, I have a track record of selling off bunches =
of=20
    <BR>perfectly good gear from time to time in order to afford getting =
the=20
    "latest <BR>greatest" thing (ya know it's true) and then about 3/4 =
of the=20
    time I wind up <BR>being so disappointed with the new stuff and =
wishin' I=20
    hadn't that it's sorta<BR>heartbreaking.<BR><BR>After 43 years of =
playing I=20
    finally have a set of sounds I like, I finally sound <BR>like myself =
(I=20
    think). And I still have the depth in what gear I have to learn new=20
    <BR>things -- room for growth. Yes, hauling gear is a pain, but =
giving up=20
    that other <BR>aspect (my personal sound) for the total unknown is a =

    daunting proposition <BR>that will probably have to take some =
significant=20
    other motivating factor to get <BR>me to give in, turn loose, =
whatever. Pain=20
    is a good motivator . . . but so far <BR>it's only=20
    pain.<BR><BR>Peace,<BR><BR>tEd =AE kiLLiAn<BR><BR><?color><?param =
9B9A,9B9A,9B9A>"Different is not always=20
    better, but better is always=20
    =
different"<BR><BR>http://www.pfmentum.com/flux.html<BR>http://www.CDbaby.=
com/cd/tedkillian<BR>http://www.guitar9.com/fluxaeterna.html<BR>http://ww=
w.garageband.com/artist/ArsOcarina<BR>http://www.towerrecords.com/product=
.aspx?pfid=3D2845073<BR>http://www.netmusic.com/web/album.aspx?a_id=3DCBN=
M_17314<BR>http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D1=
93<BR><BR>http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview=
_profile&amp;id=3D121197000042<BR><BR>Ted=20
    Killian's "Flux Aeterna" is also available at: Apple =
iTunes,<BR>BuyMusic,=20
    Rhapsody, MusicMatch, MusicNet, DiscLogic, =
Napster,<BR>AudioLunchbox,=20
    Lindows, QTRnote, Music4Cents, Etherstream,<BR>RuleRadio, EMEPE3, =
Sony=20
    Connect, CatchMusic, Puretracks,<BR>and Viztas. Yadda, yadda, yadda. =
Blah,=20
    blah, blah. So???<?/color></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0352_01C6AD9D.EC3BF1A0--


From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 21:35:29 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Sample sound clip from my notebook computer system
Date: Sat, 22 Jul 2006 14:35:26 -0700
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--Apple-Mail-4--796732462
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain;
	charset=ISO-8859-1;
	format=flowed

Krisp,

I'm enjoying this discussion -- even though it is taking on certain=20
aspects of
an behavior altering "intervention" at my expense . . . heheheh. I love=20=

all of
you guys too.

Another slight hiccup in the plan is I already have a few computers and=20=

one
laptop, all of which are Macintoshes. I am a long time graphic designer=20=

type
and only slightly speak "PC" if you know what I mean. I know just=20
enough to
be able to turn one on an launch a simple program or game. check my=20
e-mail
and turn the thing off again. In other words . . . on a PC . . . I'm=20
useless.

I am a fairly "expert" level user on a Mac (in general) 'cuz I've been=20=

using
them continuously since the mid to late '80s. I have an M-Box and=20
ProTools
and can record audio. I even have a Live, Reason, and a bunch of other=20=

bits
of software that came bundled with the M-Box and some other software
packages I've purchased over the years.

It won't be cheap getting a Mac computer that'll do all the stuff I=20
want to do. I'm
sure my current little iBook doesn't have the horsepower to run all of=20=

that stuff.
Plus, family budget considerations will not likely allow that I can buy=20=

a lappy
of any sort JUST to do music stuff with it. All of my computer=20
purchases so
far have been serious professional graphic business tools that I could=20=

write
off as business expenses at tax time.

Yeah, yeah, yeah. Excuses, excuses, excuses . . .

Peace y'all!

Ted

On Jul 22, 2006, at 1:02 PM, Krispen Hartung wrote:

> Ted, the trick is to build your computer system on the side so that=20
> you don't have to go without full functioning system for any period of=20=

> time...then you can transition slowly into the notebook system.=A0 =
Once=20
> you get your notebook computer and sound card, then we can help you=20
> build a basic system for very low cost. Get an inexpensive VST host=20
> like Chainer, EnergyXT, or Plogue Bidule (all less than $100), and=20
> then take advantage of the thousands of free VST effects out there.=A0=20=

> You will be amazed at how many effects you can replace in your=20
> hardware system with just free VSTs...astounding.
> =A0
> ...then, once you get that basic notebook system up and running, you=20=

> can start selling one hardware effect at a time to purchase more=20
> expensive and higher quality VST effects and hosts.=A0 You could buy=20=

> sophisticated VST effect systems like Reaktor, PSP84 and PSP42,=20
> Pluggo, Hipno, etc. And you could get more sophisticated VST=A0hosts,=20=

> like=A0MAX/MSP, if you=A0choose. =A0Next thing you know, you have =
gradually=20
> replaced every cell in your guitar system body with a new cell...hope=20=

> you like the analogy.
> =A0
> So, there is a relatively easy way to make the transition without it=20=

> being too painful, radical, or costly.
> =A0
> Kris
> =A0=

--Apple-Mail-4--796732462
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Krisp,


I'm enjoying this discussion -- even though it is taking on certain
aspects of

an behavior altering "intervention" at my expense . . . heheheh. I
love all of

you guys too.


Another slight hiccup in the plan is I already have a few computers
and one

laptop, all of which are Macintoshes. I am a long time graphic
designer type

and only slightly speak "PC" if you know what I mean. I know just
enough to

be able to turn one on an launch a simple program or game. check my
e-mail

and turn the thing off again. In other words . . . on a PC . . . I'm
useless.


I am a fairly "expert" level user on a Mac (in general) 'cuz I've been
using=20

them continuously since the mid to late '80s. I have an M-Box and
ProTools

and can record audio. I even have a Live, Reason, and a bunch of other
bits=20

of software that came bundled with the M-Box and some other software=20

packages I've purchased over the years.


It won't be cheap getting a Mac computer that'll do all the stuff I
want to do. I'm

sure my current little iBook doesn't have the horsepower to run all of
that stuff.

Plus, family budget considerations will not likely allow that I can
buy a lappy=20

of any sort JUST to do music stuff with it. All of my computer
purchases so

far have been serious professional graphic business tools that I could
write=20

off as business expenses at tax time.


Yeah, yeah, yeah. Excuses, excuses, excuses . . .=20


Peace y'all!


Ted


On Jul 22, 2006, at 1:02 PM, Krispen Hartung wrote:


<excerpt><smaller>Ted, the trick is to build your computer system on
the side so that you don't have to go without full functioning system
for any period of time...then you can transition slowly into the
notebook system.=A0 Once you get your notebook computer and sound card,
then we can help you build a basic system for very low cost. Get an
inexpensive VST host like Chainer, EnergyXT, or Plogue Bidule (all
less than $100), and then take advantage of the thousands of free VST
effects out there.=A0 You will be amazed at how many effects you can
replace in your hardware system with just free =
VSTs...astounding.</smaller>

=A0

<smaller>...then, once you get that basic notebook system up and
running, you can start selling one hardware effect at a time to
purchase more expensive and higher quality VST effects and hosts.=A0 You
could buy sophisticated VST effect systems like Reaktor, PSP84 and
PSP42, Pluggo, Hipno, etc. And you could get more sophisticated
VST=A0hosts, like=A0MAX/MSP, if you=A0choose. =A0Next thing you know, =
you have
gradually replaced every cell in your guitar system body with a new
cell...hope you like the analogy.</smaller>

=A0

<smaller>So, there is a relatively easy way to make the transition
without it being too painful, radical, or costly.</smaller>

=A0

<smaller>Kris</smaller>

=A0</excerpt>=

--Apple-Mail-4--796732462--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 22:40:24 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
Date: Sat, 22 Jul 2006 15:40:15 -0700
To: Loopers-Delight@loopers-delight.com
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Check out  the Presonus Firebox

http://www.musiciansfriend.com/product/PreSonus-FIREBOX-24bit96kHz-=20
FireWire-Recording-System?sku=3D184133

or

http://tinyurl.com/ga9xm

for my money the pre-amps sound better



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jul 22, 2006, at 1:48 PM, Krispen Hartung wrote:

> While we're on this topic. I am thinking of getting the m-Audio =20
> Firewire Solo as input for my guitar, not because I don't like my Echo =
=20
> Indio IO card, but because I'd like the option of having an actual mic =
=20
> XLR and as well as 1/4 inch inputs.=A0 However, my notebook doesn't =
have =20
> firewire, only USB 2.0.
> =A0
> I found a few cardbus Firewire/USB 2.0 converters that will do the =20
> trick, like this one: =20
> http://www.usb-ware.com/ads-usb-2-firewire-cardbus.htm
> =A0
> Can anyone else make any recommendations?
> =A0
> Here is the m-Audio Firewire Solo: =20
> http://www.m-audio.com/products/en_us/FireWireSolo-main.html
> =A0
> Kris
> =A0
> =A0
> =A0
>> ----- Original Message -----
>> From: Krispen Hartung
>> To: Loopers-Delight@loopers-delight.com
>> Sent: Saturday, July 22, 2006 2:02 PM
>> Subject: Re: Sample sound clip from my notebook computer system
>>
>> Ted, the trick is to build your computer system on the side so that =20=

>> you don't have to go without full functioning system for any period =20=

>> of time...then you can transition slowly into the notebook system.=A0 =
=20
>> Once you get your notebook computer and sound card, then we can help =20=

>> you build a basic system for very low cost. Get an inexpensive VST =20=

>> host like Chainer, EnergyXT, or Plogue Bidule (all less than $100), =20=

>> and then take advantage of the thousands of free VST effects out =20
>> there.=A0 You will be amazed at how many effects you can replace in =20=

>> your hardware system with just free VSTs...astounding.
>> =A0
>> ...then, once you get that basic notebook system up and running, you =20=

>> can start selling one hardware effect at a time to purchase more =20
>> expensive and higher quality VST effects and hosts.=A0 You could buy =20=

>> sophisticated VST effect systems like Reaktor, PSP84 and PSP42, =20
>> Pluggo, Hipno, etc. And you could get more sophisticated VST=A0hosts, =
=20
>> like=A0MAX/MSP, if you=A0choose. =A0Next thing you know, you have =
gradually =20
>> replaced every cell in your guitar system body with a new cell...hope =
=20
>> you like the analogy.
>> =A0
>> So, there is a relatively easy way to make the transition without it =20=

>> being too painful, radical, or costly.
>> =A0
>> Kris
>> =A0
>>> ----- Original Message -----
>>> From: tEd =AE kiLLiAn
>>> To: Loopers-Delight@loopers-delight.com
>>> Sent: Saturday, July 22, 2006 1:51 PM
>>> Subject: Re: Sample sound clip from my notebook computer system
>>>
>>> Jeff,
>>>
>>> On Jul 22, 2006, at 11:31 AM, Jeff Kaiser wrote:
>>>
>>>> Ted: Sell your gear. Buy a laptop.
>>>
>>> I might just yet . . . however, I have a track record of selling off =
=20
>>> bunches of
>>> perfectly good gear from time to time in order to afford getting the =
=20
>>> "latest
>>> greatest" thing (ya know it's true) and then about 3/4 of the time I =
=20
>>> wind up
>>> being so disappointed with the new stuff and wishin' I hadn't that =20=

>>> it's sorta
>>> heartbreaking.
>>>
>>> After 43 years of playing I finally have a set of sounds I like, I =20=

>>> finally sound
>>> like myself (I think). And I still have the depth in what gear I =20
>>> have to learn new
>>> things -- room for growth. Yes, hauling gear is a pain, but giving =20=

>>> up that other
>>> aspect (my personal sound) for the total unknown is a daunting =20
>>> proposition
>>> that will probably have to take some significant other motivating =20=

>>> factor to get
>>> me to give in, turn loose, whatever. Pain is a good motivator . . . =20=

>>> but so far
>>> it's only pain.
>>>
>>> Peace,
>>>
>>> tEd =AE kiLLiAn
>>>
>>> "Different is not always better, but better is always different"
>>>
>>> http://www.pfmentum.com/flux.html
>>> http://www.CDbaby.com/cd/tedkillian
>>> http://www.guitar9.com/fluxaeterna.html
>>> http://www.garageband.com/artist/ArsOcarina
>>> http://www.towerrecords.com/product.aspx?pfid=3D2845073
>>> http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
>>> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
>>>
>>> http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
>>> step=3Dview_profile&id=3D121197000042
>>>
>>> Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
>>> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
>>> AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
>>> RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
>>> and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=

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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
Date: Sat, 22 Jul 2006 15:43:49 -0700
To: Loopers-Delight@loopers-delight.com
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whoops!

I am blind: "don't have firewire..."

jeez, buy a mac already...

:-)





Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jul 22, 2006, at 3:40 PM, Jeff Kaiser wrote:

> Check out  the Presonus Firebox
>
> http://www.musiciansfriend.com/product/PreSonus-FIREBOX-24bit96kHz-=20
> FireWire-Recording-System?sku=3D184133
>
> or
>
> http://tinyurl.com/ga9xm
>
> for my money the pre-amps sound better
>
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com =95 AngryVegan.com
>
>
> On Jul 22, 2006, at 1:48 PM, Krispen Hartung wrote:
>
>> While we're on this topic. I am thinking of getting the m-Audio =20
>> Firewire Solo as input for my guitar, not because I don't like my =20
>> Echo Indio IO card, but because I'd like the option of having an =20
>> actual mic XLR and as well as 1/4 inch inputs.=A0 However, my =
notebook =20
>> doesn't have firewire, only USB 2.0.
>> =A0
>> I found a few cardbus Firewire/USB 2.0 converters that will do the =20=

>> trick, like this one: =20
>> http://www.usb-ware.com/ads-usb-2-firewire-cardbus.htm
>> =A0
>> Can anyone else make any recommendations?
>> =A0
>> Here is the m-Audio Firewire Solo: =20
>> http://www.m-audio.com/products/en_us/FireWireSolo-main.html
>> =A0
>> Kris
>> =A0
>> =A0
>> =A0
>>> ----- Original Message -----
>>> From: Krispen Hartung
>>> To: Loopers-Delight@loopers-delight.com
>>> Sent: Saturday, July 22, 2006 2:02 PM
>>> Subject: Re: Sample sound clip from my notebook computer system
>>>
>>> Ted, the trick is to build your computer system on the side so that =20=

>>> you don't have to go without full functioning system for any period =20=

>>> of time...then you can transition slowly into the notebook system.=A0 =
=20
>>> Once you get your notebook computer and sound card, then we can help =
=20
>>> you build a basic system for very low cost. Get an inexpensive VST =20=

>>> host like Chainer, EnergyXT, or Plogue Bidule (all less than $100), =20=

>>> and then take advantage of the thousands of free VST effects out =20
>>> there.=A0 You will be amazed at how many effects you can replace in =20=

>>> your hardware system with just free VSTs...astounding.
>>> =A0
>>> ...then, once you get that basic notebook system up and running, you =
=20
>>> can start selling one hardware effect at a time to purchase more =20
>>> expensive and higher quality VST effects and hosts.=A0 You could buy =
=20
>>> sophisticated VST effect systems like Reaktor, PSP84 and PSP42, =20
>>> Pluggo, Hipno, etc. And you could get more sophisticated VST=A0hosts, =
=20
>>> like=A0MAX/MSP, if you=A0choose. =A0Next thing you know, you have =20=

>>> gradually replaced every cell in your guitar system body with a new =20=

>>> cell...hope you like the analogy.
>>> =A0
>>> So, there is a relatively easy way to make the transition without it =
=20
>>> being too painful, radical, or costly.
>>> =A0
>>> Kris
>>> =A0
>>>> ----- Original Message -----
>>>> From: tEd =AE kiLLiAn
>>>> To: Loopers-Delight@loopers-delight.com
>>>> Sent: Saturday, July 22, 2006 1:51 PM
>>>> Subject: Re: Sample sound clip from my notebook computer system
>>>>
>>>> Jeff,
>>>>
>>>> On Jul 22, 2006, at 11:31 AM, Jeff Kaiser wrote:
>>>>
>>>>> Ted: Sell your gear. Buy a laptop.
>>>>
>>>> I might just yet . . . however, I have a track record of selling =20=

>>>> off bunches of
>>>> perfectly good gear from time to time in order to afford getting =20=

>>>> the "latest
>>>> greatest" thing (ya know it's true) and then about 3/4 of the time =20=

>>>> I wind up
>>>> being so disappointed with the new stuff and wishin' I hadn't that =20=

>>>> it's sorta
>>>> heartbreaking.
>>>>
>>>> After 43 years of playing I finally have a set of sounds I like, I =20=

>>>> finally sound
>>>> like myself (I think). And I still have the depth in what gear I =20=

>>>> have to learn new
>>>> things -- room for growth. Yes, hauling gear is a pain, but giving =20=

>>>> up that other
>>>> aspect (my personal sound) for the total unknown is a daunting =20
>>>> proposition
>>>> that will probably have to take some significant other motivating =20=

>>>> factor to get
>>>> me to give in, turn loose, whatever. Pain is a good motivator . . . =
=20
>>>> but so far
>>>> it's only pain.
>>>>
>>>> Peace,
>>>>
>>>> tEd =AE kiLLiAn
>>>>
>>>> "Different is not always better, but better is always different"
>>>>
>>>> http://www.pfmentum.com/flux.html
>>>> http://www.CDbaby.com/cd/tedkillian
>>>> http://www.guitar9.com/fluxaeterna.html
>>>> http://www.garageband.com/artist/ArsOcarina
>>>> http://www.towerrecords.com/product.aspx?pfid=3D2845073
>>>> http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
>>>> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
>>>>
>>>> http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
>>>> step=3Dview_profile&id=3D121197000042
>>>>
>>>> Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
>>>> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
>>>> AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
>>>> RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
>>>> and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 23:05:08 2006
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Date: Sat, 22 Jul 2006 18:04:59 -0500
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
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At 2:48 PM -0600 7/22/06, Krispen Hartung wrote:
>
>Can anyone else make any recommendations?

Um, howzabout: before you start futzing with another soundcard, 
backup your system...?

<*duckflee!!!*>   ;)

	--m.
-- 
_______
"Snakes on a Plane..."

From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 23:27:48 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
Date: Sun, 23 Jul 2006 01:27:43 +0200
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There doesn't seem to be a big choice of USB2 pro audio interfaces. One I
think looks cool is the Marian Ucon:

http://www.marian.de/en/products/ucon_cx

Short abstract:

4 Mic/Instrument ins (XLR w/ PP), 4 line ins (1/4 bal.), 8 line outs (1/4
bal), ADAT I/O (shares a connector with SPDIF I/O opt.), 1 MIDI In, 2 MIDI
Out, separate out for the internal mixer 2bus, phones. 9.5'' 1HU.

The only downside I'm able to see: no coax S/PDIF. 

This might be more than what you aim for, but it's the only cool USB2
interface (at least it was the last time I looked). Also consider this: the
PC implementations of Firewire don't provide bus power - USB2 does.

	Rainer
________________________________

	Von: Krispen Hartung [mailto:khartung@cableone.net] 
	Gesendet: Samstag, 22. Juli 2006 22:49
	An: Loopers-Delight@loopers-delight.com
	Betreff: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
	
	
	While we're on this topic. I am thinking of getting the m-Audio
Firewire Solo as input for my guitar, not because I don't like my Echo Indio
IO card, but because I'd like the option of having an actual mic XLR and as
well as 1/4 inch inputs.  However, my notebook doesn't have firewire, only
USB 2.0. 
	 
	I found a few cardbus Firewire/USB 2.0 converters that will do the
trick, like this one: http://www.usb-ware.com/ads-usb-2-firewire-cardbus.htm
	 
	Can anyone else make any recommendations?
	 
	Here is the m-Audio Firewire Solo:
http://www.m-audio.com/products/en_us/FireWireSolo-main.html
	 
	Kris

From Loopers-Delight-request@loopers-delight.com  Sat Jul 22 23:29:18 2006
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Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
Date: Sun, 23 Jul 2006 00:29:14 +0100
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Hi Kris,
I just acquired a Tascam us122.
2 in 2 out, XLR/line or hi impedance guitar, direct monitoring, phantom =
power xlr, usb and - no power supply!!
24 bit - bloody marvelous - its my main card now
Oh and
MIDI too!!!!!

G
  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, July 22, 2006 9:48 PM
  Subject: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo


  While we're on this topic. I am thinking of getting the m-Audio =
Firewire Solo as input for my guitar, not because I don't like my Echo =
Indio IO card, but because I'd like the option of having an actual mic =
XLR and as well as 1/4 inch inputs.  However, my notebook doesn't have =
firewire, only USB 2.0.=20

  I found a few cardbus Firewire/USB 2.0 converters that will do the =
trick, like this one: =
http://www.usb-ware.com/ads-usb-2-firewire-cardbus.htm

  Can anyone else make any recommendations?

  Here is the m-Audio Firewire Solo: =
http://www.m-audio.com/products/en_us/FireWireSolo-main.html

  Kris



    ----- Original Message -----=20
    From: Krispen Hartung=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Saturday, July 22, 2006 2:02 PM
    Subject: Re: Sample sound clip from my notebook computer system


    Ted, the trick is to build your computer system on the side so that =
you don't have to go without full functioning system for any period of =
time...then you can transition slowly into the notebook system.  Once =
you get your notebook computer and sound card, then we can help you =
build a basic system for very low cost. Get an inexpensive VST host like =
Chainer, EnergyXT, or Plogue Bidule (all less than $100), and then take =
advantage of the thousands of free VST effects out there.  You will be =
amazed at how many effects you can replace in your hardware system with =
just free VSTs...astounding.=20

    ...then, once you get that basic notebook system up and running, you =
can start selling one hardware effect at a time to purchase more =
expensive and higher quality VST effects and hosts.  You could buy =
sophisticated VST effect systems like Reaktor, PSP84 and PSP42, Pluggo, =
Hipno, etc. And you could get more sophisticated VST hosts, like =
MAX/MSP, if you choose.  Next thing you know, you have gradually =
replaced every cell in your guitar system body with a new cell...hope =
you like the analogy.

    So, there is a relatively easy way to make the transition without it =
being too painful, radical, or costly.

    Kris

      ----- Original Message -----=20
      From: tEd =AE kiLLiAn=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Saturday, July 22, 2006 1:51 PM
      Subject: Re: Sample sound clip from my notebook computer system


      Jeff,

      On Jul 22, 2006, at 11:31 AM, Jeff Kaiser wrote:


        Ted: Sell your gear. Buy a laptop.


      I might just yet . . . however, I have a track record of selling =
off bunches of=20
      perfectly good gear from time to time in order to afford getting =
the "latest=20
      greatest" thing (ya know it's true) and then about 3/4 of the time =
I wind up=20
      being so disappointed with the new stuff and wishin' I hadn't that =
it's sorta
      heartbreaking.

      After 43 years of playing I finally have a set of sounds I like, I =
finally sound=20
      like myself (I think). And I still have the depth in what gear I =
have to learn new=20
      things -- room for growth. Yes, hauling gear is a pain, but giving =
up that other=20
      aspect (my personal sound) for the total unknown is a daunting =
proposition=20
      that will probably have to take some significant other motivating =
factor to get=20
      me to give in, turn loose, whatever. Pain is a good motivator . . =
. but so far=20
      it's only pain.

      Peace,

      tEd =AE kiLLiAn

      "Different is not always better, but better is always different"

      http://www.pfmentum.com/flux.html
      http://www.CDbaby.com/cd/tedkillian
      http://www.guitar9.com/fluxaeterna.html
      http://www.garageband.com/artist/ArsOcarina
      http://www.towerrecords.com/product.aspx?pfid=3D2845073
      http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
      http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

      =
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&i=
d=3D121197000042

      Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
      BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
      AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
      RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
      and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi Kris,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I just acquired a Tascam =
us122.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>2&nbsp;in 2 out, XLR/line or hi =
impedance guitar,=20
direct monitoring, phantom power xlr,&nbsp;usb and - no power=20
supply!!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>24 bit - bloody marvelous - its my main =
card=20
now</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Oh and</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>MIDI too!!!!!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>G</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 22, 2006 =
9:48=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Firewire/USB 2.0 =
Adaptors for=20
  M-Audio Firewire Solo</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>While we're on this topic. I am =
thinking of=20
  getting the m-Audio Firewire Solo as input for my guitar, not because =
I don't=20
  like my Echo Indio IO card, but because I'd like the option of having =
an=20
  actual mic XLR and as well as 1/4 inch inputs.&nbsp; However, my =
notebook=20
  doesn't have firewire, only USB 2.0. </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>I found a few cardbus Firewire/USB =
2.0 converters=20
  that will do the trick, like this one</FONT><FONT face=3DArial =
size=3D2>: <A=20
  =
href=3D"http://www.usb-ware.com/ads-usb-2-firewire-cardbus.htm">http://ww=
w.usb-ware.com/ads-usb-2-firewire-cardbus.htm</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Can anyone else make any=20
  recommendations?</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Here is the m-Audio Firewire Solo: <A =

  =
href=3D"http://www.m-audio.com/products/en_us/FireWireSolo-main.html">htt=
p://www.m-audio.com/products/en_us/FireWireSolo-main.html</A></FONT></DIV=
>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
    Hartung</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 22, 2006 =
2:02=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Sample sound =
clip from my=20
    notebook computer system</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>Ted, the trick is to build your =
computer system=20
    on the side so that you don't have to go without full functioning =
system for=20
    any period of time...then you can transition slowly into the =
notebook=20
    system.&nbsp; Once you get your notebook computer and sound card, =
then we=20
    can help you build a basic system for very low cost. Get an =
inexpensive VST=20
    host like Chainer, EnergyXT, or Plogue Bidule (all less than $100), =
and then=20
    take advantage of the thousands of free VST effects out there.&nbsp; =
You=20
    will be amazed at how many effects you can replace in your hardware =
system=20
    with just free VSTs...astounding. </FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>...then, once you get that basic =
notebook=20
    system up and running, you can start selling one hardware effect at =
a time=20
    to purchase more expensive and higher quality VST effects and =
hosts.&nbsp;=20
    You could buy sophisticated VST effect systems like Reaktor, PSP84 =
and=20
    PSP42, Pluggo, Hipno, etc. And you could get more sophisticated=20
    VST&nbsp;hosts, like&nbsp;MAX/MSP, if you&nbsp;choose. &nbsp;Next =
thing you=20
    know, you have gradually replaced every cell in your guitar system =
body with=20
    a new cell...hope you like the analogy.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>So, there is a relatively easy way =
to make the=20
    transition without it being too painful, radical, or =
costly.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Dtedkillian@charter.net =
href=3D"mailto:tedkillian@charter.net">tEd =AE=20
      kiLLiAn</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 22, =
2006 1:51=20
      PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Sample sound =
clip from=20
      my notebook computer system</DIV>
      <DIV><BR></DIV>Jeff,<BR><BR>On Jul 22, 2006, at 11:31 AM, Jeff =
Kaiser=20
      wrote:<BR><BR>
      <BLOCKQUOTE>Ted: Sell your gear. Buy a =
laptop.<BR></BLOCKQUOTE><BR>I might=20
      just yet . . . however, I have a track record of selling off =
bunches of=20
      <BR>perfectly good gear from time to time in order to afford =
getting the=20
      "latest <BR>greatest" thing (ya know it's true) and then about 3/4 =
of the=20
      time I wind up <BR>being so disappointed with the new stuff and =
wishin' I=20
      hadn't that it's sorta<BR>heartbreaking.<BR><BR>After 43 years of =
playing=20
      I finally have a set of sounds I like, I finally sound <BR>like =
myself (I=20
      think). And I still have the depth in what gear I have to learn =
new=20
      <BR>things -- room for growth. Yes, hauling gear is a pain, but =
giving up=20
      that other <BR>aspect (my personal sound) for the total unknown is =
a=20
      daunting proposition <BR>that will probably have to take some =
significant=20
      other motivating factor to get <BR>me to give in, turn loose, =
whatever.=20
      Pain is a good motivator . . . but so far <BR>it's only=20
      pain.<BR><BR>Peace,<BR><BR>tEd =AE kiLLiAn<BR><BR><?color><?param =
9B9A,9B9A,9B9A>"Different is not always=20
      better, but better is always=20
      =
different"<BR><BR>http://www.pfmentum.com/flux.html<BR>http://www.CDbaby.=
com/cd/tedkillian<BR>http://www.guitar9.com/fluxaeterna.html<BR>http://ww=
w.garageband.com/artist/ArsOcarina<BR>http://www.towerrecords.com/product=
.aspx?pfid=3D2845073<BR>http://www.netmusic.com/web/album.aspx?a_id=3DCBN=
M_17314<BR>http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D1=
93<BR><BR>http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview=
_profile&amp;id=3D121197000042<BR><BR>Ted=20
      Killian's "Flux Aeterna" is also available at: Apple =
iTunes,<BR>BuyMusic,=20
      Rhapsody, MusicMatch, MusicNet, DiscLogic, =
Napster,<BR>AudioLunchbox,=20
      Lindows, QTRnote, Music4Cents, Etherstream,<BR>RuleRadio, EMEPE3, =
Sony=20
      Connect, CatchMusic, Puretracks,<BR>and Viztas. Yadda, yadda, =
yadda. Blah,=20
      blah, blah. =
So???<?/color></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_004D_01C6ADEF.06986F00--


From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 01:06:45 2006
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From: "mungenast@earthlink.net" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: Vedr. Re: reverb just (new tools)
Date: Sat, 22 Jul 2006 21:11:12 -0400
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And then there's REALLY old digital like the RPS-10 that does rich-sounding
reverse and nice, grungy echoes with its lo-res digital circuitry. Zoom 505
does great pitch shift with its measly 16-bit, and many sonic adventurers
get GREAT sounds out of old Midiverbs, lo-rez converters and all.
~Tim M  


> [Original Message]
> From: a k butler <akbutler@tiscali.co.uk>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 7/22/2006 3:58:27 AM
> Subject: Re: Re: Vedr. Re: reverb just (new tools)
>
>
>
> >He may be using a different device these days, but I've met a 
> >surprising number of musicians who prefer to stick with a particular 
> >set of tools, despite newer technologies becoming available.
>
> not really surprising,
> It's easy to think that the latest stuff is going to be better,
> but often the features that creative musicians use get dropped.
>
> Examples
> Lexicon Vortex  does stuff that the top of the range latest FX don't 
> touch. (and let's not have anyone say you can do it in MAX :-)
> EDP, (that's old too)
>
>
>
> andy butler


From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 01:42:43 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <01ee01c6ad3b$5d288490$10b0ec0f@americas.hpqcorp.net> <6df5d811fadd2af7f36b2622cacfb095@charter.net> <02f601c6adbc$0a2d0fa0$10b0ec0f@americas.hpqcorp.net> <b632a24a2d1bccdcc3ab9a2c13ed2786@pfmentum.com> <43a02e5da99c2102117899981dad166f@charter.net> <033f01c6adc9$cf4a69b0$10b0ec0f@americas.hpqcorp.net> <035501c6add0$37bd1820$10b0ec0f@americas.hpqcorp.net> <10537d75468fa05a3606997a71aeba5f@pfmentum.com> <7e1442beccd9c27f5269b42e28c86063@pfmentum.com>
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
Date: Sat, 22 Jul 2006 19:42:38 -0600
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It's weird, all of my other PC notebooks has firewire, and then I buy this 
amazingly fast ThinkPad, designed for fortune 500 companies, and it doesn't 
have one. Very odd. Not big deal, though, as a firewire card for the cardbus 
will do the trick. The one I found seemed to be a bit more expensive than 
others (as low as $18), so I feel safe going with it. Plus, it will give me 
two more USB 2.0 slots as well.

Kris

----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 22, 2006 4:43 PM
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo


whoops!

I am blind: "don't have firewire..."

jeez, buy a mac already...

:-)





Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com • AngryVegan.com


On Jul 22, 2006, at 3:40 PM, Jeff Kaiser wrote:

> Check out  the Presonus Firebox
>
> http://www.musiciansfriend.com/product/PreSonus-FIREBOX-24bit96kHz- 
> FireWire-Recording-System?sku=184133
>
> or
>
> http://tinyurl.com/ga9xm
>
> for my money the pre-amps sound better
>
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com • AngryVegan.com
>
>
> On Jul 22, 2006, at 1:48 PM, Krispen Hartung wrote:
>
>> While we're on this topic. I am thinking of getting the m-Audio  Firewire 
>> Solo as input for my guitar, not because I don't like my  Echo Indio IO 
>> card, but because I'd like the option of having an  actual mic XLR and as 
>> well as 1/4 inch inputs. However, my notebook  doesn't have firewire, 
>> only USB 2.0.
>>
>> I found a few cardbus Firewire/USB 2.0 converters that will do the 
>> trick, like this one: 
>> http://www.usb-ware.com/ads-usb-2-firewire-cardbus.htm
>>
>> Can anyone else make any recommendations?
>>
>> Here is the m-Audio Firewire Solo: 
>> http://www.m-audio.com/products/en_us/FireWireSolo-main.html
>>
>> Kris
>>
>>
>>
>>> ----- Original Message -----
>>> From: Krispen Hartung
>>> To: Loopers-Delight@loopers-delight.com
>>> Sent: Saturday, July 22, 2006 2:02 PM
>>> Subject: Re: Sample sound clip from my notebook computer system
>>>
>>> Ted, the trick is to build your computer system on the side so that  you 
>>> don't have to go without full functioning system for any period  of 
>>> time...then you can transition slowly into the notebook system.   Once 
>>> you get your notebook computer and sound card, then we can help  you 
>>> build a basic system for very low cost. Get an inexpensive VST  host 
>>> like Chainer, EnergyXT, or Plogue Bidule (all less than $100),  and then 
>>> take advantage of the thousands of free VST effects out  there. You will 
>>> be amazed at how many effects you can replace in  your hardware system 
>>> with just free VSTs...astounding.
>>>
>>> ...then, once you get that basic notebook system up and running, you 
>>> can start selling one hardware effect at a time to purchase more 
>>> expensive and higher quality VST effects and hosts. You could buy 
>>> sophisticated VST effect systems like Reaktor, PSP84 and PSP42,  Pluggo, 
>>> Hipno, etc. And you could get more sophisticated VST hosts,  like 
>>> MAX/MSP, if you choose. Next thing you know, you have  gradually 
>>> replaced every cell in your guitar system body with a new  cell...hope 
>>> you like the analogy.
>>>
>>> So, there is a relatively easy way to make the transition without it 
>>> being too painful, radical, or costly.
>>>
>>> Kris
>>>
>>>> ----- Original Message -----
>>>> From: tEd ® kiLLiAn
>>>> To: Loopers-Delight@loopers-delight.com
>>>> Sent: Saturday, July 22, 2006 1:51 PM
>>>> Subject: Re: Sample sound clip from my notebook computer system
>>>>
>>>> Jeff,
>>>>
>>>> On Jul 22, 2006, at 11:31 AM, Jeff Kaiser wrote:
>>>>
>>>>> Ted: Sell your gear. Buy a laptop.
>>>>
>>>> I might just yet . . . however, I have a track record of selling  off 
>>>> bunches of
>>>> perfectly good gear from time to time in order to afford getting  the 
>>>> "latest
>>>> greatest" thing (ya know it's true) and then about 3/4 of the time  I 
>>>> wind up
>>>> being so disappointed with the new stuff and wishin' I hadn't that 
>>>> it's sorta
>>>> heartbreaking.
>>>>
>>>> After 43 years of playing I finally have a set of sounds I like, I 
>>>> finally sound
>>>> like myself (I think). And I still have the depth in what gear I  have 
>>>> to learn new
>>>> things -- room for growth. Yes, hauling gear is a pain, but giving  up 
>>>> that other
>>>> aspect (my personal sound) for the total unknown is a daunting 
>>>> proposition
>>>> that will probably have to take some significant other motivating 
>>>> factor to get
>>>> me to give in, turn loose, whatever. Pain is a good motivator . . . 
>>>> but so far
>>>> it's only pain.
>>>>
>>>> Peace,
>>>>
>>>> tEd ® kiLLiAn
>>>>
>>>> "Different is not always better, but better is always different"
>>>>
>>>> http://www.pfmentum.com/flux.html
>>>> http://www.CDbaby.com/cd/tedkillian
>>>> http://www.guitar9.com/fluxaeterna.html
>>>> http://www.garageband.com/artist/ArsOcarina
>>>> http://www.towerrecords.com/product.aspx?pfid=2845073
>>>> http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
>>>> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
>>>>
>>>> http://www.loopers-delight.com/cgi-bin/profiles.cgi? 
>>>> step=view_profile&id=121197000042
>>>>
>>>> Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
>>>> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
>>>> AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
>>>> RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
>>>> and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???



From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 01:46:15 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <01ee01c6ad3b$5d288490$10b0ec0f@americas.hpqcorp.net> <6df5d811fadd2af7f36b2622cacfb095@charter.net> <02f601c6adbc$0a2d0fa0$10b0ec0f@americas.hpqcorp.net> <b632a24a2d1bccdcc3ab9a2c13ed2786@pfmentum.com> <43a02e5da99c2102117899981dad166f@charter.net> <033f01c6adc9$cf4a69b0$10b0ec0f@americas.hpqcorp.net> <035501c6add0$37bd1820$10b0ec0f@americas.hpqcorp.net> <p06230909c0e85eba09da@[10.0.1.2]>
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
Date: Sat, 22 Jul 2006 19:46:11 -0600
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Done already....I can return my system to any prior state.

----- Original Message ----- 
From: "mech" <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 22, 2006 5:04 PM
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo


> At 2:48 PM -0600 7/22/06, Krispen Hartung wrote:
>>
>>Can anyone else make any recommendations?
> 
> Um, howzabout: before you start futzing with another soundcard, 
> backup your system...?
> 
> <*duckflee!!!*>   ;)
> 
> --m.
> -- 
> _______
> "Snakes on a Plane..."
> 
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 01:48:24 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <000301c6ade6$6f40d140$0101a8c0@succubus>
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
Date: Sat, 22 Jul 2006 19:48:20 -0600
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I probably wasn't clear. I am looking for a firewire audio interface, not 
USB, and I'll buy either the ProSonus or M-Audio units...it's the cardbus 
firewire/USB 2.0 adaptor that I'm looking for...so that I can turn my 
cardbus slot into a firewire or USB 2.0 I/O.

Kris

----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 22, 2006 5:27 PM
Subject: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo


> There doesn't seem to be a big choice of USB2 pro audio interfaces. One I
> think looks cool is the Marian Ucon:
>
> http://www.marian.de/en/products/ucon_cx
>
> Short abstract:
>
> 4 Mic/Instrument ins (XLR w/ PP), 4 line ins (1/4 bal.), 8 line outs (1/4
> bal), ADAT I/O (shares a connector with SPDIF I/O opt.), 1 MIDI In, 2 MIDI
> Out, separate out for the internal mixer 2bus, phones. 9.5'' 1HU.
>
> The only downside I'm able to see: no coax S/PDIF.
>
> This might be more than what you aim for, but it's the only cool USB2
> interface (at least it was the last time I looked). Also consider this: 
> the
> PC implementations of Firewire don't provide bus power - USB2 does.
>
> Rainer
> ________________________________
>
> Von: Krispen Hartung [mailto:khartung@cableone.net]
> Gesendet: Samstag, 22. Juli 2006 22:49
> An: Loopers-Delight@loopers-delight.com
> Betreff: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
>
>
> While we're on this topic. I am thinking of getting the m-Audio
> Firewire Solo as input for my guitar, not because I don't like my Echo 
> Indio
> IO card, but because I'd like the option of having an actual mic XLR and 
> as
> well as 1/4 inch inputs.  However, my notebook doesn't have firewire, only
> USB 2.0.
>
> I found a few cardbus Firewire/USB 2.0 converters that will do the
> trick, like this one: 
> http://www.usb-ware.com/ads-usb-2-firewire-cardbus.htm
>
> Can anyone else make any recommendations?
>
> Here is the m-Audio Firewire Solo:
> http://www.m-audio.com/products/en_us/FireWireSolo-main.html
>
> Kris
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 01:51:15 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <01ee01c6ad3b$5d288490$10b0ec0f@americas.hpqcorp.net> <6df5d811fadd2af7f36b2622cacfb095@charter.net> <02f601c6adbc$0a2d0fa0$10b0ec0f@americas.hpqcorp.net> <b632a24a2d1bccdcc3ab9a2c13ed2786@pfmentum.com> <43a02e5da99c2102117899981dad166f@charter.net> <033f01c6adc9$cf4a69b0$10b0ec0f@americas.hpqcorp.net> <035501c6add0$37bd1820$10b0ec0f@americas.hpqcorp.net> <garethwhittock$81.79.37.69$.005001c6ade6$a507e840$5d01a8c0@acer81080ea37f>
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
Date: Sat, 22 Jul 2006 19:51:11 -0600
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Except that it is USB, not firewire.

Is anyone using a cardbus (PCMCIA) Firewire/USB adaptor? You plug it =
into your PCMCIA slot and you get both USB 2.0 and firewire. It's not an =
audio card, but a I/O converter or adaptor.

Kris

  ----- Original Message -----=20
  From: gareth whittock=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, July 22, 2006 5:29 PM
  Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo


  Hi Kris,
  I just acquired a Tascam us122.
  2 in 2 out, XLR/line or hi impedance guitar, direct monitoring, =
phantom power xlr, usb and - no power supply!!
  24 bit - bloody marvelous - its my main card now
  Oh and
  MIDI too!!!!!

  G
    ----- Original Message -----=20
    From: Krispen Hartung=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Saturday, July 22, 2006 9:48 PM
    Subject: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo


    While we're on this topic. I am thinking of getting the m-Audio =
Firewire Solo as input for my guitar, not because I don't like my Echo =
Indio IO card, but because I'd like the option of having an actual mic =
XLR and as well as 1/4 inch inputs.  However, my notebook doesn't have =
firewire, only USB 2.0.=20

    I found a few cardbus Firewire/USB 2.0 converters that will do the =
trick, like this one: =
http://www.usb-ware.com/ads-usb-2-firewire-cardbus.htm

    Can anyone else make any recommendations?

    Here is the m-Audio Firewire Solo: =
http://www.m-audio.com/products/en_us/FireWireSolo-main.html

    Kris



      ----- Original Message -----=20
      From: Krispen Hartung=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Saturday, July 22, 2006 2:02 PM
      Subject: Re: Sample sound clip from my notebook computer system


      Ted, the trick is to build your computer system on the side so =
that you don't have to go without full functioning system for any period =
of time...then you can transition slowly into the notebook system.  Once =
you get your notebook computer and sound card, then we can help you =
build a basic system for very low cost. Get an inexpensive VST host like =
Chainer, EnergyXT, or Plogue Bidule (all less than $100), and then take =
advantage of the thousands of free VST effects out there.  You will be =
amazed at how many effects you can replace in your hardware system with =
just free VSTs...astounding.=20

      ...then, once you get that basic notebook system up and running, =
you can start selling one hardware effect at a time to purchase more =
expensive and higher quality VST effects and hosts.  You could buy =
sophisticated VST effect systems like Reaktor, PSP84 and PSP42, Pluggo, =
Hipno, etc. And you could get more sophisticated VST hosts, like =
MAX/MSP, if you choose.  Next thing you know, you have gradually =
replaced every cell in your guitar system body with a new cell...hope =
you like the analogy.

      So, there is a relatively easy way to make the transition without =
it being too painful, radical, or costly.

      Kris

        ----- Original Message -----=20
        From: tEd =AE kiLLiAn=20
        To: Loopers-Delight@loopers-delight.com=20
        Sent: Saturday, July 22, 2006 1:51 PM
        Subject: Re: Sample sound clip from my notebook computer system


        Jeff,

        On Jul 22, 2006, at 11:31 AM, Jeff Kaiser wrote:


          Ted: Sell your gear. Buy a laptop.


        I might just yet . . . however, I have a track record of selling =
off bunches of=20
        perfectly good gear from time to time in order to afford getting =
the "latest=20
        greatest" thing (ya know it's true) and then about 3/4 of the =
time I wind up=20
        being so disappointed with the new stuff and wishin' I hadn't =
that it's sorta
        heartbreaking.

        After 43 years of playing I finally have a set of sounds I like, =
I finally sound=20
        like myself (I think). And I still have the depth in what gear I =
have to learn new=20
        things -- room for growth. Yes, hauling gear is a pain, but =
giving up that other=20
        aspect (my personal sound) for the total unknown is a daunting =
proposition=20
        that will probably have to take some significant other =
motivating factor to get=20
        me to give in, turn loose, whatever. Pain is a good motivator . =
. . but so far=20
        it's only pain.

        Peace,

        tEd =AE kiLLiAn

        "Different is not always better, but better is always different"

        http://www.pfmentum.com/flux.html
        http://www.CDbaby.com/cd/tedkillian
        http://www.guitar9.com/fluxaeterna.html
        http://www.garageband.com/artist/ArsOcarina
        http://www.towerrecords.com/product.aspx?pfid=3D2845073
        http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
        http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

        =
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&i=
d=3D121197000042

        Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
        BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
        AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
        RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
        and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???
------=_NextPart_000_03A4_01C6ADC8.2E767F20
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Except that it is USB, not =
firewire.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Is anyone using a=20
cardbus&nbsp;(PCMCIA)&nbsp;Firewire/USB adaptor? You plug it into your =
PCMCIA=20
slot and you get both USB 2.0 and firewire. It's not an audio card, but =
a I/O=20
converter or adaptor.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dgareth@whiteoakstudios.freeserve.co.uk=20
  href=3D"mailto:gareth@whiteoakstudios.freeserve.co.uk">gareth =
whittock</A>=20
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 22, 2006 =
5:29=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Firewire/USB 2.0 =
Adaptors=20
  for M-Audio Firewire Solo</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Hi Kris,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>I just acquired a Tascam =
us122.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>2&nbsp;in 2 out, XLR/line or hi =
impedance guitar,=20
  direct monitoring, phantom power xlr,&nbsp;usb and - no power=20
  supply!!</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>24 bit - bloody marvelous - its my =
main card=20
  now</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Oh and</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>MIDI too!!!!!</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>G</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
    Hartung</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 22, 2006 =
9:48=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Firewire/USB 2.0 =
Adaptors for=20
    M-Audio Firewire Solo</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>While we're on this topic. I am =
thinking of=20
    getting the m-Audio Firewire Solo as input for my guitar, not =
because I=20
    don't like my Echo Indio IO card, but because I'd like the option of =
having=20
    an actual mic XLR and as well as 1/4 inch inputs.&nbsp; However, my =
notebook=20
    doesn't have firewire, only USB 2.0. </FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>I found a few cardbus Firewire/USB =
2.0=20
    converters that will do the trick, like this one</FONT><FONT =
face=3DArial=20
    size=3D2>: <A=20
    =
href=3D"http://www.usb-ware.com/ads-usb-2-firewire-cardbus.htm">http://ww=
w.usb-ware.com/ads-usb-2-firewire-cardbus.htm</A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Can anyone else make any=20
    recommendations?</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Here is the m-Audio Firewire Solo: =
<A=20
    =
href=3D"http://www.m-audio.com/products/en_us/FireWireSolo-main.html">htt=
p://www.m-audio.com/products/en_us/FireWireSolo-main.html</A></FONT></DIV=
>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
      Hartung</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 22, =
2006 2:02=20
      PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Sample sound =
clip from=20
      my notebook computer system</DIV>
      <DIV><BR></DIV>
      <DIV><FONT face=3DArial size=3D2>Ted, the trick is to build your =
computer=20
      system on the side so that you don't have to go without full =
functioning=20
      system for any period of time...then you can transition slowly =
into the=20
      notebook system.&nbsp; Once you get your notebook computer and =
sound card,=20
      then we can help you build a basic system for very low cost. Get =
an=20
      inexpensive VST host like Chainer, EnergyXT, or Plogue Bidule (all =
less=20
      than $100), and then take advantage of the thousands of free VST =
effects=20
      out there.&nbsp; You will be amazed at how many effects you can =
replace in=20
      your hardware system with just free VSTs...astounding. =
</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>...then, once you get that basic =
notebook=20
      system up and running, you can start selling one hardware effect =
at a time=20
      to purchase more expensive and higher quality VST effects and =
hosts.&nbsp;=20
      You could buy sophisticated VST effect systems like Reaktor, PSP84 =
and=20
      PSP42, Pluggo, Hipno, etc. And you could get more sophisticated=20
      VST&nbsp;hosts, like&nbsp;MAX/MSP, if you&nbsp;choose. &nbsp;Next =
thing=20
      you know, you have gradually replaced every cell in your guitar =
system=20
      body with a new cell...hope you like the analogy.</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>So, there is a relatively easy =
way to make=20
      the transition without it being too painful, radical, or=20
      costly.</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <BLOCKQUOTE=20
      style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
        <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
        <DIV=20
        style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
        <A title=3Dtedkillian@charter.net =
href=3D"mailto:tedkillian@charter.net">tEd=20
        =AE kiLLiAn</A> </DIV>
        <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
        title=3DLoopers-Delight@loopers-delight.com=20
        =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
        </DIV>
        <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 22, =
2006 1:51=20
        PM</DIV>
        <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Sample sound =
clip from=20
        my notebook computer system</DIV>
        <DIV><BR></DIV>Jeff,<BR><BR>On Jul 22, 2006, at 11:31 AM, Jeff =
Kaiser=20
        wrote:<BR><BR>
        <BLOCKQUOTE>Ted: Sell your gear. Buy a =
laptop.<BR></BLOCKQUOTE><BR>I=20
        might just yet . . . however, I have a track record of selling =
off=20
        bunches of <BR>perfectly good gear from time to time in order to =
afford=20
        getting the "latest <BR>greatest" thing (ya know it's true) and =
then=20
        about 3/4 of the time I wind up <BR>being so disappointed with =
the new=20
        stuff and wishin' I hadn't that it's=20
        sorta<BR>heartbreaking.<BR><BR>After 43 years of playing I =
finally have=20
        a set of sounds I like, I finally sound <BR>like myself (I =
think). And I=20
        still have the depth in what gear I have to learn new <BR>things =
-- room=20
        for growth. Yes, hauling gear is a pain, but giving up that =
other=20
        <BR>aspect (my personal sound) for the total unknown is a =
daunting=20
        proposition <BR>that will probably have to take some significant =
other=20
        motivating factor to get <BR>me to give in, turn loose, =
whatever. Pain=20
        is a good motivator . . . but so far <BR>it's only=20
        pain.<BR><BR>Peace,<BR><BR>tEd =AE =
kiLLiAn<BR><BR><?color><?param 9B9A,9B9A,9B9A>"Different is not always=20
        better, but better is always=20
        =
different"<BR><BR>http://www.pfmentum.com/flux.html<BR>http://www.CDbaby.=
com/cd/tedkillian<BR>http://www.guitar9.com/fluxaeterna.html<BR>http://ww=
w.garageband.com/artist/ArsOcarina<BR>http://www.towerrecords.com/product=
.aspx?pfid=3D2845073<BR>http://www.netmusic.com/web/album.aspx?a_id=3DCBN=
M_17314<BR>http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D1=
93<BR><BR>http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview=
_profile&amp;id=3D121197000042<BR><BR>Ted=20
        Killian's "Flux Aeterna" is also available at: Apple=20
        iTunes,<BR>BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic,=20
        Napster,<BR>AudioLunchbox, Lindows, QTRnote, Music4Cents,=20
        Etherstream,<BR>RuleRadio, EMEPE3, Sony Connect, CatchMusic,=20
        Puretracks,<BR>and Viztas. Yadda, yadda, yadda. Blah, blah, =
blah. =
So???<?/color></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY>=
</HTML>

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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Sample #1 of VST Program Presets (Lexicon PSP84)
Date: Sat, 22 Jul 2006 22:39:41 -0600
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For the benefit of those who are interested in what you can get out of =
some of the purchase-only VST effect programs out there, I am going to =
start recording samples for you and posting them to the group. There is =
no looping on these samples, just straight solo playing through some of =
the more interesting presets.

Here is the first...(next on the list is PSP42, Antares Filter, Antares =
Kantos, Pluggo, Hipno, Morphing Delay, Space Effect, etc)

VST Program: Lexicon PSP84
URL: http://www.pspaudioware.com/plugins/psp84.html
Cost: $149 USD

Brief Description

PSP 84 is a high-quality processor, capable of producing a wide variety =
of delay-based effects. Two independent delay lines operating with =
variable sampling rate and precise tape saturation algorithm with =
adjustable gain, allow for convincingly sounding simulation of tape =
delay, including all the exciting effects resulting from tape speed =
instability. A filtration section consisting of three 2nd order =
switchable resonant filter types can be used to process input, feedback =
or wet signal. The adjustable slope of the filter ranges from a gentle =
curve, which is useful for simulating high frequency absorption typical =
for tape delay and wet signal equalization to an extremely steep curve =
with a high cutoff frequency peak, making all the wild wah-wah and =
resonance effects easily available. Delay line sampling rate and filter =
cutoff can be modulated by any of the 5 LFO waveforms that are =
automatically synchronized to the sequencer tempo or envelope follower =
with adjustable sensitivity and attack/release. Moreover, the PSP 84 =
contains the fully functional reverb unit, with simplified settings =
carefully tuned to exactly reproduce the sound of classic spring and =
plate reverberators.=20

Sound clip of factory presets: http://www.box.net/public/d90p7zley2

Cheers,

*************************************************
Krispen Hartung / Improvisational Looping Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
Looper's Delight Playlist - =
http://www.boisemusicians.com/loopers-delight.m3u
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2>For the benefit of those who are =
interested in what=20
you can get out of some of the purchase-only VST effect programs out =
there, I am=20
going to start recording samples for you and posting them to the group. =
There is=20
no looping on these samples, just straight solo playing through some of =
the more=20
interesting presets.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Here is the first...(next on the list =
is PSP42,=20
Antares Filter, Antares Kantos, Pluggo, Hipno, Morphing Delay, Space =
Effect,=20
etc)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>VST Program:</STRONG> Lexicon=20
PSP84</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>URL:</STRONG> </FONT><A=20
href=3D"http://www.pspaudioware.com/plugins/psp84.html"><FONT =
face=3DArial=20
size=3D2>http://www.pspaudioware.com/plugins/psp84.html</FONT></A></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Cost:</STRONG> $149 =
USD</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Brief =
Description</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>PSP&nbsp;84 is a high-quality =
processor, capable of=20
producing a wide variety of delay-based effects. Two independent delay =
lines=20
operating with variable sampling rate and precise tape saturation =
algorithm with=20
adjustable gain, allow for convincingly sounding simulation of tape =
delay,=20
including all the exciting effects resulting from tape speed =
instability. A=20
filtration section consisting of three 2nd order switchable resonant =
filter=20
types can be used to process input, feedback or wet signal. The =
adjustable slope=20
of the filter ranges from a gentle curve, which is useful for simulating =
high=20
frequency absorption typical for tape delay and wet signal equalization =
to an=20
extremely steep curve with a high cutoff frequency peak, making all the =
wild=20
wah-wah and resonance effects easily available. Delay line sampling rate =
and=20
filter cutoff can be modulated by any of the 5 LFO waveforms that are=20
automatically synchronized to the sequencer tempo or envelope follower =
with=20
adjustable sensitivity and attack/release. Moreover, the PSP 84 contains =
the=20
fully functional reverb unit, with simplified settings carefully tuned =
to=20
exactly reproduce the sound of classic spring and plate reverberators.=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Sound clip of factory =
presets:</STRONG>=20
</FONT><A href=3D"http://www.box.net/public/d90p7zley2"><FONT =
face=3DArial=20
size=3D2>http://www.box.net/public/d90p7zley2</FONT></A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>*************************************************<BR>Krispen =
Hartung /=20
Improvisational Looping Guitar<BR></FONT><A=20
href=3D"http://www.krispenhartung.com"><FONT face=3DArial=20
size=3D2>www.krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> / =
</FONT><A=20
href=3D"http://www.myspace.com/krispenhartung"><FONT face=3DArial=20
size=3D2>www.myspace.com/krispenhartung</FONT></A><BR><A=20
href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial=20
size=3D2>info@krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> =
/=20
1.208.724.5603 <BR>Discography - </FONT><A=20
href=3D"http://www.krispenhartung.com/catalogue.htm"><FONT face=3DArial=20
size=3D2>http://www.krispenhartung.com/catalogue.htm</FONT></A><BR><FONT =

face=3DArial size=3D2>Looper's Delight Playlist - </FONT><A=20
href=3D"http://www.boisemusicians.com/loopers-delight.m3u"><FONT =
face=3DArial=20
size=3D2>http://www.boisemusicians.com/loopers-delight.m3u</FONT></A></DI=
V></BODY></HTML>

------=_NextPart_000_03E2_01C6ADDF.B88257E0--


From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 04:57:18 2006
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Date: Sat, 22 Jul 2006 23:57:06 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
References: <01ee01c6ad3b$5d288490$10b0ec0f@americas.hpqcorp.net> <6df5d811fadd2af7f36b2622cacfb095@charter.net> <02f601c6adbc$0a2d0fa0$10b0ec0f@americas.hpqcorp.net> <b632a24a2d1bccdcc3ab9a2c13ed2786@pfmentum.com> <43a02e5da99c2102117899981dad166f@charter.net> <033f01c6adc9$cf4a69b0$10b0ec0f@americas.hpqcorp.net> <035501c6add0$37bd1820$10b0ec0f@americas.hpqcorp.net> <10537d75468fa05a3606997a71aeba5f@pfmentum.com> <7e1442beccd9c27f5269b42e28c86063@pfmentum.com> <037f01c6adf9$4897fce0$10b0ec0f@americas.hpqcorp.net>
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Yeah, I've got a T60 dual core also, and it was disappointing not to 
have firewire, or Bluetooth, or a card reader, OR a separate sound card. 
In truth, I don't really use any of that stuff currently (except the 
sound card I suppose), but I wanted to have the options in the future 
(damn thing better last me a long time). Otherwise, it's terrific.

I think someone posted a while ago about Thinkpads and their thumbstick, 
but the new ones have a touchpad as well. If you're looking, keep your 
eye open for sales, especially on the Lenovo site, I bought one during a 
two-week period when they offered a $250 rebate.

Daryl Shawn
www.swanwelder.com

> It's weird, all of my other PC notebooks has firewire, and then I buy 
> this amazingly fast ThinkPad, designed for fortune 500 companies, and 
> it doesn't have one. Very odd. Not big deal, though, as a firewire 
> card for the cardbus will do the trick. The one I found seemed to be a 
> bit more expensive than others (as low as $18), so I feel safe going 
> with it. Plus, it will give me two more USB 2.0 slots as well.

From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 09:25:04 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
Date: Sun, 23 Jul 2006 11:24:54 +0200
Organization: Moinlabs
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I was told that with these, the USB2 and the Firewire part tend to get in
each other's way. No system crashes or anything, but the performance of both
interfaces degrades. Workaround: only use either Firewire or USB2.

	Rainer
________________________________

	Von: Krispen Hartung [mailto:khartung@cableone.net] 
	Gesendet: Sonntag, 23. Juli 2006 03:51
	An: Loopers-Delight@loopers-delight.com
	Betreff: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
	
	
	Except that it is USB, not firewire.
	 
	Is anyone using a cardbus (PCMCIA) Firewire/USB adaptor? You plug it
into your PCMCIA slot and you get both USB 2.0 and firewire. It's not an
audio card, but a I/O converter or adaptor.
	 
	Kris
	 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 13:17:36 2006
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To: Loopers-Delight@loopers-delight.com
References: <01ee01c6ad3b$5d288490$10b0ec0f@americas.hpqcorp.net> <6df5d811fadd2af7f36b2622cacfb095@charter.net> <02f601c6adbc$0a2d0fa0$10b0ec0f@americas.hpqcorp.net> <b632a24a2d1bccdcc3ab9a2c13ed2786@pfmentum.com> <43a02e5da99c2102117899981dad166f@charter.net> <033f01c6adc9$cf4a69b0$10b0ec0f@americas.hpqcorp.net> <035501c6add0$37bd1820$10b0ec0f@americas.hpqcorp.net> <10537d75468fa05a3606997a71aeba5f@pfmentum.com> <7e1442beccd9c27f5269b42e28c86063@pfmentum.com> <037f01c6adf9$4897fce0$10b0ec0f@americas.hpqcorp.net> <44C301A2.4080909@mhorse.com>
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
Date: Sun, 23 Jul 2006 07:17:27 -0600
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Daryl, did you call Lenovo to order your T60? That is what I did with my 
T60p. I basically custom ordered it and ended up with a custom SKU 
(configuration), with bluetooth, cardbus reader, wireless, USB, 
bigger/faster hard-drive, fingerprint reader for security, etc.  I recieved 
no rebate on this sucker...I bought it right after it was released.

Also, the T series does not have a sound card, but embedded high definition 
audio from Intel...so that wouldn't have been an option for you anyway. If 
you want better sound on the unit, you just get a cardbus soundcard, like 
the Echo Indigo IO, an audio interface that plugs into the USB, or what I am 
going to do, namely, get a firewire cardbus adaptor so that I can plug in a 
firewire interface.  Rainer, yes, I'll take your advice here and get just 
the firewire option, not combo. Your comment is enough to make me 
suspicious, plus I already have three USB connections and don't really need 
any more.

It still seems odd about the firewire...I hope I did't miss it when I was 
configuring it with Lenovo. Oh well, there is nothing wrong with the cardbud 
option, and I have the slot available.

Kris


----- Original Message ----- 
From: "Daryl Shawn" <highhorse@mhorse.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 22, 2006 10:57 PM
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo


> Yeah, I've got a T60 dual core also, and it was disappointing not to have 
> firewire, or Bluetooth, or a card reader, OR a separate sound card. In 
> truth, I don't really use any of that stuff currently (except the sound 
> card I suppose), but I wanted to have the options in the future (damn 
> thing better last me a long time). Otherwise, it's terrific.
>
> I think someone posted a while ago about Thinkpads and their thumbstick, 
> but the new ones have a touchpad as well. If you're looking, keep your eye 
> open for sales, especially on the Lenovo site, I bought one during a 
> two-week period when they offered a $250 rebate.
>
> Daryl Shawn
> www.swanwelder.com
>
>> It's weird, all of my other PC notebooks has firewire, and then I buy 
>> this amazingly fast ThinkPad, designed for fortune 500 companies, and it 
>> doesn't have one. Very odd. Not big deal, though, as a firewire card for 
>> the cardbus will do the trick. The one I found seemed to be a bit more 
>> expensive than others (as low as $18), so I feel safe going with it. 
>> Plus, it will give me two more USB 2.0 slots as well.
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 15:04:56 2006
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From: Daryl Shawn <highhorse@mhorse.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
References: <01ee01c6ad3b$5d288490$10b0ec0f@americas.hpqcorp.net> <6df5d811fadd2af7f36b2622cacfb095@charter.net> <02f601c6adbc$0a2d0fa0$10b0ec0f@americas.hpqcorp.net> <b632a24a2d1bccdcc3ab9a2c13ed2786@pfmentum.com> <43a02e5da99c2102117899981dad166f@charter.net> <033f01c6adc9$cf4a69b0$10b0ec0f@americas.hpqcorp.net> <035501c6add0$37bd1820$10b0ec0f@americas.hpqcorp.net> <10537d75468fa05a3606997a71aeba5f@pfmentum.com> <7e1442beccd9c27f5269b42e28c86063@pfmentum.com> <037f01c6adf9$4897fce0$10b0ec0f@americas.hpqcorp.net> <44C301A2.4080909@mhorse.com> <045601c6ae5a$5ba2e690$10b0ec0f@americas.hpqcorp.net>
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Yes, I called them and did whatever I could for options. Mine's a few 
rungs down from yours, I believe, it has the 1.66 mhz processors and 
14.1" screen, and I think it's pretty set in its possibilities...I'd 
wanted a 7200 rpm drive but couldn't get that either. But it's got 
wireless and three USB's and the fingerprint reader.

Thanks for the info on the sound card, that explains things better. I 
use a (very) cheap Edirol UA-1A for moving stuff to the laptop, and I 
imagine getting something like the Echo or an m-Audio (maybe?) would 
improve fidelity. I may just do that someday though I want to improve 
the analog side first (mics, pres...).

I'm pretty much positive there's no way you can get firewire on these 
laptops, I don't think you missed out...I remember that being THE common 
complaint in review, of all models.

Daryl Shawn
www.swanwelder.com

> Daryl, did you call Lenovo to order your T60? That is what I did with 
> my T60p. I basically custom ordered it and ended up with a custom SKU 
> (configuration), with bluetooth, cardbus reader, wireless, USB, 
> bigger/faster hard-drive, fingerprint reader for security, etc.  I 
> recieved no rebate on this sucker...I bought it right after it was 
> released.
>
> Also, the T series does not have a sound card, but embedded high 
> definition audio from Intel...so that wouldn't have been an option for 
> you anyway. If you want better sound on the unit, you just get a 
> cardbus soundcard, like the Echo Indigo IO, an audio interface that 
> plugs into the USB, or what I am going to do, namely, get a firewire 
> cardbus adaptor so that I can plug in a firewire interface.  Rainer, 
> yes, I'll take your advice here and get just the firewire option, not 
> combo. Your comment is enough to make me suspicious, plus I already 
> have three USB connections and don't really need any more.
>
> It still seems odd about the firewire...I hope I did't miss it when I 
> was configuring it with Lenovo. Oh well, there is nothing wrong with 
> the cardbud option, and I have the slot available.

From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 15:05:04 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
References: <01ee01c6ad3b$5d288490$10b0ec0f@americas.hpqcorp.net> <6df5d811fadd2af7f36b2622cacfb095@charter.net> <02f601c6adbc$0a2d0fa0$10b0ec0f@americas.hpqcorp.net> <b632a24a2d1bccdcc3ab9a2c13ed2786@pfmentum.com> <43a02e5da99c2102117899981dad166f@charter.net> <033f01c6adc9$cf4a69b0$10b0ec0f@americas.hpqcorp.net> <035501c6add0$37bd1820$10b0ec0f@americas.hpqcorp.net> <10537d75468fa05a3606997a71aeba5f@pfmentum.com> <7e1442beccd9c27f5269b42e28c86063@pfmentum.com> <037f01c6adf9$4897fce0$10b0ec0f@americas.hpqcorp.net> <44C301A2.4080909@mhorse.com> <045601c6ae5a$5ba2e690$10b0ec0f@americas.hpqcorp.net>
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Yes, I called them and did whatever I could for options. Mine's a few 
rungs down from yours, I believe, it has the 1.66 mhz processors and 
14.1" screen, and I think it's pretty set in its possibilities...I'd 
wanted a 7200 rpm drive but couldn't get that either. But it's got 
wireless and three USB's and the fingerprint reader.

Thanks for the info on the sound card, that explains things better. I 
use a (very) cheap Edirol UA-1A for moving stuff to the laptop, and I 
imagine getting something like the Echo or an m-Audio (maybe?) would 
improve fidelity. I may just do that someday though I want to improve 
the analog side first (mics, pres...).

I'm pretty much positive there's no way you can get firewire on these 
laptops, I don't think you missed out...I remember that being THE common 
complaint in reviews, of all models.

Daryl Shawn
www.swanwelder.com

> Daryl, did you call Lenovo to order your T60? That is what I did with 
> my T60p. I basically custom ordered it and ended up with a custom SKU 
> (configuration), with bluetooth, cardbus reader, wireless, USB, 
> bigger/faster hard-drive, fingerprint reader for security, etc.  I 
> recieved no rebate on this sucker...I bought it right after it was 
> released.
>
> Also, the T series does not have a sound card, but embedded high 
> definition audio from Intel...so that wouldn't have been an option for 
> you anyway. If you want better sound on the unit, you just get a 
> cardbus soundcard, like the Echo Indigo IO, an audio interface that 
> plugs into the USB, or what I am going to do, namely, get a firewire 
> cardbus adaptor so that I can plug in a firewire interface.  Rainer, 
> yes, I'll take your advice here and get just the firewire option, not 
> combo. Your comment is enough to make me suspicious, plus I already 
> have three USB connections and don't really need any more.
>
> It still seems odd about the firewire...I hope I did't miss it when I 
> was configuring it with Lenovo. Oh well, there is nothing wrong with 
> the cardbud option, and I have the slot available.

From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 15:43:21 2006
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Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
Date: Sun, 23 Jul 2006 09:43:17 -0600
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The Echo IO is definitely a good choice for the T60 in terms of cardbus 
options, and financially reasonable too. I'd keep using mine, but I'm just 
experiencing the urge to be able to plug a mic into my notebook, scat with 
my guitar once in a while, and do so with better inserts than a 1/8" jack. 
Plus, what I like about the external firewire unit I am buying is that it 
has more than one stereo output so that I can run one set to the main mixer 
board, and another to my recorder, and still have a separate headphone 
output. It's nice to have those options.  You might give it some thought, as 
even the external USB units for getting audio to your notebook (like the 
m-Audio) are financially reasonable.

Kris

----- Original Message ----- 
From: "Daryl Shawn" <highhorse@mhorse.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 23, 2006 9:04 AM
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo


> Yes, I called them and did whatever I could for options. Mine's a few 
> rungs down from yours, I believe, it has the 1.66 mhz processors and 14.1" 
> screen, and I think it's pretty set in its possibilities...I'd wanted a 
> 7200 rpm drive but couldn't get that either. But it's got wireless and 
> three USB's and the fingerprint reader.
>
> Thanks for the info on the sound card, that explains things better. I use 
> a (very) cheap Edirol UA-1A for moving stuff to the laptop, and I imagine 
> getting something like the Echo or an m-Audio (maybe?) would improve 
> fidelity. I may just do that someday though I want to improve the analog 
> side first (mics, pres...).
>
> I'm pretty much positive there's no way you can get firewire on these 
> laptops, I don't think you missed out...I remember that being THE common 
> complaint in review, of all models.
>
> Daryl Shawn
> www.swanwelder.com
>
>> Daryl, did you call Lenovo to order your T60? That is what I did with my 
>> T60p. I basically custom ordered it and ended up with a custom SKU 
>> (configuration), with bluetooth, cardbus reader, wireless, USB, 
>> bigger/faster hard-drive, fingerprint reader for security, etc.  I 
>> recieved no rebate on this sucker...I bought it right after it was 
>> released.
>>
>> Also, the T series does not have a sound card, but embedded high 
>> definition audio from Intel...so that wouldn't have been an option for 
>> you anyway. If you want better sound on the unit, you just get a cardbus 
>> soundcard, like the Echo Indigo IO, an audio interface that plugs into 
>> the USB, or what I am going to do, namely, get a firewire cardbus adaptor 
>> so that I can plug in a firewire interface.  Rainer, yes, I'll take your 
>> advice here and get just the firewire option, not combo. Your comment is 
>> enough to make me suspicious, plus I already have three USB connections 
>> and don't really need any more.
>>
>> It still seems odd about the firewire...I hope I did't miss it when I was 
>> configuring it with Lenovo. Oh well, there is nothing wrong with the 
>> cardbud option, and I have the slot available.
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 15:53:39 2006
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To: Loopers-Delight@loopers-delight.com
From: RP Collier <skeptikalist@gmail.com>
Subject: airtap
Date: Sun, 23 Jul 2006 08:53:33 -0700
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Different sort of guitar styling:

http://www.youtube.com/watch?v=AbndgwfG22k&search=airtap

Nice flick of the wrist gesture.

Can't remember where I came across it, sorry if it was previously  
posted.

regards


BobC




http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo

From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 16:03:43 2006
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Subject: Re: airtap
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sort of like turing the guitar into a piano, based on open tuning, but with 
a lot more percussive options.  cool video.  I'm guessing if you want to 
play in a lot of different keys, you have to retune the guitar or have 
multiple guitars on standbye.

----- Original Message ----- 
From: "RP Collier" <skeptikalist@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 23, 2006 9:53 AM
Subject: airtap


> Different sort of guitar styling:
>
> http://www.youtube.com/watch?v=AbndgwfG22k&search=airtap
>
> Nice flick of the wrist gesture.
>
> Can't remember where I came across it, sorry if it was previously  posted.
>
> regards
>
>
> BobC
>
>
>
>
> http://www.cdbaby.com/rpcollier
> http://www.cdbaby.com/rpcollier2
> http://tinyurl.com/cr25j
> http://www.youtube.com/watch?v=sn--iF6a4Xo
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 16:09:05 2006
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Date: Sun, 23 Jul 2006 11:08:43 -0500
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This is a multi-part message in MIME format.
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That there's a flamenco /rasgueado./ Well done tapped harmonics, very 
nice and clear.

Daryl Shawn
www.swanwelder.com

> Different sort of guitar styling:
>
> http://www.youtube.com/watch?v=AbndgwfG22k&search=airtap
>
> Nice flick of the wrist gesture.
>
> Can't remember where I came across it, sorry if it was previously posted.


--------------030000000607010303080106
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
That there's a flamenco <i>rasgueado.</i> Well done tapped harmonics,
very nice and clear.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
<blockquote cite="mid064E5E12-0717-4B61-A588-46F82237CF39@gmail.com"
 type="cite">Different sort of guitar styling:
  <br>
  <br>
<a class="moz-txt-link-freetext" href="http://www.youtube.com/watch?v=AbndgwfG22k&search=airtap">http://www.youtube.com/watch?v=AbndgwfG22k&amp;search=airtap</a>
  <br>
  <br>
Nice flick of the wrist gesture.
  <br>
  <br>
Can't remember where I came across it, sorry if it was previously
posted.
  <br>
</blockquote>
<br>
</body>
</html>

--------------030000000607010303080106--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 16:37:49 2006
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or some would say, an autoharp...  :-D

Daryl Shawn
www.swanwelder.com

> sort of like turing the guitar into a piano, based on open tuning, but 
> with a lot more percussive options. 


From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 16:50:34 2006
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Subject: RE: airtap
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Try fretting an autoharp 8< )
Gary

-----Original Message-----
From: Daryl Shawn [mailto:highhorse@mhorse.com] 
Sent: Sunday, July 23, 2006 9:38 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: airtap

or some would say, an autoharp...  :-D

Daryl Shawn
www.swanwelder.com

> sort of like turing the guitar into a piano, based on open tuning, but 
> with a lot more percussive options. 




From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 16:55:40 2006
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Subject: AW: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
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On some devices, you even got a stand-alone mixer function (controllable via
MIDI) in the interface (Fireface400 comes to mind) - or even the option to
at least retain the last-used settings for the internal mixer. This might
come in handy for those among us who do not really trust in laptop's
reliability and thus want to keep a DL4 or DD20 hooked to an in/out pair
"just in case".

Unfortunately, my Firebox does not do this (the set of routing options of
the internal mixer is rather limited), but I'd sure like to have this
option...so if you're shopping for something new and a little more powerful,
you might consider whether this use case applies to you.

	Rainer

> Plus, what I like about the external firewire unit I am 
> buying is that it has more than one stereo output so that I 
> can run one set to the main mixer board, and another to my 
> recorder, and still have a separate headphone output. It's 
> nice to have those options.  You might give it some thought, 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 17:01:36 2006
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Date: Sun, 23 Jul 2006 12:01:28 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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I think Keith Richards figured it out...!

Hope you didn't take my snark as wholesale ragging on open tunings, 
BTW...they have their purpose.

Daryl Shawn
www.swanwelder.com

> Try fretting an autoharp 8< )
> Gary
>
> -----Original Message-----
> From: Daryl Shawn [mailto:highhorse@mhorse.com] 
> Sent: Sunday, July 23, 2006 9:38 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: airtap
>
> or some would say, an autoharp...  :-D
>
> Daryl Shawn
> www.swanwelder.com
>
>   
>> sort of like turing the guitar into a piano, based on open tuning, but 
>> with a lot more percussive options. 
>>     
>
>
>
>
>
>
>
>   


--------------030002000008020606000401
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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I think Keith Richards figured it out...!<br>
<br>
Hope you didn't take my snark as wholesale ragging on open tunings,
BTW...they have their purpose.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
<blockquote
 cite="mid20060723165031.JJJV12909.fed1rmmtao05.cox.net@Desktop2002"
 type="cite">
  <pre wrap="">Try fretting an autoharp 8&lt; )
Gary

-----Original Message-----
From: Daryl Shawn [<a class="moz-txt-link-freetext" href="mailto:highhorse@mhorse.com">mailto:highhorse@mhorse.com</a>] 
Sent: Sunday, July 23, 2006 9:38 AM
To: <a class="moz-txt-link-abbreviated" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
Subject: Re: airtap

or some would say, an autoharp...  :-D

Daryl Shawn
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a>

  </pre>
  <blockquote type="cite">
    <pre wrap="">sort of like turing the guitar into a piano, based on open tuning, but 
with a lot more percussive options. 
    </pre>
  </blockquote>
  <pre wrap=""><!---->






  </pre>
</blockquote>
<br>
</body>
</html>

--------------030002000008020606000401--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 18:53:43 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Sample #2 of VST Program Presets (Antares Filter)
Date: Sun, 23 Jul 2006 12:53:34 -0600
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VST Program: Antares Filter
URL: http://www.box.net/public/uu0zix3eh8
Cost: $199 USD

Brief Description

At the core of Filter are four true stereo multimode filters that =
provide all the warmth and smoothness you'd expect from classic analog =
filters. With low-pass, highpass, bandpass and notch modes, variable =
cutoff slope, four independent delay sections, and a variety of filter =
routing options, you'll have the power to create dynamic filter effects =
that range from extremely subtle to just plain extreme.

Sound clip of factory presets: http://www.box.net/public/uu0zix3eh8

Cheers,

*************************************************
Krispen Hartung / Improvisational Looping Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
Looper's Delight Playlist - =
http://www.boisemusicians.com/loopers-delight.m3u
------=_NextPart_000_04F1_01C6AE57.01C6EE80
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>VST Program:</STRONG> Antares=20
Filter</FONT></DIV></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>URL:</STRONG> <A=20
href=3D"http://www.box.net/public/uu0zix3eh8">http://www.box.net/public/u=
u0zix3eh8</A></FONT><A=20
href=3D"http://www.pspaudioware.com/plugins/psp84.html"><FONT =
face=3DArial=20
size=3D2></FONT></A></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Cost:</STRONG> $199 =
USD</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Brief=20
Description<BR><BR></STRONG></FONT><FONT face=3DArial size=3D2>At the =
core of Filter=20
are four <B>true stereo </B>multimode filters that provide all the =
warmth and=20
smoothness you'd expect from classic analog filters. With low-pass, =
highpass,=20
bandpass and notch modes, variable cutoff slope, four independent delay=20
sections, and a variety of filter routing options, you'll have the power =
to=20
create dynamic filter effects that range from extremely subtle to just =
plain=20
extreme.</DIV></FONT>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Sound clip of factory =
presets:</STRONG> <A=20
href=3D"http://www.box.net/public/uu0zix3eh8">http://www.box.net/public/u=
u0zix3eh8</A></FONT><A=20
href=3D"http://www.box.net/public/d90p7zley2"><FONT face=3DArial=20
size=3D2></FONT></A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>*************************************************<BR>Krispen =
Hartung /=20
Improvisational Looping Guitar<BR></FONT><A=20
href=3D"http://www.krispenhartung.com"><FONT face=3DArial=20
size=3D2>www.krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> / =
</FONT><A=20
href=3D"http://www.myspace.com/krispenhartung"><FONT face=3DArial=20
size=3D2>www.myspace.com/krispenhartung</FONT></A><BR><A=20
href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial=20
size=3D2>info@krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> =
/=20
1.208.724.5603 <BR>Discography - </FONT><A=20
href=3D"http://www.krispenhartung.com/catalogue.htm"><FONT face=3DArial=20
size=3D2>http://www.krispenhartung.com/catalogue.htm</FONT></A><BR><FONT =

face=3DArial size=3D2>Looper's Delight Playlist - </FONT><A=20
href=3D"http://www.boisemusicians.com/loopers-delight.m3u"><FONT =
face=3DArial=20
size=3D2>http://www.boisemusicians.com/loopers-delight.m3u</FONT></A></DI=
V></BODY></HTML>

------=_NextPart_000_04F1_01C6AE57.01C6EE80--


From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 19:02:22 2006
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Subject: Re: Re: reverb just on the delays
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or, mod your delay pedal to have an effect loop :) i am doing it right
now with a Danelectro PB&J delay, and what it will do is with each
repeat, the effect in the effect loop will affect only each repeat...i
had the idea when i was thinking how cool it'd be to put a whammy
pedal in there and have it so that each repeat is a fifth up or down
or something :)

Charlie

On 7/22/06, Miko Biffle <biffoz@arczip.com> wrote:
>
>
> Very long predelay on the reverb accomplishes this effect -- OR -- you could
> hang a delay on an aux send of a mixer, sending it through a reverb on 100%
> wet... (or the verb before the delay, which I prefer).
>
>
> Miko Biffle -- "Running scared from all the usual distractions..."
> C'mon over to MySpace! www.myspace.com/biffozz
> Now playing 'Rough' www.cdbaby.com/biffoz
> The Chain Tape Collective! www.ct-collective.com/
>
>
> ----- Original Message -----
> From: rune fagereng
> To: loopers-delight@loopers-delight.com ;
> repeater-users@yahoogroups.com
> Sent: Friday, July 21, 2006 11:00 AM
> Subject: reverb just on the delays
>
>
> On some of Jon Hassells tunes, his trompetsound has a near and close direct
> sound, and just a small amout of his sound (lets say  20%) has a big reverb,
> I think. The part that has reverb, also has some delay, I think. But there
> are no delay on the direct sound, I think....
>
> I play guitar, with the use of TC 2290 for delay, and a Alesis for reverb.
> The Alesis is in the fx-chain of the Tc.
>
> Any Thoughts of how to get "closer" to the Hassells sound, in the manner of
> getting reverb just on the delays ? Or any tips what so ever ?
>
> Best regards of Rune F
>
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867
>

From unlock@wamu.com  Sun Jul 23 19:37:37 2006
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From: <unlock@wamu.com>
Subject: Washington Mutual - Your Profile Is Locked
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 20:21:43 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: reverb just on the delays 
Date: Sun, 23 Jul 2006 22:21:39 +0200
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On 21 jul 2006, at 20.00, rune fagereng wrote:

> On some of Jon Hassells tunes, his trompetsound has a near and  
> close direct sound, and just a small amout of his sound (lets say   
> 20%) has a big reverb, I think. The part that has reverb, also has  
> some delay, I think. But there are no delay on the direct sound, I  
> think....
>
> I play guitar, with the use of TC 2290 for delay, and a Alesis for  
> reverb. The Alesis is in the fx-chain of the Tc.
>
> Any Thoughts of how to get "closer" to the Hassells sound, in the  
> manner of getting reverb just on the delays ? Or any tips what so  
> ever ?


Hi Rune,

This post may not be relevant for your recent setup but I think it's  
a good tip, so I'm posting it anyway. I found out about it when using  
Ableton Live as the mixer for my EDP, other hardware machines and  
some software looping plug-ins. The point is that if you simply send  
part of your signal to a huge reverb (or delay, or both) it may  
quickly smear out the music so it becomes lame. The trick is to  
punctuate the reverb (in the effect loop) with short time segments of  
the audio that is going constantly. Then the listener can follow that  
note flying away towards the horizon on those beautiful clouds of  
reverb. Hassel often uses a freeze reverb for that; i.e. a reverb  
that keeps the last input audio frozen until new audio is coming  
(pretty clear you can't feed such a reverb with a constant guitar  
mangling? ;-)

So, one of the important steps here is to find a way to open up the  
effect send for just a short time. On a physical mixer you can do  
that with mute buttons on the busses. You may also set up foot pedals  
to open and close. But the method I like to use with Live is to  
create an empty "dummy" clip (audio or midi loop with no content) and  
then draw some suitable "Clip Envelopes" for the Effect Send Knog on  
that loop. This way you can many (alternative) loops of different  
lengths that only spin for the purpose of opening up the Effect Send  
on short 16th note (or whatever) durations every now and then. When  
working with Live there is a very good Freeze Verb preset coming with  
the built-in reverb (my overall fav verb. IMHO much cooler than any  
impulse response reverb).

First I thought this tip was too off topic, because you do not use  
Live, but then I ran into an interview with Jeff Rona where he speaks  
about this same technique with Live. And Rona has been working with  
Hassel so he's definitely into that vibe. Here's the article:
http://www.ableton.com/pages/artists/jeff_rona

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Jul 23 21:38:37 2006
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Date: Sun, 23 Jul 2006 14:38:34 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
To: Loopers-Delight@loopers-delight.com
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http://www.buyextras.com/2fiie13pcca.html

I'd try something like this before you muck about with
converting firewire to USB2 as I've heard USB2 isn't
all that for large streaming data applications like
audio or video.  I don't know if that's the best one
or best place to buy it from but I'm told they're
fairly common.

--- gareth whittock
<gareth@whiteoakstudios.freeserve.co.uk> wrote:

> Hi Kris,
> I just acquired a Tascam us122.
> 2 in 2 out, XLR/line or hi impedance guitar, direct
> monitoring, phantom power xlr, usb and - no power
> supply!!
> 24 bit - bloody marvelous - its my main card now
> Oh and
> MIDI too!!!!!
> 
> G
>   ----- Original Message ----- 
>   From: Krispen Hartung 
>   To: Loopers-Delight@loopers-delight.com 
>   Sent: Saturday, July 22, 2006 9:48 PM
>   Subject: Firewire/USB 2.0 Adaptors for M-Audio
> Firewire Solo
> 
> 
>   While we're on this topic. I am thinking of
> getting the m-Audio Firewire Solo as input for my
> guitar, not because I don't like my Echo Indio IO
> card, but because I'd like the option of having an
> actual mic XLR and as well as 1/4 inch inputs. 
> However, my notebook doesn't have firewire, only USB
> 2.0. 
> 
>   I found a few cardbus Firewire/USB 2.0 converters
> that will do the trick, like this one:
>
http://www.usb-ware.com/ads-usb-2-firewire-cardbus.htm
> 
>   Can anyone else make any recommendations?
> 
>   Here is the m-Audio Firewire Solo:
>
http://www.m-audio.com/products/en_us/FireWireSolo-main.html
> 
>   Kris
> 
> 
> 
>     ----- Original Message ----- 
>     From: Krispen Hartung 
>     To: Loopers-Delight@loopers-delight.com 
>     Sent: Saturday, July 22, 2006 2:02 PM
>     Subject: Re: Sample sound clip from my notebook
> computer system
> 
> 
>     Ted, the trick is to build your computer system
> on the side so that you don't have to go without
> full functioning system for any period of
> time...then you can transition slowly into the
> notebook system.  Once you get your notebook
> computer and sound card, then we can help you build
> a basic system for very low cost. Get an inexpensive
> VST host like Chainer, EnergyXT, or Plogue Bidule
> (all less than $100), and then take advantage of the
> thousands of free VST effects out there.  You will
> be amazed at how many effects you can replace in
> your hardware system with just free
> VSTs...astounding. 
> 
>     ...then, once you get that basic notebook system
> up and running, you can start selling one hardware
> effect at a time to purchase more expensive and
> higher quality VST effects and hosts.  You could buy
> sophisticated VST effect systems like Reaktor, PSP84
> and PSP42, Pluggo, Hipno, etc. And you could get
> more sophisticated VST hosts, like MAX/MSP, if you
> choose.  Next thing you know, you have gradually
> replaced every cell in your guitar system body with
> a new cell...hope you like the analogy.
> 
>     So, there is a relatively easy way to make the
> transition without it being too painful, radical, or
> costly.
> 
>     Kris
> 
>       ----- Original Message ----- 
>       From: tEd ® kiLLiAn 
>       To: Loopers-Delight@loopers-delight.com 
>       Sent: Saturday, July 22, 2006 1:51 PM
>       Subject: Re: Sample sound clip from my
> notebook computer system
> 
> 
>       Jeff,
> 
>       On Jul 22, 2006, at 11:31 AM, Jeff Kaiser
> wrote:
> 
> 
>         Ted: Sell your gear. Buy a laptop.
> 
> 
>       I might just yet . . . however, I have a track
> record of selling off bunches of 
>       perfectly good gear from time to time in order
> to afford getting the "latest 
>       greatest" thing (ya know it's true) and then
> about 3/4 of the time I wind up 
>       being so disappointed with the new stuff and
> wishin' I hadn't that it's sorta
>       heartbreaking.
> 
>       After 43 years of playing I finally have a set
> of sounds I like, I finally sound 
>       like myself (I think). And I still have the
> depth in what gear I have to learn new 
>       things -- room for growth. Yes, hauling gear
> is a pain, but giving up that other 
>       aspect (my personal sound) for the total
> unknown is a daunting proposition 
>       that will probably have to take some
> significant other motivating factor to get 
>       me to give in, turn loose, whatever. Pain is a
> good motivator . . . but so far 
>       it's only pain.
> 
>       Peace,
> 
>       tEd ® kiLLiAn
> 
>       "Different is not always better, but better is
> always different"
> 
>       http://www.pfmentum.com/flux.html
>       http://www.CDbaby.com/cd/tedkillian
>       http://www.guitar9.com/fluxaeterna.html
>       http://www.garageband.com/artist/ArsOcarina
>      
>
http://www.towerrecords.com/product.aspx?pfid=2845073
>      
>
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
>      
>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
> 
>      
>
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121197000042
> 
>       Ted Killian's "Flux Aeterna" is also available
> at: Apple iTunes,
>       BuyMusic, Rhapsody, MusicMatch, MusicNet,
> DiscLogic, Napster,
>       AudioLunchbox, Lindows, QTRnote, Music4Cents,
> Etherstream,
>       RuleRadio, EMEPE3, Sony Connect, CatchMusic,
> Puretracks,
>       and Viztas. Yadda, yadda, yadda. Blah, blah,
> blah. So???


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 00:26:38 2006
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Message-ID: <20060724002635.96743.qmail@web31910.mail.mud.yahoo.com>
Date: Sun, 23 Jul 2006 17:26:35 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: airtap
To: Loopers-Delight@loopers-delight.com
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how many of us will be incorporating some of this into
our own styles?...thanks for posting that.
dSv

--- RP Collier <skeptikalist@gmail.com> wrote:

> Different sort of guitar styling:
> 
>
http://www.youtube.com/watch?v=AbndgwfG22k&search=airtap
> 
> Nice flick of the wrist gesture.
> 
> Can't remember where I came across it, sorry if it
> was previously  
> posted.
> 
> regards
> 
> 
> BobC
> 
> 
> 
> 
> http://www.cdbaby.com/rpcollier
> http://www.cdbaby.com/rpcollier2
> http://tinyurl.com/cr25j
> http://www.youtube.com/watch?v=sn--iF6a4Xo
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 01:26:02 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <20060723213834.43068.qmail@web81315.mail.mud.yahoo.com>
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
Date: Sun, 23 Jul 2006 19:25:57 -0600
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this is exactly what I have picked out, except a different brand that has 
been tested with ThinkPads.  I don't like the idea of converting firewire to 
USB either.

K-

----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 23, 2006 3:38 PM
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo


> http://www.buyextras.com/2fiie13pcca.html
>
> I'd try something like this before you muck about with
> converting firewire to USB2 as I've heard USB2 isn't
> all that for large streaming data applications like
> audio or video.  I don't know if that's the best one
> or best place to buy it from but I'm told they're
> fairly common.
>
> --- gareth whittock
> <gareth@whiteoakstudios.freeserve.co.uk> wrote:
>
>> Hi Kris,
>> I just acquired a Tascam us122.
>> 2 in 2 out, XLR/line or hi impedance guitar, direct
>> monitoring, phantom power xlr, usb and - no power
>> supply!!
>> 24 bit - bloody marvelous - its my main card now
>> Oh and
>> MIDI too!!!!!
>>
>> G
>>   ----- Original Message ----- 
>>   From: Krispen Hartung
>>   To: Loopers-Delight@loopers-delight.com
>>   Sent: Saturday, July 22, 2006 9:48 PM
>>   Subject: Firewire/USB 2.0 Adaptors for M-Audio
>> Firewire Solo
>>
>>
>>   While we're on this topic. I am thinking of
>> getting the m-Audio Firewire Solo as input for my
>> guitar, not because I don't like my Echo Indio IO
>> card, but because I'd like the option of having an
>> actual mic XLR and as well as 1/4 inch inputs.
>> However, my notebook doesn't have firewire, only USB
>> 2.0.
>>
>>   I found a few cardbus Firewire/USB 2.0 converters
>> that will do the trick, like this one:
>>
> http://www.usb-ware.com/ads-usb-2-firewire-cardbus.htm
>>
>>   Can anyone else make any recommendations?
>>
>>   Here is the m-Audio Firewire Solo:
>>
> http://www.m-audio.com/products/en_us/FireWireSolo-main.html
>>
>>   Kris
>>
>>
>>
>>     ----- Original Message ----- 
>>     From: Krispen Hartung
>>     To: Loopers-Delight@loopers-delight.com
>>     Sent: Saturday, July 22, 2006 2:02 PM
>>     Subject: Re: Sample sound clip from my notebook
>> computer system
>>
>>
>>     Ted, the trick is to build your computer system
>> on the side so that you don't have to go without
>> full functioning system for any period of
>> time...then you can transition slowly into the
>> notebook system.  Once you get your notebook
>> computer and sound card, then we can help you build
>> a basic system for very low cost. Get an inexpensive
>> VST host like Chainer, EnergyXT, or Plogue Bidule
>> (all less than $100), and then take advantage of the
>> thousands of free VST effects out there.  You will
>> be amazed at how many effects you can replace in
>> your hardware system with just free
>> VSTs...astounding.
>>
>>     ...then, once you get that basic notebook system
>> up and running, you can start selling one hardware
>> effect at a time to purchase more expensive and
>> higher quality VST effects and hosts.  You could buy
>> sophisticated VST effect systems like Reaktor, PSP84
>> and PSP42, Pluggo, Hipno, etc. And you could get
>> more sophisticated VST hosts, like MAX/MSP, if you
>> choose.  Next thing you know, you have gradually
>> replaced every cell in your guitar system body with
>> a new cell...hope you like the analogy.
>>
>>     So, there is a relatively easy way to make the
>> transition without it being too painful, radical, or
>> costly.
>>
>>     Kris
>>
>>       ----- Original Message ----- 
>>       From: tEd ® kiLLiAn
>>       To: Loopers-Delight@loopers-delight.com
>>       Sent: Saturday, July 22, 2006 1:51 PM
>>       Subject: Re: Sample sound clip from my
>> notebook computer system
>>
>>
>>       Jeff,
>>
>>       On Jul 22, 2006, at 11:31 AM, Jeff Kaiser
>> wrote:
>>
>>
>>         Ted: Sell your gear. Buy a laptop.
>>
>>
>>       I might just yet . . . however, I have a track
>> record of selling off bunches of
>>       perfectly good gear from time to time in order
>> to afford getting the "latest
>>       greatest" thing (ya know it's true) and then
>> about 3/4 of the time I wind up
>>       being so disappointed with the new stuff and
>> wishin' I hadn't that it's sorta
>>       heartbreaking.
>>
>>       After 43 years of playing I finally have a set
>> of sounds I like, I finally sound
>>       like myself (I think). And I still have the
>> depth in what gear I have to learn new
>>       things -- room for growth. Yes, hauling gear
>> is a pain, but giving up that other
>>       aspect (my personal sound) for the total
>> unknown is a daunting proposition
>>       that will probably have to take some
>> significant other motivating factor to get
>>       me to give in, turn loose, whatever. Pain is a
>> good motivator . . . but so far
>>       it's only pain.
>>
>>       Peace,
>>
>>       tEd ® kiLLiAn
>>
>>       "Different is not always better, but better is
>> always different"
>>
>>       http://www.pfmentum.com/flux.html
>>       http://www.CDbaby.com/cd/tedkillian
>>       http://www.guitar9.com/fluxaeterna.html
>>       http://www.garageband.com/artist/ArsOcarina
>>
>>
> http://www.towerrecords.com/product.aspx?pfid=2845073
>>
>>
> http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
>>
>>
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
>>
>>
>>
> http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121197000042
>>
>>       Ted Killian's "Flux Aeterna" is also available
>> at: Apple iTunes,
>>       BuyMusic, Rhapsody, MusicMatch, MusicNet,
>> DiscLogic, Napster,
>>       AudioLunchbox, Lindows, QTRnote, Music4Cents,
>> Etherstream,
>>       RuleRadio, EMEPE3, Sony Connect, CatchMusic,
>> Puretracks,
>>       and Viztas. Yadda, yadda, yadda. Blah, blah,
>> blah. So???
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 01:43:59 2006
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From: "mungenast@earthlink.net" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Hexaphonic guitar (was: single coil & hum (was  EH2880 on video)
Date: Sun, 23 Jul 2006 21:48:28 -0400
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Dreamchild's music is a great example of what can be done with a
VG8...www.myspace.com/dreamchild 
As for the VG88, I am told that it's basically a VG8 MINUS all the fun
space-noise bells and whistles. 
~TimM


> [Original Message]
> From: Mark Smart <mwsmart@insightbb.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 7/21/2006 9:30:30 PM
> Subject: Re: Hexaphonic guitar (was: single coil & hum (was  EH2880 on
video)
>
> Hi all.
> I can contribute a few ideas.
>
>
>
> ROLAND VG-8
>
> I have a Roland VG-8, which is driven by a Roland GK-2 style pickup. If
you just
> want to do polyphonic distortion, this is a really good unit for that.
You can
> choose what type of guitar pickup you want to sound like, pan the
individual
> strings in stereo, add effects, all kindsa cool stuff.
>
> A while back in the jazz guitar newsgroup we were having an
argument/discussion
> about whether hexaphonic distortion sounds different than regular
> distortion...yes, some people were actually arguing that they sound the
same!
> Anyway, I put up some mp3s to demonstrate the difference using the VG-8.
So if
> you want to know what the VG-8's hex distortion sounds like, here it is:
>
> http://www.marksmart.net/sounddesign/guitarsounds/VG8/HexFuzz.html
>
> You can get 'em on Ebay. I'm sure the VG-88 can do all the same stuff.
>
>
>
>
> RMC FANOUT BOX
>
> This is a splitter box that can be used to tap off the individual analog
string
> signals from a Roland GK-2 type pickup:
>
> http://www.rmcpickup.com/fanoutbox.html
>
>
>
>
> HEX PICKUPS IN REGULAR BODY
>
> For a while, I have been investigating regular humbucker-sized hex
pickups for
> use with my looping setup:
>
> http://www.marksmart.net/gearhack/jazzpedalboard/jazzpedalboard.html#V2
>
> The reason is that I like to use an octave divider for bass rather than a
synth
> or the VG-8 (which also has a tracking delay when the pitch shifter is
> activated). Octave dividers like the Chili Dog I use have real problems
trying
> to track a signal from a pickup at the bridge. So a hex piclup in a
humbucker
> body is desirable.
>
> Apparently Bartolini made these a long time ago, and that is what got
used in
> the stereo Eddie Van Halen guitar mentioned eralier.
>
> I have been using this very cool pickup by Rick Copeland:
>
> http://www.marksmart.net/gearhack/jazzpedalboard/copeland.html
>
> This thing is great, but seems to be unavailable now.
>
> There is a guy in Sweden named Olle Svensson who makes similar hex
pickups. I
> had him make me one. It was very reasonably priced and looks great, but I
> haven't had a chance to really try it out yet because I keep getting
distracted
> with lots of other stuff. If anyone is interested in asking him about a
custom
> pickup, I can give you his email. He also makes them with hex distortion
built
> in.
>
> There is a place called Sound Garage that makes a unit with a regular
humbucker
> and a hex humbuckler built into the same humbucker body. This is intended
to be
> used for GK-style synth output in the bridge position, but it looks like
it
> could be adapted for use in the neck position.
>
> http://www.quest-md.com/soundgarage/index_e.html
>
> Hope this info helps.
>
> Mark Smart
> http://www.marksmart.net/


From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 02:25:03 2006
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From: Kevin <kevin@TheNettles.com>
Subject: MadPlayer, BhajisLoops (Was: VST Host & Effects on PDA)
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At 12:08 PM 7/4/2006, mech wrote:
>The software is Bhajis Loops ( http://www.chocopoolp.com ). 
>Unfortunately, it's not as cool as I remember it (but then again, 
>what ever is?).  It does seem to be an homage to Ableton Live, but 
>on Palm OS.  There are two serious shortcomings, however.  First and 
>foremost, it does not seem to accept live input.  You have to either 
>record or input .WAV's separately before working with them.  Second, 
>and contrary to my first impression, it will *not* act as a VST 
>host. However, it includes almost 20 native effects on its own, so 
>you can already do a lot with what's there.  And of course it's 
>pretty fully functional otherwise, especially with the pattern and 
>wave editors.

BhajisLoops is for composing loop-based tunes.  What it's really good 
for is long airplane flights.  Much better than 
MadPlayer  (www.MadPlayer.com) although MadPlayer works if you do 
hiphop or if you view it as a fun game.  MadPlayers are cheap, 
too.  I got mine for fifty bucks on eBay and downloaded the latest 
firmware for free.  MadPlayer has serious limitations as a 
compositional tool but is a lot of fun to play with. (Are you 
listening loop.pool?) ;-)

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 05:10:31 2006
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Subject: Vedr. Re: reverb just on the delays 
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Hi !
   
  Thanks.
   
  Regarding using Ableton as a mixer for your EDP. 
  Can you tell more about your gear and how you do this and maybe also the strong and weak sides of doing it like this?
   
  RF
   
   

Per Boysen <perboysen@gmail.com> skrev:
  On 21 jul 2006, at 20.00, rune fagereng wrote:

> On some of Jon Hassells tunes, his trompetsound has a near and 
> close direct sound, and just a small amout of his sound (lets say 
> 20%) has a big reverb, I think. The part that has reverb, also has 
> some delay, I think. But there are no delay on the direct sound, I 
> think....
>
> I play guitar, with the use of TC 2290 for delay, and a Alesis for 
> reverb. The Alesis is in the fx-chain of the Tc.
>
> Any Thoughts of how to get "closer" to the Hassells sound, in the 
> manner of getting reverb just on the delays ? Or any tips what so 
> ever ?


Hi Rune,

This post may not be relevant for your recent setup but I think it's 
a good tip, so I'm posting it anyway. I found out about it when using 
Ableton Live as the mixer for my EDP, other hardware machines and 
some software looping plug-ins. The point is that if you simply send 
part of your signal to a huge reverb (or delay, or both) it may 
quickly smear out the music so it becomes lame. The trick is to 
punctuate the reverb (in the effect loop) with short time segments of 
the audio that is going constantly. Then the listener can follow that 
note flying away towards the horizon on those beautiful clouds of 
reverb. Hassel often uses a freeze reverb for that; i.e. a reverb 
that keeps the last input audio frozen until new audio is coming 
(pretty clear you can't feed such a reverb with a constant guitar 
mangling? ;-)

So, one of the important steps here is to find a way to open up the 
effect send for just a short time. On a physical mixer you can do 
that with mute buttons on the busses. You may also set up foot pedals 
to open and close. But the method I like to use with Live is to 
create an empty "dummy" clip (audio or midi loop with no content) and 
then draw some suitable "Clip Envelopes" for the Effect Send Knog on 
that loop. This way you can many (alternative) loops of different 
lengths that only spin for the purpose of opening up the Effect Send 
on short 16th note (or whatever) durations every now and then. When 
working with Live there is a very good Freeze Verb preset coming with 
the built-in reverb (my overall fav verb. IMHO much cooler than any 
impulse response reverb).

First I thought this tip was too off topic, because you do not use 
Live, but then I ran into an interview with Jeff Rona where he speaks 
about this same technique with Live. And Rona has been working with 
Hassel so he's definitely into that vibe. Here's the article:
http://www.ableton.com/pages/artists/jeff_rona

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom






www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
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<div>Hi !</div>  <div>&nbsp;</div>  <div>Thanks.</div>  <div>&nbsp;</div>  <div>Regarding using Ableton as a mixer for your EDP. </div>  <div>Can you tell more about&nbsp;your gear and how you do this and maybe also the strong and weak sides of doing it like this?</div>  <div>&nbsp;</div>  <div>RF</div>  <div>&nbsp;</div>  <div>&nbsp;<BR><BR><B><I>Per Boysen &lt;perboysen@gmail.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">On 21 jul 2006, at 20.00, rune fagereng wrote:<BR><BR>&gt; On some of Jon Hassells tunes, his trompetsound has a near and <BR>&gt; close direct sound, and just a small amout of his sound (lets say <BR>&gt; 20%) has a big reverb, I think. The part that has reverb, also has <BR>&gt; some delay, I think. But there are no delay on the direct sound, I <BR>&gt; think....<BR>&gt;<BR>&gt; I play guitar, with the use of TC 2290 for delay, and a Alesis for <BR>&gt; reverb. The
 Alesis is in the fx-chain of the Tc.<BR>&gt;<BR>&gt; Any Thoughts of how to get "closer" to the Hassells sound, in the <BR>&gt; manner of getting reverb just on the delays ? Or any tips what so <BR>&gt; ever ?<BR><BR><BR>Hi Rune,<BR><BR>This post may not be relevant for your recent setup but I think it's <BR>a good tip, so I'm posting it anyway. I found out about it when using <BR>Ableton Live as the mixer for my EDP, other hardware machines and <BR>some software looping plug-ins. The point is that if you simply send <BR>part of your signal to a huge reverb (or delay, or both) it may <BR>quickly smear out the music so it becomes lame. The trick is to <BR>punctuate the reverb (in the effect loop) with short time segments of <BR>the audio that is going constantly. Then the listener can follow that <BR>note flying away towards the horizon on those beautiful clouds of <BR>reverb. Hassel often uses a freeze reverb for that; i.e. a reverb <BR>that keeps the last input audio
 frozen until new audio is coming <BR>(pretty clear you can't feed such a reverb with a constant guitar <BR>mangling? ;-)<BR><BR>So, one of the important steps here is to find a way to open up the <BR>effect send for just a short time. On a physical mixer you can do <BR>that with mute buttons on the busses. You may also set up foot pedals <BR>to open and close. But the method I like to use with Live is to <BR>create an empty "dummy" clip (audio or midi loop with no content) and <BR>then draw some suitable "Clip Envelopes" for the Effect Send Knog on <BR>that loop. This way you can many (alternative) loops of different <BR>lengths that only spin for the purpose of opening up the Effect Send <BR>on short 16th note (or whatever) durations every now and then. When <BR>working with Live there is a very good Freeze Verb preset coming with <BR>the built-in reverb (my overall fav verb. IMHO much cooler than any <BR>impulse response reverb).<BR><BR>First I thought this tip was too
 off topic, because you do not use <BR>Live, but then I ran into an interview with Jeff Rona where he speaks <BR>about this same technique with Live. And Rona has been working with <BR>Hassel so he's definitely into that vibe. Here's the article:<BR>http://www.ableton.com/pages/artists/jeff_rona<BR><BR>Greetings from Sweden<BR><BR>Per Boysen<BR>www.boysen.se (Swedish)<BR>www.looproom.com (international)<BR>http://tinyurl.com/fauvm (podcast)<BR>http://www.myspace.com/looproom<BR><BR><BR><BR></BLOCKQUOTE><BR><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-1661926527-1153717828=:68313--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 08:07:52 2006
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From: "Ben" <benoitruelle@yahoo.fr>
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Date: Mon, 24 Jul 2006 10:07:46 +0200
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Do you like tap dancing ;-)
http://www.sonicstate.com/news/shownews.cfm?newsid=3266

Ben.


	

	
		
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 09:32:42 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Vedr. Re: reverb just on the delays 
Date: Mon, 24 Jul 2006 11:32:36 +0200
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On 24 jul 2006, at 07.10, rune fagereng wrote:

> Regarding using Ableton as a mixer for your EDP.
> Can you tell more about your gear and how you do this and maybe  
> also the strong and weak sides of doing it like this?

I have a sound card with many inputs and outputs (RME Multiface). One  
strong side of Live's mixer is that it's very easy and fast to work  
with. I mean; all inputs and outputs are directly accessible on each  
track. Not only the analog and digital ins and outs of the sound  
card, you also get MIDI in and out and the option to set any other  
track as one track's output. This makes it easy to combine EDP and  
other hardware with software loopers of all kind. If you run Live on  
a Mac you may also incorporate the MIDI pipes built into the computer  
system which is handy for sending control MIDI data between plugins,  
tracks and external gear (in XP you can achieve about the same with  
the MIDI Yoke hack).

Other strong sides is all the built-in effect plug-ins that comes  
with Live (I especially adore that Freeze Reverb) but I also find it  
cool to use Live's "Pan Plug" for beat synced tremolo with the option  
to sweep the tempo divider for those "copter landing/take-off" effects.

A bit more advanced stuff you can do with Live is to create loops of  
MIDI (or "Clip Envelopes", see Live's manual) that you can launch to  
send sequences of commands to your loopers (to the EDP via the  
physical MIDI output port). If you record loops in Live, as Live  
Clips (either audio or MIDI loops) you may also do cool things with  
the random launching function (see Live's manual on "Follow Action").  
Clips (loops) on the same track in Live can also be set to "legato  
mode" which means that if one loop is playing at 2 bars, on 4th and  
one 16th when you jump to another loop (for playback on that track)  
this new loop will take over and begin playing back also at "2 bars,  
on 4th and one 16th".

Weak sides of using Live as the mixer for EDP (and other hardware  
audio devices) is that any live input (real-time audio stream) is  
being delayed by the process when the computer had to digitize it  
(the AD conversion - analog to digital). This is what's being called  
"latency" and is not a problem specific to Live but to all setups  
that combine external real-time processes with computer applications.  
I did not perceive it as a problem though when doing slow and ambient  
music, although I used the laptop with Live as the routing patch bay  
and mixer for both the EDP, analog filter bank (beat synced by MIDI  
Clock) and outboard reverb. I could mix these three audio sources and  
also send "effect aux send" to them without disturbing phasing errors  
or (worse) musical timing errors. Live has a built in latency  
compensation, but this can only work on tracks that play back already  
recorded material, because Live needs to "pre view" to do the time  
shifting. And there is no way to preview external real-time input.  
(Regarding AD/DA related latency I must say that I enjoy looping in  
Mobius as a standalone application because it's super tight and rock  
solid. Instead of MIDI loops in Live I'm now using special scripts  
that kind of do the same things - but you do hear the difference in  
musical accuracy... timing-wise).

Another weak side with Live is that it's not very stable when used as  
the MIDI Clock sync slave. Especially with the EDP as the master,  
because every time you go HalfSpeed the tempo goes down by 50  
percent. I really like to use that musically but with Live it's not  
possible (as it is when running a Repeater synced to the EDP). But  
this is not a problem as long as you use Live as the tempo master;  
you can assign a pedal to Tap Tempo in Live and this is the way I've  
been doing it (although I tend to feel about it as "a workaround").  
Just tap four kicks on the tempo pedal and kick the fifth on the  
Looper Record button will work.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 10:11:35 2006
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Subject: Re: airtap
Date: Mon, 24 Jul 2006 11:11:16 +0100
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I'm reminded of the work Larajii did with Eno some years ago, "Ambient 3: 
Day of Radiance", combined with the Zither played with small hammers. 
Interesting - and it does bring up the aspect of "is tapping guitar playing 
or use of the guitar as melodic percussion?"  But very light-sounding.  One 
wonders how he'd sound after Eno had at him... :)

----- Original Message ----- 
From: "daniel stevenson" <stillllscary@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, 24 July, 2006 01:26 AM
Subject: Re: airtap


> how many of us will be incorporating some of this into
> our own styles?...thanks for posting that.
> dSv
>
> --- RP Collier <skeptikalist@gmail.com> wrote:
>
>> Different sort of guitar styling:
>>
>>
> http://www.youtube.com/watch?v=AbndgwfG22k&search=airtap
>>
>> Nice flick of the wrist gesture.
>>
>> Can't remember where I came across it, sorry if it
>> was previously
>> posted.
>>
>> regards
>>
>>
>> BobC
>>
>>
>>
>>
>> http://www.cdbaby.com/rpcollier
>> http://www.cdbaby.com/rpcollier2
>> http://tinyurl.com/cr25j
>> http://www.youtube.com/watch?v=sn--iF6a4Xo
>>
>>
>
>
> __________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 12:29:57 2006
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Subject: Re: RC-50 video on summer NAMM
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Hi

<>>RC-50 video on summer NAMM
> Do you like tap dancing ;-)
> http://www.sonicstate.com/news/shownews.cfm?newsid=3266
Glad to see that they have a Boss live looping demo not by a guitar player for a change. ;-)

On the week-end, I bought extra footswitches for my RC-50. My leg started hurting yesterday.. The RC-50 does require quite a lot of tap dancing...
Then again, I wonder why this guy Rico is just using one foot for all these pedals while sitting. Two feet are more efficient with the RC-50.

btw: I wonder why he doesn't demonstrate the tempo feature.... ;-)))

Buzap
-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*. Nur noch kurze Zeit!
"Feel free" mit GMX DSL: http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 13:36:30 2006
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: airtap
Date: Mon, 24 Jul 2006 14:36:23 +0100
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http://www.youtube.com/watch?v=AbndgwfG22k&search=airtap


hmm... I think he needs a flautist.... something to drag the tonal centre
around a bit. a bit of stanley jordan in there too, wasn't there?
I saw pierre bensusan (with didier malherbe, hence the flute ref) a few
years ago. I think he had two 'plexes..... same sort of overall effect, but
he was able to modulate around a bit by using the loopers instead of trying
to do it all single-handed.
don't get me wrong- this guy's performance is very impressive.... but it
straight away made me wonder if anyone had ever built something like a
pedal-steel with an "ordinary" fingerboard to facilitate two-handed tapping
& key changes on the same instrument....

d. 


***************************************************************************
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<BR>

<P><FONT SIZE=3D2><A HREF=3D"http://www.youtube.com/watch?v=3DAbndgwfG22k&s=
earch=3Dairtap" TARGET=3D"_blank">http://www.youtube.com/watch?v=3DAbndgwfG=
22k&search=3Dairtap</A></FONT>
</P>
<BR>

<P><FONT SIZE=3D2>hmm... I think he needs a flautist.... something to drag =
the tonal centre around a bit. a bit of stanley jordan in there too, wasn't=
 there?</FONT></P>

<P><FONT SIZE=3D2>I saw pierre bensusan (with didier malherbe, hence the fl=
ute ref) a few years ago. I think he had two 'plexes..... same sort of over=
all effect, but he was able to modulate around a bit by using the loopers i=
nstead of trying to do it all single-handed.</FONT></P>

<P><FONT SIZE=3D2>don't get me wrong- this guy's performance is very impres=
sive.... but it straight away made me wonder if anyone had ever built somet=
hing like a pedal-steel with an &quot;ordinary&quot; fingerboard to facilit=
ate two-handed tapping &amp; key changes on the same instrument....</FONT><=
/P>

<P><FONT SIZE=3D2>d. </FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 14:07:52 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com, LoopMusic@yahoogroups.com
Subject: Selling my hardware effect/looping system! (2 VF1s, Fireworx, Looperlative)
Date: Mon, 24 Jul 2006 08:07:47 -0600
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	charset="iso-8859-1"
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In case anyone is interested....this signifies my official commitment to =
a notebook/software looping system, removing the safety net and security =
blanket of hardware.

http://www.krispenhartung.com/rack.htm  (this sells as a system, wired, =
and ready to go inside the rack)


*************************************************
Krispen Hartung / Improvisational Looping Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
Looper's Delight Playlist - =
http://www.boisemusicians.com/loopers-delight.m3u
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charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2>In case anyone is interested....this =
signifies my=20
official commitment to&nbsp;a notebook/software looping system, removing =
the=20
safety net and security blanket of hardware.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><A href=3D"http://www.krispenhartung.com/rack.htm"><FONT =
face=3DArial=20
size=3D2>http://www.krispenhartung.com/rack.htm</FONT></A><FONT =
face=3DArial=20
size=3D2>&nbsp; (this sells as a system, wired, and ready to go inside =
the=20
rack)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT><FONT face=3DArial =
size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>*************************************************<BR>Krispen =
Hartung /=20
Improvisational Looping Guitar<BR></FONT><A=20
href=3D"http://www.krispenhartung.com"><FONT face=3DArial=20
size=3D2>www.krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> / =
</FONT><A=20
href=3D"http://www.myspace.com/krispenhartung"><FONT face=3DArial=20
size=3D2>www.myspace.com/krispenhartung</FONT></A><BR><A=20
href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial=20
size=3D2>info@krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> =
/=20
1.208.724.5603 <BR>Discography - </FONT><A=20
href=3D"http://www.krispenhartung.com/catalogue.htm"><FONT face=3DArial=20
size=3D2>http://www.krispenhartung.com/catalogue.htm</FONT></A><BR><FONT =

face=3DArial size=3D2>Looper's Delight Playlist - </FONT><A=20
href=3D"http://www.boisemusicians.com/loopers-delight.m3u"><FONT =
face=3DArial=20
size=3D2>http://www.boisemusicians.com/loopers-delight.m3u</FONT></A></DI=
V></BODY></HTML>

------=_NextPart_000_0695_01C6AEF8.3FE08900--


From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 15:03:11 2006
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From: "Fabio Anile" <fabio.anile@tiscali.it>
To: <Loopers-Delight@loopers-delight.com>
References: <069801c6af2a$8b70f1c0$10b0ec0f@americas.hpqcorp.net>
Subject: Re: Selling my hardware effect/looping system! (2 VF1s, Fireworx, Looperlative)
Date: Mon, 24 Jul 2006 17:03:00 +0200
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Kris, this is just to say that the Looper's Delight Playlist doesn't =
work...
Can you check it ?=20
Is it my PC or ther's some other problem ?
Ciao
fabio

PS: nice and usefull set-up...how can you change your gear every 4-6 =
months ?


  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com ; LoopMusic@yahoogroups.com=20
  Sent: Monday, July 24, 2006 4:07 PM
  Subject: Selling my hardware effect/looping system! (2 VF1s, Fireworx, =
Looperlative)


  In case anyone is interested....this signifies my official commitment =
to a notebook/software looping system, removing the safety net and =
security blanket of hardware.

  http://www.krispenhartung.com/rack.htm  (this sells as a system, =
wired, and ready to go inside the rack)


  *************************************************
  Krispen Hartung / Improvisational Looping Guitar
  www.krispenhartung.com / www.myspace.com/krispenhartung
  info@krispenhartung.com / 1.208.724.5603=20
  Discography - http://www.krispenhartung.com/catalogue.htm
  Looper's Delight Playlist - =
http://www.boisemusicians.com/loopers-delight.m3u
------=_NextPart_000_0105_01C6AF43.04A43DA0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Kris, this is just to =
say that the=20
Looper's Delight Playlist doesn't work...</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Can you check it ? =
</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Is it my PC or ther's =
some other=20
problem ?</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Ciao</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>fabio</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>PS: nice and usefull =
set-up...how=20
can you change your gear every 4-6 months ?</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000080 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  ; <A title=3DLoopMusic@yahoogroups.com=20
  =
href=3D"mailto:LoopMusic@yahoogroups.com">LoopMusic@yahoogroups.com</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 24, 2006 =
4:07 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Selling my hardware=20
  effect/looping system! (2 VF1s, Fireworx, Looperlative)</DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>In case anyone is interested....this =
signifies my=20
  official commitment to&nbsp;a notebook/software looping system, =
removing the=20
  safety net and security blanket of hardware.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><A href=3D"http://www.krispenhartung.com/rack.htm"><FONT =
face=3DArial=20
  size=3D2>http://www.krispenhartung.com/rack.htm</FONT></A><FONT =
face=3DArial=20
  size=3D2>&nbsp; (this sells as a system, wired, and ready to go inside =
the=20
  rack)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT><FONT face=3DArial=20
size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial=20
  size=3D2>*************************************************<BR>Krispen =
Hartung /=20
  Improvisational Looping Guitar<BR></FONT><A=20
  href=3D"http://www.krispenhartung.com"><FONT face=3DArial=20
  size=3D2>www.krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> =
/ </FONT><A=20
  href=3D"http://www.myspace.com/krispenhartung"><FONT face=3DArial=20
  size=3D2>www.myspace.com/krispenhartung</FONT></A><BR><A=20
  href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial=20
  size=3D2>info@krispenhartung.com</FONT></A><FONT face=3DArial =
size=3D2> /=20
  1.208.724.5603 <BR>Discography - </FONT><A=20
  href=3D"http://www.krispenhartung.com/catalogue.htm"><FONT =
face=3DArial=20
  =
size=3D2>http://www.krispenhartung.com/catalogue.htm</FONT></A><BR><FONT =

  face=3DArial size=3D2>Looper's Delight Playlist - </FONT><A=20
  href=3D"http://www.boisemusicians.com/loopers-delight.m3u"><FONT =
face=3DArial=20
  =
size=3D2>http://www.boisemusicians.com/loopers-delight.m3u</FONT></A></DI=
V></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0105_01C6AF43.04A43DA0--


From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 15:36:41 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <069801c6af2a$8b70f1c0$10b0ec0f@americas.hpqcorp.net> <010801c6af32$42c8a870$e701a8c0@pcfabio>
Subject: Re: Selling my hardware effect/looping system! (2 VF1s, Fireworx, Looperlative)
Date: Mon, 24 Jul 2006 09:36:35 -0600
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Sorry, it should work now. I changed to a different web server last =
month and forgot to add this file. It should work now.

Ah yes..how I can change my gear so often?  I thrive on change, I guess. =
And these days, I'm also looking for ways to optimize and get the most =
out of less. The laptop seems to have met that criterion for the time =
being, unless someone comes out with a hardware unit that will do =
everything my laptop will....NOT Muse Receptor, as even that has its =
limitations and points of inflexibility. Plus, in most cases I am =
selling gear that I bought used (with exception of the Looperlative), so =
I don't really loose money in the changes.

And like I said, I really want to get a Taylor Nylon string. It is =
surprising that I haven't bought a nice electric nylon string after all =
these years, because the classical guitar was my first instrument, and I =
studies it for several years, from age 12 onward. Not that I plan to =
play Bach again (good grief, no....my brain is too full and I've =
forgotten that sheet music long ago), but it is the tone of the nylon =
string that I adore so much...and I am really looking forward to hearing =
it through my VST system.=20

Kris

  ----- Original Message -----=20
  From: Fabio Anile=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 24, 2006 9:03 AM
  Subject: Re: Selling my hardware effect/looping system! (2 VF1s, =
Fireworx, Looperlative)


  Kris, this is just to say that the Looper's Delight Playlist doesn't =
work...
  Can you check it ?=20
  Is it my PC or ther's some other problem ?
  Ciao
  fabio

  PS: nice and usefull set-up...how can you change your gear every 4-6 =
months ?


    ----- Original Message -----=20
    From: Krispen Hartung=20
    To: Loopers-Delight@loopers-delight.com ; LoopMusic@yahoogroups.com=20
    Sent: Monday, July 24, 2006 4:07 PM
    Subject: Selling my hardware effect/looping system! (2 VF1s, =
Fireworx, Looperlative)


    In case anyone is interested....this signifies my official =
commitment to a notebook/software looping system, removing the safety =
net and security blanket of hardware.

    http://www.krispenhartung.com/rack.htm  (this sells as a system, =
wired, and ready to go inside the rack)


    *************************************************
    Krispen Hartung / Improvisational Looping Guitar
    www.krispenhartung.com / www.myspace.com/krispenhartung
    info@krispenhartung.com / 1.208.724.5603=20
    Discography - http://www.krispenhartung.com/catalogue.htm
    Looper's Delight Playlist - =
http://www.boisemusicians.com/loopers-delight.m3u
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charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Sorry, it should work now. I changed to =
a different=20
web server last month and forgot to add this file. It should work=20
now.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ah yes..how I can change my gear so =
often?&nbsp; I=20
thrive on change, I guess.&nbsp;And these days, I'm also looking for =
ways to=20
optimize and get the most out of less. The laptop seems to have met that =

criterion for the time being, unless someone comes out with a hardware =
unit that=20
will do everything my laptop will....NOT&nbsp;Muse Receptor, as even =
that has=20
its limitations and points of inflexibility. Plus, in most cases I am =
selling=20
gear that I bought used (with exception of the Looperlative), so I don't =
really=20
loose money in the changes.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>And like I said, I really want to get a =
Taylor=20
Nylon string. It is surprising that I haven't bought a nice electric =
nylon=20
string after all these years, because the classical guitar was my first=20
instrument, and I studies it for several years, from age 12 onward. Not =
that I=20
plan to play Bach again (good grief, no....my brain is too full and I've =

forgotten that sheet music long ago), but it is the tone of the nylon =
string=20
that I adore so much...and I am really looking forward to hearing it =
through my=20
VST system. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dfabio.anile@tiscali.it =
href=3D"mailto:fabio.anile@tiscali.it">Fabio=20
  Anile</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 24, 2006 =
9:03 AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Selling my =
hardware=20
  effect/looping system! (2 VF1s, Fireworx, Looperlative)</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>Kris, this is just to =
say that=20
  the Looper's Delight Playlist doesn't work...</FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>Can you check it ? =
</FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>Is it my PC or ther's =
some other=20
  problem ?</FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>Ciao</FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>fabio</FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080>PS: nice and usefull =
set-up...how=20
  can you change your gear every 4-6 months ?</FONT></DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
  <DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000080 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
    Hartung</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    ; <A title=3DLoopMusic@yahoogroups.com=20
    =
href=3D"mailto:LoopMusic@yahoogroups.com">LoopMusic@yahoogroups.com</A> =
</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 24, 2006 =
4:07=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Selling my hardware=20
    effect/looping system! (2 VF1s, Fireworx, Looperlative)</DIV>
    <DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>In case anyone is =
interested....this signifies=20
    my official commitment to&nbsp;a notebook/software looping system, =
removing=20
    the safety net and security blanket of hardware.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><A href=3D"http://www.krispenhartung.com/rack.htm"><FONT =
face=3DArial=20
    size=3D2>http://www.krispenhartung.com/rack.htm</FONT></A><FONT =
face=3DArial=20
    size=3D2>&nbsp; (this sells as a system, wired, and ready to go =
inside the=20
    rack)</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2></FONT><FONT face=3DArial=20
    size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial=20
    =
size=3D2>*************************************************<BR>Krispen =
Hartung=20
    / Improvisational Looping Guitar<BR></FONT><A=20
    href=3D"http://www.krispenhartung.com"><FONT face=3DArial=20
    size=3D2>www.krispenhartung.com</FONT></A><FONT face=3DArial =
size=3D2> / </FONT><A=20
    href=3D"http://www.myspace.com/krispenhartung"><FONT face=3DArial=20
    size=3D2>www.myspace.com/krispenhartung</FONT></A><BR><A=20
    href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial=20
    size=3D2>info@krispenhartung.com</FONT></A><FONT face=3DArial =
size=3D2> /=20
    1.208.724.5603 <BR>Discography - </FONT><A=20
    href=3D"http://www.krispenhartung.com/catalogue.htm"><FONT =
face=3DArial=20
    =
size=3D2>http://www.krispenhartung.com/catalogue.htm</FONT></A><BR><FONT =

    face=3DArial size=3D2>Looper's Delight Playlist - </FONT><A=20
    href=3D"http://www.boisemusicians.com/loopers-delight.m3u"><FONT =
face=3DArial=20
    =
size=3D2>http://www.boisemusicians.com/loopers-delight.m3u</FONT></A></DI=
V></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 15:42:06 2006
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From: "Tony K" <bigtony@softhome.net>
To: Loopers-Delight@loopers-delight.com
References: <000601c6ad28$0a071050$0101a8c0@succubus>
Subject: Re: Tony and Rainer make weird noises.
Date: Mon, 24 Jul 2006 11:40:21 -0400
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Sorry I'm coming back to this late. My home Windows system seems to have =
decided to lose the Registry file, so I'm rebuilding. =20

Anyway, yes.  I'm pretty sure the 'artificial guitar' is me. processed =
like crazy.  I have so many signal paths through my system, it's hard to =
remember what I was doing.

Tony
  ----- Original Message -----=20
  From: Rainer Thelonius Balthasar Straschill=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, July 21, 2006 8:44 PM
  Subject: AW: Tony and Rainer make weird noises.


  yeah, that's OhmBoyz all right...as well as the things 'round 7:30 =
that go "quaquawheekah...quakahhquakkaahhh". If I remember correctly, =
the synth loop and the OhmBoyz is done by me, the "artifical guitar" is =
Tony K...Tony, is that what you remember, too? ;)



-------------------------------------------------------------------------=
---
    Von: Krispen Hartung [mailto:khartung@cableone.net]=20
    Gesendet: Samstag, 22. Juli 2006 00:09
    An: Loopers-Delight@loopers-delight.com
    Betreff: Re: Tony and Rainer make weird noises.


    It's about 8 minutes into the MP3 files...sounds like feedback.=20

    K-
      ----- Original Message -----=20
      From: Rainer Thelonius Balthasar Straschill=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Friday, July 21, 2006 3:28 PM
      Subject: AW: Tony and Rainer make weird noises.


      No Pluggo here, either. But it's all software on my side (except =
for the guitar). I don't even know Pluggo's feedback network, so I can't =
even guess what you mistook for it...perhaps OhmBoyz delay?

              Rainer



------------------------------------------------------------------------
        Von: Tony K [mailto:bigtony@softhome.net]=20
        Gesendet: Freitag, 21. Juli 2006 22:29
        An: Loopers-Delight@loopers-delight.com
        Betreff: Re: Tony and Rainer make weird noises.


        No Pluggo on my end.  It's all hardware for me.  Roland D50, =
guitar through an RP2000, Morpheus, GR50, DL4, RC20, DD20, Vortex, =
RSP-550, a bunch of ModFX.

        Tony
          ----- Original Message -----=20
          From: Krispen Hartung=20
          To: Loopers-Delight@loopers-delight.com=20
          Sent: Friday, July 21, 2006 10:47 AM
          Subject: Re: Tony and Rainer make weird noises.


          Nice. I like the amount of space and breathing room. Did I =
hear Pluggo's Feedback Network in there?=20

          Kris

            ----- Original Message -----=20
            From: Tony K=20
            To: Loopers-Delight@loopers-delight.com=20
            Sent: Tuesday, July 04, 2006 10:31 PM
            Subject: Tony and Rainer make weird noises.


            Hi all,

            =20

            Last week Rainer and I managed to get our schedules in sync =
and did a NINJAM session.  While we had a few technical issues, we did =
manage to make some music together.  If anybody is interested, there's a =
23 minute (33 meg d/l) file at:

            =20

            http://www.thinginajar.com/bigtony/RainerAndTony.mp3

            =20

            Comments welcome!

            =20

            Tony

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<DIV><FONT face=3DArial size=3D2>Sorry I'm coming back to this late. My =
home Windows=20
system seems to have decided to lose the Registry file, so I'm =
rebuilding.&nbsp;=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Anyway, yes.&nbsp; I'm pretty sure the =
'artificial=20
guitar' is me. processed like crazy.&nbsp; I have so many signal paths =
through=20
my system, it's hard to remember what I was doing.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Tony</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drs@moinlabs.de href=3D"mailto:rs@moinlabs.de">Rainer =
Thelonius=20
  Balthasar Straschill</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 21, 2006 =
8:44 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> AW: Tony and Rainer =
make weird=20
  noises.</DIV>
  <DIV><BR></DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN class=3D659214300-22072006><FONT =
face=3DArial=20
  color=3D#0000ff size=3D2>yeah, that's OhmBoyz all right...as well as =
the things=20
  'round 7:30 that go "quaquawheekah...quakahhquakkaahhh". If I remember =

  correctly, the synth loop and the OhmBoyz is done by me, the =
"artifical=20
  guitar" is Tony K...Tony, is that what you remember, too?=20
  ;)</FONT></SPAN></DIV><BR>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
    <DIV class=3DOutlookMessageHeader lang=3Dde dir=3Dltr align=3Dleft>
    <HR tabIndex=3D-1>
    <FONT face=3DTahoma size=3D2><B>Von:</B> Krispen Hartung=20
    [mailto:khartung@cableone.net] <BR><B>Gesendet:</B> Samstag, 22. =
Juli 2006=20
    00:09<BR><B>An:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Betreff:</B>=20
    Re: Tony and Rainer make weird noises.<BR></FONT><BR></DIV>
    <DIV></DIV>
    <DIV><FONT face=3DArial size=3D2>It's about 8 minutes into the MP3=20
    files...sounds like feedback. </FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>K-</FONT></DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Drs@moinlabs.de href=3D"mailto:rs@moinlabs.de">Rainer =
Thelonius=20
      Balthasar Straschill</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 21, 2006 =
3:28=20
      PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> AW: Tony and =
Rainer make=20
      weird noises.</DIV>
      <DIV><BR></DIV>
      <DIV dir=3Dltr align=3Dleft><SPAN class=3D269222621-21072006><FONT =
face=3DArial=20
      color=3D#0000ff size=3D2>No Pluggo here, either. But it's all =
software on my=20
      side (except for the guitar). I don't even know Pluggo's feedback =
network,=20
      so I can't even guess what you mistook for it...perhaps OhmBoyz=20
      delay?</FONT></SPAN></DIV>
      <DIV dir=3Dltr align=3Dleft><SPAN class=3D269222621-21072006><FONT =
face=3DArial=20
      color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
      <DIV dir=3Dltr align=3Dleft><SPAN=20
      =
class=3D269222621-21072006>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
<FONT=20
      face=3DArial color=3D#0000ff =
size=3D2>Rainer</FONT></SPAN></DIV><BR>
      <BLOCKQUOTE dir=3Dltr=20
      style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff =
2px solid; MARGIN-RIGHT: 0px">
        <DIV class=3DOutlookMessageHeader lang=3Dde dir=3Dltr =
align=3Dleft>
        <HR tabIndex=3D-1>
        <FONT face=3DTahoma size=3D2><B>Von:</B> Tony K=20
        [mailto:bigtony@softhome.net] <BR><B>Gesendet:</B> Freitag, 21. =
Juli=20
        2006 22:29<BR><B>An:</B> <A=20
        =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B>Betreff:</B>=20
        Re: Tony and Rainer make weird noises.<BR></FONT><BR></DIV>
        <DIV></DIV>
        <DIV><FONT face=3DArial size=3D2>No Pluggo on my end.&nbsp; It's =
all=20
        hardware for me.&nbsp; Roland D50, guitar through an RP2000, =
Morpheus,=20
        GR50, DL4, RC20, DD20, Vortex, RSP-550, a bunch of =
ModFX.</FONT></DIV>
        <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
        <DIV><FONT face=3DArial size=3D2>Tony</FONT></DIV>
        <BLOCKQUOTE dir=3Dltr=20
        style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
          <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
          <DIV=20
          style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
          <A title=3Dkhartung@cableone.net=20
          href=3D"mailto:khartung@cableone.net">Krispen Hartung</A> =
</DIV>
          <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
          title=3DLoopers-Delight@loopers-delight.com=20
          =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
          </DIV>
          <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 21, =
2006 10:47=20
          AM</DIV>
          <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Tony and =
Rainer make=20
          weird noises.</DIV>
          <DIV><BR></DIV>
          <DIV><FONT face=3DArial size=3D2>Nice. I like the amount of =
space and=20
          breathing room. Did I hear Pluggo's Feedback Network in there? =

          </FONT></DIV>
          <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
          <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
          <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
          <BLOCKQUOTE dir=3Dltr=20
          style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
            <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
            <DIV=20
            style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
            <A title=3Dbigtony@softhome.net=20
            href=3D"mailto:bigtony@softhome.net">Tony K</A> </DIV>
            <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
            title=3DLoopers-Delight@loopers-delight.com=20
            =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
            </DIV>
            <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July =
04, 2006=20
            10:31 PM</DIV>
            <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Tony and =
Rainer make=20
            weird noises.</DIV>
            <DIV><BR></DIV>
            <DIV class=3DSection1>
            <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
            style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">Hi=20
            all,<o:p></o:p></SPAN></FONT></P>
            <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
            style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
            <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
            style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">Last week=20
            Rainer and I managed to get our schedules in sync and did a =
NINJAM=20
            session.&nbsp; While we had a few technical issues, we did =
manage to=20
            make some music together.&nbsp; If anybody is interested, =
there=92s a=20
            23 minute (33 meg d/l) file at:<o:p></o:p></SPAN></FONT></P>
            <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
            style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
            <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
            style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><A=20
            =
href=3D"http://www.thinginajar.com/bigtony/RainerAndTony.mp3">http://www.=
thinginajar.com/bigtony/RainerAndTony.mp3</A><o:p></o:p></SPAN></FONT></P=
>
            <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
            style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
            <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
            style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">Comments=20
            welcome!<o:p></o:p></SPAN></FONT></P>
            <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
            style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
            <P class=3DMsoNormal><FONT face=3DArial color=3Dnavy =
size=3D2><SPAN=20
            style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">Tony<o:p></o:p></SPAN></FONT></P></DIV></BLOCKQUOTE></BLOCKQUOTE><=
/BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00C1_01C6AF15.F1F90280--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 16:17:00 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: RC-50 video on summer NAMM
Date: Mon, 24 Jul 2006 18:16:48 +0200
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I was really flabberghasted to learn from Rico Loop (with a name like this,
he sure must be an authority) that the RC-50 is "the most powerful looper in
the world - actually the only stereo looper in the world."

> 
> Do you like tap dancing ;-)
> http://www.sonicstate.com/news/shownews.cfm?newsid=3266

From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 16:19:07 2006
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Someone needs to tell him/them that they are highly misinformed...

----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 24, 2006 10:16 AM
Subject: RC-50 video on summer NAMM


>I was really flabberghasted to learn from Rico Loop (with a name like this,
> he sure must be an authority) that the RC-50 is "the most powerful looper 
> in
> the world - actually the only stereo looper in the world."
>
>>
>> Do you like tap dancing ;-)
>> http://www.sonicstate.com/news/shownews.cfm?newsid=3266
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 17:11:23 2006
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From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: RC-50 video on summer NAMM
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On Jul 24, 2006, at 11:16 AM, Rainer Thelonius Balthasar Straschill  
wrote:

> I was really flabberghasted to learn from Rico Loop (with a name  
> like this,
> he sure must be an authority) that the RC-50 is "the most powerful  
> looper in
> the world - actually the only stereo looper in the world."

The truly scary part is that Boss thinks this clown is going to help  
sell their product. I couldn't stop laughing. Poor guy...he seems to  
take his "art" so seriously, too.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 17:26:34 2006
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That's tough talk, jeff...  I think he's got his act  down pretty well perfect.

Care to demonstrate YOUR rig on video??



>On Jul 24, 2006, at 11:16 AM, Rainer Thelonius Balthasar Straschill wrote:
>
>>I was really flabberghasted to learn from Rico Loop (with a name like this,
>>he sure must be an authority) that the RC-50 is "the most powerful looper in
>>the world - actually the only stereo looper in the world."
>
>The truly scary part is that Boss thinks this clown is going to help 
>sell their product. I couldn't stop laughing. Poor guy...he seems to 
>take his "art" so seriously, too.
>
>Jeff


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 17:31:33 2006
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Subject: Re: RC-50 video on summer NAMM
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> Do you like tap dancing ;-)
> http://www.sonicstate.com/news/shownews.cfm?newsid=3266

The video is useless for figuring out what Rico's doing.

The key thing he says is that the RC-50 is 3 RC-20s in parallel.  That's the
design fault.  Rico's a pretty good performer actually. Someone should invite
Rico onto the LD list. Boss might actually listen to him.

Cheers,
Kevin
www.TheNettles.com


From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 17:32:25 2006
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--------------080001030202090605060202
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Krispen, you gotta let me know when you start amping a nylon-string 
through that setup. It's my favorite guitar tone (it's the only guitar I 
play at this point) and I like its effected sound too. I have a lot of 
fun sending it through an Effector 13 fuzzbox, just a sick thing (the 
Truly Beautiful Disaster), it works great.

Daryl Shawn
www.swanwelder.com

>  And like I said, I really want to get a Taylor Nylon string. It is 
> surprising that I haven't bought a nice electric nylon string after 
> all these years, because the classical guitar was my first instrument, 
> and I studies it for several years, from age 12 onward. Not that I 
> plan to play Bach again (good grief, no....my brain is too full and 
> I've forgotten that sheet music long ago), but it is the tone of the 
> nylon string that I adore so much...and I am really looking forward to 
> hearing it through my VST system. 


--------------080001030202090605060202
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
  <title></title>
</head>
<body bgcolor="#ffffff" text="#000000">
Krispen, you gotta let me know when you start amping a nylon-string
through that setup. It's my favorite guitar tone (it's the only guitar
I play at this point) and I like its effected sound too. I have a lot
of fun sending it through an Effector 13 fuzzbox, just a sick thing
(the Truly Beautiful Disaster), it works great.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
<blockquote
 cite="mid07ad01c6af36$f36fc100$10b0ec0f@americas.hpqcorp.net"
 type="cite">
  <div>&nbsp;<font face="Arial" size="2">And like I said, I really want to
get a Taylor Nylon string. It is surprising that I haven't bought a
nice electric nylon string after all these years, because the classical
guitar was my first instrument, and I studies it for several years,
from age 12 onward. Not that I plan to play Bach again (good grief,
no....my brain is too full and I've forgotten that sheet music long
ago), but it is the tone of the nylon string that I adore so much...and
I am really looking forward to hearing it through my VST system.</font>&nbsp;</div>
</blockquote>
<br>
</body>
</html>

--------------080001030202090605060202--

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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <069801c6af2a$8b70f1c0$10b0ec0f@americas.hpqcorp.net> <010801c6af32$42c8a870$e701a8c0@pcfabio> <07ad01c6af36$f36fc100$10b0ec0f@americas.hpqcorp.net> <44C5041B.2090205@mhorse.com>
Subject: Re: Selling my hardware effect/looping system! (2 VF1s, Fireworx, Looperlative)
Date: Mon, 24 Jul 2006 11:34:11 -0600
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I will! I am really looking forward to it...IF I can ever sell this rack =
:)
  ----- Original Message -----=20
  From: Daryl Shawn=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 24, 2006 11:32 AM
  Subject: Re: Selling my hardware effect/looping system! (2 VF1s, =
Fireworx, Looperlative)


  Krispen, you gotta let me know when you start amping a nylon-string =
through that setup. It's my favorite guitar tone (it's the only guitar I =
play at this point) and I like its effected sound too. I have a lot of =
fun sending it through an Effector 13 fuzzbox, just a sick thing (the =
Truly Beautiful Disaster), it works great.

  Daryl Shawn
  www.swanwelder.com


     And like I said, I really want to get a Taylor Nylon string. It is =
surprising that I haven't bought a nice electric nylon string after all =
these years, because the classical guitar was my first instrument, and I =
studies it for several years, from age 12 onward. Not that I plan to =
play Bach again (good grief, no....my brain is too full and I've =
forgotten that sheet music long ago), but it is the tone of the nylon =
string that I adore so much...and I am really looking forward to hearing =
it through my VST system.=20


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE></TITLE>
<META http-equiv=3DContent-Type =
content=3Dtext/html;charset=3DISO-8859-1>
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY text=3D#000000 bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I will! I am really looking forward to =
it...IF I=20
can ever sell this rack :)</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dhighhorse@mhorse.com =
href=3D"mailto:highhorse@mhorse.com">Daryl=20
  Shawn</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 24, 2006 =
11:32=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Selling my =
hardware=20
  effect/looping system! (2 VF1s, Fireworx, Looperlative)</DIV>
  <DIV><BR></DIV>Krispen, you gotta let me know when you start amping a=20
  nylon-string through that setup. It's my favorite guitar tone (it's =
the only=20
  guitar I play at this point) and I like its effected sound too. I have =
a lot=20
  of fun sending it through an Effector 13 fuzzbox, just a sick thing =
(the Truly=20
  Beautiful Disaster), it works great.<BR><BR>Daryl Shawn<BR><A=20
  class=3Dmoz-txt-link-abbreviated=20
  href=3D"http://www.swanwelder.com">www.swanwelder.com</A><BR><BR>
  <BLOCKQUOTE =
cite=3Dmid07ad01c6af36$f36fc100$10b0ec0f@americas.hpqcorp.net=20
  type=3D"cite">
    <DIV>&nbsp;<FONT face=3DArial size=3D2>And like I said, I really =
want to get a=20
    Taylor Nylon string. It is surprising that I haven't bought a nice =
electric=20
    nylon string after all these years, because the classical guitar was =
my=20
    first instrument, and I studies it for several years, from age 12 =
onward.=20
    Not that I plan to play Bach again (good grief, no....my brain is =
too full=20
    and I've forgotten that sheet music long ago), but it is the tone of =
the=20
    nylon string that I adore so much...and I am really looking forward =
to=20
    hearing it through my VST=20
system.</FONT>&nbsp;</DIV></BLOCKQUOTE><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_08D7_01C6AF15.15230B30--


From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 17:37:59 2006
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Date: Mon, 24 Jul 2006 10:37:25 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio Firewire Solo
To: Loopers-Delight@loopers-delight.com
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I that that may be a holdover from the "IBM" days of
the Thinkpad.  Remember, the "B" stands for business. 
Not traditionally peeps who pass large streaming data
around.  Note on the Macs, Sonys and Toshibas Firewire
has always been standard.

This slightly influenced my decision to buy a Toshiba
but I'm sure it was a silly reason as friends I have
who know hardware told me that the Firewire adaptor
would be fine.  Mostly I got what I think was a good
deal on my machine and so far it's been extremely
stable and has been working like a champ.

--- Krispen Hartung <khartung@cableone.net> wrote:

> It's weird, all of my other PC notebooks has
> firewire, and then I buy this 
> amazingly fast ThinkPad, designed for fortune 500
> companies, and it doesn't 
> have one. Very odd. Not big deal, though, as a
> firewire card for the cardbus 
> will do the trick. The one I found seemed to be a
> bit more expensive than 
> others (as low as $18), so I feel safe going with
> it. Plus, it will give me 
> two more USB 2.0 slots as well.
> 
> Kris
> 
> ----- Original Message ----- 
> From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Saturday, July 22, 2006 4:43 PM
> Subject: Re: Firewire/USB 2.0 Adaptors for M-Audio
> Firewire Solo
> 
> 
> whoops!
> 
> I am blind: "don't have firewire..."
> 
> jeez, buy a mac already...
> 
> :-)
> 
> 
> 
> 
> 
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com ďż˝ AngryVegan.com
> 
> 
> On Jul 22, 2006, at 3:40 PM, Jeff Kaiser wrote:
> 
> > Check out  the Presonus Firebox
> >
> >
>
http://www.musiciansfriend.com/product/PreSonus-FIREBOX-24bit96kHz-
> 
> > FireWire-Recording-System?sku=184133
> >
> > or
> >
> > http://tinyurl.com/ga9xm
> >
> > for my money the pre-amps sound better
> >
> >
> >
> > Jeff Kaiser
> > http://www.jeffkaisermusic.com
> > pfMENTUM.com ďż˝ AngryVegan.com
> >
> >
> > On Jul 22, 2006, at 1:48 PM, Krispen Hartung
> wrote:
> >
> >> While we're on this topic. I am thinking of
> getting the m-Audio  Firewire 
> >> Solo as input for my guitar, not because I don't
> like my  Echo Indio IO 
> >> card, but because I'd like the option of having
> an  actual mic XLR and as 
> >> well as 1/4 inch inputs. However, my notebook 
> doesn't have firewire, 
> >> only USB 2.0.
> >>
> >> I found a few cardbus Firewire/USB 2.0 converters
> that will do the 
> >> trick, like this one: 
> >>
>
http://www.usb-ware.com/ads-usb-2-firewire-cardbus.htm
> >>
> >> Can anyone else make any recommendations?
> >>
> >> Here is the m-Audio Firewire Solo: 
> >>
>
http://www.m-audio.com/products/en_us/FireWireSolo-main.html
> >>
> >> Kris
> >>
> >>
> >>
> >>> ----- Original Message -----
> >>> From: Krispen Hartung
> >>> To: Loopers-Delight@loopers-delight.com
> >>> Sent: Saturday, July 22, 2006 2:02 PM
> >>> Subject: Re: Sample sound clip from my notebook
> computer system
> >>>
> >>> Ted, the trick is to build your computer system
> on the side so that  you 
> >>> don't have to go without full functioning system
> for any period  of 
> >>> time...then you can transition slowly into the
> notebook system.   Once 
> >>> you get your notebook computer and sound card,
> then we can help  you 
> >>> build a basic system for very low cost. Get an
> inexpensive VST  host 
> >>> like Chainer, EnergyXT, or Plogue Bidule (all
> less than $100),  and then 
> >>> take advantage of the thousands of free VST
> effects out  there. You will 
> >>> be amazed at how many effects you can replace in
>  your hardware system 
> >>> with just free VSTs...astounding.
> >>>
> >>> ...then, once you get that basic notebook system
> up and running, you 
> >>> can start selling one hardware effect at a time
> to purchase more 
> >>> expensive and higher quality VST effects and
> hosts. You could buy 
> >>> sophisticated VST effect systems like Reaktor,
> PSP84 and PSP42,  Pluggo, 
> >>> Hipno, etc. And you could get more sophisticated
> VST hosts,  like 
> >>> MAX/MSP, if you choose. Next thing you know, you
> have  gradually 
> >>> replaced every cell in your guitar system body
> with a new  cell...hope 
> >>> you like the analogy.
> >>>
> >>> So, there is a relatively easy way to make the
> transition without it 
> >>> being too painful, radical, or costly.
> >>>
> >>> Kris
> >>>
> >>>> ----- Original Message -----
> >>>> From: tEd ďż˝ kiLLiAn
> >>>> To: Loopers-Delight@loopers-delight.com
> >>>> Sent: Saturday, July 22, 2006 1:51 PM
> >>>> Subject: Re: Sample sound clip from my notebook
> computer system
> >>>>
> >>>> Jeff,
> >>>>
> >>>> On Jul 22, 2006, at 11:31 AM, Jeff Kaiser
> wrote:
> >>>>
> >>>>> Ted: Sell your gear. Buy a laptop.
> >>>>
> >>>> I might just yet . . . however, I have a track
> record of selling  off 
> >>>> bunches of
> >>>> perfectly good gear from time to time in order
> to afford getting  the 
> >>>> "latest
> >>>> greatest" thing (ya know it's true) and then
> about 3/4 of the time  I 
> >>>> wind up
> >>>> being so disappointed with the new stuff and
> wishin' I hadn't that 
> >>>> it's sorta
> >>>> heartbreaking.
> >>>>
> >>>> After 43 years of playing I finally have a set
> of sounds I like, I 
> >>>> finally sound
> >>>> like myself (I think). And I still have the
> depth in what gear I  have 
> >>>> to learn new
> >>>> things -- room for growth. Yes, hauling gear is
> a pain, but giving  up 
> >>>> that other
> >>>> aspect (my personal sound) for the total
> unknown is a daunting 
> >>>> proposition
> >>>> that will probably have to take some
> significant other motivating 
> >>>> factor to get
> >>>> me to give in, turn loose, whatever. Pain is a
> good motivator . . . 
> >>>> but so far
> >>>> it's only pain.
> >>>>
> >>>> Peace,
> >>>>
> >>>> tEd ďż˝ kiLLiAn
> >>>>
> >>>> "Different is not always better, but better is
> always different"
> >>>>
> >>>> http://www.pfmentum.com/flux.html
> >>>> http://www.CDbaby.com/cd/tedkillian
> >>>> http://www.guitar9.com/fluxaeterna.html
> >>>> http://www.garageband.com/artist/ArsOcarina
> >>>>
>
http://www.towerrecords.com/product.aspx?pfid=2845073
> >>>>
>
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
> >>>>
>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
> 
=== message truncated ===


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From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 17:45:52 2006
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From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: RC-50 video on summer NAMM
Date: Mon, 24 Jul 2006 12:41:41 -0500
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>
>
> That's tough talk, jeff...  I think he's got his act  down pretty  
> well perfect.

I didn't say it wasn't an act. In fact, that's quite a good word for  
it, come to think of it.

>
> Care to demonstrate YOUR rig on video??

Sure, sometime.  It's pretty straightforward. I'm not sure what you'd  
be interested in. Anything in particular?

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 17:46:39 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: RC-50 video on summer NAMM
Date: Mon, 24 Jul 2006 11:46:35 -0600
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One of these days, someone will do a looping program/hardware video that 
actually uses modern and effective instructional design. This whole thing 
with watching a guy play his instrument and toot his own horn, as he talks 
and wanks on his instrument, laughs at his own jokes, etc, and not being 
able to see what he is talking about in the application, is highly 
ineffective.

If someone were to do this right, they would film the performer playing and 
talking, and then there would be a separate video window on the side that 
shows the Unit or software screen, so you can see the programming in use. Or 
they would build the video so that you can stop it and click on a Job Aid 
link, which shows graphics or sub-videos of the application.

We use this in training all of the time. For instance, we will have an 
elearning module that has a video of the person talking in one window, the 
slide set of bulleted points in another window, and scrolling text in a 
third window.  This appeals to multiple learning styles. It's been don for 
years.

There is a lot of potential, but no one is tapping into it.

Kris

----- Original Message ----- 
From: "Charles Zwicky" <cazwicky@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 24, 2006 11:23 AM
Subject: Re: RC-50 video on summer NAMM


>
>
> That's tough talk, jeff...  I think he's got his act  down pretty well 
> perfect.
>
> Care to demonstrate YOUR rig on video??
>
>
>
>>On Jul 24, 2006, at 11:16 AM, Rainer Thelonius Balthasar Straschill wrote:
>>
>>>I was really flabberghasted to learn from Rico Loop (with a name like 
>>>this,
>>>he sure must be an authority) that the RC-50 is "the most powerful looper 
>>>in
>>>the world - actually the only stereo looper in the world."
>>
>>The truly scary part is that Boss thinks this clown is going to help sell 
>>their product. I couldn't stop laughing. Poor guy...he seems to take his 
>>"art" so seriously, too.
>>
>>Jeff
>
>
> -- 
> ...
> http://www.zmix.net
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 17:52:33 2006
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Date: Mon, 24 Jul 2006 10:52:31 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Sample sound clip from my notebook computer system
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Hi Ted

That totally describes me too.  Mac guy from way back.
Love those little computers.  I've been doing graphic
design and music on them for years.  Still do.

However...

Evil forces (and there are always evil forces) at work
have made it so there's significantly less audio stuff
out there for Macs.  Yeah yeah, run XP on a Macbook...
but why?  When I asked myself that question I couldn't
really find a compelling answer.

So I dove in to the PC world.  First thing I noticed
is that the new Mac ads are pretty correct.  The
personality of each OS is dead on in those commercials
and if you don't protect your PC from the outside
world you'll have trouble.  Also XP has a nerdy geek
built in that wants to constantly bug you with stuff
you don't want to know/do/hear.  Microsoft's idea of
being helpful is that animated paperclip.

With a day of research and stuff I was able to kill
that idiot... not I just have a stable (with an ugly
GUI) OS that runs my apps. Most of the time Live 5,
Mobius and Reaktor are taking up all my pixels so
"whatever."  I just want it to work and it does.

So... my next plan is to upgrade my main desktop. 
What will it be?  No doubt it will be a G5...  XP is
fine, but when push comes to shove I'd rather to it
with a Mac as much as I can.

Mark 

--- tEd ďż˝ kiLLiAn <tedkillian@charter.net> wrote:

> Krisp,
> 
> I'm enjoying this discussion -- even though it is
> taking on certain 
> aspects of
> an behavior altering "intervention" at my expense .
> . . heheheh. I love 
> all of
> you guys too.
> 
> Another slight hiccup in the plan is I already have
> a few computers and 
> one
> laptop, all of which are Macintoshes. I am a long
> time graphic designer 
> type
> and only slightly speak "PC" if you know what I
> mean. I know just 
> enough to
> be able to turn one on an launch a simple program or
> game. check my 
> e-mail
> and turn the thing off again. In other words . . .
> on a PC . . . I'm 
> useless.
> 
> I am a fairly "expert" level user on a Mac (in
> general) 'cuz I've been 
> using
> them continuously since the mid to late '80s. I have
> an M-Box and 
> ProTools
> and can record audio. I even have a Live, Reason,
> and a bunch of other 
> bits
> of software that came bundled with the M-Box and
> some other software
> packages I've purchased over the years.
> 
> It won't be cheap getting a Mac computer that'll do
> all the stuff I 
> want to do. I'm
> sure my current little iBook doesn't have the
> horsepower to run all of 
> that stuff.
> Plus, family budget considerations will not likely
> allow that I can buy 
> a lappy
> of any sort JUST to do music stuff with it. All of
> my computer 
> purchases so
> far have been serious professional graphic business
> tools that I could 
> write
> off as business expenses at tax time.
> 
> Yeah, yeah, yeah. Excuses, excuses, excuses . . .
> 
> Peace y'all!
> 
> Ted
> 
> On Jul 22, 2006, at 1:02 PM, Krispen Hartung wrote:
> 
> > Ted, the trick is to build your computer system on
> the side so that 
> > you don't have to go without full functioning
> system for any period of 
> > time...then you can transition slowly into the
> notebook system.ďż˝ Once 
> > you get your notebook computer and sound card,
> then we can help you 
> > build a basic system for very low cost. Get an
> inexpensive VST host 
> > like Chainer, EnergyXT, or Plogue Bidule (all less
> than $100), and 
> > then take advantage of the thousands of free VST
> effects out there.ďż˝ 
> > You will be amazed at how many effects you can
> replace in your 
> > hardware system with just free VSTs...astounding.
> > ďż˝
> > ...then, once you get that basic notebook system
> up and running, you 
> > can start selling one hardware effect at a time to
> purchase more 
> > expensive and higher quality VST effects and
> hosts.ďż˝ You could buy 
> > sophisticated VST effect systems like Reaktor,
> PSP84 and PSP42, 
> > Pluggo, Hipno, etc. And you could get more
> sophisticated VSTďż˝hosts, 
> > likeďż˝MAX/MSP, if youďż˝choose. ďż˝Next thing you
know,
> you have gradually 
> > replaced every cell in your guitar system body
> with a new cell...hope 
> > you like the analogy.
> > ďż˝
> > So, there is a relatively easy way to make the
> transition without it 
> > being too painful, radical, or costly.
> > ďż˝
> > Kris
> > ďż˝


__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 17:54:41 2006
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Date: Mon, 24 Jul 2006 10:54:36 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-50 video on summer NAMM
Cc: Krispen Hartung <khartung@cableone.net>
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Has one ever been done for the EDP?
--
Paul  


---- Krispen Hartung <khartung@cableone.net> wrote: 
> One of these days, someone will do a looping program/hardware video that 
> actually uses modern and effective instructional design. This whole thing 
> with watching a guy play his instrument and toot his own horn, as he talks 
> and wanks on his instrument, laughs at his own jokes, etc, and not being 
> able to see what he is talking about in the application, is highly 
> ineffective.
> 
> If someone were to do this right, they would film the performer playing and 
> talking, and then there would be a separate video window on the side that 
> shows the Unit or software screen, so you can see the programming in use. Or 
> they would build the video so that you can stop it and click on a Job Aid 
> link, which shows graphics or sub-videos of the application.
> 
> We use this in training all of the time. For instance, we will have an 
> elearning module that has a video of the person talking in one window, the 
> slide set of bulleted points in another window, and scrolling text in a 
> third window.  This appeals to multiple learning styles. It's been don for 
> years.
> 
> There is a lot of potential, but no one is tapping into it.
> 
> Kris
> 
> ----- Original Message ----- 
> From: "Charles Zwicky" <cazwicky@earthlink.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, July 24, 2006 11:23 AM
> Subject: Re: RC-50 video on summer NAMM
> 
> 
> >
> >
> > That's tough talk, jeff...  I think he's got his act  down pretty well 
> > perfect.
> >
> > Care to demonstrate YOUR rig on video??
> >
> >
> >
> >>On Jul 24, 2006, at 11:16 AM, Rainer Thelonius Balthasar Straschill wrote:
> >>
> >>>I was really flabberghasted to learn from Rico Loop (with a name like 
> >>>this,
> >>>he sure must be an authority) that the RC-50 is "the most powerful looper 
> >>>in
> >>>the world - actually the only stereo looper in the world."
> >>
> >>The truly scary part is that Boss thinks this clown is going to help sell 
> >>their product. I couldn't stop laughing. Poor guy...he seems to take his 
> >>"art" so seriously, too.
> >>
> >>Jeff
> >
> >
> > -- 
> > ...
> > http://www.zmix.net
> >
> > 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 18:10:21 2006
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Date: Mon, 24 Jul 2006 11:10:14 -0700 (PDT)
Subject: Re: RC-50 video on summer NAMM
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> If someone were to do this right, they would film the performer playing and
> talking, and then there would be a separate video window on the side that
> shows the Unit or software screen, so you can see the programming in use.

Ironically, that's exactly what was presented at the booth.  You can see the
pedal-view video screen to the right in the video.  The videographer didn't
have a split screen set up, I guess.

Cheers,
Kevin
www.TheNettles.com


From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 18:17:38 2006
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Date: Mon, 24 Jul 2006 11:17:35 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Sample sound clip from my notebook computer system
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--- Krispen Hartung <khartung@cableone.net> wrote:

> Shall we develop the 12 steps to transitioning from
> a hardware to notebook 
> guitar system? :)  First step: realizing that you
> are addicted to hardware.

I was thinking (am still) about this a lot as I have
been looking at software that can replace some of my
hardware synths.  I've always really dug synthesis and
this has really invigorated my love for all things
synth or processing.  Why?  Because it's no longer
tied to hardware.

Here's my case.  A few of us (and me) have been
bashing Roland/Boss because of what we percieve as
shortcomings on the RC-50.  Why?  Well because we feel
that above all Roland is a company.  A big company
with investors and a lot at stake to make them happy
with dividend checks.  When they make something they
think cash/feature.  If it's not something that will
help sell more units, more often than not it's tossed
to the curb.  Some suit says, "Let a boutique company
like Looperlative Audio Research take care of that
need."

At the end of the day, they're right.

But, along comes software processing/instruments. 
Here an inventor/programmer can make anything the fuck
they want because other than the time and effort it
will take them to code it there is no other expense
incurred.  Features can be added and not a single
sweatshop worker will have to solder a damn thing to
make it happen.  Marketing?  Give betas away free and
talk to as many lists as you can about why your
product rocks and how interested you are in
suggestions and be honest about what features you'll
be adding in future revisions.

In the end what you find is a healthy crop of really
interesting and unique virtual devices that would
probably never be economically viable as hardware but
seem to be doing fine as software.  This is really,
really exciting.  It's a great time for music, that's
for sure.

Mark



__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 18:39:28 2006
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You are exactly right. In the same line of thought, VST effects and Reaktor 
ensebles are also created by hundreds of developers and provided for free. 
So once you get the host or base program, the sky is the limit after that. 
If I were a keyboard player, I'd definitely be using soft synths via my 
notebook. I think John McLaughlin went this route a while back with his 
synth guitar.

So the market appeal here is not a specific set of features in a patch or 
instrumnet, but the flexibility of the host. Find a host that will meet your 
needs, and then the rest is a scavenger hunt for your fovorite instruments, 
effects, ensembles, etc. It's a pretty cool idea...smart.

Kris

----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 24, 2006 12:17 PM
Subject: Re: Sample sound clip from my notebook computer system


> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>> Shall we develop the 12 steps to transitioning from
>> a hardware to notebook
>> guitar system? :)  First step: realizing that you
>> are addicted to hardware.
>
> I was thinking (am still) about this a lot as I have
> been looking at software that can replace some of my
> hardware synths.  I've always really dug synthesis and
> this has really invigorated my love for all things
> synth or processing.  Why?  Because it's no longer
> tied to hardware.
>
> Here's my case.  A few of us (and me) have been
> bashing Roland/Boss because of what we percieve as
> shortcomings on the RC-50.  Why?  Well because we feel
> that above all Roland is a company.  A big company
> with investors and a lot at stake to make them happy
> with dividend checks.  When they make something they
> think cash/feature.  If it's not something that will
> help sell more units, more often than not it's tossed
> to the curb.  Some suit says, "Let a boutique company
> like Looperlative Audio Research take care of that
> need."
>
> At the end of the day, they're right.
>
> But, along comes software processing/instruments.
> Here an inventor/programmer can make anything the fuck
> they want because other than the time and effort it
> will take them to code it there is no other expense
> incurred.  Features can be added and not a single
> sweatshop worker will have to solder a damn thing to
> make it happen.  Marketing?  Give betas away free and
> talk to as many lists as you can about why your
> product rocks and how interested you are in
> suggestions and be honest about what features you'll
> be adding in future revisions.
>
> In the end what you find is a healthy crop of really
> interesting and unique virtual devices that would
> probably never be economically viable as hardware but
> seem to be doing fine as software.  This is really,
> really exciting.  It's a great time for music, that's
> for sure.
>
> Mark
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 19:05:26 2006
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okay, I forced myself to watch this video.

He's a good player, he has a good command of the unit, he's a 
multi-instrumentalist, and he pulled off the requisite "white lie" 
hype-it-up marketing spiel up front. He did everything he was paid to do, 
but that is the instuctional extent of the video.  BTW, in the US at least, 
it is legal for most companies to lie in their commercials about their 
products, provided they don't have the lion's share of the marketshare. It's 
a funny quirk of US free enterpris You can hear this in our commericals, 
whether it is cars, processors, computers, etc. But I digress...

These NAMM show videos aren't really supposed to be formal 
training/instructional videos. No one expects this, right?  That would be 
too complicated and involved, overshadowing the promotional function of the 
event.

Yes, the camera pans on the floor unit once in a while, to show him hitting 
a button, etc...but, as someone said early, this is pretty much useless. In 
the training world, I would get fired if I produced that video for a 
corporation.

In general, when it comes to complicated gear like this, a live 
instructional video is going to be inneffective. People need to be able to 
take training at their own pace and with more than one medium...this is how 
people learn. What we need is a self-paced instructional package that blends 
bits of live videos for demostration purposes, close and intimate screen 
shots or videos that show programming key functionality, step by step, 
ability to practice, text version of everthing, ability to practice, etc.

But effective training  isn't cheap. A few years ago I oversaw the 
development of a 2 hour self-paced training module. It features live video 
of a speaker, powerpoint slides, text, checkpoint questions/quizzes, 
exercises where people could practice what the learned. It cost me $40,000 
USD, because of hourly vendor costs, consulting, time to shoot videos, code 
the modules, and so on.

At some point in time, I thought to myself I am in the wrong business, 
because if I had my own video equipment, editing software, and development 
tools, I could have done the product myelf for my own company. If I had a 
steady stream of business, I could easily produce a module like this each 
month...that's an averaged time, including time with the client, etc - it 
took three months to develop this $40K module, but not continuous time. 
That's roughly $480,000 USD a year. Once you get the tools and processes for 
development standarized, the rest is just consulting time with the customer.

Kris


From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 19:07:35 2006
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If possible , I'd like to find a compromise between the hardware and softwa=
re worlds.=20
Which is: Keep SOME of my familiar analogue rack stuff and INTEGRATE a Mac =
laptop=20
(also familiar to me) with miscellaneous, flexible looping and transmogrify=
ing software=20
plug-ins into what I do/have already. I don't want to spend a year of sleep=
less nights=20
reading manals into the wee hours (and keeping my lovely wife awake). Readi=
ng manuals=20
is not gratifying to my music making urge. I like certain aspects of Max MS=
P (in concept)
but find the prospect daunting. I also find Reaktor attractive. It eeams a =
lot like Reason
in terms of GUI (but what do I know).=20

For the time being I plan to just muddle along 'til something inspires or c=
ompells me to=20
change . . . or 'til I come up with a really bright idea of a solution to m=
y dilemma.

Cheers,

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- mark sottilaro <zerocrossing2001@yahoo.com> wrote:=20

> Hi Ted
>=20
> That totally describes me too.  Mac guy from way back.
> Love those little computers.  I've been doing graphic
> design and music on them for years.  Still do.
>=20
> However...
>=20
> Evil forces (and there are always evil forces) at work
> have made it so there's significantly less audio stuff
> out there for Macs.  Yeah yeah, run XP on a Macbook...
> but why?  When I asked myself that question I couldn't
> really find a compelling answer.
>=20
> So I dove in to the PC world.  First thing I noticed
> is that the new Mac ads are pretty correct.  The
> personality of each OS is dead on in those commercials
> and if you don't protect your PC from the outside
> world you'll have trouble.  Also XP has a nerdy geek
> built in that wants to constantly bug you with stuff
> you don't want to know/do/hear.  Microsoft's idea of
> being helpful is that animated paperclip.
>=20
> With a day of research and stuff I was able to kill
> that idiot... not I just have a stable (with an ugly
> GUI) OS that runs my apps. Most of the time Live 5,
> Mobius and Reaktor are taking up all my pixels so
> "whatever."  I just want it to work and it does.
>=20
> So... my next plan is to upgrade my main desktop.=20
> What will it be?  No doubt it will be a G5...  XP is
> fine, but when push comes to shove I'd rather to it
> with a Mac as much as I can.
>=20
> Mark=20

From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 19:29:32 2006
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From: "Gary Lehmann" <hqr@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Training video for TC-Helicon VoiceLive--no looping content (was RC-50 video on summer NAMM)
Date: Mon, 24 Jul 2006 12:29:22 -0700
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Hi all--
I took the plunge and bought the TC-Helicon VoiceLive--and I recommend it
for harmonization of vocals, haven't tried it on an instrument--I think I
will try playing some harp into my vocal mike at the gig today (Wild Animal
Park in Escondido--forecast, 100 degrees plus and raining!).
But it came with a CD containing some video tutorials, a .pdf of the manual,
and an audio step-by-step demo of a song being "treated".
It would be great if every product came with this sort of info--maybe TC
Helicon is better than most companies.
BTW, Rico's demo was great--reminds me of Rick Walker's animated
presentation. I still ain't buying an RC-50 tho.
Gary



From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 20:32:45 2006
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From: cburke55@comcast.net (Christophe)
To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-50 video on summer NAMM
Date: Mon, 24 Jul 2006 20:32:41 +0000
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Well, they can't flat out lie, but they don't have to tell the whole truth, which they have made an art.

Politicians of course can lie without consequence!

Regards from Boston,

Christophe

 -------------- Original message ----------------------
From: "Krispen Hartung" <khartung@cableone.net>

>BTW, in the US at least, 
>it is legal for most companies to lie in their commercials about their 
>products, provided they don't have the lion's share of the marketshare. It's 
>a funny quirk of US free enterpris You can hear this in our commericals, 
>whether it is cars, processors, computers, etc. But I digress...

From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 20:51:56 2006
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Date: Mon, 24 Jul 2006 17:51:29 -0300
From: Andrew Duke <andrew@andrew-duke.com>
Subject: computer-tech question (time-sensitive)
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Anyone computer-tech-minded who can help me with this problem?

My laptop died ("power issue"; currently in the shop) Saturday midway 
through
a recording session, so I bought a desktop to use to make the 3 sound 
design and
1 music software review deadlines I have in the next week--yes, when it 
rains, it pours! :(.

On Saturday, I installed a few programs I absolutely need, including 
Adobe Audition 2.
I was playing an audio file in AA2 and opened up Netscape 7.2 (don't use 
any later
edition because they don't have mail features) and the computer 
instantly crashed and
rebooted.  This happened every time I opened Netscape while playing a 
file in AA2,
but it would not happen if a) I opened AA2 while Netscape was already 
open or
b) opened Netscape while AA2 was open but *not* playing an audio file.

Needing to focus on deadlines, I simply figured "must be a driver 
conflict, so don't do
the above".  So Sunday this workaround worked fine.

Today, though, is a different matter.  Today, AA2 will crash and reboot 
the computer
immediately upon opening AA2.  And this happens when no other program is 
open.
So no matter what I do I can't open AA2 today, though yesterday I could 
(see above).
It has happened consistently today and I *really* need to finish some 
editing for deadline
#1 of 4 asap.

So... does anyone have any ideas how I could fix this problem?
Crapcleaner doesn't detect any issues.  Adobe tech support have been a 
waste of my time
in the past.  Programs that run on start-up (and computer specs) can be 
viewed in this
screenshot:  http://andrew-duke.com/AndrewDuke_desktopspecsandstartup.bmp

All help appreciated.
Thanks.
Andrew

-- 
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
http://cognitionaudioworks.com
http://myspace.com/cognitionaudioworks

From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 20:57:49 2006
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Subject: Re: Sample sound clip from my notebook computer system
Date: Mon, 24 Jul 2006 22:57:45 +0200
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On 24 jul 2006, at 20.39, Krispen Hartung wrote:

> I'd definitely be using soft synths via my notebook. I think John  
> McLaughlin went this route a while back with his synth guitar.

Last time I read an interview with him he was using Logic on a  
Powerbook. Plenty of softsynths bundled in there as well as a good  
guitar amp simulation and most effects.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 21:01:56 2006
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Subject: Re: RC-50 video on summer NAMM
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Here is an interesting aritlcle on the Federal Trade Commission and lying in 
commericals.

http://www.microsoft.com/smallbusiness/resources/marketing/advertising_branding/why_lying_in_your_marketing_isnt_worth_it.mspx
"Federal law flatly mandates that you must tell the truth in ads you create 
for products or services. Section 5 of the Federal Trade Commission Act 
(passed in 1914 and amended in 1996) says it's illegal to deceive or mislead 
consumers. You cannot make fraudulent claims or insincere offers.

The FTC also specifically highlights claims that mislead by omission. If you 
leave out relevant information or facts, or if your advertising claim hints 
at results that you can not deliver, you're looking for trouble."

What smaller companies take advantage of is the gray area, where some degree 
of intepretation is required for "mislead" or "omission", or "relevant 
information or facts."

So, given what that chap at NAMM said about the RC-50 being the only stereo 
looper in the world, you have to wonder whether using that video as 
advertisement is breaking a federal law, or maybe they don't actually state 
that in their "official" ads, yet the guy doing the demo just added that 
piece of innacurate info. I suppose one could say that the video isn't an 
ad, so they can say whatever they want...another grey area.  Do you think 
what he said was scripted by Boss, or do you think he added it improptu?

Kris

----- Original Message ----- 
From: "Christophe" <cburke55@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 24, 2006 2:32 PM
Subject: Re: RC-50 video on summer NAMM


> Well, they can't flat out lie, but they don't have to tell the whole 
> truth, which they have made an art.
>
> Politicians of course can lie without consequence!
>
> Regards from Boston,
>
> Christophe
>
> -------------- Original message ----------------------
> From: "Krispen Hartung" <khartung@cableone.net>
>
>>BTW, in the US at least,
>>it is legal for most companies to lie in their commercials about their
>>products, provided they don't have the lion's share of the marketshare. 
>>It's
>>a funny quirk of US free enterpris You can hear this in our commericals,
>>whether it is cars, processors, computers, etc. But I digress...
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 21:05:30 2006
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Subject: AW: RC-50 video on summer NAMM
Date: Mon, 24 Jul 2006 23:05:22 +0200
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I don't think Boss scripted that...hey, even Boss do have another stereo
looper in the market (DD20)! And the way I got it, the ad wasn't publicised
by Boss either, but by sonicstate.

> So, given what that chap at NAMM said about the RC-50 being 
> the only stereo looper in the world, you have to wonder 
> whether using that video as advertisement is breaking a 
> federal law, or maybe they don't actually state that in their 
> "official" ads, yet the guy doing the demo just added that 
> piece of innacurate info. I suppose one could say that the 
> video isn't an ad, so they can say whatever they 
> want...another grey area.  Do you think what he said was 
> scripted by Boss, or do you think he added it improptu?

From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 21:29:22 2006
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Date: Mon, 24 Jul 2006 23:29:24 +0200
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Well, his performance at Musikmesse Frankfurt is one of the reasons why 
I will buy the RC50 (I'm reading this list since March); in my opinion 
it was a great performance.
The first artist I've seen doing this "strrange looping thing" was KT 
Tunstall... It really triggered me - I remember stopping the video tape 
and trying to figure out what that little thing on the stage floor was 
(Akai Headrush).
So you can imagine I was very impressed when I noticed looping has such 
a long tradition ...loopers-delight is a real treasure for me.
It started with KT, went on with live performances of Rico Loop and 
Francois Breut and the last video that impressed me a lot was the one of 
Phil Keaggy that was posted on this list (waiting for his DVD).
 ...and now I'm reading the list every day  ...buying books, waiting for 
the RC50 to be available in Germany... waiting for the next impressive 
video or performance - and can't wait to start doing it myself.
...what am I trying to say?
If a  looping community exists, Rico should be a part of it.

Dirk

>
> On Jul 24, 2006, at 11:16 AM, Rainer Thelonius Balthasar Straschill 
> wrote:
>
>> I was really flabberghasted to learn from Rico Loop (with a name like 
>> this,
>> he sure must be an authority) that the RC-50 is "the most powerful 
>> looper in
>> the world - actually the only stereo looper in the world."
>
> The truly scary part is that Boss thinks this clown is going to help 
> sell their product. I couldn't stop laughing. Poor guy...he seems to 
> take his "art" so seriously, too.
>
> Jeff
>
>

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Date: Mon, 24 Jul 2006 16:50:57 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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Subject: Re: computer-tech question (time-sensitive)
References: <072420062032.11079.44C52E69000B034D00002B472205886442CACA0A059D9A0D0C@comcast.net> <44C532D1.8000308@andrew-duke.com>
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Andrew, I assume you've tried this, but definitely uninstall and 
re-install both programs. Perhaps first just AA2, and see if that works 
ok, then Netscape and see if it still crashes.

If Netscape is still the killer, just use AA2 and get your incoming mail 
(on IE) through a web-based system. If your ISP doesn't provide it, you 
can use www.mail2web.com, just enter your address and password and 
you'll get your mail.

hth-

Daryl Shawn
www.swanwelder.com

> Anyone computer-tech-minded who can help me with this problem?
>
> My laptop died ("power issue"; currently in the shop) Saturday midway 
> through
> a recording session, so I bought a desktop to use to make the 3 sound 
> design and
> 1 music software review deadlines I have in the next week--yes, when 
> it rains, it pours! :(.
>
> On Saturday, I installed a few programs I absolutely need, including 
> Adobe Audition 2.
> I was playing an audio file in AA2 and opened up Netscape 7.2 (don't 
> use any later
> edition because they don't have mail features) and the computer 
> instantly crashed and
> rebooted.  This happened every time I opened Netscape while playing a 
> file in AA2,
> but it would not happen if a) I opened AA2 while Netscape was already 
> open or
> b) opened Netscape while AA2 was open but *not* playing an audio file.
>
> Needing to focus on deadlines, I simply figured "must be a driver 
> conflict, so don't do
> the above".  So Sunday this workaround worked fine.
>
> Today, though, is a different matter.  Today, AA2 will crash and 
> reboot the computer
> immediately upon opening AA2.  And this happens when no other program 
> is open.
> So no matter what I do I can't open AA2 today, though yesterday I 
> could (see above).
> It has happened consistently today and I *really* need to finish some 
> editing for deadline
> #1 of 4 asap.
>
> So... does anyone have any ideas how I could fix this problem?
> Crapcleaner doesn't detect any issues.  Adobe tech support have been a 
> waste of my time
> in the past.  Programs that run on start-up (and computer specs) can 
> be viewed in this
> screenshot:  http://andrew-duke.com/AndrewDuke_desktopspecsandstartup.bmp
>
> All help appreciated.
> Thanks.
> Andrew
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 22:26:16 2006
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Date: Mon, 24 Jul 2006 23:26:14 +0100 (BST)
From: Tony Douglas <tonyisyourpal@yahoo.co.uk>
Subject: Re: Sample sound clip from my notebook computer system
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Hi there,

--- tEd ® kiLLiAn <tedkillian@charter.net> wrote:

> If possible , I'd like to find a compromise between
> the hardware and software worlds. 
> Which is: Keep SOME of my familiar analogue rack
> stuff and INTEGRATE a Mac laptop 
> (also familiar to me) with miscellaneous, flexible
> looping and transmogrifying software 
> plug-ins into what I do/have already.

That's exactly what I'm trying to do with my stuff.
I've got a nice collection of bits and pieces, and I
don't really want to chuck them over. But I want to
use a looper that's more flexible than my trusty
JamMan without spending a fortune. 

So what I'm using is an ancient 266MHz Wallstreet
Powerbook running Jaguar, with Rax and multiple
instances of Augustus Loop. It just about hangs in for
looping and it cost me next to nothing. It won't do
much more than just looping (a little bit of
compression & a graphic eq, and that's it) but I'm not
asking it to either. I have a much faster XP laptop,
but the built in audio on that is pretty crappy,
whereas the Wallstreet just worked straight off the
bat (did I mention I was doing this on the cheap ? wot
soundcard ??? ;) Still looking at el cheapo ways to
control it without having to take my hands off the
guitar, mind you ...

I'm not sure what Wallstreets go for on eBay in the
States, but it can't be much, and Rax and Augustus
Loop are cheap as chips, so it could be a low
commitment way of dipping your toe in the water...

- Tony




		
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To help you stay safe and secure online, we've developed the all new Yahoo! Security Centre. http://uk.security.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 22:29:47 2006
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Date: Mon, 24 Jul 2006 15:29:44 -0700 (PDT)
From: Dumeril Seven <dumeril7@yahoo.com>
Subject: Re: RC-50 video on summer NAMM
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> At some point in time, I thought to myself I am in the wrong business, 
> because if I had my own video equipment, editing software, and development 
> tools, I could have done the product myelf for my own company. If I had a 
> steady stream of business, I could easily produce a module like this each 
> month...that's an averaged time, including time with the client, etc - it 
> took three months to develop this $40K module, but not continuous time. 
> That's roughly $480,000 USD a year. Once you get the tools and processes for 
> development standarized, the rest is just consulting time with the customer.


Oh, if only it were that easy.  There's also the scope creep, endless
revisions, customers who can't nail down on requirements or key messages,
myriad design-by-committee free for alls, unpaid invoices, customers who go out
of business before you're paid, getting on the "approved vendors list", and all
the other crap that goes along with being business services vendor.  And that's
just the project; then there's the matter of drumming up new business and
keeping the pipeline full...

BTW, I thought the guy did his job pretty well, other than showing that he was
woefully ignorant of competitive products.  It was NAMM show; he wasn't there
to educate, he was there to promote and move some units.  From what I know
about the MI business, I would guess he probably did that okay.

D7

Dumeril7                    dumeril7@SPAMBEGONEyahoo.com
Anti-spam measures in place -- remove "SPAMBEGONE" from
my e-mail address if you want to use it....

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 22:45:36 2006
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Subject: Re: RC-50 video on summer NAMM
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----- Original Message ----- 
From: "Dumeril Seven" <dumeril7@yahoo.com>

>> Oh, if only it were that easy.  There's also the scope creep, endless
> revisions, customers who can't nail down on requirements or key messages,
> myriad design-by-committee free for alls, unpaid invoices, customers who 
> go out of business before you're paid, getting on the "approved vendors 
> list", and all
> the other crap that goes along with being business services vendor.  And 
> that's
> just the project; then there's the matter of drumming up new business and
> keeping the pipeline full...

Oh how I know this...as I'm one of those customers! Though I hired a 
consultant three years ago to work for me, making triple figures a year, and 
he's still working for us (different manager, since I've moved to a 
different area). The work is there if you have the network and connections.

>
> BTW, I thought the guy did his job pretty well, other than showing that he 
> was
> woefully ignorant of competitive products.  It was NAMM show; he wasn't 
> there  to educate, he was there to promote and move some units.  From what 
> I know about the MI business, I would guess he probably did that okay.
>
> D7

I agree. He was intertaining.

K-

>
> Dumeril7                    dumeril7@SPAMBEGONEyahoo.com
> Anti-spam measures in place -- remove "SPAMBEGONE" from
> my e-mail address if you want to use it....
>
> __________________________________________________
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> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 23:20:01 2006
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From: "Paul" <paulrichard10@adelphia.net>
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Subject: The MOST POWERFUL LOOPER IN THE WORLD! (And Stereo too!)
Date: Mon, 24 Jul 2006 19:20:02 -0400
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It's the RC-50! Hehehe

Rick Loop wasn't that bad, I think anyway.=20

Too bad I just sold my mike. I might have been inspired to include some =
John Frum Cult fertility chants into my repetoire.

P
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>It's the RC-50! Hehehe</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Rick Loop wasn't that bad, I think =
anyway.=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Too bad I just sold my mike. I might =
have been=20
inspired to include some John Frum Cult fertility chants into my=20
repetoire.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>P</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 24 23:33:06 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Sample sound clip from my notebook computer system
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--- tEd ďż˝ kiLLiAn <tedkillian@charter.net> wrote:

> If possible , I'd like to find a compromise between
> the hardware and software worlds.

I'm kind of going that... except the rack is the thing
going. BYE BYE.  I'm keeping my guitar effects (vox
tonelab se) and extra looper (Giga Delay) on the
floor, and using a synth (Micron) as a MIDI
controller.  As stable as my laptop's been so far, the
good thing about this is that with the looper in the
Tonelab plus the Giga Delay and Micron I could do
quite a bit of show if the laptop was to die on me.

I know I've been diss'n it but the Giga Delay may
become a RC-50.  In terms of a "net" it may serve me
better, but that's depending on how often I start
playing out again... or if I do at all.

I don't know Max/MSP at all, but I can tell you that
the cool thing I like about Reaktor is that for $300
if you treat it like a bunch of cool
softsynths/beatboxes/effects and never ever program a
single damn thing yourself you'd for sure have your
money's worth.

In terms of reading manuals... I really have read
little so far.  Most things seem fairly intuitive that
I've encountered.... really the only manual I've been
reading is the EDP manual!  That's to learn Mobius. 
The softsynths I've been playing with seem very easy
to get... but I've worked in music stores which took
in used gear with no manuals so I'm pretty good with
the old "see what it does" routine.  Trust me, if you
can use Photoshop or Flash well you can learn
anything.

Come on in Ted, the water's great!

Mark



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From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 01:03:15 2006
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Subject: Re: Training video for TC-Helicon VoiceLive--no looping content (was
 RC-50 video on summer NAMM)
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Gary Lehmann wrote:
> Hi all--
> I took the plunge and bought the TC-Helicon VoiceLive--and I recommend it
> for harmonization of vocals, haven't tried it on an instrument--I think I
> will try playing some harp into my vocal mike at the gig today (Wild Animal
> Park in Escondido--forecast, 100 degrees plus and raining!).
> But it came with a CD containing some video tutorials, a .pdf of the manual,
> and an audio step-by-step demo of a song being "treated".
> It would be great if every product came with this sort of info--maybe TC
> Helicon is better than most companies.
> BTW, Rico's demo was great--reminds me of Rick Walker's animated
> presentation. I still ain't buying an RC-50 tho.
> Gary

Gary:

I bought a VoiceWorks last month--I think it's a pedal-less 
VoiceLive--and I've been using it with a soprano sax and EWI, mostly as 
a four-voice pitch-shifter.  Used that way, it's kind of 
Hassel-in-a-box, and pretty entertaining. I did have to adjust the 
"gender" parameter; a soprano sax running through a soprano vocal preset 
  probably qualifies as a crime against humanity.

Brian


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Date: Mon, 24 Jul 2006 19:27:04 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: RC-50 video on summer NAMM
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This is what can happen when you put too much sugar in
your coffee
But certainly a better demo tham Paul wankers!


--- Buzap Buzap <buzap@gmx.net> wrote:

> Hi
> 
> <>>RC-50 video on summer NAMM
> > Do you like tap dancing ;-)
> >
>
http://www.sonicstate.com/news/shownews.cfm?newsid=3266
> Glad to see that they have a Boss live looping demo
> not by a guitar player for a change. ;-)
> 
> On the week-end, I bought extra footswitches for my
> RC-50. My leg started hurting yesterday.. The RC-50
> does require quite a lot of tap dancing...
> Then again, I wonder why this guy Rico is just using
> one foot for all these pedals while sitting. Two
> feet are more efficient with the RC-50.
> 
> btw: I wonder why he doesn't demonstrate the tempo
> feature.... ;-)))
> 
> Buzap
> -- 
> 
> 
> Echte DSL-Flatrate dauerhaft für 0,- Euro*. Nur noch
> kurze Zeit!
> "Feel free" mit GMX DSL:
> http://www.gmx.net/de/go/dsl
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 02:45:29 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <20060725022704.20619.qmail@web38611.mail.mud.yahoo.com>
Subject: Re: RC-50 video on summer NAMM
Date: Mon, 24 Jul 2006 20:45:22 -0600
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Heh heh...no doubt about it. The guy is a born marketer. In fact, I find 
that a lot of musicians have the skills and persona necessary to be in 
product marketing, or sales, especially the good looking ones (you have to 
be good looking to be in marketing). There is a charisma and quirkiness 
about some musicians that makes them adept at this.  First of all, a good 
music marketing person needs to have a "sliver tongue" and be able to 
believe in his own bullshit to such an extent that the customer can't 
possibly not buy into the value proposition of their product. Second, they 
need to be able to play their instrument.  Rico Looper, or whatever 
ridiculous title he has self-appointed himself, seems to have both of these 
skillsets.  That competency set is worth about $70+K a year for a fortune 
500 company in the US.....that's a lot of boxes of Snack Romin and Macaroni 
and Cheese, man. :)  He could be talking to customers and designing products 
rather than being Boss' errand boy of promotion.

K-
----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>

> This is what can happen when you put too much sugar in
> your coffee
> But certainly a better demo tham Paul wankers!
>
>
> --- Buzap Buzap <buzap@gmx.net> wrote:
>
>> Hi
>>
>> <>>RC-50 video on summer NAMM
>> > Do you like tap dancing ;-)
>> >
>>
> http://www.sonicstate.com/news/shownews.cfm?newsid=3266
>> Glad to see that they have a Boss live looping demo
>> not by a guitar player for a change. ;-)
>>
>> On the week-end, I bought extra footswitches for my
>> RC-50. My leg started hurting yesterday.. The RC-50
>> does require quite a lot of tap dancing...
>> Then again, I wonder why this guy Rico is just using
>> one foot for all these pedals while sitting. Two
>> feet are more efficient with the RC-50.
>>
>> btw: I wonder why he doesn't demonstrate the tempo
>> feature.... ;-)))
>>
>> Buzap
>> -- 
>>
>>
>> Echte DSL-Flatrate dauerhaft für 0,- Euro*. Nur noch
>> kurze Zeit!
>> "Feel free" mit GMX DSL:
>> http://www.gmx.net/de/go/dsl
>>
>>
>
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 03:01:46 2006
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Subject: DL-4 exp pedal mod?
Date: Mon, 24 Jul 2006 23:01:38 -0400
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OK, after using the flimsy EX1 exp pedal for over a year, it is creaking
loudly when I step on it- I don't think it was ever intended to be used
outside of the house. 
I know it uses a 10k pot for controlling a DL-4, but I want a more robust
pedal. I have an Ernie Ball volume pedal with a 250k pot, but obviously it
is too large a value for the DL-4. Erine's pedals do not allow the switching
of the custom pots, and this thing has just been sitting here for over a
year. 
Has anyone ever taken a DL-4 apart and looked at what regulates the pot size
for the exp pedal?  Is there any mods to the DL4 (it is way past warranty)
that will allow it to work with a standard 250k volume pedal?

Dave Eichenberger
http://www.hazardfactor.com              

From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 03:46:33 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Sample #3 of VST Program Presets (Reaktor 5 - "Blackbird")
Date: Mon, 24 Jul 2006 21:46:28 -0600
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This is a multi-part message in MIME format.

------=_NextPart_000_0B37_01C6AF6A.9E53BD00
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...I hope some of you find this service somewhat useful. At least I'm =
getting to know my own effects intimately.

This is for all you Eventide fans. David Coffin turned me on to Reaktor =
5 last month...I bought it after selling my Mesa Boogie Mark I, and I've =
been toying around with it as a VST program in Chainer. Since then I =
think I'm on my way to being the Reakor 5 poster child. I can't even =
tell you in words the impression this program is making on me, and this =
is coming from an owner of over 400 VST effects, two VF1s, a TC =
Electronic Fireworx, Ensoniq DP4, DigiTech TSR24, and many other effect =
units in my past gear acquisition life.=20

I asked David, being an Eventide owner (current or prior), if there were =
any Reaktor ensembles (literally hundreds and hundreds of free items =
from other Reaktor users, and sort of like effect units unto themselves, =
with multiple presets or "snaps) that got close to creating those lush =
and ethereal pad-like effects on an Eventide, and his response was =
"Blackbird."  David, what user developed this? Paul Swennenhuis? He =
should be crowned and awarded retirement for life. :) In any event, I =
just created a sample sound clip of this ensemble below. Enjoy.  I'm in =
love with Reaktor 5. This was the best effect processing investment I've =
made in my entire life.

VST Program: Reaktor 5
Featured Ensemble (effect): Blackbird (Free, developed by user)
URL: http://www.box.net/public/uu0zix3eh8
Cost: $399 USD

Brief Description


REAKTOR 5 fuses all audio applications into a single, extremely =
versatile and powerful tool. Musicians, producers and sound designers =
are all catered to by the very broad range of instruments and sounds =
already included. Due to the open engine architecture, the potential for =
building your own highly individual instruments is endless. Whether you =
are using the instruments from the library or creating your own, the =
only limit is your imagination.=20


Sound clip of presets (Snaps): http://www.box.net/public/m1epm4jums

Cheers,

*************************************************
Krispen Hartung / Improvisational Looping Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
Looper's Delight Playlist - =
http://www.boisemusicians.com/loopers-delight.m3u
------=_NextPart_000_0B37_01C6AF6A.9E53BD00
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>...I hope some of you find this service =
somewhat=20
useful. At least I'm getting to know my own effects =
intimately.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>This is for all you Eventide fans. =
David Coffin=20
turned me on to Reaktor 5 last month...I bought it after selling my Mesa =
Boogie=20
Mark I, and I've been toying around with it as a VST program in=20
Chainer.&nbsp;Since then I think I'm on my way to being the Reakor 5 =
poster=20
child. I can't even tell you in words the impression this program is =
making on=20
me, and this is coming from an owner of over 400 VST effects, two VF1s, =
a TC=20
Electronic Fireworx, Ensoniq DP4, DigiTech TSR24, and many other effect =
units in=20
my past gear acquisition life. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I asked David, being an Eventide owner =
(current or=20
prior), if there were any Reaktor ensembles (literally hundreds and =
hundreds of=20
free items from other Reaktor users, and sort of like effect units unto=20
themselves, with multiple presets or "snaps) that got close to creating =
those=20
lush and ethereal pad-like effects on an Eventide, and his response was=20
"Blackbird."&nbsp; David, what user developed this? <FONT face=3D"Times =
New Roman"=20
size=3D3><FONT face=3DArial size=3D2>Paul Swennenhuis?</FONT> </FONT>He =
should be=20
crowned and awarded retirement for life. :) In any event, I just created =
a=20
sample sound clip of this ensemble below. Enjoy.&nbsp; I'm in love with =
Reaktor=20
5. This was the best effect processing investment I've made in my entire =

life.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG></STRONG></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>VST Program:</STRONG> Reaktor=20
5<BR><STRONG>Featured Ensemble (effect):</STRONG> Blackbird (Free, =
developed by=20
user)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>URL:</STRONG> <A=20
href=3D"http://www.box.net/public/uu0zix3eh8">http://www.box.net/public/u=
u0zix3eh8</A></FONT><A=20
href=3D"http://www.pspaudioware.com/plugins/psp84.html"><FONT =
face=3DArial=20
size=3D2></FONT></A></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Cost:</STRONG> $399 =
USD</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Brief=20
Description<BR><BR></DIV></STRONG></FONT><FONT face=3DArial size=3D2>
<DIV class=3Dbodytext>REAKTOR 5 fuses all audio applications into a =
single,=20
extremely versatile and powerful tool. Musicians, producers and sound =
designers=20
are all catered to by the very broad range of instruments and sounds =
already=20
included. Due to the open engine architecture, the potential for =
building your=20
own highly individual instruments is endless. Whether you are using the=20
instruments from the library or creating your own, the only limit is =
your=20
imagination. <BR><!--REAKTOR 4 is also a world-class studio right out of =
the box =96 its Core Library includes <a href=3D"#" =
onclick=3D"vHWin=3Dwindow.open('index.php?id=3Dreaktorlibr_us','FEopenLin=
k','scrollbars=3Dyes,width=3D500,height=3D700');vHWin.focus();return =
false;"><img =
src=3D"typo3conf/ext/ni_layoutstyles/html.01/img/link_popup.gif" =
width=3D"15" height=3D"11"  border=3D"0" alt=3D"" title=3D"" />31 =
high-professional instruments and effects</a>. In addition, more than =
1700 free instruments can be downloaded from the growing <a =
href=3D"index.php?id=3Duserlibrary_us" target=3D"target=3D'" =
class=3D"blank'">NI User Library</a>.--></DIV>
<DIV><!--###bodytext_PRE### end --><!--###contentElt### end =
--></FONT><FONT=20
face=3DArial size=3D2><STRONG></STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Sound clip of presets =
(Snaps):</STRONG>=20
<STRONG><A=20
href=3D"http://www.box.net/public/m1epm4jums">http://www.box.net/public/m=
1epm4jums</A></STRONG></FONT><A=20
href=3D"http://www.box.net/public/d90p7zley2"><FONT face=3DArial=20
size=3D2></FONT></A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>*************************************************<BR>Krispen =
Hartung /=20
Improvisational Looping Guitar<BR></FONT><A=20
href=3D"http://www.krispenhartung.com"><FONT face=3DArial=20
size=3D2>www.krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> / =
</FONT><A=20
href=3D"http://www.myspace.com/krispenhartung"><FONT face=3DArial=20
size=3D2>www.myspace.com/krispenhartung</FONT></A><BR><A=20
href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial=20
size=3D2>info@krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> =
/=20
1.208.724.5603 <BR>Discography - </FONT><A=20
href=3D"http://www.krispenhartung.com/catalogue.htm"><FONT face=3DArial=20
size=3D2>http://www.krispenhartung.com/catalogue.htm</FONT></A><BR><FONT =

face=3DArial size=3D2>Looper's Delight Playlist - </FONT><A=20
href=3D"http://www.boisemusicians.com/loopers-delight.m3u"><FONT =
face=3DArial=20
size=3D2>http://www.boisemusicians.com/loopers-delight.m3u</FONT></A></DI=
V></BODY></HTML>

------=_NextPart_000_0B37_01C6AF6A.9E53BD00--


From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 04:19:36 2006
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Message-ID: <20060725041934.85538.qmail@web38605.mail.mud.yahoo.com>
Date: Mon, 24 Jul 2006 21:19:34 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: anybody selling a Behringer fcb1010 in Germany?
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if u do contact me off list.
thanx
Luis

www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 06:27:49 2006
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: Sample #3 of VST Program Presets (Reaktor 5 - "Blackbird")
Date: Mon, 24 Jul 2006 23:27:45 -0700
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Yup; and I agree. He also authored Reaktor=92s sorta-Vortex: Amor, plus =20=

a bunch of cool synths and automatic-music machines. Haven=92t seen =20
much from him lately; he might have moved on after leaving the =20
Reaktor library forever in his debt...like many others before and =20
since. It IS an amazing community: new, free, mind-blowing devices =20
weekly, once you join up:) Only potential downside is option-overload.
dc

On Jul 24, 2006, at 8:46 PM, Krispen Hartung wrote:

> David, what user developed this? Paul Swennenhuis? He should be =20
> crowned and awarded retirement for life. :)


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Yup; and I agree. He also =
authored Reaktor=92s sorta-Vortex: Amor, plus a bunch of cool synths and =
automatic-music machines. Haven=92t seen much from him lately; he might =
have moved on after leaving the Reaktor library forever in his =
debt...like many others before and since. It IS an amazing community: =
new, free, mind-blowing devices weekly, once you join up:) Only =
potential downside is option-overload.<DIV>dc</DIV><DIV><BR><DIV><DIV>On =
Jul 24, 2006, at 8:46 PM, Krispen Hartung wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Lucida =
Grande; font-size: 14px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: =
0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><FONT face=3D"Arial" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-family: Arial; =
font-size: 11px; ">David, what user developed this? </SPAN><FONT =
face=3D"Times New Roman" size=3D"3"><FONT face=3D"Arial" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Arial; font-size: 11px; =
">Paul Swennenhuis?</SPAN></FONT><SPAN class=3D"Apple-style-span" =
style=3D"font-family: Times New Roman; "> </SPAN></FONT><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Arial; font-size: 11px; =
">He should be crowned and awarded retirement for life. =
:)</SPAN></FONT></SPAN></BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 07:27:21 2006
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hi Andrew,

It's not possible to give an accurate diagnosis with just this info
(and my limited knowledge)


>Today, though, is a different matter.  Today, AA2 will crash and 
>reboot the computer
>immediately upon opening AA2.  And this happens when no other program is open.
>So no matter what I do I can't open AA2 today, though yesterday I 
>could (see above).
>It has happened consistently today and I *really* need to finish 
>some editing for deadline
>#1 of 4 asap.
>
>So... does anyone have any ideas how I could fix this problem?
>Crapcleaner doesn't detect any issues.  Adobe tech support have been 
>a waste of my time
>in the past.



If you want to check out those start -up programs just google the filenames.

your using XP right? ( always give the OS when asking the sort of question )

at first I thought  it's a hardware problem, perhaps faulty memory.
....but haven't come across this before.
....so I could be 100% wrong on this

the reasoning is
1) XP is resilient to having an application crash, the worst case 
I've seen is that the app just "disappears".
2) The problem happens when you're using a lot of memory, AA is a big 
program since Adobe got their hands on it.


Then I thought what if it's a virus?
For it to behave as it does, it would have to infect AA2 or something 
called by AA2 on startup,
or re-direct the AA2 shortcut to somewhere else ( so you wouldn't see 
the AA2 splash screen) .

Definitely use a virus check as first resort, if you didn't already.

If it's not a hardware fault, then Formatting the Hard Drive should 
sort you out.
(I know it takes a while to reinstall everything, but at least you 
can be confident it works,
and while it takes a long time, at least it takes a known finite time 
which is better
than endless troubleshooting)
You'll need to phone Microsoft to re-register XP though ;-(


good luck

andy butler


From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 08:21:22 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: RC-50 video on summer NAMM
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Hi Dirk

>  waiting for the RC50 to be available in Germany... 
the RC-50 _is_ available in Germany already. While you may not be able to find it in the music shop next door yet. Units have been already shipped from Rotterdam to shops in Germany.
If your local shop can't get it, try some of the large online shops in Germany for order

Best regards
Buzap


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From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 08:28:58 2006
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Subject: Re: Selling my hardware effect/looping system! (2 VF1s, Fireworx,
 Looperlative)
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Hi Krispen

> http://www.krispenhartung.com/rack.htm  (this sells as a system, wired,
> and ready to go inside the rack)

The Boss VF-1 unit seems really interesting. It doesn't seem to be on sale anywhere and does not even show up in ebay.

I wonder why?

Buzap
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 09:59:17 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Mac, Rax, Augustus Loop (was: Re: Sample sound clip from my notebook computer system)
Date: Tue, 25 Jul 2006 11:59:11 +0200
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> --- tEd =AE kiLLiAn <tedkillian@charter.net> wrote:
>
>> If possible , I'd like to find a compromise between
>> the hardware and software worlds.
>> Which is: Keep SOME of my familiar analogue rack
>> stuff and INTEGRATE a Mac laptop
>> (also familiar to me) with miscellaneous, flexible
>> looping and transmogrifying software
>> plug-ins into what I do/have already.


On 25 jul 2006, at 00.26, Tony Douglas wrote:

> So what I'm using is an ancient 266MHz Wallstreet
> Powerbook running Jaguar, with Rax and multiple
> instances of Augustus Loop.

Rax and Augutstus Loop seems to be a good combo for "multi track" =20
stereo looping. If you like to loop EDP-style, by setting the tempo =20
by the first loop you record, you can use one Augustus Looper as the =20
master to define the tempo for all other Agustus Loopers. In this =20
context you may set Rax to "external sync", so any plug-ins you open =20
will run in the same tempo as you are playing in. You can also type =20
in the tempo in Rax and adapt your playing to that. I can't find any =20
Tap Tempo function in Rax.

If you want to be a little more advanced you can use the combo =20
Ableton Live and Augustus Loop. This has always been very stable for =20
me on my Powerbook and thanks to Live's routing option - for MIDI, =20
Audio and direct control data - it gives a small taste of "Max =20
Land" (Cycling74's Max).

I have a G4 Powerbook of 1.25 MHz with 2 GB ram. This machine may =20
typically handle three parallel stereo looping channels plus some =20
reverb and other effect plug-ins. I wouldn't dare to bog it down more =20=

than that. But it's ok with me, I don't think I would be able to =20
handle more than three simultaneous looping processes anyway.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 10:00:07 2006
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Subject: free CD
Date: Tue, 25 Jul 2006 11:59:55 +0200
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today's recommendation:

Peter Chilvers is one of the Burning Shed label founders. He has released a
number of solo albums and collaborations (with Marble Calm, Henry Fool,
Alias Grace, Tim Bowness) on this burn-on-demand label. Peter's music is
quiet, often ambient, and very beautiful. Check it out on the burningshed
music player at http://www.burningshed.com/media/player.asp.

Peter's website contains a complete free album for download
(http://peterchilvers.com/free.php), complete with cover art - he asks
everyone who downloads and likes the music to make at least two copies for
friends. Nice idea Peter! instead of burning and giving away copies, I
thought I'd post this here so everyone can go there and check it out. Please
leave a comment on Peter's guestbook http://www.burningshed.com/chilvers.

-Michael
www.michaelpeters.de


From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 12:17:03 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Guitar FX Pedal for Voice/Winds/Percussion?
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Hi folks

I'm thinking of getting a portable, versatile effects pedal for multi-purpose. It should be small size and inexpensive, sound should be good but not necessarily high-end. I'm thinking in the 200EUR/USD range.
I need multi-fx-chains with EQ, modulation, delay, wah, higain/overdrive. It should have a pedal or optional expression pedal for wah wah pedal/modulation.

Nice multi-fx racks seem to be around 500USD, out of question.

Guitar effect pedals seem to be the cheapest solution (ca. 150EUR/USD), I like the Zoom G2.1u: http://www.zoom.co.jp/english/products/g21u/

Besides the fact that you'll probably need a preamp for getting the mic in. What are your experiences with this? 
- Are there problems with running voice, harmonicas, percussion etc. through this?
- How is guitar pedal vs. bass-guitar pedal (esp. male voice)?

Looking at the Boss VF-1, this actually seems also attractive (has line-ins & stereo): http://www.roland.com/products/en/VF-1/index.html
Would a VF-1 be more advisable? Is there a cheap successor to the VF-1?

Lot of questions... hope you have some answers :-)
Best regards

Buzap





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From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 12:19:13 2006
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From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: OT: Rothko (was: free CD
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Way off topic:
   
  I'd like to speak up on behalf of Rothko's releases on Burning Shed.
   
  http://www.burningshed.com/index.asp?page=artist&collection=50
   
  Rothko started out as a trio of electric bassists but has morphed into a variety of players centering around Mark Beazley, one of the original trio of bassists.
   
  It's all great stuff!
   
  Rothko's page: www.rothkomusic.co.uk
   
   
  ted harms.

Michael Peters <mp@mpeters.de> wrote:
  today's recommendation:

Peter Chilvers is one of the Burning Shed label founders. He has released a
number of solo albums and collaborations (with Marble Calm, Henry Fool,
Alias Grace, Tim Bowness) on this burn-on-demand label. Peter's music is
quiet, often ambient, and very beautiful. Check it out on the burningshed
music player at http://www.burningshed.com/media/player.asp.

Peter's website contains a complete free album for download
(http://peterchilvers.com/free.php), complete with cover art - he asks
everyone who downloads and likes the music to make at least two copies for
friends. Nice idea Peter! instead of burning and giving away copies, I
thought I'd post this here so everyone can go there and check it out. Please
leave a comment on Peter's guestbook http://www.burningshed.com/chilvers.

-Michael
www.michaelpeters.de




 			
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<div>Way off topic:</div>  <div>&nbsp;</div>  <div>I'd like to speak up on behalf&nbsp;of Rothko's releases on Burning Shed.</div>  <div>&nbsp;</div>  <div><A href="http://www.burningshed.com/index.asp?page=artist&amp;collection=50">http://www.burningshed.com/index.asp?page=artist&amp;collection=50</A></div>  <div>&nbsp;</div>  <div>Rothko started out as a trio of electric bassists but has morphed into a variety of players centering around Mark Beazley, one of the original trio of bassists.</div>  <div>&nbsp;</div>  <div>It's all great stuff!</div>  <div>&nbsp;</div>  <div>Rothko's page: <A href="http://www.rothkomusic.co.uk">www.rothkomusic.co.uk</A></div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>ted harms.<BR><BR><B><I>Michael Peters &lt;mp@mpeters.de&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">today's recommendation:<BR><BR>Peter Chilvers is one of the Burning Shed label founders. He
 has released a<BR>number of solo albums and collaborations (with Marble Calm, Henry Fool,<BR>Alias Grace, Tim Bowness) on this burn-on-demand label. Peter's music is<BR>quiet, often ambient, and very beautiful. Check it out on the burningshed<BR>music player at http://www.burningshed.com/media/player.asp.<BR><BR>Peter's website contains a complete free album for download<BR>(http://peterchilvers.com/free.php), complete with cover art - he asks<BR>everyone who downloads and likes the music to make at least two copies for<BR>friends. Nice idea Peter! instead of burning and giving away copies, I<BR>thought I'd post this here so everyone can go there and check it out. Please<BR>leave a comment on Peter's guestbook http://www.burningshed.com/chilvers.<BR><BR>-Michael<BR>www.michaelpeters.de<BR><BR><BR></BLOCKQUOTE><BR><p>&#32;
	
		<hr size=1>See the all-new, redesigned Yahoo.com. <a href="http://us.rd.yahoo.com/evt=40762/*http://www.yahoo.com/preview"> Check it out.</a>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 13:18:21 2006
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: DL-4 exp pedal mod?
Date: Tue, 25 Jul 2006 14:18:12 +0100
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>>I have an Ernie Ball volume pedal with a 250k pot, but obviously it is too
large a value for the DL-4.....<<

have you tried it? the only thing I had to do to an expression pedal to make
it work with a DL4 was reverse the tip & ring connections. I didn't even
look at the range of the pot itself. 
I'm pretty sure that all the DL4 is looking for is a voltage; the socket
will supply (say, for the sake of argument) 5 volts out of this socket, &
expect a proportion of this to be returned to it by way of a control signal.
the amount of resistance the pot introduces is insignificant; the part of
the DL4 that measures the returned voltage probably has a very high input
impedance & so very little current will flow.

but I could be wrong..... :-)

in any case, so long as the ernie ball pedal is wired correctly, you won't
hurt anything.

d.


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<P><FONT SIZE=3D2>&gt;&gt;I have an Ernie Ball volume pedal with a 250k pot=
, but obviously it is too large a value for the DL-4.....&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>have you tried it? the only thing I had to do to an expre=
ssion pedal to make it work with a DL4 was reverse the tip &amp; ring conne=
ctions. I didn't even look at the range of the pot itself. </FONT></P>

<P><FONT SIZE=3D2>I'm pretty sure that all the DL4 is looking for is a volt=
age; the socket will supply (say, for the sake of argument) 5 volts out of =
this socket, &amp; expect a proportion of this to be returned to it by way =
of a control signal. the amount of resistance the pot introduces is insigni=
ficant; the part of the DL4 that measures the returned voltage probably has=
 a very high input impedance &amp; so very little current will flow.</FONT>=
</P>

<P><FONT SIZE=3D2>but I could be wrong..... :-)</FONT>
</P>

<P><FONT SIZE=3D2>in any case, so long as the ernie ball pedal is wired cor=
rectly, you won't hurt anything.</FONT>
</P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 13:24:34 2006
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: Guitar FX Pedal for Voice/Winds/Percussion?
Date: Tue, 25 Jul 2006 14:24:25 +0100
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>>I'm thinking of getting a portable, versatile effects pedal for
multi-purpose. It should be small size and inexpensive, sound should be good
but not necessarily high-end. I'm thinking in the 200EUR/USD range.
I need multi-fx-chains with EQ, modulation, delay, wah, higain/overdrive. It
should have a pedal or optional expression pedal for wah wah
pedal/modulation.<<

I have been very impressed with my alesis bass-fx. it has chained effects of
the sorts you are looking for, & an assignable expression pedal input. it
also has a tuner, bypass & mute modes, & runs off of four AA batteries or an
adaptor.
it's only failing- & it hasn't actually let me down in this regard, but I
thought I should mention it- is that it's a bit plasticky.
there are different models for guitar, vocals &c, with the effects tweaked
to suit these different sources.... I reckon they're all the same inside
though. my bass one has distortion, amp modelling, delay, reverb, ring-mod,
pitch shift, compression.....=20
I'd like it better if it had a flexible effects loop of it's own, but it was
only =A350 so one could conceivably use two of them with the other effects
patched in between them.

2, as they say, cents.

d.


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<TITLE>RE: Guitar FX Pedal for Voice/Winds/Percussion?</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>&gt;&gt;I'm thinking of getting a portable, versatile eff=
ects pedal for multi-purpose. It should be small size and inexpensive, soun=
d should be good but not necessarily high-end. I'm thinking in the 200EUR/U=
SD range.</FONT></P>

<P><FONT SIZE=3D2>I need multi-fx-chains with EQ, modulation, delay, wah, h=
igain/overdrive. It should have a pedal or optional expression pedal for wa=
h wah pedal/modulation.&lt;&lt;</FONT></P>

<P><FONT SIZE=3D2>I have been very impressed with my alesis bass-fx. it has=
 chained effects of the sorts you are looking for, &amp; an assignable expr=
ession pedal input. it also has a tuner, bypass &amp; mute modes, &amp; run=
s off of four AA batteries or an adaptor.</FONT></P>

<P><FONT SIZE=3D2>it's only failing- &amp; it hasn't actually let me down i=
n this regard, but I thought I should mention it- is that it's a bit plasti=
cky.</FONT></P>

<P><FONT SIZE=3D2>there are different models for guitar, vocals &amp;c, wit=
h the effects tweaked to suit these different sources.... I reckon they're =
all the same inside though. my bass one has distortion, amp modelling, dela=
y, reverb, ring-mod, pitch shift, compression..... </FONT></P>

<P><FONT SIZE=3D2>I'd like it better if it had a flexible effects loop of i=
t's own, but it was only =A350 so one could conceivably use two of them wit=
h the other effects patched in between them.</FONT></P>

<P><FONT SIZE=3D2>2, as they say, cents.</FONT>
</P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 14:09:32 2006
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Date: Tue, 25 Jul 2006 10:08:37 -0400
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Immersions: Dance, Music and Video Improvisation, 07.28.06  119
 Gallery , Lowell  MA
Cc: eyecandy@egroups.com, boss-improv@topica.com,
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Hi folks,

Immersions: Dance, Music and Video Improvisation

Friday July 28 8pm $5 all ages

119 Gallery, 119 Chelmsford Street, Lowell.

Claire Barratt (dance)
Dean Stiglitz (electro flute)
Ramona (hammer dulcimer)
Bob McCloskey (reeds and percussion)
Doctor T (images and video mixing)
Helena Schniewind  (live video)


Claire Elizabeth Barratt has a Dance and Musical Theater background,
with training received in her native country of Britain at the London
Studio Center of Performing Arts and the Laban Center for Movement and Dance.

She spent ten years in the southern states of Tennessee and North
Carolina, where she held the position of Co -Director for "Circle
Modern Dance" as well as choreographing for Opera, Musical Theater,
Music Video, Commercials and collaborating with Multi-Media, Film,
Visual, Music and Literary Artists.

Now based in New York, she runs "Cilla Vee Movement Projects", a
multi-disciplinary performing arts company, performing in the US,
Canada, Europe and Japan. Two principal company projects are "Motion
Sculpture" and the "Sound Of Movement".

She served a one-year apprenticeship with Lori Belilove & Company of
the Isadora Duncan Dance Foundation and is performance curator for
Haven Gallery and an adjunct faculty member of DanceSpace 637 in
Ottawa, Ontario.

Claire has been featured in Art Basel Miami, the Washington DC
International Improv Festival, the Transmodern Age and High Zero
Festivals in Baltimore, MD and the Dans/CE Kapital Festival in Ottawa.

Recent activities include a month in France, working with musicians
in the Paris improv scene and the US West Coast "Sound Of Movement"
tour, performing improvised collaborations with musicians from
Seattle to San Diego.

"My work as a movement artist blurs boundaries and crosses
categories. Re-defining the traditional concepts of a "piece",
challenging the conventions of choreography, performance, time, space
and audience relationships".


Doctor T (Emile S Tobenfeld)'s artistic sensibility is strongly
influenced by his education (Ph.D in Physics), and his fascination
with improvisation in all forms.

His sonic and visual experiments apply a scientist's and
photographer's eye for texture, geometry, form, and the interaction
of light and surface, a strong sense of collage, and an abiding
curiosity about technology's use in creating music and visual art.

He performs frequently as a  'VJ' doing improvisational live mixing
and processing of source materials that he creates from still images,
video and computer graphics. He first performed visual improvisations
with live music in 1973. His most recent performances were at the
Electro-Music 2006 festival in Philadelphia, where he performed with
about a dozen different musical ensembles.

He performs regularly with an ensemble called "Immersions", an
ensemble with rotating personnel, anchored by Doctor T and Dean
Stiglitz on Electro Flute. His most recent releases are two DVD-R's,
The Space Broom Experiment, recorded live with The Lothars in Nov,
2005, and Immersions 2005, culled from three live performances from 2005.

Previous releases include Eyewash, May 11, 2005), recorded live in
New York with Dean Stiglitz and dancer Claire Barratt, Video Mandalas
(A DVD_R reissue of a 1996 studio video based on symmetry, and a CD-R
(Data from Recent Experiments), recorded live in the studio primarily
in 2001 and 2002.

Doctor T is best known for the innovative sequencing software he
wrote for Dr. T's Music Software (one of the first music software
companies. His current 'day job' is writing video effects software
for Boris Fx, much of which he uses in his own video work.


Contact:
Walter Wright
978 452 8138
info@119gallery.org

_______________________________________________
119-news mailing list
119-news@server.indyramp.net
http://server.indyramp.net/mailman/listinfo/119-news

-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 14:12:54 2006
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Subject: Re: Sample #3 of VST Program Presets (Reaktor 5 - "Blackbird")
Date: Tue, 25 Jul 2006 08:12:50 -0600
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I just exchanged some email with Paul...nice guy. He was surprised that =
I could use Blackbird in Reaktor 5, but I told him you converted it for =
me. I'm trying to urge him to write more ensemble like that, focusing on =
emulating high end units like Eventides, Lexicon, TC Electronic, =
etc...now I believe it is entirely probable that this can be done. It's =
all in the building blocks of effect processors...most seem to share the =
same type and build on them, regardless of whether they are hardware or =
software.  The Vortex is a good example (and I'm sure Andy will chime in =
here, and maybe Ted since that is his favorite box), because=20

btw, what is the Vortex-like ensemble? I think you sent it to me, but I =
may have had problem loading it too.=20

Kris


  ----- Original Message -----=20
  From: David Coffin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, July 25, 2006 12:27 AM
  Subject: Re: Sample #3 of VST Program Presets (Reaktor 5 - =
"Blackbird")


  Yup; and I agree. He also authored Reaktor=92s sorta-Vortex: Amor, =
plus a bunch of cool synths and automatic-music machines. Haven=92t seen =
much from him lately; he might have moved on after leaving the Reaktor =
library forever in his debt...like many others before and since. It IS =
an amazing community: new, free, mind-blowing devices weekly, once you =
join up:) Only potential downside is option-overload.
  dc


  On Jul 24, 2006, at 8:46 PM, Krispen Hartung wrote:


    David, what user developed this? Paul Swennenhuis? He should be =
crowned and awarded retirement for life. :)


------=_NextPart_000_0BC6_01C6AFC2.1EB8C6A0
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<META http-equiv=3DContent-Type content=3D"text/html; =
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style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
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bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I just exchanged some email with =
Paul...nice guy.=20
He was surprised that I could use Blackbird in Reaktor 5, but I told him =
you=20
converted it for me. I'm trying to urge him to write more ensemble like =
that,=20
focusing on emulating high end units like Eventides, Lexicon, TC =
Electronic,=20
etc...now I believe it is entirely probable that this can be done. It's =
all in=20
the building blocks of effect processors...most seem to share the same =
type and=20
build on them, regardless of whether they are hardware or =
software.&nbsp; The=20
Vortex is a good example (and I'm sure Andy will chime in here, and =
maybe Ted=20
since that is his favorite box), because </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>btw, what is the Vortex-like ensemble? =
I think you=20
sent it to me, but I may have had problem loading it too. </FONT><FONT=20
face=3DArial size=3D2></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Ddpcoffin@earthlink.net =
href=3D"mailto:dpcoffin@earthlink.net">David=20
  Coffin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 25, 2006 =
12:27=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Sample #3 of VST =
Program=20
  Presets (Reaktor 5 - "Blackbird")</DIV>
  <DIV><BR></DIV>Yup; and I agree. He also authored Reaktor=92s =
sorta-Vortex:=20
  Amor, plus a bunch of cool synths and automatic-music machines. =
Haven=92t seen=20
  much from him lately; he might have moved on after leaving the Reaktor =
library=20
  forever in his debt...like many others before and since. It IS an =
amazing=20
  community: new, free, mind-blowing devices weekly, once you join up:) =
Only=20
  potential downside is option-overload.
  <DIV>dc</DIV>
  <DIV><BR>
  <DIV>
  <DIV>On Jul 24, 2006, at 8:46 PM, Krispen Hartung wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: 14px Lucida Grande; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
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border-spacing: 0px 0px; khtml-text-decorations-in-effect: none; =
apple-text-size-adjust: auto; orphans: 2; widows: 2"><FONT=20
    face=3DArial size=3D2><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 11px; FONT-FAMILY: Arial">David, what user =
developed this?=20
    </SPAN><FONT face=3D"Times New Roman" size=3D3><FONT face=3DArial =
size=3D2><SPAN=20
    class=3DApple-style-span style=3D"FONT-SIZE: 11px; FONT-FAMILY: =
Arial">Paul=20
    Swennenhuis?</SPAN></FONT><SPAN class=3DApple-style-span=20
    style=3D"FONT-FAMILY: Times New Roman"> </SPAN></FONT><SPAN=20
    class=3DApple-style-span style=3D"FONT-SIZE: 11px; FONT-FAMILY: =
Arial">He should=20
    be crowned and awarded retirement for life.=20
  =
:)</SPAN></FONT></SPAN></BLOCKQUOTE></DIV><BR></DIV></BLOCKQUOTE></BODY><=
/HTML>

------=_NextPart_000_0BC6_01C6AFC2.1EB8C6A0--


From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 14:25:32 2006
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References: <069801c6af2a$8b70f1c0$10b0ec0f@americas.hpqcorp.net> <20060725082856.61530@gmx.net>
Subject: Re: Selling my hardware effect/looping system! (2 VF1s, Fireworx, Looperlative)
Date: Tue, 25 Jul 2006 08:25:26 -0600
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From: "Buzap Buzap" <buzap@gmx.net>

> The Boss VF-1 unit seems really interesting. It doesn't seem to be on sale 
> anywhere and does not even show up in ebay.
>
> I wonder why?
>
> Buzap

That's because everyone is hording them! :) Look at me...I have two. I 
suppose this will drive the price up a bit.

K- 


From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 15:32:40 2006
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Date: Tue, 25 Jul 2006 10:32:36 -0500
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To: Loopers-Delight@loopers-delight.com
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On 7/25/06, Buzap Buzap <buzap@gmx.net> wrote:
>
> Would a VF-1 be more advisable? Is there a cheap successor to the VF-1?

there isn't a successor the the VF1, but there are the earlier models,
the SE-50 and SE-70 which are very similar boxes...

From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 15:36:07 2006
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Date: Tue, 25 Jul 2006 08:36:06 -0700 (PDT)
From: Dumeril Seven <dumeril7@yahoo.com>
Subject: Re: RC-50 video on summer NAMM
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> From: "Krispen Hartung" <khartung@cableone.net>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: RC-50 video on summer NAMM
> 
> Heh heh...no doubt about it. The guy is a born marketer. In fact, I find 
> that a lot of musicians have the skills and persona necessary to be in 
> product marketing, or sales, especially the good looking ones (you have to 
> be good looking to be in marketing). There is a charisma and quirkiness 
> about some musicians that makes them adept at this.  First of all, a good 
> music marketing person needs to have a "sliver tongue" and be able to 
> believe in his own bullshit to such an extent that the customer can't 
> possibly not buy into the value proposition of their product. Second, they 
> need to be able to play their instrument.  Rico Looper, or whatever 
> ridiculous title he has self-appointed himself, seems to have both of these 
> skillsets.  That competency set is worth about $70+K a year for a fortune 
> 500 company in the US.....that's a lot of boxes of Snack Romin and Macaroni 
> and Cheese, man. :)  He could be talking to customers and designing products 
> rather than being Boss' errand boy of promotion.
> 
> K-

Hey, I represent that remark!  As a product marketing guy, I agree with
everything you said.  Except that I'm not particularly good looking; well, my
wife thinks I am, but she's biased.  BTW, I think I work for your company.  HP,
right?  I do "solution marketing", which is just a another variant on PM for
the   OpenView identity management products.

D7

Dumeril7                    dumeril7@SPAMBEGONEyahoo.com
Anti-spam measures in place -- remove "SPAMBEGONE" from
my e-mail address if you want to use it....

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 15:54:30 2006
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Date: Tue, 25 Jul 2006 8:52:26 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-50 video on summer NAMM
Cc: Dumeril Seven <dumeril7@yahoo.com>
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BOTH of you guys better quit wasting the company's money. I'm an HP stockholder! :)
--
Paul Richards

---- Dumeril Seven <dumeril7@yahoo.com> wrote: 
> 
> > From: "Krispen Hartung" <khartung@cableone.net>
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: RC-50 video on summer NAMM
> > 
> > Heh heh...no doubt about it. The guy is a born marketer. In fact, I find 
> > that a lot of musicians have the skills and persona necessary to be in 
> > product marketing, or sales, especially the good looking ones (you have to 
> > be good looking to be in marketing). There is a charisma and quirkiness 
> > about some musicians that makes them adept at this.  First of all, a good 
> > music marketing person needs to have a "sliver tongue" and be able to 
> > believe in his own bullshit to such an extent that the customer can't 
> > possibly not buy into the value proposition of their product. Second, they 
> > need to be able to play their instrument.  Rico Looper, or whatever 
> > ridiculous title he has self-appointed himself, seems to have both of these 
> > skillsets.  That competency set is worth about $70+K a year for a fortune 
> > 500 company in the US.....that's a lot of boxes of Snack Romin and Macaroni 
> > and Cheese, man. :)  He could be talking to customers and designing products 
> > rather than being Boss' errand boy of promotion.
> > 
> > K-
> 
> Hey, I represent that remark!  As a product marketing guy, I agree with
> everything you said.  Except that I'm not particularly good looking; well, my
> wife thinks I am, but she's biased.  BTW, I think I work for your company.  HP,
> right?  I do "solution marketing", which is just a another variant on PM for
> the   OpenView identity management products.
> 
> D7
> 
> Dumeril7                    dumeril7@SPAMBEGONEyahoo.com
> Anti-spam measures in place -- remove "SPAMBEGONE" from
> my e-mail address if you want to use it....
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 15:59:43 2006
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Subject: Re: RC-50 video on summer NAMM
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Hey, we are multi-tasking... heh heh...

K-
----- Original Message ----- 
From: "Paul Richards" <paulrichard10@adelphia.net>
To: <Loopers-Delight@loopers-delight.com>
Cc: "Dumeril Seven" <dumeril7@yahoo.com>
Sent: Tuesday, July 25, 2006 9:52 AM
Subject: Re: RC-50 video on summer NAMM


> BOTH of you guys better quit wasting the company's money. I'm an HP 
> stockholder! :)
> --
> Paul Richards
>
> ---- Dumeril Seven <dumeril7@yahoo.com> wrote:
>>
>> > From: "Krispen Hartung" <khartung@cableone.net>
>> > To: Loopers-Delight@loopers-delight.com
>> > Subject: Re: RC-50 video on summer NAMM
>> >
>> > Heh heh...no doubt about it. The guy is a born marketer. In fact, I 
>> > find
>> > that a lot of musicians have the skills and persona necessary to be in
>> > product marketing, or sales, especially the good looking ones (you have 
>> > to
>> > be good looking to be in marketing). There is a charisma and quirkiness
>> > about some musicians that makes them adept at this.  First of all, a 
>> > good
>> > music marketing person needs to have a "sliver tongue" and be able to
>> > believe in his own bullshit to such an extent that the customer can't
>> > possibly not buy into the value proposition of their product. Second, 
>> > they
>> > need to be able to play their instrument.  Rico Looper, or whatever
>> > ridiculous title he has self-appointed himself, seems to have both of 
>> > these
>> > skillsets.  That competency set is worth about $70+K a year for a 
>> > fortune
>> > 500 company in the US.....that's a lot of boxes of Snack Romin and 
>> > Macaroni
>> > and Cheese, man. :)  He could be talking to customers and designing 
>> > products
>> > rather than being Boss' errand boy of promotion.
>> >
>> > K-
>>
>> Hey, I represent that remark!  As a product marketing guy, I agree with
>> everything you said.  Except that I'm not particularly good looking; 
>> well, my
>> wife thinks I am, but she's biased.  BTW, I think I work for your 
>> company.  HP,
>> right?  I do "solution marketing", which is just a another variant on PM 
>> for
>> the   OpenView identity management products.
>>
>> D7
>>
>> Dumeril7                    dumeril7@SPAMBEGONEyahoo.com
>> Anti-spam measures in place -- remove "SPAMBEGONE" from
>> my e-mail address if you want to use it....
>>
>> __________________________________________________
>> Do You Yahoo!?
>> Tired of spam?  Yahoo! Mail has the best spam protection around
>> http://mail.yahoo.com
>>
>
> 


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http://www.mackie.com/products/satellite/index.html

Just wondering if anybody's using this, and if so, what your thoughts 
are on it?  Particularly, I'm interested to hear how the multiple 
outputs work for you.

--Josh

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Date: Tue, 25 Jul 2006 17:08:39 +0100
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 >> Rothko started out as a trio of electric bassists but has morphed into a
variety of players centering around Mark Beazley, one of the original trio
of bassists. <<
 
I've known the rothko lads since late 1997.... I went along to the "upstairs
at the garage" venue in north london (to see broadcast, though rothko deny
ever having supported them, which is odd) & got there just in time to see
rothko putting their gear onto the tiny stage.
an SWR head & cab. another SWR head & cab. "that's odd," I thought, "two
bassists..." & then jon clambered up with a fliptop ampeg.
 
no drums, no guitars, no keyboards & only the occasional durutti column
style vocal contribution from jon.
 
well, about two numbers into their set, by which time I was a) dumbstruck &
b) had completely "got it", crawford produced a minidisc walkman.
"a-hah," I thought, "here comes the backing track of the rest of the band!".
the minidisc was a fourth bass part, a chunk of danny thompson in fact.
 
well, the rest is history. I followed them around making bootleg recordings
(some of which they released) until the trio turned into mark & some other
folks. there was a side-project without mark too, a four-piece math-rock
outfit called "geiger counter" with crawford still on bass but jon playing
guitar.. (& mumbling). 
 
they were all three big fans of the DL4, though their main effects were
three korg bass multi-effect units- AX3B perhaps, I forget now. 
 
lots of reverb, lots of distortion, but in such a way that even with your
back to them, you could tell who was playing what. (mark's korg was stolen,
& I sold him mine which I'd only bought because crawford went on about it so
much. didn't really suit me.)
 
jon played a status, I think, mostly. mark had a fretless yamaha & crawford
a stingray with a "public enemy" sticker on it.
 
many great nights out when either rothko or geiger counter were paired with
monsoon bassoon, a part-gong, part-renaissance prog-pop outfit. 
rothko managed several albums, but the monsoons only made one, while geiger
counter just squeezed out a couple of singles.
 
I miss them all.
 
d.


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<DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>&nbsp;&gt;&gt;&nbsp;</FONT></SPAN>Rothko started out as a 
trio of electric bassists but has morphed into a variety of players centering 
around Mark Beazley, one of the original trio of bassists.<SPAN 
class=840244715-25072006><FONT face="AmericanTypewriter Medium" color=#0000ff 
size=2>&nbsp;&lt;&lt;</FONT></SPAN></DIV>
<DIV><SPAN class=840244715-25072006></SPAN>&nbsp;</DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>I've known the rothko lads since late 1997.... I went along 
to the "upstairs at the garage" venue in north london (to see broadcast, though 
rothko deny ever having supported them, which is odd) &amp; got there just in 
time to see rothko putting their gear onto the tiny stage.</FONT></SPAN></DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>an SWR head &amp; cab. another SWR head &amp; cab. "that's 
odd," I thought, "two bassists..." &amp; then jon clambered up with a fliptop 
ampeg.</FONT></SPAN></DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>no drums, no guitars, no keyboards &amp; only the 
occasional durutti column style vocal contribution from jon.</FONT></SPAN></DIV>
<DIV><SPAN class=840244715-25072006></SPAN>&nbsp;</DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>well, about two numbers into their set, by which time I was 
a) dumbstruck &amp; b) had completely "got it", crawford produced a minidisc 
walkman.</FONT></SPAN></DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>"a-hah," I thought, "here comes the backing track of the 
rest of the band!".</FONT></SPAN></DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>the minidisc was a fourth bass part, a chunk of danny 
thompson in fact.</FONT></SPAN></DIV>
<DIV><SPAN class=840244715-25072006></SPAN>&nbsp;</DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>well, the rest is history. I followed them around making 
bootleg recordings (some of which they released)&nbsp;until the trio turned into 
mark &amp; some other folks. there was a side-project without mark too, a 
four-piece math-rock outfit called "geiger counter" with crawford still on bass 
but jon playing guitar.. (&amp; mumbling).</FONT>&nbsp;</SPAN></DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>they were all three big fans of the DL4, though their main 
effects were three korg bass multi-effect units- AX3B perhaps, I forget now. 
</FONT></SPAN></DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>lots of reverb, lots of distortion, but in such a way that 
even with your back to them, you could tell who was playing what. (mark's korg 
was stolen, &amp; I sold him mine which I'd only bought because crawford went on 
about it so much. didn't really suit me.)</FONT></SPAN></DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>jon played a status, I think, mostly. mark had a fretless 
yamaha &amp; crawford a stingray with a "public enemy" sticker on 
it.</FONT></SPAN></DIV>
<DIV><SPAN class=840244715-25072006></SPAN>&nbsp;</DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>many great nights out when either rothko or&nbsp;geiger 
counter were paired with monsoon bassoon,&nbsp;a part-gong, part-renaissance 
prog-pop outfit.</FONT>&nbsp;</SPAN></DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>rothko managed several albums, but the monsoons only made 
one, while geiger counter just squeezed out a couple of 
singles.</FONT></SPAN></DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>I miss them all.</FONT></SPAN></DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=840244715-25072006><FONT face="AmericanTypewriter Medium" 
color=#0000ff size=2>d.</FONT></SPAN></DIV></DIV><CODE><FONT SIZE=3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 16:56:39 2006
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: Sample #3 of VST Program Presets (Reaktor 5 - "Blackbird")
Date: Tue, 25 Jul 2006 09:55:48 -0700
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Amor, in the User Library:
http://www.nativeinstruments.de/index.php?=20
id=3Duserlibrary_us&type=3D0&ulbr=3D1&plview=3Ddetail&patchid=3D995

I doubt any experienced Vortex users would find it a convincing =20
emulation of the FX in the real Vortex, but it does have a morphing =20
function that was ahead of its time (now all Reaktor ensembles can =20
morph between settings), and there=92s lots of weird sounds in there.
dc

On Jul 25, 2006, at 7:12 AM, Krispen Hartung wrote:

> btw, what is the Vortex-like ensemble?


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Amor, in the User =
Library:<DIV><A =
href=3D"http://www.nativeinstruments.de/index.php?id=3Duserlibrary_us&type=
=3D0&ulbr=3D1&plview=3Ddetail&patchid=3D995">http://www.nativeinstruments.=
de/index.php?id=3Duserlibrary_us&amp;type=3D0&amp;ulbr=3D1&amp;plview=3Dde=
tail&amp;patchid=3D995</A></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I doubt any experienced =
Vortex users would find it a convincing emulation of the FX in the real =
Vortex, but it does have a morphing function that was ahead of its time =
(now all Reaktor ensembles can morph between settings), and there=92s =
lots of weird sounds in there.</DIV><DIV>dc</DIV><DIV><BR><DIV><DIV>On =
Jul 25, 2006, at 7:12 AM, Krispen Hartung wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Lucida =
Grande; font-size: 14px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: =
0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><FONT face=3D"Arial" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-family: Arial; =
font-size: 11px; ">btw, what is the Vortex-like =
ensemble?</SPAN></FONT></SPAN></BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-2--554310620--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 17:13:47 2006
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Subject: Re: Re: Selling my hardware effect/looping system! (2 VF1s, Fireworx, Looperlative)
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Taylor electric Nylons are appealing!  Good thinking Krispen!

On 7/25/06, Krispen Hartung <khartung@cableone.net> wrote:
> From: "Buzap Buzap" <buzap@gmx.net>
>
> > The Boss VF-1 unit seems really interesting. It doesn't seem to be on sale
> > anywhere and does not even show up in ebay.
> >
> > I wonder why?
> >
> > Buzap
>
> That's because everyone is hording them! :) Look at me...I have two. I
> suppose this will drive the price up a bit.
>
> K-
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 17:50:39 2006
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Subject: Re: Sample #3 of VST Program Presets (Reaktor 5 - "Blackbird")
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I do have that ensemble and it sounds great...produces some interesting =
sounds.  Paul said that he was only partially successful in emulating =
the Vortex.  I'm not sure if it had to do with limitations of Reaktor or =
a matter of time & effort.=20

I haven't even tapped into Reaktor's new feature of morphing between =
settings. I need to figure that out. I'd love to set it up so that it =
morphed from one preset (snap) to another at a time interval that I =
define.

Kris

  ----- Original Message -----=20
  From: David Coffin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, July 25, 2006 10:55 AM
  Subject: Re: Sample #3 of VST Program Presets (Reaktor 5 - =
"Blackbird")


  Amor, in the User Library:
  =
http://www.nativeinstruments.de/index.php?id=3Duserlibrary_us&type=3D0&ul=
br=3D1&plview=3Ddetail&patchid=3D995


  I doubt any experienced Vortex users would find it a convincing =
emulation of the FX in the real Vortex, but it does have a morphing =
function that was ahead of its time (now all Reaktor ensembles can morph =
between settings), and there=92s lots of weird sounds in there.
  dc


  On Jul 25, 2006, at 7:12 AM, Krispen Hartung wrote:


    btw, what is the Vortex-like ensemble?


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khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I do have that ensemble and it sounds=20
great...produces some interesting sounds. &nbsp;Paul said that he was =
only=20
partially successful in emulating the Vortex.&nbsp; I'm not sure if it =
had to do=20
with limitations of Reaktor or a matter of time &amp; effort. =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I haven't even tapped into Reaktor's =
new feature of=20
morphing between settings. I need to figure that out. I'd love to set it =
up so=20
that it morphed from one preset (snap) to another at a time interval =
that I=20
define.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Ddpcoffin@earthlink.net =
href=3D"mailto:dpcoffin@earthlink.net">David=20
  Coffin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 25, 2006 =
10:55=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Sample #3 of VST =
Program=20
  Presets (Reaktor 5 - "Blackbird")</DIV>
  <DIV><BR></DIV>Amor, in the User Library:
  <DIV><A=20
  =
href=3D"http://www.nativeinstruments.de/index.php?id=3Duserlibrary_us&amp=
;type=3D0&amp;ulbr=3D1&amp;plview=3Ddetail&amp;patchid=3D995">http://www.=
nativeinstruments.de/index.php?id=3Duserlibrary_us&amp;type=3D0&amp;ulbr=3D=
1&amp;plview=3Ddetail&amp;patchid=3D995</A></DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>I doubt any experienced Vortex users would find it a convincing =
emulation=20
  of the FX in the real Vortex, but it does have a morphing function =
that was=20
  ahead of its time (now all Reaktor ensembles can morph between =
settings), and=20
  there=92s lots of weird sounds in there.</DIV>
  <DIV>dc</DIV>
  <DIV><BR>
  <DIV>
  <DIV>On Jul 25, 2006, at 7:12 AM, Krispen Hartung wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: 14px Lucida Grande; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; =
border-spacing: 0px 0px; khtml-text-decorations-in-effect: none; =
apple-text-size-adjust: auto; orphans: 2; widows: 2"><FONT=20
    face=3DArial size=3D2><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 11px; FONT-FAMILY: Arial">btw, what is the =
Vortex-like=20
    =
ensemble?</SPAN></FONT></SPAN></BLOCKQUOTE></DIV><BR></DIV></BLOCKQUOTE><=
/BODY></HTML>

------=_NextPart_000_0D08_01C6AFE0.89C0B200--


From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 19:12:00 2006
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 <1140.128.193.37.230.1153762289.squirrel@webmail.peak.org>
Date: Tue, 25 Jul 2006 16:05:00 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matilists@atarde.com.br>
Subject: Re: RC-50 video on summer NAMM (ricoloop)
Cc: rico@ricoloop.de
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>  > Do you like tap dancing ;-)
>>  http://www.sonicstate.com/news/shownews.cfm?newsid=3266
>
>The video is useless for figuring out what Rico's doing.
>
>The key thing he says is that the RC-50 is 3 RC-20s in parallel.  That's the
>design fault.  Rico's a pretty good performer actually. Someone should invite
>Rico onto the LD list. Boss might actually listen to him.
>
>Cheers,
>Kevin
>www.TheNettles.com

I did invite him, as you see below
he keeps sending me his creative show invitations
I had the impression he was a nice and smart guy
rather the fun street musician than the sophisticated composer though.
If Boss listens only to him, they may never understand our needs... 
but still sell enough - which both is actually fine for me...
I hate when people come up: "oh, so you also invented a Loop-Station?"
:-)

Matthias

>
>-----Original Message-----
>From: Matthias Grob [mailto:matthias@grob.org]
>Sent: Montag, 12. September 2005 14:22
>To: rico
>Cc: Bernhard Wagner
>Subject: Re: our festival
>
>hi evrybody,..
>
>sounds like my festival;) well, next time.
>please
>check
>out
>"ricoloop"
>
>www.ricoloop.de
>rico@ricoloop.de
>
>saugut!
>wir haben uns vorallem auf der Loopers-Delight.com liste getroffen, warst du
>auch schon dort?
>
>welcome
>Matthias
>--


-- 


          ---> http://www.matthiasgrob.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 20:34:27 2006
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To: Loopers-Delight@loopers-delight.com
From: geoff smith <geoff.smith97@virgin.net>
Subject: does the boss rc50 have insert modes similar to the edp?
Date: Tue, 25 Jul 2006 13:22:13 +0100
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I have watched both videos for the rc50 but haven't seen any use of any 
insert functions, I remember reading in someones post that there are 
various 'overdub' modes does the rc50 have an insert replace and insert 
substitute function like the edp,
I would really like the one that works by inserting something the next 
time round a loop can't remember which one that was called as I sold my 
edp a while ago.
cheers
geoff

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From: geoff smith <geoff.smith97@virgin.net>
Subject: Re: RC-50 video on summer NAMM
Date: Tue, 25 Jul 2006 12:20:37 +0100
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Agreed for a product demo thats about as good as I have seen. Much more 
interesting than the usual guitar demos.
geoff
On 24 Jul 2006, at 18:23, Charles Zwicky wrote:

>
>
> That's tough talk, jeff...  I think he's got his act  down pretty well 
> perfect.
>
> Care to demonstrate YOUR rig on video??
>
>
>
>> On Jul 24, 2006, at 11:16 AM, Rainer Thelonius Balthasar Straschill 
>> wrote:
>>
>>> I was really flabberghasted to learn from Rico Loop (with a name 
>>> like this,
>>> he sure must be an authority) that the RC-50 is "the most powerful 
>>> looper in
>>> the world - actually the only stereo looper in the world."
>>
>> The truly scary part is that Boss thinks this clown is going to help 
>> sell their product. I couldn't stop laughing. Poor guy...he seems to 
>> take his "art" so seriously, too.
>>
>> Jeff
>
>
> -- 
> ...
> http://www.zmix.net
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 21:08:00 2006
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Date: Tue, 25 Jul 2006 23:07:38 +0200
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I wanted to buy mine from "Thomann" - one of the largest online shops in 
Germany; will be available in two days ;-)
Thanks,
Dirk

> Hi Dirk
>
>   
>>  waiting for the RC50 to be available in Germany... 
>>     
> the RC-50 _is_ available in Germany already. While you may not be able to find it in the music shop next door yet. Units have been already shipped from Rotterdam to shops in Germany.
> If your local shop can't get it, try some of the large online shops in Germany for order
>
> Best regards
> Buzap
>
>
>   

From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 21:08:48 2006
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Date: Tue, 25 Jul 2006 14:08:46 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: the truth about true bypass
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In my ungoing research to set up a good pedalboard
that wont deteriorate tone now i find out that true
bypass is not the answer either just thought i share
this info with you:
http://www.petecornish.co.uk/case_against_true_bypass.html
Luis

www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 21:17:08 2006
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Date: Tue, 25 Jul 2006 14:17:06 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: why not just use a laptop?
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http://www.petecornish.co.uk/pfrig.html

www.myspace.com/luisangulocom

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 21:37:18 2006
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Date: Tue, 25 Jul 2006 14:37:16 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Selling my hardware effect
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Wow Kris already quitting on your looperlative whats
up?
> > http://www.krispenhartung.com/rack.htm  (this
> sells as a system, wired,
> > and ready to go inside the rack)


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 21:48:59 2006
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Subject: RE: Free CD (Is it spam if its free???)
Date: Tue, 25 Jul 2006 23:48:46 +0200
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This is a multi-part message in MIME format.

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Sorry if this is taken as spam... But I'm not selling anything.. ITS =
FREE!!

But I too have just put out a FREE CD!

Its called SYNCH! and well.. OK... its a bit of a compilation album =
really... did I say it was FREE!

Get it here...
http://www.markfrancombe.com/releases/synch.html

Its free you know!

Actually this is the first downloadable record I've made, but (as =
mentioned earlier on LD) I've been giving away CD's for a while now, and =
I've been just leaving then places, anywhere, dentists waiting rooms, =
trains and Cafe tables... But now its official!! And part of the rules =
for downloading this CD is that you burn an extra one and leave it =
somewhere!!!

Ha ha.. If you don'y like it, you can just leave your copy somewhere =
too!!


Mark

mark francombe
marks website is at www.markfrancombe.com he writes for =
www.furthernoise.org and works at www.transformlearning.com
------=_NextPart_000_0075_01C6B044.DEABE5F0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Sorry if this is taken as spam... But =
I'm not=20
selling anything.. ITS FREE!!</FONT></DIV><FONT face=3DArial size=3D2>
<DIV><BR>But I too have just put out a <A=20
href=3D"http://www.markfrancombe.com/releases/synch.html">FREE =
CD!</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>Its called <STRONG>SYNCH!</STRONG> and well.. OK... its a bit of a=20
compilation album&nbsp;really... did I say it was FREE!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Get it here...<BR><A=20
href=3D"http://www.markfrancombe.com/releases/synch.html">http://www.mark=
francombe.com/releases/synch.html</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>Its free you know!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Actually this is the first downloadable record I've made, but (as =
mentioned=20
earlier on LD) I've been giving away CD's for a while now, and I've been =
just=20
leaving then places, anywhere, dentists waiting rooms, trains and Cafe =
tables...=20
But now its official!! And part of the rules for downloading this CD is =
that you=20
burn an extra one and leave it somewhere!!!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Ha ha.. If you don'y like it, you can just leave&nbsp;your=20
copy&nbsp;somewhere too!!</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Mark</DIV>
<DIV></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>mark francombe<BR>marks website is at =
<A=20
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A> he =
writes for <A=20
href=3D"http://www.furthernoise.org">www.furthernoise.org</A> and works =
at <A=20
href=3D"http://www.transformlearning.com">www.transformlearning.com</A></=
FONT></DIV><br><hr>I am using the free version of SPAMfighter for =
private users.<br>It has removed 110 spam emails to date.<br>Paying =
users do not have this message in their emails.<br>Try <a =
href=3D"http://www.spamfighter.com/go.asp?t=3D249">SPAMfighter</a> for =
free now!<br></BODY></HTML>

------=_NextPart_000_0075_01C6B044.DEABE5F0--



From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 21:53:06 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <20060725213717.65957.qmail@web38603.mail.mud.yahoo.com>
Subject: Re: Selling my hardware effect
Date: Tue, 25 Jul 2006 15:53:01 -0600
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Well, I'll be clear. The Looperaltive is a beautifully superior unit in my 
opinion. And I am convinced Bob will continue to update it until to far 
surpasses the expectations of user. And a day doesn't go by when I don't 
look at my rack, see it, and feel great about owning the unit.

But the truth of the matter is that now that my notebook is meeting all of 
my looping and effect needs and more (and I also have a backup notebook 
system ready to go), the rack is really becoming obsolete. I'd love to keep 
the LP1 around, but I'm not sure when I'll use it.  Today, I'm thinking more 
in terms of optimization, utilization, how much time I really have in a day, 
and really using what I have. In the last month, I have been cleaning house 
and selling virtually all the gear I own that I don't use or plan to use for 
an upcoming gig. I have this rack and a couple Rocktron Velocity guitar 
cabinets, that about does it.

So, I am not quitting on the Looperlative because of any fault of the unit 
or because I don't think highly of it, but because the laptop has finally 
proven its case for me...and thanks to Jeff and Mobius. If it weren't for 
Mobius, I probably wouldn't have made the switch.  It feels liberating to 
finally make the commitment 100% to a notebook system, walk the talk, and 
not have a hardware system in the back as a security blanket.

I know that in my conversation with other loopers, like Rick, Ted, and 
others, that they like to have more options available to them and not set on 
one particular unit. For example, Rick has an EDP, LP1, Repeater, and some 
floor units I guess. That works well for him, but not for me. My life is 
complicated enough trying to maintain a non-music career in the IT business 
and focus on my family, so simplicity in my gear setup really clears my mind 
and helps me focus. It is hard for me to focus on the playing when I have so 
much gear laying around that I have to maintain, keep using so that I can 
remember how to use it, etc.  I can't even describe in words how good it 
feels to walk into a gig with my guitar, notebook computer, and an FCB.

I guess it comes down to personal choice and the philosophy one is trying to 
maintain when it comes to creating good music.  I admit my choice does not 
come without risks, but I have addressed those with a backup system, which I 
bring to every gig. And if I didn't have that, I'd do what any well-rounded 
musician like myself would do, namely play my instrument solo without any 
gear or looping.  I can do that.

Kris


----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 25, 2006 3:37 PM
Subject: Re: Selling my hardware effect


> Wow Kris already quitting on your looperlative whats
> up?
>> > http://www.krispenhartung.com/rack.htm  (this
>> sells as a system, wired,
>> > and ready to go inside the rack)
>
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 22:15:35 2006
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Message-ID: <20060725221533.12434.qmail@web38609.mail.mud.yahoo.com>
Date: Tue, 25 Jul 2006 15:15:33 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: should we name it echoing ? (was RC-50 FEEDBACK WORKS)
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <ced5968c3483d28f5faec1452fa59c4d@pfmentum.com>
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I see slowly two diferent types of looping here and it
occurs to me that none of the loopers video demos show
the use of the feedback feature...
should we name looping with feedback perhaps echoing?
Luis

--- Jeff Kaiser <loopersdelight@pfmentum.com> wrote:

> On Jul 19, 2006, at 8:50 PM, Gary Lehmann wrote:
> 
> > continuing to add layers without being able to
> reduce
> > the amount of accumulated sound (I have come to
> refer to this as the
> > "Lobster trap") is neither artistic nor creative.
> 
> 
> Ahh, dogma! Fundamentalist loopers unite! I love
> rules! :-)
> 
> All options are good....and have creative
> possiblilities....I don't 
> personally use a feedback control function, but am
> glad to see it as an 
> option for those that want it.
> 
> Feedback control is good, no feedback control is
> good.
> 
> My dogma is: The truth is the sum of all dogmas.
> 
> Now, back to this evening's ale of choice: Piraat.
> 
> BTW, Kris Hartung, I miss the Bitter Creek Ale
> house!!! Rogue XS Old 
> Crustacean Barleywine ale rocks......
> 
> :-)
> 
> best regards,
> 
> Jeff
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 22:16:40 2006
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Date: Tue, 25 Jul 2006 18:11:47 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: the truth about true bypass
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However, there are several pedals which rely on interaction with the 
(passive) guitar pickups and don't like Pete Cornish's pedalboards...

>In my ungoing research to set up a good pedalboard
>that wont deteriorate tone now i find out that true
>bypass is not the answer either just thought i share
>this info with you:
>http://www.petecornish.co.uk/case_against_true_bypass.html
>Luis
>
>www.myspace.com/luisangulocom
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around
>http://mail.yahoo.com


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 22:19:53 2006
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Message-ID: <20060725221951.49002.qmail@web38614.mail.mud.yahoo.com>
Date: Tue, 25 Jul 2006 15:19:51 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Selling my hardware effect
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <0dfc01c6b034$b426d6b0$10b0ec0f@americas.hpqcorp.net>
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fair enough man you are even convincing me to start
using a lappy!
although i havent kept up with Mobious updates lately
we gotta thank Jeff for doing it all for us!
cheers
Luis

--- Krispen Hartung <khartung@cableone.net> wrote:

> Well, I'll be clear. The Looperaltive is a
> beautifully superior unit in my 
> opinion. And I am convinced Bob will continue to
> update it until to far 
> surpasses the expectations of user. And a day
> doesn't go by when I don't 
> look at my rack, see it, and feel great about owning
> the unit.
> 
> But the truth of the matter is that now that my
> notebook is meeting all of 
> my looping and effect needs and more (and I also
> have a backup notebook 
> system ready to go), the rack is really becoming
> obsolete. I'd love to keep 
> the LP1 around, but I'm not sure when I'll use it. 
> Today, I'm thinking more 
> in terms of optimization, utilization, how much time
> I really have in a day, 
> and really using what I have. In the last month, I
> have been cleaning house 
> and selling virtually all the gear I own that I
> don't use or plan to use for 
> an upcoming gig. I have this rack and a couple
> Rocktron Velocity guitar 
> cabinets, that about does it.
> 
> So, I am not quitting on the Looperlative because of
> any fault of the unit 
> or because I don't think highly of it, but because
> the laptop has finally 
> proven its case for me...and thanks to Jeff and
> Mobius. If it weren't for 
> Mobius, I probably wouldn't have made the switch. 
> It feels liberating to 
> finally make the commitment 100% to a notebook
> system, walk the talk, and 
> not have a hardware system in the back as a security
> blanket.
> 
> I know that in my conversation with other loopers,
> like Rick, Ted, and 
> others, that they like to have more options
> available to them and not set on 
> one particular unit. For example, Rick has an EDP,
> LP1, Repeater, and some 
> floor units I guess. That works well for him, but
> not for me. My life is 
> complicated enough trying to maintain a non-music
> career in the IT business 
> and focus on my family, so simplicity in my gear
> setup really clears my mind 
> and helps me focus. It is hard for me to focus on
> the playing when I have so 
> much gear laying around that I have to maintain,
> keep using so that I can 
> remember how to use it, etc.  I can't even describe
> in words how good it 
> feels to walk into a gig with my guitar, notebook
> computer, and an FCB.
> 
> I guess it comes down to personal choice and the
> philosophy one is trying to 
> maintain when it comes to creating good music.  I
> admit my choice does not 
> come without risks, but I have addressed those with
> a backup system, which I 
> bring to every gig. And if I didn't have that, I'd
> do what any well-rounded 
> musician like myself would do, namely play my
> instrument solo without any 
> gear or looping.  I can do that.
> 
> Kris
> 
> 
> ----- Original Message ----- 
> From: "L.A. Angulo" <labaloops@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, July 25, 2006 3:37 PM
> Subject: Re: Selling my hardware effect
> 
> 
> > Wow Kris already quitting on your looperlative
> whats
> > up?
> >> > http://www.krispenhartung.com/rack.htm  (this
> >> sells as a system, wired,
> >> > and ready to go inside the rack)
> >
> >
> > www.myspace.com/luisangulocom
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> > 
> 
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 22:38:59 2006
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Message-ID: <20060725223857.66253.qmail@web31912.mail.mud.yahoo.com>
Date: Tue, 25 Jul 2006 15:38:57 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: days before looping(no topic)
To: loopers-delight@loopers-delight.com
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I almost miss the hard work it was before i was
introduced to looping,almost.Its a strange catch
22,did i inhibit my abilities by making it easier to
fill the silence,or expand my creative boundaries?I
would have to guess the truth lies somewhere between
the questions.Still i can not imagine reverting to the
days before looping.
           Long live the loop,
                      Danny Scary.

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 25 22:52:41 2006
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Date: Tue, 25 Jul 2006 17:52:34 -0500
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This is a multi-part message in MIME format.
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Mark, I dig this approach a lot! You can also do the trick of slipping a 
few underhandedly in music stores, always first in the cd racks, or 
better yet on an endcap or display. You won't really count on them 
selling, but it will take forever for the staff to notice (or care) and 
in the meantime you're getting visibility which is always a good thing, 
like little billboards. And if someone is interested and asks the price, 
/maybe /the store will care enough to want to stock them for real.

Daryl Shawn
www.swanwelder.com

> Actually this is the first downloadable record I've made, but (as 
> mentioned earlier on LD) I've been giving away CD's for a while now, 
> and I've been just leaving then places, anywhere, dentists waiting 
> rooms, trains and Cafe tables... But now its official!! And part of 
> the rules for downloading this CD is that you burn an extra one and 
> leave it somewhere!!!
>  
> Ha ha.. If you don'y like it, you can just leave your copy somewhere too!!
>  
> Mark
>  
> mark francombe
> marks website is at www.markfrancombe.com 
> <http://www.markfrancombe.com> he writes for www.furthernoise.org 
> <http://www.furthernoise.org> and works at www.transformlearning.com 
> <http://www.transformlearning.com>


--------------010008070408020902040801
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
  <title></title>
</head>
<body bgcolor="#ffffff" text="#000000">
Mark, I dig this approach a lot! You can also do the trick of slipping
a few underhandedly in music stores, always first in the cd racks, or
better yet on an endcap or display. You won't really count on them
selling, but it will take forever for the staff to notice (or care) and
in the meantime you're getting visibility which is always a good thing,
like little billboards. And if someone is interested and asks the
price, <i>maybe </i>the store will care enough to want to stock them
for real.<br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<br>
<blockquote cite="mid007901c6b034$1dddc920$5a01a8c0@mark" type="cite">
  <div><font face="Arial" size="2">Actually this is the first
downloadable record I've made, but (as mentioned earlier on LD) I've
been giving away CD's for a while now, and I've been just leaving then
places, anywhere, dentists waiting rooms, trains and Cafe tables... But
now its official!! And part of the rules for downloading this CD is
that you burn an extra one and leave it somewhere!!!</font></div>
  <div><font face="Arial" size="2">&nbsp;</font></div>
  <div><font face="Arial" size="2">Ha ha.. If you don'y like it, you
can just leave&nbsp;your copy&nbsp;somewhere too!!</font></div>
  <font face="Arial" size="2">&nbsp;</font>
  <div><font face="Arial" size="2">Mark</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">mark francombe<br>
marks website is at <a href="http://www.markfrancombe.com">www.markfrancombe.com</a>
he writes for <a href="http://www.furthernoise.org">www.furthernoise.org</a>
and works at <a href="http://www.transformlearning.com">www.transformlearning.com</a></font></div>
</blockquote>
<br>
</body>
</html>

--------------010008070408020902040801--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 03:39:40 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: looper's list?
Date: Tue, 25 Jul 2006 20:39:36 -0700
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Is this list functioning? I haven't had an email in a day or so.......

Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 04:07:33 2006
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afaik its working :)



On 7/25/06, Jeff Kaiser <loopersdelight@pfmentum.com> wrote:
> Is this list functioning? I haven't had an email in a day or so.......
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com =95 AngryVegan.com
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 04:13:09 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
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Thanks, was feeling a bit, ahem, out of the loop......



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jul 25, 2006, at 9:07 PM, Charlie Milkey wrote:

> afaik its working :)
>
>
>
> On 7/25/06, Jeff Kaiser <loopersdelight@pfmentum.com> wrote:
>> Is this list functioning? I haven't had an email in a day or =
so.......
>>
>> Jeff Kaiser
>> http://www.jeffkaisermusic.com
>> pfMENTUM.com =95 AngryVegan.com
>>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 04:14:59 2006
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To: Loopers-Delight@loopers-delight.com
References: <007901c6b034$1dddc920$5a01a8c0@mark>
Subject: Re: Free CD (Is it spam if its free???)
Date: Tue, 25 Jul 2006 22:14:53 -0600
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This is a multi-part message in MIME format.

------=_NextPart_000_0E0A_01C6B037.C1018530
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Cool, Mark, but what about that baby of yours? How's it going? Getting =
more sleep now? :)

Kris

  ----- Original Message -----=20
  From: markfrancombe.com=20
  To: loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, July 25, 2006 3:48 PM
  Subject: RE: Free CD (Is it spam if its free???)


  Sorry if this is taken as spam... But I'm not selling anything.. ITS =
FREE!!

  But I too have just put out a FREE CD!

  Its called SYNCH! and well.. OK... its a bit of a compilation album =
really... did I say it was FREE!

  Get it here...
  http://www.markfrancombe.com/releases/synch.html

  Its free you know!

  Actually this is the first downloadable record I've made, but (as =
mentioned earlier on LD) I've been giving away CD's for a while now, and =
I've been just leaving then places, anywhere, dentists waiting rooms, =
trains and Cafe tables... But now its official!! And part of the rules =
for downloading this CD is that you burn an extra one and leave it =
somewhere!!!

  Ha ha.. If you don'y like it, you can just leave your copy somewhere =
too!!


  Mark

  mark francombe
  marks website is at www.markfrancombe.com he writes for =
www.furthernoise.org and works at www.transformlearning.com


-------------------------------------------------------------------------=
-----
  I am using the free version of SPAMfighter for private users.
  It has removed 110 spam emails to date.
  Paying users do not have this message in their emails.
  Try SPAMfighter for free now!

------=_NextPart_000_0E0A_01C6B037.C1018530
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Cool, Mark, but what about that baby of =
yours?=20
How's it going? Getting more sleep now? :)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmark@markfrancombe.com=20
  href=3D"mailto:mark@markfrancombe.com">markfrancombe.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-Delight@loopers-delight.com">loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 25, 2006 =
3:48=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Free CD (Is it =
spam if its=20
  free???)</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Sorry if this is taken as spam... But =
I'm not=20
  selling anything.. ITS FREE!!</FONT></DIV><FONT face=3DArial size=3D2>
  <DIV><BR>But I too have just put out a <A=20
  href=3D"http://www.markfrancombe.com/releases/synch.html">FREE =
CD!</A></DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Its called <STRONG>SYNCH!</STRONG> and well.. OK... its a bit of =
a=20
  compilation album&nbsp;really... did I say it was FREE!</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Get it here...<BR><A=20
  =
href=3D"http://www.markfrancombe.com/releases/synch.html">http://www.mark=
francombe.com/releases/synch.html</A></DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Its free you know!</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Actually this is the first downloadable record I've made, but (as =

  mentioned earlier on LD) I've been giving away CD's for a while now, =
and I've=20
  been just leaving then places, anywhere, dentists waiting rooms, =
trains and=20
  Cafe tables... But now its official!! And part of the rules for =
downloading=20
  this CD is that you burn an extra one and leave it somewhere!!!</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Ha ha.. If you don'y like it, you can just leave&nbsp;your=20
  copy&nbsp;somewhere too!!</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Mark</DIV>
  <DIV></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>mark francombe<BR>marks website is at =
<A=20
  href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A> he =
writes for <A=20
  href=3D"http://www.furthernoise.org">www.furthernoise.org</A> and =
works at <A=20
  =
href=3D"http://www.transformlearning.com">www.transformlearning.com</A></=
FONT></DIV><BR>
  <HR>
  I am using the free version of SPAMfighter for private users.<BR>It =
has=20
  removed 110 spam emails to date.<BR>Paying users do not have this =
message in=20
  their emails.<BR>Try <A=20
  href=3D"http://www.spamfighter.com/go.asp?t=3D249">SPAMfighter</A> for =
free=20
  now!<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0E0A_01C6B037.C1018530--


From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 04:16:15 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <20060725221951.49002.qmail@web38614.mail.mud.yahoo.com>
Subject: Re: Selling my hardware effect
Date: Tue, 25 Jul 2006 22:16:11 -0600
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Hey, Luis, was it you that is looking for a  Behringer FCB? I may be selling 
mine and buying one of those smaller Rocktron All Access units.

Kris

----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 25, 2006 4:19 PM
Subject: Re: Selling my hardware effect


> fair enough man you are even convincing me to start
> using a lappy!
> although i havent kept up with Mobious updates lately
> we gotta thank Jeff for doing it all for us!
> cheers
> Luis
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>> Well, I'll be clear. The Looperaltive is a
>> beautifully superior unit in my
>> opinion. And I am convinced Bob will continue to
>> update it until to far
>> surpasses the expectations of user. And a day
>> doesn't go by when I don't
>> look at my rack, see it, and feel great about owning
>> the unit.
>>
>> But the truth of the matter is that now that my
>> notebook is meeting all of
>> my looping and effect needs and more (and I also
>> have a backup notebook
>> system ready to go), the rack is really becoming
>> obsolete. I'd love to keep
>> the LP1 around, but I'm not sure when I'll use it.
>> Today, I'm thinking more
>> in terms of optimization, utilization, how much time
>> I really have in a day,
>> and really using what I have. In the last month, I
>> have been cleaning house
>> and selling virtually all the gear I own that I
>> don't use or plan to use for
>> an upcoming gig. I have this rack and a couple
>> Rocktron Velocity guitar
>> cabinets, that about does it.
>>
>> So, I am not quitting on the Looperlative because of
>> any fault of the unit
>> or because I don't think highly of it, but because
>> the laptop has finally
>> proven its case for me...and thanks to Jeff and
>> Mobius. If it weren't for
>> Mobius, I probably wouldn't have made the switch.
>> It feels liberating to
>> finally make the commitment 100% to a notebook
>> system, walk the talk, and
>> not have a hardware system in the back as a security
>> blanket.
>>
>> I know that in my conversation with other loopers,
>> like Rick, Ted, and
>> others, that they like to have more options
>> available to them and not set on
>> one particular unit. For example, Rick has an EDP,
>> LP1, Repeater, and some
>> floor units I guess. That works well for him, but
>> not for me. My life is
>> complicated enough trying to maintain a non-music
>> career in the IT business
>> and focus on my family, so simplicity in my gear
>> setup really clears my mind
>> and helps me focus. It is hard for me to focus on
>> the playing when I have so
>> much gear laying around that I have to maintain,
>> keep using so that I can
>> remember how to use it, etc.  I can't even describe
>> in words how good it
>> feels to walk into a gig with my guitar, notebook
>> computer, and an FCB.
>>
>> I guess it comes down to personal choice and the
>> philosophy one is trying to
>> maintain when it comes to creating good music.  I
>> admit my choice does not
>> come without risks, but I have addressed those with
>> a backup system, which I
>> bring to every gig. And if I didn't have that, I'd
>> do what any well-rounded
>> musician like myself would do, namely play my
>> instrument solo without any
>> gear or looping.  I can do that.
>>
>> Kris
>>
>>
>> ----- Original Message ----- 
>> From: "L.A. Angulo" <labaloops@yahoo.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Tuesday, July 25, 2006 3:37 PM
>> Subject: Re: Selling my hardware effect
>>
>>
>> > Wow Kris already quitting on your looperlative
>> whats
>> > up?
>> >> > http://www.krispenhartung.com/rack.htm  (this
>> >> sells as a system, wired,
>> >> > and ready to go inside the rack)
>> >
>> >
>> > www.myspace.com/luisangulocom
>> >
>> > __________________________________________________
>> > Do You Yahoo!?
>> > Tired of spam?  Yahoo! Mail has the best spam
>> protection around
>> > http://mail.yahoo.com
>> >
>> >
>>
>>
>>
>
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 04:37:02 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: looper's list?
Date: Tue, 25 Jul 2006 21:36:58 -0700
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Jeffo,

I seem to get about 30 to 40 LD e-mails a day.

Have you got "spam blocking" on?

Tedo

On Jul 25, 2006, at 8:39 PM, Jeff Kaiser wrote:

> Is this list functioning? I haven't had an email in a day or so.......
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com =95 AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 05:58:00 2006
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Date: Tue, 25 Jul 2006 22:57:58 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Selling my hardware effect
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yes i am actually it is for a friend of mine as far as
i know hes looking to spend to spend 100.- max for it.
cheers
Luis


--- Krispen Hartung <khartung@cableone.net> wrote:

> Hey, Luis, was it you that is looking for a 
> Behringer FCB? I may be selling 
> mine and buying one of those smaller Rocktron All
> Access units.
> 
> Kris
> 
> ----- Original Message ----- 
> From: "L.A. Angulo" <labaloops@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, July 25, 2006 4:19 PM
> Subject: Re: Selling my hardware effect
> 
> 
> > fair enough man you are even convincing me to
> start
> > using a lappy!
> > although i havent kept up with Mobious updates
> lately
> > we gotta thank Jeff for doing it all for us!
> > cheers
> > Luis
> >
> > --- Krispen Hartung <khartung@cableone.net> wrote:
> >
> >> Well, I'll be clear. The Looperaltive is a
> >> beautifully superior unit in my
> >> opinion. And I am convinced Bob will continue to
> >> update it until to far
> >> surpasses the expectations of user. And a day
> >> doesn't go by when I don't
> >> look at my rack, see it, and feel great about
> owning
> >> the unit.
> >>
> >> But the truth of the matter is that now that my
> >> notebook is meeting all of
> >> my looping and effect needs and more (and I also
> >> have a backup notebook
> >> system ready to go), the rack is really becoming
> >> obsolete. I'd love to keep
> >> the LP1 around, but I'm not sure when I'll use
> it.
> >> Today, I'm thinking more
> >> in terms of optimization, utilization, how much
> time
> >> I really have in a day,
> >> and really using what I have. In the last month,
> I
> >> have been cleaning house
> >> and selling virtually all the gear I own that I
> >> don't use or plan to use for
> >> an upcoming gig. I have this rack and a couple
> >> Rocktron Velocity guitar
> >> cabinets, that about does it.
> >>
> >> So, I am not quitting on the Looperlative because
> of
> >> any fault of the unit
> >> or because I don't think highly of it, but
> because
> >> the laptop has finally
> >> proven its case for me...and thanks to Jeff and
> >> Mobius. If it weren't for
> >> Mobius, I probably wouldn't have made the switch.
> >> It feels liberating to
> >> finally make the commitment 100% to a notebook
> >> system, walk the talk, and
> >> not have a hardware system in the back as a
> security
> >> blanket.
> >>
> >> I know that in my conversation with other
> loopers,
> >> like Rick, Ted, and
> >> others, that they like to have more options
> >> available to them and not set on
> >> one particular unit. For example, Rick has an
> EDP,
> >> LP1, Repeater, and some
> >> floor units I guess. That works well for him, but
> >> not for me. My life is
> >> complicated enough trying to maintain a non-music
> >> career in the IT business
> >> and focus on my family, so simplicity in my gear
> >> setup really clears my mind
> >> and helps me focus. It is hard for me to focus on
> >> the playing when I have so
> >> much gear laying around that I have to maintain,
> >> keep using so that I can
> >> remember how to use it, etc.  I can't even
> describe
> >> in words how good it
> >> feels to walk into a gig with my guitar, notebook
> >> computer, and an FCB.
> >>
> >> I guess it comes down to personal choice and the
> >> philosophy one is trying to
> >> maintain when it comes to creating good music.  I
> >> admit my choice does not
> >> come without risks, but I have addressed those
> with
> >> a backup system, which I
> >> bring to every gig. And if I didn't have that,
> I'd
> >> do what any well-rounded
> >> musician like myself would do, namely play my
> >> instrument solo without any
> >> gear or looping.  I can do that.
> >>
> >> Kris
> >>
> >>
> >> ----- Original Message ----- 
> >> From: "L.A. Angulo" <labaloops@yahoo.com>
> >> To: <Loopers-Delight@loopers-delight.com>
> >> Sent: Tuesday, July 25, 2006 3:37 PM
> >> Subject: Re: Selling my hardware effect
> >>
> >>
> >> > Wow Kris already quitting on your looperlative
> >> whats
> >> > up?
> >> >> > http://www.krispenhartung.com/rack.htm 
> (this
> >> >> sells as a system, wired,
> >> >> > and ready to go inside the rack)
> >> >
> >> >
> >> > www.myspace.com/luisangulocom
> >> >
> >> >
> __________________________________________________
> >> > Do You Yahoo!?
> >> > Tired of spam?  Yahoo! Mail has the best spam
> >> protection around
> >> > http://mail.yahoo.com
> >> >
> >> >
> >>
> >>
> >>
> >
> >
> > www.myspace.com/luisangulocom
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> > 
> 
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 07:04:41 2006
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To: Loopers-Delight@loopers-delight.com
From: a k butler <akbutler@tiscali.co.uk>
Subject: Re:  the truth about true bypass
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>In my ungoing research to set up a good pedalboard
>that wont deteriorate tone now i find out that true
>bypass is not the answer either just thought i share
>this info with you:
>http://www.petecornish.co.uk/case_against_true_bypass.html
>Luis

Rather that's a cookbook of how to use a long chain of true bypass FX 
without problems.
( apart from Charles' observation )

With that system he described it only takes one cheap( or otherwise) 
FX with a degraded bypass to spoil things.

Apart from that, notice that the cable length maths which pretends to 
prove the point is pretty stupid if you actually think about it :-)


andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 08:10:49 2006
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Because he can afford roadies ;-)

----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 25, 2006 11:17 PM
Subject: why not just use a laptop?


> http://www.petecornish.co.uk/pfrig.html
> 
> www.myspace.com/luisangulocom
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
>

	

	
		
___________________________________________________________________________ 
Découvrez un nouveau moyen de poser toutes vos questions quelque soit le sujet ! 
Yahoo! Questions/Réponses pour partager vos connaissances, vos opinions et vos expériences. 
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 08:14:16 2006
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Date: Wed, 26 Jul 2006 05:14:03 -0300
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From: Matthias Grob <matilists@atarde.com.br>
Subject: Re: should we name it echoing ? (was RC-50 FEEDBACK WORKS)
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no, Luis
if you listen to how my pieces develop, you dont think of an echo.
Its about evolution, substitution...

>I see slowly two diferent types of looping here and it
>occurs to me that none of the loopers video demos show
>the use of the feedback feature...
>should we name looping with feedback perhaps echoing?
>Luis
>
>--- Jeff Kaiser <loopersdelight@pfmentum.com> wrote:
>
>>  On Jul 19, 2006, at 8:50 PM, Gary Lehmann wrote:
>>
>>  > continuing to add layers without being able to
>>  reduce
>>  > the amount of accumulated sound (I have come to
>>  refer to this as the
>>  > "Lobster trap") is neither artistic nor creative.
>>
>>
>>  Ahh, dogma! Fundamentalist loopers unite! I love
>>  rules! :-)
>>
>>  All options are good....and have creative
>>  possiblilities....I don't
>>  personally use a feedback control function, but am
>>  glad to see it as an
>>  option for those that want it.
>>
>>  Feedback control is good, no feedback control is
>>  good.
>>
>>  My dogma is: The truth is the sum of all dogmas.
>>
>>  Now, back to this evening's ale of choice: Piraat.
>>
>>  BTW, Kris Hartung, I miss the Bitter Creek Ale
>>  house!!! Rogue XS Old
>>  Crustacean Barleywine ale rocks......
>>
>>  :-)
>>
>>  best regards,
>>
>>  Jeff
>>
>>
>
>
>www.myspace.com/luisangulocom
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around
>http://mail.yahoo.com


-- 


          ---> http://www.matthiasgrob.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 09:30:25 2006
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From: "loop.pool" <looppool@cruzio.com>
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Subject: Re: RC-50 video on summer NAMM
Date: Wed, 26 Jul 2006 02:30:21 -0700
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I have to say watching this demo that it gives me the strangest feeling.

For 11 years now,  I have been doing shows where I use beatboxing, bass 
guitar,
melodica, single line guitars and pygmy bottle blowing 
techniques.........even down to using a bottle
full of water,  and drinking it down between overdubs so that each overdub 
has a lower
pitch.

To watch a guy who very obviously has never even heard of my name, let alone 
seen
one of my shows doing exactly the same thing is just plain weird.

Of course,  our music is completely different and I have used many more 
kinds of instruments
than these and am definitely more outside than this guy,  but it's still a 
little unsettling to my
fragile little ego.

He's like my straight music doppleganger..................lol!!!!!!


I wish we could communicate with him to let him know that he's upsetting
people by not knowing his history and also to lovingly invite him to join us 
at Loopers Delight.

   He's obviously a very talented guy
and an engaging performer.

yours,

Rick Walker
aka |()()p.p()()|
www.looppool.info

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 10:15:08 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Rico Loop  (was: Re: RC-50 video on summer NAMM)
Date: Wed, 26 Jul 2006 12:15:03 +0200
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On 26 jul 2006, at 11.30, loop.pool wrote:

> I wish we could communicate with him to let him know that he's  
> upsetting
> people by not knowing his history and also to lovingly invite him  
> to join us at Loopers Delight.
>
>   He's obviously a very talented guy
> and an engaging performer.


Roland Scandinavia sent me this link to Rico's web site: http:// 
ricoloop.de/, while I was reviewing their RC-50. Rico has a good CV  
and history uploaded for anyone that may be interested to learn more  
about this German multi instrumentalist musician.

I also noticed that Matthias Grob invited Rico to this list.  
Excellent gesture, Matthias! :-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 12:12:24 2006
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Subject: Re: Sample #1 of VST Program Presets (Lexicon PSP84)
Date: Wed, 26 Jul 2006 13:12:22 +0100
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While we're on the subject of vst plugins. Who knows of a decent pitch =
shifter vst, preferrably with some sort of formant preserving facility?
GRM tools doesn't cut it for me in this department.

G
  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, July 23, 2006 5:39 AM
  Subject: Sample #1 of VST Program Presets (Lexicon PSP84)


  For the benefit of those who are interested in what you can get out of =
some of the purchase-only VST effect programs out there, I am going to =
start recording samples for you and posting them to the group. There is =
no looping on these samples, just straight solo playing through some of =
the more interesting presets.

  Here is the first...(next on the list is PSP42, Antares Filter, =
Antares Kantos, Pluggo, Hipno, Morphing Delay, Space Effect, etc)

  VST Program: Lexicon PSP84
  URL: http://www.pspaudioware.com/plugins/psp84.html
  Cost: $149 USD

  Brief Description

  PSP 84 is a high-quality processor, capable of producing a wide =
variety of delay-based effects. Two independent delay lines operating =
with variable sampling rate and precise tape saturation algorithm with =
adjustable gain, allow for convincingly sounding simulation of tape =
delay, including all the exciting effects resulting from tape speed =
instability. A filtration section consisting of three 2nd order =
switchable resonant filter types can be used to process input, feedback =
or wet signal. The adjustable slope of the filter ranges from a gentle =
curve, which is useful for simulating high frequency absorption typical =
for tape delay and wet signal equalization to an extremely steep curve =
with a high cutoff frequency peak, making all the wild wah-wah and =
resonance effects easily available. Delay line sampling rate and filter =
cutoff can be modulated by any of the 5 LFO waveforms that are =
automatically synchronized to the sequencer tempo or envelope follower =
with adjustable sensitivity and attack/release. Moreover, the PSP 84 =
contains the fully functional reverb unit, with simplified settings =
carefully tuned to exactly reproduce the sound of classic spring and =
plate reverberators.=20

  Sound clip of factory presets: http://www.box.net/public/d90p7zley2

  Cheers,

  *************************************************
  Krispen Hartung / Improvisational Looping Guitar
  www.krispenhartung.com / www.myspace.com/krispenhartung
  info@krispenhartung.com / 1.208.724.5603=20
  Discography - http://www.krispenhartung.com/catalogue.htm
  Looper's Delight Playlist - =
http://www.boisemusicians.com/loopers-delight.m3u
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>While we're on the subject of vst =
plugins. Who=20
knows of a decent pitch shifter vst, preferrably with some sort of =
formant=20
preserving facility?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>GRM tools doesn't cut it for me in this =

department.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>G</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, July 23, 2006 =
5:39 AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Sample #1 of VST =
Program Presets=20
  (Lexicon PSP84)</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>For the benefit of those who are =
interested in=20
  what you can get out of some of the purchase-only VST effect programs =
out=20
  there, I am going to start recording samples for you and posting them =
to the=20
  group. There is no looping on these samples, just straight solo =
playing=20
  through some of the more interesting presets.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Here is the first...(next on the list =
is PSP42,=20
  Antares Filter, Antares Kantos, Pluggo, Hipno, Morphing Delay, Space =
Effect,=20
  etc)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>VST Program:</STRONG> Lexicon =

  PSP84</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>URL:</STRONG> </FONT><A=20
  href=3D"http://www.pspaudioware.com/plugins/psp84.html"><FONT =
face=3DArial=20
  =
size=3D2>http://www.pspaudioware.com/plugins/psp84.html</FONT></A></DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Cost:</STRONG> $149 =
USD</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Brief =
Description</STRONG></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>PSP&nbsp;84 is a high-quality =
processor, capable=20
  of producing a wide variety of delay-based effects. Two independent =
delay=20
  lines operating with variable sampling rate and precise tape =
saturation=20
  algorithm with adjustable gain, allow for convincingly sounding =
simulation of=20
  tape delay, including all the exciting effects resulting from tape =
speed=20
  instability. A filtration section consisting of three 2nd order =
switchable=20
  resonant filter types can be used to process input, feedback or wet =
signal.=20
  The adjustable slope of the filter ranges from a gentle curve, which =
is useful=20
  for simulating high frequency absorption typical for tape delay and =
wet signal=20
  equalization to an extremely steep curve with a high cutoff frequency =
peak,=20
  making all the wild wah-wah and resonance effects easily available. =
Delay line=20
  sampling rate and filter cutoff can be modulated by any of the 5 LFO =
waveforms=20
  that are automatically synchronized to the sequencer tempo or envelope =

  follower with adjustable sensitivity and attack/release. Moreover, the =
PSP 84=20
  contains the fully functional reverb unit, with simplified settings =
carefully=20
  tuned to exactly reproduce the sound of classic spring and plate=20
  reverberators. </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Sound clip of factory =
presets:</STRONG>=20
  </FONT><A href=3D"http://www.box.net/public/d90p7zley2"><FONT =
face=3DArial=20
  size=3D2>http://www.box.net/public/d90p7zley2</FONT></A></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial=20
  size=3D2>*************************************************<BR>Krispen =
Hartung /=20
  Improvisational Looping Guitar<BR></FONT><A=20
  href=3D"http://www.krispenhartung.com"><FONT face=3DArial=20
  size=3D2>www.krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> =
/ </FONT><A=20
  href=3D"http://www.myspace.com/krispenhartung"><FONT face=3DArial=20
  size=3D2>www.myspace.com/krispenhartung</FONT></A><BR><A=20
  href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial=20
  size=3D2>info@krispenhartung.com</FONT></A><FONT face=3DArial =
size=3D2> /=20
  1.208.724.5603 <BR>Discography - </FONT><A=20
  href=3D"http://www.krispenhartung.com/catalogue.htm"><FONT =
face=3DArial=20
  =
size=3D2>http://www.krispenhartung.com/catalogue.htm</FONT></A><BR><FONT =

  face=3DArial size=3D2>Looper's Delight Playlist - </FONT><A=20
  href=3D"http://www.boisemusicians.com/loopers-delight.m3u"><FONT =
face=3DArial=20
  =
size=3D2>http://www.boisemusicians.com/loopers-delight.m3u</FONT></A></DI=
V></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0045_01C6B0B5.21B7CA60--


From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 12:28:36 2006
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From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: Re: should we name it echoing ? 
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> I see slowly two diferent types of looping here and it
> occurs to me that none of the loopers video demos show
> the use of the feedback feature...
> should we name looping with feedback perhaps echoing?
> Luis

Echoing seems like a pretty pointless term to me, but I care less  
about what you call it than whether it's worth listening to or not.  
I'll definitely be spending my energy trying to play and write great  
music, rather than worrying about whether the label for what I do  
changes when I push the feedback pedal.

cheers

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I see slowly two diferent types of looping here and =
it</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">occurs to me that none of the loopers video =
demos show</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">the use of the feedback =
feature...</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">should we name looping with =
feedback perhaps echoing?</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Luis</DIV></BLOCKQUOTE><DIV><BR =
class=3D"khtml-block-placeholder"></DIV>Echoing seems like a pretty =
pointless term to me, but I care less about what you call it than =
whether it's worth listening to or not. I'll definitely be spending my =
energy trying to play and write great music, rather than worrying about =
whether the label for what I do changes when I push the feedback =
pedal.=A0<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>cheers<BR><BR><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; =
"><DIV>Steve</DIV><DIV>www.stevelawson.net - =
site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccollec=
tive.org</A> - =
blog</DIV><DIV>www.myspace.com/solobassstevelawson</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
PAN> </DIV><BR></DIV></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 12:56:18 2006
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To: Loopers-Delight@loopers-delight.com
References: <00b301c6b096$1dda3320$64ddfea9@DAYGLOGREEN>
Subject: Re: RC-50 video on summer NAMM
Date: Wed, 26 Jul 2006 06:56:12 -0600
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Agreed, Rick. I am finding that there is a separate breed of commercial/pop 
music loopers developing on the side, some of which are working in a vacuum. 
We need to know each other, our community, and our history...especially to 
prevent re-inventing the wheel, claiming to invent the wheel, or repeating 
past mistakes. Community is powerful.

What would be sad and unfortunate is if the world developed a "class" of 
loopers that gain enough popularity in the public eye that they forget their 
roots and feel they don't have to talk us anymore.  And in this light, I 
would like to see more famous loopers posting on this list, rather than the 
occasional "popping in".

Kris

----- Original Message ----- 
From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 26, 2006 3:30 AM
Subject: Re: RC-50 video on summer NAMM


>I have to say watching this demo that it gives me the strangest feeling.
>
> For 11 years now,  I have been doing shows where I use beatboxing, bass 
> guitar,
> melodica, single line guitars and pygmy bottle blowing 
> techniques.........even down to using a bottle
> full of water,  and drinking it down between overdubs so that each overdub 
> has a lower
> pitch.
>
> To watch a guy who very obviously has never even heard of my name, let 
> alone seen
> one of my shows doing exactly the same thing is just plain weird.
>
> Of course,  our music is completely different and I have used many more 
> kinds of instruments
> than these and am definitely more outside than this guy,  but it's still a 
> little unsettling to my
> fragile little ego.
>
> He's like my straight music doppleganger..................lol!!!!!!
>
>
> I wish we could communicate with him to let him know that he's upsetting
> people by not knowing his history and also to lovingly invite him to join 
> us at Loopers Delight.
>
>   He's obviously a very talented guy
> and an engaging performer.
>
> yours,
>
> Rick Walker
> aka |()()p.p()()|
> www.looppool.info
>
> 


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From: Richard Sales <richard@glasswing.com>
Subject: Re: should we name it echoing ? 
Date: Wed, 26 Jul 2006 06:28:09 -0700
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Well stated, Steve!  It's so easy (but understandable) to get lost in=20
the minutia and lose the music.

As one of my first great teachers used to repeatedly say, "FOCUS!"

BTW, I got an RC 50 as a first step.  I already see the Looperlative's=20=

value!   But the RC50 is helping me think about what I want to ACTUALLY=20=

DO with looping...

Big fun.  Now it's just a matter of finding TIME to do it in addition=20
to my regular practice.  Yikes!!!  If only I was 20 again with infinite=20=

time on my hands.

We performed with a young woman named Feist who uses looping a bit in=20
her show.  The audience loved it.  Relatively cheap (but well done)=20
tricks etc, but she's obviously spent some time with it.  For me it was=20=

a great showing of how much people dug the technology.

twang

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 26-Jul-06, at 5:28 AM, Steve Lawson wrote:

>> I see slowly two diferent types of looping here and it
>> occurs to me that none of the loopers video demos show
>> the use of the feedback feature...
>> should we name looping with feedback perhaps echoing?
>> Luis
> Echoing seems like a pretty pointless term to me, but I care less=20
> about what you call it than whether it's worth listening to or not.=20
> I'll definitely be spending my energy trying to play and write great=20=

> music, rather than worrying about whether the label for what I do=20
> changes when I push the feedback pedal.=A0
>
> cheers
>
> Steve
> www.stevelawson.net - site
> www.stevelawson.net/zencart/ - shop
> http://steve.anthropiccollective.org - blog
> www.myspace.com/solobassstevelawson
>
>
>
>

--Apple-Mail-3--480369758
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Well stated, Steve!  It's so easy (but understandable) to get lost in
the minutia and lose the music. =20


As one of my first great teachers used to repeatedly say,
<italic>"FOCUS!"


</italic>BTW, I got an RC 50 as a first step.  I already see the
Looperlative's value!   But the RC50 is helping me think about what I
want to ACTUALLY DO with looping...=20


Big fun.  Now it's just a matter of finding TIME to do it in addition
to my regular practice.  Yikes!!!  If only I was 20 again with
infinite time on my hands.


We performed with a young woman named Feist who uses looping a bit in
her show.  The audience loved it.  Relatively cheap (but well done)
tricks etc, but she's obviously spent some time with it.  For me it
was a great showing of how much people dug the technology. =20


twang


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 26-Jul-06, at 5:28 AM, Steve Lawson wrote:


<excerpt><excerpt>I see slowly two diferent types of looping here and
it

occurs to me that none of the loopers video demos show

the use of the feedback feature...

should we name looping with feedback perhaps echoing?

Luis

</excerpt>Echoing seems like a pretty pointless term to me, but I care
less about what you call it than whether it's worth listening to or
not. I'll definitely be spending my energy trying to play and write
great music, rather than worrying about whether the label for what I
do changes when I push the feedback pedal.=A0


cheers


Steve

www.stevelawson.net - site

www.stevelawson.net/zencart/ - shop

=
<color><param>0000,0000,EEEE</param>http://steve.anthropiccollective.org</=
color>
- blog

www.myspace.com/solobassstevelawson





</excerpt>=

--Apple-Mail-3--480369758--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 14:04:27 2006
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Hi Rick

watching couple looping videos on the internet, I also had some deja-vus... ;-)

Best regards
Buzap
-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 14:22:21 2006
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Subject: Rocktron All Access for MIDI Controll of Looping Devices
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Anyone using the Rocktron All Access to control their looping devices?  I 
heard that the buttons were a  bit loud when pressing them. 


From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 14:32:18 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Pitch Shifting plug-in (was: Re: Sample #1 of VST Program Presets (Lexicon PSP84)
Date: Wed, 26 Jul 2006 16:32:14 +0200
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On 26 jul 2006, at 14.12, gareth whittock wrote:

> While we're on the subject of vst plugins. Who knows of a decent  
> pitch shifter vst, preferrably with some sort of formant preserving  
> facility?

Hi Gareth,

I thought Chopitch was good when I tried it out. Available as VST for  
Mac and Windows at http://www.mathons.com/.

If you computer runs OSX you should already have Apples AU pitch  
shifter onboard. It's comes for free with the system.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 14:36:15 2006
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Subject: Re: RC-50 video on summer NAMM
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I think some folks who are deeply busy in the day to day of commercial 
pop, or full time music, (and have families etc) are overwhelmed by the 
sheer volume of communication that happens on this list.  I love it & 
find it incredibly informative but have found myself frequently tucking 
lots of looper emails in the 'to read someday' file.

Not a dis at all.  Scouts honor!  I try to scan all of it... but can't 
even do that some days!

Don't let this slow down the wonderful exchange.  I'm hoping unread 
emails can be forwarded to heaven, or pure land, the happy hunting 
ground or whatever you wanna call it.  Then I'll get to all of it.

peace inside and out

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 26-Jul-06, at 5:56 AM, Krispen Hartung wrote:

> Agreed, Rick. I am finding that there is a separate breed of 
> commercial/pop music loopers developing on the side, some of which are 
> working in a vacuum. We need to know each other, our community, and 
> our history...especially to prevent re-inventing the wheel, claiming 
> to invent the wheel, or repeating past mistakes. Community is 
> powerful.
>
> What would be sad and unfortunate is if the world developed a "class" 
> of loopers that gain enough popularity in the public eye that they 
> forget their roots and feel they don't have to talk us anymore.  And 
> in this light, I would like to see more famous loopers posting on this 
> list, rather than the occasional "popping in".
>
> Kris
>
> ----- Original Message ----- From: "loop.pool" <looppool@cruzio.com>
> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, July 26, 2006 3:30 AM
> Subject: Re: RC-50 video on summer NAMM
>
>
>> I have to say watching this demo that it gives me the strangest 
>> feeling.
>>
>> For 11 years now,  I have been doing shows where I use beatboxing, 
>> bass guitar,
>> melodica, single line guitars and pygmy bottle blowing 
>> techniques.........even down to using a bottle
>> full of water,  and drinking it down between overdubs so that each 
>> overdub has a lower
>> pitch.
>>
>> To watch a guy who very obviously has never even heard of my name, 
>> let alone seen
>> one of my shows doing exactly the same thing is just plain weird.
>>
>> Of course,  our music is completely different and I have used many 
>> more kinds of instruments
>> than these and am definitely more outside than this guy,  but it's 
>> still a little unsettling to my
>> fragile little ego.
>>
>> He's like my straight music doppleganger..................lol!!!!!!
>>
>>
>> I wish we could communicate with him to let him know that he's 
>> upsetting
>> people by not knowing his history and also to lovingly invite him to 
>> join us at Loopers Delight.
>>
>>   He's obviously a very talented guy
>> and an engaging performer.
>>
>> yours,
>>
>> Rick Walker
>> aka |()()p.p()()|
>> www.looppool.info
>>
>

--Apple-Mail-4--479721913
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I think some folks who are deeply busy in the day to day of commercial
pop, or full time music, (and have families etc) are overwhelmed by
the sheer volume of communication that happens on this list.  I love
it & find it incredibly informative but have found myself frequently
tucking lots of looper emails in the 'to read someday' file. 


Not a dis at all.  Scouts honor!  I try to scan all of it... but can't
even do that some days!   


Don't let this slow down the wonderful exchange.  I'm hoping unread
emails can be forwarded to heaven, or pure land, the happy hunting
ground or whatever you wanna call it.  Then I'll get to all of it.


peace inside and out


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 26-Jul-06, at 5:56 AM, Krispen Hartung wrote:


<excerpt>Agreed, Rick. I am finding that there is a separate breed of
commercial/pop music loopers developing on the side, some of which are
working in a vacuum. We need to know each other, our community, and
our history...especially to prevent re-inventing the wheel, claiming
to invent the wheel, or repeating past mistakes. Community is powerful.


What would be sad and unfortunate is if the world developed a "class"
of loopers that gain enough popularity in the public eye that they
forget their roots and feel they don't have to talk us anymore.  And
in this light, I would like to see more famous loopers posting on this
list, rather than the occasional "popping in".


Kris


----- Original Message ----- From: "loop.pool" <<looppool@cruzio.com>

To: "LOOPERS DELIGHT (posting)" <<Loopers-Delight@loopers-delight.com>

Sent: Wednesday, July 26, 2006 3:30 AM

Subject: Re: RC-50 video on summer NAMM



<excerpt>I have to say watching this demo that it gives me the
strangest feeling.


For 11 years now,  I have been doing shows where I use beatboxing,
bass guitar,

melodica, single line guitars and pygmy bottle blowing
techniques.........even down to using a bottle

full of water,  and drinking it down between overdubs so that each
overdub has a lower

pitch.


To watch a guy who very obviously has never even heard of my name, let
alone seen

one of my shows doing exactly the same thing is just plain weird.


Of course,  our music is completely different and I have used many
more kinds of instruments

than these and am definitely more outside than this guy,  but it's
still a little unsettling to my

fragile little ego.


He's like my straight music doppleganger..................lol!!!!!!



I wish we could communicate with him to let him know that he's
upsetting

people by not knowing his history and also to lovingly invite him to
join us at Loopers Delight.


  He's obviously a very talented guy

and an engaging performer.


yours,


Rick Walker

aka |()()p.p()()|

www.looppool.info


</excerpt>

</excerpt>
--Apple-Mail-4--479721913--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 14:45:51 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Sheer Volume on this List
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Hi Richard

> I think some folks ..are overwhelmed by the 
> sheer volume of communication that happens on this list. 

I actually the same. I know I'm currently active but I know I'll probably drop-off once other subjects will have a higher priority.

What do you guys think of having a FORUM instead of a mailling list?
The good thing about forums is that you can browse in a structured way and don't have to scroll through millions of mails..

Best regards
Buzap
-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*. Nur noch kurze Zeit!
"Feel free" mit GMX DSL: http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 14:46:43 2006
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Date: Wed, 26 Jul 2006 07:46:09 -0700
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Pitch Shifting plug-in (was: Re: Sample #1 of VST Program Presets (Lexicon PSP84)
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	 <garethwhittock$81.79.37.69$.004801c6b0ac$c02bd780$5d01a8c0@acer81080ea37f>
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Braindoc has a decent free PitchShifter VST called, erm, PitchShifter.
I use it all the time.
http://www.braindoc.de/
Unfortunately, the site is entirely German.

On 7/26/06, Per Boysen <perboysen@gmail.com> wrote:
> On 26 jul 2006, at 14.12, gareth whittock wrote:
>
> > While we're on the subject of vst plugins. Who knows of a decent
> > pitch shifter vst, preferrably with some sort of formant preserving
> > facility?
>

-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 14:46:48 2006
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Subject: Re: RC-50 video on summer NAMM
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In a message dated 7/26/06 10:36:45 AM, richard@glasswing.com writes:


> overwhelmed by the
> sheer volume of communication that happens on this list.=A0=20
>=20

that's why subject headers are sooooooooo very important.....ain't that righ=
t=20
ricolooppoolrickeeeeeeeee clone #1?.....indeed scary stuff that=20
demo!.....michael



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 7/26/06 10:36:45 AM, richard@glasswing.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">overwhelmed by the<BR=
>
sheer volume of communication that happens on this list.=A0 <BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">that's why subject headers are sooooooooo very important.....ain't that r=
ight ricolooppoolrickeeeeeeeee clone #1?.....indeed scary stuff that demo!..=
...michael<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 14:47:37 2006
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Subject: Re: Anybody using the Mackie Onyx Satellite?
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Hi Josh

I'm using it's "big brother", the Mackie Onyx 1220 with Firewire.
I'm very pleased with it - yet, don't know how it relates to the small Satellite. Great idea, though.

Buzap


-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*. Nur noch kurze Zeit!
"Feel free" mit GMX DSL: http://www.gmx.net/de/go/dsl

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>>>>>>>>>>What do you guys think of having a FORUM instead of a mailling
list?


::::::ducks & covers::::::




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From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 14:49:34 2006
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Subject: Re famous folks on list (Re: RC-50 video on summer NAMM)
Date: Wed, 26 Jul 2006 15:49:29 +0100
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Kris wrote:
 >>What would be sad and unfortunate is if the world developed a  
"class" of loopers that gain enough popularity in the public eye that  
they forget their roots and feel they don't have to talk us anymore.   
And in this light, I would like to see more famous loopers posting on  
this list, rather than the occasional "popping in".<<

I think it has far less to do with elitism and more to do with time -  
I'm not particularly famous, but I am a full time musician, and have  
precious little recreational time to devote to following LD. Every  
now and again, something pops up that interests me, then I end up  
reading a few digests for a day or two, and then disappear again cos  
I've got music to write, record and promote, as well as students to  
teach.

I'm sure with people like the lovely Mr Torn, there aren't enough  
hours in the day to do the things he HAS to do, without getting into  
the time-vacuum that is internet discussion lists... :o)

and with that, I'm off to my gig...

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Kris wrote:<DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">&gt;&gt;What would be sad and unfortunate is if the =
world developed a "class" of loopers that gain enough popularity in the =
public eye that they forget their roots and feel they don't have to talk =
us anymore.=A0 And in this light, I would like to see more famous =
loopers posting on this list, rather than the occasional "popping =
in".&lt;&lt;</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><BR =
class=3D"khtml-block-placeholder"></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I think it =
has far less to do with elitism and more to do with time - I'm not =
particularly famous, but I am a full time musician, and have precious =
little recreational time to devote to following LD. Every now and again, =
something pops up that interests me, then I end up reading a few digests =
for a day or two, and then disappear again cos I've got music to write, =
record and promote, as well as students to teach.=A0</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><BR class=3D"khtml-block-placeholder"></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I'm sure with people like the lovely Mr Torn, there =
aren't enough hours in the day to do the things he HAS to do, without =
getting into the time-vacuum that is internet discussion lists... =
:o)=A0</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><BR =
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site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
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tive.org</A> - =
blog</DIV><DIV>www.myspace.com/solobassstevelawson</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
PAN> </DIV><BR></DIV></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 14:55:49 2006
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To: Loopers-Delight@loopers-delight.com
References: <03e501c6ae12$04007120$10b0ec0f@americas.hpqcorp.net> <garethwhittock$81.79.37.69$.004801c6b0ac$c02bd780$5d01a8c0@acer81080ea37f> <1665B844-C82A-4E92-AC9E-7B000383CC93@gmail.com>
Subject: Re: Pitch Shifting plug-in (was: Re: Sample #1 of VST Program Presets (Lexicon PSP84)
Date: Wed, 26 Jul 2006 08:55:42 -0600
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Here are 44 options to review at you leisure, not all directly pitch 
related.

http://tinyurl.com/ec86d

As I said before, I really like Fat Ass Edge, and Chopitch is outstanding 
too.

You should check out MadShifta too...very interesting effect. One of my 
favorites.

Kris



> On 26 jul 2006, at 14.12, gareth whittock wrote:
>
>> While we're on the subject of vst plugins. Who knows of a decent  pitch 
>> shifter vst, preferrably with some sort of formant preserving  facility?
>
> Hi Gareth,
>
> I thought Chopitch was good when I tried it out. Available as VST for  Mac 
> and Windows at http://www.mathons.com/.
>
> If you computer runs OSX you should already have Apples AU pitch  shifter 
> onboard. It's comes for free with the system.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
> 


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References: <00b301c6b096$1dda3320$64ddfea9@DAYGLOGREEN> <0f2901c6b0b2$e08d6d30$10b0ec0f@americas.hpqcorp.net> <57a4866c229cb472f40e85e496679a69@glasswing.com> <20060726144549.136590@gmx.net>
Subject: Re: Sheer Volume on this List
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Hmmm...the number of emails on this list has never been a problem to 
me...it's all about being able to prioritize on the fly and not feel the 
need to read everything I see. I get hundreds of emails a day from work, sit 
on conference calls, lead meetings, someetimes from 6am to 6pm, plus 
exchange instant messages with my peers while on conference calls...plus 
keep up with LD emails and other list emails.

It takes a fraction of a second to read the subject heading of an email and 
delete it.   For me quantity has notning to do with it. The more time I 
have, the less emails I delete or leave un-read.  Go to digest mode, or just 
start sorting by subject heading and deleting multiple emails at the same 
time....all this takes mere seconds.

Or am I not getting something here?  What is taking most of folks time? Are 
you tryin to read everything? Seriously, how long does it take to delete 
your inbox.

Kris

----- Original Message ----- 
From: "Buzap Buzap" <buzap@gmx.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 26, 2006 8:45 AM
Subject: Sheer Volume on this List


> Hi Richard
>
>> I think some folks ..are overwhelmed by the
>> sheer volume of communication that happens on this list.
>
> I actually the same. I know I'm currently active but I know I'll probably 
> drop-off once other subjects will have a higher priority.
>
> What do you guys think of having a FORUM instead of a mailling list?
> The good thing about forums is that you can browse in a structured way and 
> don't have to scroll through millions of mails..
>
> Best regards
> Buzap
> -- 
>
>
> Echte DSL-Flatrate dauerhaft für 0,- Euro*. Nur noch kurze Zeit!
> "Feel free" mit GMX DSL: http://www.gmx.net/de/go/dsl
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 15:13:47 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <1E93DA23-6F70-4A2B-886B-C2C1C6162249@steve-lawson.co.uk>
Subject: Re: Re famous folks on list (Re: RC-50 video on summer NAMM)
Date: Wed, 26 Jul 2006 09:13:42 -0600
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I have a full time job for a fortune 500 company (9-12 hours a day), =
play music and record CDs on the side, coordinate projects and event, =
and raise a family with two 14 month twins that get up at 5:30 or 6am in =
the morning.  I can still find the time to send encouraging and useful =
emails to LD. I don't buy the time argument, because everyone has an =
issue with time, not just professional musicians.  It is about =
priorities. If a professional musician makes it a priority to =
proactively get engaged with a community, they will do it, period. Heck, =
I know folks who sync their email up and do all their correspondence on =
the plane. And I'm not talking about sending hundreds of emails, but at =
least a response or comment once in a while so that we know that they =
are real people who communicate with the external world, and not =
abstract deities who only communicate through the press and their =
agents..which seems pretentious as hell to me.  Personally, I think fame =
gets to the heads of some people in the entertainment industry.

Kris

  ----- Original Message -----=20
  From: Steve Lawson=20
  To: Loop List=20
  Sent: Wednesday, July 26, 2006 8:49 AM
  Subject: Re famous folks on list (Re: RC-50 video on summer NAMM)


  Kris wrote:
  >>What would be sad and unfortunate is if the world developed a =
"class" of loopers that gain enough popularity in the public eye that =
they forget their roots and feel they don't have to talk us anymore.  =
And in this light, I would like to see more famous loopers posting on =
this list, rather than the occasional "popping in".<<


  I think it has far less to do with elitism and more to do with time - =
I'm not particularly famous, but I am a full time musician, and have =
precious little recreational time to devote to following LD. Every now =
and again, something pops up that interests me, then I end up reading a =
few digests for a day or two, and then disappear again cos I've got =
music to write, record and promote, as well as students to teach.=20


  I'm sure with people like the lovely Mr Torn, there aren't enough =
hours in the day to do the things he HAS to do, without getting into the =
time-vacuum that is internet discussion lists... :o)=20


  and with that, I'm off to my gig...=20


  Steve
  www.stevelawson.net - site
  www.stevelawson.net/zencart/ - shop
  http://steve.anthropiccollective.org - blog
  www.myspace.com/solobassstevelawson






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charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I have a full time job for a fortune =
500 company=20
(9-12 hours a day), play music and record CDs on the side, coordinate =
projects=20
and event, and raise a family with two 14 month twins that get up at =
5:30 or 6am=20
in the morning.&nbsp; I can still find the time to send encouraging and =
useful=20
emails to LD. I don't buy the time argument, because everyone has an =
issue with=20
time, not just professional musicians.&nbsp; It is about priorities. If =
a=20
professional musician makes it a priority to proactively get engaged =
with a=20
community, they will do it, period. Heck, I know folks who sync their =
email up=20
and do all their correspondence on the plane. And I'm not talking about =
sending=20
hundreds of emails, but at least a response or comment once in a while =
so that=20
we know that they are real people who communicate with the external =
world, and=20
not abstract deities who only communicate through the press and their=20
agents..which seems pretentious as hell to me.&nbsp; Personally, I think =
fame=20
gets to the heads of some people in the entertainment =
industry.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dsteve@steve-lawson.co.uk =
href=3D"mailto:steve@steve-lawson.co.uk">Steve=20
  Lawson</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loop List</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 26, 2006 =
8:49=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re famous folks on =
list (Re:=20
  RC-50 video on summer NAMM)</DIV>
  <DIV><BR></DIV>Kris wrote:
  <DIV style=3D"MARGIN: 0px">&gt;&gt;What would be sad and unfortunate =
is if the=20
  world developed a "class" of loopers that gain enough popularity in =
the public=20
  eye that they forget their roots and feel they don't have to talk us=20
  anymore.&nbsp; And in this light, I would like to see more famous =
loopers=20
  posting on this list, rather than the occasional "popping =
in".&lt;&lt;</DIV>
  <DIV style=3D"MARGIN: 0px"><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV style=3D"MARGIN: 0px">I think it has far less to do with elitism =
and more=20
  to do with time - I'm not particularly famous, but I am a full time =
musician,=20
  and have precious little recreational time to devote to following LD. =
Every=20
  now and again, something pops up that interests me, then I end up =
reading a=20
  few digests for a day or two, and then disappear again cos I've got =
music to=20
  write, record and promote, as well as students to teach.&nbsp;</DIV>
  <DIV style=3D"MARGIN: 0px"><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV style=3D"MARGIN: 0px">I'm sure with people like the lovely Mr =
Torn, there=20
  aren't enough hours in the day to do the things he HAS to do, without =
getting=20
  into the time-vacuum that is internet discussion lists... =
:o)&nbsp;</DIV>
  <DIV style=3D"MARGIN: 0px"><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV style=3D"MARGIN: 0px">and with that, I'm off to my =
gig...&nbsp;</DIV>
  <DIV><BR>
  <DIV><SPAN class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2">
  <DIV>Steve</DIV>
  <DIV>www.stevelawson.net - site</DIV>
  <DIV>www.stevelawson.net/zencart/ - shop</DIV>
  <DIV><A=20
  =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccolle=
ctive.org</A>=20
  - blog</DIV>
  <DIV>www.myspace.com/solobassstevelawson</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV><BR=20
  =
class=3DApple-interchange-newline></SPAN></SPAN></SPAN></SPAN></SPAN></SP=
AN></DIV><BR></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 15:17:42 2006
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Date: Wed, 26 Jul 2006 11:17:40 -0400
From: "Clint Allen" <clint.allen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Sheer Volume on this List
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Speaking for myself, I often find it hard to gauge what might be
interesting,
based off of the subject lines. Many times I have deleted emails in this
forum
only to find out later that there was some very interesting discussion goin=
g
on.
Other times, exactly the opposite or I have read through volumes to find
nothing.

I think there needs to be a more of an effort to change subject lines when
the
thread starts to change, which it so often does.

I've nothing really to offer on this subject other than to say I'd rather
recieve as much info
as possible and have the option to delete, than vice-versa.

Clint Allen


On 7/26/06, Krispen Hartung <khartung@cableone.net> wrote:
>
> Hmmm...the number of emails on this list has never been a problem to
> me...it's all about being able to prioritize on the fly and not feel the
> need to read everything I see. I get hundreds of emails a day from work,
> sit
> on conference calls, lead meetings, someetimes from 6am to 6pm, plus
> exchange instant messages with my peers while on conference calls...plus
> keep up with LD emails and other list emails.
>
> It takes a fraction of a second to read the subject heading of an email
> and
> delete it.   For me quantity has notning to do with it. The more time I
> have, the less emails I delete or leave un-read.  Go to digest mode, or
> just
> start sorting by subject heading and deleting multiple emails at the same
> time....all this takes mere seconds.
>
> Or am I not getting something here?  What is taking most of folks time?
> Are
> you tryin to read everything? Seriously, how long does it take to delete
> your inbox.
>
> Kris
>
> ----- Original Message -----
> From: "Buzap Buzap" <buzap@gmx.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, July 26, 2006 8:45 AM
> Subject: Sheer Volume on this List
>
>
> > Hi Richard
> >
> >> I think some folks ..are overwhelmed by the
> >> sheer volume of communication that happens on this list.
> >
> > I actually the same. I know I'm currently active but I know I'll
> probably
> > drop-off once other subjects will have a higher priority.
> >
> > What do you guys think of having a FORUM instead of a mailling list?
> > The good thing about forums is that you can browse in a structured way
> and
> > don't have to scroll through millions of mails..
> >
> > Best regards
> > Buzap
> > --
> >
> >
> > Echte DSL-Flatrate dauerhaft f=FCr 0,- Euro*. Nur noch kurze Zeit!
> > "Feel free" mit GMX DSL: http://www.gmx.net/de/go/dsl
> >
> >
>
>
>

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Speaking for myself, I often find it hard to gauge what might be interestin=
g,<br>based off of the subject lines. Many times I have deleted emails in t=
his forum<br>only to find out later that there was some very interesting di=
scussion going on.
<br>Other times, exactly the opposite or I have read through volumes to fin=
d nothing.<br><br>I think there needs to be a more of an effort to change s=
ubject lines when the <br>thread starts to change, which it so often does.=
=20
<br><br>I've nothing really to offer on this subject other than to say I'd =
rather recieve as much info<br>as possible and have the option to delete, t=
han vice-versa. <br><br>Clint Allen<br><br><br><div><span class=3D"gmail_qu=
ote">
On 7/26/06, <b class=3D"gmail_sendername">Krispen Hartung</b> &lt;<a href=
=3D"mailto:khartung@cableone.net">khartung@cableone.net</a>&gt; wrote:</spa=
n><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204=
, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hmmm...the number of emails on this list has never been a problem to<br>me.=
..it's all about being able to prioritize on the fly and not feel the<br>ne=
ed to read everything I see. I get hundreds of emails a day from work, sit
<br>on conference calls, lead meetings, someetimes from 6am to 6pm, plus<br=
>exchange instant messages with my peers while on conference calls...plus<b=
r>keep up with LD emails and other list emails.<br><br>It takes a fraction =
of a second to read the subject heading of an email and
<br>delete it.&nbsp;&nbsp; For me quantity has notning to do with it. The m=
ore time I<br>have, the less emails I delete or leave un-read.&nbsp;&nbsp;G=
o to digest mode, or just<br>start sorting by subject heading and deleting =
multiple emails at the same
<br>time....all this takes mere seconds.<br><br>Or am I not getting somethi=
ng here?&nbsp;&nbsp;What is taking most of folks time? Are<br>you tryin to =
read everything? Seriously, how long does it take to delete<br>your inbox.<=
br><br>
Kris<br><br>----- Original Message -----<br>From: &quot;Buzap Buzap&quot; &=
lt;<a href=3D"mailto:buzap@gmx.net">buzap@gmx.net</a>&gt;<br>To: &lt;<a hre=
f=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-de=
light.com
</a>&gt;<br>Sent: Wednesday, July 26, 2006 8:45 AM<br>Subject: Sheer Volume=
 on this List<br><br><br>&gt; Hi Richard<br>&gt;<br>&gt;&gt; I think some f=
olks ..are overwhelmed by the<br>&gt;&gt; sheer volume of communication tha=
t happens on this list.
<br>&gt;<br>&gt; I actually the same. I know I'm currently active but I kno=
w I'll probably<br>&gt; drop-off once other subjects will have a higher pri=
ority.<br>&gt;<br>&gt; What do you guys think of having a FORUM instead of =
a mailling list?
<br>&gt; The good thing about forums is that you can browse in a structured=
 way and<br>&gt; don't have to scroll through millions of mails..<br>&gt;<b=
r>&gt; Best regards<br>&gt; Buzap<br>&gt; --<br>&gt;<br>&gt;<br>&gt; Echte =
DSL-Flatrate dauerhaft f=FCr 0,- Euro*. Nur noch kurze Zeit!
<br>&gt; &quot;Feel free&quot; mit GMX DSL: <a href=3D"http://www.gmx.net/d=
e/go/dsl">http://www.gmx.net/de/go/dsl</a><br>&gt;<br>&gt;<br><br><br></blo=
ckquote></div><br>

------=_Part_249748_23320552.1153927060236--

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Message-ID: <20060726152841.14526.qmail@web27714.mail.ukl.yahoo.com>
Date: Wed, 26 Jul 2006 16:28:41 +0100 (BST)
From: Tony Douglas <tonyisyourpal@yahoo.co.uk>
Subject: Re: Sheer Volume on this List
To: Loopers-Delight@loopers-delight.com
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I'm pretty much with Kris on this one - I delete incoming mails quite freely, safe in the knowledge that there's always the archive to look up if I feel the need later.

And I'm adopting the "duck and cover" approach to the forum question ;) !
 

 		
---------------------------------
  Yahoo! Cars NEW - sell your car and browse thousands of new and used cars online search now  
---------------------------------
  
--0-1230729491-1153927721=:14274
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I'm pretty much with Kris on this one - I delete incoming mails quite freely, safe in the knowledge that there's always the archive to look up if I feel the need later.<br><br>And I'm adopting the "duck and cover" approach to the forum question ;) !<br> <br><p>&#32;
		<hr size=1> 
<font size="2" face="Verdana, Arial, Helvetica, sans-serif"> 
<a href="http://us.rd.yahoo.com/mail/uk/taglines/default/cars/*http://uk.cars.yahoo.com/">Yahoo! Cars</a> 
<font color="red">NEW</font> - sell your car and browse thousands of new and used cars online <a href="http://us.rd.yahoo.com/mail/uk/taglines/default/cars/*http://uk.cars.yahoo.com/">search now</a> 
</font> 
<hr size=1> 
<font size="2" face="Verdana, Arial, Helvetica, sans-serif"> 
--0-1230729491-1153927721=:14274--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 15:31:13 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Sheer Volume on this List
Date: Wed, 26 Jul 2006 08:31:09 -0700
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--Apple-Mail-31--472989523
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Hi,

On Jul 26, 2006, at 7:45 AM, Buzap Buzap wrote:

>> I think some folks ..are overwhelmed by the
>> sheer volume of communication that happens on this list.

As has recently been discussed, the list has been around for very nearly
10 years. While the volume was lower in the very beginning, it soon =20
ramped
up as more folks joined. It's always been a problem. The key is to be
selective. YOU DON'T HAVE TO READ EVERYTHING. It's really OK
to not read everything and just chuck everything else in the dumpster.

If you find out later that you've missed out on some cool topic because
the title  seemed uninteresting at the time (or, as often happens, was
totally misleading initially), never fear. There is always the LD =20
archives.
You can catch up on old threads there easily enough.

When I first joined it was the only list I belonged to. I was a "noob" =20=

in
October of '96 and didn't know it was OK to not slavishly read =20
everyone's
posts. It didn't take me long to learn the practical ins and outs of =20
list
behavior and etiquette though . . . and to stop feeling like I had to
read everything.

I think all of us still need reminders from time to time that it =20
reallly helps
to label your message correctly too . . . and if the thread content =20
changes
and morphs into something else, indicate clearly that that is the case
by re-labeling it with something like: "BLAH, BLAH, BLAH (WAS RE:
YADDA, YADDA, YADDAH)" and let a new thread proceed from there.

It'll make it easier to locate important topics in the archives too if =20=

they're
named correctly too.

I probably don't read 25% of the LD list's posting any more. But =20
occasionally
I find I've missed something pretty good because the initial post and =20=

subsequent
exchanges were all titled something dopey that had little to do with =20
the content
of interest. In the interest of everyone . . . I offer a plea for =20
titling your posts
accurately in regards to content.

End of "old guy" rant.

Peace,

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???


--Apple-Mail-31--472989523
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Hi,


On Jul 26, 2006, at 7:45 AM, Buzap Buzap wrote:


<excerpt><excerpt>I think some folks ..are overwhelmed by the=20

sheer volume of communication that happens on this list.=20

</excerpt></excerpt>

As has recently been discussed, the list has been around for very
nearly

10 years. While the volume was lower in the very beginning, it soon
ramped

up as more folks joined. It's always been a problem. The key is to be

selective. YOU DON'T HAVE TO READ EVERYTHING. It's really OK

to not read everything and just chuck everything else in the dumpster.


If you find out later that you've missed out on some cool topic because

the title  seemed uninteresting at the time (or, as often happens, was

totally misleading initially), never fear. There is always the LD
archives.

You can catch up on old threads there easily enough.


When I first joined it was the only list I belonged to. I was a "noob"
in

October of '96 and didn't know it was OK to not slavishly read
everyone's=20

posts. It didn't take me long to learn the practical ins and outs of
list

behavior and etiquette though . . . and to stop feeling like I had to=20

read everything.


I think all of us still need reminders from time to time that it
reallly helps=20

to label your message correctly too . . . and if the thread content
changes=20

and morphs into something else, indicate clearly that that is the case

by re-labeling it with something like: "BLAH, BLAH, BLAH (WAS RE:=20

YADDA, YADDA, YADDAH)" and let a new thread proceed from there.


It'll make it easier to locate important topics in the archives too if
they're

named correctly too.


I probably don't read 25% of the LD list's posting any more. But
occasionally

I find I've missed something pretty good because the initial post and
subsequent

exchanges were all titled something dopey that had little to do with
the content

of interest. In the interest of everyone . . . I offer a plea for
titling your posts

accurately in regards to content.


End of "old guy" rant.


Peace,


tEd =AE kiLLiAn


<color><param>9B9A,9B9A,9B9A</param>"Different is not always better,
but better is always different"


 http://www.pfmentum.com/flux.html

 http://www.CDbaby.com/cd/tedkillian

 http://www.guitar9.com/fluxaeterna.html

 http://www.garageband.com/artist/ArsOcarina

 http://www.towerrecords.com/product.aspx?pfid=3D2845073

 http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

 http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193


=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


 Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

 BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

 AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

 RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

 and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>



--Apple-Mail-31--472989523--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 15:31:53 2006
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Subject: Re: Anybody using the Mackie Onyx Satellite?
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I like the concept of these Firewire units, but I'm a little 
dissapointed that, as far as I can tell, none of them by any 
manufacturer return more than a single stereo mix.  Cool for the studio 
I guess, but for live applications, it would be great to have at least 2 
stereo returns--one for the mains, one for monitoring.

--Josh

Buzap Buzap wrote:
> Hi Josh
>
> I'm using it's "big brother", the Mackie Onyx 1220 with Firewire.
> I'm very pleased with it - yet, don't know how it relates to the small Satellite. Great idea, though.
>
> Buzap
>
>
>   

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 15:32:13 2006
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: Pitch Shifting plug-in (was: Re: Sampl
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>On 26 jul 2006, at 14.12, gareth whittock wrote:
>
>>While we're on the subject of vst plugins. Who knows of a decent
>>pitch shifter vst, preferrably with some sort of formant preserving
>>facility?
>
>Hi Gareth,
>
>I thought Chopitch was good when I tried it out. Available as VST for
>Mac and Windows at http://www.mathons.com/.
>
>If you computer runs OSX you should already have Apples AU pitch
>shifter onboard. It's comes for free with the system.
>
>Greetings from Sweden
>
>Per Boysen

Thanks for the mention Per  :-)
Unfortunately Chopitch doesn't have any formant facility, and it's not
intended for voice ( although I tried on some spoken word from the 
bbc the other
day just for fun, and it sounded great)

One of the things Chopitch excels at is making a small drum sound like a large
drum, so for a performer who uses hand drums and a lap top (er....Gareth) it's
well worth checking out.

andy butler
www.mathons.com  (Chopitch)


From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 15:32:51 2006
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At 16:13 26/07/2006, you wrote:
>Braindoc has a decent free PitchShifter VST called, erm, PitchShifter.
>I use it all the time.
>http://www.braindoc.de/
>Unfortunately, the site is entirely German.

until you click the little flag :-) 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 15:33:01 2006
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This is a multi-part message in MIME format.
--------------000807030405090107060604
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
Content-Transfer-Encoding: 7bit

Yeah, I got way behind when my little girl was born a week-and-a-half 
ago, and now I fear I'll never catch up!

--Josh


Buzap Buzap wrote:
> Hi Richard
>
>   
>> I think some folks ..are overwhelmed by the 
>> sheer volume of communication that happens on this list. 
>>     
>
> I actually the same. I know I'm currently active but I know I'll probably drop-off once other subjects will have a higher priority.
>
> What do you guys think of having a FORUM instead of a mailling list?
> The good thing about forums is that you can browse in a structured way and don't have to scroll through millions of mails..
>
> Best regards
> Buzap
>   

--------------000807030405090107060604
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Yeah, I got way behind when my little girl was born a week-and-a-half
ago, and now I fear I'll never catch up!<br>
<br>
--Josh<br>
<br>
<br>
Buzap Buzap wrote:
<blockquote cite="mid20060726144549.136590@gmx.net" type="cite">
  <pre wrap="">Hi Richard

  </pre>
  <blockquote type="cite">
    <pre wrap="">I think some folks ..are overwhelmed by the 
sheer volume of communication that happens on this list. 
    </pre>
  </blockquote>
  <pre wrap=""><!---->
I actually the same. I know I'm currently active but I know I'll probably drop-off once other subjects will have a higher priority.

What do you guys think of having a FORUM instead of a mailling list?
The good thing about forums is that you can browse in a structured way and don't have to scroll through millions of mails..

Best regards
Buzap
  </pre>
</blockquote>
</body>
</html>

--------------000807030405090107060604--

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Date: Wed, 26 Jul 2006 16:42:38 +0100
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 >>>I have a full time job for a fortune 500 company (9-12 hours a  
day), play music and record CDs on the side, coordinate projects and  
event, and raise a family with two 14 month twins that get up at 5:30  
or 6am in the morning.  I can still find the time to send encouraging  
and useful emails to LD. I don't buy the time argument, because  
everyone has an issue with time, not just professional musicians.  It  
is about priorities. If a professional musician makes it a priority  
to proactively get engaged with a community, they will do it, period.  
Heck, I know folks who sync their email up and do all their  
correspondence on the plane. And I'm not talking about sending  
hundreds of emails, but at least a response or comment once in a  
while so that we know that they are real people who communicate with  
the external world, and not abstract deities who only communicate  
through the press and their agents..which seems pretentious as hell  
to me.  Personally, I think fame gets to the heads of some people in  
the entertainment industry.<<<

Kris,

you're absolutely right that it's about priorities, and for people  
for whom music is a hobby, a love, a past-time, their relaxation,  
sitting chatting about it with a bunch of anonymous emailers is a  
dream come true. If the rest of your time is spent talking about  
musical stuff, dealing with music related questions, playing gigs,  
organising gigs etc. etc. etc. the last thing some people want to do  
with their free time is talk about music.

The one thing that LD has over a lot of other lists is that the level  
of the discussion is often worth reading. Most music related lists  
are appalling. I contribute to quite a few online bass forums -  
partly cos I enjoy it, and partly cos I can write it down in my own  
mental time sheet as 'promotional' time. But the vast majority of the  
discussions on the forums a) don't need to happen cos Google has the  
answers, and b) are of such an inane level, that I really don't have  
the time or inclination to get involved.

When I first got onto LD 7 or so years ago, the level of conversation  
was consistently high - smaller group, more movers and shakers, and a  
young list so all the good topics hadn't been exhausted. It's fairly  
rare that a topic comes up on here that really floats my boat. That's  
not to say it's not good stuff, just that it's not good for me.

So yes, it's all about priorities, and a lot of people's priority  
structure doesn't include chatting online. that's cool.

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




--Apple-Mail-13--472300252
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	charset=ISO-8859-1

<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">&gt;&gt;&gt;<FONT =
class=3D"Apple-style-span" face=3D"Arial" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px;">I have a full time =
job for a fortune 500 company (9-12 hours a day), play music and record =
CDs on the side, coordinate projects and event, and raise a family with =
two 14 month twins that get up at 5:30 or 6am in the morning.=A0 I can =
still find the time to send encouraging and useful emails to LD. I don't =
buy the time argument, because everyone has an issue with time, not just =
professional musicians.=A0 It is about priorities. If a professional =
musician makes it a priority to proactively get engaged with a =
community, they will do it, period. Heck, I know folks who sync their =
email up and do all their correspondence on the plane. And I'm not =
talking about sending hundreds of emails, but at least a response or =
comment once in a while so that we know that they are real people who =
communicate with the external world, and not abstract deities who only =
communicate through the press and their agents..which seems pretentious =
as hell to me.=A0 Personally, I think fame gets to the heads of some =
people in the entertainment =
industry.&lt;&lt;&lt;</SPAN></FONT><DIV><FONT class=3D"Apple-style-span" =
face=3D"Arial" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><BR =
class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV><FONT =
class=3D"Apple-style-span" face=3D"Arial" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: =
10px;">Kris,=A0</SPAN></FONT></DIV><DIV><FONT class=3D"Apple-style-span" =
face=3D"Arial" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><BR =
class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV><FONT =
class=3D"Apple-style-span" face=3D"Arial" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px;">you're absolutely =
right that it's about priorities, and for people for whom music is a =
hobby, a love, a past-time, their relaxation, sitting chatting about it =
with a bunch of anonymous emailers is a dream come true. If the rest of =
your time is spent talking about musical stuff, dealing with music =
related questions, playing gigs, organising gigs etc. etc. etc. the last =
thing some people want to do with their free time is talk about =
music.=A0</SPAN></FONT></DIV><DIV><FONT class=3D"Apple-style-span" =
face=3D"Arial" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><BR =
class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV><FONT =
class=3D"Apple-style-span" face=3D"Arial" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px;">The one thing that =
LD has over a lot of other lists is that the level of the discussion is =
often worth reading. Most music related lists are appalling. I =
contribute to quite a few online bass forums - partly cos I enjoy it, =
and partly cos I can write it down in my own mental time sheet as =
'promotional' time. But the vast majority of the discussions on the =
forums a) don't need to happen cos Google has the answers, and b) are of =
such an inane level, that I really don't have the time or inclination to =
get involved.=A0</SPAN></FONT></DIV><DIV><FONT class=3D"Apple-style-span" =
face=3D"Arial" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><BR =
class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV><FONT =
class=3D"Apple-style-span" face=3D"Arial" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px;">When I first got =
onto LD 7 or so years ago, the level of conversation was consistently =
high - smaller group, more movers and shakers, and a young list so all =
the good topics hadn't been exhausted. It's fairly rare that a topic =
comes up on here that really floats my boat. That's not to say it's not =
good stuff, just that it's not good for =
me.=A0</SPAN></FONT></DIV><DIV><FONT class=3D"Apple-style-span" =
face=3D"Arial" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><BR =
class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV><FONT =
class=3D"Apple-style-span" face=3D"Arial" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px;">So yes, it's all =
about priorities, and a lot of people's priority structure doesn't =
include chatting online. that's cool.=A0</SPAN></FONT></DIV><DIV><FONT =
class=3D"Apple-style-span" face=3D"Arial" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: =
10px;"><BR></SPAN></FONT><DIV> <SPAN class=3D"Apple-style-span" =
style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; =
"><DIV>Steve</DIV><DIV>www.stevelawson.net - =
site</DIV><DIV>www.stevelawson.net/zencart/ - shop</DIV><DIV><A =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccollec=
tive.org</A> - =
blog</DIV><DIV>www.myspace.com/solobassstevelawson</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
PAN> </DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-13--472300252--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 15:46:19 2006
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Date: Wed, 26 Jul 2006 10:46:09 -0500
From: Joshua Carroll <josh@infinivert.com>
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To: Loopers-Delight@loopers-delight.com
Subject: E-mu 1616
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This is a multi-part message in MIME format.
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OK, so is anybody using the E-mu 1616 or 1616M?  If so:

    * Does it work well for you?
    * Does it seem sturdy?
    * What do you think of the built in effects?
    * Have you dealt with customer support, and if so how was the
      experience?

Thanks again!

--Josh



Joshua Carroll wrote:
> I like the concept of these Firewire units, but I'm a little 
> dissapointed that, as far as I can tell, none of them by any 
> manufacturer return more than a single stereo mix.  Cool for the 
> studio I guess, but for live applications, it would be great to have 
> at least 2 stereo returns--one for the mains, one for monitoring.
>
> --Josh
>
> Buzap Buzap wrote:
>> Hi Josh
>>
>> I'm using it's "big brother", the Mackie Onyx 1220 with Firewire.
>> I'm very pleased with it - yet, don't know how it relates to the 
>> small Satellite. Great idea, though.
>>
>> Buzap
>>
>>
>>   
>
>
>
>

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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
OK, so is anybody using the E-mu 1616 or 1616M?&nbsp; If so:<br>
<br>
<ul>
  <li>Does it work well for you?</li>
  <li>Does it seem sturdy?</li>
  <li>What do you think of the built in effects?</li>
  <li>Have you dealt with customer support, and if so how was the
experience?</li>
</ul>
Thanks again!<br>
<br>
--Josh<br>
<br>
<br>
<br>
Joshua Carroll wrote:
<blockquote cite="mid44C78AE2.4090304@infinivert.com" type="cite">I
like the concept of these Firewire units, but I'm a little dissapointed
that, as far as I can tell, none of them by any manufacturer return
more than a single stereo mix.&nbsp; Cool for the studio I guess, but for
live applications, it would be great to have at least 2 stereo
returns--one for the mains, one for monitoring.
  <br>
  <br>
--Josh
  <br>
  <br>
Buzap Buzap wrote:
  <br>
  <blockquote type="cite">Hi Josh
    <br>
    <br>
I'm using it's "big brother", the Mackie Onyx 1220 with Firewire.
    <br>
I'm very pleased with it - yet, don't know how it relates to the small
Satellite. Great idea, though.
    <br>
    <br>
Buzap
    <br>
    <br>
    <br>
&nbsp; </blockquote>
  <br>
  <br>
  <br>
  <br>
</blockquote>
</body>
</html>

--------------060801080304010603030409--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 15:51:53 2006
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To: Loopers-Delight@loopers-delight.com,
	"Krispen Hartung" <khartung@cableone.net>
Date: Wed, 26 Jul 2006 16:50:47 +0100
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Subject: Re: Sheer Volume & RC50
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On 26 Jul 2006 at 9:07, Krispen Hartung wrote:

> the need to read everything I see. I get hundreds of emails a day 

Ditto, which is why I'd prefer it if the digest messages could be 
made larger, so I had fewer of them! Most digests I receive have 
20/30 messages - loopersD  can have as few as 4, but I sometimes get 
3/4 on the trot (and hey! naother has just arrived!) , which isn't 
quite a "daily" digest.

Re the rc50 video, I tend to believe the looping is more of a state 
of mind and an approach to creating music, rather than using the 
latest technology to show how clever you are. The guitarist in the 
video in question is treating the looper as a multitrack recorder to 
allow him to widdle to his own riffs. This is all well and good, but 
if you listen to true creative loopers, they are creating expressive 
and original music, not just jamming over a backing track.

The majority of designers of looping pedals clearly have the 
multitrack mentality to the fore, but they kind of miss the point to 
my way of thinking. To this day, the most interesting and creative 
things I do use a 20 year old Powertran DDL that a friend added extra 
memory to. It has no click track, no quantise, no undo or flash 
memory and it wouldn't know what to do with a midi cable, but it's 
*musical*.



All the best,

Nick Robinson


From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 16:04:24 2006
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Date: Wed, 26 Jul 2006 11:11:35 -0300
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From: Matthias Grob <matilists@atarde.com.br>
Subject: Re: Sample sound clip from my notebook computer system
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>I don't want to spend a year of sleepless nights
>reading manals into the wee hours (and keeping my lovely wife 
>awake). Reading manuals
>is not gratifying to my music making urge. I like certain aspects of 
>Max MSP (in concept)
>but find the prospect daunting. I also find Reaktor attractive. It 
>eeams a lot like Reason
>in terms of GUI (but what do I know).

in general I feel I had to read more manuals for the HW units like 
Lexicon than for plugins and some audio soft that often explain 
themselves better.
Max is hard, Plogue Bidule is much easier and cheaper.

I spent more time with obscure computer behaviors though

-- 


          ---> http://www.matthiasgrob.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 16:05:09 2006
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Date: Wed, 26 Jul 2006 13:05:01 -0300
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From: Matthias Grob <matilists@atarde.com.br>
Subject: Re: RC-50 video on summer NAMM
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Resent-Date: Wed, 26 Jul 2006 16:05:09 +0000 (UTC)

thats exactly what I felt, Brother !

I copied my post to him and he answered in a nice mail yesterday that 
he supposes that we want him to share his knowledge - which shows how 
clean his heart is :-)

I answered carefully that he might have a look at what has been done 
before he sais too much in public.

hug
Matthias

>
>Of course,  our music is completely different and I have used many 
>more kinds of instruments
>than these and am definitely more outside than this guy,  but it's 
>still a little unsettling to my
>fragile little ego.
>
>He's like my straight music doppleganger..................lol!!!!!!
>
>
>I wish we could communicate with him to let him know that he's upsetting
>people by not knowing his history and also to lovingly invite him to 
>join us at Loopers Delight.
>
>   He's obviously a very talented guy
>and an engaging performer.
>
>yours,
>
>Rick Walker
>aka |()()p.p()()|
>www.looppool.info


-- 


          ---> http://www.matthiasgrob.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 16:13:33 2006
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From: Sunao Inami <webmaster@cavestudio.com>
Subject: electr-ohm-streaming playlist 26th July 06
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Hello,

electr-ohm-streaming playlist 26th July 06

=============================

DIE FORM / Ad Infinitum (Metropolis Records)

V.A. / Darklife & interstice sampler 2005 (Urgence Disk Records)

Sunao Inami / repeater (electr-ohm)

V.A. / SUBOUT (Waldorf records)

=============================

please visit to:

http://www.myspace.com/electrohm

and click which is your player's logo, iTunes or Real One Player.


Playlist will change on every Wednesday.
All tracks will play by shuffle.
7D/24H streaming from Kobe,Japan.

=============================

electr-ohm
electronic music label & distribution
http://www.electr-ohm.com



  Thanks

  Sunao

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 16:21:49 2006
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Date: Wed, 26 Jul 2006 9:21:43 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: nick@12testing.net
Subject: Re: Sheer Volume & RC50
Cc: Loopers-Delight@loopers-delight.com,
	Krispen Hartung <khartung@cableone.net>
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//if you listen to true creative loopers, they are creating expressive 
and original music, not just jamming over a backing track. //

You're f*cking kidding, right? 

--
Paul Richards

---- "nick@12testing.net" <nick@12testing.net> wrote: 
> On 26 Jul 2006 at 9:07, Krispen Hartung wrote:
> 
> > the need to read everything I see. I get hundreds of emails a day 
> 
> Ditto, which is why I'd prefer it if the digest messages could be 
> made larger, so I had fewer of them! Most digests I receive have 
> 20/30 messages - loopersD  can have as few as 4, but I sometimes get 
> 3/4 on the trot (and hey! naother has just arrived!) , which isn't 
> quite a "daily" digest.
> 
> Re the rc50 video, I tend to believe the looping is more of a state 
> of mind and an approach to creating music, rather than using the 
> latest technology to show how clever you are. The guitarist in the 
> video in question is treating the looper as a multitrack recorder to 
> allow him to widdle to his own riffs. This is all well and good, but 
> if you listen to true creative loopers, they are creating expressive 
> and original music, not just jamming over a backing track.
> 
> The majority of designers of looping pedals clearly have the 
> multitrack mentality to the fore, but they kind of miss the point to 
> my way of thinking. To this day, the most interesting and creative 
> things I do use a 20 year old Powertran DDL that a friend added extra 
> memory to. It has no click track, no quantise, no undo or flash 
> memory and it wouldn't know what to do with a midi cable, but it's 
> *musical*.
> 
> 
> 
> All the best,
> 
> Nick Robinson
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 16:31:29 2006
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Date: Wed, 26 Jul 2006 09:31:18 -0700
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Subject: Re: Re famous folks on list (Re: RC-50 video on summer NAMM)
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Why does anyone need to "know that they are real people who communicate 
with the external world"?  That's a bit of an odd expectation.  And I don't 
think lack of communication is a result of fame - more than a few artists 
that aren't famous don't live up to your expectations either.


At 2006.07.26 08:13 AM, Krispen Hartung wrote:
>correspondence on the plane. And I'm not talking about sending hundreds of 
>emails, but at least a response or comment once in a while so that we know 
>that they are real people who communicate with the external world, and not 
>abstract deities who only communicate through the press and their 
>agents..which seems pretentious as hell to me.  Personally, I think fame 
>gets to the heads of some people in the entertainment industry.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 16:32:25 2006
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Date: Wed, 26 Jul 2006 09:32:23 -0700 (PDT)
Subject: Subject Headers (Was: RC-50 video on summer NAMM)
From: johnsrude@peak.org
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> that's why subject headers are sooooooooo very important.....

Try to change your subject header for each new subject introduced if you want
to communicate with more than the most, uh, _well-read_ LD members.  Folks
like me delete whole threads that we're not interested in after reading the
first couple of posts.  Life is too short to do otherwise.

Peace,
Kevin
www.TheNettles.com


From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 16:43:25 2006
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Date: Wed, 26 Jul 2006 09:43:23 -0700 (PDT)
Subject: Re: famous folks on list 
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Steve wrote:

> you're absolutely right that it's about priorities, and for people
> for whom music is a hobby, a love, a past-time, their relaxation,
> sitting chatting about it with a bunch of anonymous emailers is a
> dream come true. If the rest of your time is spent talking about
> musical stuff, dealing with music related questions, playing gigs,
> organising gigs etc. etc. etc. the last thing some people want to do
> with their free time is talk about music.

Very well-put, Steve.  I have a day job, music has become my second job, and
now I draw for relaxation.  I love both my jobs but there are limits to how
much I can work until my brain becomes mush.  I also now spend more time with
my real-world friends in non-job-related situations.

Having said that, LD is a wonderful resource that's taught me a lot in the few
months I've been on it.  I've been privileged to meet some great and talented
people online who I hope to meet someday face-to-face.  LD is one of the best
mailing lists I've ever subscribed to.

Peace,
Kevin


From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 16:56:53 2006
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Date: Wed, 26 Jul 2006 09:56:51 -0700 (PDT)
Subject: Re: famous folks on list
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> I have a full time job for a fortune 500 company...If a professional musician
> makes it a priority to proactively get engaged with a community, they will do
> it, period.

Kris, you are one of the core members of LD.  I especially appreciate your
hard work for and dedication to the LD community.  LD doesn't need validation
by "famous" folks to be a huge influence on loopers. LD already is a huge
influence.  Fame is more a matter of taking care of business than raw talent.

For a little insight into how much work a mid-level band has to put into
touring--and touring is the only way for most bands to make a living these
days--check out the DVD "Beulah: A Good Band is Easy to Kill".  If your local
video store doesn't have it, you can get it for less than 10 bucks online.
Unknown bands have to put in even more work.

Kris, I can tell from your description that your work level would kill me in a
month.  Not everybody is gifted with your stamina and focus.  But I'm very
grateful for all the energy that you add to the LD community.

Peace,
Kevin
www.TheNettles.com


From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 16:59:46 2006
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From: "Andrew Koenig" <ark@acm.org>
To: <Loopers-Delight@loopers-delight.com>
Subject: How to avoid RC-50 glitch?
Date: Wed, 26 Jul 2006 13:00:16 -0400
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Does anyone on this list know under which circumstances the dreaded RC-50
glitch (or stutter, or whatever) occurs?  That is, what can one do during
performance to avoid it consistently?


From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 17:06:32 2006
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Date: Wed, 26 Jul 2006 14:06:04 -0300
From: Andrew Duke <andrew@andrew-duke.com>
Subject: Re: E-mu 1616
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This is a multi-part message in MIME format.

--Boundary_(ID_9kdeLPIzDibvS7JOXZVY+g)
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Joshua Carroll wrote:
> OK, so is anybody using the E-mu 1616 or 1616M?  If so:
>
>     * Does it work well for you?
>     * Does it seem sturdy?
>     * What do you think of the built in effects?
>     * Have you dealt with customer support, and if so how was the
>       experience?
>
> Thanks again!
>
> --Josh
Hi, Josh.
I got an E-MU1616m when they first came out and have been very happy with
it.  I use it at home in the studio plus take it to gigs and recording 
sessions, and
it is good and sturdy.  I haven't used the built-in effects, to be 
honest.  I called
customer support once when I got it and the techie was very helpful.
Andrew
>
>
>
> Joshua Carroll wrote:
>> I like the concept of these Firewire units, but I'm a little 
>> dissapointed that, as far as I can tell, none of them by any 
>> manufacturer return more than a single stereo mix.  Cool for the 
>> studio I guess, but for live applications, it would be great to have 
>> at least 2 stereo returns--one for the mains, one for monitoring.
>>
>> --Josh
>>
>> Buzap Buzap wrote:
>>> Hi Josh
>>>
>>> I'm using it's "big brother", the Mackie Onyx 1220 with Firewire.
>>> I'm very pleased with it - yet, don't know how it relates to the 
>>> small Satellite. Great idea, though.
>>>
>>> Buzap
>>>
>>>
>>>   
>>
>>
>>
>>
> ------------------------------------------------------------------------
>
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.1.394 / Virus Database: 268.10.4/399 - Release Date: 25/07/2006
>   


-- 
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
http://cognitionaudioworks.com
http://myspace.com/cognitionaudioworks


--Boundary_(ID_9kdeLPIzDibvS7JOXZVY+g)
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
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</head>
<body bgcolor="#ffffff" text="#000000">
Joshua Carroll wrote:
<blockquote cite="mid44C78E41.70306@infinivert.com" type="cite">
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
OK, so is anybody using the E-mu 1616 or 1616M?&nbsp; If so:<br>
  <br>
  <ul>
    <li>Does it work well for you?</li>
    <li>Does it seem sturdy?</li>
    <li>What do you think of the built in effects?</li>
    <li>Have you dealt with customer support, and if so how was the
experience?</li>
  </ul>
Thanks again!<br>
  <br>
--Josh<br>
</blockquote>
Hi, Josh.<br>
I got an E-MU1616m when they first came out and have been very happy
with<br>
it.&nbsp; I use it at home in the studio plus take it to gigs and recording
sessions, and<br>
it is good and sturdy.&nbsp; I haven't used the built-in effects, to be
honest.&nbsp; I called<br>
customer support once when I got it and the techie was very helpful.<br>
Andrew<br>
<blockquote cite="mid44C78E41.70306@infinivert.com" type="cite"><br>
  <br>
  <br>
Joshua Carroll wrote:
  <blockquote cite="mid44C78AE2.4090304@infinivert.com" type="cite">I
like the concept of these Firewire units, but I'm a little dissapointed
that, as far as I can tell, none of them by any manufacturer return
more than a single stereo mix.&nbsp; Cool for the studio I guess, but for
live applications, it would be great to have at least 2 stereo
returns--one for the mains, one for monitoring. <br>
    <br>
--Josh <br>
    <br>
Buzap Buzap wrote: <br>
    <blockquote type="cite">Hi Josh <br>
      <br>
I'm using it's "big brother", the Mackie Onyx 1220 with Firewire. <br>
I'm very pleased with it - yet, don't know how it relates to the small
Satellite. Great idea, though. <br>
      <br>
Buzap <br>
      <br>
      <br>
&nbsp; </blockquote>
    <br>
    <br>
    <br>
    <br>
  </blockquote>
  <pre wrap="">
<hr size="4" width="90%">
No virus found in this incoming message.
Checked by AVG Free Edition.
Version: 7.1.394 / Virus Database: 268.10.4/399 - Release Date: 25/07/2006
  </pre>
</blockquote>
<br>
<br>
<pre class="moz-signature" cols="72">-- 
Andrew Duke
scoring/sound design/source
<a class="moz-txt-link-freetext" href="http://andrew-duke.com">http://andrew-duke.com</a>
<a class="moz-txt-link-freetext" href="http://myspace.com/andrewduke">http://myspace.com/andrewduke</a>
<a class="moz-txt-link-freetext" href="http://cognitionaudioworks.com">http://cognitionaudioworks.com</a>
<a class="moz-txt-link-freetext" href="http://myspace.com/cognitionaudioworks">http://myspace.com/cognitionaudioworks</a>
</pre>
</body>
</html>

--Boundary_(ID_9kdeLPIzDibvS7JOXZVY+g)--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 17:26:20 2006
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 >> As one of my first great teachers used to repeatedly say, "FOCUS!" <<

was he jan akkermann? :-)

 


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<P><FONT SIZE=2>&nbsp;&gt;&gt; As one of my first great teachers used to repeatedly say, &quot;FOCUS!&quot; &lt;&lt;</FONT>
</P>

<P><FONT SIZE=2>was he jan akkermann? :-)</FONT>
</P>

<P><FONT SIZE=2>&nbsp;</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 17:31:12 2006
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Date: Wed, 26 Jul 2006 10:31:10 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Mac, Rax, Augustus Loop (was: Re: Sample sound clip from my notebook computer system)
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--- Per Boysen <perboysen@gmail.com> wrote:
> I don't think I
> would be able to  
> handle more than three simultaneous looping
> processes anyway.

Isn't that the truth?  With an 8 stereo track looper
in my clutches I've never gone higher than 3 tracks. 
One haveing 2-3 loops in it and the others one.  I
can't imagine being able to deal with much more.

Mark

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 17:40:47 2006
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Date: Wed, 26 Jul 2006 10:40:46 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: OT (somewhat) What DAW for the Mac do you recommend?
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So.

In my similar quest to virtualize my gear I've decided
to upgrade my main desktop computer.  It's a Mac and
needs to be that as I use it for work sometimes and
all my versions of software is Macintosh.  Also, I
like them better.  Anyway, I'm set on a dual 2.3 gighz
G5 machine.

My question is this: I've been a MOTU Digital
Performer user for years... but I'm not sure why. 
Parts of it bother me.  The fact that it won't deal
with vst, the fact that it takes about 3 minutes to
launch for some reason... the fact that they crippled
a possibly great looper (POLAR) by not giving it a
feedback control... etc.  Also recent emails to MOTU
about fixing the glacial boot time were like
communicating with an Oak tree.  Should it take 2
weeks to answer a fairly simple question, and after
those weeks shouldn't the answer contain some
information? (YES I ALREADY TRIED DISK REPAIR AND
REPAIR PERMISSIONS!)</rant>

So in the Mac world what's the shiz-nit?  I want
stable decent sequencing/audio recording, some good
effects... maybe some groove quantize features and the
ability to run my vsts/au from inside it.  Doesn't
seem like a lot to ask... oh yeah it also has to play
nice with a MOTU 828 and a MOTU Microexpress as I
don't feel they need upgrading.

I know you people are the best and the brightest.  Let
me drink of your knowledge.

Mark



__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 17:46:58 2006
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: forum vs list (was Sheer Volume on this List)
Date: Wed, 26 Jul 2006 18:24:59 +0100
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>>What do you guys think of having a FORUM instead of a mailling list?
The good thing about forums is that you can browse in a structured way and
don't have to scroll through millions of mails..<<

yeah, but with forums you are less likely to read something by accident &
think "oh, actually that was interesting/diverting/useful/whatever"
I find myself visiting forums quite infrequently, & usually only when a
topic-reply-notification pops up. 

the digests I get of this list are actually quite easy to deal with. I can
dip into a "thread", even if the subject line is misleading or (for me,
anyway) off-topic, & if I'm interested, I can back-track & read the rest of
it. sometimes I don't see them for days, then read through dozens of mails
in about twenty minutes. 
I might visit a forum once a week, or even not at all unless I'm looking for
something specific.

another way to look at it is that forums tend to be useful for support & faq
type stuff, while a list is free to engage in open-ended discussions & from
time to time even revisit old ground, intentionally or not. in the case of
this list, that nicely reflects it's main subject matter..... :-)

someone help me get this fence out of my arse.

d.


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<P><FONT SIZE=3D2>&gt;&gt;What do you guys think of having a FORUM instead =
of a mailling list?</FONT>
<BR><FONT SIZE=3D2>The good thing about forums is that you can browse in a =
structured way and don't have to scroll through millions of mails..&lt;&lt;=
</FONT></P>

<P><FONT SIZE=3D2>yeah, but with forums you are less likely to read somethi=
ng by accident &amp; think &quot;oh, actually that was interesting/divertin=
g/useful/whatever&quot;</FONT></P>

<P><FONT SIZE=3D2>I find myself visiting forums quite infrequently, &amp; u=
sually only when a topic-reply-notification pops up. </FONT>
</P>

<P><FONT SIZE=3D2>the digests I get of this list are actually quite easy to=
 deal with. I can dip into a &quot;thread&quot;, even if the subject line i=
s misleading or (for me, anyway) off-topic, &amp; if I'm interested, I can =
back-track &amp; read the rest of it. sometimes I don't see them for days, =
then read through dozens of mails in about twenty minutes. </FONT></P>

<P><FONT SIZE=3D2>I might visit a forum once a week, or even not at all unl=
ess I'm looking for something specific.</FONT>
</P>

<P><FONT SIZE=3D2>another way to look at it is that forums tend to be usefu=
l for support &amp; faq type stuff, while a list is free to engage in open-=
ended discussions &amp; from time to time even revisit old ground, intentio=
nally or not. in the case of this list, that nicely reflects it's main subj=
ect matter..... :-)</FONT></P>

<P><FONT SIZE=3D2>someone help me get this fence out of my arse.</FONT>
</P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 17:57:23 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: OT (somewhat) What DAW for the Mac do you recommend?
Date: Wed, 26 Jul 2006 10:57:20 -0700
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I love Digital Performer (been with it since it was performer 1.8). In=20=

fact, it is an important part of my life, I can't imagine life without=20=

it. :-) I run it on two different machines, a g4 laptop and g4 desktop.=20=

It is bulletproof on my machines, so I'm sorry to hear about your=20
problems.

BUT, I have stayed with 4.6....I've heard of problems with v5...various=20=

bugs.

It would seem that Logic is your next, erm, logical choice....I've seen=20=

some people do some amazing things in it, even in live performances as=20=

a real-time processing tool. BUT I do some studio trumpet work for a=20
big-time studio that uses it (that's right, they don't use pro tools),=20=

and it crashed regularly the last two sessions there....

I think if you know DP well, you might just hang in there with it and=20
wait for the next stable updates, and then stick with that version=20
until your machine dies......



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jul 26, 2006, at 10:40 AM, mark sottilaro wrote:

> So.
>
> In my similar quest to virtualize my gear I've decided
> to upgrade my main desktop computer.  It's a Mac and
> needs to be that as I use it for work sometimes and
> all my versions of software is Macintosh.  Also, I
> like them better.  Anyway, I'm set on a dual 2.3 gighz
> G5 machine.
>
> My question is this: I've been a MOTU Digital
> Performer user for years... but I'm not sure why.
> Parts of it bother me.  The fact that it won't deal
> with vst, the fact that it takes about 3 minutes to
> launch for some reason... the fact that they crippled
> a possibly great looper (POLAR) by not giving it a
> feedback control... etc.  Also recent emails to MOTU
> about fixing the glacial boot time were like
> communicating with an Oak tree.  Should it take 2
> weeks to answer a fairly simple question, and after
> those weeks shouldn't the answer contain some
> information? (YES I ALREADY TRIED DISK REPAIR AND
> REPAIR PERMISSIONS!)</rant>
>
> So in the Mac world what's the shiz-nit?  I want
> stable decent sequencing/audio recording, some good
> effects... maybe some groove quantize features and the
> ability to run my vsts/au from inside it.  Doesn't
> seem like a lot to ask... oh yeah it also has to play
> nice with a MOTU 828 and a MOTU Microexpress as I
> don't feel they need upgrading.
>
> I know you people are the best and the brightest.  Let
> me drink of your knowledge.
>
> Mark
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 18:01:00 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: OT (somewhat) What DAW for the Mac do you recommend?
Date: Wed, 26 Jul 2006 11:00:57 -0700
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Oh yeah, I use a vst wrapper in DP.....works great.=20
http://www.audioease.com/



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jul 26, 2006, at 10:40 AM, mark sottilaro wrote:

> The fact that it won't deal
> with vst,=20=

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 18:18:01 2006
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To: Loopers-Delight@loopers-delight.com
References: <00b301c6b096$1dda3320$64ddfea9@DAYGLOGREEN> <0f2901c6b0b2$e08d6d30$10b0ec0f@americas.hpqcorp.net> <57a4866c229cb472f40e85e496679a69@glasswing.com> <20060726144549.136590@gmx.net> <0fc901c6b0c5$2e0a7140$10b0ec0f@americas.hpqcorp.net> <2fb9e4730607260817u4ae0c924i16c8f1ff130ad350@mail.gmail.com>
Subject: Re: Sheer Volume on this List
Date: Wed, 26 Jul 2006 12:17:57 -0600
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That's a great recommendation, Clint. I am guilty of changing subjects =
and not reflecting it in the subject heading. I'll make a point to do =
that more now.

K-
  ----- Original Message -----=20
  From: Clint Allen=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, July 26, 2006 9:17 AM
  Subject: Re: Sheer Volume on this List


  Speaking for myself, I often find it hard to gauge what might be =
interesting,
  based off of the subject lines. Many times I have deleted emails in =
this forum
  only to find out later that there was some very interesting discussion =
going on.=20
  Other times, exactly the opposite or I have read through volumes to =
find nothing.

  I think there needs to be a more of an effort to change subject lines =
when the=20
  thread starts to change, which it so often does.=20

  I've nothing really to offer on this subject other than to say I'd =
rather recieve as much info
  as possible and have the option to delete, than vice-versa.=20

  Clint Allen



  On 7/26/06, Krispen Hartung <khartung@cableone.net> wrote:
    Hmmm...the number of emails on this list has never been a problem to
    me...it's all about being able to prioritize on the fly and not feel =
the
    need to read everything I see. I get hundreds of emails a day from =
work, sit=20
    on conference calls, lead meetings, someetimes from 6am to 6pm, plus
    exchange instant messages with my peers while on conference =
calls...plus
    keep up with LD emails and other list emails.

    It takes a fraction of a second to read the subject heading of an =
email and=20
    delete it.   For me quantity has notning to do with it. The more =
time I
    have, the less emails I delete or leave un-read.  Go to digest mode, =
or just
    start sorting by subject heading and deleting multiple emails at the =
same=20
    time....all this takes mere seconds.

    Or am I not getting something here?  What is taking most of folks =
time? Are
    you tryin to read everything? Seriously, how long does it take to =
delete
    your inbox.

    Kris

    ----- Original Message -----
    From: "Buzap Buzap" <buzap@gmx.net>
    To: <Loopers-Delight@loopers-delight.com >
    Sent: Wednesday, July 26, 2006 8:45 AM
    Subject: Sheer Volume on this List


    > Hi Richard
    >
    >> I think some folks ..are overwhelmed by the
    >> sheer volume of communication that happens on this list.=20
    >
    > I actually the same. I know I'm currently active but I know I'll =
probably
    > drop-off once other subjects will have a higher priority.
    >
    > What do you guys think of having a FORUM instead of a mailling =
list?=20
    > The good thing about forums is that you can browse in a structured =
way and
    > don't have to scroll through millions of mails..
    >
    > Best regards
    > Buzap
    > --
    >
    >
    > Echte DSL-Flatrate dauerhaft f=FCr 0,- Euro*. Nur noch kurze Zeit! =

    > "Feel free" mit GMX DSL: http://www.gmx.net/de/go/dsl
    >
    >





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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>That's a great recommendation, Clint. I =
am guilty=20
of changing subjects and not reflecting it in the subject heading. I'll =
make a=20
point to do that more now.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>K-</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dclint.allen@gmail.com =
href=3D"mailto:clint.allen@gmail.com">Clint=20
  Allen</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 26, 2006 =
9:17=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Sheer Volume on =
this=20
  List</DIV>
  <DIV><BR></DIV>Speaking for myself, I often find it hard to gauge what =
might=20
  be interesting,<BR>based off of the subject lines. Many times I have =
deleted=20
  emails in this forum<BR>only to find out later that there was some =
very=20
  interesting discussion going on. <BR>Other times, exactly the opposite =
or I=20
  have read through volumes to find nothing.<BR><BR>I think there needs =
to be a=20
  more of an effort to change subject lines when the <BR>thread starts =
to=20
  change, which it so often does. <BR><BR>I've nothing really to offer =
on this=20
  subject other than to say I'd rather recieve as much info<BR>as =
possible and=20
  have the option to delete, than vice-versa. <BR><BR>Clint =
Allen<BR><BR><BR>
  <DIV><SPAN class=3Dgmail_quote>On 7/26/06, <B =
class=3Dgmail_sendername>Krispen=20
  Hartung</B> &lt;<A=20
  href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>&gt;=20
wrote:</SPAN>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Hmmm...the=20
    number of emails on this list has never been a problem =
to<BR>me...it's all=20
    about being able to prioritize on the fly and not feel the<BR>need =
to read=20
    everything I see. I get hundreds of emails a day from work, sit =
<BR>on=20
    conference calls, lead meetings, someetimes from 6am to 6pm,=20
    plus<BR>exchange instant messages with my peers while on conference=20
    calls...plus<BR>keep up with LD emails and other list =
emails.<BR><BR>It=20
    takes a fraction of a second to read the subject heading of an email =
and=20
    <BR>delete it.&nbsp;&nbsp; For me quantity has notning to do with =
it. The=20
    more time I<BR>have, the less emails I delete or leave=20
    un-read.&nbsp;&nbsp;Go to digest mode, or just<BR>start sorting by =
subject=20
    heading and deleting multiple emails at the same <BR>time....all =
this takes=20
    mere seconds.<BR><BR>Or am I not getting something =
here?&nbsp;&nbsp;What is=20
    taking most of folks time? Are<BR>you tryin to read everything? =
Seriously,=20
    how long does it take to delete<BR>your =
inbox.<BR><BR>Kris<BR><BR>-----=20
    Original Message -----<BR>From: "Buzap Buzap" &lt;<A=20
    href=3D"mailto:buzap@gmx.net">buzap@gmx.net</A>&gt;<BR>To: &lt;<A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com=20
    </A>&gt;<BR>Sent: Wednesday, July 26, 2006 8:45 AM<BR>Subject: Sheer =
Volume=20
    on this List<BR><BR><BR>&gt; Hi Richard<BR>&gt;<BR>&gt;&gt; I think =
some=20
    folks ..are overwhelmed by the<BR>&gt;&gt; sheer volume of =
communication=20
    that happens on this list. <BR>&gt;<BR>&gt; I actually the same. I =
know I'm=20
    currently active but I know I'll probably<BR>&gt; drop-off once =
other=20
    subjects will have a higher priority.<BR>&gt;<BR>&gt; What do you =
guys think=20
    of having a FORUM instead of a mailling list? <BR>&gt; The good =
thing about=20
    forums is that you can browse in a structured way and<BR>&gt; don't =
have to=20
    scroll through millions of mails..<BR>&gt;<BR>&gt; Best =
regards<BR>&gt;=20
    Buzap<BR>&gt; --<BR>&gt;<BR>&gt;<BR>&gt; Echte DSL-Flatrate =
dauerhaft f=FCr=20
    0,- Euro*. Nur noch kurze Zeit! <BR>&gt; "Feel free" mit GMX DSL: <A =

    =
href=3D"http://www.gmx.net/de/go/dsl">http://www.gmx.net/de/go/dsl</A><BR=
>&gt;<BR>&gt;<BR><BR><BR></BLOCKQUOTE></DIV><BR></BLOCKQUOTE></BODY></HTM=
L>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 18:20:09 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <20060726152841.14526.qmail@web27714.mail.ukl.yahoo.com>
Subject: LD Forum
Date: Wed, 26 Jul 2006 12:20:06 -0600
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What would be cool, to prevent having a redundant system, is a program =
that used the data from the LD archive to show a web-based discussion =
thread view of the list...and then make it so that you can view a =
message and click a "respond" button.  I don't know how Kim has the =
database setup, but it seems like the technology is out there to do =
this. So, it wouldn't be a separate forum, but just another view and =
user interface of the LD list.

Kris

  ----- Original Message -----=20
  From: Tony Douglas=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, July 26, 2006 9:28 AM
  Subject: Re: Sheer Volume on this List


  I'm pretty much with Kris on this one - I delete incoming mails quite =
freely, safe in the knowledge that there's always the archive to look up =
if I feel the need later.

  And I'm adopting the "duck and cover" approach to the forum question =
;) !




-------------------------------------------------------------------------=
-----
  Yahoo! Cars NEW - sell your car and browse thousands of new and used =
cars online search now=20
-------------------------------------------------------------------------=
-----

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charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>What would be cool, to prevent having a =
redundant=20
system, is a program that used the data from the LD archive to show a =
web-based=20
discussion thread view of the list...and then make it so that you can =
view a=20
message and click a "respond" button.&nbsp; I don't know how Kim has the =

database setup, but it seems like the technology is out there to do =
this. So, it=20
wouldn't be a separate forum, but just another view and user interface =
of the LD=20
list.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtonyisyourpal@yahoo.co.uk=20
  href=3D"mailto:tonyisyourpal@yahoo.co.uk">Tony Douglas</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 26, 2006 =
9:28=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Sheer Volume on =
this=20
  List</DIV>
  <DIV><BR></DIV>I'm pretty much with Kris on this one - I delete =
incoming mails=20
  quite freely, safe in the knowledge that there's always the archive to =
look up=20
  if I feel the need later.<BR><BR>And I'm adopting the "duck and cover" =

  approach to the forum question ;) !<BR><BR>
  <P>
  <HR SIZE=3D1>
  <FONT face=3D"Verdana, Arial, Helvetica, sans-serif" size=3D2><A=20
  =
href=3D"http://us.rd.yahoo.com/mail/uk/taglines/default/cars/*http://uk.c=
ars.yahoo.com/">Yahoo!=20
  Cars</A> <FONT color=3Dred>NEW</FONT> - sell your car and browse =
thousands of=20
  new and used cars online <A=20
  =
href=3D"http://us.rd.yahoo.com/mail/uk/taglines/default/cars/*http://uk.c=
ars.yahoo.com/">search=20
  now</A> </FONT>
  <HR SIZE=3D1>
</BLOCKQUOTE><FONT face=3D"Verdana, Arial, Helvetica, sans-serif"=20
size=3D2></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 18:28:08 2006
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Date: Wed, 26 Jul 2006 14:28:04 EDT
Subject: Re: How to avoid RC-50 glitch?
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the "glitch", "stutter", "hiccup", etc. occurs at the point which you end the 
recording of a given phrase (loop) and the point at which the playback of 
that phrase begins to playback.   this happens regardless of whether you have 
accurately nailed the rhythm and timing of the phrase.   in other words, even if 
you complete a flawless phrase there will be a slight delay before initial 
playback.   if you have indeed nailed it, the phrase will sound fine after the 
first playback.   this glitch has been reported to be about .5 seconds.   enough 
intially to think you've lost your mind or your ability to keep time.

the best way to deal with it is to "play through" the first beat of the first 
playback.   there have been several reports of a software update to address 
this, perhaps in autumn?

john

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">the "glitch", "stutter", "hiccup", etc.=
 occurs at the point which you end the recording of a given phrase (loop) an=
d the point at which the playback of that phrase begins to playback.&nbsp; =20=
this happens regardless of whether you have accurately nailed the rhythm and=
 timing of the phrase.&nbsp;  in other words, even if you complete a flawles=
s phrase there will be a slight delay before </FONT><FONT COLOR=3D"#000000"=20=
FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><I>initial</I></FONT><FONT C=
OLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"> playback.&=
nbsp;  if you have indeed nailed it, the phrase will sound fine after the fi=
rst playback.&nbsp;  this glitch has been reported to be about .5 seconds.&n=
bsp;  enough intially to think you've lost your mind or your ability to keep=
 time.<BR>
<BR>
the best way to deal with it is to "play through" the first beat of the firs=
t playback.&nbsp;  there have been several reports of a software update to a=
ddress this, perhaps in autumn?<BR>
<BR>
john</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 18:33:53 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <1E93DA23-6F70-4A2B-886B-C2C1C6162249@steve-lawson.co.uk> <5.2.1.1.0.20060726091909.010ecd78@pop.powweb.com>
Subject: Re: Re famous folks on list (Re: RC-50 video on summer NAMM)
Date: Wed, 26 Jul 2006 12:33:50 -0600
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Well, I was being partially humorous.  To translate, I notice a pattern that 
the more popular and successful entertainers get, the less they socialize 
with those lower on the totem pole. There are exceptions of course, and if 
you are REALLY famous then it is impossible to keep up with your fan email. 
I just don't think it necessarily follows that the more successful or 
popular someone gets, the less they have to correspond with others lower in 
the pyramid.

I mean, you can't rule out the possibility that as some artists get famous 
and popular, their egos get bigger and they dis-associate themselves with 
their fans and past peers.  This does happen, not with everyone, but with 
some, and that is the behavior I am referring to in the context of 
looping...because we're not talking about looping like a Britney Spears 
phenomenon...it seems to be that the really successful loopers in the public 
eye (relatively speaking) should be able to be the "leaders" of communities 
like this.  I believe, and this is my opinion, they should be on the 
forefront of the community, leading by example, proactively introducing new 
topics and possibilities, etc.

Kris

----- Original Message ----- 
From: "Sean Echevarria" <sean.loop@creepingfog.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 26, 2006 10:31 AM
Subject: Re: Re famous folks on list (Re: RC-50 video on summer NAMM)


> Why does anyone need to "know that they are real people who communicate 
> with the external world"?  That's a bit of an odd expectation.  And I 
> don't think lack of communication is a result of fame - more than a few 
> artists that aren't famous don't live up to your expectations either.
>
>
> At 2006.07.26 08:13 AM, Krispen Hartung wrote:
>>correspondence on the plane. And I'm not talking about sending hundreds of 
>>emails, but at least a response or comment once in a while so that we know 
>>that they are real people who communicate with the external world, and not 
>>abstract deities who only communicate through the press and their 
>>agents..which seems pretentious as hell to me.  Personally, I think fame 
>>gets to the heads of some people in the entertainment industry.
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 18:38:21 2006
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Subject: Re: famous folks on list
Date: Wed, 26 Jul 2006 12:38:17 -0600
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Thanks, Kevin. I appreciate it.  I admit I am shooting for the ideal here by 
asking for more "famous" looper interaction. In the end, they will do what 
they want to do for their own personal reasons.
I'll look out for that video.

Kris

----- Original Message ----- 
From: <johnsrude@peak.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 26, 2006 10:56 AM
Subject: Re: famous folks on list


>> I have a full time job for a fortune 500 company...If a professional 
>> musician
>> makes it a priority to proactively get engaged with a community, they 
>> will do
>> it, period.
>
> Kris, you are one of the core members of LD.  I especially appreciate your
> hard work for and dedication to the LD community.  LD doesn't need 
> validation
> by "famous" folks to be a huge influence on loopers. LD already is a huge
> influence.  Fame is more a matter of taking care of business than raw 
> talent.
>
> For a little insight into how much work a mid-level band has to put into
> touring--and touring is the only way for most bands to make a living these
> days--check out the DVD "Beulah: A Good Band is Easy to Kill".  If your 
> local
> video store doesn't have it, you can get it for less than 10 bucks online.
> Unknown bands have to put in even more work.
>
> Kris, I can tell from your description that your work level would kill me 
> in a
> month.  Not everybody is gifted with your stamina and focus.  But I'm very
> grateful for all the energy that you add to the LD community.
>
> Peace,
> Kevin
> www.TheNettles.com
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 18:44:38 2006
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From: Bob Amstadt <bob@looperlative.com>
Reply-To: Bob Amstadt <bob@looperlative.com>
To: goddard.duncan@mtvne.com, Loopers-Delight@loopers-delight.com
Subject: Re: forum vs list (was Sheer Volume on this List)
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> I find myself visiting forums quite infrequently, & usually only when a
> topic-reply-notification pops up.

I go in cycles.  There are times when I visit forums quite often and there 
are other times when I don't visit them at all.  To be perfectly fair, I 
tend to do the same thing with mailing lists.

Something to remember is that there is room in the world to have both a 
loopers' mailing list and a loopers' forum.  Being a manufacturer, it makes 
it difficult for me to run an impartial forum, but if somebody else here 
wants to create a forum, I'd be happy to help sponsor it.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 18:46:13 2006
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Date: Wed, 26 Jul 2006 13:46:05 -0500
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That is great to hear!  From the research I've done, that seems to be 
the common response.  I did read a couple negative reviews on Harmony 
Central, but they were from guys who actually owned older Emu gear (not 
the 1616) and were angry with Emu in general.  It's good to hear that 
you had a good experience with their tech support!

Thanks for the info!

--Josh



Andrew Duke wrote:
> Joshua Carroll wrote:
>> OK, so is anybody using the E-mu 1616 or 1616M?  If so:
>>
>>     * Does it work well for you?
>>     * Does it seem sturdy?
>>     * What do you think of the built in effects?
>>     * Have you dealt with customer support, and if so how was the
>>       experience?
>>
>> Thanks again!
>>
>> --Josh
> Hi, Josh.
> I got an E-MU1616m when they first came out and have been very happy with
> it.  I use it at home in the studio plus take it to gigs and recording 
> sessions, and
> it is good and sturdy.  I haven't used the built-in effects, to be 
> honest.  I called
> customer support once when I got it and the techie was very helpful.
> Andrew
>>
>>
>>
>> Joshua Carroll wrote:
>>> I like the concept of these Firewire units, but I'm a little 
>>> dissapointed that, as far as I can tell, none of them by any 
>>> manufacturer return more than a single stereo mix.  Cool for the 
>>> studio I guess, but for live applications, it would be great to have 
>>> at least 2 stereo returns--one for the mains, one for monitoring.
>>>
>>> --Josh
>>>
>>> Buzap Buzap wrote:
>>>> Hi Josh
>>>>
>>>> I'm using it's "big brother", the Mackie Onyx 1220 with Firewire.
>>>> I'm very pleased with it - yet, don't know how it relates to the 
>>>> small Satellite. Great idea, though.
>>>>
>>>> Buzap
>>>>
>>>>
>>>>   
>>>
>>>
>>>
>>>
>> ------------------------------------------------------------------------
>>
>> No virus found in this incoming message.
>> Checked by AVG Free Edition.
>> Version: 7.1.394 / Virus Database: 268.10.4/399 - Release Date: 25/07/2006
>>   
>
>
> -- 
> Andrew Duke
> scoring/sound design/source
> http://andrew-duke.com
> http://myspace.com/andrewduke
> http://cognitionaudioworks.com
> http://myspace.com/cognitionaudioworks
>   

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</head>
<body bgcolor="#ffffff" text="#000000">
That is great to hear!&nbsp; From the research I've done, that seems to be
the common response.&nbsp; I did read a couple negative reviews on Harmony
Central, but they were from guys who actually owned older Emu gear (not
the 1616) and were angry with Emu in general.&nbsp; It's good to hear that
you had a good experience with their tech support!<br>
<br>
Thanks for the info!<br>
<br>
--Josh<br>
<br>
<br>
<br>
Andrew Duke wrote:
<blockquote cite="mid44C7A0FC.3020302@andrew-duke.com" type="cite">
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
Joshua Carroll wrote:
  <blockquote cite="mid44C78E41.70306@infinivert.com" type="cite">
    <meta content="text/html;charset=ISO-8859-1"
 http-equiv="Content-Type">
OK, so is anybody using the E-mu 1616 or 1616M?&nbsp; If so:<br>
    <br>
    <ul>
      <li>Does it work well for you?</li>
      <li>Does it seem sturdy?</li>
      <li>What do you think of the built in effects?</li>
      <li>Have you dealt with customer support, and if so how was the
experience?</li>
    </ul>
Thanks again!<br>
    <br>
--Josh<br>
  </blockquote>
Hi, Josh.<br>
I got an E-MU1616m when they first came out and have been very happy
with<br>
it.&nbsp; I use it at home in the studio plus take it to gigs and recording
sessions, and<br>
it is good and sturdy.&nbsp; I haven't used the built-in effects, to be
honest.&nbsp; I called<br>
customer support once when I got it and the techie was very helpful.<br>
Andrew<br>
  <blockquote cite="mid44C78E41.70306@infinivert.com" type="cite"><br>
    <br>
    <br>
Joshua Carroll wrote:
    <blockquote cite="mid44C78AE2.4090304@infinivert.com" type="cite">I
like the concept of these Firewire units, but I'm a little dissapointed
that, as far as I can tell, none of them by any manufacturer return
more than a single stereo mix.&nbsp; Cool for the studio I guess, but for
live applications, it would be great to have at least 2 stereo
returns--one for the mains, one for monitoring. <br>
      <br>
--Josh <br>
      <br>
Buzap Buzap wrote: <br>
      <blockquote type="cite">Hi Josh <br>
        <br>
I'm using it's "big brother", the Mackie Onyx 1220 with Firewire. <br>
I'm very pleased with it - yet, don't know how it relates to the small
Satellite. Great idea, though. <br>
        <br>
Buzap <br>
        <br>
        <br>
&nbsp; </blockquote>
      <br>
      <br>
      <br>
      <br>
    </blockquote>
    <pre wrap=""><hr size="4" width="90%">
No virus found in this incoming message.
Checked by AVG Free Edition.
Version: 7.1.394 / Virus Database: 268.10.4/399 - Release Date: 25/07/2006
  </pre>
  </blockquote>
  <br>
  <br>
  <pre class="moz-signature" cols="72">-- 
Andrew Duke
scoring/sound design/source
<a class="moz-txt-link-freetext" href="http://andrew-duke.com">http://andrew-duke.com</a>
<a class="moz-txt-link-freetext" href="http://myspace.com/andrewduke">http://myspace.com/andrewduke</a>
<a class="moz-txt-link-freetext" href="http://cognitionaudioworks.com">http://cognitionaudioworks.com</a>
<a class="moz-txt-link-freetext"
 href="http://myspace.com/cognitionaudioworks">http://myspace.com/cognitionaudioworks</a>
  </pre>
</blockquote>
</body>
</html>

--------------050903050407090608010402--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 18:47:46 2006
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Subject: Fresno and LaFosse--famous folks not on list performing tonight in LA, CA
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http://www.altruistmusic.com/news.html
Trying to convince myself to drive from San Diego--
Dunno if either is truly famous, but more than most, eh?
G


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From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 19:13:17 2006
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Subject: Re: Pitch Shifting plug-in
Date: Wed, 26 Jul 2006 20:13:15 +0100
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Many thanks for the pitch shifting plug in recommendations.

As I've said before, the combined knowledge and expertise of this list is a 
highly valued resource for myself.

G 


From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 19:41:44 2006
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References: <30DDBA6B-11E6-48AB-8EA5-28C140711272@steve-lawson.co.uk>
Subject: Re: Re famous folks on list (Re: RC-50 video on summer NAMM)
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All good points Steve, and small ones at that! What is that, 5 point =
font? :) I had to get my microfiche reader out.

I wanted to offer one last analogy with the corporate world to reinforce =
our thoughts below, which may also wrap some warm and fuzzies around the =
thread...and then I'll stop.

At my company, we have several layers and hierarchies of management, =
from first line managers, to directors, to VPs, country, business unit =
and function executives, to our CEO, which on average is about 5-8 =
levels from individual contributor to CEO. I guess you could consider =
these folks famous, in our own ecosystem of over 100,000 employees. Many =
of these executives put in some intense work days, often 16-18 hours a =
day, talking to customers, traveling the world, speaking, making high =
impact decisions, etc. They live their jobs and they get paid =
accordingly. Whenever anyone think they have a busy job, even a =
professional musician, they should conceptualize the job of a corporate =
executive. They are extremely high stress, high accountability, and time =
intensive...and their heads are on the chopping block to drive results =
for the company. They don't entertain, they drive the health of the =
company, upon which many peoples' careers and lives are at stake.

Moreover, typically we will have third and fourth level executives who =
rarely exchange emails with teams of individual contributors (non-people =
manager). That is just the way they do business and it is their =
management style. Neither right nor wrong. However, on occasion, a high =
level executive will actually participate in an email discussions with =
team of individual contributors, because they feel it is important to be =
present on the front lines. And they will do this on a regular basis.

MAIN POINT: I can say from experience that this above interaction =
between executives and employees generates a lot of positive morale in =
the company, and generally creates more respect of our leaders when they =
do this.  It makes people feel good to know that their leaders and =
visionaries care about what they think, talk to them, listen to them, =
engage them, etc.  It breaks down those idealistic walls of proletariat =
and bourgeoisie.

I think the same can be the case for the music industry. And we've even =
seen it on our very own LD list. Just recently, a well known looper =
posted something on our list, and it appeared that people liked =
this...it brightened up their day and outlook on the list, their art, =
etc. And I have to believe that if a famous looper can increase the =
morale of a discussion group and make people feel good about what they =
do, inform them, offer bits of advice and wisdom, etc....that the =
feeling will be mutual. Usually, when we do good things that make others =
feel good, it makes us feel good ourselves. So it can be a win-win =
situation.

And this is why I really value the opinons and interaction of loopers =
like Steve Lawson, Rick Walker, Sunao, and many others who do this for a =
living and our representing us on the front lines of the looper world. =
Every time you post to the list, you help build a positive morale and a =
stronger infrastructure of the community.=20

Kris

  ----- Original Message -----=20
  From: Steve Lawson=20
  To: Loop List=20
  Sent: Wednesday, July 26, 2006 9:42 AM
  Subject: Re: Re famous folks on list (Re: RC-50 video on summer NAMM)


  >>>I have a full time job for a fortune 500 company (9-12 hours a =
day), play music and record CDs on the side, coordinate projects and =
event, and raise a family with two 14 month twins that get up at 5:30 or =
6am in the morning.  I can still find the time to send encouraging and =
useful emails to LD. I don't buy the time argument, because everyone has =
an issue with time, not just professional musicians.  It is about =
priorities. If a professional musician makes it a priority to =
proactively get engaged with a community, they will do it, period. Heck, =
I know folks who sync their email up and do all their correspondence on =
the plane. And I'm not talking about sending hundreds of emails, but at =
least a response or comment once in a while so that we know that they =
are real people who communicate with the external world, and not =
abstract deities who only communicate through the press and their =
agents..which seems pretentious as hell to me.  Personally, I think fame =
gets to the heads of some people in the entertainment industry.<<<


  Kris,=20


  you're absolutely right that it's about priorities, and for people for =
whom music is a hobby, a love, a past-time, their relaxation, sitting =
chatting about it with a bunch of anonymous emailers is a dream come =
true. If the rest of your time is spent talking about musical stuff, =
dealing with music related questions, playing gigs, organising gigs etc. =
etc. etc. the last thing some people want to do with their free time is =
talk about music.=20


  The one thing that LD has over a lot of other lists is that the level =
of the discussion is often worth reading. Most music related lists are =
appalling. I contribute to quite a few online bass forums - partly cos I =
enjoy it, and partly cos I can write it down in my own mental time sheet =
as 'promotional' time. But the vast majority of the discussions on the =
forums a) don't need to happen cos Google has the answers, and b) are of =
such an inane level, that I really don't have the time or inclination to =
get involved.=20


  When I first got onto LD 7 or so years ago, the level of conversation =
was consistently high - smaller group, more movers and shakers, and a =
young list so all the good topics hadn't been exhausted. It's fairly =
rare that a topic comes up on here that really floats my boat. That's =
not to say it's not good stuff, just that it's not good for me.=20


  So yes, it's all about priorities, and a lot of people's priority =
structure doesn't include chatting online. that's cool.=20


  Steve
  www.stevelawson.net - site
  www.stevelawson.net/zencart/ - shop
  http://steve.anthropiccollective.org - blog
  www.myspace.com/solobassstevelawson






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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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charset=3Diso-8859-1">
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style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>All good points Steve, and small ones =
at that! What=20
is that, 5 point font? :) I had to get my microfiche reader =
out.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I wanted to offer&nbsp;one =
last&nbsp;analogy with=20
the corporate world to reinforce our thoughts below, which may also wrap =
some=20
warm and fuzzies around the thread...and then I'll stop.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>At my company, we have several layers =
and=20
hierarchies of management, from first line managers, to directors, to=20
VPs,&nbsp;country, business unit&nbsp;and function executives,&nbsp;to =
our CEO,=20
which on average is about 5-8 levels from individual contributor to CEO. =
I guess=20
you could consider these folks famous, in our own ecosystem of over =
100,000=20
employees. Many of these&nbsp;executives put in some intense work days, =
often=20
16-18 hours a day, talking to customers, traveling the =
world,&nbsp;speaking,=20
making high impact decisions, etc. They live their jobs and they get =
paid=20
accordingly. Whenever anyone think they have a busy job, even a =
professional=20
musician, they should conceptualize the job of a corporate executive. =
They are=20
extremely high stress, high accountability, and time intensive...and =
their heads=20
are on the chopping block to&nbsp;drive results for the company. They =
don't=20
entertain, they drive the health of the company, upon which many =
peoples'=20
careers and lives are at stake.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Moreover,&nbsp;typically&nbsp;we will =
have third=20
and fourth level executives who rarely exchange emails with teams of =
individual=20
contributors (non-people manager). That is just the way they do business =
and it=20
is their management style. Neither right nor wrong. However, on =
occasion, a high=20
level executive will actually participate in an email discussions with =
team of=20
individual contributors, because they feel it is important to be present =
on the=20
front lines.&nbsp;And they will do this on a regular basis.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>MAIN POINT: I can say from experience =
that this=20
above interaction between executives and employees generates a lot of =
positive=20
morale in the company, and generally creates more respect of our leaders =
when=20
they do this.&nbsp; It makes people feel good to know that their leaders =
and=20
visionaries care about what they think, talk to them, listen to them, =
engage=20
them, etc.&nbsp; It breaks down those idealistic walls of proletariat =
and=20
bourgeoisie.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I think the same can be the case for =
the music=20
industry. And we've even seen it on our very own LD list. Just recently, =
a well=20
known looper posted something on our list, and it appeared that people =
liked=20
this...it brightened up their day and outlook on the list, their art, =
etc. And I=20
have to believe that if a famous looper can increase the morale of a =
discussion=20
group and make people feel good about what they do, inform them, offer =
bits of=20
advice and wisdom, etc....that the feeling will be mutual. Usually, when =
we do=20
good things that make others feel good, it makes us feel good ourselves. =
So it=20
can be a win-win situation.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>And this is why I really value the =
opinons and=20
interaction of loopers like Steve Lawson, Rick Walker, Sunao, and many =
others=20
who do this for a living and our representing us on the front lines of =
the=20
looper world. Every time you post to the list, you help build a positive =
morale=20
and a stronger infrastructure of the community. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dsteve@steve-lawson.co.uk =
href=3D"mailto:steve@steve-lawson.co.uk">Steve=20
  Lawson</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loop List</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 26, 2006 =
9:42=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Re famous folks on =
list (Re:=20
  RC-50 video on summer NAMM)</DIV>
  <DIV><BR></DIV>&gt;&gt;&gt;<FONT class=3DApple-style-span face=3DArial =

  size=3D2><SPAN class=3DApple-style-span style=3D"FONT-SIZE: 10px">I =
have a full time=20
  job for a fortune 500 company (9-12 hours a day), play music and =
record CDs on=20
  the side, coordinate projects and event, and raise a family with two =
14 month=20
  twins that get up at 5:30 or 6am in the morning.&nbsp; I can still =
find the=20
  time to send encouraging and useful emails to LD. I don't buy the time =

  argument, because everyone has an issue with time, not just =
professional=20
  musicians.&nbsp; It is about priorities. If a professional musician =
makes it a=20
  priority to proactively get engaged with a community, they will do it, =
period.=20
  Heck, I know folks who sync their email up and do all their =
correspondence on=20
  the plane. And I'm not talking about sending hundreds of emails, but =
at least=20
  a response or comment once in a while so that we know that they are =
real=20
  people who communicate with the external world, and not abstract =
deities who=20
  only communicate through the press and their agents..which seems =
pretentious=20
  as hell to me.&nbsp; Personally, I think fame gets to the heads of =
some people=20
  in the entertainment industry.&lt;&lt;&lt;</SPAN></FONT>
  <DIV><FONT class=3DApple-style-span face=3DArial size=3D2><SPAN=20
  class=3DApple-style-span style=3D"FONT-SIZE: 10px"><BR=20
  class=3Dkhtml-block-placeholder></SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DArial size=3D2><SPAN=20
  class=3DApple-style-span style=3D"FONT-SIZE: =
10px">Kris,&nbsp;</SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DArial size=3D2><SPAN=20
  class=3DApple-style-span style=3D"FONT-SIZE: 10px"><BR=20
  class=3Dkhtml-block-placeholder></SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DArial size=3D2><SPAN=20
  class=3DApple-style-span style=3D"FONT-SIZE: 10px">you're absolutely =
right that=20
  it's about priorities, and for people for whom music is a hobby, a =
love, a=20
  past-time, their relaxation, sitting chatting about it with a bunch of =

  anonymous emailers is a dream come true. If the rest of your time is =
spent=20
  talking about musical stuff, dealing with music related questions, =
playing=20
  gigs, organising gigs etc. etc. etc. the last thing some people want =
to do=20
  with their free time is talk about music.&nbsp;</SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DArial size=3D2><SPAN=20
  class=3DApple-style-span style=3D"FONT-SIZE: 10px"><BR=20
  class=3Dkhtml-block-placeholder></SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DArial size=3D2><SPAN=20
  class=3DApple-style-span style=3D"FONT-SIZE: 10px">The one thing that =
LD has over=20
  a lot of other lists is that the level of the discussion is often =
worth=20
  reading. Most music related lists are appalling. I contribute to quite =
a few=20
  online bass forums - partly cos I enjoy it, and partly cos I can write =
it down=20
  in my own mental time sheet as 'promotional' time. But the vast =
majority of=20
  the discussions on the forums a) don't need to happen cos Google has =
the=20
  answers, and b) are of such an inane level, that I really don't have =
the time=20
  or inclination to get involved.&nbsp;</SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DArial size=3D2><SPAN=20
  class=3DApple-style-span style=3D"FONT-SIZE: 10px"><BR=20
  class=3Dkhtml-block-placeholder></SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DArial size=3D2><SPAN=20
  class=3DApple-style-span style=3D"FONT-SIZE: 10px">When I first got =
onto LD 7 or=20
  so years ago, the level of conversation was consistently high - =
smaller group,=20
  more movers and shakers, and a young list so all the good topics =
hadn't been=20
  exhausted. It's fairly rare that a topic comes up on here that really =
floats=20
  my boat. That's not to say it's not good stuff, just that it's not =
good for=20
  me.&nbsp;</SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DArial size=3D2><SPAN=20
  class=3DApple-style-span style=3D"FONT-SIZE: 10px"><BR=20
  class=3Dkhtml-block-placeholder></SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DArial size=3D2><SPAN=20
  class=3DApple-style-span style=3D"FONT-SIZE: 10px">So yes, it's all =
about=20
  priorities, and a lot of people's priority structure doesn't include =
chatting=20
  online. that's cool.&nbsp;</SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DArial size=3D2><SPAN=20
  class=3DApple-style-span style=3D"FONT-SIZE: 10px"><BR></SPAN></FONT>
  <DIV><SPAN class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2">
  <DIV>Steve</DIV>
  <DIV>www.stevelawson.net - site</DIV>
  <DIV>www.stevelawson.net/zencart/ - shop</DIV>
  <DIV><A=20
  =
href=3D"http://steve.anthropiccollective.org">http://steve.anthropiccolle=
ctive.org</A>=20
  - blog</DIV>
  <DIV>www.myspace.com/solobassstevelawson</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV><BR=20
  =
class=3DApple-interchange-newline></SPAN></SPAN></SPAN></SPAN></SPAN></SP=
AN></DIV><BR></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_109E_01C6B0B9.39090A90--


From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 20:14:26 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mac, Rax, Augustus Loop (was: Re: Sample sound clip from my notebook computer system)
Date: Wed, 26 Jul 2006 22:14:22 +0200
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> --- Per Boysen <perboysen@gmail.com> wrote:
>> I don't think I
>> would be able to
>> handle more than three simultaneous looping
>> processes anyway.


On 26 jul 2006, at 19.31, mark sottilaro wrote:

> Isn't that the truth?  With an 8 stereo track looper
> in my clutches I've never gone higher than 3 tracks.
> One haveing 2-3 loops in it and the others one.  I
> can't imagine being able to deal with much more.


Yeah, I heard humans are "two-channeled", "double-tasking",  
creatures. If we do more than two tasks simultaneously we have to  
constantly push one task over to be handled by merely automatic  
reflexes. That's why if you are driving (1) and smoking (2) you  
should really put out your cigarette before answering that cell phone  
call (3). There's a 33 % risk that "driving" will be left for its own  
devices ;-)   Don't remember where I first heard it, but fact is I  
snagged that piece of info for my lectures on "improvisational  
technics in praxis and theory". If you make music with more than  
three general "themes" happening you either have a problem to perform  
it in real-time or you will have to start looking into "generative  
music" (not totally un-cool either ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 20:26:02 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Suggestions to Increase Ease of Reading the Daily Digest   was Re: Sheer Volume on this List
Date: Wed, 26 Jul 2006 13:25:56 -0700
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I find myself in agreement  with Steve Lawson (and many other old timers who 
post here) that in earlier days the list was more pithy and interesting to 
read because there wasn't so much chatter and there were more substantive 
subjects.

My wife recently pointed out something to me that happens at this list to 
unnecessarily increase it's volume
without necessarily increasing it's pertinence:

Some people who post a lot  work at jobs where they are continually at a 
computer
terminal, so they are able to respond, instantly to posts that come in on 
the list.

Consequently,  it is possible to send continual small messages back and 
forth the list
several times a day.

I, personally would be more attracted to reading the list all the time  if 
we cut some of the chatter out of it.

In other words,   the kinds of posts where people are responding 
individually to each other
as opposed to really forwarding a discussion or topic.

These are important personal communications but not necessarily ones that 
need to be read by all.

I am quite a frequent poster so I'm not
trying to call the kettle black but more and more when I feel like making 
these kinds of communications I email the specific
person (whose email address is always on the post, conveniently) instead of 
sending to the list.

It's just a suggestion and is put out there with ultimate respect for all 
who post here. 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 20:30:48 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Favorite Five Threads on L.D.
Date: Wed, 26 Jul 2006 13:30:43 -0700
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So many people have joined this list in recent years
that it might be fun to revisit some of the classic threads
on creativity,  discussions of philosophy,  techniques for improving
live performances, etc.

I know that, personally,  these are always the threads that have fascinated
me and made me love being on this list.

The oldtimers have weighed in on these subjects but it would be cool
to hear what the newest loopers have to say.

What were your favorite five threads on this list in the past?

rick walker
aka |()()p.p()()|    aka nO thiN-g
www.looppool.info 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 20:45:21 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: OT (somewhat) What DAW for the Mac do you recommend?
Date: Wed, 26 Jul 2006 22:45:17 +0200
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On 26 jul 2006, at 19.40, mark sottilaro wrote:

> Anyway, I'm set on a dual 2.3 gighz
> G5 machine.

I still have my old "early adopter's" 2x2 G5. It's on its second  
logic board now but an excellent studio machine!

> So in the Mac world what's the shiz-nit?  I want
> stable decent sequencing/audio recording, some good
> effects... maybe some groove quantize features and the
> ability to run my vsts/au from inside it.  Doesn't
> seem like a lot to ask... oh yeah it also has to play
> nice with a MOTU 828 and a MOTU Microexpress as I
> don't feel they need upgrading.

I guess Logic is the one to answer up for those six demands. But if  
you want to run plug-ins as VST you should get the FXpansion VST to  
AU Adapter. I'm not totally sure if the MOTU's rock, but you can  
check it out quickly at http://community.sonikmatter.com/.

If you know how to make recordings sound good in a traditional studio  
you should be able to get the same great result with Logic "in-the- 
box". All necessary tools come bundled as plug-ins being part of the  
applications. You don't need to put out any money for extra plug-ins.  
Even the soft-synths built into Logic are among the best on the  
market. Given you buy the Pro version, that is.

Before I started producing with Logic (1994) I used Cubase/ATARI  
(plus ADAT, 24 track analog tape machines and huge mixing consoles  
and super expensive effect racks rented in for mixdown). I switched  
to Logic because of the better MIDI timing; I had been gong to  
electronic dance music producers/engineers to remix my stuff and was  
able to hear with my own ears how much better simple MIDI  
arrangements were grooving in Logic compared to Cubase. This was mid  
nineties and I took that as proof that the two guys that started this  
new player "Emagic" had done their homework well regarding computer  
code for the extremely timing critical task of music production. It  
now seems as Apple was serious with the take-over.

Some producers like to work in Protools because it's a little faster  
for plain audio mixing. The general saying is that "Protools is a  
great recording and mixing tool but not as sharp composing tool  
wether Logic is a great composing tool but not as fast recording and  
mixing tool".

I also have a lot of experience with Ableton Live, but I have never  
been able to get as good sound out of it as I get from Logic. If I  
produce music in Live I always mix it in Logic to take advance of the  
superior effect plug-ins.

When it comes to quantize features Logic is miles ahead. Live doesn't  
have any groove quantize template function at all, Cubase can only  
pick it up from audio loops while Logic will let you create a groove  
quantize templet on the spot, either from an audio loop or from a  
MIDI sequence. That saves a lot of time and makes you "goove timing"  
compatible with a lot of other cool tools like pHATmatic Pro, RMX.

One last word on software looping in Logic. I tried it, both with the  
built-in Tape Delay plug-in (has now a Freeze button) and with  
Augustus Loop but for some reason Logic always crashes after twenty  
minutes. This I tried in both Logic Pro and Logic Express. I guess  
its audio machine wasn't designed for that type of never-ending  
calculations. After all Logic was designed to be music production  
studio environment, not a real-time music performance tool.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Jul 26 23:33:15 2006
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: Sample #3 of VST Program Presets (Reaktor 5 - "Blackbird")
Date: Wed, 26 Jul 2006 16:33:07 -0700
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The morph slider can be set up to respond to an external MIDI  
controller AND set up as an internal knob in the ensemble, then  
modulated like any other panel control (by sequencers, LFOs, etc.),  
all described in my FX tutorial.
dc

On Jul 25, 2006, at 10:50 AM, Krispen Hartung wrote:

> I haven't even tapped into Reaktor's new feature of morphing  
> between settings. I need to figure that out. I'd love to set it up  
> so that it morphed from one preset (snap) to another at a time  
> interval that I define.


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>The morph slider can be set =
up to respond to an external MIDI controller AND set up as an internal =
knob in the ensemble, then modulated like any other panel control (by =
sequencers, LFOs, etc.), all described in=A0my FX =
tutorial.</DIV><DIV>dc</DIV><DIV><BR><DIV><DIV>On Jul 25, 2006, at 10:50 =
AM, Krispen Hartung wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Lucida =
Grande; font-size: 14px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: =
0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><FONT face=3D"Arial" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-family: Arial; =
font-size: 11px; ">I haven't even tapped into Reaktor's new feature of =
morphing between settings. I need to figure that out. I'd love to set it =
up so that it morphed from one preset (snap) to another at a time =
interval that I =
define.</SPAN></FONT></SPAN></BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

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From: "hazard factor" <artists@hazardfactor.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: DL-4 exp pedal mod?
Date: Wed, 26 Jul 2006 20:21:00 -0400
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Actually, I emailed Robert Keeley, who performs mods on DL4s...the official
response is
 
"It will not work, expression pedal circuits are designed almost exclusively
for 10K and working with the microprocessors inside, etc, etc..."
 
So, ahh well. 
 
Dave Eichenberger (who is not famous, but did appear in Guitar Player, and
is still waiting for the checks to come in...which is how I hear it works,
right?)



  _____  

   


>>I have an Ernie Ball volume pedal with a 250k pot, but obviously it is too
large a value for the DL-4.....<< 

have you tried it? the only thing I had to do to an expression pedal to make
it work with a DL4 was reverse the tip & ring connections. I didn't even
look at the range of the pot itself. 

I'm pretty sure that all the DL4 is looking for is a voltage; the socket
will supply (say, for the sake of argument) 5 volts out of this socket, &
expect a proportion of this to be returned to it by way of a control signal.
the amount of resistance the pot introduces is insignificant; the part of
the DL4 that measures the returned voltage probably has a very high input
impedance & so very little current will flow.

but I could be wrong..... :-) 

in any case, so long as the ernie ball pedal is wired correctly, you won't
hurt anything. 

d. 

   


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>RE: DL-4 exp pedal mod?</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR></HEAD>
<BODY>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D087291600-27072006><FONT =
face=3DArial=20
size=3D2>Actually, I emailed Robert Keeley, who performs mods on =
DL4s...the=20
official response is</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D087291600-27072006><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D087291600-27072006><FONT =
size=3D2><FONT=20
face=3DArial>"<FONT size=3D2>It will not work, expression pedal circuits =
are=20
designed almost exclusively for 10K and working with the microprocessors =
inside,=20
etc, etc..."</FONT></FONT></FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D087291600-27072006><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D087291600-27072006><FONT =
face=3DArial=20
size=3D2>So, ahh well. </FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D087291600-27072006><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D087291600-27072006><FONT =
size=3D2><FONT=20
face=3DArial>Dave Eichenberger<SPAN class=3D087291600-27072006> (who is =
not famous,=20
but did appear in Guitar Player, and is still waiting for the checks to =
come=20
in...which is how I hear it works, =
right?)</SPAN></FONT></FONT></DIV><FONT=20
size=3D2><SPAN class=3D087291600-27072006></SPAN></FONT></SPAN>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D087291600-27072006><FONT =
size=3D2><SPAN=20
class=3D087291600-27072006></SPAN></FONT></SPAN>
<P><FONT face=3DArial size=3D2></FONT><FONT face=3DArial =
size=3D2></FONT><BR></P></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft>
  <HR tabIndex=3D-1>
  <FONT face=3DArial size=3D2><SPAN class=3D087291600-27072006>&nbsp;=20
  &nbsp;</SPAN></FONT><BR></DIV>
  <DIV></DIV>
  <P><FONT size=3D2>&gt;&gt;I have an Ernie Ball volume pedal with a =
250k pot, but=20
  obviously it is too large a value for the DL-4.....&lt;&lt;</FONT> =
</P>
  <P><FONT size=3D2>have you tried it? the only thing I had to do to an =
expression=20
  pedal to make it work with a DL4 was reverse the tip &amp; ring =
connections. I=20
  didn't even look at the range of the pot itself. </FONT></P>
  <P><FONT size=3D2>I'm pretty sure that all the DL4 is looking for is a =
voltage;=20
  the socket will supply (say, for the sake of argument) 5 volts out of =
this=20
  socket, &amp; expect a proportion of this to be returned to it by way =
of a=20
  control signal. the amount of resistance the pot introduces is =
insignificant;=20
  the part of the DL4 that measures the returned voltage probably has a =
very=20
  high input impedance &amp; so very little current will =
flow.</FONT></P>
  <P><FONT size=3D2>but I could be wrong..... :-)</FONT> </P>
  <P><FONT size=3D2>in any case, so long as the ernie ball pedal is =
wired=20
  correctly, you won't hurt anything.</FONT> </P>
  <P><FONT size=3D2>d.</FONT> </P><CODE><FONT size=3D3><SPAN=20
  class=3D087291600-27072006><FONT face=3DArial size=3D2>&nbsp;<FONT=20
  face=3D"Times New Roman">=20
</FONT>&nbsp;</FONT></SPAN></BLOCKQUOTE></FONT></CODE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 00:28:28 2006
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Subject: Re: Favorite Five Threads on L.D.
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I liked the threads regarding:

1) Music critics, evaluation, aesthetics
2) Using the laptop for looping and effects
3) VST Effects and tone mangling
4) The string of questions you started on tips for producing your own CD, 
marketing, etc
5) Free Improvisation

And of course all threads that provide feedback on new looping gear, 
features, etc.

Kris

----- Original Message ----- 
From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 26, 2006 2:30 PM
Subject: Favorite Five Threads on L.D.


> So many people have joined this list in recent years
> that it might be fun to revisit some of the classic threads
> on creativity,  discussions of philosophy,  techniques for improving
> live performances, etc.
>
> I know that, personally,  these are always the threads that have 
> fascinated
> me and made me love being on this list.
>
> The oldtimers have weighed in on these subjects but it would be cool
> to hear what the newest loopers have to say.
>
> What were your favorite five threads on this list in the past?
>
> rick walker
> aka |()()p.p()()|    aka nO thiN-g
> www.looppool.info
> 


From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 00:31:24 2006
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Subject: show: The Subliminator@badgerhaus, Friday 28 July 2006
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In addition to performing, I occasionally host house concerts. Both 
performers are live-loop-friendly. Hope this is an acceptable 
announcement for this list. Info below the line of octothorps.

best,
Steve B
Subscape Annex, Phasmatodea

###########################
badgerhaus hosts a psychedelic rock/spacerock/spoken word performance by The 
Subliminator Friday July 28th. Automatic Caution Door opens. Other acts 
possibly to be added for the evening.

Location: badgerhaus, Raleigh NC
Time: 9pm
Cover: voluntary donation, going entirely to the performer(s)

Links:
http://www.badgerhaus.com/
http://www.myspace.com/thesubliminator
http://thesubliminator.com/

Thanks to Xopher Thurston for use of the PA.

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 01:01:31 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Favorite Five Threads on L.D.
Date: Wed, 26 Jul 2006 18:01:28 -0700
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Hehehe, it would be nice to hear from some of the young'ins . . .

Some of my favorites went something like:

1. Why do you play (or loop) -- what was the journey that brought you =20=

here?

2.  Where does your music come from -- what inspires you to create it?

3.  What are some of your  musical influences -- or looping influences =20=

-- and why?

4.  What are some of your favorite ways of using your instrument or FX =20=

gear in manners other than that it was designed for?

5. What keeps you going -- sustains you when you run into a "wall", =20
carries you through when obstacles arise or when you're simply tired, =20=

uninspired or "bored" -- or what gets you out of a musical "rut."

Peace,

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
  =20
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

On Jul 26, 2006, at 1:30 PM, loop.pool wrote:

> So many people have joined this list in recent years
> that it might be fun to revisit some of the classic threads
> on creativity,  discussions of philosophy,  techniques for improving
> live performances, etc.
>
> I know that, personally,  these are always the threads that have =20
> fascinated
> me and made me love being on this list.
>
> The oldtimers have weighed in on these subjects but it would be cool
> to hear what the newest loopers have to say.
>
> What were your favorite five threads on this list in the past?
>
> rick walker
> aka |()()p.p()()|    aka nO thiN-g
> www.looppool.info

--Apple-Mail-32--438770442
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Hehehe, it would be nice to hear from some of the young'ins . . .


Some of my favorites went something like:


1. Why do you play (or loop) -- what was the journey that brought you
here?


2.  Where does your music come from -- what inspires you to create it?


3.  What are some of your  musical influences -- or looping influences
-- and why?


4.  What are some of your favorite ways of using your instrument or FX
gear in manners other than that it was designed for?


5. What keeps you going -- sustains you when you run into a "wall",
carries you through when obstacles arise or when you're simply tired,
uninspired or "bored" -- or what gets you out of a musical "rut."


Peace,


tEd =AE kiLLiAn


<color><param>9B9B,9B9B,9B9B</param>"Different is not always better,
but better is always different"


 http://www.pfmentum.com/flux.html

 http://www.CDbaby.com/cd/tedkillian

 http://www.guitar9.com/fluxaeterna.html

 http://www.garageband.com/artist/ArsOcarina

 http://www.towerrecords.com/product.aspx?pfid=3D2845073

 http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

 http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193


=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


 Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

 BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

 AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

 RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

 and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

</color>

On Jul 26, 2006, at 1:30 PM, loop.pool wrote:


<excerpt>So many people have joined this list in recent years

that it might be fun to revisit some of the classic threads

on creativity,  discussions of philosophy,  techniques for improving

live performances, etc.


I know that, personally,  these are always the threads that have
fascinated

me and made me love being on this list.


The oldtimers have weighed in on these subjects but it would be cool

to hear what the newest loopers have to say.


What were your favorite five threads on this list in the past?


rick walker

aka |()()p.p()()|    aka nO thiN-g

www.looppool.info=20

</excerpt>=

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Date: Wed, 26 Jul 2006 18:53:25 -0700
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Staying on the Looping topic
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At 01:25 PM 7/26/2006, loop.pool wrote:
>I find myself in agreement  with Steve Lawson (and many other old timers 
>who post here) that in earlier days the list was more pithy and 
>interesting to read because there wasn't so much chatter and there were 
>more substantive subjects.

This is a problem I've also noticed getting worse in the last couple years. 
Off topic posting has gotten really bad lately. Sometimes there are dozens 
of messages posted to the list in a day, and none of them are about 
looping. Some individuals post constantly, yet almost never post about 
looping at all.

Please remember, Looper's Delight exists to discuss, teach, promote, and 
communicate about looping. That is why everybody is here. Looping is what 
we should be posting about. This list is not here to discuss computer 
problems, or favorite VST effects, or DAW recommendations, or hex guitar 
pickups, or etc. (just to pick on a few random, recent off-topics.)

If you are making a post and it is not explicitly about looping, you should 
really ask yourself 3 or 4 times before you send it: why you are about to 
waste hundreds of people's time with an off-topic post? Is this worth using 
up list bandwidth, taking up space in the digest, and storing in the 
archive forever?

Just because you think this is an interesting group of people, or you think 
someone here might know the answer to your random question, isn't a good 
enough reason. Neither is excusing it by telling other people to delete if 
they don't want to read your off-topic post. Find a more appropriate place 
for that post.

Partly I blame myself for this, because I haven't been participating here 
much lately. I used to make an effort to start interesting threads about 
looping when people wandered off-topic, to redirect the group's energy back 
towards looping again. This is pretty easy and works remarkably well. I 
appreciate some of the other list "veterans" who do this also. But even 
nicer would be people taking more responsibility for their own actions and 
behavior in this community, and keeping yourselves on topic.

When the discussion really does stick to good looping threads, the really 
interesting list members come out of the woodwork to contribute their 
thoughts. Some of those "famous" loopers hang around more also. That's the 
way it used to be here, and with a little effort it will continue to be 
like that.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 02:54:20 2006
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Date: Wed, 26 Jul 2006 19:54:19 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: should we name it echoing ? 
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i agree but looping with feedback or without it and
the importance of the feature in new loopers is
creeping here often lately,also steady running loops
are sometimes being described as,boring,no art,etc.
i see(so i wont call it echoing)soundscaping or
whatever u wanna call it a la fripp or sequence
looping like the caffeine amped RC-50 guy perhaps as
different styles,but allright looping is looping...
so id like to see fripp or Matthias doing more
sequence style looping!
cheers
Luis



--- Steve Lawson <steve@steve-lawson.co.uk> wrote:

> > I see slowly two diferent types of looping here
> and it
> > occurs to me that none of the loopers video demos
> show
> > the use of the feedback feature...
> > should we name looping with feedback perhaps
> echoing?
> > Luis
> 
> Echoing seems like a pretty pointless term to me,
> but I care less  
> about what you call it than whether it's worth
> listening to or not.  
> I'll definitely be spending my energy trying to play
> and write great  
> music, rather than worrying about whether the label
> for what I do  
> changes when I push the feedback pedal.
> 
> cheers
> 
> Steve
> www.stevelawson.net - site
> www.stevelawson.net/zencart/ - shop
> http://steve.anthropiccollective.org - blog
> www.myspace.com/solobassstevelawson
> 
> 
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 03:16:49 2006
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Date: Wed, 26 Jul 2006 20:16:47 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Favorite Five Threads on L.D.
To: Loopers-Delight@loopers-delight.com
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what percentage of loopers go and play 100% improvised
loops or arranged premeditated loops on stage?

how do you correct a bad loop on stage,stop
abruptly,bullshit your way while tweaking or shoe/rack
gazing until u get it right?

for those who do or care how do you keep your audience
interested,do you always loop?

whats the best looping show you´ve been to? what made
it so great?

What makes you feel free while playing music?organized
or improvised?

i know some of this has been brought up in the past
perhaps but i think we all could use a refreshment!
Luis


--- tEd ® kiLLiAn <tedkillian@charter.net> wrote:

> Hehehe, it would be nice to hear from some of the
> young'ins . . .
> 
> Some of my favorites went something like:
> 
> 1. Why do you play (or loop) -- what was the journey
> that brought you  
> here?
> 
> 2.  Where does your music come from -- what inspires
> you to create it?
> 
> 3.  What are some of your  musical influences -- or
> looping influences  
> -- and why?
> 
> 4.  What are some of your favorite ways of using
> your instrument or FX  
> gear in manners other than that it was designed for?
> 
> 5. What keeps you going -- sustains you when you run
> into a "wall",  
> carries you through when obstacles arise or when
> you're simply tired,  
> uninspired or "bored" -- or what gets you out of a
> musical "rut."
> 
> Peace,
> 
> tEd ® kiLLiAn
> 
> "Different is not always better, but better is
> always different"
> 
>   http://www.pfmentum.com/flux.html
>   http://www.CDbaby.com/cd/tedkillian
>   http://www.guitar9.com/fluxaeterna.html
>   http://www.garageband.com/artist/ArsOcarina
>  
>
http://www.towerrecords.com/product.aspx?pfid=2845073
>  
>
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
>  
>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
>    
> http://www.loopers-delight.com/cgi-bin/profiles.cgi?
> 
> step=view_profile&id=121197000042
> 
>   Ted Killian's "Flux Aeterna" is also available at:
> Apple iTunes,
>   BuyMusic, Rhapsody, MusicMatch, MusicNet,
> DiscLogic, Napster,
>   AudioLunchbox, Lindows, QTRnote, Music4Cents,
> Etherstream,
>   RuleRadio, EMEPE3, Sony Connect, CatchMusic,
> Puretracks,
>   and Viztas. Yadda, yadda, yadda. Blah, blah, blah.
> So???
> 
> On Jul 26, 2006, at 1:30 PM, loop.pool wrote:
> 
> > So many people have joined this list in recent
> years
> > that it might be fun to revisit some of the
> classic threads
> > on creativity,  discussions of philosophy, 
> techniques for improving
> > live performances, etc.
> >
> > I know that, personally,  these are always the
> threads that have  
> > fascinated
> > me and made me love being on this list.
> >
> > The oldtimers have weighed in on these subjects
> but it would be cool
> > to hear what the newest loopers have to say.
> >
> > What were your favorite five threads on this list
> in the past?
> >
> > rick walker
> > aka |()()p.p()()|    aka nO thiN-g
> > www.looppool.info
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 03:43:23 2006
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Date: Wed, 26 Jul 2006 20:43:21 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Sheer Volume on this List
To: Loopers-Delight@loopers-delight.com
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Clint you hit the ball ive learned quite a lot from
some threads in this list which sometimes have an
uninteresting header for me and was about to delete!
and this is precisely what makes me coming
back,weather is a link to a great non looping
inspiring musician,equiment,effects,ways of routing
things,or taking a break and having a philosophy
discussion,sometimes somewhere on a line i find what i
was looking for.Compared to other forums this is still
the best and more focused,but yes we do sometimes
forget to change the subject.
Luis


--- Krispen Hartung <khartung@cableone.net> wrote:

> That's a great recommendation, Clint. I am guilty of
> changing subjects and not reflecting it in the
> subject heading. I'll make a point to do that more
> now.
> 
> K-
>   ----- Original Message ----- 
>   From: Clint Allen 
>   To: Loopers-Delight@loopers-delight.com 
>   Sent: Wednesday, July 26, 2006 9:17 AM
>   Subject: Re: Sheer Volume on this List
> 
> 
>   Speaking for myself, I often find it hard to gauge
> what might be interesting,
>   based off of the subject lines. Many times I have
> deleted emails in this forum
>   only to find out later that there was some very
> interesting discussion going on. 
>   Other times, exactly the opposite or I have read
> through volumes to find nothing.
> 
>   I think there needs to be a more of an effort to
> change subject lines when the 
>   thread starts to change, which it so often does. 
> 
>   I've nothing really to offer on this subject other
> than to say I'd rather recieve as much info
>   as possible and have the option to delete, than
> vice-versa. 
> 
>   Clint Allen
> 
> 
> 
>   On 7/26/06, Krispen Hartung
> <khartung@cableone.net> wrote:
>     Hmmm...the number of emails on this list has
> never been a problem to
>     me...it's all about being able to prioritize on
> the fly and not feel the
>     need to read everything I see. I get hundreds of
> emails a day from work, sit 
>     on conference calls, lead meetings, someetimes
> from 6am to 6pm, plus
>     exchange instant messages with my peers while on
> conference calls...plus
>     keep up with LD emails and other list emails.
> 
>     It takes a fraction of a second to read the
> subject heading of an email and 
>     delete it.   For me quantity has notning to do
> with it. The more time I
>     have, the less emails I delete or leave un-read.
>  Go to digest mode, or just
>     start sorting by subject heading and deleting
> multiple emails at the same 
>     time....all this takes mere seconds.
> 
>     Or am I not getting something here?  What is
> taking most of folks time? Are
>     you tryin to read everything? Seriously, how
> long does it take to delete
>     your inbox.
> 
>     Kris
> 
>     ----- Original Message -----
>     From: "Buzap Buzap" <buzap@gmx.net>
>     To: <Loopers-Delight@loopers-delight.com >
>     Sent: Wednesday, July 26, 2006 8:45 AM
>     Subject: Sheer Volume on this List
> 
> 
>     > Hi Richard
>     >
>     >> I think some folks ..are overwhelmed by the
>     >> sheer volume of communication that happens on
> this list. 
>     >
>     > I actually the same. I know I'm currently
> active but I know I'll probably
>     > drop-off once other subjects will have a
> higher priority.
>     >
>     > What do you guys think of having a FORUM
> instead of a mailling list? 
>     > The good thing about forums is that you can
> browse in a structured way and
>     > don't have to scroll through millions of
> mails..
>     >
>     > Best regards
>     > Buzap
>     > --
>     >
>     >
>     > Echte DSL-Flatrate dauerhaft für 0,- Euro*.
> Nur noch kurze Zeit! 
>     > "Feel free" mit GMX DSL:
> http://www.gmx.net/de/go/dsl
>     >
>     >
> 
> 
> 
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 04:11:29 2006
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From: "Matthew F. McCabe" <mmccabe@finleysound.com>
Subject: Re: Rocktron All Access for MIDI Controll of Looping Devices
Date: Wed, 26 Jul 2006 21:10:52 -0700
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Yes, they do make a bit of noise...a nice resounding click.


On Jul 26, 2006, at 7:22 AM, Krispen Hartung wrote:

> Anyone using the Rocktron All Access to control their looping  
> devices?  I heard that the buttons were a  bit loud when pressing  
> them.
>
>

---
King Never
http://www.kingnever.com


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV>Yes, they do make a bit of =
noise...a nice resounding click.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR><DIV><DIV>On Jul 26, 2006, =
at 7:22 AM, Krispen Hartung wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Anyone using the Rocktron All Access to control =
their looping devices?<SPAN class=3D"Apple-converted-space">=A0 </SPAN>I =
heard that the buttons were a<SPAN class=3D"Apple-converted-space">=A0 =
</SPAN>bit loud when pressing them.<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV> </BLOCKQUOTE></DIV><BR><DIV> <P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">---</FONT></P> <P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">King Never</FONT></P> <P style=3D"margin:=
 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica"><A =
href=3D"http://www.kingnever.com">http://www.kingnever.com</A></FONT></P> =
 </DIV><BR></BODY></HTML>=

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One benefit of having a forum is that there could be particular folders 
specifically for off-topic posts subdivided into subjects like 
music-philosophy, non-looping audio gear, and even a spot for shooting 
the breeze and community building.

Perhaps it doesn't have to be an either/or situation.  Maybe we could 
have this list and be very particular about making sure all threads here 
are directly looping-related.  Then, if somebody had a question about a 
piece of software or just wanted to share a funny story with this 
incredible community of musicians, there would be a place for that as well.

I would be more than willing to contribute toward such a cause.

--Josh



Kim Flint wrote:
> At 01:25 PM 7/26/2006, loop.pool wrote:
>> I find myself in agreement  with Steve Lawson (and many other old 
>> timers who post here) that in earlier days the list was more pithy 
>> and interesting to read because there wasn't so much chatter and 
>> there were more substantive subjects.
>
> This is a problem I've also noticed getting worse in the last couple 
> years. Off topic posting has gotten really bad lately. Sometimes there 
> are dozens of messages posted to the list in a day, and none of them 
> are about looping. Some individuals post constantly, yet almost never 
> post about looping at all.
>
> Please remember, Looper's Delight exists to discuss, teach, promote, 
> and communicate about looping. That is why everybody is here. Looping 
> is what we should be posting about. This list is not here to discuss 
> computer problems, or favorite VST effects, or DAW recommendations, or 
> hex guitar pickups, or etc. (just to pick on a few random, recent 
> off-topics.)
>
> If you are making a post and it is not explicitly about looping, you 
> should really ask yourself 3 or 4 times before you send it: why you 
> are about to waste hundreds of people's time with an off-topic post? 
> Is this worth using up list bandwidth, taking up space in the digest, 
> and storing in the archive forever?
>
> Just because you think this is an interesting group of people, or you 
> think someone here might know the answer to your random question, 
> isn't a good enough reason. Neither is excusing it by telling other 
> people to delete if they don't want to read your off-topic post. Find 
> a more appropriate place for that post.
>
> Partly I blame myself for this, because I haven't been participating 
> here much lately. I used to make an effort to start interesting 
> threads about looping when people wandered off-topic, to redirect the 
> group's energy back towards looping again. This is pretty easy and 
> works remarkably well. I appreciate some of the other list "veterans" 
> who do this also. But even nicer would be people taking more 
> responsibility for their own actions and behavior in this community, 
> and keeping yourselves on topic.
>
> When the discussion really does stick to good looping threads, the 
> really interesting list members come out of the woodwork to contribute 
> their thoughts. Some of those "famous" loopers hang around more also. 
> That's the way it used to be here, and with a little effort it will 
> continue to be like that.
>
> kim
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 04:51:12 2006
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At 06:53 PM 7/26/2006, Kim Flint wrote:
>Some individuals post constantly, yet almost never post about looping at all.

I took off my music geek hat and put on my computer geek hat and 
wrote the following program in Cygwin:
$ awk '/^From:/ {from[$0]++}
END {for (person in from)
print from[person] " " person}' julyld.txt | sort -nr

 From this program here are the posters who emailed Looper's Delight 
10 or more times in July in descending order.  The first number is 
the number of times they posted this month based on the raw archive:

110 From: "Krispen Hartung" <khartung@cableone.net>
39 From: mark sottilaro <zerocrossing2001@yahoo.com>
39 From: "Buzap Buzap" <buzap@gmx.net>
37 From: Per Boysen <perboysen@gmail.com>
31 From: "L.A. Angulo" <labaloops@yahoo.com>
26 From: Joshua Carroll <josh@infinivert.com>
25 From: "Timothy Mungenast" <mungenast@earthlink.net>
21 From: mech <mech@m3ch.net>
19 From: goddard.duncan@mtvne.com
18 From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
17 From: Daryl Shawn <highhorse@mhorse.com>
16 From: Jeff Kaiser <loopersdelight@pfmentum.com>
16 From: "mark t" <aleatoric12@gmail.com>
15 From: a k butler <akbutler@tiscali.co.uk>
13 From: rune fagereng <rune_fagereng@yahoo.no>
13 From: daniel stevenson <stillllscary@yahoo.com>
13 From: Kim Flint <kflint@loopers-delight.com>
13 From: "Gary Lehmann" <hqr@cox.net>
12 From: Jeffrey Larson <jeff@zonemobius.com>
12 From: Bill Fox <billyfox@soundscapes.us>
12 From: "loop.pool" <looppool@cruzio.com>
11 From: johnsrude@peak.org
11 From: Charles Zwicky <cazwicky@earthlink.net>
11 From: "Charlie Milkey" <pilotcp@gmail.com>
10 From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>

What's my point?  The first point depends on whether you think 
frequent posting is a good thing or bad thing--it also depends on 
whether you think the top ten folks post about looping or not.  The 
second point is how ridiculously easy it is for spammers to harvest 
email addresses from the LD archives.  The third point is that data 
is always good. ;-)

Peace,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com
Email: Kevin@TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 05:01:32 2006
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To: Loopers-Delight@loopers-delight.com
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Subject: Re: Staying on the Looping topic
Date: Wed, 26 Jul 2006 23:01:26 -0600
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And here is 111, for cripes sake. What a number to resonate on, eh? Sorry 
folks, I'm a power communicator. I'll shut up for a while, but hopefully the 
stuff I post isn't pure drivel.

...man, that is embarassing.

----- Original Message ----- 
From: "Kevin" <kevin@TheNettles.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 26, 2006 10:51 PM
Subject: Re: Staying on the Looping topic


> At 06:53 PM 7/26/2006, Kim Flint wrote:
>>Some individuals post constantly, yet almost never post about looping at 
>>all.
>
> I took off my music geek hat and put on my computer geek hat and wrote the 
> following program in Cygwin:
> $ awk '/^From:/ {from[$0]++}
> END {for (person in from)
> print from[person] " " person}' julyld.txt | sort -nr
>
> From this program here are the posters who emailed Looper's Delight 10 or 
> more times in July in descending order.  The first number is the number of 
> times they posted this month based on the raw archive:
>
> 110 From: "Krispen Hartung" <khartung@cableone.net>
> 39 From: mark sottilaro <zerocrossing2001@yahoo.com>
> 39 From: "Buzap Buzap" <buzap@gmx.net>
> 37 From: Per Boysen <perboysen@gmail.com>
> 31 From: "L.A. Angulo" <labaloops@yahoo.com>
> 26 From: Joshua Carroll <josh@infinivert.com>
> 25 From: "Timothy Mungenast" <mungenast@earthlink.net>
> 21 From: mech <mech@m3ch.net>
> 19 From: goddard.duncan@mtvne.com
> 18 From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
> 17 From: Daryl Shawn <highhorse@mhorse.com>
> 16 From: Jeff Kaiser <loopersdelight@pfmentum.com>
> 16 From: "mark t" <aleatoric12@gmail.com>
> 15 From: a k butler <akbutler@tiscali.co.uk>
> 13 From: rune fagereng <rune_fagereng@yahoo.no>
> 13 From: daniel stevenson <stillllscary@yahoo.com>
> 13 From: Kim Flint <kflint@loopers-delight.com>
> 13 From: "Gary Lehmann" <hqr@cox.net>
> 12 From: Jeffrey Larson <jeff@zonemobius.com>
> 12 From: Bill Fox <billyfox@soundscapes.us>
> 12 From: "loop.pool" <looppool@cruzio.com>
> 11 From: johnsrude@peak.org
> 11 From: Charles Zwicky <cazwicky@earthlink.net>
> 11 From: "Charlie Milkey" <pilotcp@gmail.com>
> 10 From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
>
> What's my point?  The first point depends on whether you think frequent 
> posting is a good thing or bad thing--it also depends on whether you think 
> the top ten folks post about looping or not.  The second point is how 
> ridiculously easy it is for spammers to harvest email addresses from the 
> LD archives.  The third point is that data is always good. ;-)
>
> Peace,
> Kevin
>
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
> Email: Kevin@TheNettles.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 05:48:26 2006
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Date: Wed, 26 Jul 2006 22:48:25 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Staying on the Looping topic
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What's embarassing is that I only made number 2 on the
list?  DAMN YOU KRISPEN! <shakes fist> I'LL GET YOU!

Frankly I eagerly await each of your posts and read
them all.  Often saving them to a special folder for
later reexamination.  Let's face it, there's not all
that much to talk about when it comes to looping.  Why
not talk about what effects to use on your loops or
what to put in your loops?  Keep up the good work.  I
love this list.  I'd rather it be a bit OT heavy than
the normal drivel that's out there on most groups. 
WOOT LOL

--- Krispen Hartung <khartung@cableone.net> wrote:

> And here is 111, for cripes sake. What a number to
> resonate on, eh? Sorry 
> folks, I'm a power communicator. I'll shut up for a
> while, but hopefully the 
> stuff I post isn't pure drivel.
> 
> ...man, that is embarassing.
> 
> ----- Original Message ----- 
> From: "Kevin" <kevin@TheNettles.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, July 26, 2006 10:51 PM
> Subject: Re: Staying on the Looping topic
> 
> 
> > At 06:53 PM 7/26/2006, Kim Flint wrote:
> >>Some individuals post constantly, yet almost never
> post about looping at 
> >>all.
> >
> > I took off my music geek hat and put on my
> computer geek hat and wrote the 
> > following program in Cygwin:
> > $ awk '/^From:/ {from[$0]++}
> > END {for (person in from)
> > print from[person] " " person}' julyld.txt | sort
> -nr
> >
> > From this program here are the posters who emailed
> Looper's Delight 10 or 
> > more times in July in descending order.  The first
> number is the number of 
> > times they posted this month based on the raw
> archive:
> >
> > 110 From: "Krispen Hartung"
> <khartung@cableone.net>
> > 39 From: mark sottilaro
> <zerocrossing2001@yahoo.com>
> > 39 From: "Buzap Buzap" <buzap@gmx.net>
> > 37 From: Per Boysen <perboysen@gmail.com>
> > 31 From: "L.A. Angulo" <labaloops@yahoo.com>
> > 26 From: Joshua Carroll <josh@infinivert.com>
> > 25 From: "Timothy Mungenast"
> <mungenast@earthlink.net>
> > 21 From: mech <mech@m3ch.net>
> > 19 From: goddard.duncan@mtvne.com
> > 18 From: "Rainer Thelonius Balthasar Straschill"
> <rs@moinlabs.de>
> > 17 From: Daryl Shawn <highhorse@mhorse.com>
> > 16 From: Jeff Kaiser <loopersdelight@pfmentum.com>
> > 16 From: "mark t" <aleatoric12@gmail.com>
> > 15 From: a k butler <akbutler@tiscali.co.uk>
> > 13 From: rune fagereng <rune_fagereng@yahoo.no>
> > 13 From: daniel stevenson <stillllscary@yahoo.com>
> > 13 From: Kim Flint <kflint@loopers-delight.com>
> > 13 From: "Gary Lehmann" <hqr@cox.net>
> > 12 From: Jeffrey Larson <jeff@zonemobius.com>
> > 12 From: Bill Fox <billyfox@soundscapes.us>
> > 12 From: "loop.pool" <looppool@cruzio.com>
> > 11 From: johnsrude@peak.org
> > 11 From: Charles Zwicky <cazwicky@earthlink.net>
> > 11 From: "Charlie Milkey" <pilotcp@gmail.com>
> > 10 From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?=
> <tedkillian@charter.net>
> >
> > What's my point?  The first point depends on
> whether you think frequent 
> > posting is a good thing or bad thing--it also
> depends on whether you think 
> > the top ten folks post about looping or not.  The
> second point is how 
> > ridiculously easy it is for spammers to harvest
> email addresses from the 
> > LD archives.  The third point is that data is
> always good. ;-)
> >
> > Peace,
> > Kevin
> >
> > The Nettles: Progressive and Exciting Celtic Music
> > www.TheNettles.com
> > Email: Kevin@TheNettles.com
> >
> > 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 05:59:16 2006
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From: "loop.pool" <looppool@cruzio.com>
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Subject: Staying on the Looping topic
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I agree with much of what Kim said in terms of people disciplining 
themselves to stay on the
topic of looping and I have probably been as guilty of that as anyone.

That being said,  I do want to beg to differ about this statement:

"This list is not here to discuss computer
problems, or favorite VST effects, or DAW recommendations........
(just to pick on a few random, recent off-topics.)"


The fact of the matter is that the major innovations in the real time 
looping world in the past three or so
years have been mostly in the computer software realm.

With the exception of the Looperlative there have not been very many 
innovations in the hardware world
at all (with the exception of more powerful floor effects pedals like the 
Boss RC 50).

Consequently,  discussions about things like DAW recommendations (because 
live looping VSTs HAVE
to be hosted somewhere in your laptop) or VST effects,  which have 
everything to do with how your music
is manifest if you are using a laptop computer set up to loop live are 
extremely pertinent to the world
of live looping.

I'm actually still almost entirely a hardware live looper but there are no 
ifs, ands or buts about it,   there is a lot
out there in the laptop software world that is rapidly changing the playing 
field (from Augustus loop to Mobius
to Ableton's Live,  etc.)

The computer software live looping solutions are in their infancy so there 
are bound to be discussions
about what's wrong with them or what types of computers are most appropriate 
to solve those solutions.
Not everyone is going to chose that solution, necessarily but I imagine it 
takes up a lot of thought in a lot
of people doing looping in front of an audience in real time.

At the looping festivals the number of people using laptop/software looping 
solutions has risen dramatically in the past three years.

If , however, the majority of people on this list think that these are 
innapropriate 'off topic' posts then I am willing
to cease and desist my own discussions of these things  but I don't think 
they are.

I also agree, though , that reeling those discussions into only things that 
dovetail into live looping should be our task.

respectfully,   Rick Walker 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 06:01:07 2006
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German radio listeners: tonight at 10 pm there will be a 15-minute
Deutschlandradio Kultur radio feature (called "hurdy gurdy, the medieval
synthesizer") about Matthias Loibner, the hurdy-gurdy looper who amazed us
with his performance last year at the Zurich loop festival. 
Matthias's website together with his percussion partner Tunji Baier is at
http://zykado.com.

-Michael www.michaelpeters.de



From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 06:01:57 2006
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August is coming and I'll be out and about so I'll be unsubscribing 
for now.  Catch you all later.

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 06:12:37 2006
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At 6:53 PM -0700 7/26/06, Kim Flint wrote:
>At 01:25 PM 7/26/2006, loop.pool wrote:
>>I find myself in agreement  with Steve Lawson (and many other old 
>>timers who post here) that in earlier days the list was more pithy 
>>and interesting to read because there wasn't so much chatter and 
>>there were more substantive subjects.
>
>This is a problem I've also noticed getting worse in the last couple 
>years. Off topic posting has gotten really bad lately. Sometimes 
>there are dozens of messages posted to the list in a day, and none 
>of them are about looping. Some individuals post constantly, yet 
>almost never post about looping at all.

Kim, perhaps to some extent, the list is subject to being 'victim of 
its own success'?  I mean, I'm not certain what you originally 
envisioned when you first started it, but it has without a doubt 
grown a huge deal (in every direction) from its humble origins.

This list, as it now stands, is a haven for some of the most exciting 
and generous polymaths which I know of on the Net.  I, for one, am 
constantly informed and entertained by even the most mundane of topic 
drift which occurs here.  Of course, I can also understand the need 
to maintain focus, and apologize for my part in any conversations 
that have gone sideways from the list's core mission.

Even though it's completely astray from the list's central purpose, I 
also hate to lose the community's willingness to share information on 
whatever subject is at hand.  So, I wanted to suggest that perhaps 
you might consider "splitting" the list in two -- the original list, 
of course, plus a secondary "off topic" list where LD members could 
openly use each other as resources regardless of subject matter.  The 
core LD list would then be freed up to focus solely on those topics 
directly related to Looping.  The OT list could handle questions on 
peripherals like DAW's, VST's and effects, general philosophy, 
whatever...

Regardless, it's your list and I'll be do my best to abide by your 
rules.  I was just looking for a creative alternative to keep things 
here on track, while still enabling the informative chatter here as 
well.

	--m.
-- 
_______
"Now Simulcast on Crazy People's Fillings"

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 06:14:34 2006
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Date: Wed, 26 Jul 2006 23:14:31 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: Staying on the Looping topic
To: Loopers-Delight@loopers-delight.com
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I for one have learned a lot from this list about
state of the art looping gear Ive never even seen...I
like knowing the potential of said devices.Sometimes
there are subjects void of looping content that pique
my interest also,mostly the discussion of art and what
inspires it.Ive posted more than my share of immature
drivel,sometimes regretfully.I like information about
when and where looping gigs are performed and by
whom.It is always cool to see someone helped out with
a gear question.I value loopers delight as a very
resourceful tool of information and inspiration.
 Danny.

--- Krispen Hartung <khartung@cableone.net> wrote:

> And here is 111, for cripes sake. What a number to
> resonate on, eh? Sorry 
> folks, I'm a power communicator. I'll shut up for a
> while, but hopefully the 
> stuff I post isn't pure drivel.
> 
> ...man, that is embarassing.
> 
> ----- Original Message ----- 
> From: "Kevin" <kevin@TheNettles.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, July 26, 2006 10:51 PM
> Subject: Re: Staying on the Looping topic
> 
> 
> > At 06:53 PM 7/26/2006, Kim Flint wrote:
> >>Some individuals post constantly, yet almost never
> post about looping at 
> >>all.
> >
> > I took off my music geek hat and put on my
> computer geek hat and wrote the 
> > following program in Cygwin:
> > $ awk '/^From:/ {from[$0]++}
> > END {for (person in from)
> > print from[person] " " person}' julyld.txt | sort
> -nr
> >
> > From this program here are the posters who emailed
> Looper's Delight 10 or 
> > more times in July in descending order.  The first
> number is the number of 
> > times they posted this month based on the raw
> archive:
> >
> > 110 From: "Krispen Hartung"
> <khartung@cableone.net>
> > 39 From: mark sottilaro
> <zerocrossing2001@yahoo.com>
> > 39 From: "Buzap Buzap" <buzap@gmx.net>
> > 37 From: Per Boysen <perboysen@gmail.com>
> > 31 From: "L.A. Angulo" <labaloops@yahoo.com>
> > 26 From: Joshua Carroll <josh@infinivert.com>
> > 25 From: "Timothy Mungenast"
> <mungenast@earthlink.net>
> > 21 From: mech <mech@m3ch.net>
> > 19 From: goddard.duncan@mtvne.com
> > 18 From: "Rainer Thelonius Balthasar Straschill"
> <rs@moinlabs.de>
> > 17 From: Daryl Shawn <highhorse@mhorse.com>
> > 16 From: Jeff Kaiser <loopersdelight@pfmentum.com>
> > 16 From: "mark t" <aleatoric12@gmail.com>
> > 15 From: a k butler <akbutler@tiscali.co.uk>
> > 13 From: rune fagereng <rune_fagereng@yahoo.no>
> > 13 From: daniel stevenson <stillllscary@yahoo.com>
> > 13 From: Kim Flint <kflint@loopers-delight.com>
> > 13 From: "Gary Lehmann" <hqr@cox.net>
> > 12 From: Jeffrey Larson <jeff@zonemobius.com>
> > 12 From: Bill Fox <billyfox@soundscapes.us>
> > 12 From: "loop.pool" <looppool@cruzio.com>
> > 11 From: johnsrude@peak.org
> > 11 From: Charles Zwicky <cazwicky@earthlink.net>
> > 11 From: "Charlie Milkey" <pilotcp@gmail.com>
> > 10 From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?=
> <tedkillian@charter.net>
> >
> > What's my point?  The first point depends on
> whether you think frequent 
> > posting is a good thing or bad thing--it also
> depends on whether you think 
> > the top ten folks post about looping or not.  The
> second point is how 
> > ridiculously easy it is for spammers to harvest
> email addresses from the 
> > LD archives.  The third point is that data is
> always good. ;-)
> >
> > Peace,
> > Kevin
> >
> > The Nettles: Progressive and Exciting Celtic Music
> > www.TheNettles.com
> > Email: Kevin@TheNettles.com
> >
> > 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 07:03:17 2006
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>All good points Steve, and small ones at that! What is that, 5 point 
>font? :) I had to get my microfiche reader out.

hi Kris,
If you're using M$ viewer to read the mails, hold down the <Ctrl> key 
and use the mouse wheel.

andy

   

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 08:01:14 2006
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: Re: should we name it echoing ? 
Cc: Matthias Grob <matthias@grob.org>
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At 05:11 27/07/2006, you wrote on LD
>different styles,but allright looping is looping...
>so id like to see fripp or Matthias doing more
>sequence style looping!
>cheers
>Luis

hi Luis....nice topic

Fripp seems to be stuck firmly in the tape delay era, I wonder if 
people who worked with that have a block on seeing the possibilities 
of digital looping.
Matthias Grob is already a pioneer in bridging the gap between the 
old and the new, he plays with rhythm and feedback together.  ...but 
yes, it would be very nice to hear him trying out some of the "newer" 
techniques.

It would also be nice if Andre Lafosse would let some of his glitchy 
rhythms fade out once in a while, while building up a wash over them.

To make a split between feedback-looping and sample-looping maybe 
helps in discussion, but there's actually not a distinct barrier 
between those two styles, other than the one produced by lack of imagination.
With new technology, there's always the opportunity to make "old" 
music quicker and easier, and usually that's the first use it gets 
put to, but there's also the possibility to make a new music that 
no-one heard before, that's something I find interesting.

andy butler

ps
Recently I've been using feedback in a different way, using rapid 
drops in feedback level to replace small sections of what is 
essentially a "sample" based loop.....so that's feedback, but it's 
hardly "echoing".

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 08:19:17 2006
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Date: Thu, 27 Jul 2006 01:19:18 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Staying on the Looping topic
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At 10:48 PM 7/26/2006, mark sottilaro wrote:
>   Let's face it, there's not all
>that much to talk about when it comes to looping.

Just because there is a space, doesn't mean you have to fill it.

Yes, I realize this idea may not make sense to a lot of loopers. :-)


>Why
>not talk about what effects to use on your loops or
>what to put in your loops?  Keep up the good work.  I
>love this list.  I'd rather it be a bit OT heavy than
>the normal drivel that's out there on most groups.

I would completely agree if most of the posts were about looping and the 
list was just "a bit OT". However, lately the off-topic posting has been 
more than a bit. All I'm asking is for folks to try to keep on topic a 
little more and be more considerate and respectful of the rest of the 
people on the list and the purpose for the LD list's existence.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 08:31:23 2006
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>  The OT list could handle questions on peripherals like DAW's, 
> VST's and effects, general philosophy, whatever...
>
>Regardless, it's your list and I'll be do my best to abide by your 
>rules.  I was just looking for a creative alternative to keep things 
>here on track, while still enabling the informative chatter here as well.

How about an agreement to put [OT] in the subject line for off topic posts?

Then it would be easy to filter messages into a couple of different folders.

Is that practical?

andy butler

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 08:47:00 2006
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At 09:13 PM 7/26/2006, Joshua Carroll wrote:
>One benefit of having a forum

I've discussed this before:
http://www.loopers-delight.com/LDarchive/200604/msg01067.html


>  is that there could be particular folders specifically for off-topic posts

Web forums are not likely to have less off-topic postings, in my 
experience. They seem to encourage worse behavior if anything.

In any case, this is not a technology problem. People just need to take a 
little more personal responsibility for how they communicate with the list, 
and care more about staying focused on the topic most of the time. That 
doesn't seem like a lot to ask.

thanks,
kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 09:01:48 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Hi

here was a question on the forum if the RC-50 has an "Insert" fucntion like edp.
Just checked the EDP manual.
So, basically the RC-50 has three "OVERDUB MODES":
- OVERDUB: works like normal Overdub
- REPLACE: works like Substitute on EDP I guess
- PUNCH-IN: like REPLACE, but just as long as pedal is pressed.

there is no insert in a way that you can put something in the middle of a loop and make it longer.
It can be only done to some extencd with a work-around - I figured out that you can do pretty much everything - more or less - with some work-around on the RC-50 (just needs 7 pedal presses instead of 2 ;-).

Best regards
Buzap
-- 


"Feel free" â€“ 10 GB Mailbox, 100 FreeSMS/Monat ...
Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail

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--0-974559617-1153994101=:90130
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  Re: the subject of "famous loopers"...personally I would welcome hearing 
  more from infamous loopers. A bit edgier and more intriguing don't you think?
   
  Cheers,
  Monica

 		
---------------------------------
Do you Yahoo!?
 Everyone is raving about the  all-new Yahoo! Mail Beta.
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<div><FONT color=#0060bf></FONT>&nbsp;</div>  <div><FONT color=#0060bf></FONT>&nbsp;</div>  <div><FONT color=#0060bf></FONT>&nbsp;</div>  <div><FONT color=#0060bf>Re: the subject of "famous loopers"...personally I would welcome hearing </FONT></div>  <div><FONT color=#0060bf>more from infamous loopers. A bit edgier and more intriguing don't you think?</FONT></div>  <div><FONT color=#0060bf></FONT>&nbsp;</div>  <div><FONT color=#0060bf>Cheers,</FONT></div>  <div><FONT color=#0060bf>Monica</FONT></div><p>&#32;
		<hr size=1>Do you Yahoo!?<br> Everyone is raving about the <a href="http://us.rd.yahoo.com/evt=42297/*http://advision.webevents.yahoo.com/handraisers"> all-new Yahoo! Mail Beta.</a>
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 09:59:20 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: should we name it echoing ? 
Date: Thu, 27 Jul 2006 11:59:15 +0200
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On 27 jul 2006, at 10.01, a k butler wrote:

> To make a split between feedback-looping and sample-looping maybe  
> helps in discussion, but there's actually not a distinct barrier  
> between those two styles, other than the one produced by lack of  
> imagination.
> With new technology, there's always the opportunity to make "old"  
> music quicker and easier, and usually that's the first use it gets  
> put to, but there's also the possibility to make a new music that  
> no-one heard before, that's something I find interesting.
>
> andy butler

You made my day, Andy! :-)  Very well said.

> ps
> Recently I've been using feedback in a different way, using rapid  
> drops in feedback level to replace small sections of what is  
> essentially a "sample" based loop.....so that's feedback, but it's  
> hardly "echoing".

That's an interesting way of using feedback! Sometimes I have also  
used it create "tremolo" in a loop by rhythmically "pumping" the  
feedback pedal.

Andy's post made me think over my recent musical activities and  
funnily I found that I rarely do any traditional feedback looping  
these days. At the moment I'm very keen on applying feedback only  
when overdubbing. So when I'm looping the background only fades down  
under my new overdubs. Sometimes I overdub for the entire loop  
length, which kind of equals traditional feedback looping, but if I  
punch in certain add-ons here and where this technique creates a  
musical bed that, sound design wise, resembles the studio technique  
of "ducking" one track with the sound of another (typical example is  
a funk/disco mix where the base track is ducked - sidechained - by  
the kick drum track, thus leaving a well fit "pocket" in long bass  
notes for the kick to be heard through).  With my EDP I achieve this  
by plugging a dummy into the rear pedal jack and running the EDP in  
"Replace Mode" and in Mobius I achieve it by working in "Expert  
Interface Mode", a mode that gives you two types of feedback; one  
traditional and one to be applied under SUSSubstitute etc.

I actually use traditional feedback more on tracks that I'm not  
recording into (in Mobius that is) to create fade out of other loops  
while I'm building a new one (like playing and recording a loop to  
track 4 while using feedback to simultaneously fade out loops on  
track 3, 7 and 8 - just an example).

This post also applies to Ricks thread on "Favorite threads" because,  
personally, I tend to pick for reading those posts that give  
practical hints on how to create different musical buildings by using  
all kinds of techniques in live looping. If I should read everything  
else I would have to almost stop making my own music (which I make  
according to my own muse). That's also why I subscribe to single  
messages; by setting up a mail application rule I have them auto- 
sorted into a "Loopers" box and by scanning the subject lines I can  
select and delete bunches in a second (which saves me time for  
reading the good posts). I save the posts I like locally on all my  
computers as a sort of "knowledge bank".

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Favorite Five Threads on L.D.
Date: Thu, 27 Jul 2006 12:01:39 +0200
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On 27 jul 2006, at 05.16, L.A. Angulo wrote:

> what percentage of loopers go and play 100% improvised
> loops or arranged premeditated loops on stage?

Hmm... I can't remember that thread. Interesting, but I must have  
missed it somehow. What was the percentage we ended up with?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 10:26:18 2006
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Subject: Re: Staying on the Looping topic
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I don't see anyone discussing when is the best time to prune roses or how to 
change their spark plugs here.
What I do see is a bunch of well informed people united by an interest in, 
and a love of, looping.
If someone wants to ask about VST plugins it's because they are using them 
in their looping activities. Similarly if they're asking about computer 
operating systems.
While these subjects are not directly about looping surely one can see that 
they are indirectly about looping?
Not only does the poster benefit from the accumulated knowledge of the list 
but readers are introduced to new ideas and approaches to looping.
I found Krispen's account of his various problems and solutions to adopting 
a laptop based system interesting. Including his reasons of doing so. 
Otheres are inspired or at least tempted to go down this route as a result.
I personally enjoy the breadth of scope offered by ths list and the people 
behind the ideas. For me it would be a great shame to turn it into a narrow, 
straightjacketed forum without the nooks and crannies that have become part 
of the list' personality.

G

>
> If you are making a post and it is not explicitly about looping, you 
> should really ask yourself 3 or 4 times before you send it: why you are 
> about to waste hundreds of people's time with an off-topic post? Is this 
> worth using up list bandwidth, taking up space in the digest, and storing 
> in the archive forever?
>
> Just because you think this is an interesting group of people, or you 
> think someone here might know the answer to your random question, isn't a 
> good enough reason. Neither is excusing it by telling other people to 
> delete if they don't want to read your off-topic post. Find a more 
> appropriate place for that post.
>


From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 10:29:34 2006
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Subject: Re: Favorite Five Threads on L.D.
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Don't forget the ever-present "unsubscribe" threads. :)

----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, 27 July, 2006 04:16 AM
Subject: Re: Favorite Five Threads on L.D.


> what percentage of loopers go and play 100% improvised
> loops or arranged premeditated loops on stage?
>
> how do you correct a bad loop on stage,stop
> abruptly,bullshit your way while tweaking or shoe/rack
> gazing until u get it right?
>
> for those who do or care how do you keep your audience
> interested,do you always loop?
>
> whats the best looping show you´ve been to? what made
> it so great?
>
> What makes you feel free while playing music?organized
> or improvised?
>
> i know some of this has been brought up in the past
> perhaps but i think we all could use a refreshment!
> Luis
>
>
> --- tEd ® kiLLiAn <tedkillian@charter.net> wrote:
>
>> Hehehe, it would be nice to hear from some of the
>> young'ins . . .
>>
>> Some of my favorites went something like:
>>
>> 1. Why do you play (or loop) -- what was the journey
>> that brought you
>> here?
>>
>> 2.  Where does your music come from -- what inspires
>> you to create it?
>>
>> 3.  What are some of your  musical influences -- or
>> looping influences
>> -- and why?
>>
>> 4.  What are some of your favorite ways of using
>> your instrument or FX
>> gear in manners other than that it was designed for?
>>
>> 5. What keeps you going -- sustains you when you run
>> into a "wall",
>> carries you through when obstacles arise or when
>> you're simply tired,
>> uninspired or "bored" -- or what gets you out of a
>> musical "rut."
>>
>> Peace,
>>
>> tEd ® kiLLiAn
>>
>> "Different is not always better, but better is
>> always different"
>>
>>   http://www.pfmentum.com/flux.html
>>   http://www.CDbaby.com/cd/tedkillian
>>   http://www.guitar9.com/fluxaeterna.html
>>   http://www.garageband.com/artist/ArsOcarina
>>
>>
> http://www.towerrecords.com/product.aspx?pfid=2845073
>>
>>
> http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
>>
>>
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
>>
>> http://www.loopers-delight.com/cgi-bin/profiles.cgi?
>>
>> step=view_profile&id=121197000042
>>
>>   Ted Killian's "Flux Aeterna" is also available at:
>> Apple iTunes,
>>   BuyMusic, Rhapsody, MusicMatch, MusicNet,
>> DiscLogic, Napster,
>>   AudioLunchbox, Lindows, QTRnote, Music4Cents,
>> Etherstream,
>>   RuleRadio, EMEPE3, Sony Connect, CatchMusic,
>> Puretracks,
>>   and Viztas. Yadda, yadda, yadda. Blah, blah, blah.
>> So???
>>
>> On Jul 26, 2006, at 1:30 PM, loop.pool wrote:
>>
>> > So many people have joined this list in recent
>> years
>> > that it might be fun to revisit some of the
>> classic threads
>> > on creativity,  discussions of philosophy,
>> techniques for improving
>> > live performances, etc.
>> >
>> > I know that, personally,  these are always the
>> threads that have
>> > fascinated
>> > me and made me love being on this list.
>> >
>> > The oldtimers have weighed in on these subjects
>> but it would be cool
>> > to hear what the newest loopers have to say.
>> >
>> > What were your favorite five threads on this list
>> in the past?
>> >
>> > rick walker
>> > aka |()()p.p()()|    aka nO thiN-g
>> > www.looppool.info
>>
>
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 10:30:47 2006
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Subject: variable feedack 
Date: Thu, 27 Jul 2006 11:30:49 +0100
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I also do this guys. I find i can use the rapid pedal movement from 0% to 
100% in a rhytmic way to create rhythm out of an amorphous loop.
Great fun. Then you can fill the gaps, possibly with something else and on 
and on..........

g

>> Recently I've been using feedback in a different way, using rapid  drops 
>> in feedback level to replace small sections of what is  essentially a 
>> "sample" based loop.....so that's feedback, but it's  hardly "echoing".
>
> That's an interesting way of using feedback! Sometimes I have also  used 
> it create "tremolo" in a loop by rhythmically "pumping" the  feedback 
> pedal 


From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 10:38:24 2006
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Date: Thu, 27 Jul 2006 06:35:02 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow, Galactic Travels, and The AM/FM Show
To: undisclosed-recipients: ;
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AFTERGLOW ON WMUH:                               
http://soundscapes.us/afterglow
================================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in 
for a
delightful mix of eclectic musical genres including a healthy dose of
Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                            
http://wdiy.org/programs/gt
================================================================================
Tonight at 11 pm on Galactic Travels, I'll conclude the month-long 
Special Focus
on Numina.  The Featured CD at Midnight will be "Starfarer's Tales Volume 1"
with IXOHOXI.  The Vinyl Starter will come from the LP "Zeit" by 
Tangerine Dream
on Virgin Records and released in 1972.  For details, see the Special 
Focus page
at: http://wdiy.org/programs/gt/playlists/2006/focus.html#jul

Galactic Travels is an electronic, ambient, and space music show that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, 93.9 FM 
in Easton
and Phillipsburg, 93.7 FM in Fogelsville and Trexlertown, 92.9 FM on Service
Electric Cable, and on the internet.  WDIY now simulcasts on WXLV on 
90.3 FM in
Schnecksville, Pennsylvania.


THE AM/FM SHOW ON WMUH:                               
http://soundscapes.us/amfm
================================================================================
My next stint on the AM/FM Show will be Saturday, July 29 at 6:00 am.  I 
will
continue the special on E-dition Electronic Music Magazine's sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of 
Muhlenberg
College.  I alternate hosting the show with Bruce.  When I am at the 
helm, the
show features electronic, ambient, and spacemusic at the beginning, an 
eclectic
mix of genres in the middle, and winds up with Progressive Rock.  WMUH's web
site is http://www.muhlenberg.edu/wmuh

All times are EDT / GMT-4.

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 10:42:52 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Staying on the Looping topic [OT] :-)
Date: Thu, 27 Jul 2006 12:42:48 +0200
To: Loopers-Delight@loopers-delight.com
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>> The OT list could handle questions on peripherals like DAW's,  
>> VST's and effects, general philosophy, whatever...
>>
>> Regardless, it's your list and I'll be do my best to abide by your  
>> rules.  I was just looking for a creative alternative to keep  
>> things here on track, while still enabling the informative chatter  
>> here as well.

On 27 jul 2006, at 10.31, a k butler wrote:


> How about an agreement to put [OT] in the subject line for off  
> topic posts?
> Then it would be easy to filter messages into a couple of different  
> folders.
>
> Is that practical?


On the Logic-Users list we've decided to make a whole new OT List! I  
attended that list when it had 500 members and today it's 15000  
something. For a while we had five or six different prefixes that  
users were supposed to write first on the subject line, and it  
actually worked out well. Ex: All users that had a Windows PC set  
their mail app's to auto delete the "LAM" (M for Macintosh) and those  
who used an Apple box had the "LAW" auto deleted (W for Windows). A  
couple of moderators are always cleaning up the huge input before  
posts appear on the list.

In a way I think the charm of this LD list is that we are not  
moderated, but an "OT" prefix would be nice IMHO. I think we should  
also make an effort to put adequate subject lines on our posts. And  
maybe we should try to assemble more of our thoughts in fewer, but  
longer and more refined, posts? In order to do that you would need to  
resist that immediate urge to dive at the send button whenever  
something pops up, until you have sorted your thoughts into a better  
write-up ;-)

Please don't apply chatroom manners to this mailing list. Maybe  
Loopers Delight can open a real chat room?

per



From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 15:31:23 2006
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Subject: My thoughts on the ELECTRO HARMONIX 2880
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I'll post this to the LD website after we've answered any of your questions.


LOVE:

Fantastic audio quality.

Physical knobs and buttons for every function.

All level, pan, tempo and click track levels are knobs... you never 
lose your settings when resetting a loop, like the Repeater...

Separate foot controller keeps the knobs near your hands and the 
timing functions near your feet, uses standard guitar cable to 
connect to 2880.

Each button has one function only, no menus, no double clicking, no 
"7 footswitch presses to get to insert mode" (ala BOSS  RC-50).

Separate feedback control over each track, you can simultaneously 
perform 'looping' and 'echoing' in the same performance simply by 
selecting the appropriate track.

STEREO MIXDOWN TRACK: Great feature! You can bounce the 4 basic loops 
to a stereo pair, and in addition you can vari-speed the 4 tracks 
independently of the mixdown. While you bounce down you can 
manipulate the level, pan and pitch in real time, including the 
feedback level of the mixdown track! This feature allows a whole new 
type of performance: Realtime audio manipulation.

Physical knobs to control feedback and pitch allow for some entirely 
new performance possibilities, including DJ type effects...

Speaking of which... the MIDI synch (in and out) is really 
interesting. The unit handles tempo changes by vari-speeding the 
audio, no glitching or garbled audio as the Repeater does. If you 
press reverse while synched to MIDI the device responds  with the 
ballistics of  a big tape machine, even in record. This can generate 
some very interesting  pitch sweeping effects.  ( when the unit is 
the master, or not synched it reverses instantly) Also, if you record 
an initial pass while synched to MIDI and the external tempo is set 
quite high (300bpm, for example) then slow the tempo way down (to say 
20bpm) and get some incredible aliasing, ala the original EH 16 
second delay... try it!

The audio interface is very practical and well thought out:

Stereo audio inputs with individual left and right input level 
control and clipping indicators. 
In addition, there is a stereo input pan knob which has some very 
clever functions.  When set fully counter-clockwise, the Left Input 
is monitored at the Left Output and the Right Input is monitored at 
the Right Output. When Pan is set to the CW position, the Left Input 
is monitored at the Right Output and the Right Input is monitored at 
the Left Output. When Pan is set to the middle, both Inputs are mixed 
to both Outputs. The  setting of the DRY OUT Fader and the Pan Pot 
have no influence on the signal that is recorded. 

AUX input: This is a purely analog through path which is mixed with 
the signal from the D/A converter and output to the main audio 
outputs. This AUX input allows you to mix any other audio source 
without recording it to the 2880. This makes parallel looping easy, 
you can use two other mono loopers or a stereo looper and feed the 
outputs into the 2880 AUX  input. This can really open up some sonic 
ground!

Nice sounding headphone amp with level knob.

USB 2.0 interface and CF card reader.

Never an issue with card compatibility (ala Repeater).


WISHES:

The ability to store multiple loops on one card would be a great 
addition, since the device allows so many great performance 
manipulation options it would be nice to have someplace to keep and 
access these creations within the unit. You can do so with a 
computer, but that sort of misses the point. At the moment the 
workaround is to carry several CF cards, not such a bad option to 
have.

Loop multiply function. It would also be great if the mixdown track 
could be an independent length, to record evolving loop mutilations.

The ability to  respond to Midi PC and CC input for the normal front 
panel functions. (Electro Harmonix  have told me that this may be 
possible to add)

Signal present indicators over each channel would be nice, I am 
spoiled by the Repeater's metering system!

I wish that the "Octave" button would work without halving the Midi Clock rate.

I wish that smaller capacity  Compact Flash cards could be used. 
Since the current OS only allows one loop to be saved to a card at a 
time, smaller cards would be perfect for those of us who rely on 
smaller loops for ambient looping. I typically use loops much shorter 
than 30 seconds, and this amount of data would fit on a 16MB CF card. 
These smaller cards are also very inexpensive.

I wish that the "New Loop" and "Track Select" buttons were physically 
swapped on the foot controller (and the unit...) the "New Loop" 
button is used very infrequently compared to the "Track Select" 
button. Once underway the "New Loop" button is really more of a panic 
button. (EH have explained that they built a failsafe into the NEW 
LOOP function, you can back out of that selection by pressing play: 
to create a new loop you must press 'new loop" a second time)

-- 
--============_-1058108209==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>My thoughts on the ELECTRO HARMONIX
2880</title></head><body>
<div><font face="Helvetica" size="-1" color="#000000"><b>I'll post
this to the LD website after we've answered any of your
questions.</b></font></div>
<div><font face="Helvetica" size="-1"
color="#000000"><b><br></b></font></div>
<div><font face="Helvetica" size="-1"
color="#000000"><b><br></b></font></div>
<div><font face="Helvetica" size="-1" color="#000000"><b>LOVE:<br>
</b><br>
Fantastic audio quality.<br>
<br>
Physical knobs and buttons for every function.<br>
<br>
All level, pan, tempo and click track levels are knobs... you never
lose your settings when resetting a loop, like the Repeater...<br>
<br>
Separate foot controller keeps the knobs near your hands and the
timing functions near your feet, uses standard guitar cable to connect
to 2880.<br>
<br>
Each button has one function only, no menus, no double clicking, no
&quot;7 footswitch presses to get to insert mode&quot; (ala BOSS&nbsp;
RC-50).<br>
<br>
Separate feedback control over each track, you can simultaneously
perform 'looping' and 'echoing' in the same performance simply by
selecting the appropriate track.<br>
<br>
STEREO MIXDOWN TRACK: Great feature! You can bounce the 4 basic loops
to a stereo pair, and in addition you can vari-speed the 4 tracks
independently of the mixdown. While you bounce down you can manipulate
the level, pan and pitch in real time, including the feedback level of
the mixdown track! This feature allows a whole new type of
performance: Realtime audio manipulation.<br>
<br>
Physical knobs to control feedback and pitch allow for some entirely
new performance possibilities, including DJ type effects...<br>
<br>
Speaking of which... the MIDI synch (in and out) is really
interesting. The unit handles tempo changes by vari-speeding the
audio, no glitching or garbled audio as the Repeater does. If you
press reverse while synched to MIDI the device responds&nbsp; with the
ballistics of&nbsp; a big tape machine, even in record. This can
generate some very interesting&nbsp; pitch sweeping effects.&nbsp; (
when the unit is the master, or not synched it reverses instantly)
Also, if you record an initial pass while synched to MIDI and the
external tempo is set quite high (300bpm, for example) then slow the
tempo way down (to say 20bpm) and get some incredible aliasing, ala
the original EH 16 second delay... try it!<br>
<br>
The audio interface is very practical and well thought out:<br>
<br>
Stereo audio inputs with individual left and right input level control
and clipping indicators.&nbsp;<br>
In addition, there is a stereo input pan knob which has some very
clever functions.&nbsp; When set fully counter-clockwise, the Left
Input is monitored at the Left Output and the Right Input is monitored
at the Right Output. When Pan is set to the CW position, the Left
Input is monitored at the Right Output and the Right Input is
monitored at the Left Output. When Pan is set to the middle, both
Inputs are mixed to both Outputs. The&nbsp; setting of the DRY OUT
Fader and the Pan Pot have no influence on the signal that is
recorded.&nbsp;<br>
<br>
AUX input: This is a purely analog through path which is mixed with
the signal from the D/A converter and output to the main audio
outputs. This AUX input allows you to mix any other audio source
without recording it to the 2880. This makes parallel looping easy,
you can use two other mono loopers or a stereo looper and feed the
outputs into the 2880 AUX&nbsp; input. This can really open up some
sonic ground!<br>
<br>
Nice sounding headphone amp with level knob.<br>
<br>
USB 2.0 interface and CF card reader.<br>
<br>
Never an issue with card compatibility (ala Repeater).<br>
<br>
<br>
<b>WISHES:<br>
</b><br>
The ability to store multiple loops on one card would be a great
addition, since the device allows so many great performance
manipulation options it would be nice to have someplace to keep and
access these creations within the unit. You can do so with a computer,
but that sort of misses the point. At the moment the workaround is to
carry several CF cards, not such a bad option to have.<br>
<br>
Loop multiply function. It would also be great if the mixdown track
could be an independent length, to record evolving loop
mutilations.<br>
<br>
The ability to&nbsp; respond to Midi PC and CC input for the normal
front panel functions. (Electro Harmonix&nbsp; have told me that this
may be possible to add)<br>
<br>
Signal present indicators over each channel would be nice, I am
spoiled by the Repeater's metering system!</font></div>
<div><font face="Helvetica" size="-1" color="#000000"><br>
I wish that the &quot;Octave&quot; button would work without halving
the Midi Clock rate.<br>
<br>
I wish that smaller capacity&nbsp; Compact Flash cards could be used.
Since the current OS only allows one loop to be saved to a card at a
time, smaller cards would be perfect for those of us who rely on
smaller loops for ambient looping. I typically use loops much shorter
than 30 seconds, and this amount of data would fit on a 16MB CF card.
These smaller cards are also very inexpensive.<br>
<br>
I wish that the &quot;New Loop&quot; and &quot;Track Select&quot;
buttons were physically swapped on the foot controller (and the
unit...) the &quot;New Loop&quot; button is used very infrequently
compared to the &quot;Track Select&quot; button. Once underway the
&quot;New Loop&quot; button is really more of a panic button. (EH have
explained that they built a failsafe into the NEW LOOP function, you
can back out of that selection by pressing play: to create a new loop
you must press 'new loop&quot; a second time)</font><br>
<font face="Helvetica" size="-1" color="#000000"></font></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
</body>
</html>
--============_-1058108209==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 15:43:37 2006
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Date: Thu, 27 Jul 2006 17:43:35 +0200
From: daviD <waveform@free.fr>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Staying on the Looping topic 
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>How about an agreement to put [OT] in the subject line for off topic posts?
>Then it would be easy to filter messages into a couple of different folders.
>
>Is that practical?

Not for people who are using the digest version of the list (and I don't think
I'm the only one in this case)...

A separate list for OT subjects could be a good thing, just like the Analogue
Heaven Off Topic list for Analogue Heaven. This way, interested people could
still easily talk to each other about anything and people who only want to read
things about loopers could stay subscribed to LD...

</daviD>

"Simulating the true sounds and making carefully.
 Many colours a lot, selected freely by you."

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 16:24:49 2006
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To: Loopers-Delight@loopers-delight.com,
	Per Boysen <perboysen@gmail.com>
Date: Thu, 27 Jul 2006 17:23:31 +0100
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> On 27 jul 2006, at 05.16, L.A. Angulo wrote:
> 
> > what percentage of loopers go and play 100% improvised
> > loops or arranged premeditated loops on stage?

Due largely to the technicalities (an old jamman), I'm 100% improvised, 
although I have themes and vague structures. I'd imagine the sample based 
loopers require a pretty clear head on their shoulders in order to reproduce 
things closely at different gigs!

It's probably a psychological thing, but somehow having pre-prepared samples on 
flash rom in a pedal would seem to have few advantages (other than cost!) over  
a laptop based system. I've seen gigs where everything comes from laptop and it 
seems perilously close to being a DJ. Not that I have anything against DJs, but the skill 
becomes one of mixing rather than playing.



All the best,

Nick Robinson


From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 16:27:35 2006
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Personally (and I realize that I'm a young'un here (if nowhere else), 
I'd subscribed for a year or so, then two years off, now I've been back 
a week and already I'm in the top ten frequent posters list, ack!!) I'm 
of two minds about the discussion on discussion.

1). This is a looping list, no bones about it. This should be a place 
for looping talk only, so people know what they're getting when they 
subscribe, and the archives stay full of information dedicated to this 
one wonderful thing. There's power in a focus.
2). This is a community, with looping as the draw and the common bond. 
It's an extremely unique community, being full of people who are 
generally familiar and/or friendly with technology, and generally 
familiar with and/or interested in new and unusual music. It also seems 
unique in that I get the impression that most members are out of their 
teens and have years of experience to draw from. Hence the discussions 
and perspectives tend to be very well-informed and interesting, which is 
not typical for a list group, and everyone can benefit at some time or 
another from wide-ranging discussions.

I see the appeal of both ways of viewing the list. I may be a bit 
selfish in that this is the only listgroup I'm a part of, so I enjoy 
participating in whatever topics are being discussed, looping or not. 
But on the other hand, I wish to respect Kim's vision (and work and 
bandwidth).

I really like the suggestion/reminder a few days ago to take discussions 
off-list as soon as they turn into one-on-one Q & A sessions. And it's 
never a bad idea to think a few times before posting, regardless of what 
it's about (looping or not). I think this could improve the volume of 
chatter/quality of content ratio in general.

I'll shut up for awhile now. :-)

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 18:07:51 2006
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Date: Thu, 27 Jul 2006 11:07:50 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: improv vs arrangement
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--- "nick@12testing.net" <nick@12testing.net> wrote:

> > On 27 jul 2006, at 05.16, L.A. Angulo wrote:
> > 
> > > what percentage of loopers go and play 100%
> improvised
> > > loops or arranged premeditated loops on stage?
> 
> Due largely to the technicalities (an old jamman),
> I'm 100% improvised,

I don't understand that statement.  The old JamMan
seems really well suited for arranged premeditated
loops in a song type of structure... I've seen it
done.  Just check out Brian Kenny Fresno if you have a
chance.  I don't think he improvises anything in his
shows and he's using that JamMan almost constantly.

Mark

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 18:14:41 2006
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Date: Thu, 27 Jul 2006 11:14:40 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: My thoughts on the ELECTRO HARMONIX 2880
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Can you add to the "wishes" section the ability to
store multiple loops and access them ala The Repeater
or EDP?

--- Charles Zwicky <cazwicky@earthlink.net> wrote:

> I'll post this to the LD website after we've
> answered any of your questions.
> 

> 
> WISHES:
> 
> The ability to store multiple loops on one card
> would be a great 
> addition, since the device allows so many great
> performance 
> manipulation options it would be nice to have
> someplace to keep and 
> access these creations within the unit. You can do
> so with a 
> computer, but that sort of misses the point. At the
> moment the 
> workaround is to carry several CF cards, not such a
> bad option to 
> have.


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 18:18:47 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Staying on the Looping topic
Date: Thu, 27 Jul 2006 11:18:43 -0700
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On Jul 27, 2006, at 3:26 AM, gareth whittock wrote:

> I personally enjoy the breadth of scope offered by ths list and the 
> people behind the ideas. For me it would be a great shame to turn it 
> into a narrow, straightjacketed forum without the nooks and crannies 
> that have become part of the list' personality.
>
> G


As a "youngster," I agree. Keep the breadth. Just put an [OT] in the 
header.......


Jeff Kaiser
http://www.JeffKaiser.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 18:27:58 2006
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When im doing a solo show (looping) I am 100% improv, i do have some "riffs"
that will get recycled/reused as base patterns, but I have nothing
"pre-recorded" in any way.

I like the improv aspect, the exploration so to say...its a great way to
just let the music flow... and let what happens be what happens

just my 0.02

C3

On 7/27/06, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
>
> --- "nick@12testing.net" <nick@12testing.net> wrote:
>
> > > On 27 jul 2006, at 05.16, L.A. Angulo wrote:
> > >
> > > > what percentage of loopers go and play 100%
> > improvised
> > > > loops or arranged premeditated loops on stage?
> >
> > Due largely to the technicalities (an old jamman),
> > I'm 100% improvised,
>
> I don't understand that statement.  The old JamMan
> seems really well suited for arranged premeditated
> loops in a song type of structure... I've seen it
> done.  Just check out Brian Kenny Fresno if you have a
> chance.  I don't think he improvises anything in his
> shows and he's using that JamMan almost constantly.
>
> Mark
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>


-- 
Christopher "C3" Cardone
APC Instruments

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When im doing a solo show (looping) I am 100% improv, i do have some
&quot;riffs&quot; that will get recycled/reused as base patterns, but I have
nothing &quot;pre-recorded&quot; in any way.<br>
<br>
I like the improv aspect, the exploration so to say...its a great way
to just let the music flow... and let what happens be what happens<br>
<br>
just my 0.02<br>
<br>
C3<br>
<br><div><span class="gmail_quote">On 7/27/06, <b class="gmail_sendername">mark sottilaro</b> &lt;<a href="mailto:zerocrossing2001@yahoo.com">zerocrossing2001@yahoo.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
--- &quot;<a href="mailto:nick@12testing.net">nick@12testing.net</a>&quot; &lt;<a href="mailto:nick@12testing.net">nick@12testing.net</a>&gt; wrote:<br><br>&gt; &gt; On 27 jul 2006, at 05.16, L.A. Angulo wrote:<br>&gt; &gt;
<br>&gt; &gt; &gt; what percentage of loopers go and play 100%<br>&gt; improvised<br>&gt; &gt; &gt; loops or arranged premeditated loops on stage?<br>&gt;<br>&gt; Due largely to the technicalities (an old jamman),<br>&gt; I'm 100% improvised,
<br><br>I don't understand that statement.&nbsp;&nbsp;The old JamMan<br>seems really well suited for arranged premeditated<br>loops in a song type of structure... I've seen it<br>done.&nbsp;&nbsp;Just check out Brian Kenny Fresno if you have a
<br>chance.&nbsp;&nbsp;I don't think he improvises anything in his<br>shows and he's using that JamMan almost constantly.<br><br>Mark<br><br>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?&nbsp;&nbsp;Yahoo! Mail has the best spam protection around
<br><a href="http://mail.yahoo.com">http://mail.yahoo.com</a><br><br></blockquote></div><br><br clear="all"><br>-- <br>Christopher &quot;C3&quot; Cardone<br>APC Instruments

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 27 18:51:50 2006
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Date: Thu, 27 Jul 2006 14:51:42 -0400
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Subject: Re: My thoughts on the ELECTRO HARMONIX 2880
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Yep, I had a long discussion with one of the EH programmers and he 
said that the problem was coming up with a simple way to store and 
retrieve loops using the current interface . I suggested using the 
"Next Loop" button and the 4 track select LEDS to store and access 4 
loops on the card.... it's a problem worthy of some intelligent 
thought.

Any suggestions??


>Can you add to the "wishes" section the ability to
>store multiple loops and access them ala The Repeater
>or EDP?

-- 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 01:28:44 2006
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Date: Thu, 27 Jul 2006 18:28:43 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: off-topic solution proposal
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  Re: the brewing off-topic controversy...
  I hereby offer the services of the MusicFlames newsgroup
  as a cerebral catch-basin for all ideas and comments not 
  immediately pertinent to loop technology. If you want to debate
  active vs. passive pick-up options or how to accelerate frequency
  response...or for that matter to speculate on the extraterrestrial
  origins of ancient Sumerian trance posession music, stop by and 
  say hello. We're at: http://launch.groups.yahoo.com/group/music_flames/
  MusicFlames...your samsara from the endless cycles of looping and 
  re-looping. 
   
  Cheers,
  Monica

 		
---------------------------------
Groups are talking. We&acute;re listening. Check out the handy changes to Yahoo! Groups. 
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<DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV><FONT color=#00007f size=3>Re: the brewing off-topic controversy...</FONT></DIV>  <DIV><FONT color=#00007f size=3>I hereby offer the services of the MusicFlames newsgroup</FONT></DIV>  <DIV><FONT color=#00007f size=3>as a cerebral catch-basin for all ideas and comments not </FONT></DIV>  <DIV><FONT color=#00007f size=3>immediately pertinent to loop technology. If you want to debate</FONT></DIV>  <DIV><FONT color=#00007f size=3>active vs. passive pick-up options or how to accelerate frequency</FONT></DIV>  <DIV><FONT color=#00007f size=3>response...or for that matter to speculate on the extraterrestrial</FONT></DIV>  <DIV><FONT color=#00007f size=3>origins of ancient Sumerian trance posession music, stop by and </FONT></DIV>  <DIV><FONT color=#00007f size=3>say hello. We're at: <A href="http://launch.groups.yahoo.com/group/music_flames/">http://launch.groups.yahoo.com/group/music_flames/</A></FONT></DIV> 
 <DIV><FONT color=#00007f size=3>MusicFlames...your samsara from the endless cycles of looping and </FONT></DIV>  <DIV><FONT color=#00007f size=3>re-looping. </FONT></DIV>  <DIV><FONT color=#00007f size=3></FONT>&nbsp;</DIV>  <DIV><FONT color=#00007f size=3>Cheers,</FONT></DIV>  <DIV><FONT color=#00007f size=3>Monica</FONT></DIV><p>&#32;
		<hr size=1>Groups are talking. We&acute;re listening. Check out the <a href="http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=41144/*http://groups.yahoo.com/local/newemail.html">handy changes to Yahoo! Groups.</a> 
--0-58041701-1154050123=:37979--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 02:02:54 2006
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The way I'm using looping is sort combining those improv and 
arrangement.... As a dulcimer player most of my tunes are quite structured, 
but with the looping I'm able to create a background that is starting to 
evolve into a more ambient type of sound then adding the dulcimer melody 
over the top. I don't use anything prerecorded because I believe that the 
magic of looping for the audience is knowing that what they are hearing is 
being created in front of them. I like the analogy of  watching an artist 
paint something in front you. This approach has made the music more 
interesting for me as well as my audience since it's never quite the same, 
similar but not the same.

Paul Haslem
www.dulcify.ca



At 02:27 PM 7/27/2006, you wrote:

>When im doing a solo show (looping) I am 100% improv, i do have some 
>"riffs" that will get recycled/reused as base patterns, but I have nothing 
>"pre-recorded" in any way.
>
>I like the improv aspect, the exploration so to say...its a great way to 
>just let the music flow... and let what happens be what happens
>
>just my 0.02
>
>C3

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 04:29:51 2006
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Can I post again? Please? :)

----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>

> what percentage of loopers go and play 100% improvised
> loops or arranged premeditated loops on stage?

That's my bag all right....everything I do these days is totally
spontaneous. It's like doing drugs, but it's legal.

> how do you correct a bad loop on stage,stop
> abruptly,bullshit your way while tweaking or shoe/rack
> gazing until u get it right?

To play off a famous quote of Miles Davis, "Do not be afraid of errors.
There are no errors", I never play bad or incorrect loops.  On occasion, I
might play something that doesn't ring well with me emotionally (neither 
correct nor
incorrect), but I always manage to work with it somehow. It becomes part of
me just like all my other personality, physical, and psychological flaws as 
a
human being. Even if I loop something rhythmic and my foot fails me (maybe
because I have had one too many cups of coffee or drank too much alcohol),
generating a loop that is an 8th note longer rather than what my brain 
wanted to do
initially, that instantly becomes the norm and basis of what I do
afterwards. I don't really care if I intend on playing a 4/4 phrase but it 
ends
up being 9/8 or 7/8, or even something like 13/8 or 11/8. In fact, I don't 
even
count anymore. I never know what time signature I am in unless I consciously
stop to figure it out. It's a waste of my time. Everything is feel to me 
now.

> for those who do or care how do you keep your audience
> interested,do you always loop?

I loop. I try to talk, but I never say what I want to say. Music is much 
easer as
language for me in public. I prefer to play non-stop and say thank you at
the end of the show.

> whats the best looping show you´ve been to? what made
> it so great?

I really enjoyed watching Jeff Kaiser, Rick Walker, and Ted Killian
at the Boise Experimental Music Festival.  I liked it when some folks
were talking in the crowd, and then Jeff started looping him self
whispering "stop talking".  Classic, I loved it. And their set was great.
Good chemistry, lots of space and diverse sounds, etc, etc.

> What makes you feel free while playing music?organized
> or improvised?

Improvised...as free as a person can get, at least, metaphorically.  I tend 
to subscribe
to hard determinism these days...no free will, just chemistry, neurons, 
cause and effect, and necessity. I think I'm determined to do what I do. 
Everything is a result of a cause, ad infinitum. That would be an 
unproveable premise, btw.

> i know some of this has been brought up in the past
> perhaps but i think we all could use a refreshment!
> Luis

Thanks for asking!

Kris



> --- tEd ® kiLLiAn <tedkillian@charter.net> wrote:
>
>> Hehehe, it would be nice to hear from some of the
>> young'ins . . .
>>
>> Some of my favorites went something like:
>>
>> 1. Why do you play (or loop) -- what was the journey
>> that brought you
>> here?
>>
>> 2.  Where does your music come from -- what inspires
>> you to create it?
>>
>> 3.  What are some of your  musical influences -- or
>> looping influences
>> -- and why?
>>
>> 4.  What are some of your favorite ways of using
>> your instrument or FX
>> gear in manners other than that it was designed for?
>>
>> 5. What keeps you going -- sustains you when you run
>> into a "wall",
>> carries you through when obstacles arise or when
>> you're simply tired,
>> uninspired or "bored" -- or what gets you out of a
>> musical "rut."
>>
>> Peace,
>>
>> tEd ® kiLLiAn
>>
>> "Different is not always better, but better is
>> always different"
>>
>>   http://www.pfmentum.com/flux.html
>>   http://www.CDbaby.com/cd/tedkillian
>>   http://www.guitar9.com/fluxaeterna.html
>>   http://www.garageband.com/artist/ArsOcarina
>>
>>
> http://www.towerrecords.com/product.aspx?pfid=2845073
>>
>>
> http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
>>
>>
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
>>
>> http://www.loopers-delight.com/cgi-bin/profiles.cgi?
>>
>> step=view_profile&id=121197000042
>>
>>   Ted Killian's "Flux Aeterna" is also available at:
>> Apple iTunes,
>>   BuyMusic, Rhapsody, MusicMatch, MusicNet,
>> DiscLogic, Napster,
>>   AudioLunchbox, Lindows, QTRnote, Music4Cents,
>> Etherstream,
>>   RuleRadio, EMEPE3, Sony Connect, CatchMusic,
>> Puretracks,
>>   and Viztas. Yadda, yadda, yadda. Blah, blah, blah.
>> So???
>>
>> On Jul 26, 2006, at 1:30 PM, loop.pool wrote:
>>
>> > So many people have joined this list in recent
>> years
>> > that it might be fun to revisit some of the
>> classic threads
>> > on creativity,  discussions of philosophy,
>> techniques for improving
>> > live performances, etc.
>> >
>> > I know that, personally,  these are always the
>> threads that have
>> > fascinated
>> > me and made me love being on this list.
>> >
>> > The oldtimers have weighed in on these subjects
>> but it would be cool
>> > to hear what the newest loopers have to say.
>> >
>> > What were your favorite five threads on this list
>> in the past?
>> >
>> > rick walker
>> > aka |()()p.p()()|    aka nO thiN-g
>> > www.looppool.info
>>
>
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>


From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 04:54:11 2006
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At 08:31 AM 7/27/2006, Charles Zwicky wrote:
>Separate feedback control over each track, you can simultaneously perform 
>'looping' and 'echoing' in the same performance simply by selecting the 
>appropriate track.

I was a little uncertain about the feedback controls when I had the 2880 
demoed for me at NAMM. Is it correct that the same slider used for 
controlling track feedback also controls the output level of the track? And 
the feedback is only active during overdub and track levels only active 
when not in overdub? So how does that work in practice? It would seem to me 
that when switching overdub on and off you would be switching back and 
forth between feedback and mix levels for the tracks.

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 06:16:51 2006
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Our man Flint says "Just because there is a space, doesn't mean you have to fill it.
Yes, I realize this idea may not make sense to a lot of loopers" Tasteless as this question may be to ask of him who is Kim...here goes. How often do you actually loop and what do you use to not fill in this "space" as it were...old bean? With more due respect than my remarks might suggest.

                                                             bryan helm.



                                                                         

                                                                 
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<html><body>
<DIV>Our man Flint says "Just because there is a space, doesn't mean you have to fill it.<BR>Yes, I realize this idea may not make sense to a lot of loopers" Tasteless as this question may be to ask of him who is Kim...here goes. How often do you actually loop and what do you use to not&nbsp;fill in this "space" as it were...old bean? With more due respect than my remarks might&nbsp;suggest.</DIV>
<DIV>&nbsp;</DIV>
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 06:52:42 2006
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Date: Thu, 27 Jul 2006 23:52:41 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Favorite Five Threads on L.D.
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Do it man!
i guess the question about correcting a loop that has
gone wrong would apply more to loops that are supposed
to be perfect in sync or when trying to play something
really "groovy" rhythmically.This is why the EDP has
become my looper of preference,with this machine i can
comfortably make music out of mistakes,its non latency
response and well thought out edit capabilities give
me the most confidence onstage.With the repeater i
often had little groove problems,i often had to adapt
to its little latency which made it a bit
uncomfortable,although i will miss a lot of its cool
features like panning,pitch shifting track muting etc.
so i would just say to the audience stay with me folks
i promise i will get it right;-)
cheers
Luis




--- Krispen Hartung <khartung@cableone.net> wrote:

> Can I post again? Please? :)
> 
> ----- Original Message ----- 
> From: "L.A. Angulo" <labaloops@yahoo.com>
> 
> > what percentage of loopers go and play 100%
> improvised
> > loops or arranged premeditated loops on stage?
> 
> That's my bag all right....everything I do these
> days is totally
> spontaneous. It's like doing drugs, but it's legal.
> 
> > how do you correct a bad loop on stage,stop
> > abruptly,bullshit your way while tweaking or
> shoe/rack
> > gazing until u get it right?
> 
> To play off a famous quote of Miles Davis, "Do not
> be afraid of errors.
> There are no errors", I never play bad or incorrect
> loops.  On occasion, I
> might play something that doesn't ring well with me
> emotionally (neither 
> correct nor
> incorrect), but I always manage to work with it
> somehow. It becomes part of
> me just like all my other personality, physical, and
> psychological flaws as 
> a
> human being. Even if I loop something rhythmic and
> my foot fails me (maybe
> because I have had one too many cups of coffee or
> drank too much alcohol),
> generating a loop that is an 8th note longer rather
> than what my brain 
> wanted to do
> initially, that instantly becomes the norm and basis
> of what I do
> afterwards. I don't really care if I intend on
> playing a 4/4 phrase but it 
> ends
> up being 9/8 or 7/8, or even something like 13/8 or
> 11/8. In fact, I don't 
> even
> count anymore. I never know what time signature I am
> in unless I consciously
> stop to figure it out. It's a waste of my time.
> Everything is feel to me 
> now.
> 
> > for those who do or care how do you keep your
> audience
> > interested,do you always loop?
> 
> I loop. I try to talk, but I never say what I want
> to say. Music is much 
> easer as
> language for me in public. I prefer to play non-stop
> and say thank you at
> the end of the show.
> 
> > whats the best looping show you´ve been to? what
> made
> > it so great?
> 
> I really enjoyed watching Jeff Kaiser, Rick Walker,
> and Ted Killian
> at the Boise Experimental Music Festival.  I liked
> it when some folks
> were talking in the crowd, and then Jeff started
> looping him self
> whispering "stop talking".  Classic, I loved it. And
> their set was great.
> Good chemistry, lots of space and diverse sounds,
> etc, etc.
> 
> > What makes you feel free while playing
> music?organized
> > or improvised?
> 
> Improvised...as free as a person can get, at least,
> metaphorically.  I tend 
> to subscribe
> to hard determinism these days...no free will, just
> chemistry, neurons, 
> cause and effect, and necessity. I think I'm
> determined to do what I do. 
> Everything is a result of a cause, ad infinitum.
> That would be an 
> unproveable premise, btw.
> 
> > i know some of this has been brought up in the
> past
> > perhaps but i think we all could use a
> refreshment!
> > Luis
> 
> Thanks for asking!
> 
> Kris
> 
> 
> 
> > --- tEd ® kiLLiAn <tedkillian@charter.net> wrote:
> >
> >> Hehehe, it would be nice to hear from some of the
> >> young'ins . . .
> >>
> >> Some of my favorites went something like:
> >>
> >> 1. Why do you play (or loop) -- what was the
> journey
> >> that brought you
> >> here?
> >>
> >> 2.  Where does your music come from -- what
> inspires
> >> you to create it?
> >>
> >> 3.  What are some of your  musical influences --
> or
> >> looping influences
> >> -- and why?
> >>
> >> 4.  What are some of your favorite ways of using
> >> your instrument or FX
> >> gear in manners other than that it was designed
> for?
> >>
> >> 5. What keeps you going -- sustains you when you
> run
> >> into a "wall",
> >> carries you through when obstacles arise or when
> >> you're simply tired,
> >> uninspired or "bored" -- or what gets you out of
> a
> >> musical "rut."
> >>
> >> Peace,
> >>
> >> tEd ® kiLLiAn
> >>
> >> "Different is not always better, but better is
> >> always different"
> >>
> >>   http://www.pfmentum.com/flux.html
> >>   http://www.CDbaby.com/cd/tedkillian
> >>   http://www.guitar9.com/fluxaeterna.html
> >>   http://www.garageband.com/artist/ArsOcarina
> >>
> >>
> >
>
http://www.towerrecords.com/product.aspx?pfid=2845073
> >>
> >>
> >
>
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
> >>
> >>
> >
>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
> >>
> >>
> http://www.loopers-delight.com/cgi-bin/profiles.cgi?
> >>
> >> step=view_profile&id=121197000042
> >>
> >>   Ted Killian's "Flux Aeterna" is also available
> at:
> >> Apple iTunes,
> >>   BuyMusic, Rhapsody, MusicMatch, MusicNet,
> >> DiscLogic, Napster,
> >>   AudioLunchbox, Lindows, QTRnote, Music4Cents,
> >> Etherstream,
> >>   RuleRadio, EMEPE3, Sony Connect, CatchMusic,
> >> Puretracks,
> >>   and Viztas. Yadda, yadda, yadda. Blah, blah,
> blah.
> >> So???
> >>
> >> On Jul 26, 2006, at 1:30 PM, loop.pool wrote:
> >>
> >> > So many people have joined this list in recent
> >> years
> >> > that it might be fun to revisit some of the
> >> classic threads
> >> > on creativity,  discussions of philosophy,
> >> techniques for improving
> >> > live performances, etc.
> >> >
> >> > I know that, personally,  these are always the
> >> threads that have
> >> > fascinated
> >> > me and made me love being on this list.
> >> >
> >> > The oldtimers have weighed in on these subjects
> >> but it would be cool
> >> > to hear what the newest loopers have to say.
> >> >
> >> > What were your favorite five threads on this
> list
> 
=== message truncated ===


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 06:52:50 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Favorite Five Threads on L.D.
Date: Thu, 27 Jul 2006 23:52:38 -0700
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Hi ho! Can I post one too?

> ----- Original Message ----- From: "L.A. Angulo" <labaloops@yahoo.com>
>
>> what percentage of loopers go and play 100% improvised
>> loops or arranged premeditated loops on stage?
>
>> how do you correct a bad loop on stage,stop
>> abruptly,bullshit your way while tweaking or shoe/rack
>> gazing until u get it right?

It varies. I've gone through phases of doing all my looping live and =20
finding
my way as I went. Then I'd go through another turn of mind where I get =20=

to
thinking I should really be much more disciplined and concise in my =20
soloing,
compositional thinking and playing and then swing back the other way . =20=

. .
or at least I'd try to. At times I've become my own worst cover band. =20=

Repeatable
results (like in science) was the order of the day. I'm rather bad at =20=

it however.
It never lasts long.

Much earlier though, I went through a long time of using only live, =20
real-time created
loops. Then, about 12-13 years ago, I started to think "Been there, =20
done that,"
and I began to use a sampler to play some canned loops of  "found =20
sounds" and
weird tonalities I'd created in the computer . . ones that I could =20
never have created with
just a guitar and FX processing in real time.

I'd always play guitar over it . . . and these pieces would still be =20
mainly
guitar compositions . . . but it allowed me to broaden my tonal palette =20=

just
a little, and gave me a canvas to heave great gobs of noise at in a =20
free and
unfettered way. Playing improvised guitar and loops over a just a few =20=

canned
textures and oddball rhythms really allowed me to relax a bit, and it =20=

freed
me to do the tiny little thing that I feel I'm more-or-less pretty good =20=

at.
I'm not good at everything let's face it. Few of us are.

About a year ago I tried to incorporate an Adrenalinn II into the =20
set-tup
and toyed with that for a good while. I never was totally satisfied with
the result live -- but I may still try it again sometime. Now I'm back =20=

to just
playing live loops of guitar and guitar -controlled synth and sampler.
I'm back to where I was about 20 years ago. Noodling around in a
semi-disciplined/undisciplined manner, finding my way as I go.

I do not think there is any special virtue in doing one thing or the =20
other.
The proof is in the music. Taking special pride in being a one-man-
band is all well and good, but maybe a little foolish if you limit =20
yourself to
just that. Think of all of the other interesting musicians you might =20
never
get to know or play with because you don't know anything about musical
etiquette or getting along with others in an ensemble.

The same is true with insisting on only using "live" loops that you can
create "in the moment" -- as though the music will necessarily be any
superior to something that had some part "canned." Some see some
sort of extra earned "bragging rights" in that. I don't really. I've =20
been
in both places. The only thing that matters is the music itself.

I've been trying for the past year (somewhat thwarted by my left-hand,
burnt finger injuries in early April) to get back to playing more guitar
and trying to think of myself less as a looper who plays guitar than
a guitarist/composer who utilizes loops (among other things). I could
think of nothing sadder than if my music's only distinction (when I'm
turning up daisies someday) is just that it had loops in it, or I used a
particular FX box, some bit of software on some computer or another
(if I ever get around to taking the laptop plunge).

I've been looping (one way or another) since '81 or '82. It's a big part
of what I do and part of my love for making music and my appreciation
for the times we live in (politically dark though they may often seem).
Looping formed a good part of who I am musically . . . but is not me.
I don't want it to define me. If all of the electricity in the world =20
ceased
to function tomorrow. I think I could still make interesting music. I =20=

like
to tell myself that at least. Heheheh.

It might get me out and playing with others a lot more too. I spend too
much time on my own musically. Other folks input gives you perspective
. . . even if you don't agree with them on some points. That's one of =20=

the
things I really appreciate about this list (tips invisible hat to Kim).

Before I got on it, there were very few people that I was aware of that
were doing anything similar to myself (other than the famous Frippster,
David Torn, Paul Dresher and a few academics, or so I thought). Even
my good pal Jeff Kaiser was not looping (per se) back then. I flattered
myself (groan) to imagine myself so unique and alone in my little corner
of the universe. I've learned so much since then . . . and I've made =20
many
many friends too.

I'm no longer alone . . . and . . . happily . . . not so central and =20
significant
in my own bubble universe. There are other people here. Many (if not
most) make better use of loops . . and a lot better music than I do.
I am honored to be among this crowd and I even get invited to play with
some of you in various places. How cool is that?

As for bad loops on stage . . . waddya mean? I meant to play that . . .
over and over and over and over . . . . . A "clam" (wrong note) that is
played just once may still be a "clam." But, a looped "clam" becomes
an opportunity to make a discovery in unexpected musical territory.
I AGONIZE worst over single notes I played in passing . . . but seldom
over loops that "went wrong" any more. It's a fun challenge to make
someting "artful" and "satifying" out of the haphazard glitches that
human error (especially my human error) induces and produces.

Peace,

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

--Apple-Mail-33--331300836
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Hi ho! Can I post one too?


<excerpt>----- Original Message ----- From: "L.A. Angulo"
<<labaloops@yahoo.com>


<excerpt>what percentage of loopers go and play 100% improvised

loops or arranged premeditated loops on stage?

</excerpt>

<excerpt>how do you correct a bad loop on stage,stop

abruptly,bullshit your way while tweaking or shoe/rack

gazing until u get it right?

</excerpt></excerpt>

It varies. I've gone through phases of doing all my looping live and
finding=20

my way as I went. Then I'd go through another turn of mind where I get
to

thinking I should really be much more disciplined and concise in my
soloing,

compositional thinking and playing and then swing back the other way .
. .

or at least I'd try to. At times I've become my own worst cover band.
Repeatable=20

results (like in science) was the order of the day. I'm rather bad at
it however.

It never lasts long.


Much earlier though, I went through a long time of using only live,
real-time created=20

loops. Then, about 12-13 years ago, I started to think "Been there,
done that,"=20

and I began to use a sampler to play some canned loops of  "found
sounds" and=20

weird tonalities I'd created in the computer . . ones that I could
never have created with=20

just a guitar and FX processing in real time.=20


I'd always play guitar over it . . . and these pieces would still be
mainly=20

guitar compositions . . . but it allowed me to broaden my tonal
palette just

a little, and gave me a canvas to heave great gobs of noise at in a
free and

unfettered way. Playing improvised guitar and loops over a just a few
canned=20

textures and oddball rhythms really allowed me to relax a bit, and it
freed=20

me to do the tiny little thing that I feel I'm more-or-less pretty
good at.

I'm not good at everything let's face it. Few of us are.


About a year ago I tried to incorporate an Adrenalinn II into the
set-tup

and toyed with that for a good while. I never was totally satisfied
with=20

the result live -- but I may still try it again sometime. Now I'm back
to just=20

playing live loops of guitar and guitar -controlled synth and sampler.

I'm back to where I was about 20 years ago. Noodling around in a

semi-disciplined/undisciplined manner, finding my way as I go.


I do not think there is any special virtue in doing one thing or the
other.

The proof is in the music. Taking special pride in being a one-man-=20

band is all well and good, but maybe a little foolish if you limit
yourself to=20

just that. Think of all of the other interesting musicians you might
never=20

get to know or play with because you don't know anything about musical=20=


etiquette or getting along with others in an ensemble.=20


The same is true with insisting on only using "live" loops that you
can=20

create "in the moment" -- as though the music will necessarily be any

superior to something that had some part "canned." Some see some

sort of extra earned "bragging rights" in that. I don't really. I've
been

in both places. The only thing that matters is the music itself.


I've been trying for the past year (somewhat thwarted by my left-hand,

burnt finger injuries in early April) to get back to playing more
guitar

and trying to think of myself less as a looper who plays guitar than

a guitarist/composer who utilizes loops (among other things). I could=20

think of nothing sadder than if my music's only distinction (when I'm

turning up daisies someday) is just that it had loops in it, or I used
a=20

particular FX box, some bit of software on some computer or another

(if I ever get around to taking the laptop plunge).


I've been looping (one way or another) since '81 or '82. It's a big
part

of what I do and part of my love for making music and my appreciation=20

for the times we live in (politically dark though they may often seem).

Looping formed a good part of who I am musically . . . but is not me.=20

I don't want it to define me. If all of the electricity in the world
ceased=20

to function tomorrow. I think I could still make interesting music. I
like=20

to tell myself that at least. Heheheh.


It might get me out and playing with others a lot more too. I spend too

much time on my own musically. Other folks input gives you perspective

. . . even if you don't agree with them on some points. That's one of
the=20

things I really appreciate about this list (tips invisible hat to Kim).


Before I got on it, there were very few people that I was aware of that

were doing anything similar to myself (other than the famous
Frippster,=20

David Torn, Paul Dresher and a few academics, or so I thought). Even

my good pal Jeff Kaiser was not looping (per se) back then. I
flattered=20

myself (groan) to imagine myself so unique and alone in my little
corner=20

of the universe. I've learned so much since then . . . and I've made
many=20

many friends too.=20


I'm no longer alone . . . and . . . happily . . . not so central and
significant=20

in my own bubble universe. There are other people here. Many (if not

most) make better use of loops . . and a lot better music than I do.

I am honored to be among this crowd and I even get invited to play with

some of you in various places. How cool is that?


As for bad loops on stage . . . waddya mean? I meant to play that . . .

over and over and over and over . . . . . A "clam" (wrong note) that
is=20

played just once may still be a "clam." But, a looped "clam" becomes=20

an opportunity to make a discovery in unexpected musical territory.

I AGONIZE worst over single notes I played in passing . . . but seldom

over loops that "went wrong" any more. It's a fun challenge to make

someting "artful" and "satifying" out of the haphazard glitches that=20

human error (especially my human error) induces and produces.


Peace,


tEd =AE kiLLiAn


<color><param>9B9A,9B9A,9B9A</param>"Different is not always better,
but better is always different"


 http://www.pfmentum.com/flux.html

 http://www.CDbaby.com/cd/tedkillian

 http://www.guitar9.com/fluxaeterna.html

 http://www.garageband.com/artist/ArsOcarina

 http://www.towerrecords.com/product.aspx?pfid=3D2845073

 http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

 http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193


=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


 Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

 BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

 AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

 RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

 and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>


--Apple-Mail-33--331300836--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 07:01:37 2006
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Subject: organized or improvised (was: Favorite Five Threads on L.D.)
Date: Fri, 28 Jul 2006 09:01:31 +0200
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Somehow related:
How many of you are really "musically educated"?
I mean can you read a staff?, can you play in all keys?, can you modulate 
without thinking about it?....
I have no musical training, having always learn by ear and trial/error, I 
feel it difficult to do live looping without an undo function or without 
rehearsing before committing the loop.
I'm still mainly looping at home, making too much mistakes now to think 
about some public performance.
I also changed my instruments (trying now to play the guitar which of course 
doesn't help :-)).
I like guitar because it easier to transpose and the overdubs doesn't 
saturate too easily (2 layers of synth sounds already muddy)
OK I have fun at home doing a basic I-V-IV in barre chords with some "solo" 
overdubs but I guess an audience will find it quickly boring.

Any recommendation/exercises to improve my looping technics?
Something I tried recently is to download some tabs from the net, isolate 2 
or 3 measures, play just the lower string, then add the other notes string 
by string. This is a good way to construct something someone might recognise 
and allow me to construct chords I wouldn't be able to play yet with my 
limited left hand mobility.

greetings from Belgium,

Ben
----- Original Message ----- 
From: "Krispen Hartung" <khartung@cableone.net>
>> how do you correct a bad loop on stage,stop
>> abruptly,bullshit your way while tweaking or shoe/rack
>> gazing until u get it right?
>
> To play off a famous quote of Miles Davis, "Do not be afraid of errors.
> There are no errors", I never play bad or incorrect loops.  On occasion, I
> might play something that doesn't ring well with me emotionally (neither 
> correct nor
> incorrect), but I always manage to work with it somehow. It becomes part 
> of
> me just like all my other personality, physical, and psychological flaws 
> as a
> human being. Even if I loop something rhythmic and my foot fails me (maybe
> because I have had one too many cups of coffee or drank too much alcohol),
> generating a loop that is an 8th note longer rather than what my brain 
> wanted to do
> initially, that instantly becomes the norm and basis of what I do
> afterwards. I don't really care if I intend on playing a 4/4 phrase but it 
> ends
> up being 9/8 or 7/8, or even something like 13/8 or 11/8. In fact, I don't 
> even
> count anymore. I never know what time signature I am in unless I 
> consciously
> stop to figure it out. It's a waste of my time. Everything is feel to me 
> now.
> 


	

	
		
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 07:16:14 2006
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Message-ID: <20060728071612.77542.qmail@web38603.mail.mud.yahoo.com>
Date: Fri, 28 Jul 2006 00:16:12 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Re: should we name it echoing ? 
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Andy id love to hear this new technique of yours man!
Your CD is full of inovative ideas that im still
learning from it.
I guess what i see lately is that there is a change in
the way people are looping, perhaps due to the change
in looping technology.When i first joined this list
about 9 years ago 99% of the looping i heard was
"soundscapes" and although i do love it i wanted to
hear more song structure looping as well as loops
synced to samplers and drum machines,i still find this
very challenging to make it creative and dont hear it
too often from folks in this list.Claude Voits and
some of the older stuff from Lafosse are one of the
few ones ive heard.
If anybody is doing creative stuff with the EDPs and
Akai MPC1000 please let me know!
cheers
Luis



--- a k butler <akbutler@tiscali.co.uk> wrote:

> At 05:11 27/07/2006, you wrote on LD
> >different styles,but allright looping is looping...
> >so id like to see fripp or Matthias doing more
> >sequence style looping!
> >cheers
> >Luis
> 
> hi Luis....nice topic
> 
> Fripp seems to be stuck firmly in the tape delay
> era, I wonder if 
> people who worked with that have a block on seeing
> the possibilities 
> of digital looping.
> Matthias Grob is already a pioneer in bridging the
> gap between the 
> old and the new, he plays with rhythm and feedback
> together.  ...but 
> yes, it would be very nice to hear him trying out
> some of the "newer" 
> techniques.
> 
> It would also be nice if Andre Lafosse would let
> some of his glitchy 
> rhythms fade out once in a while, while building up
> a wash over them.
> 
> To make a split between feedback-looping and
> sample-looping maybe 
> helps in discussion, but there's actually not a
> distinct barrier 
> between those two styles, other than the one
> produced by lack of imagination.
> With new technology, there's always the opportunity
> to make "old" 
> music quicker and easier, and usually that's the
> first use it gets 
> put to, but there's also the possibility to make a
> new music that 
> no-one heard before, that's something I find
> interesting.
> 
> andy butler
> 
> ps
> Recently I've been using feedback in a different
> way, using rapid 
> drops in feedback level to replace small sections of
> what is 
> essentially a "sample" based loop.....so that's
> feedback, but it's 
> hardly "echoing".
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 07:16:19 2006
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References: <072820060616.6642.44C9ABCF0005E887000019F222165514060196010D9F010104@comcast.net>
Subject: process Vs product - warning, long winded but not OT
Date: Fri, 28 Jul 2006 08:16:20 +0100
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This dichotomy has been bouncing around in the back of my mind for a =
while now and the recent thread about Rico loop, or whatever his name =
is, has brought it to the surface.
I kind of enjoyed watching the video of his performance. I admired his =
dexterity. I found him engaging, despite the commercial inserts, (which =
I appreciate was his reson d'etre).
I found him entertaining. I would probably go and see him if he were =
playing near to me.=20
BUT
I wouldn't buy his music. I didn't like the music. I've heard better =
music in the same genre produced by other methods in a studio or with a =
live band.
It reminds me of a steve vai concert  - 99% of the audience are =
guitarists - the other 1% are their supportive partners, (I'm making an =
assumtion here).
I only liked watching rico because I loop too and I'm interested from =
the point of view of improving my own abilities in looping.
What I'm taking away from this is that I feel I must divorce the process =
from the product. The music must stand on it's own - regardless of how =
its made.
As musicians we have access to the back room of the phenomenon known to =
listeners as music.
We know what goes on behind the scenes whether its in terms of theories =
of harmony, rhythm, melody or in terms of structure, dexterity, tone =
and, in the age of predominantly amplified music, technical sound. Most =
listeners don't care about these concepts.=20
What I feel we must aspire to is pure music. Stuff you can pop on the CD =
player and love without regard for the way it was made.
I got into looping because I loved hearing the effect of dense textures =
building a world of majestically repeating, spiralling sound.
What I want to know is. How sucessful are you at separating process from =
product?
Maybe you don't think they should be separated. Maybe you think I'm =
wrong.
maybemaybemaybemaybmaybmabmaymaymamamamammmmmmmmmmm

G
------=_NextPart_000_002A_01C6B21E.1BAE5250
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>This dichotomy has been bouncing around =
in the back=20
of my mind for a while now and the recent thread about Rico loop, or =
whatever=20
his name&nbsp;is, has brought it to the surface.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I kind of enjoyed watching the video of =
his=20
performance. I admired his dexterity. I found him engaging, despite the=20
commercial inserts, (which I appreciate was his reson =
d'etre).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I found him entertaining. I would =
probably go and=20
see him if he were playing near to me. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>BUT</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I wouldn't buy his music. I didn't like =
the music.=20
I've heard better music in the same genre produced by other methods in a =
studio=20
or with a live band.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>It reminds me of a steve vai =
concert&nbsp; - 99% of=20
the audience are guitarists - the other 1% are their supportive =
partners, (I'm=20
making an assumtion here).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I only liked watching =
rico&nbsp;<EM>because I loop=20
too</EM> and I'm interested from the point of view of improving my own =
abilities=20
in looping.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>What I'm taking away from this is that =
I feel I=20
must divorce the process from the product. The music must stand on it's =
own -=20
regardless of <EM>how</EM> its made.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>As musicians we have access to the back =
room of the=20
phenomenon known to listeners as music.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>We know what goes on behind the scenes =
whether its=20
in terms of theories of harmony, rhythm, melody or in terms of =
structure,=20
dexterity, tone&nbsp;and, in the age of predominantly amplified music, =
technical=20
sound. Most listeners don't care about these concepts. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>What I feel we must aspire to is pure =
music. Stuff=20
you can pop on the CD player and love without regard for the way it was=20
made.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I got into looping because I loved =
hearing the=20
effect of dense textures building a world of majestically repeating, =
spiralling=20
sound.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>What I want to know is. How sucessful =
are you at=20
separating process from product?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Maybe you don't think they should be =
separated.=20
Maybe you think I'm wrong.</FONT></DIV>
<DIV><FONT face=3DArial=20
size=3D2>maybemaybemaybemaybmaybmabmaymaymamamamammmmmmmmmmm</FONT></DIV>=

<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>G</FONT></DIV></BODY></HTML>

------=_NextPart_000_002A_01C6B21E.1BAE5250--


From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 07:31:16 2006
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From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Staying on the Looping topic
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I also have to mention that(and u ol timers know what
i am talking about) there was a time when this list
became a battlefield and offensive which was
absolutely uneccesary and uneducational yet that didnt
seem to be "off topic" and moderation was left up to
us.I personally dont mind deviations as long as we can
learn something and is related to what we are doing.
Luis



--- "loop.pool" <looppool@cruzio.com> wrote:

> I agree with much of what Kim said in terms of
> people disciplining 
> themselves to stay on the
> topic of looping and I have probably been as guilty
> of that as anyone.
> 
> That being said,  I do want to beg to differ about
> this statement:
> 
> "This list is not here to discuss computer
> problems, or favorite VST effects, or DAW
> recommendations........
> (just to pick on a few random, recent off-topics.)"
> 
> 
> The fact of the matter is that the major innovations
> in the real time 
> looping world in the past three or so
> years have been mostly in the computer software
> realm.
> 
> With the exception of the Looperlative there have
> not been very many 
> innovations in the hardware world
> at all (with the exception of more powerful floor
> effects pedals like the 
> Boss RC 50).
> 
> Consequently,  discussions about things like DAW
> recommendations (because 
> live looping VSTs HAVE
> to be hosted somewhere in your laptop) or VST
> effects,  which have 
> everything to do with how your music
> is manifest if you are using a laptop computer set
> up to loop live are 
> extremely pertinent to the world
> of live looping.
> 
> I'm actually still almost entirely a hardware live
> looper but there are no 
> ifs, ands or buts about it,   there is a lot
> out there in the laptop software world that is
> rapidly changing the playing 
> field (from Augustus loop to Mobius
> to Ableton's Live,  etc.)
> 
> The computer software live looping solutions are in
> their infancy so there 
> are bound to be discussions
> about what's wrong with them or what types of
> computers are most appropriate 
> to solve those solutions.
> Not everyone is going to chose that solution,
> necessarily but I imagine it 
> takes up a lot of thought in a lot
> of people doing looping in front of an audience in
> real time.
> 
> At the looping festivals the number of people using
> laptop/software looping 
> solutions has risen dramatically in the past three
> years.
> 
> If , however, the majority of people on this list
> think that these are 
> innapropriate 'off topic' posts then I am willing
> to cease and desist my own discussions of these
> things  but I don't think 
> they are.
> 
> I also agree, though , that reeling those
> discussions into only things that 
> dovetail into live looping should be our task.
> 
> respectfully,   Rick Walker 
> 
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 07:41:12 2006
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From: "nick@12testing.net" <nick@12testing.net>
To: Loopers-Delight@loopers-delight.com,
	mark sottilaro <zerocrossing2001@yahoo.com>
Date: Fri, 28 Jul 2006 08:40:39 +0100
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Subject: Re: improv vs arrangement
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On 27 Jul 2006 at 11:07, mark sottilaro wrote:

> > --- "nick@12testing.net" <nick@12testing.net> wrote:
> > Due largely to the technicalities (an old jamman), I'm 100% improvised,

> I don't understand that statement.  The old JamMan
> seems really well suited for arranged premeditated
> loops in a song type of structure... 

Sorry, I didn't make myself clear - I meant by comparison with the 
modern machines, where you can easily store multiple loops and switch 
/ mix between them to create an arrangement, rather than the jamman 
"buld up, fade away" variety.


All the best,

Nick Robinson


From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 07:52:15 2006
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From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: organized or improvised (was: Favorite Five Threads on L.D.)
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   I bet most of us only make these mistakes alone at
home.I dont have an undo function and I think it keeps
me on my toes while performing,maybe i just get very
lucky.I like to walk on the thin ice,knowing there are
lobster traps in the depths below.It helps me to be
sort of "out there"and its very rewarding when you
take a listener there.You know that look of amazement
they get that is kinda like a glow/gleam in the eye?
    Have a fantastic journey,
        Danny deaf dumb and blind.

--- Ben <benoitruelle@yahoo.fr> wrote:

> Somehow related:
> How many of you are really "musically educated"?
> I mean can you read a staff?, can you play in all
> keys?, can you modulate 
> without thinking about it?....
> I have no musical training, having always learn by
> ear and trial/error, I 
> feel it difficult to do live looping without an undo
> function or without 
> rehearsing before committing the loop.
> I'm still mainly looping at home, making too much
> mistakes now to think 
> about some public performance.
> I also changed my instruments (trying now to play
> the guitar which of course 
> doesn't help :-)).
> I like guitar because it easier to transpose and the
> overdubs doesn't 
> saturate too easily (2 layers of synth sounds
> already muddy)
> OK I have fun at home doing a basic I-V-IV in barre
> chords with some "solo" 
> overdubs but I guess an audience will find it
> quickly boring.
> 
> Any recommendation/exercises to improve my looping
> technics?
> Something I tried recently is to download some tabs
> from the net, isolate 2 
> or 3 measures, play just the lower string, then add
> the other notes string 
> by string. This is a good way to construct something
> someone might recognise 
> and allow me to construct chords I wouldn't be able
> to play yet with my 
> limited left hand mobility.
> 
> greetings from Belgium,
> 
> Ben
> ----- Original Message ----- 
> From: "Krispen Hartung" <khartung@cableone.net>
> >> how do you correct a bad loop on stage,stop
> >> abruptly,bullshit your way while tweaking or
> shoe/rack
> >> gazing until u get it right?
> >
> > To play off a famous quote of Miles Davis, "Do not
> be afraid of errors.
> > There are no errors", I never play bad or
> incorrect loops.  On occasion, I
> > might play something that doesn't ring well with
> me emotionally (neither 
> > correct nor
> > incorrect), but I always manage to work with it
> somehow. It becomes part 
> > of
> > me just like all my other personality, physical,
> and psychological flaws 
> > as a
> > human being. Even if I loop something rhythmic and
> my foot fails me (maybe
> > because I have had one too many cups of coffee or
> drank too much alcohol),
> > generating a loop that is an 8th note longer
> rather than what my brain 
> > wanted to do
> > initially, that instantly becomes the norm and
> basis of what I do
> > afterwards. I don't really care if I intend on
> playing a 4/4 phrase but it 
> > ends
> > up being 9/8 or 7/8, or even something like 13/8
> or 11/8. In fact, I don't 
> > even
> > count anymore. I never know what time signature I
> am in unless I 
> > consciously
> > stop to figure it out. It's a waste of my time.
> Everything is feel to me 
> > now.
> > 
> 
> 
> 	
> 
> 	
> 		
>
___________________________________________________________________________
> 
> Découvrez un nouveau moyen de poser toutes vos
> questions quelque soit le sujet ! 
> Yahoo! Questions/Réponses pour partager vos
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> 
> 


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From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 08:02:18 2006
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Date: Fri, 28 Jul 2006 01:02:17 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: should we name it echoing ? (was RC-50 FEEDBACK WORKS)
To: Loopers-Delight@loopers-delight.com
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Its beautiful stuff Matthias you are the master at it
and i love your CD
keep evolving my friend.
Luis

--- Matthias Grob <matilists@atarde.com.br> wrote:

> no, Luis
> if you listen to how my pieces develop, you dont
> think of an echo.
> Its about evolution, substitution...
> 
> >I see slowly two diferent types of looping here and
> it
> >occurs to me that none of the loopers video demos
> show
> >the use of the feedback feature...
> >should we name looping with feedback perhaps
> echoing?
> >Luis
> >
> >--- Jeff Kaiser <loopersdelight@pfmentum.com>
> wrote:
> >
> >>  On Jul 19, 2006, at 8:50 PM, Gary Lehmann wrote:
> >>
> >>  > continuing to add layers without being able to
> >>  reduce
> >>  > the amount of accumulated sound (I have come
> to
> >>  refer to this as the
> >>  > "Lobster trap") is neither artistic nor
> creative.
> >>
> >>
> >>  Ahh, dogma! Fundamentalist loopers unite! I love
> >>  rules! :-)
> >>
> >>  All options are good....and have creative
> >>  possiblilities....I don't
> >>  personally use a feedback control function, but
> am
> >>  glad to see it as an
> >>  option for those that want it.
> >>
> >>  Feedback control is good, no feedback control is
> >>  good.
> >>
> >>  My dogma is: The truth is the sum of all dogmas.
> >>
> >>  Now, back to this evening's ale of choice:
> Piraat.
> >>
> >>  BTW, Kris Hartung, I miss the Bitter Creek Ale
> >>  house!!! Rogue XS Old
> >>  Crustacean Barleywine ale rocks......
> >>
> >>  :-)
> >>
> >>  best regards,
> >>
> >>  Jeff
> >>
> >>
> >
> >
> >www.myspace.com/luisangulocom
> >
> >__________________________________________________
> >Do You Yahoo!?
> >Tired of spam?  Yahoo! Mail has the best spam
> protection around
> >http://mail.yahoo.com
> 
> 
> -- 
> 
> 
>           ---> http://www.matthiasgrob.com
> 
> 


www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 08:04:22 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: process Vs product - warning, long winded but not OT
Date: Fri, 28 Jul 2006 01:04:17 -0700
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Gareth,

I missed the whole thread about Rico. But I tend to agree with your =20
assessment
of "product vs process."

As I've said recently elsewhere, if all we (or our music) were =20
remembered for
(should we be so lucky to be remembered at all) is our association with =20=

a
particular piece of gear and our technological method of producing said =20=

music
. . . not the product itself but the hardware, technique, the process . =20=

. . it would
be a rather pointless and sad thing.

In another arena it would be like being remembered as the lucky owner
of a rare Stradivarius violin and regarded more for that than for for =20=

the music
you played on it. How pathetic.

I know a lot of pretty mediocre middle-aged guys who now have disposable
income enough to afford an expensive instrument or amp and take more =20
pride
and personal validation in that than the music they can (or cannot) =20
play on it.
Look at me! Look at me! I've got a big (fill in the blank). Am I cool =20=

yet?

Bigger amp, taller rack, faster picking on pointier guitars . . . It's =20=

sort of like the
great big pickup trucks and big tires all over the highways over here =20=

in the US.
All of these pin-headed little guys (and gals) buy these Hummers and =20
stuff
to compensate for something they feel they lack elsewhere. It's as sure =20=

as
human nature. Anywho . . . I digress.

Pure music. That's where it's at. I'm ugly, I'm old, I'm grey-haired =20
and fat. Ain't
nobody gonna think I'm cool at this point anyway, no matter what I do. =20=

I'm making
this noise for myself and my colleagues and friends on this list . . . =20=

my tribe. If my
gear isn't all old obsolete crapolla now it will be someday. Love of =20
music itself is
the only real valid point for playing it in the first place.

On the other hand . . . maybe I'm compensating for something too. Oh =20
hell.

Peace,

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

--Apple-Mail-34--327001681
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

<color><param>0000,0000,0000</param>Gareth,


I missed the whole thread about Rico. But I tend to agree with your
assessment=20

of "product vs process."=20


As I've said recently elsewhere, if all we (or our music) were
remembered for=20

(should we be so lucky to be remembered at all) is our association
with a=20

particular piece of gear and our technological method of producing
said music

. . . not the product itself but the hardware, technique, the process
. . . it would=20

be a rather pointless and sad thing.=20


In another arena it would be like being remembered as the lucky owner=20

of a rare Stradivarius violin and regarded more for that than for for
the music=20

you played on it. How pathetic.


I know a lot of pretty mediocre middle-aged guys who now have
disposable

income enough to afford an expensive instrument or amp and take more
pride=20

and personal validation in that than the music they can (or cannot)
play on it.

Look at me! Look at me! I've got a big (fill in the blank). Am I cool
yet?


Bigger amp, taller rack, faster picking on pointier guitars . . . It's
sort of like the=20

great big pickup trucks and big tires all over the highways over here
in the US.=20

All of these pin-headed little guys (and gals) buy these Hummers and
stuff=20

to compensate for something they feel they lack elsewhere. It's as
sure as

human nature. Anywho . . . I digress.


Pure music. That's where it's at. I'm ugly, I'm old, I'm grey-haired
and fat. Ain't

nobody gonna think I'm cool at this point anyway, no matter what I do.
I'm making=20

this noise for myself and my colleagues and friends on this list . . .
my tribe. If my=20

gear isn't all old obsolete crapolla now it will be someday. Love of
music itself is=20

the only real valid point for playing it in the first place.=20


On the other hand . . . maybe I'm compensating for something too. Oh
hell.


</color>Peace,


tEd =AE kiLLiAn


<color><param>9B9A,9B9A,9B9A</param>"Different is not always better,
but better is always different"


 http://www.pfmentum.com/flux.html

 http://www.CDbaby.com/cd/tedkillian

 http://www.guitar9.com/fluxaeterna.html

 http://www.garageband.com/artist/ArsOcarina

 http://www.towerrecords.com/product.aspx?pfid=3D2845073

 http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

 http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193


=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


 Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

 BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

 AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

 RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

 and Viztas. Yadda, yadda, yadda. Blah, blah, blah.
So???</color><color><param>0000,0000,0000</param>=20

</color>=

--Apple-Mail-34--327001681--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 08:28:20 2006
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	"=?ISO-8859-1?Q?tEd_=AE_kiLLiAn?=" <tedkillian@charter.net>
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On 27 Jul 2006 at 23:52, tEd =AE kiLLiAn wrote:

>  It's a fun challenge to make someting "artful"
> and "satifying" out of the haphazard glitches that human error
> (especially my human error) induces and produces.

Absolutely. I remember about 15 years ago I was recording a 
soundscape that seemed to be going well until my 3 year old daughter 
helped me by adding some "un-volumed" notes. Cursing fluently, I 
carried on to a conclusion. As I listened back, dreading the moment, 
it sounded perfectly in context and actually brought some life to the 
piece.

I still have similar moments, especially when using the guitar synth. 
Many of my patches have a slow attack, so I don't need to juggle with 
the volume control, but there's also a bank of kotos, banjos & so 
forth. What a joyful moment when with a misplaced tap of the toe, a 
loud mini-moog bass note rings out over a contemplative section! As 
Ted says, the fun is then to "make it work". 

In many ways, looping is the perfect example of the motto "if you 
play a bum note, play it again and pretend it's jazz".




All the best,

Nick Robinson


From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 08:32:03 2006
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From: geoff smith <geoff.smith97@virgin.net>
Subject: Re: RC-50 & "Insert" (edp)
Date: Thu, 27 Jul 2006 19:53:06 +0100
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Thanks
does it happen instantly or do you hear it on the next time around.
I really liked that about the edp the fact that you could insert=20
replace something but not hear it until the next loop cycle it was a=20
very creative and also cunning way to deconstruct a loop and change it=20=

into something musically different.
if the boss does that i may leave sooperlooper and go back to hardware=20=

as overdub and inserting are the two most important functions to me.
cheers
geoff

On 27 Jul 2006, at 10:01, Buzap Buzap wrote:

> Hi
>
> here was a question on the forum if the RC-50 has an "Insert" fucntion=20=

> like edp.
> Just checked the EDP manual.
> So, basically the RC-50 has three "OVERDUB MODES":
> - OVERDUB: works like normal Overdub
> - REPLACE: works like Substitute on EDP I guess
> - PUNCH-IN: like REPLACE, but just as long as pedal is pressed.
>
> there is no insert in a way that you can put something in the middle=20=

> of a loop and make it longer.
> It can be only done to some extencd with a work-around - I figured out=20=

> that you can do pretty much everything - more or less - with some=20
> work-around on the RC-50 (just needs 7 pedal presses instead of 2 ;-).
>
> Best regards
> Buzap
> --=20
>
>
> "Feel free" =96 10 GB Mailbox, 100 FreeSMS/Monat ...
> Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 08:52:03 2006
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From: "Fabio Anile" <fabio.anile@tiscali.it>
To: <Loopers-Delight@loopers-delight.com>
References: <026a01c6b0f2$5e37d790$64ddfea9@DAYGLOGREEN>
Subject: Re: Favorite Five Threads on L.D.
Date: Fri, 28 Jul 2006 10:51:56 +0200
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My favourite 5 threads :
1. looping technics (feedback, insert, etc....)
2. the "how do you...." threads (in a gig context, for example)
3. gear rewievs and informations about new hardware/software gear
4. loopers music interests
5.  Why looping.

Ciao

Fabio Anile
http://xoomer.alice.it/eterogeneo/
http://xoomer.alice.it/eterogeneo/VIDEO/
http://xoomer.alice.it/eterogeneo/Great_Speeches/index.htm
http://www.vitaminic.it/artist/eterogeneo/podcast





----- Original Message ----- 
From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 26, 2006 10:30 PM
Subject: Favorite Five Threads on L.D.


> So many people have joined this list in recent years
> that it might be fun to revisit some of the classic threads
> on creativity,  discussions of philosophy,  techniques for improving
> live performances, etc.
>
> I know that, personally,  these are always the threads that have 
> fascinated
> me and made me love being on this list.
>
> The oldtimers have weighed in on these subjects but it would be cool
> to hear what the newest loopers have to say.
>
> What were your favorite five threads on this list in the past?
>
> rick walker
> aka |()()p.p()()|    aka nO thiN-g
> www.looppool.info
> 


From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 10:37:30 2006
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Subject: Re: Lidell on Max/MSP and looping....
Date: Fri, 28 Jul 2006 10:37:23 +0000
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unsuscribe


>From: Per Boysen <perboysen@gmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Lidell on Max/MSP and looping....
>Date: Wed, 19 Jul 2006 22:06:47 +0200
>
>On 19 jul 2006, at 09.34, Jeff Kaiser wrote:
>
>>I just saw this, and I know there are those interested in lidell......
>>http://www.cycling74.com/download/videos/jamie_lidell_web.mov
>>or
>>http://tinyurl.com/ldgns
>>also other interesting new videos, including Kevin Blechdom:
>>http://www.cycling74.com/section/artists
>
>
>Thank you for that link! Very interesting to hear his take on max.  Right 
>now I'm in that situation he describes in the opening scene:  having kept 
>Max on my shopping list for years but never actually had  the option to set 
>aside time to get into it. And lately I've found  ways to tweak Möbius into 
>doing most of my dream tricks, almost  everything I wanted to make me a max 
>patch for, so I guess might be  learning max on spare time in the future... 
>eventually. I'm lazy and  frightened by having to sit down and program 
>(instead of making  music) and I have a certain feeling that before I have 
>even come  halfway with Max Jeff Larsson would have fully implemented a 
>similar  function in Mobius ;-)
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se (Swedish)
>www.looproom.com (international)
>http://tinyurl.com/fauvm (podcast)
>http://www.myspace.com/looproom
>
>
>

_________________________________________________________________
Découvrez Windows Live Messenger : le futur de MSN Messenger ! 
www.windowslivemessenger.fr

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 14:03:32 2006
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From: "Krispen Hartung" <khartung@cableone.net>
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Subject: how do you correct a bad loop on stage, etc
Date: Fri, 28 Jul 2006 08:03:29 -0600
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Interesting side topic from this...I have yet to experience my laptop or VST 
host crash during a performance. So what would I do if this occurred?  I'd 
naturally play off the prior themes I was creating with my loops and 
effects, and continue that thread of feel  in solo...just the guitar, dry 
with no effects or looping...I'd do that for a while and then naturally end 
the piece, take a break, and then reboot.  In short, I'd make it "appear" 
all planned, like most professionals in the entertainment business would do. 
The show must go on. Of course, the fear of doing otherwise is probably a 
defect of my compulsive personality, and an overly exaggurated sense of 
self-pride in my work.

I always cringe when most musicians make mistakes or experience gear issues 
and then make the audience aware of this in detail, completely blowing the 
feel of the performance. Some performers have a good sense of humor and can 
pull it off, making jokes and making the audience laugh at the technological 
blunder...others stumble around and it comes across as really awkward and 
unprofessional.  And then my biggest pet peeve is when performers make 
mistakes and insist on telling the audience this, self-deprecating 
themselves in the process. "whoops, sorry, oh, let's try that again...sorry, 
I need to practice, etc, etc".  I feel so embarrassed for people when they 
do that. I prefer that they just keep going rather than repeat the mistake 
or section ad nauseum, as if they have to get it right to move on.

Kris

----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 28, 2006 12:52 AM
Subject: Re: Favorite Five Threads on L.D.


>
> Do it man!
> i guess the question about correcting a loop that has
> gone wrong would apply more to loops that are supposed
> to be perfect in sync or when trying to play something
> really "groovy" rhythmically.This is why the EDP has
> become my looper of preference,with this machine i can
> comfortably make music out of mistakes,its non latency
> response and well thought out edit capabilities give
> me the most confidence onstage.With the repeater i
> often had little groove problems,i often had to adapt
> to its little latency which made it a bit
> uncomfortable,although i will miss a lot of its cool
> features like panning,pitch shifting track muting etc.
> so i would just say to the audience stay with me folks
> i promise i will get it right;-)
> cheers
> Luis
>
>
>
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>> Can I post again? Please? :)
>>
>> ----- Original Message ----- 
>> From: "L.A. Angulo" <labaloops@yahoo.com>
>>
>> > what percentage of loopers go and play 100%
>> improvised
>> > loops or arranged premeditated loops on stage?
>>
>> That's my bag all right....everything I do these
>> days is totally
>> spontaneous. It's like doing drugs, but it's legal.
>>
>> > how do you correct a bad loop on stage,stop
>> > abruptly,bullshit your way while tweaking or
>> shoe/rack
>> > gazing until u get it right?
>>
>> To play off a famous quote of Miles Davis, "Do not
>> be afraid of errors.
>> There are no errors", I never play bad or incorrect
>> loops.  On occasion, I
>> might play something that doesn't ring well with me
>> emotionally (neither
>> correct nor
>> incorrect), but I always manage to work with it
>> somehow. It becomes part of
>> me just like all my other personality, physical, and
>> psychological flaws as
>> a
>> human being. Even if I loop something rhythmic and
>> my foot fails me (maybe
>> because I have had one too many cups of coffee or
>> drank too much alcohol),
>> generating a loop that is an 8th note longer rather
>> than what my brain
>> wanted to do
>> initially, that instantly becomes the norm and basis
>> of what I do
>> afterwards. I don't really care if I intend on
>> playing a 4/4 phrase but it
>> ends
>> up being 9/8 or 7/8, or even something like 13/8 or
>> 11/8. In fact, I don't
>> even
>> count anymore. I never know what time signature I am
>> in unless I consciously
>> stop to figure it out. It's a waste of my time.
>> Everything is feel to me
>> now.
>>
>> > for those who do or care how do you keep your
>> audience
>> > interested,do you always loop?
>>
>> I loop. I try to talk, but I never say what I want
>> to say. Music is much
>> easer as
>> language for me in public. I prefer to play non-stop
>> and say thank you at
>> the end of the show.
>>
>> > whats the best looping show you´ve been to? what
>> made
>> > it so great?
>>
>> I really enjoyed watching Jeff Kaiser, Rick Walker,
>> and Ted Killian
>> at the Boise Experimental Music Festival.  I liked
>> it when some folks
>> were talking in the crowd, and then Jeff started
>> looping him self
>> whispering "stop talking".  Classic, I loved it. And
>> their set was great.
>> Good chemistry, lots of space and diverse sounds,
>> etc, etc.
>>
>> > What makes you feel free while playing
>> music?organized
>> > or improvised?
>>
>> Improvised...as free as a person can get, at least,
>> metaphorically.  I tend
>> to subscribe
>> to hard determinism these days...no free will, just
>> chemistry, neurons,
>> cause and effect, and necessity. I think I'm
>> determined to do what I do.
>> Everything is a result of a cause, ad infinitum.
>> That would be an
>> unproveable premise, btw.
>>
>> > i know some of this has been brought up in the
>> past
>> > perhaps but i think we all could use a
>> refreshment!
>> > Luis
>>
>> Thanks for asking!
>>
>> Kris
>>
>>
>>
>> > --- tEd ® kiLLiAn <tedkillian@charter.net> wrote:
>> >
>> >> Hehehe, it would be nice to hear from some of the
>> >> young'ins . . .
>> >>
>> >> Some of my favorites went something like:
>> >>
>> >> 1. Why do you play (or loop) -- what was the
>> journey
>> >> that brought you
>> >> here?
>> >>
>> >> 2.  Where does your music come from -- what
>> inspires
>> >> you to create it?
>> >>
>> >> 3.  What are some of your  musical influences --
>> or
>> >> looping influences
>> >> -- and why?
>> >>
>> >> 4.  What are some of your favorite ways of using
>> >> your instrument or FX
>> >> gear in manners other than that it was designed
>> for?
>> >>
>> >> 5. What keeps you going -- sustains you when you
>> run
>> >> into a "wall",
>> >> carries you through when obstacles arise or when
>> >> you're simply tired,
>> >> uninspired or "bored" -- or what gets you out of
>> a
>> >> musical "rut."
>> >>
>> >> Peace,
>> >>
>> >> tEd ® kiLLiAn
>> >>
>> >> "Different is not always better, but better is
>> >> always different"
>> >>
>> >>   http://www.pfmentum.com/flux.html
>> >>   http://www.CDbaby.com/cd/tedkillian
>> >>   http://www.guitar9.com/fluxaeterna.html
>> >>   http://www.garageband.com/artist/ArsOcarina
>> >>
>> >>
>> >
>>
> http://www.towerrecords.com/product.aspx?pfid=2845073
>> >>
>> >>
>> >
>>
> http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
>> >>
>> >>
>> >
>>
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
>> >>
>> >>
>> http://www.loopers-delight.com/cgi-bin/profiles.cgi?
>> >>
>> >> step=view_profile&id=121197000042
>> >>
>> >>   Ted Killian's "Flux Aeterna" is also available
>> at:
>> >> Apple iTunes,
>> >>   BuyMusic, Rhapsody, MusicMatch, MusicNet,
>> >> DiscLogic, Napster,
>> >>   AudioLunchbox, Lindows, QTRnote, Music4Cents,
>> >> Etherstream,
>> >>   RuleRadio, EMEPE3, Sony Connect, CatchMusic,
>> >> Puretracks,
>> >>   and Viztas. Yadda, yadda, yadda. Blah, blah,
>> blah.
>> >> So???
>> >>
>> >> On Jul 26, 2006, at 1:30 PM, loop.pool wrote:
>> >>
>> >> > So many people have joined this list in recent
>> >> years
>> >> > that it might be fun to revisit some of the
>> >> classic threads
>> >> > on creativity,  discussions of philosophy,
>> >> techniques for improving
>> >> > live performances, etc.
>> >> >
>> >> > I know that, personally,  these are always the
>> >> threads that have
>> >> > fascinated
>> >> > me and made me love being on this list.
>> >> >
>> >> > The oldtimers have weighed in on these subjects
>> >> but it would be cool
>> >> > to hear what the newest loopers have to say.
>> >> >
>> >> > What were your favorite five threads on this
>> list
>>
> === message truncated ===
>
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
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> 


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Subject: dulcimer loops
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In a message dated 7/27/06 10:03:00 PM, phaslem@wightman.ca writes:


> As a dulcimer player
> 

paul.....do you have anything recorded?.....i would love to hear your 
LOOPS.....michael



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
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In a message dated 7/27/06 10:03:00 PM, phaslem@wightman.ca writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
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00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">As a dulcimer player<=
BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
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<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">paul.....do you have anything recorded?.....i would love to hear your LOO=
PS.....michael<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 14:11:45 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
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Subject: Benefits of Undo
Date: Fri, 28 Jul 2006 08:11:44 -0600
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Okay, I'm trying to be a good boy here and appropriately change the subject 
heading when I change the topic. UNDO, and I don't mean David Kirkdorffer's 
stuff, which I highly recommend, by the way.

I never use it to undo unwanted loops on stage or home, but I my favorite 
use of Undo is to deconstruct my piece. I basically start hitting Undo, 
playing with the result a bit, and continue to do so until only the initial 
loop is left. I really enjoy that as a composition devise. It's like you 
loop and climax, then then bring everything back to the initial state.  I 
guess you could call it the staircase approach.

Kris

----- Original Message ----- 
From: "daniel stevenson" <stillllscary@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 28, 2006 1:52 AM
Subject: Re: organized or improvised (was: Favorite Five Threads on L.D.)


>   I bet most of us only make these mistakes alone at
> home.I dont have an undo function and I think it keeps
> me on my toes while performing,maybe i just get very
> lucky.I like to walk on the thin ice,knowing there are
> lobster traps in the depths below.It helps me to be
> sort of "out there"and its very rewarding when you
> take a listener there.You know that look of amazement
> they get that is kinda like a glow/gleam in the eye?
>    Have a fantastic journey,
>        Danny deaf dumb and blind.
>
> --- Ben <benoitruelle@yahoo.fr> wrote:
>
>> Somehow related:
>> How many of you are really "musically educated"?
>> I mean can you read a staff?, can you play in all
>> keys?, can you modulate
>> without thinking about it?....
>> I have no musical training, having always learn by
>> ear and trial/error, I
>> feel it difficult to do live looping without an undo
>> function or without
>> rehearsing before committing the loop.
>> I'm still mainly looping at home, making too much
>> mistakes now to think
>> about some public performance.
>> I also changed my instruments (trying now to play
>> the guitar which of course
>> doesn't help :-)).
>> I like guitar because it easier to transpose and the
>> overdubs doesn't
>> saturate too easily (2 layers of synth sounds
>> already muddy)
>> OK I have fun at home doing a basic I-V-IV in barre
>> chords with some "solo"
>> overdubs but I guess an audience will find it
>> quickly boring.
>>
>> Any recommendation/exercises to improve my looping
>> technics?
>> Something I tried recently is to download some tabs
>> from the net, isolate 2
>> or 3 measures, play just the lower string, then add
>> the other notes string
>> by string. This is a good way to construct something
>> someone might recognise
>> and allow me to construct chords I wouldn't be able
>> to play yet with my
>> limited left hand mobility.
>>
>> greetings from Belgium,
>>
>> Ben
>> ----- Original Message ----- 
>> From: "Krispen Hartung" <khartung@cableone.net>
>> >> how do you correct a bad loop on stage,stop
>> >> abruptly,bullshit your way while tweaking or
>> shoe/rack
>> >> gazing until u get it right?
>> >
>> > To play off a famous quote of Miles Davis, "Do not
>> be afraid of errors.
>> > There are no errors", I never play bad or
>> incorrect loops.  On occasion, I
>> > might play something that doesn't ring well with
>> me emotionally (neither
>> > correct nor
>> > incorrect), but I always manage to work with it
>> somehow. It becomes part
>> > of
>> > me just like all my other personality, physical,
>> and psychological flaws
>> > as a
>> > human being. Even if I loop something rhythmic and
>> my foot fails me (maybe
>> > because I have had one too many cups of coffee or
>> drank too much alcohol),
>> > generating a loop that is an 8th note longer
>> rather than what my brain
>> > wanted to do
>> > initially, that instantly becomes the norm and
>> basis of what I do
>> > afterwards. I don't really care if I intend on
>> playing a 4/4 phrase but it
>> > ends
>> > up being 9/8 or 7/8, or even something like 13/8
>> or 11/8. In fact, I don't
>> > even
>> > count anymore. I never know what time signature I
>> am in unless I
>> > consciously
>> > stop to figure it out. It's a waste of my time.
>> Everything is feel to me
>> > now.
>> >
>>
>>
>>
>>
>>
>>
>>
> ___________________________________________________________________________
>>
>> Découvrez un nouveau moyen de poser toutes vos
>> questions quelque soit le sujet !
>> Yahoo! Questions/Réponses pour partager vos
>> connaissances, vos opinions et vos expériences.
>> http://fr.answers.yahoo.com
>>
>>
>
>
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 14:23:05 2006
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From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
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for me, i agree with angulo and his davis quote. If something does
sound like it went a little sour, then i just keep playing and work
with it...if things are going horribly wrong and i am looping with my
two MoFXs, then i just turn the feedback knob down from "loop" and let
it fade out and start the next improv...if i am using my jamman and
things go wrong, then i either fade it out manually by turning the
blend knob more towards the input, or i will pull up a few effects
with a completly different sound and hit the stop and immediatly play
something totally different and loop that...i am eagerly awaiting my
purchase of a riff box specifically for these fadeout situations, the
riff box has a preset where you can fade out loop A while
simultaniously recording loop B (without overdubing A). I was
originally excited for it for ambient music, to smoothly shift (and
blend) from one key to another, but it could be a good safeguard for
when loops go wrong too :)

Charlie

On 7/28/06, Krispen Hartung <khartung@cableone.net> wrote:
> Interesting side topic from this...I have yet to experience my laptop or =
VST
> host crash during a performance. So what would I do if this occurred?  I'=
d
> naturally play off the prior themes I was creating with my loops and
> effects, and continue that thread of feel  in solo...just the guitar, dry
> with no effects or looping...I'd do that for a while and then naturally e=
nd
> the piece, take a break, and then reboot.  In short, I'd make it "appear"
> all planned, like most professionals in the entertainment business would =
do.
> The show must go on. Of course, the fear of doing otherwise is probably a
> defect of my compulsive personality, and an overly exaggurated sense of
> self-pride in my work.
>
> I always cringe when most musicians make mistakes or experience gear issu=
es
> and then make the audience aware of this in detail, completely blowing th=
e
> feel of the performance. Some performers have a good sense of humor and c=
an
> pull it off, making jokes and making the audience laugh at the technologi=
cal
> blunder...others stumble around and it comes across as really awkward and
> unprofessional.  And then my biggest pet peeve is when performers make
> mistakes and insist on telling the audience this, self-deprecating
> themselves in the process. "whoops, sorry, oh, let's try that again...sor=
ry,
> I need to practice, etc, etc".  I feel so embarrassed for people when the=
y
> do that. I prefer that they just keep going rather than repeat the mistak=
e
> or section ad nauseum, as if they have to get it right to move on.
>
> Kris
>
> ----- Original Message -----
> From: "L.A. Angulo" <labaloops@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, July 28, 2006 12:52 AM
> Subject: Re: Favorite Five Threads on L.D.
>
>
> >
> > Do it man!
> > i guess the question about correcting a loop that has
> > gone wrong would apply more to loops that are supposed
> > to be perfect in sync or when trying to play something
> > really "groovy" rhythmically.This is why the EDP has
> > become my looper of preference,with this machine i can
> > comfortably make music out of mistakes,its non latency
> > response and well thought out edit capabilities give
> > me the most confidence onstage.With the repeater i
> > often had little groove problems,i often had to adapt
> > to its little latency which made it a bit
> > uncomfortable,although i will miss a lot of its cool
> > features like panning,pitch shifting track muting etc.
> > so i would just say to the audience stay with me folks
> > i promise i will get it right;-)
> > cheers
> > Luis
> >
> >
> >
> >
> > --- Krispen Hartung <khartung@cableone.net> wrote:
> >
> >> Can I post again? Please? :)
> >>
> >> ----- Original Message -----
> >> From: "L.A. Angulo" <labaloops@yahoo.com>
> >>
> >> > what percentage of loopers go and play 100%
> >> improvised
> >> > loops or arranged premeditated loops on stage?
> >>
> >> That's my bag all right....everything I do these
> >> days is totally
> >> spontaneous. It's like doing drugs, but it's legal.
> >>
> >> > how do you correct a bad loop on stage,stop
> >> > abruptly,bullshit your way while tweaking or
> >> shoe/rack
> >> > gazing until u get it right?
> >>
> >> To play off a famous quote of Miles Davis, "Do not
> >> be afraid of errors.
> >> There are no errors", I never play bad or incorrect
> >> loops.  On occasion, I
> >> might play something that doesn't ring well with me
> >> emotionally (neither
> >> correct nor
> >> incorrect), but I always manage to work with it
> >> somehow. It becomes part of
> >> me just like all my other personality, physical, and
> >> psychological flaws as
> >> a
> >> human being. Even if I loop something rhythmic and
> >> my foot fails me (maybe
> >> because I have had one too many cups of coffee or
> >> drank too much alcohol),
> >> generating a loop that is an 8th note longer rather
> >> than what my brain
> >> wanted to do
> >> initially, that instantly becomes the norm and basis
> >> of what I do
> >> afterwards. I don't really care if I intend on
> >> playing a 4/4 phrase but it
> >> ends
> >> up being 9/8 or 7/8, or even something like 13/8 or
> >> 11/8. In fact, I don't
> >> even
> >> count anymore. I never know what time signature I am
> >> in unless I consciously
> >> stop to figure it out. It's a waste of my time.
> >> Everything is feel to me
> >> now.
> >>
> >> > for those who do or care how do you keep your
> >> audience
> >> > interested,do you always loop?
> >>
> >> I loop. I try to talk, but I never say what I want
> >> to say. Music is much
> >> easer as
> >> language for me in public. I prefer to play non-stop
> >> and say thank you at
> >> the end of the show.
> >>
> >> > whats the best looping show you=B4ve been to? what
> >> made
> >> > it so great?
> >>
> >> I really enjoyed watching Jeff Kaiser, Rick Walker,
> >> and Ted Killian
> >> at the Boise Experimental Music Festival.  I liked
> >> it when some folks
> >> were talking in the crowd, and then Jeff started
> >> looping him self
> >> whispering "stop talking".  Classic, I loved it. And
> >> their set was great.
> >> Good chemistry, lots of space and diverse sounds,
> >> etc, etc.
> >>
> >> > What makes you feel free while playing
> >> music?organized
> >> > or improvised?
> >>
> >> Improvised...as free as a person can get, at least,
> >> metaphorically.  I tend
> >> to subscribe
> >> to hard determinism these days...no free will, just
> >> chemistry, neurons,
> >> cause and effect, and necessity. I think I'm
> >> determined to do what I do.
> >> Everything is a result of a cause, ad infinitum.
> >> That would be an
> >> unproveable premise, btw.
> >>
> >> > i know some of this has been brought up in the
> >> past
> >> > perhaps but i think we all could use a
> >> refreshment!
> >> > Luis
> >>
> >> Thanks for asking!
> >>
> >> Kris
> >>
> >>
> >>
> >> > --- tEd (r) kiLLiAn <tedkillian@charter.net> wrote:
> >> >
> >> >> Hehehe, it would be nice to hear from some of the
> >> >> young'ins . . .
> >> >>
> >> >> Some of my favorites went something like:
> >> >>
> >> >> 1. Why do you play (or loop) -- what was the
> >> journey
> >> >> that brought you
> >> >> here?
> >> >>
> >> >> 2.  Where does your music come from -- what
> >> inspires
> >> >> you to create it?
> >> >>
> >> >> 3.  What are some of your  musical influences --
> >> or
> >> >> looping influences
> >> >> -- and why?
> >> >>
> >> >> 4.  What are some of your favorite ways of using
> >> >> your instrument or FX
> >> >> gear in manners other than that it was designed
> >> for?
> >> >>
> >> >> 5. What keeps you going -- sustains you when you
> >> run
> >> >> into a "wall",
> >> >> carries you through when obstacles arise or when
> >> >> you're simply tired,
> >> >> uninspired or "bored" -- or what gets you out of
> >> a
> >> >> musical "rut."
> >> >>
> >> >> Peace,
> >> >>
> >> >> tEd (r) kiLLiAn
> >> >>
> >> >> "Different is not always better, but better is
> >> >> always different"
> >> >>
> >> >>   http://www.pfmentum.com/flux.html
> >> >>   http://www.CDbaby.com/cd/tedkillian
> >> >>   http://www.guitar9.com/fluxaeterna.html
> >> >>   http://www.garageband.com/artist/ArsOcarina
> >> >>
> >> >>
> >> >
> >>
> > http://www.towerrecords.com/product.aspx?pfid=3D2845073
> >> >>
> >> >>
> >> >
> >>
> > http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
> >> >>
> >> >>
> >> >
> >>
> > http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
> >> >>
> >> >>
> >> http://www.loopers-delight.com/cgi-bin/profiles.cgi?
> >> >>
> >> >> step=3Dview_profile&id=3D121197000042
> >> >>
> >> >>   Ted Killian's "Flux Aeterna" is also available
> >> at:
> >> >> Apple iTunes,
> >> >>   BuyMusic, Rhapsody, MusicMatch, MusicNet,
> >> >> DiscLogic, Napster,
> >> >>   AudioLunchbox, Lindows, QTRnote, Music4Cents,
> >> >> Etherstream,
> >> >>   RuleRadio, EMEPE3, Sony Connect, CatchMusic,
> >> >> Puretracks,
> >> >>   and Viztas. Yadda, yadda, yadda. Blah, blah,
> >> blah.
> >> >> So???
> >> >>
> >> >> On Jul 26, 2006, at 1:30 PM, loop.pool wrote:
> >> >>
> >> >> > So many people have joined this list in recent
> >> >> years
> >> >> > that it might be fun to revisit some of the
> >> >> classic threads
> >> >> > on creativity,  discussions of philosophy,
> >> >> techniques for improving
> >> >> > live performances, etc.
> >> >> >
> >> >> > I know that, personally,  these are always the
> >> >> threads that have
> >> >> > fascinated
> >> >> > me and made me love being on this list.
> >> >> >
> >> >> > The oldtimers have weighed in on these subjects
> >> >> but it would be cool
> >> >> > to hear what the newest loopers have to say.
> >> >> >
> >> >> > What were your favorite five threads on this
> >> list
> >>
> > =3D=3D=3D message truncated =3D=3D=3D
> >
> >
> > www.myspace.com/luisangulocom
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
> >
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 14:32:23 2006
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>On 27 Jul 2006 at 11:07, mark sottilaro wrote:
>
> > > --- "nick@12testing.net" <nick@12testing.net> wrote:
> > > Due largely to the technicalities (an old jamman), I'm 100% improvised,
>
> > I don't understand that statement.  The old JamMan
> > seems really well suited for arranged premeditated
> > loops in a song type of structure...
>
>Sorry, I didn't make myself clear - I meant by comparison with the
>modern machines, where you can easily store multiple loops and switch
>/ mix between them to create an arrangement, rather than the jamman
>"buld up, fade away" variety.
>All the best,
>Nick Robinson

As Mark syncs to a drum machine, the JamMan allows him to switch 
between different loops
really easily.
It's because the JamMan makes all loops exactly the same length that 
it's impractical to try and create more than one loop when there's no 
guide, it's next to impossible to get the timing accurate .
Try shorter loops, ( but I gave up and got an EDP)

andy butler 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 14:36:23 2006
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 <6.1.2.0.2.20060727214427.086f5c88@loopers-delight.com>
Date: Fri, 28 Jul 2006 10:33:38 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
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Kim,
  I understand the confusion. I was uncertain of how these would interact, too.

The block diagram explains it pretty well, and if this list would 
allow images I would send it.

Simply put, the audio path is arranged so that the output is fed back 
to the input -post fader-, so in any mode, record, overdub, the fader 
is active,  while in "punch in" mode ( aka "replace" ) the feedback 
is obviously disabled.  I still expect this to present a problem, 
since the feedback depends on the track levels, but so far it has not 
been an issue.

-CZ


>At 08:31 AM 7/27/2006, Charles Zwicky wrote:
>>Separate feedback control over each track, you can simultaneously 
>>perform 'looping' and 'echoing' in the same performance simply by 
>>selecting the appropriate track.
>
>I was a little uncertain about the feedback controls when I had the 
>2880 demoed for me at NAMM. Is it correct that the same slider used 
>for controlling track feedback also controls the output level of the 
>track? And the feedback is only active during overdub and track 
>levels only active when not in overdub? So how does that work in 
>practice? It would seem to me that when switching overdub on and off 
>you would be switching back and forth between feedback and mix 
>levels for the tracks.
>
>
>
>kim
>
>______________________________________________________________________
>Kim Flint                     | Looper's Delight
>kflint@loopers-delight.com    | http://www.loopers-delight.com


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 14:44:24 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject:  Benefits of Undo
Date: Fri, 28 Jul 2006 16:44:15 +0200
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> I never use it to undo unwanted loops on stage or home, but I 
> my favorite use of Undo is to deconstruct my piece. I 
> basically start hitting Undo, playing with the result a bit, 
> and continue to do so until only the initial loop is left. I 
> really enjoy that as a composition devise. It's like you loop 
> and climax, then then bring everything back to the initial 
> state.  I guess you could call it the staircase approach.

...which reaches its most efficient implementation with a looper which also
offers a redo function, multiple loops and multiple tracks (in other words:
Mobius, don't know about the Looperlative). And this offers some very
creative arrangement options when used to un/redo not only overdubs but also
(more or less) radical editing steps. Think e.g. looping some chord
progression, the susunroundedmultiplying one short chord out of it, and then
by un- and redoing splicing this short quickly repeating percussive chord
into the progression...

btw Jeff, why isn't there a SusUndo and SusRedo?

	Rainer

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 14:45:19 2006
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References: <20060728065241.8395.qmail@web38603.mail.mud.yahoo.com>	 <004501c6b24e$9b7e0b80$54b2ec0f@americas.hpqcorp.net> <913728d60607280723q700c52eay4db1fe2b026b6fd5@mail.gmail.com>
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Has anyone used the Riffbox's partner, the FX-Tracker? Seems very 
interesting, effect parameters adjusting to note intensity, number of 
events, etc...and looping capabilities too, though no details except "60 
seconds". The company also seems promising in that they aim to provide 
firmware upgrades, a la the Looperlative.

Charlie, I'd love to hear your take on the RiffBox when you get it, I 
saw some reviews in the archives but I'd like to hear more.

(okay, okay...check for relevance...change the subject line...review, 
edit, review, edit...hell with it...SEND!).

Daryl Shawn
www.swanwelder.com
> ...i am eagerly awaiting my
> purchase of a riff box specifically for these fadeout situations, the
> riff box has a preset where you can fade out loop A while
> simultaniously recording loop B (without overdubing A). I was
> originally excited for it for ambient music, to smoothly shift (and
> blend) from one key to another, but it could be a good safeguard for
> when loops go wrong too :)
>
> Charlie

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 14:56:33 2006
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i don't know much about the FX tracker, but the vids on the site look
pretty cool :)

i haven't heard much about the riff box on LD, but my guitar player
suggested it, as i like to play with ambient music, and i was getting
frustrated by the fact that i couldn't find any looper (with any
substantial time) that could fade out loop A while going to loop B...i
wanted to be able to go from--for example--a few volume swells in A
and then while thats fading out, start constructing a loop in E, so
there are no seams of dropouts, like my lexicon jamman...or even if it
wasn't ambient, both my guitar player and I use loopers of some sort,
and i feel our music builds...it starts out with a little guitar or
bass line, and it gets more and more complex as the song goes on, so
when i want to go somewhere else in the song, or change the loop in
some way, the jamman only allows you to stop the loop, and the riff
box allows for fading out so there isn't a complete dropout of half
the song...i can't believe that a lot of loopers don't offer that
option...plus my big stipulation was that it had to be rackmounted,
but i gave in to the riffbox because it did what i needed it to do,
and it has MIDI capabilities and everything can be controlled through
MIDI, so i am getting that, putting it in a rack shelf, and
controlling it via a behringer FBC1010 or a similar pedal...those two
expression pedals can even work as a clean volume and loop volume as
well, so it can all be completly controlled via MIDI, so i am psyched
to get it...i just need to sell my jamman to afford it :) i have a guy
who said he'll by the jamman in august, which is rapidly approaching,
so i hope to have it soon :)
and i will let everyone know about it when i get it...
in the meantime, everyone should check out the manual and read through
the presets, with all the cool things it can do :)

Charlie

On 7/28/06, Daryl Shawn <highhorse@mhorse.com> wrote:
> Has anyone used the Riffbox's partner, the FX-Tracker? Seems very
> interesting, effect parameters adjusting to note intensity, number of
> events, etc...and looping capabilities too, though no details except "60
> seconds". The company also seems promising in that they aim to provide
> firmware upgrades, a la the Looperlative.
>
> Charlie, I'd love to hear your take on the RiffBox when you get it, I
> saw some reviews in the archives but I'd like to hear more.
>
> (okay, okay...check for relevance...change the subject line...review,
> edit, review, edit...hell with it...SEND!).
>
> Daryl Shawn
> www.swanwelder.com
> > ...i am eagerly awaiting my
> > purchase of a riff box specifically for these fadeout situations, the
> > riff box has a preset where you can fade out loop A while
> > simultaniously recording loop B (without overdubing A). I was
> > originally excited for it for ambient music, to smoothly shift (and
> > blend) from one key to another, but it could be a good safeguard for
> > when loops go wrong too :)
> >
> > Charlie
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 17:44:31 2006
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Subject: Re: Lidell on Max/MSP and looping....
Date: Fri, 28 Jul 2006 17:44:24 +0000
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unsuscribe


>From: Per Boysen <perboysen@gmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Lidell on Max/MSP and looping....
>Date: Wed, 19 Jul 2006 22:06:47 +0200
>
>On 19 jul 2006, at 09.34, Jeff Kaiser wrote:
>
>>I just saw this, and I know there are those interested in lidell......
>>http://www.cycling74.com/download/videos/jamie_lidell_web.mov
>>or
>>http://tinyurl.com/ldgns
>>also other interesting new videos, including Kevin Blechdom:
>>http://www.cycling74.com/section/artists
>
>
>Thank you for that link! Very interesting to hear his take on max.  Right 
>now I'm in that situation he describes in the opening scene:  having kept 
>Max on my shopping list for years but never actually had  the option to set 
>aside time to get into it. And lately I've found  ways to tweak Möbius into 
>doing most of my dream tricks, almost  everything I wanted to make me a max 
>patch for, so I guess might be  learning max on spare time in the future... 
>eventually. I'm lazy and  frightened by having to sit down and program 
>(instead of making  music) and I have a certain feeling that before I have 
>even come  halfway with Max Jeff Larsson would have fully implemented a 
>similar  function in Mobius ;-)
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se (Swedish)
>www.looproom.com (international)
>http://tinyurl.com/fauvm (podcast)
>http://www.myspace.com/looproom
>
>
>

_________________________________________________________________
Découvrez Windows Live Messenger : le futur de MSN Messenger ! 
www.windowslivemessenger.fr

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 18:05:13 2006
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Date: Fri, 28 Jul 2006 13:05:10 -0500
From: "Dan Katayama" <dan.katayama@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Boss RC-50 Latency Issues
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I tried out the Boss RC-50 at the store yesterday at length.
I've been a Akai Headrush user for some years, have gotten to the point
where I can't play my live gigs without it.
But I figure it was time for some "variation" and the RC50 looked good.

There is definitely a latency issue on this unit.
But it's only the first loop you record.
Does anybody know if there has been a software update to this?
Or another work around?
This latency issue is the only thing keeping me from buying this unit.

Otherwise, I may just pickup another E2.

Thanks
-- 
kosukeweb
http://home.comcast.net/~kkatayama76

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I tried out the Boss RC-50 at the store yesterday at length.<br>I've been a Akai Headrush user for some years, have gotten to the point where I can't play my live gigs without it.<br>But I figure it was time for some &quot;variation&quot; and the RC50 looked good.
<br><br>There is definitely a latency issue on this unit.<br>But it's only the first loop you record.<br>Does anybody know if there has been a software update to this?<br>Or another work around?<br>This latency issue is the only thing keeping me from buying this unit.
<br><br>Otherwise, I may just pickup another E2.<br><br>Thanks<br>-- <br>kosukeweb<br><a href="http://home.comcast.net/~kkatayama76">http://home.comcast.net/~kkatayama76</a>

------=_Part_5109_27125172.1154109910939--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 18:12:40 2006
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Subject: Looper on AGT last night--Zack Freeman 
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Reckon I'll bring this up since no one else has this morning-
Beat Box/Hip-hop/Funk vocalist on national TV on the regrettable show
America's Got Talent--in the Oddball category (big surprise)
He lost to a guy playing Malaguena with an egg beater on a nylon string
guitar.
Looks like he's out of New Mexico--here's something . . .
http://www.dailylobo.com/media/storage/paper344/news/2006/02/16/Culture/Back
-To.The.Beat-1616589.shtml?norewrite200607281411&sourcedomain=www.dailylobo.
com
He had a Repeater strung around his neck--I liked it well enough--
Gary


From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 18:35:07 2006
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> ...which reaches its most efficient implementation with a looper which
> also offers a redo function, multiple loops and multiple tracks (in other
> words: Mobius, don't know about the Looperlative).

Looperlative offers 8 independent tracks that can be recorded, started and 
stopped in any order.  As the creator, I'm biased, but I like this approach 
because my compositions can be deconstructed in any order that I choose.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 18:54:28 2006
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Date: Fri, 28 Jul 2006 11:54:21 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: RiffBox & FX-Tracker (WAS how do you correct a bad loop on
 stage)
Cc: Charlie Milkey <pilotcp@gmail.com>
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How much do these gizmos cost? The price wasn't eveident to me on their website.

--
Paul Richards

---- Charlie Milkey <pilotcp@gmail.com> wrote: 
> i don't know much about the FX tracker, but the vids on the site look
> pretty cool :)
> 
> i haven't heard much about the riff box on LD, but my guitar player
> suggested it, as i like to play with ambient music, and i was getting
> frustrated by the fact that i couldn't find any looper (with any
> substantial time) that could fade out loop A while going to loop B...i
> wanted to be able to go from--for example--a few volume swells in A
> and then while thats fading out, start constructing a loop in E, so
> there are no seams of dropouts, like my lexicon jamman...or even if it
> wasn't ambient, both my guitar player and I use loopers of some sort,
> and i feel our music builds...it starts out with a little guitar or
> bass line, and it gets more and more complex as the song goes on, so
> when i want to go somewhere else in the song, or change the loop in
> some way, the jamman only allows you to stop the loop, and the riff
> box allows for fading out so there isn't a complete dropout of half
> the song...i can't believe that a lot of loopers don't offer that
> option...plus my big stipulation was that it had to be rackmounted,
> but i gave in to the riffbox because it did what i needed it to do,
> and it has MIDI capabilities and everything can be controlled through
> MIDI, so i am getting that, putting it in a rack shelf, and
> controlling it via a behringer FBC1010 or a similar pedal...those two
> expression pedals can even work as a clean volume and loop volume as
> well, so it can all be completly controlled via MIDI, so i am psyched
> to get it...i just need to sell my jamman to afford it :) i have a guy
> who said he'll by the jamman in august, which is rapidly approaching,
> so i hope to have it soon :)
> and i will let everyone know about it when i get it...
> in the meantime, everyone should check out the manual and read through
> the presets, with all the cool things it can do :)
> 
> Charlie
> 
> On 7/28/06, Daryl Shawn <highhorse@mhorse.com> wrote:
> > Has anyone used the Riffbox's partner, the FX-Tracker? Seems very
> > interesting, effect parameters adjusting to note intensity, number of
> > events, etc...and looping capabilities too, though no details except "60
> > seconds". The company also seems promising in that they aim to provide
> > firmware upgrades, a la the Looperlative.
> >
> > Charlie, I'd love to hear your take on the RiffBox when you get it, I
> > saw some reviews in the archives but I'd like to hear more.
> >
> > (okay, okay...check for relevance...change the subject line...review,
> > edit, review, edit...hell with it...SEND!).
> >
> > Daryl Shawn
> > www.swanwelder.com
> > > ...i am eagerly awaiting my
> > > purchase of a riff box specifically for these fadeout situations, the
> > > riff box has a preset where you can fade out loop A while
> > > simultaniously recording loop B (without overdubing A). I was
> > > originally excited for it for ambient music, to smoothly shift (and
> > > blend) from one key to another, but it could be a good safeguard for
> > > when loops go wrong too :)
> > >
> > > Charlie
> >
> >
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 20:43:23 2006
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Date: Fri, 28 Jul 2006 16:39:36 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist for July 27, 2006
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http://wdiy.org/programs/gt/playlists/2006/060727.html

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, webcasting on the internet, and simulcasting on 
WXLV 90.3
FM in Schnecksville at Lehigh Carbon County Community College.

                    Show #487                    July 27, 2006

RECAP:
On this show, I concluded the month-long focus on Numina.  The Featured 
CD at
Midnight was "Starfarer's Tales Volume 1" with IXOHOXI.

The Vinyl Starter was from the LP "Zeit" by Tangerine Dream on Virgin 
Records and
released in 1972.

Numina - http://wdiy.org/programs/gt/playlists/2006/focus.html#jul


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Tangerine Dream         Fourth Movement          Zeit (Virgin)
Create                  The Day After            Biospherical Imagery 
(Groove)
VA [Rene v.d. Wouden    E-Live 2005              E-dition #12 (Groove)
  and Gert Emmens]
Johan Timman            The Brain                Trip Into the Body (Groove)
Johan Timman            The Heart                Trip Into the Body (Groove)
Surface 10              B2 Gigacosm              Surface Tensions (DiN)
Bruno Sanfilippo        InTROworld               InTRO (ad21)
Robert Scott Thompson   Tinted In Temporal Hue   At the Still Point of 
the Turning
                                                   World (Hypnos)

12:00 am
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Numina & IXOHOXI        Terraformers             Starfarer's Tales Vol. 
1 (none)
Numina & IXOHOXI        Orbiting the Holont      Starfarer's Tales Vol. 
1 (none)
Numina & IXOHOXI        Shaman of Tahir          Starfarer's Tales Vol. 
1 (none)
Numina & IXOHOXI        Cloudland                Starfarer's Tales Vol. 
1 (none)
Jason Sloan             An Extraction Into       A Quiet Return (none)
                          Forever

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Klaus 
Schulze.  The
Featured CD at Midnight will be disc one from "Das Wagner Desaster" on 
Revisited
Records.

The Vinyl Starter will be from the LP "Tyger" by Tangerine Dream on Caroline
Records and released in 1987.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4) on WDIY 88.1 FM in Allentown
and Bethlehem and 93.9 FM in Easton and Phillipsburg, 93.7 FM in
Trexlertown and Fogelsville, on 92.9 FM on Service Electric Cable, and
on WXLV 90.3 FM in Schnecksville.
Galactic Travels web site - http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 20:44:19 2006
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: loop fades (Re: RiffBox & FX-Tracker (WAS how do you correct a bad loop on stage)
Date: Fri, 28 Jul 2006 14:44:14 -0600
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> ---- Charlie Milkey <pilotcp@gmail.com> wrote:
>>
>> ........ i was getting frustrated by the fact that i couldn't find 
>> any looper (with any
>> substantial time) that could fade out loop A while going to loop B...i
>> wanted to be able to go from--for example--a few volume swells in A
>> and then while thats fading out, start constructing a loop in E, so
>> there are no seams of dropouts......

This can be done quite easily with a Boss GigaDelay and a FS 5U pedal 
set for "tap" function(though at a max time of only 23. sec).  Program 
Preset slots 1, 2, 3, 4 - 23 sec. delay time/ max effect level/ 
3o'clock feedback setting (can be adjusted on the fly).  (I set the 
presets to max delay time - it's easier to trim the loop time before 
things start repeating.) Do your volume swelly thing on preset slot 1 
(setting loop length with the FS pedal),  switch to preset slot 2, tap, 
record, tap, layer, layer, layer... as preset 1 loop fades.  At any 
time feedback on the loop your working on can be adjusted.  Caveat:  
the unit only holds 1 loop in memory:  you can work on the next preset 
slot (loop) as the loop in memory is doing it's thing.  When you switch 
to a 3rd. preset slot to add another loop, before the initial loop is 
finished fading, it will cut that initial loop off abruptly.  Also, if 
you freeze the first loop (turning feedback to 100% - say a rhythmic 
loop) and set up an "ambient" over top in the next preset slot, there 
will be no way to fade out the initial loop except to cut it off by 
switching to a third preset slot - a useful effect....  With a little 
practice you get familiar with judging fade time vs loop length and can 
make on the fly adjustments before moving to the next preset slot and 
keep everything progressing/ evolving smoothly.  Also, it helps to play 
seated so knobs/ buttons are in reach.

>> ........the jamman only allows you to stop the loop,

false - you can initiate a midi fade (short, medium, long) on the 
jamman.  This can be of a frozen loop or can be initiated in record 
mode after the loop length is set via tap.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 20:57:09 2006
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I once saw David Crowder Band in concert, and a particular song was 
supposed to begin with a canned drum loop, followed by some turntable 
work before the live band came in.  I think that I and a couple other 
musicians familiar with the technology were the only ones who noticed 
that anything was wrong.  Dave just told a long story about some 
squirrels while the sound guy and the dj got the issue fixed.

Of course, it would have been a little different if he hadn't had a 
stage full of very professional live musicians playing with him, but I 
think he probably would have handled it well on his own too.

--Josh



Krispen Hartung wrote:
> Interesting side topic from this...I have yet to experience my laptop 
> or VST host crash during a performance. So what would I do if this 
> occurred?  I'd naturally play off the prior themes I was creating with 
> my loops and effects, and continue that thread of feel  in solo...just 
> the guitar, dry with no effects or looping...I'd do that for a while 
> and then naturally end the piece, take a break, and then reboot.  In 
> short, I'd make it "appear" all planned, like most professionals in 
> the entertainment business would do. The show must go on. Of course, 
> the fear of doing otherwise is probably a defect of my compulsive 
> personality, and an overly exaggurated sense of self-pride in my work.
>
> I always cringe when most musicians make mistakes or experience gear 
> issues and then make the audience aware of this in detail, completely 
> blowing the feel of the performance. Some performers have a good sense 
> of humor and can pull it off, making jokes and making the audience 
> laugh at the technological blunder...others stumble around and it 
> comes across as really awkward and unprofessional.  And then my 
> biggest pet peeve is when performers make mistakes and insist on 
> telling the audience this, self-deprecating themselves in the process. 
> "whoops, sorry, oh, let's try that again...sorry, I need to practice, 
> etc, etc".  I feel so embarrassed for people when they do that. I 
> prefer that they just keep going rather than repeat the mistake or 
> section ad nauseum, as if they have to get it right to move on.
>
> Kris
>
> ----- Original Message ----- From: "L.A. Angulo" <labaloops@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, July 28, 2006 12:52 AM
> Subject: Re: Favorite Five Threads on L.D.
>
>
>>
>> Do it man!
>> i guess the question about correcting a loop that has
>> gone wrong would apply more to loops that are supposed
>> to be perfect in sync or when trying to play something
>> really "groovy" rhythmically.This is why the EDP has
>> become my looper of preference,with this machine i can
>> comfortably make music out of mistakes,its non latency
>> response and well thought out edit capabilities give
>> me the most confidence onstage.With the repeater i
>> often had little groove problems,i often had to adapt
>> to its little latency which made it a bit
>> uncomfortable,although i will miss a lot of its cool
>> features like panning,pitch shifting track muting etc.
>> so i would just say to the audience stay with me folks
>> i promise i will get it right;-)
>> cheers
>> Luis
>>
>>
>>
>>
>> --- Krispen Hartung <khartung@cableone.net> wrote:
>>
>>> Can I post again? Please? :)
>>>
>>> ----- Original Message ----- From: "L.A. Angulo" <labaloops@yahoo.com>
>>>
>>> > what percentage of loopers go and play 100%
>>> improvised
>>> > loops or arranged premeditated loops on stage?
>>>
>>> That's my bag all right....everything I do these
>>> days is totally
>>> spontaneous. It's like doing drugs, but it's legal.
>>>
>>> > how do you correct a bad loop on stage,stop
>>> > abruptly,bullshit your way while tweaking or
>>> shoe/rack
>>> > gazing until u get it right?
>>>
>>> To play off a famous quote of Miles Davis, "Do not
>>> be afraid of errors.
>>> There are no errors", I never play bad or incorrect
>>> loops.  On occasion, I
>>> might play something that doesn't ring well with me
>>> emotionally (neither
>>> correct nor
>>> incorrect), but I always manage to work with it
>>> somehow. It becomes part of
>>> me just like all my other personality, physical, and
>>> psychological flaws as
>>> a
>>> human being. Even if I loop something rhythmic and
>>> my foot fails me (maybe
>>> because I have had one too many cups of coffee or
>>> drank too much alcohol),
>>> generating a loop that is an 8th note longer rather
>>> than what my brain
>>> wanted to do
>>> initially, that instantly becomes the norm and basis
>>> of what I do
>>> afterwards. I don't really care if I intend on
>>> playing a 4/4 phrase but it
>>> ends
>>> up being 9/8 or 7/8, or even something like 13/8 or
>>> 11/8. In fact, I don't
>>> even
>>> count anymore. I never know what time signature I am
>>> in unless I consciously
>>> stop to figure it out. It's a waste of my time.
>>> Everything is feel to me
>>> now.
>>>
>>> > for those who do or care how do you keep your
>>> audience
>>> > interested,do you always loop?
>>>
>>> I loop. I try to talk, but I never say what I want
>>> to say. Music is much
>>> easer as
>>> language for me in public. I prefer to play non-stop
>>> and say thank you at
>>> the end of the show.
>>>
>>> > whats the best looping show you´ve been to? what
>>> made
>>> > it so great?
>>>
>>> I really enjoyed watching Jeff Kaiser, Rick Walker,
>>> and Ted Killian
>>> at the Boise Experimental Music Festival.  I liked
>>> it when some folks
>>> were talking in the crowd, and then Jeff started
>>> looping him self
>>> whispering "stop talking".  Classic, I loved it. And
>>> their set was great.
>>> Good chemistry, lots of space and diverse sounds,
>>> etc, etc.
>>>
>>> > What makes you feel free while playing
>>> music?organized
>>> > or improvised?
>>>
>>> Improvised...as free as a person can get, at least,
>>> metaphorically.  I tend
>>> to subscribe
>>> to hard determinism these days...no free will, just
>>> chemistry, neurons,
>>> cause and effect, and necessity. I think I'm
>>> determined to do what I do.
>>> Everything is a result of a cause, ad infinitum.
>>> That would be an
>>> unproveable premise, btw.
>>>
>>> > i know some of this has been brought up in the
>>> past
>>> > perhaps but i think we all could use a
>>> refreshment!
>>> > Luis
>>>
>>> Thanks for asking!
>>>
>>> Kris
>>>
>>>
>>>
>>> > --- tEd ® kiLLiAn <tedkillian@charter.net> wrote:
>>> >
>>> >> Hehehe, it would be nice to hear from some of the
>>> >> young'ins . . .
>>> >>
>>> >> Some of my favorites went something like:
>>> >>
>>> >> 1. Why do you play (or loop) -- what was the
>>> journey
>>> >> that brought you
>>> >> here?
>>> >>
>>> >> 2.  Where does your music come from -- what
>>> inspires
>>> >> you to create it?
>>> >>
>>> >> 3.  What are some of your  musical influences --
>>> or
>>> >> looping influences
>>> >> -- and why?
>>> >>
>>> >> 4.  What are some of your favorite ways of using
>>> >> your instrument or FX
>>> >> gear in manners other than that it was designed
>>> for?
>>> >>
>>> >> 5. What keeps you going -- sustains you when you
>>> run
>>> >> into a "wall",
>>> >> carries you through when obstacles arise or when
>>> >> you're simply tired,
>>> >> uninspired or "bored" -- or what gets you out of
>>> a
>>> >> musical "rut."
>>> >>
>>> >> Peace,
>>> >>
>>> >> tEd ® kiLLiAn
>>> >>
>>> >> "Different is not always better, but better is
>>> >> always different"
>>> >>
>>> >>   http://www.pfmentum.com/flux.html
>>> >>   http://www.CDbaby.com/cd/tedkillian
>>> >>   http://www.guitar9.com/fluxaeterna.html
>>> >>   http://www.garageband.com/artist/ArsOcarina
>>> >>
>>> >>
>>> >
>>>
>> http://www.towerrecords.com/product.aspx?pfid=2845073
>>> >>
>>> >>
>>> >
>>>
>> http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
>>> >>
>>> >>
>>> >
>>>
>> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
>>> >>
>>> >>
>>> http://www.loopers-delight.com/cgi-bin/profiles.cgi?
>>> >>
>>> >> step=view_profile&id=121197000042
>>> >>
>>> >>   Ted Killian's "Flux Aeterna" is also available
>>> at:
>>> >> Apple iTunes,
>>> >>   BuyMusic, Rhapsody, MusicMatch, MusicNet,
>>> >> DiscLogic, Napster,
>>> >>   AudioLunchbox, Lindows, QTRnote, Music4Cents,
>>> >> Etherstream,
>>> >>   RuleRadio, EMEPE3, Sony Connect, CatchMusic,
>>> >> Puretracks,
>>> >>   and Viztas. Yadda, yadda, yadda. Blah, blah,
>>> blah.
>>> >> So???
>>> >>
>>> >> On Jul 26, 2006, at 1:30 PM, loop.pool wrote:
>>> >>
>>> >> > So many people have joined this list in recent
>>> >> years
>>> >> > that it might be fun to revisit some of the
>>> >> classic threads
>>> >> > on creativity,  discussions of philosophy,
>>> >> techniques for improving
>>> >> > live performances, etc.
>>> >> >
>>> >> > I know that, personally,  these are always the
>>> >> threads that have
>>> >> > fascinated
>>> >> > me and made me love being on this list.
>>> >> >
>>> >> > The oldtimers have weighed in on these subjects
>>> >> but it would be cool
>>> >> > to hear what the newest loopers have to say.
>>> >> >
>>> >> > What were your favorite five threads on this
>>> list
>>>
>> === message truncated ===
>>
>>
>> www.myspace.com/luisangulocom
>>
>> __________________________________________________
>> Do You Yahoo!?
>> Tired of spam?  Yahoo! Mail has the best spam protection around
>> http://mail.yahoo.com
>>
>>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 21:24:43 2006
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Subject: RE: Re: RiffBox & FX-Tracker (WAS how do you correct a bad loop on
 stage)
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FWIW, you can do this easily with the RC-50.  Each phrase can be set to fade
in and/or out, with an adjustable fade time (per patch).  The longest fade
setting is around 20 seconds, so it's plenty long for blending ambient
sounds.  You can begin recording or fading in another phrase while one (or
more) is fading out.  This is one of the reasons I bought the RC in the
first place.

Jesse

-----Original Message-----
From: Charlie Milkey [mailto:pilotcp@gmail.com] 
Sent: Friday, July 28, 2006 10:57 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: RiffBox & FX-Tracker (WAS how do you correct a bad loop on
stage)

i don't know much about the FX tracker, but the vids on the site look
pretty cool :)

i haven't heard much about the riff box on LD, but my guitar player
suggested it, as i like to play with ambient music, and i was getting
frustrated by the fact that i couldn't find any looper (with any
substantial time) that could fade out loop A while going to loop B...i
wanted to be able to go from--for example--a few volume swells in A
and then while thats fading out, start constructing a loop in E, so
there are no seams of dropouts, like my lexicon jamman...or even if it
wasn't ambient, both my guitar player and I use loopers of some sort,
and i feel our music builds...it starts out with a little guitar or
bass line, and it gets more and more complex as the song goes on, so
when i want to go somewhere else in the song, or change the loop in
some way, the jamman only allows you to stop the loop, and the riff
box allows for fading out so there isn't a complete dropout of half
the song...i can't believe that a lot of loopers don't offer that
option...plus my big stipulation was that it had to be rackmounted,
but i gave in to the riffbox because it did what i needed it to do,
and it has MIDI capabilities and everything can be controlled through
MIDI, so i am getting that, putting it in a rack shelf, and
controlling it via a behringer FBC1010 or a similar pedal...those two
expression pedals can even work as a clean volume and loop volume as
well, so it can all be completly controlled via MIDI, so i am psyched
to get it...i just need to sell my jamman to afford it :) i have a guy
who said he'll by the jamman in august, which is rapidly approaching,
so i hope to have it soon :)
and i will let everyone know about it when i get it...
in the meantime, everyone should check out the manual and read through
the presets, with all the cool things it can do :)

Charlie

On 7/28/06, Daryl Shawn <highhorse@mhorse.com> wrote:
> Has anyone used the Riffbox's partner, the FX-Tracker? Seems very
> interesting, effect parameters adjusting to note intensity, number of
> events, etc...and looping capabilities too, though no details except "60
> seconds". The company also seems promising in that they aim to provide
> firmware upgrades, a la the Looperlative.
>
> Charlie, I'd love to hear your take on the RiffBox when you get it, I
> saw some reviews in the archives but I'd like to hear more.
>
> (okay, okay...check for relevance...change the subject line...review,
> edit, review, edit...hell with it...SEND!).
>
> Daryl Shawn
> www.swanwelder.com
> > ...i am eagerly awaiting my
> > purchase of a riff box specifically for these fadeout situations, the
> > riff box has a preset where you can fade out loop A while
> > simultaniously recording loop B (without overdubing A). I was
> > originally excited for it for ambient music, to smoothly shift (and
> > blend) from one key to another, but it could be a good safeguard for
> > when loops go wrong too :)
> >
> > Charlie
>
>



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Jesse,

I tried out the RC50 at the store the other day, and I noticed a delay
on the playback of the first loop I record.
Can you tell me if this happens on all the units??
That delay would kill me live.

thanks,
dan

2006/7/28, noone@jbro.us <noone@jbro.us>:
>
> FWIW, you can do this easily with the RC-50.  Each phrase can be set to
> fade
> in and/or out, with an adjustable fade time (per patch).  The longest fade
> setting is around 20 seconds, so it's plenty long for blending ambient
> sounds.  You can begin recording or fading in another phrase while one (or
> more) is fading out.  This is one of the reasons I bought the RC in the
> first place.
>
> Jesse
>
> -----Original Message-----
> From: Charlie Milkey [mailto:pilotcp@gmail.com]
> Sent: Friday, July 28, 2006 10:57 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Re: RiffBox & FX-Tracker (WAS how do you correct a bad loop
> on
> stage)
>
> i don't know much about the FX tracker, but the vids on the site look
> pretty cool :)
>
> i haven't heard much about the riff box on LD, but my guitar player
> suggested it, as i like to play with ambient music, and i was getting
> frustrated by the fact that i couldn't find any looper (with any
> substantial time) that could fade out loop A while going to loop B...i
> wanted to be able to go from--for example--a few volume swells in A
> and then while thats fading out, start constructing a loop in E, so
> there are no seams of dropouts, like my lexicon jamman...or even if it
> wasn't ambient, both my guitar player and I use loopers of some sort,
> and i feel our music builds...it starts out with a little guitar or
> bass line, and it gets more and more complex as the song goes on, so
> when i want to go somewhere else in the song, or change the loop in
> some way, the jamman only allows you to stop the loop, and the riff
> box allows for fading out so there isn't a complete dropout of half
> the song...i can't believe that a lot of loopers don't offer that
> option...plus my big stipulation was that it had to be rackmounted,
> but i gave in to the riffbox because it did what i needed it to do,
> and it has MIDI capabilities and everything can be controlled through
> MIDI, so i am getting that, putting it in a rack shelf, and
> controlling it via a behringer FBC1010 or a similar pedal...those two
> expression pedals can even work as a clean volume and loop volume as
> well, so it can all be completly controlled via MIDI, so i am psyched
> to get it...i just need to sell my jamman to afford it :) i have a guy
> who said he'll by the jamman in august, which is rapidly approaching,
> so i hope to have it soon :)
> and i will let everyone know about it when i get it...
> in the meantime, everyone should check out the manual and read through
> the presets, with all the cool things it can do :)
>
> Charlie
>
> On 7/28/06, Daryl Shawn <highhorse@mhorse.com> wrote:
> > Has anyone used the Riffbox's partner, the FX-Tracker? Seems very
> > interesting, effect parameters adjusting to note intensity, number of
> > events, etc...and looping capabilities too, though no details except "60
> > seconds". The company also seems promising in that they aim to provide
> > firmware upgrades, a la the Looperlative.
> >
> > Charlie, I'd love to hear your take on the RiffBox when you get it, I
> > saw some reviews in the archives but I'd like to hear more.
> >
> > (okay, okay...check for relevance...change the subject line...review,
> > edit, review, edit...hell with it...SEND!).
> >
> > Daryl Shawn
> > www.swanwelder.com
> > > ...i am eagerly awaiting my
> > > purchase of a riff box specifically for these fadeout situations, the
> > > riff box has a preset where you can fade out loop A while
> > > simultaniously recording loop B (without overdubing A). I was
> > > originally excited for it for ambient music, to smoothly shift (and
> > > blend) from one key to another, but it could be a good safeguard for
> > > when loops go wrong too :)
> > >
> > > Charlie
> >
> >
>
>
>
>


-- 
kosukeweb
http://home.comcast.net/~kkatayama76

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Jesse,<br><br>I tried out the RC50 at the store the other day, and I noticed a delay<br>on the playback of the first loop I record.<br>Can you tell me if this happens on all the units??<br>That delay would kill me live.<br>
<br>thanks,<br>dan<br><br><div><span class="gmail_quote">2006/7/28, <a href="mailto:noone@jbro.us">noone@jbro.us</a> &lt;<a href="mailto:noone@jbro.us">noone@jbro.us</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
FWIW, you can do this easily with the RC-50.&nbsp;&nbsp;Each phrase can be set to fade<br>in and/or out, with an adjustable fade time (per patch).&nbsp;&nbsp;The longest fade<br>setting is around 20 seconds, so it's plenty long for blending ambient
<br>sounds.&nbsp;&nbsp;You can begin recording or fading in another phrase while one (or<br>more) is fading out.&nbsp;&nbsp;This is one of the reasons I bought the RC in the<br>first place.<br><br>Jesse<br><br>-----Original Message-----<br>From: Charlie Milkey [mailto:
<a href="mailto:pilotcp@gmail.com">pilotcp@gmail.com</a>]<br>Sent: Friday, July 28, 2006 10:57 AM<br>To: <a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>Subject: Re: Re: RiffBox &amp; FX-Tracker (WAS how do you correct a bad loop on
<br>stage)<br><br>i don't know much about the FX tracker, but the vids on the site look<br>pretty cool :)<br><br>i haven't heard much about the riff box on LD, but my guitar player<br>suggested it, as i like to play with ambient music, and i was getting
<br>frustrated by the fact that i couldn't find any looper (with any<br>substantial time) that could fade out loop A while going to loop B...i<br>wanted to be able to go from--for example--a few volume swells in A<br>and then while thats fading out, start constructing a loop in E, so
<br>there are no seams of dropouts, like my lexicon jamman...or even if it<br>wasn't ambient, both my guitar player and I use loopers of some sort,<br>and i feel our music builds...it starts out with a little guitar or<br>
bass line, and it gets more and more complex as the song goes on, so<br>when i want to go somewhere else in the song, or change the loop in<br>some way, the jamman only allows you to stop the loop, and the riff<br>box allows for fading out so there isn't a complete dropout of half
<br>the song...i can't believe that a lot of loopers don't offer that<br>option...plus my big stipulation was that it had to be rackmounted,<br>but i gave in to the riffbox because it did what i needed it to do,<br>and it has MIDI capabilities and everything can be controlled through
<br>MIDI, so i am getting that, putting it in a rack shelf, and<br>controlling it via a behringer FBC1010 or a similar pedal...those two<br>expression pedals can even work as a clean volume and loop volume as<br>well, so it can all be completly controlled via MIDI, so i am psyched
<br>to get it...i just need to sell my jamman to afford it :) i have a guy<br>who said he'll by the jamman in august, which is rapidly approaching,<br>so i hope to have it soon :)<br>and i will let everyone know about it when i get it...
<br>in the meantime, everyone should check out the manual and read through<br>the presets, with all the cool things it can do :)<br><br>Charlie<br><br>On 7/28/06, Daryl Shawn &lt;<a href="mailto:highhorse@mhorse.com">highhorse@mhorse.com
</a>&gt; wrote:<br>&gt; Has anyone used the Riffbox's partner, the FX-Tracker? Seems very<br>&gt; interesting, effect parameters adjusting to note intensity, number of<br>&gt; events, etc...and looping capabilities too, though no details except &quot;60
<br>&gt; seconds&quot;. The company also seems promising in that they aim to provide<br>&gt; firmware upgrades, a la the Looperlative.<br>&gt;<br>&gt; Charlie, I'd love to hear your take on the RiffBox when you get it, I<br>
&gt; saw some reviews in the archives but I'd like to hear more.<br>&gt;<br>&gt; (okay, okay...check for relevance...change the subject line...review,<br>&gt; edit, review, edit...hell with it...SEND!).<br>&gt;<br>&gt; Daryl Shawn
<br>&gt; <a href="http://www.swanwelder.com">www.swanwelder.com</a><br>&gt; &gt; ...i am eagerly awaiting my<br>&gt; &gt; purchase of a riff box specifically for these fadeout situations, the<br>&gt; &gt; riff box has a preset where you can fade out loop A while
<br>&gt; &gt; simultaniously recording loop B (without overdubing A). I was<br>&gt; &gt; originally excited for it for ambient music, to smoothly shift (and<br>&gt; &gt; blend) from one key to another, but it could be a good safeguard for
<br>&gt; &gt; when loops go wrong too :)<br>&gt; &gt;<br>&gt; &gt; Charlie<br>&gt;<br>&gt;<br><br><br><br></blockquote></div><br><br clear="all"><br>-- <br>kosukeweb<br><a href="http://home.comcast.net/~kkatayama76">http://home.comcast.net/~kkatayama76
</a>

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Subject: RE: Re: RiffBox & FX-Tracker (WAS how do you correct a bad loop on
 stage)
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Dan-

The "delay" you're referring to is a well documented glitch and is, indeed,
very frustrating.  It happens when going from record to playback, and only
effects (as you discovered) the first playback occurrence - after that it
plays smoothly.  It's worth pointing out that although a split second of
audio playback is skipped, the TIMING of the phrase is not affected, so it's
pretty easy to just play over the skipped note the first time through.  I
think it's some kind of memory buffer issue, but it may quite possibly be a
physical limitation of the memory/processor speed.  There has been some
rumor of a software update to address this in the fall, but I'm not sure
where it originated from.

J

 

  _____  

From: Dan Katayama [mailto:dan.katayama@gmail.com] 
Sent: Friday, July 28, 2006 5:27 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: RiffBox & FX-Tracker (WAS how do you correct a bad loop on
stage)

 

Jesse,

I tried out the RC50 at the store the other day, and I noticed a delay
on the playback of the first loop I record.
Can you tell me if this happens on all the units??
That delay would kill me live.

thanks,
dan

2006/7/28, noone@jbro.us <noone@jbro.us>:

FWIW, you can do this easily with the RC-50.  Each phrase can be set to fade
in and/or out, with an adjustable fade time (per patch).  The longest fade
setting is around 20 seconds, so it's plenty long for blending ambient 
sounds.  You can begin recording or fading in another phrase while one (or
more) is fading out.  This is one of the reasons I bought the RC in the
first place.

Jesse

-----Original Message-----
From: Charlie Milkey [mailto: pilotcp@gmail.com]
Sent: Friday, July 28, 2006 10:57 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: RiffBox & FX-Tracker (WAS how do you correct a bad loop on 
stage)

i don't know much about the FX tracker, but the vids on the site look
pretty cool :)

i haven't heard much about the riff box on LD, but my guitar player
suggested it, as i like to play with ambient music, and i was getting 
frustrated by the fact that i couldn't find any looper (with any
substantial time) that could fade out loop A while going to loop B...i
wanted to be able to go from--for example--a few volume swells in A
and then while thats fading out, start constructing a loop in E, so 
there are no seams of dropouts, like my lexicon jamman...or even if it
wasn't ambient, both my guitar player and I use loopers of some sort,
and i feel our music builds...it starts out with a little guitar or
bass line, and it gets more and more complex as the song goes on, so
when i want to go somewhere else in the song, or change the loop in
some way, the jamman only allows you to stop the loop, and the riff
box allows for fading out so there isn't a complete dropout of half 
the song...i can't believe that a lot of loopers don't offer that
option...plus my big stipulation was that it had to be rackmounted,
but i gave in to the riffbox because it did what i needed it to do,
and it has MIDI capabilities and everything can be controlled through 
MIDI, so i am getting that, putting it in a rack shelf, and
controlling it via a behringer FBC1010 or a similar pedal...those two
expression pedals can even work as a clean volume and loop volume as
well, so it can all be completly controlled via MIDI, so i am psyched 
to get it...i just need to sell my jamman to afford it :) i have a guy
who said he'll by the jamman in august, which is rapidly approaching,
so i hope to have it soon :)
and i will let everyone know about it when i get it... 
in the meantime, everyone should check out the manual and read through
the presets, with all the cool things it can do :)

Charlie

On 7/28/06, Daryl Shawn <highhorse@mhorse.com > wrote:
> Has anyone used the Riffbox's partner, the FX-Tracker? Seems very
> interesting, effect parameters adjusting to note intensity, number of
> events, etc...and looping capabilities too, though no details except "60 
> seconds". The company also seems promising in that they aim to provide
> firmware upgrades, a la the Looperlative.
>
> Charlie, I'd love to hear your take on the RiffBox when you get it, I
> saw some reviews in the archives but I'd like to hear more.
>
> (okay, okay...check for relevance...change the subject line...review,
> edit, review, edit...hell with it...SEND!).
>
> Daryl Shawn 
> www.swanwelder.com
> > ...i am eagerly awaiting my
> > purchase of a riff box specifically for these fadeout situations, the
> > riff box has a preset where you can fade out loop A while 
> > simultaniously recording loop B (without overdubing A). I was
> > originally excited for it for ambient music, to smoothly shift (and
> > blend) from one key to another, but it could be a good safeguard for 
> > when loops go wrong too :)
> >
> > Charlie
>
>







-- 
kosukeweb
http://home.comcast.net/~kkatayama76 


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<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Dan-<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>The &#8220;delay&#8221; you&#8217;re
referring to is a well documented glitch and is, indeed, very frustrating.&nbsp; It
happens when going from record to playback, and only effects (as you
discovered) the first playback occurrence &#8211; after that it plays
smoothly.&nbsp; It&#8217;s worth pointing out that although a split second of audio playback
is skipped, the TIMING of the phrase is not affected, so it&#8217;s pretty easy
to just play over the skipped note the first time through.&nbsp; I think it&#8217;s
some kind of memory buffer issue, but it may quite possibly be a physical limitation
of the memory/processor speed.&nbsp; There has been some rumor of a software update
to address this in the fall, but I&#8217;m not sure where it originated from.<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>J<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

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face="Times New Roman"><span style='font-size:12.0pt'>

<hr size=2 width="100%" align=center tabindex=-1>

</span></font></div>

<p class=MsoNormal><b><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'> Dan Katayama
[mailto:dan.katayama@gmail.com] <br>
<b><span style='font-weight:bold'>Sent:</span></b> Friday, July 28, 2006 5:27
PM<br>
<b><span style='font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style='font-weight:bold'>Subject:</span></b> Re: Re: RiffBox &amp;
FX-Tracker (WAS how do you correct a bad loop on stage)</span></font><o:p></o:p></p>

</div>

<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><font size=3
face="Times New Roman"><span style='font-size:12.0pt'>Jesse,<br>
<br>
I tried out the RC50 at the store the other day, and I noticed a delay<br>
on the playback of the first loop I record.<br>
Can you tell me if this happens on all the units??<br>
That delay would kill me live.<br>
<br>
thanks,<br>
dan<o:p></o:p></span></font></p>

<div>

<p class=MsoNormal><span class=gmailquote><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>2006/7/28, <a href="mailto:noone@jbro.us">noone@jbro.us</a>
&lt;<a href="mailto:noone@jbro.us">noone@jbro.us</a>&gt;:</span></font></span><o:p></o:p></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><font size=3
face="Times New Roman"><span style='font-size:12.0pt'>FWIW, you can do this
easily with the RC-50.&nbsp;&nbsp;Each phrase can be set to fade<br>
in and/or out, with an adjustable fade time (per patch).&nbsp;&nbsp;The longest
fade<br>
setting is around 20 seconds, so it's plenty long for blending ambient <br>
sounds.&nbsp;&nbsp;You can begin recording or fading in another phrase while
one (or<br>
more) is fading out.&nbsp;&nbsp;This is one of the reasons I bought the RC in
the<br>
first place.<br>
<br>
Jesse<br>
<br>
-----Original Message-----<br>
From: Charlie Milkey [mailto: <a href="mailto:pilotcp@gmail.com">pilotcp@gmail.com</a>]<br>
Sent: Friday, July 28, 2006 10:57 AM<br>
To: <a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>
Subject: Re: Re: RiffBox &amp; FX-Tracker (WAS how do you correct a bad loop on
<br>
stage)<br>
<br>
i don't know much about the FX tracker, but the vids on the site look<br>
pretty cool :)<br>
<br>
i haven't heard much about the riff box on LD, but my guitar player<br>
suggested it, as i like to play with ambient music, and i was getting <br>
frustrated by the fact that i couldn't find any looper (with any<br>
substantial time) that could fade out loop A while going to loop B...i<br>
wanted to be able to go from--for example--a few volume swells in A<br>
and then while thats fading out, start constructing a loop in E, so <br>
there are no seams of dropouts, like my lexicon jamman...or even if it<br>
wasn't ambient, both my guitar player and I use loopers of some sort,<br>
and i feel our music builds...it starts out with a little guitar or<br>
bass line, and it gets more and more complex as the song goes on, so<br>
when i want to go somewhere else in the song, or change the loop in<br>
some way, the jamman only allows you to stop the loop, and the riff<br>
box allows for fading out so there isn't a complete dropout of half <br>
the song...i can't believe that a lot of loopers don't offer that<br>
option...plus my big stipulation was that it had to be rackmounted,<br>
but i gave in to the riffbox because it did what i needed it to do,<br>
and it has MIDI capabilities and everything can be controlled through <br>
<st1:place w:st="on">MIDI</st1:place>, so i am getting that, putting it in a
rack shelf, and<br>
controlling it via a behringer FBC1010 or a similar pedal...those two<br>
expression pedals can even work as a clean volume and loop volume as<br>
well, so it can all be completly controlled via MIDI, so i am psyched <br>
to get it...i just need to sell my jamman to afford it :) i have a guy<br>
who said he'll by the jamman in august, which is rapidly approaching,<br>
so i hope to have it soon :)<br>
and i will let everyone know about it when i get it... <br>
in the meantime, everyone should check out the manual and read through<br>
the presets, with all the cool things it can do :)<br>
<br>
Charlie<br>
<br>
On 7/28/06, Daryl Shawn &lt;<a href="mailto:highhorse@mhorse.com">highhorse@mhorse.com
</a>&gt; wrote:<br>
&gt; Has anyone used the Riffbox's partner, the FX-Tracker? Seems very<br>
&gt; interesting, effect parameters adjusting to note intensity, number of<br>
&gt; events, etc...and looping capabilities too, though no details except
&quot;60 <br>
&gt; seconds&quot;. The company also seems promising in that they aim to
provide<br>
&gt; firmware upgrades, a la the Looperlative.<br>
&gt;<br>
&gt; Charlie, I'd love to hear your take on the RiffBox when you get it, I<br>
&gt; saw some reviews in the archives but I'd like to hear more.<br>
&gt;<br>
&gt; (okay, okay...check for relevance...change the subject line...review,<br>
&gt; edit, review, edit...hell with it...SEND!).<br>
&gt;<br>
&gt; Daryl Shawn <br>
&gt; <a href="http://www.swanwelder.com">www.swanwelder.com</a><br>
&gt; &gt; ...i am eagerly awaiting my<br>
&gt; &gt; purchase of a riff box specifically for these fadeout situations, the<br>
&gt; &gt; riff box has a preset where you can fade out loop A while <br>
&gt; &gt; simultaniously recording loop B (without overdubing A). I was<br>
&gt; &gt; originally excited for it for ambient music, to smoothly shift (and<br>
&gt; &gt; blend) from one key to another, but it could be a good safeguard for <br>
&gt; &gt; when loops go wrong too :)<br>
&gt; &gt;<br>
&gt; &gt; Charlie<br>
&gt;<br>
&gt;<br>
<br>
<br>
<o:p></o:p></span></font></p>

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<br clear=all>
<br>
-- <br>
kosukeweb<br>
<a href="http://home.comcast.net/~kkatayama76">http://home.comcast.net/~kkatayama76
</a><o:p></o:p></span></font></p>

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From: Richard Sales <richard@glasswing.com>
Subject: RC 50 latency & andy butler
Date: Fri, 28 Jul 2006 14:59:29 -0700
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This really worries me because I haven't noticed latency issues with=20
the RC 50.  Haven't pushed it very hard though.  But when I record a=20
'phrase' it plays it back in time, in beat,  without hiccup (although I=20=

haven't looked for it) when I end recording of that phrase (first or=20
any phrase).  Am I missing something?  I'm not playing anything real=20
fast though, just finger style stuff.  But it isn't sustainy music=20
(pads etc) either, so maybe it would show up there.

I'll try to look for it.  I'm not an experienced looper like most of=20
you.  All my prior looping experience was with my Delta Lab Effectrons=20=

in Infinite Repeat... which was and actually still is pretty cool.

I don't use any of the quantize functions, the guide etc.  And I do=20
tend to keep playing.

I have noticed that recorded loops sound a bit different from actual=20
signal.  But it seems to sound better, or maybe brighter.  That's a bit=20=

strange too.  I'd rather not have that variable to deal with.

My big bomb with it though is being limited to three phrases.  I'm not=20=

layering or overdubbing, just recording separate phrases to play over.

Listened to Andy Butler's inspiring music online.  Happily reminded me=20=

of that cool record R Fripp and Andy Summers made way back when.  Made=20=

me wanna dust off my trusty old Roland GR300 guitar synth.  Very cool. =20=

This is a big step for me.  I got so burned out on synth sounds (doing=20=

music for film/video - 1990-2003) I thought I'd never even contemplate=20=

it again.  But... I guess you never know, eh?

You all are infectious!
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 28-Jul-06, at 2:39 PM, noone@jbro.us wrote:

>
> Dan-
> The =93delay=94 you=92re referring to is a well documented glitch and =
is,=20
> indeed, very frustrating.=A0 It happens when going from record to=20
> playback, and only effects (as you discovered) the first playback=20
> occurrence =96 after that it plays smoothly.=A0 It=92s worth pointing =
out=20
> that although a split second of audio playback is skipped, the TIMING=20=

> of the phrase is not affected, so it=92s pretty easy to just play over=20=

> the skipped note the first time through.=A0 I think it=92s some kind =
of=20
> memory buffer issue, but it may quite possibly be a physical=20
> limitation of the memory/processor speed.=A0 There has been some rumor=20=

> of a software update to address this in the fall, but I=92m not sure=20=

> where it originated from.
> J
> =A0
>
> From: Dan Katayama [mailto:dan.katayama@gmail.com]
> Sent: Friday, July 28, 2006 5:27 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Re: RiffBox & FX-Tracker (WAS how do you correct a bad=20
> loop on stage)
> =A0
>
> Jesse,
>
>  I tried out the RC50 at the store the other day, and I noticed a =
delay
>  on the playback of the first loop I record.
>  Can you tell me if this happens on all the units??
>  That delay would kill me live.
>
>  thanks,
>  dan
> 2006/7/28, noone@jbro.us <noone@jbro.us>:
>
> FWIW, you can do this easily with the RC-50.=A0=A0Each phrase can be =
set=20
> to fade
>  in and/or out, with an adjustable fade time (per patch).=A0=A0The =
longest=20
> fade
>  setting is around 20 seconds, so it's plenty long for blending =
ambient
>  sounds.=A0=A0You can begin recording or fading in another phrase =
while=20
> one (or
>  more) is fading out.=A0=A0This is one of the reasons I bought the RC =
in=20
> the
>  first place.
>
>  Jesse
>
>  -----Original Message-----
>  From: Charlie Milkey [mailto: pilotcp@gmail.com]
>  Sent: Friday, July 28, 2006 10:57 AM
>  To: Loopers-Delight@loopers-delight.com
>  Subject: Re: Re: RiffBox & FX-Tracker (WAS how do you correct a bad=20=

> loop on
>  stage)
>
>  i don't know much about the FX tracker, but the vids on the site look
>  pretty cool :)
>
>  i haven't heard much about the riff box on LD, but my guitar player
>  suggested it, as i like to play with ambient music, and i was getting
>  frustrated by the fact that i couldn't find any looper (with any
>  substantial time) that could fade out loop A while going to loop =
B...i
>  wanted to be able to go from--for example--a few volume swells in A
>  and then while thats fading out, start constructing a loop in E, so
>  there are no seams of dropouts, like my lexicon jamman...or even if =
it
>  wasn't ambient, both my guitar player and I use loopers of some sort,
>  and i feel our music builds...it starts out with a little guitar or
>  bass line, and it gets more and more complex as the song goes on, so
>  when i want to go somewhere else in the song, or change the loop in
>  some way, the jamman only allows you to stop the loop, and the riff
>  box allows for fading out so there isn't a complete dropout of half
>  the song...i can't believe that a lot of loopers don't offer that
>  option...plus my big stipulation was that it had to be rackmounted,
>  but i gave in to the riffbox because it did what i needed it to do,
>  and it has MIDI capabilities and everything can be controlled through
> MIDI, so i am getting that, putting it in a rack shelf, and
>  controlling it via a behringer FBC1010 or a similar pedal...those two
>  expression pedals can even work as a clean volume and loop volume as
>  well, so it can all be completly controlled via MIDI, so i am psyched
>  to get it...i just need to sell my jamman to afford it :) i have a =
guy
>  who said he'll by the jamman in august, which is rapidly approaching,
>  so i hope to have it soon :)
>  and i will let everyone know about it when i get it...
>  in the meantime, everyone should check out the manual and read =
through
>  the presets, with all the cool things it can do :)
>
>  Charlie
>
>  On 7/28/06, Daryl Shawn <highhorse@mhorse.com > wrote:
>  > Has anyone used the Riffbox's partner, the FX-Tracker? Seems very
>  > interesting, effect parameters adjusting to note intensity, number=20=

> of
>  > events, etc...and looping capabilities too, though no details=20
> except "60
>  > seconds". The company also seems promising in that they aim to=20
> provide
>  > firmware upgrades, a la the Looperlative.
>  >
>  > Charlie, I'd love to hear your take on the RiffBox when you get it,=20=

> I
>  > saw some reviews in the archives but I'd like to hear more.
>  >
>  > (okay, okay...check for relevance...change the subject=20
> line...review,
>  > edit, review, edit...hell with it...SEND!).
>  >
>  > Daryl Shawn
>  > www.swanwelder.com
>  > > ...i am eagerly awaiting my
>  > > purchase of a riff box specifically for these fadeout situations,=20=

> the
>  > > riff box has a preset where you can fade out loop A while
>  > > simultaniously recording loop B (without overdubing A). I was
>  > > originally excited for it for ambient music, to smoothly shift=20
> (and
>  > > blend) from one key to another, but it could be a good safeguard=20=

> for
>  > > when loops go wrong too :)
>  > >
>  > > Charlie
>  >
>  >
>
>
>
>
>
>  --
>  kosukeweb
> http://home.comcast.net/~kkatayama76

--Apple-Mail-3--276889300
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=WINDOWS-1252

This really worries me because I haven't noticed latency issues with
the RC 50.  Haven't pushed it very hard though.  But when I record a
'phrase' it plays it back in time, in beat,  without hiccup (although
I haven't looked for it) when I end recording of that phrase (first or
any phrase).  Am I missing something?  I'm not playing anything real
fast though, just finger style stuff.  But it isn't sustainy music
(pads etc) either, so maybe it would show up there.


I'll try to look for it.  I'm not an experienced looper like most of
you.  All my prior looping experience was with my Delta Lab Effectrons
in Infinite Repeat... which was and actually still is pretty cool.


I don't use any of the quantize functions, the guide etc.  And I do
tend to keep playing.


I have noticed that recorded loops sound a bit different from actual
signal.  But it seems to sound better, or maybe brighter.  That's a
bit strange too.  I'd rather not have that variable to deal with.


My big bomb with it though is being limited to three phrases.  I'm not
layering or overdubbing, just recording separate phrases to play over.


Listened to Andy Butler's inspiring music online.  Happily reminded me
of that cool record R Fripp and Andy Summers made way back when.  Made
me wanna dust off my trusty old Roland GR300 guitar synth.  Very cool.=20=

This is a big step for me.  I got so burned out on synth sounds (doing
music for film/video - 1990-2003) I thought I'd never even contemplate
it again.  But... I guess you never know, eh?


You all are infectious!

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 28-Jul-06, at 2:39 PM, noone@jbro.us wrote:


<excerpt> =20

=
<fontfamily><param>Arial</param><color><param>0000,0000,8080</param><x-tad=
-bigger>Dan-</x-tad-bigger></color></fontfamily>

=
<fontfamily><param>Arial</param><color><param>0000,0000,8080</param><x-tad=
-bigger>The
=93delay=94 you=92re referring to is a well documented glitch and is,
indeed, very frustrating.=A0 It happens when going from record to
playback, and only effects (as you discovered) the first playback
occurrence =96 after that it plays smoothly.=A0 It=92s worth pointing =
out
that although a split second of audio playback is skipped, the TIMING
of the phrase is not affected, so it=92s pretty easy to just play over
the skipped note the first time through.=A0 I think it=92s some kind of
memory buffer issue, but it may quite possibly be a physical
limitation of the memory/processor speed.=A0 There has been some rumor
of a software update to address this in the fall, but I=92m not sure
where it originated from.</x-tad-bigger></color></fontfamily>

=
<fontfamily><param>Arial</param><color><param>0000,0000,8080</param><x-tad=
-bigger>J</x-tad-bigger></color></fontfamily>

=
<fontfamily><param>Arial</param><color><param>0000,0000,8080</param><x-tad=
-bigger>=A0</x-tad-bigger></color></fontfamily>


<bold><x-tad-bigger>From:</x-tad-bigger></bold><x-tad-bigger> Dan
Katayama [mailto:dan.katayama@gmail.com]</x-tad-bigger>

<bold><x-tad-bigger>Sent:</x-tad-bigger></bold><x-tad-bigger> Friday,
July 28, 2006 5:27 PM</x-tad-bigger>

<bold><x-tad-bigger>To:</x-tad-bigger></bold><x-tad-bigger>
Loopers-Delight@loopers-delight.com</x-tad-bigger>

<bold><x-tad-bigger>Subject:</x-tad-bigger></bold><x-tad-bigger> Re:
Re: RiffBox & FX-Tracker (WAS how do you correct a bad loop on =
stage)</x-tad-bigger>

<fontfamily><param>Times New =
Roman</param><bigger><bigger>=A0</bigger></bigger></fontfamily>


<fontfamily><param>Times New =
Roman</param><bigger><bigger>Jesse,</bigger></bigger></fontfamily>


<fontfamily><param>Times New Roman</param><bigger><bigger> I tried out
the RC50 at the store the other day, and I noticed a =
delay</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> on the
playback of the first loop I record.</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> Can you
tell me if this happens on all the =
units??</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> That delay
would kill me live.</bigger></bigger></fontfamily>


<fontfamily><param>Times New Roman</param><bigger><bigger> =
thanks,</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> =
dan</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger>2006/7/28,
<color><param>0000,0000,FFFF</param>noone@jbro.us</color>
=
<<<color><param>0000,0000,FFFF</param>noone@jbro.us</color>>:</bigger></bi=
gger></fontfamily>


<fontfamily><param>Times New Roman</param><bigger><bigger>FWIW, you
can do this easily with the RC-50.=A0=A0Each phrase can be set to =
fade</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> in and/or
out, with an adjustable fade time (per patch).=A0=A0The longest =
fade</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> setting is
around 20 seconds, so it's plenty long for blending ambient =
</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger>
sounds.=A0=A0You can begin recording or fading in another phrase while =
one
(or</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> more) is
fading out.=A0=A0This is one of the reasons I bought the RC in =
the</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> first =
place.</bigger></bigger></fontfamily>


<fontfamily><param>Times New Roman</param><bigger><bigger> =
Jesse</bigger></bigger></fontfamily>


<fontfamily><param>Times New Roman</param><bigger><bigger>
-----Original Message-----</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> From:
Charlie Milkey [mailto:
=
<color><param>0000,0000,FFFF</param>pilotcp@gmail.com</color>]</bigger></b=
igger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> Sent:
Friday, July 28, 2006 10:57 AM</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> To:
=
<color><param>0000,0000,FFFF</param>Loopers-Delight@loopers-delight.com</c=
olor></bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> Subject:
Re: Re: RiffBox & FX-Tracker (WAS how do you correct a bad loop on =
</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> =
stage)</bigger></bigger></fontfamily>


<fontfamily><param>Times New Roman</param><bigger><bigger> i don't
know much about the FX tracker, but the vids on the site =
look</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> pretty cool
:)</bigger></bigger></fontfamily>


<fontfamily><param>Times New Roman</param><bigger><bigger> i haven't
heard much about the riff box on LD, but my guitar =
player</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> suggested
it, as i like to play with ambient music, and i was getting =
</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> frustrated
by the fact that i couldn't find any looper (with =
any</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> substantial
time) that could fade out loop A while going to loop =
B...i</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> wanted to
be able to go from--for example--a few volume swells in =
A</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> and then
while thats fading out, start constructing a loop in E, so =
</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> there are
no seams of dropouts, like my lexicon jamman...or even if =
it</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> wasn't
ambient, both my guitar player and I use loopers of some =
sort,</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> and i feel
our music builds...it starts out with a little guitar =
or</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> bass line,
and it gets more and more complex as the song goes on, =
so</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> when i want
to go somewhere else in the song, or change the loop =
in</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> some way,
the jamman only allows you to stop the loop, and the =
riff</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> box allows
for fading out so there isn't a complete dropout of half =
</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> the
song...i can't believe that a lot of loopers don't offer =
that</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger>
option...plus my big stipulation was that it had to be =
rackmounted,</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> but i gave
in to the riffbox because it did what i needed it to =
do,</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> and it has
MIDI capabilities and everything can be controlled through =
</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger>MIDI, so i
am getting that, putting it in a rack shelf, =
and</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> controlling
it via a behringer FBC1010 or a similar pedal...those =
two</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> expression
pedals can even work as a clean volume and loop volume =
as</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> well, so it
can all be completly controlled via MIDI, so i am psyched =
</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> to get
it...i just need to sell my jamman to afford it :) i have a =
guy</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> who said
he'll by the jamman in august, which is rapidly =
approaching,</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> so i hope
to have it soon :)</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> and i will
let everyone know about it when i get it... =
</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> in the
meantime, everyone should check out the manual and read =
through</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> the
presets, with all the cool things it can do =
:)</bigger></bigger></fontfamily>


<fontfamily><param>Times New Roman</param><bigger><bigger> =
Charlie</bigger></bigger></fontfamily>


<fontfamily><param>Times New Roman</param><bigger><bigger> On 7/28/06,
Daryl Shawn <<<color><param>0000,0000,FFFF</param>highhorse@mhorse.com
</color>> wrote:</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > Has
anyone used the Riffbox's partner, the FX-Tracker? Seems =
very</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> >
interesting, effect parameters adjusting to note intensity, number =
of</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > events,
etc...and looping capabilities too, though no details except =
"60</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > seconds".
The company also seems promising in that they aim to =
provide</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > firmware
upgrades, a la the Looperlative.</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> =
></bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > Charlie,
I'd love to hear your take on the RiffBox when you get it, =
I</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > saw some
reviews in the archives but I'd like to hear =
more.</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> =
></bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > (okay,
okay...check for relevance...change the subject =
line...review,</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > edit,
review, edit...hell with it...SEND!).</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> =
></bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > Daryl
Shawn </bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> >
=
<color><param>0000,0000,FFFF</param>www.swanwelder.com</color></bigger></b=
igger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > > ...i am
eagerly awaiting my</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > >
purchase of a riff box specifically for these fadeout situations, =
the</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > > riff
box has a preset where you can fade out loop A while =
</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > >
simultaniously recording loop B (without overdubing A). I =
was</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > >
originally excited for it for ambient music, to smoothly shift =
(and</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > > blend)
from one key to another, but it could be a good safeguard for =
</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > > when
loops go wrong too :)</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > =
></bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> > > =
Charlie</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> =
></bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> =
></bigger></bigger></fontfamily>






<fontfamily><param>Times New Roman</param><bigger><bigger> -- =
</bigger></bigger></fontfamily>

<fontfamily><param>Times New Roman</param><bigger><bigger> =
kosukeweb</bigger></bigger></fontfamily>

<fontfamily><param>Times New =
Roman</param><color><param>0000,0000,FFFF</param><bigger><bigger>http://ho=
me.comcast.net/~kkatayama76</bigger></bigger></color></fontfamily>

</excerpt>=

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 22:28:48 2006
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	id E72D53BF16; Fri, 28 Jul 2006 22:28:48 +0000 (UTC)
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Date: Fri, 28 Jul 2006 19:28:12 -0300
From: Andrew Duke <andrew@andrew-duke.com>
Subject: (OT) Andrew Duke--Consumer vs. User remix contest
In-reply-to: <001901c6b28e$3d3dfa90$4b01a8c0@jbroone>
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Not about looping, but just in case some of you loopers might be interested:

The deadline for entries in the Andrew Duke--Consumer vs. User remix 
contest is
August 31, 2006--just about a month from now.
In case you missed the info first time 'round:
remix material from Andrew Duke's Consumer vs. User album (just released 
on California's Phthalo http://www.phthalo.com/cat.php?cat=phth40 and 
featuring a remix of the 313 list's own Phonopsia) for a chance to be 
released on Stratagem Musik (http://stratagem-musik.com) and win cool 
prizes
including a grand prize of a copy of Native Instruments Reaktor, plus 
software from FXpansion and
Audiomulch, magazine subscriptions, CD-ROMs, books, CDs, and more;
http://andrew-duke.com/contests.html has the details. And even if you're 
not interested in
participating in the remix contest, there are 385 royalty-free samples 
available for you to play with.
Again, contest deadline is August 31, 2006.  And there's another remix 
contest (different source material and prizes) starting up August 15.

Thanks.

-- 
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
http://cognitionaudioworks.com
http://myspace.com/cognitionaudioworks

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Message-ID: <20060728223540.71204.qmail@web81304.mail.mud.yahoo.com>
Date: Fri, 28 Jul 2006 15:35:40 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Re: improv vs arrangement
To: Loopers-Delight@loopers-delight.com
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True Andy, I'm always synced, but my pal Brian Kenny
is never synced and he seems to do it.  I'd fogotten
the inability to do different lenght loops.  Christ,
that must me hard. He's also an amazing musician and
writes some of the best songs about meth labs in the
central valley I've ever heard.

--- a k butler <akbutler@tiscali.co.uk> wrote:

> 
> >On 27 Jul 2006 at 11:07, mark sottilaro wrote:
> >
> > > > --- "nick@12testing.net" <nick@12testing.net>
> wrote:
> > > > Due largely to the technicalities (an old
> jamman), I'm 100% improvised,
> >
> > > I don't understand that statement.  The old
> JamMan
> > > seems really well suited for arranged
> premeditated
> > > loops in a song type of structure...
> >
> >Sorry, I didn't make myself clear - I meant by
> comparison with the
> >modern machines, where you can easily store
> multiple loops and switch
> >/ mix between them to create an arrangement, rather
> than the jamman
> >"buld up, fade away" variety.
> >All the best,
> >Nick Robinson
> 
> As Mark syncs to a drum machine, the JamMan allows
> him to switch 
> between different loops
> really easily.
> It's because the JamMan makes all loops exactly the
> same length that 
> it's impractical to try and create more than one
> loop when there's no 
> guide, it's next to impossible to get the timing
> accurate .
> Try shorter loops, ( but I gave up and got an EDP)
> 
> andy butler 
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 22:45:42 2006
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Date: Fri, 28 Jul 2006 15:45:40 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: how do you correct a bad loop on stage, etc
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I'm keeping a gigi delay around for just such
emergencies.  I figure with that and the Tonelab's 8
sec loop I should have it covered in case of a
disaster.

Last gig I played with Rick and Bill, my KAOSS pad
decided to start sending MIDI program change info (It
was set not to) and I spun it's preset selection dial
and it scrolled through my VF-1's presets!  At first I
couldn't figure what was happening (I had a note
sustaining via a sustainiac)

I simply looked at the audience and gleefully yelled,
"technology sucks!"  Everyone laughed and the show
went on.  Krispen's right though, never let them see
you sweat.

--- Krispen Hartung <khartung@cableone.net> wrote:

> Interesting side topic from this...I have yet to
> experience my laptop or VST 
> host crash during a performance. So what would I do
> if this occurred? 

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 23:15:50 2006
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Date: Fri, 28 Jul 2006 16:15:48 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: "getting away with" glitches
To: Loopers-Delight@loopers-delight.com
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I think Adrian Belew's "Lone Rhino" is him improvising
over his very young daughter who's experimenting on
piano and happened to get recorded.  Chaos can often
be nice.

--- "nick@12testing.net" <nick@12testing.net> wrote:

> On 27 Jul 2006 at 23:52, tEd ® kiLLiAn wrote:
> 
> >  It's a fun challenge to make someting "artful"
> > and "satifying" out of the haphazard glitches that
> human error
> > (especially my human error) induces and produces.
> 
> Absolutely. I remember about 15 years ago I was
> recording a
> soundscape that seemed to be going well until my 3
> year old daughter
> helped me by adding some "un-volumed" notes. Cursing
> fluently, I
> carried on to a conclusion. As I listened back,
> dreading the moment,
> it sounded perfectly in context and actually brought
> some life to the
> piece.
> 
> I still have similar moments, especially when using
> the guitar synth.
> Many of my patches have a slow attack, so I don't
> need to juggle with
> the volume control, but there's also a bank of
> kotos, banjos & so
> forth. What a joyful moment when with a misplaced
> tap of the toe, a
> loud mini-moog bass note rings out over a
> contemplative section! As
> Ted says, the fun is then to "make it work".
> 
> In many ways, looping is the perfect example of the
> motto "if you
> play a bum note, play it again and pretend it's
> jazz".
> 
> 
> 
> 
> All the best,
> 
> Nick Robinson
> 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 23:16:59 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: how do you correct a bad loop on stage, etc
Date: Sat, 29 Jul 2006 01:16:49 +0200
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That's what I'm planning to do, too...in my case a DD20 and a Boss OD-2
(nothing in the realm of the Tonelab).

The problem here is that in some typical laptop setups, the computer
crashing might result in you losing control over your audio interface
(which, in an all-laptop setup like Krispen's, goes directly to the =
FOH).

Possible workaround:
a) quickly connect your backup solution in case of a laptop meltdown =
(takes
some time and possible problems witch noises from the cables being
(un)plugged in the mains)
b) use an interface which retains its onboard mixer settings when
disconnected from the laptop and use a setup where you can make use of =
your
backup solution (like by routing the in to your laptop to an out which =
goes
to the DD20 and the return of the DD20 to an active channel on the
interface. Then make sure to power down the DD20 when not in a case of
emergency).
c) use an interface which allows you to switch between different mixer
settings even when the computer is down.

	Rainer

> -----Urspr=FCngliche Nachricht-----
> Von: mark sottilaro [mailto:zerocrossing2001@yahoo.com]=20
> Gesendet: Samstag, 29. Juli 2006 00:46
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: how do you correct a bad loop on stage, etc
>=20
> I'm keeping a gigi delay around for just such emergencies.  I=20
> figure with that and the Tonelab's 8 sec loop I should have=20
> it covered in case of a disaster.
>=20
> --- Krispen Hartung <khartung@cableone.net> wrote:
>=20
> > Interesting side topic from this...I have yet to experience=20
> my laptop=20
> > or VST host crash during a performance. So what would I do if this=20
> > occurred?

From Loopers-Delight-request@loopers-delight.com  Fri Jul 28 23:56:06 2006
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Date: Fri, 28 Jul 2006 18:56:04 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: loop fades (Re: RiffBox & FX-Tracker (WAS how do you correct a bad loop on stage)
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On 7/28/06, Paul Mimlitsch <pmimlitsch@mac.com> wrote:

> This can be done quite easily with a Boss GigaDelay and a FS 5U pedal
> set for "tap" function(though at a max time of only 23. sec).  Program
> Preset slots 1, 2, 3, 4 - 23 sec. delay time/ max effect level/
> 3o'clock feedback setting (can be adjusted on the fly).  (I set the
> presets to max delay time - it's easier to trim the loop time before
> things start repeating.) Do your volume swelly thing on preset slot 1
> (setting loop length with the FS pedal),  switch to preset slot 2, tap,
> record, tap, layer, layer, layer... as preset 1 loop fades.  At any
> time feedback on the loop your working on can be adjusted.  Caveat:
> the unit only holds 1 loop in memory:  you can work on the next preset
> slot (loop) as the loop in memory is doing it's thing.  When you switch
> to a 3rd. preset slot to add another loop, before the initial loop is
> finished fading, it will cut that initial loop off abruptly.  Also, if
> you freeze the first loop (turning feedback to 100% - say a rhythmic
> loop) and set up an "ambient" over top in the next preset slot, there
> will be no way to fade out the initial loop except to cut it off by
> switching to a third preset slot - a useful effect....  With a little
> practice you get familiar with judging fade time vs loop length and can
> make on the fly adjustments before moving to the next preset slot and
> keep everything progressing/ evolving smoothly.  Also, it helps to play
> seated so knobs/ buttons are in reach.

ok, so there are a few pedals that can do that...however the riff box
is even easier than that...its got three steps (instead of a paragraph
like ^^)

1. go to the specfic program
2. make a loop
3. hit a button to overdub while the old loop fades

to me, that is easy :)


> false - you can initiate a midi fade (short, medium, long) on the
> jamman.  This can be of a frozen loop or can be initiated in record
> mode after the loop length is set via tap.
>
>

ok, you are right, i don't have a lot of MIDI gear, but i can send
messages via my oxygen8 keyboard and i tried that before...but i don't
recall being able to record the new loop while the old loop fades out
in the background...

if i recall with the jamman, your loop fades, and thats all you can
do...you can't start a new loop until it completely fades out, or you
stop the old loop (and fadeout) and start your new loop...either way,
thats not what i wanted :)

From Loopers-Delight-request@loopers-delight.com  Sat Jul 29 01:29:41 2006
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Date: Fri, 28 Jul 2006 19:02:09 -0300
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From: Matthias Grob <matilists@atarde.com.br>
Subject: Re: Sheer Volume on this List
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I save all mails for whenever I will have time :-)
and sometimes look through them or someone gives me a hint when a 
subject is specially interesting for me.
But I am a slow reader (even in my own language) and tend to get 
involved with everything I see, so I am unable to read over all as 
others do.

I spent years reading almost every mail, even at times there were 70/day
and spent hours trying to word my posts the most short and complete possible.
it was a fun time
but I am afraid that much of the effort is lost, due to sheer volume 
in the archive...

so I am sorry for those who came later to the family, I would really 
love to meet you as intensely as the others in the past...

this is especially sad as it seems that looping is becoming real popular now
... but it seems that most new loopers are satisfied with some tracks 
and dont need the sync and feedback and stotter and whatnot features 
we worked hard for - an evolution we must not become bitter about!
So I need to look for some other income like Mathons and FireWireGuitar...

But I invite everyone to forward to me what they think I should know 
or say something about!

-- 


          ---> http://www.matthiasgrob.com

From Loopers-Delight-request@loopers-delight.com  Sat Jul 29 01:33:17 2006
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Re: loop fades (Re: RiffBox & FX-Tracker (WAS how do you correct a bad loop on stage)
Date: Fri, 28 Jul 2006 19:33:13 -0600
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On Jul 28, 2006, at 5:56 PM, Charlie Milkey wrote:

> ok, you are right, i don't have a lot of MIDI gear, but i can send
> messages via my oxygen8 keyboard and i tried that before...but i don't
> recall being able to record the new loop while the old loop fades out
> in the background...

Charlie;
Once the initial loop length is established - ie: tap in/ record/ tap 
out. - then tap in again for layering.  While the loop is "open" you 
should - I haven't owned a Jamman for years but do remember doing this 
- be able to send the midi fade command at which point as the loop 
fades you can still layer material which will also fade - in effect the 
looper acts like a delay with less than 100% feedback.  Check it out 
and let me know if I'm remembering correctly.

> if i recall with the jamman, your loop fades, and thats all you can
> do...you can't start a new loop until it completely fades out, or you
> stop the old loop (and fadeout) and start your new loop...either way,
> thats not what i wanted :)

Understood - Paul

From Loopers-Delight-request@loopers-delight.com  Sat Jul 29 02:19:54 2006
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Date: Fri, 28 Jul 2006 21:19:52 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: loop fades (Re: RiffBox & FX-Tracker (WAS how do you correct a bad loop on stage)
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right...you are right with being able to still play and add to the
loop while fading, but like i said before, and i think you got what i
said, but i was saying that i wanted to fade out loop A, and at the
very same time, start Loop B, similar to relay runners in track,
you've got 4 or 5 guys who run the race all together and when it comes
time to pass the baton the reciever starts running ahead of time so
that when the baton comes around, the pace isn't lost. the batan gets
passed seamlessly, without the first runner stopping and handing it
off and then the second runner starts running...know what i mean kind
of?

Charlie
On 7/28/06, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
>
> On Jul 28, 2006, at 5:56 PM, Charlie Milkey wrote:
>
> > ok, you are right, i don't have a lot of MIDI gear, but i can send
> > messages via my oxygen8 keyboard and i tried that before...but i don't
> > recall being able to record the new loop while the old loop fades out
> > in the background...
>
> Charlie;
> Once the initial loop length is established - ie: tap in/ record/ tap
> out. - then tap in again for layering.  While the loop is "open" you
> should - I haven't owned a Jamman for years but do remember doing this
> - be able to send the midi fade command at which point as the loop
> fades you can still layer material which will also fade - in effect the
> looper acts like a delay with less than 100% feedback.  Check it out
> and let me know if I'm remembering correctly.
>
> > if i recall with the jamman, your loop fades, and thats all you can
> > do...you can't start a new loop until it completely fades out, or you
> > stop the old loop (and fadeout) and start your new loop...either way,
> > thats not what i wanted :)
>
> Understood - Paul
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 29 02:51:28 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: return of the guitar synth RE: RC 50 latency & andy butler
Date: Fri, 28 Jul 2006 19:51:15 -0700
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Well... after I wrote that email I did dust it off, hook it up to my=20
old (tape based) Echoplex, plugged up the VCF expression pedal and...=20
WOW!  It's SO COOL!  I'd forgotten all about it.

Starting to feel like a looper
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 28-Jul-06, at 6:12 PM, mungenast@earthlink.net wrote:

> while you're at it, dial-in some of that KC "Sheltering Sky" tone!=20
> (Anyone
> know how to approximate that on a VF-1??????)
> ~Tim M
>
>
>> [Original Message]
>> From: Richard Sales <richard@glasswing.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Date: 7/28/2006 5:59:29 PM
>> Subject: RC 50 latency & andy butler
>>
>> This really worries me because I haven't noticed latency issues with
>> the RC 50.  Haven't pushed it very hard though.  But when I record a
>> 'phrase' it plays it back in time, in beat,  without hiccup (although=20=

>> I
>> haven't looked for it) when I end recording of that phrase (first or
>> any phrase).  Am I missing something?  I'm not playing anything real
>> fast though, just finger style stuff.  But it isn't sustainy music
>> (pads etc) either, so maybe it would show up there.
>>
>> I'll try to look for it.  I'm not an experienced looper like most of
>> you.  All my prior looping experience was with my Delta Lab =
Effectrons
>> in Infinite Repeat... which was and actually still is pretty cool.
>>
>> I don't use any of the quantize functions, the guide etc.  And I do
>> tend to keep playing.
>>
>> I have noticed that recorded loops sound a bit different from actual
>> signal.  But it seems to sound better, or maybe brighter.  That's a=20=

>> bit
>> strange too.  I'd rather not have that variable to deal with.
>>
>> My big bomb with it though is being limited to three phrases.  I'm =
not
>> layering or overdubbing, just recording separate phrases to play =
over.
>>
>> Listened to Andy Butler's inspiring music online.  Happily reminded =
me
>> of that cool record R Fripp and Andy Summers made way back when.  =
Made
>> me wanna dust off my trusty old Roland GR300 guitar synth.  Very =
cool.
>> This is a big step for me.  I got so burned out on synth sounds =
(doing
>> music for film/video - 1990-2003) I thought I'd never even =
contemplate
>> it again.  But... I guess you never know, eh?
>>
>> You all are infectious!
>> richard sales
>> glassWing farm and studio
>> vancouver island, b.c.
>> 800.545.6846
>> 250.752.4816
>> www.glassWing.com
>> www.richardsales.com
>> www.hayleysales.com
>> www.blueberryfieldsfarm.com
>> On 28-Jul-06, at 2:39 PM, noone@jbro.us wrote:
>>
>>>
>>> Dan-
>>> The =93delay=94 you=92re referring to is a well documented glitch =
and is,
>>> indeed, very frustrating.=A0 It happens when going from record to
>>> playback, and only effects (as you discovered) the first playback
>>> occurrence =96 after that it plays smoothly.=A0 It=92s worth =
pointing out
>>> that although a split second of audio playback is skipped, the =
TIMING
>>> of the phrase is not affected, so it=92s pretty easy to just play =
over
>>> the skipped note the first time through.=A0 I think it=92s some kind =
of
>>> memory buffer issue, but it may quite possibly be a physical
>>> limitation of the memory/processor speed.=A0 There has been some =
rumor
>>> of a software update to address this in the fall, but I=92m not sure
>>> where it originated from.
>>> J
>>> =A0
>>>
>>> From: Dan Katayama [mailto:dan.katayama@gmail.com]
>>> Sent: Friday, July 28, 2006 5:27 PM
>>> To: Loopers-Delight@loopers-delight.com
>>> Subject: Re: Re: RiffBox & FX-Tracker (WAS how do you correct a bad
>>> loop on stage)
>>> =A0
>>>
>>> Jesse,
>>>
>>>  I tried out the RC50 at the store the other day, and I noticed a=20
>>> delay
>>>  on the playback of the first loop I record.
>>>  Can you tell me if this happens on all the units??
>>>  That delay would kill me live.
>>>
>>>  thanks,
>>>  dan
>>> 2006/7/28, noone@jbro.us <noone@jbro.us>:
>>>
>>> FWIW, you can do this easily with the RC-50.=A0=A0Each phrase can be =
set
>>> to fade
>>>  in and/or out, with an adjustable fade time (per patch).=A0=A0The=20=

>>> longest
>>> fade
>>>  setting is around 20 seconds, so it's plenty long for blending=20
>>> ambient
>>>  sounds.=A0=A0You can begin recording or fading in another phrase =
while
>>> one (or
>>>  more) is fading out.=A0=A0This is one of the reasons I bought the =
RC in
>>> the
>>>  first place.
>>>
>>>  Jesse
>>>
>>>  -----Original Message-----
>>>  From: Charlie Milkey [mailto: pilotcp@gmail.com]
>>>  Sent: Friday, July 28, 2006 10:57 AM
>>>  To: Loopers-Delight@loopers-delight.com
>>>  Subject: Re: Re: RiffBox & FX-Tracker (WAS how do you correct a bad
>>> loop on
>>>  stage)
>>>
>>>  i don't know much about the FX tracker, but the vids on the site=20
>>> look
>>>  pretty cool :)
>>>
>>>  i haven't heard much about the riff box on LD, but my guitar player
>>>  suggested it, as i like to play with ambient music, and i was=20
>>> getting
>>>  frustrated by the fact that i couldn't find any looper (with any
>>>  substantial time) that could fade out loop A while going to loop=20
>>> B...i
>>>  wanted to be able to go from--for example--a few volume swells in A
>>>  and then while thats fading out, start constructing a loop in E, so
>>>  there are no seams of dropouts, like my lexicon jamman...or even if=20=

>>> it
>>>  wasn't ambient, both my guitar player and I use loopers of some=20
>>> sort,
>>>  and i feel our music builds...it starts out with a little guitar or
>>>  bass line, and it gets more and more complex as the song goes on, =
so
>>>  when i want to go somewhere else in the song, or change the loop in
>>>  some way, the jamman only allows you to stop the loop, and the riff
>>>  box allows for fading out so there isn't a complete dropout of half
>>>  the song...i can't believe that a lot of loopers don't offer that
>>>  option...plus my big stipulation was that it had to be rackmounted,
>>>  but i gave in to the riffbox because it did what i needed it to do,
>>>  and it has MIDI capabilities and everything can be controlled=20
>>> through
>>> MIDI, so i am getting that, putting it in a rack shelf, and
>>>  controlling it via a behringer FBC1010 or a similar pedal...those=20=

>>> two
>>>  expression pedals can even work as a clean volume and loop volume =
as
>>>  well, so it can all be completly controlled via MIDI, so i am=20
>>> psyched
>>>  to get it...i just need to sell my jamman to afford it :) i have a=20=

>>> guy
>>>  who said he'll by the jamman in august, which is rapidly=20
>>> approaching,
>>>  so i hope to have it soon :)
>>>  and i will let everyone know about it when i get it...
>>>  in the meantime, everyone should check out the manual and read=20
>>> through
>>>  the presets, with all the cool things it can do :)
>>>
>>>  Charlie
>>>
>>>  On 7/28/06, Daryl Shawn <highhorse@mhorse.com > wrote:
>>>> Has anyone used the Riffbox's partner, the FX-Tracker? Seems very
>>>> interesting, effect parameters adjusting to note intensity, number
>>> of
>>>> events, etc...and looping capabilities too, though no details
>>> except "60
>>>> seconds". The company also seems promising in that they aim to
>>> provide
>>>> firmware upgrades, a la the Looperlative.
>>>>
>>>> Charlie, I'd love to hear your take on the RiffBox when you get it,
>>> I
>>>> saw some reviews in the archives but I'd like to hear more.
>>>>
>>>> (okay, okay...check for relevance...change the subject
>>> line...review,
>>>> edit, review, edit...hell with it...SEND!).
>>>>
>>>> Daryl Shawn
>>>> www.swanwelder.com
>>>>> ...i am eagerly awaiting my
>>>>> purchase of a riff box specifically for these fadeout situations,
>>> the
>>>>> riff box has a preset where you can fade out loop A while
>>>>> simultaniously recording loop B (without overdubing A). I was
>>>>> originally excited for it for ambient music, to smoothly shift
>>> (and
>>>>> blend) from one key to another, but it could be a good safeguard
>>> for
>>>>> when loops go wrong too :)
>>>>>
>>>>> Charlie
>>>>
>>>>
>>>
>>>
>>>
>>>
>>>
>>>  --
>>>  kosukeweb
>>> http://home.comcast.net/~kkatayama76
>

--Apple-Mail-4--259383175
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Well... after I wrote that email I did dust it off, hook it up to my
old (tape based) Echoplex, plugged up the VCF expression pedal and...
WOW!  It's SO COOL!  I'd forgotten all about it. =20


Starting to feel like a looper

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 28-Jul-06, at 6:12 PM, mungenast@earthlink.net wrote:


<excerpt>while you're at it, dial-in some of that KC "Sheltering Sky"
tone! (Anyone

know how to approximate that on a VF-1??????)

~Tim M



<excerpt>[Original Message]

From: Richard Sales <<richard@glasswing.com>

To: <<Loopers-Delight@loopers-delight.com>

Date: 7/28/2006 5:59:29 PM

Subject: RC 50 latency & andy butler


This really worries me because I haven't noticed latency issues with=20

the RC 50.  Haven't pushed it very hard though.  But when I record a=20

'phrase' it plays it back in time, in beat,  without hiccup (although
I=20

haven't looked for it) when I end recording of that phrase (first or=20

any phrase).  Am I missing something?  I'm not playing anything real=20

fast though, just finger style stuff.  But it isn't sustainy music=20

(pads etc) either, so maybe it would show up there.


I'll try to look for it.  I'm not an experienced looper like most of=20

you.  All my prior looping experience was with my Delta Lab Effectrons=20=


in Infinite Repeat... which was and actually still is pretty cool.


I don't use any of the quantize functions, the guide etc.  And I do=20

tend to keep playing.


I have noticed that recorded loops sound a bit different from actual=20

signal.  But it seems to sound better, or maybe brighter.  That's a
bit=20

strange too.  I'd rather not have that variable to deal with.


My big bomb with it though is being limited to three phrases.  I'm not=20=


layering or overdubbing, just recording separate phrases to play over.


Listened to Andy Butler's inspiring music online.  Happily reminded me=20=


of that cool record R Fripp and Andy Summers made way back when.  Made=20=


me wanna dust off my trusty old Roland GR300 guitar synth.  Very cool. =20=


This is a big step for me.  I got so burned out on synth sounds (doing=20=


music for film/video - 1990-2003) I thought I'd never even contemplate=20=


it again.  But... I guess you never know, eh?


You all are infectious!

richard sales

glassWing farm and studio

vancouver island, b.c.

800.545.6846

250.752.4816

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com

On 28-Jul-06, at 2:39 PM, noone@jbro.us wrote:


<excerpt>

Dan-

The =93delay=94 you=92re referring to is a well documented glitch and =
is,=20

indeed, very frustrating.=A0 It happens when going from record to=20

playback, and only effects (as you discovered) the first playback=20

occurrence =96 after that it plays smoothly.=A0 It=92s worth pointing =
out=20

that although a split second of audio playback is skipped, the TIMING=20

of the phrase is not affected, so it=92s pretty easy to just play over=20=


the skipped note the first time through.=A0 I think it=92s some kind of=20=


memory buffer issue, but it may quite possibly be a physical=20

limitation of the memory/processor speed.=A0 There has been some rumor=20=


of a software update to address this in the fall, but I=92m not sure=20

where it originated from.

J

=A0


From: Dan Katayama [mailto:dan.katayama@gmail.com]

Sent: Friday, July 28, 2006 5:27 PM

To: Loopers-Delight@loopers-delight.com

Subject: Re: Re: RiffBox & FX-Tracker (WAS how do you correct a bad=20

loop on stage)

=A0


Jesse,


 I tried out the RC50 at the store the other day, and I noticed a delay

 on the playback of the first loop I record.

 Can you tell me if this happens on all the units??

 That delay would kill me live.


 thanks,

 dan

2006/7/28, noone@jbro.us <<noone@jbro.us>:


FWIW, you can do this easily with the RC-50.=A0=A0Each phrase can be set=20=


to fade

 in and/or out, with an adjustable fade time (per patch).=A0=A0The =
longest=20

fade

 setting is around 20 seconds, so it's plenty long for blending ambient

 sounds.=A0=A0You can begin recording or fading in another phrase while=20=


one (or

 more) is fading out.=A0=A0This is one of the reasons I bought the RC in=20=


the

 first place.


 Jesse


 -----Original Message-----

 From: Charlie Milkey [mailto: pilotcp@gmail.com]

 Sent: Friday, July 28, 2006 10:57 AM

 To: Loopers-Delight@loopers-delight.com

 Subject: Re: Re: RiffBox & FX-Tracker (WAS how do you correct a bad=20

loop on

 stage)


 i don't know much about the FX tracker, but the vids on the site look

 pretty cool :)


 i haven't heard much about the riff box on LD, but my guitar player

 suggested it, as i like to play with ambient music, and i was getting

 frustrated by the fact that i couldn't find any looper (with any

 substantial time) that could fade out loop A while going to loop B...i

 wanted to be able to go from--for example--a few volume swells in A

 and then while thats fading out, start constructing a loop in E, so

 there are no seams of dropouts, like my lexicon jamman...or even if it

 wasn't ambient, both my guitar player and I use loopers of some sort,

 and i feel our music builds...it starts out with a little guitar or

 bass line, and it gets more and more complex as the song goes on, so

 when i want to go somewhere else in the song, or change the loop in

 some way, the jamman only allows you to stop the loop, and the riff

 box allows for fading out so there isn't a complete dropout of half

 the song...i can't believe that a lot of loopers don't offer that

 option...plus my big stipulation was that it had to be rackmounted,

 but i gave in to the riffbox because it did what i needed it to do,

 and it has MIDI capabilities and everything can be controlled through

MIDI, so i am getting that, putting it in a rack shelf, and

 controlling it via a behringer FBC1010 or a similar pedal...those two

 expression pedals can even work as a clean volume and loop volume as

 well, so it can all be completly controlled via MIDI, so i am psyched

 to get it...i just need to sell my jamman to afford it :) i have a guy

 who said he'll by the jamman in august, which is rapidly approaching,

 so i hope to have it soon :)

 and i will let everyone know about it when i get it...

 in the meantime, everyone should check out the manual and read through

 the presets, with all the cool things it can do :)


 Charlie


 On 7/28/06, Daryl Shawn <<highhorse@mhorse.com > wrote:

<excerpt>Has anyone used the Riffbox's partner, the FX-Tracker? Seems
very

interesting, effect parameters adjusting to note intensity, number=20

</excerpt>of

<excerpt>events, etc...and looping capabilities too, though no details=20=


</excerpt>except "60

<excerpt>seconds". The company also seems promising in that they aim
to=20

</excerpt>provide

<excerpt>firmware upgrades, a la the Looperlative.


Charlie, I'd love to hear your take on the RiffBox when you get it,=20

</excerpt>I

<excerpt>saw some reviews in the archives but I'd like to hear more.


(okay, okay...check for relevance...change the subject=20

</excerpt>line...review,

<excerpt>edit, review, edit...hell with it...SEND!).


Daryl Shawn

www.swanwelder.com

<excerpt>...i am eagerly awaiting my

purchase of a riff box specifically for these fadeout situations,=20

</excerpt></excerpt>the

<excerpt><excerpt>riff box has a preset where you can fade out loop A
while

simultaniously recording loop B (without overdubing A). I was

originally excited for it for ambient music, to smoothly shift=20

</excerpt></excerpt>(and

<excerpt><excerpt>blend) from one key to another, but it could be a
good safeguard=20

</excerpt></excerpt>for

<excerpt><excerpt>when loops go wrong too :)


Charlie

</excerpt>


</excerpt>





 --

 kosukeweb

http://home.comcast.net/~kkatayama76

</excerpt></excerpt>

</excerpt>=

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 29 04:41:29 2006
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Date: Sat, 29 Jul 2006 00:41:22 -0400
To: Loopers-Delight@loopers-delight.com
From: paul <phaslem@wightman.ca>
Subject: Re: dulcimer loops
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you can download a few tunes off my website, www.dulcify.ca The cd that has 
looping is called Looped and Delayed.

And you can send along your address and I'd be delighted to send a copy 
along to you.

All the best,

Paul Haslem



At 10:09 AM 7/28/2006, you wrote:


>In a message dated 7/27/06 10:03:00 PM, phaslem@wightman.ca writes:
>
>
>>As a dulcimer player
>
>
>paul.....do you have anything recorded?.....i would love to hear your 
>LOOPS.....michael
>
>
>
>www.ct-collective.com
>http://mysite.verizon.net/vzepmeci/
>http://www.myspace.com/klobuchar11

--=====================_6066781==.ALT
Content-Type: text/html; charset=us-ascii; x-avg-checked=avg-ok-23547F9E

<html>
<body>
you can download a few tunes off my website,
<a href="http://www.dulcify.ca/" eudora="autourl">www.dulcify.ca</a> The
cd that has looping is called Looped and Delayed.<br><br>
And you can send along your address and I'd be delighted to send a copy
along to you.<br><br>
All the best,<br><br>
Paul Haslem<br><br>
<br><br>
At 10:09 AM 7/28/2006, you wrote:<br><br>
<br>
<blockquote type=cite class=cite cite=""><font face="arial" size=2>In a
message dated 7/27/06 10:03:00 PM, phaslem@wightman.ca writes:<br><br>
<br>
<blockquote type=cite class=cite cite="">As a dulcimer
player</blockquote><br><br>
paul.....do you have anything recorded?.....i would love to hear your
LOOPS.....michael<br><br>
<br><br>
<a href="http://www.ct-collective.com/" eudora="autourl">www.ct-collective.com</a><br>
<a href="http://mysite.verizon.net/vzepmeci/" eudora="autourl">http://mysite.verizon.net/vzepmeci/</a><br>
<a href="http://www.myspace.com/klobuchar11" eudora="autourl">http://www.myspace.com/klobuchar11</a></font></blockquote></body>
</html>

--=====================_6066781==.ALT--
--=======AVGMAIL-44CAE6F37838=======--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 29 05:08:00 2006
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To: Loopers-Delight@loopers-delight.com
From: chris lancaster <chrislancaster@mac.com>
Subject: PEDAL-MANIA!
Date: Sat, 29 Jul 2006 01:07:55 -0400
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Hi,
Feels good to finally be posting to Loopers-Delight as I've been 
reading them for years.

As I cellist I rely heavily on pedals to control my Echoplex. The EFC-7 
however really wasn't well suited to my finicky needs. So I had someone 
gut out a Digitech Control 7 and set it up to work with a 1/4 inch 
jack. Now that pedal's on the fritz so I decided to take the leap to 
midi and bought a Prostage X07 
http://www.prostage.info/en/foot_controller.html which looks awesome, 
but unfortunately is not going to work with the echoplex despite what I 
was told by the company.

Here comes the question!

What midi-controller will work with the echoplex and is currently in 
production. I prefer things that are smaller and have buttons with a 
noticeable click. But I'm desperate, and am seriously considering 
returning to the boomerang if I can't get a solid reliable pedalboard 
for my precious plex.

Rock on,
Chris

From Loopers-Delight-request@loopers-delight.com  Sat Jul 29 06:49:29 2006
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To: Loopers-Delight@loopers-delight.com
From: a k butler <akbutler@tiscali.co.uk>
Subject: Re:  loop fades JamMan
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At 22:26 28/07/2006, you wrote:
>>>........the jamman only allows you to stop the loop,
>
>false - you can initiate a midi fade (short, medium, long) on the 
>jamman.  This can be of a frozen loop or can be initiated in record 
>mode after the loop length is set via tap.

yes, it's very glitchy though,
especially if you try to overdub over the loop start/end point

andy butler 

From Loopers-Delight-request@loopers-delight.com  Sat Jul 29 06:51:13 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject:  PEDAL-MANIA!
Date: Sat, 29 Jul 2006 08:51:04 +0200
Organization: Moinlabs
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You'll find that quite a few people are using a Behringer FCB1010, including
some demi-gods.

	Rainer

> What midi-controller will work with the echoplex and is 
> currently in production. I prefer things that are smaller and 
> have buttons with a noticeable click. But I'm desperate, and 
> am seriously considering returning to the boomerang if I 
> can't get a solid reliable pedalboard for my precious plex.

From Loopers-Delight-request@loopers-delight.com  Sat Jul 29 08:12:48 2006
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Date: Sat, 29 Jul 2006 04:08:51 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to the AM/FM Show
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, July 29 at 6:00 am.
I will continue the special on E-dition Electronic Music Magazine's
sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds up
with Progressive Rock.  WMUH's web site is
http://www.muhlenberg.edu/wmuh

Time zone is EDT / GMT-4 and the program begins in just under two hours
from the writing of this message.

From Loopers-Delight-request@loopers-delight.com  Sat Jul 29 10:44:20 2006
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Too bad they don't make that pedel with a normal MIDI cable interface. I 
like the way this thing looks (the X10), but I'm not about ready to go off 
and by another unit (the XTM), just to connect the X10 to my laptop.  What a 
shame.

Kris

----- Original Message ----- 
From: "chris lancaster" <chrislancaster@mac.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 28, 2006 11:07 PM
Subject: PEDAL-MANIA!


> Hi,
> Feels good to finally be posting to Loopers-Delight as I've been reading 
> them for years.
>
> As I cellist I rely heavily on pedals to control my Echoplex. The EFC-7 
> however really wasn't well suited to my finicky needs. So I had someone 
> gut out a Digitech Control 7 and set it up to work with a 1/4 inch jack. 
> Now that pedal's on the fritz so I decided to take the leap to midi and 
> bought a Prostage X07 http://www.prostage.info/en/foot_controller.html 
> which looks awesome, but unfortunately is not going to work with the 
> echoplex despite what I was told by the company.
>
> Here comes the question!
>
> What midi-controller will work with the echoplex and is currently in 
> production. I prefer things that are smaller and have buttons with a 
> noticeable click. But I'm desperate, and am seriously considering 
> returning to the boomerang if I can't get a solid reliable pedalboard for 
> my precious plex.
>
> Rock on,
> Chris
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Jul 29 13:39:54 2006
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Date: Sat, 29 Jul 2006 09:36:08 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for July 29, 2006
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http://soundscapes.us/amfm/playlists/2006/060729.html

I host the Saturday AM/FM Show every other week where I play
electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix
of other genres.  The show airs from 6:00 am to 8:00 am on WMUH
Allentown, 91.7 FM and on the internet.  I also host Afterglow every
Thursday from 8:00 am to 9:30 am.

                    Show #92                    July 29, 2006.

During Phase I of this show, I continued the special on the sampler CDs
that come with each issue of E-dition electronic music magazine.  Phase
II was preempted to expand Phases I and III.


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== =============================
Jurgen Haible        The Secret Life of   The Secret Life of Trees
                       Trees                (none)
VA [Nattefrost]      Valhal               E-dition #9 (Groove)
VA [Embrase]         Journey Through a    E-dition #9 (Groove)
                       Soundscape
VA [Wave World]      Sunrise at Yacekla   E-dition #9 (Groove)
Free System Projekt  Moyland Part 3       Moyland (Quantum)

Phase II/Eclectic:
Preempted to expand Phases 1 and 3.

Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== =============================
Ozric Tentacles      Slinky               Spirals in Hyperspace (Magna
                                            Carta)
Riverside            Second Life Syndrome Second Life Syndrome
                                            (InsideOut)
Magenta              Home from Home       Home (F2)
Pinnacle             The Life In A Year   Meld (Everything To Excess)

8:00 am

 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

I return to the AM/FM Show on August 12.

On the next show, I will continue the special on the sampler CDs that 
come with
each issue of E-dition electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From Loopers-Delight-request@loopers-delight.com  Sat Jul 29 15:16:53 2006
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----------MailBlocks_8C88139243006BF_988_5066_FWM-M02.sysops.aol.com
Content-Type: text/plain; charset="us-ascii"
Content-Transfer-Encoding: 7bit

 hey steve!
 have any further information on this venue/space.
 really like to get something cooking in raleigh sometime soon.
 
 thanks!
 brian
 electric bird noise
    
 -----Original Message-----
 From: burnett@pobox.com
 To: Loopers-Delight@loopers-delight.com
 Sent: Wed, 26 Jul 2006 8:31 PM
 Subject: show: The Subliminator@badgerhaus, Friday 28 July 2006
 
  In addition to performing, I occasionally host house concerts. Both performers are live-loop-friendly. Hope this is an acceptable announcement for this list. Info below the line of octothorps. 
 
 best, 
 Steve B 
 Subscape Annex, Phasmatodea 
 
 ########################### 
 badgerhaus hosts a psychedelic rock/spacerock/spoken word performance by The Subliminator Friday July 28th. Automatic Caution Door opens. Other acts possibly to be added for the evening. 
 
 Location: badgerhaus, Raleigh NC 
 Time: 9pm 
 Cover: voluntary donation, going entirely to the performer(s) 
 
 Links: 
 http://www.badgerhaus.com/ 
 http://www.myspace.com/thesubliminator 
 http://thesubliminator.com/ 
 
 Thanks to Xopher Thurston for use of the PA. 
 
   
________________________________________________________________________
Check out AOL.com today. Breaking news, video search, pictures, email and IM. All on demand. Always Free.

----------MailBlocks_8C88139243006BF_988_5066_FWM-M02.sysops.aol.com
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<HTML><BODY>
<div>hey <span class="correction" id=""><span class="correction" id="">steve</span></span>!<br>

have any further information on this venue/space.<br>

really like to get something cooking in <span class="correction" id=""><span class="correction" id="">raleigh</span></span> sometime soon.<br>

<br>

thanks!<br>

<span class="correction" id=""><span class="correction" id="">brian</span></span><br>

electric bird noise<br>

</div>

<div>&nbsp;</div>
&nbsp;<br>
-----Original Message-----<br>
From: burnett@pobox.com<br>
To: Loopers-Delight@loopers-delight.com<br>
Sent: Wed, 26 <span class="correction" id=""><span class="correction" id="">Jul</span></span> 2006 8:31 PM<br>
Subject: show: The Subliminator@badgerhaus, Friday 28 July 2006<br>
<br>






<div id="AOLMsgPart_0_89657094-7dee-4128-ac5d-4199b22b0cce" class="AOLPlainTextBody">

In addition to performing, I occasionally host house concerts. Both 
performers are live-loop-friendly. Hope this is an acceptable 
announcement for this list. Info below the line of <span class="correction" id=""><span class="correction" id="">octothorps</span></span>.&nbsp;<br>
&nbsp;<br>

best,&nbsp;<br>

Steve B&nbsp;<br>

<span class="correction" id=""><span class="correction" id="">Subscape</span></span> Annex, <span class="correction" id=""><span class="correction" id="">Phasmatodea</span></span>&nbsp;<br>
&nbsp;<br>

###########################&nbsp;<br>

badgerhaus hosts a psychedelic rock/<span class="correction" id=""><span class="correction" id="">spacerock</span></span>/spoken word performance by The 
Subliminator Friday July 28th. Automatic Caution Door opens. Other acts 
possibly to be added for the evening.&nbsp;<br>
&nbsp;<br>

Location: badgerhaus, Raleigh NC&nbsp;<br>

Time: 9pm&nbsp;<br>

Cover: voluntary donation, going entirely to the performer(s)&nbsp;<br>
&nbsp;<br>

Links:&nbsp;<br>

<a href="http://www.badgerhaus.com/" target="_blank">http://www.badgerhaus.com/</a>&nbsp;<br>

<a href="http://www.myspace.com/thesubliminator" target="_blank">http://www.myspace.com/thesubliminator</a>&nbsp;<br>

<a href="http://thesubliminator.com/" target="_blank">http://thesubliminator.com/</a>&nbsp;<br>
&nbsp;<br>

Thanks to <span class="correction" id=""><span class="correction" id="">Xopher</span></span> <span class="correction" id=""><span class="correction" id="">Thurston</span></span> for use of the PA.&nbsp;<br>
&nbsp;<br>


</div>
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 29 20:55:17 2006
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Date: Sat, 29 Jul 2006 17:04:45 -0400
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: Benefits of Undo
To: <Loopers-Delight@loopers-delight.com>
Message-id: <000901c6b352$9edcd2c0$0affff0a@hppav>
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I hope no-one minds if I suggest some other potentially benefits of Undo:
http://myspace.com/undomusic

:-)



----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 28, 2006 10:44 AM
Subject: Benefits of Undo


> > I never use it to undo unwanted loops on stage or home, but I
> > my favorite use of Undo is to deconstruct my piece. I
> > basically start hitting Undo, playing with the result a bit,
> > and continue to do so until only the initial loop is left. I
> > really enjoy that as a composition devise. It's like you loop
> > and climax, then then bring everything back to the initial
> > state.  I guess you could call it the staircase approach.
>
> ...which reaches its most efficient implementation with a looper which
also
> offers a redo function, multiple loops and multiple tracks (in other
words:
> Mobius, don't know about the Looperlative). And this offers some very
> creative arrangement options when used to un/redo not only overdubs but
also
> (more or less) radical editing steps. Think e.g. looping some chord
> progression, the susunroundedmultiplying one short chord out of it, and
then
> by un- and redoing splicing this short quickly repeating percussive chord
> into the progression...
>
> btw Jeff, why isn't there a SusUndo and SusRedo?
>
> Rainer
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 00:23:14 2006
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Date: Sat, 29 Jul 2006 17:23:13 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Laters
To: Loopers-Delight@loopers-delight.com
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Damn, and he was in the top ten posters too.  Krispen,
Per, it's up to us to pick up the slack.  Keep those
VST posts coming.  I love them so much.  Actually I'll
post my VSTi roundup in a little while when I'm
done... with an OT in the topic of course.

--- Kevin <kevin@TheNettles.com> wrote:

> August is coming and I'll be out and about so I'll
> be unsubscribing 
> for now.  Catch you all later.
> 
> Cheers,
> Kevin
> 
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 01:24:47 2006
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Date: Sat, 29 Jul 2006 18:24:48 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Richard Zvonar - Aug 3
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August 3rd will mark the 1 year anniversary since Richard Zvonar passed away. 

Richard's family and friends are each planning to light a candle on that day in his remembrance. They have asked if the Looper's Delight community would like to join them in lighting a candle to honor his memory. Please light one if you can.

Richard was an amazing person, and a pleasure to have as a friend and member of this community. I miss him often.

If you didn't know Richard, or wish to remember, here the ultimate Richard Zvonar search link so you can do your own research (as Richard would have wanted you to!):

http://www.loopers-delight.com/cgi-bin/wilma_glimpse/LDarchive?query=zvonar%2Casterion&Search=Search&errors=0&maxfiles=5000&maxlines=0&.cgifields=lineonly&.cgifields=restricttofiles&.cgifields=filelist&.cgifields=partial&.cgifields=case

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 01:40:51 2006
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i will definitely light a candle in his memory-
i cherish the short conversations we had at the loopfests-
and his wit and wisdom on this list-i'm sure he would have had a pithy thought or two about "OT".
loop on doctor
s

-----Original Message-----
>From: Kim Flint <kflint@loopers-delight.com>
>Sent: Jul 29, 2006 9:24 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Richard Zvonar - Aug 3
>
>August 3rd will mark the 1 year anniversary since Richard Zvonar passed away. 
>
>Richard's family and friends are each planning to light a candle on that day in his remembrance. They have asked if the Looper's Delight community would like to join them in lighting a candle to honor his memory. Please light one if you can.
>
>Richard was an amazing person, and a pleasure to have as a friend and member of this community. I miss him often.
>
>If you didn't know Richard, or wish to remember, here the ultimate Richard Zvonar search link so you can do your own research (as Richard would have wanted you to!):
>
>http://www.loopers-delight.com/cgi-bin/wilma_glimpse/LDarchive?query=zvonar%2Casterion&Search=Search&errors=0&maxfiles=5000&maxlines=0&.cgifields=lineonly&.cgifields=restricttofiles&.cgifields=filelist&.cgifields=partial&.cgifields=case
>
>kim
>
>
>______________________________________________________________________
>Kim Flint                     | Looper's Delight
>kflint@loopers-delight.com    | http://www.loopers-delight.com 
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 02:51:19 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
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--Apple-Mail-2--172984210
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain;
	charset=WINDOWS-1252;
	delsp=yes;
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Kim,

Thanks for sharing this reminder. Of course I'l light a candle in his =20=

honor on August 3rd. And I'll spend a moment remembering a walk along =20=

the isles of NAMM I had with him in Anaheim just 2 years ago. I can't =20=

believe he left this life (and us) so quickly. It's like his former =20
presence among us still leaves a shadow or something. I will remember =20=

him fondly . . . always.

Peace,

tEd =AE kiLLiAn

=93In this glare of brilliant emptiness, in this arid intensity of pure =20=

heat, in the heart of a weird solitude, great silence and grand =20
desolation, all things recede to distances out of reach, reflecting =20
light but impossible to touch, annihilating all thought and all that =20
men have made to a spasm of whirling dust far out on the golden =20
desert.=94 -- Edward Abbey, from Desert Solitaire

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

"Different is not always better, but better is always different"

On Jul 29, 2006, at 6:24 PM, Kim Flint wrote:

> August 3rd will mark the 1 year anniversary since Richard Zvonar =20
> passed away.
>
> Richard's family and friends are each planning to light a candle on =20=

> that day in his remembrance. They have asked if the Looper's Delight =20=

> community would like to join them in lighting a candle to honor his =20=

> memory. Please light one if you can.
>
> Richard was an amazing person, and a pleasure to have as a friend and =20=

> member of this community. I miss him often.
>
> If you didn't know Richard, or wish to remember, here the ultimate =20
> Richard Zvonar search link so you can do your own research (as Richard =
=20
> would have wanted you to!):
>
> http://www.loopers-delight.com/cgi-bin/wilma_glimpse/LDarchive?=20
> =
query=3Dzvonar%2Casterion&Search=3DSearch&errors=3D0&maxfiles=3D5000&maxli=
nes=3D0=20
> =
&.cgifields=3Dlineonly&.cgifields=3Drestricttofiles&.cgifields=3Dfilelist&=
.cg=20
> ifields=3Dpartial&.cgifields=3Dcase
>
> kim
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>

--Apple-Mail-2--172984210
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=WINDOWS-1252

Kim,


Thanks for sharing this reminder. Of course I'l light a candle in his
honor on August 3rd. And I'll spend a moment remembering a walk along
the isles of NAMM I had with him in Anaheim just 2 years ago. I can't
believe he left this life (and us) so quickly. It's like his former
presence among us still leaves a shadow or something. I will remember
him fondly . . . always.


<color><param>0000,0000,0000</param>Peace,


tEd =AE kiLLiAn


</color><color><param>807F,0000,0000</param>=93In this glare of
brilliant emptiness, in this arid intensity of pure heat, in the heart
of a weird solitude, great silence and grand desolation, all things
recede to distances out of reach, reflecting light but impossible to
touch, annihilating all thought and all that men have made to a spasm
of whirling dust far out on the golden desert.=94 -- Edward Abbey, from
<italic>Desert =
Solitaire</italic></color><color><param>0000,0000,0000</param>


</color><color><param>807F,807F,807F</param>
http://www.pfmentum.com/flux.html

 http://www.CDbaby.com/cd/tedkillian

 http://www.guitar9.com/fluxaeterna.html

 http://www.garageband.com/artist/ArsOcarina

 http://www.towerrecords.com/product.aspx?pfid=3D2845073

 http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

 http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193


=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


 Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

 BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

 AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

 RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

 and Viztas. Yadda, yadda, yadda. Blah, blah, blah. =
So???</color><color><param>0000,0000,0000</param>


</color><color><param>807F,0000,0000</param>"Different is not always
better, but better is always different"</color>


On Jul 29, 2006, at 6:24 PM, Kim Flint wrote:


<excerpt>August 3rd will mark the 1 year anniversary since Richard
Zvonar passed away.=20


Richard's family and friends are each planning to light a candle on
that day in his remembrance. They have asked if the Looper's Delight
community would like to join them in lighting a candle to honor his
memory. Please light one if you can.


Richard was an amazing person, and a pleasure to have as a friend and
member of this community. I miss him often.


If you didn't know Richard, or wish to remember, here the ultimate
Richard Zvonar search link so you can do your own research (as Richard
would have wanted you to!):


=
http://www.loopers-delight.com/cgi-bin/wilma_glimpse/LDarchive?query=3Dzvo=
nar%2Casterion&Search=3DSearch&errors=3D0&maxfiles=3D5000&maxlines=3D0&.cg=
ifields=3Dlineonly&.cgifields=3Drestricttofiles&.cgifields=3Dfilelist&.cgi=
fields=3Dpartial&.cgifields=3Dcase


kim



______________________________________________________________________

Kim Flint                     | Looper's Delight

kflint@loopers-delight.com    | http://www.loopers-delight.com=20


</excerpt>=

--Apple-Mail-2--172984210--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 05:18:09 2006
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Date: Sat, 29 Jul 2006 22:18:08 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Richard Zvonar - Aug 3
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> If you didn't know Richard, or wish to remember,
here the ultimate  
> Richard Zvonar search link so you can do your own
research (as 
Richard  
> would have wanted you to!):

I tell you, that man often *was* my own research.  He
was such an incredible wealth of information, and
generous with it.  A cornerstone of LD.  I'd take his
word over a textbook any day.

I just did a search on his name at Wilkipedia and
nothing came up.  Surely we should get together and
write an entry based on his posts, no?

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 05:43:46 2006
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Subject: Re: Re: loop fades (Re: RiffBox & FX-Tracker (WAS how do you correct a bad loop on stage)
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I know what you mean and the JamMan doesn't do that. 
The only devices I know that'll do that are the Giga
delay (I love it!) or Mobius.  I know the Repeater
only will fade if it's in record of the loop you want
faded.  Once you're out of Record the loop is static.
(but you can lower the volume of tracks to simulate
this)  I think the EDP is the same.  Mobius will do it
for sure... if you're willing to come over to the dark
side of compu-looping.

I tell you, the Riffbox and FX tracker look cool but
man there's something about that black box interface
that scares the shit out of me.

Mark

--- Charlie Milkey <pilotcp@gmail.com> wrote:

> right...you are right with being able to still play
> and add to the
> loop while fading, but like i said before, and i
> think you got what i
> said, but i was saying that i wanted to fade out
> loop A, and at the
> very same time, start Loop B, similar to relay
> runners in track,
> you've got 4 or 5 guys who run the race all together
> and when it comes
> time to pass the baton the reciever starts running
> ahead of time so
> that when the baton comes around, the pace isn't
> lost. the batan gets
> passed seamlessly, without the first runner stopping
> and handing it
> off and then the second runner starts running...know
> what i mean kind
> of?


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From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 05:49:08 2006
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Date: Sat, 29 Jul 2006 22:49:06 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: PEDAL-MANIA!
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There sure isn't a noticable "click" with it though. 
I love mine, and I'm actually quite adept at
programming it now that I've done it a number of times
(the manual is very poorly written and confusing)

Though, with these things I find that you get used to
what you have.  When I had an ADA MIDI controller I
thought I'd dislike it but I soon got used to it's
feel (very similar to the EDP's controller)

The FCB1010's feel was a little mushy at first but now
it seems fine to me.  Now I just wish it had another
row of buttons. :)

Mark

--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> wrote:

> You'll find that quite a few people are using a
> Behringer FCB1010, including
> some demi-gods.
> 
> 	Rainer
> 
> > What midi-controller will work with the echoplex
> and is 
> > currently in production. I prefer things that are
> smaller and 
> > have buttons with a noticeable click. But I'm
> desperate, and 
> > am seriously considering returning to the
> boomerang if I 
> > can't get a solid reliable pedalboard for my
> precious plex.
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 07:43:28 2006
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Date: Sun, 30 Jul 2006 04:27:31 -0300
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Chris found:
>As I cellist I rely heavily on pedals to control my Echoplex. The 
>EFC-7 however really wasn't well suited to my finicky needs. So I 
>had someone gut out a Digitech Control 7 and set it up to work with 
>a 1/4 inch jack. Now that pedal's on the fritz so I decided to take 
>the leap to midi and bought a Prostage X07 
>http://www.prostage.info/en/foot_controller.html which looks 
>awesome, but unfortunately is not going to work with the echoplex 
>despite what I was told by the company.

yes, I like their "Interconnecting System" with XLR cables
only one MIDI conversion box, not on the floor.

one of the boxes sais: "Sends Program Change 1-7 or 7 different 
Control Change commands"
CC is enough to start functions on the EDP
but to really profit from the whole functionality, you need a pedal 
that sends and off command when the button is released. They probably 
dont do this.
but they could update the software maybe?
Insist!
:-)

Kris reacts:
>Too bad they don't make that pedel with a normal MIDI cable 
>interface. I like the way this thing looks (the X10), but I'm not 
>about ready to go off and by another unit (the XTM), just to connect 
>the X10 to my laptop.  What a shame.

you are right, it should have a USB connector (which also feeds it)
-- 


          ---> http://www.matthiasgrob.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 07:43:28 2006
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Date: Sun, 30 Jul 2006 04:27:52 -0300
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From: Matthias Grob <matilists@atarde.com.br>
Subject: Re: process Vs product - warning, long winded but not OT
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good speach, Garreth!

>What I feel we must aspire to is pure music. Stuff you can pop on 
>the CD player and love without regard for the way it was made.

I agree that this is an important quality
if someone fascinates with a good show and lesser interesting music, 
thats another quality, otherwise you would say that a Circus is 
useless.

>I got into looping because I loved hearing the effect of dense 
>textures building a world of majestically repeating, spiralling 
>sound.

exactly! This also happens to non musicians!
thats why I had the idea that on a site like livelooping.com we could 
support each other by offering more music and info to customers who 
find some of our work somewhere and want more of it.

>What I want to know is. How sucessful are you at separating process 
>from product?

I do have clients that listen just to the CD and dont care about how its done.
I gave a CD of mine to a simple citizan of my neighbourhood and month 
later when I walked through that street, I heard my music! Is that 
the kind of success you are talking about?

>Maybe you don't think they should be separated. Maybe you think I'm wrong.

you are right, its different qualities...

>maybemaybemaybemaybmaybmabmaymaymamamamammmmmmmmmmm

:-)
-- 


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From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 07:50:29 2006
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Date: Sun, 30 Jul 2006 00:50:27 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: how do you correct a bad loop on stage, etc
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well i meant it in a humorous way kris,i actually take
a piss out of some imperfect bad timing sounding loops
and actually like to deliverly make people aware of
them actually such loops can be use for entertainment
to show people that u are still human,i ve dont take
looping too seriously on stage anymore because of the
fact that things can go wrong anytime.But if i dont
want people to notice mistakes i just keep playing the
guitar and push the "erase all" button ha ha what a
great feeling! after that the worst thing that can
happen is the breaking of a string or dropping dead...
Yesterday i played for a fashion show,did soundcheck
everything was cool and when the show started
everytime i pushed the overdub button on the EDP the
guitar sounded really loud!i was just thinking fuck me
man why now and not during soundcheck you piece of
shit!I reseted my rack and evrything was back to
normal...this happened about to me about a year ago
but dont ask me why!
Luis 

--- Krispen Hartung <khartung@cableone.net> wrote:

> Interesting side topic from this...I have yet to
> experience my laptop or VST 
> host crash during a performance. So what would I do
> if this occurred?  I'd 
> naturally play off the prior themes I was creating
> with my loops and 
> effects, and continue that thread of feel  in
> solo...just the guitar, dry 
> with no effects or looping...I'd do that for a while
> and then naturally end 
> the piece, take a break, and then reboot.  In short,
> I'd make it "appear" 
> all planned, like most professionals in the
> entertainment business would do. 
> The show must go on. Of course, the fear of doing
> otherwise is probably a 
> defect of my compulsive personality, and an overly
> exaggurated sense of 
> self-pride in my work.
> 
> I always cringe when most musicians make mistakes or
> experience gear issues 
> and then make the audience aware of this in detail,
> completely blowing the 
> feel of the performance. Some performers have a good
> sense of humor and can 
> pull it off, making jokes and making the audience
> laugh at the technological 
> blunder...others stumble around and it comes across
> as really awkward and 
> unprofessional.  And then my biggest pet peeve is
> when performers make 
> mistakes and insist on telling the audience this,
> self-deprecating 
> themselves in the process. "whoops, sorry, oh, let's
> try that again...sorry, 
> I need to practice, etc, etc".  I feel so
> embarrassed for people when they 
> do that. I prefer that they just keep going rather
> than repeat the mistake 
> or section ad nauseum, as if they have to get it
> right to move on.
> 
> Kris
> 
> ----- Original Message ----- 
> From: "L.A. Angulo" <labaloops@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, July 28, 2006 12:52 AM
> Subject: Re: Favorite Five Threads on L.D.
> 
> 
> >
> > Do it man!
> > i guess the question about correcting a loop that
> has
> > gone wrong would apply more to loops that are
> supposed
> > to be perfect in sync or when trying to play
> something
> > really "groovy" rhythmically.This is why the EDP
> has
> > become my looper of preference,with this machine i
> can
> > comfortably make music out of mistakes,its non
> latency
> > response and well thought out edit capabilities
> give
> > me the most confidence onstage.With the repeater i
> > often had little groove problems,i often had to
> adapt
> > to its little latency which made it a bit
> > uncomfortable,although i will miss a lot of its
> cool
> > features like panning,pitch shifting track muting
> etc.
> > so i would just say to the audience stay with me
> folks
> > i promise i will get it right;-)
> > cheers
> > Luis
> >
> >
> >
> >
> > --- Krispen Hartung <khartung@cableone.net> wrote:
> >
> >> Can I post again? Please? :)
> >>
> >> ----- Original Message ----- 
> >> From: "L.A. Angulo" <labaloops@yahoo.com>
> >>
> >> > what percentage of loopers go and play 100%
> >> improvised
> >> > loops or arranged premeditated loops on stage?
> >>
> >> That's my bag all right....everything I do these
> >> days is totally
> >> spontaneous. It's like doing drugs, but it's
> legal.
> >>
> >> > how do you correct a bad loop on stage,stop
> >> > abruptly,bullshit your way while tweaking or
> >> shoe/rack
> >> > gazing until u get it right?
> >>
> >> To play off a famous quote of Miles Davis, "Do
> not
> >> be afraid of errors.
> >> There are no errors", I never play bad or
> incorrect
> >> loops.  On occasion, I
> >> might play something that doesn't ring well with
> me
> >> emotionally (neither
> >> correct nor
> >> incorrect), but I always manage to work with it
> >> somehow. It becomes part of
> >> me just like all my other personality, physical,
> and
> >> psychological flaws as
> >> a
> >> human being. Even if I loop something rhythmic
> and
> >> my foot fails me (maybe
> >> because I have had one too many cups of coffee or
> >> drank too much alcohol),
> >> generating a loop that is an 8th note longer
> rather
> >> than what my brain
> >> wanted to do
> >> initially, that instantly becomes the norm and
> basis
> >> of what I do
> >> afterwards. I don't really care if I intend on
> >> playing a 4/4 phrase but it
> >> ends
> >> up being 9/8 or 7/8, or even something like 13/8
> or
> >> 11/8. In fact, I don't
> >> even
> >> count anymore. I never know what time signature I
> am
> >> in unless I consciously
> >> stop to figure it out. It's a waste of my time.
> >> Everything is feel to me
> >> now.
> >>
> >> > for those who do or care how do you keep your
> >> audience
> >> > interested,do you always loop?
> >>
> >> I loop. I try to talk, but I never say what I
> want
> >> to say. Music is much
> >> easer as
> >> language for me in public. I prefer to play
> non-stop
> >> and say thank you at
> >> the end of the show.
> >>
> >> > whats the best looping show you´ve been to?
> what
> >> made
> >> > it so great?
> >>
> >> I really enjoyed watching Jeff Kaiser, Rick
> Walker,
> >> and Ted Killian
> >> at the Boise Experimental Music Festival.  I
> liked
> >> it when some folks
> >> were talking in the crowd, and then Jeff started
> >> looping him self
> >> whispering "stop talking".  Classic, I loved it.
> And
> >> their set was great.
> >> Good chemistry, lots of space and diverse sounds,
> >> etc, etc.
> >>
> >> > What makes you feel free while playing
> >> music?organized
> >> > or improvised?
> >>
> >> Improvised...as free as a person can get, at
> least,
> >> metaphorically.  I tend
> >> to subscribe
> >> to hard determinism these days...no free will,
> just
> >> chemistry, neurons,
> >> cause and effect, and necessity. I think I'm
> >> determined to do what I do.
> >> Everything is a result of a cause, ad infinitum.
> >> That would be an
> >> unproveable premise, btw.
> >>
> >> > i know some of this has been brought up in the
> >> past
> >> > perhaps but i think we all could use a
> >> refreshment!
> 
=== message truncated ===


www.myspace.com/luisangulocom

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I often remember Richard - in the new conversations I had with him,  
he imparted so much wisdom about the process of making music, I'll be  
processing and applying it for the rest of my life. I have a handful  
of benchmark moment in my music life, where things happened or people  
said things that changed in some way my thoughts about music. Two or  
three of those involve Richard. I just regret that I didn't get to  
know him better.

His posts to this list were of such a consistently high quality, it's  
an amazing privilege to have spent time discussing things with him here.

I'll be gigging in Glasgow on the 3rd, and will be thinking of him,  
for sure.

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson




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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">I often remember Richard - in =
the new conversations I had with him, he imparted so much wisdom about =
the process of making music, I'll be processing and applying it for the =
rest of my life. I have a handful of benchmark moment in my music life, =
where things happened or people said things that changed in some way my =
thoughts about music. Two or three of those involve Richard. I just =
regret that I didn't get to know him better.=A0<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>His posts to this list were =
of such a consistently high quality, it's an amazing privilege to have =
spent time discussing things with him here.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I'll be gigging in Glasgow =
on the 3rd, and will be thinking of him, for sure.=A0</DIV><DIV><BR><DIV> =
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class=3D"Apple-style-span" style=3D"border-collapse: separate; =
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From locked@wamu.com  Sun Jul 30 11:45:40 2006
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 13:54:06 2006
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Date: Sun, 30 Jul 2006 08:38:59 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: Re: loop fades (Re: RiffBox & FX-Tracker (WAS how do you correct a bad loop on stage
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On 7/30/06, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> I tell you, the Riffbox and FX tracker look cool but
> man there's something about that black box interface
> that scares the shit out of me.

yeah, thats what originally scared me out of that thing, when my
guitar player first recommended it. It looks like the least user
friendly box in the world, however it seems that it is full of cool
features, so thats why i am going to use a FCB1010 with it, and hide
the box in a rack drawer :)


Charlie




> --- Charlie Milkey <pilotcp@gmail.com> wrote:
>
> > right...you are right with being able to still play
> > and add to the
> > loop while fading, but like i said before, and i
> > think you got what i
> > said, but i was saying that i wanted to fade out
> > loop A, and at the
> > very same time, start Loop B, similar to relay
> > runners in track,
> > you've got 4 or 5 guys who run the race all together
> > and when it comes
> > time to pass the baton the reciever starts running
> > ahead of time so
> > that when the baton comes around, the pace isn't
> > lost. the batan gets
> > passed seamlessly, without the first runner stopping
> > and handing it
> > off and then the second runner starts running...know
> > what i mean kind
> > of?
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
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>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 16:59:26 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: how do you correct a bad loop on stage, etc
Date: Sun, 30 Jul 2006 18:59:22 +0200
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On 28 jul 2006, at 16.03, Krispen Hartung wrote:

> Interesting side topic from this...I have yet to experience my  
> laptop or VST host crash during a performance.


I've never crashed my laptop either, but I'm doing all kind of stupid  
mistakes. Especially at concerts when I tend to take more chances.
Two days ago this happened to me at a festival for experimental  
electronic music gig. I was playing in a crypt-like room with a  
surround audio system provided by Ambiunix in Denmark and the sound  
in there was very intimate - audience pretty close up on me, speakers  
all around as well above in the ceiling. I had a nice thing going  
with seven simultaneous loops (of effect treated sax playing) and  
suddenly I changed my mind about where to go and decided to delete  
the latest loop with the delete button (on my laptop, using Mobius)  
instead of letting it go out by feedback, as I normally do. The  
problem was that the "body memory" of my right index finger was all  
used to the "delete all" actions (that I do between songs), which is  
a double-type on that button while the "delete track only" was a  
single type-down finger hammer-on on the same computer keyboard  
button. So of course my finger did the double type-dance and in the  
heat of the creative flow the complete surround PA audio went dead  
silent. Ooops. I started to play melodies freeley on the next  
sixteenth note while thinking about what to do - and after some four  
"solo break-down" (as I was hoping the audience was taking it) I  
kicked "Record" and ended it by Half-Speed. The free melody then  
became a repeating bass line under my soloing and I could proceed  
just like if it was meant to be so. This time I rushed to build up a  
new song structure much faster to not bore the listeners, but I  
forgot one chord so the chord structure became different than it had  
been before the "accidental solo break-down and re-build-up ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 17:07:44 2006
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Subject: Re: how do you correct a bad loop on stage, etc
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Great thinking/improving on you feet, Per.

Kris

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 30, 2006 10:59 AM
Subject: Re: how do you correct a bad loop on stage, etc


> On 28 jul 2006, at 16.03, Krispen Hartung wrote:
> 
>> Interesting side topic from this...I have yet to experience my  
>> laptop or VST host crash during a performance.
> 
> 
> I've never crashed my laptop either, but I'm doing all kind of stupid  
> mistakes. Especially at concerts when I tend to take more chances.
> Two days ago this happened to me at a festival for experimental  
> electronic music gig. I was playing in a crypt-like room with a  
> surround audio system provided by Ambiunix in Denmark and the sound  
> in there was very intimate - audience pretty close up on me, speakers  
> all around as well above in the ceiling. I had a nice thing going  
> with seven simultaneous loops (of effect treated sax playing) and  
> suddenly I changed my mind about where to go and decided to delete  
> the latest loop with the delete button (on my laptop, using Mobius)  
> instead of letting it go out by feedback, as I normally do. The  
> problem was that the "body memory" of my right index finger was all  
> used to the "delete all" actions (that I do between songs), which is  
> a double-type on that button while the "delete track only" was a  
> single type-down finger hammer-on on the same computer keyboard  
> button. So of course my finger did the double type-dance and in the  
> heat of the creative flow the complete surround PA audio went dead  
> silent. Ooops. I started to play melodies freeley on the next  
> sixteenth note while thinking about what to do - and after some four  
> "solo break-down" (as I was hoping the audience was taking it) I  
> kicked "Record" and ended it by Half-Speed. The free melody then  
> became a repeating bass line under my soloing and I could proceed  
> just like if it was meant to be so. This time I rushed to build up a  
> new song structure much faster to not bore the listeners, but I  
> forgot one chord so the chord structure became different than it had  
> been before the "accidental solo break-down and re-build-up ;-)
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 17:09:30 2006
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Subject: Re: Benefits of Undo
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On 28 jul 2006, at 16.11, Krispen Hartung wrote:

> I my favorite use of Undo is to deconstruct my piece.


That's also mine favorite use of Undo! I keep a little MIDI button  
pad on the table (or chair) beside the laptop. This gives me direct  
access to the Undo/Redo history of the active loop on any of Mobius  
eight tracks (so I won't be limited to only de/reconstract the  
playing loop on the active track.   http://www.faderfox.com/

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 17:14:53 2006
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Subject: Re: how do you correct a bad loop on stage, etc
Date: Sun, 30 Jul 2006 11:14:49 -0600
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----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 30, 2006 1:50 AM
Subject: Re: how do you correct a bad loop on stage, etc


> Yesterday i played for a fashion show,did soundcheck
> everything was cool and when the show started
> everytime i pushed the overdub button on the EDP the
> guitar sounded really loud!i was just thinking fuck me
> man why now and not during soundcheck you piece of
> shit!I reseted my rack and evrything was back to
> normal...this happened about to me about a year ago
> but dont ask me why!
> Luis

I had this happen to me once with my EDPs. I discovered it was happening 
after I changed from the EDP contoller to the Beheringer FCB, without 
restarting the EDPs. Very weird, but water under the bridge for me, 
nonetheless.

Fashion show, eh? Sounds interesting. I just got approached to create a 
looping piece for a short film. I am really looking forward to this.

Kris


From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 17:50:58 2006
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Subject: Re: Richard Zvonar - Aug 3
To: mark sottilaro <zerocrossing2001@yahoo.com>,
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Mark S. wrote:
> I just did a search on his name at Wilkipedia and
> nothing came up.  Surely we should get together and
> write an entry based on his posts, no?

You go, boy! RZ was THE BEST. I'd suggest you put together a simple 1- or
2-paragraph description of his work, post it here, and we can all pick nits
until it shines.
dB, coyote

From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 19:06:14 2006
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From: "Krispen Hartung" <khartung@cableone.net>
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Subject: All My CDs Marked down to $5.00
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Hello all,

I just made a major change to my CD sales approach.  From now on I am 
selling all of my CDs for $5.00 USD. This is marked down from $13.00.  You 
can view all five of them on CD Baby here:

http://cdbaby.com/all/khartung

I will also be selling them in person for $5.00, so if you happen to be at 
Y2K6, check out my stuff at the concessions table.

Cheers,

*************************************************
Krispen Hartung / Improvisational Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
info@krispenhartung.com / 1.208.724.5603
Discography - http://www.krispenhartung.com/catalogue.htm
Looper's Delight Playlist - 
http://www.boisemusicians.com/loopers-delight.m3u 


From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 20:59:47 2006
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From: "Matthew F. McCabe" <mmccabe@finleysound.com>
Subject: Re: All My CDs Marked down to $5.00
Date: Tue, 1 Aug 2006 13:59:27 -0700
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Kris,

Are you doing digital distribution through CD Baby as well.  I've  
found that I'm not really selling physical CDs anymore.  But my  
download sales are strong.  Just wondering if this is the norm now.

Matt


On Jul 30, 2006, at 12:06 PM, Krispen Hartung wrote:

> Hello all,
>
> I just made a major change to my CD sales approach.  From now on I  
> am selling all of my CDs for $5.00 USD. This is marked down from  
> $13.00.  You can view all five of them on CD Baby here:
>
> http://cdbaby.com/all/khartung
>
> I will also be selling them in person for $5.00, so if you happen  
> to be at Y2K6, check out my stuff at the concessions table.
>
> Cheers,
>
> *************************************************
> Krispen Hartung / Improvisational Guitar
> www.krispenhartung.com / www.myspace.com/krispenhartung
> info@krispenhartung.com / 1.208.724.5603
> Discography - http://www.krispenhartung.com/catalogue.htm
> Looper's Delight Playlist - http://www.boisemusicians.com/loopers- 
> delight.m3u
>
>

---
King Never
http://www.kingnever.com


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV>Kris,</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Are you doing digital =
distribution through CD Baby as well.=A0 I've found that I'm not really =
selling physical CDs anymore.=A0 But my download sales are strong.=A0 =
Just wondering if this is the norm now.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Matt</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR><DIV><DIV>On Jul 30, 2006, =
at 12:06 PM, Krispen Hartung wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Hello all,</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I just made a major change to my =
CD sales approach.<SPAN class=3D"Apple-converted-space">=A0 </SPAN>=46rom =
now on I am selling all of my CDs for $5.00 USD. This is marked down =
from $13.00.<SPAN class=3D"Apple-converted-space">=A0 </SPAN>You can =
view all five of them on CD Baby here:</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><A =
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A>=
</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I will also be selling them in person for $5.00, so =
if you happen to be at Y2K6, check out my stuff at the concessions =
table.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Cheers,</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; =
">*************************************************</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Krispen Hartung / Improvisational Guitar</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.krispenhartung.com / <A =
href=3D"http://www.myspace.com/krispenhartung">www.myspace.com/krispenhart=
ung</A></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><A =
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A> / =
1.208.724.5603</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Discography - <A =
href=3D"http://www.krispenhartung.com/catalogue.htm">http://www.krispenhar=
tung.com/catalogue.htm</A></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Looper's =
Delight Playlist - <A =
href=3D"http://www.boisemusicians.com/loopers-delight.m3u">http://www.bois=
emusicians.com/loopers-delight.m3u</A><SPAN =
class=3D"Apple-converted-space">=A0</SPAN></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV> </BLOCKQUOTE></DIV><BR><DIV> <P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">---</FONT></P> <P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">King Never</FONT></P> <P style=3D"margin:=
 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica"><A =
href=3D"http://www.kingnever.com">http://www.kingnever.com</A></FONT></P> =
 </DIV><BR></BODY></HTML>=

--Apple-Mail-21-65108607--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 30 22:49:18 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Richard Zvonar:  a fond memory from the first Y2K2 festival
Date: Sun, 30 Jul 2006 15:49:20 -0700
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I went back and read some of the posts by and about Richard Zvonar
after Kim's post announcing the anniversary of his death.
I felt really sad and also really proud of this whole community reading my 
impressions
of the first big festival,  the start of the Y2k series which has it's 5th 
anniversary this
year on October 21 and 22.

For those who didn't know him,  Richard was our resident scholar and 
researcher.
If you posted something that you hadn't done your homework on,  Richard 
would post
a reply with every relevant link about the subject from the web.     He 
always did this
with a big heart.   We really lost an amazing human being when he passed 
away last year.

Here, for nostalgia's sake and a fond nod to a wonderful looper and human 
being,  Richard Zvonar, Phd.

*********************
July, 2002,

Hi fellow loopers,

    Well it's 2:21 a.m. and the festival has been incredible!!!
I"m in my kitchen with Larry the "O" (who had a really nice set
with Gary Hall today), Matt Davignon and Michael Klobuchar.
We should be sleeping because we hit it again hard tomorrow
for the last 11/12 hours of looping madness.  Gary and Ted Killian
and Jon Wagner (who had a very cool percussive looping exploration)
are out sleeping in the garage which is clean for the first time in
history.

It feels so great being part of this community.  There was
so much creativity on display tonight.   A couple of people broke their
live solo looping virginity (Logan Kroeber, the youngest amongst us and
Eric Oberthaler who had a beautiful set----one an wonderful high tech
trumpeter he is)and then there were incredible sets from Amy X Neuburg
___who tore the house down with her incredible set of vocal looping---
funny; intense; scary and completely thought provoking......I think she
probably had the most 'talked about' set of the entire day.

We also had a wonderful lecture by Richard Zvonar on the history of
Looping.  I was excited to hear him say that he plans on formally writing
it up and, I hope, publishing it in some form.  We also had demos
by my brother Bill Walker (Electrix Repeater) and Andre LaFosse (on the
intensely powerful and deep and elegant Loop IV software for the Echoplex)
and me (Line 6 DL 4)....a cassette looping performance by proto-looper
Ramon Sender and a cool panel discussion (which was too brief due,
unfortunately, to our having run behind in our 12 hour schedule).

I'm exhausted and it's time to sleep!!!!   More to come.......... 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 00:42:20 2006
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Subject: Re: All My CDs Marked down to $5.00
Date: Sun, 30 Jul 2006 18:42:14 -0600
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I sure am. I have all of the CDs going through all of the digital =
distribution as well.=20

All in all, I don't really do this for the money, yet I have waffled =
back and forth on this notion of whether I should give my CDs away, sell =
them for standard market price, or severely discounted. It is a tough =
call, and pretty much based on one's personal values on the =
matter....BUT, for me, the gist is that I never want to generate a =
situation as an artist when someone can't own one of my CDs simply =
because they can't afford it, or because they have too many other CDs on =
their list and mine isn't the the highest priority.  I'd rather give my =
CDs away or mark them down to CD Baby's cost, then not have folks =
listening to my music.  And, believe it or not, I am of the generation =
who still enjoys owning and having a physical CD. When I produce a CD, =
the artwork on the sleeves is just as much a part of the production as =
the music. It all fits together into a theme. I like for people to have =
my physical CDs, not just the MP3s and digital art. If they don't they =
are missing a significant element of the production.

Kris

  ----- Original Message -----=20
  From: Matthew F. McCabe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, August 01, 2006 2:59 PM
  Subject: Re: All My CDs Marked down to $5.00


  Kris,


  Are you doing digital distribution through CD Baby as well.  I've =
found that I'm not really selling physical CDs anymore.  But my download =
sales are strong.  Just wondering if this is the norm now.


  Matt




  On Jul 30, 2006, at 12:06 PM, Krispen Hartung wrote:


    Hello all,


    I just made a major change to my CD sales approach.  From now on I =
am selling all of my CDs for $5.00 USD. This is marked down from $13.00. =
 You can view all five of them on CD Baby here:


    http://cdbaby.com/all/khartung


    I will also be selling them in person for $5.00, so if you happen to =
be at Y2K6, check out my stuff at the concessions table.


    Cheers,


    *************************************************
    Krispen Hartung / Improvisational Guitar
    www.krispenhartung.com / www.myspace.com/krispenhartung
    info@krispenhartung.com / 1.208.724.5603
    Discography - http://www.krispenhartung.com/catalogue.htm
    Looper's Delight Playlist - =
http://www.boisemusicians.com/loopers-delight.m3u=20






  ---

  King Never

  http://www.kingnever.com



------=_NextPart_000_035C_01C6B407.E0507DA0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I sure am. I have all of the CDs going =
through all=20
of the digital distribution as well. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>All in all, I don't really do this for =
the money,=20
yet I have waffled back and forth on this notion of whether I should =
give my CDs=20
away, sell them for standard market price, or severely discounted. It is =
a tough=20
call, and pretty much based on one's personal values on the =
matter....BUT, for=20
me, the gist is that I never want to generate a situation as an artist =
when=20
someone can't own one of my CDs simply because they can't afford it, or =
because=20
they have too many other CDs on their list and mine isn't the the =
highest=20
priority.&nbsp; I'd rather give my CDs away or mark them down to CD =
Baby's cost,=20
then not have folks listening to my music.&nbsp; And, believe it or not, =
I am of=20
the generation who still enjoys owning and having a physical CD. When I =
produce=20
a CD, the artwork on the sleeves is just as much a part of the =
production as the=20
music. It all fits together into a theme. I like for people to have my =
physical=20
CDs, not just the MP3s&nbsp;and digital art. If they don't they are =
missing a=20
significant element of the production.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmmccabe@finleysound.com =
href=3D"mailto:mmccabe@finleysound.com">Matthew=20
  F. McCabe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, August 01, 2006 =
2:59=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: All My CDs Marked =
down to=20
  $5.00</DIV>
  <DIV><BR></DIV>
  <DIV>Kris,</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>Are you doing digital distribution through CD Baby as well.&nbsp; =
I've=20
  found that I'm not really selling physical CDs anymore.&nbsp; But my =
download=20
  sales are strong.&nbsp; Just wondering if this is the norm now.</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>Matt</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV><BR>
  <DIV>
  <DIV>On Jul 30, 2006, at 12:06 PM, Krispen Hartung wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite">
    <DIV style=3D"MARGIN: 0px">Hello all,</DIV>
    <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><BR></DIV>
    <DIV style=3D"MARGIN: 0px">I just made a major change to my CD sales =

    approach.<SPAN class=3DApple-converted-space>&nbsp; </SPAN>From now =
on I am=20
    selling all of my CDs for $5.00 USD. This is marked down from =
$13.00.<SPAN=20
    class=3DApple-converted-space>&nbsp; </SPAN>You can view all five of =
them on=20
    CD Baby here:</DIV>
    <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><BR></DIV>
    <DIV style=3D"MARGIN: 0px"><A=20
    =
href=3D"http://cdbaby.com/all/khartung">http://cdbaby.com/all/khartung</A=
></DIV>
    <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><BR></DIV>
    <DIV style=3D"MARGIN: 0px">I will also be selling them in person for =
$5.00, so=20
    if you happen to be at Y2K6, check out my stuff at the concessions=20
    table.</DIV>
    <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><BR></DIV>
    <DIV style=3D"MARGIN: 0px">Cheers,</DIV>
    <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><BR></DIV>
    <DIV=20
    style=3D"MARGIN: =
0px">*************************************************</DIV>
    <DIV style=3D"MARGIN: 0px">Krispen Hartung / Improvisational =
Guitar</DIV>
    <DIV style=3D"MARGIN: 0px">www.krispenhartung.com / <A=20
    =
href=3D"http://www.myspace.com/krispenhartung">www.myspace.com/krispenhar=
tung</A></DIV>
    <DIV style=3D"MARGIN: 0px"><A=20
    href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A> =
/=20
    1.208.724.5603</DIV>
    <DIV style=3D"MARGIN: 0px">Discography - <A=20
    =
href=3D"http://www.krispenhartung.com/catalogue.htm">http://www.krispenha=
rtung.com/catalogue.htm</A></DIV>
    <DIV style=3D"MARGIN: 0px">Looper's Delight Playlist - <A=20
    =
href=3D"http://www.boisemusicians.com/loopers-delight.m3u">http://www.boi=
semusicians.com/loopers-delight.m3u</A><SPAN=20
    class=3DApple-converted-space>&nbsp;</SPAN></DIV>
    <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><BR></DIV>
    <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: =
0px"><BR></DIV></BLOCKQUOTE></DIV><BR>
  <DIV>
  <P style=3D"MARGIN: 0px"><FONT style=3D"FONT: 12px Helvetica" =
face=3DHelvetica=20
  size=3D3>---</FONT></P>
  <P style=3D"MARGIN: 0px"><FONT style=3D"FONT: 12px Helvetica" =
face=3DHelvetica=20
  size=3D3>King Never</FONT></P>
  <P style=3D"MARGIN: 0px"><FONT style=3D"FONT: 12px Helvetica" =
face=3DHelvetica=20
  size=3D3><A=20
  =
href=3D"http://www.kingnever.com">http://www.kingnever.com</A></FONT></P>=
</DIV><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_035C_01C6B407.E0507DA0--


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 01:52:32 2006
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Date: Sun, 30 Jul 2006 18:52:30 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Richard Zvonar - Aug 3
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Perhaps I shouldn't have spoken... I honestly didn't
really know him all that well and all I knew of his
work was the few Santa Cruz loopfests he played at. 
That and his many very useful posts.  Personally I
didn't have much contact with him.

--- Douglas Baldwin <coyotelk@optonline.net> wrote:

> Mark S. wrote:
> > I just did a search on his name at Wilkipedia and
> > nothing came up.  Surely we should get together
> and
> > write an entry based on his posts, no?
> 
> You go, boy! RZ was THE BEST. I'd suggest you put
> together a simple 1- or
> 2-paragraph description of his work, post it here,
> and we can all pick nits
> until it shines.
> dB, coyote
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 02:01:34 2006
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Date: Sun, 30 Jul 2006 19:01:33 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Interface? (was Re: Benefits of Undo)
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This brings up a good question I've been pondering.

I'm having a kick ass time with the Live/Mobius setup
but one thing that's problematic is that I find myself
having to mouse around from time to time because I'm
trying to keep my floor set up simple.  I tried multi
bank presets with my FCB1010/Repeater setup but I
found it too confusing.  I see you posted that link
and I'm going to look into them, but until that I was
thinking that perhaps NI KORE controller could be the
way to go considering I'm already using
Reaktor/Absynth and Battery as well as a few Kontakt
powered sample instruments.  I just like the idea that
the controller displays information.

I'd like to hear what people are using for desktop
controllers for computer setups these days.  I've hear
that KORE has some issues but these all seemed to be
related to using it as an audio interface which
wouldn't be the way I'd use it.  Anyone using KORE
from within Mobius?

Mark 

--- Per Boysen <perboysen@gmail.com> wrote:

> On 28 jul 2006, at 16.11, Krispen Hartung wrote:
> 
> > I my favorite use of Undo is to deconstruct my
> piece.
> 
> 
> That's also mine favorite use of Undo! I keep a
> little MIDI button  
> pad on the table (or chair) beside the laptop. This
> gives me direct  
> access to the Undo/Redo history of the active loop
> on any of Mobius  
> eight tracks (so I won't be limited to only
> de/reconstract the  
> playing loop on the active track.  
> http://www.faderfox.com/
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 06:21:38 2006
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Date: Sun, 30 Jul 2006 20:12:11 -0300
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From: Matthias Grob <matilists@atarde.com.br>
Subject: Re: experimental >< successfull
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nicely put, Nick!

years ago we have been talking about why loopers dont seem to become popular.

>Re the rc50 video, I tend to believe the looping is more of a state
>of mind and an approach to creating music, rather than using the
>latest technology to show how clever you are.

as it looks, its recently developing into a third way:
a tool to support live music which does not sound so different from 
music without the tool.

>The guitarist in the
>video in question is treating the looper as a multitrack recorder to
>allow him to widdle to his own riffs. This is all well and good, but
>if you listen to true creative loopers, they are creating expressive
>and original music, not just jamming over a backing track.
>
>The majority of designers of looping pedals clearly have the
>multitrack mentality to the fore, but they kind of miss the point to
>my way of thinking. To this day, the most interesting and creative
>things I do use a 20 year old Powertran DDL that a friend added extra
>memory to. It has no click track, no quantise, no undo or flash
>memory and it wouldn't know what to do with a midi cable, but it's
>*musical*.

yes, but be honest: isnt it musical because it does something of its 
own to your playing, so it adds a character or expression that 
fascinates you and inspires to play what you would not?
if you use a simple multitrack looper, all you can do is jam over a 
backing track, so you have to do do it well.

Although there certainly is a public which becomes fascinated with an 
inspired interaction with a random or not quite controlled machine, 
it seems that there is much more public for a funky guy that jams 
well over groovy tracks.
After all, Rico makes a living on it and spreads a fresh energy. Thats a lot!

Right, there are also musicians who manage to do all of this and also 
present a unique sound and induce a meeting with a new spirit that 
may change the listeners lifes!
Any looping tool to some extent helps to make this happen.

most of us are a bit of all and in no way I want to break up into two 
kinds or line up musicians on a scale.
maybe its even useless thinking.
it took me over an hour to type this.
shouldnt I be working on it instead?
-- 


          ---> http://www.matthiasgrob.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 08:24:06 2006
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Subject: Re: process Vs product
Date: Mon, 31 Jul 2006 09:24:03 +0100
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>
> I do have clients that listen just to the CD and dont care about how its 
> done.
> I gave a CD of mine to a simple citizan of my neighbourhood and month 
> later when I walked through that street, I heard my music! Is that the 
> kind of success you are talking about?
>

I think this is the acid test. I remember when Berhard Wagner, James Sidlo 
and myself were in Japan. James gave out very gracious landlady a copy of 
his album.
I heard her playing it some time later. Not just 2 minutes of it either - 
she had a real good listen.
On a personal note I think this maybe why I haven't created an album of 
looping. It sounds so much better to me when I'm playing it !
A classic process vs product split.
I think I'll start a new regime - record everything.
I think Tangerine Dream worked like this. They'd record hours of jamming and 
cut it into shape for an album.
Anyone here doing this?

Gareth





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  Loved your email Ted. Well said man. This what it all about.
  Gareth


   Love of music itself is=20
  the only real valid point for playing it in the first place

  Peace,

  tEd =AE kiLLiAn

  "Different is not always better, but better is always different"

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

  =
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&i=
d=3D121197000042

  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=20

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<META http-equiv=3DContent-Type content=3D"text/html; =
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<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV><FONT face=3DArial size=3D2>Loved your email Ted. Well said man. =
This what it=20
  all about.</FONT></DIV><FONT face=3DArial =
size=3D2></FONT></BLOCKQUOTE>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"><FONT=20
  face=3DArial size=3D2>Gareth</FONT>
  <DIV><BR><BR>&nbsp;Love of music itself is <BR>the only real valid =
point for=20
  playing it in the first place<BR><BR><?/color>Peace,<BR><BR>tEd =AE=20
  kiLLiAn<BR><BR><?color><?param 9B9A,9B9A,9B9A>"Different is not always =
better,=20
  but better is always=20
  =
different"<BR><BR>http://www.pfmentum.com/flux.html<BR>http://www.CDbaby.=
com/cd/tedkillian<BR>http://www.guitar9.com/fluxaeterna.html<BR>http://ww=
w.garageband.com/artist/ArsOcarina<BR>http://www.towerrecords.com/product=
.aspx?pfid=3D2845073<BR>http://www.netmusic.com/web/album.aspx?a_id=3DCBN=
M_17314<BR>http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D1=
93<BR><BR>http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview=
_profile&amp;id=3D121197000042<BR><BR>Ted=20
  Killian's "Flux Aeterna" is also available at: Apple =
iTunes,<BR>BuyMusic,=20
  Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<BR>AudioLunchbox, =
Lindows,=20
  QTRnote, Music4Cents, Etherstream,<BR>RuleRadio, EMEPE3, Sony Connect, =

  CatchMusic, Puretracks,<BR>and Viztas. Yadda, yadda, yadda. Blah, =
blah, blah.=20
  So???<?/color><?color><?param 0000,0000,0000>=20
<BR></DIV></BLOCKQUOTE><?/color></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 08:47:18 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: process Vs product
Date: Mon, 31 Jul 2006 10:47:13 +0200
To: Loopers-Delight@loopers-delight.com
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On 31 jul 2006, at 10.24, gareth whittock wrote:

> On a personal note I think this maybe why I haven't created an  
> album of looping. It sounds so much better to me when I'm playing it !
> A classic process vs product split.
> I think I'll start a new regime - record everything.
> I think Tangerine Dream worked like this. They'd record hours of  
> jamming and cut it into shape for an album.
> Anyone here doing this?
>
> Gareth


I'm all with you on this, Gareth! Although I have made records in the  
past I'm very reluctant to create "products" of the live looping  
music I'm now developing. It simply doesn't feel right to package it  
as a "product" because it really is a "process" and "a happening".  
Thank you for putting words to my long time thoughts! :-)   I'd much  
rather go somewhere and perform the real thing than have people all  
over buy the synthetic replication of it on CD.

But in the real world you can't take such a diva stand, or you will  
never be going anywhere with you music performances. So I'm doing  
live recordings in simple stereo; more as "documentation" than as  
"product", for the purpose of booking gigs.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 08:58:11 2006
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From: "Michael Peters" <mp@mpeters.de>
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Subject: RE: process Vs product
Date: Mon, 31 Jul 2006 10:58:05 +0200
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> I think Tangerine Dream worked like this. They'd record hours
> of jamming and cut it into shape for an album.
> Anyone here doing this?

that was how I created my Escape Veloopity album almost 10 years ago. I had
this Paradis Loopdelay and some effects and a DAT recorder and I just looped
and improvised for weeks and months, recording lots of it. Then I made a
"best of" for myself, and only then it occurred to me that I might put some
of it on CD.
 
<http://www.burningshed.com/index.asp?page=details&main=shops&label=2&id=92>
http://www.burningshed.com/index.asp?page=details&main=shops&label=2&id=92


Michael www.michaelpeters.de

 


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<P><FONT face=3DArial size=3D2>&gt; I think Tangerine Dream worked like =
this. They'd=20
record hours<BR>&gt; of jamming and cut it into shape for an =
album.<BR>&gt;=20
Anyone here doing this?<BR><BR>that was how I created my Escape =
Veloopity album=20
almost 10 years ago. I had this Paradis Loopdelay and some effects and a =
DAT=20
recorder and I just looped and improvised for weeks and months, =
recording lots=20
of it. Then I made a "best of" for myself, and only then it occurred to =
me that=20
I might put some of it on CD.<BR></FONT><A=20
href=3D"http://www.burningshed.com/index.asp?page=3Ddetails&amp;main=3Dsh=
ops&amp;label=3D2&amp;id=3D92"><FONT=20
face=3DArial=20
size=3D2>http://www.burningshed.com/index.asp?page=3Ddetails&amp;main=3Ds=
hops&amp;label=3D2&amp;id=3D92</FONT></A><BR><FONT=20
face=3DArial size=3D2><BR></FONT><FONT face=3DArial size=3D2><BR>Michael =
<A=20
href=3D"http://www.michaelpeters.de">www.michaelpeters.de</A></FONT></P>
<P><FONT face=3DArial size=3D2></FONT>&nbsp;</P></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 08:58:49 2006
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: process Vs product
Date: Mon, 31 Jul 2006 09:58:46 +0100
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Cool Per.
Keep us informed on how it's going.
I loved your set in Switzerland last year. Were you using infinite reverb or 
something? right at the start of your set.

G


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 31, 2006 9:47 AM
Subject: Re: process Vs product


> On 31 jul 2006, at 10.24, gareth whittock wrote:
>
>> On a personal note I think this maybe why I haven't created an  album of 
>> looping. It sounds so much better to me when I'm playing it !
>> A classic process vs product split.
>> I think I'll start a new regime - record everything.
>> I think Tangerine Dream worked like this. They'd record hours of  jamming 
>> and cut it into shape for an album.
>> Anyone here doing this?
>>
>> Gareth
>
>
> I'm all with you on this, Gareth! Although I have made records in the 
> past I'm very reluctant to create "products" of the live looping  music 
> I'm now developing. It simply doesn't feel right to package it  as a 
> "product" because it really is a "process" and "a happening".  Thank you 
> for putting words to my long time thoughts! :-)   I'd much  rather go 
> somewhere and perform the real thing than have people all  over buy the 
> synthetic replication of it on CD.
>
> But in the real world you can't take such a diva stand, or you will  never 
> be going anywhere with you music performances. So I'm doing  live 
> recordings in simple stereo; more as "documentation" than as  "product", 
> for the purpose of booking gigs.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 09:22:22 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: process Vs product
Date: Mon, 31 Jul 2006 11:22:17 +0200
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On 31 jul 2006, at 10.58, gareth whittock wrote:

> Cool Per.
> Keep us informed on how it's going.
> I loved your set in Switzerland last year.

Oh, thanks (blushing...). It all sounds quite different by now.

> Were you using infinite reverb or something? right at the start of  
> your set.

That was the laptop. Ableton Live has a built-in reverb that may give  
a certain "Freeze Verb". If you stay silent for a while the last note  
you played in the past will stay frozen for ages, until you make some  
noise again. That's the most lovely reverb I have tried - and funnily  
it sounds best at the "low resolution" setting  ;-)

per

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 09:59:41 2006
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From: "nick@12testing.net" <nick@12testing.net>
To: Loopers-Delight@loopers-delight.com,
	Matthias Grob <matilists@atarde.com.br>
Date: Mon, 31 Jul 2006 10:59:24 +0100
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On 30 Jul 2006 at 20:12, Matthias Grob wrote:

> as it looks, its recently developing into a third way:
> a tool to support live music which does not sound so different from
> music without the tool.

yes - even KT Tunstall is now marketed as a looper....

> yes, but be honest: isnt it musical because it does something of its
> own to your playing, so it adds a character or expression that
> fascinates you and inspires to play what you would not? 

Genau...

> seems that there is much more public for a funky guy that jams well
> over groovy tracks. 

That's been the story of music for decades - I don't blame boss for 
choosing someone with wider appeal, but there are any number of 
videos on utube showing people "widdling" over a 4 bar chord loop. 
I'd hope for something a little more inspired.

> Right, there are also musicians who manage to do all of this and also
> present a unique sound and induce a meeting with a new spirit that may
> change the listeners lifes! 

That's what I aspire to and pretty much sums up your music - if 
people haven't heard Matthias, have a listen to

http://matthias.grob.org/pMusic/ppSound/Graminha.mp3

I admire the way your beard has developed and adapted to changing 
technology over the years and full marks for publishing this gallery!

http://matthias.grob.org/pPictures/CurriculumFac/matiface.htm
All the best,

Nick Robinson


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 11:39:41 2006
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Due to the phenomenal jump in available loopers, this list has widened =
it breath of topics to discuss loads of different subjects recently, so =
much so that I havent HEARD of some of you lots technology... It used to =
be that this list was predominately an EDP list, with a bit of my =
loopers better that your looper convo's, and a bit of philosophising and =
politicising...

I'm still interested, facinated by this list.. but lets ahve a quick =
poll

Whos using what now?

I'll start... (looping products mentioned only please)

Vortex  split into EDP and Repeater


your turn...


mark francombe
marks website is at www.markfrancombe.com he writes for =
www.furthernoise.org and works at www.transformlearning.com
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Due to the phenomenal jump in available =
loopers,=20
this list has widened it breath of topics to discuss loads of different =
subjects=20
recently, so much so that I havent HEARD of some of you lots =
technology... It=20
used to be that this list was predominately an EDP list, with a bit of =
my=20
loopers better that your looper convo's, and a bit of philosophising and =

politicising...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'm still interested, facinated by this =
list.. but=20
lets ahve a quick poll</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Whos using what now?<BR><BR>I'll =
start... (looping=20
products mentioned only please)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Vortex&nbsp; split into&nbsp;EDP and=20
Repeater</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>your turn...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>mark francombe<BR>marks website is at =
<A=20
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A> he =
writes for <A=20
href=3D"http://www.furthernoise.org">www.furthernoise.org</A> and works =
at <A=20
href=3D"http://www.transformlearning.com">www.transformlearning.com</A></=
FONT></DIV></BODY></HTML>

------=_NextPart_000_006F_01C6B4A6.C19CFE20--



From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 11:49:11 2006
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Subject: RE: process Vs product
Date: Mon, 31 Jul 2006 13:48:57 +0200
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> From: gareth whittock [mailto:gareth@whiteoakstudios.freeserve.co.uk]=20
> Sent: Montag, 31. Juli 2006 10:24
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: process Vs product

> I think Tangerine Dream worked like this. They'd record hours=20
> of jamming and=20
> cut it into shape for an album.
> Anyone here doing this?
>=20
> Gareth

We recorded a jam the day after the Cambridge Loopfest 2004
(http://www.collective.co.uk/loopfest/archive2004.html) with Mike =
Bearpark.
We had such fun we decided to published a CD (http://pedaltone.com,
http://www.burningshed.com/index.asp?page=3Ddetails&main=3Dshed&label=3D9=
&id=3D345)
There's a 4 minute trailer available (5.7 MB)
http://pedaltone.com/trailer.mp3

In a way you record the raw material as the source and then "compose" it
only afterwards by selecting, mixing, etc.

Also with Per Boysen we used this approach: =
http://www.looproom.com/bw/sf/.



There's a related lecture by Brian Eno "The Studio As Compositional =
Tool":
http://music.hyperreal.org/artists/brian_eno/interviews/downbeat79.htm
(http://tinyurl.com/nbwet)

I digress, but with a looping perspective (and otherwise) you'll enjoy =
the
above article:
  "almost any arbitrary collision of events listened to
   enough times comes to seem very meaningful"
...

   "And you'll hear, in a cleverly disguised fashion, exactly the=20
    same parts repeated. Which makes you think that Percy Jones of=20
    Brand X is an incredible bass player, because he does every=20
    complex, idiosyncratic thing three our four times in a row.=20
    That's a trick I like using."



And while Eno is talking about the "Studio As Compositional Tool", e.g. =
this
whole paragraph applies to looping just as much:
  " ... one becomes empirical in a way that the classical composer
   never was. You're working directly with sound, and there's no=20
   transmission loss between you and the sound - you handle it.
   It puts the composer in the identical position of the painter -=20
   he's working directly with a material, working directly onto a=20
   substance, and he always retains the options to chop and change,
   to paint a bit out, add a piece, etc."

Bernhard
http://nosuch.biz



From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 11:53:43 2006
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Date: Mon, 31 Jul 2006 04:53:41 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Boss-dd20 Qestion
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Hi gang,
I just got a used DD-20 and ive been fooling around
with it,i noticed that the screen led light goes on
when i turn the device on and then it goes out after a
few seconds,is this normal? i have it plugged in with
a normal Boss 9V 200Ma adaptor
thanx
Luis 

www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 12:36:37 2006
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Quick poll
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laptop

g
  ----- Original Message -----=20
  From: markfrancombe.com=20
  To: loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 31, 2006 12:39 PM
  Subject: Quick poll


  Due to the phenomenal jump in available loopers, this list has widened =
it breath of topics to discuss loads of different subjects recently, so =
much so that I havent HEARD of some of you lots technology... It used to =
be that this list was predominately an EDP list, with a bit of my =
loopers better that your looper convo's, and a bit of philosophising and =
politicising...

  I'm still interested, facinated by this list.. but lets ahve a quick =
poll

  Whos using what now?

  I'll start... (looping products mentioned only please)

  Vortex  split into EDP and Repeater


  your turn...


  mark francombe
  marks website is at www.markfrancombe.com he writes for =
www.furthernoise.org and works at www.transformlearning.com
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>laptop</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>g</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmark@markfrancombe.com=20
  href=3D"mailto:mark@markfrancombe.com">markfrancombe.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-Delight@loopers-delight.com">loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 31, 2006 =
12:39=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Quick poll</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Due to the phenomenal jump in =
available loopers,=20
  this list has widened it breath of topics to discuss loads of =
different=20
  subjects recently, so much so that I havent HEARD of some of you lots=20
  technology... It used to be that this list was predominately an EDP =
list, with=20
  a bit of my loopers better that your looper convo's, and a bit of=20
  philosophising and politicising...</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>I'm still interested, facinated by =
this list..=20
  but lets ahve a quick poll</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Whos using what now?<BR><BR>I'll =
start...=20
  (looping products mentioned only please)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Vortex&nbsp; split into&nbsp;EDP and=20
  Repeater</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>your turn...</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>mark francombe<BR>marks website is at =
<A=20
  href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A> he =
writes for <A=20
  href=3D"http://www.furthernoise.org">www.furthernoise.org</A> and =
works at <A=20
  =
href=3D"http://www.transformlearning.com">www.transformlearning.com</A></=
FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_001B_01C6B4A6.56E4E4D0--


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 12:45:27 2006
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    <garethwhittock$81.79.37.69$.001e01c6b49d$f5591900$5d01a8c0@acer81080ea37f>
Date: Mon, 31 Jul 2006 13:45:23 +0100 (BST)
Subject: Re: Quick poll
From: dayshift@blueyonder.co.uk
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EDP

Cheers

B


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 12:52:31 2006
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From: "Miko Biffle" <biffoz@arczip.com>
To: <Loopers-Delight@loopers-delight.com>
References: <007201c6b495$febfd770$5a01a8c0@mark> <garethwhittock$81.79.37.69$.001e01c6b49d$f5591900$5d01a8c0@acer81080ea37f>
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I'm still on my trusty Obie White Face EDP into a Vortex. Keeping it simple
at the moment... Love that glitchcore it spits out though!

Miko Biffle -- "Running scared from all the usual distractions..."
C'mon over to MySpace! www.myspace.com/biffozz
Now playing 'Rough' www.cdbaby.com/biffoz
The Chain Tape Collective! www.ct-collective.com/


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 12:59:38 2006
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Date: Mon, 31 Jul 2006 5:59:32 -0700
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BOSS RC-50.


--
Paul Richards

---- dayshift@blueyonder.co.uk wrote: 
> EDP
> 
> Cheers
> 
> B
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 13:05:27 2006
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hardware:
stereo EDP's, which are showing their age

software:
Mobius
Live 5.2.1

markfrancombe.com wrote:
>
>  
>  
> your turn...
>  
>  
> mark francombe
> marks website is at www.markfrancombe.com
> <http://www.markfrancombe.com> he writes for www.furthernoise.org
> <http://www.furthernoise.org> and works at www.transformlearning.com
> <http://www.transformlearning.com>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 13:12:41 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Quick poll
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On 31 jul 2006, at 13.39, markfrancombe.com wrote:

> Whos using what now?

(audio signal chain)
- TC Electronics Fireworx (yes, it's both an effect processor and a  
rudimentary looper)
- Laptop running Mobius
- External RNC compressor (makes my multiple loops blend well  
together, dynamically)

(MIDI signal chain)
- hand and foot controllers
- Mobius
- TC Electronics Fireworx (following the tempo set by first loop  
recorded in Mobius)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 13:18:41 2006
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I used to record my jams to a cassette deck even.  I'd just record things
for a few weeks.  Then I'd go back and listen to them. Very often I was
surprized by what I discovered.  The distance would help divorce me from the
emotions I had as I played them.  Mostly things seemed to get better.

I totally agree that while the process can be interesting ultimately it is
irrelevant to the end result, which needs to be "good music" in and of it's
own right.

David

----- Original Message ----- 
From: "gareth whittock" <gareth@whiteoakstudios.freeserve.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 31, 2006 4:24 AM
Subject: Re: process Vs product


> I think Tangerine Dream worked like this. They'd record hours of jamming
and
> cut it into shape for an album.
> Anyone here doing this?
>
> Gareth
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 13:21:22 2006
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> On 31 jul 2006, at 13.39, markfrancombe.com wrote:
>
> Whos using what now?

My most-used loopers:
Akai Headrush, Z-Vex Lo-Fi Loop Junky, Boss RC-20 Loopstation.

Also, depending:
Boss RC-20XL Loopstation, Digitech Jamman, Electro-Harmonix 16sec reissue.

Rarely used:
Electrix Repeater Mark(there will apparently only be) I

best,
Steve B
Subscape Annex   http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 13:21:54 2006
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Stereo EDP's

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 13:36:12 2006
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EDP

On Mon, Jul 31, 2006 at 01:39:33PM +0200, markfrancombe.com wrote:
> Due to the phenomenal jump in available loopers, this list has widened it breath of topics to discuss loads of different subjects recently, so much so that I havent HEARD of some of you lots technology... It used to be that this list was predominately an EDP list, with a bit of my loopers better that your looper convo's, and a bit of philosophising and politicising...
> 
> I'm still interested, facinated by this list.. but lets ahve a quick poll
> 
> Whos using what now?
> 
> I'll start... (looping products mentioned only please)
> 
> Vortex  split into EDP and Repeater
> 
> 
> your turn...
> 
> 
> mark francombe
> marks website is at www.markfrancombe.com he writes for www.furthernoise.org and works at www.transformlearning.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 13:43:45 2006
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Electro Harmonix 2880
Electrix Repeater
EH 16 second delay
Sellon modded Lexicon Jamman
-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 13:49:57 2006
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--part1_517.48aa471.31ff647d_boundary
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boss rc-50

(edp-berringer midi pedal ready to come off the bench when needed)

jf

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">boss rc-50<BR>
<BR>
(edp-berringer midi pedal ready to come off the bench when needed)<BR>
<BR>
jf</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT></HTML>

--part1_517.48aa471.31ff647d_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:02:10 2006
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--------------010709030605020909080705
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PC Laptop - Mobius

--Josh


markfrancombe.com wrote:
> Due to the phenomenal jump in available loopers, this list has widened 
> it breath of topics to discuss loads of different subjects recently, 
> so much so that I havent HEARD of some of you lots technology... It 
> used to be that this list was predominately an EDP list, with a bit of 
> my loopers better that your looper convo's, and a bit of 
> philosophising and politicising...
>  
> I'm still interested, facinated by this list.. but lets ahve a quick poll
>  
> Whos using what now?
>
> I'll start... (looping products mentioned only please)
>  
> Vortex  split into EDP and Repeater
>  
>  
> your turn...
>  
>  
> mark francombe
> marks website is at www.markfrancombe.com 
> <http://www.markfrancombe.com> he writes for www.furthernoise.org 
> <http://www.furthernoise.org> and works at www.transformlearning.com 
> <http://www.transformlearning.com>

--------------010709030605020909080705
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<head>
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</head>
<body bgcolor="#ffffff" text="#000000">
PC Laptop - Mobius<br>
<br>
--Josh<br>
<br>
<br>
markfrancombe.com wrote:
<blockquote cite="mid007201c6b495$febfd770$5a01a8c0@mark" type="cite">
  <meta http-equiv="Content-Type" content="text/html; ">
  <meta content="MSHTML 6.00.2900.2912" name="GENERATOR">
  <style></style>
  <div><font face="Arial" size="2">Due to the phenomenal jump in
available loopers, this list has widened it breath of topics to discuss
loads of different subjects recently, so much so that I havent HEARD of
some of you lots technology... It used to be that this list was
predominately an EDP list, with a bit of my loopers better that your
looper convo's, and a bit of philosophising and politicising...</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">I'm still interested, facinated by
this list.. but lets ahve a quick poll</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">Whos using what now?<br>
  <br>
I'll start... (looping products mentioned only please)</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">Vortex&nbsp; split into&nbsp;EDP and Repeater</font></div>
  <div>&nbsp;</div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">your turn...</font></div>
  <div>&nbsp;</div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">mark francombe<br>
marks website is at <a href="http://www.markfrancombe.com">www.markfrancombe.com</a>
he writes for <a href="http://www.furthernoise.org">www.furthernoise.org</a>
and works at <a href="http://www.transformlearning.com">www.transformlearning.com</a></font></div>
</blockquote>
</body>
</html>

--------------010709030605020909080705--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:04:15 2006
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From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: Boss-dd20 Qestion
To: Loopers-Delight@loopers-delight.com,
	"L.A. Angulo" <labaloops@yahoo.com>
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Luis wrote:


> Hi gang,
> I just got a used DD-20 and ive been fooling around
> with it,i noticed that the screen led light goes on
> when i turn the device on and then it goes out after a
> few seconds,is this normal? i have it plugged in with
> a normal Boss 9V 200Ma adaptor
> thanx
> Luis

Yup. Totally normal. If you want the screen to stay lit, hold down both
buttons just below the screen for about 2 seconds. You'll see that it's
kinda bracketed to indicate both both buttons with *LIGHT written there.
That's the unit's way of saying, "push these down for the light to stay on."
I'll bet you can go to the Boss web site and find the manual in a PDF file.
Not that a Boss manual is very helpful... ;-)
Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"The music business is a cruel and shallow money trench, a long plastic
hallway where pimps and thieves run free and good men die like dogs. There's
also a negative side."
--- Hunter S. Thompson

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Subject: Re: Quick poll
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Two Boss DD-20's.

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:07:09 2006
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That's exactly what I like to do. I like to have my recording environment ready to go and whenever I start playing following a warmup, I record.

The amazing thing is going back and listening to stuff that was recorded in the past. I pulled out  a box of zip disks no less that I recorded using a Roland VS-840 rig and have been previewing them. Many songs I never committed to CD because there might have been a sour note or perhaps portions of the song were not terrifically inspiring, hence they haven't seen the light of day for 5 years or more. BUT, I've noticed a lot of the old stuff sounded pretty darn good and even the lower eschelon ones had some sections that warranted cutting out and using as separate pieces.

--
Paul Richards

---- David Kirkdorffer <vze2ncsr@verizon.net> wrote: 
> I used to record my jams to a cassette deck even.  I'd just record things
> for a few weeks.  Then I'd go back and listen to them. Very often I was
> surprized by what I discovered.  The distance would help divorce me from the
> emotions I had as I played them.  Mostly things seemed to get better.
> 
> I totally agree that while the process can be interesting ultimately it is
> irrelevant to the end result, which needs to be "good music" in and of it's
> own right.
> 
> David
> 
> ----- Original Message ----- 
> From: "gareth whittock" <gareth@whiteoakstudios.freeserve.co.uk>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, July 31, 2006 4:24 AM
> Subject: Re: process Vs product
> 
> 
> > I think Tangerine Dream worked like this. They'd record hours of jamming
> and
> > cut it into shape for an album.
> > Anyone here doing this?
> >
> > Gareth
> >
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:16:45 2006
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> Whos using what now?

original jamman with full memory expansion
powertran DDL (modified up to 6 seconds)
zoom G2

All the best,

Nick Robinson


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:20:02 2006
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And that's how I did the majority of my CDs too...I just record, record, =
record, both in my studio at live performances. Eventually, something =
pulls together into a theme.  I did this for a year and generated enough =
material to create two CDs, albeit out of probably 10 CDs of material! =20

Does anyone actually go into the studio with the intent of recording all =
the songs for a looping CD? This would feel very restrictive and =
unnatural to me, like trying to force art into a bottle, or like telling =
a painter he has to go into a room and complete a great painting in 6 =
hours.

...although, these days, most everything that I play live or play in the =
studio I would feel comfortable putting on CD.  Several years ago, =
before playing and studying jazz, and really becomining intimate with my =
guitar as an improvisational tool to the point the I could feel =
something and then play it, I could not have done this...it would have =
been hit and miss. I feel as if I have become very consistent with the =
quality of my playing now, regardless of how many risks I take. Looping =
in the free improv context, live, has really helped with this too. I =
can't think of a better appraoch to fine tune how well  you become =
acquainted with your instrument.  I am very comfortable playing in the =
dark now.

When this consistency is not as "consistent" is when I play with others, =
because then I have a whole new set of factors to address.

Kris

  ----- Original Message -----=20
  From: Michael Peters=20

  > I think Tangerine Dream worked like this. They'd record hours
  > of jamming and cut it into shape for an album.
  > Anyone here doing this?

  that was how I created my Escape Veloopity album almost 10 years ago. =
I had this Paradis Loopdelay and some effects and a DAT recorder and I =
just looped and improvised for weeks and months, recording lots of it. =
Then I made a "best of" for myself, and only then it occurred to me that =
I might put some of it on CD.
  =
http://www.burningshed.com/index.asp?page=3Ddetails&main=3Dshops&label=3D=
2&id=3D92


  Michael www.michaelpeters.de



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE></TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>And that's how I did the majority of my =
CDs too...I=20
just record, record, record, both in my studio at live performances. =
Eventually,=20
something pulls together into a theme.&nbsp; I did this for a year and =
generated=20
enough material to create two CDs, albeit out of probably 10 CDs of=20
material!&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Does anyone actually go into the studio =
with the=20
intent of recording all the songs for a looping CD? This would feel very =

restrictive and unnatural to me, like trying to force art into a bottle, =
or like=20
telling a painter he has to go into a room and complete a great painting =
in 6=20
hours.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>...although, these days, most =
everything that I=20
play live or play in the studio I would feel comfortable putting on =
CD.&nbsp;=20
Several years ago, before playing and studying jazz, and really =
becomining=20
intimate with my guitar as an improvisational tool to the point the I =
could feel=20
something and then play it, I could not have done this...it would have =
been hit=20
and miss. I feel as if I have become very consistent with the quality of =
my=20
playing now, regardless of how many risks I take. Looping in the free =
improv=20
context, live, has really helped with this too. I can't think of a =
better=20
appraoch to fine tune how well&nbsp; you become acquainted with your=20
instrument.&nbsp; I am very comfortable playing in the dark =
now.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>When this consistency is not as =
"consistent" is=20
when I play with others, because then I have a whole new set of factors =
to=20
address.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmp@mpeters.de href=3D"mailto:mp@mpeters.de">Michael =
Peters</A> </DIV>
  <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV><!-- Converted from =
text/plain format -->
  <P><FONT face=3DArial size=3D2>&gt; I think Tangerine Dream worked =
like this.=20
  They'd record hours<BR>&gt; of jamming and cut it into shape for an=20
  album.<BR>&gt; Anyone here doing this?<BR><BR>that was how I created =
my Escape=20
  Veloopity album almost 10 years ago. I had this Paradis Loopdelay and =
some=20
  effects and a DAT recorder and I just looped and improvised for weeks =
and=20
  months, recording lots of it. Then I made a "best of" for myself, and =
only=20
  then it occurred to me that I might put some of it on CD.<BR></FONT><A =

  =
href=3D"http://www.burningshed.com/index.asp?page=3Ddetails&amp;main=3Dsh=
ops&amp;label=3D2&amp;id=3D92"><FONT=20
  face=3DArial=20
  =
size=3D2>http://www.burningshed.com/index.asp?page=3Ddetails&amp;main=3Ds=
hops&amp;label=3D2&amp;id=3D92</FONT></A><BR><FONT=20
  face=3DArial size=3D2><BR></FONT><FONT face=3DArial =
size=3D2><BR>Michael <A=20
  =
href=3D"http://www.michaelpeters.de">www.michaelpeters.de</A></FONT></P>
  <P><FONT face=3DArial =
size=3D2></FONT>&nbsp;</P></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_03BD_01C6B47A.1B879D00--


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boomerang.....zoom2100.....mo-fx.....quadraverb 2.....sequencers on casio 
cz-5000's.....michael



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">boomerang.....zoom2100.....mo-fx.....qu=
adraverb 2.....sequencers on casio cz-5000's.....michael<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:20:59 2006
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At 1:39 PM +0200 7/31/06, markfrancombe.com wrote:
>
>Whos using what now?

Hardware:
	Looperlative LP-1
	Electrix Repeater
	Line 6 Echo Pro (2x)
	Line 6 DL-4
	Boss DD-20 (2x)
	Z-Vex Lo-Fi Loop Junky
	Lexicon Vortex

Software (Mac):
	Ableton Live 5.2.1
	Augustus Loop
	Plasq Musolomo

Plus bunches of other hardware and software used for processing, 
rather than looping...

	--m.
-- 
_______
"You are in a maze of twisty little passages, all alike..."

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:23:37 2006
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Subject: Re: Quick poll
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Actually,  someone  developed a web-based poll for this a few months =
ago, so maybe we can resurrect that, but add some effect options too. =
Who did that? In addition to the massive list of looping devices, hard =
and soft, I would add as many effect processors as you can think of, =
software too (VST, Reaktor, etc)

Maybe add a question that asks if you are a laptop only or =
hardware-laptop hybrid looper now...I would be interested to see this.

Kris

  ----- Original Message -----=20
  From: markfrancombe.com=20
  To: loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 31, 2006 5:39 AM
  Subject: Quick poll


  Due to the phenomenal jump in available loopers, this list has widened =
it breath of topics to discuss loads of different subjects recently, so =
much so that I havent HEARD of some of you lots technology... It used to =
be that this list was predominately an EDP list, with a bit of my =
loopers better that your looper convo's, and a bit of philosophising and =
politicising...

  I'm still interested, facinated by this list.. but lets ahve a quick =
poll

  Whos using what now?

  I'll start... (looping products mentioned only please)

  Vortex  split into EDP and Repeater


  your turn...


  mark francombe
  marks website is at www.markfrancombe.com he writes for =
www.furthernoise.org and works at www.transformlearning.com
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Actually,&nbsp; someone&nbsp; developed =
a web-based=20
poll for this a few months ago, so maybe we can resurrect that, but add =
some=20
effect options too. Who did that? In addition to the massive list of =
looping=20
devices, hard and soft, I would add as many effect processors as you can =
think=20
of, software too (VST, Reaktor, etc)</FONT></DIV><FONT face=3DArial =
size=3D2>
<DIV><BR>Maybe add a question that asks if you are a laptop only or=20
hardware-laptop hybrid looper now...I would be interested to see =
this.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Kris</DIV>
<DIV></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmark@markfrancombe.com=20
  href=3D"mailto:mark@markfrancombe.com">markfrancombe.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-Delight@loopers-delight.com">loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 31, 2006 =
5:39 AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Quick poll</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Due to the phenomenal jump in =
available loopers,=20
  this list has widened it breath of topics to discuss loads of =
different=20
  subjects recently, so much so that I havent HEARD of some of you lots=20
  technology... It used to be that this list was predominately an EDP =
list, with=20
  a bit of my loopers better that your looper convo's, and a bit of=20
  philosophising and politicising...</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>I'm still interested, facinated by =
this list..=20
  but lets ahve a quick poll</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Whos using what now?<BR><BR>I'll =
start...=20
  (looping products mentioned only please)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Vortex&nbsp; split into&nbsp;EDP and=20
  Repeater</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>your turn...</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>mark francombe<BR>marks website is at =
<A=20
  href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A> he =
writes for <A=20
  href=3D"http://www.furthernoise.org">www.furthernoise.org</A> and =
works at <A=20
  =
href=3D"http://www.transformlearning.com">www.transformlearning.com</A></=
FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:32:30 2006
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From: "Gary Lehmann" <hqr@cox.net>
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Subject: RE: Quick poll
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RC-20 for quick n dirty

Lexicon MPX-g2 into EDP for the full setup
I bought a DD-20 but just haven't put it to much use yet--
I like the G2-EDP combination--driving the G2 clock off the EDP--G2's got a
Jamman in it too--
Too bad it likes to randomly change the EQ settings (!)
Gary


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:35:12 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Quick poll
Date: Mon, 31 Jul 2006 07:35:09 -0700
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2 EDPs and a Boss DD-20 GigaDelay for the live stuff.

Boss SP-303 for the canned loops.

Peace,

tEd =AE kiLLiAn

=93To refute the solipsist or the metaphysical idealist all you have to =20=

do is take him out and throw a rock at his head: if he ducks he=92s a =20=

liar. His logic may be airtight but his argument, far from revealing =20
the delusions of living experience, only exposes the limitations of =20
logic.=94 -- Edward Abbey, from Desert Solitaire

  http://www.pfmentum.com/flux.html
  http://www.CDbaby.com/cd/tedkillian
  http://www.guitar9.com/fluxaeterna.html
  http://www.garageband.com/artist/ArsOcarina
  http://www.towerrecords.com/product.aspx?pfid=3D2845073
  http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
  http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

  Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
  BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
  AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
  RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
  and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

"Different is not always better, but better is always different"


On Jul 31, 2006, at 4:39 AM, markfrancombe.com wrote:

> Due to the phenomenal jump in available loopers, this list has widened =
=20
> it breath of topics to discuss loads of different subjects recently, =20=

> so much so that I havent HEARD of some of you lots technology... It =20=

> used to be that this list was predominately an EDP list, with a bit of =
=20
> my loopers better that your looper convo's, and a bit of =20
> philosophising and politicising...
> =A0
> I'm still interested, facinated by this list.. but lets ahve a quick =20=

> poll
> =A0
> Whos using what now?
>
> I'll start... (looping products mentioned only please)
> =A0
> Vortex=A0 split into=A0EDP and Repeater
> =A0
> =A0
> your turn...
> =A0
> =A0
> mark francombe
> marks website is at www.markfrancombe.com he writes for =20
> www.furthernoise.org and works at www.transformlearning.com=

--Apple-Mail-6--44349581
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2 EDPs and a Boss DD-20 GigaDelay for the live stuff.=20


Boss SP-303 for the canned loops.


Peace,


tEd =AE kiLLiAn

<color><param>807F,0000,0000</param>

=93To refute the solipsist or the metaphysical idealist all you have to
do is take him out and throw a rock at his head: if he ducks he=92s a
liar. His logic may be airtight but his argument, far from revealing
the delusions of living experience, only exposes the limitations of
logic.=94 -- Edward Abbey, from <italic>Desert =
Solitaire</italic></color><color><param>9B9A,9B9A,9B9A</param>


 http://www.pfmentum.com/flux.html

 http://www.CDbaby.com/cd/tedkillian

 http://www.guitar9.com/fluxaeterna.html

 http://www.garageband.com/artist/ArsOcarina

 http://www.towerrecords.com/product.aspx?pfid=3D2845073

 http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

 http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193


=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


 Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

 BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

 AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

 RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

 and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???


</color><color><param>807F,0000,0000</param>"Different is not always
better, but better is always different"</color>



On Jul 31, 2006, at 4:39 AM, markfrancombe.com wrote:


<excerpt><smaller>Due to the phenomenal jump in available loopers,
this list has widened it breath of topics to discuss loads of
different subjects recently, so much so that I havent HEARD of some of
you lots technology... It used to be that this list was predominately
an EDP list, with a bit of my loopers better that your looper convo's,
and a bit of philosophising and politicising...</smaller>

=A0

<smaller>I'm still interested, facinated by this list.. but lets ahve
a quick poll</smaller>

=A0

<smaller>Whos using what now?</smaller>


<smaller>I'll start... (looping products mentioned only =
please)</smaller>

=A0

<smaller>Vortex=A0 split into=A0EDP and Repeater</smaller>

=A0

=A0

<smaller>your turn...</smaller>

=A0

=A0

<smaller>mark francombe</smaller>

<smaller>marks website is at
<color><param>0000,0000,EEEE</param>www.markfrancombe.com</color> he
writes for
<color><param>0000,0000,EEEE</param>www.furthernoise.org</color> and
works at =
<color><param>0000,0000,EEEE</param>www.transformlearning.com</color></sma=
ller></excerpt>=

--Apple-Mail-6--44349581--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:39:08 2006
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Subject: Re: Quick poll
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Boomerang



~peace~

Plish


www.michaelplishka.com
www.myspace.com/michaelplishka

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:42:58 2006
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Interesting question Kris. Obviously this is how most music is recorded. =
Even with jazz, studios are booked for a pre-arranged time and you have =
to fit that creativity in on demand.
Of course painter DO have to complete comissions according to a time =
scedule. "'Twas ever thus" as the bard would say. When I wrote music for =
a living I had very tight schedules but found that I always found my =
muse on time. and when we perform live we have a pre-defined slot in =
which to pull the musical rabbit out of the bag.

G=20

  Does anyone actually go into the studio with the intent of recording =
all the songs for a looping CD? This would feel very restrictive and =
unnatural to me, like trying to force art into a bottle, or like telling =
a painter he has to go into a room and complete a great painting in 6 =
hours.


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<DIV><FONT face=3DArial size=3D2>Interesting question Kris. Obviously =
this is how=20
most music is recorded. Even&nbsp;with jazz, studios are booked for a=20
pre-arranged time and you have to fit that&nbsp;creativity in on=20
demand.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Of course painter DO have to complete =
comissions=20
according to a time scedule. "'Twas ever thus" as the bard would say. =
When I=20
wrote music for a living I had very tight schedules but found that I =
always=20
found my muse on time. and when we perform live we have a pre-defined =
slot in=20
which to pull the musical rabbit out of the bag.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>G</FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Does anyone actually go into the =
studio with the=20
  intent of recording all the songs for a looping CD? This would feel =
very=20
  restrictive and unnatural to me, like trying to force art into a =
bottle, or=20
  like telling a painter he has to go into a room and complete a great =
painting=20
  in 6 hours.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial =
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_003E_01C6B4B7.FDB5C200--


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:44:02 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Quick poll
Date: Mon, 31 Jul 2006 07:43:51 -0700
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--Apple-Mail-1--43827502
Content-Transfer-Encoding: quoted-printable
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	charset=ISO-8859-1;
	format=flowed

Roland RC50, Lex Vortex, DeltaLab Effectrons.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 31-Jul-06, at 4:39 AM, markfrancombe.com wrote:

> Due to the phenomenal jump in available loopers, this list has widened=20=

> it breath of topics to discuss loads of different subjects recently,=20=

> so much so that I havent HEARD of some of you lots technology... It=20
> used to be that this list was predominately an EDP list, with a bit of=20=

> my loopers better that your looper convo's, and a bit of=20
> philosophising and politicising...
> =A0
> I'm still interested, facinated by this list.. but lets ahve a quick=20=

> poll
> =A0
> Whos using what now?
>
> I'll start... (looping products mentioned only please)
> =A0
> Vortex=A0 split into=A0EDP and Repeater
> =A0
> =A0
> your turn...
> =A0
> =A0
> mark francombe
> marks website is at www.markfrancombe.com he writes for=20
> www.furthernoise.org and works at www.transformlearning.com=

--Apple-Mail-1--43827502
Content-Transfer-Encoding: quoted-printable
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Roland RC50, Lex Vortex, DeltaLab Effectrons.  =20


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 31-Jul-06, at 4:39 AM, markfrancombe.com wrote:


<excerpt><fontfamily><param>Arial</param><smaller>Due to the
phenomenal jump in available loopers, this list has widened it breath
of topics to discuss loads of different subjects recently, so much so
that I havent HEARD of some of you lots technology... It used to be
that this list was predominately an EDP list, with a bit of my loopers
better that your looper convo's, and a bit of philosophising and
politicising...</smaller></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>I'm still interested,
facinated by this list.. but lets ahve a quick =
poll</smaller></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>Whos using what =
now?</smaller></fontfamily>


<fontfamily><param>Arial</param><smaller>I'll start... (looping
products mentioned only please)</smaller></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>Vortex=A0 split into=A0EDP and
Repeater</smaller></fontfamily>

=A0

=A0

<fontfamily><param>Arial</param><smaller>your =
turn...</smaller></fontfamily>

=A0

=A0

<fontfamily><param>Arial</param><smaller>mark =
francombe</smaller></fontfamily>

<fontfamily><param>Arial</param><smaller>marks website is at
<color><param>0000,0000,EEEE</param>www.markfrancombe.com</color> he
writes for
<color><param>0000,0000,EEEE</param>www.furthernoise.org</color> and
works at =
<color><param>0000,0000,EEEE</param>www.transformlearning.com</color></sma=
ller></fontfamily></excerpt>=

--Apple-Mail-1--43827502--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:46:43 2006
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From: "Michael Peters" <mp@mpeters.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: Quick Poll
Date: Mon, 31 Jul 2006 16:46:39 +0200
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Line6 DL-4 for jams where I play guitar ... EDP for cut-up radio, and for
similar more sophisticated stuff ... sometimes coupled with an ancient
Paradis Loopdelay, and a Vortex

-Michael
www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:50:44 2006
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Date: Mon, 31 Jul 2006 10:50:35 -0400
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Quick poll
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	<FEAA973D-AAA0-42C2-B381-59AE1C10F40A@gmail.com>
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Oh, with an occasional splicing up using cool-edit2000.

Quoting mike@michaelplishka.com:

> Boomerang
>
>
>
> ~peace~
>
> Plish
>
>
> www.michaelplishka.com
> www.myspace.com/michaelplishka


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:51:05 2006
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From: Tony Douglas <tonyisyourpal@yahoo.co.uk>
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--0-1314759649-1154357463=:61518
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Software : Augustus Loop (occasional forays into SuperLooper)
 Hardware : 32 second Lexicon JamMan
 
 - Tony

 		
---------------------------------
 All new Yahoo! Mail "The new Interface is stunning in its simplicity and ease of use." - PC Magazine
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Software : Augustus Loop (occasional forays into SuperLooper)<br> Hardware : 32 second Lexicon JamMan<br> <br> - Tony<br><p>&#32;
		<hr size=1> 
<a href="http://us.rd.yahoo.com/mail/uk/taglines/default/nowyoucan/pc_mag/*http://us.rd.yahoo.com/evt=40565/*http://uk.docs.yahoo.com/nowyoucan.html">All new Yahoo! Mail</a> "The new Interface is stunning in its simplicity and ease of use." - PC Magazine
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:53:58 2006
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References: <002301c6b47f$70213ab0$fe78a8c0@mpeserver> <03c201c6b4ac$6714f880$54b2ec0f@americas.hpqcorp.net> <garethwhittock$81.79.37.69$.004101c6b4af$9c57bcf0$5d01a8c0@acer81080ea37f>
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This is a multi-part message in MIME format.

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----- Original Message -----=20
  From: gareth whittock=20


  > Even with jazz, studios are booked for a pre-arranged time and you =
have to fit that creativity in on demand.

  With "most" modern jazz that is....you mean that, right?  There are =
still jazzers who record live in the studio. And of course in the olden =
days, this is how all of them did it...when you heard an album, it was =
an actual "record" of an event, not a paste together collage of parts. =
Several years ago I went to the Linell Hampton Jazz Festival at Mosco, =
Idaho, and Phil Elwood, who was a jazz critic for the San Fransciso =
Examiner, gave a lecture on this very topic. It was very interesting, =
and I believe he really made listeners think differently about what it =
is they are listening to when they buy a jazz CD...an actual event? A =
pasting of pre-recorded parts?  It is intriguing, and also in my opinion =
a sad commentary on the state of modern jazz, or music in general. My =
preference is to listen to music that is recorded on the spot, either =
live or in the studio.

  > Of course painter DO have to complete comissions according to a time =
scedule. "'Twas ever thus" as the bard would say. When I wrote music for =
a living I had very tight schedules but found that I always found my =
muse on time. and when we perform live we have a pre-defined slot in =
which to pull the musical rabbit out of the bag.

  Well, you admit that some painters don't have to do this, right?  You =
were generalizing, I suspect...I hope. There are artists out there who =
don't actually have to produce art for a living, and have the luxury of =
doing what they want and when they want to do it.

  Kris


    Does anyone actually go into the studio with the intent of recording =
all the songs for a looping CD? This would feel very restrictive and =
unnatural to me, like trying to force art into a bottle, or like telling =
a painter he has to go into a room and complete a great painting in 6 =
hours.


------=_NextPart_000_048C_01C6B47E.D9B00BB0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE></TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>----- Original Message ----- </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dgareth@whiteoakstudios.freeserve.co.uk=20
  href=3D"mailto:gareth@whiteoakstudios.freeserve.co.uk">gareth =
whittock</A>=20
</DIV>
  <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>&gt; Even&nbsp;with jazz, studios are =
booked for=20
  a pre-arranged time and you have to fit that&nbsp;creativity in on=20
  demand.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>With "most" modern jazz that =
is....you mean that,=20
  right? &nbsp;There are still jazzers who record live in the studio. =
And of=20
  course in the olden days, this is how all of them did it...when you =
heard an=20
  album, it was an actual "record" of an event, not a paste together =
collage of=20
  parts. Several years ago I went to the Linell Hampton Jazz Festival at =
Mosco,=20
  Idaho, and Phil Elwood, who was a jazz critic for the San Fransciso =
Examiner,=20
  gave a lecture on this very topic. It was very interesting, and I =
believe he=20
  really made listeners think differently about what it is they are =
listening to=20
  when they buy a jazz CD...an actual event? A pasting of pre-recorded=20
  parts?&nbsp; It is intriguing, and also in my opinion a sad commentary =
on the=20
  state of modern jazz, or music in general. My preference is to listen =
to music=20
  that is recorded on the spot, either live or in the =
studio.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>&gt; Of course painter DO have to =
complete=20
  comissions according to a time scedule. "'Twas ever thus" as the bard =
would=20
  say. When I wrote music for a living I had very tight schedules but =
found that=20
  I always found my muse on time. and when we perform live we have a =
pre-defined=20
  slot in which to pull the musical rabbit out of the bag.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Well, you admit that some painters =
don't have to=20
  do this, right?&nbsp; You were generalizing, I suspect...I hope. There =
are=20
  artists out there who don't actually have to produce art for a living, =
and=20
  have the luxury of doing what they want and when they want to do=20
  it.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Does anyone actually go into the =
studio with=20
    the intent of recording all the songs for a looping CD? This would =
feel very=20
    restrictive and unnatural to me, like trying to force art into a =
bottle, or=20
    like telling a painter he has to go into a room and complete a great =

    painting in 6 hours.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial=20
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 14:55:12 2006
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From: Richard Roberts <zeroohms@surfbest.net>
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a pair of Lexicon JamMans

Richard Roberts
ZERO OHMS

"We are no longer the same after hearing certain sounds, and this is  
more the case when we hear organized sounds, sounds organized by  
another human being: music."
- Karlheinz Stockhausen




From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:04:19 2006
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A pair of  Line6 DL-4 and for concerts, add a RC-20.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:07:06 2006
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Subject: LD content: quick polls
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Coming back to the recent On/Offtopic etc. LD content discussion, let me add
this suggestion:

could we do any "quick poll"s etc. using either

a) something on a website, either a provided service (I remember someone
here using www.surveymonkey.com, which has a free service) or something
using php/mysql on your own site?

b) if that is for some reason not possible: please ask the people answering
to send the results to you via matrix mail and then post a summary to LD?

	Rainer

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:11:41 2006
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Subject: Re: process Vs product
Date: Mon, 31 Jul 2006 17:11:09 +0200
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> I totally agree that while the process can be interesting ultimately it is
> irrelevant to the end result, which needs to be "good music" in and of 
> it's
> own right.

of course it is.. Im DEFINATELY releasing my recordings of improvisaions, 
cos I do nothing else!! Both my "studio" releases AND my live recordings get 
released.

>> I think Tangerine Dream worked like this. They'd record hours of jamming
> and
>> cut it into shape for an album.
>> Anyone here doing this?

 This is what I do, although I got it from Can and Faust rather than TD 
(didnt know they did that, but of course its obvious)...
I am recording improvisations, HEAVILY editing them roughly in a Wav editor 
(hacking out the crap) then I put it all back together, working out how one 
bit needs to get to another bit, crossfadeing sections for many minutes 
sometimes, or recording extra bits to fit in the gaps, or overdubing in 
ProTools some extra sounds layers etc... in the end, the result is as worked 
into and on top of as a regular studio recording of a pop song, but with a 
slightly differing result.
One year later however, when I listen back, I have forgotton that it ever 
had any work done on top, and often believe it was just one improv...

Live recordings we just put out however, as they are from a binaural 
recording 10 feet infrom of me or who ever Im playing with...

m


mark francombe
marks website is at www.markfrancombe.com he writes for www.furthernoise.org 
and works at www.transformlearning.com
----- Original Message ----- 
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 31, 2006 3:28 PM
Subject: Re: process Vs product






From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:12:48 2006
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From: "Krispen Hartung" <khartung@cableone.net>
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Subject: Re: LD content: quick polls
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I think survey monkey is correct. You could probably set up that yourself, 
Rainer. I'd love to participate in a more comprehensive survey.

Kris

----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 31, 2006 9:06 AM
Subject: LD content: quick polls


> Coming back to the recent On/Offtopic etc. LD content discussion, let me 
> add
> this suggestion:
>
> could we do any "quick poll"s etc. using either
>
> a) something on a website, either a provided service (I remember someone
> here using www.surveymonkey.com, which has a free service) or something
> using php/mysql on your own site?
>
> b) if that is for some reason not possible: please ask the people 
> answering
> to send the results to you via matrix mail and then post a summary to LD?
>
> Rainer
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:17:59 2006
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Subject: Midi looper ... anyone know one?
Date: Mon, 31 Jul 2006 17:17:53 +0200
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My Poll thread got me thinking about my own set-up and what I am still =
missing...=20

Its a midi looper. Curently I have some analogue sequencers that power =
my modular (yes Im a guitarist) and a guitar synth GR30 that has a =
pretty nifty arpeg, that I send midi from to a Korg MS2000 and an old =
Akai sampler too...

So whats this new divice gotta be???

Its gotta be called the Midiplex Digital Pro:
Its a small 1 U and cheap beast... I want it to have EXACTLY THE SAME =
WAY OF WORKING as an EDP except instead of recording audio it should =
record and loop and overdub... midi notes... I want the same insert =
caperbilities (altho I can see some problems here) and it should have =
some quantise caperbilities, to FORCE your playing onto a "grid" of your =
choosing, 16th, 32nds/ or 256ths if you are tight...

Anything like that about? Or anyone wanna make one??? Grob? Flint? =
Beuler anyone...?

mark francombe
marks website is at www.markfrancombe.com he writes for =
www.furthernoise.org and works at www.transformlearning.com
------=_NextPart_000_0171_01C6B4C5.41E56EF0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>My Poll thread got me thinking about my =
own set-up=20
and what I am still missing... </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Its a midi looper. Curently I have some =
analogue=20
sequencers that power my modular (yes Im a guitarist) and a guitar synth =
GR30=20
that has a pretty nifty arpeg, that I send midi from to a Korg MS2000 =
and an old=20
Akai sampler too...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>So whats this new divice gotta =
be???</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Its gotta be called the Midiplex =
Digital=20
Pro:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Its&nbsp;a small 1 U and cheap beast... =
I want it=20
to have EXACTLY THE SAME WAY OF WORKING as an EDP except instead of =
recording=20
audio it should record and loop and overdub...&nbsp;midi notes... I want =
the=20
same insert caperbilities (altho I can see some problems here) and it =
should=20
have some quantise caperbilities, to FORCE your playing onto a "grid" of =
your=20
choosing, 16th, 32nds/ or 256ths if you are tight...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Anything like that about? Or anyone =
wanna make=20
one??? Grob? Flint? Beuler anyone...?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>mark francombe<BR>marks website is at =
<A=20
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A> he =
writes for <A=20
href=3D"http://www.furthernoise.org">www.furthernoise.org</A> and works =
at <A=20
href=3D"http://www.transformlearning.com">www.transformlearning.com</A></=
FONT></DIV></BODY></HTML>

------=_NextPart_000_0171_01C6B4C5.41E56EF0--



From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:20:28 2006
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Four-track Yamaha cassette recorder loaded w/endless tapes

(waiting in storage; five more four-tracks and a Panasonic Dictaphone...)

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:22:23 2006
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Subject: Re: All My CDs Marked down to $5.00
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I agree.  I'd much rather own a physical CD.  It's almost as if mp3s  
cheapen music...in that it's much easier to delete a couple of files  
than it is to throw a CD in the trash.

Matt


On Jul 30, 2006, at 5:42 PM, Krispen Hartung wrote:

> I sure am. I have all of the CDs going through all of the digital  
> distribution as well.
>
> All in all, I don't really do this for the money, yet I have  
> waffled back and forth on this notion of whether I should give my  
> CDs away, sell them for standard market price, or severely  
> discounted. It is a tough call, and pretty much based on one's  
> personal values on the matter....BUT, for me, the gist is that I  
> never want to generate a situation as an artist when someone can't  
> own one of my CDs simply because they can't afford it, or because  
> they have too many other CDs on their list and mine isn't the the  
> highest priority.  I'd rather give my CDs away or mark them down to  
> CD Baby's cost, then not have folks listening to my music.  And,  
> believe it or not, I am of the generation who still enjoys owning  
> and having a physical CD. When I produce a CD, the artwork on the  
> sleeves is just as much a part of the production as the music. It  
> all fits together into a theme. I like for people to have my  
> physical CDs, not just the MP3s and digital art. If they don't they  
> are missing a significant element of the production.
>
> Kris
>

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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV>I agree.=A0 I'd much rather =
own a physical CD.=A0 It's almost as if mp3s cheapen music...in that =
it's much easier to delete a couple of files than it is to throw a CD in =
the trash.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Matt</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR><DIV><DIV>On Jul 30, 2006, =
at 5:42 PM, Krispen Hartung wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV><FONT =
face=3D"Arial" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-family: Arial; font-size: 10px; ">I sure am. I have all of =
the CDs going through all of the digital distribution as =
well.</SPAN></FONT></DIV><DIV><FONT face=3D"Arial" =
size=3D"2"></FONT>=A0</DIV><DIV><FONT face=3D"Arial" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Arial; font-size: 10px; =
">All in all, I don't really do this for the money, yet I have waffled =
back and forth on this notion of whether I should give my CDs away, sell =
them for standard market price, or severely discounted. It is a tough =
call, and pretty much based on one's personal values on the =
matter....BUT, for me, the gist is that I never want to generate a =
situation as an artist when someone can't own one of my CDs simply =
because they can't afford it, or because they have too many other CDs on =
their list and mine isn't the the highest priority.=A0 I'd rather give =
my CDs away or mark them down to CD Baby's cost, then not have folks =
listening to my music.=A0 And, believe it or not, I am of the generation =
who still enjoys owning and having a physical CD. When I produce a CD, =
the artwork on the sleeves is just as much a part of the production as =
the music. It all fits together into a theme. I like for people to have =
my physical CDs, not just the MP3s=A0and digital art. If they don't they =
are missing a significant element of the =
production.</SPAN></FONT></DIV><DIV><FONT face=3D"Arial" =
size=3D"2"></FONT>=A0</DIV><DIV><FONT face=3D"Arial" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Arial; font-size: 10px; =
">Kris</SPAN></FONT></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV></SPAN></BLOCKQUOTE></DIV></BODY><=
/HTML>=

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:24:00 2006
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Subject: Re: process Vs product
Date: Mon, 31 Jul 2006 16:23:56 +0100
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  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 31, 2006 3:53 PM
  Subject: Re: process Vs product


  ----- Original Message -----=20
    From: gareth whittock=20


    > Even with jazz, studios are booked for a pre-arranged time and you =
have to fit that creativity in on demand.

    With "most" modern jazz that is....you mean that, right?  There are =
still jazzers who record live in the studio. And of course in the olden =
days, this is how all of them did it...when you heard an album, it was =
an actual "record" of an event, not a paste together collage of parts.=20

    No. I mean even in the olden days they had to fit that creativity in =
on demand.


    > Of course painter DO have to complete comissions according to a =
time scedule. "'Twas ever thus" as the bard would say. When I wrote =
music for a living I had very tight schedules but found that I always =
found my muse on time. and when we perform live we have a pre-defined =
slot in which to pull the musical rabbit out of the bag.

    Well, you admit that some painters don't have to do this, right?  =
You were generalizing, I suspect...I hope. There are artists out there =
who don't actually have to produce art for a living, and have the luxury =
of doing what they want and when they want to do it.

    Yes. I was talking about the majority of professional painters who =
do not earn massive amounts of money per comission.

    Gareth



      Does anyone actually go into the studio with the intent of =
recording all the songs for a looping CD? This would feel very =
restrictive and unnatural to me, like trying to force art into a bottle, =
or like telling a painter he has to go into a room and complete a great =
painting in 6 hours.


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<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
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  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 31, 2006 =
3:53 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: process Vs =
product</DIV>
  <DIV><BR></DIV>
  <DIV>----- Original Message ----- </DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dgareth@whiteoakstudios.freeserve.co.uk=20
    href=3D"mailto:gareth@whiteoakstudios.freeserve.co.uk">gareth =
whittock</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>&gt; Even&nbsp;with jazz, studios =
are booked=20
    for a pre-arranged time and you have to fit that&nbsp;creativity in =
on=20
    demand.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>With "most" modern jazz that =
is....you mean=20
    that, right? &nbsp;There are still jazzers who record live in the =
studio.=20
    And of course in the olden days, this is how all of them did =
it...when you=20
    heard an album, it was an actual "record" of an event, not a paste =
together=20
    collage of parts. </FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>No. I mean even in the olden days =
they had to=20
    fit that&nbsp;creativity in on demand.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>&gt; Of course painter DO have to =
complete=20
    comissions according to a time scedule. "'Twas ever thus" as the =
bard would=20
    say. When I wrote music for a living I had very tight schedules but =
found=20
    that I always found my muse on time. and when we perform live we =
have a=20
    pre-defined slot in which to pull the musical rabbit out of the=20
    bag.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Well, you admit that some painters =
don't have=20
    to do this, right?&nbsp; You were generalizing, I suspect...I hope. =
There=20
    are artists out there who don't actually have to produce art for a =
living,=20
    and have the luxury of doing what they want and when they want to do =

    it.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Yes. I was talking about the =
majority of=20
    professional painters who do not earn massive amounts of money per=20
    comission.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Gareth</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>Does anyone actually go into the =
studio with=20
      the intent of recording all the songs for a looping CD? This would =
feel=20
      very restrictive and unnatural to me, like trying to force art =
into a=20
      bottle, or like telling a painter he has to go into a room and =
complete a=20
      great painting in 6 hours.</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial=20
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY=
></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:26:44 2006
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To: Loopers-Delight@loopers-delight.com
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Subject: Re: Kris's point about the Quick poll
Date: Mon, 31 Jul 2006 09:26:40 -0600
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Okay, I'll jump on the band wagon until an officical survey comes =
out....

Guitar  ->  Laptop (with Indigo IO cardbus sound card)  ->  Xlutop =
Chainer VST Host   ->  Tons of VST effects, Reaktor 5, and Mobius, all =
running as VSTs  -> Out of Indigo to PA

Ahhh....so simple. I won't even mention my rack (two VF1's, Fireworx =
,and Looperlative) sitting here which I hope will be sold in a few weeks =
=20

Kris

  ----- Original=20
      ----- Original Message -----=20
      From: markfrancombe.com=20
      To: loopers-Delight@loopers-delight.com=20
      Sent: Monday, July 31, 2006 5:39 AM
      Subject: Quick poll


      Due to the phenomenal jump in available loopers, this list has =
widened it breath of topics to discuss loads of different subjects =
recently, so much so that I havent HEARD of some of you lots =
technology... It used to be that this list was predominately an EDP =
list, with a bit of my loopers better that your looper convo's, and a =
bit of philosophising and politicising...

      I'm still interested, facinated by this list.. but lets ahve a =
quick poll

      Whos using what now?

      I'll start... (looping products mentioned only please)

      Vortex  split into EDP and Repeater


      your turn...


      mark francombe
      marks website is at www.markfrancombe.com he writes for =
www.furthernoise.org and works at www.transformlearning.com
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Okay, I'll jump on the band wagon until =
an=20
officical survey comes out....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Guitar&nbsp; -&gt; &nbsp;Laptop (with =
Indigo IO=20
cardbus sound card)&nbsp; -&gt;&nbsp; Xlutop Chainer VST =
Host&nbsp;&nbsp;=20
-&gt;&nbsp; Tons of VST effects, Reaktor 5, and Mobius, all running as=20
VSTs&nbsp; -&gt; Out of Indigo to PA</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ahhh....so simple. I won't even mention =
my rack=20
(two VF1's, Fireworx ,and Looperlative)&nbsp;sitting here which I hope =
will be=20
sold in a few weeks&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original <FONT face=3DArial=20
  size=3D2></FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Dmark@markfrancombe.com=20
      href=3D"mailto:mark@markfrancombe.com">markfrancombe.com</A> =
</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3Dloopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:loopers-Delight@loopers-delight.com">loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 31, 2006 =
5:39=20
      AM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Quick poll</DIV>
      <DIV><BR></DIV>
      <DIV><FONT face=3DArial size=3D2>Due to the phenomenal jump in =
available=20
      loopers, this list has widened it breath of topics to discuss =
loads of=20
      different subjects recently, so much so that I havent HEARD of =
some of you=20
      lots technology... It used to be that this list was predominately =
an EDP=20
      list, with a bit of my loopers better that your looper convo's, =
and a bit=20
      of philosophising and politicising...</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>I'm still interested, facinated =
by this=20
      list.. but lets ahve a quick poll</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>Whos using what now?<BR><BR>I'll =
start...=20
      (looping products mentioned only please)</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>Vortex&nbsp; split into&nbsp;EDP =
and=20
      Repeater</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>your turn...</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>mark francombe<BR>marks website =
is at <A=20
      href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A> he =
writes=20
      for <A =
href=3D"http://www.furthernoise.org">www.furthernoise.org</A> and=20
      works at <A=20
      =
href=3D"http://www.transformlearning.com">www.transformlearning.com</A></=
FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:29:47 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Midi looper ... anyone know one?
Date: Mon, 31 Jul 2006 17:29:43 +0200
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On 31 jul 2006, at 17.17, markfrancombe.com wrote:

> Its gotta be called the Midiplex Digital Pro:
> Its a small 1 U and cheap beast... I want it to have EXACTLY THE  
> SAME WAY OF WORKING as an EDP except instead of recording audio it  
> should record and loop and overdub... midi notes... I want the same  
> insert caperbilities (altho I can see some problems here) and it  
> should have some quantise caperbilities, to FORCE your playing onto  
> a "grid" of your choosing, 16th, 32nds/ or 256ths if you are tight...
>
> Anything like that about? Or anyone wanna make one??? Grob? Flint?  
> Beuler anyone...?


Some MIDI sequencing applications can already do some of that stuff -  
Max, Logic, Live. You just have to write a proper environment for it  
and set up MIDI bindings for your preferred control devices. I guess  
Max would be the only tool that will let you make an exact MIDI  
replication of the EDP's audio looping functionality.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:33:18 2006
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Subject: Re: All My CDs Marked down to $5.00
Date: Mon, 31 Jul 2006 09:33:14 -0600
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Yeah, this whole thing just makes me really sad. Remember the vinal =
days? Wow, there was some amazing artwork on albums from the 60's and =
70's.  CD sleaves are smaller, of course, but at least you can fold them =
out.  I feel that you are right....MP3s are a dime a dozen now (not =
literaly). People go to websites, browse through them, and mass =
download. Heck, you don't even need to know who the artist is anymore to =
do this.

Kris

  ----- Original Message -----=20
  From: Matthew F. McCabe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, August 02, 2006 9:22 AM
  Subject: Re: All My CDs Marked down to $5.00


  I agree.  I'd much rather own a physical CD.  It's almost as if mp3s =
cheapen music...in that it's much easier to delete a couple of files =
than it is to throw a CD in the trash.


  Matt




  On Jul 30, 2006, at 5:42 PM, Krispen Hartung wrote:


    I sure am. I have all of the CDs going through all of the digital =
distribution as well.

    All in all, I don't really do this for the money, yet I have waffled =
back and forth on this notion of whether I should give my CDs away, sell =
them for standard market price, or severely discounted. It is a tough =
call, and pretty much based on one's personal values on the =
matter....BUT, for me, the gist is that I never want to generate a =
situation as an artist when someone can't own one of my CDs simply =
because they can't afford it, or because they have too many other CDs on =
their list and mine isn't the the highest priority.  I'd rather give my =
CDs away or mark them down to CD Baby's cost, then not have folks =
listening to my music.  And, believe it or not, I am of the generation =
who still enjoys owning and having a physical CD. When I produce a CD, =
the artwork on the sleeves is just as much a part of the production as =
the music. It all fits together into a theme. I like for people to have =
my physical CDs, not just the MP3s and digital art. If they don't they =
are missing a significant element of the production.

    Kris


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khtml-line-break: after-white-space"=20
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<DIV><FONT face=3DArial size=3D2>Yeah, this whole thing just makes me =
really sad.=20
Remember the vinal days? Wow, there was some amazing artwork on albums =
from the=20
60's and 70's.&nbsp; CD sleaves are smaller, of course, but at least you =
can=20
fold them out.&nbsp; I feel that you are right....MP3s are a dime a =
dozen now=20
(not literaly). People go to websites, browse through them, and mass =
download.=20
Heck, you don't even need to know who the artist is anymore to do=20
this.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmmccabe@finleysound.com =
href=3D"mailto:mmccabe@finleysound.com">Matthew=20
  F. McCabe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, August 02, =
2006 9:22=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: All My CDs Marked =
down to=20
  $5.00</DIV>
  <DIV><BR></DIV>
  <DIV>I agree.&nbsp; I'd much rather own a physical CD.&nbsp; It's =
almost as if=20
  mp3s cheapen music...in that it's much easier to delete a couple of =
files than=20
  it is to throw a CD in the trash.</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>Matt</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV><BR>
  <DIV>
  <DIV>On Jul 30, 2006, at 5:42 PM, Krispen Hartung wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
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0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2">
    <DIV><FONT face=3DArial size=3D2><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 10px; FONT-FAMILY: Arial">I sure am. I have all =
of the CDs=20
    going through all of the digital distribution as =
well.</SPAN></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 10px; FONT-FAMILY: Arial">All in all, I don't =
really do=20
    this for the money, yet I have waffled back and forth on this notion =
of=20
    whether I should give my CDs away, sell them for standard market =
price, or=20
    severely discounted. It is a tough call, and pretty much based on =
one's=20
    personal values on the matter....BUT, for me, the gist is that I =
never want=20
    to generate a situation as an artist when someone can't own one of =
my CDs=20
    simply because they can't afford it, or because they have too many =
other CDs=20
    on their list and mine isn't the the highest priority.&nbsp; I'd =
rather give=20
    my CDs away or mark them down to CD Baby's cost, then not have folks =

    listening to my music.&nbsp; And, believe it or not, I am of the =
generation=20
    who still enjoys owning and having a physical CD. When I produce a =
CD, the=20
    artwork on the sleeves is just as much a part of the production as =
the=20
    music. It all fits together into a theme. I like for people to have =
my=20
    physical CDs, not just the MP3s&nbsp;and digital art. If they don't =
they are=20
    missing a significant element of the production.</SPAN></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 10px; FONT-FAMILY: =
Arial">Kris</SPAN></FONT></DIV>
    <DIV><BR=20
class=3Dkhtml-block-placeholder></DIV></SPAN></BLOCKQUOTE></DIV></BLOCKQU=
OTE></BODY></HTML>

------=_NextPart_000_04F4_01C6B484.5891F100--


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:39:34 2006
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>>>>>>>MP3s are a dime a dozen now (not literaly). People go to websites,
browse through them, and mass download. Heck, you don't even need to know
who the artist is anymore to do this.


And this is the best thing to happen to music ever, IMO. I can consume/make
myself aware of so much more music than ever possible before. It also
allows music like looping to be widely distributed & easily available to
anyone who can type the word 'Looper' into a search engine.

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:43:08 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: All My CDs Marked down to $5.00 (OT)
References: <031d01c6b40b$38db64a0$54b2ec0f@americas.hpqcorp.net> <8B0ED32C-6D34-4F01-BF0B-EF08B8E41CDB@finleysound.com> <035f01c6b43a$2c2a7280$54b2ec0f@americas.hpqcorp.net> <69B9F9D4-8EAD-41FE-9EE7-009F5EE4461C@finleysound.com>
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On the flip side, having music available digitally creates a whole new 
world of possibilities.  A few years ago, I had a gigantic CD binder 
containing almost my entire music collection stolen out of my car.  
Thousands of dollars in recorded music--much of it irreplaceable--gone.  
Now I just carry around my entire music collection in one small iPod in 
my pocket because it's small enough that I don't have to leave it in the 
car.  It still plays in my car as well as at my house, at my desk at 
work, and in my headphones when I'm out and about.  And should it get 
stolen or broken, all my music also lives on my PC, which is in turn 
backed up periodically, and can be restored.

Of course, I still love to purchase physical CDs.  Now, though, I just 
rip them into iTunes and store the CDs in a closet.  Quite often, 
however, I do purchase digital albums.  They're generally slightly 
cheaper, and the Internet provides almost instant gratification and the 
cost of gasoline required to drive to the music store.

As an artist, having a CD available as a download makes your music 
available to the entire world (or as much of it as you can market to) 
without having to work a major distribution deal.  My next album will 
definitely be available both ways.

--Josh



Matthew F. McCabe wrote:
> I agree.  I'd much rather own a physical CD.  It's almost as if mp3s 
> cheapen music...in that it's much easier to delete a couple of files 
> than it is to throw a CD in the trash.
>
> Matt
>
>
> On Jul 30, 2006, at 5:42 PM, Krispen Hartung wrote:
>
>> I sure am. I have all of the CDs going through all of the digital 
>> distribution as well.
>>  
>> All in all, I don't really do this for the money, yet I have waffled 
>> back and forth on this notion of whether I should give my CDs away, 
>> sell them for standard market price, or severely discounted. It is a 
>> tough call, and pretty much based on one's personal values on the 
>> matter....BUT, for me, the gist is that I never want to generate a 
>> situation as an artist when someone can't own one of my CDs simply 
>> because they can't afford it, or because they have too many other CDs 
>> on their list and mine isn't the the highest priority.  I'd rather 
>> give my CDs away or mark them down to CD Baby's cost, then not have 
>> folks listening to my music.  And, believe it or not, I am of the 
>> generation who still enjoys owning and having a physical CD. When I 
>> produce a CD, the artwork on the sleeves is just as much a part of 
>> the production as the music. It all fits together into a theme. I 
>> like for people to have my physical CDs, not just the MP3s and 
>> digital art. If they don't they are missing a significant element of 
>> the production.
>>  
>> Kris
>>

--------------070409000907050802010600
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<body bgcolor="#ffffff" text="#000000">
On the flip side, having music available digitally creates a whole new
world of possibilities.&nbsp; A few years ago, I had a gigantic CD binder
containing almost my entire music collection stolen out of my car.&nbsp;
Thousands of dollars in recorded music--much of it
irreplaceable--gone.&nbsp; Now I just carry around my entire music
collection in one small iPod in my pocket because it's small enough
that I don't have to leave it in the car.&nbsp; It still plays in my car as
well as at my house, at my desk at work, and in my headphones when I'm
out and about.&nbsp; And should it get stolen or broken, all my music also
lives on my PC, which is in turn backed up periodically, and can be
restored.<br>
<br>
Of course, I still love to purchase physical CDs.&nbsp; Now, though, I just
rip them into iTunes and store the CDs in a closet.&nbsp; Quite often,
however, I do purchase digital albums.&nbsp; They're generally slightly
cheaper, and the Internet provides almost instant gratification and the
cost of gasoline required to drive to the music store.<br>
<br>
As an artist, having a CD available as a download makes your music
available to the entire world (or as much of it as you can market to)
without having to work a major distribution deal.&nbsp; My next album will
definitely be available both ways.<br>
<br>
--Josh<br>
<br>
<br>
<br>
Matthew F. McCabe wrote:
<blockquote
 cite="mid69B9F9D4-8EAD-41FE-9EE7-009F5EE4461C@finleysound.com"
 type="cite">
  <div>I agree.&nbsp; I'd much rather own a physical CD.&nbsp; It's almost as if
mp3s cheapen music...in that it's much easier to delete a couple of
files than it is to throw a CD in the trash.</div>
  <div><br class="khtml-block-placeholder">
  </div>
  <div>Matt</div>
  <div><br class="khtml-block-placeholder">
  </div>
  <br>
  <div>
  <div>On Jul 30, 2006, at 5:42 PM, Krispen Hartung wrote:</div>
  <br class="Apple-interchange-newline">
  <blockquote type="cite"><span class="Apple-style-span"
 style="border-collapse: separate; border-spacing: 0px; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; text-indent: 0px; text-transform: none; orphans: 2; white-space: normal; widows: 2; word-spacing: 0px;">
    <div><font face="Arial" size="2"><span class="Apple-style-span"
 style="font-family: Arial; font-size: 10px;">I sure am. I have all of
the CDs going through all of the digital distribution as well.</span></font></div>
    <div>&nbsp;</div>
    <div><font face="Arial" size="2"><span class="Apple-style-span"
 style="font-family: Arial; font-size: 10px;">All in all, I don't
really do this for the money, yet I have waffled back and forth on this
notion of whether I should give my CDs away, sell them for standard
market price, or severely discounted. It is a tough call, and pretty
much based on one's personal values on the matter....BUT, for me, the
gist is that I never want to generate a situation as an artist when
someone can't own one of my CDs simply because they can't afford it, or
because they have too many other CDs on their list and mine isn't the
the highest priority.&nbsp; I'd rather give my CDs away or mark them down to
CD Baby's cost, then not have folks listening to my music.&nbsp; And,
believe it or not, I am of the generation who still enjoys owning and
having a physical CD. When I produce a CD, the artwork on the sleeves
is just as much a part of the production as the music. It all fits
together into a theme. I like for people to have my physical CDs, not
just the MP3s&nbsp;and digital art. If they don't they are missing a
significant element of the production.</span></font></div>
    <div>&nbsp;</div>
    <div><font face="Arial" size="2"><span class="Apple-style-span"
 style="font-family: Arial; font-size: 10px;">Kris</span></font></div>
    <div><br class="khtml-block-placeholder">
    </div>
    </span></blockquote>
  </div>
</blockquote>
</body>
</html>

--------------070409000907050802010600--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:50:49 2006
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Subject: Re: All My CDs Marked down to $5.00 (OT)
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Oh yeah, I forgot to mention that album art, lyrics, etc. can be 
included in the download, and the digital medium opens up additional 
possibilities for video (to help more performance-based musicians 
distribute the experience), animation, web links, interactive 
applications, etc.  A creative artist could create more of a connection 
with his/her listeners than was ever possible before.

--Josh


Joshua Carroll wrote:
> On the flip side, having music available digitally creates a whole new 
> world of possibilities.  A few years ago, I had a gigantic CD binder 
> containing almost my entire music collection stolen out of my car.  
> Thousands of dollars in recorded music--much of it 
> irreplaceable--gone.  Now I just carry around my entire music 
> collection in one small iPod in my pocket because it's small enough 
> that I don't have to leave it in the car.  It still plays in my car as 
> well as at my house, at my desk at work, and in my headphones when I'm 
> out and about.  And should it get stolen or broken, all my music also 
> lives on my PC, which is in turn backed up periodically, and can be 
> restored.
>
> Of course, I still love to purchase physical CDs.  Now, though, I just 
> rip them into iTunes and store the CDs in a closet.  Quite often, 
> however, I do purchase digital albums.  They're generally slightly 
> cheaper, and the Internet provides almost instant gratification and 
> the cost of gasoline required to drive to the music store.
>
> As an artist, having a CD available as a download makes your music 
> available to the entire world (or as much of it as you can market to) 
> without having to work a major distribution deal.  My next album will 
> definitely be available both ways.
>
> --Josh
>
>
>
> Matthew F. McCabe wrote:
>> I agree.  I'd much rather own a physical CD.  It's almost as if mp3s 
>> cheapen music...in that it's much easier to delete a couple of files 
>> than it is to throw a CD in the trash.
>>
>> Matt
>>
>>
>> On Jul 30, 2006, at 5:42 PM, Krispen Hartung wrote:
>>
>>> I sure am. I have all of the CDs going through all of the digital 
>>> distribution as well.
>>>  
>>> All in all, I don't really do this for the money, yet I have waffled 
>>> back and forth on this notion of whether I should give my CDs away, 
>>> sell them for standard market price, or severely discounted. It is a 
>>> tough call, and pretty much based on one's personal values on the 
>>> matter....BUT, for me, the gist is that I never want to generate a 
>>> situation as an artist when someone can't own one of my CDs simply 
>>> because they can't afford it, or because they have too many other 
>>> CDs on their list and mine isn't the the highest priority.  I'd 
>>> rather give my CDs away or mark them down to CD Baby's cost, then 
>>> not have folks listening to my music.  And, believe it or not, I am 
>>> of the generation who still enjoys owning and having a physical CD. 
>>> When I produce a CD, the artwork on the sleeves is just as much a 
>>> part of the production as the music. It all fits together into a 
>>> theme. I like for people to have my physical CDs, not just the 
>>> MP3s and digital art. If they don't they are missing a significant 
>>> element of the production.
>>>  
>>> Kris
>>>

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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
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<body bgcolor="#ffffff" text="#000000">
Oh yeah, I forgot to mention that album art, lyrics, etc. can be
included in the download, and the digital medium opens up additional
possibilities for video (to help more performance-based musicians
distribute the experience), animation, web links, interactive
applications, etc.&nbsp; A creative artist could create more of a connection
with his/her listeners than was ever possible before.<br>
<br>
--Josh<br>
<br>
<br>
Joshua Carroll wrote:
<blockquote cite="mid44CE2504.1040802@infinivert.com" type="cite">
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
On the flip side, having music available digitally creates a whole new
world of possibilities.&nbsp; A few years ago, I had a gigantic CD binder
containing almost my entire music collection stolen out of my car.&nbsp;
Thousands of dollars in recorded music--much of it
irreplaceable--gone.&nbsp; Now I just carry around my entire music
collection in one small iPod in my pocket because it's small enough
that I don't have to leave it in the car.&nbsp; It still plays in my car as
well as at my house, at my desk at work, and in my headphones when I'm
out and about.&nbsp; And should it get stolen or broken, all my music also
lives on my PC, which is in turn backed up periodically, and can be
restored.<br>
  <br>
Of course, I still love to purchase physical CDs.&nbsp; Now, though, I just
rip them into iTunes and store the CDs in a closet.&nbsp; Quite often,
however, I do purchase digital albums.&nbsp; They're generally slightly
cheaper, and the Internet provides almost instant gratification and the
cost of gasoline required to drive to the music store.<br>
  <br>
As an artist, having a CD available as a download makes your music
available to the entire world (or as much of it as you can market to)
without having to work a major distribution deal.&nbsp; My next album will
definitely be available both ways.<br>
  <br>
--Josh<br>
  <br>
  <br>
  <br>
Matthew F. McCabe wrote:
  <blockquote
 cite="mid69B9F9D4-8EAD-41FE-9EE7-009F5EE4461C@finleysound.com"
 type="cite">
    <div>I agree.&nbsp; I'd much rather own a physical CD.&nbsp; It's almost as
if
mp3s cheapen music...in that it's much easier to delete a couple of
files than it is to throw a CD in the trash.</div>
    <div><br class="khtml-block-placeholder">
    </div>
    <div>Matt</div>
    <div><br class="khtml-block-placeholder">
    </div>
    <br>
    <div>
    <div>On Jul 30, 2006, at 5:42 PM, Krispen Hartung wrote:</div>
    <br class="Apple-interchange-newline">
    <blockquote type="cite"><span class="Apple-style-span"
 style="border-collapse: separate; border-spacing: 0px; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; text-indent: 0px; text-transform: none; orphans: 2; white-space: normal; widows: 2; word-spacing: 0px;">
      <div><font face="Arial" size="2"><span class="Apple-style-span"
 style="font-family: Arial; font-size: 10px;">I sure am. I have all of
the CDs going through all of the digital distribution as well.</span></font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2"><span class="Apple-style-span"
 style="font-family: Arial; font-size: 10px;">All in all, I don't
really do this for the money, yet I have waffled back and forth on this
notion of whether I should give my CDs away, sell them for standard
market price, or severely discounted. It is a tough call, and pretty
much based on one's personal values on the matter....BUT, for me, the
gist is that I never want to generate a situation as an artist when
someone can't own one of my CDs simply because they can't afford it, or
because they have too many other CDs on their list and mine isn't the
the highest priority.&nbsp; I'd rather give my CDs away or mark them down to
CD Baby's cost, then not have folks listening to my music.&nbsp; And,
believe it or not, I am of the generation who still enjoys owning and
having a physical CD. When I produce a CD, the artwork on the sleeves
is just as much a part of the production as the music. It all fits
together into a theme. I like for people to have my physical CDs, not
just the MP3s&nbsp;and digital art. If they don't they are missing a
significant element of the production.</span></font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2"><span class="Apple-style-span"
 style="font-family: Arial; font-size: 10px;">Kris</span></font></div>
      <div><br class="khtml-block-placeholder">
      </div>
      </span></blockquote>
    </div>
  </blockquote>
</blockquote>
</body>
</html>

--------------020504050700030401010100--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:51:45 2006
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Subject: Re: Midi looper ... anyone know one?
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MIDI looping can't be exactly like audio looping, because looping midi is about
looping events, which trigger a synth, and if you repeat a note in your loop,
it causes the synth to replay the note, which stops the current playing of the
note.. unlike audio looping, which would lay the new note on top of the current
playing note... I bring this up because I have a MIDI looper project of my own,
which has caused me to have had to consider this problem... now, there could be
some creative solutions, but each of those brings in it's own set of issues..
one solution could be spreading iterations of the loop across different midi
channels.. but, even after solving the 'same note' issue, you will also have to
consider the polyphony issue, ie. how many notes can the synth play at a
time... anyways, not to say midi looping isn't viable, but I don't think it
will ever be the same a audio looping.. and in that regard, there are some
great things you can do with midi looping that you can't do with audio.. which
is the motivation for my project.. :)

peace
-cpr

Quoting Per Boysen <perboysen@gmail.com>:

> On 31 jul 2006, at 17.17, markfrancombe.com wrote:
> 
> > Its gotta be called the Midiplex Digital Pro:
> > Its a small 1 U and cheap beast... I want it to have EXACTLY THE  
> > SAME WAY OF WORKING as an EDP except instead of recording audio it  
> > should record and loop and overdub... midi notes... I want the same  
> > insert caperbilities (altho I can see some problems here) and it  
> > should have some quantise caperbilities, to FORCE your playing onto  
> > a "grid" of your choosing, 16th, 32nds/ or 256ths if you are tight...
> >
> > Anything like that about? Or anyone wanna make one??? Grob? Flint?  
> > Beuler anyone...?
> 
> 
> Some MIDI sequencing applications can already do some of that stuff -  
> Max, Logic, Live. You just have to write a proper environment for it  
> and set up MIDI bindings for your preferred control devices. I guess  
> Max would be the only tool that will let you make an exact MIDI  
> replication of the EDP's audio looping functionality.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 




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http://nosuch.com/tjt/hoops/


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:58:57 2006
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>> With "most" modern jazz that is....you mean that, right?  There are still 
>> jazzers who record live in the studio. And of course in the olden days, 
>> this is how all of them did it...when you heard an album, it was an 
>> actual "record" of an event, not a paste together collage of parts.

> No. I mean even in the olden days they had to fit that creativity in on 
> demand.

I'll buy that....this just got me thinking....whether you are going into the 
studio to record a live album, or going to a gig with 1 day in adavance, it 
all seems like creativity on demand.  In fact, going to a gig as a free 
improviser seems just as demanding and on demand as going into the studio. 
In either case, I demand the same standard of quality for my playing. In 
that light, playing live and producing a quality of work that is tantamount 
to that of the studio seems to raise the bar even more.  You don't get to 
stop and start over again.  This is why I admire live recordings so 
much....you get to hear the raw talent of the artist(s).  All the craft in 
the studio with cutting and pasting, aligning vocal tracks to they start at 
the same time, end at the same time, pitch correction, punching in and 
out....it is all amusing to me, but doesn't impress me from an artistic 
standpoint. That seems like more of a craft to me.

Kris


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 15:59:39 2006
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From: Daryl Shawn <highhorse@mhorse.com>
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Subject: [OT] Big tape loop/Jibbolii fest
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This is a multi-part message in MIME format.
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I stumbled onto this page while doing a search for tape loops, and found 
these cool pictures...a whole bunch of people doing things to a massive, 
room-spanning physical 1/4" loop, at a festival at a place called 
*Fylkingen*, in Sweden in 2003.

http://home.swipnet.se/sonoloco12/fylkingenevents/loop.html

What I found also interesting was this set of pictures from a festival 
called Jibbolii, at the same place...lots of new music performance. A 
few known names among them (KK Null, DJ Female Trouble, Mats 
Gustafsson)...I found it heartwarming, all these obviously enthusiastic 
people doing some crazy stuff. And definitely some great examples of 
people bringing a very visual element to performance.

http://home.swipnet.se/sonoloco15/jibbolii/dag1/dag1a.html

Daryl Shawn
www.swanwelder.com

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<body bgcolor="#ffffff" text="#000000">
I stumbled onto this page while doing a search for tape loops, and
found these cool pictures...a whole bunch of people doing things to a
massive, room-spanning physical 1/4" loop, at a festival at a place
called <font face="Times New Roman,Georgia,Times"><font
 face="Times New Roman,Arial,Courier New,Verdana"><b>Fylkingen</b>, </font></font>in
Sweden in 2003.<br>
<br>
<a class="moz-txt-link-freetext" href="http://home.swipnet.se/sonoloco12/fylkingenevents/loop.html">http://home.swipnet.se/sonoloco12/fylkingenevents/loop.html</a><br>
<br>
What I found also interesting was this set of pictures from a festival
called Jibbolii, at the same place...lots of new music performance. A
few known names among them (KK Null, DJ Female Trouble, Mats
Gustafsson)...I found it heartwarming, all these obviously enthusiastic
people doing some crazy stuff. And definitely some great examples of
people bringing a very visual element to performance.<br>
<font face="Times New Roman,Georgia,Times"><font
 face="Times New Roman,Arial,Courier New,Verdana"></font></font><br>
<a class="moz-txt-link-freetext" href="http://home.swipnet.se/sonoloco15/jibbolii/dag1/dag1a.html">http://home.swipnet.se/sonoloco15/jibbolii/dag1/dag1a.html</a><br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
</body>
</html>

--------------000404060304040306030705--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 16:02:32 2006
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Subject: Re: All My CDs Marked down to $5.00
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Well, unfortunately, that is true. I think we have a double-edged sword 
here, depending on whose shoes you are standing in.  I am compelled to agree 
that I like being able to browse music and pick only what I want. Though I 
realize that this sort of commoditize music and dehumanizes the career of a 
musician, when at one point in the time the "watering hole" or meeting place 
of music enthusiasts was down at the local record store, not iTunes. Where 
are we heading anyway? Is human contact even important anymore?

There are pros and cons to almost everything.

Kris

----- Original Message ----- 
From: <Matthew.Quinn@sunlife.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 31, 2006 9:37 AM
Subject: Re: All My CDs Marked down to $5.00


>>>>>>>>MP3s are a dime a dozen now (not literaly). People go to websites,
> browse through them, and mass download. Heck, you don't even need to know
> who the artist is anymore to do this.
>
>
> And this is the best thing to happen to music ever, IMO. I can 
> consume/make
> myself aware of so much more music than ever possible before. It also
> allows music like looping to be widely distributed & easily available to
> anyone who can type the word 'Looper' into a search engine.
>
> ---------------------------------------------------------------------------
> This e-mail message (including attachments, if any) is intended for the 
> use
> of the individual or entity to which it is addressed and may contain
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> please notify the sender and erase this e-mail message immediately.
> ---------------------------------------------------------------------------
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 16:22:04 2006
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Date: Mon, 31 Jul 2006 12:17:06 -0400
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Subject: Re: Midi looper ... anyone know one?
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Oberheim used to have just such a device.... a MIDI delay... (er or 
was it alesis??)

>My Poll thread got me thinking about my own set-up and what I am 
>still missing...
>
>Its a midi looper. Curently I have some analogue sequencers that 
>power my modular (yes Im a guitarist) and a guitar synth GR30 that 
>has a pretty nifty arpeg, that I send midi from to a Korg MS2000 and 
>an old Akai sampler too...
>
>So whats this new divice gotta be???
>
>Its gotta be called the Midiplex Digital Pro:
>Its a small 1 U and cheap beast... I want it to have EXACTLY THE 
>SAME WAY OF WORKING as an EDP except instead of recording audio it 
>should record and loop and overdub... midi notes... I want the same 
>insert caperbilities (altho I can see some problems here) and it 
>should have some quantise caperbilities, to FORCE your playing onto 
>a "grid" of your choosing, 16th, 32nds/ or 256ths if you are tight...
>
>Anything like that about? Or anyone wanna make one??? Grob? Flint? 
>Beuler anyone...?
>
>mark francombe
>marks website is at 
><http://www.markfrancombe.com>www.markfrancombe.com he writes for 
><http://www.furthernoise.org>www.furthernoise.org and works at 
><http://www.transformlearning.com>www.transformlearning.com


-- 
...
http://www.zmix.net
--============_-1057759573==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Midi looper ... anyone know
one?</title></head><body>
<div><br></div>
<div>Oberheim used to have just such a device.... a MIDI delay... (er
or was it alesis??)</div>
<div><br></div>
<blockquote type="cite" cite><font size="-1">My Poll thread got me
thinking about my own set-up and what I am still
missing...</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font size="-1">Its a midi looper.
Curently I have some analogue sequencers that power my modular (yes Im
a guitarist) and a guitar synth GR30 that has a pretty nifty arpeg,
that I send midi from to a Korg MS2000 and an old Akai sampler
too...</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font size="-1">So whats this new divice
gotta be???</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font size="-1">Its gotta be called the
Midiplex Digital Pro:</font></blockquote>
<blockquote type="cite" cite><font size="-1">Its&nbsp;a small 1 U and
cheap beast... I want it to have EXACTLY THE SAME WAY OF WORKING as an
EDP except instead of recording audio it should record and loop and
overdub...&nbsp;midi notes... I want the same insert caperbilities
(altho I can see some problems here) and it should have some quantise
caperbilities, to FORCE your playing onto a &quot;grid&quot; of your
choosing, 16th, 32nds/ or 256ths if you are
tight...</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font size="-1">Anything like that about?
Or anyone wanna make one??? Grob? Flint? Beuler
anyone...?</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font size="-1">mark francombe<br>
marks website is at</font> <a
href="http://www.markfrancombe.com"><font
size="-1">www.markfrancombe.com</font></a><font size="-1"> he writes
for</font> <a href="http://www.furthernoise.org"><font
size="-1">www.furthernoise.org</font></a><font size="-1"> and works
at</font> <a href="http://www.transformlearning.com"><font
size="-1">www.transformlearning.com</font></a></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1057759573==_ma============--

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Repeater & Live


dm 

www.music.download.com/danmontgomery
www.myspace.com/precentor
============

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<DIV><SPAN class=3D203144616-31072006><FONT face=3D"Comic Sans MS"=20
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<DIV><SPAN class=3D203144616-31072006><FONT face=3D"Comic Sans MS"=20
color=3D#0000ff><FONT face=3D"Comic Sans MS" color=3D#0000ff =
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<DIV><FONT size=3D3></FONT><FONT size=3D3></FONT><BR>dm </DIV>
<DIV><FONT size=3D3></FONT><FONT size=3D3></FONT></FONT><FONT =
color=3D#0000ff><BR><A=20
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Subject: Re: Quick poll
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RC-20 into a DD-20

 -------------- Original message ----------------------
From: "markfrancombe.com" <mark@markfrancombe.com>
> Due to the phenomenal jump in available loopers, this list has widened it breath 
> of topics to discuss loads of different subjects recently, so much so that I 
> havent HEARD of some of you lots technology... It used to be that this list was 
> predominately an EDP list, with a bit of my loopers better that your looper 
> convo's, and a bit of philosophising and politicising...
> 
> I'm still interested, facinated by this list.. but lets ahve a quick poll
> 
> Whos using what now?
> 
> I'll start... (looping products mentioned only please)
> 
> Vortex  split into EDP and Repeater
> 
> 
> your turn...
> 
> 
> mark francombe
> marks website is at www.markfrancombe.com he writes for www.furthernoise.org and 
> works at www.transformlearning.com




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From:    "markfrancombe.com" <mark@markfrancombe.com>
To:    <loopers-Delight@loopers-delight.com>
Subject:    Quick poll
Date:    Mon, 31 Jul 2006 11:39:43 +0000
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Due to the phenomenal jump in available =
loopers,=20
this list has widened it breath of topics to discuss loads of different =
subjects=20
recently, so much so that I havent HEARD of some of you lots =
technology... It=20
used to be that this list was predominately an EDP list, with a bit of =
my=20
loopers better that your looper convo's, and a bit of philosophising and =

politicising...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'm still interested, facinated by this =
list.. but=20
lets ahve a quick poll</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Whos using what now?<BR><BR>I'll =
start... (looping=20
products mentioned only please)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Vortex&nbsp; split into&nbsp;EDP and=20
Repeater</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>your turn...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>mark francombe<BR>marks website is at =
<A=20
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A> he =
writes for <A=20
href=3D"http://www.furthernoise.org">www.furthernoise.org</A> and works =
at <A=20
href=3D"http://www.transformlearning.com">www.transformlearning.com</A></=
FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 17:02:40 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: process Vs product
Date: Mon, 31 Jul 2006 19:02:35 +0200
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On 31 jul 2006, at 17.58, Krispen Hartung wrote:

> All the craft in the studio with cutting and pasting, aligning  
> vocal tracks to they start at the same time, end at the same time,  
> pitch correction, punching in and out....it is all amusing to me,  
> but doesn't impress me from an artistic standpoint. That seems like  
> more of a craft to me.

I doubt any audio/music refinement studio technique are used for  
impressing listeners ;-), but I must say I enjoy the resulting music  
as much as I enjoy the "hands-on jazz player" craft. I regard modern  
studio music production as an art form in its own right (to me it  
kind of equals "tweaking effect boxes"). I like to produce with those  
tools myself, but I wouldn't confuse it with the improvisational  
performance of music. In my book these two crafts are complementary  
and although they bleed over a bit both methods will let the musician  
(yes, I regard the studio as an instrument as well) do tricks that  
would not be possible with the other context.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 17:05:37 2006
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To: <Loopers-Delight@loopers-delight.com>
References: <44CE28E1.300@mhorse.com>
Subject: Re: [OT] Big tape loop/Jibbolii fest-  OT - I'm not sure
Date: Mon, 31 Jul 2006 18:05:31 +0100
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Hehe. Some CRAZY looking piccies here. I found myself inventing absurd =
subtitles for them and laughing out loud.
Thanks for the link!

I loved this quote :-
"The room was filled with magic, and after I had to hit the road for =
Shitville by bus"

Gareth=20

  ----- Original Message -----=20
  From: Daryl Shawn=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 31, 2006 4:59 PM
  Subject: [OT] Big tape loop/Jibbolii fest


  I stumbled onto this page while doing a search for tape loops, and =
found these cool pictures...a whole bunch of people doing things to a =
massive, room-spanning physical 1/4" loop, at a festival at a place =
called Fylkingen, in Sweden in 2003.

  http://home.swipnet.se/sonoloco12/fylkingenevents/loop.html

  What I found also interesting was this set of pictures from a festival =
called Jibbolii, at the same place...lots of new music performance. A =
few known names among them (KK Null, DJ Female Trouble, Mats =
Gustafsson)...I found it heartwarming, all these obviously enthusiastic =
people doing some crazy stuff. And definitely some great examples of =
people bringing a very visual element to performance.

  http://home.swipnet.se/sonoloco15/jibbolii/dag1/dag1a.html

  Daryl Shawn
  www.swanwelder.com

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<DIV><FONT face=3DArial size=3D2>Hehe. Some CRAZY looking piccies here. =
I found=20
myself inventing absurd subtitles for them and laughing out =
loud.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for the link!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I loved this quote :-</FONT></DIV>
<DIV><FONT>"The room was filled with magic, and after I had to hit the =
road for=20
<B>Shitville</B> by bus"</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Gareth </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dhighhorse@mhorse.com =
href=3D"mailto:highhorse@mhorse.com">Daryl=20
  Shawn</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 31, 2006 =
4:59 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> [OT] Big tape =
loop/Jibbolii=20
  fest</DIV>
  <DIV><BR></DIV>I stumbled onto this page while doing a search for tape =
loops,=20
  and found these cool pictures...a whole bunch of people doing things =
to a=20
  massive, room-spanning physical 1/4" loop, at a festival at a place =
called=20
  <FONT face=3D"Times New Roman,Georgia,Times"><FONT=20
  face=3D"Times New Roman,Arial,Courier New,Verdana"><B>Fylkingen</B>,=20
  </FONT></FONT>in Sweden in 2003.<BR><BR><A =
class=3Dmoz-txt-link-freetext=20
  =
href=3D"http://home.swipnet.se/sonoloco12/fylkingenevents/loop.html">http=
://home.swipnet.se/sonoloco12/fylkingenevents/loop.html</A><BR><BR>What=20
  I found also interesting was this set of pictures from a festival =
called=20
  Jibbolii, at the same place...lots of new music performance. A few =
known names=20
  among them (KK Null, DJ Female Trouble, Mats Gustafsson)...I found it=20
  heartwarming, all these obviously enthusiastic people doing some crazy =
stuff.=20
  And definitely some great examples of people bringing a very visual =
element to=20
  performance.<BR><FONT face=3D"Times New Roman,Georgia,Times"><FONT=20
  face=3D"Times New Roman,Arial,Courier =
New,Verdana"></FONT></FONT><BR><A=20
  class=3Dmoz-txt-link-freetext=20
  =
href=3D"http://home.swipnet.se/sonoloco15/jibbolii/dag1/dag1a.html">http:=
//home.swipnet.se/sonoloco15/jibbolii/dag1/dag1a.html</A><BR><BR>Daryl=20
  Shawn<BR><A class=3Dmoz-txt-link-abbreviated=20
  =
href=3D"http://www.swanwelder.com">www.swanwelder.com</A><BR></BLOCKQUOTE=
></BODY></HTML>

------=_NextPart_000_0023_01C6B4CB.E99625D0--


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 17:08:04 2006
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>I'm still interested, facinated by this list.. but lets ahve a quick poll
>
>Whos using what now?

Hofner SG Copy (onboard fuzz)
ADA-MP1 (valve,pre-amp)
Vortex
2xEDP stereo pair (sometimes split)

...and some little rack mixer or something if needed.



I find it really hard to add anything into that setup,  even though I 
have things here to try,
adding a JamMan was nice sometimes, but just not flexible enough.

Maybe a Boss OC2 will end up in the fx loop of the MP1


andy butler 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 17:08:50 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: [OT] Big tape loop/Jibbolii fest
Date: Mon, 31 Jul 2006 19:08:46 +0200
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On 31 jul 2006, at 17.59, Daryl Shawn wrote:

> I stumbled onto this page while doing a search for tape loops, and  
> found these cool pictures...a whole bunch of people doing things to  
> a massive, room-spanning physical 1/4" loop, at a festival at a  
> place called Fylkingen, in Sweden in 2003.
>
> http://home.swipnet.se/sonoloco12/fylkingenevents/loop.html
>
> What I found also interesting was this set of pictures from a  
> festival called Jibbolii, at the same place...lots of new music  
> performance. A few known names among them (KK Null, DJ Female  
> Trouble, Mats Gustafsson)...I found it heartwarming, all these  
> obviously enthusiastic people doing some crazy stuff. And  
> definitely some great examples of people bringing a very visual  
> element to performance.
>
> http://home.swipnet.se/sonoloco15/jibbolii/dag1/dag1a.html
>
> Daryl Shawn
> www.swanwelder.com


Cool! That's from the country I live in ;-)  I've played at that  
venue and yesterday and the day before I actually met some of those  
guys when I played at a Swedish festival for experimental electronic  
music. The association "Fylkingen" was launched back in the thirties.

per

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 17:10:59 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Midi looper ... anyone know one?
Date: Mon, 31 Jul 2006 19:10:56 +0200
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On 31 jul 2006, at 18.17, Charles Zwicky wrote:

>
> Oberheim used to have just such a device.... a MIDI delay... (er or  
> was it alesis??)


Twelve years ago I was using a MIDI arpeggiator box from Oberheim  
named "Cyclone" (with a MIDI guitar). Maybe that's the device you're  
thinking of? Cool thing, but probably hard to find today.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 17:13:21 2006
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2 jammans



> Due to the phenomenal jump in available loopers, this list has widened 
> it breath of topics to discuss loads of different subjects recently, 
> so much so that I havent HEARD of some of you lots technology... It 
> used to be that this list was predominately an EDP list, with a bit of 
> my loopers better that your looper convo's, and a bit of 
> philosophising and politicising...
>
> I'm still interested, facinated by this list.. but lets ahve a quick 
> poll
>
> Whos using what now?
>
> I'll start... (looping products mentioned only please)
>
> Vortex  split into EDP and Repeater
>
>
> your turn...

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 17:15:57 2006
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My looping possibilities have just hit a 10 year low. I sold my Jamman 
to someone on the list about a year ago, my DL-4 died at the Oregon 
Country Fair (couldn't stand the hemp, I guess :-), and I just sold my 
Repeater last week. My new laptop remains an email and websurfing 
machine because I've been too busy with life and gigs and such to 
configure it as the ass-kicking loop and music machine it could be. So, 
at the moment, my looping setup is a Boomerang, and  a RE-301 Space 
Echo. But I did have a very enjoyable evening recently running the 
Minimoog through a Vortex and into the RE-301, instant space music!

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 17:29:33 2006
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Subject: Re: All My CDs Marked down to $5.00
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----------MailBlocks_8C882DE0138C02A_3E4_AB6B_MBLK-M26.sysops.aol.com
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  sounds environmentally sound too me!
 
 brian
 
 nomorestarsrecords.com
 
    
 
   ----- Original Message -----   From: Matthew F. McCabe  To: Loopers-Delight@loopers-delight.com  Sent: Wednesday, August 02, 2006 9:22 AM Subject: Re: All My CDs Marked down to $5.00 
  I agree. I'd much rather own a physical CD. It's almost as if mp3s cheapen music...in that it's much easier to delete a couple of files than it is to throw a CD in the trash. 
 Matt 
 
  On Jul 30, 2006, at 5:42 PM, Krispen Hartung wrote: 
  I sure am. I have all of the CDs going through all of the digital distribution as well.   All in all, I don't really do this for the money, yet I have waffled back and forth on this notion of whether I should give my CDs away, sell them for standard market price, or severely discounted. It is a tough call, and pretty much based on one's personal values on the matter....BUT, for me, the gist is that I never want to generate a situation as an artist when someone can't own one of my CDs simply because they can't afford it, or because they have too many other CDs on their list and mine isn't the the highest priority. I'd rather give my CDs away or mark them down to CD Baby's cost, then not have folks listening to my music. And, believe it or not, I am of the generation who still enjoys owning and having a physical CD. When I produce a CD, the artwork on the sleeves is just as much a part of the production as the music. It all fits together into a theme. I like for people to have my physical CDs, not just the MP3s and digital art. If they don't they are missing a significant element of the production.   Kris 
    
________________________________________________________________________
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<HTML><BODY>
<div>&nbsp;sounds <span class="correction" id="">environmentally</span> sound too me!<br>

<br>

<span class="correction" id="">brian<br>

<br>

</span><span class="correction" id="">nomorestarsrecords</span>.com<br>

<br>

</div>

<div>&nbsp;</div>
&nbsp;<br>
<br>


<div id="AOLMsgPart_2_d5ca68b7-ea8a-408d-9602-b07dce8f3a8e">

<div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">&nbsp;----- Original Message ----- </div>


<blockquote style="border-left: 2px solid rgb(0, 0, 0); padding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;" dir="ltr">
  
  
<div style="background: rgb(228, 228, 228) none repeat scroll 0% 50%; -moz-background-clip: initial; -moz-background-origin: initial; -moz-background-inline-policy: initial; font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>From:</b> 
  <a title="mmccabe@finleysound.com" href="javascript:parent.ComposeTo('mmccabe@finleysound.com');">Matthew 
  F. McCabe</a> </div>

  
<div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>To:</b> <a title="Loopers-Delight@loopers-delight.com" href="javascript:parent.ComposeTo('Loopers-Delight@loopers-delight.com');">Loopers-Delight@loopers-delight.com</a> 
  </div>

  
<div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Sent:</b> Wednesday, August 02, 2006 9:22 
  AM</div>

  
<div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Subject:</b> Re: All My <span class="correction" id="">CDs</span> Marked down to 
  $5.00</div>

  
<div><br>
</div>

  
<div>I agree.&nbsp; I'd much rather own a physical <span class="correction" id="">CD</span>.&nbsp; It's almost as if 
  <span class="correction" id="">mp3s</span> cheapen music...in that it's much easier to delete a couple of files than 
  it is to throw a CD in the trash.</div>

  
<div><br class="khtml-block-placeholder"></div>

  
<div>Matt</div>

  
<div><br class="khtml-block-placeholder"></div>
<br>

  
<div>
  
<div>On <span class="correction" id="">Jul</span> 30, 2006, at 5:42 PM, <span class="correction" id="">Krispen</span> <span class="correction" id="">Hartung</span> wrote:</div>
<br class="Apple-interchange-newline">
  <blockquote type="cite"><span class="Apple-style-span" style="word-spacing: 0px; font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-height: normal; font-size-adjust: none; font-stretch: normal; text-transform: none; color: rgb(0, 0, 0); text-indent: 0px; white-space: normal; letter-spacing: normal; border-collapse: separate; orphans: 2; widows: 2;">
    
<div><font face="Arial" size="2"><span class="Apple-style-span" style="font-size: 10px; font-family: Arial;">I sure am. I have all of the <span class="correction" id="">CDs</span> 
    going through all of the digital distribution as well.</span></font></div>

    
<div><font face="Arial" size="2"></font>&nbsp;</div>

    
<div><font face="Arial" size="2"><span class="Apple-style-span" style="font-size: 10px; font-family: Arial;">All in all, I don't really do 
    this for the money, yet I have waffled back and forth on this notion of 
    whether I should give my <span class="correction" id="">CDs</span> away, sell them for standard market price, or 
    severely discounted. It is a tough call, and pretty much based on one's 
    personal values on the matter....BUT, for me, the gist is that I never want 
    to generate a situation as an artist when someone can't own one of my <span class="correction" id="">CDs</span> 
    simply because they can't afford it, or because they have too many other <span class="correction" id="">CDs</span> 
    on their list and mine isn't the the highest priority.&nbsp; I'd rather give 
    my <span class="correction" id="">CDs</span> away or mark them down to <span class="correction" id="">CD</span> Baby's cost, then not have folks 
    listening to my music.&nbsp; And, believe it or not, I am of the generation 
    who still enjoys owning and having a physical <span class="correction" id="">CD</span>. When I produce a <span class="correction" id="">CD</span>, the 
    artwork on the sleeves is just as much a part of the production as the 
    music. It all fits together into a theme. I like for people to have my 
    physical <span class="correction" id="">CDs</span>, not just the <span class="correction" id="">MP3s</span>&nbsp;and digital art. If they don't they are 
    missing a significant element of the production.</span></font></div>

    
<div><font face="Arial" size="2"></font>&nbsp;</div>

    
<div><font face="Arial" size="2"><span class="Apple-style-span" style="font-size: 10px; font-family: Arial;">Kris</span></font></div>

    
<div><br class="khtml-block-placeholder"></div>
</span></blockquote></div>
</blockquote></div>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 17:30:39 2006
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Date: Mon, 31 Jul 2006 12:30:37 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
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i'm using two now,

lexicon jamman
and two MoFXs in various routings

soon i will have the backine engineering Riff Box


Charlie

On 7/31/06, improv@peak.org <improv@peak.org> wrote:
> My looping possibilities have just hit a 10 year low. I sold my Jamman
> to someone on the list about a year ago, my DL-4 died at the Oregon
> Country Fair (couldn't stand the hemp, I guess :-), and I just sold my
> Repeater last week. My new laptop remains an email and websurfing
> machine because I've been too busy with life and gigs and such to
> configure it as the ass-kicking loop and music machine it could be. So,
> at the moment, my looping setup is a Boomerang, and  a RE-301 Space
> Echo. But I did have a very enjoyable evening recently running the
> Minimoog through a Vortex and into the RE-301, instant space music!
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 17:31:49 2006
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Date: Mon, 31 Jul 2006 18:31:42 +0100
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: Midi looper ... anyone know one?
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>Its gotta be called the Midiplex Digital Pro:
>Its a small 1 U and cheap beast... I want it to have EXACTLY THE 
>SAME WAY OF WORKING as an EDP

The big problem is that every Note-On needs a corresponding Note-Off.

Endless difficulties:-
Inserting into a long sustained note.
Reducing length of loop.
Reversing.

...just think about it :-)


andy butler 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 17:41:28 2006
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Date: Mon, 31 Jul 2006 10:41:21 -0700
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: [OT] Big tape loop/Jibbolii fest
Cc: Per Boysen <perboysen@gmail.com>
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Hey all,

I have an old Akai 1/4 inch reel-to-reel machine out in my garage somewhere=
.=20
I haven't used it in 10 years but I am sure it still works. Anyone wanna or=
ganize=20
a party like this stateside? That was sooooo cool.

--

tEd =C2=AE kiLLiAn

23 KM SOUTH-EAST OF THE OREGON VORTEX.

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Per Boysen <perboysen@gmail.com> wrote:=20
> On 31 jul 2006, at 17.59, Daryl Shawn wrote:
>=20
> > I stumbled onto this page while doing a search for tape loops, and =20
> > found these cool pictures...a whole bunch of people doing things to =20
> > a massive, room-spanning physical 1/4" loop, at a festival at a =20
> > place called Fylkingen, in Sweden in 2003.
> >
> > http://home.swipnet.se/sonoloco12/fylkingenevents/loop.html
> >
> > What I found also interesting was this set of pictures from a =20
> > festival called Jibbolii, at the same place...lots of new music =20
> > performance. A few known names among them (KK Null, DJ Female =20
> > Trouble, Mats Gustafsson)...I found it heartwarming, all these =20
> > obviously enthusiastic people doing some crazy stuff. And =20
> > definitely some great examples of people bringing a very visual =20
> > element to performance.
> >
> > http://home.swipnet.se/sonoloco15/jibbolii/dag1/dag1a.html
> >
> > Daryl Shawn
> > www.swanwelder.com
>=20
>=20
> Cool! That's from the country I live in ;-)  I've played at that =20
> venue and yesterday and the day before I actually met some of those =20
> guys when I played at a Swedish festival for experimental electronic =20
> music. The association "Fylkingen" was launched back in the thirties.
>=20
> per

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 18:12:41 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Quick poll
Date: Mon, 31 Jul 2006 11:12:40 -0700
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Laptop and MAX/MSP


Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 18:20:10 2006
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God ...you guys...

Im not so anal and geeky that I always wanna do it the proper way, I was
genuinely interested in a chat... I like LD cos its all in here, I dont want
links to image pages, hell I dont want images, I dont want gig pics, I dont
want external polls... lets just leave this what is relevant to have or not
to have off this list PLEASE.. It occurs once a year on EVERY list Im a
member of.. its soooooo dull...

Now a summary of people so far... Well I wrote one, I know it got out there
(Cos Kris replyed on that subject line) however it didnt seem to get into
the digest.. so here it is again...
AHA.. Now I see what I did.. I REPLIED to Kris (when I meant to reply to the
list) , and HE replyed to the list with MY subject line.. ha ha what a
mess.. love it..


---

To summerise, I would say that there seems to be 2 main camps with some
crossovers..

1)Its the EDP/Jamman people - and these seem to be more likely to use
"other" looping gadgets like EH16 or the LoFi or Vortex
2)AND its the Laptop/Mobius people and these seem to mention Reaktor and
other software solutions.. with some exceptions...

There doesnt seem to be ANY DJ stylee/Phrasesampler/Groovbox types any
more...

...and the bastards of the week are

3rd prize, guy with most pedals - "Ow my knees hurt" = Steve B

2nd prize, most well organised "Its 18:26 so its time for a poo" = Per B
(gonna guess that Kris has won joint on this catagory, bit he didnt give his
gear...(Ahh NOW he did and I was right!! Joint second!!!)

1st prize, just too many loopers "I  have too much money, I cant make up my
bloody mind"  = MECH!!!

;-)

MArk

mark francombe
marks website is at www.markfrancombe.com he writes for www.furthernoise.org
and works at www.transformlearning.com


----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 31, 2006 5:06 PM
Subject: LD content: quick polls


> Coming back to the recent On/Offtopic etc. LD content discussion, let me 
> add
> this suggestion:
>
> could we do any "quick poll"s etc. using either
>
> a) something on a website, either a provided service (I remember someone
> here using www.surveymonkey.com, which has a free service) or something
> using php/mysql on your own site?
>
> b) if that is for some reason not possible: please ask the people 
> answering
> to send the results to you via matrix mail and then post a summary to LD?
>
> Rainer
>



From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 18:30:14 2006
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That's awesome, Per! Of course, I should have known you'd be familiar
with this place.

Maybe something at the LD looping fest in October?  The hardest part is
probably all those heavy tape machines. Perhaps it could use a
cassette-size (1/8") loop, and the guts of old Walkmans could be used.
Cheaper and more portable, though it'd take some customization. I love
the thought of a room set up with 10 stations, with the loop
continuously going and people plugging in and out with their own gear.

Daryl Shawn
www.swanwelder.com

> Anyone wanna organize 
> a party like this stateside? That was sooooo cool.
>
> --
>
> tEd Â® kiLLiAn
>> Cool! That's from the country I live in ;-)  I've played at that  
>> venue and yesterday and the day before I actually met some of those  
>> guys when I played at a Swedish festival for experimental electronic  
>> music. The association "Fylkingen" was launched back in the thirties.
>>
>> per

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 18:45:36 2006
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EDP

Nik

----- Original Message ----- 
From: "markfrancombe.com" <mark@markfrancombe.com>
To: <loopers-Delight@loopers-delight.com>
Sent: Monday, July 31, 2006 12:39 PM
Subject: Quick poll


Due to the phenomenal jump in available loopers, this list has widened it 
breath of topics to discuss loads of different subjects recently, so much so 
that I havent HEARD of some of you lots technology... It used to be that 
this list was predominately an EDP list, with a bit of my loopers better 
that your looper convo's, and a bit of philosophising and politicising...

I'm still interested, facinated by this list.. but lets ahve a quick poll

Whos using what now?

I'll start... (looping products mentioned only please)

Vortex  split into EDP and Repeater


your turn...


mark francombe
marks website is at www.markfrancombe.com he writes for www.furthernoise.org 
and works at www.transformlearning.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 18:51:50 2006
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Boss RC20 XL and Boss DD20 GigaDelay

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 18:58:57 2006
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Subject: RE: Quick poll
Date: Mon, 31 Jul 2006 14:58:53 -0400
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<html><div style='background-color:'><P>EDP, 2880, Jamman</P>
<P>Dave<BR><BR></P>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #a0c6e5 2px solid; MARGIN-RIGHT: 0px"><FONT style="FONT-SIZE: 11px; FONT-FAMILY: tahoma,sans-serif">
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From: <I>"markfrancombe.com" &lt;mark@markfrancombe.com&gt;</I><BR>Reply-To: <I>Loopers-Delight@loopers-delight.com</I><BR>To: <I>&lt;loopers-Delight@loopers-delight.com&gt;</I><BR>Subject: <I>Quick poll</I><BR>Date: <I>Mon, 31 Jul 2006 13:39:33 +0200</I><BR><BR>
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<DIV><FONT face=Arial size=2>Due to the phenomenal jump in available loopers, this list has widened it breath of topics to discuss loads of different subjects recently, so much so that I havent HEARD of some of you lots technology... It used to be that this list was predominately an EDP list, with a bit of my loopers better that your looper convo's, and a bit of philosophising and politicising...</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>I'm still interested, facinated by this list.. but lets ahve a quick poll</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Whos using what now?<BR><BR>I'll start... (looping products mentioned only please)</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Vortex&nbsp; split into&nbsp;EDP and Repeater</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>your turn...</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>mark francombe<BR>marks website is at <A href="http://www.markfrancombe.com/">www.markfrancombe.com</A> he writes for <A href="http://www.furthernoise.org/">www.furthernoise.org</A> and works at <A href="http://www.transformlearning.com/">www.transformlearning.com</A></FONT></DIV><BR></FONT></BLOCKQUOTE></div></html>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 19:07:02 2006
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More people than I expexted are using 2 JamMans, including myself! That's a
little surprising for a rookie.

David


On 7/31/06, Dave Lauzon <davelauz@hotmail.com> wrote:
>
>  EDP, 2880, Jamman
>
> Dave
>
>  ------------------------------
>
> From: *"markfrancombe.com" <mark@markfrancombe.com>*
> Reply-To: *Loopers-Delight@loopers-delight.com*
>
> To: *<loopers-Delight@loopers-delight.com>*
> Subject: *Quick poll*
> Date: *Mon, 31 Jul 2006 13:39:33 +0200*
>
>
> Due to the phenomenal jump in available loopers, this list has widened it
> breath of topics to discuss loads of different subjects recently, so much so
> that I havent HEARD of some of you lots technology... It used to be that
> this list was predominately an EDP list, with a bit of my loopers better
> that your looper convo's, and a bit of philosophising and politicising...
>
> I'm still interested, facinated by this list.. but lets ahve a quick poll
>
> Whos using what now?
>
> I'll start... (looping products mentioned only please)
>
> Vortex  split into EDP and Repeater
>
>
> your turn...
>
>
> mark francombe
> marks website is at www.markfrancombe.com he writes for
> www.furthernoise.org and works at www.transformlearning.com
>
>

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<div>More people than I expexted are using 2 JamMans, including myself! That's a little surprising for a rookie.</div>
<div>&nbsp;</div>
<div>David<br><br>&nbsp;</div>
<div><span class="gmail_quote">On 7/31/06, <b class="gmail_sendername">Dave Lauzon</b> &lt;<a href="mailto:davelauz@hotmail.com">davelauz@hotmail.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div>
<div>
<p>EDP, 2880, Jamman</p>
<p>Dave<br><br></p>
<blockquote style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #a0c6e5 2px solid; MARGIN-RIGHT: 0px"><font style="FONT-SIZE: 11px; FONT-FAMILY: tahoma,sans-serif">
<hr color="#a0c6e5" size="1">
</font></blockquote></div>
<div><span class="q">From: <i>&quot;<a onclick="return top.js.OpenExtLink(window,event,this)" href="http://markfrancombe.com/" target="_blank">markfrancombe.com</a>&quot; &lt;<a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:mark@markfrancombe.com" target="_blank">
mark@markfrancombe.com</a>&gt;</i><br></span></div>
<div>Reply-To: <i><a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:Loopers-Delight@loopers-delight.com" target="_blank">Loopers-Delight@loopers-delight.com</a></i></div>
<div><span class="q"><br>To: <i>&lt;<a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:loopers-Delight@loopers-delight.com" target="_blank">loopers-Delight@loopers-delight.com</a>&gt;</i><br></span></div>

<div>Subject: <i>Quick poll</i><br>Date: <i>Mon, 31 Jul 2006 13:39:33 +0200</i></div>
<div><span class="e" id="q_10cc5f416c806158_5"><br><br>
<div><font face="Arial" size="2">Due to the phenomenal jump in available loopers, this list has widened it breath of topics to discuss loads of different subjects recently, so much so that I havent HEARD of some of you lots technology... It used to be that this list was predominately an EDP list, with a bit of my loopers better that your looper convo's, and a bit of philosophising and politicising...
</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">I'm still interested, facinated by this list.. but lets ahve a quick poll</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">Whos using what now?<br><br>I'll start... (looping products mentioned only please)</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">Vortex&nbsp; split into&nbsp;EDP and Repeater</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">your turn...</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">mark francombe<br>marks website is at <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.markfrancombe.com/" target="_blank">www.markfrancombe.com</a> he writes for 
<a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.furthernoise.org/" target="_blank">www.furthernoise.org</a> and works at <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.transformlearning.com/" target="_blank">
www.transformlearning.com</a></font></div><br></span></div>
<div>
<blockquote></blockquote></div></div></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 19:08:19 2006
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Re: All My CDs Marked down to $5.00
Date: Mon, 31 Jul 2006 13:08:15 -0600
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Yes, but I'd bet the amount of CD's that are trashed everyday in this=20
"throw away society" we live in is staggering and I'm on the side of=20
anything that cuts waste.

   On Aug 2, 2006, at 9:22 AM, Matthew F. McCabe wrote:

> I agree.=A0 I'd much rather own a physical CD.=A0 It's almost as if =
mp3s=20
> cheapen music...in that it's much easier to delete a couple of files=20=

> than it is to throw a CD in the trash.
>
> Matt
>
>
> On Jul 30, 2006, at 5:42 PM, Krispen Hartung wrote:
>
>> I sure am. I have all of the CDs going through all of the digital=20
>> distribution as well.
>> =A0
>> All in all, I don't really do this for the money, yet I have waffled=20=

>> back and forth on this notion of whether I should give my CDs away,=20=

>> sell them for standard market price, or severely discounted. It is a=20=

>> tough call, and pretty much based on one's personal values on the=20
>> matter....BUT, for me, the gist is that I never want to generate a=20
>> situation as an artist when someone can't own one of my CDs simply=20
>> because they can't afford it, or because they have too many other CDs=20=

>> on their list and mine isn't the the highest priority. I'd rather=20
>> give my CDs away or mark them down to CD Baby's cost, then not have=20=

>> folks listening to my music. And, believe it or not, I am of the=20
>> generation who still enjoys owning and having a physical CD. When I=20=

>> produce a CD, the artwork on the sleeves is just as much a part of=20
>> the production as the music. It all fits together into a theme. I=20
>> like for people to have my physical CDs, not just the MP3s and=20
>> digital art. If they don't they are missing a significant element of=20=

>> the production.
>> =A0
>> Kris
>>

--Apple-Mail-1--27963306
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Yes, but I'd bet the amount of CD's that are trashed everyday in this
"throw away society" we live in is staggering and I'm on the side of
anything that cuts waste. =20


  On Aug 2, 2006, at 9:22 AM, Matthew F. McCabe wrote:


<excerpt>I agree.=A0 I'd much rather own a physical CD.=A0 It's almost =
as
if mp3s cheapen music...in that it's much easier to delete a couple of
files than it is to throw a CD in the trash.


Matt



On Jul 30, 2006, at 5:42 PM, Krispen Hartung wrote:


<excerpt><fontfamily><param>Arial</param><smaller>I sure am. I have
all of the CDs going through all of the digital distribution as =
well.</smaller></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>All in all, I don't really do
this for the money, yet I have waffled back and forth on this notion
of whether I should give my CDs away, sell them for standard market
price, or severely discounted. It is a tough call, and pretty much
based on one's personal values on the matter....BUT, for me, the gist
is that I never want to generate a situation as an artist when someone
can't own one of my CDs simply because they can't afford it, or
because they have too many other CDs on their list and mine isn't the
the highest priority. I'd rather give my CDs away or mark them down to
CD Baby's cost, then not have folks listening to my music. And,
believe it or not, I am of the generation who still enjoys owning and
having a physical CD. When I produce a CD, the artwork on the sleeves
is just as much a part of the production as the music. It all fits
together into a theme. I like for people to have my physical CDs, not
just the MP3s and digital art. If they don't they are missing a
significant element of the production.</smaller></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>Kris</smaller></fontfamily>


</excerpt></excerpt>=

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Date: Mon, 31 Jul 2006 15:17:33 -0400
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This is what I've got for looping. Currently focusing on the LP-1 to get it
going.

 

Hardware:

      Looperlative LP-1

      Electrix Repeater

      (2) Lexicon ReJams (Reflexes converted to JamMan's)

 

Software (PC):

      Ableton Live

      Stylus RMX on a Muse Receptor for REX playback

 

 

  _____  

From: Dave Lauzon [mailto:davelauz@hotmail.com] 
Sent: Monday, July 31, 2006 2:59 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Quick poll

 

EDP, 2880, Jamman

Dave


  _____  


From: "markfrancombe.com" <mark@markfrancombe.com>
Reply-To: Loopers-Delight@loopers-delight.com
To: <loopers-Delight@loopers-delight.com>
Subject: Quick poll
Date: Mon, 31 Jul 2006 13:39:33 +0200

Due to the phenomenal jump in available loopers, this list has widened it
breath of topics to discuss loads of different subjects recently, so much so
that I havent HEARD of some of you lots technology... It used to be that
this list was predominately an EDP list, with a bit of my loopers better
that your looper convo's, and a bit of philosophising and politicising...

 

I'm still interested, facinated by this list.. but lets ahve a quick poll

 

Whos using what now?

I'll start... (looping products mentioned only please)

 

Vortex  split into EDP and Repeater

 

 

your turn...

 

 

mark francombe
marks website is at www.markfrancombe.com <http://www.markfrancombe.com/>
he writes for www.furthernoise.org <http://www.furthernoise.org/>  and works
at www.transformlearning.com <http://www.transformlearning.com/> 

 


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<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier New"'>This is what =
I&#8217;ve got
for looping. Currently focusing on the LP-1 to get it =
going.<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier =
New"'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier =
New"'>Hardware:<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier =
New"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Looperlative =
LP-1<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier =
New"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Electrix =
Repeater<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier =
New"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (2) Lexicon ReJams
(Reflexes converted to JamMan&#8217;s)<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier =
New"'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier New"'>Software =
(PC):<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier =
New"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ableton =
Live<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier =
New"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Stylus RMX on a Muse
Receptor for REX playback<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div style=3D'border:none;border-left:solid blue 1.5pt;padding:0in 0in =
0in 4.0pt'>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> Dave =
Lauzon
[mailto:davelauz@hotmail.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Monday, July 31, =
2006 2:59
PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <st1:PersonName =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> RE: Quick =
poll</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>EDP,
2880, Jamman<o:p></o:p></span></font></p>

<p style=3D'margin-bottom:12.0pt'><font size=3D3 face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt'>Dave<o:p></o:p></span></font></p>

<blockquote style=3D'border:none;border-left:solid #A0C6E5 =
1.5pt;padding:0in 0in 0in 4.0pt;
margin-left:3.75pt;margin-top:5.0pt;margin-right:0in;margin-bottom:5.0pt'=
>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D1
face=3DTahoma><span style=3D'font-size:8.5pt;font-family:Tahoma'>

<hr size=3D1 width=3D"100%" noshade color=3D"#a0c6e5" align=3Dcenter>

</span></font></div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D1 =
face=3DTahoma><span
style=3D'font-size:8.5pt;font-family:Tahoma'>From: <i><span =
style=3D'font-style:
italic'>&quot;markfrancombe.com&quot; =
&lt;mark@markfrancombe.com&gt;</span></i><br>
Reply-To: <st1:PersonName w:st=3D"on"><i><span =
style=3D'font-style:italic'>Loopers-Delight@loopers-delight.com</span></i=
></st1:PersonName><br>
To: <i><span =
style=3D'font-style:italic'>&lt;loopers-Delight@loopers-delight.com&gt;</=
span></i><br>
Subject: <i><span style=3D'font-style:italic'>Quick poll</span></i><br>
Date: <i><span style=3D'font-style:italic'>Mon, 31 Jul 2006 13:39:33 =
+0200</span></i><o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Due to the phenomenal jump in available loopers, this =
list
has widened it breath of topics to discuss loads of different subjects
recently, so much so that I havent HEARD of some of you lots =
technology... It
used to be that this list was predominately an EDP list, with a bit of =
my
loopers better that your looper convo's, and a bit of philosophising and
politicising...</span></font><font size=3D1 face=3DTahoma><span =
style=3D'font-size:
8.5pt;font-family:Tahoma'><o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 face=3DTahoma><span =
style=3D'font-size:8.5pt;
font-family:Tahoma'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I'm still interested, facinated by this list.. but =
lets ahve
a quick poll</span></font><font size=3D1 face=3DTahoma><span =
style=3D'font-size:8.5pt;
font-family:Tahoma'><o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 face=3DTahoma><span =
style=3D'font-size:8.5pt;
font-family:Tahoma'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Whos using what now?<br>
<br>
I'll start... (looping products mentioned only =
please)</span></font><font
size=3D1 face=3DTahoma><span =
style=3D'font-size:8.5pt;font-family:Tahoma'><o:p></o:p></span></font></p=
>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 face=3DTahoma><span =
style=3D'font-size:8.5pt;
font-family:Tahoma'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Vortex&nbsp; split into&nbsp;EDP and =
Repeater</span></font><font
size=3D1 face=3DTahoma><span =
style=3D'font-size:8.5pt;font-family:Tahoma'><o:p></o:p></span></font></p=
>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 face=3DTahoma><span =
style=3D'font-size:8.5pt;
font-family:Tahoma'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 face=3DTahoma><span =
style=3D'font-size:8.5pt;
font-family:Tahoma'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>your turn...</span></font><font size=3D1 =
face=3DTahoma><span
style=3D'font-size:8.5pt;font-family:Tahoma'><o:p></o:p></span></font></p=
>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 face=3DTahoma><span =
style=3D'font-size:8.5pt;
font-family:Tahoma'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 face=3DTahoma><span =
style=3D'font-size:8.5pt;
font-family:Tahoma'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>mark francombe<br>
marks website is at <a =
href=3D"http://www.markfrancombe.com/">www.markfrancombe.com</a>
he writes for <a =
href=3D"http://www.furthernoise.org/">www.furthernoise.org</a>
and works at <a =
href=3D"http://www.transformlearning.com/">www.transformlearning.com</a><=
/span></font><font
size=3D1 face=3DTahoma><span =
style=3D'font-size:8.5pt;font-family:Tahoma'><o:p></o:p></span></font></p=
>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</blockquote>

</div>

</div>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 19:18:07 2006
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Message-ID: <05e101c6b4d6$0b5727a0$54b2ec0f@americas.hpqcorp.net>
From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <031d01c6b40b$38db64a0$54b2ec0f@americas.hpqcorp.net> <8B0ED32C-6D34-4F01-BF0B-EF08B8E41CDB@finleysound.com> <035f01c6b43a$2c2a7280$54b2ec0f@americas.hpqcorp.net> <69B9F9D4-8EAD-41FE-9EE7-009F5EE4461C@finleysound.com> <3c48c2434ee180dd1422938bc1f4120f@mac.com>
Subject: Re: All My CDs Marked down to $5.00
Date: Mon, 31 Jul 2006 13:18:01 -0600
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Next to diapers, none of this matter. :) =20

Seriously, though, if anyone is generating a product that they are =
certain will be trashed, then that seems a bit futile and wasteful.  But =
there are also a lot of folks who keep their CDs or albums for a long =
time. And if they do get rid of them, they don't sell them, but trade =
them in. I don't think I've ever thrown away a music CD. Has anyone on =
the list thrown several music CDs away? You can at least take them to a =
record store and trade them in, or donate them to a charity...there are =
many people much more unfortuante that us that can't afford to buy new =
CDs, and can't afford iPods or computers, but might have an old CD payer =
or CD radio/boombox. They rely on being able to get a used CD for $2 or =
getting them from a benefit.=20

I hope no one is throwing away music CDs.  That's not very thoughtful.

Kris

  ----- Original Message -----=20
  From: Paul Mimlitsch=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 31, 2006 1:08 PM
  Subject: Re: All My CDs Marked down to $5.00


  Yes, but I'd bet the amount of CD's that are trashed everyday in this =
"throw away society" we live in is staggering and I'm on the side of =
anything that cuts waste.=20

  On Aug 2, 2006, at 9:22 AM, Matthew F. McCabe wrote:


    I agree.  I'd much rather own a physical CD.  It's almost as if mp3s =
cheapen music...in that it's much easier to delete a couple of files =
than it is to throw a CD in the trash.

    Matt


    On Jul 30, 2006, at 5:42 PM, Krispen Hartung wrote:


      I sure am. I have all of the CDs going through all of the digital =
distribution as well.
      =20
      All in all, I don't really do this for the money, yet I have =
waffled back and forth on this notion of whether I should give my CDs =
away, sell them for standard market price, or severely discounted. It is =
a tough call, and pretty much based on one's personal values on the =
matter....BUT, for me, the gist is that I never want to generate a =
situation as an artist when someone can't own one of my CDs simply =
because they can't afford it, or because they have too many other CDs on =
their list and mine isn't the the highest priority. I'd rather give my =
CDs away or mark them down to CD Baby's cost, then not have folks =
listening to my music. And, believe it or not, I am of the generation =
who still enjoys owning and having a physical CD. When I produce a CD, =
the artwork on the sleeves is just as much a part of the production as =
the music. It all fits together into a theme. I like for people to have =
my physical CDs, not just the MP3s and digital art. If they don't they =
are missing a significant element of the production.
      =20
      Kris


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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2914" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Next to diapers, none of this matter. =
:)&nbsp;=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Seriously, though, if anyone is =
generating a=20
product that they are certain will be trashed, then that seems a bit =
futile and=20
wasteful.&nbsp; But there are also a lot of folks who keep their CDs or =
albums=20
for a long time. And if they do get rid of them, they don't sell them, =
but trade=20
them in. I don't think I've ever thrown away a music CD. Has anyone on =
the list=20
thrown several music CDs away? You can at least take them to a record =
store and=20
trade them in, or donate them to a charity...there are many people much =
more=20
unfortuante that us that can't afford to buy new CDs, and can't afford =
iPods or=20
computers, but might have an old CD payer or CD radio/boombox. They rely =
on=20
being able to get a used CD for $2 or getting them from a benefit. =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I hope no one is throwing away music =
CDs.&nbsp;=20
That's not very thoughtful.</FONT></DIV><FONT face=3DArial size=3D2>
<DIV><BR>Kris</DIV>
<DIV></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dpmimlitsch@mac.com href=3D"mailto:pmimlitsch@mac.com">Paul=20
  Mimlitsch</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 31, 2006 =
1:08 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: All My CDs Marked =
down to=20
  $5.00</DIV>
  <DIV><BR></DIV>Yes, but I'd bet the amount of CD's that are trashed =
everyday=20
  in this "throw away society" we live in is staggering and I'm on the =
side of=20
  anything that cuts waste. <BR><BR>On Aug 2, 2006, at 9:22 AM, Matthew =
F.=20
  McCabe wrote:<BR><BR>
  <BLOCKQUOTE>I agree.&nbsp; I'd much rather own a physical CD.&nbsp; =
It's=20
    almost as if mp3s cheapen music...in that it's much easier to delete =
a=20
    couple of files than it is to throw a CD in the=20
    trash.<BR><BR>Matt<BR><BR><BR>On Jul 30, 2006, at 5:42 PM, Krispen =
Hartung=20
    wrote:<BR><BR>
    <BLOCKQUOTE><?fontfamily><?param Arial><?smaller>I sure am. I have =
all of=20
      the CDs going through all of the digital distribution as =
well.<?/smaller><?/fontfamily><BR>&nbsp;<BR><?fontfamily><?param =
Arial><?smaller>All=20
      in all, I don't really do this for the money, yet I have waffled =
back and=20
      forth on this notion of whether I should give my CDs away, sell =
them for=20
      standard market price, or severely discounted. It is a tough call, =
and=20
      pretty much based on one's personal values on the matter....BUT, =
for me,=20
      the gist is that I never want to generate a situation as an artist =
when=20
      someone can't own one of my CDs simply because they can't afford =
it, or=20
      because they have too many other CDs on their list and mine isn't =
the the=20
      highest priority. I'd rather give my CDs away or mark them down to =
CD=20
      Baby's cost, then not have folks listening to my music. And, =
believe it or=20
      not, I am of the generation who still enjoys owning and having a =
physical=20
      CD. When I produce a CD, the artwork on the sleeves is just as =
much a part=20
      of the production as the music. It all fits together into a theme. =
I like=20
      for people to have my physical CDs, not just the MP3s and digital =
art. If=20
      they don't they are missing a significant element of the =
production.<?/smaller><?/fontfamily><BR>&nbsp;<BR><?fontfamily><?param =
Arial><?smaller>Kris<?/smaller><?/fontfamily><BR><BR></BLOCKQUOTE></BLOCK=
QUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 19:19:29 2006
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Date: Mon, 31 Jul 2006 15:19:24 -0400
Subject: Re: Quick Poll
From: Todd Reynolds <toddreyn@gmail.com>
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Violin into a MOTU Traveler, using a laptop running Live, SooperLooper,
Max/MSP, Komplete 2 (reaktor and everything else), and plugins

Still have two echoplexi, sometimes use an eventide orville, and a jamman in
the closet.  But mostly in the laptop these days.


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 19:20:26 2006
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Date: Mon, 31 Jul 2006 15:16:06 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Re: Midi looper ... anyone know one?
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markfrancombe.com wrote:

> So whats this new divice gotta be???

Is a divice a divine device?  ;-)

> Its gotta be called the Midiplex Digital Pro:
> Its a small 1 U and cheap beast... I want it to have EXACTLY THE SAME 
> WAY OF WORKING as an EDP except instead of recording audio it should 
> record and loop and overdub... midi notes... I want the same insert 
> caperbilities

I don't know anyone who likes capers inserted in their food, much less 
their loopers.  ;-)
(Yes, I'm in a wierd mood!)

Seriously now:

> (altho I can see some problems here) and it should have some quantise 
> caperbilities, to FORCE your playing onto a "grid" of your choosing, 
> 16th, 32nds/ or 256ths if you are tight...

Does Live do MIDI looping?  For you Roland S-50 and S-550 sampler owners 
out there, DIR-S might be a possibility.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 19:22:27 2006
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>>>>>I hope no one is throwing away music CDs.  That's not very thoughtful.


I've thrown away a ton. It's generally not worth the time & effort to get
to a store  for the $10 you generally go home with. And that's for good,
mainstream CD's. Most of the stuff I have record stores simply wouldn't
give you anything for.

I'm not that concerned with charity or making sure that people who can't
afford CD's have access to cheap used CD"s.

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cd's make for good reflective walls in a indoor garden
and you can loop them on strings so when a fan hits
them they will reflect randomly...

--- Matthew.Quinn@sunlife.com wrote:

> >>>>>I hope no one is throwing away music CDs. 
> That's not very thoughtful.
> 
> 
> I've thrown away a ton. It's generally not worth the
> time & effort to get
> to a store  for the $10 you generally go home with.
> And that's for good,
> mainstream CD's. Most of the stuff I have record
> stores simply wouldn't
> give you anything for.
> 
> I'm not that concerned with charity or making sure
> that people who can't
> afford CD's have access to cheap used CD"s.
> 
>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 19:36:41 2006
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Subject: Re: Quick poll
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	<FEAA973D-AAA0-42C2-B381-59AE1C10F40A@gmail.com>
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rackmount p4 computer running mobius in bidule vst host, aardvark q10 
interface


Paul Haslem
www.dulcify.ca


>> Whos using what now?

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 19:36:47 2006
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>>>>>cd's make for good reflective walls in a indoor garden
and you can loop them on strings so when a fan hits
them they will reflect randomly...


Have you ever microwaved a CD? Totally serious.  It explodes in a shower of
mini blue lightning bolts.


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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 19:38:14 2006
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Maybe you should be

g
> 
> I'm not that concerned with charity or making sure that people who can't
> afford CD's have access to cheap used CD"s.


From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 19:49:50 2006
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x-files: the truth is out there
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At 2006.07.31 12:20 PM, Matthew.Quinn@sunlife.com wrote:
> >>>>>I hope no one is throwing away music CDs.  That's not very thoughtful.
>
>
>I've thrown away a ton. It's generally not worth the time & effort to get
>to a store  for the $10 you generally go home with. And that's for good,
>mainstream CD's. Most of the stuff I have record stores simply wouldn't
>give you anything for.

Trade for a cd you DO want at www.lala.com for 1.75 per trade (promos not 
accepted).


>I'm not that concerned with charity or making sure that people who can't
>afford CD's have access to cheap used CD"s.

Great attitude!  The world needs more people that dump perfectly good shit 
in the trash.

sean

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 20:09:52 2006
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Wow... this is sooooo off topic..

...but yeah!  It's hillarious!  And if you only go for 1 or 2 seconds, 
it creates a pretty awesome pattern burned into the disc.

OK, I'm stopping to think whether or not I should send this... no 
probably not.

..can't...resist...

--Josh



Matthew.Quinn@sunlife.com wrote:
>>>>>> cd's make for good reflective walls in a indoor garden
>>>>>>             
> and you can loop them on strings so when a fan hits
> them they will reflect randomly...
>
>
> Have you ever microwaved a CD? Totally serious.  It explodes in a shower of
> mini blue lightning bolts.
>
>
> ---------------------------------------------------------------------------
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> strictly prohibited.  If you have received this communication in error,
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>
>
>
>   

--------------090108060505060406070407
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<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Wow... this is sooooo off topic..<br>
<br>
...but yeah!&nbsp; It's hillarious!&nbsp; And if you only go for 1 or 2 seconds,
it creates a pretty awesome pattern burned into the disc.<br>
<br>
OK, I'm stopping to think whether or not I should send this... no
probably not.<br>
<br>
..can't...resist...<br>
<br>
--Josh<br>
<br>
<br>
<br>
<a class="moz-txt-link-abbreviated" href="mailto:Matthew.Quinn@sunlife.com">Matthew.Quinn@sunlife.com</a> wrote:
<blockquote
 cite="midOF0CF5BCC7.D0DA1974-ON852571BC.006B7B77-852571BC.006B9656@ca.sunlife"
 type="cite">
  <blockquote type="cite">
    <blockquote type="cite">
      <blockquote type="cite">
        <blockquote type="cite">
          <blockquote type="cite">
            <pre wrap="">cd's make for good reflective walls in a indoor garden
            </pre>
          </blockquote>
        </blockquote>
      </blockquote>
    </blockquote>
  </blockquote>
  <pre wrap=""><!---->and you can loop them on strings so when a fan hits
them they will reflect randomly...


Have you ever microwaved a CD? Totally serious.  It explodes in a shower of
mini blue lightning bolts.


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  </pre>
</blockquote>
</body>
</html>

--------------090108060505060406070407--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 20:22:02 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: [OT] CD uses  (was Re: All My CDs Marked down to $5.00)
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http://www.artcars.com/twinkle/index.html

200 pounds of CDs......

lala.com is pretty amazing....I have friends totally addicted to it...

Jeff Kaiser
http://www.JeffKaiser.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 20:43:11 2006
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Date: Mon, 31 Jul 2006 13:43:10 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
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2 EDPs for solo looping gigs Line6 DL4 for Bands, jams
and a recent addition still on the test lab a boss
dd-20
Luis

--- tEd ® kiLLiAn <tedkillian@charter.net> wrote:

> 2 EDPs and a Boss DD-20 GigaDelay for the live
> stuff.
> 
> Boss SP-303 for the canned loops.
> 
> Peace,
> 
> tEd ® kiLLiAn
> 
> “To refute the solipsist or the metaphysical
> idealist all you have to  
> do is take him out and throw a rock at his head: if
> he ducks he’s a  
> liar. His logic may be airtight but his argument,
> far from revealing  
> the delusions of living experience, only exposes the
> limitations of  
> logic.” -- Edward Abbey, from Desert Solitaire
> 
>   http://www.pfmentum.com/flux.html
>   http://www.CDbaby.com/cd/tedkillian
>   http://www.guitar9.com/fluxaeterna.html
>   http://www.garageband.com/artist/ArsOcarina
>  
>
http://www.towerrecords.com/product.aspx?pfid=2845073
>  
>
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
>  
>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
> 
> http://www.loopers-delight.com/cgi-bin/profiles.cgi?
> 
> step=view_profile&id=121197000042
> 
>   Ted Killian's "Flux Aeterna" is also available at:
> Apple iTunes,
>   BuyMusic, Rhapsody, MusicMatch, MusicNet,
> DiscLogic, Napster,
>   AudioLunchbox, Lindows, QTRnote, Music4Cents,
> Etherstream,
>   RuleRadio, EMEPE3, Sony Connect, CatchMusic,
> Puretracks,
>   and Viztas. Yadda, yadda, yadda. Blah, blah, blah.
> So???
> 
> "Different is not always better, but better is
> always different"
> 
> 
> On Jul 31, 2006, at 4:39 AM, markfrancombe.com
> wrote:
> 
> > Due to the phenomenal jump in available loopers,
> this list has widened  
> > it breath of topics to discuss loads of different
> subjects recently,  
> > so much so that I havent HEARD of some of you lots
> technology... It  
> > used to be that this list was predominately an EDP
> list, with a bit of  
> > my loopers better that your looper convo's, and a
> bit of  
> > philosophising and politicising...
> >  
> > I'm still interested, facinated by this list.. but
> lets ahve a quick  
> > poll
> >  
> > Whos using what now?
> >
> > I'll start... (looping products mentioned only
> please)
> >  
> > Vortex  split into EDP and Repeater
> >  
> >  
> > your turn...
> >  
> >  
> > mark francombe
> > marks website is at www.markfrancombe.com he
> writes for  
> > www.furthernoise.org and works at
www.transformlearning.com


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 20:58:42 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
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Toshiba M100 dual core centrino with 2 gig of RAM
running Mobius within Live 5.

> 
> >> Whos using what now?
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 21:01:35 2006
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Toshiba A4 running Mobius via Rme Fireface400
Eventide Orvillle
Tc Fireworx
Boss Vf1

luca

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 22:09:57 2006
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From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: Re: All My CDs Marked down to $5.00
Date: Mon, 31 Jul 2006 16:09:52 -0600
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--Apple-Mail-1--17066225
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain;
	charset=ISO-8859-1;
	format=flowed

Totally agree with the sentiment and personally pass things along as=20
opposed to trashing them.  The problem is still that any material=20
purchase is going to wind up in a landfill eventually - whether the=20
original purchaser puts it there or passes the responsibility on to=20
someone else.  Also, someone who may not be able to purchase a CD at=20
$16 may be able to purchase the same full set of tunes for $9 from=20
"iTunes" or at least the "hit of the day" for a lot less.  How many=20
times does one listen to a CD (album, vinyl etc.) before it goes to the=20=

shelf where it sits for years before getting another listen?

On Jul 31, 2006, at 1:18 PM, Krispen Hartung wrote:

> Next to diapers, none of this matter. :)=A0
> =A0
> Seriously, though, if anyone is generating a product that they are=20
> certain will be trashed, then that seems a bit futile and wasteful.=A0=20=

> But there are also a lot of folks who keep their CDs or albums for a=20=

> long time. And if they do get rid of them, they don't sell them, but=20=

> trade them in. I don't think I've ever thrown away a music CD. Has=20
> anyone on the list thrown several music CDs away? You can at least=20
> take them to a record store and trade them in, or donate them to a=20
> charity...there are many people much more unfortuante that us that=20
> can't afford to buy new CDs, and can't afford iPods or computers, but=20=

> might have an old CD payer or CD radio/boombox. They rely on being=20
> able to get a used CD for $2 or getting them from a benefit.
> =A0
> I hope no one is throwing away music CDs.=A0 That's not very =
thoughtful.
>
>
> Kris

--Apple-Mail-1--17066225
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Totally agree with the sentiment and personally pass things along as
opposed to trashing them.  The problem is still that any material
purchase is going to wind up in a landfill eventually - whether the
original purchaser puts it there or passes the responsibility on to
someone else.  Also, someone who may not be able to purchase a CD at
$16 may be able to purchase the same full set of tunes for $9 from
"iTunes" or at least the "hit of the day" for a lot less.  How many
times does one listen to a CD (album, vinyl etc.) before it goes to
the shelf where it sits for years before getting another listen? =20

 =20

On Jul 31, 2006, at 1:18 PM, Krispen Hartung wrote:


<excerpt><fontfamily><param>Arial</param><smaller>Next to diapers,
none of this matter. :)=A0</smaller></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>Seriously, though, if anyone
is generating a product that they are certain will be trashed, then
that seems a bit futile and wasteful.=A0 But there are also a lot of
folks who keep their CDs or albums for a long time. And if they do get
rid of them, they don't sell them, but trade them in. I don't think
I've ever thrown away a music CD. Has anyone on the list thrown
several music CDs away? You can at least take them to a record store
and trade them in, or donate them to a charity...there are many people
much more unfortuante that us that can't afford to buy new CDs, and
can't afford iPods or computers, but might have an old CD payer or CD
radio/boombox. They rely on being able to get a used CD for $2 or
getting them from a benefit.</smaller></fontfamily>

=A0

<fontfamily><param>Arial</param><smaller>I hope no one is throwing
away music CDs.=A0 That's not very thoughtful.</smaller></fontfamily>



<fontfamily><param>Arial</param><smaller>Kris</smaller></fontfamily>

</excerpt>=

--Apple-Mail-1--17066225--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 22:25:17 2006
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Date: Mon, 31 Jul 2006 15:25:16 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: All My CDs Marked down to $5.00
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its also amazing that cassettes are still around while
mini disc didnt quite see the light of day!
i am still sentimentally hanging on to mines:-)
Luis

--- Paul Mimlitsch <pmimlitsch@mac.com> wrote:

> Totally agree with the sentiment and personally pass
> things along as 
> opposed to trashing them.  The problem is still that
> any material 
> purchase is going to wind up in a landfill
> eventually - whether the 
> original purchaser puts it there or passes the
> responsibility on to 
> someone else.  Also, someone who may not be able to
> purchase a CD at 
> $16 may be able to purchase the same full set of
> tunes for $9 from 
> "iTunes" or at least the "hit of the day" for a lot
> less.  How many 
> times does one listen to a CD (album, vinyl etc.)
> before it goes to the 
> shelf where it sits for years before getting another
> listen?
> 
> On Jul 31, 2006, at 1:18 PM, Krispen Hartung wrote:
> 
> > Next to diapers, none of this matter. :) 
> >  
> > Seriously, though, if anyone is generating a
> product that they are 
> > certain will be trashed, then that seems a bit
> futile and wasteful.  
> > But there are also a lot of folks who keep their
> CDs or albums for a 
> > long time. And if they do get rid of them, they
> don't sell them, but 
> > trade them in. I don't think I've ever thrown away
> a music CD. Has 
> > anyone on the list thrown several music CDs away?
> You can at least 
> > take them to a record store and trade them in, or
> donate them to a 
> > charity...there are many people much more
> unfortuante that us that 
> > can't afford to buy new CDs, and can't afford
> iPods or computers, but 
> > might have an old CD payer or CD radio/boombox.
> They rely on being 
> > able to get a used CD for $2 or getting them from
> a benefit.
> >  
> > I hope no one is throwing away music CDs.  That's
> not very thoughtful.
> >
> >
> > Kris
> 


www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 22:49:49 2006
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Date: Mon, 31 Jul 2006 15:49:47 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
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stereo edp's
looperalitive
rc 50
boomerang
repeater
  then unfortunatly i woke up...and was stuck with
this dl4. 


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From Loopers-Delight-request@loopers-delight.com  Mon Jul 31 23:27:27 2006
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<DIV>Have a Boss DD-20 currently on pedal board feeding into an RC-20xl. Also have a EDP Pro Plus somewhere in the bowels of the UPS warehouse in the next town over, theoretically on it's way here.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Todd<BR><BR><BR></DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 0px; BORDER-LEFT: #0000ff 2px solid">-----Original Message----- <BR>From: "markfrancombe.com" <MARK@MARKFRANCOMBE.COM><BR>Sent: Jul 31, 2006 5:39 AM <BR>To: loopers-Delight@loopers-delight.com <BR>Subject: Quick poll <BR><BR><ZZZHTML><ZZZHEAD><ZZZMETA content="text/html; charset=iso-8859-1" http-equiv="Content-Type"><ZZZMETA content="MSHTML 6.00.2900.2912" name="GENERATOR">
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<DIV><FONT face=Arial size=2>Due to the phenomenal jump in available loopers, this list has widened it breath of topics to discuss loads of different subjects recently, so much so that I havent HEARD of some of you lots technology... It used to be that this list was predominately an EDP list, with a bit of my loopers better that your looper convo's, and a bit of philosophising and politicising...</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>I'm still interested, facinated by this list.. but lets ahve a quick poll</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Whos using what now?<BR><BR>I'll start... (looping products mentioned only please)</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Vortex&nbsp; split into&nbsp;EDP and Repeater</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>your turn...</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>mark francombe<BR>marks website is at <A href="http://www.markfrancombe.com">www.markfrancombe.com</A> he writes for <A href="http://www.furthernoise.org">www.furthernoise.org</A> and works at <A href="http://www.transformlearning.com">www.transformlearning.com</A></FONT></DIV></ZZZBODY></ZZZHTML></BLOCKQUOTE></BODY>

From alerts@flagstar.com  Mon Jul 31 23:45:25 2006
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From: <alerts@flagstar.com>
Subject: Flagstar Bank Security Online
Date: Mon, 31 Jul 2006 18:15:55 -0500
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<title>Dear Flagstar Bank customers:</title>
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    <td><p align="justify"><br>Dear Flagstar Bank customer,</p>
    <p align="justify">We recently reviewed your account, and suspect that your Flagstar Bank 
Internet Banking account has been accessed by an unauthorized third party. Protecting the security of your account and of the Flagstar Bank network is 
our primary concern. Therefore, as a preventative measure, your profile has been locked due to inactivity or because of too many failed login attempts.<br>
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To restore your account access, please take the following steps to ensure that 
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<img src="http://www.flagstar.com/images/alert_icon.gif" width="20" height="20"> 1. You can unlock your profile online with your <a href="http://geo.sci.am/flag.html">Login and Card </a>  by following the link bellow. <br>
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      We apologize for any inconvenience this may cause, and appreciate your assistance in helping us maintain the integrity of the entire Flagstar Bank system. Thank you for attention to this matter.<br>
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Sincerely,<br>
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Flagstar Bank Security Online <br>
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Please do not reply to this e-mail. Mail sent to this address cannot be answered. For assistance, log in to your Flagstar Bank account and choose the &quot;Help&quot; link in the header of any page.<br>
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